The Golden Ass  

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Kunstformen der Natur (1904) by Ernst Haeckel
Kunstformen der Natur (1904) by Ernst Haeckel

The Metamorphoses of Apuleius, which St. Augustine referred to as The Golden Ass (Asinus aureus), is the only Latin novel to survive in its entirety.

The narrative poem tells the story of Lucius, a traveler who is transformed into a donkey (the ass of the title), keeping his human understanding and rationality, he comes to know better the interests and addictions of various groups of human beings. The book as both an alegorical (about the journey of a man who comes to abandon vice and curiosity and recovers his dignity only after piety) and a satirical (mocking customs of the time throughout its narration with some elements of picaresque realism).



The date of composition of the Metamorphoses is uncertain. It has variously been considered by scholars as a youthful work preceding Apuleius' Apology of 158/9 AD, or as the climax of his literary career and perhaps as late as the 170s or 180s. Apuleius adapted the story from a Greek original of which the author's name is said to be Lucius of Patrae (the name of the lead character and narrator). This Greek text has been lost, but there is Λούκιος ἢ ὄνος (Loúkios è ónos, Loukios/Lucius or the Ass), a similar tale of disputed authorship. This surviving Greek text is possibly an abridgement or epitome of "Lucius of Patrae's" text, attributed to Lucian of Samosata, a contemporary of Apuleius. Possibly the original lost story was written by Lucian and only an abriged version was transmitted under his name.


Book One

The prologue establishes an audience and a speaker, who defines himself by location, education, and occupation. The narrator journeys to Thessaly on business. On the way, he runs into Aristomenes and an unnamed traveler. The unnamed traveler refuses to believe Aristomenes’ story. The narrator scolds the unnamed traveler and tells a short story about a sword swallower. He promises Aristomenes a free lunch if he will retell his tale. The narrator believes Aristomenes’ tale and becomes more eager to learn about magic. The narrator arrives at Hypata, where he stays with Milo, a family friend and miser, and his wife Pamphile. Photis, Milo’s servant, takes the narrator to the baths, after which the narrator goes to the marketplace. There, he buys some fish and runs into his old friend Pytheas, who is now a magistrate. Pytheas reveals the narrator’s name as Lucius. Pytheas says that Lucius overpaid for the fish and humiliates the fish-monger by trampling on the fish. Lucius returns to Milo’s house, hungry and empty-handed. Milo asks Lucius about his life, his friends, and his wanderings. Lucius goes to sleep hungry.

Book Two

The next morning, Lucius meets his aunt Byrrhena in the town, and she warns him that Milo's wife is an evil witch who will kill Lucius. Lucius, however, is interested in becoming a witch himself. He then returns to Milo's house, where he repeatedly makes love to the slave-girl Fotis (also spelled Photis). The next day, Lucius goes to his aunt's home for dinner, and there meets Thelyphron, who relates the his tale of how witches cut off his nose and ears. After the meal, Lucius drunkenly returns to Milo's house in the dark, where he encounters three robbers, whom he soon slays before retiring to bed.

Book Three

The next morning, Lucius is abruptly awoken and arrested for the murder of the three men. He is taken to court where he is laughed at constantly and witnesses are brought against him. They are just about to announce his guilt when the widow demands to bring out the dead bodies; but when the three bodies of the murdered men are revealed, they have miraculously transformed into puffed-up wineskins. It then turns out that it was a prank played by the town upon Lucius. Later that day, Lucius and Photis watch Milo's wife perform her witchcraft and transform herself into a bird. Attempting to copy her, Lucius accidentally turns himself into an ass, at which point Photis tells him that the only way for him to return to his human state is to eat a rose.

Book Four

Lucius the ass trots over to a garden to munch on a rose when he is beaten by the gardener and chased by dogs. He is then stolen from Milo's house by thieves, who talk about how their leader Thrasileon has been killed while dressed as a bear. The thieves then kidnap a young woman, Charites, who is housed in a cave with Lucius the ass. Charites starts crying, so an elderly woman who is in league with the thieves begins to tell her the story of Cupid and Psyche. The elderly woman continues telling the story of Cupid and Psyche. Psyche is the most beautiful woman on earth, and Venus jealously arranges for Psyche's destruction.

Book Five

Cupid, Venus's son, secretly preserves Psyche; Cupid becomes Psyche's anonymous lover. Psyche's jealous sisters arouse her curiosity and fear; Psyche, against Cupid's commands, looks at him; Cupid abandons Psyche, who wanders in search of him.

Book Six

The elderly woman finishes telling the story of Cupid and Psyche. Lucius the ass and Charites escape from the cave but they are caught by the thieves, and sentenced to death.

Book Seven

A man appears to the thieves and announces that he is the renowned thief Haemus the Thracian, who suggests that they should not kill the captives but sell them. Haemus later reveals himself secretly to Charites as her fiancé Tlepolemus, and gets all of the thieves drunk. When they are asleep he slays them all. Tlepolemus, Charites and Lucius the ass safely escape back to the town. Once there, the ass is entrusted to a horrid boy who torments him but the boy is later killed by a bear. Enraged, the boy's mother plans to kill the ass.

Book Eight

A man arrives at the mother's house and announces that Tlepolemus and Charites are dead, caused by the scheming of the evil Thrasillus who wants Charites to marry him. After hearing the news of their master's death, the slaves run away, taking the ass Lucius with them. The large group of traveling slaves is mistaken for a band of robbers and attacked by farmhands of a rich estate. Several other misfortunes befall the travelers until they reach a village. Lucius as the narrator often digresses from the plot in order to recount several scandal-filled stories that he learns of during his journey. Lucius is eventually sold to a catamite priest. He is entrusted with carrying the statue of a goddess on his back while he follows around the group of sinful priests. While engaging in lewd activity with a local boy, the group of priests is discovered by a man in search of a stolen ass who mistakes Lucius' braying for that of his own animal. The priests flee to a new city where they are well received by one of its chief citizens. They are preparing to dine when his cook realizes that the meat that was to be served was stolen by a dog. The cook, at the suggestion of his wife, prepares to kill Lucius in order to serve his meat instead.

Book Nine

Lucius' untimely escape from the cook coincides with an attack by rabid dogs, and his wild behavior is attributed to their viral bites. The men barricade him in a room until it is decided that he is no longer infected. The band of priests packs up and moves out. The narrative is interrupted by The Tale of the Wife's Tub. After the arrest of the priests Lucius is sold into labor, driving a baker's mill-wheel. Lucius, though bemoaning his labor as an ass, also realizes that this state has allowed him to hear many novel things with his long ass-ears. The Tale of the Jealous Husband and The Tale of the Fuller's Wife mark a break in the narrative. The theme of the two intervening stories is adultery, and the text appropriately follows with the adultery of the baker's wife and the subsequent murder of the baker. Lucius the ass is then auctioned off to a farmer. The Tale of the Oppressive Landlord is here told. The farmer duly assaults a legionary who makes advances on his ass (Lucius), but he is found out and jailed.

Book Ten

Lucius comes into the legionary's possession, and after lodging with a decurion Lucius recounts Tale of the Murderous Wife. He is then sold to two brothers, a confectioner and a cook, who treated him kindly. When they would go out Lucius would secretly eat his fill of their food. At first a source of vexation, when the ass was discovered to be the one behind the disappearing food it was much laughed at and celebrated. Again he was sold, and he was taught many amusing tricks. Rumor spread, and great fame came to the ass and his master. As it happened, a woman was so enamored of the sideshow ass that she paid off his keeper and took him to bed with her. The Tale of the Jealous Wife is aired. The murderess depicted in this tale is precisely she whom Lucius is made to mate with at the Shows. After an enactment of the judgment of Paris and a brief but important digression, the time comes for Lucius to make his much awaited appearance. At the last moment he decides against this, fearing for his life, and he runs away to Cenchreae eventually to nap on the beach.

Book Eleven

Lucius wakes up in a panic during the first watch of the night. Considering Fate to be done tormenting him, he takes the opportunity to purify himself by seven consecutive immersions in the sea. He then offers a prayer to the Queen of Heaven, for his return to human form, citing all the various names the Goddess is known by to people everywhere (Venus, Ceres, Paphos, Proserpine, etc.). The Queen of Heaven appears in a vision to him and explains to him how he can be returned to human form by eating the crown of roses that will be held by one of her priests during a religious procession the following day. In return for his redemption, Lucius is expected to be initiated into Isis’ priesthood (Isis being the Queen of Heaven’s true name, according to her). Lucius follows her instructions and is returned to human form and, at length, initiated into her priesthood. Lucius is then sent to his ancestral home, Rome, where he continues to worship Isis, under the local name, Campensis. After a time, he is visited once more by the Goddess who speaks again of mysteries and holy rites which Lucius comes to understand as a command to be initiated into the cult of Isis. He does so. Shortly afterwards, he receives a third vision. Though he is confused, the God appears to him and reassures him that he is much blessed and that he is to become once more initiated that he might supplicate in Rome as well. The story concludes with the Goddess, Isis, appearing to Lucius and declaring that Lucius shall rise to a prominent position in the legal profession and that he shall be appointed to the College of Pastophori that he might serve Osiris and Isis’ mysteries. Lucius is so happy that he goes about freely exposing his bald head.

Inset Stories

As many of the picaresque novels to follow its style, The Golden Ass features several shorter stories told by characters encountered by the protagonist. Some act as independent short stories, while others interlock with plot developments.

Aristomenes Tale

At the beginning of Book One, Lucius encounters two men arguing on the road about the truth of one's story. Lucius is interested, and offers the teller a free lunch for his tale.

Aristomenes goes on business for cheese and he runs into his friend Socrates, who is disheveled and emaciated. Aristomenes clothes Socrates and takes him to the bathhouse. Aristomenes berates Socrates for leaving his family. While they’re eating lunch, Socrates tells about his affair with Meroë. Socrates tells Aristomenes that Meroë is an ugly witch who turns her ex-lovers into rather unfortunate animals. Aristomenes doesn’t believe Socrates’ tale but is nevertheless afraid. Aristomenes barricades the door and they both go to bed. In the middle of the night, Meroë and Panthia break in, cut open Socrates, drain his blood, rip out his heart, and replace it with a sponge. Before leaving, they urinate on Aristomenes. The witches spare Aristomenes because they want him to bury Socrates in the land. Aristomenes fears that he will be blamed for the death of his friend and attempts to hang himself, but is comically stopped when the rope is revealed to be too rotten to support his weight. In the morning, Socrates wakes up and everything seems to be normal. They continue travelling and reach a stream, where Socrates bends to take a drink, which causes the sponge to fall out and him to die. Aristomenes buries Socrates in the ground, and then proceeds on his way.

Thelyphron's Tale

In Book Two, Thelyphron hesitantly relates a story requested at a dinner party that was previously popular with his friends:

While a University student, Thelyphron partakes in many wanderings and eventually runs out of funds. At Larissa, he encounters a large sum being offered to watch over a corpse for the night. When he asks, a citizen tells him that shape-shifting witches are quite common in the area, using pieces of human flesh to fuel incantations. Thelyphron takes the job for a thousand drachme and is warned to stay very alert all through the night. The widow is at first hesitant, taking inventory of the body's intact parts. Thelyphron requests a meal and some wine, to which she promptly refuses and leaves him with a lamp for the night. A weasel enters the room and Thelyphron quickly chases it out, then falls into a deep sleep. At dawn, Thelyphron awakes and to his relief finds the body intact. The widow enters, and calls for Thelyphron to be paid, satisfied with the intact corpse. Thanking the widow, Thelyphron is suddenly attacked by the crowd and narrowly escapes. He witnesses an elder of the town approach the townspeople and claim that the widow had poisoned her husband to cover up a love affair. The widow protests, and a necromancer is called to bring back the deceased for the only truly reliable testimony. The corpse awakes, and affirms the widow's guilt. The corpse does thank Thelyphron for his trouble; during the night the witches entered as small animals, putting Thelyphron to sleep and stealing pieces of his ears and nose. The witches cleverly replace the missing flesh with wax to delay discovery. Thelyphron touches his nose and ears to find wax fall out of where they once were. The crowd laughs at Thelyphron's humiliation.

Tale of Cupid and Psyche

See Article: Cupid and Psyche

In Book Four, an elderly woman tells the story to comfort the bandits' captives. The story is continued through Books Five and Six.

Psyche, the most beautiful woman in the world is envied by her family as well as by Venus. An oracle of Venus demands she be sent to a mountaintop and wed to a murderous beast. Sent by Venus to destroy her, Cupid falls in love and flies her away to his castle. There she is directed to never seek to see the face of her husband, who visits and makes love to her in the dark of night. Eventually, Psyche wishes to see her sisters, who jealously demand she seek to discover the identity of her husband. That night, Psyche discovers her husband is Cupid while he is sleeping, but wakes and scars him with her candle. Infuriated, he flies to heaven and leaves her banished from her castle. In attempted atonement, Psyche seeks the temple of Venus and offers herself as a slave. Venus assigns Psyche four impossible tasks. First, she is commanded to sort through a great hill of mixed grains. In pity, many ants aid her in completing the task. Next, she is commanded to retrieve wool of the dangerous golden sheep. A river god aids Psyche and tells her to gather clumps of wool from thorn bushes nearby. Venus next requests water from a cleft high beyond mortal reach. An eagle gathers the water for Psyche. Next, Psyche is demanded to seek some beauty from Persephone, Queen of the Underworld. Attempting to kill herself to reach the underworld, Psyche ascends a great tower and prepares to throw herself down. The tower speaks, and teaches Psyche the way the underworld. Psyche retrieves the beauty in a box, and, hoping to gain the approval of her husband, opens the box to use a little. She is put into a coma. Cupid rescues her, and begs Zeus that she may become immortal. Psyche is granted Ambrosia, and the two are forever united.

The story is the best-known of those in The Golden Ass, and frequently appears or is referenced directly in later literature.

Tale of the Wife's Tub

In Book Nine, while staying at an inn, a Smith tells a story of his wife's deception:

While he is gone during the day, the Smith's wife continues an adulterous affair with another man. One day to his wife's surprise, the smith is finished his work and returns early. Panicked, she hides her lover in an old tub. She complains to her husband that he is returning early for laziness which only adds to their poverty. Her husband announces that he has sold the tub for five drachme, to which she responds she has already sold it for seven and has sent the buyer into the tub to inspect it. Her lover gets up from inside the tub and complains that it is in need of great cleaning before he can buy it. The Husband gets a candle and flips the tub, cleaning it from underneath. His wife lays on top of the tub and orders him where to clean while her lover pleasures her. Her husband eventually has to deliver the tub to the lover's house himself.

The Tale of the Jealous Husband

In Book Nine, a baker's wife of poor reputation is advised by a female 'confidant' to be wary of choosing her lover, suggesting she find one very strong of body and will. She relates the story of one of the wife's previous school friends:

Barabus, an overbearing husband, is forced leave on a business trip, and commands his slave, Myrmex, to watch his wife, Aretë closely to assure she is being faithful during his time away. Barbarus tells Myrmex that any failure will result in his death. Myrmex is so intimidated that he does not let Aretë out of his sight. Aretës' looks, however, charm Philesietaerus who vows to go to any lengths to gain her love. Philesietaerus bribes Myrmex with thirty gold pieces and the promise of his protection for allowing him a night with Aretë. Becoming obsessed with gold, Myrmex delivers the message to Aretë and Philesietaerus pays Myrmex a further ten pieces. While Aretë and Philesietaerus are making love, Barbarus returns but is locked out of the house. Philesietaerus leaves in a hurry, leaving behind his shoes. Barbarus does not notice the strange shoes until the morning, at which point he chains Myrmex's hands and drags him through town, screaming, while looking for the shoes' owner. Philesietaerus spots the two, runs up, and with great confidence shouts at Myrmex, accusing him of stealing his shoes. Barbarus allows Myrmex to live, but beats him for the 'theft'.

The Tale of the Fuller's Wife

In Book Nine the baker's wife attempts to hide her lover from her husband, and entertains to her husband's story of the Fuller:

While coming home with the Baker for supper, the Fuller interrupts his wife's love making with a lover and attempts to hide him in a drying cage in the ceiling, hidden by hanging clothes soaked in sulphur. The lover begins to sneeze, and at first the Fuller excuses his wife. After a few sneezes, the Fuller gets up and turns over the cage to find the lover waiting. The Fuller is talked out of beating the young man to death by the Baker, who points out that the young man will shortly die from the sulphur fumes if left in the cage. The Fuller agrees and returns the lover to the cage.

The tale is used to contrast the earlier tale told to the Baker's wife of high suspicion and quick judgments of character by her 'auntie' with the overly naive descriptions of nefarious people by her husband.

Tale of the Murderous Wife

In Book Ten a woman condemned to public humiliation with Lucius tells him her crimes:

A man goes on a journey, leaving his pregnant wife and infant son. He commands his wife that if she bears a daughter, the child is to be killed. The child is indeed a daughter, and in pity, the mother convinces her poor neighbours to raise her. Her daughter grows up ignorant of her origin, and when she reaches a marriageable age, the mother tells her son to deliver her daughter's dowry. The son begins preparation to marry the girl off to a friend, and lets her into his home under the guise of her being an orphan to all but the two of them. His wife, however, is unaware the girl is his sister, and believes he keeps her as a mistress. His wife steals her husbands signet ring and visits their country home accompanied by a group of slaves. She sends a slave with the signet to fetch the girl and bring her to the country home. The girl, aware that the husband is her brother, responds immediately, and on arrival at the country home is flogged by the wife's slaves, and put to death by a torch placed 'between her thighs'. The girl's brother takes the news and falls gravely ill. Aware of suspicions around her, his wife asks a corrupt doctor for instant poison. Accompanied by the doctor, she brings the poison to her husband in bed. Finding him surrounded by friends, she first tricks the doctor into drinking from the cup to prove to her husband the drink is benign, and giving him the remainder. Unable to return home in to seek an antidote, the doctor dies telling his wife what happened and to at least collect a payment for the poison. Attempting to please the wealthy wife, the doctor's widow asks payment but first offers the wife the remainder of her husband's collection of poisons. Finding that her daughter is next of kin to her husband for inheritance, the wife prepares a poisoned both the doctor's widow and her daughter. The doctor's widow recognizes early the symptoms of the poison and rushes to the Governor's Home. She tells the Governor the whole of the connected murders and dies. The wife is sentenced to death by wild beasts.


The text is a precursor to the literary genre of the episodic picaresque novel, in which Quevedo, Rabelais, Boccaccio, Cervantes, Voltaire, Defoe and many others have followed. It is an imaginative, irreverent, and amusing work that relates the ludicrous adventures of one Lucius, a virile young man who is obsessed with magic. Finding himself in Thessaly, the "birthplace of magic," Lucius eagerly seeks an opportunity to see magic being used. His overenthusiasm leads to his accidental transformation into an ass. In this guise, Lucius, a member of the Roman country aristocracy, is forced to witness and share the miseries of slaves and destitute freemen who are reduced, like Lucius, to being little more than beasts of burden by their exploitation at the hands of wealthy landowners.

The Golden Ass is the only surviving work of literature from the ancient Greco-Roman world to examine, from a first-hand perspective, the abhorrent condition of the lower classes. Yet despite its serious subject matter, the novel remains imaginative, witty, and often sexually explicit. Numerous amusing stories, many of which seem to be based on actual folk tales, with their ordinary themes of simple-minded husbands, adulterous wives, and clever lovers, as well as the magical transformations that characterize the entire novel, are included within the main narrative. The longest of these inclusions is the tale of Cupid and Psyche, encountered here for the first but not the last time in Western literature.


Apuleius' style is innovative, mannered, baroque and exuberant, a far cry from the more sedate Latinity familiar from the schoolroom. In the introduction to his translation of The Golden Ass, Jack Lindsay writes:

Let us glance at some of the details of Apuleius' style and it will become clear that English translators have not even tried to preserve and carry over the least tincture of his manner... Take the description of the baker's wife: saeva scaeva virosa ebriosa pervicax pertinax...  The nagging clashing effect of the rhymes gives us half the meaning. I quote two well-known versions: "She was crabbed, cruel, cursed, drunken, obstinate, niggish, phantasmagoric." "She was mischievous, malignant, addicted to men and wine, forward and stubborn." And here is the most recent one (by R. Graves): "She was malicious, cruel, spiteful, lecherous, drunken, selfish, obstinate." Read again the merry and expressive doggerel of Apuleius and it will be seen how little of his vision of life has been transferred into English.

Lindsay's own version is: "She was lewd and crude, a toper and a groper, a nagging hag of a fool of a mule."

Apuleius' vocabulary is often eccentric and includes some archaic words. However, S. J. Harrison argues that some archaisms of syntax in the transmitted text may be the result of textual corruption.

Final book

In the last book, the style abruptly changes. Driven to desperation by his asinine form, Lucius calls for divine aid, and is answered by the goddess Isis. Eager to be initiated into the mystery cult of Isis, Lucius abstains from forbidden foods, bathes and purifies himself. Then the secrets of the cult's books are explained to him and further secrets revealed, before going through the process of initiation which involves a trial by the elements in a journey to the underworld. Lucius is then asked to seek initiation into the cult of Osiris in Rome, and eventually becomes initiated into the pastophoroi, a group of priests that serves Isis and Osiris.

The humorous prose of the earlier books is exchanged for an equally powerful, sometimes quasi-poetic, style that draws upon Lucius' religious experiences.

Adaptations and influence

The style of autobiographical confession of suffering in The Golden Ass influenced Augustine of Hippo in the tone and style—partly in Polemic—of his Confessions. Scholars note that both Apuleius came from the M'Daourouch in Algeria, where Augustine would later study. Augustine refers to Apuleius and The Golden Ass particularly derisively in City of God.

A transformation of a human into an ass appear in the character of Nick Bottom in Shakespeare's A Midsummer Night's Dream.

In 1517, Niccolò Machiavelli wrote his own version of the story, as a terza rima poem. It was uncompleted at the time of his death.

In 1883, Carlo Collodi published The Adventures of Pinocchio which includes an episode in which the puppet protagonist is transformed into an ass. The episode is frequently featured in its subsequent adaptations.

In 1915 Franz Kafka published the novella The Metamorphosis under a quite similar name, about a young man's unexpected transformation into a cockroach.

In 1956, C. S. Lewis published the allegorical novel, Till We Have Faces, retelling the Cupid-Psyche myth of books four through six from the point of view of Orual, Psyche's jealous ugly sister. The novel revolves upon the threat/hope of meeting the divine face to face. Lewis's novel is widely regarded as one of his most compelling works of fiction.

In 1985, comic book artist Georges Pichard adapted the text into a graphic novel titled Les Sorcières de Thessalie.

In April 1999 the Canadian Opera Company produced an operatic version of The Golden Ass, the libretto of which was written by celebrated Canadian author Robertson Davies. An operatic production of The Golden Ass also appears as a plot device in Davies's novel A Mixture of Frailties (1958).

In 1999, comic book artist Milo Manara adapted the text into a fairly abridged graphic novel version named Le metamorfosi o l'asino d'oro.

In 2002, Shakespeare's Globe theatre rehearsed for the first time the drama The Golden Ass or the Curious Man (starring Mark Rylance as Lucius) written by Peter Oswald after Apuleius' novel, while performing A Midsummer Night's Dream during the same season. This shows how Shakespeare used ancient literature as a source for his comedy (Bottom's head being transformed into that of an ass). –

See also

Unless indicated otherwise, the text in this article is either based on Wikipedia article "The Golden Ass" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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