Everything You Need to Know About Direct Digital Synthesis. - LEKULE BLOG


Sunday, 3 July 2016

Everything You Need to Know About Direct Digital Synthesis.


Direct digital synthesis (DDS) is a technique used to generate an analog signal (like a sine wave or triangle wave) using digital techniques. The analog signals are synthesized from values stored in memory. A "template" containing the signal's amplitude values for all waveform phases is stored in memory and used to recreate the signal. With DDS, signals can be synthesized directly from the template without requiring the phase-locked loops other indirect methods require. Different frequencies are produced by changing the rate the phase values are processed and using techniques to add, multiply and scale signals, various waveforms can be generated. The synthesized signals are repeatable and the frequencies precise. Communication techniques like spread spectrum frequency hopping use DDS to quickly change frequencies. It is also used for signal generators and enables frequency sweeps.


To understand the benefits of DDS, consider the situation with radio receivers. If using an analog tuned radio when trying to tune to a specific station, you adjust whatever knobs, thumb-wheels, and sliders are provided. You may hit the station exactly one time... but then it may take a while to tune it in another time. And just because you tuned it once, doesn't mean there isn't drifting, forcing you to re-tune. When you have a digital tuner, you enter the station you want and the electronics lock it in.
In the same way, using analog components to generate signals means adjustments and time to get the frequency correct, without any guarantee the output will be consistent. DDS with conditioning circuits allow a specific frequency to be set quickly, consistently, and repeatedly.
DDS has had a big impact in testing. Before DDS frequency generators, trying to produce accurate frequency response plots was a frustrating effort. When testing extremely narrow band, high-order, high-Q filters, when assessing filter performance over a temperature range, accurate and repeatable frequencies are required at resolutions that analog generators can't provide. Some radio frequency (RF) modulation techniques depend on accurate frequency generation only possible with DDS. When scanning radio frequencies for signals and power measurements, DDS makes it possible to do RF sweeps quickly.
The benefits of DDS are:
* The ability to generate arbitrary frequencies with accuracy and stability, limited only by the oscillator used to clock the phase accumulator. Crystal oscillators, depending on their specifications, can deliver tolerances of 50 parts per million to ~0.1 part per billion, making DDS extremely accurate. Analog signal generators can only deliver accuracy and stability of a few tenths of a percent unless using a high-end device.
* The frequencies provided by DDS are repeatable. Loading the tuning word register with the value corresponding to frequency F1 generates a signal at frequency F1. If the tuning register is then loaded with the value for frequency F2, the output signal is quickly changed to frequency F2. When the tuning register is reloaded with the value for F1, the exact the same frequency F1 is provided as was generated before. Analog generators can't guarantee this precision.
* High frequency resolution can be achieved with the digital techniques used in DDS. Increasing the resolution is as simple as adding more bits to the least significant end of the phase accumulator and tuning register. Analog waveform generators, which depend on mechanical components like potentiometers and variable capacitors to tune the oscillator, are limited in the resolution they can provide.
This ability to quickly change the output frequency with precision is also essential in communication techniques like spread-spectrum frequency hopping where radio signals are transmitted by rapidly switching a carrier among many frequency channels. Being able to reproduce exact frequencies and deliver frequency changes quickly forms the basis of the modulation technique.

Synthesizing the Signal

The block diagram for a representative DDS system is shown in Figure 1.

Figure 1

A DDS circuit includes a phase accumulator, a phase-amplitude table (a lookup table usually in ROM - the "template") and a digital to analog converter (DAC). The phase accumulator combines the reference frequency and the value in the tuning word register. The output from the DAC is usually applied to filters to smooth the waveform and remove any extraneous output.
The steps to generating a signal are:
1. The reference signal and tuning register update the phase accumulator, providing a phase value
2. The corresponding amplitude for that phase is retrieved from the phase-amplitude table
3. The DAC converts the retrieved amplitude values to an analog output
4. The output is sent through smoothing filter
Digital circuits do this quickly with minimum lag when changing frequencies.
Note: DDS techniques have been known for some time, but the frequencies that could be provided were limited by the accuracy of the DAC and the filter (usually a low pass filter with a capacitor and inductor). With advances in integrated chip technology and manufacturing, DDS can provide frequencies that are useful for a wide variety of applications and available on single chip devices. Tools are available to easily program DDS devices and they can be incorporated into field-programmable gate arrays (FPGAs). Two popular chips are Analog Devices' AD9833 or AD9850.
Used in a DDS context, the term reference frequency is used differently than in other engineering applications. The reference frequency is a clock which controls the rate the phase accumulator is updated and subsequently the rate the lookup is performed. Usually provided by a crystal oscillator which clocks the phase accumulator, some designers use the system clock as the reference. The reference frequency affects the generated signal; the output is proportional. Doubling the reference frequency will double the output frequency (when keeping the phase accumulator, table values and tuning word the same.)
The tuning word is used to change the output frequencies during operation. The tuning word is a binary value held in the tuning register. The value of the tuning word is added to the phase accumulator with every clock update. For example, if the tuning word is set to 1, every clock interval increments the phase accumulator by 1. Setting the tuning word to 2, every clock cycle increments the phase accumulator by 2.
Since the phase accumulator provides the phase value for the phase-amplitude lookup, the tuning word controls the number of values retrieved from the phase-amplitude table for a cycle. With a tuning word of 1, every value in the table is retrieved. A tuning word of 2 reads every other value and also causes the accumulator to clock through to zero twice as fast, with the result that the output frequency has been doubled.
As an example, consider a DDS designed with a phase-amplitude table of 360 entries, holding the amplitude (voltage) values for each one of the 360 degrees of a sine wave. The accumulator resets after 360 clock cycles. The reference frequency will be pulled from the system clock, so everything is clocked and updated at the same rate. With a tuning word of 1, the phase accumulator is incremented by 1 for every clock, and the table values are retrieved in order. Every 360 reference clocks, the accumulator resets and another waveform is created. Setting the tuning word to 2 has the result of reading every other value from the phase-amplitude table; the accumulator clocks through twice as fast and the output frequency is doubled. Of course, using only 360 values would produce a choppy output and the jitter would make it unusable. DDS systems typically have phase-amplitude tables with thousands of data points and 16-bit registers for the tuning register and phase accumulators.
The template values are important in DDS systems. Just like in digital recording and playback, the quality of the playback is dependent on the fidelity of the recorded medium and the playback circuits. No matter how great the playback equipment though, it can't compensate for a terrible recording. In the same way, a waveform template used in DDS has to have been digitized (sampled and recorded) to a capture good signal without distortions.
The templates are built by digitizing signals using sampling and quantizing techniques and are encoded into a specific format. The background for digitizing and sampling signals to be able to recreate them lies in communications theory and how much information is required to accurately recreate a signal. As communications progressed to attempting to transmit signals in a digitized format and then recreating the analog signal at the receiver end, this became an issue. Harry Nyquist, working at Bell Labs, found that for band-limited signals (like voice) the sampling rate had to be twice the highest frequency used to accurately recreate the signal. Sampled at too low a frequency, the data points might belong to any number of signals at various frequencies. Sampling at too high a frequency produced more data, taking up resources but yielding no better results. This frequency is referred to as the Nyquist Frequency and is the minimum frequency the original signal must be sampled at to capture enough data points to recreate a specific signal.

Angles and Waveforms

Although DDS can be used to provide any periodic waveform, like sine, cosine, ramp, and pulse, we'll look at how a sine wave is synthesized from voltage values stored in memory. Why can one waveform template produce signals at different frequencies?
Figure 2a shows a basic trigonometric phase diagram where a sine wave is shown as a projection from a circle representing the phase of the waveform. The maximum voltage amplitude for the sine wave is the radius of the circle. For this discussion, we'll take the maximum voltage to be one for simplicity. As the phase angle ϴ advances counterclockwise, there is a corresponding value of voltage. One complete rotation is 2*Pi radians. No matter how many times around, the same voltage corresponds the a specific angle ϴ. The frequency of the sine wave produced depends on how quickly rotations through 2*Pi are completed (the angular velocity, ω).

Figure 2a. Phase Diagram

Figure 2b. Phase Detail
Figure 2b shows how for each phase, the specific voltage is sampled. The more points provided for the waveform by the sampling techniques used, the more definition the waveform has. The phase-amplitude table holds the phase/voltage points for each waveform and functions as a phase to voltage converter.
Frequency is related to angular velocity by the formula:

The frequency is the reciprocal of the period (T) but by using the phase rather than a time-based measurement to capture voltage values, the repetitive nature of a waveform can be exploited. The higher the angular velocity (the quicker the rotations of angle ϴ shown in Figure 2a), the higher the frequency. As shown in Figure 3, even though the frequency of a waveform changes, the voltage amplitudes are the same.
Wave 1 goes though a complete cycle, T, in 2*Pi radians. Wave 2 has a cycle equal to the period of T/4, yielding a frequency four times that of Wave 1, but the amplitude values for the waveforms are the same. To provide different frequencies, values from the phase-amplitude table are output in a given time cycle. Any frequency can be generated depending on how many times the values in the phase-amplitude table are cycled through in a given time frame.

Figure 3. Different Frequencies, Same Values
In the DDS context, the tuning register and accumulator act to 'simulate' the phase rotation of the waveform. As the accumulator counts through and resets, another cycle is generated. Setting the tuning word to higher values clock through the table quicker to provide higher output frequencies. By changing the tuning word, the phase increment and therefore the frequency can be quickly changed since there's no settling time required with DDS.


As noted above, the phase-amplitude table is a big part of DDS. If the original waveforms were sampled at a rate that was too low for a desired frequency, an alias distortion may be seen in the output, with additional frequency components seen around the desired frequency or the clock frequency. The sampling rate should be at or above the Nyquist Frequency. If the sampled frequency can't be raised, extra filtering may be required to remove excessive outputs.
If the precision of the accumulator is too low, a jitter may be seen in the output, a result of the jumping from one point on the waveform to another not being smooth enough. Using the highest possible precision for the accumulator, tuning register and phase-amplitude table can help minimize jitter, with filtering and digital processing techniques used for remaining signal definition.


DDS provides a way to generate analog signals from values stored in memory using digital techniques. By changing a tuning register value, frequencies can be changed quickly without settling time, making it ideal for testing, communications and frequency sweep applications.
Post a Comment