MA Public Opinion and Political Behaviour
BA History and Literature options

Final Year, Component 04

History or Literature option(s)
Democracy in Action

This module will allow third year students to do their final year project in an innovative and interdisciplinary way. The module seeks to give students the possibility to better understand their community, the issues it confronts and how to address them. Through the five step training of Citizens UK (1. Organise 2. Listen 3. Plan 4. Act 5. Negotiate) the students will learn the basics of community building and organising, which they will be able to practice and experience for themselves. Students will learn to build power and negotiate with local government on issues of local concern such as hate crime, transport, mental health and housing.

Witch-Trials in Early Modern Europe and New England

In this module you’ll focus on witchcraft beliefs and witch-hunts (the legal prosecutions of individuals for the crime of witchcraft) in Europe and New England between the 15th and 18th centuries. You examine beliefs about witches, witchcraft, and the powers of the Devil at both elite and popular levels, set in the wider context of the religious/magical world-view of the period.

Britain’s Second World War: Mass Observation, Myth and Memory

This final year module examines and compares the experience of the British people during the Second World War, the myth-making that was a part of this experience, and the shifting cultural memory of the war in Britain from 1945 to the present day. It makes extensive use of the Mass Observation Online Archive (available online via the Albert Sloman library) to examine the British experience of war and to consider how people represented the war themselves. It is a full year Module that, in the first term, focuses on the war years, introducing students to the history of the war, to Mass Observation, and to the processes by which wartime culture created the enduring myths of Dunkirk, the Blitz, the Battle of Britain and the People's War. The module uses Mass Observation alongside other primary sources to consider which stories became a part of these myths, and which were excluded or marginalised. In the second term the focus turns to the cultural memory of the war in Britain since 1945. Students are introduced to concepts and theories of cultural memory that they will go on to apply to representations of the war that are studied. The memory of the war is traced from 1945 to the current day, with themes examined including the popularity of the war film, the mobilisation of the Second World War in Britain's subsequent wars, the growth of the wartime anniversary, museums and memorials, and the 'memory wars' that have been a central aspect of the Brexit debate since 2016.

Maritime Life in the Age of Sail

Sailors held the early modern empires together. Without them, there would have been no colonies, no migration, no East India trade, and no African Diaspora. This module covers Atlantic maritime history from ca. 1415 to ca. 1850, including the 'Age of Discovery', sailor life, labour, maritime social history, the trans-Atlantic slave trade, fishing and whaling, the Age of Revolution, and (of course) piracy.

The Common People: History From Below in Britain 1830-1914

Britain underwent profound transformations between 1830 and 1950. It became the first indisputably modern, industrial capitalist society in the world. Not only was the environment turned upside down, but the lives and identities of the British people were altered fundamentally. You’ll explore this process in a thematic as well as a chronological manner, and study labour, class, gender, the state, democracy, imperialism, culture, and poverty.

The Tudors and Stuarts on Film


War and Society in South Africa and Britain: the Great Colonial War and its impact
The Russian Revolution 1905-1924

The Russian Revolution was one of the most important events in the 20th Century. It brought an end to Tsarist rule and gave birth to the first socialist state. You’ll gain a deeper understanding of the Russian Revolution as a larger process that started long before 1917 and did not end in 1917 or even in 1921. You’ll receive an overview of different interpretations, and of former and current scholarly debates.

From Liberation to the Tiananmen Massacre: China From Mao to Deng Xiaoping, 1949-1992
Post-War(s) United States Fiction


Possible Worlds: Science Fiction, Speculative Fiction, and Alternate History

Possible Worlds is a module on speculative fiction in its many guises. Encompassing science fiction, apocalyptic fiction, graphic novels, and alternate histories, the literature and cinema of possible worlds is concerned with the precarious routes leading to and from our own present, and is characterised by an acute sense of the volatility and contingency of history. These novels and films typically take as their starting point a hypothetical alteration in the course of events or a change in social or technological dynamics. From there, they extrapolate lines of development leading towards one or more possible worlds. In doing so, they serve to estrange us from the world as we find it and reawaken us to the variability and open-endedness of the human situation. After an introductory session on the history of science fiction, we will go on to look at nine major examples of the literature and cinema of possible worlds, drawing on a diverse group of modern and contemporary writers and filmmakers: from the pioneering work of H. G. Wells at the end of the Victorian period through the work of key twentieth-century figures such as Philip K. Dick and Ursula Le Guin to recent science fiction cinema. Topics and themes addressed on the module include, but are not limited to: time travel, alien encounters, evolution, alternate histories, superheroes, science fiction as philosophy, feminist science fiction, utopias and dystopias, and speculative treatments of race, gender, and sexuality.

American Film Authors


Writing Lyrics

The emphasis of this module will be on writing song lyrics for performance, but it will also include writing lyrics ‘for the page’. In addition to writing lyrics of your own, you study serious lyrics in popular music, and have a chance to examine the relationship between these and other writing. You will also be able to choose a writer, or writers, in this field and write an essay on their work, alongside your own lyrics towards an ‘album’ with a commentary on the writing process.

Creative Writing: Oulipo and the Avant Garde

Are you an experienced writer or beginner? Interested in writing stories or poetry? Science fiction or detective fiction? We offer something for all! Explore the theory and practice of creative writing through the unique work of the Oulipo Workshop of Potential Literature, founded by Raymond Queneau in 1960.

Cyborgs, Clones and the Rise of the Robots: Science Fiction

Science fiction has experimented with speculation about other worlds by means of time travels in time and space and other ways of living and being by crossing boundaries of different kinds including species and the human/machine. Some science fiction has imagined oppressive regimes, hierarchical societies characterised by brutality and enslavement. Other science fiction has used the speculative aspects of the genre to create radically new, imagined transformations of body and society brought about by scientific and technological inventions. This diversity of treatment in science fiction makes it a versatile genre which has appealed to feminist, postcolonial and Afrofuturist as much as to conservative approaches. The module focuses on a specific theme--what it means to be human--by exploring the robot, the cyborg and clone as well as the automaton and the vampire. The fears and desires are intense in the treatment of the human/animal/machine and when associated with reproduction and the figure of the alien in the world of the science fiction novel.

Shakespeare: The Tragedies


"There is a Continent Outside My Window" : United States and Caribbean Literatures in Dialogue

How do US writers imagine and represent the Caribbean? And vice versa? Deepen knowledge of American literature by examining poetic, fictional, nonfictional and dramatic works in a broader context. Investigate contemporary issues like the American Dream, what it means to be from the Americas, migration, and the question of language.

Reading and Writing Poetry

How do you write poetry? Be introduced to the practice of writing poetry. Examine seven distinct formal elements of verse alongside the best examples from canonical poetry in the English language. Build your own skills, as well as an appreciation of the history, variety and power of poetry.

The Story and Myth of the West

Investigate the myths surrounding the founding of the United States. Crossing disciplines of fiction, non-fiction, poetry, and cinematic and theatrical texts, you compare the classic Western against a range of counter-narratives from black, Hispanic, latino, and aboriginal storytellers. This module interrogates the concept of a 'national literature', explores the relationship between folklore and contemporary society, and investigates the relationship between the Western as a narrative form, and the history of colonialism in the U.S.A.

The Limits of Representation: The Holocaust in Literature and Film

This module considers the enduring significance of the events known as the Holocaust (or Shoah) as they enter representation and continue to shape our present responses to various forms of racism and violence against the Other. It explores how the Holocaust has been represented, appropriated and reconfigured by writers, poets and filmmakers over the past seven decades. We will examine the connections between history, trauma, and representation through an analysis of Holocaust testimonies, literature, film and visual media. How do novelists, poets, filmmakers and artists depict events that shatter traditional forms of comprehension and representation? How do imagination, memory and history coalesce in works of art? What is the relationship between aesthetics and ethics, and what are the limits of representation? The module looks at numerous examples of Holocaust literature and film, from short story and autobiographical novel, through lyric poetry, drama and graphic novel, to documentary and recent Academy Award-winning productions. We will discuss the issues of testimony and witnessing, the aestheticization and commercialization of trauma and suffering, and the moral, philosophical and cultural legacy of the Holocaust.

Law and Literature
Journalism and Storytelling

This module is about the theory and practice of narrative. You will consider the origins and enduring power of dramatic form. Through the comparative analysis of key examples, you will develop an understanding of the core principles of storytelling. You will address this primarily in the context of journalism both as a technique legitimately employed to relay ‘news’ and as a means of distorting the reality of events by interested parties. We will consider the ethical issues presented both for journalists and those employed in the public relations industry. We will consider the way storytelling techniques transcend specific media and have continued through the digital communications revolution of the past twenty five years. We will look at how some of the best journalistic storytellers have transferred those skills to longer-form writing and to fiction. In practical workshops, you'll develop your practical storytelling skills.

Extinction: Looking back at the End of the World

How have writers, filmmakers, and artists imagined ecological disaster and the end of the world? What are our images of lost worlds and our stories of extinction, including our own as a species? In what ways have representations of apocalypse changed over the last 200 years? The module starts with fossil finds of extinct animals and severe weather in the nineteenth century, both of which led to a sense of impending doom, before addressing twentieth-century concerns about human fertility, pandemics, machine takeover, and environmental pollution. In our own age, biodiversity loss and reports of climate change make extinction an issue more pressing than ever before, leading scientists to suggest that ours is the Anthropocene – the sixth age of mass extinction and the first geological epoch for which homo sapiens is responsible. By exploring how natural and man-made disasters have variously been conceptualised in fiction, poetry, painting, photography and film, and across disciplinary boundaries from geology to philosophy to cultural studies, this module addresses some of our deepest fears about the future of the planet and about ourselves as a species, including our complex relations to non-humans and non-living materials.

Video Game Theory
Women and US Film
Representing Women on Seventeenth-Century English Stages
Film Festivals
Media, Politics and Society
Childhood Inc.: Disney and the Globalization of Childhood

How does diversity impact children? How is childhood constructed differently based on differences in race, gender, class, sexuality, nationality, religion, or disability? How do children themselves navigate the larger inequalities of society and eventually internalize an understanding of their own diverse identities? This module emphasizes the importance of diversity and identity for understanding childhood and offers a critical introduction to some of the main identity categories that impact children's everyday lives. Taking a topical, week-by-week approach, this module considers, for instance, how children navigate racial identities in a landscape of social inequality and how gender differently affects children's development of relational qualities like confidence and caring.


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