Extracted Content: Ernestine Griffin: Mm-hmm So, ready?
  Barbara Crosby: No
  Barbara Beery: 'Kay.
  Barbara Crosby: not really. Just Crap.
  Ernestine Griffin: Sorry I,
  Barbara Crosby: Okay.
  Ernestine Griffin: I
  Barbara Beery: It's perfect.
  Ernestine Griffin: um I'm
  Angela Pope: Your
  Ernestine Griffin: afraid
  Angela Pope: judgement it's is biased.
  Ernestine Griffin: Uh thi this remote control will stay a prototype.
  Barbara Crosby: 'Kay, so whe where is the remote control?
  Angela Pope: So,
  Barbara Beery: Where
  Angela Pope: we are
  Barbara Beery: It's? here.
  Angela Pope: So
  Ernestine Griffin: Okay.
  Angela Pope: let's go for our detailed design meeting.
  Barbara Crosby: Yep.
  Angela Pope: So I will still play the role of the secretary, and we'll have um first the project presentation by our
  Barbara Beery: Okay.
  Angela Pope: User Interface Designer, David Jordan,
  Barbara Beery: Yeah.
  Ernestine Griffin: Yeah.
  Angela Pope: and our Industrial Designer, Baba.
  Ernestine Griffin: Yeah.
  Barbara Beery: 'Kay.
  Angela Pope: So we'll have to evaluate the uh your proposed remote control, and um have an idea of the price that uh this thing will cost. And in case we're all agree on the fabrica of um building of this remote control, we'll evaluate the um production. So maybe I will let the our two designers talk about so
  Barbara Beery: I have slides.
  Angela Pope: their
  Ernestine Griffin: Okay.
  Angela Pope: You have s oh, sorry. Oops.
  Barbara Beery: Ah, that is
  Ernestine Griffin: Effectively
  Barbara Beery: three.
  Ernestine Griffin: one slide and maybe we can
  Barbara Beery: Product prod
  Ernestine Griffin: discuss
  Barbara Crosby: What
  Ernestine Griffin: everything.
  Barbara Crosby: slides?
  Barbara Beery: Yep. Okay. Okay. So, this is our product or prototype. This is made by clay.
  Angela Pope: Looks strange.
  Barbara Beery: Yeah. Uh the basic colour is uh yellow and red. Yellow is uh our company colour,
  Angela Pope: Okay.
  Barbara Beery: uh red it's uh is more attractive. So we used two basic colour, yellow and red. And the there's two basic shape. The first is a circle and the second is a triangle s piece. It's
  Ernestine Griffin: Okay.
  Barbara Beery: we call it a mushroom design. It's looks like some mushroom,
  Ernestine Griffin: Yeah.
  Barbara Beery: so we call it mushroom design.
  Ernestine Griffin: Uh
  Barbara Beery: So this is a introduction of our product. Next
  Angela Pope: Genetically
  Barbara Beery: a mo
  Angela Pope: modified mushroom I will say, but
  Barbara Crosby: Yeah.
  Angela Pope: keep
  Barbara Beery: Okay,
  Angela Pope: on speaking.
  Barbara Beery: yeah, so next slide. So there are several key features of our pr prototype. The first is that it is fuzzy. I'm sure this would be the unique design the market.
  Ernestine Griffin: Yeah,
  Angela Pope: Oh.
  Ernestine Griffin: yeah I'm sure.
  Angela Pope: Maybe, I hope so.
  Barbara Beery: Yeah, so it's a fuzzy design, and a unique design.
  Ernestine Griffin: Yeah, that's
  Barbara Beery: Um,
  Ernestine Griffin: true.
  Barbara Beery: and uh the second key feature is that uh s circle channel um selection. In the traditional key uh traditional controller use button to to select the channel but now we have a s circle, so we can turn this ball to t to select channel. So it's quite
  Angela Pope: Chan
  Barbara Beery: convenient for user to use it.
  Angela Pope: Yeah, okay, but don't
  Barbara Beery: Yeah,
  Angela Pope: touch don't destroy
  Barbara Beery: s
  Angela Pope: your prototype.
  Barbara Beery: okay. Uh the third feature is a stable triangle base. Uh this sta uh this triangle base is very stable, so uh so it's it's um it's unlikely you cannot found it. So it's v Um, you can put it in the table so you can turn the the ball to cha to select the channel and there's some cute button. You c can can you can see the the shape of the buttons n is a mushroom, so
  Angela Pope: Everything's mushroom.
  Ernestine Griffin: Yeah.
  Barbara Beery: Yeah,
  Angela Pope: So
  Barbara Beery: everything's
  Angela Pope: we can
  Barbara Beery: mushroom.
  Angela Pope: call our
  Barbara Beery: Mush
  Angela Pope: remote control the mushroom.
  Ernestine Griffin: Yeah
  Barbara Beery: Mushroom
  Ernestine Griffin: but
  Barbara Beery: design,
  Ernestine Griffin: it's not
  Barbara Beery: yeah.
  Ernestine Griffin: like really mushroom because you have uh you know uh like lemon shape, you know, centre
  Barbara Beery: Yeah.
  Ernestine Griffin: is
  Angela Pope: Okay.
  Ernestine Griffin: yellow and
  Barbara Beery: Yeah,
  Ernestine Griffin: t
  Barbara Beery: th that's why if
  Ernestine Griffin: d
  Barbara Beery: you put it in the table, be
  Ernestine Griffin: To integrate,
  Barbara Beery: careful,
  Ernestine Griffin: you
  Barbara Beery: somebody
  Ernestine Griffin: know yeah.
  Barbara Beery: will eat it.
  Ernestine Griffin: I don't think I hope nobody will eat it. You know, to integrate the fruit aspect, you know the
  Barbara Beery: Yeah.
  Angela Pope: Oh.
  Barbara Crosby: Yeah,
  Ernestine Griffin: the
  Barbara Crosby: because mushroom
  Ernestine Griffin: in
  Barbara Crosby: was not in the trends. I mean
  Ernestine Griffin: Really?
  Barbara Crosby: there
  Angela Pope: Fruits
  Ernestine Griffin: But
  Barbara Crosby: was fruits
  Angela Pope: and vegetables.
  Barbara Crosby: yeah.
  Ernestine Griffin: Fruit and vegetable, so
  Angela Pope: Vegetables.
  Barbara Crosby: Yeah.
  Ernestine Griffin: mushroom was
  Angela Pope: Mushroom
  Ernestine Griffin: a kind
  Angela Pope: is a vegetable.
  Ernestine Griffin: of you know
  Barbara Crosby: I don't think
  Ernestine Griffin: uh
  Barbara Crosby: it is.
  Barbara Beery: Yeah.
  Angela Pope: It's vegetable.
  Ernestine Griffin: Mushroom?
  Barbara Beery: Yeah.
  Barbara Crosby: Mm-hmm.
  Ernestine Griffin: Oh, uh I'm not
  Angela Pope: So
  Ernestine Griffin: sure.
  Angela Pope: th it's something eatable.
  Ernestine Griffin: We can
  Barbara Crosby: Yeah.
  Ernestine Griffin: it's a veg a kind of vegetable, but you know
  Barbara Beery: Yeah.
  Ernestine Griffin: we we integrated them with different
  Barbara Crosby: But
  Ernestine Griffin: colour.
  Barbara Crosby: anyway this is not a mushroom anyway, so
  Barbara Beery: Yeah.
  Barbara Crosby: it's fine.
  Ernestine Griffin: I I think we take into account what you said about fruit and vegetable you know. This, you know, very
  Barbara Crosby: No, I mean,
  Ernestine Griffin: enlighted
  Barbara Crosby: yeah
  Ernestine Griffin: colours, you
  Barbara Crosby: yeah.
  Ernestine Griffin: know.
  Barbara Crosby: Inspira inspiration
  Ernestine Griffin: And inspired
  Barbara Crosby: is
  Ernestine Griffin: colour and and very sophisticated material, so.
  Barbara Crosby: True.
  Barbara Beery: Yeah.
  Ernestine Griffin: And so
  Angela Pope: Next slide.
  Barbara Beery: Uh, no this our only
  Ernestine Griffin: So
  Barbara Beery: two
  Ernestine Griffin: what
  Barbara Beery: slides.
  Ernestine Griffin: we w what I can add is that, you know he talk about what is outside,
  Barbara Beery: Yeah.
  Ernestine Griffin: so what is inside is what we dis what we talked before about, you know, the chip, it is a low level chip, and
  Barbara Beery: So we cut it to see.
  Ernestine Griffin: You know, we don't need to k.
  Angela Pope: Mm-hmm.
  Ernestine Griffin: You know wi the low level chips inside and you know the L_C_D_ button
  Barbara Beery: Okay.
  Ernestine Griffin: and the
  Barbara Beery: So
  Ernestine Griffin: i
  Barbara Beery: where's the battery battery?
  Ernestine Griffin: The battery it is under. It
  Angela Pope: In the base.
  Ernestine Griffin: is in
  Barbara Beery: Base.
  Ernestine Griffin: th in
  Angela Pope: In the
  Ernestine Griffin: in
  Angela Pope: basement.
  Ernestine Griffin: the base,
  Barbara Beery: Here?
  Ernestine Griffin: yeah.
  Angela Pope: In the basement. And where is
  Barbara Crosby: But
  Angela Pope: the
  Barbara Crosby: we
  Angela Pope: solar
  Barbara Crosby: say uh
  Angela Pope: solar
  Barbara Crosby: we sa
  Angela Pope: cell?
  Barbara Crosby: we said solar.
  Angela Pope: Where
  Ernestine Griffin: In
  Angela Pope: is
  Ernestine Griffin: fact
  Angela Pope: the solar
  Ernestine Griffin: this
  Angela Pope: cell?
  Ernestine Griffin: this this this is a kind of you know revolutionary solar receptor that we can put outside and
  Angela Pope: Oh. Do you
  Barbara Beery: Okay.
  Angela Pope: think it won't be It won't cris increase the price?
  Ernestine Griffin: I don't think so,
  Angela Pope: Okay,
  Ernestine Griffin: but it
  Angela Pope: we'll
  Ernestine Griffin: it's
  Angela Pope: see after.
  Ernestine Griffin: might be
  Angela Pope: We
  Ernestine Griffin: okay, so.
  Angela Pope: will have
  Ernestine Griffin: I
  Angela Pope: first
  Ernestine Griffin: it might be
  Angela Pope: to
  Ernestine Griffin: okay.
  Barbara Beery: Okay.
  Ernestine Griffin: So
  Angela Pope: so, mister money, what's
  Barbara Crosby: Yeah.
  Angela Pope: your opinion according to this remote control?
  Barbara Crosby: I mean, we gonna try to measure how good it is instead of just talking about uh we had three keys key points to uh for this remote control design, and first one was uh
  Angela Pope: Mm-hmm.
  Barbara Crosby: fancy look and feel.
  Ernestine Griffin: Yeah.
  Barbara Beery: Yeah.
  Barbara Crosby: So w we'll try to judge this feature uh with a one to seven scale, one being uh no, I think. Uh just let Barbara Crosby check.
  Ernestine Griffin: So, four point three point five, it means it's acceptable.
  Barbara Crosby: One one being true, and seven being false. Okay.
  Ernestine Griffin: Oops.
  Barbara Crosby: Ouch. So
  Barbara Beery: Okay.
  Barbara Crosby: Do we have a fancy look and feel,
  Barbara Beery: Yeah,
  Barbara Crosby: according
  Barbara Beery: I
  Barbara Crosby: to
  Barbara Beery: think
  Barbara Crosby: you?
  Barbara Beery: so.
  Ernestine Griffin: I think you have nice colours. I don't
  Barbara Crosby: But is it
  Ernestine Griffin: The sha the bowl shape
  Barbara Beery: Yeah,
  Ernestine Griffin: people
  Barbara Beery: the shape
  Ernestine Griffin: like.
  Barbara Beery: is unique, and the colour
  Barbara Crosby: Uh I'll agree it's unique, but is it really
  Barbara Beery: So
  Ernestine Griffin: Is
  Barbara Beery: it
  Ernestine Griffin: it
  Barbara Beery: depend
  Ernestine Griffin: really
  Barbara Beery: on
  Ernestine Griffin: fancy?
  Barbara Beery: how d do you define fancy.
  Barbara Crosby: Yeah I mean, fancy was was defined by s fruit and vegetable look.
  Ernestine Griffin: But it's you have the lemon aspect of this th this this thing.
  Barbara Crosby: Yeah.
  Angela Pope: Maybe if you change if you take the buttons out,
  Ernestine Griffin: Do Don't
  Angela Pope: and maybe
  Ernestine Griffin: do that,
  Angela Pope: do
  Ernestine Griffin: please.
  Angela Pope: things like that
  Barbara Crosby: I dunno where the lemon is, but I mean it's
  Ernestine Griffin: I
  Barbara Crosby: not
  Ernestine Griffin: it's
  Barbara Crosby: obvious.
  Ernestine Griffin: it's i this shape is a lemon like, so
  Angela Pope: It would be bet more like a lemon?
  Ernestine Griffin: Yeah.
  Barbara Crosby: If
  Ernestine Griffin: Because
  Barbara Crosby: I dunno, maybe
  Ernestine Griffin: i
  Barbara Crosby: improving the texture of like having
  Angela Pope: Yeah.
  Barbara Crosby: it less
  Ernestine Griffin: Less
  Barbara Crosby: smooth
  Ernestine Griffin: button.
  Barbara Crosby: or
  Barbara Beery: Uh so, my mush.
  Angela Pope: Looks like more fruit.
  Ernestine Griffin: Yeah,
  Barbara Beery: Mm.
  Ernestine Griffin: but you
  Angela Pope: Maybe
  Ernestine Griffin: don't have any
  Angela Pope: a
  Ernestine Griffin: button now.
  Angela Pope: pineapple?
  Barbara Crosby: Yeah. I dunno.
  Angela Pope: And you know, you have the finger here,
  Barbara Beery: Yeah.
  Angela Pope: with the buttons?
  Barbara Beery: Hmm.
  Ernestine Griffin: That's uh yeah, is
  Barbara Crosby: Yeah,
  Ernestine Griffin: that
  Barbara Crosby: it's
  Ernestine Griffin: that's
  Barbara Crosby: getting
  Ernestine Griffin: a good idea. So that's great.
  Angela Pope: It looks more like a pineapple.
  Ernestine Griffin: That's
  Angela Pope: Sorry.
  Ernestine Griffin: great.
  Angela Pope: What's the use for that?
  Barbara Beery: Uh, for
  Ernestine Griffin: I have
  Barbara Beery: turn
  Ernestine Griffin: no
  Barbara Beery: turn
  Ernestine Griffin: idea,
  Barbara Beery: the ball.
  Ernestine Griffin: so.
  Barbara Beery: If you want to turn the ball,
  Ernestine Griffin: I have no idea
  Barbara Beery: it's very it's very convenient for
  Ernestine Griffin: what
  Barbara Beery: you to to to turn the ball to change the channel.
  Barbara Crosby: Okay.
  Angela Pope: And
  Barbara Beery: Uh.
  Angela Pope: where is the voice recognition?
  Barbara Beery: Ah, it's embedded, your microphone.
  Barbara Crosby: Yeah, that's
  Angela Pope: Okay.
  Barbara Beery: Th this th th there's two
  Barbara Crosby: Wait th that's
  Barbara Beery: two
  Barbara Crosby: the
  Barbara Beery: functions.
  Barbara Crosby: second point.
  Barbara Beery: This is microphone
  Barbara Crosby: First one
  Barbara Beery: array
  Barbara Crosby: is we have to judge the
  Ernestine Griffin: If it is fancy or not.
  Barbara Crosby: fancy
  Angela Pope: Okay.
  Barbara Crosby: look and feel.
  Angela Pope: Is it better
  Barbara Crosby: I mean
  Angela Pope: like that?
  Ernestine Griffin: So
  Angela Pope: Looks
  Ernestine Griffin: we can we can
  Angela Pope: okay,
  Ernestine Griffin: say
  Angela Pope: let's say it's
  Ernestine Griffin: t
  Angela Pope: a pineapple now.
  Ernestine Griffin: The colour, is the colour acceptable?
  Barbara Crosby: No, the colour is okay, that's fine.
  Ernestine Griffin: So the shape
  Barbara Crosby: I mean
  Ernestine Griffin: now.
  Barbara Crosby: it's
  Angela Pope: It
  Barbara Crosby: but
  Angela Pope: looks
  Barbara Crosby: I
  Angela Pope: like
  Barbara Crosby: would say
  Angela Pope: a
  Barbara Crosby: there is more too much red.
  Angela Pope: now
  Ernestine Griffin: It's
  Angela Pope: you
  Ernestine Griffin: too
  Angela Pope: took
  Ernestine Griffin: much
  Angela Pope: it.
  Ernestine Griffin: red?
  Barbara Crosby: Um
  Ernestine Griffin: In
  Barbara Crosby: if
  Ernestine Griffin: the basement?
  Angela Pope: It looks like a pineapple with cherry on top.
  Barbara Beery: Okay.
  Barbara Crosby: Right. So, from one to seven?
  Angela Pope: Mm uh
  Ernestine Griffin: I will give
  Angela Pope: Seven
  Ernestine Griffin: I will
  Angela Pope: is the ma the maximum?
  Barbara Crosby: No,
  Ernestine Griffin: I'll
  Barbara Crosby: seven
  Ernestine Griffin: gi
  Barbara Crosby: is false and one is true.
  Ernestine Griffin: I'll give two or three. Three, it's
  Angela Pope: Three,
  Ernestine Griffin: okay.
  Angela Pope: I will say three.
  Ernestine Griffin: Three, three.
  Barbara Crosby: Three?
  Ernestine Griffin: Three is fine for Barbara Crosby.
  Barbara Crosby: Okay.
  Barbara Beery: 'Kay.
  Barbara Crosby: Three.
  Angela Pope: Isn't it bitter like that?
  Barbara Beery: Yeah yeah
  Barbara Crosby: Then
  Barbara Beery: yeah.
  Barbara Crosby: uh let Barbara Crosby
  Ernestine Griffin: What other
  Barbara Crosby: The other criterion is
  Ernestine Griffin: Is it easy
  Barbara Crosby: is it
  Ernestine Griffin: to use?
  Barbara Crosby: technologically uh
  Angela Pope: Feasible?
  Barbara Crosby: technologically in innovative.
  Ernestine Griffin: Ye uh
  Angela Pope: You said previously that you there's um microphone inside an
  Ernestine Griffin: Embedded.
  Barbara Beery: Yeah, this is microphone array, in fact.
  Ernestine Griffin: It's a micro
  Barbara Beery: There four
  Ernestine Griffin: array,
  Barbara Beery: microphone.
  Angela Pope: Oh. Okay,
  Ernestine Griffin: okay.
  Barbara Beery: So they they they
  Angela Pope: and
  Barbara Beery: they
  Angela Pope: you
  Barbara Beery: there's
  Angela Pope: have
  Barbara Beery: a microphone
  Angela Pope: the
  Barbara Beery: array.
  Angela Pope: there's the technology inside that recognise simple vocal
  Barbara Beery: Yeah,
  Angela Pope: comments?
  Barbara Beery: yeah. So you
  Angela Pope: And
  Barbara Beery: can
  Angela Pope: you
  Barbara Beery: capture
  Angela Pope: can turn
  Barbara Beery: voice
  Angela Pope: it so
  Ernestine Griffin: Oh
  Barbara Beery: yeah,
  Ernestine Griffin: yeah,
  Angela Pope: maybe
  Barbara Beery: you
  Ernestine Griffin: yeah.
  Angela Pope: it's
  Barbara Beery: c
  Angela Pope: techno
  Barbara Beery: Yeah,
  Angela Pope: technologically
  Barbara Beery: so you can
  Ernestine Griffin: And
  Angela Pope: innov
  Ernestine Griffin: I
  Barbara Beery: capture
  Ernestine Griffin: think
  Angela Pope: innovative?
  Ernestine Griffin: you you've never seen
  Barbara Beery: s voice
  Ernestine Griffin: a rou
  Barbara Beery: from
  Ernestine Griffin: a round
  Barbara Beery: different
  Ernestine Griffin: remote control, so
  Barbara Beery: directions.
  Ernestine Griffin: it is
  Barbara Crosby: Yeah
  Barbara Beery: Yeah.
  Barbara Crosby: bu but
  Ernestine Griffin: I
  Barbara Crosby: when you say technologically it's more uh
  Ernestine Griffin: W
  Barbara Crosby: I dunno,
  Ernestine Griffin: Yeah, but
  Barbara Crosby: in the core, or single.
  Angela Pope: We have tactile buttons.
  Barbara Crosby: Mm-hmm.
  Ernestine Griffin: I see, you have microphone array embedded. You have
  Barbara Crosby: No, that's good. Yeah.
  Ernestine Griffin: That's good. And you have, you know this ki this solar
  Angela Pope: Oh,
  Ernestine Griffin: receptor
  Angela Pope: yeah.
  Ernestine Griffin: that,
  Barbara Crosby: Yeah, th
  Ernestine Griffin: you
  Barbara Crosby: that's
  Ernestine Griffin: know
  Barbara Crosby: another
  Ernestine Griffin: Yes.
  Barbara Crosby: really good point.
  Ernestine Griffin: Yeah.
  Barbara Crosby: Maybe
  Ernestine Griffin: I think technically
  Barbara Crosby: okay.
  Ernestine Griffin: it's acceptable, so
  Angela Pope: Maybe two?
  Ernestine Griffin: Yeah.
  Barbara Crosby: So using the same scale, two?
  Angela Pope: Two?
  Ernestine Griffin: Two,
  Angela Pope: I
  Ernestine Griffin: yeah, two. It's
  Angela Pope: would
  Ernestine Griffin: it's
  Angela Pope: say
  Ernestine Griffin: fine,
  Angela Pope: two.
  Ernestine Griffin: so.
  Angela Pope: You agree?
  Barbara Crosby: Okay.
  Barbara Beery: Yeah, I agree.
  Angela Pope: It's better
  Barbara Crosby: Now
  Angela Pope: like
  Barbara Crosby: maybe
  Angela Pope: that, isn't
  Barbara Crosby: the most
  Angela Pope: it?
  Barbara Crosby: critical one.
  Angela Pope: Okay.
  Ernestine Griffin: Most
  Barbara Crosby: L last one w I would like to judge is is it easy to use?
  Ernestine Griffin: Eh, for th the vocal command yes, it's might be easy. But it's
  Barbara Beery: Yeah,
  Ernestine Griffin: just
  Barbara Beery: it's
  Ernestine Griffin: speaking.
  Barbara Beery: very easy.
  Ernestine Griffin: You just need
  Barbara Crosby: Yeah but
  Ernestine Griffin: the
  Barbara Crosby: this
  Ernestine Griffin: command.
  Barbara Beery: You
  Barbara Crosby: this
  Barbara Beery: can
  Barbara Crosby: turning
  Barbara Beery: use this in this way.
  Barbara Crosby: can you can you just re explain Barbara Crosby the
  Ernestine Griffin: As a principle.
  Barbara Beery: Yeah.
  Barbara Crosby: Please.
  Barbara Beery: Th this is the base.
  Barbara Crosby: Yeah.
  Barbara Beery: So you can turn to change the channel.
  Barbara Crosby: Yeah but how how intuitive is it to turn things
  Barbara Beery: You just
  Barbara Crosby: to change
  Barbara Beery: tu
  Barbara Crosby: channels?
  Barbara Beery: turn d
  Ernestine Griffin: I
  Barbara Beery: d
  Ernestine Griffin: think maybe if you
  Barbara Crosby: Like
  Ernestine Griffin: he
  Barbara Crosby: if you want
  Angela Pope: Oh,
  Barbara Crosby: to
  Angela Pope: ok
  Barbara Crosby: go from
  Angela Pope: I understand.
  Ernestine Griffin: If you hear some
  Angela Pope: You take
  Ernestine Griffin: click
  Angela Pope: take the remote, so and you can turn
  Barbara Beery: Yeah.
  Angela Pope: like that to change the channel?
  Barbara Beery: Yeah.
  Barbara Crosby: Yeah but imagine
  Angela Pope: I
  Barbara Crosby: you
  Angela Pope: think
  Barbara Crosby: y
  Angela Pope: it's quite easy to so s zapping, but maybe it will be too fast.
  Ernestine Griffin: Yeah, it
  Barbara Crosby: Yeah
  Ernestine Griffin: would
  Barbara Crosby: I'm I'm no I'm not definitely convinced it's it's the best way to if you wanna jump from, I dunno, one to twenty?
  Ernestine Griffin: Oh
  Barbara Beery: Yeah.
  Ernestine Griffin: yeah, that's difficult.
  Barbara Crosby: How can you
  Ernestine Griffin: That's
  Barbara Crosby: go
  Ernestine Griffin: dif that's
  Barbara Crosby: directly
  Ernestine Griffin: difficult.
  Barbara Crosby: to twenty, for example?
  Barbara Beery: No, no, no. I if y
  Barbara Crosby: Yeah.
  Barbara Beery: uh if it depend on the the angle you turn the
  Barbara Crosby: Yeah.
  Ernestine Griffin: Yeah
  Barbara Crosby: I
  Ernestine Griffin: but
  Barbara Crosby: agree.
  Ernestine Griffin: y how
  Barbara Crosby: I agree. But I mean if
  Ernestine Griffin: you need to know
  Barbara Beery: I if
  Barbara Crosby: you're
  Ernestine Griffin: I
  Barbara Crosby: fro
  Barbara Beery: if
  Barbara Crosby: from
  Barbara Beery: this
  Barbara Crosby: two?
  Barbara Beery: is a channel one. So it c it could be channel
  Ernestine Griffin: I think
  Barbara Beery: two,
  Ernestine Griffin: something
  Barbara Beery: channel
  Ernestine Griffin: that
  Barbara Beery: three, channel
  Ernestine Griffin: Yeah.
  Barbara Beery: four, channel five.
  Angela Pope: Yeah, you have
  Barbara Beery: So
  Angela Pope: a,
  Barbara Beery: change.
  Angela Pope: like
  Barbara Beery: Yeah.
  Angela Pope: that,
  Ernestine Griffin: And
  Barbara Crosby: Yeah
  Ernestine Griffin: you
  Angela Pope: and
  Ernestine Griffin: you
  Barbara Crosby: ju
  Ernestine Griffin: can
  Barbara Crosby: just
  Angela Pope: so on.
  Barbara Crosby: imagine you have fifty fifty
  Angela Pope: Oh
  Barbara Crosby: channels
  Angela Pope: yeah.
  Barbara Crosby: uh
  Barbara Beery: Y uh fifth channel
  Barbara Crosby: We're not
  Barbara Beery: divided
  Barbara Crosby: talking
  Barbara Beery: by the num by the by three hundred thirteen degree.
  Barbara Crosby: Yeah.
  Barbara Beery: So you got how many degree you
  Angela Pope: Yeah
  Barbara Beery: you
  Angela Pope: but y but you have
  Barbara Beery: it
  Angela Pope: to go through all the channels if
  Ernestine Griffin: I
  Angela Pope: you
  Barbara Beery: No
  Ernestine Griffin: think
  Angela Pope: want
  Ernestine Griffin: you
  Barbara Beery: no,
  Angela Pope: to
  Ernestine Griffin: can
  Barbara Beery: you
  Angela Pope: go
  Barbara Beery: don't
  Ernestine Griffin: if
  Barbara Beery: have
  Ernestine Griffin: you have
  Barbara Beery: to
  Ernestine Griffin: a scale,
  Barbara Beery: y
  Ernestine Griffin: so
  Barbara Beery: no it's uh when you when you stop t uh when you stop, the the turn,
  Angela Pope: Mm-hmm.
  Barbara Beery: then the angle you stop is the angle you is
  Barbara Crosby: Yeah.
  Barbara Beery: the channel you
  Barbara Crosby: How d how do you know this angle is th is the correct one?
  Barbara Beery: It's it's very easy, because you kn you know how many channel are there in
  Barbara Crosby: So
  Barbara Beery: the
  Barbara Crosby: you you count one degree, two degrees, no.
  Barbara Beery: Yeah, yeah, yeah. You can do it.
  Barbara Crosby: I don't think so.
  Barbara Beery: I think so I
  Ernestine Griffin: Yeah,
  Barbara Beery: think so you
  Ernestine Griffin: it's
  Barbara Beery: can
  Ernestine Griffin: a
  Barbara Beery: do
  Ernestine Griffin: bit
  Barbara Beery: it.
  Ernestine Griffin: difficult.
  Barbara Beery: I think so, you can just
  Ernestine Griffin: I think
  Barbara Beery: change.
  Ernestine Griffin: b but the the vocal command is easy too. You can say fifty
  Barbara Crosby: Yeah voc vocal
  Ernestine Griffin: and
  Barbara Crosby: command is okay.
  Ernestine Griffin: fifty it's okay, so
  Barbara Crosby: But w we've said previously that maybe it's not going
  Barbara Beery: There's
  Barbara Crosby: to be
  Barbara Beery: uh also
  Barbara Crosby: th l
  Angela Pope: Yeah,
  Barbara Beery: a number,
  Angela Pope: but when you're
  Barbara Beery: you
  Barbara Crosby: the
  Barbara Beery: know.
  Barbara Crosby: main
  Angela Pope: zapping you're changing from one channel to the other, so you're passing through all the channels. So, when you say I want to go to the channel number twenty that's you've decided to go to channel twenty, so you can say channel twenty,
  Ernestine Griffin: Uh, yeah,
  Angela Pope: or
  Ernestine Griffin: and
  Angela Pope: channel
  Ernestine Griffin: y that's
  Angela Pope: four, because
  Ernestine Griffin: yeah.
  Angela Pope: you really want to go on this channel. But if you really
  Barbara Crosby: And this
  Angela Pope: want
  Barbara Crosby: would be
  Angela Pope: to
  Barbara Crosby: more for browsing,
  Angela Pope: to do zapping
  Barbara Crosby: ah.
  Angela Pope: you you
  Barbara Crosby: Yeah.
  Angela Pope: don't really know what you want to do, you can turn it.
  Ernestine Griffin: Yeah.
  Angela Pope: Just go through all the channels
  Ernestine Griffin: To see
  Angela Pope: and maybe
  Barbara Beery: Mm-hmm.
  Ernestine Griffin: uh
  Angela Pope: stop if
  Ernestine Griffin: yeah
  Barbara Beery: Yeah.
  Angela Pope: there is something
  Barbara Beery: Yeah.
  Ernestine Griffin: uh
  Angela Pope: interesting?
  Ernestine Griffin: Yeah.
  Barbara Crosby: Mm-hmm.
  Angela Pope: Seems to be good.
  Barbara Beery: Yeah.
  Angela Pope: Good choice, mister David Jordan.
  Barbara Beery: Yeah.
  Barbara Crosby: Yeah, I mean you're famous.
  Ernestine Griffin: And but
  Barbara Beery: And also
  Ernestine Griffin: I'd
  Barbara Beery: you can, if
  Barbara Crosby: You.
  Barbara Beery: you i
  Angela Pope: yeah, what's
  Barbara Beery: You ca
  Angela Pope: what's
  Barbara Beery: you can
  Angela Pope: this
  Barbara Beery: turn this.
  Angela Pope: cherry?
  Barbara Beery: Or you ca you can you can also
  Ernestine Griffin: It is a turn
  Barbara Beery: turn
  Ernestine Griffin: off
  Barbara Beery: this.
  Ernestine Griffin: t turn off
  Barbara Beery: For
  Ernestine Griffin: button,
  Barbara Beery: this you
  Ernestine Griffin: maybe.
  Barbara Beery: can tune it's for tune. You you if you want to skip from channel one to channel two, you you skip this. If you want to from uh skip from channel one to channel ten you tune this.
  Barbara Crosby: Mm.
  Barbara Beery: It's like fine, from coarse to fine. This is coarse, this is fine.
  Ernestine Griffin: Yeah, yeah yeah. That's
  Angela Pope: Okay.
  Barbara Beery: So it's coarse to fine
  Ernestine Griffin: that's
  Barbara Beery: design.
  Ernestine Griffin: very technologic, so. Yeah.
  Barbara Beery: Yeah.
  Barbara Crosby: Okay the uh th this looks better. Yeah.
  Barbara Beery: Yeah is is this is, from one channel
  Ernestine Griffin: S
  Barbara Beery: to
  Ernestine Griffin: But I
  Barbara Beery: maybe
  Ernestine Griffin: di
  Barbara Beery: to
  Ernestine Griffin: I didn't
  Barbara Beery: ten channel.
  Ernestine Griffin: see where the
  Barbara Beery: This
  Ernestine Griffin: t f
  Barbara Beery: is from
  Ernestine Griffin: the turn
  Barbara Beery: one channel
  Ernestine Griffin: off
  Barbara Beery: to
  Ernestine Griffin: t turn on turn off button so much activates maybe one of the
  Angela Pope: Yeah,
  Barbara Beery: Yeah.
  Angela Pope: th you
  Barbara Beery: Yeah.
  Angela Pope: have the vocal commands.
  Ernestine Griffin: Uh it's
  Barbara Beery: Yeah.
  Ernestine Griffin: k
  Angela Pope: On off.
  Ernestine Griffin: on off, yeah.
  Barbara Crosby: Yeah, but it has to be on to
  Angela Pope: Most
  Barbara Crosby: recognise
  Angela Pope: of the time
  Barbara Crosby: fas
  Angela Pope: you have the yeah it's a sleeping remote control.
  Ernestine Griffin: Yeah, sleeping.
  Barbara Crosby: Ah, that's not the ecological
  Angela Pope: That's
  Barbara Crosby: part,
  Angela Pope: true. W that
  Barbara Crosby: yeah.
  Angela Pope: why we have the
  Barbara Crosby: Solar.
  Angela Pope: solar
  Ernestine Griffin: To compensate.
  Angela Pope: ti yeah.
  Ernestine Griffin: Yeah.
  Barbara Beery: Okay.
  Angela Pope: So
  Barbara Crosby: So, which number?
  Angela Pope: three.
  Ernestine Griffin: Easy to use, it's very relative but three it's fine, I think, it's reasonable
  Barbara Beery: Mm-hmm.
  Angela Pope: Do you agree?
  Ernestine Griffin: three.
  Barbara Beery: Yeah,
  Angela Pope: Three?
  Barbara Beery: agree, agree.
  Barbara Crosby: So reasonably, is four, is one?
  Ernestine Griffin: Three f three for Barbara Crosby, it's o it's okay.
  Barbara Crosby: So,
  Ernestine Griffin: Four
  Barbara Crosby: three.
  Ernestine Griffin: or three. Maybe you can vote to see how many everybody gives no and just take
  Angela Pope: And
  Ernestine Griffin: the mean.
  Angela Pope: what's your opinion?
  Barbara Crosby: Uh
  Ernestine Griffin: Will
  Barbara Crosby: we
  Ernestine Griffin: you
  Barbara Crosby: wouldn't
  Ernestine Griffin: give
  Barbara Crosby: say, I mean,
  Ernestine Griffin: four?
  Barbara Crosby: those are sort of agreed but this one would be more five to Barbara Crosby.
  Ernestine Griffin: Five?
  Barbara Crosby: I'd like I mean this is the just a prototype. I'm not really convinced it's so easy to use,
  Ernestine Griffin: Yeah,
  Barbara Crosby: but
  Ernestine Griffin: so
  Barbara Crosby: I don't
  Ernestine Griffin: maybe
  Barbara Beery: Uh
  Barbara Crosby: know.
  Ernestine Griffin: if
  Barbara Beery: w w what do y what uh you compare with traditional
  Barbara Crosby: Yeah.
  Barbara Beery: uh um tr traditional controller? I think it's easier than traditional controller. If you use traditional controller you have to put a button, but now you don't have to put button, you have you just turn the
  Ernestine Griffin: Yeah
  Barbara Beery: turn the
  Ernestine Griffin: but
  Barbara Beery: ball.
  Ernestine Griffin: y you know
  Barbara Beery: There's
  Barbara Crosby: So you have
  Barbara Beery: two kind of balls, the smaller the the the
  Barbara Crosby: yeah.
  Barbara Beery: so you can c you can c you can control the scale. But in the traditional controller, how do how can you control the scale?
  Barbara Crosby: Uh by pushing
  Ernestine Griffin: You just push
  Barbara Crosby: zero
  Ernestine Griffin: two button,
  Barbara Crosby: after
  Ernestine Griffin: zero
  Barbara Crosby: after
  Ernestine Griffin: and
  Barbara Crosby: the first one.
  Ernestine Griffin: and
  Barbara Beery: Yeah,
  Ernestine Griffin: one. And
  Barbara Beery: yeah, yeah, y you you can do it,
  Barbara Crosby: Yeah.
  Barbara Beery: but
  Ernestine Griffin: that's
  Barbara Beery: you can also do it in the b if you you do not wa if you do not want to browsing all the channel you can just p there's also a button here.
  Ernestine Griffin: Are there some buttons? Okay.
  Barbara Beery: Yeah, this function is just for your browsing, from one channel to th the next one, the next s sn s, the
  Barbara Crosby: Mm-hmm.
  Angela Pope: It's
  Barbara Beery: th the
  Angela Pope: not
  Barbara Beery: third
  Angela Pope: what
  Barbara Beery: one.
  Angela Pope: you said previously. Previously
  Barbara Crosby: Yeah,
  Angela Pope: you
  Barbara Crosby: if you're
  Angela Pope: said
  Barbara Crosby: changing
  Angela Pope: that turning
  Barbara Crosby: your mind.
  Angela Pope: this was the fine
  Barbara Crosby: Fine to coarse.
  Angela Pope: Fine
  Barbara Beery: Yeah,
  Angela Pope: to coarse. And
  Barbara Beery: yeah.
  Angela Pope: from ten to ten channels
  Barbara Beery: Y one
  Angela Pope: here.
  Barbara Beery: to ten, ten to twelve, uh ten to t uh twenty. Ten to twenty and this one, t one two three four five six, like this.
  Angela Pope: Okay.
  Barbara Beery: Uh there's different scale, so you can
  Barbara Crosby: Okay.
  Barbara Beery: you can choose
  Barbara Crosby: But this
  Barbara Beery: how much do
  Barbara Crosby: this
  Barbara Beery: you want
  Barbara Crosby: has
  Barbara Beery: to
  Barbara Crosby: to
  Barbara Beery: sc
  Barbara Crosby: stay on the table, right?
  Barbara Beery: Mm-hmm.
  Barbara Crosby: This has to stay on the table.
  Barbara Beery: I i
  Ernestine Griffin: In fact on a flat
  Barbara Beery: this is
  Ernestine Griffin: place
  Barbara Beery: just a base. You can just
  Ernestine Griffin: You can
  Barbara Crosby: Yeah
  Barbara Beery: Yeah.
  Barbara Crosby: but then uh when you turn
  Angela Pope: Oh
  Barbara Crosby: turn it
  Ernestine Griffin: Oh ye yes, that's
  Angela Pope: Yeah,
  Barbara Crosby: Just
  Ernestine Griffin: right.
  Angela Pope: no no, no. You can't put
  Barbara Crosby: It's
  Angela Pope: it out. It's just your turning from the base. You need to have everything in hand. If you want to turn, you can't use it and turn. It's impossible.
  Barbara Crosby: Yeah.
  Angela Pope: You need to put it on and
  Barbara Crosby: You know
  Angela Pope: turn.
  Barbara Crosby: tha that's the weak point,
  Ernestine Griffin: Oh
  Barbara Crosby: because with a traditional
  Barbara Beery: You use your
  Barbara Crosby: one
  Barbara Beery: y
  Barbara Crosby: you just have one hand.
  Angela Pope: Yeah, but
  Ernestine Griffin: my
  Angela Pope: nobody
  Ernestine Griffin: God.
  Angela Pope: would be able to take it in the pocket and bring it in the kitchen and say I've lost the remote control. Nobody would take it.
  Barbara Crosby: Sure. Yeah, you would never
  Angela Pope: So nobody
  Barbara Crosby: you would
  Angela Pope: w
  Barbara Crosby: never lose
  Angela Pope: will
  Barbara Crosby: this one,
  Angela Pope: lost
  Barbara Crosby: yeah.
  Angela Pope: lose
  Barbara Beery: So
  Angela Pope: it.
  Barbara Beery: th this is a d next generation controller.
  Ernestine Griffin: yeah
  Barbara Crosby: Yeah.
  Barbara Beery: Yeah.
  Ernestine Griffin: maybe, maybe may it's the next
  Barbara Beery: Okay
  Ernestine Griffin: prototype,
  Barbara Beery: okay,
  Ernestine Griffin: maybe
  Barbara Beery: okay.
  Ernestine Griffin: we cou
  Angela Pope: S maybe we can change from
  Ernestine Griffin: Four.
  Angela Pope: th
  Ernestine Griffin: Maybe four,
  Barbara Beery: Four.
  Ernestine Griffin: it's okay.
  Barbara Beery: Okay.
  Angela Pope: Four?
  Ernestine Griffin: I'll put four.
  Angela Pope: Easy to use, four. Gonna
  Barbara Crosby: Four.
  Angela Pope: say four.
  Ernestine Griffin: Yeah, four it's more
  Barbara Crosby: Uh
  Ernestine Griffin: reasonable.
  Barbara Crosby: it's even easier to maybe.
  Ernestine Griffin: You can you can erase with this er
  Barbara Crosby: Ok
  Ernestine Griffin: yeah.
  Barbara Beery: Okay.
  Barbara Crosby: Mm.
  Ernestine Griffin: Yeah, four it's more reasonable, so. So
  Barbara Crosby: So,
  Ernestine Griffin: it's
  Barbara Crosby: average?
  Ernestine Griffin: nine, nine over
  Barbara Crosby: Three?
  Barbara Beery: Three?
  Ernestine Griffin: three.
  Angela Pope: Trois. Three.
  Ernestine Griffin: Oh yeah, it's.
  Barbara Beery: Trois.
  Barbara Crosby: Okay, so
  Ernestine Griffin: It need maybe some wo further work, but
  Barbara Crosby: Yeah,
  Ernestine Griffin: it's
  Barbara Crosby: especially on the easy to use
  Ernestine Griffin: Yeah, uh s
  Barbara Beery: Yeah.
  Ernestine Griffin: yeah.
  Barbara Crosby: target.
  Ernestine Griffin: Might
  Angela Pope: So,
  Ernestine Griffin: it might be fine.
  Barbara Crosby: Okay.
  Angela Pope: th the project is accepted?
  Barbara Beery: Yeah.
  Ernestine Griffin: Yeah, b I think
  Angela Pope: But I d m I think that it will be good to do some more work to transform this into a pineapple.
  Barbara Beery: Yeah.
  Ernestine Griffin: Yeah, yeah.
  Barbara Beery: Yeah. Okay.
  Angela Pope: So uh mm
  Ernestine Griffin: That's
  Angela Pope: mm.
  Ernestine Griffin: the finance.
  Angela Pope: Mm. Okay and we we had a project prototype presentation with the evaluation. So as we all agree to accept,
  Ernestine Griffin: Yeah.
  Barbara Beery: Mm.
  Angela Pope: under
  Barbara Beery: Okay.
  Angela Pope: certain conditions, the prototype, we'll have look to the final sh financial view. So we need to calculate the production cost.
  Barbara Crosby: Mm-hmm.
  Angela Pope: As I said in the first meeting we need to have so a remote control that would cost not more than twelve and
  Barbara Beery: Mm-hmm.
  Angela Pope: point fifty Euros.
  Barbara Beery: Mm-hmm.
  Angela Pope: And if not if it's not the case y you would have to redesign it.
  Ernestine Griffin: Oh yeah.
  Barbara Beery: Yeah.
  Angela Pope: So, just have a look at the okay here is the Excel sheet, so so it has the energy source. We have hand dynamo. No,
  Barbara Crosby: No.
  Angela Pope: we don't use that. We have battery, right?
  Ernestine Griffin: Yeah, we have battery.
  Angela Pope: Kinetic, we don't have it,
  Ernestine Griffin: No,
  Angela Pope: I suppose,
  Ernestine Griffin: um
  Angela Pope: but we
  Ernestine Griffin: solar
  Angela Pope: have solar
  Ernestine Griffin: cells,
  Angela Pope: cells.
  Ernestine Griffin: yeah.
  Angela Pope: Um, how many do y do you need, solar cells? Do you think one would be enough, or such as
  Ernestine Griffin: Uh I think in
  Angela Pope: as
  Ernestine Griffin: each
  Angela Pope: number
  Ernestine Griffin: ball
  Angela Pope: of
  Ernestine Griffin: you
  Angela Pope: branches?
  Ernestine Griffin: have three
  Angela Pope: Three?
  Ernestine Griffin: three uh yeah, three, yeah. Three three solar cells.
  Angela Pope: So, electronic. Single simple chip on print? Just
  Ernestine Griffin: S
  Angela Pope: one
  Ernestine Griffin: s
  Angela Pope: would be necessary?
  Ernestine Griffin: simple, simple, yeah.
  Angela Pope: One?
  Ernestine Griffin: Yeah.
  Angela Pope: Zero for the others. And sample sensor, sample speaker. One?
  Ernestine Griffin: Mm. One maybe, yeah.
  Angela Pope: As we have voice recognition,
  Ernestine Griffin: Yeah
  Angela Pope: I think.
  Ernestine Griffin: yeah yeah.
  Angela Pope: So
  Ernestine Griffin: Is it
  Angela Pope: the case.
  Ernestine Griffin: Is sh it
  Barbara Crosby: So we are all already nineteen.
  Ernestine Griffin: Wooden.
  Angela Pope: Okay, just
  Barbara Beery: The solar cell
  Angela Pope: keep
  Barbara Beery: is too
  Angela Pope: on going,
  Barbara Beery: expensive.
  Angela Pope: just
  Barbara Crosby: Yeah.
  Angela Pope: to have an idea.
  Ernestine Griffin: Is Yes a wooden pl I and that's There's no
  Angela Pope: Well
  Ernestine Griffin: wood, so plastic
  Angela Pope: uh
  Ernestine Griffin: just only,
  Angela Pope: yeah,
  Ernestine Griffin: I think.
  Angela Pope: but what what about case? Uncurved, flat, single curved, double curved. I think it's more like
  Barbara Crosby: That's
  Angela Pope: double
  Barbara Crosby: gonna be
  Angela Pope: curved.
  Barbara Crosby: double
  Ernestine Griffin: Double
  Barbara Crosby: curved,
  Ernestine Griffin: curve, yeah,
  Barbara Crosby: yeah.
  Ernestine Griffin: double curve.
  Angela Pope: One?
  Ernestine Griffin: One, you have.
  Angela Pope: Uh wood?
  Ernestine Griffin: But it's yeah,
  Barbara Crosby: Rather four
  Ernestine Griffin: a
  Barbara Crosby: buttons.
  Ernestine Griffin: a rubber uh
  Barbara Crosby: Oh
  Angela Pope: Uh
  Barbara Crosby: no, interface.
  Angela Pope: do we need special colour? Y maybe,
  Ernestine Griffin: Yeah,
  Angela Pope: two?
  Ernestine Griffin: yeah.
  Barbara Crosby: Yeah,
  Angela Pope: We have
  Barbara Crosby: yeah
  Angela Pope: two
  Barbara Crosby: that's
  Angela Pope: special
  Ernestine Griffin: Y
  Barbara Crosby: special
  Angela Pope: colours.
  Barbara Crosby: colours,
  Ernestine Griffin: y yeah, yeah.
  Barbara Crosby: sure.
  Angela Pope: Push button.
  Barbara Beery: Mm. Yeah, we have four.
  Ernestine Griffin: Five?
  Barbara Beery: Five.
  Angela Pope: Okay. Scroll wheel.
  Barbara Beery: No.
  Angela Pope: We don no. It it's more like integrated
  Ernestine Griffin: I think
  Angela Pope: scor.
  Ernestine Griffin: that this will
  Barbara Beery: No
  Ernestine Griffin: be
  Barbara Beery: no.
  Ernestine Griffin: like a scroll
  Barbara Crosby: Yeah tha
  Ernestine Griffin: wheel,
  Barbara Crosby: that's
  Ernestine Griffin: actually.
  Barbara Crosby: wheel.
  Ernestine Griffin: Y you
  Barbara Beery: No
  Ernestine Griffin: tu
  Barbara Beery: no no, it
  Ernestine Griffin: you turn you turn it, so
  Angela Pope: Yeah,
  Barbara Beery: Okay.
  Angela Pope: maybe
  Barbara Crosby: Yeah.
  Angela Pope: two scroll wheel, as we
  Ernestine Griffin: Yeah,
  Angela Pope: have
  Ernestine Griffin: true.
  Angela Pope: the coarse
  Ernestine Griffin: Yeah, yeah. Yeah.
  Angela Pope: coarse to fine scroll
  Ernestine Griffin: Okay,
  Angela Pope: wheel.
  Ernestine Griffin: yeah, yeah. Scr
  Angela Pope: So,
  Barbara Crosby: I think the
  Angela Pope: no
  Barbara Crosby: price
  Angela Pope: button
  Barbara Crosby: is okay.
  Angela Pope: supplements?
  Barbara Beery: No.
  Angela Pope: Okay.
  Barbara Crosby: Um, no.
  Angela Pope: Okay we I think we have problem.
  Ernestine Griffin: L_C_ display, maybe. Interface.
  Angela Pope: I think we s if we keep on adding things
  Ernestine Griffin: It's okay. fine.
  Angela Pope: so we have to
  Barbara Crosby: Yeah w one of the m key point is solar cells.
  Angela Pope: Maybe if w t if suppose if we change and we g put just one?
  Barbara Crosby: Yeah.
  Angela Pope: Has it changed.
  Ernestine Griffin: Yeah, it was stage one, so.
  Barbara Crosby: but
  Angela Pope: Okay.
  Barbara Beery: We have change
  Barbara Crosby: just imagine
  Barbara Beery: the electronics
  Barbara Crosby: we have
  Barbara Beery: to from from the the the sample
  Ernestine Griffin: So
  Barbara Beery: sensor to regular chip. Oh. We have to delete the the sample sensor, I think.
  Barbara Crosby: Yeah.
  Angela Pope: Yeah, but we have you the the voice recognition, no?
  Barbara Crosby: Yeah but this one one of the feature we were not
  Barbara Beery: Yeah it's
  Barbara Crosby: really
  Barbara Beery: the one it's m maybe
  Angela Pope: Okay.
  Barbara Beery: we ha we have two versions, the first version, the basic version.
  Ernestine Griffin: I think you can
  Barbara Beery: Advanced
  Ernestine Griffin: transform
  Barbara Crosby: Yeah.
  Barbara Beery: version
  Ernestine Griffin: the
  Barbara Beery: we
  Ernestine Griffin: wood
  Barbara Beery: have
  Ernestine Griffin: into
  Barbara Beery: speak.
  Ernestine Griffin: plastic, maybe. Because uh
  Barbara Crosby: Yeah,
  Ernestine Griffin: it seems
  Barbara Crosby: if
  Ernestine Griffin: that this
  Angela Pope: Or
  Ernestine Griffin: can
  Angela Pope: it
  Ernestine Griffin: be
  Angela Pope: would be better.
  Ernestine Griffin: yeah, wood into plastic and it it should be fine.
  Barbara Beery: Plastic is free.
  Barbara Crosby: Yeah.
  Angela Pope: So, do we need special colour?
  Barbara Crosby: Yeah, that's one of
  Angela Pope: Because we have
  Barbara Crosby: the
  Angela Pope: red.
  Barbara Crosby: requirement.
  Ernestine Griffin: Yeah, red and
  Barbara Beery: Wait.
  Ernestine Griffin: yellow.
  Angela Pope: Red and yellow.
  Barbara Crosby: We
  Ernestine Griffin: Fancy.
  Barbara Crosby: could
  Barbara Beery: We
  Barbara Crosby: turn
  Barbara Beery: we
  Barbara Crosby: we
  Barbara Beery: can
  Barbara Crosby: could
  Barbara Beery: we
  Barbara Crosby: turn
  Barbara Beery: can
  Barbara Crosby: everything
  Barbara Beery: we c
  Barbara Crosby: in either
  Barbara Beery: yellow.
  Barbara Crosby: yellow or black. Black then is a regular colour, so.
  Angela Pope: I think so we need if we try to have a kind of
  Barbara Crosby: Yeah,
  Angela Pope: pineapple
  Barbara Crosby: one.
  Angela Pope: bee.
  Barbara Crosby: Yeah. So push button then it's it's the next expensive
  Angela Pope: Yeah.
  Barbara Crosby: one.
  Angela Pope: An but we have integrated scroll wheel with push dut button. And I think this is one.
  Barbara Crosby: Yeah,
  Angela Pope: Integrated
  Barbara Crosby: thi this might
  Angela Pope: scroll
  Barbara Crosby: be.
  Angela Pope: wheel push button. So we'll we have only one? And push button.
  Barbara Crosby: Close to.
  Angela Pope: So if we have all
  Ernestine Griffin: One.
  Angela Pope: integrated i in the scroll wheel and push button, it's uh
  Ernestine Griffin: I can remove maybe f you have five with push buttons, so we can just, I dunno, try to modify some of them to have yeah.
  Barbara Crosby: Okay, so what's the bottleneck?
  Barbara Beery: How about we change
  Barbara Crosby: Double
  Barbara Beery: the sale?
  Barbara Crosby: curved.
  Ernestine Griffin: Double curve. We can transform the double curve into single
  Angela Pope: Something flat.
  Ernestine Griffin: c yeah. F some
  Barbara Crosby: Yeah, but flat
  Angela Pope: S uncurved.
  Barbara Crosby: Case, what's
  Angela Pope: Yeah, maybe
  Barbara Crosby: the
  Angela Pope: not.
  Barbara Crosby: ca
  Ernestine Griffin: Single curve.
  Angela Pope: Yeah.
  Ernestine Griffin: Single curve should be fine, so. Oh, what
  Angela Pope: Mm.
  Barbara Beery: Ah we have
  Barbara Crosby: And
  Barbara Beery: one
  Barbara Crosby: then
  Angela Pope: Nearly.
  Barbara Crosby: one Euro left. Um.
  Angela Pope: Maybe don't
  Ernestine Griffin: It's
  Angela Pope: bat no battery, only solar cells.
  Ernestine Griffin: it's a bad idea, so.
  Barbara Crosby: Um
  Angela Pope: I think there's a problem with the push push button. We only need maybe
  Ernestine Griffin: Two?
  Angela Pope: just one.
  Ernestine Griffin: One.
  Angela Pope: Just one. Yeah.
  Ernestine Griffin: That's fine.
  Barbara Beery: Okay. Okay.
  Ernestine Griffin: That's
  Barbara Beery: Agree.
  Ernestine Griffin: fine.
  Barbara Crosby: So
  Angela Pope: So
  Barbara Crosby: we have one
  Ernestine Griffin: One
  Barbara Crosby: button,
  Angela Pope: yeah,
  Barbara Crosby: one
  Angela Pope: you will
  Barbara Crosby: wheel.
  Angela Pope: have So
  Ernestine Griffin: s
  Angela Pope: one button, and
  Ernestine Griffin: one
  Angela Pope: s
  Ernestine Griffin: scroll wheel, so
  Angela Pope: scroll wheel with push button on it.
  Ernestine Griffin: And the vocal chord, it's fine. It I th it's fine.
  Angela Pope: So
  Barbara Crosby: It's good they're not charging anything for that.
  Angela Pope: So, yeah. It think we we've done good job, as the cost is
  Barbara Beery: Cou could we have look
  Angela Pope: twelve fifty
  Barbara Beery: Could we
  Angela Pope: e
  Barbara Beery: have look at the
  Barbara Crosby: Yeah y actually
  Barbara Beery: p the
  Barbara Crosby: it's wrong. We're not
  Barbara Beery: the prod
  Barbara Crosby: under
  Barbara Beery: the p
  Barbara Crosby: twelve
  Barbara Beery: the cost?
  Barbara Crosby: Euros
  Angela Pope: Yeah, but it's
  Barbara Crosby: and a half.
  Angela Pope: under or equal. It's not written.
  Ernestine Griffin: It's
  Angela Pope: Sometimes
  Ernestine Griffin: fine.
  Angela Pope: it's under or equal.
  Ernestine Griffin: It's under or
  Barbara Crosby: Okay.
  Ernestine Griffin: equal. It's fine, so
  Barbara Crosby: Okay.
  Barbara Beery: Okay. So let's say
  Angela Pope: Twelve
  Barbara Beery: Wha what
  Angela Pope: fifty.
  Barbara Beery: yeah.
  Ernestine Griffin: It's fine, twelve fifty
  Barbara Beery: Which part
  Ernestine Griffin: uh
  Barbara Beery: is the most expensive part?
  Barbara Crosby: Solar cells.
  Ernestine Griffin: The solar
  Angela Pope: Yeah,
  Ernestine Griffin: cells,
  Angela Pope: I think.
  Ernestine Griffin: r is
  Barbara Beery: Yeah,
  Ernestine Griffin: i is it?
  Barbara Beery: I think it's not t t
  Angela Pope: I think, yeah. But it would i be interesting for our marketing team, to make
  Ernestine Griffin: Yeah,
  Angela Pope: a lot
  Ernestine Griffin: to
  Angela Pope: of
  Ernestine Griffin: be able to si
  Angela Pope: advertisement
  Ernestine Griffin: to sell it.
  Angela Pope: concerning these solar cells
  Barbara Crosby: Yeah.
  Angela Pope: to be
  Barbara Beery: Cheaper.
  Barbara Crosby: That's nice argument, but
  Ernestine Griffin: Yeah, with
  Barbara Crosby: if
  Ernestine Griffin: mi
  Barbara Crosby: it's it's still four
  Ernestine Griffin: It's it is
  Barbara Crosby: our
  Ernestine Griffin: really
  Barbara Crosby: of
  Ernestine Griffin: really
  Barbara Crosby: twelve.
  Ernestine Griffin: uh really very very expensive, though.
  Barbara Crosby: Yeah.
  Ernestine Griffin: Maybe if uh okay.
  Barbara Beery: Okay.
  Angela Pope: Yeah but it will be technologically innova innovative,
  Ernestine Griffin: Yeah,
  Angela Pope: so.
  Ernestine Griffin: yeah.
  Barbara Crosby: Yeah but we just have one button.
  Angela Pope: So it's easy to use and powerful, as the remote control a has only one button.
  Barbara Crosby: Easy. I don't know about powerful. Yeah.
  Ernestine Griffin: It's easy
  Angela Pope: Easy,
  Ernestine Griffin: to use. It's very
  Angela Pope: powerful.
  Ernestine Griffin: easy to use.
  Barbara Crosby: Mm.
  Angela Pope: So I don't think we need to redesign the p the product.
  Ernestine Griffin: No.
  Barbara Crosby: Uh that's what we've just done.
  Ernestine Griffin: We've done it
  Angela Pope: Yeah.
  Ernestine Griffin: with it
  Barbara Crosby: Yeah.
  Ernestine Griffin: is under the if it was low, high or so.
  Barbara Crosby: Um
  Angela Pope: So
  Barbara Crosby: okay.
  Angela Pope: Now
  Ernestine Griffin: So So what are we going to do with this project evaluation?
  Angela Pope: So
  Barbara Crosby: Well I think we have just have to discuss if
  Ernestine Griffin: Okay, okay, it's
  Barbara Crosby: I dunno.
  Ernestine Griffin: fine.
  Angela Pope: So did you enjoy your clay modelling?
  Barbara Beery: Yes. Of course. This is
  Angela Pope: Yeah?
  Barbara Beery: my job.
  Angela Pope: Was it a nice way to create your remote control?
  Barbara Beery: Yeah, it's uh it's good, to to create a control instead of a computer.
  Ernestine Griffin: Yeah, I think I find it really funny and amazing and interesting to go through all the process to from the beginning to the end. And designing, looking at the chips, the solar cells and
  Barbara Beery: Yeah.
  Ernestine Griffin: uh and it was very informative for.
  Angela Pope: And for the marketing guy?
  Barbara Crosby: Uh tha that was good but we should have more brainstorming like meetings, maybe.
  Ernestine Griffin: Yep.
  Barbara Crosby: 'Cause we just presenting one is presenting his stuff next one his
  Barbara Beery: Okay.
  Barbara Crosby: stuff and then we try to combine afterwards, so it
  Ernestine Griffin: Okay,
  Barbara Crosby: um.
  Ernestine Griffin: okay.
  Angela Pope: And new ideas about new products, maybe, wi which would be fashion and uh and yellow.
  Ernestine Griffin: Yellow. I think you can think about a yellow T_V_ now after a fruit T_V_ or I dunno. It can be an interesting I don't know
  Angela Pope: Yes, just lemon.
  Ernestine Griffin: Yeah, just a lemon T_V_ it'd be yellow
  Barbara Beery: Yeah,
  Ernestine Griffin: lemon.
  Barbara Beery: but y you know the traditional T_V_ it's um
  Ernestine Griffin: It's flat,
  Barbara Beery: Yeah
  Ernestine Griffin: uh
  Barbara Beery: yeah it's flat,
  Angela Pope: Squared?
  Barbara Beery: yeah the shape is very boring.
  Ernestine Griffin: Yeah, that's
  Barbara Beery: Could
  Ernestine Griffin: right.
  Barbara Beery: we
  Ernestine Griffin: It's really boring,
  Barbara Beery: come up
  Ernestine Griffin: yeah.
  Barbara Beery: with new T_V_
  Ernestine Griffin: Yeah.
  Barbara Beery: with such as this kind of T_V_? So you can you have base, triangle base so you the T_V_ you
  Angela Pope: Ah,
  Barbara Beery: can
  Angela Pope: the lemon T_V_ with the pineapple remote control.
  Ernestine Griffin: Yeah, that's
  Barbara Beery: Yeah.
  Ernestine Griffin: that would be really interesting,
  Barbara Beery: Yeah.
  Ernestine Griffin: actually.
  Barbara Beery: Because the T_V_ you
  Angela Pope: Oh,
  Barbara Beery: also
  Angela Pope: that's interesting. You could f we could do a kind of fruit collection of electronics
  Ernestine Griffin: Device
  Angela Pope: things.
  Ernestine Griffin: devi
  Barbara Beery: Yeah.
  Angela Pope: Electronic
  Barbara Crosby: Yeah,
  Angela Pope: device.
  Barbara Crosby: but
  Barbara Beery: Yeah.
  Barbara Crosby: just don't trust too much the
  Ernestine Griffin: The fruit?
  Barbara Crosby: trends.
  Ernestine Griffin: Yeah.
  Barbara Crosby: 'Cause fruit
  Angela Pope: Maybe
  Barbara Crosby: and vegetables it won't last for ten years uh.
  Angela Pope: Yeah,
  Ernestine Griffin: Yeah,
  Angela Pope: maybe
  Ernestine Griffin: it's
  Angela Pope: la
  Barbara Crosby: Maybe
  Angela Pope: next
  Barbara Crosby: two
  Angela Pope: year
  Barbara Crosby: years
  Angela Pope: it will
  Barbara Crosby: it's
  Angela Pope: be
  Barbara Crosby: dead.
  Angela Pope: insects.
  Barbara Crosby: Yeah.
  Ernestine Griffin: But I think it's good to follow the f flow
  Barbara Crosby: Yeah.
  Ernestine Griffin: and you know make it now and after, you know, if
  Barbara Beery: Mm.
  Ernestine Griffin: the people change their mind you change also the
  Barbara Crosby: Yeah,
  Ernestine Griffin: product.
  Barbara Crosby: but this is good because it's not a long long life product.
  Ernestine Griffin: Yeah.
  Barbara Crosby: T_V_ is more like fifteen years, maybe, so.
  Ernestine Griffin: Yeah,
  Barbara Crosby: If
  Ernestine Griffin: yeah.
  Barbara Crosby: you have
  Ernestine Griffin: That's
  Barbara Crosby: a lemon
  Ernestine Griffin: a
  Barbara Crosby: lemon
  Ernestine Griffin: yeah,
  Barbara Crosby: T_V_ for
  Ernestine Griffin: yeah. We can
  Barbara Crosby: fifteen
  Ernestine Griffin: think about
  Barbara Crosby: years
  Ernestine Griffin: T_V_ with you know where you can change you know the aspects o like for the cell phones, you know.
  Angela Pope: Customable
  Ernestine Griffin: Yeah, you customise
  Angela Pope: T_V_.
  Ernestine Griffin: it every ti so every
  Barbara Crosby: Yeah,
  Ernestine Griffin: ti if
  Barbara Crosby: yeah.
  Ernestine Griffin: people change, you just change the appearance,
  Angela Pope: Ah
  Ernestine Griffin: and
  Angela Pope: such
  Ernestine Griffin: y y
  Angela Pope: yeah.
  Ernestine Griffin: you
  Angela Pope: You've
  Ernestine Griffin: can
  Barbara Crosby: Tha
  Ernestine Griffin: keep
  Barbara Crosby: that
  Angela Pope: already
  Barbara Crosby: would
  Angela Pope: said
  Barbara Beery: Okay.
  Angela Pope: mobile
  Barbara Crosby: that would make
  Angela Pope: phones.
  Barbara Crosby: it. Yeah.
  Ernestine Griffin: Yeah, you can keep the global appearan
  Angela Pope: Yeah, and following
  Ernestine Griffin: The mood of persons, the fashions uh
  Barbara Beery: Yeah.
  Angela Pope: Mm.
  Ernestine Griffin: We
  Angela Pope: It's interesting, maybe
  Ernestine Griffin: int
  Angela Pope: we can create a a line of uh T_V_
  Ernestine Griffin: Yeah,
  Angela Pope: with uh
  Ernestine Griffin: T_V_, yeah.
  Barbara Beery: Yeah.
  Ernestine Griffin: A
  Angela Pope: a
  Ernestine Griffin: T_V_
  Angela Pope: a tr
  Ernestine Griffin: for autumn and a T_V_ for winter, you know, so
  Barbara Beery: Yeah.
  Ernestine Griffin: it's So what i and do w is it Okay.
  Angela Pope: So I think the costs are within the budget. We're just
  Ernestine Griffin: Yeah, the
  Angela Pope: at
  Ernestine Griffin: pr
  Barbara Beery: Yep.
  Barbara Crosby: Yeah.
  Ernestine Griffin: at
  Angela Pope: twelve fifty Euros. So do you think you can celebrate your creation?
  Barbara Beery: And you can celebrate your leadership.
  Angela Pope: Oh, thanks a lot. Thank you,
  Ernestine Griffin: Yeah
  Angela Pope: mister
  Ernestine Griffin: but I think
  Angela Pope: David Jordan.
  Ernestine Griffin: f it's really a celebrating object. So it's yellow and very
  Barbara Beery: Yeah.
  Barbara Crosby: Hmm.
  Ernestine Griffin: a very ha it's very happy, so.
  Barbara Crosby: Yeah. It's
  Ernestine Griffin: Uh it's
  Barbara Crosby: party
  Ernestine Griffin: it's
  Barbara Crosby: party
  Ernestine Griffin: a pr it's
  Barbara Crosby: remote
  Ernestine Griffin: like
  Barbara Crosby: control.
  Ernestine Griffin: yeah.
  Angela Pope: The thing now is to to sell it.
  Barbara Beery: Yeah, it's your job.
  Ernestine Griffin: Yeah,
  Barbara Beery: Sell it.
  Ernestine Griffin: right, go and sell it. Goo and
  Barbara Crosby: Yeah.
  Ernestine Griffin: good luck, so
  Barbara Beery: Yeah. Okay and the twelve fifty twelve uh twelve
  Barbara Crosby: Uh-huh. Twenty five Euros.
  Barbara Beery: Twenty five Euros, yeah.
  Barbara Crosby: Yeah, I think it's
  Barbara Beery: Twenty five
  Angela Pope: It's
  Barbara Beery: Euros.
  Angela Pope: maybe a little bit expensive.
  Barbara Crosby: It's cheap, yeah. No, I
  Barbara Beery: No, it's not so
  Ernestine Griffin: It
  Barbara Beery: expensive.
  Ernestine Griffin: should be
  Barbara Crosby: I'm
  Ernestine Griffin: fine.
  Barbara Crosby: not so happy about the fruit shape, you know.
  Ernestine Griffin: Wh really? It should be it should be fine, you know, actually.
  Barbara Beery: Okay.
  Ernestine Griffin: S
  Angela Pope: Maybe what you
  Barbara Crosby: Yeah.
  Angela Pope: can do a test. Put it outside, and if bees come, it's really fruit.
  Ernestine Griffin: I
  Barbara Beery: Okay.
  Ernestine Griffin: I think I like the
  Angela Pope: But don't
  Ernestine Griffin: the
  Angela Pope: put
  Ernestine Griffin: colour
  Angela Pope: sugar
  Ernestine Griffin: a
  Angela Pope: in
  Ernestine Griffin: the
  Angela Pope: it,
  Ernestine Griffin: colour
  Angela Pope: it's
  Ernestine Griffin: are
  Angela Pope: not
  Ernestine Griffin: very
  Angela Pope: working.
  Ernestine Griffin: good, so actually so
  Barbara Crosby: No, the colours are uh it's perfect, yeah.
  Ernestine Griffin: It's perfect, and
  Barbara Crosby: True. Uh yeah, another thing is the logo is missing still.
  Ernestine Griffin: I p is
  Angela Pope: Yeah, but
  Ernestine Griffin: th
  Angela Pope: the colour, I think the colour
  Ernestine Griffin: y the
  Angela Pope: is more is
  Ernestine Griffin: the yellow
  Angela Pope: most important,
  Barbara Crosby: Uh
  Ernestine Griffin: ball thing that
  Angela Pope: because I I don't think you have ever seen something like that before for a remote control.
  Barbara Crosby: Still that was one of the requirements we had. It's yeah but it I don't think it's such a problem just putting
  Ernestine Griffin: Uh
  Barbara Crosby: the logo somewhere.
  Ernestine Griffin: f like y we can we can put some uh double
  Angela Pope: Yeah, but we
  Ernestine Griffin: R_
  Angela Pope: decided to have something yellow and red, for the costs.
  Barbara Crosby: Yeah.
  Angela Pope: So maybe we can just integrate it on th on one side,
  Barbara Crosby: Mm.
  Angela Pope: the double R_.
  Ernestine Griffin: Okay yeah,
  Barbara Crosby: Yeah.
  Ernestine Griffin: yeah. That's actually
  Barbara Beery: Mm.
  Ernestine Griffin: good idea, so
  Angela Pope: So we have the logo, we have the colour, and we have the fashion in electronics,
  Barbara Beery: So we have to give
  Angela Pope: so
  Barbara Beery: a
  Angela Pope: we have the slogan too.
  Barbara Beery: So we have give him give it a cute name.
  Barbara Crosby: Cute
  Angela Pope: Yeah
  Barbara Beery: Mush
  Angela Pope: th
  Barbara Beery: mushroom
  Barbara Crosby: na
  Angela Pope: no, it's
  Barbara Beery: controller.
  Angela Pope: the it's the pineapple control
  Barbara Crosby: You cannot
  Angela Pope: remote
  Barbara Crosby: say mushroom
  Angela Pope: control.
  Barbara Crosby: because it's
  Ernestine Griffin: It's
  Barbara Crosby: not
  Angela Pope: It's
  Barbara Crosby: the
  Ernestine Griffin: not
  Barbara Crosby: trend.
  Angela Pope: a
  Ernestine Griffin: a
  Angela Pope: pineapple
  Ernestine Griffin: mushroom.
  Angela Pope: now,
  Barbara Crosby: It's not
  Angela Pope: it
  Barbara Crosby: the
  Ernestine Griffin: It's
  Angela Pope: has
  Barbara Crosby: trend.
  Ernestine Griffin: a
  Angela Pope: changed.
  Ernestine Griffin: pineapple remote
  Angela Pope: It's
  Ernestine Griffin: controls.
  Angela Pope: a pineapple.
  Barbara Beery: Pa
  Angela Pope: Pineapple.
  Barbara Beery: Pine apple.
  Ernestine Griffin: Yeah, pineapple remote remote
  Barbara Crosby: Yeah, but
  Ernestine Griffin: control.
  Barbara Crosby: just flying saucer,
  Angela Pope: With cherry
  Barbara Crosby: or
  Angela Pope: on top.
  Barbara Beery: Okay.
  Ernestine Griffin: Oh,
  Barbara Crosby: I would
  Ernestine Griffin: that
  Barbara Crosby: say flying saucer.
  Ernestine Griffin: Oh unid uh
  Barbara Crosby: It's
  Ernestine Griffin: unidentified
  Barbara Crosby: more appropriate,
  Ernestine Griffin: remote
  Barbara Crosby: somehow.
  Ernestine Griffin: control, so
  Barbara Beery: Okay. Okay.
  Ernestine Griffin: That's that's pineapple remote control. I think it's fine.
  Barbara Crosby: Mm.
  Barbara Beery: Okay.
  Angela Pope: Will
  Ernestine Griffin: Yeah.
  Angela Pope: you buy one?
  Ernestine Griffin: Yeah I will try I'll
  Angela Pope: Try to.
  Barbara Beery: Twenty
  Angela Pope: Okay
  Barbara Beery: five
  Ernestine Griffin: try.
  Angela Pope: uh
  Barbara Beery: Euro.
  Ernestine Griffin: I can hel I will try versions so to see
  Barbara Beery: Okay.
  Ernestine Griffin: how easy easy
  Barbara Beery: Yeah
  Ernestine Griffin: to manage
  Barbara Beery: you told Barbara Crosby you h you d you d you lost your control your
  Ernestine Griffin: Yeah I always
  Barbara Beery: T_V_
  Ernestine Griffin: lose
  Barbara Beery: so
  Ernestine Griffin: my Yeah, so
  Barbara Beery: so you need to buy one.
  Ernestine Griffin: so i if it is a universal one I can use it with my T_V_, so
  Barbara Beery: Okay.
  Ernestine Griffin: it would
  Barbara Crosby: Mm.
  Ernestine Griffin: be
  Angela Pope: One thing I like is the shape, because you know it's not like the
  Barbara Beery: Traditional
  Angela Pope: uh the
  Barbara Beery: one?
  Angela Pope: remote controls you can
  Barbara Beery: Yeah.
  Angela Pope: put in your pocket, on uh in
  Barbara Beery: So
  Angela Pope: your jacket.
  Barbara Beery: this one and this one. What do you choose?
  Angela Pope: I prefer the laser remote
  Ernestine Griffin: I
  Angela Pope: control.
  Barbara Beery: What do you choose?
  Ernestine Griffin: think I would choose this one because
  Angela Pope: No.
  Ernestine Griffin: of the colour. It's
  Barbara Beery: Okay.
  Ernestine Griffin: it's will enlight your house, your home and your T_V_, so.
  Barbara Beery: Okay.
  Ernestine Griffin: Yeah.
  Angela Pope: Oh. Maybe next if we decide to do something we'd can put light inside.
  Ernestine Griffin: Yeah, yeah that would be
  Barbara Crosby: Yeah
  Ernestine Griffin: uh
  Barbara Crosby: but that's
  Ernestine Griffin: an idea.
  Barbara Crosby: going to be expensive, you know.
  Angela Pope: Yeah.
  Barbara Crosby: We had some problems going
  Angela Pope: I
  Barbara Crosby: to
  Angela Pope: think
  Barbara Crosby: twelve Euros and
  Angela Pope: it
  Barbara Crosby: uh I
  Angela Pope: it
  Barbara Crosby: dunno.
  Angela Pope: would be interesting to just to see if we can if people will buy this one, and maybe add some
  Barbara Crosby: Yeah,
  Angela Pope: features
  Barbara Crosby: afterwards,
  Angela Pope: to it
  Barbara Crosby: if
  Barbara Beery: Yeah.
  Angela Pope: after
  Barbara Beery: Yeah.
  Angela Pope: yeah.
  Barbara Crosby: if it's a new trend. Okay.
  Angela Pope: So
  Ernestine Griffin: Yeah that's that fine. So we can celebrate now. That's our new product.
  Angela Pope: Champagne,
  Barbara Crosby: We should celebrate.
  Angela Pope: mister Baba.
  Ernestine Griffin: Yes. It's it's fine. It's I like it.
  Barbara Beery: So buy one.
  Ernestine Griffin: Next time. Well, I'll buy one here.
  Barbara Beery: Yeah.
  Angela Pope: So
  Barbara Crosby: Mm.
  Angela Pope: Okay, I will close this. Mm.
  Ernestine Griffin: Yeah. No?
  Angela Pope: So I think we have finished
  Ernestine Griffin: Okay.
  Angela Pope: the designing and the evaluation of our remote control
  Ernestine Griffin: Okay.
  Barbara Crosby: Yeah.
  Angela Pope: and we have a nearly final product.
  Barbara Crosby: Our final prototype
  Ernestine Griffin: Final
  Barbara Crosby: which
  Ernestine Griffin: prototype,
  Angela Pope: Final
  Ernestine Griffin: yeah,
  Angela Pope: prototype,
  Ernestine Griffin: ye
  Angela Pope: right.
  Barbara Crosby: yeah.
  Ernestine Griffin: yeah.
  Barbara Beery: Prototype, yeah.
  Angela Pope: So,
  Barbara Beery: Okay.
  Angela Pope: thank you very much.
  Ernestine Griffin: Okay.
  Barbara Beery: Okay.
  Ernestine Griffin: Okay.
  Angela Pope: Very productive.
  Barbara Beery: Okay. Thanks.
  Ernestine Griffin: S so who is going to take the remote control?
Updated Content: Barbara Beery and Ernestine Griffin presented their prototype for the remote. The prototype was yellow and red and was shaped like a mushroom. The team then conducted a product evaluation of the prototype. Overall, the team found the prototype to be technologically innovative but had some issues with the prototype's appearance and its usability. The team decided that the prototype required further work. The team then discussed the production costs of the remote and what features they should retain or lose in order to maintain their target cost. In discussing the production costs, the team settled on what features they wanted in the remote, while staying within the boundaries of their budget, and decided it was not necessary to completely redesign their product. The team then engaged in a project evaluation in which the team discussed the process of creating their product.