Extracted Content: Julie Horta: So, I will open our functional design meeting.
  Carl Phillips: Mm-hmm.
  Julie Horta: So, I will play role of the secretary. As also Program Ma Manager. So, we will have the three presentations from the In
  Sharon Horne: Industrial
  Julie Horta: Industrial
  Sharon Horne: Design.
  Julie Horta: Designer, User Interface Designer and um
  Carl Phillips: Marketing
  Julie Horta: What's your
  Carl Phillips: Expert.
  Lisa Avina: Okay.
  Julie Horta: talk? Marketing Experts.
  Carl Phillips: Mm.
  Julie Horta: And after that we uh will have the uh new product requirements, the decision on the remote control functions, and we will close the meetings after. Mm so um I suppose the first to do the presentation will be Lisa Avina.
  Lisa Avina: Okay.
  Julie Horta: Um, so you're participant two?
  Sharon Horne: One one.
  Lisa Avina: No no no.
  Julie Horta: No you're
  Lisa Avina: One.
  Julie Horta: No, I'm
  Sharon Horne: Three three,
  Julie Horta: participant
  Sharon Horne: it's three sorry.
  Lisa Avina: I
  Julie Horta: one.
  Lisa Avina: I think I'm a.
  Julie Horta: Okay, never mind.
  Carl Phillips: Okay.
  Julie Horta: 'Kay, did you save your presentation?
  Lisa Avina: In one.
  Sharon Horne: In one, sorry.
  Carl Phillips: Yeah
  Julie Horta: Isn't that technical functions?
  Carl Phillips: No sure.
  Sharon Horne: So you didn't save it maybe.
  Lisa Avina: It's mine.
  Carl Phillips: Uh
  Sharon Horne: Alright,
  Carl Phillips: it's
  Sharon Horne: so
  Carl Phillips: David
  Julie Horta: Name's Jordan.
  Carl Phillips: Jordan. Course.
  Julie Horta: So
  Sharon Horne: David Jordan?
  Lisa Avina: Mm yeah.
  Sharon Horne: Mm-hmm.
  Carl Phillips: Mm-hmm.
  Julie Horta: so I'll I let David Jordan do his presentation.
  Lisa Avina: Okay.
  Carl Phillips: No, no. Uh this one doesn't want
  Julie Horta: Uh.
  Carl Phillips: to be moved, I
  Sharon Horne: Too
  Carl Phillips: think.
  Sharon Horne: great for
  Lisa Avina: Okay,
  Sharon Horne: email
  Lisa Avina: so.
  Sharon Horne: then.
  Lisa Avina: The first I will present the technical function design for user interface for our uh remote T_V_ control.
  Sharon Horne: Yeah.
  Lisa Avina: Uh I I will focus on user interface design. Um
  Julie Horta: Mm.
  Lisa Avina: so move to the next slide. As we know our remote c rem remote T_V_ control it's very has very soph sophisticated functions, as we show from this picture. Over, I think over s twelve or twenty s functions of a remote T_V_ control. So how can we um design a user interface with so sa with so many sophisticated functions? Um, let's move to next slide. Um. Yeah. So I so we want to design uh elegant, easy to use inter interface. A very good example is Google. As we know uh Google it's a very successful because his um powerful function, but with very easy to use user interface. Um so move to next s slide. So my job is to uh design a Google T_V_ controller which I want to have sophisticated functions while with very easy to use user interface. So That's the end of the talk the end of the presentation.
  Julie Horta: So you propose to to have the
  Lisa Avina: Uh
  Julie Horta: remote control which will be
  Lisa Avina: With sophisticated
  Julie Horta: powerful.
  Lisa Avina: functions, but
  Julie Horta: So
  Lisa Avina: with
  Julie Horta: powerful,
  Lisa Avina: very yeah powerful.
  Julie Horta: many functions
  Lisa Avina: Yes.
  Julie Horta: and very easy to use.
  Lisa Avina: Yep.
  Carl Phillips: So, I dunno, it's maybe difficult to
  Sharon Horne: To merge the
  Carl Phillips: have
  Sharon Horne: two system
  Carl Phillips: both,
  Sharon Horne: huh.
  Carl Phillips: I mean the
  Lisa Avina: Yeah.
  Carl Phillips: the one on the right doesn't look so simple and Yeah.
  Julie Horta: You mean this one?
  Carl Phillips: Yeah.
  Julie Horta: Yeah you have to learn the manual before using this remote control, I suppose.
  Sharon Horne: Mm yep. But
  Lisa Avina: But if we
  Sharon Horne: But
  Lisa Avina: have
  Sharon Horne: this
  Lisa Avina: very
  Sharon Horne: is
  Lisa Avina: very good user interface
  Sharon Horne: Yeah.
  Lisa Avina: it
  Carl Phillips: Yeah,
  Lisa Avina: take
  Carl Phillips: and
  Lisa Avina: less
  Carl Phillips: then
  Lisa Avina: time
  Carl Phillips: Yeah.
  Lisa Avina: for user to learn how to use it.
  Sharon Horne: Yeah you maybe you have some international standards, where you know, if you can use one is the other are or almost the same, so the sign.
  Julie Horta: Oh you mean for the yeah pic
  Sharon Horne: Yeah,
  Julie Horta: pictograms or things like
  Sharon Horne: yeah.
  Julie Horta: that?
  Sharon Horne: For example, I dunno here, escape, you know, you have escape in computers you have, so if you see escape, you know that it should be
  Carl Phillips: Oh
  Sharon Horne: the
  Carl Phillips: it
  Sharon Horne: same.
  Carl Phillips: should okay, yeah.
  Sharon Horne: So
  Carl Phillips: The
  Sharon Horne: you
  Carl Phillips: user
  Sharon Horne: have
  Carl Phillips: should know.
  Sharon Horne: to The sh the user there for example the power off button it is something very international, you know that So.
  Julie Horta: Yeah um such as maybe the
  Sharon Horne: Yeah. So.
  Julie Horta: Go on, go back and
  Sharon Horne: Yeah, but the question is how to merge you know the Google system to the system, alright.
  Carl Phillips: Yeah,
  Lisa Avina: Yeah, that's
  Carl Phillips: that's
  Lisa Avina: my
  Carl Phillips: gonna
  Lisa Avina: job.
  Carl Phillips: be the trick.
  Sharon Horne: That's your
  Lisa Avina: That's my
  Sharon Horne: job
  Lisa Avina: job. It's not the easiest I've got to.
  Sharon Horne: It you
  Julie Horta: So, you will propose us something which is yeah so powerful and easy to use.
  Lisa Avina: Yep.
  Julie Horta: Okay.
  Carl Phillips: Okay.
  Lisa Avina: Powerful and easy to use.
  Carl Phillips: So that's the point.
  Lisa Avina: Yeah, that's the point.
  Julie Horta: So, next I propose the Industrial User
  Sharon Horne: Okay,
  Julie Horta: Interface to
  Sharon Horne: okay.
  Julie Horta: present things. So you you're
  Sharon Horne: Participant two. Yeah.
  Julie Horta: Um. Okay.
  Sharon Horne: The rationale
  Julie Horta: So,
  Sharon Horne: must
  Julie Horta: Baba is the uh the
  Sharon Horne: be
  Julie Horta: Industrial
  Sharon Horne: design, or
  Julie Horta: Designer. Okay.
  Sharon Horne: So we can move to the next slide. As you all know, you know m my job is to design you know uh to give an industrial design of the remote control. So the re basically the remote control will be, you know, infrared control, so
  Julie Horta: Mm-hmm.
  Sharon Horne: the problem is how to relate the how to relate the remote control device, like for example this one I h I'm holding in my hand and the T_V_. So, this one is leather bu based but
  Carl Phillips: Mm.
  Sharon Horne: I propose a nifra infrared base you know, so so for Carl Phillips I think that it is better it's bet it's better to control T_V_ so you know, so it's it will be cheaper and it is less technology than, you know For the cheap price we have, for the cheap price we want to
  Carl Phillips: True.
  Julie Horta: So you mean that infrared control is a cheap technology?
  Sharon Horne: I think it's cheaper than laser, so.
  Julie Horta: Yeah.
  Carl Phillips: Okay.
  Julie Horta: Do y you know the requirements for the remote control? Twelve,
  Carl Phillips: What
  Julie Horta: nearly thirteen,
  Carl Phillips: the cost
  Julie Horta: yeah.
  Carl Phillips: is?
  Julie Horta: The
  Sharon Horne: Yeah,
  Julie Horta: cost
  Sharon Horne: I think
  Carl Phillips: Twelve,
  Sharon Horne: for the
  Carl Phillips: twelve
  Sharon Horne: cost
  Carl Phillips: a
  Sharon Horne: we
  Carl Phillips: half.
  Sharon Horne: want for the cost we want it's better to have uh uh Let's see. Yeah. You can move to the next slide, so. So the di the differen the findings you know what you find inside the re i the the system here inside it is just, you know a bulb and an infrared bulb, so here for example the infrared bulb will be here
  Julie Horta: Mm-hmm.
  Sharon Horne: and the bulb it will be somewhere inside.
  Carl Phillips: That might
  Sharon Horne: You can go
  Julie Horta: Okay.
  Sharon Horne: to
  Carl Phillips: just
  Sharon Horne: the next slide. I have
  Carl Phillips: So.
  Sharon Horne: some kind of pictures you know, here. You have the b the bulb, it is a blue the blue stuff here and
  Julie Horta: Yeah.
  Sharon Horne: the infrared and the infrared bulb it is the red stuff you know and so and you have the other subcomponent that are not really here so important, so.
  Julie Horta: What is this?
  Sharon Horne: This is in fact some other component that are in between the electrical de the electronic
  Julie Horta: Okay.
  Sharon Horne: device. Look. But here what I wanted to emphasise it is just you know the bulb and.
  Julie Horta: Okay.
  Sharon Horne: So and the next slide, it is the last one it's So it's I think it should be wire wireless re remote con Because you know, it's easier to manage and you know because you f the b the the battery problem can hold you know will you use a battery or the a wire to connected you. Or maybe some kind of thing that we can have both, but you know, I at my side prefer a wireless.
  Julie Horta: Okay.
  Sharon Horne: Okay, so
  Carl Phillips: Okay.
  Sharon Horne: if you have some question I didn't answer?
  Carl Phillips: What's the average price of this technology then?
  Sharon Horne: Well the avera the average prices I think that this technology will cost, I dunno, around eight Euros, so. Or at least you know, the
  Lisa Avina: So what, the wireless remote control? There's a wire with remote control?
  Sharon Horne: You'd yes, you can. It's so so bres you have to decide how how you will you know, put some energy inside, so you can think about wireless or you know it's it's a question that we can raise, so. We can think that you know, with the wire, you know, without a wire. We can have both also.
  Lisa Avina: Okay.
  Julie Horta: So you think that uh a cable between the remote control and the T_V_
  Lisa Avina: Okay.
  Julie Horta: won't be a good
  Lisa Avina: Okay.
  Julie Horta: idea. No it wou maybe it will be cheaper I dunno, I just may maybe you making
  Carl Phillips: But this
  Julie Horta: a solu
  Carl Phillips: is what you would like to ask the user first and I don't think the user would be ready to have a
  Julie Horta: Yeah,
  Lisa Avina: Wireless remote control.
  Julie Horta: but
  Sharon Horne: Yeah, but
  Carl Phillips: I don't
  Sharon Horne: some
  Carl Phillips: think
  Sharon Horne: pa
  Carl Phillips: well, yeah, I don't think he
  Sharon Horne: I always
  Carl Phillips: would,
  Sharon Horne: want to
  Carl Phillips: but
  Sharon Horne: have you
  Carl Phillips: in
  Sharon Horne: know,
  Carl Phillips: a
  Sharon Horne: sometime
  Carl Phillips: sense
  Sharon Horne: I want to have wire because
  Julie Horta: Yeah
  Sharon Horne: you
  Julie Horta: but
  Sharon Horne: know.
  Julie Horta: as Industrial Designer, do you think that it will be feasible to have uh linked or to have link between the remote control and the television? I'm just asking you. Do you think it will be cheaper?
  Sharon Horne: Uh, I don't think it will be too much.
  Lisa Avina: Okay.
  Julie Horta: Could you answer please?
  Sharon Horne: Have to think about the question, you know, 'cause it's I
  Julie Horta: Okay.
  Sharon Horne: think that you know you can always you know I think wha wha with the wire it's mm cheaper but you know the wireless it's more practical, so.
  Julie Horta: Yeah, but I think the wireless problem is more the um David Jordan's problem.
  Lisa Avina: Mm-hmm.
  Julie Horta: As it's
  Carl Phillips: The wire?
  Julie Horta: yeah.
  Carl Phillips: Yeah. True.
  Sharon Horne: Okay,
  Julie Horta: I think
  Sharon Horne: yeah.
  Julie Horta: it's more your problem. Mayb maybe you have just to to kind of research or
  Lisa Avina: Mm-hmm.
  Julie Horta: try to ask people if they will like something wireless or not.
  Carl Phillips: Uh that's my job. That's the
  Julie Horta: Okay, I'm sorry. So
  Carl Phillips: Now the
  Sharon Horne: Yeah but, it should be an agreement, you know, because even if you can think of the wireless, it is it's it is the job of the the the g Graphical User Designer, but you know. If it is a lot cheaper and if you want to reach for example some the the money you have, if you want to use, so it can be good to have a wireless, it it is a question.
  Lisa Avina: Okay.
  Julie Horta: So just think of um the usability.
  Lisa Avina: Design a wireless
  Julie Horta: Yeah.
  Lisa Avina: remote control.
  Julie Horta: Just think of the problem. If when you have wireless remote control and if you lose
  Lisa Avina: Yeah.
  Julie Horta: it?
  Carl Phillips: Yeah.
  Julie Horta: I think it's would be easier to have a link between the remote control and
  Carl Phillips: Well that's actually one of the
  Julie Horta: the
  Carl Phillips: point,
  Julie Horta: television,
  Carl Phillips: yeah?
  Julie Horta: yeah.
  Carl Phillips: True. This you will see in my presentation then.
  Julie Horta: So I will let you
  Carl Phillips: Yeah.
  Julie Horta: to do
  Sharon Horne: Okay.
  Julie Horta: your presentation, so.
  Carl Phillips: Which is participant four. So just trying to answer all the questions, if the user would be happy to have something or something else uh. We've made a study, so could you go to next slide. Sorry for the functional recurrence. So that's the standard method for marketing, okay. We had one hundred subjects, um, we observe their remote control use in a lab and then after all the experiments they had to fill up a questionnaire, um, and see what was okay or not for them.
  Sharon Horne: Mm-hmm.
  Carl Phillips: Okay. So then it's some statistics about what we observed and what they answered. Um actually seventy five percent of the users find m the most remote controls uh ugly, okay, so that's
  Julie Horta: You mean the loo the
  Sharon Horne: The
  Julie Horta: look,
  Sharon Horne: look,
  Julie Horta: the
  Sharon Horne: how
  Julie Horta: outside?
  Sharon Horne: it look
  Julie Horta: Okay.
  Carl Phillips: Yeah,
  Sharon Horne: like.
  Carl Phillips: the the look is is bad for them so uh it's your job, David, maybe. Then eighty percent of users would spend more money um actually if if the remote controls were not so ugly. So this is where we could have uh yeah, good market, I guess,
  Sharon Horne: Yeah.
  Carl Phillips: if people are ready to pay more. So it's it's interesting information, I think. And then um yeah, the remote controls like the one you've shown previously it's not so doesn't fit the user requirements sometime, because it's too many buttons and so on. So we should change this as well. And uh users are actually zapping a lot, so they're using the device intensively, that's something to take into account as well. And um, you know, ten percent of the buttons are actually used in the remote control. And uh this is one of the main point for Carl Phillips. But I'll come back to it later. 'Kay. Could you go next slide? Uh, so as you said
  Julie Horta: Mm-hmm.
  Carl Phillips: uh, remote controls are often lost somewhere in the room. So this is from the experiments we've done, so if we could solve this problem this would be interesting for the user, I think. Um it takes too much time to learn how to use the remote control for thirty five percent of the people. And uh remote control are really bad for R_S_I_ problems for twenty six percent of the users.
  Julie Horta: What is R_S_I_?
  Carl Phillips: R_S_I_ is like, when you're using the same um doing the same movement several times,
  Sharon Horne: Yeah.
  Carl Phillips: then you get injured.
  Julie Horta: Ah um
  Carl Phillips: Okay?
  Julie Horta: okay.
  Carl Phillips: So, those numbers are less important then the previous one, but still it has to be taken to count. So last slide. Um so my pres personal preferences for this problem is we have to meet the user needs. If we can make it look fancy then we might sell more than our uh concurrent, okay.
  Sharon Horne: Okay.
  Julie Horta: Mm-hmm.
  Carl Phillips: And definitely if it could have less buttons, still maybe the same number of um
  Lisa Avina: Functions.
  Carl Phillips: functions, but less buttons, this would definitely be a good way of selling more.
  Sharon Horne: Okay.
  Carl Phillips: Okay. So
  Julie Horta: Mm okay. And just to have uh an idea, do you think you as Lisa Avina to would it be possible to have less buttons and
  Lisa Avina: Yeah.
  Julie Horta: still have the same functionality and to have powerful remote control, you think it's possible? Sure?
  Lisa Avina: Yeah, I think
  Julie Horta: Yeah?
  Lisa Avina: possible. Because we can We can uh mix uh several function in one button.
  Julie Horta: Yeah.
  Lisa Avina: So lets you then you have less buttons.
  Julie Horta: Yeah, but
  Lisa Avina: But I'm
  Julie Horta: do you
  Lisa Avina: not
  Julie Horta: think
  Lisa Avina: sure
  Julie Horta: it will be easy to use? Because if you have many functions just for one button it would be quite difficult for the user to know.
  Carl Phillips: Yeah, remember the user is not happy to read the
  Julie Horta: Yeah,
  Sharon Horne: The manuals.
  Julie Horta: I think
  Carl Phillips: manual.
  Julie Horta: the
  Carl Phillips: It's
  Lisa Avina: No you you can have a switch menu, so you can
  Julie Horta: Yeah,
  Lisa Avina: well
  Julie Horta: but
  Lisa Avina: for example
  Julie Horta: it has to be intuitive.
  Lisa Avina: Yeah, I think so. Like for for example you can uh you can category the function i i into several classes. Then for um you can have a switch menu, so
  Julie Horta: Yeah,
  Lisa Avina: you put
  Julie Horta: okay.
  Lisa Avina: the switch menu to it it tend to this kind of this category of functions.
  Julie Horta: Okay,
  Lisa Avina: Then you
  Julie Horta: but
  Lisa Avina: you put the switch button, then it switch to another category of functions. Yeah. For example, if you have remote control you you can rem you can control your T_V_ and also you can control your uh recorder.
  Sharon Horne: With
  Lisa Avina: So
  Sharon Horne: a
  Lisa Avina: there's a different functions, but i if you you there's a button you can switch between control T_V_ and control your recorder. So we can has less buttons.
  Julie Horta: Yeah,
  Lisa Avina: But
  Julie Horta: but
  Lisa Avina: what I'm not so sure is about how to make the remote control look funny look
  Sharon Horne: Look
  Lisa Avina: fancy,
  Sharon Horne: fancy.
  Lisa Avina: not funny.
  Sharon Horne: question that should
  Lisa Avina: Because
  Sharon Horne: be asked to the
  Lisa Avina: different people have a different opinion about fancy. You know.
  Sharon Horne: If you
  Carl Phillips: Yeah.
  Sharon Horne: ask the people, maybe the the marketing people.
  Carl Phillips: Yeah, this
  Lisa Avina: Because
  Carl Phillips: is something
  Lisa Avina: maybe
  Carl Phillips: we
  Lisa Avina: a
  Carl Phillips: sh
  Lisa Avina: colourful is fancy for some people, but maybe
  Julie Horta: Mm-hmm.
  Lisa Avina: simple and
  Carl Phillips: But this was
  Lisa Avina: uh uniform
  Carl Phillips: first step and
  Lisa Avina: colourful is fancy for some for other peoples, so.
  Carl Phillips: This
  Sharon Horne: I think
  Carl Phillips: was
  Sharon Horne: the solution
  Carl Phillips: the first step, yeah.
  Sharon Horne: is to have many colours of you know instead of having one grey
  Julie Horta: Yeah, but I
  Sharon Horne: standard
  Julie Horta: think it will increase the price of the production
  Carl Phillips: Specially distribution,
  Julie Horta: of the remote
  Carl Phillips: yeah.
  Julie Horta: control.
  Sharon Horne: Yeah, yeah, maybe. Yeah, maybe.
  Julie Horta: If you need to have special colours for remote
  Carl Phillips: Uh
  Julie Horta: controls it will
  Lisa Avina: Yeah, personalised
  Julie Horta: cost more.
  Lisa Avina: colour. Because you
  Julie Horta: Yeah,
  Lisa Avina: know
  Julie Horta: it will cost little bit more.
  Lisa Avina: Yeah, because maybe some people prefer a red remote
  Sharon Horne: Yeah,
  Lisa Avina: control,
  Sharon Horne: yeah,
  Lisa Avina: some people
  Sharon Horne: yeah.
  Lisa Avina: prefer black remote
  Carl Phillips: Yeah, but
  Lisa Avina: control.
  Carl Phillips: this is what we would ask to the users, so.
  Julie Horta: And
  Lisa Avina: Maybe
  Julie Horta: also
  Lisa Avina: we
  Julie Horta: f
  Lisa Avina: can have di
  Carl Phillips: Yeah.
  Lisa Avina: di we can have uh several options, so user can select which colour they prefer, so.
  Julie Horta: Yeah, but as soon as you speak about options,
  Lisa Avina: Mm-hmm.
  Julie Horta: it means
  Carl Phillips: Yeah, remember
  Julie Horta: that the price increases,
  Carl Phillips: it's
  Julie Horta: and we don't really want
  Carl Phillips: twelve
  Julie Horta: the
  Carl Phillips: Euros.
  Julie Horta: price to be too too high, because we wanna be able to produce it. So, we want something fancy, as uh previously said, Florent, something very easy to use, powerful and also as uh it's written here, seventy five percent of users, they zap lot, so maybe just having many functions in one button
  Lisa Avina: Mm-hmm.
  Julie Horta: is not that good if you want to zap a lot.
  Carl Phillips: Hmm.
  Julie Horta: And they don't really want to zap between functions of their remote control,
  Lisa Avina: Mm-hmm.
  Julie Horta: they want to zap between channels on T_V_. So I think you have quite lot of points to to think about
  Sharon Horne: Yeah.
  Julie Horta: and to discuss it with
  Sharon Horne: Yeah,
  Lisa Avina: Yeah.
  Julie Horta: uh
  Sharon Horne: hmm.
  Julie Horta: the other members. So, is it okay for your presentation? Nothing else
  Carl Phillips: Yeah, it's
  Julie Horta: to
  Carl Phillips: done,
  Julie Horta: to add?
  Carl Phillips: just yeah. If we would if we could remember like, not too many buttons and make it look fancy, I think
  Julie Horta: Mm-hmm.
  Carl Phillips: it would
  Julie Horta: Okay.
  Carl Phillips: make it.
  Julie Horta: Mm so So,
  Carl Phillips: So.
  Julie Horta: I had some new information about the product requirements, so you will have to take care of it of it in your thinking, in your designing of the remote control. So the first one is that um for the designing of the remote control we don't really want to use the teletext anymore,
  Lisa Avina: Mm-hmm.
  Julie Horta: as it's something that's It's is uh
  Carl Phillips: Lame,
  Julie Horta: No
  Carl Phillips: or
  Julie Horta: yeah, internet at home,
  Lisa Avina: Mm-hmm.
  Julie Horta: so it's better to use internet then teletext.
  Lisa Avina: Yeah.
  Julie Horta: So, you will have to think about it in your in in the design of your remote control,
  Sharon Horne: Yep.
  Julie Horta: and also the remote control will only be used for television, so for y for you your designing, you're not you won't be uh you won't had um buttons to just to manipulate
  Lisa Avina: Control.
  Julie Horta: yeah to control the recorder or
  Lisa Avina: Mm-hmm.
  Julie Horta: maybe the garage door or things like that. It's
  Carl Phillips: Mm-hmm
  Julie Horta: because if we want to to do remote control
  Lisa Avina: Mm.
  Julie Horta: which will be used for for the television, for the recorder, for the camcorder and all the others, it will become too complex and it will increase the pli the price and we can't do that. We really want to focus on the remote control for the television. Is it okay?
  Lisa Avina: Okay. But there's balance between function
  Julie Horta: So maybe
  Lisa Avina: and the
  Julie Horta: it
  Lisa Avina: cost.
  Julie Horta: will be easier for you to to design it, to have
  Lisa Avina: Yeah.
  Julie Horta: very
  Lisa Avina: Okay.
  Julie Horta: powerful and easy. And also we want the image of the uh um real reaction
  Lisa Avina: Mm-hmm.
  Julie Horta: be recognisable in the product, such as the colour and s the slogan.
  Carl Phillips: Yeah.
  Julie Horta: I mean that's uh if uh you want to buy a remote control and if you go in a shop and if you see the remote control you will recognise
  Lisa Avina: Mm-hm.
  Julie Horta: directly that s it's our product.
  Carl Phillips: Mm-hmm.
  Julie Horta: So you will have to use the colour of the product,
  Lisa Avina: Okay.
  Julie Horta: of the um um of the uh of real reaction
  Lisa Avina: Okay.
  Sharon Horne: So.
  Julie Horta: and uh also
  Carl Phillips: So has to be yellow.
  Julie Horta: Yeah.
  Sharon Horne: Yellow.
  Julie Horta: As we say, we put the fashion in electronics, so it has to be a fashion remote control.
  Lisa Avina: Okay.
  Julie Horta: Fancy, fashion, powerful, easy to use.
  Lisa Avina: Mm-hmm.
  Julie Horta: Require lot of requirements, but
  Lisa Avina: Yeah.
  Sharon Horne: For cheap remote control,
  Lisa Avina: And cheap.
  Sharon Horne: yeah.
  Julie Horta: Yeah.
  Lisa Avina: A low cost.
  Julie Horta: Yeah. But uh that's your your job
  Sharon Horne: Yeah.
  Julie Horta: to find something mm
  Sharon Horne: Yeah,
  Julie Horta: matches.
  Sharon Horne: 'cause what I'm thinking is how will you will connect the T_V_ to internet, so. This is
  Carl Phillips: I don't think it's part of the remote control design anyway.
  Julie Horta: Maybe not,
  Carl Phillips: It's
  Julie Horta: but mayb
  Carl Phillips: maybe more in browsing.
  Sharon Horne: Yeah, but this this mean that your T_V_ would be able to, you know, connect to internet, you know, surf the web.
  Lisa Avina: Yeah, there's that box in
  Carl Phillips: Yeah.
  Lisa Avina: uh o of it. A pi There's that box in the T_V_, so with the set box you you can connect internet with your T_V_.
  Sharon Horne: Okay.
  Lisa Avina: Ok
  Carl Phillips: Hm-mm.
  Lisa Avina: It's It's not so uh popular now.
  Sharon Horne: It's pop I don't think it's popular, so that's the
  Lisa Avina: Mm.
  Sharon Horne: problem so. You had i if you are designing a remote control for you know the global
  Lisa Avina: Global,
  Sharon Horne: usage,
  Lisa Avina: okay.
  Sharon Horne: so if people don't have the technology.
  Julie Horta: So.
  Carl Phillips: Mm-hmm.
  Julie Horta: So
  Lisa Avina: So
  Julie Horta: everybody
  Lisa Avina: I I
  Julie Horta: is
  Lisa Avina: so
  Julie Horta: okay with the new requirements?
  Lisa Avina: As as for the colour, what what do you think?
  Julie Horta: I think it has to be yellow.
  Sharon Horne: Yellow?
  Julie Horta: Yeah.
  Sharon Horne: Do you
  Lisa Avina: Yellow?
  Sharon Horne: think that people like the colour
  Lisa Avina: T_V_
  Sharon Horne: yellow?
  Lisa Avina: remote control?
  Carl Phillips: Min
  Julie Horta: Maybe you can change the colour,
  Lisa Avina: Okay.
  Julie Horta: but the image of the society has to be recognised.
  Lisa Avina: Okay.
  Carl Phillips: Yeah.
  Sharon Horne: I think
  Julie Horta: Why
  Sharon Horne: if
  Julie Horta: you
  Sharon Horne: you
  Julie Horta: go
  Sharon Horne: have you know th like a yellow ribbon here is the double R_.
  Julie Horta: It has to be fashion.
  Sharon Horne: Or should be. Yeah, so. Doesn't
  Lisa Avina: Okay.
  Julie Horta: So you
  Sharon Horne: need to be completely
  Julie Horta: have to
  Sharon Horne: yellow, but just mm.
  Julie Horta: Yeah. It has to be a fashion and really be uh the image of the society. Just when you enter you say oh, oh, it's real reaction. Think it's a
  Lisa Avina: Okay,
  Julie Horta: re reaction
  Lisa Avina: okay.
  Julie Horta: remote control, so.
  Lisa Avina: Okay.
  Julie Horta: And also it has to be attractive, of
  Lisa Avina: Mm.
  Julie Horta: course, because if you want to sale to sell the remote control. It's okay?
  Carl Phillips: Regarding the first line, what So we're just expecting no more use of the teletext.
  Julie Horta: Yeah.
  Carl Phillips: And that's it.
  Julie Horta: Yeah.
  Sharon Horne: But I dunno, but why, nobody's a threat to Carl Phillips.
  Carl Phillips: It's already changed for
  Julie Horta: I think it would be simpler.
  Carl Phillips: Mm-hmm.
  Julie Horta: Okay. So I will close the meeting, um just after that we'll have lunch break. And you will have in thirty minutes individual work. Uh Y you You will have as the I_D_ I don't remember what is
  Sharon Horne: Industrial
  Julie Horta: industr
  Carl Phillips: Industrial Designer.
  Sharon Horne: Designer,
  Julie Horta: Industrial
  Sharon Horne: yeah.
  Julie Horta: Designer to put
  Sharon Horne: Component
  Julie Horta: um pon
  Sharon Horne: component,
  Julie Horta: yeah,
  Sharon Horne: yeah.
  Julie Horta: and Lisa Avina to work on the user interface concept.
  Lisa Avina: Okay.
  Julie Horta: And Florent to work my subject.
  Carl Phillips: Yep.
  Julie Horta: And so specific instructions will be sent to you by your personal coach.
  Carl Phillips: Okay.
  Julie Horta: It's okay?
  Carl Phillips: Yeah.
  Julie Horta: I think the um session is closed.
  Sharon Horne: Good.
  Julie Horta: And by the way, Mister David Jordan, please record your presentations in your own folder.
  Sharon Horne: Okay
  Lisa Avina: Okay.
  Julie Horta: Not in mine.
  Sharon Horne: Okay,
  Lisa Avina: Okay.
  Sharon Horne: that's
  Julie Horta: Should
  Sharon Horne: clear.
  Julie Horta: be better.
Updated Content: Lisa Avina discussed  some characteristics and functions to consider in designing the remote and introduced an idea for giving the remote international appeal by merging it with a system such as Google. Sharon Horne discussed the interior workings of a remote and presented options for components and materials which would keep costs low. Carl Phillips presented consumer preferences and requirements. Julie Horta introduced the new requirements for the project. The team then discussed different features they could include in the design of the remote.