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Cinéma & Cie. Film and Media Studies Journal
vol. VII, no. 9, Fall 2007 
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
7
Table of Contents / Table des matières
2007-10-01
2021-09-29
2007-10-01
2024-02-14
Cinéma & Cie
2007/10/01
2036-461X
9
en
vol. VII, no. 9, Fall 2007 
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16508/14570
7
                                                                CINÉMA & CIE, no. 9, Fall 2007

CONTENTS/TABLE DES MATIERES




CONFIGURATIONS DE L’ALTERNANCE / CONFIGURING ALTERNATION
Introduction
Nicolas Dulac, Bernard Perron                                                               9

Le Montage alterné face à l’histoire: l’exemple d’Attack on a China Mission
Nicolas Dulac, André Gaudreault                                                           17

De la poursuite au sauvetage de dernière minute: le développement
du montage alterné chez Pathé entre 1906 et 1908
Philippe Gauthier                                                                         33

Alternating Editing in Vitagraph Films, 1906-1909
Ben Brewster                                                                              43

To Alternate / To Attract? The Skladanowsky Experiment
Janelle Blankenship                                                                       61

Le traiettorie dello sguardo alle origini del cinema
Carlo Alberto Zotti Minici                                                                79

Le Syntagme töpfferien
Thierry Smolderen                                                                         91

De la vignette à la vue et vice-versa: l’alternance avant le montage alterné
Pierre Chemartin, Bernard Perron                                                         111


NEW STUDIES
Writing (and Screening) the National Identity: Italian Film Stars in the 1930s
Enrico Biasin                                                                           135

Towards a Soviet Cinema
Marina Burke                                                                            145
PROJECTS & ABSTRACTS
University of Michigan
(Colin Roust / Ph.D. Thesis Abstract)                                         153

Università degli Studi di Udine
(Alice Autelitano / Ph.D. Thesis Abstract)                                    155
(Cristiano Poian / Ph.D. Thesis Abstract)                                     157

XV Udine International Film Studies Conference
“Cinema and Comics. Affinities, Differences, and New Forms of Interference”
(Udine, March 3-6, 2008)                                                      159

VI MAGIS - Gradisca Film Studies Spring School
“Cinema and Contemporary Visual Arts III. Cinema Vanishing (in) Art?”
(Gradisca d’Isonzo, March 7-13, 2008)                                         163


SELECTED BY
François Albera (Laurent Mannoni, Georges Didi-Huberman,
Mouvements de l’air. Etienne-Jules Marey, photographe des fluides)            167
Tom Gunning (Daisuke Miyao, Sessue Hayakawa:
Silent Cinema and Transnational Stardom)                                      171
Malte Hagener (Oliver Grau, ed., MediaArtHistories)                           173
Michèle Lagny (Elena Dagrada, Le varianti trasparenti.
I film con Ingrid Bergman di Roberto Rossellini)                              175
Irmbert Schenk (Peter Zimmermann, ed., Geschichte des dokumentarischen
Films in Deutschland)                                                         179
