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Cinéma & Cie. Film and Media Studies Journal
Biographies
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
12
Contributors / Collaborators
2012-10-01
2021-09-09
2012-10-01
2024-02-14
Cinéma & Cie
2012/10/01
2036-461X
19
en
Biographies
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16331/14502
12
CONTRIBUTORS / COLLABORATEURS




  Gunhild Agger

programme Crime Fiction and Crime Journalism in Scandinavia (2007-2010). Her current research areas include: history

       Dansk tv-drama (2005) and Mord til tiden – forbrydelse, historie og mediekultur (2013).

  Alice Autelitano

has edited The Five Senses of Cinema (with V. Innocenti and V. Re, 2005), Narrating the Film. Novelization: From the
Catalogue to the Trailer (with V. Re, 2006), and The Cinematic Experience. Film, Contemporary Art, Museum (2010). She
has published Cronosismi. Il tempo nel cinema contemporaneo (2006), Il cinema infranto. Intertestualità, intermedialità e


  Stéfany Boisvert




15, n°1, 2012).

  María del Mar Grandío
  is currently Associate Professor at the Catholic University of Murcia, Spain, where she teaches Audiovisual Program-
ming and Advertising. Her main research interests are television and entertainment, with a special focus on television

audience involvement.

  Miriam De Rosa
  earned her Ph.D. at the Catholic University of Milan in 2011. The article included in this volume refers to her research

device. Objects of her studies range from visual arts to media platforms and live cinema performances. She is the author
of diverse essays collected in Italian and international anthologies, and of the volume Cinema e postmedia. I territori del
                            (2013). She currently holds the seminar in Audiovisual Cultures at the Catholic University of
Milan, where she also collaborates as assistant lecturer for the classes of Communication Pragmatics and Cultural History
of Audiovisual Media. She is also a member of NECS and editor of Screencity project (www.screen-city.net).

  Patricia Diego
  is Professor of TV Drama Production and TV Programming at the School of Communication, University of Navarra
(Spain). She earned a Ph.D. with a thesis entitled
market, that received the Outstanding Doctoral Thesis Award. She has been a Visiting Researcher at the University of




CINÉMA & CIE, vol. XII, no. 19, Fall 2012                                                                             157
  Veronica Innocenti




                                                                                  Le nuove forme della serialità televisiva.
Storia, linguaggio e temi (2008).

  Bernard Papin
  is Maître de conférences at the Université Paris-Sud, and a member of the CEISME-CIM research team at Université


essays                                                                                                        (2010).

  Cem Pekman
  is Professor at the Communications Faculty of Kocaeli University, Department of Advertising. He lectures on broad-

                 Private Television: The Transformation Process of European Broadcasting, The Music of Image, The
Image of Music, and


   Sylwia Szostak
   is a Ph.D. candidate at the University of Nottingham’s Department of Culture, Film and Media. Her research examines
                                                                                                                     -
                                                                                                               Popular
Television in Eastern Europe During and Since Socialism                                                     Rethinking
Cinema and Television History: Contemporary Approaches and Critical Perspectives (in press). She has also published
an article in The Journal of European Television History and Culture.

  Lucia Tralli
  is a Ph.D. candidate in Film Studies at the University of Bologna. Her main research focus is on the re-use of media
images in audiovisual productions. She received her MA with a thesis on the practice of found footage in relation to the

remixes, especially focusing on fan vidding and gender related issues in remix practices.

  Selin Tüzün
  is a Research Assistant at Marmara University in Istanbul, Faculty of Communications, Department of Radio-TV and



   Paola Valentini
   is Associate Professor at the University of Florence, where she teaches Film History and History of Broadcasting. Her
research is focused both on television (leading attention to historic, cultural and philological analysis of television texts)

Il suono nel cinema. Storia, teoria e tecniche (2006), Presenze sonore. Il passaggio al cinema sonoro in Italia tra cinema
e radio




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