application/pdf
2036-461X
16441
26-27
en
https://creativecommons.org/licenses/by/4.0
Cinéma & Cie. Film and Media Studies Journal
vol. XVI, no. 26/27, Spring/Fall 2016
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
16
Table of Contents / Table des matières
2016-10-01
2021-09-22
2016-10-01
2024-02-14
Cinéma & Cie
2016/10/01
2036-461X
26-27
en
vol. XVI, no. 26/27, Spring/Fall 2016
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16441/14542
16
		       Contents / Table des matières




		       Post-what? Post-when?
		       Thinking Moving Images Beyond the Post-medium/Post-cinema Condition
p. 9     Miriam De Rosa and Vinzenz Hediger, Post-what? Post-when?
		       A Conversation on the ‘Posts’ of Post-media and Post-cinema
   21    Shane Denson, Speculation, Transition, and the Passing of Post-cinema
   33    Ted Nannicelli, Malcom Turvey, Against Post-cinema
 45 Sabrina Negri, Simulating the Past: Digital Preservation
		  of Moving Images and the ‘End of Cinema’
   55    Rachel Schaff, The Photochemical Conditions of the Frame
 65 Saige Walton, Becoming Space in Every Direction:
		  Birdman as Post-cinematic Baroque
   77    Monica Dall’Asta, GIF Art in the Metamodern Era

		       New Studies
 91      Diego Cavallotti, Elisa Virgili, Queering the Amateur Analog Video Archive:
		       the Case of Bologna’s Countercultural Life in the 80s and the 90s
 107     Simone Dotto, Notes for a History of Radio-Film:
		       Cinematic Imagination and Intermedia Forms in Early Italian Radio
 121     Francesco Federici, The Experience of Duration and the Manipulation
		       of Time in Exposed Cinema
 135     Kamil Lipiński, Archival Hauntings in the Revenant Narratives
		       from Home in Péter Forgács’ Private Hungary

  149    Projects & Abstracts

  165    Reviews / Comptes-rendus

  177    Contributors / Collaborateurs
