application/pdf
2036-461X
16197
32
en
https://creativecommons.org/licenses/by/4.0
Cinéma & Cie. Film and Media Studies Journal
vol. XIX, no. 32, Spring 2019
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
19
Table of Contents / Table des matières
2019-03-01
2021-09-02
2019-03-01
2024-02-14
Cinéma & Cie
2019/03/01
2036-461X
32
en
vol. XIX, no. 32, Spring 2019
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16197/14475
19
           Contents / Table des matières




           Cinema and Mid-Century Colour Culture
p.     7   Elena Gipponi and Joshua Yumibe
           Cinema and Mid-Century Colour Culture: An Introduction
      15   William Carroll
           The History of a Broken Blue Fusuma: Colour in Suzuki Seijun’s Nikkatsu
           Films
      27   Sarah Street, Keith M. Johnston, Paul Frith and Carolyn Rickards
           From the Margins to the Mainstream? The Eastmancolor Revolution
           and Challenging the Realist Canon in British Cinema
      39   Kirsten Moana Thompson
           The Colour Revolution: Disney, DuPont and Faber Birren
      53   Federico Pierotti
           Biopolitics of Colour in Mid-Century Italian Visual Culture:
           Red Desert and the ‘New Techniques of Life’
      69   Justus Nieland
           Colour Communications: László Moholy-Nagy, Walter Paepcke,
           and the Humanities Program of Design Workshops
      85   Bregt Lameris
           Hallucinating Colours: Psychedelic Film, Technology, Aesthetics and Affect

           Beyond Cinema
     101   Anna Caterina Dalmasso
           The Body as Virtual Frame: Performativity of the Image in Immersive
           Environments


     121   Reviews / Comptes-rendus
131   Projects & Abstracts


143   Contributors / Collaborateurs
