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2036-461X
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Cinéma & Cie. Film and Media Studies Journal
vol. IV, no. 5, Fall 2004
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
4
Table of Contents / Table des matières
2004-10-01
2021-10-01
2004-10-01
2024-02-14
Cinéma & Cie
2004/10/01
2036-461X
5
en
vol. IV, no. 5, Fall 2004
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16521/14579
4
CONTENTS/TABLE DES MATIERES




TRANSITIONS
Edited by/Sous la direction de Francesco Casetti, Mariagrazia Fanchi


Introduction
Francesco Casetti, Mariagrazia Fanchi                                   7

The Place of the Observer
Francesco Casetti                                                       10

Spatial Practices. Some Thoughts on Cinema, Memory and Its Future
Annette Kuhn                                                            18

“You Haven’t Seen It Unless You Have Seen It at Least Twice:”
Film Spectatorship and the Discipline of Repeat Viewing
Vinzenz Hediger                                                        24

Toward a Spatial Materialism of the “Moving Image:”
Locating Screen Media within Changing Regimes of Transport
James Hay                                                              43

Ethics and Etiquette of the New Forms of Film Spectatorship
Mariagrazia Fanchi                                                     52


NEW STUDIES                                                             63
Theater and Cinema in the “Age of Nervousness:”
Der Andere by Paul Lindau (1894) and Max Mack (1913)
Michael Cowan (University of California at Berkeley)                    65

Urban and Rural Space. Italian and American Cinema in the 1930s
Leonardo Gandini (Università degli Studi di Trento)                     92

Hyperreal Space and Urban Experience in Contemporary Greek Cinema
Eleftheria Thanouli (Universiteit van Amsterdam)                       100
ABSTRACTS & PROJECTS                                                            107
Université de Paris I (Frédéric Binet/Ph.D. Abstract)                           108
Università di Firenze (Chiara Tognolotti/Ph.D. Abstract)                        110
Université de Montréal (Viva Paci/Ph.D. Project)                                112

III MAGIS – Gradisca International Film Studies Spring School
  Moving Images, Moving People. Multiple and Multiple-Language Versions.
  A Research Project (Gradisca d’Isonzo, March 10-19, 2005)                     115

XII Udine International Film Studies Conference
 Narrating the Film. Novelization: From the Catalogue
 to the Trailer (Udine/Gorizia, March 7-9, 2005)                                118


SELECTED BY                                                                     123
Richard Abel (Mark Garrett Cooper, Love Rules:
 Silent Hollywood and the Rise of the Managerial Class)                         124
François Albera (Jean-Claude Milner, Le Pas philosophique de Roland Barthes)    126
Sandro Bernardi (Gian Piero Brunetta,
 Guida alla storia del cinema italiano. 1905-2003)                              130
Francesco Casetti, Mariagrazia Fanchi (Mark Jancovich, Lucy Faire, with Sarah
 Stubbings, The Place of the Audience. Cultural Geographies
 of Film Consumption)                                                           132
Lorenzo Cuccu (Vito Zagarrio, Cinema e fascismo. Film, modelli, immaginari )    133
Thomas Elsaesser (Heide Schönemann, Paul Wegener: Frühe
 Moderne im Film)                                                               134
André Gaudreault (Jacques Malthête, Laurent Mannoni
 sous la dir. de, Méliès, magie et cinéma)                                      137
Tom Gunning (Mark Garrett Cooper, Love Rules:
 Silent Hollywood and the Rise of the Managerial Class)                         137
François Jost (Fernando Andacht, El Reality show:
 une perspectiva analitica de la televisión)                                    139
Leonardo Quaresima (Siegfried Kracauer, Werke, Band 6, Kleine
 Schriften zum Film)                                                            141
Lauren Rabinovitz (Mark Garrett Cooper,
 Love Rules: Silent Hollywood and the Rise of the Managerial Class)             142
Vicente Sánchez-Biosca (Alfonso Puyal, Cinema y arte nuevo.
  La recepción fílmica en la vanguardia española)                               142
Irmbert Schenk (Guntram Vogt, Die Stadt im Film.
  Deutsche Spielfilme 1900-2000)                                                143
