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Cinéma & Cie. Film and Media Studies Journal
Biographies
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
15
Contributors / Collaborators
2015-03-01
2021-09-21
2015-03-01
2024-02-14
Cinéma & Cie
2015/03/01
2036-461X
24
en
Biographies
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16420/14533
15
Contributors / Collaborateurs




Alice Cati is Assistant Professor at the Università Cattolica del Sacro Cuore,
where she teaches Languages and Semiotics of Media Products and History of
Cinema. Her current research study is on audiovisual media and memory studies,
with particular regard to home movie, autobiographical documentary, and gen-
dered creativity. In 2009, she wrote a volume called, Pellicole di ricordi. Film di
famiglia e memorie private 1926-1942 (Vita & Pensiero). Her most recent works
are Immagini della memoria. Teorie e pratiche del ricordo tra testimonianza, ge-
nealogia e documentari (Mimesis, 2013) and the special issue “(En)Gendered
creativity: Actors Agencies Artifacts” (Comunicazioni sociali, 2014, edited with
Mariagrazia Fanchi and Rosanna Maule).

Ilaria A. De Pascalis obtained her PhD in Film Studies in 2009 at the Roma Tre
University (Rome, Italy), with a dissertation on Contemporary European Cinema
and Globalization. She has published several reviews and essays in international
journals and book chapters, especially about European cinema in a transnational
perspective, gender studies, and narrative genres in cinema and television series.
She has been visiting professor at the University of Cassino and at La Sapienza
University of Rome. She also authored the volume Commedia nell’Italia contem-
poranea (Il Castoro, 2012).

Tobias Ebbrecht-Hartmann is Lecturer of Cinema Studies in the Department of
Communication and Journalism and in the DAAD Center for German Studies at
the Hebrew University in Jerusalem. He holds his PhD from the Free University
in Berlin where he also graduated in Film Studies, New German Literature and
Political Science. He was Research Assistant at the Filmuniversity Babelsberg
Konrad Wolf, and a postdoctoral fellow in the program “Media of History –
History of Media” at the Bauhaus University of Weimar and at the International
Institute for Holocaust Research Yad Vashem. He is author of Geschichtsbilder
im medialen Gedächtnis. Filmische Narrationen des Holocaust (Transcript, 2011).

Luisella Farinotti is Associate Professor in Cinema Studies at Libera Università
di Lingue e Comunicazione IULM, where she teaches Film Theory, Aesthetics
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of Cinema and Aesthetics of Media. As a scholar of Cinema and Visual Arts, she
published many essays in journals and miscellaneous books. In the last years,
her research is focused on theory and history of the image, the relationship
between cinema and memory, found-footage films and self-portrayal practices.
She supervised and coordinated the research project published in Atlante del
cinema italiano. Corpi, paesaggi e figure del contemporaneo (Garzanti, 2011).
She is a member of the Editorial Board of Cinéma & Cie. International Film
Studies Journal and, since 2009, she has supervised the column “Cinepolitica”
of the journal Comunicazione Politica.

Barbara Grespi is Associate Professor in Cinema Studies at the University of
Bergamo, Italy. As a member of the University’s Centre of Visual Arts, she coor-
dinates the Research Group on Cinema “Balthazar” and is on the scientific board
of “Punctum,” an international project devoted to the study of images and visual
culture. She has written on gesture in the cinema, on cinema and memory and
on the intersections between cinema and photography. Her recent publications
include Memoria e Immagini (Mondadori, 2009), Cinema e montaggio (Carocci,
2010), Gus Van Sant (Marsilio, 2011), Fuori quadro (Aracne, 2013).

Elisa Mandelli obtained in 2015 a PhD in History of Arts at Ca’ Foscari Univer-
sity/IUAV in Venice, with a dissertation on audio-visual displays in history muse-
ums through the 20th century. Her research focuses on the relationships between
cinema and visual arts, especially in contemporary exhibition spaces. In 2009 she
obtained a Degree in Cinema, television and multimedia production at the Uni-
versity of Bologna. She is member of the editorial board of the journal Cinergie.

Sylvie Rollet is Professor in Film Studies at the University of Poitiers. She is jointly
responsible for “Theaters of Memory,” an interuniversity research program on
the relationship between moving images and memory. On filmic representation
of genocides, she has published Une éthique du regard : le cinéma face à la Ca-
tastrophe, d’Alain Resnais à Rithy Panh (Hermann, 2011). She has also recently
co-edited two collections of essays, Paysages et Mémoire : cinéma, photographie,
dispositifs (Presses Sorbonne Nouvelle, 2014) and Théâtres de la mémoire, mouve-
ment des images (Presses Sorbonne Nouvelle, 2010). Her research is devoted, in
particular, to the works of Hungarian, Russian, Caucasian and Balkan filmmakers.

Vicente Sánchez-Biosca is a Professor at the University of Valencia (Spain)
and has been the editor of the film journal Archivos de la Filmoteca for 20
years (1992-2012). He has been a visiting professor at a number of universities,
including Université Sorbonne Nouvelle – Paris 3 (for five terms), Université
Paris 1 Panthéon-Sorbonne, Université de Montréal, University of São Paulo,
New York University, and University of Havana. Among his latest books
are: NO-DO. El tiempo y la memoria (Cátedra, 2000), El pasado es el destino
(Cátedra, 2011), both with R.R. Tranche, Cine y guerra civil española (Alianza,

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2006), Cine de historia y cine de memoria (Cátedra, 2006), Cine y vanguardias
artísticas (Paidós, 2004). He is currently leading a research project on the
role of the image in the charisma-building of political leaders in Spain. His
other project deals with the construction and circulation of images of atrocity,
especially perpetrator images.

Maria Teresa Soldani is a PhD candidate in History of Visual and Performing
Arts at Pegaso Project-Tuscany Region (Universities of Firenze, Pisa, and Siena).
She graduated summa cum laude from the University of Pisa in Cinema, Music,
Theatre, and in Cinema, Theatre, Multimedia Production, defending a thesis
on contemporary American cinema and video prepared in Boston and New
York. She published the monograph Naked City. Identità, indipendenza e ricerca
nel cinema newyorchese (Quaderni di CinemaSud, 2013) and several essays for
Segnocinema, Duellanti, Quaderni di CinemaSud, and Invideo’s catalogue. She is
a filmmaker, composer and musician living in Turin, Italy.




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