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Cinéma & Cie. Film and Media Studies Journal
Biographies
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
12
Contributors / Collaborators
2012-03-01
2021-09-06
2012-03-01
2024-02-14
Cinéma & Cie
2012/03/01
2036-461X
18
en
Biographies
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16264/14484
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           CONTRIBUTORS / COLLABORATEURS




             Pierluigi Basso Fossali
             teaches Semiotics at IULM, University of Milan, where he is also the director of the Lab of
           Communication Semiotics. He has published articles in many international journals and has writ-
           ten several books devoted to the relationship between semiotics and contemporary theories of aes-
           thetics (Il dominio dell’arte, 2002), filmology (Confini del cinema, 2003; Interpretazione tra
           mondi. Il pensiero figurale di David Lynch, 2006), consumer science, marketing and theories of
           perception. With M.G. Dondero, he wrote Sémiotique de la photographie (2011). His most per-
           sonal book is Vissuti di significazione (2008), the first volume in a trans-disciplinary series direct-
           ed by the author himself (“Teorie resistenti,” ETS, Pisa). He is the co-director of the journal
           Signata (Annales de sémiotique).

             Claudio Bisoni
             is Lecturer at the Faculty of Arts of the University of Bologna, where he teaches courses on
           History of Film Criticism and History of Reception Studies. For a long time, his work focused on
           the history of Italian film criticism. Currently, his main interest is the relation between the criti-
           cism and aesthetics of audiovisual texts. He is the author of Gli anni affollati. La cultura cine-
           matografica italiana (1970-1979), Roma 2009; La critica cinematografica. Metodo, storia e
           scrittura, Bologna 2006.

              Alain Boillat
              is Full Professor at the Section d’histoire et esthétique du cinéma of the University of Lausanne.
           His research mainly concerns the history of film theories, narration and storytelling in cinema and
           comics, the oral dimension and the topic of intermediality in audiovisual dispositifs. He is the
           author of Du bonimenteur à la voix-over (2007), has recently edited Les Cases à l’écran. Cinéma
           et bande dessinée en dialogue (2010) and co-edited Jésus en représentations. De la Belle Epoque
           à la post-modernité (2011).

             Nicola Dusi
             is Senior Lecturer in Media Semiotics at the University of Modena and Reggio Emilia. He is
           member of the editorial staff of Segnocinema and E/C. Rivista dell’Associazione Italiana di studi
           semiotici; he is also associate editor of Versus. Quaderni di studi semiotici and Lexia. Rivista
           Internazionale di semiotica. He is the author of Il cinema come traduzione. Da un medium all’al-
           tro: letteratura, cinema e pittura (UTET, Torino 2003). He edited (with Lucio Spaziante) the

           CINÉMA & CIE, vol. XII, no. 18, Spring 2012                                                        149
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         anthology Remix-Remake. Pratiche di replicabilità (Meltemi, Roma 2006) and (with Gianfranco
         Marrone) the books Narrazione ed esperienza. Intorno a una semiotica della vita quotidiana
         (Meltemi, Roma 2007) and Destini del sacro. Discorso religioso e semiotica della cultura
         (Meltemi, Roma 2008). He recently edited (with Cosetta G. Saba) Matthew Barney.
         Polimorfismo, multimodalità, neobarocco (Silvana Editoriale, Milano 2012).

           André Gaudreault
           is Full Professor in the Département d’histoire de l’art et d’études cinématographiques at the
         University of Montréal, where he is director of GRAFICS (Groupe de recherche sur l’avènement
         et la formation des institutions cinématographique et scénique). He has been a guest professor at
         several universities and has published volumes on film narratology (From Plato to Lumière:
         Narration and Monstration in Literature and Cinema, 2009 – also in French, Italian, Chinese and
         Spanish) and on film history (American Cinema, 1890-1909, ed., 2009 and Film and Attraction:
         From Kinematography to Cinema, 2011 – also in French and Italian). He is also director of the
         scholarly journal Cinémas.

           Jean-Marc Limoges
           earned a Master’s degree in Etudes françaises from the University of Montréal and a doctoral
         degree in Littérature et arts de la scène et de l’écran from the Laval University. His interests focus
         on reflexivity, mise en abyme and metalepsis in literature and cinema, and more recently, on nar-
         ration, focalisation and ocularisation in film. He participated in the Metareference across Media
         Symposium held in Graz (Austria) and the Metalepsis in Popular Culture Symposium held in
         Neuchâtel (Switzerland). He has recently published articles in the webzines Artifice (Québec) and
         Syn-these (Greece) and in the journals Humoresques (France) and Panorama-cinéma (Québec).

            Annie van den Oever
            is director of the Master in Film Studies at the University of Groningen, and Extraordinary
         Professor for film and visual media at the University of the Free State. She is series editor of “The
         Key Debates. Mutations and Appropriations in European Film Studies,” with Ian Christie
         (Birckbeck College, London), and Dominique Chateau (Paris I, Sorbonne Panthéon); and editor-
         in-chief of the European Journal for Media Studies NECSus (since 2011). She has recently pub-
         lished Ostrannenie (2010) and Sensitizing the Viewers (2011) at Amsterdam University Press.

            Maria Poulaki
            has recently completed her PhD in Media and Culture at the University of Amsterdam, with a
         thesis entitled “Before or beyond narrative? Towards a complex systems theory of contemporary
         films.” Her interdisciplinary research focuses on the links between complex systems theory, nar-
         ratology and film/media theory.

            Valentina Re
            is Lecturer at Ca’ Foscari University, Venice, Department of Philosophy and Cultural Heritage,
         where she teaches film analysis and film history. She obtained a PhD in film studies from the
         University of Bologna in 2005. Essentially, her research focuses on film analysis methodologies,
         film and media theories, the relationships between cinema and the other arts / languages. Among
         her recent publications are the books, Play the movie. Il DVD e le nuove forme dell’esperienza
         audiovisiva (2010, co-edited with L. Quaresima), Visioni di altre visioni: intertestualità e cinema
         (2007, coauthored by G. Guagnelini) and Ai margini del film. Incipit e titoli di testa (2006).

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             Cécile Sorin
             is Associate Professor in film studies at the University of Paris 8. She published a book on a
           poetics-based approach to filmic references: Cécile Sorin, Pratiques de la parodie et du pastiche
           au cinéma, L’Harmattan, Paris 2010.




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