application/pdf
2036-461X
16425
25
en
https://creativecommons.org/licenses/by/4.0
Cinéma & Cie. Film and Media Studies Journal
vol. XV, no. 25, Fall 2015
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
15
Table of Contents / Table des matières
2015-10-01
2021-09-21
2015-10-01
2024-02-14
Cinéma & Cie
2015/10/01
2036-461X
25
en
vol. XV, no. 25, Fall 2015
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16425/14536
15
		       Contents / Table des matières




		       Overlapping Images.
		       Between Cinema and Photography
p. 9 Luisella Farinotti, Barbara Grespi and Barbara Le Maître,
		   Suspended Evidence: Rethinking the Photographic
 29      Francesco Giarrusso, From Stillness (in)to Motion through
		       Astronomical Images: The Cases of Jules Janssen’s Photographic
		       Revolver and Josep Comas i Solà’s Spectrographic Cinematography
 41      Marc-Emmanuel Mélon, Les Formes cinématographiques du discours
		       photographique. Le cas de Men at Work, de Lewis Hine
 59      Francesca Scotto Lavina, Still-moving Engrams: The Ecstasy of Bodily
		       Gestures in Chronophotography and its Contemporary Reproductions
   75    Elena Marcheschi, Deterritorialized Images: Future Visions, Past Memories
 85      Barbara Le Maître, Jeff Wall, beyond the Borders of the Medium:
		       Photography, History Painting and the Cinema of the Living-dead
 97      Àgnes Pethő, The Image, Alone: Photography, Painting and the
		       Tableau Aesthetic in Post-Cinema


		       New Studies
  115    Micaela Latini, The Vision of the End: Anders on the TV Series Holocaust


  125    Projects & Abstracts


  137    Reviews / Comptes-rendus


  145    Contributors / Collaborateurs
