application/pdf
2036-461X
16579
30
en
https://creativecommons.org/licenses/by/4.0
Cinéma & Cie. Film and Media Studies Journal
vol. XVIII, no. 30, Spring 2018
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
18
Table of Contents / Table des matières
2018-03-01
2021-10-06
2018-03-01
2024-02-14
Cinéma & Cie
2018/03/01
2036-461X
30
en
vol. XVIII, no. 30, Spring 2018
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16579/14599
18
           Contents / Table des matières




p.     7   Editorial: Why Cinéma & Cie (again)

           Reinventing Mao: Maoisms and National Cinemas
      13   Marco Dalla Gassa, Corrado Neri and Federico Zecca
           Maoisms, National Cinemas, Transnational Perspectives: An Introduction
      21   Man-tat Terence Leung
           Struggling between Two Fronts: Godard, Dziga Vertov Group and the
           Ethical Predicaments of Post-1968 French Maoism
      41   Stéphanie Benzaquen-Gautier
           Ethnographies of the Khmer Rouge Revolution: Democratic Kampuchea in
           Movies (1975-1978)
      53   Sanghita Sen
           The Spring Thunder: Revisiting the Naxal Movement in Indian Cinema
      71   Wendy Xie
           What’s Chairman Mao Got to Do with It? Nostalgia, Intertextuality and
           Reconstructing Revolutionary Myth in Tsui Hark’s The Taking of Tiger
           Mountain by Strategy
      83   Kristian Feigelson
           Chinese Fictions in France and Shadows in China
      95   Yomi Braester
           We Have Never Been Chaste: Sexuality and Cinephilia in Post-Maoist
           Cinema

           Beyond Cinema
     107   Permanent Call for Essays
     109   Pepita Hesselberth
           Connect, Disconnect, Reconnect: Historicizing the Current Gesture
           towards Disconnectivity, from the Plug-in Drug to the Digital Detox
119   Reviews / Comptes-rendus


133   Projects & Abstracts


141   Contributors / Collaborateurs
