application/pdf
2036-461X
16402
24
en
https://creativecommons.org/licenses/by/4.0
Cinéma & Cie. Film and Media Studies Journal
Vol. XV, n. 24, Spring 2015
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
15
Table of Contents / Table des matières
2015-03-01
2021-09-21
2015-03-01
2024-02-14
Cinéma & Cie
2015/03/01
2036-461X
24
en
Vol. XV, n. 24, Spring 2015
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16402/14530
15
		       Contents / Table des matières




		       Archives in Human Pain.
		       Circulation, Persistence, Migration
p. 9     Alice Cati and Vicente Sánchez-Biosca, Questioning the Images
		       of Atrocity: An Introduction
 17      Barbara Grespi, Lasting Remains: The Anesthetizing Gaze
		       in German Postwar Cinema and Photography
 33      Tobias Ebbrecht-Hartmann, Preserving Memory or Fabricating the Past?
		       How Films Constitute Cinematic Archives of the Holocaust
 49 Maria Teresa Soldani, History and Progress in Buried in Light
		  and Empires of Tin: The Archive of Pain in the Oeuvre of Jem Cohen
 63      Luisella Farinotti, “Wir wollen uns mit den Bildern
		       unseres Landes befassen”: Documents, Fetishes, Icons, Relics:
		       the Reconstruction of the German Autumn as an Image
 79      Alice Cati, Private Images in Place of the Beloved Bodies:
		       Relics Against the Politics of Disappearance
   93    Sylvie Rollet, Malgré tout… l’image manque
 103     Vicente Sánchez-Biosca, Perpetrator Images, Perpetrator Artifacts:
		       The Nomad Archives of Tuol Sleng (S-21)


		       New Studies
  119    Ilaria A. De Pascalis, Melodrama, Identity, and Community in Forbrydelsen
 131     Elisa Mandelli, The Museum as a Cinematic Space:
		       The Display of Moving Images in History Museums
145   Projects & Abstracts


159   Reviews / Comptes-rendus


169   Contributors / Collaborateurs
