10.15160/1826-803X/615
application/pdf
1826-803X
615
it
Dennis Looney
Sezione di Lettere
Josep Solervicens-Antoni L. Moll (a cura di), <I>La poètica renaixentista a Europa. Una recreació del llegat clàssic</i>, Barcelona, Punctum 2011, pp. 241, ISBN 9788493925208
Text.Serial.Journal
https://annali.unife.it/lettere
Recensioni Letteratura
2013-04-29
2013-04-23
2014-11-17
188-190
AOLF
Dennis Looney
2012
10.15160/1826-803X/615
188
1826-803X
it
190
Josep Solervicens-Antoni L. Moll (a cura di), <I>La poètica renaixentista a Europa. Una recreació del llegat clàssic</i>, Barcelona, Punctum 2011, pp. 241, ISBN 9788493925208
https://annali.unife.it/lettere/article/download/615/545
Annali Online di Ferrara - Lettere
AOFL VII 2 (2012) 188/190




Josep Solervicens-Antoni L. Moll (a cura di), La poètica renaixentista a Europa. Una
recreació del llegat clàssic, Barcelona, Punctum 2011, pp. 241, ISBN978-84-939252-0-8

This book is one in a series of publications by a working research group at the University of
Barcelona, Mimesi (http://stel.ub.edu/mimesi/), which has as its primary goal the study of literature
and literary theory in the Renaissance and Baroque periods connected with the literary culture of
Catalonia, focusing also on how Catalonian culture interacted with other European literary cultures
and traditions during the early modern period. The working group organizes conferences,
workshops, and other scholarly meetings, which have generated numerous publications, including
the one under review. Mimesi also maintains a website with an extensive database of treatises on
poetics from the period to which its members dedicate their research. The searchable database
contains descriptive entries, including key words, on over one hundred works published between
1475 and 1836, in Latin, Catalan, or Spanish. In some cases the texts themselves are provided in pdf
files that can be downloaded.
        Two of the prime movers of this group, Josep Solervicens and Antoni L. Moll, have edited an
impressive volume of seven essays on the reception of classical poetics in the European
Renaissance, with an introduction by Solervicens (pp. 7-16), La poètica renaixentista a Europa.
Una recreació del llegat clàssic. The volume brings together work from a wide range of
disciplinary perspectives: the study of the classics, romance philology, comparative literature, and
literary theory. Authors and their essays include: 1) Bernhard Huss, La teoria del furor poeticus
come arma dottrinaria: Ficino, Landino e il Cinquecento (pp. 19-44); 2) Roger Friedlein, El furor
poètic escenificat (pp. 47-66); 3) Brigitte Kappl, Aristotelian Katharsis in Renaissance Poetics (pp.
69-97); 4) Josep Solervicens, De l’ampliació del sistema aristotèlic de gèneres a l’establiment d’un
nou paradigm (1548-1601) (pp. 101-35); 5) Anne Duprat, Le cheval de Troie: Mimesis et allégorie
dans les poétiques de l’épopée au xvie siècle (pp. 139-55); 6) Roland Béhar, “Los sagrados
despojos de la veneranda antigüedad”: estilo poético y debate literario en torno a Fernando de
Herrera (pp. 159-96); 7) Cesc Esteve & Antoni-Lluís Moll, La poética catalana del Renaixement:
conceptes clau (pp. 199-241).
        Essays 1-6 in the book can be divided into three broad sections, each focused on the revival of
an approach derived from classical literary theory: Platonic (1-2), Aristotelian (3-5), and
Hermogenic (6). The seventh and final essay summarizes these three approaches in its case for a
Catalonian vernacular poetics. The essays of Huss (1) and Friedlein (2) that open the volume focus
primarily on Neoplatonic literary theory. Huss considers the foundational importance of the
interpretations of Ficino and Landino in the Quattrocento concerning poetic madness for later
theorists in the Cinquecento such as Lorenzo Giacomini and Francesco Patrizi. For Ficino, poetic
Annali Online di Ferrara - Lettere                                                             D. Looney
AOFL VII 2 (2012) 189/190




madness is a way to connect with the divine, a means to encounter divine truths and he privileges
the poet’s experience in this process. Landino’s focus is on the rhetorical art that enables the
inspired orator to encounter truth, shifting the emphasis away from the poet. Friedlein also
examines the theme of divinely-inspired madness but focuses on the representation of the poeta
vates in a striking trilogy of Renaissance texts, not typically brought into dialogue with one other:
João de Barros, Crónica do Imperador Clarimundo; Maurice Scève, Microcosme; and Alonso de
Ercilla, La Araucana. These texts open up the geographical boundaries of the space declared in the
book’s title, Europe, pointing the reader to Africa and Asia along the routes of exploration of the
eager Portuguese sailors in the case of Clarimundo and to Patagonia in the New World in the case
of La Araucana.
        Three essays follow that deal with questions generated by the debate on theory in Italy
prompted by the reading of Aristotle’s Poetics in Padua and elsewhere in the second half of the
sixteenth century. The third essay by Kappl tackles the hoary question of catharsis, considering
discussions of it in Robertello, Maggi, Castelvetro, Piccolomini, Giacomini, and Minturno. Most
striking, perhaps, is the presentation of catharsis in the work of Lorenzo Giacomini (1586), who
develops a theory of physiological catharsis that anticipates by several hundred years similar
interpretations of classicists, e.g. Jacob Bernays, in the nineteenth century. In the fourth essay,
Solervicens considers how the energized investigations of Aristotle’s Poetics affected critical
thinking about the status of genres, emphasizing the importance of Robertello at the beginning of
that process. Solervicens continues by examining the attempts of subsequent theorists to expand
upon Robertello’s Aristotle and make a case for lesser genres not mentioned in the Poetics. E.g.,
Bonciani presents an Aristotelian reading of the novella in Lezioni sopra il comporre delle novelle
(1574); Sigonio and Tasso on the dialogue in, respectively, De dialogo liber (1562) and Discorso
dell’arte del dialogo (1585); Viperano on the lyric poem in De poetica libri tres (1579) and Torelli
on the lyric in a speech delivered at the Accademia degli Innominati in Parma (1594). In the book’s
fifth essay, Duprat examines the exploration of imitation and allegory in the context of theories of
the epic poem, with attention to the debate as it affected the interpretation of epics by Ariosto,
Tasso, Ronsard, and Marino.
        Béhar’s essay shifts the focus from Platonic and Aristotelian literary theories to the question
of style in the analysis Fernando de Herrera made of Garcilaso de la Vega (1580), drawing attention
to his dependence on Cicero and Hermogenes. Hermogenes in particular had a lasting and deep
impact on the work of theorists in the Iberian peninsula, especially in Catalonia. The volume’s final
essay by Esteve and Moll considers key concepts in the Catalonian theoretical Renaissance. Esteve
and Moll connect the idea of a neoclassical poetics with that of a vernacular poetics, in this case the
Annali Online di Ferrara - Lettere                                                         D. Looney
AOFL VII 2 (2012) 190/190




Catalonian vernacular, using the discourse of literary theory in the Italian Cinquecento as the go-
between.
        Each essay, even the introduction, includes an ample bibliography. In Béhar’s essay, the
bibliographical apparatus runs eight pages; the norm among the others is three to four pages,
lending the book a value for its extensive lists of works on the topic of poetics in early modern
Europe. Alas, there is no index, which would make the volume even more valuable as a reference
work. That shortcoming notwithstanding, this is an impressive publication that admirably represents
a dynamic collective hard at work in their examination of Renaissance and Baroque poetics across
Europe.


Dennis Looney
University of Pittsburgh
Department of French and Italian
Secondary Appointments in Departments of Classics and Philosophy
looney@pitt.edu
