application/pdf
2036-461X
16523
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https://creativecommons.org/licenses/by/4.0
Cinéma & Cie. Film and Media Studies Journal
vol. V, no. 6, Spring 2005
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
5
Table of Contents / Table des matières
2005-03-01
2021-10-01
2005-03-01
2024-02-14
Cinéma & Cie
2005/03/01
2036-461X
6
en
vol. V, no. 6, Spring 2005
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16523/16675
5
CONTENTS/TABLE DES MATIERES




MULTIPLE AND MULTIPLE-LANGUAGE VERSIONS/VERSIONS MULTIPLES II
Edited by/Sous la direction de Hans-Michael Bock, Simone Venturini


Introduction
Simone Venturini, in collaboration with Hans-Michael Bock                      7

Entre le même et l’autre: La Place de l’auteur
Marie-France Chambat-Houillon                                                 17

Combien de versions peut-il exister d’un film muet?
Aperçu des problèmes et méthodologie de la restauration des films muets
Francesca Chelu Deiana, Davide Pozzi                                          33

The Transition from Silent to Sound Film in a Small, Multi-Lingual Country.
Luxembourg as a Case Study
Paul Lesch                                                                    42

Multiple Language Versions and National Films, 1930-1933.
Statistical Analysis, Part I
Charles O’Brien                                                               55

Aktualita 1937–1938. Československý zvukový týdeník /
Tschechoslowakische Tonbildschau / Slovenský zvukový týždenník
Ivan Klimeš, Pavel Zeman                                                     62

Staying in Or Getting Out. Different Approaches to Character in Danish
and Swedish Multiple Version Comedies of the 1930s
Niels Henrik Hartvigson                                                       71

Der Kongreß tanzt: Revisited
Horst Claus, Anne Jäckel                                                      76

Le Mépris et ses versions multiples. Le doublage jusqu’à l’absurde
Michel Marie                                                                  96
Prise, reprise et méprise.
Du témoignage en cinéma direct à la constitution d’une mémoire sociale
Michèle Lagny                                                                100


NEW STUDIES                                                                  105
Attori e recitazione nei soggetti di Bellissima
Cristina Jandelli                                                            107


ABSTRACTS & PROJECTS                                                         115
Université de Paris I (Isabelle Marinone / Ph.D. Thesis Abstract)            117
Universitat de València (Gloria Fernández Vilches / Ph.D. Thesis Abstract)   119
Université de Lausanne (Alain Boillat / Ph.D. Thesis Project)                121
Università di Firenze (Federico Pierotti / Ph.D. Thesis Project)             124
