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Cinéma & Cie. Film and Media Studies Journal
vol. III, no. 3, Fall 2003
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
3
Table of Contents / Table des matières
2003-10-01
2021-10-01
2003-10-01
2024-02-14
Cinéma & Cie
2003/10/01
2036-461X
3
en
vol. III, no. 3, Fall 2003
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16517/14575
3
CONTENTS/TABLE DES MATIERES




REPRESENTATIONAL TECHNOLOGIES AND THE DISCOURSE ON EARLY CINEMA’S
APPARATUS / LES TECHNOLOGIES DE REPRÉSENTATION ET LE DISCOURS SUR LE
DISPOSITIF CINÉMATOGRAPHIQUE DES PREMIERS TEMPS
Edited by / Sous la direction de Rosanna Maule

Les technologies de représentation dans le cinéma
des premiers temps, entre contextes intermédiatiques et discours interdisciplinaires
Rosanna Maule                                                                        7

Part One: Technologies of Vision
Première partie: Technologies de la vision                                         17

The Founding of Art History and the Invention of Cinema:
Hapticality and Opticality
Angela Dalle Vacche                                                                19

2-D? 3-D? The Technology and Aesthetics of Dimension
in Early Cinema and Turn-of-the-Century Stage Performance
Gwendolyn Waltz                                                                    26

Magic, Spiritualism, and the Apparatus, Circa 1895
Matthew Solomon                                                                    39

Part Two: The Times of the Apparatus
Deuxième partie: Les temps du dispositif                                            47

Contextualising Paul's “Time Machine”
Ian Christie                                                                       49

Cell Life, Physiological Time, and Microcinematography,
or the Chicken that Ate Manhattan
Scott Curtis                                                                       58

Part Three: The Multimedia Environment
Troisième partie: L’environnement multimédia                                        67
La persistance des attractions
Viva Paci                                                                           69

Du multimédia au cinéma: effets rétroactifs du discours sur la relation
 culture et technologie dans le cinéma des premiers temps
Michèle Lagny                                                                       78

List of Contributors / Liste des collaborateurs                                     92

NEW STUDIES                                                                         95
Warburg, la cultura, il cinema
Karl Sierek                                                                         97

Cinéma fantastique et corps plastiques:
Premières notes pour une étude de la figurine
Dick Tomasovic                                                                     106


PROJECTS & ABSTRACTS                                                               115
Université de Paris III (Natacha Aubert / Ph.D. Thesis Abstract)                   117
Università di Torino (Silvio Alovisio/ Ph.D. Thesis Abstract)                      120
University of Michigan (Sheila Skaff / Ph.D. Thesis Project)                       122

Views and Perspectives: Studies on the History of Non-fiction Film
in Switzerland to 1964
A two-year (November 2002 – November 2004) research project of the Film Studies
Department, University of Zurich, funded by the Swiss National Fund for Research   124

Multiple Versions at the Beginning of the Sound Era: Film and Other Media
II MAGIS - Gradisca International Film Studies Spring School
(Gradisca d’Isonzo, March 22 – April 2, 2004)                                      127

The Five Senses of Cinema
XI Udine International Film Studies Conference
(Udine/Gorizia, March 17-20, 2004)                                                 129
