The Semiotic Theory of Pier Paolo Pasolini. An Introduction
The aim of this paper is to describe, in a concise, orderly and coherent manner, Pier Paolo Pasolini's semiotic theory. The aim is therefore to research, synthesise and systematise Pasolini's reflections and arguments on semiotics as theory, especially in the texts written between 1965 and 1971 and later collected in Heretical Empiricism. For ease of exposition, these reflections and arguments will be divided into five relevant sections: the grammar of film language, sign image and double articulation, trans-structural sign transformations, cinema as the written language of reality and the semiotics of the reality.
application/pdf
1970-7452
2768
37
it
Mirko  Lampis
E|C
La teoria semiotica di Pier Paolo Pasolini. Studio introduttivo
Text.Serial.Journal
https://www.mimesisjournals.com/ojs/index.php/ec
Miscellaneous
2023-07-27
2023-07-27
2023-07-27
2023-07-27
258-273
1
Mirko  Lampis
2023/07/27
258
1970-7452
37
273
La teoria semiotica di Pier Paolo Pasolini. Studio introduttivo
https://www.mimesisjournals.com/ojs/index.php/ec/article/download/2768/2186