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2036-461X
16519
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https://creativecommons.org/licenses/by/4.0
Cinéma & Cie. Film and Media Studies Journal
vol. IV, no. 4, Spring 2004
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
4
Table of Contents / Table des matières
2004-03-01
2021-10-01
2004-03-01
2024-02-14
Cinéma & Cie
2004/03/01
2036-461X
4
en
vol. IV, no. 4, Spring 2004
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16519/14577
4
CONTENTS/TABLE DES MATIERES




MULTIPLE AND MULTIPLE-LANGUAGE VERSIONS/VERSIONS MULTIPLES
Edited by / Sous la direction de Nataša Ďurovičová
With the collaboration of/Avec la collaboration de Hans-Michael Bock

Introduction
Nataša Ďurovičová                                                            7

Multilingual Films, or What we Know about a Seemingly Bright Idea
Pierre Sorlin                                                                  17

Quelle version restaurer? Deux cas concrets: Nana et Prix de beauté
Davide Pozzi                                                                   22

Due versioni musicali a confronto. Die Dreigroschenoper e
L’Opera de quat’sous di Georg Wilhelm Pabst
Roberto Calabretto                                                             30

Nel nome di Maddalena. Una comparazione tra
Casta Diva e The Divine Spark
Francesco Bono                                                                 48

Undoing the National: Representing International Space in 1930s Czechoslovak
Multiple-language Versions
Petr Szczepanczik                                                              55

Languages, Actors and Audience.
C. A K. Polní Maršálek versus Der falsche Feldmarschall
Petr Mareš                                                                    66

Making Films Comprehensible and Popular Abroad: The Innovative
Strategy of Multiple-language Versions
Joseph Garncarz                                                                72

Multiple Versions in France: Paramount-Paris and National Film Style
Charles O’Brien                                                                80
Multiple-language Versions of Czech Films and the Film Industry
in Czechoslovakia in the 1930s
Ivan Klimeš                                                             89

Prix de beauté as a Multiple Intersection.
National Cinema, Auteurism, and the Coming of Sound
Malte Hagener                                                           102


NEW STUDIES                                                             117
The Meaning of the Music-hall: From the Italian Futurism
to the Soviet Avant-garde
Wanda Strauven                                                          119


PROJECTS & ABSTRACTS                                                    135
Università di Padova (Manlio Piva/ Ph.D. Thesis Abstract)               137
Université de Lausanne (Pierre-Emmanuel Jaques/ Ph.D. Thesis Project)   140

The Redpath Chautauqua Collection
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