10.15160/1826-803X/280
application/pdf
1826-803X
280
it
Dennis Looney
Sezione di Lettere
<i>The Reception of Herodotus in the Ferrarese Quattrocento</i>
Text.Serial.Journal
https://annali.unife.it/lettere
Ferrara dimenticata? Un centro rinascimentale e la sua eredità culturale / Forgotten Ferrara? A Renaissance Town and Its Cultural Legacy
2012-11-03
2012-11-08
2016-10-20
167-183
AOLF
Dennis Looney
2012
10.15160/1826-803X/280
167
1826-803X
it
183
<i>The Reception of Herodotus in the Ferrarese Quattrocento</i>
https://annali.unife.it/lettere/article/download/280/229
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 167/183




                                            DENNIS LOONEY


                        The Reception of Herodotus in the Ferrarese Quattrocento


1. The seasons of civiltà estense, in the evocative phrase of Riccardo Bruscagli1, document an
increasingly complex response to the work of the first great Greek historian, Herodotus, the man
who invented history (in the title of a recent book)2, whom Cicero called «the father of history», and
whom many others following Plutarch referred to as «the father of lies». In this essay I consider the
reception of Herodotus in Ferrara in the Quattrocento from the arrival of Guarino Veronese in 1429
to around 1490 when Matteo Maria Boiardo completed his version of Herodotus’s Histories in the
vernacular. A variety of authors, most of whom were associated in one way or another with
Guarino, composed writings during this period that provide ample evidence of the extent to which
Herodotus was becoming a familiar figure in the constellation of classical authorities given
prominence by the humanist Guarino and his followers. The fusion of medieval and classical that
characterizes the Ferrarese Renaissance from as early as Pier Andrea de’ Bassi’s Le fatiche di
Hercule (probably composed in the 1430s) finds expression in the various ways in which Herodotus
is brought into the culture. Indeed, Herodotus proves to be a classical authority easily adaptable to
the vernacular idiosyncrasies of Ferrarese culture, a culture that will give birth to Boiardo’s
vernacular humanism and, in the next century, to Ariosto’s. Herodotus, especially once he is given a
vernacular voice, prepares readers for the sort of themes and tone that they will encounter in a poem
like Ariosto’s Furioso, which has its own curiously understated relationship with the work of
Herodotus.
        This study is the first part of a broader survey of the reception of Herodotus in the European
Renaissance across the fifteenth and sixteenth centuries and into the seventeenth. The survey opens
with this examination of Guarino and the reading of Herodotus in and around his school; I will
develop it further in subsequent publications that take into consideration later moments in Ferrarese
literary culture that depend on developments that derive from Guarino’s teaching and general
introduction of the Greek historian. In later pieces I will consider Boiardo’s adaptation of
Herodotus; vernacular responses to Boiardo’s version; Ariosto’s suppressed encounter with
Herodotus; and Tommaso Porcacchi’s association of Herodotus with Ferrarese romance-epic. In
additional subsequent work I will argue that this initial intense Ferrarese engagement with
Herodotus lays the groundwork for that of later European readers such as Henri Estienne, Joseph


1
    BRUSCAGLI (1983).
2
    MAROZZI (2008).
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 168/183                                                                                       D. Looney




Scaliger, and Issac Casaubon. I will also argue that it is an important step in the cultivation of the
New World Herodotus encountered in the works of Joseph de Acosta and El Inca Garcilaso de la
Vega.


2. I mentioned in passing Pier Andrea de’ Bassi’s Le fatiche di Hercule, which is an early example
of the fusion of medieval and classical that becomes so typical of the Ferrarese Renaissance. His
underappreciated prose romance – Antonia Tissoni Benvenuti calls it an «ignored masterpiece»3 –
presents the figure of Hercules, important to Ferrarese identity and ideology long before the
emergence of Ercole d’Este as a political leader, moving against a background of medieval pomp
and decoration4. Written in honor of the Herculean presence of Nicolò III, the work, printed in
1475, was probably composed in the 1430s to celebrate the birth of Ercole (born 24 October 1431).
But the preface makes it clear that there is another Herculean figure in the offing: Guarino
Veronese. Le fatiche di Hercule is written at a transitional moment in Ferrarese culture that is
caused by the arrival of Guarino whose impact is immediate and profound. The work looks back
nostalgically to represent a chivalric Hercules dressed in medieval armor with a lion-skin cape, the
sort of figure who would be familiar to readers of Boccaccio’s Genealogia deorum gentilium and
Salutati’s De laboribus Herculis. Moreover, its mode of composition appeals to an audience
familiar with extended romance narratives built around the technique of entrelacement5. But at the
same time there is something new, at moments Herodotean, in the allusiveness of the writing that
even at this relatively early date bears the imprint of the changes in Ferrarese culture with the
ascendency of Guarino’s humanism6. Like Hercules in the famous myth associated with him,
Ferrarese culture was at a crossroads.
3. In a letter to Leonello d’Este of 7 September 1431, around the probable time of the composition
of Le fatiche di Hercule, Guarino adapts a Ciceronian commonplace, vir strenuus ac fortis, to praise
Bassi, referring to him as a vir strenuus ac liberalis in primis (an energetic and honorable man
beyond all others, 2, 127). But Guarino may be damning Bassi with faint praise in this unique
reference to him in his extant letters. A creature of the previous generation, Bassi represents an
earlier moment in Ferrarese culture that the new learning promoted at Guarino’s school is on the
verge of radically transforming.




3
  «[I]gnorato capolavoro», T ISSONI BENVENUTI (1991, vol. II, 68).
4
  There is little scholarship on Pier Andrea de’ Bassi, who does not even merit an entry in the Dizionario biografico
degli Italiani. COSENZA (1962, vol. I, 464) gives him one lonely card.
5
  TISSONI BENVENUTI (1993, vol. I, 781f., 787f.).
6
  MATARRESE (1998, 196f.).
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 169/183                                                                                         D. Looney




         If there is something vaguely Herodotean about Pier Andrea de’ Bassi’s depiction of
Hercules and the wondrous monsters the hero overcomes, things change once Herodotus makes his
actual entry into Ferrarese culture in the person of Guarino. Because of Guarino’s growing
reputation as a teacher, Nicolò d’Este invited him to Ferrara in 1429 to open a school for the
children of the Estense aristocracy and their close associates. The master began teaching there the
following year from a canon of authors that included Herodotus. Guarino’s letters document his
growing interest in Herodotus over the first decades of the fifteenth century before he arrived in
Ferrara. At some point during his early years there, he translates a substantial fragment of
Herodotus for didactic use and works diligently to locate a complete copy of the Histories. A letter
of uncertain date (internal evidence leads Sabbadini to propose 1415) from Gasparino Barzizza to
Guarino refers to the latter’s project to translate an unspecified Greek historian, sed dum in
transferenda historia greca occupatus es (Epistolario, Sabbadini 1915, vol. I, 101), whom
Sabbadini reasonably assumes must be Herodotus («qui non si può intendere che la traduzione di
Erodoto», vol. III, 45). Guarino may have begun this translation project before 1415, perhaps as
early as 1414 when he was teaching Greek and Latin in Venice from 1414 to 1419. In an initial
attempt at rendering Herodotus, Guarino adapted sections from the first seventy-one paragraphs of
Book 1 of the Histories in an abbreviated Latin version probably intended for the classroom. In
1902, Riccardo Truffi identified this work as part of ms. 203, Biblioteca Classense, Ravenna. The
manuscript contains a variety of fifteenth-century Latin writings, poetry and prose, including two
signatures in poor condition that contain the actual translation with this heading, the first two words
of which are in Greek: Kleio Herodotou e greco latine conversum per clarum virum Guarinum
Veronensem («Clio of Herodotus translated from Greek into Latin by the famous man, Guarino
Veronese»). Given that the copy is in an early fifteenth-century hand, and not that of Guarino, and
given similarities between the language of the translation and certain passages in Francesco
Barbaro’s De re uxoria (1416), Truffi proposed that it might be a text assembled by Barbaro from
scholastic exercises. The translation is a relatively faithful rendering into Latin of portions of the
Greek text from I 1-71, but there are many passages omitted, due perhaps to its origins in the
classroom7.
        To focus briefly on the Venetian Francesco Barbaro may appear to take us away from Ferrara
but we remain closer than it seems. In De re uxoria, a treatise on marriage composed in 1416 as a




7
 TRUFFI (1902, 76f.) points out that Guarino omits the following chapters: 18-22, 49-52, 54, 57-58, 66, 70, and portions
of chapters 9-17, 32, 41-42, 46, 53, 60, 62-62, 67.
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 170/183                                                                                        D. Looney




wedding present for Lorenzo di Giovanni de’ Medici, younger brother of Cosimo8, Barbaro refers to
Herodotus’s Histories I 193 in the opening paragraph, ut scribit Herodotus pater historiae, giving
him pride of place in a long list of classical authorities, Greek and Latin, major and minor ( .F.2.59,
c. 4)9. In the section De coitus ratione, Barbaro refers to the Gyges story in I 8 ( .F.2.59, c. 67) and
in De uxoris ducenda divitiis he refers to I 138 ( .F.2.59, cc. 29v-30)10. Truffi proposes further that
a passage from the section De liberorum educatione alludes to Herodotus I 15311. Barbaro had been
one of Guarino’s students while he was teaching Greek in Venice12. Although three of the four
allusions to Herodotus in De re uxoria are from sections in the first book that Guarino did not
translate and may not have had when he was teaching Barbaro, it is still reasonable to attribute to
his teaching Barbaro’s enthusiasm for and familiarity with the Greek historian. Furthermore,
presumably due to Guarino’s relocation to and promince in Ferrara, Barbaro’s text on marriage
received an eager reading there as well as in Florence. It circulated in manuscript among the readers
passing through Guarino’s house in Ferrara in 142813. The work is copied on cc. 3v to 84 of BE
    .F.2.59, an Estense manuscript that also contains Plutarch’s De liberis educandis in Guarino’s
Latin translation, Vergerius’s De ingenuis moribus, and Basil’s De studiis in Leonardo Bruni’s
Latin version. The handsome vellum codex with decorated initial letters in an strikingly clear
humanistic hand was probably copied and put together sometime in the middle decades of the
fifteenth century by Biagio Bosoni, active in the courts of Nicolò III, Leonello, and Borso, first as a
scribe and later as the librarian responsible for books owned by the Estense rulers 14.


4. In addition to this testament to Guarino’s teaching of Herodotus there are several passages from
Guarino’s letters where he mentions Herodotus outright or refers to historical or mythological
figures from the text. In a letter to John Chrysoloras composed in 1415, Guarino mentions the myth
of Cleobis and Biton, which he might have known from Herodotus I 3115. In a letter of 1416,


8
   The text of De re uxoria in GARIN (1952), follows GNESOTTO (1915a); GARIN (1952) uses the late Renaissance
translation of Alberto Lollio Ferrarese. I take Lollio’s translation to be another, albeit peripheral, witness to the
Ferrarese reception of Herodotus. Published by Giolito in 1548, Lollio’s translation circulated widely (GARIN 1952,
1128).
9
  I have consulted ms .F.2.59 in the Biblioteca Estense, Modena, for reasons I explain in what follows.
10
   Both these passages are excised from GARIN (1952), the first presumably for prudish reasons.
11
   153 (for the text see .F.2.59, c. 81v, and GNESOTTO (1915a, 97); GNESOTTO (1915a, 97 n. 2), proposes Aulus Gellius
XI 11; Garin 1952, 133-5)
12
   GUALDO (1964, 101-3).
13
   FRICK (2004, 202f.).
14
   On the manuscript, see KRISTELLER (1963-1997, vol. I, 372); also see the reference to Bosoni as scribe in FAVA
(1932, 112, entry 240). For the fullest discussion of Bosoni, see BERTONI (1918a); also see EVERSON (2001, 146 n. 36).
BERTONI (1918a, 98f.), collects several documents connected with the production of a book by Bosoni in 1435
containing De re uxoria and «uno libro Basilio», which most likely is .F.2.59, Biblioteca Estense, Modena.
15
   SABBADINI (1915, vol. I, 69). As Sabbadini points out, this reference is filtered through Plutarch, SABBADINI (1915,
vol. III, 33). Guarino would have also known of Cicero’s discussion of the myth in Tusc. I 47.
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 171/183                                                                                          D. Looney




Guarino writes from Venice to the Ferrarese lawyer, Nicolò Perondolo, and refers to a passage from
Herodotos II 129, on the burial of the Egyptian Pharaoh Mycerinus (Sabbadini 1915, vol. II, 98f.).
        While it is impossible to measure exactly how much such a reference might already be
percolating among the members of an elite literary culture like the one extending between Venice
and Ferrara, I take this sort of comment to be part of the pre-history of the reception I am
investigating. A later reader of Boiardo’s vernacular version of Herodotus, Zoanne Pencaro, will
similarly comment on the tomb of this specific Egyptian Pharaoh in a gloss on the copy in the
Biblioteca Estena, Modena, .H.3.22, c. 6916.
        Another letter of 1416 to Poggio Bracciolini, refers to Xerxes’s first failed attempt to bridge
the Hellespont when he famously whips the waters to punish them for washing away one of his
prized horses (VII 33-6)17.
        In a letter of 3 March 1426 to Giovanni Aurispa, Guarino expresses a strong desire to locate a
copy of Herodotus18. And just over a year later on 5 March 1427, Guarino effused with sheer
delight about a complete copy of Herodotus he had received from Panormita19. Antonio Rollo
proposes that this is the manuscript in the Biblioteca Marciana, Marc. gr. 366, which contains
marginalia in Guarino’s hand throughout its first half20.
        Wherever Guarino’s copy is now, Herodotus’s Histories was in the scholar’s library when he
came to Ferrara in 1429. He not only began to use it as a text in the classroom but he also drew
from it as a source for information of all sorts. For example, in a letter of 1430 to the medical doctor
Filippo di Giovanni Pellizzone of Milan, he refers to II 86-90, where Herodotus reports in some
detail on the practice of embalming, specifically on how certain spices can be used to preserve a
cadaver (Epistolario 2, 89).


5. Neither Janus Pannonius in his Panegyric in praise of Guarino (1450s) nor Ludovico Carbone in
his funeral oration for the master (1460) says anything direct about Guarino’s promotion of
Herodotus. But the arrangement of Pannonius’s lengthy narrative may imply the presence of


16
   For the full text of Pencaro’s annotations, see LOONEY (2012; for this specific passage, see p. 77).
17
   SABBADINI (1915, vol. II, 632) where he refers to this same passage at VII 33-6 again in a letter written near the end
of his life in 1458 to Giacomo Antonio Marcello.
18
   SABBADINI (1915, vol. I, 512) si tua ope atque opera Herodoti compos fieri possem, nihil gratius nihil iocundius
afferre posses hoc tempore. SABBADINI (1915, vol. III, 198) points out that Toscanella was also involved in trying to
locate a copy of Herodotus for Guarino. SABBADINI (1903, 112), for a letter from Antonio Panormita to Giovanni
Toscanella, where Panormita says of Guarino … postremo Herodotum infinita prece, paene eciamo lacrimis petit…
19
   SABBADINI (1915, vol. I, 564) Quam gratum quam amoenum quam iocundum mihi extiterit hoc officium tuum non
satis explicare possem, quod tuo ductu atque auspicio huc volitavit Herodotus et musae, ut verius loquar, Herodoti.
Tantum tamque benignum ad peragrandas orbis terrarum plagas et res gestas ducem parasti, ut nihil praestari suavius
mihi potuerit: eius sermone cupide fruror, eius per vestigia fluvios colles maria portus urbes visere datum, immo, quod
mirabilius est, cum mortuis confabulari et ‘vivas audire et reddere voces’.
20
   ROLLO (2004, 335-7).
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 172/183                                                                                         D. Looney




Herodotus in the teacher’s curriculum. In what amounts to a chronological survey of Guarino’s
treatment of the classics, Pannonius first praises how Guarino illuminates Homer in his teaching,
then he turns to comment at some length on the story of Arion and the dolphin (ll. 569-83), which
he most likely knew from the episode as reported in Herodotus at I 23f.21. The first large omission
in Classense 203 of Guarino’s rendition of the historian occurs at chapters 18-22 and resumes with
the Arion episode at 23. One can easily imagine students at the school enjoying the well-known
episode of the lyre player dressed in the finest of his finery who outwits the pirates by leaping into
the water before they kill him, only to be saved by the dolphin.
        Girolamo Castello, like Pannonius and Carbone a devoted student of Guarino, brings
Herodotus to life in a bilingual epistle in elegiac couplets (thirty verses in Latin followed by four
concluding lines in Greek), which he sends to the master in 144222. The original copy is preserved
in Vat. Gr. 1507, a small codex that belonged to Guarino containing Hesiod’s Works and Days (cc.
3-40v) and a life of the poet (cc. 1-2v), with the single sheet on which Castello’s poem is written
tipped into the opening page of the manuscript (c. II) and the folded sheet that served as envelope
for the verse epistle tipped into the manuscript on the verso of that page (c. IIv)23. Castello was a
student in Guarino’s school who left Ferrara to study natural philosophy at the University of
Bologna between 1443 and 1445, returning to his hometown to take a degree in medicine in 1445,
where he then became a professor of medicine in the Studium from 1446 to 1482 (Sabbadini 1915,
vol. III, 382). The conceit of the poem announced in its descriptive title is that Castello has
commissioned Herodotus and Hesiod to go to Guarino’s house to pick up a copy of an unspecified
work of Plato24. «There is a house in the middle of town that can be seen from a distance: they call
it the place where Apollo and the muses meet» (ll. 1f.). «Go there quickly, Herodotus, glory of the
Halicarnassian people, the prince of ancient history» (ll. 5f.). Similar praise is directed at Hesiod.
To fight the tedium of travel, the narrator recommends that the two take turns reading their works to
each other as they make their very long way to Ferrara, which then prompts him to give brief



21
   THOMPSON (1988, 162-5).
22
   SABBADINI (1915, vol. II, 423f.).
23
   There is no way to tell who tipped in the letter and envelope, whether Guarino or some later compiler. The poem
carries the descriptive title: Ad Herodotum Alicarnasiensem historiographum et Hesiodum Ascraeum poetam
celeberrimum ut Guarini Veronensis viri doctissimi ac eloquentissimi domum repetant et ab eo Platonis volumen
nomine suo poscant. The letter’s address contains effusive praise for the master of the sort that one might want to
preserve: Ad clarissimum et eloquentissimum aetatis nostrae virum Guarinum Veronensem praeceptorem suum ac
benefactorem observandissimum. LUZI’S s.a. handwritten inventory of Greek manuscripts in the BAV, which I
consulted in the Vatican Film Library microfilm, Inv. Vat. 324, has this description: Chartaceus folior. 42 fuit Guarini
Veronensis, ad quem latinis et graecis versibus mitti H. Aleander followed by the Greek titles of the life and Works and
Days. In the Greek lines added to the end of the poem Castello identifies himself with his first name in Greek and then
at the bottom of the page signs off with Hieronumos. It is not clear to me why the Vatican cataloguer mistakenly
attributes the poem to someone else.
24
   CAMPBELL (1997, 42) proposes that the volume in question is Guarino’s life of Plato.
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 173/183                                                                                         D. Looney




summaries of each writer’s opus. «To that one [Hesiod] disclose what ruin the beginnings of great
kings brought upon their own Asia; and what first led barbarian hosts into Europe and entangled
different armed forces. And catalogue rivers and peoples and the characteristics of places. Let it be
permitted that your companion [Hesiod] say that he is not able to believe many things» (ll. 13-8).
        The summary of Herodotus’s Histories is a good succinct recapitulation, first alluding to the
latter half of his work that treats the wars between Greeks and Persians, and the opening
ethnographic half with its discussion of the areas where Herodotus had traveled or about which he
had received reports. The historian has plenty to say about rivers too. The final line alludes to the
many wonders embedded in the Herodotean narrative in a way that is perhaps meant to call
attention to Hesiod’s own claims about fiction. For it is Hesiod who famously has his muses
announce at the opening of the Theogony that they know how to tell lies that resemble truths (26-8),
i.e., that they can inspire fiction when they like. Castello’s attention to the apparent incredibility of
the Herodotean narrative may reflect an important point of discussion in conversations led by
Guarino concerning the text of Herodotus.
        I take this poem, small though it is, to be emblematic of the successful degree to which
Guarino’s teaching had quickened the figure of Herodotus in the local imagination. And he had
done so as early as 1442. A former student wants to borrow a book from the master’s well-stocked
library and makes the request via a poem in which he sends the Greek historian to knock on his
teacher’s door. This playful composition, which reflects Guarino’s own delight in Herodotus and in
Greek letters in general, is inconceivable even just a few years earlier. By mid-century Herodotus
had come to life in Ferrara and he was even making house calls.


6. During the principate of Guarino’s pupil and later patron, Leonello d’Este, who ruled Ferrara
from 1441-1450, the new humanistic learning left its mark on the Estense court. Angelo
Decembrio’s De politia litteraria, completed sometime not long after the death of Leonello in 1450,
paints a vivid picture of the intellectual life among the humanists under Leonello’s patronage25. The
conversation that Decembrio reconstructs touches on Herodotus at several moments in the work.



25
   CURRAN (2007, 82) proposes 1462 as the date of composition since Vat. Lat. 1794 concludes with a dedication to
Pius II, pope from 1458 to 1464, presumably a time frame within which Decembrio might have finished the work (c.
221v). The single remaining manuscript (originally there were at least two from which derive different recensions of the
text) in the Biblioteca Apostolica Vaticana, Vat. Lat. 1794, can be consulted on microfilm at the Vatican Film Library
of St. Louis University. We await the edition and translation of Anthony Grafton and Christopher Celenza announced
on       the      webpage       of     Princeton      Firestone      Library,    accessed       20       July     2010,
http://blogs.princeton.edu/rarebooks/2007/07/recently_acquired_angelo_decem.html. In the meantime one must turn to
one of the two printed editions, 1540 or 1562, or a facsimile of the Vatican manuscript; another option is W ITTEN
(2002), which one assumes the work of Grafton and Celenza will supercede. I have been able to consult the Basil 1562
edition in a copy owned by the polymath Ulisse Aldovrandi, now housed in the Biblioteca Universitaria, Bologna. On
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 174/183                                                                           D. Looney




        The opening book contains a reference to the Greek historian (along with Plutarch and
Thucydides) as an excellent author worthy to be included in the idealized humanist library that the
group is imagining: Caeterum in historia opera Plutarchi Herodoti & Thucydidi excellentiora
reputantur (1562, 51). Lorenzo Valla’s recent translation of Herodotus into Latin is mentioned in
this context suggesting that the primary access to the original is through Valla’s translation: Sic in
historia transferri nunc audio Herodotum atque Thucydidem a Laurentio (1562, 51). In the context
of a discussion on the obelisk in the Vatican (its provenance and the identity of the ashes in the ball
at its top), Guarino refers to the Greek historian’s discussion of how Darius set up pillars engraved
with inscriptions that listed the peoples who had contributed to his army in Histories IV 87. The
reader of Vat. Lat. 1794 annotates the text at this point with the phrase, Herodotus de pyramidibus,
which is not exactly what the specific passage is about although there has been mention of pyramids
in the passage above (c. 138r). Decembrio’s interlocutors link the Greek historian with a later
Roman historical writer, Justinus (1562, 499). And there is an observation that refers to the
powerful tyrant of sixth-century Samos, Polycrates, who figures prominently in an interconnected
sequence of stories in Herodotus’s original narrative: Polycrates, multae potentiae, vel possessionis,
vel valetudinis (1562, 626f.).
        Much of the conversation in the latter books of De politia is characterized by this sort of
exploration of the Greek roots of Latin culture, linguistic and otherwise, as in the passage at 203v:
«Polycrates [whose name means] of much power or property or health». On one level this is merely
an erudite disquisition on the meaning of Greek names as analyzed in Latin, but to see this kind of
erudition in the context of Guarino’s broader agenda, this sort of etymological play is based on the
fundamental assumption that there is a continuity between the cultural traditions of Greece and
Rome. Moreover, it assumes that Ferrara is now positioning itself as a new space within which to
move between those two worlds. The list of interlocutors who engage in the discussion
memorialized by Decembrio is long, including several intellectuals associated with the tastes and
accomplishments of the previous generation such as Feltrino Boiardo, the grandfather of Matteo
Maria Boiardo. There are also several young students of Guarino represented in the work, including
Tito Vespasiano Strozzi, Alberto Pio, and Francesco Ariosto, fresh faces ready to carry the new
learning forward.




Decembrio and literary canons, see CELENZA (2004); on the context for Decembrio’s work, see DELLA GUARDIA
(1910).
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 175/183                                                                                   D. Looney




7. Although Leon Battista Alberti (1404-1474) does not figure in De politia, he is there in spirit for
as much as anyone else in the Estense circle after Guarino, he works to promote the revival of
classical antiquity, Greek and Latin, including the renewed interest in Herodotus.
        Segre, Grafton, and others, have documented Leon Battista Alberti’s close ties to the culture
of Ferrara26. Alberti’s Ferrarese connection will yield impressive dividends decades later when
Ariosto uses him as a source. Ariosto’s interest in Alberti’s moral dialogues, the Intercenales,
which have an impact on him as he composes the autobiographical Satires in the 1520s, is a
decisive moment for the development of vernacular humanism in Italian in general. In fact, one
could argue that vernacular humanism, typically associated with trends and texts of the sixteenth
century, actually originates with Alberti’s presence in Ferrara eighty years earlier. Not only in his
Satires but also in the Orlando Furioso, Ariosto turns to Alberti for the main source of several key
episodes, including the scene of Astolfo on the moon in Furioso 34f. As Cesare Segre has pointed
out, and here I paraphrase, we shouldn’t be surprised that after nearly a century Alberti’s moral
dialogues come back to life in Ferrara, for Alberti’s links to the city and its culture run deep and set
the stage for Ariosto’s eventual rewriting of the Albertinian model27. In the 1420s Alberti’s time as
a student in Bologna situated him in relative proximity to Ferrara and his friendship with a fellow
student Meliaduse d’Este (1406-1452), son of Nicolò III, gave him access to the highest circles of
the Ferrarese elite. As a member of the papal entourage, Alberti spent time in Ferrara in 1438
during the opening year of the council between the Greek and Roman branches of the Church. He
would return in the 1440s under the patronage of Meliaduse’s half-brother, Leonello, for whom
Alberti designed the equestrian monument to Nicolò III and the cathedral’s campanile around 1443.
During his time in Ferrara during the late 1430s and 1440s, he wrote several literary works that bear
the imprint of the city’s new humanistic culture. At some point he completed a piece on applied
mathematics, Ex ludis rerum mathematicarum, written in the Tuscan vernacular despite its Latin
title, lavishly illustrated, which he dedicated to Meliaduse.28 Three pieces from this period are
addressed to Leonello: Philodoxeos fabula (composed in 1424 and dedicated to Leonello in 1437),
Theogenius (1438-41), and De equo animante (1444-45). Rinaldo Rinaldi adds the Momus (1443-
50) to this list of Leonelline works, arguing convincingly that Leonello is the «secret dedicatee» and
may also be the subject of this unusual allegorical work on how to exercise and control princely
power29. An interesting collection of fables in an Aesopian vein, Apologi centum (1437), is
dedicated to the Ferrarese Francesco Marescalchi, another one of Guarino’s students who


26
   SEGRE (1966); GRAFTON (2001, 189-224) and CURRAN (2007, 82-5). See also SANTORO (1989a and 1989b).
27
   SEGRE (1966, 94f.).
28
   SALETTI (2008; 2009).
29
   RINALDI (2002, 122-5).
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 176/183                                                                                         D. Looney




contributed to the heightened level of interest in the city’s classical revival30. The De re
aedificatoria (1452), on which more below, probably owes its genesis to Leonello’s urging and
support.
        Alberti lards his writing with references to Herodotus but more to the point for Ferrarese
humanism, those works of his that are created in the setting of Estense Ferrara demonstrate a rather
detailed knowledge of the Greek historian31. None more so than the Theogenius, a moral dialogue
on fortune presented to Leonello in consolation at the death of Nicolò III in 1441. The dialogue,
composed in Tuscan, contains six key references to Herodotus that are points of departure for
discussions of the marvelous, the idea of history, and the philosophy of fortune. In fact, Alberti’s
response to Herodotus is as much philosophical, natural and moral, as historical. The first allusion
occurs just after the beginning of the second book where the main interlocutor, Teogenio, makes a
very long speech (eleven pages in Grayson’s modern edition, 1966, 85-96) on the connection
between happiness and fortune. He introduces Polycrates32, a figure of interest for the interlocutors
of Decembrio’s De politia, as an example of the instability of personal fortune, emphasizing how
the Samian tyrant passes from a state of happiness to a horrendous end.

        Policrate, tiranno samio, a cui la fortuna sempre era stata propizia, quello el quale per
        esperimentare quanto in tutte le cose el fusse alla fortuna accetto, gittò in mare el suo anello e
        ritrovollo in corpo a un pesce statoli presentati, costui finì morendo con grandissima sua
        ignominia fitto sulla cima d’un monte in croce. E se bene essamineremo, forse troveremo
        vecchio niuno in quello stato in quale egli fu giovane. Anzi quasi ancora pare che insieme colla
        felicità sempre sia aggiunta summa miseria33.

Alberti succeeds in reducing to a single sentence a passage that extends over a large arc of the
narrative in the original. After his summary of the extended episode, the humanist passes from the
particular to the general with the invitation to «examine well» the example of the tyrant: «pare che
insieme colla felicità sempre sia aggiunta summa miseria».
        Alberti returns to this same episode, expanding upon it in another vernacular work,
Profugiorum ad Aerumna, in which he translates the entire letter that Amasis writes to Polycrates
(one of the scenes that makes up the extended narrative in Herodotus) with its advice on how to




30
   FIORENZA (2001, 69-71), who reviews the circulation of various collections of fables, old and new, including
Alberti’s, in the Estense court.
31
   For a list of the references in Alberti’s works to Herodotus, see CARDINI (2005, 415f.). For a tantalizing picture of
Alberti’s impressive familiarity with some Greek authors and texts, but with little on his knowledge of Herodotus, see
BERTOLINI (1998).
32
   Alberti would also have known of Polycrates from the dialog of Lucian between Hermes and Charon (Charon 14) but
the details of the allusion point more directly toward the Herodotean source.
33
   GRAYSON (1966, 86).
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 177/183                                                                           D. Looney




ward off bad fortune34. Herodotus offers Alberti a body of material from antiquity from which he
takes examples for his contemporary moral philosophy.
         Alberti also uses the Greek historian as a source for natural philosophy. In another passage in
the Theogenius this use of the Herodotean source emerges as the humanist describes how the
natural world changes over time: «Erodoto istorico affermava el mare già tempo essere stato sopra
Memfi, sopra sino à monti di Etiopia, qual terra ora scoperta forse troppo rimase arrida» (ed.
Grayson (1966, 88). Alberti identifies Herodotus as a historian but in this passage it is specifically
his authority on natural history that is invoked. As Alberti reflects on the passage in the original, he
teases out of it an interesting kind of chronological thinking with the suggestion that Herodotus is
considering the deep geologic time of the natural world.


8. Around this same time in the late 1430s and early 1440s when Alberti was a frequent visitor to
Ferrara, encouraged by Leonello he began working on his impressive De re aedificatoria, which
would earn him the title of the «Florentine Vitruvius»35. The work was not completed until around
1452 (editio princeps, 1485), after Leonello’s death and after Alberti had moved to Rome to work
for Pope Nicholas V who charged him with the restoration of various ancient monuments in the
city. While the work is clearly a product of the general interest in renewing ancient Rome under
papal patronage, it also bears the imprint of Alberti’s time in Ferrara in the midst of the erudite
circle around Leonello and Guarino. In Ferrara he functioned as a consultant for architectural
projects, where he gives advice on the campanile of the Duomo and other monuments. But the real
influence of Guarino and company is seen in the vast sweeping interweave of references to classical
authorities, among them many allusions to Herodotus.
         De re aedificatoria is as much a manual about how to construct edifices as it is a literary
exploration of classical sources on the politics of the art of building. There are at least fifty
references to Herodotus who writes (scribit I 29), reports (refert I 163), states (inquit I 267),
mentions (praedicat I 273), and says (ait I 295) things that Alberti incorporates directly into his
text. But not without questioning the ancient source. In fact, he wonders at one point «if we are to
believe everything in Herodotus» (si omnia credimus Herodoto II 882), exhibiting the new
humanist willingness to critique a classical authority, no matter how authoritative it may seem, and
thereby inculcating in the reader a healthy skepticism about the possible limitations of the classics.
         There are also numerous indirect references to figures and topics Alberti probably knew
through his reading of Herodotus, including, for example, Mycerinus (II 677), Samos (II 711 +


34
     GRAYSON (1966, 130).
35
     ORLANDI (1966).
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 178/183                                                                                     D. Looney




882), Croesus (II 631), and Scythians (II 672). The vast majority of references (46 out of 50) are to
passages in the first four books of Herodotus, suggesting again that it is the first half, more or less,
of the historian’s work, the ethnographical half, that catches the attention of the early humanists. In
the De re aedificatoria Alberti turns to Herodotus for the following kinds of information:
anthropological details on peoples living around the Mediterranean basis (I 29 and 267);
information on how other cultures practice the art of building (I 163 on Budini in Samarzia, I 273
on Ethiopians); details of engineering practice (I 295 on the walls of Ecbatana, II 471 on
elephantine stone, II 475 on the construction of the pyramid at Cheops, II 699 on building
watchtowers in Babylon); and on various projects connected with waterworks (II 883 on irrigating
the desert for Cambyses and II 951 on Queen Nitocre’s harnessing of the Euphrates by introducing
channels in the river). He refers to the famous story of Gyges from the beginning of the Histories
but not to comment on the moral issues the passage raises or on the precariousness of fortune;
rather, he notes the size of the gift that Gyges makes to Pythian Apollo in the wake of the events (II
631).
        For one final example, there is an interesting reference near the end of the work to the city of
Ferrara (II 975): Qui agrum apud Aegyptias paludes colunt – inquit Herodotus –, quo vim culicum
et muscarum vitent, altissimis pernoctant turribus. Ferrariae ad Padum intra urbem culices haud
multo apparent, extra urbem insuetis execrabiles sunt; pelli ab urbe ignium et fumi copia
arbitrantur. («The people who dwell in the Egyptian marshes – Herodotus states – to avoid the
attacks of mosquitoes and flies sleep in very high towers. In Ferrara on the banks of the Po within
the city walls there are hardly any mosquitoes, outside the walls they are unbearable to those not
used to them; it is thought that the abundance of fires and smoke chases them out of the city») 36.
Ferrara and Herodotus both leave their mark on Alberti’s De re aedificatoria.


9. Given the unbridled curiosity of Alberti, we should not be surprised to find evidence in his
various works of a sustained encounter with Herodotus. But there are many lesser figures in the
extended circle of humanists around Guarino who also demonstrate an interest in the author. In
1468 a Mantuan humanist, Filippo Nuvolone (whose father, Carlo, is one of the interlocutors in
Decembrio’s De politia), who moved between the Gonzaga and Este courts, would write Ludovico
Gonzaga on 8 October 1468 from Ferrara and request a copy of the historian’s work: «[…] che essa
[your lordship] se degni prestarmi alchuni libri greci, de li quali ne è ut plurimum charestia, perché



36
   That the Ferrarese read De re aedificatoria is witness a letter from Pellegrino Prisciani to Ercole d’Este on 19
November 1485 in which he notes of Alberti’s work: «[…] de la qual più volte V. E. et mi havemo ragionato: et più
fiate si è facto cercare: ho inteso et de certo esser ne le mane de uno Ant.o», cited in BERTONI (1903, 67).
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 179/183                                                                                    D. Looney




questo inverno delibero dargli grandissima opera, che Baptista Guarino e il Charbone legieranno
ogni giorno. Per tanto la Ill. S. V. se voglia dignarsi a questo et aiutarmi e prestarmi lo Erodoto e il
Suida, e l’Homero, se gli è, che certo più singulare gratia per el presente non potria farmi la Ill. S.
V. a la quale humilmente e devoto mi raccomando. Non altro»37.
        Members of the literary elite were eager to acquire copies of Herodotus, and it was becoming
more common to seek out copies of the text in the original Greek. As Filippo says, over the winter
he is really going to go to work on the authors mentioned and in his list Herodotus takes
precedence, even over Homer. As of mid-century these readers also had the option of reading the
Greek historian in Valla’s recent Latin translation, as we hear advertised in Decembrio’s dialogue.
And before too long there would be a third possibility, a version available in the vernacular. How
Matteo Maria Boiardo makes his Herodotus speak in Italian, or as he puts it grandly to his patron
Ercole I d’Este, «cosi Herodoto padre della hystoria hora nella vostra presentia ragionera Italiano»,
is the subject of the next important moment in this history of reception38.


Dennis Looney
University of Pittsburgh
Department of French and Italian
looney@pitt.edu




37
   Cited in BERTONI (1903, 117). See also ZONTA (1905, 34) and RHODES (1954), an addendum to Zonta’s research that
argues for the importance of the neglected Nuvolone.
38
   BOIARDO (1533, 8v).
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 180/183                                                                        D. Looney




Bibliographical Abbreviations

BERTOLINI 1998
Lucia Bertolini, Grecus sapor. Tramiti di presenze greche in Leon Battista Alberti, Roma, Bulzoni.

BERTONI 1903
Giulio Bertoni, La biblioteca estense e la coltura ferrarese ai tempi del Duca Ercole I (1471-1505),
Torino, Loescher.

BERTONI 1918a
Giulio Bertoni, Un copista del Marchese Leonello d’Este (Biagio Bosoni da Cremona), in «GSLI»
LXXII 96-106.

BERTONI 1918b
Giulio Bertoni, Notizie sugli amanuensi estensi nel Quattrocento, in «Archivum Romanicum, nuova
rivista di filologia romanza» II 29-57.

BERTONI 1919
Giulio Bertoni, L’Orlando furioso e la Rinascenza a Ferrara, Modena, Orlandini.

BOIARDO 1533
Mattheo Maria Boiardo, Herodoto Alicarnaseo Historico. Delle guerre de Greci et de Persi,
tradotto di greco in lingua italiana per il conte Mattheo Maria Boiardo, Venezia, Nicolini di Sabbio.

BRUSCAGLI 1983
Riccardo Bruscagli, Stagioni della civiltà estense, Pisa, Nistri-Lischi.

CAMPBELL 1997
Stephen J. Campbell, Cosmè Tura of Ferrara: Style, Politics, and the Renaissance City, 1450-1495,
New Haven, Yale University Press.

CARDINI 2005
Roberto Cardini (a cura di), Leon Battista Alberti. La biblioteca di un umanista, Firenze,
Mandragora.

CELENZA 2004
Christopher S. Celenza, Creating Canons in Fifteenth-Century Ferrara: Angelo Decembrio's De
Politia Litteraria 1.10, in «Renaissance Quarterly» LVII (Spring) 43-98.

COSENZA 1962
Mario Cosenza, Biographical and Bibliographical Dictionary of the Italian Humanists and of the
World of Classical Scholarship in Italy, 1300-1800, Boston, G.K. Hall, 5 voll.

CURRAN 2007
Brian Curran, The Egyptian Renaissance: The Afterlife of Ancient Egypt in Early Modern Italy,
Chicago, University of Chicago Press.
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 181/183                                                                        D. Looney




DELLA GUARDIA 1910
Anita Della Guardia, La Politia Litteraria di Angelo Decembrio e l’umanesimo a Ferrara nella
prima metà del sec. XV, Modena, Blondi e Parmeggiani.

EVERSON 2001
Jane E. Everson, The Italian Romance Epic in the Age of Humanism: The Matter of Italy and the
World of Rome, Oxford, Oxford University Press.

FAVA 1932
Domenico Fava (a cura di), Mostra di codici autografici, Modena, Società Tipografica Modenese.

FIORENZA 2001
Giancarlo Fiorenza, Pandolfo Collenuccio’s Specchio d’Esopo and the Portrait of the Courtier, in
«I Tatti Studies: Essays in the Renaissance» IX 63-87.

FRICK 2004
Carole Collier Frick, Francesco Barbaro’s De re uxoria: A Silent Dialogue for a Young Medici
Bride, in Dorothea B. Heitsch-Jean-Francois Vallée (eds.), Printed Voice: The Renaissance Culture
of Dialogue, Toronto, University of Toronto Press, 193-205.

GARIN 1952
Eugenio Garin (a cura di), Prosatori latini del Quattrocento, Milano-Napoli, Ricciardi.

GNESOTTO 1915a
Attilio Gnesotto (a cura di), Francisci Barbari de re uxoria liber in partes duas, in «Atti e Memorie
della Regia Accademia di scienze, lettere ed arti in Padova» XXXII 8-103.

GNESOTTO 1915b
Attilio Gnesotto (a cura di), Francisci Barbari de re uxoria liber in partes duas, nuova edizione,
Padova, Randi.

GRAFTON 2001
Anthony Grafton, Leon Battista Alberti: Master Builder of the Italian Renaissance, New York-
London, Penguin Books.

GRAYSON 1966
Cecil Grayson (a cura di), Leon Battista Alberti. Theogenius, in Opere volgari. Rime e trattati
morali, Bari, Laterza.

GRUND 2005
Gary R. Grund (ed.), Leon Battista Alberti. The Play of Philodoxus, in Humanist Comedies,
Cambridge (Mass.), Harvard University Press.

GUALDO 1964
Germano Gualdo, Francesco Barbaro, in Dizionario biografico degli Italiani VI 101-3.
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 182/183                                                                          D. Looney




KRISTELLER 1963-1997
Paul O. Kristeller, Iter Italicum, London, The Warburg Institute-Leiden, Brill, 7 voll.

LOONEY 2012
Dennis Looney, Le postille al codice del volgarizzamento di Erodoto di Matteo Maria Boiardo,
Biblioteca Estense, Modena, .H.3.22, in Susanna Gambino Longo (éd.), Hérodote à la
Renaissance, Turnhout (Belgium), Brepols, 67-85.

LUZI s. a.
Giuseppe Cozza Luzi (a cura di), Inventarium codicum graecorum Bibliotechae Vaticanae a 1501
ad 2402, s. a. (ma: fine XIX sec.).

MAROZZI 2008
Justin Marozzi, The Way of Herodotus: Travels with the Man who Invented History, Boston, Da
Capo Press.

MATARRESE 1998
Tina Matarrese, Il mito di Ercole a Ferrara nel Quattrocento tra letteratura e arti figurative, in
Patrizia Castelli (a cura di), L’ideale classico a Ferrara e in Italia nel Rinascimento, Firenze,
Olschki, 191-202.

ORLANDI 1966
Giovanni Orlandi (a cura di), Leon Battista Alberti. De re aedificatoria, introd. di Paolo Portoghesi,
Milano, Il Polifilo, 2 voll.

RHODES 1954
Dennis E. Rhodes, Filippo Nuvolone of Mantua (1436-1478). A Supplement to the Work of
Giuseppe Zonta, in «Rinascimento» V 294-8.

RINALDI 2002
Rinaldo Rinaldi, Melancholia christiana. Studi sulle fonti di Leon Battista Alberti, Firenze, Olschki.

ROLLO 2004
Antonio Rollo, Codici greci di Guarino Veronese, in «Studi mediovali e umanistici» II 333-7.

SABBADINI 1903
Remigio Sabbadini, Un biennio umanistico (1425-1426). Illustrato con nuovi documenti, in «GSLI»
suppl. VI 74-119.

SABBADINI 1915
Remigio Sabbadini (a cura di), Epistolario di Guarino Veronese, Venezia, a spese della Società, 3
voll.

SALETTI 2008
Beatrice Saletti, Intorno a una dedica sbagliata. La morte di Leonello d’Este e la datazione degli
Ex ludis rerum mathematicarum albertiani, in «Filologia italiana» V 119-38.
Annali Online di Ferrara - Lettere
Vol. 1 (2012) 183/183                                                                       D. Looney




SALETTI 2009
Beatrice Saletti (a cura di), Don Domenico Messore. Viagio del Santo Sepolcro facto per lo illustro
misere Milliaduse estense, Roma, Istituto storico italiano per il Medio Evo.

SANTORO 1989a
Mario Santoro, Polivalenza semantica dell’apologo della zucca nella satira VII dell’Ariosto, in
Ariosto e il Rinascimento, Napoli, Liguori, 350-64.

SANTORO 1989b
Mario Santoro, La sequenza lunare nel Furioso: una società allo specchio, in Ariosto e il
Rinascimento, Napoli, Liguori, 237-62.

SEGRE 1966
Cesare Segre, Leon Battista Alberti e Ludovico Ariosto, in Esperienze Ariostesche, Pisa, Nistri-
Lischi, 85-95.

STRASSLER 2007
Robert B. Strassler (ed.), Landmark Herodotus: The Histories, New York, Pantheon Books.

THOMPSON 1988
Ian Thompson (ed.), Humanist pietas: the Panegyric of Ianus Pannonius on Guarinus Veronensis,
Bloomington, Indiana, Research Institute for Inner Asian Studies.

TISSONI BENVENUTI 1991
Antonia Tissoni Benvenuti, Guarino, i suoi libri, e le letture della corte Estense, in Alessandra
Mottola Molfino-Mauro Natale (a cura di), Le Muse e il Principe. Arte di Corte nel Rinascimento
padano, Modena, Panini, 2 voll.

TISSONI BENVENUTI 1993
Antonia Tissoni Benvenuti, Il mito di Ercole. Aspetti della ricezione dell’antico alla corte estense
nel primo Quattrocento, in Omaggio a Gianfranco Folena, presentazione di Pier Vincenzo
Mengaldo, vol. I, Padova, Editoriale Programma, 773-92, 3 voll.

TRUFFI 1902
Riccardo Truffi, Erodoto tradotto da Guarino Veronese, in «Studi italiani di filologia classica» X
73-94.

WITTEN 2002
Norbert Witten (Hrsg.), Angelo Camillo Decembrio. De politia litteraria, Kritisch herausgegeben
sowie mit einer Einleitung, mit Quellennachweisen und einem Registerteil versehen. BzA 169,
München-Leipzig, K.G. Saur.

ZONTA 1905
Giuseppe Zonta, Filippo Nuvolone e un suo dialogo d’amore, Modena, Rossi.
