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Cinéma & Cie. Film and Media Studies Journal
Biographies
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
15
Contributors / Collaborators
2015-10-01
2021-09-21
2015-10-01
2024-02-14
Cinéma & Cie
2015/10/01
2036-461X
25
en
Biographies
https://riviste.unimi.it/index.php/cinemaetcie/article/download/16439/14538
15
Contributors / Collaborateurs




Luisella Farinotti is Associate Professor in Film Studies at IULM University of
Milan, where she teaches Film Theory and Aesthetics of Cinema. Her current
research study is on theory and history of the image and memory studies, with
particular regard to home movies, found-footage films and self-portrayal prac-
tices. She is a member of the scientific committee of the series Cinergie (Mimesis)
and of the editorial board of reviews: Cinéma & Cie. International Film Stud-
ies Journal and Cinergie. Il cinema e le altre arti. She published many essays in
journals and miscellaneous books. She supervised and coordinated the research
project published in Atlante del cinema italiano. Corpi, paesaggi e figure del con-
temporaneo (2011, with G. Canova). She has published: Il futuro dietro le spalle.
Tempo e storia nel cinema di Edgar Reitz (2005), Il metodo e la passione. Cinema
amatoriale e film di famiglia in Italia (2006, with E. Mosconi).

Francesco Giarrusso has a Degree in DAMS (Cinema), Discipline delle Arti,
della Musica e dello Spettacolo, from the University of Bologna (2005). In 2013,
he was awarded a PhD in Communication Sciences by the Universidade Nova
de Lisboa. Since 2013, he is an integrated member of the CFCUL (Center of Phi-
losophy of Science of the University of Lisbon), member of the research group
Ciência e Arte (Science and Art), and of SAP – Science-Art-Philosophy Lab with
a research project entitled ‘World images: from the cartographic representation
of Earth to the electro-numerical image of the Globe’.

Barbara Grespi is Associate Professor in Cinema Studies at the University of
Bergamo, where she coordinates the Research Group on cinema “Balthazar”
and is on the scientific board of ‘Punctum’, an international project devoted to
the study of visual culture. She has written particularly on gesture in the cinema
and on cinema and photography, and her recent publications include Memoria
e Immagini (Mondadori, 2009), Cinema e montaggio (Carocci, 2010), Gus Van
Sant (Marsilio, 2011), Fuori quadro (co.eds. with Elio Grazioli and Sara Damiani;
Aracne, 2013), Bodies of Stone. Suspended Animations in the Media, Visual Cultu-
re and the Arts (co-eds. with Alessandra Violi, Andrea Pinotti and Pietro Conte;
Amsterdam University Press, forthcoming).
                                    Cinéma & Cie


Micaela Latini is Assistant Professor of German Literature at Cassino University,
Italy. She has written a monograph on Ernst Bloch (Il Possibile e il marginale,
2005) and, more recently, two books on Thomas Bernhard (La pagina bianca,
2010 and Il museo degli errori, 2011), to be published in German (K&N). She
is also co-editor of Dieci anni di estetica tedesca. Una bibliografia ragionata (with
A. Campo), of a book on Günther Anders L’uomo e la (sua) fine (with A. Mecca-
riello, 2014) and of Gli intellettuali e la Guerra. Un abbecedario (with G. Guerra,
2016). She has also edited a new edition of The Man without Qualities by Robert
Musil (trans. I. Castiglia, 2014), an anthology of E. Bloch’s essays (Ornamenti,
2012) and a new edition of Burning Conscience by Günther Anders (L’ultima vit-
tima di Hiroshima, 2016).

Barbara Le Maître is Professor in Film Studies at Paris Ouest Nanterre Univer-
sity. She has published Entre film et photographie. Essai sur l’empreinte (PUV,
2004), Zombie, une fable anthropologique (PUPO, 2015) and co-edited Preserv-
ing and Exhibiting Media Art: Challenges and Perspectives (with Julia Noorde-
graaf, Cosetta Saba and Vinzenz Hediger, AUP, 2013), Cinéma muséum. Le mu-
sée d’après le cinéma (with Jennifer Verraes, PUV, 2013) and Tout ce que le ciel
permet en cinéma, photographie, peinture et vidéo (with Bruno Nassim Aboudrar,
PSN, 2015). Her current research deals with: cinema and museology; the figure
of the living dead; the relations between films and fossils.

Elena Marcheschi, PhD in Visual and Performing Arts, is Adjunct Professor in
Art and Multimedia at the University of Pisa. She’s the author of Videoestetiche
dell’emergenza. L’immagine della crisi nella sperimentazione audiovisiva (2015),
Sguardi eccentrici. Il fantastico nelle arti elettroniche (2012) and co-editor of I
film in tasca. Videofonino, cinema e televisione (2009, with M. Ambrosini and
G. Maina). She has published articles and essays about new media, video art
and experimental cinema. Her research also pays particular attention to women’s
production and self-media. Curator of videoinstallations exhibitions, she’s also
in the staff of INVIDEO – International Exhibition of Video and Cinema Be-
yond (Milan, Italy).

Marc-Emmanuel Mélon is Professor at the University of Liège, where he tea-
ches history and aesthetics of photography, cinema, video and visual arts in an
overall perspective of cultural history of the production of meaning. His current
research deals with early photography (in particular its non-artistic uses), the
photographic discourse, the aesthetics of deep focus (from trompe l’oeil to 3D),
visual allegory, and non-fiction film in Belgium.

Ágnes Pethő is Professor at the Sapientia Hungarian University of Transylvania
in Cluj-Napoca (Romania) where she is currently head of the Department of
Film, Photography, and Media as well as the executive editor of the journal Acta
Universitatis Sapientiae: Film and Media Studies. She is the author of Cinema and

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Intermediality. The Passion for the In-Between (2011), the editor of the volumes:
Film in the Post-Media Age (2012), The Cinema of Sensations (2015). She has also
published several essays about the relationship of painting, photography and
film and the aesthetic of the tableau vivant in cinema (e.g. in the 2014 Winter
issue of Screen, in the volume on Photofilmic Images in Contemporary Art and
Visual Culture edited by Alexander Streitberger, Brianne Caitlin Cohen, Leuven
University Press, 2015).

Francesca Scotto Lavina is a PhD candidate in Film and New Media Studies at La
Sapienza, University of Rome. Her research addresses spectators’ emotion in film
experience through an interdisciplinary approach, because of her background
in Biosciences and Media Studies with a focus on cinema. She has published
cinema essays in academic journals (Fata Morgana, Bianco e Nero), films and
books reviews. She took part in International congresses and workshops, such as
9th NECS congress; she also organized 12th NECS graduate workshop.




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