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Cinéma & Cie. Film and Media Studies Journal
List of Contributors / Liste des collaborateurs
Text.Serial.Journal
https://riviste.unimi.it/index.php/cinemaetcie
3
Contributors / Collaborators
2003-10-01
2022-12-03
2003-10-01
2024-02-14
Cinéma & Cie
2003/10/01
2036-461X
3
en
List of Contributors / Liste des collaborateurs
https://riviste.unimi.it/index.php/cinemaetcie/article/download/19234/17076
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LIST OF CONTRIBUTORS / LISTE DES COLLABORATEURS




  IAN CHRISTIE is Anniversary Professor at the School of History of Art, Film and Visual
Media, Birkbeck College, University of London. He is the author of, among others, The
Last Machine: Early Cinema and the Birth of the Modern World (1994) and Arrows of
Desire: the films of Michael Powell and Emeric Pressburger (1994). Currently, he is
working on a biographical study of Robert Paul for the University of Chicago Press.

 SCOTT CURTIS is an Assistant Professor at Northwestern University, Illinois, and for-
merly the Research Archivist at the Margaret Herrick Library of the AMPAS in Los
Angeles, California. His publications have appeared in The Tenth Muse: Cinema and
Other Arts/La decima musa: il cinema e le altre arti (2001), and Alfred Hitchcock’s Rear
Window (2000).

  ANGELA DALLE VACCHE teaches Film Studies in the department of Literature, Culture
and Communication at the Georgia Institute of Technology, Atlanta. She is the author
of The Body in the Mirror: Shapes of History in Italian Cinema (1992), Cinema and
Painting: How Art is Used in Film (1996) and two forthcoming books: The Silent Sex:
The Diva in Early Italian Cinema (1900-1919), and The Visual Turn: Classical Film
Theory and Art History.

  MICHÈLE LAGNY is a Professor in the Department of Cultural Mediation at Université
Sorbonne Nouvelle-Paris III, and a member of the review board for the Cinémathèque
Française. Her most recent books include Luchino Visconti (2002), and De l’historie du
cinéma: Méthode historique et histoire du cinéma (1992).

  ROSANNA MAULE is an Assistant Professor of Film Studies at the Mel Hoppenheim
School of Cinema, Concordia University, Montreal. Her publications have appeared in
Postmodernism in the Cinema (1998), Film and its Multiples/ Il film e i suoi multipli
(2003), Iris, Post-Script, and she is contributing to a forthcoming anthology on Luc
Besson (2004).

  VIVA PACI is an instructor of Literature and Cinema in the Department of Comparative
Literature at the Université de Montréal. Her publications have appeared in Cinema &
Cie, CiNéMAS, and Cineforum. She is currently completing her Ph.D. at the Université
de Montréal, and is the author of Il Cinema di Chris Marker (forthcoming).

  MATTHEW SOLOMON is an Assistant Professor of Cinema Studies in the Department of

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Media Culture at the College of Staten Island. His publications have appeared in the
Quarterly Review of Film and Video, Meta-Morphing: Visual Transformation and the
Culture of Quick-Change (2000), and Authorship and Film (2003).

  GWENDOLYN WALTZ is an Independent Scholar. She obtained her Ph.D. from Tufts
University, Massachusetts. Her publications have appeared in The Tenth Muse: Cinema
and Other Arts/La decima musa: il cinema e le altre arti (2001), and Theatre Journal.
Currently, she is training as a Videographer.




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