text:
> de scusa, ma č vero. Se l'avevi letto su Hop Magazine era ovvio che era
una
> cazzata. E cmq forse lo č sul serio, visto che non ne ha parlato
> nessun'altro ed una notizia del genere avrebbe fatto scalporissimo
l'espresso della settimana scorsa. si chiama "scuola e politica, il telefono
spia".
e' una cazzata?
perche' avrebbe dovuto fare scalporissimo? chi avrebbe dovuto parlarne?
le iene, chiambretti, striscia la notizia, blob?
sono gli unici questi 4 (anzi escludiamo striscia) che potrebbero parlarne.
non ne hanno parlato.


title: ot: numero per denunciare chi e' contro il governo

author: Tour

text:
>l'espresso della settimana scorsa.
Confermo letto pure io!
--------------------------------
Inviato via
http://usenet.iol.it


author: Free

text:
> hehehe ne ha appena parlato Coppola su Brand:new di questa storia, lui
> dice di averlo letto su L'unità.
che cosa gli da cosa?
insomma Coppola e' abbastanza per essere credibile (lo stimo molto)
oppure L'unita' e' troppo per poterci credere?


title: Sala prove/studio registrazione [Roma]

author: Nina

text:
Ciao,
se qualcuno a Roma vuole sapere dov'è una sala prove/studio di registrazione
ben attrezzata, economica e spaziosa, e che sta organizzando attività
gratuite x gruppi emergenti, mi mandi 1 mail ke glielo dico! Ciao!
Nina
--------------------------------
Inviato via
http://arianna.libero.it/usenet/


title: BUon NaTaLe E fELiCe Anno NuoVo

author: kboard

text: scusate la banalità, sono un abitudinario


title: BUon NaTaLe E fELiCe Anno NuoVo

author: anteo

text:
kboard wrote:
> scusate la banalità, sono un abitudinario
droppiauguri
altrettanto
ciao anteo


title: BUon NaTaLe E fELiCe Anno NuoVo

author: James Cagney aka James Cagney

text:
On Mon, 23 Dec 2002 11:14:04 +0100, kboard <
kbo...@hifi.org
> wrote:
>scusate la banalità, sono un abitudinario
altrettanti aguri a te e famiglia e a tutti i quipresenti.


title: BUon NaTaLe E fELiCe Anno NuoVo

author: "Chris ReDfielD"

text:
"kboard" <
kbo...@hifi.org
> ha scritto nel messaggio
news:vcod0vk9fik6be4k4...@4ax.com...
> scusate la banalità, sono un abitudinario
buon natale anche a te e tutti !
Paggio


title: BUon NaTaLe E fELiCe Anno NuoVo

author: kohai

text:
On Mon, 23 Dec 2002 11:14:04 +0100, kboard <
kbo...@hifi.org
> wrote:
>scusate la banalità, sono un abitudinario
massì va. Auguri a tutti.
whatever she says then i'm that
kohai
"sharpness is a state of mind"


title: BUon NaTaLe E fELiCe Anno NuoVo

text:
"kboard" <
kbo...@hifi.org
> ha scritto nel messaggio :
> scusate la banalità, sono un abitudinario
a lei e famiglia
ci si vede a gennaio :)
The V


title: Rullino le trombe e squillino i tamburi...

author: Fabrizio

text:
Ho sempre sognato dire questa frase...
A parte gli scherzi, FORSE sono riuscito a resuscitare... be' speriamo
bene...
per precauzione non fatemi vedere la luce e non postate aglio sul
newsgroup...
--
Free (NKV)
NKV CREW =
http://nkv.iscool.net
Homepage =
http://www.geocities.com/sunsetstrip/disco/5507/
Indiå sempre nel cuore e nella mente... @-->->----


author: Funk Gorilla

text:
Ben tornato bel fusto lucidino ed insaponato che prende il solleone sulle
coste di una liguria dominata dalle scorie radioattive e dagli incidenti
mortali causati dagli squali, tu, re e padrone assoluto dei segreti della
potentissima focaccia ligure (bassa e unta), ministro nazionale del vinello,
prode legionario e membro dell'esercito di liberazione della patata,
campione del mondo di coito fugace (10 secondi netti, una pallottola!),
ignaro vettore di sani principi autodistruttivi....bentornato :-)
FUNK BARILLA
--
  /===================\
    Cattiverie di 'sta Minchia
  \===================/


text:
Funk Gorilla ha scritto nel messaggio
<7l25ar$g3e$
5...@fe1.cs.interbusiness.it
>...
>FUNK BARILLA
Perché non FUNK TRIVELLA?



author: Pollakòs

text:
E FUNK PADELLA NO?
Peace, Pollakò
Free <
fabr...@village.it
> wrote in message 36ff9...@news.megasys.it...



author: U f. i c.

text:
On Thu, 24 Jun 1999 20:07:39 +0200, "Fabrizio" <
fabr...@village.it
>
wrote:
>Ho sempre sognato dire questa frase...
Io preferisco: "Rollino le canne, trombino le squillo" :-)))
Ps: Bentornato!
--
Marco "U f. i c." Carnazzo -
http://come.to/ufic/
 (under construction)
"L'ottimista pensa che questo sia il migliore dei mondi possibili. Il pessimista sa che e' vero" (J. R. Oppenheimer)


text:
U f. i c. ha scritto nel messaggio <
37764690...@news.tin.it
>...
>>Ho sempre sognato dire questa frase...
>Io preferisco: "Rollino le canne, trombino le squillo" :-)))
Rollino le trombe, trombino le squillo...
si mi piace... :O))
>Ps: Bentornato!
Grazie!



author: Livio "SLI" Caponi

text:
Fabrizio <
fabr...@village.it
> wrote in message
36fd3...@news.megasys.it...
> Ho sempre sognato dire questa frase...
> A parte gli scherzi, FORSE sono riuscito a resuscitare... be' speriamo
> bene...
> per precauzione non fatemi vedere la luce e non postate aglio sul
> newsgroup...
Neanche il tempo di salutarti "ufficialmente" sul NG e gia' sei partito...
cmq. vedrai che ci vengo a trovarti e a liberarti della tua solitudine. (ti
ho appena telefonato... sperio di poterti venire a prelevare per il
Piotta...)
--
by by
bye SLI (@
mindless.com
)
--------------------------
NKV -
http://nkv.iscool.net
--------------------------
visita il mio sito di Balle Spaziali:
http://ballespaziali.isfun.net
www.geocities.com/hollywood/picture/1467
--------------------------
ICQ UIN 18228970
--------------------------


text:
U f. i c. <
carn...@iname.com
> wrote in message
37764690...@news.tin.it...
> On Thu, 24 Jun 1999 20:07:39 +0200, "Fabrizio" <
fabr...@village.it
>
> wrote:
>
> >Ho sempre sognato dire questa frase...
> Io preferisco: "Rollino le canne, trombino le squillo" :-)))
 ahahahahah veramente rotflosa !!!



title: demaremmizzazione di Shadow

author: damir

text:
Forse in effetti la Maremma ha una sua intrinseca nobiltà e senso di
esclusività.
Per questo, e per altri motivi, la data unica italiana di Dj Shadow si
sposta a Rimini, al Velvet. La data è sempre il 18 agosto.
L'abile diggei californiano verrà anche con un percussionista e una
vocalist, e sarà l'apice di una lunga giornata dedicata ai breakbeat (fra
gli altri, ci sarà anche il sound system di Agatha e il live di Miele).
Altre info prossimamente.


title: demaremmizzazione di Shadow

text:
On Mon, 08 Jul 2002 10:14:13 GMT, "damir" <
b...@nonso.com
> wrote:
>gli altri, ci sarà anche il sound system di Agatha
Quella dei Tumitradisci?


title: demaremmizzazione di Shadow

text:
On Mon, 08 Jul 2002 10:14:13 GMT, "damir" <
b...@nonso.com
> wrote:
>Per questo, e per altri motivi, la data unica italiana di Dj Shadow si
>sposta a Rimini, al Velvet. La data è sempre il 18 agosto.
Io ci andrei. chi ci va di voi? a parte Damir ecco, intendo gente
simpatica
kohai
"sharpness is a state of mind"


title: demaremmizzazione di Shadow

author: Maru

text:

Che dispiacere immenso mi dai.
Già avevo visto il film e l'avevo anche riportato alla videoteca.
Vorrà dire che invece di metterci 15 minuti ci metteremo quelle 4-5
ore che è da tanto tempo che non mi faccio per un concerto.
Per chiunque invece, in quel periodo volesse farsi ugualmente un
giretto in Maremma, il 25 di Agosto(probabilmente) ci sarà un live di
Anteo con DJ Zboong.
Mica Merda!!!
Maru


title: demaremmizzazione di Shadow

author: Pier Paolo Bertelli

text:
Maru wrote:
> Per chiunque invece, in quel periodo volesse farsi ugualmente un
> giretto in Maremma, il 25 di Agosto(probabilmente) ci sarà un live di
> Anteo con DJ Zboong.
almeno ci si diverte di piu' che con diggei sciadou
--
PPB
Val Di Cornia Love, il teaser su
http://www.penisenlargement.it/love


title: poi dicono...

text:
le lolite...
guardate popstar. arf arf!! ^_^


title: poi dicono...

author: doc kohai

text:
"Free" <
free...@libero.it
> ha scritto nel messaggio
news:WPcn6.33881$Y93.8...@news.infostrada.it...
> le lolite...
> guardate popstar. arf arf!! ^_^
>
dopo dai a me del tamarro...
"let's go for a little ride"
lo sapevi che tenere i finestrini aperti fa perdere almeno un paio di cv ?
e lo stesso il climatizzatore...
kohai
"i'm listening"


title: poi dicono...

text:
> dopo dai a me del tamarro...
:))
> lo sapevi che tenere i finestrini aperti fa perdere almeno un paio di cv ?
> e lo stesso il climatizzatore...
si si, lo sapevo.
m'hanno fatto una testa cosi' i miei amici. piu' grossa di quanto gia' non
ce l'abbia.
il problema e' che loro hanno una cinquecento e una seicento rispettivamente
soleil verdepisello e sporting non so che cazzo.
io ho una y10 e mi va piu' che bene, tanto io detesto guidare. perdipiu' le
poche volte che ho guidato ho fatto incidenti :)
free


title: 2 0 0 0 -._.-> O.t.

author: Fre

text:
Bella! Ciao a tutti i ragazzi buon 2000 a tutti!!! Buona capottata, buona
scopata ecc... fumo quaglia cartina filtro....
Fr3^ NaKe M3m0 in dopa!!!
  - Passa lo sporro.. -


title: MI5 Persecution: C4 SnowMail - January/2001 (4454)

text:
C4 SnowMail - January/2001
Certainty level: 50%
In January 2001 I signed up for Channel 4 TV News's email service SnowMail, under an anonymous email address.
Quite soon Jon Snow and others started getting at me in the SnowMail bulletins, so I promptly unsubscribed.
Here are three distributed messages which may be intended to be against me; I have given these items a joint
probability of 50% only, since it is quite difficult to be sure these are against me, although I think they
may well be.
First item is from 5 January 2001. "Back passage contacts" might genuinely be about Labour were communicating
in a shielded way with ITN; but it may be about Snow's covert communications with me on his programme and in
this bulletin; and it's a slightly strange thing for him to say, it suggests the human body's back passage.
"I wish they'd come and talk on our website".... Snow knows I'm subscribed to his mailing list, and he may be
encouraging me to talk to him by email; again, if that comment were genuinely about Labour, then it would be
a strange thing to say, since the politicians talk to Snow by phone and on his programme, so they wouldn't talk
to him by email; my suspicion at the time is that he was trying to persuade me to talk to him by email,
so he could decently lie that my thoughts of reference were incorrect.
From: "Snow C4N, Jon"
Subject: Channel 4 News briefing
Date: Fri, 5 Jan 2001 17:15:06 -0000
MIME-Version: 1.0
January 5, 2000
Good afternoon dear viewer,
Well the 'snowmail' drew a little ire from Labour HQ yesterday. A sensitive call at 6.35pm from my friendly
mentor there sought to correct the impression I gave in yesterday's missive that in some way Labour was bounced
into naming these latest millionaire donors. Well I'm afraid they were...rest assured Paul Hamlyn would not have
been named without the diligent sleuthing of my colleagues, and had HE not been named neither would these latest two.
The only serious inaccuracy I must plead to was the promise that we would put these matters to a 'senior Labour
person'...alas none was forthcoming...I shall make no such rash promise again. My same mentor was on the phone again
during last night's Channel 4 News urging us to 'get some reality into the programme'. I fear we may have touched a
sensitive nerve...and the election campaign has not even started, or has it? I shall try to keep you posted with these
'back passage contacts' as the campaign unfolds..from all sides. I do wish they'd come and talk things over with all
of us on the web site...here's an open invitation...
So to today:
Harold Shipman murdered as many as 250 people it now turns out. But he is never to be tried and relatives who seek
closure to their uncertainties will never reap satisfaction..we have the DPP, the Chief Medical Officer and a solicitor
for aggrieved and bereaved families on the programme..the world's second-worst mass murderer..can he be allowed to
escape further action?
Sending private/sexy emails in company time gets workers the sack..Big Brother spies on office premises..is electronic
life in the work place getting out of hand? We explore what we can...and if you are not sure what you can and can't
send, our site spells out the legal dos and don'ts and gives you the chance to put your views to us.
The CIA publishes its risk assessment for the world in the coming years..beyond the CIA itself, what's the biggest
threat to life and liberty? Find out on Channel 4 News..and a major encounter with a man expected to take a top job
in the Bush administration...
And a sumptuous piece from Nicholas Glass in Valencia..a city transformed by a brilliant young architect for half
the price of what the Dome cost us.
Lots moving, see you at 7.00,best as ever,
Jon Snow
The next contact was on 11 January, with the unsubtle words "the lunatics have taken over the newsroom"
from Krishnan GM. The phrase needs no explanation as to why it might be a dig at me.
From: "Guru-Murthy C4N, Krishnan"
Subject: Channel 4 News briefing
Date: Thu, 11 Jan 2001 16:56:25 -0000
MIME-Version: 1.0
January 11, 2001
Good Afternoon. Jon's away so the lunatics have taken over the newsroom. I am joined by Samira for tonight's show.
The Depleted Uranium confusion deepens. What did Ministers and senior officers know about the risks to soldiers?
What did they tell others? And why the lack of candour over the recent documents that have surfaced? Having
dismissed the army report leaked yesterday warning of the dangers of exposure to DU as written by a trainee and
littered with mistakes, the Ministry of Defence now accepts it was written by an experienced officer.
But they won't say who. More awkwardly it emerges that senior officers decided a month after it was written that
the report should be circulated to all personnel likely to come into contact with DU. But was it? Nobody seems to
know. Our Science Correspondent Andrew Veitch has also visited the lab in Oxford that could begin testing
veterans for Depleted Uranium within six months, but they have had no contact from the government as yet. From
the Tories, Mr Duncan Smith is likely to join us. And we have Defence Secretary Hoon coming into the studio to
answer the obvious (and not so obvious) questions.
No interest rate cut today from the Bank of England, but could it be next month? As real fears are raised about
the likelihood of recession in the US how could it affect us over here? There's been a recent consensus that
Britain could weather the storm instead of falling into the usual pattern of shadowing American trends. But how
realistic is that? And what about all that inward investment we rely on from the States? Liam Halligan has been
looking at just what impact economic downturn across the water would have on us.
The former Bosnian Serb President Biljana Plavsic pleaded not guilty to charges of warcrimes including genocide
today. She was number two to Karazdic and a reputed hardliner during the "ethnic cleansing" of Bosnia.
But has a deal been done on her sentence if found guilty? Just why did she get on a plane and give herself up
to the Hague War Crimes Tribunal? Nobody seems to have any explanation. Her lawyers are asking for special
accommodation and even the possibility of bail. Gaby Rado is there and joining us live is the first Prosecutor
in the Hague Judge Goldstone to discuss whether plea bargains and deals are the only way to get the real villains.
Also the astonishing news that scientists in America have bred the first genetically engineered monkey. What will
they be used for and what's the next step? Does anybody really believe they won't do it to humans before too
long? Julian Rush will have details.
All that and loads more at seven. See you then, I hope. Krishnan.
The third and final item is from 24 January, shortly after which I unsubscribed from SnowMail. Again, it is difficult
to be sure if this item refers to me; it may do, it may not do, 50% captures the possibility. Snow refers to
"third leg of [Blair's] political footstool". In English culture "third leg" indicates one's male member;
Snow's phrase may be a sexual reference, of which there were others around that time.
From: "Snow C4N, Jon"
Subject: Channel 4 News briefing
Date: Wed, 24 Jan 2001 16:37:36 -0000
MIME-Version: 1.0
January 24, 2001
Good evening dear Channel 4 News viewer,
There are times in this business when you suffer severe attacks of deja vu...haven't I already said "Mandelson
Resigns!"...I'm afraid I have, and tonight I shall say it again. He's gone, the fat lady has not only sung but
died completely and utterly on his career...that is the end of the former Northern Ireland Secretary's political career.
It's a body blow against Blair for whom Mandelson was a mentor, manipulator, calculator, friend, brother and the
third leg of his political footstool.
It's a body blow for a Prime Minister who has had to have him resign not once but twice. It calls into question
Tony Blair's judgement. Mandy, probably one of the most brilliant spirits in politics, flew too close to the
sun...suffering finally at the hand of his own diabolical flaw.
Amazingly it's a flaw Blair understood more keenly than anyone...
And then there are the Hindujas who have compromised every political party with ridiculous photographed party
poses..who are they and how do they work?
Masses moving on all fronts on this story tonight. We have the resignation speech in full on our site
www.channel4.com/news
;
if you want to see how Mandelson bowed out.
There are other developments:
The cancer tragedy at Nottingham Queens medical centre..the wrong drug going into the spinal column of an eighteen-year-old
Leukemia victim who's now in intensive care, dangerously ill...it's happened before..why has it happened again?
And a moving interview with Sharon Sage who's mother Lorna Sage wrote a spell binding memoir highly rated in last night's
Whitbread Prize. An exceptional piece....
A highly political night....see you at seven on four...best, as ever, Jon
After this email I unsubscribed from SnowMail. I could not be sure that these items were or were not about me,
but it's an unpleasant feeling that Mr Snow might be getting at me in writing, as he certainly was when he watched
me while presenting the news; so I cut my losses, so to speak, and bailed out.
4454
--
Posted via NewsDemon.com - Premium Uncensored Newsgroup Service
      ------->>>>>>
http://www.NewsDemon.com
<<<<<<------
Unlimited Access, Anonymous Accounts, Uncensored Broadband Access


title: P.S. Mom and Dad this is Chasey...

author: Tyler Durden

text:
Lunedi sera 28 Febbraio i mitici Bloodhound Gang erano a Mi
al Binario Zero , io e il Gyra eravamo a vederli ! Uno spettacolo !!
Enormi !!
C'erano solo pochi eletti ma i BHG hanno tirato fuori il meglio (edil
peggio!!) di loro,Jimmy Pop ha fatto il giocoliere,ha imitato una sega,
ha ballato con il pubblico dal pubblico e mi ha anke toccato la pancina
(chiunque altro d sesso maschile l'avrei preso a pugni) e mille altre cose
ke circa 200 persone provenienti da tutta Italia hanno visto e a quelli che
non
c'erano dico solo ..Poveretti!!!!
Oltre alle loro bellissime canzoni hanno fatto in distortedversion MRVAIN
dei CULTUREBEAT e BOOMBOOM dei VENGABOYS e Q-Ball ha
fatto fra gli interludi SMACKMYBITCHUP,NOSCRUBS e DU HAST!!!!
P.S. Mi sono innamorato della ragazza che si e' tolta la maglietta facendo
vedere il reggiseno a Jimmy e a tutti noi ....Chi 6? DoveAbiti?Anni?
AIUTATEMI A SCOPRIRLO!!!!!!!!!!!!


title: BRUSCO RAGGAE!!!!!!!!!!!!!!

author: Free

text:
Beenie Man - Heights of Great Men
Brusco - Se vola
parlano anche di volo entrambi. :))
ma come mi piacciono sti due pezzi!!!


title: BRUSCO RAGGAE!!!!!!!!!!!!!!

author: Indo

text:


Brusco spacca! è
proprio diventato potente... c'ha sto stile un pò capleton...
Se vola!!!!
INDO
--------------------------------
Inviato via
http://usenet.iol.it


title: BRUSCO RAGGAE!!!!!!!!!!!!!!

text:
On Thu, 18 Jan 2001 20:45:04 GMT, "Free" <
free...@libero.it
> wrote:
>Beenie Man - Heights of Great Men
>Brusco - Se vola
Assurdo. A me 'sto messaggio e' arrivato solo oggi. Mah...
Cmq... grande Beenie, grande Brusco... e grande anche Free i cui gusti
musicali condivido spesso e volentieri.
--
Uuuhnananafic


title: BRUSCO RAGGAE!!!!!!!!!!!!!!

text:
> Cmq... grande Beenie, grande Brusco... e grande anche Free i cui gusti
> musicali condivido spesso e volentieri.
hai sentito le due canzoni? sono uguali uguali! (puo essere che sono
parenti?)
grazie del complimerda... :)
io cmq per colpa di voi bastardi del ng sto allargando i miei gusti
musicali. :)
free che vive sempre insieme ai suoi capelli


title: I Public Enemy imitano gli Area!!!

text:
Non ci posso credere!!!
Ho comprato in francia "Greatest misses" e sto ascoltando proprio in
questo momento "Party for your right to fight".
Ascoltatevi la chitarra iniziale e poi cercate la vecchia versione de
"L'internazionale" degli Area!
--
Marco "U f. i c." Carnazzo -
http://members.xoom.com/mcarnazzo/
COMUNICAZIONE DI SERVIZIO: Tra una settimana circa dovrebbero terminare i miei problemi con il net, fra un mese circa quelli con la scuola :-)))


title: I Public Enemy imitano gli Area!!!

author: Gat

text:
di certo hanno usato lo stesso campione... ma non credo che i public enemy
si sbattano tanto per copiare i cronici...
ghghghgh
--
Ciao!!!
Gat
(aka Zeyto)
  ЉКАЈЈАКЉКАЈЈАКЉКАЈЈАКЉКАЈЈАКЉКАЈЈАКЉ

http://members.xoom.it/Gat
ЈЈАКЉoП,,ПoЉКАЈЈАКЉКАЈЈАКЉoП,,ПoЉКАЈЈ
             Le mele marce in terra
                  lasciale marcire
               non farti avvelenare
              da chi non sa capire.
             - Piotta - "Ciao Ciao" -
ЉКАЈЈАКЉКАЈЈАКЉoП,,ПoЉКАЈЈАКЉКАЈЈАКЉ


title: I Public Enemy imitano gli Area!!!

text:
U f. i c. <
carn...@iname.com
> wrote in message
> Ho comprato in francia "Greatest misses" e sto ascoltando proprio in
> questo momento "Party for your right to fight".
> Ascoltatevi la chitarra iniziale e poi cercate la vecchia versione de
> "L'internazionale" degli Area!
scusa...ma greatest misses è veramente vecchio...io ho la cassetta da degli
anni...quando l'hai comprato?
PINNA
/===================\
    Cattiverie di 'sta Minchia
  \===================/


title: I Public Enemy imitano gli Area!!!

text:
carn...@iname.com
 (U f. i c.) wrote:
> Non ci posso credere!!!
>
> Ho comprato in francia "Greatest misses" e sto ascoltando proprio in
> questo momento "Party for your right to fight".
> Ascoltatevi la chitarra iniziale e poi cercate la vecchia versione de
> "L'internazionale" degli Area!
xche' invece i simpatici offspring, che fanno i punk e poi in "pretty fly"
fotocopiano proprio Fight 4 YerRight (copiando perfino la predica genitoriale
all'inizio); e nel pezzo dopo perfino ObladiOblada'?
e la base di AmorDeMiVida, *sorprendente ripresa di quegli anni80 che tutti
abbiamo amato, copiata "paroparo" da un pezzo di JazzeTha?
mah....
-----------== Posted via Deja News, The Discussion Network ==----------
http://www.dejanews.com/
       Search, Read, Discuss, or Start Your Own


title: I Public Enemy imitano gli Area!!!

text:
In article <
372dae9b...@news.iol.it
>,

carn...@iname.com
 (U f. i c.) wrote:
> Non ci posso credere!!!
>
> Ho comprato in francia "Greatest misses" e sto ascoltando proprio in
> questo momento "Party for your right to fight".
> Ascoltatevi la chitarra iniziale e poi cercate la vecchia versione de
> "L'internazionale" degli Area!
adesso faccio una di quelle domande tipo
"cagonaccia ke se la tira...
pur se non ne capisce un kazzo... percke' quando si parla di Area
l'ignoranza domina incontrastata"
ma gli Area, intendi quelli di Stratos/ Tavolazzi... o degli altri?
CITROsodiNA
(che si e' appena guardagnata una dozzina di Killfile(s))



title: I Public Enemy imitano gli Area!!!

text:
citro...@hotmail.com
 ha scritto nel messaggio
<7gmfa2$qq7$
1...@nnrp1.dejanews.com
>...
>> Ascoltatevi la chitarra iniziale e poi cercate la vecchia versione de
>> "L'internazionale" degli Area!
Area cosa? Area Cronica?
--
Free (NKV)
NKV CREW =
http://nkv.iscool.net
Homepage =
http://www.geocities.com/sunsetstrip/disco/5507/
Indiå sempre nel cuore e nella mente... @-->->----


title: MA ANCORA CON SAN REMO???

text:
CERTO RAGA CHE UN PO ROMPE STO SAN REMO!!!NON SI FA ALTRO CHE PARLARE,DIRE E
RIDIRE I STESSI CONCETTI,PRINCIPI E AFFERMAZZIONI DI MERDA SUL FATTO CHE
L'ITALIA HA DATO UN IMPRESSIONE BUONA A EMINEM!!!TUTTI CONVINTI!!!LI VEDI
TUTTI RIUNITI SUI CANALI RAI CONVINTI CHE LORO ASCOLTANO E SUONANO O +
SEMPLICEMENTE SANNO COS'E' LA MUSICA VERA.VEDETE PAPI!!!RIDOTTO COME UN
PINGUINO.PER NON DIRE DEI PARTECIPANTI CHE LASCIANO  LA FRASETTA DI
PRESENTAZZIONE DEL PEZZO ALLA CARRA' DA DIRE ALL'USCITA DEL GRUPPO.A ME IL
FESTIVAL FA + RIDERE DI "SALOON" IL PROGARMMA DI PIPPO FRANCO.NON VEDO L'ORA
CHE ARRIVI LA SERATA FINALE.SAPETE LE RISATE CHE MI FACCIO?!MAGARI CON UN
JOINT DA ACCOMPAGNAMENTO,COSI' POI DIRANNO CHE GIORGIA MI HA FATTO FUMARE
TROPPO CIOCCOLATO,E METTERANNO GLI ADVISORY ANCHE QUI IN ITALIA
HIHHIHIHI!!!!!!!!!!!!!
COMU STAMU BRUTTI!!!!!!!!!E FUMATI!!!!!!!AIAIAIAII!!!!!!!!!
(STO SCHERZANDO ANCHE SE PENSO VERAMENTE LE COSE CHE HO SCRITTO)
"GnOmaN"


title: MA ANCORA CON SAN REMO???

text:
t3aconn <
t3a...@libero.it
> wrote in message
Slfn6.35670$Y93.1...@news.infostrada.it...
> CERTO RAGA CHE UN PO ROMPE STO SAN REMO!!!NON SI >CHE LASCIANO  LA
FRASETTA DI
> bla bla bla bla bla bla bla
> PRESENTAZZIONE DEL PEZZO ALLA CARRA' DA DIRE > >HIHHIHIHI!!!!!!!!!!!!!
> COMU STAMU BRUTTI!!!!!!!!!E FUMATI!!!!!!!AIAIAIAII!!!!!!!!!
> (STO SCHERZANDO ANCHE SE PENSO VERAMENTE LE COSE >CHE HO SCRITTO)
> "GnOmaN"
a parte tutti i bla bla bla
c'azzo te urli?
--
yoshe
inside my shell i wait and bleed


title: The Making of Only Built 4 Cuban Linx

author: fresh

text:
The Documentary:
Ten years ago, some men with rhymes changed the face of hip-hop music. In
the shadow of fellow Wu-Tan Clan stars Method Man and Ol' Dirty Bastard,
Raekwon and his lyrical accomplice, Ghostface Killah created Only Built 4
Cuban Linx... a criminology rap classic that hustlers worldwide relate to.
BUILDERS:
Raekwon the Chef a/k/a Lex Diamonds
RZA a/k/a Bobby Steels
Ghostface Killah a/k/a Tony Starks
Method Man a/k/a Johnny Blaze
Inspectah Deck a/k/a Rollie Fingers
Masta Killa a/k/a Noodles
GZA a/k/a Genius a/k/a Maximilian
U-God a/k/a Golden Arms a/k/a Lucky Hands
Cappadonna a/k/a Cappachino
Blue Raspberry, guest vocalist
Nas, guest rapper
INTRODUCTION TO 'THE PURPLE TAPE'
Hov and Kris can claim albums they've christened as blueprints. But if any
recording from rap's modern age has earned the title, it's Raekwon the
Chef's colossal Only Built 4 Cuban Linx... released on August 1, 1995,
behind solo efforts from Method Man and Ol' Dirty Bastard, the Chef's
showcase broke new ground, deviating from past Wu-Tang efforts, which
emphasized nimble verbal jousts, and bringing something completely
unexpected: a narrative - driven concept album that followed two ambitious
street hoods (Rae and in a star making perfomance, partner-in-rhyme
Ghostface Killah) along their rough road the riches. Cinematic in
structure, infused with Rae's personality and humor and Ghost's indelible
worldplay, and supporrted by some of Clan svengali RZA's finest production
work, Cuban Linx inspired hip-hop hustlers everywhere to chronicle their
own grimy paths to glory - from Jay-Z with Reasonable Doubt to 50 Cent with
Get Rich or Die Tryin'. ."I was straight up into a drug zone vibe," raekwon
recalls of making his autobiographical opus. "It was like a tablet of my
life, where I wanted to go, and all thihs shit I seen. We was just showing
niggas that we master all sides of the streets when it comes to trying to
get to the top." Although East Coast rap gangstas like Kool G. Rap and Mob
Style (the late 80's Harlem outfit that included Pretty Tone Capone a nd
famed crime lord the original AZ) had covered similar subject matter, Cuban
Linx's gritty vignettes elevated such storytelling to another level,
potraying a slice of underworld life where Five Percent Nation theology,
gangland robberies and recreational cocaine bumps commingled freely. The
album also kick started several trends withing the rap game. Cuban Linx was
the first instace of rappers adopting mafia-inspired aliases (Wu-Gambinos),
songs like "Incarcerated Scarfaces" and "Ice Cream", initiated slang like
"politic" and "butter-pecan Rican", into the hip-hop vernacular, and
Cristal became the bubbly of choice for the ghetto fabulous set, thanks to
Rae and co.'s endorsement in various song lyrics. Nothing, however was more
indicative of Raekwon's allegiance to the street soldier aesthetic than the
LP's intended full title, Only Built 4 Cuban Linx Niggaz - as much a
declaration of its musical potency as a forewarning to those not perpared
for the uncut raw contained within, (Eventually and understandibly, the
N-wordr was dropped). Rae also cosmetically distinguished his product from
those of other artists, insisting on a purple-tinted cassette and CD case
instead of a conventional clear version. "I wanted to potray an image that
if I was selling cracks or dimes in the street, you would recognize these
dimes from other niggas' dimes", he explains "recognize that I'm putting
myself in another class, where this might not reach everybody table, but
for the niggas who table it do reach, it's like, Yo, that's some hip hop
bible to the streets." Ultimately, this uncompromising approach remains
Cuban Linx's most enduring legacy. Raekwon and Ghostface would create their
own slang, devote skits to Wallabee Clarks, use entire dialogue passages
from their favorite films as interludes, and invite just one guest star to
their coming-out party (Nas), because they didn't give two shits about
fitting in with what other rappers were doing. As the duo spelled out on
the controversial skit "Shark Niggas (Biters)", the whole key was to "be
original". In this spirit, XXL alslo breaks form - from devoting our
expanded Classic Material tributes to groundbreaking works of the dearly
departed. On the 10-year anniversary of Only Built 4 Cuban Linx...'s
release, we spoke with Raekwon and his collaborators for their reflections
and insights on the creation of this hard-boiled hip-hop classic.
01: Striving For Perfection
RAEKWON: When we sat down and did "Striving for Perfection", we knew how
important the intro to an album is. We were comming in as young, scrambling
niggas. We had visions-- goals and dreams. And when we was saying certain
things, shit was relating to niggas' lives for real. But at the end of the
day, we was just trying to let it be known that, Yo, we gonna do this and
we ain't gonna stop. If we fall off, we fall off. But if we get on, this is
only the beginning. It was just something like, Yo, if this shit don't work
right there, gotta go another route. Probably gotta go get on some robbin'
some bank shit. Some ol' other shit. So, we felt like we was just striving
to get recognized in the game as those dudes that really repped the streets
hard. And basically let niggas know: We will be rich in the next year - I
guarantee you that.
RZA: The theme of the album is two guys that had enough of the negative
life and was ready to move on, but had one more sting to pull off. They're
tired of doing what they doing, but they're trying to make this last
quarter million. That's a lot of money in the streets. We gonna retire and
see our grandbabies and get our lives together. Being that Rae and Ghost
was two opposite guys as far as neighborhoods was concerned, I used John
Woo's The Killer. (In that movie) you got Chow Yun Fat (playing the role of
Ah Jong) and Danny Lee (Inspector Lee). They have to become partners to
work shit out. Mostly everything (of the spoken interludes) is from The
Killer on that album, that or personal talking. I met John Woo that same
year. He sent me a letter. He was honored that we did it. I felt confident
we could settle anything that came up. You can usually settle that shit.
It's part of the budget, man. But John Woo didn't want nothing, never no
money for that. We actually became friends. He took me and Ghost to lunch
and dinner many times. He gave me a lot of mentoring in film.
METHOD MAN: In RZA, you got a guy that watched karate flicks most of his
childhood. He has that type of mind; his imagination is crazy. So when he
put those (early Wu) albums together, he was like a kid in a candy store -
like, Now I can finally make my own karate movies. So when the solo albums
dropped, mine took up where Wu-Tang left off, so it was good for me to come
then. Dirty's still had the kung fu element, but it was more twisted; it
was like screwed music because it was seen through Dirty's eyes this time.
When Raekwon's album came, since he was on some mobster shit, that's how
the nigga structured his album. Every gangster movie he could find, every
quote - it's like the way he put that album together.
02: Knuckleheadz
RAEKWON: That's a track where we runnin' around. We doing what we do,
getting paper. We smackin' niggas up. The beat just had us feeling like,
Who the knucklehead wanting respect?! That was just one of them tracks
where we felt like we just got finished robbing a bank and we got hohme and
broke that money up. See this knucklehead nigga try to get slick with that
paper; "One for you, two for me". It's like "What are you stupid?
Tom-and-Jerryin' me, nigga?"
RZA: My idea was besides them rapping the verses, afte they talking all
this brotherhood shiht, they splitting the money up and he cheating them.
The idea is that U-God gets killed in "Knuckleheadz." It's like a movie.
One dies, two others go on. To me, the album is a movie and shit. You get
to hear U-God come in. After that song, I had to give Rae a few
back-to-back solo joints.
U-GOD: I was like two days out of prison. I just came out the penitentiary.
Id' just come home on Wu-Tang's debut album Enter the Wu-Tang, 36 Chambers,
too. I did two years in prison. I came home on paorle - work release right
before the first album was done. That's why I'm only on two songs on the
first album. Then I got violated. Knucklehead cats out in the world, you
know how we d o. So I got violated for another eight more months. Then I
came back home and got on Rae and Ghost's album. When I did my verse for
Knuckleheadz, it was a come up time, everybody trying to come up and get
into the game. I ain't get a chance to do my vocals over. When I did that,
I got locked up again.
03: Knowledge God
RAEKWON: Knowledge God was a serious story that I wrote. It's like I'm
sitting down and writing a letter, but it folded out into the crime scene
of what he was gonna do. I was talking about going to go hit up a real
nigga, a store owner like Mike Lavonia - them niggas that be having money
in the hood and they be trying to stay out of the way of the tough guys.
But at the same time, he still hold his ground because he got business out
here in these streets. He's thinking, I"m not gonna be intimidated by yall
young boys, but at the same time I know some of yall young boys might be
scheming. That's where that character came from. In them ealry '80's,
cocaine was a rich nigga high. So if you was doing that back in the day and
you had knowledge of self, you was a sharp nigga to us, cause that was the
sign of the times then. But nobody neve r said nothing about it. The
sniffing at the start of the song just happened. That was a part of the
take. When I did it, it wasn't like we knew that was gonna be ba part of
the track.... I just did it on some (makes sniffing sound). You know , a
nigga don't gotta yell to hear the mic. A nigga could do another sound to
hear the mic. So that happened to come out. I felt when I was sitting down
writing that drug pararphernalia rhyme, that I could've been a snigga on it
like that at that time. We could have really been getting skied up, going
to get this nigga after that. So, it matched perfectly. But that wasn't
like we was sniffin' coke in the studio or no shit.
04: Criminology
RZA: That was me trying to produce like a DJ, produce a breakbeat. Ghost
actually asked me to make one of those beats. You listen to old DJ tapes.
That's how I made that song, and he wanted hihs shit to sound like a
breakbeat. He had a rhyme that he knew was going to change the game - that
was the verse that got him recognized. Cypess Hill's DJ Muggs called up and
was like "Yo, he killed that shit. He ripped that shit" Form that point on,
he's the co-star. He wins Best Supporting Actor. Rae got nominated, maybe
won or didn't - but Ghost definetly wins.
GHOSTFACE KILLAH: I wrote that verse in San Francisco. We used to carry the
beat machine around a lot. We was out there a good two weeks, so RZA was
making beats all day. I heard that beat and I loved that track. The year
was '95. Hip hop was still hip hop, and we was going in. I don't know if I
was drunk when I wrote that, but I know when I went in the booth, I had a
battery in my back, fucking with the Ballantine Ale. I recorded a lot of my
shit on Ballantine.
05: Incarcerated Scarfaces:
RAEKWON: The way RZA had it poppin' back thenn, we would come into his
spot. It was like dudes would come in on their own time and create stuff. I
remember I just came in, and the beat was just pumpin'. I wrote the hook -
that was the first thing I did. I think one of my mans just got hit with
some heavy time around that time. I had a lot of niggas up there, too. So
it was like. Yo, this one gotta be for them niggas right here. This right
here will be just fo them niggas in jail. It won't be for nobody else. I
just wrote it out real quick. I did three verses on that, so Ghost didn't
have to come in and really do anything to it.
RZA: I wasn't making that beat for Rae. I was finished with Rae. I like
having 13 tracks. I don't like having 18. I was making it for GZA probably.
He was next. But then Rae heard that beat, grabbed his pen and paper, and
started writing. Two hours later, it was written.
06: Rainy Dayz
RAEKWON: When we wrote "Rainy Dayz", I think we was already out of the
country. We was in Barbados, by the water. Some joints we had the beats to
we went out of town with. And that one specifically, we wrote by the water.
Had that good villa right off the ocean and shit. Three, four in the
morning. wind is blowing, curtains is blowing, and we just really got a
chance to put it down. I think I wrote mine out there. We just basically
gave you some action on how niggas in the hood think. Like how a nigga lady
think - they don't act like they there to try to bring you back from doing
what you gotta do, but they try to get you caught up. We was like, This is
gonna be perfect for the struggling girl who can't understand her man and
he a thorough nigga. We wanted to put a girl from the movie in the skit, at
the start of the song, when she said "I sing for him and he isisn't here".
He ain't here, bitch , cause he makin' money! He trying to put some food on
the table.
RZA: This is one of my favorites, if not my favorite track. It stayed on
the grill for a long time. That's what we called it back then. I didn't
take a song off until I was satisfied. I generally like to do 'em, mix 'em,
put 'em away. This was too emotional and too real fo me, too close to my
personal situation. This was the life we was living, just talking and
rapping and hoping. Record royalties take too long to come. We had a
platinum album, but we waiting on the check to come fast, like babies
wanting they food.
BLUE RASPBERRY: I was on the microphone, singing thaht old song by Barbra
Streisand and Donna Summe (No More Tears (Enough is Enough)), that sings
"It's raining, it's pouring, my love life is boring me to tears." I was
just singing that, and so then RZA started playing a track. So that's where
"It's raining, he's changing" came from. That's the kind of mind state it
put me in. .I got a little stumped in middle, so it's like, "No sunlight,
more gunfights." When I said "No sunlight," RZA brought in the "More
gunfights" which brought me intno a whole other realm of the song, where I
could go ahead and complete it.
07: Guillotine (Swordz)
RAEKWON: To me, that was a "Symphony" track. Meth had a piece of that beat
on his album that was used as a skit. Cause that's how RZA is. Sometimes
he'd mix other shit in and give you a piece of something but not really act
like it's gonna be assigned to that. He'll see if somebody like it and use
it for filler or whatever. I had told RZA awhile ago after he did that.
"Yo, I want that beat." We was the first to be talking that Cristal shit. I
know that for a fact. I never even heard of Cristal before that. Back then
we would go do dinners and shit with Loud Record President Steve Rifkind
and them up at the label. And our mission would be like, when we sit at the
table, we want the best fuckin' wine they go in the building .We might have
asked for something else. We might have asked for some Mo or something and
they didn't have it. So we was like "What the fuck is the next best thing,
Steve?" And Steve's like "Give 'em the next best thing" They came out with
Cristal. Me and Ghost liked thhe bottle, and the name on the bottle was
Louie Roederer. I was like, I'm Lou Diamond, Louie Roederer. Me and Ghost
is loving how fruity the bottle looked. It cost more than the muthafuckin'
other , so we was like, Cristal, nigga! That's our new shit!
RZA: For that beat right there, a very open beat, not too heavy on
production. This is me trying to imitate the sound Isaac Hayes did on "Do
You Thing". That da-na-na...na-na, I found a way to imitate that shit. When
you plug the Yahama VL7 (keyboard) up to a MPC (sampler), because of the
note cutoff of the MPC, it cause the notes to stutter, cause it don't link
up perfect. I heard it and I could reproduce it, but only with those two
machines. I had the prototype from Yahama cause I didn't want nobody else
to get it.
GZA: I don't know why I onlyl got on one track. Maybe cause it was just a
Rae and Ghost album - it was featuring Ghost, and I think he was probably
pleased with me just getting on one. Just to fill in a slot.
08: Can It Be All So Simple (Remix)
RAEKWON: The remix came from when we used to do shows when Enter the
Wu-Tang dropped. Me and Ghost used to come out to that part of the beat in
the middle of the show. RZA did a little bit of magic to it and touched it
and twirled it, and Ghost basically was talking about how he got shot back
in the days when he was out of town. He started going into his story rhyme
shit. Back then a lot of niggas we knew was in and out of different states
and cities, andn you know shit could happen. So when he wrote, that I guess
he was going back to the time when he got popped: "Emergency trauma Black
teen headed for surgery." It was like he was just describing the moment.
09: Shark Niggas (Biters)
RAEKWON: It was one of them skits where we was looking at our competition.
And when Ghost is saying whatever he was saying, we kinda knew who he was
talking about, but it wasn't llike we trying to start a beef. It's just
sometimes, when you get in the boothh and you start saying what you wanna
say, it just happened. Back then we was feeling good. The liquor's mamking
a nigga feel stronger. We know we coming up with a good album. And we
letting it be known, listen : Blah blah blah blah blah. And that's all we
did.
RZA: This was the end of the first side. That's how we thought of it right
then. We was letting niggas know, we know what we was doing, knew what we
had in our hand. Don't sound like none of my crew. Eventually, niggas did
bite. If they would of have it in that year, they would have gotten fucked
up. We was enforcing, we was fucking niggas the fuck up. You grow up out of
your meanness. Hip hop had only one rule: no biting. We knew that everybody
was already jumping on it already. You had a few niggas trying to clone our
shit, already had a few fake Meth's popping up. Fuck that, we gonna see
you. At one point, a nigga would kill you if you sounded like them.
GHOSTFACE KILLAH: I didn't want niggas to sound like me. Basically, we was
just wilding, starting a lot of trouble. We was airing out at that time.
I'm not here to fuck around and start throwing out names. But at that time,
nigas knew what was going on and who niggas was talking about. You know how
Wu came through. At that time, it was on for anybody. We came into the
game, like Fuck everybody. Niggas can't touch this, whatever, whatever.
That was our mind-frame back then. We ran all that shit - jails, streets,
Brooklyn House, Rikers Island and Up North - Wu-Tang was what was up. So we
was just them two niggas bugging out off of that shit. God bless the dead,
I love BIG. He's a fucking icon. Even when I seen him out in Cali, I wanted
to tell son, Yo, let's go ahead and make this record together because I
matured through the years, and at the same time, I recognized good music.
We shook hands on some peace shit, but that was all, cause they was on
their way leaving out. A day or two later, niggas aired him out. I felt bad
like damn, the niggas aired out one of my New York niggas.
10: Ice Water
RAEKWON: Everybody knew Cap from the hood. We knew Cap could rhyme, and I
think he was getting hot at that time, too. Me and Ghost had already
dropped our part, so we needed hhim to come up there and do his thing. He
slid right in between, and he do what he do. Cappa knocked GZA out, and
knocked everybody else who had rhymed over that track out. He knocked
niggas out on the strength of the rhyme was phat; but also, when he said
certain names that was from the hood, everybody went crazy. So he kinda won
with a landslide. But GZA came sharp. So GZA felt robbed a little bit. He
had to go back home, "Whatever, yo." We even laugh about that shit to this
day. Like, a nigga robbed GZA. But Cap won. Funny shit.
RZA: On side A, you had U-God come on the sting with them. In my mind, in
the movie, he's killed already. Now there's a new nigga coming in, with a
whole new flow and shit. Cappadonna, he's hardly been to the basement. He
was in jail but he still sounded good, still had it in him. I let him know.
"You can pop in how Green Hornet did". And Big Un - he's in jail for life,
a thorough ass nigga, a real street nigga. We let him do the talking
between the second and third verses. He confirmed Ghost and Rae's
association from the streets. He was from Stapleton with Ghost... So he's
immortalized now. Music and film, it kkeeps you there forever.
INSPECTAH DECK: That's my shit. When I do shows, I come out and freestyle
to that. Niggas be going crazy. That beat is RZA on his weed high. I think
RZA smoked weed that day. Heh don't normally smoke. When we smoke, he don't
fuck with us. He might take a pull or two, then comes with that crazy shit.
U-GOD: Cappa did eight years in prison. Cappa came home. I'm the one that
came and got Cappa out of his bed when Rae and them niggas were recording.
He didn't even wanna come, cause he was bitter. When you in jail and you
come home and cats you grew up with his doing it withhout you, of course
you gonna feel bitter. I got him out his fuckin' bed, slapped off all that
bitterness and brung him down to the studio. Rae's carpet fell out. Cappa
taught me how to rhyme! I used to be his beatbox.
11: Glaciers of Ice
RAEKWON: The opening skit was something me and Ghost really wanted to
stress, because around that time we was really buying Clarks left and
right. We had bumped into a Chinese nigga who could dye shit. That was
Ghost's man. And we was just runnin' back and forth to that nigga every
time we was into shoes hard. We wanted to wear Clarks because the shits was
comfortable and nobody in the game was fuckin' with 'em. So you know, we'd
be going to dye shit, ,and that's where Ghost came up with the idea to
slice 'em. I was the solid-color nigga, he was the striped nigga. We
started coming up with different flavors. So he was letting niggas know, "I
wanna get a pair of Clarks like, I'm a murder 'em!" When I rhymed to
"Glaciers", it wasn't even to that beat. It was the drum part of that beat
I rhymed to. That day, when I went home, I didn't like my rhyme. Everybody
else kept stressing that they liked my rhyme. But I didn't. RZA was like
"Don't worry about it. Go home, get some rest, you tired, you buggin'". I
was like fuck that, when I come back tomorow, I'm changing that shit. When
I came back, it was likethe shit was a whole new different beat with the
drums under it. He made Blue Raspberry hit certain notes. He'd have her
scream, go crazy. That shit's nothing but an AK festival with all the
screaming. I took it like he had a shooting range with a bunch of Iraq
niggas just having a festival.
BLUE RASPBERRY: One night, I was just at the studio and I was playing
around on the microphone, singing Patti LaBelle's "Over the Rainbow." I was
with no music, no nothing. I was sitting there, just singing. And when I
got to the end like "Why then, oh why c-a-a-n't I?" RZA recorded it. And
that's where he put it in "Glaciers of Ice."
RZA: The Clarks skit is totally how Ghost is. He recorded the skit - I
think we was in the car. I had a portable DAT. I made everybody get oen,
cause no telling where you gonna be at when an idea hits. Put it under your
bed with your bitch, whatever.
GHOSTFACE KILLAH: We was in the car one day, driving around with the DAT
machine with a microphone. and we just started talking shit about how we're
gonna do it this summer with the Clarks. The dying was something I was
doing already. I'm an inventor. Niggas can't fuck with me when it comes to
style. Only nigga that is right there with me is probably Slick Rick. Other
than that, I'm boss.
12: Verbal Intercourse
RAEKWON: We got in the studio, RZA played the beat. Nas was liking it, and
he was trying different rhymes to it. We would sit there, and he'd say some
of his shit. But he didn't really know which rhyme he wanted to say. and I
was there, being like his little coach. And I was like, "That it son", he
was like "that's it?", I was like "Nigga, that's it!" But he had already
went through 3 or 4 rhymes, and he couldn't really see which one he wanted
it to be. But I heard it. Once it camem out his mouth, I was like, That's
it. Our main focus was just to make sure that he get his nut off and do
what he gotta do. When he did his thing, I wrote something real quick, just
to get this shhit really looking like something. Ghost just put the cherry
on the top. No hook, cause we didn't care about hooks like that. All we had
was the "RZA, Chef, Ghost and Nas" which is more or less an introductory
hook. Not really a hook.
NAS: Rae would come out to Queensbridge, I would go to Staten Island. We'd
just ride and hang out all night. We didn't call each other to work. We
called each other to hang out. Somehow we wound up in the studio. RZA had a
couple of beats ready. He played them for me. I got on both of them. The
other one never came out. I was honored to be asked to be on the album.
Raekwon was ahead of his time. I knew Rae was a classic artist and the
album was going to be a music classic.
GHOSTFACE KILLAH: Nas banged it out in one night. He went first with his
shit. We all came after. Son was fast. Nas had a couple verses. He spit one
verse to us and then another, not on the mic. He just asked "How this
sound?" and then we picked the one he spit. He still had the pen in his
hand and all the other shit, but son got in there and just threw an ill
crack verse. He was on fire.
13: Wisdom Body:
RAEKWON: In my eyes, Cuban Linx was always Ghost's album as well as it was
mine. That's one thing about me. I already knew that me and him was a pair.
So even through people felt like it was a Raekwon album, I looked at it
like it was a Wu-Tang album, and this is me, and Ghost's departure right
there, cause dudes don't really talk the street stuff like that. Or dudes
talk it, but don't talk it the way we talk it. So when Ghost had put Wisdom
Body up there on the album, I felt like, this track is definitely needed
and it sound fly. I wasn't at the studio that day when he did it, but I
knew that rhyyme he was gonna play, cause I remember RZA keep playing that
beat over and over, like "Somebody gotta eat this." That's how RZA is.
"Somebody gotta eat that. Whether you wanna eat it or not, somebody gotta
eat that." And Ghost just ate it up alone.
RZA: This track was originally called "Fly Bitch Shit". At this time, Ghost
became Tony Starks. On that song, Ghost came in and did that song one day I
actually put it in the stash; it was Ghost by himself at first. Then Rae
jumped on it. I was like, No, it's too personal to Ghost. It's a glitch in
that performance, the way he did it the first time on ADAT. He never came
with that same wetness of voice. He's more high-pitched when other
producers work with him. His voice should be compressed on 90 MHZ and
sloped down. I know that; other producers and engineers don't know that. I
had nine compressors - one for each MC - thath I could just patch in.
GHOSTFACE KILLAH: You can hear the punches in there. There's a few punches
in there right in the beginning when I say, "Check the bangin-gest". You
can hear the shit switch up a little bit. RZA had to punch the other take
in. Cause back then, since I was drinking, I'd slur a lot so I had to do a
bunch of takes. You can hear that I'm a little bit drunk if you listen.
That's why I punched in, because I fucked up one of my words. So, I just
kept the beginning and put the other take in. That's the thing about these
albums that we made earlier. We used to keep a lot of the fuckups. That's
what made it raw. Everything ain't always gotta be too perfect.
14: Spot Rusherz
RZA: Spot Rusherz was another example of that zone. I wasn't really feeling
the beat. I was done with Rae's album. Another time I was was making beats
for GZA. Rae and me got a similarity. We workaholics; we dedicated to the
cause. It's one of those things where he came in and aired it out. And to
me, it saved the beat. I still don't like that beat. I still wanted to get
it off the album. The two gun shots at the end: Just in case you got bored,
I was bringing you right back.
15: Ice Cream
RZA: I gotta take total credit for the idea. I got this basement downstairs
in my first nice apartment I had, in Mariner's Harbor in Staten Island.
There's a line running from the basement to the production room on the
second floor. I just zoned the fuck out one night and did the beat. Meth
came over. I told him I got a crazy idea on this one. I wanna use girls'
breasts as imaginary ice cream cones. I came up with the idea to make
T-shirts to go with it. "Meth you gonna do the hook." It was the first song
besides "You're All I Need to Get By" that we pressured him into. He didn't
like being the pretty boy. He took those words I said "French vanilla",
"butter pecan" - and put them in perfect order. It was really Wu-Tang's
first reach out to women. Women wasn't even allowed into the studio. A
woman wouldn't be allowed in the studio until '97. It's a distraction. It
reminds me of the ingenuity of the mind I had ticking and making these
songs and we thinking we can make t-shirts. We must've sold 20,000 t-shirts
at the Wu-Wear store alone.
CAPPADONNA: Well, the first joint I did, the one that put me on the map was
"Ice Cream" And we did that one like, that was the beginning, nobody ain't
really had nothing. We had a lil' studio up on Clove Lake. RZA had an
apartment over there, with the studio in the basement. That's the studio
that got flooded out. They had a flood in there. But before the flood, I
was out as a security guard up there at the time, and I had went in there
and I heard "Ice Cream"; I had heard Rae's verse; I heard Ghost's verse on
there. And I had made a joke about me getting on the track, and RZA took it
seriously and was like "Yo, go ahead. Lace that."
16: Wu-Gambinos
RAEKWON: The Wu-Gambinos aliases come from how I used t o like that movie
Once Upon a Time in America, with Robert De Niro and James Woods. I liked
how these young little niggas grew up, from the ground up, not having
nothing to start, but still was confused about how they treated each other.
Andt he names came. You knonw, "Tony Starks" came from Iron Man. "Lou
Diamond" came from me being infatuated with the diamond world. Back then I
was wearing a lot of ice, was calling shit ice. But then I started giving
some of my niggas in the crew names. Being that it's my album, I wanted
niggas to know, You gotta have a certain a.k.a. when you're on this track.
This is a Gambino track. Wu-Gambinos. I would call Masta Killa "Noodles"
call GZA "Maximillian". Inside the movie, Noodles and Max was partners. I
felt like GZA was like "Maximillian" because he was like the brains of the
crew. He would say something real intellectual and smart, ,and I looked at
him like a "Max". I called Deck "Rollie Fingers" cause of the way he roll
blunts. So names just started fitting niggas. "Golden Arms", U-God. Then
niggas just start making they own names up. "Bobby Steels" - RZA was on
some real Black Panther, DJ, ill producer shit.
RZA: Now that these guys pulled they sting off, they got one more big
sting. They gotta call the heavy hitters in on this one. It's Rae getting
the rest of the team to make this thing official. Actually, that was the
first one where everybody took on another name t o go along with the
concept of the album. That was done intentionally. We was probably 11 songs
into the album. "Everybody come with your Gambino name." My name was Bobby
Steels when I was 12, 13, so I brought that back out. It was me and Ghost
the last to lay our verses. Ghost goes last; everybody was up in the cut.
True Master had to be the engineer to record me. I let niggas know I'm part
of the sting. I'm coming forr that money, too. For me it was a chance to
show niggas, because I hadn't been heard for a minute.
MASTA KILLA: That was all done in the same place. And it was a beautiful
thing to see. Wu-Gambinos: You see Meth come in; he lays his verse. You see
Deck come in; he lays his verse. RZA is there; he lays his verse. It's
inspiring to just see other MCs come through. And not just MCs. This is
your brother. This is your family. It's like the Jackson 5 and shit. They
all in one room. It's going to be magical. RZA was the Beethoven of the
whole shit. I think he orchestrated the whole shit. A lot of times brothers
came and it was llike you came in and you rhymed; you could have left and
you went wherever. When your album was completed, you came in to listen to
what he stayed up putting his magic touches on things.
METHOD MAN: We were high, hanging out. It was always a relaxed atmosphere
because we were so used to being there, sleeping on the floors and all
that. So it was like being home, writing rhymes in your own house. You went
from the floor to the booth. It took thhrere hours tops, just to put vocals
on it. That was the first time we ever used our aliases, The Wu-Gambinos
names. We were sitting there like, "My name gonna be this" and "My name
gonna be that." People really thought my fuckin' name was Johnny Blaze.
Raekwon started that. Rae always had that mobster mentality, always liked
to watch gangster movies and read mob books and stuff like that, you know?
So he pretty much knew the names of the cats and what they was about. He
polished his whole style like that. Plus Staten Island is known for
mobsters - that's where the Italians live. Not saying all Italians are
mobsters, but you know, we ain't blind and shit.
17: Heaven & Hell
GHOSTFACE KILLAH: This was one of the first songs recorded fo Cuban Linx
cause we made it for the Fresh soundtrack. Rae wrote all of it, and then we
just broke it up. I just did it with him. So, I was right there. I was the
co-singning like, I'm a say this part. There are a lot of things me and Rae
do like that. I might write, and be like "Yo, here, son just say these
parts." But on that one, he had did that. We recorded it the same day.
GZA: Some artists owrk together. I've thrown lines at brothers, and I've
gotten lines from brothers. That's how we get down.
18: North Star (Jewels)
RAEKWON: "North Star" was a track I really, really wanted on my album. It
was a track that I felt a vibe of it was motion picture-like. I was havin a
vision of that song: I could just see a little kid looking out the window,
just eating a $100,000 Bar. He coulda been on the seventh floor, eighth
floor. And just looking out the window, just looking at these niggas out
there in the street doing they thing. How they eat, how they get money.
Back in them days, niggas would run up to cars and stick they drugs in the
window to make niggas buy 'em and whatever. So that beat always reminded me
of some slow, theatrical trouble that's to take place. The inspiration that
Popa Wu was saying, he was more or less giving a documentary of me with the
words he was saying. He was talking about me like "Yo, just keep your head
up, man. Don't let nothing get you down." Just trying to really inspire me
from being an OG's point of view. And in the hood, OGs is legends to us.
RZA: "Fly Bitch Shit" and "North Star" was one song, but I separated them
out. The idea is Rae did everything he had to do. Eveything is over now.
The job is over. Mission is over, it's a perfect closing t the album. Popa
Wu was a very smart mentor in the younger days to me and ODB. I formed
Wu-Tang Clan. Everybody had dibs and dabs of street knowledge, knowledge of
self, I brought him in to be a mentor to these men like, I love them and
you the only person I know that have the intelligence to keep them in sync
with knowledge. It's very poisonous unless they got proper guidance. He was
the smartest man I'd ever met at a certain time in my life. After two
years, they'd turned him into a Wu-Tang member. His name used to be Freedom
Allah. He was Five Percent. He came Popa Wu after the experience, went from
silk pants and buttom up shirts to fatigues.
UNDERSTANDING: Ghostface reveals the science behind a musical masterpiece
Rae was hot on the Wu Album, and when Loud decided to sign one of us solo,
they wanted to carry Rae. I don't know really how that went down, but RZA
made the deal with Steve Rifking and asked Rae, and they had the budget for
the album. He was amped We decided to do the album together because our
rhyme styles was comparable. We both talked a lot of street shit and liked
the flossy and glossy shit. We already had the title. The chain we used to
rock back in the days was Cuban links. So Rae came up with the theory, like
a Cuban link is one of the roughest chains to break. Only Built 4 Cuban
Linx... Real niggas, strong niggas. We wrote it in South Beach. It was just
me and Rae down there for two or three weeks. It was recorded in the
basement of RZA's old house in Staten Island. We had a lot of good luck in
that room. We was in our prime. Back then I was punchin' a lot of rap
niggas in their face, and niggas was getting beat up in the clubs. We were
banned from everything. They wouldn't even let me in the Tunnel. Niggas was
scared to death when I was out there wilding. I was fucking niggas up,
robbing niggas, fucking a lot bitches, just doing dumb shit - and I'm
rhyming. We was on it. We was going in at the time. We did everything. Rap
niggas sniffed coke, too. Black niggas sniffed coke, too. Black niggas was
street niggas. I was a dusthead. Rae didn't really like that high. We was
young niggas getting a lot of shit poppin'. Talking shit about niggas, all
types of shit. I used to drink a lot back then, which is why I sound so
aggressive on a lot of shit. I was going through a lot of real internal
shit during Cuban Linx. I was drinking my pain away every day. I used to
drink before I wrote my rhymes and even before I went in the booth.. We
tried to make every song a single, like how Rakim had "Eric B. is
President", "My Melody" and all that - every song was basically banging. We
wanted to do the same thing. It wasn't plots, like: Yo, you gotta rhyme
about that. RZA came with a different sound. He started off the shit that's
going on right now with the little voices in the background, old samples,
and it was just fresh... It just happened that the beats made us talk a lot
of shit. you might have a Scarface sample on Criminology, and Wu-Gambinos
hahd a mafia feel with the violins. So, we were throwing a little mobster
in our rhymes. I came up with all that "a.k.a. Tony Starks, a.k.a.
Ironman...", Rae came after that with "Lex Diamonds." Then other Wu members
came in. Now you hear all these other rap niggas with aliases. A lot of
dudes started taking our shit, like Cristal and skits and "politickin".
Even when we start rhyming, we be in the booth like, "Hey yo, hey yo, hey
yo." Raekwon started that shit. He's the first nigga I heard do that shit.
That's the biggest shit niggas got now on the mic. We done took that to the
highest peak. We bonded as a tight family, so niggas is starting to try and
do that right now. Everybody thinking they have a strong family. We opened
up the door for a lot of niggas. The shit was just crazy on how it came
together. It was all meant because a lot of the shit, I don't even remembe.
It was just how God worked it out.
MY PHILOSOPHY: RZA reveales the life behind the beats
We started working on Cuban Linx after Meth's album in '94. The way we had
it planned, Meth was first, Dirty was second, then Rae and GZA. At that
time, it was all my word on how it would go. We attracted the children and
the women with Meth; attracted the wild, crazy people not really into
philosophy with ODB. Then the real street niggas, the niggas we all were
shying away from, we needed to hit them. Rae was an elder as far as MCing.
Rae and Ghost together, those two right there were notorious kids from two
different projects. At one point, they was rivals. Ghost is from Stapleton,
Rae is from Park Hill. They kinda hooked up and seen that similarity in
them, and that's how it went down. They didn't know each other as well as
they knew me - it was my concept. Me and Ghost was living together; I lived
in Stapleton in '91, '92. Me and Rae go back to second grade. Cuban Linx
was an opportunity fo Rae and Ghost to give us the street side. When we did
it, I said, "yo, it's gonna be a very dangerous album; it's gonna change
the game. We gonna invite those demons, every negative stereotype, and deal
with them. It's like the shit was lived; a lot of it was lived or
experienced in one form or another. It's so natural, it don't feel like
songs. It was a chance to show the world not only how New York livs but
also how Shaolin preserved New York. An older generation was leaving and
getting older. We're from the crack generation - that real gritty, rough
project shit. We was on corners at 15, 16, doing shit you couldn't imagine.
I was getting high at 11. We're street college guys - we call it
criminologists. We had a certain kind of look: cables, Guccis, Bally, Polo.
We went to Red Parrot, Latin Quarter. People would be like, who the fuck is
those niggas? In my mind, we was what New York was about. This was the real
shit that was happening. People in the projects live this life. We felt we
was the shit rappers rapped about. I think Cuban Linx marked an era in hip
hop personally. Cuban Linx to me solidifies it. Hip hop today is basically
rapping about how tough you is in the strets, how you raking in the bitches
and shit, how fly a nigga is. We wasn't trying to be R&B'd out. I wasn't
going out ike that. We was velour suits, gold fronts. Rakim was a great
example, '86, to '87: a fly muthafucka, super cool, respected by corporate
suits or niggas in the streets. I made most of the Cuban Linx beats first,
eight of the tracks. I gave Rae & Ghost a tape of 10 beat, sent it to
Florida. They had wanted to go to Barbados. But when they got to Barbados,
the racism was so crazy. It was on some slave mentality. The Blacks was
being treated like shit. They stopped back in Miami, and everything was
recorded in my basement. No engineer, no assistant engineer. I did
everything on that shit. The only two albums I did with nobody fucking with
me was Linx and Liquid Swords. I was on a mission. To make all those early
albums took three and a half years of my life. I didn't come outside,
didn't have too many girl relations, didn't even enjoy the shit. I just
stayed in the basement. Hours and hours and days and days. Turkey burgers
and bluntes. I didn't know if it was working. But nobody could hear or say
nothing, no comments, no touching the board when I leave. Everything was
just how I wanted it.


title: Recensire o Scroccare ?

author: Zboong

text:
C'era una volta un tale che fece un demo o mixtape o altro e voleva che
i vari sistemi d'informazione  ne avessero una copia per farne una
recensione e poi farlo conoscere ai loro lettori.
Il tale si prodigo' a scrivere ai vari siti HH dato che Aelle non
esisteva gia' piu' credendo fosse una buona idea...e infatti tutti
quanti gli risposero: "certo spedisci pure e faremo una recensione"
ecc....
Lui spedisce e poi gli riscrivono: "Bello veramente...appena possibile
lo recensiremo" ecc...
Passava una settimanetta, ma solo uno recensiva il prodotto...gli altri
nulla....
Passavano i mesi e nulla....e lui pensava: "eppure dura solo un'oretta
il mio lavoro" chissa' perche' tutto sto' tempo....
Adesso che ormai ha capito che non lo vedra' mai recensito pensa: "non
e' che sti siti HH li fanno solo per scroccare la roba ?"
E visse felice e contento lo stesso....
--
Zboong


title: Recensire o Scroccare ?

author: cutmixer T

text:
On Thu, 07 Jun 2001 12:48:30 GMT,
zbo...@mac.com
 (Zboong) wrote:
io ho scroccato a palla ma farò il mio dovere con piacere ossia:
comprate il tape di zibongo dal titolo
----> "se la mi nonna c'aveva le rote"
pochissimi contro & molti pro. ci sono dentro dei pezzi veramente
cazzuti mixati fluidamente e con stile. ci sta pure del rap. tutto ben
registrato etc. tuttalpiù abbassate di un pochino la manetta degli
alti ché c'è giustamente un po di enfasi.
costa solo un deca ed è ottimo.
per informazioni
zbo...@mac.com
ciao
nico
>C'era una volta un tale che fece un demo o mixtape o altro e voleva che
[etc.]
>Zboong


title: Recensire o Scroccare ?

text:
"Zboong" <
zbo...@mac.com
> ha scritto nel messaggio
news:1eumzm4.132hxi8wu3togN%
te l'ha recensito
hiphopmusic.it
?


title: Recensire o Scroccare ?

author: stamina

text:
On Thu, 07 Jun 2001 12:48:30 GMT,
zbo...@mac.com
 (Zboong) wrote:
>Adesso che ormai ha capito che non lo vedra' mai recensito pensa: "non
>e' che sti siti HH li fanno solo per scroccare la roba ?"
eh beh...
almeno è stato recensito su supereva da marra
servus
stamen tu cesare/zboong devi essere contento perchè ho regalato il tuo
lavoro alla "mia" ragazza e le è piaciuto...


title: Recensire o Scroccare ?

text:
stamina <
stam...@libero.it
> wrote:
> >Adesso che ormai ha capito che non lo vedra' mai recensito pensa: "non
> >e' che sti siti HH li fanno solo per scroccare la roba ?"
>
> eh beh...
> almeno è stato recensito su supereva da marra
>
Infatti questo e' vero e dico che non mi sto lamentando del tipo di
recensione...ma di "recensire" proprio un qualcosa che sia ai piu'
sconosciuto....
>
> servus
> stamen tu cesare/zboong devi essere contento perchè ho regalato il tuo
> lavoro alla "mia" ragazza e le è piaciuto...
Ma infatti sono contento lo stesso....considera che nonostante la scarsa
pubblicita' e il "chi cazzo e' sto' zboong?" ne ho vendute un bel po' di
copie e mi ritengo piu' che soddisfatto...eheheh !!!
--
Zboong


title: Recensire o Scroccare ?

text:
Free <
fre...@libero.it
(<-nonfunzionaintanto)> wrote:
>
> te l'ha recensito
hiphopmusic.it
?
Non voglio fare buona o cattiva pubblicita' a questo o quel
sito....comunque non saprei dirti a quale e' stato spedito con
precisione...puo' essere che quello e' sfuggito alla spedizione, il
fatto resta anche se per me non e' cosa vitale...ma magari per altri,
specie per i nuovi ragazzi che si sbattono lo e'....
--
Zboong


title: Recensire o Scroccare ?

text:
> > te l'ha recensito
hiphopmusic.it
?
> Non voglio fare buona o cattiva pubblicita' a questo o quel
> sito....comunque non saprei dirti a quale e' stato spedito con
> precisione...puo' essere che quello e' sfuggito alla spedizione, il
> fatto resta anche se per me non e' cosa vitale...ma magari per altri,
> specie per i nuovi ragazzi che si sbattono lo e'....
posso immaginare.
infatti quando ho letto sta cosa ho avuto un dejavu (nel senso: in rete e'
pieno di elementi del genere... non perche' io abbia avuto esperienza
diretta... ma giusto mercoledi' ho visto "Mi manda raitre"..)
cmq..
cazzo quando ho letto mi sono girate le balle..


title: Recensire o Scroccare ?

author: Steve Smith

text:
"Zboong" <
zbo...@mac.com
> ha scritto nel messaggio
news:1eumzm4.132hxi8wu3togN%zbo...@mac.com...
> Lui spedisce e poi gli riscrivono: "Bello veramente...appena possibile
> lo recensiremo" ecc...
Anche a te č successo cosě?
--
Steve


title: Recensire o Scroccare ?

author: merc

text:
> almeno è stato recensito su supereva da marra
marra è pesissimo :)
cià
merc


title: Recensire o Scroccare ?

text:
Vero anche che su
www.hiphopweb.net
 ( per la precisione
http://www.hiphopweb.net/zboong.php
 ) troverete la recensione del tape che è
stato inviato alla nostra casella postale. Solo perchè non vorrei che tra i
siti venisse messo anche hiphopweb.net... noi la roba che spedite la
recensiamo!
Ciao,
- Jel -
"Steve Smith" <
steve...@tiscalinet.it
> ha scritto nel messaggio
news:9fsh2f$p76$1...@lacerta.tiscalinet.it...
> "Zboong" <
zbo...@mac.com
> ha scritto nel messaggio
> news:1eumzm4.132hxi8wu3togN%zbo...@mac.com...
> > Lui spedisce e poi gli riscrivono: "Bello veramente...appena possibile
> > lo recensiremo" ecc...
>
> Anche a te è successo così?
>
> --
> Steve
>
>
>


title: Recensire o Scroccare ?

text:
"
hiphopweb.net
" <
mai...@hiphopweb.net
> wrote:
>... noi la roba che spedite la
> recensiamo!
>
Infatti nessuna lista e nessun nome...spero solo che chi non recensisce
da adesso magari ci pensi e i prossimi lavori dei prossimi artisti
vengano presi piu' in considerazione....
--
Zboong


title: per lumini

author: OziO

text:
caro lumino, ti scrivo per chiederti che cazzo c'hai contro chi! fai i nomi!
chi è che ha attaccato i sottotono qui nell'ng? in che messaggi?
e non rispondere incazzato o che
ho ripetuto 200 volte che io non li ho mai attaccati perchè li considero
validi per quello che hanno tirato su dal nulla ma non mi piacciono come
suonano.
ora rispondimi senza dire che devo smetterla di sparare a zero su di loro,
perchè non l'ho mai fatto! MAI! e non lo faccio nemmeno! allora fai la
figura del cazzone se continui su quell'idea e la gente vede solo 2 cose:
noi che diciamo che non li abbiamo mai attaccati e te che rispondi che siamo
delle merde a d attaccarli...
se ti sembri in gamba continua pure...
le mie idee verso i sottotono sono fin dall'inizio dell'ng di rispetto per
quello che hanno fatto dal nulla
poi non mi piaccio, c'è qualcosa di male cazzo?
e se sono tuoi amici non mi fregfa un cazzo!
e ora
cordialmete
fanculo
OziO


title: per lumini

author: Lumini Mattia

text:
FANCULO A TUA MADRE
Non far finta di non sapere,cretino


title: per lumini

text:
Lumini Mattia ha scritto nel messaggio
<
376BDBB7...@holidayonitaly.com
>...
>
>
>FANCULO A TUA MADRE
>Non far finta di non sapere,cretino
maledetto testa di cazzo, non deviare discorso e rispondi a quello che avevo
scritto:
rileggi il mex che avevo mandato:
e rispondimi! quanmdo li ho attaccati io? io qui l'unico che sto attaccando
sei te perchè ora hai rotto il cazzo a bestia: riecco il messaggio che ho
scritto e che dimostrerà con questa risposta quanto sei cazzone.
Ora il caso è uno solo, se credi di avere ragione rispondimi quando li ho
offesi e dove e perchè hai cominciato ad offendermi visto che io non l'ho
fatto (testimone tutto lng), e se non risponderai ma continuerai a ripetere
le stesse cose io annuncio che non ti cagerò più... non dedico mai più di
una giornata ad una cagata... non ho problemi di ibntestino...
rileggiti il mex e non cogliere solo l'ultima riga del tyesto...spero che la
tua memoria ti permetta di ricordare anche cose hai letto sopra:

[censura, ora voglio vede a che ti appigli nella risposta]
OziO


title: per lumini

author: Rodi - NetCrew

text:
Lumini Mattia ha scritto nel messaggio
<
376BDBB7...@holidayonitaly.com
>...
>
>
>FANCULO A TUA MADRE
>Non far finta di non sapere,cretino
>
EH NO!..LA MAMMA NON SI TOCCA!
cmq mi stai verando rompendo i coglioni!
non è possibile che ogni volta scarico questi tuoi msg veramente cretini!
impara cosa significa la parola RISPETTO!
e lascia stare ozio e nuke!
pace
Rodi, Netcrew Staff
http://netcrew.iscool.net
Netcrew directory 2 (il cd)
Unexplained (il mixtape)


title: per lumini

author: unl

text:
On Sun, 20 Jun 1999 11:55:11 +0200, "Rodi - NetCrew" <
nico...@iol.it
>
wrote:
>
>Lumini Mattia ha scritto nel messaggio
><
376BDBB7...@holidayonitaly.com
>...
>>
>>
>>FANCULO A TUA MADRE
>>Non far finta di non sapere,cretino
>>
>
>EH NO!..LA MAMMA NON SI TOCCA!
>cmq mi stai verando rompendo i coglioni!
>non è possibile che ogni volta scarico questi tuoi msg veramente cretini!
>impara cosa significa la parola RISPETTO!
>e lascia stare ozio e nuke!
ma lasciamolo stare a questo troll , lo fa apposta per romperci il
cazzo
forse non gliene frega nemmeno niente dei sottotono , sono giusto un
pretesto per fare casino....


title: KEMONO!!! S2000

author: *PiPP'z PaRaDiñA*

text:
Mi sono risvegliato dal coma profondo....si sa qualcosa di un Mesa che
funzioni? adesso mi serve proprio...è vero che le versioni vecchie mandano a
biccie la ram?
grasie ciao
PINNA


title: KEMONO!!! S2000

author: kemono

text:


=)
yeup... mbe', che cazzu ne so io ? no, il fatto è che non ho mai fatto
affari con un akai esstutausend. ma non credo ci siano problemi.
peraltro è il più diffuso campionetore contemporaneo, credo, quindi il
mesa attuale sarà ben ottimizzato e bugfixato per l'uso di
questultimo. più facilmente, se hai avuto problemi, mi vengono in
mente altre questioni tipo:
§ il collegamento SCSI, vera fonte di casini per centinaia di
cristiani
= usa schede/interfacce di qualità per il pc (diciamo adaptec e
taglian corto), usa cavi corti e buoni, configura bene e termina le
terminazioni.
§ il collegamento MIDI
= alcune schede audio (raramente qualche interfazza dedicata)
gestiscono male i comandi MIDI sysex, che il mesa usa per cumannari il
sampler, perciò controlla bene le implementazioni di questultime
(leggi le istruzioni, in sostanza)
§ infine confronta bene la versione del mesa che usi. chiaramente
saebbe meglio la più recente, ma magari ti richiede un sist. operativo
tal dei tali nel sampler, e tu hai quello vecchio o robe simili.
queste sono pure regole di buon senso, che però se non rispettate sono
la vera e più diffusa fonte di casini, bug del software esclusi.
per il resto non so molto, perciò fatti una cultura e daunloada quel
che ti serve:
http://www.akaipro.com/
ciao
kemono


title: KEMONO!!! S2000

text:
kemono <
kemono_...@tiscalinet.it
> wrote in message
...
grazie Keuomo sei sempre il più fika...
:-)
PENNA


title: KEMONO!!! S2000

text:


e tu sempre più kulo... heheh =)
no, veramente mi spiece di non saperti dire altro... you know, alla
fine della storia attualmente sto usando altre baracche. spero che tu
risolva...
ciao
Kemono Sticazzi


title: Siti RAP mp3

author: Tullio Pettenņ

text:
Qualcuno ha da consigliarmi siti dove trovare files mp3 RAP?
tnx
_5^


title: Siti RAP mp3

author: Virgus

text:
prova con winmx.
"Tullio Pettenò" <
prome...@libero.it
> ha scritto nel messaggio
news:elrg9.92236$ub2.1...@news1.tin.it...



title: Siti RAP mp3

text:
già lo uso, ma cercavo qualcosa d specifico per gli album...
"Virgus" <
paper...@virgilio.it
> ha scritto nel messaggio
news:altre0$5bb$1...@lacerta.tiscalinet.it...



title: Siti RAP mp3

author: jojo

text:
"Tullio Pettenņ" <
prome...@libero.it
> wrote in message
news:elrg9.92236$ub2.1...@news1.tin.it...
> Qualcuno ha da consigliarmi siti dove trovare files mp3 RAP?
> tnx
www.rap.com


title: sites...

author: WinnerEJ

text:
http://www.mp3
,com/WINNER
http://www.mp3
,com/zukiedread
http://www.mp3
,com/MuddyFace
http://www.mp3
,com/eejay
http://www.mp3
,com/aa"disco king"
http://www.mp3
,com/HORACEGRANT
http://www.mp3
,com/Sir_Life
http://www.insidetheweb.com/mbs.cgi/mb653181
http://www.MusicBuilder.com/Winner
http://kickamix.com/members/Ska/winner
http://stations.mp3.com/stations/3/wdub.htm
http://pluto.spaceports.com/~winner/latenite.html
http://worldzone.net/music/winner
http://hotyellow98.com/dubwinner/regdubwin.index.html
http://winsukrecords.bizland.com
http://www.earbuzz.com/winner
http://music.francemp3.com/winsuckrecords
http://riffage.com/Bands/0.2939.15261.00.html
http://www.21centuryartists.com/artists/winner.htm
http://members.theglobe.com/dubwinner/default.html
http://www.audio-bot.com/listen/squirm.mp3
http://homepages.go.com/~reggaemidi/index.html
http://mp3.musicmatch.com/artists/artists.cgi?id=13133
http://stations.mp3.com/stations/48/winsuckrecords.html
http://www.iuma.com/IUMA/Bands/Winner/


title: The worlds best beats

author: Soulis da Knight


title: Hot new UNDERGROUND hit from Immortality!!

author: Immortality

text:
What's up fellas?
I'm inviting you to check out my hot new song entitled "Steady on tha
Uphill" featuring Deuce and C-Wik.  This is one of those straight-up hip
hop songs representing the underground and about the struggle to make it
in the rap game.  You'll love the phat ass smooth beat and the flows are
incredible.  But, hey, I guess I'm biased.  See it for yourself at
http://www.mp3.com/immortality
Be the first to find this extraordinary talent!
After you listen and love the song, please consider the following:
1. Sign one of us!! We are unsigned and are looking to help each other
out! Can you help us?  (from DC and Philly)
2. Contact
ski...@hotpop.com
 about buying the single\beat\album or
something else.
3. Download it to help our song move up the charts.
We'll shout out everyone who helps us in the game.
http://www.mp3.com/immortality
One love.
--
Check out my blazin' rap songs at
http://www.mp3.com/immortality
Sent via Deja.com
http://www.deja.com/
Before you buy.


title: chillin

author: oneperhobbi

text:
>
http://members.xoom.virgilio.it/bdello/chillin.jpg
pimp!
robionekenobi


title: chillin

author: no one

text:
>
http://members.xoom.virgilio.it/bdello/chillin.jpg
Si vabbeh, uomo... ok che hai finito.
Ma non stare a spiattellarcelo cosě... =)
che qua ancora c'č da sgobbare.
No-one
--
Today is the first day of the rest of your life.


title: chillin

author: roy

text:
>
http://members.xoom.virgilio.it/bdello/chillin.jpg
bella anteuzzo, sciàllatela


title: chillin

text:
>
http://members.xoom.virgilio.it/bdello/chillin.jpg
> anteo
sei tu anteo?
assomigli tantissimo ad un mio amico writer (uno potente)


title: chillin

author: Bella Prova

text:
> sei tu anteo?
> assomigli tantissimo ad un mio amico writer (uno potente)
spero prioprio che non sei tu...auhhuhauahauhauhua non so cos'è peggio,
l'accappatoio o la faccia.


title: chillin

text:
> spero prioprio che non sei tu...auhhuhauahauhauhua non so cos'è peggio,
> l'accappatoio o la faccia.
è la congiuntivite


title: Reggaepresidente

text:
Saludos a todos...ho sentito Reggaepresidente di Zizzed:na bomba!
sta in upload a sto indirizzo che ho svoltato per "vie traverse"
http://rapidshare.de/files/12167751/Zizzed_-_reggaepresidente.mp3.html
siccome è na bazza buona mettetelo a giro e diffondete...


title: Dove trovo qualche beat?

author: Cippe

text:
Bè, siccome ho un pacco di campioni (per chi se ne intende di anime, ho una
decina di cd di BGM, e quello che rulla di più è maison ikkoku music sour,
ma anche saint seya ha delle trombe favolose, e pure beautiful dreamer ha
dei campioni niente male) e così, tanto per cazzeggio, volevo sentire come
suonavano con dei beats sotto. Qualcuno mi aiuta ^_^;? Si trovano già in
rete dei beat pronti, o cmq ci sono dei programmi che hanno dei beat hip hop
dentro?
Grazie


title: Dove trovo qualche beat?

text:
Cippe <
ci...@freemail.it
> wrote in message 8ejv6o$osq$1...@nslave2.tin.it...
>(per chi se ne intende di anime)
Uso questo post per comunicare una cosa che probabilmente non interessa a
nessuno....o forse no..boh..
Finalmente il 19/05 uscirà al cinema "Mononoke Hime"  (tadotto: la
principessa fantasma)di H.Miyazaki.
Scusa cip.
-LiOoOR che vive alla Star Shop e si droga di manga


title: Dove trovo qualche beat?

author: Messer Gabriele Spanu

text:
--------------------------------------------------------------------------------
>Bč, siccome ho un pacco di campioni (per chi se ne
>intende di anime, ho una
>decina di cd di BGM, e quello che rulla di piů č
>maison ikkoku music sour,
>ma anche saint seya ha delle trombe favolose, e pure
>beautiful dreamer ha
>dei campioni niente male) e cosě, tanto per
>cazzeggio, volevo sentire come
>suonavano con dei beats sotto. Qualcuno mi aiuta
^_^;? Si trovano giŕ in
>rete dei beat pronti, o cmq ci sono dei programmi che
>hanno dei beat hip hop
>dentro?
>Grazie
anch'io uso certi campioni dai video.
hai presente "cinema", sigla di maison ikkoku?
un annetto fa l'ho usata per uno skit (irreppabbile o
irreparabile o abile a ire in para (cadute) )
Una sigletta presa da un trailer di C.Harlock (precis.
L'Arcadia della mia giovinezza) č stata presa, mandata
in loop. e in pratica la toei mi potrebbe denunciare a
piede libero. Fortunatamente non scrocco sempre cosě
per le basi. Per i beat non so, non hai un sequencer?
Tipo cubasis o fast tracker o midi orchestrator
plus...
che so. Oppure se non hai (o sai usare) niente di
questo, mi potresti spedire i campioni... eheh.
Sempre che tu voglia, ovvio!Cosě Poi ti mando un pezzo
che puoi benissimo loopare.
.
PS( BGM??? sta per?)
>Uso questo post per comunicare una cosa che
>probabilmente non interessa a
>nessuno....o forse no..boh..
>Finalmente il 19/05 uscirŕ al cinema "Mononoke Hime"
>(tadotto: la
>principessa fantasma)di H.Miyazaki.
No, guarda, non mi interessa...eheh... lo aspetto da
anni...
sperando che lo portino a Sassari...
Hayao Spanu
______________________________________________________________________
Do You Yahoo!?
Il tuo indirizzo gratis e per sempre @
yahoo.it
 su
http://mail.yahoo.it
--
Posted from
web3303.mail.yahoo.com
 [204.71.201.145]
via Mailgate.ORG Server -
http://www.Mailgate.ORG


title: Dove trovo qualche beat?

text:
ahahahahahahahahahahahahahahahahahahahahahahahahaahhhaahahahaahahaahaaahahaa
hahahahahahahahahaha
BELLA VERAMENTE QUESTA DOMANDA!!!!!!!!Bella Cippe,non ti conosco,ma mi sei
simpatico.Ti svelerei volentieri il mistero della vita,ma dove prendo i beat
manco morto!
"Cippe" <
ci...@freemail.it
> ha scritto nel messaggio
news:8ejv6o$osq$1...@nslave2.tin.it...
> Bè, siccome ho un pacco di campioni (per chi se ne intende di anime, ho
una
> decina di cd di BGM, e quello che rulla di più è maison ikkoku music sour,
> ma anche saint seya ha delle trombe favolose, e pure beautiful dreamer ha
> dei campioni niente male) e così, tanto per cazzeggio, volevo sentire come
> suonavano con dei beats sotto. Qualcuno mi aiuta ^_^;? Si trovano già in



title: Dove trovo qualche beat?

text:
On 2 May 2000 12:49:22 +0200,
vh...@yahoo.it
(=?iso-8859-1?q?Messer=20Gabriele=20Spanu?=) wrote:
>anch'io uso certi campioni dai video.
Non so a quanti frega, ma in quasi tutte le basi che ho fatto finora
c'e' almeno un campione dalla colonna sonora di "Akira". :-)
>Per i beat non so, non hai un sequencer?
>Tipo cubasis o fast tracker o midi orchestrator plus...
Esiste ancora il midi orchestator?!?!!?
Mado', spero che dai "miei tempi" lo abbiano migliorato (l'ultima
versione che ho visto io non gestiva neanche i wave).
Mi sembra cmq che Cippe cercasse beat gia' pronti.
Sebbene sia una cosa altamaente "biasimabile" (imho) e' buono per gli
inizi (almeno, io ho iniziato con giri di batteria gia' fatti).
Trovai qualcosa sul sito "MusicTown" ma non ho piu' l'indirizzo.
Prova con un motore di ricerca.
Sempre con un motore di ricerca puoi cercarti dei moduli (MOD o XM) da
"studiarti" col FastTracker.
--
Uf.ic.xm


title: Dove trovo qualche beat?

text:
<
tu...@libero.it
> wrote:
> Ti svelerei volentieri il mistero della vita,ma dove prendo i beat
> manco morto!
Vabbe'...lui cerca Beat tranquilli....roba che esiste gia'....solo per
provare...mica i beat ricercati che intendi te ?
Zb00nG


title: Dove trovo qualche beat?

text:
ah,allora ok!bene cippe,vai in un negozio di dischi qualsiasi e comprati
quelle compilation di beat che io tanto odio.i nomi sono "Drum
Crazy","Stricly Breaks"....   Buon Divertimento
TURI
"Zb00nG" <
zbo...@tiscalinet.it
> ha scritto nel messaggio
news:1ea2bjt.mb2k7kp52v40N%zbo...@tiscalinet.it...



title: Dove trovo qualche beat?

text:
On Tue, 02 May 2000 21:35:32 GMT, <
tu...@libero.it
> wrote:
>BELLA VERAMENTE QUESTA DOMANDA!!!!!!!!Bella Cippe,non ti conosco,ma mi sei
>simpatico.Ti svelerei volentieri il mistero della vita,ma dove prendo i beat
>manco morto!
Io i beat so dove prenderli.
Pero' se mi sveli il mistero della vita mi fai un favore...
--
Uf.ic. :-)


title: Dove trovo qualche beat?

text:
> Uso questo post per comunicare una cosa che probabilmente non interessa a
> nessuno....o forse no..boh..
> Finalmente il 19/05 uscirà al cinema "Mononoke Hime"  (tadotto: la
> principessa fantasma)di H.Miyazaki.
> Scusa cip.
E secondo te non lo sapevoooooooooooooooo? Spero che faccia da trompolino di
lancio per altri anime mancati al cinema, tipo perfect blue...cmq per i più
ingoranti in materia, miyazaki è quello che ha fatto conan il ragazzo del
futuro, ed anche nausicaa (dato secoli fa sulla rai). Quindi andatelo a
vedere!


title: Dove trovo qualche beat?

text:
> PS( BGM??? sta per?)
BackGround Music. Boia, c'è maison ikkoku music sour che contiene oltre 60
BGM della serie, e per chi l'ha vista, sa che dominano un sacco le bgm di
MI. Il problema è che ho centinaia di campioni, non saprei da qualche
cominciare ^_^;;
Ciao


title: Dove trovo qualche beat?

text:
ahahahahahahahahahahahahahahahahahahahahahahahahaahhhaahahahaahahaahaaahahaa
> hahahahahahahahahaha
> BELLA VERAMENTE QUESTA DOMANDA!!!!!!!!Bella Cippe,non ti conosco,ma mi sei
> simpatico.Ti svelerei volentieri il mistero della vita,ma dove prendo i
beat
> manco morto!
Eddaiiiiii, mica fo hip hop, voglio dei beats solo per sentire come
suonerebbero quei campioni con un beat ^_^;; Dai dai, se viene fuori
qualcosa di bello, ti mando il campione, e premetto che per chi ha visto "2
come noi" ho anche quelle di BGM, e ce ne sono 2 veramente favolose ^__^


title: Dove trovo qualche beat?

text:
> ah,allora ok!bene cippe,vai in un negozio di dischi qualsiasi e comprati
> quelle compilation di beat che io tanto odio.i nomi sono "Drum
> Crazy","Stricly Breaks"....   Buon Divertimento
Ma mi serve per cazzeggiooooo, non voglio comprare niente ^_^;; Ora che mi
ci fai pensare però, cosnosco qualcuno che ce li ha ^____^ grazie turi, ed
il 19 vatti a vedere mononoke hime!


title: Dove trovo qualche beat?

text:
On Sat, 6 May 2000 17:10:49 +0200, "Cippe" <
ci...@freemail.it
> wrote:
>E secondo te non lo sapevoooooooooooooooo? Spero che faccia da trompolino di
>lancio per altri anime mancati al cinema, tipo perfect blue...
Ma l'avete sentito il commento dei tg a Mononoke? "un nuovo Mulan dal
Walt Disney giapponese".
Pessimismo e fastidio.
--
Uf.ic. che non e' fissato con 'ste cose, pero' si incazza lo stesso


title: Dove trovo qualche beat?

text:
Uf.ic. <
carn...@iname.com
> wrote in message
> Ma l'avete sentito il commento dei tg a Mononoke? "un nuovo Mulan dal
> Walt Disney giapponese".
ahahah la nova mulan..ahahaha se ne accorgeranno eh si che se ne
accorgeranno!
Non so come adatteranno la locandina ma in quella Giapponese c'è la tipa
tutta sporca di sangue in faccia. Si si proprio come mulan (anche se a me
mulan piace!) sarà sicuramente la stessa cosa di un clasasico disney!
> Pessimismo e fastidio.
Intanto io ci porto il mio fratellino di 6 anni alla prima e so che come me
ne uscirà entusiasto
> Uf.ic. che non e' fissato con 'ste cose, pero' si incazza lo stesso
--
  Lili-chan  che con poche cose è fissata ma quando lo è lo è davvero!


title: Dove trovo qualche beat?

text:
On Sun, 7 May 2000 15:01:56 +0200, "LIOR^_^" <
lio...@tiscalinet.it
>
wrote:
>Non so come adatteranno la locandina ma in quella Giapponese c'è la tipa
>tutta sporca di sangue in faccia. Si si proprio come mulan (anche se a me
>mulan piace!) sarà sicuramente la stessa cosa di un clasasico disney!
Ehehehe. Mi ricordi il cinema di Milazzo.
La settimana scorsa la programmazione era questa:
pomeriggio - Pokemon
sera - Il nuovo di Tinto Brass.
ehehe
--
Uf.ic. che si e' visto "Indovina cosa c'e' di nuovo?" e se ne vergogna


title: Dove trovo qualche beat?

text:
> Ma l'avete sentito il commento dei tg a Mononoke? "un nuovo Mulan dal
> Walt Disney giapponese".
>
> Pessimismo e fastidio.
>
De ma cosa pretendevi ^_^;? Trall'altro è distribuito dalla disney...cosa
cazzo c'entra la disney ^_^;? Boia de


title: funzionaaaaa

author: NaZiLoPeZ

text:
sono bello sono sano devo fare il vigile urbano!
ciao belli
goku ci da i mazzt a friser. tutto nordico coi muscoli. mmmmmmmmmm. =))))
diggei angela


title: funzionaaaaa

author: *Tomare Roi@ DJ*

text:
NaZiLoPeZ <gi...@studio.commercialista.rocco.cocco> wrote in message
8lhbt5$bgp$1...@lacerta.tiscalinet.it...

eheheh !!!...so ffforti i bbiondi con gli occhi azzurrri è ???
:)))
Paggiondo


title: funzionaaaaa

text:
quel gay di paggio ha scritto nel messaggio ...
>eheheh !!!...so ffforti i bbiondi con gli occhi azzurrri è ???
>:)))
MA TU SEI ROSSOOOOOOOO CHE CAZZO BLATERI???
=))))))))
CRUCCO DI MIERDA =)))))))))))))))))
baci
la tua
possolotta


title: funzionaaaaa

author: Kami sama

text:
NaZiLoPeZ <gi...@studio.commercialista.rocco.cocco> wrote in message
8lhbt5$bgp$1...@lacerta.tiscalinet.it...
> goku ci da i mazzt a friser. tutto nordico coi muscoli. mmmmmmmmmm. =))))
>
Some say... that Diablo... the lord of terror... walks the world again...
Kami


title: funzionaaaaa

text:
Kami sama scrive appresso a ionci:
> > goku ci da i mazzt a friser. tutto nordico coi muscoli. mmmmmmmmmm.
=))))
> >
>
> Some say... that Diablo... the lord of terror... walks the world again...
.....tutto ciò è inquietante........
--
  LiOoOR


title: funzionaaaaa

text:
and this time there are also baal the lord of destruction and mephisto the
lord of bllood
troppo bello


title: funzionaaaaa

text:
On Tue, 25 Jul 2000 10:33:01 +0200, "Kami sama" <
zeroze...@tin.it
>
wrote:
>
>NaZiLoPeZ <gi...@studio.commercialista.rocco.cocco> wrote in message
>8lhbt5$bgp$1...@lacerta.tiscalinet.it...
>
>> goku ci da i mazzt a friser. tutto nordico coi muscoli. mmmmmmmmmm. =))))
>>
>
>
>
>Some say... that Diablo... the lord of terror... walks the world again...
>
>
>Kami
jitu ni kirisutokyou no okamisama desu ka
kuso...
kemono sennin


title: funzionaaaaa

text:
kemono <
kemono_...@tiscalinet.it
> wrote in message
397d84c0...@news.tiscalinet.it...
>
> jitu ni kirisutokyou no okamisama desu ka
> kuso...
>
> kemono sennin
Coijiro ni se moseto titatsu! !!!!
Paggio


title: funzionaaaaa

author: tetsuya

text:
On Tue, 25 Jul 2000 13:00:54 GMT, "*Tomare Roi@ DJ*"
<Lo-vuoi?@comecosa?il VR.cumshot> wrote:
>Coijiro ni se moseto titatsu! !!!!
>
>Paggio
suman ga
wakaranakatta...
kemonooooooooo


title: funzionaaaaa

text:
tetsuya <
kemono_...@tiscalinet.it
> wrote in message
397db0e2...@news.tiscalinet.it...

AHHHHHHHH !!!!...ti ota deckto ni kuzzuru !!!
Paggio


title: funzionaaaaa

author: kemono

text:
On Wed, 26 Jul 2000 06:37:45 GMT, "*Tomare Roi@ DJ*"
<Lo-vuoi?@comecosa?il VR.cumshot> wrote:
>AHHHHHHHH !!!!...ti ota deckto ni kuzzuru !!!
ma va ?
sticazzi... be' la prossima volta non usare i cetrioli.
>Paggio
ciao
kemono


title: funzionaaaaa

text:
kemono <
kemono_...@tiscalinet.it
> wrote in message
397f8322...@news.tiscalinet.it...
> On Wed, 26 Jul 2000 06:37:45 GMT, "*Tomare Roi@ DJ*"
> <Lo-vuoi?@comecosa?il VR.cumshot> wrote
> ciao
> kemono
Uhmmm !!!...l'esperienza insegna č ?...grazie Kem !!!
:)))
Apg


title: funzionaaaaa

author: TheRa

text:
"*Tomare Roi@ DJ*" <Lo-vuoi?@comecosa?il VR.cumshot> ha scritto nel
messaggio news:ZGvf5.49637$sE5.5...@news.infostrada.it...
>
> >
> > >Coijiro ni se moseto titatsu! !!!!
> > >
> > >Paggio
> >
> > suman ga
> > wakaranakatta...
> >
>
> AHHHHHHHH !!!!...ti ota deckto ni kuzzuru !!!
>
> Paggio
Cos'è? La sigla di chiusura di kenshiro 2a serie?
=)
                                                            TheRa
icykew
#29156271
"May I have your attention please?"


title: funzionaaaaa

text:
TheRa <
ther...@libero.it
> wrote in message
f%lg5.32017$wS2.2...@news.infostrada.it...
> >
> > Paggio
>
> Cos'è? La sigla di chiusura di kenshiro 2a serie?
> =)
>                                                             TheRa
iO PENSAVO CHE FACESSE SUL SERIO kEM !!! :)))
Ma mi sbagliavo !!!
;-)
Bella Raaa !!!
Pag


title: RADUNO ALPINI

author: Free

text:
mancano tre mesi, lo so...
ma...
ora che è tornato il crodo ne approfitto. non di crodo, ma della situazione.
CHI VIENE A GENOVA AL RADUNO DEGLI ALPINI DI MARZO???
CI SPACCHIAMO COME DELLE PICCOLE VEDETTE LOMBARDE INCROCIATE CON DEI
DROMEDARI TEDESCHI.
Free


title: RADUNO ALPINI

author: KrO

text:
"Free" <
free...@libero.it
> ha scritto nel messaggio
> mancano tre mesi, lo so...
> ma...
> ora che è tornato il crodo ne approfitto. non di crodo, ma della
situazione.
ti piacerebbe di la verita'!
> CHI VIENE A GENOVA AL RADUNO DEGLI ALPINI DI MARZO???
all'ultimo raduno di brescia han ribaltato la citta'..credo che verro'!
=Kro=


title: RADUNO ALPINI

text:
> all'ultimo raduno di brescia han ribaltato la citta'..credo che verro'!
tre comi etilici l'anno scorso?
gią io porto piu di tre amici, quindi abbiamo gia vinto!!!
genova 4 - brescia 3.
e inoltre mi son fatto amico di uno degli autisti delle ambulanze...  eheheh


title: RADUNO ALPINI

author: chef ragoo

text:
> tre comi etilici l'anno scorso?
1 como, 2 comi, 3 comi.......
allegria tutti svegli come kalief


title: RADUNO ALPINI

text:
> 1 como, 2 comi, 3 comi.......
> allegria tutti svegli come kalief
a ragoo! ma come si fa il plurale di coma?
un coma... due comi...
no? :)


title: RADUNO ALPINI

text:
> all'ultimo raduno di brescia han ribaltato la citta'..credo che verro'!
> =Kro=
...si, ma non c'era più un posto libero per andare in camporella, con tutte ste roulotte e
campeggi vari!
a
r
m
a


title: RADUNO ALPINI

text:
> ...si, ma non c'era più un posto libero per andare in camporella, con
tutte ste roulotte e
> campeggi vari!
c'hai la piu grande concentrazione di alcolizzati alcol e alcolizzanti a due
passi e pensi a scopare?
certo che i giovani d'oggi non sono piu quelli di una volta.


title: RADUNO ALPINI

text:
> c'hai la piu grande concentrazione di alcolizzati alcol e alcolizzanti a due
> passi e pensi a scopare?
...riflesso condizionato.
> certo che i giovani d'oggi non sono piu quelli di una volta.
...già! :)
a
r
m
a


title: salvia a tutti

author: camello

text:
Salve a tutti sono camello, Mc direttamente dalla grande madre MTS (di cui
fanno parte i già noti PAGGIO e MIRRA Mc) spero non me ne vogliate se vi
chiedo di fare parte di questo super fico newgroup....
vi salustro, ci sentimo più avanti.


title: salvia a tutti

text:
super fico newgroup....
c'hai raggione, è proprio super fico, e ci sta dentro di bella.
oh ragazzi, bella storia, vado a sbarellarmi davanti alla tv.
=)
dai, che scherzo =)
IoNe@cistodentrounaplaystation
Sent via Deja.com
http://www.deja.com/
Before you buy.