title: Qualcuno sa dirmi il titolo?

text:
Stevie ha scritto:
> Pardon, volevo scrivere "dell'opera di Mozart DA CUI è tratto...".
Non ho voglia, lo ammetto, di adare a controllare, ma potrebbe essere lo
scherzo K522........
(se c'ho azzeccato mi gratifico con un bicchier di brunello di
Montalcino....:-))))
--
=========================================
Marco Marcelli - Genova
=========================================
"Tutto cio' che e' umano e' imperfetto. Tranne Mozart" (Zazie)


title: Qualcuno sa dirmi il titolo?

author: {PM}

text:
"Stevie" <
jst...@gmail.com
> ha scritto nel messaggio
news:_%M_g.6145$pL3....@tornado.fastwebnet.it...
> Salve!
> Avrei bisogno di sapere il titolo dell'opera di Mozart č tratto ciň che
> Segovia suona in questo video:>
>
http://www.youtube.com/watch?v=2eBnfzngq9Y
> Grazie mille a che mi aiuterŕ :)
Segovia suona F.Sor, introduzione e variazioni su
un tema di Mozart e il tema č tratto dal primo atto
del Flauto Magico, poco dopo 'Schnelle Fuesse,
rascher Mut'. E' il suono del glockenspiel di Papageno,
ripreso subito dopo da Monostatos e gli schiavi con le
parole "Das klinget so herrlich, Das klinget so schoen!
Larala la la larala la la larala!"
ciao
PM


title: Qualcuno sa dirmi il titolo?

author: Stevie

text:
"{PM}" <
alla...@interfree.it
> ha scritto nel messaggio
news:453bb980$0$21804$5fc...@news.tiscali.it...
> Segovia suona F.Sor, introduzione e variazioni su
> un tema di Mozart e il tema č tratto dal primo atto
> del Flauto Magico, poco dopo 'Schnelle Fuesse,
> rascher Mut'. E' il suono del glockenspiel di Papageno,
> ripreso subito dopo da Monostatos e gli schiavi con le
> parole "Das klinget so herrlich, Das klinget so schoen!
> Larala la la larala la la larala!"
Madň! O_O
Ti ringrazio per la velocitŕ e la precisione!
Grazie mille, gentilissimo :)))
S.



title: Qualcuno sa dirmi il titolo?

text:
"Marco Marcelli" <
marco_m...@ELIMINAMI.libero.it
> ha scritto nel
messaggio news:453ba9f3$0$5150$4faf...@reader1.news.tin.it...
> Non ho voglia, lo ammetto, di adare a controllare, ma potrebbe essere lo
> scherzo K522........
> (se c'ho azzeccato mi gratifico con un bicchier di brunello di
> Montalcino....:-))))
Grazie mille Marco :))
Guarda che controllo, eh  >: |
:PPP
S.
--
>> che è il crosspicking??



title: Bravo to Maestro Riccardo Muti

author: Sempre con fè sincera

text:
"...Signor Muti has long been at odds with Signor Fontana, accusing him
of "dumbing down" the repertoire by staging popular shows such as
Leonard Bernstein's West Side Story..."
http://www.timesonline.co.uk/article/0,,3-1500566,00.html


title: Bravo to Maestro Riccardo Muti

author: dan tritter

text:

gaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaby and muti deserve each other,
kissing each other's ass, come scritto.


title: Bravo to Maestro Riccardo Muti

author: Matthew B. Tepper

text:
Please snip r.m.c.r. from follow-ups.
--
Matthew B. Tepper:  WWW, science fiction, classical music, ducks!
My personal home page --
http://home.earthlink.net/~oy/index.html
My main music page ---
http://home.earthlink.net/~oy/berlioz.html
To write to me, do for my address what Androcles did for the lion
Take THAT, Daniel Lin, Mark Sadek, James Lin & Christopher Chung!


title: Bravo to Maestro Riccardo Muti

author: La Donna Mobile

text:
Sempre con fè sincera wrote:

Not that there is anything wrong at all with West Side Story. It just
doesn't belong at La Scala. Period.


title: Bravo to Maestro Riccardo Muti

author: Jon E. Szostak, Sr.

text:
Why not?  We get 'Street Scene' at LOC and 'Mahagonny' at the Met.  What's
the difference. Bernstein's music is every bit as good as Weil's...and
probably better.  Or is it you don't like the story?
--
Jon E. Szostak, Sr.
"La Donna Mobile" <
mobil...@yahoo.com
> wrote in message
news:1109507126.9...@z14g2000cwz.googlegroups.com...



title: Bravo to Maestro Riccardo Muti

author: REG

text:

I am in total agreement with you, Geraldine.
REG


title: Bravo to Maestro Riccardo Muti

text:
"Why not?"  I'll tell you why not: BECAUSE IT IS A PUSHY JEWISH
IMPOSITION. That's why.


title: Bravo to Maestro Riccardo Muti

text:
Wasn't me. I would never use 'period' as a sentencial phrase. It's US
usage, English usage is 'full stop'.
And I'd never be so succinct.
Pinhead has a long way to go in his impersonations


title: Bravo to Maestro Riccardo Muti

text:
REG wrote:
> "Why not?"  I'll tell you why not: BECAUSE IT IS A PUSHY JEWISH
> IMPOSITION. That's why.
>
gaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaby the swine somehow misread the
directions and came out of his sty. somehow eichmann misread the
directions on the final solution and missed gaaaaaaaaaaaaaaaaaaaby.


title: Bravo to Maestro Riccardo Muti

author: EvelynVogtGamble(Divamanque)

text:
Jon E. Szostak, Sr. wrote:
> Why not?  We get 'Street Scene' at LOC and 'Mahagonny' at the Met.
Well...... as to that, I suspect some of us feel that Weil's
music belongs in another venue, too.
>  What's
> the difference. Bernstein's music is every bit as good as Weil's...and
> probably better.
No argument about that - but it still isn't opera.  (Or even
"operetta", since that term implies singers who can SING, a
term that only very loosely applies to many successful stars
of "musicals".)



title: Bravo to Maestro Riccardo Muti

author: Terry Ellsworth

text:
Did Muti retire? That's about the only thing that would cause me to say
Muti and Bravo in the same sentence.
Terry Ellsworth


title: Bravo to Maestro Riccardo Muti

author: Tom Deacon

text:
On 2/27/05 4:49 PM, in article
1109540965.9...@f14g2000cwb.googlegroups.com
, "Terry Ellsworth"
<
terry...@aol.com
> wrote:
> Did Muti retire? That's about the only thing that would cause me to say
> Muti and Bravo in the same sentence.
Didn't you hear?
He is the new MD of the CSO.
TD


title: Bravo to Maestro Riccardo Muti

text:
Actually...I do agree with your assessment...I was just playing at 'devil's
advocate'.
Having said that...LOC did a production of 'Sweeney Todd' with Bryn Terfel,
Nathan Gunn, Tim Nolen to name only a few...ALL operatic voices...and a
brilliantly conceived production.  I loved it!  No...not an opera...wrong
venue...but I couldn't care less...here were the great voices singing a
musical and it was wonderful.
--
Jon E. Szostak, Sr.
"EvelynVogtGamble(Divamanque)" <
evg...@earthlink.net
> wrote in message
news:cvt9t...@news4.newsguy.com...



title: Bravo to Maestro Riccardo Muti

text:
Oh, oh...it's wrist slashing time in Chicago!
Muti's stance of 'only the written notes' has some arguable merits...but
it's like bread without butter...or even good olive oil...for that matter.
Artistic re-creation is in the moment...the divine spark of an artist(s) and
audience interplay...Muti listening to 'Meistersinger' by Braille.
--
Jon E. Szostak, Sr.
"Tom Deacon" <
deac...@nospam-yahoo.com
> wrote in message
news:BE47B651.B0B3%deac...@nospam-yahoo.com...



title: Bravo to Maestro Riccardo Muti

text:
Sorry...last line s/b-
...Muti IS LIKE listening to 'Meistersinger' by Braille.
--
Jon E. Szostak, Sr.
"Jon E. Szostak, Sr." <
jszostaks...@comcast.net
> wrote in message
news:7tWdnXx1jPU...@giganews.com...



title: Bravo to Maestro Riccardo Muti

author: Peter T. Daniels

text:
Jon E. Szostak, Sr. wrote:
>
> Actually...I do agree with your assessment...I was just playing at 'devil's
> advocate'.
>
> Having said that...LOC did a production of 'Sweeney Todd' with Bryn Terfel,
> Nathan Gunn, Tim Nolen to name only a few...ALL operatic voices...and a
> brilliantly conceived production.  I loved it!  No...not an opera...wrong
> venue...but I couldn't care less...here were the great voices singing a
> musical and it was wonderful.
Sondheim says that when a work of his is produced in an opera house,
it's an opera.
--
Peter T. Daniels
gram...@att.net


title: Bravo to Maestro Riccardo Muti

text:

Why the quotes, and who do you have in mind?
How was your trip to NY? I walked past Alice Tully about an hour before
one of the recitals (on the way from viewing the Gates, IIRC) and didn't
see you there.
>    Or is it you don't like the story?
And his name is Weill.



title: Bravo to Maestro Riccardo Muti

text:
Okay, supply a list of which opera belongs to which house.  And then we
can get it all sorted.
Kind regards,
Alan M. Watkins


title: Bravo to Maestro Riccardo Muti

author: donpaolo

text:
I would substitute - FINALMENTE!
DonP.
"Terry Ellsworth" <
terry...@aol.com
> wrote in message
news:1109540965.9...@f14g2000cwb.googlegroups.com...



title: Bravo to Maestro Riccardo Muti

text:
That's FUNNY!!!!
DonPaolo
"Jon E. Szostak, Sr." <
jszostaks...@comcast.net
> wrote in message
news:EdqdnX2Dz-W...@giganews.com...



title: Bravo to Maestro Riccardo Muti

text:
That's very funny.
"Jon E. Szostak, Sr." <
jszostaks...@comcast.net
> wrote in message
news:EdqdnX2Dz-W...@giganews.com...



title: Bravo to Maestro Riccardo Muti

author: Yef

text:
Peter T. Daniels wrote:
> Sondheim says that when a work of his is produced in an opera house,
> it's an opera.
Oh, that was clever. Shouldn't you be doing your 8th grade
homework now instead of playing with the Internet?


title: Bravo to Maestro Riccardo Muti

text:

Troll alert: This entity has followed me from another newsgroup.



title: Bravo to Maestro Riccardo Muti

author: Michael

text:

Does that mean that "Die Zauberflöte" and "Entführung aus dem Serail"
(to name just a few examples) do not belong in the opera house either?
After all these aren't operas, but "Deutsche Singspiele", plays with
songs, the 18th century German equivalent to a musical.


title: Bravo to Maestro Riccardo Muti

text:
Peter T. Daniels wrote:
>
> Why the quotes, and who do you have in mind?
A soprano by the name of Brighman, for one.  Also Michael
Bolton.  Both of them ar3e fine, so long as they don't
attempt opera, IMO.
>
> How was your trip to NY?
Okay, if a bit hurried (I work for a tax accountant, so it
was stretching things to take a vacation at all during tax
season).  Now the Mayflower has closed its doors, I had to
find another hotel.  The Beacon is a bit further from
Lincoln Center, but all the rooms have full kitchenettes
(with dishes and pots and pans) including a microwave and a
cofee-maker, and there are two (actually three) grocery
stores right across the street, so I didn't bother much with
restaurants.
> I walked past Alice Tully about an hour before
> one of the recitals (on the way from viewing the Gates, IIRC) and didn't
> see you there.
In New York in FEBRUARY?(!!!!)  When I live in Southern
California?  (I try not to arrive quite that far in advance
of a performance, even in good weather, and if I do, I
generally wait inside!)  Anyway, how would you know whether
you'd seen me or not?  (SFAIK, we've never met, and I've not
posted my photo to any public site.)


title: Bravo to Maestro Riccardo Muti

text:
Michael wrote:

Re-read what I said about singers who can SING.  I have no
quarrel with operetta being mounted in an opera house - in
fact I enjoyed both a "Lustige Witwe" and a "Fledermaus" at
the Wiener Volksoper, in December 2003.  But the singers
were real singers, not what we all too often here in
musicals in this country.  (Actually I prefer them to the
two Mozart works you mention - which I generally avoid
whenever possible.)


title: Bravo to Maestro Riccardo Muti

text:
EVG: I posted this yesterday-
Having said that...LOC did a production of 'Sweeney Todd' with Bryn Terfel,
Nathan Gunn, Tim Nolen to name only a few...ALL operatic voices...and a
brilliantly conceived production.  I loved it!  No...not an opera...wrong
venue...but I couldn't care less...here were the great voices singing a
musical and it was wonderful.
------
I had hoped you'd comment upon this
--
Jon E. Szostak, Sr.
"EvelynVogtGamble(Divamanque)" <
evg...@earthlink.net
> wrote in message
news:d00jq...@news1.newsguy.com...



title: Bravo to Maestro Riccardo Muti

text:
EvelynVogtGamble(Divamanque) wrote:
>
> Peter T. Daniels wrote:
>
> >
>
> > Why the quotes, and who do you have in mind?
>
> A soprano by the name of Brighman, for one.  Also Michael
> Bolton.  Both of them ar3e fine, so long as they don't
> attempt opera, IMO.
Apparently you're referring to the former Mrs. Lloyd Webber, and to a
work by him. I'll forgive you the quotation marks.
Neither Ms. Brigh_t_man nor Mr. Bolton is a Broadway-type singer. (I
don't know that Mr. Bolton does Broadway. Are you thinking of Michael
Crawford? The only time I heard him was at the Kennedy Center Honors
shortly before Phantom opened, and he did that awful song from it, but
he himself was inoffensive enough. As a child he did something-or-other
celebrated -- maybe a lead in Oliver?)
So try again for Broadway-type singers you don't like.
> > How was your trip to NY?
>
> Okay, if a bit hurried (I work for a tax accountant, so it
> was stretching things to take a vacation at all during tax
> season).  Now the Mayflower has closed its doors, I had to
> find another hotel.  The Beacon is a bit further from
> Lincoln Center, but all the rooms have full kitchenettes
> (with dishes and pots and pans) including a microwave and a
> cofee-maker, and there are two (actually three) grocery
> stores right across the street, so I didn't bother much with
> restaurants.
>
> > I walked past Alice Tully about an hour before
> > one of the recitals (on the way from viewing the Gates, IIRC) and didn't
> > see you there.
>
> In New York in FEBRUARY?(!!!!)  When I live in Southern
> California?  (I try not to arrive quite that far in advance
> of a performance, even in good weather, and if I do, I
> generally wait inside!)  Anyway, how would you know whether
> you'd seen me or not?  (SFAIK, we've never met, and I've not
> posted my photo to any public site.)
Oh, Evelyn, Evelyn, Evelyn. Vee haff vayz ...
Did you at least see the Gates? The day I went was both warm and dry
(though not sunny), and there was a slight breeze -- probably the best
day in the two weeks to do so.
And you neglected to mention Mr. Van Dam. Did he disappoint?



title: Bravo to Maestro Riccardo Muti

text:
Jon E. Szostak, Sr. wrote:
>
> EVG: I posted this yesterday-
>
> Having said that...LOC did a production of 'Sweeney Todd' with Bryn Terfel,
> Nathan Gunn, Tim Nolen to name only a few...ALL operatic voices...and a
> brilliantly conceived production.  I loved it!  No...not an opera...wrong
> venue...but I couldn't care less...here were the great voices singing a
> musical and it was wonderful.
> ------
> I had hoped you'd comment upon this
I'm being offered Candide at City Opera next month. Lyric's Candide
wasn't so good, because they used mostly opera singers, but this
production has John Cullum and Judy Kaye, which is a plus, but it's
directed by Hal Prince, suggesting it's a revival of the 1970s Sondheim
version that I don't like at all (didn't like it when I saw that
production, either), which is a minus.



title: Bravo to Maestro Riccardo Muti

text:
"EvelynVogtGamble(Divamanque)" <
evg...@earthlink.net
> appears to have
caused the following letters to be typed in
news:d00je...@news1.newsguy.com
:
> Peter T. Daniels wrote:
>
>> Why the quotes, and who do you have in mind?
>
> A soprano by the name of Brighman, for one.  Also Michael Bolton.  Both
> of them are fine, so long as they don't attempt opera, IMO.
>>
>> How was your trip to NY?
>
> Okay, if a bit hurried (I work for a tax accountant, so it was stretching
> things to take a vacation at all during tax season).  Now the Mayflower
> has closed its doors, I had to find another hotel.  The Beacon is a bit
> further from Lincoln Center, but all the rooms have full kitchenettes
> (with dishes and pots and pans) including a microwave and a cofee-maker,
> and there are two (actually three) grocery stores right across the
> street, so I didn't bother much with restaurants.
>
>> I walked past Alice Tully about an hour before one of the recitals (on
>> the way from viewing the Gates, IIRC) and didn't see you there.
>
> In New York in FEBRUARY?(!!!!)  When I live in Southern California?  (I
> try not to arrive quite that far in advance of a performance, even in
> good weather, and if I do, I generally wait inside!)  Anyway, how would
> you know whether you'd seen me or not?  (SFAIK, we've never met, and I've
> not posted my photo to any public site.)
Cf. the absent and unlamented J*m C*t*, who once infamously lambasted me
for a complaint about C.C.'s recordings being played at a record store in
*New York City* ... in a post written by Matthew Westphal.  It's difficult
to believe that even he thought I fly from Los Angeles to New York after
getting off work in the evenings, so my best guess is that he confused me
with Matthew Westphal because we have the same first name.  Still dumb.
--
Matthew B. Tepper:  WWW, science fiction, classical music, ducks!
My personal home page --
http://home.earthlink.net/~oy/index.html
My main music page ---
http://home.earthlink.net/~oy/berlioz.html
To write to me, do for my address what Androcles did for the lion
Take THAT, Daniel Lin, Mark Sadek, James Lin & Christopher Chung!


title: Bravo to Maestro Riccardo Muti

author: John Turner

text:
Sempre con fè sincera wrote:
> "...Signor Muti has long been at odds with Signor Fontana, accusing
him
> of "dumbing down" the repertoire by staging popular shows such as
> Leonard Bernstein's West Side Story..."
>
>
http://www.timesonline.co.uk/article/0,,3-1500566,00.html
I don't understand the header, "Bravo to . . . ", exactly.  Is there a
"winner" here because of "West Side Story"?
John


title: Bravo to Maestro Riccardo Muti

text:
>
>    Or is it you don't like the story?
Who


title: [CD] Il Flauto Magico/Abbado

author: Il Negromante

text:
E' uscito il cd dell' opera mozartiana per l'etichetta DG.
(Lo dico solo perché è stato registrato a Modena l'anno scorso)
http://www.deutschegrammophon.com/special/?ID=abbado-zauberfloete
Inviato da X-Privat.Org - Registrazione gratuita
http://www.x-privat.org/join.php


title: Sgalambro e la musica

author: sentinel

text:
"La musica e' un solo corpo di suoni che comprende tanto Wagner quanto il
rock".

Ma il rock raramente ti fa venir voglia di invadere la Polonia.

--

questo articolo e` stato inviato via web dal servizio gratuito
http://www.newsland.it/news
 segnala gli abusi ad
ab...@newsland.it


title: Sgalambro e la musica

author: luziferszorn

text:
On 4 Lug, 20:57,
senti...@interfree.it
 (sentinel) wrote:
> "La musica e' un solo corpo di suoni che comprende tanto Wagner quanto il
> rock".
>
> Ma il rock raramente ti fa venir voglia di invadere la Polonia.
>

banalità


title: Sgalambro e la musica

text:
luziferszorn ha scritto:

> banalità

allenita'



title: Sgalambro e la musica

author: Shapiro used clothes

text:
"sentinel" <
sent...@interfree.it
> ha scritto nel messaggio
news:jt9258$jr4$1...@news.newsland.it...

> allenita'

E' bella anche la parte sui dischi di Wagner e la motosega.

Non bisogna far soffrire von Faninal, però. Caso mai ci leggesse.

Per la precisione, questo è Manhattan murder mistery.
Riferimenti a Wagner anche all'inizio di Annie Hall, dove compare il mitico
neologismo "inebreato".

http://www.youtube.com/watch?v=HXFDeO97JWE

da 5:46 circa, fino a 6:46. :-)))

dR


title: Sgalambro e la musica

text:
Shapiro used clothes ha scritto:

> Non bisogna far soffrire von Faninal, però. Caso mai ci leggesse.

Detesta Wagner o Woody Allen?

> Riferimenti a Wagner anche all'inizio di Annie Hall, dove compare
> il mitico  neologismo "inebreato".

>
http://www.youtube.com/watch?v=HXFDeO97JWE

> da 5:46 circa, fino a 6:46. :-)))

E' entrato nella leggenda :-)))



title: Sgalambro e la musica

text:
"sentinel" <
sent...@interfree.it
> ha scritto nel messaggio
news:jt97b5$otv$1...@news.newsland.it...

> Detesta Wagner o Woody Allen?

Ama il primo appassionatamente e penso apprezzi il secondo.
La metteremmo in una posizione difficile. :-)

dR


title: Sgalambro e la musica

text:
On 7 Lug, 12:25, "Shapiro used clothes" <
vittorio...@tin.it
> wrote:

>  dove compare il mitico neologismo "inebreato".
>

i miei "circoncisamente" e "scissionista" non sono da meno, anzi da +

lz


title: Sgalambro e la musica

text:
On 7 Lug, 12:14,
senti...@interfree.it
 (sentinel) wrote:
> luziferszorn ha scritto:
>
> > banalità
>
> allenita'
>

innanzitutto sgalambrate


title: Sgalambro e la musica

text:
"luziferszorn" <
pan2...@gmail.com
> ha scritto nel messaggio
news:8b395df1-02fd-42b2...@fr28g2000vbb.googlegroups.com...

> i miei "circoncisamente" e "scissionista" non sono da meno, anzi da +

Coraggio, un giorno qualcuno ascolterà anche il piccino represso che è in
te.

Mi è arrivato l'ultimo libro della tua beniamina.

dR


title: Sgalambro e la musica

text:
On 7 Lug, 21:48, "Shapiro used clothes" <
vittorio...@tin.it
> wrote:
>
> Coraggio, un giorno qualcuno ascolterà anche il piccino represso che è in
> te.

invero mi sento già fin troppo al centro della vostra attenzione


title: Sgalambro e la musica

text:
On 7 Lug, 21:48, "Shapiro used clothes" <
vittorio...@tin.it
> wrote:
>
> Mi è arrivato l'ultimo libro della tua beniamina.
>

uff... che poi se proprio dovessi direi Jung


title: Sgalambro e la musica

text:
"luziferszorn" <
pan2...@gmail.com
> ha scritto nel messaggio
news:80eeede1-4821-495c...@q29g2000vby.googlegroups.com...

>invero mi sento già fin troppo al centro della vostra attenzione

Come dicevo sopra, la Miller può eloquentemente far luce anche sulla
contradditorietà fra questa dichiarazione e il comportamento precedente.
Santa Alice.
(pescivendoli astenersi)

dR


title: Sgalambro e la musica

text:
"luziferszorn" <
pan2...@gmail.com
> ha scritto nel messaggio
news:98763993-e3fb-4e0c...@fr28g2000vbb.googlegroups.com...

>uff...

Sta cippa. Mi hai smarronato un anno con Santa Alice dei macelli.

>che poi se proprio dovessi direi Jung

Ci sono novitą anche lģ, targate Moretti e Vitali.

dR


title: Sgalambro e la musica

author: Paolo Tramannoni

text:
sentinel <
sent...@interfree.it
> wrote:

> "La musica e' un solo corpo di suoni che comprende tanto Wagner quanto il
> rock".

� quel che succede quando non si riesce a trovare subito il tasto di
Stop dello stereo nell'altra stanza.

Ciao,
Paolo