text:
On 8 Giu, 19:28, Duccio <
duccio.cuc...@tin.it
> wrote:
> Mi sembra sia Vegh/ Decca
> Il cofanetto Decca è quello mio preferito...
Decca?
In cofano, mi risulta sia Capriccio (il cofano Decca è di concerti per
piano con Vegh che accompagna Schiff):
http://www.jpc.de/jpcng/classic/detail/-/art/Wolfgang-Amadeus-Mozart-Serenaden-Divertimenti/hnum/6595315
Lo possiedo, e debbo dire che da queste esecuzioni traspare una
politezza e una gioia di far musica davvero straordinaria.
E chi diceva che l'orchestra del Mozarteum è mediocre? Nel K 136 tira
fuori sfumature e duttilità mica da ridere.


title: Serenate e Divertimenti di Mozart: avete un esecutore preferito?

author: elegrafonici

text:
"Vaz Rodrigo" <
rodrigoro...@gmail.com
> ha scritto nel messaggio
news:025a488f-0ccb-4d1f...@r33g2000yqn.googlegroups.com...

La mia Posthorn preferita �: Staatskapelle Dresden/Harnoncourt (Teldec)


author: vogon

text:
"Duccio" <
duccio...@tin.it
> ha scritto nel messaggio
news:420137.1244482369789.JavaMail.newsgroup@sc-ng-1...
> Mi sembra sia Vegh/ Decca
> Il cofanetto Decca � quello mio preferito...
forse intendi il cofanetto Decca di Willy Boskowsky con il Wiener Mozart
Ensemble. Ce l'ho e mi piace (diciamo che mi basta), quantunque non abbia
nessun altro termine di paragone. Boskowsky mi sembra un buon esecutore per
queste musiche.
ciao
cg


author: Vaz Rodrigo

text:
On 8 Giu, 21:47, "vogon" <
carlogere...@tiscali.it
> wrote:
> "Duccio" <
duccio.cuc...@tin.it
> ha scritto nel messaggionews:420137.1244482369789.JavaMail.newsgroup@sc-ng-1...
>
> > Mi sembra sia Vegh/ Decca
> > Il cofanetto Decca è quello mio preferito...
>
> forse intendi il cofanetto Decca di Willy Boskowsky con il Wiener Mozart
> Ensemble. Ce l'ho e mi piace (diciamo che mi basta), quantunque non abbia
> nessun altro termine di paragone. Boskowsky mi sembra un buon esecutore per
> queste musiche.
Ritengo Boskovsky (di cui quest'anno ricorre il centenario della
nascita) un grande della musica "leggera", ossia di questo tipo. Le
esecuzioni di cui parlate credo siano quelle finite anche all'interno
di uno dei volumi (il secondo, mi sembra) della Mozart Edition della
Philips. Avevo letto di una qualità audio non delle migliori, a fronte
di un'interpretazione musicale assolutamente memorabile. Ma io non la
conosco.
Di Boskovsky ho il cofanettino di walzer di Strauss con i Wiener,
sempre Decca. Non possiedo invece il cofanetto Emi con l'Orchestra
Strauss. Comunque era un tipo di una simpatia unica. Non sarà stato un
Erich o un Carlos Kleiber, ma a Vienna era amato da tutti, specie
dagli orchestrali (non a caso era il primo violino dei Wiener).


author: Shapiro used clothes

text:
"vogon" <
carlog...@tiscali.it
> ha scritto nel messaggio
news:4a2d6aef$0$6837$5fc...@news.tiscali.it...
Bene. Felice di rileggerLa. :-)
dR


text:
"Shapiro used clothes" <
vitto...@tin.it
> ha scritto nel messaggio
news:4a2d76fb$0$1109$4faf...@reader4.news.tin.it...
>
> "vogon" <
carlog...@tiscali.it
> ha scritto nel messaggio
> news:4a2d6aef$0$6837$5fc...@news.tiscali.it...
>
> Bene. Felice di rileggerLa. :-)
grazie! stavo guardando da un po' i video, molto belli, del concorso Cliburn
di quest'anno, e mi siete venuti in mente ;-)
Ho proprio ora in sottofondo il sonoro di quello di uno dei due vincitori
ex-aequo, questo incredibile ragazzo giapponese cieco Nobuyuki Tsujii. Se ti
(vi) interessa stanno su
www.cliburn.tv
 , bisogna installare un plugin dopo
funziona.
a presto
cg


text:
"vogon" <
carlog...@tiscali.it
> ha scritto nel messaggio
news:4a2d7a91$0$6834$5fc...@news.tiscali.it...
> Ho proprio ora in sottofondo il sonoro di quello di uno dei due vincitori
> ex-aequo, questo incredibile ragazzo giapponese cieco Nobuyuki Tsujii. Se
> ti (vi) interessa stanno su
www.cliburn.tv
 , bisogna installare un plugin
> dopo funziona.
Grazie, dar� un'occhiata.
> a presto
:-)
dR


author: Duccio

text:
Scusate avete ragione. Il cofanetto Decca che ho, ï¿œ diretto da
Boskowsky che preferisco a Vegh, i cui CD tecnicamente perï¿œ hanno
un suono migliore !
Suggerisco di procurarvi il CD del Notturno K286 che ï¿œ veramente
meraviglioso (credo esista un cd doppio della Decca).
Ciao a tutti
DC
Duccio ha scritto:



title: cd of telemann for flute with scores incluses in the multimedia's cd

author: Massimo

text:
 Dear Listers,
 I recently received some requests for further information on the 12
 Fantasias by Telemann performed both in modern and historical style, so I
decided to write explaining the ideas which moved us in organizing these
recordings and how they were realized.
Believe that doing self promotion isn't my intention but I understand that
what I am going to write can also be seen in that way, so, please, if you
are not interested, simply delete this email!
The idea came more or less one and a half year ago when I read about a
quarrel between the great violinist Pinchas Zuckerman and period instrument
group Tafelmusik (all started with Pinchas saying something like "The first
time I listened to period instrument performances, I couldn't believe to
that s***!").
This made me think a lot...... I play both baroque and modern flute and I
always thought that the "instrument" was just a tool in the artist's hands
and it doesn't really matter if someone plays with different approaches, as
long as the performance shows the artistic personality of the musicians
involved...... but I realized that, even nowdays, many people tend too
choose between the so called "hip" performances and those which are more
"standard" and doing so they are totally excluding the other side. In this
way we are really going to miss something worth knowing!
So I decided to do something to show my ideas: Art comes first and the
particular approach is just one of the many paths we can follow to express
our innermost feelings and emotions through music making.
But how?
Then I got the idea: organizing a recording of Telemann's 12 Flute Fantasias
in both contemporary and historical style!
Comparing the two performances, which'd have been very different, would have
been surely very stimulating and instructive for everyone!
Why did I choose these pieces?
Well, I thought that a flute alone would have been perfect for showing all
these ideas and it'd have been easier to concentrate on the sound, phrasing
etc. having just one instrument than an ensemble. Moreover, I really love
Telemann's Fantasias! :o)
But there was another problem: I needed a recording label! I tried
contacting one I collaborated with time ago but they were not interested
in letting me pursue this project so I had to do something myself and I
found that I had also many other quite original ideas for other productions
(both flute and not flute related) so I found some friends who were glad to
help collaborating here and there and, most important, an old friend who was
as crazy as me: we invested a huge amount of our savings in this project and
the "Callisto Records" was born. I take care of the artistic,  recording and
computer programming things (I am an electrical engineer and I am doing a
PhD on musical informatic topics, that's why I decided to include, in every
production we are going to make, a computer cd containing news and, most
interesting, the scores being played in the audio cds) while my business
partner, who is getting his Master degree in Law, takes care of the
administration and legal stuff.
So, now it's time to say something about the actual Telemann performances!
As you already know, our Telemann set includes 2 audio cds plus the computer
one.
The first audio cd features Robert Dick: it's his first "classical" cd, he
was very concentrated and played beautifully with great commitment. I was
really very impressed by him: he really is a great artist with a very
enchanting personality!
He used his usual wonderful Brannen plus his marvellous bass flute and a
Bonneville piccolo and all his playing was simply "magic" (I am not writing
all this because I need to sell the cds..... I was really "spell bound" by
his playing while doing the recordings!!)
The second cd (dedicated to the historical performance) features the italian
flutist Lorenzo Cavasanti who is, in my opinion, one of the best baroque
flute and recorder player in Italy at the moment. He used too very fine
instruments (including two recorders made by the great australian maker Fred
Morgan, tragically deceased a couple of years ago). He plays 6 fantasias on
traverso (a powerful Tardino pitched at 392Hz) and 6 on Morgan's recorders.
The computer cd is readable on any machine with a Java Enabled Browser (like
IE or Netscape 4 or later) since it is made entirely of HTML pages plus a
couple of Java applets.
It contains informations on Robert and Lorenzo (including bio, photos,
instrument details and photos, and an interview to Robert), a short bio on
Telemann, all the the performances in mp3 format and, most important, all
the scores, edited by musicologist Alessandra Lürig, in PDF format and so
readily visible (and printable) on any computer which runs the Adobe Acrobat
Reader (freely downloadable over the net, if you don't already have it).
We set the price of this package at 22 euros plus 3 euro for airmail
shipping (worldwide) so an order from US including shipping is around $21.5
(being 1 euro around $0.86). I honestly don't think this is an expensive
price for all these things!
Currently we don't have distributors (using distributors means setting
higher prices since everyone has to get money from the sellings and we
wanted to keep the final price rather low: I am a cd buyer myself and I
think that nowadays full price cds in shops are really too expensive!) so,
at the moment, ordering via our site [
http://callisto-records.com
] is the
only way to get the cds but I am going to contact some flute oriented shops
soon and see if they are interested in getting some copies.
Meanwhile the Swedish Radio P2 already broadcasted a couple of tracks and
some magazines like FaLaUt, Amadeus, La Scena Musicale and Renaissance
Magazine are probably going to review it in their next numbers.
Unfortunately so far we sold just 1 cd...... but I hope we'll sell something
more soon since, as soon as we recover at least some of our production
expences, we'd really like to organize some new recordings with Robert and I
really can't wait listening to him in the classical repertoire again!
If you need further informations please, simply write me and I'll be very
glad
to reply you privately!
(Actually I need also some feedback on our site
http://callisto-records.com
 ..... is it simple to surf or is it a maze?)
Yours sincerely,
Massimo
lacroc...@tin.it
--
Posted from [212.24.3.7]
via Mailgate.ORG Server -
http://www.Mailgate.ORG