In Cuba, if you grow up in Cuba and you don't play baseball, oh, you're not a good Cuban. It's like not drinking coffee. My story is a little bit kind of unique, kind of like gravitated towards this in a kind of a special way. I have a lot of family members that died of cancer and I know the consequences and it's not the fact that they died, it's just the quality of life. It gets impacted tremendously by cancer and if I can even help a little bit of a cancer population do better and have a better quality of life, that will be a reward enough for me. My name is Renea Hernandez. I started as a graduate student in 2011 in the Department of Medical Physics here at UW Madison and at the same time I joined the BTP program as part of one of the trainees and I recently graduated in 2016 from my PhD and now currently working in the Department of Radiology here at UW. The research I am doing now is basically on a molecule that targets cancer and we're leveraging the targeting properties of this molecule to deliver either toxic radiation doses to cancer or deliver imaging doses of radiation. So depending on what we attach to our molecule, we can either treat the cancer or visualize the cancer. Now, since I'm trying to do more translational research, I've come to realize that the industrial part is key. If you're going to eventually make an impact on society, you have to take it to the industry. Basic research in itself is never going to make the direct impact on the society. You need to go through the entrepreneurial part where you can actually make products and make things that actually the public can use and benefit from. If everything works as expected and based on the preliminary data that we have acquired, it could make a big impact.


Wow, yeah, I swear to God. I'm with it. I don't see nobody in my lane. It's quite go get it like Strip down Play Closer What bit of through the leaves again? Yeah, you want to engage your ears like that. Yeah, so yeah So get the oxygen in I Remember those legs to always keep them tight now. Yeah, I reckon you can still fill this chest up Too light, but just yeah, just enough Tight leaves. So what are you doing scrunch toes and knees out and then push your hips slightly back And we shouldn't gauge a lot through the yeah, they go see yeah, which will narrow your waist as well Good Yeah Start from the floor cars him these glutes quads roll the shoulders for a little bit Come close to the right Do front-hand backhand forward a bit more remember. Yeah Yeah This is my less natural way Yeah Double bicep stroke So you mean like that? Slap here and then all you do is just you just push and then they'll get a lot of all yeah All the abductors and everything else. So just pushing the hips back, but you're still tensing the leaves, right?   Yeah, you just like a practice man. I've been practicing. It's mine. I'm buzzing. Okay.  Just hold the oxygen in just a little bit through the house Yeah That's fine. Okay And relax Okay, so we will do side chests either side do it up on that toe So And that's good with the glute on the side there as well Same either side so tricep back nice Be good. So drop the front knee down and then put your other leg back Try a bit for your side. Try the transition That's all. I did watch the video back, right? So last time Out with that and came down and that was what you kind of liked. Well, it's just more shoulder, not down the back So not not like this. So I try this. So I try that and the shoulders, you know Back into place Yes, that's fine. That's fine. So I was back.  Yeah, so you got more Front foot you can see the hamstring and calf from the rear So hit And all you do is boom You drop down on the front leg Step back on the right with back, but see how you're there. So I would I'm more of a start, see if I can get right back on it. Yeah We're just standing a bit taller. There you go. Ah Yeah It is hard with that balance, but yeah, that's what I mean if you step back further You'll have more stability Because the key thing for that one is like there's the hamstring and the calf that so that judges can see those as well Good Yeah, you know just practicing their transition, you know, okay, face the rear that double bicep And then calf Very good. That's in line and these in cars good squeeze the glutes perfect Yeah, keep the lower body in place And nice Very nice. Yeah, and isn't looks settle and bend at the knee and push your hips forward Let's breathe the base. Good. There you go. Nice. Yeah Drop the shoulders as a chest. Yeah, it's nice. Okay for lovely And that's face the front we go Should be Deeper deeper. Yeah Um, should I do it? I don't know. Should I try vacuum and pose? If I Practice it. Yeah, we're gonna keep those legs tight. That's if they call it You're good, yeah Yeah, I just feel like just out of out of shape is not gonna end much gas Yeah, but not good Most Yeah So yeah, you're not over you But yeah, we were crossing over too much, but you stayed up Traps Still see the amps Yeah, so we're still looking at No Still body darling, right if I'm feeling good The week before I do all three Yeah, well, you can do all three. Yeah, probably busy though. You'll be busy backstage, but yeah, you're bored shorts Yeah, you know all three but you can do three. Yeah, but we just did heavy. Yes, you can do that I knew we can decide that as soon as we can. Yeah, but So we're the closing trunks So to be honest For classic, they're pretty much like those. Are they that short now these you haven't got a lead But they don't have any leg of them. So classic a lot of those Appreciate that they were down here. They were down there. They're about like that now But then all these opposing trunks are a little bit more narrower than that But classic is pretty similar to that So they still cover most of the glues, but not not that And they show a bit more of a quad. Yeah, so Posing trunks would be a little bit more This is this is pretty much classic What do you reckon about the legs mate?  You know what I mean? Yeah But I mean the body has improved a lot since last week As well, so now when we get off those legs, which right yeah, we're just gonna What sort of mean to keep posing because I just I think you're only posing sessions I might jump into over the next couple of weeks. Like I might have to just get you Yeah, we might just have to do another one. Yeah another posing session But let's let's look into doing that But we'll just see what we can do to Get another extra posing session. Yeah, but I think it's just meant not forgetting your legs and keeping them flexed I think that'll be a big one Because it's so easy on the front door why it's focused on upper and you forget your leg Yes, you know what I mean? Why it's um, yeah, that's why I said floor up seat your base So they're in and you can go from there, but I do like the idea of all three So why yeah, I love because Yeah, it takes away like If I was choosing one division, it would be because you know, I want to be most successful in that division But I just want to get stuff in bro. Yeah, I have a good day. Good fun day.  Yeah Yeah Did you like the the shop that I got last year? Yeah, it was real good. It was awesome.  No, I wouldn't have it. Here's your arm. It's going up on one of my hands. Follow your toe. I'm going to get to the next one. It's sort of easy, Sesh. Yeah. Let's head through to Monday. We'll see you at 7.30 on Monday. And let me know what you're doing there.  Sweet. Got a post there, surely. And cardio. I'm doing an hour a day. Yeah. An hour a day. Keep doing an hour a day of cardio. Yeah. You've been doing all the way through ever since. Like with rugby. Started with rugby. And since I finished rugby, I've just been sexually treatable for walks and runs and stuff. Yeah. You know, you might as well. I get about an hour, an hour and a half in those last few weeks as well. If I wasn't, I wouldn't feel good on stage. Right. Because I wouldn't have put in enough work. Enough work, yeah. Keep it. Make sure you're still training. But yeah, get the cardio for our day, then. And then we'll look forward to that perfect depletion from Monday to Thursday next week. Okay. Right. Cool, man. Boss, man, if you need anything, send me a message, bro. Yeah. Yeah. Probably. And that, my friends, is another posing session done. One and a half weeks out. Thanks for being here.


Hi sisters. Is there any way else to start this video than saying hi sisters? I don't think so. I can't think of a better way. I don't know. Can you? But listen, who would have known there would be so much controversy over this? Okay? I guess it's James Charles. A lot of things going on with him. I don't know. Anyway, not my business. A lot of people did not want me to make this video. A lot of people did want me to make this video. To be honest with you, I don't care. I don't care. I make hair does reacts videos. And James did his hair. Therefore, I shall react. It's not that deep. It's not that serious. I don't have anything against James. I never met the guy. I'm sure he's a good person. I don't know. I know nothing about him. Besides what you guys see online. No hard feelings against anybody online. And I do not like canceled culture. So we don't do that here.  It's such a negative thing and it's not cute. Don't do it. But anyways, long story short, not a big deal. James did his hair and I'm really interested in what he did to it. I mean, I've seen pictures of it. So I know what it looks like. But I want to see the process of how he got there. Cause I heard he did it himself and then got it fixed. Yeah. And guys, I am doing a Glitterati giveaway. You guys have been wanting another Glitterati giveaway. I'll be sending four winners a bottle of Glitterati. And all you got to do is follow me on Instagram for Armando NYC. Follow X-Mondo on Instagram at X-MondoHair. And make yourself known. Like my photo, comment. Do anything, whatever it takes. Just make it known that you are in the giveaway. Whatever that is, just do it. All right. And the giveaway will close one week from today, which is August 31st. So if you'd like to enter, enter by then. And that is all. All right. Won't I watch James Charles Bleach's hair? Let's do it. So it's like a people saying that. Every time somebody does their hair, I don't know if I'm going to post this. We all know you're going to post the damn video. All right. You wouldn't be filming it if you were going to post it. Actually, maybe you would. I don't know. I think it's a good decision. Content, I guess. He's done me a list of things that I need, which is lovely. Blue-based bleached lips with your hair separated. Coloring cape to cover your body. It's an Aphagee two-step protein treatment after you're done coloring. Okay. Sounds like a good list. Sounds like it's going to be very impossible for him to do it himself and make it come out. Actually, I don't know. This isn't the worst idea. What else did you buy? But still less than what I guess it would cost in the salon. Like a little less. I am hope now and we're ready to get started. But at least I thought I was ready to get started until I was just informed that I have to wash my hair before bleaching it, which actually makes perfect sense. So I don't know why I didn't think of that beforehand, but I have a full face to make up on and my hair is looking really cute today. So I'm kind of a really sad honestly that I have to take this off. Can we rewind that? I was just informed that I have to wash my hair before bleaching it. Mr. James Charles, in what world do we wash our hair before bleaching? In what world? I'm confused. Big red signs here. Never wash your hair before bleaching it. Never. The dirtier the better. I've done that a few times in my life, washed it before I bleached it and it was not pretty. It was painful. Oh, the reason why you don't wash your hair before coloring it is because you need your natural oils on your scalp to protect it from the intense bleach that's about to sit on your skin, which is not something we're meant to do. Our bodies are not accustomed to that. I mean, I guess they are probably more accustomed than they were a long time ago, but we're not supposed to bleach on our scalps, on our skin. We need those excess oils to cover our scalp in order to make it so it's not painful and doesn't burn our skin off. Cause it is literally bleeding. It could burn your skin. You ever put bleach on your finger and it makes it all white? That's burning it. Very bad idea. This is gonna be a lot more of a painful process. Unless he has a tough scalp, who knows? Never wash your hair before bleaching. Please, don't do that. I'm also absolutely awful. I like the challenges people give themselves. Like Joanna, I gotta go on vacation next week. Antonio, I gotta go on vacation in a few days. James gotta go to a dinner three hours later. All these other girls I watch have work in two hours. Like everybody's got something they gotta do right after they bleach their hair, I've noticed. It's kind of a pattern going on, but I like the challenge. It makes it more interesting, I think, you know? How are you gonna do this in three hours? When you wash your hair, you make tiny microscopic abrasions with your nails. So when you make the tiny abrasions in your scalp, the bleach will actually go into them and that's why it causes that burn effect.  You really shouldn't. I mean, if you do it right and you use the right formulas and the right stuff, it shouldn't hurt. How many gays does it take to put on a glove? That's the question. How do I measure off two ounces of this? Please don't eyeball it. Well, what am I supposed to do? I don't know, I'm measuring. How do I eyeball it? Just make sure it's the right consistency when you eyeball it. I'm interested to see which application process it's gonna be. That's gonna be the interesting part. That's such a pretty color. Oh my God, it looks like brother for the palette. So if you guys don't know, I already purple bleach lightener, might everyone wanna call it. What it's gonna do is attack those yellow tones a little bit more than a white bleach would. So it's gonna really gonna put some ash pigment in your hair and that is what the blue is, ash tone. So hopefully when it lightens, it doesn't too yellow. But James has very dark hair. He's like a level four. It might take more than one time of lightening to make his hair white. We'll see though. Water. I'll see if it was getting hot. Bleach is exothermic. So when you mix it, it produces heat. That was actually correct. But it doesn't really get hot that quick. It takes a long time to get hot.  I don't know. It doesn't really get that hot though. Can't really tell what the technique is going on here. I don't know if there is a really technique. Just take a apply the bleach kind of situation. We see a lot of those apply the bleach kind of things. Like they're like, boom. Like I'm just gonna like, what the damn bleach in the head? I'm just gonna get in a whoop brand in the head. I think that he is starting with the ends. So that is good. I like that. That's actually good. But he's not applying enough bleach at all. He needs to put a lot more. He needs to look like toothpaste. It's very caked on.  And this year, it's not enough. I'm so girls. I kind of always imagined James coloring his hair blonde. And I was like, it's only a matter of time before he does that. Like, it's kind of a good idea, yeah. I've never been blonde before. This is so weird. No, never. I remember I had a gray hair for a second. I didn't have the pink. Oh wow. I don't remember that. Bad face.  I don't know, man. I don't remember that.  I honestly cannot stand when guys have the sides shaved and the really excessively long hair coming out of the top of their heads.  I don't know. The color is kind of cool. I like the color. And my scalp is burning. I think it might. Is that in his eye? No, it's on tonight. Funny. That's really not a good idea to get it in your eye. Coloring your own hair is just way too stressful. It's honestly just like, ugh.  It's just like too much work. Like, it's just not a good idea. It's like, mm. It's like one of those things that always seem like a good idea and then you get into it and it's just like, wow. Hairstyles put in a lot of work. Yeah. You don't think about it.  Like, who signed me up for this? And then everybody's like, I had nobody signed you up for it. I don't know. Anybody made you do this. That extra bleach on the bald spots. That's so loud. I have no bald spots. Oh, yes, you do. Yo, he is going into that scalp. He is like, we're gonna get it in there deep. He looks like he has experience with hair. Mr. James Charles, I thought he would be, oh, I thought you were bleaching your hair yourself. This looks like somebody is helping you. Mm. I'm just kidding, who cares? Bye. Do you need to keep it on for? I bet this is burning. Like, a madre. It is probably hurting so bad because he washes hair. Please, again, never wash your hair before you bleach it. Please. He's gonna be a pinger. So it can heat faster. Yes. Good idea. And also, what kind of flows are those? That's not what these are used for. I feel like you're about to storm area 51. I wouldn't put a blow dryer on it. It's just gonna dry it out. So bleach gets dried out and the moment bleach is dried out, it stops working. You really shouldn't blow dry it. You should steam it.  When I don't have a steamer, I like to use one of those bags that he's wearing, spray the inside with water and then go and sit outside in the sun or put the blow dryer on very, very low with a high heat setting and just like go from far away just so it gets hot in there and starts steaming. It actually makes the lightener lighten way faster. And it makes it so it doesn't ever dry out. So it just keeps lightening and lightening and never dries out. And it's actually such a genius thing that I came up with and my mind is so powerful. Oh. Oh. Oh. Oh. Oh. The bleach is a gather. Okay, let's wash this out now. To the little, to the little, to the little. What? It's okay. Yo, it's mad yellow. Happened. Ah. Honestly, I didn't think it was gonna come out good but the application wasn't so horrible. I'm thinking they just didn't apply enough lightener on there and dried it out with a blow dryer. And good luck to James because now he has to apply another layer on his scalp that is already probably on fire. Can't wait to see that. Look at the ends, man. And he has very cool toned skin. Like extremely cool toned skin. This yellow is just making him look not good. Uh-uh. This is not what I'm comfortable with. Wow, blonde legend. Yes, BW2. It's like a cheap bleach.  When he grew up as the hairdresser, everybody's like BW2. Don't touch that. Yes, get those foils in there, man. You just gonna foil one piece? Yeah, I got lazy. Put the foils on. That would have worked. Oh, that was one foil. Okay, wow, I'm gonna put it. Yo, James, your friend kinda slayed the application on that. Oh man, it's literally another thing. I learned all this stuff the hard way. Believe me, I'm not saying I'm like, I don't make mistakes but like, ooh. Don't shampoo the scalp roughly after you bleach your hair because you got so much going on on that scalp. You don't wanna irritate it anymore. When you wash bleach out of hair, you gotta be like extremely gentle. You're just gonna be like this. Cause your hair's already stripped of all its nutrients, all its pigment and you just wanna like give it some love now. Give it a little condition, a lot of condition and then move on. Oh, wow, that's really blonde. Okay, so we're trying to tone. It looks fine. I mean, I probably would have lightened it a bit more. His scalp probably hurts so bad.  Don't do that. That is probably horribly painful. He is not being dramatic, honestly. This is the first time in my life, I think I'm gonna say this. He's not being dramatic. You're so good. I've never seen a skin like this before. It's like a different look. It's like burning. It's horrible.  I'm gonna do the next side and. Oh. Yeah, not quite there. You didn't quite do it. It looks pretty natural on him in a weird way though. But I did this, you couldn't tell. This is kind of what the hair is looking like right now in a natural lining. It's pretty platinum. There's definitely a few purple strands here. Pretty yellow. Hello guys, I'm here with my good friend Dustin who always cuts my hair. He makes it look fabulous and fantastic and gay and we are going to fix this now. So what are we gonna do? So I just mixed up a little violet based toner to just take a little, just put that all over. I'm just gonna sit on there for like a few seconds, like maybe 30 to, you know, one minute-ish. It's a lot of time. See Dustin applied it to the ends first which was the most orange part because toner happens very fast. When you're dealing with platinum blonde people, it happens really fast. So you gotta work very fast or else you're gonna get some spots that are deep violet, gray, white, and you're just gonna apply it.  And so he applied the ends first because they were the most orange and then he put on the roots real quick and then probably rinsed it off. I mean, I've already seen it but I feel like I'm seeing it for the first time again. This is so fun and so fresh. This definitely looks a lot different on camera than in pictures. Little face tune there, James. Honestly, love won't turn down. I really did not think this is actually going to look good but I'm freaking obsessed. I feel like I look beautiful. I look really tan. I feel like I look like I'm about to have just more fun than everybody else and I'm kinda down. I would much prefer to see James in this kind of a color just like very white silver. I mean, mine's fading but this is the thing. So when you have a very pink complexion, very cool tone complexion, it isn't the worst thing to have warm colored blonde hair because it ends up just bringing out the warmth in your skin but however, a silver toned white, white, white blonde would look, in my opinion, so much better on James and it would really compliment his skin and be very sleek. And listen, I think he looks great and I think with makeup it's gonna look like woof and bun and fresh but there's always room for improvement and next time he gets his hair done, it can be lightened even more into a very silvery white blonde. When you first start out as a blonde, you kinda gotta work your way up sometimes. You gotta start with the yellows, you get the yellow range and you get more white, you do a little bit more lightening, a little more lightening and then you end up like this and you just are addicted to having white hair but it looks good.  I don't have any guesses but let me know. Thanks so much for watching guys. I appreciate you. Don't forget to enter the Glitterati giveaway which ends on August 31st and follow me on Instagram, grab on OIC, follow my brand, Xmodo here on Instagram. Subscribe to my new channel, Brad and Eric for behind the scenes videos of my life and Eric's life. The link to that channel will be on my end screen so just wait until that happens and that is all for today. Thank you guys so much for watching. Don't forget to live your extra life and I will see you all next time. Peace.


This is why your dad is freaking out about the House of Representatives right now. Let's say the House of Reps is like one of those really big K-pop bands, with 434 members to be exact. And just like Destiny's Child Without Beyonce, they're pretty much useless without a lead singer. So the band needs to vote on who's going to take lead vocals, aka become Speaker of the House. The problem is that roughly half the band wants Jennie to take lead while the other half wants Jisoo, who to be realistic doesn't really have a chance, and randomly 20 members want Rose. Well, unless Jennie can convince the Rose stands to get on board with her, the entire band, the House of Representatives, can literally do nothing. They can't tour, they can't record an album, and they for sure can't make a guest appearance on Lady Gaga's Magnum Opus Chromatica. So for the first time in 100 years, the House of Representatives is going to keep voting and voting and voting until the majority can get behind one candidate, whether that's Jennie or someone else. And if they can't get a majority, well, no music for you. And by music, I mean, like, laws, because metaphors.


Hello, everyone, a little bit smaller up here today. Today's video, I'm going to introduce to you the Android Activity Lifecycle, which is a hugely important concept that you need to grasp in this course of developing Android applications. And mobile applications on iOS also follow kind of a similar lifecycle model. And we'll explain, I'll show you what that means. Probably it will illuminate some strangely named methods that you have seen in your activities kind of appearing. And then I'll also talk in a little bit of depth about the Android Runtime, or the ART, which is basically the operating system that is underlying how Android does stuff. And if we understand just a little bit more about how that thing works, it makes a little more sense why we have these so-called lifecycle methods. So, and one other comment I have just before we get started is, in the first half of this course, I'm very heavily relying on the book. So these lectures that I give, they're really introductory. Most of the learning takes place out of the book. In another week or four or so, four more topics, I think, once we get through the user interface stuff, we'll start getting into a lot more custom-generated content from me. So if you're feeling a little sort changed, like, oh, man, he's just giving me stuff out of the book. Well, I am just giving you stuff out of the book because I believe in the book. I think the book presents it very well. But soon enough, in a couple of weeks, once we've got all these user interface things under the belt, we'll switch over to some more stuff that you won't find in any book. But anyway, let me introduce to you this topic here today. All right. So the activity lifecycle. What we are talking about is when your activities start up and appear on the screen. So that's the beginning of the activity lifecycle. And it kind of corresponds in Java terms to whenever the class constructor for the activity is called, and it fires up on the screen. But in Android, if you're using this on a phone or in the simulator, other things happen unlike in regular applications where they're just kind of always running in the background or, I should say, they run to completion. They do some processing in the exit, like a regular Python program, regular Java program. These user interface-based programs, they're kind of sitting there and they're waiting for something to happen. And if you're in a shared environment, like a phone, the user might switch to other apps. Or if you're on your desktop in Windows and OS X, the user might switch to other apps. And that has impacts on your Android application as well. And you want to handle those transitions. I'll kind of talk a little bit about when they're important here. So I'm going to introduce these activity lifecycle things to you, and the book will go into them in much more detail in chapter four. Probably the easiest way to organize the thought of the Android activity lifecycle is through methods that are called. So if we look over here in this diagram, you have whenever the user starts your app, they hit the button from the launcher, the first thing that happens is the activity, the main activities on create method is called. And you have seen this. You have seen this method in your code. And what you want to do, it's different from the constructor, okay? This is, you can have code in your class constructor for the activity, but what on create is saying is, hey, the user is getting ready to start your app. So if you need to do things like read in data from a database or maybe restore some preferences or some history that the user had, now's the time, do this stuff before I get displayed on the screen, okay? This is your chance to do some processing before the activity is actually drawn on the screen. That's what on create does, okay? So again, what kind of stuff goes in here? It just depends, right? It just depends. You'll see some examples in your book. After on create, right? So you have this method in your activity called on create, right? It gets triggered at this point when the user has pressed the button and it's starting to come up. There's another method that you probably have not yet encountered called on start. Starting is the next step. Starting means the activity is going, is being shown on the screen now, okay? This thing is coming up. You see something there, okay? On start is the time to fill in your user interface, right? If you've like read some data from preferences or a database or you've got some history somehow and you wanna customize the widgets that are on the screen based on some data model, do it in on start. Now the UI is alive. In on create, in the creation part of the activity lifecycle, the UI's not there. It's firing up, it's getting ready. On start means your app comes on the screen and it's there, it's rendered, it's ready to go, okay? So the third one is on resume. On resume is a little tricky. We'll come back to it in a minute. It's better given in a context of its counterpart, okay? So know that when you start an activity, these three methods get called in sequence on your activity. Now other things are being called kind of behind the scenes by Android in between in each of these interstices here, right? Okay? But you don't need to worry about that, all right? You just say, all right, there's certain times like in on create, I need to maybe fire up my data, load my data, in on start, I need to change up what's shown on the screen to reflect whatever I've read. On resume, we'll get to in just a second. But these things run in relatively quick succession and then now your activity is running. It's on the screen, the user can interact with it. Okay, so these are like the startup phases. Now we're gonna do the steps of the life cycle that happen whenever the user goes away from your app, okay? So the first one is on pause, okay? Another activity comes into the foreground, all right? This can happen whenever, for example, you get a dialogue box that pops up over your app, not a notification at the top, but a dialogue box. It's like, do you accept these terms and conditions? That pauses your activity, okay? It could also be the case, you know, you can, some people have, you can just swap out, right, which app is on top. But maybe your activity is a stopwatch you want to keep running in the background. Things like that, okay? Pausing means that someone else, another activity has come into the foreground. What is the foreground? The foreground is the thing that's gonna intercept any button presses. So that basically means that, while the user may be able to see your app in the background, they can't interact with it. They can't click on any buttons. They can only interact on something else in the foreground. Okay? So you may want to have some stuff in here that like disables buttons, or, you know, I'm not sure necessarily. It just means that somebody else has come in front. Now, if the user comes back, okay? So the dialogue box popped up, your activity got paused. Maybe a good case will be like a game, right?  You probably want to pause the game, literally. Pause the game, right? So it's not going on there. That's a good thing to do and on pause.  They dismiss that dialogue box that was in the foreground. What, that's when on resume is called, okay? Now we want to restart our game kind of automatically, right, that's when on resume is called. On resume is more useful. Don't think of it after on start. Think of it after on pause has exited, okay? All right, so this only happens though if the user comes back to your activity. On resume, you know, your activity could pause, but you know, maybe the user forgets about it, okay? If the activity goes away from the screen, okay? So this would be the case where you're sitting in your Canvas application and you switch over to Spotify or some YouTube completely. In that case, your activities on stop method is called. You stop the activity, okay? What this means is you need to stop updating the user interface. So again, imagine you're playing a game or imagine you're displaying a stop watch or you're showing a progress bar on a download or a progress bar on a music play, music playing track kind of thing. You want to stop those things from updating your widgets on the UI. You will get exceptions and errors if you do not, okay? Now your activity is not completely dead. It's just stopped, it's not on the screen. It's widgets aren't being redrawn and the reason Android does this is redrawing widgets is, well, it's pretty expensive. And if they're not being shown on the screen, then don't, Android's not gonna deal with that, right? Forget about it. So on stop gets called and that's just your signal, hey, user's gone away, something else is completely covering the screen.  Now a method may be called, all right? So you've swapped over to Spotify and now you're coming back to your app, on restart. On restart gets triggered just before on start and that's your signal that, hey, the user had previously switched away. They had called on stop and now they've come back. Time to start updating that UI again, okay? On restart gets called followed by on start, followed by on resume and then you're running again, okay? So all three of these will get called. The final one is on destroy, okay? On destroy is the opposite of on create and the operating system has, well, the user has closed the app so not just put it in the background but like swiped up or swiped down and it's gone. They killed it, they don't want it running anymore. Totally gone. You've got to release all of the resources that you're doing. You want to try and save all your data, things like that. Make sure everything's kosher. On destroy can also be called by Android itself, right? So if the user was using your app a little bit and then they put it in the background and it's been running for three days but they've not touched it, Android's probably going to kill your app. You don't have any control over that whatsoever. Android just says, you're not being used, see you later. It can take a while for that to happen and there's a lot of variables that decide how much memory are the other apps trying to use and can Android save some by killing yours or if your app has some pretty invasive permissions that it uses like recording the microphone or location, Android might kill your app if it's running back there as you don't need to be there. The problem with on destroy is you don't know when it's gonna be called. And it's not reliably called either. This is a problem endemic to any piece of software that you write with the halting problem, right? In theory of computation, software doesn't know when it's gonna be killed.  So the best place that, but Android knows, the operating system knows, it's not guaranteed to call on destroyed. So usually it's a good idea where if your users entered some data or you have some statistics you wanna save about how far along they were in their song, you wanna save that information on stop. That's guaranteed to be called, okay? On destroy is most likely called and then the activity is gone, okay? So what does that mean? What is going on in Android land to make this happen? Well, let's recall the Android stack for just a moment. Remember, your application is gonna sit way up here at the top and there's all this other stuff down below that makes it work. The framework that you've gotten used to now with views and widgets and today we'll talk about the Android runtime a little bit. We're computer scientists. We should know a little bit about how Android is dealing with the code that you write, okay? So when you write a program, let's talk about what happens when you write a program in Android and the steps that have to happen to get it to run on a real device or a simulator, okay? When you're writing a program, a regular program in Java or Python or CC plus plus, there's a couple of steps, right? And there's a couple of layers to the actual machine that you're using, right? So you start by writing code in a programming language like Java and it runs in language specific code inside a virtual machine. Now a virtual machine is just, it's another program, first of all, and this code, the language specific code talks to the virtual machine kind of abstractly. It says, hey, I want the keyboard input. Hey, I wanna write to the display. Hey, I need to write to memory, okay? The virtual machine is virtual, but the nice thing about the virtual machine from a programming language perspective, Java has a virtual machine, Python kinda has a virtual machine, is that these run on any operating system, right? Windows, Mac, Linux, they all look the same to the programming language code, okay? It's a level of abstraction. Let's you write programming language code without having to worry about the details of whether you're writing that code for Mac, for Windows, for Linux, whatever, okay? The language specific code, this is often called byte code, gets compiled into native code, okay? Native code is stuff that Windows or OS X or Linux understands, okay? Specific operating and system instructions that are particular to a particular operating system. The operating system, its job is to translate this native code into machine instructions. So your computer has hardware in it, right? It's silicon and lightning, but the computer understands a language. And in CSC 242, computer organization, you were exposed to this, right? Machine instructions are binary. They're ones and zeros. And ultimately, these ones and zeros kinda get translated through your computer architecture and down into and gates and or gates and or gates and all that good stuff, right? But there's several layers of compilation. From abstract that can run on any platform down to stuff that's very specific to the hardware in front of you. Same thing in Android, okay? But these things have different names and you should know what these things are, okay? So the virtual machine that all Android applications that you write runs in is called the virtual or the Android runtime or the ART, okay? Android runtime. That's the virtual machine that Android programs run in, okay? The operating system for Android is Linux 4.4 or higher, right? That's what's on every Android phone. The hardware is particular, whatever particular model of phone you're running on, okay? And the Android emulator can simulate a variety of these different things for you, okay? All right, so the language you write in is Java. Java gets compiled into what we call Davelik bytecode. It's something specific for Android and I'll show you how it kind of fits together in a second. And these are things that Android runtime understands. It gives it commands. It handles things like life cycles. It knows how to draw widgets. All that stuff is encapsulated here. Then Android runtime converts this into an OAT file of a head time file, right? It's a executable language format which is like a standard format for creating executables, right? You know, the kind of files that run and do stuff. The Android runtime changes this into an EL or an OAT file which is in a particular format understood by Linux, right? Linux then takes this ELF file and compiles it into the machine instructions appropriate for your computer hardware, okay? So kind of interesting. There's a lot of stuff going on here. There's a lot of layers to write in code.  The folks, the good folks at Android take care of these layers, right? Davelik and OAT. And the machine instructions while translating that, that's what the Linux guys do, okay? All right, so let's walk through the steps of compiling for Android. Like when you hit the run button in Android Studio, what happens? It's a lot, it happens. But you should be familiar with it at a high level, okay? So when you're writing your code, you've got all these Java files. You've got libraries that you're using, those things that you import in your build.gradle and that you've been using so far. But they're just Java, right? Libraries, and then your resources, your XML files, any pictures that may be included in your app, sounds, that sort of thing. This is the stuff that you say, I need in my app. Okay, so you click run. First thing that happens is your regular old Java compiler, the one that you've used before, takes the Java files in the libraries and turns them into class files. This is what happens when you run any Java program. The special sauce starts to come in whenever to pack in these resources. So Android has this thing called the dex jar compiler, turns it into this dex file, okay? The dex file just packages up Java files and resources into, and this is the language, davlik bytecode. This guy right here, davlik. That's what dex is short for, davlik executable, okay? But it's an executable, okay? Specific, it's a mix of Java and these other resources, okay? So we're kinda, again, we're here, we're at this layer. We've got something that's very generic that Android systems themselves understand, right? It's like the common language that all apps that have ever been written for Android are translated into, no matter where, who wrote them. Okay, so the next thing is this AAPT package gets called on your bundled up file. Now at this point, this is kinda interesting. This is usually just one file. So all the things that you have written together, all these Java files, the libraries, the resources, they're all being smushed into one file, one big file, right? A couple megabytes usually. This packageer puts it together. Now this thing does some magic, but the most important thing it does is it signs your output. The output is called an APK, an Android package, okay? This is another executable, it's got your classes inside of it, but this is the thing that goes to the store, right? It goes to the store, this is what gets downloaded and installed on your application, chunk, to file. And it comes down and you install it and suddenly you have the app, okay? The packageer does something very important, which is it signs it, okay? So when you go to make an app and put it out in the public for the world to see, you have to sign it with a digital key that says, this is me, I have created this thing and I have put it up on the internet for you to download. And cryptographic keys, digital signings be what they are. People will know and the Google Play Store will know that that came from you because you have a private key that you're holding secret that you use to sign this thing, okay? So this package, you create this package. Now at this point, if you were working on a real app and you wanted to deploy it to people, you're gonna take this package and you're gonna upload it to the Play Store and Google will take care of distributing it for you. When you're dealing with debugging and running it on your own little device or the simulator, what happens is the APK gets sent or installed into the Android runtime. This is sitting here running on your phone. The Android runtime extracts the OAT file out of the package. And remember, OAT file, gotta go back here a few slides. This is the thing that's generic executable format that Linux understands, okay? Takes the generic format that Linux understands. There's a zygote process. This thing called a zygote, right? What's a zygote?  There's a little zygote process and all that zygote process is, is basically an empty Android activity. It knows how to start and shut down. What it's waiting for is the details of how to fill in the blanks, right? That's what that reads from this OAT file. The Android runtime forks off a zygote process, fills it with the OAT file and now your app is a process on the Android Linux operating system, right?  There it is, right? You know, if you go to your task manager in Windows, you can see what's running, right? Well, Android extracts out of this APK and executable understood by Linux, forks a zygote process and then the zygote kind of consumes the OATs and now your app pops up, okay?  Very complex process, right? Okay, so if you recall from the intent stuff from last time, you don't actually call like, if you want an activity to start, you don't call new activity. You say, I need a new intent and with this intent, I want you to start up this other activity and you call this specific start activity thing. Well, what you're doing is you are begging the Android runtime, hey, find an activity and start it out, load up a zygote process and fire it up, show it on the screen, okay? That's what you're asking it to do when you say start activity. Now in the Android runtime and on the Linux operating system, you have many different apps running. Each process, each app is its own process on the operating system. Oh, my process list is gone, okay? By default, when you have, now you may also have, and why did they do this? They isolate it for security reasons. We don't want Spotify's app talking to Android's app without our knowledge, right? We have Canvas here. Canvas shouldn't be touching reading your Spotify data. So the apps are isolated primarily for privacy reasons but also for reliability reasons. If Spotify crashes, we don't wanna mess up Snapchat, right? So every application gets its own process. Inside the process, every activity will run, okay? So in general, inside a process, so this is for Canvas, right? The Canvas process, you can have many different threads that are running, okay? You will have a main user interface thread and this is kind of important. Every process has a main user interface thread. In Java, the user interface is controlled by one thread, one process. But you can have many threads inside your process.  If you take operating systems or parallel computing, you'll learn all about processes and threads but sometimes you wanna share the work, right? The main UI thread is what is drawing things on the screen and receiving user interputs and interacting with it but you may have other long running things that your app needs to do like backing up a database or downloading a file from the internet or uploading a file from the internet. Those things take a long time and you want to have them on different background threads, not the main user interface thread because if they're on the main user interface thread and they take a long time, what happens is your app freezes, right? And you've experienced this. That's what's happening. Some long running application is going on and you're sitting there furiously mashing the button, right? Like why isn't this thing locked up? Well, something is blocking the user interface thread. It can't respond. It can't accept your input. It can't display results. So Android allows you within your process for your app to have multiple different threads. And we'll probably, we'll get to interact with some of those later in the semester. So anyway, kind of wrapping up here, gone on for a long time. When we talk about the activity life cycle, what is causing these things is this environment here, the Android runtime. The Android runtime is being shared with all the other apps on your device. And even if you're using a simulator, right, that's not got anything on it, if you look at the processes that are running, there's actually a lot going on. There's a lot of these Android processes that are going on in the background. So the activity life cycle is about Android kind of managing when things are running, when things come on to the screen, when they leave the screen and so forth, all right? So in the lab, you will get some experience working with these different life cycle methods and they're gonna be important because as you go into developing more complicated apps, you're gonna find that figuring out when to save data, when to load data, when to stop drawing, when to start drawing, it becomes an important part to building a reliable application. All right, that's it for now. Have fun in your app development and I'll see you next time.


Alright, here's the deal. So many coaches ask me, then can I run sessions from a public park or a neighborhood if I don't have a location and I want to take the time in this video answer this question So it's easy for you to take the correct steps to securing a location Now it doesn't matter if it's a private park or a public park You can use those places if you talk to the right people You should never try to go to a public park or private park or private field or private facility Without speaking to the person that runs it So for you that might be getting a permit in your city that might be talking to the principal of the school It doesn't matter too many coaches are getting caught Doing their sessions at places that they could do it at but they get caught because they don't talk to the right people So it's better to talk to the right person first Before you start using their space And I've seen this personally in my business. I ran into a big problem at the beginning of my business I used to use this college field in my city They have an unbelievable field and I would use their game field and I was so naive And I used start using their game field on Sunday mornings Because I knew no one would be there and then I got in trouble and I got in trouble at a terrible time When I was running a big clinic and I was really embarrassing and it taught me a lesson Don't ever try to use a location without talking to the right person and that's what I did I started to realize well, I need to talk to people make sure I can run my business from there Otherwise, I'm gonna be looking over my shoulder every single time I run a session Which is not a good way to run your business. So whether it's a public park Private facility does not matter. You want to talk to the right person and don't just send them an email I would call them or meet them in person. Tell them what you do Try to see if there's a way you can add value to their organization or their facility By you coming in doing some free clinics or something like that in exchange for using their location, all right Now I'm out here at this park and I'm gonna just kind of take you with me here. So you can see this so I'm out here and If I was starting my business today, what I would do is I would go talk to the person and I'm gonna Google I'm gonna go find their number and I'm gonna go find out Who can I talk to if I'm going to use that space there now that space here behind me? It's not perfect. It's not perfect by any means But if I talk to the right person and I have clients and I Can safely use this park. I'm gonna start my business, right? I'm not gonna let that hold me back But if I don't talk to the right person and I just assume that I can go use that, right? that is not a good call for me because it will catch up to me and You know either cops are gonna show up or If I need a permit, I don't have one that will backfire against me So don't make that mistake. Hopefully this video helps you This is the first time watching one of our videos. Make sure hit that subscribe button this point We have over 650 free YouTube videos on this channel. This is for you if you want to make money


There's already another ban list? What's up guys, you're back with the most anticipated ban list review of the season. I feel like we just had one of these. It was like a month ago that we just had one. So I don't know, we're back ban list again. I know you guys are here for the most in depth analysis on why every card is banned on this ban list. So I am not going to disappoint you. Let's get into it. Let's see what's been banned. What's been limited? What's been unlimited? What's been unbanned? What's at 1, 2, or 3? Let's go. Here we have this effective from December 1st. That's not yet, but it's in a couple days. So here we go. Let's see what's been changed. It's all a little spoiler on one of the big cards when I opened up Twitter. Maybe on Twitter too much. Follow me at ruxen34. Got a little spoiler and realized the ban list was out. So let's go. I just woke up by the way. So forgive me. First thing we have here is nothing. We have nothing so far. Okay, there we go.  We have curious the lightsworn dominion, I believe. Curious the lightsworn dominion. I know a lot about this card. It's now banned. There we go. Let's go to the next card. Let's see what else we have. There's Verite. It's still there. Okay, no more Verite. Unfortunately, no more Dragoon for me. Let's see what else we can find. That has been changed so far. This is it. Are we going to get any other bands in the ban list? I think we are because I saw a spoiler. Here we go. Let's see what else we can get. Oh, we're getting to the spells. What could be on the spells? I don't know. There could be something there. What is it? Butterfly Dagger Elma card is safe for turns. Look at all these old cards that are still on there. It's crazy. They've unbanned a lot of them. But some of them are still too good. A chicken game or at least too annoying. Okay, we've got Cold Wave still there. Confiscation. Like they're all old cards to get to future. Look, these are all original cards. Okay. Heavy Storm, Grateful Charity. These are literally all like original like 11 set cards, which is insane. Met Mass Driver. I have never actually really paid attention. I like looking and reading these metamorphosis. I'm probably wrong. Let's keep going. Oh, and there it is. Mystic Mine. That is not an old card. That card came out. I believe in Dark Neostorm. So it's been about five, six years. People having to deal with people using Mystic Mine. I, okay, look guys, I know it's a meme, but I do not play that much. But I have played against this card. It is miserable. And I see why people wanted it banned. I know Mystic Mine is not like topping like most. Like when there's the top 32, they don't have like 12 Mystic Mine decks. Usually like one or zero or something like that. And at Pasadena, it was all tier elements. There was like two other decks or something like that. There wasn't even Mystic Mine. I don't think being played like in the top 32, but it's just so annoying and like toxic. People don't like it.  You got your plan. You got all the stuff you're going to do. They just play Mystic Mine and you're just like, alright, and then you have to go to that King Scarlet song. Just draw the out.  So it's never very fun to play against. So I think this is probably a good thing that they did this. I know everyone's going to be rejoicing me because some people actually do like Mystic Mine, but for the most part, I think it's just better for like the playing experience that this doesn't exist. So there it goes. Jesse Cotton, you were right. We should have been prepared for Mystic Mine. Let's keep going. Let's see if there's anything else because this was like the main reason. I saw the spoiler. I don't know anything else. Let's see what else there is in the, the Epic Bandless reaction that we have here. That's all the, that's all the band card. So we're on the limited. Let's see what else. See if anything got limited. Maybe something got unlimited from being banned. I don't know. Alright, so far nothing. Here we go. Herald of Orange Light. I know this was a good card in the last format because everyone was playing tier elements or whatever the decks call them. And I know everyone was running like three of these. So they put it to one, I guess to, which is weird because it wasn't just like an anti card. I feel like because this is like a tier zero format and you would want to like hurt that deck rather than hurt the stuff that counters the deck. I don't know, you know, I guess we'll find out. I feel like they probably hit tier elements a little bit, right? Because it is a tier zero format. Do we really want to have the same deck every single time on Twitter? Because I don't play that much on Twitter. I see people actually say, Hey, I actually kind of like this format. VOP my friend who I went to Pasadena with was talking the whole time. He's like, I actually kind of like this format. I know it's like a kind of a controversial opinion. Some people said they liked it. I don't know, maybe Konami thought so. Let's see if they actually hit the deck. Let's keep going. All right. Nothing else unlimited. Let's see what we can find in limited. Is that it? That's all the limited. So so far, what is that three cards? Curious. I'm saying that curious is probably a main card in deck. I don't know. Curious got hit. Then we've got her Lord Orange light in the missing mind. That's all that has happened so far. Let's see. We're going to semi limited. So not a lie. We have recital Starling was limited. It's not semi limited. I know every time anybody talks about this, they're like, yeah, this shouldn't exist. There shouldn't be a semi limited list. So they're still list. So sorry to tell you. All right. Let's keep going. We got the last thing. Oh, okay. Here we go. We got a teller night card that was forbidden is now unlimited. What teller night went this went from forbidden to unlimited. So this card must be garbage because they didn't even like slowly rolled out. They're just all right. Yeah, I know. Actually, you know what I know this from? It has an ultimate record. So keep going dimensional fissure. This was limited. It's now no longer on the list. So this wasn't forbidden, but it was limited. So dimensional fissure. Yeah, I do know that card actually don't know what it does. So let's keep going. Then we got three more. Wow. Three more cards macro cosmos macro cosmos is unlimited. I guess that. Okay. Now I see. Okay. Use macro cosmos against the tier elements.  I see what you're doing there. Can I be all right? All right. Cool. Fire formation, 10 key. That was semi limited. I didn't realize that in the metaverse. Okay. Metaverse. I've seen this car, but I don't know what it does. So I'm assuming that's some sort of other card that could be good against the deck potentially was limited. That's interesting to see macro cosmos back at three. That's actually pretty cool because that's like a really good card also probably going to be really annoying. I have for some things playing three macro cosmos. That is super interesting to see. I don't actually know the scope of how much this hurts the deck because obviously never played the deck, but I know that macro cosmos is going to be interesting to play against it, but Mac, missing mine obviously is the big hit of this. My uneducated, uneducated I hear. I thought there would be more things like actually hitting some of the tier elements cards. It seems like they didn't really other than this. This I'm assuming is a good link card in the deck, but if not, I don't know what the point of that was. So they hit this. Maybe that changes the deck completely. Missing mind really has nothing to do with it. So I guess that that doesn't really matter at all. And then and then herald the orange light. That's like that's used against it. So I don't know as since you are here for the most educated of all the bandless reactions. I hope you enjoyed it. I hope you now know more about Yu-Gi-Oh! From watching this just like I do because I'm excited about missing mine. I'm glad that they banned it. Even though here's the thing I don't love about Mystic Mind, the memes. No more memes. The Twitter memes were so good for Mystic Mind. I just love to see people so mad about Mystic Mind, so ready for it to get banned. Now it's banned and it's over. There's no more fun. You know, now we just have it banned. Now we don't even have to think about it. All these great cards that got banned. We don't make memes about them because they've been banned already. So that's a little sad. I'm taking a little shot for that one, but that's okay. That's it for the most epic, banless reaction of all time. Hope you enjoyed it, Joseph. I will see you guys in the next one. Shout out to Toe Info Show, Daxter, Tomato Juice, JT Show, TCG Trusted Cards, Puffins of Doom, Ernesto DeAnda, Dizzy, Flexi Boy, Hoppus, Choice 3-3-3, Missycle, Melancholy, and at his high show, Christopher Ward, Ian Moosa, John Nolan, Junior Barting, Mike Nance, Mimigakko, Stanley, and Thomas McLean. Thank you guys for supporting the channel and I'll see you guys in the next one. Peace.


The review compares the symptoms of myalgic encephalomyelitis slash chronic fatigue syndrome, me slash CFS, and long COVID, finding them to be very similar. It also examines the underlying causes of the two diseases, focusing on abnormalities of the central and autonomic nervous system, lungs, heart, vasculature, immune system, gut microbiome, energy metabolism, and redox balance. This comparison reveals the strength of the evidence for each abnormality in each disease, helping to set priorities for further research. This article was authored by Anthony L. Komaroff and W. E. N. Lipkin.


When I woke up today, I knew that I would be making a video on the general shareholders meeting that happened early this morning in Japan, well, early this morning for us. And I find it fascinating that this is the topic we're covering out of it. Now to be clear, the shareholder meeting had a lot of questions about next generation hardware. You could definitely tell that there are several investors ready to move on, ready to see what's next, other investors that aren't, and potentially some cold responses from Nintendo in some cases. There was one translation I saw where Nintendo might've called third-party developers arrogant, but the reason we're not gonna go over all that stuff is because the way these translations work with the information available seems a bit rough around the edges. So instead of putting words in the investor's mouths or putting words into Nintendo's responses, we're gonna wait until Nintendo at least releases the official documentation from it, even if it's in Japanese so we can get a translation that way, or obviously they always end up releasing their own English translation of the meeting. So we're just gonna kind of wait until we have the, the details with the full context because it does seem like this was a rather very, very interesting meeting. But we are gonna talk about it today because, well, if you guys recall, there was a time when somebody bought a bunch of stock in Nintendo just to go ask them some simple questions. And it turns out somebody did it again, but this time it wasn't really to ask a question, it was more to make a statement, a very heated, ranty statement that apparently many people in attendance of this shareholder meeting, so fellow shareholders, found to be extremely disrespectful and the rant was about Splatoon 3. Yeah, talk about not what you expected one of these shareholder meetings, someone going on a long tirade about Splatoon 3 to which Nintendo clearly wasn't gonna give any sort of response, but I wanna talk about this because it's just, I'm kind of flabbergasted and also how much money did this person spend? How much stock did they have to buy to even be in this meeting? That's also quite interesting as well. So let's talk about that after I remind you guys that we're on our road to 133,000 subscribers. I would appreciate if you subscribe to the channel because if you do, we just might get there. We do have a long-term goal as well of 150,000 subscribers for 2023. So I would just appreciate all of you guys' support if you're enjoying the video, of course, right? We want people who enjoy the content. All right, let's get into this and this is just, okay, let me read this. I'm getting it off of Nintendo everything who got it from N-Styles and some words from, well, we actually know who this person is. Let's get into it. It says a fan spends over $3,500 to rant about Splatoon 3 at the Nintendo shareholder meeting. Some bizarre situations have occurred at Nintendo's financial meetings in the past, and one of these strangest happenings took place earlier today. The big N held its annual shareholder meeting and per usual it included a Q&A session. Reports have surfaced that someone was ranting loudly about female characters perceived preferential treatment in Splatoon 3 regarding customization. This person felt there is a lack of options for male characters, including hairstyles and emotes compared to those available to the female counterpart. N-Styles, who attended the event, says the rant went on before Nintendo President Shintaro Furukawa was interrupted the fan. Like Shintaro Furukawa tried to stop it. He's like, hey, your question's too long, basically. Like, can we, you know, wrap this up? And the attendee was told obviously that it was too long but he continued to rant anyway. He eventually finished and Furukawa simply said, thank you for your interest in playing our game. We appreciate your valuable opinion. Now, Twitter user, Harukataku, I don't know, I'm butchering it, it's H-A-R-U-I-K-A-T-A-K-O has come forward to claim that he was the person in the meeting doing the rant. He purchased $3,570 US worth of tickets, AKA shares in Nintendo so that they could attend. He previously sent letters to Nintendo but since they never got a reply, he bought the shares in hopes of talking with Nintendo directly. He did resell items in order to afford these shares such as his Switch OLED. Video Game Chronicle has this translation of one of his tweets and comments at the Nintendo shareholders, meaning I complained about the current cold treatment of Splatoon boys. Halfway through, I was told there are other people who want to ask questions. So the second half took a lot longer than I planned what I did manage to tell them. This is wild that a fan that just doesn't like a creative choice and thinks that males are being not represented as well in Splatoon as females, going off, this is not, look, Nintendo's not gonna make changes to Splatoon 3 because of this rant. Can we be clear? This rant might have made him feel personally better. I told Nintendo, they wouldn't respond to me. They still didn't respond to you. They're ignoring you. They're probably gonna start implementing measures to figure out how to prevent questions like that ever making it to the floor because the bottom line is there is a certain era of professionalism in the approach and it wasn't even a question, right? This was a Q&A section. This was where shareholders were supposed to get questions and he didn't really have a question. He just wanted to go on a long, tirade, monologue speech to Nintendo to basically force them to change representation in Splatoon 3 and options. And this is just not how you go about things. And when I find a little frustrating, some of the responses in the comments section on Nintendo, everything, they really caught me off guard and I'm sure some responses on YouTube here are gonna catch me off guard as well. So like this Link 2 Metroid guy said, Nintendo don't listen to their fans, not their letters, not even their president when being directly addressed. The lesson is never try, you tried your best, don't, you failed miserably. They're acting like Nintendo's disrespecting fans because they didn't respond to this person. Dusty Stars then said, this is sad, I feel bad for this person seriously. Hope after this experience he just moves on from Nintendo because it's not worth it. They are not the same company as before and will not ignore you if you do not consume their dump. I don't, this is, this is just weird. Just very, very weird. Like, this isn't how you go about talking about things. There's a lack of professionalism. The president, Shintara Furukawa, doesn't make all the creative decisions. I don't think he makes any of the creative decisions for the games. And Nintendo is very aware of fan feedback online. They take that in consideration typically their next goal around. So if there is a large groundswell of complaints over the lack of customization and emotes for the male options in Splatoon 3, that is something they would take in consideration for say Splatoon 3 DLC or Splatoon 4 in the future. Like that's not something they're gonna go in and fundamentally change in the current game. Like they're not gonna release a patch to change that kind of stuff because they're too focused on other things like adding new maps, adding new modes, adding new weapons and yes, working on the DLC. So it's sort of a frustrating thing as we've seen Nintendo has actually paid attention to the internet groundswell. I also don't think I've ever heard this complaint about Splatoon 3 which sort of tells me that this might have just been a very small or just this individual's problem with the game. If you actually go to his Twitter profile there's actually a number of people on his tweets telling them that not only is he wrong but his opinions on this were wrong but that this is just not what you do. You just don't go to the top of the chain and try to make people feel bad for you because you sold your Switch OLED just so you could rant to the president thinking that's gonna actually make a difference and get you what you specifically want in the game. It's very, very weird. And one of these comments I actually really liked over on Nintendo everything. It came from Z-Bars that you only need $3,500 in shares to go on an extended rant directly to the president of the Nintendo. That's actually cheaper than what I thought it would be. And that's the fun take on this. It really isn't that much money to get into a shareholder meeting to ask Nintendo a question. Think about that. It's actually not that bad. So I guess if you ever wanted to ask Nintendo a question directly and maybe a question that they actually would answer, then it's really not that expensive to do that. A lot of people thought it would be something that would break the bank, but for some people, hey, you know what, $3,500 just to ask Nintendo a question. There might be a fan who finally does it to ask him something Nintendo can answer rather than going in there to put on a show. The person was clearly attention seeking and kind of acting like a toddler. I think that's sort of my takeaway from this. I don't know the person, obviously they're Japanese and I don't know why they thought that going on a rant and a rant that people in attendance said was pretty insulting. Like it wasn't done in a way that came across as an impassioned fan. It kind of came across to many of them as a child whining for not getting exactly what they want. But what are you gonna do? Not the story I thought at the top of the day, I thought maybe we'd have news on Nintendo's non-response to switch to questions or we'd have news, but this is insane, man. Like, this is like the world of Twitter and the internet happening in real life at an actual Nintendo business meeting. This just, and you know what, I give credit to Shinter for Akawa holding the professionalism, saying, hey, thank you, we value your opinion. Like, credit to you, man, for holding it together because I would have been like security, security, get this guy out of here. Anyways, guys, thank you so much for tuning in and I'll catch you in the next video.


Mr. Keene, Tracer of Lost Persons, the new weekly feature on NBC's All-Star Festival of Mystery, Comedy, Music and Drama, brought to you by Chesterfield, always milder, better-tasting, cooler smoking, plus no unpleasant aftertaste, by Aniston for fast relief from pain of headache, neuritis and neuralgia, and by RCA Victor, world leader in radio, first in recorded music and first in television. Now here's Ben Crosby with the word about vacations. Ken, when you mentioned vacations, it brings a tear to the eye and a lump in my throat. Poor Uncle Herbert. Well, what happened to your Uncle Herbert? Uncle Herbert loves fish. So on his vacation, he hired himself off all alone to a secluded spot way back in the woods. Poor Uncle Herbert. He forgot his fishing pole. He forgot his chest appeal. So friends, take a tip from me whether you're packing to take off for the weekend or for that long anticipated vacation. Pack a couple of cartons of those milder chest appeal. When you take off on a trip like that, you like to go where you want and do what you want. But pick along the cigarette that gives you what you want. Chesterfield. Chesterfield gives you its famous ABCs, always milder, better-tasting, cooler smoking, plus no unpleasant aftertaste. Yes, the country's first and only cigarette taste panel reported of all brands tested. Only Chesterfield leaves no unpleasant aftertaste. Vacation time, anytime. Take Chesterfield with you. Now, Mr. King, Tracer of Lost Persons, one of the most famous characters of American fiction, in one of radio's most thrilling dramas. Tonight, the famous old investigator's case is entitled, The Case of Murder and the Strange Woman. Our scene opens in a rehearsal studio used by many famous Broadway stars. A pretty girl sits at the reception desk, and as the young man enters the door, her face lights up with excitement and admiration. The good-looking visitor approaches the desk with a pleasant smile, unaware that the next few minutes will bring a horrible shock. Good afternoon, Mr. Taylor. Hello, Irma. I telephoned for a rehearsal studio. I know, Mr. Taylor. Studio B is reserved. Are you going to be alone? Yes. I'm just going to run over a couple of new songs by myself. You'll find a piano inside the studio. I'd thank, Irma. Oh, Mr. Taylor. Yes? I wonder if you'd mind putting your signature on this sheet of paper. I promised one of my girlfriends I'd get your autograph for. Oh, no, I don't mind at all, Irma. Honestly, I'm the envy of all the girls in my neighborhood. They give their eyes to be a receptionist in the favorite rehearsal studio of a famous star like you, Mr. Taylor. Oh, I'm just another singer, Irma. Just another singer. Oh, why, Mr. Taylor, when you crew in a love song over the radio or on the stage, where the girls just stay in droves. All right. There's my autograph, Irma. And thanks for the build-up. I'll be in the studio for about an hour. All right, Mr. Taylor. At the rehearsal hall. Oh, hello, Helen. Guess who just walked in here. Don Taylor. Yes. And I got his autograph for you. Oh, he's just wonderful in person, Helen. He's not the least it's well-headed, even though he's a famous star. Oh, and he's just fascinating. And when he sings, I just heard something sounded like shots. I'll talk to you later, Helen. Operator, get the police. It's Don Taylor, the famous singer. He's been murdered. Did you read this headline in the papers? I haven't had a chance. Look at the newspapers this morning, Mike. It's a famous singer. Kruller, Don Taylor, was shot to death yesterday afternoon in the rehearsal studio. Really? And it says here the police are stymied, eh? Can I help you, ma'am? Hi. You, Mr. King, sir. Well, I'm his partner, Mike Clancy. And this gentleman here is Mr. King. My name is Amy Taylor. Are you related to Don Taylor, the famous Kruller who was shot yesterday? I'm his wife, Mr. King. Please sit down. Thank you. We were just reading about the tragedy in the papers, Mr. Taylor. Oh, it'd be horrible.  Mrs. Taylor, I assure you that you have all our sympathy. We were happy together, Mr. King. In spite of what people said, no one was any closer to Don than I was. And just what were people saying about you, Mr. Taylor? Well, Don was the idol of millions of women all over the country. Women who were beautiful, not plain like me. So some people decided Don must be seeing other women behind my back. Well, sure, as far as his reputation was concerned, I never heard nothing against it. Neither did I, Mike. But a man in the limelight is always open to unfair attacks. I... I don't know who murdered him or why, but it had nothing to do with our domestic life. Mr. King, I have some money. Insurance left to me by Don. I'll gladly give you any part of it. If you'll take this case and see that his murder is caught and punished. I'll take the case, Mrs. Taylor, but not because of the money you offer. Your husband was a fine young artist. I happened to know that he played countless benefits for the poor and for the sick. His background was in the great tradition of all performers. And I'm going to see that justice is done, at least to his memory. Thank you, Mr. King. No, is there anything you can tell us that might help us in our investigation? All I know is that Don left the house about three in the afternoon and went to the rehearsal studio. He was going to rehearse a new song. Don could concentrate on singing better away from the house, where he wouldn't be bothered by telephone calls.  Who found his body? A young girl receptionist. There were two entrances to the studio, Don was working in the thickings. The killer escaped through one of them. And there's no one you suspect to the crime? Well, there was someone who had bothered Don for the past few weeks, but I don't know who she was. Then how did you know about her, Mrs. Taylor? Mr. Fleming mentioned something to me after Fleming, the Broadway producer. Don had been appearing in a musical show of his for the past two months. Then what did Mr. Fleming tell you? He called me up once and asked me if a dark-haired woman had tried to force her way into our home to seek to Don. I said no, and Mr. Fleming told me to forget about it. Did you mention it to your husband? Yes, but Don laughed it off, said the woman was an autographed friend. But underneath, I had a feeling that he was worse. Mrs. Taylor, where can I reach Mr. Fleming, the Broadway producer? His office is above the Grand Theater. We'll go down and see him now, Mike. Oh, care, Mr. King. Mrs. Taylor, from all appearances, this case is an extremely difficult one to solve. When a murder involves a man like your husband who is in the public eye, any one of a number of people may have had a hand in it. Oh, then, Mr. King, you think it's hopeless to try to find the person who murdered Don? No case is hopeless, but you must have patience. And above all, caution. Caution. Do we find out who the murderer is? There's always a chance that you may be next on the list, Mrs. Taylor. You mean the motive for the murder? They have something to do with me? Jurisee of you. Hatred of you. It's always a possibility with a handsome man who's a star and matinee idol. Oh, yes, I understand, Mr. King. All right, Mike. Let's get started. Perhaps we can pick up the first cent on our trail for murder at Mr. Fleming's office at the Grand Theatre. The box office clerk said Mr. Fleming's office was at the head of the stairs, Mr. King, and this must be it, Mike. Yes? I am looking for Mr. Arthur Fleming. Well, he's not here at the moment. My name is King, and this is Mr. Clemsey. We're investigating the murder of Don Taylor. Oh, well, Father's downstairs in the theatre auditorium. He's listening to a singer who may replace Don in the show. And Mr. Fleming is your father? Yes, Mr. King. My name's Janice Fleming. I do office work for Dad when I have the time. Are you working with the police? Not exactly. We were asked to investigate the case by Mrs. Taylor, Don's wife. What's the case? How come you're so surprised, young lady? Please, Jesse, it's odd to me, Mr. Clemsey. Why, Ms. Janice? Well, perhaps I'd better not say anything. I don't want to incriminate anyone. Are you referring to Mrs. Taylor? Frankly, yes. She's a very sweet girl, Mr. King, but she was horribly jealous. Not her husband? Yes. Well, that's not how we heard it, Ms. Fleming. Naturally, Mrs. Taylor wouldn't tell you all the facts, but I will if you want me to. I'd appreciate it. Well, Don Taylor and I became very good friends, Mr. King. In fact, for a while, I thought he was falling in love with me. I tried to discourage him, of course, but his wife found out about it, and they had a violent quarrel. Which you overheard? Yes, Mr. King. It was in Don's dressing room downstairs in the theater, and I happened to be right outside. I was astonished. I had always thought of Amy Taylor as Taylor's mousey in a way. And yet, there she was threatening to kill Don if he ever talked to him again. Boss, that seems to be something Mrs. Taylor left out of her story. Yes, Mike. Mr. King, I'm not saying she murdered Don. I'm just telling you the facts. Well, something tells me, Boss, we'd better have another talk with Mrs. Taylor. I think you're right, Mike. But before we leave, Mr. Dennis, I'd like to speak to your father. Of course, I'll take you to him now. Tell us, Mr. King, Mr. Franklin. Father's in an awful jam right now. He's got to find a substitute singer for Don Taylor. And the musical show is going to continue? Oh, yes. To here, Mr. King. We seem to be inside the theater auditorium. That's odd. Dad was on stage a little while ago. I wonder... Be away from me!   Dad, for God's sake, who was that? He came from one of the dressing rooms backstage. Come on, Mike. Make sure your gun is handy. Right, Mr. King? This door needs backstage, Mr. King. Open it, Mike. Dennis, keep away from here. So what's happened, Mr. Birmingham? Dad, this is Mr. King, the technician investigator. Mr. King, good. I'd have gone for the police, but I was afraid she'd get away. She locked herself in that dressing room, and she just threatened me with a gun. Who threatened you, Mr. Birmingham? Her name is Mildred Sellers. At least that's what she told me when I found her trying to steal Don Taylor's things. Was this the murdered Don Taylor's dressing room? Yes, Mr. King. I found this Mildred Sellers stuffing some pictures of Don Taylor in her handbag, along with several other things he left on his dressing table. When I tried to put her out, she pulled a gun. She told me to get out, and then she locked the door. And, Mike, see if you can get inside that dressing room. Well, shooting the lock off is the only way, Mr. King. But maybe she'll listen to reason. The Sellers open up in there. Keep away from that door! Oh, I'll shoot right through it! Mr. Sellers, no one is going to hurt you. Open the door. We only want to talk to you. Oh, it's no use, boss. She'll stay locked up in there unless we buck down the door. I guess we have no choice, Mike. Be careful, Mr. King. She's dangerous. You'd better stand the side with your daughter, Mr. Fleming. Come over here, Janet. Yes, Father. All right, Mike. Shoot the lock off. It's your last chance, Mr. Sellers. Come out quietly, or we're coming in to take you. Well, that's that. Here goes. What's your step, Mike? Fight. Mr. King, the door was empty, so that window's open. It leads to the fire escape. Quickly, Mike.  She got away. Mr. King, do you think she, the Sellers woman, could have murdered Don Taylor? I don't know, Mr. Annette. You supplied us with another suspect yourself. After what you told us of Don Taylor's violent quarrel with his wife. He's right with her. Tell us, honey. And so you said. But I now believe we will find out who killed him. Even though this case seems to get far more complex and mysterious as we go along. We will return in just a moment. But first, here is something you should know if you ever suffer from the sudden pain of headaches, neuritis, or neuralgia. It's a way to ease the pain often within a few minutes. A way that is incredibly fast and effective. It's anison. Anison is like a doctor's prescription. That is, anison contains not just one, but a combination of medically proven active ingredients in easy to take tablet falls. Thousands of people were first introduced to anison through their own physicians or dentists. But today these tablets are in such wide spread use that all drug counters have them. And anyone may enjoy their benefits. Next time you suffer from the pains of a headache, neuritis, or neuralgia, by all means try anison. You'll like the convenience of anison tablets. And you'll be delighted with anison's incredibly fast action. A-N-A-C-I-N. Anison. Ask for anison by name today at your druggist. Now back to Mr. Keene. And the case of murder and the strange woman. Mr. Keene, the great investigator and his partner, Mike Clancy, are investigating the murder of Don Taylor, an immensely popular singer, who was shot to death in a rehearsal studio. We find Mr. Keene and Mike backstage at the Grand Theater with Arthur Fleming, the theatrical producer, and his daughter, Janice, who is hinted that Amy Taylor, the singer's wife, may have been responsible for his death. A new suspect has appeared on the scene, however. A woman named Milgrid Sellers has attempted to steal some photographs of a murdered man. And as Mike takes a final look out of the dressing room window, which the woman used to escape. Well, there isn't a chance to catch her, Mr. Keene. She might be a couple of blocks away by now. Do you know who she is, Mr. Fleming? Her name, as I told you, Mr. Keene, is Milgrid Sellers. A few weeks ago, you warned Mrs. Taylor about some woman who was trying to see Don. Is this the woman? Yes. I think she's mentally unbalanced. She tried to force her way into the theater several times to see Don. She evidently thought she was madly in love with him. Which might explain why she tried so desperately to get hold of his photographs.  For a moment, I thought she'd take a shot at me. Mr. Fleming, you happen to know where this Milgrid Sellers might be found? No, Mr. Keene. She told me her name, that's all I know. Suppose you give a description of the woman to the police.  I'll do that right away. Is there anything else you can tell me in regard to the murder, Mr. Fleming? No. But I'm willing to wager this Sellers woman as the one who killed Don Taylor. I'm not so sure, Father.  Amy threatened to kill it. That doesn't seem possible. You don't know anything about it, Father. I told Mr. Keene the truth. I wasn't doubting your word, Janice. I think Mrs. Taylor should have a chance to defend herself.  Whatever you say, Mr. Keene. I mean, while I'll put that call through to police headquarters, Mr. Keene. If they take the Sellers woman into custody, you may have a quick solution to the crime. That all depends, Mr. Fleming. At any rate, we'll go and see Amy Taylor right now. Sorry, Mr. Keene. Mr. Clancy. You've met Janice Fleming, Mrs. Taylor. Yes. How are you, Janice? Very well. Thank you. Please sit down. Mr. Clancy, why are you looking at me like that? Well, I was just thinking. Mrs. Taylor, we were both wondering if your original story was the truth. But, Mr. Keene, why should I lie? To protect yourself naturally. I don't quite understand, Janice. You killed Don. Don't deny it. You're the one who murdered him. How could you say a thing like that, Janice Fleming? Oh, no, no. Take it easy, Miss. Mr. Keene, what has she told you?  That's not true. Are you calling me a liar? No, just a moment, please. Mrs. Taylor, Janice said she overheard the arguments, and that it was about her. I never threatened anyone in my life, Mr. Keene. Least of all the man I loved, you knew he was seeing me. No. Don wasn't seeing you, Janice. You were forcing your attentions on him. That's a lie. Mr. Keene, this girl, Janice Fleming, is spoiled. Her father was pampered throughout her life. She became infatuated with my husband, but he failed to respond. Don came after me. I never chased a man and I never willed. Go on, Mrs. Taylor. Don told me how wildly angry she got, all because he ignored her. He was polite to her only because of her father.  Oh, no, Mr. Keene. We quarreled one several weeks ago, but it wasn't violent. I wanted Don to leave the show. Why? But he was working too hard. He acted a little peevish about it, but I found out why. What was the reason, Mrs. Taylor? Money. Mrs. Taylor, you mean a man as famous and successful as your husband, was worried about money? Well, Don made a great deal, Ms. Victor Hensey, but he spent his money like water. And then the show wasn't going too well either. It wasn't. And Don worked on a percentage basis. Well, sure, and I heard the show was a big success. You did make just the other night, Boss, when I was listening to Walter Winchell's broadcast. Father's show is a hit all right, but the production costs are very high and the investors have to be paid all first. You know a great deal about your father's business, don't you, Dennis? I told you I helped him at times, Ms. Keene. You also seem to know a great deal about the private lives of other people, most of which doesn't seem to be true. You believe Amy Taylor, don't you? All right, all right, go ahead, but you'll find out how right I am soon enough. Well, that one sure is cutie when it comes to having a temper. Mr. Keene, I swear to you that I told the truth about my relationship with my husband. If you feel there's anything in what that girl, Janice Fleming, told you, you can put me under arrest. There's not quite enough evidence to put anyone under arrest yet, Mrs. Taylor. Oh, excuse me, please. Hello? Well, yes, he's here. Oh, just a moment, Mr. Fleming. It's for you, Mr. Keene. Arthur Fleming? Yes. He seems to be very excited about something. Hello? What? Where are you now? Very well, make certain she doesn't get away again. Mike, Plancy, and I will be right over. What's up, boss? Arthur Fleming's found Mildred Sellers, Mike. She's in his office. Mr. Keene, was she the woman my husband was worried about? Yes, Mrs. Taylor. At first, I didn't believe her guilty of the murder, but I may have been wrong. Come on, Mike. It's only a matter of minutes now before we solve the mystery of who murdered Don Taylor. Mr. Fleming. Oh, there you are, Mr. Keene and Mrs. Plancy. I'm glad you didn't waste any time. I've been holding this woman at bay with Mrs. Revolver. Are you Mildred Sellers? That's none of your business. Looks as though we're going to have a bit of trouble with this one, boss. Mr. Sellers, I'm afraid you don't know how serious this is. I think she does, Mr. Keene. You see that hole in the wall over there? Well, it's a bullet hole, yes, Mr. Plancy. She took a shot at me and missed, just before I took her gun away from her. Is that true, Miss Sellers? She shouldn't have tried to grab me that way.  I found you going through my desk. I came here to meet Don Taylor.  I'm sure she's as barmy as they come, boss. And so it appears, Mike. Mr. Keene, it seems to me she's only pretending. Miss Sellers, don't you know that Don Taylor is dead? Don... Um, is that it? Is that it? Yes. Oh, no, I don't believe it. It's your mind, to me. Hand me that newspaper on the desk, Mike. Right, boss. Here. Here. You can see it for yourself. Look at the headline.  Only that. You mean you didn't kill him? Oh, man, I've worshiped him. Perhaps quite an act she's putting on, Mr. Keene. But the facts can be easily proven. Can they, Mr. Fleming? How? I took this gun away from her. The police expert can check it with the two bullets that were fired at Don Taylor. I'll take that gun if you don't mind. You are, Mr. Keene. However, the evidence still doesn't point to this woman milled at Sellers. But who else is there to suspect? Janice. Barbara. Mr. Keene. What are you holding in your hands, Janice? Nothing. Let me see those books. No. Are those your account books, Mr. Fleming? The ones you use for your musical show? I... I guess they are. I have a feeling they've been doctored. Doctored? Your daughter kept the accounts for you part of the time, didn't she? Yes, Mr. Keene. Then she's the one who doctored them. She changed the figures after stealing money that was owed to Don Taylor. What? Mr.  Well, I'll tell you. I'm going to arrest Janice, your daughter, for murder. No! Oh, no! Put the handcuffs on her, Mike. Wait, Mr. Keene, if I don't her alone. If you want a confession, you can get it from me. I murdered Don Taylor. Father! I thought that little rose would bring a confession from you, Fleming. Your daughter is probably the one person in the world you would protect. A rose? You mean you had no real evidence against my daughter? No. But I was pretty certain my hunch about you was correct. After I examined this gun you cleaned you took from Mildred Zellers. Search him, Mike. I was pleasure, boss. Here. Here's another gun, Mr. Keene. It's undoubtedly the one that Mildred Zellers owns. They look alike. And you switched them, Fleming, to plant the murder weapon on an innocent woman. How did you know that, Keene? Only one shot was fired at you. Yet there are two empty chambers in this gun you gave me. They were the shots fired when Don Taylor was murdered. Now break the second gun, Mike. Right, sir. There's been one bullet fired from it, Mr. Keene. Yes. The bullet this poor, demented woman, Mildred Zellers, fired at Fleming. Father, I was going to try and hide the account books for you.  Is that why you killed him, Fleming? Yes. But that isn't the whole reason, Mr. Keene. I'm also to blame. I was crazy about Don. I told Father to buy him or force him in some way to divorce his wife and marry me.  Do you stay out of this, Janice? I killed Don Taylor, Keene, and I admitted. What more do you want? Did you murder him in cold blood? No. I met him in that rehearsal studio. We had a fight. I pulled the gun and shot him twice. Because he found out you were cheating him of his rightful share of the show's earnings? Yes. That from the fact that he snuffed my daughter. Who did you think he was? I could buy ten fingers like Don Taylor without going broke. You're trying very hard to create sympathy for yourself, Fleming, and escape the electric chair. But it won't work.  And then you tried to pin your crime on milled sellers here. A woman who obviously can't protect herself. It was murder in the first degree, and you'll have to pay for it in the death house. And so Mr. Keene finds the solution to the case of murder and the strange woman. Here's a word from RCA Vector. There's one good reason for you to buy television. It's fun. And there's no better reason for you to stop in at your RCA Vector dealers tomorrow and see the wide selection of RCA Vector television sets available now. You and your family will have a lot more fun every day of the week, all year round, with television in your home. Tomorrow you can buy the receiver you want, the right one to suit your budget. And here's a good reason for you to buy RCA Vector television. It's the best.  And besides the world of entertainment television brings you, you will find the RCA Vector television set of your choice, a magnificent addition to your living room. It's wonderful to look at, beautiful to see, RCA Vector million-proof television. Listen again next week to Mr. Keen, Tracer of Lost Persons, the new weekly feature on NBC's All-Star Festival of Mystery, Comedy, Music and Drama. Brought to you by Chesterfield, always milder, better tasting, cooler smoking, plus no unpleasant aftertaste. By Aniston for fast relief from pain of headache, neuritis and neuralgia. And by RCA Vector, world leader in radio, first in recorded music and first in television. Mr. Keen, Tracer of Lost Persons, is based on the novel Mr. Keen. The radio sequel is originated and produced by Frank and Anne Hummer. Phillip Clark plays Mr. Keen. Richard Leonard is the director. Your announcer, Jack Costello. Remember, Mr. Keen is now on the air at this new time, every Friday at 9.30 Eastern Daylight Saving Time. Don't miss Mr. Keen next Friday, when the kindly old Tracer turns to the photograph album Murder Case. Next, join Roy Shield. Sunday, it's The Symphony on NBC.


When you're thinking about your branding, did you know this very important fact about the font style you use in your logo? Now first of all, what do I mean by the font style? Well, if you've ever used a Microsoft Word document or Apple Pages, then you will know that you can select a different style of font that the text appears in. For instance, you may well have heard of Times New Roman, you might have heard of Curia, Aerial, Silvettica and fonts like that which change slightly the way that that text is written. Some of them a little bit more scripty, some they've got more sort of tips and tails on the ends of the letters and some are very modern and contemporary looking. Well, did you know that the font that you choose will have dramatic effect on how many customers and the types of customers that you attract? Because here's the thing. Did you know that there are certain fonts that attract men more than they do women? And did you know there are fonts that attract women more than they do men? Well, maybe that's something you could look at now. So when you think about your logo, you do find out what it is that your logo font style should be for the name of your business and the strap line. And if you're not quite sure, do put your comments into the box below this video and we'll help you out. That's the tip for today. We'll be back tomorrow with some more great tips for your brand branding and your strategy going forward. Bye for now.