Hi everybody it's Sam at Mixed Up Craft, thank you for watching today so I've got some really exciting things to share with you. So it was recently my birthday and I had to laugh actually when this one was given to me so I have this one, let me show you, so this is Mary. Now Mary got introduced to you all a few months ago and I found her in a charity shop, fell in love with her and she now holds all of my ribbon scraps, she actually needs a good sort out and I think I might start using her for something else because I don't like the way the ribbons are just like that anyway. And I just love them, they're lovely storage pieces and I've got a very quirky craft room and I just yeah I like things like this, I don't like conventional storage things, I either make them or I use things that aren't intended to be used for how they are, does that make sense? Anyway so yeah this is the one I love and I got it in a charity shop local and then I went in the charity shop a little while after and it's always that thing, you see them everywhere now, I'm seeing more and more of these swans but I thought I don't need any more, this one is fine, she's really pretty and yeah I really like her but then I did see this other one and I was with my mum and she said oh look and I was like oh it's so lovely, I said no can't have another one, got no room for it, don't need it, anyway it's still there, it's still there every time we go in, there's that swan, there's that swan, so what happened? I opened up a birthday present and here is this one and she is beautiful, I love the gold features on her eyes and her nose so it was really funny because I named this one Mary, I then said so what GEOs do you know like Mary and who and I kept thinking of Mary and Joseph and then my mum said Chris now some of you well all of you are going Chris, well my mum's two best friends are Mary and Chris and the three of them have just been the best of friends for decades so she's called Chris or Christine so this is Mary and we have Christine, I absolutely love her, I'm going to make room for her of course but I'm probably going to have them displayed like that so they're looking at each other oh I know there's going to be loads of you going, these are awful Sam but I'm sure there's many of you as well that can see why I love them and yeah she's actually a lot more open so I need to have it, I'm planning on another little sort out in my craft room because I go through phases and now I'm like using other things and they're kind of more packed away so I need to bring them out so I want to have something in here that I maybe grab or don't want it on my desk because I don't really have the room and it will kind of just cause too much clutter around me but I want them to be somewhere you know nice and I want to put a nice little bow around her neck because I added that one there and I think it looks really pretty so yeah this is Mary and Chris now they've got you know they're back together again so maybe I should find another one and that'll be Julie which is my mum and then I've got all three of them so anyway that was just a little bit of something fun I thought I would share so I'm just going to pop them there I also got this amazing mug which I've got a nice hot cup of tea in there while I was filming it's brilliant my sister got me this she I love these um and what you call them um what do you call them my mind's gone I'll think of it in a minute anyway right this is the next thing that I'm really excited to share I'm going to do a separate video on this it might have even gone up before this video now I've been using phone board a lot recently in the last I'd say maybe last three months and I've done I've done quite a few projects but some of you find it really easy and other people have been finding real challenges cutting phone board and I'm seeing it regularly you know kind of mentioned in our craft group and um there has been a tool that I've seen but it's really expensive and I thought there has to be just something else out there and I was looking again on Amazon and this one's come from China I'll share the Amazon link that I've used and basically it will cut a 45 degree and a 90 degree so that's the two that you need really the 45 degree is your straight right angle and that's the one that I commonly use but it also does that 90 degree which would have been perfect for when I was creating like the roof and I got that kind of angled cut so and this is what it is and what you do is you use it with your metal ruler so underneath here you've got like a little kind of piece where it will stop so you would line your ruler up here's your blade here so yeah if you do it like so obviously measure with a pencil mark it where you need to cut and stuff then would use the ruler then as a guide to keep it where it needs to be but what this does is you can bring it down as far as you need to so you don't need to bring it down too far it's very sharp the one thing is I don't know how you get replacement blades for this I paid 4.99 or 5.99 and I'm sure it's free postage and then so I'll pretend the blades down so I haven't got any foam board here and it will cut up to a depth of it did say oh seven millimeters and the foam board I use is five so it's again it was perfect but then you just cut straight down so you're going to get a perfect cut it's going to be completely straight and at the right angle and it's easy so because I still want to keep using the foam board but I'm because I was concerned that some people are struggling I don't want anybody wasting their money I don't want people throwing projects away when I saw this I thought I need to get it and I need to share it with people because I think a lot of you are going to really find this a really handy thing to have and then here's your other blade that comes down you can see it comes down on that angle just there so again you would put that on let me work this out so it would go how would you do that one if it's on that side oh I guess you would use it there so you draw your pencil marks the ruler is your guide to sit it against so push that blade back up pretend that blades down and then say I wanted to cut down this line here I would then line it up because you line up this piece here and you can see that through the top here so you just line that up the rudder straight with this line here and you just cut but the the most important part is it's going to cut straight down you're not going to be wonky you still need you know obviously this has got the knives with it so it's you know the sharp knives and that's the the biggest tip I always give is make sure your sharp your knife is very very sharp but I did cut some foam ball as soon as I got it just as a trial I'm waiting for some more foam ball to come and I'm also going to be cutting all the pieces for my mum so that's what I'm going to show in the video so like I said by the time this goes out I've either got the foam board or it's not you know it will be after this video so just look out for that one but um yeah it's um I'm really pleased with it like I said it's inexpensive and I think it's going to be useful how long it's going to last who knows you may have to see if we can take the blades off and sharpen them or maybe there is a replacement blade for them but I didn't see anything with it but anyway I'm going on too much but that's what it is so um yeah let me know your thoughts maybe some of you have already got it as well um I'd be interested to hear what you think but um look out for that video when I'm cutting all of that foam board for my mum then I picked up some cardstock so I like to visit I like to visit Taverstock which is local to me um it's just a really nice little town it's got lots of charity shops which I always like to rummage in it's got some nice places to eat and it's got a really lovely market it's indoor it's not long been newly renovated actually lovely warm heaters it was so toasty in there when we were looking around um but there's always a really nice craft craft shop in there and um every time I go I always buy something there so you know I know that you can get cardstocks for better deals online from the bigger brands but I think we should all be supporting our local craft shops where we can so I like I said every time I go I always like to get something and I thought I'd get a real nice selection of some pastel colors it's something I'm lacking because coming out of Christmas I've got a lot of dark colors lots of reds and greens so I've kind of been sorting it all out gone back through a lot on my cardstock that I've had from numerous companies and started to colour block it so um yeah I've picked these ones up here there are a mix of GSM they're pretty much all heavy weight though so I've got 300 in this lovely cornflower blue really really pretty that was £1.20 for 10 sheets then this one here is 250 GSM and it's a pastel lemon beautiful again they I've gone for the same kind of you know tone so they all work well together this one here is latte it's 300 GSM but it's a shimmer really really nice 10 for a pound this is pastel blue so I've got cornflower blue but then I've got pastel blue it's borderline grey um you know it's sitting more towards that end I would say and it's 270 GSM 10 for a pound then I got the rose pink this is 225 so these are the lower GSMs that I've got but still great for card bases and this is 10 for a pound yeah it's the Tavistock Panier Market and it's open Tuesdays to Saturdays and then this here pastel green I love that pastel green but I think they work really really nice together she's got loads of colours there there's tons and my mum brought quite a few bits from her as well brought some a lovely um a couple of lovely stamps and she's got loads of embellishments and things like that but they're just really really nice colours so I picked those up then just outside the market they have a really lovely haberdashery shop again it's just one of those places you just love to work in it's like you walk in there and it just hugs you there's just wool and fabric and just so much lovely stuff all around you and they have heaps they have patterns they have stuff literally from floor to ceiling it is absolutely packed but they had a sale on their fabrics and one thing I've promised myself this year is I'm going to start making some Christmas gifts within the next few months and I'm going to put them away and um because I I kind of rushed a few bits this year I made a beautiful stocking for my best friend's little baby or little boy he's well he's 18 months now um and I personalised it I put his name on it and I didn't I totally forgot to share it actually what I'll do is when I see it next time or if she's got it at hand I'll take a photo of it and I'll post it but I wanted to make um some more stockings so I picked up this here let me just move that out of the way because I don't want to get any tea on it so here you've got this pattern on the back so you can make this style front and back and I like this one because I've got room here to again have the name I love putting names on stockings and um I can put some ribbon for a hook or something like that and I always um pad mine as well they're fully lined I really enjoy making them I can make them pretty quick now so it shouldn't you know it won't take me too long but I just thought it was really nice images and again this is going to be for a boy and I know you know little boys can wear any colours so can little girls I'm totally for that but it has got the little blue scarf there around the the cat so um I just I thought that was quite nice so on that side that is that and then on this side you've got this really colourful one which again I need it for a boy so I thought this is going to work really well because you've got the blue and you've got the sky there but you've also got that room at the top to be able to do the name I just thought they were really nice so I got that for £6.75 so that's £3 something I mean you know it's a lovely gift for for pennies so I'm really pleased with that one it's got beautiful images there they're both the same it's just a repeat repeat anyway so yeah I just saw that and I thought that was a bargain and then I picked up this fabric I'm actually going to use this one I think for myself I want to make some more Christmas cushions and I just loved this print and I like to do pom pom trim so I'm going to look for some red pom poms or red pom pom trim which is easy to get older but I want you know quite a bit of it because I just love the red I want to pull out the red so it's very Christmassy so I'm going to do hopefully I'll get two two nice sized cushions out of this because I like mine the big size and then pad it out so it's a real big chunky nice cushion and then yeah I think I'm going to pull out the red have the pom pom trim all the way around and then I'm going to have Merry Christmas with some probably going to do some heat vinyl transfer and have it not huge but I need to once I've put the pillow and got it all out then I can look but I'd probably have it maybe going through this section here so you still got all the houses in the snowman but that's quite a nice section to have just something I might you know I may decide not to I might even try and do like a gift tag look which I've seen on Pinterest which I thought was a really nice idea and you actually make a gift tag out of fabric and then I could have Merry Christmas on the gift tag and then it stitches to the top so the the pillow looks like a present I really like that idea so yeah I just thought it was an absolutely beautiful print and this one this was end of the roll actually so I've got the last piece and I've got this for five five pound something I think so yeah that's what I'm going to look at so I will post some pictures I actually posted some pictures of some cushions I made must have been over a year ago now and they were pom pom trim I just love them and they're really easy quick to make and again make nice gifts so if these ones work out well I always then usually post it on like my group chats with my friends and then if they say oh we want some then I'll make them some for Christmas presents so because they had loads of other nice fabrics as well but I was drawn to this one so I can always go back there and pick up some more fabrics so yeah that was what I got there and then lastly saving the best or last I've received the brand new latest release from Daisy May designs you all know how much I love Claire's drawings and her images and I just love the collections and these are so cute really really are sweet and yeah I can't wait to share them with you so starting off I've already got some card designs and I will be sharing these very soon the the cards this is all available on the website Claire's stuff does sell out very fast and I know that she's going on to Hachanda soon as well so yeah grab it while you can if you're a fan of Daisy May designs so first of all we've got this one here which is a very good friend for a very good friend and it's the lantern elf stamp set so you can see there she's got the lantern really really cute and it says spread your wings and then you've got the die too much love that one this one here is the toadstool love this toadstool brilliant one they're so easy to color and this is called the toadstool seat stamp set so you can sit her on top of the toadstool and then you've also got your pumpkins there so that's going to work really well for your autumnal cards and going into Halloween Thanksgiving and things like that so you can certainly use them there but I'm going to change the color of mine and I'm going to incorporate them all together so yeah that's the toadstool one really lovely this is one of my favorites this is adorable so there is your die to go with it as well and it's so cute it's literally the little fairies clothes hanging on the washing line the little skirt the shoes the hat those tights are just wonderful so that for me is more of a background piece so I'm going to have it in the background and then other of these in the foreground I think it will look very very cute he is another favorite so this is your pocket elf but look at him he reminds me of something from like the 70s or the like early 80s I'm sure there's somebody that's done something like this it was a cartoon or something it's it's certainly and I think that's why I'm always drawn to again these kind of designs because a lot of them do remind me of my childhood sometimes we need a bit of magic make a wish and then you've got the die there as well and they're really nice sizes and yeah like I said my mind's already buzzing and then this one so they're really cute and it's nice because they sit well together because of the way that she's stood she's kind of facing him so you can certainly have those you know together sprinkling a little fairy dust your way twinkle again really really cute can't wait to color this then you've got this here which is your autumn leaves die set but if you so they that's what you get here once you start yes use your autumnal colors but once you start using pinks and purples and yellows you can use these in your summer cards easily especially this like magical whimsical meadow kind of border you know I'm going to color that in brighter colors and even with this here I'm not going to do the colors that you would expect these things to be I'm going to do them so you like your acorns there I'm going to do them in bright colors you've even got that ladder it's a little wooden ladder it's like a fairy ladder and you've got dies for all of it again I cannot wait to start making cards the cards that I make with these are always so popular with my friends I gave them all do you remember the shaker cards they all had those for Christmas cards and I gave them to them all at the same time because we all went out for drinks and they all loved them so much they were like shaking them and they were just like looking at every bit of detail they really enjoyed them so they do always go down very well and yeah again can't wait to start and then this one this is your tree house and it's literally like little fairy or elf little house there's the door you've got your toadstalls then the windows another toadstall there and then the top of the tree trunk and then there's the day the day the die to cut it out it says there hope your day is full of sparkle and believe in magic really really nice all of these as well you can buy separate or as bundles so if you're someone that has maybe like a brother's scanning cut and you just like to buy stamps they do have them you know singly you don't have to buy them all together and the other way around as well you might just want the dies although I can't see why you would because you'd want the detail but anyway this here is the toadstall house die and this is my favorite along with the next one here I just think they're adorable and again just so nice to color I think I'm going to use my brush pens to color these ones so yeah again you'll see them in the videos anyway just so nice really big size that one there actually tell you what it measures you are looking at five and three quarters so that's going to be and then width four and a half that's going to fit nicely onto a five by seven card definitely and then you could go for six by six as well yeah so both both your common sizes there in the UK at least anyway it's definitely going to fit really nicely on that and then this is the other one look at that it's to me as well it's got like a cinderella the pumpkin it's it is it's that whimsical magical just it's just really really lovely it's got a little heart in the middle of the door there as well it's all those little details that once you start coloring it really comes to life so it says have a magical day believe perfect really really nice and it works across the board for you know boys and girls for adults as well I just think it's really lovely and then I was really excited about these ones this here is going to work so this is your arches it's your stitched nesting arches and it's always that distressed finish that Claire does throughout the collection so I have the circles and I have the rectangles so now I've got the arches but also that there is like your fairy door so again I've got some ideas popping into my head now of how to use this but it's lovely you know if you die cut this on like a craft card and distress it it looks like you know it's got that aged look or it's maybe cut from like it's a piece of wood or something you can really you know if you're clever with your distressing you can really make them look awesome and then you also got this one here which is your stitched borders die set so these here will create really nice edges to your cards and they will go up to a five by seven because it's seven inches there so your five by seven cards you can create all these edges on them and then anything smaller than seven inches as well but also you can create I like to do my underwater themed cards this here could be like waves or like the ripples in the river or something and you could cut a few different staggered kind of heights you know cut some different heights and then stagger them and you could have little things popping up you know if you've done it it's like a tunnel card diorama kind of card you could have these so they're really cool and again with these other ones so you get a one that actually cuts the edge and then the other one is your stitched detail so then you've got the banner this one is actually been a repeat from another die set that Claire brought out I think maybe not wasn't last one but maybe the one before so it's nice that it's in there because if you didn't have that stamp set maybe you want particularly a fan of maybe that design that it was in but you like that one you can buy it within this bundle and you've got another banner one there as well so it's great for framing like the believe there that will fit nicely in there have a magical day will probably fit in there so um yeah it's really exciting like I can't wait to get cracking I just get so excited all the time I'm just a genuinely genuinely happy person most of the time anyway so yeah there is my wonderful daisy may new release I can't wait to get crafting I'm going to file all my cardstock away although a lot of these colors I think I'm now going to start using with this collection because I think it's going to work really really well and I'm going to now go in she needs a bit of a clean but you're going to clean up Chris pop a little ribbon around her neck and let her and Mary um you know get used to their new home together so and enjoying my cup of tea because it's still hot so I'm going to go now hopefully this video has made you smile thank you for watching as always all the links to be shared below and I'll be back again soon with another tutorial see you later bye


The federal government has condemned the attack on the U.S. consulate workers in a barilocal government area of Anambra State by unknown gunmen. Spokesperson for the Ministry of Foreign Affairs, Francisca Omayouli, said the federal government has extended its sympathy and condolences to the families of the deceased, as well as to the U.S. consulate and mission in Nigeria. The government is ongoing to fish out the culprits and bring them to book.


Now, Roma Wines, R-O-M-A, made in California for enjoyment throughout the world. Roma Wines, present... Suspense! Tonight, Roma Wines bring you the MGM star Miss Agnes Moorhead in Post-Mortem, a suspense play produced, edited and directed for Roma Wines by William Spear. Suspense, Radio's Outstanding Theatre of Thrills, is presented for your enjoyment by Roma Wines. That's R-O-M-A, Roma Wines, those excellent California wines that can add so much pleasantness to the way you live, to your happiness and entertaining guests, to your enjoyment of everyday meals. Yes, right now a glass full would be very pleasant, as Roma Wines bring you Agnes Moorhead in a remarkable tale of... Suspense! Up with the buttercups, come on, get up, get up, here comes the sun. Good morning, darling. Steven, you goose. Your coffee, madame. Oh, my stars and crown, I wish you wouldn't insist on my having coffee and bed, Steven. It makes me feel like a loose character, just like the old days when I was in the theater. Coffee and bed, then a long soak in the tub under the sun lamp. That's old Dark Arch's prescription for those aches and pains of yours. Oh, but I haven't had any aches and pains for weeks now. There, that proves that you can't afford to stop the treatment now. Besides, you look beautiful on a Sunday. Well, if that's the case, have some coffee with me. Oh, I'm sorry, it's nine o'clock. The train doesn't leave till nine twenty-two. Ah, but the early bird gets the seat, my precious. I'll just start the water running and set up the lamp for you, madame.  How do you like your water this morning? Warm, lukewarm, hot? Warm! Oh, I'm setting the lamp for ten minutes. Mind you don't take too much. All right, dear, all right, all right. If you get in the bath just as you hear me close the front door, you'll get just the right amount of sunshine. Oh, really, Stephen? Now, where's my goodbye kiss? Stephen, ah! Bye now. Up with the button, come on, get up, get up, here you go. Look on the inside of the door. I hope I didn't break it. See, these things are expensive. You didn't even have it turned on. I turned it on so you could hear me. That timer on it makes so much noise. Well, no harm done, I guess. I've got everything now, so I'll disturb you, darling. Well, you better hurry. You'll miss that train. Are you good now? Are you Mrs. Josephine Mead? Well, I was. My name is Archer now. I've remarried. What was it? This is the place, fellas. Hold everything where I'm coming. But who are those men? Who are you? Hey, does she know yet? Hold that, will you, Mrs. Mead? Hold it. All right, fine. Now let's try another one inside. Maybe in the kitchen, huh? All right. What were you doing? Fixing breakfast for your husband? I'll put the camera away. Can't you see she doesn't know yet? She don't know yet? Haven't you been listening to the radio, Mrs. Mead? No, tube's burned out. Why? She really don't know yet. Are you telling me what it is? Are you going to ask us in? Well, I shouldn't, but I... Your husband, madam, it'd be time for... My husband, but he just left the house. Has some... News for you, Mrs. Mead. I wish you'd stop calling me Mrs. Mead. My name is Archer now. I explain that to this man here. Oh, Westcott's my name. Paul Westcott, I'm from the evening bulletin'.  I haven't been interviewed by the press since I opened in Bright Eyes in New Haven twenty years ago. You were an actress? Well, I gave up my career after I married Mr. Mead. Often thought I might go back to the theatre, but things didn't work out that way. Now, well, that's very interesting, Mrs. Archer, but about the news we were going to tell you... Oh, don't tell her, make a guess. Well, please, I... Aren't you a guess? No, and I wish... I'll give you a hint.  Darby? Now, can't you guess why we're here? Your horse has come in first. Oh, you must have the wrong party. I don't own any horses. No, no, no.  The news just came over the ticker from London. You're one of the three Americans who won the ticket on Ravinal and the sweepstakes. Oh, there must be some mistake.  You've won $150,000. $150,000? My stars and crown. What's the matter? Don't they make you happy? Boy, what a caption. Housewife wins sweepstakes. Must be a mistake, she said. Oh, no, no, there really must be some mistake somewhere. It must be somebody else, but the same name. You see, I... I haven't any ticket on... Well, I haven't any ticket at all. Well, sure you must have. Where'd they get your name and address from otherwise? They don't just make up those things out of thin air. What are you trying to do, kid? No, wait a minute, wait a minute. You say the winning ticket is in the name of me? Yes, Mrs. Josephine Mead. You said that was your name. Then it must have been my late husband who bought the ticket. You see, the house is in my name, and I stayed on here after I lost Harry and after my marriage to Mr. Archer.  Mead bought the sweepstakes ticket in your name. Anyway, you're the winner. But I don't even have the ticket. You don't have it. You mean it's lost? I never even knew he bought one till now. He never said a word to me about it. He died quite suddenly, you see. Well, gee, you better look around good and see if you can find it. Yeah, you can't collect the money without it. You got any of your late husband's effects around the house, Mrs. Archer? No, no, they've all been disposed of, but I went through everything very carefully. If there had been anything there, even sewn into the lining of one of his suits, I'd have found it. I think, Mrs. Archer, if your late husband never told you about it, he must have been intending the surprise in case he'd won anything. So he would have put it somewhere where you wouldn't be likely to find it, wouldn't he? Well, he would in any case. I didn't approve of his gambling. All right, now, Mrs. Archer, think hard. Wasn't there a suit he didn't wear very much? One you might not have sent out since the ticket was bought? Put away in mothballs, maybe? Well, there was his dark blue. Aha, his dark blue. He'd only worn that once or twice. I never looked there. You see, I sent all his other clothes to the Russian war relief, but the dark blue was in such good condition. He practically knew Mr. Westwood. Well, that's where that ticket is. I'll bet any amount it's in that dark blue suit. Let's have a look right now. Well, I'm afraid that's not possible. Not possible. Oh, really, Mrs. Archer? Because that's the suit Mr. Mead was buried in. For Suspense, Roma Wines are bringing you as star Agnes Moorhead in Post-Mortem, a radio play by Robert Talman from the story by Cornel Woolrich. Roma Wines' presentation tonight in radio's outstanding theatre of thrills, Suspense. Between the acts of Suspense, this is Truman Bradley for Roma Wines. Evenings at home can be dull as dishwashing or friendly as a fireside, depending upon the ingenuity of the lady of the house. Well, here's a simple suggestion many smart American homemakers follow to Brighton's day at home nights. As a high spot in a quiet evening of restful reading or listening to favorite radio shows, serve Roma California Sherry. For Roma's Sherry helps an evening along, adds a welcome note of warmth to friendly companionship. Yes, there's something about glowing golden amber Roma Sherry with the rich, mellow, nut-like taste that everyone enjoys. Roma Sherry, the favorite of millions as first call for dinner, is a delightful entertainment wine too, so delicious with cheese and crackers or any simple snack. And Roma brings you a glorious Sherry that is unburyingly fine, bottled at the famous Roma Winery in California to assure you sealed in goodness always. Give your family a pleasant surprise with fine Roma Sherry tomorrow. Delicious, easy to serve, so inexpensive. Remember, more Americans enjoy Roma than any other wine. And now Roma wines. Insist on Roma wines. R-O-M-A. And now Roma wines bring back to our Hollywood soundstage. Agnes Moorhead as Josie Archer with Joseph Currens as Steven in Post Mortem, a tale well calculated to keep you in suspense. So you see, Steven, that's the only place it can be. It's there in the casket with him. What makes you so certain of that? Well, the one and only time he wore that suit before his death was one Saturday afternoon when he went out for a stroll and stopped in at a pool room. What more likely place than that for him to have bought a sweepstakes ticket? Well, if it's buried with him, we might as well kiss it goodbye. But $150,000, Steven. You haven't any right to disturb a grave just on a hunch like that. In any way, Harry might have lost the ticket. Oh, I tell you, I knew Harry needy no more losing a thing like that, and then, well, he just wouldn't. That's all. Well, if it's there, it'll just have to stay there. But why, Steven, all we have to do is get a court order. I can tell you, I won't stand for it. It's sacrilege. If we've got to disturb the dead, we'll just have to let the money go. But it wouldn't be like desecrating a grave. Harry would have wanted us to have that money after all you were his best friend.  But, Steven, really, it wouldn't... But get that there ever was such a sweepstakes ticket. Is that understood now? Well, all right, Steven. Yes. Whatever you say. And if that snooping newspaper man comes back here, you're not to let him in this house. Yes, Steven. Is that a promise? Yes, Steven. It's a promise. Well, I've got to go now or I'll miss my train. We'll talk about it some more tonight when I get home. All right, dear. Don't forget to take your sun lamp treatment. No, I won't. Bye now. Goodbye, dear. Oh, Mr. Westcott. No, I have not reconsidered. I definitely have not reconsidered. Steven and I have talked it over and he's deeply shocked, and so am I. I must confess at the very suggestion of disinterring poor Harry.  I shouldn't be doing this. I know it. I shouldn't be doing this. There's something that tells me. All right, you wait here, Mrs. Archer. I shouldn't be doing this. I know I shouldn't. Now, don't take it like that, Mrs. Archer. We have a court order all properly signed and perfectly legal. Well, I shouldn't have let you talk me into this. I'm just weak, that's all. I'm just weak. Steven is sure to suspect something. That 150 grand ought to go a long way toward making him forgive you. Will it take long? No, the workmen are supposed to have it already. All that has to be done now is... Well, it won't take long. Would you rather wait in the caretaker's house? No, no, I'll come along with you. All right. Huh? Oh, you, Mr. Wescott? Yep. Well, there it is, Mr. Wescott. We hoisted it up, but we didn't open it yet. All right, here's the authorization. Try the lid off of there and make it snappy, will you? All right. You take that in, Jack. Okay. All right. All right. Take it easy, lady, will you? It's coming. Hey, mister, it's all yours. Hold this light for me, will you? Keep it off the face. What's he doing now? Frisking the corpse. Oh. And don't ask me why. Oh, dear. Oh, dear. That light off his face, will you? Sensitive type. Okay. I got what I came for.  Okay, mister, okay. Hey, if you're all finished, we'll tuck him in again. Wait a minute. Put the light back on him. On his face. Now, on his face. Hey, what's a big idea? Okay, you can douse that light now. Now, listen, you guys, leave this just as it is. Stick right here until you hear from me. I'll come. What's the matter, Mr. Westcott? I'm not sure yet, but I've just got a hunch the DA is going to want an autopsy on this body. My start? Hey, what's this, up and dressed already? Well, I bought some things in town yesterday afternoon. The delivery man usually comes around 10 o'clock, so I thought I'd put off my sun lamp and bath until then. Oh, but you will take your treatment then, promise me? All right, darling, but really, you worry too much about me.  Did you see the show through twice? Stephen, I didn't go to a picture last night. I did what you told me not to. What are you talking about? Here it is, Stephen, $150,000.  Stephen, no, my shoulder, you're hurting me. Who's with you? Who saw it beside you? Nobody, Stephen. I got them permanent, took it out there, and he showed it to the man in charge of the grounds, and he got a couple of work. All right, go on, go on. One of them got it out of the vest pocket, and then they put the lid on again and lowered it and covered it up. You're sure everything was put back again, just the way it was? Yes, Stephen, of course. Well, I just hate to think he wasn't put back properly. Oh, then you aren't angry with me? I guess I acted pretty silly about it. I thought... I don't know what I thought. Stephen! Stephen, you didn't suspect me of having anything to do with Harry dying so sudden. Of course not, what an idea! Look, you better give me that ticket for safekeeping. I'll put it in the safe down at the office until you're ready to turn it in. That's a wonderful idea, Stephen. It makes me nervous having it around the house. $150,000, Stephen. Just think of it. Harry's been pretty good to us, hasn't he? Oh, don't say things like that, Stephen. I'm sorry. Oh, Lord, it's nearly 10 o'clock. I've missed my train. Well, if you hurry, you can catch the 10.15. I suppose so. You won't forget your sunlight. I'll start at a 10.15 shop, I promise. Oh, I'm sorry to be such a Dutch uncle, darling, but I do worry about you. You're wonderful to me, Stephen. Goodbye, dear. Goodbye, Stephen. Be careful, darling. Come in quickly. He just this minute left the house. I suppose he took the ticket with him. How did you know? I know a lot of things. For instance? The DA's ordered that autopsy on the body of your late husband. My stars and crown. I think they'll find out he was murdered. No. No. Your present husband, Stephen Archer, is an insurance agent, isn't he? Well, yes, but... And he insured your late husband heavily in your favor just before his death. Well, that doesn't prove anything. Well, maybe not. Uh, he's pretty good to you, isn't he? Takes you to Florida every winter, stuff like that? Oh, I should say not. How did you get such an idea? That coat of tan you've got. Oh, dad, that's from the sun lamp. I had a slight cold a while back and now Stephen insists that I use the sun lamp for 10 minutes every morning while I'm in the bath. While you're in the bath? He says it's more beneficial that way. It's a terrible nuisance. Of course, the bathroom's quite small and the lamp is always toppling over and falling on top of me. How's that? Well, I always wait until Stephen has left the house in the morning to take my bath, and then he almost always forgets something at the last minute and comes dashing back and blundering in the bathroom and over it goes. What sort of things does he forget? Oh, well, one day a clean handkerchief and then some papers or other things that he needs or his fountain pen or something. Does he keep all those things in the bathroom? Oh, nobody can ever find where they are so he comes barging into the bathroom to ask me and then over goes the lamp. You don't say. I suppose you're insured pretty heavily in his favor now. Well, naturally, being in the business. Yes, naturally. Mr. Westcott, you don't know. I don't think anything yet. Oh, dear, whatever shall I do? I'll tell you what. There's a way to find out if you'll cooperate with me. With your acting experience, this ought to be easy for you. Now, this is what I want. Stephen, this is Mr. Westcott. He's with the Bulletin. And what can we do for you, Mr. Westcott? I stopped in the district attorney's office on my way here, Mr. Archer. They've just completed an autopsy on the body of Harry Meade. It wasn't my idea, Stephen. Believe me, it wasn't. Don't understand. Of course, I'm not with the police. I'm in this for a news story or anything else that might come my way. I see. I might be able to help you people if you'll tell me the truth. What was the result of the autopsy? The report isn't made out yet, but I think they'll find he died of a blow over the head. Sit down, Mr. Westcott. I... I might as well tell you everything. Josie, you don't have to tell this man anything now. Stephen, let me do this in my own way. You see, Mr. Westcott, it was all my doing. Stephen was in no way to blame for what happened. He used to come over in the evenings to see Harry. Not me, but the more I saw him, the stronger the feeling grew on my part. Harry was heavily insured in my favor. Josie. He never took me seriously. Always scoffed at my love for the theater. I couldn't help thinking how opportun it would be if anything took him away from me. Josie. Do I make myself clear, Mr. Westcott? Go on. Well, the night Harry died, he had gone out in back of the house to get some air, and I was doing the dishes, and it came over me all of a sudden what I had to do. I dried my hands and went upstairs and got out an old flat iron I no longer used, and I came downstairs with it hidden under my apron and went out to where Harry was. Well, I stood there talking with him for a moment, and I waited until he turned his back to me, and then I did it. You did what? I swung the flat iron by its handle squarely at the back of his head. He didn't die right away, but he was unconscious, and I could see it was all over. He had a weak heart, you know, and well afterwards I took the iron over in the vacant lot and buried it, and the rest happened as I told you. Stephen came around and we carried him into the house. You mean you didn't notice the wound? Didn't it bleed? Well, it did a little, but I washed it off. I see. And then I took some pinkish-face enamel. I had it left over from the days when I was an actress, and I plastered that over the wound, and even powdered it so it would be less noticeable. I made a good job of it because after all I do know something about those things, you know? So that's why the doctor never noticed it when he examined Harry's body. Josie. Josie, I can't believe it. Forgive me, Mr. Westcott, but this is a terrible, terrible shock. Well, now you know everything. I suppose you may as well drive me to police headquarters. Why should I? You mean you aren't going to turn me in? That dent in his head could have been made by the men who exhumed the body. You and I are the only witnesses to that, Mrs. Archer. Yes, but look, here can't they tell... In most cases, in this case, the body happens to be in a remarkably fine state of preservation.  Oh, anything. Anything you like at all. Good. I'll come back tomorrow and we'll talk it over. Good night. Good night, Mr. Westcott, and thanks. Thank you from the bottom of our hearts. Good night, Mrs. Archer. Good night. Well, my dear... Steven. I've got to do a little thinking, Josie. You won't make any difference between us, will it, Steven? I did it for us so we could be together. But you, of all people, and going out there and then looking at his body... But he was so well-preserved, Steven. He just looked as if he was sleeping. That's peculiar. What is? Well, he's looking so well.  It's just like in the Emerald Snuffbox. What? The Emerald Snuffbox. You remember I played it for 33 weeks at the court theater? Opposite Henry Dixie? That was how they knew that it was poison of the way the body looked after all that time. Poison? Well, those bungling police doctors will never find it out.  That was a windfall anyway. We'll never miss it. But, Steven, we can't count on things turning out the way we want them to. I made that confession just to give us a little time. We could take a plane in the morning and be in South America in a few hours. That'd be very foolish, no, my dear. Our best strategy is just to go on as we always have. I'll take the train into the office, you'll take your bath and sunlamp, and we'll be the same loving couple we've always been. Josie! I'm up here, Steven, in the bar. You've got any idea where my iron pills are? I went off without them. They're on the sideboard. Can't hear you. Mind if I open the door just a bit? No, Steven, the sunlamp's right in front of the door. Wait, wait till I move. Is that what you say? I said don't... Josie? Josie? Josie? That's that. Now, who the devil is that? All right, I'm coming. Mr. Arsene? Yes? My name's Madison, Bureau of Detectives. Oh, yes, Inspector, come in. This is most opportune you're coming just at this time. I was about to telephone the police. The most terrible thing has happened, my poor wife. Your wife? She was in the bath, taking her sunlamp treatment. Like a blundering fool, I opened the door and the lamp fell over into the tub. I ran downstairs to cut off the house current. But before I could get back, she must have... Wait a minute. You went all the way downstairs to cut off the house current? Why didn't you just pull out the plug? Oh, I don't know. I was panicky. I got confused. There was a dreadful glare of light, sparks flying all over the place. I was half blind. Where's she now? Well, she's still in there. I was trying to get up my nerve to go in when the doorbell rang. I couldn't bear to see her like that. Inspector, electrocuted. It's just too horrible. Well, let's go up and have a look. Probably too late, though. Yes, Inspector, I'm afraid it is too late. But as you say, we must do all we can. Yeah. Well, Mr. Archer, this certainly happened at an opportune time, as you say. A warrant has just been sworn out for your wife's arrest for the murder of her first husband, Harry Mead. This reporter here from the bulletin says he got a confession out of her. Hello? Poor Josie. Poor poor Josie. Perhaps it was just as well it happened this way. Is it, Stephen? Is it just as well? Josie! Well, Mrs. Archer, congratulations. You carried it off with flying colors. What do you mean, carried it off? By stars and crown, Stephen, I wasn't even in the tub. I just stood behind the door and screamed when the lamp went out. Josie, you ought to be ashamed of yourself giving me a fright like that. It's no good you're pretending any longer, Stephen. Mr. Westcott was absolutely right.  Josie, why surely you don't believe that? That's what my confession was for, you goose to trap you. They know all about how you killed poor Harry, where you got the poison and everything. Don't you, Inspector? That's right, Mrs. Archer. Why, you're worse than Sheldon Lewis was in the iron claw. You would stoop to anything. My stars and crown when I think what might have happened if Harry hadn't had on his new blue surge when he bought that sweepstakes ticket. Officer, do your duty. Josie. Tom Little Josie. Well, I guess this is about ties it. Come on, Archer, let's go. Up on your feet. Yes, Stephen. Up with the buttercups. Suspense. Presented by Roma Wines. R-O-M-A. Made in California for enjoyment throughout the world. Before we hear again from Agnes Morehead, the star of Post-Mortem Tonight Suspense Play, this is Truman Bradley for Roma Wines. Here's a trick in taste magic that will help you win family praises, even for meals made of leftovers. To bring out the full flavor of any meal to add color and zest to the table, serve red Roma California Burgundy.  Yes, there's greater dining pleasure in simple meals served with the rich, satisfying goodness of Roma Burgundy. For superb Roma Burgundy makes plain foods taste great. Makes great foods even better. And delicious Roma Burgundy can grace your table often, for Roma costs just pennies a glass. Get Roma Burgundy tomorrow. Give zest and character to your next meal. Insist on Roma. R-O-M-A. Roma Wines. Made in California for enjoyment throughout the world. This is Agnes Moorhead. It's always like coming home again to do suspense. You know Vincent Price came out to Metro Golden Mare the other day to see a private showing of the Green Years with me, and afterwards he told me all about next Thursday's suspense show on which he's going to be the star. Be sure and listen in, because it sounds wonderful.  Produced by William Spear for the Roma Wine Company of Fresno, California. Suspense is broadcast from coast to coast and to our men and women overseas by shortwave and through the worldwide facilities of the Armed Forces Radio Service. This is CBS, the Columbia Broadcasting System.


Yeah, outstanding missing feature we all know and that user space keeps pestering me about sitting in the back of the room is the ability to query mount properties, file system properties and so on. So in short, what we have seen various patch sets for the FS info system called by David Miklos worked on get values or through the X adder interface and there were various other proposals in the mix and yeah so we somehow need to come to an acceptable compromise for all of us that we can move forward because I think this will be a pretty crucial thing going forward and there are certain requirements or the preferences that people had. My main preference is that it's not exposed in the form of a file system because this is a giant pain for user space usually but Leonard can speak to this because he will probably be a user of this so it might also be good to hear what kind of API he would prefer, what he would find useful even if it's just by describing the use case. Yeah. So one of the things that Linus suggested was that we have a stat like system core with the part that is just a string from Proxaf Mountain 4 so it's you have some binary bits and some text bits. I'm not sure it's worth so maybe the simplest thing could be that it's just the line is returned but we could have such a hybrid system core with one part with binary bits and text bits as well that's one part. The other part is about which Leonard mentioned was the listing of child mounts and that's again I guess we could have a new C-score for that which just lists I guess the simplest is to return a list of mount IDs, extended mount IDs, so the 64-bit mount IDs but yeah those are just the ideas if anyone else has ideas. I've had a couple of people contact me after Linus had his input on this so he emailed me privately. I think one was from the crash dump point of view and he said please can it we would like something like this but please can it not be text because we don't like text parsing and it's slow. I would prefer a non-textual interface as well. So I think if I may the honest objection probably as apart from that mount notification the stuff we discussed yesterday and the general getting information about mounts was stuffed into one patch set and it was just in one sense I think why Linus also reacted to it as far as I understood it was just too much code. It was like I tried to review it I really tried but it was just a wall of code with nested and serialized structs it was really difficult to review so I think if it had done a little less it would have been way better if we need to split this over multiple system calls it's just my opinion then so what I mean it's not the times where system calls were like oh my god don't add a system call I think that that's over. So I think it's okay to have a binary interfaces but like with mounts and super blocks we have some things that are really difficult to represent in binary and I guess that's that was one of the issues with with that patch set that it tried to do this to generically so it was and it's difficult to do so I'm not sure what's the solution to that. We already have a format and Linus we have we have a text format and yeah it's difficult to parse but we already have parses for that and it's not not like it's it's really the big performance issue is not with parsing a single line it's with parsing the whole file. Do you want to say something about this? So from my user space perspective I like the problem I always have with text formers is that splitting out the fields is always nasty right like because of escaping and figuring out what the delimiters are and usually the kernel is not very good of having a uniform logic there sometimes completely crazy how it does that so from my perspective I'm actually fine with text formers as long as the fields are separated in the structure right like that that would all like for example what what I specifically mean by that is like I'm totally happy if we get ro and rw or something back as a string as long as those are two separate fields or something so but just to summarize from my user space perspective what I would love is I would love to get at least the idea of an atomic reply to things right like so I don't want to execute like a bunch of system calls to get the information about a super block even though that usually that's fine I think it would be much nicer if we could get the fields that we want a lot stat x basically in one block back yeah the other thing is what I just mentioned that I prefer like for example the mount ID or something which is numeric I don't really care if you give that in actually in a binary well you're in a string pick something just split the fields up in in a binary way but for example would you be fine let's say we had a mount stat x system call that or whatever like a system call that gives you all the information about which is extensible for for a super block and or for a mount and then you get the mount ID for that mount would it be okay if you would need to use a separate system call to query for all the child mounts yeah that's that's fine by me because the problem I mean basically I want the atomicity per object but I'm I don't I have no illusion that getting an atomic view of more than one object that it's also racy as I mean the mount table constantly can constantly change I mean you will have to protect against this against this anyway so a snapshot of the mount namespace doesn't really make sense I'm not asking for that I just want per object something that but what if you so what have you had as a starting point at least an FS info whatever name it is we can squabble about this FS info system call that would be a struct that encodes a core set of information would be useful to user space that struck this extensible we know how to do this we've done this before I know some people don't like it but extensible structs version by size we use the scheme that you had with the or that I guess you all came up with for the static system call where you have a set of request masks this is what I want the information and then a reply mask this is the information that I have available and then just extend it and there can be textual format in there if it makes sense and there can be non-textual format for stuff that doesn't make sense because it doesn't make sense in my opinion to encode RO or RW in in textual form that should just be bits but there's certainly information where we want textual format I think it's important to be able to export file system specific fields like the Miklash get excited proposal I don't know how you want to encode that but I think it's important and it would have been nice to get something similar for statics for that matter I mean file system do have I know specific information that they do want to export and yeah sometimes today it exported as get RM those no like I mean some some files was already do that right yeah there are virtual extended attributes but you might not be able to read the extended attributes I think you have to have read permission to be able to do that that you could add a new namespace like the the chat happens before you get to look in the namespace that sounds like something you could fix but anyway but I'm just saying like for the specific stuff extended attribute sound sound okay to me but that was proposed last year but yeah I mean like in the NFS standard there's a lot of stuff in the SMB standard there's a lot of stuff but I expose it in proc so all of those file system specific fields are in proc for the share and the server all that stuff right the problem is how do you tie that back to a file descriptor like how do you tell okay that file descriptor goes with all this file system specific stuff that I've exposed I don't know how to how to do that but I mean all the info is is visible and I assume NFS does the same kind of thing makes the file system specific stuff visible somewhere so I guess I'm very nervous about file system specific information being mixed in with whatever infrastructure we do for the generic mount information and I and again I think part of it is if we can do something small it's much easier to get it reviewed and I think we understand what the requirements are for why system D or any sort of user space thing is trying to understand you know what's currently mounted there is an awful lot of additional information that is very you know SMB XFS for specific but if that's not needed by this core use case I think how we actually handle the file system specific stuff just adds a lot more complexity to the solution and maybe we should just address that separately right because you know a number of us do have solutions that are sysfs ext4 block device or whatever but the thing is it's really only used for debugging and so therefore it's not critical that it be used you know by something like system D now if someone can articulate the use case where it's not for debugging but in fact something they really want for our you know continuous production use as opposed to debugging then maybe we can design that but the thing is stat X was fairly simple because we weren't trying to encode arbitrary amounts of file system specific information doing things using synthetic X adders is contentious there are some people who think that is a radical abuse of that interface and you know whether or not Christoph is right about that I'd rather not have that discussion so I'm curious like so the only like FS specific information that you would get out of this conceivably right now is mount options do you care about mount options aside from like read I only read write and like global things yeah there's a couple of other things we read one like uuid for example super block uuid and that's not a very specific info but that's another topic that's the third point that I had because not all most now some file systems generate in a uuid but not all of them do it's sometimes used to generate an FSID but not always for example XFS generates the FSID from the device block device and so exposing the uuid is something that would require additional work but if we have an extensible struct an extensible weight and it doesn't matter and we can just expose it once every file system has a uuid which ideally is something that we could do in the in the future but it doesn't need to be part of that right now but back to this file system specific question why couldn't that for example be an additional we could punt we can punt on this question for now I think and just have a core information struct that is generic for all file systems and then we could add an additional system call that maybe is even maybe is even but maybe have to be textual so you need to query and call into the file system say give me all your mount options and tell me the size of the buffer that you need give it a buffer and then it gives you the mount options that our file system specific encoded as a string if you have to it sounds all good for me but so what I would like to see is that basically the information that in the new mount API you pass into the file system with FS config and kind of in a similar way I could get out of it and that's you mean FS query yeah but again like the FS config stuff is bit by bit and that's fine that way I'd rather have it atomic right now I want to add something like that as well so that I can add a mount supervisor which we discussed earlier so that you can start for mount supervisor sitting in the mount namespace so when inside a container can just do a mount system call mount supervisor can intercept it and read the come the config options and say yes no or just just the config options another use for this is auto mounts particularly like NFS auto mounts we can't parameterize them because they're done by the kernel but if the mounts we can have a mount supervisor it can intercept that change the parameters and let it go let it continue so it's change our size yeah but I need some way to read out the mount options from so but anyway coming from for my personal use cases I generally only care about the generic stuff but I know like UTL Linux or something when they like the lip mount APIs that are basically which has system you happily uses by the way they want to have the specific stuff like the mount options generally too and they will display them by default right like so if the goal is to implement what lip mount typically calls and hence the mount binary typically calls and find mount typically calls then you have to probably cover both right like the the generic stuff and at least the mount options and they don't so I think that like in this case I think that it is completely okay to like have all of the generic information and then you just get a fucking string with like all the mount options like stuffed in there like if you want to itemize we could also do that right like you get a you know give me the buffer and then like I'll tell you okay this amount option a bc and like you would prefer that okay because I think that's a reasonable enough thing to do because we already have all of this stuff for you know mount info and then it's not like you know every individual file system isn't going to do something crazy because we all do the same thing for showing our mount options and we just do this new thing to spit out the options and the buffer that you give us yeah yeah I mean that's what I was going to say which is we have show mounts and in some ways my mental model of fs info is a scalable version of you know proc mount info that like works when you have a gazillion mounted file systems and so if it just returns a string the way mount info currently returns mount options and we aren't trying to do a crazy structured data structure thing we can solve that problem if in fact someone needs an exhaustive structured thing that is more than just the mount off and mount off mount info string let's do that part later right but yeah yeah so that that would be my my preference and we already have a system call for that which is get xatra which uh you can use get I will let you fight with Christoph about using get xata for like something that isn't a real extended attribute I don't think that's a good generic approach if a specific file system wants to do it so that they don't have to actually get that reviewed by fs develop great but like you know Christoph has flamed people in the chrisp for that before and there have been problems so whatever right I just you know that the consistent consenting implementations in file systems sure there is there is another problem with using get xatra one thing I did in fs info is a way to specify the file system you want the query by the file system ID because paths are not unique and there can be file systems you can't reach so the mount under thing you've stuck a false system there but you can't reach it how would your query thing deal with a file system that gets uh I beg your pardon descriptor number as mount option and yes that's real there is such stuff what what sense could it make for any kind of supervisor that caller of mount has something or other opened with descriptor number 69 well thank you now what do we do about that sorry I'm not sure I caught the question uh question about the first query actually I mean the thing is like if you have an auto fast right now right like you specify an fd and where you get the notifications and then it shows up and and and proc self mount info as fd equals five and you just like what the fucks that's supposed to mean right so um I think so one thing I did was I gave every mount object a unique id new 64 bit id and you could get that out with fs info or we could do something else to get yeah but then you could give it to fs info so you tell me about this id so by the way it just the the the weird thing about the extended attribute thing is that people generally understand extended attributes to be a property of the inode right and then you suddenly return information about the file system so that it's kind of weird right like this is hard to explain to people that oh yeah if you use that I think something different than I did that in here first and I can't wish I hadn't this is a better way with this hey everybody this is Derek I got a couple of questions for you the first is can you actually use fs pick to pick a file system by fs id and the second is does the file descriptor you get back from it actually do anything with extended attributes currently because I don't know if Kristoff was objecting to the use of fake extended attributes generally or just the part where people were mixing it in with actual extended attributes from real files such that you would never know if someone had simply created an x adder with the same name as an fs attribute or where it'd come from fs pick just takes a path well a path in the fd and as far as you know these sudo x adders at least stuff like sef usually puts them in their own namespace we have like sef had like a sef dot you know x adder name I think the whole x sorry I don't have your patch set anymore in mind but at least the x adder interfaces that we currently have in the way they are implemented this just makes me go like nope this is not where we want things this is like really a broken api in my opinion I'm usually not someone who calls something shitty but I think x adders the current way we do it's really shitty it's type unsafe it's really convoluted complicated the call paths get insane as soon as you have something like a stacking file system in the mix so it's really not a path that I would like to go down to yeah yeah yeah so we we moved we moved acl so hopefully we can move file system capabilities out of there as well because it's the same sort of problem that we have but why couldn't this be not deeply thinking about this why couldn't you just have a new inode operation get or super block operation that gives you the amount info for the super block huh I mean well you have it streets show options oh yeah right see so I think your textual idea for generic mount options is is good I think that's good enough that's works for works for util linux and probably works for works for you as well and why not why don't we make this a separate system call but go forward with a slimmed down elegant version of fs info only requested that like you mentioned that we would have to put a uid in every file system first but if we have the request you know request bits and then the response bits like we have in stat x and you don't even need to do that you could just you know the ones that have a uid to report it yeah so currently okay let's why don't we aim at merging an fs info like I don't want to be settled on the want to be settled on the name I like the name but by the end of let's try by the end of this year early next year and then next year I mean it's yeah I don't care who I don't care who does it I don't think this is magic it's like a static system call interface it's like copy and paste statics in a way and make it suitable for for generic file system information huh and make it extensible make sure it's did you just volunteer no alexa did I just repeated him because I have the mic so it's what you're talking about just I mean fairly easy we just had a I don't know a super block operation there's there's just a we just export one other optional thing if a file system has file system specific stuff and the syscall looks to see I mean L correctly pointed out we already have show we already have this for for show for showing them else right so this would be like show full info or show something info and and we're done I mean but the only problem is that I speak sensible what isn't it has to be sensible extensible extensible yeah so okay so that that deal is that would deal with the information for the mount but what what about the list of child mounts so that's that's what I asked at the beginning that could also be unless there are strong objections that could also be a separate system call right query for the child mount ids and then be able to query information based on those ids yeah huh so uh so the fs info whatever it's going to be called gives you the parent and the this other call would give you the children yes sounds good to me with the understanding that because of how the thing is I don't the thing this I that would probably require you to have a a substruct within the fs info struct and then you're back to yeah but I mean then you have a variable length yeah but wouldn't it be nicer wouldn't it be nicer if you had it in a separate system call and you could query how much space do I need for these mount ids or whatever yeah I I think there's like we I think having arrays embedded instruct variable length arrays is just terrible I fully agree like I mean you basically implementing your own marshalling system and type system and that's don't get into this if you don't have to remember we're looking for consensus and we have a coffee break to get to the problems why is it what what is it the thing is if you can split functionality mounting doesn't have to be far necessarily fast and getting mount information also doesn't necessarily have to be fast mount native notifications have to be fast what is so what is so problematic if we say don't let's not stuff it into a single system call let's just split it over multiple system calls raises her sorry could you repeat l theoretically if you want atomic picture you well you don't get any kind of electricity if you spread it over several system calls but I think so if that's a strong requirement I don't think so so the termicity I think is only about information about the object itself but if finding out the children or the that's not information about the object itself so much that is constantly changing so I think it's fine if that part is separate so yes I like atomic interfaces where it can get something of a consistent view of the object but once it touches the relationship to other objects I don't think I mean I will not make don't this sounds like asking for too much so so so I wanted to to mention can can you make sure that that any new system calls have documentation and test okay so okay so it's about the atomicity we uh your David's patcher said had added a version number to uh this two mounts so basically anything that changed the mount would bump the version number and this could also be returned from from this discourse and then you would know if if anything changed they refer to the same version of per object or per mount tree does version apply just to the object just one mount or to the entire uh mount tree what what I did was put a version number on each mount because when you've got a lot of mounts so it's when I return the list of children it's a list of actual tuples child version that child child version child version child version good to make looking interesting okay I think we need to call it and uh we can go to the coffee break we I hopefully we can all remember the good spirit on the on the list please


All right, new shot here. There's no sound. This is between kind of blocky you mentioned here, blocking and splining and at the end. Cool. Yeah, fun stuff. I like it. I'm not sure. First thing just because of the camera. I don't mind this, handheldy looking for something. I think it snaps up a bit too soon like it knows that she's about to appear here. So I would keep it handheldy through here. To be honest, I'm not sure you need to handheld. You can just have her enter. Imagine we're here. So you go one, two, three, four, five, six, maybe six or seven frames. And you just start here on a static camera. And then she appears. So you'll be maybe around between here and here. And then the camera pans and tilts up to to reframe. But that's only up to you. It's a bit of a, you know, there's nothing going on, but I can, I can see the appeal of kind of looking. Oh, what's going on? Surprise. If you want to keep it like that and you want that much time without anything happening here a second, then all I would do is stay down here and then have her appear. And then the camera adjusts. Even here, we are dropping a bit, a bit too soon. And I'm really talking at two or three frames. I know she get, she'll get pretty close to here. And it's fine. I can actually bring this up here. It's fine for characters to break frame. The camera is always going to be somewhat late, unless it's a very specific story point you want to tell. And that's okay. That's all cool. Then I'm not super sure about this translate. It's such a attention grabbing move with the camera that just therefore potentially a better three quarter view. So my suggestion could be if we look at where we are ending here, I mean, that's pretty similar in terms of the angle. So I'm not sure when you go that we need to be so head on with the camera. Now I understand that if you do stay more three quarter, that she might end up being, you know, too far over there. But I think you can easily just have her basically I'm saying is keep this camera angle and just do everything with your pan and tilt blah, blah, blah. This is your tilt. This is your pan, right? And don't do any of that translated move. Very subjective, but I'm not sure you need it. And it's it's a bit too, too drawing attention to itself feeling to me. So if you mentioned, if you imagine this is the camera that you're using here, no translates, and you just tilt pan to reframe her, I'm saying is that when she gets to here with a camera like that, she might end up too far to the left. So obviously the remedy will be when you get to this, she just has to slide more towards camera. And then it's okay because then you can have her to a little bit of a curve that way. Hope that makes sense. And then the other thing is it's a very long pause. And I don't see anything in the email. And the prison guard comes to stop them from behind the camera. I mean, that is that is this section here. So I would just go into cuts. But even here, I would have her move go like they caught us and play up the the lights. So one thing you can do if you want to keep this for a second, you can have to make this super obvious barbed wire here. And then you have a really strong spotlight going from, you know, from here to here, or from here warrant to here. So immediately we know, Oh, this is some secure facility, maybe a prison. Again, like, you know, you have stuff here where they're not supposed to climb and you have spotlights, something is going on. And we can read all of this, we get to see the set, we understand the spotlight like, Oh, this is where we are. And then she comes in here. Then we have all this action, which is also super cool. Like her little what?  I think I got some notes on this potentially, but just to finish that thought, and then that light could go this way, could also go up whatever it is, but something where we don't quite catch them, except maybe parts of this or maybe parts of her head. And then the light does a very dramatic shift. Imagine the light goes this way. And then that's illuminated, but catches just enough of this stops a bit. And it's always like its own character and timing and then goes, and has a really strong and you can even have that like over there. And then a second spotlight comes in, like, we got them, we got them.  And then cuts. Because this feels a bit, the light just kind of comes in and stops. And she has a bit of a she's very relaxed about this. Unless I'm missing something, or you have some other ideas, or something at the end is missing, that explains that move and the timing of it. And then at the end we have, if I bring this up here, we have a lot of time where nothing's happening here, right? So we just go cut. Again, unless there's something happening at the end that I'm not aware of, I don't see it in the email listed there. So something you can let me know. That would be that in terms of the animation. I think this is all fun.  I think that's a cool little, whoa, classic three point landing. Why not? That all seems fine too. It's a bit magical in terms of body mechanics in terms of how she slides forward, meaning that she lands here, puts her weight on this for not that long, and then whoa, wait a minute, this leg is now suddenly going forward. So I'm not quite buying that she is going so far so quickly after one frame of contact. So to me, it would be she could be like this goes back, but you know, leans on this leg for an anticipation, then pushes herself forward. So then that leg might be, you know, could already be stretched out this way and then catches up on the need for whatever, you know, changes you want to do in terms of mechanics, but you want to make this look like there's even if it's stylized and cartoony and snappy in terms of timing, that there's still the basis for the mechanics are still correct. And this doesn't quite work to me where she gets over there. And yeah, to me, it's like that's the step she's taking. And then whoa, one frame going there really fast. That's all cool. I love that turn. And I love that she turns around so we don't see her eyes. So we look for new eyes. He comes in. I like that he's the clumsy guy with all the weights. He can keep him pinned. Was he so heavy? Again, I love that little exaggerated stop into this. The thought that I had here where he lands there, then it just turns into a just pull, pull, pull. What if when he lands instead of this, even though I like the silhouette, it's a bit twinned the whole pose. So what if he lands and he is slightly more three quarter or maybe like he falls really clumsily. And imagine this arm is underneath him. And he has his head here. This arm is like that. And then maybe only, you know, only one leg came up. The other leg is over there. But he's laying on his side so that when she comes here, and it's a bit tricky, I'm unraveling things. So you obviously feel free to ignore any of this. But imagine the head is here. That arm is underneath. And then this arm is there. She comes, you know, running to over this grabs this arm so that she has to unroll him. So it's not just a pull like this. But this whole section is him getting turned over. Now, I know it changes a lot because then he will be on his on his back looking up. But then you have a broader move because there's a contrast in terms of where he is in terms of laying here, rotating. She has a change where she first has to roll him off the guy. And once he plops down, she can readjust to then just pull him. And then maybe because of that, with that head, he can slowly wake up. And now we actually get to see his head versus here we can't. So when that spotlight comes in, he can also wake up and have an expression.  Alrighty, that's kind of what I have. And again, potentially destructive notes, feel free to grab whatever you want from these. These are just my suggestions. Alrighty, thanks. Alright, there's an email, you can sign up, you can start whenever you want, you can submit whatever you want, you get 16 submissions, either way, a like and subscribe would be awesome. Alright, thank you.


Hello, this is Kevin with LSM tab presenting a short introduction to creating a website with Weebly So to start off with you'll create a new site After adding a new site, you can look at one of the mini themes and pick one you like And below you can see there's some colors which you can choose between So you will be asked to choose a domain You can plug in one that you've already chosen or just close it and come back to it later Let's go to pages and add a standard page and a blog for some news To go back to the main page you can see they've shown up in order at the top of the screen Just by any text you see you can click on and modify just by selecting and typing And then over in the upper right hand corner, you can see there's some social media links You can put in whichever one's appropriate and remove them if not needed You can easily upload a background image just drag one in it'll automatically upload and resize it for you And if it needs to be cropped it'll make it easy for you to do that When you save you get to choose to save it to either all of your pages or just this page or just a selection of pages In this case, I'm doing all the pages Here you can do some basic formatting and add some links You can either add links to a normal URL or a standard page on your website The advantage of doing a standard page is if you change the name or where it's located It'll automatically track that whereas if it was a URL you would have had to update it yourself Okay, we just rename some pages here to make it a little bit clearer And choose between different header types big ones small ones no headers and then the landing page So same as before let's replace the default header with one of our own Edit drop in our image move it around to crop it and it's good to go So on the left there's the dock that has any of the elements we'd like to add to a page a heal Let's add some text drop it in and put in what we want to say Then we can add say a video underneath. You'll notice the bar. That's where it's going to go Click on the video drop in the URL and it'll automatically update Let's add a little bit more text underneath it We have a little blow up after the video and then next to it. Let's put in a survey So you'll notice that the blue bar moves around Since we've moved it to the right of the text It'll go alongside evenly splitting the available space And then over on the survey we can go in drop fields change fields Add fields, whatever we like to do The odd contact information you just choose one of the fault ones that they work great And then just go in change email address telephone number or maybe normal address And you can adjust the fields if you'd like to do that, too Go in make sure it's pointed at the correct email address And you're good to go Here let's drop an image next to some text Scale the image over the text will stretch out And we can pretend to have a portrait plus short information short field of information for bio Put it divided down do the same thing Image text V size And we have our fake bio so going back to a main page what let's drop in some text and a survey and then At a blog change the header image again Since it's got a larger one. That's different And then we can adjust the author information to what we'd like archives will update as we do things Click add new post Then we can change the title and construct the post just like we'd construct one of the pages by dropping in elements So over the design tab we can change some of the base colors. That's for the main page Here you can see we change the colors and it'll change the text box and some of the other colors You'd like we can try different themes rather than the one we have Yo, let's try this one And as you can see it's switched over to the default images But the formatting of the text is all the same and the content is still here Let's switch over to some of the different tabs Still has all of our information However, let's stick with what we had so we'll just cancel back You can change the background or in just having a plain gray background We can either use one of their images or drop in one of our own and here we have a nice Apple tree can also change the fonts here as you hover over each of the Sections you'll highlight on the page what it's going to edit. So it's very clear what you're doing In select some of the different fonts Let's point it to choose from you probably shouldn't use most of them and most websites And that's pretty much everything you need to know. Thank you. This has been cat-ing with LSN tab Walking you through your first website


So let's take a look at multiplication, and we'll start out with what I call the Abbott and Costello problem. Find 7 times 13, and you might wonder why it's called the Abbott and Costello problem. You can google it.  But in any case, our beginning is that this product 7 times 13, that's equal to the sum of 713. So here I put down 713, and whatever this sum is, is going to be equal to the product. Now again, what I can do is I can decompose each of these 13s into a 10 and a 3. So I'll go ahead and do that, and each one of those 13s is a 10 and a 3. And so what do I have? Well I have 710s, and I have 7 threes. So if I put those together, this sum 710s and 7 threes is the same as 713s. And so this is actually an example of a really general theorem, which is known as the distributive property. So in general, if I have a bunch of real numbers, a, b, and c, then the product a times the sum of b and c is just a times b plus a times c. And if I try to apply that to this case, what I have is 7 times 13. I'm going to break that 13 into 10 and 3. My distributive property allows me to rewrite that 7 times 10 plus 7 times 3. And the advantage to this is both of these products are much easier than the original. So this is going to be 70 plus 21, and addition is pretty easy, so I can add that and get 91 as my product. And the important thing to realize here is that when you use the distributive property, it's whatever works, whatever you happen to feel comfortable with working with. Again, the only requirement here is eventually you're going to have to do a multiplication. So let's consider the product 7 times 27. And so one possibility, we could break 27 into 20 and 7. And so I can apply the distributive property 7 times 27, 7 times 20 plus 7. And I'll multiply that out 7 by 20 and 7 plus 7. And again, I can do those multiplications much more easily. This is 7 times 20 is 140. 7 times 7 is 49. And add those two together to get the product 189. And this is a perfectly good way of doing that multiplication. On the other hand, some people think in quarters. And you might note that 27 here is 25 plus 2. So here I've rewritten 27, and I've decomposed it into 25 and 2. And the advantage to this is when I expand it, that's seven quarters and 14. So that's 175 plus 14. Again, 189. And so the important thing is no matter how you break up this 27, whether you think of it as 20 and 7, or you think of it as a quarter and two cents, the distributive property is going to give you the same answer in both cases. And the only choice you have to make is do you want to work in quarters, or do you want to work in tens?


G'day and welcome to Off the Hill, the Australian National University's look at the 2016 Australian Federal election. Join us each week as we look at the highs and the lows for the politics, the policies and the key players in this two-month long carnival of democracy. My name is Ryan Goss. I'll be joined each week by Andrew Hughes from the Australian National University. Our regular host Jill Shepherd is off this week, but we're lucky to have in her place Maria Tufflager from the ANU School of Politics and International Relations. This week, we'll be looking at the teething problems in the early part of the campaign, questions of campaign strategy and asking whether we're in for two months of debate about big ideas. So let's start with the teething problems. To set the scene, we know that on Sunday afternoon, Prime Minister Turnbull made the short drive to the Governor-General's residence to advise him under Section 57 of the Constitution to dissolve both houses of Parliament. Since that time, we've seen a bit of uncertainty and instability on both sides of politics with the Liberal Party yet to finalise some pre-selections in key seats and Labor looking like it's lost two candidates in the first week already. Caroline Boothman in Gippsland and Chris Brown over in Fremantle. So there's a lot going on. Andrew, I was in the rain at Yarra Lumler on Sunday afternoon, so I missed a lot of the media coverage. What have you made of the Prime Minister's start to the campaign? Missed opportunity number one. I mean really, the Prime Minister, you set the narrative, you get the opportunity to call the election when you want to. You can really set the scene, as it were, for that first week of campaign. You can have the first opportunity to give the first presser. All the cameras are on you. If you don't hit the ground running with a good advantage over the opposition, it is a missed opportunity and indeed it has been for the government. You think he didn't make the most of that, of the Sunday afternoon of the first number days. And look, I think it came out because the campaign didn't seem organized from day one. We've had issues all the way through the campaign. He's had to fight off issues over the leadership ballot with Tony Abbott already. He had to fight off issues on how the state teams have been run, how they've been organized. He's had all these issues bubbling away in the background. He hasn't been really able to build up that momentum, that key to any campaign is that sense that this is the guy to get behind now early on in the campaign to make him a winner all the way through the campaign. We haven't had that clear sense of message either coming out from the government either. And there's been some instability on the later side of politics, of course, in Fremantle and in Gippsland. But it seems as though there are some difficulties, particularly in New South Wales, Maria, is that right? Yeah. And I mean, I guess this is Turnbull's problem is that he doesn't have the same kind of capacity to control the party centrally as the Labour Party does. And New South Wales is the division that just keeps on giving in the sense that it cost them the election in 2010, caused all sorts of teething problems in 2013 with the famous Jamie Diaz and his inability to name six points. And it seems that the concentration of Turnbull and Abba in the same division is already causing problems. We've seen people in marginal seats like Lindsay and Edamonero. So yeah. And how will the central Liberal Party, how will Malcolm Turnbull and his office deal with this instability in New South Wales or if it breaks out elsewhere? They'll ask very nicely for them to get their house in order. And what allies will Malcolm Turnbull have in that regard, do you think? Well, I mean, everyone wants to win the election. So we can only hope that Discipline will prevail and Tony's already sort of come in behind the team and sort of said he supports the super changes. So hopefully they'll behave. Although we did see today that Tony Abbott's former Chief of Staff making some remarks about Malcolm Turnbull's current waterside mansion. Wasn't that helpful? Well, and I think that leads us to sort of a bigger picture question. Based on the first week, what can we discern about the party's strategies? What can we expect over the eight long weeks ahead? Andrew, what's your sense of the strategies at this stage? Early on, it's been bland, to be honest with you, Ryan. I mean, we had the budget of the bland, as I called it, where it was very much nothing happening, nothing in it. And we've moved on to the campaign of the bland now, where it's a lot of talking about ideas and about their policy perspectives and where they stand, all this type of thing. But, you know, we're lacking the details and specifics. So what they've gone to early on is to get that engagement and that awareness high because they know it's a long campaign. Maybe they want to hold off on the policy talking to the very end anyway when the undecided voters are thinking about who they should vote for. So the meet and greets have been very popular this week, we've noticed. And what are we seeing in terms of the there are some ads beginning to come out. That's right, isn't it? Yeah, that's right. And look, and this is the start of the messaging. And it's interesting that nowadays in modern politics, where you start your messaging off, it's always positive because you need to give people a reason to vote for you, not vote against you. So this is where the positive messaging comes into it. But at the same time, the government's already gone negative. To me, that's a flaw in their campaign early on, because what you should be doing is hitting that positive messaging. Not to mention, negative does not work. Negative campaigning is being seen now more and more through research coming out of America and my own research. But it does not work at all because people tune out to it straight away. They want to hear positive. And one of the things that has been sort of shaping the strategy, I think, even at this early stage is the role, particularly of the Greens. We've seen that there are minor parties playing different roles all throughout the country, the Palmer Party collapse or parent collapse in Queensland, Xenophon in South Australia. But the Greens and their role, particularly in in Melbourne and in Sydney, seems to be causing all sorts of interesting permutations and combinations. The Daily Telegraph endorsing Albo on the front page this week, after a couple of years ago depicting him as one of Hogan's heroes, I think. The possibility of some form of informal preference deals with the Liberal Party or at least some sort of detente with the Liberal Party in terms of referencing. So the role of the Greens, particularly in those inner city seats, is seeming to be shaking up the strategy a little bit. But I think it also ties into the fear of a hung parliament or minority government. Is that something that we're still really afraid of? Oh, I think so. It suits the Liberal Party every time that we're reminded of the Greens-Labor Coalition. And we can see Labour running a mile from it. Though interestingly, they haven't actually ruled out the fact that they might govern in minority, just like virtually every government in New Zealand has, since they changed the voting system there. So just because they say they won't come to a coalition agreement doesn't mean that we won't see different types of government permutations in this country. And these are the sorts of things that they are talking about. But Maria, if we move on to the question, we've got eight weeks ahead. Are we going to see a debate about big ideas in the future of the country, do you think, in the next eight weeks? What's going to be the nature of the debate? Well, I guess I'm more cynical about this. I think there's no money in the budget for them to dole out a nice little campaign announcement every day and keep the message nice and disciplined and focused. So they're doing this thing where they go out and they're sort of saying, yeah, you know, we've got these new ideas for the future, which for Labour sort of draws attention to their costing problems. And for the coalition, it really underlines the fact that they're the incumbent government and it's been three years and their policy agenda is still underdeveloped. And that's risky for them. And it's that strange combination, isn't it, of incumbency and also a fresh new prime minister and trying to convey both of those messages at the same time? Yeah, I guess we're seeing echoes of the real Julia and the 2010 campaign. It's really difficult, particularly when there is a difference, a policy difference between Malcolm and Turnbull, but that's not been clearly articulated. Right. And Andrew, what do you think the length of the campaign, which we're talking about here, will do in terms of the media strategy and the messaging? Yeah, this is where it's going to be hard for them because they only get limited funds, so they're going to have to draw the message out. So early on we're going to see the use of the media really be used to deliver a lot of the messaging. It's an excellent way also to get credibility up early in the campaign and also keep those funds in reserve for the last part of the campaign. At the same time, the government's already made some errors early on. We go back to the advertising, the ad campaign up from Malcolm Turnbull, the first positive ad, very similar logo-wise to what Tony Abbott ran in 2013. So you're trying to make that nexus between, hey, I'm the new guy and this is the other guy we don't talk about anymore. Yet the first thing you do is recall those images in people's heads between that campaign, that era of government and uncertainty as well, to what you're trying to build up as a message. So I think this is where they're going to have to get it ironed out. Maybe it's teething issues because it's a long campaign. They had nowhere to go or they're a little lacking. And I think there it's important to remember that there's no reason to think that Malcolm Turnbull necessarily wanted a long campaign. He wanted a double dissolution. And the way that Section 57 works is that the price you pay for having a double dissolution at the time that Malcolm Turnbull could do it was a long campaign. And that's the reality. I mean, I think my great fear is that we could have a big debate about great ideas, but I hope that the press gallery is up to covering that. Not up to covering, as I see the Brisbane papers did today, Bill Shorten's choice of jogging gear. So that leads us to final thoughts. Our final thoughts for the week ahead. Maria, what's your final thought? The coalition really needs to sort out the superannuation problems. Every day it spends debating the semantic argument about whether or not these changes are retrospective is a day that they're not getting credit for a bold nation-building national interest reform. Okay, Andrew. Just really quickly, I hope that Tony Abbott and Peter Creadland aren't doing the numbers for our Eurovision Contest. That could be a disaster there. But look on the more serious side. I think this week we'll see the start of the big announcements on that $1.6 billion war chest the coalition put aside in the budget. So maybe some exciting times ahead. Very good. And my final word is to say that moments ago the High Court seems to have upheld the government's changes to the Senate voting laws. So that's bad news for Bob Day. It's probably, I think, good news for the Australian Electoral Commission and it can start getting into the process of preparing and designing its ballot papers. That's it for us this week. Enjoy the first leaders debate of the campaign if you're watching that on Friday night or the football or Eurovision, as I suspect many Australians will be watching. We'll see you next week off the hill.