Hello, everybody Andrea here. So what I decided to do is I want to do a day in the life of a mobile dental hygienist with that interest you guys. So I'm thinking about doing this, uploading a video once a week. On YouTube. So this will be a YouTube specific day in the life only for my amazing YouTube followers for a mobile dental hygienist. So this will be fun for any dental hygienist who wants to be a mobile dental hygienist one day.  You are a mobile dental hygienist and you just kind of want that Support and somebody to talk to and to see kind of what it's really like for somebody else. So this will be interesting for any dental hygienist who kind of wants to know more so Click like if you like this idea. Definitely comment. If you like this idea and kind of I can go by your comments and decide what I'll be talking about. So I'm just doing this spur of the moment. I know as a mobile dental hygienist myself, I would really love to see another mobile dental hygienist do A day in the life weekly thing like that too. I think that would be super cool. So I figure, Hey, you know what I'm going to get started and do it. So let's talk about it this week. So today is Wednesday. This week has definitely been absolutely one of those weeks that I wanted to talk about like day in the life of a mobile dental hygienist. How does that work. So this week, you guys, I've been getting a lot of cancellations, which I pride myself in saying that hardly ever happens. For those of you who work in a dental office like cancellations is number one. It happens. You need to struggle to fill that schedule. Well, for me, I never had that problem. Patients just wouldn't cancel because they were looking forward to their appointment. And I just never had that problem with this week. It's a full moon, something in the air. I don't know, but I'm getting a lot of cancellations. So how do I handle that. So I've been getting so many that it's been hard to handle it. Whereas literally I typically confirm a week before maybe even a couple weeks before sometimes depending on when they booked their appointment. Then I confirm a couple days before and then always the evening before. If I don't hear back from a patient the evening before I reschedule them because As a mobile dental hygienist, you don't just want to drive to their house and they're not there or they kind of go, Oh, I didn't know you were coming. I didn't answer you back for a reason. I didn't confirm for a reason. Who knows. So, you know, but I'm a business owner, right. I got to keep the schedule full to pay the bills. But usually if a patient does cancel I have a long list of short notice cancellations where I can literally just pick from that list message the patient and say, Hey, I had somebody cancel I'm seeing you in a month. Do you want to move it up to tomorrow because I had somebody just reschedule and they're always usually more happy to do that if they can like unless they're working or something or they're They're somewhere else and they just can't have me over. So that works really well because as a mobile hygienist. It's not just about looking to see how much time is needed. To fill the schedule, like if it's a one adult patient. Well, let me find one adult patient to fill into that spot. It's based on location. So if I'm going to be in Woodstock tomorrow, I wouldn't book a patient in Stratford. So I have to first go by where the patients live and then I have to go by, well, how many patients do I normally see in that household. If I see a family of five. I'm not going to ask them if only one person wants to get their teeth cleaned tomorrow because I have a spot. That's just not the best thing to do because then I have to go back and see the rest of the family members when it's just better to see everybody in the same household. At once, right.  If I have a new patient. I don't want to keep them waiting a month like I'm literally booked up. I'd say a month in advance. Sometimes two months, even three months for evenings and weekends because they're definitely prime time like that's when everybody wants them. But I'm still very busy during the week because luckily now a lot of people work from home so they don't mind me coming in during the week. But for new patients. I don't like keeping them waiting. So I do always block off time as well. I talk about time blocking. I talk about how I handle SNC's inside my course mobile RDH Academy. So if you are a mobile dental hygienist or aspiring to be one You want to be in that course because I explain everything to you guys even more than what I'm doing now. This is day in the life. You're learning about it. But if you want specifics definitely sign up for that course and I offer you full support as well. But so that's what's been happening this week, you guys and talking about cancellations. I would even, you know, let's say somebody like this. Okay, this is what happened this week. Let me go back a little bit. So what's the day to day Wednesday. So on Sunday, I usually confirm actually for that week. Almost every single patient or family said, Oh shoot, I forgot about my appointment. We have to reschedule. So let's say I'm confirming on Sunday. Well, those patients on Monday. I need to scramble to fit in patients. Well, I would actually find somebody who wanted to come in short notice cancellation In that spot. And then I would message them Monday morning to say, Okay, I'm making great time. I should be there at 10am because that's another thing that I do as a mobile dental hygienist Is I message them before I'm coming. So they know because sometimes timings aren't perfect. It's kind of like furniture delivery, right? They give you a wide range.  So I might say, Oh, I finished my last appointment early. I can actually be there at 930 instead of 10. Is that okay with you or if that's too early. No problem. I have a snack in my car. Catch up on emails and then I kind of go that way, but I do confirm with the patient when I'm on the way. So that morning. I confirm with the patients that morning and this particular patient. It was a family of three. She actually said, Actually, we are sick. We all have the sniffles. So here they just confirmed the night before, but she's like, I'm so sorry, we have the sniffles. Nowadays, we rebook when somebody has the sniffles. They're sick. You got to be careful, right? So here I did fill that spot and then it was canceled anyway. So Monday morning, 10am appointment, cancellation at 7am. I can't really find somebody else for 10am. So guess what?  Doesn't usually happen. So what did I do, you guys? I answered emails. I think I even hopped on like a Facebook live in my Facebook group. So I make the most of my time, but that's how the puzzle pieces go, right?  So that's what this week has been about. Legit cancellations. Yeah, that's what the week's title is, is cancellations and how does a mobile dental hygienist handle that. So you guys, let me know if any questions. Comment below and I'll talk to you guys in the next video and I'll do another week in the life of a mobile dental hygienist. How is that? Next week, I'll talk to you guys soon.


already people watching trying to get my there where there I am this way I can read your comments 10 people whoo hello and of course see the iPad is sideways I'm filming it correctly on my phone the view screen is the right orientation but on the iPad I'm always sideways I don't understand that I'll flip it when I save it to YouTube hey hey everybody hey Lisa so today in case you didn't know we're doing trees and landscape I printed out a copy of the PDF document I created which is available in my Etsy shop it's a digital download it's $2 and the colors are off on my copy because my printer was running out of ink and so I used my husband's printer and obviously his is running out of ink too so but anyway this is a copy of the document which includes of course a copy of the color key for my watercolor palette I'm going to use and that way you have a complete list of all the colors in my palette and copies of the two sample pieces of work that I did so we are going to work on a couple of we're going to do one little landscape and then if we have time we'll just do some trees how is everybody today are you ready to paint with watercolor hello I saved this because this is the palette of colors I used to make the original samples and I just have a hard time just wiping that away and cleaning it off hey Miss Jenny how are you um so let's start with the easier one of the two let me see if I hey somebody crafty that's all I saw because when I looked at the screen you disappeared I gotta pick a brush let's see you know I think I have too many brushes I have trouble picking um you know what I think if we're gonna start with the simpler one of the two we're gonna start with this one hey everybody hey Michelle this is a very suggestive sort of pine tree this is a really really easy one hey how are you um art zologies in the house cool so I think that I'm gonna use a flat brush and I'm actually gonna use this one this is one of my favorite flat brushes this is a Princeton Neptune and this is a half inch flat I really like this one for a number of reasons I love the Princeton Neptune brushes as you guys know this one has a plastic handle and I have a habit of leaving my brushes in water and forgetting they're in there and so with the plastic candles you don't worry about them cracking so this is really cool so we're gonna start with the suggestive tree and we're gonna need the embossing tool for this because we're gonna want to dry so the first thing I'm gonna do is you get my page wet and I'm working today on this hot press watercolor paper it's not my favorite paper it's very smooth and I know from playing with my watercolors for a while that I like a little bit of texture to my paper and I really like cold press that's a matter of preference just like paint brands are there's a lot of really great artist paint brands out there you really just have to try them and see what you like all right so I'm gonna start with some handsome yellow and then some water I didn't really clean my brush off really well so it's got some yellow on it still because I wet the paper first see the paint is gonna bleed all over the place but that's what we want I'm gonna push this up a little bit so you guys can see it there we go that's better but that's what we want for our background we wanted something really suggestive of bright sunlight now I'm gonna go into my palette where I have a little bit of this orange mixture and I think this was like pyrrole orange maybe with a little bit of permanent red you'd have to look in my notes because I don't remember to be honest with you but I have it here and I'm gonna put it in here in the background a little bit just a little bit not too much and I'm gonna sort of do a color no-no so what do I mean by that I'm gonna add some blue into here now you want to do this carefully because if you don't you're gonna get brown because you're gonna have all three of your primary colors on the page at the same time and we don't want a brown sky hey mark so I'm going to take some of my cobalt teal and I'm going to I have some on my brush it's pretty wet and sloppy and that's the way I want it I'm gonna flick it at my paper now we're gonna dry it before everything blends too much and we get it brown because we don't want a brown sky I'm turning the paper and tilting it a little bit so I can see where it's shiny and really wet and anything that's too wet and starts to blend too much I'm gonna lift with my rag so yes and answer that question what you could do is do the blue first dry it and then do the yellows and orange and then dry it for the sake of expediency I'm not doing that I also like to like do things in a hurry I don't have any patience for anything okay it's mostly dry so and you guys aren't on Periscope today to watch me dry paint so I rarely watercolor without my heat tool close by when I'm at home because I don't have patience for paint to dry even with watercolor even though it's water soluble we're gonna do some trees and landscapes today okay so with water color even though it's water soluble if you layer your colors like you should when you're doing acrylic paint what do I mean by that so colors that are next to each other on the color wheel that blend well together put those on the paper and then let it dry and then you can put your other colors so in this case you could do the yellow and orange first and either dry it or let it dry then put the blue the yellow and orange may still reactivate a little bit but they're going to react reactivate very little and and they're really not going to blend too much with the blue and you won't get brown so if you have a lot more patience that me than me that is really the way to do this kind of a background something blue since suggestive to suggest the light this is a not a realistic type of a painting in the least so now I'm going to come in with more of my red color here and I'm actually going to make some more I'm going to put a little bit of permanent red in here and I'm going to get some mostly pyrol orange which is one of my favorite orange colors and now we're going to start to suggest our tree and I'm working from the lightest and brightest colors to the darkest colors so I've got my light yellows and light blues on here now we're going to do go a little darker with the orange the first thing I'm going to do with my flat brush is I'm going to draw my tree trunk or I should say suggest my tree trunk and I'm barely touching the brush to the paper and it's not about making a you know a perfect line you want it kind of straight and parallel with a paper but I mean trees aren't necessarily parallel in real life so I wouldn't worry too much about that I'm going to suggest some landscape down here remember that this orangey red color is going to suggest lightness and brightness and warmth sunlight that's what we want now I'm going to come in here with the tip of my brush and I'm going to back and forth I'm just tapping it on the paper just like a zigzag wider at the bottom narrower towards the top you could do this with a filbert too and the filbert will give you less straight more curved branches it's it's there it's neither one of them is wrong it's just a different look I encourage you I would encourage you to try it with both kinds of brushes now I'm just coming in here with some water that was a little too much water and that's going to allow some of the paint to blend thank you for the hearts I love that and it's going to smudge some of the marks a little bit that's what I want I want it to be suggestive I just did my paint brush in the paint that wasn't what I wanted I think I should have more coffee it's already been a weird morning okay I'm gonna do it down here just a bit okay I like that look at my notes and see what I wrote in the notes we can use a new gambos too which is a bright orangey yellow color put some of that on here before we get too far into our darks now don't forget to put some of this on your trunk so as you're adding your colors you don't want to just do the branches and you don't want to do everywhere and you don't want need to go on top of the same marks you already made this is about suggesting your your shapes and creating something that's interesting to the viewer and it's really all about the marks and the colors and putting them in the kind of right place and just experimenting and playing really that was new gambos so now we're gonna go in with some purples but first I want to dry the oranges a little bit because I don't want to I could make if I make brown that's okay but I don't want to make too much brown so I want to dry this just a little bit because I'm working on a watercolor block and I'm using my heat embossing tool you'll see what's happening with the glue and that that happens and my paper is warping a little bit but I'm not too concerned so I've got some different purples that I've already got over here on my palette and this one is a rose of ultramarine which is a very red purple so we're gonna start with that one and I'm gonna put some on the trunk first and this is the time where you really start deciding what is the shadow side of your tree so I just decided that the left side was the shadow side and that's where I put the purple now I'm going to tap some of this into my branches I'm just you really I'm just using the tip of my brush don't dig any holes to China with your paintbrush I'm also not gripping it you know tight like a pencil in fact the farther back you grip your brush the less control you have but the more suggestive marks that you make so now we're gonna rinse the brush off and we're gonna come in again with just some water we like our marks they're very suggestive but that doesn't mean we need to leave all of them on there without letting some of them bleed and blend and smudge and if you think about maybe for some of you it might be easier to think about the colors as working instead of from lighter to darker what about warmer to cooler so so far we've used all pretty warm colors even the teal if compared to other blues as a warmer blue because it's a green let me know if you have any questions it's one of the reasons I'm here on Periscope every Wednesday is not just to show you these tutorials but to answer your questions now I'm gonna start to use one of my favorite Daniel Smith colors moon glow this is 140 pound hot press watercolor paper this paper is by let's see fluid it's a fluid hot press watercolor paper block I found these blocks before at my art supply store and hobby lobby but all I think this one is from Dick Blick last time I placed an order I wanted to get you know to the minimum to get free shipping I think I ordered paper I'm pretty sure that's where this is from so now I'm gonna go to a cooler shade and we're gonna go with the moon glow which is more of a gray blue purple it's still purple and you notice we've used no greens and we're not gonna be using greens this is all about suggesting your tree with using warm and cool colors without actually using any realistic colors because you don't it's about suggesting the shape and the lightness and warmth without necessarily using cook the realistic colors and that's true for foliage and nature as well as you know faces and things those of you who've seen me paint before know my favorite way to paint a face is to not use any realistic colors don't forget your landscape down here because it wouldn't all be light and bright and warm there'd be some dark spots all right so just like before we're gonna come in with some water these kind of little quick tree studies are fun to do they're great practice thank you they're easy and you learn a lot about what your you can get your paint to do and to not do and because you're not stressed about you know doing any realistic colors you know they're fun it is very calming I'm glad I should it should be okay so now we're gonna introduce even cooler colors so we're gonna go in with a blue I'm just looking at my notes to see what I used last time I used what I thought I used so we're gonna go in with Prussian blue which is a dark it's a dark blue it's a little bit on the in my opinion it's a little bit on the turquoisey side but it's one of my favorite blues I'm gonna use a little bit of that now see I just put a little bit under the of that dark color on there and look how that tree is just starting to pop look at that so you want to try to have when you're doing this a good balance of what you're really light colors and you're you're really warm colors with your really darks the darks are gonna make your painting really pop and the other thing too is if you're using a lot of brights put some neutrals in there because those neutrals are gonna make those brights really pop and I didn't dry it again so my paint is mixing a little bit with the wet purples and things are on here I'm okay with that don't forget your you know little landscape or whatever it is that we've suggested here that's near the tree again we're gonna clean our brush off and we're gonna just get it wet now the PDFs for these watercolor Wednesdays are available in my Etsy shop for sale they will continue to be available for sale we are going to continue to have some version of watercolor Wednesday for the new year for as many Wednesdays as I can manage I'll always announce them the either the morning of or the day before and it'll probably be more often than not it will be every Wednesday I do think I'm gonna do a paid for class on you to me that's just watercolor serve an in-depth thing where we make a watercolor journal and then we paint all the pages and we use a different technique on all the pages so you guys tell me if that's something that you would be interested in and then we would use our watercolor Wednesdays to answer questions and do yeah cool I have to film it so let me film it first I have to film it and I've got to get it up on you to me so it's my project one of my big projects to get ready alright so that's our blue so look at that that tree is really starting to pop so now we're gonna come in with some pains gray which is a dark bluish gray counting here which one of these I think it's this one these is pains gray it's good to have your color key handy so you can figure out which colors are which in your palette because some of them all look the same so if you don't know if you don't have a color key with your swatches I would not know on some of these what color it is so now this is the really dark color and this is gonna make it pop even more so look look at this dark almost black color in here and how that makes that pop and you don't need to put this everywhere just put it in a few select places welcome to everybody who's just joining and you have your oranges and yellows that are showing through the leaves of your of your tree here so you're getting the impression of sunlight shining through the tree branches and isn't that a lot of fun I'm looking for the other one that I made the other day I don't know what I did with it you know I keep putting artwork away and then I keep losing it I don't know where it is right now oh yes yeah I might actually know it so here's the one I did the other day when I was creating the PDF document so that's just a simple quick pine tree now you can I like I said you can do these with a filbert brush and if you don't know what a filbert brush is and I'll show you a couple things I wouldn't use this one because this is a little bit small I would use one that's larger I have an oval wash would work too I may actually not have one that's big enough so you want something that's rounded at the end so this is a lunar blender this is a Princeton Neptune brush this is an oval wash I'm sorry this is Princeton select this is a Princeton Neptune and you notice the same this thing they have in common is they're both flat brushes but they have rounded bristles at the end this is a filbert and I'm going to show you on a scrap of paper before we move forward and let's just do it with the color that we have here on the palette so let's just use for the sake of you being able to see it let's use the blue because it's nice dark color so again you would do the same thing as I did with a flat you would paint your trunk with the tip of the brush just again barely touching it to the paper then you're going to take your filbert brush and just like we did with the flat you're going to tap it to the paper and back and forth but look at these marks that you get these sort of rounded marks that gives you the impression of a different kind of a tree and this is a technique you can do not only in watercolor but in acrylic paint and if you layer your colors on top of each other especially if you dry them in between welcome everyone who's just joining then you get something that's really interesting and it's definitely a different kind of a tree than use doing the same basic brush strokes but with a flat brush so I encourage you to try both and now that I realize I don't have a wide filbert I might need to get another one when I use acrylics actually I don't oh cool I don't water my acrylics down usually I do paint half with heavy body and about half with fluid acrylics usually on the same canvas water them down all right so now we're going to work on something that incorporates a little smaller version of the tree that we just did and a different kind of a tree in a landscape now when I that sounds interesting that would be fun at Christmas time to do on some Christmas cookies when I painted this sample I intended to start out by painting a true landscape I ended up painting something that turned out to be more pond-like with landscape around it so that's just what you know my muse was telling me to paint that day so we're going to work on that the one tip I will tell you about doing a landscape with water in it whether it's pond or it's an ocean a seascape whatever's above the water should be reflected in the water not necessarily perfectly reflected but there should be an indication or hint of say this tree you can see here reflected a bit in the water and over here where this sort of mountainy bushy shape is there's a shadow right here there's also some shadowing here where this tree is overhanging the pond so you want to be conscientious of the fact that whatever's above the water should be reflected in the water so we're going to switch to a round brush I'm going to switch to this one this is a round number four now when I started with the sample I actually started out by using Moonglow a very light wash of Moonglow I think wait look at my notes see it was a week ago I don't remember that's so terrible I know oh so you know that's not true either so I mixed some Prussian blue with a little bit of paints gray we'll do it right here some phthalo yellow green which is this kind of bright green a little bit of sepia we're looking we're shooting for a grayish blue of course you could use a color that's in your palette of course you could but it's more interesting and more fun to mix your own and then we're gonna add some water so we get kind of a thinner mixture and then you want to start to outline your shapes so the first thing I started with is the big tree trunk and it's not about getting a perfect exact shade just start with a lighter shade something that's sort of a grayish greenish grayish bluish something that's you know a little more interesting than just you know plain anything all right and then I'm gonna put my horizon line in now I in the in the PDF I ask in the PDF and let's ask you guys live online do you notice an error in this the problem with this there's a blatant mistake in here it works because of other things on here but there's a mistake welcome so when you create a painting any painting you don't want your focal image whatever it is to be smack in the middle of the piece that's really boring and uninteresting you usually especially when you're talking about a landscape you want your horizon line to be above or below the center of the canvas if you think of your canvas in sort of a grid of thirds so vertical thirds and horizontal thirds where those four point yeah exactly it's in the center of the page so where those four those those lines meet those four points that's kind of where you want your focal points to be or where they shouldn't be near so when you put your horizon line in it should be in the lower third or the upper third of the canvas in this case it's not so bad because we have this big tree right here and it kind of draws attention away from the horizon line being smack in the middle but that's actually mistaken if I was going to sell this I would mat it or crop it so that I would cut some of it off somewhere because it's actually a mistake so when you put your horizon line in you want to pick a spot that's above or below the center of the canvas so in this case let's put it now if you're doing a seascape and you want it to be all about the ocean you want to put it above but if you're doing maybe a landscape works in this case about the trees then you want maybe put it below so I'm gonna put it down in the bottom I'm just using the tip of my brush if it was a landscape I'd be less worried about this line being straight because maybe it's bushy if it's water you want this line to be pretty straight because where the water meets the sky is going to be a pretty straight level line so now I'm going to come in here and I'm gonna sort of map in my smaller tree that's in the distance I'm just putting in my shapes right now and then I think I'm gonna do something right here again and I'm gonna pull in my flat brush and I think I'm gonna put some kind of land mass-ish kind of shape right here that looks good to me then I'm gonna come over here and I'm gonna start putting in more details to this tree trunk you know lines in the bark because the bark is you know wavy and crinkly and you know not even good yes I encourage all of you out there who want to start painting and never have before or maybe it's been a while do it do it do it life is too short not to do what you love okay and we're just we're just kind of map roughly mapping in our shapes I'm gonna come down here to our little tree and suggest some little branches down here welcome everybody who's just joining right you could even go so far as to like put some shapes here that's such a loaded question so both mediums can be expensive it depends on you know what kind of paint that you end up buying watercolors are some of them are very expensive but so are acrylics I would say that watercolors to get started they're less messy in my opinion I started with watercolor and they were watercolors very portable and not messy so in that respect I think it's a little easier to get started with watercolor and they do seem to go longer and also with watercolor you don't have to worry about them going bad in the tube if they dry out in the tube and I have a friend Jerry Bellini and I don't know that she's on here right now if she is Jerry say hi from my arts and parts and she did a YouTube video recently where she took her mom's old watercolors that were dried up in the tube and using some gum Arabic revived them she pulled she peeled big really peeled the tube back from the watercolor to pull the pigment out and then crushed it up and added some gum Arabic to it and repotted it in a new pot and that worked just great so you know it's watercolor so for the most part they can be revived when acrylics go bad in the tube that's your just your out of luck they're just bad so now while we're gonna let this all dry a little bit and we're gonna actually turn this around so I can work on the sky I'm gonna use the filbert brush I'm gonna use the Prussian blue I've got because I've got it here you could use ultramarine blue you could use a combination of the two mixed together I could grab some ultramarine over here which is more of a true blue whatever blue you want for the sky we're gonna do some in the sky and when you really want to do the sky before you get too far with the tree because you don't want to have to go back and touch up the sky and work around the tree I think watercolor is more forgiving I agree with you now in your sky the farther away from the earth it is the darker it is so start by laying out your pigment up at the top bring in some water and I take that back I'm gonna use the flat because I'm really bring in some water before you get too far I put these on my YouTube channel if you go to YouTube and you search Gina be errands calm I'm sorry Gina be errands holy cow I need more coffee you will find these videos there and I've created a playlist that is just for recorded on Periscope this dried a little bit so I'm just gonna I'm not gonna freak out I'm gonna get it wet I'm gonna add some more paint and you notice I'm leaving white spots because that's gonna hint at you know it being a you know a little bit of a cloudy sky I like that I almost never do just plain blue skies oh good yeah it'll be it'll be on it'll be on YouTube it takes me like the whole day to get the video set this so that it can be on YouTube there's a little bit of a process I go to to get you guys the best quality that I can because this is being filmed with my iPhone and this it's not a huge picture it doesn't take up the whole screen so but I will get it I will be downloading it and working on it this afternoon so I'm going up to the back up to the top and the paint is still wet I'm just laying in a little bit more pigment I'm gonna grab some ultramarine and it's gonna blend a little bit with what's on here because it's wet I want that and I want it to be a little darker up here add some more water don't be afraid to get your rag in and do some lifting if you get too much pigment do it right away know that if you're using artist grade watercolors they're gonna stain so you may not be able to get all of the paint up and some colors stain more than other colors so that looks pretty good I like that so now what remember what I said about whatever is above the water being reflected in the water so let's take some more of our blue do it I say do it so I'm gonna put a little bit of the same sky blue in the in the water I say in my opinion if you're debating about whether to start back in painting and to start doing it with watercolor you're welcome or acrylic I I would say go go with the watercolor watercolors really my favorite if I had to grab one art supply because my house was on fire and be my watercolors hey Carol so now that I have some of the sky reflected down where the water is gonna be so I'm gonna let that dry a little bit and then let's work on our tree trees we'll go back to our round brush I'm not want a bigger round brush I've never tried them yet oh see you have to try them and you know how I learned I get asked a lot if I took any class never taken a watercolor class live or online I've read a lot of watercolor books and I've done a lot of playing yep so do that you need to do that so just get your paints out and play and have some fun I'm gonna switch to a larger round brush because I really want to be suggestive with my marks let's see let's use this one it's a royal and leg niggle you're welcome okay so I'm gonna go with some greens what greens did I use last time oh green gold and cascade green so green gold is a more olivey green than the phthalo green this is the phthalo green it's really kind of bright and then this is the green gold which is more olive olivey I used green gold and I used this cascade green which is a very blue green so the first thing I'm gonna do is I'm gonna come up here to the big tree and I'm gonna and this is a larger brush this is around this is a number 10 this is a royal and leg niggle and I'm just dabbing you notice I'm just dabbing there you go yeah I usually ask for gift cards for Christmas people don't know what to give me I'm all just give me a gift card because I could tell you what art supplies I want to the cows come home but you probably won't get me the right one and that way if they get me a card and I you know run out of something you know a color or something I have it during the year and I can just replace it easily so then I went and what rinse my brush off and I'm just this is just water that's letting the pigment sort of move around I'm not trying to cover up my brush marks because they're gonna hint at leaves and I want that and I'm not worried about mixing with the blue in the sky because it'll just make more green colors so I'm gonna take some more of the same green only I'm just gonna try to get a little bit last time I mean last time this time last time I got too much and this was wet down here when I did the sample so then it just blended into the sky which was okay but it wasn't what I wanted so I'm gonna come in here with just the tip of my brush I'm gonna put some of this green here over this suggestive little tree that we've got going on here maybe a little bit down here and maybe a little bit suggested in the water because remember what I said about what's above the water would be reflected in the water right and then don't forget about this little thing over here put some dots on there to suggest like foliage or bushes or you know it's not really a tree we don't want it to be a tree but we don't necessarily want it to just look like a rock either and this brings your color all around the page so that you don't just have it in one spot and I just lifted some of the color because I thought there was too much I'm gonna take a stronger amount of the pigment here and I'm gonna put a little bit more on this tree this is still wet so it's gonna just it's gonna blend and bloom a bit and I want that that's nice so now I'm gonna come in and I'm gonna you know don't worry so much about actually painting the realistic rock suggest your rock when I first started learning it drove me crazy because I couldn't get it perfect to the way I wanted yes that means I'm probably a perfectionist but I realized being suggestive about my shapes made me much happier and much freer to just play with my supplies and that made that made me much more happy so that's what I do okay so before we get too much farther let's put some let's put some more color in our tree trunk I am going to use some of the colors I have on my palette but not just of that just them one of the colors I want to introduce is moon glow which is our purple color just because you're using green in your tree doesn't mean you can't suggest and use other colors in your painting yeah that would be fun I've always wanted to do a really big painting something huge so this is moon glow and again I'm just running it kind of roughly down with the tip of my round brush on the trunk on and nearby the other marks that I made I do sometimes mix my own colors but I and I know how to mix my own colors but it's not my favorite thing so this is just water some artists really only use like a 12 color palette I was watching an artist on YouTube this morning and he really just uses a 12 color palette and he mixes all of his own colors and that's really some artists love that I am not one of those I really just like to paint and so if I can do that and not have to worry about mixing colors all the time that doesn't mean I don't know how just means it's not my favorite thing I'm keeping the water when I put it on here that would be fun when I put the water on here I'm keeping it inside the tree trunk so that the moon glow stays in the tree trunk put some of it here some of it in the water some of it over here just do some dabbing you're gonna get some of the unexpected happen if you don't do drawing in between you're gonna get you know this purple color mixing with the green and making it brown we're doing a landscape so those colors would be there anyway and working with the unexpected that happens with watercolor well in my opinion that's one of the fun things of working with watercolor I'm gonna put some down here we're gonna let all that dry a little bit and we're gonna come back up here to the tree and I'm going to add some a darker my darker cascade green I also paint an acrylic masking fluid you mean so yes and in the online course I think I'm gonna one thing we're gonna do in the online course that I'm we're looking to develop for the new year is I think that we're gonna make a watercolor journal out of some paper watercolor paper and then we're gonna paint do a lesson on each page so by the end of the class you'll have a full book of watercolors and I think with each lesson we'll focus on a different watercolor technique one of them is gonna be using masking fluid one of them will be wax resist one of them will be using plastic wrap one of them will be using salt and that sort of thing and by the end of the class you'll have a good repertoire of different techniques you can do with your watercolors and we'll probably do one that's just focus on blending and you know puddles of watercolor color and how you can get that to work for you instead of against you hey Dory so now I'm just putting in some of my color and then putting in some water forgot what I was doing there for a second okay and I'm gonna put some in my little tree here put some in my water because you know I said that whatever is above would be reflect be reflected in the water right and put some over here put some in the water and get in here with my just plain water just on my brush no paint so you can lift some with just a damp brush and then dry it off and with your lighter colors your light yellows your light yellow greens mostly the lift almost completely your darker colors won't yeah this is a hot pressed watercolor block it's actually not my favorite see how that paint and water is really kind of going everywhere and it's I really like painting with cold press because you have all the nooks and crannies and the little divots in the paper and for me not only does that give my painting something interesting to look at in the background besides the paint but it's a little easier for me to control where the paint goes in my opinion yes I do and a lot of times that when I'm doing the sky actually earlier if you didn't see it I turned it upside down but sometimes I even work with the paper tilted when it's just me and I'm not on camera and that lets the paint paint flow down and you get these interesting drips I'm gonna switch back to my smaller round brush thank you and we're gonna continue working on our tree trunk here I'm gonna actually dry this up here a little bit because I want to work on the branches that are in amongst those leaves yes I am a big fan of Jean Haynes if y'all don't know who she is look her up she's got some really great books you can get them on Amazon they're fabulous and I would recommend them to anybody so I'm gonna use the colors on my palette you can use purples browns this was moon glow but then some of the green mixed in it so I don't know what color it is now but we're gonna use it and now it's kind of a reddish-orangey purple e-color but we're gonna use it yeah so you don't I love watercolor because you can't control it so I'm gonna come in here with a tip of my little brush and I'm gonna make some of these hinted branches back here darker I'm not gonna make all of it darker I'm gonna leave some of it light every time you do this is gonna come out slightly different so with naturally where I have these sections that naturally turned dark then I'm gonna take my paint and I'm gonna work with those and I'm gonna emphasize them and make them darker and the ones that are light will leave light and we'll let them be the lighter parts of the tree so the other colors I used in the tree trunk were also some sepia which is a brown it's a very dark brown I do I love my watercolor pencils I've got twinkling H2O's water soluble media is really my thing so this is one of our dark dark colors so this is really gonna make things start to pop this is the sepia the dark brown one of my favorite browns in any palette whether it is watercolor or acrylic this is a good painting tree trees and tree bark is a good exercise to do when you've had too much coffee because tree branches aren't straight so if your hands are a little shaky that's okay so with pencils you know it really depends on the kind of pencils you have you have more control about where the paint goes but then when you get it wet it really does blend there they're just a completely different medium I use them a lot in conjunction with each other I'll make a lot of times do my initial sketch in watercolor pencil and then go over it and start to define the shapes in the watercolor paint and there's no reason you can't do that and sort of you know in one respect to do it a mixed media piece but do it with all water soluble materials they're very different so I'm gonna take the same sepia color I'm gonna put some here and then again in the water because we've got to put it in the water I'm gonna put some down here I'm gonna put some over here on our like rocky shape and then what's reflect above would be reflected in right so we're gonna put some here and water these reflections that are in the water would be a little bit blurry they wouldn't necessarily be you know true to form that's pretty good at my notes so I'm gonna go in and I'm gonna use some moon glow my favorite color moon glow I love this color I'm gonna do it over here because my plate is a little bit messy so when your palette or your plate or your mixing area gets really messy like that you could of course choose to just leave it that way you can rewet it and do another painting with it you can also wipe it off and one of the fun things to do is just get it really wet and then wipe it off with like a coffee filter and stain a coffee filter with this leftover paint or something like that and then dry it and then you can use that in your mixed media okay so this is moon glow and you just keep layering your dark colors you could use Prussian blue hey patty you can use neutral tint which is a dark gray it's a very transparent color really neutralizes the brightness in your other colors I like it as a color all on its own so I'm just taking the moon glow and I'm dabbing it in across my painting in the areas that would be darker see the only problem with me painting in front of the camera you guys who have watched me enough now on watercolor Wednesday no know this oh cool yeah there'll be a replay and also I'll put it on YouTube is I get so involved in what I'm painting I forget to talk because I just love to paint so that's pretty good I'm this is paper this is hot press watercolor paper so I'm gonna take some paints gray now which is our dark blue gray and it's more interesting color to use than black which is why I like to use it I'm gonna put a little bit of an internet tree so I do I'm here on Periscope I'm on YouTube I teach with crazy island University comm and that's not there's a few different things on there including art journaling I'm also going to be having a watercolor course that comes out January of next year I say that but it might be a little later because I haven't actually started filming it yet I have to do that at even assistant one that knows how to edit video so I'm barely touching my brush to the tree trunk I prefer I prefer both that's the easy answer holy cow so this palette I'm using these are Daniel Smith watercolors there's a PDF for this class that's available in my Etsy shop Daniel Smith is my preferred brand although I have other brands that I like including Van Gogh I like to squeeze the tubes out into a palette like this into pans and that's my favorite way to work with my watercolors and both my palette I use here in the studio and my travel palette are in these metal boxes I think it's easier to mix your paints in these metal boxes than it is on a plastic palette you need to just get some brushes and some paints and some paper you can watch these replayed episodes on YouTube and you can follow along there are PDF downloads available like I said in my Etsy shop and there in those is notes step-by-step with pictures that I created when I did the samples for the previous for that week's class you can find me on Facebook I have a Facebook group called a life of art and self expression and that way if you get stuck on something you can ask me and I will like I said I will be on you to me and there will be course on you to me and in there you'll have access to you know discussions and all that stuff you can just get crazy with drawing branches in here so and I tend to do that so you want to try to not do that yeah yeah I try to get crazy sometimes with the little branches because you could just keep going up here but to start painting in watercolor you just need some paints and some paper and a brush you really don't need anything fancy a round brush and a flat brush a palette of paints it doesn't have to be a big expensive palette one of my favorite paints is Van Gogh watercolors you can get them at Hobby Lobby and the tubes are not that expensive exactly so the first thing I do when I buy any watercolor paints is I make one of these color keys to go with that palette of paints that I just bought it really is the only way to see how those colors are going to be true on true to your paper when you're painting and if you don't have that it can be really difficult to pick the right color okay I like that we need to do some work down here but first I want to dry all this because I don't want this to get too smudgy okay so yeah the first thing I do when I buy or create a palette of paints is I make a color key it's a very first thing I always do so now I'm going to use some of my paints gray and I'm gonna just you know I'm gonna utilize what's on my palette which is different than I think what says in the notes but I'm gonna utilize what's on here and I'm gonna make sort of a version of paints gray using what's on my palette and I'm gonna take this color that's a good idea I'll work on that today so if you go to Facebook or YouTube and you search for my name Gina B. Aaron's the same name that's on here on Periscope you'll find me in fact if you just go to Google and put my name in you're gonna find me all over the place so I'm gonna take this dark color I created out of what was on my palette and the first thing I'm gonna do is put it here underneath the tree around the sort of bushy shape that I created and then I'm gonna add some water and I'm gonna just blend it out just a bit I like that add a little bit more right here I'm gonna do something similar over here so basic color blending theories work with watercolor as well as acrylic paint and any paint so that what does that mean so if you blend all your primary colors together you're gonna get a neutral so I had yellow green blue I'm sorry yellow blue red on here all the same time so if you mix all of these together you're gonna get a neutral it's gonna be in the red family because of there was so much red on here but you're gonna get like a neutral gray color see so you should know that that's one of the basics you should know about color blending so I'm gonna come back over here to the paints gray and I'm gonna mix it with a little bit of moon glow start with this horizon line and then water when I first started painting doing paintings in both water color and acrylic I immediately started painting water always been my favorite I don't know what that means that was not in English so I'm not sure what that means I'm gonna just blend it towards the middle with just water I'm gonna take some of my cobalt teal which is one of my other favorite Daniel Smith colors because like who wouldn't love that color like honestly and I'm gonna put a little bit of this in our pond water and this other colors are wet so look at what happens and I'm gonna stick to the areas of the pond that are lighter with this color they'll blend a little bit into the darker colors but look at that isn't that fabulous and every time you paint this is gonna come out slightly different but that's okay and then they're a lot of fun and you can try different shapes of trees but now you have some basics see I love painting the water there's just something peaceful about painting the water so here's the sample other sample that I did when I created the PDF document and you can keep going with this and make things darker and darker or brighter and brighter you can add some more dark to this rocky area painting deserts is fun too I know every time I go to Las Vegas I try to not only take lots of inspiration photos but do some painting I love to go to Red Rock Canyon any of the youth that are in or have been near Nevada Red Rock Canyon is just gorgeous does anybody have any questions about painting trees you could totally do this as a landscape and instead of doing pond water do something that's suggestive of maybe a grassy field you could put a little suggestion of a building in the background and you could do it very easily so let's take our pains gray put a little bit of on there and suggest to suggest something that's man-made it's really easy so with all these wonky unusual not geometric shapes the best way to suggest something that's man-made is to put in a geometric shape in there somewhere and that then they'll go oh there's a little building there okay see later so then so then they know oh look at that there's a little building right there it's just matter of practice if I can make it look easy if I can do this you guys can do this you gotta trust me on that one so just get fun have fun with it and just do some playing there you go something quick something easy it doesn't have to be you know Picasso you're just practicing and playing and having fun and trying your techniques I will work today on next week I think we're doing flowers bird of paradise I think was suggested now if you guys do go to my Facebook group again it's called a life of art and self-expression if you go over there and go into the files tab there is a water couple of water color Wednesday documents on one of them we take viewer suggestions for upcoming episodes so you can go and add to that whatever you would like to see on that you know an upcoming episode next week I think we're doing bird of paradise flowers and we will I've got to go Google some sample images and then work on the PDF this afternoon so I will be doing that later today and if you have any questions comments or concerns you can find me on Facebook on and you can always email me thank you I'm glad you could be here too this periscope of course will be here for 24 hours and I will be downloading it and putting it up on to YouTube along with the bonus footage that I filmed to create these I do film it with my camera and I'll be attaching that to the end of the YouTube video from today's episode all right you guys have a great day don't forget the most important thing go out and do something nice for yourself because you deserve it I'll see you guys next week bye oh good mark you're welcome post it to the Facebook group all right I'll see you guys later


Jersey, Jersey, Jersey, Jersey, Jersey, Jersey, Jersey, Jersey, Jersey, Jersey, YAY! It's like a talent show up in here. What can I tell? What can I say? It's like we are the Hollywood. We are in the Parrotwood. You know? This is it. You making a new friend. I think she likes the soup. She does. She likes this too. So cute. You like your vegetables? Look at this guy. Get him. Stuck on my shirt. You want me to pick up Nelly? Watch. He's gonna get mad. Oh, he's so cute. Oh, I love you. Do I love you? Oh my god. How can you be so cute? Look under these wings. Look under these wings. Oh, it's under there. Cuteness. You're cute too. But look. Look who's under there. Look at these crazy birds. What do you think? What do you think, cat? They're crazy, right? What are you talking about? Guys, look how mad. Look, he's so mad because I have her. So he's going to put his wings up. Watch. Yeah, I know. I know everything they're going to do. Yes, I can. He's so mad. He looks so upset about it. Oh, thank you for that kiss. That was beautiful. Thank you. Thank you. I feel like he's throwing more of a tantrum. He's like, I'm out. I'm out. Birds are the best thing in the world. You have to like bad children. It's like birds, I think. This is my purse. Let's go shopping. Oh, I need some money to shop. Oh, what's going on? What's going on? Brando's jealous now. Star? Star's like my little assistant. He comes and sits next to me, and then she walks away. You got a shout out from the crowd. The Hollywood. This is it. Steps shout out to Gotcha the God. You see why I love Gotcha. At ACO, I need you to jump in on this song right away. Show everyone the kind of town we've got here, right? Montimaux, I'll be there. Interesting. It's massive.  No, that's not why. Why, you didn't do it for me? No, that's how it's done. You made big balls for yourself and not for me? Well, no, the big balls get cooked separately, and then they get added into this. I want to tell you my favorite kind of balls, guys. Let me show you. It makes it glowing. He doesn't like salty balls. He likes glowing balls. Well, when I see too many lights, so right before, if I had a seizure, not a joke, right before, I like sew now. So I bought this ball, which would look like not a good purchase. And when I was purchasing it, we were all like, is that a realistic purchase? I bought that and another bird that was born on September 9th or 11th. I'll find this bird for you guys. It looks like my other weird bird upstairs. But anyway, I saw this ball and I had to have it. And I felt like it was a bad purchase. But since everyone in the house has agreed that it's been the best purchase, we just relaxed by bouncing the ball every once in a while. And I really like balls. That's what I know about myself, especially glowing ones. I'm excited to let you guys know. Have fun, guys. Stay safe.  That's what I recommend during this stressful time. Don't forget to subscribe because clearly when you wait till the end of my videos, you'll miss a lot of action. See you guys later. Bye. By the way, don't forget if you guys are looking for an amazing bird food brand for your bird that is healthy, organic, and not full of food colorings and sugar and peanut smash, check out Marlene's signature blend. I did this along with Top's Parrot Food. We just launched in the UK. Northern Parrots now sells our food. You guys have been asking for it. You've got it. Also, things for wings in Canada sells our bird food right now. I'm proud to announce and they will ship it to you. I encourage you guys to check out my Feathered Fun Box. It's a passion project. It's a subscription box that comes with parrot toys for your bird and also special merch, kind of like my dream box. Honestly, I put so much into it. I love that there's something like this for birds out in the world. That's why I created it, www.featheredfunbox.com. I love you guys so, so much. Thank you for listening.


This is stock number 20C37A. We are here at Summit Automotive in Fond du Lac, Wisconsin. You're new and used Chrysler Pacifica and Minivan headquarters. Today we are checking out this super clean 2018 Chrysler Pacifica Turin L+. This vehicle has the award-winning 3.6 liter Pentastar V6 motor. It has been fully safe to add and inspected by our service shop has a fresh oil and filter change. All the fluids have been checked and tapped off and this van is 100% ready to go. Red Velvet Pearl Coat is the color. We shoot all of our videos in 1080p 60 frames per second so if you have any capabilities on your computer, tablet or smartphone device turn them on right now because it is definitely your best way to check out the quality and condition of the vehicle before seeing it in person. If you'd like to check out all the photos on this van in the upper right hand part of your screen is a link right to our website. Click that and check us out there. This one comes with the Kumho Solis 23565R17 tires factory painted alloy rims. No scuffs or scrapes on there and these tires have a really good amount of tread left. I'd say probably about 50 to 60% of the tread left on there. Front fender, no dense ordings on that. Projected lamp headlamps, LED running lights, factory fog lights, front bumpers in really nice shape. I didn't see any dense dings or cracks on that. Looks really good. The hood is in excellent condition as well. Passengers side front fender, excellent shape as well as the passenger side rim. No scuffs or scrapes on there. As you go down this side of the van take note of how clean the body is, how reflective and mirror like that paint is. We take these HD videos so if you are far away or even if you're close by and just cannot make the trip down but you're still interested in purchasing the vehicle, you can see the vehicle, hear the vehicle and have confidence in what you're looking at before you even get here. So that when you do get here there's absolutely no surprises as the hideaway roof rack and that's why we offer the Summit Auto Fastpass option in the upper right hand part of your screen. A link right to our website where you can apply for financing, get pre-approved, see a payment quote, even appraise the trade all from the comfort of your own home. So when you get here all you got to do is drive the vehicle, love it and you'll be all set to go. Back tires that just as much tread as the front tires and this rear quarter looks really good as well. As we come around to the back of the van no major dents, dings or cracks on that rear bumper has backup parking sensors, LED tail lamps, the rear gate is an excellent shape. It is a power lift gate. Back storage area is very nice and clean.  Get this rear gate down you just press this button right here, beep set you three times and then it'll begin its descent. Really see that metal flake and the gate there looks good and as you go down on the driver's side just as clean as that passenger side no denser dings on the rear quarter and this back rim is an excellent condition as well no scuffs or scrapes on there. It does have the capitalist fuel fill which is really nice and on the rest of the side of the vehicle looks really really good. You get blind spot monitoring and heated mirrors as well as the enter and go system. Inside you get the alloy gray leather interior no rips or tears on those seats, power driver seat with lumbar factory floor mats are out auto headlamps you get the tilt telescopic steering wheel power windows power locks and power mirrors. As we hop inside the vehicle here you can see that this one has 40,020 miles. Get the 7-inch LCD display digital speedometer and compass and temperature display on there as well. Got the nice blue hue around all the dials looks really good. Comes with the heated leather wrapped steering wheel cruise controls on the right Bluetooth and information center controls on the left and you do get audio controls on the back of that steering wheel. Comes with the 8.4 radio and FM and Sirius XM radio capabilities on here it does come with course with the factory navigation system as well. This is also where your backup camera is going to show up and it does have dynamic grid lines meaning that they're going to turn as you turn that steering wheel and then you have all your different apps here including your projection manager so you can do Android Auto or Apple CarPlay We actually did a demo on Android Auto if you want to check out that video in the upper right hand part of the screen but you can project your cell phone to the screen so if you've got ways or Google Maps or some other navigation system program on your phone that you like better than the factory one you can project it to the screen. Same thing with music and a whole bunch of other things that you can do on there. Really cool stuff. You got your heated seats and heated steering wheel button there as well. Down here you have the start-stop capabilities, your dual climate controls and more tactile volume and tune controls, 9-speed automatic transmission, electronic parking brake you get an AUG in a USB and this is your DVD player right there for the rear view connect theater system. You get remote start, power sliding doors and rear gate buttons on those keys. Passenger side seat is in excellent shape as well no rips or tears so vehicles never been smoked in. Headliner is nice and clean. You get map lights up there and home link buttons for garage door security systems and lighting systems. We'll take a quick look at the back seats and then we'll check out under the hood. So I like showing the doors that they're sliding nice and smooth so I do have the still and go seats I do have one of those down right now so we'll show you how that goes up but I just wanted to show you the Uconnect theater system so you get 10 inch screens and each headrest here which is pretty nice you can play DVDs in there they also games you do get an HDMI and USB jack right there as well as headphone controls this has the still and go assist so you just press this button and that seat will move up far enough so that you can get the seat out do that you just grab this latch right here they'll actually pull up like so grab the stone go strap right here it'll unfold put that up now you just grab this piece like so and it just snaps right in the back right into place and you're all set to go. You can see that you get the captain's chairs there no rips or tears on those seats and you do get the latch child safety system as well for any child car seats you also have the easy access to the third row carpetings nice and clean and the back seats are in excellent condition as well notice that you do get latch tether anchors back there if you want to put car seats back there too close that gate and we'll take a quick look under the hood I would personally like to thank you for checking out the video today and hopefully from this HD video you'll been able to tell just how clean this Pacifica is all the way around inside note under the hood we had the award-winning 3.6 liter pentastar v6 motor engine bay is very clean runs very smooth and once again this van has been fully safety to inspected by our server shop has a fresh oil and filter change all the fluids have been checked and topped off and this one is 100% ready to go I would highly recommend it from a quality and condition standpoint and to see more pictures of this van one of other 450 new and used cars trucks SUVs minivans wranglers you name it we got to go to our website www.summitauto.com full pictures and descriptions of every single vehicle from two locations all at summit auto.com and if you'd like to check out more HD videos you can go to youtube.com slash summit auto remember to like subscribe and share on this video and all the videos that you see there in fact in a second you'll see a link to subscribe to our YouTube channel on your left a link to more Chrysler Pacifica's like this one on your right if you have not been to our website on the bottom link to this vehicle on our website click those check us out and we really look forward to helping with this super clean 2018 Chrysler Pacifica Torino plus and red velvet it's out thanks again


Dear students, I welcome you in the course of leadership, emotional intelligence and the CN making. This is module number 65 and we are going to talk about that we have to be whole, act with integrity, working through your fears. When we talk about fears, every one of us might have certain fears in any part of their life and one must not be overwhelmed by those fears. One must be able to overcome those fears. So when we talk about those fears, you have to be careful that be aware about your inner fears and anxieties. The second important thing is when you have to work through your fears is that you have to be ready to hear the most unwanted maximum. So you have to be careful that your triggers can always take place to distort your communication or to disturb you emotionally. The third important thing you need to understand is be clear about your own limitations. The fourth important thing when you are working through your fears is basically be conscious about your own SWAT, your own SWAT analysis, your own strengths, weaknesses, opportunities and threats. And remember that you should write your SWAT analysis not just in your mind calculations. That thing should be done in a written format so that you can learn your strengths, weaknesses, opportunities and threats from yourself and your own analysis. At the same time, there are certain dreaded stakeholders, the stakeholders which are going to cause you trouble and problem. So everyone may have at least one or two. So you have to be careful about those as well. So they may try to prove that you are wrong because they will try to increase their expectations and you have to be careful about those things. The third important thing is related to the dreaded stakeholder is to whom you are given the kind of power over you. And the fourth thing is that someone you believe controls some aspects of your life and some of the aspects that you are sensitive about. So they might be there to exploit you. But remember that when you are vigilant about these things, when you can test these things on a conscious level, there would be a lesser chance that people would be out there to exploit you. At the same time, understand stakeholder perspectives and see new possibilities, new avenues, new ventures are necessary for you. Some people would be more open than others. You have to see that some of the things that you have established will restrict you in communication. And some people would be open with you, would be discussing everything with you. So you have to be careful that you can understand the difference between them and know the reason. So that we can overcome barriers in communication. The second important thing is that everyone would have their own deep-seated needs and desires and fears. We have to take care of each and every person's personal needs, feelings, thoughts. We have to take care of each and every person's limitations. So we have to respect each other's limitations. The third thing is to establish your relationships in a win-win situation. Lose-win, win-lose or lose-lose are not desirable states. So you should come into the situation with your stakeholders. Another important thing is that when we are talking about new perspectives and alternatives, we are exploring new possibilities. So first try to understand them to be understood. This is the key term we have, the key expressions we have. First we have to convince ourselves that we have to understand each other, then we express our desire to be able to understand each other. So remember, first try to understand then to be understood. Similarly, when we are exploring new avenues of understanding with other people, so uncover underlying interests and the new ways of meeting expectations. For example, ask why and ask what. These are the two key questions you should ask each other, so that they can explain how their relationship is with you and why. Secondly, there might be certain competing and cooperating interests. So sometimes there will be differences, you will compete and sometimes there will be cooperation, so we have to be careful about these things. The third thing is focus on common future. We have to keep our objectives in mind that even if we have differences, then we have to reach both of them on what level, where the stakeholders have to reach. And to reach there, we have to be collaborative, supportive, and need adjustments. At the same time, always try to listen to other people, don't just hear because listening would be directly placed in your perception. Likewise, remember there is always another alternative. To solve one problem, you may have many other ways. At the last, remember my dear students that put yourself in other's shoe to understand what, when, where, why, how, and who. If we conclude all this, then my dear students, remember that we have to be careful in our dealings with other people. We have to be careful in asking questions to others so that clarity and focus should be maintained. Thank you.


Item number SCP-2013 Object Class Keter Safe Special Containment Procedures SCP-2013 is to be treated through global dispersal of an aerosolized version of the Cardiff compound, distributed via Foundation-owned aircraft, disguised as normal aircraft trails. Treating employees affected by SCP-2013 are to be subjected to regular Class C amnestic administration to treat infection. Individuals refusing treatment are to be administered Class A amnestics and have their positions at the Foundation terminated. All previous documentation regarding SCP-2013 has been archived for the sake of posterity. To view previous containment procedures, please input password. All instances of SCP-2013-A currently holding positions within any world government are to be neutralized at any cost. Wild instances of SCP-2013-A as well as all instances of SCP-2013-B are to be destroyed using Parker Class Weaponry. Information about SCP-2013 is to be disseminated publicly via television and radio broadcast. Media pamphlets, and through various new media such as online video sharing sites and blogs. Foundation personnel are encouraged to publish their findings in SCP-2013 publicly in any manner possible to weaken the overall power of SCP-2013-A and the effectiveness of SCP-2013-B. Once approximately 20% global awareness of SCP-2013 has been reached, the Hereford Protocol is to be carried out. Description SCP-2013 refers to a Renard-class memetic agent. SCP-2013 can be spread via visual, auditory, or tactile vectors, and has an infection rate of approximately 72%. The latter is known to only work if the individual being affected by SCP-2013 can read and understand the Braille alphabet. SCP-2013 causes affected individuals to develop a belief in SCP-2013-A. SCP-2013-A is allegedly an extraterrestrial race that has infiltrated various world governments, including the USA, United Kingdom, Iran, Russia, and North Korea. Individuals affected by SCP-2013 cannot be cured, but can be treated through regular amnestic consumption or administration. Further infection has been prevented by global dispersal of the Cardiff compound. Currently, less than 1% of the population of planet Earth believes in the existence of SCP-2013-A, with the highest concentration being in the United States, where 4% believe in the existence of SCP-2013-A. SCP-2013-A instances were previously believed to be actual anomalies, as opposed to the illusions caused by SCP-2013. For previous documentation, please input password. Previous Documentation SCP-2013 refers to two related anomalies. SCP-2013-A is a humanoid species of extraterrestrials with reptilian characteristics, believed to have originated from the Alpha Draconis star system. The average instance of SCP-2013 stands approximately three meters tall, with skin that is capable of changing color due to climatophores cells similar to those found in chameleons. SCP-2013-A instances are hematophagic and cannot survive without blood for more than two weeks at a time, and do not require any additional sustenance, despite the fact that they have been known to eat other forms of food. If an instance of SCP-2013-A dies violently, their bodies sublimate into a large quantity of nitrogen-based gas, whose molecular chain resembles some forms of amnestic used by the Foundation, causing memory loss in all individuals within a 50 meter radius. SCP-2013-B refers to technology used by SCP-2013-A to alter their appearance to resemble human beings. SCP-2013-B has several variations, including a pill ingested by SCP-2013-A on a weekly basis to alter their DNA and body chemistry to resemble humans, to skin suits that act as size-altering disguised to SCP-2013-A instances, to permanent cosmetic alteration of their features. SCP-2013-A instances are functionally immortal, provided that they imbibe a volume of approximately five liters of blood at least once every two weeks. However, SCP-2013 as a whole can be weakened provided that humans are both aware of the existence of SCP-2013 and believe that it exists. For example, if an individual views an autopsy video of an SCP-2013-A instance but does not believe the instance to be a genuine article, SCP-2013 suffers no detrimental effects. However, if one out of five individuals viewing a live feed of an SCP-2013-A specimen believe it to be real, the specimen will be weakened to the point where it can be killed using small arms fired with no detrimental effects. Addendum- The Herford Protocol The Herford Protocol is a global series of military coups and assassinations to be carried out against SCP-2013, once information saturation has reached 20%. Daring this, a series of coordinated attacks across several countries, including ██████, are to be carried out to eliminate SCP-2013-A instances. By this point, SCP-2013-B instances will have ceased to be effective in disguising SCP-2013-A as humans, and the populace of countries where SCP-2013 has control will begin to question the legitimacy of their rule. Known SCP-2013-A instances that will be neutralized during the Herford Protocol include all current and former presidents of ██████ as well as their families, several actors and musicians including ██████ and ██████ the royal families of ███████ and ██████ of GOI-02-Black, the chaos insurgency. The Herford Protocol is expected to be carried out sometime in late 2011 or early 2012. Addendum ████, on May 6 ████, a believed instance of SCP-2013-A died of natural causes. The Foundation took the body in the custody for autopsy, only to find that this alleged instance of SCP-2013-A was, in fact, a normal human being. Further inspection by unaffected personnel showed that all deceased instances of SCP-2013-A in storage were, in fact, human beings. All reports on SCP-2013-A were written by individuals affected by SCP-2013. Given this information, we are canceling the Herford Protocol. New containment procedures have been written regarding SCP-2013-05-2. It all comes down to money. We couldn't get funding in the early days. The various governments of the world refused to fund us, and we didn't have SCPs that made endless amounts of gold, or jewels, or could be used to cheat the stock market. The President of the United States said no. The Czar said no. The Crown said no. They didn't believe what we were doing was right or useful. Despite our lack of resources, we had one thing we could use, SCP-2013. Neither of the files he just read about SCP-2013 is the actual one. The original, original file doesn't exist anymore. But the gist of it was this. SCP-2013 was a clutch of eggs that we found at the bottom of the sea in 1900, brought up by a fishing trawler. The eggs were dead, but the Foundation kept them as a curiosity. In the early days, the Foundation was obsessed with bringing the dead back to life, thanks to Frankenstein. We tried to revive the eggs in various ways, from supporting the embryos outside the egg, which failed, to electrocuting them, which cooked them, to just plain incubating them, which also cooked them. Eventually, we tried an experimental compound that's long since been lost to history. It was made up of mercury, iridium, radium, and a few other elements that science didn't yet know about. And then the eggs hatched. They acted just like children, but they looked like iguanas mixed with gorillas. They had blood chemistry we had never seen before, and could mimic human speech and behavior to a startling degree. At the same time, the Foundation had been developing disguises to hide its agents in unfriendly lands, and they were so high-quality, a fifty-year-old man could wear a face that could make him look like an eighteen-year-old girl, and, except for perhaps the height, it would be impossible to tell the difference. The creatures that hatched from SCP-2013 were cooperative, and viewed us as their parents. They also matured very quickly, and grew to adult size within six months. All we needed to do was educate them about the world at large, put them in a skin suit, and then we sent them out into the world to be the best of their job. They were politicians, writers, singers, actors, kings, queens, inventors, agents. They were all important in their own way. Five out of the last 17 US presidents had been these creatures, as of 2012. The Queen of England got replaced long ago, and her family still doesn't know it. Our greatest success was probably infiltrating a major cell of the chaos insurgency back in the 1970s. Over the years, we've bred over 1,500 instances of SCP-2013-A, and technology improved to make the disguises more convincing. We could alter their height, their DNA, even permanently sculpt their appearance so that they never ran the risk of being exposed. That's how the Foundation got a large part of their funding, up until they discovered that we could literally make gold from lead using simple vision and fusion reactions. Platinum's actually simpler to make, but that's besides the point. We eventually discontinued the SCP-2013 program, and we rounded them up and essentially expunged them from existence. We thought we had killed them all, except for a couple we kept alive for the sake of testing. And then we got word that the Global Occult Coalition had been infiltrated by an SCP-2013-A instance. They had made their way up the ranks quite a way, to the point that they were a consultant for the Ambassador from Czechoslovakia. Nobody was no wiser until we received a reconstituted report from the Agent himself. We informed the GOC, it was detained and written off in an isolated event. We thought that was the end of it, until the elections happened. A small constituency in England elected its MP for the term, and then we found out that all the candidates were actually SCP-2013-A instances. We didn't know about this until after the election, and after that, it was too late to take any of them out. They were public figures, they were in the media, and any action against them would draw suspicion. We found that on our own. SCP-2013-A had spread all over the globe. For all intents and purposes, they ruled the world. More than half, but less than three-fourths of the world's governments are controlled by them. We classified them as Keter, made them aliens, and said that they were effectively immortal to discourage any assassinations. But we weren't without hope, there was always a secondary effect. SCP-2013-A, for some reason, got weaker when people observed them. One of the researchers studying them called it a detrimental anti-mimetic effect, or the more people know about them, the less effective they are. They grew less intelligent, lost muscle mass, underwent osteoporosis, and all around just became easier to kill. The more of them there were, the less harmful the overall effect was. Mimetic dilution was the phrase that was thrown around. So we began a plan to kill them, crack the masquerade, however so slightly, reveal the existence of them to the world at large, to cancel out the mimetic dilution. And it was working for a while. And it was working for a while. People who were called crackpots by their peers realized the truth, that their government, their world, was not their own. They were called mad, but soon, the whole world would see the truth. The program was cancelled, and the, it was all just a weird meme explanation slapped on it after the course was found. The Cardiff compound was engineered to prevent anyone else to give into what was called a crackpot conspiracy theory, and distributed through airplanes via chemtrail. But they are real. But for some reason, this order was passed down. It has come to my attention that we have incorrectly documented SCP-2013. SCP-2013-A is not existent, as is evidenced by the exhumations of several purported SCP-2013-A instances, as well as DNA samples and the recently recorded autopsy. Gentlemen, it appears we have been had. SCP-2013 was clearly nothing more than a harmless memetic agent that caused mass paranoia and made us interpret certain people in positions of fame or power as something none of this world. How this happened, we don't know. Who made it? Or even how it was made? We don't know. Why it was made, we don't know. But we will find out. SCP-2013 is to be reclassified as safe, and its containment file rewritten. For the sake of context, the current containment procedures are to be archived and are accessible to any researcher with level 4 slash 2013 or higher clearance. Secure. Contain. Protect. O5-2 By now, it has been more than 60 seconds since you opened this page. I apologize for any consequences that may come about as a result of you viewing this document. But it eases me, knowing that the truth is out, even if I am the one that is crazy. Secure. Contain. Protect.


Catch-up payments are coming next week! Over 10,000 of you in the Freedom Family will be getting a payment that will catch you up for all time of all the missed amounts. For example, any month that you had a denied PayPal payment, or if you forgot to give us your PayPal email address when you first joined Freedom, all of those payments will get caught up next week. Now that's a lot of money and a lot of people, but it will continue to happen each and every month following this month. What that means is if you forget to give us your PayPal email address, let's say this month, then the next month you will get that money paid to you as a catch-up. It's always one month after the regular payments because let's say you, let's say we send you money and let's say you don't claim your earnings. That takes 30 days before PayPal refunds the money back to our account. That's why there's a 30-day extra delay for catch-ups because we don't yet know if you're going to claim those earnings or if you're not going to claim them and then they get refunded. It takes a full 30 days for PayPal to do that. So do you have any specific questions about these catch-ups? Tell me in the comments below. I am going to open this gift when we actually do send out the catch-ups next week and you can get a sneak peek of what's in here. And if you want to see exactly what's in here, click that I up there in the top right corner, right is that way. And you'll see the video where I actually open that box in full. And of course we're going to do it when we send the catch-ups but at least in the meantime you can see the full gift early. So I know catch-ups have been a long time coming guys and the reason it's taken us this long as I've explained before is because we have so many payments that PayPal made it almost impossible for us to get a record of all of our payments. And what I mean by almost impossible is because every time we tried to use the PayPal system to export all of our data there was an error. We called PayPal support, they couldn't help us. We tried different techniques, none of those worked, but one technique worked and that has to do with a very clever solution by one of our developers and that's the method we've now used to get a full record of every single PayPal receipt and now we're able to keep up with those receipts each month and that's why we're going to be doing catch-up payments every month. If that doesn't make any sense it's kind of a technical issue so don't worry about it. The result is catch-up payments are going to happen every month and we'll also be implementing features where you can do an audit of your own account. What that means is you'll be able to request that we recheck, double check everything from the raw YouTube data to see if there are any discrepancies. Now there shouldn't be any discrepancies because we already do that double checking, but we'll give it, we'll give that power to you so you can run the audit as well in a future version of the dashboard. It's not going to be next week but perhaps in three weeks to four weeks time you'll see an audit button. So I hope this helps. I hope you're as excited as I am to get the catch-ups and if you have any other suggestions or questions just ask in the comments below. Who am I? I am George CEO and founder of Freedom and you've been watching and we will grow together as a family because this is the freedom family. You are part of it. We are all part of it and we're all growing together. So grow with us and partner with Freedom. That play now button right there on the video bar is all you need to click to get started.


There are five eliminated teams in the NFL for playoff contention What do you do from now on? Your season is over. You can't be fighting for a Lombardi trophy It said the three regular season games that remain Do you just play because you want to win? But is there some strategy that goes into it? What I'm gonna be talking about are those teams that are eliminated from playoff contention And I'm gonna mention five things that eliminated teams should be doing The last three games to go into 2022 to help out the roster to give them a good idea of hey, I like this player I don't like this player, etc. etc First let's talk about the Jacksonville Jaguars and two out of the five things revolve around the Jaguars the first thing Keep feeding James Robinson the ball up. I know that stuff to do Maybe under a different coaching regime. It was tough to do But moving forward Now that you're not under the reins of urban Meyer James Robinson should be utilized as a three-down back Moving forward and now this isn't because it's common knowledge like oh, yeah, of course like he's your starting running back Why wouldn't you why wouldn't you but I'm saying this because You want to see and truly analyze James Robinson as a three-down back for this regular season, which I mean the last two years He's looked like he's a good three-down back, but moving forward going into 2022 You've got Travis ETN coming back from an ACL injury. This gives you a good idea of how do we split the workload? for our running backs James Robinson three down back moving forward gives your idea on how to use Travis ETN The next thing it's still with the Jacksonville Jaguars, which by the way our eliminated teams We didn't mention this it's the Jaguars the Lions the Texans the Bears and the Jets just to give you guys an idea the next thing That the Jaguars should be doing this is number two out of the five things that eliminated teams should be doing run Trevor Lawrence in an offense Slim similar to the one that he ran and Clemson so I know this is kind of tough to process because I mean you've you lost Urban Meyer you you have Darren Bevel who's had a great history of being an offensive coordinator with the Seattle Seahawks And he stepped in against the Houston Texans now Brian Shottenheimer that has the play-call duties now as Offensive coordinator Darren Bevel gave those play-call duties up. So I know it's kind of confusing for Trevor Lawrence I know it's like a dang man. I got like pretty much three different people yelling in my ear like Which what I should be doing what I should be running and you know, which place I should be running this season But if I was Brian Shottenheimer and I have control of the offense at this point I'm like, all right, let me put on some film of Clemson. Okay. He he does good in this area He does bad in this area, which I'm pretty sure the Jaguars have done all season long But if you utilize Trevor Lawrence more and RPOs from past options uses legs a little bit more On top of his pro-style arm that he has I think that might actually help you get a better idea of in 2022 How to use the strengths of Trevor Lawrence? Just a thought just a suggestion not that he watches the show not that Brian Shottenheimer Watches time to football but still you know Trevor Lawrence second thing that a limited teams should be doing Utilize Trevor Lawrence and more RPOs and that offense that he used that offense that he was involved in in Clemson Number three The Detroit Lions I Know this isn't gonna be a popular one But they need to shut down Deon just whipped for the regular season Oh, I know I know I know I know some of you guys that are watching right now or fantasy football fans and have Deon just Swift and you're like, man, I don't want to hear that I don't want to hear that I understand. I know it's not what everybody wants to hear, but I'm just being realistic here What are the chances that the Lions would bring back Deon just whipped who has not been practicing not been practicing since week 12? Since Thanksgiving day Since he suffered that injury What are the chances that even if he comes back limited this week for week 16 that the Lions were like Yeah, let's play him If it was like a contract a year for Deon just Swift, right? If you didn't know what you had in Deon just Swift as a franchise running back sure play him See what you find like what the Seattle Seahawks are doing with the Rashad penny, right? Is a contract season for him like Just play him you're running your running game is not that good. See what you got But with Deon just Swift I think the Lions have a pretty good grasp on on what kind of player Deon just Swift is and he's a very good freaking good player Deon just Swift nothing left to prove for the Detroit Lions. This is it Just shut him down shoulder injury heal him up get him ready for OTA's That's what I would do and I think realistically that actually might happen That actually might happen. So that is number three on the list number four the New York Jets They should give more playing time to the rotational players on defense This defense is not great. We know this you've got some studs on defense that have been looking kind of good this year But overall you give up a lot of yards on the ground a lot of yards through the air What's the harm and putting in some of these rotational players and taking some of these starters out? I mean just increase the snap count of a lot of these players I Believe it was Humza Nazar Dean That was drafted out of the fifth round out. I believe for the New York Jets a safety, right? There was a lot of people that were saying like man this guy could surprise some people He's being drafted in the fifth round but I mean he could be like a day two kind of player that gets drafted in the second or third round and The Jets are still only giving them five percent of the snaps for the season I mean on the depth chart technically he might be listed as a starter, but he's just he's just not playing a lot of snaps Right, so why not younger players like that like other defensive players give them a little bit more playing time for the rest of the regular Season just see what you got when you improve your defense in the offseason Hey, which place we want to keep which place we want to start and now I think that Nazar Dean is on the COVID-19 list currently by the time this video comes out But that should be a player and and many other like-minded players like him should be given more playing time moving forward And the last thing an eliminated team should be doing for the rest of the regular season and now that technically technically This team is not eliminated, but they shut down their starting quarterback for the remainder of the season and there's a law. It's a log shot for them to make the postseason So I think the Giants are already aware that they're not gonna be making the playoffs, but the New York Giants, right? Start Jake from the rest of the regular season Don't put in Mike Lennon at all I mentioned this on yesterday's show but Mike Lennon in three and a half quarters in that game against the Dallas Cowboys 99 yards passing three interceptions 99 yards in three quarters In four minutes that Jake from took over as a Giants quarterback 82 passing yards That gives me a little bit of hope of Jake from hey Joe judge We don't know if your job is gonna be kept in 2022 but If you want to finish the season strong if you want a good chance of winning so that you can save your job Maybe finish seven and ten win three straight Which I mean for them to make the postseason they gotta win three straight and then other teams have to lose So it's gonna be difficult for them, but In order to just keep your job for 2022. Let's just play Jake from Who looked better in that game against the Dallas Cowboys? Let's just see what we've got. I've got nothing to lose Nothing to lose at all So those are five things that eliminated teams should be doing in the regular season Moving forward to close out the 2021 season if you have another idea another thought another opinion Please comment down below. Let me know your thoughts