It's been well established that algorithms can be biased towards individuals or demographic groups. In this work, we counteract these biases with a training algorithm that borrows ideas from adversarial robustness. To explain our paper, we will walk through an example of predicting whether a word has positive or negative sentiment given its word embedding. Training a neural network on this data, we obtain the following plot of logits. Blue regions correspond to words that have positive predictions, whereas red regions correspond to words that have negative predictions. Unfortunately, due to biases in the word embeddings that we use to train the sentiment classifier, white names on average are classified as positive whereas black names on average are classified as negative, even though the training data does not contain any names. This is troubling for applications like sentiment analysis of news articles. Someone's name should not affect the sentiment. Because classifications on average are different for white and black names, this neural network violates group fairness. Furthermore, any two names should have the same classification, but clearly based on the variance of the box plots. There are names with extremely different logits and hence predictions. Therefore, this classifier also violates individual fairness. The seminal work of Dwork et al. defines individual fairness in terms of an individually fair metric that encodes which samples should be treated similarly. In the sentiment example, the distance between any two names under the individually fair metric is close to zero. Most prior work focuses on group fairness. However, group fair classifiers can badly violate individual fairness. In contrast, we focus on individual fairness and propose one of the first practical algorithms to obtain an individually fair classifier. We have three main contributions. First, we propose defining individual fairness in terms of a machine learning model's robustness to sensitive perturbations. Second, we propose sensor, an algorithm to learn a provably individually fair classifier. And third, we propose practical data-driven approaches for learning the individually fair metric. Our first contribution is viewing individual fairness as a form of distributional robustness. A machine learning model is distributionally robustly fair if its loss is robust to perturbations of the data with respect to the individually fair metric. To illustrate this definition, consider the sentiment example again. First, we need a fair metric. Because any pair of names should be treated similarly, we define a fair metric on word embeddings such that the distance between any two names is nearly zero. Now we check if any of the sentiment words can be perturbed according to the fair metric such that their predicted classification changes leading to an increase in loss. This neural network violates distributionally robust fairness because if we move the positive label word from the base of the arrow to the tip of the arrow, its predicted classification changes from positive to negative. These two points are close in the fair metric. Equipped with this notion of individual fairness, we propose sensor, which finds the minimal loss classifier that is distributionally robustly fair. Mathematically, sensor finds the best classifier over the worst case distribution. If you are familiar with the adversarial robustness literature, then this equation likely looks familiar. The key differences of the perturbations of the data are with respect to the individually fair metric, not the L infinity norm. To illustrate sensor, consider the sentiment example again. We will use sensor to obtain an individually fair neural network. Sensor iteratively finds the best classifier and the worst case distribution. To find this distribution, sensor moves the training data to regions of the space that are one close in terms of the individually fair metric and two increases the loss of the classifier, which is what the blue arrow illustrates as we have discussed. The resulting neural network trained with sensor assigns nearly the same logits to each name, thereby achieving individual fairness, which is not true for the vanilla neural network. We compare sensor to state-of-the-art algorithms and other baselines and find that sensor is the only algorithm that obtains individual fairness and group fairness with respect to race or gender.


So today we're going to go over bone tissue and specifically we're going to talk about the bone cells So I wanted to remind you that bone tissue just like all connective tissue is going to have a ground substance fibers and then cells the bone tissue the hard bone tissue is As you recall made out of a ground substance called hydroxy appetite but that is mostly calcium carbonate and A phosphate together so the ground substance is mostly the mineral part of the bone and This part of the bone if it gets if there were too much of it the bone might actually be a little bit Crumbly, but it makes the bone hard that matrix that minerals makes it more hard the fibers of the bone as you recall our collagen and Those fibers actually make the bone more flexible so that it doesn't crush all the time It actually makes it more flexible So together this makes up the the strength of the bone tissue so as We get older though we get more of the ground substance and less of the collagen which is what can cause some osteoporosis the cells then of the bone tissue there's several of them there's osteogenic cells which actually are more like stem cells and they produce the osteoblasts which are the young cells that help to build bone but also help to repair bone as well and Then those will actually mature into osteocytes so these three Primary cells and then there's a fourth cell that I'm going to go over with you as well so I have a picture to share with you about the cells and I wanted to make sure you remember that the cells are actually housed Inside the bone but underneath that periosteum that's around the bone and then underneath the endosteum that's inside the bone So recall that under the periosteum there's going to be cells that can actually help grow the bone and The beginning cell that we talked about the osteogenic cell is also called the osteoprogenitor cell You might see in some areas some places These are the stem cells. So these will actually Start out growing some of the other cells. They'll divide and grow into some of the other cells So the osteogenic cells help to generate some of the other osteo osteonic cells these osteogenic cells will Develop into the young osteoblasts and I call these are builders It helps me to remember that be there in the word that these are osteoblasts. These are the builders You see it forms the bone matrix these osteoblasts are underneath the periosteum and Will actually bring in the calcium and the phosphate from the bloodstream and deposit it into the bone itself So these will help in bone deposition Depositing the calcium and the phosphates the minerals from the bloodstream. So these are our builders as these mature They actually will change into an osteocyte. So these are the mature cells these help to maintain the bone tissue And what happens is the osteoblasts bring in the minerals and the calcium They actually end up getting surrounded by this matrix And so the osteocytes are inside the matrix. You see them housed here on the picture of the bone Inside the compact bone in those concentric circles of lamellae Also, the osteocytes will then be housed inside a little sack called a lacuna If you recall the cartilage cells were also housed in a sack called a lacuna You don't see it here in this picture, but the osteocytes are held in there So again the osteogenic cells or the stem cells they'll also develop into these builders the osteoblasts Which will mature into the osteocytes which are encased inside the matrix The fourth type of cell is this osteoclast over here And the osteoclast are actually from a different origin. They originate from the White blood cells and the macrophages This osteoclast I call them the cutters So you see the difference there is that C in that word So calling them the cutters helps me to remember that these will literally cut away at the bone and will send the calcium and the phosphate back into the bloodstream To help with muscle contractions and the heart muscle and all the other uses that is needed in the body of calcium so These osteoclasts will barely cut away a little bit of the calcium at the time. This is called resorption Resorption is just cutting away at the bone a little bit and again sending those minerals out into the bloodstream This is not reabsorption the cell is not reabsorbing the calcium. It's actually cutting it away So these osteoclasts are A little bit like this scrubber Okay, as it resorbs the bone. It's kind of like Resorbing the bone is kind of like this scrubber on the board just taking a little bit of the surface away You see how it doesn't just scrub into the board, right? It just takes a little bit of the surface away So it's just going to take a little bit of that calcium off of the bone and send it back into the bloodstream So that's what the osteoclasts do So those are the bones of the cells of the bone tissue. Sorry the cells of the bone tissue Osteogenic osteoblasts osteocytes and then the cutters the osteoclasts


EDUCAUSE Connect events are a new concept for 2014, replacing the regional meetings of years past. Each EDUCAUSE Connect is highly interactive and action-driven. You'll focus on workable solutions, network through the proximity of dialogue, and grow your understanding of key higher education IT issues and related problems. For two and a half days, you can become part of a cohort at Connect, examining issues and engaging in career development activities, to intentionally solve, network and grow together. Connect is a brand new model. You won't want to miss it. There are three EDUCAUSE Connect meetings. In Portland in February, Chicago in March, and Baltimore in April. Each has a separate registration, but they all use the same proposal submission form. The EDUCAUSE Connect process is designed for ease and efficiency. You submit a proposal only once, and select the Connect program or programs you're interested in attending. If you submit before August 27th, your options are wide open. You may select any or all three Connect events. There are a few things new to the proposal process this year. You will select one program track. The Connect program will focus on three key IT issues. Online learning, including MOOCs. Enterprise systems, including administrative IT and cloud. Mobile or bring your own everything. And elevating your game, a career development track. Which one fits your proposal best? You will also select one session format, either poster session or facilitated discussion. Poster sessions are 75 minutes long. Facilitated discussions are 45 minutes and may have one, two, or three presentations. If you select facilitated discussion, you're not just giving a talk or running through a slide deck. These sessions must engage the audience in discussion. But don't worry, the speaker concierge has some great resources to help. The Connect CFP requires you to identify your viewpoint as well. Will you discuss this subject from the tactical perspective? Is it about the daily work, the problems, and solutions? Or will you address it from 10,000 feet, a longer, more strategic view? The form also requires you to detail some outcomes for your session. Give it some thought. What will participants gain by attending? It's important to think about engagement strategies too. How is your session structured to encourage participation? That's a quick overview of the Connect CFP. You're only six steps away from submitting. And if you haven't updated your EDUCAUSE profile recently, be sure to do so. The information there is critical to the Proposal Review Committee. And if you don't have an EDUCAUSE profile, now is the time to create one. Take some time to review the four track descriptions. Each is fully detailed on the website. Then craft a proposal that works well with Connect. The proposal form requires you to complete in a single session. Your work is not saved otherwise. So copy it into Word and work at your leisure. This is a handy way to spell check too. Explore Speaker Concierge resources as you work on your proposal. Be creative, think outside the box. And when you're ready, paste your proposal from Word back into the online form to submit. But don't forget to register for Connect as well. We hope to see you in Portland, Chicago or Baltimore next spring. And please be in touch with the Speaker Concierge if we can help.


Barely two weeks after the People's Democratic Party lost the governor of Zamfara State to the all-progressive Congress, APC, another top politician has moved from the PDP to the APC. This time, it's former member of the PDP's Board of Trustees, Grace Bent. This report is presented from our studios. Anybody could mistake this for a carnival, but it isn't your usual cultural showpiece. It's a mega rally in Yola to welcome a former member of the Board of Trustees of the People's Democratic Party, Senator Grace Bent, into the all-progressive Congress. Two state governors, Saimola Long of Plattu and Awabaka Badaru of Jigawa, are in attendance. When it's time for Senator Bent to speak, she talks about her reasons for leaving the PDP after 21 years. According to her, there is injustice in the political party and it has lost its relevance in other more state politics. These are allegations the PDP says are false. The party's organizing secretary is accusing Senator Bent of selfishness. We witnessed to have a successful somebody that was destroying us internally that left the party because she has not contributed anything to the coming of this government. As far as we are concerned in PDP, we have she has no more value to the party. The People's Democratic Party has lost a number of top members to the all-progressive Congress this year alone, including the governors of Cross River and San Fras State. But they're still regarded by many analysts as the major opposition to the ruling all-progressive Congress. Hello, hope you enjoyed the news. Please do subscribe to our YouTube channel and don't forget to hit the notification button so you get notified about fresh news updates.


When you've had enough, the narcissist does this. You did everything you could to please the narcissist. You did everything you could to make them happy. But nothing was ever good enough for them. They never appreciated anything you did for them. Or there was always something wrong with it. They always wanted you to do more. They always wanted you to fix something else. They made you feel like it was your duty to help them. You became their caretaker. You became their therapist. Your life revolved around taking care of them. And it made you very tired. It drove you into the ground. Because no matter what you did for them, it was never enough. They pushed you to the limit. Until you got to the point when you couldn't do it anymore. You had enough. But just because you've had enough, that doesn't mean that it's going to stop. The narcissist has no limits for what they demand or expect from you. Because it's all about them. They lack empathy. So they cannot share your experience. They don't care about what you're going through. They don't care about how their behaviour is affecting you. All they care about is what they want. And they have these insatiable desires. Desires that can never be fulfilled. Even if you managed to meet the impossible expectations. The goalposts would move. They would want more. Or they would want something else. You will never get that feeling of satisfaction with the narcissist. When you feel like you have accomplished something. They never want you to feel that way. Because then that would mean that you could jump off the hamster wheel. Then that would mean that you could stop. And they don't want you to stop. They want you to keep fulfilling their needs until the day they die. Or until they no longer have any use for you. So when you've had enough of the narcissist. They're not going to understand. They're not going to give you a break. They're just going to push even harder. They're going to run you into the ground. As long as you are physically capable of fulfilling their demands. They will continue to pressure you. They will intimidate you. They will put you in a state of fear. So that you feel like giving up is not even an option. If you get to the point. Where you're no longer physically capable. To carry out their demands. They will blame you for that. Or they will blame someone else. But they're never going to look at what they're doing. And think that could be the problem. Because they don't even care. They already know that what they're doing is wrong. But their only concern is what they can extract from you. If you have a luxury car. You will understand that it needs to be maintained. It needs to be taken care of. It needs to be cleaned at least once a week. It needs fuel. It needs to be serviced. So that it can be kept in good condition. So that it can serve you. But narcissists do not understand this concept. They don't understand that by giving you what you need. It would then put you in a better position to serve them. Because they lack empathy. They cannot share your experience. They're only concerned with their own feelings and needs. And they have nothing to give anyway. The most beneficial thing a narcissist can give to you. Is space. But even then they're not really giving you anything. But it is their absence which will help you to recover. The narcissist just wants to milk as much out of you as they can. You become their workhorse. Because they're very entitled. And they see you as their subordinate. They think that you're just supposed to do what they say. But they can also be very manipulative. When you first met them they love bombed you. They gave you this illusion of value. As though they had something to share with you. They use future faking. They make you think that what you're doing for them is in your best interest.  They show an exaggerated sense of their own abilities and importance. Because that makes you think that they deserve everything you're doing for them. But they also never give you the compliments and praise. That you deserve for your hard work. Because they don't want you to think that you're better than them. Because then you would look at them and realize that they're not doing anything for you. And then you would wonder what you're even doing around them. Because they're not bringing anything to the table. If you look back you will see that they never did anything that benefited you. It was all about them. And when you've had enough it's still all about them. That's when you will see how selfish they really are. Because even when they can see that you're sick and tired. They're not going to stop. They will force you into submission. They will make threats against you. They will put you in a state of fear. They will start a smear campaign against you. They will tell everyone that you abandoned them without help or support. Because all they care about is what they want.  Which is how they were able to manipulate you. They kept you under a spell. Where you were doing everything to please them. While you never received anything or in return to replenish yourself. And they used all of these tricks to keep you serving them. To stop you from seeing what it was doing to you. You might not even see the effects that this has had on you. Until you finally leave them. Because you've been under their spell for so long. You've been taught to neglect yourself. And to focus on them. But when you leave. And you're able to focus on yourself again. You may find that you're not the same person you used to be.  You may experience a lot of anxiety and stress. Because this is the beginning of the healing process. From narcissistic abuse. It will take time for you to get better. The narcissist will do everything they can. To stop you from slipping away. But if you manage to escape. And you stay away for good. You will start to see the light at the end of the tunnel. You will start to see the sunlight emerging from behind the clouds. Because they were keeping you down the entire time you were with them. They were preventing you from elevating. It's only when you leave. That you can then find your true power. Because your power comes from within. But while you were with the narcissist. You were forced to hand your power over to them. Which they then used to control you. But now you can use that power to heal. If there is one good thing that comes out of this. It's that it can help you to find your true power. It can help you to realize that it exists inside of you. And nothing repels a narcissist away more than that. If there's one thing a narcissist cannot stand. It's a person who knows their worth. A person who knows what they are capable of. A person who knows what they deserve. So be that person. And you will never have a problem with narcissists again. Because they're looking for someone who will doubt their worth. Someone who doesn't realize just how great they are. So that they can keep you chasing after their validation. So validate yourself. Realize your worth. Realize that your power comes from within. And live the life that you deserve. Thank you for watching. I hope this video resonated with you. Please like, comment, share and subscribe. If you would like to donate my PayPal link. It's in the video description. Coaching Inquiries. You can email me at coaching.narcsurviver.uk Thank you for watching and I'll talk to you soon.


Stereotypical villains have been around for as long as stories have been told, from dastardly to Disney, but with so many different takes on the same archetypes, it can be tough to make them memorable. So how do you take those stereotypes and turn them into something unforgettable? I'm Matt Rogers and join me today as we take a look at John Wick 4 and how to create truly great villains. Now I'm bringing you weekly videos covering the best and worst of movies and television and delivering it straight to your subscription feed, so to stay up to date and support the channel be sure to hit that like button, subscribe and ring that bell to not miss a single thing. A spoiler warning now for all 4 John Wick movies is in effect. The John Wick movies have always used a simple framework when it comes to its antagonists that has really worked since the first movie, which is introduce a recognisable villain trope whether it be a mob boss, mysterious henchmen, or entitled victims of nepotism and give us a reason to truly hate them. For example, killing John's dog or killing a beloved character with no other motive than proving a point. Now by doing this, in a very short amount of time the writers have given us a reason to root against the villain, given us their motive and shown what they're truly capable of, often proving that they're dangerous and will stop at nothing. Which makes it all the more satisfying when they cower at the thought of John Wick coming after them. This method of character development has worked in John Wick's chapters 1-3, but they really perfected it in chapter 4. The characters of John Wick 4 were truly special. Although not technically a villain, let's start with Cain, obviously having a character with almost zero vision be an action sequences really creates intrigue and gives us new and creative ways to kill enemies, which resulted in the incredible motion sense at doorbell scene. And his lack of vision gives him a necessary disadvantage in the movie's final duel, making him a worthy opponent that doesn't undermine John's skills from all the fights that came before it. Now in these movies we are also treated to, I guess you could call them supporting villains. In some of the movies these were a minion of the head villain, but my favourite example of this has to be Killer. The German crime lord who resides in his empty warehouse of an office with stage show lights and gothic candles as a backdrop, sat at his poker table desk like a giant excess-fuelled casino croupier, an extremely theatrical setting but feels right on brand with a John Wick hotspot, with his nightclub complete with dancers entirely indifferent to the death and destruction taking place amongst them. As Megamind says, the difference between a villain and a supervillain is presentation and the makers of John Wick know how theatrical and over the top this setting is, but with a relatively thin story to frame this thread of adrenaline filled action sequences, we need these larger than life set pieces to house these larger than life characters. Scott Adkins, who played Killer, did a great job and so did the makeup and costume department.  His look actually reminded me a lot of the bank manager from Despicable Me. And with his impressive moves to spite his size, it gave his kill scene some real weight. But let's go up a rung on this ladder leading to what we know is the higher table and Bill Skarsgaard's Vincent de Gromond. Sure, at first we see him in his exquisite surroundings in his custom suits in countless colours, we know he's not to be trifled with but we don't really know why until we see him kill our beloved continental receptionist in cold blood. Going back to what I was saying before, it really gives us a reason to hate him and builds anticipation for his confrontation with Mr Wick. Later we are shown again that despite his perfect appearance, he doesn't just sit at the high table and have his subordinates do his bidding. He's willing to get his hands dirty and cut the trackers hand in half. But as the tracker gains an advantage by putting himself at a vantage point to potentially kill John Wick, we see his true colours as he slowly unravels, resulting in him becoming reckless and missing the detail that John didn't fire his weapon in the final shot of the duel, resulting in his literal downfall. It's refreshing to see the best action sequences not riddled with CGI like the comic book franchises are almost entirely full of now, and it goes to show that great choreography between great characters created by passionate filmmakers can go a long way and really create a deep legacy for the franchise. John Wick Chapter 4 was an appropriate send off for the series and set up an interesting cinematic universe for the spin-off Ballerina coming in 2024. But who was your favourite villain in the entire John Wick franchise? I'd love to hear what you think, so let me know, I'll be down there in the comments. You can also follow along with what I'm watching on Letterbox to use in a Matthew Rogers. And my other socials are linked in the description, but if you haven't already, be sure to subscribe for weekly videos covering the best and worst of movies and television. If you subscribe during this video, then walk on my board and if you had a good time hanging out, then SPANK that like button. This is Matt Rogers and that is all.


Hello everybody and welcome back to my channel. It's the early hours of the morning as my black and white cat Felix Just wouldn't leave me alone. He's gone out now and so I'm up One and a half cup to coffee in and I've set out our components for this build for this 6200 watt Hi-fi power amplifier I'm pretty much going to go along with that these rule in the right place, but I've got my My meter set up here ready just to check it out Now the reason why this has taken a bit of time because I was waiting for these boards to come in these are thicker boards And the ones that I was using I used the first time around I mean that reason they're good boards for prototyping, but This is a much much better Much more rigid Think about it. So that's what I've been waiting for That's all right, let's get to it then so Remind us all what this is. This is a lovely little amplifier circuit. We're going to build In the same flow as it's laid out So first thing I'm going to do is come in with is our 4.7 micro farad Capacitor and showing that we get the clarity the right way around. We're going to be connecting to the positive side of this We're going to start off right in the middle here literally just folding that Down that way because from there we're going to go into a 1k Resist that Gonna get that in pretty close. It means here And that's actually acting as part of a voltage divider With this Another 1k resistor The nice thing about doing this is you don't have to rush it. You just take your time 22k resistor And now we're going into Gonna get that without knocking the rest out all over the place Near a pair of tweezers. There's always a pair of tweezers up here, are they? Wrong. Swallow tweezers, I'll do mm-hmm Yeah, because now we're going into a bit of a need to reduce the current using the 22k to our little All I'm doing is I'm just pressing them through at the moment. I'm not even trying to You know do anything with the underneath we'll look at that in a moment I'm just gonna put your components on there first. I want 100 puff And that's going to bridge across the 22k The basic stick that in the same place Whether a lot of this will get to the cut or not, I don't know and now we want to another 22k Because this is going to be What limits the current into our LED move forward like I say I mean you can basically do this Exactly the same way as what it is on the schematic I'm just gonna move in this forward Same sort of way. You might be able to see that that is pretty much the same as this bit here We've done this bit here so far So now we're gonna get ready to go for the diode And then going to our current sink and our differential pair Okay, so we'll get the diode on because the diode is going to get underground Now we want to make sure we get this drawing around So if you look inside it, you can see where the big chunk of metal is That's what we always know The big chunk of metal And just to Confirm that it works I think I can do that at this meter Rather than put it in soldering and find out it's got a problem We just confirm that it works to start off with you should see a little bit of Glow coming out of this There we go I don't know if you just saw that Yeah The glow coming out and of course doing that. We also get to see that Which way the other than cathode is fish for certain Bring them a bit closer and sit like that all this leg out Putting on this leg just to bring it across because this is what we're gonna be running now negative path down there Mine is 35 round. All right. Well, I have to say now we've got those in like that. I can turn this over Just gonna turn this over and look at what we've got. It all seems a bit high What we don't want to do of course is snip anything that shouldn't be snipped See this has got to be connected to this So we can come in here just these are going to be snipped into each other This is the input Capacitor now that in actual fact wants to be bent back up and come through here possibly This can be snipped here This is the input capacitor. This is the first one. Okay, I Can be snipped to there. This is our This is our hundred puff because you got to remember what we're doing here Who's using these leads? As our tracks, it's gonna be snipped to these two hundred keys to be our voltage divider 22k there wants to be one case. This just wants to be Snipped here. I'm gonna just be snipped Just enough that it leaves Enough there to be soldered on to And all these are connected to each other how they're supposed to be and we don't need so much on that That's the hundred puff. Now that there that there is ready for soldering Should we go in a bit closer? Sorry about the wobble. It's just the way this is set up Yeah, so this here now is ready for the first Bit of soldering looks pleasant enough. It's tidy enough So let's get that done. Shall we have a bit of coffee? I need it again Maybe you just check out the PMP and PN of the transistors because I Forgot what they are already So don't want to go into my feet or the cat's paws Really, I should put the extractor on Doing this this close here, but I think just for this little bit Besides it's so quiet be a pity to just doing a double check to make sure everything It's supposed to be Yes, it is I'm not gonna solder this part here. So I need some Moveability on there. That's it. You don't have to do like big long trucks or anything on this It's just and of course there's on here. Anyway, the pads there are ready to be soldered. So It's soldering it to the pad at the same time. I'm just moving this for neatness. I don't need to move it really. I'm just Been a bit fuddy-duddy Okay, let's hold it up there. Just yeah, just because we've got the base of our transistors to go on here first So I might put the base in there and soldered a lot together. What I would do is just Cut that down and the same with this one. This is the 1k Not again is going on to the base of a transistor to the B546 So just leave that like that. I'm gonna stick the transistors in now They're both the B546's So these little things Quick check on base emitter collector by a sculpture emitter. I expected to go something like PC Yeah, I don't know. I always have to do this in the right order. It really doesn't matter. It's just the easier when you Count them one two three So they are so this is an MPN and We have the middle one is the base We have three is the emitter Makes number one has to be the collector So we want this to be facing me We're gonna pull this base out sliding like this And we're gonna want the junction of the 22k and the LED I'm gonna put that in and to the work you can just play those legs out of half and now we also want We just want the same going on with This 1k this one I think just keep I just make sure there's enough space Keep things looking the same We can put that in like that and again just splay these underneath a little tiny bit What we may need to make sure is that the collector of this one connects to the emitter of this one so this will be our collector our emitter emitter and on this side here is going to be our collector So these two need to be across each other need to Clip those because that's going to make a nice Nice connection themselves These bases All I want to do is just make sure that they still look pretty stood up nice And they look pretty wants to be down there that wants to be down there very conscious about bits of metal Flipped across the place because like I say the cats and then it pours Beautiful Very quick bit of soda here Going on to this diode, okay So there we have these two in place look and see we've got a Coming off this collector we've got a 560 Resistor and that's going to take us all the way to the positive 35 volts Now it doesn't matter whether these tracks run closer at this time Because before I went out all the way out to the edge, but it doesn't really matter because I'll just run positive and negative rails down here I just want to make sure everything fits nicely Because it's going to get quite complicated as we get further down But a funny thing everything should be okay. I might just get one further down here It's not going to hurt. Now we can just open the solder That's in place and on the other side here We want the 560 Coming from the emitter of this going to the negative side power The other side over there plus those two over. This is only one perforation between them Okay So let's just tag that This way really does help when you've got a soldering iron that doesn't get too hot You know, it holds its temperature well All right now Now the ideal way of putting this on the transistor in Is so that Is that these two are actually connected together tied together So they keep the same temperature But that's not as easy to do Or is it This is my emitter So now I want to turn this the other way around Because So what this has got to do is what this has got to connect on to the collector side of this The emitter of this has got to go to the collector side of this So I'm going to do this as close as I can See if it's possible to Leave that in such a way that it can't be strapped together So this is the one we're looking for So that this will connect to the emitter side here Which is underneath What we'll do to make sure that works As well just like this I'm gonna tack that down like that and for that other side For this side, we're gonna be going straight to ground and our base is going to come out to a 22k and these here can be tied together This I'm going to take up at an angle and then just bend it So it actually goes down to ground this way. Okay I'm just going to nip off the end of that Don't need that and then tap that there for now because for me it's About neatness as well It's got to look nice underneath even if it just looks like dots of solder connected. That doesn't matter as long as it looks nice Okay, so now this one's This one's a path to ground and this is where sometimes saving Some of these things comes in handy Because I can Just solder that down to there And I've got myself without just having to solder, solder, solder. I've got myself a nice A nice path. Get rid of that. I can't stay in I can't even bang a clarin around It wakes me up every morning. This bird is getting worse like this morning He just keeps sticking his face in the morning It's very, I can't much just shove him off me. It's not fair, you know I just haven't got the heart to do it But yeah, you can be a right pain in the back so I'd lie down And eventually because I've woken up then I just think I'm gonna get up So I'm just gonna Put this on here now and just get one on to there I will go across the rest of that but I'll do that later on in the day when I can put the fan on I'm just just tacking. I don't want too much solder fumes going into my brain Probably, you know, messed it up enough already Okay, right, so this is our 520 going here. This is our 520 going here 560, sorry, resistors and this is our That's still for the That is still for the LED. Now that can connect That can go or this can come down here now And go on to the end of our LED. How's that going to look neatest? That goes on to the end of the LED And we just just tap that there Still got to run because I'll run copper wire Down the actual power rails I'll run copper wire. I'll use the same copper wire Here's what I'm gonna be using for The ground you start ground Just means that we're gonna pull all the grounds together Change them to just like that Which is all right for now Just get some Get some that's that way. So this is our base now. We're gonna come down into a 1k. Oh That's We can use a little tiny cable tie around these just to Keep them together Okay It's looking okay so far Hope you can see that so I don't know if you can can't see the computer can you?  It's going to the zero part of the ground. So we'll have to But our hole in there. So when it comes time to put the cables in for the ground is probably about four or five of them We can just fit it in straight into that. But first of all, let's do our 1k Now I think this time around I am gonna check this is one of the capacitors we need I'm gonna check this is a 1k Just because my eyes are as good as what they should be or could be your 1001 ohms about it 1k 543 In the morning, that's what time it is So I'll do this for another hour now. I'll take a break So this 1k is coming off the base of our transistor We can put that Through there and you know, do we again, you know, I'm just trying to go for neatness because I don't know because I like sitting looking at these things And then we're gonna go into the negative side the striped side of Capacitor, I'll just give that a little more space. I just fold that across there and just put that there for now Which are 1k coming to that this off here But I think I'll keep all of this nice chunky bit of Lead also doing with that That's the 1k and that 1k is gonna go on to our 22k 22k is the reason to identify because they're little tiny things and that is gonna run down All the way down to our output. So That's gonna run all the way down here Running all the way down to the output now for the zero not for the negative but for the zero So I can now clip that off there that off there. I'll leave this side of the 1k just check Okay now because it stops at about 22 That can come off together and just be tapped up. This is going off to our negative 35 It's going up to our positive 35 and this is zero We're getting there. We're getting there starting to take shape Starting to take shape I think I've got a bit of relief on that Just have that like. Okay, okay, right. No, we're gonna be going into this making a hole I'm putting the cable to this because this is going to zero this is going to ground which is going to be from the center part of the subject positive 35 volts Artificial ground zero and then negative 35 volts and we're going to get going to the zero with this Not to the out But to the zero this 22k into the out output now. We are now gonna set up another voltage divider and pot 2k pot this is where it can get a little bit complicated, but it's not really that complicated But it is a little bit so we'll do the voltage divider part. So we've got two 3.3k I'm just gonna check it just to make sure it's a bit not about a bit 3.3 like a 3k expect to see 3300 there. It's supposed to be 3k 3 We just put that one side for a moment. They do say 0.5 watts on these as well All right, that's for one percenters That is more like 3k It's supposed to be 3.3k and they did come out of 3.3 Well, maybe it's because I'm using that let's use this one. It's a bit more accurate 3.2 8 about it. We're good Hello trouble 22k 1 3.3k in there And we want to put another 3.3k Pretty sure that's the one I showed up there. Just check it. We have the meter 3.284 And then this is going to go down to a negative 35 We do need a couple of connections in the meantime, so really I Want a connection here this way it gets a bit complicated as much and then take that Really, I need to be able to make a connection on the other side as well so if I put this here Because I need to be able to make a connection here as well with the base of one of the driving transistors And I need to be able to make a connection in the middle. So I'm going to put this one Here and then this one's going to get to the negative round these two across each other Like that, but keeping in mind that there's going to be something Going in between these two which is not based to the driver transistor Sorry, not the driver transistor. We're going to have a hundred micro farads We're going to have a hundred micro farads and that is going to be going to our output line from this 22k from here to here We're just going to make sure that the positive side goes on to our those 100 micro farads here So we want the positive sides on our 22k and the negative side It's going to go here So just make sure it's got a bit of space so you can be sat on there Nicely, it's going to make this the same shape Just because that Neatness thing what you do not there pussy get space for everything right? I'm going to do it a bit closer because I'm worried about space those leads a bit now that is Going to be connecting across Divide it there And this one of course, it's just going to be part of the track Yes, we turn them over Tight it together before we Tack it down Beautiful push that in when I'm attacking it 3k Here needs to be able to come across the top of this see these need to be joined together But this doesn't want to be touching this We're going to root it around Because we don't want that touching What needs to connect it so yes, we want these two connected But we don't want that it looks a bit weird doing it like this That's how we're going to do it. We're going to attack that there attack that there Let's just Leave it like that, but this needs to be rooted around We can't really just go over in case it gets pushed down, but we can tack it tack it tack it and Tack it there That'd be okay Okay, let me just make sure I'm doing that right Make doubly sure At this stage now we need our pot. It's the kind of same line as this Believe I can put that in about there I've got a 1k to go in Let's just get this pot sorted out. No need to go into the first Part of this pot not the wipe and not the middle bit With this just make sure that I'm there and it's not going to be in any way Gonna be touching that so Let's just push that down there Just get that tapped. He is walking through the box of my airplane I'm like Found out really that there's hardly any insulation between the floor here and the one downstairs so Whenever he's running around and jumping around Makes a right racket downstairs That's not really found a lady downstairs, but this is what he does to me all through the night Everybody know what can you do? I Can't pin him down pin him down right so now we want another BC Well This is a weird bit for me Because I need to put a 1k on the other side of that from the image Screen just Data sheets so as you can see here look This is this is where we are We're here. We've done this bit. I'm just doing this bit here and then we'll bring this bit in here with the driver but So from on one side of this pot We're going to connect for the emitter on the other side We're connecting to the base and this Divider here the 1k in the 2k. It's just weird. Isn't it the way it makes it look like? You got the three connections there to going to the the base when really It's not But it is Anyway, give me two confused last time. I don't know what's gonna be more confused now Yeah, that'd be better if I put that there. We're just gonna see that Bella Because I've got the one over here. You can't really see that talking. Yeah, it's not really worth it trying to do that I Just use your point out bits, I suppose Right, yeah So coming off and it's going to be going to the base of the other ones I'm going to actually bend that the other way Let's see about that Another transistor the last of the small signal. So if I remember correctly It's always best to tell you what you know check double check triple check if you need to rather than Make a mistake and then try and rectify it once it's been soldered And you're better off just spending a few seconds extra doing it like this Client two three Connect to base emitter Let's throw it around So I want that going on to the 3.3k That going to the 1k And the wiper This is where the 3.3 We're not going to touch that 22 It's going to go across the top of there to here It's our 3.3 And so I believe That's the 3.3 going across there. I can just put this in here in the base. We'll go to the wiper pretty tight Now I'm hoping because I can't get it really centralized Because of the whole situation Let's just see how that comes out because I've got to get that middle one To here and I've got to get this one to here Can that be done a bit better? That can actually I can try and get it in the one next to it, which I believe will be Onto there That when it does to there And the collector part wants to go Right now I'm tap these on and I'm going to take a break Let's down here try and build a bridge Across there with the solder not proving to be It's easy so what I might do oh there we go I've done it There we go Yeah, that's good. That is good. So with that I'm going to take a break now And just tend the end of my soldering on I'm going to stand outside for a few minutes get some fresh air and clean my mind


The Fire and Rubber Company, world's largest manufacturer of low pressure tires, presents another houndrel of music and entertainment, Jack Benny. The orchestra opens at 24 hours in Georgia. And now for the last time on this General Tire series, I present to you that star of stage, screen, radio, hotel lobby, and the street corners, Mr. Jack Benny. The fine introduction, Don, street corners. All I can say, ladies and gentlemen, is that the football season is now on, and I wish that I were a tackle, and Don Wilson was coming my way with the ball. Oh, you're kidding, Jack. No, I'm not. Well, you know that my own racket is football, and every year when the football season starts, my blood begins to tingle. Yeah, Don, where'd you play football? With the U of C. You don't say. Sure, well, I remember my third year in college, I made 23 touchdowns. Hmm, 23. Yes, and in my last year, I made 34 touchdowns, but not today, Jack. No, Don, today you just make touches. In fact, on this program, they call you Touch Don. All right, Jack. All right, go. All right, stick to the routine. Did you ever play football? Well, I carried a few pig skins in my day. I know you worked in a slaughterhouse, but did you ever play football? Sure, I played football. Listen, I used to work right alongside a red grain. Oh, the same team? No, the same ice wagon. But no kidding, Don, I played a lot of football in my college days. Well, I didn't know that you were a university man. What college did you attend, Jack? The U of I.C. I.C.? Yes, international correspondence. And you played football on a correspondence school team. Sure, Don, I used to send in some great forward passes by mail. Well, I remember one day we needed a Touch Down to win, and I sent it in by air mail. Did that win the game? No, I only put a 3 cent stamp on it, and it came back. Oh, that's good. Frank Parker's my name, remember? Oh, yes, surely. And speaking of football, you know I played on the U of L? Oh, good old Leavenworth, huh? What year, Parker? What year? 24, 25, 26, 27. All right, all right. What brought you to that college? Penmanship. Oh, forgery, that's a great study. Tell us something about your football. Well, one day I grabbed the ball and ran 600 yards for a touchdown. He must have been a big field. Oh, yes, I ran right through the woods, and the whole team came after me. But they couldn't get the ball away. Why not? It was chained to my ankle. Oh, Frank, you should have gone to Princeton. That never would have happened, you know. Hey, Jack, I haven't said anything yet. But we're speaking of football after all that's out of your line. It is. You don't think I went to Vassar to learn crocheting, do you? All right, Mary, tell us about your football experiences. Well, one day we were playing Bryn Mawr. You mean that girl's college near Philadelphia? Yes, and what a game. More than 70,000 people didn't show up. Oh, what a game. What was the score, Mary? It was the last quarter. Vassar had 14, and Bryn had more. Oh, and that's only the first show. The more I get it, I get it, yes. Then Miss Sarah Maloney, their half-bassist, threw the ball to their quarter-bassist, but I intercepted the ball. What does intercepted mean? What's the difference as long as you're healthy? Oh. So I started to run for good old Vassar and went for a touchdown. 20 yards, 30 yards, 40 yards, 50 yards. Yes. And what yards all with garden? Mary, Mary, wait a minute. This is a half-hour program. That's what I'm worried about. Oh. Anyway, I kept running. Nobody could stop me, and I finally crossed the ball. And you scored a touchdown? No, I looked around, and to my surprise, I didn't have the ball. Not to my surprise, though. Mary, how could you forget the ball? Well, I did the running. I can't think of everything. Listen, I'll bet if you played polo, you'd forget the horse. Yes, if it was water polo. Oh, I was just going to say play down, but I thought maybe you'd have something to say about football, eh? Well, I never played exactly, but I was coach. General Tyre. Coach on General Tyre? Me, I was chassis on the same team. Well, and here we are together. What are we waiting for? Rickety Rack. Rickety Rack. Hunter Kazook. Kazook. Kazack. General Tyre. La, la, la. Zero boxes. It's boom box. Play down, and I don't mean football. Well, I was down, Bessler, and his Connecticut quarterback playing Valencia. And now tonight, folks. Oh, yes. We are going. Yes, Mary. Do you mind if I get off early tonight? Why? Where are you going? You remember Burt Wheeler, the movie star who came up here two weeks ago? Yes. Well, I have a date with him tonight. We're going to a dance. Are you sure you have a date with Wheeler? Certainly. I made it myself. Well, what's your hurry? I mean, where's Wheeler? Sitting right out there waiting for me. Where? In the third row. The fellow yawning. Oh, he must be thinking of some other program, I guess. Hello, Burt. Hi, Jack. Come on up here a minute. Oh, no. Not tonight. Oh, come on, fellas. Drag him up. Will you? No, I don't want to. What's the matter with you, Burt? Let's don't be bashful. Not tonight, Jack. You see, I'm waiting for Mary. What are you afraid of?  Yeah, you're not going to do me any good either. Oh. Now, look, Jack, this is my first night off, and I prefer to be incognito. What's incognito, Jack? Well, Mary, incognito is when a fellow doesn't want to be known and hires four publicity men to advertise it. You know. Yeah, there you go. I'm getting in again. I'll see you later, Mary. Now, come here, Burt. Look, I'm only kidding. Look, Mary, incognito is, well, when I travel to Europe, I travel incognito. Incognito must mean spirit. That's good. See, you're right at home, Burt. See, you got your laugh. Come on. Just say a word to the folks, Jill. I can't, Jack. You see, my business is pictures, and my contract with RKO doesn't permit me to broadcast. But how will they know it? Look, I'll call you John Smith. Now, look, Jack, here's my contract. Section four, clause three, it says, party of the first part while making pictures must not broadcast. Be seen in a limousine with garbo. Or be called John Smith. Oh, well, you know, Burt, that's funny. I have some peculiar causes in my radio contract. Now, look here, section five, it says, Jack Denny, while broadcasting, must not drink, smoke, or eat garlic. Isn't that funny? Yeah. Well, if my nose isn't kitten, you broke that last clause. That's wrong. It's a fine fact, isn't it? Well, I'll see you later, Jack. Oh, look, come here, Burt. Don't run away. Listen, Burt. I meant to ask you something the other night.  Will we learn Woolsey? Yeah. Are you two fellas married? No. No, we're just partners. I mean, nobody understands me. But I mean, in all the pictures you two fellas make, it's all comedy. I don't ever see you play any love scenes. Well, how would I look hugging Woolsey? I suppose Laurel and Hardy have the same trouble. Well, yeah, yeah. Well, so long, Jack. See you later. Thanks, Burt, for coming up. Mary, you know what kills me, these big movie stars like Wheeler? I mean, what's Burt Wheeler got that I haven't got? Well, he's got a nice set of teeth. All right, I can get a set just like it for my dentist.  Get that from your dentist, Jack. Play, Don. He put that line in himself. And now, Frank Parker, our juvenile tenor will sing The Moon Was Yellow. Say, Jack, what is it that you've got that I haven't got? I don't know what. The five dollars you borrowed. Get that from your dentist. I'll sing, Frank. I'll sing The Moon Was Yellow. Oh, Don, take the microphone with you. I'm going to be busy for a little while. Well, Don, you know, this is our last program in this series, and I'm giving a little blowout tonight. Oh, wait a minute. No blowouts on the general tire program. All right, then, banquet. What's the difference? Who's coming over, Jack? Everybody, Don. In fact, the who's who. To help me marry, you help, too. And, Parker, you be the waiter. I wonder if that chef got here yet. I am here, Mr. Bunny. Well, I'm glad you got here. Now, listen, chef, we're having a big party up here tonight. I sent out 20 patients, so I expect about 185 deaths. We didn't miss you all. Mm-hmm. If he's a Frenchman, then my name is equipoise. Now, look, I want a nice dinner. Let's have hors d'oeuvres, consomme de la julienne, filet à casserole, pomme d'itura gratin, nuts à la brasilhienne, and a demi-goudtassi. What does that mean, in English? Oh, a ham sandwich and a cup of coffee. Oui, monsieur. Now, just a minute. I expect some classy people here. Where did you work as a chef before? Slappy Joe's and the greasy vest. Hmm, I was worried. Well, I was worried. Well, get busy. Bester, you'll have your arches to stand by for a little dance music, won't you? Oui, oui, monsieur. Monsieur? And Parker, maybe you'll entertain us with a song or two. Oui, oui, monsieur. That would be an insult, folks, that he's speaking French. Looks like our guests are arriving. Here come six crazy limousines. Mary, you go to the door and greet them. I'll get things ready. Why doesn't Parker go to the door? He's got to watch the silverware. Oh, Bester, you empty your bottle in the punch bowl. See, I'll pay it back tomorrow. I haven't got a corkscrew. Use the general tire. That has the corkscrew grip. Ah, they're here. Open the door, Mary, will you? Don, liven up the place a little bit.  Good evening, folks. Step right in. Good evening. How do you do? Where's your invitation, please? Right here. Uh, check your clothes and hats. I've got to make a living, too. No rackets, Mary. No rackets, you know. Come right in, folks. Invitation, please. Here you are. Who are they, Mary? I don't know. What does it say on the invitation? Uh, Simpson's pawn shop. Over code $8. Oh, the Simpsons. The Simpsons, of course. I used to play hockey with them. Hockey watchies? Make yourselves at home, folks. Answer the bell, Mary. They're coming in fast. Right this way. Is this the general tire banquet? Yes. Invitation, please. Here you are. Who are they, Mary? Mr. and Mrs. J. Non-Skiddington Moore with a silent safety tread. Oh, Mr. and Mrs. Tread, of course. Come right in. When do we eat? That's what I'm worried about. Ah, here comes someone else, then. Well, well, how do those friends, huh? What's going on here? Uh, what can I do for you, sir? I found an invitation for a banquet. Is this the right place? Uh, this is the Jack Benny General Tire Banquet. Sir, it looks like a very fancy evening. I think I'll stay. Come right in, come right in. Uh, hello, Jack. You remember me? Well, your face is familiar. Slapperman is the name. Oh, Slapperman, sure. I met you on a train coming down from Falkipsey. Likewise. Well, well, well, tell me, uh, tell me, Mr. Slapperman, uh, how's your wife? Don't spoil my evening, please. Hi, Dave. Well, uh, how did you get away? Oh, that was easy. I told my wife I was going to play poker with the boys. Oh, poker, eh? Yeah. Listen, Mr. Benny, will you do me a favor? What? Lend me $10 so I can tell my wife that I won. Borrowed ten from her tell of the card remark, didn't she? Mary, Mary, see who that is, wouldn't it? Come right in. Who is it, Mary? Uh, Mr. John Smith. Oh, Bert Wheeler. Well, come right in, Bert. I can't, Jack. You see my contract... Never mind what that contract. Will you come here, Bert, Bert? I want you to meet Mr. Slapperman. Mr. Slapperman, Mr. Wheeler. What he got the dying got. Hey, wait a minute. That's Bert Wheeler. That's Bert Wheeler, the movie star. Oh, well, I'm pleased to meet you, Mr. Wheeler. Have you got a cigar? Say, you're thinking of Woolsey. Woolsey, Smallsey, I'll take a cigarette. Likewise. Oh, you too, eh? Hey, well, let's get started. It's getting late.  We're going to eat soon. Mary, put the knives and porcs on the table. I did. Hmm, gone already. Well, folks, you'll have to eat with your fingers. I don't want to hurt you. Garceau, garceau. Hey, Parker, the boss wants you. Yeah, bring in the soup. I got it right here, boss. The soup on my dress. Don't worry, madam. We have plenty of soup. He'll get you another bowl. Oh, but how about my dress? Look at that sting. You had that when you came in. Hey, hey, just a minute, waiter. There's a hair in my soup. A what? You again, hair, hair. What's on my, what's on my head? Nothing. It's in your soup. You're right. Get the crack on the plate. Oh. That's great, sir. Say, Don. Don, how about having the boys play a hot number while we're eating, you know? Okay, Jack. All right, folks. On with the soup. On with the stress. Mr. Gregg, would you mind passing that tall shaker? Tall shaker? That's my engagement ring. Pardon me. Play, Don. Play. I'm livin' up the party. That was love. Curarache, is that thing? See, I nearly choked over that. Played by Don Bestner and his orchestra. Hey, waiter, please. They take away these two plates. How about the steak? We have no steak. This is embarrassing. What's in the kitchen? Just an axe. Well, then bring us some chops. Well, folks, the longer the meat isn't ready. We'll have our after-dinner speeches before dinner. We should have gone to child. And I think first, we ought to have a toast by Don Wilson. Come on, Don. Come on, Don. Come on, Don. Thank you, Jack. Thank you, Jack. Here's to the good old automobile buyer. Here's to the man that uses the general tire. Here's to the silent safety tread. He's been waving like that for 26 weeks, but he's right. Now, our first speaker this evening will be that eminent, eminent, eminent orchestra leader of the general tire program in 26 weeks, I said prior. I'm right in the general tire program, Mr. Don Bester. Don, have you a word for us? No, but the squirrels have. That was awfully good. And now we will hear from that charming little personality, the surely temple of the air, but a bit older, Ms. Mary Livingston. Mary. Hi, Mary. Uh, guest of honor, ladies and gentlemen, Waders, Kivacers, and Jack Bennett. I didn't expect to be called upon tonight, so I came prepared. I have been associated for the past 26 weeks with Jack Benny on the general tire program. I have stuck with him through thick and thin. He got thick and I got thin. It has been a very pleasant 26 weeks, and Jack, all I can say is, Labor Day, all Labor Day, you come to... Mary fell off the chair, folks, but the play must go on. I didn't think they'd strike a lady. Now how about a word from both we... Ladies and gentlemen, my contract does permit... All the contract. To say that I have known Jack Benny for a good many years, and circumstances haven't changed them. Thank you very much. 15 years ago, Jack and I played one night stands together, all around this country, and the papers come out and said we were both a couple of bums. Here it is 15 years later, and Jack hasn't changed a bit. Thank you, Bert. That eulogy brought tears to my eyes. And after this program, I'll bring a few to yours. It's a thanks, Jack. Yeah. And now just a word from Frank Parker. What have you got to say, Frank? Yippee! That's enough. And now we will hear from that great citizen and honored leader of his community, Mr. J. D. Witt Slapperman. Well, my fellow people, Dear Savannah, ladies and gentlemen, and so further, honored, accustomed as I am to public eating, I would like to make a special speech in honor of the picked up chairman, Mr. Jack Benny. Here, here, here. 40 years ago, I came here from the Kentucky mountains. I was a hillbilly. But they called me Sam. Am I bothering you? Yes, but go ahead. And this occasion reminds me of Abraham Lincoln's famous Hilsburg address. That's Gettysburg. Gettysburg. Thank you, thank you. Hilsburg. Thank you, thank you. And her six bills will set up all the world of stage, but thank heaven, thank heaven, Jack Benny's on the radio. And for them all, what does he got that I ain't got? I've got this. The same thing happened to me. Yeah. Oh, Jack, Jack, here's the telegram. Thanks, Don. Oh, it's from the telegram, Bill O'Neill, president of the General Tire and Rubber Company. Well, Jack Benny, care of NBC Studios New York. Gee, you read it, Wilson, will you? You know, it's embarrassing. All right, Jack. It says Jack Benny, care of NBC Studios New York. Except for your interference on these programs, Don Wilson could have told our audience much more about our new corkscrew tire. I see. You insist that the show's the thing. And on that score, I want to compliment you and the cast on 26 weeks of fine entertainment. Until we resume these programs next March, you will be broadcasting for General Foods. The only connection between General Foods and General Tires is that we eat their products and they wear ours. You have to live to be able to eat. So the more people we put on General Tires, the more customers we keep for General Foods. Signed W. O'Neill, president General Tire and Rubber Company. Well, all I can say is on behalf of the entire cast, I want to thank you, Mr. O'Neill, the General Tire and Rubber Company, the National Broadcasting Company, our listening audience for a most pleasant season on the air. And I'm glad to know that we will be with you again. Thank you very, very much. Play down. Well, folks, good night. And we'll be with you again on Sunday night, October 14th. I hope you'll all be listening in. Thank you. This is the National Broadcasting Company. W-E-A-F, New York.


Now, as gunshots echo across the windswept snow-covered reaches of the Wild Northwest, Quaker-puffed wheat and Quaker-puffed rice, the breakfast cereal shot from guns, exempt the challenge of the Yukon. It's Yukon King, swiftest and strongest lead dog of the Northwest, blazing the trail for Sergeant Preston of the Northwest Mounted Police in his relentless pursuit of lawbreakers. Gold, gold discovered in the Yukon, a stampede to the Klondike in the wild race for riches. Back to the days of the Gold Rush, with Quaker-puffed wheat and Quaker-puffed rice bringing you the adventures of Sergeant Preston and his Wonder Dog Yukon King as they meet the challenge of the Yukon. Here's a bell-ringer breakfast dish, a heaping bowl full of Quaker-puffed wheat or Quaker-puffed rice covered with milk or rich yellow cream and topped with luscious strawberries or sliced bananas. Mmm-mmm! Just taste the tender Christmas, the delicious nut-like flavor of Quaker-puffed wheat and Quaker-puffed rice. For this bell-ringer breakfast treat, hurry and get delicious Quaker-puffed rice and Quaker-puffed wheat. The first show at the Music Hall was over at 10.30. Sue Marion had an hour before the next performance and decided to take a walk along the riverfront. There was a great deal of activity around the wharf where the Yukon bell was tied up. Steamer was due to sail for St. Michael at midnight. There was a constant stream of passengers and crew members up the gang line. Sue watched them idly until she saw a man step out of the steamship company's office at the end of the wharf as he stood for a second in the lighted doorway. She recognized him. Tim Blake! Tim! At the sound of his name, the man started to run down Front Street. Sue took after him. Stop! Stop, Tim! She caught up with him in the shadow of one of the warehouses and grabbed hold of his leather jacket. So, I finally found you. Let go of me. Where's my $500? Her $500. You know very well. The $500 you still owe on the claim you bought from Dan. I don't know you anything. The claim was no good. It certainly was. Dad made a good living out of it. And you're going to pay me what you owe me. All right, all right. I'll do it as soon as I get the money. Let me go. Wait a minute. What were you doing in the steamship office? It's my business. You were leaving on the Yukon Bay? Well, what if I am? There's no law against the desert. I think maybe there is. You're not going to leave the territory without paying what you owe me. I'll get the North West mounted to stop you.  Why not? Why shouldn't I? If you have enough money for passage to the state, you've got enough to pay me. You'll keep away from the police. Well, pay me then. I can't. I won't. I've got to get out of the territory.  So now you're trying to threaten me. Well, I'm not afraid of you, Tim. You better be. You don't want your sweetheart, Johnny Larkin, to hang. You'd better leave me alone. What's that? He's killed a man. That's what he's done. You're crazy. I saw Johnny this afternoon just before he left town. Yes, but he didn't leave, see? If you try to make any trouble for me, I'll put a noose around his neck. Now let me go. Tim pulled away and ran down the street. The girl watched him go.  He's just trying to scare me. He wants me to waste my time looking for Johnny so he can get away. Well, I won't do it. Johnny isn't in town, and I'm going straight to headquarters. No. First I'll get the papers that prove Tim owes me the money. Sue stopped at her cabin and then ran all the way to the northwest-mounted headquarters. She found Sergeant Preston and consul Downey on duty. The Great Dog King was lying beside his master's desk. Good evening, Sergeant. Hello, Sue. What can I do for you? I want to find out about my rights, Sergeant. Rights? Well, Tim Blake owes me $500, and he's trying to skip town without paying me. He's sailing on the Yukon Bell tonight. Isn't there somewhere you can stop him? You have proof of this death? Yes, sir, right here. Sue told her story. Then the sergeant walked down to the waterfront with her. They found the purser of the Yukon Bell and... Well, no, Sergeant. I didn't exactly sell Tim a ticket. I didn't have any to sell, but he got one all right. Oh, how was that? George Foster offered him an extra $100 for his state loan. Then that proves he has money. A mean old skin-flint. And trying to scare me, too. Scare you? Well, he said he'd make trouble for Johnny Larkin and me if I went to the police. He threatened you? Well, I guess you'd call it that. Then Tim's broken the law, and if you want to press charges... All I want is my money. You'll press charges to keep him here. Of course. That makes everything very simple. Has he gone on board, Mike? Not yet. He left here to get his baggage. No worries of him living? The palace. I'll try to catch him there. Sergeant, I have to get back to the music hall. I've got another show coming. Oh, I'd go right ahead. But first, I... Well, I... I guess I ought to tell you... about the threat, I mean. Tim said he...   But he said that if I went to the police, Johnny had... that he... What?  There's no sense in even mentioning it. Well, tell me, Sue, if I have to arrest him for threatening you, I must be sure of my facts. Well... Well, he said he'd put a noose around Johnny's neck... for murder. Murder? Johnny Larkin? As if Johnny would kill a man. As if he ever had or ever could. It's so silly. There's nothing silly about the word murder. Come on, King. Sleepy Martin, the night clerk at the palace, was drowsing behind the desk when the sergeant and King walked into the lobby. The sergeant reached over and shook him by the shoulder. Wake up, sleeper. Yeah, what's the number you wrote? Wake up, man. Sergeant Preston. Oh, yeah, so it is. Well, how are you, sergeant? Tim Blake registered here? Yeah, yeah, that'd be Room 308. No, wait a minute. He checked out. How long ago? What time is it? Oh, 11, huh? Well, about an hour ago, I guess. Take his baggage with him? No, he said he'd be back for it. He hasn't come back yet? Well, I couldn't rightly say so, that, sergeant. I didn't see him. He's been asleep. Well, I'll always take a little nap early in the evening. Hey, let's see. His key's gone. Of course, he could have just reached over the desk and got it, or maybe didn't give it to me when he went out. I don't remember. You have a pass key for the room? Oh, sure. Let me have it. Oh, sure thing, sergeant. Anything wrong? That's what I'm trying to find out. Here you are. Thanks. There was only one lamp lit in the third floor corridor. And as the sergeant started toward the back of the hotel, he had to look closely to make out the numbers on the doors. As they passed 306, King stopped and sniffed at the crack beneath the door. It's the next one, King. The sergeant unlocked and opened the door. The room was dark. He lit a match and stepped inside. No baggage here, King. The bird's flown. Well, we'll catch him at the steamer.  But on their way back down the corridor, King stopped at 306 once more. And this time, he growled deep in his throat. What's the matter, King? Something you don't like in there? A dim-set murder. We'll take a look. Once more, the sergeant lit a match. And even by its dim light, he could see the room was a shambles. The cot overturned. The table and chair broken. Splinters of glass from the lamp on the floor. King crowded over to a dark stain near the foot of the bed. The sergeant lit another match. Blood. Not even dried. But no one here. And as the back stairs, of course. I don't like it either, boy. Took quite a fight to wreck this room. Wonder if Sleepy heard anything. And he can at least tell me whose room this is.  The sergeant and King ran down the stairs to the lobby. Sleepy lifted his head from his arms as he saw them. Oh, Sergeant. Was he there? No. Who lives in 306? Why, that'd be Ruth Jennings. Did you hear anything that sounded like a fight on the third floor tonight within the last hour? I know it, Sergeant. Well, this is important. Try to remember. Was Ruth Jennings in his room tonight? Now, it seems to me that... Well, yeah. Yeah, I heard him talking to some of the boys. Said he was going to get some sleep and go over to the Monte Carlo later. Anyone ask for him later in the evening? For Ruth? Well, yeah. Sergeant Johnny Larkin came in here about 9 o'clock and asked for him. Johnny Larkin? I gave him Ruth's number, but he just turned on his heel and walked out. He could have come in again with a back wave. You're saying that Johnny Larkin and Ruth had a fight tonight? They may have, Sleepy. So far, it's a complete mystery. But it may be a mystery that involves murder. We'll continue our adventure in just a moment.  I can't believe it yet. There was a terrible pounding on the door. I opened the door and in walked a giant. What do you want here? I'm looking for a rascal named Jack. Lives next to a beanstalk. Oh, Jack and the beanstalk. But you have the wrong address. E-5-O-F-M, I'm hungry. What are you eating? Well, matter of fact, I was just trying to decide whether to eat Quaker Pop rice or Quaker Pop wheat. Never tasting them myself. Oh, you really go for these ready to serve breakfast cereals? Why? They're so big, like yourself. They're giant-sized because the choice sun-ripened premium grains of wheat and rice are shot from guns. What? Yes, Quaker Pop wheat and rice are shot from guns, exploded up to eight times normal size. Why don't you try some? Well, pour out three or four packages for me. And you'll want some milk or cream and fruit? Sure. Two or three quotes a week.  Wait till you taste that delicious nut-like flavor and crisp, fresh goodness. E-5-O-F-M. Oh, they're good and good for you. Quaker Pop wheat and rice furnish added food values of restored natural grain amounts of vitamin B1, niacin and iron. Come on, let's eat. Okay, but first let me remind the fellas and girls listening in to ask for the big red and blue packages with the smiling Quaker Man on the front. That's your guarantee that you're getting the one and only delicious Quaker Pop rice and Quaker Pop wheat. Shot from guns. Try them for breakfast tomorrow. And say, don't forget that exciting Sergeant Preston Yukon Trail models are waiting for you on eight different new packages of Quaker Pop rice and Quaker Pop wheat. You don't pay a single extra penny for these 59 larger, easier-to-build models. They come only with delicious Quaker Pop wheat and Quaker Pop rice. Get yours right away. To continue. From the palace hotel, Sergeant Preston went to the music hall and questioned Sue in her dressing room. Oh, what? Get about the money. Well, take it easy, Sue. I'm not accusing Johnny of anything. I just want to get the facts. I told you, Sergeant. He's going to work his claim all this summer and then sell it. We're going to be married and go back to the States. His claim's number 20 on Alderado. Yes. Now, um, is there any reason why there should be hard feelings between Johnny and Ruth Jennings? Oh, it's all my fault. What do you mean by that? Well, Ruth likes me too. Johnny warned him to keep away from me. And he didn't. I can take care of myself. I told Johnny to forget about Ruth. All right, I guess that's enough. Where are you going? The Yukon Bell. To get Tim? Yes, Sue. Let him go, Sergeant. Forget about the money. Just let him go. I can't do that, Sue. Not now. All right, King. It was shortly before midnight when the purser, the sergeant, and Constable Downey held a conference on the second deck of the Yukon Bell just outside Tim Blake's stateroom. It's time for us to cast off, Sergeant. Shall I ask the captain to wait? No, Tim's probably hiding out until you're underway.  We'll simply go along. As soon as we find him, you can drop us off at one of the landings downriver. Sure thing. You're waiting this cabin, Jim. Right, Sergeant. I'll go up and have a talk with the captain. All right. At midnight, the Yukon Bell cast off and steamed out into the river. Constable Downey waited in the dark cabin. Half an hour passed and then he heard a thin click. Someone was turning the handle of the cabin door. The door creaked open and the Constable stood up. But as he did so, his holster hit the bunk. Instantly, the door slammed shut. The Constable slammed out of the cabin. The deck was still crowded with passengers. The Constable saw Tim disappearing down a companion way and took after him. But when he reached the lower deck, there was no sign of Tim. He might have descended to the engine hole and crossed to the starboard side and headed for the upper decks. The Constable decided to report to the sergeant. He found him with the purser on the hurricane deck. I've seen him, Sergeant. Where?  I lost him on the lower deck. Do you think the captain would lend a hand, Mike? Have some of the crew help us? He'll do anything he can. Hey! Some of the up there with that lifeboat pulling the tarpaulin deck. It's Blake. And he's seen us. Stay where you are, Blake, in the name of the law. The crazy fool's going overboard. He's going to jail. The sergeant pulled off his boots and his tunic. King went after him and they hit the water shortly after Blake did. Blake burdened down with clothes and finding it hard to keep afloat when the sergeant reached his side. The sergeant slipped an arm around him and struck out for sure, swimming as strongly as he could. The great danger was the paddle wheel and he could feel it suction drawing him in. He fought as hard as he could. He was powerless against the drag. The paddles were slapping the water only a few feet away. The sergeant and his helpless burden were being drawn down and under. The water flowed over them. And then miraculously the terrible pull was gone and the sergeant rose to the surface. So close to one of the paddles that he could touch it. But the wheel had stopped. A moment later, the sergeant, king, and the unconscious Blake were being pulled up and onto the lower deck of the steamer. As artificial respiration was applied to Blake, the captain decided to return to Dawson and the steamer made a great circle headed upstream. Dawson was in sight when Blake opened his eyes. Had a narrow escape, Blake. Sergeant Preston. Yes, what made you think you could swim the shore with this money belt full of nuggets around your waist? I don't know what you're talking about. Look and see. This money belt. You were wearing it. Oh, yeah. There's nothing wrong in that, is there? Nothing except the name on it isn't yours. It's Ruth Jennings. He gave it to me, sergeant. I swear. It looks bad, Tim. All right. And admit I stole it. But I didn't kill Ruth. I swear I didn't. You'd better tell me the truth and nothing but the truth. I will. I will, sergeant. I was in my room right next door to Ruth's. I heard Johnny Larkin come in and he and Ruth had an argument and they started to fight. It sounded like the whole building was coming down.  I waited a minute or two and then I went into Ruth's room. He was lying in the pool of blood. He was dead. I didn't even touch him, I swear. But his money belt was lying on the floor beside him and I took it. Scavenger. It wasn't any good to him. All right. What happened afterward? I went down to the Yukon Bell and bought a ticket. That's when Sue met you. Yeah. I went back to the hotel and packed my bags. I hired an Indian to put them aboard in my stateroom. I came aboard myself when the gang plank was reocrowded and then I hid until the... Not so fast. When you went back to the hotel to pack your bags, did you see anyone? No. I used the back stairs. Did you go into Ruth's room again? I thought they're looking for you. Ruth had disappeared. I had never even touched him. I swear. You didn't touch him. You can't swear to the fact that he's dead. He is, though. And Johnny killed him. Do you think, Sergeant? I don't know, Jim. You can't prove a murder without a corpse. Dead men don't usually get up and walk away. Oh, we're darking.  Charge, robbery unarmed. I'll change my clothes and ride the Johnny's claim on the El Dorado. Sergeant Preston made a quick change and was preparing to mount Blackie on the stables and back of headquarters when King began to barge. The sergeant turned and saw Sue running toward him. The girl was holding a handkerchief to her cheek. Assistant. Sue, you've been hurt. No, I'm all right. What's the matter with your cheek? That's where it hit me. Who? Ruth Jenning. When? Where? At my cabin. It must have been... Oh, I don't know. About a half an hour ago. What happened?  Ruth was waiting for me there. He's alive. I'm glad to hear it. I was glad to see him, even though I detest him. It was only when he began to talk that I became frightened. You see, Johnny and he had a fight. Yes, I know. And Johnny knocked him out. Ruth said that while he was unconscious, Johnny stole his money belt. But that can't be true, Sergeant. Why would Johnny... It isn't true. It was Tim who stole the money belt.  I heard them talking out in front. Tim's been arrested. Yes, what about Ruth? Well, he wanted to know where Johnny was. I could see he was in an ugly mood and he had a gun.  You told him what? Well, only where Johnny's claim is. He could have found that out some other place anyway. How long ago? Oh, about a half an hour.  I must have hit my head. Half an hour. He's gone after Johnny, Sergeant. I know he means to kill him. Anybody? Got that cut taken care of, Sue. You've got to hurry, Sergeant. I'm a long king, but I don't think you'll be able to keep up, boy. Stop him, Sergeant. I'll do my best.  The sergeant raced out of town with King close behind him, but when the concrete trail was reached and Blackie was given his head, the dog was unable to keep up. It was 15 miles to Johnny Larkin's claim and the sergeant rode hard all the way. There was a tinge of light in the eastern sky when he reached the cabin. There was a light in the window. The sergeant pulled Blackie to a sliding stop and hit the ground running. Pull, Blackie, pull! Johnny was lying on the floor. He was alone. The sergeant knelt beside him. Shot but still alive. He ran outside, found the first aid kit in his saddle bag and returned to the side of the wounded man. He slipped out of his harness and tunic and went to work.  He managed to stop the flow of blood and was washing the wound when he heard footsteps behind him. He glanced up only for a second. Roof Jennings was standing in the doorway. You're wasting your time, aren't you? He isn't dead yet. He'll die, though. Not if I can help it. I heard you coming and I hid in the woods. I was gonna light out, but then I got thinking it over. The girl told you I came up here. Yes. I figured she must have. And I figured that after you found him here, you'd come after me. You're pretty good at figuring things out, aren't you? Yeah. I don't agree.  He did. Was Tim Blake who did that? Tim Blake. Your local. Tim Blake who had the room next to you at the palace. Came in, found you lying unconscious on the floor with your belt beside you. He stole it. Right now, Tim's in jail and your belt's at headquarters waiting for you. No thanks, Sergeant. I won't be showing up at headquarters to pick it up. I got more gold stashed away. I can do without it.  Yeah. And that you'll have to stand trial for murder? Even if he lives, it'll be attempted murder. That's correct. So you're going to try to escape? Not before I stop you from following me. Stand up and walk over to the other side of the table. I'm going to finish bandaging Johnny. Get away from your gun. I couldn't possibly reach my gun before you shoot. No, I guess you can. I might just as well pull the trigger and get it over. Pull that trigger and hang for murder. With you out of the way, I won't hang at all. King's heart was nearly bursting. He had been left far behind on the level stretch of trail along the Klondike. But when the trail began to twist and turn around the gravel piles and sluices on the bonanza, he had found a hundred shortcuts. And now he had found Blackie, and he knew that his master was just inside the cabin. But there was a man standing in the doorway. King saw the gun in his hand. He saw him level it at the sergeant and with desperate fury, King leaped. The roof pulled the trigger as he went down, but the bullets pulled the table to the right of the sergeant's head. Before Ruth could fight clear of King, the sergeant's foot came down on his gunhand. The gun was twisted from his nervous fingers. That's all, Ruth. You're under arrest in the name of the Crown for attempted murder. It was three days later that Johnny Larkin opened his eyes for the first time. Sue was sitting beside his cot, holding his hand. There was a dog at her left, and on the other side, above her head, Johnny could see a blur of red. Johnny. Hello, Sue. Is that Sergeant Preston? Yes, Tommy. And King. What happened? Don't you remember? Ruth shot you. Oh, yeah. She said I hit his money belt. The doctor says you mustn't talk, darling. Everything's all right, Johnny. Ruth has his money belt. But even if he uses all the gold in it to defend himself, he'll be convicted for attempted murder. Attempted? Yes, only attempted. You're going to get well. When you do, this case will be closed. In just a moment, Sergeant Preston will give you a preview of Friday's adventure. Angel of Death. Take a vote at your house, and I bet you'll find the whole family goes for delicious Quaker Puffed Wheat and Quaker Puffed Rice. Mom likes them because they're quick, ready to serve with milk or cream and sweet, juicy red strawberries, sliced bananas, or other fruit. The youngsters go for wheat and rice shot from guns because they're exploded up to eight times normal size.  And that reaches for the big red and blue package of Quaker Puffed Rice or Quaker Puffed Wheat with the picture of the smiling Quaker Man because it's such a refreshing breakfast date. And so nourishing. It gives the whole family extra food values of restored natural grain amounts of vitamin B1, niacin, and iron. It's a deluxe breakfast for the family, so economical too. Remember the original crisp, fresh Quaker Puffed Wheat or Quaker Puffed Rice comes only in the large red and blue package. A fine modern package with a sealed inner lining. That lining serves to doubly protect the flavor and crispness until the moment you pour it into a bowl. For that reason, Quaker Puffed Wheat or Quaker Puffed Rice is never sold in bags or bulk. Buy both delicious kinds tomorrow. Now, fellas and girls, here is Sergeant Preston. I'm sure I don't have to tell you that forest fires are a terrible thing. But do you know what causes most forest fires? It isn't lightning and other natural causes. Nine out of ten forest fires are man-caused. They're due to carelessness. So if you're in the woods this summer on a hike, picnic, or camping trip, be careful of matches and campfires. If you have a campfire, down it with water before you leave and stir it up and pour water on it again. Remember, just one carelessly-dropped match or one spark can start a fire. Remember, too, only you can prevent forest fires. And now I must see the Inspector. You sent for me, Inspector? Hey, yes, Sergeant. Your I.F. Flint, the mine broker, sold a worthless claim to a man named Chet Logan. Now, Logan is threatened to kill him. I know Logan, sir. He's too hot-tempered for his own good. He's in a dangerous mood, to find him, Sergeant, before he carries out his threat. It's your job to prevent a murder. I'll get on the case right away soon. I'm longing. A crooked mine broker like Uriah Flint makes lots of enemies. And here's a perfect chance for any one of them to go gunning for him. If Flint is found murdered, the crime is sure to be blamed on Chet Logan.  Be sure to hear this exciting adventure Friday. These radio dramas, a feature of the challenge of the Yukon Incorporated, are created by George W. Trandall, produced by Trandall Campbell Enterprises, directed by Fred Flower Day, and edited by Fran Stryker. The part of Sergeant Preston is played by Paul Sutton. They are brought to you every Monday, Wednesday, and Friday at the same time by Quaker Puff Wheat and Quaker Puff Rice. The breakfast cereal shot from guns. Remember for delicious hot breakfast, enjoy Quaker Oats. The giant of the cereals is Quaker Oats. Delicious, nutritious, makes you feel ambitious. The giant of the cereals is Quaker Oats. And here's why Quaker Oats is called the giant of the cereals. There's more growth, more endurance in oatmeal than any other whole grain cereal. So make your hot breakfast nourishing Quaker Oats. Quaker and Mother's Oats are the same. This is J. Michael wishing you goodbye, good luck, and good health from Quaker Puff Wheat and Quaker Puff Rice.


Hello, traders at CMC Markets. Welcome to another momentum update by RRG Research for Monday, the 4th of July, and I'm recording it on Friday, the 1st of July. My name is Julius de Campanar and I am presenting to you from Amsterdam in the Netherlands. In case you were wondering why you see my face every week because the idea was that my colleague Trevor Neal and myself would take turns one week each, but Trevor had some health issues and he is recovering right now. It's all going well with him, but that's the reason why I have been doing and maybe we'll be doing a few more of these weekly updates going forward. Let's kick off with a quick look at what happened on the stock markets as we do every week. We start with the weekly RRG showing you the number of the world indexes and that image is changing slightly.  You see a lot of a lot of tails inside the leading quadrant. They're all predominantly non-US tails except for the Dow Jones industrials, which you find right here. So all the others are European and Asian indexes and Australia, the AS51, that's the AS6200, you see just turning into the weakening quadrant. The US indexes, I said the Dow here is the S&P 500, the Russell 2000 and this is the NASDAQ. Of course, because of the benchmark, that's the MSCI world, the US market, there's a big chunk of that. It's almost half maybe even more, I don't know. So it's kind of by default that when the US is on one side, the rest of the world is on the other side and that's exactly what you see here. But what I'm looking at is the direction of the tails and what you see is that the direction of the tails where it used to be predominantly non-US markets moving in a northeastern direction and US markets moving in a southwestern direction. That is now, at least for the near term, has changed. You see it best here in Australia, UK, you see the French CAC and the stocks rolling over, but also we see the S&P trying to pick up a little bit of the pace. The NASDAQ is doing it clearly inside the lagging quadrant, but it's very far away from the benchmark and the Russell 2000 is already on the way for a couple of weeks. I think the main takeaway from this image is that for the time being, the big picture is still for the world to outperform the US, but the near term seems to be changing. And of course, when you do trend following work, it's always a big question whether some of these changes are temporary in nature and then the big trend, the big long term trend will continue or will it be the start of a new movement too early to tell at the moment. When we zoom in on the daily RRJ, you see that movement of non-US markets losing momentum quite clearly. So here's the UK, Japan, Hong Kong, it's Germany moving into the lagging quadrant.  Here's the Russell, here's the S&P 500, make a little jingle. Here's the NASDAQ. Last two days, not too good, but started to pick up again. And here's the Dow moving down. And that's what I want to focus on, because what caught my eye was the opposite rotation between the Russell 2000 and the Dow Jones industrials. I'm going to zoom in for you. So here's the tale of the Russell 2000 and here's the tale of the Dow Jones industrials. They're both American markets, but obviously the Russell 2000 is a very broad-based market with about 2000 shares in it. And here's the Dow Jones, which has only 30 stocks in it, as you know. And it's quite interesting to see that they are now moving in opposite directions. The message that I get from this is that the big mega cap stocks that are in the Dow are starting to underperform versus the broader-based market, which has large cap, mid cap, but also a lot of small caps in it, just the Russell 2000. That is a sort of an interaction that is interesting and that we can exploit. And that's what we're all here for, aren't we? So the Russell 2000 doing really, really well. Well, let me rephrase that. Starting to improve a little bit. And the Dow is rolling over, still inside the leading quadrant, but it's losing relative momentum. When I bring up the price charts of those indexes, then this is the chart of the Russell 2000. And at first sight, it's just another US stock market index peaked somewhere at the end of 2021, started to form a series of lower highs and lower lows, and is basically still in that process. If you look at the 7-day RSI on the Russell 2000, you see that the last low in the RSI is not confirming the low in the price chart. So it dipped below its previous low, but it's already went back below that level. And that dip was not confirmed by the RSI. That's a mild positive divergence in my book. If you look at the RRG lines, which is what causes the tail to show up on the RRG where it's showing up, then you see that it's coming out of a dip and they have now started to pick up. So the green JDK-RS momentum line is starting to move higher and it's now starting to pull the RS ratio line higher. That is making it move into that north-eastern direction, while still inside the lagging quadrant. That's the early warning signal. If we switch to the chart for the Dow Jones industrials, then you see, again, this is just like another US stock market index, peaked at the end of 2021, started to start a series of lower highs and lower lows, and it's still doing that. So if we look at the price chart, the difference here is that the NASDAQ dipped not as low as the Dow was doing, and the Dow is having trouble getting back above that level. I know that the dashed line here is a bit arbitrary. You could make it a little bit higher or lower, but it doesn't really change the message that the dip in the Dow is stronger than the dip in the Russell 2000. We also see that back in the RRG lines, where the Russell RRG lines had bottomed that were starting to move up, and here you see the Dow Jones industrials RRG lines, and they've peaked and they start to roll over. That's the most important message here. Also, if we look at the RSI for the Dow Jones industrials, you see that that last low in the RSI dipped below the previous low, so that is confirming that trend. So despite the fact that the price charts of both the Russell and the Dow are looking kind of similar in terms of price, there are quite some difference to find under the hood, which all speak to the benefit of the Russell 2000 at the moment. One of my takeaways for what's happening in the world stock market indexes is an interesting insight in the US markets, where it looks as if the broader-based Russell 2000 is starting to pick up strength versus the smaller Dow Jones industrials, which means that under the hood in the broader market, US market seems to be improving at the moment. We'll have to wait and see whether this is a big turnaround or just a temporary hiccup, but that's what I see for at least going into this week. Maybe it will last a few weeks more. Let's quickly look at the RRG for Forex. This is the daily RRG for the G10 currencies. And as you know, the big picture, if we start with the big picture here, the weekly RRG for Forex, and you see the US dollar is the center of the chart here. So this is a very, very clear message that the dollar is absolutely the strongest currency in this universe. If we look at the daily RRG for this universe, then we can see that it seems that a little pause or a little improvement for the non-US dollar currencies is underway. Swiss franc, insight leading. But what you can see here is that the Nordic markets in which in Krona, Swedish Krona, the yen obviously had a lot of attention recently with being so weak, that's now going through an period of improvement. And so do the British pound and the Euro and the Canadian dollar. Big picture, still US dollar strength, shorter term improvement for the other currencies versus the US dollar, or if you wish, a pause in the strength of the US dollar. Now look at the chart of the euro dollar rate. Then this is the daily chart and you can see that it stalled around 103. And we talked about this a couple of weeks ago, but I think I'm going to bring it up again, because I think it's very important. You see that this level is 103 half, let's round it off at 103 level, is pretty important. So we stalled here. Out of the second test of that level, the rally peaked again around 106. So it didn't manage to get back to the 107.708 level, which means that that series of lower highs and lower lows inside the euro dollar rate is still intact. Why is that 103 level so interesting and so important? Because this is a very good example of why you would never mistake the bottom of the chart with support. Because if we bring this to a monthly chart, then you can see why that is. This is a major support level in the euro dollar rate. And if we break that, there is a massive risk for further downside of the euro or an opportunity for more strength of the US dollar. I'm going to leave it at this for this week. Thank you for watching and I hope to see you again next week. Same time, same place.