Hi everyone, welcome back to my channel. If you're new here, my name is Jasmine and I am really happy you're here. So I've been pretty MIA over the past couple of weeks here on Booktube. I've been trying to watch Booktube and comment on as many videos as I can but I haven't had time to film and I just really wanted to sit down and have a chat with you guys today about where I've been and why I haven't been able to film, what I've been reading and basically just have a good old chat. So if you've been watching my channel for a few months you'll probably know that I moved to New City a couple of months ago. So I graduated from university this summer from the University of York with a philosophy degree and then me and my boyfriend Cameron and two of our best friends Joe and Alex decided that we wanted to live together and get flat in a new city and so now we're in Leicester. So we moved to our new flat which by the way is amazing at the end of August and it was all very exciting and I was so happy to be moving but it was also really stressful. I mean moving to a new city is really stressful. Moving in with your partner for the first time is really stressful. Job hunting is really stressful and so all of that combined with the fact that I have a mental illness made for a pretty hard time. Thankfully I think that the most difficult time has passed for me now which I'm really really happy about and a large part of that is because I now have a new job which is kind of the main bit of news I wanted to share with you all. So basically my whole life I have known I wanted to work with books but I didn't really know in what way I wanted to work with books up until a few years ago now I think when I was probably 17 or 18 I decided that I wanted to go into publishing specifically fiction publishing and that's been my dream ever since then and it's been what I've been working towards and really I've always wanted to be an editor. Over the past few years both during uni and outside of uni I have tried to do as much work experience as I can to just give myself a better chance of getting into publishing so I've worked with independent publishers close to home, I've gone abroad to work with publishers, I've worked with Oxfam Books both in stores and on their Twitter, I've been the head of proofreading on a student journal, I've basically been doing whatever I can to hopefully be an editor one day. I never thought that I would get into publishing properly straight after graduating from university, I thought it would take a little bit more time but I did it. To get to the point I am now a junior editor at a small indie children's publishing house here in Leicester called Sweet Cherry Publishing, if you're interested I'll leave links to stuff down below. When I saw this job advertised when I moved to Leicester I was like that is my absolute dream job that would be absolutely insane if I got that job and I didn't expect to get it but I thought I should just go for it anyway and the application process would be useful you know and helpful for future application processes even if I didn't get the job and I kept getting through each of the stages and I couldn't believe it and I got the job. So I've been working at Sweet Cherry for three weeks now, this is the end of my third week and it is so amazing, I still can't believe that I got this job, I'm so shocked by it all still but I'm absolutely loving it. Sweet Cherry publishes children's books from like baby books right the way up to YA so it's really really cool and I am basically assisting in the editorial process, I'll do some proofreading, I'll do some copywriting, I'll do some copy editing, I'll do some research, just lots of fun stuff. I've definitely been thrown in the deep end which is brilliant that's what I hoped for and because I haven't done anything in publishing before I've not worked in publishing before and I don't have a masters in publishing I am learning new stuff every single day, the amount I've learned so far is so huge and I'm just so excited for everything that's to come and all my colleagues are so amazing, they're all so so nice and I love where I sit and the people that sit around me and yeah it's just really cute. So that's what I've been doing for the past three weeks, I basically landed myself my dream job and I've been trying to get used to that so the routine is definitely something which I am so so happy for, I love routine in my life and that was something that I was definitely struggling with not having when I first moved to Leicester so I'm happy that I have the routine but the days are long it's definitely taking me a little while to get used to that, I am in the office eight till five Monday to Friday so it's definitely taking a bit of getting used to but already I'm getting used to it and it doesn't seem like such a long day anymore. So of course for the past two or three weeks I have been very very tired of getting used to this new routine and doing so much more in my day and learning so much new stuff and that coupled with the fact that the previous two weekends to now I've had to go home to the Lake District both weekends so I haven't had just a free kind of chill out weekend I've been knackered so that's why I haven't had chance to film over the past few weeks this is my first weekend where I'm in Leicester and I don't have many plans and I can just chill and enjoy myself and that's really really nice so I'm really glad that I'm going to film now so that's kind of the big news the kind of job stuff out of the way all in all I'm just absolutely amazed that I got this job and I'm so so happy with it I couldn't be happier and yeah I just really wanted to share it with you all I don't know how much you guys will care about this kind of thing or if you want to hear more about what it's like to work in a indie children's publishing house I don't know maybe I'll talk about it more in the future when I'm more settled we'll see so the next thing that I wanted to catch you guys upon kind of ties in with why I had to go home a couple of weekends ago and that was because a new anthology of Cumbrian poetry which I was kind of involved with launched so I spoke about this poetry anthology a little bit in my my neck of the woods tag which I did a couple of weeks ago I'll leave it linked down below and I basically explained that when I was doing some work experience with an indie publishing house close to home we had this idea of creating an anthology of Cumbrian poetry that is all about Cumbrian poets today and celebrating the Cumbrian poetry scene so this anthology has been in the works for I think a year and a half now and it's finally launched and it's just so exciting I didn't have anything to do with the production of the poetry anthology because I went away to uni after coming up with the initial idea I kind of left it to Liz and the people at handstand but Liz was always emailing me and keeping me up to date with where the poetry anthology was up to and how it was all going and I can't believe that the final product is here and it's launched I remember the coffee we had when I kind of said the initial idea and she was like a poetry anthology that would be so cool and now for it to be a physical real thing that people are buying is insane so this is the poetry anthology it is called this place I know and it says under it a new anthology of Cumbrian poetry and it is so so beautiful I think the artwork is so so lovely and classy and really sums up the Lake District well this poetry collection is gorgeous inside and out of course I'm a little bit biased because I'm really proud of this but I do think it's amazing it has so many different poets in it ranging from I think the age of 16 upwards which is so so cool there's so much talent in Cumbria regarding poetry at the moment and it's so cool to celebrate that you can actually see my name in the front of this where she gives me a special dedication which is really really cool can you see it there can you see it so going home for that launch party was so much fun it was such a lovely evening and you should all go out and buy that collection so that basically sums up the past few weeks for me I think I did many other really cool things when I was at home including going and doing a seal survey with my sister and my mum because my sister is a wildlife conservation officer with the wildlife trust up in Cumbria and we went to South Walney and laid on a beach in the freezing cold and looked at some seals and took pictures and counted how many there were and it was the most fun ever we saw a little pup and it was so amazing me and my sister have such cool jobs but yes they're probably the highlights of the past few weeks and now you're all cut up to date so reading wise I am participating in nonfiction november this month in a loose sense I'm not doing any of the challenges or anything other challenges I don't really know I'm just kind of using this opportunity to read a lot of the nonfiction that's been on my shelves for a while and I'm trying to exclusively read nonfiction this month so I have read one book this month already which was The Gender Games by Juno Dawson I don't have it here to show you and hold up because I'm actually lending it to a colleague at work who saw me reading it and then wanted to read it themselves so they've got it now but that was really really good I've had it on my shelves for about a year I think since I won it in a Goodreads giveaway which was really exciting and I knew I'd enjoy it it's about gender and about how it basically screws over everyone in today's society and it talks about the experiences of Juno Dawson who was a trans woman and it was a really really good book so that was a really good start to nonfiction november I was really happy with that you will of course hear more of my in-depth thoughts about the book when I do my next recent reads video which might be the end of this month depending on how much I get read might be in another month's time so the book that I'm reading at the moment is another nonfiction book and that is The Trauma Cleaner by Sarah Krasnostin so this book is told by Sarah Krasnostin actually details the life of a woman called Sandra who is a trauma cleaner so it says on the front one woman's extraordinary life in the business of death decay and disaster so as a trauma cleaner Sandra goes into these situations and cleans up the mess when you probably haven't considered who cleans up that kind of stuff so it says in the front here she helps a woman who sleeps amidst the garbage that she's not put out for 40 years a man who bled quietly to death in his living room a woman who lives with rats random debris and terrified delusion and the still life of a home vacated by accidental overdose Sandra is also a trans woman and she's had a very interesting life and has a lot of very interesting stories to tell so I'm really enjoying this one so far I'm about a third through at the moment and it has me completely hooked I really like it another book that I'm reading at the moment is I am I am I am by Maggie O'Farrell which is a memoir and I have absolutely nothing to say about this because I'm literally like 10 pages in all I know about this is that it is comprised of lots of different accounts of times when Maggie was faced with near-death experiences I think that sounds super intriguing I love a memoir and I know this is really well beloved here on booktube so it's a no-brainer as for the rest of the month and what nonfiction books I want to pick up soon there's quite a few on my shelves that I'm really wanting to read so I'm just gonna basically pick up whichever one strikes my fancy at the time but there is one I'm definitely going to be reading next and that is rebel ladies who brazen rocks the world by Penelope Baggio so this is a nonfiction graphic novel which I kind of feel is an oxymoron nonfiction graphic novel but I've been lent this by my friend and colleague Rianan who is a designer at Sweet Cherry and she's so into graphic novels and when she heard that I hardly ever read graphic novels she was like oh my god they're so good can I recommend you some and lend you some and I was like yes please so she brought this one in for me and it is nonfiction November so I thought this would be perfect it is what it says on the tin it's about ladies throughout history who have rocked the world I'm super excited for this one I'm really excited by the topic and the artwork looks really cool so very happy so that's where I'm up to with my reading at the moment I'd be interested to hear if any of you are doing nonfiction November and what you're reading at the moment if you are and I think that's everything I've got to tell you no I just remembered something that has happened in the past few weeks that I haven't spoken about yet and that is that we did reach 1500 subscribers here on my channel recently which is insane I've been super busy but of course I noticed that and I just really wanted to say thank you it's mad I can't quite get my head wrapped around it that that many people care enough and like me enough to subscribe and watch my videos but you all make my life you're amazing thank you so much so I think that's going to be it for this video I've explained where I've been and what's been going on and what I'm reading so I think that's sufficient for now hopefully I'll be back to uploading weekly now on the weekends I should get videos done so next week hopefully there will be a normal video on a Wednesday I won't promise anything because pressure how are you guys doing I really genuinely care and really want to know I'd love it if we could have a chat down below I really want to catch up with everyone and see how you're doing because you now know how I'm doing so I'd love to chat with you all down below thank you so much for watching everyone this has been really fun I was kind of nervous about filming this video for some reason probably just because I haven't filmed in a couple of weeks but I didn't need to be nervous it was super nice and I'm really looking forward to uploading it and just chatting to you all thank you again everyone and hopefully I will see you next week bye


Bled, so for extra smoothness, I had to roll a blade to get that movie effect, that movie, so extra, that extra extra smoothness so that you can me think that you're watching a movie, but it was just me on a skate on a gimbal, yeah that's all. Let's talk about locations, I've seen some very interesting locations in your video over here, so I'm very, a place I didn't even think was Nairobi, what was happening as a videographer, how do you go about selecting a unique location? Definitely when you are just around, you just see somewhere, you know, as a content creator, when you see something, you just know like, this is it, yeah, from any place, oh and sometimes it's just random, like there's a time I went to a job in Diani, and then after I finished the job, I was like, let me shoot, it's just where you find yourself, and then you try and make it as cinematic as possible, you try and make it as good as possible by color grading and all those kinds of stuff, yeah. I can see you've done, you've played a lot with the colors over here as well, I can see this rainbow effect of the park and the drone shots, and as somebody at home is probably just as fascinated as I am, and is wondering, if I wanted to start out in videography, what kind of equipment do I need from the most basic equipment? Yes, just people start with the phones, imagine, yeah, you just, as long as you have the creativity, like we normally have a saying, it's not about the camera of the equipment, it's about the person behind the equipment, so yeah, you can start with just a simple camera, you don't need to start with like heavy gear, yeah, you don't need to start with heavy gear.  Yeah, you just observe, like okay, I also watch a lot of YouTube videos of American, British, just around the world, other videographers, yeah, I also get inspiration from them like Casey Neistat, Peter Makinon, yeah, those guys who are at the top there, Peter Makinon, you've even told us the people that inspire you. Yeah, they inspire you the way they make the videos, the cinematic, and maybe you see like, like the one I put the color greenade, the smoke bombs on the skateboard. Yes. Where do you get smoke bombs from, because I'm surprised, I was like wow. You import them, you know, you have to go the extra mile for video, you know, some people in a video, they look for aspects so that they can stay connected to your video, so that maybe the wow factor, you have to find a way, in every video you have to have a wow factor. Wow. If you don't have a wow factor, people will get bored. Yeah, people get bored and you'll take long to be recognized, so you have to have a wow factor. Yeah, even for videos which I'm about to shoot like music videos, which I also do, I tell the clients like they have to be, there has to be something that stands out that can wow somebody like, you know, yeah, so you have to have like two, three wow factors in the video so that it can blow people's mind away. Wow factor, two, three wow factors in your videos. So let's talk about Aikal, just a little bit. How old is Aikal and are you self-taught? And yeah, let's just start with Aikal Productions. Aikal Productions is like one year old, but I started, this is my third year of doing filming. Why did you call it Aikal? Aikal Productions because of the eye, which represents a lens. And then Carlos, my name is Carlos, so the cow, so in combination, Aikal Productions. Okay, so basically it's Carlos' eyes through the lens. So is it a registered company? Yeah, it's registered. Okay, so let's talk about how you build your clientele, your customer base and what are some of the aspects you did, what was your first work about and how did you get yourself known? Just first of all it doesn't come easy, you have to work your way to the top. So I just started shooting not for money, just go out there, just shoot and put your content out there, somebody will notice you. So just then I think my first big job was a job I did for deforestation, it was showed in KTN. Deforestation, so you were actually passionate about the environment? Yeah, it was just a job, but it was also, as I was doing it, I was also passionate. Because we went with the three conservatives, people concerned about conserving forests. Mostly it's just referrals, people say, oh this is Tantis, this is Tandar, I also did a song by Fenagitu. Enosolik, the director called me and we did a song Fenagitu, it came out recently, it's called Steam. So it's just people will see your work and one day you'll get, as people know your work, people started saying, you're good, you're good, you're good, you're good, you're good, you're good. And then eventually you become, people refer you to more things and stuff like that. So also I mostly do weddings and the weddings I feel is just referrals. I hear most people start with weddings, even photographers. Even me, I've done quite a number of very many weddings. I even have a video, just a combination of weddings around Nairobi which I did for drone footage. In the age or the dawn of social media, how do you utilize social media to make your business more visible? And also you're also a YouTuber and I'd like to understand what's a YouTuber because I find this thing is very diverse anyway. So can you please specify what kind of YouTuber you are? I'm not a vlogger, that's for one. But I'm just out to put content on YouTube, any type of content. So it's a platform of showing myself a portfolio. Like if you want something, a portfolio. Like if you want to hire me to do something like a job, I'll tell you, you ask me for my portfolio and I'll show you my YouTube page. Kalo Sonyango.  Have you started making any money from this YouTube? I hear there's a lot of complaints when it comes to monetizing YouTube. Before, it requires a lot of subscribers and a lot of views. It's when you can start making money. But once you start, it's real money. I hear the cutoff was actually raised. Like now they changed it. Like in order for you to monetize it, they've increased. They've increased the... So you have to reach a certain level so that you can be able to monetize. But for me, I use it mostly as a platform. I use it as a platform so that my work can be out there and just... I can see your work here. I'm sorry, I'm so distracted. I just keep looking at it. It looks really, really good.  This one I did it in one day. One day? Ya. I did it in one day. So who does the editing? I also do the editing. I also do the editing. I do everything, pretty much everything. I do the editing. But for the skate video, it took quite long. It took like three months. I figured. Ya, we had to even wait for the park had not yet been completely painted. Oh wow. Ya, so we just had to wait. I just timed when it's fresh, when it's looking brandy. And then ya, went for the shot. Well, there's a question I had asked you and then I forgot about it. Which is, is this self-taught or did you go to school for it? YouTube. Ya, mi am a lawyer. I'm a student. I'm a law student. I graduated from a law degree. Now I'm doing Kenya School of Law. Ya, so I didn't have time to go to... I have friends who have gone to school and such, but me never went to school. So even currently, ya, so I just jagal. You're just brilliant like that. You just learnt it, wow. Ya, I just learnt it in YouTube. YouTube has a lot of things people can learn from instead of sitting at home. Editing, making cards, printing. Ya, a lot of things you can learn from YouTube. Ya, so I learnt a lot from YouTube and it's very informative. It's very informative. Ya, very informative. There's a quality you've mentioned when you're doing your productions, which is, it takes, sometimes it can take almost up to three months. And that's patience. Ya, that's patience. So what other qualities do you believe that any videographer at home should also have if they want to be as professional and as outstanding? Wow, there's the well factor. You have to have a cinematographic eye. Cinematographic eye. Ya, you have to have a cinematographic eye. Like you know this and this. Ya, like me in most places, somewhere I see where it could be very, very, very, I could get like very good one million shots like one million shots is in town. But it's difficult shooting in town. Yes. Especially with the drone because of, ya, all these kinds of regulations and ya. By the way, those are low about it the other day. Ya, just the other day. Ya, so it's a bit difficult to be able to shoot everything you want because ya. Can we save that for the challenges and then stick to the qualities because I think we'll go to the challenges. Ya. So I'm seeing a cinematographic, basically an eye for detail. Ya, eye for detail. Ya, what else? Patience, what else? Ya, and you have to know your ground. As in don't try and copy others. You have to be, you do your specific way of doing things. Appreciate your uniqueness. Ya, uniqueness. So have your own uniqueness, have your own way of doing things and it will take you far. Don't try and copy. Yes. Just do your own creativity because a lot of people in Kenya I see they just, same things ya, same things. Ya, I've seen even beats, I've seen even producers starting to make very similar beats. Ya, just try and make yours, just try and be distinctive as possible and ya, you will get recognition. Wow. Ya. So now let's go to the challenges. Have we really had one? The issue of some locations it's difficult to shoot Ya, it's very difficult to shoot. because of regulations and kanjo and whatever. Ya. What other challenges are there? Other challenges are definitely acquiring equipment.  Ya, they are expensive. Acquiring equipment is expensive because like you normally just start from the bottom.  Ya, it's a tricky challenge and also the regulations like I've been said, you know, young people there's no work we're being told to be entrepreneurial look for your own work. Yes, create your own work. And then now if you go and create your own work the government comes again and like filming the way the regulations have imposed and most people doing this young stuff. Ya. Ya, young people and now the government like as I can these rules they impose or I don't know you have to pay wards. Like just shooting in town you have to, I don't know how many you have to go through procedures and I don't know you spend how much. So this is really discouraging the talent in the industry. Ya, it's discouraging. It's discouraging young people. Especially if you don't have that financial muscle because also I remember there was this whole conversation of how since 8 was shot in Kenya and it didn't make any sense how they got all these permissions how they pulled off the scene. They blocked a whole tickarole. Yes, in fact this whole globe here I can remember that. I remember they caused I don't know how many accidents here. Ya. And I was wondering that must have cost a lot of money. That must have cost a fortune. Okay, so that means the young talent in this particular industry are frustrated because now they make it so expensive for you to do things that are out of this world. Okay, let's talk about I believe that message has hit home. Ya, definitely. Let's talk about some of your best moments. I'm seeing your work is so amazing. I'm trying to figure out what could possibly be your favorite one out of them all but what can you say has been your best work so far? Okay, my best work I think the skate video was my best work. Wow. Because I really put my heart in that video and the shots and the creativity you know I had to go all in all and also I put some investment in it of course. It was good. I also Ya, when I did the video for Fena it was also nice working with because you know before I did the video I also looked as an inspiring director so I used to look up to Enosolik and then now after a few like a few months you told Oh, Enosolik is calling you for a job. So you actually invited him to mentor you directly. So I was excited because he doesn't know me and ya so I was excited because he is one he is I think the best videographer among the best but to me I look up to him so it was nice working with him. It was a good experience and he also liked my work so that was nice. Also like your work anyway but not that of a professional but I really like it I think it's unique. Okay, so let's talk about when it comes to diversification you know every person who opens a new enterprise for example if you start like ladies usually when they do when they do hair they start to do make up they start to do nails they diversify into different other aspects what do you see yourself diversifying into? Which field? Which direction? whether it is in your film are you going to do movies do you plan to do movies now? I want to do my aim is advertisements advertisements big advertisements that's my like that's your goal for now that's my goal that's my main goal because I believe I can do and shoot music videos also so that's my goal so that I can be amazing there are also other directors video directors I look up to outside Kenya and I'd like to maybe even exceed the level because I like the way they shoot videos they also shoot adverts and that's where I want to that's where I see myself that's where you plan to be in the next few in the next coming years okay so I think as a patinshut I'd like to understand from you where can the fans find you and also any words any piece of advice is there any work that we can look for infact wait before we get to the social media is there any work that you're doing that we can look forward to in the near future? definitely I have a couple of music videos lined up I have even finished drawing scripts you know you just don't go and shoot you have to draw scripts storyboard so I have artists who I'm going to work with this year so people can look up to look forward to that you'll be notified on my IG handle maybe so now let's go to your social media handles what are your social media handles? my IG handle is Thalos Onyango Thalos underscore Onyango and also in YouTube you can get me at Thalos underscore Onyango and then you'll be able to find my work so you can just go you can follow, you can subscribe to my YouTube channel and I promise to bring content proper content I think if there's little cheese we have is anything to go by I think we're going to have a lot of goodness there's a lot of coming you've just begun that is how you're beginning I cannot wish to see what you're going to do in the future so now as a parting shot something for the viewers at home yeah okay everybody has his own thing you're good at something so you focus on what you're good in because there's something just find something you're good in and stick with it give it your all give it your passion give it your heart give it your all even if people don't appreciate it by that time and say you can't do it or don't think you can do it you just have to push it you don't allow people to manipulate you you just have to push it I like that my landed friend thank you so much Kalos Onyango for coming to the studio today thank you so much for representing Aikal yes you're watching entrepreneurship Tuesday I've been with the CEO of Aikal Kalos Onyango himself he's such a brilliant boy I don't even know where to start thank you so much for watching please don't touch that there but most of us is coming up next in the next interview


Medvedev, a real war has been unleashed against Russia in cyberspace. Russia should develop ways to minimise attacks on domestic resources given that a real war is now underway against the country in cyberspace. Russian Secretary-Counsel Deputy Chairman Dmitry Medvedev said, All manner of challenges and threats in this field have increased dramatically since the start of the special military operation. A real war has been unleashed against Russia in cyberspace. Medvedev pointed out in an address to participants in a strategic session conducted by Russian State Nuclear Power Corporation, Rosatom. He emphasised that Russian President Vladimir Putin had earlier set the goal of overcoming dependence on imported software and equipment as soon as possible. We need to actively improve domestic technologies and all of our products, making sure that they function in the safest possible way and are capable of blocking or at least minimising attacks in cyberspace. Medvedev noted, According to him, sanctions pressure on the part of unfriendly countries keeps growing. The sanctions and cyber attacks require active efforts to protect critical information infrastructure he stressed. Medvedev believes that Rosatom has a special role to play in protecting critical information infrastructure as a research and production facility has been created on the basis of the nuclear power operator, which will develop and manufacture so-called trusted software and hardware. Our common goal is to effectively coordinate the work of all relevant agencies, services, organisations, large corporations and the academic community and provide support for the necessary activities and decisions in terms of state programmes and national projects, Medvedev said. In his view, it is crucial for ensuring the country's security and stable development as well as the well-being of millions of its citizens.


No, no. Sii dui kama umenot minna air sadu kuna nyele nendokfana. No, no, I'm just lying guys. I try to type on Facebook, Y254 channel on Twitter, Y254 underscore channel on the gram hashtag of the day is WCW where we are crushing on our queens and still giving you so's in the morning. Karibusana, my name is Valentine or at Kalamiva, Valana pina marangi, but of importance, nizun metuka tu kwa mbe sayza Y254. Hashtag you can also use white in the morning. Sasa leo. We'll be talking about things. Sasa ni nisen aje. I want to say love like things, relationship like things. That's what we're going to be discussing for this particular segment. Shout out to Grace for her previous interview. And if you missed that, on the Zendapale YouTube as well. So check it out. Nani. Acha panu language wa salime kwanza and then I'll get to your interactions on our socials. Hashtag WCW. Sasa yem. Buu wa Karibusana yem. Mani niya kia pwanza. Nene, I think ni me shiba. For the first time, guys, most can enjoy every morning. Every time kuset nakshina, tu ni complain. But learn ni kwa ni me shiba. Tuonga kama watua me shiba. Good morning. Good morning. I'm a perpetrator. Please tell us who you are and how we can find you on social media. Okay, good morning. Good morning, guys. I'm Wakavinye Mutuko. In YouTube you can get me in Wakavinye Mutuko. Tiktok Wakavinye Mutuko. Instagram Wakavinye Mutuko. In my Facebook Wakavinye Mutuko. And yes, I stay in Dandora, phase 2. I'm a medic. And currently I'm a business woman. Yes. Yes. Okay. Hi. Hi. How was your interview? Oh, I'm a great carry-on. I work with beauty products company. That is called Cost Line. I'm also an actress and a song model. Of course, they kind of look. But I'm a song model. Yes. Facebook, Fendmate, Sonya Grace. Instagram, Sonya Grace 87. YouTube, Migrate, Kero. Yes. Thank you. What do your friends call you? Migrate and Maggie? Maggie, Sonya. I don't know her name. I don't know her name. Any kind of. Yes. Okay. So Sonya is Maggie. It's the name of your friend. I don't know her name. I don't know her name. What do you friends call you? Wakavinye. Yes. Yes. All right. I have made a video about her. I have been on Vixen. But I was in the same court as she was. Sokoo mulo majelsi gama dry na mazo Na mazo sabu ka nano na mazo Reha mazo sabu na mazo Naakili kiku bebasana, kuna seimu wei naumia. Wow! Yes, that's all I can say. Okikosa wu kwa naakili, kuna seimu wei naumia. So you must balance the two. Yes. So it's possible? Yes. What do you think? Kwa za fenye sayu me seimu viksen, mi me feel ni kama kido go to ki senwa viksen ni umbono me katao chakabla ni kumbeke ni mi me fkirei umbono wu pendipu seimu viksen? Ok, mi e dhinku na tofouti ya viksen na mwode. What's the difference? The difference. Ok, like for them utapatao ameva half, can you say half? I want to mention but kind of half. But for me utapatao paleni meva just decent like kama sayu. Ya maybe umepatao ameva like a dress. Ya it's not that showing. Ya. Ok, so the difference is how they dress. The dressing code. Ya. Apu kwa half, mi bada ni kwa half. We're not to show team to anyone please, we're not show team to anyone. Please be proud of what you're doing in Zawa. That's what I call this book. Aya, watani wa sumeto to come and string. Gini apa kabla we get down to business. Alright, so the suali of the day is mabenzi ya kiyansa kwa cold. Ina paswa muoto ama ina topoa. Kuna presli azim kwa zama e teka tu. Na ame suma kwa present. Tika mwa kungeni it says we're represented. Ina paswa kikuyu ndani kabza. That's we'll touch it up. Mato wa kikuyu gatune. Wachi ni kikuyu. Alafu Lukas iconic rapper says bada kuna mabenzi. Ate mabenzi. Ido gandike na ekonomi. Travis Mhambo says tu na tafta kwingine. Aya puwa milionia na penahandelia kwa. Kedungori wa represented. Happy WCW to all the ladies. Mama moja dita mati. Mami wa happy. Simi ni asant. Thank you. Ma Chloe ina depend pier. Okay. I see presli azim pier. Ina leo ko inside. Wawera kibo says paswa moto buwana. Na evasha mirera tukomitambuni sana. Delka smash says ina tupoa. All right. So again. Swalini mabenzi akiyanza kwa called ina paswa moto. Ame ina tupoa. Where kwa maunia kwa. Tuna fahu ii paswa moto. Like for me, I can say you can call your partner and try to solve where the issue is. Iki kwa sekana kufanya then you can choose to kutupa. Yes. You can't force the issues for your safety and personal peace. Ono na jamangi. Ya. Pemi na fukiriam. I think Iki kulema, itu pedo kwa zakuna vilute shiko force issues. And maybe the more you force the more unapata watu kwenja oni endap kuhak unapata mtu omumizwa wengi nwa miwana. That's because of forcing. So I think Iki kata atana tuna iu ni tupoa. Alafu na joa je na nini ina kata because there can be various scenarios to same kuna relationships pene difference to say this is just what we need to date. So ni kubuweka unabuweka ama ni tukumetuka nambonu usi chai. Sikuntu na kwa kusima yu work on the relationship no? Okay. Izi ni feelings. So sometimes feelings was in a fade away. Like kata for you na jo kuna temu neza like akuna vilu neza kwa mbea kila asubui ukuna kula bread. Uta kule omkata to a point that unafkama lu na skia. This is too much. Awezi kulanga omkata every day. Ita fkata umali uskia. At least let me change to something else. Izi piani feelings. Sometimes it's in a fade. So the moment umianza kuzi force demo una force demo atuna pata. Azi ingi ani. Wengabines trikama ni mimi na yunga leva na onani. Let's say to relate na kitu kama kazi. Kazi adi usnaga ati mood kila. Let me just be honest. Not every day I wake up na tukafu kufanya kazi. Sometimes na tukafu rudikuwa bed. Nikaetu malini li kwa weekend. But say atina give up kwa ni relationship sika kitu kama yu? You can relate job with a relationship. In a relationship you can choose to be in a relationship to say with my man. But he is not even into that thing. Let's say for instance nimejipa ya nimejipa ya na kabisa I am ready to be in this kind of relationship to see if it can bring something good. But on the other side maybe ako there for fun. He is not wanting the food wanting the effort. But job it's something else. Be there no matter what. Because you want to get something from it. But this one, it haudilus your heart and feelings. It's a lot. Nika mwa oni ambi eloni shidi apkulam kata sometimes I would like to put on blue band or something else to my bread. What if now I choose to kwa na ikula dry it cannot work. Like for my man let's say I am the one who keeps on calling him. He doesn't even show me the effort of calling me back or if I call maybe ako job ako busy he will never give me back the call. What do you expect? Soswali motumotum de meshika akili but we are going to take you on a very very very short break and then we will come back with more. Remember interact with us on our socials hashtag is why and money. Why 254 Imagine all about real life situations. Get out of toxic things and toxic people that will hurt you more. Impactful conversations. And it's good to be the pups here every year. Yes, the students are uncomfortable but that five minutes could have saved my life. The personality is making a difference. Komaid is all about freedom and conceptual justice. We will not define you. We will not give you access to your phone. Thank you so much. Thank you so much. My name is Rama. Go call this. Every Thursday at 7pm tune in Y254 TV. Y254 Imagine All right. Thank you for staying with us here on the channel Y254 My name is Valentine And with me in studio if you are joining us we are discussing something very stabrious. If feelings are dying dying dying should we try to revive our future? Now you found us in a heated debate. In this generation no one is going to get engaged ever again because we are just going to be hoping to help to heal from one person To fight hand and let that's what we are saying Up and of course What do we say? For me the way I am We have to be in a relationship Obvious, kuna lezima watu wa kusane But if you are my man, I have been telling you Niki kupigiasimu aw jashika Once you get the missed call, just make sure that you call me back But you don't call We keep on repeating on one mistake That is Sasa kusaku shika simu na kufaithful Na leta unga kwa nyomba Maybe if I'm chatting with my children They will think I'm a woman It's like we are talking Why? So, I called 8 in the morning You can call me back You can call me back Okay, fine, usi kwa jashika You say, uja nipigia subui Na mi badu sasita ita fika nikulize Hello, did you get my ears nearly apart?  Niki kupigia bada Let's say yes Let's say yosande liya subui Then bada Not that he did not want Namagi wonge Throwing a comment here and there Lakin ya li kwa tubizia kwa Bebs, ataka numekombi ato good night Uliyanza na good morning Badu tajam Obvious Bono na jam Because to say me Yosii kwa kwa job Obvious ukiwa na boilize Ujwesku niya kwa job Yosii kwa mempigia kwa job Well and good Maybe he has been busy So in the night anani pigia Or maybe I call him anani yambia To just good night have been busy Sorry siku shika What's that? Una benya medya One inside there Do you agree with her first? And why? Okay, it depends Ina depend kama this person Uli is called You know, uneza Call this person in the morning Maybe I kwa job And then a kukul badea kitu kwa job But kama ha kukul atol atol Maybe you called him He won't respond Maybe aneza kata Amaki kujahom dananza kuku explain Ya oh I was busy See, iotema ta kitu kwa job Angi kukul akumbeni Me kuka job I'm sorry I was busy Kusama na kukul na na kujakwa nyumba No Piana niye mbonam na tukakwa kwa rebu credit Akuna bila Akuna bila utapa tamist call You don't know this person Uli kuwanta kumbeni ni So you have to answer the call Amma at least call back Amma write a message Say, I can't shock now To understand But for now this person I received call And the same person Bado ezi kupigiasi mwa kitu kia job Anakuji kwenyumba kuku explain Ya that Sorry I was busy I was doing this and this Mwa na hangi a text Una taka a text Mwa tumie fair ya kukujakwa nyumba Andriwa na kwa mbe face to face Sipia call Ani call ani ambe Wepia na nye mpa tamist call Let me ask you Sasa You mean I am kwa busy Like for instance I make a pe example I called the man Eight in the morning Anafak tuka job Five ya jiyoni Ami fika kwenyumba sa amoja Obvious kuna eza kwa kuna jam Mwa na ume ezi kujakwa nyumba direct Most O to say me awa na mwa say Ilazimu akumbe kuna malu Ame Peter right Ab no issue is that But you mean Kutukasubu eight Mpa kasa eitu kwa fifu Ujona atas One second nyeza write a message Babe am busy I'll call you back You see some of them don't even call Don't even care Na kipiga to say me sata Kwa maybe you don't live in the same house Anakumbe sori Blablae was busy I was doing something Nami na Nami na kusatu Swa limoja na usidia Weonakazi akufa na Umeka tukingo jam talk taftekwa say You're not busy at all There's nothing that is keeping your mind off this man I'm busy You are there just What do you mean by asking me if I'm busy? Like I'm doing job I'm not going to mingine So you are trying to tell me I should replace or Nyongeze For emergency Just give yourself something to do Atasimu asimu siku moja Atawe upote Wone kamaeata kutafuta Nini Okay skata it happens But for them Ukiwa nyesha That how call anytime Maybe like how jwa pigiasubu Yama juni anytime to semuja call Piawoneze extend Like wunopata amtua tanaizenda One week without calling Sasa emekua game Ina kwa sasa Ina kwa sasa Ina kwa tit fotat sasa If I don't call you You won't call me Yes If I don't talk you won't talk Yes Okay Let's move on to something else Come on Maybe what we should be looking at Is things that Our partner will do In a relationship Wone sasa apa E nye wacha tutu wacha nene What else? Meskia lack of communication Haku pigi haku text Nini nini nenezakufanya Nita bia kama gani unenezakufiki Shadi muisha Like uiwa pana We cannot do this If this person is cheating Maha Kuna shuupia Fla niti watu najaribu kuku Take apart what cheating is So cheating ni mitu Wako akunam tu mingine Naha kwa ambi Amata watu engini Aya watu engini Naha kwa ambi And he is very honest Anakwa ambi Baby you are not the only one We come on and talk Back, you are back Mi na kupenda vene Mi na kupenda I like you in ABCD Batu mingine na penda FGH Wakabini Yes also very tired of me once again But I am just asking I am not defending anyone Please kindly We all have our rights And you are If you are offended by something Ka red flag mi red flag kwa ko Wacha ibaki kwa red flag Mi na ulaza tu suali So if he is very honest That akuna watu engini You obado ni kuchit Na utaba kia pwa ma u Funa tu pasasa Is it Uu Uu I don't know who you are Say I am asking what you are He is proudly telling me That Tukowengi Eh He is not ready Is that a relationship Eh Or Yani tukwa kwa saite Tukwa kwa saite ma pensi Are we doing something like Are we Kamawaza group Are we Kuna adumin Na kuna adumin Na kuna patisi pan Kuna patisi kuna members Kuna secretary What's that I am not ready for relationship Who is baby in this admin And this member You are not even on board that ship You are not even And where are we Tukwa api Kwanza pukwa Where are we Eh Nima onakabido Florida Ati when babe asks Na babe nakuwa kwa sa nasana she When she asks Where is she Who are we Or what are we Palema kwa Jackson We are the world We are the children So now who is a babe Where are we And what are we Should we stay there Or to Naitupa Yes, I mean To Naitupa too To me Me is to Naitupa Kwanza tukwa kwa Kwa member I am a member secretary Uko siyuko To say me if it's my man Tukwa tume panga On Saturday we are going to do One, two, three Blabla Yosipi fike Nyone Is not even into the What we had planned Natan kama shuguli kukupiga I'll just I'll give a I'll give a next round and see Sasa you at next town Sita mwambia Maybe your plan to come Mifanya I'll do another thing And see what he does Sasa na kiki For example now you You're the ones who Gone out of your way Picnik Misha pika Misha tige neza Formza picnik Yosipi kwa Wata patikani kwa simu Nasi atinafana kitu Pahaps maybe Pahap I will be capturing Wakabini Tiredness on set How would you do bagi It's okay just Maybe you need a second chance Akiwa mezima simu Onampe atua second chance Akiwa mezima simu Amezima simu Tu kwa tukwa kwa Inna depend na The reason we are Taku patia Waya mezima simu Sata de tukotu me panga Yosikutu na inamali Flandi tukwende fwa picnik Alafu From now where Amezima simu Of course kutaba kini le Question back Laki ni Tukweni pati atua Second chance Wani kata fanya the same thing Aha Onza ni kudize Amezima simu fwa olo Ani yo time na first Mibim na fwa kupatana Subo indio sasa Pangeven Wotoke kwa nyuumbam Kutani siji wapi Ama kujaku tukwem Wende Kwa kwa kwa kwa Kwa yukwa tapo Form A facial expressions out of this world Uge fanya And then let's say it's a repeat offense Tu seme Aha Atsani to main an example le world cup World cup sime isha tu juzi So world cup You know Wanome sii water But wanome na penapa Mi simu wanome thanks But na penampera pia mimi Hade ni kwa neka alam kwa simu yango Ladies Please believe Niki jiku te tuivi atini Siji wisi angapi Nime lala Nime lala aji na kuna game Ataka na job The next morning Dam I wake up At least watch Even if it's half of that much Doni yo neka Ta bakibaki apoi na ni entites Or then sleep Or do whatever Aya Tu seme amende Subi ama Wanome smanga bowl Nkwa nga tamuna atuengi Aya Wama enda out Kuna time Kuli kwa na games back to back Like three games in one day Aya Mli panga Friday Moja muna fah Sata de moja muna fah kuenda mahali Sasi Friday Yungi na kuli kwa na game Enye nanza 10 p.m. So 90 plus minutes Yuki tu nenda kuisha around midnight Nasi ati amende home direct So kaki Kaki ruamke Simi mezima Bikosa kuchaji Naka maybe From adult juice Things can happen to Maybe headache in the morning evil Aya Sata moja ame kosa kukuja Yo Friday ngine pia Siku na game tu Nandu najuwa ni seasonia world cup Magi ama maginda nanza kuchoka Badu tu Same thing on repeat Because wezi mwambia si what game Wezi Naki lala Mela lala late tena Sato kwa muka ehe Maybe this time Simi mezima Because wezi ame last time Batashiki jua me lala Ehe for Natu pa And it's just The same world cups forever Ehe Si this person ati nile kufanya That's same thing But world cups ita isha tu Nimo ezi just one month So one month Saturdays kama nene Ume kwa kando kando kidoga That was my question Ehe Sasa juu niwa That whole month We are not in a relationship There is a relationship There are relations Where is this relation Wezi Wezi kuna world cup Once cup ita kujapuisha Ok Nika ma mimba Ok Nika na mimba So Niki baby mimba Mwezi wa kwaza adi wa ati Sasa Niku lizea pambele Atu ta kumuunikait Hello Maki please Wezi idea pa You agree with our sister? Yeah Agree with her Agree Maki Sasa juu niwa ati cup Kutoka The whole month Sasa ati Ok Meningita kaku liza kwa ni ni contract Wow The relationship among world cup The relationship The relationship Izi ta contract That kuna siku That kuna siku flani Atu ta kwa chunu nga Isu especially Isu Saturday nume Sema kama izu me kwa kando Sasa ni kwa kutu contract Kus contract nuna Una sign alafi na fikatumali na isha Wanda kuhu ni mbio siku na isha Then tunanzi atena We sign another one We start again Baby ni live a li kwa metyukua Ok So ayende kama henda Ubona tufos Why are we doing it?  What happened?


Hey there, Polycasters, Rob here. Today on the show, we're gonna be continuing our series on Web Component Tester by looking at Travis CI and continuous integration with Sauce Labs. A lot of fancy buzzwords there, but basically what I'm describing is testing your site on multiple browsers in the cloud. So to do that, first thing we're gonna do is set up Travis CI. Now, if you've never heard of Travis CI before, you may have actually seen it and not known it. Oftentimes you go to GitHub Repos and they have these little green badges that say build passing, that's Travis CI. It's a little service that lets you run unit tests up in the cloud. Now, one of the cool things about Travis is that it can sort of work with other services. And one of those services that we're gonna couple it with is called Sauce Labs. And Sauce Labs' whole thing is letting you run your test against multiple browsers on different VMs. So imagine being able to test Windows, Internet Explorer 10, and also iOS, and also old Android browser all using the same service. That's what Sauce Labs gives you. So today we're gonna be kind of combining both of those to verify that our components work really well on different platforms. Now, the first thing we're gonna do is set up our Travis account. So here I've already gone and registered and everything like that. And what I wanna do is go over to up in the top right where it says accounts. Click on that, it'll take you to this page here. And there's some steps that it outlines for setting up your account to work with Travis. The first is going and finding your repo in there and just like flipping that little switch to enable your repo. Then you're gonna need to set up a little Travis YAML configuration file. And that's basically just to give Travis instructions like, hey, what do I do when you push new code, right?  So for these tests, we're gonna be using a set of elements that I've already created called chart elements. So let's go find those in the list. There they are, we're gonna flip this switch right here. And that is basically it. Now we've linked Travis to this GitHub repo. So when I'm pushing new code, it's gonna, if there's a configuration file, tell Travis to do a bunch of cool stuff. And the next thing I wanna do is go over to Sauce Labs and create my sauce account. Saucy. Sauce has a section on their website called OpenSauce. And basically what they do is they give free accounts to folks who are doing open source software, which is maybe you in this case. I'll include a link to this down in the description so you don't have to hunt around for it. You go to that page and if you scroll down to the bottom there, you're gonna see a little button for creating your account. Click on that. It'll take you through a pretty typical flow for setting up your own sauce account. And once you're done, it's gonna take you to a dashboard that looks kind of like this. Now the really important thing in this dashboard is down there in the bottom left, you've got this little access key, right? So I'm gonna blur that out in this video so you can't see mine, but yours will not be blurred. Get that access key, save it to your clipboard because we're gonna use that in just a sec. The next thing we wanna do is figure out what browsers do we wanna test? So if we go to the Sauce Labs Wiki and I'll include a link to that in the description as well, you can see that there's a whole host of different browsers, different version numbers, different platforms, all of these are available for us to test upon. So we could test Android, we could test Chrome or Firefox, we could test on Windows or Vista or Mac or what have you, right? All these are available. So I'm just gonna go through and kind of pick a few of these that we can use in our application. Next, we'll go to the Web Component Tester website and we'll look at the readme file which has a little section on plugins. Now, Web Component Tester ships with a Sauce Labs plugin. So we can just copy this little block of JavaScript right here, go over to our text editor, paste that in in a Web Components Conf JSON file. So wct.conf.json, right? So we're gonna do plugins, sauce, browsers and inside of browsers, I'm just gonna go ahead and chuck in a whole bunch of these browsers that I grabbed from the Sauce Labs wiki. So I've got Microsoft Edge on Windows 10. There's no version number because it's an evergreen browser. But just below that, we've got Internet Explorer running version 11 on Windows 8.1. And it's really awesome that you have just all of these different platforms available to you. If you're a Windows user, maybe you don't have access to a Mac, then we can test on Safari on different versions of OS X, right? Very cool stuff there. Once I've got that squared away, I'm gonna go back to the Polymer slash tools repo. Inside of here, there's a sample Travis file and a bunch of steps that'll outline how we get things working with Travis and Sauce Labs. So going down here, there's a list of the different Travis commands that you can do. We've actually done all these already, but you have them here again for reference. And then we're gonna go down to the section that says Web Component Tester with Sauce, right? So there's a few items here that we need to tackle. The first is we need to grab this sample Travis file. Then we're going to need to install the Travis Ruby gem. And lastly, we're going to run these two commands here to encrypt our Sauce Labs info. So we're gonna go grab this Travis YAML file, Travis with Sauce. And I'm just gonna go to raw mode, hit enhance, enhance, enhance. Okay. And now it is nice and ginormous. I'll paste that into my text editor. Now, this is a lot of codes. What's going on here? Let's walk through these piece by piece. Up at the top, the first thing that I'm doing is I'm just telling Travis what environment to run in. Travis can run all sorts of different environments. Here I'm just saying I want it to be Node.js. I want it to run the most stable version of Node. And I don't want it to call sudo or do anything like that. Next, I'm telling Travis what browsers I want it to install locally. Now you don't have to do this part. This part is optional, but I just thought it'd be kind of a cool thing to include. Travis itself has access to a couple browsers. If you want to try and test like Firefox or Chrome, just there locally. So I'm actually putting in these commands. This will install those on Travis, so we have them. Then below that, there's this little block called before scripts. So this is all the codes that's going to run before I kick off my test. And this is basically, it's all the preamble to set up and prep the VM. So I'm installing Web Component Tester. I'm installing Bower. I'm exporting the path to the Node modules binaries for Web Component Tester. And I'm also going and calling Bower install to install all of my components. So that is going to set everything up. Now the environment is primed. The last thing we're going to do is call these two scripts down here. And you might be looking at these being like, whoa, I have no idea what any of that does. Let me decipher it a little bit.  And that's actually going to test those two browsers that I installed, local Firefox and local Chrome. The line after that is going to check to see if this was a pull request. If it was not, if we just like push some code to GitHub or something like that, then it's going to run our test in Sauce Labs using that whole huge list of browsers that I wrote out before. Now to make this work exactly as we spec'd it out, I'm going to need to add a couple flags to these commands. This first line here, I'm going to add the skip plug-in sauce command. And the second line below, I'll add the skip plug-in local command. Basically what that means is, when we're testing in Travis, we only want to use the local browsers. When we're testing in Sauce Labs, we only want to use that list of browsers that we defined there. Everything is square. Let's now go and set up our sauce keys. And this is going to let us do sort of secure communication back and forth between Travis and Sauce Labs. I've already gone ahead and installed the Travis gem. If you have not done that, you can run gem install Travis and then called Travis Encrypt. You're passing your Sauce username and the add flag. And then Travis Encrypt passing your Sauce access key and do the add flag there as well. And that's going to write all those values to your YAML file. You can actually go back and you can verify that you've got these like big secure blocks of hashes. This means you're square, you're set up and now you can actually start working with Travis and Sauce. Go back to our terminal and we're going to run get add, get commit. And lastly, get push. We're just going to send all that code up there and then we can switch over to Travis and we can actually watch all of our tests running against all these different browsers live. So you can just sit there and watch the output as it runs Chrome 47, Firefox, et cetera. Those are those local browsers that Travis already has. And then if we let it keep running, now we'll start to see Windows 10, OS X. This is now it talking to Sauce Labs, kicking off all these other browsers in the cloud. We can see that all of our tests are passing there as well. So I'll say it. That's the basics of setting up Travis and Sauce. It is a great approach to take. If you want to go ahead and figure out if your components are working well in a cross browser fashion. There's a lot more that I want to cover on these topics. So if there's things that maybe you're interested in seeing, please leave us a comment down below. Let us know what you want us to talk about. Also consider clicking that like button or the subscribe button if you want to see more of me. If you want to ping us on a social network of your choosing, you can send us some questions at hashtag askpolymer. As always, thank you so much for watching and I'll see you next time. I'm doing like a cheerleader hand dance.


Fire in the hole! Fire in the hole! Fire in the hole! Fire in the hole! And then if you need to add additional tape, then you can add the tape. Put it like that. We're gonna save tape. We're just gonna fold it. Nice and thin. Up there. Up there. It's like in the middle. Hold on. You know what does it? Thompson, you got duct tape over there? English. Here's a rule. Alright. Come over here. Hold this over here. Put it down. Pull this one. I'm burning! Alright.  Pull from that same time. Burn it! Burn it! Let's go. Fire in the hole! Fire in the hole! Fire in the hole! I'm gonna go down. My fingers are covering what you need. Same thing on this side. Push. Turn. Pull. Alright. Three. Two. One. Burn it! Burn it! Put yours up here. Tape that one. What's wrong?  Hadry, run back. Hadry, go. One. Two. One. One. Two. One. Two. One. Two. Two. Three. Two. Two. One. Two. Two. One. Two. Three. One. Put them up here. Two. Five. bers restraining. Good. Daehan, you can take that for a bonus. Okay? Three technique. That's my favorite. Five. Okay, thank you.


I don't recognize that there's some God that has authority over me. You're telling me I've broken God's law. I don't recognize that there is a God or the God's law can be broken. I'm not making a case that says I, in fact, in reality, am not responsible for my actions. I'm saying that under your model, since God made the decision to create the universe in which I become a nonbeliever, as opposed to creating the universe in which I become a believer, God is the one that is responsible. He's decided everything. Everything has happened according to God's plan. There is no free will in your model. There is no individual responsibility in your model. The fact that you're choosing not to believe in God's existence. I don't choose. It's not a choice. Free will, man.


Hello everyone, it's Vinicius, your Community Outreach Specialist for the Pascua Sheriff's Office and I just wanted to go ahead and give you a quick intro to let you know that in today's video we're going to be spending some time with forensics and the latent unit, if you couldn't tell, by everything behind me. But let's stay tuned, we're going to find out what's the difference between the two, why they love what they love, why they do what they do, and all the good stuff. Hi guys. Hi. Introduce yourselves. I'm Jason Belas, I'm a lane-printing seeker and examiner with the lane-printing unit here in Pascua. Love it. Mike Talamo as well, latent print unit, latent print examiner. I love it. Okay. Hi, I'm Jacob Becker, the night shift supervisor in forensics. Hi, I'm Heidi Sieber's forensic investigator, Keena and Handler. Hi, I am a forensic investigator, Sarah Mormino. Hi, I'm a forensic investigator, Holly Kane. Hi, I'm forensic investigator, Ruth Aquino Knight. Hey, I'm Kirsty Garcia, forensic investigator. Hey, I'm Sue Miller. I'm day shift supervisor in HRD K9 Handler. Boom. And this is not all of you guys. The unit is much larger, correct? Much larger. Explain to me, explain to the people what exactly does the latent print unit do? Yeah. We follow under forensics and we have our forensic investigators, they're the ones who go out to the scenes of crimes. They collect evidence, be it photographs, DNA, whatever. One of the things they also look for is latent prints and they submit that latent print evidence in and it is our job to evaluate those prints for sufficiency or value. Are they of value that they can be identified? And if they are, then we search them using our APHIS, our automated fingerprint identification system or we use our manual capabilities here. We have our magnifier there, Jason. I take this fingerprint card and we'll compare it under glass to the latent fingerprint and try to make an identification that way. So our job is basically identify any print that comes into this unit and then get back to the investigating officer with that information. Whenever we get those prints, each individual print has details in them. That's what we focus on as examiners and determining whether something is of value or no value is just trying to find if we have enough points there to actually make an identification. The only way you will make a match is how? If the suspect's prints are in that system, the system will kick those back and we'll get, in our system specifically, we got 15 potential matches. And so we have to go through those and determine whether or not those aren't just matches or not. We've also, whenever detectives or deputies have suspects, they send their print, the fingerprints and then we manually compare those as well. Oh, many of that. So that probably means that you guys are very detail-oriented and, you know, very thorough with your process. You can say that. Because it's a big weight on what you guys do. Yeah. What sort of database do we have at the Pascal Sheriff's Office? We have two different databases. We have our automated fingerprint identification system, which has access to all the fingerprint cards in the state of Florida. We have arrest cards. We have government job application cards or permit cards, anything that your fingerprint for that goes into the system. And we search those when we have a lower level crime. We have our second year with our local database, which we are still building up. We have access to all the local fingerprints that come in through the jail every day. And we'll use this, the theory being that some of those lower level crimes, we're not going to have a criminal driving down from Jacksonville to go into a parked car overnight and steal something. So here, this gives us a quicker search, quicker results back rather than waiting online for the rest of the state, all the different agencies are all trying to get in that system. This one is just ours and we were fortunate enough to get this system a couple years ago. I love that. Okay, good stuff. Also, Mike touched on something, 1915 locker doors guys, hashtag 1915. It's important. Okay. So let me ask you both. What is your, for each of you, your favorite thing about the latent print unit? What does it for you when it comes to the unit? Being able to find an identification, every print is kind of like a puzzle. So knowing that once we kind of crack that puzzle, it helped the forensic investigators and the detectives kind of put bad guys away. That would be the same thing when you got that phone call or that email from the detective or someone from the attorney's office saying, Hey, we didn't have any leads in this case. And thanks to that fingerprint, we were able to solve this and put this away. And that makes you feel good, makes you feel like you, you did a good job. Hasheg we fight as one. It's a true thing. Okay, now if there was one other thing that you would like the public to know about the latent print unit, what would it be? What would you want them to walk away with? Is it like a misconception or myth? Or you saw something in a movie and you're like, ha, that's not what we do. Well, that pretty much is, you know, don't it's, it's not as quick. It's not as easy as seeing it on TV where it all wraps up within a few minutes. It is a time consuming process. And there is a lot of work that goes into it. And it's a two person job for us. Anything that Jason does, I'll verify anything I do. Jason won't verify. We always want to be certain we want no mistakes to be made. Not only would that not be good for the person if we made a bad ID, but it doesn't look good for the department or the latent fingerprint world in general. So by verifying each other's work and by, you know, taking the time to make sure that everything we do is not 90% or 99% sure. It's 100% sure when we make that. So quick question before I go. You guys said you're thorough. You take your time. What is the quickest and longest that it's ever taken you to, I guess, not come up with the 15 matches because that happens when you run the fingerprints. So I guess maybe to make a match. Yeah. That depends on how many prints we have first case. Understood. You know, we can have as little as just one to 60, one case depending on how big the case is. Okay. And then suspects as well. We can have no suspects where we're just trying to search the whole database on the computer or we can have a stack of fingerprint cards because we have multiple suspects that the detectives are giving us. And then we're going to go through manually and look at every finger on that card versus every latent fingerprint that we received from the crime scene. Wow. That's all I had to say. You guys are incredible. What you do is incredible. I couldn't do it. But thank you for talking to us and thank you for explaining to the people and hopefully clarifying some things. Thank you. Hey, Holly, what is your absolute favorite thing when it comes to forensics? Shooting reconstruction, which is the process of reconstructing a shooting incident through the use of our lasers and our trajectory rods. It's my favorite thing. It's so prominent in today's society. There are so many gun related incidents and it's just important to be able to give people a visual and kind of reconstruct that entire scene and make it make sense when a crime like this really doesn't make any sense at all. So how long have we been doing things of this major, like shooting, reconstructing scenes? What's 2020? So I mean, a while? A while, almost for as long as I've been employed here, which is coming up on four years. Okay, shout out to the pastor. Best technology. Hi, Eddie. Hi. What's your absolute favorite thing about working in forensics? So I love having a human remains detection canine that comes to work with me every day, as most of you know. However, another aspect of forensics that I really love is that a blood scene pattern analysis and interpretation, which includes pattern identification. But one of my favorites is determining the angle of impact and area of origin, which can be done with a lot of math that we're not going to go into. But the bloodier the better. And it poses a big challenge for me, which I like. So interest. Okay, bye. Okay. What is your favorite thing about working in forensics? So I am a huge osteology nerd, which is the study of bones. So it's not too often that we come when we come across human remains, but it does happen. And a lot more often, especially here in Pasco in the rural areas, we run into animal remains. And for someone who doesn't have a background in bones, it could be difficult for them to determine the difference, especially when you just have some vertebrae and ribs. So I'm actually in the process of partnering up with FIRST, which is our forensic research facility that we're building and to create a bone lab to teach other agency members and as well to teach outside agencies and schools how to differentiate between animal and human remains when in the field. So do you like animal bones? I do. So this is a coyote, which not many people would know if they found that out in just, you know, in the grass. We have a bobcat skull. This is a deer skull. But the antlers have been cut off. So that's why his head is flat like that. And then we have some more over here. So when you run into these in the field, these are clearly not human. But when you run into vertebrae, it becomes a little difficult. Okay. What is your thing when it comes to forensics? One of my favorite things is basically just the science behind death. I enjoy the different stages of decomposition and just learning about just different types of death investigations. But also one of my favorite things is just learning a little bit about everything, especially being one of the newest FIs here within the agency. Thank you. I super enjoy it. So I just enjoy learning a little bit about everything, but mostly just participating in death investigations. So I know since you just said that you're on the newest to the unit, did you enter with us? No, I did not. I do have a background in CPI. I was with Child Protection for a year and a half. And then yeah, I loved it. It was a great experience. And I learned a lot. I learned a lot there, but I'm super happy to be here with forensics, which is my lifelong dream. My two supervisors. Okay. Almost last, but definitely not least. Jake, you're up first. What is your thing when it comes to forensics? I love all of forensics. I'm a bit of a generalist, which means I dabble in all things, shooting reconstruction, blood analysis. You may say that I'm a jake of all trades. I appreciate you so much. I do. I love it. Okay, Sue. What is your favorite part when it comes to forensics? Well, like Jake said, as supervisors, we have to be involved in all the aspects of forensics. So we have to be very skilled at it so that we can jump in and help any of the investigators at any time. I do love photography. Photography is an absolute 100% the most important thing in forensic investigation. If you can't portray what you saw at a crime scene to the juries, that's not going to go well. So I like to take photographs while I am working and also while I'm off. It is well. Yes, for the tidbit. Love. It's okay. So I would ask you, just like I asked everyone else, what their favorite thing is about being in the forensics unit, but I might have already learned and heard from many talks that you have a thing about bugs. I do. I love bugs. I like entomology, which is the study of insects. So I have several different species that I've collected here from some death cases. Some have been gifted to me like this one right here is my favorite. It is a mole cricket and it actually came off the carcass of an unidentified bird and it was gifted to me by our very own F.I. Mormino. Wow. I love that. But you know friends know what friends mean. They do. Yeah, that's, they do.  That's true. So we work well.  Definitely. Some of the other ones that I have have been gifted to me by other investigators that work here with us. So I'm always happy for my gifts. No. Okay. So everything that's right here, these little glass jars are all bugs. Yes. These right here are blow flies. I don't know if you can see them. Yeah. Yeah. Then these, these right here are eggs from the blow flies. No, where's my camera? Okay. Okay.  So safe to say that you may have a thing or two about bugs. Yes, definitely. Okay. So you told me why you love bugs. Well, you told me that you do love bugs, but why do you love bugs in relation to forensics? There we go. So they play a really important role in forensics because depending on the stages in which the eggs or the bugs were found, they can help narrow down the time of death. That's wild. That's wild. Okay, guys. So that concludes a short video with the forensics unit, just half of them, not nearly all of them, but with them talking about the things that they love about the unit, why they do what they do, why they're interested in it. But if you guys want to do this again, we'll see. But, or you could also come to Leadership Pasco. You can come to Youth Leadership Pasco. You can be in an awesome school that they do a presentation for. So basically you just got to get lucky. But thanks for tuning in. Don't forget to like, comment, subscribe, and I'll see you next time. Okay, so just learning something, another thing. What did you just do this month? I just want to talk about that. What did you get this month? Why didn't you mention that? That's incredible.


If you want to know what the final Road Polyglyph says, then you're in luck, because I have an exclusive translation here. So let's see what we have, and yep, just as I thought, it's telling you all to subscribe to the Grand Line Review for more awesome One Piece content delivered conveniently straight into your YouTube feed. Hello and welcome to the Grand Line Review, your source for everything One Piece. And today we have the first chapter review of 2020, and my God, is it a massive one? Being chapter 967, Rogers Adventure. So first and foremost, I'd like to say a big thank you to everyone currently watching this video. This has been a pretty painful time for all involved, because obviously the scans for this chapter dropped in late 2019, but the official release wasn't until, well, now in 2020. So thank you all for being so patient, but I think it will be worth it because we have a gigantic chapter to take care of here. So much so that I honestly think I need to break my policy of not going through the chapter sequentially. I mean, usually I just go through a list of moments in the order in which they impacted me, but there is just so much going on here that I really do think I need to just go through my thoughts on this chronologically. And right off the bat, we have an incredible opening panel that both mentioned Skapeer, as well as Gone Fall, and shows the incredibly unexpected sight that is Water 7. And I wasn't expecting to see Water 7 in this flashback because while Tom was obviously the creator of the Oro Jackson, I thought that Roger would probably be done with the island and not need to check back in, but at the same time, it does make a lot of sense because it's so close to Skapeer, so why not check in on small pals? And there really is no greater narrative purpose to being on the island than that, but it's not as if one is needed. This is the kind of adventurous nostalgia that I really love, and it was so good to see Tom, Kokoro, Iceberg, and Frankie again in their younger incarnations. And this is because Water 7 holds a particularly special place in my heart because that island was a primary focus when I started reading the series about a billion years ago. So seeing it pop up in the manga again really is like I've gone back in time to high school and we're reading the comparatively early days of the series. The highlight of the Water 7 part is definitely Frankie though, because I mean, what? It is absolutely insane to think that he has met Kozuki Oden before.  I guess it does make a lot of sense as to why he wouldn't have brought it up before now because he probably doesn't even know Oden's name, but that is a crazy cool little connection there. So whenever we go back to the present day of Wano, it's going to be very difficult to get the thought of Frankie having met Oden out of my head. Plus not only that, but he was even sort of invited to become one of the Roger Pirates, which I think officially makes Frankie the only character to have been invited aboard the vessel of two individual pirate kings. And while it isn't shown in this chapter, assumedly Frankie has met many of the other Roger Pirates as well, including the captain himself, as well as Rayleigh, Shanks, and maybe even Buggy. It's a really bizarrely cool connection happening here. Frankie does, of course, refuse to join the Roger Pirates, which is a sentence I really never thought I'd be saying, but this is a reference to his childhood because his pirate parents notoriously threw him overboard and left him to drown before he was rescued by Tom. I do think it's interesting that Oda is bringing this up again because it could be nothing more than a harmless callback and an excuse to have a nice interaction between him and Oden, but I do also wonder if this is planting a seed for an eventual revelation of Frankie's parents or even a second flashback for him at some stage in the future. It's something that could be very easily explored, but then again, it could be something that's also left here with no more information necessary. Some interesting stuff comes up before the crew land on Mortiseven, though, specifically in regards to Roger, very, very insanely luckily, stumbling upon two road pornoglyphs, one of which is known by Oden to be on Wano, and Nekomomushi and Inorashi, obviously know where the other one is on Zo. However, we are also told by this point that Roger has attained a rubbing of Big Mom's road pornoglyph, so sadly, we won't get to see that event in this flashback, but it is accompanied by a nice little drawing of a younger Charlotte woman, which is always wonderful to see. And as for the fourth road pornoglyph, well, it is very, very casually shown later on in the chapter, like seriously, you'd expect a bit more focus to be put on a revelation of an amazing object like this that has and continues to be one of the greater mysteries of the series, but no, there it is drawn in a tiny panel. In any case, we'll get to that in due course. But for now, comically right at the beginning of the chapter, we see what I think is the famous scene of Shanks and Bucky arguing about the North and South Pole, and I think it's implied that this is where this particular argument happened because they're wearing the same outfits and they also get scolded by Ray Lee. So if this is indeed the case, then that is just so damn cool to finally put a greater context on an event that we saw what, over 20 years ago now, but after this section, we are treated to a bit of a montage set to Binksake, which I'm very much looking forward to seeing the anime adapt because they tend to nail musical sequences like this. One very interesting thing is that it would appear that the Roger Pirate sail past the bridge nation of Tequila Wolf, which is where Robin was sent by Bartholomew Kuma from Sabotee, and I find this intriguing because Tequila Wolf is in East Blue. So it would seem that the Roger Pirate's adventure was not Grandsline and New World Exclusive. It's kind of strange though because it's immediate juxtaposition is the Roger Pirate's arrival at Sabotee and then diving down to Fishman Island. So if we take this chronologically, it's a bit strange because Sabotee was really close to Water Seven, so it seems like an odd choice to go to East Blue from Water Seven and then all the way back to around that same area in order to get to Sabotee. Unless of course, this is not Tequila Wolf and it's another bridge being built somewhere in the Grand Line, but I don't know about that. I mean, maybe it is and the World Nobles are just keen to construct these things all over the world, but at the moment with the snow and everything, it's just identical to Tequila Wolf. So a bit of a weird jump in location happening here. Diving down to Fishman Island though, and we actually spend a surprising amount of time here which begins by showing us the scene of Roger hearing the Sea Kings once again, except this time Odin is revealed to be aboard and he can also hear them, which makes all the sense in the world because if Mom and Oske can hear the voice of all things, then why not Odin? It was another nice little piece of connective tissue within the series though. And I love that this chapter is essentially a gigantic adventure through the history of One Piece, only shown from the perspective of a different crew in a different time. My favorite part of this entire section though is definitely seeing a young Madame Charley because she is just so damn adorable, fortune telling at the age of three years old and the best panel is the one featuring her and Roger because you can see just how tiny Charley is with her cutesy shark tail and everything.  Of course, there is still a whole ton of mystery in regards to where it is now because obviously it was not present when the Straw Hats visited Fishman Island. An initial natural thought would then be that this is the Poneglyph that Big Mom had on Hawkeyeke Island, which may have been obtained when she took over Fishman Island, but then again earlier in the chapter, Roger claimed that he had already gotten a rubbing of Big Mom's road Poneglyph and the other two were confirmed to be on Zoo and one respectively, so this has to be the final one. And an explanation I could think of is that the Poneglyph was acquired and hidden by Whitebeard for reasons unknown and I only bring that up because Fishman Island was under his protection for a huge amount of time. Or there's also the idea that once again for whatever reason, Shanks may have traveled to the island and taken it. Otherwise though, I guess it would have been possible to have it stolen, although taking a Poneglyph like that would be such a mammoth effort. In all honesty though, the bigger question on my mind is why King Neptune didn't tell Robin that they once had another Poneglyph. A bit weird in retrospect. I mean, it wouldn't have been so hard to say, oh yeah, we used to have another one of these as well. In any case, what we now have is a new spin on an old mystery. Continuing into the new world, we proceed with our montage, one of the islands featured in which has to be Raijin Island, which I think shows Odin being shocked by lightning. And for anybody who doesn't remember this location, this is where Uruj visited after entering the new world, as well as one of the locations that the Straw Hats could have gone to before ultimately ending up on Pankhazard. It's always nice to see and or hear of this location because it's one of the islands that I would love to visit most and solve the mystery behind. However, we are so far removed from it at this stage that I'm not sure that will ever happen. In a twist of fate though, Toki then comes down with an illness conveniently upon the borders of Wano, which she always wanted to visit anyway. And this ends up providing a good explanation as to why Nekomomushi and Inorashi did not sail all the way to Laugh Tale because none of Odin's other retainers actually know her or Odin's children. Even more interestingly though, we can see that Wano has begun to build the factories that would eventually go on to ravage its beautiful landscape as well as its citizens, which is clearly the work of Orochi and not something instigated by Kaido, at least not directly, because Kaido is certainly not present at this point in the timeline. But there is always a chance that he is, you know, pulling the strings from the shadows, feeding orders to the user of the Manimono Nome to make Orochi implement some groundwork for Kaido's ultimate world war. In any case, I think we'll be finding out exactly what has occurred on Wano very soon, but it was a really sad moment watching Odin refuse to so much as look at his home country. And it does make me wonder if at this stage, he could have taken a good step towards preventing the eventual downfall of Wano by at least removing Orochi from power, but I guess we'll never know. Moving on to Zo now, and wow, that was some unexpected heartbreak right here. I mean, I should have known this moment was coming because the entire chapter had been showing as previously known Roger moments, but the second a young Pedro showed up, I was just broken. I can't believe the effect that Jaguar Mink has on me, especially seeing his young plucky-eyed form. And yes, pun intended with that plucky-eyed comment. But now on the way to Laugh Tale, we receive an answer to another longstanding mystery, which is whether or not Buggy and Shanks actually set foot on the island. And the answer is no, at least not during Roger's voyage, because Buggy comes down with a sudden illness and Shanks being in the ever-good frontiers volunteers to stay behind. Although it's safe to say that they probably did find out what the one piece was, and that might be why neither of them have attempted to travel to the island since. I mean, actually, there's no guarantee that Shanks and the Red-Head Pirates haven't been there, but I feel like it would be a bit weird for Shanks to have been there because it is such a monumental thing to do, so much so that it results in the immediate crowning of a pirate king. So I think it should probably just go, you know, Joy Boy, Roger, Luffy, nothing else. And speaking of, this chapter ends on one of the greatest panels I've ever seen in the series, with the crew having found the one piece and simply laughing as a result, then proceeding to name the island, Laugh Tale. And because that name has finally made an official appearance in the manga, that is now how I'm going to be referring to it. I'm afraid that the age of Laugh Tale is no more, and all hail the new age of Laugh Tale. And really, I'm still a bit in shock of this. Landing on Laugh Tale and finding the one piece has always been a dream far enough away that I've never actually thought too much about it, but I think that this is perfect. No other reaction would have been satisfying in the slightest, because there is no amount of other emotion that could continue to contribute to the mystery of the one piece, like a ton of laughter and simple joy. Because even though we are so, so close to the treasure, we still have no idea what it is. In fact, after this, we probably have even less of an idea of what the one piece could be than we did before. The thing I'm most excited about though, is that when we do eventually get to see Luffy and the Straw Hats finding it, I think that we're going to get a mirror panel with Luffy, laughing exactly like Roger here, and the rest of the Straw Hats following suit. Except when that day comes, we as the readers will be in on the joke. And rather overwhelmingly, that's kind of chapter 967. I know that there are lots of bits here and there that I didn't go over, like the former leader of Zo and other such things, but I'm kind of right after this. A lot of the chapter was of course spoiled for me, due to the huge difference between scans and the official translation dropping, but it was still an incredible journey through the history of one piece. One of the most perfect chapters I recall ever reading. It's such an impossibly strong start to 2020, because I honestly don't think anything else we see this year could top this, and if it can, well, then this is going to be one hell of a great year for one piece. But that pretty much shows up for chapter 967. If you enjoyed this video and the content this channel produced in general, then please do consider donating to the Grand Line review Patreon, because the support of all of your amazing people is what continues to make this channel possible. And if you'd like to see more videos like this, but applied to other anime and manga series, then please do feel free to check out my second channel, New World Review, for all of your wider needs. And if you'd like to join the fun at any time, then please do head over to my Discord server, where a wide array of shenanigan retakes place on a daily basis. And finally, please do comment with your thoughts on the chapter. This has been the Grand Line review, and I'll see you next time.


The study explored the socio-demographic determinants of nutritional status of Pakistani women using secondary data from the recently conducted Pakistan Demographic and Health Survey, PDHS 2017-18. The results suggest that overweight slash obesity is becoming a serious problem as compared to under nutrition in Pakistani women. Privileged women with respect to education, economic status, urbanization, sedentary lifestyle, have more chances to have higher body mass index, BMI, overweight or obese. Women of Khyber Pakhtunkhwa and Baluchistan are at higher risk of overweight slash obesity as compared to Punjabis. This article was authored by Asafa Kamal, Akses Karali and Samina Irfan.


T. F. N. N. Headline News Update Good morning, folks. Steve Rhodes coming to you live from the shores of sunny Delray Beach, Florida. This year, a Lebanon update. We've got a sea of red out there, the exception being the healthcare sector, the XLV, which is up 134 points. Probably not being hurt by Eli Lilly Company. It's up 78 bucks, a 17% move. That's a big move for that stock. But right now, we've got the Dow off 412 points, all over 1%. Over 1% for the S&P or 51 points. One in six tenths for the Nasdaq 100, 248 point move there. One in five tenths for the Russell, 31 points. The Summizer down 104, 3%. He got gold traded down at 1961. That's off 8 bucks. Silver's down 37 cents at 81.33. Natural gas is trying to take out resistance. That's the top of its daily profile, traded on 277. And the 30 year treasury up one point and eight ticks printed at 122.26. It's also target in the top of its profile. Let's go look at that nine panel. Market update chart. We begin with the ES mini upper left-hand corner. We've got a new profile that is attempting to form. This has shifted several times. I expect it will continue to ship right now. The buyers, the supposed buyers are lined up at the 44.97 area. We're trading at 44.84. Now, I would say a lower close today, short of a new profile, daily profile forming price to target the weekly bullish structured area of its profile. It's between 43.77 and 44.34. Spot follow techniques straight above yesterday's high. So that's bullish for it. That's bad for the S&P 500. The NQ likely targeting the bottom of its weekly profile. And that's at the 14.865 area. The US dollar index has run into resistance. That's both the top of its daily profile as well as sell the D point pattern. 102.65 is where the US dollar needs to close above in order to be on its merry way to the upside. Gold testing its TD9 count breakout area. Testing its prior swing point from back on June the 29th, June 29th out there. So far, we've got a test and in essence a rejection of that area. You do have silver, which is testing its swing point. Its swing point was June 23rd. And that's at 22.99. Now price closes inside there. Even if it's with light volume, we still run the risk of price testing the 22.34 area. But a close back above 22.90 today. And I'd say a close above 1959.40 would actually be somewhat slightly bullish, if you will, for the metals. If we take a light sweet crude, yesterday generating a dark cloud cover candle, that confirmed a rose momentum indicator top of sell the D point top out there. The price is still holding support. So light sweet crude is neutral. Why? Because trade above 81.23. That's the top of its daily profile. Natural gas trying to take out 275. If it does that, we could be seen a change of trend. At the 30 year treasury, she'd like to target 125. Even Steven folks, take two for the Traders Ed show. But if you have to start your Tuesday, please have a terrific month. Thanks for joining us.