Hey Abbott, what time is it? It's time for the Abbott and Costello Show. We're on the air for ABC here in Hollywood. Well, what are we waiting for? Let's go with the Abbott and Costello Show. Yes, it's the Abbott and Costello Show, produced and transcribed in Hollywood for your listening and laughing pleasure, with Chuckles with a Carload and Music by Maddie Malming. So hold on to your chairs, folks, for here they are, but Abbott and Lou Costello. So for real job today, I'm the control tower operator in a burlash show. Control tower operator in a burlash show? Yeah, I signal when the runway is clear for the next takeoff. I know it would have to be a job around girls. You can never stay away from girls, can you? No, gee, I was just thinking of my first girl. You were? Little Mary Buzzo. Buzzo. What a girl. Gorgeous, charming. What a figure. I worshiped the ground she walked on, but one day I decided to give her up and break off our engagement. Why? Well, she had one little nasty habit I just couldn't stand. What was that? She'd never have anything to do with me. Why? Why didn't you give her something as a memento on your love? Why, when I married my wife Betty, I gave her my else-tooth. I know you did. How did you know? I saw it when she smiled.  Why don't you marry my sister, Babe Lou? Not me. Three of her husbands have all died under mysterious circumstances. That's not so, Costello. Well, all I know is that every time she gets married, the coroner gives her away. Besides, marriage isn't for me. It's bad luck. I was married bad luck. Well, take my Uncle Tom. He goes and marries my Aunt Eva. And two days later, he falls down to elevate a share. Well, wait a minute. You can't blame that on your Aunt Eva. No. Who do you think told him that it was the door to the broom closet? Costello, where were you when they were passing out the brains? I was right there, but I thought they said pains, and I said I didn't want any. Oh, get him out!  And they'll be back on it in just about one minute. But first, let's hear this. What are you so happy about? Well, I just got a birthday card from my insurance company. That's nice. What does it say? It's a happy birthday to you through the coming year. As long as you're insured with us, there's nothing much to fear. So let the joyful bells ring out from Chicago to Nantucket. Happy birthday.  I didn't know today was your birthday, Castella. You know, today is my birthday too. How old are you now, Abbott? I'm 32. 32. Let's see, Abbott, if you're 32, according to my figures, you started working in Burlesque two years before your father met your mother. Talk sense, Castella. I want to invite you to our party. You know my wife's birthday is Saturday, and we celebrate both our birthdays together. Oh, so it's your wife's birthday too. Now, what kind of a present are you going to give her? Well, she loves to read books, but they have quite an influence on her. And just how do you mean? Well, three years ago, I gave her a copy of Little Woman, and she presented me with a little girl. Two years ago, I gave her a copy of My Son, My Son.  This year, I'm really worried. Why? She wants to read The Egg and I. Abbott, you better keep those egg jokes off the program. One of us is laying them around here enough. Oh, never mind. I want you to come to the party and bring that pretty red-headed manicure as you've been running around with. Well, now, she's a honey Abbott, but I don't think she likes me anymore. Well, what makes you think she doesn't like you a little? Well, she's been dropping a few veiled hints lately. Like what? Oh, slamming a door in my face, refusing to talk to me on the phone, getting engaged to other guys. Really, nothing you could put your finger on. Well, I don't blame her, Castella.   Oh, no. Well, how about my Uncle Cassidy? My Uncle Cassidy. Whoever told him I had an Uncle Cassidy. He's pretty famous. Your Uncle Cassidy? No, my Uncle Cassidy. How did he become famous? I don't know. I didn't even know I had an Uncle Cassidy. How did he become famous, Lou? Well, he was the best grape crusher in France. He had seven toes on each foot and could crush more grapes than anybody in a vineyard. Is that so? Then one day, my father threw a handful of marbles in the grapes, and that made him famous. How could that make him famous? From then on, he was known as Hopalong Cassidy. You're not alone. You know, it's a shame you don't have relatives like mine. I have a family that I can be proud of. My grandfather, Herman Abbott, was a very famous man. Just what did he do? He drove all the Indians out of Pennsylvania. What program was he on? And my Uncle Anatole Abbott drove the first spike for the B&O. So what? My Uncle Selson at Costello opened the first can of beans from the A&P. And my wife? My wife is the most beautiful woman in North Hollywood. Are you kidding?  Costello, how can you criticize my wife's figure? Did you ever see her in a bathing suit? Yes, I saw her at the beach last summer. Her bathing suit was so big that she got arrested for fishing with a net.   I might do that, Abbott.  Why don't you take it? He wanted immediate delivery. Well, I'll see you later, Abbott. I've got to go out and hire a babysitter. A babysitter? Wait a minute. You haven't got any children. I know, but where can I get a better date for $0.50 an hour? I'll go buy it. Hello, Uncle Biden. Hello, Uncle Bodeal. It's Abbott's nephew, folks. The burnt Lancaster of Orbach's basement. What's on your mind, nephew Norman? What is it, nephew Norman? Get a little away they talk to each other. Sounds like Guy Lombardo talking to Carmen. Just ignore him, nephew Norman. Now, what were you going to say? Well, Uncle Bodeal, you know that friend of mine that owns that movie theater up in San Francisco? Yes, yes, yes, yes. Well, he's playing your latest picture, Abbott and Castel when Africa screamed. And after it opened last night, he had to put the ropes up to hold the crowd back. Now, two of the ushers wanted to hang themselves. Hey, Abbott, why don't you keep that guy out of here? Norman happens to be a very smart boy, Castel. A while ago, when he was five years old, he was regarded as a boy wonder. So what, when I was five years old, I used to wonder what I was doing. Hi, fellas. Well, well, it's Maddie Malick, our band leader. Well, Maddie Malick, what's the idea coming down here in a red sport coat, green slag, pink shirt, purple tie, and black socks? Oh, I always wear black socks. Why?  I must have read that wrong.  So what? Well, all the other band leaders are married. Look at that, there's the armad. He's got his guitar and loose of the ball. Harry James has got his trumpet and Betty Gravel. So what, I got my fiddle and a life-sized picture of Patrillo. Wait a minute, Malick.  I wouldn't think of it. That's better. You two guys have enough trouble trying to get funny by yourselves. Right. One more crack like that, Malick, and I'll fill the laundry up to start your underwear. And you won't be able to stand up in front of that band. I'll quit picking on Maddie. That's right, bud. I've got to go anyway. I've got to buy the flute player a new flute. What's the matter with the flute he has now? Haven't you noticed? It's full of holes. So long, Chuck. So long, Maddie. Nice boy, that Malick. I'd like to have known him when he was alive. Hello, boys. Hello, Viola.  Oh, I couldn't help it, Costello. You'll never break another date with me, Viola. I don't need to go out with you, you know. I can get a girl any time I want. I'll show you I can get even. I can even get a girl to come up out of the audience if I want. Wait a minute. This ought to be good news. No, I could. I could. I could get a girl to come up. All right, go ahead, Costello. Let's see a girl out of the audience. OK. All right, come on. Is there a beautiful young lady out there that would like to go out with me tonight? Just come up here on the stage. Come on. Just a minute, Mr. Costello. You know you can't do that. You know that no girl will come up here out of the audience. And why not? For this program, the ABC network straps the audience in their seats. The SC wise guy? Now aren't you sorry you spoke that way to Viola? Well, Viola, if you'll go out with me tonight, I'll take you to some nice quiet spot, and I'll help you work out your problems. Well, I haven't got any problems. Well, you haven't been out with me yet. Costello, why don't you take Viola to Lover's Lane and look out mountains? Oh, yes. That would be nice. Oh, nothing doing. Nothing doing. No, no. My brother Pat took a girl up there last night, and he was sitting in a car, necking in a cop, stuck a flashlight in the car, and said, you can't neck with girls up here. What did your brother Pat do? He says, wait a minute, officer. This happens to be my wife. I'll bet the cop was surprised when he found out it was your brother Pat's wife. So was my brother Pat. He didn't know it either until the flashlight went on. All right, Costello, if you promise to give up the life you're living, I may reconsider and marry you. That would be wonderful. Yes. We'll have a little honeymoon cottage, and the stork may drop in on us. Oh, boy. Yes, and every so often, a little bundle will be left on our doorstep. Oh, that's OK with me. That diaper service sure saves a lot of work. Costello, you can't marry Viola until you get some money. Well, it won't be long now. I just bought some oil in in Texas. Yeah, me and shotgun. And I'm going down there to drill for oil tomorrow. Oh, that's wonderful, Costello. And just remember, while you're down there, my heart will be with you in Texas. My soul will be with you in Texas. And my mind will be with you in Texas. OK. And if I strike oil, I'll send for the rest of you.  And as the plot thickens, we'll wring down the curtain in an on-sense just long enough to bring you this message. Next week at this time, the Abbot and Costello show presents our feature singer, and here he is, ladies and gentlemen, Howell Winters with Maddie Malnick and his orchestra. If you ever go across the seas to Ireland, then maybe at the closing of your day, you will sit and watch the moon rise over Clota, and see the sun go down on Goldway Bay. Just to hear again the ripple of a trout stream, the women in the meadows making hay, and who sit beside a turf fire in the cabins, and watch the barefoot gossums at their play, for the breezes blowing o'er the seas from Ireland, are perfumed by the heather as they blow, and the women in the uplands dig in gratings speak a language that the strangers do not know, for the strangers came and tried to teach us their way. They scorned us just for being what we are, but they might as well go chasing afternoon, or light a penny candle from a star, and if there is going to be a life hereafter, and somehow I am sure there's going to be, I will ask my God in that dear land of Croix. Who are you talking to on the phone? My Aunt May. They just bought her home from the hospital. She was expecting a baby, and she said to them hospitals that they run them just like radio quiz shows. Well, what did she mean? Well, before they would give her the baby, she had to guess if it was a boy or a girl. What happened? Aunt May guessed it was a boy. The doctor says no, guess again. So she says it's a girl. The doctor said no, guess again. Well, what was it? We don't know. Aunt May didn't hang around long enough to find out. The cutest nurse came home with Aunt May to take care of a boy or a nurse. Is she fussy? Wait a minute. I hope you're not going to start chasing the new nurse. I already did have it. But she's too fussy for me. Last night, she said she wouldn't kiss me unless I shaved. She likes a guy to have a smooth face. Did you shave? Three times. Then I took her to the movies. I'll never do that again. Why? My face was so smooth. Every time she tried to kiss me, she should have right passed me and kissed the guy in the next seat. Never mind that. What is your Sam Shovel Detective story about tonight? Abbot, tonight I do one of my most famous cases. I call it the case of the thief who stole the hamburgers from the lunch room. Or he was a short order crook. Sounds very tasty. Let's do it. Right. Yes, I'm Sam Shovel. Sam Shovel Private Detective. And I'm ashamed of myself today. Today I arrested my own brother. I'm a rat. I'm a heel. I'm a louse. I decide to hit myself in the jaw. I don't take that kind of talk from nobody. Not even myself. This Detective Businessful Driver guy nuts. This morning, Jaime the stool pigeon gave me some information. He told me not to let the cat out of the bag and to keep it under my hat. I may have to disappoint Jaime.  Well, it's time to feed him a pet frog. There's something wrong with this frog. He ain't croaked in 3D. He must have a man in his throat. I decide to open my mail. Here's an invitation to a barn dance. I don't think I'll go. Ain't much fun dancing with a barn. Here's a card from one of my old flames, Polly the pickpocket. What a girl. I'll never forget the night she put her arms around me. I lost all sense of time. I couldn't help it. She stole my watch. Here comes my secretary. She's been running in and out of the office all day. Each time she kisses me. Oh, there you are, Sam.  You sweet thing. I'm having a very busy day. I'm up to my work in neck. That secretary is a high-class kid. I practically snatched her from the finishing school. She was a carpenter's helper, and she was busy finishing her school. Oh, well, one thing I can say for myself.  I chase her in the hall. Before I hired this girl, I had a U-Bangie as a secretary. He was the only secretary ever met who could see all the envelopes after she put him in a mail chute. I glance out of the office window. There's my pal Lieutenant Abbott of the Homicide Squad coming down the street. He walks straight and erect. That's a holdover from his military days. Abbott was in the service. Abbott was a colonel. Abbott became a colonel the hard way, the hard way. He was in the Navy. Lieutenant Abbott has been my friend for years. It's a peculiar friendship. First he blows hot, then he blows cold. He's much of a friend, but he works out swell as an air conditioning unit. I'll never forget the day Lieutenant Abbott got married. His wife, Betty, was an opera singer. She sang like a bird, but she was a flop. Very few people would pay to hear a woman go tweet, tweet, tweet. What a woman that Mrs. Abbott is. She comes from a very fine stock. Too bad she didn't come from people. Hello, Sam Shelton. It's my pal Lieutenant Abbott. And you look tired, Lieutenant. I am, Sam. All they have been trying to locate a gorgeous six-foot blonde with blue eyes and a lovely figure. I've had the whole police department looking for an... Lieutenant Abbott, maybe I can bring her in. What's the charge? You bring her in. I'll think of something. Lieutenant Abbott must have paid the ride. Sam, you're slipping. Why, there's talk around town that you're not a good detective anymore. Is that so? Give me a good case, and I'll solve it quicker than you can say, Jerk Robison. Well, not Jerk Robison. That's Jack Robison.  Sam, you've been pulling a lot of bonus lately. On the McGurk, Jewelry Robbery. You arrested McGurk, but you didn't find the jewels. Well, that's no skin off my nose. Last week, I asked you to watch a prisoner for me and let him escape. That was no skin off my nose. When you investigated the hole up in the butcher shop on the corner, you backed into the slicing machine. That was no... That was a little trouble. That's not all. The traffic department is complaining about you.  That's not so. Yesterday at Hollywood and Vine, I slowed down to give a pedestrian the right-of-way. You did. Of course, he was in an ambulance at the time. Enough of this chat, Sam. I'm on an important case. I'm after Light-Fingered Lil, the lady bank burglar. Light-Fingered Lil. I know her well. You do? Sure, her well is in back of her house. I always stop there for a drink of water. That girl is a clever crook. Today, she went into the First National Bank and grabbed a teller. She hugged him and kissed him, and while she was doing that, she took all the money out of his cash draw. She does that every day. Wait a minute, let me get this straight. You mean that she goes into the same bank every day and hugs and kisses a teller and then robs him? Yes. Why don't the president of the bank do something about it? He did. He's quitting his job to become a teller. Sam, we've got an ablil. She's public enemy number seven. Not no more. Now she's public enemy number one. How did that happen? Walter Wynchel gave her a plug Sunday night. Well, that doesn't say him. Lila has a map of the spot where she's buried all her loot. And you and I are going over there and get it. I'm glad you said that, Lieutenant. Why? If you didn't, we'd have no story. Lieutenant Abbott and I arrived at Lill's hideout. I knocked on the door. I rang the bell. Make up your mind. I'd like to get in there while I'm still young. The door opened and there stood Lill. She spoke. Well, well, if it ain't slewfoot, what's on your mind, copper? I like the way you talk, Lill. You're my type of woman. What makes you say that, Sam?  And you're beautiful. There's such a delightful aroma about you. Is that taboo perfume I smell? It is, and you do. We're getting no place fast. Make love to her. Make love to her, Sam. Maybe she'll soften up and give us the map. Lill, you're the kind of a girl I could go for. I'd walk to the three corners of the earth for you. But, Sam, there are four corners to the earth. Yes, but who wants to get near Russia? Sam, step over here. I want a word with you. Sam, she's got that map here someplace. It may be in that table. I'll hold her and you'll look for it. It may be in her pocketbook. I'll hold her and you'll look for it. Then it may be in the top of her stocking. Then you hold her and I'll look for it. Hold everything, hold everything. I see it. It's on top of the piano. I got it, Sam. Come on, we're getting out of here. Lieutenant Abbott and I got a shovel. We started digging for the buried loot. Sam, I've been digging for the past hour. Are you sure you followed the map correctly? Yes, it says here, take two steps forward, then one to the left, then two steps backward and one to the right, then turn and take two steps to the left and two to the right. Wait a minute, wait a minute, let me see that map. There it is.  That's a rumble lesson from Arthur Murray. Hey, get me out of here. Keep the house lights down, boys. We'll have a curtain call from Abbott and Costello after a final reminder on this subject. We just have time to remind the folks about the big championship fight here in Los Angeles, May 26th. Folks, I, Williams, the world's lightweight champion, and then Rick Blandis are fighting April 26th for the lightweight championship of the world. It's a fight for kids. The money will go to help fight juvenile delinquency through the Luke Costello Junior Youth Foundation. Be sure to see this for a great fight, folks. And remember to listen to the Abbott and Costello show next Thursday. Our writing staff is headed by Eddie Forman with Paul Conlon, Pat Costello, Martin Rageway, and Len Stern. And our producer is Charles Vander. Good night, folks. Good night, everybody. Pat, it's good night. Listen, it's Thursday night. It's time for another great Abbott and Costello show, Transfrag and Hollywood. Be sure to stay tuned for the outstanding entertainer which follows throughout the evening on this ABC station.


Anything that moves probably has a team of mechanical engineers behind it. It's a fun discipline where it's different to civil and electrical. Civil, everything doesn't move. Mechanical, everything moves. Electrical, electrons are moving around but we can't see them. So mechanical we can see, see what's moving. Mechanical engineering has many career opportunities that's very broad. We'll have mechanical engineers working in design work in high-tech areas like aerospace, vehicle development, biomedical areas, developing artificial limbs or mechanical hearts. Behind me you may see an aircraft which is my final year project at Griffith. Everything here is very hands-on. All four years we've had a lot of laboratories where we've done a lot of physical experiments which had really helped me lead up to my experiment that I did in my final year. In each of my classes I find that there's always something for me to do that gets me involved, gets me interested and it really applies to all of the textbook knowledge that I've learnt in my lectures and practical things which I think that I could then apply to industry experience as well. So what Griffith offers is some great opportunities to go do industry work, industry placement programs during their courses. It's a part of their course and the flexibility is there but it's up to the graduates to take advantage of that and for those that do, there are certainly benefits. When they turn up for interviews, turn up for jobs, they've got that start that gets them through the door and into the interview. I like to think that the Griffith degree has a very good hands-on component. It's not just a set of equations and formulas that they need to pass an exam. We aim to get them to make that connection and find that this theory is actually useful to design something, to build something, to do something really useful for the world.


Surfing, beaches, tropical weather, and a strong Navy heritage are some of the things you can look forward to while living in Hawaii. Petty Officer Peter Rodriguez and Petty Officer Claire Anderson shared their experience from living the island life. I absolutely love Hawaii. There's no bad day in Hawaii. As far as there's always outdoor activities, indoor activities as well. Thanks for single sailors. Thanks for married sailors. I could surf every day, whether it's like 20 minutes for a sunset or like early in the morning because the water is always warm. I also heard rumors about island fever and then I wasn't going to like it and I'm going to wish I was in the mainland in San Diego. But once I got out and experienced Hawaii, I really didn't want to leave. Now when I go on leave, I want to come back to Hawaii. If a tour in Hawaii sounds like a fit for you, check the Career Management System Interactive Detailing website and talk to your Detailer.


This is Think Tech Hawaii, Community Matters here. And welcome to another edition of Legable Science. I'm your host, Ethan Allen, here on Think Tech Hawaii. Legable Science is all about how science is a vital, interesting, and indeed entertaining part of our lives, and how we can use science to make our lives better. Today, here in the studio, I have Pam Chambers with me to talk about a really critical aspect. We're going to talk about the psychology of public presentations. And Pam has just written a wonderful book, Life is a Presentation. And the thesis of this book, well, Pam, why don't you go ahead and... Thank you. The thesis is that the minute we leave home, even before that, we are presenting ourselves to those around us. We're presenting ourselves to our family, to our neighbors, to our coworkers, to drivers on the road. We're always out there somehow. And so asking for a certain table at a restaurant is a presentation. Asking someone on a date is a presentation. And standing on a stage with a microphone is a presentation. But I wanted my students and clients to understand that we're always presenting ourselves, and so that's the title. Life is a presentation. And indeed, I should point out, Pam is an author, a public speaker, not only an author of this book, but she's also written several other books, Speak for Yourself, Stand and Deliver, Public Speaking Made Easy, which was a bestseller, I guess, here in Hawaii. And you've got another book now coming out, too. Yes, it's called Not This Again, and it's about 18 common challenges that business leaders in Hawaii face, and how to overcome those challenges. Very specific to Hawaii. OK, that sounds wonderful. Pam does a lot of things. She consults one-on-one. She coaches people one-on-one. She runs group classes that are open to the public. Sometimes a sort of single workshop, sometimes a whole series, right? And can work with individuals, watch their presentations, give them feedback after that, and work with them to improve public speaking. All of that is right. Thank you. And Pam was named by Honolulu Magazine as one of Hawaii's 10 most admired women. She is really the person who people look to for public speaking. And this is really a good point you make throughout this book and in the recent, when you presented to the Speaker's Association, was that public speaking is really very much an engagement phenomenon, right? Just as it is when you and I are talking, when you're talking to your family or a co-worker, you're engaging with an audience. And the same sort of rules apply, right? The same sort of rules that we think about for public speaking actually apply to these same... to all human... I think they should, but I mean, I can recall many public speaking classes that I've taken where they teach the speaker how to speak. But they don't say anything about their relationship with the audience, how to get them involved with their audience, how to get their audience involved with them. And so that becomes a, I speak, you listen exercise, which is pretty lonely for the speaker and scary, too. Yeah, and it's fundamentally less effective, right? Yeah, I can tell. If the audience perceives that the speaker is this being over there and they are an audience here, that's a psychological divide. And instead, you spoke of ways to engage audience, show up early, talk to the people ahead of time, ask them questions. Right, and let them ask questions during. You know that model that says, Pam will speak for 20 minutes and then there will be a 10-minute Q&A at the end. I say, no, no, no, don't divide it that way, because if people have a burning question and they're not allowed to ask it, it stifles them and they may forget their question, they may lose interest in their question, it's not natural. Right, where at the very least they'll be thinking about their question, not paying attention to what you're now saying, right? They'll be mulling their question and what you have said in the past. And it's just so controlling of a person to say, don't you talk until I've saved time for you to talk. It's just not natural. Right, it's not at all dialogue in any sense. It's a very contrived, highly sort of artificially structured system. And what you want instead is much more a free exchange with the audience, but if you're doing your presentation, of course, more of exchange comes from you presumably. Right, I mean you're in the driver's seat, we hope, the whole time. I think a lot of speakers are afraid of all that could happen, such as too many questions from the audience or an irrelevant question. Or maybe there's a know-it-all that now takes over. Or someone who asks something just ridiculously impossible to answer. So the speaker is afraid of all those things happening, therefore let's keep it way over there. Right, and you in this book, in Life as a Presentation, talk about a number of the techniques to use to deal with, yes, the person asked the difficult question, the hostile audience member, when the audience starts looking bored and turning away. Thank you for reading the book, Ethan. No, I loved your story about giving the talk and half-two-thirds of the way into the talk, suddenly you see people starting to leave. I thought you're, well, you dealt with it, it was great rather than just ignoring it, pretending it's not happening. Well, it started to irritate me. The more irritated a speaker becomes, the fewer tools become available because the emotion takes over. And I just could not stand to see one more person heading for the auditorium door.  And someone said, well, a number of us have another assembly that we must attend. And I said, good, take one minute, those of you who have to leave, do it now. Door, door, do it now. And then there was no one else leaving after that. Right, you had a smaller but committed group now, right? Yes, a smaller group that wanted to be there instead of a bigger group trying to escape. Exactly, exactly. Lots of people don't realize the sort of myriad subtle signals that we give out that really determine how well we're engaging, everything from eye contact to tone of voice to our posture, our gestures. Can you speak a little bit about how you've used these in public presentations and how some of them apply to sort of wall interactions? Oh, well, sure, I mean, the first thing I wanna say is a lot of people ask me, they say, I don't know what to do with my hands. When I'm up in front of a group, I just don't know what to do with these things. And I say, well, that's odd.  Why does this suddenly become a problem? And it's because they're too self-conscious. So they're thinking about their hands, their hair, their outfit, their this, their that, instead of focusing on the other people which now suddenly removes all self-consciousness. So yes, I think we should learn about body language, but I don't think that we should be obsessed with what is happening with our own body while we're up there. Right, and it's very instructive to practice a presentation and videotape that, right? And you can watch and see what your posture is, what you're swapping there, what you're smiling. Yeah, so you could say, I never noticed that I did that so much. Or men might notice, I never noticed how often I stood in a fig leaf position which is this protect the crotch position which is a natural thing for someone to do if they feel threatened, but it makes them look weak. So they need to notice that they do that and then cut it out.  My wife bless her heart, keep saying, no, big, directed gesture, much better. Yeah, good. But.  Should you pace? And I say only pace if you're showing what pacing looks like. Now use the space, yes, but there has to be purpose to your movement. So there has to be a reason that you move over to that side of the room and back again to this side. And that reason could be a look simply to connect with more people in the audience. But, you know, that professorial look, pacing look, gazing at the floor, that's not what we're gonna be doing. I had a friend of mine who talked about doing a psychology experiment in college when their professor was a pacer. And they all got together in class and agreed that when he was on one side of the room they would all pay attention and take notes. And when he went the other side, they'd all sit around and look bored. Within a while, within a matter of a few weeks, they had trained this professor to stand in one corner basically and talk from one corner of the room. And he was not at all aware of it. Oh, that's amazing, that's great. There's also the importance of the audience's body language. But like what you were just saying, there was an experiment where a singer sang on two different occasions, an opera singer. And the audience was instructed to lean back, look away, roll their eyes and not be engaged. And they recorded her singing. And then the second night, the audience was instructed to lean in, pay attention, nod approvingly, and then they compared those two recordings. And you can imagine which one was better. Right, yeah, absolutely. So we, one single audience member can help that speaker. Sure, sure. And it really is oftentimes that dynamic is really critical. It turns out that people who watch a video of a musical performance without actually hearing the music can more accurately judge the quality of that musical performance than people actually watching the video and hearing the performance. Wow. Because apparently, I got thinking about this the other day after reading your book, it's the same thing that they are probably picking up cues from the audience, very subtle cues which they wouldn't pick up. Well, that makes sense. They would listen to the music. Sure, right. And are judging the audience's reaction in some sense and judging the performance on that basis. Yeah, it was a very surprising finding, held with musicians as well as regular people. Huh. We should talk a little bit about, if we could, about why people are so afraid of public speaking. Sure, it's a number one public fear, number one phobia. Right, public speaking, snakes and spiders, dentists, deaths. And so, I always knew that it was something about the fear of being evaluated, judged and evaluated and possibly rejected. But then I got another insight and that was the fact that we as animals, we're still animals, are afraid of being separated from the herd. Because when we're separate from the herd, we are vulnerable to attack. And so, if I'm sitting at a conference table, that's safe burr, then standing up and being separate from the people at the conference table. Because now the predator can get me. That's right, I mean, that's why you see schools of fish, of flocks, of burrows, are beautifully tightly-formed packs. Right, and the inside ones are the safest. Yeah, you want to be in the middle of that. And the, this fear manifests itself in your stomach gets tight and queasy and your palms start sweating and your hands start shaking. And we were talking a little bit before this show about learning to interpret that because that reaction is a very normal reaction to getting ready to do anything.   That shift is a major physiological shift.  Exactly. But different people take that different ways. People feel that as nervousness and get very upset and panicked about it and get violently ill or whatever. But the classic other group are football players who stand around in the locker room all feeling the same thing ahead of time, but they interpret it as they're getting pumped for the big game, right? They're getting psyched for it. And they take this very positive attitude towards it. And it's exactly the same reaction. If you measure it, you'll find they're doing the same things. A big adrenaline rush is basically happening and it's just, how do you deal with it? Well, some people do things that produce adrenaline on purpose. They like that feeling of bungee jumping and having their heart pounding or fast car racing. But that's still within their control. They're the ones choosing to bungee jump. Someone who has a surge of adrenaline before they speak to an audience, that is not their choice. It's mother nature's choice. Right. And we're gonna go into this a little more deeply here when we come back. Right now, not our choice. We have to take a short break here. I'm Ethan Allen, host of Likeable Science. Pam Chambers is with me today here on Think Tech Hawaii. We'll be right back. It's from the foundation for a better life. And we're back here on Likeable Science, here on Think Tech Hawaii. I'm Ethan Allen, your host. With me today in the Think Tech studios is Pam Chambers, author, public speaker, extraordinaire, consultant, teacher. And we were gonna move into a, we've been talking before that break a little bit about some of the reactions that we've had in the past. We've been talking before the break a little bit about some of the reactions to public speaking, the nervousness, and how that's a, you were talking about the matter of choice and this being important to choose to be able to do it versus not.  Oh, that's all right.  It's likely that some adrenaline will start to flow because mother nature senses that on some level I feel a threat. And there is a bit of a threat truly to stand there and be judged. So this adrenaline starts to flow so that I can fight or flee. And that was useful when I was a caveman or if I need to lift a car off a trapped cart in a vice cream, that's useful. But to have all that extra energy going through my body when all I'm going to do is stand and maybe move a little is not useful. So it makes our clothes shake because our body is shaking. It makes our cheek twitch because we're shaking. It makes our eyelid twitch. It makes our voice tremble. It makes our contact lenses dry out. It has all these bad effects because there's just too much energy searching in this space. So what I finally learned to do through no help of anyone else, I might add, was to keep one arm natural before I was to stand up and then to pull on the seat of my chair very hard, very isometrically, very firmly pull toward the ceiling to release some of that extra energy. And it was like letting too much air out of a tire and it worked. I consciously sent that extra energy out of my body. Very interesting, very interesting. Actually, I've been doing some physical therapy recently and that's one of the exercises that I was doing is to sort of do almost that exact same kind of thing to pull it and then it basically does, yeah. Releases tension. Right, but some people forget to do that. They say, oh yes Pam, that sounds so good but then they stand up and they realize I forgot to pull on my chair and you can't go back to your chair at that moment. So now the task would be to think of something that you could do isometrically as you stand there. And the best answer to that, excuse me, equipment would be to dig your toes into the ground as hard as you can and that's not likely to be visible to people. And it works the same way. I would just rather that people do it ahead of time as a checklist, getting them ready. Yeah, this whole getting ready for talks I think is really a good one again, thinking about not just sort of public speaking per se but interviews or presentations at work or whatever. Preparing that and going through, yes, a checklist as it were for one that will routinize it, right? That'll make it like, oh yes, this is my routine I go through and that itself will tend to help sort of calm you down and put you in for on track. Right, it's like buckle your seat belt, adjust the rear view mirror, check your, it's a checklist, just like any procedure has a checklist. And some people make the mistake of practicing in front of the mirror as part of their checklist and I don't think that works because you're not talking to a mirror, you're talking to people. And so you should be instead not rehearsing but just reviewing why am I speaking? What is my purpose? What is my call for action? Has anything changed since the time I agreed to do this to now? Have I had any new insights that I'd like to include? And to think of it as an evolving, not in cement type of activity.  Yes, this is memorized. And it feels stale. Exactly, exactly. And we can tell that. And again, that tends to break that audience engagement. Right, the audience becomes disengaged. Why are you, if we're doing this, why aren't we just watching a film that this person do this talk? Yeah, same thing when they read off their PowerPoint. I can read, why are you reading to me? Why is your back to me? And if you're going to do that, just give me the handouts and I'll read them at home in bed if I want to. I actually used to, I had a good technique for practicing talks though. We used to have two cockatoos. Oh. And they are very empathetic and pick up on moods very quickly and I learned that if I would give a talk to them and they would fluff up and put their little beaks down and I was like, I was doing a really terrible job because if they're going to go to sleep but if I was being dramatic and making good gestures and varying my voice enough they'd be up, their crests would be up, they'd be watching me, they'd be interacting. And then I knew I was doing a better job. That is amazing. Whether it's going to be a run on brood now at the brood store.  Just measuring how well you're holding your attention is going to, to some extent, the same kinds of things that will engage a pet are likely to engage an audience. And even, you could even gauge your own energy. At the end of my practice session, am I exhausted? If you are, you're doing something wrong. This is supposed to be invigorating and stimulating. Exactly. It's supposed to be, an analogy would be letting the audience know that somehow they are helping you carry this load by getting them involved with questions, letting them be the alternator to your battery, letting them help carry this. Without giving the wheel to them, you offer them a passenger seat. Yeah, that's a very nice analogy. And again, it's building this relationship with the audience. And it's, we don't often think in terms of, I'm a speaker, here's 100 people, I'm having a relationship with them. That's not sort of common perception of what a talk is about, but it really is. I mean, that's fundamentally what's going on. You have to be relating to these people. They have to feel that tie, that emotional tug in some way, right? That was the only thing that made this possible for me to do. It was impossible for me, based on the old school, old model, way of standing behind the lectern and delivering oratory thing. I mean, I just could never do that. But when I learned, wait, maybe if I could get the audience to respond to me, maybe we would share this thing. And then the question can become, well, what if they share too much? What if they get too involved? Well, then you say, you know what, I love it that you're this curious. Let me take one more comment right now. And then, yeah, you can move on. You can control it. Right, yeah. It's a more sort of flexible dynamic control that you're asking the speaker to maintain. That's right, that's right. And it's kind of like an accordion that can stretch out or be condensed based on how much time you have left, how much material you put into your suitcase, what the promise was that you made to whoever invited you to be there. What the questions are, what the audience wants to know. I remember one series of four talks that were supposed to be the same. And it was to a fourth of the group, a fourth of the group of four in a hotel. And after the second one, the HR person came up to me and accused me in an irritated way of not giving the same talk the second time. And I said, well, it was still on customer service. She said, but you gave two examples yesterday that you didn't give today. And I felt like throttling her. I mean, it was so annoyed at the thought that any two talks could or should be identical. The people in the audience were different. Exactly. They deserve, they want different things, right? They ask different things, they cared about different things. And so I was flexible and I didn't veer off my subject. Right. My wife used to teach kaleidoscope classes. I was always impressed that, well, she would sort of cover the same basic material. She would do it in these very different ways and sort of telling different stories and showing different pieces of it at sort of different points.  If I would do it the same way every time, this way. You know, she would have a stack of notes in front of her but half the time she wouldn't refer to them or she referred to different parts of them. Yeah, very, very different. So did this hotel person then ease up after the third? Okay, after the third session, I turned to her and I said, have I forgotten anything? And she said, yes, she was still on that. And then session four, thank goodness she was gone. She wasn't there.  And here's why. And I got to explain that.  Yeah, that's what I told her. I said, after she said, well, yesterday, I said, oh, well, the way around that problem is to video me one time and then show the video to everyone. Oh, well, we didn't want to do it that way. And I said, okay, bye, see you tomorrow. For a different presentation. Right. That's, yeah, again, that fits in with sort of life, right? Rarely do you run into exactly the same situation. You always have to be flexible, be prepared to present a little differently. And hope that you do, hope that you grow.  Exactly, in interactions, presentations large and small, right, you just learn that you keep getting better and better, and that's what the whole point of this is, right? Right, right. PM Chambers is available to teach classes, consult, do coaching, you can get in touch with her at pamchambers.com, right? And life is a presentation. Is there a new book, I guess a new addition to this book? New addition, yes. New addition, and you have a new book coming out. Great book, wonderful book. Thank you. And it's been a wonderful having you here, Pam. Thank you so much. Very informative. Thank you. Aloha.


Get there get there help them out. Yeah, good work. Yeah, great kick mates follow it up Good tackle Yeah, bounce again. Oh bad luck on the siren no go


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Hello everyone and welcome to another episode of we're gonna look at dinosaur games that are coming out critique them and hopefully not build ourselves up too much because that is what we are as a community mostly known for doing. So let's not let's address the elephant in the room first we've had our sort of lackluster dinosaur games come to us. Mesozoica has been the first one that comes to mind. However there have been two new trailers released a trailer released for a game that has been announced like a whole year ago they've done another trailer so I'm quite eager to see how that one looks now because out of all of the games that were coming out that I was oh I was expecting it was on the lower end so with that one what we'll do is watch the original trailer probably go over why I think it might not be the best but then we go to the new trailer which I hope will prove me wrong because that's what I want I want all these games to turn out amazing but at the same time I can't act like I haven't been disappointed in the past you know not only mesoca the stomping lands as well luckily before my time as a youtuber but it still was a thing and you know we also had that dinosaur documentary Stephen Fry not to long ago it was again a very big disappointment but we are entering the uncharted territory of Jurassic worldless universe just rewind quickly 2015 there were a bunch of different dinosaur games that were announced around about 2015 mesoca being one of them because of the hype of Jurassic world you know dinosaurs were coming back to the mainstream audiences were hungry for a new dinosaur game to sink their teeth into little did we know the only one we would really get is Jurassic world evolution one and two aside from Jurassic world the game and Jurassic world live which were app games eight years eight freaking years since the first movie to the last movie of the Jurassic world franchise we only got basically four games and two of them were the same that being Jurassic world evolution one two basically um but now hopefully studios have had the time to take for their their games and make good ones and not rush them out because I'm not counting mesoca that did come out during the rush but that was 100 what it was it was a rushed product and it didn't last even a month I don't think before it was discontinued that's enough of me telling you what I thought let's see what you think of the trailer there we go yes so right off the bat gorgeous I mean these these days you cannot fault games they will always look a beautiful especially if they're an unreal engine or a cry engine whatever this is so setting some scenes some nice shots again gorgeous environment can't fault it at all am I in temple I wish I hadn't come here for this okay this is gonna be a theme of some pre-star games going for the tribal thing um okay some FPS a bit in gold open swimming gate some ominous k paintings with dinosaurs humans live alongside the maybe a please your soul apply a pile of sore whatever you want to call it in the water a safety cap because I don't know some unfettered raptors of course we had toast a second ago for all this death a robin moldoon shot there homage to dress park to do it all again a thalassio for brother type what you have done and there it is distinction now that was a highly rated uh trailer when it came out everyone was losing their mind over it um and of course me and loads of other dinosaur youtubers you know we we uh we looked at it watched it with bated breath but really I just want to break down what does this trailer say about the game apart from it looking gorgeous um because this really is just a movie piece but what assets do we see in here that prove that maybe we're in for something good well we have bats flying which is just one animation that they just repeat we have an interesting setting with some Mayan things not really my bag if I'm going to say it kind of reminds me of trespasser like trespasser was this you know dress park lost world game that came out for the pc first person female protagonist um we'll not talk about the boobs because that was weird uh if you know what I'm talking about you know what I'm talking about um but it had also a link to the uh the tribe or prized indigenous people who lived on a sauna before engine took control and the aisle kind of does a bit of that um it had tribals it was going to have tribals god knows um and this is kind of doing a similar thing but the only dinosaurs we see that move properly is this sucomymus bionics and throughout the entire time it's just doing one walk animation so they've got the model they've animated walking that's it and when it comes to actual gameplay uh we just see this one well there's two shots I think this one being of a gun shooting at the sucomymus which doesn't even have any hate effect no damage the sucomymus doesn't even acknowledge this it is literally just they've set up the scene the uh sucomymus is walking and the gun shoots at it or the guy or the camera shoots at it and that's it the the suko would just keep on walking forever till it ran off a cliff I'd imagine and again this is a year old I'm just telling you my thoughts um with this weird uh I don't know what you want to call it the the gold medallion which is a bit like part of the Caribbean the the forbidden treasure I'd imagine but it opens a door and this unlocks secrets I assume to a lost world um and then you've got some k paintings over there this is a weird shot and and I can only imagine that they put it in the trailer because hey look we're gonna have aquatics hey hey like that it's just like well great have it but have it do something and this is a lot this happens a lot with the dinosaurs or creatures in this where they just hear and they don't do much the blyasaurus here the saber tooth cats here I can only imagine it's it's just it's a bit like when dominion put in the dimetrodon to try and hype up spider fanboys uh remember that scene from just about three maybe they'll have a spider and then it wasn't but maybe you know we still have yet to see how this game develops and we have another trailer to check out as well a lot of the dinosaurs or just on the idle animations like this one I think this raptor here and also this raptor uh they both do the same animations they both turn their head and do a shake or something if you watch carefully so they're also yeah see or maybe they're no they're animated separately but again basically it just feels very staged to me anyway the other scene this scene here especially where you do have a first person but when they're moving they're not moving of course the game's not out yet it's still a lot still a lot of polish to put into your game but at the same time why show in the trailer if it's not you know if it doesn't look good and if you're gonna show actual gameplay show actual gameplay um the only thing I can think of is that they didn't really have too much to show but they had a deadline and they had to meet it possibly I mean that's just me speculating but again you have these raptors come towards the camera and they don't really do anything they just kind of go uh there you go and then we cut to another a shot that maybe it's exactly gameplay footage but to me it seems like they've added a few little uh touches to make it look even better here and there but again we just have a flying dinosaur because showing that we are gonna have flying dinosaurs I really don't know especially if you look closely at this uh this thalasso whatever it's called um it's leg it's gonna be really long in the back I think what they've done is they posed it in a way that looks cool but you know so it's not real gameplay footage anyway to me it felt very staged I'd love to be proved wrong and now we're gonna take a look at the latest trailer with hopefully I'm wanting to see some actual gameplay I'm wanting to see some actual just some AI you know some some of the the dinosaurs actually being controlled by something or maybe chasing you or looking around doing their actual animations that you would see in game here we go so this is the one they've just released now um this is alpha footage okay very slow diablo seratops right so we're actually seeing some gameplay footage now right so a time travel thing why are we lingering on that shot so much why do we get a drop okay okay I mean do I need to say much else everything that I basically said about the oh god those funds man what a dare double space to play it oh my god what how many funds do you want to have oh no no no no no no no that just proved everything like this this was basically this came out I think the other day a whole year after that previous trailer so I was expecting to see some really good progress but if we if we just go through it again some more like it says does this one say pre-alpha footage no this one doesn't say pre-alpha footage although it sort of comes up there we've got this person walking over their very floaty footsteps so it seems to me that they're just doing a walk cycle and they just moved it across so again it's not really I mean it's filmed in engine but it doesn't feel real it doesn't feel like there's a person with a controller on that it's just they've stuck the camera on the model and then look they have like free run with the camera they've just pointed it down this Diablo seratops I mean I'm sorry about the the crazy bit right here when I'm pausing it all the time it's very slow again it seems like whoever is in control of this production is focusing way more on the shots rather than showing us an actual game I don't know about you again we're seeing loads of dinosaurs uh like an eucalyptus are there for what reason uh no reason it's just doing a raw aqua sir aqua sir gliding so effortlessly and then we just have a crocodile like what are we looking at here why did you put this in a trailer it's like oh yeah we made a crocodile great um what are you what are you trying you trying to tell me we have a crocodile great but it's not even animated and it's not even in any scene what are you I might be only want to see like yeah I mean some of this is cool but again we're seeing lovely models lovely environment but no actual gameplay this is a game I mean you could say oh well I reload a thing I don't know about you I'm like I said I come from a little bit of a jaded perspective where we have been taken advantage of in the past and hype has gotten out of control and then before we know it the rugs pulled and we're left with an unfinished game um I was I was really hoping to see something here that would just cement in my mind that this is going to be really cool at this time thing when we're going back in time to all different universes where like oh there's a carnitaurus there and I mean yes look at they're pre alpha footage showing us this beautiful eggs uh rendered tribal stone or rock with um I don't know it's a lovely hand with blood and it's very well textured but to me that looks like this has just been made for this one scene maybe it's not maybe the game is beautiful and for some odd reason they're not showing me what I need to see to really believe this is going to be great and what we will do we're going to look at some other dinosaur games that I personally feel are more promising because of what they've shown not to say that they're better than this just trailer wise definitely there's also a new game we're going to look at after this as well as just being um released and this scene as well again they love this slow mo epic shots I get what they're trying to do it and one thing I want to uh say here is that the audio that the actual soundtrack itself is beautiful but I don't think the images and footage used for it really fits now the guy who makes the audio I did look this up it's um say I looked it up and then I lost him Darrell that's it Darrell Darrell has done some absolutely beautiful uh remixes of Jurassic music and I'm curious as to whether the people who made this game saw him make the Jurassic Park orchestral remixes and Jurassic World orchestral remixes and went we basically want you to make that for our game because just do that for that and there's a couple of people that I I follow who make music Theo Fanny is one of them beautiful musician and uses like real instruments and everything like that for the woodwind and it's it's I it's out of this world honestly um but for this one you you have I I get what he's trying to do what he's been told it sounds like they went this remix that you did for Jurassic World make it into this make it fit for this but this shot as well is I like what do you show me you'll show me a sauropod and it leans up and that's it and that's supposed to be the big like the drop of the music happens and everything and then yet I I'm assuming you know none of the modelers of the dinosaurs had anything to do with this shot in particular this is the guy an editor who put this all together possibly even the main guy behind it I assume I don't know uh just was like okay well we need to say it's on steam go to the website and you can play test it um I feel like after making this video they're gonna be very don't let him anywhere do hey if you want to turn a critic into a believer I'm all I'm more than happy but I don't know leave in the comments guys what you think about this um but before we move on to the newest trailer that's been released I do want to showcase another dinosaur game that is in production that has a similar vibe but from the trailers anyway for me I think it's shown a lot more promise now very possible that this um doesn't have a better title this is called the lost wilds if you remember it very similar to the aisle you've got this um like abandoned tech facility but already we've got animations that feel like they're actually interacting with the environment here you've definitely got some body like this looks like gameplay it feels like gameplay might not be but it feels like it and that could be very scripted event yes but I don't know just something about this this came out 10 months ago two months after Instinction came out um and it's I don't know it feels like yeah they're definitely this is pre-alpha footage definitely that it says it in the actual trailer itself but already I'm seeing gameplay elements I'm seeing what to expect from this you've got inventory you've got like how to avoid dinosaurs you've got a lot of information being thrown your way in such a short period of time the lost wild I mean maybe they're going to do more I'm not too much of a fan of the tile but it definitely just has that polish to it and not long after they published this they also published trailer so here we go this is the actual trailer these both came out in quick succession but I don't know I feel like Instinction actually got a budget from Epic like a grant I don't know if this one maybe it was this one of them did but it definitely feels like this this looks like a cutscene 100% with that hand but this out of both of them if I was to be honest this one seems the more promising it looks so good it feels as though I'm watching a movie I don't know if I've actually seen this one I think I've only seen the other one of the Alasaw I've played a lot of indie dinosaur horror games and it feels like it's one of those except for it's had a lot of polish put on it and a lot of work interesting that they're focusing on one sort of dinosaur they're focusing on the Alasaw there might be another one in there and that's a bet yeah okay they made a better better logo now they put like the islands in or something I think maybe that's what these are but anyway looks a lot better I don't mean to compare I just for me personally I don't know I don't know I leave the comments tell me what you think but there is another dinosaur game that's like came out of nowhere and it's called ferocious I think it is but we'll have a quick look at that trailer and now that we've got a good background of maybe you know games that are coming out the look promising let's have a look at how this one compares right here is ferocious pc gaming show in-game footage work in progress oh very hey everyone my name is Leo and I'm the lead developer of a new action adventure game ferocious oh okay I began working on ferocious a few years ago with the idea of creating your first person shooter in timeless lost world type of setting combining all the top action with exploration and the sense of wonder looks like oh okay animation could do this slowly we were always inspired by mysterious places frozen time that you may have seen in movies like king kong and Jurassic park the end of the setting is a new gameplay opportunities with classic first person shooter mechanics similar to early installments of franchise like file crying crisis the flexibility of a unity engine allows us to create unique solutions to some environmental features such as custom water effects and realistic vegetation like god looks like the same as in fiction you can also scan the tank crafted assets you create a world both scary and beautiful however there are some things waiting for you in a jungle that we couldn't find any reward references for soviet improvise oh interesting yeah very excited as I am feel free to wishlist and follow the game on steam as well what when the hell is this coming out okay so nice that we've got some like a developer it seems talking us through this and they actually admit that they've been very inspired by stuff like king kong because this it looks as though they've taken the king kong game that came out as well as turrock that you know that one I played where it was all about quick time events and wolf pack and all that jazz this scene alone it looks like they he just really really liked the scene from the king kong when they land on the island and we get stuck because you got a boat knocked against the uh the rocks there not that it's unoriginal but you got crabs which is interesting because when you think of a dinosaur game you don't think let's put in giant crabs but the king kong game actually had giant crabs so here we go not only easy referencing stuff like skull island and things like that but you've also got giant crabs I don't want crabs leave me alone um so more than just a little bit of inspiration there I feel but we're seeing a lot of gameplay here a lot of things being like you're shooting your gun things are reacting to your gun being shot um yeah looking really promising but the fact that this is just kind of came out out of nowhere and you can put it on your wish list let's have a look I'm curious they'll quickly go and steam and just see when this thing's supposed to come out right okay so it's publisher is tiny build but the developer has no other titles behind them but yeah I mean this shot like that shot right there skull island 100 score I don't know what kinds of dinosaurs these are supposed to be probably not supposed to be any particular dinosaurs I assume maybe like a patasaur or something like that uh brontosaurus god knows um but again I'm not really seeing too much here it could very easily go the same way instinctions going and going we're going tribal we're going back to freaking Aztec Mayan ruins or something of a similar ilk uh and then you've got two ways you got let's go prehistoric or let's go futuristic and mess with uh genetics um and this is with the two ways that the dinosaur game seemed to go the isles very much genetics um the lost wilds is genetics and then all prehistoric extinction and now ferocious uh we're going to link it in with some voodoo magic or god knows what else anyway I just wanted to showcase this um because it's very interesting that we're getting these games coming out now and they're all very kind of similar they're all running on beautiful engines they're all into like overgrown uh facilities or places with dinosaurs now um but for me if I was to rank them I'd probably put uh the lost wilds up top possibly then ferocious then followed by extinction there are other dinosaur games remember we had the left the dead dinosaur uh game that was announced a long time ago I can't remember what it was called now that was it it was death ground I think yeah the one with the t-rex that rolls in the uh when you're in the car but that I mean you know we've been waiting for that for a long time now and I don't think I've really seen any new things yeah oh my god the death ground trailer came up no hold on I'm just gonna put this up here hold on the death ground trailer came out two friggin years ago and had the old like you know raptors there and yeah I think they've done a couple of things but seems that they're just working on this other game gunjam um but there here we go and then eight days ago from go you know go from a year to eight days ago all they've showcased is a raptor teaser like the new model hopefully they're working on it hopefully but are they posting news on here is is the question that's a year ago damn within a year they've only posted four updates anyway guys I don't know how much there really is left to say when it comes to these dinosaur games you've got to be incredibly careful you know uh these games that aren't going to Kickstarter I don't think Instinction is or any of the other ones like ferocious or into the wilds seem to have the most promise it always feels like when I see a dinosaur game on Kickstarter or Indiegogo with the exception of Path of Titans actually which I was very hesitant about to start with but then it turned out to be really good um but when I always see them go to a Kickstarter it doesn't feel it doesn't fill me with confidence and I think death ground is is showcasing to me that yeah that um that was not a good idea uh hopefully fingers crossed they're you know they'll come out with a trailer and it'll be amazing or something maybe they'll an upcoming release date tbc um but anyway guys I just want to put it out there because you know it's always fun looking at these new dinosaur games and speculating wondering what they could be but also we have to err on the side of caution a lot of the times because let's be honest if there's people out there who want to make a quick buck and if they all they have to do is just put together a pretty trailer for a dinosaur game then they'll do it and unfortunately we've all learned our lessons I think hopefully well there you guys have enjoyed the video leave a like and until next time I'll see you guys later oh bye bye


Bonjour, bonjour, hello everyone. I hope you're doing great. Welcome back to my channel. Today, I'm gonna speak about F1 setup. Did you ever wonder why Formula One driver when they finish a session, they run to their motorhome or engineering truck and you don't see them 30, 45, one hour after the session. Well, they go into the engineering meeting so everyone normally is gonna head set and you speak with all the engineers on site but also the one back at the factory. So there's a lot of engineers working. Everyone is looking at the data. The drivers are doing a debrief and the debrief goes into three major points. Those three points are aero, tire, control power unit. So let me break them down. Aero, what do we do when we speak about aero? And aero point number one has got delta two map, total downforce. We've got stability, ride out envelope and the last point cooling. Okay, let me go through those four points. So delta two map, total downforce. You know that team uses wind tunnel. So in the wind tunnel, you've got a perfect condition. You've got your car, 60% model and you've got your total downforce. Then you go on track and the car has zero before leaving the garage and then they run on the track and there's a lot of sense on the car. So we do aero run. They're normally done at 200 kilometers an hour on a straight, constant speed and that will give us the total downforce that we are producing on the track. Then the delta two map is the difference between where you get on track and where you get in the wind tunnel. Most of the time, 98% of the time the data, the downforce on track is lower than where you get in the wind tunnel, which is normal, but that delta, the smaller the delta is, the better it is. That is the first big point that you look aero wise. Number two, I say stability. That's the stability of your floor. That's the stability of your brake drums. That's the stability of the aero parts. So when we, same thing, there's this sensor everywhere under the floor as well as under the brake drum. Those inlets inside the rear wheels that are inside the rear wheels between the rear wing and the rear wheels. And we make sure that there's no stall. You actually want to stall from the floor at very high speed because that reduces a lot of drag. But as soon as the car lifts up the ground, you want that stall to recover very quickly to generate the downforce again. So stability of those parts is very, very key. It's great to have a car to produce a lot of downforce when you go into straight line, but if as soon as you turn the wheel, or as soon as there's a yaw motion in the car, meaning the car start turning, you lose the stability, you lose the downforce, it's pointless, it's not gonna go fast. Number three is the ride height envelope. So that is where you want to run the car on track. We've seen not so much in 2022, but mainly 2020, 2021, you could see the Red Bull with a lot of rigs. So the rear of the car was super high and the front of the car was low. The Mercedes was much more of a flat baseline. That is up to do with the aero map and the ride height envelope. So stiffer the springs are on a Formula One car, better it is for the aero because the car is always in the same position. But obviously it's less good for the mechanical grip. So you won't find the perfect balance between having the mechanical grip when you go on throttle out of an airpin because at 100 KPH, there isn't much downforce, but you want to make sure that when you're going through a very high speed corner, your diffuser, your rear of the floor is not too low, so you still have a lot of downforce. So that's how you control the ride height envelope with the springs and where you set up the car statically and then where it's gonna end up dynamically. Number four aero is the cooling. Yes, it is a big part. Formula One have got different bodywork depending on the outside temperature, depending if it's gonna be hotter or colder on Sunday for race day.  You open your body on the Formula One car less downforce you have. So it's pretty bad to open the cooling, but if you over heat the engine and you blow it off, you're not gonna finish the race. So it's really finding that trade-off between oil temperature, battery temperature, water temperature, hydraulic system temperature, clutch temperature, I'm making sure that all of those are in as close as you get from the limit, right on the limit, but not any higher than that. So those are the first, aero is the first big topic and we've got those four points with an aero. Then I say tires. So what do we do with tires? So here's my map if you can read my bad writing. So within tires we've got few things. Carcass temp, so what is carcass temp? Carcass temp is the temperature of the carcass of the tire. It is the most important one to be fair if you want to generate the grip. A tire is just a chemical part, rubber, chemicals and whatsoever, and if it gets to the good temperature, it melts just enough that it sticks to the ground. So carcass temp, how can we work on a carcass temp? Well, few things. Brake cooling, you know the brakes, they go into 1000 degrees Celsius on the braking, so if you use the heat from the brakes, it goes onto the rim, we use it. Brake temperature and rim heating goes together. The FIA tried to ban those systems, but you could see a lot of different brake cooling system in the past to take the heat from the disc and bring it to the rim. Even the rim design, the rim was designed in a way that they were, depending which one you wanted to use, they were taking more or less heat from the brakes. Blanket temperature, yes, you can choose to, we've seen sometimes teams removing the blanket prior to the car going onto a corner lap, but like 30 seconds or a minute before. So you're trying to bring back the tires to a lower, the carcass to a lower temp before starting your run. Obviously that doesn't work in the race, but for a while it works well. Then number two, have put surface temp. Surface temp with camber, tow and driving. So more camber we put on the car, more we're gonna work on a smaller part of the tire, so we're gonna generate more heat on that part and increase surface overheating, but also more camber, it's more grip most of the time. So it's finding that right balance. Same thing with the tow, that's most of the time at the front, but you can also play at the rear. Open the tow, you get more drag, you drag the tires down the straight line, you generate some surface temp, same thing at the rear, the rear it's in, at the front it's out, most of the time. And you drag the tires down the straight line. It costs you straight line speed, so you don't really want to use it too much, but whenever it's a cold weather, it's a very good tool to help the car. Also putting more tow in at the rear and tow out at the front, that stabilizes the car. On entry, imagine when you put your first thing, input the wheels at that way, so the inside one goes inside, but the outside one, all the way is not that much, but it's kind of pointing not straight in. So it kind of slows down the car, slows down the car going into the corner. And driving, yes, surface temp is, the driver can have a big effect on it, depending on how much slip you put. I mean, depending on how much braking demand, how much energy into the brakes, how much into the tires and the braking you put. Are you locking the tires? No, are you wheel spinning on exit? That's all down to driving. And there you can see through data, but that's gonna be for another video. So then we're gonna go to the last point, temp. Start of the lap, end of the lap temperature. That's mainly for qualifying. So what happened and why do we sometimes see car going very slowly on the out lap is because they have a target start at the lap temperature. And we have a target end of the lap temperature. So we spend most of the lap at the best one, right? So sometimes we start very cold and we finish very hot. Sometimes you have to start hotter and you don't generate that much. It really depends on the race track. Suzuka is a good example. Suzuka, you have a big, big race of temperature because it's a lot of high speed corner. It's a lot of energy going into the tires.  Some other places, it's a different story. Maybe Monaco, sometimes you need a couple of laps to get them to work. So yeah, that's something that we know before going into qualifying. And we've got the target that we need to achieve.  I mean, they're on the target. My tires are too hot. The word target, right? As simple as that. Number three. Number three was a control power unit. So what have we got? Controls power unit. We've got the differential. Differential. We've got the brake, balance, migration. Brake balance, engine torque, harvesting, Controls power unit, different shoes. What is it? Formula one use hydraulic differential. So you can set it up. You can change it on the wheel. If you haven't seen it, by the way, I've made a video about Formula one steering wheel. So please make sure you check it out. You're gonna see what is. And the differential we can set it up in the car. So we've got three phases for the differential. Entry phase of the corner under the braking middle phase of the corner. No brake, no throttle. Exit phase of the corner on the throttle. The one that you change most of the time is entry and mid.  There is between the two rear wheels. So they work together. So imagine if it's completely blocked, the rear wheels are gonna push the front of the car. So you're gonna understand. More open they are, more free the car is, more it turns. So basically into an air pin, a very tight air pin. You want the differential to be very open so the car rotates well. Into an high speed corner, you want the differential to be locked so the car is super stable. So we can change that with the control engineer. Then brake balance, migration, brake balance. Brake balance is very straightforward. There's so much brake balance there is between the front and the rear axle. Typically 55%, between 55 and 62% at the front and the rest at the rear. 45 to 38. So that's where the brake balance is. But then brake balance, migration, what is that? Well, that is how much migration we get either to the front, either to the rear when we release the brake pressure. So in Formula One, you brake super hard bringing of the corner. You've got a lot of downforce on the car. Slower the car gets, less downforce you have. So you have to release slowly the brake pressure until you get to the middle of the corner when you go back on throttle. Depending the corner, depending the balance of the car you can decide how much migration of the brake balance you want. Most of them in my career have been driving with brake balance migration towards the rear. So we normally suffer with front locking at the end of the braking so more you release the brake pressure, more brake balance goes to the rear. And you can change that shape. It is, let me show you. That shape, if you imagine, brake pressure 100, zero. And that's the B-ball. We start here. You can migrate in different way or you can stay flat, right? So you can decide, hopefully that was clear, you can decide how much migration you want to put through the rear wheels or the front wheels. You can go the other way. You can go push it forward depending, again, of your car balance. Then I put engine torque. Yes, you can change how much engine braking you get. It's not really engine braking but in which friction the engine's got. So you've got the normal number. When you're off-brake of throttle the engine gives you a certain engine friction but with the hybrid system we can increase that. You can use the electric motor as a handbrake if you want. So again, in an airpin, if the car doesn't really want to rotate the way you want you can increase the engine braking. So when you lift off the throttle it's gonna slow down more. On the opposite, if you're really struggling with your rear end you can push it forward and therefore have the engine pushing all the time the car. So stabilizing it. Throttle response, how much, what is your throttle shape? How much when you go on throttle is it linear? Is it helping you a little bit to avoid wheel spin? Is it actually pretty abrupt? I'm more glad it likes the abrupt initial part when I go on throttle like a good response and then manage the wheel spin later but everyone is different. And the harvesting, how much battery you recharge per lap and where you recharge it, where you want it to kick in, where you don't want it to kick in.  Do you want to get the electric engine to kick in or not in that aspect? So that's all the balance that you can find into the engine department. So control unit is a big one. Please, as always, subscribe, like, comment. I read all your comments, guys. I love them. Please make sure you leave it and that you ask me what you wanna know about Formula One. They are things that looks obvious to me but I know some of you are curious about it so happy to explain. Hopefully I was clean off and today I wasn't Chinese. I did my best. So yes, thank you again and I'll see you very soon.


We'll join us in just a moment. Yankees get a 7-5 win in the opener against the Twins, continuing their strong play against Minnesota, but Jack, in the end, why not make it a win of two runs or less, because that's the Yankees specialty. A familiar result, the Yankees beating the Twins and a game being close, but a different script, Bob, because the Yankees were ahead 6-0 after four innings in this game, thought they were going to coast, but the Twins fought back and made it close, and this game got a little more dramatic and a little more suspenseful, and I think the Yankees anticipated, but Tyone was on his game for most of this game, retiring 14 in a row at one point. The Twins could not touch his fastball, but then in that sixth inning, they got four straight hits, three of them on fastballs. The Yankees had to go to their bullpen. They get 11 outs from the bullpen to help make sure they clinch this win, but how about the bottom of that Yankee order? Velazquez and Higashioka hitting 7th and 8th, combined for four hits, four runs scored, and three runs batted in, so the Yankees getting a lot of contributions. They've now beaten the Twins 18 of the last 20 at Yankee Stadium.


This is like this is a YouTube channel Jared wishes that I had All I'm saying is that like if you have a YouTube channel, why not do all the goofy stuff? You know no cuz I'm a serious educator Today, we're gonna do the gross out challenge, which I'm not even sure if this is an actual challenge video We're gonna make it up This video is sponsored by Vanity Planet Sonic element toothbrush if you use my coach and 75 in the info box below You get 75% off if you want to see what they have to offer Me and my very clean mouth are thrilled to tell you about Vanity Planet's elite elements Sonic toothbrush the elite element Sonic toothbrush is available in silver gold and charcoal It comes with three brush heads and a UV sanitizer that kills bacteria on your brush And now speaking of your brush. There is four brushing modes and a two-minute smart auto timer 30 seconds for each corner of your mouth. Here's my fave game-changing part about all of this It has a long lasting battery now a full charge can last you for up to two Freakin weeks now the sad truth is that many people neglect their teeth and they associate dental care with Vanity But having bad oral care can lead to health problems like heart disease So if you don't have a great electric toothbrush that you love now is your chance this toothbrush is originally $250 but using my 75% off code you can get it for $63 and again that code is Shan 75 and use it at the link below that is in my description It also comes with a satisfaction guarantee. Do I gross you out?  Yeah, do you know whisper it to me?  So today we're going to do a video where we're just gonna try to gross each other out We're gonna do it in phases. I have a plan Jared has a plan. So we're gonna try to put this together. Are you ready? True rock-paper-scissors who goes first rock-paper-scissors match And we already had this whole discussion. That's that Canadian thing every time you want to do an extra pound No, no, it says rock-paper-scissors match That's the that's not how it goes. Okay. Let's just count to four and then do it. No, let's do it the real way rock-paper-scissors Okay, let's go rock-paper-scissors match For real this time, okay, rock-paper-scissors match rock-paper-scissors match That's me.  This is phase one. Don't don't get scared now. Bring your face Get on to me down Just go I gotta do all the extras That was erotic, I don't know about you guys. No, that was hot. So Every time we go and watch a movie Shannon literally closes her eyes when she sees blood if I cut myself She's the last person to be around For my challenge. I'm gonna make her watch an entire video of a surgery Hopefully they have them on YouTube because I don't have like stock footage of people getting in surgery You had some They cut to that Or just the fact that that bug introduced right to itself to that area. We're gonna cut the whole thing. Oh, it's so gross I can't do this.  What are you doing? You got a lot? You have to watch. No, this is the gross out challenge. You got a stance burn strong Okay, I'm grossed. I'm grossed out We just taken all the fun out of the video Round two.   I need a spoon. Give me some please Yeah, you don't help on your challenge. You got to figure out Don't help on your challenge Go that was a bit gross to me too So for my Second round, I'm going to go make a nice little cocktail With different ingredients that I find in the kitchen. So I'm gonna actually go right now We'll take our handy-dandy go pro Don't turn around I'm not gonna turn around we're officially sad about our lives and not feeling well Let's do this final round final round.  He doesn't trust the fact that it's electronic You don't have to be like a maniac be like So this is grosser for me than it is for you mind you mind a little stained Yeah, what happened? I think it's I drink tea. So I drink coffee True you drink it black as well. All right As our final thing we're gonna brush with each other's thing. How do you feel about this? This is a big deal to you. Yes. Yes, I'm just trying to tell myself. This is my toothbrush. It's not though. Cheers I So long Do you feel closer or further away grossed out But do you feel like now that we've done that we can do anything together? No? Look at my tongue. I cannot as a final. No, we're done The three gross out challenges are open. Just a look. Would you guys like to see a tongue like no? Would you is that not just French kiss in the outside world? please Wanna see this is why this right there? Okay, so that is a gross out challenge I'm gonna encourage you guys to go in the info box below to check out the vanity planet sonic element toothbrush We have been using it now for a few months now We were actually supposed to put this video out two months ago But they sold out and they continuously sell out of the toothbrush because the deal is so incredible And we're offering 75% off of that So if you don't have an electric toothbrush and you want to give it a try Honesty incredible. I'm gonna be honest right now. I was looking at the pictures for my book cover. My teeth look real white I'm not one of those like white teeth people I've often gotten you know, Taha told me my teeth are yellow for a year as a friend He was trying to help me out, but still it seems like a time thing Yeah, it does so I'm not like one of those white teeth people So thank you to vanity planet for you know making an adjustment in both of our lives and from bringing us closer together Maybe you want to say I'm grossed out Okay, I'm grossed out in love