Hey everybody, Dr. O here. This video I want to cover some terminology that's going to help you as you learn the musculoskeletal system or your skeletal muscles. We're going to start with origin, insertion, innervation, and action, just so you know this is not a kinesiology class. I'll come back through and do a round of kinesiology videos where I do go through for each muscle, each origin, insertion, innervation, and action. But location and action are the primary focus right now. Like I said, I've done that in the past. I'll come back and do another kinesiology series in the future where I mine even deeper. Now, I do want you to know what the terms mean. So let's start with origin and insertion. So most muscles have two attachment points, and origin and insertion. Here's how I remember them. The origin is usually going to be the most stable ends. Like if you look here, you see the biceps. When the biceps break, I contract, the movement is happening at the elbow. That means the origin of the biceps is going to be up in the shoulder, the part that's not moving when that muscle contracts. The insertion is going to be the more mobile end. So the origin of a muscle is the more stable or fixed end. The insertion is the more mobile end. Another hint, almost always, the origin is usually proximal, and the insertion is going to be distal. So that's how you tell the difference between an origin and insertion. They're both attachment points. Which one's moving more? That's the insertion. Then we have innervation. Innervation is just which nerve controls that muscle. So I'm not asking you to know that at this level right now, but I will come back through and explain the individual nerves that control individual muscles. All right, and then we have action. What does the muscle do? So the action is good. So like I've already mentioned, the biceps brachii is going to flex the elbow, but it also is a supinator. So it actually is going to have two key actions. Some muscles have a whole lot of actions. Some just have one. So that's origin, insertion, innervation, and action. So you're going to see that a lot of times you're going to have several muscles that are going to have the same actions. You can even see here on this one image, the biceps brachii, the brachioradialis, and the brachialis are all involved in elbow flexion. So let's go into a little bit more terminology here. So first, muscles are either going to be an agonist. So the agonist or prime mover when it comes to elbow flexion is the biceps brachii. So the agonist is the muscle that produces a particular movement. Reason agonist is important is because muscles then have antagonist, and antagonist would be any muscle that opposes that movement. So for smooth movement, for me to flex my elbows here, it's just as important that the elbow extensors like the triceps relax as it is the elbow flexors like the biceps contract. So an agonist or prime mover is the key muscle that does some action. The antagonist would be any muscle that opposes that action. So the antagonist to the biceps is the triceps because the triceps extends the elbow, it straightens the arm back out. But we usually only call one muscle the agonist or the prime mover. So other muscles that have the same action are going to be given different names. They're usually going to be called synergists. As you can see here, the brachioradialis and brachialis are both being called synergists. So they're smaller muscles that assist that prime mover, the biceps. Sometimes they initiate the movement like another example is abduction of the shoulders. The deltoid is the most important shoulder abductor. So it'd be the prime mover or agonist. But the little supraspinatus muscle there, one of your rotator cuff muscles, it initiates the action. So I'd call that a synergist. There are other synergists that their job is actually to stabilize an area so they hold an area still so that an agonist or prime mover can do its job. Those would be called fixators. So the key words there are agonist is the muscle that does something, a particular action. Antagonists oppose that muscle and do the opposite action. And then synergists are going to be any muscles that help that prime mover do its job. But then you can use the term fixator if you want, but I won't make a huge deal out of that. So this picture is showing you picking up a cup to take a drink. So obviously to do that, it takes way more than one muscle. If you take kinesiology, you know that lots more muscles than even this is involved. But we're just saying the biceps is the primary muscle to flex that elbow so I can take this drink of milk or whatever it is. So that's going to be the agonist. And you have all these other muscles that are helping. Those would be your synergists. And if they stabilize an area, they're called fixators. So don't fixate too much on those last few terms. But origin and insertion are the two biggest terms. Action, I'll talk about the action of every muscle we talk about. Those are all very important terms. And then agonist versus antagonist also important. Okay. I hope this helps. Have a wonderful day. Be blessed.


I would advise new students to grasp every opportunity offered by the university to socialise and work on their personal development. Go join a student association or study association or a sports association, anything you like, because you will develop your soft skills next to all the things you learn here on the table at the university. Keep on reflecting on your behaviour, that way you'll learn the most out of everything you do here at the university. For everybody, that is the perfect association. Don't mind it, sometimes certain activities or committees don't seem to suit you, but you only know for sure when you've tried it. Try to build up a network beside your study and have a lot of fun. Really look around the university further than only your study to develop yourself. Maybe you can join IESN, it's an international student association. I had a lot of fun there, again a lot of experience there as well. I would encourage everybody to visit another country on the exchange semester, because it will broaden your horizon and give you tons of new culture insights. We have a lot of international students, so we can see different perspectives from different cultures as well. If you're up for the challenge, make sure you participate in an honours programme. Find some student jobs that suit you. When you first arrive in Tilburg, it's probably going to be super overwhelming, but don't be afraid to look out for all the different things out there. It's up to you how busy you will make it for yourself.


Book 2, Chapter 13 of THE HISTORY OF POMPEY THE LITTLE THE HISTORY OF POMPEY THE LITTLE or THE LIFE AND ADVENTURES OF A LAPDOT by Francis Coventry Book 2, Chapter 13. Pompey returns to London, and occasions a remarkable dispute in the mall. Once more, then, our hero set out for the metropolis of Great Britain, and after an easy journey of two days arrived at a certain square where his mistresses kept their court. To these ladies, not improperly, might be applied the question which Archer asks in the play. Pray, which of you three is the old lady?  Now, as fortune often disposes things in the most whimsical and surprising manner, so it happened that one of his mistresses took him with her one morning into St. James's Park, and set him down on his legs almost in the very same part of the mall from whence he had formerly made his escape from Lady Tempest near eight years before, as is recorded in the first part of his history. Her ladyship was walking this morning for the air, and happened to pass by almost at the very instant that the little adventurer was set on his legs to take his diversion. She spied him in a moment with great quickness of discernment, and immediately recollecting her old acquaintance caught him up in her arms, and felt a kissing him with the greatest extravagance of joy. His present owner perceiving this, and thinking only that the lady was pleased with the beauty of her dog, and had a mind to compliment him with a few kisses, passed on without interrupting her. But when she saw her ladyship preparing to carry him out of the mall in her arms, he advanced hastily towards her, and re-demanded her favorite in the following terms. "'Pray, madame, what is your ladyship going to do with that dog?' Lady Tempest replied, nothing in the world, madame, but take him home with me. "'And pray, madame, what right has your ladyship to take a dog that belongs to me?' "'None, my dear,' answered Lady Tempest, but I take him, child, because he belongs to me.' "'Tis false,' said the other lady, I avert to be false.  To this Lady Tempest replied only with a sneer, and was walking off with our hero, which so greatly aggravated the rage of her antagonist that she now lost all patience, and began to exert herself in a much higher key. "'Madame,' said she, I would have you know, madame, that I am not to be treated in the superlative manner. Your ladyship may affect a sneer, if you please, madame, and show a contempt, madame, which is more due to your own actions than to me, madame, for thank heaven I have some regard to decency in my actions.' "'Dear Miss, don't be in a passion,' replied Lady Tempest. "'It will spoil your complexion, child, and perhaps ruin your fortune. But will you be pleased to know, my dear, that I lost this dog eight years ago in the mall, and advertised him in all the newspapers, though you or your friend at Cambridge, who did me the favor to steal him, were not so obliging as to restore him? And will you be pleased to know likewise, young lady, that I have a right to take my property wherever I find it?' "'Tis impossible,' cried the other lady, "'tis impossible to remember a dog after eight years' absence. I aver it to be impossible, and nothing shall persuade me to believe it.' "'I protest, my dear,' answered Lady Tempest, "'I know not what sort of a memory you may be blessed with, but really I can remember things of a much longer date. And as a fresh instance of my memory, I think, my dear, I remember you representing the character of a young lady for near these twenty years about town.' "'Madame,' returned the lady of inferior rank, now inflamed with the highest indignation, "'you may remember yourself, madame, representing a much worse character, madame, for a greater number of years. It would be well, madame, if your memory was not altogether so good, madame, unless your actions were better.' The war of tongues now began to rage with the greatest violence, and nothing was spared that Witt could suggest on the one side or malice on the other. The bows and bells and witlings who were walking that morning in the maw assembled round the combatants, at first out of curiosity and for the sake of entertainment. But they soon began to take sides in the dispute, till at length it became one universal scene of wrangle. And no cause in Westminster Hall was ever more puzzled by the multitude of voices all contending at once for the victory. At last, Lady Tempest, scorning this ungenerous altercation, told her adversary, "'Madame, if you please to scold for the public diversion, pray continue, but for my part I shall no longer make myself the spectacle of a mob.' And so, saying, she walked courageously off with little Pompey under her arm. It was impossible for her rival to prevent her, who likewise immediately after, quitted the maw, and flew home, ready to burst with shame, spite, and indignation. Lady Tempest had not been long at her toilette before the following little scroll was brought to her, and she was informed that a footman waited below in a great hurry for an answer. The note was to this effect. "'Madame, if it was possible for me to wonder at any of your actions, I should be astonished at your behavior of this morning. Restore my dog by the bearer of this letter, or by the living God, I will immediately commence a prosecution against you in chancery, and recover him by force of law. Yours, blank!' Lady Tempest, without any hesitation, returned the following answer. "'Madame, I have laughed most heartily at your ingenious epistle, and am prodigiously diverted with your menaces of a lawsuit. Pompey shall be ready to put in his answer as soon as he hears your bill is filed against him in chancery. I am, dear Miss, yours, Tempest.' CHAPTER XIV A terrible misfortune happens to our hero which brings his history to a conclusion. This letter inflamed the lady so much that she immediately ordered her coach and drove a way to Lincoln's inn to consult her solicitor. She found him in his chambers surrounded with briefs and her ringing to two gentlemen who had made him arbitrator in a very important controversy concerning the dilapidations of a pigsty. On the arrival of our lady the man of law started from his chair and conducted her with much civility to a sati which stood by his fireside, then turning to his two clients whom he thought he had already treated with the proper quantity of eloquence. "'Well, gentlemen,' said he, when your respective attorneys have drawn up your several cases, let them be sent to me, and I'll give determination upon them with all possible dispatch.' This speech had the desired effect in driving them away, and as soon as they were gone, addressing himself with an affectation of much politeness to the mistress of little Pompey, he began to inquire after the good lady her mother and the good lady her sister. But our heroine was so impatient to open her cause that she hardly allowed herself time to answer his questions before she began in the following manner. "'Sir, I was walking this morning in the mall when a certain extraordinary lady, whose actions are always of a very extraordinary nature, was pleased in a most peculiar manner to steal my lapdog from me.' "'Steal your lapdog from you, madame,' said the man of law. "'I protest a very extraordinary transaction indeed. And pray, madame, what could induce her to be guilty of such a misbehavior?' "'Induce her,' cried the lady eagerly, "'Sir, she wants no inducement to be guilty of anything that is audacious and impudent. But, sir, I desire you would immediately commence a suit against her in chancery, and push the affair on with all possible rapidity, for I am resolved to recover the dog if it costs me ten thousand pounds.' The counselor smiled and commended her resolutions, but paused a little and seemed puzzled at the novelty of the case. "'Madame,' said he, "'undoubtedly your ladyship does right to assert your property, for we should all soon be reduced to a state of nature if there were no courts of law, and therefore your ladyship is highly to be applauded. But there is something very peculiar in the nature of dogs. There is no question, madame, but they are to be considered under the denomination of property, and not to be deemed faraway natharae, things of no value as ignorant people foolishly imagine. But I say, madame, there is something very peculiar in their nature, madame. Their prodigious attachment to man inclines them to follow anybody that calls them, and that makes it so difficult to fix a theft. Now if a man calls a sheep, or calls a cow, or calls a horse, why he might call long enough before they would come, because they are not creatures of a following nature. And therefore our penal laws have made it felony with respect to those animals. But dogs, madame, have a strange undistinguished proneness to run after people's heels. "'Lord bless me, sir,' said the lady, somewhat angry at the orator's declination. "'What do you mean, sir, by following people's heels? I do protest and acervate that she took him up in her arms and carried him away in defiance of me, and the whole mall was witness of the theft.' "'Very well, madame, very well,' replied the counselor. I was only stating the case fully on the defendant's side, that you might have a comprehensive view of the whole affair before we come to unravel it all again and show the advantages on the side of the plaintiff. Now though a dog be of a following nature, as I observed, and may be sometimes tempted and seduced and enveigled away in such a manner as makes it difficult, do you observe me, makes it difficult, I say, madame, to fix a theft on the person seducing. Yet wherever property is discovered and claimed, if the possessor refuses to restore it on demand, on demand, I say, because demand must be made, refuses to restore it on demand to the proper lawful owner, there in action lies, and under this predicament we shall recover our lap dog.'" The ladies seeming pleased with this harangue, the orator continued in the following manner. "'If, therefore, madame, this lady, whoever she is, A or B, or any name serves our purpose, if I say this extraordinary lady, as your ladyship just now described her, took your dog before witnesses, and refused to restore it on demand, why then we have a lawful action, and shall recover damages. Pray, madame, do you think you can swear to the identity of the dog, if he should be produced in a court of justice?' The lady answered, yes, she could swear to him amongst a million, for there never was so remarkable a creature. And you first became possessed of him, you say, madame, at the University of Cambridge. Pray, madame, will the gentleman who invested you with him be ready to testify the donation?' She answered affirmatively, "'And pray, madame, what is the color of your dog?' "'Black and white, sir,' a male or female, madame.' To this the lady replied, she positively could not tell, whereupon the counselor, with a most sapient aspect, declared he would search his books for a precedent and wait on her in a few days to receive her final determinations, but advised her in the meanwhile to try the effect of another letter upon her ladyship, and once more threatened her with a prosecution. He then waited upon her to her chariot, observed that it was a very fine day, and promised to use his utmost endeavors to reinstate her in the possession of her lap dog. This was the state of a quarrel between two ladies for a dog, and it seemed as if all the mouths of the law would have opened on this important affair, for Lady Tempest continued obstinate in keeping him, had not a most unlucky accident happened to balk those honorable gentlemen of their fees and disappoint them of so hopeful a topic for showing their abilities. This unfortunate stroke was nothing less than the death of our hero, who was seized with a violent physique, and after a week's illness departed this life on the 2nd of June, 1749, and was gathered to the lap dogs of antiquity. From the moment that he fell sick, his mistress spared no expense for his recovery, and had him attended by the most eminent physicians of London, who I am afraid rather hastened than delayed his exit, according to the immemorial custom of that right venerable fraternity. The chambermaids took it by turns to sit up with him every night during his illness, and her ladyship was scarce ever away from him in the daytime, but alas his time was calm, his hourglass was run out, and nothing could save him from paying a visit to the Plutonian regions. It is difficult to say whether her ladyship's sorrow now, or when she formerly lost him at the mall, most exceeded the bounds of reason. He lay in state three days after his death, and her ladyship, at first, took a resolution of having him embalmed, but as her physicians informed her the art was lost, she was obliged to give over that chimerical project, otherwise our posterity might have seen him some centuries hence erected in a public library at a university, and who knows but some antiquary of profound erudition might have undertaken to prove, with quotations from a thousand authors, that he was formerly the Egyptian Anubis. However, though her ladyship could not be gratified in her desires of embalming him, she had him buried with great funeral solemnity in her garden, and erected over him an elegant marble monument which was inscribed with the following epitaph by one of the greatest Elegiac poets of the present age. King of the garden, blooming rose, which sprang from Venus's heavenly woes, when weeping for Adonis slain, her pearly tears bedoed the plain, here now thy precious dues destill, now mourn a greater beauty's ill, ye lilies, hang your drooping head, ye myrtles weep for Pompey dead, light lie the turf upon his breast, peace to his shade, and gentle rest. CHAPTER XIV Having thus traced our hero to the fourteenth year of his age, which may be reckoned the three-score intent of a lapdog, nothing now remains but to draw his character for the benefit and information of posterity. In so doing we imitate the greatest and most celebrated historians, Lord Clarendon, Dr. Middleton, and others, who, when they have put a period to the life of an eminent person, and such undoubtedly was our hero, finish all with the description of his morals, his religion, and private character. Nay, many biographers go so far as to record the color of their hero's complexion, the shade of his hair, the height of his stature, the manner of his diet, when he went to bed at night, at what hour he rose in the morning, and other equally important particulars, which cannot fail to convey the greatest satisfaction and improvement to their readers. Thus a certain painter, who obliged the world with a life of Milton, informs us with an air of great importance, quote, that he was a short, thick man, end quote, and then recollecting himself informs us a second time upon mature deliberation, quote, that he was not a short, thick man, but if he had been a little shorter and a little thicker, he would have been a short, thick man, end quote, which prodigious exactness in an affair of such consequence can never be sufficiently applauded. Now as to the description of our hero's person, for that we shall refer the reader to the frontispiece prefixed to this work, and proceed to his religion, his morals, his amours, et cetera, in conformity to the practice of other historians. Let it be remembered in the first place to his credit that he was a duck of the most courtly manners, ready to fetch and carry at the command of all his masters, without ever considering the service he was employed in, or the person from whom he received his directions. He would fun likewise with the greatest humility on people who treated him with contempt, and was always particularly officious in his zeal whenever he expected a new collar, or stood candidate for a ribbon with other dogs, who made up the retinue of the family. Far be it from us to deny that in the first part of his life he gave himself an unlimited freedom in his amours, and was extravagantly licentious not to say debauched in his morals, but whoever considers that he was born in the house of an Italian courtesan, that he made the grand tour with the young gentleman of fortune, and afterwards lived near two years with a lady of quality, will have more reason to wonder that his morals were not entirely corrupted than that they were a little tainted by the ill effect of such dangerous examples. As to religion we must ingenuously confess that he had none, in which respect he had the honour to bear an exact resemblance to all the well-bred people of the present age who have long since discarded religion as a needless and troublesome invention calculated only to make people wise, virtuous, and unfashionable. And whoever will be at the pains of perusing the lives and actions of the great world will find them in all points conformable to such prodigious principles. In politics it is difficult to say whether he was a wig or a tory, for so great was his caution that he never was heard on any occasion to open his mouth on these subjects, and therefore each of these illustrious clans of men may be allowed to lay claim to him, unless perhaps they should both concur, as is sometimes the case, to despise him for observing a neutrality.   Thus perished Little Pompey, or Pompey the Little, leaving his disconsolate mistress to bemoan his fate and me to write his eventful history.


I too wrote a poem about being with the Indians and but I wrote it a year ago and if anything it's more relevant today because of Standing Rock. I wrote it inspired by a retreat I went on and in the Black Hills of South Dakota organized by the Zen peacemakers and the Lakota, Dakota and Sioux people. I went there to bear witness to the shameful history and the results of the genocide of native peoples across what became our country. I'd like to dedicate this a reading to the people of Standing Rock, the people at Standing Rock and also to the ongoing struggles of the Ohlone people to assert their rights and breathe new life into their cultural heritage and I call on all of us to remember that it is Ohlone ancestral land that we gather here today. Finally before I read my poem which is called Woody Guthrie's misunderstanding I'd like to say for those of you not so familiar with American cultural heroes that Woody Guthrie was a famous folk singer, a working-class poet who sang his poems as a couple of you have done today while traveling around our country with his guitar telling the stories of poor people during the Great Depression of the 1930s. Probably his most well-known song is this land is your land which I reference in this poem. I hope Woody actually a hero of mine would have liked my poem despite my daring to say that his lyrics in this case are worth looking at again. Woody Guthrie's misunderstanding. After five days with the Indians hearing their stories of not so long ago losses on bloody battlefields and in boarding schools and just last week in a double wide on the res when the sheriff was called yet again to a suicide scene his teenage daughter's best friend. After five days with the Indians and mostly that is the name they prefer hearing stories of this land for thousands of years shared land cared for not owned never for sale then merely hundreds of years someone's land for the taking the raping the auctioning off to the highest bidder. After five days listening and three weeks traveling on this land from California to the Pine Ridge sadlands past lakes of the ghost dance past sights of the Sundance sullied now with toxic mind tailings stinking pits all there was to take taken in the name of destiny and progress. After five days of studying rhythms cleansing sage encircling ceremonies around the fire suddenly Woody's well-intentioned protest is not the song that wants to be sung this land from the Gulf Stream water to the Redwood Forest is not my land nor your land nor even our land if you mean only a homeland for two-legged two small minded creatures. This land is the land the mother who birthed us the earth that sustains us where bundled offerings hang from branches where buffalo graze again where water greens grass and wind carries sounds of flute and drum across father sky pass the milky way to all creation in all directions where all is possessed by no one.


Howdy, guys. All right. So in this video, what I want to do is continue the Python projects here And I want to talk a little bit more about the shelf tools All right, so it's totally possible for us to actually create These types of shelf tools, right? If we actually just right click on any of these guys Just hit edit tool. You'll notice that it brings up this window that allows us to edit the contents of This particular shelf tool, right? We have these options. We have the script. All right So we actually can type in some Python, you know, that gets executed when you press this particular shelf tool button You can include a bunch of help Contexts and hotkeys. All right, so let's actually walk through the process of doing this on our own So I'm going to make my own new shelf. All right, I'm just going to call this indie pixel And indie pixel for the label Like so hit apply and accept so now I have a brand new empty shelf where I can put all of my own tools All right, so before we actually go and you know start writing some Python Let's actually look at a couple ways of basically saving out. I would call, you know, like presets Predefined sets of nodes. All right, so, you know in this case what I do a lot You know when I'm setting up a particle system or some sort of effect right off the bat As I always create an effect source. All right, so I just went and created a geometry container I need to do that by hitting tab on the keyboard and then just typing in Geometry and that will come up in the tab and you can hit enter and then just place it. All right So what I usually do is I'll go and create this, you know geometry container I'll put a sphere in there because I want to admit, you know from this particular source I'll set it to a polygon And then what I'll do is add a little bit of noise because usually we animate this stuff just to Create some variation in the actual effect. And then, you know, usually I don't want any particles emitted from the bottom So I'll clip this off like so So I'll use a clip node and then I'll use a polyfill node to fill the Open areas here and that's usually just because you know We convert this to a volume and then scatter a bunch of points in there. All right So I also like to go and just set this to single polygon All right, so, you know, that's the usual setup now what you can do with your own shelf tools Is you can take this setup now, right? So if I just hit you on the keyboard to jump up and out Of the network there what I can do is I can actually just click and drag this up to my shelf Like so and it'll create a button for this. So if I actually delete this now And just hit my button that I just created in the shelf it actually sets that back up formal So if I double click on that you can see everything is all set up All right, and that's because basically what it's doing is it's recording the set of actions, right? So if I were to actually right click on this new shelf tool that we created and use the edit tool option there and go to The script you can see that we go and Automatically generate a bunch of python code All right, so there's quite a bit of code now. It doesn't actually take this amount of code This is just the auto generated code that is generated by Houdini when you Click and drag a preset like that What we can do is we can actually make our own versions of these tools to set up the things that we want All right, so we can create, you know a preset If you will or some sort of network setup, but you can do a lot of stuff Really what I want to do is I want to now, you know, write my own python code to basically just reset up this network So we can practice our python a little bit more. So how do we go and make our own custom tool? All right So let's walk through the process. Okay, so let's come up to our shelf that we created I'm going to right click on it and say a new tool Right like so and I'm going to go to the options tab and I'm going to give this a name. So we're going to say create um, you know fx source like so And then Let's spell that correctly and then if I come down here We'll say fx source for the label. That'll be what's shown here in the actual Tab itself instead of new tool. It'll be fx source and we can also change the icon So you can make your own icon for it and you know load it up. It accepts most of the traditional image formats All right, so with that we are all set up. So I'm going to hit apply All right, so you can see now our label is set to fx source And uh, next what I can do is I can go and you know add some python in here Uh, I can also define my own help for this which I'll make in a separate video because uh, it actually uses a markup language To generate these help and it actually is styled in the format that you see When you go to the houdini help, right? So when we actually launch this so you can actually style it This way, but that requires another video All right, and we can go to the context and really I only want to create this when uh, this is actually in the Object context or the SOP level context here. All right, so I'm just going to click this obj here And then you can go and assign it to hotkeys. So let's actually focus on Creating the code here. So I'm going to double click the fx source here Just so I can see how the network is actually set up What I want to do is I just want to write the code necessary to set this same exact Network up. So the first thing that we want to do is we want to get the obj context and Then what we want to do is we want to create a geometry container. So I'm going to create a geocontainer All right, and so to do that all we need to do is we need to type out a variable name called obj All right, and it could be whatever name. I just type obj just so I know that this is getting the obj context And then we do who dot node. All right, so who is the base module For python inside of houdini. All right, so and then if you say node We're going to go and find a node and all we need to do is open up a parentheses like so and put two quotation marks and a forward slash and obj Like so and that basically gets me access To obj this this entire space here so I can place stuff Into that particular space. All right, so just to verify that let's actually create a new variable called Geo node and let's create our first node what I want to do is I want to create a geometry container And I want to name it effect source Okay, and so to do that we're going to say obj dot create node All right, just like we've seen before and we want to create a particular type of node here And if you come to any node inside of houdini inside of the network editor here And you click this little info button You can get the name of the node that you want to create right here All right, so that's the type that we're expecting so we want to type in geo right here So we say geo and then we do a comma and then we give it a name So in this case, I want to do effect source like so. All right, I'm going to apply Let's make this a little bit smaller. All right, so now that I've hit apply Let's go and actually click our button up here and voila. Look at that. We actually have a new Geometry container named effect source one because there's already a geometry container Named effect source. So it just increments it for you and inside of it. There's obviously nothing So well, we want to do let's actually delete that new one that was created and let's go and create all the nodes first Okay, so let's drop down here and I'm going to do two hashtags. That's how we comment stuff out inside of python Okay, so we need to create all the nodes All right, so let's first start by creating a sphere node So I'm going to say sphere node for the variable name because we actually wanted to store references To these nodes so we can set parameters on them and you know hook up their inputs automatically and stuff like that All right, so that's what we're doing. We're going to declare a variable here and I'm going to say it's going to be equal to the geonode All right, and the reason why we want to use the geonode Is because we want to put a node inside of it. All right, so currently You know in python world the reference to geonode is this particular geometry container All right, so we want to put a node in there. So we say geonode dot create node like so and We want to create a sphere. So again, if you ever want to find the type just hover over it and hit the info button and the type is sphere so easy enough so I say sphere And you know, you don't have to actually give it a name You know, we could give it, you know a name of like my sphere Or you could actually leave a blank All right, by default it'll just give it, you know, whatever name Houdini decides to choose and in this case It'll most likely be sphere. Okay So let's go and create the mountain node. So we'll say mtn node for mountain node And again, we want to put this inside of the geonode. So we'll say geonode dot create node like so Awesome And in this case, let's go look for the type. This was a weird one. This one's actually mountain colon colon 2.0 All right, so this is the second version All right, and that's how you do namespacing inside of Houdini is you use the two colons there They say 2.0 And again, I don't need to give it a name in this case All right, so let's go and create the clip node. So I say uh clip node equals equal to geonode dot create node Like so And this guy is clip. I believe yeah clip. There we go Oh, it's good to double check. All right Let's usually I'll go and set up a network or at least a rough network And then I'll I'll mimic it then kind of run from there You don't have to go and set everything up obviously, but In this case, this is a really simple example just to get you comfortable with the process All right, so let's look at the polyfill and this is you know polyfill for the type So we'll just make another node and I'm going to say fill node Is equal to geonode dot create node and we'll do polyfill Like so awesome. All right, so let's test this out now. We've gone that far Okay, so I'm going to hit apply and then hit the effect source button up our own custom tool here And take a look. All right, and so if I dive inside look at that. We have all the nodes now They're going to be situated right on top of each other Manually you can go in here and just hit l on the keyboard and that'll space them out But we can actually do that here inside of python as well The first thing I want to do though is I just want to get all the nodes all hooked up All right, so let's go and delete all these guys.  And so what I want to do is I want to set the inputs All right, so I don't want to wire all these guys together Using python over here. So let's do that. We'll set all the inputs here And the way that we do this all right is we need to get Let's start out with a really basic example. So what I want to do is I want to use the mountain node And I want to use its set input function. Okay, so this is the way this works So we're going to say mountain node dot set input Like so All right, and the first argument is going to be the input to take in All right, and that's going to be zero and this is easy because there's only one input for this particular node So that's the index of that input in this case because there's only one it's zero Because they all started zero. It's a zero based index. Okay And we want to provide the node that we want to wire into it in this case. It's the sphere node All right, so here I'm going to put in sphere node And then finally the third argument that it requires is the output node and because there's only one We're just going to put zero Okay Cool, so let's hit apply and take a look at that So I'm going to hit effect source over here There's our new node and let's actually hit l on the keyboard and you'll notice that the sphere node is now hooked into the mountain node All right, and that's because we took the mountain node and we called it set input function And we said we want to hook up the first input with the sphere node And then set up the output of the first input All right in this case, we didn't really do anything Okay, so cool. We're on our way. So let's hook everything else back up. All right so we need to then take the clip node and say clip node dot set input like so and We need to type zero and the node that we want to pass into the clip node is the mountain node Like so and the output is at zero. All right. So then we need to take the fill node Dot set input We'll say zero for that first input and then we want to pass in the clip node. So we say clip node like so All right, so let's hit apply And test that out. All right, so I'm going to hit the effects source button our custom tool Let's move that off to the side here and dive in and hit l on the keyboard And look at that. We set up all of the network just like we had in the previous one that we did manually Awesome. So what I want to do now is I want to make sure that the display flag is all the way at the bottom All right, so that's pretty easy. I also want to make sure that we lay out the children. All right Or all the nodes I should say kind of gave it away there So what we need to do is we need to call the layout children Function that is available on the geo node. All right, so we say geo node dot layout Children like so You don't have to pass anything in it does accept arguments, but by default you don't have to pass anything in So now if I had to apply and hit the effect source button And then dive into my new one. You can see that they're already laid out for me Super cool all right, so now let's take care of the display flags. All right, so what I want to do is Set flags like so and I want to make sure that the fill node so I'm going to say fill node Dot set display flag. All right, so the display flag is the blue flag. All right, so we want to set that down here like so All right, so let's jump open out and I'm going to delete this here and finish off the code So we're going to set the display flag to be true. We just want it to be on All right, so let's see what that does You know apply and hit the Tool button there in the shelf and look at that now the polyfill node is turned on But it's left the render flag on the sphere node. So all we need to do is Get the sphere node here and say set render flag To false. All right, and make sure that these are capital for Python All right, so let's it apply and let's delete this guy and recreate it Like so And let's take a look and look at that. Everything is all set up perfectly Okay, so what we need to do now is set a few parameters So let me jump up and out using you on the keyboard And I'm going to delete this guy and jump back into my example So on the sphere node what it is I set the primitive type to polygon Now one thing to understand about these menu items here is that there's also zero based index. So Basically primitive would be zero Okay, so it would be equivalent to zero polygon would be one polygon mesh would be two three four five six. All right So what we want is polygon or one. All right, so let's set all of our parameters to get this guy going So I'm going to create a new comment here and say set Params Alrighty, let's actually make a little more space for ourselves too There we go. Cool. So now I'm going to say that the sphere node Dot harm Like so and we want to get the name of the parameter. So in this case If we hover over the parameter here, you can see the parameter name is type. All right, so let's type in type Type and we'll say set and we'll set that to one All right, you can also type in true if you want. I'm just going to leave it at one All right So now we're going to get the polygon type set So the only other thing that I think I really set by hand here was polyfill Mode so I set it to a single polygon here So in the polyfill node what I want to do is I want to do the same sort of Operation but I want to set this particular parameter and that parameter's name is fill mode All right, so all we need to do is go and get the fill node here Get the parameter that we want to set. All right, and that was again fill mode. Okay, so fill mode Like so and then we want to say dot set and we will set that to And what number is that so single polygon is zero? All right, so zero one two three four five So zero is what we want So it's automatically sets it to the single polygon type for us So let's hit apply and accept Jump up and out remember. This is our example and let's go and hit our new custom tool and Go inside and look at that. We get the basically the same results All right, so the sphere is set to polygon polyfill is set to single polygon Awesome, we got all these nodes all hooked together all created So now any time I want a new source for you know some particles or maybe some You know pyro effects I can just hit this and I have the setup automatically created for me All right, so that's what I wanted to show in this video. Hope you guys like it. Thanks so much


I'm going to call the meeting to order. This is a regular schedule meeting in the town of Berlin Development and Review Board. We have one application before us tonight, application 23007. It's an application by Morse Properties LLC for major site plan review for proposed development. Includes 6,950 acres of square feet, I'm sorry, square feet of storage. Anyway, my understanding is the applicant wishes to request a continuance. So let me turn this over to the applicant's representative, Chris. Yes, sir. Yeah, the applicant actually had to be out of town on an emergency this evening. And would like to, since we're the only ones on the agenda tonight, and I understand it, there's only one application on the agenda for the 4th, we were hoping we would be able to continue this till the 4th and kill two birds with one stone that night. If that's acceptable to the board, that's the way we'd like to go. Chris, to that end, you're representing the loan application on the 4th as is. Correct. That's my understanding from the agenda I saw. Yes, Tom. Yep. Does anybody have any questions for the applicant on this request for a continuance? No. No. No. No. You want a motion? No. I make that motion. And we have a motion by Tuer to continue this hearing till the 4th, seconded by Polly. Discuss that motion. Hearing no discussion, all those in favor of that motion, please signify by saying aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Aye. Okay. Give me your phone number again. Don, give me your phone number. I don't have any. My phone number here is 1802-793-6279. And the other day, Tom and I put ourselves on Zoom and I tried it here, but I wasn't able to make it work. So that's why I'm calling you. Well, that works. At least, in fact, he said this was a backup. So I said, well, I'll use it. So I'll call you tomorrow with the meeting information because it'll be different than this meeting information tonight or on the 4th. Don, is it the body property owner or is that correct? My, my contention is that I don't have any problem with this project. And the waiver was for me, basically. And for 10 feet. And I don't see any problem with that at all. Okay. Well, we already, we already did continue much. I appreciate you're mentioning that. I was just trying to figure out who you were. My apologies. Yeah. Again, I have that problem a lot nowadays. So, Don, I will call you tomorrow with how, how to attend the following meeting. If you don't want to attend, that's fine. But I'll call you with that information. Okay. Very good. Okay. Thank you. I will probably be here mostly almost all the day. So tomorrow is not a bad day. I'll call you tomorrow morning. Thank you. We all done with me. We are. Thank you. Have a good day. You too. We're done with you, Chris too. Yeah. That's good. I always like that. Have a good evening folks. Hi. Hi. So we do have one other item on our agenda tonight. That's the minutes of our last meeting. Which is quite a while ago. Yes. Our meeting of, I believe the 20th of December. Yes. We've got three items on that agenda. We've since processed the three applications, but we never approved the minutes. So. I know that I commented on those minutes. And I believe that Carl has addressed them in, in the subsequent. A text of the applications. And I think Polly also commented on. And what I'd like to do is. Amen. I'd like to prove those minutes subject to amendment. And my amendment would be to make a change. To discuss the topographical survey. I wanted to point out that a portion of it, the property was actually surveyed by instrument. And the address that was used by LiDAR. That was in my comments by email. 1222. And then there's also a. I had a question about how to leave the Billy Gable, but I think we decided to leave it the way it was written. For Polly's comment. So there was no change there. Right. And the only other comment we had was. The reference to Polly, which was. Right. Incorrect. So I believe that obviously that's been changed also by Carla. So. Well, my motion is to amend the minutes. By those comments. I'll give my Polly. Yeah. Any further discussion. All those in favor of that motion, please signify by saying aye. Aye. Aye. Aye. Are there any abstentions. With any no, no, I didn't see you Carla. Yeah. Yeah. I said aye. Yeah, she did. Oh, she did. Okay. You can only watch so much of the screen. So, so Mr. Chair, you said to amend the minutes. That also include approving the minutes. Yeah. Yes. My, my apology. That is a request to approve the minutes subject to those amendments. Right. I thought that's what I said, but perhaps I did. That's what I heard. That's what I voted on. Okay. So the minutes are approved as amended. Is there any other business to come before this board tonight? Nope. Just to remind her we are meeting. That'll be two applications on that, on that night. So it'll be a long meeting. So Tom. I don't know why I didn't get the materials for this application, but you follow. I think it went out on March 21st. Or excuse me. But anyway, you'll send stuff out on the next application too. I could have received it already. Anyways, I will follow up. Yep. Okay. Tom, just while I got you here, I have a conflict tomorrow for the PC meeting. Okay. I'm in Louisville. Sorry. And I have a meeting. I have a late meeting tomorrow that I have to go. I'm at a conference. Okay. Which distilleries out at Carla. Maybe later. Maybe later. Well, hopefully they'll have a quorum because I'm out tomorrow too. Oh yeah. I know Amanda's planning to go. Yeah. We'll, we'll worry about that tomorrow. Okay. All right. Sounds good. All right. I have, I have one other thing. As you all probably know, tour has been elected to the site board. Given that he feels he needs to step down from the DRV. Well, we, we, that's what we said, but it hasn't worked so far. Yeah. I thought you couldn't serve on boards on anything but the board. No. That was wrong. We thought wrong. The, um, there's no prohibition against it. However, the Vermont League of cities and towns recommends against it. So with that, I think, you know, I think I should be replaced. I mean, it's, I don't know that's necessarily a. Critical thing that we replaced me right away, but I don't know. I don't know. I think that. For them later. Um, Probably should. Yeah. But we're not having any luck finding anybody. Well, to that end, I, I, we, I think, um, I've come down to the point where we really need to reach out to people we know and speak to them directly. About, um, Joining the DRV. Maybe a little arm twisting, even. So, um, I don't know. I don't know. Cause tour really is, is not a member of the board. He's the alternate. We're really down a member and an alternate. Yeah. We appreciate tours. As much time as he has as an alternate because he serves on about 14 other boards. Yeah. Um, But so we really, I'll think, I'll think about it. If we, if we think of any way we know, um, uh, Uh, Recently retired people are wonderful. I've got a few in my mind, so I will, I will reach out personally and see if I can involve them. Um, I just, I'm good, but I'm going to be honest with you, Mr. Chair, that if, if a name comes forward to the DRB, I'm going to try to talk them into the public's work board. Because, uh, Tor, Tor will be leaving that. And there's only three members on the public's work board. Then after. Yeah. We're going to sidestep you and go right to Vince. There you go. Good luck with that one. Um, so, um, yeah, actually that's a good point though. We have two very important boards and, um, Not, not, notwithstanding the planning commission, which seems to be fully staffed at the moment. Uh, but, um, We certainly could use representatives to the DRB and to the public works for both boards being very busy boards. Um, but, um, I don't think we're going to be able to do that. Although lady, we've not had that much meeting. So that should be a selling point. We only meet occasionally. Well, We don't. So anyway. Public work boards are generally only an hour or not much longer than an hour. If somebody, If somebody has a name in mind, but doesn't want to reach out. Uh, feel free to contact me and I'll reach out. I'll be there. I'll be there. I'll be there. I'll be there. I'll be there. I'll be there. I'll be there. I'll be there. I'll be there. As, as most of you probably know, I sent out a, a notice at front porch forum. Billy got a response. And that person sort of is, has gone in the wind. Um, and he never did follow up. So I'm disappointed with that. But, um, I thought we were on the right road. Oh, I'll see that. But, um, At this point, I think, um, I've got one name in mind. That we're on a piece of paper, so I don't think we've moved on the board a number of years ago. No, no, no, no, no, no, no. Absolutely. Uh, Yeah. Your room. It's really, this is not the place for this conversation. Yeah. So yeah. There's somebody in here in that tool to have to keep on coming. Yeah. So, anyway, it's with tourist commitment to the site for now I think we could become takes another level so for both the DRV and for the public works for. And for those of you that followed public works for that's been a busy board. Yeah. Is there anything further? No. Hearing nothing. I hear supper. Yeah. All right. During. My Carla second by Polly. All those in favor. Hi. I thank you all very much. All right. Have a good evening, guys.


Hey guys, what is up? Welcome to my channel. For today's video, I'm doing a video that I don't think I've done in literal years, but it's so basic and I don't know why. It's such an essential video, but for today's video, I'm gonna show you my current everyday makeup routine. Now, I don't have an everyday makeup routine. I test a heck ton of products. Part of my job is testing different products every day, but I'm putting myself in the situation of my go-to products that if I'm just going out for everyday, I want to look nice, I want to put together these are tried and true products that I know are going to look good on me every time, as well as using techniques that I am loving every day and is making me feel so pretty. So yeah, lots of tried and truths in here. Lots of newish products that I am just generally loving and I'm really inclined to reach for. And all of the techniques that are currently working out for me, I need to do these like every quarter or something because the products are always changing. So I'm gonna start off by prepping my skin with the Charlotte Tilbury Magic Cream. I love this stuff, you guys. It is simply just amazing. It is also very basic. It really is just a moisturizer, but I love the way that it preps my skin before makeup. It makes my skin really hydrated and leaving it really plump and just creating the best texture before applying any makeup. While that is sinking into the skin, I'm also gonna go in with the Gucci Silk Priming Serum. This is also a really great hydrating primer, but I also feel like it leaves my skin feeling really silky and smooth, which is also great for makeup. So I just like to put this kind of in my T-zone area and areas that are a little bit more textured. I feel like it does a nice job piping the skin. And the number one thing I've learned through being a makeup artist, talking to other makeup artists, going through makeup school a few years ago, the most important thing is to prep the skin. Good hydration, good priming, catering that to your skin needs and my skin feels beautiful and soft right now. Okay, so I'm going for a liquid foundation today. I have a lot of foundations that I love, but this one is just a tried and true, one of the most beautiful liquid foundations. This is the La Mer the Soft Fluid Long Wear Foundation. She is really pricey. This is an investment. I have a lot of other foundations that are not at this price point that I love as well, but I really love this. This just gives me the most flawless base every single time. So if I want my makeup to look good, I would like to use this and also it's really pricey. So if I spend my money on it, I'm gonna use it. So lately I've been moving away from a sponge application, which is very odd for me and out of character, but I've been loving this Rare Beauty Foundation brush to blend the foundation out. Now, the way that I find I love the application is as you saw, take some of the product on my finger and I spread it out, pretty much almost doing 70% of the blending so that we get a nice, even, thin layer on the skin and it's not gonna soak into the brush too much. And then I use the brush just to kind of push it into the skin. And this is my favorite method of application, especially if I'm using a brush because that way you don't have to move the product around too much. You're really just pushing it into the skin and that's what you want. You don't want it being swiped or moving around too much. You wanna just push it into the skin. Do you guys see how beautiful this foundation is? I think it looks so nice. There was a lot of foundations that I was bouncing between for this video, but I really did just wanna go with a long time tried and true that I know just looks amazing. And I know so many of you guys love and own this foundation as well. Dior Air Flash is another great one. That's like my special event foundation. That one doesn't have a ton of product in it. I find it doesn't last me the longest. So that one I really only save for special occasions, with this La Mer foundation, I swear, is like the Dior Air Flash, but in a liquid form. So I think you get a little bit more bang for your buck. Can I blend this out? The fact that I've been using a brush is so odd to me, but I just feel like my skin looks so good and it's gonna wear so well. Now for eyebrows, secretly you guys on the daily, my favorite type of eyebrow product is eyebrow powder. I'm constantly using eyebrow pencils, but there's something about the way that powder looks in the brow. So I also use powder on my clients. So this is the Elf Bite Size Brow Palette in neutral brown. I don't play with like the waxy textures, but I think the powders are really, really nice. I enjoy them a lot. This is one of my go-to brow powders and it's so cheap. So I'm gonna get an angled brush and I'm gonna start off with the lighter color. I'm gonna start off by defining the lower part of the brow just like so. I'm gonna take my spoolie, brush my brows down. I'm gonna go into the darker shade. I love this brow palette because I love having the ability to use different colors to add a little bit of depth in the brows. I find it makes it look more natural. And then with whatever's left, just kind of fill in the rest of the area and then powder also just blends so easily and I feel like it looks so natural. Now if you're going out in the evenings or somewhere where it's gonna be dark and flash photography is gonna be taken, I do suggest using something a little bit stronger like a eyebrow pencil. But just for my everyday makeup routine, love the way a powder brow looks and then I kind of blend it through towards the front. And then I'm gonna take one of my all-time favorite brow gels. This is the Sigma tint and tame brow gel. It is so good you guys, so underrated. I never hear anybody talking about this brow gel, but I swear it holds my eyebrows in place every day without being anything that's too intense, you know? It doesn't like glue the eyebrows down or anything, but it does leave them where they need to be. And I haven't been doing complete feather brows. You guys know I just hate when eyebrows go straight up towards the ceiling, but I've been doing kind of a more natural rendition of it to make my brows like a little fuller. It's nicer to let my brows grow out a little bit more now and not have to worry about it. And then I'll take my spoolie and kind of brush them down a little bit if I want to. The final step to my eyebrows. I have been loving this, the Makeup Forever Artist Color Pencil in Balmless Bisc. I actually bought this during the Sephora sale and I've just been using it to highlight underneath the brow like this. It blends out very easily. I'm gonna use just this ABH brush. I don't know the number, it's completely rubbed off. It's so old, but you see how easily it just cleans itself up? We are gonna move on to the eyeshadow now. Now this is very odd for me. I used to do my complete base like concealer and everything before this, but lately I feel like I've just been having a lot of issues with fallout. So I have been not doing my concealer and doing my eyeshadow first. So that way if I need to clean it by cam, but I still have that nice clean canvas that I love to have while doing my eyeshadow because I just feel so uninspired by my makeup if I don't at least have a clean blank canvas to work with. So I have to have the foundation and eyebrows done and then I work my way into the concealer and what not after and it just makes everything look cleaner. Tons of eyeshadow palettes. You guys know I love my eyeshadow palettes. So I wanted to pick one up that I have been loving lately. This one is new. This is the Patrick Tau Major Dimension II palette. I think this palette is just scrumptious. So I'm just gonna throw on kind of my go-to which is a lot of mattes. So I'm gonna start off with a mixture of these two shades right here, I'm sorry, with these two shades right here using a Wingos number 16 brush. And I placed the color down initially on the outer corner of my eye and then with whatever is left on my brush, I'm gonna blend that up into the crease all the way through. I enjoy this palette thoroughly. If you've been missing my reviews on this since this is a new palette, I do suggest to buy this in store and not online because everybody's is coming broken. We don't like that. So I'm gonna blend this into my blush eventually so don't be afraid to take the rosy shade a little bit out. Stunning and then we're gonna go in with a smaller brush and I am going to mix the next two shades right here. We're gonna add in some depth. I'm using tried and true refer number 14 brush. Fantastic if you have small eyelids. I believe they are still having their 40% off sale if you wanna pick this brush out, but you can see it's great for getting in the outer corner and then blending in. And I do like the look of taking my eyeshadow out a little bit. I just feel like it elongates my eyes. Except I'm gonna take a flat shader brush and I'm gonna go into the lightest matte shade and I'm gonna use this light shade to fill in my eye just like this. Then I'm gonna go into the glittery shade because you know I have to have it and I'm gonna just put that all over and kind of softly blend it out.  I don't want the glitters to be too harsh, but I wanna take what I have with just one dab and blend it out. And I'm focusing it mostly in the inner half. I actually could use just a little bit more in here. So fill in the sparse areas where you need to though. But don't over apply unless you want to. That's your prerogative. Then I like to take it up nice and high. Gotta have a little glimmer in the look. Gonna go back into the small refer 14 brush and I'm just gonna take just a little bit of the darkest shade and I'm gonna almost not run it along the upper lash line in the outer half of the upper lash line. I'm blending that dark shade out. And we will come back to that. We are not done with the eyes, but I am going to clean up in case I had any fallout. I didn't really, so I don't need too much concealer. I'm gonna go with the tried and true NARS Radiant Creamy Concealer. I love this for every day. I feel like it wears a really long time. It does so well in the Florida heat. It's a drier concealer formula, but it doesn't look dry on the under eyes which is why I've been loving this since moving to Florida. Gonna take my damp beauty blender and I'm going to blend it out. And as we get towards the edges, clean this up. This is why I love doing eyeshadow first because this way I am able to clean this up. Then with whatever is left, I kind of put it over my nose down the T-zone. Perfect. So for the under eyes to set, I'm gonna use the Maybelline Fit Me Loose Finishing Powder in Fairlight. It's a drugstore product, but it's so much better than most, if not all high-end and luxury powders out there.  And I don't bake, but I definitely pack on that powder and really push it in. Because this, I swear, makes my concealer last all day. It doesn't crease when I do this. And it makes my T-zone area look super smooth. So I'm even gonna carry that right in this area where I harbor a lot of pores on my face. And you see how smooth and perfected that looks? It's amazing. And then I'm also gonna get the sides of my nose. And you see how perfected my skin looks. We'll go back to the powder. But I love the look of cream contour and the makeup by Mario Self-Sculpt Shaping Stick in Light Medium is the perfect tone for my skin tone. The way that I like to apply this, I go straight from the product onto the skin. And then I actually really like the applicator that he has here. Normally I don't like the applicators that come with the makeup products, but this does the most phenomenal job of blending this out. And isn't this the perfect shade? It doesn't look dirty. It's a little bit more on the neutral side. So it does shake the face, but it does still add that little bit of warmth and color needed in the face. So starting off with the cheekbones. Gotta get that looking right. Makes the biggest difference. And then let's get the forehead. And then I'm gonna show you the trick for the nose contour. Get it on your ring finger. Rub it between your two ring fingers. And then I just love to use this as my nose contour. I find this is how I get the most natural and straight blend. I'm taking my Esum W25 brush. I'm gonna blend this in. Isn't this great? Look at this contour. Can even use your fingers to blend it in. But this is how I get the best nose contour. I know it looks crazy right now, but I'll show you how I fix it. Can't forget the jawline right here.  But when I'm doing all of the other parts of my face, I make sure I'm dabbing like this to blend it in. But under here, definitely swiping. And to kind of correct and even out this nose contour, I'm going back in with my original sponge, pushing it in. And then I'm going back into my Maybelline Fit Me powder. Get the tip of that. Put that right down the middle of the nose, just like that. And now everything is much more subtle. Again, leave the powder to the side. It's gonna be your best friend. I'm going to set my cream contour with the Pudda Beauty Glowish Luminous Press Powder in the shade Light Medium. This is supposed to be used all over the face, but I just love the finish and color of this. Use as a bronzer. It softens everything. It's not too harsh to put over a cream bronzer. So it's the perfect way to set the cream bronzer. In my opinion, do you see how smooth that looks? Love using this as a bronzer. Going back in with my Maybelline powder once more. I do like to kind of sculpt down here, clean everything up. Is this a little old school of me? I don't know, but if I want to feel pretty, put together like I got my ish together, this is what I gotta do. Just like this. When I want my skin to look great, as you can see, I use a lot of powder, but I feel like powders really blur everything. So this is the most blurring powder ever. This is the Pat McGrath Sublime Perfection Under Eye Powder. I have mine in the shade Medium. I'm just gonna use this to kind of set anywhere that I notice any pores. I'm not putting it everywhere, but if there's any areas that are a little porous, I just put this right on top. And this blurs them right over. Do a little bit of blush. I am going to use the Tom Ford Shade and Illuminate Blush in Sun Drunk. Now, I don't think you need to buy this. This is a very, very pricey blush, but it is a beautiful blush, a great reliable formula. I know it's gonna look pretty, so I definitely do like it. I'm gonna get more of the rosy side, but just a touch of the peach side. And I'm gonna apply this more towards the back of my cheek. I can blend it kind of high to get into the eyeshadow just like this. And again, on this side. And then I also like to apply just a little bit on the nose. Gives that pretty sunburned look, but I feel like it just finishes off everything and makes everything look super put together. The blush is looking a little heavy. I'm not bothered by that because a blush is always the first thing to go on your face. Let's go back into the eyes. We're gonna finish the lower lash line. I'm gonna start off by mixing these two shades. I'm again using my refer number 14 brush. I'm gonna look up and I'm just gonna run this all along that lower lash line. And if you hate these little fine lines down here, the key literally just blend your eyeshadow. And then you won't notice them as much.  I'm gonna put that right in the outer third of the lower lash line. Now before I set my face, I am going to go into a new highlight that I've been loving. This is the Charlotte Tilbury Pillow Talk Multi Glow. It is so beautiful. I'm just gonna mix all of them on my Wayne Goss number 15 brush. I like this for softening a highlight. I'm just gonna put that right on the high points of my cheek. I like to put it here as well. I think it looks nice when you turn your head and the light is hitting you. And then again, right here, a little bit up here, but most of it focused on this high area. Getting the lightest shade, popping it right here. Maybe not the lightest shade. That was not the best idea. But okay, we did it. And then I'm going to take the Champagne shade, pop it in the inner corner of my eyes to lift them and brighten them. Then don't forget right here, right here. Now I do believe in the power of a good setting spray. So I use two, one for a little bit of glowiness and hydration and another for longevity. So for my glowy face mist, I like the Glow Recipe Watermelon Glow Ultra Fine Mist. I think they have repackaged this since, but it's so amazing. I just do a nice spray over the face. This is going to kind of add that hydration factor that I want. Feel free to go in with your sponge and kind of push that into the skin. I think this really helps everything feel more skin-like and hydrated. Then I finish off with my Charlotte Tilbury Air Brush and Flawless Setting Spray. This is amazing for longevity. All right, let's get into the rest of the eye makeup. I'm going to use the Hindash Hero Line Eyeliner. I didn't love this at first, but now I really, really like it. And I am going to create a little wing and I'm not going to go all the way in. So just see. I start off on the outer corner and then I fill in just like that. I'll take it in just a little further, but nothing too thick. And again, over here. This eyeliner really allows super precision. Now I left the inner corner blank because my favorite thing you might have noticed has been doing the inner corner wing. So I'm going to take a really small pencil brush and I'm going to use this shade from the Patrick Top palette because it's not going to be as intense, but it's also going to go with the eye look I have. And I'm going to start off by filling in the under inner eye corner like this. So this needs to be shadow right here. I'm going to get an angled brush. This is from ABH. And all I'm doing is extending it just like this. Very small subtle strokes. Literally an angled brush is going to save your life with this and makes it so quick and easy. Now, if you find you do mess up or you do want to sharpen it, get a small brush like this, put it in a little bit of concealer and you can easily use it to clean up. I really just showed off for you guys. I normally need to use that concealer to clean up things, but this is looking pretty good. I do find for days that I want it to be more dramatic, I will extend my wing even longer and I will extend this even longer. But I think we're good here. This is all I need to do kind of for that everyday effect. Everyday makeup for me does not mean quick natural makeup, okay? I'm going to use my refer eyelash curler. Not that curling my lashes does anything for me, but I like to pretend that it does. Love the shape of this. It fits my eyes really well. One of my go-to mascaras is the Giorgio Armani Ice to Kill mascara. One of my all-time favorites. So I'm gonna coat my upper and lower lashes real fast. Put most of the emphasis though on my lower lashes because you know I'm gonna do falsies. And then of course I have to do lashes. So I picked the Lily Lashes in the Style Con. These are one of my favorite, favorite everyday lashes. So I'm gonna pop these on off-camera because it's gonna take me a while to clean those and get them ready and we're gonna finish off with the lips after that. Okay, lashes are on. I just, oh, I love the winged out look of this lately. Let's pop on some lips. One of my favorite pinky lip liners is Love Trap from Charlotte Tilbury. So I'm gonna line the outer edges and this is close to my natural lip color, as you can see. So it really makes my lips look juicier.  Emphasizing in the center for my lips always looks a little bit more natural. I don't know if you guys can see but it is getting darker sooner than I thought it was going to today. So I'm losing the natural daylight. So I'm gonna use this Charlotte Tilbury lipstick in Super U. I wanted something that was close to my lip color leaning a little bit more mauvey rosy because I feel like that makes my lips look more plump. So I'm just gonna cut this on. And if you don't know, Charlotte Tilbury go to lipstick. I always reach for her lipsticks because they're just such good quality. I like that.  Always reaching for my trusty Pat McGrath lip glosses. Let me see. Today we are gonna go with this color which is a little bit pinkier. This is Aphrodisiac. This is one of my all-time favorite lip gloss formulas. All right, let me get myself together and I'll be right back. All right guys, here is the final look. Unfortunately, I lost to the sun. It is about to rain. So I don't have the best lighting right now. But here's the final look. The only thing I will say, the lashes need to be thrown away after this. But other than that, this is a great example of techniques that I love, products that I'm loving. If I were to have an everyday makeup routine, these are all products that I would be reaching for, doing this kind of style of makeup. My everyday go-to makeup routine, as you can see, is not natural. That's a whole separate video. I can do a natural version a little bit quicker as well, but this is like when I want to look good, when I have my me time in the morning, this is what I'm going for. So I hope you guys enjoyed this video and found it helpful. Thank you so much for hanging out with me. I'm playing with some makeup and I will catch you guys in the next one. Bye, guys, have a good one.


Minun nimi on Ilmarilla Uhokangas, ja minulla on valmis videossa, joka on tuntuu kaupungin. Kaikki on fremaa, jotta on kokemukkaapuolta, jossa on lippuja. Opaa kokemukkaapuolta on toinen kokemuksesta, jota on kokemukkaapuolta. Kokemukkaapuolta ja yksi kokemukkaapuolta on yksi kokemuksessa, mutta mitä on tärkeää, että se on seuraavaa kokemuksessa? Let's find out by examining the work of a bug reporter going by the nickname Telesto. First off, I want to say that even though we are all tired of looking at bugzillas crusty old interface while waiting for the update that never comes, this presentation would not have been possible without its advanced search capabilities. It really is the ultimate tool for easy research into bug reports. Since 2016 Telesto has created over 3000 reports in our bugzilla. The vast majority of them are bugs while they do include about 200 feature requests. The volume of Telesto's bug reports is anomalous. As such it has even annoyed some people. I admit I have sometimes felt overwhelmed by the amount of confirming work required. However, being bothered by the reports is really more of an attitude problem. Consider the following facts. He is friendly, he is cooperative, he uses advanced bug analysis techniques time permitting. So what if he has opinions on how LibreOffice should work? It's not a crime. Dealing with such an active reporter is possible because we have always had a strong quality assurance team. Telesto has naturally grown into the role of a quality assurance contributor, having so far been active in over 2000 reports created by others. As I know he gives so much support to others, I have no problem testing 100 reports in a row concerning some specific functionality has taken interest in. Out of his own reports over 1300 are still open. Over 500 were closed with a known fix, while over 260 are works for me, usually meaning that the problem is gone without us knowing the exact code change. When Telesto started he was focusing on Mac OS, later also using Windows. Recently he even began testing on Linux. A major inspiration for Telesto to start contributing more was a private email from a long time Mac OS tester, Steve. In the email Steve invited Telesto to join the QA team. Small gestures can sometimes have a big impact. A clear majority of his reports concern writer, which is admittedly our most actively developed application. Great artists famously have periods of particular styles and influences, like Picasso's periods called blue, rose, analytic cubism and synthetic cubism among others. It is only logical that a great bug reporter would have similar phases. Let's have a look at Telesto's major teams while also observing some actual bug-triaging action. I recorded the testing videos while reproducing unconfirmed reports just for this presentation. Telesto really started with performance issues. This is a team that he has continued to explore at times quite intensively. Sometimes processor use goes through the roof, while sometimes memory use related to some functionality has increased suspiciously. On Windows he has used process monitor to even detect unnecessary file access activity. The discussions around these resource use reports have made the quality assurance team more aware of the decisions developers make in balancing the uses of CPU memory and disk storage. I'm going to do a specific set of steps that leads to a table layout loop. I select all and copy. I open a new document. I paste twice. I undo twice. I start a performance trace for the LibreOffice process. I paste once. I wait for a while as the perf trace gathers data. I hit Ctrl C to cancel out of perf. I run a command that creates a flame graph of the perf data. The flame graph can be observed in Inkscape for example. The plateaus in the landscape tell us of curiously long times spent in a specific function. We see lots of time is spent in managing undo and thread locking. This is about changing anchoring type being abnormally slow. I start a perf trace. I change the anchoring of the image to character. I create the flame graph from the perf data. Here we see a long time spent thinking about line breaks with the help of the international components for Unicode ICU library. Early on Telesto was creating many reports for Microsoft Word document issues. This team has also been present throughout his work. So far he has several hundred reports related to Microsoft Office compatibility under his belt. In 2017 Telesto noticed he can make weird stuff happen using the undo and redo functionality in various command sequences. Undo is indeed quite a tricky problem area in software development. And with his hundreds of reports Telesto has certainly proven that we need to work on the robustness of our implementation. This is about undo messing up numbering size in a list. I select all. I toggle the numbering two times. I hit undo twice. This is about unexpected undo behavior while editing text in a text box. I edit the text box. I select all and cut. I hit undo. After I focus outside the text box and hit undo again the bullets reappear. Copying and pasting is something that sounds so simple and innocent that an average guy on the street would never guess it to be an implementation minefield. There was a big spike in past issues reported by Telesto in 2018 and the topic is still near to his heart. Often it is part of some dance choreography including undo and redo steps. In this issue pasting drops images. I save the file as docx and reload. I select everything and copy. I paste as rtf. Most images are now gone. Rider layout is another complex puzzle and anchoring of objects in the document canvas is one special field in this rocket science. In 2020 Telesto decided to go after anchoring issues with the vengeance. There were of course some unavoidable philosophical discussions on the very nature of anchoring. Here we have an image anchored to paragraph refusing to move to the left. I select the image and hold down shift key to constrain the axis of the movement. I drag to the left and the image doesn't move. Dragging it diagonally gives a different result. This is a bug that took me into a rabbit hole. It is about the anchoring type of a frame changing from two character to paragraph when saving as docx. Telesto reported the bug is not seen in LibreOffice 4.2 but is already in 4.3. I decided to do a binary bisect of it. I use a virtual machine with an Ubuntu from 2014 because that is the easiest way to run these older LibreOffice versions. The 4.3 repository has all kinds of issues. Here I do a checkout of the last commit in the repo and run LibreOffice with the fallback UI gen as that is the only UI where saving works reliably with this repo. I save the file as docx. I reload the file. The anchor is indeed to paragraph. In the oldest commit in the repo it stays as two character. Now there is an interesting plot twist. After an annoying bisecting session with lots of crashes forcing me to skip over commits, I discovered that I should have activated experimental mode before starting to test. I did another bisecting run with experimental mode turned on and found a more useful commit which was about switching from VML to drawing ML when exporting text frames into docx. It has to be mentioned that Telesto has reported at least 300 bugs that make LibreOffice crash. Then there are those over 2,000 reports by other users where he has helped in some way. He has done countless of bisecting analysis which means to discover the exact code chains that caused a bug. He has tirelessly organized reports to reduce the amount of duplication and redundancy pointing people to helpful information. At times developers have given special tanks to Telesto. There was an annoying old clipboard bug where the paste entry in the context menu in writer would be disabled while the keyboard shortcut worked. Mike Kaganski fixed the bug while commenting. I must express greatest gratitude to Telesto for a nice reliable test case in a clear bug report. In his message for a commit fixing a macOS issue where printing something in portrait mode resulted in it being in landscape orientation, Tour Lilquist wrote, thanks to Telesto for noticing this copy paste issue. In this case Telesto had located a relevant clue in the source code. In addition to bug analysis Telesto has even contributed straight up bug fixes. These fixes all happened in 2018. He fixed a macOS issue where all buttons were marked with blue color as if they were default. Developer Tour Lilquist commented, thanks this misfeature has been annoying me for a while whenever I run LibreOffice on my Mac. He fixed a macOS issue where some windows incorrectly opened as tabs. He fixed a regression where the cursor was not focused on the document canvas with new writer or calc files. Thank you for your attention and thanks to Telesto for all the work. I hope the rest of your reports get fixed or implemented and the mysteries get documented.


Thanks page for falsehood of guts for like button and today We got another trailer so many trailers coming. We love trailers And it's actually for a new Vishal.  Hey, I didn't even know that was in the works directed by Vishal Bard wash and it's Rich man's dead a full town suspect names of lies and innocent Thanks for sharing that with a Corbin. It's on Sony at live is what it's on Excited and I have to record this on on Twitter because the version that we have like on YouTube is not available in the United States Odd it happens. Sometimes we're like this hasn't been available made available for your country, right? Like why what would be the purpose right of not allowing it to be viewed throughout the world? Yeah, I don't get that I don't either There's an Indian population here that likes to watch a little bit and non Indians who would like to watch. Yeah, it's just yeah I think it's happening many times. He's Slightly known director. Yeah, kind of just a little bit important in the realm of film.  That looks like it's gonna be a well-directed thing. It looks like it's gonna be a well-directed series. Absolutely. This director looks like he might make a name for himself one day as a good director. And then maybe people outside of India will get to know who he is. Maybe. Maybe. But they shouldn't make it available to him. I know. It gets, you know. Wow. Great trailer for a series. Great trailer. That's what I thought. I was looking up Agatha Christie. I don't know this story, but I just watched in preparation for auditions I was doing for this play, Death Trap, because it's referenced in the play. Have you ever seen Witness for the Prosecution? It's an Agatha Christie story that was made, I believe it was Billy Wilder who directed it, and one of my favorite things about it is that it has, you don't hear these names talked about anymore, but Charles Lawton, one of the best actors ever in the history of American cinema and early cinema as well as stage, a thespian of the highest caliber, you guys would know him as the most famous of the old original Quasimodos in the Hunchback of Notre Dame. Other things. He's just spectacular in it as is. Dog on it. I don't want to say. Yes, I was right. Marlena Dietrich. It's an Agatha Christie story. There's some moments that are a little bit hard, they're a little cliched in the acting, but all in all a great Agatha Christie story, Witness for the Prosecution. I mean this is incredible. I think we've mentioned in the past how much we would love for Vishal and others that we so deeply respect to do a series. This makes me happy. It fits there. They don't have to worry about box office, which I'm sure they hate having to worry about, obviously. And they also don't have to worry about being censored. But yeah, it looks very Vishal in terms of its style, in terms of not only direction but cinematography. And it's going to be so intelligent. I mean, if there was anybody you want to direct an Agatha Christie story, it's going to be Vishal Baradwaj. What happened to Kufia? I have a guess. It's good. Netflix? You think it's something with Netflix? Yep. Yeah. Which, if that's the case, it sucks that that project would be shelved because of it, but that's what Netflix absolutely deserves. Because Netflix is proving more and more that they are absolute awful. I've just heard nothing about it. It's crazy. About it? No. It just disappeared. And I think that's probably the reason why. You know that Aaron Paul said this on the strikes? Yeah. He hasn't got a penny for it. Yeah. Do you all know that he doesn't get a single residual for Breaking Bad because it's on Netflix now? He gets nothing. Netflix caught back at him? No. What did they have to say? I think it was the CEO or something. He said, well, first of all, we didn't make this. And he was paid millions of dollars. Like people that get paid millions of dollars if it's on TV aren't still getting residuals. I'm still getting a normal thing. Granted, sometimes only seven cents. Sometimes they're $10. They're never more than $15. But I still get residuals for episodes of Little House on the Prairie I did in the 1970s. Why? Because I helped create a product that has my likeness in it. And I am essential to the creation of that product. And every time it's resold because there are ads, the people who have it are making money. Therefore, I was part of the creation of that product. I should, as the contract stipulated at the time, continue to get some remuneration for my having contributed to the product. One of the reasons we are on strike. Right. Exactly. This looks, back to this obviously. Netflix has no justification for not paying them. Well, we didn't make it. Yeah. But yeah, this looks incredible. No surprise. All the acting looks great. Yeah. And that's why I'm glad to see it. I don't think it's a surprise that Sony Live is getting this. Good for you. Good for you. Good for you. Good for you. Good for you. Good for you. Good for you. Good for you. Good for you. Good for you. And a few things. If I mispronounce that, please forgive and correct me. And obviously, it was great to see that. A3 Jubilee. To see an Assyria pop up. Yeah, that was awesome. They like working together. No surprise. Why wouldn't you? Of course. But the fact that Vishal. Is he composing? No. I was wondering. Oh, wait. Oh, no? It doesn't list on that main page. You probably have to go to the filmmakers and see. It would shock me. Because everything he's ever done. Any reason it would possibly, I mean, he always does it. However, wrapping yourself around a series may have been a big juggernaut where he felt, I think I may pull myself back. Maybe, maybe, maybe. I'm looking forward to it, man. Oh, me too. The fact that Vishal Bhardwaj has a series coming out is wonderful. Wonderful. And this is perfect for him, Agatha Christie. And if anybody knows what happened to Kuvia, like what the, it's, I don't know what happened to that. Anyways, this looks great. Let us know what you thought about the trailer if you're excited for it, down below.