hey guys what is up welcome to my channel really excited for today's video we are going to do why indie shadows are better than high-end shadows part two so if you want to if you want to know why then just keep watching hi guys my name is morgan i am a product knowledge enthusiast i just stop knowing anything everything about all the makeup on the market and sharing my thoughts with you guys but today i'm gonna introduce you to some new brands if you are new to indie makeup now these are popular brands within the indie community but i'm not an indie expert i've been dabbling here and there when they're sales and two new brands to talk about today devina cosmetics and clio not now you might remember a couple months ago part one of why indie shadows are better than high-end shadows we covered tear moons and i said i had bought and i will get to the other ones in another video later and two months later later is now um sorry it took so long i really have no explanation whatsoever but yeah so yeah um here is my favorite india shadow palette here this giant thing is from colored rain in case you were wondering so today these are all of my old tear moon shadows at the bottom these were all of the new ones that i swatched in part one so today's part two so we're gonna oops so we're gonna do devina cosmetics and then we're gonna do clio not i'm telling so we're gonna start off with devina now i heard of devina from amy loves makeup and yachty beauty they were the ones that caused me to pull the trigger here so i bought these a few months ago so this is the aurora flair collection from devina cosmetics this was it says 96 dollars online for these now one thing with india is indie does not mean cheaper just so you know they're just indie brands and i really prefer indie shadows and i think they're special because they do things with shifts and formulations that mainstream brands won't do now please keep in mind that cameras don't pick up the shifts quite like you can see in person so it's 20 times more beautiful in person all right let's get started oh if you don't know this is swatch and sip i forgot to mention that where i swatch eyeshadows and sip a drink today is i made a baby coffee because i'm actually going to a coffee shop leader with hosie so i just wanted a baby one this is my second baby one though i'm not trying to get juiced up on coffee here so here's the first one from the aurora flair collection this is thermosphere now this is like a blue to purple shift if it will even pick up so the devina formula doesn't have a lot of fallout like the clio not um as you can see it looks really smooth on the skin and the finger then oh my gosh what a way to start off this over a black base will rock your world now in person i would say there's a stronger purple shift regardless it looks beautiful no matter what and if you don't know the premise of this kind of series that i do i just really like swatching eyeshadows and looking at eyeshadows like i don't even wear makeup to work or anything i don't really wear these colors either but part of the happiness i get out of makeup is just sitting in my room on the floor swatching and just covering myself with swatches anyways here is the next one in the bundle oh you can see that shift on my finger this is magnetosphere you can see it's like a purple to blue a lot lighter oh okay let's see we can see how it compares as well yeah so this one's a bit lighter i think i like this one better and you can see that blue shift do you see the opacity of these you guys tell me they're better than high end and sometimes luxury it's just a different style of formula but they do so good okay this next one is australis and oh do you see that so this is similar to the shade in the divine rose two from pat mcgrath but if i'm being honest indy does it better i love pat and she gave these duo chromes multi chromes a shot which is something that most mainstream brands won't do but if you really want to get that experience of the shift you've got to go towards indy i love pat but indy does these multi chrome shadows the best you see that now i don't really love this color on the eyelid because i feel like it's unflattering when the green is in the inner corner depending on where the light is but if you like this color look at that i did a disgustingly sick beautiful look with this palette this is beryllis from divina obviously now can we get the shift it's like a teal to a dark blue this is beautiful all over the it's like liquid you guys so you can see it just has a dark blue to light blue shift so this one's going to create an amazing all over blue i look so this one is polaris and this is like a green as you can see purple shift so it's a little bit more seafoam kind of green with the dark purple shift to it super unique you guys this whole bundle i highly recommend if you're into multi chromes i feel like this is a great way to start okay very last one in this bundle this is the shade exosphere so you can see it has a blue to like a yellow green shift so you see i'm not rubbing in too hard and we just get so much payoff my goodness i need to use these more why don't i use these more oh my gosh this is makeup this is literally what this series is it's just makeup okay so this is i think i got this to get free shipping or something but i added one more shade this is just an individual shade called atlayer alta ir i'll have to put the names in the description box i need to get better about this so this one doesn't have that silky smooth formula that was in the aurora flare bundles you can see it's a little bit more pc which is fine it's just like a really pretty shimmer shade that has a lot of dimension there so what i like about this is the dimension that you get it does have more of a powdery finish compared to the wet look of the top shadows here that's really pretty all over the lid that's gonna be great for the summer but those are all of our um what are these oh divina cosmetic shadows so cool oh my gosh now clio not is probably in one of the indy brands that i heard about the most and that was the most recommended by you guys so when they reopened their store i got the all-star bundle now one thing to note about clio not is omg they're expensive i spent 178 i think i did get a discount on it because it was on sale but regardless it's 178 dollars for tent shadows but but but they are these square beauties right here you can already see just by looking at them how pretty they are so we're gonna go one by one what was in that duo so these are like the what was in that bundle so these are like the best sellers so these ones aren't slippery and slick like the divina you can see they do have a little bit chunk but this is the first one this is royalty oh yes okay here we go mm-hmm so what's special about these i would say is they have just so much dimension to them whereas these guys are more wet and reflective looking these are just so dimensional on the eyelid and sparkly if you like sparkles these are disgustingly beautiful this one is a little bit more wet looking this is oculus looks like that so it's like a green purple shift so this one is more reminiscent of the top ones i'll let you get a closer look but it still has a little bit more of this sparklies super pretty i can see why cliona gets the attention that they do i definitely plan on purchasing more i just have a hard time because i have so many shadows but okay so this is the shadow that i'm wearing on the lid again camera doesn't quite pick up the shift here but it's so pretty all over the lid on its own so this is a shade opulent and it's actually one of the more wearable colors which is why i have it all over my lid today but it'll just catch the light and people will be like what is on your eyelid and you can see it has almost like a lilac to champagne shift to it you have some peach thrown in there as well beautiful so this next one right here is carving this one it looks like it's more neutral but in the light you can see it has some green to it it's like a silver green i don't know with like some topiness to it oh these are so hard to describe but take a look at that now these are a little bit more chunky like i'm getting um eyeshadow particles all of my laptop right now look at that oh okay we have another purple one next so this one is shard and it's like a blue plum kind of color kind of like mac club but on steroids you know okay so this one is what i'm using as my inner corner highlight this is gloming now this one is a little bit more chunky so you have to be careful about pressing it into the skin really working it in but look at that has like a pinky golden shift to it it's all about the sparkles baby my arms getting tired we only have four more guys this is a unique shade i don't think i have another one like this maybe i do actually just kidding this is probably the most popular shade that i have uh so this is again like that pat mcgrath divine wrist two shade this is forge here we go so this one is like this one up here but you can see the finish there aren't any identical the shifts are kind of the same but this one again has more sparklies to it see here is vermilion in arguably more wearable shade it has a light pink and golden shift to it so this is going to be one of the more subtle ones if you're looking for something that's like a subtle shift i think you will really like that one again i feel like if i'm gonna do these duo chromes man i'm gonna go all out but that one is more wearable we're good here is bloodline it has it's like the deeper version of the one that i just showed you this one is pretty rose tones okay so if you like rose looks this one is stunning okay one last one guys so this last one is locks so this is going to be kind of like another highlighty one by the way i know my fingers look gross i've been swatching all day today so you can see this one has more of a golden shift to it look at that it's like a little bit of redness to that do you see there's some redness in there how it's so hard to describe these colors but i'm going to let you get one last look starting off with divina and then when we get down to the sparkly ones these are the cliyonade and i feel like the divina is making the cliyonade look a little bit underwhelming because they're just deeper more metallic kind of colors but there's something to be said about this sparkle on the eye so wow all right guys there we have it those were me playing with eyeshadows beautiful beautiful indie shadows these two brands i can see why you guys recommended them to me they are both equally as beautiful but still so different indie shadows man they really do it if you're a true makeup enthusiast i highly recommend looking into these brands so i hope this video helped you guys in any way if you guys haven't subscribed to my channel already i would love it if you would consider taking the time to do so and we'll see you all in the next one bye guys have a good one and now jose you're gonna do my thumbnail for me but you better make me look cute because i don't want to take any more photos of myself wait wait wait but this let me make sure you can get these guys in focus i want to get my five head wrinkles jose


Welcome everyone. My name is Melissa Armo and I own a company called the Stock Swoosh. I didn't trade the US stock market and I also teach one class where I teach people how to trade my strategy. My strategy is based on predicting where a stock is going to go before it does it. This is common sense. The only way that you will ever make money in the market as a trader investor is by taking a position, getting in the tree before the move happens, before the momentum happens. What creates momentum? What creates momentum and movement of volatility in stock? Institutions that have millions and billions of dollars and they buy the stock and ride the price or they sell their position in the stock and the stock price drops so as a trader you can short it. If you know how to predict where stocks are going to go ahead of time you can make money. It's just that many people don't know how to predict it. I do. I'm very good at that.  It's based on gaps that have a rating system that is able to predict very accurately with a high accuracy rate of over 80% for day trades and it's actually higher for long-term trades. Actually, the options calls that I have made in the last six weeks of all the six weeks of the ones I've called, one is in play right now that has knocked onto the target. Every call I've made for the long-term plays these options trades in the last six weeks have been hugely profitable. Currently, I'm in Baba. We'll see where it goes. As of Friday, I was up $8,200 in one trade that I took in one day. So if you would like to learn more come to the free webinar I'm doing for 30 Eastern Time Monday August 22nd and if you'd like to learn more about my strategy or take my class email me at Melissa at the stockswish.com. Thanks everyone. Have a great night.


Now, Roma Wines presents... Suspense! Tonight, Bankwell's chair, starring Donald Crisp and John Loder. Suspense is presented for your enjoyment by Roma Wines. That's R-O-M-A, Roma Wines. Those excellent California wines that can add so much pleasantness to the way you live, to your happiness and entertaining guests, to your enjoyment of everyday meals. Yes, right now, a glassful would be very pleasant, as Roma Wines bring you... Suspense! This is the man in black here to introduce this weekly half-hour of suspense. This evening, Roma Wines bring you as stars two distinguished gentlemen from the Hollywood sound stages. Donald Crisp and John Loder. Mr. Crisp and Mr. Loder are here to enact for us a strange and startling drama in which they, in the interest of justice, made use of an unusual method to wring a confession of guilt from a criminal. But before we raise the curtain on Rupert Croft Cook's story, Bankwell's chair, which is tonight's study in suspense, here is a message from your host. Let us picture a scene beneath a radiant Caribbean moon at the fashionable Hotel Nacional de Cuba in Havana. An American dinner guest has just raised his glass and a toast to Havana. Its traditions, its beauty, the superb dinner, the wine. His Cuban host replies, true, the traditions, the scenery and the food you enjoy, they are Cuban. But the wine of which you speak so highly, that is of your country. It is the famed Roma wine made in your own California. Yes, it may surprise you that California produces Roma wines of such uniformly superb quality that they are imported by many foreign countries. But millions of Americans do know and enjoy the excellence of Roma wines daily with meals and when entertaining. These millions have made Roma America's largest selling wines. They know too that Roma wines are amazingly inexpensive, only pennies at last, for wines of such distinguished character. That's because here in America you pay no high import duty, no expensive shipping charges for Roma, wines that combine age old wine making skill with modern testing and quality control. So ask for R-O-M-A Roma wines made in California for enjoyment throughout the world. And now with Banquo's chair and with the performances of Donald Crisp as Sir William Brent and John Loder as Arthur Grain, Sir William's friend who relates the story to us, we again hope to keep you in suspense. I would like you to look at this photograph. It's the picture of Sir William Brent, ex-head of the English criminal investigation. I knew Sir William well and he always terrified me, not in the sense that he was brutal or evil, he was none of that, but look at that cold face, particularly his eyes. When he looked at you, you flushed with guilt.  A glance from him made you feel as if you were stark naked. He saw you with all your defences down. I'm going to tell you about Sir William's last case. A case that, well, even recalling it sends real shudders through me. I swear it's true. I wish I never had, but I saw it with my own eyes. I witnessed it in all its dreadful details. One night about 11 in the evening at the club, a boy came up to me. Telegram for you, Sir. I ripped open the envelope and read the telegram. Dear Arthur, will you come and dine with me at Tarrett House sitting the month Thursday? There will be several guests and I think I can promise you an unforgettable evening, signed William Brent. I was annoyed. I don't like to receive telegram so late in the evening and Sir William could easily have phoned unless he didn't want to go into details with me. I decided to phone him. And this is Arthur Grange calling. Yes, I know. Did you receive my telegram? Yes, Sir William. What's all the mystery about? I'll tell you about that on Thursday. Are you coming? Yes, I'll be there. You sound so mysterious. I'm thinking of coming armed or bringing a couple of bodyguards. This evening I made my way to Tarrett House. A windy November rain slashed at the streets.  There it squatted, back of the road, almost hidden from view by several dripping pine trees. The neighborhood had seen better days. I walked up along the unkept path until I reached the Great Oaken Claw. Good evening, Mr Grange. I was waiting for you. Hello, Len. Nasty night, sir, isn't it? There's not much warmer in here. There's a foward in the dining room, sir. Good. What ever made Sir William move into this drastic dungeon? Oh, we haven't moved in, sir. It's only temporary. Sir William just rented it. We still live in the West End. Oh, I see. Have any of the other guests arrived? Yes, Mr Grange. Mr Stone is here. Oh, hello there. Oh, you must be a Roberta Stone, the mystery writer. I'm Arthur Grange. How do you do, Mr Grange? I read all of your stories, Mr Stone, and enjoyed them tremendously. Oh, that's very nice of you. Thank you so much. Listen, just what's going on here tonight? I don't know. Sir William sounded awfully mysterious. Didn't he, though? He told me to come armed. He told me the same thing. Here's my gun. I must admit I've never fired it in my life. It scares me to death.  Oh, it's the scene of the crime. What crime? Murder. A particularly unpleasant one. Really? I must say the murderer couldn't have picked a more ideal setting. Good evening, Roberta. Arthur, I'm glad you're both on time. Hello, Sir William. Nice apartment you have here. A sort of mausoleum and dining room combined.  Of course not. Why should I be?  What's all this about? Let's go to the second damp dungeon and tell us to come armed. Don't be upset, Arthur. It's only a precaution. Who is the other guest, Sir William? Well, there are two more guests. But first, I'll tell you all about it. Lane, will you serve the drinks? Yes, Sir William. Now, I'll tell you what's going to happen tonight. This house, Tarrade House, was the scene of the Sydenham murder of the very famous case. Yes, of course. I remember that. That's right. No offence, old man, but wasn't it the only case you never solved? I solved the Sydenham case, but I couldn't bring the criminal to justice because of insufficient evidence. You mean you knew who the murderer was? Yes, of course. It was the nephew. The nephew? Then why in the world didn't you put me... Because the nephew had an absolute and unimpeachable alibi. To have arrested him would have meant a waste of time and money. Under release in the end. Besides, according to English law, a man acquitted can never be arrested again on the same murder charge. The nephew, John Bedford, will be here to dine with us. And oh, yes, the victim, Miss Ferguson. What? Hey, wait. Do you mean Miss Ferguson wasn't actually murdered? Miss Ferguson is quite dead. Has been dead these two years. You mean you're going to have the body of Miss Ferguson here while we eat? Well, this promise is to be a very gay dinner. Now, see here, as you both know, I've never lost a case except the Sydenham murder, which will be finished tonight. Now, I'm an egotist. I don't believe there's a criminal in all England that can out with me. And as a matter of fact, I've resigned from the criminal investigation for the sole purpose of trapping Mr. John Bedford. You have an awful lot of patience. Infinite patience. I'd devoted two years to this case, and now that my moment of triumph has arrived, I wanted to have some witnesses. A writer who will record the event, and an admirer who will applaud with all the cleverness of my scheme. If it's as gruesome as I think it is, I won't be here to watch it. Oh, I think you will. Horror has a way of fascinating and hypnotizing people. Besides, Arthur, you'd be ashamed to run out now? I'll stay, of course. So will I. Good.  Well, exactly two years ago tonight, in this very house. Oh, Miss Ferguson. Hilda. Hilda, where are you? Oh, where is that foolish me? Miss Ferguson, why don't you answer when I call? I was in the kitchen, Mum. It's after 10 o'clock you should be on your way home. I was just about to leave. Has my nephew called? No, ma'am. Mr. Bedford hasn't called since yesterday. I told him he couldn't come in, just like you said. I don't ever want to see him again. He's no good.  You're never to let him in here, Hilda. He won't ever come in this house if I can help it. No, ma'am. Now you'd better run along and make sure all the doors are bolted. Yes, Mum. I'll change my will. Won't leave him a penny, I won't. Good night, Miss Ferguson. Good night, Hilda. Who does he think he is? In the morning I'll change the will. Who's there? Who is it? It's I, Aunt Martha. Your own affectionate nephew. What are you doing in my house? You're not at all pleased to see me. You're only living relative, too. I'd like you to leave at once, or I'll call the police. I'd rather not, Auntie. I want to have a talk with you. You don't want to talk to me. All you want is money. Yes, Auntie. I want money. And lots of it.   I'll see to that. Perhaps you'll appreciate the value of money after you've worked for it. Why are you wearing gloves? I've made up my mind, Auntie. What are you doing? Keep away!  All that money is no good for you. You can't ever use it. I'm young. Money means life to me.  You're old, Auntie.  No! It can't be. You're not going to do that. Yes, Auntie, I am. You don't got to live anywhere, Auntie.  I'm doing you a favor. Help! Nobody can hear you, Auntie. I'm your heir. You're only heir, Auntie. You're next of kin. The estate is going to be mine, Auntie. All of it. Now, don't you worry, Auntie. We'll have a fine funeral for you. Yes, sirs. That's pretty much the way old Mrs. Ferguson was murdered. Hilda found the body the next morning. I immediately went to work on the case. All the evidence pointed to John Bedford. Everyone believed he committed the crime. He almost admitted it himself. I had him brought into my office for questioning. Well, how'd you do, Sir William? Cigarette. Thank you.  May I have a light, please? Yes, of course. Thank you. I wouldn't know, Sir William. You see, I never killed anyone, have you? I have, Mr. Bedford. I've sent quite a few to the gallows, so I understand. What was your relationship to Mrs. Ferguson? She was my aunt. Don't be slipping. Well, to tell you the truth, my aunt didn't like me. She thought I was a spendthrift and a useless parasite, and she was quite right. And I believe it's customary to ask the accused his whereabouts on the night of the crime. Yes, it is. And won't you tell me? In jail. I had a little too much and got into a bit of a tiff with someone. That's quite an alibi. Well, quite a fact. It was hardly possible for me to be in jail and kill my aunt at the same time. Unless, of course, my aunt came into my cell and allowed me to murder her, after which she walked back to Tonnett House as a ghost dragging her buddy behind her. Hardly possible.  I already have. You've done a very skillful job. Too bad you couldn't use your talents for something constructive. Well then, why don't you arrest me, sir William? No, Mr. Bedford, I have time. Plenty of time. Well, you'd better work fast. By the time you get around to me, I'll have spent all of my aunt's beautiful money. It's not the money we're after.  Good day, Mr. Bedford. That's how matter stood. I refuse to let my men arrest him. How in the world could he have murdered his aunt when he was in jail? Perhaps he bribed the prison guard to let him out for an hour. That's excellent, Roberta. I believe that's exactly what happened. Unfortunately, the guard died of pneumonia soon afterwards, which left us no further source of evidence. As far as I can see, sir, William, you haven't a leg to stand on. You're quite right, Arthur. I haven't. Except that every man, particularly a criminal, has a knuckler's heel. I discovered John Bedford's weakness. I'm going to have a good story. He's very superstitious. How did you learn that? I've never suffered a defeat in my life. John Bedford was the first setback. Here was a clever, callous criminal who laughed at me. No one had ever done that before. Bedford knew I could do him no harm, and he made the most of it. Carefully and patiently, I thought it over. I looked upon Bedford as you would look upon a Chinese puzzle. There is no such thing as an impregnable defense. A few months later, I went to visit Bedford. Sir William, what a surprise. Would you come in, please? Thank you, Mr. Bedford. I'm really honoured to have the great Sir William Brent pay me a visit. You're not after any more clues, I hope. It does get rather tedious. No, not at all. I know when I'm licked. I don't want to appear smug, sir, but everyone has his water loo. Do you have a drink? I suppose you're curious about why I came here. Well, I hardly imagined it was a friendly visit. I've resigned from criminal investigation. I'm a private citizen now. Yes, I heard about that. You know, most people misunderstand me. It wasn't my love for justice that made me pursue my profession with such tenacity and success. Yeah? Of course, with the sole exception of your case, of course. It was a game of skill to me. My wits against all comers. I lost in your case. But then we've all got to lose some time. I don't believe you, Sir William. You're still after me, but I'm afraid it's no go. I've kept out of trouble so far, Nagwood. That's an odd habit for a man like you, Bedford. You're not superstitious, are you? Of course not, sir. Well, now as to the reason for my visit. I noticed in the papers that you're looking for a tenant for Tarrett House. For yes, I am. I'd like to rent it. Well, the scene of the crime, huh? Well, of course. Why not? There's no harm in it. As a matter of fact, I'll let you have it very cheaply. And that's how I rented this house. The house where the murder was committed. What's your plan? It'd better be a good one. Mr. Bedford sounds like a hard customer. It's a strange plan, but an effective one. I saw Bedford frequently. Our acquaintance blossomed into a kind of friendship. An armed friendship, of course. He knew I was out to get him. And I wanted him to know that. He's vain, very vain. And this game intrigued him. I also learned he's a very superstitious. Tonight is the anniversary of the murder. And tonight Mr. Bedford dines with us at eight o'clock. It's nearly eight an hour. Now, this is the plan. You know May Wakefield, of course. Naturally, the Shakespearean actor. Now during dinner, Miss Wakefield will enter the room in the precise likeness of Miss Ferguson, the murdered woman. We, of course, will pretend not to see her. We remain outwardly unconscious of her. Only Bedford will be aware of her presence. I believe Bedford will confess. But this is the anniversary. I'd imagine you'd keep away on this night. He's giddy with success. And also the fact that Roberta Stone, the famous writer, is here with us. Tweaks his vanity. I don't like this. Well, this is just like one of your stories. It doesn't become you to be frightened. I won't run away. Now, there's one more thing. During dinner, the electric lights will be switched off at the main. And candles will be lit. We must have the correct atmosphere. You understand now? You are not to see May Wakefield. She doesn't exist for us. Is that clear? Well, I'll look right through her. Oh, it gives me the creeps. Ah, that's Bedford. The appearance of John Bedford suddenly made the whole scene grimly real. He was a tall, well-built man in his late thirties. Immaculately dressed and perfectly groomed. At first sight, his face seemed pleasant enough. But on closer scrutiny, his grey eyes were hard and cold. He looked all of us over with arrogance and superiority. I heartily wished I was elsewhere. This was one scene I had no desire to witness. After the introductions were over, we sat down to dinner. Is it still nasty outside, Mr. Bedford? Oh, getting worse. Looks like we're in for a few days of this. It's too bad. I was going to do some riding tomorrow. The soup is excellent. Oh, yes, indeed. Your cook should be congratulated, sir. The soup is a masterpiece. Poor Alice. She's been my cook for twenty years. But she's given me notice. Absolutely refuses to stay here. Says this house is haunted. Roberta, you might make an interesting story for you. You might speak to her. Oh, really? Alice swears that she's seen the figure of an elderly lady with finger marks on her throat, walking about the house. Oh, no. Come now, Sir William. This is too good. What an obvious attempt to frighten me. Sir William has convinced that I murdered my aunt. But please, Sir William, a little more subtlety. Surely I deserve it. Perhaps the cook did see the figure. I might interest you to know, Mr. Bedford, that I don't believe in ghosts. And I'm sure my cook never saw this elderly figure. It's all in her mind. I am afraid your little attempt didn't work, sir. But I must admit your graceful admission of its failure. Yes, I suppose I'd better give up, shouldn't I? Oh, no, no, no. Never give up. If at first you don't succeed, you know... Do you live very far from here, Mr. Bedford? Thank you, Mr. Down. There's really no need to change the topic. As amusing as I do. I'm sorry, Mr. Bedford, but this isn't my idea of pleasant dinner conversation. Well, we'll talk of pleasant things, then. I saw a very inciting play last night. Excuse me a moment. It's really fearfully hot in here. Do you mind if we get a little air, sir? Oh, I'm sorry. It is rather warm. Lane, open the windows, please. Yes, sir. What terrible weather. I don't know how we'll ever get home here. It's a bad month of the year. I had intended to go to the Riviera for the season. I don't know, sir. Well, don't stand there. Light the candles. We can't sit here in the darkness. And get the chauffeur. He knows something about the electric lights. I'll call the chauffeur right away, sir. I'm terribly sorry about this. We've had trouble with the wiring before. The chauffeur will have it fixed in a few minutes. Oh, let's go on without dinner. This is one of your tricks, sir, William. Have some more wine, Mr. Bedford. Thank you. It was a tense and terrible moment. I looked at Roberta. She was pale and frightened. Bedford, for all his poise, was uneasy. He didn't know whether Sir William was planning anything or whether this was really an accident. My heart was pounding away and my palms were wet with perspiration. Only Sir William appeared cool. There was not a trace of emotion in his face. Oh, Mr. Bedford, you were saying about visiting the Riviera. It's quite a change from England at this time of year. Oh, I suppose I'll make the trip next month. What's the matter, Mr. Bedford? Nothing. Nothing at all. I wish we could have some light. It's rather difficult to see. I'm terribly sorry. It just had to happen. Just a dinner. Have a little more wine, Mr. Bedford. Oh, yes. Here's the thing. The figure of a woman had entered the room.  We all saw her, but not one of us moved or made a sign of recognition. In the dim candlelight, she looked ghostly and unreal. Bedford looked at all of us to see if we had also seen the figure before his eyes. But we ate our dinner grimly. He looked again, then shook his head and got more wine. Don't any of you see anything? See what, Mr. Bedford? There's another one of your tricks. Can't any of you see her? What's got into you, Bedford? It's my arm. My arm, sir. You're arm's dead, Mr. Bedford. You're not seeing ghosts, I hope. Maybe I had to... She's coming to all of me. Now, calm yourself. I've never seen you like this. There's no one else here. Do you see anyone, Roberta? No. No, sir, William. I don't either. Let me out of here. I can't make you out, Bedford. There's no one here. You loved the day long. Can't any of you see her? Can't you hear her? What's come over you, Bedford? She's at the door. She won't let me out. I'm an old... Goodbye, old Roberta, out of my way. There's no one in your way, Bedford. Please sit down. Get away from that door! I'll murder you again! You hear that, mother? I'll murder you again!  Got him. All right. Switch on the lights. Officer Graham, arrest him. You heard the confession. Put the handcuffs on him. I've never seen anything so far. Let me out of here. Well, Bedford. It seems that I've finally caught up with you.   That wasn't your aunt. It was Miss Wakefield, the actress.   Take him away, Graham. He's in a state of shock. Come on. Shall we continue with our dinner? I hope you're fully satisfied, Sir William. Quite. It's been a long job. But it has ended as I knew it would. I'm most grateful to you both for your help. I thought it was a pretty grim affair. I must say you know your job. May Wakefield certainly knew hers. There was the finest piece of acting I've ever seen. Yes. I make up was incredibly good. I must congratulate her. She's probably gone to her room. Oh, Elaine. Yes, sir? Please call Miss Wakefield. Miss Wakefield, sir? Yes, the lady who's been assisting us this evening. I haven't seen her, sir. But I look for her, sir. Tell her to come down and join us. We have a fine dinner waiting for her. Excuse me, sir, but this telegram came a little while ago. I didn't want to disturb you during dinner. Let me have it. Sir William, what's wrong? I read it to you. Extremely sorry. My severe influenza makes it impossible for me to leave my bed tonight. Will tomorrow night do? Signed May Wakefield. God help us. If it wasn't May Wakefield then, who was that figure here tonight? There was no answer. I looked at Sir William staring at the telegram. His face was gray and stony. On his left temple of crooked blue veins stood out. It twitched once or twice. And then was motionless. He looked. He looked as though he'd seen a ghost. And so closes Banquo's chair, starring Donald Crisp and John Loder, to Night's Tale of Suspense. Suspense is produced and directed by William Spear. Have you discovered, as thousands have, how much Roma wines add to the enjoyment of your meals, how their superb flavor makes special occasion feasts out of everyday meals? Well, find out for yourself. Start off the meal with that delightful appetizer, Roma California Cherie. Then place on the table a well-chilled bottle of Roma California table wine, delicatso turn, hearty burgundy, or tart, tasty claret. You'll be amazed at the tremendous difference Roma wine makes in the enjoyment of your foods. Now don't overlook this easy, inexpensive way to add thrilling extra enjoyment to everyday living. Remember, Roma wines cost only pennies a glass. So take a tip from the millions who enjoy Roma wines at meals or when entertaining. Ask for R-O-M-A. Roma wines. America's largest selling wines. Made in California for enjoyment throughout the world. This is John Loder. There is no program that Mr. Crisp and I admire more than suspense, and I know I speak for him as well as myself in saying how thoroughly we have enjoyed our appearance here this evening. Now at the request of our government, I want to pass this information along on behalf of the merchant marine. Six ships a day instead of five soon will be coming off the ways of our shipyards. The United States Shipbuilding Program is being increased rather than cut. A few days ago contracts were awarded for 262 additional new ships. Every one of them must be manned by 40 to 50 men, most of them with previous sea experience. The longer Pacific distances and expanding supply problems on every front will call for the continuous employment of large numbers of men and ships until Japan is totally defeated. The universal demand for a strong post-war merchant marine makes post-war opportunities in these jobs fully as great as in any American industry today. Next Thursday, same time you will hear Mr. Charles Lottner, star of Suspense. Presented by the Roma Wine Company of Fresno, California, Roma Wines, R-O-M-A. Made in California for enjoyment throughout the world. This is CBS, the Columbia Broadcasting System.


Okay. So, yeah, we'll start with Jupyter because it is something we'll be using throughout the course. Yeah. And... Why do we choose Jupyter for the course? It has, I guess, an intuitive user interface for most people when they're starting up. So if you're not that familiar with Python and with programming in general, it will feel, or it will be more quickly obvious what's happening than if you are writing these text files that contain some program code. Yeah. So that's probably the main reason, but it's also something that researchers use quite a lot to share their research, share their computational things with each other. So and there's several reasons for that, but what Jupyter is really good for is actually sharing a story with some computational content inside the story. So it's a kind of a narrative. So it can contain text that's formatted like this website here, and then it can contain some code, some Python code or essentially almost any other language in there that... And it displays the results. So yeah, it's a great way of sharing your results with others. So I guess it gets around this problem of taking and like sending results to your supervisor and they see the plots, but they have no idea how they came and then you're sort of going back and forth and sending code and you have no idea what code goes to what figures and so on. The other reason researchers use it a lot is that it's really easy to quickly change something to fiddle around with things and then execute the code and see what the change is, what happens when you change this little thing here. So it's easy for... It's a good interface for quickly developing some research program, right? Yeah. Should we do a demo? Should we start with the stuff? I believe that is... Yeah, do you want to do that? Yeah. Okay. I will switch to my screen again. Here we go. And yeah. So on my computer, I'm activating Anaconda manually. So in the installation, you should have found the way to start Jupiter on your own computer. I'll demonstrate my way here. I'm also going to make a directory and then go to this directory. And then I should be able to run, let's see. It says Jupiter lab, right? Now your prompt is already quite long. That's a little bit shorter. Okay. Yeah. And I'm going to do no browser because I wanted to start in this particular window here. And otherwise it's going to be starting in... Who knows which web browser I have open. I have so many. Wait, this is actually not where I wanted it to start. I need to start another web browser here. My demo web browser. So if you run it without no browser, it will automatically pop up in a web browser window that you have or start a new one, which is usually what you want to happen. Yeah. Not in my case, because... Yeah. Okay. Here we go. So what do we see here in Jupiter lab? What are the main points? Okay. So what you are looking at now is, well, it's a website, but inside that website you have two panels and on the right side is a launcher. So that's what you would want most of the time. That has a Python tree option. So you can start a Python tree notebook from there. So that would just create a new empty notebook. Interestingly, there's a file browser, which looks familiar to most people on the left. And it didn't start in the folder that you just created. Yeah. So it actually changed to a different directory of mine. I'm going to restart. So let's see. Here we go. So if you want to know what happened, it changed to a Git directory automatically. Okay. Here we go. I didn't know that it would do that. Yeah. Okay. So here we go. So now it's in an empty folder. Okay. So, I mean, that's useful only if you have files there. So right now you don't. So it's probably, you might as well hide the, yeah, hide it from there. This way. Okay. Yeah. Okay. What else? Well, then you have some options in the launcher. You can create a Python tree notebook, but you can also open a terminal, which we might need at some point. Yeah. At least tomorrow I think we start needing it. And you can also, well, you can create a markdown file, which is also useful. Yeah. But we'll come back to that. So you are using markdown in HackMD at the moment. Yeah. But we'll demonstrate that as well. But yeah, probably right now we want to create a new Python tree notebook. Yeah. Okay. There we go. And it worked. Yeah. So I can hide it down here, right? Yeah. You can type Python code. We do our standard greeting and it works. Okay. Okay. How did you just run the code? So I pushed, first I pushed control enter and it stays on the same cell, then I pushed shift enter and it makes a new cell down below or moved down. You can also click this play button up here. And there's a plus button for creating a new cell as well. Oh yes.  And yeah, I always have to check somewhere, but it is useful to use the keyboard or it's much faster to use the keyboard. Yeah. Let's see, can we create a markdown cell just to show? So we have a new cell. We switch between cell types and markdown is one option. Oh, it didn't change. I changed something weird with my web browser here. Okay. Okay. You can use the keyboard shortcuts though. Okay. So yeah, you can type formatted text in. Well, if you are interested in the details of how to write markdown, there is a reference in the election materials. It's right above running code in Jupiter section. Yeah. There's a link in the second paragraph. Yeah. And when I click play, we see it gets rendered. Yeah. So when you execute, when you run a markdown cell, it gets written as, it gets formatted and yeah, it looks like a nice text, nice formatted text. But if you want to edit it again, you will need to double click on this markdown cell. And then you can change it. Yes. Okay. Let me see. Okay. What else is important here? Well, you saw when you ran the Hello World cell, it printed something and the output comes just below the cell. So I can do like five and it comes below. Yeah. Okay. Okay. So should we do some examples for all of them? Sure. Some. Okay. Yeah. Let's see for, what should we do in here? Print i. Okay. Print i squared. Print squares. Yeah. When you call print, it goes, when you call print inside the loop, it does actually print it. If you didn't call print, and then it wouldn't print it because it only prints the last line. This is something special to, yeah, special to Jupiter, it prints the last line. Yeah. Okay. So let's try that actually. Let's do some range five. For example. Oh, yeah. Okay. So this will sum up numbers between one and five and it prints it. Yeah. You can also put print in front or put that inside a print, inside the print function and that will work. Okay. Let's try that. All right. You're missing a parenthesis between print and sum, so it's complaining that print sum doesn't exist. Yeah. Okay. There we go. All right. Now, there's something called magics that we should also introduce for moving into the exercises. So magics are just essentially commands you can give Jupiter. They are not Python commands, but they are other types of code. So they always start with a percentage sign. And in this case, you start with a double percent sign. So that means that the entire cell is now magic code. It's not Python code. Bash is the usual, the most common Linux terminal. So that's just what the word there means. And yeah, you can write some bash code here. Yeah. And I guess we should emphasize this might only work on Mac and Linux. Does it work on Windows now? I expect not. But if you are running from maybe Git for Windows, it might work. Yeah. There is probably something that runs on the Windows command line. Yeah. Let's say it's very possible this doesn't work on you because this is actually not running in Python. It's calling some other program. And if that other program is not available, then, well, what can you do? It just won't work. Okay. Yeah. So should we go to the exercises? Yeah. So should we take maybe how long do we have for exercises? I mean, we have 20 minutes or half an hour before the break. Say 20 minutes. So are we doing exercises one here? Exercise. Oh, yeah. One and two. We did everything before exercise two.  Yeah. Yeah. So breaks in 20 minutes. Should we say like 15-ish minutes? 15 minutes makes sense. Okay. And just quick note about the order. So in exercise one, there's two optional things. And it makes sense to do exercise two before going back for the optional things. They are slightly more complicated. Yeah. And these exercises will be really simple. So basically, it's just a little bit of time to make sure everyone's on the same page before we go to more complex things. So if you're new with Jupyter, play around. Try the keyboard shortcuts to everything you can think of. And if you're not new to Jupyter, then try to find something new. Yeah. So we'll see in 15 minutes. Yeah. And in this dream, there is at the bottom here linked to the exercises. And it will say what to do when we're back and all that. You can keep asking questions. Hello, please. It's time to come back. Hello, hello. Hey. So, um, let's see any interesting questions into HackMD. Let's take a look. There was one interesting one up here. Is there any advantage of Jupyter over regular code? And that's actually what we will discuss next. Um, there was this collab offer the same as Jupyter. And yeah, I mean, it's, I think it's roughly a very similar interface. So I'm not sure if they re-implemented it, but it uses the same notebook format. And also, um, a lot of the same software kind of things. It's slightly different because it's focused on the cloud. And it does have some additional tools that Jupyter doesn't have. And there are a lot of the, the plug-ins that you can. So Jupyter is very, a Jupyter lab is very extensible. You can extend it a lot, whereas co-lab doesn't have quite the same, um, same amount of extensions. Let's see. Yeah, it's basically the same idea. We see interesting comments about the Bash magic working on some Windows 10. Yeah. Some, uh, it doesn't work on some. Um, do I sound any better now? Some people were complaining about my volume. Hopefully it's louder now. Yeah, I guess the important thing is that we are relatively close to each other in volume. Yeah. Okay, hopefully I'm a bit louder now. Um, should we go to the lesson and talk about why Jupyter and why not Jupyter? And then we'll come back to. Yeah, let's do that. Save this question. So I think we'll be answering a number of good questions in the HackMD. Yeah. So, where is it? So why Jupyter? What are its advantages and disadvantages? Yeah. So I already mentioned, um, a couple of things. So it is, I mean, compared to writing a, um, writing Python in a text file, um, you can, you can create this story with, um, form a text and with the outputs of your computation directly visible. Uh, so for each step. So, um, then this can be plots, for example, this can be images. So you can tell the story, um, in a clearer way than with just text. That is one major advantage. Uh, now, Jupyter is, um, for all of you, almost certainly Jupyter Lab is running in a web browser. Um, it is designed to run, um, in a server in the background and be accessed through the web browser, which makes it really easy to share online. So there's several ways of sharing your work online when you have written a Jupyter notebook. Um, yeah, what else? Well, and others can then run your notebook. So, um, it's not just that they can see your result. They can actually run the code and verify that it produces the same or similar output. Um, what else? Um, I mean, it's the whole, you can put the whole story in one place. Um, from the beginning, the end, um, it's a kind of a linear way of, uh, including, um, all the elements. Again, it's like a paper with equations, but instead of equations, you can also have code. Um, anything else? I mean, yeah. Yeah, I mean, it's interesting. Yeah, like it's, so it's great for this getting started kind of stuff. And why is it not good? Yeah, it's very easy to share. Easy to share. So if you put it on GitHub, there's a section on Binder on the last day. Um, Binder is a quick and easy way of putting a sharing your notebook online without really having to set up the server yourself or going to go through, um, all that much, um, work to share it. But yeah, why not Jupiter? Um, there's, uh, people will run during this course, people will run into problems where they execute the cells out of order, they go and change something, execute something and, um, the state is somehow different from what you expect. And then the solution is to run it from beginning to the end. Um, it's not linear. And that makes it, that's a good thing, but it's also a bad thing. It makes it confusing. Um, they don't promote modularity. So what does that mean? It's, um, hard to take a piece of code, a function, for example, from a notebook and, um, use it in a different project. Whereas if you write it as, um, code file, it's much easier. Um, this testing is not straightforward, version control is not straightforward. Um, those are important things when doing serious software development. Um, there are ways of doing it, but there's limitations in, uh, both of those. Yeah. Um, what else? It's almost time for our break. Actually, it is time for our break now. Should we wrap up? There's plenty more people can read about, um, things here. Um, and you can discuss a little bit more. And let's see, were there any more HackMD questions we should comment on? Um, yeah. Well, I think most of these questions are being answered there well enough. So let's go on. You can keep reading and we'll see. So yeah. Um, okay. Break time. HackMD will have the break announcement and we'll be back at the top of the hour. So see you. See you. See you later. Bye.


Helo, arweinydd i am ymlaen, John Lewis, a rwy'n gweithio ar y Gymdeith月 Llywodraeth Llywodraeth, gallwn i'n nhw'n nodi'r ddigwydd o'r llyfr ymlaen. A ydych chi'n bwysig ar y Llwyddon, yn fawr i'r gwybod a'n ddod i'n ymlaen i'r gweithio ar y Llwyddon, for our online conference Lost Frontiers And Drowned Landscapes In Britain And Beyond. The Society of Ant attentrs is an educational charity that promotes the understanding of the human past and recognises distinction in this field through elections to it's fellowship. Founded in 1707 the Society meets its remit for the purpose of the advancement and furtherance of the study and knowledge of the antiquities and history of this and other countries I gael ymdod o gweithio arweithio ymdod ym Mhwylwyr Hyfyrnt yn Llywodraeth, ac, yn Celfysgawr, gyda'r cyllid ymgylchedd Gwylwyr William Morris yn y Cotswol. Mae gennym y Cymru yn ddwy'r gwybod o gafodd, ddwy'r cofnogol, a'r lleol yn deisemuniaid. Mae gennym ymdod o'r gafodd o'r gafodd. Mae gennym yn ddiddordeb i'r gweithio'r gafodd ymgylchedd. yr unig i'r ffordd o'i llwyth i'r materiol yn ymwneud, ac rwy'n gŷnodd â ymwneud yn y cyfnodd ar y cyfnodd. Ymgyrch yn ystod i'r barod o'r rhain o'r dysgu sy'n cyfnodd yn yr ymwneud gyda'r cyfeirio. Dyma ym Mhwng 2020, mynd i'r rwyr o'r program yma yn ymlaen, a'r oedd yn ymwyfnol ym mhwyfyr o'r with hundreds of people joining us for all our lectures and events from all over the world. Today's conference has been organised by fellows Professor Jeff Bailey FSA and Professor Vince Gaffney FSA. I'd like to thank them for the time and commitment to this conference which was postponed from last autumn due to COVID. The conference is in collaboration with the ERC Research Project, Europe's Lost Frontiers and will be part of presenting the results. dyna dyna'r bwysig o'r gweithio gyda'r hynny'n gwneud o'r progectau hynny. Mae'n ddod i'n ymdyn nhw'n rwy'n ddod i'n gweithio'r 500 yng Nghymru ar y qufnod lluniwr ar y ddechrau'u cynghwil yng Nghymru.  Y ddaf am gyfer y Llanthiadol Llanthiadol ym Mheuhaethau Cyswyddiadol, mae'r ymddangh customer i'r anpruntau argeoli.  Mae'n gweithio ar gyfer y gweithio, ac yna'r ymwynt yn euwre, iawn, i gael gwybod i'r holl yn ddweud, yn mygwyddoedd rhain i'r herfodau, o'r bwysig i'r base North Sea, yn ymwysig i'r drafod. Felly, o'r pethau cyfnodd, rwy'n ddweud i'r cwmfor i'r hynny. Dorgolangau'r hynny'n ei ddweud yma yn ystod o'r gwaith ar y dda, ac mae'r ddweud i'r ddweud i'r ddweud i'r ddweud i'r ddweud i'r ddweud i'r ddweud i'r ddweud i'r ddweud i'r ddweud. However, it is massively resource intensive and as yet has attracted very little RCUK research funding. All the major funding has been European and the project has also been dependent on the goodwill of European partners for access to research vessels. Big developments will be happening in North Sea and we as archaeologists must be ready to respond. Future research and researchers must be supported if this lead is not to be lost. I'll now pass on to Geoff, who is going to say a few words about how this event came about and the purpose of it. And he'll also provide some information on how people can ask questions. So, Geoff, over to you. Good morning. I've got three opening remarks as the chairman of this morning's session. First of all, to the speakers. You have a time limit, which I shall monitor. I shall turn my screen and microphone off while you're speaking. When you're close to the end of your talk, I will turn my video on again. If you don't take that hint and you hit the deadline, I'll turn my microphone on just to establish that protocol. Secondly, to the audience. There is an opportunity and will be an opportunity to ask questions in the normal fashion. But if you want to do so, please remember that you have to type your question into the chat box at the bottom of your screen. I will then read out the questions depending on the time available. We're bound to lose some time, but we'll see how we go. If worse comes to worse, the speakers might reply to you in the chat box. The third comment that I want to make is about how this meeting came about. It originated as two quite separate ideas over two years ago. I proposed to the Society of Antiquaries, their research committee, for which I'm a member, that we have a one day meeting on this theme. I was aware that in the UK and Britain, in particular Scotland, England, Wales, there are many people working on this theme. Too many actually to fit even within a one day meeting, which is the standard society format for a collective event. That proposal was accepted. At about the same time, Vince Gaffney, who's on the Council of the Society, was in discussion about hosting the final workshop of the Lost Frontiers project. So we very quickly combined forces to make this a two day event. Of course, this was all in pre COVID times designed for people who live or work within easy travelling distance of central London. That constraint has been removed, as we all know now, thanks to international video conferencing technology. Nevertheless, the original format remains as is essentially a British predominantly a British affair. But beyond in the title, which needs explanation. That recognizes the fact that there are many other people working on this theme, especially amongst our European neighbors. The Southern North Sea is shared by five countries in Western Europe. We have some of those people talking as part of the landscape project today. The other element is that in tomorrow's meeting, three of the speakers, myself, Jonathan Benjamin Helen far are actively engaged in field work in Australia, as well as in the UK. The theme are rather exotic outlier to combine with Britain. But we should remember that Australia is par excellence the maritime continent. It is a continent where human entry always required fairly lengthy sea journeys from mainland Southeast Asia. And we know that was happening at least 50,000 years ago, perhaps even earlier. The maritime strain is deeply embedded in the history of the Australian continent. It is still there. It is ingrained in the indigenous Australian Aboriginal world view with its emphasis on sea country. And the history of that continent has a lot to teach us, I think, about what might have been going on along coastlines and other parts of the world and in other continents. And has the potential to alter our perspective on world history. More of that tomorrow that today's talks of entirely focused on the Europe's Lost Frontiers project, which is led by Vince Gaffney who's going to give the opening talk. Vince has shouldered the burden of leadership by giving himself the shortest amount of time to talk. I won't dwell too much, but I should introduce Vince. He's quite well known to many of us, both nationally and internationally, famously so for an earlier project that he led on the North Sea paleo landscapes prize winning project. He's been frustrated in a remarkable way just how much information about features of the drowned landscape can be extracted with sufficient computational power from the seismic records of the offshore oil and gas industries. The new project builds on that and indeed that earlier project paved the way for the new project funded by the European Research Council. Which is using different and new technologies and techniques dedicated to answering archaeological questions rather than discovering oil and gas deposits beneath the seabed. So without further ado, I will invite Vince to give his talk on the Europe's Lost Frontiers project, the challenges of exploring the landscapes beneath the southern North Sea. Vince, over to you.


Hello everyone. Welcome to our second Jenkins Enhancement Proposal Office Hours. This would probably be a pretty small one this week. Koski won't be joining us. I know Sam Van Orp had some interesting, had some topics to discuss, but he's busy this week. But we do have Oleg the Machev and sorry Stefano, actually this. What brings you here this week? Just looking to say hello. Yeah, just watching. Okay. I just knew you. I just work in Jenkins at the office and so I was curious and just to take a look and working there not to have enough. Okay. Well, if you have any questions, just fire them on as we go. Okay, cool. All right, so great. Could you please share the link to this document? That is interesting. I don't know why I didn't already do that. Let me put the so where would you like it? Just Hangout Chat. Okay. So it's linked in the public page. Hold on just a second. There it is. I was trying to get to the right spot. There we go. Here is the document in the chat. There we go. And I should actually put this visibly here. I don't know how that would help anyone, but at least I can get to it. So if you want to post any items to discuss, suggest that them to agenda, right? Right, exactly. So I don't know if you have a pose or edit rights. Yeah, there you go. Yep. I'll, I'll, cool. I've placed some items. Okay, cool. Well, let's, let's dig into those. So, I mean, I think all of these are interesting ideas. There's, there's, I'm sort of, I'm not sure, I want to make sure that, that what I'm, we're talking here, I'm, I'm going to, I'll be clear if I'm speaking as something other than just a regular contributor. So, yeah. So in, in terms of each of these, they're, they're interesting ideas. I, I feel like we've actually done a lot. I mean, I know both you and Sam have been throwing a lot of like, Hey, can we do this? Can we do that? Can we do this other thing? And I feel like we've actually, like it's time to sort of settle for a little bit and note, Hey, this would be useful. And then come back to these later. We've got a lot of things in motion.  We, we've already done one, I mean, we, we took several months to get the, the first thing out. We took a, we did another significant, you know, revision set a couple of months later. It hasn't even been a couple of months since that. And it's like, you know, let's, let's try and use what we have for a little bit. There's nothing. So for example, like with the rollout plan to the JEP requirements, I mean, that's, that's reasonable to expect it to be in the specification, but I don't really think it needs to be another top level thing. In fact, I mean, if anything, I would be like, okay, maybe we want to take the, the, the, the, those four sections that we have and move them into something else. Like it might be actually better to, to reduce the number of top flow sections that people don't have the extra crux, right? So there's, there's, there's a bunch to discuss in this, in that area, right? But I don't know about you, but I, you know, I, I don't necessarily have a lot of bandwidth to, to cover, you know, continuing to upgrade, you know, update the process. I'd rather just use it for a bit and maybe note, hey, this would be an idea or that would be an idea. And then come back to things later. But yeah, but yeah, as a JEP editor, I probably can post process changes on my own. Yeah, the problem is how we review them. So if you don't have time to implement the process, of course, it's perfectly fine. Because yeah, you are not the one on the hook for implementing everything. But yeah, for, for the reviews in discussion, I would rather prefer to have small incremental changes. So I think that for that, it would make sense to proceed now. So there is a demand. Why don't we start a discussion somewhere? Sure. Like I said, so to be clear, I don't have to require you to implement anything for JEPs. Fair. It's not a question of me. It's more a question. It's not just me. It's like the whole community is actually using this and continually moving, having a moving target actually makes things harder for everyone. Yeah, but on the other hand, things like rollout plan may be really required for those ones who consume the JEP. Because now, for example, we have a discussion about Ruby runtime. It's a build. Yeah, so the discussion is not very active now. But the last time I checked with Daniel, we had a misunderstanding of how it would be rolled out. And the problem that it's not really documented in JEP for now. So setting up such a requirement would just set expectations to JEP sponsors. Because yeah, now it's just a community feedback and we stay there. Thanks. So for JEPs, which really require breaking changes, I would really require a rollout plan for any breaking change. Sure. Let me just see something here. So if we're looking at the template here just as an example. So we have this delegate abstract infrastructure by compatibility. Yep. So what I propose to do is to just another section for a rollout plan. We describe that it's optional for non-breaking JEPs and for breaking JEPs. Yeah, I think it's mandatory. Well, I mean, it's an interesting idea. You should definitely raise it and let's see what people say. Yeah. Okay, so just pull request. Well, I was going to say a discussion, but pull request also makes sense. This comes back to that other point. We were having a sort of the discussion around how we can have open questions and comments sort of stored in JEPs in a way that makes it possible for us to commit, sort of get to address what Sam was discussing this week. Actually, I should probably catch up people that are on the video. There was a JEP proposed here. Let me wait for my page to refresh. There was this external logging API plugin that got proposed and Sam had a bunch of open questions for it, which due to sort of random oversight on my part, I merged while those questions were still open. That's partly, I mean, it's partly mistake on my part. I just didn't refresh the page to see his comments. But at the same time, it's also you, Oleg, requested that this be approved as draft. And in the way that we have the structure right now, the first PR, usually that is of a submission, is not really meant to be the point at which people ask design questions and more detailed stuff. It's more a conformance check to say, yes, you have all the sections. You've started filling out all the things appropriately. It's a minimal conformance check, not a design review. And Sam was sort of asking more design level questions. So they weren't really the sort of not quite the right context for those questions. So by accident, I merged without addressing them, which meant that his questions sort of looked ended up looking like this, where we didn't have anything to in that. Actually, we have the same problem in almost every draft. Yeah, exactly. Most people, they jump in and they're like, oh, I have design questions. Like, people, come on. So part of that is communication, I think, in saying, hey, this is not the time or this is not the PR for you to do design discussion. It's certainly interesting to do them there. But the point is to move things into draft, at least in the way that it's been described in the in the one was, hey, this is this is the point at which we do just a conformance check. So then the question becomes, how do I how do people ask those design questions or make design comments? Once something is not in a PR, because GitHub doesn't really support making comments, and you can make comments on commits, but they're sort of wedged off somewhere else that they're not they're easy to get lost. So I ran a little experiment this week of what something an alternative might look like to allow people to start to sort of store their questions in the JEP. And at least one of them looked a bit like this, where I added, I think they're warning sections, or important, which tag I used. Anyways, these are blocks. And I took Sam's comments that had otherwise been comments and questions and added them here as text that would go into the JEP. Also suggesting that we could merge this directly without this, without you as sponsor having to answer them right away, we could just merge them and then come back and address them later in another PR, which would give us a sort of a history of what questions were asked and also discussion along those PR lines. If we didn't want to merge them, we could also simply have the discussion and then edit the PR, add more commits to the PR, to remove these blocks as they're addressed more fully. So that's what that, yeah, they're warning blocks like that. So this was a one, let me just pull this, no, not larger, a little smaller, there we go. So this was just one idea that I had. This also brings up having a sort of an FAQ for some of these things where it's like, this is not something that I would feel would need to go into a change in the process, but it was more something that someone, that we sort of agreed to know how to do, that wouldn't it be an informational JEP that sort of talks about, that we talked about last time actually, that would be covering who the default BDFL delegates are for various areas and also how to go about sort of doing various communications within a JEP. Yeah, so my question would be is, so do we consider using any external services to do the reviews? Because yeah, in the current state, we rather battle with the fact that GitHub is just not very helpful for reviews in the current state, because we decided to use such process. So maybe if we find a service which works it around, it would be preferable, or another option would be to review the branching policy, but it would be a lot more complicated, I think. Yeah, I'm not sure what that would look like either. Yeah, because one pretty straightforward approach is just to create branches for every non-finalized JEP. We create a standard pull request from this branch against master, and we accept all commands there. And by the time it's integrated, we expect all changes to be merged. But yeah, the main problem that it requires standard branches, it increases overhead on JEP and it has to do that. And then it also, the other problem there is that it makes it harder to find the JEPs. Part of the having them all in the master branch means that if someone comes in, they don't have to go, okay, well, where would I find, you know, unless we like create a branch for all drafts or a branch for all, like, I'm not sure how this would play out exactly, right? One of the ways that you have already created, read me on agente.ci slash JEP. So I mean, there is a listing of all JEPs, and this listing has been auto-generated by the script. Sure, yeah. So we could modify this script in order to provide references to branches or pull requests for non-accepted JEPs. So in such case, they will be still, would be still a dashboard with all JEPs, independent of whether they are in branches or in the final version. And yeah, it still doesn't exactly address your concern, but at least from user's perspective, there would be a source of information. True. I don't know. I just think that we're, as I said, I think that we're trying to solve things that are with technical solutions where it's like, look, this is not as, this is adding more layers of technical levels to something where it's like, you know, the point of this is to have a way to store these and have history on them. The adding more, adding more layers and adding more, this is how we do it in more process around All right. I mean, that's my opinion, right? That's me. That's not to say that it can't be done. I'm just saying like, this is something that you that you'd want to bring up in the dev list and have more feedback from the community, because the adding more layers, I'm just saying for me, it seems like that would be more of a barrier for entry, right? Yeah, the lowest barrier for entry would be to just move for the entire process to something like Google Doc, but yeah, it's We lose that. Yeah. And then we lose that history point, right? Yeah, right. So there is a reason why it's not in the Google Doc. Right. And this reason is pretty important for the Jenkins community. Right. But yeah, for our users standpoint, maybe if we create a standing pull request, integrate them with services like Revuable, so that we can have reviewed threads, it would be better. But yeah, it's a subject for much long discussion. Yeah, exactly. But I mean, these are all interesting points. The question then becomes like with with ideas like that, like, what do we how do we track those? Do we just put those into into JIRA bugs? Do we do something like with the the notes that I had, like this one where we add the warning things to say, hey, this is an open question. What do we want to do here? Yeah, right. But we don't want to do that on active or final JEPs really, do we? So it's sort of a Yeah, right. Plus, the problem is with number of comments, because when you create a long design, you may have several dozens of comments in the first iteration. So managing all these things is quite complicated. Yeah, I would rather prefer to somehow avoid that. Because the current process, it sounds like a reasonable approach, because comments become explicit. So I'm perfectly fine if such warnings get added to my JEPs. Okay. Yeah, the problem is that if we require people to make comments in such way, or if we require JEP sponsors to process all comments and the developer mailing list and put them in such way, it becomes insane. Yeah, no, that's definitely, yeah. This was more, what I was trying to do here was sort of figure out a way to address the point that Sam made, which was here, in terms of people wanting to be able to make line level comments, right, on JEPs. And really, it's more about, I don't know. So there's a couple of ways to do this. One is, okay, I have a question. The questions definitely are ones where if someone really just has like, which do you mean by this? I don't know. That'd be one thing. For things that are more comments or something that someone has an opinion on, the other way to go about this would be to suggest that people actually submit a PR that rather than doing this to say, hey, why don't we and then actually submit a PR with the changes that they think should be made. And then you can discuss that PR. It puts a little more onus on people, on the person suggesting the change, right? To actually stop and have an opinion, formulate what they wouldn't mean, want the solution to be and make a, you know, propose a change. But at the same point, that means that it's not the sponsor's job to try and integrate that. It's an individual's, right? Which is a fair point. I mean, I think that it's not the sponsor's responsibility to, is there a responsibility to try and, you know, build consensus and make sure that everyone's views are represented. But it's also, but it's not necessarily their responsibility to make the edits to the document themselves. So, yeah, so yeah, regarding this pull request, I'm perfectly fine. You would get smashed, actually, most versions. So that's right. So I had this shown as warnings, and I also tried it as comments, which don't show up in the, that aren't visible when you go and look at the view. So that as a comment, when you're looking at the document, it doesn't get in the way, but it is in the codes that people can go and look at it. Do you have any preference either direction on this or are there cases? I mean, there's probably cases where either one works, right? Right. So the main problem is comments that they're not really visible to those ones who just take a look at the text. And since the main purpose of JEP is to get feedback from people, I would rather bite the bullet and go after public comments. Okay. So I guess what I'll do is, since you just said yes, I will merge the comments one. Actually, can you approve that? And then I'll merge it. 160. Yeah. And just say that this is what that you'd rather see on this one. We can see how this goes. Anyways, so we'll do that and then see how that uses as a test test bed to kind of see how that works. And I will close the other one after this meeting, I guess, for just get there. Okay. So that's cool. Let's see here. So Okay. So can I just merge it? Yeah, sure. Yeah. Okay. I'm the sponsor anyway. Yeah, exactly. I'll go back and add the notes in here after the meeting. So what else? So then the rights, then adding the SIGs. So what was the SIGs as a field in the summary table? So yeah, we haven't done this yet, but we'll just talk about it a bit. Right. So the the idea behind that is that if you open a table for any job, yeah, so there is a number of standard metadata fields and those other fields like discussions too. Yeah. So what I did in my pull request is that I had magnified the discussions to fields in order to point to the SIG mailing list. Well, that totally makes sense. That's that's exactly how that should be used. Yeah, right. How it's how it's indicated that should be used currently. Yeah, it's totally aligned with JEP 1. Right. Yeah. So my thought was that maybe for particular things, it's rather preferable to link to a special interest group instead of linking developer melodies. Because in such case, readers go to the SIG page. They see when there are meetings, which they can join to discuss that, they can see charts, which they can also join and discuss in runtime. So my thought was that in addition to discussions to field, maybe it would be reasonable to have another field reference and parent SIG or something like that. So we say that this particular... So rather than pointing to a, sorry, so rather than pointing to a mailing list, as in the discussion too, it would be a, I don't know. Yeah, so a little quote. Or general SIG information. I see what you're saying. Yeah. Yeah, right. So it could be this field. It could be two fields. So for example, we can say discussions to always go to the mailing list, because it sounds reasonable from the history standpoint, but we could add another field like parent SIG or whatever, which just references all other information if needed. But I just think it may be useful. I don't have strong opinion on how it would be implemented, but I would rather implement it as a separate metadata field. So yeah, so either like as a SIG, I mean, like for example, the Jenkins Essentials has its own Gitter channel, right? Right. So Jenkins Essentials has its own sub-project, right? Yeah, you would think that it would almost, and they're actually basically already doing weekly meetings and they have their own Gitter. What they don't have is their own mailing list. That's the only thing they would, that's the only criteria that they don't have to meet, that they don't meet for being a SIG, right? Right. Yeah, there are also formal changes like assigning an official chair, but generally... Little things, but the basic structure is already kind of there. They're already in that space, so... It applies to almost every sub-project actually, right? So all the projects have SIG like structure anyway now. So yeah, maybe if we allow reference in SIG or project. Yeah, that's another, that's an interesting change.  Right. So if you're finding with that approach, I will just propose a pull request with additional metadata fields. PR and discussion on the dev list, that's the thing. It just needs to be socialized and visible. And give it a week or so for people to respond. Yeah, no hurry at all. Right. But yeah, it seems reasonable to me. I mean, like I said, even if I disagree on these, I'm interested in seeing what the community says about them. Yeah, right. Maybe in a developer discussion, I would go even further and introduce proposal to allow making SIGs BDFL delegates. But yeah, maybe it's too early for that. Yeah, maybe, maybe too early for that. I don't know what that. Yeah, it's still good to have a discussion on the developer manifest. Yeah, exactly. That's an interesting, so all right, let me just add this is a... Yeah, so SIG as BDFL delegate. So you think basically that SIG as a whole would have a consensus on it before the thing is merged? Right. SIG is eligible to define the process it likes. So we could just default to the process when SIG chair makes a decision. So I mean, he or she is responsible to discuss that. Yeah, finally, SIG chair access BDFL delegate in this case. But yeah, SIGs could opt out to different process, for example, define their voting criteria, et cetera. Okay, it's interesting. Maybe moonshot, but it looks reasonable and it also allows to default particular decisions to SIGs, so that you don't... To a group rather than an individual. Yeah, right. Yeah, I still think that the delegate should be approved by BDFL, but yeah, maybe in some cases we could relax at this requirement. So I mean that if you propose a job for Jenkins Essentials, I'd guess that Jenkins Essentials team can make a decision on its own. Yeah, it's a separate... Yeah, the main thing about the BDFL delegate being a single person, I think it's the same reason that we have the BDFL as an individual is so that we have that situation where generally we're run by consensus, but if you have to have one person make a decision, this would be the person, right? Yeah, right. But it'll be interesting to have that discussion and see what people say. So yeah, a bunch of different ideas here. What else? So we had the discussion about the commenting and I still need to create that sort of informational JEP that we had listed down here for the JEP process FAQ. Yeah, maybe not even JEP, but maybe WikiPage. So JEPs are fine, but yeah, this JEP may be changing pretty often. Yeah, the nice thing about an informational JEP is they don't have to be consensus in there, it's okay for them to change, right? I mean, it's basically, the point is to disseminate information not necessarily to... So they never become final? Well, it would become active, I believe, but it really depends on the JEP, right? Yeah, right. So yeah, or we just have it as part of the read me. I just wanted to, yeah, we'll see how it goes. I'll see what I, maybe you're right. Maybe I'll just, I'd rather keep it in the repository so I might make it like a read me at the, or actually have an FAQ document in the root or something. So, in any ways, anything else from your side?  Yeah, I have a number of JEPs, so I mean pull requests. I'm not blocked anywhere, so yeah, there are some action items which have been discussed, so for now I'm good, just need to write a lot of text. Yeah, right. There it is. Well, cool. Let's see, I don't think I have anything else for this week. So, I think that's, that'll do it. I was this review process sync up? I, it's what we already discussed that. Okay, cool. Yeah, I mean, this. Oh, that, okay. Okay, cool. So, yeah, that's. All right, well, thanks. And I'll talk to you again next week on this. Okay. Or if not, not sooner, right? Yeah, let's see. So, thank you very much. All right, cool.


I did a video a while back, maybe I did too, about, about Zillow, my former addiction. I literally went on Zillow more than I went on Twitter or Instagram or probably any other social media because I was like, I was on Zillow all the time because I was looking to buy a house and that I bought a house, but I probably will never do a full house tour to try and protect my own privacy. So disclaimer for this, if you ever find out where a YouTuber lives or somebody that you don't know, or if you find out where I live, do not come to my house, do not go to any YouTuber's house, don't go to anyone's house without ever being invited. So there. But today, we are going to look at YouTuber house tours. There we go. Yes, so disclaimer, I'll be looking at these videos and judging people's houses, but I want to make it known that despite what I may say about said houses, this doesn't mean that I have personal beef with the person whose house it is. Okay? Okay?  I probably hate them for different reasons.  Well guys, welcome to our brand new home, but before I show you all around, first of all, number one flag guys, already, I'm assuming that's marble immediate no no for me. I don't like it. It feels sterile also. And again, there's just no hate on Vic. Good job for getting this cool house. The white everywhere is, it's a lot. Okay. Here's the entryway. It's really tall. It's really, really tall. Those front doors are cool. The staircase is kind of cool. It just feels so sterile, you know? It's so white. It feels like a really fancy hospital. And yeah, it's a hallway. I don't know what else to say, but we'll bring you on through. Yeah, it looks very empty. Also, I don't know if he had just moved in here, but Vic, you got to get some stuff to put in here, whether it's art. See, having white walls is okay. It's not my personal decision. I grew up having painted walls everywhere, but you got to fill the white walls with some art and stuff. If you got the money for this house, you got the money to get an interior designer. As you guys know, I love open-plan living. The ceiling's cool. The flats I've been in. So this is the kitchen slash kind of casual living area. It just doesn't, it doesn't feel like a real house. Like it doesn't feel lived in. This feels like it's, it's part of a catalog or something. You got this, this cracked glass backslash. The backslash is pretty cool. Actually, that wasn't intentional. I don't think- I would assume that's intentional. I would hope that that's intentional because if it's not intentional, that's really bad.  You might think it's a cupboard, but in actual fact- It's not. We have a utility room. A utility room. That's actually pretty sweet. That's pretty smart. Having it hidden like that, that's kind of cool. Do we leave this white or do we get some sort of wallpaper design on here? Not wallpaper. Just paint it. Just paint it. Just paint it. We have an empty space right underneath the chandelier. Yes, you do. You have a nice circular table here. Sounds probably- Maybe even one of the ones I've seen them where you can like- A dining room table. A dining room table. Extend out. Another little bit of clever storage. Yeah, so it seems like he's just moved in. Before we go upstairs, let's check out the garden. The garden.  You got a big yard. Ooh, a nice pool. There you go. Here's the question. How much are you going to use the pool? Everyone wants a pool. At one point, I was thinking about getting a pool. I was thinking about putting a pool in this current house, and then I didn't. And I'm really glad that I didn't.  But two, it's really expensive to maintain. But three, everyone thinks that they're going to use a pool all the time. And then they don't. It's nice in theory, but then you just don't use it. I guess, yeah, I don't know. It fills up the yard nice because that's a huge yard. Outdoor shower is kind of cool. Hot tub, nice. From the ground here, we have the barbecue area. There you go. Also, it's not in a great way right now, but there is a koi carp. Ooh! Don't have any koi carp. Don't really know if I want any koi carp. You should. That would be cool. See, I think like a pond, that's kind of cool. I wouldn't put a pond in, but like if this house had a pond, I'd be like, ooh, that's pretty. You can sit by it. You can read by it. I don't ever read, but I'd go and sit by it. Let's go and check out the master bedroom. Mmm, here we go. The master bedroom. The master bedroom. An MTR room. Okay. Right now. Yep. A very cool room. We have the master bathroom. I can't tell if I like this. It feels too much. This feels like the kind of bathroom that would be in like a fancy hotel, not in someone's house. Which is, is, is massive. It's really cool, but I don't know if I, I don't know if I like, ooh, wait, does he have a cinema room? Oh yeah.  I'm sorry. It's a really cool space, and you could make it such a cool cinema room. And I'm sure that's a big-ish TV, but it looks kind of small on the wall, and there's just nothing. It's, oh boy. Got the bar in the back for an owner that wants drinks, but the big sofa for all the guests. I'd love to kick back. It could be. I'm a busy guy, and I got more of this house to show you. It could be cool, but it's like the most disappointing room in the house, I feel like. All right. After skipping through Vic's house, it's very pretty, but also very sterile, but also I can tell that he just moved in. I'm gonna rate it a six out of ten. It's all right. Our new house tour? How many houses have the Ace family bought? I feel like that's all of the videos they ever make as a house tour. Okay, well now we have to look at it. I feel like the Ace family is the type of channel that will absolutely claim my video. Okay, so far, this is nice. I can't stand the stare that he just had. What do you got? What do you got? Ace family. That's nice. That's nice.  I don't know. It just does something too. Why do I feel like there's no happiness here at all? It's so nice and pretty. Obviously, they're both doing well, but it seems like they're both so unhappy, and it seems like this is so obligate. Like this seems. I really hope that one of them plays the piano. Can you look up if anyone from the Ace family plays piano? Am I disappointed? Here, liquefy my face into a smile or a frown. Wow, I hope it's not this because this start at over $100,000 for a piano that I don't think they know how to play. Okay, this li- everything, I don't know why. Is it because it's being filmed at night? Why do I feel like there's no soul or happiness or anything? It's so odd. I don't know why it's so odd. Again, I'm skipping because I'm not- I don't care about their video. I just want to see what their house looks like. This is a cool area. As someone who owns a pool table, this is a cool area. I like that a lot. I kind of like the indoor-outdoor feel. I would love to have something like this where it's like a little game and party spot and like a separate place to like work out. That's pretty sweet. Okay. Nice gym. They got a big yard.  They have a big yard. They have a boxing ring. No, we're going to feel at a jungle gym and then put the trampoline here. Oh, trampoline. I do want a trampoline. As a former gymnast, I would love a trampoline. Now the master. Again, don't judge. A little dirty. That door is massive. Jesus. Oh, I thought- I thought they had a- I thought back there was their- their bedroom. Okay. Beautiful. It's just- it's just kind of boring, if I'm honest. I don't know why. Like it's nice looking, but it's kind of- everything is kind of boring. Am I wrong? Am I being too judgmental? I gotta stop watching this video, guys. I feel like the happiness is being sucked out of my body. Everything feels so forced. The one thing that I like about this video is the lack of their children in it. There's nothing about the Flamin' Vlog channel, this is just like forcing a camera into your child's face. I don't know. It feels weird. I'll give them a 7 out of 10 because I liked it better than Vicks, but I- I'm now depressed. Oh, okay. Ro did. Hey guys, it's Ro. Welcome to my new home. I know, Ro. So many requests from you guys. Ro's very, very sweet. Right when you enter the home to the right, there is this beautiful- That's a cool front door. ...office. These doors actually did not exist when we moved in. These were built by Emerson here in Works. Okay, Ro. It's very pretty. I wouldn't want to have that in my own house because it feels a little too worky, but I also can't really say much because- pfft. But it is very office-y, but Ro also has way more employees and stuff like that. So it probably is really nice having like a legit office.  Big table. See, I like- I like this a lot more as far as the design. I'm not just saying that because I know Ro, but like, I don't know, the design seems more cohesive and nicer and not as sterile. I don't know. Got some art, okay. I feel like there has been no art in either of the other house videos. I'm just going to be skipping through these because I'm going to watch a few of them. I just want to remind you what this is, okay? I'm not fully watching through everybody's thing. Okay, thank you. Ooh, that's a cool staircase. I like the staircase and the railings. That's really cool. I like that a lot. No, it's not cool to put carpet on floating stairs, but when you have two French Bulldogs and we have kids over now, it's not the fanciest thing. It's fair. I kind of like the carpet on there. I don't know. It looks nice. Underneath the stairs, we got this dog crate from Wayfair. I almost bought that because both Spencer and Bea have crates. Spencer more than Bea loves his crate. That's like his special spot. Wait, I ordered this. Where is this? I completely forgot that I had ordered that because it's been so long. Ooh, okay, I like this. See, the big art on the wall is nice. It's just nice that there's things taking up space and there's contrast, which is nice. Nice, real. It opens up directly onto the patio and the patio is so cool. There's tons of seating. That's nice. I've had a few dinner parties here already. And there's that little back house there. Ooh. For a button. Ice myth and noble. I show you. This is where I bake the scene. It's made with a huge dream. We're here. I'm so sorry. This is a built-in coffee machine. It even has an app on your phone. My friend, I justine, who's all into tech, she would be proud of me. Look at this. It's going to make a cappuccino.  This is dope. Let me show you the pantry, which is based on a second kitchen. This is basically where I prep all of the baking videos that I made using my counter space. If I ever get another house, I want to have a proper pantry. It'd be really nice. Now, I knew that Smart Fridge has existed, but I didn't know they could be this smart. You bump her, she opens herself, and if you get it closed, she closes. My fridge does that, so. Just saying. Hold on. This is Mike's favorite room of the house. This room is also Blueberry's favorite room of the house because it is the coziest. It's the only room that's all carpeted. It's soundproof. The cinema room. And it's the movie theater room. That's nice. My projector in this huge screen. That's pretty nice.  Okay. I'm going to make some... I feel like he could have gotten a... I feel like he could have gotten a bigger screen. It just feels like he could have filled up the wall a little bit more. The one thing that I don't like about this room is everything is kind of the same color. But I like it. Overall, I like it. I like it. I'd be curious to see what the system is like then. Now, let's head over to the gym. Now, our bathroom was maybe a little bit too big. I'd also love to have a proper gym. It doesn't look the prettiest right now, but it's very functional. It's pretty nice. It's pretty nice. I feel like a gym doesn't need to look pretty. It needs to be functional. And it looks functional. Now, let's go see my room. All right. Final stage. There you go. The master. Pretty good. I like the back wall. It feels very beachy. A very beachy place. A chandelier. It's on the bottom. That's pretty crazy. This living space has two of these teddy bear couches. This is something that looks nice, but I feel like it's probably never, ever used. If you're going to watch something, I feel like you're doing the living room or like in the cinema room. All the way. There you go. The slide's so good. You got the whole slide. That's pretty nice. I like that. Every bathroom in this house has heated floors. It's very big. Heated floors would be sick. All right, Ro. I'm going to rate your house an eight out of 10. Eight and a half. Eight and a half. Let's go eight and a half. Very pretty. Very functional. A beautiful, beautiful home, but it didn't feel sterile. It didn't feel sterile, which is really nice. Okay. I'm going to end this one here. Well, let me know what you thought of these YouTuber house tours. And let me know if you want me to do another one. And specifically whose houses I should look at. Again, if you ever find out the address of a YouTuber or streamer or anybody that you don't know personally, don't ever go there.  I will not take a picture with you. I will not sign anything.  Anyway, thank you guys so much for watching. Hope you enjoyed. And let me know what you want to see next. Thank you so much. I don't know why my hands are in the air. Okay. Love you. Bye.


And the big product for us that really took the company into the next kind of stratosphere was the launch of the Hypervolt in 2018. Some guessing candidly because there's nothing like it, but that product, which was the world's first percussion device that was powerful, quiet, had all the elements around it, took the company essentially from 10 million to 142 million in a 24 month period. So we went 14X in 24 months off the launch of that product.