Hi you guys. Welcome to another episode of First Impression Friday. I came on here expecting for a lot of the big four to have their winter collections out, but only simplicity has released theirs so far. So I don't know what these guys are waiting for, but winter is, we're in the thick of it. So we're going to look at these winter patterns as the other companies, you know McCalls, Vogue, Butterick, all of them, start to release their winter collections. I'll be back to review those, but without further ado, let's jump into this. If it's your first time watching First Impression Friday, welcome. I'm going to go through all of the patterns in the new release and just chat about them. It's kind of like looking through the catalog with one of your sewing besties. So first up, we have a coat and jacket, which to be expected to have some outerwear in the winter collection, right? This one is a lined coat and jacket and it features an attached scarf and has button front closure and pockets. I don't know why honey is so upset today. The coat comes in two lengths and now Bits gets joining in. My goodness, hold on one second. All right, we're back. Let's take a closer look at the pattern. So you can see here it is your kind of traditional knee length coat, right? I think there might be a bust dart, but that's really it in terms of shaping. It's really kind of just an inline coat. I don't think it's intended to be, well, maybe it is a little bit off the shoulder. It is on her, but it looks like the sleeve cap is a little bit full for a coat that's shoulder width is so long. You know what I mean? Like normally there wouldn't like, you know how a sleeve has like a bell shape to it? This wouldn't be flatter, but it's not. It looks like a normal sleeve. You can see it here too. So I can't tell if this needs to be flatter or this needs to be shorter. One of the two needs to happen though. And then it's really, it's colorless and just has this attached scarf to it. So I gotta imagine it's pretty simple to sew. Maybe you can use this as an opportunity to try a coat lining for the first time since the rest of it is pretty simple. You know, you can really focus on something like a new skill that you haven't tried before. The attached scarf thing is also kind of cool. I guess you probably would want to be a little bit careful of which fabric you chose though. So it's not like itchy on your neck. And then there's a shorter version. And then here's the back. Beautiful. That fabric is so fun for a coat, right? All right. And then we have the back of the envelope. This is really small and it's as big as I can make it. So we're going to do our best here. But it says lightweight wools, denims, boiled wool, fleece, and linen. Interesting. And lining fabric. And then lightweight fusel interfacing. Also a pair of shoulder pads and buttons. And then finish garment measurement wise, comparing it against the ease. It's a pretty roomy coat all around. The bust has like, what would that be? Six, seven inches of ease. And then the waist has more than 10. And the hip has, what is that, six or so? So yeah, you don't have to worry about fit really on this one because it is so kind of A-line and roomy. All right, next up we have, okay. So this is the same version as this. It's just in the women's category. So extended sizing here on this coat, this one comes in 20 to 38. And I think the other one was probably like 8 to 20 or something, 8 to 18 maybe. So we get to see another version of it. This one is, it comes in two lengths. So this is actually, this is so interesting. This is actually the same length as the last one because this woman is petite and she's shorter. It's coming to mid calf versus her knee. I have mixed feelings about that. I kind of feel like if it's meant to be a knee length coat, then they should have altered this to be knee length on her. But at the same time, I think it's nice to show the length of the pattern as is on multiple different heights so that you can visualize yourself as her, you know what I mean? And how long the jacket would be if you made it as is. I don't know, two sides of the same coin there probably, but if it were me and I were designing collection, I would probably have altered it. But that's just me. All right, so we're gonna get a lot of the same sort of pictures and illustrations here. This one also comes with a vent. Did the last one, I don't feel like I noticed that. And I also feel like the sleeve on this one is a lot better. You can tell she has just a more dramatic shoulder slope. So maybe that has something to do with it? I don't know. But again, fits her beautifully, just like the last model. And then the ease and the pattern should be similar. We've got eight inches in the bust, again, more than 10 in the waist, and six in the hip. So maybe a little bit less, but still pretty roomy all around. You should be able to make your regular size and be good to go. Also fabric wise, it looks like, yeah, five this yards, depending on which view you make. Now wait a minute. It says jacket comes in two lengths, but then there's three links here. So maybe she's wearing view A. Why do they make this so complicated? Okay, that is view A, but look at this coat comes in two lengths. No, it comes in three links and she has the longest. So everything that I said earlier about this needing to be knee length is incorrect. This is the longer the longest of the three links. This is just a typo here. So annoying, right? It's like, I have to go back and check their work every single time because they make these small little errors. And now that that's like a huge deal to links versus three links, but I do like to know what I'm looking at. The next one is a dress with sleeve and link variations designed for the American sewing guild. I have quite a few of their patterns. I can't remember if the instructions are any different for them or not. It says dress features knotted, draped bodice overlay, cut out neckline, waistband at skirt encased into side seam, and back zipper. View A is long with pleated puff sleeves and sleeve bands. Views Bs and C have flutter sleeves. View C is a mini dress. Sales from this pattern help support. The ASG. All right. So that's what it's all about. All right. So we have, doesn't this look a lot like that white shirt? Oh man, when what went, I didn't remember. I don't know if it was simplicity. It might have been McCalls. Who remembers that from summer or fall? It was recent. It was like a white poplin and it had this same thing maybe a little bit lower, but it was very similar. So that's interesting just to have like a similar bodice, but they made this one into like an overlay. So like this piece here is separate from your bodice. Then you have a waistband, and we haven't seen dedicated waistbands in a minute. And then you've got this kind of like drapey skirt, which on her doesn't look like it's draping at all, but all three of these do. And then view A has the same sort of like, you know, raglan sleeve, but with a band and then B and C just kind of let it loose. So it's kind of like a shawl and dress combined into one. That's kind of fun, right? But yeah, this detail for sure we just saw in a shirt form. Here's the back, center back zip. Everything looks like it should. And this one recommends silky types, double georgette, satin back crepe, soft cottons. I'd like to know, well, I guess, yeah, I was going to say I'd like to know if you could make the dress without the overlay. But I think no, because it's like the sleeve, it's not an overlay in the back. All right, six to 24 on the sizing on this one. Roughly three ish yards of fabric for the largest size fit wise. It looks to be pretty close fitting in the bust, very close fitting in the waist, and close fitting in the hip. So definitely one of those things where you're going to want to make sure to, you know, double check, especially if you're in between sizes, confirm that the ease is comfortable for you so that you end up getting a dress that fits you like you like. Also, of course, the vertical measurements on this one are going to be really important too, because you want that waist seam to sit exactly at your true waist. Interesting, though, right? All right. Now we have another dress with sleeve and length variations. Dresses have gathers at neckline and raglan sleeves with variation for sleeve openings that tie close at neck in the back, maybe. Gathers are created at waist with two rows of elastic casing. All feature tiered skirts, two lengths, center back keyhole opening. View A has long sleeves with elastic gathers at the wrist. View B and C have flutter sleeves. So another raglan flutter sleeve dress, similar to the last one, but without the overlay, without the little detail here. And then this is two rows of elastic, a little bit on top, a little bit on bottom, and everything in the middle is like brooched in between those. And then your tiers. The tiers on this one are interesting because there's one at the high hip, and that's it. You normally, you know, we would see two or three more, but you have your sleeve gathered with elastic, so kind of like shirring, but not really. Oh, and this is the cutout detail that they're talking about. Well, why didn't they make that version? That version's really cute. And this is also like not wintery to me. Even like the illustration's fabric is very springy. Look at this one. I mean, that's like full on summer colors. Again, why didn't they make the long sleeve version? I don't know. For winter, wouldn't you? I mean, I guess they did put her in tights, but yeah, odd, right? Yeah, the proportions of this one are kind of throwing me off. I think it's because of the tier. Like there's gathers, gathers, gathers, gathers, and then nothing. I think I just wish there were one more tier here, but maybe that would have like made the fabric requirements, you know, complicated or cutting layouts, complicated. I don't know. But I do like the version with the cutouts here, not in love with the fact that they tie right here though and create those two little itty-bitty bows. That feels a little fussy to me, but this is cool, right? Don't you think that's like, I wish it didn't tie. There's got to be a way to close that without doing the tie. Maybe even, I mean, worst case scenario, like a covered button with an elastic loop would be better than that. The bows just feel like a lot. And you know me, I love a bow.  So this elastic is trying to ride up on her hip, creating this little bubble. And I don't really know how you'd get around that other than shortening all of this so that the center of this band is at her natural waist. Right now the top of the band is at her natural waist. So just raising it an inch or so, I think would have helped. All right, here's the back. Charmous, cotton blends, crepe machine, rayon, silky types, viscose. Again, all summery spring fabrics. Okay, so 8 to 26 on the size range for this one. Three, four yards depending on the length that you choose in the sleeve, obviously. And then they're only giving us finished garment measurements for the bust, which I understand we don't need the hip and the waist maybe because it's really taken in with the elastic is a little bit flexible, but there's nine inches of ease in the bust. So, you know, plenty there. Okay. And I kind of thought they were going to have a women's version of that too, but they don't. All right, we're already at the vintage dresses, which I struggle with this because most of the time, the words in here, I don't know what they mean because I'm just not well versed in vintage terminology, I guess. This is from the 1950s. Two piece dressing begins with slim mid calf length skirt with center front pleat. The jacket features a pointed collar, front lapse over side front sections, forming pockets at the lower edge. That's interesting. Options include buttonhole pockets with saddle stitching, three-quarter sleeves with term backcuffs, or short sleeves with rolled backcuffs. Whereas a suit with matching fabric head to toe or as a separate jacket and skirt with contrasting fabrics, which is what they've illustrated here. This is the little pocket detail that they're talking about. Well, I mean, first of all, there's actually a lot to take in here that they didn't mention. So we've got this pointed collar, but then we've also got this separate collar here with a ginormous, oh gosh, what kind of buttonhole is that? It's like a welt, but without the pocket. Oh man, the word is escaping me. You know what I'm talking about, the buttonholes, oh my gosh, it's in my tongue. Anyways, we have a bust dart underneath this little flap, and then this flap comes down and this becomes a pocket. See how her hands are in here? And then you've also got fisheye darts here. Yeah, there's a there's a lot to take in with that. And then here's the front pleat on the skirt. Here's the turned back cuff for the sleeve options. So interesting. Are we going to get to see the back? The back just has the fisheye darts in the jacket and then shoulder darts too. The vintage patterns are always so interesting, like construction-wise. We don't really like see stuff like this anymore. Here is a two-piece dress, collar, cuffs, and dicky, horseshoe neckline fashions the bodice. Full pleated skirt conceals two pockets. Dicky has ribbon, bow, tie, and buttons. Dress B, which is featured in border stripe fabric, has vesti for modesty. Okay, I think I know what those are using context clues. This is a vesti. Now the difference between a vesti and a dicky I'm not sure about. Is the vesti sewn in? Is it attached? The dicky is not. I know that for sure, but I don't know what a vesti is. So my vintage girlies, you guys are always so helpful on these videos chiming in where I just fall short. If you know anything about a vesti, let me know. But otherwise it has this, you know, kind of like drop-shoulder situation. This is the horseshoe collar, which I never knew it was called that. What's the difference between a horseshoe collar and a Peter Pan collar? Is it just that Peter Pan's higher and horseshoe is lower? So Peter Pan is more round and horseshoe is more of an oval. We have these vertical darts here into this, like it kind of looks like a vest, really, with this little notch cut out. And then we've got the skirt and then pockets in the skirt. But I don't think that that's the side seam. So yeah, and so yeah, you can make it into two different. This would be, you know, I get picture wearing something like this. Do you guys know who Janelle Monae is? She has such an interesting style. Like, I don't know that I could show up in sort of, like, a tuxedo type dress, but it would be quite a statement maker and be very interesting. Here's the backs. So here's the dicky, right, that ties at the sides. There's no separate piece for the vesti. So I'm going to assume that it's sewn in. And then as far as construction of the back, we really just have the vertical darts here. And then just like a good jillion more pleats in the skirt. This says that dress A for the top alone is three in something yards. Wow, dress B cut crosswise is also just three yards. But again, you're cutting it crosswise. So pretty close fitting, right? Yeah, three inches of ease just roughly in the bust. And then we're not getting any waist or hip measurements. All right. Now we have, oh, this is kind of cool. I've been seeing a lot of these types of tops with the asymmetrical cut out, but that have a turtleneck attached to it. Also knit, yeah. So knit tops have asymmetric cut out along shoulder for a sleek silhouette look. Top features long gathered sleeves with bands, long straight sleeves and sleeveless option. So yeah, they use some kind of like rib or sweater knit. I'd love to know, is this just turned under? Or is there kind of like a facing in here? Or like, how is this finished? I'm curious to know that. You can also see here that there's actually a seam that comes through here. And also in this version anyways, where the shoulder is filled in, there's like a little pleat. And then kind of like a fuller sleeve with a band. So for this one, you'd want something kind of lightweight and drapey. This one you can use just about any knit. And then this is what she's wearing. Yeah, a little bit more stable on this one probably. Stable but still stretchy. This one I think also has the shoulder cut out, right? Isn't that where your shoulder goes? No, your arm comes out here. So I guess this sits on the top point of your shoulder. Like, yeah, you can see the seam here actually. Interesting, the construction on this one would be a lot of fun piecing it all together. And I like the cut out version. You know, I don't love asymmetrical stuff, right? We've talked about that in the past, but this feels, I don't know, not like that. I guess I don't like the ones when it comes underneath the armpit. So the fact, I don't know, this one just feels like you would find this at like White House Black Market or something for like $80. We could probably make it for 10. Yeah, this one's fun. Also would be really easy to turn, especially this view, into a body suit. And maybe not even need snaps on the bottom, but you could certainly add them. I'm not the biggest fan of all of this drape here. I feel like it could be a little closer fitting like in the front. It feels very close fitting, right?  I don't know. And also this is not staying up without fashion tape. They have something here. This would for sure be falling down. So now that I'm looking at it that way, yeah, I guess, you know, it probably is a little bit tricky to fit this because this has to be tight to create the resistance, especially if they don't have any elastic in here. I'll look at the notions and see if they have it done, kind of like where, you know, how swimsuits are done, kind of like that. But like all of this and this, I'm not liking any of that. I want it to be like skin tight, like the sleeve is, I guess. Okay, here's the back. So stretch knits, like cotton knits, interlock jersey, sweater knits, bamboo rayon knit, and no notions. So yeah, for the off the shoulder one, I would either be doing that little trick with the quarter inch elastic, or just, I mean, really fitting it and making sure that you keep removing from this arm seam here until there's enough tension on this to keep it up on your arm. All right. And then, yeah, three inches of ease in the bust, and then six in the waist, that is a lot. So yeah, I would probably size down, and maybe that would fix this problem too. I might grab this one and play around with the fit and see what it's like. Of course, I'll let you guys know. But it is a cool shirt, right? Okay, then we have the women's version of this. I literally just bought fabric to make a accordion skirt. I filmed a haul, so I'll post that here shortly. But look, I can make like a whole little cute outfit, especially if I were able to find a knit that had like a subtle sparkle to it. That could be so pretty for the holidays. Even for new years, like I'm not somebody that goes out on new years. It's one of the, I don't know, I'm weird about holidays that center around drinking. I get really nervous about other people's responsibility, and I take it on myself to keep myself safe because I don't think I can trust everybody else. So if I do anything for new years, it's usually like, I'm home by like eight. And I just watch the ball drop from the safety of my own home where I don't have to drive or even like get a ride. Like, I don't want to be on the roads on new years. Anyways, that's a lot of information to just explain that I probably don't need something super fancy. If I'm just going to go to dinner and then skip out, you know what I mean? But yeah, so women's version is available. Super cute, right? This is the version that has the shoulder attached to it. This, again, I'm not convinced that they didn't use some kind of fashion tape to keep that up on her shoulder, right? That's the version she's wearing. So in theory, you have a little bit of a shoulder seam there. But because as we, as we pointed out in the jacket, right, I think it was the same model that was wearing the jacket. She has a dramatic shoulder slope. Either, well, I don't know how you want to look at it, either a short shoulder width or a very dramatic shoulder slope. I can't see her whole body, so it's hard to tell. But this, I don't know how this is staying up, right? I mean, gravity does its thing, no matter what. So I'm sure they're having to put some stay tape or some, I'm sorry, fashion tape in there to keep that up.  This would become like a big giant opening, right? Or is it, well, let's see the back. No, yeah, that would fall off. That would fall off for sure. So depending on the shape of your shoulder, this is definitely something to consider.  If it were me and I were making this for her, I probably would reduce the width here, maybe even here, and try and get this cut out up here. That would be the only other thing I can think of to do. But I didn't even notice that that one had these little tucks here in the sleeve cap too, which is really cute. All right, and then same back on below. Cute top. Okay, now we have a women's, no, sorry, Mrs. and women's jacket with tie belt. So this is Mrs. and women's together in one pattern. Yeah, 10 to 18. I'm sorry, not in one pattern, but in one listing. 10 to 18, 20 to 28, and 30 to 38. Don't ask me why they don't do this for all of them. I don't know why there's two separate listings from Mrs. and women's on the other two patterns we've seen. I cannot explain that. I'm sorry, I don't know. I'm not in their brain. It doesn't make sense to me either. But for whatever reason, sometimes it's that way and sometimes it's this way. This one says add instant polish to any outfit. Jacket features a belt, shoulder pads, lining front flap pockets and front buttons. View A has slit on sleeves, which is super popular right now. I'm seeing this sleeve detail in everything from gowns to jackets to tops, like literally anything with a sleeve. I'm seeing this detail. VB has contrast collar, lapel tie and pocket flaps. Complete the look with matching vests and pants, which is a whole separate pattern number. So again, that's another really, that's different. I don't see this very often where they have an entire outfit and don't put all the pieces into one pattern. So this one you buy the jacket and the pants separately. That's, I feel like that's a very divisive decision, right?  In these other patterns, we've always gotten the jacket and pants together. Why now are you all of a sudden skimping on us and making us buy two separate patterns to get the entire suit? Would love to know you guys' thoughts on that. Leave a comment in the comment section below. Is this okay with you? Do you prefer this? Or are you like, no, no, no, you guys are just trying to get more money out of us now. Like, we see the writing on the wall. Let me know what you think. It's a really bold choice for them to make at this point in the game, right? But looking at the jacket only, because that's the only thing that's for sale with this one, we'll look at the pants and vest so shortly, I assume. Very basic traditional blazer-esque jacket with the notch collar. And then it has this like, you know, tie belt, which I don't know about that. It feels like a really sloppy way to give shape versus putting the shape into these princess seams that are already there. It feels like cheater, like they cheated to give her this shape. They could have given her this shape with those darts, but they didn't want to spend that much time on fitting or something, you know? So we have the princess seams that come down underneath the pockets. These are welt pockets with flaps, but the real star of this that makes it special really is the sleeve slit. Like I said, I'm seeing this absolutely everywhere. There are some fit issues with this jacket. It's a little bit hard to tell if it's from the belt. Do you see this one here? This is what I'm talking about. It doesn't look too small in the bicep, which is what this is telling me is happening. So I'm thinking what's happening is it's an it's an arm side issue, specifically the underarm. And if it's being pulled in with this thing, then that might be even trying to pull it down even more. And it's just creating like a weird kind of tension through this area. That would be my guess because it's something's happening over here too. So I wonder if they take a picture of her without the belt on. That color is so pretty. This is the contrast one. Again, very springy. Oh my god, I cannot wait to get to the pants. This outfit. Yeah, really cute. Okay, here's the back. Let's see if the back tells us anything more about this sleeve fit. So there are it's a two-piece sleeve. Yeah, I can't really tell what's happening because here it is it even tied? That doesn't look like that at all. So I don't know. I feel like they they take such creative liberty with these photos. I don't think the belt is tied here. Which okay that's but also like no I want to know how it fits in the back. I don't know. And also like where did her hand go? The sleeves did not seem too long. I don't know they are going past her like top knuckles.  I think this pattern will do well. I think that you know you could make a version that you love. You're just going to have to pay attention to a few little details to make sure that the fit is better. Not that it needs to be perfect, just better than what they were able to achieve on the fit model. Cotton blends, gabardine linen blends, stretch woven, twill, lightweight wool blends. Yeah, all your suiting fabrics and then lining fabrics, fusible no notions. That's interesting. There's not even a shoulder pad? Oh wait. Oh shoulder pads. Okay, one pair of shoulder pads and buttons. And then just a couple yards for the jacket and then 10 inches of ease in the bust, 10 in the waist and 10 in the hip. That feels like a lot to me and maybe that's part of the issue. Something to think about for sure. Okay, so now are these going to be the pants and the vest? Nope. Let's see. Oh, we got to go all the way down here. These are them.  Okay, we'll get there eventually. This is a Mrs. and Women's in one pattern pull over top. I'm sorry, in one listing. I can't keep saying one pattern. 10 to 18 and then 20 to 28 on the sizing. Trendy. I don't know about that. Trendy pull over tops can dress up any outfit. View A and B have pointed collar and shirt tail hem with different sleeve options. View C and D have stand collar and puff sleeves. View C has elastic at sleeves. Okay. What are these? No, no. Okay, okay, okay, okay. Okay, clearing my mind so I can be as unobjective as objective as possible. We've basically got a tunic, right? This is nothing new. These patterns have existed for decades. This is a tunic with a collar or just a collar stand. You have the V facing with the top stitching on it. Drop shoulder and your sleeve. It's mid hip length. And then you've got these ties, which it looks like in some versions, they're actually tying. Oh, no. I'm trying to like, I think the pleather is one of the better choices they could have chose for a sample of this, but it still feels something, I don't know. This is just not, not my jam, I guess. But here's this tied. This has, you know, shorter in the front than the back. And then it also has these sleeve vents with little, I don't know if those are buttons or what. This, I think is the same version as the last one, but a different sleeve. This to me is the most modern, trendy version yet, kind of a little bit more of like a 70s peasant vibe. And then that's the same with a different sleeve. Yeah. Just without the elastic on the sleeve and replacing it with a cuff. Oh man, I want to like it. And I can, it's hard because to me, they took an old pattern and was like, you know what, we should just make this out of pleather and it'll feel new and fresh. But I'm not getting new or fresh in spite of that. You have a yoke in the back. Her hair is really pretty. Yeah, it's just feeling a little bit vintage in all the wrong ways. I don't know, not a fan, not a fan. Cotton's poplin, satin, linen's, faux suede or leather, lightweight denim silky types. I get, I guess I kind of get where they were trying to go with the faux leather. Maybe it's the color, I don't know. It's hard to pinpoint exactly what's happening, but you need a lot of it. Two yards? That's a lot. Well, I guess with the sleeve. And then 11 inches of ease in the bust, which, you know, that's fine. It's supposed to be a loose fitting pullover top. That's totally reasonable. Yeah, I don't know. I'm just not getting, but I guess I can't picture who would wear this and where you would wear it to other than just, you know, to target, which, you know, that's fine too. You have to wear something to target. Can't go naked. Okay, we have a hooded coat and jacket with length variations. Easy to sew coats and jacket have relaxed fit, hooded coats and jacket feature one button closure, sightseeing pockets and common length variations. Okay. Oh, okay. Okay. You know what? I kind of didn't hear for a design like this. Simply for like those times when you need to like just throw on something kind of like at a, like at your kid's baseball game or something. You know what I mean? You just want to throw something on really quick. Almost like a blanket. Like you're wearing a blanket that has some design features to it. That's kind of what I'm getting, which I think is kind of cool. I can't see a single design line. Okay. Here we go. Raglan sleeve, hem here, hem here. All of this is turned under. That might be it. The short one in a really fun fabric could be really cute. You could even make it like a rain. It's kind of like a poncho and a cape had a baby. So what would that be? A concho? Oh gosh. I think that looks kind of cool. Am I losing it? I don't know.  But it has like, it feels like really comfortable. I don't know. I think it's cool. Okay. So boiled wool, ponty, sweater knits, wool, nylon, ripstop, which is kind of what I was hinting at with the waterproof fitness of it all. Fleece would be a good option. Wrong side of fabric will show on hood and front. So most of these actually are going to look the same front to back. So that shouldn't be a problem. But just be careful if you're going to use a fabric that isn't listed here. And it looks different wrong side to right side. You will see that. Then you just need one button. Two or three yards of fabric. That's not bad. And then yeah, plenty roomy everywhere. So I don't know. I think it's kind of cool. I wanted to see, they stopped putting the line drawings up there. I wanted to see this to see if it helped with the style lines. I'm not, yeah, I don't think there's any. I don't think there's a single dart. Nothing. It's just got those raglan sleeves and that's it. Gosh, I'd love to know what the pattern pieces look like. Is the hood sewn in like all these details? I don't know.  I'm not sure. Okay, now we have this unisex jacket, vest and belt. Easy to sew jacket and vest feature shawl collar, front button closure and pockets. They all are lined. View C and D are cropped. Okay. I'm especially loving this version. A man in a shawl cardigan as a coat? I'm not sure. For me, if Dan showed up in this, I'd be like, wear your clothes. Like, why are you wearing a robe? Even this one in like, you know, the more masculine type of plaid? I guess maybe this whole thing is still reading very feminine to me. I've got no good reason for that. That's, I don't know why. That's just what's, I don't know. I wanted to like it on him, but yeah, it just feels like he's got, like Hugh Hefner. It feels like he's trying to be like, you know what I mean? I don't know. But on her, especially with this little shirling situation, maybe his had the shirling. I think that's pretty cool. And it is like a Pendleton wool-esque type of fabric. I think there's lots of really fun options. This is giving me 70s in all the right ways. I'm loving that. And even the vest, I think, is kind of neat out of the right fabric, fully lined. Like, these are, these are nice. They don't look like much, but construction-wise, it's pretty involved. Yeah, her outfit had to tell I would wear. But yeah, something's not right here, right? Am I the only one? Is there anybody out there that's like, no, yeah, I really want my husband to wear that. These are the illustrations. There's a cropped version. There's the sleeveless version. Yeah, super cool. Well, that looks better, I guess. Maybe it's a man in a belted. Is that it? Because it's belted? Like, if you didn't have the belt? Maybe that's it. I don't know. Still don't know. Corderoi, cotton blends, denim, stretch woven, twill, wool blends, fleece and sherpa. And then A has the contrast sherpa. So they, you know, explain how to do that and how to cut that. And then also lining. So the sherpa is not, the sherpa is not the lining, if that makes sense. Two buttons, one or two buttons. And because it's unisex, you get like these different looking measurements. Again, like two-ish yards of fabric and no finished garment measurements. But I'm assuming it's pretty roomy. Yeah, that's cool. That's, you know, haven't had a desire to make a jacket in a very long time, I think, because all the ones that I have made kind of fit what I need here in Charlotte. We don't need a lot of jackets here, you know what I mean? But that is intriguing. All right, this one is a skirt. Mrs. Flared High Waist Skirts come in two lengths and feature back zipper, side seam pockets, optional slide buckles or buttons. And you A and B have front slit and back dart. Berry chic, right? This is some kind of pleather, I think, or at least it's like one of those dinoms that look like leather. And you have, I do like this buckle slide detail. That looks very, like, not homemade. And then we've also got even a flurry version. So if you're not into the pencil skirt, you could do a little bit more of an A-line situation. You could do the pockets down here. So that's the version she's wearing, just in a print. There is a little cargo-y type of version. Very pretty springtime skirt, right, with the tie. And I think that's the one with the buckles, but you only get one buckle for the short version. Here is the back. This one has nice long darts. I'm going to attribute all of this to the fact that this is just falling down a little bit. I don't think it's really construction that's causing these issues. It's just she's been moving around a lot. Or, I mean, maybe it's too long through the center back. You know, she needs a sway back adjustment, maybe. I also probably would have top stitched this if it were my skirt. Just because it's leather, you can't press it. Or you can, but not well. Denim lightweight wools linen cotton faux leather or suede or crepe. I wish they would have separated these suggestions into AB suggestions and then CD suggestions. I mean, technically, I guess you could do them all out of either version. I don't know that I would want a faux leather skirt like this, though. I mean, maybe. Now that I'm saying it out loud, maybe that wouldn't be so bad, actually. Okay, I stand corrected. Invisible zipper, two slide buckles, two buttons. So for D, D did not have a buckle. That's just like a tab, I guess. 8 to 26 in the size range, two yards ish. One and a half if you make the short version. Actually, less than two yards on everything but this. Even C, which you would think because it's so full. Huh. All right. And then it says, please refer to the English guide for garment measurements, which is unhelpful when you're shopping online. Just want to put that back out there again. All right. Now look at these. Mrs. skirt pants and short. Okay, this could go either way. Versatile skirt pant and short feature is shaped crossover waistband, invisible zipper, side pockets and soft pleats, views A and C have button trim on waistband. Another faux leather that they're working with. Okay. Call me crazy. But I love these. This feels so chic and expensive.  I am, I love this is my favorite pattern of the whole collection so far. You can do a long skirt, a short skirt and the shorter your skirt, it looks like they don't do the full tabs, just these little baby ones. Then you have the pants and the shorts. And again, the shorts have the little baby crossover, not the big one. I love everything about this. The next sale, this is what I'm buying. Am I alone? Am I the only one? Am I the only one? I would make all the versions. Look how cool it is in a chambray. And I love how they styled it with the button down here for it. Okay. So the back, we've got our super wide waistband, which I also love that. I love that it's high waisted. The zipper, there's no dart here. It's releasing to like, and I guess this is just due to the lack of drape and all the structure in a pleather, but it is kind of coming to a point I don't know how you would fix that, but I think that the curve looks really good. The center is hitting at the center. The length is okay considering she's a fit model and probably taller than the average person. I love it. I probably wouldn't go through the trouble of using faux leather for it, but I can think of a good jillion other fabrics. They recommend lightweight wools. How amazing would it be in like a suiting wool? Something that looks like it would be for a suit, but done in this really cool, interesting way. I love a juxtaposition like that. Poplin, a million percent. Satine, of course. Crepe would give it that like really drapey look. Denim, linen, faux leather, and a little bit of interfacing. You need an invisible zipper and two buttons. If you're doing the big crossover, it only goes up to size 22 though. They did the size four versus 24. Two yards-ish for all versions. Those little fractions I cannot see. The skirt B is one and a half and then the pants and shorts, two and something there. And then finished garment measurements for the hip is all we're going to get here. And it's three inches of ease in the hip. So close fitting hip, but you can see it has that very dramatic flair. I love this. I love this so much. I don't know. It's just I don't know. I don't know. I don't know. I feel like maybe I'm going to be in the minority, but I'm still going to be loud and proud about it, and I'm going to make them, and then you guys will like them too. Or it could be there.  I don't know what you're thinking, but that's okay. That's what fashion is, right? Okay. So this is the best in pants that go with the blazer that we saw a few patterns ago. Featuring front buttons. This is the best. It's lined front buttons, mock welt pockets, buckle set in side seams, and then the pants have slits on the front, slash pockets, waistband with belt loops, and center front seams. Okay. So getting into this lined vest, v-neck, lots of buttons. It is a vertical dart, not a princess seam, and then I don't know what this is. I also don't know why it's going up. So I'm thinking it's too long through here. It needs to be shortened by, gosh, an inch or more, faux welt pockets.  So that makes sense. Itty bitty, bitty, bitty too small through the bust here. It's why you're getting that little bubble thing. But we have a fly front pant with a center front seam that opens out into these little slits. Super cool. I love this kind of like bell bottomy.  I love that shape. It looks really good on her too, not just like straight shaped people. What's the back look like? Okay, cool.  And well, the cap doesn't really matter on this one because it's so wide down here. But if you have issues with like a full seat or thin thighs or whatever it is, these seams make it so easy for you to make those adjustments. You have the little slit here. This piece is shorter than this, which I guess is on purpose. And yeah, you can really tell that this is too long on her by kind of a lot. This whole thing needs to be shortened. And that would fix whatever they're trying to do with the belt in the front too. They're not going to show us the waistband, which I hate, but it is what it is. Okay, so that is as big as it gets. That is literally barely legible. Cotton blends, gabardine linen blends, stretch wovens, twill lightweight wool blends, lining fabric and lightweight fusible, six buttons, one buckle, a zipper. Yeah, a zipper and another button for something 10 to 18. Is it for the sizing on this? The jacket had Mrs. and women's that this this can't be right. Um, and then I can't read those numbers. And finished measurements again, 10 inches in the bust, 10 in the waist, and then the hip for the pants. Well, they don't say, well, I guess it has to be for the pants is also 10 inches. No, that's not right either. So this is, no, they didn't do all the work on this. Also, yeah, they are not giving you all the measurements. They're only giving you this, which is really unhelpful. If you're in either, obviously, if you're in either one of these categories, it's not helpful at all. And there's no way there's 10 inches of ease in these pants in the hip. No way. So this one, yeah, you really need to get the pattern, go to the store, order the pattern, maybe plan on returning it. I don't know how the return policy is like, but the information that they're providing is a little thin. Okay, now we have tops and pull on pants, cold shoulder top. Are we doing that again? I guess so. Has scoop neckline with long sleeves, top B is short sleeve, both pants have knit contrast on waistband, jogger pants D have ankle cuff and pen tucks. They put this girl in sweat pants and high heels. And she seems to like it. Weird. So the sweater, I think is actually kind of cool. This is the cold shoulder portion that they're talking about. It's not as dramatic as what we saw like five or eight years ago.  It's actually kind of a take on just a very simple straightforward grown on sleeve pattern. I mean, if you have a pattern that has a grown on sleeve like this, you have a seam going on top of your shoulder. Just him part of it. That's all this is, is part of it is left open. And you just turn it under and hem it. That is it. This sleeve is little baby flutter sleeve. The pants, maybe these aren't sweat pants. Maybe that's like some kind of suede. And then just the contrast knit waistband. But that also means that where the pants meet the waistband has to be gathered.  And if this is not a stretch fabric, that wouldn't happen naturally. I'm not mad at the illustrations. I don't know what it is about these pants with. I think I would rather have the little cuffed version with the high heels. I don't know. But at the same time, I don't know how it would style these, maybe with a wedge or something. A boot. I don't know. I don't hate it. It could work. But maybe the rise is wrong. Something's off. Let's see if there's where they're supposed to hit. If it's even going to show us that. I'm getting like, you know, one inch or so below the natural waist, not low rise. Oh, Lord, that's worse. But it looks like the rise is fine through here. I don't know. I don't know. I don't know. Something, something's a miss. Silky types. This is for, this is for, what does that say? Suggested fabric. Silky types, satin-backed crepe, double georgette, soft cottons, velvet. Is that what it is? Velvet pants? Jersey? Is that for the A, B, C, and D? Like, I guess so. And then contrast, C and D for the waistband. And then also for the ankle band, stretch velvet, rib knit, and jersey. So something stretchy. And then single fold bias tape for the top. Maybe that's how they're finishing or hemming that opening. Or also maybe the neckline. I bet that's how the neckline is done. And then some amount of one inch wide elastic for your waistband. This feels like it needed to come out in 2010. And then there's like, oh yeah, we did this one a long time ago and never released it. So let's just do it now. Like even these pants, I don't know. I don't know. I don't know. I don't know. I can't on this one. I can't give you a hard yes or hard no somewhere in the middle. I'm somewhere like I want it to work, but it's just not. Wow, this is our first Mimi G pattern. The one and only this time. I know she's busy. She's got a lot going on nowadays. But yeah, it looks like we're going to get one pattern. A jacket poncho and pants. Anorak style jacket with hood features front cargo pocket. Half front zipper elastic waistcoating and elastic at sleeves view B is a poncho that includes half zip front and snap fasteners under sleeves. Okay, you see our pants with drawstring ties and elasticized cuffs. Okay, so this is what she one of the things that I think she's really good at and that is the streetwear element. Really cool, always fresh, right? But at the same time, not for everyone. So this is the jacket. This is the cargo pocket, right? Half a zip. And then the interact style where you have these little cords with cord stoppers and everything like that. For me, the proportions of all of these things together are a little bit not they're not it's not off. It's not bad. It's just not for me. Like I like to have either long legs and a short torso or a long torso and short legs. This is like long torso, short legs. I don't know. Maybe I'm just not liking how long this is. But it is cool. I don't know. It's it'll be really hard for me to show up somewhere. My friends not be like, what happened to you? This is just not this is like the complete opposite of my style. But the more I'm looking at it, especially full view, and she's like not a straight, you know, ruler shape. She's curvy. So it's yeah, it's cool.  So the idea of the poncho is that you have this half zip, which I love she did the contrast zipper. And then under here under when she lifts her arms, there's just little buttons, little snaps under there. And that's what gives it the arm shape. So all of it together is really cool. Just too cool for me, styled perfectly, as usual. I'm wondering if I didn't make the pants. Just the jacket. We'll look at line drawings and see if that is like helping at all. Poplin, denim, cottons, nylons, view B, which is the poncho, pre quilted fabrics, fleece, boiled wool, and rainwear fabric. If you see, which is the pants, you can also do in the knit. You need a ton of notions, everything from those half zippers to the cords to the cord stoppers, all of that stuff, snaps for the poncho, elastic for the pants, everything. Eight to 26 on the size range, roughly three yards for the jacket, one in something for the poncho, two in something for the pants. And then yeah, the bust of the poncho and the jacket very roomy, more than 10 yards at 10 inches of ease. And the hip in the pants only has two inches of ease. No, that says 39. Okay, okay. So six inches of ease. That makes more sense. Let's look at the line drawings. Yeah, I think it's just the length of the jacket. If this were like chopped off here, I think that I would love it. But it's also one of those things that you have to pull on. You know, it doesn't have a full zip. So like you put it on and like you're wearing it for the day. Here is the poncho, which again, really cool with the snaps. Very practical way to make and wear one of those. And then this is really just kind of like a wider leg sweat pant separately. Yeah, separately. I like them all together for her looks great. I just know I couldn't pull it off. But as always, a lot of design, a lot of style. That's what Mimi does. Okay, now we have a family of lounge shirts, cardigans, shorts and joggers. Look at the cutie family. Neither of these kids belong to these people. You can tell they're not a real family. More like, I don't even know, I was going to say like neighbors. But okay, so pajamas for the whole family. I'm kind of them digging the idea of a sweat pant and cardigan with a button down shirt though. I'd never considered that. And you also have a little short. Cute, right? I have all of these patterns individually, some way or another. But this is the same guy that had the belted cardigan on, right? Let's see if they showed him. There's the cardigan. There's his sweat pants, the shorts at the top. Oh, that's cute. Okay, so this is an unbelted, like jacket cardigan. Now she's kind of looking like a doctor though. Boy, my opinions are all over the place with this. I like him better without the belt. I do think that that was causing some of my sort of like, this isn't sitting right with me. But this one still doesn't feel great either. I think it's the wider sleeve. I don't know. This is why I don't do men's wear, you guys. Like, it would be the worst. I don't know what guys look good in. I really don't. Thankfully, Dan is a T-shirt and jeans kind of guy and we don't have to worry about much else. All right, here's the back. All right. And then men's pants. Okay, again, I'm going to show you, but I'm not going to have a very good opinion about them. Versatile cargo pants. Oh, it's like cargo pants suiting. I mean, that's kind of cool. I wouldn't be upset if Dan, he showed up in those. He never would. But I can see those in New York City for sure. Yeah, I can see lots of guys pulling those off. But see this cardigan? This is, yeah, this no belt. The sleeve is kind of fitted, right? Yeah, those are kind of fun. And then our last pattern is jackets and belt bags. Jacket, vest, hat, and crossbody bag. Jacket, vest, hat, and crossbody bag. How cute. Okay, first of all, I want the crossbody bag. I would buy this pattern just for that. I actually also would make the jacket. Look at this little slouchy hat. So cute. Yeah, I love the belt bag slung over the shoulder like this. Yeah, and the jacket's pretty cool too. How cute. Popping his hip and everything. Oh my gosh, little kids too much. Okay, so that seems to be it for simplicity winter. My overall kind of thoughts on this is it feels a little bit like a hodgepodge. Like, I'm not getting like winter. A lot of this stuff felt like spring and summer, even not just the colors that they chose, but also like the lightweight fabrics. Like I'm just not used to seeing that. But there are some real standout moments here. The cutouts really are having a thing between that dress and this one. I love this sweater. You guys know I love those pants. I would be here for this, you know, just throwing that on, just like to walk the dog or something, very, very casual. I liked this for her. These are the things like hours and hours from now that I will still be thinking about and I'll go to Joanne like next week and I'll be like, ooh, I wonder if simplicity is on sale because of those pants. This other stuff might be a little bit forgettable. But I think that those pants will be stuck in my mind until I make them. And that's really kind of the bar that I'm setting for buying new patterns lately, because I just have so many. But if they were on sale, I'd also grab this sweater for sure. And that would probably be it. I don't need any new coats or jackets. If I found like a super cheap fabric for this or found something in my stash that I didn't have another home for or another plan for, this I think could be really simple and easy and, you know, just fun to have something like that in your collection. Anyways, those are my thoughts. Let me know what you guys think about the whole collection. Good, bad, ugly. What you'll be getting on the next sale. And like I said, as soon as I see more of the companies coming out their winter collections, I'll be on here to share them with you guys. But that is gonna do it for me today, y'all. Thank you so much for watching and I will see you all very soon. Bye!


Hey guys, it's Tilly and today I'm going to the Perth's International Arts Festival and more specifically Perth's Writers Festival where I will only be going for like one day out of the handful of days and hopefully there will be plenty of good events that I can go to so yeah this is going to make a vlog on that but I'm not entirely sure how it goes because you know what I'm like I'm terrible at this kind of stuff. But either way you're going to be seeing my face and Tanika's face from flipping through the pages and what we're going to be getting up to today so I'm going to get going now I've got to go drive, pick up Tanika and then we're going to go and show you guys all the great things that's going to happen today. So this is Tanika, she's a really good vlogger. That was unnecessary.  So get ready for this because it's talent. Sorry I've gotten a few books today. I think I bought, did I buy four? You bought four. No. She bought three. Three, yeah I was going to say I bought three. So I bought three books and so I ended up getting the call by Peter Aguilin because he made it sound like it's going to be a really cool book and he signed it for me. All of these are signed. And then I have Frog Kisser by Garth Nix which apparently comes out on the 28th of this month so it's not technically out yet. But it has yellow edges. It's so pretty. It's so pretty. And I got Sabriel signed as well as the Bone Sparrow. And I have In Ecstasy and Beautiful Monster both by Kate McCaffrey which were also signed. What else? So without today they've been giving away like you know those chapter sampler books and so there's one I think it's mainly aimed at like middle grade kids and there's a young adult one as well so we just picked up one of those each and I think did you end up getting them? Yeah I got them. I got books guys! Yes! And she didn't pay for them. I didn't pay for them! And so today I met Jay Kristoff which I was really really excited about and I lost my shit a little bit and got five books with me from him and so I got Nevernight signed which I am super excited about and I got two bookmarks and I got the paperback of Illuminae signed, the hardback of Illuminae signed and the hardback of Geminae signed and I also got Storm Dancer signed as well in hardback because this was my first ever book by Jay Kristoff like back in 2012 and I told him that and he's like oh my god wow I can't believe you've been reading my stuff since then so And then what did you do?  Like I have all these books I don't understand what he's doing and he pulls out these and just gives them to me because apparently I bought the most books today so I have the audio books of both Illuminae and Geminae and I've heard amazing things about the audio books and I was like even as Tilly like I was so flustered It was amazing But yeah so thank you Jay for being incredible and really really super nice and I'm just so excited about this And also I got a lip balm It's the Frog Kiss a Lip Balm She got all the free stuff today Why wouldn't you though?  That's it with it on Yeah That girl Oh no I don't mean I could just show them that Cool anyway That's pretty much like oh we're gonna vlog Because we're gonna go home now And probably like read books or just eat food I don't know Listen to audio books Yep the audio books I'm so jealous of Okay well yeah thank you guys for watching And hopefully you guys will all come to Perth Right at festival one day Because it's obviously amazing And there's wonderful authors And please just come and see us Yes please we're lonely in Perth Please it's just us There's actually a few of us Yeah there is No one's as cool as us Yeah have a lovely bookish day And hopefully we shall see you guys again soon And bye This is gonna be a quick update On like what's been happening with me Because I've been on holiday now for the last two weeks I was in Canada More specifically I was in Whistler Which for those of you who might know is a ski


Mark Andrews is a lucky man. At 37, Mark has a loving wife, two great kids, a good job as a driller that provides for his family. But that's not why Mark is lucky. Mark is lucky to be alive. Mark was drilling a blast hole at Tocan Connecticut Incorporated's Mottville Plant Quarry. Standing about 10 feet from the edge of the 50-foot bench, Mark was drilling the sixth hole when a portion of the high wall directly under him collapsed. As the ground slid out from under him, Mark fell and slid four or five feet when the tether and harness he was wearing arrested his fall. The section of high wall fell to the track of the drill, but Mark was on hurt and the drill suffered no damage. Even if the drill had slid over the edge, Mark would not have been pulled over with it because he had tied the rope to a service truck parked well back from the edge. I got the call shortly after noon time that Mark had been drilling up in the Mottville Connecticut quarry for Tocan. I got the call shortly after noon that there had been a slide on the face and that Mark had been over the face, was dangling by his safety harness. That day I came in at 7 o'clock and the machine was already set up prior to the day before. I had drilled three holes and then did two more 12 feet away and then the last hole I was about 10 feet down and I was about to change the steel out to another to the next hole and I was looking up in the air and you know the clouds are going by and you think that you know something's moving but I was moving going down but right at that time is the floor let go or the face just let go and you just kind of dropped right out. I don't think you're really feeling anything at that time. I just went down quick. It wasn't even time to do anything by that time. The face just let go. It didn't even see it coming. He climbed back up and everything was all right. The machine was safe and Mark was safe and everybody was in good order. It happened so quickly because the face just dropped off but as soon as it dropped off and I was hanging I don't remember the initial fall at all pretty much. I just remember turning around grabbing the rope and climbing myself back up. So at that point in time I got in touch with Mark right away, got him on the phone and went through once again that he was all right number one and that everything else was safe and put away and with that being the case that I said you go home now and I'll come out and take a look at the face and take a look at the site that we're on. When this incident happened there was no news coverage there was no press conferences as a matter of fact Mark Svello employees didn't even know it happened until several days later. It was okay you know right in the beginning but then you get kind of shaky later you know figure out what's what really happened but you know when the adrenaline going you just think that you're you know you drop quick and you just want to get up quick and want to get the machine if it didn't go over get that off there and then you have time to think about what happened I guess. We have a company policy right from the beginning everybody's told this and when they're issued their harnesses and lanyards right off the bat that when you're anywhere near the face where a fall is possible you must be tied off. The first and foremost thing that anybody working around a high wall has to do is they've got to check out the face itself before they go out there and that doesn't mean walk out to the edge and look over that means you look at it from the bottom first then you look at it from the side where you know you can stand safely and you can look out at the work that you're going to be where you're going to be working. Check the face and all the loose debris or anything in the morning make sure his face is stable. Then you get up on top of it and then you start to look at the at the ground now you know where are the cracks if there are cracks in the soil or if there's cracks in the rock here from back break from the previous blast or from stripping or whatever it is even after that there are things that happen on the ground as we all know that we can't see from my from either looking at the face or from the top and those are the ones that will always get you and it'll happen too fast you can't run away and if you're not tied off you're going to go over with it. Before I wore the harness I would think that you'd have enough time to get out of the way you see it coming and you say oh I got time and you can you know ten seconds or four you know three seconds and you can turn and run away and it wasn't like that it just happened within you know half a second or something so you you don't have time to take off because it's already happening and can't climb up hill when it's going down so when I think wearing a safety harness probably saved my life that way. Safety from our end from a company standpoint as I say is not while it's it's great company procedure it's not for us it's for the employees. Mark has been a good employee for us for at least eight years now you know he's got a wife and kids and the fact that when I got the call I didn't have to call his wife who might then be a widow you know the fact that I could just talk to Mark after the slip was so important it's their lives that are at stake out there and they need to be able to go home at night. There's no big deal if you do the right thing.  Good judgment and awareness are keys in working safely when working in an area where there is a danger of falling. This area let's refer to it as the danger zone is the area within six feet from the edge or within six feet of unstable ground on top of a high wall. Examine your workplace and assess fall hazards before and throughout your shift. Use the right equipment. Belts and lines are sufficient to prevent falls. The lines should be shorter than the distance from the crest to the tie-off point. While Belts and lines may be suitable for fall prevention they may not be the best choice as this video shows falling over the edge is not the only hazard. The edge may fall away from under you. For fall arrest a harness and shock absorbing lanyard is much safer and is highly recommended. Before each use examine the fall protection system for damage. This includes the harness, lanyard, lines and connecting snaps and D-rings. Check to ensure that there is nothing to snag or entangle the lines. Lines and lanyard should be anchored to a T-bar or to a piece of mobile equipment parked parallel to the edge with brake set and the wheels chopped. Avoid tying off to the drilling rig itself. Remember all equipment should be used according to manufacturers recommendations. Even if you are not in the danger zone are you still safe? Ask Mark. He can tell you he was wearing his fall protection.


So right behind me is the TCL 6 Series 8K TV, it's a mini LED and we're gonna game on it. Hey guys, Thunder E here, thank you for joining us on the channel and if you're watching for your very first time, hit that subscribe button to watch more videos like this and I also want to give a big thanks to all our subscribers for helping us get to 400k, appreciate all the support, hopefully you enjoy more videos like this from us on the channel. All right, let's cut to the chase. That's the TCL 6 Series 8K TV. It is a lovely looking TV and also probably one of the most cost-effective 8K TVs out there. As a 65 inch, it's priced roughly around $1,999 or $2,000. For an 8K TV 65 inch, that is actually one of the best prices you find out there on the market. You can get a 75 for about $2,500, $2,700. That being said though, this TV comes with a ton of features so don't think you're being skinned out. First off, it has 240 dimm zones. It has a lot of dimm zones. It's a mini LED TV so it's a thicker TV in all respects. Now they've used that thickness to its advantage and added a bunch of things to this TV. So 8K 60, 4K 120, so Xbox Series X, PlayStation 5 fans. This is for you right here. You've also got a billion colors. You've got a light color volume which we'll talk about in the second of this TV. But you've also got some really good sound. They have a built-in sound on the back of the TV which I was surprised to hear how good it was. So why don't you guys just listen for yourself and then we'll talk. So that was pretty good right? Especially just hitting almost close to about 50% volume which is nice to see. So you don't necessarily have to get a soundbar unless you want to get that really full cinematic feel. It supports Dolby Atmos and Dolby Vision. So that also is really nice especially when you go on things like Netflix where you have Dolby Vision support and all the apps it does support. We'll get to all that in a second but let's jump to what we care about gaming. I have my PlayStation 5 connected and my Xbox Series X. Both of them come about 4K 120. The Xbox supports HDR gaming as well. So you see the HDR sign pop up whenever you play on the Xbox which is pretty cool right? Now the thing about I like about this TV is a couple of things. So number one it's got THX gaming certification which means supposed 4K 120. I'm not sure if it supports all the other aspects like VR and the rest of them but it supports some. Forgive me for that but I will say though in terms of playing on this TV though it feels good and it feels really natural. In terms of just how it looks it looks really good. Forza Horizon 5 looks absolutely gorgeous. You know the games look good. Ghost of Toshima looks absolutely gorgeous on this Spider-Man. Any game you play being on your Xbox Series X or PlayStation 5 will look sharp and vibrant. That color volume definitely shows why you're sitting in front of the TV and you start playing. Now when you turn on your console the THX gaming certification or THX gaming mode turns on. It automatically switches to game mode so you don't have to do anything. The one thing you can do though is you can switch between the picture outlook so the picture settings. It usually comes up as warm. It can change the cool or normal depending on how you want it to look. But the gameplay experience is good. I haven't noticed anything to slow down the experience and I really like it so that part I do like. I will say though when you're gaming if you're gaming off the side or if you're viewing the TV off the side that's where you notice that the color volume does dip down and it's not as sharp as being of course center focused on the TV. If you're either viewing towards the right hand side or left hand side you can clearly see that yes the color volume is less so that's a part that I wish and I hope they improve as they move forward with this TV. Now speaking of also gaming in 8K or at least on the 8K display I wanted to see how the Nintendo Switch handle and the Switch does a really good job on this TV because it doesn't look like it's highly pixelated. You know the Switch is 720p on the display. I think it outputs 1080p to your TV. This is an 8K display and I actually liked what I saw playing Smash Brothers was great. Watching Daniel play Smash Brothers looked really good on this TV. No complaints. So let's jump into that software. Now it's powered by Roku which basically powers the operating system for this TV and I'm not the biggest Roku fan. I will say this continually. I like what they do but I think their the OS or the UI needs a modern uplift. Now one thing about it though is that it does pack a lot of applications and application support so if you're a Roku user you know this quite well. You've got access to almost everything you want to. Now you also have access through the remote control and this remote control has a much more premium look to it. It's a two tone silver look. You've got a simple button layout. You've got your volume and your mute buttons on the side. Very standard Roku thing and you also have quick access to Netflix, Disney plus Hulu and Apple TV. So technically the big boys in the streaming game. You know no Amazon here though even though they're one of the largest. But you do have access to those as well which is pretty nice. Now you can also use the Roku app as well to access content directly on there. So that gives you more viewing real estate from just the TV to your phone and you can control the TV with the remote in case for whatever reason this is stuck underneath the couch or something like that. So that aspect is really really nice. Now the one thing I'll say with the remote though is I wish there was a specific button for me to cycle through previous input options. So for instance I've got my PlayStation and I kind of want to cycle to my Xbox. There's nothing on here so I've got to hit the home button to go back and then I've got to go to Xbox. So that's a couple of steps that I don't necessarily want to do but it's steps that are actually there. You see my Xbox is not on so I have to turn that on but there's options that I don't want to actually take to actually do that. So you have that there. So that is something that I would like to see change but honestly I do like this TV. I think it's really solid. The price point is good. It's not the best AK TV I've seen but I like what they're giving to consumers and I think a lot of people like it. So if you guys have any questions or any comments let me know otherwise don't forget to like share and always enjoy your entertainment.


If you mix baking soda, also known as sodium bicarbonate, with any acid, you can notice that a lot of bubbles are evolving, if ever since this is happening. If I zoom in, you can still see the bubbles coming out. Now this over here is carbon dioxide gas. And this is what we are going to talk about in this video. Basically, how metal carbonates and metal bicarbonates, they react with acids. So let's begin. So first, let's see how metal carbonates react with an acid. So for this, I'm going to take an example. I have sodium carbonate, Na2CO3, and I'm going to react it with hydrochloric acid, HCl. And this is going to be a double displacement reaction. Here, the ions are going to exchange position. And we have talked about double displacement in a separate video. So can you pause the video over here and try to think about what are the products of this reaction going to be? And if you have tried it, let's see. So see, when I mix sodium carbonate and HCl in an aqua solution, that meaning in water. So from sodium carbonate, I will get sodium plus ion, positive ions of sodium. And carbonate minus two ions. Let me write it with the same color. Carbonate minus two ions. Similarly, from HCl, I will get H plus ion and chlorine minus ion. Now see, the ions are going to exchange position in double displacement reaction, right? So here let's say that the positive ions, they exchange position. So sodium, it was earlier attracted to negative ion of carbonate. But now it sees that, hey, chlorine is also available over here. That is also negatively charged. So sodium will now get attracted towards chlorine and form NaCl. So here we'll get sodium chloride as one of the products. And in turn, hydrogen, it will get attracted to carbonate ions. And we will get H2CO3. H2CO3 as another product. Now you might be wondering, Ram, you talked about that here carbon dioxide should be formed, right? But here I do not see any carbon dioxide on the product side. So what is happening? So see, H2CO3, this is not very stable. It is going to further decompose into water and carbon dioxide. And this is the carbon dioxide gas that gets released. So we can say that a metal carbonate reacts with an acid to give us salt. NaCl is a salt, right? Water and carbon dioxide gas is released, okay? Now before we confirm this, let's look at one more example. So this time I'm taking calcium carbonate. Calcium is a metal and I'm taking its carbonate. And I'm reacting this with another acid, sulphuric acid, H2SO4. And this is also going to be a double displacement reaction. The ions are going to exchange position. So this time calcium, it will get attracted to sulphate ion and form calcium sulphate, CSO4. And hydrogen will get attracted to carbonate, okay? And form H2CO3. So this is going to be a product. And you know that H2CO3 is not very stable. It will further dissociate and give us water and carbon dioxide. Okay, so now we can confirm that a metal carbonate, it reacts with an acid to give us salt, water and carbon dioxide gases released. Let me write it out over here. A metal carbonate reacts with an acid to give salt, water and carbon dioxide gases released. Now let's react metal bicarbonate or metal hydrogen carbonate with an acid. So for this, I have an example. I'm taking sodium hydrogen carbonate, NaHCO3. And I'm going to react it with hydrochloric acid. So this is also going to be a double displacement reaction. The ions will exchange position. Here sodium will displace hydrogen and combine with Cl, forming NaCl. NaCl. And hydrogen will combine with HCO3 and form H2CO3. And we have seen that H2CO3 is not very stable. And it is further going to dissociate into water and carbon dioxide. So same products are formed over here also. So we can say that in general, metal hydrogen carbonates, they react with acid to give salt, water and carbon dioxide. Salt, water and carbon dioxide gases released. So we saw that in general, metal carbonates and metal hydrogen carbonates, they both react with acids to give salt, water and release carbon dioxide gas. Now let's look at the same thing in an actual experiment and see how to experimentally verify that carbon dioxide gas is getting released. So I'm adding baking soda or sodium hydrogen carbonate, NaHCO3. And I'm mixing that with an acid. Well for my purpose, I'm using vinegar because it is an easily available acid. And now you can notice that there's a lot of gas that is evolving. A lot of bubbles are getting formed here. And we have seen that this gas is going to be carbon dioxide gas. But wait, how do we experimentally verify that this gas is carbon dioxide gas? Because see, this gas does not have any peculiar color. This does not have any peculiar smell also. And we know that there are many gases that are colorless and odorless. Like hydrogen, oxygen, nitrogen, all of these gases are colorless and odorless and they are around us, right? So how do I experimentally verify that this particular gas is carbon dioxide? So see, for that, we are going to do a lime water test. So for this, I'm going to pass this gas through a solution of lime water. By the way, in chemistry, whenever I say lime water, I do not mean lemon juice. I mean a dilute solution of calcium hydroxide in water. Meaning I'm mixing a very little amount of calcium hydroxide in a lot of water. That is called lime water. And you can see that lime water is colorless, just like water. Now when I pass this gas through lime water, you can see that slowly the solution is turning milky, right? And if I pass more and more carbon dioxide for a long period of time, then you can notice that the solution turns back to being colorless. Well, I haven't shown that, well, I haven't done that because that takes a lot of time. Just take my word for it, okay? So here we see that the lime water was colorless to begin with. But after some time of passing this gas, it becomes milky. And after a long time of passing this gas, it turns back to being colorless. So colorless to milky to being back to colorless. Now this observation can only be seen with carbon dioxide gas. So that's why this experiment proves that the gas being released is carbon dioxide gas. No other gas will show the same observation with lime water. Now you might be wondering, Ram, what's happening here? So let's look at the chemical reactions. So lime water is a dilute solution of calcium hydroxide in water. And I'm going to pass carbon dioxide through it. That means the carbon dioxide will react with calcium hydroxide. Now do you remember what products would be formed here in this case? So see, we have talked about this in the video of combination reaction. We know that calcium hydroxide is used to whitewash our houses. We apply this on our walls and then leave it for 2-3 days after which the walls become shiny. And that happens because calcium hydroxide, it reacts with the carbon dioxide present in the air. And this forms calcium carbonate, which is a shiny compound. You also know that, you know, our marbles, they have calcium carbonate in it. And that's why they are very shiny, right? So similarly over here also, calcium hydroxide will combine with the carbon dioxide and form calcium carbonate, CCO3, and water. And this is going to be white in color and this will be insoluble in water. Meaning it will come out of the solution. And that's why the solution starts to look milky in color, milky white in color. So after some time, there is no more calcium hydroxide in the solution. They all have combined with carbon dioxide to form calcium carbonate. Let me just hide this for you. Okay. But now if I pass more and more carbon dioxide, meaning the carbon dioxide is going to react with calcium carbonate and water. And all of these things are going to combine and form calcium hydrogen carbonate, calcium hydrogen carbonate, which is soluble in water. And that's why it disappears and the solution becomes colorless again. See, if you dissolve little bit of salt in water, salt is soluble in water, right? So it kind of mixes well with water and that's why we get a colorless solution. Similarly over here, when calcium carbonate combines with carbon dioxide and forms calcium hydrogen carbonate, this is soluble in water. This dissolves or mixes with water and we can no longer see anything being present in the solution. The solution looks transparent to us. So over here, see, the lime water, it was colorless to begin with. And then when carbon dioxide reacted with it, it formed calcium carbonate, which was white and not soluble in water. And that's why it made the solution look milky white in color. And then more of it reacted with carbon dioxide, combined with it and formed hydrogen carbonate, calcium hydrogen carbonate, which was soluble in water. And that's why the solution became colorless again. So now you know why the lime water test is the sure short test of carbon dioxide. Okay, now let's summarize this video. Here we learned that metal carbonates or metal hydrogen carbonates, when they react with acids, what products are formed and what gas is released and how to test for this gas. And if you were not able to recall these questions, then don't worry, you can go back and watch this video again.


Richard, showing his speed, steps on a dime. Young face, ahead to Richard. Richard spins, that's a great. The first half this season, Gonshitch, three times, Lillard, Jokic, Peyton Pritcher, baby. Hall of Famer, Hall of Famer, Hall of Famer, all right. 23 and eight, Dick Light. Put that down in your computer. The gloss over had his pocket fist right. The man when he's been talking about spam was a good transfer on the other hand. Good execution, yeah. Yeah, it's a career high for Pritcher, 31, got 11 assists. Make the defense collapse, and then Peter St. knocks it down. That's right, that game we were telling you about. Against Oklahoma City, Peterson had himself a knight. 29.7 rebounds, and he had six threes in the game. Yeah, he could play. Celtics highlights are presented by Metro by T-Mobile.


Hello everybody and welcome back to round eight of Battle of the Sexes here in Gibraltar. Ghib Ches 2022, we're live from the Garrison Library and I'm absolutely delighted to be joined by his worship the mayor of Gibraltar, Christian Santos. Thank you Christian for coming. Thanks for having me. Fantastic to be here. You know you're wearing that. I was thinking about wearing one of those. You decided better, a bit more casual. Now as you know this tournament has attracted so much attention. Locally it's in the newspaper, local media, but around the world 20 countries represented here.  Yeah I've just been in office for just over six months. Six months. So how important is it for Gibraltar at the moment to sort of you know attract international eyes, let's call it like that as well? The chess festival has always been a huge event here in Gibraltar. It's supported by the government, supported by the community and it's one of our biggest tourism-led events and it has a huge international repercussion because we have usually over 200 players as you know and it's always been one of the biggest competitions worldwide. Very respected and it's great for us to be able to host it. We are living in a time at the moment where you know with the covid etc you know the c-word but it's fantastic that we can still host events like this. It's not only important for Gibraltar but for the whole chess fraternity because what you say with organizing an event like this which is a bit smaller but it's still happening, it's current and it's still got all international eyes on it because there are many events that are not able to happen. So it's important for us to be able to host this for the world to see what we've got to offer here in Gibraltar and what's fantastic about this event is not only that the subject matter of Battle of the Sexes but also the fact that we can showcase our heritage sites and that is something that we in Gibraltar are very proud of. We have a long history, we're a small but very mighty nation with a huge history, not at the buildings where this is held is stunning. Yeah I mean we had the director Jennifer Ballantyne, she came in here and talked to us about just how important this building is and the history and heritage here and you're absolutely right. And the prize giving is actually at the City Hall at the Mayor's Parlor which is another fantastic venue and I've never been there actually. Well you'll see umphers there. Okay brilliant, excellent. Now let's talk a bit about the format. We have Battle of the Sexes and clearly you know it's a very special format and unique to our game or our sport because naturally in other sports it's a bit more difficult to organise. How do you see it as a concept and perhaps in line with what you're trying to achieve also as Mayor in other projects related to? My time in office I've dedicated to celebrate the diversity and inclusivity within our community here in Gibraltar and I think it's something that we are not only proud of but we work towards having that equality and equity between you know different people with different backgrounds. Now the good thing about chess is that it's the one sport that you can actually have an even playing field between the sexes but also people from different economic backgrounds. It's one of those sports that you can have a fair chance no matter who you are and I know that women in any type of sport are always trailing along unless it's specifically female sports and it's fantastic to put men and women on an even playing field and it does matter who will win at the end on Thursday because as long as we've seen that the competition is fair and it's worked whether the males or the females win it will just prove that both sexes can work together and compete together. Absolutely and as things stand I mean the competition is tight as you like there's only four points separating after seven rounds four get four points there are still on paper 30 games so that's 30 points up for grabs it's anybody's and on Saturday the girls are winning by a point I think and now the the guys are I mean it's gone but it's been a roller coaster sometimes yeah the girls were winning and then in some rounds they have a huge advantage and it's been it's been great entertainment so we can't complain about that and are you just out of interest are you chess player at all do you ever pick up the pick up the pieces I don't and I discussed this the other day when I would when I met someone I've just did so now it's the type of game I would love to have the ability or the predisposition because I'm not the type of person who can sit at a table and I envy it I watch people play like I just went into that room and I started the game between the two grandmasters that I'm so privileged to have done and I see the type of person and the energy that's in that room and I think my hand is always you know I wish I could but I haven't actually ventured into it but could surprise me yeah you never know I mean what I would hope is that because I know there's a grassroots community here in Gibraltar promoting chess and there was chess in schools and one day I tell you this I've said this already on stream but you've got the Gibraltar football team you've got I think probably hockey as well yeah we're good at hockey as well basketball rugby do you have us we have rugby we kind of have all this all the sports I'm when's the chess team that's what I want to know that's the next project I want to see them yes yeah and I think it should go back into schools there was a bit before because you know at the moment we're on a pre-covid post-covid time yeah there was a big campaign to get the schools involved and there was quite a lot of students and and now I think we need to get them back hopefully when things get back to normal we can start doing that well look I mean I just want to say I've said this as well to all of our esteemed guests thank you for the support continue support you and the government and and local authorities because it does mean a lot for us to be able to host a tournament I'm a I'm a chess player chess fan and I know that everybody in this community millions of people have got their eyes on this tournament so thank you for for all you do and thank you for being here no fantastic it's an honor for us to be able to host this event here and so many people so many eyes on Gibraltar the games and how we do things and fantastic to welcome anyone and I invite anyone actually to come to Gibraltar see what we've got to offer and especially you should have come today because it's gorgeous outside today sunny it was raining for a week today I couldn't this was the Gibraltar I remember you go and have a coffee outside gorgeous weather yeah I sincerely recommend it so come to visit Gibraltar if you can thank you so much thank you for coming and we'll get to the games in just a moment we'll go for a short break and see how the action is developing in round eight see you soon


Okay. Hello everyone. I'll be talking about esteemed collaboration platform. Before that I'd like to introduce myself. I'm Dr. Dr. Rani. I was also a Google Summer of Code student under FOSS Asia. And this project was done last year in 2015 and is still being contributed to. So what is esteem? The full form of esteem is structuring knowledge in a team. This is our main goal with esteem is to basically be like GitHub. Now every hackathon you attend, every coding event you attend, you use GitHub to be in a team and contribute and you keep committing code to a single directory. What we do is we maintain virtual knowledge spaces inside. We have a very good web interface which is still being contributed to. And these virtual knowledge spaces act like rooms of your own. So basically like there's a concept of directly committing, sorry, branches in GitHub. There are rooms in this and we have tried to replicate the real world scenario in this collaboration platform. So maintenance of virtual knowledge spaces. Everyone has a room of their own like you can see on screen. Now every user that gets into this room belongs to that group. These rooms are named and they are basically like a tool. I'm trying to replicate a real world scenario. And there are gates to other rooms which are again permission based based on whose room it is. Now there are different kinds of files that you can add on your own containers or anything you can do in your own room. So it can also be used as a vital kind of teaching application to students in normal schools everywhere. But it again boils down to a collaboration platform. So my part of this collaboration platform was to build its command line tools and not only the web interface. The web interface was to be so that the user can get a good feel about it. But when you start coding and try to collaborate, you need a command line tool for that. And that's where my part comes in. So we developed all these kind of tools that you can see. So first one of them was merging with Git. Now any code that you write onto this application and collaborate, suppose you went to a 24-hour hackathon event and you've contributed and this application is there in your Git account. And you wanted to start using that inside Steam. Inside Steam what you can do is you can export all your content from Git and sorry import all your content from Git and get into this. And there's again a commit revision history in this. The commit is known as the revision history in this. Again you can import all the content and export all the content to Git committing a whole wrapper of your application together. The debug tool was just to play with the Steam objects. In Steam each and every user, room, document, container, Git is an object. Even the link between the user and the room is also an object. So everything goes object wise. Now you can edit files using your command line with your favorite editors. We are still adding some more support to that other than Emacs. And Stash is an advanced shell where you can... Have you heard about MUDs? MUDs are these multi-user dungeons where you can... It's like a game type of way in a command line, using command line. So Stash is just an interactive client for you. I'll just skip the scenarios one more. These are some kind of basic usage of all the Stash tool about like there's no complicated Git commit or Git push and change one of the branch and everything is like that. My container makes it see all the files, and goes through exit to test room as a gate. You go through that gate, you get into someone else's room, something like that. Okay, so which programming language do you prefer for such an application software? Just think in your heads and raise your hands if it was not one of these. None? Okay, Trey Lock. Nope. No exceptions. Sorry. Let's say Trey Lock for the talk. Thank you.


I'm Linda Wolk-Simon, I'm the director of the Fairfield University Art Museum and the curator of this exhibition on the art of the Jezoo, the mother church of the Jesuits in Rome which is full of treasures, some really glorious masterpieces from the church itself, others lent by very generous American museums and private collectors. The loans from the Jezoo are five very important masterpieces from different moments of the church's history and the history of the Society of Jesus, the Order founded by Ignatius Layla in 1540 and I wanted to focus on this chastisble, a chastisble is an ecclesiastical vestment, it's something worn by the priest during the celebration of the mass and this is a particularly splendid example, this is a piece of embroidered silk done with this incredibly rich tapestry-like series of narrative scenes and flowers and scrolls and angels, very rich, very ornate, done of gold and silver and silk threads. An object like this because it is an object even though it had a liturgical function was really meant to show that the taste, the wealth, the magnificence, the munificence of the patron and the cardinal Alessandro Farnese who was the great patron of the church, he built the Jezoo, he supported the Jesuits, his coat of arms is part of the design so he definitely had a stamp of ownership on this and wanted everybody looking at it to know that it was associated with his magnanimity and it was really meant to just dazzle the worshipers in the church, the effect of this elegant rich surface and everybody at the time would have known this was a hugely expensive kind of estimate to commission, the ordinary person could never have afforded something like this and so this is a demonstration not only of his piety but also of his great, great wealth and magnificence and it's one of the many highlights of the show, it's really a little series of paintings done in thread and it's just a glorious thing to see here in the exhibition


Hey everybody, Dr. O here. In this two part series, I'm going to walk you through all the major arteries and all the major veins. So a couple things first. Number one, this is really just a review of surface anatomy terms.  If you remember those terms, you're going to know the names of almost all the blood vessels already. So that's pretty good news. Number two, most arteries run right with a corresponding vein. So once you know all of these arteries, you know the huge majority of the veins as well. So I know this can look really complicated, but just remember your medical terminology, remember your surface anatomy terms, and remember that arteries and veins run together and that's going to take care of quite a bit of this. So here you see all of the key blood vessels, but I'm going to show you images and show you a little more close-ups of where they are and give you as many hints as I can as far as what the names mean or how to remember where these are located. So here we're going to start with the parts of the aorta. So the aorta is the largest blood vessel in your body. It comes right off the left ventricle, but you will see that it has several names depending on where it is. We have the ascending aorta is the part that travels right up out of the heart. The aortic arch is then the part that curves and heads down. And then we have the descending aorta. The descending aorta then becomes the thoracic aorta once you get there underneath the heart. And it becomes the abdominal aorta once you're inside the abdominal pelvic cavity and then we'll branch into your iliac arteries, which we'll cover in a different image. Also here on this image, you do see the right and left subclavian arteries. So clavy means clavicle. So the subclavian arteries are going to be right here underneath your clavicles. You also then have the right and left common crotid artery.  So that's going to be the right and left common crotid arteries running up the neck. Also remember, notice that the left common crotid arteries on the right side of the image, we're talking about our patients lefts and rights, not the picture we're looking at. All right. I think those are all the most important ones here on this first image. Well, I guess the brachiosephalic trunk, I never asked you to identify it, but it's kind of famous because the brachiosephalic trunk is the first branch off the aorta. If you think about all of your arteries either come off the aorta or branch from a blood vessel that came off the aorta, it's one big circulatory system. But the brachiosephalic trunk is that first branch. Okay. Here we see the head. First we have the vertebral arteries. So you can notice from this image here, they are traveling right through the vertebrae. When you learned your cervical vertebrae, remember they have those two holes on the sides called the transverse foramina.  So that's your vertebral artery. Then we do have the brachiosephalic trunk again. Actually, I don't see it on here. It was on the last image. Sorry. Then the carotid arteries. So you'll notice that the carotid artery is now branched into an internal carotid artery and an external carotid artery. So we saw the common carotid artery before but here's where it branches into the internal and external. You'll see the same thing with the iliac arteries in just a little bit. Those are the only important ones here. When you look at the abdominal pelvic cavity, I'm never going to ask you what's this little nub? What's this branch that used to go somewhere before it was cut off? So I don't ask a lot about the arteries in the abdomen. You can see again the descending aorta here, the thoracic aorta, and the abdominal aorta. So those are important. And then we have at the bottom there the common iliac artery. That's going to be the two main branches off the aorta. And they're going to branch into the internal iliac arteries and the external iliac arteries. Only other one on here. Now, if I ever ask you to identify a blood vessel that goes to an organ, it will be the renal artery. And that's because the kidneys are still here on the picture. I'm not a big fan of this. Where does this nub go? I remember when I was in school, I had to know where those nubs went and you may someday in the future if you go to medical school. But I may ask you about the renal artery because at least you can see the kidneys there so you know where it's going. All right. Next we have the arm. So to me, this is the easiest, the arteries of the arms, whereas the veins are a little bit trickier. But we start there at the top with the right subclavian artery as it runs under the clavicle. Once it gets into the armpit region, it's now the axillary artery because that's the axilla. And that's going to become the brachial artery that runs down your arm. And there at the elbow, it's going to branch into the radial and ulnar arteries. Remember the radius is on the thumb side always. So that's the subclavian artery, axillary artery, brachial artery branching into your radial and ulnar arteries. That's all you have to know with the arteries of the upper extremity. And here we have the lower extremity. So we've already mentioned the common iliac is the branch that comes right off of the aorta. And that's going to branch into the internal and external iliac arteries. As far as new ones on here, you can see the femoral artery. That one's pretty famous, very big, lots of pressure in it. If you damage the femoral artery, you do not have long to stop the bleeding before you will pass. So there's the femoral artery there. And you can see both the anterior and posterior view. The popliteal artery, hopefully remember from chapter one that the popliteus is the space behind your knee. So the popliteal artery will run there behind the knee. Then we have the anterior and posterior tibial arteries. The tibia is the large lower leg bone there immediately. And the anterior tibial artery runs in front of it. The posterior tibial artery runs behind it. Then lastly here we have the dorsalis pedisum called the dorsalis pedis. Both are fine. The reason that's important is that's a very important pulse point in your lower extremity. So we talked about the pulse points. We have the crotid artery here in your neck. The femoral artery is a good place to get a pulse. And there at the ankle you can use the dorsalis pedis or dorsalis pedis. Okay, that's actually it. So that's going to be all the major arteries that I expect you to know. I hope this helps. Have a wonderful day. Be blessed.