SCP-448 Object Class Safe Special Containment Procedures SCP-448 is to be kept at a 3 meter by 3 meter by 3 meter room, decorated with colorful wallpaper, warm lighting, and several small children's toys scattered about. When not under observation, object is to be kept on its pedestal at all times. Rooms must be kept clean and in good condition. All personnel entering the room clearance level 2 and above and only 1 at a time for any reason are reminded to smile and keep a cheerful disposition while in the presence of SCP-448. Description Object appears to be a child's jack-in-the-box toy. The box portion is 13 cm along each side and is constructed of 10, with a colorful decal depicting a smiling clown on each facet of the box except for the bottom and right side, which holds the turn crank. When cranked, the toy plays, pop goes the weasel, causing the jack to leap out the top before the final five notes as most toys of its kind normally do. The jack, however, transforms to reflect the mood of any person within 3 meters of the object. The strength of one's mood also affects its appearance, and every format it has taken has been unique. While the hand crank is functional, Object SCP-448 has been shown to randomly activate itself. Once out of the box, the jack will stay out of the box until the lid is closed or the influencing person leaves the room. When approached by more than one person, Object will stay shut and instead shake vigorously, becoming more and more violent until one or both persons leave its area of influence. In this state, SCP-448 cannot be opened nor can it be activated, and can be dangerous the longer it stays in this state. Attempting to fake emotions such as smiling when one is really depressed delays the self-activation of the artifact but does not completely fool it. X-rays cannot penetrate the box's surface. The following moods have been observed. Happy, smiling clown. While the clown's face, outfit, and color scheme are different every time, its mood is consistent. In this state, during special events of the holidays and birthdays, Object SCP-448 has been found to sing an appropriate song to the influencing person. Happy birthday, we wish you a merry Christmas, here comes the bride, take me out to the ball game, and American Pie have been recorded. SCP-448's voice has been described as high pitched and irritating. Sad Frowning clown. Tears have been often recorded to flow from clown's eyes. Chemical analysis have found them to be of the same composition as human tears. When approached by persons with suicidal thoughts, Object takes the form of ██████████ Angry ████████ ██ ████████, scared, unknown. In this state, live will only open slightly before quickly shutting. of whimpering, screaming, and crying can be heard from within. Dog or Animals Anthropomorphic dog wear and clown outfit When approached by any animal other than a human, object will take the form of an anthropomorphic version of the same animal in clown garb. Emotionless Blank white cloth doll This occurs when object is approached by an entity incapable of feeling emotions such as ██████████████████████. It is unknown if SCP-448's environment also affects whatever form it takes, until further testing performs its current containment procedure will not be altered. Addendum All attempts at physically penetrating or otherwise destroying SCP-448 have been unsuccessful. This is not because it is indestructible, rather when approached with the intent of dismantling, object will retaliate by opening up without any cranking or music and relentlessly attacking the approaching person with what appears to be a red boxing glove on the end of a long, rigid metal spring. The glove itself has been recorded to be able to reach speeds up to 235 km per hour. Attempts to damage it from outside-area influence with long-range weaponry results in ████████████.


Hi guys, welcome back to my YouTube channel. This is Daniel Rosler. I wanted to do a video just showing what my CPU and GPU looks like when I'm using one of the experimental GPU rendering profiles here on Kden Live. So I just did a video comparing the time and the speed of these rendering profiles as compared to using the more default or normal MP4 H264 AC rendering profile. So this is at Kden Live 20. I've got these set to always on top. This is 2143 here. And you can see there's still these hardware accelerated. They're still marked experimental. And the one I had the most success with, which I put up to my start area here, was NVENC H264 VBR. You can see here the exact parameters being used. I have parallel processing turned on and I have the encoding speed up as far as it will go. It's actually great out. So that's that set up. Now what I wanted to do, I've just loaded it here into Kden Live test project. As you can see, it's just about 10 seconds of stock footage here. Nothing very exciting from Pexels. And I've opened up my systems monitor. So you can see exactly what goes on with my CPU and with my GPU when I start rendering. Now the graphics processor is the GeForce GTX 1050 Ti 768 CUDA cores and 4 gigs of memory on the GPU. GPU utilization is at 9% currently. Video engine utilization is at 14%. When you're recording in OBS, that's going to, as I'm currently recording in OBS, that's going to put it a bit higher. So therefore, that's why that's, that's where that is. Now you can see, watch my CPU. It's currently, I've got four cores. It's an I3 and 21%, 22%. You can see they're kind of hovering in the low 20s over there. So watch what happens when I go for rendering. So baseline, 8 and 14 on the GPU and about 20 on the CPU. I'm going to overwrite this. Now, CPU ratchets all the way up to almost 100%. And the GPU is working a 14 and 11, 18. Look at those numbers on the left. You can see the video engine on the GPU is working, but the CPU is always also working. Render is done. Done now. So the CPU, we're going to watch it fall all the way back, as you can see on the graph. And the GPU, the GPU video engine utilization is slowing down as well. We're now, we're now all the way back to 7%. So that's what I've been noticing. Kind of strange, unexpected that the CPU would be firing all the way up to you can see there in the graph that it was almost at 100% across all four cores. So I'm not sure if this is just a reflection of the fact that the GPU rendering on Caden is still, if it's using both, I was just reading a stack exchange, a debate on whether GPU rendering, some people saying that it should still be using CPU rendering that there's still a lot the CPU has to do other people saying if you're seeing that kind of see CPU utilization that there is a problem. So I don't know exactly what this is. I can confirm that the GPU rendering is quicker than CPU rendering. But I'm still unsure as to why I'm getting those kind of almost 100% utilization on the CPU. When I'm rendering out here on Caden live, so I just thought I'd put this up to show people what the kind of system resources I'm experiencing when doing these renderings, these experimental GPU renderings on Caden.


Since I'm encouraging all of us to upload videos to YouTube in addition to whatever other platform you really enjoy, then you might ask, well, how do I set up my YouTube channel? How do I do all the settings in my YouTube channel? Well, I'm glad you asked because I have a whole playlist as part of this course for you, and I put it below this video. So look below this video in the description area and you will find a playlist for how to set up your YouTube channel and optimize the settings. Thank you.


I'm Sergeant Andrea Resundez. I'm out of Flint, Michigan. I'm currently stationed with 435 Combined Joint Interagency Task Force, Bagram. On September 11th, 2001, I was in high school at that point in time. At that point in time, I was in the 10th grade in biology class. It wasn't reality. We didn't think that that was serious. At first, we thought it was a movie or something because it just didn't seem real. But after reality kicked in, it was quite sad and disturbing.


Hi there, I'm Sandy Olnach, artist, Bible Journaler, crafter here on YouTube. And this video is for those of you who are artist-adjacent, meaning you want to delight and surprise the artist in your life by giving them a gift that they didn't even know they needed. This video is all about mediums, and you may know that your artist friend, family member, etc., loves to color things, but you don't know what to get them. How do you know what they already have? How do you know what they need? How do you know what's good? Well, this video is going to talk all about that, but what I need you to do is be willing to snoop a little bit. Let's go snooping. Shh, be very, very quiet. Sneak into your artist's studio and peek around. You could turn on a flashlight. Keep the dog quiet, maybe bring them a treat so they stay quiet, and see what mediums are hanging around near them. Those are Copic markers. There's watercolor here, and they've got this really cool tonic glass mat, great gift idea for a paper crafter, and there's pencils, colored pencils that are in a case. And we're going to look at each one of these three mediums. There's going to be the focus for this video. Then or around any of their mediums, they're going to have some color charts, probably. So look and see what they have. There's a Copic hex chart, a Prismacolor hex chart. They may have other kinds of charts that aren't in hexagon format, but most of the people aren't going to have all of the colors filled in. So you're going to look for areas that are not filled in. You're going to look for colors that don't have color in them already, because that probably means they don't have that color.   If you're getting Copic markers, this can be confusing. There's a couple of different body styles. Don't get the square one. You want to get either the sketch, which is the oval one, or the chow, which is the round body one. The sketch has more colors available in it than the chow. But if they like the chow markers, then get them colors that are available in the chow. And again, refer to that color chart so you know what you can get when you're in the store shopping. This is the re-inker bottle. And if they have any re-inker bottles that are almost empty, get them a new one of that. They will be amazed that you knew to get them that. You can also get them some new nibs. That's a great stocking stuffer. Just get them a couple packs of those.  For coloring with Copic markers, I always recommend Nina cardstock. This is a full ream. You can get smaller packs as well. And you want to make sure you get the classic crest cover. The solar white is the color that most people use most often. But it also comes in two other colors. There's a desert storm and a cream. And you can get them some of the others for a treat so they can try something different. I get the 80 pound. If they only have 100 pound in their craft room, get them 100 but 80 pound generally will work. These also work for colored pencil. So they can do their colored pencil work on that. Or you can give them a treat and get them some Stonehenge. Comes in a warm white or a regular white. It's a really, really nice paper for colored pencils. And I just treated myself to a sketchbook made with Stonehenge paper which was really fun and I've already started doing a drawing in there. So if you have a colored pencil artist given that as a treat. Some other things for colored pencil folks would be a bottle of Gamsol. There's a bunch of different brands but you can get some Gamsol and some blending stumps.  Artists can always use more of those.  It doesn't matter what kind. All of those seem to work pretty well. But at their desk, this one, it's a behemoth. It's really big. It's really heavy. But it works so well. You will be beloved if you get one of these. You can see mine is rather dirty and well used. Another great stocking stuffer would be a whole bunch of different kinds of erasers so that they can try out different effects they can get from different erasers. It's always fun to have new things to just play around with and try. Let's move into watercolor. And these are some of my favorite watercolor papers in their arches. Cold press, rough and hot press. I don't use the hot press very much. But cold press is most common. If they have a student grade watercolor paper, especially this XL, get them some of the arches because it'll be such a treat. Get the cold press one, the green cover. And they will just think you're amazing for getting them such good paper. Next is the paints themselves. A lot of folks will have a premade set like some of these. Those are not artist quality watercolors. Most of the artist quality stuff comes in tubes. There's a 5 milliliter and a 15 milliliter. And what I have done with mine is squeeze them out into these little half pans in a palette. This whole thing can be an expense as you start to grow your collection. If they're just starting out, this might be overkill to get the pans and everything. But a really good super beginning start would be getting them a dot card. This is my palette. It actually matches the palette underneath of this card. But these are all dots of paint. They can take a brush, touch it to that, and paint with it, and get an idea of what it's like to watercolor without having to go to the expense of buying a million things. But Daniel Smith also came out just recently with these new sets. And I'm going to talk about each one of them and what makes each one a little bit different. This first one is the biggest out of all of them. And it's the most expensive. But it has all 15 colors in the palette. And it comes with an extra blank palette. And I've painted something to swatch out the colors for myself. I like seeing things in actual context. So I painted these tubes of paint and just kind of filled in little swatches of each one of the colors. So I have them for a reference. And Jane Blundell came up with this set. And if you look up Jane Blundell and get one of her books, she does a lot on mixing colors. And she has a lot more science behind why she picked those. The floral set only has six colors in there. You have room for more colors in the palette. So there's yellows and there's a pink that you can mix with other colors to get a red. So you can mix it with other colors in this palette. I mixed it with a little green and a little yellow to make that red. But I'm going to give you a list on my blog of some suggested additional colors to get. So if your artist has already purchased one of these sets, you can go on my blog and find out what you can add to it. The earth set is really fun. It has bronzeite in it. That color right almost in the middle there. And it's got sparkle. I'm not sure how well you can see the sparkle here on YouTube, but it's very cool. If they like to paint animals and rocks and cities and things that are in earth tones, that's a great one. And I'm going to give you some colors to make that a good landscape set as well. The colors of inspiration set is not really one that's intended for them all to be painted together. These are a lot of the newer Daniel Smith colors. So it's also got, it's got wisteria and lavender, but it's also got that moon glow, one of my very favorite colors nowadays. I absolutely love it, but you can see you can get light versions of them. You can get dark versions. You can mix colors. The area over here on the left is moon glow plus serpentine and then the serpentine by itself is over on the right. So that green can turn into a brown when you mix it with other colors. But I'll give you more suggestions on my blog as well. Blues, if they like to paint like seascapes and clouds and that kind of thing with lots of blues in them, I'll have some ideas with some green so you can make this more of a type of set that you can use for landscapes and scenery, but it is perfect, absolutely perfect for doing ocean scenes and skies. Love, love, love this set. The sketcher was put together because it's supposed to be for mixing. If you take yellow, red, and blue, you can mix any color out of yellow, red, and blue. You'll get different kinds of things based on what kind of yellow, red, and blue you use. The background here is all done with those three colors and you can see it's different when you put the blue next to the yellow and the pink next to the blue, et cetera. But these other colors on the right hand side are also a version of a yellow, red, and blue and they're going to make more muted colors. So I am looking forward to practicing with some of those and seeing what kind of colors I can make using this sketcher set. Once you've picked out paints, they're going to need some brushes and if you get an artist, these silver black velvet brushes, they are gonna think you're amazing. I recommend an eight and a 12 if you haven't gotten any at all, at least get the eight and then if they've already got those, get them some other sizes. They're gonna think you're amazing for reading their mind and knowing how much they love these brushes. So when you get them, they will have these little caps on them, leave them on while they're gift wrapped so that the bristles will stay intact as they are being unwrapped. Now for Bible journaling, you can get Bibles with all different kinds of covers, with all different kinds of insides. I like the ones that have columns on the left and right, but there's also some with interleaved pages in between, different sizes, all different kinds of things. I'll link you to a Bible Buyer's Guide in the description below as well as over on the blog. So you can maybe send them to that and ask them to pick out a Bible if you'd like to do a gift card to somewhere because it's a very personal decision what translation as well as what kind of pages that they wanna make their art on. And for a medium, I would suggest regular colored pencils. Prismacolor are one of my favorite brands and you can get a small set at a really decent price. You can also get Inktense pencils on the right, which are watercolor pencils and you color with the pencil and then touch some water to it with a brush. So get them a number eight brush. You could also get them one of the dot cards for Bible journaling so they can try out watercolor or get them one of the small sets or even the ultimate set that has all 15 colors in it. And you can kind of decide what investment you wanna make into it. You can also get them my books. I wrote two books recently and this one has a lot of how tos for the art itself as well as how to keep in touch with God while you're doing your Bible journaling because we wanna keep our focus correct while we're doing things. And you can get this one along with the workbook. The workbook is printed on Bible paper so the artist is able to practice some of the techniques that they're learning before they go to their Bible and they won't feel like they're going to wreck their Bible all of a sudden so they can practice, they can see how much water it can handle, et cetera, and test out their mediums. This is one of the pages I've done in here. The flowers were already printed in the book as well as the piano keys and I colored the rest with colored pencils. This is with Prismacolor. I added another flower and followed the same model of the flowers that I was coloring on the other side and added some bugs to it and stuff. Before we tiptoe out of the craft room, I wanna show you one more thing in this book which is some relatively intense watercolor. This is Daniel Smith Watercolors applied in a very heavy fashion to see if it bleeds through and nothing bleeds through. How sweet is that? A quick word on counterfeit art or craft products for those who don't live in our world.  Your artist is going to know the difference when they try to use a counterfeit product. Please buy gifts from reputable retailers. There are even a lot of counterfeit products on sites like Amazon and unless you're knowledgeable enough to figure out if it's the real thing or not, please refrain. In my blog post, I've linked to safe places to purchase the real thing. I hope you've enjoyed that little bit of sniffing around inside of a studio. I also wanna offer to you one more option for giving a gift that matters to an artist and that is giving the gift of education. I teach over at art-classes.com and classes are going to be on sale from Black Friday to Cyber Monday, but they're also going to be on sale Christmas Eve and Christmas morning. And why is that? Because if you want to give a class to someone that you know, you can sign them up for a gift card on Christmas Eve or Christmas morning because the instant you buy the gift card, it's gonna send the gift card to them by email. And if you don't wanna surprise them on Black Friday weekend by letting them know that's what you got, then you can give it to them on Christmas Eve or Christmas morning. They can get the sale prices then and your gift card goes further because they're gonna be able to buy the class at a discount, all right? These are watercolor classes. They're pencil classes. They're drawing classes. They're Copic marker classes, all different kinds of fun stuff. So give the gift of education and I think that's about it for this video. Be sure to stop by the blog. Lots more ideas. There's even a stocking stuffer section. If you wanna find some little things that Santa can tuck in for the artist who you love. Take care and Merry Christmas.


Section 15 of Luther's Large Catechism. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Recording by John Lieder. The Large Catechism by Martin Luther. Translated by F. Bente and W. H. T. Dow. Exhortation to Receive the Sacraments Frequently. Conclusion. In conclusion, since we have now the true understanding and doctrine of the sacrament, there is indeed need of some admonition and exhortation, that men may not let so great a treasure which is daily administered and distributed among Christians pass by unheeded. That is, that those who would be Christians make ready to receive this venerable sacrament often. For we see that men seem weary and lazy with respect to it, and there is a great multitude of such as hear the gospel and, because the nonsense of the Pope has been abolished and we are freed from his laws and coercion, go one, two, three years or even longer without the sacrament, as though they were such strong Christians that they have no need of it. And some allow themselves to be prevented and deterred by the pretense that we have taught that no one should approach it except those who feel hunger and thirst which urge them to it. Some pretend that it is a matter of liberty and not necessary, and that it is sufficient to believe without it, and thus for the most part they go so far that they become quite brutish and finally despise both the sacrament and the word of God. Now it is true, as we have said, that no one should by any means be coerced or compelled lest we institute a new murdering of souls. Nevertheless, it must be known that such people as deprive themselves of and withdraw from the sacrament so long a time are not to be considered Christians, for Christ has not instituted it to be treated as a show but has commanded his Christians to eat and drink it, and thereby remember him. And indeed those who are true Christians and esteem the sacrament precious and holy will urge and impel themselves unto it. Yet that the simple-minded and the weak who also would like to be Christians be the more incited to consider the cause and need which ought to impel them. We will treat somewhat of this point. For as in other matters pertaining to faith, love, and patience, it is not enough to teach and instruct only, but there is need also of daily exhortation, so here also there is need of continuing to preach that men may not become weary and disgusted, since we know and feel how the devil always opposes this and every Christian exercise, and drives and deters therefrom as much as he can. And we have, in the first place, the clear text in the very words of Christ. Do this in remembrance of me. These are bidding and commanding words by which all who would be Christians are enjoined to partake of this sacrament. Therefore whoever would be a disciple of Christ, with whom he here speaks, must also consider and observe this, not from compulsion as being forced by men, but in obedience to the Lord Jesus Christ and to please him. However, if you say, but the words are added, as oft as he do it, there he compels no one, but leaves it to our free choice, answer. That is true, yet it is not written that we should never do so. Yea, just because he speaks the words, as oft as he do it, it is nevertheless implied that we should do it often, and it is added for the reason that he wishes to have the sacrament free, not limited to special times, like the Passover of the Jews, which they were obliged to eat only once a year, and that just upon the fourteenth day of the first full moon in the evening, and which they must not vary a day. As if he would say by these words, I institute a Passover or supper for you which you shall enjoy not only once a year, just upon this evening, but often when and where you will, according to everyone's opportunity and necessity, bound to no place or appointed time, although the Pope afterwards perverted it, and again made a Jewish feast of it. Thus you perceive it is not left free in the sense that we may despise it, for that I call despising it if one allows so long a time to elapse, and with nothing to hinder him yet never feels a desire for it. If you wish such liberty, you may just as well have the liberty to be no Christian, and neither have to believe nor pray, for the one is just as much the command of Christ as the other. But if you wish to be a Christian, you must from time to time render satisfaction and obedience to this commandment, for this commandment ought ever to move you to examine yourself and to think, see what sort of a Christian I am. If I were one I would certainly have some little longing for that which my Lord has commanded me to do. And indeed, since we act such strangers to it, it is easily seen what sort of Christians we were under the papacy, namely that we went from mere compulsion and fear of human commandments without inclination and love, and never regarded the commandment of Christ. But we neither force nor compel any one, nor need any one do it to serve or please us. But this should induce and constrain you by itself, that he desires it and that it is pleasing to him. You must not suffer men to coerce you unto faith or any good work. We are doing no more than to say and exhort you as to what you ought to do, not for our sake, but for your own sake. He invites and allures you. If you despise it, you must answer for it yourself. Now, this is to be the first point, especially for those who are cold and indifferent, that they may reflect upon and rouse themselves. For this is certainly true, as I have found in my own experience, and as everyone will find in his own case, that if a person thus withdraw from this sacrament he will daily become more and more callous and cold, and will at last disregard it altogether. To avoid this, we must indeed examine heart and conscience, and act like a person who desires to be right with God. Now, the more this is done, the more will the heart be warmed and enkindled, that it may not become entirely cold. But if you say, how if I feel that I am not prepared? Answer. That is also my scruple, especially from the old way under the pope, in which a person tortured himself to be so perfectly pure that God could not find the least blemish in us. On this account we became so timid that everyone was instantly thrown into consternation and said to himself, Alas, you are unworthy. For then nature and reason begin to reckon our unworthiness in comparison with the great and precious good, and then it appears like a dark lantern in contrast with the bright sun, or as filth in comparison with precious stones. Because nature and reason see this, they refuse to approach and tarry until they are prepared so long that one week trails another, and one half year the other. But if you are to regard how good and pure you are, and labour to have no compunctions, you must never approach. We must therefore make a distinction here among men, for those who are wanton and dissolute must be told to stay away, for they are not prepared to receive forgiveness of sin since they do not desire it and do not wish to be godly. But the others, who are not such callous and wicked people, and desire to be godly, must not absent themselves, even though otherwise they be feeble and full of infirmities. As St. Hillary also has said, if any one have not committed sin for which he can rightly be put out of the congregation and esteemed as no Christian, he ought not stay away from the sacrament, lest he may deprive himself of life, for no one will make such progress that he will not retain many daily infirmities in flesh and blood. Therefore such people must learn that it is the highest art to know that our sacrament does not depend upon our worthiness. For we are not baptized because we are worthy and holy, nor do we go to confession because we are pure and without sin, but the contrary, because we are poor, miserable men, and just because we are unworthy, unless it be someone who desires no grace and absolution nor intends to reform. But whoever would gladly obtain grace and consolation, should impel himself and allow no one to frighten him away, but say, I indeed would like to be worthy, but I come not upon any worthiness, but upon thy word, because thou hast commanded it, as one who would gladly be thy disciple, no matter what becomes of my worthiness. But this is difficult, for we always have this obstacle and hindrance to encounter, that we look more upon ourselves than upon the word and lips of Christ, for nature desires so to act that it can stand and rest firmly on itself, otherwise it refuses to make the approach. Let this suffice concerning the first point. In the second place. There is besides this command also a promise, as we heard above, which ought most strongly to incite and encourage us. For here stand the kind and precious words. This is my body given for you. This is my blood shed for you for the remission of sins. These words I have said are not preached to wood and stone, but to me and you. Else he might just as well be silent and not institute a sacrament. Therefore consider, and put yourself into this you, that he may not speak to you in vain. For here he offers to us the entire treasure which he has brought for us from heaven, and to which he invites us also in other places with the greatest kindness. As when he says in St. Matthew chapter 11 verse 28, Come unto me, all ye that labor and are heavy laden, and I will give you rest. Now it is surely a sin and a shame that he so cordially and faithfully summons and exhorts us to our highest and greatest good, and we act so distantly with regard to it, and permit so long a time to pass without partaking of the sacrament, that we grow quite cold and hardened, so that we have no inclination or love for it. We must never regard the sacrament as something injurious from which we had better flee, but as a pure, wholesome, comforting remedy imparting salvation and comfort which will cure you and give you life both in soul and body. For where the soul has recovered, the body also is relieved. Why then is it that we act as if it were a poison, the eating of which would bring death? To be sure, it is true that those who despise it and live in an un-christian manner receive it to their hurt and damnation.  But those who are sensible of their weakness, desire to be rid of it and long for help, should regard and use it only as a precious antidote against the poison which they have in them. For here in the sacrament you are to receive from the lips of Christ forgiveness's sin which contains and brings with it the grace of God and the spirit with all his gifts, protection, shelter, and power against death and the devil and all misfortune. Thus you have, on the part of God, both the command and the promise of the Lord Jesus Christ. Besides this, on your part, your own distress which is about your neck, and because of which this command, invitation, and promise are given, ought to impel you. For he himself says, They that behold need not a physician, but they that be sick. That is, those who are weary and heavy laden with their sins, with the fear of death, temptations of the flesh and of the devil. If therefore you are heavy laden and feel your weakness, then go joyfully to the sacrament and obtain refreshment, consolation, and strength. For if you would wait until you are rid of such burdens that you might come to the sacrament pure and worthy, you must forever stay away. For in that case he pronounces sentence and says, If you are pure and godly you have no need of me, and I in turn none of thee. Therefore those alone are called unworthy, who neither feel their infirmities, nor wish to be considered sinners. But if you say, What then shall I do if I cannot feel such distress or experience hunger and thirst for the sacrament? Answer. For those who are so minded that they do not realize their condition, I know no better counsel than that they put their hand into their bosom to ascertain whether they also have flesh and blood, and if you find that to be the case, then go, for your good, to St. Paul's epistle to the Galatians, and hear what sort of a fruit your flesh is. Now the works of the flesh, he says in Chapter 5, 19 and following, are manifest, which are these? Adultery, fornication, uncleanness, lasciviousness, idolatry, witchcraft, hatred, variance, emulations, wrath, strife, seditions, heresies, enviings, murders, drunkenness, revelings, and such like. Therefore, if you cannot feel it, at least believe the scriptures.  Yea, St. Paul further concludes in Romans 7, verse 18, I know that in me that is in my flesh dwelleth no good thing. If St. Paul may speak thus of his flesh, we do not propose to be better nor more holy. But that we do not feel it is so much the worse, for it is a sign that there is a leprous flesh which feels nothing, and yet the leprosy rages and keeps spreading. Yet as we have said, if you are quite dead to all sensibility, still believe the scriptures, which pronounce sentence upon you. And in short, the less you feel your sins and infirmities, the more reason have you to go to the sacrament to seek help and a remedy. In the second place, look about you and see whether you are also in the world, or if you do not know it, ask your neighbors about it. If you are in the world, do not think that there will be lack of sins and misery, for only begin to act as though you would be godly and adhere to the gospel, and see whether no one will become your enemy. And more over, do you harm wrong and violence, and likewise give you cause for sin and vice. If you have not experienced it, then let the scriptures tell you, which everywhere give this praise and testimony to the world. Besides this, you will also have the devil about you, whom you will not entirely tread underfoot, because our Lord Christ himself could not entirely avoid him. Now, what is the devil? Nothing else than what the scriptures call him.   A murderer who cannot bear to see you live one single hour. If you could see how many knives, darts, and arrows are every moment aimed at you, you would be glad to come to the sacrament as often as possible. But there is no reason why we walk so securely and heedlessly, except that we neither think nor believe that we are in the flesh, and in this wicked world or in the kingdom of the devil. Therefore try this and practice it well, and do but examine yourself, or look about you a little, and only keep to the scriptures. If even then you still feel nothing, you have so much the more misery to lament both to God and to your brother. Then take advice and have others pray for you, and do not desist until the stone be removed from your heart. Then indeed the distress will not fail to become manifest, and you will find that you have sunk twice as deep as any other poor sinner, and are much more in need of the sacrament against the misery which, unfortunately, you do not see, so that, with the grace of God, you may feel it more and become the more hungry for the sacrament, especially since the devil plies his force against you and lies in wait for you without ceasing, to seize and destroy you, soul and body, so that you are not safe from him one hour. How soon can he have brought you suddenly into misery and distress when you least expect it? Let this then be said for exhortation, not only for those of us who are old and grown, but also for the young people who watch to be brought up in the Christian doctrine and understanding, for thereby the Ten Commandments, the Creed, and the Lord's Prayer, might be the more easily inculcated to our youth, so that they would receive them with pleasure and earnestness, and thus would practice them from their youth and accustom themselves to them. For the old are now well nigh done for, so that these and other things cannot be attained, unless we train the people who are to come after us and succeed us in our office and work, in order that they also may bring up their children successfully, that the word of God and the Christian Church may be preserved. Therefore let every father of a family know that it is his duty by the injunction and command of God to teach these things to his children, or have them learn what they ought to know. For since they are baptized and received into the Christian Church, they should also enjoy this communion of the sacrament, in order that they may serve us and be useful to us, for they must all indeed help us to believe, love, pray, and fight against the devil.


Welcome to Church of the Chair, where we stay in the trash can man and simp for Nick. I'm your host E and today we're talking about Good vs Evil. If you're new around here, I need to give you a warning. Please expect spoilers for all of Stephen King's books in these videos. Please don't watch them if you haven't read them all. Thank you. On with the show. The first thing I'll mention is a response to this comment right here. The reason why I left some things out of the earlier videos was because I needed to leave something for the Dark Tower series themselves. Now I never got around to doing theorist videos for the Dark Tower series, but that's going to change here. At the end of this series, I will be doing each and every book before that in between the end of the novels and starting the Dark Tower series theorist videos. What I will be doing is going through all of the short story collections because before I didn't, I don't think I went deep enough into them. I want to try and connect every single story in those collections and I'm going to have to reread them if I'm going to accomplish that. Now some people don't realize that there's three different versions of this book. The first one being the original edition, the cut edition as it's referred to in the community, that's this one. This one takes place between 1980 and 1981. And then when the paperback was released, it was updated to 1985 to 1986. And then when this one came out, which is the definitive edition, the one that was not chopped up by double day, and even though it was released by them eventually, this one takes place between 1990 and 1991. That's not to say that these books were published during that time frame. It's that the story takes place during those time frames. Now let's hop into the hard connects and some theories. The first thing I'll mention is something brought up by this user here. Of course I mentioned this in the last video, but I failed to bring up that Mother Abigail and Dick Holleran were related. I don't actually remember this being in there. I do remember the conversation, but I do not remember that they were family. I haven't reread the book since then, so I cannot confirm, but maybe if you know for sure and you can cite the exact passage in which this is said, please comment down below. Now for the hard connect. In book four of the Dark Tower series, Wizard and Glass, our Quartet consisting of Roland, Eddie, Susanna, Oy, and Jake actually arrive at the same world from the stand by way of Blaine the Pain or Blaine the Monorail. This explains why Eddie Dean, who is from 1987 New York, has no idea about Captain Trips because he never went through it. That kind of thing is very important in the Dark Tower series. Just another turn of the wheel. Now I would like to correct something that was put in a comment, not my video. Pause to read if you want to, but John the Conqueror is actually from African American folklore and not a reference to John Farson. But I have no qualms with the rest of this comment. I forgot all about it. Good on ya. But that's all the time I have for you today. If there's anything else I might have missed, please feel free to add that down to the comments below. Also if I made any mistakes, I don't have any problem with you correcting me. A word of warning, the next video that I post tomorrow's video will not be a Stephen King video. It'll be a book review. But the day after that, we're going to get right back on the Stephen King train with the Dead Zone. So until next time, I'll hear the chee-


The forum, into its third of four yearly sessions mandated under the Pearl Programme, provides early childhood educators, ECEs, with a platform to chart the way forward for the sector, focusing on key areas. According to organisers, the 2024 activity allowed participants to learn about and to reflect on their particular situations with young children with autism spectrum disorder or ASD. The forum simultaneously took place in the Four Winwood Islands, with some 200 early childhood educators participating via the Zoom platform. The two-day activity, which took place locally at the Finance Administration Centre, according to training officer with St Lucia's Early Childhood Services Unit, Ruth Phillips-Faivier, concluded with each member state developing preliminary plans to act on the information shared and discussions held during the forum, including support to families with children with ASD. It's something we have been struggling with as a sector and post-COVID, we have indeed seen a marked increase with the number of children who exhibit cognitive, sensory, emotional challenges. This Phillips-Faivier advised practitioners on the correct course of action if they ever discover students who may require special ASD attention. If you think there's a child at your centre who exhibits signs, behaviours that may make you suspect the child has autism, your job is to do referrals.   I emphasise that. One of the challenges that ECE leaders have raised since the beginning of their work together on the Perl is ensuring that ECE teachers are better equipped to support children with special education needs. The OECS Secretariat's Royston-Emanuel thinks the diverse mix of professionals from the OECS as a whole will be instrumental in achieving the fundamental objective of the OECS Perl, which is to increase equity, access and the standard of education in all member states, especially in dealing with the growing issue of ASD. This not only highlights the urgency to act, but it actually places a clear responsibility on us, on the member states to use the insights that we're going to glean from this to their experience and to help uplift our most vulnerable population. International studies confirm the rising frequency of ASD impairment in Latin America and the Caribbean grew from 1 in 10,000 children in 1943 to 15 in every 1,000 children in 2015. From the Communications Unit of the Department of Education, Innovation and Vocational Training, I am Chris Satney reporting.


Okay, good afternoon folks, Larry Pesavento is setting in for the master himself, Tom O'Brien. Tom will be back on Monday, but I'm setting in for him today and I wanted to share a few things. We've got the markets, our afternoon update with an hour to go, we've got the mixed market, we've got the S&P up about five, and we've got the Dow Jones down 120, the Nasdaq is up 40, and the Russell is down just a fraction. The big markets of course are the Treasury notes and Treasury bonds. Notes up a full point, well above the 382 level now, and then also the Treasury bonds well above the 382 level, and of course, so we've got gold up $57, silver up $2, crude oil up about a dollar, and we've got, that's about it. The grains are relatively quiet, nothing going on over there. The big action, of course, is in the US dollar index, the euro, the pound, the yen, the Canadian dollar, and the Australian dollar, and the Swiss franc are all very, very strong, and I think that's the reason for your reasoning, see money coming out, because speculative money is now hitting the books as they say in the trade, but we'll have lots of things to cover when we get to my show here coming up here tomorrow, but I want to give you a heads up of what I'm looking at today on Tom's show, because I don't get to visit with you folks very often. I want to talk just a little bit about the psychological of trading and investing. Really, there's not a lot of difference between trading and investing. It's mainly traders trade more, where investors trade less and hold on to positions, but I'm risk averse, so I try to keep on the idea of what I'm going to risk, not how much I'm going to make. Those are some of the things we're going to cover in the other half of the show, but Tom will be back as I mentioned on Monday, and he is extremely bullish gold as I am. It looks like we're going to be breaking out of that 1825, which was the August high, and it appears that we're going to be going a lot higher than that, and silver also continues to go higher. We've shattered these things on the upside, folks, any resistance, so any pullback is probably going to be looking to be purchased by both investors, speculators, and traders, so we want to be watching those corrections in the gold and the silver for potential buy. This looks like a really long-term move that we've been waiting for for a very long time, so we'll see you in just a few minutes for Tom O'Brien, Larry Pezzavento, setting in. We'll be right back.


So we received a 911 call from a couple of rafters that were on the river coming down almost to the cutthro. And they informed our dispatcher that there was a male subject in a kayak slumped over. They tried to make contact with him and they couldn't arouse him. So we immediately responded down to the river. We got our airboat out. He was in the water when we found him, but he was conscious. He was suffering a medical emergency. We went ahead and got him loaded up. We brought him down here to the boat dock at Cedar Creek Bridge. We got him in the ambulance and we got him over to the hospital. Just getting him checked out precautionary reasons. What we like to tell people is always make sure you've got your life jacket on.  Probably is what ended up saving him in the end. First and foremost, make sure you've got your safety gear with you. Make sure you've got that safety vest. So that way, if you do get in the river, you're going to float. Obviously you want to check the river levels. You want to check the forecast. You don't want to be out here with the river up high. So you want to make sure before you get in this river that you check on it. You know, get on the National Weather Service.  So that way you can use that as a precaution also. The river's not a place to enjoy yourself with any kind of intoxicating beverages because obviously it will cloud your judgment and, you know, water and alcohol doesn't mix. So if you're going to come down and join the river, come down and enjoy it. Just be very safe. Be careful. It's a beautiful scenery. It's a great ride down and we want people to use it. So just be very careful when you're out here.


Did you see MJ the musical? Of course I saw MJ the musical. Talk to me about it. It shows the power of the music. You're willing to watch multiple fake MJs. The Dominican looking one, the light skin one. Riles Frost. Oh my God. And incredible. You shouldn't be able to act and dance that good and sing. That motherfucker was jumping through the roof. I never looked at a man just performing on stage, jumping and be like, what is this vertical on some tickle from Winnie the Pooh? Go back and watch it again. You're gonna be like, damn. You're like the weirdest guy. You're the weirdest guy. Because I'm watching the details of Michael Jackson's life. And the only thing you think about is, how high can this Dominican jump? That motherfucker was bouncing, bro.


These free words will crush the narcissist. Everything they do, everything they say, it's all designed to get an emotional reaction from you.  That's what feeds them. That's what makes them feel alive. So if you want to crush the narcissist, if you want to make them question their significance to you, you have to respond to them in a way that does not reveal any emotion. And you have to say these three words in a confident manner. The three words are, I don't care. Once you have said these three words to the narcissist, you should walk away and never look back. Let these words sink into their dark and empty minds. Let them question their own significance. These three words will crush the narcissist.  Everything they do or say is designed to make you care. It's designed to make you anxious or fearful. That's what feeds them. That's what makes them feel alive. But when you stop caring, when you stop giving a damn about what they think, it completely destroys them. And then they are forced to reflect on their own insignificance. You can walk away empowered. You can walk away stronger and more confident in control of your life and claiming your rights. You can walk away as a survivor. Thanks for watching and I'll talk to you soon.


If I read one more beginning magic book that talks about magic and spellcraft as if it's quantum mechanics, I will scream. Hey there saplings! My name is Danny and welcome to esoteric moment today. We are outside in the ridiculous heat of the east pasture on our farm so that I can rant and scream at you about magic and spellcraft. I'm hoping that the yelling geese in the background won't be too loud but we'll see how this goes. So if you're like me you've read a ton of books geared to pagans of all sorts not just druids but the neopagans or any book about magic. Many of these like beginner books talk about magic as if it is like quantum mechanics and I have so many issues with this. I understand why many pagans feel the need to kind of like justify magic and its importance in our lives and its impact on our lives by using science. In our world today it's really easy to say this is fact this exists because of science. We understand our universe in a host of different ways that we didn't in the ancient worlds. That is amazing. But as someone who took physics as their undergrad major I can't tell you how wrong this concept is. So let's talk about quantum mechanics first generally. Quantum mechanics is a field of physics and it describes a lot of different phenomena and we're going to talk about things pretty generally mainly because that's all that's necessary to dispute the fact that magic is just like quantum mechanics. Quantum mechanics is about scale and it's really about the subatomic and small scale of our universe. It's not talking about pendulums or levers that's all about classic physics and even a lot of the science that we use to describe phenomena in space space time in general that's still a lot of classical physics at work. It's easy to think that because magic works on really like limited scopes or because it's really subtle that it would describe the same scale as quantum mechanics i.e. small subatomic and of course the subatomic affects our macro level as well but the physics that's talking about quantum mechanics is like really small really really really small and the magic we're doing is subtle not small we're making huge impact on our life we're talking new jobs abundance in our life um romance we're talking about garden magic we're talking about house and like home blessings cleansings all of these things are macro in scale something i also read a lot is how schroidener's cat is a lot like magic schroidener's cat is a thought experiment from the 1930s if you want more details definitely check out my blog there'll be a link in the description or wikipedia surprisingly great at describing physics in the general terms anyway schroidener's cat a thought experiment that is often kind of misconstrued in our day-to-day conversations but generally we had quantum mechanics being new very trendy and schroidener's cat was a thought experiment to prove how absurd the general and like accepted way of understanding quantum mechanics was at the time they were talking about particularly superposition it's really talking about the result of being linked to a random subatomic event that may or may not have the Copenhagen interpretation at the time was that something was both alive and dead at the same time until observation and at the point of observation is when things shifted or you know chose one state or the other urban schroidener was like that's absurd so he designed a thought experiment with a cat in a box being linked to being alive or dead based on the state of a subatomic particle obviously you can't have a cat both alive and dead that's absurd the point is your magic is not an example of quantum superposition magic is not both happening and not happening at the same time your will is what is deciding magic to happen you might be changing something making something happen in your life but it's not in this subatomic state of being alive or dead it is you making change making shit happen the other point I want to make is quantum mechanics isn't really about absolute values you know a lot of quantum mechanics is about probability and uncertainty and evaluating probability in a certain area due to a certain particle taken atom for example the electrons are not in a particular position at a particular time we have like a probability cloud of where those electrons will be do you really want to describe your magic in terms of probability are you 35 sure that you're going to make that money spell work for you uh no at least when I do magic I don't when I do magic I am talking about real change that I am making happen my will brings power to my abundance spell I am doing the work outside of my magic to bring in the money that I need sure there are times where spells don't work but it's not really about probabilities it's about our understanding the environment in which the spell was made and you know the implications of the words and symbols and actions that we use to make that magic happen if you want to use physics to describe magic these stick to classical mechanics you know when we're talking about exchanging energy and moving our will to create the situation that we want you'll find a lot more synergy in the math that is involved in pendulum and levers and moving energy on the macro scale let's stop selling magic short don't forget that the why behind our spells is our very own will belief and our ability to connect to the energy around us that is what makes magic happen and we don't necessarily need to justify magic working with science understanding the universe studying science so we feel more at home and forever are expanding the lens of our universe that is a great thing please don't stop studying science just stop using it to describe a phenomena that isn't appropriate science and magic are both languages and they work well in the realm of their experience but mixing them there are some translation errors and we don't have them figured out yet and when writers who really don't know anything about science try to use it to describe something that i love magic it just doesn't work well and it makes the writer sound idiotic and it makes it harder to defend magic as a real tool and solution for the things that are happening in our world and i want it to be a real solution finally if you are someone who has decided you know what this science theory totally works for what i'm trying to describe on the metaphysical level fine use it but i want to see some damn math all right in the comments below let me know do you agree have you read about quantum mechanics and magic and books before how do you feel about science and magic mixing uh yeah i'm curious if anyone else gets as frustrated as i do maybe it's just because i was a physics undergrad major but like oh so frustrating today's sapling shout out goes out to katie flowers i'm sure you are all subscribed to her fabulous youtube channel uh but she has been a just wonderful dear friend and i really love her videos but when i decided to do this series i mentioned how i wanted to rant about quantum mechanics and physics and she really said that she was curious about my thoughts on that topic so thanks for giving me the boost and courage needed to actually hit publish on this ranch video if you want to be the next sapling shout out please don't forget to comment below and let me know your thoughts that's how i know to choose you thanks for watching and as always may you find peace in the sacred grove


The Kraft Foods Company presents Wellard Waterman as the Great Gilded Sleeve. The Great Gilded Sleeve is brought to you partially transcribed by the Kraft Foods Company. And Kraft, you know, makes the famous pasteurized processed cheese food, Velvita. Velvita has a wonderful cheddar cheese flavor that's rich yet delightfully mild. It's delicious. And it's the finest quality cheese food you can buy because it's made by Kraft. The name that for years has meant only the finest in cheese and cheese foods. Get a package or loaf of Velvita tomorrow and enjoy the cheese food of top quality Velvita made only by Kraft. Since Mr. Bullard's sister, the attractive Paula Winthrop and her daughter Babs moved in across the street, the Great Gilded Sleeve has been giving particular attention to his personal appearance. And he has managed to make three personal appearances at Mrs. Winthrop's. Tonight will be his fourth. You'll just leave your gaining ground. Well, why shouldn't you admit it? You're not a bad-looking man. Because I'm graying a little at the temples. And so is Ronald Coleman. Dear, wonder if I shouldn't touch that up a little. No use in a fellow with a face as young looking as mine getting gray. No. It's distinguished. Mirror, mirror on the wall. Who's the best-looking water commissioner of them all? You are. Thank you. Who said that? Leeroy. Hi, aren't you still primping? Yeah, I'm not primping. I'm just doing the things any fastidious man does before a date. Yeah? You need some color on.  I haven't been pinching my cheeks. Come on, let's get downstairs. Okay, I don't want you. Thank you, my dear. I thought you were going to wear your new suit. Well, it hasn't come from the tailors yet. I'll wear it next time.  Across the street, you won't even hurt without a coat and tie on. Well, it gets chilly out there. It's the fall of the year. Yeah, and I know who fell. Hi, Caronkey. I'm just surprised you don't see her more often. Well, Mrs. Winthrop has to give a lot of her time to her daughter. She told me that. And when you do go, you always come home so early. It just happened that way, Marjorie. The other evening, little Babs had the sniffles. The time before that, she wanted her mother to help her with her homework. Mm-hmm. What happened the first time?  So you came home? Yeah. Uncle Mord, it's none of my business, but it sounds as though little Babs doesn't exactly welcome your visits. Yeah, you better watch out, Uncle. What do you mean by that? Well, she's tricky. Remember the time I was riding my bike, no hands, and she stuck a broom handle through the spokes? Yes. That was probably an accident. Yeah, I'm sure it was. She hasn't annoyed you since. No, but I'm not the one... You aren't being fair to little Babs. How could she be anything but an angel with a mother like that? Well, I hope you're right, Uncle. You bet. Yeah, don't you two wait up for me. I won't be home until late tonight. Ah!  In a minute now, Babs, he's never late. No, I've noticed that. Why don't you go upstairs and listen to your radio this evening? All right. Mother, why do you go out with Mr. Gilder's sleeve? Well... Is he the only bachelor in Summerfield? I really haven't investigated. Are you going to? Babs, I want to ask you something. What, Mommy? When Mr. Gilder's sleeve comes over, do you deliberately try to make him feel uncomfortable? It seems probably that tight suit he wears. Oh, there he is. Shall I go to the door?  I'll answer it. Oh, Mrs. Whitrup? Paula? Hello, Drachmore. Come in. Thank you. Are your brothers still out of town? Rumson won't be home until next week. Good. Hope he has a nice trip. Is little Babs around? She's upstairs listening to her radio. You're cute. Wonderful invention radio. Here, let me take your hat. Thank you. Shall we sit here on the lounge? Good idea. Yeah, this is living. Say, I see you have logs in the fireplace. I thought it might get chilly later in the evening. Well, I've never stayed here long enough to find out if it gets chilly later. We have chased you home a little early, haven't we? Yeah, let's not take any chances tonight. Let's light the fire now. I'd enjoy that. You bet. Yeah, I'll have it going in no time. There we are. It's nice and dry. Look at it go. There's something about a boy and a girl in the fire. I love a fire. The lights are low. I like to lean back and watch the shadows flicker on the ceiling. You watch the ceiling. I'll watch the firelight on your pretty face. Now you're flattering me. Well, in a setting like this, everyone looks prettier. Me too. You too. Wow, this is going to be a great evening. Paula. You realize this is the first time we've ever spent alone? Use me, mother. Zeke. Oh, sad. Good evening, Mr. Gildersleeve. Am I intruding? You know, not at all. I thought you were listening to your radio, dear. I decided I'd knit for a while. And you'll simply have to show me how to turn asleep. Now, Babs, can't I show you some other time? But, Mother, I have to finish it before Christmas. Mr. Gildersleeve, I'm knitting Mother a sweater for Christmas. Well, glad you told me. Now I won't knit one for her. Please, Mother. All right. Thank you.  Well, you better give you a little more room. It's cozy. Yes, indeed. Mr.  I like to watch the sparks jump. Glad to. Now pay attention, Babs. I'm watching. You all say she is. Oh, you make beautiful sparks, Mr. Gildersleeve. Nothing to it. Now, if I won't crowd you two, I'll sit down and watch the knitting lesson. Who was that? Mr. Gildersleeve, is that... You know, I did? Oh, that's too bad. I didn't think it was there when I got up. Mr. Gildersleeve, surely you don't think I'd put it there on purpose. You know. No, I didn't say that. It's all right. It's just an accident. I'd be happy to buy a new one, Babs. Isn't that? This one was given to me by Mother. Sorry, Babs. Mother. Hey, Throgmorton, don't worry about it. Well, I'm sorry it happened. Excuse me, Mr. Gildersleeve, I'll get the yarn out from under your feet. Yeah, you'll find me. Babs, don't you think you'd better run up to bed? I'll help you with this tomorrow. Mother, if I don't learn how to turn a sleeve, I won't sleep a wink tonight. Well, perhaps I should be on my way. Getting a little late. 9.15. Good night, Mr. Gildersleeve. Babs, well, it's really very early, Throgmorton. Well, we don't want Babs to miss her sleep. And I've been thinking, there's a dance at the palm room tomorrow evening. Perhaps it'd be nice to get out of the house.  I'd like that very much. Good. Tata, you tend to your knitting. I know where my hat is. Mother, my knitting is unraveling. What? Yes, this. Something seems to be tied around my ankle.  You know, how did that happen? You've ruined Mother's sweater. Yeah, I'm sorry, Paula. I weren't... Sorry, Babs. What a sorry evening. Yeah, George, there's nothing like a new suit. Turn around, Anki. Yeah, you like it, Marjorie? Hey, what's going on? We're just admiring Anki's new suit, Leroy. Yikes, stripes. Chalk stripes, my boy. First one I've ever had. The stripes do slim you down, Anki. Well, not that I need slimming. I think they just show off his curves. You're all right, Leroy. Yeah, I guess I'll be on my way. Mrs. Winthrop is waiting. Have a nice time, Uncle Mort. Are you going over there again, Anki, after what happened last night? Well, Leroy was all my fault that I got tangled up in that yarn. Let's face it, I was just clumsy. Well, I suppose it could have happened accidentally. Sure. And I don't blame Babs for being upset. She worked hard on the sweater. I made it up to her today. In fact, I made it up to both of them. I sent Mrs. Winthrop flowers and little Babs candy. How do you like that? She practically throws them out of the house me since flowers and candy.  Well, I'll be home a little late tonight. Around 9.15? Good night, Leroy. Good night, my dream. Good night, Anki.  Who's that? No judge. What brings you by? Well, I have a free evening. Let's go stepping. Yeah, you're too late. I already have an engagement. It must be important. I see you're wearing a new suit. That's right. Well, I don't want to be late, judge. Wait a minute, Gildy. Are you sure that you wouldn't prefer to go bowling with me? Hardly, judge. Well, we could play canasta or something. Canasta. Look, Loris, I'll see you later. I'm due across the street. Well, if you don't mind, Gildy, I'll sit here and watch you greet your lady love. Rubber-necking old goat. He probably thinks I'll kiss her when she greets me at the door. But he isn't going to see anything. Yeah, I wish he was. Huh? Babs? Where are you? Oh, yes, it is. What have you got in that paper bag? Water? What's that for? Shouldn't you be using a pitcher? But it is beginning to drip? It is. You guys, don't hold it over me. The bottom's coming out. Well, I can't let it spill in the house. You guys, you watch it. Babs! Ow!  Floating cigars. Where are you going, Gildy? Yeah, I'm going home. Silt. I have a feeling that girl doesn't like me. We'll be back in just a minute. When guests are coming for dinner, chances are you try very hard to serve a meal at a specially festive. And you make it festive with little extra touches here and there. Extra touches that are simple and easy, yet somehow add so much to your dinner success.  First, arrange your vegetables attractively on a platter, bake red tomatoes and cook broccoli make a good combination. And over these hot vegetables pour a smooth golden cheese sauce you make with Velvita, craft, smooth, melting, pasteurized processed cheese food. This Velvita vegetable platter has plenty of eye appeal and taste appeal as well, because Velvita sauce has such a wonderful, rich, yet mild cheddar cheese flavor. To make this easy Velvita sauce, all you do is melt a half pound of Velvita in the top of your double boiler. Velvita melts so smoothly and easily, there's no need to cube it or grate it. Just cut a half pound piece right off the two pound loaf. Then gradually stir in a quarter cup of milk, season and there you have it. The smoothest golden cheese sauce you'd ever want. And a cheese sauce that'll make those vegetables more nourishing, because Velvita is rich in important food values from milk.  Get a two pound loaf of Velvita tomorrow. It's the cheese food that's digestible as milk itself. Remember, Velvita is made by Kraft and the name Kraft assures you of finest quality. So get the cheese food of finest quality, Velvita. Well, last night the Great Gilda Sleeve had arranged to take his new girlfriend, Mrs. Paula Winthrop dancing, but suddenly cold water was thrown on his plans. That daughter of hers, she didn't fool me. She didn't tend to water plants with that paper bag. You know, well, I think I'll drop in PDs. They couldn't stay around the house this morning and take that corny kidding. Hello, PD. Hello, Mr. Gilda Sleeve. What can I do for you this morning? I don't want anything in particular, PD. You might give me a cigar. Very well. You want one you can smoke under water? Phoebe, who have you been talking to? The judge was in. You know, talky town crier. Well, I guess you've heard all about it. I hear Mrs. Winthrop's daughter is quite a pixie. Phoebe, that's going too far, dropping water from the upstairs window. Well, it has its amusing aspects. You might call that watering the water commissioner. All right, don't rub it in. I'll admit I've been outmaneuvered so far. Phoebe, why is it that I can't seem to get along with Mrs. Winthrop's daughter? Well, instead of being so palsy with the mother, why don't you try being pals with the daughter? What are you getting at? Well, I'll take it in the store here now. Some of the kids could give me fits if I didn't make it a practice to be pals with them. It pays off, Mr. Gilda Sleeve.  Every shop window in the block will be soaked except mine. Well, how do you work that, Phoebe? You know, when the kids gather under the streetlight with their bars of soap, I put on a false face and go right along with them. Oh, my goodness. When they come to my window, I say, Mr. Phoebe's a good egg. Let's soak the window next door. Maybe you're pulling my leg. Maybe I am. Did you give me a great idea? You know, you're pretty sure you... Well, if I do say so, when they passed out the brains, I wasn't off somewhere feeding the chicken. All right, George, I'll start cultivating babs. There's no reason why she shouldn't like me. Well, no.  She shouldn't stand in the way of her mother making new friends. No, she shouldn't. Actually, she isn't being fair to her mother. If the girl insists on keeping her mother from seeing me, it's something Mrs. Winthrop could regret the rest of her life. Well, I wouldn't say that. I love little babs without her knowing what I'm up to. You have to be diplomatic about this. I will let anybody know what I'm up to. The smart thing to do is to work it through Leroy. Say, I have an idea. Bertie! Yes, excuse me? Bertie, I've been thinking. We should do something nice for Leroy's little friend, Babs. For sure? Yes, indeed. She's been here a month and I'm afraid we've ignored her. So I'd like to do something that will make a big impression on her. Yes. Well, it's Saturday. A good time to do something with the kids. Leroy's birthday isn't until next month, but we could have the party today. Yes, sir. Could you make a cake, Bertie, if I get some ice cream? I could. Well, Mr. Gillsleeve, if you really want to do something for the kids, why don't you take Babs and Leroy out in the woods and look for chestnuts? They like that. Say, it's a thought. I can fix up a nice lunch and we can save the birthday for another emergency. No, Bertie, it's no emergency. I just want to do something for the children. Yes, sir. You fix the lunch basket, Bertie, and I'll take them today. Yes, sir. Lunch for how many people, Mr. Gillsleeve? Well, there'll be Babs, Leroy, and me. Now that you mentioned it, I'll ask Mrs. Winter. Yes. You make plenty of sandwiches, Bertie. Everything kids like, cheese, potato chips, and apples is National Apple Week, you know. Oh, right, Mr. Gillsleeve. That basket will look like the horn of plenty. Oh, fine, Bertie. If you're going on a picnic, Bertie will even make a decoy sandwich. What's a decoy sandwich? Well, you put that out first to attract the ants, and then you eat on the other side of the tree. That's not a bad idea, Bertie. No, sir, because when you take Mrs. Winthrop off on a picnic, you don't want to be bobbed with no ants. You know, Bertie, this picnic isn't just for Mrs. Winthrop and me. It's just that I doubt if Babs would go without her mother. Yes, sir. That's the only reason I'd ask Mrs. Winthrop to trek through the woods looking for chestnuts. Yes, sir. I hope Babs doesn't see through me the way that Bertie does. Need more pie, anybody? Babs? Leroy? Not me, I'm stuffed. That was a wonderful picnic, Rockmore. Glad you enjoyed it, Paula. Certainly was. We had everything I liked. Well, Babs, I had you in mind when I packed the basket. Oh, isn't it peaceful and quiet out here? Yeah, great. It's been such a long time since I've seen moss growing under a tree. Oh, look up there at the sun filtering through the leaves. All titted with red and gold. Nothing like being out here with the squirrels. Look, there goes one up a tree. Hey, let's follow him. He may show us where the chestnuts are. Leroy, let's rest a while. Okay, you and Mrs. Winthrop rest. Come on, Babs, let's get down to the brook. I think I'd rather stay here with Mother and Mr. Gildy Sleeve. Hey. Good enough to bring us. Let's give him a break. Yeah, I know. Why don't we all go? That is, if Babs and Paula would like to. We'd love to. Oh, I want to find some chestnuts. Well, you come with me, Babs. I have a nose for chestnuts. Okay, Mrs. Winthrop, what do they do? Fine. Do you accept the challenge, Rockmore? You bet we do. Don't we, Babs? Well, if you really know where to find them, Mr. Gildy Sleeve. Sure. Let them go down by the brook. We'll look up on the hill where they'll be. Follow me, Babs. I'll make a path for you right through the leaves. Right, George. This is my chance to make a pal out of the child. You having a good time, Babs? Yes, thank you. Oh, here. Let me help you through this barbed wire fence. You outstep on the bottom strand. Pull up on the top wire while you slip through. Thank you. Now let me hold the barbed wire for you. Okay. Thank you. Now let me hold the barbed wire for you. Thank you. That's fine. You wonder if she would when I'm halfway through. There we are. By George, she didn't. Gildy Sleeve, you've won her over. Isn't that a chestnut tree over there? Say, it is. But I don't see any chestnuts on the ground. Well, I guess somebody beat us to it. Too bad. I see some on that lower limb, Mr. Gildy Sleeve. You suppose you could get them for me? Well, I haven't climbed the tree in quite a while. You won't have to. You're so nice and tall. You can jump and reach the limb and then pull yourself up. You hadn't thought of that. We just can't go back with hot some chestnuts. Well, I'll see what I can do. One, two, three. You made it. You're out. Part way. Now if I can just swing a leg over the limb. You made it. Now let's shake them down. They won't come down. I don't think it'll hold my weight. I guess I can crawl out there. Here goes. It's beginning to bend. A few more inches and we'll do it. How did she get me out of the limb again? We'll all be home. It has never been a wonderful day, Mother. I hate to see it in. We've all had a big day. I know I have. I'm tired, too. Are you bad? How about you, Paula? I'm fine. Good. Maybe we can get the kiddies to bed and then slip out for the evening. Hey, picture Mr. Gildy Sleeve. You over. The children. What about dinner? Well, I sell hot dogs and stuff. Big help. Now, perhaps Mr. Gildy Sleeve has already shown you a wonderful time. Oh, I know, Mother. And I'm sure he isn't going to disappoint me now. Here goes my Saturday night. Goodness, the coming attractions are open. Well, the feature should be interesting. Yeah, I hope so. We would have wasted a day. I'm not sure I'd have Paula to myself tonight. Oh, here's the feature. Bab, you should like this. It's a musical. Bab? Leroy? It's Rockmorton. They're both asleep. They are? Well, Leroy in one corner, Bab's in the other. Leroy is still clutching his bag of popcorn. Oh, and look at Bab. Isn't she sweet? Yeah, the sweetest I've ever seen her. I suppose we should take them home, but I'd hate to miss the pictures. Yeah, they're happy. And so am I. We're practically alone for the first time, too. Oh, it looks like a good cast, doesn't it? You know, perhaps I could see better if I got out from behind this steering wheel. Remind if I slide over a little closer to you? Well, you should be comfortable. Everyone else is. Yeah, thank you. You're right, George. At last, I outsmarted Babs. Yeah, this is more like it. You haven't been looking forward to this all day. You did go to a lot of trouble today. Just for us. Well, this is worth it. You know, Throckmorton, today's the first chance I've had to really get to know you. You're quite exceptional. You're so thoughtful and considerate of the children and me. Frankly, when I came to Summerfield, I hardly expected to meet a man as interesting as you. Throckmorton? It's Throckmorton! They will be with us again in just 30 seconds. If the folks at your house eat lots of sandwiches, make sure they have the best sandwich filler you can buy. Keep stocked with Belvita Crafts Golden Pasteurized Processed Cheese Food. Belvita, with its fine, rich, yet mild cheddar cheese flavor, gives you a delicious sandwich. And Belvita makes sandwiches mighty nourishing, too, because it's rich in important food values from milk. So make it your handy helper for hearty, good-eating sandwiches and snacks. Get the cheese food of finest quality, Belvita, made only by Crafts. It's Throckmorton. Throckmorton? Yeah. Throckmorton. Hey, hey, hey, hey. Oh, Paula. I guess I must have closed my eyes for a moment. Yes, you did. Yeah, but I. Well, yeah, I'm sorry, Paula. But the evening isn't over. There's still plenty of time to talk while the kids are asleep. Oh, Mother. Oops. That's the way. Yes, dear. I'm hungry. Mr. Gilda Sleepy, I have a hot dog. Yeah, can I have one too, huh? Yeah, what's the use? Two hot dogs coming up. Good night, folks. Great Gilda Sleepy was played by Willard Waterman. The show is written by John Elliott and Andy White, and is partially transcribed. Included in the cast are Walter Chetley, Mary Lee Rodd, Lillian Randolph, Barbara Whiting, Elsie Holmes, Earl Ross, and Dick Legrand. Musical composition by Jack Meakin. This is John Heston saying good night for the Kraft Foods Company, makers of those famous Kraft quality foods. Be sure to listen in next Wednesday and every Wednesday for the further adventures of The Great Gilda Sleepy. In a sandwich, what do you like best? Say in a cold beef sandwich, a cheese sandwich, a big salad, salami. What do you like best? Well, if you've ever tried it, I'll bet you'll say Kraft prepared mustard. Because when you add a little Kraft mustard, you add a lot of tang. In fact, there are two kinds of Kraft mustard. Salad mustard, mild and delicately spiced, and Kraft mustard with snappy horseradish added. Have both on hand. And remember, the next time you make a sandwich, when you add a little mustard, you add a lot of tang. That Kraft's prepared mustard.


I'll first I'd like to congratulate you for 100k on IG. Wow Thank you. Thank you. Thank you. Hey, low Are you gonna join or are we just gonna talk cuz we could do this in this work here? What are you doing? No, middle life, bro. Oh, I'm right here bro relax as soon as we get done, bro Y'all gotta read my feet The candy cane sleeves. I'm looking like a peppermint. You see me. What are you supposed to be though? Bro get used to a bread. They call me honest cuz I'm not I'm dressing like a buck, bro Good take hey, if you guys couldn't tell I'm sick. I have a cold so I'm trying not to yell always your food game It's my free game. Yes Good screen good screen. It's not Good pass. Oh, you got the assist. I got the assist. I'm on the board fellas 400 more. We'd be good No, we just need to delay the guys who are in first place.  I cut that out cut that out.  What is you doing? I'm not gonna lie I don't want to finish this game cuz their jump shot does not work on goal quick draw, man Let's get ready to play our first game guys already I'm very ready, man. Let's do it Starting up. Let's go This video is brought to you by C geek C geek a force of the app that helps making buying tickets easy and affordable Alright, so I'm a huge basketball fan. Honestly recently. I've been enjoying sitting court-sided a lot of games So I'm trying to watch the Hawks play the Suns don't know why boom typing it on C geek search app Click on the game wait. What is this? They do all the work for you They already organized all the seats based off value. So I know which ones is a bargain But let's say I know exactly where I want to sit boom. I'm trying to sit court side. What is that? They organize these seats to boom check it out and then you can go ahead and purchase your ticket It's any event sporting event some concert. Do you go to comedy clubs me too? Do you could do that well dang ladies and gentlemen at this point? How could you not check out the app when you do use code agent at checkout to get $20 off your first order It's been one month since I've played 2k 20 and I'm sick as so I have nothing to do But stay home and play video games, man I'm gonna try to do what have you lost like are you close to your goal? Oh, no, I failed that measurably, but I'm like I said 50 pounds and I did 17 Which is still good, but you know, that's it did cost me three thousand dollars on splitter I'm just gonna fake the giveaway. Oh, yeah, that's for me. Oh, yeah, for you. What that's food for you Imagine if I signed the contract and I was legally obligated to smile when I played this Cuz part of the fun in 2k is talking about the game while you play it wouldn't even be right if you just be in positive Let's go.   Yo, pick up your neck. What? Yo, what's up with the camera?  Yeah, I don't know my camera Ronnie. Why did you give me a headache Ronnie? You're already cold What are you doing?  Oh, that's gonna be missed. Yeah. Yeah, I'm wrong with you my release. It's my release stop I can't we we got to fake another first game. Hey, we're winning this game So let's figure it out. I see you. I see you vortex Yeah, I'm missing wide open You did you was sitting in a lane like it was been Wallace's come on Just sitting in a lane camping Oh my god And no cap this whole time I jump shots been jump shot 70 I love that glitch so this whole time. I thought I was just I fell off I was ready to retire man. I said I was done with 2k and it's just a glitch get your Together Ronnie. Hey, we're coming out of retirement game one baby. Ah, let's get it. Oh the fact that he actually helped you too Okay, so that's just my first time with that jump shot.  Well, he's missing too. You know what I mean? So we all missing Get that board. Did you get a board low shot? I feel as you say that I'm literally getting one Yo, this camera angle is actually annoying Yeah, what for a ball bro Say catch the ball. Do you have lob city passer? I don't have none of that.  Yo, Ronnie, how come you didn't tell me you put this much detail And it's not even on the courts on the park. That's crazy because the courts is the exact same, right? But behind the buildings is where they made the innovation. You see the you see what in the mistletoe is right in the crotch area Oh, so that's where you want people to kiss facts Oh, it's about time you gotta That's my night screen of the game.   I'm snitching. I got a blast. Oh, yeah. Oh, yeah The defense good D. You like that like that. I like that D. I like that. Yeah, I'm giving good D this game Yeah, yeah, look at that D. Look at that D. I like that D. I like that D You should have got a little tighter. Oh great agents. You're full. You're on your sadness. Yeah, he's back He's back. My next shot is gonna be air ball guarantee You gotta you gotta trust yourself bro. Come on. I'll talk like that. Give it right here. Give it right here Don't talk like that.  You're second. You're still second guessing it pull Agent That's what I'm talking about I can't I can't scream. I can't scream my throat man


Hi, welcome to this tutorial. D5 Render is enhanced with an optimized video editor supporting camera path editing. We'll show how to use this feature to create stunning animations. Clips, shots, and views are the three crucial elements for a stunning animation. Within each clip, you can incorporate multiple shots featuring diverse views. These shots are seamlessly combined into an integrated file, simplifying the post-production editing process and allowing for efficient rendering. First, access the video editing panel by clicking the video icon in the top right corner. To create a dynamic visual experience, use shots to include multiple views. Use the Add Current View button to set the initial frame, and then freely adjust the camera and add more views as desired. By default, there is a three-second pause between each view. You have the freedom to customize the timing as needed. Alternatively, you can enable the Auto View Interval option, which ensures a consistent pace by automatically adjusting the timing based on the total duration of the shot. Besides landscape views, you can also select other aspect ratios available in the right sidebar such as 1 to 1 or 9 to 16. Moreover, we provide you with the freedom to adjust any aspect ratio to bring your unique vision to life. Now, the camera editing panel supports enhanced control over the camera's movement and rotation modes. In addition to the built-in presets, you can delve deeper into customization by utilizing curves. Other camera properties available include projection modes and clipping planes. You can choose between perspective and two-point perspective as you need. The camera clipping plane empowers you to precisely control what is visible to the audience. Once you select a view, a range of more advanced parameters becomes accessible. Tweaks to exposure, projection modes, and focal length are updated in real-time without the need for manual refresh. Select the shot, then click on Edit Path on the right sidebar. You'll now be able to see the path clearly in the scene and preview the shot in the PIP window. The Gizmo tool can rotate or move the path as a whole. Select the view carrier and drag or rotate its Gizmo to change the camera position. You can also edit the path curve by adjusting each node separately with the spline tool. D5 also prepares multiple templates for quick shot creation. Hover on each template and you can preview their effects. Click on the template you need and it will automatically create a shot based on the current view. Each template features unique parameters like the orbit template's caliber movement degree and circle center height for tailored results. That completes our tutorial. Thanks for watching.


Let's make a world for our trains. You only need three things to make a train world. Paper, markers, and scissors. All aboard. This is the express train making stops in Crazy Volcano, Crazy Park, and Crazy Town. First, we draw all the parts of the world. Now draw a tree. Crazy Volcano, Hot Lava, Hot Hot. Now we cut it all out. Leave a bit on the bottom to fold over. Now I'm folding over the bottom. Tuck it under the train track. They stand up by themselves. All aboard. I wanna go to Crazy Park. Watch out for the volcano. Let's make a different train world tomorrow.