You guys may remember a few years ago when I tried to make a viral TikTok song, so I made up a fake musical artist. I disguised myself so that people wouldn't know it was me and I released a song under a pseudo-nim Fox season. But despite me disguising myself to the best of my abilities, it did not work. Everyone knew it was me right away and I was humiliated. Well, did you know that that entire thing has actually happened before? But instead of with me, it was with one of the biggest musical artists of all time? Well, I also did not know. Apparently in 1999, Garth Brooks, one of the most famous men in the world at the time, created an alter ego named Chris Gaines. Sex. That's the greatest thing about being a musician. He started releasing music under this name. Why did he do that? Well, we're gonna get to the bottom of that today. See, I'm actually not super familiar with this story. I'm gonna be learning about it at the same time as you. I've had a special team of content curators, which consists of one guy. His name is Robert. Put together all of the necessary materials for us to figure out what exactly happened back in 1999. Okay, first off, who is Garth Brooks? I gotta admit, I am not super well versed on Garth Brooks. 1999 is when I was five years old. I wasn't listening to a ton of country music back then. But according to this bio on his website, he remains the number one selling solo artist in US history, certified by the RIAA with 157 million album sales. Brooks is the first and only artist in history to receive nine diamond awards for the now nine albums certified at over 10 million. So when I say this guy was popular, this dude was like the guy. He was that guy in the 1990s. Now, let me see what his like most popular song was. Okay, so the dance, Friends in Low Place. Okay, I definitely know that song. That's his famous song about friends being trapped in a well.  I'm trying to read his bio and there's like a laser light show going on in the background. What is this? Makes it so hard to read. I started getting dizzy when I opened this website. Garth Brooks, you got to hire a new web designer. Maybe he doesn't want people to read his bio because he's embarrassed about the whole Chris Gaines thing. Okay, then Robert says, then in 1999 at the height of his stardom, Garth Brooks took one of the weirdest swings a pop star has ever taken. Who is Chris Gaines? Barth, Barth, Barth Brooks. Garth Brooks' alter ego explained. And there's a picture of him. Yeah, so a big part of this apparently is his disguise. So hold on, let me show you what Garth Brooks actually looks like. This is Barth Brooks and this is Chris Gaines. Very clearly a country singer, very clearly not. Is he wearing colored contacts too? Okay, maybe we'll learn more about the disguise later, but let's get into the article. Many artists, regardless of their respective mediums, do sometimes decide to attempt a change of pace when it comes to the art they put out there in the world. Photographers might decide to switch things up by going from black and white imagery to vibrant color for once. That's funny to use a photographer as an example, cause like imagine you hired a wedding photographer and they show up and insist on like shooting your wedding photos in a different style than what you agreed on. But not only that, they're also in a disguise. They're super emo looking with their hair over one eye and they're like, I was thinking that we could do all of your photos in black and white with just like one pop of color, maybe just like only red. While not many musicians will take on a whole new identity for change of artistic pace, but award winning country music superstar Garth Brooks did. The guitar playing legend once went completely against the grain by taking on a whole alter ego. He changed his hairstyle and outfits and released an album under the name of Chris Gaines. Side note, every time I read the words Chris Gaines, I am gonna accidentally think of Chip Gaines, of Chip and Joanna Gaines, the house renovator from Fixer Upper. Maybe that's him too, dude, we don't know. I've actually never seen Garth Brooks and Chris Gaines and Chip Gaines all in the same room together. Was this like as his career was starting to fade into the relevance or did he, is this like at the height of his fame? It seems like it was at the height of his fame. That makes it so much more insane. I could see like after your prime, you wanting to switch it up and do something else but trying to do both at once, he was still Garth Brooks. I wonder if they ever collabed. In 1999, Garth Brooks and his production company, Red Stroke Entertainment began to develop a film project that was meant to be a dramatic portrayal of a popular rock and roll musician named Chris Gaines. It was given the title The Lamb but not much else detail at that point. Gaines was Australian, had dark hair and even a soul patch, but not quite the features Brooks fans were used to at all. The detail about Gaines was created by Brooks himself apart from the songs which were written by several other songwriters, including country music superstar Trisha Yearwood. Oh, who would later become Brooks' wife? Oh, that's a weird turn of events, okay. Guess he liked the songs that she wrote a lot. I liked that you ghost wrote those songs for me. How would you like to ghost write my vows for me? Will you marry me? And I'm serious about the vows thing. I don't want to write my own vows if that's cool. Wait, so this started as a movie role? He was making a movie and created a character named Chris Gaines. And then at some point he just becomes the character. Is this gonna be like Austin Butler? How he just became Elvis after Elvis? To build hype for the upcoming movie, Brooks embodied the role of the fictional rock icon by releasing an album Garth Brooks in The Life of Chris Gaines in October of that year. The album was tied into the planned film that at the time had no projected release date. Okay, so is he trying to trick people or not? It kind of seems like he's not from this article. I mean, his name is in the album title. If he was trying to fool people, he would be doing a really bad job. It'd be like Hannah Montana releasing an album called I'm Miley Cyrus, The Public's Reception of Gaines. Oh, and we've got a song here. Chris Gaines, Lost in You. I've got friends in low places. The song's just the same. It is very moody looking now. You are my God, sir. It's definitely an interesting look he's got going on. Has he ever seen a rock star before? He looks like a cult leader or something. Why isn't he wearing shoes? Cult leaders don't wear shoes. That's in case you didn't get that reference. The masses weren't ready and ultimately didn't accept Gaines. Sure, Brooks fans gave his new style a try as the album actually went number two on the Billboard 200s charts. However, the people who purchased the album were quickly disappointed and genuinely confused. I don't know what's so confusing about it. It's Garth Brooks in Chris Gaines. Wait, is that what the album was called? In The Life of Chris Gaines. It was rumored that even his most loyal fans simply didn't catch on to the fictional aspects of Gaines. Instead, they easily thought that Brooks was genuinely going off the deep and changing his whole life around. People didn't understand the connection with the movie. They just thought he was changing his name, his hairstyle, taking off his shoes and just completely changing his music style. As for the lamb, Brooks Production Company focused more on the marketing and promotion of the music, forcing any basic foundations or even just the movie's production to fall by the wayside. By early 2001, anything involving a potential movie seemingly stopped and the life of Chris Gaines quickly went from destined to disappearing. So they never released the movie. Well, yeah, that's gonna make it way more confusing. I could definitely understand people thinking that you went insane, actually. Garth, is that his real name Garth? Is that a name? Just sort of realized I've never heard that name before. Is he an alter ego? What is behind the name Garth? Makes it sound like it's some kind of evil plot. Who's behind this name? We have to get to the bottom of it and we have to stop them. A Garth is an enclosed quadrangle or yard, especially one surrounded by a cloister.  What am I reading? I think I clicked the wrong article. Oh, it is possible that the name Garth comes from Garth. Okay, that's what I was looking for. Thank you for the quadrangle explanation. But it wasn't a total waste. The single lost in you did make it to the Billboard Hot 100 Top 40 charts, which is still Brooks only track in his career to appear on the list. Huh? How is that possible? You just learn he's like the most popular artist of all time. His song even went gold in the year it was released. The album as a whole did reach Platinum status in Canada and double platinum in the United States as well. So it wasn't all bad. It was his most popular song of all time and people actually turned out to like Chris Gaines way better than Garth Brooks. How much do you want to bet the movie wasn't even a real thing that was gonna happen? It kind of seems like maybe he made up the movie as an excuse when people started being like, we know it's you Garth. And he's just like, what? Yeah, guys, I'm just, I'm preparing for a movie where I'm like the coolest guy in the world. I play like the character of the coolest rock star you've ever seen. There's no more. Okay, the vibe I'm getting from this music video is that he was genuinely trying to convince people that this was a real person named Chris Gaines and not Garth Brooks. Because he's hiding his face so much. His hair is covering his eyes. Every shot of him, he's like half in shadow and turning away from the camera or they're adding some strange blur effect to him. I'm really Danny but you'll never tell. It's so funny to release a new artist to the world and like their debut single when you get a chance to like really get to know the artist for the first time to be like, I'm a new artist. I do you guys like my music? Do you like what I look like? They're filming Chris Gaines like he's bigfoot. I'm trying to imagine if this like, if a music video like this came out today from one of the most popular artists pretending to be someone else. Like if Taylor Swift released a music video, she just like looked kind of different and was like trying to cover her face the whole time and be like, I'm not Taylor Swift. How confused would everyone be? That would be so strange. Okay, this is a clip of Garth Brooks promo-ing his episode of Saturday Night Live featuring Chris Gaines as the musical guest. Hey everybody, I'm Garth Brooks and I get to host Saturday Night Live this weekend. My musical guest is gonna be Chris Gaines. Now of course I wanted to play the music but mango wanted Chris. He's even pretending to be offended that they didn't ask him to be the musical guest. I'm feeling a little bit of cheekiness here. I feel like he's playing into it a little bit, the absurdity of it.  Although maybe the cheekiness is just to give himself deniability so that when people find out it's him that he can be like, no, I never, you guys, I was joking the whole time. I thought you knew that. Look how cheeky I was being. Okay, now we have Garth Brooks introducing Chris Gaines as the musical guest on SNL. Ladies and gentlemen, Chris Gaines. Wait, how did they do that then? Was this part filmed before and not actually live? That way he could be in costume the entire time. It is kind of a really long intro. Maybe this was live and right after it cuts away from him he has to sprint backstage. During this intro he's like rapidly changing his costume. He's putting on his dark hair.  God, guys, I'm Chris Gaines. Okay, here he comes. I gotta say it does not sound great. Undercover boss look. God, I feel like it would be so embarrassing to be Chris Gaines. He must have felt pretty low after this all went down. Do you think Chris Gaines is the friend that Garth was talking about in that song? Friends in no place. The fact that this movie never came out is so crazy because he's like such a character in this. Like he's acting like a stereotype of a broody, brooding rock star. I feel like before the last Borat movie came out Sasha Barrett Cohen was going around in character a lot. Just like doing shenanigans, using like YouTube videos, promotional stuff as Borat. Imagine if Borat just never came out. Everyone's like, okay, I guess that was just for, I guess that wasn't for anything. That was just for him. Okay, now we got another article called Chris Gaines backstory is all kinds of tragic. Chris Gaines may well be the most elaborately documented country star who doesn't actually exist. The tortured rock and roll alter ego of Garth Brooks gained had his heyday in the late 90s with the 1999 release of Garth Brooks in the life of Chris Gaines. A greatest hits project that cold songs from many albums he released on Capitol Records, all of which were fictional. Wait, did he release music as Chris Gaines before this album, before admitting it was Garth Brooks and okay, did I totally misunderstand that? I gotta look up Chris Gaines discography now. I go to Chris Gaines Wikipedia page and it's like Chris Gaines is a type of quadrangle or yard. Okay, so Garth Brooks in the life of Chris Gaines is the only album that Chris Gaines released but the single for that album, Lost in You was released earlier than the album. But it still says Garth Brooks as Chris Gaines even on the single. Again, I can still understand why people would be weirded out with this, having no knowledge of a movie in the works. Definitely does seem like a weird thing to do. When it comes to the Chris Gaines project, it's tough to separate fact from fiction. Don't think it's that hard. I think Garth Brooks is the real one. Chris Gaines is the fake one. Are they suggesting we're not sure? He might've been Chris Gaines the whole time and Garth is the made up one. We still don't know what is behind Garth. As intricately detailed as Gaines musical exploits are, his backstory is just as fleshed out and the details of the singer's life are as tumultuous as they are plentiful. Okay, so they like made up a whole fake backstory for him. For example, his dad died after a prolonged battle with cancer leading Gaines down a path toward a debilitating sex addiction. That's not all. Gaines home was burned to the ground by arsonists and he was betrayed and financially extorted by the manager who helped launch his career whom he also slept with in the throes of his sex addiction. How crazy would it be if like the person perpetrating all of this betrayal and financial extortion was Garth Brooks in this made up backstory?  The list goes on. Gaines nearly lost his life in a car crash that had severely injured his face, ultimately permanently changing the way he looks. Maybe that's why he's covering his face with his hair all the time and doesn't want to be seen by the camera. And perhaps most centrally to the torment that plagued his career, he lost a good friend and musical partner named Tommy in a horrific plane crash. Has anything bad not happened to Chris Gaines? Like we get it, he makes dark music so it makes sense for him to have a dark past. You don't need to throw everything in there. What was this movie gonna be? Just a series of bad things happening to this guy. Sounds like a miserable movie. If Gaines were a real person and his life had truly taken place, it would be tragic. But as a fictional narrative, it's a testament to how hard Brooks and his collaborators worked on every detail of the Chris Gaines project. Yeah, it seems like they worked really hard, Googling worst things that could happen to you and then just shoving them all in the script. When Brooks first debuted Gaines' work, some fans hailed it as a great rock and roll joke while others were puzzled. Probably the worst reception you could get for a new piece of art you put out into the world. You wake up the morning of your album's release and ask your manager, what are people thinking of it? Are there reviews in? Your manager's like, yeah, well, you know, some people think it's a joke, but other people are confused. So, you know, Pitchfork gave it two question marks. So apparently VH1 made a behind the life of Chris Gaines. Acting like Chris Gaines was a real person where they go through like his tormented life and it's 40 minutes long. Oh my God. I think this is also the worst quality video on YouTube. It's crazy. Chris Gaines solo career took him to the top of the charts then his manager took him to the cleaners. I turned Chris Gaines from a nobody into a superstar. They even interviewed the manager who financially extorted him. That's crazy. I remember going over to Chris's house. He was packing and... Did he have like fake friend interviews, fake manager interviews? He was trying to make Chris Gaines real. He was. It's weird because it's like he's trying to play it off as a character and real at the same time. Part of me feels like if it worked and no one like called him out on it, he was just gonna become Chris Gaines and act like Garth Brooks never happened. Okay, so there's a video of him from 2023 talking about it. So let's see what he has to say in hindsight. And now when people speak of the Gaines project, all they talk about is the music. I like that. Of course you would. No one's talking about the insane thing that I did. Just the music. Just how I like it.  I like it. It's like also just leave it alone. Leave it alone for a long time. Eventually you'll like it. Everyone stop talking about stuff. Stop making fun of me for a little bit and then the music will speak for itself. The Chris Gaines project was Chris Gaines' greatest hits. Technically those songs had to come from previous albums. Yeah, just five of them. So what are your thoughts on revisiting that? The five albums have to come out. The five albums have to come out. Yo. The five albums have to come out. Okay. Could we finally get a Chris Gaines comeback season? During an extensive Q and A at Billboard Live in conversation, the country star confirmed his intentions to release more music as the controversial character. Well, I for one am very excited and cannot wait for Chris Gaines to come back. And Chris, if you ever wanna collab on a song, I know a really great up-and-coming musical artist named Foxy's in who would love to work with you. All right, well, that's it. I'll see you guys next time. Oh, bye-bye.


Studying the human genome, the complete set of human genes, is a way of studying fundamental details about ourselves. The three billion letters of the human genome are written using the four-letter alphabet of DNA. The DNA is divided among 23 pairs of chromosomes that are found in each of the trillions of cells in our bodies. In 2003, the Human Genome Project produced a complete representative sequence of the human genome. Of course, people are not identical, and DNA sequences do differ subtly between individuals. Currently, a number of separate projects are charting sequence variations found in human populations. The representative sequence is a composite from several people who donated blood samples. Originally, close to 100 people volunteered to give a sample of their blood. Each person provided their informed consent, affirming that they agreed to the study of their DNA. No names were attached to the blood samples, and ultimately, scientists used only a few of them. These measures ensured that the DNA sequences remained anonymous. Not even the donors knew whether their samples were actually used or not. The main goal of the Human Genome Project was to read, letter by letter, the three billion bases of human DNA. Before starting to sequence the human genome, scientists built maps of the chromosomes and developed and refined techniques for analyzing DNA. With the tools in place, project scientists began large-scale DNA sequencing in 1999. In just one year, they had amassed sequence data covering more than 80% of the genome. The human genome is a massive text. If the three billion letters or bases of the genome were printed in telephone books, they would require a stack of books nearly as tall as the Washington Monument to accurately determine the sequence of every base in the genome. Scientists needed to read the three billion bases not just once, but at least six to ten times. Individual sequencing reactions could only reveal the order of a few hundred bases of DNA at a time, amounting to a fraction of a page. This meant that to place an order all of the DNA bases, it was necessary to produce many thousands of overlapping segments of DNA sequence.


So the line-up for 15 is Andre Lebedevs on the inside in the red helmet colour. Jack Holder on gate number two in blue. Kasper Verena comes out of gate number three in white. And Martin Vassalic, who is unbeaten so far tonight, gate four. Now, will he be the first one to win gate number four? Any points I would suggest for Martin Vassalic from gate four he will be very handy indeed. He's 15. Lebedevs on the inside, he's been very competitive tonight. He has indeed. So take sir up, away we go. Vassalic doesn't get away very well at all. It's tight in the first corner. Lebedevs is there. Verena's on the outside with Jack Holder on the inside. And once again, that outside gate really just isn't working at all. Lebedevs, who's won a race earlier on. Here comes Vassalic now. Oh my goodness, where are they going? But Vassalic now dropping back to the inside. Jack Holder and Verena. Now they go either side of him. Wow, what a speedway race we've got here. Lebedevs out in front. The fireworks are going on behind him. I tell you what, these corners just open up when you get there. You've got the bank, he gives the riders so much confidence. Vassalic now has a good move. Two points would be great for him from gate four. Two very important points for him. And well, out front, 111 depth. So this would move him onto eight points. Great night for him. Brilliant speedway there. Martin Vassalic riding out of his skin there to come through into second place. Oh my goodness, that's a back straight. Jack Holder and Verena almost clashing there. Verena coming through with a charge to the line. Lebedevs wins again tonight. Eight points, terrific effort. And Martin Vassalic now. Wow, 11 points for him. What a ride that was. He was nowhere off the start. And there was a moment there where I thought they were all going to come down, but they all stayed upright. And we saw another dramatic race here in Turin. Lebedevs out in front. Three points for him. Martin Vassalic back in second place, two points. Kasper Verena hanging on to third place. And Jack Holder probably thinks, wow, that's the hardest fourth place I've had in some time. Brilliant speedway again. Brilliant effort there, Jack Holder. It was four laps of handlebar bashing with Verena for Vassalic for the first couple of laps. But Lebedevs, great start. Just rode around the inside. Didn't think to ride out wide and stop any runs. He had the confidence and his speed in the bike. But tell you what, it was going on behind him. Jack Holder just moving through on the opening lap second place up the inside of Verena there. And at this point, Martin Vassalic thinks, OK, you two boys are going to scrap on the outside. I'm ducking around the inside, wise move from him as the other two are scrapping Verena and Jack Holder. Then they go either side of him. These corners, they just open up. You've got so many lines to choose from. It's great stuff. And Martin Vassalic did a remarkable job there. He went from second to fourth and then back to second in the same race. Wow, that was some speedway race. You just couldn't take your eyes off of it. Really breathtaking stuff in heat number 15. So superb action here in the Marion Rose Motor Arena tonight. That's for sure. Got to say, Martin Vassalic, how can you be last twice and then very nearly come on to win the race? It really was quite dramatic stuff. Verena there just forcing his way through into third place late on in the race to deny Jack Holder. So there, terrific speedway once again. Lebedev's having a great night.


This is stock number 10736. We are here at Summit Automotive in Fond du Lac, Wisconsin. You're new and used sports car headquarters. Today we are checking out this super clean 2006 Chevy Corvette Z06 in Le Mans Blue. This vehicle has the 7 liter V8 motor which pumps out 505 horsepower. This car has been fully safe and inspected by our service shop. Has a fresh oil and filter change. All the fluids have been checked and topped off. And this car is 100% ready to go. Once again Le Mans Blue is the color. We shoot all of our videos in 1080p 60 frames per second. So if you have HD capabilities on your computer tablet or smartphone device turn Le Mans right now because it is definitely the best way to check out the quality and condition of the vehicle before seeing it in person. And if you'd like to check out all the photos on this car in the upper right hand party screen is a link right to our website. Click that and check us out there. It has OZ Racing, Italian made painted alloy rims, hand-cooked Ventus 255 30 ZR19 tires and they have a lot of tread left. I would say probably 70-80% of the tread left on those tires. Le Mans Blue, one of my favorite blues I've ever seen on a Corvette. HID headlamps, factory fog lights, front bumpers in really nice shape. I didn't see any major dense dings or cracks on it and the lower valance is in pretty nice condition as well. The hood is in really nice shape too. And the passenger side front fender, no dents or dings or cracks on that. Passenger side front rim is in nice shape, didn't see any major scuffs or scrapes. And as you go down this side of the car, take note of how clean the body is, how reflective and mirror like that paint is. We take these HD videos so if you are far away or even if you're close by and just cannot make the trip down, you can still see the car, hear the car and have confidence in the vehicle that you're looking at before you even get here. Hard top piece is in nice shape and that's why we offer the Summit Auto Fastpass option in the upper right hand part of your screen. A link right to our website where you can apply for financing, get pre-approved, see a payment quote, even appraise a trade all from the comfort of your home.  All the tread left still have the little wear knobs on them. And the back tires, they are 305, 305, 25, ZR20s in the back. So 20 in trims in the back, 19s in the front. And as we come around to the back of the vehicle, rear bumper is in nice shape as the quad tipped dual rear exhaust. Driver's side quarter looks really good. And for full disclosure, this back rim is in nice shape as well. Driver's side door, nice condition too, and power mirrors. This one has window etched security, I don't know if you can see it right there, but so that number is etched into every piece of glass so that if anyone was going to try and steal this car, they'd have to break out all the glass. Kind of a neat feature, safety feature. Black and red, zero six leather seats, no rips, no tears, no stuffs. Power driver's seat, factory floor mats are out. Memory driver's seat, Bose sound system, power windows, power locks. And as we hop inside the car here, you can see that this one has 31,948 miles. Instrument cluster is very nice and clean. This one does have the heads up display, so you can see you got your digital speedometer right up there. Leather wrapped steering wheel, nice condition.  Anyways, custom shifter there, and stability control right there. Passengers side floor mat and seat are in excellent condition as well. The headliner is in nice shape too. Got your home link buttons for your garage door security systems and lighting systems, and you do get a compass display in the mirror. We're going to check out the trunk area, and then we'll check out under the hood, and then we'll do one more final walk around on the car. Back trunk area is very clean. You can see that those shocks are doing a nice job holding that rear hatch up, so they're in good shape as well. And the carpeting is very clean back here, no rips or tears. And under the hood we have the seven liter LS7 V8 motor, 505 horsepower engine bay is very clean, runs very smooth. See the shocks are doing a nice job holding the hood up, even with a little wind pushing on them. Cold air intake. This car has been fully safetyed and inspected by our service shop. Has a fresh oil and filter change, all the fluids have been checked and topped off. The car has been gone through mechanically 100%, and is 100% ready to go. And to see more pictures of this car, or one of our other 450 new and used cars, trucks, SUVs, minivans, Wranglers, sports cars, Camaros, Corvettes, Chargers, Challengers, Mustangs, you name it, we got it. Go to our website www.summitauto.com. Full pictures and descriptions of every single vehicle from two locations, all at summitauto.com. 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We're back. We're live and this is energy. This is Hawaii, the state of clean energy, and we're talking to Alice Chun. Her middle name is Ming Xiu and she's been to a number of schools. I wonder why does MIT stick in my brain? What have you done aside from MIT?  Yeah, I was really a professor of design and material culture at Columbia University and I taught graduate architecture design. I've also taught at Parsons, the new school for architecture design, industrial design, lighting design, and I was the director of material technology lab at Parsons. And when I was teaching at Columbia when the Haiti earthquake happened, basically we've been witnessing so many natural disasters and so many changes happening to our environment that I said this is enough. We need to do something to help and let's try to start here and see how we can help Haiti. So I changed my studio around to be an innovation studio to help Haiti and my focus is solar energy. So we found out when we looked into Haiti in 2010 that only five percent of the country was electrified and everyone was using kerosene lanterns to light their world at night, which is a deadly toxic fuel. Two million children die every year from using kerosene lanterns. There's 500,000 fires from kerosene lanterns in South Africa alone and people that are living in extreme poverty are spending up to 30 percent of their income on kerosene to light their world at night and I thought this was the moment where I decided to become a social entrepreneur because if that money could be saved that would allow people to use that money for food for clothing for their children for education for their kids and maybe even to start a small business and so that's when I decided to look into and we researched every single solar light out there in the market and they were all heavy bulky utilitarian looking and hard plastic that's not recyclable and I grew up doing origami. My mother taught me origami when I was a little girl and I designed a solar lamp based on the origami balloon and this is our product which is a flat light and it has three settings and it pops open into a cube and it's extremely light and beautiful it's made out of stale cloth material basically you can fit hundreds in a box the other lanterns you can only fit like eight in the box so you save on shipping costs and you save money that way but also in deployment for disaster relief you can get immediately many many solar lights out there to people who need them most and the reason why I decided to focus on solar energy and solar innovation was because when my son was born with asthma I realized that the number of kids that have asthma these days is phenomenal and has increased by weeks and bounds from when I was a kid and I did research and you know there's a saying a worried mom does better research than the FBI well that's what I did and one out of four kids had asthma in New York City now it's 50% and in our humanitarian aid when we were helping in Puerto Rico Puerto Rico has 75% people have have asthma and it's because of the environment the pollution from our buildings from cars from our HVAC from heating and cooling all of that's creating energy from charging our phones that's creating pollution from carbon emissions and and fossil fuels so 75% of the pollution comes from building in urban areas and especially in New York and it's too early in our gene pool for us to be changing this rapidly so it has to be because of our environment and so that's why I decided to focus on solar technology and me coming from in materials technology background and sustainability I research every material and we use recyclable material we use non-toxic material PVC which is a terrible material we know PVC and any of our products and solar energy you know the sun is the most amazing source of energy the most powerful source of energy that comes to the earth every day it's enough energy to light seven billion light bulbs for an entire lifetime and in just one day and so at our company and when I when I travel around the world also teaching children about solar energy and regions that you know I actually just came back from Haiti after the earthquake just last year and I tell them the story about how powerful the sun is but you know what the light of your imagination and the light of your heart is more powerful than the sun and if you fight with that light there's nothing you can't do and we believe that absolutely that's why we started this company to help those in need and to also teach children the future of our planet about the power of the light that's inside all of us the genius that's inside all of us that we're all born with and to spur on curiosity invention and innovation um so I was actually just on a call this morning with a group of a community in Detroit where there's you know there's a huge section of the community there that lives well below the poverty line and children that are in underserved communities and I'm planning on having virtual seminars with those kids to teach them about solar technology as well and um this is just it's a small solar light but if we all use one of these lights just for one hour a day every day per year we can save 90 pounds of carbon emissions like just one person just using this little light for an hour every day 90 pounds of carbon emissions and you if you multiply that by everyone in the country you're saving about 11 billion tons of carbon emissions which is incredible and that's why we really believe and and um are saying which is which is small things matter design matters and if we all work together doing one small thing we can change the world because everyone each one of us did something for the demise of the planet we all did one little thing like throwing away a plastic bottle or you know using diesel fuel for for our cars and this led to the demise of the planet that I believe that we all can heal the planet if we all do something small and so that's our story for solar light design and um actually we have a much larger larger product this is called the twin and it opens up like a book it fans out and then turns into a cube and this also lights up and it also charges a phone so there's two big solar panels here and you can charge your phone and this will last if you have a power out it that's another thing is the grid our infrastructure is getting old but our population is growing and so there's only so much our infrastructure can handle unless we build more infrastructure so we have like 20 increase in power outages every year and and as you know we have more and more natural disasters where you know in Utah we have fires for the first time um taxes was was getting snow for the first time in in 10 years so because we have more power outages if you if you have this lamp this big lamp um this will give you four days of light constant and you can charge your phone as well so how can I sign up for your class Alice um you can join us I mean like I'll let you know when when we schedule these these classes with kids um I teach them origami well before the pandemic we recycle and um at the end of the life cycle of of the solar pop the solar pop lamp um you can send in the circuit and we'll take care of it and we use the circuit for teaching so the kids can see this is a solar panel this is what a circuit is these are LEDs this is the controller and this circuit is the mind it's the brain behind this lamp and um it's a lot of fun but most importantly we we like to spur on curiosity and questions because we believe that you know having the right answer is how we've been taught our whole lives that but when you're out in reality it's the questions that really matter the most so um we got intellectual property protection on this yes I have a few patents I have a patent on the Quinn I have um this big lamp I have a patent on the solar pop and I have actually I I did another patent during the pandemic I invented a transparent mask that also has filters in it um because the hearing impaired they need to read lips in order to communicate and as you know during the pandemic you know we can see people's faces anymore um that's going into clinical trials right now um anyway so I have why why is that have to go through clinical trials well um basically we're doing um more development we shipped out our first generation masks and now that we have feedback we're gonna do um we have a partnership we actually got this mask actually lights your face oh it doesn't light your face but you can see everyone's face it's trans it's transparent actually I have it I have it here um it it actually just sticks it sticks to your face and it doesn't have ear loops or a head harness it'll just adhere to your face can it get intellectual property protection on that yep yeah I I did file a patent utility patent and there's filters on the side yeah you can you can take it off now so I can hear you better so Alice is pretty interesting I mean you've you've gone from academician to inventor to entrepreneur you have partners you have investors you have a manufacturing facility that you can call and have the manufacturer your your your invention yes all of the above Jay we have a factory in a couple of different factories that we work with in Shenzhen China and we um have an investor for soleight design and it's been um a very difficult ride it's very it's a very hard journey but um I'm so passionate about what we're doing and believe in this product so much that um we've been able to actually um actually be featured in a docuseries that is airing on Apple community September 9th oh that's great okay so you know let me ask you some questions about the product so what's the material of the product that you the product she was showing us the the lights is that is that uh plastic or paper or what so this is PET and it is recyclable um it has no PVC in it but um this is a material that I researched a long time to find the perfect material that is strong enough to hold its form but soft enough fold and beautiful and that it it is a perfect diffuser for light and so there's a tri-axial weave in here that you can see and that gives it its strength and when the light turns on it becomes a beautiful tube you have to affirmatively turn it on is a switch in the top that you're turning on and off actually we it does have a light sensor as well so if you press the button for three seconds so now sensing the light in the room so it turned off but I'm covering the light sensor it's turning on so it looks um uh forgive me but it looks fragile is it fragile is it breakable or will it last for a while this should last five at least five years some people have said that it lasts for seven years um what fails the battery fails first okay so if I how do I go through the charging cycle in other words how much light do I need to charge it once it's charged how long would it last without light so I usually just keep this on my windowsill with the solar panel facing up and all day for eight hours it comes 50 charge and we recommend charging it in the sun when you get it the twin light actually you can you can charge this with a usb port and you can rapid charge we recommend rapid charging it when you first get it you can't um um ship things by air freight with a fully charged battery so you have to ship them by by error um 50 percent charge so um so once you get it charge it up and use it how how long will it last if I charge it all day will it will it stay on all night yes it'll it'll last eight to 12 hours the big one it'll last it'll last four days great okay oh so you charge it one day and it lasts four days yeah that's pretty good and what about you know you said put it in the sunlight but what about there is no sunlight out it's a dark day or who knows what you don't have the full the full sun available what happens then on cloudy days it you know it'll be charging at 75 percent capacity so it'll take longer are you an engineer i'm an architect i mean i my training is an architect and i would say architecture is the best liberal arts education that you could you could get because you can apply it to to any profession um and basically we're always making models and drawing and well it's all that every every architect is an engineer isn't it true yes yes in a way like we have to study structure and we we have to take engineering classes and mechanical engineering and all of that but but are you are you selling these devices on amazon or some online sales so i can go on amazon right now and i can look up solar or sunlight design sunlight design you know google sunlight design or solar pop and or just go to our website so light dash design dot com and you can order our lights there how much do they cost so the solar pop which is our smaller lantern it's it's uh 32 the big lamp the star shape one that one is 110 that's the one with the large solar panels and phone charging and we have different versions of the solar pop we have the twilight which is the mini solar lantern they all flat pack and they're origami so um they fold and i can take it camping with me that would be perfect j do it it'll be perfect so i mean this is really an extraordinary device are you making any money are you a millionaire now i'm not a millionaire i am struggling startup but we have been able to help over a million people worldwide and disaster relief um if you think about one light given to a family the impact is five people because most most families and communities in in disaster regions are at least five people per family well i want to talk about that because among all the things you mentioned today that is very touching that you go out into undeveloped countries like Haiti for example and uh you help them do you do you actually give them the lights do you send them a big package of lights who who spends the money for that we donate lights but also our customers have the option to give a light so they buy to donate a light so we did send lights to the ukrainian refugees in poland and maldova um and sometimes and we work with partners like um our nonprofit partners that do disaster relief and they buy our lights that a special discount at wholesale and they deliver our lights and they have volunteers that actually distribute them and i actually have gone on distribution rounds where we do light drops i went to port urico a few times delivering lights after hurricane maria i went to um the little island of dominica after hurricane dorian um i went to nigeria um early on we we did a lot of field testing i did five years of field testing in haiti in the central plateau before we actually launched the product you're aware that uh there was an article and i think it was the times on the washington post a couple of days ago about haiti about how um you know the us was really not sufficiently helping haiti um but it was interdicting all the refugees who were trying to get out of haiti and come to the united states it was it's a sad article in fact we linked it in our in our daily advisory today because uh it was um it was important it was an important article haiti is an example of a a civilization a society which has essentially collapsed and if you want to know about the collapse of societies you have to study haiti because it'll show you it's true and um they've been and you know the the poorest country in the western hemisphere it's only a three hour plane ride from new york and when you it's it's extremely sad because too um it's not their fault i mean we had the embargo where that basically made the whole economy collapse in haiti and they lost so much and that's when they plummeted into into poverty and there's so many worries they had the hurricane and then they had the assassination and now they have gang gangs roaming the streets there's there's no civil society there anymore which is very very tragic especially in the fact that nobody is helping them i know i i have to say like when i first went there back in 2010 it reminded me of korea which is where i'm from and when i was a teenager in korea um there was nothing there i mean rubble there was um no just you know the old kind of squat toilets and no western toilets or anything when i was and it was it was you know a lot of poverty but korea had one thing which is a lot of people that wanted to work hard they don't they didn't have any oil or diamonds or you know precious stones they just had a lot of people that wanted to work hard and and haiti reminded me of korea there was a lot of rubble but there's so many people so many people that were willing to work hard and had ambition maybe there's hope for haiti maybe this maybe your contributions to them will help one other thing about you know asia that you know 20 years ago i was i was in beijing and they had a ceremony of lanterns we have this in hawai to lanterns on the water and the candle or some kind of you know lighting device inside the lantern and and it's made out of paper and they float and after a while they don't float but but your devices remind me of this asian lanterns thing and i and i wonder if your design you know is taking you know the essence of these floating lanterns because they really look similar well you can float these on water too the solar path the solar path like this this area of the circuit and the solar board or in one ladder separated from from the diffuser so this this part can fill up with water but it's still waterproof and this one will float for a little while and then we have another one this is called the helix and this one it twists open and this one's made out of tpu which is a biodegradable thermoplastic and this will float more on top of water and so many many of these products are used for pools and things like that well you know this has a prospect in in terms of architecture there are avant-garde architects in the us and in in europe you may know some of them and they like to design buildings that are really very efficient use clean energy and you know don't don't don't they don't take a lot of energy by by wire they they take it from the sun and so for a lot of solar and gee i i can see these devices being used in buildings as as the way you light the building of course the other way which i don't know if you've considered is to have a kind of material that transmits the light from outside to inside so that there's really no space inside that is not lit all day of course you have to you have to have the sun shining but the light is transmitted on this kind of plastic and and it comes into the building and you always have light this is particularly useful in commercial retail establishments where you know the work day is is you know the time you need the light and so you never have a situation where you don't have light for your your staff employees visitors customers guests what have you but you know all of this suggests to me you've shown us the little one you've shown us the big one you've shown us the the one in the middle that twist the helix let's see you've shown us the mask um it's not over for you is it alice i hope not day what's your next project and if if it's secret then it's just you know don't tell me but if it's something you can talk about if it's something you can talk about let's hear about the next you know the next chapter of of soul light um we're actually we're we're working on another prototype for a just the larger version of the solar path that's a bigger cube but also has phone charging and um i i had someone approach me do a dome for um school children classroom like a solar classroom that could be a pod that travels anywhere and to be self sufficient but um these are all in the works right now and the only thing that's definitive i have filed a patent for the next generation solar path um but who knows what's going to happen next in terms of if there's if i see a problem where i could use design to help fix it or to create a better solution then i'll be there i think you'll ever uh be a classical architect you know design buildings and you know architects customarily do no you're you've left that ship has sailed huh that has long sailed into the blue and you never know what what's gonna happen in terms of um you know there's a story that i i i when i when i lecture to the kids that you know the greeks believed there were two lines of time so there's two characters of time one is young and one is old and the old character of time his name is chrono and he is old with a beard and he's slow and he's predictable and that line of time is straight and the young one his name is chiaros the etymology for chaos and he's young with wings on his ankle and he flips and flies about and he's unpredictable and you you can't catch him because he doesn't even have hair in the back of his head he's bald so he can't catch his hair from behind and when those and that line of time goes like this it's unpredictable now when those two lines of time intersect those are the moments of invention those are the moments of opportunity and if you have curiosity and if you have need that's what invention occurs wow okay i want to ask you one last question we've talked about your your training your focus your interest in helping people we talked about your product um we talked about the um you know the the satisfaction of like edisonian may i say edisonian satisfaction and material science and all that it's impressive here and so if i'm just an ordinary joe blow watching this program and meeting you alice john what would you like me to take away how would you inspire me something you've probably said to your classes over time but how do you inspire me to be an entrepreneur to be an inventor to to be the combination of the old and the young um well there's a saying by a wonderful poet his name is chief theaddle and he said humankind has not woven the web of life but we are but one thread within it and if we harm that web we harm ourselves everything is interconnected and so everything that we do if we do together we can change the world okay i'll take it from there and the next show we do we'll we'll delve into the political implications of what you've just said alice ming su chun of the uh entrepreneur behind a stowlight design you can look it up on the web a very interesting company product journey and person thank you alice thank you for having me it's wonderful to be here i'm so honored loha thank you so much for watching think tech hawaii if you like what we do please like us and click the subscribe button on youtube and the follow button on vimeo you can also follow us on facebook instagram twitter and linked in and donate to us at think tech hawaii dot com mahalo


This is stock number 9J261A. We are here at Summit Automotive in Fond du Lac, Wisconsin. You're new and used Jeep headquarters. Today we are checking out this super clean, like new 2019 Jeep Grand Cherokee Limited X. All of our used vehicles go through 130-point inspection per the state of Wisconsin. All the fluids are checked and topped off. Have a fresh oil and filter change in all the vehicle has been gone through mechanically and is 100% ready to go. Bright white is the color on this one. We shoot all of our videos in 1080p, 60 frames per second, so if you have HD capabilities on your computer tablet or smartphone device, turn them on right now because it is like you're right here looking at the vehicle with me and definitely your best way to check out the vehicle before seeing it in person. Comes with the 20-inch painted granite crystal rims, Pirelli Scorpion 265 50 R20 tires with about 90% of the tread left. Didn't see any dents or dings on that front fender. It has the HID head lamps, the LED running lights, the LED fog lights, the front bumper parking sensors, the technology package with the adaptive cruise control, and forward collision warning, the granite crystal seven-slotted grille. It has the SRT Coal induction hood, no dents or dings on that. Really good looking. The Limited X is definitely one of our best-selling packages and for a good reason. It's probably the best-looking grand Cherokee that they've made next to the SRTs. Passenger side rim, no scuffs or scrapes on that, and as you go down this side of the vehicle you can see just how clean the body is, how reflective and mirror-like that paint is. We take these HD videos so if you are far away or even if you're close by and just cannot make the trip down you can still see the vehicle, hear the vehicle, and have confidence in what you're looking at before you even get here so that when you do get here it'll be absolutely no surprises. Very clean down that side, no dents or dings in this back rim, absolutely perfect, no scuffs or scrapes. Back tires have just as much tread as the front tires and they do come with four-wheel disc brakes. As we come around to the back you'll notice the gray trim rear bumper, the grayed out 4x4, the grayed out Jeep, and the grayed out Limited X badge. Back up parking sensors, the grayed out dual rear exhaust tips, has the power lift gate, the LED tail lamps, this one has the factory subwoofer, the back storage area is very nice and clean, those seats do fold down nice and flat and it does come with these spare tire and jack tools. To get this rear gate down you press that button right there, once again there's that subwoofer, it'll beep at you three times and it'll come on down and as you go down this side of the Jeep just as clean as that passenger's side, didn't see any dents or dings on the rear quarter and for full disclosure this back rim is absolutely perfect. No scuffs or scrapes, does have the capitalist fuel fill, down the rest of this side no dents, no dings, no scuffs, no scrapes, has the keyless entering-go system, blind spot monitoring, heated mirrors, and built-in directional signals. Power windows, power locks, power mirrors, memory driver's seat and you get the nice dark wood grain trim on the door there.  Lumbar power driver seat, factory floor mats throughout, auto headlamps, tilt and telescopic steering wheel, this one has the 7-inch LCD display, digital spinometer outside temperature and compass display and this vehicle only has 4,820 miles, has the heated leather wrapped steering wheel, cruise controls and adaptive cruise controls on the right, Bluetooth and information center controls on the left and on the back of the steering wheel are audio controls and these are your paddle shifters for manual shift mode. You get the nice gloss black trim around the radio and climate controls there. It does come with the, this is the Uconnect 4C radio so it has the factory navigation system, also Android Auto and Apple CarPlay capabilities, AMFM and Sirius XM radio capabilities as well. This also has the backup camera right there. Now you can do your controls here, you got heated seats, heated steering wheel, you can check out the backup camera without even putting it in reverse and you can do your climate control here as well and if you can go right to your heated seats and everything right there, but if you didn't like the climate control up there, you get the more tactile buttons right down here, the dual climate control.  That sport mode is how you use those paddle shifters. It has the Quadra Track 2 system so you get the select terrain with snow sand auto mud rock and the neutral setting for flat towing, four-wheel drive low and downhill assist control. This one has the eight-speed automatic transmission and comes with the keyless entry system with remote start and power liftgate button. Passengers side format and seat are absolutely perfect. This vehicle has never been smoked in and this one has the power vista roof. So you get the second row fixed glass and the power sunroof in front here, really opens it up in here, nice and airy, comes with the home link buttons for your garage door security systems and lighting systems and your map lights up there. Finally you do get the SOS and assist buttons in the rear view mirror which are features of the vehicle. We'll take a quick look at the back seats and then we will check out under the hood. Back seats are just as clean as the front seats. There are no rips, there are no tears back here. It does have the latch child safety system for any child car seats you may have. Absolutely perfect and these seats do fold down pretty nice and flat like so. You got factory floor mats back here, 115 volt, 150 watt plug-in and two USB jacks as well. Nice wood grain trim back here and it does have the child safety locks on the back doors. We'll take a quick look under the hood. I would personally like to thank you for checking out the video today and hopefully from this HG video you have been able to tell just how clean this vehicle is all the way around inside a note. This is definitely an SRT hood. You get the SRT heat shield there. That's a true coal induction hood. Under the hood we have the 3.6 liter Pentastar V6 motor. Engine bay is very clean, runs very smooth. This vehicle like I said has been fully safety and inspected by our service shop has a fresh oil and filter change. All the fluids have been checked and topped off. The vehicle has been gone through mechanically 100% and is 100% ready to go. To see more pictures of this Jeep or one of our other 450 new and used cars, trucks, SUVs, minivans, Wranglers, you name it we got it go to our website www.SummitAuto.com. Full pictures and descriptions of every single vehicle from two locations all at SummitAuto.com. If you'd like to check out more HD videos you can go to youtube.com. SummitAuto remember to like, subscribe, and share on this video and all the videos that you see there. In fact in a second you will see a link to subscribe to our YouTube channel on your left. A link to more used inventory videos like this one on your right. If you have not been to our website on the bottom link to this vehicle on our website click those check us out and we really look forward to helping you with this super clean. Like new 2019 Jeep Grand Cherokee Limited X in bright white. Thanks again.


Good evening, everyone. It's late in your day-to-day, but I've got both good news and bad news to share Let's get the bad news out of the way first As we've heard and we know the way we farm our lands and mismanage our forests is literally killing our planet It's also killing our farmers in India alone over 12,000 a year in the US farmers are twice as likely to commit suicide as a general population There is no state in India my country where the average farmer is not in significant debt Indeed the level of indebtedness is highest in states that practice modern so-called green revolution forms of agriculture In Africa more than a third of agricultural lands have stopped responding to fertilizers Due to a lack of organic carbon in the soil and this number is rising You know all about the adverse impacts of climate biodiversity and pollution, of course That's why you're all here To make the investments that can drive the kind of change we need at scale as the minister just pointed out But the key thing is that you're also here because you care and that is the beginning of the good news section of my talk In very simple terms building an economy that rewards care and the duty of care is what we are calling the stewardship economy Care for the planet Care for people both together and simultaneously There is a very strong investment case to be made for transitioning to a stewardship economy My optimism comes from more tried and tested parts of our economy Where care has been both valued and validated For instance, there is overwhelming evidence that investments in public health deliver huge returns for individuals For society as a whole and for investors. Here are two examples from the US Every dollar spent on workplace wellness was associated with a $3.27 decrease in medical cost and a $2.37 decrease in absenteeism costs Here's another example Recently the EPA Estimated that the Clean Air Act of 1970 had a benefits to cost ratio of more than 30 to 1 Simply by improving air quality and emissions resulting in better health and economic welfare a Recent WHO report on public health for Europe offered three key investment pathways, which I'm going to lean on To a great extent today with only slight modifications Firstly the well-being health and security pathway and for humans. This means increasing life expectancy Improving quality of life and well-being building human capital Enhancing labor productivity and activity and ensuring national and global health security for the planet This means improving soil organic carbon soil and above-ground biodiversity Improving nutrition from production to consumption paying attention to one health Reducing waste water use and greenhouse gas emissions Secondly, there is a social and equity pathway Which is about reducing the well-being health and welfare gaps along social gradients building social capital Creating political stability and achieving equity for women young people and the poorest In the US alone one study has suggested that poverty kills more people than toxic agents and motor vehicle accidents combine Finally and thirdly the economic and innovation pathway This offers many possibilities either directly or through induced economic effects For instance providing employment and decent jobs For example in agroforestry and agriculture as they transform the way agriculture takes place today Or establishing and repairing infrastructure including ecological infrastructure For instance restoring forests and watersheds or mangroves or planting the right kinds of trees on farms for multiple benefits Removing barriers to payments through digital money building capacities to manage more resilient productive and sustainable land management system Including through insurance and ecosystem service valorization Developing whole new value chains and portfolios of value chains Enhancing labor through technology building skills and much much more Therefore our investments must focus on the stewards and you've heard from some of them today Especially those in indigenous communities Who are caring for the land and our futures? We must focus on stewardship, which is increasingly recognized as a pathway for action And finally on connecting these at multiple multiple points within nested scales as part of a transition to a stewardship economy In conclusion a transition to a stewardship economy Investments that reflect care and reward a duty of care will help find the balance between nurture and use Of nature and humans alike Thank you


Okay, that is a good historical assessment of LBJ. How did you personally feel about it? Well, I really liked the man. I mean, I thought that he was so utterly human.  If you weren't loyal to him and believed in him and his programs and you had no business working for him, and he didn't, as far as I ever saw, he didn't mind you presenting your point of view to him before he made a decision. On the other hand, there were not too many people who were able to stand up to him and were not cowed by him. I think interestingly enough, two people who are often thought of as being mere patsies for him were probably the two people who were totally uncowed by him and willing to state their own points of view, and those were Dean Rusk and Ramsey Clark. Now, Ramsey, the president disagreed so much with what Ramsey was doing, but somehow or other he didn't mind when he was with Clark personally. Ramsey was stabbed up to him and the president didn't react to that. Now I would never stand up to the president, but I was just a very small cog in his machinery, but I thought the man was a marvelous human being, very warm to the people who were around him. He always cared about you and what you were doing in your family. He would help staff members out and not want any credit for it. I think maybe the most impressive incident of that was George Reedy had problems with his feet, hammer foot I think he had, and he had to have an operation, but he didn't have the money, and the president gave him the money, but swore everybody to secrecy, so I don't know that George really knew about that when he died. That was the kind of man he was. Sherwin, what about the staff, at least the ones that you worked with closely? What's your assessment of that? I thought the staff was extraordinary. I mean, I've never been around the people about whom I had so much admiration, and I could tick them all off from you, to Bill Moyers, to Harry McPherson, to Barefoot Sanders, to Joe Califano, to Jim Jones, I'm sure I'm just forgetting many, many, many members of the staff, but I worked with I think almost all the members of the staff at one time or another, and liked them, respected them, never had any problems with any of them myself, and of course I worked most closely with Marvin Watson, who is, you know, has asked me to write his autobiography, his take on Lyndon Johnson. By the time this is released, that book will have already been published, but say a few words about it anyway. Now, amazingly enough, you know, Marvin has never spoken to anybody in public. He's been very tight-lipped. He took very seriously the president's admonition that people work for him should have this passion for privacy or anonymity, I think was the word, but finally, three and a half years ago Marvin asked me, for some reason or other, if I would write his story, basically not his own autobiography, so much as his years with Lyndon Johnson, so it's more a book about Lyndon Johnson through the eyes of Marvin Watson than anything else, and it's a book I've been working on for three and a half years at St. Martin's Press will be publishing, and I've been very happy to do it because working with Marvin as closely as I did in the White House, he was, probably still is, a much misunderstood man, and he was, of course, excoriated by the press. And they couldn't get anything on Johnson, they'd often get on Watson even so many years ago. Here he is, Novak was still on television, even in the back of those years was writing nothing but nasty articles about Marvin Watson, so I think the time has come to try to tell the story if anybody is still interested in it about Marvin Watson, his relationship with the President, the work he did for the President, and the very intimately close relationship he had with both the President and Mrs. Johnson. Are you likely to write that yourself? Excuse me? Are you likely to write that yourself when you finish being his a menu insistent? I don't know. I can't think beyond this Watson book. Beyond this Watson book, the next project I have is my unfinished novel about my years that I went sailing around the world with my wife. Great. Okay, well does anything else occur to you that you would like to? Oh, I'm sure much will occur to me later, but I think I've taken enough time of you and the cameraman, Mr. Watson. It's been very productive. Well, good. Thank you, Sherwin. Thank you. Thank you.


What's going on y'all welcome to the single guy channel my name is Lloyd so today where we're gonna talk about is we're gonna talk about how? To approach a woman the right way because let's be real 99.9% of the male population does not know how to approach in the right way usually when they do it They kind of creep the girl out Make her feel uncomfortable and then they feel bad about it Or they're just so nervous and in their head that they just don't know what to do And they end up not doing anything they demonstrate how to do this you can actually see footage of me doing this In the practical approaching system, which I released a few months ago, and I'm gonna be re-releasing right now So if you want some like it has like infield footage of me doing it I'm talking to a bunch of girls in the beach like models and you know different people So if you wanted access to that there's gonna be a link in the description box below Unfortunately, I can't show that stuff on YouTube. Alright, so let's talk about the first part of approaching women So you're probably pretty nervous at this time if you're walking outside And maybe you see somebody at a coffee shop or a bookstore or you know In a bar or whatever. Okay, you're probably a little bit nervous at first. That's okay. It's normal to be nervous Here's the other thing too. She's gonna be nervous about you as well The thing about men is that we're typically bigger than women So the biggest thing that you have to deal with at the beginning is that little bit of fear that's gonna be there And for some women it's gonna be a lot of fear So I wouldn't recommend approaching in these ways a lot of times guys will come in face to face They'll be like that that usually freaks people out. You feel like you're gonna fight them I wouldn't approach people from behind because it makes them feel like you're stalking a prey You don't want to be a stalker. You don't want to be a creep The best way in my opinion is to kind of come in from the side Okay, so if I see a girl leaning against the wall standing somewhere I'll kind of come in with her shoulders this way like let's say she's here. I'll come in like this I kind of want to be at the same level as her, you know If you face up to somebody a little bit too soon sometimes that freaks them out So like if she's leaning against the wall, I'll come in and lean against the wall, too And I'll talk to her like that That is gonna be a lot more comfortable for her than if somebody walks in because at first even if you're attractive Even if she likes you doesn't matter her survival comes first and then she's gonna put herself in fight or flight or fight mode And then it's just not gonna be in the mode of hey, do I like this guy or not? Which is where you want to get her to okay, so I usually like to come in from the side now if you've been talking for a little bit I'll usually say hey, what's up? My name is Lloyd or like I'll talk to her maybe I noticed something about her Maybe I'll ask or something about her if you're looking for like a list of What things to say or openers I have other videos I also cover it in the practical approaching system, but typically it's gonna be something that I've observed Okay, and then I can kind of ask her where she's from or you know what she's up to and I'll tell her what I'm up to and where I'm from then as we've been talking for a little bit And she gets more comfortable with me then I can start to move them square kind of square up with her a little bit So that would be like kind of like rotating my body So we're kind of more face-to-face and we can make better eye contact, but at first I'm gonna give her her space Okay, especially like you'll see in the practical approaching system where I'm talking to girls in the beach Like I don't get really close to them at the beginning a lot of times they're in a bikini They feel exposed you want to keep your distance a little bit at first And the other thing that you want to do is you don't want to like for lack of a better term You don't want to bitch out. Okay. You want to go in 100% dude Speak with a reasonable volume Speak like I'm speaking right now. That's totally fine. The more confident you sound The more authoritative you sound and you don't want to be barking orders at them right away They'll probably scare people up too, but you know calm relaxed, but also assertive That is going to get them to relax more Typically the guys that they're worried about the guys that creep them out are the guys that look like they're up to something The guys that are Awkward the guys that are like well you can even pull off awkward too But like in the right way just in general if you're hesitant if you're insecure about what you're doing You feel bad about it. Those are the guys that they're worried about if you feel confident like hey I know when I walk up like this girl's gonna have a fun time talking to me And I my job my goal is to make sure that when I leave her she's leaving with a little bit more happiness Than when I found her so whatever happens even if she doesn't like me I can still end with a high five I can still make her smile or make her giggle or something like that I'm 100% confident that I'm going to be able to do that so go in with a hundred percent don't But hesitate or do that sort of stuff if you're gonna do it do it If you're gonna mess up mess up with a hundred percent that I would much rather see that than a guy who's like Insecure about what he's gonna do so big thing that this is gonna take some courage now if you want to know how to build up That courage that's something else that I talk about in the practical approaching system and you know So there's some other videos on my channel where I talk about that too, okay? So if you've walked in you kind of come in from the side a little bit You've waited till she's kind of comfortable with you Then you can kind of square up and come a little closer to her then after that you're talking to her then that's the time where you know You feel free to be you know yourself You know be present to the moment give her the respect that she deserves And then I would talk for her for you know as long as he can as long as she'll let you if you feel like she's got to Go let her go that's totally okay But I like to the longer you talk to somebody typically the better connection that you can make with them Okay, so if you're in this position you guys I've done this so many times in fact You'll see during the practical approaching system. There was a two models that I started talking to you on the beach You know they're both in their swimsuits, and I walked up and I started talking to them and They liked me so much. They actually ended up coming back to my hotel room and hanging out later, okay? This is not something that is impossible for other people to do It's very very easy if you know what you're doing, but it does take practice It does take a little bit of confidence it does take you know you stepping outside of your comfort zone a little bit But the five guys and they did tell me this was true There was like five or six guys that had walked up and started talking to them Before they hung you know guy walked up to them and was like hey Can I hang out with you guys and like you know taking value and all this stuff like you want to you want to kind of come In at their energy and a little bit higher and it bring value that doesn't work Okay, and but it worked for me because I went by the process that I'm telling you guys So again if you want to see footage of that it's it's gonna be there But that's basically how to do it so hopefully from seeing this video You got an idea about exactly how to walk up and approach women and do this in the right way and if you get good at this It's almost like having a superpower like literally the world is Someone that you can open walk up and have a conversation with and see if you guys connect Like it's really powerful and really amazing and in the future I hope people become more confident and more respectful that we can start doing that more and more especially when all this Thanks for watching if you made today and consider subscribing I come up with videos like this every single week and good luck out there you guys


Digital Accessibility aims to ensure that everyone, regardless of their skills or abilities or disabilities, can access information, technology, products and services. Everybody can think of themselves as only temporarily not having a disability because at some point in their life as they get older they will have some sort of disability. Businesses should care about digital accessibility for three main reasons. First, there's quite clearly a commercial element. There's a huge untapped market when it comes to disabled people. Secondly, it's the right thing to do. There's a clear social and moral element to this. Thirdly, there's a legal argument. So it's not something that you can't not do. And there's a quality legislation that means that you have to serve and be available for customers with disabilities. Let me give you one example. In the 70s we've had this safety belt law, so in the cars. And there were actually a lot of resistance, you don't believe that now, but people refused to put on the safety belt. But at that time a law was needed to enforce this to the benefit of everybody. And I think it's the same with accessibility. Everyone in an organisation should have some knowledge of the issues that affect one in five of the population, but effectively we'll all encounter things where accessibility features will become important to us. One of the great things about technology is that it enables people to do things they cannot do without. For instance, a person who cannot walk will use a wheelchair and then he can move. But if there's a step, it's useless. The environment is not accessible. In the same way, the screen reader is a piece of software which enables a blind person to use a computer. But if the content is not accessible, it's useless. People who don't technically need accessibility benefit hugely from having an accessible site because an accessible site is almost by definition an easier to use site. I'm hoping that the MOOC will open some people's eyes, not just to the fact that some people have problems, but also that there are solutions around and that there's ways to learn about it and put them into practice and make our world a more accessible place.


Adventures in time and space, told in future tense. The National Broadcasting Company, in cooperation with Street and Smith, publishers of astounding science fiction, bring you dimension X. Twenty years had passed since the last of the giant migration ships had crashed to the surface of Mars, bearing its pitiful handful of survivors of the Earth Wars. Twenty years of scratching at the stubborn Martian soil. Twenty years of trying to devise new solar engines that would use the strange fuel they found on Mars. Twenty years of longing, of turning eyes toward the green Earth, as it hung on the horizon like a beckoning light. And now it was done, and the first new ship, built of shining Martian chromaton, had lifted bravely toward home with three men locked in its metal belly. Would they turn to an Earth made barren by cosmic dust to a blackened radioactive hell? Or would they find intelligence still alive on the scourged planet?  That's it, Captain. We've intersected the course vector. Williams. Yes, sir? Prepare for deceleration. Forward fishing ready, Captain. We'll enter the gravitational field of the Earth in exactly ten seconds. Nine, eight, seven, six, five, four, three. Five, two, and four. One, zero. What's our momentum, Evans? Negative three. Fire one. One. Negative four now. Steady as she goes. How are we? Unparabola now. If we can hold, we should breach the heavy side layer somewhere north of what used to be Mimansk. Let's have a look at her. Visor, please. Yes, sir. Mother Earth. Twenty years. We're going home, Evans. We're going home. Home to what, Captain? Home to a burned-out radioactive planet that is incapable of supporting human life? Evans and I don't agree with that, Williams. We think the Earth is ready for us again. That shall give us another chance. I'm sorry, Captain, but I was born and brought up on Mars under the new central government. We younger men disagree with you about migrating back to Earth. For us, Mars is home. Well, we'll see. If there is some form of life on Earth, we'll find out soon enough. Williams, head for New York. There it is, Captain. You can barely see the top of the atomic trades building in the twilight. They never finished building it. Dark as a tomb. Slow to cruising speed. Cruising speed. It begins to look as if Williams is right, Captain. Not a sign of life on four continents. We'll make a radiation check and then head back for Mars. You agree with me, gentlemen? That for all practical purposes the planet is dead? It's still my captain. What is it? Am I going out of my mind? Look out that way to the west. Could that be...? I have an idea. Those are lights. Turn the ship. Heading west, southwest. Full speed. Full speed. They are lights. Captain, it's a city. A whole blasted city lit up like a Christmas tree. Well, what do you think of your dead planet now, Williams? We shall see, Evans. Remember the commission wants evidence of life as we know it. Decelerate to negative five. We're going to take her down. There's an open area just on the edge of the city. Yes, sir. Hold on, gentlemen. We're about to land. Landing jacks are down, sir. Open the airlock. All right, gentlemen. Before we go out, security at all times. Williams, you have the blast gun? I have it. If anyone becomes separated, fire a shot and make for the ship. How's the radiation ends? Safe enough so far. This seems to be a light area. Everyone, open the lock. Now, not a soul to be seen. There must be someone. How do you explain the lights? I don't know. Municipal building. Shall we have a look here, sir? Possibly the records might contain some clue. Good idea. Keep your weapons ready. This door is in good working order. Orms as if it had been oiled recently. Lights blazing in every office. Williams stands watch here in the corridor. Fire a blast if you need us. Yes, sir. Evans, you come with me. We'll start right here with the city clerk's office. Better check radiation again. Not enough to do any damage. Look at the creeps, doesn't it? Look at this desk. Papers crumpled. Ink stand. Just as if somebody came in and worked here every day. Calendar, June 18th, 1987. Why, that's the day of the evacuation. The dust cloud had already blanketed New York and was heading west. Dog licenses. Pumping permits. Somehow I have a peculiar feeling that... Good Lord. Pick it up, Evans. Hello? No answer. Hello? I hear something. A scratching sort of noise. Good day, doctor. What? At first. Hello? Hello? This is absolutely insane. Thank you, doctor. Hello? It's gone dead. Who was it? I don't know. Strange voice carried on a conversation about some surgical operation without paying the slightest attention. Do anything I say... Captain, the lights are out. Good Lord. I'll torch. Come on. Williams, what is it? I don't know. You've fired a shot? Yes, sir. Just as the lights went out, I... I'm sure I saw a figure. It looked like an old man in a white robe. It moved across the end of the corridor down that way. Flash your torch down, Evans. Nothing there. Are you certain, Williams? I'm not certain. The lights. They're on again. We're going to get to the bottom of this. Wait, wait. What? Listen. Quietly. Someone is coming, walking slowly toward the corridor. Coming closer. Cover him when he turns the corner. It'll be a pleasure. Don't fire unless I give the word. Shh. What? Jumping Jupiter. Are you... Is it really someone or am I having hallucinations? We are no vision. Oh, you seem to be real. I saw the ship come down. I thought perhaps I was losing my mind. It's been so many years. I'm Captain John Parsons. These are my assistants, Dr. Evans and Mr. Williams. We've returned to Earth from Mars. And it's happened. We're not alone anymore. Forgive me, gentlemen. I seem moved. I waited and hoped for so long. You survived the radiation? We did. There are others? My family were the only ones. I answered the phone a moment ago. Who was it? You heard my voice, Doctor. Your voice? To break the loneliness, I've recorded my voice and rigged up an automatic telephone. It's pleasant to hear the phone ring. I come here to do my work. I take it you're a medical man. My name's Cornelius Hathaway. Hathaway? Hathaway the brain surgeon? You know my name? Who doesn't? I watched you on television at college. I saw you 23 years ago. You performed a difficult surgery for a cerebral tumor. Marvelous. Thank you. I'd almost forgotten. My mind, you see, I'm almost 18 now. You look fine, sir. Well, we've had the best of everything in an entire city to choose from. Cold storage, the best equipment. When I saw your ship, I told Alice, my wife, you know, to prepare a feast. This is a great day for me, gentlemen. A great, great day. This is my wife, gentlemen. Alice is Captain Parsons, Dr. Evans, and Mr. Williams. I'll do, Mr. Williams. Now, if you'll follow me, gentlemen, we'll meet my children. Lord for a beautiful woman. She looks no more than 35. These are my daughters, Susan and Marguerite. This is my son, John. Sit down, gentlemen. Sit down. We'll have a feast in honour of this occasion. Susan, Marguerite, get the best silverware and the damest napkins. John, fetch the glasses. Oh, yes, Father. It'll only take you... Excuse me, John. Sir? How old are you? Twenty-three, sir. Thank you. Now, if you'll excuse me. What is it, Captain? Is something wrong? Nothing except that it's impossible. You see, Dr. Hathaway's son was already in college when I started. That would make him at least 45. That was a wonderful meal, Mrs. Hathaway. Doctor, your wife is an exceptional woman. Thank you, sir. How would you, gentlemen, like some fresh gingerbread with your coffee? I baked it this morning. Wonderful. Smell that, Evans? Oh, it's like coming home, Mrs. Hathaway. We enjoy having you here. Mrs. Hathaway, may I compliment you on your having preserved your youth and beauty so well. Thank you. We have had no worries here. No competition. Only the things we need for material comfort. Parsons and I were wondering, Dr. Hathaway, if the radioactivity had any effect in preserving tissue, your children all look so young, too. It is possible, gentlemen, of course. Radiation does strange things to living tissue. Alice, could we have some champagne? Of course. I'll only be a moment. An amazing woman. Did you want to see such grace? Such complete relaxation. She doesn't seem quite natural. I beg your pardon, gentlemen. Captain Parsons was just about to ask how you and your family managed to escape, Dr. Hathaway. You were very fortunate. I was working in Sierra Mountains at the time. I had a lead-lined laboratory where I did X-ray research on my pet project. And what is that, sir? The study of machines. They relate to human function and the corollary of... Well, to continue, when the dust cloud covered America, we remained in the laboratory, well supplied with food and water. Later, when the radiation permitted, we made our way east, back to our old home in the hopes of finding other survivors. But by that time, every living creature had been evacuated to Mars. We were stranded. The migration ships didn't wait for stragglers. That's true. My father and I were on the last rocket out of New York. I've always loved this old house. But the loneliness of those first years...  Yes. Yes, I had my family. If it were not for them, gentlemen, I assure you I would long ago have put a bullet in my head. Here we are. Champagne, Captain. Oh, thank you, Mrs. Hathaway. May... may I propose a toast? Let me. Gentlemen, to Earth. To Earth. May she never be a stranger to man again? Hathaway, what is it? Nothing really. It's just a rather sharp pain in the chest. I think you should lie down, Doctor. Perhaps you're right. Let me help you. No, no, no. John and Susan will help. Of course, Father. Why don't you gentlemen go out in the porch, enjoy the air? I'll see you all in the morning. Good night, Doctor. Good night. Come, John. Yes, Father. What do you think of old Mother Earth now, Williams? Smell that summer breeze. Look at that view of the city lighted up against the sky. It has a certain quality. Well, score one point for the back-to-earth proposal. I didn't say that.  I can tell. If you don't mind, gentlemen, I'm quite tired. I think I'll turn in. Excuse me. Well, Captain. Well, what? What do you make of all this? I don't know what you mean. This Hathaway and his family, there's something strange and unnatural going on here. I can sense it. I think you're reading things into it, Evans. Oh, perhaps. Well, I'll turn in, too. Are you coming? In a moment, I... want a smoke and cigarette. Beautiful view. What? Is it not? I didn't hear you come out. How is he? Resting. I've never seen him this bad. Yes, he's an old man. I'm sorry, but the difference in your ages is so apparent. You must have been married very young. My husband is a very great man, Captain. It's too bad there was no one to appreciate him. Once, he wired the whole city with sound speakers, and when he pressed a button, the whole town lit up and made noises, as if 10,000 people were living in it. He must have been very lonesome for people. Although with a woman such as you, I don't understand. Perhaps one day you will understand. Good night, Captain. Good night, Mrs. Hathaway. Captain Parsons. Who is there? It's Dr. Evans. What time is it? 2 a.m. What's wrong? I couldn't sleep. A few minutes ago, I heard someone slip out the front door. The moonlight I saw it was the old man. He was headed toward our ship. What are you suggesting, Evans? Nothing, except that it's fairly unnatural for an old man with a bad heart to go wandering off at 2 in the morning. Very well. We'll follow him. See him yet? No. Look, I heard they're on the hillside. Isn't that Hathaway kneeling in the moonlight? Yes, I think so. Can we get closer? Let's head for that clump of bushes. This is far enough. What do you suppose he's doing there? What are those things on the ground? Good Lord. Those are grave markers. Four of them. You're right. Seems to be praying over them. Listen. I was so terribly lonely. You do forgive me, don't you? Yes, I... I feel you do. I'm glad. I think perhaps I can... rest now. I think I... He's having another attack. Come on. Hathaway! Doctor Hathaway. Raise his head, Evans. His lips are moving. What is it, Doctor? Doctor, lean closer. I... I'm sorry I had to spoil all of this. I've expected it for some time. We'll fix you up. No. No, this is the end for me. It really doesn't matter. Except for them. What about them, Hathaway? You... You suspected, didn't you? Yes, I suspected, but I couldn't believe it until now. Do they know? No, they wouldn't understand. I... I wouldn't want them to know, ever. The Earth... The Earth... Don't try to talk. The Earth is so fair. Doctor. He's dead, Captain. He knew it was the end this time. Yes, he knew. What was it he meant about your suspect? Light a match, Evans. Look on those four grave markers and tell me what you see. Good Lord. Well? Alice Hathaway. Marguerite Hathaway. Susan Hathaway. John Hathaway. Died July 1987. But that's 20 years ago. If these markers are correct, then who are those others? Can't you guess, Evans? Can't you guess? Mrs. Hathaway, are you awake? Yes, Captain. May I come in? Yes. It's about my husband, isn't it? He knew. I saw him go out tonight. He felt it was near the end. He died less than an hour ago. I'm sorry. Thank you. How do you feel? He told us it would happen one day and that he didn't want us to cry. He didn't teach us how, you know. He said it was the worst thing that could happen to know how to be lonely and unhappy.  I don't know. Will you stay with us? I would like to, but I cannot. You know all about us. Yes, I know. I didn't think that you knew yourself. The children don't. I've been aware for a long while. No one would have guessed. You're so perfect. Oh, he would have liked to hear you say that. He was so very proud of us. After a while, he came to love us. And at the end, he took us as his real wife and children. He even forgot sometimes that he had made us. You gave him great deal of comfort. Yes. Over the years, we sat and talked. He loved so much to talk. I was first, you know. Then he became lonesome for the children. And so he made them. He told me about the things he did about his laboratory. Surely the children must suspect. Oh, no. You see, there were no other beings with which to compare themselves. He must have been a great, great genius. Each morning, he took a recording of his voice into town and put it on the automatic telephone. Each night, it would call us. I think what with the phone ringing and the sound of voices and the lights on, he was happy. There was only one thing, one flaw. And that? He couldn't make us grow old. And so he had to watch himself become an old, old man. While we stayed young, it was a great blow to him. And so we commend the body of this man, Cornelius Hathaway, to his maker. Ashes to ashes, dust to dust, returneth. Amen. Come, John. Yes, Mother. Susan. Mother. Evans, Williams, stay here a moment, please. What is it? Let them go back to the house. I want to speak to you. I know what you're going to tell us, Captain. I saw the names on the grave markers. Well, it's a mockery, a blasphemy of everything we believe in for a man to do something so evil. Can't you imagine what he faced?  To know that he was the last man on the face of the earth, alone, eternally and unalterably alone? Good Lord, man, what would you have done if you had his medical and technical genius? That's incredible. Yes, it is. But with an entire American city on which to draw for supplies and equipment, a brilliant man might accomplish anything, even that. What are you suggesting, Captain, that we take them back? We haven't enough space in the ship for that. Every ounce counts. Still, to leave them here, like that, alone. I think I have an answer, cold-blooded as it may seem. Go on. I suggest that we turn them off. Do you think that I could do that? No, but I could. After all, they aren't human. They're worse than robots. They're ghoulish. Have you talked to her? Has she smiled at you with that quiet, beautiful smile? Captain, we can't take them with us, and it would be less than human to leave them here without Hathaway. Could you do it, Evans? Give me the blast gun, Williams. We'll wait in the ship. Take off in half an hour. Half an hour. Six-twenty-five. He should be back soon. Yes. He's doing the only humane thing, Captain. They are less than human. Are they? Well, it's done now, and no one will ever... That's the airlock. He's back. Well, here's your gun. Did you do it? When I entered the house, she looked at me with those fine, intelligent eyes. I couldn't do it. It would be murder, cold-blooded murder. I prayed you wouldn't be able to do it. They will never be anything as fine as they are. Built to last 200, 300, perhaps a thousand years. Well, get the course in the integrator, Williams. We'll take off in 20 minutes. I should be back by then. You're going out, sir? I'm going to say goodbye. Only to say goodbye. It was nice of you. I wanted you to know that I am coming back someday. When will you come? I don't know. It will take many years to prepare fuel for another trip. Six, seven, perhaps ten years. I will watch the sky at night, just as he watched it. I'm afraid I must go now. I understand. Strange. I have a new feeling. One which he did not teach us. A feeling of longing, of sadness. That one is not taught. It comes of being alive. I am alive. Even though he created me, I'm a person now. Goodbye, Alice Hathaway. Goodbye, John Parsons. You have just heard another adventure into the unknown world of the future. The world of... Dimension X comes from man to explore the universe. To deal with the strange inhabitants of other worlds, there will be much to remember. Perhaps the most important lesson of all will seem too fundamental to be included in the training manuals. Listen at this time next week as Dimension X brings you a story from the pages of the August Astounding Science Fiction, a story called courtesy. Dimension X is presented each week by the national broadcasting company in cooperation with Screed and Smith, publishers of the magazine Astounding Science Fiction. Today Dimension X has presented Dwellers in Silence, written for radio by George Lefferts from the story by Ray Bradbury. Featured in the cast were Peter Cappell as Captain Parsons, Bill Griffiths as Dr. Hathaway, and Gertrude Warner as Alice. Your host was Norman Rose, music by Albert Berman. Dimension X is produced by William Welch and directed by Fred Way. Dragnet, the story of your police force is next on NBC.