Kinnik Jaynabh Pakal I was known by many names, Pakal, Pakal the Great, Ait Ahu, Sunshield, the list goes on. He was the leader of the Maya city-state of Palinique, and according to academia, this rule and the subsequent exquisite ruins left by his reign occurred within the late classic period of Mesoamerican chronology. Undoubtedly the most astonishing relic left by this past king, and the artifact which has fueled countless ancient astronaut theories, is the casing stone found atop his tomb. Clearly depicting some form of advanced machine, yet the question has persisted. What was the type of machine, or indeed, what was its past function? Are we peering upon a schematic for an ancient spacecraft? Why would a king that we feel is clearly from a lost civilization go to such considerable effort having this contraption depicted upon his burial chamber? Before his name was securely deciphered from extant Maya inscriptions, only within the last few decades may I add, little was known of this intriguing ruler. He had been known by an assortment of nicknames, and we find it interesting that regardless of the clearly advanced knowledge bestowed within the ancient constructions of such sites, academics continue to create suspiciously complete timelines surrounding these structures, their rulers, and even dating the bills. Yet their explanations as to how these tasks were completed are utterly absent from the thousands of books written, funded, supported, and published by this select group of influential individuals. However, during our own research, we have found a compelling lead regarding this ancient site. A set of images, purportedly showing an artifact once found beneath Pacold's tomb. And although we have been unsuccessful in finding any more photography of the artifact, we have found out where it is currently being held, the Mexican National Museum. What makes this particular artifact so compelling to us is its resemblance to rocket thrusters. Its deliberately sculpted shape is uncanny of a three-cone rocket, and was clearly not intended to be an ornament with such an awkward form. This artifact, if indeed depicting some form of ancient thruster, throws up some rather controversial yet astonishing questions. Is it a mere basalt sculpture, or is it actually made from some sort of metal? Was this artifact created by Pacold? Was it his idea, or was it a craft that his people found and subsequently brought to him? A vessel Pacold attempts to depict on the case of his tomb. According to the very limited information we were able to extrapolate from the web, it is being housed within the bowels of the Mexican National Museum. We are unfortunately yet to find any more pictures of this clearly compellingly shaped artifact that was once found beneath a tomb many feel actually depicts a space-going craft. Why has there not been more heard of this intriguing artifact? Is it being hidden by the Mexican government? We find the shape of this artifact, its found location, and its clear academic elusiveness as highly compelling. Often within adventure movies, the household hero will be traversing some deep, dark, ancient corner of our world, accompanied by a trusty flaming lantern, a light source which will often seemingly have an endless fuel supply. Additionally, the lamps which litter the walls of these elaborate film sets were presumably lit many hundreds, even thousands of years prior to our intrepid explorer's entry into the ancient booby-trapped laden lair. Many perceive these flaming props as mere stage trickery, a subtle showbiz deception, helping with the lighting of often-dungen-esque locations. Amazingly, however, it seems that these apparent ever-burning cave lanterns may have been included by an astute understanding of, as yet, unexplained historical realities. In Egyptian death tradition, a custom rarely shared academically was the frequent placement of an eternal burning lamp, somewhere inside the sealed chamber. How were ancients able to produce seemingly ever-burning lamps? Lamps which could burn apparently without fuel? Based on overwhelmingly large volumes of reports of their existence, discoveries in tombs, underground chambers, temples, and many other places dotting the entire earth, it's hard to see how these amazing light sources could have just been a mere rumor. Yet, unfortunately, or rather conveniently, not a single lantern is known to exist today for study. At times in human history, before the birth of particular global commercial agendas, inventors and pioneers of many scientific fields were encouraged rather than stifled into the investigation into the functioning of such ancient high technologies. During the Middle Ages, for example, 170 exploratory, in-depth reports surrounding these astonishing finds were published, most stating that they clearly demonstrated a valuable phenomenon. In the year 140, a lamp was discovered in the tomb of Pallas, son of King Evander. This light source had apparently been burning bright for over 2,000 years. Upon an in-depth examination involving a testing of the flame's robustness, it could apparently resist all ordinary methods of extinguishment. In about 1540, during the papacy of Paul III, a burning lamp was found in a tomb in Rome. The tomb belonged to the daughter of Cicero. She died in 44 BC, meaning this lamp had been burning in the sealed vault for 1,550 years, yet it strangely extinguished the moment it left the room. When King Henry VIII broke away from the Catholic Church in 1534, he ordered dissolution of monasteries in Britain. Many tombs were opened. In Yorkshire, a burning lamp was discovered in a tomb of Constantius Chlorus, father of the great Constantine. He died in 300 AD, which means that this lamp had been happily burning for more than 1,200 years. With such overwhelming numbers of reports, reliable testimonies attesting to the existence of these lamps, it's hard to see how they could just be a product of Hollywood. Regardless, it seems all have successfully been erased from public view, presumably hidden within the chasms of scientific institutions whose financial insurance policy is, unfortunately, often implicated in the concealment of historical, architectural evidence, physical objects in direct disagreement with their highly profitable, yet shoddy foundation for scientific direction. Thanks for watching, guys, and until next time, take care! The archaeological site of Asos, located in the southwestern part of the Biga Peninsula. The location of the Asos settlement is unique in its exquisite and once highly complex design, an effortless mingling with that of the natural environment combined with the foundation of the architecture. It is also home of the world's most peculiar burial tombs, now known commonly as the meat-eaters. They are notoriously known throughout the region for their unique ability of being able to dissolve the remains of the locals in surprisingly short periods of time. The meat-eater tombs are clearly ancient, yet their true antiquity is still unknown. They were originally cut to rough designs with their interior and detailed decorations completed in the graveyard. Some long-term investigative researchers at the site are fascinated with this phenomenon and have been eagerly trying to figure out just what's causing the bodies to decompose so quickly in these particular tombs. The current favorite theory is that of a high content of aluminum within the stone used, some claiming that the aluminum material is what's causing the fast decomposition. Maybe the locals of Asso somehow figured out that aluminum could corrode flesh if added in specific quantities to the stone, subsequently putting this material inside the tombs to decompose the bodies within a short period of time. The meat-eater tombs of Asso's become more famous every day as more and more specialists become aware of their fascinating and unique characteristics. Senator Noriton Aslan, head of the Archaeology Department, thus head of the excavations in the ancient city, told us, quote, The fact that these tombs were exported to different countries shows that they were very expensive and highly sought after tombs. Just how do the meat-eater tombs work? Regardless of the currently peddled theories, we still do not know. They remain an enigma to science and a mystery to history. Arcee, the American Research Center in Egypt. Arcee's website states as follows, Among Arcee's many great achievements is our relationship with the Supreme Council of Antiquities, the SCA, within the Egyptian Ministry of Culture, without whom our work would not be possible. Arcee is viewed as making important contributions that serve to help Egypt directly in its pursuit of cultural heritage preservation. What this statement confesses to is the implication and more than likely collaboration with Egyptian authorities to cover up the real truth about ancient Egypt. In 1992, German robotics engineer Rudolf Gantenbreck was exploring shafts within the Queen's Chamber at the Great Pyramid, using a crawler robot he had designed himself. His intentions were to install an air conditioning system within the pyramid's existing design. While exploring these ancient tunnels, he discovered one of the shafts was blocked by a tiny limestone blocking door, a secret doorway only accessible with the use of robotic technology. Rudolf Gantenbreck, who was able to map, explore, and analyze the shafts for many years, believed a second door would have suggested the possibility that there would be yet another 40 cm further away. This hypothesis, based on the knowledge that many ancient Egyptian funerary monuments were equipped with a series of three blocking doors placed close to each other in succession before the entrance to a sacred tomb. In 2002, the National Geographic Society discovered this second door. Using their own robot known as Pyramid Rover, this event, closely supervised by Arcee, who subsequently pulled the plug on the whole operation regarding the shafts. The team had a simple solution to Gantenbreck's problem. They sent the robot along the shaft, gripping the walls instead of the ceiling and floor. In this manner, it was somehow able to ride over the top of the obstacles. The Rover's journey along the northern shaft revealed yet another door, just as Gantenbreck's claimed. Mysterious hieroglyphs, written on the floor of the hidden tunnels within Egypt's Great Pyramid, were shown to the world in an initial report on the robot's discoveries, published within the due service day antiquities. The images revealed features that had not been seen by human eyes since the construction of the monument. Researchers from around the world were particularly intrigued by three red ochre figures painted upon the tunnel's end deep inside the pyramid. Books such as Giza the Truth by Chris Harold and Ian Lawton, The Stargate Conspiracy by Lynn Picnit and Clive Prince, and Secret Chamber by Robert Balvel have all, thanks to the tremendous and diligent research accomplished within, shed light upon the controversy surrounding the Giza Plateau and the Secret Chamber's existence. The key question the theme witnessed throughout these studies was whether information has been withheld, discoveries undisclosed, and an understanding of the pyramids and its fink's existence purposefully kept hidden from the world. On the 22nd of March, 1993, Dr. Zawi Hawass was suspended from his position as Chief Inspector of the Giza Pyramid Plateau. It seems Gontenbrick took an opportunity, while the powers that be were distracted, to announce his findings to the world press in early April. It would appear, after substantial digging, that the string pullers within Egypt originate out of America, and are stationed within Egypt, in the form of Arcee. The truth regarding what is buried beneath these ancient structures may still remain a mystery, but realizing the obstacles obstructing an understanding of this truth is half the battle won. Kent Weeks is an Egyptologist, a Connecticut-based archaeologist who studies the culture and artifacts of ancient Egyptian civilization. He is a man who owns a comfortable home in a wooded part of old lime, yet one senses this is but a stopping place to hang his hat, since long ago Kent Weeks hung his heart in Egypt. Originally from Seattle, a lifelong love affair with the mysteries of Egypt was ignited within Weeks from an early age. He recalls that he never cared about anything else. Reading about Egypt and archaeology was all Weeks was interested in doing from the age of 7. My parents didn't think it was dumb and my teachers encouraged it. I never outgrew it, says Weeks in one of his books regarding his incredible discovery within the Valley of Kings. After pursuing qualifications in the field, Dr. Weeks became aware of the need for a dependable and comprehensive mapping of the tombs and other numerous monuments in the Theban region. Weeks decided to create a project to survey and map the Theban West Bank and thus the Theban mapping project was created. In 1987, while following up clues from ancient texts, the reports of earlier explorers and the results of remote sensing surveys, the project examined an area to the northeast of the entrance to the tomb of Ramses the 9th, where he felt a long neglected tomb might be located. Located a mere 70 meters from King Tut's initial resting place and totaling an incredible 121 chambers with connecting passageways, it is the largest and quite possibly oldest tomb ever discovered in Egypt. An immense underground system which lay forgotten for thousands of years. It has also been an incredibly expensive tomb to excavate. Considerable architectural supports have been required because of damage to the tombs, although we suspect this is due to the tunnel's immense age, maybe far older than we are led to believe. Additionally, several tons of very ancient flood debris from past Flash Flood events from Earth's very distant history has also required removal. Just how old are the tunnels Kent Weeks found in the Valley of Kings? The Great Sphinx displays similar scars from past submersion from seawater. Some conclude these ancient monuments may even predate the last Ice Age. Unfortunately, it had been looted on several occasions, leaving little in the way of precious artifacts strewn amongst the debris from the past alluge. The remains of numerous mummies which have been discovered during archaeological works are just a drop in the ocean regarding the treasures once buried in the chambers thousands of years ago. Finding such items within millennia of junk can be a painstaking and time-consuming task, something which continues to this day. In the spring of 1995, a team of Egyptologists entered a T-shaped extension of the tomb which goes to the east. The researchers were overwhelmed with the magnificence of the tomb. Although it was badly damaged, it remains a beautiful example of what we believe is original Egyptian art, the true constructors of the pyramid. The rock-cut image of the God Osiris still located in the tomb, protecting the burial chamber's occupants. Although mainstream archaeology, including Weeks, states the preservation of the human remains was very poor. We propose these mummies to be several thousands of years older than claimed. We believe this discovery to be an incredibly important and incredibly ancient one, proving that there was once indeed a great flood, a premise now held by countless individuals who have studied the facts of our history. As always, thanks for watching guys, take care.


Alright, let's talk about how I made this egg here. So as you saw from the little video, we have it in two sections and it's threaded. So the cool thing is you can 3D print this and then put some candy or a little figurine or toy in here and give them away and kids will love them. So there are some techniques here that I think are really useful and I'd like to show you them. What I'm going to do here is instead of doing the full like long step by step approach, I'm going to just highlight a few techniques here that I used and I think you'll find very useful. And then for the full tutorial, if you want to watch this step by step approach to creating the egg and the threads, I'm going to make that available to my Patreon subscribers along with the Fusion 360 file for this design that you can download. You can find the link to my Patreon page below.  Alright, so let's begin a new design here. And the first part I want to talk about is just the approach of creating that egg shape. You may be tempted to, let's say come in with a line first, straight up, we'll do a 70 millimeter line there. Just sounds about the right size for an egg. And then you'll want to grab your spline tool and I think most of you will probably try to do something like this, like, okay, I'm just going to spline an egg here. You know, and then let's click that check mark. And then now you've got all these points and you're going to maybe try to adjust them to give you an egg shape, right? And that can be a bit tedious. It can be harder to try to get the shape down. I'm going to show you an easier way. So let's just delete that. We're still going to grab our spline tool, but we're just going to make two points. We'll go one at the bottom, one at the top, check. Take these spline handles, the two. So remember with the spline tool, less is always more. I'm just going to make both of these horizontal by using my horizontal constraint here, one and the bottom one here. And now all I have to do is just drag these to get my egg shape. So just these two here. And in fact, you could even dimension these. So let's make, for example, the top, I'm going to make that eight. And in the bottom, I'll make this, let's go with 18. And there we have it, just an egg in two spline points. And now I can just simply hit finish sketch, create, revolve, boom, I have my egg. Okay, now to add the threads. I think another way most people will tackle this is to then go ahead and say, okay, maybe split this in half and then create a sketch and then maybe extrude it up and then do the same, you know, the opposite with the top and then add threads. A lot of times when you have a design that can be revolved, you can do a lot of those feature within that first sketch. So let me delete that revolve tool, go back to that sketch. And the approach I took here is a lot more straightforward. So I'll make a rectangle, make this five by 20. And I'm just going to use a midpoint constraint to put this right in the middle here. And let's draw a line going across, which allows me to separate the bottom profile here from the top here. So I can do one revolve with this, another revolve with the top. So, all right, so basically what I'll do there is just do a create, revolve, and then select these two here. I've got my bottom and then I'm going to repeat the top. And then I'm just going to make sure to make that a new body. And there we have it. So I've got a top portion there and a bottom portion here. All right, just to fast forward a bit, I went ahead and extruded the bottom there to give me a little container in the bottom and then shelled the top to give me the hollow egg there. And now what I'm going to do is just quickly show you the threads part. So if you've never added threads in Fusion 360, it's really, really great tool here because it does everything for you. Create, thread, I'm going to select this profile here. You want to make sure that you have model checked. I'm going with a 40 millimeter size thread here and that designation is 40 by 3, click OK. And I'm going to do the same thing with that top. Just right click, repeat thread, boom, one click, I have a threaded egg. And the beautiful thing with this is, check this out, if I do a section analysis here, you can see if I zoom in here that it's got a built in clearance there. So you don't have to worry about adding an offset there. So there's actually space in between here that allows the thread to work perfectly. Actually, it simply printed this out and it worked great.  It's automatically built in and just after threading it a few times, it actually worked quite smooth. So, okay, that's the quick rundown of how I approached the egg. So just a few things I wanted to highlight here, recap, spline tool, less is more. You can actually create this egg shape with just two spline points instead of trying to create a bunch of different points there. And whenever you have an object that you're going to revolve, consider making all your features right in that sketch and create that revolve instead of going through multiple steps to build it up. And finally, threads. Threads are just beautiful with Fusion 360. It makes it so simple. And the ability to go ahead and just create this and then print it and have it work right away is just amazing. All right, keeping this one short and sweet, guys. But like I said, if you want to see the full step-by-step tutorial, I got a much longer video showing each step and each tool that I used here. And I throw in some extra tips as well. So if you want to take a look at that, check out my Patreon link. Actually, since Easter is this weekend, I'm going to post another video tomorrow showing you how I did the text here. Because if you know anything with the emboss tool, you can't emboss on a complex surface like this. But I'll show you some neat tricks that I used to be able to get this text to emboss on the surface here. So make sure to come back for that one. All right, I'll see you in a bit.


Honorebo chair, once again, allow me to call upon national democratic congress president. I've seen he has come with his boy, Shimbakamuidi, the new countries. The presidents of the Republic of Zambia, Mr. Edgar, Dr. Edgar Chagwa-Lung, Honorebo vice president, Mrs. Inongue Mutuka-Kuina, the chairman of the Petrotic Front, Mr. Samio Mukupa, the secretary general, Mr. Davis Muila. Let me just say all protocols observed. Where I come from, where I come from, they say, Achila v'efi nga chilaohama. Where I come from, they say, Achila v'efi nga chilaohama. Elokavidi, Imiti, Ipalehime, Taiwulakushenkan.  If political parties in Zambia, both the opposition and ruling party, were to be inviting each other for functions like this, they could have been no political tension in this country. What has happened today is a clear example that politics is not about fighting one another, but about co-existing. Politics is not about fighting one another, but about co-existing. And if you co-exist in this manner, you can achieve a lot. I heard my elder brother, Mr. Winterkavimba, saying that the presidents must remain in class, but this year you are facing me. But I want to say this, that there come a time in life when people must put aside their personal and narrow interests. This country is divided into regions politically. There is region A and region B, which you all know. This year's election is not about Chishimbakamwidi. It's not about Winterkavimba. It's about the red versus the green.  I would appeal to my elder brother to reconsider having a meeting where we can as much as possible reduce unnecessary presidential candidates in order to avoid this country to go into wrong hands. I have been there. I have been inside there. And when this happens, zambians will regret. Itjibem bachitilo kupeshi elungu kwen damo. Na rea en damo, na toloka mo chidikuli imue. Ukwa linsoke, dago afu lewant. I want to congratulate the PF and President Ed Galungu for this wonderful and well-organized convention. And I wish you all the best as you go in your elections and make sure you elect leaders that are going to run this party, this party that is so dear to me, this party that I hope to build. I thank you. It is President of NDC. Honourable Chair, he has spoken and we have heard. President Shimbakambiri, I will get authority from President Ed Galungu so that I will visit you next week and see how we can work together. Moreover, it is very easy for us to work together because he is one of us.


Your coca-cola bottler presents Claudia based on the famous play and novels by rose franken Brought to you transcribed Monday through Friday by your friendly neighbor who bottles coca-cola Relax and while you're listening refresh yourself. Have a coke and now Claudia Since when do you ask my permission? Well, this is your telephone mama. I don't want to impose I'm time to think of that. Hmm. Yes, but this is the first time I made a long-distance call on your phone That's the least of my worries. Who are you telephoning? Oh, mind you curious. Well, since it is my telephone aha now It's your telephone Well, since you're so interested I thought I'd telephone the house in Eastbrook and ask Gertrude how the family is You have my permission for that Funny to think of the house sitting there without us in it must be so quiet Nice here too though That's the way it used to be with you David me I You David in quote I unquote here in your apartment It's almost as if we just gotten married with a few modifications just a few Anyway, I think I'll call Gertrude What time is it? Why don't you ask Gertrude waste my money on a long-distance call for that? What's the matter with your watch? It's on the mantle. That's fine place These days it ought to be home soon Funny you're not away. I still think of this apartment as home. Well, it was for a good many years nice years. I Never expected any years to be nicer And I met David good winked him into marrying you poor David. I never thought everything could change in a year Certainly has any minute now. It's going to change even more first. We were here. Just you and me Just you and quote I unquote Then there was David Now they'll be what are you gonna call him? Well, we're torn. We can't decide between Michael Anthony Peter and Robert. That's quite a choice. I can't choose I Guess we'll just have to have four sons to make it easier your idea of easy as a little off-center. Then there'll be seven of us Seven that's a nice number to be you better call Gertrude David will be here and you won't want to be talking on the phone. Oh mama.  Well, I'm at the hospital. I've been thinking that too. He hasn't said anything about it He's probably planning to stay at his brother's think so. It's the most comfortable and convenient place for it Hardly is his brother Bottom they're very light too Though David never married Julie and hardly did Julia doesn't like dogs. I'll miss David, but hardly is his family and Well, he'll want to be with him. Well, I'll ask him as soon as he gets home because I promise to let Julia know tonight It's all settled now get on with your phone call. I Miss block don't you person there?  Yes, I'll wait This strange calling myself up. I hope keep expecting me to answer my phone My numbers plaza five five seven four four operator your number. You certainly make yourself at home It's because I'm such a good host Hello Hello Gertrude, this is me. Hi Claudia. When will you learn? It's me, Mrs. Norton Yes, I'm in New York. How is everything? How's the house? No trouble at all. Oh, why did everything go so smoothly when I'm not there is no doubt the reason I shot Gertrude, I called to find out how bluff is is he eating well does he miss us?  Oh, this phone call is going to cost a million dollars Shakespeare time to treat this morning. Now the cat will play while the mice are away and not good to tell me how you are It's about time if I were good truth. I'd leave without giving her any notice shop. How could I hear how good truth is? What did you say? Oh Dear bet you're sorry you asked to be seriously. She's really telling me always do. Oh, well Gertrude I I Yes, I see but Well Gertrude, why don't you see she's sick. Oh, she's fine. She says Yes, Gertrude. I Everybody home Claudia's on the telephone David doesn't surprise me. Who's she talking to Gertrude quiet you too. I can't hear a word She's saying my mother-in-law tonight bearing up. How's Claudia? I spy. Oh, yes, Gertrude I'm listening. What's Gertrude saying don't ask me Mama Mama come over here Mama how is Claudia really she seems fine David full of energy and questions Nothing different not a thing. How much longer do you think it'll be trying my best to get her to finish what she's saying We're not talking about Gertrude. Go back to your phone call. Yes, Gertrude. I'm listening. Go on There's no telling when it'll be David. You know how babies are they come when they please Every time the phone rang down at the office today. I thought sure it was you calling me have patience I'll make the phone ring with a very special ring when it's about your son Do that mother Hey, you hey, what's going on on the telephone? Well Gertrude, I'm certainly glad to hear that Yes, we'll call you again Gertrude. Suze is any news. Goodbye. Well, what'd she have to say? Nothing not a word. Nothing's new. Everything's fine. What on earth was she talking about? I don't know. I was trying to listen to what you were whispering about to mama You look leaves dropper.  Not a one Claudia was a very poor student. Mama was a very poor teacher. Well Here we are again The three of us down David make yourself at home the stew was stewing on the stove. Oh, David You look tired Well, I had a fairly busy day down at the office today. You miss Eastbrook terribly Eastbrook. No, not a bit. He puts up a brave front doesn't he mama? Well, he may not miss Eastbrook, but I do Mama is in love with our dog, David. Mama was able to have a little more privacy in Eastbrook 80 acres in Eastbrook And only four and a half rooms in New York And that's something I wanted to talk to you about mr. Norton What is that when I go to the hospital, which will be any week now Help us knock wood knock one cross your fingers Where are you going to go David? To the nearest cigar store. Oh, you're not going to be a kind of hand-out cigars. Are you know why not? I thought you weren't going to be a typical father. There's no such things an untypical father Anyway, that's not what I meant. I meant Where are you going to live while I'm at the hospital? Yeah, we've plenty of time to think about that How do you know we have plenty of time? I think we ought to discuss it now. All right. All right. Go go right ahead Discuss it.  Oh It is David haven't you got something more to say than that? Well, my future is being disposed of so eloquently What more do I have to say? Well, don't you have an opinion? Yes. Yes. I have an opinion. Well Free country all with it. You mean it's a free country for husbands to Oh, yeah, it's free for mothers as well, but I've stopped believing that we don't have it easy. Do we mother anything? To I weren't so smart. I'd have an inferiority coming. Go ahead. Have one nothing stopping you.  You really want to know? Why do you think I'm asking you sometimes? I wonder Julian Hartley have plenty of room for you have a whole floor for yourself What are you going to do with the whole floor David?  I hope you have a mask. No, Julie asked me this afternoon She said quote Claudia. We're expecting David. You know unquote. You didn't ask. She told it's a woman's world They love to have you David. That's nice. You have finger bowls at every meal The butler will press your suits every morning Hartley. I'll give you his best brandy And you'll have a private elevator to go up and down in now. Yes. Yes I don't know how I've survived without it so long. Well now this all settled Why don't you call it Julian tell her because it isn't all settled Since when since always I have quite different plans for those 10 days I think I'll have a look at the lambs too.  There's no rest for the weary. Do you want to hear my plans? There's a certain rather beautiful woman. I know that I'm extremely fond of oh I'd rather decided that it would be a good time for me to show that beautiful woman the town mama listen to him I thought I'd I'd take her out to dinner all the nice restaurants perhaps Perhaps I might even take her to a nightclub Well more than you've ever done for me and then let's see what else if there's a if there's a good Mickey mouse around I'll even take her to the movies. Oh, if it's a sunny afternoon I'd rather plan to wander over to the zoo take this friend of mine on a horse and buggy ride around the park I'm seething Would be a rather nice 10 days Providing I didn't have to stay at Julia in the heart place. Well, nobody says you have to I just thought you'd like to I was only thinking of you. Well, I appreciate that Let me see. Um, what were some of the other plans I made? I'm not sure I want to hear any more Little goose Sometimes I I really think you aren't as bright as I think you are he's not making any sense Let him go on Claudia. Maybe he's making a great deal of sense. You're wiser than your daughter, Mrs. Brown I think you guessed whom I consider the most beautiful woman in the world Next to my wife. I don't want to be the one to say whom I think it is. Oh, David you darling I've known all along who you meant because I've always thought after me mama was the most beautiful woman too Then we're all at the same opinion and both you Mrs. Brown and Mrs. Norton are very conceited wenches I think now I really better go look at the lambs to your both fools, but nice fools. Oh darling, I Didn't want you to feel you had to stay here if you'd rather not no place.  Oh, we are I could have missed me at all you No, not at all Sometimes I wish you wish what?  Nope, just jealous I'm going to be all alone. You're going to have each other Yes, mama and I'll have each other darling, but That's just going to make us feel All the more alone without you Now Now come on come over here.  Hello Hmm If there's a youth center in your community you notice that the very hub of all the fun is the coke cooler For Coca-Cola seemed somehow to promote sociability That's why young folks appreciate coke at home They like to be able to share it with their friends just as you do and since it's only a nickel a bottle This is a pleasure few parents need deny their families Suppose you order a case today. I'm a very flattered mother-in-law tonight. Mr. King. Well, Mrs. Brown David means every word He says and so do I I never can say very much. Oh, you don't have to Mrs. Brown I'm a very lucky woman, Mr. King wait till tomorrow Mrs. Brown tomorrow. What for well tomorrow You'll take a walk with Claudia. Yes, but it'll be more than just a walk It'll be a sort of reliving of the past few months as seen through Claudia's eyes I'm looking forward to that walk. Thank you for telling me till tomorrow. Mr. King till tomorrow, Mrs. Brown As I was about to say every day Monday through Friday Claudia comes to you transcribed with the best wishes of your friendly neighbor who bottles Coca-Cola So listen again tomorrow at the same time And now this is Joe King saying or a foyer and remember Whoever you are whatever you do wherever you may be When you think of refreshment think of Coca-Cola or Coca-Cola makes any pause the pause that refreshes and Ice-cold Coca-Cola is everywhere This broadcast of Claudia was supervised and directed by William Brown Maloney and Now here's a word from your friendly neighbor who bottled Coca-Cola


3, 2, 1, work 3, 2, 1, rest 2, 1, work 3, 2, 1, rest 3, 2, 3, 2, 1, work work 3, 2, 1, work 3, 2, 1, rest 3, 2, 1, work 3, 2, 1, rest 3, 2, 1, work 3, 2, 3, 2, 1, rest 3, 2, 1, work 3, 2, 1, work


I have a problem with my own community. Let me explain. Sometimes when I'm getting warmed up on stream, I'll let my viewers link me some music to play while we get started. Today, someone decided to link me a French rap song for some reason. Don't ask me why. And it was alright, I guess, until I clicked on the next viewer's song. And this is what the issue is.  They even have a playlist dedicated to sending me new links of this song so I don't detect it before I click on it. Here's what they sent. Listen to Minerab, it's one of the most famous. Okay, dude. And now you see why.


I think that you know it wasn't you know there's certainly that's that's a part of it our ability to to score touchdowns down there but it's much more than that we have to play better on defense and we have to you know be able to run the football and do the things that we've done around here that we know is gonna help us win so red zone offense is something that has been a factor in helping us win but just you know there were some other things as well disappointed that we lost you know and for all the factors that that we lost but that that's my number just disappointed that we lost and we'll have to come back next week and you'll get some of those things fixed like nothing you know I mean short yardage run that you know got out of there and with some other opportunities you get off the field going third down and but when they it seemed like when they needed to run the football they were they were able to so certainly frustrating yeah there was there was thought you know I thought wanted Christian to challenge and you know do his job and you know the double move is one thing I mean it double moved them and you know I coached them even at halftime I said if they double move yet you know try to make sure that you're square and that you're you know that's how we can play it and the referee thought he slid over you know late but we just got to make sure that we keep our eyes on our man and and not not in the backfield you know man coverage it's we're not going to intercept the football and man coverage our job in man coverage is not let our guy catch the ball and you know if a ball gets tipped and a post-safety is going to probably intercept it but we can't go you know looking for interceptions in man coverage you just your eyes will be in the backfield too much I think they were I mean I know there were some guys out of their gaps guys jumping around trying to make plays and you know what we got to do is we got to set an edge build a wall and swarm and tackle I'm sure there'll be some missed tackles but I know that there was some some some gaps in the wall I know on one there was a there was an edge and again the big one probably makes it look worse than what it was because there was probably a lot of two-yard gains and one-yard gains like I said 56 or whatever they had was on one but then there were some other times that I felt like when they needed to run it they ran it and you know they were able to push us in there in the end zone not big enough not yeah not big enough right so great drive and you know and then just not being able to come back there and do enough with it defensively the red zone you know I mean we had first and 20 down there self-inflicted wounds and you know just you know I thought we protect I thought we threw football I thought we were productive you know we need to be able to run it and you know when we get down there you know score close play to hop with Derek and didn't convert it like so whatever that problem is I don't know try to head ahead of play and didn't hit it you have a second to talk to Christian you know I mean like but I told you his eyes were in the backfield on the one with Pittman you can ask Christian like other than that I'm not you can ask him as soon as I finish up well just trying to you know I'm being able to hop the back over I thought we know me and trying to find a spot where we wanted to run it just didn't get it didn't pick it up thought we thought we'd obviously get it that's why we went for it Ryan tried to move Derek over and we didn't pick it up well we need to be able to pick up you know you're not going to be able to block them all but you know you have to try to stay on there and gain a yard you know short yardage sometimes is a little dirty and you know make sure everybody's covered up and they tackled us and we didn't get it I don't think that was the game I thought we had opportunity to get the ball back and go score and we didn't stop them till a minute left with no timeouts the one we blitzed them and the ball wobbled and they got caught you know I mean we're a man coverage but it wasn't there today it was it was there last week so well we're gonna just you know I mean go back and forth like it wasn't there today that's all I was saying but you usually are it's why you lose right that's you know so if you don't score in a red zone and you don't stop the run and you don't get off on third down you're probably gonna lose I don't not trying to be funny it by any means but though that's what happens and makes it really hard to win when we don't do I'm sure I'm concerned right and I mean I gotta go find out why and you know was it pretty I mean they blocked us to you know I mean which wasn't like you know so we'll figure out why they blocked us and I mean it's where we were we had past rushers and guys going and they will figure out what what it was and you know how we can be better frustrated you know man you try to get on a streak and try to get something going and try to talk to him about the things that you do when you win and try to you know validate it that was the whole message the entire week was validating how we need to play and what we need to do it wasn't available and I mean I don't know what to tell you you know he wasn't wasn't healthy enough to play and he's he's helped us you know I mean when he's at his best he's helped us but I don't know what that means for today he wasn't out there today well we didn't we didn't we didn't we lost the game and I mean we lost the game so you can trauma it up no I mean obviously not you know I mean obviously there were things that we did that were you know exactly how we want to do them and then there was too many things that that weren't good enough and you put a lot into each every each and every week you go out and compete and you have to try to make some adjustments try to make some big plays critical moments they made more than we did yep that was one of the things that I mentioned earlier I thought we protected well enough and threw it well enough today and so that was a good thing and took care of the ball I mean the last play man was running out of time I don't know what other options Ryan had but you know we didn't create any turnovers on defense and we got to play better on defense have to go back and take a look a couple times feel like we got behind the sticks you know had the penalty on the one put us into you know first and 22nd and 20 type situation which obviously is tough down there feel condensed feel like one of the earlier drives we got behind the sticks as well so you know just got to be efficient down there obviously those yards are crucial down in the red zone just like they are all over the field but you get down there everything gets a little more condensed and harder to come by so you know you give give free yards to defense and those situations tough you know we got to find a way to finish those drives had opportunities didn't execute well enough down there and you know came up short yeah they did a good job they played a six-month front and and they won the line of scrimmage so you know tough tough look there for Derek and I have to give credit to them no no I don't I think that you know we had some good running plays we had some efficient runs we didn't have a big you know home run but we had efficient runs five four five six yarders you know kind of consistently throughout the game we're able to to hit a bunch of our runs and stay efficient stay ahead of the sticks so to speak and opened up the rest of our playbook you know so I don't think they they dominated line of scrimmage throughout the game I think our guys did a pretty good job had time in the pocket for for most of the game besides there at the end so you know I feel like our guys did a good job of playing strong on the line of scrimmage but you know they they made a play that one play yeah we're working we're working for it you know we've had flashes of it but we haven't been consistent you know so that's gonna be the work that we have to put in is as being consistent being able to play our type of ball weekend and week out and and take the question marks out oh it's huge there's that extra half-second makes all the difference you know you know a few plays where he had to move a little bit so to get himself open you know had some play action plays where he's able to get behind the defense so you know if we're able to have that extra half-second then feel really confident we'll find a good place to go with the football and make a play yeah just going out and execute and putting a full game together you know I feel like we move the ball we did a lot of good things offensively throughout the game but we got to finish with sevens and not three's when we get down in the red zone and got to come away with points every time we're down there so you know a lot a lot of good things we can build on but obviously have to be more efficient in the red zone yeah I don't think it's been a thing all year anything I'd have to take a look at the numbers but you know I feel like we've been pretty efficient down there got got touchdowns when we got down there a good amount of time but you know today that that wasn't the case yeah it's extremely frustrating you know gonna gonna start stacking some wins you can't go one for one throughout the season and get to where you want to go so this team has to respond we have to come in tough week this week you know going to London on the road you know new environment new situation but doesn't matter gonna have to find a way to so get a win this week and then you know hopefully start stacking some after that we didn't play well off the win the game you know obviously we did we did some good things we moved the ball but if you don't score more points than the other team then you didn't play well enough to win so gotta find a way to do that next week yeah he's been huge came a big today made some big plays for us and you know throughout the game has a good feel for what we're trying to do and get himself open was able to use his savviness a couple times on finding some open space and taking advantage of it maybe it wasn't exactly drawn up that way so doing a lot of good things you know just have to keep building with him and and get the other guys involved as well thank you happen for me today with a better team for the defense play a lot better put points on the board we didn't do that David execute well they were the better team had a better game plan and they just play overall better we gotta be better I gotta be better that's gonna be the main focus is improving and we get down there score two days in the red zone it's heavy emphasis on that by coach and you know we didn't do it today at all it also often is it more of a mentality more of an execution or we gotta execute gotta be locked in do little things right the details the concepts of the play executing we had the the pass over through the Andre on that I gotta be better I take full responsibility on that and just gotta get points and boom we down there man it's hard to win this league and no we didn't do it today and that's you know pretty much why they're the better team how frustrating this team win one lose one win one lose one how frustrating is that being very frustrating you know you you know you want to be that team that start to excel and put a couple wins together back to back you know we've been you know not not doing that so nobody's got a lot game refocus on figure out ways to be able to do those things and be able to score points as offense women in the red zone put drives together that in the points each and every time and you know be better collectively and individually look at what you need to get better at and try to do that moving forward yeah I just tried to find the open hole and once I try to get north and south I mean God the guys showed up they just made a play there with a better better man today and you know we just got to execute better as an offense that one definitely stung and you know there's a better team so I said that one of the messages this week was a validation you guys need to prove what you did last week you could do it again yeah we did not to prove now we got to we got to show that who we are it's it's through the week now let it transition you know on Sundays you know we were on the high last week pretty great game as a whole team and then you know this week don't look don't look like that same team so I think it's just hold each other accountable make it a make it an emphasis you know throughout the week that you know you got to be locked in and let it show on Sunday and you know you can't just live off the week before you got to prove it again week after week and I think that you know long as we try to do those things and you know be locked in and you know make each other better each week then I think we can start off on the right foot right now it's just to open down well I think you know I think the leaders us we got to got to step up you know do everything we can to make everybody better you know this is the like you said a tough league to win in and you know just got to be just got to be locked in and focus on improving you know just sound like a broken record saying these things over and over again but I believe and truly believe that it eventually happened for us you know just we just got to find a way break through it and everything that we want to happen will happen but you know right now it's just aside with taste right now we've been on teams that have stacked wins before just is there something this team's not doing maybe those teams did or is there just nothing I don't think we just the consistency you got to be consistent in this league to be able to perform on a high level and open we're doing it right now as a team and like you said leaders just got to step up guys got to be locked in I'm gonna be got to be more focused whatever whatever we can do as a team and individually collectively to be better going into this week and and so on you know we got we got to try to do that when you talk about that validation and you say you got to show who you are who are you guys and how are you falling short from showing it yeah I think we are who we showed last week but I think it's just you know we got a we got to live it each and every day I don't think it's just gonna it's gonna happen I think that you know today they were they were just a better team we didn't execute the way we need to but we know how to so it's just you know getting back to that being being focused and then just playing with confidence and having fun but knowing that you know we need to get better and improve quickly


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Background, adherence to internet-delivered interventions targeting mental health such as online psychotherapeutic aftercare is important for the intervention's impact. High dropout rates limit the impact and generalizability of findings. Baseline differences may be putting patients at risk for. This article was authored by Sonya Lick, Lingling Gao, Francesca Maria Keller and others.


Hi guys, this is Jason here from Nathaniel, welcome to part 5 of this series on 16th note hand independence and in this lesson, yeah, we are going to continue our study on 16th note playing in general but it's going to be slightly different than the first 4 videos, if you haven't already do head over and check those out, if not you could even actually follow from this video because these are all independent exercises, none of them have related to each other and it's not in our order as such, so if you've stumbled on this one you are in part 5 but there are other parts as well, there's a playlist in the description head over there and do watch the other parts which give you different perspectives to interact your two hands and develop hand independence which is such an important thing which pianists yearn for. So continuing our study on 16th note hand independence, in this particular part or in this exercise, there's one thing which I have not added that is the pulse. In all the other videos or all the other exercises, the left hand was doing the pulse playing some kind of a chord, the right hand or else the right hand was playing the chord you know as the pulse, so one hand was doing the pulse while the other hand was holding the groove or the pattern which is on the 16th note division either as a bass line or a chord sequence or an arpeggio or whatever it was, so there are a lot of options available in this series which I think can really grow your rhythmic piano playing. So in this lesson I have adopted a technique which I call a syncopation, syncopation is basically where you are going to attack all the 16th notes of the bar. Now just a quick introduction to what's going on there, 16th notes means you are going to divide the beat into four equal units and say 1e and a 2e and a 3e and a 4e and a which is like a globally accepted thing, it just makes it easy to count without being like a tongue twister or something you know and everyone follows it now around the earth so 1e and a 2e and a 3e and a 4e and a shows us that every beat is getting divided into four units, 1e and a 2e and a now what's going to happen is you are going to play every single one of those beats but you are going to divide or distribute those beats into both your hands and it's going to end up sounding like this, you see I am playing all the divisions 1e and a 2e and a 1e and a 2e and a right and a 2e and a 3e and a 4e and a 1e so I have not really left out any gaps unlike the last lessons where there were gaps and you had to maintain a pulse which is just the 1, 2, 3, 4 of the bar so here we adopt this thing called syncopation which is what you will find a lot of drummers use and more particularly percussion players like you know bongo players, jembe, darbuka and tabla players for sure so the left hand is going to hit the bass drum while the right hand is going to hit the higher drum which has a higher pitch I try to simulate that on the body by going here for low or my left hand and right hand goes high and plays on the thigh which gives you like a nice sharp snare like quality so if I do the same pattern which I did on the keyboard it's going to be a very percussive pattern even if I do it on the body it's almost as though I'm drumming something like this right so if you observe I'm not doing all the hits in one hand I'm not going I can't even do that it's impossible so I have to divide and distribute the beats as per the pitches so what happens is it's sort of like a conversation which is happening between your low register or your left hand and the high register or the right hand they are literally having a chat with each other you know or a conversation so that's how you need to visualize your two hands you could also visualize it as pattern by pattern or this hand is doing that pattern that hand is doing that pattern but yeah there are many ways to visualize it so I guess as long as you get the job done well and good now syncopation as I said earlier at least what I'm imagining as syncopation in this lesson is where the two hands are playing every single beat but distributing it in certain ways not evenly you don't want to do it's very predictable and rather annoying if you ask me so it's not evenly distributed that's what makes it groovy so one hand the left hand at some instances will take up some of the off beats while the right hand in some instances will take up the off beats and then some one hand will go on while the other hand will go off so they really complement each other well and 16th notes essentially means you have four subdivisions in a beat so that'll be 16 divisions in a bar of four and I've composed this exercise on a bar of four basically four beats per bar so let's now get to it let's first look at the chords independent of the rhythm arrangement and then we'll bring in the rhythm so the chords are basically a very simple six four one five chord progression which you'll find in a lot of songs I've chosen e flat major for my scale so six of e flat let's first look at e flat major again right so that's your e flat major three flats and now you try to find the six that's c c minor then you go to the four a flat major then you go one which is e flat major and then you go five which is b flat major okay and this is how I'm playing the chords in my right hand chords are in the right in this exercise and the bass notes are played in the left hand so I'm just playing the roots of each chord c for c minor a flat for a flat major e flat for e flat major b flat for b flat major okay and then the right hand will play our chords first chord c minor played as gc e flat I'm using this inversion just like this area of playing it and now a flat major you can play like this but the shape I'm using is this suspended shape so c minor I'm playing b c e flat b c e flat so it creates like an a flat suspended or a flat add add two because the three is also there right so I'm knocking off that a flat and going to b flat it's just a colorful way of playing that a flat major chord which is the four so you go c minor a flat add two and e flat is right here gb flat e flat is how I'm playing it c minor a flat add two e flat played as gb flat e flat and then lastly fb flat d using the correct inversions so I'm actually using chord inversions to make it easy to shift and great on the year e flat b flat and for b flat I'm coloring it up by adding a fourth note e flat which is anyway the root of the scale so it'll sound good on anything so it's also nice while playing these flurry runs so I just keep that e flat there if you want or you can remove it it's optional so chords a flat e flat b flat with the added e flat if you wish and each chord is basically played for two counts so one two change four so at the three you're going to change the chords it's like a quick chord change c minor a flat e flat major b flat let's keep that going a flat e flat b flat okay and at the end of the bar instead of just playing b flat I could also play this chord which adds to the you know the resolution or creates a nicer loop you know by playing a nice dominant chord at the end let me play that for you c a flat major e flat b flat what's that chord right there it's basically b flat diminished seventh in your right hand you want to go a flat b d f with a b bass to give you that diminished seventh chord there which takes itself back to the root c minor so it really that diminished seventh chord is a very tense chord beautiful at the same time but it's an unstable quality so it's great to add that at the end of the bar so then it immediately you know sort of locks magnetically to the first chord of the chord progression in this case c minor so c minor a flat e flat b flat you can stay there or c minor a flat e flat b flat b diminished c so those are your chords e flat b flat c minor a flat add two e flat b flat b diminished seventh then back to c okay just keep in mind before we get into the rhythm patterns of both hands and then interact them together the left hand basically you need to play it as octaves don't just play a single c because in the very near future we are going to kind of distribute our left hand as well not to just play the notes together but also to do a rhythm pattern between the root and the octave right so figure out a way to play both of them together it's quite easy pinky on the root and the thumb on the octave and also keep your index finger or the middle finger whichever is easier to play the fifth of each chord so for c minor the fifth is g for a flat major the fifth is e flat you don't want to play them together it'll sound very muddy so we're going to play them like a bass player in a group like that okay c minor a flat major e flat keep your fifth finger ready in this case the index finger waiting on b flat and then b flat what is b flat's fifth it's f it's a little tricky to find that but it's f theoretically okay and back okay so this is basically what your hands are going to be holding now coming to what your hands will be doing rhythmically okay i'll play you the rhythm pattern again very quickly just to refresh your memory and then we'll try and slowly but surely break it down so stick with us stick with me till the end you will definitely get this okay and remember we are in the 16th note domain so we're dividing the beat into four units so i'll play it same voicings which i taught you earlier c minor gc e flat a flat e flat gb flat e flat d flat major fb flat d there okay now what am i doing let's break this down the first thing i will advise you to do before you get to a stage like maybe this so before you get to that confident stage just keep your left hand only on the ones and the threes because the chord hit points are at the one and the three so you go one one e and a two e and a three and a four e and a one e and a two right and a four e and a just the roots of the chord played as octaves just start with that okay and keep the count going two e and a three and a four e remember each chord is changing every two beats one e and a two e and a three okay and a three and a four okay now coming to the right hand the right hand basically attacks at the e and the end of beat one one e and a two e and a that's all you need to remember because i've sort of repeated that for beat three e and a and four so e and two a e and two a so e and two e and two e and a e and two e and a e and two e and a you repeat the phrase even for the three e and a four e and a e and a four e and e and a four e and so one e and a two e and a one e and a e and a two e and a three i forget the three sometimes but you get the idea one e and a two e and a three e and a four e and a so that's your right hand let's slow it down E and 2, E and a, E and 4, E and a, E and 2, E and a, E and 4, E and a, 2, E and a. So as you can see I am itching to do something more in the left hand that's coming up very shortly. For now you can just hold the roots as minims or two beat values. Get this going. You can do that as well. If you'd like to play that B diminished 7th chord, so normal B flat at the end now. We're going to do the diminished and E and a, E and a, 4 E and a, so I am just hitting at E and E and back. So coming to the finishing piece of this puzzle, the left hand right, so instead of just going the roots and octaves played together as a sort of a pulse. We do this sort of a rhythm pattern which I'll break down for you right now. One E and a, this is the groove, one E and a, two E and a, one E and a, two E and a. So root octave, octave 5th. It's a four note phrase every two beats, so C, C, C, G. So these are the base notes of C minor, so if I play C minor here a great way to start I guess is just hold the C minor chord in the right end, don't groove or don't play that pattern I showed you earlier, just hold it so, okay. Get the C minor nice and tight, one E and a, two E and a. Now let's go through the chord changes, C minor, A flat. What happened there? Same thing right, root, octave and it's 5th, so root, octave 5th, root, octave 5th, root, octave 5th, then left hand and a nice way to make it more epic is just hold down the pedal for every chord, of course make sure to lift it before the next chord otherwise things will get really crazy, so pedal on, E flat, B flat, A flat, E flat, B flat. And now slowly see if you can get the pulse in the right hand, puts everything into perspective right, one E and a, two E and a, three E and a, four E and a, one E, basically every pulse or quarter note. Now getting to the syncopated phrase, as I told you in this lesson there's no pulse needed, well you could do the pulse, I just showed you, you can also play the chords as the pulse, remember the right hand pattern discussed earlier, so you want to do that now with the left hand, which now for some strange reason you'll find that it may actually become a lot easier, it's like your two hands are talking to each other and it just somehow works, so a great way to get this somehow is to get maybe the left hand first, which is going dum, pump, pump, pump, pump, pump, or maybe get the right hand first, which is going ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, ta, get internalized, both of those rhythms separately and start with one of them, maybe now I'm starting with the left hand, see if you can imagine the right hand rhythm, and slowly but surely bring that in, right hand, with the left hand base, left hand pattern, right, only left hand, fill in that diminished chord as well perhaps, so maybe the second bar or the second cycle, you could add that diminished seventh chord, so first cycle you just do C minor A flat, E flat, B-flat, second cycle you do C minor, A-flat, E-flat, B-flat and then add the diminished and then it creates a very interesting loop of chords, right? Right guys, so let's just revise the exercise once more. We've looked at 16th note independence, this is part number 5, we've looked at syncopation where the important things to keep in mind are the left hand and the right hand will interact with each other by playing basically all the divisions of a bar of four where you're dividing by the beat into four units and you develop a pattern in both hands which is sort of not even, you don't want to do left-right, left-right, left-right, left-right, you want to kind of do something different in each hand so that the accents and the off-beats shine randomly, it's like the two hands are talking to each other, right? So the left hand had a pattern, the right hand had a pattern and then we put them together. Right, so before I sign off I'm going to play the lesson really slow for you to play along with me I hope and if you have it already don't forget to subscribe to our channel, turn on the bell for notifications, leave us a comment, that'll be fun, give us a like, share the video, bring more people on board and you could also consider being our patron on Patreon where you're going to get all the handwritten notes from the exercises I do now in the past and of course in the future, it's all going to be there on Patreon as neat PDF files so head over there and it'll also be a great support to our channel and here's me signing off with the super slow version of the exercise.


So the very first thing like before before we even get to the cartridge side The very first thing that I would recommend is making sure that your social media is all up to par So you should have a personal page. Do you have a personal Facebook page? No, I don't okay, so that that is what I would highly recommend is is is setting up your Facebook Because as you as you come out to the marketplace especially on social media Like people are going to start looking you up Like not in a bad way or not in a way where hey, let me go see what this guy who this guy is They're going to just want to start connecting with you Like they're going to want to start connecting connecting with you on different platforms Facebook happens to be the the biggest one and especially if you're targeting Professionals or if you're targeting targeting an older demographic Those folks are for sure on Facebook A lot of professionals are on linked in when it comes to professionals like people that you know Have I was always on I was on linked in before for as an administrator and yeah for sure So that that linked in it you need to have your profile picture there It needs to be up to par like it just it just does like this is just I haven't had it in 10 years, so This stuff is going to hinder you this stuff is going to stop you this stuff is going to make people question your credibility See no one everything you shared with me as far as your background your experience your credentials The thing about social media no one knows that Like no one knows you And especially if you're hiding behind, you know a camera or if you're or if your profile picture isn't even an image of you That's the number one red flag like for example over here on my youtube channel Like let me just show you something real quick When people start commenting your picture what you had is so famous now Because there's a picture there it could be me With with sticking out my tongue like it could be anything. It's the fact that I have an image there That's the credibility. So it could be anything man is the fact it could be a picture of of you Look into the side and and you just snap a picture of the side of your face Or it could be a picture of you you know looking out into the into the sunset and it's a and it's a it's a picture taken behind your head Like as long as that's your head as long as that's you That's credibility. That's the number one thing. So look look at here's what I'm showing you Right when I get notifications from people who comment Okay, when people comment on my stuff This image that's a cartoon image It's like there's no credibility when I when I look at pictures like this This image this is supposed to be a profile picture. That's supposed to be their image There's a When I look at this Like yeah, like even the baby is is something Yeah, it's apparent but at the same time it's still questionable. It's like that's not them So who the hell is that and and then this one I hear this orange one It's like dude when someone comments I automatically you're discredited Like automatically and and I have a ton of those Jonathan, you know, he there's no profile picture That and look at look at the difference between Jonathan, which is this green one and then look at the difference between Zach Look at the difference between ben Look at dan Like that has to be you man Like that has to be you that's number one like and that's what a lot of people miss is they they just put some random picture here Or they don't put a picture Look at this Terry This johanger Like michelle No picture. It's like dude.  It has nothing to do with how you look Let me make that clear.  It doesn't matter how you look at all. It's the fact that that's you That's all that matters and so linked in same thing that has to be a profile picture of you A few credentials, but the the account has to be active with facebook the majority of the of the older demographics If they're not a quote-unquote professional An attorney a doctor a cpa a real estate agent those people a lot of them are over here on linked in But if they're not that professional and they're just an average person But they're in that older demographics. Let's just call it. Let's just call it 70 and up or 65 and up Those folks are on facebook So if you don't have a personal facebook page automatic red flag If you're over here trying to promote a business and you don't have a business page automatically red flag Oh, wait, no, definitely if you don't have a business page You mean the business page on facebook. Yeah, this is this is the facebook business page right here Okay, that yeah, I understood. Okay. I thought and then and then I have my personal page And then and then just having your your icons over here You know having having this is where we're at now So so when it comes to marketing and when it comes to getting the attention of of an audience This is where everyone is at. They're all on facebook. They're all on instagram. This is my instagram link They're all on linkedin. They're all on pinterest. They're all on twitter That's where everybody is at and then And then and then if you have a dot com like I have a dot tv because I'm trying to drive everyone to my youtube channel But in your case, you would have a dot com So your facebook page needs to look like this. You need to have these social media icons listed. You need to have an active And you need to have your dot com right here and when I click on your dot com Then you're taking me to a cartridge page The dot com is taking me to a cartridge page But i'm just letting you know this is how it should look even if you're not posting on on these other platforms Even if you don't know anything about pinterest What i'm telling you statistically is that there's hundreds of millions of people there What i'm telling you statistically is the demographics of who you're trying to target are on these platforms These are the top five facebook instagram linkedin pinterest and twitter So it has nothing to do with you. It has nothing to do with if you're If you're posting on them or if you know anything about it has nothing to do with that It has everything to do with you being a business owner now And you having a message and you now be giving people the ability to follow you on one of their on one of their favorite platforms Because chances are it's one of these platforms that are their favorite These are the top five in the world Most of it's going to be a professional so it would be more of the linkedin Yep instagram facebook the business page twitter There's many many professionals and many many older people on twitter So it's just these you guys just have them active man And again, you don't have to know about these platforms. You don't have my question david I have a question because my business partner is a is a woman Okay now I wanted to i mean she she's very very uh She's very photogenic and very friendly and versionable And I thought I would make her face to face with the company You can you can if you're now now there's two different things now you can you can which is what I highly recommend for sure Because especially if you're if you're trying to build a quote unquote Company and and and you don't want to be the face of it Then yeah and it's almost better that way but go ahead but then yeah putting someone else there That's better than than than not but here's the deal as well If I saw a picture of a female And that's the face of the company I'm gonna automatically know that she's the one running it and she's the only one in control And so when I message her And I don't get a reply from her I get a reply from you I'm gonna be like who the hell is this guy Like that's not the that's not the person in the picture So another red flag will go off So that's why social media You can either come over here and build what we call a personal brand which which is what social media is all about Social media is all about a personal brand your face When a company tries to come to social media and only Market an image only put their logo there. So rather than a personal profile of a headshot It's their logo when someone tries to do that.  That's what your face is on That's why you see my face everywhere.  There's my personal picture. You go to my business page. There's my personal All over. Yes, I see it. Yeah, so that right there automatically Attracts a person like dan and dan's like damn. Okay. This guy's a real deal But had I had just my chicks picture there You wouldn't have approached me the same way at all and I wouldn't have built the same following Because what are you going to be doing following a chick for? You like so I would so for sure I would have not built the same following So so here's my point you're either going to build a personal brand And put your face on on everything or you're not or you're not or you're not and and and if you're not if you're not Then you have to be 1000 percent running Paid traffic you need to be 1000 percent running facebook ads because It's not the personal brand we're building. It's not the Organic brand that we're building which is what social media is all about Social media is this instagram facebook pinterest linked in twitter youtube That's social media and that's personal branding But if i'm not going to put my face on everything Then then I have to just cut to the chase And I better have a budget to run ads Because I have to run ads to get thousands of people to see what we're offering Because most of them are going to believe us because there's no face to the brand And that's why over here as you look at facebook and and and again youtube if you plan on running ads on youtube And you're not the face of the brand That's even harder because now you got to make videos because youtube is all video ad You have to now run ads on video Yeah, which are more corporate style Because there's no face to the brand. So now we have a corporate type of vibe Now I got to get somebody to make those types of videos and that's that's not cheap So you can do cell phone videos and post and post and post you could be doing cell phone videos of you And be very effective But again, if it's not going to be you Then it's going to be it's going to be corporate and I have to run ads on that Because I can't come over here and build a normal brand like I want to because it's corporate And no one's going to follow me because they don't see my face on anything and they're not going to even know It's a real account or they're going to see a picture of some chick, right and that's not even her account That's freaking dans. So it's like that's not what I recommend at all. So so here's ads look like so when you're on facebook You're scrolling through and all of a sudden I come across a sponsored ad look this guy kody There's his profile picture. It's a real person But if that was something different now now now if you want to put her face on that Business page because whatever whatever faces on the business page. This is the business page So that's what's showing in the ad You could for sure put her face there for sure but but but again, my point is you're running ads That face is not on anything else. It's not on instagram. It's it's not on anything else because that's not her That's you. It's just her picture But in this case since we're running ads I guess it wouldn't make a difference because i'm running an ad and i'm getting thousands of people to see it Anyways, and and as long as that lead comes in Okay, dan could be the one that follows up with that lead and let's just say you're the communicator You're the closer. You're the rep. You're the sales rep. You're the consultant You could for sure put yourself in that role and now she is just the face of this facebook business page But again, what i'm telling you it has to be an ad It has to be an ad if you're not going to build a personal brand on social media You have to be running ads and you could you can go ahead and put her face because her face is going to show right here And then again in the actual ad here's the ad the image. There's the face So so if I so this is what it's all about facebook ads instagram ads youtube ad It's all about their face If that wasn't their face It'd be very hard for me to For me to for me to engage or very hard For me to believe or very hard for me to understand what the hell's going on over here Okay, well, here's my question david because I totally hear what you're saying you you've already landed it. I understand the question is Now these sponsored ads obviously her face couldn't be on the business on instagram uh facebook and everything I understand I completely Eliminate that personal connection. Yeah, it's it's a personal connection. It can just do an older Can't excuse my interruption. Can I do? And uh, I mean I have a picture from years ago with me as me as an administrator professional shot That's what I'd like to use. Yes, man. For sure. That's what I okay Yeah, so that's what I'll use and then I go by I mean professionally. I've always gone by patrick so I'd be doing that that executive shot, you know what I mean and and After robinson boom, there you go. So yes, I completely understand and that's how we'll proceed So so what you want to do first is set up a personal page because you cannot have a business page unless you have a personal page So Again, you know, really? Yeah, man. Yeah, this this is my personal page This is my business. Let's actually let me let me click again This is my personal page and then down over here is my business page I cannot have a business page unless I have a personal page Now I don't have to be using my personal page all the time at all But I have to have it set up. It has to be active. It starts with the personal page So I didn't know that Yeah, for sure. So I'm just giving you a rundown on what should be step one You know getting this getting these accounts up And and and making sure that these profile pictures are you? And and and that's that's social media that's social media, right? Right? So that's fine. I can I can be doing that immediately. Yeah Yeah, set up all the accounts for sure. That that's what you want to do first And then and then over here on cartra.  Like you're on an expensive plan. You don't need that plan right now Like you need this basic plan. You need the starter So that starter is the one at $99 a month. I think you ended up Setting up your 14 day trial at like I think you set up yours at like I think you're like on the gold Which is like I'm on the gold. Yeah. Yeah, you don't need that gold right now, man You don't need that gold right now. Um, I don't want you paying for that gold right now. Um, I want you to downgrade it so You can come in here and you can just downgrade it and and get on the cartra starter Okay, okay. Oh, yeah, and and because for me, I would rather send you that $200 than to be given it to them No, it's not even that at all. Oh, I mean, I'm just saying I would the money would be much better Yeah, yeah, that's why you yeah, you want I want you to budget it, you know better But then I can switch over when when needed to do the other one. Yeah, it's only it's only Just so you know, I mean the game plan wasn't in establishing the business Was to pay annually for the gold And and the savings drops it down to where it's the same If you want to do that you you you can like if you if you want to do that you you totally can Well, and that's yeah, that's how we're setting it up. So my my business partner is We'll be moving forward with doing the the annual for that level and then but I totally hear you with what you're saying I just I just think you to tell you the truth like I don't think you need that plan right now, man Like I just don't this this gold is for people who have 25 000 leads or more Right. No, not not or more. It's up to it's 25 000 leads You don't have one So That's not the plan Cartier gold is not the one for you right now at all like if you want to pay an annual one do it on the cartridge starter Like do it over here on this one and save yourself hundreds of bucks like You don't want to do that like And and Rick I would have you do it because I make a commission I make a commission way higher commission if you were state if you were to do what you want to do Yeah, but that's not what I'm in it for like I want you to be smart about this Like I don't need you spending way more than you need to I don't want you to be more than you need to Praise god, bro. I love you.  Okay, cool Do it on the cartridge on the cartridge starter Right, exactly. Okay. So, um You'd log into yours click on billing and then and then just downgrade it downgrade it to this Okay, we'll give you two pay hundred pages Second host a hundred pages the one domain. Is that my domain or do I have a domain?  Yeah, you like whatever dan.com like you'll have that one domain And that's all you need right now. Like you don't need multiple domains connected to kartra You can have more what I was looking at david was maybe Selling a domain. I thought I was going to give a domain to this cart dealer. She had yeah You you can but it's not it's not a it's not a domain that would be integrated with kartra Like like for example, if you came over here and and and worked on a page for the cart dealership Yes, here's here's the way I would do it Like let's say for example, let's say this was my cart dealership page that I created for for them, right? Kartra is going to give you this this This url by default like by default right here. This is what yours look like So however, whatever name you put right here for kartra That's the name. So if you did in robinson Dot kartra.com That's your url and then you can always customize This back end part So let's say for example, it was dan robinson dot kartra dot com forward slash page forward slash cart dealership Right now I have this page that I just created for my client Okay, so here's the default url for the client What I can do is I can easily go to go daddy And I can purchase a domain and I can name it cart dealership dot com And whenever anyone goes to that website cart dealership dot com or whenever they click on it It forwards to this one right here So what you can promote to the general public is cart dealership dot com And when they get here, they just end up seeing it seeing this url, which no one cares No one cares what they see over here as long as they got That's all that matters So for him like he could do you know cars plus or one of his locks dot com And it forwards to the link that you created Which will have your name in the link. That's the only downfall about doing pages for other people is the fact that Yeah, it's going to be but at the same time. No, I take that back in go daddy. You can mask it So so this link won't even show up here Your name won't even show up on here when when when people click on cart dealership dot com Um They end up going to your carture link, but up here they're going to also see cart dealership dot com They won't even see this because through go daddy you can mask it And so now the link the official url won't even show it'll only show cart dealership dot com the entire time that they're on the page Okay, so when he goes on let me say this part Go ahead and that right there is simply Domain forwarding That's not integrating a domain with cartra because on that plan you can only integrate one domain, which will be your domain So you're only going to integrate your your your personal domain, whatever you got dan.com That's what you'll integrate because that's because the majority of the pages are going to be for you Or or if you're just doing it for other clients, that's how you'll do it You'll set up a dot com for them through go daddy But you'll simply forward it to the url that you created the page that you created you won't and at that point I can run it through cartra on the tracking and everything right all the tracking can go through cartra for sure And all of the email automation I can set up for them and stuff you can do all that through cartra Okay, so then then as I grow I would want to obtain the ability to do other additional domains As you grow but not right now. Yeah, as what about what about I mean this this the silver to be able to do a domain for the car dealer. It's such a big opportunity What do you think?  Yeah, if that's what you want to do. Okay, cool. Pay a little bit more But but to tell you the truth I have like Five different projects going on and i'm on the cartra starter Because I forward it. I don't integrate the domain. I just simply forward it You're telling me you're telling me and then I wasn't hearing it. Thank you. I understand now You were telling me I wasn't hearing it. I'm sorry Okay, so Yes, so then but look and I can Then for immediacy As far as something to present to this guy for the lot That I recommend starting off with with doing a facebook advertising for one lot Okay, that would mean entailing, you know What would would that entail then that that's kind of what I want To be able to present to him and then And then I wanted to make sure We had an agreement on how we were moving forward and stuff I'm just jazzed to be working with you bro. I mean it's well here Here's what you got to learn first man before you even pitch a dealership. You got to learn facebook ads Like that's a whole another freaking ballgame bro Like that's that like it's taking me four years and thousands of dollars to learn it Right, right. Oh, yeah. No, I know I understand. Yeah, and I got it down. Okay, you have to I shouldn't even I mean he he's basically interested in He wants to start selling cars on amazon is what he really wants to do I mean, that's what his My friend is the his auction guy who buys all his cars And and my friend since I was dealing with amazon and stuff because i'm setting up an amazon account Which I need to be able to link to karcha by david Okay, I mean i'm setting up an amazon account to be focusing on senior care dementia products Okay, so i'll be able to link that then to to karcha, right Yeah, you can you can create any page that that needs to be created like An ad or not whether it's an ad whether whether it's not an ad If I if I need to take into a website, that's karcha So if I need to create a web page That someone goes to Clicks a button and gives up their information That's karcha Absolutely the tracking date and it goes into the auto at that point, right But karcha is more of a more more of a landing page type of software meaning It's not a full crazy You know drop down. Yeah drop downs and everything will page. I understand although you can but but it's more for direct marketing Like it's more for advertising So every ad that you see on social media, bro every ad every ad every single ad facebook instagram linkedin Right youtube every single ad This guy right here sponsored ad Every single ad you click on it It takes you to one single page A language to step down to the business, right? We don't want to drop down in all of this who we are and never None of that stuff. It's all right there, but so so karcha is Software, right? So this guy look this is easily a karcha page easily. This could easily be a karcha page I come here. It's one single page. I click on one button and I enter my name and email Right that's what I'm going to do for his car dealership is a one page With a video of the car dealer and pictures of the cars and then and then here contact them now That's it man. That's it. That's what I want to do. So I understand that That's what I'd like to That's what I'd like to be able to put together as soon as possible is just a simple page for him Where I would upload the pictures And let him know, you know, here's the domain I bought for you And you're now active I'm going to register you for this weekly training that we have for karcha So this is something you want to make sure you're you're you're on and if and if you can't make it live Then what you're going to want to do is make sure you watch the replay Because every Tuesday and Thursday at 1 p.m. Pacific karcha support Like the main brains behind the software They come online every Tuesday and Thursday at 1 and they do a live screen share. It's a live I saw it. It's that that african-american lady and yes, man Yeah, I've watched a couple of them. They're it's so So knowledgeable and like you said you could tell that I learned all this stuff from So I I didn't I'm not a website guy, bro.  That's a completely different platform That's where we need engineers to build us some crazy pipeline websites that do all this match Well, no, and you know what bro, that's too much Just so you know By the time we ended our last conversation We had already decided To do a simple page like we're talking about I have products that you're interested in purchasing weekly Pick click the link below and the link goes to Goes to uh It goes to amazon, right? Yeah, see so that's the way we were going to approach that Yeah, I have to tell you what I'm trying what I'm hoping david is is that Is there any way that I can can pay you to establish these two pages?  I'm so freaking busy But I have a little bit of money where you just go do the damn thing for me I mean, I have the patience But I I unfortunately I want to be able to present this This one does page operationally to them to the guy because I have the capability of capturing all 10 lots So the lag time and versus you know, I mean us us doing a page for a lot boom I buy his domain And and us me knowing okay as soon as I get this domain on And pictures of the thing then I work on pictures of me on my you know what I mean on my facebook in the interim That's how I'm I'm kind of thinking it is I'm able to get something out there for him That he's able to use It's worth it to me because of the capability of capturing 10 locks See, so what you'd want to do in that case is yeah You have to set up a personal facebook page for sure But around your personal facebook page is what I'm saying is required for a business page, right? But in that case if it comes down to the lot what you can also do which would be even which would be even more of a selling point Because when you have it wouldn't that be on it it would it wouldn't have me on it. It would have yeah Yeah, so what I'm saying though is that yeah the personal page has to come first and then around the personal page I can set up as many business pages as I want so I would if I were you I'd come over here and set up a car page So this is not dan's business page. This is a generic car page And so now you're able to present to them and say hey, I got your your custom domain cars plus.com I registered it for you and this page this.com is now going to be going to a cartridge page But what I also did for you mr. Owner is I created a business page and from this facebook business page I'm going to have your cars all over it and this is the page that I'm going to be running ads from Wow now see that right there just me watching you While you set it up Would be would be perfect and I'm able to learn how you do it. It's operational Then we go through we do the other one by the time we've done the two dan knows how to do it Yes, man that that I'm operational. I've got I'm addressing this this because this huge social need Is kind of I don't want to lag on it either because I've literally told told some like 1500 the operative owners and the you know the CEOs for this 1500 hospital organization That we've got something coming down the pike to address the issue So I wanted to let you know, that's where I'm at on that And I kind of I shouldn't have I shouldn't have Said that I was working on something when I I realized there was an overwhelming learning curve. Yeah I'm not unrealistic.  Um, I I'm that's why I praise god that I found someone like yourself because You you're realistic and you get it and I understand you're busy and overwhelmed If we approach it the way we're talking about two simple pages First step for me then now would be to go on. I need to go buy the domain for this person I've got my domain already as as Compliant health care solutions. I can do the page for for that linking them to my in the Amazon So if I develop that page And then we do the one for one simple one for one of the walks I would learn from you and while you're showing me, you know, I mean we'd actually make it An operational an a operational session Yes Is can you bless me like that? Oh for sure man for sure Praise god praise god. Okay, and I know you've got people lined up for today So what how do you want to proceed then just schedule as many calls as you need? So just go back to my calendar In fact, let me just let me just I'll just email it to you again. Let me um, thank you very much, bro Because I got a message that says you're subscription with castle now.  I tell you praise god. Do me a favor. I need to hear progress on on on father Okay, give me the progress of what you've done. I kind of want to know. Okay, I contacted the geriatric At at you know, university san diego. They've got a lot of good doctors several or members spanish speaking You know what I mean type of thing. Mm-hmm. For sure. I really want us to make some you to make some progress on that I just I'm and that's important. It is and let's not bypass that For sure, brother. I appreciate you very much, man I will I'll keep you posted And I'm going to send you this link right here for my calendar. So let's focus on that Um, whenever whenever you want just schedule if you're busy for the next week. No, there should be there should be time slots available So, okay Well, I'm gonna I'm gonna go on as soon as we're as soon as we're finished bro and lock and lock a couple of them in And I don't even know what timing is right now. I I registered. We're done I registered you for the training as well. So try to jump on these live trainings Tuesday and You know, I had already registered for those and Okay, yeah, because I'm like bro. I'm reaching. I'm hungry and I have the passion. So are you Yes, okay, cool So, yeah, try to jump on those and again if you if you can't make it live Then just watch the replay because they email you the replay of it and it's an hour I'm gonna be going through all the old replays one by one. Yeah. Yeah, I'm just saturating myself I'm looking forward to on the next call and thank you very much I'm gonna let you go because I know you got somebody else waiting. God bless you Schedule schedule the time now. Okay. So you don't forget schedule us our times and we'll jump on whenever you're available I'm gonna do it right now God bless talk to you soon. All right. God bless you. Bye