Hello, everybody. So Chick-Tek, oops, I need one of these. First, a little bit about me. This is me. You can find me on Twitter at NNGuard and pretty much any other site with the same username. I measure my life in my pets. And so first came Bo. Then I became a moderator at opensource.com. Then while at OzCon in Portland a few years ago, I saw the booth for Chick-Tek. And I had just moved to Austin. And I was trying to find a meetup that I could join. And I said, what are you about? And I'll tell you the answer to that in a second. I learned about Chick-Tek. And I said, do you have an Austin chapter? And they said no. And the rest is history. Then came Bailey. Then, as Ricky just mentioned, I joined Red Hat. I am on day 80, I think, at Red Hat, which is awesome. And so I'm still writing for opensource.com, just not as a moderator. And then what is the best way to celebrate a new job? Another dog. And so then I got Ariel. And so I do this because one of my fellow moderators mentioned to me that I've been at Red Hat for 80 days and my animals haven't shown up in the documentation yet. So I had to share with you. So what did I learn about Chick-Tek? What should you know about Chick-Tek? We are a national organization who focus on retaining women in technology. We also focus on high school girls. This is actually our predominant program. We introduce them to tech through a lot of hands-on workshops, completely free to them. We are 100% volunteer run. And we depend a lot on donations and sponsorships and things like that. In Austin, we are about to have our kickoff weekend. It will be November 12th and 13th, which is really hard for me to be here because I'm thinking of everything I have to do for that. And we got 336 students nominated by area teachers. These were girls who had an aptitude for tech, but maybe aren't in the robotics club, or aren't in computer programming classes yet. And so we were able to get these girls to find out about us and let these teachers know about us. And we got this really great mix of people nominated. And so where does open come into this? Well, we're going to be using open source tools. We're going to be teaching open source languages. We're going to have them share their code on GitHub and introduce them to the powers of sharing and contributing to communities. And there's just so many other possibilities that we have as we grow and as we expand our chapter. I'm hoping that other chapters are doing the same thing as well. One of the beauties of Chick Tech is that we do get to decide what our programming is going to be based on the skill sets in our cities. So registrations. We got 100 registrations for girls in less than a week. We got their nominations. We delivered their letters. And in less than a week, 100 girls quickly signed up for this program. Of them, most of them were in 10th or eighth grade, but we did get a nice range of age groups. We also like to know if these are girls that are in need, because there are a lot of programs in Austin, but some of them cost money. And so we want to get the girls that aren't going to be able to go to those other programs due to financial reasons or family reasons. And so it turned out that we got 30% of our nominees are on some form of lunch assistance. We also loved this number. We're talking about diversity. We're not just talking about gender. We're talking about walks of life, nationality, et cetera. And so we got 47% of our nominees. Their English is their second language. 17 of the girls nominated was on one of the other slides. We're refugees. So we're really getting a nice broad audience into this program. We're in Austin, Texas. So these numbers aren't terribly surprising to us, but almost half of the girls that will be attending our program in a couple of weeks are Hispanic or Latin American. We need you. We're going to start 10 more chapters in 2017. Here's the list of chapters that are there. They need you to help them by volunteering. You can learn more at these links, which I'm sure will be shared. And we have a starting a chapter guide if you want to do that so you can learn how to start your own chapter. Or you can talk to me. I'll stay up here after the talk. Lots of social media. You can tweet about us. Follow us on Facebook. Find our various meetups. Everyone is welcome. So any genders, any walk of life. And if you're interested in one of these awesome t-shirts, $20 cash or credit, come to me. And all proceeds go to the girls.


beautiful ceiling instead of what I'm meant to. What's up, y'all? It is today, I don't know what day it is. It is today. And as promised, I told you guys that I would do a comparison on top cell and base cell paste. So that is what we're going to do today. As soon as I can unlock this. What's up, Brittany? What's up, Emma Kate? How are you doing? How are things over? Way across the pond. Just having to grab my phone and got the notification. What's up, Shannon? Love you guys being here. I've already got my resin mixing. I got my boards prepped. I'm using some cradle boards from our website. These are like canvases, but they are wood, essentially, but they're lightweight. And so you can hang them just like you would a regular canvas, but it won't dip in the middle. Genius. If I do say so myself, but I'm biased, whatever. And I'm using my I stoio stand mixer. To mix up this resin, which is awesome. Saves me time and lets me do other things while my resin is mixing.  I accidentally poured part B of my resin and didn't read which resin it was. So I again mixed up some aluminum light. Amazing quick coat. So I'm on the clock again today because I don't, I like to punish myself. I don't know. This is a very fast curing two part epoxy and it cures enough to sand and do a second coat within four hours, which is amazing. It has UV resistance. It's a great viscosity. No VOCs. But the bad thing is you only have like 20 minutes to work with it. So I'm going to attempt to do at least two pieces with these eight ounces before my resin sets. And we'll find out together whether I'm successful or not. Let's lift our these are cradle boards. If I can get these cups apart. Wait. Give up. Or don't say that one for later. So I get asked a lot with the differences in top cell and base cell paste are essentially all of the base cell paste that I use slash carry are from color passion, all color passion paste other than the top cell white are base cells. And I'm going to show you in real time with demo what that looks like. So maybe it'll help you remember a little bit easier here. I'm a visual learner. I am a hands-on learner. You tell me something a thousand times and probably not going to remember it. But when I have to use it, you know, in a practical sense, then I can grasp it better. If I see it being done, I can retain that information. So I'm hoping that helps you guys here today. It's important to know the difference because if you're trying to get cells or large cells specifically, you really need to use base cells. And they're kind of particular in that they're not going to work unless they're under a paste from another brand, which I'm going to show you. They also don't like a lot of heat. So I have my swiping paper here in ready. How does floating gold go over a base cell? What if I can find some of my floating gold? You know what? I have some gold spray paint by the same brand handy. So I will show you. I don't know. I haven't done it. So we're going to find out together, Miss Emma. I'm glad your Fox painting got there. Thank you so much for supporting my small business and purchasing an original from me. This has been mixing for about three minutes. I'm just kind of swirling my mixer around to make sure I don't have any little strings of resin that hasn't completely mixed together. I think we're good actually. So let me try to get some of this resin off. Cause waste not want not. I'm going to tend to do that before it starts just splattering everywhere just like that. Stop. Okay. Let it just drip out onto my little this. Good to go. I'm just going to give it one more swirl on the sides just to be extra thorough with it. Now if you are interested in this amazing quick coat from a little light, I have a link with a discount down in the description box. Anytime you guys use my links, it helps me out. Resin is an expensive medium and it helps fund the channel and it helps me out. So if you have any time you guys use my Amazon link or my stone coat or a little light or whatever affiliate links I have down there. So let's concentrate on these guys. That's just going to have to work because my, okay, we can just turn the whole thing because that makes more sense. Right. We have our these ready to go now. So let's make, we're going to do a dark turquoise, a spearmint, a white. And I was going to show you guys metallic Lorraine is a metallic. I was asked yesterday if the metallics sell as well. And so we're going to find out together. All right. So I am on the clock. So I'm not going to be able to read the chat for right now in this moment. So, the mods are amazing. Thank you guys for being here and helping out. So the first color I'm going to use is spearmint. It is color patch and you can see that CP just faintly in the background. And this is a great little bit like breakfast at Tiffany's type color. It is flat. It has no shimmer or metallic in it. And I want it to be opaque. So I'm going to load it just a little bit. And then I'm going to add a little bit of color to it. You don't have to load it. It'll work just fine without putting extra pigment in it. And I love using paste because they just melt into the resin. And isn't that just the best color? It's a little bit, a hair more on the side of green, like IRL. So just imagine it being just a little bit more green. And then I'm going to add a little bit of color to it. And I'm going to add a little bit of color to it. And I'm going to want to use more of this color. The next color I'm going to mix up is dark turquoise by just resin. This is going to be a top cell. Give up. If I can get this open. I haven't used this color in a minute. However it is. It will always be one of my all-time favorite colors. It's a deep, dark turquoise color. And I'm going to add a little extra. You do not have to add as much pigment as I do. Again, this is presenting a little bit blue on camera in real life. It has a little bit slightly hair, more of a green tinge to it. But it's still a turquoise. All right. Very opaque. No shimmer. Flat color. Love it. I'm going to mix up some white. This is lures angel white. I am out of it currently. But if you want a beautiful opaque white, you can use titanium from just resin, which I have in stock. Snow white from color obsession. Slightly elm of stock. Waiting on a shipment from color obsession. Thank you, everyone. That's been patient waiting on the tents to come back in. No shimmer. Flat, beautiful white. All right. Now I'm going to mix up the Lorraine shimmer. It is by color passion. It will be one of the base cell paste. Just like the spearmint that we mixed up. This one is actually more on the blue scale. It's pretty true to color as it is on camera. And are you talking about the dark turquoise? It's one of my favorites. Thank you. Thank you so much everyone who is in here today. If you know anyone that is struggling with how to know when to use top of a cell pigments, make sure you share this video with them. Right, let's do top cell first. I'm going to use my dark turquoise. And I'm going to put just a little bit here. And let me just show you what it can do. This is what I use for when I do oceans. oceans. When I'm going to use intense heat and do ocean-y things I will use a top cell white. All pastes on my website that are not from color passion are top cell and these cells will grow as the self-levels. Now I'm going to put a top cell over a base cell. You're going to see a little bit of a difference in but let's let's put the dark turquoise over. Remember the dark turquoise and the white are top cell and the spearmint and the Lorraine are base cell. So I'm just going to use some swiping paper and swipe my top cell over my base cell.  They present so much faster when you use a base cell and they grow so much bigger. Still beautiful little cells not the same. They are not created equal. Now if I can get this turned off there we go. I'm not going to set the house on fire. I had a question about metallic base cells. So I'm going to show you what if that will work. So the blue that I just put down is the Lorraine. It is a base cell is by color passion and the white I put down is a top cell. It is by Lorraine's but I'm out of it.  So it will still sell. It's just not going to be as pretty as the flats. And we'll just let this sit and grow and do something. I also wanted to show you what happens when you put a top cell. Nope a base cell over a base cell. So just so that we can show you completely the difference. Let's swipe this base cell over a base cell. So it'll give you some cells give it a minute and it will present better but it's not going to be as nice as this one. So now let's do a piece using all of what we have. And let's put down our base cells first. I'm just going to put down some large patches of color because in my head when you have large bits of color you have a less busy design. It's more elegant. And so I'm going to manipulate as best I can the top cell which are the dark turquoise and the white over our base cell which is the Lorraine and the Spearmint. Now I'm going to just fill in these gaps real quick. Just real quick.  Alright let's get our heat gun and try to make some magic with this mess of color.  They'll kind of just relax and dissipate. So we're going to do top cell over the bottom cell which is the Spearmint and then we'll do top cell over the bottom cell here and also here and here and we'll go this way on this one. I really like that dark turquoise. Alright that's enough heat. I'm just going to use my face to finish this out. I'm going to pass out. Ooh I love it. Fun. Does that look that dark turquoise and Spearmint working together? Okay I'm going to hit it with just a little bit of bits of heat and we're going to let this just relax and self-level over here while we try to make something magical out of this one. Now my resin is starting to get warm on some of them. So before we do that you can see that of these different cells that we did the top cell over base cell is a clear winner when you want very defined cells like this. So the Spearmint on the bottom that light green color is the base cell it's by color passion and then the dark turquoise which is from just resin on top of it just swipe not much heat your cells are going to stay.  There's still cells but they're a little bit fuzzy they're broken they're not as pretty. So just don't use too much heat when you're doing when you're doing cells with a base cell. With top cell I have way better results if I kind of have more of an intense heat. So just like before I'm going to put my base cell down first that just helps to ensure better odds of it being under my other colors if I just put it down first. If I fill the board up with other colors paced from other brands that are top cell then it's going to be harder for me to control what's on top and what is not so much. I'm just going to fill in any of the voids with the resin we have left. I hope we can make a cohesive piece out of this we'll find out together them. Let's it's not getting warm yet so this one let's do a little bit more swipes just heating it to make sure it's all as fluid as I need it to be for a swipe. I didn't use a lot of heat I just if you could dust heat over something that's what I just did. I gave it the essence of heat that probably makes no sense but that's fine I'm okay with that. Let's get a little wipe your paper out. What's up at Matt? Christine, how have you been Angela? How are things in Vegas? Okay so let's grab let's grab let's take some top cell and some base cell here so I'm going to put my swiping paper in the white and the dark turquoise which are top cell and also put it in the spearmint which is a base cell and we're just going to kind of swipe it into and over each other. This is going to make kind of a more retro look but I use this technique for geodes all the time you probably tell that didn't tear quite as beautifully as I'd hoped but that's fine so we just swiped this already you can see the dark turquoise over the spearmint I didn't even put any more heat on it it's already giving me cells and this area here is also starting to sell without any heat at all and that's because we picked up some of the Kimmy nope Lorraine shimmer here and the white is over the Lorraine as it goes down this way because we have two base cells we're getting like shadowed cells they have like a cell and then another cell around it that's because we have essentially what happened there is a top cell a base cell top cell and a base cell so they're selling on top of each other let's add a little bit of heat and see what magic pops up looking fun ooh I love those big cells just sprinkled in with those little ones it reminds me a lot of a type of ceramics I used to do in college crystalline but we're not talking about ceramic starting okay so let's do another one of those we'll just follow along this way so we're gonna be touching a dark turquoise a white spearmint and dark turquoise again we're gonna be hitting all the colors again with this one I'm gonna move this bad boy because I dribbled some of the piece I'm working on right now into it so it's kind of giving it a little bit of different look still not a bad look just different all right so we just did this swipe and it is a bunch of top cell over base cell and vice versa so in theory we should be able to see where the top cell was on top and where the base cell was on top if a base cell is on top you're not gonna get the cells like you would have otherwise like these big old cells down here that's because the base cell is on the bottom think of a base cell like the basement you cannot put basement on top of the the first floor because then it's an attic science so base cell basement has to be on the bottom of everything else or just not gonna work so let's see what kind of magic we get here all right so you can see where that spearmint color is on top this little bit this bit down here where that light green color is on top there's not really any cells there and that is because it is a base cell and it is acting like an attic and it's not gonna work like that and here we don't have any cells really because it was probably the top cell over maybe the titanium but then we pick up some of the spearmint here you can tell because you can see inside of that cell the light green color ooh these are starting to sell and separate and layer and I love it when there's that like sell sell sell sell sell sell those outlined cells so lovely so beautiful low those cells are getting huge muges so what are we gonna do to finish this we'll put a little clamshell there ooh that dark turquoise over the Lorraine now it has that little shimmer to it beautiful just dab some heat on it make it so that looks so fun look those little fans in here those look like actual actual it's not words actual seashells just piled on top of each other beautiful gorgeous love it no I certainly tilted that so we'll let that sit settle and relax we'll take another look at this first one that we did those cells are quite a nice size those are bigger than pencil erasers which is wild to get in resin you have to in my experience use a base cell to get bigger cells I don't know what kind of magic in it is it in it I don't know kind of juju I don't know but it's in it and all I know is that it works when you use it properly now let's try to move this light so you can still see what I'm doing we'll move it over here Moosh Becca okay now I'm going to put another glove on because I took that one off let's see what happens if we tried the floating gold I'm going to take my spray spray it pretend I have a respirator on you guys shouldn't do this without a respirator on it's one of those do as I say not as I do moments okay so I'm going to heat I'm gonna heat this bit because it has the biggest patch of just base cell that has not a whole lot else happening and am were you asking me if I would mix this into resin if it'll work or out of resin I don't know but let's just try both of them if this is still liquid and it is for another probably 15 seconds right put some of that in here oh maybe this will cool it off some can we stop it can we stop it I think we stopped it just for a moment okay okay so this bit I'm gonna put here and we're gonna swipe that down this way it's too far gone maybe not I thought it was because it's kind of gummy looks like it's gonna sell and doing just I need to I usually try to work out some of the propellants before I use any liquid gold like this so I'm gonna do that just real quick right here I don't know if you guys can see when I stir this around there's bright and some dark probably can't see it I'll do another demo of this I have it in many videos but essentially if you swirl this around you'll see some dark and I'm trying to let all the dark soak into that paperback so you see that's where I slash it right there how it's dark for a second that is what it looks like where I'm working all the dark that presents right there you got darker here that's propellant that's not the pigment that's what keeps this pigment fluid until you use it and the propellant will evaporate or soak into something else which is what I'm trying to get it to do and it's not going to soak into the cup that I'm using because most Dixie cups are wax lined so I've got some on my this and just just swipe it over right here so these are the cells from the gold that we mixed in the resin I super love that and this just isn't even waiting for the heat it's already starting to sell if you do this this one that we put on not in resin you have to hit it with heat almost immediately and not move it because when the propellant evaporates out whether you do what I did over here or not if you know if I didn't do that at all and I just put it on here with the propellant it would have eventually evaporated probably within a couple minutes and then once that happens and it moves you'll get this crackle look which I've used in under paintings for oceans many times but it's not ideal when you're trying to just have some nice gold cells so if you want to do a liquid gold mix it into a little bit of resin and yes it will sell over a base cell and still give you that nice highlight now it's a little bit off okay how can we balance this where's the I just need to tie in some gold in other areas so that it makes sense now this got real crazy busy but I think I answered your questions about how to use base and top cells essentially if I want cells in a piece that's not an ocean I'm gonna use a base cell at least one if I want to do an ocean top cell all day now you can put your ocean colors your blues and then okay so okay let me pull out an ocean real quick I happen to have one right here so if I were gonna use a base cell on an ocean I do this every once in a while when I'm working on larger pieces that I want larger cells like this and it's amazing so this is just the tense translucent colors with some Milky Way or shooting star excuse me and then I used a top cell white now I still got really nice big cells they had a lot of room to grow into and I used a lot of intense heat this video is live on this channel a couple days ago so if I wanted to use a base cell for a big ocean I would do my translucent ocean colors just like I did and then I would do the clear like I always do and then I would do a thin line of a base cell white and then a thin line of a top cell white that way of my top cell will go over my base cell and make my waves with the bigger cells while still allowing my water to be translucent if you guys want me to demo that let me know if you're sick of oceans also let me know I'm still gonna do them but still let me know now look how big these I needed something so standard popsicle stick that is if I go any closer I'm gonna touch it that is the same size or bigger as the end of a standard popsicle stick that is a big cell size y'all and then where our top cell just went over top cell the white went over the dark turquoise here still got cells they're still nice they're not as big and because in some areas we had a top cell base cell top cell base cell alternating we have outlined cells which are my all-time favorite when the cells change color when they fade from white into not whites I love it lovey lovey love love love love love love using base cells to get bigger cell structures in my artwork meow can I answer any questions that I missed whilst I was blathering comma you have a little bit of time left to take advantage of our awesome sale codes we do ship internationally but if you guys are in Australia I understand not wondering for me because they are imports from Australia let's see what everything says what's up Tressa why why did you draw I didn't draw we mean draw it was but so looks like bio yes of those Merry Christmas Miss Sue 007 an archery I I've used some archery having it's that many but 007 thousand percent thousand a percent love the cracks same so these co-tents are also base cell paste Angela the color passion products are what are base cell the tints are from color obsession not color passion I know it's confusing but they are two totally different companies if you're asking that question because of the ocean that I just showed that is from the top cell white and the intense heat that I use I didn't put that much heat on what I demoed here today because it's it would have been too much heat for the base cell but yeah you think you can get bigger cells with the top cell white you just have to use a lot a lot of heat and you really risk scorching your resin so if you just want to get big cells the easy way I always recommend adding in at least one base cell so high heat high-flow heat gun for cells with top cell white Brittany exactly yes the one that I use is usually red it is by amtake it's an HG something I think it's like it's in the $20 range on Amazon I have them linked in my Amazon storefront if you click down in the description box below this video there's a link no worries Emma I hope you have an amazing day got it the tents have less do it than tops of what yeah the tint is just the color it is not any at all what creates cells however you can make a tint cell over a base cell or not the other day Shannon you burnt your resin today you scorched it for the first time lesson learned man when you scorch your resin one you can smell it even a no-smell resin will put off this noxious smell okay one two it will smoke you will see it and three you will be left with essentially what looks like my elbow it's like a little bit of a scab your resin is just gonna cure and just and just look like a scab on your piece so if you do scorch your resin be sure to scrape it off as soon as you can because it's gonna leave a texture is not gonna be cute can I stand tomorrow and then play Kota you sure can so if you guys want to take advantage of my sale and get you some base cell paste and top cell paste you can do that I hope you can still read this but my website is artists till death.com with two T's and two L's and this sale goes on till December 24th and you get a $50 nope you get a scratch off ticket not this one because it's covered in resin with every $50 spend if you want to spend $25 use holiday 25 for 10% off spend $50 use code holiday 50 for 15% off $100 spend get 20% off with holiday 100 and that only goes till December 24th so support small businesses like me because I need it better than Amazon does but if you buy through Amazon click my link to get there it helps my channel so much so I love doing these techniques with you I love getting requests what is it that you guys want to learn or what you guys are having trouble with I'm happy to do the demo for you because what are we saying we do the toast so you don't have to right so yeah oh I forgot to tell you guys it's canvas's birthday she just left me but canvases a one-year-old today have birthed t10b baby canvas and I'm about to take her outside to go potty in the rain so happy birthday but if you guys have any questions or requests beyond what I've answered please leave me a comment down in the description box under this video and I will get to them ASAP also this is my big boy Bowie he's such a pretty boy thank you for the wink love you if you can and you see people struggling with cells and any of the Facebook groups or other social media it mean a lot to me if you shared my video trying to grow our channel for 2024 I'm watching people that have their play buttons from YouTube I'm super jealous so please help me grow by leaving me your thumbs interacting with the channel and sharing videos it all helps please subscribe if you haven't yet and I will see you guys in the next video hopefully it'll be tomorrow depends on how much stuff I get down I really want to get everything shipped before we go to Kansas or the holy days and so yeah I hope you guys enjoyed happy holidays and Merry Christmas everybody and I will see you guys hopefully tomorrow but till then you kind of want another because you never know what someone's going through and always remember it's canvases birthday and we do the test so you don't have to have birthday this this girl at birthday y'all look at this tea tiny pot I threw isn't it fragile anyways you guys have an awesome even smaller pot isn't even more bridges what do you think no we can't eat it all right you guys see you later bye


Memorial Day is a time for Americans to honor their fallen heroes. Sailors and their families from Fleet Activity Sausagebow chose to honor the fallen by participating in a workout called the Murph. It's named after Medal of Honor recipient Lieutenant Michael Murphy's own workout. It's consisted of a one-mile run, 100 pull-ups, 200 push-ups, 300 squats, followed by another mile, all this being done with a 20-pound vest on. Despite the pain of getting through this workout, for more, it's a small price to pay in order to pay tribute to Americans who made the ultimate sacrifice. Coming out here on Memorial Day and suffering a little bit for those that did what they did for us, I don't think of a better way of doing it. Petty Officer Jeremy Graham, Fleet Activities, Sausagebow, Japan.


Check it, check it, check it, it's a unique hustle It's your boy, E.C.O. And I'm here with the lovely, amazing official Ms. Jamaica, what's going on? None, none, you know me, they're all gone I want you all to stop what you're doing right now Go like, subscribe, follow us on all social media platforms I mean our Instagram, Facebook, Snapchat, TikTok You name it, we're on it Just type boss talk podcast one on one in Google And it will pop up everywhere But if you want to see our visuals You gotta hop on over to our YouTube channel That's where you can see all our visuals If you want exclusive content now That's where you're gonna have to sign up for our membership How you find our membership is under each and every video Including this one right here in the description section There's a link that says Join our membership Click that, it takes you through all the instructions Thank you in advance Cause y'all always see us in the street and be like How can we support a brand? We love what y'all do and keep it up This is how you can support a brand, buy our memberships Thank you in advance Man, guys, y'all heard what she said Y'all gotta get with it It's going down, man You know, man I do a lot of interviews And y'all always see a lot of people on boss talk one on one Thank you guys for always, always riding with us, right? We got a guy here today He don't really need no introduction, man This guy right here be hustling, working He got it out the mud He got them sticks Palestine, Texas It's going down This little bubble is in the building Stop playing Come on, man No introduction Boy, that intro series He hails, nigga I go all the way in, don't play, nigga I got some fun, nigga, over here Yeah Let's get it, Mr. Maker Good job, really So, from Palestine, East Texas Mm-hmm Okay Raised with your mama and dad? Yeah, my stepdad, but he's like my real dad But yeah Okay Where's your real dad, though? Man, somewhere Do you know him? I met him one time, but he was on his deathbed I think he was, like, getting ready to pass But he shook back and shit, but... Okay So that's when you met him for the first time? I met him for the first time How old were you?    I was one of them kids, like... I always felt like I was a little smarter than what I was, you know? So I just really feel like my stepdad was there and he wasn't, you know? So at 16, what can you do, really? You know, by then, my stepdad done filled those shoes From then to now to then, you know what I mean? So, as daddy... You didn't feel no need or nothing? I didn't want to be there You know what I'm saying?  I didn't want to be there Nah, I'm here, nah, what you got? You got anything for me? Put me on the wheel before you go, nigga, what you got? You got something? Let me see what you're holding You see, y'all looking at that part of it But for me, I'm looking at a part where I need to know, okay, what health issues you have because, you know, DNA is something else I need to know what health issues in your set of family I need to know certain things So I can, you know, educate my kids on that Educate myself, what do I need to go get checked up for?   That nigga's small, it ain't I think I feel you on that I think you go running up there too much, you ain't coming back no way Yeah, yeah, for sure Keep running up there Food has a lot to do with it No, no, no, them people up there testing on you too The food that... The tests that they run the experiment, you remember No, no, that's true But the reason why I said DNA has a lot to do with certain things Just like, I've seen people who even came on here and would say, you know what, I never met my daddy before But then I would always wonder, why do I do this? Why do I do that? Even we had a producer the other day He loved music, did all of that Nobody else in his family do music He thought his daddy was dead Till he did some search, found out about his daddy He was in his 30s when he found out about his daddy He reached out, called him up, went over to see him When he went to see him, his daddy has guitars, pianos All of that stuff in his house That's dope You see what I mean? So that's where he get it from He got eight grammys We just interviewed him in Vegas I'm about to put that one out We ended to win it His dad is musician, all of that sort of stuff He ended up performing with his daddy one time Then his dad passed away, didn't he? No, his dad didn't pass away I can't remember that part We gonna find out when the interview dropped You giving up exclusives right now But that's the reason why I said DNA still have a lot to do with stuff You know what I mean? So siblings? Yeah I got two brothers, two sisters So you grew up with... Youngest oldest? Baby boy Spoiled I wouldn't say spoiled Like things their own way? Yeah, I am So you spoiled I mean... Yeah, but my brother and them I'ma say they was in the house playing the game And my brother was good at football So they would be in the house playing the game I saw my stepdad In the yard feeding the dogs Helping with the horses So I kind of like always worked for mine Whether he was giving me $20 in the multi yard Or $40 to do something I always worked for mine So I could take my girl to the god damn movies Or something, you know what I'm saying? I always wanted to get my own money So I really just started hustling Like that $20 start It wasn't enough They gotta get watered It's dumb, baby But that's good though So when did you start doing the music? How old were you?   The music man, that's what I do I am music I am... Yeah, I stood to put a music symbol I seen Nick put a music symbol on his neck That nigga couldn't even say I locked up that nigga I said, why you got this symbol on your neck? Oh, yeah, I really, you know what I'm saying? I got an ear for the music He just love it I got an ear for the music, nigga Yeah, you don't know nothing about that I see y'all Old school, it ain't nothing like the old school I'm gonna put it up Yeah, I'm the young nigga I've been doing this well, but it's stopping In 18 years, man No, no, no, you don't have to do that So who used to Who did you Hear with the music before you started Your mom, your dad Hang on, let me tell y'all about this My mom My mom didn't want me rapping You know what I'm saying?  If we was in a drug game, which none of us are But if we was We would want the best quality shit, right?  Love Bubba just hold y'all, nigga You better try to get over here if you can You know what I mean? You gotta work, man Love Bubba put that work in That's why he on Boss Talk 101, man Man, listen man I've seen you and D-Baby do a lot of work together What was the thing that linked you guys together Like, how did you know that? How did you guys build that chemistry and that rapport? What was recording at Sugar Hill? Shy Sugar Hill Studios Same studio And I was always seeing him Back and forth RCD in the studio He'll see me, you know what I mean He started going up really heavy And we was putting in mind We've been recording the same studio since we both started And I'm just watching them go up I'm just like But I'm proud of you, feel me?    I'm just like, I'm trying to tell my homeboys We going big, you know? That's how I'm saying that That's how I can hear myself in my head Saying, we going big, we going big You know what I'm saying? I'm just thinking of that So, I started thinking about All the niggas that doubted me, you know And, you feel me? I was just like They got to watch me win The more I was doing the song, the more I knew This song finna go up You know what I'm saying? When I walked out the booth, I told the producer Then I was like, hey, can't rush the vibe You know, Miranda, I was like We going to touch over a meal with this one I was like, yeah, we'll see You know what I'm saying? Like that Two weeks later, that boy, M-Ticket Two weeks, M-Ticket M-Ticket, like how did that feel To even, you know, to Cross that line like that To do it It was very exciting watching it touch a meal But then when it hit it, it was like Okay, which song was that? Going Big And was that your first one, right? Did it hit that meal?  That's a Texas nigga, man That nigga say R.P. the Pimpsy I knew it would come in here It's not nothing to play with We serious about that down here, man For real Like what you done said the name That usually shut the show off for a minute Like what was it that Stick out to you to even mention the Pimp like that, man Man, Pimpsy down He was so player, man I just ain't never been one of them guys You know, in all offense When I say this, but you know people be want to have Like two guys with a girl I just ain't never been one of them guys I'm just a player, man I'm gonna have my own woman I ain't finna be in the room runnin' no train with those niggas I ain't doin' none of that dawg Pimp, he player He ain't getting swankers He's swankin', takin' me through the block Jammin' Pimpsy, so When I got older and realized Who Pimpsy was as a man He a player, and I'm just feelin' like I'm just so player in my heart Like, man, I love Pimp What was the song your pops used to play Man, boy, I can't lie to you I don't know, boy I don't know, boy, it was a bunch of It was a bunch of What year was it I know, Andre 3000 Yeah, yeah, yeah, that's that era That's that era Yeah, man, it was the era with But look, not only that That's that big boy Who sung that 25 Lighters on my dream Oh, I got to get paid I got to get, who was it That's a Lil Troy Was it that era? Yeah, it was that era Listen, man, that Pimp say Uh, let me see it Let me see it, bein' over the machine That boy, man, bun comin' out so hard That strip club used to be jumpin' I was out there bad back then I know I was in that thing, man Hey, hey I'm serious, I'm down there Strokes in everywhere, even in Harlem Nice and Houston, back here at DGs in Dallas I'm all over the map back then What? Man, we just be, man I'm postin' up, what y'all sayin'? Back in the gap, man Woo, I'm outside, man That came from That was the Mo3 thing once everybody I heard that Mo3 was on my outside Nah, nah, nah I can't lie to you, but I know y'all been doin' outside things Yo, listen to Mo3 I've never heard that before For real?  I mean I can't He's sayin' you the one that made it popular A B D Drusky done stole What is up with Drusky? Drusky will get a Nigga for his stole Yeah, King did not pull up on Drusky Yeah, he did And he didn't check in when he got down there You sayin' it didn't you? Yeah, they didn't check in No Yeah He'll get you something You better understand the Nigga standin' on B For real If daddy say he gon' do it Say he out, say he gon' really get out He gon' get out Man, I'ma tell you the story that T.I. told When we went to the show, man And I ain't told this story and T.I. don't get mad At me for tellin' he said the Lil' Nigga Was in the house when they got him Called with all them guns When T.I. got called with all them guns He came to the house and the feds came in And when they came, they shot somethin' through the window And it hit King, he wasn't by about five Or six, three or four, young Nigga So he say he knew King was out of control When years later King was in there arguing with his brother And his sister said, Nigga, you wasn't in there He was at the grandma house Nigga, you wasn't in there when the feds run up in there No Well, yeah, he's serious He think he out there in the streets for real King will get out though They be the ones that really feel like they got something to prove They gonna do it So they stand on business, it's real official Oh, he started that He started that Let's talk about the music, man Down in Houston, right?   That one player club And she's a brad sister But she went in all white in that movie Not in the movie, but if you see her But if you see her in a regular She's always in white She's like known for always wearing white Yeah, that's a pretty color Yeah, that's all you see her in For sure, I love white But most studios, because it looks better For studios and footage and stuff like that To do all white So did you go around and look at other studios To try to figure out how you wanted yours to look?   Like who's the best artist?     We say king of East Texas You know what I mean, like What would you think a king of East Texas should be Like what should be the requirements To be the king? Let's just quit beating around the bush What? Didn't you say T.J. Jones?  Bone said he was the biggest artist You know what I mean Do you even know who Bone is? See, I don't know That's old school That's Bone Atlanta Texas Atlanta Texas That's East Texas How far is that from top?


Hey everyone, Meredith Marakavitz here. Greetings from field three in Tampa, Florida. Today marked the first workout for pitchers and catchers, so it's officially underway. There were plenty of PFPs and drills to go around. Garrett Cole was among pitchers who threw a side session today. He spoke to the media for the first time and it is no surprise Cole has a championship on his mind. There's a level of determination that a level of focus maybe has a little bit of an edge to it and that's because the 82 and 80 is still pretty fresh in our mind and, you know, so hopefully we've used it as motivation. I think that it was one of the reasons, in fact, probably the main reason why I'm here is it, you know, the Yankees, the Steinbrenner family and us as an organization, we set out to do that goal every single year and they provide us with the opportunity to certainly accomplish that goal every single time. So, you know, as a player, you don't take that for granted and it's on the forefront of your mind every time you're preparing. The Yankees had a team meeting with pitchers and catchers at about 10.30 this morning in the clubhouse. Aaron Boone shed some light on what the message was to his team.  You know, we want to be a championship club, but you know, we're not winning anything today next week, next month. We got to continue to build intentionally each and every day, you know, and just making sure we're investing in one another and making sure that, you know, from a clubhouse standpoint, we're really strong. So a little more brief today, but you know, what I'll leave for them too. Meanwhile, Brian Cashman addressed the media for the first time this spring, talking about his outlook for the 2024 season. You know, the directive all the way from the top above our ownership is our fan base. They want a championship. Our owners want a championship. Obviously our players want a championship. We all want a championship and we want to deliver that. It's a long journey to get from here to there though. So I think a lot of hard work went this winter, as it usually does. The initial crew that we have here showing up, looks like they worked hard, the pitchers and catchers and so we'll get the next wave in about a week and you know, start building towards what we hope to be a very successful year. That's going to do it from GMS for today. We will see you back here again on Friday.


Lipstick sales actually go up when the economy goes down. Yes, the classic red lip is as powerful as you think it is. We associate a red lip with words like confidence, power, and class, but it hasn't always been that way. It's time to sprinkle a little substance into our beauty routines by learning the roots of your favorite trends, who history's earliest trendsetters were, and how to rock the looks they inspired. Sheep mass! Before it's over, you'll be asking, can I borrow that? And now for the history of ruby red lips in under 90 seconds. Ancient Sumerians win the prize for the invention of lipstick. All the way back in 3000 BC, they were crushing up red gemstones to paint their paths. Men and women in ancient Egypt were also on the bright red bandwagon. They achieved the look using everything from red clay and crushed ants to fish scales. And historians believe Cleopatra's ruby reds are how the look became a symbol of power. However, those same smackers held a very different meaning in ancient Greece. Prostitutes were required to signal their profession through a distinctive red lip. That way, men could easily spot them and avoid accidentally soliciting the wrong women. But the Greeks were far from the last to associate a red mark with crimson lips. In the Middle Ages, Christianity dictated fashion and red lips were essential. Thankfully, Queen Elizabeth I put her foot down and the look came back in vogue in the 1600s. But then, red lips had a tumultuous few centuries. And at one point, they were considered the mark of a witch. But in 1912, the red lip reclaimed its rightful position as a power play when the suffragettes rocked the look as a symbol of rebellion. From that moment on, red lips spread like wildfire. From silent film star May Murray's beastung lips to Marilyn Monroe's signature red smackers, these lips have been every it girl's not-so-secret weapon. And today, red lips are breaking the glass ceiling with Alexandria Ocasio-Cortez lighting up the political landscape by owning the look. Ladies, the future is fire and in red. I've got some tips to help you borrow from beauty icons throughout the ages. Let's do this. For me, I like to start off with cleaning my entire lip with one wash of color, so my foundation color. I take my little beauty sponge, whatever's left over on here. I just pat it on my lips. To me, this is like a little bit of a base. Now I'm going to show you guys how I pick the perfect red color for me. So first you want to take into account what are you wearing? I'm wearing a denim jacket with some pop of red. I kind of want to match this level of red on my jacket onto my lips. And I also want to pick a red that flatters my skin tone. I'm going to show you how I do it. I like to just see what my options are. Now that I have my colors swatched on my hands and I can see my options, I'm going to layer because layering is fun, especially when you're building that perfect red lip. So I'm just going to wipe this off. So I have some lip liners and then I have my lip products that I'm going to apply on top. So I'm going to go ahead and line my lips. And what I like to do is I like to fill in my entire lip. This is my pro tip because I feel like if you want to make sure that your color lasts all day, then you need to use a lip liner throughout your entire lip as that extra measure of protection. Just fill this entire thing in. Sometimes you're going to look really weird when you're doing your lips. That's okay. Sometimes I'm looking in the mirror like and that's normal. It's all for the finished product. So as you can see, my lips look great already. Next step, your lip product. What are you going to use? So I was really attracted to this really bright liquid lipstick and I'm going to apply it because I'm going for really bright red today. So with this product, I can just go ahead and use the Doe Foot applicator and apply directly to my lips. That is the cutest, most perfect red for me ever. This product I can apply all over my lip. It looks so good, right? Uh-huh. This part is cleanup, okay? I'm going to use this brush and a concealer to clean up and make my lips super crisp and ready to hit the top. The color that you want to pick for your concealer is pretty much what is your foundation. You want it to pretty much be your skin color. So you just need a little bit. Here we go. I'm just taking the concealer and I'm cleaning it up. It's like the concealer is serving as an eraser. It's erasing your mistakes. It's erasing your boo-boos and now you look like you're some professional expert and that's exactly what you want. Sometimes you need to go back in with the liner and re-perfect things. So as I was erasing, I erased too much and now I'm just going to re-line it back. Pretty! This was a process but it's worth it because I feel like this is a statement. I'm ready to hit the town and you know I'm here because with a lip color like this, no one will ignore you folks. You will be seen. You will be heard. So growing up, my mom always wore a red lip. There was always a red lip in her bag. My aunt's the same thing. Whenever I go to Bangladesh, everyone is just wearing red. And weddings, it's all about red versus white. Brides wear red. It is the traditional color. It just symbolizes cultural richness and our henna is red. So red is a big deal, okay? And I just grew up watching my mom put it on and I felt like she could just take on the world when she put her red lip on. Her confidence would boost.  I just find it to be a symbol of perseverance, of strength and just cultural richness. I look at red lips as something that I should embrace that brings me closer to my culture and I hope that when you wear a red lip you think of something that makes you feel more confident. I want to know where you would wear a red lip too. So what is the perfect occasion for you to wear a red lip that would make you feel more confident and more strong? Let me know in the comments down below.


Hi, everyone. My name is Adrian Tam. I'm a senior engineer from the Office of FGA team. Today, we are going to go on an exciting journey for to go beyond row-based assets with Office of FGA. But before we do all this, we have to go through this safe harbor provision, read it, understand it, and next. All right, to begin with, we need to distinguish between authentication and authorization. Authentication is the process of verifying someone's identity. For example, we ask the question, is this person really Kate? Authorization, on the other hand, is the process of evaluating if a user can perform certain action on the resource. For example, can Kate reply to Jimmy's post? Next, we want to define what is fine-grained authorization. For fine-grained means that individual users have access to specific objects because the object, all its parents, have been shared with them, all one of the groups that they belong to. Examples of this might include Google Drive, a user can share individual folders and documents with other users or groups. You can also think about GitHub. Individual repositories can be shared with any number of users or teams across organizations. It might be even as simple as an expense report. A manager can approve the expense report of the employee. So you may be thinking, why do I need an authorization service? Instead of just building it on my own inline, well, having an authorization service gives you a few benefits. First, it provides you with better auditability. You will have centralized logs to tell you who access what at what time. Next, you can decouple access policy enforcement from your policy decision. Instead of having separate teams working in silos, writing authorization checks all over the code, one here, one there, you will have one place and to centralize all your knowledge. Third, it will allow you to have consistent APIs across entering teams. You can implement and establish and enforce company-wide best practices. Finally, you will allow to have enforcement of authorization across surface boundaries. For example, you can think of the case where Gmail asks you to share a document when you send a link with it in an email. This may involve multiple teams if you do it inline. So if you're going to choose an authorization service, what type of things you need to look for? First, it needs to be highly available because authorization is needed on every API request. So any downtime means that user will not be able to access your services. Second, it needs to have low latency. Every delay in your authorization service adds up to the delay the user sees when they access your API. Third, it needs to be correct. What makes by correct is that you will need to be able to have assertion and test on your model and data instead of the entire thing. This will allow you to focus on what is needed. Finally, it needs to be flexible. Your authorization service should enable you to solve a variety of problems instead of requiring you to work around them. So we have an API here, a very, very simple application, where you will return a document. And let's say that we want to implement authorization on it. So how should we go about? One of the way to address this is to use our back. Our back means role-based access control. User can access resource based on their role. For example, if the user is an employee or a manager, then they are allowed to access these documents. Otherwise, if they're not an employee or manager, we will return a 403 forbidden error. This will work well for most cases. However, it does not scale well if you have many roles. So instead of employee manager, let's say that you have developer, designer, QA, auditor, commenter, manager, director, for every single role, you will need to include in this line. And you can see that it does not scale well. You will have a huge check here. Another possibility to address this problem is to use our back with permission. Instead of specifying a role, you specify the permission in the JWT token. This will work well. If you have many roles, you just need to have one line that says, if the user permission includes documents view, voila, everything will be good. However, how do you solve the case if you want to share a single document? How do you do it? And what about the case where you want to refold to permission? Since the permission is already encoded in the JWT, you will need to wait for it to expire. You cannot refold it immediately. So in general, our back is good for situations when you grant board access to a collection of resource. Examples may include all managers at the company can approve expense reports, or engineers can view servers. Any dev in your organization can view your organization's GitHub repositories. They're good for that. But it has done size of role explosion. As we said earlier, if you want to include all these permission in the token itself, the token can get really, really large. And this will cause token bloat. The problem here is that many proxies will block headers that's about certain size. So if you have a very large token, then your proxy will block it, and your authorization cannot be proceeded. The second problem with our back is that it has limited ability to express more complex or contextual use cases. So examples may include if you want to express a case where a manager can approve the expense report that were submitted by someone that they manage, or by someone that has been delegated to them, then our back will have problem expressing this properly. Another problem is that let's say that if you want to have developers to have limited access to some GitHub repos, depending on the team or organizations that they are in, or if they have been shared with that repositories, our back will have difficulty in implementing this. So another possible approach to this problem is use attributes-based access control, or A-back. A-back solutions allows you to have finer granularity than the Outback case. So the whole idea is that you express your policy in terms of attributes of the user, or the resource, or the attributes of the environment's context. So you can think of cases where if a user can read an object they have read or added access to its parent's folder container, then A-back is a good solution. Or if you want to have user approve a report, if they are the manager of the employee that submitted the report, you can use A-back. Another case is a very classical A-back case is that if you want to have user access to server, if they are from a certain IP address, or during work hours, A-back would be a good solution for that. So the general idea of A-back is that the user attribute will indicate whether you have access to the resource. However, if you have cases where the folder belongs to another folder, then it has problem. So in our case here, we want to read the document. But a folder can be a parent of another folder. So what happens is that you need to go recursively up all the way to the chain to find out all the folders that have access that is a parent of the document. Or another case is that let's say that you have groups belong to another group. Then you will need to go all the way up the chain to find out all the groups that they belong to. And only after you find out all these groups then you can check whether the user is authorized or not. So the downside, as I said, is that you will need to, if they are recursive relationship, then you need to collect the data all the way up to the chain. And this will lead to high latency. Another problem is that, as I said in the earlier slide, is that you will need to go back to your product, your product database to understand all this relationship. And looking up the product database all the time, you will need to increase in the database load. Third is that you will need to repeat this recursive check for every type of resource and every type of request. And you don't want to do that. That's not fun. So this leads us to another way to approach this. And this is called relationship-based access control, or the REBEC. The REBEC or relationship-based access control allows you to express authorization rules based on relations the user and the objects in the system have with each other. So the REBEC service uses this knowledge of relationship between different entities in the system in order to reach the authorization decision. So in our case here, user John can access document 1 if he is assigned a fewer relationship with the document. Another way he can access the document is that he is given a fewer relationship with folder x. And folder x has a parent relationship with document 1. So this leads us to off-serial FGA. Off-serial FGA is a fully managed fine-grained authorization SAS provided by Arcter. You can use it to solve authorization problem in general, and it is especially designed to solve the fine-grained authorization ones. It was originally inspired by Google's Sensible Paper, which described how authorization for all of Google's services was built using relationship-based access control. It is currently free to use while in developer's preview, and it is available for production as early access. You can check it out at our website, hdtpsfga.dev. And one thing I want to mention before we go to next slide is that the core technology of off-serial FGA has been open-sourced as OpenFGA, which is adopted by CNCF as a sandbox project. This makes off-serial FGA's core quote auditable and extensible by anyone that wants to get involved. And the API of off-serial FGA and OpenFGA is binary compatible. The API is compatible, and it allows you to seamlessly switch between the two. Off-serial FGA provides you with a flexible modeling language, and it has extensive documentation on modeling your system's permissions. It has SDKs for JavaScript, Go, .NET, Python, with more languages planned. It is highly available with multi-active active region support. Internally, its caching infrastructure and automatic routing of requests to the closest region allows you to minimize latency. It has a management dashboard to allow you to great store, update your model, collaborate with your team members, and manage credentials for the off-serial FGA API. Finally, it has backup, replication, on-call support, and more. So what does off-serial FGA do? Off-serial FGA answers the question, is someone related to a particular object with a specified relationship? It uses two things to reach this authorization decision. First is the authorization model. The authorization model describes the type of object in the system and how they relate to one another. For example, here in line 15, we specified that a user is a document if it has been directly shared with them, or if they create the document, or they can fill a folder containing it. Relationship tuples, on the other hand, represent the system state. And it is defined by no facts of the system of who is related to what. So in that case, we have user join has fewer relationship with folder x, and folder x has parent relationship with document one. Off-serial FGA uses the authorization model to traverse the relationship graph between the tuples and find out if there's a path from the user to the object. And if there's a file path, it will allow the request. With all that said, we can demo it with the off-serial FGA playground. The playground is a learning tool meant to help you to learn and play with off-serial FGA. It is completely free to use, and you don't need to sign up for it. So with that in mind, let's switch to my laptop. Voila! All right, so here is the off-serial FGA playground. So the off-serial FGA playground has default stores and user stores. The default stores have its authorization model, relationship tuples, and assertions pre-populated. You're not allowed to modify it, but you can look at it. And they are examples for you to allow to learn more advanced use cases. The user stores, on the other hand, allow you can use it to modify your authorization model, add multiples, add assertions to test it out, and for you to play and learn it. So here, we have the authorization of model, more complex one, that we described with our earlier API. So we have user, group, folders, and documents. A user can belong to a member of a group. The folder, you can have a folder of being a parent of a folder, and you have a viewer of a folder. And I would like to draw your attention here is that for the document viewer, it can be a user or group member assigned to it, or the member of someone who has owned the relationship, or someone who has viewed a relationship of its parents, in this case, the folder. So we have two tuples defined, which is we talked about earlier. User John being a viewer of folder X, and folder X being a parent of document one. So we can ask the question is, user John related to document one as viewer? And it does. The reason why it does is that it has viewer relationship with the folder, and the folder is a parent of document one, as we said earlier. So we can go back to our slides now. So after we understand and design our model, the next thing we want to do is hook it up to our API. To do this, we have our code that we see earlier, where you have the function getDocument, and you want to return the document if the user is allowed. So instead of doing all these checks earlier, we just call the API of using check to see whether the user has viewer relationship with the document. That's it. It will return if you're allowed, then you will return the documents. Otherwise, before a four or three error. And not only you can answer the question, is someone related to an object as certain relationship, you can also ask the question, what type of objects or what type of documents the user has viewer relationship with. So to do this, we have the API called this object, which allows you to just say, tell me all the document where my user has viewer relationship with. And once we have that list, we can just go to our database, look up all those documents, and return those documents to the user. Simple enough. So in general, all of our official FGA functionality is exposed through our APIs. We can update the authorization model, write and delete relationship tuples, update our assertions, the test that we have, execute our check calls. We can query if the object that user has access to, or watch for relationship changes, or even query the subjects that the user has access to. So after we do all this, let's see how we can put the whole thing together. And to do that, we will have a little demo where the user can switch between, can create and share folders and documents, can create groups, invite others to join their groups, and share resource with other groups. And the first thing we want to do, once we start our project, is to put our authorization model. And here, we have the authorization model in our dashboard. The dashboard allows you similar to the playground, but it allows you to manage your official FGA setup. It has special ability for settings. The settings is where you can define, to create, and manage your credentials. And with this credential, you can hook up your application to call the official FGA API. So in our example here, we have a few calls that we can do. We can create folder. We can create document. We can create group. We can share this object with other users. Let's see how the whole thing fits together. The first thing we want to do is that we want to create the folder as join. So we are going to press send. Yay! So the document is returned, right? So simple enough. Now, think about the case. OK, if I create the folder, if John create the folder, who can access the folder? Well, John can access the folder. So as John, we send, and the folder is returned. But let's say that if he wants to do it as Bob, can he do that? No, he cannot access the folder, because he does not have permission to it. Similarly, you cannot access the document as Jill. So why is this the case? So we can go back to our dashboard and see that user John have owner access, owner relationship with the folder. And because he's an owner, he will have fewer relationship. But Bob or Jill does not have that relationship. So let's say that we want to do something next. We have Bob create a document and attach that document to the folder. So think about that. Who will then have access to that document? Let's create it Bob first. Create the documents created. So if Bob create a document, obviously he has access to it. What is interesting is that John also have access to the document. But Jill, on the other hand, does not have authorization to access the document. The reason why this is the case is that we first this user Bob has owner relationship document, so he can access it. But the folder itself is a parent of the document. So John, who has owner access to the folder, will also have access to the document itself. But Jill, on the other hand, has no access. Finally, let's say that we want to share the document. We would first create the group and invite Jill to it. And we assign that any group member will have fewer to the folder. So after we do that, we can now check to see that Jill will also have fewer access to the document here. And we can go back to our dashboard and see that we have user Jill assigned as a group member and the group is assigned as fewer access. So let's go back to our slide now. Thank you very much. So if you're interested, we can go to look up the various resources. For example, you can look up the original sensible paper or go to our sensible academy where we explain how the whole sensible paper works. You can check out our FGA documentation, visit the playground to play and learn with it, go to the management dashboard where you can create a store and start hooking up your application to it. And if you're interested in learning more about our OpenFGA documentation, you can visit this website. If you have more questions, you can go to our Discord channel to ask this question. And you can subscribe to our Twitter to see our latest update as well as go to our GitHub channel, GitHub repository, and see our OpenFGA code. Thank you very much. Questions? Adrienne, I've got a bunch of questions coming in from the virtual chat. Some of them have been answered by your colleagues on the team. Thank you, team. But I'll read them out because there's quite a few. So how would you compare this to AWS Cedar, if you're familiar? AWS Cedar is something similar but not completely because the AWS Cedar is not directly focused on the FGA side. Gotcha. So next question, is the latency of list objects the same order of magnitude as an authorization check? It is longer because the problem is that you have to look up all the information, not just one. So if you have that for the check, which is optimized as long as there's one connection, you're good. But for this object, you have to traverse all the documents, folders associated with it. So it has a longer latency. Wonderful. And here's a comment from Ben in virtual chat. This model is amazingly powerful. I'm just wondering how tightly coupled we would become to this tech if we implemented it. If we needed to move, i.e., if we needed to move to another vendor, how open is this type of model? Not that I would want to move, but it is an architectural consideration. Good question. So there's two parts to it. First, the authorization model itself is like right now, there are movement in the open world where we try to consolidate between different vendors to have similar language. But this is an ongoing process. The second part is that the implementation that you see the model here, you call it the DSL, which is a language that's abstract. But internally, they are JSON. So you can even use the JSON to do manipulation or modification if needed. Great. I think you covered them all. Thank you so much. Thank you very much for your time. And there's that Discord channel if we missed your question. Thank you.


Sup guys just in the car decided to make this video real quick.  Let's get to the video. Okay. I'm in person development. You have to think about what is your point of diminishing returns Now what don't mean by the point of diminishing returns? It's a point you reach in which the amount of effort you're putting in is not proportional to the rewards you're getting out and generally The people that go past this point diminishing returns for very long time are the people have reached mastery The people that reach their 10,000 hours and going to do great things But you have to think and consider it Is it worth it to go past this point for many of the things made avenues that you might pursue your personal development a very easy example for me to outline for you, especially since I did that gym video lately is The gym like in your first year of lifting You can put on 10 kilograms of muscle One more your second year you might put on maybe five kilograms third year 2.5 fourth year Keeps having fifth year halves So you quickly reach your point of diminishing returns after five years or at least naturally You have to do something else to get bigger like steroids. So When you reach this point, is it really worth it to go as Often to gym or as hard to how the gym as you did in your first year is really worth it to pump up the intensity to pump up your Nutrition pump up everything just to get the diminishing returns. I Say not I say you still go you still make progress But gym is no longer your priority. You've worry maxed out that area to a good standard Unless you want to pursue bigger things unless you want to be a professional bodybuilder and all that But I don't the same thing could be said about making money At what point are you gonna be happy? Are you gonna be happy when you? Making millions and millions of dollars after hustling for 30 years sleepless nights building a business or you're gonna be happy when you have enough money to support your means Maybe some holiday money. Maybe some passive income streams coming in Because the second option is a lot easier than the first and the first one you're gonna reach points of diminishing returns Are you gonna be putting in efforts start up business venues that don't work reading and Appearing to get nowhere. So you have to think about that. What's another example? Another example is perhaps basketball Or something like that. Like are you gonna keep playing into you at the level Kobe? Or you're gonna keep playing just to be better than the average person to have fun at the court with your friends and Do all that jazz? It's up to you Another example, you're gonna learn enough about your car just to fix it when it breaks down.  You're gonna reach points of diminishing returns and you have to really Figure out if the hustle is worth it and Notice one thing you cannot become great at everything You might become a master one thing or two things, but your time is limited your time is fleeting So choose your battles wisely choose your battles wisely What are you gonna invest your time in and what things are just going to be sufficient for you? Are you going to learn some martial arts so that you can be the next Joan Jones?  So be aware of that be very aware of that be cognizant of that and Remember that in your personal development journey You will reach points of diminishing returns and how you navigate them would dictate how your life will end up Anyway, if you liked that video guys, make sure you like subscribe Another candid video.  Just been working and real busy with the Christmas break Hope you guys have a good Christmas break as well. If you people celebrate Christmas. I really celebrate That's okay. Anyway, um, peace catch you next time


And protests have continued in cities across the United States against the verdicts acquittent teenager Kyle Rittenhouse, a mother in the fatal shooting of two men during racial justice protests in Kenosha, a Wisconsin in 2020. And Friday jurors found Rittenhouse not guilty on all charges, two counts of homicide, one count of attempted homicide for wounded and two counts of recklessly endangering safety in protest marked by arson rioting and looting on August 25, 2020, in Kenosha, Wisconsin. The Rittenhouse verdict has reignited fierce debate about gun rights and the boundaries of self-defense in the United States. And Rittenhouse shot and killed Joseph Rosenbaum and Anthony Huber and fired a bullet that saw a chunk of the arm of Geiger Grosskroth, 28, and Rittenhouse claimed self-defense.


to this first session on head and neck. So, as per request from all students, I am beginning with the head and neck sessions. In this session, we will be starting with the skull bone. Skull forms the basis of the head and neck and that is why we are starting with this bone. In the head and neck region, the bones which are included are one is the skull, then other is the cervical vertebrae which are seven in number, then hyoid bone. These are the bones included in head and neck. So, let us start with the skull. So, what is the difference between skull and cranium? At times, many students get confused pertaining to this topic and they consider both as synonymous. So, we should be knowing what is the difference between the skull and the cranium. What we can see in this image, this is the skull. Then what is cranium? If we remove the mandible, if mandible is removed, then whatever part of the skull is left, that is referred to as cranium. So, basically cranium is skull without mandible. With mandible, this entire thing is considered as skull. How to hold the skull in anatomical position? In anatomical position, the skull has to be held in such a way that this part is anterior, this part is posterior, superior and inferior. With both hands, you have to hold the skull. These two planes are important. Here, we can say this is the orbital margin. This is the inferior margin of the orbital foramen, this point and the upper margin of the external acoustic meiasis. This opening which we can see, this is the external acoustic meiasis. So, if we draw an imaginary line joining these two points, the inferior margin of the orbit and the superior margin of the external acoustic meiasis, this line is referred to as transferred plane. So, while holding the skull in anatomical position, it has to be held in such a way that these two points lie in one horizontal plane. There is one more line described with respect to the anatomical position of skull, that is Reed's baseline. In this, one point is constant, that is the inferior margin of the orbit and other point it passes through the middle of the external acoustic meiasis. For Reed's baseline, the posterior point is at the center of the external acoustic meiasis. Either of the two you can remember, but more preferably Frankfurt's plane is preferred for holding the skull in anatomical position. Now, let's see the parts of the skull. In general, skull can be divided into two parts. One is referred to as the cranial skeleton and other is referred to as the facial skeleton. Okay? Cranial skeleton is also referred to as neurocranium and facial skeleton is also referred to as viscerocranium. So, briefly you can get an idea of which part is cranial skeleton, which part is facial skeleton with these images. This is the lateral view and this is the anterior view of the skull. Okay? Facial skeleton is more on the anterior aspect. Okay? The remaining part of the skull is cranial skeleton. We'll see which all bones are included in these two parts of the skull. So, here we can see the bones forming the cranial skeleton as well as bones forming the facial skeleton. In all in the skull has got 22 bones excluding the ear ossicles. Okay? If ear ossicles are included, it becomes 28. There are three ear ossicles on each side. So, it will add six more bones. Okay? So, cranial skeleton, it includes pad bones and unpad bones. Pad bones are parietal bone and temporal bone. This is the parietal bone. This is the temporal bone. And unpad bones are frontal bone and behind there will be occipital bone and spinoid bone and ifmoid bone. These are unpad bones of the cranial skeleton. And facial skeleton, it has got total of 14 bones. Here also there are pad and unpad bones. So, we can remember the unpad. One is the mandible and other is the boomer. This is mandible and boomer is the midline bone. When we see the nasal cavity, the bone with a thin bone seen in the midline will be boomer. Okay? Other pariet bones in the facial skeleton are maxilla, zygomatic, nasal bone, lacrimal bone, palatine bone and inferior nasal conca. Okay? All these are included in pad bones of the facial skeleton. Okay? Here we can say this is the maxilla and this is the zygomatic bone. Here is the nasal bone. Okay? Lacrimal bone and palatine bones are here. Then inferior nasal conca, it's a separate bone in the lateral wall of the nose. Okay? So, all these are the components of the skull, which we should be aware of. Now, let's see the joint formed by the skull. In skull, all bones are united by fibrous joint. Fibrous joint is a type of solid joint. And those are upper twist sutures. Okay? Except one joint, that is temporal mandibular joint, which is a synovial variety of joint. Okay? So, almost all bones are united by fibrous joint, which are upper twist suture, except one joint, which is synovial, that is the temporal mandibular joint. If you see the bones of the ossicles, those are also synovial. Those are not included in joints of the skull. Okay? That has to be considered separately. Let's see the difference between an adult skull and a fetal skull. So, here we can say this is the adult skull viewed from the anterior aspect. This is the fetal skull viewed from the anterior aspect. The one most striking difference which we can see between these two skulls is, see the proportion of the facial skeleton here and see the proportion of facial skeleton here. Okay? Facial skeleton is very less developed in a fetal skull. The cranial skeleton is more developed because of the growth of the brain. Okay? So, facial skeleton is very small in a fetal skull and facial skeleton is well developed in an adult skull when viewed from the anterior aspect. And here we can see this region is the region of fontanel. This is the anterior fontanel of the skull. Fontanels are replaced by sutures in adult skull. So, in the skull here there will be a coronal suture, a sagittal suture which will be meeting at a point that is referred to as bregma. Okay? And here we can see a suture which is connecting the two frontal bones. If it persists in adult, it is referred to as metopic suture. Okay? Most of the time it is fused. And when seen from the lateral aspect, there is one important feature which is seen on the lateral aspect. This is the mastoid process. Okay? Mastoid process is seen well developed in an adult skull. It is not developed in the fetal skull. Okay? It develops due to the pull of the sternocleidomastoid muscle. It starts developing at the age of two years. Okay? So, these are some differences between an adult skull and fetal skull. And fontanels, if we see there are six fontanels. One is the anterior fontanel, one is the posterior fontanel, then anterolateral, posterior lateral on each side. Okay? So, all these fontanels will be fused in an adult skull. So, let's summarize what we have covered in this session. We started with the introduction of the skull. We saw what is the difference between skull and cranium. Skull without mandible is considered as cranium. Okay? In anatomical position of the skull we saw, the skull has to be held in anatomical position in such a way that the inferior margin of the orbit and the superior margin of the external acoustic maya test should lie in one horizontal plane. That line is referred to as Frankfurt's plane. Okay? In parts of the skull we saw there is a cranial skeleton and facial skeleton. We saw various bones forming the cranial skeleton, various bones forming the facial skeleton. Then in joints, almost all bones are united by sutures except one joint that is temporal mandibular joint, that is the sinoval joint. Okay? Whereas other bones, whereas other joints are the fibrous joints. Okay? And we saw differences between the adult skull and fetal skull. Okay? So, this was just an introductory lecture of the skull. In subsequent sessions, I will be covering the various parts of the skull, the exterior of the skull, the interior of the skull, the other various headings in which the exterior of the skull is studied. Norma verticalis, Norma occipitalis, frontalis, lateralis, basalis. Okay? So, all these topics will be covering in the subsequent sessions. Okay? Thank you.


Let's see these two practical ways to use the Blur tool in Photoshop to highlight a subject and to hide confidential information. To get this tool, go to the left toolbar and click on the drop icon here. Of the three options, let's select the first one. Photoshop works with layers. Before starting, make sure to select the right layer. The beginner's mistake is to start working with the tool but not select a layer. As you can see, now the cursor is a circle which represents a brush. You can modify it with a right click or by clicking on this small arrow next to the circle icon here. First thing you can modify is the size of the brush. By sliding the cursor to the left, you are diminishing the size. By sliding it to the right, you are increasing the size. Below you can modify the hardness of the brush. A brush can be either hard or soft. A harder brush will have clear and defined edges, but a softer brush will have blurry and less defined edges. Using this image as an example, let's start using the Blur tool. Keep clicking and start moving your mouse wherever you want to apply the effect. In my example, it's around the main object. You can increase or diminish the size and hardness of your brush to affect the area where you want to apply the effect. Also you can modify its strength by typing the percentage you want here, or also by sliding to the left to diminish or to the right to increase the strength. Now let's use the Blur tool to hide private or sensitive information. To pass the brush through the section we want to blur and modify if needed, either the size, its hardness, or strength. Do more ideas come to mind where you could use this excellent tool? Don't miss our video about another tool in Photoshop coming soon. Burn to Learn is working to help you understand the changes in technology as they happen. Stay in the know. Subscribe today.


update. Okay folks Larry Pesavento with the mid-afternoon update for TFNN. We've got a lot of red out there folks today, especially in the stock indices. They're getting hit pretty hard. The bonds are just been getting massacred. They broke the magical level of 124 like it didn't even exist today. It's been trading below it all day long. Treasury notes are also weakening basically saying that interest rates look like they're going to be going higher and not lower. A big reversal today in crude oil. It looked like it was going to go straight up and as they say when the only way is up the only way is down and market immediately reversed and has dropped considerably more than a dollar and a half a barrel so far. The only red the greens that we see is we see the dollar yen is up. That's one of the things that we were looking at on the upside and the British pound is still down a little bit but there's only been one currency here or there. The spot corn market July corn in both December corn which is the new crop are up considerably. They're up for eight or nine cents but remember folks this dropped more than 80 cents a bushel in the last few days after the report that came out on Friday which was a very very negative report. Soybeans are also taking a breather. They're down about 22 cents from where they were. Another markets that are up are the cattle market which you're going to be paying more for beef and also the hog market folks. Hogs have rallied 25 cents from the bottom that we had down there at 75 cents a pound on lean hogs just a few months ago and we're up 25 cents on that run. I mean that was a huge move and it looks like it's going to be continuing. We're almost above par today. We're trading at 99.75 in the lean hog so that's been another one that has been pretty much straight up. So those are a few of the ones that we're going to be looking at. Our guest today on trade what you see is going to be none other than Bob Minor and he saw the dynamic trader. He'll be up to talk to us about some of the things he's doing and he's done very well in these contests which are live trading by the way. So when Bob gets up at the break we're going to be able to chat with him. So stay tuned<PHONE_NUMBER>.