Greetings from the Commonwealth of Learning. CALL is the only Commonwealth intergovernmental organization outside the UK and was established when heads of government met for Chogham in Vancouver in 1987. We were set up to support Commonwealth member states and institutions to use distance learning and technologies for increasing access to education and training. This visionary idea has grown and flowered, especially during the pandemic when distance learning was embraced globally. CALL works in two sectors, education and skills, with gender as a cross-cutting team. We leverage new and existing technologies to achieve impact. Let me share six examples of how we use technologies to address the issues that emerged during the pandemic. Under the CALL Coursera Workforce Recovery Initiative, CALL offered free training opportunities to 150,000 youth around the Commonwealth. Even though connectivity was often a challenge, learners used mobile devices or library facilities in what has been a life-changing experience for thousands. Here's what a graduate from Ghana has to say. Taking part in the Coursera Workforce Recovery Program has helped me expand my knowledge on subject areas that are of professional and educational interest. These certificates have made me a more valuable candidate in the job place. Thank you. During this time, CALL trained over 40,000 women and girls in skills for livelihoods in Bangladesh, India, Pakistan, Mozambique, Sri Lanka and Tanzania in financial literacy and technical skills using smartphones and basic mobile devices. The girls from Mozambique and Bangladesh share their experience. It wasn't easy for me to have to study and take care of my children. Thanks to the Coursera Workforce Recovery Program, women encouraged me not to give up. That's how I was able to form and achieve my dream. I can say that girls and girls are not that important. But as much as they learn and learn, they can achieve their goals. In an effort to help young women and girls remain motivated during this difficult time, CALL launched CommonwealthWiseWomen.org. This mentoring program links eminent women to girls in remote regions using a range of technologies, including WhatsApp. This is how a young mentee from Pakistan benefited. CommonwealthWiseWomen mentorship program connected me with Professor Zareenia Bas, my mentor from Malaysia. It connected me with someone that I can say now I look up to. And I can say with utmost respect is an inspiration for me. Through my journey with Professor Abbas, I learned how to engage with the people around me and with the community around me. Many teachers needed training in using technology. CALL has been offering a series of massive open online courses where over 58,000 teachers were trained. A teacher from Sierra Leone has this to say. Due to the support from the Commonwealth of London, I have been able to mentor teachers at the junior secondary school. And my colleagues and I have also engaged teachers in the technology-based communities of practice and have mentored and provided them supportive supervision. In addition, the Commonwealth of London have provided us training in the podcast. CALL also developed video-on-demand service in science subjects aligned to the curriculum of Fiji, Nauru, Samoa, and Tonga. The Honorable Minister of Education Samoa found this very helpful for low bandwidth contexts. Such innovations could not have come in a better time. As all Pacific nations are struggling to meet the technology demands of the pandemic era. When pandemics strike, it's the most vulnerable who are further disadvantaged. CALL has been building the capacity of staff who work with persons with disabilities so that no one is left behind. This speech therapist in Mauritius benefited from this training. In a country like Mauritius where disability is still an evolving sector, I believe I have a vital role to play as an advocate for those with a disability. My clinical decisions making skills are becoming more effective and the newly acquired knowledge in using different types of assistive technologies is making a huge difference in the lives of my patients. Many of our small states suffer from climate-related disasters. Working with a partner in Dominica, CALL raised awareness and built local capacity for disaster preparedness. Let's listen to the impact this is having. This is the initiative that we are using to go into the communities, find out what the weak spots are and help them to address them so that they are all stronger and more resilient. In this regard, strategic partnerships like the one that we have established with the Commonwealth of Learning, CALL has helped us considerably where making our communities more aware and more educated is concerned. So we are forever indebted and very grateful to the partnership that we have with the Commonwealth of Learning for without them, we would never be able to reach our communities as widely and as deeply as we do. CALL works for the common future of our commonwealth by promoting learning for sustainable development, supporting innovations for affordable and accessible technologies and serving the last person in the queue. With that, let me thank you for your kind attention.


So we will have a quick round for Kyu as an ice, if there are any questions that you may have and let me say that as Thomas was saying at the beginning, this film I think that closely relates to the research work that Moisés introduced. He was a scientific research but anyway this film was also researching the police records, the police files and it was somehow similar therefore and also in same times but different countries and different settings because Germany back then it was a democratic country and yet these things were happening whereas here in Spain we were living under Franco's regime anyway it's not up to me to do the talking so let's draw on the occasion that we have Thomas here with us just like you were saying at the beginning which I think was interesting you can tell us a photo translation also it's reality what you see in here we found the footage on the beginning of the movie in the toilets the policeman would be behind the mirrors and film the man in the toilet we had original material and we reenacted it with actors and so it's a question who is the pervert on this side like the one meeting in the toilet or the ones behind the mirror because man couldn't meet anywhere so they met at the toilet people told us all these stories we started in Berlin in an archive for different memories they call it and yeah we talked to man who experienced things like that so they were in concentration camp after the war the allies freed them and put them in jail again so this was for me like horror and this anger I felt we wanted to put in a movie don't know if you have any questions otherwise I can continue no questions fine so other than what you were telling now the characters as you were saying they are based on diverse stories I mean hands or Victor they did not exist as such specific individuals but they would exist as characters so you kind of rebuild and recreated these characters and I think it's interesting to know how you happen to know about these stories how did you start it off archive and they got us some people we could really talk no of the man no one of the men is alive no one could see the movie because they were old and last year my country Austria said sorry we made a mistake and two years before Germany said okay we made a mistake but it took like too long for those men to hear that that it was not fair so but we could talk to a few of them and we melted together like three or four biographies to one biography to tell one story of incredible injustice you had so the first you had testimonies like voice testimonies and live testimonies and then you you searched for story for the history in the air yes we also went to gay bars and went to the places the old people in the corner we asked them have you been to prison because you were gay and they would start crying so yes it was a very it was a secret for many of those men they wouldn't talk about it but when we came to ask them they started talking sometimes they had a partner and the partner he didn't know that the other one was in prison and he said well I was in prison too and both started crying it was very emotional and it was also they never lost a humor so we tried to put a little bit of this humor in the in the movie too yeah yeah it's I think it's a bit difficult yes but yes we had some some moments of life as well because if you lose your humor people told us you cannot survive because it's so sarcastic the whole situation it's so perverted that you get into a prison someone yeah yes and as you said also the who is the pervert in the in the history in in the story in these stories get some question no can you hear me okay thank you very much I have a question because I'm from history and I'm curious about the way in which you combine historical sources or oral testimonies with the narrative of the film with the plot of the film and there are other boundaries between the two or not we can create new type of narratives and trying to grasp these experiences through another way of telling and accounting and I'm curious about that thank you I think you can combine like nobody really knows how it feels except the one who lived it so we tried to create an atmosphere that you can feel what it could be like so all the stories like how they communicate in prison with the little holes in the book or that they meet in the and outside during the night these stories they are real but you never know it's a fiction movie so we don't know if it really looked like this if they were really like so so you try to research a lot and and after that we were very happy that many people who experienced things like this they told us okay it wasn't exactly the same situation as you portrayed it but the feeling was the same so for us it was more important to transport the the other feeling of a certain period of time so I think it's necessary not just to tell the stories but to tell the stories that someone listens to to them so it's it's it's it's difficult sometimes but for a movie we try to do it this way yeah yeah hi so I have another question because when when using this kind of historical material to make a movie I have to is two questions first and I guess you have some the movie around the different cities or different festivals so how is really usually the the general reaction I guess some people that have similar situation have watched the movie and how actually they reacted and also did you get any blacklash or any kind of a reaction from any kind of show because I'm thinking about all the documentaries or movies that could be similar and people involved in that kind of situations they they criticize that okay you are portraying this from the present point of view or not so I'm just curious about that if you get any kind of we got very good reactions we were even on many queer film festivals we in the beginning we were very afraid because it's a huge history we want to portray it's like 25 years and it's not so easy to do we got bad response from countries that wouldn't want to show it like Turkey they want to they don't want to show it and many other countries they don't want to touch homosexual issues and the the the story was that many like aunts from my family or people who never thought about like homosexuals many many came after the movie and said I was moved I could feel that this is real love man can love each other also so it was for a few like the beginning of of a conversation somehow so there we had really good feedback from countries that don't want to tell these stories and don't want to hear and we have the same problem as I said just one year ago not even one year ago my country said sorry we made a mistake but now everyone's dead so there's even Western countries that have difficulties facing those injustices fine so I think that if there are no further questions oh you you have a comment yes one one last question if I may I think you said everything more or less about the process of the creation process of the film but I'm curious about the prison the jail where is it is it open is it is their memorial there nowadays or I don't know tell us a bit please it's an old German German Democratic it was a dictatorship prison and it was empty and we could do all what we wanted to do that's what the reason why we went to Germany in Austria we couldn't find an empty prison and it was really interesting there because there were so many stories the feeling was very intense and the whole team was locked together all the time and then there was corona and everyone would go home and we didn't know if we can finish the movie because they wanted to tear down the the whole building and today it is a student home so they rebuilt the prison for students and it really and it's just a very historical building we were happy to find and it was easier for us to shoot this historical movie in a prison because even today prisons look a lot the same so we had people from Iran in the audience and they said I just fled from Iran because I spent in such a prison under such conditions because I am gay so I'm so happy to be here now so it's not it's not over it's in one out of three countries worldwide homosexuality is still under punishment so this seems something like we have overcome but it's not very safe it's not very secure and we have to work on that freedom each day to not lose it again okay thank you thank you very much Thomas for your presence for your for the discussion for the movie and well for because you know this film is available in filming the filming platform just a few weeks ago you can access through the filming platform there are also some screenings down and the cinema theater and the movie theater so please do recommend it don't thank you


What's up guys? I'm here at EdCon and today, or I would say my second review is I got John Pacific, who's a cryptographic engineer, a new cipher. John, how are you doing bro? I'm very well, how are you? Well my first question is this, right? So you and I have been talking about earlier is I want you to tell everybody what new cipher is. Sure. So a new cipher is a decentralized blockchain or it's a blockchain privacy layer which essentially is a somewhat like a key management system that allows us to, through the power of proxy re-encryption allows us to share data in otherwise public networks like IPFS or S3 for example, and share that with people as scalably and as needed and arbitrarily.  Uh so if you're storing for example medical data, right? You obviously don't want to put that on IPFS because it's public. So what you would do is you'd encrypt it and then port it to store an IPFS, but the issue is how do you scalably share that data with multiple people? So many of our users such as Metablock have done this where now they store the data and they encrypt it under their own keys and using proxy re-encryption they can allocate access to it arbitrarily to any number of users. And again this is through proxy re-encryption so essentially normal public key encryption happens because Alice can encrypt something with Bob's public key and then Bob can decrypt it with his private key. Proxy re-encryption allows us to essentially grant access as needed so Alice will encrypt it with her own key and then Bob can request access from Alice and then Alice can grant access using the New Cipher network. So she generates re-encryption keys, distributes them to the network and then Bob goes to the network and requests access. If it's within a certain time frame or within a valid policy then he will be able to decrypt the data. So what are some businesses right now that would actually use New Cipher? Um so we've got uh Blue's out right now using us for access control. We have Fluence, Volk, Datum for data marketplace, Mediblock I just referenced. We have a few people in our Discord channel that are actually very interesting that we haven't officially made any of partnerships with but we will hoping to get this finalized in. Cool and so what's a roadmap in the near let's say six months for New Cipher? Six months. Within six months we're hoping to hit test NAT within a few months from now if not next month. Then after that hopefully mainnet in the summer in which we will do an ICO. So hopefully that's within our six months and that improving the protocol and getting some new things added to it. Cool and if people want to find more information about New Cipher what is the best resource? Uh go to our github which is github.com slash newcipher or go to newcipher.com and also join our Discord for more information and our mailing list and telegram. And also block cakes will be doing a joint venture with New Cipher. So heads up for that. Thanks John. Thank you.


Welcome to Toffy TV, it is The Match Preview. The Maisie Side Derby at Anfield. Oh joy, oh joys. Can't wait, favourite game of the season, honest. I don't even know whether I want to do a match preview for this. It just feels like, it feels like we're just going to hate ourselves. Got an inevitability about that, but you never know. Michael Silver's last game has never managed it possibly as well. Could be. There's a lot of factors. Everton could go into the relegation zone if they lose the game and... No, they could, I think. I don't know, I don't know. Knowledge plays off at home, yeah, yeah. So if there's a winner in that and Everton loses them and in the bottom three as well. Joy of joys, I am sure. Going to see Jürgen clop running on the pitch. Sure, going to see Jürgen running around, beating his chest. If you haven't seen it, by the way, Adam Partonton has done a video for 888 Sport. Just watch this a minute. Jürgen clop is the biggest ego maniac in world football. Not just the Premier League, world football. What are you thought on that, Jürgen clop? Is he a ego maniac? Yeah, he is a ego maniac. He's a very good manager. Do you think Pep's better than them? I think Pep, yeah, because he's done more. But I mean, Adam's said 100 times, I don't think he's 100 times better than Clop. But I think he's a better manager because he's done more. But Clop is a brilliant manager. Yes, he's a ego maniac. And he does whether Liverpool fans like it or not. He does make a lot of the stuff a bar in. The cabinet always for the cabinet, isn't it? Do you think we'd like that though? Do you think we'd like a manager? Because we're looking at, obviously, talking and looking at managers at the moment. Do you think that we'd like that kind of stuff at Everton? I think some people would. You would. No, I would. Listen, if you want to watch more of that video, go and check it out on the 888 Sport. YouTube channel, the link is in the description. Make sure you leave a comment as well on it, whether you agree or you disagree on the matter. I know, one thing I'll say about you and Clop is, is that I think we would love a manager. We'd all love a manager who identifies as one of us, but shows a bit of passion as well, but it can't be phony. I suppose that's the thing with Clop, is it? Do you think it's phony or do you think it's real? I think, listen, a lot of what he does is real because he did it at Dortmund, but maybe that's his way of engaging. Sometimes I just think he plays up to the cameras. But isn't that just a motion? Listen, I think our current manager is like an Android, honestly. I think you'd have to plug in an emotion chip into the back of his head. He is what he is, and Clop is what he is, isn't he? Whether you'd prefer one or the other. Well, I'd 100 million times prefer a manager who shows emotion than one that doesn't. Because I know what you're saying. If you think it's fake, that's fine, it's a different argument. If you think it's fake, but I don't think it's all fake. I've just seen him do it at Dortmund and gone down to the crowd when he scored and all that. I'm not saying that, you can get caught. I don't like when he ran on the pitch in the derby. I didn't really have that much of a problem with it. I mean, you don't like to see it, but it was an emotion. Listen, I'd settle for anything with Michael Silver. We used to go to the Ninjas. Michael Silver runs down slide on his knees to the Everton fans on the pitch. And take the three, Matt Spanner wouldn't that. I mean, you'd have to take it somewhere else. Not a big money, wouldn't you? But you know, that's the way it is. So like I said, the real stuff and some of the stuff he does is genuine because he's in the game. But things like when they had a penalty and he turned and faced a stand and all that, that to me is just an overplay. But it works. Listen, what he's done is create a unity at Liverpool. What he's done is take Liverpool and I apologise for, but I'm going somewhere with this. What he's done is he's taken Liverpool from being a team that were around the same places as Everton and made them, you know, the European Championships and a team that I pace and he will go on to win the league very comfortably this season. And that shows you that if you get the right man in and he's the right fit for the club and he's given the right resources and it's done in the right way, that you can achieve what you want to achieve. It depends what you're trying to achieve, of course. But it does prove because Liverpool made a decision on Ben and Rodgers when he was at the club and he was finished eight because Klopp was available and they brought him in. But it proves that if you get the right man and he's the right fit for your club, Jadon Klopp might be the right fit for our club, let's say. But, I mean, I don't know. But what it means is if you get the right fit for your club and it fits what you want, then and the conditions are right, anything is possible. I suppose that's where we are now, isn't it? We're going into this, it's a tough game, but I suppose everybody is looking at that. There's Marko Silver, the right man for it with 18 months in. Results don't suggest that he's the right man. I've just lost a game at the weekend. If we lose this, it's going to be another three defeats on the run, another block of games. It's not like you said, we could go into the relegations zone with a defeat. That's where the club's at and the club has to make a decision on that. As far as the game's concerned, the toughest game we could have without a shadow, without the toughest game we have anyway, but particularly at the moment when Liverpool are absolutely flying. OK, they're not smashing teams, they're a sight, but they're durable, they're winning games, they're getting through games and doing what they need to do and they're going into a month with a lot of games. But, you know, I suppose from our perspective, you can take half from Brighton, almost nicked the point at the weekend, all Alison being sent off for Brighton. I'd probably rather have played them maybe in two weeks. Yeah.  I'd rather have played them in the ring cata and they let the 20-year-old. I'd rather have just shed his a 3-0 win. See you later, take the points lad, sit fine. I don't need the heartache, I can just take the results. The three men's centre off and just call it a 3-0 difference. Yeah, just call it that. But you'd listen, a Darby is a Darby. 20 years since we won it. Listen, we did a thing last week for the Premier League. One of the questions they asked us was, anything can happen, it's a Darby. And I just looked him in the face and went, no, it doesn't. The phone goes out the window and it doesn't. It doesn't go out the window. And one of the reasons why it doesn't go out the window for me anymore is because when this 20 years ago, 25 years ago, 25 years ago we played Joe Royal's first game and we won 2-0 and we were down pretty much where we are now and Liverpool were at the top, I think. And in those days the conditions were completely different. You could go round kicking each other for an hour and no-one would get booked in a Darby. That's the way it was seen. Now you can, now football takes over. There's no eveners in Darby's anymore. The pitchers are amazing. They have been for like 10 years. There's hardly a foul. Hardly any yellow cards anymore or hardly any red cards in them anymore and if they are they'll come to us. There's no great evener anymore in a Darby. This thing about phone goes out the window. I don't think that exists anymore. It's been the last few years that we haven't coped with them. We just don't cope with them very well and we've seen that last season where all we had to do was just see the game out and we couldn't do that because Jordan Pickford's worried about putting a ball over the bar because he's worried about us having a corner in the last minute. You know all these little things that mentally play their part that we just don't seem to be able to deal with? I think they're always tight affairs because of the night you're off them.  No, but I'm not. I'm the last eight. What I'm saying to you is we went there on the Sam Alladys and we were letting five, and they were scoring sixes and sevens and we drew one one and then we went there back three weeks later and the FA Cup ended two one. You look at it, last year Liverpool were playing well and we made the drop. All right, we were going into a decent form. You know, we could have been tuning up by the time we conceded that goal. Okay, they had loaded the ball. Andre Gomez with a header, a yard out, that was not good. See, he doesn't hit the post from me. We had Jerry Meener there. One way Theo went on a keeper and couldn't get his feet sorted. We had Bernard Chanton on the second half. We had opportunities in that game and a game when people felt Liverpool would be too strong for us. In those games, now I'm not saying they won't be too strong for us in this game but what I'm saying is there isn't even it. There is a level it. It's how players cope. The two four nils, the first one, we were gung how for no reason. We had the players in who weren't fit when gung how and got destroyed and the second time we played and we were dead and buried and we played Brian of the Aether right back and everything and we just destroyed us that night. The absolute destroyed. Does he go for the same kind of tactics that he tried at Leicester? You know, depending on the personnel, of course. We're not blessed with plays at the moment. He started on the bench. Do we go with that and say, well, actually, that worked for a while? Or do we... I don't know. I'd go with... Listen, he's playing the best team in the land at the moment. He's only dropped two points. That was a roll traffic and he still nearly ended up winning that. He could have lost it and he could have won it. So, you know, you've got to try something. I would go with what we played at Leicester cos we just played it and we don't know right with it. What the manager has to do is react better. Now Liverpool haven't got Alasen and they haven't got Fabinho. So it might only be 8-1. No, but... No, I'm messing. So, therefore, the nor is not at full 100% strength. And I think we don't know right against the second best team in the land at the moment, which was Leicester. We've done very well, which is another point. So I don't see any point in riffing that up and going, let's go back to 4. I'd do the same again. Make sure we fill in the spaces like we did. Liverpool are a real threat from the wide areas, but if we've got 5 at the back or a wing back, then you might cancel each other out. And I think what we do is, we have Retialasen, maybe Dom again and say to him, get in the game and we knock a few long balls and get them spinning into the channels and just try and make it difficult for them because what else are we going to do? Are we going to go and match them up and try and play 4-3-3? Well, we haven't got our best midfield. So their midfield is better than ours. So it's difficult then. So I think what you'd have to do is you fill in the spaces and then play down the channels and try and get people running in behind van Dijk, get Retialasen facing them up or get Dom to get a little bit of it. I think you might play Retialasen off of this one and bring Snaddle into that midfield as well. Honestly, I can. I can see Bernard playing to be honest. I can see Snaddle playing but I think Tom might come out. Tom Davies might come out but I'd take Sigarton out to midfield because he's... basically. I'd have Snaddle in midfield by the Wolverine Davies who can get about the pitch and then I'd go with the two off-front again. Because you've got it. It's sad that this game is just being written off where I don't get me wrong, we never look forward to them but you're always sort of looking at them and go, could we do it? And I'm sure there's some, there's not all, some Liverpool fans out there thinking this is all going too well. This is all going too well. Ever and it's terrible. We're flying at the top. This is all going too well. Wouldn't it just be that moment? But as an Evertonian I find it hard to buy into that. Well I think we've only won five in my lifetime at Amfield. So we don't win there anyway even when we've been good. So although we did the 80s we won back to back games but what I mean is we've been good in the thing and there's been times when we've been better than them and they've beat us. The 46 games I'm beating at Amfield and they've won. It's the second longest ever. 13 on the run at the moment. So the going for... Oh it's Amfield that. It beat you before you get there for a lot of teams. And us. Quite a lot of time. It beat me when the fixtures come on. So what we have to do is we have to go and that's why I think playing of the three, five, three or the five, three, two or whatever you want to look at it I think that's the way to do it. Is that the way to do it? But I think that's... I suppose I mean I do... Listen, they've got their fullbacks of such a big strength of theirs but what we've seen from Siddi B on Sunday was actually maybe someone that could utilise that space. It's just whether you take... and he is a player that can get up and down on the pitch and maybe you say to... maybe you say to Dean on the other side be a little bit more reserved trying to get Richard Oesson to pull over onto that side to help him out then maybe you've got an outlet there where maybe if... Siddi B it goes up and we can't get back that back... if it is a back five containing to a back four with King filling in the space on the right but Siddi B he can get up and down at least and if he can utilise that space I mean it would be almost like us getting pressing them if we can catch them on their counter attacks by hitting that space that Robinson leaves that maybe we could utilise that space and we've seen that on... we've seen that on Sunday there's only to lay rental three at the back so it could work it's still that midfield that I find is the big problem it's not even the... it's the combatedness of their midfield because obviously that's what they're in there for they've got good players but it is their job to win back the ball and get it to those players up front that's why I think if Snidlin just sits in front and protects you can get Davis and Woby to press but also Woby to carry the ball and then I just think that gives us some energy I do think it's a big game for a Woby in terms of carrying that ball forward getting us out of those and that's where that's where he's got to play and a Sigurdtson would have to come out because he can carry the ball into the spaces Sigurdtson and Tom they get caught far too much in possession in the deep you need that player who can ride a tackle or two, can buy you a file can get you up the field and I think that's what a Woby would give us if we can get past that sort of first block that first tackle I mean that should keep it down to weight we just got it listen it is a one-off that I'd have to treat it last year doesn't matter the year before doesn't matter no but none of it matters does it what matters is just that 95-96 minutes you know that's all that matters when you step out of that field and it's a difficult game because of that but listen the record today to be broken out listen the expectations are so low of Everton fans at the moment that you know that might be amazing but if we ended up you know with the first team to beat them on their own path first time in 20 years the expectations are so low that might play into our favour as fans because none of it is expecting anything all you got to hope is from the mental side of things is that maybe they I don't know take the game too lightly us not even take the game too lightly just you want them to get tense that's what I'm saying they almost feel like and that's where maybe the first 20 minutes are really important shutting them down we know if we go behind early on it's game over we know if we go behind at any side of the game the game is over that's the problem though isn't it we have to score first we've got a goal threat you know on the break the danger is on the counter attack that's why if he's got any sense he'll just go with what he did the other day but he'll take it because he doesn't want to put a smile on it and let's top it out higher just go with you two get around a pitch you protect and you two fullbacks give you with and listen try to just see what we can get out of the game it worked really well last year although we had a goal there wasn't anything in there and gone it but that's what we have to you know we have to just go with what we've got and see what's what and play it as we find it we might get a lucky break or whatever I think what's interesting as well going back to last year last year with them winning that game it gave them that belief that they could go and win the league whereas the flip side this year is the 11 points clear in Man City or whatever it is there's no real there's not looking at it as you know if we get over this hurdle or a mental thing it's actually it's gone the other way now it's like winning it so comfortably that it's like oof it's not about getting over it it's like you know you can't sleep up here because where this last year it was like oof got through that game could get us the league it's a pressure thing now I'm speaking to a couple of us the other day and Shane is not enjoying the scene because they feel like they have to even out of the head they feel like what they've pulled fans they feel like they have to win every game I mean do you know what I'm starting to feel like that I just said I'll swap you no problem no problem I'll take the pressure having to win every game feel like having to win a game every now and again with just what we're suffering with at the moment see what the Liverpool fans I think loads of the Liverpool fans will be thinking this is the perfect season for them right they win the league Everton could could be you know in a relegation fact but you've got to think about this if you're a Liverpool fan right that would be like having your birthday on Christmas Day wouldn't it nobody wants their birthday on Christmas Day you only get one chance to celebrate right you don't want that you don't want that you don't want that it's two occasions and it's all going to get you can't have two parties so you don't want that you do not want that so what are you saying you can only pick one let's just get out and have a go go and see what happens and who knows who will be I don't know who will be who will be it's either it's one of them it's like for Evertonis who will be the Kevin Campbell on Jake and Chelsea's or who will be the Thun's Murray I hope there's no Thun's Murray I hope there's a Kevin Campbell or a Gary Stevens in 1987 I don't know big deflection it's a winner oh well you know what if there's any if there's any justice or any luck or anything we are due massively to my landfill even just after last year of course we are but yeah fingers crossed everything crossed listen whatever happens happens it's life isn't it yeah it's life it's life we move on we will have to move on we will have to move on very quickly there's no use thought in the comments on this one yeah we'll see what happens if you haven't checked make sure you check out Adam's video as well for 8x8 sport the link is in the description make sure you leave a comment as well thanks for watching if you haven't subscribed please do click the bell for the later and if you want more great videos join yourself on Patreon the link for the for that is also in the description thanks for watching see you later


Hey guys, this is Matt Beck from freesaloneducation.com here with another point-of-view video and The cool thing about this video is I'm not gonna do really any cutting I guess I do a little cutting at the end But I'm gonna walk you through a color technique This is taking one of my guests named Kit who's been coming to me for a long time We normally do a single Single-color touch up sometimes we throw some highlights in there, but this time we're gonna do a single color So just a quick touch up, but then we're gonna go in and create an ombre effect to her hair color So hope you guys enjoy this video.  We're using a level seven kind of a warm copper Color Kit likes a little bit warmer red tone to her hair So we're gonna go through and touch that up What you'll notice is as I go through I basically took a parting right out where she parts her hair And then I brought that all the way into the the nape of the neck in the back And I'm gonna go through and just separate both sides of the head from the right and left So we're going through just using that level seven color touching up the base real simple here So we'll do both sides and then that gives me a good separation And that's kind of why I like doing it this way and then I can work on one side and I can go to the other side of work You could do this in your four quadrants if you want to This obviously is not a technical part of of this process.  So I'm not gonna show you this whole process We're gonna speed it up in a second Skip ahead a little bit. Most of you guys know how to do a touch up now. So Just but yeah, this is a basic way This is how I like to do it separate the two sides and then just work horizontally up Just keeps me nice nice and organized and clean All right, now we just skip ahead to the front the reason I want to show you the front in this part is that For for the most part throughout the whole technique. I was just going about two inches down from from the scalp And now you'll see me kind of feather through a little bit more. I really want to pull through Some of that color because if you look at kids base color, it's probably a level five around a level five So that level seven color is gonna lift her You know to us to probably to a level six Possibly a seven, but we're gonna stay probably around a level six I only use 20 volume. I'm not trying to lift her too high and I really want to pull out some of that warmth in her natural hair that's gonna happen anyways, so So her base is gonna start out around a level six then if I pull some of that color through the mid shaft It's already a little bit lighter. So it's gonna take on that level seven so we're already creating that ombre feel starting with our level six at the base into the level seven and into the level eight and That's what you want is a gradual Work through and then really light pop at the end. So You'll see me. That's why I feather some of the color through just because I want that kind of natural Difference in the colors to happen. So now basically all I'm gonna do is go through Kids hair and while her touch up is on processing. I'm gonna go through take little triangle sections out I would say that I do this Similar to most people. I don't think it's a lot different. But what I like to do is really soak on the mid shaft and and then work my way up and Really just kind of smooth that color and you'll get a good look at it right here So we'll take out a little triangle section. I'm gonna do this on pretty much every bit of her hair I'm working with a 20 volume lightener This is our Bolliage lightener that we're selling the Sunlight's Bolliage lightener. It's got a really nice consistency to it So we're going in I soak the mid shaft and then I use my fingers to Slowly work up and kind of separate that line of demarcation that would happen there And then I paint with the brush vertically to just kind of spread that lightener up the hair shaft And that creates a really natural feel to the color and then at the very end I soak on The ends with some more lightener because the heavier the lightener obviously the lighter and the more saturation you're gonna get with the hair So I like to soak this on work it through slide it down to the ends Really feather on that or really put on that color Then we're gonna go through and just kind of feather it through the mid shaft Pull it to the top and then I run my fingers through it to just smooth it out Make sure that there's no inconsistencies if you just leave chunky lightener on hair It's gonna get blotchy and spotty So I really want to make sure that the consistency of the lightener on the hair shaft is smooth Before I move on to the next section Again, just keep taking those triangles It's really easy technique and I think That you know, I think the biggest difference is what you'll see with a good ombre and a bad ombre is just those little extra steps really work in the lightener through making sure that it's nice and smooth and Not cutting corners on it It is again kind of an organic feel to the hair, but you do need to have proper placement with it as well so I'm really working through almost every hair strand on the head and Doing the same exact technique every single time I really use my left hand a lot to make sure that I'm really working in the lightener Some people like Brian like to use the paddle and stuff. I I like using my fingers to work in the lightener I just feel like the consistency is easier for me and it's easier for me to not use a paddle but I like Doing this technique because I think it creates a very natural look to the hair Or it could be unnatural if you want it to be but like with Kit. She's not looking to have crazy unnatural looking hair She wants it to look like this Sun kind of highlighted her ends. So This is a really cool way to create that effect. This will show you the sectioning that I did on the opposite side as well I work diagonal back It's just easy for me to make sure that I get all the hair and I can keep the hair out of the way So we'll split that in half. I'm still pretty much working with all of the hair But working diagonal back just keeps it clean and organized As I work through it Again, you can see how we're just feathering with using the brush vertically We're using the Balayage Brush as well, which we have on shop FSE the thing I like about this brush is the bristles are really flexible They're flexible and and firm at the same time. It's it's weird. They're long So they're easy to paint and brush, but they're not really weak So it works really well for the for the type of hair painting that a lot of people are doing nowadays And it's a smaller brush. So it's easier to get in there and work those little details Another key point with doing any kind of hair painting is to make sure that you have your section Completely brushed out a lot of people will grab a bunch of hair at once and just start painting on it It might have some tangles in there That's where you're going to see the inconsistencies in the color and your end result You want to make sure that that's nice and smooth brush it out There's no tangles in the hair that way you can get a smooth surface to paint the color on Nothing's changed Still working the hair of the color through the ends and then feathering it up the mid shaft I think another good thing to do with this technique is to make sure that You don't go to the same spot every time so Because if you go to the same spot every time you're gonna have really light ends and it's gonna get dark quick And then it's gonna be dark the rest of the way up the hair So you're gonna have that kind of two tone color to it. You really want to make sure that When you go in you take one section like let's say this section I'm working on now and I paint it a little higher than I paint the rest because then you get those ups and downs Throughout the look on the hair so that when you smooth out the hair You don't see again that the two tone feel to it Taking out those triangles another cool thing about this brush is it's got kind of a pencil feel to it So it fits really well. It's very comfortable in your hand It's thicker but then at the very end is a nice little pick so you can pick out the hair And it's got a nice sharp point to it so you can take your section So it's really creative for this type of hair coloring Like I said before we're gonna paint every bit of this hair You could leave out some if you want to it just depends on how much brightness you want to create But I would definitely say that If you're trying to create an ombre look you really need to do pretty much all of all of the hair You can see me taking a brush and brushing through it to make sure that there's no tangles in the hair as I work through And this is a salon reality thing here This is one of my guests in the salon I just threw a camera on my head to do this for you guys and so you can see the whole experience of it I tried not to edit too much. You know color gets very repetitive. So I did that a little bit But the the fact is this is very salon reality. She's got her touch up on we're waiting for that to process and while That's happening. This is a quick upgrade that you can add on a lot of people look at well Maybe I could get an assistant. Maybe I could double up the amount of people that I do Well, the thing that happens with that is you lose customer service and a lot of people don't always you're paying for an assistant Maybe you don't need yet. So if you're not that booked up This is a great add-on service that a new stylist or somebody could add on instead of just sitting there waiting for that Single color to process do this technique and and charge a little extra for it and that's you know That's makes your client have something exciting going on with their hair and it makes you more money So it's a win-win for everyone Alright, so we got all the color on now We're just gonna let that sit and you just want to make sure you kind of go through it and just make sure that there Wasn't any big chunks of color on there We rinsed it out and now I'm gonna go through and we're gonna blow it dry And I want you guys to kind of see this whole color happen and how it Really comes to life with the blow dry. So we put on some foam This is an extra body foam from Paul Mitchell. What I'm gonna do now is brush the product through the hair So we're using the wet brush. This is my new favorite brush. I don't sell it or anything It's just one of those brushes that is now my go-to Brushes through the hair like crazy. I always thought it was kind of a gimmick and a joke But it really is one of the best brushes I've ever used. So now I'm gonna go through I got my ergo paddle brush that they sent me I love it and I'm just gonna do a nice little leafing technique and Just to smooth the cuticle of the hair then we're gonna go through and round brush it a little bit But this way you can really see that color start to pop out. So as I brush it forward You can see it a little bit on the ends there But there you see right in the mid shaft how The color starts to brighten up and then once it gets to the ends it just gets really nice and bright It's great Not sure if you can hear that in the background But there's a nice train that runs through new hope and I guess it decided to do it right now So we're paddle brushing through Now I got my round brush. This is my ergo brush as well and We're going to work With high elevation I want to create a lot of volume in this and just Really bring out the wave and the natural feel To this hair color I don't want to make it curly and I know a lot of people have a challenge with seeing the end result curly on an Ombre so I did it both I did a round brush here and then I'm gonna do a little bit of cutting and face framing Dry and then I go through and I smooth it so you guys can actually see it smooth as well So you can see both results because a lot of people Want to see an ombre and they want to see it straight and curly so Go through nice little round brush letting the brush cool off creating that little wave again high elevation That's gonna give me the most volume in the hair And you're really gonna see when I drop this section how the ombre is coming about and how it looks So you can see how that just kind of melts together. I love the copper feel With the brightness on the ends. It just looks really really nice So again elevating the hair. I like to Kit wears her hair to her right so I'm round brushing everything to her left And with high elevation so that way when I let it go It's gonna kick over top and create that volume on the opposite side So just let it sit there and cool and then when we kick it to the other side the way that she likes to wear it She's gonna have a lot more volume in there a couple more pieces You can see the technique when we're round brushing really just Keeping that brush horizontal parallel basically keeping the blow dryer parallel with the brush That was easy for me to say And just working through it now you can really see with a little bit of wave in there How shiny and just how nice I love the other thing I love about ombre and balayage is it just keeps the quality of the hair When you pack it in a foil you get too much heat in there sometimes and it just damages the layers of the hair This is just beautiful. It's shiny. It really really Looks nice. It's an easy technique to do So now I'm gonna brush it out I'm going to do a little bit of cutting and then And then you'll see the end result So I'm gonna tuck the left side the weak side around her ear and we're just gonna do I'm gonna clean up her bang She wanted her bangs a little bit shorter. She didn't really want to lose any length on anything So I'm gonna go through using my Mizetani puffins And just do a slide cutting technique tease cutting right at the bang area So taking diagonal forward sections out of the fringe and just over directing them over the left eye It'll just give us a slight Asymmetrical feel to the fringe and it'll you know, it gives it a nice side bang for our guest kit And the higher the elevation on that the more lightweight the fringe will be so we elevated a little bit kids got nice medium Medium hair so, you know, she didn't I didn't need to elevate it too much and now I'm just matching up the other side So just over directing everything over given her a little face frame I like using the tease cutting technique because it's soft and because she's got long hair I'm not really trying to build any structure to it anyways So I can just go in do a little tease cutting and lighten up her face frame area and there we go You can see the end result for the most part Now I'm going to show it to you straight as well So you can see it here. You can see how that hair starts dark and it just moves into a lighter feel and Again the technique is easy just make sure that you take the nice triangle sections Work through it paint the color onto the mid shaft and then work it down to the ends and then feather it through the top and that's really the key to it make sure that you're adding these little upgrades on your guests are going to love it and It'll make you some more money in the salon. I hope you guys like these point of view videos We've got a lot more to come just picked up some more tools to be able to create even cooler ones So I hope you guys are liking it. Please leave your comments below Make sure you subscribe to us on YouTube and follow us on Facebook and Instagram at free salon education And yeah, we'll check you guys later. Thank you so much for watching and we'll see you on the next video


This is a supine cadaver. I am demonstrating from the right side and I am holding the camera. This is going to be a dissection and demonstration of the deep epigastric region. So therefore, we have removed the stomach. We have removed the small intestine and we have removed the large intestine from here. So to bring you up to speed, we have here in front of us, this is the sea loop of the diodenum that we can see here. Stuck inside the sea loop of the diodenum, this is the pancreas. Straight away you would have noticed something. You will notice that this whole portion is completely black. Apparently, this cadaver during life had suffered from necrotizing pancreatitis. This is the inferior part of the liver and we have reflected up the lesser momentum here. So this structure that I have lifted up here, this is the cut portion of the first part of the diodenum. The first inch of the first part of the diodenum is intraperitoneal. The rest of the diodenum is retroperitoneal. So this is the supia part of the diodenum. This is the descending part of the diodenum. This is the transverse part of the diodenum and it goes under the supia mesentric muscles and this is the ascending part of the diodenum and this is the dj flexure. And from here, it becomes intraperitoneal as the gijinum. So these are the parts of the diodenum that we can see here. This is the other dissection in another cadaver to show the interior of the diodenum, the tappel of batter and the process called ERCP. This is the supine cadaver. I am directing from the right side. The camera person is also on the right side. We have completely eviscerated the diodenum, the pancreas and the spleen with their accompanying blood vessels from the location but we have kept it inside too. This is the first part of the diodenum. This is the descending part, second part. This is the horizontal third part. This is the ascending fourth part and this is the diodenogiginal flexure. This is the pancreas and we can see that the head and the muscles of the pancreas is completely necrosed in this particular cadaver. In life, perhaps, he had suffered from necrotizing pancreatitis and that's the reason why even the adjacent part of the diodenum is discolored and black. This is the neck of the pancreas. This is the body of the pancreas and the body of the pancreas is abutting against the hyalum of the spleen, which I shall describe later on. We have cannulated the common bile duct here and we have opened out the diodenum and that is what we are going to demonstrate. Now I am opening out the cut portion of the diodenum here and you can see, first of all, the mucosa of the diodenum. I have inverted it out and you can see that the first part of the diodenum, the mucosa is smooth. From the second part onwards, the mucosa becomes rucose and these are the horizontal folds of the diodenal mucosa and this is how it continues throughout the rest of the diodenum and we can see that here. This is cannula which has gone through the common bile duct here and we can see it is passing behind the diodenum. When we push the cannula through the common bile duct, we can see it has come into the ampoule of water here and it is coming out through the opening into the second part of the diodenum. This opening and the papilla of water marks the junction between the foregut and the midgut part of the diodenum. This is the foregut part, this is the midgut part. If you were to take a close look at the mucosa here, we see a characteristic pattern of the mucosa in this particular region. Above this opening, the mucosa is forming a curved portion and that is called the hood and below the opening, the mucosa is longitudinal. So this hood and the longitudinal fold of mucosa is an important landmark which is used during endoscopy to locate the ampoule of water and it is through this opening that the cannula is inserted to do the procedure which is known as endoscopic retrograde cholangio pancreatogram to study the pancreatic system as well as the biliary system for strictures, stones, etc. And it is through the same opening that endoscopist can do endoscopic synchrotomy in case there is a stricture of the papilla of water. This is an endoscopic retrograde cholangio pancreatogram to show the biliary and the pancreatic tubs. Thank you very much for watching Dr. Sanjay Sanyar. Sanyar, please like and subscribe. If you have any questions or comments, please put them in the comment section below. Have a nice day.


Stimming. What exactly is it? Stimming is a repetitive noise or behaviour that is done over and over again to self-soothe. Funnily enough, neurotypicals do this as well. Everyone does it to self-soothe, or a lot of people do. You might find yourself now and again biting your nails, or like rubbing your hands together, or as another one that people do, biting their pen lids, or clicking their pen, or twizzling it around in your hands. These are all what we would consider to be little stims, little stims, so they're kind of a bit unnoticeable. Most people do them, they kind of slip under the radar a little bit. When it comes to big stims, these are the more stereotypical things that are related to autism that people think of when they think of autistic people. Rocking, flacking your hands, making noises, you know, echolalia, sort of repeating things over and over again.