This is CP McGregor speaking and welcoming you to another performance of your War Department program proudly. We hail Through the courtesy of the Hollywood Coordinating Committee Represent mr. Barry Sullivan as the star of our play one for the records written by Richard Hall with music by Eddie Skravanik It happened quickly the car traveling a little too fast the intersection the screech of breaks and then Five weeks after the accident in which his wife was seriously injured Don Harrington the radio producer sits at her bedside in the darkened hospital room Feeling better. Oh much much better. Well my darling. You know what day tomorrow is? I haven't the slightest idea I mean you tell me about it tomorrow is October 14th a very remarkable day Or on that day four years ago two people met in London Wimple Street if you care to be precise right in front of the Barrett house go on it sounds wonderful Well at that time he was a rising young actor in the repertory theater fourth speared from the left in Henry VIII And she on that morning they met she was a vision and he beheld her and he was entranced And they spoke of the Brownings and they decided that Robert and Elizabeth would be wonderful names for children May afternoon grew into evening in the evening into Starlight and the Starlight Starlight grew into a promise.  Yes, you'd think so wouldn't you? But my darling we have so much to be thankful for. Oh, yes, so much and you know what? Dr. Reynolds says that in a few days we're gonna unzip of that cast and throw it away. I'm glad I'm a little frightened too I've almost forgotten what you look like. Well, I'll tell you Betty I still have arms that long to hold you in a stomach that gets butterflies every time I realize that you'll soon be home and I have eyes that get stars in them whenever I think of you. Oh my darling. Sorry visiting hours are over That woman never misses her cue does she? Well my darling, I'll have to run along. I'll see you tomorrow.  Will you Don? Seems like I almost live each day for the 10 minutes we have together. I won't be See you tomorrow darling Rest well. Oh, Dr. Reynolds. Oh, hello Don. How's our patient? Oh, she's wonderful doctor. I just told her about the cast but About her eyes doctor. Oh the darkened room the coverings over eyes were just a precaution Don We have pulled the blinkers off when we remove the cast they make you happy. Oh perfectly doctor. Thanks to you Well Don, I really don't deserve all the credit your wife's recovery has been remarkable You're good medicine for her Hey, by the way, what's the overcoat for? Oh, I'm driving up to great pines tonight up in the high cold country Well, you better take your earmuffs along too. Say that's a thought. We're planning a broadcast up there I have to check the facilities. Oh say doctor. I didn't mention great pines to Mrs. Harrington. No No, the mountain roads are pretty icy this time of year and well I've so often urged that she use all her energies toward getting well I I didn't want her to worry not even for a minute. Yes. Well, all right Don You'll be back tomorrow night tomorrow night. So long doctor so long Don We're all set. Mr. Harrington all set Barry. Well, how's Mrs. Harrington? I'll have Mrs. Harrington home soon. Thank you, Barry Now let's get this trip to great pines over with Well, that wasn't too bad a berry. Oh, sir. We didn't even have to use chains. Hey, listen to that wind will you? Looks like it's blowing up a storm. Thanks, sir Well, let's get into the hotel and get our work over with as quickly as we can in the morning and get down off this hill This is WGP the great pine station highest radio station in the world Attention motorists approaching great pines your caution to put on chains at the divide. We repeat all motorists Hey, it really must have snowed here last night Well, Barry are happy with everything here. Oh, yes, sir. Mr. Harrington the studio is small But I think we can get by nicely all right fine. Now. Why don't you go get the car and we'll roll out of here You've got the chains. Yeah, they're putting them on right now. Good guess up and hurry back Hello Yes, I'm hoping I get you. Oh, yes doctor, but I don't I don't Yes, doctor, I think it'd be best if you returned as soon as you can I'm leaving at once. Mr. Harrington It isn't serious. Oh, no, no trouble. I know how much that means I'm leaving this very minute doctor this very minute I'm afraid we're not going anywhere. What's that? Well, the highway department is stopping all cars Looks like we're snowed in Mr. Harrington You will return to our play in just a moment, but first a message from your war department Can you tell what a man is just by the clothing he wears? If he's in the uniform of the United States Army, you know that he's not only a soldier, but a man of science Yes, that is our regular army today a group of technically trained and skilled men who are every day pushing the growth of Scientific progress to heights of accomplishment believed impossible only a few years ago You've all heard of atomic energy and the infinite possibilities of its utilization You've all heard of jet propulsion Electronics the development of which in years to come will play an important part in your everyday life Machines which hurdle through space at inconceivable speeds faster than that of sound radar which is already being used to accurately forecast weather and push button airplanes These and many more are the accomplishments of the army today So you see this is the type of work your regular army soldier is doing a man The uniform of that army has selected a career of advancement both personal and scientific Besides training himself in a particular branch of knowledge He is a part of a great organization whose contributions to science are an integral part of civilization See your local army recruiting station now for further information Here's the second act of one for the record starring Barry Sullivan as Don Harrington Snowed in a great pines Unable to get the bedside of his injured wife Radio producer Don Harrington puts in a frantic phone call to dr. Reynolds His assistant Barry stands anxiously beside him. No answer yet. Mr. Harrington. No nothing How is it outside? Well, it stops knowing Suns even come out. That may be the break we've been waiting for we can't drive down the canyon We'll fly down they say they can get those little hedge hopper planes in anywhere And if anyone can get one of them up to us dr. Reynolds can Hello Dr. Reynolds thank the Lord. I was afraid I wasn't gonna be able to get through to you doctor I'm snowed in up here. There's nothing going down the canyon. How's my wife? Well, there's a chance doctor if you'll help me if you just hello Hello, doctor doctor Hello, dr. Reynolds. Don't tell me the telephone lines are down Your attention, please your attention, please. This is WGP the great pine station We're interrupting our regular schedule broadcast for this urgent announcement Anyone now listening to WGP in the metropolitan area, please contact dr. Frederick Reynolds at Holmby Hospital Immediately have dr. Reynolds listened to WGP at three o'clock this afternoon. This is urgent We repeat anyone now listening to WGP They've just made the announcement of WGP mr. Harrington. That's good. That'll get the plane up here Dr. Reynolds will tell them how important it is. I've got to get through to us somehow Barry I've got to get to the hospital Here's your husband mrs. Harrington Please now you aren't supposed to talk Please listen to me. I want you to be very quiet. I want you to know how close I am to you Think of London and the wonderful summer we spent there and Wimple Street And these words written there by another who loved almost as deeply as I love you. How do I love thee? Let me count the ways. I Love thee to the depth and breath and heist my soul can reach when feeling out of sight For the ends of being an ideal grace. I Love thee to the level of every day's most quiet need by Sun and candlelight I love thee freely as men strive for right. I Love thee purely as they turn from praise. I Love thee with a passion put to use in my old griefs and with my childhoods faith. I Love thee with a love. I seem to lose with my lost saints. I love thee with a breath smiles tears of all my life And if God choose I Shall but love thee better After death come now dawn. I think your wife should rest Dr. Reynolds. There's a telephone call for you from Great Pines. Thank you Hello, Don. Hello, Dr. Reynolds. How was she doctor Don? You're still the best medicine in the world for your wife. She's resting comfortably Just as you planned it on of course I couldn't get the plane, but I followed your directions on the other to the letter We recorded the broadcast played the record in the room. It turned the trick quite a production Don Right now doctor. I'm gonna trade the earphones for earmuffs I've got a date with a snow plow and it's bringing me home The curtain falls on one for the record starring Barry Sullivan before leaving you. There's an important message from your ward apartment Though the war is over. There's still much urgent and necessary work for our army to do today As always the army is continuing research and development in scientific fields medicine electronics atomics engineering aviation Our army is an organization of technically educated men skilled in the various tasks for which they are trained Recently Air Force technicians completed a cooperative study of cosmic rays in the most extensive series of Experiments ever made in the upper-air regions just as recently they disclosed the production of GAPA a Pilotless projectile the principle of which should have far-reaching effects on the design of future passenger and cargo aircraft The use of penicillin DDT new surgery methods the adapting of radar techniques to forecast weather Perfecting of machines that fly faster than the speed of sound the development of EN IAC a machine that makes split second Scientific calculations that ordinarily would require thousands of man-hours to complete These are but the forerunners of almost unbelievable army accomplishments to come To an ambitious young man interested in modern progress and development an army career offers any number of opportunities For individual advancement he can partake of many personal benefits from this career such as education Liberal retirement privileges a chance to travel the opportunity to learn a trade or skill use of army facilities and conveniences at reduced rates Frequent promotions an unprecedented new pay scale offers him a financial return well above the starting average in industry These are but a few of the inducements for an intelligent young man to choose a career in our new regular army If you're a young man between 17 and 34 Go to your nearest army recruiting station and ask about the benefits to you of a worthwhile career in our new regular army Thank you, Mr. Barry Sullivan for appearing on our show This is CP McGregor reminding you that another proudly we hail program will come to you over this station next week Listen in


Talk about the future of robotics manipulation with open source. So please go ahead, Tyler. Sorry, sir. Yeah. Thank you. Um, so we are the, um, the people behind the library move it, but more generally, I'm going to talk about a little bit of the history of robotic manipulation and need you into kind of like where we are now and and what, um, what we're doing in this field. So the big deal with robotic arms right now is logistics. Um, these are just some of the companies doing things. It's a lot of pick and place in sorting facilities and warehouses and stuff like that. It's kind of the new hotness manipulation. Um, but a real basic question when you think about like, where is the robotic manipulation? In most cases, the best robotic companies are ones that are getting rid of the robot, like the robotic aren't robotic arms are really hard. And various companies are finding mechanical solutions to do similar things. So here's an example, um, flippy and creator. They're both companies that are creating robots for Uh, making hamburgers and, um, one is building an entire mechanical system creator for the whole process. And the other than flippy is they're, um, they're, they're building robotic arms simply just to flip. Um, another example, um, is making coffee. Many of you probably seen robots resemble the one on the right. The one on the left is a company from the cafe X. It's coming out of the barrier area. I think that is trying to use a robotic arm for making coffee. But what was, what's, what's the real dream of, of, uh, robotic manipulation and that is a multi-purpose robot. It's not a does one thing like the coffee robot or the hamburger flipping robot. It's, it's really, um, it's really a general purpose robot that can do all sorts of things. So background on robotic manipulation. Um, there's sort of the history of what's been important in different time periods. There's, uh, example of the, the Puma industrial arms in the 60s and then teach pendants were a big deal. Um, teach pendants are still a big deal. That's how you train is the term they often use to you, you put the robot in a state where you can manipulate it by hand and develop some canned motion that you can repeat over and over to do some tasks. Um, 80s machine vision started to begin the thing and 90s PC based control. Um, and 2011 ish now ish co-bots are a big deal. Co-bots really just robots that operate in a collaborative space with humans. Um, so where have robot arms been really successful. The past few decades, they've been really successful in large scale manufacturing. Um, in those cases, you're often just doing the same thing over and over in a really controlled environment. So where, what, what, what is next? We see the future as being mobile manipulation. They're sort of the next frontier. Um, that is some form of manipulation with some form of mobile base. Um, here are three example robots. Um, some of you have probably seen. So robotic arms, robotic arms from our perspective is a, is a real emerging market and it is an amazing place to be. Um, I see it as a market that is just taking off. So how, how, how do we get robot arms out of the factory? How do we do things with robot arms that are not just canned routines that you execute over and over again? Um, and where is Rosie robot really? Where's the, the general robot, the robot that just does, um, that can do general tasks. Uh, right now it seems that robots are, are mostly used in highly structured environments. Um, or, and we want to get them beyond highly structured. So what's preventing it's harbor costs. Harder is really expensive comes to robotics. Uh, software capabilities in many cases, the software, um, I mean, it's just a really new market and the software isn't very mature in a lot of ways. Uh, safety concerns, it's, it's not just concerns. It's, it's, there are real issues with safety and robotics and it takes a lot of work to make a robot, uh, safe to operate around humans. Uh, robot mobility, um, humans are incredibly dexterous.  Um, a real basic example is just joint constraints for certain types of movements. Um, and then lack of standardization. There's a lot of people doing their own thing. So, uh, go into a little bit more detail of those various things, harbor costs, um, there are ways we can get the costs down economies of scale. Um, but one of the big problems is like for robotics to be really useful. Oftentimes they require really high precision parts and those are expensive and difficult to manufacture and then differ, then you have to calibrate them. Um, and you have to have software that can account for all the, uh, mechanical attributes of the part. It's, it's much more complicated than a lot of mechanical devices. Um, and so, uh, and in the end, humans have great closely control. Humans are actually really good and dexterous at doing tasks and building mechanical systems to do them is, is hard. Um, software, um, it's, software is not well designed to deal with things like, partial occlusions and cluttered environments and nonlinear motions and, um, reasoning about unpredictable situations is, is, is still really hard and kind of an unsolved problem. So, um, safety, um, these are some like simple examples are easy to think of more. Um, and there are, in many cases you can create structured environments. Um, you can modify the environment in a way where the robot works to mitigate safety. Um, and that's one of the really common approaches. Another common approach is building robots that are just kind of inherently safe and the robot vacuum is a great example of something that's just kind of account or inherently safe. Like the way it's designed, it, it like mechanically can't do much harm. So that means that you don't have to worry about this one as much in that case. That's a great example for ability. Um, go back to the robot vacuum, uh, navigating stairs is not a thing that anybody's robot vacuum does. Um, and yet many people's homes and apartments have stairs in them. Um, humans are really good at navigating stairs. Stairs were designed for humans, not for, not really for a wheeled robot. So there are like robots there, uh, mentally more complicated and more, and more costly. Um, so, yeah, there's all sorts of reasons. Um, lack of standardization. So every robot manufacturer seems to have their own, um, software standardize. Uh, software standard and reminding that the XKCD joke where like everybody's like, we'll create another standard to unify them all and you just have one more standard. Um, the reason they do this is for vendor lock in, but it really, in our perspective, it's really slowed the, um, the progress of the technology and the real cost here. So why do current solutions not address the Rosie problem? I've been giving you some, but go more specific, uh, off the shelf hardware. Um, the programming environments for off the shelf hardware is really restrictive, right? They're often designed around specific tasks that the creator of the hardware, like envision the robot doing like currently the area where robots are really, um, successful or arm robots are really successful is in these repetitive manufacturing tasks. So a lot of the office shelf hardware is really designed around doing repetitive, um, tasks. And so the programming environments are just designed for helping you do that. They don't, they don't enable general solutions. Um, and then, yeah, software licensing. I mean, we're, uh, we're talking about, um, open source software here and software licensing is a big problem with standardization.  Uh, they, going back to this thing, they, uh, they don't offer much flexibility and the creators of them envision like the current applications for robots as their only target customers. Um, and they're just difficult to work with. So yeah, this is just more of the, like from the hardware side, the hardware is really designed around industrial reliability and robustness and, um, the needs of non experts to be able to like make canned motions. Um, and so it's really hard to use a lot of the current hardware and software, um, to do more general things. So this is where we're at where it's, it's, um, because robots are designed for the end user and the end user really being factories. Um, it's hard to use them for, uh, novel tasks. So an alternative brush, this is, this is really just the pitch of like who we are as picnic and what are we doing about this? Um, we're involved with Ross. You've been hearing a lot from, uh, other people who are involved in Ross. It's, um, it's a open source standard with a good license. Um, for robotic software and there's no vendor lock in and it, it offers interoperability like the different, the different components you use in building software is oftentimes very hardware agnostics. It solves a very specific problem and it's composable. And it's really built around these sort of developing open standards for the software that everybody seems to write. Um, yeah. So robust general purpose robot hard software is hard to write. And it, it means that, um, really one of the best ways to achieve this general purpose robot software is with a lot of input from many different people in, in different industries, even who, um, bring their problems and help develop a general solution that is, um, works well. It's sort of the beauty of the open source model in a lot of ways. Um, why should you pay attention to Ross? Well, it reduces cost because a lot of the work is already done. Um, it's easier to hire talent to work on your projects if you're using Ross because it is developed enough of a life of its own that there, if you need people to build robot software, there's a lot of people who already really like Ross and already really understand it. And there's an active community to support people and, and to find people in. Um, it helps with tech transfers from academia. Uh, there's a lot of people who are doing research who are using Ross because in the same way that enables innovation from, in companies, it enables innovation and research. Um, and it's built on top of industry standards. The latest version of Ross, Ross, too, is, um, built on middleware. It's based on DDS, which is they, um, an industry standard for, uh, middleware. So big companies are standardizing on Ross. Um, there's a really impressive steering committee. Um, we are honored to be part of it. Um, and then there's several consortias that have been established. Also Ross industrial that really does deal with industrial applications. Ross, um, auto aware, which is the, uh, people are building self-driving car like things based on Ross. And then the movie community, which is us. Um, so how Ross is helping us achieve the next level of robotic capabilities. Um, it's helping commoditize hardware in that it defines abstractions for hardware and interfaces to hardware that are standard. Um, and allows you to write software that's agnostic of hardware and can compare hardware. And then once you actually get hardware, or if you change what hardware you're using, it's easy to swap out. Um, there's just more software capability. And it's all, um, nicely integrated. There's a robot mobility mobility. So navigation to is another huge project in the Ross world. And, um, that really helps with mobile robots. Um, and it solves the lack of standardization problem. Um, in that Ross is a open standard in a lot of ways. And it's, it's, it's really pretty straightforward and universal. Um, except it's accelerating robotics innovation. Right. Uh, there's an image from fetch. There's hundreds of startups. Um, there's a lot of research papers. There's hundreds of millions of dollars in company evaluations that are based on Ross. Um, so when is this not the solution for you? Like why would you like what, in what cases would you not, would you not follow this? If you, if you don't need to customize things very well, or like you don't, you don't have any really specific needs. If the current solutions meet your needs really well. Um, you're not building a robot product yourself. Um, and, uh, you don't care about owning the IP and then lastly, you don't have an expert development team. One of the real costs of, uh, developing one of the hardest costs to feel with the developing robotic applications. Um, that are novel is that you do need a really, uh, professional development team. Um, may I ask what about my company's IP? Right.  Um, you don't have to give it away. Um, non-competitive contributions are greatly encouraged. It's, it's encouraged that companies that are building stuff on top of Ross when they, um, that they upstream as much as they can. Um, Ross is not copy left. So you can build proprietary software on top of Ross. Um, you can build a, uh, a fork of Ross itself if you wanted to and sell it. Um, the. Yeah. You, you can focus on just like what your core value is, what your competitive advantages and not on having to build all the infrastructure because a lot of it's done for you if you use Ross. Um, so what is move it?  I give you this introduction to Ross robotics. Um, it's a motion planning platform. Um, it started as a project called arm navigation and then changed names. Over time and now we're on move it to move it to really just signifies like move it that works on Ross too. Um, and that's, that's getting much more mature. It's, it's several years old now. And, um, it's where a lot of the new development is happening. Um, it's incredible how, how, how long it's kind of thing. Um, what, what, what does move it help you with? Move it is really about, uh, robot arm manipulation. It helps with motion planning. Um, it combines all sorts of different kinds of planners. So in, in an abstract way. So we talked about hardware as an abstraction, right? You can swap out hardware and it's, it's straightforward. Well, you can swap out planners with move it. It's pretty straightforward. Um, a bunch of different collision checkers. Um, inverse kinematics manipulation, grasping control, 3d perception. Um, this is sort of in the order of like things it does really well to the, the things that, um, use more work. Um, it has a really feature rich ecosystem. We, we work with a whole bunch of different global planners and Cartesian planners and inverse kinematics libraries and grasping libraries and, um, a couple of different collision checkers. And, and then also with perception and octomaps, right? I said, this, this is oftentimes when you get into this space of not just doing a canned motion. Um, one thing that's implied is that you're reacting to a changing environment and that means some sort of perception system. And that perception system needs to feed into your collision environment so that you can plan within that environment. So move it has tools for that. Why Rust 2? Um, Rust 2 is designed for production. Um, it shortens your time to market in a lot of ways. Um, Rust 1 really, uh, in a lot of ways, Rust 2 really is, it's the authors of Rust 1, um, got to, uh, a lot of people started using Rust for industrial applications. They had a lot of feedback and a lot of that went into, uh, redesign of some of the core pieces. And that's what Rust 2 is on its multi-platform. It works on Linux, Windows, Mac OS. Linux, really, while, um, Linux and Windows are, um, tier one supported and Microsoft is putting a lot of money into making Windows work better. Um, it is still, uh, the only real first-class, uh, Rust environment as Linux. Um, and then now because of how they've abstracted executors and various other things, uh, you can do more, um, hard and soft real-time stuff. So, let's talk about...


Hi, I'm Sharon Farb, Associate University Librarian for Collection Management and Scholarly Communication at the UCLA Library. And I'm Amy Blum, Senior Campus Counsel for UCLA. During this short podcast, we will address the subject of author's rights. As a scholar at UCLA, you have an opportunity and responsibility to publish your work with a variety of distinguished and respected publishers. Today we will give you some advice about negotiating to retain the copyrights that are essential to your teaching and research needs. Most publishers will ask you to sign an agreement similar to the ones that you see here, and they'll ask you to do that very close to the time that you send your final manuscript in for publication. I'm sure these look familiar, but how many of us actually read and consider what the publisher is asking us to sign before we actually sign the contract? As an author or creator of an intellectual work, you are granted by U.S. copyright law what we refer to as a bundle of rights. These rights include the right to copy, distribute, make derivative works to publicly display and to publicly perform your work. In the best case, the author's agreement will allow you to keep your copyright while granting the publisher some of those rights. For example, it might give the publisher the right to reproduce and distribute the work for a limited amount of time. However, most standard author's agreements ask you to sign over, many if not all of your rights to the publisher. Remember, if you sign such an agreement as is without making any modifications, you may have given up your rights to use and reuse your published work. For example, you might not be able to post a copy of your own work on your own course website. You also may not be able to share a copy with your colleagues or friends. You might give up the right to create a derivative work based on your own original work or even to include portions of your work in a presentation at a conference. In some cases, giving up your copyright could result in paying a permission fee to the publisher to reuse your own work. This is one of the reasons that many academic authors are exploring other kinds of publishing venues such as open access journals and institutional repositories. The University of California's 1992 policy on copyright ownership supports the retention of copyright by UC authors. The copyright policy states, A complete transfer of copyright to a publisher restricts a faculty member's right to use the work in future teaching and research. UC faculty members facing this situation should not hesitate to try and negotiate new terms. We encourage you to read the policy on copyright ownership and to visit the University of California's reshaping scholarly communication webpages. Both offer basic information on copyright, alternate forms of publishing, and retaining your copyright. In the meantime, here are a few tips and tools for retaining your rights as an author. First, read your author's agreements. Some agreements are better than others. Note, once you sign an agreement, the terms are legal and binding. If you need help interpreting your agreement, consult with one of the UCLA library, copyright librarians, and resources whose contact information will be available at the end of this podcast. Second, decide what rights are important for you to keep. If your author's agreement is not acceptable, how does it need to change? Consider whether you'd be willing to give up your copyright provided that the publisher gives you back certain privileges, such as the right to use your material professionally or the right to post your material on your website. Decide what rights you'd like to keep and what rights, if any, are not as important to you. Your decisions could significantly affect the long-term dissemination and duration of your scholarly work. Finally, if you decide to negotiate with the publisher to retain your rights, be very specific about what you intend to do with your work. Add the appropriate wording to your agreement and redline any terms that you do not want in your agreement. This process can take some time and may involve several back-and-forths between you and the publisher. Many authors opt for an addition of an addendum whose terms will supersede those stated in the agreement. There are several organizations that can help with creating authors' addendums. Creative Commons has created an online tool called the Scholar's Copyright Addendum Engine, which makes it easier to enter data about your work and the rights you wish to retain. The addendum can then be saved as a PDF to be sent to the publisher for signing along with your agreement. The Scholarly Publishing and Academic Resources Coalition, or SPARK, along with Creative Commons, have developed and posted a helpful PDF version of the author's addendum that can be printed out and filled in by you. Keep in mind that there are alternatives to traditional publishing models. There are many peer-reviewed, open-access journals which allow authors to retain many, if not all, of their copyrights. Remember to negotiate your right to deposit a pre-print or post-print into your institutional repository and on your own website. Consider UC's eSchoolership, an open-access repository for many of your scholarly publishing and dissemination needs. If you'd like an idea of which publishers allow authors the right to self-archive and deposit pre-prints, post-prints, and even final versions of their work to an open-access repository like UC's own eSchoolership, visit the Sherpa-Romeo searchable database of publisher policies. Issues surrounding copyright and intellectual property are complicated. There are librarians at the UCLA library who are qualified, ready, and able to help you understand your copyrights and to help you negotiate a better author's agreement. Thank you, and we'll see you next time.


Hi everyone, Sean with jaspyscasebreaks.com here doing 2021 Panini Certified Football Hobby. 8 box, half case break, pick your team number 6, wear all card and ship and this is the second half of a case we started with pick your team number 5. So here is our full list of customers, Alex Velasacos and the Cardinals, down to Patrick Davis and the Washington football team. If you see anybody with their names with a little rooftop next to it that just means they won that team in a team randomizer, which was done and the results are here. Video has also been uploaded separately to show the process. Here is our boxes. This is the second half so you can see they all have a 6 on there to show that these are for pick a team 6 that we did when we figured out which half we were doing for pick a team 5. What happened in pick a team 5? I'm assuming that there should be something very nice here in pick a team 6 for us. I hope I pulled you guys both something crazy. I hope I pulled everybody something crazy. That's what I want going into every break. Pull one amazing card for every single person. How about be the greatest break of all time? Halfway there. Oh, I have not. I have not. I haven't done a lot. Is that prism draft picks? Do you think that comes out of? I think it is, right? I haven't pulled any on campus actually. Is that prism draft picks? I'm sure they sell for a ton though. I'll give you four hundred bucks. And graded ones for thirteen hundred. Cool, last box guys. Good luck. That's the way it goes man. And then like once you're in the middle of like once you're not in breaks and you start to like be like oh hey anybody want to do anything?  Cool, good luck everybody. Let me hear my list. There is the final list. Patrick Mahomes to ninety nine. Chiefs Aaron Woodington. And Kylan Granson. Yeah, Kylan Granson to seventy five for the Colts. Brody Vaughn, please BV. Justin Fields. Relic to one ninety nine for the Bears. Patrick Deets. Baker Mayfield to one forty nine for the Browns. Adam Bernstein and Matthew Stafford to twenty five for the Rams. Mark Rao. Jacob Harris, very nice two color patch auto to four ninety nine for the Rams. Mark Rao. And Zach Wilson. Rookie Relic to two forty nine for the Jets. Petrit Nizaj. Trey Lance. Rookie Rollcall nine out of fifteen. Told you guys there had to be a big quarterback in this one. Forty Niners. Lee Cheesman. Very nice. Ramon Andre Stevenson to two forty nine for the Patriots. Karen Steele. And Devin White. For the Tampa Bay Buccaneers and Steve Wright. Okay, cool. Thanks dude. Appreciate it. Thanks guys. Have a good weekend. I'll see you Wednesday. Darren Waller two ninety nine. Tyler Murray Cardinals. Patrick Mahomes for the Chiefs. Aaron Whittington. And that is Zaven Collins to three ninety nine for the Cardinals. I know right. I knew something had to be in the second half. I mean two rookie quarterback relics to start and a rookie auto quarterback auto to start in the first box. And it's out of fifteen. And it's team color matching too. Dashaun Jackson dual relic to one ninety nine for the Eagles. Steve Wright, Gary Brightwell to ninety nine for the Giants. Travis Gill and Jeremiah Owusu Caramo to seventy five for the Browns Adam Bernstein. Dak Prescott to ninety nine for the Cowboys. Sean Breen. Tarris Marshall Jr. two-color patch auto that's to $2.99 for the Carolina Panthers, Brody Vaughn. And Brandon Ayute Tag for the 49ers, Lee Cheesman. Tony Pollard pieces of the game to $2.49 for the Cowboys. That is Sean Breen. And Paris Campbell certified potential 22 out of 30 for the Colts. That is Brody Vaughn. Trevor Lawrence out of $2.99. Jaguars Shaolan. Patrick Mahomes for the Chiefs. Aaron Whittington. Simi Fahoko to $3.99 for the Cowboys Sean Breen. And Zach Wilson the $2.49 tag for the Jets. Patrick Nazaj. Jamin Davis to $50. Washington Patrick Davis and Chase Young. Tag for Washington and Patrick Davis as well. I kind of had felt like it would be Brody, you know. It made sense that it would. Marquez Colson to $1.99. Saints Larry Rosario and Seth Williams. That is a rookie out of $50 for the Denver Broncos and Mark Rao. Jake Funk to $3.99 for the Rams, Mark Rao. And Nick Chubb to $1.99 for the Browns. That is Adam Bernstein. Darius Slaton to $2.99 for the Giants. Travis Gill and Trey Lance. Red Tag also to $2.99 for the 49ers and Lee Cheesman. He's doing great so far. Michael Carter. Very nice. Relic to $25. Two color patch and Otto for the Jets. Patrick Nazaj. Devin White Tag for the Buccaneers. Steve Wright. Devonte Parker. Relic to $1.99 for the Dolphins. Steve Wright. And Marlon Humphrey to $75 for the Ravens. Brody Vaughn. Quitty Pay to $2.99 for the Colts. Brody Vaughn. And Ryan Tannehill to $99 for the Titans. Karen Steele. Okay, coming up on box four halfway point. Jimmy Graham. Relic to $1.99 for the Saints. Larry Rosario. Kenny and Wong Wu to $25. Rookie for the Vikings. Mark Rau. Quitty Pay to $3.99 for the Colts. Brody Vaughn. Joe Burrow to $2.49 for the Bengals. Jernigan Dixon. And Christian McCaffrey to $2.49 for the Panthers and Brody Vaughn. Patrick Mahomes. Chiefs. Aaron Woodington. And Justin Jefferson. Tag to $50 for the Vikings. Mark Rau. Shee Smith to $1.49. Carolina Panthers. Brody Vaughn. And Mike Gasicki. Pieces of the game to $2.49. Dolphins. Steve Wright. Damian Harris. Ben Skornik. Otto out of $50 for the Rams. That is Mark Rau. And Cam Acres. Tag for the Rams and Mark Rau. Dwayne Eskridge to $2.49 for the Seahawks. Brian Kling. And Kyler Murray for the Cardinals. Alec Falasako's tag. And Ian Book. Nice three-color patch. Otto to $3.49 for the Saints and Larry Rosario. Now we are halfway through. Second half is very nice so far. Let's keep it going. Nikko Collins. Relic to $2.99. Houston Texans. Patrick Davis. And Patrick Mahomes for the Chiefs. Aaron Woodington. Carson Wentz out of $99 for the Colts. Brody Vaughn. And Joe Burrow tag to $2.49 for the Bengals. Jernigan Dixon. Jalen Waddle. There you go. What did Brody ask for? Out of $75 for the Dolphins and Steve Wright. Two-color almost looks like three-color patch Otto. $14 out of $75. Jalen Waddle. Very nice. DJ Moore to $149 for the Panthers. Brody Vaughn and Justin Fields to $149. Tag for the Bears. Patrick Dees. What's going on here? A filler with some math on it. Can we figure out what kind of math that is? $432. Minus $4. Minus $28. That's $400. I'm very intrigued by this now. I must come to the answer of that. Nick Chubb to $199. Cleveland Browns. Adam Bernstein. And Caleb Farley to $50. Rookie Otto for the Titans. Karen Steele. Huh? I need to know the answer. What kind of math was being done? Dez Fitzpatrick. Three-color patch to $99 for the Titans. Karen Steele. And J.K. Dobbins for the Ravens. Brody Vaughn. Tag there. Taysa Mill to $149 for the Saints. Larry Rosario and Justin Herbert tagged to $149. Chargers. Tom Lee. Brody. Come on. Let's make it happen for you. Tredavious White. Dual Relic to $249 for the Bills. Jernigan Dixon and Mack Jones tag. Patriots. Karen Steele. Matthew Stafford to $299. For the Rams. Mark Rao. Simi Fahoko to $299. Calvoys. Sean Breen. Tom Brady. Seal of approval. Buccaneers. Honestly. Brody. If it says NFL Shield on there. Let's hope that it says NFL Shield. Tom Brady. Buccaneers. Steve Wright. Alvin Camard. $199 for the Saints. Larry Rosario. Jimmy Garoppolo to $199. 49ers. Lee Chiefsman. And Teddy Bruceke. Nice two-color patches to $99. Patriots. Karen Steele. And Dax Milne. Rookie Otto to $50 for Washington. Patrick Davis. Kyle Pitts. $199. Falcons. Brody Vaughn. Let's see what we've got in that redemption. NFL Shield. NFL Shield. NFL Shield. Freshman fabric mirror signatures. It's Jamar Chase. It's a nice one for the Bengals and Jernigan Dixon now. Sorry to get your hopes up, Brody. Let's see if we can get another redemption here for you. Very nice. Jamar Chase. Cincinnati Bengals. Jonathan Taylor to $50 for the Colts. Brody Vaughn. Niko Collins to $149 for the Texans. Patrick Davis. Des Fitzpatrick. Relic to $299 for the Titans. Karen Steele. Devonta Smith to $75. Eagles. Steve Wright. Chris Evans to $299 for the Cincinnati Bengals. Jernigan Dixon. Tom Brady. Buccaneers. Steve Wright. Russell Wilson to $299. Seahawks. Brian Kling. And wow. Case hit. Justin Fields. Certified air. Chicago Bears. Patrick D's. Nice rookie case hit. Told you the second half was pretty good. And could it be? Wow. Three color patch auto to $20. Justin Fields. Chicago Bears. Patrick D's. Jalen Hertz. Eagles. Steve Wright. Half is loaded. Jacob Harris to $149. Rams. Mark Rao. Case hit. And a three color pat RPA in the same box for the same player. Elijah Mitchell. Rookie Otto to $50 for the 49ers. Lee Cheesman. Patrick Malms. Chiefs. Karen Whittington. Jacob Harris to $399 for the Rams. Mark Rao. Pretty nice. Last box. Let's do it. Brody, come on. Let's get it for you. Carson Wentz to $99 for the Colts. Brody Vaughn. Maybe that's what the math was. Was how to avoid putting all this ridiculous stuff in one eight box break. Kaney and Wang Wu to $299. Vikings. Mark Rao. Travis Kelsen to $249. Chiefs. Aaron Whittington. Cam Acres to $249 for the Rams. Mark Rao and Justin Fields tag. Why not add to it for the Bears. Patrick Dees. Could it be? Oh, damn. Mack Jones, $249. Patriots, Karen Steele. Monty Rice to $50 for the Titans. Karen Steele and Jonathan Taylor to $199 for the Colts. Brody Vaughn. Kenneth Gainwell. Three color patch Otto to $249. For the Eagles, Steve Wright. Tua Tagavai Lo at Dolphins. $299. Steve Wright. Oh, we got one more to go. Let's get it, Brody. It's not going to be him. Rookie Roll Call to $99. Kellan Mond for the Vikings and Mark Rao. $399. Amari Rogers for the Packers. Brian Klin. And there you go. That finishes off a loaded second half. Brody, no Kyle Pitts in there, but thanks for obviously giving another shot. Had a very nice half case break. Very nice half case break to say the least. Especially for the Chicago Bears. Patrick Dees crushed it. I mean, Justin Fields out of 23 color patch Otto. Justin Fields case hit. Certified air. Jaylin Waddle. Three color, two color patch Otto to $75 and a Tray Lance out of $15. It's crazy. There you go, guys. Another nice break in the books. That was 2021 Penini certified football hobby eight box half case break. Pick a team number six from jaspyscasebreaks.com. I'm Sean, jaspyscasebreaks.com. Thanks for hanging out and we'll see you next time.


Hi. I'm David Gonzalez. In this episode, I'm going to look at poetry. I tell stories and I write poetry. They're similar and they're different, but each one helps me to bring my ideas to life. In this example, I'm going to read part of a poem called I Speak for the Living Earth, and then we'll talk about some ideas that you can use in your own poetry writing. I speak for the living earth. I speak for the vast open spaces, for the north wind on the Wyoming plain, for the shale fields of Kilimanjaro, for the blue ice of the glacier, for the gold blood of the volcano. I speak for the micro-world, for the spores and seeds, the pollen with innermost. I speak for the four-legged, for the laurus and the hound, the leopard and the giraffe. I speak for the rivers, for the swift churning currents, for the gentle mountain spring. I speak for the shifting surface of the planet, for the hot flow of magma, the explosive eruption, the billowing ash, the changes. I speak for the canyons, for what is told in their cliffs, for the sounds of emptiness. I speak for the birds, for the ibis and the crow, the crane and the swallow. I speak for the night, for the eyes that rise, for the dew that falls, for a sightless creature deep in a cave. I speak for the sea, for the crust of salt on a shell, for the infinite horizon. I speak for the unknown, for the unfound, the unborn. I speak for the threatened, for the endangered, for the extinct. I speak for the seasons, for the death of all things, for the birth of all things. And that's an excerpt from my poem, I Speak for the Living Earth. This is a praise poem. Praise means to give thanks and to celebrate something. And it's also a list poem where I list many, many things. It's a praise list poem and that's something that you can do.  List all the parts of that experience and then little by little start to make connections, expand, add to it. That's what I did with this poem. Something that you can do as well. Bring your ideas to life through poetry. I think you'll like it.