Mother, is Maxwell House the best coffee in the whole world? Well, your father says so, and your father knows best. Yes, it's Father Knows Best, transcribed in Hollywood, starring Robert Young as father. A half-hour visit with your neighbors, the Anderson's, brought to you by Maxwell House, the coffee that's bought and enjoyed by more people than any other brand of coffee at any price. Maxwell House, always good to the last drop. An ancient Greek philosopher named Anonymous once gave out with the following, which we quote, There's nothing gives you a lift like a gift. There's nothing cures a rift like a gift. And duchess or peasant, you can make her more pleasant with a present. Cute, huh? On the other hand, the ancient Trojans had a warning which said, Beware the Greeks bearing gifts. Makes it sort of confusing, doesn't it? And if that isn't confusing enough, a half-hour spent with Jim Anderson and his family will get you as mixed up as a wrestler's torso, only more so, like this. Margaret! Honey, I'm home! Mom's out, Dad. Oh, hello, bud. Where'd she go? I don't know. I think she went to a PTA meeting or something. That's nice. Where are the girls? They're around someplace. Say, Dad. We're up here. Hello, Kitten. Bye. Thank you, Betty. She's been home. Say, Dad, you know what I did today? I cleaned out the garage. No. I sure did. And you know what else I did? I burned all the waste paper and I carried out the cans. All right, bud. Where is it? What? Where's the sale? What sale? On gasoline scooters. I didn't say there was a sale. I know. But where is it? At the bicycle shop. Well, what else is new? Mr. Todd Wilder says he'll give you a wonderful deal. I bet he will. And he's got one that's hardly even been used. Practically. Almost. Yes, sir. Tell me what we'll do, bud. Let's forget about it right now. And then after dinner. Yes. After dinner, we'll forget about it some more. Is this all the mail? Holy cow, Dad. I'm 15 years old. I guess this is all the mail. And how would you feel if you were 15 years old? Wait a minute, bud. What's this? What? This box. Where did it come from? I don't know. Oh, Kathy said it was on the porch. It's for you. Thank you very much. Maybe if you pay a little more attention to it. Oh, no. What's the matter, Dad? Get back. It's allowed to explode. It's what? Get back. What is it? I don't know. I think it's a necktie. A necktie? Yeah, it's a necktie, all right. How can a necktie explode? Well, I hate to do this to you, but look at it. Hey, that's beautiful. Of all the... It's what? Is that ever keen? A hand-painted tiger. In a purple jungle. Boy, what I'd give for a tie like that. Bud, are you serious? Oh, sure. Gosh, I never saw anything like that in my whole life. I don't think that anyone ever did. You mean you don't like it? That's one way of putting it. Then what did you buy it for? Buy it. I wouldn't buy a thing like this if... wasn't there a card or something with it? I don't know. Kathy brought it in. Kathy! You want me, Daddy? Yes, will you please come down here for a minute? OK. There must have been a card or a note or something. Daddy fixed it. It looks fine. Kitten, wasn't there a note with this box? I don't think so. You mean it came just like this? Oh, no. It had wrapping paper on it. I see. Well, where is it? Where's what? The wrapping paper. I'd like to know where it came from. Well? I don't know. You don't know what? Where it is. Boy, what a not-head. Never mind, Bud. You keep out of this. Yes, sir. Kathy, in the first place, you had no right to open a package that wasn't meant for you. But I needed the paper to design doll dresses. Well, we won't worry about it now. What happened to the paper? I made doll dresses out of it. Well, go get them. Betty threw them away. Good grief. I didn't do it, Daddy. Betty said I was getting the room all messed up. I don't know, Betty. Yes, Father? Where did you throw Kathy's doll dresses? What? Where did you throw? Will you please come down here? OK.  But I didn't open it. I just took the paper off it. That's the same thing, isn't it, Bud? You told me to keep out of it. Bud. Hi, Father. What's all the shootin' for? Betty, where did you throw the wrapping paper? What wrapping paper? The paper I was making doll dresses out of. Why does Father want doll dresses? I don't want doll dresses. I want the paper. It was wrapped around the tie. What tie? This tie.   Where is the paper? I, oh, I put it in the wastebasket in the kitchen. Well, now we're getting someplace. But I burned it. You what? I burned the paper. Remember, I told you I did all that stuff? Why do these things happen to me? I'll get it. The first time in 10 years he's done anything without being threatened, then he had to pick today. We didn't know it was important, Father. Of course not. Nothing that belongs to me is ever important. Well, that sounds natural. Mommy! I'll take the packages, Mom. Thank you, dear. Margaret, do you know what these children have done? Not yet, dear, but I'm sure it was perfectly horrible. Take the packages into the kitchen, Bud, like a good boy. OK, Mom. No. What's the latest tragedy? I didn't do it on purpose, Mommy. She never does anything on purpose. She took the paper off this box, and now I don't know where it came from. Where what came from? This. Oh, dear. Isn't it awful, Mother? Well, it's certainly different. Who said it? Margaret, that's what I've been trying to tell you. I don't know. Kathy threw the wrappings away. I didn't, Daddy. Betty did. I didn't burn them. That's right. Blame the whole thing on me. Well, it isn't very important, is it, dear? Of course it is. Somebody sent me a present, and now I can't even thank them. For that? Betty, it's the spirit behind the gift that counts. And if somebody thinks enough of me to send me a present, isn't that a miserable-looking thing? Jim, don't you have any idea who could have said it? Not the slightest. Maybe it was Mr. Swanson. Who's Mr. Swanson? He's the janitor at our school. He's colorblind. Why would Mr. Swanson send father a tie? I don't know. If I could only think of somebody who had a reason.  Betty, really? Maybe they're trying to get even. Maybe you made a bet with somebody. And you lost. Betty, if you don't stop that, you may go to your room. I'm trying to help. Maybe. No, that's ridiculous. What is, dear? Last winter, Austin Sherman was stuck in the snow, and I pulled him out. But he wouldn't wait this long, would he? I hardly think so. That's what I figured. Jim Hathaway. Why would Jim give you a tie? Well, I let him borrow the lawnmower. Oh, that's silly. Yes, dear, it certainly is. Margaret, people don't just leave packages on your porch without a reason. They leave babies. Betty. Maybe somebody was trying to get rid of it. Go, you hot necktie. Say, how about Gribble? He's always trading neckties or sending them to people. Maybe. No, he'd never send a thing like this. I don't know what everybody's kicking about. I think it's pretty. You would. Well, I do. Jim, that's it. What is? I know exactly how you can find out. How? Well, there are probably only two people in the world who would be caught dead wearing that tie. But, and whoever sent it to you. But what's wrong with that? Never mind, bud. Go ahead, honey. So you wear the tie until somebody admires it, and he's the one. Wearing? This? You don't want to insult anyone, do you? But it might take weeks. Can you think of a better way? I suppose not. Why don't we just bury it? Kathy, do you see what you've done? Yes, Daddy. I've got to walk around with this menagerie on my neck. I've got to look at it. I'll wear it. No, dear. This is your father's little problem. Just because, Kathy, I hope this has taught you a lesson. Oh, yes, Daddy. It has. Next time, I'll save the paper and make dresses out of the tie. Margaret, I'm home. We're in the kitchen, dear. Neck ties.  All of a sudden, everybody in the world starts to look at neck ties. A bunch of wise guys. Hi, you dad. Hi, Daddy. Hello. Hello, dear. Well, let's not look so glum. Hello, honey. That's more like it. We'll have dinner. Why, Jim, where's your tie? Right here. I mean, that isn't the one you wore this morning. No, the menagerie's gone. Holy cow. Jim, you didn't. Oh, no, I took it. Hour after hour, I took it. But I hung on to Tiger Lil. Then what happened? I found somebody who liked it. There, you see?  Hooray for our side. Now, wait a minute. Let's not get all excited. I still don't know who sent it. But, Jim, you sent it. I said somebody liked it. Mr. Gribble. But if he liked it. He liked it so much, he offered to swap ties with me. Father, he didn't. He certainly did. Naturally, I couldn't refuse him. You know how touchy he is. And now it's gone. That's right. And I'll never find out who sent it. Oh, dear. Probably a client who will never talk to me again. Daddy, I'm awfully sorry. I know, kitten. It was just one of those things. Well. Margaret, yoo-hoo. Good grief. Lend-lease Annie. It's Ms. Woody. I know, dear. Come on in, Dorothy. Don't say anything to her about the necktie or she'll spread it all over town. Jim, please. I'll only be a second so everybody keep right on doing what you're doing. Hello. Hi, Dorothy. Margaret, you know how I hate to do this, but could you let me have half a cup of sugar? Of course. Betty, I brought the cup. That was thoughtful. Go ahead, Betty. Get Mrs. Woody a cup of sugar. She said half a cup. Well, a good half a cup. Margaret, I'm so upset I could spit. Now what's wrong? All that garment's department store. Imagine, tell me they delivered it. Delivered what? Well, Sam's birthday present. And I picked it out so carefully, too. All hand-painted and everything. Hand-painted? Yes. And I said to them, don't tell me it was delivered. I know when a thing's delivered. And they said, maybe one of the neighbors snitched it. Can you imagine that, Dorothy? And I said, I've known my neighbors longer than you have, and I trust them with a lot more than a $25 present. $25? That's what I told them. Here's your sugar, Ms. Woody. The nerve of them telling me it was delivered. Thanks, Betty. You're welcome. Well, I got to go. Thanks for the sugar, Margaret. That makes it two cups and an egg. Jim, do you suppose? $25. It isn't our fault, is it, Daddy? Kathy, when are you going to do anything right? I thought it was on our porch. $25? You see, I said it was pretty. Well, now, is that hand-painted tie a beauty or a monstrosity? Who's right, father or bud? The answer seems to be that it's simply a matter of opinion. On some matters, though, you'll find practically unanimous agreement. For example, I think you'll agree with me that the enjoyment of truly good coffee is one of the most satisfying pleasures of everyday life. That's why it seems ashamed to settle for less than coffee with the most in flavor, the wonderful good to the last drop flavor of Maxwell House coffee, bought and enjoyed by more people than any other brand at any price. Now, only Maxwell House has that superb flavor, and there's a good reason why. You see, there are all kinds and grades of coffee beans growing all over the world. But Maxwell House insists on the choice extra flavor coffees, the kind that are grown on mile high plateaus in Latin America. Of these, the Maxwell House people select fancy Manizales coffees for fragrant mellowness, superb medallions for extra richness, and choice Bucaramangas coffees for fine full body. Then these choice vintage coffees are blended in just the right proportions to produce that one and only good to the last drop flavor.  So do this. Pour yourself one cup of our Maxwell House coffee. Enjoy that true taste of contentment. I'm sure you'll say that man was so right. Maxwell House is the one, the only coffee that's always good to the last drop. On Saturday in the city of Springfield, retail stores like Gorman's open for business at 9 o'clock. At 9.01, therefore, we find our friend Jim Anderson on the phone. He's talking to a clerk in the haberdashery department. And you can bet they aren't discussing the hunting season in northern Somaliland. Or are they? No, I said tiger, T-I-G-E-R, tiger on a tie. No, a tiger on a tie. Look, will you please give me the manager of the department? Oh, you are. Well, don't you know what kind of neckties you have?  Hand-painted. I don't want sea horses. I want an orange tiger with green stripes. Well, it's got to have some color stripes, doesn't it? This one happened to be green. Look, I don't care where you wouldn't wear it. I just want. No, all I want is a purple tie with. But all I want is. But thank you very much. Now what am I going to do? Are they going to send it out, dear? The man said they never had a tie with a hand-painted tiger. Oh, dear, I'll bet it was a special order. Leave it to Dorothy. She couldn't pick out a simple thing to have delivered to the wrong place. She has to have special orders. Did you get the tie, daddy? No, I didn't get the tie, daddy. Jim, please. Well, why does she have to sound so happy about it? I didn't do anything today. Well, it's still early. Did they have one, father? Oh. Betty, why don't you and Kathy finish the breakfast dishes? We did. What did we do now? Nothing, Betty. It's just that I'm a little upset this morning. You'll have to be patient with me. He's getting old. Oh, she here. Jim, let's concentrate on the top. Well, what right does she have to? You know, maybe I am getting old. I don't seem to be able to take these things like I used to. You never could? But, honey, other people have children in homes and neighbors, and they don't get mixed up in things like this. I know, dear. Nobody else in the whole world gets mixed up with orange tigers and Dorothy Woody. Maybe we're just lucky. Oh, sure. Father, have you thought of asking Mr. Gribble to give the tie back? I've thought of everything up to and including mayhem. Who's she?  Oh, I didn't. What? How about asking Mr. Gribble? I can't. Dear, maybe if you explain to him. But, honey, he made such a fuss over the tie. I had to take it off right in the middle of the restaurant. I know, but maybe if you explain. He wouldn't do the least bit of good. That old skin friend can smell a bargain three miles away. He knew what he was doing. Well. Dad. Now what? Dad, hey, Dad. Bud, what is it? Dad, I saw him. All right, Bud, take it easy. You saw who? Mr. Davis, I saw him. He was mowing the lawn. Oh, for a Pete's sake. Jumping creepers. You'd think something happened. But he's right there with the tie. What? Wait a minute, please. Bud, what are you talking about? Mr. Davis, he's got the tie. I saw him. Are you sure? Now let's keep calm. Let's not get excited. But are you sure it's our tie? Sure, I'm sure. Because I remember the tiger was cock-eyed. Bud. Well? I want to go see. No, Kathy, wait. What? This is going to take a little diplomacy. And you'd better stay here, all of you. Jim, won't it be easier if you just tell Ed the truth? And have him hold it over me the rest of my life? Don't worry, honey. I'm an old hand at this horse trading business. I'll do all right. Can't I go with you, Dad? I found the tie. Bud, please. I'll handle it better if I'm alone. Holy cow. I don't know, dear. I still think. Margaret, will you please stop worrying? We're practically in. All right, Jim. I just hope you know what you're doing. Good luck, Father. So long, Daddy. I'll only be a few minutes. Yes, sir. Everything's going to be all right. Yes, indeed. Hello there, Ed. Ed. What? You say something, Jim? I said hello. Oh, hello. Hold it a second, will you, Ed? I want to talk to you. Jim, I've got to get the lawn mowed, or I can't play golf. So would you please make it snappy? All right. I guess this will be about the last time. We'll be cutting the grass this year, won't it? Just about. Yes, sir. Just about the last time. Is that all you wanted to tell me? Oh, no. Well, you see, I... Look, you figure it out, and I'll catch you the next time around. No, no, wait a minute. I say that's quite a tie. Yeah, that's a dove, isn't it? Hey, you got a cigarette? You bet. There you are, pal. Thanks. Keep them all. I just want... Go ahead, keep them. I've got a whole carton inside. OK, thanks a lot. Yes, sir, that's quite a tie. What's on your mind, Jim? Why, nothing. Ed, I just haven't seen you all week, and I thought maybe we ought to have a little chat. That's all. Oh, nothing in particular, though. No, nothing in particular. Fine, I'll see you later. Ed, wait a second. About that tie... Well, what about it? How'd you like to swap? Oh, no. What do you mean, oh, no? Just what I said, I don't want to swap. Now, look, Ed, it's... You have to, it's the code. Who said so? I said so. If somebody offers to trade ties, well, how can you say no? Well, it's easy. Ed, will you please listen to me? What for? You aren't saying anything. Look, Ed, we've been friends and neighbors for a long time, and... I don't want to swap neckties. Now, will you please let me cut the grass? Why don't you want to swap neckties? Because I like this one. But it doesn't suit your personality. You're too kind to wear a tiger. Jim, I know what you're up to, and it won't work. Well, Ed, you sound as though you don't trust me. You know I got this tie in a swap with Gribble, and I'm not trading it for any two-bit necktie you've got on. Two-bit? This is the tie I got. It's a very expensive tie. Okay, you keep it, and I'll keep this one. But... You know, Ed, you drive a very hard bargain. I'll give you this tie and two bucks. I don't want a bargain. I just want to keep the tie. I've got it. How about five bucks? What's the matter with you? Nothing's the matter with me. Will you take 750? I don't want... How about 10? It's a deal. Oh, no, wait a minute. It's a deal. You said you'd take 10. Well... Okay, as soon as I... Here's mine. Now, let me have yours. Well, what's a big rush? We made a deal, and... Come on, Ed, please hurry. Okay. Here. Thanks, Ed. I'll see you later. And don't forget, you owe me 10 bucks. You bet, pal. What a character. 25 bucks for a cockeyed tiger. So help me, some people ought to have their brains examined. I got it! Jim, what's the matter with you? You get to tell me who it was, but leave it alone. You'll tear it. Jim, you can't give it back like that. Why not? Look at it. It's all wrinkled. Well, naturally, everybody in town's been wearing it. Father, I think it's got a spot on it. With this tie, how can you tell? It does have a spot, Jim. See? Where? Right there. Oh, who noticed a little thing like that? Maybe we can get it out, Mother. Well, we'll try. Let's go into the kitchen. I think it'd look better if he got the tiger out, too. What do you know about ties? I was the one who knew it was valuable. Honey, do you suppose you can get some of the wrinkles out? I think so, dear. But will you get the ironing board out for me like a good boy? You bet. I'll help you, bud. Never mind. I can do it alone. Margaret! Oh, my gosh. Jim, put the tie away. Where? Anywhere. Margaret, why don't you see what I got? It's the most beautiful. Why? Nothing. We're just standing here. Aren't we, kids? Sure, Daddy. You look so pale. Well, what do you think of this? It's beautiful, isn't it? Oh, yes. Yeah. What is it? It's a hand-painted pipe rack. I got it for Sam's birthday. Isn't it gorgeous? Pipe rack? But you said? And believe me, I gave that Gorman's a piece of my mind. This work was delivered. It was on the truck all the time. Imagine. Oh, Jim. Wait a minute. Dorothy, look. What about this necktie? Oh, did you get one of those, too? What do you mean, too? They've been throwing those on portraits all over the neighborhood. Father. Throwing them on $25 necktie? Oh, no, it's that new mail order house on Spring Street. If you don't like the tie, you send it back. Or you can keep it and send them $1.29. It's all written on the wrapper. But I told Sam that we'd have that mail. When you buy coffee, above all, you're looking for flavor. Isn't that so? Rich, tempting, full-bodied flavor. And that's the reason more people buy and enjoy our Maxwell House coffee than any other brand at any price, for it's wonderful good to the last drop flavor. That's why I say start serving our Maxwell House to your family. Watch their happy response to that truly satisfying taste of contentment in every fragrant steaming cup of our coffee. Then just count all the cups of really good coffee you get from each pound. You'll know Maxwell House is your best coffee buy. This weekend, then, for the most in flavor, in value, look for the big white cup and drop on the familiar blue tin. Take home Maxwell House, the one coffee that's always good to the last drop. It's breakfast time again in the White Frame House on Maple Street, and a very unusual breakfast it is. Everything's peaceful and calm, and there isn't a single problem in sight like this. You better hurry, Kathy, or we'll be late for church. I'll be finished in a minute, mommy. Do you suppose there'll be time for me to have another cup of coffee? I wouldn't be a bit surprised. There you are, dear. Thank you. May I have the cream and sugar, please? Go ahead, Thai expert. Pass the cream and sugar to father. Dad, make her stop picking on me. Thai expert. Betty, leave him alone. He's, well, leave him alone. Nobody ever leaves me alone. Why should they leave him alone? You drink your milk. Yes, daddy. Jim, you know, I've been thinking. Today is Sam Woody's birthday. Congratulations. Well, what I mean is we've known Sam a long time, and I just wondered if we shouldn't get him some little things. I've already taken care of it, dear. Jim, you didn't. Father, did you give him the tiger? Well, Mr. Gribble liked it, and Mr. Davis liked it, and it cost me $11.29. Oh, Jim. Was he happy, daddy? What'd he say? Well, it was very strange. He said, Jim, you shouldn't have done it. And you know, I had a feeling he meant it. Wow, look at that shape. Huh? Where? That mold of fruit rich jello. Terrific, so colorful and shimmery. Tastes even better. Here, have some. Fruit rich is ripe. All six jello flavors remind me of the orchard and the berry patch. Strawberry, raspberry, cherry, orange, lemon, and lime. All easy, easy to fix, and thrifty, thrifty to buy. That's jello for red-letter desserts. Ladies and gentlemen, nearly 4 million young drivers are now members of the Robert Young Good Drivers Club. By signing a man-to-man or dad-to-daughter agreement with their parents, they have pledged themselves to observe eight basic safety rules. If you've not already sent for your copy of the agreement form and club card, we invite you to join in this important campaign to improve our nation's safety record. Write to Robert Young in care of this NBC station. Join us again next week when we'll be back with Father Knows Best. Starring Robert Young is Jim Anderson, with Roy Bargy and the Maxwell House Orchestra. In our cast for Gene Vanderpile is Margaret, Rhoda Williams, Ted Donaldson, Norma Jean-Dillson, Marie Blake, Barney Phillips, and yours truly, Bill Foreman. So until next Thursday, good night and good luck from the makers of Maxwell House, America's favorite brand of coffee. Always good to the last drop. Father Knows Best was transcribed in Hollywood and written by Ed Jane. Join Mr. Keen, Tracer of Lost Persons, tonight on NBC.


everyone their learners. Now we will discuss about another concept of this unit that is legitimacy. As we all know that the concept of legitimacy has a close relationship with the concept of authority. It is the backbone of authority. People always want to respect only the legitimate authority. The term legitimacy is derived from the Latin word legitimus which means lawful. It is the word legitimus which means legitimus. It is the word legitimus which means lawful. It is the word legitimus which means lawful. It is the word legitimus which means lawful. It is the word legitimus which means lawful. It is the word legitimus which means lawful. It is the word legitimus which means lawful. It is the word legitimus which means lawful. It is the word legitimus which means lawful. According to political philosophy, T.H. Green will not force is the basis of the state. It is the word legitimus which means lawful. It is the word legitimus which means lawful. We will discuss about the various sources of legitimacy. According to Max Weber, there are three sources of legitimacy. These are tradition, exceptional personal qualities and legality. Let us discuss these in detail. Number one is tradition, parampara. Dear learners, we know that the recognized traditions, customs of the society is one of the important sources of legitimacy. In other words, authority is the exorcist power in accordance with the sanctioned customs and traditions of the society, which is always considered legitimacy. So, the sanctioned traditions and customs are important sources of legitimacy. The secretive property, parampara, baprata, ebore, boydhata, mul, utkha. These are the exceptional personal qualities. According to Max Weber, the personal quality of the leader is another important source of legitimacy. Leaders with their charismatic personality, exorcist power in such a manner that it becomes a source of legitimacy. According to Max Weber, the personal quality of the leader is another important source of legitimacy. In other words, we consider a system as legitimate only because it is legal. In other words, any system which is based on the existing rules and regulations can be considered as legitimate. So, we consider a system as legitimate only because it is legal. We consider a system as legitimate only because it is legal. So, the types of legitimacy. David Stain refers to three types of legitimacy which are given below. The David Stain, boydhata, tini bhagav, tini taranat bhagav kore jale hi agon ideological legitimacy, that every society has its own ideology, values and rules and these form the basis of ideological legitimacy. The ideology describes the aims and objects of the political system. Thus, when the sources of legitimacy is the ideology prevailing in the society it is called ideological legitimacy. The ideology of the other party is the ideology of the other party. Thus, we consider a system as legitimate only because it is legal. In any kind of system there are certain structured rules and regulations. Specifically, in a democratic form of system or government or state the existence of a particular institutional framework, for example, executive, legislator and judiciary based on some structured rules and regulations. With the help of the structured legitimate system the authority will learn to exercise power over the other individuals. The boydhata of the other party is called the boydhata of the other party. This is the last part of our discussion. The legitimacy which is based on the personal qualities of the leaders is called personal legitimacy. Many times, leaders with their charismatic personalities create a support base among people and does equal legitimacy. The boydhata of the other party is called the boydhata of the other party. The other party is called the boydhata of the other party. This is the last part of our discussion. The boydhata of the other party is called the boydhata of the other party. Thank you.


The Hallmark Playhouse, which is heard during most of the year at this time on Thursdays, has nearly finished its summer vacation. So be with us when Hallmark Playhouse returns to CBS, three weeks from tonight, on September 7th. Now from Hollywood, it's time for Edmund O'Brien as... Johnny Dollar. Mickey. Oh, Mickey. I tried to phone you a couple of times. I never reached you. I'm not a lot these days, Johnny. Hey, I heard about your protection of Sergeant Mickey. I'm nice going. Well, it isn't. You really sound worried, Mickey. What is it? I don't know. Sure, Mickey.  Edmund O'Brien in another adventure of the man with the action-practice expense account. America's fabulous freelance insurance investigator. Yours truly, Johnny Dollar. Expense account submitted by Special Investigator Johnny Dollar to whom it may concern, Hartford Police Headquarters, Hartford, Connecticut. I don't expect you to honor this statement, but since the reports to my regular employers going on these forms, the following is an accounting of my expenditures during my personal investigation of the Mickey McQueen matter. It's been my privilege to have worked a number of cases with Mickey McQueen here in Hartford, and through the years of friendship developed between us. So when he phoned Tuesday night to say he wanted to talk to me, I was glad to ask him over. But when it got to be 1.30 in the morning and he still hadn't arrived, I wasn't so glad. He arrived at 2. I'm sorry I'm late, Johnny. Oh, I'd hold you up. I was about to drop off. I had to think, Chuck. You're in uniform, Mickey. What about your beat? My beat? My beat won't miss me. After 20 years of working it from dark to dawn, checking its doors and passing the time of night with its people, truck and stuff. Yeah. Oh, is it too late for a drink, Mick? I got your brand, some Irish. Yes, that was good of you. I've been a good policeman, Johnny.  Well, I've never heard anybody say anything else, Mickey. Well, I've got more credit than I have a rest. I think there are quieter beats in town. Maybe you're lucky. Here's to it. All right. But be careful what it is. There's murder being done and planned right this minute, Johnny. Then that could stop it, don't have a heart right or wrong. What are you talking about, Mickey? I know what I'm talking about. Are you feeling all right? Feeling all right. I'm as healthy as I was yesterday, you know. I didn't see you yesterday. If they're taking my job, put me behind a desk. They're degrading in for a man that's been active for 20 years. After 20 years on your feet, you should take a rest. You're very smart. With very words of commission, Johnny. But Johnny, I... Yeah, Mickey? I never meant that they will take them all. I've used up enough of your time. Wait a minute. You came over to talk about something more than your new job. What's this stuff about murder being planned and being done? I shouldn't have said it. I wish you'd forget it. What's the matter with you? You know me well enough to tell me and you know me well enough to know I'll keep any confidence you want me to keep. You're a good friend, Johnny. Maybe that's why I changed my mind about telling you. Then why'd you come over? Because I thought I was going to talk to you. But I'm not. All right, it's your business.  If you don't have anything to say to me, it's after two. I may have a job in the morning. All right, Johnny. I'm sorry about it, Jim. I'll say good night. I didn't sleep very well for the rest of the night. I thought of a half-dose parts of Mickey's conversation kept coming back to me. And the more sleep I lost over it, the more I wished I'd been less grumpy and more sympathetic. There wasn't a job for me the next day. And right afternoon, I decided to drop by his apartment and find out his move when he was off duty. Mickey's apartment occupied the ground floor of a house not far from her. I could hear a woman crying somewhere inside. I smelled domestic trouble, but I pushed the buzzer anyway. Are you the... I'm Johnny Dollar, a friend of Mr. McQueen. Oh, yes. Johnny Dollar. He sent his phone here if I ever needed it. Is he home? Isn't there? She pointed in the direction of the door smaller than the outside door. The door to either a bathroom or a closet. Those were bunched at one end of the rod. And the other, still in uniform, his own polished leather belt drawn tightly around his neck on Mickey McQueen. I walked back into the lace curtain living room. The girl who had let me in didn't go with the furnishings. She was young, attractive, and her shoulder-length white blonde hair might have been natural. She'd stopped crying and she acted as if she were waiting for me to start something. Well, what about it? Can you explain yourself or do I get three guesses? Never mind that look, I only live here. Ah, well I didn't know Mickey had a daughter. Thanks for the compliment, but I'm his wife. Didn't know he had a wife either. Maybe he was ashamed of me. My name's Felmer. Who's sorry, Felmer? An old friend of Mickey's. Yeah, but he never told me about you. You've seen him lately? Last night, first he phoned me, then he came by to talk to me. What did he say? He was pretty handy with double talk. Maybe I was supposed to understand it, but I didn't. What was it about? About his job, the change he was making, something about murders being planned and done, and nobody doing anything to stop them. Then he didn't tell you. What? That I was leaving him. He's never mentioned it. Why were you leaving him? Because it was all wrong. I never should have married him first place. Why did you? Because he was the kindest, most wonderful man who ever lived. Does that answer your question? Not quite, is there no one? Did you know he's first wife? Yeah. Then I guess you know he took her death pretty hard. They'd been married ten years. I met him after she died. He was lonely, and I was... Well, he was pretty wonderful to me. I thought I could help him. It wasn't because of him I was leaving. It was me, but I never thought he'd do this. I don't think he did. What do you mean? I think he was murdered. Then why? When did you find him? I came home about a half an hour before you got here. Have you phoned the police? No, not yet. I didn't know what to do. Where'd you been? I told you I was leaving him. I've been living in a hotel. Does it matter? Why'd you come back? To get some things I'd left. Why are you asking me these things? When it's murder, there's bound to be a lot of questions. I don't think it was. Everybody loved him. He didn't have an enemy in the world.  I didn't have an answer to that, but I started there in the house to try to find one. If it was murder by hanging, I knew it couldn't have been committed without a fight. But a half hour search didn't uncover any traces of the struggle. I phoned in a report and left Thelma and the apartment. For the rest of the day, I tried to talk myself into leaving the matter in the hands of the police where it belonged. But I couldn't do it. That night I started making the rounds of Mickey's Beat. I talked to a corner magazine vendor who had sold him a dime mystery. A woman in the cigar store who had talked with him and a cabbie who had borrowed five bucks from him. None of them gave me anything helpful. My next stop was the Cedric Hotel, where I looked up the house detective, Ned Martin. Oh, darling, what are you doing in this ended town? Looking for work? Oh, yeah, Martin. I got a night off. I'm taking a postman's holiday. Did you hear about Mickey? His promotion? Yeah, he deserved it. I didn't mean that. He's dead. Now, what happened? He was found hanging in his own clothes closet. Come on off it before we can talk. Sit down. Oh, Mickey, I'll miss him. How about I? Uh, did you see him last night? Yeah, he dropped in. He always did once or twice a night just to shoot the breeze, you know? Why'd he do it? Did he even know or anything? I think he was murdered. What makes you say that? He came over to see me about 2.30 this morning. There was something on his mind. He wanted a talk, but he wouldn't. That's figures. What do you mean? He knew of something about him last night. He was real low. I asked him what was the matter. He said it was because it was his last night on this beat. He was supposed to check into his new job today, but that didn't sound right to me. Did you know he had a wife? Yeah, I heard about it, and I hounded him until he showed me her picture. Platinum blonde? Yeah, I look like it. And young. I didn't want to embarrass him by asking, but I wondered about her. What makes you think it was murder, darling? Well, you think Mickey was the type to kill him? Well, no, but how can they tell? I guess you can. All you can do is try to find out. Well, if you don't have anything more, I'll be on my way. Wait a minute. I guess it was a dirty trick, and I wish I hadn't done it, but I sniffed that marriage. I found out who she was. Her name was Thelma Weaver. She did it a couple of years in Joliet. Where'd you get that? Things like that don't stay hidden. Why, were you? I really would. What are you holding out on me? It's for your own good, Johnny. I'll shake it out of you if I have to. Okay, hero. You know Fred Koo, the Calcutta Club over on Bartlett? I know of him. He's a police informer. Part time. You won't take my advice and forget to go talk to him. And don't tell him who sent you. Fred Koo is what the department knows. He's half oriental. The decor is joined to Calcutta. He's Indian because he can get the effect with no more expensive decoration than Reed Matting and coconut husks. The place was small and was jammed when I got there by a crowd that was largely male. I didn't recognize the face, but from the atmosphere I got the feeling I could have retired on 10% of the bail bonds they bought in their time. I found Fred Koo leaning against a potted palm. What do you want? I want to talk to you about Mickey and the Queen. Do you have an office? You a cop too? Only a private one. Oh, sure. Roy. I'm in my office for a little while. If there's any trouble, you'll buzz me. Come on, this way. What a crowd, my friend. Oh sure, sometimes I get a lot of out of town trade. Did you see Mickey, my friend? No, I didn't. I get a long time with Mickey. He won't take any pay off, but he doesn't push me around. How is he? You know his wife? I didn't even know he was married. Her name was Thelma Weaver before Mickey married her. She did some time in Joliet.  I got work to do. You knew Mickey was dead. No, I did not know that. I don't see how it would be enough, but it struck me that if somebody knew he was married to an ex-con, they might try to use the information. I suppose you're right. You know, it's important. Yes, I think so. Be right out. I'll bring the dollar. A little trouble outside. You wait here, I'll come right back. And while I did, I took a quick look around the office for another way out in case I might need it. There wasn't any, unless the steel door and one of the walls was there. But before I could try it, the other door opened. I wasn't expecting Fred Coo to return so quickly, and neither was I expecting who did come in. I don't expect to find you here, Mr. Dollar. Likewise, Mrs. McQueen. What for? I thought I might help. Mickey kept his notebook, you see, where he wrote down all the places he stopped when he made his round. This place was one of them. I thought if I could talk to this Mr. Coo... Do you know, Fred Coo? No. You know anybody named Weaver? Selma Weaver? All right, Mr. That's enough. Reach. Don't be crazy. What good would that do? Stay where you are and don't try anything. She looked like she really meant it. It was a small revolver called 25. I didn't know whether she'd come in meaning to use it on Fred Coo or me, but it didn't make much difference. At the moment, she had it pointed at my midsection. One of your long-time mystery favorites, Philip Marlowe, is now to be heard on CBS on Friday nights. Philip Marlowe, up for parole and songs for sale. That's the lineup of fine shows for Friday now on most of these same CBS stations. Hear them this Friday, hear them every Friday on CBS. The adventures of Philip Marlowe, up for parole and songs for sale. And now back to our star, Edmund O'Brien, and the second act of yours truly, Johnny Dowler. I couldn't figure she held her little revolver as if she was used to the feel of it, but there had been something accuracy about the way she said reach. I couldn't figure her, but I decided not to take a chance. I grabbed up the inkwell from the desk and threw not if, but the contents of it. Hey, what's up? Okay. Drop it. No! I'll sit down. All right, what do you want? Depends on what you want. I told you. I want to find out who killed Mickey. At the apartment earlier today, you didn't think anybody had. What about it? How much do you know? Your name was Thelma Wheeler that you spent two years in Joliet. That's right. After two years in that place, I didn't want to go back to that life and start all over again. I gave the bunch in Chicago the slip and came here. That's how I met Mickey. He rested me, vagrant.  I showed up in court the next morning and got me released in his custody. I really felt for the first time like I could start life over again. I know it sounds corny. But good, you make it sound real good. I don't believe me, do you? Sure. I believe you as far as you've gone. I even believed the part about starting a new life. You saw that Mickey had a heart as big as the city and you didn't lose any time moving into it. That was smart. It was about the safest hiding place you could have found. For you, but not for Mickey. How did I know about Fred Poo or the kind of man he is? Somebody spotted me and told me. It was worth any time getting in touch with Chicago. Those men out there, they all from Chicago? Just about the tall one, talks with an English accent. Yeah, I remember. Roy. That's him. He came first. Checked the possibilities on Mickey's beat. Found out about Mickey being moved over to a new job. Where was he being moved? Some desk job. Where? At the police arsenal. The arsenal? How'd they find that out? I told him. I had to. He made me tell him. What are Roy's plans, do you know? Yes. Markport building. The one that has all the wholesale jewelers. Mickey was supposed to help them with the job of that size or they revealed that he was married to an ex-con? That's not enough. They must have more than that. I might as well tell you. Can't hurt me now any more than I've been hurt. His name's Roy Weaver. I'm married to him. He threatened to bring bigamy charges unless Mickey helped them. I didn't do it. The bigamy would be a long stretch. Five years. Mickey would do almost anything that would cause me that. Who killed him? Roy did. I wasn't there. I swear I wasn't. I think Maddie Matthew got through work at 5.30 this morning.  Mickey was already for his new job. He had the keys to the arsenal. Here's your gun. If you're on the level you may need this and the caliber's too small for me. What are you going to do? I'm going with the police. Why not use the phone? It'll be tapped. That bunch would be in here before I got started. I wouldn't try it if I were you. Where are you going? I'm going home. I was waiting for Fred Coo, but I guess he decided not to bother. Fred had to leave. Did Mrs. Weaver entertain you with her sordid story? Yeah, it was very pleasant. She's a charming girl. And you were going home to think about it? If you don't mind, get out of my way. I'm afraid I do mind. Isn't chance having Fred and Coo up to the arsenal good night? Carl? Get out of my way. Hey, hey, where are you going? Come on, come on.  Fine, Carl. Now, should we go back to the office and wait? Bring the lock, Carl. If you became involved in this, I'd hope there wouldn't have to be any more violence. You did stop him. Yes. Thanks for the buzz, darling. It was a pleasure. Look what the skunk did to my dress. Fred got started all right. He's well on his way. He should be back within the art. Hey, Mr. Weaver, what do we do with this guy? Put him in there and see that he stays quiet. Yeah. Hey, you. Turn around. At least I found out what was behind the steel door I'd noticed earlier in the evening. When my eyes opened and I got accustomed to the light from a single dust-covered bulb, I realized that I was in a sort of wine cellar. There were some bottles, but most of the storage space was taken up by a large and varied assortment of burglar tools. And there were a few weapons, too, but I knew that they were nothing compared to what Fred would bring back if the rate on the arsenal was successful. I glanced at my watch at 11.15, and right after that, I heard the heavy latch in the door being turned. I got back into my position on the floor, closed my eyes, and listened. Don't forget the bars, Carl. We'll need them for the inside doors. Yeah, I got you. Hey, Benson, you take these and I'll bring the rest. Hey, he went to guns in town, Mr. Weaver? We won't need them. We won't need them, sir. The Crocker? Yeah. Listen closely now. We'll be hand scheduled. Both cars are in bank. In the Buick, you'll find the things from the arsenal. Yeah. I want you to move half of them over into the Cadillac. What about the grenades, Fred? They're in a case marked C-N-D-M. Irritant gas, M6. You heard that? I got it. Open the case and put half in the Buick. Most important is the cordite part of the bolt. There are two boxes. Put one in the trunk of each car, all right? Be careful with the touchy stuff. I know, I'll handle it, sir. All right, get along then. Hurry. They won't take long. Now, Fred, you'll be in charge of one car. I'll be in the other. That's all right. We're agreed that we'll meet at the north entrance at a quarter past midnight, both to approach the building from the east on Lincoln. Oh, that's the best. You'll have dropped two men to guard the south entrance. Two of my men will subdue the guard at the north. They're better. They'll spring your alarm in big hurry. You can trust me. They'll do something. Selma? Yes, sir. How are you going? Don't be so snoopy. I'm going to part of my nose. Do you want me to? I don't need you, but I don't think I should feel safe without you, will you? Don't be long. I'll be right back. I think everything's bloody from in here, Mr. Weaver. Good. Go to the cars then, Carl. What about the shameless? Well, we'll lock him up again. We'll decide what to do when we come back. Well, I guess he found cars no harm in them. I tried to force the door using one of the bars they left behind, but no luck. Then I started poking the cement walls. I knew better than to expect to find any other exit, but with the biggest burglary and the history of Hartford underway, I had to do something. I kept a check on the time, and it was 20 minutes before they were due to arrive at the Marquardt building when a sound stopped me. The steel door was being opened. I moved behind it, still holding the bar. How'd you know I was here? Some dame for a hotel. I told me you were here. What did she call you? I don't even know who it was. She just said she knew you came to the hotel and you were locked up in here. I mentioned the cow-cutter to you. Talk to him over to see what it was all about. It's a matter, don't you believe me? I don't know what to believe. I said you were holding something out on me when I talked to you. I was. I knew Fred Coog was telling me information about Mickey's wife to someone done from Chicago. I knew it could have led to trouble. No, I didn't just tell me. He said it was my own good. I thought it was mine, too. I didn't want you to know so much. You'd have to tell me you learned to prove how smart you were. I don't like this kind of stuff. You got a car. Yes, but it seems like we're parking here. Tell me what's going on. The Chicago bunch raided the police arsenal. They're armed with everything from cordite to Tommy Gunn. They're going into the Marquardt building in less than 20 minutes. Wholesale jewelers. Would you take me out there? Take me to the partway if you're cooking. If you want to go. That's good enough. Let's get back into the office. Would you want the police? Yeah. We could stop on the way. Take us 15 minutes to get to the Marquardt building. We run into a patrol car on the way. We'll stop it if we don't. You can drop me and then phone in. Where's your car? The speed we traveled we should have at least picked up a traffic cop if we didn't. Martin wouldn't take me any further than the corner of Atlantic and Milton. We reached there at 12 minutes after 12. That gave me two minutes to get to the Marquardt building. I didn't make it before they arrived, but it didn't make any difference. Both cars had pulled up and were unloading men on our doorway about 50 yards down. I spotted Fred Kuhl and Roy Weaver. Then I saw a film. She got out of the Buick and started toward me. Where you going? Weaver shouted at her that she didn't ask her. Instead she stopped and I saw the little gun glitter in her hand as she turned back to them. Then I saw what she was aiming at. The trunk of the Buick where the cordite powder was. I went up in a blast of powder on gasoline and moved back towards the other. Someone who had survived the first explosion opened fire on her. I saw her fall, but after she was down she raised herself and her last shot connected with the cordite from the second car. By the time I got to her, both cars were flaming wrecks. I picked her up and ran.  Johnny? Yeah. Where are we? We're still near the Marquardt building. I'm going to get you to a hospital. As far as I know, yeah. I did a terrible thing, didn't I, Johnny? Yeah, pretty good. I'm not sorry. You wanted to stop them, but I couldn't let you. I wanted to get them all up to what they did to Mickey. Don't talk now. Getting just through it wouldn't have been enough. It would have been easy, but not enough. They were all in it. It was the only way the cordite, Mickey, wouldn't have liked me doing that, would he? He was so honest. He had to do everything illegal. Well, he wouldn't have liked anything of you. He might have been proud of you. I am. And you think you would have been? You really do? A bad man I've never lived. Too bad I wasn't. Anyway, I took care of the big of me. They can't send me back to Delhi yet. That was it. Telma Weaver McQueen, as the department knows, was DOA, an emergency hospital. None of the mob got out alive except Roy Weaver, who lived long enough to sign a confession of Mickey McQueen's murder. I want you to know that I may have lost a good friend, but you have lost a better policeman. I hope to see those early news accounts that called them a suicide corrected. Expense account total, zero dollars, zero cents. It goes truly Johnny Dollar. Yours truly Johnny Dollar stars Edmund O'Brien in the title role and is written by Gil Dowd with music composed and conducted by Leith Stevens. Edmund O'Brien can currently be seen starring in the Columbia Pictures production, 7-Eleven Ocean Drive, featured in tonight's cast were Bill Conrad, Virginia Greg, Ben Wright, Jim Nussar, and Dan O'Hurley. Yours truly Johnny Dollar was produced and directed in Hollywood by Jaime Del Valle. Join us next week at this time when from Hollywood, Edmund O'Brien returns in another adventure of Yours truly Johnny Dollar. Every Thursday night, CBS brings you a top Hollywood star in a new radio play on the Hollywood theater, comedy and melodrama, fantasy and mystery. Stay tuned now for the Hollywood theater which follows over many of these same CBS stations. This is CBS where Philip Marlowe takes the case every Friday night, the Columbia Broadcasting System.


Alright, since I just covered level 69 last video, I thought I'd go ahead and cover level 420 in this video. Pfft. Also, thank you so much for 50,000 subscribers. That is just insane. We're on the road to 100k now and the journey is just going to be incredible. Thank you all so much. Let's get into it. Level 420, aka the Frozen Lake, is classified as Class 5E, which means the environment is the only real hazard here, not entities or anything like that. The level is a huge frozen lake that measures around 100km or 38.6 miles in size. On all sides of the lake, there are towering snowy mountains that surround it kind of like a bowl. The temperature here gets to around 14°F or a negative 10°C during the hottest part of the day and it drops all the way to negative 9°F at night time, but that's not as cold as it gets. Exploring on this level is actually really hard since there's always blizzards taking place in some spots of the level. During these blizzards, the temperatures drop even more than before and can get as low as negative 130°F. Nice. And these blizzards can happen at random times as well, but you can kind of predict when one's going to happen because there's going to be one huge strong gust of wind. And if you feel that, you've got to run for cover because it's about to get crazy. The day-night cycle here is 24 hours and the night time is way more dangerous than the daytime because of those temperatures and the blizzards. And the main reason is because the blizzards can last for hours and hours at night time while in the daytime, they typically only last for like 20 minutes. So far, the group that's been exploring this level, the BPC, has found three distinct zones. There might be more than this, but only 30% of the accessible parts in the level have even been explored and three distinct zones is all that's been found so far. And they are the mountain ranges, the frozen lake, and the base. The mountain ranges are obviously the huge mountains that surround the lake. There are caves and caverns and crevices throughout these mountains, which make it really difficult and really strenuous to explore. People who fall into a crevice are immediately considered a lost cause, since there's practically no way to save them, no safe way at least. There's actually a mysterious substance inside of some of these crevices that are life-threatening, so that's cool. The caves and the mountains are actually a pretty safe spot to offer protection from a blizzard. And they're typically warm compared to the rest of the level and hover at about 36 degrees Fahrenheit. But the BPC considers these caves unsafe and unstable, so you can't really stay in there for too long. The frozen lake is the next zone, and it's exactly what it sounds like. The ice on top of the water is pretty much impossible to break with any tool that's been tried. However, there are some natural cracks in the ice where you can see the water, and it's a deep blue color, and there's been no living organisms seen. Samples of the ice have been examined, and there's actually a really dangerous amoeba that's been found inside of it. This amoeba has also been found in the snow on this level, and it poses a huge threat to you if the snow or the ice gets into an open wound or in your nose or in your mouth. If someone does get infected with it, a 27-day infection period starts. This is called the amoebic necrosis infection, and you won't even know you have it for the first couple weeks. But after that, it'll slowly make its way to your brain and cause a ton of symptoms ranging from a fever to seizures to complete organ failure after 27 days. Nice! But the BPC has created a medicine to combat this disease, and it's made out of almond water, a royal ration, and liquid from a megaflora. And this medicine has indeed been shown to get rid of the amoeba, so if you're infected, just go to them, I guess. The last section of the level is called the base, and this is pretty much the safest spot on the level. It's located at the base of the mountains between the mountains and the frozen lake, and there are a bunch of log cabins here. And these are the safest spots to hide from the blizzards. The cabins are just above freezing, so they're still cold kind of, but they're safe still, obviously. And they actually have electricity from an unknown source, as well as some basic furniture just laying around. Around the base section, there are also some fruit trees outside that grow fruit, which is interesting. Mainly, there are guava trees that can be harvested for food, although one time it was witnessed when a fruit was taken from the tree, the tree withered away after an hour. So it's kind of like a pick your poison thing. You can pick eating or you can pick getting rid of a food supply. These trees also have a slimy blue liquid inside of them that keeps them from freezing, and if a tree branch is cut off or something like that, this blue liquid will ooze out and that section of the tree will freeze. The only outputs here are the cabins that the BPC lives in to do research, and you can enter this level by getting into a snowstorm on level 39 and to be teleported here. And you can exit theoretically by running into a blizzard, which can take you to level 790, but I'm not going to try that. So yeah, that's pretty much it for the video. Hopefully you enjoyed it. Thank you so, so much for 50,000 subscribers. I really appreciate all of you. The channel hit that in only four and a half months. It's been crazy. We're just getting started and I'm extremely appreciative for all you do for me. Stay tuned for official Brookly merch very soon, and the start of the S&P as well. Also make sure you go over and sub to Tugly, my gaming channel, because I'm going to be uploading the S&P gameplays and streams on that channel. It's going to be awesome. The S&P will have infinite amount of slots so you guys can just join whenever you want to, but patrons and channel members are also going to get a special role and rank on the server. Also, speaking of channel memberships, I have just launched the channel membership for the Brookly channel. It's called the Brookes to Roll, and if you were to get it, you would get two special emotes, the bread and the sunglasses emoji emotes. And you'll also get early access to videos and special access to channel votes, stuff like that. It's pretty much Patreon, but on YouTube if you don't want to use Patreon or something like that. But of course you do not have to buy this membership. It's just there if you want to support me a little extra and to get some extra content and behind the scenes content. I have some really cool stuff planned for the Brookly channel, some really cool projects I'm working on. Hopefully you're ready. Probably the favorite one I'm working on is a Hollow Earth or a Gartha themed Backroom's level. It's going to be awesome. I think that's going to be one of the best videos I'm going to make. I hope you guys are ready for that one. Check out all the links down below in the description and join the Discord down there. I know for a while the Discord link was invalid on my channel, but I think I fixed it finally. So if you want to go join over there, it's a great time. I'm always on there talking to you guys. But if you didn't see my community post from earlier on New Year's Day, my goal for the Brookly channel this year is to hit 100,000 subscribers. I'd like to do that by May, which is where my birthday is of course. So if we can gain 50 more K in 6 months, we got it easily and we're going to get that silver play button. It's going to be awesome. You guys are making my dream of being a YouTuber come true and I genuinely appreciate it. I'm also, like I said, going to be launching a vlog slash real live channel very soon. And the first video that's going to go up on there is actually going to be a setup tour where I'm going to show you guys where I do my work and setup and game and all that stuff like that. So get ready for that announcement. It's going to be soon and I'm going to upload all the time on there. Just random little vlogs and stuff like that. It's going to be a good time. And Tugli is also going to see a ton of content, including some Fortnite content with one of my homies been recording videos with him. It's going to be super fun. Fortnite is actually pretty fun right now. I'm not going to lie. I took a two year break, but it's back. So yeah, enough rambling on. Thank you for watching and supporting me. I'll see you later.


Good day everybody. This is Dr. Sanjay Sanyal, Professor Department chair. This is going to be a demonstration of the structures in the arm. So this is the right side. Supine cadaver, I am standing on the right side and I am holding the camera. So this muscle that we see in front of us, this is the biceps muscle and this tendon that we see, this is the short end of the biceps. It takes origin from the coracoid process here and further laterally, this is the long little biceps. The tendon takes origin from the supraglena tubercle and then the tendon passes through the shoulder joint and then it comes out through that under the transverse humeral ligament and the muscle becomes fleshy and unites with the short end of the biceps to form the biceps tendon and I have lifted up the biceps muscle here. The biceps tendon insertion is this one here. The main insertion is deep inside, which we shall demonstrate when we are opening out the cupidal fossa and it gives a medial expansion, which is called the bicep metal aponeurosis. The biceps, as we know, it is a both. It's got a flexion action of the elbow and as well as supination. It flexes the supinated elbow and it supinates the flexed elbow. That's the easiest way to remember the basic function of the biceps. In elderly persons, due to degenerative wear and tear, the long head of the biceps tendon, it can rupture and when it ruptures, this muscle, it forms a bulge here where the person tries to flex his elbow and that is called the Popeye deformity and it produces a depression above here, which is called the Popeye sign. The biceps muscle is supplied by the musculocutaneous nerve and we can see, I have retracted here and we can see this is the musculocutaneous nerve. Under the biceps, we have the brachialis muscle. Under the biceps, this is the brachialis muscle. Brachialis muscle takes origin from the front of the hubris and it is getting inserted onto the cornoid process of the ulna, which you cannot see in this dissection. This brachialis is the most powerful flexor of the elbow in all positions of the elbow, unlike the biceps, which can flex the elbow only when it is in the supinated position. The brachialis is also supplied by the musculocutaneous nerve and we can see that here. The musculocutaneous nerve runs between the biceps and the brachialis and it supplies both and then it emerges out laterally and we can see it is emerging here and then it becomes known as the lateral cutaneous nerve of the forearm and it runs in a complement with the cephalic vein and it supplies the skin on the entrolateral aspect of the forearm. So this is that's why this nerve is called the musculocutaneous nerve. Unlike the biceps, which is a two joint muscle, that means it crosses the shoulder joint and the elbow joint, the brachialis muscle is a single joint muscle and the brachialis muscle also gets a dual nerve supply. It can get a branch from the radial nerve, but we do not see that in this particular dissection. The next muscle in the anterior compartment of the arm is this muscle here. This is the coraco brachialis. I'm tracing the coraco brachialis. The coraco brachialis also takes origin from the coracoid process and it gets inserted onto the medial side of the humerus. That's why it's called coraco brachialis. This coraco brachialis is considered as a landmark muscle. Why is it called a landmark muscle? Because of two reasons. Number one, it marks the location where the musculocutaneous nerve enters into the arm. That's one reason. And the other reason is it also marks the location where we have the humeral nutrient artery. It enters the arm. So therefore, this is called the landmark muscle. This coraco brachialis rarely can produce entrapment neuropathy of the median nerve and or the brachial artery, but that is not very common. The coraco brachialis crosses only the shoulder joint. Therefore, it's got a weak action on the shoulder. It produces flexion of the arm and the shoulder joint. The coraco brachialis is also supplied by the musculocutaneous nerve. So these are the three muscles that we can see in the anterior compartment of the arm. That's all for now. In the next dissection, I'm going to mention all these neurovascular structures that I have dissected out in the medial compartment as well as in the anterior compartment of the arm. Thank you very much for watching. Dr. Sanjay Sanyal signing off. If you have any questions or comments, please put them in the comment section below. Please like and subscribe. Have a nice day.


Happy Monday, you guys. I hope you are ready for a great week. Over the weekend, I received my order from Dior, so I'm really excited to try out this new formula. As you can tell by the title, I did pick up one of the new Velvet Eyeshadow Palettes from Dior. I always recommend if you're gonna order anything from Dior, don't even bother with Sephora unless there's a discount, because when you order from Dior, you get it really beautifully packaged. It's really quite luxurious. One of my favorite parts of Dior and why I keep coming back to the brand. But, this past week, Dior launched their limited edition Velvet Formula in their Quint Styles. And apparently, according to the website, in 1993 is when Dior first launched their Velvet Edition of the iconic five-pan eyeshadow palette, and so they are doing it again. I mean, I've never tried a Velvet Formula from Dior, so I'm really excited. They came out with five different color waves here. Honestly, the majority of them looked boring. They looked like what I already had in my collection, and a lot of them I felt like looked very similar. I saw all feisty post a couple pictures of some of the palettes. I think the website just doesn't do the colors justice. They looked more pretty in person, but there was one color and one color only that caught my eye, and that was the blue Velvet. It was by far the most unique color in the launch, and a color that I definitely did not have in my Dior collection already. So, I wanted to pick that one up just to test the formula for you guys, especially since the Dior Quints are $62 each. That's quite a hefty price. So, I gave myself the opportunity to pick up one shade and one shade only, so I had to go with the fun blue Velvet shade. These are limited edition according to the website, so if you do want to get them, now is your opportunity. Most of the time when Dior says limited edition, they really do mean limited edition. Sometimes some things will sit longer than others on the site, but once they're gone, typically they're gone. So, just keep that in mind. Like I said, everything came beautifully packaged, very fast shipping, love ordering from Dior. And right here, we have the box that it's gonna come in. It is more of a matte style. So, they did use different packaging, at least the finish. There's a six month shelf life, which is definitely a shorter lifespan compared to those standard eyeshadows, which is 12 months. So, that is something to take into the consideration. And the palette itself is going to be made in France. Here is what the eyeshadow palette is going to come in. So, it's the same typical kind of cheap feeling Dior packaging. However, as you can see, it does have this matte finish, which I think looks quite sleek. If you have any oil on your fingers, it might show on the packaging. But if you aren't familiar with the traditional Dior style packaging, it has more of this lacquered finish. So, even though it still feels cheap, you know, like the Dior packaging, I think it looks quite sleek like this. So, I'm gonna show you blue velvet. It does come with the standard applicators that I don't really use. I will use the sponge tip applicators from time to time, but the ones with the hair, mm-mm. And here is the palette. I just think it is so beautiful, so unique. Is it a palette I'm gonna use often? Probably not, if I'm being honest with myself. But I had to have it. I don't have anything like this in my collection. Now, I don't own all of the Dior quints, but I did pull out a couple of my more blue-green ones that I have, and they are not similar at all. So, the first one that I have is blue beads. So, you can tell these are very, very different from one another. And then the other one that I had is Nightbird, which again, complete different formulations, and this one is more green. But those are the only really colorful palettes that I have from Dior that are in the same-ish kind of color family. Needless to say, I don't have anything like this. Let's have a feel of this velvet formula, you guys. You have three true blue shades, a lighter blue, a mid-tone blue, and then kind of a navy, a silver, which is gonna be very complimentary. And then this kind of Toby shade, I don't know how I would describe this. It's very interesting. They say that this is a blue-tinged and lavender-shaded palette. This doesn't really catch me as lavender, but... All right, let's feel. Does it feel velvety? It does. At least these two shades feel more velvety. This kind of feels like a traditional Dior formulation. It do have a softer touch to them. So that, so for honestly, it was kind of disappointing. This looks a little not shimmery. Oh no. This is lackluster. This does not look like how I should look at the fan. Try the matte here. Swatches up here, we're not promising, but I'm not gonna judge until we get to the eyes. Let's see how the mattes are. They feel quite soft. I wouldn't say creamy though, but they feel soft. For a matte, I'm not mad at that. The mattes seem pretty good. It's the shimmers that I'm like a little unsure about. What do you guys think? Okay, okay, we gotta put them on the eyes. So if you're unfamiliar with my past experience with Dior, it's either you love them or you hate them. They had some of the most disappointing eyeshadow palettes for me in 2021, but they also had some of my favorites. So why do I continue to essentially kind of waste my money? It's because I review things for you. That's the only reason why. I'm the one that takes the hit for you guys to tell you which ones are worth it or not because they're either really, really good or really, really bad. Otherwise, if I was not a YouTuber, I would definitely be waiting for the reviews until I ordered. Okay, I'm gonna do one eye. Did get asked why do I do one eye before I do the other? It just gives me time to, one, create a look that is not terribly ugly so I can think about it. And two, it allows me to put my thoughts together so that I'm able to articulate better the formula. So it really helps my reviews be better and just deliver the message to you better. I'm gonna do one eye and I'll be right back. This is the look that we're going for. One thing I was excited about this palette is I knew we could get a mean navy smokey eye. Not my use, but I'm still excited about it. I do have the Kaleidos tone activator eye primer as my base. It's one that I typically use. So the first thing I'm gonna do, I'm gonna take this Morphe Y17 brush and we're gonna go into this shimmery baby blue. So this is one that, it's actually more of a satin. It's not really a shimmer shade and it works really beautifully in the crease. So I wasn't too sure by swatch if I would like this but I actually really like this shade. It blends out really buttery smooth as you can see with so much ease. So I can see this being a gorgeous one and done eye shadow if you just want that pop of blue or if you use this all over the lid with just a touch of the dark navy in the crease that would be gorgeous. But as you know, I had to do a look today that used all five of the shades so I didn't get to be super creative here. Taking my refer number one brush we're going into this dusty kind of medium toned blue shade. This shade I was a little disappointed in. I feel like, I don't know. Let's see, let me show you. So I'm going to place it down first. I think this might be the better route to go. On this side, I buffed it out just right away without setting it down and I didn't really like it in that way but now that I'm placing it down I like it a little bit better. See, this is also why I do the first side because it kind of gives me a chance to test out different techniques to make the shadow work best. So if you're going to put this over a large surface area of the eye definitely place it down first and then buff out the edges. On this eye, I don't know if you can see it's a little bit patchier because like right here there's some skin showing through. I just couldn't get it to look really seamless but I found the trick. So I feel a little better now. I was ready to talk trash about this shade. You could argue for a $62 palette does that make it worth it? We're getting a little patchy actually. You see that? I don't know. Blues are typically harder to formulate. They really, really are. I don't know. If you're really over blending it and buffing it out you might have difficulties with this shade. I think you'll be okay if you just use a touch of it just for something more subtle but for me really trying to work it out and get it to go I'm struggling a little bit with it. I'm gonna leave it there but again it's doing that thing where it's just like patchy up in this area. Just it doesn't have that nice smooth blend that I know Dior is able to do. I'm going in with a Morphe M507 and we're going into the navy shade. I think this is a really beautiful navy formula. It's not the deepest navy that I've worked with honestly just with my experience with Dior shades I thought this was gonna be a little bit deeper but it blends out beautifully. It doesn't get patchy. So I think that this is a very solid navy. What would be beautiful with this palette is if you do a halo eye put the navy in the inner and outer corner and then have the lighter shades in the center of the eye. I wish I could have done that but it was this lilac that threw me off that I had to put this in. Okay, the blend is decent. We were able to cover up that one shade. So next we're going into this shade right here which I thought was kind of an oddball. I wasn't sure that I'd like it in this palette but honestly I really like how this looks with the navy. Now if it were up to me and I created my dream look with this palette today it would not include this lavender shade. Is it even lavender? I don't really know. Like I can kind of say it's like a cooler, deeper lavender but anyways, this is how it looks. It is quite pretty. There is no really strong shimmer in this palette and that is where my brain got messed up because sometime with yours does create really shimmery shadows. For the most part, this is a pretty flat palette in terms of finish. It's more satin, not really shimmery but I think that this shade is very pretty. It works out great. It doesn't have as much shimmer as I feel like you would think when you look in the pants but it's a nice addition to the palette. It's a nice satin shade. And then I'm going in with this old Trish McAvoy Precision Smudge and then we're going into this silvery shade which is more gray than actual silver because again, it's a satin finish which I think a lot of you will appreciate because satin finishes traditionally are more flattering on mature eyelids than shimmer shades would be and this is just like what they teach you in makeup school, I'm not saying that it's wrong or right. You wear whatever you feel comfortable with but this is pretty. I mean, it doesn't have as much pow as I was expecting. I think having at least one pow shade, I would want it to be the silver. I think that would make the look pop but that's not the look that Dior is going for. I can definitely tell they're going for something more sophisticated despite the color. I'm going to put down my concealer. I'm using the Dior Backstage Concealer. I got this during the Sephora sale. I like it. It's a solid, solid concealer. And then the lower lash line, I kept it pretty simple. I wanted to give this shade another chance and again, when you apply it in a smaller capacity to where you don't need to blend it out so much, it works just fine. Like out here, the pigmentation is decent and then a little bit of the navy which I do really like this shade. I think it's a beautiful formulation and to finish off, we're taking the grayish satin using that to brighten up down here. Here's the look I was able to pull together using all of the shades. I think it's really, really pretty.  Here is the final look with lashes. Honestly, it's not my cup of tea for a look. It's not the way that I probably will be wearing this. For me, I'm definitely going to focus more on the lighter blues here and stick with the blues and not use all five at once, but overall it's a solid, solid palette. It occurred to me, like duh, when I was doing the rest of my makeup, of course, none of these are shimmer. They're supposed to be like a velvet finish. It's not just about the feel or the formula, but the finish of the palette itself is velvet, which honestly, I think is quite sophisticated. So if you are not into the shimmery, reflective shades, I think you will really like this. I think your stayed true to themselves in terms of keeping it sophisticated even though this is a blue palette.  And even though I do feel like my look is a bit dramatic, it doesn't have to be that way. I just had to test it today to see its full capabilities. But I do like this palette. Is it worth $62? I'm gonna say probably not. Only because it's $62 for a five-pen shadow and this shade right here was kind of patchy. It's definitely a workable palette and I don't want to discourage you from purchasing it. If you like the color story, you enjoy the finishes, you were feeling what I was giving you here in this video, then you know what?  This is a decent Dior palette, but it is not perfect. Keep it in mind, but I don't just like this palette and I am looking forward to continue using this and just seeing how I can wear this more so in an everyday capacity and what kind of looks I can create with that. Anyways, I hope this review was helpful for you if you were considering picking up any of this new formula. Let me know your thoughts down below. If you did pick up any of the new formula, let me know. Anyways, thank you guys so much for watching my channel and liking this video, subscribing to me and I will catch you guys in the next one. Bye, guys, have a good one.


Johnny dollar well Peters Johnny at Western identity company. Oh, hi, Paul. How's the weather out there in the city of the angels Johnny?  What's up? Well put it this way How would you like to give so much needed help in the race for outer space? Oh, well, if you mean take a ride in one of those experimental space capsules No, I mean thanks Paul, but I'll stay in the cheering section for a while No, I mean put a stop to the trouble that's threatening to But Johnny we have no proof no proof at all no proof of what? These debts were anything but accidental that they weren't incidental to something much bigger Oh, and if you can find out who's in back of them who's in back of all this Hey, look, will you start making sense what the race for outer space remember? Yes, Johnny And you know it's important and I take it some company some client of yours has a hand in it Yes, but they're having trouble. Yes, what? Because although there's no truth I think Convinced Johnny yeah Well, come on Paul All right sabotage Oh Yes, Johnny sabotage ABS radio brings you Bob Bailey in the exciting adventures of the man with the action-packed expense account America's fabulous freelance insurance investigator is truly Johnny doll Oh Spence accounts submitted by special investigator Johnny dollar to the Western indemnity company Los Angeles office Following as an account expenses incurred during my investigation of the flask of death matter Expense account item 180 dollars and 40 cents for a plane to New York then one of the big jets to Los Angeles Item 2570 for a cab to Paul Peters office on Wilshire Boulevard on the strip They call the miracle mile Rental car way Johnny so you can get on up there right away on up where Paul and you still haven't told me what this is all about Look here. There's detailed map just above Santa Barbara here Hey, it looks like that road runs off into the ocean And a high bluff overlooking the ocean is the bar bar manufacturing company bar bar from the names of doctors Joseph L Barham and Ralph T Barnwell. They're a couple of top-grade scientists. So what are they bills spaceships? Ostensibly they make small aircraft components, but actually well after they would drop from governmental service They begged and borrowed a lot of money to set up a little plant And they've developed a capsule. They're sure will enable a man speed return from outer space kind of competing with a government I think barman barnwell is determined to prove that private enterprise can accomplish more than a lot of inter-service Wrangling can more power to them and if they can prove their rescue capsule works They'll make millions Johnny literally millions. I should think so naturally we as their insurance company will benefit too So far though, it's cost us a lot of money Oh, how Paul insurance policies on a couple of their key men who died recently under the most peculiar circumstances Yeah, huh? During the testing of this device, but nobody seems to know exactly how or why those men died Now if you can find out for us Yeah, well, I can try Barman barnwell don't want you up there poking around Johnny, but I've insisted on it so they're expecting you I see So will you get on up there right away? Sure, why not? Thanks to a good freeway system. I arrived at the bar bar plant shortly after 2 p.m One of the guards led me on to a long steel platform that stuck far out over a wide cold at the edge of the ocean At the end of it surrounded by a lot of complicated machinery Attended by half a dozen men was dr. Ralph Barnwell the controls of a gigantic hoist a Long heavy steel cable on it was pulling something out of the deep waters of the cold Watched to my surprise dr. Barnwell didn't seem to resent my presence at all This time the test has to be picked up they tell me dr. Barnwell before it was fun Fired into this deep hole at the edge of the ocean under conditions simulating a return from outer space Everything within the capsule function perfectly the tests were a complete success Except for one thing. Yeah, what's that? The man inside it was dead See Yes All right now We're ready on the trailer And that's why dollar that's why my partner dr. Joe's apartment just did on making Insisted on making this test himself All right, man Release the pressure so they can open the door of the capsule already Yes, yes, I'll open it Like the others There was nothing Nothing inside that capsule that could possibly have killed Joseph Barnwell. Yeah, well now maybe the autopsy. Well, uh, dr Yes, of course We will have an autopsy the same as we have on the other two men who died this way that I know what the findings would be what sir asphyxiation But I tell you it's impossible If the atmosphere inside it became insufficient or fall for any reason at all It would have shown up on the tape recording that we so carefully checked over and these young scientists We employed don't miss anything dollar. Oh, what about a poisonous gas of some kind in there? Poisonous gas well three of these in a row doctor. It looks kind of deliberate doesn't it the presence of any known Poisonous gas would have been recorded to any known Poisonous gas what well, isn't that what you said doctor and with all the people in the world Who'd like to see you fail with a rescue capsule?  We are as sure as we can be What's more if anything and made devices been placed in the capsule to release this this Poisonous gas you're talking about we'd have discovered it when we open the capsule We'd have small faces of it well, maybe and maybe it sounds wild doctor But have you considered the possibility of the man himself and they're really Suicide no good heavens know all right How is a breathable atmosphere provided inside that thing two oxygen tanks primarily and a minus pressure Tank system containing a co2 absorption unit post of course well, what's been done with the oxygen tanks that were aboard But they've probably been returned to the storeroom where they can be made ready for the next test. You're not sure I Tell you dollar the presence of any poisonous gas any knowing poisonous gas remember You know that rescue capsule inside and out don't you Every square inch even the most one you detail well I know nothing about it, but doctor that might be an advantage in my investigation Why because I have no preconceptions about why or how some device couldn't be put aboard I'm afraid I don't follow so maybe I'm just the one to find out how it was But that doesn't also I have a strange little hunch. I'd like to follow up Do you believe in hunches doctor? Hardly as a scientist I But mr. Dollar if you're a punch and result in finding the killer among them maybe it will talk to My hunch was a long shot and I know it but my hunch is usually pay off Dr. Bond will promise no deferences and gave me a pass that would get me by a security guards to any department I laboratory in the place I Talk with some of his bright young scientists and engineers and other technicians not because I expected to get anything from them And I didn't but to hide my real purpose Then I wandered into the storeroom where the oxygen summoners were kept I talked to a rather dull wooded character named Pete Proser You know just about the empty out these your little lucky bottles and go home Say didn't I see you up on the dock with dr. Barnwell this afternoon mr. Dollar? Yeah, yeah, that's right Pete And aren't you the one who opened some of the barrels on the outside of that capsule just before dr. Barnwell opened the door of it will release vows they call mr. Dollar Yeah, I open them up real slow so to let the inside pressure get what you call equalized with the outside air or to release Whatever was inside that killed it. Oh, what's same as the dog? Pete where do the oxygen bottles come from that are used to provide an atmosphere in that capsule right here in my Storeroom mr. Dollar, huh you put them up yourself from a master cylinder of the stuff something like that No, sir. I only issue them out when I get the orders mr. Dollar I guess they don't think I've got brains enough for anything much else, but I really have mr. Dollar I got a lot of but who does fill them up for you. Well, that's a funny thing mr. Dollar I don't exactly know it don't know but it must be some of the scientists They got all around here for all I know mr. Dollar is they're always full and ready when I get the orders to deliver Plastic number so and so and so on so what to the doc I come down here and get them and then help install them What happens to the bottles that we use this afternoon? Well, the first thing we done mr. Dollar was check them out up there on the top second I'm sure mr. Dollar to be sure they still had pressure in them in case they're running out with what killed poor dr. Barron, but it wasn't on a counter. They still had plenty of pressure you empty them up there Oh, no sir mr. Dollar. That's what I was going to do when you come here just now Yeah, if you see them here on this rack Yeah, what have you hooked them up to that pipe through the ceiling there? What's on that the exhaust? You see I just my focus valve and Empty out in the air where they can't cause no explosion. I don't know no way close that valve for sure Only we can't fill them up fresh if we don't empty them for a Pete. Well, listen Pete Yes, sir, mr. Dollar. Well, I I've kept you after hours, and I'm sorry for that. Oh, that's all right So why don't you run along and I well, I'll take care of emptying these flasks for you, huh? Well, now that's real nice. Yeah, sure. Sure. I'll see you in the morning. Yes, sir. Well, good night, mr. Dollar And thank you sir When he was gone I tore over to one of the laboratories I visited earlier there I borrowed a couple of healthy-looking white mice then back to the store. I Hooked a tube onto each of the oxy bottles and slowly fed the contents supposedly pure oxygen and of the cage of the mice What for a while they courted about very merrily and I wondered if a once my hunch had been a wrong one But then suddenly the mice keeled over lay there gasping for breath And by the time I could shut off the valve Both of them were stoned dead How dr. Barron and the others have been killed inside the space rescue capsule, but by whom? and more important at the moment I and Then I remember the old latin phrase Cui Bono who benefits and the answer came so easily. I could have kicked myself How to prove all this? Maybe if I could leave the oxygen tanks up to dr. Bono's office, and Maybe there was a better way. Yeah, a little less dangerous And I came I don't have dinner together What's that you have there? Oh, it's just one of the oxygen bottles. It was taken off the rescue capsule this afternoon Yeah, I'll tell you here by the door May I ask why? Well, because I think the valve has developed a leak and I just thought you ought to know about it the valve It leaks. Yeah, did you hear it? Yes Yes, well, then we best get it out of there. Oh, no, that's all right Sit down doctor. I want to talk with you. Yes, but a lot of Additional oxygen in here if that if you were to forget and like to figure out like a mat. I won't forget Probably wouldn't do a thing. Now mister, you know in spite of your nice reception. I Understands you didn't want me to come up here and poke around Sorry if you got that impression. It's probably because dr. Barman I thought that you and farm got out of government service, didn't you? Yes, we did because we because the security boys found out some things about you. They didn't like I know that's Ridiculous doctor. I'm not gonna beat around the bush any longer I should have known there was something phony about you ordering the pressure released in a capsule before you'd open it up this afternoon It was really to dissipate the poison gas and it wasn't what poison gas Mr. Dollar, I told you my opinion of your poison gas theory earlier But now about this flask of oxygen doctor now that the capsule works it's worth millions isn't it works By killing three good men the first two I suspect were to convince everybody was accidental Well, what sure so nobody'd be suspicious when dr. Farrell dollars.  Listen about this leaky bottle of ox. Well, I guess you're upset about That's it out. No, I don't care. I said to now buddy Done yes, that's right I'll move over so I can call the police to come and pick you up from there You can't move it into who isn't losing me. Well, we just get out of here quickly. Oh, I'm in a hurry I don't get one. Well, that's flashed there, but the door leaking the gas in here I thought it was harmless oxygen. Yeah, it is of course. It is only just Please let me out actually you try to move and I'll pull this trigger That that heart of an oxygen gas. Oh, is that what you really put in that harmless looking little flask?  You'll put that in writing anything Anything but let me out before the gas gives me to like Oh Stop blubbering One of those out of the capsule what no no I pulled this one off the shelf all it holds is pure oxygen. I hope Of course, but I suspect the government will take over it. Maybe they'll have something in that space rescue capsule But it's for money I'm sure that barnwell won't be able to spend my living in prison Expensive on total including a couple of days and nights in Santa Barbara on the trip back to Hartford $431 even yours truly sunny It's called the holy unexpected matter and believe me the title fits It involves a wild trip across the country in search of a killer a killer who just happens to be looking for me Who apparently knows more about my plans and where I'm going than I do myself? All of which leads up to a really unexpected twist at the end of the yarn I think you'll like this one like it a lot. So join us. Won't you yours truly Johnny dollar? Originates in Hollywood and is written produced and directed by Jack Johnstone heard in our cast where Paul Duboff Parley Bear G Stanley Jones Boris Lewis Tom Hanley and Bill James Be sure to join us next week same time and station for another exciting story of yours truly Johnny dollar