What's up everybody, Jason here for JaspysCaseBreaks.com. This is Jaspys, the Diamond Dozen Baseball repack break, made by us here guys, for you. This is a 12 box, 12 card case break number four, so there's 12 cards or hits in a box, and then of course chances of some great hits in sealed box redemptions. So of course, there's only nine cases that we've created. Here's some of the previews. Some of these cards may be gone. I actually don't know which ones have been hit, minus like the Barry Bonds. I remember actually watching that here with Joe when he pulled that, but a lot of other nice hits of course, or hits of course in the product run. So the dice roller here will be for the list of names and the teams, and then we'll generate one of the nine cases that are still available. I think we've done case four, case six, and case eight. So we'll generate one of the available numbers after the randomizer here. So here we go guys, this roll. And here's a three to one four times. Here we go. One, two, three, four. Four times, three, one, four. Eric, Donna Alex, four. All right, three and one, four, four. One, two, three, four. Four times, Houston, down to Miami. Matt, you guys up there, the way it is. And Eric, you have the Houston Astros, James of the Mets, Andy with the Mariners. Mario with the Nationals, Adam with the Phillies, Chris with the Rangers, as well as the Rays. Barry with the White Sox, Jason with the Dodgers, Daniel with the Cardinals, Mario with the Royals, Ed with the Cubs, Joel with the Blue Jays. Andy with the Orioles, James with the Diamondbacks, Tristan with the Yankees. Look at that, you got your Yankees, man. Josh Cox with the Oaklandais, Trevor with the Reds, Ed with the Giants, James with the Guardians, Eric with the Pirates, Brian Bunts with the Rockies, James with the Tigers and Angels, Eric with the Podgers, Christopher with the Braves, Jared with the Brewers, Roger with the Red Sox, Eric with the Twins, and then Alex with the Miami Marlins. All right, so, if anybody wants to trade like Jason Parker in the chat, wanting to trade Dodgers for Braves, let me know. I'll actually pause the video, see if there's any trades, and we'll come back and start the break. Alrighty guys, we did not get a trade in. We did not get a trade in. So, try the trade, couldn't trade Mojo for a couple teams there, guys. Now, I was told that we were true random number generating with the cases. So, let me just show you the cases we still have available, it looks like. So, any of those numbers pop out, we can do it. If not, just re-randomize it until one of those pops out. So, here we go. One, yes, one is available. So, let's cross it out. So, let's grab case one. Ooh, I love those jerseys that the Mariners are wearing right now. The base is loaded for Wander Franco. Come on, Wander. Oh, fell bone to his leg. That's case one. All right, so here we go. I'm just gonna grab cards out, whatever pops out first. We have a USA baseball national team, Ken Griffey Jr., four out of 20. And of course, that is gonna be a Mariners. Usually all the USA ones on the group break checkers and stuff like that always go to the teams they played for the longest or active. So, Ken Griffey Jr., of course, is Mariners. Mariners, Andy with that one. But I'll put it here on a little sticky note. Yeah, I just assume there has to be more Yankees, right? Has there not been that many Yankees so far? We have a two out of five Bryce Harper. That's for the Washington Nationals, little majestic tag. Nice one there. Nice Bryce Harper for the Washington Nationals, Mario with that one. We have a flawless autograph, George Brett for Kansas City, eight out of 10. Kansas City Royals, Mario, good. We have a Rod Carew from 2005 Dining Club. Yankees, little patch autograph number to 25. That's Minnesota Twins, Rod Carew. Oh man, is that a bomb? Wow, Grand Slam by Wander Franco. No, it's not Wander Franco, actually. Isaac Peridus. Oh no, I thought that was Wander Franco. Did he get out or did he walk? Wow. Peridus had actually had a really good World Baseball Classic. So yeah, Minnesota Twins, Eric. Next we have is a definitive Johnny Bench five out of five patch autograph. Cincinnati Reds going ahead. And it looks like we got pirates get a box of 2022 clearly authentic. Okay, okay. There you go. So clearly authentic for the pirates. Pirates, that's Eric. And then we got another redemption. Guardians get a box of 2021 Topps Chrome hobby. Nice. So Guardians, Cleveland Guardians, James. There you go, a little box of Topps Chrome coming your way. We have a Willie McCovey, very nice. 41 out of 75 for the San Francisco Giants. Giants is going to add some nice cards here so far. We have a Silver Signature, Justin Upton, five star, one of one kind of hiding right there. But there's the one of one. Nice one there for the Angels. Who has the Angels? James, congratulations buddy, little one-on-one right there. All right, still a couple more here guys. We have the Yvonne Rodriguez, one out of five flawless quad patches. And that is Texas Rangers Edition. Texas Rangers, that is Christopher. All right, we have a couple more guys. Have a little Manny Machado, two out of 49 patch autograph for the San Diego Padres. Padres, that is Eric. And how about last but not least, whoo, whoo. I actually sold this to Nick last week. 2019 Topps transcendent collection, Hank Aaron. Seven out of 15 and that's a PSA nine. Atlanta Braves, Christopher. So I sold this to Nick last week. All right, there you go. I'm pretty sure that was 12 bits. Five, six, seven, eight, nine, 10, 11, 12. Yeah, there you go. So I appreciate it guys. Number five's in the store. We have a few cases left. Jasper'scasebricks.com.


All right, I got a special guest today, a super special interview with a good buddy of mine, Mr. Justin Vom Eigen. Dude, you get bigger every time I see you, man.  That's what you're trying to get bigger. Well, dude. Not my physique. If that doesn't do it, the rest of the interview will. Because we put out, for those that don't know, we put out a telesales champ contest. So everybody was able to actually make sales over the phone, then submit their audio recordings for a chance to win. For those that don't know, like, that didn't participate, come on now. $1,000 cash. Interview with me right now. Tickets to 8% Nation.  And JVE topped the cake, one first place. Dude, what do you think about that, man? I didn't believe it. I thought you, when you sent it to me, I was like, all right, well, was I the only one who submitted an entry? No. No. That's what I thought. I said my girlfriend was the next thing I was like, babe. I'm like, I guess I won the contest with Cody Askins. And she was like, I'm not surprised. And I was like, I am, though. I mean, there's a lot of people, you know? And there's a lot of people doing it now. And what I thought was, my first thought was how can I help other people like learn the same thing? Exactly. That's what I wanted to do. It's like, how can I bring this to my team and help them grow and grow in their process? Well, and that's exactly why I'm excited to have you on, because there's no doubt a lot of people can learn from you. A lot of people are trying to transition at being really freaking good at this thing, dude.   Justin is a team builder and a senior consultant with SLS, Senior Life Services. I'm a big fan of the company and love you guys and good friends with a lot of you, which I love. Were you always this good at phone sales? No. I got, I wasn't, it was like a, it was almost a necessity, though, to learn quickly because of where, kind of like my journey through the insurance world. I got really good at just marketing online. And then, and I was like, I have all these leads to answer. And I didn't think it made sense to just drive to people's houses, because in South Florida, everybody is 40 minutes away, right? It's not like you're in a small town or a town where it's like 15, 20 minutes, everybody's 40 minutes away. And at like half my points, we can cancel. So I'm like, all right, this is like, I gotta fix this. And then I just started doing it over the phone. And it's different, but if you apply the, if you're successful in the field and you apply the same work ethic to over the phone, you know, it's not like someone can be successful out in field sales and then be horrible at tele-sales. And vice versa. I mean, if you can crush it in tele-sales, you can crush it in field sales too. It says, it's more about the individual than necessarily like what you're doing. You know, it's like, hey, I'm gonna get this done and I'm gonna make it happen. I'm gonna make it happen either way. Right? Like I have my numbers to hit, my targets to hit. And I know that I'm gonna get it done for myself and do what I have to do. So that's really what it came down to. And it was mental. I'm showing you my light up here. You're good, man. It's mindset, man. You know, it's mindset. And you've got it. You've clearly got it because when you go into sales- No excuses on the results count. That's what we say at SLS. Yeah, well, so, okay. So say that again. What's the hat stand for? No excuses, only results count. Boom. No, that's a mindset shift. You know, and 92% of interest agents fail and more at tele-sales because it really, they go into it with the wrong mindset. You know, where did you, where did you get this kind of work ethic? Where did that come from? Because it's strong. Like I see it on Instagram stories like all day, every day.  I try, man. First, I just go to, this is like waiting on my mind. I'm sorry, I got to wearing a T-shirt. I'm like super insecure about it. I had to fly to see my father. So I was just so impressed here. But the work ethic came from, I guess, I don't know, I always was like a really overachiever in school and everything.  And then I got to the point was like, I'm gonna sacrifice everything to get everything. And I really got it from selling cars because you would be at the car dealership for 12 hours a day, six days a week. Like people who are in the car sales industry would like they kill it in insurance because the average insurance agent that I see come in now is like, I wanna work from home on my pajamas 20 hours a week and be rich. Not the average, but a lot of people come in with that mindset because sometimes they're sold these stories where they can just, like there's nothing sexy about grinding out an insurance policy. There's nothing sexy about selling it, about grinding out a final expense policy over the phone. There's not, but you can make it. You can make it sexy, but with the personality and the way that you bring it to the table. And I learned that in selling cars. It was like, there's nothing sexy about selling a Mazda. No, but you can bring your swag to the table, right? And make it happen for yourself.   It was like that, that work ethic just kind of transitioned over. And also the biggest thing is that like you have to enjoy, we have to make it fun. Like the people in insurance who have the best, the happiest people in insurance work the most from my experience. Like the people will go in and don't really do much. And what I mean is not just showing up at the office for 10 hours. Like actually like grinding out whether it's training your agent or making sales calls or recruiting calls or whatever it is, right? Like the people who are happiest are the ones that are working the hardest. And that's just transitioned to me. Cause for me, productivity is the basis for morale. Like my production dictates my happiness, right? So when I'm in, I have to have the activity to produce. So it's not even like, oh, I work hard. No, like I have goals and I have these results that I need to achieve. For me, it's not even working hard. It's just I want to win and I'm going to do what it takes to win. And then, and then that's the bottom line. How'd you get so competitive? Oh man, I don't know. Maybe because I graduated high school, I was like five, four hundred and forty pounds. And I don't know, I really don't, yeah. I was super, I was super, I was really sure I was getting to graduate high school. I don't know, I just, I've always had that competitive nature. I don't know, I just like, wait, that's a good question. I don't know where that came from, man. I just, just seeing, just wanting to, wanting to succeed, you know? No doubt. I really like trying to come down to, I don't know. One thing that I love about you and that you see a lot of successful people embody and is the energy and enthusiasm that this business takes and that especially phone sales takes because you're not, you're not sitting with them. Dude, you have to.  You know? Like that's, that's what you want people to be, to be thinking. And the thing is you have to take, you cannot take anything anyone says personally. You have to literally roll with every punch and you have to be, you have to, the thing is, is your professional and how can you possibly consider yourself a professional if you can't confidently react to whatever your client will say to you on the phone. Whatever the lead will say to you. Then you really can't consider yourself a professional until you're at that point where you're like, I don't care what they say to me because when, especially in the greeting, this is where a lot of agents get thrown off in the greeting because you have to hit them with that energy and enthusiasm, and enthusiasm right from the beginning in the greeting. So when you come in with that, if you are, if you are, and you use the right like fluctuation in your tones and tonality, if you come in with that energy like that, it gets people to just kind of want to listen to you because people will pay for a good experience, right?  They're just, they just got nothing to do and they got, you know, price is right as on for the last 10 hours.  So when you hit them with that, it gets them to stay. And that was a big game changer for me when I learned that that's what it was. And I was able to kind of improve on that. And then also too, what the biggest thing for agents and getting people on the phone and getting through that is not taking whatever they say as an opposition in the greeting, I don't, I hate saying objection in the green because that's not an objection. No. It's a reaction, it's a reflex. Like think of a really pretty girl who you'd go up to out in public and like you say, hey, what's up? And it's like, boom, like that wall throws up, you know, unless you're as good looking as Kodiaskans and then, you know. Yeah, right. But it's, but it's, but like, you know, it's like, okay, at one point in their life that person was mistreated by someone. So now this wall goes up because what happened? Think about it like this, okay? When you call someone, they don't know who you are. They have no idea who you are. And then you start talking about the reason for my call is that you recently requested some information about a product, right? They know why you're calling. You're not there to educate them. Like don't use that line. I'm just calling and tell you what's up. They know that's BS, you know? You see right through that.  Like my environment is being threatened right now because of a past experience, right? So they may not know you. They may not trust you. Maybe they got ripped off. Maybe they're like, hey, if I spend a long time with this person or if you're obligated to buy, maybe they have trouble saying no. Maybe they, for whatever it is, right? Maybe they don't wanna waste your time. They're like, oh, I'm gonna wait. Maybe they don't think they can qualify. Maybe they don't think they can afford it. Whatever they say in the beginning, you can't take it at face value. You have to just, oh, awesome. And then right through, right? With the energy, enthusiasm, and excitement. Like I already have coach, oh, Ms. Jones, that's amazing. I'd be surprised if you did it. Most people who I speak with find this information very valuable and then just like right back, or oh, I love working with proactive people and then right back in the script. Now if they say it three or four times and hanging up, okay, cool, hang up, call them back another day. I promise you call them in three days. They're not gonna remember you call. No, and if they do, then good. You got a reason to call. You know, you're building that relationship with them and they show you follow up, right? So when they hit you with that in the beginning, you have to handle it with energy, enthusiasm, and excitement. And I feel like I get most of my sales in the first few minutes of the call. Like I know I have a very good idea is if this person is gonna let me bring them through a presentation. And if I'm gonna walk them through the presentation, not let them let me bring them through the presentation. And then the rapport building, it builds up into learning about them and everything about their life. But yeah, that's it's the biggest thing. When you're in the greeting guys, you have to be, you have to hit them with that energy. If your attitude is not right, if you're in your own head, go outside for a walk.  Don't take anything people say seriously, right? That's strong. That's like main tip there for the greeting for sure. That's huge. And I'm with you. Those first few minutes, you really can tell a lot. And I love that you're focused on, I love the reflex. I always call it like initial resistance, right? I love the reflex, I love that, I love that. People pay for a good experience, that's huge. Attitude's big. You feel like you know that you're going to make a sale typically within the first several minutes, which is amazing to hear. And I do believe that's a couple of the big pieces people struggle with is getting control early in the call, having good energy and actually continuing when they do hear a fake objection because it's not even a real objection. Like I love that. Yeah, exactly. And one thing I want to say too is that especially, the biggest one I think is when someone says they have coverage, I already have coverage and a lot of agents just jump into the immediate replacement pitch, you know? And at that point, I don't feel like, and I know some people will argue against this, but I promise that at 100 times people try, they may get one or two replacements and then think it works. But I've had in the last couple of months just by hopping on calls that I've helped other agents with, we found people who have said right in the greeting, they already had coverage. Them already having coverage was, oh, actually I got the letter in the mail from Globe Life, but I never did anything with it. Or the agent came by to see me, but we never applied. That was six months ago. That's, I already took care of it, right? So imagine this, like we are in the greeting and someone says I have coverage.  How much a month? Well, how much coverage is it? What is it a whole life? Who's it through? And then they don't have it.  If I don't know all this stuff, so I'm just gonna run away, okay? So I ask, if they tell me I have coverage in the greeting, I wait until after I ask the health questions and build the report, because I haven't earned the right to ask them about that. And if they don't really actually have it, then they're gonna feel insecure. I have to make that friend I feel before I ask them about what they have for coverage. And I don't really care if they have coverage or not at the end of the day. One in a million people will have the $100,000 a whole life their parents bought them when they were four years old. What's the size of your, I know your team and production has grown a lot.  Oh, wow. Well, for the virus, it's varied. So with everything, because with tele sales, when everybody's in the room together, the production is significantly higher because there's the affinity, right?  And that's the one thing a remote team can't have. You can't replace that human-to-human interaction, no? And right now I have about 20 people on my team and we're, but with people being at home and stuff, there's a lot of people who have been inactive. And also too, at the end of the day, it's not necessarily their fault because people go from having kids in school and having spouses at home to like, okay, yeah, or having babysitters to like, okay, well now my husband's laid off and my wife's laid off and now we have three kids at home in school on the computer, so it really limits it. So our production is about mid-30s. It has been about average mid-30s. But before the virus, we were over 40 consistent. We hit 50 once or twice, 50,000, and the team was smaller. But what I've learned is it's a recruiting thing. Like you just have, that's gonna happen for anybody else that builds in teams. You can't ever rest in your laurels on here you have because you're gonna get amazing people. This is just the reality. This is just, this is exactly how it works.  Which hey, what I think is if someone works with me, I want them to, if they do leave, I want them to be like, this is the best person I've ever worked with in my life. That's what I want to have. Like that person taught me so much that I can really go anywhere and do anything. Our production, I'm aiming, my goal is to have 35 people because I have 33 seats. So there's always days when this goes into scalability too and in tele sales, you have to have a good-sized team because you're gonna have people that just don't show up for work.  Like you can't control the variables. So I want to have 35, we have 33 seats. But if 35 agents, probably like 28 on a good day will all be there, 29, you know. Everybody shows up. But this is 1099 at the end of the day too and people can do what they want. And that goes into kind of building a team, camaraderie as well, to get everybody online with the same goals and the same page, which is huge. That's so big if you have a team to have them all aligned on the same goals and holding each other accountable too because people fear the interpersonal conflict sometimes. But my goal is to get to 70, I want to get to 70,000 AP a week with that many people. I mean, if we get into the 60s, that'll be good. But PPA will vary week to week with each agent. Yeah, that's strong, buddy. That's huge, up to 35 at 70K a week. That's 3.5 mil as a team a year. That's awesome, that'd be. Shoot for it, man. We'll get there. We have a bunch of people in the pipeline. My mistake was to let the gas off recruiting for a little bit, but it's back. And for anybody building a team, recruiting is just like selling. The more leads you get, the more good deals you're gonna get. You're gonna get some that are like direct express, Gerber, 10 bucks a month. And then you're gonna get some that are like fully approved day one benefit for $400 a month. It's the same thing, it's the same game. And I love everybody on my team. I'm not saying this in any way or against anything, but this is just the reality of how it is. You have to treat it like that. Yeah, what's some, I love that you shared your culture and your specific goal. And I do believe there's a good chance you're there by the end of the year, man.  It's impressive to see what's something that you can leave as we wrap up over the next couple of minutes. What's something you can leave that person out there that's struggling with phone cells or trying to convert to it or was in your shoes years ago? So a year ago, I was in my second bedroom doing it. Wow. And then we build up the office right now. It's for someone who's getting into phone sales or struggling with it now. You have to get your present, it's leads is, you have to have leads, but you have to have your presentation down too and you have to have your attitude, right? I would say get a good mentor. That's the biggest, that's huge. You have to have a good mentor that you're like in contact with. Even if you pay that person, if you got to, it's worth your money because they're gonna help you sharpen your sword, right?  You wanna meet the guy with the black belt with the red stripe in the middle. He's gonna show you everything.  If you wouldn't buy from you, you gotta change your presentation. So if you wouldn't, if you listen and wanna, most people, a lot of people get scared to listen to themselves on the phone. You have to get comfortable with that because you wanna get to where like, I like listening to myself on the phone now sometimes. Like that sounds kind of weird, but I mean, in a sense where it's like, hey, it's just cool. It's just cool because when I have new people that come in, we listen and then we play like, you know, different people's calls and we listen or like, hey, we can touch on there. So record your calls, always work on improving your presentation, get a mentor, make sure you have solid leads and that you work your leads and that you follow up because the average lead not everybody has like a strictly inbound system or anything like that. So you have to make sure they're worked and you gotta remember that someone filled out that form because that solves a problem for them. People buy things because they love them or they solve a problem. So whatever they tell you, there is a problem that that product solved. So you gotta keep that in mind and maybe they're not gonna tell you what it is today. Maybe you gotta call for the next six weeks. Oh, I know you don't want anything just following up. And you know, that's one of my tips that someone started at home. JVE, the tele-sales champ, dude. Hey, if they wanna follow you on Instagram, how can they do that?  So it's J underscore V-O-M-E-I-G-E-N, J underscore von Eigen. Perfect, perfect. That's my IG, follow me. There we go, you're a beast, bro. Thank you for your time. Congrats. You're the best, man. I appreciate it. I'm so excited to see you guys at 8%. And you know, what I really respect about you guys, Cody, is that you were able to just like, and it goes to show the person you are because you have so much going on. It wasn't like, oh yeah, we're thinking about what to do. It's like the 8% change modifications. You're like, nope, we're doing this. We gotta do it now. And I love that. I thought that was so cool because, oh, I can't stop my video. I thought that was so cool because it's just, it's a big thing. And you were able to make like a speedboat decision with a cruise ship size event. Dude, thank you, buddy. That's huge, man. Well, I'm a huge fan of SLS, huge fan of JVE. Congrats on the winning. Thank you for your time. And 3.5 million here we come, bro. We'll get it, we'll get it. That's just the beginning, man. That's it, dude. Thank you, buddy. Hey, you're making some big money, right? You're, well, it's getting all fat. You're getting excited when you go to the bank. What are you gonna do now, right? You need to know some tax strategies. I got the video for you. Click on that with my buddy, JD Frost. And I'll see you there. An individual tax return has a one in 100 chance of being pulled per audit. If you make over a million dollars, you have a one in 10 chance.


Hello guys and welcome back to of course these online TVs. My name is Shiko Gitao and today we have an amazing team with us because I feel they have a statement to make about the gospel industry. We have the Wekatik. Muna wendi high school. Yaa. Muna 20 campus. Yaa. But of course to me, kwa yakwenye shokulani is the gospel high school job, but I know naji unna zumumziya bambika sasim. Eeee… Bambika naji unna nambawa naji jen da apu. Say tu nunga jwa Wekatik, kwa se babutu me tembe aki lamahalitu nashindwa ni nimbaya. But anyway now, labda atu neza zi introduced u, jina tu mojamodi atu, tiyam za naji jiki. What's up? My name is DJ Gigi, DJ Bambika, nashkuru sana kwa po, man. Time, let's know it! I am okampo. I go by the name Javidi aka Power Sawa. Anakama kawahida, nididi ya pahivi, awwepe. Jamani wa sana, but anyway, of course, to me kwa na, to me wawana na bahati and you guys had a statement to make, because of course, nijama maolo ni me kwa kuni witanda osana sana wu the Ghostfell industry and you guys were urging. Bahaha aru di kwenye Ghostfell. Ebu tawanze apu ibo. Aya. Aya. Bahati Kevin Bahati. Kevin Bahati, nani taza ma sayi. Kevin Bahati mungo na kupenda sana. Uka pata platform, uka jenga, uka enda. Actually, sana ni kwa mkwa soeti. Haa, mkwa soeti. Ani kuja mkwa nyingi. Asi sema ja perform. Actually, it was the most paid artist, Ghostfell artist. So asi di tete ni pesa, asi di tete ni ni nilav, kutuna mkwenda. Most followed. Most followed. Actually, follow us, waka wata wa Bahati. Anga na di wuzuru. Yama na danga na wakanya. When you are mingia, follow us. When you are me pata corporate, zote, nijuya Ghostfell. Wasekile on you mingia ni kama 200. 100. Tume piga wuzuru. 100. 100. 150. 100. 100. 124. Ofletumangana. Not K100. 100. Wei, tuna juwaki, tuna juwaki zungu. 124 followers. So, anatumi wa watu wa kindrum, kufanya watu zingine. Na ileki jume kama. Sisi kama ikomiti. Tuna nga liya bachuna seyama Bahati. Weiwa ni mtoto wa God. Tafadali. Jume kujapa. Ume nga liya vizuri. Ota ni seyama kasi poli shahe. Uma liya vizuru wa po shahe. Bahati 90% ya muzika mefanya ni ni? Ghostfell. Serious. 3 quarter of his performance was Ghostfell. Ni namanisha kitu moja. Bahati ni Ghostfell. So, Bahati, panya tuivi. Kuna story, hata wa ndela ya, hata bili mekasimika. Ida seikila wana zimbana tuna niya Ghostfell. Ida na bilti ni Ghostfell ni. Shibu yomza jere. Tuna kati tuna Ghostfell. Tata. Ata bili poli bide. Wasemi si tesekehuku. Ata jemna gizai dingine bide. Kuli kuwani kuna vibe. Ata wana seikiu. Nga niya kipafumabongu mazakeza Ghostfell vibe. Bakiru dizai dingine. Wale wa tua bili wa tata. Nga niya kipafumabongu mazakeza Ghostfell. Anaji fosbe mwa mga wana. Nga niya kipafumabongu mazakeza Ghostfell. Bahati ki yoko alie wa koka. Ki yoko alie wa niya niya niya. Alie wa koka. Tafadali. Isi wimboze niya wana ima. Onaji wa tukiske wimboza mawa nani. Nga niya kuna satume iskea kido wa nani. Isi wimboza niya ni kuna tuna. Nya niwa niwa nani. Nya niwa mungu. Mbini, Jiji. Bahakuna kitua mezungumzi. DJ is not playing Kenyan Ghostfell artist. Ebu wana niya. Mbini na kwa seba ifi. How will you expect me to play a secular song in the producer na artist who was in Ghostfell like a switch? Who was you switch? Umenda. Mbini sasa umenda? Mbini wana sema kwa mba mbini nwa chanzo. Chanzo. Mbini kwa mbini sasa umenda. Chanzo. Nya niwa mbini. Wana sema evo. By the time song sizao zikwe popular. Ni na nilizi Chesa. Ma DJ is na media nwa Li Chesa. So uko apo to your media and the DJs and you know the streaming platforms. So how ways you say ma that we are not doing our part. But you need to tuna fanya. Lakin ni mutu aki make decision inakwa ngumu kido. Lakin ni bahati. Ame ni ambiyatu say few minutes. Akan ben mbiyatuu. Dzechca matte Chesa Song zangun. Tee ni kuweli wana Li Chesa mfu isyo.    Ha ni ni ni? Siisie ii miskeya. Siisie Iituku tua bat. We your basi apeere Ina ni kwendo Li Chesa, hii o basi apeere? Niki tumo je. Wanya ni kwa mbiki tumo ja. Afte yu song ya in last year Tuna Rudi. Tuna Rudi na tu kwa po. Amezunumziya, tuna Rudi. Kwa kwa e mekwa? Mita se mahad, kupa ta shows, mebim na ito shows kupa perform shows ya gospel. Has it been hard? Aksha din kumbe. One thing, na zema, tumipigia show muze niya zi usiki na gospel. Pasitu ki na nga wukotu na pelika gospel ya nuna seiki. Na, one thing about gospel is easy. Gospel is the biggest genre right now. Ya gospel. Apart from Niger na nene, gospel na nene, na gospel nene mekwa wangani ya ni Kenya, ya ni Godali zema Godali bukingi Kenya kwa zema Kenya ni Angu. So, ilesi kwenye. Mi ya apa, mi na unabadu apa guna kwa serious na unapoteza wadu apa. Anapoteza wadu. Mi ni kona suani. Jwa apa, apa ni midya uskubu asana. Ini suani na tika kwa uliza. Eka. Ini suani, usi uliza bado. Okay. Okay. Ini suani, ini suani wajana uliza. Kenya na tazama na joizi namba one platform. Kama wengi, wengi muzezi na kona mutoto, umekwa gospel lattice, umekwa secular, utataka mutotoa skin ni ni. Comments. Ni ni munafuota ki na nani, sisi tu koaba tuneka gospel, utataka mutotoa skie ajengwe, lakunu na mbeleka, why you destroying our babies? Why? Muna unapoteza, Miss Daki you talk. Mi mi me kasi rika. Siti kwa kumichi. Abana, abana, mi mi me kasi rika. Mi na tika tu kuliza muni na tazama. Mbona, umekwa mutotoa secular, utataka mutotoa skin ni, alafu na sema, ati omutotongo mea ribika. Nwa doda ribum toto? Abana, abana, abana, abana. Kenya imeta qiwa na gospel. Yes. So ati kubali oki tu, joili ta imeta, mafiko nandainze. Usiniu mawko gusbilati sujano lipele kwa South Africa, Tukiwa na timeless. Na tuka, na nisa ma West Africa. Ta dutine andhayu eson. Yar nisa, empezar nina na West Africa. Na yana ni inesia tu lipege, ni ni kuleo rizan nana kuna kanapo ja ni nila ililera rilaf jenwen. Adwein ke na na kubapomegi, kenya na daspora, Because it really does soundמו. But I was anxious that husband's sound went too hard. So it cracked su allied after it got softened up. Remember here the feeling in the story? On the second mother luch was pregnant at dojo Sisters of Vol. 2 took the step forward, We set a pose that she'd prepared for us. But we didn't nail her the voice she received and gotThitited to find the details. kwa mesti malabda almost paid and thats when you see a tisn movement Kuna muna watu ome kujana jedambili kwa gospel Nama na washua Kuna wei ni omeku j Nachtya aboana Nama keona aboana Nnomo nama keona aboana ili trend Una jua Mutu na dabuna 2 pesa God nipatiodu Aki pata kwisha Nini ni kwisha Awa ni muka noa aboana Just come up here. You have the attention of the young people. So instead of pouring out the superstar mentality teach them about Jesus. Ya kumuno. Ya kumuno. Ya kumuno. Ya kumuno. Ya kumuno. Ya kumuno. Ya kumuno. Ya kumuno. Ya kumuno. Ya kumuno. Spend time reading the word of God. I'm willing to join you. I'm willing to join you. Actually, can you do this? Yes. Advice when you are the talker. Yes. One advice to when you are the talker. Yes. You know, 1 John 1.9, it says that if you confess your sins, he's faithful and just, and he'll cleanse you from all unrighteousness. Amen.  So, there's so much mercy. But we are so much focusing on the robe of the flesh. And the robe of the flesh is this body. We have the soul and we have the spirit. So, as you, I really like, you know, I resist that club of yours. Makof. I resist. It's a very danceable song. But that war is that, you know, if you bring all this generation back to the Lord, this will be the greatest thing. Amen. You know, when you are the talker, you come to Mejipanga, you will take so much. Can we say a prayer? For the first time in history, you know you are in the spirit right now. Yes. Because one thing I was thinking to myself is after the interview is done, we must say a prayer. Yes. Then you just come in and that's the first thing. That's the second thing you say after such an amazing revelation. Yes. I mean, that just goes to show that it's God working. Yes. And the prayer needs to be in the interview. Yes. And the glory needs to be unto God. Amen. Every time. Every time, every time. No matter where you go, give glory back to the Lord and lead souls back to Him.  You shall be saved. That is the salvation. So, we are going to pray and also I want you to just follow this prayer with me. Change and bless. Okay, let's pray together.  I believe in my heart that God raised you Jesus from the dead. Write my name in the lambs book of life. I am born again. The old is gone, the new has come. Fill me with your Holy Spirit and with your fire. In Jesus' name. Amen. Amen. So now, let's pray. Let's pray. That is for you who is getting things. Even for the interviewers and everybody else and the KDF, everybody that was here. Let's pray. Hallelujah. Our Father and our God, we just want to thank you for this opportunity you have given us to speak to generations. We thank you for this August holiday that many young people have come together. God kuna wale atawako kwa different levels, wana elewa differently. All of them Lord, you love them. Una apenda ote. Atawale wana jitam bogi, wala wana jitam majinahayo yote. Majinahayo yote mazuri niyako. Natu naomba kwa jina laesu ya kuamba. Hili nenu ambalo limetoka hapa. Uhuru garden. Uhuru garden declaration. The many souls are going to be added. We're going to bring in so many souls from high schools to secondary schools, to campuses, to workplaces. Father God to the offices. Oh Father God, we pray everywhere that souls of men will be gathered. So we pray even for our president. We pray for all the political leaders. And we pray that even in the composition of the songs that this artist will shepherd the nation because you have given them the song like David to be a summist. So I speak a blessing of a Jabbidi who have given me audience and for my brother Daniel Churchill I pray Father God even for all this media that are capturing this prayer without editing, without cutting it. My father blessed them and let salvation flow to everyone that will hear this in our nation Kenya and beyond. In Jesus' name we pray. Amen. Thank you. We're going to... We'll go to Russia and then we'll go to Luzesh. We'll go to Russia. And then we'll go to Panda. We'll be in Panda. We're going to go to Santana. There's one person who asked me to explain what was going on. Who was the one who gave you advice? One, like, advice to Lamush. How many were there? Admai. Okay, I think... What was your advice? I think what advice is So, the advice is, first of all, we are full of love. Atani se meiivu, tukuna upenda wa kilam tu. Everyone, whether you are in gospel or not, we love all of you. But I think it's important to highlight issues that will not happen in the gospel industry and also in the industry in general. So, nima encouragement is at the end of the day, just like the prayer says, try to grudi back to God, back to what makes sense, which is serving God and serving Jesus. I think that's all because you are mahum bini kama nifuga, kila kitia. Mi mi angu, skare na ske na panda tene, na panda kiasi, nazi mi pande. Mahum biki kusawa, yu kusawa, ina tskokse mazante sana, but mi mi angu ni evi, tu me umia. Kwa sababu, watu a litu wacha, wametoka. Kuna gina wametoka, wali kwa na imba watu wametoka, kuna tse kome wacha. So, ina upatia, jiji kazingumu, ina patiagos peli jizu kazingumu wa jizu sema, kwa sababu playlist ni ile ile, kwa sababu si singutu me baki tuna kwa consistent. So, ala pwanda, ani statement wewe. Wewe. Wacha ni malize. So, ina fanya, tu na nzokse sema ni katel kwa sababu, umutana nila kwa consistent. So, ina manisha ni evi o. So, one thing, fanya ni evi. Kama we ni msa ni na joy content wata ona, ee, wata ona, kama we ni msa ni fanya evi bana. Tuliku japa tulia nga liya macho kwenyu. Tafadali, grudi ibana. Eee, hei kaze, kenya ikona o mene, o mene milion people. Atozi fanya piki eitu. Ya, so yundu adibese angu. Eee, mi meaningi sema evi. Uki angaliya for the past few weeks, eee, sunks zime kwa ziki toka ni za gospel. Like, kumekwa na releases mob za gospel. Jiji apona na kwa na kazi. Apona na jo mama na na kwa sawa. Kesa, next week tu kona meeting na bahati. Tukima zena na bahati na kujia willi, Paul. Eee. Hehehehe. Eee, benye tu manze ani tsa isi, din afiltu sema kila kitu. But ministry etu, ni kudisha yo fear of God. Eee, fear of God, ilifa nya manze atakatsuna groishu omita, kumkotuna jonga kuna vitu atuizi sema, kuna vitu atuizi do, like, kutunik, grotuna God. Nai yo fear of God, do si uru dija. Do daswa ita mene, masung zinge zuna dominate, na sema pia wadi a God, lasu meiko nuna dominate. Aponda niya din na niya club wadi wadi. Na manze ani wajama, tukotuna fear of God. Kawe ni mizazi, make sure om tu iwa kwa na spiza. Like, acha, kichika iwa taimata discover, isu meiko vitu zinge nuna kumbele, batwe na uskwemtu unam playa, isu ma, masiku lapa iwa zika mene niya kumendia, niya kudisha. So, aii angundaitu ombaliki dogo ni kikuja. So, the Bible says, seek He first the kingdom of God and His righteousness and all these other things will be added unto you. Unadjua, uki seek kingdom yagod, ina manisha, iyo ready unasik fe siya mungu, fe siya God Himself.   Na, the main reason na li tu ma Jesus ni atu reconcile na ye mwenyewe. Unadjua, one thing about the Father, sasa utuna ungele ya God the Father, one thing about God the Father, ama Fathers in general, Fathers represent inheritance, Fathers represent wealth, Fathers represent, ya ni wana represent well being young too, yote ina tokakwa, baba unadjua. Ya ni atu kifkiri ya baba una daddy nipe school fees, daddy ni ni ni ni. Fathers represent provision. So in other words, taimi nye we are not reconciled to the Father ina manisha kuna vitumingi sana tunalak. But when Jesus came, ali kuja so that we get reconciled back to Him and when we reconciled back to Him through the Holy Spirit say we are able to call Him Abba Father and when we are able to call Him Abba Father, that's the point where we get where we realize that He's the one who provides. So the time tunam seek ye ye ina manisha ana provide, we don't seek the provision first, we seek Him first, then ana provide. Kuna two things, kuna kikua asan enda dota, na kuna sonship. Nani pata? So kukua asan enda dota, ni ile baba ali kuza pekeake. Sonship is where you receive the inheritance. Inheritance unona, unadjua unneza kuwam toto na uspata inheritansi ake. Sindi yo, io tunadjua. But when you have sonship in that person, then umse ana sema he is responsible, lama she is responsible enough to get the inheritance that I give unto them. Nona. So in other words, si si wateni watotoa mungu, but let's strive through the Holy Spirit to receive sonship so that we can get gods inheritansi. Ausiyo. Wow. The wake up call out says. Ime anza. Eya, si juna li pileksema please make as no palibok on your comment section. We are here to keep you updated on everything that this movement is going to do next. Meeting next week. Sada, kwa nupanya iwi? Tupatane, tuwamedim sadimugane next.


Hello friends, I am Sanjay Gupta. In this video, I am going to demonstrate you how you can copy a string into another by passing string into function using pointer. Before starting, you can note my information, you can follow or subscribe my YouTube channel through the URL youtube.com slash sanjaygupta underscore tech school. You can download my programming app tech image which is available on Google Play. Now I am going to implement a solution of this problem in front of you. So first I am including a header file that is STDI dot H. Now I am going to declare a function whose name is copy. Its return type is void and its argument type is character pointer and I will be passing two addresses of character arrays. That's why two times character pointer is declared here. So this statement is function declaration. Now I am going to define main function. Inside main, I am declaring two character arrays S1 and S2. Then with the help of printer, the message enter string will be displayed on console and through gattus the entered content will be received and all contents will be stored inside S1. Now I am going to call copy function in which I am passing S1 and S2. So this statement is function calling. Now after completion of this call, the contents of S1 will be copied into S2. Now I can print the content of S2 on console through this printf and then return 0. So I am passing S1 and S2 in copy function. So their base addresses will be passed in its definition. So in definition S2 will be modified but its effect will be applied on this S2 array which is available in main function because call by address method will be applicable automatically. So now I am going to show how it will be done. So here you can see I am declaring two pointers which will receive base addresses of S1 and S2 and this block will be known as function definition. So here S1 array base address will be stored inside P1 and S2 array base address will be stored inside P2. So through P1 I can access elements of S1 array and through P2 I can point to the locations of S2. So if I am modifying values in P2 so it is indirectly modifying values of S2. So now I am implementing a while loop where condition is S risk P1 not equals to 0. So if this condition is true then only loop will be repeated otherwise it will be terminated. So now I am writing the statement S risk P2 equals to S risk P1. So P1's value so P1 is holding an address its value will be stored inside P2 then I have to increase P1 and then I have to increase P2. So this way P1 and P2 will be pointing to the next addresses which are available in the strings and then next element of that address will be stored inside P2 through P1. So this way all the contents of S1 string will be copied into S2 through P1 and P2 pointers. Now after completion of this loop null will not be copied. So I have to copy it explicitly through this statement. So S risk P2 equals to null so null will be copied into S2 string this way. So here I have implemented the complete implementation. So contents of S1 will be copied into S2 and I have passed both the strings into function and in function definition they are managed with the help of pointers. Now I am executing this code. I am entering Sanjay. You can see the output copied contains equals to Sanjay. So I have entered Sanjay into S1 but S2 is printing Sanjay also. So this means S1 contents are copied into S2 with the help of copy function and copy function is having pointers inside it. So this way I have passed string into function using pointer for copying a string into another. I hope you have understood this logic well. If you want to watch more programming related videos you can follow or subscribe my YouTube channel through the URL youtube.com slash sanjaygupta underscore tech school. You can download my programming app TechMS which is available on Google Play. Thank you for watching this video.


Today's episode is sponsored by Squarespace. All right, what's up? No, Monica, I didn't literally mean what's above me. All right, what's up? Today we're gonna be shooting Aerochrome with a catch. The catch is it's not actually Aerochrome, it's something far, far cheaper. For those that don't know, here's a quick recap on Aerochrome, infrared sensitive color, flaming hot mountain dew, yada, yada, yada. Great, now that we're all caught up, let's go ahead and shoot with this, a Rideau 3D camera. This camera takes three photos simultaneously and it's typically used for those like wiggle, gif kind of things that you see on Instagram sometimes. But theoretically, if you place the right filters in front of each of the three lenses, you can get something that's kind of, that kind of looks like Aerochrome. I'll let Future Jason explain. Well, the gold rush for an Aerochrome replacement is well upon us. And here's another concept that may or may not work. We'll see, here's how it works. Essentially, it's a 3D printed adapter that allows you to stack filters in front of the lenses of the Rideau so that you can take the same shot simultaneously with three different filtrations. It's trichrome, basically, except all the shots are taken within the same sliver of time so you don't get those chromatic movement ghosts. So what if, with this technique, we could parse out an infrared image, a red-filtered image, and a green-filtered image? In that case, if you were to combine them, you would have something that is like Aerochrome. This whole concept was definitely not my idea. My IQ is so low I couldn't even find the test. It was Tom's idea, not my space Tom. But this guy, who has a blog detailing the process, which will be linked in the description if you wanna read up on it. I believe he's already working on a version two and he's already put out a video, kind of going over the process. However, in this video, we're gonna be detailing the version one, which is essentially the same concept. I'll get into the who, what, where, wombo, and why later. Let's hit the field, where Baxter took a dump so big that he's finally walking normally again.  Today, we're gonna be using Rolly Infred 400, a black-and-white film stock that I have kind of a traumatic history with. Littering in the park is cool. Black-and-white Infred is basically all that exists for fresh Infred film these days. And you basically have two options, Ilford SFX 200 and Rolly Infred 400. We're choosing Rolly Infred because it is technically a stop faster and thus more sensitive, which is pretty crucial because the Rideau has a shutter speed of 1,125th and like an aperture of F10 or something like that. So it's not exactly a speedy, low-light piss missile of a camera. Thus, whatever ISO help that we can get on the back end will be greatly appreciated. Anyway, after giving Baxter some Gatorade, because Electrolites is what plants and dogs crave, I headed out to shoot some local plant life at the park. Cool, first impressions. Yeah, the Rideau isn't exactly a top-tier, light-tight box either apparently, but that certainly looks like Aerochrome. Hard to mistake it honestly. You got the red foliage and weirdly tinted blue sky that doesn't really make any sense as to how it's still blue, considering how the layers are stacked on Aerochrome, but whatever, this technique works surprisingly well. This looks cool, but here's where we run into one of the biggest limitations of this process. Parallax, which like laxatives, if you have too much of you'll have a sh** time. Let's call it the parallaxive effect. Basically, the Rideau's lenses are spaced just millimeters apart from one another, so while they are taking virtually the same photo, they do all have a different angle of view and thus are all a very slightly shifted perspective from one another, which means that some of your photos will not actually line up perfectly based on the distance of the photo taken. So while Monica lines up perfectly here, the background does not, and we get some chromatic separation. To avoid this, I guess just try and only shoot things that are at a minimum of 15 feet away, otherwise you're likely to get that weird looking phase effect from Ant-Man ghost protocol or whatever. Although that 15 feet trick isn't always a guarantee that you won't still get some parallaxive effect. This shot is absolutely fantastic. It just looks so surreal. Might be a fresh and piping hot portfolio slapper. So yeah, here's another limitation of the process, really more of the camera light itself.  I don't know if this is gonna turn out, it's pretty dim over there, but we'll try it. That day it was super bright, unlike this channel's future, and some of the shots really didn't even still have shadow information.  It's just like what Evil Nike always says, just don't do it. Anyway, with Baxter's crack-like addiction to Gatorade fueling him, we made our way around the park looking for more compositions that were 15 feet away or so. The lens quality on the Redos isn't exactly top tier either.  I'm pretty sure these are plastic single element lenses, but it kinda works here because we're working with half frame here, so don't really have too much resolution to begin with. After sniping a 3D over the fence and no scope of the gardens there where photographers aren't permitted, I started to realize how effective this technique is and plotted to build out a second camera. So how does one procure one of these infrared slammers? Arts and crafts, that's how. Well, for starters, you need a Rideau 3D camera and the lens filter adapter, which you can download from Tom's website. You'll just have to find a way to print it yourself. Preferably you want it to be the same color as the camera, but that's just my hypnotic flair for design talking. Now you'll need filters. This is the hardest part by far. You'll need a 39 millimeter IR cut filter and a 52 millimeter Hoya R72 filter. Look for one that has these notches on it to make your life a little bit easier. You'll also need a red and green filter. I found some tiny microscope filters on eBay that do the job wonderfully. They're about a quarter inch in diameter and are very high quality. In a pinch, you can use red lighting gel cut to size for the red filter and it'll work just fine. Go ahead and put the green and red filter into the slots to secure your green and red filtered images and then add the 39 millimeter IR cut filter behind them so we don't get any additional IR bleed into those streams. Now we need to disassemble the R72 filter to just get the glass. The R72 filter is crucial because it only allows infrared light to pass through. You're kind of on your own here with getting the glass out. Sometimes there is a notch and you can use a spanner wrench or something to remove the retaining ring.  Then I just cut some double-sided tape to thin strips and secure the adapter on the front of the camera making sure the holes line up to the lenses.  Anyway, once you're done shooting and you've made your girlfriend carry back or back to the car because he's a princess, it's time to process your negatives into air chrome. One thing that you should absolutely do with your role is ask your lab to push it one stop. It makes a huge difference. If you don't, your negatives will be very thin. I like my hairline. Great, now you've scanned your images and you're ready for the fun to begin. Theoretically, you should have three of the same images that all look slightly different. It's really up to you to keep track of which one's red, green, and infrared. But here's a helpful hint in case you lost track. The infrared one generally has the least amount of information and the green one generally has the most. And finally, I'd recommend using negative lab pro to invert your images. I always use the linear flat profile on these and I get good results. So let's start by labeling the red filtered image red, the green filtered image green, and the infrared image blue. Sorry, there's no infrared color label in Lightroom. But then again, we humans wouldn't be able to see it anyway. So maybe it is there. With the red selected, let's go edit in Photoshop. I usually make a copy and edit off that. I labeled that copy in Lightroom as yellow so we know for later that that's gonna be our combined image.  Let's label this layer as green. Yes, I know. It's a little confusing, but the way Aircrumb works is that the green channel is sourced from the red channel. Back in Lightroom, let's right click on the green image and edit in Photoshop. I do edit original because we aren't actually making any changes to this image, just sourcing it. Plus it keeps Lightroom a little less cluttered. In Photoshop, control A and control C copy, flip over to our main comp and control V paste. Label this layer blue. Aircrumb's blue channel is sourced from green. Lastly, in Lightroom, right click the infrared image and edit in Photoshop. Okay, control A and control C copy to our main comp. Label this layer red. You can close the other two comps to keep your workspace a little bit tidy. With all three layers selected, let's go to edit auto align images. I typically always use perspective for these shots. It seems to work the best. Photoshop's auto align isn't perfect, but neither are you, despite what your grandma says. Now we need to assign each layer to an RGB channel. With the red layer selected, add a new channel mixer adjustment layer and zero out the green and blue channels and merge together. With blue selected, add new channel mixer and zero out the red and the green and merge. With green selected, add new channel mixer and zero out the red and the blue and then merge. You can create an action or presets for this and it'll go much, much faster. Now, this is the fun part. Select your two top layers and change the composite mode to screen and now you're in the ballpark. How exciting. This is everything you've dreamed of. Everything you've chugged Flaming Hot Mountain Dew for.  Well, like SEAL Team 6, now it's time to move in for the kill and wrap this thing up. Photoshop alignment isn't always gonna nail it for you so I'd recommend zooming in on your subject, figuring out which layers are slightly out of alignment and then just drag them closer together.  On your comp image, which is hopefully still linked to Photoshop, I typically start by adjusting the white balance. I usually set the warmth to 15 and the purple green tint to about 45 to begin with. And there you can crop your image down to cut out those borders. And if you wanna deal with that pesky vignette, I recommend AI generative fill. Sure, it's cheating, but who will know? Here's a pro tip for ya. If you still have some parallaxive effect left over because you forgot about the distance rule, not the prom distance rule, but the 15 foot rule that I mentioned earlier in this video, then you can try working the de-fringe settings here. Sometimes it helps a lot and sometimes it destroys something that could have been beautiful. Like when I asked that girl to prom and she, you know what, nevermind. Instead of going to that deep dark place, let's talk about the sponsor of today's episode, Squarespace.  Show them off, throw them in the portfolio. What better way for everyone to have access to your portfolio than through a website with Squarespace? I use Squarespace to host my own photography portfolio because getting it set up was easier than pie thanks to their custom building modules and simple drag and drop nodes. I was able to arrange images next to one another to sample my portfolio layout all out of mouse clicks notice, which made it easy to establish what orders of images worked and what did not. Start with one of hundreds of professionally designed templates you can choose from and furnish your new site with Squarespace's intuitive user interface that allows you to build portfolios, blogs, and even web shops. And if you run into any snacks during the process, you can check out Squarespace's award-winning 24 seven customer support to get you back on track in no time. So what are you waiting for? If you're ready to build a website, you can start a free trial today at squarespace.com slash grainy days. If you use the code grainy days at checkout, you can get 10% off your first purchase. Anyway, that's about it. This technique works quite well and I'm gonna be using it going forward, especially because now I have two Rideau Aerochrome builds to work with. I've actually already shot some honey dipped portfolio worthy crispy chicken tender slammers with this technique out in the wild, but I'll have to save all that for another time. For now, I guess the real question is, does this mean that I can stop chugging, flaming hot Mountain Dew and live out the rest of my days with a quiet, peaceful, dignified existence? No bitch, my work is not yet done. There's still more to come.


As we promise, we have amazing guests in the studio, but before we introduce them, nothing gets me in a mood like you guys sending your feedback on our Facebook and I see you guys sending them kabisa kabisa. So the question was simple today for this Valentine Day on Social Friday on why in the morning to know Liza. Which love song yuk per te te? Now say ome ingia Facebook na ubaya sana na na badoa sayona koment. So we'll like to sample some of your feedback so keep them coming coming coming and remember our Facebook page is Y254 that simple. Twitter ni Y254 channel, now Instagram ni Y254 underscore channel. So let's get it. Manabad manjona na sema elenduria sayilas tu hoa na tu ma Liza sana. Fire fire fire. Thank you very much for sending your feedback, but please don't forget to tell us where you're watching us from na tukpe ka shout out TV DJ Roy Dela Roy na sema hashtag social Friday hashtag go in the morning play for me singa te yamo dedicated to man mimo I love alafuni kuna dedication to my ex sirs ego. All right thank you very this is a very funny comment right there. Thank you sir for your feedback. So kuna dedication to your one and only and then another dedication to your ex to make sure it's mawafikiya wote and please remember to tell us where you're watching us from if you can go back to the comments that is apparently Lazo. So apparently Lazo ame tutumi a comment piya and another one Masifa Babatov Godia right there. All right so as we work on that Facebook thing right there apparently Lazo you're going to be famous for uh remember we're on Facebook at Y254 uh Twitter in Y254 underscore channel na Instagram in Y254 channel don't forget to tell us where you're watching us from so we can give you guys shout out so remember the question is simple goma gani love song gani yuku the chills. So it's about that time our first couple of the day nani our guest DJs as well and they are here to share the story kariwoni sana. Thank you. So kila msa kuna mikrofoni nonom kuku ofisi kila umtuna dekia ke piya sipsanzana kuji introduce uh your camera is number one right there just look them straight into the eyes now introduce to us ye the lady uh to lead and then to follow ya. All right okay go up by the name DJ Lucy. DJ Lucy All right you want to talk but I come to end up here. Yeah DJ Lucy kariwoni sana kwenye why in the morning. Sanct. Umtuna DJ Spencer. DJ Spencer. So DJ Spencer na DJ Lucy ni partners in crime partners in love and partners in work so kariwoni sana and thank you very much for grace in our stage uh so uh the first question ha na iswali kwenye winiwa kiki across the week na flowers how did the magic happen? How did you guys meet? In the line of duty. In the line of duty. All right expound uh so kumomba request I imagine. Nambu adukar rodi. Naminga gasili gamba asan. Pa pwalu kuchaza ni kusia. Kwa na kwa fiti? Ok, apana. Zingine juwasta kila kazi ina rules. So piya sisi tu ki chesa. Nikua BPM ya 70. Halafa na kujapuna biti ni 150. Napia na kwa kitu. Ato hi kwa kitu piya. Bye. So haza this. Omkaji pangu na. Omkaji pangu na. Alright. So, years later, you guys are in business together. Nambu na chesa om ziki pamoja. Misha chesa pamoja if even ina ona. Kila msi anapinda space, siya kiki comment kaisa. Nambu na chesa pamoja. Nambu na chesa pamoja from time to time. Alright. So, e valentine muna tutolea 4 mamavipi? Sini nitu. For the couples. Alright. Tukola mazuri for the couples. And as you say, tukola mazuri for the couples. So, kuna keiki, kuna bugeo plazda, kuna pair of tickets to a special destination within Nairobi County. So remember, kule kwa nakaswali Facebook. And I think we have picked the weather for that one. The pair of tickets we are yet to. So mazuri imewa hata. Haivishin geji buyo. Yuh story nge bamba sanat. Yuh story, that is a winner's story right there. Alright. Anyway, so, separately, umeku kiki DJ for how long? Kama, kama where we to? Okay. For two years now. For two years now. Alright. Nambu kiki DJ miaka kama gafi? Ah, this is my third year. This is your third year? Yes. Wow. One of the joys of itwa sosa ima juya ma DJ? Kawa gani. Ma DJ ma boys anasan? Eh, ziko. Ushais kezu ma stereotype? Ya. Kama gani umushais kia? Tusa ni kwa ni ni gani umu juya. Ii sektatua ni ni. Ii sektatua ya. Okay. Chali kwa dema ama imu? Chali muskia nambu wan awalala langi home. Obvious. Namba two. Fonbukiao. Ni 90% opposite sex. Nambu three. Aske ma demo na wa penda sana. Ma DJ wana penda wana ma demo sana. Izi ni witu umeskia? Amu meon? Ziko. Ziko. Auku, auku na ugo. Auku na ugo. Kuna hengi na hengi asahi na skia tu wana juya kuspin kilakitu. Wana juya kushangal. O gali. Shafati. O sichala wana juya kuspin kilakitu. Izi witu umeskia ya? Auku anafias benya ilkwambia ni DJ? Abana. Mujasa sa love conquers all. That is the quote of the day. Love conquers everything. Love beats everything. Kama watu wana penda sana. Auku na kitu. Izi kani. All right. So liya wutu muntakwa na kasetirim, tatu chesiaa kaset. So what do you guys have lined up for us? Kamaduo? Neza takakujo? Kamaduo metu? Pangi anini? Love songs. Ma love song kibao? Wutu amdediketi agani ibu. Jiyondu sualipiatu kunao Facebook. Gani umfanyu na feel titi kidogo. Muntamdediketi agani ya latestia wa tile brown. Tile brown, thank you very much for making music for the lovers at least. Wato kuna kitu ya kuchangam kia leo. Kwa zia sasa hadi midnight. Amakeshwa subui. What about you? Neza amdediketi agani. I'll be there by UB 14. When you say I'll be there by UB 14. When will you be there? Da you know? When will you be there? I'll be there by UB 14. It's a dedication from you to him. And your dedication from him to her. Ni illi latestia wa tile brown. Yoko na madem different different rangi to 40 to 40. That is the one you are talking about. Na sana ipe. Na sana! This is the second one. All right. So you had it straight. I'll guess DJs. We are on Facebook at YT5Four, we are on Twitter at YT5Four channel, and Instagram at YT5Four underscore channel, and this is where we can interact, this is where we can chat and you can give us your stories to my people, my guys. It's about that time. Mkutahari namzi? Social media autofotovipi, kablam tu cheze. Ok for me, Acrosol, social media platforms, Instagram, Facebook, Twitter, DJ Luzi, LUWZY, not Luzi. DJ Luzi, LUWZY. Why? Isjina ina tu copy by the way? Ya sali nivelizana to ingi. Ok, nili baptizi wana jina Luzi. So I decided to take the Luzi, but my official name is Diana. Diana? Ya. Wao, ulkuna jwezi fi tizote? Uwish ni wenge kuhuli. Ok, nili baptizi wana jina Luzi. Facebook, DJ Spencer Elest. DJ Spencer Elest. Nili wenge kuhuli wana kabisa, kuhuli wana kabisa. Kabisa. Ok, Luzi is coming in your way. But before the love songs, remember, kuna keki na kuna bukeo flowers courtesy of Veldena's delicacies, naleo asubuitu ni merauka, nika ndan ka dekoratiyo keki, na one of them chef suko evo at Veldena's delicacies tumitegineza keki, mzuri sana, so check this out. And then we'll be back with some more wine in the morning. Kalami Val is still here and she has something lined up for you as well. Don't go nowhere, don't tight that down, kus kuna couple DJs piyota kuna wachesia, mziki na nima love songs, love songs, love songs, lafu Facebook piyakuna suali na mimi mtani patakama. It's very mokela maali. We had a cake and a boukeo flowers for special people for loved ones who were viewers of wine in the morning. And it was simple, all you had to do was tell us how you met your loved one and the best story went. So before we get to that part where somebody went to kick, we are here at Veldena's where we are going to be getting our cake from and I'm not alone. Veldena youko leo la kini, she has left me in very safe hands. Saza. Alright. Salimia mafanswetu as you introduce yourself. Hi viewers, my name is Rodda Olivia from Veldena's Delicacies. So Rodda is going to be taking us through the decoration of the cake so I'm going to be part of the decoration of the cake. So when you touch the cake, be sure that it was decorated with love. It's really made right here. It has the shape of a heart. So the first step is to make it look something like this. Something like this. Yes, with some toppings on it. And the most important ingredient of today is love. Alright. Maybe we can say what we are working with. What is this first before you put the cake on it? Oh, this is called a cake turntable. So when we are decorating our cake, we don't need to move the cake, so it just rotates. We just spin it when kakuna place is not fixed. The turntable is very key when decorating your cake. How about rolling pin? What do we need a rolling pin for? We are going to use the rolling pin to roll our fondant. This is hard icing, so we need to roll it so that we can make our different details. Alright, so that's hard icing. Then here we have some soft icing. Yes, we have the soft icing. It's the whipping cream. It's the whipping cream. Yes, it's already whipped. So you can use it for the cake. And you know what else for Valentine. And then we have our pallet knife. This is a pallet knife. Yes. Alright, then we have the... This is a saw knife. A saw knife. Yes, for cutting the cake. Alright, so then we have this rubber thing right here. It's a scraper. This is scraper. So this is smoothing the cake. Smoothing the cake when we are done. So this is a cloth to clean our hands. And then we have some saris. Then this I think is the most important thing here today. It's called a piping bag. A piping bag. It's useful. For the final touches. The final decorations. The final decorations. Alright, so let's knifelaka api. What are our colors? What are the colors we are working with today? Obviously. The red color. The red color. And a little bit of white pallet. White and red. White and red. Our color, our flavor is red velvet. So the cake is red. And the decorations will be white and red. White and red. We will pick red velvet for valentines. Because I remember over Christmas, we had a little letter of fruit cakes. I will tell you about your mood and season. This time round we will pick red velvet. Why red velvet? Because we all know red is the color of love. Okay, red velvet. So for this season it's the most ordered cake. The most ordered cake this season. Alright, you will tell them how to make their orders. But let's get into it. I'm really curious. And I'd really like to know what goes on in this. Okay, we're going to start by totting our cake. Totting. You'll forgive the tongues. Alright. Totting is... Slicing the cake. So that we can layer it. So we need an extra plate to put the tots. The tots. Alright. I'll be here to support. So this is the use of the timetable. Or the timetable and the knife. So how many layers are we going to have? How many layers? Two layers today. Alright. So that's how you pick it up. Yeah, you don't just pick it. Oh, you need to be gentle. Yeah. Like you keep your love going. Yeah. Wow. Just there is me a blue band on bread. Okay, so we do margarine on bread. Yeah. We have to clean our knife. We don't want the crumbs to get into the rest of the cream. Let me just try to level it a bit. First step done. First layer done. Alright. So now we place the top. We take it back. So it's easy to take it back to position because it's sliding on the icing. Yeah. So then we clean our board. Our board? Alright. So now we are playing. So this is the whip cream. Yeah, it's the whip cream. The whip cream is back. Alright. Or rather the soft icing. Or whip cream or soft icing. Yeah. Okay, all the way at Kandu. Yeah, all the way. So we need to cover the cake? We need to cover the cake so nobody knows what's going on inside. So yes, this is a very special cake made with a lot of love for one of our lucky winners. So if you have not been to our Facebook or Twitter page, be sure to visit it. And the question is simple. Tell us how you met, you and your baby met. So, from Aputrachakwa, the best, the most inspiration of a story. Or the sweetest story for that matter. And then stuck on a lucky winner. And then you're going to get a bouquet of flowers as well. And remember we have tickets to a special destination in Nairobi County as well. So this Valentine is a special Valentine, courtesy of White Five Four and Beldena's Delegacies. Alright, because it can get messy sometimes. So this is a scraper right there. So this has to be used very gently. You don't want to mess it up. No. This is a scraper. It's a scraper. We need to have a smooth finishing. A smooth finish on the cake. And that is the work of the scraper. Yeah. Although you can still use this, but the scraper is more faster than the knife itself. It's the tool for this job. Yeah. So if somebody needs these tools, can they contact you as to hook them up? Do you serve tools, the baking tools as well? Yeah, we have some. So we can just contact us, we can get them or we can direct them to where they can get them. Alright. That's why you had a lot of icing. I was wondering how all this icing was going to go to. No. So you start. You are piping bag? No. That's how you put it in the piping bag. Yeah. So now this is the most fun part. This is the best part. Yeah. Alright, so what patterns are we going with today? So now we are going to decorate our cake. Decoration is about creativity. So I may decide to decorate just one side or around the cake. So for our cake, I think we are going to decorate one side and the other side we are going to put some more details. Alright. So let's hear it. Let's see how this goes down. Wow. So these are flowers. Yes, these are rosettes.  We are going to decorate the border of the cake. It just sticks. Yeah. That looks good. This is the hard icing. So they are mostly used in weddings. For wedding cakes. Yeah. Yeah, I'm sorry. We are going to make a turkey bake. We are going to make a castigia hard icing. Hard icing. So this is where you use the rolling pin. I love to depending on the shapes you want in the cake we have the cutters. So I can be one cutter here. You just press it. It has to be So you just press it. In a particular form and time of it. You are in the second one. I'm on the tenth one. It's so ugly. Let me not spoil the cake for you. We are still going back. Yeah. What is left to be done? Sorry? What is left to be done with the smooth icing? I still feel I cannot do on here. Then we can have some. Details are very important. Very important. Until you are satisfied with whatever you have. Your end product. I think Let me just have one more. So I can be satisfied. Why is mine not faking? Nimejarmi boku okot? Oh yeah guys. This is my hat at the center. Yeah. Still have some more. So this is the sprinkle. These are edible beads. Edible beads. Yeah. So you cannot One on top of every level. Maybe I can help you with that. This is still going. This is on top of the heart. Can help as much. So these are just some very simple design. You can just do at home. This is something you can do at home. This is a very simple design. So if somebody would like to learn how to do these things. Do they have to come here? Or they can find you online? Or how does they work? Yeah, they can get us online. On Instagram, Twitter, Facebook. As building us delicacies. Yeah, they can also call us. So that to make arrangements of the classes. Alright. How can they get you on phone? They can call us on 0748. 002. Thank you very much for that. So this is the cake I cut to see a reminder in the name please. Roda. Roda. So cut to see your brother from the dinners. We have this cake that is going to be won by one of you viewers. Of why in the morning. Of why to buy a four. So the question was simple. It's still on our Facebook and Twitter. How did you and your love meet? The best story is going to win this cake right here. And a bouquet of flowers. So I'm going to pick the best bouquet of flowers right here. Also remember we have tickets to a special destination within Nairobi County for you guys. So there's a lot up for grabs this Valentine as we promise at the beginning of the year. Or at the beginning of the week also. So it's about that time. Tafteh tupia tukule. Tafteh tukule. Alright until next time. Why in the morning it's very more signing out. Happy.


There we go, my favorite sign in the whole world. Please do not touch with your hand. It's for my Facebook food group. All right, this is James P. Madonna from the Facebook group. Everything is food. I'm at the Royal Hibachi Buffet. Route 46 West, Saddlebrook, New Jersey. Let's see, we got fettuccine, alfredo with shrimp. Not bad. Just want to give a shout out to Commodore Jeff Sandler. And the Exorcist Bishop Brian from the hit show on the Travel Channel, Ghost Adventures, all right. The size of this shrimp. The Red Fox said, on Sanford the Sun, don't crimp the shrimp. All right, where did I do it? I left no room, I left no room for the turf. Now, what is this here? No, it can't be beef stew because it smells like lamb. Can't be beef stew. I smell lamb. Lamb ribs, I think to be exact. That's definitely lamb, but that's all right. Yeah, let's see, we're going in soup here. Now, potato soup, no, for peasants, peasants. No crab soup? No, don't see any crab soup. That's my favorite sign again. Favorite sign in the whole world. Please do not touch with your hands. All right, all right. Oh, that's right, the codfish. That's all the room I have to be in. This cod is no cock dribble, that's for sure. See what we got here. Oh, look at this, we got gyros. Gyros. It looks like chicken teriyaki. Looks like, all right, see what we got going over here. Added the, no coconut battered shrimp today. And we got the platanos maduros, tostonis, all right. Here we have for the very best in hot buffalo chicken wings to go for your very next sporting event party. Come to Royal Hibachi Grill Buffet, Route 46 West out of Brooklyn, New Jersey, and buy your hot wings to go in bulk. In bulk. And bring it home, you can come in and buy it in bulk. Okay, check out the fruit. See what's going on here with the fruit. It's like the ice cream. Unfortunately, there is no green tea ice cream. My favorite. Not this week. Well, at least not today, it's Friday afternoon. No green tea ice cream. Check out the fruit. Fresh pineapple. There's the Larry Feinstein kiwi. Done Larry Feinstein style. I'm sure my friend took care of me. Ah, this is not bad. Hit the seafood salad. It's loaded with calamari shrimp and octopus.  All right, James Pimentoni here. I'm gonna get some of this really wonderful looking seafood salad. And he marinates his fish too. As for sure. Some calamari rings, shrimp, green bell peppers. Might be octopus in here somewhere. And it's baby octopus. I'm gonna go on the other side and see what else is there. Calamari rings, pineapple. Here we got over here. Maybe I'll get soup. I don't know. I gotta take a look at the sushi. Here we go. Nice cockle cream, calamari jet tango. Cockles of my heart. Cockles of my heart. That's very good. On top of the made fun rice noodle, the angel, angel hair rice noodles. Excellent. Hard-core sushi. Yeah. You know what? Potato soup? Now, peasant, peasant food. Peasant food. Chicken noodle soup. Now, peasant food. Commodore Jeff Sanbello. I think I'm gonna get some, get some of the angel hair rice noodle. And then I'm gonna put some baby cocoa clans on top of it with a little bit of broth. Rice noodle, bit of a broth. Not too much now. And that's a very nice seafood dish with a piece of fresh pineapple. The digestion. They got the marinated, spicy seafood salad. With the made fun rice noodle with baby clams. I really wish they had the green tea. Nice green tea. I gotta tell them. I gotta tell the owner when I see them. King of Mongolian barbecue. Look at all that shrimp. Heat noodles. Look at this guy. Vapors of life. Commodore Jeff Sanbello. Look at that. Beautiful. Early September, 2019. It's cool and raining out. Wow. Slightly drizzling. This is what's people in the great mood for seafood. I know it doesn't mean. This is for the Facebook group. Everything is food and of course, YouTube. Smells great. Vapors of life. Lord of seasoning and spices and hot chili pepper. Unbelievable. This has been a Mega Live 21 production.


In this topic, we will be talking about the different types of tasks which affect the performance management process of expatriates. We discussed in the previous topic that the various types of tasks are involved in performing a job. So the type of tasks will affect how the performance management process takes place and how rigorous and how complex the performance management process has to be according to the tasks which are to be performed by the international employee. So various types of tasks could be there in a particular job, but in this particular topic we have classified the tasks into four categories and these categories may be performed by one person, they may be performed by multiple people. So it is possible that the job of a person can involve all these tasks. It is possible that the job of the person may involve a combination of these tasks. So this is not a boundary that a person who is conducting the task of CEO or subsidiary manager cannot be a structure reproducer, but rather it is possible that a person who is conducting the CEO task will also be doing the structure reproducer task both in line with each other. So it is not the boundary between the persons, it is the boundary rather a mental category in which the tasks have been differentiated so that the performance of the person on each of these tasks can be separately measured because they require different knowledge skills and abilities, they require different type of attitudes and they lead to different type of outcomes. So that is why we need to distinguish the tasks that a person has to perform in an international context. So in the expatriate tasks, the number one task which an expatriate manager may need to perform is that of CEO or subsidiary manager. So if the person is at the CEO level then that person would be managing the entire subsidiary or if it is the subsidiary manager like a person who is heading the finance function or the marketing function then that would be particularly related with that particular unit of the organization. So the task of the person CEO or subsidiary manager is oversee and direct entire foreign operations. So the task of a CEO is to make sure that everything is going according to plans, everything is under control and that person is as a figurehead for the entire subsidiary and sitting at top of the organization to make sure that everything is right working under the foreign operation. So that is the task of monitoring, that is the task of overseeing, that is the task to make sure that the organization is going in the right direction. It is going in the right direction according to the strategic goals and objectives of the organization. It is going in the right direction in terms of its local relevance and it is going in the right direction in terms of the employees who are working in that organization. So from all different aspects the CEO has to make sure that the organization is moving in the right direction. So CEO has to make sure that the direction of organization is according to the goals and objectives which are set by the multinational in a global scenario. Then the second type of task is of structure reproducer. So a person who is sent for this particular task is supposed to reproduce the structure that is held by the parent organization in its parent country and in other countries in which the multinational already exists. So that structure may be from the perspective of human resource management. It may be from the perspective of developing the organizational structure of the organization. It may be from the perspective of developing the marketing department, marketing function, the way you go and approach your target market, developing those marketing dynamics. That could also be a part of structure reproduction. Then it could be the reproduction of the physical layout of the organization. So whether it is about operations development, the factory development, the manufacturing plant that needs to be developed or it could be the physical layout of the office structures of a multinational organization for example banks. They do not have any manufacturing department but you would see that the international banks which are operating in the local scenario, their physical outlook of their offices, of their facilities, they are replicated. They are trying to be replicated according to its international image. So you would see that standard chartered has its own look. HBS, HSBC, they have their own look and other international banks when they, although they are operating in the local scenario, they have their own particular personality and offices which look like offices of that multinational. Similarly, you see McDonald's facilities. So you go wherever in the world, McDonald's facilities, they are designed and developed in the same way, same type of color, same type of outlook, same type of furniture, same type of layout. And so that type of structure reproduction is something which is needed to be done at every subsidiary level. So that task could be given to a person as structure reproducer. Then the third task of an expatriate assignment could be that of a troubleshooter. So a troubleshooter from the world is self-explanatory that an individual who is sent to a foreign subsidiary to analyze and solve a particular operational problem. It could be an operational problem. It could be operational problem in terms of human resources. People may not be performing well. So a person may be sent from the parent country to work with the organizational development and human resource development for training purposes. So anybody who is sent for the purpose of troubleshooting a problem is a troubleshooter. And then finally, the most important task of any assignment is that of being an operative. So operative is the one who manages the operations of a particular job, the day-to-day activities of the particular job. So individual whose assignment is to perform functional job tasks in an operational structure in generally lower level supervisory positions. So operatives are the one who manage the day-to-day activities of the multinational business and they usually exist at the lower level. But the function or task of being an operative may also be done at the middle level management or higher level management in which you are looking after the operations from a higher level. So every manager's job involves looking after the operations from some level. It may not be from the operative level but looking after the operations is part of every manager's task. So these are the four types of tasks which may be assigned to a person on an international assignment and according to the task which is given to the person, the performance of that person is going to be evaluated on that particular aspect and on that dimension.


In the previous video, we introduced the idea of spherical geometry illustrated right here where our set of points is the unit sphere inside of three-dimensional Euclidean space. Points are just elements of the sphere, the surface of the sphere, not the ball, but just the surface, just the crust of the earth there. Lines are defined to be great circles, that is circles on the surface of the sphere whose diameter is the same as the diameter of the sphere. And then incidence just means a point is incident to a line if, as a set, the point belongs to the set, which is the great circle. So this is the circle's a collection of points right there. Now, when we study the spherical geometry, it does satisfy the elliptic parallel postulate and it satisfies all of the incidence axis except for line determination. It is possible, like in this diagram, that two lines can intersect at more than one point. In fact, if you take any two lines, they always intersect, the elliptic parallel postulate is satisfied. But in spherical geometry, the intersection will always, always, always be two points. This violates a theorem of incidence geometry, which that theorem is essentially just the cause for positive of line determination. If you take a pair of antipodes, points that are on opposite sides of the sphere like the North Pole versus the South Pole here on planet Earth, antipodes always have more than one great circle that connects them together. Like again, if you think of Earth, you take any line of longitude, that's a line from the North Pole to the South Pole on Earth, that violates line determination. So, spherical geometry sometimes called two point elliptic geometry because these antipodes, two lines always intersect at a pair of antipodes there. Because it's not an incidence geometry, if you wanna come up with a geometry, well, if you want an incidence geometry that's infinite, that satisfies the elliptic parallel postulate, it's tempting to instead use the so-called one point elliptic geometry as opposed to spherical geometry, which is the two point elliptic geometry. The one point elliptic geometry, the model we're gonna construct is what's referred to as the real project of plane, RP2. So how do we get this? Well, the idea is we need, we want the incidence axis, line determination is the only one we're missing. So is there a way that we can capture back line determination? And the patch that we're gonna take here, because actually there's two possible patches one could take to try to fix spherical geometry. The one patch we're gonna discuss in this video is what if points aren't actually elements of R3? What if points are actually pairs of antipodes? So we actually consider these two points to be the same thing. Now, this might seem counterintuitive at first because you're saying points are actually pairs of points. So a point actually has the form P minus P. So this is a point in the geometry we're constructing right now. And yes, that's exactly what I'm trying to say. Well, how can I get away with that? Well, I'm not saying that P is a projective point. I'm saying P is a Euclidean point because after all this sphere exists inside of R3. And so P is a point of R3. I'm saying that P is not a point of the projective plane I'm trying to construct right now. Instead, you take the two different Euclidean points, P and negative P, you actually glue them together, you identify them as a single point and you no longer distinguish between them. The way this works is that line determination's fixed because the only violation to line determination on the sphere were by antipodes. If antipodes are now considered the same point, then it turns out that there's no longer repeated intersections. It turns out these different lines are actually no longer in violation of line determination. So basically what we're doing here is the real projective plane is we take the sphere and we glue opposite sides of the sphere together. And so let me try to draw you a picture of the real projective plane in a way that will make life a little bit easier for us. What I'm gonna draw on the screen right now is the so-called hemisphere model for the real projective plane.  So in other words, this point right here is equal to its point right over there. So the indipodes are the same. So by dropping the southern hemisphere, we no longer have to worry about identifying points with the north, with the south because we just took the north representation here but on the equator we do have this wraparound feature. So an example of a line would actually be a semicircle that looks something like this where these two points on the boundary are actually considered the same point. So they're glued together. So this line is still a circle in sort of a Euclidean sense but the real projective plane then gives us this model, this hemisphere model here that this then satisfies the incidence axioms now. In terms of three points, yeah, we have three points. There's kind of many points, no big deal. Lines will of course have more than two points. That's pretty easy. There is no line that takes all of the points because an arbitrary line would look something like this and you're missing so many points. You do still get the elliptic parallel postulate because if I take any two points, excuse me, take any two lines, excuse me, they're gonna intersect each other. That's always happens, you can't avoid that. What about line determination though? If I take any two points, is there a unique line between them? So something like this. And the answer of course is gonna be yes. You're gonna get a unique line that's determined by those two points. This whole antipodal problem is no longer available to us because we basically killed off the antipodes by identifying them together. So as a geometry, I should say that the real projectile plane can be difficult to visualize, difficult to see because we want to see it like we see the sphere. But the problem is we really can't do that because RP2 cannot be embedded inside of R3 without some type of self-intersection or some type of wraparound feature. So like this model has this wraparound feature. It's kind of like you're playing some classic video game, like consider the game Asteroids. That's a great game, you know, back in the day, right? You had this little high tech spaceship that looked like in the Saucy's Triangle.  You blow them up, they make smaller Asteroids. You blow those, they make smaller Asteroids. You blow them up, you know, you keep on breaking them until, well, they're always repeating, they just keep on going from high score over and over and over again. The longer you survive, the better. Your spaceship had a propulsion system.  You could then also rotate your angle. So you combining thrust and angle, you could then move anywhere.  The reason I bring this up though is that when you flew off the edge of the screen, you would wrap around from the other side, right? Or if you flew here, you would wrap around here as well. I guess I messed up. If you were to wrap around the screen, you would actually come from this side over here because Asteroid forms a torus, not a projectile plane. That'd be kind of interesting if it did though, but when you go off the screen, you're gonna come back the other side, all right?  So you wrap arounds like this. With this one here, you have a wrap around feature like this.  And so the reason why this is relevant, of course, is that if we try to think of this object, it looks like a flat object. If we try to fold it together, we could glue these two sides together and that would form a cylinder, like so, where now the wrap around really is a circle. We traveled like that, a line is a circle in that situation. But then when we glue these two ends together, we end up with actually what's called in topology as a torus, it's the shape of a donut, right? You glue the cylinder together. And so this flat object right here with the wrap around feature really is a donut in three dimensional space in R3. Now, you might try to do that same thing with the real project of playing. Let me back up a little bit. But the wrap around feature, if you're playing that, it looks a little bit different. The wrap around feature actually looks something like this. Notice how my arrows have reverse orientation. What this means is as I go on this side of the screen, it actually wraps around with a reflection.  And then when it comes to the top of the screen, the same thing, you wrap around like this, you're gonna get something like this. And so this square with these type of wrap arounds where there's a wrap around with a twist to it, this actually gives you another model of the real project of playing. I want you to think of this model right here where we took just the upper hemisphere with this gluing feature. If you were to basically take the top of the hemisphere and you flatten it, what you would do is you would fill in a circle that looks like this, for which you now have a ball that's filled in, the disc, I should say it's filled in, you have all the points in the middle, but you still have this wrap around feature, okay? For which that when you go off the screen, when you leave the boundaries here, you wrap around to the antipode like so. Now this boundary is a circle, but if we were to straighten it, kind of straighten it a little bit, we could turn that into a square like so, because in topology, we don't really care about sharp corners versus round corners or anything like that. Smooth doesn't really make any sense in topology, we just care about continuous. So you can continuously deform a sphere into a square. So these give us different models of the project of playing, none of these models allow us to draw it without this wrap around feature, because essentially, projected geometry is a little bit, it's kind of weird compared to some of the other models we have here. In this model we have right here, there is this wrap around line, we keep on seeing this wrap around line in this model as well. This line is often referred to as the line at infinity, the line at infinity, because once you hit this horizon, you actually wrap around from the other side. And so we're gonna study elliptic geometry much more in the future. This line at infinity business is actually the reason why it's called projective geometry. This is actually a statement coming from art, where if you wanted to like draw parallel lines as they go off towards infinity, like you have like train tracks, well actually the train tracks that you look at, they're parallel lines, right? Otherwise the trains don't work very well, but as they go off towards infinity, they appear to intersect each other at the horizon, right? This horizon line we think of as the line at infinity and all parallel lines intersect themselves at infinity. And so while these lines are genuinely parallel in the Euclidean sense, as they go off towards infinity, they appear to intersect. And so when one draws a picture of a horizon, you have to draw things in perspective there. It's that projective nature where you take the three dimensional curvature of the earth and project it to two dimensional drawing, it looks like the parallel lines intersect at infinity. And so there is a lot of history to the projective plane with regard to, of course, geometry, art as well, many applications of the projective plane here. I want to introduce it to you as this one point elliptic geometry. This is in fact an incidence model, an incidence geometry that satisfies the elliptic parallel postulate. And so that's pretty nice. And as we did, we did actually study while we introduced the idea of a projective geometry earlier. Remember, a projective geometry was an incidence geometry that satisfies the elliptic parallel postulate and all lines have at least three points. The lines here have uncountably many points. So this is in fact a projective geometry. It's a projective geometry that locally behaves like the Euclidean plane R2. And that local behavior is a really important thing. I said there's two patches to ellipt, to spherical geometry. One is to turn it into an incidence geometry by identifying antipodes together. They gave us the real projective plane. I gave you a couple models of the real projective plane. There are so many others that I'm not gonna introduce, I'm not gonna introduce right now. In the next video, I wanna introduce an alternative patch to spherical geometry that'll make more sense, of course, in that video. But we've alluded to many of those topics already in this video.