Hello everybody and welcome back to the fu- Come on away, move by yourself. Scary. Uh, welcome to the- What was that rain? Oh, guys this is a bit scary. There's lots of scary things going on. Welcome to the last episode of Little Nightmares. Yep, this is it. This is gonna be it. This is the one that we see Monster 6 close up. Oh, hold on. Oh, I need to get up here. The one where we, um, you know what? Hopefully don't get dropped by six this time. Maybe, maybe there'll be a little secret in it. Maybe because we're doing a first person, she won't drop us. Never know, because we've got more of like a personal connection. Here I go. Ooh, okay, just kind of put the camera up so we don't necessarily follow. The black box returns. So we've got to do a little bit of the pale city first. And then once we do the pale city, we'll move on. I think that'll do. To the signal tower. I don't know my own strength. It's destroying everything. Here I go. I was like inside the TV there for a second though, okay. Also we get to see like that room, the ladies room too. Do I fall out here? Uh, I take that as a yes. Ooh, it's weird. It's weird seeing this all in first person. Because normally at this point, it's, uh, it's, I'm just like looking at everything on the left. But actually I can see it's mostly stuff to the right that I'm able to see. And there's nothing there. Brilliant. Huh. There we go. Right, now I've been told that apparently when we're being chased by the eye creature, that we, um, we can't do that bit in first person. Now I don't know if that's like, do the controls break? Ooh, look. This is where we get the controller. This is down. Okay, so this still counts as like, it doesn't matter which way I'd look and just hold down. Okay, gotcha.  Okay, let's have a look at this guy. So, sat there watching TV. TV decided to eat him. Ooh, look, we've got an on and off button. Meh. Oh-ho-ho. Because cheese, he's had cheese and that's it apparently. There we go. That like being inside it. This is the post office. Oh yes. Now do we, yeah, we just want to run across, don't we, because we need to get to the other side and jump off there. It's been a crazy day for me, guys. You have no idea. I was going to have a lie in and then I ended up having to drop Whitney off somewhere. And then I also realized I had my car in for an MOT and I was like, oh god, that's lucky. And I kind of had to just sort of wait and be like, okay, well I've got to pick Whitney up again. Do I have time to record this? Uh, no, I didn't really. But, oh wait, I have to do this way. Okay, okay, okay. I think that's, is that good? Ah, that's good enough. Through the TVs. Oh look, there's secret letters in the TV. Oh, I want to have a look at all of the, all of the secret little images that show up on the TV. If you're like, because when Mono goes through it, there's loads of, like this, I think the thin man appears on the TV. There's some other things as well. I'm sure some of them have got to be like a, there's like a secret hidden message in there somewhere. There always is. And while I was loading this in, oh, that's it, that's the ladies room thing. Oh, okay, here we go. Um, there's also a, yeah, when I was loading it, sorry. I realized the Tarsus Studios came up. I was like, oh, I read that and thought, this is gonna be the last time we see Tarsus Studios in a Little Nightmares game. But hopefully that doesn't mean that it's gonna be bad. Like the next Little Nightmares. So here it is, this. Oh. Ooh, what is this nonsense? Ah, that's the room from the next over that they haven't rendered. But this, this is really interesting. We have slippers, it's just like a single room. There's nothing else here, there can't be anything else here. Because that would be, that would lead into the hallway. We have a portrait of the lady. We have the collectibles from the lady, as well as lots of posts. And then, I don't know what this is, a newspaper. Let me take it. My precious. We also have a fridge. And then a sink. I don't know, oh my, okay. Okay, for a start, we've got pictures of the guest. We've got what it seems to be a picture of them all. I can't really make that out, but that looks like a more shape. And I don't know what that other one is. Guys, let me know in the comments, that bottom one. But that looks like a picture of the guests and the more. So, this could, like, this is the thing, man. Ah, die! Oh, lady, like. It's like, did the developers put that in, specifically to tell a story? That that, whoever lived there, had something to do with the more. And see, that's the door there. That's how you get into that room. Or, is it by chance, you know, just someone who, they just want to put it in there for an Easter egg? Okay, because it is technically just an Easter egg room. Ah, love, it's just like listening to death metal. Now, also, are these people going through various stages of being sucked up by the TVs? So, for instance, this woman here, there's the right, okay. Go. Go. Go. There we go, sliding in. Oh, look! Oh, that's interesting. There's two of them. Because we've seen that some people, yeah, I can't even see that there's loads of images there. We've seen that some people seem to get eaten by, um, by the TVs and their, their clothes are just left. Hello! Hello, precious! Looks a bit PG, man, 30, man. Ha, ha. Just, well, ignore. Also, we're going to see what happens to this guy when he falls. Because sometimes they're eaten completely by the TVs, sometimes they've just got their faces and eyes consumed. Hmm. The signal tower definitely isn't just a signal tower. It's more than that. It's more than just a building. It's a disguise. Nothing's ever as it seems. There's always masks and stuff in this game. Nope. Yep, there we go. Can I see what this guy does? Oh, what? Oh, I forgot. Oh, that is terrifying, though. I forgot to turn the TV on the other way. Ha, ha, ha. Wait a minute! How did he kill me? Isn't that one of the canceled songs? Whoa! Now, if people don't know, some people might know this, others might not, but that whistle, I don't know whether that's actually part of, like, there's this one hidden song in the TVs. And it seems to be like, or what, people are speculating to be a good ending? Which I highly doubt. Oh, he vanishes! Dammit! Ha, ha, ha. My TV. Mine. Mine. Oh, it's just blank in here. It was lied to. Oh, look, she's still there. I was gonna say, please don't fall.  So, there's also a lot of, like, I don't know whether it's just because I'm picking up on it, because I notice it because I'm sort of studying it, but you've got with the food and with a lot of the lettering, there's a lot of Japanese in it, and if you listen to one of the broadcasts, not that you can ever really figure out what anything is saying, but it sounds like some of the broadcast is Japanese muffled as well. Now, I really don't think that the creator's meant for it to be, oh yeah, it's Japan. Like, there's a, like, the lady is definitely, there's a lot of, there's a lot of, like, um, Japanese, uh, what'd you call it? There's a lot of Japanese influences. Oh, look at them. Where do they go? What do they do?  The signal towers are just telling them to do this. But how do they get here is the question. Oh, man. Do they all do it if we just stay here? Yeah, they all, they all just go. I don't think if I just stayed there. But yeah, with the more there's a lot of Asian influences with the architecture and stuff. Especially with the lady herself, it was basically, like, a geisha. Um, ooh, a red dot. That's interesting. And with the lettering as well, there seems to be a lot more coincidence. Oh, hold on. The back of the TVs has the eyes on them as well. So, I mean, if we, you know, we didn't know already, they're definitely linked. The TVs are linked to the eye monster. Which, I mean, I think we could have hazard a guest already. What's that image? Something in the woods. Okay, okay. Oh, if we're here. Oh, yeah. Hello. Bye. Then the camera follows us. All right, all right. Do you want to know the tactic with this one? You want to make sure you do it flawlessly? You want to pull off the first one? I see, I see.  This one. You just want to, like, do it in increments? There you go. And now we're done. We're good. Ha! Look at him! No one near us! Beautiful! Ha, ha! Gotcha.  This is it. This is how we get achievement. Guys, here we go. Okay, so we need to change our hat to the postman hat. Okay. And off we go. Do I have the gnome hat? Because I thought I'd. Yeah, I do have the gnome hat. Awesome. I just don't have the, um, the what do you call it, the, uh, the one that is like, pre-order-zoned or something. The special edition hat. I wonder if that's an achievement. Here we go! Woo! Okay, so what is down here? We got, like, scrunch up bits of paper, TVs, a, uh, a doll? What is that? This suitcase right here. There is a little parcel. Now what could we be delivering? So the thing is, even though it seems like this place is, you know, not functioning at all, the post is still being delivered. I think that tells something about this world. Are you ready, guys? Are you ready? We're going to take it. Oh, you can see something. You can see it. Hello. Whoa! Look at those long hands! And he just takes it! Post-Industrial.  And there's that song on the TV. I don't think I've ever heard this song played on the TVs. This is the song that only played on the more TVs. Why is it playing now? Or have I just never heard it? There, that's, that's normal. That's, that's like a normal TV sound. So the longer I've played though, like, when we're playing Little Nightmares 1, it appears that the TVs have no broadcast. Like, but the stuff they're broadcasting now just doesn't exist. Um, but once the, you know, Little Nightmares takes place and we find out it's not as, it's a prequel, um, it seems like by the time 6 completes the more or kills the lady, that is when, um, the, the signal man becomes, or becomes active. Like, you know, mono turns into the thin man, sorry. Okay, here we go. So it doesn't, so what we need to do here is quickly just jump on. Jump off. Here we go. Go in. Quickly, quickly, quickly! Quickly, quickly catch a monkey! Oh! Oh! Whee! There we go! Hey! Look at the little bunny bun! Oh, he's so cute! And then here's where we commit a crime again in the murder. Lovely creepy doll. Creepy doll is creepy. Creepy doll is falling up. No, don't pick up that doll! Anything here? Nope. Nope. Nothing here. Okay. Again, that looks like, you know, there's kids toys, right? But there's, there's no sign of a kid. At all. Okay, so this is going to be interesting. Whoooa! Oh, see I don't know how the freaking, what do you call it? There's a radio in here. Why? Okay. Uh, I don't know how the other guy didn't have a problem in the bath. This guy does. Go, go, go! Whoooa! Whoooa! Ho ho ho ho! Yes! Die! Again, we got a bunch of random pictures of just people, viewers. I think they're called. Yeah, it's just... Who's taking these pictures? They're not even photos! They're more like drawings! Anyway, I'll take the little stool. Thank you very much. Oh, that's right. This takes us to, uh, the climactic... Oh, sorry, not the... Oh! Wait, did I die? Okay, whatever. Who was I supposed to fall on? Oh, was I supposed to fall on something else? Or did I not land on the garbage? Hello? Hello, people. Can I come through? I think I just died, don't I? Or am I not allowed? No, I'm not allowed!  I don't know if I can see... I think, actually, if you no-clip the camera and you go over there, it does show something, and it's not the TV. Well, the TV's broadcasting, but it's broadcasting, um, the inside of the signal tower, in that one, which is weird. I mean, you're not supposed to see it, right? And I always think when you go out of bounds and do stuff like this, that, you know, you're not supposed to see this stuff. And this is the interesting thing. The viewers is here. And it was actually in the first Little Nightmares game. Why, like, some toy manufacturer manufacturer would be making those dolls? It's hot. Ah, that's weird. So this is known as the shop. Um... But I really don't think it is a shop, gotta be honest.  Come on then. Ah, here go! Push! Oh, dude. So I've seen people that actually put the trolley in between the TV. Um, for whatever reason, I always thought, like, I don't know, you jump on that, jump on that, then jump. But you know what, I'll do it this time. I'll just try and put it there. And it looks like that's why you're supposed to put it, because there's a drain!  Ah, because the drains sort of hold the trolleys in specific areas. Another ball. Is there anything we can throw it against? I don't think there's anything underneath the bed. This could be the... This to me doesn't seem like a shop. Oh god, the teddy bear's alive! It's a toy maker, right? Like, there's toys everywhere. I guess it is kind of a shop. It's a toy shop. But this is where he makes the toys. Or where he used to make the toys. Again, lots of signs of... Wait, can I... Grab it! Grab it! Yeah, there we go. Lots of signs that there is or was at some point Why would adults need the toys? But there are no children. Hold on. Hold on! There's a dude there! I've never seen him before. Oh! That's him! And it looks like he died holding one of his toys. Ooh! Was that the original toy maker? It's a toy maker. What's that from? I feel like that's from something. It's a toy maker. Is that like spy kids? I feel like that's freaking spy kids. Oh, Jesus. That's a blast from the past, innit? Oh, man. Let's bring this shopping trolley to where it's supposed to go. Apparently it's not supposed to go here. There's the drain. There's the drain. I bet it just sits perfectly, doesn't it? Freakin' well, does.  I've never might like to.  Apparently it's well running away from the magic man. The thin man. It doesn't work with this as well when you've got the trains and stuff. I'm sure that's to do with, you know, it's a fan made mod, this. And the way the camera controls must work. Yeah, you can do it. Okay. Woohoo! Well, now we go to... God knows where. Oh, it's a little room, isn't it? That's right. Climb on it. There we go. Ooh! This is the one. I need to fall... How do I do this? Yeah, because those are the viewers there. Do I just fall down? Oh, yeah, I just fall down. All right. Oh, look how terrifying this is. Look at this! They knew what they were doing. Bandai were like, yeah, you know where's an evil? That's a cool game. Hey, look! A hat! Oh, and a hand! Is it an actual hand? Yeah, that's a hand, man. That's a hand. That's a hand. And again, look up here. What could be like Japanese lettering? 100%. 100%. It's even read out like you would. Like calligraphy or whatever it is, I think. There we go, there we go, there we go. Crouch! Crouch! Hide!  Go look at the TV. Very brilliant. This is going to be terrifying now, because as soon as I stop going through this one they start breaking out. Yeah, they're coming! They're coming! Hello! Hey, guys! Just gotta run. Just gotta run. Oh, God! I forget it all the time! Oh, let's go! Stop! I know they're close. Oh my God, he's so close. He just broke down the door. He just broke down the door. Run! Run! I don't know how close they are, I don't know how close. I don't know how close. Oh! I live! Oh! It's terrifying. Off we go. This is it. Yep. You always know when you hear that. And look, there's gotta be a symbolism here. That is another door that's shaped exactly. And with a hatchet. Exactly like the one I break through when it comes to six. Six! I don't want to save you! Oh, look! That room looks like it's glitched. Yeah, because we're not supposed to see that room, so it's got the thingy effect on it. Do we do it? Hey, babes! How you doing? Oh, God! Oh, Jesus!  No! Oh, God, he's gotta come. Nope! Run, run, run! Oh! Oh, thank you, Mr. Axe. Thank you. Oh, he's terrifying. There you go, just beg it. Beg it. Beg it. Go, go, go, go, go. Here we go, Annie's lost us. We're getting here, we're safe. We're safe. You can't teleport in here. Haha! Even his footsteps are like freaking like ticking hands on a clock. Hey, buddy! How you doing? You can't see me, it's fine. Do you wait for it? There he goes. Yeah, he does just vanish. I can walk in there. I'd love to see him interact with a viewer. He's gonna open it. No! Stop! Oh, there's a train. Is he coming? I mean, I think he is. There we go. He almost got me, he almost got me. Here I go, here I go. Up at the train. I don't know how Mono survives. Right, okay, so this is where apparently glitches. Oh, yeah! Oh, God, yeah, the camera. Oh, jeez. It kind of like... It's like inverted. It's like inverted controls. I'm clicking right here. It's like I'm playing the game. Oh, God, run. Yeah, hold on. Let's just see if we can do this, like, first person. Oh, God. Oh, Jesus! This is really odd. He's got me, isn't he? Yeah, he's got me. Yeah. Oh, yeah, I can see how you can't work with that, man. Oh, wait, no. Oh, come on! That's cheating! Just the camera. Yeah, so those controls, obviously, the Niko who's made this mod hasn't worked out this bit of the camera, because obviously the control has completely changed because it's... the camera controls must be different. Go, go, go!  Wait, I'm still a postman! You wouldn't hear a little breeze, boy! It doesn't even sound like a breeze. There we go. See you later! You may look at me. No, you'll never get past you. Ha, ha, ha! He's watching me. Oh, oh, that is freaky. Oh, no. Oh, oh, and then I'm dead. Yep, there, bye. He's still there. You can search the teleport, right? Not that far away when you think about it. This is it. Ah, my back! I fell on the remote! Oh, I'm assuming it's sparking. Yeah, there it is. It's dead, destroyed. I'm not going to find another one of those any time soon. He's still there just looking. So, wait a minute. Does he realize what's happening? All right, so we're going to see Shadow Six. He's eating me. He's still there. He's still waiting on the train. A part of her is missing. The part of her that makes her hungry. She needs to fill it in. You want to call it a soul? I guess you could. Oh, it looks like an eye. It's all about eyes. All seeing, all knowing. Oh, is that more pants and stuff? I think it is. Come on, Six. We can do this. We can do this. She's like, up there. Up I go. Oh, wow. Ooh, there'll be way to see this in first person. Oh, I got an itchy ear. No. The high post bag on. We're good. There it is. The single tower. Now this is of quite significance because this is where Mono puts down his hat or whatever it is. It's probably my little cap in this case. Because the whole time that like Mono has been hiding from something, probably from this thing he's been hiding. There it is. There's the thing, man. Oh, look. The second tower is gone. The light of the second tower is left because he's not there anymore. Oh, and there it is. It's back on again. Have I dropped my hat? Where's my hat? I'll put it down. Oh, there we go. There we go. I got your buddy. The light's still there. He's starting to like splinter now. No. Don't you do it. You're going to die, me. Future me.  Which is the same kind of glow that Six makes when the lady is there. Just before the lady dies or when Six gets back to the power of the lady. There it is. You did it, buddy. Is there still time to break this cycle? Like could Mono do anything here? Okay. Oh, we're standing up. Here we go. There's going to be we're in first person. So I literally think we do bring the tower to us. Like I thought maybe we just like teleported a bit like the thin man does. But look at it. No, actually we do bring it. Look at it. It comes to us. Because the drain's still behind us. The drain's still there. With open doors. Should we go in? No, I'm good. I'm good, fam. Let's go home. Let's go. Here we go. This is it. This is it. It's coming to an end, guys. So we can see through a wall. What about below?  They're all blue and glowy. It opens the door for us. I forgot about that. Oh, that's weird. Okay. So now that we're in here time can change. Time's no longer a thing. Is it the eye that's wanting to find? Six? I don't think we just pushed on this door. Is that a shortcut? Just straight away get to six. Okay. Okay. Oh, this is going to be trippy. Some of the doors have eyes on them. Is it possible to get to that door? I so want to jump over to it. Maybe if we could get in that crack. We might be able to get over to it. We might be able to get over to it. Whoa! Oh, that's weird. That was so trippy. I don't think this game's like programmed to have you die here. Okay, never mind. Okay. You can't get up unless you jump. Okay, I will not do that anymore. Now, this is weird when there's no sound. Nothing. No doors, except for that one. Because the game thinks I'm up there. Which I'm not. So the sound's not playing. But if I can get over to here. Oh! I think you can do it. I think we got to try it. We got to try this. Oh! Okay, okay, we'll just continue on. It was worth a shot. It was worth a shot. The interesting thing is it's definitely a tower. Like when you look at this it's like a hundred percent a tower right there. But when Mono's in there it's not a tower. It's just a room. When Six is in it, it's definitely a tower. Gotta go back through. What was that? That's freaky, because the eyes are the walls. So it makes sense. What? What? Where am I? Okay. And then this is... Oh wow, yeah, look! It was interesting. Legit took us to that door that we were going to go to next. Look at all that on the different stairs. Left, right, left, right. Look at that one where you get multiple choice. There we are! Do I go through this one? Yeah, I do. Okay. Yeah. And then we have to push open this one in order to... There it is. And then in order to... That's weird! Yeah, that's it. And then we're above now. Yeah, we're right above that. That's the last one up there, that's the last one. It's so cool! I love this. I love the creepy aesthetic and everything of this. Ooh, interesting. Portraits. What are the portraits? A portrait of her! Monster Six! So these portraits are of significance. Two-six. They must be. Oh, there's another portrait here too. This one's the viewer. There it is, this one. And we're done. Yeah, this is it. This is it, the final one. No more tower! Whoa! What if there's, like, a secret room you could go to, right? And just no one's discovered it. I would love if, like, there was something like that. And it was until, like, five or ten years later somebody discovered that actually. Did you see it? I saw her for a second. Okay, so she's in there, right? What's in this one? Ah, I just... Ooh, it doesn't. It doesn't let you. No! Because you do come out of this one, I think. Right? When you're running away from it. But, yeah, it's just not happy. Ooh! Oh-ho-ho-ho! And there it is, the music box with the eye on it. Hi, Six! So the reason that I think Six has turned into this creature is because the signal tower, or at least the creature inside the signal tower wants to make, um, the signal man, or the thin man, sorry. So it turns Six technically into the thin lady? Um, but because like, I think there's something in the pictures, because we see a kid who sat on a chair and I think that's mono. So something to do with him is sat on a chair waiting. But when we first see Six, she's crouched around this so that when she becomes the thin lady, instead of, you know because he's just sat, so he just becomes thin and long. Whereas she's sat around that so she becomes contorted and stuff as things start moving. Um... We've got a picture of Six what could be eating or something? I thought it was a face, but no, that's the back of Six. Then we've got a picture of the girl with the head scratched out. And then that. And of course the dolls from the ladies' residence. Hiya! Oh, did you just protect it? Oh, you did? Okay. Interesting, interesting. Aw, that's so sad. Those little two bunnies sat together. That's so placed there in the light. Okay. Come on. Come on. You can do it. Place it in front of me. Thank you. Wow. So good. Now, another theory as to what might be going on here that I've thought can I actually see? Oh, don't push me! You bugger yet? Another theory that I thought right is that Six knows what this monster is. Because think about it when she was pulled into the room I think once the signal man was killed, the thin man was killed that's when the monster took control of her. So she would have seen these eyes. And could it be possible that and I mentioned this in my stream, if you have missed my stream I'll just mention it again. Also these pictures are blank now. They used to have things in them but they don't have anything. And I think maybe that's a deliberate choice of Tarsie Studios or Little Nightmares you know, retconning those pictures. Because the character who was in these pictures a very early character from Little Nightmares or sorry from Tarsie Studios and I think maybe they still want to use that character but not have it in Little Nightmares so that's why they've retconned this suitcase to show that it's actually not there. I think that's what they've done but is it possible that Six has captured this creature, the eye creature in here? So in Mono's eyes he's freeing Six but doesn't know by freeing Six he's actually freeing the monster Are you around? Oh no. I'm sorry I'm sorry Oh God, I don't know if I'll be able to do it in first person but we'll give it a shot Hey, yeah but it is terrifying I mean the wallpaper is different Hold on, I don't care if I die here because I want to have a look at that wallpaper that wallpaper completely changed. Did you see that? Oh never mind, I guess I'll survive I'm gonna crouch Crouch? Whoop! Did you see me?   Now this Oh Six is hidden behind this door and there's the music box I think they're just holding that there just for the time being but that's interesting but I don't think we're supposed to see that and again breaking through this door and I was behind you a second ago Six Okay, I took the axe So we want to call and then run through So, oh god I think I'm dead Yeah, I'm not surprised I don't know what happened there, I got stuck Oh It's weird controls in here Oh Okay, it's weird controls I think I'm just going to have to die for a second Sorry Wallop I would love to have seen what that looked like I would have got booed across the stage Oh We don't see that, look at that, we don't see it but in first person we do Now is it possible that the eyes are making these doors appear bringing Mono to Six deliberately because they want to be freed Hey look, the more it gets hit the more that it actually does seem to appear like the bodies of the eye and stuff Okay, so we're going to Okay, okay, so we need to go this way Oh god, she almost got me there We probably could, yeah I think just be able to do it Oh damn it She was so quick Oh my god Okay, we're going to do it Oh yes Oh That was close I forgot what I forgot what it was Go run, run Woo That was close Okay, here we go Here we go, here we go, here we go That's it, I think we're here We're here, we're at the end now Oh, that's freaky We're not supposed to see that I don't think she just takes it Are we still? There we go, we're up now That was weird The eyes are there I mean if we go first person We're not supposed to see these eyes But First person we do The monsters in there I know I'm so sorry I'm so sorry But am I though? Am I really sorry? Oh no, hold the phone the whole time I can't get it out that way But no, look at her Just desperate to get back Can we look inside? Like is there anything actually inside it? No But it's like a spell It's a spell that's keeping her here That we need to break And there she is Where are we? Where are they? When it starts crumbling down Look at her, she's like you did what?    No No, I'm just gonna see me fall Oh my god, he goes and goes Whoa Whoa The camera just like Camera just blew up It was like pointing straight out, is that because I vanished?   Hey look this, that's untextured stuff This is when I decide to sit I'll wait Ah And Mono just has to For him Wait years And years Wondering what he did wrong Oh, oh there's no camera There's no first person camera Because Mono's model is gone Yeah, if I go first person There's nothing there I wonder if when the thin man appears If I can take first person of him Oh, does that mean that Mono isn't actually the thin man He just gets turned into a thin man I was kind of hoping that when We jumped And grabbed Six's hand That we'd be looking up at her But the way that the mod is Obviously you're like You have to be above the head Otherwise You know, you're just going to see constant Clipping of hair and stuff Can we do anything? Nah It's interesting that this tile texture Is I think just un Uh, untextured Just mesh But they were like, ah it looks, it works Just keep it in And also maybe that kind of fits into Yeah, maybe that just fits into the thin man In a way And his room that it is Just sort of unfinished, untextured So when Six was in the signal Tower, she made a maze To try and find her You couldn't really get to her But when Mono is the thin man And he's in the signal tower It's a stretch, as soon as you get in You can open that door and release him He wants to be released Six tried to hide herself away Is that because she knew what she captured Inside that music box that this monster Was trapped there So many theories man I've got an interesting one I haven't written anything out for it But it concerns the world of Little Nightmares Oh, do we can see this in first person? No way! Dude! Oh yeah, that's like a guest mask, that's nice There's Six Oh that's interesting, we don't even hear the thing We can't move her anything There she is So the reason why I don't think we heard Six's hunger Until she leaves the TV Is because that's when she's like back in reality Oh we don't hear it It's only in this camera, the hunger Well well well There it was! The fourth playthrough I've done of Freaking Little Nightmares Done it one for the Playthrough obviously the channel We did now, well then I did one for the PS4 Then I did This one which was the first person And I've done it before For a live stream So it's four times now I've played through Little Nightmares Completely! Oh my god In first person I wouldn't say it was better Because it's obviously not the way it's supposed to be played Yeah it's definitely not meant to be Played this way But in first person There's just so much more you see And it just immerses you If you could not have The right side as a big empty space And it was all rendered Which is very rare The camera needs to see what's going on If that, oh that would be so good Like a VR experience in Little Nightmares universe I think now Before I make my next theory video I really just want to explore The comic books as well Or not the comic books We've already done that but I mean like the The sort of ones you get on your app With the kids, other kids concerned Inside this universe I feel like they'll definitely be a DLC They made it for the first one Because I think it was Little Nightmares was popular But it wasn't as popular as Little Nightmares 2 Little Nightmares 2 Everybody and their bloody mums was playing it It was like every streamer I think played Little Nightmares 2 Little Nightmares 1 Was kind of this cult game And they felt like I feel like the DLC was just Well if we make a sequel Then it's going to take years And we might lose the steam Because you know we make DLC We can release it in increments And it'll keep people interested Thank you so much for making An amazing game That just by looking At Little Nightmares 2 captivated So many people And I hope that Bandai are now taking control of it And I'm sure they will not let this go to waste They'll definitely make more games And I hope that when they do It'll be just as good They do need any guidance that they can contact You know the creators One of the creators has said Or producer said that they just wanted to make a world And that was Pretty much what Little Nightmares was It didn't need answers It was just this world that they made And it felt Interesting and you wanted to know more There maybe wasn't answers Ready or even There would ever be any kind of answer That could be made In a way that we could Would make sense But Whoever came up with Little Nightmares I'm just so glad that Got to the stage that it got to Bandai picked it up And were able to help fund it To be made And then obviously with the success of that The amount of fan art And animations and creations That are online So good And I just feel like I'm glad that I can share My Enjoyment of this game with other people And I just want to thank Tosters Studios for making this game And giving everybody this experience that they could They could share in Like when I went to Gamescom I had no idea Little Nightmares 2 was going to be there And apparently they premiered something there Like they announced the trailer and stuff And when I went down to one of the halls And I turned a corner And I saw Little Nightmares 2 Like In big print And this stage they set up with the Huntsman And like like six and one are running around I was like no way This is so cool Cause it was like that with EJX When I first went to EJX I didn't expect that to like This Little Nightmares like oh this looks cool And I played it and I was like whoa this is awesome And then spoke to one of the creators Not knowing that Little Nightmares 1 was going to be so big And 2 was going to be something that I was going to cover in the channel Cover in the channel Especially when you know I just It was out of my comfort zone for what my channel was It was dinosaur content and that seemed to be the big thing And you go off, you diverge too much from What is expected of you And your audience might not be there Well done, well done I think this will be the last time I play Little Nightmares 2 Campaign on my channel Unless something big comes out Of course anything comes out We'll play it Any DLCs, any Wait a minute, sorry I was just logging out And sorry turning things off and I clicked a button I was just like clicking buttons on my Xbox controller and this happened And I mean because of the mod we got We can go first person Oh that's got to be like a least drag Oh that's so cool Did I just restart from my last checkpoint I think that's what I did I restarted from my last checkpoint during the credits And that's why it was just there And now Now the chance there Oh that is so weird So that explains why I'm here Oh god But I think the next Little Nightmares thing You can see will be a theory But it's not on my top To-do lists At the moment And I just kind of want to get back into normal rhythm But anyway guys thank you so much for watching And until next time I'll see you guys in the cuties later Bye bye


They say you can't teach an old dog new tricks. I beg to differ. I started out as a gentleman's barber. Sounds pretty stone age I know, but bear with me. I opened up my shop in 99 on Swanson Street. This was the place to be back in those days. There were designer clothes shops, restaurants booked out for months, art galleries and cafes. My place rode the fashionable wave and style. I offered hot towel shaves using a cutthroat razor and classic hairstyles. I had my services and prices painted in a beautiful script on the window. Most weeks, I'd see someone taking a photograph of the shop. Carefully considered shots from the time taken. It even featured in a glossy weekend supplement. I still have a copy. Boy, do I look stiff. Stand in an opposed portrait in front of the door. Good times. Five years of them. And then the drift began. New areas of the city were being gentrified and offering cheaper retail rents for bigger premises. The chefs lauded by the food riders were tempted away by bigger salaries. One once fashionable domino after another fell, and the empty units began to dominate the street. I stayed put. I liked my shop. I liked my regulars, though there were less and less of them as time went on. In 2011, my window was broken for the first time. The lettering in numbers that had been skillfully applied had faded in the rain, but they were still little works of art in my eyes. I felt sick to my stomach as I surveyed the damage. I don't think it was attempted robbery. It was just a mindless act. I spent money I'd set aside for basic bills on new glass and new hand paid in signage. Six months later, it happened again. I had plain glass fitted and shutters, which I pulled down at the end of a shift. My heart was still in it, though. I loved being a barber. I loved chatting to my customers. And I always took my time and did the best possible job I could call it good old fashioned pride. I was open seven days a week from 7am to 6pm and lived in a small apartment over the shop. There was a storage room next to the salon as well, which I used for storage and to do the books. I never married. I was in love once, crazy with it, but we won our separate ways. I try not to have regrets. Some days I succeed. Some days I fail. In 2015, I was beaten up when I was opening the shop up. Again, I don't think there was any thought of robbery. From the way they laughed and hollered, kicking the hell out of me and spitting on me as I lay curled up on the sidewalk seemed reward enough for the two men who attacked me. It was three months before I was well enough to open the shop again. A few days after I took this tentative step to getting my life back on track, a young man came into the shop. Blood ran from his nose and one of his eyes was swollen and starting to close. Can I use your restroom? He asked in a shaky voice. I helped him upstairs, where he could at least wash his face in the bathroom. It turned out he'd been attacked feet away from the shop. When I asked him why he replied because I'm not like them. I didn't press him any further. He called around a couple of weeks later to say thank you. He brought a young woman with him. She was very quiet and looked around the shop skittishly. They were about to leave when she asked, can you cut my hair? She had long, auburn hair that fell almost to her waist. Gee, I said, I'm not the right person to cut your hair. She looked at me and said, I think you are exactly the right person to cut my hair. So I feel more like me. I didn't press her any further. I sat her down and while her friend waited, we spent the rest of the day cutting and styling her hair. The next morning, another young man walked into the shop. He wore a bandana on his head, told me that he felt low because of burns to his scalp. He'd suffered years ago in an accident. And it heard that I was a nice guy who might be able to help. I didn't even get as far as Gee just said I'd do my best without me even planning it without an end in mind. Over the next two years, my gentleman's barber shop slowly transformed. I'd always worked on my own before, but I took on two members of staff. Both had qualified at college as beauticians, but that was such a limited term for what they did. The way they helped people. The shop's opening hours also changed over time. We'd vary. Sometimes it was a standard 8am to 5pm. Sometimes we'd open up at midnight, close at dawn, because some people felt more comfortable at night. We didn't discriminate. We just wanted to be there. As for the people who walk through our door, there's no definitions I can apply. Sometimes there are people with visible scars, some heartbreakingly so. Some, maybe, whose scars are carried inside them. We never ask for anyone to explain, but we always try and listen if anyone does want to talk. So, yeah, that's me. That's what I do. I'm sorry if I haven't explained it very well. It feels a lot of the time that the world keeps shifting. And I'm a man growing old in my little shop and doing the best I can. Something happened last night though, something which has thrown me. We'd close the shop early evening after a 6am start, and as ever I was left alone. My back ached, and I felt like a cold beer. I was giving downstairs one final check over. Everything had been cleaned and packed away. It was all fine. And then I heard anger, raised voices, someone out in the street shouting, Freak, where are you hiding? A second voice. Yes, come back.  I tensed, told myself this was none of my business. I took out my mobile. I should just call the police. But I knew how long they took to respond to request to help from around here. The rich folks got priority in this city. Fact. A bottle smashing made me jump. Freak. I swore I couldn't just hide in the shop. I had to try and do something. My skin felt like it was turning to ice, and my hands shook as I unlocked the shop door. Ever since I'd been attacked, I'd suffered from panic attacks. This was a nightmare situation for me. I tried to swallow. My throat was tight. I started to feel like I couldn't breathe. I pushed the door, tried to see the people who were shouting. But the street was empty. Apart from the figure crouched down in the doorway opposite. They were a dark shape. Hiding, I thought. Afraid. I tried to get their attention, waved, said in a quiet voice. Over here. They weren't the only one who was scared. At last they looked up. It was a man. His face was pale. Over here. I said again, and gestured that he should come to the door. He glanced nervously up and down the street, then hurried towards me. Look, I said. I don't know what their problem with you is, but you can shelter in my shop if you want. He nodded and followed me back inside. With a shutter still down over the window, the shop would look dark from the outside. The man was breathing heavily. You shouldn't have helped me, he said.  Those men who were after me, they suspect me of being something. They won't stop looking. You're safe in here, I said. The man shook his head. You're not? What do you mean? I asked. He looked me in the eye, and I saw darkness in his gaze. Beyond the clouds it calls. He said, each word a struggle. It screams in all its terrible majesty, and I cannot resist. Suddenly, his head jerked upwards, and the sinews on his neck seemed to become more prominent. He reached out. His fingers twisted like claws, as his skin was lost beneath dark, thick fur. His face blossomed into a snout, beneath which fangs glistened. I froze. My fear of earlier meant nothing. The terror that consumed me at that moment was beyond reason. The thing that the man had become, the beast, snarled. We were inches apart, and its breath was a burning, fetid wind on my face. Freak, someone shouted outside.  The beast pursuers were back. If I can get to the door, tell them it's here. I'll be safe, I thought. The beast's low, guttural snarl continued. Its ears were raised as well now. It had heard them, and its jaws slowly opened as it stared with primal intensity at the door. Seconds, I thought. That's all it'll take. And got ready to make my move. Freak, the shouting continued in the street. I hesitated.  People I knew had had this shouted at them.  I knew then that I couldn't expose this beast. Strange as it seemed in my eyes, as scared as I was of it. If I turned against it because it had been branded a freak, then I was betraying everything I believed in. I remained still and tried to breathe slowly. The voices outside continued to call, but grew quieter. The beast listened until the world fell away into silence. It's past dawn now, and the man who is just a man again, fragile and flawed, is asleep in the room next to the salon. After the men outside had gone, the beast had backed away from me and curled up in a corner there. Its breaths came ragged, and its body swayed from side to side. It seemed to be caught in some terrible conflict within itself. Was it fighting against the urge to hurt me? I don't know. But as the light grows, I open the shutters and get the shop ready to open. There's a new day ahead. What it will bring is unknown, but I will try my best to face it with an open mind and love in my heart.