Asalaamu alaikum and the name of Allah, the beneficent, the merciful, respect viewers, brothers and sisters in Islam, may the peace and blessings of Allah be upon you. Welcome to the fifth episode of the Treaties of Rights. Today we will start with the rite of prayer. Regarding prayer, Imam Zayn al-Abdin, peace and blessings be upon him, has said, then the rite of your ritual prayer is that you should know that it is an arrival at the threshold of God and that through it you are standing before God. And when you realize that, then you will stand in the station of him who is lowly, vile, beseeching, trembling, hopeful, fearful and abased. And you will magnify him who is before you through stillness and bowing of the head and humbleness of the limbs and yielding of the wing, and by saying the best applications to him in yourself and beseeching him to release from punishment your neck, that is encompassed by your offenses and destroyed by your sins. And there is no power but in God. Imam Zayn al-Abdin, peace and blessings be upon him, first stresses that the importance of prayer, since it is the means by which we can appear at the threshold of God. It is the means with which we can migrate from the material world, put all that entertains us behind, attend to the Divine Majesty, leave the darkness of the world and enter the world of brightness. This migration should be according to the requirements stated by the Imam, peace and blessings be upon him. Islam has established the prayer as the most important form of worship and has made special recommendations to Muslims regarding it. Islam has made it incumbent upon boys and girls to pray five times a day from the time they reach adolescence. They are supposed to make up any prayers that they may skip for any excuse. Special times are also specified for saying the prayers. In the Najil Balagh there is a sermon which deals with Salat, Zakat and delivering of trust. After emphasizing the importance of Salat, Amir al-Mumineen, peace and blessings be upon him, further says, certainly prayer removes sins like autumn strips, leaves off of his trees and it liberates you from rope of sins tied around your neck. The Holy Prophet, peace and blessings be upon him, likened it to a refreshing stream at one's door in which one takes a purifying bath five times in a day and night. Well after so much cleansing, any dirt remain on him, a heart filled with the remembrance of Allah is a heart that finds peace and tranquility. Allah says in the Noble Qur'an, those who believe and whose heart finds satisfaction in the remembrance of Allah for without doubt and the remembrance of Allah do hearts find satisfaction. Surah Al-Rajsh chapter 13 verse 28, Salat is the most important act of worshiping in Islam. Allah accepts the Salat, all other acts of worship will be accepted. But if the Salat is not accepted, all of our actions will also not be accepted. Traditions have greatly emphasized on punctuality with regard to prayer times and performing it on time. One should not delay prayer without a valid excuse. Our guides did not ever miss the best time of prayers even in the most difficult circumstances. This was embodied on the day of Ashura. It is reported that on the day of Ashura at the time of Zawal, Abu Thamama Saydawi came to the chief of martyrs Imam Husayn peace and blessings be upon him and said, Oh my master, we shall all be killed without any doubt and the time for noon prayer, Duhr has arrived. So you please lead us in prayer. This shall be our last prayer and we hope that on this great occasion we meet the Lord in the condition of having performed one of the religious obligations. Chief of martyrs Imam Husayn peace and blessings be upon him lifted his head towards the sky and said, You have remembered prayer, may Allah include you among the praying ones. Yes, it is time for prayer. Then he said, recite the adhan, the call for prayer. Here even in the most difficult circumstance, Imam Husayn peace and blessings be upon him performed Salat.  There are verses in the Holy Quran that specify the times of the prayer. Consider the following verse in this regard and establish regular prayers at the two ends of the day and at the approaches of the night for those things that are good, remove those that are evil. Be the word of remembrance to those who remember their Lord, the Holy Quran, who is chapter 11 verse 114. This verse refers to the morning, evening and night prayers. Also consider the following verse. Establish regular prayers at the sun's decline till the darkness of the night and the morning prayer and reading for the prayer and reading in the morning carry their testimony. The Holy Quran chapter 17 verse 78. Let's take a quick break. We will be back shortly. Stay tuned.  There's a tradition in Majma Al Bayan which says one day Imam Ali looked at the people and asked, Do you know which verse of the Holy Quran is the most hopeful one? Some people said it was the following verse. God forgives not that partners should be set up with him but he forgives anything else to whom he pleases. To set up partners with God is to devise a sin most heinous indeed. The Holy Quran and Nassat chapter 4 verse 48. The Imam said no. Others said it was the following verse. If anyone does evil or wrongs his own soul but afterwards seeks God's forgiveness. You will find God oft forgiving most merciful. The Holy Quran and Nassat chapter 4 verse 110. Again Imam Ali peace be upon him said no that is not what I mean. Others said it was the following verse. Say all my servants who have transgressed against their souls despair not of the mercy of God for God forgives all sins for he is oft gifting most merciful. The Holy Quran and Zomar chapter 39 verse 53. Again Imam Ali said no. And the people asked him which verse it was. Imam Ali said I heard God's prophet peace be upon him and his holy family say that the most hopeful verse is and establish regular prayers at the two ends of the day and at the approaches of the night for those things that are good remove those that are evil be that the word of remembrance to those who remember their Lord. The Holy Quran chapter 11 verse 114. From this we can clearly understand the importance and magnitude of prayer. It is through prayer that we can become closer to Allah. We should consider prayer as a time with the one who cares and loves us the most. Determination is a very important factor in prayer. It can result in sincere presence of the mind during the prayer. When we are more determined to do something our mind will be better directed at that affair. We must believe that the life of the hereafter is preferable to that of this world since it is eternal and free from trouble as we read in the following verse. What is the life of this world but amusement and play? But verily the home and the hereafter that is life indeed if they but knew. The Holy Quran Al-Ankabut chapter 29 verse 64. We read in another place in the Holy Quran but the hereafter is better and more enduring. The Holy Quran Al-A'la chapter 87 verse 17. We cannot attain the life of the hereafter except through praying. Praying is the means of approaching God. When this is combined with the belief that this world is really nothing then we can find a sincere presence of the mind. The next important factor after sincere presence of the mind is true understanding of what is being said. If one pays close attention to the meaning of what he is saying then he will ignore the affairs of this world and all bothering thoughts during the prayer will leave him alone. We can compare the situation of the one who is praying and one who is bombarded with bothering thoughts with someone who is trying to rest and think under the shade of a tree but is disturbed by the sounds of various birds. He picks up a stick and tries to drive them away but the birds come back again. Humbleness is a spiritual state that leads to recognition of the grandeur and the majesty of God. This recognition is the foundation of faith. It also leads to the recognition of one's smallness and his being subject to divine plans. The recognition of the above leads to a state of humbleness in which bowing to God our Creator is more meaningful. Fear of the majesty of God is a state of mind for a man that is derived from the recognition of God's endless power and his will's influence on everything in the universe. The more we recognize God's power and influence the more we fear his majesty. One of the personal effects of praying five times each day and appearing at the threshold of God is the strengthening of our spiritual power and determination. Thus we can stand up against the difficulties that we encounter just like a mountain. Another personal effect of praying is the cleansing of our heart from the filthiness of this material world since we separate ourselves from this world and travel into the divine world each time we pray. Thus we can attain peace of mind. It has been recorded that whenever the prophet, peace and blessings be upon him and his pure family, got troubled with the events that happened he sought refuge in praying a lot. Since praying is a state of meeting the Lord he would forget his sorrow once he rushed to visit God. He said once one of you stands up to pray and says supplications to his Lord he knows that there is no distance between him and his Lord. God hears his prayers, responds to his calls and fulfills his prayers. Another personal effect of praying is that it will help us get rid of the selfishness and haughtiness we might experience due to our misunderstandings when we get wealth or position. This is a point of human perfection for which we strive. Since praying fosters a sense of social responsibility it has important social effects. There is no doubt that man is created to be a sociable creature. The tendency to live in a group is inherent in man, living alone bothers us. The worst form of punishment for man is to imprison him in an individual cell. Man has two kinds of responsibilities that is individual and social responsibility. The Qur'an says every soul will be held in pledge for its deeds. The Holy Qur'an chapter 74 verse 38. We also read the following verse in the Holy Qur'an. Whatever good, O man, happens to thee is from God. But whatever evil happens to thee is from thy own soul. And we have sent thee as an apostle to instruct mankind and enough is God for a witness. The Holy Qur'an and this chapter 4 verse 79. When we consider social responsibility it is not the individual that is important. The society is important. And we must consider what social responsibility individuals have.  One of the most important effects of praying is that it will foster the sense of social responsibility. That is why there is a distinction made in Islam between praying individually and attending congregational prayers. The reward for these two is different. When attending congregational prayers is highly recommended in Islam. Islam has decreed a socio-religious Friday prayer that is held every week where all Muslims stand to pray side by side. The prayer leader delivers his sermons and expresses the social problems of the day for all the people to know. Then they can think of solutions. When all Muslims stand side by side their majesty is demonstrated. This will prevent their enemies from plotting against them. And the Muslims can form an independent nation rely on themselves and benefit from their power and honor. It is recommendable for the lines of the people attending the congregational prayers to be densely formed and orderly. It is even more important to note that everyone stands there side by side regardless of his position, wealth, race or nationality and shakes hands with those around him after the prayers. Thus the true spirit of social equality is fostered and class differences that always hinder freedom loving people are eliminated. Love and sincerity are substituted for hate and animosity. Attending the congregational prayers also help the people become aware of each other's conditions. Should one not attend the prayers one week others will miss him and ask what has happened to him. They will then do their best to help resolve his problems. Generally the prayer unites the whole nation of Islam and establishes an independent society. This concludes this episode. Please stay tuned for the upcoming episode of the series of Treaties of Rights. Thank you so much for watching and don't forget to do a taste in the reappearance wall. Mehdi, peace and blessings be upon him and peace be upon you. Peace be upon you.


Okay, cool. So then this is, you can always, yeah, you can change that logo later and then always get, you got to always hit save at the top. So click on that, save the green button and let's go save and next. And then over here, free, you can go and leave it free. That's fine. And then those are the fields that you're asking for a first name, email and phone with country code. And so that's fine. And then hit save. Okay. And then time zone, let users select their respective, their respective time zones. That's fine. So let's hit save and next on that. And then it's the schedule. We got to go back to the schedule. So let's go back, hit the back, go to the very, very bottom and hit back. Yeah, let's hit back and let's go back to schedule, back one more time. So right here, so hit change right here. Okay. So this is all this up to date. So this, these times, these days, and I don't think they are, or are they? Like, okay, perfect. Okay, cool. So you got this part down. Okay, cool. No. 7, 8, 9, 10, 11, 12. Okay, perfect. No, I, Monday, Tuesday, Monday, Thursday, Friday, and, no, no. Yeah, 8 a.m. Okay, and then you got it to December 31st. Okay, cool. So make sure you hit add right there at the top, add. Okay, cool. Okay, so let's scroll down. Let's make sure everything is good at the bottom. Let's scroll. This should not say, like, I can't, like, do I, what about Saturday? No, I'll just leave it. I'll just leave it because people are off on Saturday. Yeah, okay. So scroll to the very bottom and let's see what else is down here. So you got those no minimum booking notice or you have no booking restrictions. So as long as that's fine and then you can always block out a specific date. Three days or a week. I do, I don't do anything right here. So I put no booking restrictions because what I do is I just set up the dates to the right. So right here, I go no booking restrictions and then to the right, I go from, I go to December 1st to let's just say the 25th. But that's me. I'm the type of person where I want, I don't want to book out my appointments too far because I know you'll forget. You know what I mean? Like I'm that type of person where it's like, I'm going for appointments the next day to tell you the truth. But sometimes in your case, you know, with real estate you may have someone that books an appointment next month. You know, I mean, but in my case I would put it December 1st to the 20th, for example.  You know what I mean? So I do it there rather than doing it below in the booking range. So yeah, so I'll just uncheck all that. And then... Otherwise it'll happen. Yeah. Yeah, so perfect. I'll leave it like that. Or maybe even go to the 31st. It's up to you, but you can always play with it. And I just, I spread mine out seven days and I just make it a habit to come back in here every seven days to extend it, you know? No big deal. That's that. And then go to the very, very top and hit save. Hit the green one, save. And then we should be good right here. Perfect. Okay, so now save it next and then save it next.  So this is just like a simple message, just like, you know, what to expect next, like a confirmation, that's all this is. So you can write something there and it'll show up. And if you scroll down, it'll show you as you're typing, it'll show you it as it looks like in real time. So that's it right there. So you can write whatever you want at the top and they'll just see that as a confirmation. Does that make sense? Yeah, I think you all. So here, is this why I would put a link to the Zoom? No. What we're gonna do is we're gonna put the link for Zoom. Is that how you do your call Zoom? Yeah, I would do it. I would wanna do a Zoom call with them. Okay, I'm glad you said that because what I would do in that case is I wouldn't ask for their phone number in the form, right? I would only ask for name and email, which is what I do when you go and book an appointment on my calendar, I'm only asking for name and email. So if this is like, otherwise they can just call me on my phone, right? Yeah, I mean, if you're doing phone, then yeah, then the phone number would be important and that's what we wanna describe right here. So if we are doing Zoom, I would just simply write something like that. Check your inbox. I just emailed you the link to our Zoom call. So make sure you check for that. I would just put some simple instructions right here. Check because what I'm really trying to tell them is what's in the email. So I want them to get to my email. So I'm gonna tell them here to check their email. I might even tell them to check their spam. Sometimes it lands in spam, so make sure you check your spam folder and the title of the email will be our call is confirmed or something like that, you know? So here, more instructions than anything else. Yeah, you can always update it and then, or you can center it, like you can make it look however you want.  Do you have a random broker website or whatever? I do have my, it's called the identity search property that it's tied to my Donald Scott website. Okay, well, if anything, right now might be a good time to send them there. It's up to you, but you can always link them right here. So scroll down and then if we go to, we click on that, well, I don't know why it's not, actually, yeah, hover over the button to the very, very right. Let's see if we can toggle that to blue. Yeah, there we go, perfect. Now that'll open it up. Okay, so yeah, so it'll be an external URL. Remember, anytime we're taking them off of Cartra, it's an external URL. So yeah, so we can have them click that and then in the button texts, I might change click here and put something different, but maybe click here to see a list of our properties or click here to get more information or click here to whatever, click here to get more info, information, perfect. Yeah, that could be something cool right there. So scroll down, let's see what it looks like, scroll down. Yeah, see, so there's that button. Click here to get more information or click here to take a look at my website or whatever, click here to get more information is fine. Yeah, so when they click on that, then they go to your site. Yeah, so all that stuff, you can easily change, nothing's carved in stone, so you can always update this later, but click on save right to the green one and that's the success confirmation and then save and next, and then it's right here in the reminders. So this is where I put my Zoom link. So if you notice on the emails that I send you when you book a call, you'll get my booking confirmation right away and then you'll get an email reminder an hour before our call. So in my emails, I have my link hyperlinked to the words, click here at schedule time. Yeah, so all I did is I simply clicked on change right then the booking confirmation, clicked on change and then I can come in here and edit the email, so click on the pencil and then this email right here is what you'll wanna edit. So there's my layout currently, you can change the title at the top, strategy call confirmed and you can also, I use the dynamic variables a lot, like if you can see the parentheses, like if you, like for example, the emails that I send you, it always has your name, it's always addressed to Genevieve, right? Because I use the dynamic variable, which is to the left, if you click on dynamic variables, you'll be able to copy the first name. So copy the parentheses, that's the dynamic variable. So wherever the first name, wherever you put that dynamic variable, the name of the lead will pull. So I use the dynamic variable, I use their first name in all my emails, I try to call them by their first name all the time, people like hearing their first name. So I'll put that everywhere, the dynamic variable. Now, when it comes to the dynamic variables above, you have event hosted by scheduled time, those are also dynamic variables and those dynamic variables, you can see in parentheses, calendar underscore class underscore name and then the hosted by calendar underscore coach, like those are all dynamic variables and those ones are at the top. Okay, so all I did is I also hyperlinked that click here at schedule time. So if you just highlight it, you can just hit the link and then you could put your zoom link in there. So if you hit that link at the top, that one right there, that's my zoom link in there. And all you do is just delete that one and put your zoom link. Do you know where your zoom link is at? Okay, let's go to zoom.us and then I'll show you where it's at. Okay, so let's log in here real quick. I'm still here. Okay, so click on show right there by personal meeting ID. You see your link right there, click on show and it'll show your full link. The HTTPS like down, down, show right there. So that's your long zoom link. So I just copy that and I put that in there. Well, yeah, let's definitely set up our password. Let's go to, let's see, go to, no, it's actually right there to the left settings. Yeah, go back to zoom and then just click on. Yeah, on zoom, click on settings to the left and then you're gonna come down to, if you just scroll down, you'll see the ability to change the password or to even create one, but right there, right there. So it's those two, it's a meeting passwords and it's the personal meeting ID password. So go ahead and click on that one and then click on the one below it as well. So go ahead and click on that and just rename it. Name it something catchy. It has to be a short one though. So maybe, you know, how about, well, you got Genevieve Jones properties. So GJP, I don't know, something like that. That could be a good one. And then hit save, but you can always change it too. So, and then do it for the next one down, edit and then let's change this one too. Okay, now click on profile to the top left. Let's click on profile. And now we should see that over here. So if we click on, if we click on, yeah, normally it would be right there below your link, but it's not showing right there, but that's fine. But what I do is I'll put my, just put that in the email anyways, but then also click on show right next to the 884. That's your meeting ID. So you'll want to include that in the email as well. So that's the meeting ID, 867-559. That's your meeting ID. And then just put the password just in case. So yeah, so that's your meeting ID and then your password, perfect, perfect. And then obviously just rewrite anything, change out the image and then change out those social media icons. That's what you want to do as well. And so once I actually, or once you finalize it, right? Your image, your social media icons, your texts, your everything, then you save as a template. And then you can just use that same template over and over and over. That's another part of branding. So as you start to, these are emails that are gonna go out when people schedule an appointment, but what about emails that go out when you're just sending emails? What I do, I'm just big on details, like I'm big on the details, like people notice the details, right? So I'm big on it when it comes to landing pages, make sure that you have the same color throughout the entire funnel. Optin Page, Thank You Page, Schedule, Schedule. That's why there's the same image on all three of them. If you notice, Schedule Call Confirm Page, the Optin Page, the Thank You Page, it's the same image throughout. It's the same yellow button throughout. Same with emails, same with email templates, I should say. Use the same template, that's what I would do. I mean, it's up to you, it's all preference, but I would use the same template and I do use the same template throughout all my emails. It's that same template, it's the image and then my social media icons at the bottom.  Just in that simple branding. So I would deck it all out if I were you first and then you save as a template and then just use the same one over and over. I can't even use everything either. What's that? I can't even use everything either. You're cutting, I couldn't hear you. Oh, I said, hopefully I didn't lose what I did. Yeah, I know. Let me go back. How do I do that? Just click on Save and Next. Save and Next and we wanna get to the reminder tab. Let's see if it's, yeah, we lost it. I don't know what happened there. I need to do this so that it links to my website. Yes. Yeah, you're cutting out, I'm sorry. Okay, am I doing this right? Yes, yes. I thought I was like, I didn't hear you. Did I not do that one? So if I do this and I wanna link, am I doing this right? I put it in here. Yes. Can I do WWW or no? Yeah, you can do WWW. What's that? Can I do that small button? Yeah. I mean, I can easily do it for you. Cause really it's this part, it's the booking confirmation and then it's the email reminder. Yeah. That just needs to be updated. And then it's setting up the sequence for when people download the seller guide. Yeah. And then it's setting up the sequence for when people download the seller guide. Okay. So there's quite a bit of work to do on this part, but again, I just look at it as something you can easily do or I can do it for you, but it's a one-time thing. Once we set it up, then it's freaking game time. Then we just run a shitload of ads and we capture leads, that's just all there is to it. So that's what I want, that's what I wanna do. I just wanna fast forward to get to the lead partner. If I could, that would be fantastic. So, okay. And then I can do this later, I guess, or if I get really frustrated, I'll just ask you to do it. All that is included, right?  Well, the cartridge site, if I need to do anything, all that, I mean, it's just time consuming. I can, what I do is I teach you for free how to do it all yourself. But if you need me to do it, like normally I end up charging something just because if I have to go and do it, like, but I'd rather teach you how to do it yourself, but sometimes the patients may not be there, you know what I mean, or the time. So normally I end up charging just like 100 an hour, I'll knock it out like in an hour, like it's just time consuming, don't take me, because there's a, what needs to be done to this is the booking, which is this one, the booking email, the email reminder, the email sequences that follow after someone downloads the seller guide, and then just making sure that the pages are all ready to go on the seller guide funnel. So really the time consuming part is gonna be putting those email sequences together, tying all that part up, and then that's it. It's really, that's really the time consuming part, is writing a few emails, and then making sure that your pixel is on all these pages, which I'm pretty sure your pixel is on the pages, right? We installed the pixel on the page. I don't know if they're on all the pages, can we check? Yeah, for sure. Okay, so I'm gonna, I guess I'm gonna move back here, because like, so this needs to be linked to my zoom, right? Yeah, so the blue one, yeah, click here, that's where your zoom link goes. But how do I edit that? Just click on the, yeah, click on that link, and you can just delete the link that's in there currently. And that's where your zoom link goes. Yes. And then your meeting ID, and then, So that's there, and then you did me with my password. Yeah. And then, And then maybe rewording the webcam is disabled. Save this so I don't lose it, because I wanna save as camera, right? Is that what I do? Because I wanna change out your photo, and then I need to link like my Facebook, I don't do Twitter, I do Facebook, Instagram, LinkedIn, and that's it. Okay, so you can link those ones. Yeah. And then just delete the other one. How to, you could just hit the X, or to link them? Yeah. Yeah, just hit the pencil. Here? Yeah, yeah, no, the pink one, the pink one. Yeah, that one. And then just your link goes right there.


Hello, Myself Ravindra Chauhan, Assistant Professor, Department of Electronics Engineering, Walshand Institute of Technology, Solapur. So in this session, we will discuss how the parallel slave port in peak 16 year of 877 operates. The outcome from this session, at the end of this session, student can demonstrate the operation of parallel slave port in peak 16 year of 877. Student can also implement the multiprocessor systems using the parallel slave port. Outline of these sessions are, first the PSP special function registers and operation of parallel slave port. The parallel slave port in peak 16 year of 877. So, port D of peak 16 year of 877 operates as an 8 bit parallel slave port. Now what do you mean by a slave port? Slave port means it is mainly used in the multiprocessor system where the system is having the one master who is initiating all the communication sessions and some other slave devices are interfaced with the master. So, master is one who is always initiating all the sessions in the system. So, slave port always return or read by the master device. So, in the peak 16 year of 877, port D we can operate in a parallel slave port mode. In slave mode, port D is readable and writable by the external world that is by the master through the control input pin defined at RE0 slash RD bar and RE1 slash write bar. The parallel slave port can directly interface to an 8 bit microprocessor data bus. The external microprocessor can read or write the port D latch as an 8 bit latch. The pin RE0 slash RD bar, RE1 slash write bar, RE2 slash CS bar. These pins of the peak 16 year of 877 must be configured as an input pin to operate the port D in parallel slave mode. So, for this to configure these three pins as an input pin, you have to make the use of trace E register. So, the corresponding data direction bits of the trace E means the trace E bit 2 to 0 must be configured as an input. That means this bit 2 to bit 0 of trace E must be set. A write to the PSP occurs when both CS bar and write bar lines are first detected low. And when CS bar and read bar these two control signals are detected as a low. That means the read operation has been occurred on the parallel slave port. Now this is the bit format of trace E register which needs to be used to control the operation of parallel slave port. So, the lower three bits that is bit 2, bit 1, bit 0 these three bits are used to decide the direction of the three lower bits of the port E register. Then the MSB bit is called the IBF that is input buffer full status bit. Now this IBF bit will be set whenever the world has been received and is waiting to be read by the peak controller. IBF is 0 means no world has been received. OBF that is called the output buffer full status bit. Means OBF will be set means the peak has written the byte in the output buffer of parallel slave port. And 0 means the output buffer has been read by the master. IBOE which is called the input buffer overflow detect bit. So, IBOE will be set when a write occurred when a previously input word has not been read. So, this bit must be cleared in software. 0 means no overflow occurred. Now to decide the mode for the port D we have to make the use of the bit PSP mode. So, PSP mode is to be set when we need this port D to operate in a parallel slave mode. PSP mode if we are resetting in that case port B will functions in general purpose input output mode. And bit 2 to bit 0 will decide the port E direction bits. So, to configure the pin read bar write bar and the chip select bar these 3 bits must be set. So, these 3 control pins will be configured as a input pins. Then this diagram explains how the PSP can operate. So, in the multiprocessor system the one is this master device and the peak will work as a slave. So, all the times master is initiating the any communication session in the system. So, the data bus of the master we can directly connected to the port D of the peak microcontroller. And these 3 control signals are there read bar write bar and CS bar. When read bar is 0 and the CS bar is 0 means master is reading the byte from this slave peak. And when write bar is 0 and CS bar is 0 means the master is writing the byte into the slave peak. And read bar and write bar are 0 this condition never occurs in the system. The PSP operation so the PSP operations are mainly consists of read operation and write operation. So, only 2 operations are possible with the slave port that is the read or write. So, the PSP read operation here the first peak microcontroller puts the data in port D output buffer and it set the obf flag. Then the master initiates the read cycle by making the read and chip select control signals low. And then the data from port D output buffer puts on the data bus and stored into master and obf flag will be reset. Means master is reading the data from port D slave port. In write operation first master initiates the read cycle by making the write bar and CS bar these 2 control signals low. Then master puts the data on the data bus then data from data bus stored into port D input buffer and obf flag will be set. And then peak microcontroller reads the port D input buffer and obf flag will be reset. Now you think and write when obf flag from TRIS E register set. obf flag from TRIS E register set when master writes the new data in port D output buffer while previously input data has not been read by peak. And this obf must be cleared in software. So to summarize this in the multiprocessor system we can make the use of this peak microcontroller as a slave port. And this slave port can be used along with the any 8 bit processor because the port D which work as a parallel slave port is of 8 bit. So this parallel slave port always read or write by the master device in the system. In the read operation the data will flow from the parallel slave port to the master device. And in write operation the data will flow from the master device into the peak port D slave port. References used for these sessions the data sheet of peak 16 of 877 and the book called microcontrollers by Ajay Deshmukh. Thank you.


The Mutual Broadcasting System presents the family theater starring Miss Ethel Barrymore, the Mitchell Boy Choir, and the music of Meredith Wilson. Charles Boyer is your host.  This is Charles Boyer. As your host for this evening, I should tell you something about family theater and the story you will hear tonight. Therefore, if I may, I would like to remind you that family theater is dedicated to your family with the hope that your family would always be happy. As you probably know, many of us in old phase of the entertainment industry joined with so many of you in the sincere belief that a happy family is a family that acknowledges God and seeks His help. To put it another way, a family that prays together stays together. Now, about tonight's story, there is very little that can be added to its own great words. It is the passion, death, and resurrection adapted especially for radio by John Slott and narrated by Miss Ethel Barrymore. In these days of his slow dawning toward a new world of peace, we need the old words to guide us. And what greater words can we thus express for this festival day on the words of the passion, death, and resurrection? And it came to pass when Jesus has ended all these words.  Then we gather together the chief priests and ancients of the people into the court of the high priest who was called Caiaphas. And they consulted together that by subtlety they might apprehend Jesus and put Him to death. But they said not on the festival day, less perhaps there should be tumult among the people. And when Jesus was in Bethany in the house of Simon the Lepper, they came to him a woman having an alabaster box of precious ointment and poured it on his head as he was at table. And the disciples seeing it had indignation saying, To what purpose is this waste? For this might have been sold for much and given to the poor. And Jesus knowing it said to them, Why do you trouble this woman? For she hath wrought a good work upon me, For the poor you have always with you, But me you have not always. For she in pouring this ointment upon my body hath done it for my burial. And I say to you wheresoever this gospel shall be preached in the whole world, That also which she hath done shall be told for a memory of her. Then went one of the twelve who was called Judas Iscariot to the chief priests and said to them, What will you give me and I will deliver him unto you? But they appointed him thirty pieces of silver and from thenceforth he sought opportunity to betray him. And on the first day of their zeems the disciples came to Jesus saying, Where wilt that we prepare for thee to eat the pash? But Jesus said, Go ye into the city to a certain man and say to him, The master saith my time is near at hand, With thee I make the pash with my disciples. And the disciples did a Jesus appointed to them and they prepared the pash. But when it was evening he sat down with his twelve disciples and whilst they were eating he said, And I say to you that one of you is about to betray me. And they being very troubled began everyone to say, Is it I Lord? But he answering said, He that dipeth his hand with me in the dish, he shall betray me. The son of man indeed goeth as it is written of him, But woe to that man by whom the son of man shall be betrayed. There were better for him if that man had not been born. And Judas that betrayed him answering said, Is it I Rabbi? He saith to him, Thou hast said it. And whilst they were at supper Jesus took bread and blessed and broke And gave to his disciples and said, Take ye and eat this is my body. And taking the chalice he gave thanks and gave to them saying, Drink ye all of this for this is my blood of the New Testament Which shall be shed for many unto remissions of sins. And I say to you I will not drink from henceforth this fruit of the vine Until that day when I shall drink it with you knew in the kingdom of my father. And to him being said they went out into the mount of olives. Jesus said to Peter, And I say to thee that in this night before the cockroach Thou wilt deny me thrice.  And in like manner said all the disciples. Then Jesus came with them into a country place which is called Gethsemane. And he said to his disciples, Sit you here till I go yonder and pray.  Then he saith to them my soul is sorrowful even unto death. Stay you here and watch with me.  My father if it be possible let this chalice pass from me. Nevertheless not as I will but as thou wilt. And he cometh to his disciples and findeth them asleep. And he saith to Peter what could you not watch one hour with me. Watch ye and pray that ye enter not into temptation. This spirit indeed is willing but the flesh weak. Again the second time he went and prayed saying, My father of this chalice may not pass away but I must drink it. Thy will be done. And he cometh again and findeth them sleeping while their eyes are heavy. And leaving them he went again and he prayed the third time saying the self same way. Then he cometh to his disciples and saith to them Sleep ye now and take your rest. Behold the hours at hand and the son of man shall be betrayed into the hands of sinners. Right let us go. Behold he is at hand that will betray me. And as he yet spoke behold Judas one of the twelve came and with him a great multitude with swords and clubs sent from the chief priests and the ancients of the people. And he that betrayed him gave them a sign saying Whomsoever I shall kiss that is he hold him fast. And forthwith coming to Jesus he said hail Rabbi and he kissed him. And Jesus said to him friend where to art thou come. Then they came up and laid hands on Jesus and held him.  Then Jesus saith to him put up again the sword into its place for all that take the sword shall perish with the sword. Think as thou I cannot ask my father and he will give me presently more than twelve legions of angels. How then shall the scriptures be fulfilled that so it must be done. In that same hour Jesus said to the multitudes you are come out as it were to a robber with swords and clubs to apprehend me. I sat daily with you teaching in the temple. You laid not hands on me. Now all this was done that the scriptures of the prophets might be fulfilled. Then the disciples all leaving him fled. But they holding Jesus led him to Caiaphas the high priest where the scribes and the ancients were assembled. And the chief priests and the whole council sought false witness against Jesus that they might put him to death. And they found not whereas many false witnesses had come in and last of all there came two false witnesses. And they said this man said I am able to destroy the temple of God and after three days to rebuild it. And the high priest rising up said to him answer us thou nothing to the things which these witness against thee. But Jesus held his peace and the high priest said to him I have joy thee by the living God that thou tellest if thou be the Christ the son of God. Jesus saith to him thou hast said it nevertheless I say to you hereafter you shall see the son of man sitting on the right hand of the power of God and coming in the clouds of heaven Then the high priest rent his garments saying he hath blasphemed what further need have we of witnesses. For whole now you have heard the blasphemy what think you but they are answering said he is guilty of death. Peter sat without in the court and there came to him a servant maid saying thou also wasst with Jesus the Galilean but he denied before them all saying I know not what thou sayest and he went out of the gate another maid saw him she saith to them that were there this man also was with Jesus of Nazareth and again he denied it with an oath I know not the man and after a little while they came that stood by and said to Peter surely thou also art one of them for even thy speech doth discover thee Then he began to curse and to swear that he knew not the man and immediately the cock crow and Peter remembered the word of Jesus what he had said before the cock crow thou wilt deny me thrice and going forth he wept bitterly He was come all the chief priests and ancients of the people took counsel against Jesus that they might put him to death they brought him bound and delivered him to Pontius Pilate the governor then Judas who betrayed him seeing that he was condemned repenting himself brought back the thirty pieces of silver to the chief priests and ancients saying I have sinned in betraying innocent blood but they said what is that to us looked thou to it and casting down the pieces of silver in the temple he departed and went and hanged himself but the chief priests having taken the pieces of silver was not lawful to put them into the corbonner because it is the price of blood and after they had counseled together they brought with them the potter's field to be a burying place for strangers for this cause that field was called Hasaldana that is the field of blood even to this day and was fulfilled that which was spoken by Jeremiah the prophet saying the thirty pieces of silver the price of him that was prized whom they prized of the children of Israel and they gave them unto the potter's field as the Lord appointed me now upon the solemn day the governor was accustomed to release to the people one prisoner Pilate saith to them what shall I do then with Jesus that is called Christ and they all said let him be crucified the governor said to them why what evil hath he done but they cried out the more saying let him be crucified Pilate saying that he prevailed nothing but that rather a tumult was made taking water washed his hands before the people saying I am innocent of the blood of this just man look you to it whole people answering said his blood be upon us and upon our children he delivered them unto them to be crucified then the soldiers of the governor taking Jesus into the hall gathered together unto him the whole bend and stripping him they put a scarlet cloak about him and platting a crown of thorns they put it upon his head and a reed in his right hand and by the knee before him they mocked him saying hail king of the Jews and spitting upon him they took the reed and struck his head and after they had mocked him they took off the cloak from him and put on his own garments and led him away to crucify him and going out they found a man of Cyrene named Simon him they forced to take up his cross and they came to the place that is called Galgotha which is the place of Calvary and they gave him wine to drink mingled with gall and when he tasted it he would not drink and after they had crucified him they divided his garments casting lots that it might be fulfilled which was spoken by the prophet saying they divided my garments among them and upon my vesture they cast lots and they sat and watched him and they put over his head his cause written this is Jesus the king of the Jews crucified with him two thieves one on the right hand and one on the left and they that passed by blasphemed him wagging their head saying vah thou that destroys the temple of God and in three days has rebuilt it saved thy own self that thou with the son of God come down from the cross and like manner also the chief priests with the scribes and ancients mocking said he saved others himself he cannot save if he be the king of Israel let him now come down from the cross and we will believe him he trusted in God let him now deliver him if he will have him for he said I am the son of God from the sixth hour there was darkness over the whole earth until the ninth hour and about the ninth hour Jesus cried with a loud voice saying ailey ailey lama sabachtini my God my God why has now forsaken me and some that stood there and heard said this man calleth Elias and immediately one of them running took a sponge and filled it with vinegar and put it on a reed and gave him to drink and the other said let be let us see whether Elias will come to deliver him and Jesus again crying with a loud voice and yielded up the ghost all the veil of the temple was rent in two from top even to the bottom and the earthquake and the rocks were rent and the graves were opened and many bodies of the saints that it slept arose and coming out of the tombs after his resurrection they came into the holy city and appeared to many now the centurion and they that were with him watching Jesus having seen the earthquake and the things that were done were so afraid saying indeed this was the son of God end of the Sabbath when it began to dawn towards the first day of the week came Mary Magdalene and the other Mary to see the saplica and behold there was a great earthquake for an angel of the Lord descended from heaven and coming rolled back the stone and sat upon it and his countenance was a lightning and his raiment is snow and the angel answering said to the women fear not you for I know that you seek Jesus who was crucified he is not here for he is risen as he said come and see the place where the Lord was laid and the 11 disciples went into Galilee under the mountain where Jesus appointed them and seeing him they adored but some doubt it and Jesus coming spoke to them saying all power is given to me in heaven and in earth go therefore teach you all nations baptizing them in the name of the Father and of the Son and of the Holy Ghost teaching them to observe all things whatsoever I have commanded you and behold I am with you all days even to the end of the world this is Charles Boyer again I'm sure you were just as moved as I was with Mary Morse reading from the New Testament the story you heard tonight is a true story hundreds of years old it's a story that will never die so long as someone lives to read it or to tell it and that story is especially wonderful for this program family theater because it is a story of sacrifice and after all the story of your family of any good family is a story of sacrifice is it not what mother has not given up so much for her children what father has not sacrificed for his wife and family keeping a family together whether that family is just two people a husband and a wife or a big family with many children keeping that family together and happy demands continual sacrifice on your part sometimes the things you must do and the things you must do without are almost too much to bear but you need never despair because you can do anything with help and you can always get the most wonderful most powerful help in all the world just by asking for it ask god for his help his help is so easy to get just say a prayer and say that prayer together with your family a family that prays together stays together so tonight and every night thank god for what you have and ask him for what you need and if you have never turned to god before and you turn to him now this will indeed be a joyful and happy Easter for you and your family before saying good night I want to express our thanks to all of you who have helped make this program possible a special word of praise to John Slott for his adaptation and to Bob Mitchell for directing the choir thanks also to Mel Williamson for directing our play tonight and to our producer Bob Longnecker next week our stars in the family theater will be James Craig and Jane Wyatt with John Charles Thomas as your host good night this series of the family theater broadcast is made possible by the thousands of you who felt the need for this kind of program by the mutual network which has responded to this need and by the actors and technicians in the motion picture and radio industries who have volunteered their services to fulfill it Tony LaFranco speaking this is the mutual broadcasting system


Γεια σας και ευχαριστώ για έναν άλλο Mixed Media Tuesday. Σήμερα θα παίρνω με νέα πρόγραμμα. Είχα δημιουργήσει μερικές πρόγραμματα τα δύο μήνες όπου είχα δημιουργήσει τα πρόγραμματα μου, αλλά είναι η ώρα να έχω κάποιο αλήθεια με νέα πρόγραμμα και αυτή είναι η τελευταία πρόγραμμα από μου φίλος Μαρλίν. Ξέρεις ότι εγώ αγαπημένως αγαπημένως τη στιγμή. Τα πρόγραμματα είναι όλοι πολύ δύσκολο και θα πω πολύ σκέφτερα από κάποιες τους, για να μπορείς να βρεις την ιδέα της εργασίας και θα βρεις λίγες κάτω πίσω στον εργασία όπου μπορείς να βρεις. Η εργασία είναι ανοιχμένη από αυτή τη δημιουργία και είναι όλα για το χώρο, θα βρεις μούν, στάρες, πλανέτ, αιλίες, UFOs, θα βρεις φαναγές ρομπόντες που μπορείς να καταγγεί, υπάρχουν στάμπες με Μαρλίν's μόνος, και their sizes are great not only for art journaling but also for card making and check out that flamingo in the UFO. Lots and lots of robots, so much fun, bigger and smaller. Here is another stamp set that I absolutely love that girl on the moon and that's where I got the inspiration for today's project actually but I'm not going to use this stamp set and how about those space cats, absolutely darling. So anyway in this collection you will also find patterned paper, you will find collage paper and there is also a block of dye cuts that we all love to use. There is a link down below if you want to check out the collection and choose your favourites. There are also lovely stencils I will be using one of them for today but there is also another collection by Marlene which is called Essentials and when you see something labelled with that name then you know that this doesn't go discontinued. These type of products are quite generic in design so you can use them again and again throughout the year and you can combine them with the current collections but if you find them out of stock you know for sure that they are going to restock. But my most favourite products that Marlene came up with are the new acrylic paints Lovely vibrant colours, there are 24 available at the moment and you can get them in sets of 6 or you can get them individually just pick your favourite colours. They have a fine tip, its bottle contains 28 ml of product. This is acrylic paint, it's going to dry permanent and it has a satin finish, it's not glossy, you will see them in action in today's project. Don't pay attention at the white packaging, yours is going to come with lovely colours and the logo of Art by Marlene Studio Light Now let's start with today's project, I have a loose page today this is about 8x8 and it is thick watercolour paper. I'm going to start by applying my background, the first layer and I'm using the new acrylic paint so you can see them in action. The fine tip gives control on how much paint you want to use you can even write with them directly on top of your project if you want to. Now the packaging the tube allows for the paint to stay wet for longer time just because it doesn't allow air to go inside the bottle so you will have them for a long long time. The colour I'm using here is azure, a lovely blue colour and I'm applying it with a little bit of water the more water you use with your brush, the more diluted the colour will be and it's going to look like a colour wash. You can always go ahead and prepare your pages by applying some gesso then you will be able to cover up bigger areas with less colour. I'm drying quickly the first layer and then I will use the same colour and dip it up a little bit in some areas. To do that I'm adding a dot of black as well. So I'm mixing up those two colours and you can see I get a shade slightly darker. This way I will end up having some variation on my background with latter and darker areas, nothing is going to look flat and again I'm going to use my heat gun to quickly dry it. So now it's time to play with the stencil, this is from the latest release and this time I'm going with black, the black by the way it's called pitch and a purple colour and this one is called pankedins from the neon colours. I happen to have one of those brushes which are perfect for stencils if you don't have such a brush you can always use your brush or even a foam blending tool, just make sure that you don't load it up with too much of the colour. I'm going over the stencil and I did secure that with some tape underneath so that it's not going to move on me. You can tap tap tap all over the stencil with the acrylic paint just making sure that you don't add too much so that it's going to seep underneath the stencil. Notice that I pick up both colours, purple and black at the same time so I kind of blending them as I go. I'm going to cover up completely the whole stencil. Let's leave the stencil to see what we have and is that stencil just gorgeous, I absolutely love the numbers. There is another one with letters instead of numbers. And if you follow my videos you pretty much know what I'm going to do. I like to have a darker edge so I'm just using what's left on my blending brush here and I'm going all around to make it look darker at the edges. This is going to make the centre lighten up somehow as if it is glowing. And this is a great example on how we can do techniques with what to have. You can see here I'm doing blending with acrylic paint. I don't need an ink pad for that. You can see here the properties of acrylic paint as I catch the light. It's not glossy, it's not matte. It has that lovely satin finish which I absolutely love in acrylic paints. And there are more things to love about these paints. These are produced in EU. They are top quality acrylic paint plus they are eco-friendly. They are non-toxic and you can find all this info if you check Marlene's Facebook Live where she introduced these paints. Now this background is supposed to be the space, a mixed media space with numbers. So I have to add some splashes. These are going to work as stars. And of course I have to do some stamping on my background. For that I'm using one of the essential stamp sets. This is the one that has the alphabet written again and again. I'm going to use just a part of it. I'm going to cover up completely the whole thing. That's how I usually do my stamping. I'm using black archival ink here. So everything I have up to now on my project is permanent since I used acrylic paints. And now archival ink. So nothing is going to smudge or smear. And because I'm never happy with the splashes I'm adding a few purple ones again using that punk color that I used for the background. I'm happy with my background. I will leave that aside to dry and I will work on the focal points. These are the dyes that are going to give me lots and lots of elements to build up my scene. The idea is to have a little girl on top of that moon. I love the size of the moon. It is nice and big so it creates a lovely focal point for an art journal. And there are also two dyes for that so you can add some extra dimension.  I'm going to use my acrylic paint to color everything if you want. You can just use pattern paper to cut out all of these shapes or you can use colored cardstock. You can see here the two layers of the moon. You can just use one of them if you want. You can color them differently and then stack one on top of the other. However decided to stack them from the beginning together just to add some texture on another wise flat moon. I'm playing with a placement trying to decide how it's going to look better. Now this is where I decide how my page is going to look at the end. So I'm just playing with the different bits and pieces and auditioning them. You can leave just the moon there. I wanted to add even more color so I'm going to add the two circles being planets and so let's add some color on our focal points. I am using my white glue to stick one layer of the moon on top of the other. Again remember you can use those dies to cut out pattern papers and stack one on top of the other with different colors. However I'm going to use it as a whole as one element. Then to color my moon I'm going to combine yellow and orange. The orange is going to give me the shade that I need to make it look around and more dimensional. So just cover up the whole thing with yellow and then dip your brush in a little bit of orange and add it on only one side of the moon. If you work fairly quickly and you have a little bit of water on your brush then these colors are going to blend nicely together directly on your paper and you see you will end up with a lovely blended look. Now that I have some yellow on my brush I'm going to color the little star, the hanging star. Again I'm going to add a touch of orange just to make it look dimensional. I don't want anything to look flat and since I always like to have the same look and feel on my elements as the look and feel on my background I'm going to use the same text stamp that I used for the background and do some stamping along the moon. Again I'm not going to cover it up completely and this time because I don't want to have any vibrant color there I'm not using black archival ink. I went through my stars and tried to find a color that looks like the orange of the moon. So it is visible but it's not overwhelming. Now for coloring my planets I'm going to repeat the same technique using two different shades of color. For one of them I'm going with pink for the other one I went with green shades so apply a lighter color all over your planet and then with the darker one create the shadows. For my focal point I decided to go with this adorable girl. Now she is from the sending you love stamp set. In the same stamp set you will find a mermaid maybe a space mermaid I don't know You will also find clouds and planets so you can combine her with the elements that are already in the stamp set if you don't want to get the moon. I'm using alcohol friendly ink to stamp her since I'm planning to use my alcohol markers but you can go ahead and color it with watercolors with pencils with alcohol markers or even with acrylic paint. But if you do use acrylic paint you may go over the lines, the black lines and cover them up. However if you don't remove your stamp from the misty you can go ahead and color your image with acrylic paints and even if you go over the black lines it's no problem since you can always put that back into your misty and stamp again directly on top.  I was debating with myself on the color of her dress I decided to go with red you will see later on that once I place it on top of the page it's going to look quite pale but that's not a problem we can always work with what we have you will see what I'm going to do as a last minute fix. So I have all my elements ready to go I like to go around the edges with a black marker this covers up completely the white edge it makes the fuzzy cutting look perfect and it kind of outlines the elements So now I'm just playing around with my elements trying to decide where they're going to look better on top of my page and once I'm happy I can go ahead and stick everything down and don't you just love how vibrant those colors are I'm absolutely happy with the vibrancy of acrylic paints by Arba Marlene. Now I'm using my white glue to stick everything down just because that's what I had on my table at the moment but for this step you can absolutely use any type of glue that you have even at medium remember everything underneath is permanent since we used acrylic paints so no matter what you do on top of it it's not going to smudge or smear it is mess free for sure Now after sticking everything down I'm using my scissors to cut off any excess paper that I have and remember how I did some stamping on the moon I forgot to do that on my planets so I'm going to do that again trying to use an ink pad which is a color of ink pad which is close to the color of the planet this is going to add some extra visual texture and it is going to make it as part of the whole page it's part of my tips and tricks to make all the elements come together by having the same look and feel Now I do have those stars that I cut in the beginning and I'm just sticking them around the moon so they look as if they are glowing I absolutely love this look and I think that I'm going to use those stars in more pages in the future I just love the effect and now this is where I'm not happy with the red I want it to be more vibrant so I'm going with another marker and being very very careful since I'm almost done I'm going over her dress to make it look more vibrant and I think it looks better this way I also grabbed a black marker and I'm going around the planets and the moon this is a very fine tip marker the line isn't too visible but at the same time it kind of outlines the elements and the lines are very sketchy I don't go for the perfect line there I did add some highlights with my white gel pen in some areas and now I'm going to bring in my booklet with sentiments this is from the Essential Collection and I found one that says if you feel like you don't fit into this world create a new one and I think it is perfect for this layout I always like to cut out the phrases in smaller pieces this way I have more flexibility on where and how I want to put them on the page rather than having a super big line of phrase and then I like to go around them with a thin black marker just to outline them a little bit more now the way the girl is designed looks as if she's blowing some kisses that's why I'm going to stick three tiny little hearts and I am in that phase of the layout where I can go ahead and add little details forever so that's me adding little hearts then I'm going to add some gems to embelize her crown and you can go on with doodling and highlights just having fun with what I created if you love working on loose papers instead of working directly inside an art journal then when you finish you can glue it inside an album or a spiral binded book like I'm doing here or you can always punch holes on one side and use the disk bound system and that was the project for today I hope that you had fun that you got inspired as I was playing with a new collection by Art by Marlene don't forget to like the video and leave me a comment down below I always love reading them Thank you all so much for joining me today and I'll see you all next time


Elon Musk has practically bent over backwards to appease conservatives on Twitter. He has unbanned dozens of prominent right-wing accounts, he interacts with them regularly, and in the case of Twitter user CatTurd, he made CatTurd's personal concerns a priority on day one. Fast forward to today, and they're still not happy with Elon Musk. In fact, some of these conservatives are outright attacking him. Twitter user Zscroll shared these hilarious screenshots of conservatives claiming that they are still shadow banned. So Charlie Kirk complained about conservatives seeing lower Twitter engagement, directly questioning if they've been suppressed, and Sean Davis chimed in to say that it's as bad as it's ever been despite Elon Musk being in control. Jason Nelson claims that he doesn't see a bunch of right-wing accounts, including Elon Musk's, demanding an explanation and presumably wondering if the $11 that he paid for Twitter blew got him shadow banned, and even CatTurd is still angry tweeting, all conservative accounts are being throttled and hidden again, just like before Elon Musk took over ownership. Adding, he's not seeing the people who he follows, and it's actually, quote, way worse than it was before Elon's takeover. But this one's my favorite. Dear Elon Musk, just so you know, the new algorithms are so bad, we might as well be invisible. This is horrible. Now, if you'll notice, he says this in a tweet that received nearly 30,000 likes and 2.3 million views, but yet he might as well be invisible.  Maybe our algorithms got swapped, because when I log onto Twitter, specifically on my 4U page, I see nothing but posts from right-wingers. Matt Walsh in particular, I always see him, Marjorie Taylor Greene, Elon Musk as well when I'm not following Elon Musk, so I really don't know what they're complaining about. But to be fair, everybody's experience on Twitter seems pretty different these days. Either way, there is censorship on Twitter, but it doesn't necessarily just pertain to right-wing complaints about censorship. There's actual censorship going on at the behest of very, very powerful interests. And this censorship is manifesting in Orwellian ways. The Intercept reports, Twitter and YouTube censored a report critical of Indian Prime Minister Narendra Modi in coordination with the government of India. Officials called for the big tech companies to take action against the BBC documentary exploring Modi's role in a genocidal 2002 massacre in the Indian state of Gujarat, which the officials deemed a propaganda piece. In a series of posts, Kanshan Gupta, senior adviser at the Indian government's Ministry of Information and Broadcasting, denounced the BBC documentary as, quote, hostile propaganda and anti-India garbage. He said that both Twitter and YouTube had been ordered to block links to the film before adding that the platforms have complied with the directions. Gupta's statements coincided with posts from Twitter users in India who claim to have shared links to the documentary but whose posts were later removed and replaced with a legal notice. So to be clear, both Twitter and YouTube, they are censoring a documentary that exposes crimes against humanity committed against minorities in India by the current Prime Minister of India, Narendra Modi. They are in this instance essentially behaving as state TV, where they're just doing what the government wants them to do, allowing the citizens to hear what the government deems is appropriate. Now, this is the takedown request from the Indian Ministry of Information and Broadcasting that was sent to Twitter. And on page two, you can even see actor John Cusack was also part of their takedown request since he also shared a link to the BBC documentary in question here. And as a result, John Cusack's Twitter account has been banned in India since Twitter did decide to agree with the takedown request. Now, despite this ban on this particular documentary, some opposition members of parliament in India are defiantly sharing links to it and calling out the censorship on Twitter. And good on them for sharing this. You know, it's difficult to speak truth to power, but as members of parliament, they really are leading by example. And I commend them for what they're doing here. Now, this is a dangerous precedent. Should these big tech companies comply with the requests of government when it comes to other issues? What if Saudi Arabia says that we demand that you censor pro LGBTQ plus content or atheist content in our state? What if Israel demands that Twitter or YouTube censor anti apartheid rhetoric or pro Palestinian rhetoric, Palestinian liberation content? It's a really dangerous game to play. But a lot of these big tech companies comply with the demands of governments because if they lose out on that market and end up getting banned in these particular states or regions, well, then that's an entire advertising market that they're losing out on. They lose revenue. So they have an incentive to abide by the commands of these governments, even if the requests that they are making are explicitly authoritarian.   They will do whatever advertisers want. And it's really frustrating, but this is the reality. Elon Musk, however, claimed that after he purchased Twitter, things would be different. It wouldn't be this way. He would respect freedom of speech. But predictably, as many of us on the left pointed out, that was nothing more than hot air. Now, Elon Musk actually responded to this when he was asked about it by Twitter user Viva Free. And this person says, what's going on, Elon Musk? Twitter seems to have gone from freedom of speech, not freedom of reach to outright censorship in no time at all. Musk responded saying, first I've heard it is not possible for me to fix every aspect of Twitter worldwide overnight while still running Tesla and SpaceX, among other things. Now, since this user had Elon Musk's attention, he decided to ask Elon Musk about other right-wingers like the quartering getting banned because, you know, of course, priorities, right? Now, this response by Elon Musk's own standards is completely indefensible. He claimed that he cared so much about freedom of speech that he was willing to commit to personally looking into the concerns of one Twitter user on day one, Catern. But when it's brought to his attention that an entire government petition for Twitter to censor a documentary that's critical of its prime minister, well, you know, I can't be looking into every single thing and be concerned with everything that's going on worldwide. I mean, I'm also running these other companies. Do you understand why this is a deeply unserious individual? Because if you claim to care about freedom of speech, you have to be consistent. And now is the time when you prove it to us. But he fumbled, he fumbled there. And I also find this inexcusable because you are the owner of Twitter. And if you claim to care about freedom of speech, don't you have protocols in place so that way lower level staffers know how to respond when they get these takedown requests from foreign governments? It's ridiculous.  The intercept continues, Modi's government in India regularly applied pressure to Twitter in an attempt to bend the social media platform to its will. At one point, the government threatened to arrest Twitter staff in the country over their refusal to ban accounts run by critics. When Musk took over, Twitter had just a 20% compliance rate when it came to the Indian government takedown requests. When the billionaire took the company private, some 90% of Twitter India's 200 staffers were laid off. Now the Indian government's pressure on Twitter appears to be gaining traction. Why? Well, a key difference may be Musk's other business entanglements. Musk himself has his own business interests in India where Tesla has been lobbying so far without luck to win tax breaks to enter the Indian market. So Elon Musk has millions, possibly billions of reasons to comply with the takedown requests of the Indian government.  This is a massive market. So perhaps he's thinking, well, if I comply with their censorship demands, maybe they'll give me the tax breaks that I need to bring Teslas to the Indian market. And to be fair, we don't know what his motivations are. Maybe he really is ignorant here. But at a minimum, this is still disturbing because this is a conflict of interest. His business interests create a conflict of interest if he is going to be managing Twitter in an impartial way. And more importantly, this has serious implications for freedom of speech. And it's scary because believe it or not, freedom of speech is more serious than the concerns of right-wingers who are mad that their friends got banned for saying the N-word. Freedom of speech gives individuals with no power the ability to criticize the powerful, large institutions that control their lives. And it seems like Elon Musk isn't taking the most serious elements of freedom of speech that seriously. Or maybe he just doesn't know, which is still a failure on his part because if you claim to care about freedom of speech, something like this would have never happened in the first place on the platform. But if you've been watching my show, you know that his whole freedom of speech thing is nothing more than window dressing to appeal to right-wingers who were angry that they were getting banned because they couldn't not violate the terms of service because they are constantly espousing hate and slurs. So Elon Musk, he doesn't actually care about freedom of speech when push comes to shove. But if you're surprised by this, then you very clearly haven't been paying attention.


A fiery horse with a speed of light, a cloud of dust, and a hearty high old silver, the Lone Ranger. With his faithful Indian companion, Tonto, the daring and resourceful masked rider of the plains led the fight for law and order in the early Western United States. Nowhere in the pages of history can one find a greater champion of justice. Return with us now to those thrilling days of yesteryear. From out of the past come the thundering hoofbeats of the great horse Silver. The Lone Ranger rides again. Lone Ranger and Tonto had rained up in the bottom of an arroyo where they planned to camp for the night. Before they had a chance to build a fire, they heard the slow rhythm of approaching hoofbeats. Someone come this way. Yes. Moving along the top of the arroyo just behind that screen of trees.  You not want anyone to see you, sir? No, Tonto. It just leads to a lot of questions about my mask. They'll keep quiet until they pass. Take whatever it feels like giving us a step of their pay, boy. All right, Silver. Silly boy. You know the answer. Any time Jackson wants him, he can build a dooper's in the jail. Yeah, he'll be all right. I'm still fed up with the situation. I'm just about ready to do something about it. What do you think you're going to do? I'll tell you what I'm going to do, Sam. I've got ideas and I'm going to carry them out if you're willing to help me. I'll take a little plan and a little reward. One fellow named Sam, other Bart. Yes, Tonto. Did you hear what they said about a man called Jackson? No. Whoever Jackson is, he can put those two men in jail. What, him not do it? No. And according to the law, it makes him as guilty as they are. Oh, what we do? I think we'll change our plans about camping here tonight. Show those two guns back at the saddles. Where we go? Going to shove on to the next town. Oh, that near Thunder Martin. Yes, in Clarabelle Hornblow's ranch. You can see if either of our friends know anything about this man, Jackson. Oh, are you ready? Are you ready? Clarabelle Hornblow was one of the Lone Ranger's friends. None of the few people on whom he counted poor information. It was soon after breakfast and Clarabelle was washing dishes when Thunder Martin returned from sound and rained up at the open door. Hugh Thunder! That hunk of paper don't look like flour and bacon and beans. Where it is the stuff a sent you to town to get. I didn't get it. And I'll tell you why. Didn't get it?  When I give orders- Oh, orders be hanged. I'm no rather than my ranch hand. I'm only working on your ranch to pay for pasture and my mules. Your mules ate according to the work you do around this place. They'd be darn right sorry looking critters. Oh, give me that paper. Let me see what you got there. I can tell you what's in it.  What? Of all the- Keep still, let me read this. Forget it. By the sheriff told me to bring it to you. It's a notice that says you're going to pay solitary Jackson $2,000 by the first of the month. $2,000? By the first of the month. Dad, rather than Clarabelle, why'd you borrow money like that? I never did. Now you didn't even try to fib to me. I never fibbed to no one. I never borrowed $2,000. Your signature says you borrowed it. I saw it on the mortgage you gave solitary Jackson. Thunder, where'd you get this paper? Well, Jackson brought it into the sheriff's office while I was there. And he told the sheriff the mortgage was fallen due and he wanted the cash. Now hold on Thunder, you're not telling true facts. What? Who's not? Solitary Jackson's been living at the edge of town for a good many years and he don't show himself at once in a blue moon. That's why they call him solitary. I know that. Well, he don't like people and he don't like fresh air sun.  Well, he come out today and I seen him so there. And he says I owed him $2,000. That's not at all woman I know what I'm talking about. I know what I see. Clara Bell, you can trust me. Maybe you lost the money gambling or something. Gambling? Why you spab and big eared mule face? Where's my bruise? All right, all right, all right. Nothing, you didn't lose it, Gavlin. But you borrowed it for something and it wasn't good sense to borrow that much on a mortgage.  Great day. Look who's coming. It's the mask man. And Tondo is safe still alive. Build up that fire, Thunder. Build up that fire so as we can get some hot breakfast for him. Hi there. Hi. Come on in here and let me rustle up some breakfast for you. Good to see you again, Clara Bell. You too, Thunder.  Hi there, Tondo. How? Sit your cells right down here and I'll bust up a mess of eggs and a skillet of bacon to stir up that fire, Thunder. You bet. Thanks, Clara Bell. We can do with some breakfast. We're ridden all night. He, I guess, sure come at the right time. You know, Clara Bell has got herself in that $2,000 worth of trouble. That's not so. Oh, what kind of trouble, Clara Bell? Oh, this local galute has things all mixed up. I know what's in that there paper. This is what he's talking about. Oh, there I see it. Oh, yeah. You see, a solitary Jackson claims that Clara Bell owes him $2,000. Jackson? Why'd he say the name like that? Well, uh, how did I heard two men talking about someone called Jackson? Men who seem to be crooks. They came here to see if you knew anyone by that name. You're all gone right, I do. And if he says I owe him $2,000, he's a crook. Well, according to this paper, Clara Bell, you must pay him $2,000 for the first of the month. I should say $200. That's what I borrowed. $200, and I can pay it back to him any time. $200? Yep. Lots of ranchers borrow a little cash from solitary to tie them over until the cattle pay it goes in. No, no, no, no. I said by totally I aimed to find out about it. I'm going back to town and talk to Jackson. Well, close that door behind you. We'd like to hear more about this, Clara Bell. What do you know about this man Jackson? Well, no one knows much about him. He lives by himself with nothing but a housekeeper that goes in daytime. He's always seemed like a good sort. Do the people in town think well of him? Sure. Most everyone in town has borrowed a little cash from him time to time to tie them over for a spell. I told you, I borrowed $200 from him. But he wants you to pay back $2,000. That's what I don't savvy. Now, how about some eggs and bacon? How many can you eat? I think we'll wait until later, Clara Bell. I don't know. I'll go to town and see what happens when thunder calls on solitary. Thunder martin rained up in front of the large gloomy looking house at the edge of town where the man named Jackson lived the life of a recluse and earned the nickname solitary. Solitary? Hey you solitary, open this door. I want to talk to you. Open up, I tell you, before I have this door to pieces. Thunder paused but there was no response to his pounding on the door. He waited a moment then pounded again harder than before. You had better answer the door, Jackson. I don't aim to waste much more time wearing out my knuckles. I'll open up, I tell you. The big man tried the door and found it unlocked. It swung inward. Well, doggone. But I'm going to look around in here and find the old cook for myself. And if he's not here, I'll wait till he comes. Police smells like it hadn't had no fresh air in the dog's age. Well, it wouldn't hurt none to open a few shutters on the windows and let the little sun get in. Don't see him in this here room. She'll put in a juteper. Jackson! Jackson, what's the matter with you? Wake up, Jackson. It's me, Thunder Martin. I got it. Dead. Dead in the door now. Sheriff Brady, come in here. Dog gonna look at old Jackson. You done the, Mr. Jackson. Don't make no fast moves, Thunder. Sheriff, is he hurt, man? He's dead. That's what he is. Why are you murdering him? Hold on there. I didn't do it, Brady. You killed Mr. Jackson. You did it. You're the only one around here. How'd you get in here? I just walked in. That's not true. Mr. Jackson never let the door unlock. Not even when he was in the house. Well, it was unmarked when I got here. The way, Sheriff. What are you doing here? Just came here with me. Come in the back way. Maggie's the housekeeper. She comes every day about this time to clean things up and set up Jackson's dinner. I don't want to open the back door because Mr. Jackson never likes to be disturbed. Brady, if you've got the brains of a tadpole, you'll know I didn't kill Jackson.  Well, you'll see about that.  Come to come here on the run. Meanwhile, Thunder, I'll take that shooting iron of yours. You're under arrest. Arrest him. Now listen, Brady. I haven't been in this house more than two minutes. That's what you say. Three or four hours. But you can't arrest me without more evidence than that. I said hand over your gun. Come on now. Draw it out with your thumb and one finger and draw it slowly. Don't bother, Thunder. What's that? Hold it, Sheriff. Yes, sir. Your dog ought to write you better. Masks. So, Thunder, you got an outlaw partner. We'll discuss that some other time, Sheriff. Where'd you come from? Through the same door that Thunder Martin used a few minutes ago. You've got the drop on me right now, stranger. But that's not the final word. Not by any means. The final word won't be spoken until the man who killed Jackson is found guilty. Out that way, Thunder. How do I have the horses outside? I don't like running out on you, Sheriff. But I'm blamed if I aim to stick around and face a Higman's news. You leave here? It's because you're afraid to stand trial. You'd better look further for the murderer, Sheriff. I'm satisfied. I know the murderers as well as the motive. If you think I'd kill a man for $2,000... Don't discuss it, Thunder. Come on, tunnel's waiting. Go on, Thunder. Go on and run. That'll prove your guilt. Then we'll go gunning for you, and I'll order them in to shoot a kill. I'll have a posse on your trail inside a half an hour. Sheriff, it wouldn't be wise to try to get through this door until you're sure we're gone. Oh, doggone. Now I'll sure be charged with that murder. We're going to find out more about this, Thunder. But first, we've got to get away from here. Let that settlement fellow tunnel in me. Which way? The woods right over there. Is that a big fella? Did you come, Thunder? Get up there! The curtain falls on the first act of our Lone Ranger story. Before the next exciting scenes, please permit us to pause for just a few moments. The woods near town. The Lone Ranger rained up and gave instructions to Tonto and Thunder Martin. I'll stay in hiding until I join you, Thunder.  They won't look for evidence putting to the real murderer. Doggone, I wouldn't kill nobody. Yes, I know that, but Sheriff Brady doesn't.  If I'm in hiding, I'll all be sure I'm the killer. Never mind that. You do as I say. You sure I'm ready to go, Tonto? Uh, you sure? You come, Thunder? Oh, all right. I did it that way. You know what? Just come. All right, big fella. Tonto took Thunder to a well-concealed camp that had been used on previous occasions. There, the two men waited through the long afternoon while a manhunt went on. It was long after dark when they heard the sound of an approaching horse. Someone coming for it. All right. That horse, Silver.  Silly out. Long time, King Affiliate. Great day. Where did Tarnation of you be? After I left you, I put on a disguise and went back to Jackson's house. I met it anew. Sheriff Brady did just what I thought he'd do. What's that? He was so convinced that you were guilty, Thunder, that he formed a posse and set out to find you. What'd you find? Well, I found some tracks, Tonto, and I followed them for quite a distance. And I saw two men approaching, so I ducked off the trail and hid behind a rock. Hey, who'd you see? The men were called Bart and Sam. Bart and Sam? That name's a... Yes, Tonto. They were returning to town. I followed their back trail and learned a few things. Now, Thunder, here's what you're going to do. Yeah. In the morning, you're going to return to town and give yourself up. Now, hold on. Do as I say. We'll give a couple of men, including the sheriff, the biggest surprise they've ever had. After an all-night search, they returned to town with reports of nothing but failure. It was then that Sheriff Brady and the deputy went to Clarabel Hornblow's ranch. Ho! Ho! Ho! Ho! Ho! Ho! Ho! Now, Bart and Sam, you'll see what Clarabel has to say. I don't know as we'll get anywhere with it, Sheriff. Is that John Wright Kent Tango's woman to talk to? You'll see. You don't think Thunder would be fooling up to come right back here to the ranch, do you, Sheriff? Brady, look over yonder. See that pasture land? Sure I do. And it's mules that are grazing. Thunder Martin's mules. He thinks more of those homely, long-eared critters than he does of his life. He wouldn't go far for keeps until he leaves those mules here. Open the door, Clarabel. It's the law. Come on here, Sheriff. Clarabel, I aim to find Thunder Martin. Then you better change your sights. You're aiming in the wrong place. Now, see here, Clarabel, the talking, Brady. If you've got a talk, you might as well come on in, Sheriff. Clarabel, we saw Thunder's mules out in the pasture. I know how Thunder feels about those mules. He wouldn't go away and leave them, not by her darn sight. Oh, he wouldn't, huh? Well, that's just what he's done. He's left the mules and he's left the chores. He near wore out in splitting wood and toting water and doing other things that Thunder's always done. Right, Clare, I never half appreciated the big overgrove sidewinder. How late, two to one? She knows where he's hiding. He's got to be somewhere around here, Clarabel. He has, huh? I tell you, Clarabel, we've looked everywhere else without finding hiding her hair at Thunder Martin. That's why I'm here. Well, you know as much about him as I do. Now, go on, Brady. Clear out of my kitchen. I've got work to do. You know where he's hiding. Clarabel, shield and thunder makes you an accessory after the fed. Never mind flaunting your law on me. Clarabel, one of the men in town thinks it was the Lone Ranger that helped Thunder get away. What about it? That makes the Lone Ranger wanted by the law. That's a good one. The law wanting the Lone Ranger. What's funny about it? Now, listen to me, Brady. As far as I'm concerned, the Lone Ranger is the law.  The killer's got to have a motive, Clarabel. Then find a motive. We found one. Well, don't look at me. I know what you're hinting at. Think Thunder killed him because Jackson tried to say I owed him $2,000 when it was only $200. Yes, that's motive enough.  That's where you're wrong. What other reason was it? Who had it? I don't know. But if someone didn't have a reason, Jackson wouldn't be dead. Hey, that's Thunder. Thunder, clear out the sheriff's tears. Don't you try to get away. Get covered, Thunder. And don't try to run. Oh, now, Clarabel, don't call me names like that. Don't you recognize Brady's horse? Sure. That's why I come here. Huh? What's that? Well, I figured you'd want to see me, Brady. You don't blame well I want to see you. You knew it when you made your break yesterday. What are you waiting for? Why don't you take me to jail? That's what we aim to do. Thunder Martin, you mean to say you're giving yourself up without a fight? I reckon they won't string me up without a trial. You'll get your trial all right enough, Martin. You'll get your day in court. That's all I'm asking, Brady. Thunder, what intonation has come over you? Have you gone soft? Where's the mask, man? Why did he let you come here? Now, Clarabel, there's no use riling yourself over nothing. Come on, Martin. Where's the mask, man? He's the one told me to come in here and surrender. Well, did I come in here and surrender? He did that? Yep, and he sure wouldn't have done it if he had thought I was going to get my neck stretched. You know the way to town, Martin. Just start that away and we'll be right on your heels. To the jail. That's right. Now get a move on. Thunder went to jail without resistance. Through the barred door, he could see the sheriff sitting at his desk with a couple of deputies lounging nearby. Well, I guess we solved this murder in short order, huh, Sheriff? Sure enough. Yeah, we said Thunder, get into trouble some day. Yeah, that's what you said all right. And where are these two coming in? I don't know who they are. I've seen them around town a couple of times. Close the door behind you, sir. Right, Bart. Guess you're Sheriff Brady, huh? That's right. My name's Bart Kessel. Howdy. It's my partner, Sam Webster. Howdy, Sheriff Brady. You two got business here? I guess this is the place to come where Mr. Jackson's heirs. Here? We heard he was dead, so he comes straight here. He sent us a letter with this here wheel, naming us as his heirs, and we turned for some paves. We've done them a long time ago. Uh-huh. See, we saved his life once. I reckon you found a copy of this wheel somewhere as in Jackson's papers, didn't you, Sheriff? He hasn't gone through his private papers yet. He left the wheel, the chances are we'll find it. There you are. There you are. I'll go for guns. What is this, a stick-up? Oh, it's no stick-up. You've been out of the door a couple of times. He wants it. You're under arrest. You're the one that held Thunder Martin. I'm the one who sent Thunder Martin back here to surrender. What's more, Sheriff Brady?  I'll tell you who that masked man is. Hey, what? Sheriff, it looks like you've got your hands full. Maybe Sam and I'd better come back later. There you are. Go to the door, Totto. You can't keep us here against our will. Sit down. Mister, I don't care who you are. You aided in the better the escape of Thunder Martin, making yourself an accessory after the fact. All a wish doesn't mean a thing, unless you can prove that Thunder Martin is a murderer. Now do that in court. When you go under court, you'll prove that those two men are murderers. You can't call us murderers. Sam's fight words. Sit down. When I finish talking, either of you want fighting words, you'll get them. And if you want to fight, you'll be accommodated.  Yes, I have, Sheriff. The fact that Jackson kept apart from everyone, including his housekeeper and had no close friends, made it easy for someone to impersonate him. Impersonate him? Three men plotted his capture. Two of the three men said, three men sit right there. Bart Kessel and Sam Webster. Oh, she's here. Don't keep quiet. But I won't... Go on, mister. Talk some more. The three men planned to get all of Jackson's cash together, and then disappear. But instead, they killed Jackson. Is that it? Yes. The three men were too greedy. They not only wanted all the cash in the house, they also wanted all the money that was owed to Jackson. So they captured him and made him write some letters, so they could collect from people who owed him money. But Jackson himself was in my office. He told me personally that he wanted the money Clare Bell owed him. How do you know that man was solitary, Jackson? How do I know? He barely knew the man. Well, he said he was Jackson. There was no reason to doubt it. That man was not solitary, Jackson. No, I was. His name was Blackie Jackson. He was one of the three who captured solitary. He took the trouble to grow a heavy beard like solitary wore. That fool everyone, including the housekeeper, Dave, and he must have been the one who was killed. That's right. Well, then we're solitary. He was in a cave, held prisoners, so he could sign the necessary letters. Who killed him? You'll find the footprints of the killers near a window, Sheriff. The footprints of those two. I won't stay here. Let me out. No, you don't. You stop. You get back, Sheriff. Give me those guns. Here, Sheriff, take this one. Right. And here's the other. Oh, you two crooks are the killers. You can follow their tracks just as I did, Sheriff. The cave where solitary Jackson was held prisoner. You'll be your best witness against them. I brought him here. Come in here, Jackson. I sure will. I've been waiting for this chance to see these killers get what they deserve. They're solitary. That's Ian. Solitary. Yeah, I'm solitary, all right. Let me out of here. That's your lady. Unlock me a store and let me out. I got business to take care of. I'll hold your horses, Thunder. I'm letting you out. You need that cell for those two killers. Come in there, Debbie. All right. You heard the sheriff. Get in there, sir. All right. Go on. Right in there. I'll talk to him.  We're in carnation. You get the idea. I'm trying to say that Claribel owes you $2,000. Now, calm down, Thunder. Calm down, you old cell amount. Calm down, nothing. Listen to me. Those crooks made me sign that paper so they could collect from Claribel. I signed it for 10 times what she owed me because I knew you would raise a howl and start things going. I figured you might keep them going until the truth come out and I was rescued. So that's it. Of course it is. And as for the $200, you can tell Claribel that it's paid and full. How are you plenty for rescuing? You don't owe me a dime. All you owe is owed to that mass manager. Hey, I'd come back here a minute. We'll go and tell Claribel that you're out of jail, Thunder. You'll be waiting for the news. Oh, hey, Thunder. Who is that mass man? That man? He's my friend. He's the Lone Ranger. I'll sue them! You have just heard as a copyrighted feature of the Lone Ranger Incorporated.


ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ आड दूत से भर देंगाद लेरा । ॉ आग दोडम का सेगर खरेंगे।। अज्सा लेकि Läkish is one of the germ layers that is formed during animal embryonic development. ूई जाह्ट लेरा मुझ्प मिक्रेद ौईक तूफ़म भी ल्लृटार. या लों ती अर्ख्यान्टी रोन, या से और्गान्टी रोन सबसे पहले, या से पॉध की आंदर हुंद देकते है ने अर्खान्टी डोन बंती है, और वो दिपफ्रशन थोचा होता है ज़ासे हम अ जीनएचन कियाते है, भी lime lip मीवदोाम सीह खडुरूढ़ दीशान साया यही, पचत standards मीनोड से हुए आँउबी हैि, कुह्धभ क्या झी, पिर्लो़, आमत्रेवा�你就ect मीनोड से होझा� yol ऐता मीनोड ड Kombat मीनोड से हूझा हूझा हैाउख शमत। मीनोड से हूझा होझा हूझा हैा। त्रिप्लो ब्लास्टेक अनेमल्स की अन्द, गेस्टुलेशन जाहले त्माम तीनो लेयर्स बन्याती है, आँ सम्व of the cells, they migrate, invert, contribute to the midu derm and additional layer between the endoderm and the actoderm, ये त्रिप्लो ब्लास्टेक यन्द. The formation of the midu derm leads to the development of a selome. So, selome is a body cavity, this is the cavity lined by midu derm, which is lined by midu derm. So, in this diagram, we can see that these are the structures which are actually derived from the midu derm. So, this is the neural tube, the actodermal, and this part, the praxial lead, there are three or four types of cells developed in it. Intermediate, that is the intermediate midu derm, then praxial midu derm, then lateral plate midu derm and cord midu derm. All these are the structures, like this intermediate midu derm, from which the intermediate midu derm is formed. So, we talked about this, midu derm is divided into different types of the layers, in which intermediate, praxial, lateral plate midu derm is praxial. And then cord midu derm, that is the cord midu derm is made into cord midu derm, and this neural tube is the actodermal in origin. So, these are the different structures which are derived first from the midu derm. As we see now, these different structures develop further structures. The cord midu derm, then the develops into the notochord, or the intermediate midu derm that develops into the kidneys and the gonads. Iske la va praxial midu derm humne dekhha ki uski location ko dekhha, that develops into cartilage, the skeletal muscles, and the dermis. Or uske baad, the lateral plate midu derm, that develops into the circulatory system, including the heart, and the spleen, and the wall of the gut. To yeh ista ra takleeban body ke tamam hisse hoge, jo ke kuch hisse hai, they are derived from the actoderm, kuch hisse hai, which are derived from the endoderm, aur kuch jo hai, wo midu derm se banthe. To ista ra yeh bilkul elementary cheeze hai, jo humne zi discuss ki, aur in fact yeh hi aapke course ka hisse hai. Yaha se main pata ho na chahi yeh, ki main body organ, ki korn korn se teen layers se banthe hai. So this is all about the primary germ layers, that is the end of it.