I mean, Apple says it's four o'clock. It must be true. And I'm Karen Smith from the OCLC Research Office based in San Mateo, California. And in this session, I'm going to give you what amounts to at least a partial view of the landscape of linked data implementations, the who, the what, and the why. Now, what we started out with was questioning by some OCLC Research Library partners, metadata managers, two years ago, who knew about a number of linked data projects and felt relatively familiar with them, but felt that there must be more somewhere out there. There must be other linked data projects that we should be aware of, but aren't. So that was the genesis of international linked data surveys for implementers. Some of those focus group members collaborate with me and some other OCLC colleagues to design a survey instrument. And some implementers of linked data actually benetested that survey instrument. And we then conducted it between July 7th and 15th, August 2014. The results of the 2014 survey were reported in a series of hanging together blog posts, who's doing it and why. The second one was some examples. A third one was on the why of what constitutions are consuming. Another one was about why and what institutions were publishing. There was another one on technical details and then another one on advice from the implementers. And really the only criticism I received about any of these posts and results was you're missing some of the biggest players data implementations. You don't have the National Libraries of Germany and France in your results. And I'm going, but they didn't respond to the survey. I can't show results of people who didn't respond. So in the end, what we did was we repeated the survey in 2015 and made a concerted effort to actually get those National Libraries to respond. And we also changed the time frame to avoid that European summer vacation period so that the 2015 survey was from June 1st through July 31st, 2015. And as a result, we did get more responses. Now these are institutional responses from those that have implemented or are implementing one or more linked data projects or services that either consume linked data, publish linked data or both. So the 2014 survey, 48 institutions responded. And the 2015 survey, 71 responded. Of those, 29 responded to both. So altogether we have a pool of 90 institutions that have implemented one or more linked data projects or services, some of whom are in this room. Okay, this is the geographic, you know who you are. This is the geographic breakdown of all 90 of those responding institutions. So yes, the United States, we got the most, that's 39 responses, which amounts to 43%. But 43%, it's still less than half, right? And more than half of the responses came from outside the United States. Actually, there was a sort of neck and neck there between Spain and the UK. Who's gonna come in second place? But Spain beat up the UK by one. Then the Netherlands, Norway, and then a whole number that were just one or two responding institutions. This is the bar graph comparing by type the institutions that responded to the 2014 survey versus the 2015 survey. That second bar from the left clearly shows that we were successful in getting far more national libraries to respond to the 2015 survey than we did the previous year. So that's 14 national libraries, also an increase in the network and overall. So if we just look by type for the 2015 survey, you'll see 31% academic libraries. The speaker notes actually list these by category because some of my categorization you might not agree with but I think national libraries are clear. I'll read them off just so you know. They included the REA, academia, Nazi and other medicine of Spain. So National Library of Medicine Spain, Bibliotech National de France, British Library, German National Library, the KB in the Netherlands, Library of Congress, National Library of Malaysia, National Library of Medicine, National Library of Portugal, National Library of Spain, National Library of Sweden, National Library of Wales, and the National Library of Hungary. I can't pronounce Hungarian. The network one is a little tricky because sometimes these networks, which is meant to be more than one institution, multiple institutions all sharing the same link data services and database. And often they are actually hosted by a academic library or an academic institution. So you have to look at it and say, is this an academic or is it a network? So among networks there's ABIS in France, BBSIS in Norway, the Corsia de Cervius Univis at the Catalonia, Digital Public Library of America, European Foundation, the Oteco de Castillon de Genève, which is actually Swiss Bib, the North Rhine West Baleen Library Center in Germany, OCLC, RERA, which is the library network in Western Switzerland and the European Library. So if you think of just those three top categories, that alone is 65% of all the link data implementation responding institutions. And that will affect the kind of other responses you see later on in the survey results. So how long were the link data projects in production? Well interestingly enough, there is a more than double of the number of projects and services reported in production compared to 2014. Of course the numbers are more. The numbers on the bomb, these are the number of projects. So remember, one or more. So some of the organizations reported five or six different projects or services. So of the 71 that reported, we had 112 projects or services that were described compared to 76 in the previous year. And so two thirds basically of the projects are in production and a good third of those have been in production for more than two years. So we're talking about, in link data terms, fairly mature projects or services. Okay, let's move on. Okay, so how link data is used? The interesting thing here I thought was in both surveys, most of those projects and services both consume and publish link data. The number that only publish is relatively few. And although the number of responses vary between 2015 and 2014, the reasons for publishing link data, the ranking of those reasons is basically the same. The first one being exposed to a larger audience on the web. And those of you who have implemented or are implementing link data survey responses those that resonate, you can nod your head, say, yeah, that's why we do it too. Demonstrate what could be done with data sets as link data. The always experiment that we heard about link data and wanted to try it out by exposing our data as link data and then see if publishing link data would improve our search engine optimization. But by far the number one reason in both those survey responses was that exposure to the larger audience on the web. Number one reason. So here are the types of data from the 2015 results that it's being published. Now, given as we've seen that most of the respondents are libraries, academic libraries, national libraries, libraries reporting, libraries affiliated with networks of libraries, it should come as no surprise that the main types of data being published by that group of responses is bibliographic data, authority file data, and at close third is descriptive metadata. Other data's are also being used, but those are the three big ones. And so I'm going to show some examples of those link data projects that are in production. Cabiott, we were talking about 75 of those projects, which seems like a really good pool to choose from, except they're link data projects so they're designed for machines to read and not humans like me. So the ones I'm showing are ones that had something that was human readable, so we could all sort of understand what was going on. But I did try to choose examples showing different types of things. So the first one here is the North Rhine-Besphalian Library Service Center. It's based in Germany, so of course the labels themselves are in Germany, German, and they started in March 2010. This is from the description that they included in their response. So those are all Cologne-based libraries in the library center of Rhineland-Palinate, and it's an open data initiative, the first one for German institutions to release library catalog data into the public domain. And then in November 2013, they launched a link to open data API by its service, which you see there, the L-O-B-I-D. And the API provides access to different kinds of data, the bibliographic data from their union catalog of 20 million records, authority data from the German integrated authority file, and address data on libraries and related institutions. And the interesting thing also to note about this one is it's one of the largest of the published link data sets reported in the survey with one to five billion triples. So it's established, going on for a long time, multiple institutions. The next one I thought I'd show is one closer to home, North Carolina State University's organization name link data. This is the one that shows CNI Coalition for Network Information, and it also has other link data sources, variant names with a link to the website, where possible acquisitions and discovery staff created links to descriptions of the same organization and other link data sources, including the virtual international authority file, the Library of Congress name authority file, DBpedia free base, and the international standard name identifier. So this is all attempts to try to link together all of the institutions and vendors that the NCSU acquisition staff have to deal with. Springer is the only publisher to respond to our survey. So I thought that was interesting in and of itself. The description for its link data project was to make data about scientific conferences available as link to open data. The availability of such a data set will contribute to the broader goals of publishing the scholarly data as link to open data. Accessible science, data about publications, authors, topics, and conferences should be easy to explore and transparent science, the data on productivity and impact of authors, research institutions, and conferences should be open and easy to analyze. So this is the result of a search for a conference proceedings, which is part of its conference series, and it also has a link to a type of the data set and it has the rights visible there as under a CCO license. So that was interesting in terms of a publisher perspective. Now the British National, the British National Library, this was one of the very first to publish its entire national bibliography as link data. So this is a result of a search. They consider it successful in that it has been selected as for the UK National Information Infrastructure and its data modeling has been very influential on a number of other link data projects. Besides what you see here, what I thought was interesting is that it includes links to both the ISNAE identifier, the international standard name identifier, as its authority, and also a link to the VF, the virtual international authority file identifier, with the same as relationship. And at the bottom of the screen, it actually includes the Sparkle query that was used to retrieve that result, which the user can then modify as you would like and rerun. So that's the British National Bibliography. I included the URLs for each of these sites. This is from the National Diet Library. The National Diet Library actually reported five different link data projects and services. This is one of them. For those who don't read Japanese, here's the English. They do published bibliographic data as link data, that's one project. Another project was to publish their authority data as link data. This one is of bringing together the pictures, sounds and videos, maps, and other web resources, all related to the great Conto earthquake of 2011. And these are all link data sources that they themselves converted to link data, and then they bring it together and it's also available as link data. That's the National Diet Library. British Museum is one of the few museums to respond to the survey both times. This is from their Semantic Web Collection online. And its goal is to join and relate to a growing body of link data published by other organizations around the world interested in promoting accessibility and collaboration. So for each of the objects in their collection, it has both identifiers and then links to the topics and the ontologies that describes the person or the thing. Then we have one of those projects, it's scholarly. I call it scholarly because it's on a theme and involves multiple institutions. So in this case, it's a, the Moonen, I don't know how you pronounce it, but Manin or Moonen project, it's a multi-disciplinary, multinational, academic research project investigating millions of records pertaining to the First World War in archives around the world. Our aim is to take archives of digitized documents, extract the written data using massive amount of computing power and turn the resulting information into structured databases. And these databases will then support further research in a number of different areas. So it's a niche, First World War. I thought it was interesting because they do do some modeling of an event in this case as well as what the Great War was. And those are also directly from the project's link data. Now another project that probably some of you have heard of before is from the Pratt Institute. It's called Linked Jazz. So that's a project that has both the idea of linking the various musicians or jazz apply link data technologies to digital heritage materials and also explore the implications of link data to the user experience. So it exposes relationships of that between the musicians, but then enables jazz enthusiasts to make more connections between the musicians that they know. So they're actually using crowdsourcing to help establish relationships. The other interesting thing about this project I thought was it generates new triples from the content of interview transcripts. In other words, they are generating triples from the data of the contents of these interview transcripts rather than trying to convert existing metadata about the musicians. And so they took transcripts from various interviews from multiple institutions like the Rutgers Institute for Jazz Studies Archives, the Smithsonian Jazz Oral Histories, Hamilton College Jazz Archives, UCLA Central Avenue Sounds and University of Michigan's Video Archive of Oral History. They took all the transcripts of those and then generated all of these triples that then users like you can go and establish new relationships among them. So that was very interesting. So there's a whole bunch of questions we asked about barriers. And for the barriers to publishing linked data, the number one, no surprise, Steve learning her for staff, not that you would have it, but that's what they answered. Inconsistency and legacy data, go figure, selecting appropriate ontologies to represent our data, establishing the links and little documentation or advice on how to build the systems. So that takes care of the publishing part. You notice I changed colors. I'm talking about consuming now. In both the 2014-2015 responses, the number, the first two answers were similar in ranking. There's a little bit difference in the numbers again. The ranking is slightly different this time, but overall, same major reasons. Provide our users with a richer experience and enhance our own data by consuming data from other sources. They're primary two reasons. A third, more effective internal metadata management. Not so much in 2014, more so in 2015. Greater accuracy and scope in our search results. Again, see if consuming link data would improve our search engine optimization to see whether that would result in our stuff appearing higher in the rankings for a search engine search. Experiment with combining different types of data to a single triple store. And then again, the herd of outlink data, I want to try it out by using link data sources. Our curious might always want to try, but it's still, yes, it was one of the top reasons, but really at the bottom. The number of two reasons. Provide the users with richer experience and enriching our own data by consuming link data from other sources. Especially if you consider that everybody seems to have never enough staff or resources do what you want. Why try to replicate what's been done elsewhere. Try to take advantage of those sources and incorporate it into your own data. So these are the 2015 results of the link data sources most consumed. And I found it interesting that towards the middle, still part of the top, was resources we convert to link data ourselves. And I found that interesting because one of the advice from implementers in the 2014 survey was when you publish something, first consume it yourself. If you want to see how well you're publishing link data, see if you can consume it, see how easy it is. So in fact, that is one of the top resources that the respondents said they were consuming. The other interesting thing about the results, VEF, given an increase in the number of national libraries responding, VEF came up number one as the most consumed link data resource. In the 2014 survey where we had far fewer national libraries, it was fifth. So just again, who responded to the survey sort of affects how the responses are. So VEF number one, DBpedia number two, GeoNames number three, Library of Congress, IDLote.gov number four. And if you notice, in terms of numbers, they're all pretty close together. And then in the next segment, the Getty's AAT fast, that's the facet application of subject terminology, which is derived from the Library of Congress subject headings. That org of data bnf.fr, that's the Bibliothèque Nationale de France, the National Library of France's database, and the German National Library, Deutsch National Bibliothèque data service. So the stars there indicate the ones that also responded to the survey, okay? So we have those who are consuming the data that was published by somebody else who also responded to the survey. So what I've done is I've extracted some of those responses into a sort of brief profiles of each of those sources. So for example, VEF was the first one listed. It's, for those who don't know, it is a database where we combine multiple name authority files into a single OCLC hosted name authority service. It gets more than 100,000 requests a day, which is on the higher ranking of our activity list. The size was 500 million to 1 billion triples. And I put in the sources consumed. The ones in red are the ones that also responded to the survey. So besides DO names, it's idlocov, ISNE is the International Standard Name Identifier Service, WikiData, WorldCat.org, WorldCat.org works. Isn't that nice that OCLC does consume the linked data sources itself, publishes. I included here somebody, before we started, asked, am I gonna understand linked data? I mean, I don't know technical stuff. So I won't go too much into the ontology here. But you will notice as we go through the profiles that there is a lot of overlap between the RDF locator's ontologies used by the most consumed sources. So bibliographic ontology language, Dublin-Cortese terms, friend of a friend, all to web ontology, rdfschema, schema.org, and scos are the ones that they walked off. I can say they, even though we were both OCLC, somebody else actually responded to the survey. idlocov, on that list, the second one, enables developers to interact with vocabularies bound in the data and standards promulgated by the Library of Congress as data. More than 100,000 requests a day. Size, very similar to BF, 100 to 500 million triples. It consumes a little different agrobac, and the data from the National Library of France, the DMB's linked data service. It also consumes itself, idlocov.gov, BF, Wikidata, WorldCat.org works, and also resources they convert themselves. And in terms of RDF vocabulary ontologies, here, of course, bibframe, and of course we know Library of Congress is a leader in bibframe development, so it's nice that they are using it. Friend of a Friend, MadsRDF, RDF schema, and scos. For the Getty, a structured vocabulary for the generic concepts related to art and architecture, they also get more than 100,000 requests a day, and it's only 10 to 15 million triples. So it's a much smaller database getting about the same amount of activity, which is very, it doesn't consume any linked data. It's only one that publishes. And in terms of vocabularies, the one that's sort of different from what we've seen in the other, it also uses its local vocabulary that was not mentioned in the other two. FAST, the FAST-ed application of subject terminology. It applies LC subject headings with a simplified syntax to retain LCSH's rich vocabulary on making the schema easier to understand, control, apply, and use. Slightly less activity than the others, 10 to 50,000 requests a day, 10 to 50 million triples, and it consumes DBPDA, GeoNames, IDLCOV, and VF. For the RDF vocabularies and ontologies, mostly overlap schema.org, Dublin Core, DC terms above. One difference with this one, it does use the WSGS84 geo positioning, which you expect because it does also cover geographic names and geographic places. WorldCat.org, as you know, OCLC has made WorldCat.org available, bibliographic metadata available as linked data on an experimental basis for several years now. We're getting more than 100,000 requests a day. It's the largest of the linked data sets reported at 15 billion triples. It consumes DBPDA, but also FAST, VF, WorldCat.org, and in terms of RDF vocabularies, Dublin Core, friend of a friend, schema.org, and SCOS. And then we have the Bibliothèque Nationale de France, and this is making the data produced by the National Library of France more useful on the web, slightly less activity than the others, 10 to 50,000 requests a day, same size as the similar size to like VF and IDLCOV at 100 to 500 million triples. They consume a lot of linked data resources, so many that I couldn't fit them all on this list. Agrabac, like the Library of Congress, data.bnf.fr, in other words, their own data, DBPDA, the German National Library, linked data service, geo-named, idlog.gov, ISNI, the International Standard Name Identifier, BF, also the National Library of Spain, the data.bnf.es, which also responded to the survey, and then others, I mean, there was just a lot, but those were the main ones. It also had a lot more ontologies it was supporting. So I guess when you have been around for a lot, one lesson I'm inferring is the more you're around, the more ontologies and more vocabularies, the more you both input and want to export, and the more you want to support. So not only bibliographic ontology, but biographical ontology. It also supports Berger, as well as ISNI, of music ontology, OAI, ORE terms, RDA and RDF schema, and Life Fast, also the WSGS84 geo-positioning. So very rich sources, both in and out. The German National Library publishes authority and bibliographic data in RDF to make the data accessible to the semantic web community with no need to know library-specific metadata schemas. Similar size to the others, 100 to 500 million triples. Again, like the Getty, it does not consume any resources, but does support a number of RDF vocabular ontologies, most of which you have already seen on the other list. The one that's different on this one, ISBD. So the barriers to consuming the linked data. The numbers here are very close. There's like a looming number one, but matching disambiguating and aligning source data and linked data resources as the number one barrier to consuming linked data. The mapping of vocabularies being a number two. What's published as linked data is not always reusable or lacks URIs, lacks of authority control, data sets not being updated, size of RDF dumps, and understanding how data is structured before using it.  Now I was really used to people saying, oh, we need more time, we need more resources, we need more staff, we need more support. I was not expecting, we do nothing differently. That was the number two response, obviously from the ones who feel that they're most successful. Having more realistic expectations, also one of the top list, but certainly lower than any of the others. Time, more time, always the number one, right? We always want more time. Okay, so the advice from the implementers, we did ask for advice.  Focus on what you want to achieve, not the technical stuff. There's a lot of discussion about the technical and which schema is better than this, or which language or which programming.  And similar to that, is build on what you have that others don't. Don't bother publishing it if somebody else has already done something very similar to yours. Link up, collaborate with them rather than start from scratch on your own. And pick a problem you can solve. All of this should be for a specific objective. What problem are you trying to solve with your link data project or service? Model data that solves your use cases. You should start with use cases, then figure out how you want to address them. This came from a couple of the national libraries consider legal issues from the beginning. You don't have to deal with legal issues, right? Copyright and all that kind of stuff. Read as widely as possible and consult community experts. It was noted by several of the ones who had implemented the first projects and services that they didn't have so much literature. They didn't have such a large community as there exists now for people doing link data or having done link data. So take advantage of that and consult them as much as possible. Have a good understanding of link data structure, available ontologies. Understand your own data. It's sometimes you'd be surprised how good or how not so good your data is. Strive for long-term data reconciliation and solidation. Involve your institution and community. Don't do this on an isolated type of just-a-project service. If it's going to be for a purpose, involve and collaborate with whoever your end users are, whether it's your faculty, your students, the public, other institutions, involve them early and often. Experiment and start small. I'm not sure I agree with that because one of our very first link data experiments was convertingworldcat.org to link data. So that was not small. That's 15 billion triples. But I guess, you know, but I'm just conveying that. I'm not saying I agree with all of it. And start now, just do it, go for it. I mean, don't be handicapped just, if you're interested in this area, if you have something to contribute to the greater community, just go ahead and do it. And that, this is a small snippet of a really big, big spreadsheet that has all of the responses from the 2014 survey. That's the URL for it. And our plan is to include, as another worksheet in the same workbook, the 2015 responses. So that way, you don't have to go by what I have presented here. You can do your own filtering, your own analysis on whatever parts of the survey you're most interested in, or you could look at the detailed responses from the institutions you most consider your own peers and see how they might resonate with youth. So that's coming soon. But anyway, it'll be available for anybody to use as part of that spreadsheet. And that's it, and that's my handle. And now open for questions. That's lots of time for questions.


Capitick proudly sponsors this program. Rethink credit. Realize dreams. Capitick. Welcome to Africa to another edition of Winner Home, live on XABC3. My name is Danielo Acquisto, and I'm so glad to have you back in studio with us this week. It's good to be back. We're nearing the end. Winners, I can smell the wind. Right, I can smell that. That's a home be given away on national television. Oh look, what a series at speed so far. And in just two weeks time, you could become the owner of a brand new fully decorated multi-million rent penthouse as our grand prize winner. Your choice of one of the three apartments as designed by dynamic design duos at the Potifle Lifestyle Estate in Somerset West, developed by Baldwin Properties, just in time for Christmas. Indeed, so we're getting the festive spirit going here in Winner Home. And remember, you only have until this coming Sunday, the second of December to enter the competition, go to privateproperty.co.z and vote for your favorite design duo. And if you enter before 7.45 p.m. tonight, you'll also fall in line to be part of this week's Capitec Open the Door giveaway, where you could win one of these amazing prizes brought to you by Santa. Tonight on Capitec Open the Door, you could win a 5,000-rant Durham paint voucher, a medium Kamado-yan all-in-one grill from Cozy Home worth 14,900-rant, or a 5,000-rant Valance voucher. Plus, you'll have a chance to win some more prizes on Winner Home with Samsung. Tonight's prize is a Samsung soundbar with Bluetooth acoustic beam technology. It's got game mode plus voice and tone clarity as well. It's worth 7,500 bucks. What a prize, man. And after that, if you're a Capitec client and can answer a simple question correctly, you'll add 5,000-rant instant cash to your winnings. And as for our design duos, after a long and stressful journey, trying to win the judges' favour is no easy task. They've just passed the halfway mark of their final challenge in the competition, and let's head back to part of their lifestyle estate to see how things are coming along in their lounge and balconies. Last day of the final challenge, y'all, there's a lot going on. Just your regular day on site? Things are kind of manic in our apartment at the moment. It's a final day. There's just people everywhere, scaffolding, humans, painting. We don't even know what to do with ourselves right now, actually. Oh, this feels like deja vu. Every single time. Just before deadline. There's nothing there. We'll all get done, but you're looking quite messy. So basically, this is gonna be another, like, live bulkhead. Going through the process of designing the hammock structure for our lounge. We had a good plan going into it, but a lot had to be worked out along the way. We went to a rope specialist, and this is what they gave us. Yeah, we're just fitting that to the frame. Some of the things we wouldn't know until we could actually put it into practice and see how tight it'll be if it would take the weight of someone. Two people, nevertheless. Two people, yeah. And this whole thing had to be welded on-site because it couldn't fit in any door with or height. As manic as everything is at the moment, seeing Heath and our workshop arrive, clamouring up those stairs. Goodness, thank goodness there'll be an elevator in this building at some stage, because, like, those stairs, man. So much hauling up and down those stairs, but seeing that unit come up the stairs, honestly, our energy just shifted instantly, and having our workshop guys there, getting that art installation in, It definitely brought a different energy to our super-stressy day. We're so good to have all the laughter, and everybody in there, art was great. We decided to extend the whole concept of using slats with our look wall. We wanted to create an illusion of space and also just separating the kitchen and the lounge since it's open-plan. We're not a hacksaw yet. Nope. Yes! Yes! We're not a hacksaw yet. Nope. Yes! Yes! We've still got so much to do. We've got furniture to get in place. We need a clean... You should have seen this man climb this whole structure for the first time. I was like, I'm not going to do it.  I was like, hanging on for dear life. Every burn in my body is saying, like, no, don't trust it. But I know it's safe, so... We eventually plucked up the courage and like rolled across the structure and just felt just the netting in that and it was incredible. Just experienced the space from another angle. It really is an amazing feeling and it's really, really high. I just need some cushions and I'll sort it and watch my goal and testing for you from up here. We approached Anita to create a bespoke TV unit. What they do is create ultra-light weight, five of ours, using 100% reputable materials. They've got these massive CNC machines which they can pretty much cut out any shape and print any design that you want and they're creating for us this foldable TV unit that fits perfectly in our space. And seeing it being installed right now is just absolutely amazing. I mean, it's crazy how something so complicated can then again be so simple. We really love what we do and we'll do whatever it takes to get the job done. At the moment the massive hold-up is the lighting, so electricians and they've got a massive structure in the space. The joinery needs to go in and then the skirting needs to finish. I hope we can finish that on time. Yeah. Well, I've been watching on Twitter and it seems like the love is mutual for every single one of our design dios and remember that you have only four days left including today to vote for your favorite design duo on privateproperty.co.za Yes, your tweets don't count. And before the competition is going to close, this Sunday at 12 midnight. Remember that you can vote once per day so if you haven't yet entered today you have four more chances to win your dream home with more than three million rands. That's right. Now, the deadline is fast approaching for our design duos in the final challenge. Stay right there. The drama continues after this. Come back to Deadline Day on the final challenge of Winner Home Season 5. This is part of a lifestyle estate in Somerset West developed by Baldwin Properties. Now, our design duos are scampering to complete their lounge and balcony spaces. Let's see how they're coming along. Holy moly. I love this man's timing. Your perfect timing. All the time. I love this man's timing. You're perfect timing. How's it? How's it? How's it, bro? It's always tense at the end of the challenge but Danilo finds the most tense moment to come through. You know that this is somebody's house, not a soccer field? What is this? We're going for a golf driving range. Right. So I may or may not have a surprise for you. You know furniture always makes a lounge? What happens if I gave you two and a half thousand rent from Veilands? Would that be nice? Always helps. What about five thousand? Even better. Would that be better? And then I said I had ten grand for you. Can I go further? Can I go further? No. We'll take ten for Veilands for you. Take ten, that's fantastic. Take it? Good luck. Thank you so much. How are you feeling? I mean it's exciting because I mean we almost finished. And it's all coming together. Right now, not a lot is happening but it won't get done. Okay. Do you like surprises? Yes and no. Okay.  Ooh. Would you be excited? Yes, of course. Definitely. What is this? Kill it. Love you, love you. I'll see you at Deadline. It's actually going to be really cool when this is all over and seeing Dan doesn't equal like Stracie vibes. So your collaboration will be up on the wall, that will be done in dust and I see the paints all done and your bespoke items are finished. It's just the furnishers the next step, I guess, for the lounge. Mm-hmm. What happens if I had some money from Veilands? No. Really? Yes, how would two grand feel? Fine? Two grand? Five? Maybe. Seven and a half? Nah. Ten? Yes, ten will be great. Just ten grand from Veilands for you guys. With things being as stressful as what they are and time running out and running out quick, it's always amazing getting a hug from Dan, keeps us going. His cuddles are the best. It's the last deadline. I mean, we're putting in everything we've got. We just have to push ourselves, like, now and ever. It's the last time anyway. Time is running out for our design deals in the final challenge on Winner Home. I surely hope they're dipping into their last ounces of resources and energy because this is what counts. contestants, you have one hour. Yeah, yeah. Okay, okay. We've heard you, Dan. That last hour is always so intense. Yo. Time is almost up. We have to put the furniture in here, style the displays. Oh my. We're a team. We work together. When she falls short, I'm there to pick up. When I fall short, she's there to pick up. You know, guys? That's how teamwork works. And this is all of it. Team R&K! Life is a lot. I live in your game muscle. Being a designer. Getting all the furniture in. Exciting time. And boxing. Like Christmas. Every time. This is like amazing. We're super excited. Ooh. Bam. Ooh. We're setting up our sound bar right now. Samsung sound bar. So few wires bar. Yo, it's such a small thing with so much power. Like that dynamite comes in small packages. So neat. It literally lights up the whole space. Yeah. Like throughout, you can hear the thing. So it's amazing. And we just want to kind of set the mood. Set the mood up for the judges. As a sonic utensil. Ooh. You know what I mean? Set the mood up. Let them... Steel, it's comfortable. They're very comfortable. It is steel. No, they're very comfortable. He's petting. Okay, but they're fine. They're very comfortable. Okay, fine. We'll put them up. The balcony is one of my favorite parts of this home.  Both of us had to do some landscaping, which we've never done before. Chop, chop. There's no time to be a girl. We really wanted to play with as many earthy undertones as possible. So stone is good, grass is good. And because it's upstairs, you won't really get soil. But we have a plan. We're going to bring some brown in. We are not afraid to get in there down and dirty style to get the job done. We love what we do. And... It's amazing that these still look like this. Life on site is incredibly stressful. And the moments up until deadline can really be a test of character. But a challenge is a challenge and deadline is deadline. So for the last time on Winner Home Season 5, could I have a croissant, please? Oof, I'm so tired. I guess the show's over, folks. Show's over. And it's done. Just like that. Yeah. Wow. That's quite something to try and process that that was... That's it. We're done, done. Shall we go have a drink? I think so. I think so, too. With their tools down and their heads held high, our design viewers have completed their final challenge on Winner Home. It's time to see the beautiful spaces they've created. Timor and Kay, you're up first. In all honesty, what we have managed to achieve here in two words is ultimate sophistication. Of course, without forgetting practicality and function. Five star experience. This is so cool. Yeah. Tell me about how it's all come together for you guys. This black, dark theme has brought a nice mood into here. You've brought some lighter elements as well. Not even a plant. But it's a good. Yes, I need it. Winning does that. It's a request to space. Tell me about the actual space itself. Well, the one thing we were very clear about from the beginning is that we don't want an L-shaped couch. It's just so overdone. And as you can see, we broke it nicely, I think. With, of course, a valence grey couch, which is neutral. And of course, just put some lovely... I don't know what colour that is. It's got a mint colour. I mean, it's just... Lime's a good option. I like that. It's just spicy, but it's also not too harsh a colour. I mean, we just love the space. We don't even know which are the key elements, really. Everything here makes us happy. Yeah. So for you, what would be your design elements that the judge is going to walk in and be like, this was clever creative design. We'll start off with the layout. It's functional. It's beautiful and it works. Okay. And then we have our coffee table over here, which is a three-piece modular table. They're all separate and you can use them as side tables.  Okay. So see, that's quite clever. Where in this lounge have you added value to your home? Well, the area of the next to the bathroom, we've decided to create a study because this person right here loves to work and they want a little space that's just for that. And we've added storage options because it's compact, but still, they need to have plenty, plenty of storage. In the second look, we've done the same thing. We've added storage and an odd piece because as we had mentioned over and over before, she is a collector of arts and she celebrates fine arts. The reason why our lounge was so luscious is because we made space because we have a dining area in the kitchen and also outdoor. So that's all, in essence, created space. It seems to come together quite nice with those natural elements that are in here. You've gone with that sort of African aesthetic as well too, I see. Fied by a lot of African colours, which I really, really enjoy. Good luck. The judges are soon going to arrive. I'll call you when they're ready. Thank you so much. Thank you so much. All right, can I go now? Off the couch? Bye-bye. It's too comfortable. Can you guys go, actually? Bye-bye. Just leave you there. This is lovely. Hope you guys love it as much as I love it. Give them a gift and go and tweet them right now using the hashtag WinnerHome. Let us know what you thought of R&K's different beautiful, beautiful lounge and balcony spaces. Now, we've passed at 7.45 p.m. mark, which means that your chance to be part of this week's Capri Tech Open the Door giveaway is officially over. But you can still enter the grand prize competition on privateproperty.co.za and be part of next week's draw. The entry is officially closed this coming Sunday at 12 midnight, which means that you only have four more days left to stand a chance of winning your dream home worth more than 3 million rand. So get entering right now and don't waste this once in a lifetime opportunity. Now, we've seen what team R&K brought to the party for their final spaces and after the break we take a look at the designs from contrast control as well as the permapeeps. Get credit for the right reasons up to 250,000 rand based on your need. Capri Tech. Welcome back to WinnerHome hosted at the Part of Play Lifestyle Estate in Somerset West developed by Baldwin Properties. The final challenge is complete and we've seen what sophisticated design R&K brought to the competition. Let's catch up with the permapeeps. Permapeeps. Hey, Dad. How are you guys doing? We're good. We're good. Are you tired? Last challenge done and dusted? Yes, we are. This place is so nice and open. I feel like I dressed appropriately. You did. You're looking the parts relaxed and glowy. Looking permapeep. Yes. So how are you guys feeling? Good. We absolutely love our space. I don't know how we're going to leave it. Yeah, I'm sure. Your life is all covered somewhere. The new order doesn't exist. Right. The various elements in here that you guys are in love with the most. Well, our art piece is absolutely everything from Heathnash in collaboration with our workshop. You can see the way it looks at night. Danilo, like the lighting, it's just beautiful. And then we have our outside bright area, which is, I mean, come now, do you get anything more South African than outdoor cooking? Your client, obviously, has always been kept in mind. What is it about this space that's going to appeal to them? Well, I think we've got greenery and we are the permapieves, but also we've brought in the very subtle African feel, as per what our client needs and wants. That's shining through very well in the use of natural stone and the use of textures and, you know, different types of timber feels. Different types of timber feels. Yeah. What about colour? I see on this side of the wall, you've chosen some muted bits of colour there. Our colours are very muted, obviously, but it's to also bring in the feel of greenery. So we've got that and I think obviously also plays in with our pink velvet from the master bedroom bringing that through and as you can see, we've also got it on the couch. The judges will walk in here and spot some of these massive highlight elements that you've brought in, but they're also wanting to push your design boundaries with some critique. What do you think they'll critique? We were debating rugs at a stage because the one rug we brought out was actually too big for the space and then with the hectic deadline, we never actually got time to go and swap it out for another one. So it's still beautiful and open and airy and you can see oggies. I mean, their flooring is just incredible so it's quite nice not covering it up actually. What about the other elements? Over there, we've put in a lot of storage, obviously tall, sticking with our normal minimalist feels. So we have broom cupboard space and obviously a little bit more storage and that kind of stuff but there is a fold out ironing board. What?  Come in, fold out laundry. You know how we are. Does it work? Yeah. Do you want to check it out? Yes. We have our little laundry basket. That's so cool. And our fold out ironing board. No way. It's our absolute favourite. Love it. Good stuff, guys. That's really, really exciting. You guys have done a great job and congrats on the final challenge. Thank you. We're very excited. Good luck, Pema Peeps. This is like a millennials' haven. Would you live here? Would you live here? Totes. What I've appreciated throughout the whole competition is walking into your spaces and seeing how much you guys push those boundaries of design. Nothing in here feels like it was on a Pinterest board. It all just seemed so unique and out of the box. When we first came into the space we already had a clear vision of what we wanted this to be so being able to walk through the space unhindered and having a clear walkway which we've created kind of compacted most of the designs to the left. Yeah, so that was a big element for SA Hermona. They really loved that and it's young and it's expressive it's still a sophisticated space. It's still got a spokeness. A spokeness. Yes, now I get you. So with the whole Hermon structure we kind of allowed a space with the whole joinery unit at the end there so we thought of adding steps over there on that end so that you can actually access it and you're not hindering the flow of the space and the positioning of it is perfect because you get the whole view of the golf course outside there and it kind of highlights the whole exterior interior feel. You're the balcony when for a Moroccan feel which is low seating and multifunctional. Yeah. And so you can move it around shuffle it around. Adjust to the function that you're having. When it comes to ideas you guys are Moroccan it. We've got that. And your nooks tell me about that space there. Our first nook which is outside the guest bathroom we've allocated that for like your broom storage your vacuums. The linen and that sort of thing. And the second nook which is outside the master bedroom we've allocated that as a drinks kind of cabinet area. So I think for a little nightcap. And we brought in an artwork a photograph by Keremile as well in that drink snook. Yours truly. And the one thing you failed to mention was this huge piece in the wall on the side. Was this one of your other collaborations? That's just... Yeah. That's just us. Sexy. And it became like the contemporary clock which doesn't move. Doesn't move. Yeah. What is time? Stuck in time. Yeah. Now can I go upstairs? Please. Bring me a book. I'll throw you one. This is so cool. This is so cool. You guys can get out of here now. Bye. Thank you. This is awesome. But for your two things are heating up it's getting harder and harder. What do you think of it all? Let the viewers know what you think of their designs and keep up to date with them on social media. Follow Nick and Keremile from Team Contrast Control at Nick Nick Smith at Kehumile Mate and then Sinead and Melissa from Permapieps at Sinead Turner 9 and Melissa underscore worst and Team R&K can be found online at Rikopine B and at Cockets or Marole. Be sure to follow these rising stars and see what they get up to. We'll see you after these. Welcome back to Winner Home right here live and direct on S-A-B-C-3. Now it is a bittersweet moment for our design duos who've just completed their final challenge in the competition. Their spaces are looking incredible and now there's only one thing left. It's time for the judging. Design duos all's well that ends well. Congratulations on completing your final challenge on Winner Home. I must say walking to each of your apartments I became so proud of the work that you created. Your apartments look incredible. However, it's not my opinion that matters. It's the judges and they have arrived. The judges are here. They are Slade Brooks property executive bourbon properties. Brian Courtney private property Bultler Matole from Kabu Design Architects and your guest judge and mentor for this challenge Kyle Rue. It's been quite stressful throughout this whole competition but we're feeling a bit sad that it's the last time we get to like stress and cry and scream on the side. Please let us win. Please. We take one. Give us another one. The idea with this launch base was always a relationship with the kitchen space and all these living areas working together. I really feel we've properly achieved that and that's a big reward in itself. Alright Brian I need a moment to take all of this in. There's a lot going on in this room. Team Contrast Control does amazing work. I think their ideas were incredible. That space was jam packed. I love that they've got the spoke pieces of furniture. Every chair around the dining room table is interesting and unique. I really admire the creativity that the guys show in their choice of pieces, their use of colour and obviously their structural design is always very strong. It's very interesting and I think they're very creative people but I'm not sure if it will appeal to everyone necessarily. Team Contrast Control exciting always. I think they're born designers. They're artists. You can't argue that. I agree with you 100%. The creativity is definitely there. Team Contrast Control I climbed up your ladder. That scared me. I wasn't sure if I was going to get up there. I wasn't sure if I was going to find myself lying down on the floor at the end of the scene. This was a bit of an experience. I got to the top. Everything was sturdy. Everything was stable. I was happy. It was a fantastic idea to try and use the volume of the space effectively and try and make use of that extra bit of space above there. I looked over to my left and I saw the most magnificent view. There's mountains, golf course, tree line. I'm trying to understand why they made to solve a little perch on the top of the apartment. Stepping outside I actually really enjoyed the tranquility of it. It was very peaceful. There was enough seating to have a few friends around and it didn't distract from the beautiful view. I'm worried about the space they've used though. You're missing quite a lot of the room itself. Apparently a passageway great conceptually but you need to use all the space you have. It does sort of congest everything down to one portion of the apartment. Yeah. Definitely could have made a more open lounge area and utilized the entire room from front to back. Is that a clock? And what is the time? No. What is the time? It's half the hour somewhere. Yeah. Sounds good.  We hope the judges appreciate the fact that we've played with every space in this apartment which was left for last. Yeah. There was a lot of thought process and I just think I love the floor from the kitchen to the lounge. Beautiful. Very impressed with everything. As you walk through you see this beautiful wooden slats and behind it the greenery, the whole open room. I mean the place was well executed. They had the volume in the unit. They had the colors. They had all the contrasts. Well, I really like the fact that in the mental session we discussed using the expansion joints to a graphic effect. And they obviously brought the gold across from their light fittings and punctuated the art onto this broad stripe down the room. I think it has a great way of bringing your eye up into the double-volume space as well. Yeah. We have a bespoke coffee table over here. It's not just functional. You know, it looks great. Yeah. I mean it's pretty much a piece of sculpture. Yeah. What did you guys think of the TV units? Maybe a little bit heavy for the room. I understand where they were trying to go with in terms of the concept, but I think it kind of overpowers. Although it is really great not to see any wires over there. I didn't like the whole tombstone look of the TV cabinets. But if I walk past the TV units and go through to the outside balcony area, it's a lovely open space with an incredible view. I didn't quite understand why they would put the wooden decking in the L shape because it divided this a really small balcony into a smaller segment with the fake grass, which was beautiful, with a few people. If you want to have friends around and enjoy the view, I think it's a bit limiting. Something I noticed as I was coming in was this lattice work. It's beautiful and very clever the way they've continued it right across the edge of the bathroom wall and the little reading nook is cool. I think it definitely mirrors the kitchen, which is a really clever feature. It seems to be a great sense of continuity from the kitchen going through into the living space. I loved how they used space. Even the enclaves, the little niches, they looked at the textures on the walls. So every single space was thought through. So other than the kitchen counter, the one thing maybe lacking here a little is the dining space. For this small space, I think they've brought that outside. It's a beautiful dining area. You can relax with the views. So I think they've really made a good choice by not putting in the dining area. The balcony table, although they have put it there, could have been a little bit more formal. It would have compensated for not having the dining room space inside the house. We are so excited for the judges to see our collaborative art piece from our workshop and just the general actual flow of the space, how it just feels like all one space and just entertaining is going to be awesome in that space for whoever gets it. I remember you loved the dining table when you looked at the kitchen. Dude, you've got to eat somewhere. Priorities, priorities. The girls from Pena Peeps have definitely had a strong design identity from the beginning to the end and you can obviously see the flow of their finishes and their ideas consistently through the whole apartment. I love how now when we translate the dining kitchen lounge area, the whole space works, it flows. I really think if they had a rug under the table in the lounge, it would have added a bit of a cosier space, made it a bit warmer, but what is very nice is under the coffee table they've added those pot plants, same as they did in the dining room table, which was very clever.  I mean the recycled plastic works they've done with perfect in the room. I do feel however it would have been quite nice for it to have traveled a little bit more up into the height of the space, rather than being all at one level with the kitchen. I agree with you on that, but I think what they've done is on the opposite wall they've used all of the space. You've got different colours in there, there's different pieces that are popping out of the wall, it creates a good volume for the shroom. What the Pena Peeps did really well was creating a feature wall behind the TV, extending that colour from floor to ceiling, just on an otherwise very large flat surface. And what I really love is what they've done in the balcony with that beautiful bright area with enough storage, their wine rack, so I think they've created a good balance. Pena Peeps, when it comes to reselling your apartment, I'm pretty sure I'll take the first buyer, walk him outside and show me as a bra, and I've got an easy sale on my way. Great idea to obviously have the bright and be able to use the space, however, I feel having focused on that they might have let people in the actual comfort of the seating, which really didn't look like it was too comfortable to sit on. South Africa, right? We all have a bra. Exactly. A good view as well. It's amazing. With all that out the way, our design viewers can take a deep breath and breathe a sigh of relief. And what team are in case a much needed downtime means experiencing the natural beauty that Somerset West has to offer. Last challenge is out of the way, the girls have to do what I define as heaven. Let's go, let's do it. Let's do this. Journey is End is a recreational yard, meaning we're non-competitive. We are purely here to learn and gain life skills from being with the horses. Wait, where you going? Ah, this is going to hit me and bum. I'm about to get on this horse right now, and I'm going to say I'm a little terrified. These things are huge. To be honest, I mean, the first time I went to the ranch. To be honest, I mean, the size of silver is intimidating, even for someone who's not a first time rider. I mean, look at this, she called him a gentle giant. What we do here is we teach people basically how to ride, how to be around horses, and not only that, but life skills. To squeeze on the sides of our horse, and tap, try not to pull at the same time. Great, you got it. You got it. Trust the record to drag me into a crazy ideas. Marvel, right? But anyway, I'm going to take the chilled horse, because she can have a crazy one. Her crazy ideas. Well done, Silver. I'm proud of you. Yeah, Noorasi is a real gentleman. Oh, he's taking it easy. I mean, it's really nice that you can have both city and a bit of country. It's really amazing. Like, this is in the middle of Somerset West Guys. Being away from sight, in this way with the horses and the view. I'm just an oar. Oh, this is so cool. Let's do this every day. Koki's first day today on the horse. She really surprised me. She was awesome, very chilled, making jokes on top of the horse. Like, nothing phased her. This is a real slap of heaven. It was awesome. Really, really good.  What happened? I mean, I couldn't ever move, like stiff. Really? I'm joking. And because we love a good pun on this show, I'm not sure whether to say hey, hey now or ho, ho now. Let me know your thoughts on Twitter. Would you love to see the apartments with your own eyes? Come to part of a lifestyle estate in Somerset West this Saturday, the 1st of December between 2 p.m. and 6 p.m. and meet the winner home, design duos and see the completed units exactly for yourself. Plus, a visitor will receive a complimentary slice of freshly baked pizza from the Amici restaurant on the state and I demand a bite. So make sure that you bring the family down to part of a lifestyle estate for the special open house show day and witness the exquisite design by our duos with your very own eyes. This is a once-off experience so please do not miss it. I'm looking forward to meeting you. Coming up, we announce the winner of the final challenge on Winner Home Season 5. Unexpected coming from a bank but just think about it. Using credit to finance a flashy lifestyle to show that you've arrived won't help you live better. What's new today is old tomorrow except for the debt that you still have to pay. But do take credit to renovate your home, buy a more reliable car or pay for your children's education. If that's your goal then Capitec will help you live your dreams because living better starts when you get credit for the right reasons. Get credit for the right reasons up to 250,000 rand based on your need. Capitec Welcome back you are still tuned in to Winner Home right here on S-A-B-C-3. Now my favourite time of the show is fast approaching it's time for the Capitec Open the Door giveaway where we draw one lucky name from the past week's entries and that lucky contestant and win whatever is behind it. Here's what's hidden behind the doors this week. Tonight on Capitec Open the Door you could win a 5,000 rand Durham paint voucher a medium Camado Yan all-in-one grill from Cozy Home worth 14,900 rand or a 5,000 rand Valance Voucher. Ah, such exciting prizes but as you know we always need the aid of magic hands to help us open the doors for us tonight we have Ishmael Sussman recovery system administrator from the Capitec Ishmael welcome and thanks for joining us Thank you so much for having me it's good to be here Yeah, so what exactly do you love about your job at Capitec? I absolutely love working hard and playing hard and most of all making dreams come true Making dreams come true and helping people live better I love that Well, we have our lucky colour on the line Byron Fun-Headen from Somerset West Good evening Good evening Ah, you made it through How's it going? I'm good yourself I'm great I'm happy to be online That is absolutely fantastic You must drive through the lifestyle estate quite often and you must love it, eh? No problem I love it Okay, well you've had the different prizes that are hidden behind our doors tonight Now which door would you like us to open for you tonight? Red, white or blue?  That's... Okay, congratulations You have won yourself a 5,000 rand valance voucher Thank you so much Ishmael, that is fantastic Byron, are you excited? I'm excited, yes Love that, man Thanks, man That is great Okay, well You also get yourself Yeah, you get yourself a Kamado Yan all in one grill from Cozy Home worth 14,900 That is an exciting prize Congratulations Thank you very much, man I appreciate that Thank you so much Ishmael for joining us tonight Thank you very much That's fantastic, man Well, clearly we're excited on Winner Home tonight It's also time for you to win a second time Are you ready to be another winner with us on Winner Home? No problem, I am, yes You like Samsung products? Fun products, bring it on Good stuff, now listen very carefully because I have a question for you at the end of all this information, right? The question Well, the comments that I want to share that you need to listen closely too is at the Samsung sound bar, right? It's got some really amazing features It's got voice and tone clarity It delivers crystal clear and detailed dialogue with a built-in centre speaker It has what it has features like the acoustic beam technology that mixes and delivers the sound so it appears to be coming precisely from where the action is happening on screen and for gaming its auto settings optimise your sound to the game you are playing So now to win this amazing prize answer this simple question for me Which feature used in the Samsung sound bar with Bluetooth creates panoramic sound that moves in sync with images that are on TV Is it A. Acoustic Beam Technology or B. TV Sound Connect A or B Is it A or B B You're going to say it's B, right? That option for B was Sound Connect The option for A was Acoustic Beam Technology Are you sure it's B? Are you sure it's B? B Okay You are incorrect unfortunately The answer was A Clearly also too excited to win the prizes today but don't worry there's still one more chance for you to win Byron, I am excited for you still You are still in the running I am so excited I even almost gave you the wrong prize Congratulations on that Kamado Ya Now you still have another chance to win big and the question is pretty simple If you are a Capitec client and you get it right you will win Are you a Capitec client? I am not a Capitec client Byron, my friend Well, I am sorry about that but listen congratulations on what you have won tonight Okay Thanks, man Fantastic If you were a Capitec client Byron you would have won yourself a 5,000 in your bank account but that means that it rolls over to next week You can enter to privateproperty.co.za and stand in line to be called live on air for the Capitec Open The Door giveaway next week It is pretty simple This is your chance to win the home you've always dreamed of Enter the Winner Home Competition by voting for your favourite design duo on privateproperty.co.za and stand a chance of winning a fully decorated apartment at Partoflay Lifestyle Estate developed by Baldwin Properties worth over 3 million rand Plus you'll automatically be entered into the weekly draw where this coming Thursday night you could walk away with a new Samsung Galaxy Watch with phone capability via Bluetooth fitness tracking and interchangeable strap And if that's not enough Capitec client stand a chance to win the 5,000 rand in cash Competition details plus tees and seas can be found on the private property website Winner Home every Thursday evening at 7.30 on SABC 3 The stage is yours The final challenge is always the toughest duos but each of you can be incredibly proud of the amount of work you've put into your spaces We could see your hearts and souls were poured into this challenge Let's begin with our judges' feedback I'll start with you team contrast control You always push the boundaries of design and the judges really appreciated that in your living space Your net hammock really took the judges by surprise However, the open space you created from your entrance through to your balcony made it feel like you cramped everything slightly to the one side of the room Super happy though that the judges were a bit surprised about our little things Our little chicks up asleep And the other comment about the lounge being a bit too compressed We'd rather look at it as being compact because we wanted a free flow of space into the outside So the person walking outside never has to worry about walking across the TV and that sort of thing Person at the TV is cosy and comfy on their own Everyone else can carry on as usual Team R&K The judges commended you on creating a practical living space with ample seating and the fact that you created that study in the kitchen They loved the wooden slat feature that leads into the lounge and the fact that you used colour on your wall to hide the lines However, your dark TV cabinet although practical for hiding wires the colour may have imposed slightly on the space I missed all the criticism All I heard was yum yum yum yum It was so good and I mean the criticism is kind of fair maybe it's overpowering because of the colour but if we also went too pastel the permapeeps The judges loved that you brought dimension and texture to your TV wall and that you brought the volume all the way up to the ceiling bringing interest to the space They also loved your bright area However, they did feel that the L shaped couch on your balcony forced your guests to face inwards as opposed to the beautiful view outside and they thought you could have brought some warmth to the space by including a rug under your coffee table With our outdoor seating we're a smidge disappointed with the feedback on that The view is always there so you don't have to be facing it and staring at it all the time to appreciate it The seating orientation actually lends itself to better space utilisation in the whole living area and outdoor area together I think With that said, I must remind you that although the competition is tied the winner of the final challenge on Winner Home does not determine the winner of the competition The judges will first need to visit your apartments and judge them in their entirety However, there can only be one winner for the living area and balcony challenge and the winning duo is Team R&K Congratulations ladies and as winners of this challenge we'll be allocating an extra 5,000 rand to your budget so you can tie up all the loose ends and get it ready for the judge's final visit The budget is going to come in real handy I mean next week the judges come in and this place needs to be thick and spanned, clean, perfect to the team So we're going to use all of it We are pretty disappointed in Leek about this decision It would have been cool to have more than one individual challenge win but yeah, I feel like we can definitely do some cool things and just fix a couple of small tweaks in our snags time and we are going to actually hold our heads high and really hope that the judges enjoy the space as a whole We're very stoked with what we've achieved here and I think when the judges come back for their final judgement and actually get to spend some time in the apartment experience of living in the space all our little details that we've paid attention to along the way will really pay off All I can see was What a victory dance that That was real excitement on Winner Home, almost as much excitement as getting where they open the cap and take open the door Yes, that was very, very exciting Byron, my man, I hope you like your Kamado Yan, it is a spectacular gift I'm looking forward to seeing all of you guys this weekend, this Saturday well this coming Saturday I'll be there from 2 until 6pm, you can come to the part of a lifestyle in an open house show day, there's going to be pizza slices for those who want to come come and meet the design duos, see the spaces for your very own self, it's going to be awesome Also, you have three days left till competition closes midnight the 2nd of December, okay? So we have to go right now, good night we'll see you again next week, cheers guys Next week on Winner Home, having completed all their challenges, the design duos have the opportunity to implement the final tweaks to their spaces Ladies, what can I say? This place looks amazing May I please move in? Then, it's all up to the judges who spend a night in each apartment to experience them in their entirety catch all the action on Winner Home Thursdays at 7.30pm on SABC 3 with a repeat on Saturdays at 3pm the stage is yours uh, never feel good production


So everybody knows what an FBA small a is, right? So a small FBA is a functional behavioral assessment, right? So we could have an FBA, which is all big letters, right? So functional behavior analysis, right? Often referred to as just a functional analysis. Really what this is, this is an FBA on steroids, which is why I call it an FBA, right? Why? Because you're analyzing. You're creating experiments to find out what the function of behavior is really about. So in an FBA, just a typical one's FBA smaller. You're just making a well-educated guess about what you think is maintaining the behavior. In a functional behavior analysis, you're actually going to find out, you are going to do an experiment, probably a reversal design, or withdrawal design, go see our videos on that, to find out what really is maintaining the behavior. You take the reinforcer, you remove what you think is the reinforcer, you remove it. Then you go, oh wow, did the behavior go, I need to put back, I need to do all sorts of stuff with it, right? So you can do your genuine experimentation to find out what really is maintaining. It's highly useful in an experimental setting, or when you're trying to design interventions and things, but in the applied setting, you typically use FB small a.  It's all you got.


The L sound pronunciation the L sound minimal pairs lay ray nay blue brew peel pier low row no fly fry fall far lice rice nice flight fright file fire lake rake play prey trial trier link rink clock crock little litter laughed raft glue grew paddle patter liver river glaze graze aisle ire challenging words lift bottle frugal Lazarus left ladle worldly nevertheless lily cradle walrus algorithm flu legal flailing illegal blitz leather lavender illustrious plight leaflet alignment removable grail Luther terminal religion mellow listless reasonable aluminum rally restless salamander flawlessly in phrases leave it alone lay it on the line all's fair in love and war live and let live a calendar girl all's well that ends well little by little left in the lurch he who laughs lasts last but not least a naval blockade all the world's a stage location, location, location a little later arsenic and old lace dialogue did you leave the lights on last night? no, don't look at me like that but you're always leaving them on believe me, I'm not the guilty one well, when did you close the blinds? about eleven or twelve were they still on then? let's talk about something else did you leave the lights on last night? no don't look at me like that but you're always leaving them on believe me, I'm not the guilty one well when did you close the blinds? about eleven or twelve were they still on then? let's talk about something else oral reading right after I left the library last night it started raining I tried to hail a taxi but it was useless they were all filled with last minute shoppers laden with Valentine's Day gifts for their loved ones it was really a hassle holding an umbrella in one hand and an arm load of books in the other after a while a nice little old lady rolled down her car window and offered me a ride getting in the vehicle I slipped and fell into a mud puddle spilling my books all over the road what a relief it was to finally get home plop down on the sofa and relax right after I left the library last night it started raining I tried to hail a taxi but it was useless they were all filled with last minute shoppers laden with Valentine's Day gifts for their loved ones it was really a hassle holding an umbrella in one hand and an arm load of books in the other after a while a nice little old lady rolled down her car window and offered me a ride getting in the vehicle I slipped and fell into a mud puddle spilling my books all over the road what a relief it was to finally get home plop down on the sofa and relax