All right, good morning. I'm used to speaking in front of groups as I'm a professor in the State University of New York at Buffalo State. But this has me really nervous. And so bear with me. And it's an honor to be here. The Blender Conference is my first Blender conference. And super excited, super nervous, and super honored. So thank you. I've been using Blender for about 12 years. I discovered it at the first college I was teaching at. The college couldn't afford the software. I did 3D Max and so forth in the 90s. And I needed an alternative. And so I naturally found Blender and fell in love with it and haven't looked back, been using it ever since and been evangelizing students for over a decade. And so you're going to be seeing a lot more students, a lot more artists using Blender in North America. So this is just some of the stuff I do. A lot of people here have been talking about daily practice. And that's something I really advocate for and do myself and teach my students. Just make work every day, iterate, experiment. And it piles up. And eventually you'll have enough tools in a toolbox of sorts that you can use when projects come along. And so last winter, I was approached by a company called Projects in Buffalo. And they were going to be doing a projection mapping project. This is the former Buffalo State Lunatic Asylum. And it's a very auspicious, ominous looking building that hovers over the landscape or the cityscape of Buffalo. It was abandoned for about 50 years and just sat empty.  And in North America 100 years ago is a long time ago. And so this is what it looked like for a long time. So anyway, the project was, this has been turned into a four star hotel now. This is what it looks like now. It's a really nice hotel, a convention center. And this is part of Buffalo's Renaissance. Buffalo has been going through a major renaissance over the past decade. And young people are moving into it. Property values are still low. But the quality of life and everything is still improving. We have fairly harsh winters, but the summers are fantastic. But anyway, so there was some money to do a projection mapping project. And so what was going to happen was there was going to be a whole bunch of animations that were wrapping around this project or this building live. And there was going to be a live, the Buffalo Philharmonic Orchestra was going to be playing live. And so I was approached to contribute animations to this project. So advertising and everything started around March or April and the event was going to happen at the end of July. But we didn't get all the project parameters until just a few weeks before the project started. And so we were going to have to come up with 60 minutes of animation. Five to 10 minutes of animation I was going to be responsible for. There was a team of about five or six other motion graphics artists that were in charge and making different parts of this project. It needed to be rendered at 5K. We were using the D3 technology to do the actual projection of the animations around the building. So we were going to use about five Christie projectors, super flame throwing Christie projectors that wrapped around the building and they were going to be organized and synced with the D3 system which was a very proprietary system. And so every time we had to do tests the dongle would stop working and there would all be those problems with the license and so forth. But I was working with Blinder, everything were fine. So, but it also had to be synced to live music and because we didn't have the live music we only had recordings, hopefully everything would time outright and sometimes it did, sometimes it didn't. And we only had when we got all these parameters six weeks to complete the project. And because I already signed up for a three week residency artist residency then I only had three weeks to get the project done. And so my project was not so much about my section was not so much about the building itself but about the Buffalo Philharmonic Orchestra. And so they said they wanted lots of notes, lots and lots of notes to be flying around the scene. And I don't know anything about music. I know everything or not everything but I know a lot about motion graphics and art and design. But so I just threw a lot of notes everywhere and I was trying to figure out how can I actually get this done? So I was gonna use cycles but to get it rendered quickly at 5K my piece was gonna be over 5,000 frames. I'm just gonna use emission objects and that allows me to push the samples really low. And then to make a sophisticated looking animation I would just throw in a whole bunch of particle systems and see what I could do with that and just start playing with particle systems but actually what was I going to do and how was I gonna make this work and how can I make the notes react and look like it's not just notes being projected randomly on a building. So the company we were working for there was another company that scanned the building in 3D and they gave us this OBJ of the building itself. And it was fairly detailed but I ran into some issues. This was the UV map for that OBJ. And they told us it was spot on and perfect. It wasn't. So it wasn't quite perfect. We only found that later but it still worked out really well and sometimes with these kind of projects if the audience doesn't notice then it's okay and that's how I tried to approach it. So my first approach with this project and using Blender of course was well I'll take that UV map and I'll just set a particle system at the bottom of it and set up an orthographic camera and then I'll just use a force field and move that force field around and have these particles fly around the building. And then I created cubes wherever the windows were and made those collision objects so that way the notes would just fly around those cubes and I wanted to see how that would work and that worked out pretty well. It was kind of decent. I called this the sort of two dimensional after effects approach. A lot of the other artists that I was working with they were just mainly using after effects and doing the same exact thing. And the effect was okay. I was somewhat pleased with the effect. I had the cubes change colors and so forth so that way we had lights flashing on the windows and then as the music sort of built you would see these notes move around in a rough approximation to the way the music was sort of reaching a crescendo and it was pretty and it was rendering quickly. I added some glare effects and so forth. The building itself is a brown stone building and so we were very wary about how reflective it was actually going to be. So I knew I needed to make animation and some work that was very high contrast. So this fit all those needs and parameters. To test it out I wrapped the texture around the building using the UV map and then just did open GL renders to see how that was gonna look as it went. And so this allowed me to iterate and move quickly. The other artist that I was working with was with After Effects. It took a lot longer to render but with Blender I was able to move the ideas much more quickly using these type parameters that I was using. But I didn't necessarily like the way the building in the way I was animating wasn't three dimensional. I wanted to try to come up with an idea or a way that things could fly around the building and take the actual contours of the architecture into a greater account. So I started thinking about baking textures. And so I would set up a light and I took the previous animation and I would just set that light to have that texture as the emission object. So in other words I would project the light onto the building and then try to bake the textures onto the UV map to see what kind of effect I could get. And I think that this was in the kind of the right direction. And so I started setting up other situations where I'd have emission objects and play with the glossiness of the building and capture the texture onto the UV map. And I liked the way this was going. But the problem I was running into was it was 5,000 textures in a sequence and I didn't have a decent way of rendering a sequence from those textures. And so Google, I just Googled and Googled and Googled until on Stack Exchange, Blender Stack Exchange, this anonymous user, Ptor, had posted this script. And thank you, Ptor, or P-2-O-R. I don't know who you are. But this script allowed me to take a sequence or bake a sequence, a texture sequence from this. And so just posted the, or pasted the script, tweak the script a little bit into the script window and then you hear Run Script. You have to do a few things before that. You have to actually bake one texture for the first time. And Blender completely freezes while it's processing the texture, the bake. And so you're not quite sure if it's working. So you open up the folder and you see the files piling up and that way you can know if it's working the way you want or not. And so I started doing some experiments. Parts of the animation, beyond mine, I was building assets for the rest of the show as well. We wanted to talk about how the building had fallen into disrepair, how it had been abandoned for a long time. So I thought I would take the Vine add-on and have vines grow around the building. And that worked out really well. And this is what that looked like after it was baked and then animated onto it. Let's see here. Does it play? There it goes. And so this is a rough approximation of what it looked like when it was projected. The video from the event is crude. There were some copyright issues and so I'm gonna show some video later. I took it from YouTube, from people who were posting it to YouTube and they've already had some takedown notices, so hopefully it'll be all right. And then I started doing some other experiments like pouring water, because we're really close to Niagara Falls. They wanted to reference the local culture and the local things. This wasn't used, but I thought it was really kind of interesting. So the water and everything falling on that could bake those textures. And I experimented with what types of shaders and materials to actually use on the building. And what worked best was just having a pure smooth glossy material and then I could capture whatever was happening around the building. And so I did this sort of Lord of the Rings thing here for the finale where I have these notes spinning around and I'm just using various force fields to move that vortex around. And then because there's a glossy shader on the building, I can bake that texture after it happens. So it allowed me to create a sophisticated, complicated looking animation and actually I'll have it rendered quickly. And so this is sort of, it was fun to do and I could go through this in a lot of different directions. So I got to play the notes in a way because if you just turn on auto key framing and then I just grab the hit grab and grab the force field and then just play, I can just record and play that. So the frame rate doesn't tell you what it was actually like. It was a much smoother process. And so animating this way, it was fast and fun and I could go through lots of different tries. I remember the last one I did here, the one that I was happiest with, my son was talking to me at the same time as I was working. He's telling me something, uh-huh, uh-huh, uh-huh. And that was the one I decided to use and I thought that was fun. This is a photo from the event and this is what the notes look like on the building. It turned out way better than we actually thought. I don't know why the brownstone was so reflective but it worked out well. Here's some video. This is a little bit out of focus. There it is. So the camera doesn't really give it a true honesty to what it looked like but it looked good and the audience was very pleased. The band was playing in front of it. We expected, I think it was 12,000 people to be around this event and 18,000 showed up. It was standing room only and it was a lot of fun. Here's a more of a close-up of what that looked like. Let's see if that'll play. There it goes. And so I think there's a lot of potential in this process to basically just take that UV map and capture those textures and do all sorts of things to it. So if I had more time, right at the end of the process, we actually got a very high resolution image map of the building. And so I could have taken that image map and used it to warp the building, make the building look like it was falling apart. I could have used all sorts of add-ons to destroy the building and rebuild it again but there wasn't enough time. So it had a lot of potential.  So I was able to light up the windows. I had all sorts of other texturing effects. And if you look up there around the edges of the triangles there, you see these little light flashes. That's where the UV was not quite perfect. But the audience just thought, oh, it's glittering, so. And so those kind of happy accidents are so all right. Having a good quality UV map is important. And so that part where the particles shoot up the towers, there was a very high notes. That's where the music, it was Gustav Moeller and it hit a crescendo. And it was the most dramatic part of the show. This is a photograph from that moment. So you get a better idea of what that experience was like. But it was fun. And giving yourself type parameters like that, I've done enough projects over time to know that if you try to do too much, you're gonna fall on your face. So keep it simple. And try to work as best as you can within those tighter parameters that you give yourself. So like I said, I think there is a lot of creative potential in this process. But I know a lot of you here could probably write a script that would build an interface for baking this sequence and it would work just fine. I don't know much about Python. I know enough to be dangerous. And that's something I hope to fill in down the road. But if you are going to do anything like this, have an accurate UV map, and then the possibilities are really quite endless for doing this type of animation or artwork for projection mapping around a space or in a space, I think it has a lot of creative potential. And then give yourself enough time to thoroughly test the ideas to iterate over and over again. I think that is really important. So if you set up type parameters that allow you to generate your ideas and refine and evolve your ideas, then that's absolutely critical. But that specifically I think is why I like Blender so much and why my students like it so much because it's like every time we open it up, it's like I feel like a little kid looking at a new toy and not a new toy, but a toy that you're very familiar and comfortable with and it encourages my students to go home and tinker and to play with it. And it's such a good tool for that purpose. And I think because it is free and open source, it just holds so much potential for so many people all across the world to be authors of culture and democratize this content in such meaningful ways. And so that's why it's such an honor for me to speak at this and just share this little thing that I learned how to do for a project. So thank you for your time and enjoy the rest of the conference. So thank you. Thank you.


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I Will I Will wear that chocolate shirt though to 259 Tony Gwynn for the Padres to 299 anything there is a Yankees Triple relic Correa to 36 for the twins game used and Rookie Auto Angels is redembers to 199 Another crash made caution, dude. Can they just put on the NBA all-star game with this boy? This is getting insane You may as well just change We we tried Bryson, I'm done Joey Votto to 299 for the Reds to 125 Johnny Bench Reds And a Mike trout redemption triple threads autograph relic card gold parallel that'll be to nine big redemption One of the Angels Matthew F No, and Jersey Cards stanton to 48 299 Alonzo for the Mets the 99 Aranado Cardinals Twins Joe Maurer 14 of 18 on the triple relic auto to strike success Good stuff so far and a Jersey card Andrew McCutcheon at 36 for the Brewers Game used to 150 Johnny Bench Reds to 199 Yati Molina Cardinals Nolan Aranado to nine award Street game used and Jersey Auto Randy Arosa ran it to 99 for the Rays Illegal It's 150 Soto for the Padres to 199 Torkelson Tigers Redemption nice Bieber Ramirez and Jimenez triple threads auto relic emerald parallel There we go guardians Bieber Ramirez Jimenez Be very nice when she get that and Jersey card for the Giants Buster Posey to 48 299 Bryce Harper for the Phillies to 125 Acuna for the Braves Trader turn it to 27 Dodgers game used memorabilia 27 and 26 streaks Patch auto blue JST Oscar Hernandez three of 10. I think there's a lot of people here tonight Serena still here she'll leave Everything she got Weird move No, it's like Chris Bryant to 25 for the Rockies to 259 Mark McGuire A's Rookie triple Jersey Colton Welker auto to 50 he didn't even say who Yeah, same as you go to some gum cool off a bit Colton Welker on the Rockies there Jersey card blue J's Liddy Jr. To 18 Yeah, he really is illegal To 199 Jeter for the Yankees to 25 Hank Aaron Braves Triple rally yard on Alvarez to 27 ash those 300 games 84 homers and Padres Jersey auto Fernando Tatis Jr. 15 to 25 We're going along here. Let's see a book in this break parallels 75 Chipper Jones and a 259 Garrett Cole Raves and Yankees Great VGO to 27 triple relic auto for the Astros I'm poor 9.4 war and Jersey card Rafael Devers to 18 Red Sox To 259 Musial Cardinals and a 299 Griffey Mariners Game years triple Jersey for the Cardinals Molina Aronato engulfments 10 of 27 and rookie auto for the Cardinals large new part one of 50 Sam is dripping personals all night All We'll see Shane we'll see wonder Franco rookie 299 trade Turner Dodgers to 259 who your eyes where he gets Mariners rookie all-star game one-of-one white Sox Carlos Rodan You go white socks with the swoosh in two patches Grats white socks that is so cool all-star game stuff Probably some of my favorite cards and triple threads great sets There we go event warm memorabilia will get that Mac and Jersey auto blue jays you say Kikuchi the 99 Had a search demand will focus can't do it anymore There's a wit rookie there Wander to 259 rookie for the raise and a 299 Kershaw Dodgers Triple Jersey rookie auto for the Pirates or ones you can Traris 32 of 75 and bat relic a keel badude a 36 for the Tigers I'll drop an FAQ link if you're interested in how The group breaking works really for the basics So have pieces of 1988 tops baseball pack gun in my in my gums I don't like it sometimes you got to do what you got to do Bryce To 299 Javi by as Tigers to 125 rookie J rod there you go Mariners Yeah, seriously netminder There's J rod. Oh, that's nice triple Jersey Tati Soto and a Kunya 36 that is a national Soto So there isn't a majority by team here. Maybe somebody has more than one spot Padres Raymond H Nationals the Eric R and Braves is Kevin W random at the end on this one and Ruby one of one Joe Ryan jumbo patch rookie auto Congrats twins second tier team for Peter M. Great four-color patch player worn One-of-one Ruby auto great rookie pitcher to 299 Luis Robert White Sox to 150 Lindor Mets Mets nice hit here David Wright 18 of 18 triple relic auto solo to win Mets and Jersey card White Sox Lou Bob six of nine player worn Jersey pretty good break so far See if we get some more teams involved here. Oh, man. Now. I'm not worried about my health I'm does my head hurt like just a normal slight headache or like am I uh? Am I starting to feel symptoms of the chewing gum? Not saying To 125 vado for the Reds to 75 yellows Brewers Game use ma'am Corey seager for the Rangers four of 18 battle-tested and Jersey auto Brewers Josh Hader to 75 to 150 Barry Larkin Reds to 199 George Brett Royals a white whale For Sammy Sosa do that is awesome Homer for 9,000 one-of-one printing plate triple patch auto Slamming Sammy Sosa That magged as well really good break here Jersey card Mountcastle the 48 for the Orioles We probably have a few flawless boxes and stuff. We're not doing personals over here tonight. Personals are gonna be on drip tonight FYI We should have what 2020 flawless and stuff. We have a 2020 flawless football That might be it for flawless. Maybe baseball, but yep, you can check out Personal boxes right here. Oh, I signed so many things during the day and they're like, oh sign this sign this all right I'll sign it. I'll sign the paper Sam if I die from eating that gum you have to break by the way over here Yeah, see Sam's already ready. That's what happens slippery slope start start to get a gap in the schedule You got a dead breaker. That's that's how it happens 299 Maxers or Mets to 150 Mark McGuire a's There's been a good the good half of a master case so far. Geez. Yeah, that was cool Oh, Sammy, I pulled the white whale Eddie Mary for Greg and one. We should pretty nasty first inning Granny to 36 will stick a trellis for the Cubs That's Yankee legend girl for you Jersey auto for the Blue Jays Giants legend Rodan 75 there for the Blue Jays Ryu Jersey auto What up Adam? How you doing man? I'm telling you we need to go on the we need to go LSC on the road I need to do breaks on the road And I mean like I mean like everywhere on the road like all right We're stopping at what a burger I need to go do a break inside. What a burger It's 125 Jackie Robbins and Dodgers and 99 anything there is a Yankees Well, like spring training sites Glavor Torres to 18 triple relic auto Yankees Jersey Padre to 48 for the Red Sox game used We probably would not be able to actually Show any part of a game Without like yeah But still like that's the way fun. I don't know the tops and MLB have a sort of partnership a little bit. So Yeah, so there is It's not damaged where there's something inside The relic here that'll probably come out. We're not gonna mess with it though. That's not damage. It's just something that's loose And crazy there break into a lot of burger. No doing a break in a water burger Wander rookie Ernie banks of 259 Cubs and George Brett 299 Royals. Who's breaking into a water burger? Also, they're 24 hours. You just walk in triple Jersey Auto Guardians to 75 Tristan Mackenzie Hostess ones in Jacksonville, I think None in Central Florida. It's terrible Jersey for do go to 36 for the Red Sox Yep, we'll be in Chicago breaking We do not accept Google pay so on the site, I believe it's just PayPal What else is it what else do we accept Apple pay I believe PayPal credit card Venmo. I want to say. Oh, no, not Apple pay online. Just Venmo PayPal. Oh Wait, there's other options to Changed recently But yeah, I don't think Google pay is up there. I don't want to to 559 Korea twins to 299 Gary Yankees triple Jersey Bregman the 36 Astros Bregman and Bagwell and Jersey Auto Tigers KC Mize to 50 75 yellow Brewers to 259 Acuna Braves Julio Urias on the Mexico die-cut game used to 18 Dodgers Royals rookie on card auto MJ Melendez 91 of 99 to 259 Goldschmidt Cardinals to 299 Shane Boz Ricky raise Giants triple Jersey auto Joey Barton 99 future phenoms player warrant and Jersey card yell it's to 36 Brewers game used Yes, we accept credit card J rod base Pretty plate raise wonder Franco There we go Magenta plates Wander Franco You go raise one of one get that mag Mookie numbered to 50 for the Dodgers Triple Jersey auto Phillies Matt Veerling to 99 Okay, there And a Jersey card Andrew Benintendi Royals to 48 Say us a zoo key rookie to 50 Shohei Otani Angels nice Shohei and a 259 Bieber for the Guardians Dodger triple base relics or no Royals triple base relics Benintendi Perez and Merrifield Dodger for a second. Yeah Royals Benintendi Perez and Merrifield to nine triple bases Game used of course and Jersey auto Angels Jared Walsh to 99 All right, one third of the break left here to 99 Lou Gehrig Yankees to 259 Mariners Jared Kellnick So this is also I'm giving a start at some point 27 Garrett Cole Yankees triple Jersey game used Yeah, but what are they doing the stuff? Jersey auto Merrifield to 99 for the Royals We do random styles and figure team styles You can find them all on the website 299 Votto for the Reds to 99 hobby by as Tigers. We have a break scheduled there as well Triple relic auto with a great patch Ian Anderson a 35 for the Braves and Jersey car Phillies Reese Hoskins at 27 See a book in one of these last five boxes here to 199 20 win for the Padres and to 99 Bo Jackson Royals Triple Jersey auto Max Muncie 18 at 27 homers and walks Dodgers Max Muncie and Jersey car giant Joey Bart to 27 Redemption coming up. Sorry 259 Larkin for the Reds and it's you 99 Manor Amir as Red Sox Come on big redemption. What big redemption triple relic a coon yet a 36 on base game use and redemption Gold rookie auto George Kirby Mariners So Justin, yeah, I don't know it's up with that Aaron.  Oh That sounds amazing dude to 125 Miguel Cabrera for the Tigers and a 1 99 Louise Robert White Sox Cocoa puffs and marshmallows in golden grams and made a some more cereal that sounds fantastic Bernie Williams a 27 Yankees decade Stats triple relic auto Jersey card match ticket to Grom to 36 Yeah, Brian. I've sent a few links slain sports cards calm Torkelson rookie Nolan are not up to 299 for the Cardinals to 150 Ernie Banks Cubs This doesn't mean I like golden grams a lot actually one of my favorite cereals mookie run in 15 game used 27 triple relic and Rookie auto giant Elliot Ramos is 75 on card solid hit there a joke about about tiktok Chat feels like tiktok chat right now Garrett Cole to 150 Yankees into 199 Christian yellows brewers Triple patch Matt Barnes two of nine Red Sox on the all-star game triple patch Event worn there's some peeling bottom left on this one get out Jersey out a hundred Rio to 50 for the Blue Jays Torkelson rookie to 250 Yachty Molina Cardinals and a 299 Ichiro Mariners Triple Jersey rookie auto pirates or ones you can trarist in 99 And the gas mask Jersey or Rosarana to 48 rays Gloves in a gas mask. We should see a ritual center to the Bahamas to do breaks. How's that sound?  You want to go to the Bahamas? I need to do that gun. There's a ding on this beaver Rookie J rod we got to 199 Shane Bob's rookie rays and a 99 Willie Mays Giants Reds triple Jersey to 27 game used Larkin Vado in India Jersey auto reg Jonathan India to 50 Goldsmiths a 299 Cardinals into 150 Ripken Orioles Feature phenoms triple relic auto to 25 Tariq scuba tigers and Jersey card Corey seager Rangers to 48 throw it in the has bad Yeah, I don't know maybe I'm starting to develop a Sweet tooth for some tops chewing gum O'Neill Cruz the 199 rookie for the Pirates and a 99 Vladimir Guerrero junior Blue Jays God Chris Bryant Bryant blasts the 36 triple game use relic there Rockies and Jersey auto Casey Meyers Tigers is 75 What up Steve? Hey, man. No magic in the all-star game. What's crap? That's why the game is gonna stink to 259 Salvador Perez Royals and to 99 rookie Torquilson Tigers Thank you triple rookie auto triple relic rookie auto to 25 will be seal Jersey card Red Sox Bobby Dahlbeck to 27 I'm gonna go easily Tyree Talibur I Also, no, I was I was I do I'm not picking halibut. I don't like it though I doubt marketing will do it also not a big enough name All right triple relic random here Padres and Nationals Braves tatsi Soto Acunia Good luck on this one. We'll go three times whoever's up top. We'll get the card. Good luck one two and three Nationals up top. You're nationals. All right pretty good break there Relics Bobby Dahlbeck Chris Bryant Corey Seger Reds Larkin Vada when India a Rosa Raina Matt Barnes for the Red Sox all-star game triple patch Mookie patch Jacob to Grom Ronald Acunia junior Joey Bart Rhys Hoskins Garrett cold Andrew Benintendi is a royal triple bases Royals Benintendi Perez Merrifield Trade Turner for the Dodgers Christian yellow Julio Urias Alex Pregman Alex for Dugo Dustin Petroia Wilson Kateros Ryan Mountcastle Corey Seger Luis Robert Achille Badoo Molina Aronato Gulture for the Cardinals Raphael Devers Jordan Alvarez Vladimir Guerrero junior Buster Posey Giancarlo Stanton Nolan Aronato Andrew McCutcheon Carlos Correa Autos now we had redemption George Kirby Rookie Otto gold Another redemption Bieber Jram and Jimenez triple threads Autorellic combo card Emerald Parallel The Guardians there in Glaber Torres on the triple patch auto is lucid Louise Heel Casey Mice Tariq Scoobal Jonathan India Rwanzi Contreras Hunjian Ryu Elliot Ramos read Detmer's I'm gonna try to get that out I'm generally gonna try to get that out after the video here if I can't I'm just gonna leave it and we're gonna send a box and wrapper See that'll come out very gently Autos yet Bernie Williams of the Yankees Max Muncie Dodgers Ian Anderson a whit Merrifield for the Royals Jared Walsh Joey Park MJ Melendez Casey Mice Matt and Veerling Tristan McKenzie Hunjian Ryu Josh Hader And David Wright for the Mets to 18 You say kukuchi Rwanzi Contreras Lars new bar Craig Bijio Fernando Tates jr. To 25 Colton a Welker Tiosca Hernandez Randy Rosarana and a Joe Maurer and then maggots cards We had Mike trout triple threads Autorellic card gold parallel for the angels there That'd be to nine one of one triple all-star game patch Carlos Rodin for the White Sox One of one Ruby a rookie patch auto Joe Ryan for the twins a Sammy Sosa white whale one of one printing plate triple patch auto Go Cubs and one of one printing plate rookie wonder Franco It's gonna do it. Thanks again everybody. We've got hockey coming up in a bit


I think back to my dad's last years. He died October 20th, 1988, just shy of his 88th birthday. And he continued to be interested, you know, very much interested in what was going on at the centers. And I hear a lot of discussion going on now about what are the future challenges to the centers. And he had three things that he saw as long-term concerns. The first was, where would they get the right kind of director generals? And who were they? Initially, of course, the first several were Americans. Most of them have been at least western trained. In some of his conversations with the staff, Asian, American, and every other nationality, there was a feeling that at least the next director general, at the time he was part of the selection process, probably should be another westerner. But he envisioned the need for the right kind of men or women to head up a growing number of institutes. And he was concerned about where they were going to come from. The second thing he was concerned about was political pressure. He saw a couple of institutes being created in areas and in subject matters where he felt the return on the investment would be very low and that they were created because that part of the geographic region said, we've got to have one and that they would not stay focused. The third was the lack of the how do you keep, the kind of focus you had when you had one of each kind and a director general out in the field. As you grew bigger and spread out more thinly and became more bureaucratic, he had a lifetime horror of bureaucracy and what he could do to stop progress. This is when he was made a fellow of the American Farm Economics Association in 1966. This is the last paragraph. Professor Hill was best known among graduate students for his colorful metaphors, his ability to anticipate questions and even to formulate an answer almost before a question was completed. He is best at his best in informal discussions, talking with Frosty Hill as a stimulating to colleagues as to graduate students because of his quick mind, enthusiasm and sense of humor. He combines an unusual degree of keen analytical mind with the colloquial expressions, common sense and pragmatism characteristic of the American frontier.


The group leader for art making, Julia Carrillo. How cool is Chantal Brubnikis. The group leader for advocacy, Isabel Lopez. Is Rich Meris. Meditation. And that is Tiffany Ann Lopez.


Okay, hello. Hi. My name is Dr. Melanti Klu. I'm the chief of breast imaging here at Edison Radiology Group. I've been here a long time, over 20 years. And I think our breast center here at JFK is like a little family here. And I think we provide great service. But thank you for inviting me today for the Women's Wellness Lunch Series. It's a great honor. And we'll discuss, especially this month is October. So it's breast cancer awareness month. So I think it's important that people understand and are more aware of getting their annual screening mammograms. And today's talk is basically like where you get your mammogram matters, which is very important. So we'll just go over just some breast cancer statistics in 2022. So breast cancer, it's the most common cancer diagnosed in women. So 12.8% of the women will be diagnosed with breast cancer during their lifetime. There are like more than 287,000 cases anticipated for this year. And the estimated breast cancer deaths in 2022 is estimated to be 43,250 in this country alone. So I'll just give you just a little introduction to our breast center here at HMH JFK, here at 60 James Street in Edison, New Jersey. We're a separate imaging center building across the street from the hospital, which makes it really convenient because it's kind of like one-spot shopping. So it's convenient in that it's across the street from the hospital. So it's separate from the hospital. So you don't have to deal with the hospital, a little bit of the busyness and the confusion sometimes on the parking, where it's really easy here. So when you're coming down James Street and at the traffic light, instead of going to the hospital direction, it's on 60 James, which is across the street. It has its own parking facility, which makes it like super easy. And all the patients really love that it's like an easy in and out instead of trying to maneuver and trying to find yourself somewhere in the hospital. So all the imaging is done. And here at the 60 James Street, because we have our breast center here and also the MRI building is here and kind of like all the modalities for breast imaging with mammography, ultrasound, stereotactic core biopsies and MRI and bone density are all located here in this separate facility, just a really easy access across the street from the hospital. So this is just the entrance. So when you come through the entrance, they pretty much have like a pretty light filled mean registration room and waiting room. So this is kind of like the general area where all the patients come in once they enter here at 60 James Street, where the MRI is on the right side of the building and then the breast center is located on the left at the registration desk. So when we make a left, we're going to be entering into the breast center. So entering into the breast center, it has its own separate waiting room for women, pretty much mostly only. And here it's pretty spacious, kind of like to spread the patients apart. But this is kind of where the first area where the patients come and enter, and then they come to after registration, and then they wait here to get their mammogram and the technologist comes pick them up here in the breast center waiting room. So we have three 3D mammography units here at JFK. We're fortunate to have two of them have upright stereotactic biopsy capability. So this is a picture of Adriana. She's one of our senior technologists. She's amazing. She does, she's just showing us one of the units here. And then that pink pad you'll see there, it's right on top of the mammal plate. So when a patient comes in and they get their mammogram done, we offer this mammal pad, which is a great convenience and really lucky to have for the patients instead of feeling like a cold plate there.  And then this is just a typical mammography unit that does 3D. So what is a mammal pad? It's a breast cushion and it's designed for women and it was designed by a female breast surgeon. It's FDA cleared. It does not impair image quality. So the images are great even without the mammal pad. And it just helps the patients relax during their mammogram so they don't feel it's like an extra cushion when you have your mammogram. We're fortunate in that we're able to provide this mammal pad for every patient that comes to JFK. So again, there's no cold hard plate against the breast. It just gives an extra comfort for the patient. So they are more relaxed than probably be able to give a better picture for their mammogram because they're more relaxed and not feeling that cold hard plate. So again, it's warm and it makes the mammography a little bit more comfortable experience than without the mammal pad. And we're able to have really great images because the patient is more relaxed and it's not as uncomfortable as without the mammal pad. So this is just a video of Adriana. She's just showing what we do for every patient. They put a new mammal pad before each mammogram. So this is just again the mammography machine showing that the mammal pad is placed there for the patient before their mammography is done. So we do 3D tomosynthesis for every patient, which is like amazing. So this video just shows how we have one millimeter slices on how tomosynthesis is performed. And then all the images are kind of compiled together. So it's kind of like pages in a book. And we scan through the breast looking through the depth of the tissue for any lesions, architectural distortion or masses or speculation, which are like signs of breast cancer. So why should we start screening at 40 years old? So breast cancer is a problem for women in their 40s. One in six breast cancers are found in women in ages 40 to 49. The 10 year risk for being diagnosed with breast cancer in a 40 year old woman is one in 69. More than 70% of women dying from breast cancer in their 40s belong to the 20% not being screened. So the biggest risk factor for any woman is age. As we age, our breast cancer risk increases. So as we get older, we have more risk for developing breast cancer. So this is an image and it shows how mammography has markedly improved over the many decades. The first image on the left is really a poor quality mammogram that was done like decades ago, where we barely can see the skin, we can barely see, we just see the very white dense breast tissue, but nothing much underneath it. Subsequently, after that, the blue image is what we call zero mammography, which doesn't happen. We don't do anymore, but it was just somewhat maybe of a slight improvement over that first initial left image. And then over the last 20 years, the third image got a little better where we're seeing a little bit underneath the breast tissue more. And then this last image on the right is kind of what our high quality mammogram shows now, where we actually see the skin, we see nipple detail, we see the dense tissue with the stromal layers.  So this is just a chart. It just shows how women in the ages from 40 to 84, from 1969 to 2015, is the age-adjusted US breast cancer mortality rate. It just shows that how the graph from 1969 to 1989, where mammography screening really took off, and then many patients started doing their annual screening and how the mortality decreased 42% from the year 1989 to 2019 now, and that there are 384,000 to 614,000 live states. So yes, the mammography has reduced breast cancer deaths. So the benefits of screening is that there's a 40% drop in breast cancer deaths if you do your annual screening. There is less extensive surgery for screening-detected cancers if you do your annual mammography screening. There's less chemotherapy for screening-detected cancers because you're finding the cancers that are smaller by doing annual screening in general. So mammographic screening is able to detect a large amount of breast cancers before they can be felt, and when they are at a smaller size and earlier stage and more likely to be curable, which is the goal of screening mammography. And again, the chemotherapy is much more effective for screening-detected breast cancers. So beginning screening mammography at the age of 40 years old does save the most lives. So starting your yearly mammogram at age 40 has cut the breast cancer deaths by 40%. Yearly screening starting at age 40 versus every other year between the ages of 50 to 74 saves approximately 13,770 more lives each year. So the goal of screening is to find the cancer as early as possible to save as many lives as possible. So this is just an image. When you get your mammogram reports, it'll tell you about your different breast densities. So this is just the picture showing the variation of the four categories of breast density that women categorize as. So the first left image is a fatty breast, and you can see how it's more darker. And if there are lesions there, usually breast cancers show up as white mass on the mammogram. It's more easily seen on mammography, where the second image is what we call scattered fibro glandular densities. And you see a little bit more of that white stromal tissue. And then the third image is what we call heterogeneously dense breast bronchoma. So it makes it a little bit more challenging to find the lesions underneath that white denser tissue. And then the last image there is more of a white mammogram, where this is what we call extremely dense breast bronchoma. And sometimes underneath this dense tissue, it makes it sometimes a little harder to find lesions. But thank goodness with 3D mammography, we're able to page through the breast and still see it better than without the 3D. So this is just the picture showing the four different variation of breast density that women have.  Most people over time might have dense breasts and then develop fatty or breast, especially after having kids. Your breasts become fatty or some people actually there's a small percentage of the population that always have extremely dense breast bronchoma, like that image on the right. And even no matter what throughout their lifetime, they have very dense breasts. So one of the adjunct tests that we do here at the breast center is, this is a typical breast ultrasound room.  So here is just Jody, one of our ultrasound technologists and so one of our machines, we actually are fortunate to have three breast ultrasound machines here at the breast center. And then this is just the stretcher bed with the sheet on where the patient would lie on. And then our technologists would do the ultrasound with the patient lying on the stretcher bed there. So risk of mammography. Some of the risk of mammography is that some patients get recalled and then some eventually might go to biopsy. So when we have do screening mammography, usually one out of out of the every 100 women who will get a screening mammogram, 90 of them will be told that their mammogram will be normal. There will be a small percentage of patients, approximately 10 to 12% per year where they need to are recalled and they need to come back for additional imaging, which is like spot compression views or magnification views, or they might need a breast ultrasound in order to evaluate an abnormality. Six will be reassured out of that 100 that their mammograms are normal. Two might be asked to return in six months for a six month follow up exam for something that's probably benign. And two will be recommended to probably might have a needle biopsy. So recall is not that common among the screening mammogram patients, usually it's only like 10 to 12% per year. And biopsy is rare. It's only 1 to 2% of the patients per year. So the harms of screening are negligible compared to dying from breast cancer. So actually, I'm going to go over a few cases. These actually were just over the past week. This helps you see what we look for when you come in for a screening mammogram. These are all abnormal patients. So this image here on the left is a typical what we call like a cranial cauda view. So it's one of the four views that we perform when a patient has a screening mammogram. Here in the back part of the tissue, you see this old void, what we call like a speculated mass where there's like little striations from the mass extending from the posterior tissue. The image to the right is what we call an MLO image, which is the other corresponding view we do for each breast. So typically on a screening mammogram we'll do what we call a cranial cauda view, which is this image on the left and also an MLO view. So we do two views of the breast for screening mammogram. So here the abnormality is there is like approximately a two centimeter mass on the posterior tissue. And then this one actually turned out to be like an invasive ductal cancer. So we characterize the image by bringing the patient to ultrasound. So this is the image of the ultrasound of that same patient where we can see that the mass is solid. The blue and red on the image is what we call color Doppler flow. So we see that there is some flow of that little blue dot on top of the mass there. The mass looks irregular and has posterior acoustical shadowing. So this is very typical of what we call an invasive ductal breast cancer. Okay. And then this is another image of another patient. So this also patient came in this past week. The left image again is we usually like again we get two views. This is the cranial cauda view on the left. The right is the medial lateral blight view. So we always get again the two views of the breast. And in here you'll see that there is an abnormality. We have to do have a brink come back for extra views. So here in the middle of the image this may be a little bit hard to detect but you see all those little white dots in the middle. These are what we call microcalcifications. So these microcalcifications are branching pleomorphic and they kind of extend about two centimeters. So this is the first image on the left is the cranial cauda view. The image on the right is the what we call like a 90 degree lateral medial magnification views. And this just shows those little calcifications. So this is kind of what we look for in mammography to look for signs of breast cancer. And this turn these like little calcifications since they're pleomorphic and branching are very highly suspicious for a breast cancer. So the patient underwent what we call a stereotactic core biopsy. This is our stereotactic prone table here at the breast center. We also have upright capability but this patient had we put her on the prone table. So this table is our biopsy table and usually the patient lies on top of the table and there's a hole in the middle of table and the patient's breast hangs through the hole.  So this is an image on the left is the sample we took of those little micro calcifications. This is an X-ray of the specimen that was obtained after the biopsy.  And then we know we had a good sample because we see these little dots of calcifications and then we send this off to pathology to get a diagnosis. After the biopsy we usually put a little micro mark clip in just to show the area that was biopsy and it corresponds to the area on the mammogram.  That's the biopsy clip and then the black inside it is the air inside the cavity that was biopsy. So we know we had a good sample from that specimen there on the left and that it corresponds to what we wanted biopsy on the post biopsy mammogram image.  So that was being sent to surgery. So this is a third patient that I had this past week. This one is a 90 degree lateral medial view of the right breast. And then this is a typical screening mammogram picture where at the top of the picture it's kind of hard to detect but we're able to see it.  So usually for mammograms to look for signs of breast cancer we're usually looking for these little calcifications or masses or speculation or architectural distortion. So here on this image there's a tiny tiny like two three millimeter cluster of those little calcifications right at the top right edge of the image if you can see it. So we did a corresponding magnification views.  So that was suspicious for us to send for a biopsy. So this one is we did this on the upright machine because it was kind of a far back location. So that little white dots of calcifications on the top part of the image. The long white line is our needle that we usually used for a biopsy. So we see that the needle is directed right to those little white dots of calcifications at the top edge of the image. So the second image shows that we advanced the needle to the area of the calcifications. So just at the tip of the needle there are those little white dots of calcifications that we sampled for biopsy. So we take a specimen image just to make sure that we were able to obtain the calcifications for biopsy. Here on the sample of the specimen we see tiny little white dots of the calcifications. So we were able to successfully biopsy those small calcifications and send it to pathology for further evaluation.  And I think this one is our final case from this past week. So here is our typical mammogram picture where we have two cc views of the breast at the top left part of the image. On the bottom left image is the corresponding medial lateral oblique views. So at the edge of the top of the cc image there's a small little mass that's seen there. So these are what we look for. We're trying to find small masses and calcifications, distortions, speculation in order to find small signs of breast cancer. So there at the top edge of the image we did an ultrasound to find it on ultrasound because it's always easier to do the biopsy under ultrasound instead of mammography if you have a choice just because it's quicker and we can do it real time. Here on the ultrasound we see a small hypo-coic mass. The blue dots on the image here on the right show that there is increased color flow. The edges of the mass are a little bit irregular. So actually this was a really small infiltrating ductal breast cancer that was found just from our screening mammogram. So another test that we do here at the breast center to provide for our patients so it's kind of like one-stop shopping is this is our bone density machine where patients usually get them after 50 years old typically every other year. But the patient usually lies down on this table and then we're able to get bone density images and figure out their bone density calculations from here. So you can redo them. Some patients have their screening mammogram and their bone density done at the same time in order to get both tests done on the same day. So here's my wonderful JFK nurse navigator team. This is Karen and this is Teresa who we love. They're excellent. They're able to provide great service to provide patient continuity of care. So when the patient starts off with the screening mammogram and there's an abnormality found usually my nurse navigator team follows them up. Make sure they're ready for biopsy, follows them up post biopsy.  If everything is benign then we usually just have them come back for a six-month follow-up post biopsy follow-up. But if there are like breast cancer that's found usually our nurse navigator team tracks them make sure they're set up with the appropriate people. If it's a surgeon or oncologist.  And this is Dolores Koch. She's our breast center manager and then she's amazing. Make sure that our breast center is run efficiently and that patients concerns are taken care of and that we're kind of like one family here at the breast center especially I feel connected with all of them because I've been here 20 years and many of them have been there even longer than me over 20 years. So I think we have a great team here at the JFK breast center. So just in summary screening mammography is a proven lifesaver. There's a 40% reduction in breast cancer deaths with regular screening mammograms. And again as I said the most lives are saved with annual screening at the age of 40 years old. So it does matter I think where you get your mammogram. Breast center here is ACR accredited for a breast imaging center of excellence. So it's one thing that you should probably always try to look for in a breast center as especially when you're ACR breast imaging center of excellence you have to go through a lot of qualifications for that has to get renewed every few years to make sure that you're on top of everything. And especially being in a comprehensive breast center we're able to provide all the modalities here at one site where we have 3D mammography for all our patients. Breast ultrasound also even easy access and breast MRI with breast MRI biopsy capability is also here in the same building. And that's just what I said with stereo ultrasound MRI all in one site. And also we have a very dedicated breast center staff and we have board certified physicians on site. One note that some people might not consider is that they get their mammography done at a site but there are no radiologists or physicians supervising the site and the mammogram or images from whatever study are performed are sent to a separate site you know where there is a board certified physician but our staff is and board certified physicians are on site. So where you have your mammogram matters this is our just our breast center which I think it's great. Dolores there on the top Kristi Pomassano she's our biopsy coordinator so when there is an abnormality that is seen and use a biopsy she follows them also throughout the process and again our nurse navigators who are invaluable. So this is just a video it shows Cheryl Crowe when she was diagnosed with breast cancer her experience so I thought it was just interesting this is from Good Morning America when she did this in August of 2020. One second everyone we're just having a little technical difficulty we'll be right right now and we're all living through this uncertain time it's really important for women over the age of 40 to continue to be diligent about getting your mammogram because early detection really does it does matter and we can't take care of our loved ones if we don't take care of our own health. So in 2006 I was diagnosed with stage one breast cancer I went into my routine mammogram which obviously I was dreading like everyone does and I was extremely athletic good eater you know very healthy no family history so I wasn't worried about it and I came out with a stage one diagnosis after having the radiologists say come back in six months we see something suspect. I didn't wait six months because was recommended that I didn't and I think because of that I had a lumpectomy in radiation as opposed to having perhaps a more you know a harsher treatment. I find that every year throughout the years I am talking about early detection because we still don't have a cure for breast cancer and until the time that we do our best weapon is early detection. We were all very recommended at the very beginning of this pandemic to put sort of our less crucial visits to the doctor on hold but it really is important that we continue to observe this annual routine of getting a mammogram after the age of 40 it can really make the difference between having a very mild treatment or having something much more taxing. I think women in general already are very astute at taking care of everyone before we take care of ourselves and that is the lesson in this pandemic as well. We're all making sure that our kids are staying healthy we're all wearing masks we're socially distanced my kids are going back to school I'm following all the regulations and making sure that they know all the guidelines and yet it is still important that come November when I schedule my mammogram that I keep that appointment because life is going on it is continuing to go on breast cancer will continue to exist even during a pandemic. I just wanted to thank everyone for joining today for this webinar hopefully everyone got some insights on how important it is for doing your annual screening mammography because mammography does save lives. Thank you so much. Thank you Dr. Milantic-Lew. I want to thank everyone for joining and just let you know that we will be sending out a recording of this presentation probably within a week or so and if there are any questions please do use the chat not the chat I'm sorry the Q&A bubbles below. I also want to just throw out a question myself as both Shallow Crow and and Dr. Milantic-Lew mentioned that the annual visit is very important I heard a story recently of one of our patients that just for whatever inconvenience or reasons didn't didn't do one annual exam and skip the year and the next year it was found that you did have breast cancer so just want to reiterate that is there anything about that particular situation or to speak about it more Dr. Milantic-Lew? Yes well just in my personal experience because of the pandemic some people have kind of delayed their screening mammography and unfortunately over the last several months you know especially I've been seeing like larger breast cancers than usual so that totally affects people's outcome and treatment that so that's why it's just really important to keep up with your annual mammography every year because if breast cancer is really common and if it hopefully it never develops but in you but if it does you'll find it small and especially now with when they do treatments for chemotherapy or estrogen progesterone positive if you're who to use that is the chemotherapy is much more targeted than it was you know many years ago where they kind of just did blanketed chemotherapy where now finding breast cancers you know really does save lives and it's just really important to do your annual mammography because if it ever develops in in you then hopefully it's just found small and and it's probably curable


Alright you guys, what is going on? Welcome back to another video. Today's video, we're gonna crack back into the reactions man. It's been about, it's probably been about three weeks since I made my last reaction. And I am feeling itchy. Really itchy to get back into it. I've got a whole list of reactions to do, I've got so many suggestions. Look, I've got my green screen, I just don't have the little poles to hook it on. Now I probably could like make something up here but I'm not going to. This is probably gonna be one of the last times you ever see a reaction in this format. With me taking up the whole screen having what I watch down in the corner. So I wanna say thank you for being here. We're gonna have some fun today. I'm gonna watch some college football and I wanna see a really inspiring story. First of all, before I watch this game. The game I'm gonna watch is Ohio State versus Purdue. I believe Ohio State were meant to win but Purdue as the underdog came through and won it. And I think there was a very special fan or possibly ex Purdue student that has an amazing story and I'm gonna watch that before we watch the game. So let's do that. If I write in Purdue, I'm sure it's gonna come up. Here we go. Purdue's super fan inspires teams unlikely win over Ohio State. Alright, well let's have a look at the highlights first and then we'll look at that story. Even though this is definitely gonna be copyright but it's all good. It's all good man. First player of the game. It comes from southern Indiana but actually it moved across the river to go to high school in Louisville. Now, wow, it's under pressure and he's gonna be slammed to the ground. Slammed to the ground. Red zone drips, only 17 touchdowns. Hits 11 field goals in the red zone. And now in front of the end zone. Oh, no. Isaac Ziko. Nice. Now stands his pressure. Steps up delivers a strike. He's got it again. Another first out of the 35. See how bold the former quarterback in Louisville is. Oh, nice run. Banging off.  The morning sun is streaming in. Let me see that again. See, so he got, is that like, is that running, when he runs underneath and gets that block. See, he's, this guy down here is then gonna cross behind this guy. And the guy that he's gonna cross behind is then gonna block his defender. Is that right? Or kind of. I can't remember what they call that move but. Smashing him. 21 to 6.  Daylight didn't get touched. Johnny Dixon. Oh, he's through again. Go, son. Go, son. That's what I'm talking about. Are they unranked? They're unranked. Even though I like Ohio State, I'm finding myself going for the underdog anyway. That's the kind of guy I am, alright? I'm definitely not a bandwagon guy. I love the underdog. Where you going? The pace. Oh, this is great. No. Dude, man, this is defending Ohio State. Come on. What a win. 49-20. Fuckin' hell, there was some awesome runs there. But now, we're gonna watch this. Which is Purdue Boilermakers rally support behind one of their own. Superfan, Tyler Trent. Let's do this. It's gonna be special, man. Been wanting to watch this ever since I heard about it. This picture right here really shares his character. First of all, he's smiling. And he's a super independent person. Once he puts his mind to something and he's determined to do it, he does it. That's what I'm talking about. Slow to smile. The smile, the smarts, is strength. Tyler Trent had all those things then. Boom, love the glasses. And though it may be harder to see, he has them all now. I'd rock those. How do you see the future? Well, in the immediate future of my mind, is that... Wait up, bruh. Just a sec. I'll put it on the same glasses, man. Why not? There we go. For the weight loss and the compromise speech and the partial paralysis, Tyler's fight began long before he ever came to Purdue. At 15, his life changed during a summer game of Frisbee with friends. When I went and I threw that Frisbee, I actually broke my arm because my bone was so weak from the tumor any other way. It was osteosarcoma, bone cancer. Your first small. Will he make it? Will we be able to beat it? What's it gonna have to go through? Consent. Consent on a run. Unreal on a single pain. In October 2014, doctors replaced the top half of Tyler's arm from shoulder to elbow with titanium.   I saw a face of my child disappointed, heartbroken. When I found out that I had cancer for the second time, the first thing I said to my doctor, I don't care how hard it is, but I'm going to school on time. In September 2017, Tyler had surgery to replace his pelvis.  Bone cancer. They're replacing all this- they're replacing his bones with metal? How many bones in the human body, 200 and something? On time. Good come. Died by faith and driven by his family. Sorry, I mean, let's not do that again. Eleven days later, he started school- Eleven days later. He's got a metal pelvis and he's walking into school. Died by faith and driven by his family. Not crutches nor chemo sessions stop Tyler from making sure he'd have tickets for the Michigan game- Aw, what a fuckin' legend, bro. He said, dad, I'm gonna go camp out so I can be first in line so I can have the front row seats. And I said, Tyler, do you really need to do that? And he said, yes, dad, I need to do it. The head coach, Jeff Brom, was among the first to see him. You could see a guy dressed in Purdue garb from head to toe. Big smile on his face. He didn't tell me a story. Didn't tell me what he was going through. He just had a positive attitude and brought a lot of life to the conversation. I thought it was a one-time thing. I just thought the coach Brom was coming over to say hi to him and that would be it. It wasn't. From being on the field as an honorary captain last season to being back for the season opener this year, all while the cancer spread to his spine, forcing him to leave school this fall. He's home now. What's the years old in hospice care? No. Terminal. What? And we don't know the number of days. It's for a matter of his body telling us. After the Boilermakers beat Nebraska September 29th, the team knew what they wanted to do the next day. I got a little gift for our team captain, Matt. I appreciate that. We presented the ball to him. It was tough. We just wanted to be there and lift him up and encourage him. He does that tenfolds for us. Thank you for this time that we just get to spend here together. We ask for healing in your name. How did he look to you? To me, he looks like a Boilermaker. He looks like somebody who's going to fight until there is no fight. I think when people go their way to come to your house and pray for you and deliver me the game ball with the use of encouragement, especially when you're going through a lot of threatening scenes and don't know how many days you have left. The Boilermakers welcome the Buckeyes. Hyler Trent believes he will be there in person or in spirit. Either way. I think it would represent that last time. Tell me he got it. And they won. That's what's going to happen. We're just going to win. And they did. Let's watch this one. We're back now with that college football mega upset and the super fan who inspired us while talking about Hyler Trent. He is facing cancer with such grace and dignity. He was right there on the field. The moment Perdue beat that powerhouse Ohio State. That's the only dream that came true. Isn't that right, TJ? You said it right. Powerhouse number two ranked undefeated Ohio State. It's beaten like a drum by unranked Perdue. But that wasn't even the most impressive thing that happened that night. The team gave an inspiring victory. But where did they get their inspiration? Tyler Trent. They played right. One of the biggest upsets of the college football season. Setting off this scene. Final seconds wouldn't even snap it. The hero of the game was in the middle of the melee. He wasn't in uniform. But bundled in a blanket and in a wheelchair. 20-year-old Tyler Trent. Life-long Borla Maker fan, honorary captain, team inspiration. And he's battling terminal bone cancer. Cancer never dampened Tyler's die-hard Borla Maker spirit. Despite constant treatment and pain, he found the strength to make it to Saturday's big game. Perdue head coach Jeff Ron recalls the first time he met Tyler. You see a guy dressed in Perdue garb from head to toe. He didn't tell me his story. He didn't tell me what he was going through. He just had a positive attitude. That's Borla Maker spirit right there. The team has adopted Tyler as one of their own. Even inviting him to address the players in the locker room after the game. Thanks for leaving your heart out on the field and joining the nation for being a Borla Maker team. And overnight Tyler received a very special message from his idol. New Orleans Saints quarterback and Purdue alum, Drew Brees. Hey Tyler, what's up buddy? It's Drew Brees.  You predicted it man. You inspire us. You inspire so many. You inspire the Borla Maker team. You inspire me. We love you man. You are the greatest Borla Maker. Do you believe in me? Do you believe in me? Awesome. Oh man.  Well I knew this was going to happen. I was warned. I was warned. But you know what?  And I never do because these reactions are all about just being real man. And I appreciate you guys appreciating me just letting it all out and saying what I feel.  I hope you can see Purdue win some more games this season. That's all I can say. But for now, we're on to the next one. So I want to say guys, if you have enjoyed this video, hit the like button.  I don't know what a social media is but go and blow it up man. Say you're an inspiration. We love you. That's all I can say. In the meantime, I'm going to get into another one. Dry my eyes as they say and I'll see you then.


Thank you. Huh? That's nothing? There are just so many women. Sheep there.  What's blood blood on? Well, look at the news on the Times building. Huh? The Italians count killed by beautiful American wife. I saw a picture in the paper this morning. He was so handsome. It's cute that it was there. Oh. Why do women and women want to shoot a man like that? No, I see in this particular case, I imagine it involves the basic psychology of a caged animal desire to be free. Well, now say it so I can understand it. Well, you see, many of the women consider their wives something to be seen in worship only in the privacy of the home. They allow them little or no freedom whatsoever. So, to gain their freedom, they kill their husbands. Ha ha. That's of course doesn't settle the problem at all, as they will undoubtedly spend the rest of their lives up in some nasty jail. Now, you see? Say, Dan. Huh?  Dr. Daniel Danfield, student of crime psychology, many times provided the police with a solution to a battling crime. There's an interesting case for the doctor today. Let's call it the case of the bird in the gilded cage. Uh, Rusty, did you see that circular that came recently from Christmas bookstore? Circular? Yes, yes. The one suggesting the Arbara copy of Barton Drake's new book is a Christmas present for a friend. Oh, Barton Drake, the detective? Uh-huh. The person is all over you. Yes, I know. And I forgot to get a present for the guy I like most of all. Oh, that. Me?  That's a, uh, answer, isn't it? Uh, come on. I see you want to take a look. Sure, why not? To the books. Oh, of course. Isn't that where you generally buy a book? Well, good morning, folks. Good morning. Something for you. Uh, a book bag? Yes. Yes, I received a card from the one out in Barton Drake's place. Well, we'll still be sure to be sure of a very fine book. I read it myself. You see, I love Mr. Boys. Simply lovely. Oh, if you don't mind, Mr. Christian, I'd like to... I have it right here, Dr. Danville. Dan, how do you know who you are? Anybody who listens to the radio knows who Dr. Danville is. I love the book. Here's the book. And that will be three dots. Okay, here you are. Thank you, Dr. Three out of ten. Oh, my. What's the matter, Mr. Christian? Have you ever seen a ten-dollar bill before? I'm sorry, folks. Every time. A brand-new bill. Just, uh, get it from your bank? Of course not. I made it myself. Now, uh, please give me my change. We're in a hurry. Made it to that? Oh, that's very... Oh, you made it yourself. Very, very good. Here you are. Here are your change and the book. Thank you, Mr. Christian. Come on, let's go. Let's go. I hope this book is all expected. Oh, you like it? I loved it myself. I simply loved it. Now, let me see... C number... L... 4, 5... W3... 5, 6... 9, 0... C... Oh, yes. B... S... E... C... E... E... Operator, could you get me a secret service, please? Yes, yes. Yes, yes. I'm hurry. Oh, man. It is so exciting. Oh, hello, uh, secret service. Yes, well, this is Stadious Christian, the Christian's bookstore. I've just taken an account of the $10 bill. Mm-hmm. And I know who made it. Mm-hmm. It was Dr. Daniel Danfield. Okay? Oh, he said so himself. In a moment of return for the second act of Danger Dr. Danfield, but first, I'm now back to Michael Dunn for the second act of Danger Dr. Danfield. Hey, you know, Rusty, this fellow Barton Drake isn't bad. Now, the way he handled that... Isn't there something more important to do than read that old book? Oh, for instance? Well, for instance, talking to me. Oh, Rusty. For that, I prefer soft lights and a soft device. Mm-hmm. I suppose a cold office like this isn't very conducive. Oh, you see who's at the door, Rusty? Because they go all the way. Yes? Darling? Hey, well, why am I like that? Are you Danfield? I suppose so. That's the name on the door, isn't it? Did you buy a book at Tristan's bookstore this morning? Why, yes, yes. But I can't see that that's any of your business. And you paid for it with a $10 bill. Dan, what can you do? Why, Rusty? Why, uh, yes. Yes, I believe I did. At Tristan says you made the bill yourself. Did you? Well, sure, I run them off by the dozens. Now listen, my friend, I don't like people barging in here knocking over my secretary, and otherwise making themselves distasteful. So if you haven't any more jokes to tell, I'd be very much obliged if he went back to where you came from. Now, don't get sore, Mr. I came here to do you a favor. Like accusing me of being a counterfeiter? Much obliged. You know, that was the best piece of career I've seen in months. Any guy even turn out stuff like that's an artist. Now, I've got a proposition. Dan, how does he know you bought a book at Tristan's? Well, that's easy. I was in the back of the store while you were, uh, consummating a deal. I see. And, uh, this proposition? Just what kind of a proposition? Well, now, I suppose there was a little organization. Yeah, let's go on. Now, all you have to do is make the stuff. The organization buys it. It's 50 cents on the dollar and, uh, floats it on the market. That way, everybody makes money and, uh, you don't take any of the risk. Oh, how simple. The cinch. No, I don't think so. We've been doing all right by ourselves. We don't have to play with anybody. Now, are you going to play it that way? Lone Wolf, huh? Let me tell you, Dr. Danfield, the boys aren't going to like that. Counterfeiting is a closed shop in this town. They, uh, aren't going to like it. No, they aren't. I don't like you. And here's something to prove it. Wow, right on the button. Rusty, what's your link? Mm-hmm. Yeah, I didn't know I was that good. If you could only love like you can fight. We'll, uh, get to that later. Right now, it looks like we're about to really make some money. Money? What do you mean? I think we've got a part of goals. Danny, please. They pay off double for guys like this, too. Oh? Who do you think he is? I think he's the weakest link in this town's counterfeiting chain. We'll know for sure when we turn him in for the reward. Oh, that's wonderful. Now I can have that. You better throw a cup of water in his face, Rusty. Oh, no, no, no, wait a minute. Better search him first. I find some evidence. Uh, you take the part of that side. Okay. Oh, I don't care for his choice of cigarettes. Wow. Well, a very good gun. This is go-fold. Good. Throw it over here, will you? Thanks. Now maybe we can find out who to notify in case of an accident.  Holy cow. What's the matter? Oh, well, I'm not sure this guy turned out to be... Again, what's wrong? Oh, nothing. Nothing, nothing at all. Only if these credentials are correct, I just knocked out a member in good standing of the United States Treasury Department. Is something here, sir? Uh, but perhaps, yep. Oh, my. It's my friend from the Secret Service. Did you capture Dr. Dan Diaz? Capture him? Uh, he hit me on the chin and escaped. Ah, he's a slippery customer. Very slippery. Not only that, but he's got a lift like a mule. When I get my hands on him, I'll take... Uh, I might be of a little help.  Yes, yes, yes. I have an idea that at this very moment, you can find him at Senor Castile's Art Gallery. What makes you think that? Don't make me answer that. No, that's all. Well, worth a try. But if he isn't there, I'll be back. Oh, this is so exciting. Dan, I still think we should have brought that Secret Service man with us. Well, maybe. But I would have had to do a lot of explaining. Besides, I need to be taken for a sucker. This is one case I'd like to handle myself.  Could be. However, I wouldn't worry too much about our Secret Service friend. He'll be along almost any time if I know anything about those fellows. I only hope we get there first. Hmm. Isn't this Castile's studio? That's right, you are, Rusty. Let's go in. Yeah. Dark, isn't it? All art galleries are like that, Rusty. They want nothing to detract from the painting. Oh, Dr. Dempio, welcome. Welcome. You must like my little studio. For a back to the zoo. Yes, indeed, Senor. That was an artistic piece of work I got the other day. I wouldn't at all be surprised, but it might excite interest in some very high place. I am so happy you like it. Now, like isn't exactly the word. And the young lady?  This is my secretary, Rusty Fairfax. Rusty, Senor Remo Castile. I am Charles. Thank you, Senor. And now, how can I be of service? Another flambo perhaps? No, no, not exactly. Today I'm interested in another form of art. Bogus, ten dollar bill. Bogus?  Counterfeit, my dear, Senor. You remember the painting I purchased here the other day? Oh, but of course, an excellent choice. And I paid cash, a five hundred dollar bill. I received eight new ten dollar bills and change. They were counterfeit. What for a deal? No, no, it could not be. But it could, and they were. Oh, but surely, Senor, don't pay. No, no, no, don't get excited. All I wanted to do was tell me where they came from. It was simple to go there. Oh, but it is not so simple. I've made several sales since and before then. They might have come from anywhere. Surely you don't always get new bills, Senor. Think, that you remember. But wait! Yes? Senor, at this moment, I remember how the new bills came to me. Oh, fine. I'll tell it to you, will be. I found them. What? You found them. Oh, come now. We do not wonder that you are surprised, but it is the truth. Oh, that's very interesting. Fortunately, I have the proof. How in the world could anyone prove that anyone found any? No, that you shall see, Senorita. If you will, but wait here one moment, please. Oh. Sounds awfully fishy to me. Well, don't be hasty, Rusty. I'm betting he'll show us some proof. Yes, he's coming in. Rusty, don't whistle. Oh. Oh-ho! Good afternoon, Senor, to see you. The good part of it walked out when she walked in. Rusty? Well, an art gallery isn't quite the place to wear such a revealing negligee, is it? Or is it? You'll pardon my secretary, Senora. She's a little embarrassed. Please don't call me Senora. I'm not Spanish. I was born in Brooklyn. Oh. But you are, Senora. I mean, Mrs. Cotillo. Yeah. Though I'm not bragging about it. Who's your dressmaker, darling? I like that thing you almost have on. Don't be catty, sister. I... Oh, what's the use? I know I shouldn't be out here. But I just had to talk to somebody. No, wait a minute. I didn't mean to. It's all right. I saw Raymond leaving. I thought I'd get a chance to... No, forget it. It's no use. Well, now, if you'll need some kind of help, I'll be on my way. Maria! What are you doing here? And in that attire? Oh, I'm sorry, Raymond. I look out the door and these people are here, and I thought they were customers. All right. It's got to stop. Go back to your room with one. You can. Well, I like that. Dan, you also... Rusty, this is none of your business. But... Rusty! Oh, well... And now, in your Dunfield, here is the proof you ask for it. This envelope ended this day. The envelope? Yes. It was in the envelope that I found the money. It was three weeks ago. And the newspaper? I read it right here. In the lost and found cards. Yeah, these papers dated December 20th. And this morning on 7th Avenue, near 14th Street, an envelope containing a sum of money. The owner can claim by describing an envelope and naming denomination of bills. Well... So, you see, I did everything possible to locate the right loaner. I never dreamed it was as you say, a bogus. Oh? And now, may I have the paper and the envelope, please? Oh, surely, surely. Here you are. There were no papers in the envelope that might give us a clue as to the owner? No, none. Well, I guess that's that. Guess we'll have to go back and take your medicine then. Yes, senor? Your senor Raymond Castile? At your service, senor. I'm mainly the United States Treasury Department. Oh? Oh, but surely there is nothing in my poor little shop. No, no, no, no. I'm looking for a party at Dr. Danfield. I have reason to believe it. Dr. Danfield? Oh, I'm so sorry, senor Maynard. Dr. Danfield left half hour ago. Marie! How did you get away? Oh, I begged Raymond to let me come. I told him that he was going to keep me cooped up. He could at least get me something to read. Fine, fine, fine. Now tell me what's happened. Oh, I'm so excited. Oh, lost. But none of it's too good. Did Dr. Danfield come to the shop? Yeah, he was there. Good, good, good. Was he suspicious? I think so at first. Then Raymond showed him the envelope and the newspaper, and he seemed to think it explained everything. Oh, my dear. And I suppose he went away, huh? Yeah, he left. Oh, sad darling. We were crazy to try it this way. The other would have been much more direct, and Danfield's gone and completely fooled, I think. Oh, no, I don't think so, my dear. That's not the way it happens in these best detective books. Oh, no. Dr. Danfield will be back. Oh, love that man. In the meantime, I'm still shut up in Raymond's gilded cage. But not for long, my sweet. The wee things are shaping up. I think before long, I can promise you a lovely, a lovely murder. In a moment of return for the third act of Danger Dr. Danfield, but first, now back to Michael Dunn for the third act of Danger Dr. Danfield. Dan, do you think our little boy red, white, and blue is still here? Well, I don't, I don't think I hit him that hard. Now we'll see. Yep, he's gone. What a guy. Not the door after him, too. Well, let's see, let's get busy. I'll take the desk and you look through the newspaper desk. Dan, I can't get over the way of seeing his wife acted. He must have a lot of power over her. He was absolutely cruel. And along the sign show that she's beginning to resent it, too. There, Rusty, have the typical example of what we're talking about. Why women shoot their husbands. Oh, you, did you find it, Jeff? Wait a minute. Yeah, I think so. Is this what you want? Yes, yes. The envelope was contained. A circular advertising bought in Drake's near-book. Yes. Take a look at the postmarked envelope. It stated the son of the 24th. Well, what's funny about that? Well, a circular was advertising the book as a Christmas present. And it's just after Christmas? And the fact that Tristan didn't mail it until the 24th proves that he knew I wouldn't receive it until after Christmas. And therefore, I wouldn't have any use for the book for a present. Oh, what in the world would he do that for? Well, he wanted to get me in his store for some reason or another. Tristan's a psychological piece himself. You know, he's as frustrated as 50s, if I ever saw one. Yeah, he was sure I'd notice that date and come running. No, I still think it's just a coincidence. There are already too many coincidences in this case to ignore another one. Such as what? Such as the flap on that envelope Senor Castillo showed us. It's never been sealed.  But what's the tie-up between the bookstore and Senor Castillo? Well, I'm not sure. There must be one somewhere. Tristan must have known that I had bought the painting. He must, too, have known that I had the counterfeit money, so he used a smart trick to get me into his store, hoping that I'd buy a book that's one of the bills. Well, it's all done me. What do we do now? We're going to the newspaper office and put an ad in the classified column. Something like, what is a counterfeiter would applicant please oblige by giving himself up? I'm sorry, sir, we can't possibly run your ad for at least three days. Three days? Dan, will that be too late? Yes, quite right, Rusty. By that time, I won't need it. Oh, miss, isn't there a chance of breaking the rules? It isn't a question of breaking the rules, young man. Everyone has to wait for their friends. Yes, if I'm staying. Well, come along, Rusty. I've got what I wanted. As usual, awarded columns were not found warranting. I had him a better than to come here. Well, I had to, Marie. I simply had. But Raymond, we stepped out for a minute. I know. I was casing the place. I saw Emily. I came to tell her that I'm going to the police. Oh, we can't do that. He'll kill me. No, we won't, because you're coming with me. But why don't we wait until Dr. Dan will... I never prayed Dr. Dan, David and Cat Charm. He did the secret servicemen. I planned it and worked out at all like I read the book. Well, all right. I'll kiss me, darling. I'm going to need all the strength I can get. Oh, I love you. Simply love you. Lungo could only paint a picture like that. Oh, Raymond, where did you come from? We've never heard of backdoors, mate. Now look here, you know. So this is your love of mine. This little insignificant book for this, this deep squeaky...  Marie, go to your room. I will not. He boarded me around for the last time. Daddy's in. I love each other. Nothing you can say or do will keep us apart. I think this will accomplish that purpose, my dear. Well, again, isn't this exciting? But you wouldn't shoot. They never do. Don't they? Stop sniveling in the pool.  I suppose this is my own fault. I was foolish to allow Marie to visit the bookshop. But this is America, sir. My wife in any country, my friend. There's something to be cherished and protected. Now you both must be destroyed. My, my honor, permits no other solution. But, but, but, but, Marie isn't to blame. No, why don't you... And proceed me, please. Down the steps. Raymond, a, a cut... The customer can wait. Perhaps it's Dr. Danfield, Marie. I knew he'd come back. I do not think so, my little friend. I was quite prepared for your senior dental. No, my dear. I'm afraid you're planned to get rid of me. Very miserably. Now, March. It doesn't seem to be anybody here, Dan. No, there must be. Señor Castillo wouldn't leave all these vegetables out of the canvas. Ben, wasn't that a shock? It was, unless an engine backfired in the basement. Come on, we better hurry. Now this looks like it might be a door over here. Yes, yes. Here are the steps. You stay up here, Rusty. I told you to stay upstairs, Rusty. I kind of wish I had. Look. Oh, line up with this, doctor. You also be a very fair thanks. That is better. Thank you. Rusty, I'm all kinds of a fool. Oh, Dan, poor Mr. Tristan. He's bleeding. No, nothing serious, my dear. I just shot him through the other arm to render him incapable of action. Little men are so rash, you know. Well, I guess you win, Raymond. I'm sorry I got you into this, Dr. Danfield. I thought I was being clever. From now on, I'll stick to selling books. Must I remind you that for all of you, there will be no from now on. Oh, Dan, look at all this machinery. Never mind the machinery. Rusty, it takes presses to print counterfeit bills. You didn't by any chance print that newspaper, too, did you, Senor? Only part of it, Senor Dalton. I thought so. Nice to know these things before we die, you know.  Yes, yes, I have no other choice. Now let me see. I think Murray shall be the first. Dan, are you going to let him? Of course not. At least pull up a fight. Ready, Murray? Drop the gun, Castillo. Oh! Drop it! Quick! Well... Well, I thought it was about time you were getting here. Rusty, Rusty, where are your manners? Say hello, it's your friend, little boy red, white, and blue. In a moment we return for the conclusion of danger, Dr. Danfield, but first, now for the conclusion of danger, Dr. Danfield. Well, Doctor, I finally caught up with you. Oh, thank heavens you did, Mr. Maynard. The howl. Well, after I missed you here before, I simply stood in the doorway across the street and watched the place. Simple as that, huh? You should have let me in on it, though. After the sock I gave you, don't be foolish. Yeah, see what you mean. Well, anyway, it turned out all right. But I'd like to have all the information from my report. Well, I think perhaps that Murray here can tell you more than I. Mrs. Castillo? Well, to begin with, I married the guy because he was so polite, I guess. And then until he had a lot of money. Yeah, I guess that must have been it. I must have married him for his money. There's a go on. After I married him, though, he changed. He kept me cooped up all the time, wouldn't let me see anybody except a few people I got to wait on in the shop. Oh, he spent money on me like mad, but I wanted a little freedom. Sounds familiar, doesn't it, Mr. Maynard? But the only place I was allowed to visit was that bookshop. I guess it was only natural that I grew to hate my husband and began to love that. You knew, of course, that your husband was manufacturing this kind of money. Not at first. Until I began to wonder where all the money came from. There just wasn't that much business in the studio. And then one day I discovered the presses. Well, I didn't should go right to the police. I realize now that I should have, but I talked it over with Dad and he thought we ought to do it like they do in detective stories. Yes, I love detective stories. I simply love them. And we saw our chance when Dr. Danforth came in to buy the flambeau. I was able to get an account if it bills in change and from there on, I'm sad that the rest... Yes, I knew that if I could get you to spend one of the bills in my store and then notify the authorities, you would be angry and trace the bills to their source. And we wanted to do it in such a way that Raymond would never suspect it. We were responsible. Yes, but that fake lost and found item of your husband's nearly threw us off the trail in town. No, no, no, no, Rusty, that's where you're wrong. It was that ad that put me right on the trail. It did. Of course. Didn't you hear the girl at the classified desk say that all ads had to be turned in at least three days before publication? Oh, yes. The advertisement that Castillo showed us stated that he had found an envelope with valuable contents that morning. I know that. And how could he have stated that he found it that morning and had to get his advertising copy into the paper three days before? Oh, why, Dan, that's right. That's pretty good thinking, Dr. Danfield. Oh, Danny, you're wonderful. Yes, yes, I am. But I'm afraid I can't take all the credit this time. Why not? Well, you see, Thaddeus Tristan and I have both read the same book in which there's a case just like this one. It's by Barton Drake. You can buy it for $3.