that's the one thing that I really want you to pay attention to when we're out here doing ceremony is to pay attention to where the water responds. Sometimes you'll just see it get real quiet on the surface and it'll get like glass but it's just like where we're at it'll begin to spread out. Sometimes the sunlight on the water you'll see the sunlight on the water and all of a sudden everything will light up as you're as you're sending these prayers and asking for us to come back into right relationship with the water and remember our stewardship the water will respond and you'll get like these little fireflies not just the glistening of the water but the what you just get more sparkly that's coming through and it'll go away and it'll come back as you in response to what you're saying and so just pay attention and then the other thing you're going to notice especially out here not so much as it's harder in the cities but the plant people will respond the animal nations will respond because they haven't forgotten their original instructions of how to live in harmony and we're the only ones who have and so as we begin to walk that prayer and they feel that energy of love respect and gratitude for the water that they know they have they have to depend on they'll begin to respond and so you'll see birds that just like fly right in front of your face or dragonflies that come and walk with you or you know any number of things eagles golden eagles bald eagles we've already seen yesterday we were doing a blessing on a bridge and a duck flew right under the bridge right under where we were tying the prayer tie for to carry that prayer that prayer bundle to to leave on the bridge and he flew right under that bundle and just right along the top surface of the water and so you know they just they hear and they respond in ways that that if you're not really paying attention so as you walk that's the one thing I want people to do is to really start to reconnect because the problem with our water really is that we've broken our connection to the water where we don't see it as our source of life anymore we've come to it's our resource and we expect to turn the tap and it just to be there we don't we're not we don't we're not carrying it anymore this is why we're carrying it we're not physically carrying that water even if it's just from the well to the house we're not physically carrying it so we don't have the same respect that it's there when you turn that tap on and you know years ago when I went to my first Sundance I had saved $2,000 and I wanted to do something for an elder and I decided I want to put a well in for somebody that didn't have a well and these very wise young men at Sundance said oh we know the perfect person to take you to and so they took me to this elder and when we came upon him he's got a stick across his shoulders and two white plastic buckets full of water balanced on those and he's you know carrying his water and so they stop and put his water in the truck and put him in the truck and we go back to his house and they introduced me and say she really wants to do something really nice for an elder and she wants to put in a well and we thought we she should talk to you about putting in a well and and he said oh wow you want to make a well for me and I said yes I'd like to do that so you don't have to struggle with the water and he walked over to his buckets and he took two jellyglass jars off the counter and he just one room and he scooped up the water and he brought one back and handed it to me but he didn't let go and then he said I have friends in town they have running water and they go and they turn the tap on and let it run and run and run until it's cold but he doesn't let go of the glass so I look up at him and he goes me I'm just glad it's in my bucket and I'll carry my my water until I die because I'll always remember and that was really them yeah it really was and so he convinced me that I needed to use the money to buy school supplies for the school and and so you know I've been really blessed in my life I wanted to ask grandmother Carol Bloober Blodgett organizer of the 2018 Water is Life Walks along the Housatonic River and I wanted to know the excitement that she shares about organizing this walk and being on the rivers walking with the water she talks about the gifts that that she receives by doing this work and so my question is about you know you invite so many people to join you in this walk and that everyone has an opportunity to receive these same gifts and I would love to hear in your words that story about receiving gifts because we're walking with the spirit of water oh well my I love the song by Bob Seager about by the river and in that river he says everything so succinctly as as to how I feel when I when I'm down by the river and and that you know there is a rhythm and a flow there is a power that you just can't know you can't see it you can't feel it until you're right there with that and there is this this power of the scene in the unseen that makes itself visible the other day we were saying the closing prayer and the Sun was setting and so you had this what you know these beautiful sparkling ripples on the water all being lit up by the the rays of the Sun and so as I was saying this prayer and asking that we all come back to that understanding of our stewardship of the water it was it was the visibility of the water responding because it looked like a million fireflies just lit up and all that sparkling and then they died down and every time I I would say something the water would respond to the words dr. Imodo has proven with his pictures that water does listen water does respond the same way our ancestors had always known and they taught me that you know just watch the water listen to the water it will respond it'll let you know if this is what you're if the ceremony that you're doing is what it needs or if it needs more watch and feel that energy that in that song that Bob Seeger talks about there is this this beauty of everything being so connected and there's a patience but there's indulgence too and there's there's all of these contrasting things that are so visible and nope you don't have to be anybody special you don't have to do anything special to feel that if you just come out and walk and just try to get connected get out of that every day illusion world where we have to go to work and make some money to pay the bills that's all an illusion and so step into this reality of your part of a bigger hole and as insignificant as we are everything every choice that we make can be very significant and so that's what I want people to feel what I feel and and understand how much water loves you and just love it back that's it that's all you have to do and and so thank you Deb I hope that answered your question but if I could just reflect on what I witnessed today after feeding the river and watching the wildlife respond and even the trees respond in such beauty as if you could just like reflect with me on that yeah and so we're offering we're offering food to the water because it feeds us and so we're acknowledging the gifts that the plants give us you know those medicine plants that grow in and around the waters and and so acknowledging that gift of life that they give us in order for us to survive and none of that would be here without the water and so we're offering these things and the duck just flies right under the bridge and and right along the very surface of the water right under where we were and then all the little I call them helicopters spinning out of the trees and just right down into the water right where we're standing and so and then we have a female cardinal come in and I see this all the time where the the wildlife just comes it's they feel and sense that change in the energy because they're water too and they understand that they need that water we were the only ones who have forgotten that interconnection we're the only ones who have disconnected and we just need to plug in again and so thank you Deb thank you Graham you can wave or anything you want we are in no bottom pond what are we doing here we're protecting the water we're gathering the headwaters of the green river thank you water protectors we love from Plainfield, Massachusetts and I'm on the Housatonic Riverwalk for me it's the understanding that the water is the blood of my mother and grandmother the earth and also that you know my my babies grew in that water as we all we all have you know at Standing Rock it wasn't just a phrase we came to understand deeply water is life it's simple I guess I consider myself a water protector now I'm not much of a warrior anymore I'm 85 and I can barely move at times but everything that I can do that this is my I guess I'd like to donate my elder years to serve my grandmother and to serve the children and grandchildren of the future and all of mother's children you know we are all relatives I can't tell you logically why I went I was pulled there I had to be there I of course it's the Dakota Territory I'm what they adopted Lakota I have Lakota grandchildren and great-grandchildren and so that's part of my family is there and South Dakota and Nebraska and so forth but I think that most of us went who went there knew we had to go when I left Standing Rock it was it was very hard after the indigenous women's ceremony which by the way is the most beautiful women's event I have ever seen the young indigenous women led that march and the men were so respectful this is what real warriors are real men they stayed on the sides in the back and walk in prayer and with respect and it was a beautiful beautiful event and two women walk across of in front of this line of very angry looking police military security and crossed right we didn't know what was going to happen they didn't know but they crossed in front of them went down the hill to the water went down to the Cannonball River and did a water ceremony and then they came back very calm and we all turned around and returned to our camps and and then it was raining then and before the evening was over it was snowing and they had just finished its sacred stone camp the straw bale seal schoolhouse that was so beautiful we were so proud of those people who built that and then who went up on that roof and did the whole thing it was it was warm it was beautiful and of course that was destroyed by the bia a at the end and I consider that tribal council and I'm I'm not looking to buy birth but by my Hong Kong relationship I very close to my relatives and what the tribal council did was wrong they abandoned everyone you know they said everyone come alright now the Army Corps of Engineers says that they're gonna do a study so you can all go home they didn't get it and I would like to have stayed through that winter but my daughter was out there with her friends and she said mom you're coming back with us you're gonna fall and break your hip and you won't be any good to anyone so you know I've learned years ago you don't argue with a daughter and so I went back but in February in February my son went out to bring a whole truckload of supplies solar panels food clothing everything that people needed and I said I want to go with you and we went back and we stayed until well it was I think the 27th when we were driven out I got very sick from everybody said I had the dapple cough the helicopters kept coming in the one helicopter would come in every morning when we were doing women's water ceremony they would come so low like almost like they were gonna land we used to laugh at them and say you know why don't you guys come down and learn to pray come join us but it whatever I had it was like nothing I've ever had before I just coughed I had a fever and coughed and coughed and coughed so when we were driven out of that camp we went next door to black whoop camp and the tribal council pulled the same thing on the woman who won that land they said oh I'll give you a we'll give you a formal paper by April you're driving us out at the end of February you know and so I was huddled around a and they did ceremony there and my son had his chanupa and and filled it and they prayed and did a very beautiful ceremony that meant I remember but a couple of days later the the owner of the land son came to where I was sitting and by a stove old old house and and he said is this your stuff I said yes he's gathered up on blanket and everything and then took me by the other arm and he said we have to go fast they're here with guns and we had already been told the medicine people had said no more front lines they have guns loaded they will use them and you know none of us wanted to see another one didn't he there were children in our camp at Sacred Stone you know so we left they think they won they were afraid of the prayer and the unity


Everybody forced here ripping three basketball boxes for Scott a Scott's got a couple of 22 23 optic basketball hobby boxes In a 21-22 one-on-one basketball. All right, here we go. Start with the optic boxes Thanks for the order Scott. Good luck, man Dempchen AJ Griffin Raider rookie signatures hollow to solid hit. It's a good player. Raider rookie signatures hollow AJ Griffin Fox first-rounder Lime green Rashawn Holmes out of 149 got a hollow rated rookie David Roddy Got a hollow lights out Kevin Durant See a goal vile. There's a Christian Brown rated rookie and a lime green Jabari Smith jr. Nice Seven of 149 Jabari Smith jr. rated rookie lime green It's a good one. Hello, how many do the yellow? Arabia Luca dominators. Oh Paul George lime green Kam Reddish Watson Nice and Daniels orange to 199 Clint Capella hollow dominators Donovan Mitchell Wendell Moore jr. Hollow Josh Hart Scottie Pippin jr. A pink velocity Alper and shenguna 79 What nice rockets in the box and hollow Chris Duarte? All right, one more optic That's all about for sure, you know not the best ready rookie out of but a ready rookie hollow auto of a decent player Hollow Zaire Williams and then the Jabari Smith jr. Made definitely a solid box Hopefully this one's a little better Malachi brand. Um, nice rated rookie base auto. It's a good live auto there Orange rated rookie E J. LaDelle out of 199 Like the lime greens. I like the lime greens too Like black velocity to the most Hollow rated rookie Johnny Davis. Hello, Yonah's valentunas Christian Brown rated rookie. There's an orange Jalen Brunson out of 199 color match A lot of base packs and a Devon Vaselle paint velocity out of 79 Hollow stargazing luka Donchich Hollow Kobe white lime green Chris taps for zengus out of 149 The rookies Keegan Murray insert Hollow buddy healed raining threes Think velocity nice at Dyson Daniels the 79 rated rookie Dyson Daniels 7 of 79 Hollow Evan for me a that'll do it for optic. Let's get into this one-on-one rookie Kiefer Sykes numbered 14 to 25 and a Cameron Thomas rookie jersey auto number 62 of 99 Solid Thomas hit was hoping for something bigger there for you Scott Solid boxes of optic. I would appreciate it man. We will get these out to you


I'm all happy we won. So we're on a winning streak of two and that was a really good team from California, Cal Lutheran. They've played a lot of tough competition this year. Their competition out there is like D1 schools like Pepperdine and they play UC San Diego and other NEIA schools that are really tough, that are scholarship. So it was nice to play them and it's a different kind of ball. They keep the ball in the court a lot on their swings and so it forced us to dig and transition. It was a fun match I think for the crowd to watch. And then the third set I think we just started serving again really well, getting them out of system and then Bosco and Reynolds did a good job of blocking and the pin blockers did a good job of blocking them. So that's the easiest way to win. It's just to serve and block. You never have to side out. That's what I prefer. Next week is I told the guys in the locker room it's going to be really challenging. It's four matches, kind of unheard of. We have Messiah, you know, who's really good, a nice team, you know, beaten Arcadia and on Wednesday and we have Dominican coming. I mentioned D1 schools. They had beaten Loyola Chicago and it wasn't an accident. That's one of the better D1 programs. So Dominicans ranked I think in the top five. So that will be a really good test for us on Thursday. I hope everybody comes out for that. And then the weekend we go to a tri match. So we have two matches on Saturday. So I told the guys to have two days off and just to stay in bed and rest and get ready for the week to come.


Welcome back to Animation Analysis and we'll take a look at Lucasfilm's Star Wars Visions. It's very cool. You got the first one called The Duel and you can see that it's going to be, as I'm progressing, you can see that it will be different styles. It's directed by different people and it's cool seeing every time it begins kind of how it starts. A lot of times it's on stars, it is Star Wars, but then also kind of, oh okay, this time for instance it's black and white and you get to see all the little imperfections in here as if it was all scratched. You can see the dirt and maybe some hair on there. It's kind of cool. I like it. And given the style, I'm not going to talk too much about animation here and there. I have some thoughts about how cool it is. So it's going to be a mix of reaction and observations, just kind of how cool the design is and all that good stuff. So if you are up for that, let's go. The first episode especially has some really cool stuff and actually this one I'm going to play with the sound on. That's super cool. I'm sure you're going to be immediately demonetized, but like in the series there take on stormtrooper designs and designs of vehicles in general. It's just cool to see how what their interpretation is of, you know, classic vehicles, classic costumes, but just in terms of shot design and looks and the layering, it's just really neat. Got still got lots of details in here. This one has interesting stuff where the colors of the light, they have actual colors while the rest is black and white. So cool though. And I love seeing this here. Once you're in the interior, there's different variations and styles where sometimes it's with armor, sometimes it's without. You get to see a little bit of the faces. So much work here. All those people getting up different ways. It's very cool though. And you got a little tiny glimpse at the villain. And then this is cool. Look at that. You got your flag. You got, you know, stuff like that. Pull in here. You got still costume. Then it's actual, you know, no, no armor here. And you can see them in here. It's just cool. That guy's the face. It's really neat. Again, chalk composition hiding here behind, you know, set pieces and stuff, but it's cool. I love all this. You need some banthas there or variations of it. Really cool. Now, one thing though is that what I would not do is I wouldn't watch these in English. If you listen to this in English, are you really the chief of this village where this gets a bit strange in terms of village for the lip sync? But then if you watch this in its, you know, I switch over to Japanese. Then it makes more sense. So I made a mistake of watching it in English first, but also wanted to look at stuff like this. I wanted to look at all the designs and not read subtitles. But I'm going to watch this again in Japanese just to get a better feel of just kind of how everything meshes together. Every now and then the lip sync is a little bit distracting, but calm on. I love the episode one. The look is just great. And then as the action starts here, I love how this guy gets hit in the back. Again, you can see changes in color here, but it's just cool in terms of overall action. You got your handheldy 2D camera, classic boxes. Come on. Look at this here. Just the designs in this. Then love this guy. Look at that. Love that he has still his kind of shoes. Calm on. Again, for this one, it's like every frame of painting. For this episode, awesome designs. Still really cool, complex animation, cool design again. Look at that fight sequence.  Got a little bit of a reminder of some other episodes, let's say Mandalorian. It has a bit of a mix of everything. Cool robots, flying stuff. That's going to be a common thing in this whole analysis as well, what they do in terms of vehicles and droids. And you got your glimpse at the villain. Again, every now and then some color. High heels. Okay. That's how she's going to fight. But again, let's go forward here. This is cool. Ready? Love that. Love that design. And then that's cool. I love that mask here. Just getting composition. It's great. And then when she reveals her fighting skills. Oh, what is this?  That's awesome. Awesome sound. Lightsabers. She's a Sith. She's a Sith. Every now and then, the rioting cracks me up. It's every now and then a bit on the nose. Cool design again. But look at this. Again, I just love all this. The combination of existing things that we know, then Star Wars-y stuff, and then creatures that we know. It's just such a cool combination, this first episode. That is cool to watch this here. Jump off and then fly. And then down into this. Let's go back here. Come on. That's cool. Love how this goes back in together here. And then the drop with this slightly hunched over. It's great menacing with just the little choices of color. That's cool. This guy's freaking out. And there's an awesome moment here. When she pulls him closer, is then when she goes into the kill. I would have loved though, when she does this umbrella move to see like little cuts here. That would be awesome. Little dolly zoom in 2D. It's awesome. This guy goes crazy. That is awesome too. And watch this here as he keeps shooting. Look at this. Cuts it in. Let's play this potentially with sound. That's great. Yeah, this guy's not going to survive. And then as the protagonist comes in here. That was a great shot here. I just love this. This idea of that is fantastic. Then look at this here. Ready? Just when you thought it was awesome enough. What? How cool is that? That's really cool. I love this. Such a super intricate design. And I love that. You usually don't see lightsabers inside of a, I guess, a sheath. Is that what we call it? Whatever the housing of this. And in this series, it's all over the place like that. And it's great. It's a really cool idea. Then you have this here. I love that. You have that effect again. Slight dodge angle there. It's awesome. Love that. It's all the, it's somewhat CG2D. You get some 3D looking things, but you got some cross hatching or something like that. Life in the textures is cool. Also cool seeing that. Just a little, the powers that they have. Got a little kick in there. Into this and then ready. That's cool. I love this. All those slow moves are great. It's been a long time since. Love this mask. I killed a Jedi. That's cool.  And that's cool. Come on. That's cool. Your lightsaber blade is red. Okay. Like I said, sometimes the writing is not the best. Yes. Yes, it is red. We can see it. That's cool though. A little fake out into this. And then it goes into back into awesomeness when he brings this in. Ready? Wait for it. Wait for it. This. It's a little bit bright of Frankenstein for a moment there, but come on. That's so cool. And then they get back to fighting. And then towards the end of this episode, again, just, I love the look of this. Generally the look of this, the characters. That's some really cool stuff where as he moves fairly slow throughout the show or this episode, you can see this here. Slow. You can think that's just how he moves with a slight reveal of this, which then activates spoiler, the droid. By the way, this is going to be full of spoilers. Love this here. And I love that. A little slight, little, handheldy look of this here. Love this guy. How he kind of leans in. But that's the way the Star Trooper costumes are broken up. So great. This guy comes in. You got a little bit of a whatever they call camera with the flying something from Mandalorian. That's awesome. It's all very cool. It goes back into this here. And then the thing that every now and then, it's not all the time, but for this, she is fully distracted and he could absolutely just stab her be done. But no, we have to have a little bit of just in case you didn't get it. Exposition. Not a huge fan of that because then why is he then surprised and gets beaten slightly? Spoilers. I'm going to go with the full spoilers here. But like every now and then, it's a bit funny. But then later episodes, actually it's doing the opposite. But overall, a really, really cool first episode. Then he got Studio Colorito Tatooine Rhapsody. Also, the thing is, if you bought this up here, the little Google search, if you're interested in the companies here. So these are the companies responsible for all those episodes. And again, it's just cute because it's completely different. So as it starts, you get to see, okay, that is the style. You get to see the animation style, the complexity, cool look, a little bit of a Luke Skywalker layer action there when they're at the edge of the end of the star. And then super cute. This cracked me up. So, okay, well, that's the style of this one. You see all those familiar creature designs, not the way you would expect them. Really cute. And as it continues to reveal the characters there, little Jabba type slug there. That's super cute. This character, three bodies here, or upper bodies that can turn around, you got this guy. And a lot of these have also really cute, like robotic side cakes or just little cute characters. And I love, as you can see later on, like all the details and how they function, just the designs are really cute. And then as this continues, we get to see, because you think that, oh, well, they're all like cutesy and young. Okay. And then it moves on to this. It's a quay. Okay. Popa fat, cute as well. And then the voice. Then it's actually the voice of the character that you can hear in the live action shows. It's the same voice actor or a real actor. It's just pretty awesome. And overall, a cute episode, a bit more music less fighting focused. And throughout, it's always interesting to see all the different lightsaber designs. It's pretty cool. And you have a little bit of a will help moment there. Ready? And actually, I think it's the only time I heard it and the whole show actually, then we're back on familiar grounds and every now and then it switches from like you would think that it's detailed to the textures, but then it goes back into a slightly simpler textures into like full 3d. I'm personally not a huge fan just because it gets very smooth in terms of like the camera moves and and all that stuff, but it's not huge. It's not a huge break throughout the whole show, just every now and then. But then it's cute where we get to see familiar characters just in those designs that seem kind of sad though. They have a bit of a happy, happy life there. That's cool though. I like that as a shot that's massive, massive view there. You can see Jabba. Let's move forward here. You can see him again. Classic old designs. He does a little frog eating. Then we get to see familiar designs. You get Banthos and you get just locations that are really cute. You got that part from the prequels during the part race. You get to see again, classic designs all over the place. This guy as well. You got the bands. This time the band is listening to another band. So lots of cute stuff there. A lot of familiar locations. One thing that cracked me up as they are playing their song.  And if you look at Boba Fett, just look on the right side. It was cute. That's the really cute moments in that episode as well. Episode three is called The Twins. And The Twins, again, it's wait. I always love this one. Let us play it out. How it starts, stars, but you can see how there is darkness, which will remind you of Rogue One. There's a cool reveal and I'm not gonna keep playing. Fast forward, you can see this here. And you can see again a slight style change just in the more graphic shapes. Then you got a Gemini class reveal of a Star Destroyer, which is kind of cool. Again, the twin aspect and then going into almost a bit of a 3D set into the characters. But cool design. That is cool. This one is definitely, you want to pause on every frame and look, okay, these are the Stormtrooper designs. Look at that. That's pretty neat. That's your one twin. Going into that, you got a little extra droid in almost every episode. But definitely see, just this change of design, still with the familiar designs of the Star Wars universe, especially here when you have the incredibly unsafe walkway classic and then reveal of the other twin. And again, just the design is really neat. There's something gonna be really funny about this in her towards the end, but that's cool. I love this. It's almost like old style Nosferatu vampire type thing. Really cool. A lot of still images as it is in this style. So it's not always super complex, although it gets fairly complex towards the fighting sequence. But again, just the silhouette and composition and just the colors, lots of cool stuff. And this I'm going to actually pause through as it explains spoilers, how the twins, this was actually backwards with the kyber crystal power going back and how they were created. This is cool though. There's some images every now and then in some of the episodes where you go, that's cool. I would love to explore that even more. And some of them even ends where you think, okay, we'll need another episode within that same story. But cool stuff here. So towards the ends, this is again spoiler. I love that they're keeping that thing from the JJ Star Wars and beyond where you see force powers actually holding blasters.  That's awesome. Come on, I love this. Let's watch this again here. Slight move. It's a great pose in there. It definitely gets more complex. And as you go forward here, before we get to the fighting, there's a cool moment. Again, I always want to see what are their design interpretations of the ships. You got even like a Jedi Star Fighter in there. So you got classic A-wings. You got all kinds of different ships. You got your Y-wing in there. It's pretty neat. You got little limbs there. The crates again, classic. And then you got stuff like this. Yes, the fully hip move of the chicken walkers. They're just pretty cool. It's great frame as well. Come on, look at this. So definitely always a bit of a style in each episode or a style change, which is neat. And you go sometimes from work, the limited style where like the hair is moving, but the rest of the face isn't. Too awesome. I love this look here. Too a bit more complex movement in the ships. You see that at the end as well. There we get into awesome stuff here. Come on. That is cool too. Ready. I love how this swirls into this. That's the cool stuff about 2D when you got very exaggerated 2D effects. Awesome. Come on. That's cool. Love explosions in 2D. The effect stuff is just great. Love this here. There's some banana stuff later on in terms of how they are outside. I mean, you would think there's a helmet. You can be protected once you're outside. That's cool. I love this though. Love that. Great design. And now as the twins are exposed, they are on the ship. So there's some cool fighting here too where you want to go frame by frame and look at all the different poses. That's a great moment afterwards as well, but definitely getting a bit more exaggerated. Love all those different. You can see how background pops in terms of the moves and everything. Love this. Love that scramble. Let's go forward here. Going from this. Ready. Get some great line there into that. It's really popping from pose to pose into really exaggerated poses. It's great though. It's so cool to watch. Details as well when you go back to this one. Look at this. At this point, she grew, I think she has two arms and multiple extra arms or something, but then again, no masks. They're out fighting in space, but why not? That's also pretty cool. Look at this. I mean, again, I'm going to go through lots of spoilers here. This is the frame I want to stop on. Ready? Gets in there and you got that. Stretch out frame there with the leg. That's pretty cool. Come on. Yeah, there's some really great moments throughout the whole show where they really push this one more than others. And then as I was going to skip forward here, you have some great poses as they fight. He is at one point on the ship. There's a lot of exposition dialogue in this one as well. Got the lightsaber there and then he is riding on top of the X-wing. Although I love this here. That's so classic for that style. What is this? Really neat. But again, you got to get used to it. Wait, what? Okay. That's a cool shot down. Very long lens. And then spoiler as love this, by the way. Every now and then a classic look from the movies. We interpreted in 2D and then you got a bit of a last Jedi action in terms of you will see it later on, but there's some crazy stuff through here. Look at this. Broken. Goes through there, but no cuts. She has a Kyber crystal in here that powers a suit, spoiler. Breaks. And then last Jedi style. Just some really great moments in there, I've got to say. And then exit. And then the weird thing is that, okay, so the droid who probably doesn't need oxygen and air has a protective bubble, but then she doesn't. Anyway, cool though how the air goes around it. There's some really cool stuff. Again, that's your last Jedi moment there. And this is cool too. As it crash lands. Just a cool design. Cool look here. Although every now and then I wonder the silhouette is kind of wonky, kind of overlapping. And then the fingers are right there where the joint is kind of tangents. Like, I don't know, it's kind of weird. But anyway, that is cool. Ready, ready. That is cool. She is my twin sister. It's really neat. Episode four, the village bride. Again, different styles, stars. But we go down, let me just go further. You can see just the foliage again, 2D versus CG versus just overall detail. We get straight to an awesome helmet design. I don't like throughout this whole series, I was going to go awesome. I love this. Like 2D techie stuff. Love it. And then the cool thing too is that you think it's a lightsaber, but it's a lightsaber with a cable. No, it is not. But the cool thing too is that as this progresses and it takes the helmet off, it's not this helmet start like this in live action movies where the helmet goes back and then magically disappears behind it where it's like, wait, the scale is just, it just scales down and disappears. This is cool where it's actually opening up. It has this mechanism here. And then it stays. I like this. I know it's a potentially silly detail, but I love all that stuff here. Also a fascination of mine is food in 2D. I think there's somewhere there's, I thought, either on Twitter or somewhere, I saw a supercut about food, animated food in 2D shows and movies. Great. This reminds me of Mandalorian. I remember where I think is Mandalorian, where I saw it for the first time. Something like that. Those legs backwards. But I love all the different droid designs in this show. And definitely the sound design throughout is really great. So that's your, you know, clear look at the designs of the characters. You get some episode one or prequels influences in terms of the droids, but then it goes back more into kind of the Mandalorian style. But there's some cool stuff here. Look at this. It's almost like a reused shot from episode one, fire. So every now and then kind of, that flashback is kind of reminiscent of the live action movies. Cool designs, though. And they're very intricate in terms of all those lines. So I believe these guys will be done in CG. Sorry, I was already drawn back into the show. You're villain. And then again, we're getting into blast fire and the blaster held by powers. I just like that. I like that. I kept that from the JJ movies. And then it gets a bit of a reveal of the nice hand pose.  I'm always a big fan of the consequences that stay on for at least a couple, a couple shots. Sometimes you see movies and character is crying, is sad, cut to the next shot. And they're just completely normal. Like the emotion is completely gone. So a lot of that attention to detail. You can see here the detail and them turning. Like compared to this, right? You got the detail of that compared to this and especially the preservation of the model, like the form and the scale and everything. This looks probably more it's a CG thing, especially like on turns like these. You definitely got all the Roger Roger sounds on that. Got your other character back. Love this. Love that pose too. It's like slightly relaxed, not super concerned about the incoming fire. Love this though in terms of the getting up on the older side, just using this to prop up it's your gate like weight assignment slash get up assignments. It's kind of neat. This too in terms of again to the effects that I love, but this here cool design somewhat falcony. But I love that the exploit actually lifts up the ship. It's cool detail. But anything like this to the effects. I just love looking at this. That's cool. Power down. Then you can see some cool physics there in terms of or even through here, the complexity of how they power down. Just that downwards move with a bit of a and even this guy. You can see how it goes back a bit and that's then the buckling of the knees. Even this little complexity is there. And this is super cool. I love this here when ready. This turns off. It's great. I know it's silly, but I love that stuff like that. It's great. Then you see this and you think it's your classic lightsaber, but yellow. It's a bit of a ray lightsaber. And then no, it's like a flat sword blades. That's cool. And then there's something that cracked me up here. So as she gets ready, I love this here. You think, oh, that's it. You got this ready. I love it. And that slight little lift there. Getting ready for Oh, lost the hand. Also interesting. Sometimes you have some moments where, you know, left to right, established where they're looking and skin direction, but then it kind of switches where she was going right to left. I know every now and then that kind of happens, but it's not super confusing. I have to say it just happens every now and then. Also cool ship design. I have to include that as well of that episode. Definitely getting more limited where it's basically a still image, although I get a better look at that chip a little bit here. At the end, watch this. A bit more detail has a nice little float into the end.  It's pretty nice. And that's it. Episode five is the ninth Jedi. Again, go forward. What's the beginning? It's actually fairly, actually I skipped it because it's stars again, but it goes on for quite some time. But then you see this here. This is kind of cool. I got to say, because you think, what is this? It talked about Kyber crystals again. And then this comes out. You think, wait, is that a cool ship? But no, it's not. It's actually something that holds on to this. You wonder, okay, what is the scale of this? And then it goes back and I'm skipping parts of the beginning and I'm cutting straight to this here where you see the planet and then you see this and that's the stuff that launches it. That's pretty cool.  Candidate signs are really neat. A tiny little hut there. Just a little house, what do you want to call this? And then as it comes back, you get a bit of a better look. I mean, you saw it before, but this is the look of the style of the show. The characters, character detail, lots of cool cloth. You got your super cute little sidekick droid throughout the whole show. Really nice details though in this one. So it's a really good episode. I really like that one. It's great stuff there. The cloth, just the flow of this little floatiness there. It's great as she gets on this. And again, if you listen to this sound design and the music is really, really neat. You get a better look at the other character. As always, I want to stop when I intricate mechanical things and it's a better look at the lightsaber and the inside. It's pretty cool. Also this, when he clicks that in and turns it, it's very satisfying in terms of sound design. Definitely you want to listen to that. That's pretty cool there. And also, what a little slight, handheldy, keep alive. Sometimes it's super subtle, but it's there. Also cool design of this here. All of that. So cool. I would love to see a really nicely done art of book of this whole show. Again, of that little turn with the slight lean. And then when she gets off, because she gets more, there's more weight on this as one leg lifts and shifts over. It's cool though. Like this. Stuff like that. I know this is like somewhat analysis and mostly me going so cool, but I mean, if you watch the trailer, you know, Sour's Visions, this is going to be just the cool factors off the charts. I do love stuff like this though. Fascination of cloth and 2D. Just how she takes that off. The poses are great. As in that, the complexities of the crossover with those arms. Super cute too. Look at this guy. Oh, so cute. And then lightsabers more. Hold on. Switching over to the movie. Look at these. You know, a lot of you are going to freeze frame on that and start the cosplay and replications of these. It's pretty neat though, gotta say. Cool stuff too, in terms of how that character spoiler, how they are connected to the force and everything. It's kind of reflected in the lightsaber in terms of length and also color. And as she progresses throughout the show or that episode, the color changes as well for her spoiler. It's pretty cool though. Super cute. Love these two here, like T. It's not immediately cutting to what's coming, but you got that moment of the shadow and then the reaction and then them reacting to that big lead up into what are we seeing and then to the ship. And also this is super nerdy detail, but if you look at the window here, I don't know if you can see this in the, from my recording and the compression everything, but there's like extra dirt and almost like, not to say spiderwebs, but it almost has that feel. I don't think you can see this there, but when you watch this properly, so every now and then, some really nice details in the show. That's also cool. Again, just like the mechanical aspects and designs of all this. So cool. And then, yeah, yeah. Cool designs as well. There's something about cloth, like I said before, in 2D. And I love how long they linger on this and how this actually works and how it puts it underneath and starts folding it. It's very satisfying to see. There's a cool moment too here when it goes around. Like that as a shot. If you're a student watching it, like what should I do in terms of characters when they do any form of dialogue? It's like when you go back to the other shot here. Actually, let me bring the other shot back up again. Is this, I love that she talks, she says all that stuff here while doing this. So the secondary action like that, that normal day-to-day business as you deliver a line, it's always very satisfying to watch the animation. So it's not just the character standing in an empty room or at least in a set, but then just deliver a line, just kind of boring to watch. And that is just cool. That it's just more real life. They would talk as they go about their business. So when you do this here, it's the same idea. They talk and he has that go around, she puts her arms up and they still talk. This is a great little moment. I like that in this moment there. A lot of moments there. That's great to call locations. I love stuff like that. Just close ups of this. I know it's super nerdy, but I would love just again, an art of book, all the vehicles, all those guys. What is this design? I love those little tiny fingers holding this. Great. And that, again, liquids, food. But I love this. You're ready. I think, what is it doing?  I don't know. This cracks me up. It's so cool. I really, really like this. This was awesome too in terms of, she's in a hurry. She's got to get somewhere. Spoilers, somewhat. And this guy, as he said before, I'm on a break. Okay, I guess I'll go that slow walk. I love that. She just come on. I love that. It's great. It's a great, in a way, a weight assignment, but it's a great little acting moment of, at least in terms of her personality, it's come on, come on. I want to push you forward to get faster. And it's slippery there with this, just that little detail on that as well. Lots of cool moments. Also, again, in terms of designs, spoilers, but how this guy, actually, let me go back here. You see the intricacies of the lines forming and then this opening and then the reveal in terms of what kind of pose it is and then how he gets out. Very neat. It's a very cool design again. But let's switch over to episode six. That's T-O-B-1. It's almost like Toby. And a totally different look again.  Love the colors. Again, I'm immediately looking at like little mechanical things. Like what is their interpretation of the Star Wars world in terms of mechanics and droids? It's how he gets in there. Floaty pieces, little extra droids there. Wait, but then this is walking. Oh, and then this comes out. I just love this. Super, like painterly, you know, like bleeding into the colors. It's a really cool look. Little Astro Boy to go your presentation of the two main characters. Super cute. And then this cracked me up. Like, wait, what? What is this turn? So cool. Classic, classic droid there. That's the funny thing. Like, every now and then, look at this. It's really super cute. Every now and then, you see like, what is the design? But then with classic elements from the live action movies, it's just really, really cute. Ships, again, I want to freeze frame on ships and just interior all of this. It's a cute episode too. Actually, once you get towards the end, I'm going to show this here. Super cute. And then the ship. But then you switch over to another classic ship. And I like this as you get in here. Just the interior, how the lights turn on, just all those details. Love all that. That, of course, story-wise spoiler triggers this. This is in this style's world's design of a starter store and planets. Very cool. And super chunky, cute stormtroopers. And you get a little bad guy. Should I get to that one later? But the other thing that cracked me up was that you see all this is also super cute. And I kind of skipped a couple of scenes, but you can see that he's actually spoilered the Jedi here. He can move things around. You go like, okay, he doesn't really move his arms. Like, wait, wait a minute. And then you go forward, another actually known ship design there. And then when this happens, you go, wait, there are no arms? Was that because of the battle? Or are they just inside things? I'm not quite sure. But anyway, let's move over to massive spoiler. As they fight, a little guy, other droids here, and the bad guy. Pretty cool. That's not the actual diagnosis from, like, a damaged look. But this is pretty neat. Got the force into, into this. Ready? Almost missed. And then you got this here. Look at this. Super spoiler. But this is pretty cool. You get to see the face there again. Just did the original design when it gets revealed. It's different. That is pretty bananas. Oh, through the hands. And then it goes in the shell style. This guy's freaking out because the droid is a Jedi. What? And he got your lights here. We design here again. Oh, take that in the face. It's pretty cool though. There's some really fun stuff there with the little droids and the overall fighting. Oh, poor guy. Spoiler. And then this here, how they have the Simix here. This guy, he attaches, opens up, and then goes around it. Shoulder pads. What? That's super cool. Into more spoilers. But I want to show you this here. Into this. I'm a sucker for moments like these here. When it's done, they're resting, and then you see the aftermath of what just happened. Twice here. Spoiler. But anyway, I'll leave it there and move on to episode seven. And episode seven is called The Elder. Fast forward to here. And the reveal is actually not stars. It's this here. Now, the bummer about this, I have to say, is that you have this, that it's not either in here, with slight highlights there. That would have been kind of cool. But I guess you look at the characters, the style of it. That guy's actually not too bad in English. And funny enough, in Japanese, he sounds so much older than the face. I don't know. That's just me. But cool. Cool thing again. Nobs and switches and lights. That's pretty cool. This is also neat in terms of designs to those creatures. It's pretty neat. Ships. That's a cool ship design. Holy mackerel. I love this. And then as you move forward here, you can see actually how big this creature really is. It gives me some kippo vibes there. And then you get a reveal of the bad guy. You're already kind of surprised in terms of the size. There's some really cool stuff there. Get ready. Just crack me up too.  A certain amount of cloth. Okay.  When you open this up, this seems huge. This is huge. But the cool thing is this here. Again, different lightsaber designs. What did they do with this? Ready? He seems very tired. Let's go forward here so you don't see all this. He gets ready much shorter than you thought, but it's cool though. I like that. All those design details are pretty neat. He gets there. That cracks me up. I dropped my pants. Wait, what? But anyway, that's funny. I love this. But pretty cool too though, where you think that now that I'm going to start fighting, it's actually a cut stoop. Since this being awesome here, those two shots, when he's ready, he's framed super low. It's an interesting choice to be that low, but then it's because he's actually that low here. And it's pretty cool too in terms of this. I love this how calm he is with that little slight grin like into this. Definitely a specific style there with your hang time into this. But let's move on to more of the fighting. It's this here when he comes in. Again, I mean every frame of painting type of thing. So cool. All of this here. I'm drawing arbitrary lines here, but I just love the composition, the look of this.  And then as this continues on, ready, you got this here. The distraction of this. And now because of the distraction, he looks totally away. The character actually acts on it. He actually does something. Brutal. Pretty cool though. But it's one of those moments where like, yeah, he should have done this. He was distracted. Ouch. And that's cool too. Watch out. Go scrub forward a little bit. It was done this here. He just has a little self-destruct. You get a full view of the ship. It's a cool ship. And then my favorite 2D explosion designs and animation. I love this. And then when he looks back at him, it's also awesome. Look at this. It's already done with this. Pretty awesome. Overall, a cool episode. I really like this one. Now, speaking of liking, episode eight here, Lop at Ocho is also really cool. So again, intro to what is the look going to be? I mean, let me fast forward a bit. Stars. And this one's a bit tricky. This one, Star Destroyer comes in hyperspace and then it's like, is that the ship's movement? Or is it the camera movement? It's tricky because with something where you just have a ship and stars, it's not always easy to see. I don't know if that's super, super successful. I'm being super picky here, but it's cool. Once you get into here, we understand, okay, that is the camera move going into this here. And then you get to see this again, slightly confusing way. Is this going through the water? Is it close to the water? Even though that's cool looking, we get very, very close. And I would love to see more of the world. Like what is this? Okay, bridge to what? What? So I can frame through this, but as you watch this, it's a bit of a bummer in how close we are, how we speed through these moments through there. But then you get this here. You get the reel of this. And ever since Rogue One, I love seeing a Star Destroyer so close to the surface. Love all this. Look at this. Just the design of that is really neat. Going through this is cool. You get a slight glimpse of your characters. Again, animation style and the physics of it all. It's very neat. Love this. Love seeing almost like a normal city. But then you got your Star Wars elements in there and you get to see what their petition of Star Destroyer designs are, which are cool. Definitely reminiscent of Rogue One there. And then you get, I love this. That's cool, cool, cool. Wait, these are classic Halloween designs. And another little side-kicky robot. Let me frame through and stop just quick. Cute, hold on to this. It's a cute design. Love the colors as well. And then you're going to see again, physics and how they move in this world. And then reveal of the character. It's a great episode. Love the designs in this one as well, as in like character designs and set design as well. Like this here is cool. I love that here besides these guys. And it sure runs. Just enough time spent on the recovery. Slide. And then get out. I think that's really cool. And it's a, you might say it's a simple thing, but I love that it's not rushed through. She's also really upset. It just kind of adds to that moment of being upset. It's really neat. And again, neat designs. And again, we have here lightsaber. There's another shot later on. We see much more detail. It's been more in the, you know, in the light, not in the shadow, but cool too. Nice. That's a dad. So good dad. Okay. And just overall really neat look. I don't want to spoil too much. I'm going forward two more clips here, but that's cool too. I love how that's like the skin bulging here. We do that design. Like a bit of a backstory of what is going on.  I kind of see a thermal look through that. It's cool design, but this is cool too here. So as she doesn't escape, but she gets to a place in a hurry. I love this. I love how she goes into this crashing, launching her forward. It's been in the dark here, but still a neat pose. Opening the umbrella. Breath of the wild style. And these are cool designs. Again, slight little tie fighters there every now and then. You got a glimpse of Star Wars. Nice. Crovette style old designs here. And then you got this. Watch this here. Actually, let me play this with the sound on. Very cool. Demonetized, but it's awesome.  But then she gets into that costume. That's awesome. Some neat designs though. Again, I mean, this whole, this whole, I mean, every episode, the whole show has a lot of really cool prop design, costume design, set design, production is everything is really neat. And in this one, let me go forward here. Definitely fast moves, but I love this. Also again, the layering as they fight, even just this, I love. I just love all of this, the worn look of this. Then into that, again, classic Star Wars design cues there. And he's distracted. And she acts on this. And she doesn't even wait. I love this. Again, too many times in movies, they distract like, well, now go do your thing. But then they don't. She's very angry towards the end. I have to say, look at this. Art of book. Come on. I want an art of book. This is so consequential. But to me, she seems fairly close, unless this is a really long lens. But then when she does this here, show as she jumps ready. What is the distance of this? Okay. But that's cool. Oh, look at this. That's cool too. Get a good look at the actual usage of the lightsaber. She's not super happy about this. Again, every frame of painting. Love all this here. So cool. And then actually, as we continue here, I love this here is that just from an acting and just kind of mission point of view is that she lifts her arm, obviously also with, you know, the influence on the shoulder, but it's framed where you can kind of see, okay, that's the weapon she's getting ready for something. God, I know. But I love this type of framing where the gesture is not, you know, it's not like we pan over to see the arm. It's just there. That's what the actor did. And we just happened to frame it like this. Again, like spider voice has a lot of that, which I just love. And then as a little poor guy comes forward, that's what that arm was for. She's ready, ready to strike. It's raining. I love this. Again, that type of stuff. I love seeing the crumble metal and that type of design is really neat. Love this how it switches to a silhouette. That's a cool pose. It's a slightly offset and changing with the offset on the feet as well. Then Akakiri. Akakiri. The music is great in this. If you're wondering what is this, how big is this? Then we switch over to B-Wing. Those are cool designs. Every episode when it starts, you can see what are designs. That's cool. Look at that. That's a cool guy. I love it. And then you get to see again that style of a lightsaber in here, more like like a blade in there. That's cool too. Actually, I didn't even notice that when I was watching it. This is cool. But this, the bending. Love that the fight on those creatures. That's the other character. And you get to kind of see kind of a little bit of swimmy as things kind of move around. It's very specific for this episode, that style. But then I love this. Not that it's mechanical. This is holographic, but like how things form and appear. I love stuff like this. And as you move over, I love these guys.  Fun designs. It's almost 3pR3, but I love this guy too. I love this. How he kind of, ah, searching for you. And then how he goes and leans back. They're so much fun. Again, creature designs are neat. Classic. You almost feel like a speeder going through. But that's cool. That's cool too. I love how it's very big and vast. There's a lot of room. There's a lot of room here. And then they're hidden here. All super tight. It's cracking up. Again, I want to look at these. These are cool. Love that. All of this is so cool. Cool designs again. Look at this guy. And then spoiler, as we get to the antagonist here. She's super cool. He's got nightmares and headaches and stuff like that. Which, look at this. That's a bit too dark, but it's cool. Cool, cool, cool. These designs here. Costumes. Captured. It's very cool. I love how the next one she turns around. Here, hold on. Let's go forward this. Just that turn. And then this sits with that 1R, with that slight lean. These guys are great. Super cool. And yeah, I mean I'm going to spoil even more, but that is Star Wars Vision. So if you go to Disney Plus, you get it right there. You got extras in terms of filmmaker focus. There's some cool stuff I haven't watched yet. I would definitely want to go through. Click on it. On this here, let me go back. You got the filmmaker origins. You got the dual filmmaker focus. Again, you get to see if some behind the scenes. Again, I haven't watched this yet, so that's going to be up next. In terms of episodes, like I said, you got nine of those. You can see here one to nine and details. What is this here? This is just kind of explaining what it is and then suggestive obviously here. So that is that for my kind of overview impressions, commentary, analysis, something, something. I hope that was somewhat, I don't know if it was entertaining or helpful, but it was really cool. I'm a big fan. I have to say I'm a big fan of nine, eight and seven. There's some cute stuff in six. Five is really cool too. And one was really neat. The other one's not super my thing. Two and three, I have to say. All the four had some cool stuff as well. Like overall, it was very impressive in terms of the designs. And as you can see here, the character designs, creature designs, robot designs, all that stuff is really, really cool. So I would watch it. Let me know what you think. If you watch it, comment. I'm curious what you think about the overall style and the look, but that is it from me. And hopefully I will see you in one of my next clips. Thanks.


What's going on everyone Sam here with late in sports cards. We're doing 2022 panini Origins football hobby 16 box full case number three random division style Here's a look at your random results as always you can find these on the website under the results tab as well as the link That's in chat. Let's do it everybody Yeah, OBS gave out I apologize on that so we lost a bunch of viewers which kind of sucks But it didn't give out mid-random everything we do we record so I just uploaded the random to YouTube If anybody wants to see it, you'll won't see any like delay or lag or anything Yeah, we should you should be live again. I see to 199 Cardinals nice Tom Brady to 299 NFC South Sutton and John Matchy rookie got Josh Jacobs on the hometown heroes Tulsa, Oklahoma 53 out of 99 Got a sauce gardener for the Jets AFC East And Eric as you con ma going to the Dolphins Think we'll skip the recap on this one guys Again, we are behind one gets these breaks finished. So we have time for personals as well Travis Kelsey to 75 and We've got Daniel Jones to 199 Leonard for net as Kenneth Walker rookie nice one there got a hometown roots. Jamar Chase Harvey Louisiana nine out of it 99 next up. We've got Jameson Williams. Nice one I think first Jameson Williams on card auto we've pulled go into the Lions. Nice one there Lions NFC North and AFC East pier strong junior on the Jersey auto next box That's gonna be Mitch Trubisky to 99 Davis Mills to 299 base. We've got Russell Wilson and Alec Pierce rook Got going to the Jets. That's gonna be Michael Carter 13 out of 25 on the Jumbo patch AFC East on that one followed by a Damian Pierce on card rookie auto going to the AFC South and Then Jalen Tolbert 74 out of 75 two colored RPA on the Orange there you go NFC East John Dotson rookie nice one there do these two on back first We've got Josh Jacobs and a Dallas Goddard both numbered That's gonna be a Zeke Elliott 25 out of 49 Going to the NFC East Brees Hall nice two out of 25 nice one there Congrats Jets Brees Hall and then we've got an Alec Pierce 67 out of 75 going to the AFC South Nice one there test together. You think you're gonna win that ski ball This is Davis Mills to 75 and AT Higgins to 99 got a Chris Carson base Derek Stingley jr. On the rookie Nice one here going to the AFC North. That's gonna be JK Dobbins 48 out of 49 followed by a Kyle Hamilton on card auto 24 out of 99 going to the AFC North again And then AFC South. We've got John Mechie the third Niko Collins the 299 and Niko Collins the 50 Niko Collins box right there. It's gonna be Maddie ice and Adam feeling It's cold. It's cold is right four out of 49 hometown roots Chris Godwin NFC South We've got rookie autographs Garrett Wilson going to the AFC East Nice one there on the on-card and then we've got a sky more Jersey Auto going to the Chiefs AFC West CPAT to 75 and Aaron Donald to 199 got Dalvin Cook and Chris Carson Hometown roots gonna be Terry McLauren to 99 NFC East Brian Robinson jr. Rookie Auto NFC East again And then NFC West we've got Kenneth Walker Jersey Auto going to the Seahawks or the NFC West the Seahawks of the NFC West And guys still two spots to go on our last break of the night Tyler Lockett to 199 AJ Dillon to 299 drop you guys that link really quick One to go One spot left Who wants it? Derek Stingley jr. Rookie Link Slate Justin Fields There you go king crass on that one NFC North That is Sean M. Congrats Sean Take one Thornton Patriots AFC East to 149. What's up? Yeah Take one Thornton that's 87 out of 99 Going to the AFC East and then a Desmond Ritter nice one there NFC South Yeah, so basically how that works Southside is we do a We pick like the top 16 teams like value-wise put them in the top tier and then the bottom 16 teams value-wise to the bottom tier So you get one from the top tier one from the bottom tier George Kittle and Brandon cooks James Connor Russell Wilson Chris Olava to 199 on the patch three color. There you go NFC. So nice David Bell That's going to the AFC North on the on-card auto not numbered And then sauce Gardner going to the AFC East rookie Jersey auto a redemption on the back There's a Carson Wentz to 99 followed by Keenan Allen to 299. We've got Shaquille Leonard and Rookie Damian Pierce Going to the Dolphins AFC East to a tag of I low Dolphins box right here Nice one there. We've got Eric as you con ma easy E again going to the Dolphins And redemption we've got Isaiah Spiller going to the AFC West nice one there Mike S Chargers Dolphin same thing Travis Kelsey to 299 and Jalen waddle to 75 Devonte Adams Rookie Aiden Hutchinson nice one there Cool looking patch here for the NFC East That's going to be seven out of 15 nice one there Sam Owl three color patch We've got Romeo Dobbs. That's three out of 49 for the NFC North And then we've got a redemption that's going to be Wanda Robinson going to the NFC East with the Giants I knew I was here really late last night because I was getting to like the end of the rerun of the Netson whoever they played game yesterday. Yeah, Tyree kill to 199 and Daniel Jones, so one two ninety-nine God, I'm on wrong and Kirk Cousins Nice one here. We got a Malik Willis jumbo three colored patch. That's gonna be 11 out of 25. Nice one there AFC South John G They're gonna be really nice Malik Willis We've got Kenneth Walker on the auto That's going to the NFC West And we've got Garrett Wilson nice Jersey Auto going to the Jets here. I'm assuming book would be my Guess and I believe I am correct Good luck to everybody on the booklet Matt Stafford to 99 Matt Stafford to 299 to Matt Stafford Drake London rookie Stafford hometown roots That is Dallas Goddard to 99 NFC East Got a Trey McBride to 75 that's going to the NFC West We've got 25 out of 25. Nice one there is gonna be Christian Watson On the jumbo two-color Jersey book auto for the FC North there you go Sean M Sean doing well with that division And then Calvin Austin the third rookie Jersey auto that's going to the AFC North No, you're good Josh Jacobs to 299 Nick Chubb to 199. There's a Jalen Hertz and a Derek Stingley junior rookie AFC so We've got a Trayvon Walker. That's a patch two out of 49 going to the AFC South nice one here for the AFC East. We've got Bailey Zappie Very solid that is not numbered on card auto And then we've got Kyle Hamilton AFC North the rookie jumbo Jersey autograph Dalvin Cook to 50 Matt Ryan to 99 DJ Moore here at Wilson rookie Christian Watson to 199 Jersey Packers got a Zemir weight auto nice one there again That is not numbered going to the AFC West Still one left still one to go guys and George Pickens rookie Jersey auto going to the Steelers Well, I'll just tweet it when we're done now. I think about it Again guys gonna skip the recap on this one. Just want to catch up I'll probably skip the recap on the rest of the brakes tonight Unless there's something here you can show it but Shaquille Leonard to 199 and Travis ETN to 299 Austin Eckler. That's a James Cook rookie We've got 46 out of 49. It's gonna be a Drake London Really cool one coming up here for the NFC East and carry M. How about a Terry McLaurin? 37 out of 99 Proving ground auto Those are so cool man Nice scary Terry and then we've got redemption Brian Robinson Jr. Going to the NFC East That'll do it for the break guys. Thanks again for the fill next up. We've got one more full case of origins


Hey everybody, this is Brian. Welcome to the 121st Qtutorial with C++ and Queue Programming. We have hit 4 million views on my little channel here. That's quite a bit. 25,000 subscribers. Good stuff. I like hearing from you guys. Alright, let's just dive right in.  You can open a million of those things. But if you go up in a video game, only one instance of that will open. Or if you have a program and you double-click a file, it will open it in the existing window. That's what we're going to cover today. It's called single-instancing. So we're just going to make a new project and we'll call it forever alone. Just because. First thing we need to do, I don't know why you guys like watching me type. Is that even a word? Type-ist? Type-er? Type-ist? Type-e? Anyways, I've kind of gone round back and forth if I should just come with the code pre-built. Or if you guys just want to watch me type it. But I think we've talked about that before and an outstanding number of you want to watch me type it. Why? I have no idea. Alright, so we've created our application. We've created a class called single-instance. Now we need to start flushing this thing out here. The old queue-debug. You can tell it's been a while since I've done a queue tutorial. I can't type and talk at the same time. Whoopsie. Really, Brian? Come on. You can do this. A queue local server, a queue local socket. Wait a minute. Sockets? Yes. We are going to use what's called a queue local socket.  But when you do, I want to call it... What are they called? Namepipes, basically. On Linux, Unix, etc., etc. They are actually TCP sockets. I believe they're TCP sockets. Anyways, they might be just namepipes. But point being, with every operating system it's handled a little bit differently. That's the beauty of Qt, is you just have one object you mess around with. So let's start cranking this bad boy out here. Look at my notes. Alright, good. First thing we need to do, because this is a client server model, we're going to listen. Now you notice how I'm giving it a name and not an IP address. The reason for that is we're naming a channel. It's called a name channel. So we're just going to simply give it a name and that's what we're going to listen on. And then we're going to say bull has previous. I really can spell. I really can. Now, what we want to do here is in this has previous. This is when we're checking to see if there's a previous instance. We're just going to say, give it the name. And we also want to be able to pass a Q string list of arguments. This would be the command line argument so that if you open the...  Look at that. Bonus. Anyways, if you open another application and it has a file name or something like that, you want to pass that to the parent program. Alright, so let's just save that. We want to... I'm just going to make a basic signal here just to let anybody know if we have any listeners. And we got some slots that we need to play around with here. Alright, so we're going to say void new connection. I've been trying to force myself to get into the habit of documenting things as I go. Of course, if you've worked with sockets before, void ready read. Determine that, you know, there is actually data in the socket. Now, we need some variables here. Rivet, private. Q local socket, that's a pointer to M socket. Darn you keyboard. And we're going to get that from the incoming connection. Now, you would be wise to stop and ask, well, if you're just using sockets, why don't you just use normal TCP sockets? Well, because this isn't really TCP. Allow me to explain. On some systems like Unix and Linux, I think I've already said, it will actually be TCP. But on Windows or other operating systems, I think even Mac, it may not be. Well, because Mac is, you know, BSD Unix, but it may or may not be. It's operating system dependent. So some, it may be an RPC call. Some may be a memory file. Some might be a pipe. Some is just a normal socket. Qt uses IO device under the hood, so they just treat it like a socket. All right, the server. All right, good. So we've got our header, and we can start fleshing this out. So let's just start refactoring our code here. Now that we've got it pretty much in there, I'm gonna give it a good build just to make sure we don't have any little bugs in there. All right, good. We got some warnings. We'll take care of those. All right, so first things first, we want to actually connect our M server. Oops, the new connection because this is actually a server. This slot, new connection. I've been playing a game called Dota 2. I don't know if you guys have ever heard of Defense of the Ancients 2. It's actually got me horribly addicted to it. I just can't seem to stop playing the darn thing. All right, so let's just do just in case. And that's in the deconstructor right there. So listen, this is where the magic's gonna start to happen here. What we need to do is say M server, remove server. Now, what are we doing here? Remove server. If you've ever worked with sockets before, you know that if you open a port, the server crashes, and then you start the application again, that port's still in use. If that socket's still lingering around in memory and doing stuff. So this is no different. We want to make sure that we turn it off, but actually just through the magic of copy and paste, put it up there also. And actually, let's just get rid of close, because I think M server actually calls close under the hood. And we're just gonna add a little queue to bug so we can see what's going on here. Four. I've been getting a lot of email from you guys. I've been really trying to drudge through it, the holidays and work and everything. It's been just crazy. I have not had a chance to keep up. Some of your questions. Let's see if I can answer them while I'm just typing some of this out. Some of your questions have been, am I gonna get into mobile development? The answer to that is yes. It may be a while though. I've never done mobile development. So it may be fraught with errors such as this. All right, fine. We'll just call close then. Be that way. Probably in a real world application, you're gonna want to put the name as an actual member variable, but I'm in a bit of a hurry. My girlfriend's out Christmas shopping, and she's probably gonna come back and give me a lot of work to do. So I want to get this tutorial out there. All right, so it has previous. This is where the bulk of the work actually happens here. So what we're gonna do here is we're gonna say queue local socket, and we're gonna call it socket. Yeah, very descriptive name. Socket. Connect to server. And we're gonna connect to the name pipe, or the name channel I should call it. And actually just in case something changes in a future version, we should actually say queue local socket. Read right. This is the method. We want to be able to read and write to that socket.  So we're checking for previous instance, and we're going to actually say if socket, oops, wait for connected. Now you notice how we are doing a blocking socket here. Blocking means that execution will stop when it hits wait for connected, and it will not pass go until it's expired. You could put in any value you want. Local sockets are extremely fast. You're talking milliseconds. I think the default is like 30 seconds. But you can just do whatever you want, right? So we're gonna return faults. And then if we did actually connect, we're going to return true. What we're doing here is we're saying is if we can connect to that name channel, we are true because it actually exists. Otherwise it's false, meaning it never existed to begin with. And we're just going to, for good measure, just in case you guys run into any problems out there, like if you have a lingering socket or something. Now we want to actually say sending args to previous instance. So we're going to actually send the program arguments to the previous instance here. And we're going to do that through, well, a buffer. We're going to say quebyteray. Buffer. And let's see here. For each. That is probably the most awesome misfeature of que is the for each. I hate typing for loops. They just are so unnecessary these days. Que string item in our. All right. So we're going to say buffer. And we're just going to say item. Plus. And we're just going to do a return here. Or I'm sorry, a new line. Once we've done all that, we're just going to say socket. Right. And we're just going to write the buffer out. So quick explanation of what we're doing here. Save my work. Give it a good build. Make sure. All right. All right. When has previous instances called, we're passing the name of the channel and a arguments list in a string list. And we're just saying connect to the name channel. And if it connects, because wait for connected, this will execute. Otherwise it's just going to return false. We're printing out the error, even if there isn't one. And if it does connect, then we're going to take the arguments from the program and basically package them up into a nice buffer and ship them off to the socket. And then return true, indicating that hey, there was a previous instance. Okay. We're almost done here. We're going to actually do the connection now. I'm going to admit that new connection. And we're going to get the next pending connection. Little minus sign there. Geez. So, kind of curious to know what countries actually celebrate Christmas and what ones don't. I have some coworkers that are not from America and they don't celebrate Christmas. And it's kind of interesting because they expect that everybody will be working on Christmas Day. And here in the States, that's just not going to happen. So what we're doing now is we're just grabbing the next pending connection when there's a new connection. And we're just going to connect it to the, you guessed it, ready read. Now in ready read, we're just going to simply say, all right, we're just going to print it out here. We're going to say arg equal, because this is the arguments that we're passing back. Whoopsie. Somebody actually sent me an email. It was actually really funny. They actually went through all my videos and counted the number of times that I said, whoops or whoopsie. And it was like, in 120 videos it was like 900 times. It was just ridiculous. I was like, oh, that's not good. I probably shouldn't do that anymore. msocket.close. We're going to close that out. msocket.nl And we're going to delete later. Then we do a little bit of memory cleanup. I'm pretty sure Qt handles that under the hood, but just in case we're going to clean that up. All right, so, give a good build. All right, so it builds. It does nothing yet, because we haven't done anything. So let me check my notes. Make sure I'm doing this the right way. All right, so we got single instance. And we're just going to for good measure here. Qtabug. Somebody asked me why have I been doing so many command line applications? I mean, Qt has such an amazing GUI library. Why am I not doing GUI applications? And I'm like, the reason for that is pretty simple. Command line apps take out a lot of the complexity of building a GUI. And when you build a GUI, it takes time. And I try to keep these videos very short, simple and to the point. 902. And I just really want to cut out a lot of the complexity, because some of these topics can get fairly, fairly complex, fairly fast. Let's call this C instance. Now, if you're wondering what this is, this Q string, that's the name we're going to use. And we're going to use calm company application. So it's kind of the reverse of the actual fully quantified name of your application. And that's pretty standard if you've worked with Java or something like that. We're doing that to just avoid name... I can speak name collisions. For example, if you make a program called awesome and somebody else makes a program called awesome and you both try doing this, you're going to start conflicting with each other's applications. So just make sure that your name is very unique here. So we're going to say C instance has previous, and we're going to say name. You know, it would help if I actually put the variable in there. N, Q, core, app, location... There you are. So we're just going to simply say if it has a previous instance and else, previous instance detected. And if there's no previous instance, just for giggles, I want to say there can be only one. So if there's a previous instance, we want to go ahead and just exit out this application by just return zero. If you're wondering what zero is, go back to your C++ tutorials and you see how the main function returns an int. Int is just the error number. That's how you get error 52 or error 38 or whatever. It's just returning an error code. Zero is pretty much universal for there was no error. Now, if we get to here, we're going to say C instance, listen. If you want to just uncomplicate this thing, let's just get rid of that. There we go. I've been criticized for using too many ifs and else and it just gets kind of crazy, so give it a good build. All right, so what we're doing here, quick overview before we run this. We are creating our single instance. We're saying if we have a previous instance of our name, which is this bad boy right here, we're going to pass the command line arguments that were given to the application to the previous instance. Jump in here and what we're really doing under the hood is we're opening a queue local socket and connecting to the host. And if we actually connect, we're just packaging up the command line arguments and shooting them over. And then we're just reading them if we have a new connection. So if somebody connects to us, we're just going to get the pending connection, connect the ready read. And then once ready read, we're just going to read all. Whoo, that's a mouthful. Now, let's see if this thing actually works. So we're going to start one and I may have to drag some windows around because command windows typically just jump wherever they feel like it. All right, so you can see how it says there can be only one. This is the first instance of our app. And you notice there was no arguments passed. I'm going to kind of shove this off to the side here and I'm going to start another one and bring it back over here. And you see previous instance detected. Listening for, there we go. Looks like it crashed. Inferior received because of segmentation fault. Now I'm wondering what I did wrong here. I'll tell you what, I don't want to waste a ton of your guys' time. That's the basic concept. I just want to make sure this thing works. Whoops, I shouldn't have done that. 902, right? File system, there we go. Let's give it a good rebuild and see if we can kind of real-time troubleshoot this. I may actually pause the video and then figure out what's going on here. This usually causes problems, so let's get rid of that. Anyway, I'm going to pause the video and see if I can figure this out. Okay, we're back. I actually did figure out what was wrong here.  Basically, see this, emit new connection. If you look, some of you probably were wondering why I didn't catch this earlier, our signal is actually new instance, not new connection. New connection is a slot. So we're trying to emit a slot, which is why it was crashing. So if we just go save our work, and you can see I've added a few things here. Like I've added the wait for bytes written. I added this little append-yay. I'm just going to take that out here. Anyways, we're going to run our example now. Save all. And you can see I've renamed it application 9. I'm just going to leave it like that for now. I'm going to run this again. And you see, voila. All right, so what was going on here is we are checking for previous instance. Connection was refused, meaning there was no instance. So we said there can be only one and we're running and we're listening on our name here. And then once a new connection is made, new connections loading, we're reading it. And this is the argument from that connection right here. And the actual other instance is down here. And you can see we are checking for an instance. We found an instance, so we're sitting the arguments. And then we're just, you know, the application is done.  And you can see how after we have run it a few times, you know, we get the arguments. Now in, I don't know if this is true in Windows or not, but in Linux, your first argument is almost always the application name itself. So that's how you get the app name. So that's it for this tutorial. Sorry about the goof up. You know, can't have every tutorial be perfect, but we fixed the problem. Thanks for watching. I hope you found this educational and entertaining. Oh, and before I hang up here, we've got 4 million views, 25,000 subscribers. Be sure to visit voidrums.com, my website. Click tutorials for the source code for this and other tutorials. And this tutorial actually came straight out of my petprojectpluginbot.net. The code that you see is actually running in here. Minus the typo that goofed up the tutorial, of course. All right.