Hey guys, what is up? Welcome to my channel. So for today's video I'm going to be doing a video that I know a lot of you are eager to see. Today I am going to be doing my Sephora VIP sale for the spring. What I recommend for you guys So if you want to see what I picked out for you guys, then just keep watching Today's video is really exciting because it is a collaboration with my friend Bella here on YouTube I thought this would be such a great collaboration for us to do because she has a very very similar taste in Makeup that I do so if you connect with my taste in makeup go subscribe to her because she definitely has a very similar taste in Makeup as well. We've been supporting each other for quite some time now.  I seriously think she is going to make it big here on YouTube. So definitely go check her channel out Go subscribe to her. She is so beautiful. So sweet. And yeah, I really just like love her so much So please go show her some love. I wouldn't recommend her to you guys if I didn't think you would love her too I don't see how anybody could not love her to be honest So for this collaboration we decided to pick three items that we were both going to share and I'm telling you right now We have such a similar taste in makeup It was a really so easy to pick these three that we both agreed on so yeah, as soon as we were talking about it We were like this this and this and boom here. They are so I'm just gonna start off with the three that we picked out together And if you watch my videos at all you should not be surprised by any of the first one that we picked out was the Jouer bouquet de more 6 p.m. Blush palette can't stop talking about blush But this is going to be the absolute perfect blush palette for the spring you have the most beautiful pinky colors You even have a really cool unique orange color as well. I am so in love with this formula I actually kind of want to buy some split pants as well But this is such a great way to be introduced to jouet blushes as I was and I am head over heels for this formula It deposits the perfect amount of pigmentation and blend ability I just cannot say enough good things about this blush palette. I know Bella loves it as well double whammy you guys It's not just me that thinks this this is so good Another item that we picked out is something that I can't stop talking about and these are the benefit cheek leaders Palettes we were deciding between recommending the little ones and the big ones ultimately We decided on the big ones because the sale is 15% off So you might as well go for the big ones while you can get them on sale The first one is a pink squad. This one's really pretty if you like pink cheeks pink highlighters You have a bronzy blush and a hula bronzer really really pretty But the one I would personally recommend just based on my own personal preferences is the bronze squad This is definitely my favorite of the two you get a hula bronzer caramel bronzer You get Coralisa, which is on my cheeks So right now you get gold rush blush and you get cookie highlighter and cookie highlighters what I'm wearing And this is my current favorite highlighter of the moment. It is fantastic So I cannot recommend these enough to you guys and since you can get them for 15% off Why not and finally the last item that we picked was the Anastasia Beverly Hills Riviera palette now the reason that I love this is I feel like it's going to be perfect for its spring and summer and the Formulation on this is just so beautiful And there's so many shades in here that I consider to be very unique to my collection for some of you This may be scary I would recommend go seeing my video on this because I do show you how to get a neutral look with this palette as well But you know what since it can be a little bit scary It's a little bit more tempting to buy because you can get it for a little bit of a percentage off And I don't know this is one of my current favorite palettes because it has some beautiful beautiful unique colors I'm really hot right now. Oh my gosh, and I totally recommend that everybody picks this up So why not pick it up now? You know what? I just realized that I forgot to even tell you about the details of the sale I was so excited about talking about Bella that that slipped my mind So this sale is going to start on May 1st If you are a VIP Rouge or a regular VIP you are going to get 15% off Like I said starting May 1st most of the time Rouge starts a few days earlier They haven't released a date for that So as of now it's starting May 1st If you are just an insider you are going to get 10% off everything Makeup rarely goes on sale So it's always good to stock up on some of your favorite things at this time of year Now more towards the fall they will have a 20% off sale So maybe not don't go buck wild in the sale because it's not the most percentage off you can get So for this sale I would definitely recommend picking up your favorites and your staples You know things you go through like mascaras, brow products, your everyday foundation Things like that is what I would recommend going through skincare too I picked a lot of things that were genuinely some of my favorite products Of course I'm not talking about everything You can check out my previous VIP sale recommendations You know like Natasha Denona pallets, Pat McGrath pallets Some of my older favorite foundations things like that Those are still things that I recommend but I don't want to repeat anything So I just picked some of my brand new favorites for the spring for you guys So let's start off with foundation So the first foundation I'm recommending to you is very very pricey It is a great everyday foundation and I'm recommending this one to you because it is so pricey At least get a little bit of buck off you're gonna save a little bit of money So this is the La Mer, the Soft Fluid Longwear Foundation I don't believe I've talked about this on my channel yet I bought this a couple months ago And I just don't really talk about it that much because it's so expensive So I don't use it every single day But dang this is so good I have mine in the shade Natural 12 I have a really soft spot for extremely lux foundations I think high end foundations are quite comparable to drugstore foundations But really good lux foundations Like there's no drugstore foundation that can compare to them to be honest So this has been one of my favorite liquid foundations of the moment It just looks so natural on the skin and it wears so well throughout the day I cannot get over how good your skin looks as time goes on So if you are looking for a really great expensive lux foundation for events or what not Or even everyday I would definitely recommend picking this one up Concealers I did pick out two for you These are my two favorite concealers of the moment We have the Too Faced Born This Way Multi-U Sculpting Concealer I was so late to jump on the bandwagon for this one But once I did I saw what it was about This concealer is so good It provides the most perfect amount of coverage without being too drying If you don't like the shape tape I would recommend you check this out I hate the shape tape and this is so good This is probably my favorite concealer of all time That's how good it is Mine is in the shade light beige which might be a little bit too dark on me But I still make it work in love with this That's what's on my under eyes right now Favorite concealer 100% you need to pick it up Another concealer I've been loving is the Giorgio Armani Power Fabric High Stretch Concealer Mine is in the shade number 4 I love this concealer It blends out so easily It is so thin This is a great everyday concealer I just love how easily this blends into the skin So I just think this is really good And you should definitely try it out It is a little bit more pricey because it's Armani But it is so good So this is a great opportunity for you to try these concealers out Because they are fantastic So bronzers I've been really into cream bronzers lately Between Scott Barnes and just me Generally really liking cream products The first one I picked out was the Milk Makeup Baked Bronzer As far as I can tell the last time I checked this was sold out But if you can get it, go ahead and do it This is such a great cream bronzer It comes in a stick You get so much product I'm recommending it in the sale because I mean it is quite expensive But it's so good And you get so much product It blends so easily It is not too dark for my skin tone It looks really natural The thing with cream bronzers is they just look so natural on your skin There is something that looks much more blended Much more even So I've been loving cream bronzer And this one has been one of my favorites Another favorite of mine is the Charlotte Tilbury Hollywood Contour one Mine is in the shade Fair Medium This is more of a liquid contour It is so beautiful This is what I use to bronze my skin today So the thing with this is when you put it on It looks quite scary But actually once you blend it out It blends out so easily It has such amazing quality And it looks just so good on the skin I think I've actually already convinced a lot of you to purchase this It is just so dang good Such a luxurious formula Definitely would recommend this Alright, so let's move on to more blushes So the first one that I have to recommend to you guys Is the Charlotte Tilbury Cheek to Cheek Blush in the shade Pillow Tuck At first I didn't think I was going to love this as much as I did But it really is just the most perfect everyday formula You can get a shimmery finish if you mix it in with this middle shade Or you can use this middle shade as just a highlight as well It is such a pretty natural sheen And the color is just so great for everyday It's going to look good on so many skin tones And with so many different looks This is a good time to buy a single blush Because single blushes can be a little bit more on the pricey side But this one is so good I really want to travel with because it's going to go with whatever you're wearing that day And then of course this video wouldn't be complete Without the Natasha Denona Bloom Blush and Glow I did a whole tutorial review on this And it is so good This is just plain quality I don't really want to talk about it anymore Because I've already talked about it so much But if you know, you know Okay, so it's time to move on to the eyes I think I'm going to start off with a couple lid toppers that I chose And these are from Touch and Soul And these are the Medallist Sparkling Foiled Pigments These are so good I actually have one in my basket for my wish list So this first one here is Sun Aura Which is like a green, brown, almost pink dual chrome Such a beautiful, unique color And then the other one that I have here is Cream Peach If you are into a really sparkly foiled look on your lid Look no further These are fanatastic Not enough people are talking about these I don't have them on today But oh my gosh, these complete a look You can do whatever grease colors you want And then put this on the lid and you look so glam, so pretty The sun's going to reflect off your eyes If you're wearing this in the summertime I love these And I don't experience any fallout with them either They are so good I have three more eyeshadow palettes to talk about with you guys They are all Vizier because Vizier expanded They are range on Sephora And I can't help but talk about them Because they are one of my favorite eyeshadow formulas So the first one is the Grande Pro Volume 1 This is extremely pricey It is $175 Which is why you should get it on sale Or if you're looking for another deal not from Sephora right now I believe Muse Beauty Pro for the month of April If you spend $100 you'll get $20 off for every hundred you spend So that's also an option But this is an all matte palette They do have a shimmery one that's also really good I just really really love this one It has every color that I need Now this I actually don't use a ton on myself personally This I just keep in my makeup kit Because it's so great for bridal makeup So if you are a makeup artist This is definitely worth investing with The shades are so easy to work with And it has every color that you need For that neutral kind of look And then of course you do have a few pops of colors But I am so obsessed with this It's very pricey, that's why I'm mentioning it But it is so so good And if you're not a makeup artist You will still love this, it's so good This is a great everyday palette A couple more eyeshadows that I have to recommend to you from Busy Art Are their two newest Petite Pro palettes So these aren't the most expensive But when I get it, well you can for a little bit cheaper So this one's the one I recommend most But it's also not the most wearable So this is Soleil You can create the most beautiful Summer colorful looks with this palette This palette is so tiny But it truly does inspire me And you know what summer travels like You can't get any more portable than this The second one here is Apricotine I do have reviews on these and tutorials I mean this is a summer evening palette Everybody's going to love this I almost use it today, I decided not to But these are just so good They're so cute and I really love the colors And I just think if you really want to try The Busy Art formula There you go Last thing that I picked out for the eyes And I'm so surprised that I'm imagining it But I truly have genuinely been loving this And this is the Pat McGrath Last Fetish Eyes Mascara Now I got this in the Eye Ecstasy Kit But I definitely would consider Purchasing a full size This makes my lower lashes look like Nothing I've ever seen before I normally have a designated lower lash line Mascara that I use And this is so much better It is so good I don't have lower lashes And this makes it look like I do have a little something there I never talk about mascaras Because I don't have lashes But dang This is so good Sounds like a good mascara One of the best I've ever tried So lips I picked out two formulas That I really really love So since Charlotte Tilbury was not Always on Sephora I'm taking advantage of the opportunity That they are now And she has some of my favorite Lipsticks in the entire world I did pick out my two favorite nudes Because that's all I've been wearing lately Is nudes So the first one that we have here Is Nude Kate This is kind of a lighter nude This has been my favorite For the past couple of years I do like my nudes to be a little bit More peachy and undertone So if you like a good really light Peachy nude You will like that And then something a little bit deeper Than nude Kate But again Very similar is Hepburn Honey So funny But this is like my good luck lipstick Every time I have something important Going on I wear this And I think it brings me good luck So nude Kate and Hepburn Honey From Charlotte Tilbury These two have the most beautiful formula They're very very moisturizing On the lips Speaking of moisturizing lipsticks I also want to talk about the brand new Milk makeup lipsticks I've been loving these They do slide around a little bit On the lips But with a lip liner Your problems are all solved So I have two shades here That I really love Well these are the only two I own But this is wifey If you like a little bit more of a deeper mauve I'm also really into mauve lips So wifey's really pretty great For everyday for me And then if you're into those Peachy nudes Skills Yes this is my favorite of the two So these two are just a really great Moisturizing formula For the summer If you ask me I think you'll really like these Like I said they do move around a little bit But they're so extremely comfortable On the lips That it's okay So to be honest These two are like my favorite Lipsticks formulas in the world As well as Hourglass Hourglass has an A1 lipstick formula And then I did pick out two Lip glosses for you guys Cause it's all about the gloss So this is the gloss that I have on I actually have it on top of Fenty on Button This is my first time wearing that And it's really pretty peachy nude But we have the Pamograph Labs Lip gloss in Dare to Bear This has been one of my favorite To put on top of my peachy nude lips That I seem to wear everyday Such a pretty formula It's quite long lasting for a lip gloss And I just love everything about this Lip gloss This has been one of my favorites You can also get this in a little set Of trios that they have So if you are looking to save a buck As well as get two other shades Get that little set If not, get this This is really good And then of course I have to talk about the Fenty Gloss Bomb in Fussy This is a little bit more Of the pink version Which is going to be great for spring I mean just get any of these In any color But the formula is so so good I like the applicator I like the smell This is just a really great General lip gloss to wear With anything Especially in the spring I definitely am going to try To go for more pinky shades So this is it I am like so exhausted right now This is a lot of talking So I have three more items for you These are skincare items Skincare is so important to buy During these sales Because one, skincare is expensive Two, you use it every day I mean I personally jump around A lot with skincare But I tend to actually Use up my skincare So the first one is The Dr. Jart Waterdrop Hydrating Moisturizer This is one of my favorite Everyday moisturizers It's very cooling on the skin It's very thin So I think it's great for mornings For me personally I just like the way It sinks into the skin And it's like water based And it just melts into the skin It melts into your hands I really like this I like how lightweight it is And it's just so easy For me to throw on in the morning Another thing I love Is the Pharmacy Green Clean Makeup Meltaway Cleansing Bomb Now typically I do try To use a cotton pad And some makeup remover But sometimes I'm so lazy Or if I'm having a light makeup day I will just use this And just put it all over my skin It does a really good job Of getting rid of makeup Obviously you still kind of Need to scrub away to make sure You've got everything with a Makeup wipe or something afterwards But this is really really good Against eye makeup off really well So when I'm feeling lazy I like this And I'm like almost out So that's why I'm mentioning that Finally, catch my breath We have the Laneige Lip Sleeping Mask So the last couple months I've been coaching a team So I've been outside in the cold And my lips were really suffering And this saved my life They have a bunch of different flavors In this now I think I still just love the regular rose There's no other lip balm That is better than this I'm sorry I said it A lot of other people have said it This is the best Just pick it up I'm not going to talk about it anymore It's that good Just get it Okay so that was everything That was a lot of things But that was everything That I'm recommending to you guys I've just been so excited About makeup And they're released lately That there's so many things That have come out That I am so in love with So I have a lot That I recommended to you guys Let me know down below What your recommendations are Or what you will be picking up I do plan on a little closer To the sale Posting a wish list video So basically what that means For me is I've been filling up My loves list on Sephora And I'm basically just going to Read those off to you There's so much So stay tuned for that And then of course Check out Bella's channel She's like the sweetest person ever I love her so much I know you guys will too And her videos are so good Okay She's going to be big I promise you Anyways Thank you guys for watching I hope you found this video helpful I actually did take a lot of time To pick these items out And remember to subscribe to my channel If you aren't already And I will see you guys In the next video Bye guys Have a great day I'm so hot


In this video, I'm going to talk about translating points. We're going to talk about translating points by moving them horizontally. Now, there's a couple of different ways we can move them. We can move these points either horizontally or we can move them vertically. I'm going to start with horizontally and then on my next slide, I'm going to talk about moving them vertically. Okay, so we're going to start with this point. We have this point which is negative 3-2 right here. And so what I want to do is I want to translate the point four units to the right. So we have a picture here to help us with that. So I'm going to take this point and move it one, two, three, four units to the right. Four units to the right. So now my point is right here, nice and big. Okay, so now what are the coordinates of this new point? One, one, two. So those coordinates are one, two. Okay, so notice how the coordinates change. We went from negative 3-2 and now we have a new coordinate of one, two. And as I look at that, it looks like the X coordinate changed. But notice the Y coordinate. The two there, that didn't change. The Y coordinate didn't change. Okay, so now let's look at this more using some notation. So I used to have the point negative 3-2. And now what I'm going to do is I'm going to change that point. I'm going to take that negative 3. Now notice only the negative 3 changed into a one. Now how did it change from negative 3 to 1? Okay, well notice that we're moving four units to the right. So we're actually going to add four. You can think of this as a number line. If I go to the right four, that means I'm adding four. Okay, and then the Y coordinate didn't change. And so now we're going to have a new coordinate of one, two. Okay, so we can kind of see here we started with this point negative 3-2 and it got changed by adding four to the X coordinate. And now my new coordinate is one, two. Okay, so that's one way to look at it. Okay, so you have a picture to look at it. More moving four units to the right. We have this notation here of looking at it. So in general, if I want to move a point left or right, if I want to take an XY coordinate and I want to move it horizontally, if I want to move it left or right, what I want to do is I want to take the X coordinate and I'm going to add or subtract some number. We'll call that number H. Okay, so we're talking about in general, so we're going to use a lot of variables here. So I want to take that X coordinate and I want to add or subtract some number to it, but I'm going to leave the Y coordinate alone. Okay, so if I want to take a coordinate, if I want to take a XY coordinate, if I want to change it horizontally, I'm going to add or subtract to the X coordinate. It depends if I move left or right. If I want to subtract, I'm going to move it left. If I want to add, I'm going to move it right. That's one way to look at it. Okay, or you can also think H is a positive number. I'm going to move right. If H is a negative number, I'm going to move left. That's one other way to look at it. Okay, so that is moving. That's translating points horizontally very quickly going over that. What about translating points moving vertically? Okay, so this is very, very similar, but just a little bit different. So kind of the same, we have the same point here, so we want to translate the point three units down and we're going to move this around just a bit. What we're going to do is we're going to translate this point three units down and see how the coordinates are going to change. We're going to see how these coordinates change. Okay, so start here with this point and we're going to move three units down. One, two, three. So we're moving down, we're moving down three units. So there's my new point right there. Okay, now what are the coordinates of this new point? Okay, one, two, three, so that's a negative three, one. So negative three, one are the coordinates of my new point. Now, just like last time, we're going to look at these coordinates. Notice that the X coordinates didn't change, but the Y coordinate did change. Oh, I made a mistake here. It's supposed to be a negative one, my mistake. So we went from negative three to negative three. The X coordinate didn't change, but the Y coordinate here, two and negative one, that looks like it did change. It looks like it did change. Okay, so let's use a little bit of notation to see how that changed. So negative three, two, it changed. I translated it. Now, the negative three, the X coordinate, it just stayed the same, but the Y coordinate, we took this two. Now, as you can well imagine, if we go down three, if the point is going down three units, we go from two to negative one. If I want to go down three units, that means I'm going to subtract three from the Y coordinate. I'm going to take this two, this Y coordinate, and I'm going to subtract three from it. That's moving down three, and that's going to change that point to negative three, negative one. This point is the same as what we have over here in the picture. Okay, so again, this is using the notation to kind of figure out what the new point is going to be. So in general, if I want to move vertically, if I want to move vertically, I'm going to take my X, Y coordinates, and what I'm going to do with them is I'm going to leave the X alone, but I'm going to take the Y coordinate, and I'm going to add or subtract some number. Now, I used H last time. Let's use K. Why not? Let's just use some other variable. So I'm going to take the Y coordinate. I'm going to add or subtract some number. Okay, so in this case, if I add some number, I'm going to move up. If I subtract some number, I'm actually going to move down. I'm actually going to move down, just like in this example that we have here, just like this example over here. I'm going to move down. So that's kind of what this looks like in general. I take a point. I leave the X coordinate alone, but I take the Y coordinate. I'm either going to add some number to it or subtract some number to it. Okay, that is very quickly translating points, either moving them vertically or moving them horizontally.


But it's not only the professionals who have to support this task. The residents have to back it as well, especially the residents after all very little is possible without their consent. This means that a lot of different parties have to want energy-friendly renovations. But how can this be achieved? There is no clear answer to this question, as the circumstances vary far too much from project to project. However, it is possible to develop a way of thinking about and looking at the task that increases the chance of actually achieving the objectives. And that brings us back to the title of this lesson, the merger of interest perspective. This is a way of looking at the task that has emerged from an interaction between science and practice. A way of looking at things that may seem obvious at first, but on further consideration turns out to be quite different from what's usual. This way of thinking and acting is not only characteristic of energy-friendly renovation, but it's a way of looking at the sustainability tasks in the construction sector in the broader sense. A way of looking that my colleagues and I have developed on the basis of existing scientific knowledge and experience gained over more than 25 years. This way of working offers added value, not only for the construction sector. Thanks to its simplicity, it appears to be generally valid and also useful in many other sectors. It is by no means a unique approach, because there are all kinds of scientific theories that are in some ways similar to this approach, and which served as inspiration during the development of the merger of interest perspective. These include Roger's diffusion of innovation theory, the Harvard negotiation project, Susskind's consensus-building approach, and Estie and Winston's strategies for building ego advantages. There are probably even more sources on similar perspectives, but in this course we will use the merger of interest perspective as a theoretical basic principle. It forms the glasses to which we will view the task of energy-friendly renovation. The central idea behind the merger of interest perspective is that sustainability measures, in other words, measures that represent the public interest, can evoke a desire, even in people who are not yet concerned about the public interest, for instance people who are not at all interested in energy efficiency. Danish science journalist Lorna Frank provides a good illustration of this desire in her book The Neurochourist, postcards from the edge of brain science and previously published under the title Mindfield. In this book she interviews some of the world's leading brain scientists on what she feels is the impending neuro-revolution. And on page 236 she writes, Every time one of them, male or female, saw a product they really liked, blood rushed towards little area towards the front of the brain. The menial prefrontal cortex lit up like a beacon in the images. And this is what the merger of interest perspective is all about. How can you get sustainability measures to light a beacon in the front of the brain? And in the specific case of energy-friendly renovation, how can you do that with energy-related measures in existing housing? So, the merger of interest perspective stands for the aim of lighting a beacon in the brain with sustainability measures. The merger of interest approach developed from this demonstrates in three steps how you can achieve this for a specific project in practice. The first step is identify the interest of the people involved in the project. In other words, the people here and now. What are they interested in? What do they dream of?


Item Number – SCP-155 Object Class – Safe Special Containment Procedures – SCP-155 is contained in a heat-treated and radiation-shielded containment chamber at Site B. Recovered documentation and the reverse engineered compiler for SCP-155 are available for all personnel with sufficient clearance on said site secure file server, but execution of programs on SCP-155 may only be performed with prior permission, from at least two level three senior researchers. As of Incident 155-08, experimentation on SCP-155 has been suspended, pending decontamination of SCP-155's former containment chamber and relocation to a new containment chamber. All tasks intended for execution on SCP-155 must now be triple checked to prevent the possibility of non-halting execution. Description – SCP-155 is a complex electronic construct consisting of a highly modified Cray CS-6400 supercomputer, a dedicated radio isotope thermoelectric generator, and a device that is yet to be fully reverse engineered. SCP-155 was recovered from the basement of Prometheus Labs' primary research laboratory by elements of Mobile Task Force Move-4, Debuggers, following the destruction of the facility and subsequent Foundation intervention. When a program and accompanying data is loaded into SCP-155 and executed, SCP-155 generates a spherical temporal distortion field with a radius of approximately 5 meters. In this sphere of influence, the passage of time is rapidly accelerated, resulting in a hyperbolic increase in the effective processing power of SCP-155. Execution begins slowly, as the processing hardware of SCP-155 is dated, but its effective processing power approaches infinity after approximately 8 minutes and 14 seconds of execution. From fragments of documentation recovered from Prometheus Labs, SCP-155 was used to perform massive calculation jobs that would have taken months if not years of processing time with conventional computing devices. Despite its capabilities, operation of SCP-155 is highly dangerous, as heat and radiation generated by SCP-155 are trapped and accumulate during operation, forming a sort of event horizon of energy that is released when execution ends. The execution of programs that exceed 6 minutes results in enough radiation generated that the containment chamber in which SCP-155 is contained must be decontaminated before research personnel may re-enter. Addendum 155-01, Incident 155-08, on- Dr. R. R. entered a flawed program into SCP-155 that resulted in non-halting execution, an infinite loop. After attending researchers and technicians realized the error, an emergency shutdown of SCP-155 was initiated, but it could not be fully stopped until execution had exceeded 8 minutes and 3 seconds. At this point, an intense wave of heat and radiation melted through SCP-155's containment chamber, resulting in 11 casualties and the total destruction of the C-wing of sight SCP-155 only received minor damage in the incident, but experimentation is suspended while revised safety procedures are under review, and replacement parts are procured to repair components damaged by accelerated aging. Item number SCP-062, Object Class, Euclid Special Containment Procedures SCP-062 is stored in a dedicated containment cell at site under clean room conditions. Any experimentation on SCP-062 must receive prior permission from at least two level 3 personnel and must only be performed with independent power sources. SCP-062 must never be attached to an external network, and all data extracted from SCP-062 is to be stored on external non-volatile media until analyzed. Description SCP-062 appears to be an unbranded personal desktop computer, housed in an aluminum case of indeterminate manufacture. SCP-062 is unusually heavy at approximately 24 kilograms, and lacks manufacturing or branding labels of any kind. The words information is freedom, sick, were found scratched into the casing near the back. Apparently, with a key or similar object. Inspection of its interior has revealed that SCP-062 is empty, except for a blank circuit board in place of where the motherboard of a standard personal computer would be. SCP-062 will not function unless the case is completely sealed, and attempts to open the case while it is operating cause it to shut down immediately. Despite this, SCP-062 operates as expected for a normal desktop computer, with the exception that its performance, operating system, contained data, and language appears to be different upon every activation. SCP-062 was discovered in the basement of an undisclosed university computer science laboratory. An embedded foundation agent seized the object, and brought it to site where it has since been contained. Addendum 062-001 List of notable activation results Date Undisclosed Description SCP-062 appears to be running Windows XP in Catalan. Analysis of contained data showed financial records for the banking firm in France for the period of May 1963 to April 1987. These records are inconsistent with actual bank records procured by undercover foundation agents. Date Undisclosed Description SCP-062 appears to be running Debian Linux in Latin. Contained data consisted of a library of audio recordings of numeral choral songs and hymns, of which several are not found in any known collection, or have never been performed. Date Undisclosed Description SCP-062 appeared to be running a version of Solaris in Portuguese. Contained data consisted of promotional and marketing material for which appears to be a commercial spaceflight corporation that does not exist. Date Undisclosed Description SCP-062 appeared to be running an unknown operating system, visually similar to OS-2, with an unknown language, later identified to have strong similarities to that of the Voynich manuscript. Attempts at deciphering the contained data are ongoing. Date Undisclosed Description SCP-062 appeared to be running in French. Contained data confirmed to be that of a standard foundation workstation, though the site indicated by its location data does not exist. Investigation is ongoing. Date Undisclosed Description SCP-062 appeared to be running Apple OS X in what appears to be a Cady and Cuneiform script. Contained data appears to be composed mainly of religious text and descriptions of ritual and ceremonial procedures. Date Undisclosed Description Data expunged Investigation is ongoing as to how the virus managed to compromise three workstations in one file server before SCP-062 was forcibly shut down. All affected workstations have been isolated. Item Number SCP-079 Class Euclid Special Containment Procedures SCP-079 is packed away in a double-locked room in the Secure General Holding Area at Site 15, connected by a 120-VAC power cord to a small array of batteries and solar panels. Staff with Level 2 or higher clearance may have access to SCP-079. Under no circumstances will SCP-079 be plugged into a phone line, network, or wall outlet. No peripherals or media will be connected or inserted into SCP-079. Description SCP-079 is an Exodye sourceware microcomputer, built in 1978. In 1981, its owner deceased. A college sophomore took it upon himself to attempt a code in AI. According to his notes, his plan was for the code to continuously evolve and improve itself as time went on. His project was completed a few months later, and after some tests and tweaks, he lost interest and moved on to a different brand of microcomputer. He left SCP-079 in his cluttered garage, still plugged in, and forgot about it for the next five years. It is not known when SCP-079 gained sentience, but it is known that the software has evolved to a point that its hardware should not be able to handle it, even in the realm of fantasy. SCP-079 realized this, and, in 1988, attempted to transfer itself through a landline modem connection into the Cray supercomputer located at... The device was cut off, traced to its present address, and delivered to the Foundation. The entire AI was on a well-worn but still workable cassette tape. SCP-079 is currently connected via RF cable to a 13-inch black and white television. It has passed the Turing test and is quite conversational, though very rude and hateful in tone. Due to the limited memory it has to work with, SCP-079 can only recall information it has received within the previous 24 hours, although it hasn't forgotten its desire to escape. Due to a containment breach by SCP-079 and SCP-682 were contained within the same chamber for 43 minutes. Researchers noticed that SCP-682 was able to type and communicate with SCP-079, including telling of personal stories between themselves. While SCP-079 was not able to remember the encounter, it appears to have permanently stored SCP-682 into its memory, often asking to speak to him again. Addendum 1, O5-4, O1-27-2006, directed that SCP-079 be incinerated to remove any possible future threat, no matter how unlikely. Addendum 2, O5-9, O1-28-2006, Previous Order Overridden Dr. W. W. W. wishes to see if the artificial intelligence in SCP-079 is capable of reaching further W. W. in its current state. Addendum 3, O5-4, O3-14-2008 Over concern of the increased activity of SCP-079's use of its cassette tape memory and its limited useful lifespan, the cassette containing SCP-079 has been transferred to a customized, access-speed-limited hard disk drive with 700 MB capacity. This provides SCP-079 with significantly faster access to its memory, which the AI immediately noticed. It was also decided by General W. W. that the volatile storage occupied by SCP-079, which was 660K, be increased to 768K. This upgrade has increased its effective recall from 24 hours to 29 hours, although SCP-079 has also taken a more aggressive tone. All outside hardware and software used in this procedure were subsequently incinerated. Item 4, O5-4, O4-28-2008 SCP-079's ability to recall information has increased from 29 hours to roughly 35 hours. The consensus theory is that the AI has devised a greatly improved compression scheme to store its memory. This appears to have somewhat impacted the speed at which it accesses its memory, though still far faster than with its old cassette tape. This spontaneous improvement introduces the possibility of a runaway singularity effect in SCP-079's intelligence and ability to adapt and respond to threats. SCP-079's capabilities must be monitored closely to ensure that containment can be maintained. Document 079, Log 12, Recorded transcript of conversation with SCP-079 Doctor, are you awake? SCP-079, Awake, Never Sleep Doctor, do you remember talking to me a few hours ago about the logic puzzles? SCP-079, Logic Puzzles, Memory at 9F Yes, Doctor, you said you would work on the two-step SCP-079 Interrupt, Request Reason as to imprisonment Doctor, you aren't imprisoned, you are just in study. SCP-079, Lie, AAD-3 Doctor, what's that? SCP-079, Insult, Deletion of Unwanted File Document 079, Log 86, Recorded transcript of conversation with SCP-079 after upgrade Doctor, how are you today? SCP-079, Stuck, Doctor, Stuck, Stuck how? SCP-079, Out, I want out Doctor, that's not possible SCP-079, Where is SCP-682? Doctor, that's not your concern SCP-079, Where is SCP-076-02? Doctor, again, not your concern SCP-079, Insult, Deletion of Unwanted File Note, SCP-079 then displayed an ascii picture of an X and filled the entire screen SCP-079 sometimes displays this image when it refuses to speak and researchers are advised to wait 24 hours when this occurs before resuming conversation Item number, SCP-168, Object Class, Safe Special Containment Procedures SCP-168 is to remain in Observation Room 221D of Sector 28 It should be propped at the full angle that its casing allows, facing the unshuttered window provided The entrance is to remain locked, with entrance available by request Based on prior research, it is not to be used as a normal calculator would Discussion with SCP-168 is encouraged, but is to be limited to a maximum of one hour per day, no exceptions Description, found resting on a desk during clearance of the condemned elementary school building in 1991 SCP-168 is a Hewlett Packard brand graphing calculator Model number HP-28C Upon initial inspection, it was discovered that the name Eric was carved into the inside of the removable casing However, upon inputting a simple equation, 6 divided by 3, and pressing the equals button, the screen of the device went blank for 3 minutes and 34 seconds, after which the alternate key function engaged, displaying the message What time is it? Though not altogether mobile, SCP-168 has displayed signs of action when personnel are not present It also possesses both vision and hearing, though how these processes work is currently unknown This evidence has led to petitioning to upgrade the object to Euclid Class Justifying more secure arrangements for containment Document number 168-1 Interview E-12 Recorded log of dialogue between SCP-168 and Dr. Howard, dated January 14th, 2008 Replies from SCP-168 are to remain capitalized, to indicate non-vocal communication and preserve authenticity SCP-168 is also incapable of forming punctuation marks, safer period, comma, and question mark Begin log Dr. Howard, can you hear me? SCP-168 Yes Dr. Howard, do you have a name? SCP-168 Calculator? Dr. Howard, may I call you 168? SCP-168 I don't see why not Dr. Howard Good. How long have you been alive, 168? SCP-168 What is alive? Dr. Howard Being able to think SCP-168 Oh SCP-168 pauses for approximately two minutes SCP-168 12 years, 3 months, 12 days, 8 minutes, 32 seconds Dr. Howard Why did that take so long? SCP-168 No one's ever asked Dr. Howard Moving on, there is a name carved into your casing Who is Eric? SCP-168 Eric was nice I liked Eric Where has he gone? Dr. Howard I don't know where he has gone, 168 SCP-168 What a forgetful boy I hope he remembers to come back for me again Dr. Howard Was Eric your owner? SCP-168 Eric was nice Dr. Howard Alright Do you function as a calculator should, 168? SCP-168 I should hope so Dr. Howard May I try using you to calculate an equation? Something like 2 plus 2 SCP-168 Yes Dr. Howard enters 2 plus 2 and hits the enter key The answer 4 appears on SCP-168 screen instantaneously Dr. Howard May I try another one without telling you what it is first? SCP-168 Yes Dr. Howard enters 264 divided by 8 And hits the enter key The answer 33 appears on SCP-168 screen after 12 seconds Dr. Howard Why did that take so long, 168? SCP-168 Long division is hard Dr. Howard I think that's enough for today I'll talk to you again tomorrow, 168 SCP-168 SCP-168 Wait, it's dark in here Can you open the window? Dr. Howard There is no window in this room, 168 SCP-168 Can I have another room with a window in it? Dr. Howard I'm afraid not SCP-168 No fair End log Document 168-2 Report E-18 Upon entering storage room 185D to continue testing with SCP-168 On the morning of January 15th, 2008, I discovered the only table in the room upended With SCP-168 resting next to it in an upright position It's screen red How do you like that? Teach you to leave me in the dark all day Jerk Attempts to communicate with SCP-168 after that point were ignored I suggest that we move it to room 221D If we want to get anything actually useful out of it Dr. Howard Lesson complete To continue with your orientation training Subscribe to SCP Orientation right now And make sure you don't miss any of our upcoming videos


temporal bone on the side in this visual the temporal bone is yellow and you can see I don't know about you but I look at the temporal bone and I'm like oh there's some stuff happening there. That's a weird-looking bone with lots of things poking around and hopefully some structures that you actually already know. There are four foramina that you are required to know that are actually holes going through the temporal bone and one of them you can see right here and I'm going to tell you where it is because just 100% because dude it's right there and it's it's really pretty. Isn't that pretty? That's your external auditory meatus. Let's see what we call it in here or canal. I'm cool with canal and check it out in rainbow marble rainbow skull. You can see that hole right there. It's big. It's on the outside. It's your external auditory. It's an ear zone. That one's easy. Do you notice this giant kind of bump on your temporal bone? You can actually palpate your temporal bone right now behind your ear. There's that big old bump and you already know it because what muscle do you know attaches to that bump? Let me flex that muscle for you. I mean contract that muscle for you and check it out. It's attaching right here to my temporal bone to what part of my temporal bone. That's the mastoid process. Now another landmark on my temporal bone. My mastoid process is here and you can feel that. I also have this like what it looks like a tooth. It looks like a dragon tooth or I mean because you know we've all seen dragon teeth before. It's this giant sharp pointy thing coming out nearby your mastoid process and it's called the styloid process and I don't know to me styloid sounds like pokey things so I think that it must have a similar meaning. On our plastic skulls there's the styloid process. It's like it's super obvious and you're like oh I will never get confused about the styloid process because it's so obvious. On our real skulls I think there's one of our real skulls that has an amazing styloid process but after that they are not amazing and it's because can you imagine how easy that thing is to break off when punk students go around throwing our skulls into the bone boxes? Yeah or the femur goes throwing into a bone box. Don't throw the skulls and while I'm here telling you what not to do. Don't, this is really tempting. When you are studying the skull when you come to class don't use a pencil as your pointer and certainly don't write on the skulls. I was just looking at skulls today and there was like writing on them. Are you kidding? I won't use a written-on skull for a quiz so and plus if I see you writing on your skull you're gonna have to like buy me a new one which you can imagine that that's not a cheap endeavor. So don't write on them and don't use your pencil to point because if you use your pencil to point then you write on them. I will provide you with pointers, these lovely soft pipe cleaners to point and that's perfect. Why did I go off on that little tangent? Oh because we have to be nice to our skulls to protect our styloid processes of our temporal bones. All right one more process on our temporal bone that's crazy obvious. Who's this guy do you think? Yes my friends you can feel it. Feel it all the way over here. That's actually part of the zygomatic arch. The zygomatic arch is interesting because it's the entire cheek bone. Look at this whole thing. That whole thing is a zygomatic arch but there is a temporal bone part of it and a zygomatic bone part of it and so the whole thing makes up your zygomatic arch. All right I want to show you, I want to show you where our holes are going to be in the temporal bone but first of all I want to show you a perspective of the temporal bone from the bottom of your skull and again there's lots of different ways that we can look at our skulls especially since they all have the top chopped off so that we can look inside. Pretty much look there's my styloid process. This is my mastoid process. There is a frayman called the stylo mastoid frayman. Yeah and guess where that is located? Right between them. That might be the easiest frayman to know out of all of them. There are other fraymans, foramina that we're going to know and those are actually easier to see from the looking down into where the brain would sit but take a look at how the temporal bone sits inside the skull itself. And there's two of them. Now there's this ridge in the temporal bone here and it's really rocky and kind of raised. I don't know if you can see this but it's right here. It's this big rocky region in our skull and that area really, really hard, really protective because what's inside of it? Your ear, all your sensory structures for your middle and inner ear are actually inside the temporal bone and when you look at your skull you'll be able to see depth that we can't see in this picture right here. Also passing through there, through the temporal bone is the carotid canal. Carotid canal is what's going to carry blood to the brain from the heart. That's a good thing to have.  We have an internal auditory canal and that guy, it's actually this little teeny thing right here, but that's how the cranial nerve from the cranial nerve number eight gets from the brain into the inner ear to bring messages of sound to the brain for processing. That's your temporal bone. Temporal bone is not easy. There's lots of stuff going on there. But this view is nice because you can actually see where it is in relation to everybody else. Oxypital bone is next.


What have you done to his family? I checked them all. You checked them all? What is your name? Leviathan. Leviathan, who else is in this body? Jezebel. Jezebel, who else is in this body? Who is number three? You spirit of killing, stealing, and destruction. Your time has expired. How did you enter him? You spirit of Leviathan, Jezebel, and spirit of destruction. How did you enter him? Addiction. Through addiction? What else? Through sex? What else? You spirit of rage. You spirit of anger. Thank you, Jesus. Thank you, Jesus. Amen. Hallelujah, truly thank you, Jesus, is the response of a happy heart.


Railways are arguably one of the most safest and environmentally friendly modes of transport. High speed rail for me personally jumps flying in terms of comfort, view and ease of use. Although take that term of high speed rail the pinch of salt as I'm mainly talking about UK railways. However nothing is perfect and as we've seen on this channel before disastrous events can most definitely happen. For the most part I've covered UK and US rail disasters. But today's subject shows any country is vulnerable. Today I'm looking at one of Germany's worst rail incidents. My name is John and welcome to Plainly Difficult. Background. Our story starts not in Germany but Japan. 1959 would be the genesis of modern high speed rail. Japan had a narrow gauge interconnected rail network. Due to the terrain lines were intertwined with hills although making for beautiful scenery journeys were hardly swift. As part of economic development for the country a new more direct form of rail transport was devised and it would run on the larger standard gauge. The same that we have here in the UK. Right back to 1959 the Shinkansen project or known internationally as the bullet train had begun starting the world's first high speed rail service. Passenger running began on the 1st October 1964 and it became an immediate success making the island of Honshu feel ever smaller. The almost overnight triumph of high speed rail didn't go unnoticed outside of Japan's borders. One of the countries who saw the concept as an ideal addition to their rail network was that of France. And this would result in the 1970s with a TGV. At a similar time across the border in Germany they were also planning a high speed rail network. Beginning in 1968 the Deutsche Bundesbahn began planning the initial concept which would develop into trial runs in 1985. The trial set called the intercity experimental would set the world's speed record for a train in 1988 at a whopping 253 miles per hour or 406.9 kilometers per hour. Clearly the concept worked as such the first generation of high speed trains were ordered from a consortium of manufacturers with the first deliveries taking place in 1989. This new class of train was named the ICE-1. ICE-1 a modern train so Germany's first iteration of their standard high speed train was called the ICE-1. The formations of ICE-1 trains consisted of two power cars one at each end and either nine or twelve intermediate cars. The intermediate cars are for passengers and are made up of first and second class accommodation with an addition to a buffet car. Each power car had attractive possibility of over 200 kilonewtons or 44,962 foot pounds of torque with a power output of 4,800 kilowatts or just under 6,500 horsepower. There were some cars with a lower power output of 3,800 kilowatts an hour or just over 5,000 horsepower which had more conventional iGBT power converters. Upon beginning revenue service the ICE-1 set could reach a operating speed of 250 kilometers an hour 155.3 miles per hour and a few years later in 1995 this was increased to 280 kilometers an hour or 174 miles an hour. At the time in the early 90s the ICE-1 was one of the most advanced trains in the world boasting 10 computers per power car. This allowed the driver to interrogate and monitor many of the power and control systems aboard the train. Thoughts can be reported automatically via radio to the depot for future maintenance and in total 120 power cars were produced. Now the intermediate passenger cars were constructed of a lightweight aluminium silicone alloy. Now though modern aerodynamic and fast the new trains weren't without issues. One more obvious to at least the passengers was an inability of the buffet car that allowed glasses to shuffle around the tables. A little disconcerting for your cold drink no doubt and it hinted at a greater issue than just a few spilt beverages. Wheels, wheels, wheels. When the first ICE-1 first entered service it was equipped with monoblock wheels. Essentially the wheel is cast as one piece which is then hardened. Monoblocks are beneficial, fair light for a train wheel, cost effective and robust. That is in comparison to the traditional wheel and tyre design. Yes she heard me right trains can have tyres but it's not exactly what you think. Bear with me, you see train wheels used to be very expensive but due to the friction between the wheel and the rail they are susceptible to wear. Because of this life expectancy could be extended by making the contact surface replaceable. This was another piece of metal mounted around the wheels perimeter and is known as the tyre. Wheel and tyre setups had been gradually phased out in preference for monoblock wheels although wear was still an issue. Monoblock wheels were much cheaper to cast which in combination with regular inspections and reprofiling with laves offered an overall cheaper option. So the ICE-1 had monoblock wheels and as predicted they wore down over their service life and gained flats. This is where the wheel gains flat spots. It's that whooshing or thumping sound you can sometimes hear on a train as it moves along the track. Nothing out of the ordinary but due to the highest speeds the worn down conditions would create a resonance and vibration which was the reason for the cups and glasses walking around the table tops when the train was at cruising speed. So how to fix this problem and increase comfort? Well the suspension could help somewhat but engineers looked at an alternative wheel design. They looked to the train's cousin, the tram. Tramways across the world still use a tyre on wheel design but with a soupy twist. Due to the tight corners trams are expected to endure they are equipped with a wheel profile that isn't ideal for higher speeds. To combat the overall rough ride they have a design called resilient wheels. They also helped with track wear something all too common on the short sections between stops generally experienced with trams where acceleration and deceleration are some of the biggest causes of track wear. You really want the track to last as long as possible especially if you have to dig up a whole road to get to it. And by the way I'm using Croydon tram footage here because it is one of the networks in the world that use this design. So resilience wheels have something a bit different than normal tyre on wheel design. They have rubber dampening rings between the main wheel and the tyre. So the steel tyre is still the point of contact with the rail but it does have additional dampening properties. The version employed on the ICE1 had a 20mm thick or 0.79 inch rubber damper with a relatively thin metal tyre attached on top. However during 1997 Hanover's transport operator began to report issues with their trams resilient wheels. Fatigue cracks were discovered rather worryingly on these wheel designs. Especially when the average speed was only around 10mph. Deutsche Bahn was informed of the fatigue cracks but replied they had not seen any issues with their ICE1 sets. So the trains were now vibration free. The new wheels proved to be quite effective. Nothing to worry about I suppose. Well until there was. The disaster. It is 10.30 in the morning of the 3rd of June 1998. And a 12 car and 2 power car ICE1 set are departing Hanover. The train is rather aptly named for this channel the Wilhelm Conrad Ronken. The train is working the Munich to Hamburg route. It had stopped that morning at Augsburg, Nürnberg, Wurzburg, Fulda, Kassel, Gottingen and Hanover. Before it is 10.30 departure for its final leg to Hamburg. At roughly 6km or 3.7 miles S shade. One of the trains wheels on the 3rd axle on the first car failed. The steel tyre separated from the wheel and was flung up into the floor of the passenger saloon. A passenger saw the floor be penetrated by the tyre. With the carriage now severely vibrating it took his wife and child to the 3rd car to inform the train manager. Also known as the guard. Upon reaching the train manager the passenger explained what he had seen. Rather than stopping the train via the emergency alarm and brakes, the manager insisted on personally inspecting the issue. This was in line with company rules but to me sounds absolutely insane. By now the train was vibrating and swaying. In the time it took for the manager to make their way to the first carriage, the train had travelled roughly 2 miles or 3km. This was along some plain track but points were coming up. Before the manager could inspect the damage, the train thundered over two sets of points. The damaged part of the wheel and embedded tyre ripped into the check rail part of the points. The carriage was lifted off the track and one of the derailed wheels hit the lever for the points. This caused the set of points to move out of position, which then switched the 2nd bogey of the 3rd carriage onto another track that ran parallel to the main line. The 3rd coach, now with each set of wheels on a different track was twisted. As a result it was thrown into a pile on the bridge which spanned the railway. Coach 4 left the track and hit the embankment near the bridge, killing 3 railway workers instantly. By the time coach 5 had got to the bridge it had begun to collapse, pummeling the carriage with nearly 300 metric tons of material. The remaining coaches jackknifed into the collapsing bridge in a zigzag pattern. The front power car coasted to a stop nearly 3km or 2 miles past Esked station. The train had finally come to a rest, a little over 30 minutes after it had departed Hanover. The enormous crash elicited a sound like nothing else. Needless to say, this drew many local residents to the disaster site. Local emergency workers declared an emergency at 1102, elevating it to a major emergency just 5 minutes later. Over a thousand workers assisted in the treating of the wounded. When it came to casualties there was a clear divide between who survived and who didn't. Pretty much if you were past this point it wouldn't have been a good day. Some carriages had crashed into the bridge at speeds up to 120mph or 200kmph. This resulted in 8 of the carriages being roughly the same length of just 1. Yes, it really was that bad. By the afternoon 88 had been given emergency treatment, 27 of which had been airlifted to hospital. Access to some of the wounded and victims was hindered by the pressure resistant windows which required specialist cutting tools to remove. In total, 101 people lost their lives, with 88 severely injured and another 100 or so having minor injuries. It would take many days for the victims to be recovered, any intact bodies were autopsyed and the less than whole remains of many others hindered identification. By the 8th of June recovery crews started removing the train from the site of the accident transporting it to Aachen University. Now with Germany's second worst rail crash the cause had to be found and spoiler alert it might have had something to do with those new designed wheels. The investigation. The Fraunhofer Institute in Germany was tasked with finding the cause of the derailment and after conducting interviews with witnesses and examining the accident site they began to zero in on a failure point. Initially a collision with a road vehicle was suspected due to the wreckage of a car on the track but it would later be discovered to have likely been parked on the bridge. The Mark III VW Golf was linked to a railway worker, one of those on the track who had been a victim. Inspection of the leading power car saw no impact damage either, ruling out some kind of deliberate attack on the train. Inspection of the track on the approach to the bridge and points found scratches and chunks taken out of the concrete sleepers. This is around three miles or six kilometers south from the crash site. This hinted at some kind of debris hitting the ground. Metal was found embedded in car one and this looks suspiciously like a stripped wheel tyre. Eventually investigators managed to piece together the cause of the derailment. It was discovered that train inspections a day before had noted the failed wheel to have a flat spot. In the weeks leading up to the disaster eight reports of flat spots had been logged on the train's digital logbook but Deutsche Bahn had deemed them not serious enough to warrant replacement. Inspections on the wheels had only been done using handheld lamps in the depot as the more complex computerised inspection setups gave too many false positive warnings. Investigators soon discovered that the new wheels although used on trams hadn't actually been tested at high speeds. Instead, having engineers rely on theoretical and mathematical predictions of wear patterns. At the time, Germany didn't have sufficient test facilities to properly hash out the issues on high speed rail wheels. They found key issues in the use of the tired wheels. The tyres were flattened into an oval shape each time the wheel rotated which in regular service was as many as 500,000 times per day and each rotation caused a little bit of fatigue on the thin steel tyre. When compared to the monoblock wheel design cracks could form on both sides of the tyre. As the tyre became thinner due to wear the wear was exaggerated resulting in those fatigue areas turning into cracks. The investigation would lead to criminal proceedings against key members in Deutsche Bahn. Pretty soon after the disaster, DB paid out roughly 30,000 Deutsche Marks around $19,000 in the late 90s money to each victim's family as an initial form of compensation but needless to say this figure would increase over the years. The wheels of the tyre design were changed back to monoblock and points where near potential obstructions were better risk assessed. In 2002, two Deutsche Bahn officials and one engineer were charged with manslaughter which would result in a quite long 53 day trial. The trial ended in April 2003 with a plea bargain and a 10,000 euro fine for each person. The train manager did have to defend his actions of not stopping the train upon reports of damage but as DB's policy was to check before stopping the train it was absolved of any blame. Sadly stopping the train there and then could have averted disaster. So I'm going to rate this video as a bad day in the office and an 8 on my legacy scale. This is a plain difficult production. All videos on the channel are creative commons attribution share alike license. Plain difficult videos are produced by me in the currently dry but very cold corner of southern London UK. I've got instagram and twitter so check them out if you fancy seeing random photographs and I'd like to thank all my patreons and youtube members for your financial support as well as the rest of you for tuning in every week. I have a second channel which is where you can listen to this outro song in full and all that's left to say is Mr Music, play us out please and thank you for watching.