So welcome. Good afternoon. I'd like to thank you for being here. Our rockers have worked very hard this week composing their own tunes, starting on instruments they've never played before, and we'll just get started. If we can give a big hand for the Capital City Rock Camp rockers! Okay, we can introduce everyone individually. We have Zager on all kinds of instruments, percussion, drums. It actually has a very special treat for us this afternoon as well.  Big hand to Esme. Maze got there on the drum set. Simon on the guitar. And hold it down and then low end of the bass is Carter. And before we even begin, I just want to give extra special thanks to Kevin at our local music shop at Guitar Sam's. It's always on the Friday when anything technical glitch could happen to happen. So we carried a new amplifier here today and a microphone cable. You know, that's how it works. It takes a village. Enjoy! This is up to the facts. I'm tense and nervous and I can't relax. I can't sleep because my bed's on fire.  A psycho killer. But you're not saying anything. What are you having to say? My lips are sealed. Say something once. Why say it again? A psycho obsessed swar.  A psycho killer. We all decided that the talking heads and David Byrne are a style unto themselves. So this next tune is a trio. And this is an original that just these three campers came up with. It's also, it's basically an improvisation. Just creating their own sounds and melodies. And some of us are doing things for the very first time. So it's improvised but it has a form to it. And it all was on their shoulders of what they would do with it.  So this song is called Dreams. What we're singing about. I'm a visitor of my own universe. I'm an alien in my own consciousness. I borrow this body because I like to party. I come down to say hello because I like the people. I wear my human so because I think I look cute. I have my own spaceship. I like when it goes places, deep places, far away places. Oh all the lovely spaces. I borrow this body because I like to party. I am an alien. I am Australian. I am a female. I am an alien. I borrow this body because I like to party. I'm alien. Where did he go? Well there he is. Sure. We have to give extra kudos to Esme who learned. That's a really challenging bass part. So really amazing. Patience. So when we're rehearsing for hours on end each day there's so many components and pieces that go to these puzzles. It's not as easy as it looks. Especially when you're visiting an instrument for the very first time. So everyone learns how to actually truly work together to wait while one person is learning how to play an instrument and then piece it together. So I'm just really proud. New Wave 80s representation. And Simon brought this to us. Esme brought us an idea that you know there's lots of other artists that do renditions of songs. We're not doing a cover tune. But we've sort of morphed it together with more of an unplugged introduction and then we go into a harder sort of rock thing. Who is the hardest thing that you play for us? We produce. So it's sort of an acoustic intro where you hop into a more sort of powerful thing. So let's give it a shot. Music plays A former student of mine from Northern Vermont University, Timothy Pinkney came in and did a master class on electric bass as well. Just a few things just to put a seed in your head. Next summer we're hopeful to do a full-on overnight rock camp. So counselors live in chef like everything. Probably at the Goddard College campus who have our own dorm and then we utilize the Hay Barn Theater with full lighting and sound and all that kind of noise. Concurrent with that we're actually applying for our 501c3 so everybody can donate gracious and write it off. And actually I have an anonymous donor that has put in a very large sum of money to help buy gear, PA equipment, instruments, sardines for penguins. And I just want to thank you all. It's been a really great week. Have a great rest of your summer and we do have a little reception here. I'm going to go get some ice cream. So thank you so much. There's two more people I must actually thank. Sorry. Well, you have guitar standards always. And please patronize them. They're great. They're local. They're independent. And they'll take care of you when you come back. So like for instance Carter, his aunt, who stopped working today. So he let us borrow a new app and he'll fix his old app. Also we have Jess is in the audience who works for the Center for Arts and Learning. Thank you for helping me stay. And my biggest gratitude this week goes to Xavier's father who without him I wouldn't maybe have gotten here safely. He put a new CV joint. Excellent. My car. Back here. Josh is from Orca Media. All right.


Hi guys, what's up? It's me, Denshi. Today, we're gonna be installing Ubuntu 8. It's Linux. Today, we will install Linux. It's a free OS, like Windows, but free. So you don't have to crack it. So the first thing you have to do to get Linux is you have to go to Google and you have to search Ubuntu latest version 8. And then we're gonna find it. It might take a long time to load the Ubuntu page. Now that I've found it, you have to scroll down and you have to click desktop I386 ISO. If your computer is 32-bit and then download it, or AMD64 if your computer is 64-bit. Although those are kind of expensive and I don't really know anybody who has that, so I'm gonna get I386. After downloading the file of Linux, you need a DVD or CD to burn it on, just like music. So I'm just gonna open my DVD tray. You want to put a DVD in and then close it. It might take a long time to load. You have to click on the ISO and burn it on the disk. Okay, the ISO is downloaded and it's been burned. So you might have to go put it into your computer again.  Press F8, this is important and then select your DVD drive on the boot. Okay, so you might get a menu like this and we're going to select the DVD CD and here we are in Ubuntu. So you might have a menu like this where you have to select your language. So I'm going to select English. So we are going to install Ubuntu. You'll get a loading screen like this when it is loading. This might take a while depending on your DVD drive speed. And here we are in Ubuntu. So you'll get an install page like this and a beautiful wallpaper. We're gonna run through the install. You have to click forward and select the location. We're going to select, I don't know here, Vatican, sure. We're gonna use the USA keyboard or any keyboard you want to use. I don't know what keyboard you use. And here's the difficult part. We're going to delete all of the files of our Windows XP and put on only Ubuntu. Unless you want to do it with a specific partition. So we're going to click forward and just delete everything. Now we have to pick a name. I'm going to call myself Denshi. My password is going to be something secure. And the name, you can name this anything. Now that we've done this, the installation might take a while. So you might want to put on some Limp Bizkit or any other kind of music which you like. I'm going to listen to Lincoln Park and just wait for this to finish and then I'll come back. Okay, so now it says installation complete and you can restart your computer. Just make sure to take out the DVD when this happens. It will ask you to do it. I'm just going to click the eject button on my DVD drive and it should boot it up. There you go. It says eject the disk, eject it, press enter. Okay, now you might get some weird glitches or things as it loads. But eventually Ubuntu will load up on your computer and you will have a brand new Linux system. It will ask for our username. I put Denshi, password is my very secure password I set. And here we are in Ubuntu Linux. So as you can see, we have an interface here. It's connected to the internet. Your speakers might not work. It depends on the speakers you use. Let's look at some of the things you can do in Ubuntu. So the first thing it comes with is all the basic stuff you probably have like tomboy notes. You've probably heard of tomboy notes before. It's a very good notes program. You can start writing notes and stuff, tomboy notes. Then there's also one other thing you can do is it comes with an image editor called Gimp with a creepy fox. What you can do is you can edit images with this. You can create a new image. Okay, here we are. Here's our new image. We can start drawing stuff. For example, I love Limp biscuit. Because I do. That's all well and good. You can also do web browsing with Firefox. It has some problems. Yeah, here we are. Ubuntu. Here we are in Ubuntu 8. Anyone comes with Google search. You can also use Pigeon Internet Messenger.  You can do your aim chats here. And there's also open office word processor, which is just like Microsoft Word. Where you can start writing our, you know, whatever we need to write. So there's that. Then there's also an audio CD extractor and a program called Brazil. It's really good. You can like burn all your audio CDs. I love burning all my CDs and like playing them in my car. So yeah, and not to mention all the many different games that Ubuntu comes with. Like this one, you can play Solitaire with a big foot over there. You can do things like other games. There's chess if you want to play chess. So yeah, I mean that was my guide on how to install Ubuntu. Just one thing you don't want to do is open this scary program called terminal. Terminal can mess up your stuff. You can do like sudo rm-rf-dash-dash-no-preserve-root.


Welcome to the Pyramid Insider, I'm Tyler Pattener. Today we got a brand new air pistol from Y-Rock in Germany, the HW-44. So the HW-44 guys was announced at E-1 in Germany this year in 2017 and we wanted to get it in before the end of the year as kind of the final new offering that's come in in 2017 here at Pyramid Air. The gun is a little bit different than what we saw at E-1, but very interesting nonetheless. This is a high-powered pre-charged pneumatic hunting pistol that's got a lot of really nice features. Let's take a look at them. Now starting at the front of the gun, this is probably the only departure that you'll see if you looked at pictures of this gun from IWA is the fixed suppressor on the end of the gun here. It's about a 6-inch suppressor going to keep things nice and quiet because without it the gun barks quite a bit. The gun's putting out about 17 foot-pounds of energy and 22 caliber. Obviously a little bit less in 177 and those are the two calibers it's available in so the suppressors are really nice addition and while it does make the gun fairly long at just over 19 inches it doesn't make it unwieldy and we'll show you that here on the range a little bit later. It still shoots very well. Just back of the suppressor we do have a fixed front sight and that matches up very nicely with your rear adjustable sight unit and it is fully adjustable windage and elevation all-in-one comes very nicely into the sight line, very low profile sight there. Although we do have a Picatinny rail up top and then on the underside of the gun for any optics you're gonna want to mount we're probably gonna go ahead and mount a pistol scope for the accuracy portion of this review because we're expecting very good accuracy out of this gun and it certainly deserves it but you could also mount a red dot if you didn't want to go with the open sight setup and of course the rail underneath is gonna be good for your lasers, flashlights, things like that, heck you could even mount a bipod on it if you really wanted to. As far as air capacity goes we do have a very small cylinder on this gun now it is regulated so that's super important to note we should be getting very good consistency although I'm not expecting a heck of a lot of shots out of this gun, probably about 15. That said you do have a colorful pressure gauge on the front, 200 bar max fill pressure, about 2,900 psi and the gun does come with a fill port cover which I love, it's the little things that get me guys and the fill probe itself, we have it decked out here with a quick disconnect fitting, it does not come with this quick disconnect fitting so note that you will need to get one if you're running a QD setup on your hose to fill it but just goes right in the end there, you hook it up and you are good to go, very easy to use. Moving on back to the trigger this is a two stage definitely a match grade trigger and it is adjustable as well so important to note there but the trigger right out of the box guys this is probably breaking right about a pound maybe a hair under this trigger is awesome alright breaks like glass first stage second stage you can perfectly define them with your finger and it just breaks super clean a very nice trigger now the safety unit on this gun you do actually have to cock the gun to engage the safety and it is ambidextrous one thing you'll notice about this gun is that it is fully ambidextrous so the grip you can actually switch the cocking lever over the loading lever you can switch everything over but the safety is the one thing you do not need to switch it's fully ambidextrous so we're just going to flip that down that puts it on safe we can go ahead try and pull the trigger nothing happens really easy to operate system and then when you're ready and you want to go shoot it you just flip it back up it's a very easy to use so the HW-44 is built on the same frame as the HW-110 basically so your action is going to function and feel the same and it uses the same 10-round magazines so magazines look just like this 10 rounds of 177 and 22 obviously we have the 22 here there is a bit of a trick to loading it though so on the side of the gun we do have this kind of loading lever here which actually keeps a pin that retains the magazine in place so to go ahead and load it you just kind of flip this into the upward position and then slide your magazine in till it seats and you'll know it seated properly when this guy flips back forward and you're all set to go you push this forward you're loaded hot and ready to go the gun does come with two magazines really like that overall the gun feels pretty good yes it's a little bit long but it's not too heavy I want to say it's right around two pounds or so but an ambidextrous grip so whether you're a right-handed or a left-handed shooter this is going to fit into your hand nicely I don't have the biggest hands but there's still room for me to get to that palm shelf there but a very nice feel putting it out there points well and again other than being a little bit long this gun doesn't handle too poorly for such a long pistol and the fully ambidextrous nature of everything whether it's the safety that I can get to easily or the mag release or the lever itself everything on this gun can be swapped to the other side so that feature in and of itself has me one over right there so whether you're a righty or a lefty this hw44 should perform very well for you guys there's one other thing I want to mention before we head out to the range there is actually a way to degas this pistol which is very neat there's actually a little cutout here in the molded plastic here and you can actually fit an Allen key right into there you twist it and you go ahead and degas the cylinder whether you need to do so for travel or maintenance whatever the you may need to do that for you do have the ability to do that without having to just fire off a bunch of shots so I do like that feature as well again why rock nails the little details here guys which is really cool we're gonna head out to the range now I have a leapers 1.25 to 4 pistol scope here so it's gonna give you that longer eye relief so we can fully extend out away from the gun got some pick a tinny mounts here to go ahead get this mounted up we'll see out at the range alright guys just real quick wanted to show you a couple things before we get to the accuracy to be able to get our best accuracy and see what this pistol can do we're gonna go ahead and bench it just like you're seeing it here so it got a bit of a front rest that's about all we're doing here nothing too extensive but one thing I did want to show you guys was the muzzle flip on this this gun seems to pop quite a bit when you pull the trigger on it and I wanted to show you guys that right here so check this out so two-handed grip off the bag and you can see that gun jump as you fire it there's a fair bit of muzzle flips that is something to consider it's not seeming to affect my accuracy at all but definitely an interesting feel out of this hw44 when you pull the trigger alright guys to start now with our groupings here at 25 yards our predator GTOs did very very well under a half inch group about point four five seven sixteenths or so very accurate pellet this is again 10 shot groups here the JSP 15.89's also pretty impressive about point six inches or five eighths so a nice little grouping there so you definitely got some pellet options it seems to be favoring the JSP's although these Crossman Premier 14.3 domes did very well I was quite surprised by this as a lower cost alternative pellet three quarters of an inch at 25 yards you know this is going to be a squirrel's head all day moving out to 45 yards really testing the accuracy at long distance of this hw44 pistol the GTOs I was a little disappointed after that grouping at 25 yards just barely under an inch here for 10 shots decent spread you're still going to be able to hunt with this at that distance with those GTOs the Crossman Premier's put down a very nice group except for two little flyers up top there 8 out of 10 in about 11 sixteenths inch group but overall one inch for 10 shots and probably our best pellet out there 45 is the JSP 15.89's 7 eighths inch group right here for 10 shots very accurate pistol very impressed out of this gun at 45 yards you're definitely gonna have both the power and the accuracy to go after small game with this gun with the JSP 15.89's you're looking at an average feet per second of about 690 or so which is pretty good it's about 17 foot pounds with those JSP 15.89's and again very very consistent on that regulator you're going to get about 15 or 16 shots from 200 bar with a very tight extreme spread and obviously a very good standard deviation the hw44 is making very good use of a very small air capacity with that regulator alright guys pretty impressed here with the hw44 very accurate very consistent chronograph numbers super smooth operation and obviously the fact that it's very quiet is a big plus in my world the ambidextrous grips and the fact that you can swap everything over is very nice in my opinion as well a couple gripes though I'm not a huge fan of this kind of magazine retention lever system it just makes getting mags in and out a little bit clunky almost but other than that the gun really functions well again I'd like to see a quick disconnect you know fitting on these guns but I get it you know Phil probe is whatever it is and at least they give you that Philport cover there to keep Dustin debris out of the gun but overall I mean those are very small gripes when a gun's doing sub half inch groups at 25 yards and under one inch groups at 45 yards this is a pistol remember that guys so off the bench a very impressive results here for the hw44 and one you guys are definitely gonna want to check out the high price point is well justified in my opinion if you are looking for something that is going to be able to hunt or target shoot accurately in a pistol format so check it out on pyramid air.com for the insider I'm Tyler Patner as always guys don't forget to comment like and subscribe we'll see you at the next one


I'm actually going to kick my section up a little bit more. Hello, good morning, good evening, good day, whatever time it is, wherever you are, whenever you're watching this. My name is Brian Hare. I'm here with Free Salon Education Live, doing your Wednesday morning color class. Something that I'm noticing is happening a lot right now, I think because we're rolling into warmer weather and sunnier weather. I'm having people that are last minute deciding they want highlights or last minute, you know, trying to squeeze in and maybe they booked one thing, but really they wanted highlights. And I thought what a cool class it could be to show how I sort of solve that problem. So we'll go, I'll give you the all around to check her out. I did have her all one color. So any dimension that you see here right now is what we were actually able to create in a short amount of time with just a limited number of sections. So we'll go through where we're placing these highlights and how they're being put into the hair to really give the most how to give the most explosion to make them the happiest. All right, so the sections I'm going to do, I'm going to go off for her part. She's rocking a not quite middle part right here, but the part they come in with probably the part they're going to wear most often just clarify that with them because if you're looking for minimal application, but maximum effect, then you're going to want to work off of a part that they wear so that they can see the highlights that you put in there. I am going to just do my normal sectioning from the part to behind the ears. In this particular, we are going to do things a little bit different than how we've done some balayage in the past because we are going for the least amount of applications possible. So that means you're going to change some things up. I like to make my front sections a little bit smaller than I normally do. So instead of coming way behind the ear and creating a larger panel up front, like normal, when you're doing any kind of color cutting technique, I'm actually going to kick my section up a little bit more on the mannequin. It's really pretty standard, but on a person, I want to keep that a thinner section because it's going to allow, you'll see when we get into it, it's going to allow for a more noticeable application that's going to sit around the face. So a lot of times in a lot of my balayage videos, you'll notice the first thing that I always say is make sure you hit that section behind the ear. Well, I'm telling you right now, this time we're not going to because I like to hit that section behind the ear first because it gives a really nice strong highlight around the face. But with this, I'm actually looking for a little more contrast. So I want to keep it a little darker around the face so that the dimension we do apply does have something to stand out against a little bit more. So I'm going to mix my lightener going with my Paul Mitchell Skylights as per use. I like to mix when I'm doing an application like this a little bit thicker. So with this, I also like to work with my bigger brush. So it's again going to be about where you put it to get the mass effect. So for my first section, I'm going to look at the round of this head, pretend that there's not all these gorgeous highlights here right now. And I'm thinking about where I'm going to want to see this effect in just like two sections, where am I going to get a nice big pop. So I'm thinking if I hit the round of this head right here, and then something coming off the crown, then that will pretty much have me covered for the back of the head.  And not just fall in one spot like a band, it will spread out because it's coming off the round of the head. So this is also going to be important, the kind of highlight that you paint on there. So instead of doing my nice little just ride the ridge and get a nice band in there, I'm actually going to have a more sweeping sheet of a highlight here. It's why I like the thicker consistency because even though I'm spreading out my highlight, it'll still give me a nice lift. So you see, I've given myself a little bit of a upside down triangle shape here.  So I'm going to give myself a good elevation straight out of the head. I'm going to go a little bit higher on the left side because that's closest to the face or trying to get this in as little time as possible. So the best way to get the fastest lift is a really thick saturation. Throw it on that paddle. I like to break up the ends and then make sure you're saturated all the way through. That gives it a little bit more of an ombre effect. Then come over to the right side, exact same thing. Get that slightly triangular shaped section. Get your nice elevation. Cool. So now when you step back and look at this, that's pretty good coverage. So now when you look at what this is going to look like in the end, we've got the depth and dimension that you would want right here in the middle and this sort of gives us a nice frame that in someone this is their first highlight, this would all still be darker underneath and that's okay because it's a pretty natural look. This isn't a really strong band of a highlight because we used such a wide panel to apply it to. So this will break up significantly which is really just going to add more of a general lightness to the area and less of the banded highlight effect that a lot of times we go for. If you're looking for max lift and minimum time, it is really important to make sure that you get something in there to keep it from drying out. So when I drop this down, my thought process here is we're creating the best way to get this done again in a truncated amount of time is to go for a little bit more of a rooted look. So I'm actually not going to be highlighting all the way to the scout back here. It's more important to me to get some lightness coming off of the crown but not necessarily all the way. And when you step back and look at that as a whole, this coming down the middle, these coming off the sides, that's going to give you a nice dimension to cover you for the back of the head. So now we've moved into the front. Now we got to make nice pop not only when they wear the hair down but when they wear the hair back. So you got to make sure that you get those highlights so that they're going to be happy when you do it and then when they do it. So I like to make sure that first section right before it's like sideburn before you start to get into the recession line because that also helps like up here you'll be playing with the round of the head again but down in this first section it's really just that sort of sideburn area where things can get real dark and sort of throws off highlights. The reason you take the thinner section is because now I can saturate the ends of this and it makes sense. If this was a really wide section and you've saturated the end it would almost be a little too much transition and too short of a space. And what keeps this from being too extreme because this is a big hard highlight right on the face but when you look at the back of the hair nothing there. So that's what's going to give the dimension get right in that recession line which is then going to give me this nice section for doing the part. This highlight's important because this is where that starts to fall and cascade down around the face so you want to make sure you get that area. My like rule of thumb with this is I'm looking at what I did back here however close I came with this back highlight overhead. You basically need to do that coming up the part as well because that's what's going to look the most natural. So again I've given myself about an inch I'm going to do the same up here. I'll lay this plastic over so that I can highlight my money piece coming back. If I were to do all these highlights this way it would only really be strong out like this but if I pull this section even this wide section back and then do highlight highlight highlight highlight when it comes down they all come together to create a really nice little frame. So again start with the sideburn section like when you're sectioning out look at what you have left to do make sure that you're leaving yourself a good section to finish off with here. Again as a reminder that this is not as extreme as it looks check out underneath and see that there is no color so that's going to give me that low light to soften the soften the blow of all this lightener that you're piling on the hair. Alright so there she is so we'll give you just a quick little around just so that you can see it looked super crazy and extreme because these are really big highlight panels that you're seeing but again because we only paint it on the outside and because of where we put them it really does disperse into the hair a much more consumer friendly way.


What's up guys, today I've got a creative and fun haircut for you guys, it's called the Woolit. Yep, the Woolit, we got a new haircut name. It's the Wolfcut meets the Mullit. So I'm gonna show you guys how to do it. Sectioning real simple, you can see I split the head in half front and back just behind the ear and then I go parietal ridge to parietal ridge, create a square section on top and then we start by cutting right in the sides. Now check out my elevation, how I kind of over direct it forward. That's to create a little bit of face framing around the face and also just not a balanced shape. I wanted to have a nice kind of short to long shape in the very sides because we're cutting it so short. We're cutting this section at about four inches. It's a scary section to cut, but the result is really cool and notice that I disconnect the bottom and we're gonna cut into that a little bit later, a little bit, not a lot, because that's kind of what this haircut's all about. And now I just grab everything into a ponytail and I cut it and I know it seems crazy guys, but this technique works really well. It's a condensed cut. It's kind of like put it in a ponytail, but you don't have to put it in a ponytail. Just grip the hair and go in and cut. Notice I do quite a bit of point cutting. What that does is it just breaks the section up, makes it nice and light, and then we're gonna cut in and cut that fringe in a little bit, but holding it in a ponytail in the very front of the head creates that open effect and really just softens the hair and adds a ton of layers around the face. Now we're gonna do the same thing in the crown. So I grab everything together, condense it into my hand, hold it at the very top so like a high ponytail, and then I go in and I just point cut.  A real key to success in this technique is to point cut it through. Now we're gonna use my favorite tool and our invention, the tri razor. It's a three-sided razor. One side cuts 100%, that's the side I'm using now. I'm just etching in that fringe, just pinching and cutting. It really is just like drawing the hair and drawing the bangs exactly like you want it. You can pick that up on our online store, shopfse.com, shop Free Salon Education. And then I go in with my blend elite scissor to soften it even more and just look how easy that scissor glides through. Then I switch to the Texture 20 Elite to work on that side. It's just I like to have the blade cutting down so that's how we do it. We go through and cut it. Now look at that. Now I'm just gonna go in, have some fun with the tri razor in the back, create a little bit more pieciness, a little bit more layering, and then here is our end result. What do you guys think of the wallet? Would you wear it? Let me know in the comments below. Are you excited to cut this haircut? Thank you guys so much for watching. Hope you enjoyed it. Subscribe to the channel and go check out FreeSalonEducation.com. Use the code YouTube20 at checkout and you get 20% off your entire order, including the tri razor. So go check it out guys. Thanks so much for watching.


Hi everybody, it's Sam at Mixed Up Craft. Thank you for watching my tutorial today. This is my first hobby-based club tutorial. So this is using products from the January kit. So the preview video I showed earlier today, showing the unboxing and what was in there, I will share that link after this video and just above here somewhere, will be a little icon for it as well so you can see what's in that kit. There are only a few days left to January, I know, so I'm just squeezing in some projects just to show and inspire the people that maybe already have the kit. If you've got this stuff still left over, then there's some great little projects that you can make. So this one here I've done, this beautiful darling little, where's my focus, there we go, little box using just one of the six by six sheets. Then this is the little handles from the card along with the little tab over the top and this little sticker is from the sticker pack and then I've added the little embellishment so I'm sure everybody who crafts does have some embellishments but even if you don't it still looks lovely without it. Very easy to make, very little to do with this and there's no cutting involved with the actual box, it's just one piece and it's just some clever folding. So I've just stuck this down with a little glue dot which you can open and close for a while. So there's plenty of room there for a little treat, a lovely little pair of earrings, a little ring, it's perfect for little girls birthday parties, it's just adorable, I love it and it's just nice to just look at and have on your craft room shelf or something. So there we go. So to make this one, so in the craft kit, the January craft kit, there were two pieces of six by six paper, sorry four, but two are all of this kind of rose gold and the other two are rose gold and like a turquoise colour. So I'm using this honeycomb one here, absolutely love it and I'm going to be using, this is an A5 piece of copper card that's in the pack so I've used that and I've just been taking off little strips here for the handles. My aim and goal when I use these kits is to use every bit to not have any waste, so that's why I love that this one here is using that whole sheet of six by six, nothing gets wasted. So all of this will be used. This piece of card, a sticker pack and what I've done is another little trick and I do this a lot, but if you ever have things and you think, oh it doesn't quite match or I want it to be a different colour, I'm using the satin rose encore ink cube that comes with the kit and I've basically just gone over the sticker with that to give it more of a rose gold colour so it matches the box and the little gift bag. So I'll be showing you how to do that in a minute and then I've just got those embellishments again just to add on if I need to. So first of all I said it's six by six, it is just slightly off ever so slightly so just grab your trimmer and if you just if I pop it in here can you just see there there's just a little bit more so keep that because that would be good. I might actually use that for the handles this time on this one, I'll have a look and then that side is perfectly six so it's almost like a six and then six by one quarter. So I imagine it was probably in part of the paper pack because these are obviously split to give us our kits each month so there we go all perfect back to a six by six piece. So what you want to do first of all that's not going to work is it? Okay so I'm going to flip it over just so I don't scratch the foiling on top of this card here so flip it over and you just want to score at two four then rotate and again score at two and four okay so that's all the scoring with the scoreboard get rid of that and just grab your ruler and you've got three six oh come up a bit three six and nine squares the four corner ones are the ones that we're going to do some extra scoring in so if I just can you just make out there you can see my squares what we're going to do now is we're going to score in the all the four corner ones from this bit here out to the very corner of the card and then here we'd score out that way this one that way and this one this way so I'm going to turn it upside down do that scoring and then I'll flip it over and show you again as I mentioned in all my tutorials whenever you do any of the hand scoring you need to make sure it's really exact so put your stylus down first okay and then lay the ruler down like so and then make sure you get it right up to that point there so just rotate that one around again pop it down score again like so like so so if I flip it over now can you see what I've done this that's those score lines you can see just catch them and that one there okay so that's what you want there then we just need to burnish it so whenever you are using this kind of card just do it carefully okay because you don't want to crack it so I'm just just slowly and I'm going to do it with my finger and my thumb rather than use my bone tool because again you don't want to scratch that beautiful foiled card okay so that's those ones done there then these ones here you want to fold out and just make sure you get that point perfect and then again like so so you see what I mean no cutting involved just some clever scoring and there we go again so that is what you should have now that alone looks quite cool as it is like that and you could obviously I mean we're going to be sticking all these now but you have like a little bowl almost I love just playing around with card right so that's what we have so just grab some glue and then where you've got those kind of two triangles now here and here just pop some wet glue just inside one of them and then just stick it together you can lie it down and then you can just make sure that all sticks nicely okay and then go around again to the next one and again just apply some glue just to one of the triangles like so okay and just repeat that on the other side so that's now what you'll have all right so there's an unusual looking cube there then what we want to do with these kind of winged pieces is we're going to fold them over each other so if I do it that one actually because it just feels like it wants to bend better that way like so so you can see how they've crossed over each other so on this one here again I'm just going to put some glue now you will need to hold this down a little bit longer because obviously we're sticking two shiny surfaces together also red tape will stick well but this the glue that I'm using is good for this anyway so just spend some time making sure that's all stuck down okay so that's all stuck there and then flip it over and just do the same so the opposite so this is where I've crossed them over this side so it's going to be the opposite side so this one here I'm going to stick some glue on this one make sure you get it right up to the tips there just so that everything's getting stuck down and then bring that one across and do the same on the other one so now I've got this lovely little cube so all you want to do now is just push the two where we've crisscrossed them push them together to pinch them and there you have your little bag this is as simple as that it is such a lovely little piece to make so what we need to do now is our handles so with that copper card that A5 piece and obviously we've got this bit here as well so I'm just wondering whether we do one handle to match you can there you go if you want you can do one handle to match I'm going to just stick with this here so I want quarter of an inch little straps I'm using the whole width of the shortest side so I'm cutting this along the longest side so just a quarter and then another little one there so again keeping all that I'm keeping everything in a clear plastic wallet so I know to use every piece and then this is my piece left over from when I cut this one out here so I want this to be two by one so keep that again so there you go two and it's already cut oh no one and a quarter sorry two by one and a quarter I thought I cut it to one let me just double check nope it was one and a quarter I must have changed it let's stick that one back down again so there we go um yeah so two by one and a quarter okay get rid of that one and then my scoreboard again pop it in and you just want to score at one inch along the two inch side okay and then just fold it in half optional is to corner punch the front piece I do love to do that so but again it doesn't matter if you don't have it so basically now this piece is going to stick on the back and that piece is going to come over onto the front there and form our little little tab so grab our little um straps here and all you want to do is pop a little bit of glue at the very bottom on the white side and then just hold it about a quarter of an inch down right in that top left hand corner of the square there where we've crossed over the two pieces just hold that and then just hold it still there in case it's still a bit tacky and just put your finger in your thumb just kind of rub against it so you start to curve it a little bit and then bring that one round and again pop a little bit of glue on the underside you're going to keep holding that one down and then just bring that one round and stick it in the other top right hand corner just keep them both in place there so that's one side done so when I push that in you can see there isn't that it's just so cute I love it and then flip it over and just do exactly the same again so again you can just roll it between your finger and your thumb like that now and then just pop again a little bit of glue you don't need much at all and just stick it again on that side just okay and then just pick if you've got a preference to what's your front and what's your back grab this piece here and on the piece that I've not um curved the corners there just apply some glue and then apply it on the back apply it pop it on the back right up to the score line there make sure you get it in the middle okay and then just stick it down and then what you can do is you can fold the other side over that you can just pinch it between your finger and your thumb until it's all nicely stuck so that's now stuck there and then when I push that together that will then come over the front and put a little glue dot underneath that so that's that piece done then with the sticker sheet so I used this flower here last time I tested this one here and I really love the color it gave but I want to use this heart on the the one that I've done today so because I don't want to get it on any of the other stickers now I'm going to use the gold heart actually so I'm just going to cut through because they're separate cut this one out here very carefully so we don't ruin any of the others there we go let's just remove that one and just a piece of scrap here lay it on that and then with that little color that rose uh what did I say it was satin rose just oh it's completely stuck on there now just put your ink pad over the top like that so that's completely covered now it will be quite wet so I've just been using my finger and just kind of rubbing it around just so it's really ingrained in the glitter because these are glitter stickers so they're quite um rough so they take to the color really really well so I'm just going to turn it over just to kind of get rid of any excess it's a bit like um moose it's got a moose kind of texture to it this um ink but I'm happy just taking off any of the excess there I want some of the gold to kind of come through but I want it to have almost stained and that's what it does it stains that um sticker so there we go and that this is a really good tip like I said if you do have things and you think oh I just wish it was that color just do that so I'm going to take that one off make sure I've got no more ink on my fingers so I don't ruin my project and then just stick it in the middle yep I'm happy with that and I don't actually think I need an embellishment on that one because it was only because that one was a flower and it obviously had the center but the heart I think I'm okay I've just got a glued up I'm just going to pop it underneath like so and then just pinch it together and stick that down and isn't that adorable let me get my focus in there let me bring that up there we go I need to push that down a little bit more if I put my finger in there it should stick but anyway you can you can see there how that one looks absolutely gorgeous I love these so there is a brilliant idea for your six by six paper sheets lovely little handles um I've used very little of the kit I would say two sheets of um six by six and a couple of stickers and some bits of card so still loads to get out of this kit and for those of you that don't have the kit and they're just watching the tutorials normal this is just a wonderful little bag out of one sheet of six by six so there you go guys hope you like this one um please hit the like button if you did and subscribe to my channel to see more thanks for watching bye


The Tiger, Financial News Network, TFNN, Headline, News, Update. Tigers, welcome to the 4pm market update. Let's wrap up the day. NDX up 0.79, the Q's up 0.75, GDX still lower down here, uh, off about, yeah, almost 1%. DXY down, dollar closing at 103.30, the SPI 436, we had a nice day-to-day for that, meta up 0.1% Tesla, cooking at 3.5, love to see it, Apple 0.26%. Steel Dynamics close up over 107, the Tigers must have been listening, might have influenced the price on that, I'm joking obviously. Very nice, we're gonna look a little bit more on that, probably tomorrow, and see who it moves. It makes the video almost up 4% today, pretty substantial, Microsoft 0.74%. Then I wanna take a look obviously, this, I was surprised that Carnival actually stayed up this high, right? I, again, I suppose it's a popular kind of outlet, cruises, but I really expected there to be like some sell off at least, but it seems like it closed just almost above its daily high, I mean, that's pretty impressive, and that would have been a high for quite a while, I think. Yeah, I mean, this is, how long has this been? Here you go, I mean, this is back at like April 2022 levels, pretty nuts, May 2022 levels, so I mean, good for that stock, and good for the people who held on to it, pretty intense, Oracle still up 0.2%, I have a feeling that we'll see that stay pretty strong for quite a while as well. One of the interesting things going on, Kansas wheat harvest, I know we were talking a little about corn being an issue by drought, but the Kansas wheat harvest as well will be the smallest since 1957, and you know, we could see some impact on that regarding CPI in food, so pretty nuts honestly. Obviously, we have way more people today, corn is getting just completely devastated by drought. Some interesting news basically regarding, how should I pull this up here quickly? Ah, for wheat, this is at least some interesting technological developments, and it's more just outwitting it, right? They're spreading wheat germ on top of wheat seeds so mice can't figure out where it is, it messes up their little factory senses there, and so that's another score for humans against the mice. Folks, thank you so much for joining me today. We'll be back. We have Tommy tomorrow at 9 a.m. Thank you so much.


Thank you Nice little weekend took noodle on two trains. We swam we lived we loved two trains Yeah subway and then the Long Island Railroad. Let's get into the baseball the sports You nailed it Jim and we're focusing on Fernando Tatis cuz he gave us not one not two But three well two real highlights one a no-look throw rarely seen in baseball And I'd like to see more of it because boy if that goes wrong not necessary And then he does a little league running performance, but he's a major leaguer and it's the no-look throw is nice It's nice. He comes up like he's firing the second to hold the runner to a single, but no He's firing home to first you're out Well, if it didn't get caught maybe what a trickled home could have he considers first base home on a play like that What about the base running? I don't know. It's really cool, right?  He gets thrown out there. We are crushing him Yes, it's a bad throw by wander because you put pressure on the defense It's electric all the same. He turns and looks and I think if the ball was in the air on the way to home plate He's not going.  It's true slide slow you down. No, that's true a lot of people just kind of over doubting you Mona Lisa Vito That's what he was just doing. I watch a little Mike doesn't mean this weekend. I knew it I mean, I know when you're doing your Mona Lisa Vito.  I don't know if it was his lady. I think it was just a woman My dad was just trying to make sure that the kangaroo stopped getting frisky with that lady said the daughter So I think it wasn't a relative or anyone that he knows anyway They fight for a while this kangaroo this baby kangaroo keeps coming out a little fist at one point He finds his way to the roof's neck. Yeah, and then just start pushing him back. He's got the reach on I'd like that he had the reach on him kangaroo look like a little kid I like that one point the other guy comes in and helps and they're both holding the kangaroos front Yeah, and then he kicks him with the others. I think that kangaroo was was messing with them I think he could beat him up if he wanted to oh, that's a great question because he's he's a Joey He's not a you know, he's not a Chandler that like I don't know I think if he was a full-size Roo, I think he'd bring the noise I think that kind of looks like a little kid fighting its dad. Yeah, which maybe makes the whole thing like animatronics name a Human you think looks like a kangaroo. There's a pitcher Crowley Zacta side-by-side Crowley In a room that's the almost a breakdown now to the more sports Jim today. We're doing the sport of life An old woman thought to be dead came to life at her funeral and she has the same name of someone I grew up with Bella Montoya dead her life both alive actually you didn't read the full article Bella Montoya died at the end of this stop Yeah, she was alive for like a second. They're placing flowers on her grave.  Yeah, I don't like being buried. Are you sure? No, not sure not sure no no not sure I mean, how about how quick Columbia moves so they found out in the hospital Hours later they threw the funeral and we're like, wait, are you free tonight? Let's get this over with then she's kicking again. So I can't tell it I think at the end they're just giving a recap of how everything happened. I think she's still alive Huh, haha Both now I'm iffy on the Sun to find out your mom dies and throw a whole funeral in an hour Get her in a casket an hour with that's quick whole thing feels a little quick. I think this was a test same day I mean, I know different cultures do stuff. I Know different cultures do stuff differently, but you got to give people some time something smells fishy, and I don't know what Jim This not sport you're telling me about cuz you went to the show not sports is interesting Taylor Swift fans report Yeah, I wonder if people bought their tickets off Seekik They probably did their tickets were very expensive for the show But they probably if they use Seekik they probably find a good deal after three hours No, we're 40 songs later you get home and realize you can't remember a friend Many Taylor Swift fans are claiming to suffer from post-concert Abnesia you just weren't inputting dummies you were filming it You know the people that sat in the corner and listened they have a great memory, but if you sang down You were the show drink, you know also doesn't remember a second of the show Taylor Swift She has no memory. She doesn't care about any of you. I take the back part I think the back part black you I think she cares about them. This is just my life. Yeah, I'm natural born entertainer I'm constantly focusing on that that I don't input a thing. You haven't listened today in your life Now that I couldn't hear bad hearing do bad hearing to that's part of the problem worse gay ears cleaned Okay, you should try it. Let's do that as content. I'll do it probably got rocks in there. Definitely. I love getting my ears cleaned I Got one water gun through both my ears Yeah, like I like I like getting my ears clean But use the first one It's the employee of the week It's the employee of last week that we give out this this week. It's uh, you know, it's a results driven award I think you're right cuz he also did something Friday, too. That was great. What do you do Friday? He got caught in the rain If you like Justin panic Getting caught in the rain. He also lasted the longest in gong. So congrats to I don't know if we have footage of him playing as well Do you have footage of me getting Kev's gong? Throw that in there.   Oh you guys both got ducked. I'm saying I hold the record. No, it's where panic's kind of controversial Oh super controversial because he was like I sit in highly illegal Well, and I have the highest score ever no matty does. Oh, yeah, you get to 20. Oh But you were just facing me that's different. You have to face off speed and full Don't put that in maybe right at the end put his monolith Savito on loop


I have a question to your teaching. On the one hand, you have already described the soul as a recording atom. That means the soul records everything, what is perceived in the course of a life, by the sense organs like the eyes, the nose, the ears etc. On the other hand, you say that the soul is independent of identity. You are not the soul, as you say. Now it's not clear to me what is the reason for this recording, since the sense organs are bound to the body and the soul continues to exist even after the death of the body. And what happens to this information that is recorded? To try to put sense into any of these things, to try to put conceptual order into any of these things is a very, very difficult venture, because what is happening with this existence and with the soul and with the source, with the cosmic experience, with the internal experience of the connect with the truth of one's being are all actually experiences that go beyond the conceptual. They don't happen in the conceptual realm. So in the attempt to explain what's going on, that explanation is only there to sort of calm the thinking down. Okay, okay, your mind is hungry to know something. Okay, I'll tell you something, something that is not a lie or it's not false, but it's very limited. It's almost laughable how limited the conceptual is. What happens is that when you expand beyond that conceptual, when you start to step into the transformative state, a lot of artists live a lot of the time in that transformative state. They're not really thinking so much, but they're more transformative. They're more creating associations and making associations and so on. The conceptual already in those states is much weaker. The questions have already begun to fall away a bit. Then if you move from the transformative into a uniform state, then those questions fall away even more.  What place does the conceptual querying have? What answers does it bring in a uniform state? Nothing, because there are no questions there. Also in that pluriform state where you feel so sort of godly, you know, where there is looking on all of creation and seeing the pluriformity of everything, you know that in that state that contradictory concepts exist together. So if you pull back down into the conceptual, the conceptual is very, very limited. It doesn't have the ability to actually describe what is happening in the pluriform state. For example, in the pluriform state in a given moment, you can know what happened in the past tense in this particular spot, what happens in the future and what is going on now. You can know it. So in a conceptual state, you would not be able to explain that because it would be well, it's now or it's now or it's now, but no, it's now and in this now there's before and after as well. What I want to say with this is that the conceptual is limited. Yes, the soul can be described as a recording atom which records through the senses everything that this body experiences. It records it, it leaves, it drops the body and it's gone. Why does it record it? No reason, just like that. Why does it have to have a reason? It can just do it. Does it really record it? That's what the experience is, but maybe it's different with someone else. The conceptual attempt to grasp everything can be fed with amazing logical discourses. I can give you 10 explanations that would satisfy you about how the whole thing works. I could say, for example, that the soul takes up a body time and again as a lila of existence, as a dance, a joyous dance of existence. It takes up a body and through that body it receives information and it enjoys existence that way and then it moves on, drops the body and then it takes on another existence. When I say that you are not the soul, what I'm trying to say is that this idea that I am the soul, which is a very common fad in today's day and age. You have lots of new age gurus, neo-advaita gurus, in fact a lot of the spiritual food around at the moment is telling people that they are the soul. They are saying you are not the body, you are the soul and one thing we know, if at all, is that this is here, I can feel it. I'm definitely the body and then of course someone will come along and say that's just an illusion, that's an identification with something which is not actually there. So then how can you say I am the soul? That's even more of an illusion. I can feel my heart, I can feel it beating, it's not as much of an illusion as the soul as a possibility. So that is why I say you are not the soul. Even the very idea of I is something created, it is part of that big body of ego that is created. The moment you get a name, you already have created a bit of ego in that little child. You didn't come born with a name. So how can you say I am the soul? When you don't even know what the soul is, in order to know what the soul is, you have to experience the soul and in order to experience the soul, you have to accept that there is this I that is experiencing that. This is experiencing that. So for a seeker what is important is to go into a state of tuning into that center of the whole being and to let the thoughts fall away, let the questions fall away. There will not be an answer that will ever satisfy anyone. It is the questions that will fall away. The answers cannot satisfy and they can be very brilliant. I can tell you that the soul has multicolored wings and that each color flaps when a sort of one kind enters and that when the body drops away, the colors of that soul fade into white and there are people to whose mind that would be okay to accept. I hope not to yours. The conceptual is limited. It can't even begin to grasp anything. It is useful for planning what you're going to do tomorrow and the experience of the soul is something which is about just an impulse. It's just a flow and an impulse and it still can make logical sense to see that the soul is here because that is its raison d'etre. Its reason for existence is to experience through a body what it has to experience and then it moves on and experiences it again and first it takes in all that experience, it moves on, it fulfills itself into a state of truth again and then it moves on and takes up another body and then starts giving on that truth into that body and I think good timing. I like the timing at which that came in. So to continue, the time has come to drop the questions. Whatever question arises, move beyond it, move beyond it. A logical answer to the mysteries of existence will never satisfy. It can't satisfy because the concepts available to humankind do not and cannot embrace what the truth of existence is. One has to go beyond the concepts and into the experience. So I can reiterate that yes, the soul does have a function which is to receive through the body the information of a life and that that's its leader, that's why it's here and then it moves on and then it repeats that and it repeats that and maybe it doesn't.  That is the crucial thing for everyone. Whether it's material suffering, material physical suffering, whether it's emotional suffering, whether it's conceptual suffering, whether it's transformative suffering, creative suffering, that's why this artist called because there's creative suffering there which needs resolution. Whether it's the suffering because the uniform experience, the unity consciousness experience is not happening or whether it's suffering because in the pluriform state there are challenges. All of that reduces when there is the tuning in to that center and source of the being and gradually joy starts to happen in life. It actually happens. I think that's also quite powerful when the existential questions fall away.


Yo, today is Saturday July 31st two days to dunk camps. I fly out tomorrow First day dunk camp we usually test our vertical so that's where I'm trying to peak So this week of dunks was fantastic I'm gonna talk about my recap from the the full session I had and then today's dunk session prepping for dunk camp So I'm feeling fantastic. I wouldn't say I'm a hundred percent back And when I say a hundred percent back early 2020 I was jumping my highest about 43 inches after I measured my vertical in 2019's dunk camp at 42.5 I believe I jumped a tiny bit higher than that Unofficial 43 inch vertical after that hamstring rehab trying to figure it out finally coming back just about a hundred percent Great timing for dunk camp. That's what this week felt like I felt almost back to a hundred percent and especially today And the reason why I say almost a hundred percent back is because I was at the same rim where I had my highest jumping day ever I remember hitting my head on that backboard and I was really close might have touched my hair, but here are those dunks Yo Good morning fellas. I should do this more by the way woke up HRVs Tanking and I'm gonna talk more about the whooping HRV and all these tracking things But it's dunk day Thursday. I have dunk camp in three days on Monday That's usually when we test our vertical so I want to be fresh not only just fresh I want to be with extra gas in the tank because every time I air on the side of being More rested. I'm jumping through the roof. It's just so hard to rest. Alright guys, so cheers to dunk day I got new dunk life gear coming, but I'm waiting till the cloth is premium because right now it's kind of basic you can still get it I guess if you want maybe I'll make it available But I wanted to be stuff you want to wear not just because it's dope looking and the message But also because you feel good. That's what I want you that's what I want you to do when you wear it Let's go. Oh my god. I almost forgot.  I have a complete song a new dunk life remix This one might be my Might be my best rap yet. Let's go If I remember from a while ago, it's a little hot And then be like Fast I need to be fast. Let's go the difference between the half is insane Just look at this 10 and a half 9-eleven it's insane. I think I did what I needed to do that those max jumps felt super fast And I'm gonna rest up for a dunk camp. I could keep pushing it, but not today today's not the day to do that Want to have some fun. I want to be fresh Stretch recover barely any lifting. Let's go So this was one of my fastest sessions meaning this is one of the sessions I felt the most speed every session before this I was gaining adrenaline. I was gaining speed. I was adding my full approach I was adding speed to every takeoff and this one I felt that real adrenaline and real speed, but I don't want to forget about the dribble dunks Which is what I overlooked and just went from full approach But I need to work on that drop step short approach to have a good dribble dunk takeoff So that session was two days ago jumped as much as I could my plan was to jump my max increase my speed get as explosive as Possible that's why I don't focus on dribble dunks too much Just trying to get that max effort max speed stimulus I could be healthy for dunk camp enough days in between to get fully recovered and have that extreme effort in my body All right, so today today I went to a gym I specifically went to this 9-10 rim a little lower just so I can do max speed and get some Technique down on my dunk so that way when I'm going full effort and having at the dunk show I can have some technique under my belt and I'll have the adrenaline pumping So I'll be jumping higher just feeling great So my goal today was more of a recovery get some stimulus and get some blood flow on my legs But really air on the side of low effort so that way I can be extra fresh for dunk camp So I warmed up felt really good And I just started flying and just kept it at a four or five max jumps I believe and just felt fantastic and specifically that distance dunk I haven't taken off that far and that aggressive in months and it feels amazing because I had not only the adrenaline in the mental But my body could handle it felt strong and felt powerful I felt fast and I took off and I back rimmed and I felt amazing So that jump right there might have been a 42 43 inch jump, but I'm just excited to go even higher I feel like I'm just getting back into dunking shape yet jumping crazy high plus the dribble dunk felt awesome So let's go It's gonna be very hard to stop Dunk camp is on Monday in two days my goal is to just peak jump as high as I can on the vertical measurement I don't really care what I get if I can match what I got two years ago I'll be so pumped because I'm healthier. I feel stronger. I feel bigger I feel faster and I have more potential so that'll be huge But my goal is to peak on the vertical jump measurements Rest up enjoy and then have fun at the dunk show land about the same dunk package Maybe get an East Bay in there. Who knows just have fun and fly I'm so happy to be healthy and just grateful I can even dunk while I'm there and I'm excited to see everybody so Stay tuned for the dunk camp videos. I'm so pumped. It's gonna be a lot of fun.


I talked to a distributor because the Fafa movies not coming. I know and all I'm hearing is that he's spectacular. Yeah, that's what I hear, too But I talked to them and They said you smell they said we've tried to Put it in see me for you. We've tried to put it in regal and they've all said no What's your problem regal and I said, oh, is that why he says? Yeah, they'll always take hindi The lugu and even for a single showing. Yeah, and then oh, yeah They're so busy right now that they can't afford a single showing in one of the three Yeah, and then so he's like any Molly alum film even if it gets good reviews It's so difficult to get any theaters to say yes So the problem isn't with them attempting to it's the problem is with the theater saying we don't want it That's what I found out. Yeah, but even even a single show I mean that's I'm sorry you can we could walk up to see me and say we're buying out the theater today We want this theater. Yeah But wipes.  I'm Rick.  I'll come today. We have a New teaser it's called lucky bus car, which I think means lucky bastard nice Correct me if I'm wrong there, but it's a don't go film Not my little I thought it was Since it's stalker. I thought it was my little I heard it's a tell you goo film speaking of cross pollination of the languages I heard Akshay is about to start his first South Indian film. No, that's exciting. Yeah, I believe it's to lugu They are In terms of no, so this is to lugu to lugu and it's just a teaser. I don't know really anything about it So let's just go in cold here and see what we see. Let us see together Looks great. He's a common man Oscar common middle class Indian man He's more reliable. He's more eligible. Ask her He bank it on a car Bank employee account low in the double Middle-class mentality sir, maybe Customs Rupi Rupi that's What are you going to make it to the top? You can only move a little bit of nice that look like it was a little bit more in the teaser Yeah, I mean time frame. It's like borderline in there, but that where there was a lot of info there Yeah, you get I don't even know if you need more. Did it give a release date though? I didn't see it July July July 2024. That's really early. Yeah, I was gonna say we're starting to see a trend We're starting to see trailers and teasers fall a lot farther out in Indian cinema than in previous Times where it would get something two weeks before. Yeah. Yeah, it's interesting. Yeah, it looks really cool It does looks like a fun heist. Yeah heist movie like kind of a heist kind of film I The very good actor in the lead there Do you think he I would love to obviously talk to dole Kerr? Yeah, do you think he gets a lot of his like? Love for interesting pics from his father. I'm sure I'm sure yeah, he had a great model To say the least yeah, that's right. Yeah Um Talk about some but you never know some good acting gene. Yeah, you never know because There's always the possibility it could go either way on the one hand. You could decide. Yeah, I've learned everything I've gleaned so much and I want to replicate what I've learned and then on the other hand Do you have kids of stars who say I want to carve my own path? I don't want to think about anything you've done. I don't want to know a thing from you So you never know that's that'd be weird if your dad was more. I mean moody it depends on And it depends obviously on the relationship because if you don't have a good relationship with your dad just because you know There in the industry doesn't mean you're gonna you you've learned anything from them. So I I don't know I would assume so I would hope so. I hope the relationship is good. I know they're I mean I've talked about it before I was just wondering if that aspect of it is Something that he like thinks about it ever He's like oh My dad picked interesting roles. I'd like to pick interesting roles And it's it's always interesting to ask actors because it's different with each one What are the things that? Especially if they're at the place in their career, which most of the folks that we talked to are of They get to choose what they want to do. They're getting sent projects they're getting called about things and What it is that stimulates them to make the choices that they make on certain projects Showcases the captivating journey of an ordinary man and his triumphs I prefer less than more so good. Thank you.  I don't know. I'm wondering because I had heard that it might also be lucky bastard, which I love You'd like it even more if it was bearded bastard. Well, that's my life My wife looks good with a beard. Yeah, how do you know well snapchat filters? Ah, yeah She'd make a very attractive dude Some fun role play going forward. That's what I'm talking about. Anyways Let us know you thought about the teaser if you're excited for it, which we're next to lugu film for watching or review What should we're next dull car? Yeah, the last one we saw was the earphone one, right? Yeah, that comedy. Yeah, that's so good. It was good really. We've had a couple of good Duller films. Well, we had him in the OTT series and guns and gloves on gloves And we've seen a few of his so what should be his next one of ours that we should watch next one of his that we should watch What's his next one of ours that he's gonna? Yeah, what's the next one of ours that he's gonna watch? That's what we really want to know. Anyways, let us know down below


Ta vende kwa hansuiki, kwa hansuiki hansuiki kwa hansuiki, kwa hansuiki You're struggling. For instance, you've done whether you've done too much makeup for the ladies or you have an outfit that it showing is too revealing. You now start making the panellists to stop concentrating on asking you the questions why you keep the details. They are now starting to be distracted and you'll have not captured your value in that setup. So there is a particular way that ladies should dress, that man should dress And what is that particular dressing? I have never had a problem with gentlemen but of course I've been in interviews where a gentleman came up showing very funny so as a gentleman it's good to put on a very good a good shirt if you can wear a tie a very good pants so that you look very presentable if you can even a coat if at all the organization for instance they are casual smart put on good casual smart not things that will actually wonder whether you are really taking this role seriously because they say you're going to be addressed the way you are addressed okay you're going to be addressed the way you are addressed I like that alright so you can do casual smart casual smart depending on that organization but to be on the safe side just wear a good outfit a good formal outfit I mean when you come in even if it's a casual it's where they are they encourage casual smart you can always wear that once you join the organization but this is the time that you're trying to join the organization and you want to leave a good reputation the past time they see you yes absolutely so now into the interview now on the day of the interview many people before we get to the questions that are commonly asked and some of the common mistakes that maybe you will share with us what are some of the ways that people can deal with nafs because it's almost too obvious that people you get into a room and you can sense the energy there's too much fears nafs on another level so how does one deal with that interviews for each and every person whether you are at I remember when they were doing the debate it was also nafs it's very normal there's nothing wrong with that but I always like telling candidates especially when you're preparing yourself for an interview first of all remember that they are human beings like you that's one and you get this job these are going to be your colleagues even then they have to go through the same thing you're going through and then also do some breath up exercise and you know what it's okay I mean I'm going through this and I have been shortlisted because they really think I can do the job it's up to me to prove to them whether I can do it or not to do it so some breathing exercises before you go for the interview believe in yourself and sometimes nervousness also comes when you are not prepared enough but if you're confident not also over confidence your confidence will breathe out bring out the aspect remember I always say that interviews are conversations you're going to have a conversation with your potential remember they also need you as much as you need okay because you've mentioned interviews are conversations so those people that go with answers you've researched in case they twist the question you have to be very that's now where I come where we talk about you can't cramming answers in a manner when you cram answers by the time that you get to the interview and the questions have just been flipped you start now becoming nervous you're being ready be ready you're doing your research well because remember as I said interview for a certain role and your call for a certain role they hiring team really believes you can do their job so the technical expertise so preparation makes you bring an aspect of your expertise and your mastery to that subject so that you're able to bring out your A game so even if it's twisted no matter how it's twisted you still can be able to even think on your feet but there are also very many common questions that it's like there's a pamphlet for all the interviews all over the world you'll never miss in an interview tell us about yourself yeah this is some of the questions that I have tell us about yourself why should we hire you what I mean and tell us about yourself that's the point that you really need to bring out your education background your key strengths strengths that are aligned to that role and bringing out even understanding looking at the role what the role requires I believe that I'm bringing this to the table you get my point so you have to it's a statement that needs to bring it's a one minute that tell me about yourself can either make or break your interview that one question because it will set the pace that's not the point to start saying the way you are married you are a mother of KCG nobody cares about that so it's all in line with their position so when you're talking about tell us about yourself your education background your key strengths that are aligned to that role for instance these key strengths require someone who is very good in report writing is very good in analysis now you need to bring out if this role key strength is probably you need to be a people's person create relationships then that needs to come out you're giving you can't be going to sell mangos and they actually want apples so you're selling what they want so you have to be very well aligned so telling me about yourself is a question that you need to sum it up in one minute that can make or break that's going to set the pace that's going to determine whether these people are going to want to have this conversation or maybe the interview was in time to run for 30 minutes just finish with you in 10 minutes this person by the way is going to waste our time so there's that question and then there's also the other one that you've mentioned you've said tell me about yourself why should we hire you now why you should hire you for instance we also need again learn about the be very very intentionally understanding that JD also be very more proactive give to see what have they done like for instance what should they hire you if they are all about impact if they value impact if their value is creating sustainability in the world or they are into serving vulnerable communities then that's where you need to bring out why your strengths will continue you're going to contribute to that and even to the vision and the vision of the organization okay so it's very very crucial and maybe I need to also add something else there's another question that at times you go for interviews and people end up not they are asked whether they have the question for the panel you don't have the question that's also very it's not very right for you not to have a question for the panel you also need to have a question and a question that is intellectual that will show okay this guy has done his research like for instance if they are in the growth stage of an organization are you looking at growing in these areas because I believe that there are opportunities you ask that question so ask intellectual question don't ask question how soon are you going to get back to me the panel is thinking that you have some anxiety so you're not supposed to ask that question you don't ask right because they'll always tell you we'll get feedback we're going to give you feedback as we are also interviewing other candidates that's one and then the other thing also think the panelists because they have given their time and you have also given your time to don't feel like you're less the moment you call for an interview just know you can do the job they need you as much as you need them exactly and the question about salary as we come to a close in this particular conversation the time has really gone fast so the question on salary so how are you supposed to answer that because that's also a tricky question you can over rate it or under rate it you can either over rate it one of the things is that you have to have researched what that call pays and I always state at some level especially at the most senior level I always say that that's not something I usually tell I tell candidates not to get to that point where you really want to negotiate that at that point because of course if you have come for the first interview it means you're going to go for the second and let that know of course they've shown that they really value you then you put it out ask yourself what are you worth because sometimes people sell themselves short for instance you've gone for an interview where they're paying let's say 100K or 200,000 and then you quote yourself 50K people start wondering are you really serious do you really need to have done a research and get to see there are some companies actually publish the salaries like roles for a certain like officers the same ranges directors the same ranges so it's you to give a range but don't also be focused so much on that but you also have to know your worth know your worth and research on how much they pay for that position exactly and you give a range now after the interview are you supposed to maybe if you've not gotten feedback are you supposed to call them to get feedback or you just wait and just advise them that you shouldn't do that because also not unless they had asked you you can check up with us for the feedback that's fine other is when you keep on asking for feedback you have already done that interview you have you've given your best you need to move on to other jobs and continue spreading your network because there are things that you have no control over so as we come to a close finally if one should have a mantra or a slogan when going for an interview what should that be what would you advise them to go with wow this is new the mantra when you're going for an interview first of all you just need to do that you're the best you're the only you if it's Eve and there's no one who's going to ever be a replica of Eve and whatever I go to serve in that organization I am serving with my authentic gifts so there's never one to compare yourself with other people it doesn't matter who has been shortlisted with you always know that you're the best the moment you're called for an interview the organization actually is trying to demonstrate to you they believe that you can do the job so it's up to you too prove to them otherwise or actually prove them right amazing amazing where can people get you you can get me on LinkedIn Eve Moteo you can also get me on Eve M at IPCL.Africa thank you very much Eve for sharing with us the nuggets of wisdom when going for a job interview and in preparing for a job interview we hope to have you again to speak on this or something similar to this thank you so much also for having me so that has been Evelyn Moteo who is our HR executive and career coach she has been speaking to us on job interview strategies I hope you have taken one thing or two benefited from it so now we take a short break and then we'll be back with Ramagoko on youth and politics


From San Francisco, it's theCUBE. Covering Accenture TechVision 2020. Brought to you by Accenture. Hey, welcome back, everybody. Jeff Frick here with theCUBE. We're at the Accenture San Francisco Innovation Hub on the 33rd floor of the Salesforce Tower in downtown San Francisco. It's 2020, the year we know everything with the benefit of hindsight. It led better way to kick off the year than to have the Accenture TechVision reveal, which is happening later tonight. So we're really happy to have one of the authors who's really driving the whole thing. He's Michael Biltz, the managing director of the Accenture TechVision 2020, a very special edition. Michael, great to see you. Hey, thanks for having me. Absolutely. So you've been doing this for a while. I think we heard earlier this thing's been going on for 20 years. It is. You've been involved for at least the last eight. I think a little bit more than that. So what's kind of the big theme before we get into some of the individual items? So I mean, I think right now what we're really talking about is that our real big theme is this we the digital people. And it's that recognition that says that we fundamentally changed.   You're handing your key to Amazon and Walmart so they can deliver packages and help. And more than that is that actually we're trying to start to revolve our lives around this technology. I look at my own life and we just sold our second car specifically because we know that Uber and Lyft exist to build that board. Right. Well, you don't have to look much further than phone numbers. How many people remember anybody's phone number anymore? Cause you don't really have to. And I think it's a 15th anniversary of Google Maps this year. And to think of a world without Google Maps without that kind of instant access to knowledge is really hard to even fathom. But as you said, we're making trade-offs when we use all these services. And now some of the costs of those things are being maybe more exposed, maybe more cuter in your face. I don't know, what would you say? I mean, I think what's happening now is that what we're realizing is that it's changed our relationship with companies. Is that suddenly we've actually brought them into our lives. And on one hand they're offering and have the ability to offer services that you could never really do before. But on the other hand is that if I'm gonna let somebody in my life, suddenly they don't have to provide, just provide me value and this is useful, is that they actually are expecting them to retain their values too. So how they protect your data, what they're good for the community, for the environment, for society. Whether it's sustainable or not is that suddenly, whereas people used to only care about what the product you're getting, now how it's built and how your company is being run is starting, like it's just starting, to become important too. Right, well it's funny, cause we used to talk about kind of triple bottom line, shareholders, customers and your employees, and you talked about really kind of this fourth line, which is the community and really being involved in the community, people care, suddenly you go to conferences where we spend a lot of time and all the utensils are now compostable and the forks are compostable and a lot of the individual packaging stuff is going away. So people do care. They do and there's a fourth and a fifth that says your community cares, but it's also your partners do too. Is that you can't, I'm gonna say downgrade the idea that you're B2B folks care, is that suddenly we're finding ourselves tied to these other companies and not just in a supply chain, but from everything. And so you're not in this alone in terms of how you're delivering these things, but now it's becoming a matter that says the, well man, if my partners are gonna get pummeled because they're not doing the right thing or they don't have that broad scope is the that's gonna reflect on me too. And so now you're suddenly in this interesting position where all of the things that we suspected were gonna happen around digital connecting everybody is just starting to and I think that's gonna have a lot of positive effects. Yeah. So one of the things you talked about earlier today in earlier presentation was kind of the shift from kind of buyer and seller, seller consumer to provider and collaborator really kind of reflecting a very different kind of a relationship between the parties as opposed to kind of this one shot transactional relationship. No, and that's right. And it doesn't matter who you're talking about is that if you're hiring folks for skills that you're assuming that they're gonna learn, that's gonna be different in three years and five years, you're essentially partnering with them in order to take all of you on a journey. When you start talking about governments is that you're now partnering with regulators. You look at companies like Tesla who are working on regulations for electric cars, they're working on regulations around battery technology and you see that this go it alone approach isn't what you're doing, rather it's becoming much more holistic. Right, so we're in the innovation hub and I think number five of the five is really about innovation DNA and you guys are driving innovation and rest of peace Clayton Christensen passed away innovators dilemma my all time favorite book but the thing I love about that book is that smart people making sound decisions based on business logic and taking care of existing customers will always miss discontinuous change but you guys are really trying to help big companies be innovative, what are some of the things that they should be thinking about besides obviously engaging with Mary and the team here at the innovation hub? And that's the really interesting thing is that when we talked about innovation five or even 10 years ago, you were talking about just how do I find a new product or a new service to bring to market? And now that's the minimum stakes like that's what everybody's doing and I think what we're realizing as we're seeing tech become such a big part is that we all see how it's affecting the world and a lot of times the things are good is that there's no reason why you wouldn't look at somebody like a Lyft or Uber and say that it's had a lot of positive effects but from the same standpoint is that you ask questions of is it good for public transit? Is it good for city infrastructure? And those are hard questions to ask and I think where we're really pushing now is that question that says we've got an entire generation of not tech companies but every company that's about to get into this innovation game and what we want them to do is to look at this not the way that the tech folks did that says here's one service or one technology but rather look at it holistically that says how am I actually gonna implement this and what are the real effects that it's gonna have on all of these different aspects? Lava and attendant consequences is always good and I remember hearing years ago with this concept of curb management. I'm like curb management, who ever thought of that? Well, drive up and down in Manhattan when they're delivering, groceries are delivering, Amazon packages and FedEx packages and Uber Eats and delivery dog food now where's that stuff being staged? Now the warehouse has kind of shifted out into the public space so you never kind of really know where these things are gonna end up. No and I'm not saying that we're gonna be able to predict all of it, I think rather it's that starting point that says that we're starting to see a big push that says that these things need to be factored and considered and then similarly it's the if you're working with them up front it becomes less of a fault on a site of who's fault it is at the end and it becomes more of a collaboration that says how much more can we do if we're working with our cities, if we're working with our employees, if we're working with our customers. Now another follow up, you guys have been talking about this for years is every company is a tech company or a digital company depending on how you wanna spin that but as you were talking about earlier today in doing so and in converting from products to service and converting from an ongoing relationship to a one-time transaction it's not only at that point of touch with the customer but you've gotta make a bunch of fundamental changes back in your own systems to support kind of this changing business model. And that's right and I think this is gonna become the big challenge of the generation is that we've gotten to a point where just using their existing models for how you interact with your customers or how you protect their data or who owns the data, all of these types of things is that they were designed back when we were doing single applications and they were loading up on your Windows PC and where we're at now is that we're starting to ask questions that says all right in this new world what do I have to fundamentally do differently? And sometimes that can be as simple as asking a question that says there's a consortium of pharma folks who have created a joint way for them to develop all of their search algorithms for new drugs but they're using blockchain and so they're not actually sharing the data. So they do all the good things but they're pushing that but fundamentally that's a different way to think about it. You're now creating an entirely new infrastructure because what you're used to is just handing somebody the data and what they do with the data afterwards is kind of their issue and not yours and so now we're asking big new questions to do it. Right, another big thing that keeps coming up over and over is trust. And again we talked a little earlier but I find this really ironic situation where people don't necessarily trust the companies in terms of the people running the companies and what they're going to do with their data but they fundamentally trust the technology coming out of the gate and this expectation of of course it works, everything works on my mobile phone but the two are related but not equal. No, I mean they're not. I mean and it's really pushing this idea that says we've been looking at all of these I'm going to say scary headlines of people not trusting companies for the last number of years while at the same time the adoption for the technology has been huge. There's this dichotomy that's going on in people where at one point is they like the tech. I think the last stat that I saw is that everybody spends up to six and a half hours a day involved on the internet in their technology but from the same standpoint is that they worry about who's using it and how and what it's going to be done and I think where we're at is that interesting piece that says we're not worried about a tech clash. We don't think that people are going to stop using technology rather we think it's really this tech clash that says they're not getting the value that they thought out of it or they're seeing companies that may be using this technology that don't share the same values that they do and really what we think this becomes is the next opportunity for the next generations of service providers in order to fill that gap. Right, yeah don't forget there was a Friendster in a MySpace before there was a Facebook so nothing lasts forever. So last question if I let you go, it's a busy night. The first one was the eye and experience and I think the user experience doesn't get enough light as to such a defining thing that does move the market. Again, I'd love to pick on Uber but the Uber experience compared to walking outside on a rainy day in Manhattan and hoping to hail down a cab is fundamentally different and I would argue it's that technology put together in this user experience that defined this kind of game changing event as opposed to it's a bunch of API stitching stuff together in the back. No that's right and I think where we're at right now is that we're about to see the next leap beyond that. Is that most of the time when we look at the experiences that we're doing today they're one way, is that people assume that yeah I have your data, I'm trying to customize and whether it's an ad or buying experience or whatever but they're pushing it as this one way street and when we talk about putting the eye back in experience it's that question of the next step to really get people both more engaged as well as to I'm gonna say improve the experience self means that it's gonna become a partnership so you're actually gonna start looking for input back and forth and it's sometimes it's gonna be as simple as saying that that ad that they're pushing out is for a product that I've already bought or maybe even just tell me how you knew that that's what I was looking for but it's sometimes that little things that back and forth is how you take something from which can be a mediocre experience even potentially a negative one and really turn it into something that people like. Yeah, well Michael I'll let you go I know you got a busy night we're gonna present this and really thanks to you and the team and congratulations for coming up with something that's a little bit more provocative than cloud's gonna be big or mobile's gonna be big or edge is gonna be big so this is great material and thanks for having us back look forward to tonight. Happy to do it and you know next year we'll probably do it again. I don't know we know already know everything it's 2020 what else does none know? Everything's going to change. All right, thanks again. He's Michael I'm Jeff you're watching theCUBE we're at the San Francisco Innovation Hub at Ascension headquarters on the 33rd floor high above San Francisco thanks for watching we'll see you next time.