Hello everyone, this is the CircuitPython Weekly Meeting for October 23rd, 2023. This is the time of the week where we get together to talk about all things CircuitPython. I'm Dan and I'm sponsored by Adafruit to work on CircuitPython. You may ask, what is CircuitPython? It's a version of Python designed to run on tiny computers called microcontrollers. CircuitPython development is primarily sponsored by Adafruit, so if you want to support Adafruit and CircuitPython, consider purchasing hardware from Adafruit.com. This meeting is hosted on the Adafruit Discord server. You can join anytime by going to adafru.it slash discord. You hold a meeting in the CircuitPython DevText channel and the CircuitPython Voice channel. Typically, this meeting happens on Mondays at 2 p.m. U.S. Eastern Time, 11 a.m. U.S. Pacific Time, except when they coincide with the U.S. holiday. In the notes doc, there's a link to a calendar you can view online or add to your favorite calendar app. You also send notifications about upcoming meetings via Discord. If you would like to receive these notifications, ask us to add you to this AdSign CircuitPython Easter's Discord role. I mentioned the notes doc. There's a notes document that accompanies the meeting and recording. It starts out as a Google doc, which you can enter your notes into each week and then gets turned into a final form that's linked to. And it includes timestamps to go along with the video so you can use the doc to skip around and view the parts of the meeting that interest you most. The meeting tends to run about 45 minutes, plus or minus 15 minutes. After each meeting, we post a link for the next meeting's notes document to the CircuitPython DevChannel on the Adafruit Discord. Check the pinned messages in the CircuitPython DevChannel to find the latest notes doc so you can add your notes for the following meeting. If you wish to participate but cannot attend, you can leave hub reports and status updates in the document for us to read during the meeting. This meeting is held in five parts. I'll explain part as we come around to it. Just not to be too redundant. So we'll start out with community news. I'll take a timestamp. There we go. So community news is just a look at all things CircuitPython and Python on hardware in the community. And it's usually a set of chosen items from our Python and microcontrollers newsletter, which I'll talk about in more detail in a minute. So the first item up is Raspberry Pi 5 capabilities emerge. We've been hearing more and more about the RPI 5, a single board computer. And there are a couple of items that are a particular note to CircuitPython users. The one I'll mention here is that there's a difference in how GPIO pins are handled on Raspberry Pi 5. It used to be before Raspberry Pi 5, all GPIO pins were memory mapped. But now access to those pins goes through the new RP1 bridge chip, which is on the Pi 5 board. This means they're no longer mapped to the processor's memory, and so it can break some software that relies on the old way of doing it. So the Raspberry Pi people have updated the GPIO 0 library as being able to properly access the GPIO pins on the Raspberry Pi 5. And we're working on that to make sure that the software that we use uses the updated library and that it works properly. So there's some links in the note stock and in yesterday's, in today's newsletter, Python or microcontrollers newsletter, which you can take a look for more details about that. And the next item up is that we released CircuitPython 8.27 last week on Thursday. It's the latest bug fix revision, the latest stable revision of CircuitPython. It's a new stable release. There's a link to the details. There aren't too many changes in here. There are a couple of bug fixes, fixing a problem with MVNS and fixing a problem with RGB matrix memory allocation. So if you have trouble with RGB matrix on, say, the matrix portal S3, for instance, update to this latest version, and there were also three new boards and some board fixes, board pin fixes in here. So I mentioned that all these details come from the CircuitPython weekly newsletter. It's also called the Python or microcontrollers newsletter. It's run by CircuitPython, edited by our very own Ann Grella, and it's emailed every Monday. There's a link in the notes to where you can find the archives for this newsletter. It highlights the latest Python and hardware related news from around the web, including CircuitPython, Python, and MicroPython developments. We'd love to hear about things that you think should be in the newsletter. You can do this in a variety of ways. You can submit a PR to the draft of the next week's newsletter that's held on GitHub. You can also tag us on X or on Mastodon or some other social media site with the hashtag CircuitPython, or you can email cpnews at Adafruit.com. Any of those things work, we're happy to take any of them. So thanks very much. All right, now we'll go on to the state of CircuitPython libraries in Blinka. This is a qualitative overview of the entire project. It gives us a chance to look at the health of the CircuitPython project, separate some of the status updates. We'll talk about the project overall, then separately discuss the core libraries in Blinka. So first of all, we'll look at the overall numbers in the past week. In the past week, there were 18 pull requests merged by 14 authors. I see some new names I haven't seen before, SYMM and C010 and Ilario. Thanks very much if you're new or AXEIA also. There were three reviewers of these 18 pull requests. And the result of these pull requests was that there were 11 issues closed by six people, but 18 issues opened by 17 people. So we've got some catching up to do on issues. That's fine. I would also note that work that you do during October in GitHub is applicable to the Hacktoberfest celebration or competition or whatever you want to call it. So go Google Hacktoberfest to find out how you can participate in that. And next up, we'll do the core, Certified Fund Core and Scott, are you able to read that? Yeah, happy to. Thanks, Dan. OK, so numbers for the core. We had 10 pull requests merged from seven different authors. Thank you to all of those authors. I'll highlight AXEIA as a person who's been doing a number of board PR. So thanks to them for that. We had two reviewers, myself and Dan. We had 25 open pull requests, which is that one one page barrier. But I bet we'll get through these days on Monday. After all, we haven't had time to do a bunch of reviews. Our oldest is still 400 and well, it's older now is 475 days old. And that's the dual LUN logical unit mass storage thing, I think. And then we have another a number of others that have been open for a bit of time. So if any of those are board related, please take a look and take a look at those PRs and see which ones you can close or get across the finish line and merge it in. We had five closed issues by three people and eight open by eight people. So we're up three, which is not too bad, but and pretty typical for a total of 729 open issues. You can check those out at github.com slash Adafruit slash CircuitPython slash issues. We use the milestone system to triage the issues as they come in deciding prioritization for Adafruit funded work. That's to say that if you find an issue that is marked long term, but still want to work on it, we're happy to support you to do that. It's just unlikely that an Adafruit funded person will do the work themselves. The highlights for milestones is that we have 11 open issues for 8 to X, which is the version of the current stable version. We have 55 open issues for 9.0, which is the next major stable version. So lots of the work into main right now is going into 9.0 work. And lastly, I wanted to highlight that I created a 10.0 issue as well. Right now that's basically for any related deprecation stuff. So filing issues for like delete this thing or remove this thing in 10.0. So that's why I added 10.0 there. There's currently no issues open underneath it, but we should make those as we need them. And six issues not assigned to milestone at the time that these stats were taken. So we'll need to do a little bit more triaging on this Monday. And that's it for the core. All right. Thank you, Scott. And next up is the library section, which Tim can read for us. All right. Thanks, Dan. This section covers the Circle Python libraries, which is the Python layer of code that allows you to interact with various different pieces of hardware and offers helper libraries that make it easier to do different things at a higher level. All of these libraries, you can find them on GitHub. They'll all start with the name aterfruit underscore, circle python underscore and then have whatever the name of the library is. Across all of those libraries this week, we had eight pull requests merged by seven authors and two reviewers of those authors. The couple of names that stand out to me that might be newer or less frequent contributors are C010, Sim and Ilario. I think don't recall seeing those names before. So thank you to those folks who, again, might be newer or less frequent contributors. Thanks to all of our other authors as well who do contribute more frequently to some of the libraries and things. We had two reviewers. So thank you to Scott and myself for keeping the reviews going this week. Of those, let's see, it was eight pull requests merged. The oldest one of those was 22 days and the newest several were all just one day. So we're working mostly with newer pull requests this week. After those, it leaves us with 40 open pull requests across all those libraries. The oldest of those is 431 days, but I do think that one is a draft and the newest is just a single day old. There are, excuse me, over the past week, I should say there were six closed issues by five people and eight new issues open by seven people. All of our repos have the Hacktoberfest label on the repo repository itself. So issues and PRs and activity do count towards that. There are a total of 660 open issues right now across all those libraries and 19 of those are labeled as good first issues, which are identified for folks who have either less experience or perhaps are newer to programming, newer to contributing to Circuit Python. If you'd like to get a look at those, you can go to circuitpython.org slash contributing on that page. It lists out the open PRs and issues. If you click on over to the issues tab, there is a drop down there to filter by good first issue. If you're interested in getting involved, that's a great place to do that, as well as joining us here on Discord, like where this meeting occurs. In PIPI stats across the libraries this week, we had 68,930 downloads across those 314 libraries. The top 10 list is here in the newsletter, if you'd like to check that out. And there was one new library in the last week that was over in the community bundle. And there are a couple of updated libraries here as well, if you want to check out the links to those in the newsletter. And that's what we've got in library land for this week. Thanks. All right. Thank you very much, Tim. Go on to the Blinka section, which Alyssa reads. Hello. So Blinka is our circuitpython compatibility layer for MicroPython, Raspberry Pi, and other single board computers. And this week we had zero pull requests merged. There are currently four open pull requests amongst other repositories. There was zero issues open and two open by two people. There are currently none with the Actoberfest label assigned, but since it's assigned at a repo level, all of them would count towards Actoberfest pull requests. Let's see. There are currently 75 open issues and there were 11,692 Pi PI downloads in the last week, 6,827 PiWheels downloads in the last month and we are at 121 supported boards. And that's it. All right. Thank you very much. OK. Next up is Hub Reports. Hub Reports is a chance to highlight folks in the circuitpython community and beyond for doing awesome things. I'll start and then we'll go down the list alphabetically to give everyone a chance to participate. If you are a text only or are missing the meeting, I'll read your notes when I get to them in the list. So as I said, I'll start. First of all, thanks to Scott for discussion about the merges that are underway for MicroPython and for fixing issues both of the MicroPython V1.20.0 merge, which we finished last week, and the V1.21.0 merge, which is underway at the moment. And thanks also to Scott for splitting up Display.io, which is going to happen in 9.00 to be able so we can turn more parts of Display.io on and off and so it's organized in a more reasonable way. Thanks to Snipi who noticed and fixed an interrupt issue in RP2040 Pulsein and we're working at PR right now. And then thanks to Unexpected Maker, who is very good, they introduced new boards and then also those boards, sometimes there are changes that they need, they push changes for those boards, both to the eight and nine branches right now and they're different right now, so it's more work but we appreciate Unexpected Maker keeping up with those changes. Okay, next up is C Grover, I'll read theirs. Thanks to Foamy Guy and Scott for quickly fixing a Git error cascade I caused with a typo and a community bundle submission. And then next up is DJ Devin, who's here but can't read at the moment. Thanks to Scott for improving memory allocation for the Matrix Portal S3 and fixing hard faults on File Save. Thanks to the Circuit Python developers for all their work for ESP IDF and MicroPython merging and pushing a minor A27 release update this week. Thanks to C Grover for a new audio breakout board that should be arriving this week. Thanks to Tim Foamy Guy for streaming the task of changing all display.show instances to root group in library examples and learn guides for the 9.0 release. And thanks, and also a group hug for everyone doing awesome things for Circuit Python. And next up is Tim. All right, thanks, Dan. I have hug reports this week. Thank you to C Grover who last week let me know that I had music going in my audio during a live stream. I very much appreciate that, caught it early and deleted it to avoid any copyright issues. Thank you to you, Dan, for pointing me towards some information about the Let's Encrypt certificates this morning and confirming the usage of the problematic type on a specific URL that I was looking at. And then thank you to Jeff, who looked over a library patch and caught an issue that was introduced by my IDE editing some white space inside the code that I had not caught on. I appreciate that as well. And that is what I've got, thank you. All right, thank you. All right, Jeff, are you able to speak? I think so. I'm just dropping in real quick. I'm traveling for a little while in Spain and Portugal, but I wanted to stop in with a group hug. And thank you, Dan, and also Scott for working on the merge. Melissa, thank you for the quality guide. I worked on some of that stuff before going on the trip and I appreciate you getting that all, you know, just in great shape to share with the public. And finally, Ann, I really love your track-themed PCB art project. And I know that there's a lot going on that I'm not aware of, but those are some of the highlights that I did notice from over here in Europe. Thank you. All right, thank you, Jeff. And next up is Liz. Hugport Scott for a good discussion and feedback on design of circuit Python libraries and FOMI guy for the flip-clock library. I used it for the first time last week. I remember when you were working on it, but I was able to actually use it. It's really amazing, especially the script for generating the spreadsheets. All right. And that's it. Thanks, Liz. And next up is Melissa. So I'm going to give a hug to Carter for helping me with updating guides and scripts for Raspberry Pi Bookworm to Jeff for addressing my issue about the buttons on the qualia while I'm on vacation and to prepare to run else. All right, thank you. And next up is Scott. Hello, just to hug to ADCC for doing a number of investigations related to circuit Python. Really appreciate you looking into a variety of things. All right, thank you. All right, thanks to everybody for giving hugs. Next up is status updates. This is the time, our time to tell folks what we're up to individually. I'll start and then go through the list as usual. People take a couple of minutes and talk about what they've been doing since the last meeting and what they'll be doing until the next meeting. You could also provide tips and tricks relevant to what you're working on. And if we end up with some having some significant discussion about something, we can move it to the in the weeds section in case it requires more discussion. So I will start. As I mentioned, I released circuit Python 8.27 last week. It's got some new boards, fixes and a fix for the RGB matrix storage issues that can cause errors. And I'm in the process of merging MicroPython v1.21.0 into circuit Python. That's Scott's working with me on that. It appears close to done. We have a few more tests that are failing and we'll make a PR and then see whether we can get everything to be green on the continuous integration tests. Next up is C Grover. I'll read theirs. Completed the testing and published the BNO 0559 DOF sensor calibration and double tap methods submitted a PR to the driver repo with the sensor calibration example. All also created a circuit Python method for detecting taps. And there's a link to some notes about this in the notes. Submitted an issue of how to format a circuit dependency in the requirements dot text list of a circuit of a community bundle repo. Listing a core circuit Python module is straightforward but it's not clear how to reference the dependency on a second community bundle library. So that would be very helpful to document that, yes. Okay, next up I'll read DJ Devans. Submission finished designing an enclosure for the three and a half inch TFT feather wing. I'm extremely happy to see Lady Aida revising the three and a half inch TFT. They haven't been available in the store for over a year. It is by far my favorite Aida for TFT for rapid prototyping and beta testing because you can plug any feather into it. Upon request, designed to stand for a single P5 matrix panel and returned from tweak vacation and fixed a lot of issues around the house before starting on multiple Halloween related projects. Next up I'll read some stuff from ADCC. Improved make translation data dot pie efficiency which in turn improves the build times by about 33%. I'm working through improving Custor compression given the current compression dictionary escaping short Custors isn't always the best choice and we'll submit a PR when I'm satisfied. Bad news on the Mac Sonoma problem. Mac OS SIP and sandboxing is blocking my user agent approach to modifying mounts putting it aside for now. And in case anybody wants to know Mac OS Sonoma delays rights to disk drives maybe just USB drives, maybe all drives and it causes circuit pie not to work very well it causes auto-regulate not to work very well. It's bad and we're trying to get to pummel Apple into fixing this. But first they have to even acknowledge it and chunking along on the PicoW underscore BLEIO. And next up is Tim Flomy Guy. All right, thank you Dan. Last week I started updating learn guide codes to use the new DisplayIO root group API. There's a draft PR in with I think around 20 or so of those changes in them, but I'll be continuing this week and there's quite a few to do. So I'm not sure exactly how long it will take to get through all of them. But once you get in the rhythm they do start to go pretty fast because it's not that big of a change. So that's the good news there. I have been over the weekend this last time I worked on it but I've been continuing on this Funhaus IoT dashboard project that I started a little while back. It's approaching the point where it has all the functionality that I had originally envisioned. I have basically one or two more things that I wanted to add and then basically happy with where it's at. This project can basically serve as a more advanced example for the HTTP server library as well as just something showing off the new template engine library that I was working on a few weeks back. So I'm excited to get that into kind of the finalized state and publish it and maybe try to pop on show and tell or something to show it off. Beyond that, today I started investigating the issue that's been reported with the Cleveland Art project which is a pie portal project that's in the learn guide system. I've been trying to narrow down to see if I could recreate the same issue. I did eventually get to the point where I can do that and I think I now have an understanding. Again, thanks to Dan, I think I have an understanding of what's going on with it and my next steps there, my next intention is to start working backwards through the recent versions of the NINA firmware and see if I can find one that's even remotely recent that still works to at least have a kind of workaround that would allow that project to be usable in the meantime. But that is all I've got for the week. Thanks. Okay, thank you. All right, Jeff has stepped off. So I'll read their computation now. One small PR to do less aggressive string compression on builds with plenty of free space for now on RP2040 and expressive. And then Jeff says also I'm halfway through my vacation in Portugal and Spain approximately posting occasional photos and there's a link to where the photos are on a metapixel.com. Can follow me on Macedon or read with RSS Reader if you're interested. And next up is Liz. All right, so last week I continued working on some Serger Python libraries. Scott met with me and gave me some great feedback and resources on thinking about software design. And then last week's episode of embedded FM podcast also discussed software design, which felt a bit kismet and definitely check out that episode if you're into podcasts. They really went in depth on things. And I'm starting to feel pretty comfortable with them how to write a library. So over the weekend, I continued adding to my large matrix display project. This started as a sports scoreboard learn guide and I hung out my wall for photos and since then I've added open weather data and a clock to make it a little bit more useful and not just sports. This past week, my partner and I started playing chess and he wanted to have a way to keep track of and display in our house how many wins each of us had. So I'm using the SMS messaging in Adafruit IO. So that we can ping a feed. We each have a feed for each of us any time we win and we put the move that we won with too. So we can reference that later if we want to. And then the makeshift portal gets account of how many entries are in the feed and displays account below our name. And I also used vector IO to show a chessboard pattern. And that's what I've been working on. All right, thank you. And next up is maker Melissa. Hello, so over the last couple of weeks because I was about last week, I updated the Kualia ESP 32 S3 guide with additional pages on using touch and figuring out the timings. I added missing analog pins to the Kualia ESP 32 S3 and circuit Python. I went through the Blinka and Pi TFT guides and started updating for Bookworm. And they should be working but I heard some people still have an issue so I need to test that more. I updated the focal touch driver to work with the CST 826 touch chip. And I tested various potential fixes to GPIO not working on the Raspberry Pi 5 and decided to go with the GPIO D. I added the Raspberry Pi 5 support to Blinka and I kind of, I have a PR but I haven't tested a square C and spy on that yet but they should work. And then I fixed the pull-ups and pull-downs for the GPIO D in Blinka in that PR and I'm gonna continue going through the guides and testing on the latest Raspberry Pi OS which is Bookworm. And then I'll try and get the, I also need to try and get the Kualia buttons working through the IO expander. Hopefully I can get that working without any code changes. And then I'll update my focal touch pull request to improve the chip detection since it's not a focal touch chip. That's it. All right, thank you Melissa. Okay, and finally, Scott has gonna do SAS. Hey, okay, so I sent a PR for splitting what is now called bus display, formerly just display. E-paper display, four wire and I squared C display out of display IO in the separate modules. I squared C display also gets renamed to be I squared C display bus because it's not the display object itself. And I renamed parallel display to parallel display bus as well for the same reason. I also removed to display IO shape which is being a bit aggressive but I'm pretty sure no one uses it. We'll find out. I found one library that uses it and we can update that but nobody uses shape and there's no real reason to leave it in there. In this PR, I fixed an issue with root group in 9.0 as well. It works just fine in eight but it was broken in nine. So that fix is fixed in this PR as well along with some changes to the PDF output of the docs. Basically the PDF output got so large like in particular the support matrix got so large that the PDF build wasn't working anymore. So I split it into two PDFs. One for like all the APIs and docs and stuff and then one for the support matrix. So hopefully that'll give us some more time for that to work. I sent out a PR to merge in 8.7 in the main. Specifically this brings the RGB matrix fixed in the main which will be good. DJ Devon three asks a lot of people use display shapes is that a different library that is a different library that is a Python library which is part of the reason I'm like we don't need this thing that's native. I also am working with Dan on the 121 merge. I pushed some test fixes and I plan on coordinating with Dan later today on getting that finished up and 121 merged in. There is an issue with NeoPixels right now on main with has to do with being able to get the transmit function. And this has to do with being able to, yeah. I think I know what the fix is and I wanna make sure I add a test this time because Dan and I have been and Jeff have been really good during merges to make sure all our tests work. So we're finding circuit by them broken in places where we haven't added a test to make sure circuit by them work still okay. So I'll probably take a look at that as we're working on 121 or similar so that we should hopefully get that fixed before we do an alpha just because that's gonna cause a lot of havoc I think. But yeah, lots of merge related things and we did discuss and I didn't put this in the list but we also did discuss being more for both for warnings. In particular, with show going away, we thought we'd add a show implementation back that just tells you that it doesn't work anymore and to use your group. So we're gonna have that, we'll have that nine and then we'll remove that in 10 completely. And then I'm gonna look into doing something similar for this like reorganize display out thing too. Yeah, for shape, for not using shape generally, either just a bitmap or vector IO could work. That's all for me. Okay, thank you Scott. Okay, that's it for status updates. Our in the weeds section is empty. This would be an opportunity for longer discussions but we don't have any this week unless someone has something last minute. But I don't think so. So we'll just take a time stamp for this approximately. And then so finally, I think that's it. We'll wrap up now. This has been the Circuit Python Weekly for October 23rd, 2023. Thank you to everyone who participated. If you want to support Adafruit and Circuit Python and those of us who work on Circuit Python, consider purchasing from the Adafruit shop at adafruit.com. The video of this meeting will be released on YouTube at youtube.com slash Adafruit and the podcast will be available on major podcast services. The meeting will also be featured in the Python for Microcontrollers newsletter. Visit adafruitdaily.com to subscribe. The next meeting will be held Monday as usual at 2 p.m. Easter and 11 a.m. Pacific time. And the meeting will be held on October 30th, 2023. That's Monday. You can join this meeting by going to the Adafruit Discord, A-D-A-F-R-U-D-I-T slash Discord. And if you want to be notified about this meeting and any changes to the scheduled time per day because of a holiday or other reasons, you can ask to be added to the 8th at sign Circuit Python Easter's Roll and Discord. So we hope we'll hear from you all next week. Thank you, everyone, and I'll stop recording.


Before you understand the good news of the gospel, you have to understand the bad news of your sin. Think through the Ten Commandments and how they show you that you are a sinner before a holy God. The Ten Commandments have four commandments about how you've treated God and they have six commandments about how you've treated others. Think through how have you treated others. One commandment is not to lie. How many lies have you told in your life? You cannot count them. Think through what God would call you on Judgment Day.  Have you ever thought of yourself that way before? God tells the truth and he would tell the truth to you. Many people say, I don't like it.   Think through how he says that the poison of asps is under your lips because of the deceit and the lies that you've told. The Ten Commandments reveal how we have dishonored God in adultery. God has said you should not commit adultery and Jesus said in Matthew chapter 5, if you look at a woman, the lust after her, you've already committed adultery with her in your heart. It's the thought that has caused you to break this commandment. God sees your thoughts. He sees your will. He sees your emotions. He sees your attitudes. And since you have broken this commandment of adultery, God would call you an adulterer of the heart. Another Ten Commandments is not to murder. And Jesus said in Matthew chapter 5, if you are angry with your brother without a cause, you are in danger of the judgment. And if you say you fool, you are in danger of hellfire. He said that in light of the commandment not to murder. It's you've committed murder of the heart when you have been angry at someone, not been able to control your temper. Think through. In the eyes of God, you would be a liar, an adulterer of heart, a murderer of the heart.  Is it the plan? Is it the actual firing of the gun or stabbing of the knife? No, before all that, before the plan, before the actual horrendous event, the Lord sees the anger in the heart of the murder. And that same anger has been in your heart. But how have you treated God? If you have treated others with anger, lust, and deceit, how have you treated God? Have you taken God's name, the name of the Lord of glory, and used it as a curse word saying, oh my, then you are a blasphemer. And all the time when you've broken all these commandments, you've broken the first commandment to have no other gods.   All of these sins rise up and cry out one thing, judgment.


What do you mean?  Y'all got one so, you just have everybody have a soap. That's how I'm living. It has to vote me, but I know what I'm gonna do. I don't vote everybody have a soap. Everybody have a mask, get a soap. I go up with everybody use the water. I got some good pussy soap at the crib. Everybody use the same water. Yeah, I went second all the time. Huh? Yeah. The first one ain't taking no back, I went second. My new, you be using this show as therapy, don't you? Yeah, the truth.  You make it think you have to think about it.  She'll fly. If somebody take a bath and blow the water out, it'll be cold on you. Yeah, and my mom make you get in.  What?  I ain't laughing. Is she cold as fuck? Gotta say that water. Say that hot water. So it went no rotation. And then one good, one good, one good one. One good run. Got one number two key, my me and my sister.  Ain't but two kids. I never get first. I gotta go second.   Y'all had enough water for two kids.  Me and my sister used to have to take a bath together. We were kids. We did that too? Until it was my turn to go second. But how do we stop?  She got, I said, what that is? She said, he gotta stop. Had a lot of water. She like, yeah, it's all right.  You made him keep going. That was the key. My mom was like, yeah, it's all right.  You kept putting me in there for. Well, you look like we see sunshine. I'm sure. What you doing? They laughing, but this is going to sound like trauma on the internet. Yeah, trauma. That's why I love our show. You speak in there. There.


We had a little bit of action this morning in the Chinese professional baseball league starts off with the male cheerleader cheering in an airplane Of course it does but top of the fourth inning double play ball This guy's trying to impress the new national audience He botches it guy gets on base and that's kind of big Maybe he botched it on purpose because he knew his team was gonna protest that hitters bat. Yes that bat Illegal why I don't know. Oh Radio's in hey, I got a bat here. It's got a human head on some sort of animal body. Is this legal? Yes, that's legal Okay, cool legal no problem then Apparently the other team the guardians take offense to this but first a nice play by the third baseman Just a nice play base is loaded one out guns down the runner at home takes the angle gets the hop catcher Secures the bag. Okay.  I was supposed to hit him now the dugout dugout start barking and the catchers like what? Why are you mad at me and the hitter points at the catcher and the catcher says don't point at me. It's not me I got nothing to do with this. I don't want to hit you We don't do that in the CP BL here.   Going on and then huge aggressive push. You see that. I mean, oh my god Just a huge push right out the gates. Look at this.     That's what they did


Man hears noise under driveway, Gutt tells him to dig. As he dug it became apparent that what he had seen was a piece of metal sticking out from the ground. He carefully cleared the dirt away from around it until he could get a good grip on it. He tugged at the metal but it wouldn't move. Simon decided to heave on the metal but still, it wouldn't budge an inch. He realized that he'd have to dig it out more before removing it. He set to work on covering the metal object. He soon discovered that there was way more to it. It was attached to something else. Buying a new house is always a tricky affair as you never really know what you are getting into. However, when Simon marks a 37-year-old man from England, found a house in Luton, England at a bargain of a price he knew he couldn't pass it up. He was delighted when he was informed that his offer had been accepted and he quickly signed the paperwork. The transfer was already underway. In his excitement, Simon never stopped to wonder why the owner was in such a rush to get the house off their hands. It was was a few months later when Simon finally stood in his new home feeling excited as he unpacked his boxes. He couldn't wait to spend his first night in his new home. He carried on unpacking boxes until he was exhausted and decided to go to bed. As he finally climbed into bed, Simon worked out what time he would need to get up due to his much shorter commute to work. He smiled as he set his alarm for 8 a.m. He turned around and settled in for the night but that's when it happened. In the darkness, he heard a weird sound. Simon tried not to make a sound, even holding his breath so he could hear better. All was quiet for a moment but then he heard it again. It was a sound like gravel scraping along metal and it came from outside. He got up and tiptoed over to the window, carefully peering out, hoping to find the source of the sound but as he looked out of the window onto the garden he could no longer hear the sound. Shrugging he returned to bed, unaware of what where that sound would lead him the following day. When morning came, Simon got himself ready for work and climbed into his black box hall Sephora and put the car into reverse. However, his car just lurched forward. He tried again but his car simply wouldn't budge. Eventually, he revved the car until it finally pulled free from whatever was stopping it. He was relieved when it finally came free but what had it been caught on. He got out of his car and went to look at what caused the problem. When he saw it his blood ran cold. He stood there shaking his head in disbelief at all the damage he had just caused. He got on his knees to inspect the driveway beneath his car. At least this day can't get any worse, he thought to himself. As he began to examine the concrete paving slabs he started to hear something. It was a strange, sickening sound that made him uneasy. His heart sank in his chest as he wondered what he had stumbled across. He knelt down and peered at the spot. To his dismay his suspicion had been right, the concrete paving had cracked. However, while he was still staring at it he watched as it started to cave in right before his very eyes. He scrambled backward as he wanted the concrete paving snap and start to collapse, falling into the dark hole that was opening up as he watched helplessly. Dust filled the air momentarily blocking his view. However, once the dust had finally settled, he saw something even more concerning. Simon was aware of the house's age. It had been built in the 70s by the old couple who had lived there before him. However, nowhere on the plans had this been indicated. What was it? And why had it been omitted from the plans? When everything had settled and he was sure it was safe to put weight on the remaining paving, Simon inched closer to the hole while lying on his stomach. Finally, he spotted something in the dirt but he couldn't identify it so he went to get a trowel before returning. When the hole had started to open up Simon immediately imagined the worst.  But now he was over the initial shock and investigating this strange occurrence. He kept clearing away dirt and soon realized that he was staring at something he couldn't handle alone. He reached for his phone and called the only backup he could think of. Gerald Marx, Simon's father, the only person Simon could think to call, rushed over to see what was going on. Once there, he and Simon started to get to work. They had no professional tools but they carefully removed all the cracked concrete paving around the hole. As they removed the paving they uncovered a large rectangular hole in the floor. The idea of there being a secret passage troubled them. Why was it under the driveway? Where did it go? Why had no one mentioned it? Right now they could only answer one of those questions. Only one way to know for sure. Simon had done his research before buying the old house. He was all too aware that ordnance surveys wouldn't shed any light on the mysterious passageway hidden beneath his driveway. According to the reports, there had been nothing but empty land there before the home was built. A shiver ran down his spine as they began to dig. They dug out shovelful after shovelful of the densely packed mud and carted it away in buckets. The pile of earth beside them grew larger by the hour and soon the pair had painstakingly excavated around five feet of dirt enough for them to climb down the ladder and investigate. And what they found would shed some light on the house's eerie past. As Simon climbed halfway down the ladder, a strange feeling crept over him. He didn't want to go any further. What if it wasn't safe? He ran back to the house to fetch his selfie stick. With his phone firmly attached, he lowered it into the hole. On the phone screen, he saw that the underground passageway was hiding two rooms. Gerald thought he knew what they were looking at immediately, but they had to be sure. Simon had purchased the property in question for around half a million dollars. But the land had been used for something else, long before the house was built there. The elderly man who had sold the house to Simon was the original owner of the home, but he'd neglected to tell Simon what lay underneath. The sounds he had heard the night before had been the earth finally giving way under the driveway as it fell into the secret room. Simon and his father stopped digging and began to do some research of their own. They looked up the plot number and then things became apparent very quickly. Prior to the previous owners of the house, this plot of land had stood empty. But Gerald quickly pointed out that the land was situated in a strategic place in the town. But even more telling was the period in which the house had been built. My dad saw it and instantly said it's an air raid shelter, Simon said. We googled it and found there are quite a few in this area. After conducting some research, Simon found out that the shelter had been built during World War II. The previous owner must have known it was there and when he built the house and put a garden in, he must have filled it in, Simon told the reporters. In 1938, during World War II, a man by the name of Sir John Anderson was tasked with preparing the county for war. It was his duty to come up with a strategy to protect Britain's citizens from the impending onslaught and the bombings that he knew was coming. So, he devised an ingenious plan to ensure the civilian's safety. Sir John Anderson and his team of engineers planned and helped to create cheap and simple underground shelters that could easily be buried in people's backyards. The close proximity meant that British citizens could seek shelter at a moment's notice. These structures walls were constructed from lightweight and flexible metal, a better alternative to concrete. Over two million of these bomb shelters were scattered around the country. But what Simon had found was not one of these. Just by looking at the chamber that Simon had found, Gerald could immediately tell that it wasn't an Anderson designed bomb shelter. But it had indeed been built around 1938, not long after a bomb landed in the area near Luton. Citizens in the area were frightened when they learned that their small city was now a target. They had to find a better way to stay safe. The community came together and quickly devised a plan to create a community shelter that was built to better withstand the air raids. Gerald could tell that the shelter that they had uncovered was definitely not an Anderson style shelter, it had at least two rooms and was constructed from bricks and concrete. And, as Simon and Gerald dug deeper into the shelter, they uncovered some unusual artifacts. In one of the hidden rooms, Simon and Gerald found a newspaper clipping. The Herald newspaper dated from the days of World War II and one of the headlines read, Luton Airport is this the end, while other articles detailed the goings on of daily life in the war-torn country. This artifact offered a rare glimpse into British life during the war, but it wasn't the only relic they found. Simon and Gerald also found evidence that proved that the bomb shelter had once been stocked up with food and water to sustain the people who hid there. After all, people who were held up in underground shelters could be stuck there for days at a time. It's incredible to think it has all been made by hand, Simon later told reporters. The concrete walls of the underground shelter have been reinforced by brick and mortar, which created a further buffer to protect it from the raids from above. But even after Simon and Gerald had finally unearthed the monumental discovery, their work still wasn't done. It's been a case of dig, dig, dig. We're about five feet down at the moment so it's just another five feet to go until it's finished. I think we're going to have to get a skip in because there's so much rubbish to get rid of, Simon stated. Then, the pair made another discovery. One of the walls has been bricked up. I'm 90% sure we won't find out any more rooms but we don't know. They might have bricked up one of the walls when the house was built to make way for the foundations, Simon told reporters. If that's the case we'll just have to leave it, he added. But it wasn't long before the discovery went viral. As Simon and his father continued to dig, news reporters and neighbors began to flood into his front driveway just to get a look at the amazing and historic discovery. But Simon didn't care much for all the attention he was receiving, his concerns lay elsewhere. He didn't spend hours digging up his driveway for fame. Simon felt that it was important to let the world know about his discovery, but not for notoriety. He feels that he has an obligation to his country's rich history. He didn't want this piece of history to be forgotten. He wanted the air raid shelter to be preserved for future generations. So, what does he plan to do when the shelter has been completely cleared? Simon and his father plan to restore the shelter and preserve it, they hope that it will be declared an important and historical monument. They believe that just because the war is over and long past, that period in time should never be buried and forgotten. They hope that future generations will visit the shelter and catch a glimpse of an important part of history.


So looking at practical structure, it's going to turn out that many of them have lots of alpha helices and others have lots of beta sheets. This one actually has a mixture of both, but to make our lucks easier, we're going to start by looking, particularly these building blocks. The helices and the sheets understanding when they are stable, why they form and roughly how fast they form, before we then, in a few lectures from now, carry on to looking at entire proteins and how we assemble them. We've already looked at helices and sheets, although I then didn't tell you how important they were, but if we, for a second, look at an individual alpha helix, that is stable, these individual straight lines, we occasionally call them a beta strand, but a single beta strand is not really stable. We're going to need at least two of them to form a so-called sheet that we can start to talk about something that's at least semi-stable. In last lecture, we looked a little bit about the hydrogen bonds, and we're going to come back to that, that it's very local interactions here, and you're going to need to trust me when I say that this means that it's going to form fast. It is a very rigid structure when this is formed. There are, if I put two helices like this next to each other, they're going to be very few hydrogen bonds between them, because they're all paired up inside the helix. And that in particular means that if I have one helix here and one helix here, they're going to have to be packed with Lenard-Jones interactions or so, so there are, it's locally constrained, but it's not really going to create constraints to some other part very far away in the protein. Beta sheet, it's kind of obvious, as our opposite. It has, these hydrogen bonds are close in space, but they're not close in sequence, so it's non-local interactions. It's much more floppy, flexible. You can bend the sheets this way without really breaking anything. And all hydrogen bonds are between strands rather than within a single strand. And that means that in particular if these two strands are far away from each other in sequence, we're now going to create global constraints that ties up the structure and reduces entropy a lot. This will be more complicated to understand how it folds and everything, so I would suggest that we start with the alpha helix and make sense of that, but not just hand-waving, but studying the free energy of alpha helix formation.


beaucoup beaucoup de difficultés à ce genre d'ici aujourd'hui. C'est vraiment content de voir la réception que vous me donner à dire. Là je vais remercier, et je vais vous présenter un ami de nous, Jimmy Kaye, de The Metal Boys. Si vous n'avez pas signé pour l'échec, vous avez mis en place un grand grand truc. Parce que tout le monde le connaît. Tout le grand star, comme Chris, le connaît. Et j'ai aimé vous donner un grand welcome maintenant. Vous avez des questions tantôt pour les questions pour Chris en français, je vais vous dire pour lui. Ici à l'heure que j'ai l'enjeu du foie dans les lèvres pour Jimmy. All right Jimmy? C'est vraiment important de parler en français aussi, hein. Oh! Je tiens ma job. Je vais mettre un accent, ok. J'aimerais remercier tout le monde pour venir ici. J'aimerais remercier Cathy pour mettre tout ça ensemble. Merci beaucoup pour toute votre aide. Je pense que c'est un plaisir de travailler avec vous. Et bien sûr, Chris, sans cette éventue, ce n'est pas possible. Je vais essayer. C'est trop dur. Si quelqu'un a des questions, nous serons plus heureux de vous demander à Chris. Chris, bien sûr, c'est toujours si candidant et maintenant il répond. Donc, s'il y a des questions, s'il y a des questions, on sait que l'un de vos idées est Tony Ionian. C'est toi? C'est toi? Tu sais, donnez un petit peu d'autres d'adaptés des guitaristes que tu étais influencé. Johnny Winner? C'est un candidat. Évidemment, c'est un candidat. Et toi? C'est ça. C'est ça, c'est ça. C'est pas mal, c'est pas mal. Est-ce que tu es un des grands? Il a un peu de plan et il n'a pas joué pour tout ça. Mais c'est un grand boulot. Il y a beaucoup de gens qui ne savent pas ce qu'il y a dans Pasadena. Vous avez vécu avec Eddie Van Halen. Vous avez vécu pour Eddie Van Halen. Je n'étais pas un gars qui a tué la guitare, qui a donné une guitare pour moi, mais j'ai vécu tout de suite, et j'ai regardé les soundtracks. En même temps, nous avons lu le Starwood, et il y a un flat tire. Je n'ai pas eu le tire à l'intérieur de cette fan. Il a eu un 4e bandeau, je ne sais pas, un V1. Je suis allé faire le jack-up en la rue, et le jack-up au car. Je suis allé faire le jack-up. Je suis allé faire le jack-up au car. Je suis allé faire le jack-up au car. Il a regardé le car, et il a regardé le car. Je me dis, le jack-up est dans la rue. Je suis allé faire le jack-up. C'est super. C'est un cool gars. Allons-y. C'est Mike. C'est Chris Holmes Jersey. C'est un gars de travail. Il est venu de ses amis. Il supporte. Si vous aimez Jersey, c'est une belle chapeau. Vous picked-up le recognized ? C'est un premier. C'est lui. Le nouveau est pour Canada. Que Dieu épreuує? Le laître s'éteint... Pensez à gl Wancaille. Il y a deux ans, il y a un temps de COVID et tout ça pour se faire. Et tous ces chans sont rétés à la réalité. Réalité, c'est quelque chose... Je l'aime. C'est juste raw, straight raw. Il n'y a pas de keyboards et tout ça. C'est juste straight raw, rock'n'roll, raw music. C'est une overproduced rap. J'ai hâte de ça. C'est juste pour moi, je singe tous les chans avec mon grand voix. Je n'ai pas de chanson. Je pense que j'ai hâte de le faire. Mais ça marche. J'ai hâte de me mettre en place un LSD. Et tout le monde veut que je sois un chanson. Si tu es un chanson, tu peux aller loin. Si quelqu'un parle sur Internet, si je vous additionne sur Youtube des commentaires, c'est chimique, chanson, règle, brûle, chanson, brûle. Putain, c'est ce que je veux. Si votre voix ressemble à un Choc Board, peut-être c'est ce que je veux. C'est algo de chans, je suis très fier de le statut de l'LSD. C'est la vraie chanson de la lutte. Je ne vais pas mettre une batterie sur la rôde, je ne vais pas jouer anymore, c'est pour ça que je singe, je singe pour la prochaine, si tu n'aimes pas ça, ne l'écoute pas. Ok, questions. Does anyone have a question for Chris? Is this your chance? Or do you think your cancer came from? Is it emotional? My cancer? Is your cancer emotional? Is your cancer emotional? Where's your... Is it an emotional cancer? I think it came from me smoking and drinking all my life. I think so, but I ask... That's different. That's different than emotional. That's different than emotional. She's a very complicated question.  Where did you think your cancer came from? I smoked and drank all my life. I feel like my body, I feel a cold, but there's no more. I feel like something. Any other questions? Yeah, hello. How's your relationship? Do you have any relationship with Penelope Spiris? No, no. She still owes me $300 for that partner movie. She promised to pay me $300. The thing is, like Odin, I know Randy, he got $2,500 because they play. She was only supposed to pay me $300. She sent a check to my manager. They got $300.  So I looked at it.  They asked me, somebody from her office had called up and asked me to do an interview for a boss that I guess had a... Yeah, yeah, yeah. I said hey, I'd be more than happy to. I'll think about it, but first of all, she's got a pay me my $300. And I said I told her I'd think about it. And if she's gonna pay me the $300, I'd say no.  Hey Chris, do you have any advice for a young alcoholic trying to stay sober? Also, when did you start drinking? When did I start? Probably about... My mom had vodka underneath the sink. And I could never steal on it when we were about 11. I started drinking heavy about 15 high schools.   The work for me is a 10 day program, I've never drank since. I can be around people like America don't bother me. I got somebody... There's some people like me who just have one drink or two drinks and get up and I... I keep going. Yeah.  It's like, they use the same treatment as a normal alcoholic orange. It's just like that. It works for me. And I didn't really want to start drinking. I enjoyed... I enjoyed being drunk. It was great. I enjoyed kissing people. And being on the road and looking at a bottle of coffee, everybody stands with her shitty things.  The bottle of vodka is a hot... Chris. Is there any other questions out there?  First of all, there's a lot of stuff on the headless children and the daughter of the heritage. There's a few things that I wrote for somebody else at black and school and put in a song. At the time, I didn't understand how the total publishing went. I loved a song called Love Machine. Yeah. I rewrote that. Totally.   I'm not gonna play it like that. He's like, how would you do it? This is how I did it. I worked it out the time. I liked how we changed the song. I cannot stand I want to be somebody.  I've never felt like that.   The thing is, if you're not somebody, I would be somebody before playing music. I didn't want to be somebody. I am somebody. I'm mean. Well, if you're not, everybody's somebody. Isn't that song supposed to be ironic? It's what? It's supposed to be ironic, no? I find you all this thing in the past, right? Isn't it? I don't think it's supposed to be ironic. It's supposed to be I want to be somebody as in somebody famous. How he wrote the song is in the, there's a sitcom called Barney Miller in America, in Canada. One of the guys in the movie, they're not in the movie, but in the sitcom was writing a book, his name was Harris. And he had to go out on some kind of, Barney was gonna send him out on some thing that they do in the cops. He just looked in the camera and was, man, I just want to be somebody. Barney got the idea of the song. I wrote a song called Barney Miller. It was called Had Enough and it came from when Van Halen first wrote the song Panamon. When I first heard it, I thought they were singing Had Enough for the Panamon. I was like, well, thanks. So I wrote what I would find. I didn't steal it from them. That's the way songs are, you know, and your ideas and stuff like that. I mean, you knew Van Halen before David Lee Roth was in the band. And when you first met David Lee Roth, what did you think? He was a character, man. I didn't like the guy at first, you know, the way he is, but Dave's Dave, and he's a character, and if he didn't sing those songs and he and that band, he would be shit. They would have made it. He was well half of Nathan. I mean, Ed played, he was a flawless player. But what he does, he'll never be another one of him. I don't care how he's playing. He's good. If you've ever seen a guy who plays, he plays effortlessly. It's unbelievable how he plays. I feel that's our player. And Dave, Dave's just a character. He wants a school.  Pardon? Amazing.  If everybody's a character, you know. Any other questions? Hey Chris, what's your best Lemmy story? Lemmy story. I've seen the pictures, I'm just very curious. We all love Lemmy, sure you do. It's a few. He gave me some chemicals about 87 months. 87 months, somewhere at a festival. Yes, I wanted to do a line.  It was some physical games, nothing. I did a line. It's horrible, man. He's like, well, you don't want to get moved better? And I go, man, I live in Tanganga. It's in that capital of California at the time. Yeah. So when he got to LA, he was the first woman to cope the month. I didn't have a suspended license so I'd borrow my wife's jeep and drive down with the money and go to drugs. He was, he had an apartment where he rented a furniture. Man, you gotta get rid of this furniture. We'll just go find it on a yard sale and you can have it. You want to pay for it. So I was driving him in a jeep to a yard sale and they were having problems with warzels. And I go, hey, dude, throw a warzel out. Let me play an order. This isn't like 91. He looks over at me and I'm driving. He goes, are you serious, Chris?  I look over and I go, I go on the easy on the road. Chris, it's not what you'd be doing on the road. It's what you'd be doing on the stage. Like what? I got kind of mad. Like what? And he goes, well let's say I'd be in the middle of a verse. And he goes, well you would probably be standing right in front of me. And I thought about it and especially if he said not to me. I would. Even if I would be rockin' and overshadowin' what he does. I kind of understood that. You know, it was a cool guy. We had her up and down. Yeah, let me, it was great. Filthy was cool, Filthy on the Tailor. Yeah, he was, he was probably the number one coolest guy in the music business I've ever met, Filthy on the Tailor. It was a human being.  When I was working, we were doing an album together. He had a brain aneurysm and it was sad. He had to go back to England. PG was here in his apartment. The last song he recorded was going to be Forty Brain Aneurysm. I put the headphones on. He was still listening to it. You know? It was about a six minute song. And after the song he took off the phones and he goes, that was a good song. Do you remember playing it? Fill and look at it. No. So I just changed it. It's part of life. There's no good list. He's also auditioned for Randy Rhoads's Before Randy Rhoads was chosen as his guitarist right before. Right before they were looking for the guitarist. Dana Strung tells a different story. He said he took off the Ozzie to the studio and Randy played the energy show. I remember it. I was up in Moral Canyon and Dana Strung brought Ozzie up there. I just moved along my guitar and Ozzie walked in and said, whoa, this guy's a big one.  There's no way. You guys kind of look similar. I put my makeup on. I have, I personally, the reason why I put my makeup on my dad's, the guy's girl for me. I'm a kiss girl. So you know, I always make me, I didn't like to wear a makeup on stage. So I was like, I put it on so bad. And I just I put on so much black and white. But this stuff it's the way it went.  I mean, how do you feel about it? You're watching it on the screen in the movie, right? You're watching the pool scene. How do you feel like everybody keeps asking about it over and over again? What, the decline movie? You can have your decline movie, the pool scene. I mean, it's famous. Well, the infamacy. Yeah, that's just the way I was back then.     Disappointed.  I mean, 300. This is part of what, you know, I was hammered that day, and my mom wasn't even supposed to be in it. She just came by my house, and I go, mom, what are you doing? I gotta do an interview. You wanna come with us? She came along, so she just came by, and the boys didn't even plan it. And for everybody out there, that wasn't my pool. It looks like it was mine, but that wasn't. It was at Miles Copeland's house, Stuart Copeland's drummer for the police, Miles Copeland's brother, he's the manager of the police. He's the one who put up the money to do the movie. So, beautiful, right? Funny story. I go down there, blah, blah, and they got the camera crew, and I'm already hammered, so I'm still kind of dealing with the movie. But I plan on having bottles of vodka. Cool. And I'm sitting in a chair, you know, a movie chair, it's hot air, like this, and they didn't have my name on the bathroom.  I'm looking at her, and I'm gonna get in a pool.  I was just going, she probably got a picture, this is what he's supposed to look like, and I put it on my face, and I'm like, I'm gonna get in a pool. I couldn't understand it. So they go, Chris, you gotta check the lights out. I go over and I jump up, and I pull all the way under, I come up to the top, and I look over to the make-up lady, and she's gone.  I was just gonna, I should have asked her why she was going. Was Penelope sort of pushing you to sort of get that, capture that sort of image of you? To sort of play into it? Hey, here's another bottle. Here's one of my bottles. Here you go. It's okay. It's okay. It's okay. It's finished. It's the way they ended it. And then she brought it up to the house before the movie, and then Blackie Rod's, the manager saw it, and Rod called me, screaming that I did it. I was supposed to be owned by St. Clair, because where I'm off the road, I ain't playing.   I don't care. I got my life to live, and if I want to do that, I'm gonna do that. It's too bad. I don't like it. And then Blackie flipped out because of course, she called me when she called me a few weeks before earlier, to do the part in the movie, I was in London, and she called me, she goes, Chris, can you do a disability? I was like, whoa, are you in London? No, I'm in California. I'm gonna do a decline 2. And I go, man, I hope it's not as bad as a decline 1.  Well, I want to see if you can do a part in an interview in a new one, decline 2. And I go, well, why don't you talk to Blackie? She goes, I just got off the phone with him. He wants to do this, and that, and that, and there's a big production. She goes, I don't have the money to do that, but we just do an interview. I don't know. That's just how it happened. So, some kids, people think it's great, but the guy in the news, the guy on channel 7 News in LA, they play a part of it, he goes, that's a rock, it all goes to you. Man, well, I'm not a rocker. What did you think of the film overall? I thought it was horrible. I thought it was horrible. I talked to a few people. It's horrible, man. Somebody could have filmed that so outrageous, if they didn't know how to get in the underground as a whole LAC, but she didn't. The Hollywood, to make it, has big dreams. If you don't watch your keys and cues, you end up doing drugs and going right on the tubes. I'm from a long, born and raised in Pasadena, California, right by Hollywood. So I was, it was cool.  I would want to be brought up in Hollywood. It's just being in Hollywood. In Hollywood. In my mom's side. Your sister was in the 42 thing. Yeah, my sister was in the 42. Are you close to her? I'm close to her, yeah. My sister's not as... She just has kids, and she's married. I always like to say why I don't have kids is because kids should not have kids. Kids should not have kids. I should have school. I cheated. I cheated really. I'm serious, I can't read. So they always had me hell of a back class and I always thought I was nobody's father.  And they called him an MR. He had Down syndrome. And he was one of the kids that I was in school with had Down syndrome. He had a beautiful heart. He was the coolest kid on the world. I don't even know why. I don't even know that. And then I found out I had dyslexia when I was 36. The doctor told me that I was... I didn't think you had an issue with reading, you're still the same, aren't you? Well, I'm going to get it a little bit better, right? I've never read that. Most of you won't probably believe this. I've never read a book in my life. At all. I read a book in battle. That's all right. Does anybody else have any questions out there? Yeah, yeah. I just want to ask you about that pool interview. Not there. I asked about the pool interview. The plurie. I know you've played this city a bunch of times in the early days and it's a shot in the dark playing in Montreal. Any f*****s or any cool sh** that happened here in the early days in this city when you guys played? I remember Chris. I remember what happened. When we were going on the road half the time I couldn't tell you if I was in New York or Tokyo.  I took the itinerary. I'd go over to the tour manager and he tells me to go. It's easier that way. I played here a bunch of a few times. I think I played with Black Sabbath. You played with Black Sabbath Yeah, I was here the night when Ray Gillett went on stage. Yeah, was he? I think that was when Len Hughes got off stage. Yeah, yeah. And I also think when you played Munch y'all again I don't remember correctly. Correct me if I'm wrong. I think Black didn't go on stage when you played Munch y'all. Was there any member? He didn't show up, right? That's what happened. He didn't show up. Now it was Chris in the band. That's why. Spectrum. Spectrum. Well, now you're talking about 1984, right? 1985 is the spectrum. You remember the Munch y'all spectrum? Nah. I don't remember anything about my field. I remember being in camp. And I'm not very good at where the cities are. I'm on a tour, I'm on a tour. It's probably LA, LA, San Diego, San Francisco. I'm in camp in a solo. I'm lucky that his foot's run over a side car coming outside a rocket spot. I'm learning the process you do this. And that's a good excuse not to play, right? It's footman on the right. All right, one more question then we got to wrap it up. One more question. I was just wondering your second run with Loss. Your second run? Your second run with Loss. We came back with Loss. Were you expecting thank you? Thank you. Were you expecting thank you for an album? Do you regret it? I didn't know what you were saying. So your second time going back second time going back in the band. Did you expect a larger a better response? A better response? Going back in the band, don't expect a better response from back to back. I had this children after the last show I was gone.   Just do one thing. Just do one thing. But I started out playing music as it turned out to be horrendous. I got to the point living in LA where all of a sudden my sister lives in Cote d'Ivoire and I wanted to stay with her for a few weeks. I ended up staying on a ranch with my brother-in-law who's now here. We had 100 horses at the house at the time. The house lived in Wyoming and it was set up as you were alive. We got up at 6 in the morning and we walked. We went down the stairs and I just do what I still do. Yeah, I was at peace there and all of a sudden I get a call of black people. Chris, black people want to know if you want to play again.  I had taken my guitars and took them to my brother's house underneath the house. Little wire mesh vignon and you broke that and shoved my guitars under his house and left him there. I didn't have a lot of other places to go to.  I wanted to ask, or 94. I wanted to be a tourer again. I wanted to be a tourer again. I said you have to be right now. He goes, well, can you give me an answer within two weeks or a week? I'd like to give you the answers next week. I did a lot of... When you say soul searching I don't know what I just thought about it. I was thinking I hadn't quit drinking yet but I thought if I don't tour again I'll never see the world. I love seeing other countries and meeting other people and seeing different environments and stuff. So it's like if I stay here I'll never travel. I'd be like my parents but I would never get on playing. So I made the decision to do it again and then I came back and he was like well I'll give you a thousand weeks which then 95. That's okay. That's pit of the money.  It's 52,000 a year.  I started writing ideas and I wrote 3 ideas. 4 ideas. I made a hair scan on that. He goes down and this involves 4 of them and takes off the headphones and he's got something else.  You know?  Basically I got one song I have to write 100.   I'm going to play it for me. I'm going to do what I do whatever. That's what he was doing. Yeah, I think that was a little controversial. Everybody, we are live here. Chris Holmes. Are we done yet? I don't regret it. I don't regret it. Hey! So, next show is in tomorrow in Quebec City, right? Oui, le main point will be the 14th of June. And then on the 21st we're going to get Toronto to Rock Pile. We're going to get Toronto to Rock Pile. On the 22nd will be Ottawa for a documentary signing plus a sign-in in the meeting room. We're finishing on the 23rd at the Port Theatre at Cornwall. We're going to sign-in. We'll be performing for people who are going to be there. Stay high today! That's it? The album on sale? Do you have the t-shirt on sale? I just bought it. Pick up some merch. Chris, you did a fabulous job making so much of your time. Thank you very much y'all.


Hey, what's up everybody? Welcome back to the channel. This is Kenny got a quick tutorial and Somebody asked a question on the last video or one of the videos. How can you add? multiple designs and print them out and Couldn't text that answer back because it'll be like a long reply So I'm just gonna go ahead and make this video and show y'all how you can load up multiple designs any document size free software and Quick shout out to all the subscribers and if you're new subscribe right now. It's all about t-shirt stuff sublimation Tutorials good information. So let's get into the link. I'm gonna give you It's gonna get to take straight here. So you won't have to actually worry about China typing all this stuff, but this is The trusted site silhouette America calm for silhouette studio And this is straight on to the download and I'll leave it down in the description below and also Check it out in the comments. I'll leave it. I'll pin up the comment and you can actually just click on the link You'll take it straight here So depending on the computer, it's gonna automatically pull up If you're using windows or if you're using the Mac, so it's gonna pull up It don't have to worry about signing up. Just click download Little window wizard will pop up and it's go through all the prompts and you will have a little app icon see right here on the top left that s It's going to be generated onto your computer. So that way you'll be able to access that Soon as you open it up Okay, so after the download I'm gonna hit it launch it. This is what it looks like This is it right here Silhouette studio Things to know real quick If you don't have a cameo, you know, this is for people that's new There's a lot of stuff you probably won't even use on here, but if you click on file You know, this is where open you can open up your designs that way or you can go to your files folder manager Also, you can save Or save as Now if you do save It may ask you to register what you got to put in your email create the password and all that good stuff and confirm your email So if you already got it saved to your files folder manager, you don't have to worry about that print. You can also print from here Do the page set up? Okay, pay set up so edit This right here is grayed out because it's nothing on the canvas This is where you can click your undo if you made a mistake resize it wrong you turned it wrong View if you just want to zoom in enable snark If you see enable smart snapping is already checked. I mean, it's it's been like that for me show print border That is showing this little gray line right here. You don't have to worry about it You don't have to worry about panels You don't have to worry about objects or help Now, let's go to the right hand side Right here with my mouse is at Top right everything else below that you can disregard Click on the little page. Look at them page setup panel Once you click on that machine Just want to go ahead and click it to none Number two the cutting mat click it to none and the medium size Media size you want to click it on to custom Okay Once you got our custom This is where you can do your document size, which is this right here. This is your canvas your document size So if you got eight and a half by 11, all you have to do is type that in oops 8.5 by 11 click enter As soon as you type it in and move to the next to the height, it's gonna automatically adjust You can do whatever document size you you want or you prefer Okay Now constrained to media To cutting mat if it's check go ahead and check that is right above the orientation. I Would leave it as is. I mean this is all about Putting as many designs as you can to utilize the printing for your design sublimation or any other project At the very bottom versus print border If you uncheck that It's that little gray outline around the canvas will disappear. I Would leave it. That's to give you in general idea when you put your designs on Now you can go to file and open up your designs that way and find them that way Bumps, I'm gonna minimize and Drag and drop my files my designs on here. So the first design is this I gotta do is left click on your design Drag it over the canvas and you drag the other one over Okay, and let's say we gotta we gotta do another one. So let's say now you just open it back up And let's say all these are different designs. We got two two mug templates all right Now once you click on one of them hold down the left click you can move them around and then right here It's gonna have your measurements and inches. So you got the width and height Right about here the WH That's what the current document you is selected Is right so to change that we know that some mug template is 9 by 3.5. So that's gonna be 9 hit tab 3.5 Hit enter and there's gonna just that for you right there and You can right next to is a lock you can lock it in Okay Let's move these out the way now. Let's say I want to those designs right this design that we just locked What you can do is right click on it copy Right click anywhere and paste and then you got design You got two of your mug templates exact same measurements. You see Now, we know this one is a small logo. You can also You really don't care about this one right here, right? You just know it's small I just need something small for like a sticker. So these little corners Once you see the like the little double arrow. It's real hard to see You can size it that way so I'm just gonna make this about four inches and Then you get my main design on here So you bring it over We know that it's not It's 13 by 10 And some chains So we're gonna make that Let's say it was seven inches To enter because it's locked So that was able to fit right there And if you need to zoom in you can't zoom in too much But you just want to make sure that it's not gonna overlap For example, and you go back to view and you can zoom back to a hundred Let me see it's a shortcut key All right, if you hold the alt and scroll up or scroll down you can do it that way You can actually zoom in. All right, we know this is a little sticker It can be any size you want So we got the last design right here. This is something different Supposed to be like five inches It's gonna be like a little design So what you want you wanted to fit right here, right? See this little green dot It's called a polygon or anchor so you can actually turn it So I need to turn it this way Okay, but let's say you forgot how to turn it or something came up and It's like this like dang. I'm trying to figure it out. I messed up the size What you can do is go back to edit Click on do scale Click on do move polygon click on do the rotation and to It's back to the correct way you had your design So but you can turn this design this way slide right here Still within the print border This one we can move up a little bit that one up a little bit That one up a little bit Now this is my little sticker for my One of the little ones they wouldn't care. So this is maybe about two inches Making like a little two inch sticker boom If you want to zoom in check everything out Hold the all keys scroll up Make sure that it's not looking crazy like all right hold the all key Use the roller on the mouse to all roll up Now if you want to see the document size, I mean the canvas, this is your little scroll right here to the right right there and Right here at the bottom. It's a little scroll It's a little bar right here Scroll right there All right, everything is done. Everything is good. I got all my designs on there I used up all 11 by 17. So I got one two three four five designs now. I'm ready to print Right here send to printer a little icon Click that and this is your preview Okay, everything looks good Click print and right here you find your printer All right Then click on preferences Because if you didn't set up a preset, I do have a video for that if you don't click that you don't have your preset Then you're gonna have to go through the paper source the document size if you want a borderless Make sure it's always premium presentation paper mat quality is high So you want to go to the middle to the options the middle time No, make sure the document size is going to be same as document size If the color corrections are automatic click on custom click events If you want to get straight to printing click on ICM is there and click okay some good colors If not color controls, make sure it's on epsom vivid Click the slide bar for scion It's positive to Magenta negative 20 and yellow negative 15. Those are the best settings Click okay For sublimation, of course mirror image if if it's for something else then uncheck that mirror image if you're using the paper transfer or something like that and Click okay You can apply it if you want to but it's always double check by clicking preference And then click print and you're good to go. So that's how you will pretty much what they call it like gang sheet That's how you utilize all your paper Instead of this printing out a certain size and then you'd be like wow, I really just wasted X amount of space. So I hope this helps as far as you know gaining more designs able to print them that way you can utilize and maximize your Paper for sublimation For or whatever projects you got going on So again, if you're new subscribe hit the like button drop any questions or comments Thanks for watching. I'll catch you on the next video y'all stay blessed and stay true. I'm out


Welcome, Weirdos! I'm Darren Marlar and this is Retro Radio, old time radio in the dark, presented by Weird Darkness. Each week I bring you a show from the golden age of radio, but still in the genre of Weird Darkness. I'll have stories of the macabre and horror, mysteries and crime, and even some dark science fiction. If you're new here, welcome to the show and be sure to subscribe or follow the podcast so you don't miss future episodes. And if you're already a member of this Weirdo family, please take a moment and invite someone else to listen in with you. Spreading the word about the show helps it to grow. If you're here because you're already a fan of nostalgic audio and print, you'll want to email WeirdDarkness at RadioArchives.com. When you do that, you'll get an instant reply with links to download full-length pulp audio books, pulp ebooks and old time radio shows for free. That's WeirdDarkness at RadioArchives.com. Coming up, it's an episode from Dark Fantasy. Broadcast long after the children went to bed, Dark Fantasy featured grim horror, menacing murder and science fiction. Dark Fantasy is an excellent old time radio show and mystery program that was initially broadcast out of WKY in Oklahoma City. Dark Fantasy had more emphasis on horror rather than mystery, but the show has also covered some science fiction and murder mysteries. The show was so scary that it was broadcast on Friday nights when the nation's children were in bed. Dark Fantasy was the brainchild of celebrated old time radio horror writer Scott Bishop. Bishop was also the creator of Mysterious Traveler and The Sealed Book, both excellent horror old time radio shows with lasting appeal. Dark Fantasy was syndicated around the nation after just eight weeks of local broadcasts. Scott Bishop continued to be the sole writer for Dark Fantasy creating every chilling episode. The announcer of Dark Fantasy was Keith Painton. The show was quite popular but sadly only remained on the air for one year. Tonight, it is a well written story about a strange forest with an even stranger tree.  Oh, let's quit. I'm tired of losing. Oh, look here, old girl, could I loan you a few pounds? No, thank you, Crane. I have enough to get me back to London if we ever do get back. Now, why do you say that, Clara? It's only a matter of a stage getting through here to the resort and taking us out of this beastly place. Beastly place is right. Why people come here for a rest is more than I can determine. Honestly, I've never spent such an uncomfortable week in all my life. Well, think of me. I've been here three. So have you, Humperies. Oh, look here, you two. It's three o'clock. They're expecting the stage around eight tonight. What do you say the three of us go for a bit of a walk through the forest? I say, why not? Well, here comes Danvers. Perhaps he'll join us. Anything to get away from this place? Good afternoon, Danvers. Greetings, good people. I take it you're no happier than I left you a while ago. No, the place is as gloomy as a morgue. We've just agreed to take a walk in the forest back of the inn. Invited to come along if you like. Sounds like a good enough way to pass the time. Oh, good. We'll all go together. Besides, I'm quite interested in that forest out there. You remember, of course, the story the night clerk told us last evening? Yes, I don't like him. He talks through his nose. People should talk through their mouths. Oh, no, no. I mean what he told us, not the forest. What about the forest? I didn't hear it, hon, please. Well, the clerk said it was a gorgeous place. Lots of beautiful foliage. Good colors. Clear water lakes. But nobody goes there. So beautiful. That's just it, Clara.  Rubbish. It's a lot of nonsense. Why, the clerk is just superstitious, that's all. I'm inclined to agree with you, Danvers, why he even told us an absurd story about a tree out there in that forest that's supposed to strangle people. Strangle them? How? Oh, I don't know. With its branches, I suppose. Just some absurd legend the people around here like to believe. I believe it's more than just a legend crane. And what makes you say that, old man? Here, I talked to the clerk again later last night. He dug out this old newspaper clipping for me. Read it, Danvers, aloud. Old is right. How most illegible. Well, read it. It says, London, England, April 21st, 1857. It is reported that Sir Horace Wakefield, Earl of Dorsher, was found strangled last night in Barlow Forest. His body was discovered entangled in the branches of a huge oak tree. Ah. Go on, read the rest of it. Earl's death recalls to mind the weird tale of the witch of Barlow Forest, who is said to have lived in the 16th century. An evil old hag who, upon having a falling out of Sir Thomas Wakefield, cursed him and warned him that any of his descendants who entered Barlow Forest would surely perish. Charming old girl, wasn't she? No, no, no. Don't scoff until you've heard the rest of it. Go on, Danvers.  She is said to have planted an acorn smeared with her own blood. The acorn is supposed to have grown into a towering oak capable of moving about from place to place in Barlow Forest. Sir Horace is the sixth of the Wakefield line to have perished by strangulation in the forest. Thomas Hurley Wakefield. I wonder. You wonder what, Crane? My mother's name was Wakefield. I was just wondering if she was related to Sir Thomas. Oh, of course not, Crane. It's just a story. What an extraordinary story, wouldn't you say? Yes. Wouldn't do very well as a bedtime story, would it? Demon tree. I wonder if we could find it. Well, let's have a try. Shall we?  Don't let anybody say I'm not. Then let's go. Humphries going along? I say, Humphries, are you daydreaming? No, I was just thinking. Wouldn't it be odd if the whole thing were true if we all went in there and didn't come back? Do you gentlemen see any way we can get into that forest? It's as dense as Father Time's beard. Doesn't seem to be an opening anywhere. I think we can get in over here. Oh, all right. Coming down first. There seems to be a footpath over here. Only one along this line of the forest. There seem... Yes, you're right. Come on, I'll lead. We'd better remember the way back. It'd be hard to get out of here if we didn't know where this opening is. Don't worry, I'll remember it. I'm good at landmarks. Go ahead, Clara. I'm right behind you. I say, do any of you feel that? Feel what, Danvers? The chill. I feel like, like it's 20 degrees colder in this place. I feel that way too. So do I. It's naturally cooler in the woods where the sun doesn't shine. But not this much cooler. I don't like this place. I'm going back to the inn. Oh, let's get on ahead a little ways. I say, it is pretty in here. Pretty or not, it gives me the creeps. It isn't the kind of cold caused by climatic changes. What was that, Danvers? I said, it's a different kind of cold.  Oh, not Danvers. Just letting that newspaper story play on your mind. Wait a minute, eh?  Looks like a human giant. Joe, you're right, Danvers. I could swear it moved just a moment ago. It did move. I saw it too. That's the strangest looking tree I ever saw. Look at that bark. I wonder if. Hey, what's wrong, man? I, I just touched the bark of that tree and it, it didn't feel like bark at all. No, it felt like, like human skin. Yeah, let me feel it. It's true. It does feel like skin, warm, smooth and soft. It feels that way to me too. Here. Humphries, you touch it. No thanks. Go ahead, Humphries. Feel it. I have no desire to. You see, I'm sure you're right. What's that? I feel that this is the demon tree of Barlow Forest. Humphries. I think we've seen enough of this place, haven't we? Let's get back to the end. Yes, let's. All right. Come on. I say, wait a minute. Have you noticed how dark it is? All of a sudden. The sun's behind a cloud, probably. It's impossible to see the sky through this foliage. It is, Doctor. I can hardly see where I'm walking. Are you quite sure this is the right way? I don't remember this clearing. I don't either. Wait a minute. Why, Heaven, this isn't the way. Must be. We're on the path, aren't we? No, I don't think we are. So dark. Do any of you have a flash? I certainly don't remember this clearing. I think. What was that? What was what, Crane? You, you'll think this is foolish, but I swear I felt the brunt of a tree brush across my face and shoulder. That's, that's impossible. There's not a tree within 50 feet of that. I felt it, I tell you. It rustled like a branch covered with leaves and yet it, it felt warm and soft, like human flesh. Yes, look. We're lost here. It's dark, dark as night, right in the middle of the afternoon. And we've lost the path in that tree. Easy, Crane. I'll keep your head, man. I'm getting out of here. I'm not going to stay here and be murdered. Crane. Stay with us. No, no. I'm going to find the path and get out of here. Crane, stay here. We'll find the way back.  I want to get away from this.  Crane. Now he is in for it. We're better off by staying together. I don't know whether we are or not. It's Crane. Sounds like he's strangling. Come on. Oh, he couldn't have gotten far. Right over here, I think. Now take it easy now. Be careful. Yes. Stretched out on the ground like he was dead on his throat, like hands would make. That wasn't done by hands. See, stains on his skin. Green stain. Wakefield, Crane.  A tree. This is where we first saw it and now it's gone. Humphrey, you're right. This is where it was. I'm sure of it. Then what's happened to it? The important question is, what are we going to do with Crane? We'll have to leave him here, or we can find a way out of this place. It happened so quickly. One minute he was with us in the next. We warned him not to leave us. Now the three of us had better stay close together. Oh yes, for heaven's sakes, let's not get separated.  There's nothing we can do for Crane now. We've got to find our way out of here. It just doesn't seem right leaving him there. It's all we can do. Come on. How do we know which way to go? We don't. All we can do is keep moving and hope to find a path again. Oh, it's horrible. Something about like this, like nothing but a group of marionettes. Controlled by what strange puppeteer. What? What's that, Humphrey? I said controlled by what strange puppeteer. Humphrey, surely you don't think we've been purposely led into this? Who can say? Oh now, Humphrey, Crane without the deep end, we've got to keep our heads. We found a way in. Surely we'll find a way out. Yes. Yes, we did find a way in. But what about the chill? The darkness? There's some explanation. Perhaps a storm is coming up. Yes. That could be it. Couldn't it? Storms don't rise that quickly in this part of the country. And the darkness. It came down on this forest like a shroud. Yes. It came so quickly. Reminded me of how a corpse must feel in his coffin when the libbers put over him. Look here, Humphrey. I'm about third up with that sort of talk.  You know this isn't any ordinary situation with him. The chill of winter, the summertime, darkness and mid-afternoon, and a tree that strangles. It was probably just an accident, Crane's death. Why don't you stop trying to tell yourself that the tree was only an imaginary thing? We all know that it's real. Humphrey's. And as alive as any of us. The bark did feel like human flesh. Danvers. Humphrey's. Look. All right. What is it? A glow of light there ahead of us. It's the tree. There. Now what do you think, Danvers? Look. The tree moving along in a glow of phosphorescent light. Good heavens. It's the same tree. It looks like a human giant. It was nowhere near here. It was back there. Do you two see what the tree is carrying? It's carrying Crane. It's got him tucked up under that huge branch that looks like a human arm. It's fading now. Disappearing again. Fading away. Yes. Gone. It's gone. Now do you believe, Danvers? Now do you admit that the tree is alive? What else can I believe? I don't know. Danvers, look after him. He's fallen into a water pit. Help, Humphrey. It's Crane, sir. I'm really thinking. Help. I'm heading to my race. Get me out of here. Stand still, Danvers. You just sink deeper. Rick, help me out of here. Get something I can do. Here, Danvers. Danvers, grab the end of that pole and we'll let you help, Humphrey. Grab it, Danvers. Grab it. The pole, Danvers. Grab the end of it. There you go. There you are. There you go. That's three branch. It's fading me. Good Lord. Listen, Clare. A tree branch? But we can't see. I can't get near the pole. The branch keeps fading me back. Humphrey's do something. He's up to his shoulders now. I can't. I can't make it. I can't help. Save me. Save me. You go under the quicksand and try and go. Danvers, there's nothing I can do. The tree. The demon tree. There's no saving from it. Humphrey, we've got to get out of here. We're all doomed. It's the way to your curse. Clare, stop it. It is the curse. You're helpless. There's nothing we can do to save ourselves. Clare, stop it. Oh, please. Now we can't give up. We've got to find a way out of this place. Follow me. Be careful where you step. Whatever happens, keep your head, Clare, for heaven's sake. It's getting a little lighter. Clare, up ahead there. Isn't that a path? You're right, Humphrey. It's the path we came in on. And look. There's an opening through the tree. Yes, I remember the landmarks. Oh, thank God for the light. Come on, Clare. Out of this place. There's nothing we can do for Danvers or Crane now. I wonder if you feel as I do. I thought we'd be safe back here in the hotel. I don't know how to describe it, but I have a feeling that this whole business isn't over yet. I know. I've had the same feeling. A feeling that we're not finished with the demon tree. Or that it's not finished with us. Yes, exactly. Better go ahead and have a drink, Clare. Heaven knows we need one. Yes, I certainly do. What's worrying me is how we're going to explain what happened to Crane and Danvers. Yeah, wait a minute. I'll get the light. There. Humphrey, on the bed there. Good Lord. The branch of a tree about two feet long. Humphrey, don't touch it. Look at it. Look at it. A fresh, living branch. Put it down. Oh, Humphrey, I'm getting out of here. Where are you going? Down to the lobby and wait for the stage. Oh, hold on. I'll go with you. Wait, Clare. Wait. It's three flights down. Let's take the elevator. All right. We can get the thing up here. It's automatic. Just push the button. It'll come up. Humphrey, look. Someone left the steel gate open. I say, that's dangerous. It certainly is. Humphrey, that branch is pushing me. Drop it. Drop it. Drop it. That branch, it pushed her down the shaft. It's up to me. Get away. Get away. Help me somebody. It's a tree.  And all who enter the forest with him are likewise. You have just heard The Demon Tree, an original tale of dark fantasy by Scott Bishop. Tonight's cast included Eleanor Naylor-Coran as Clare, Ben Morris, who was Humphrey's. Garland Moss took the part of Danvers, and Murillo Schofield was heard as Crane. Next Friday night at this time, the national broadcasting company will bring you another unusual and fantastic adventure thriller, Men Call Me Mad, the story of another world and the people who inhabit it, an exciting and weird tale of dark fantasy created by Scott Bishop. Dark Fantasy originates in the studios of station WKY, Oklahoma City. Keith Paynton speaking, this is the national broadcasting company. If you want to hear even more, drop an email to WeirdDarkness at RadioArchives.com and get an instant reply with links to download full-length pulp audio books, pulp ebooks and old-time radio shows absolutely free. That's WeirdDarkness at RadioArchives.com. I'm Darren Marlar. I'll see you next time for Retro Radio, old-time radio in the dark.