fine let us move to the next concept fine now graphically what does it imply graphically how we can see this work done suppose on y axis you have force fine so this is the value of the force and this is the displacement along the direction of force fine this is displacement along the direction of force and the force is changing its magnitude like this okay it goes from here to there so you have started from point number one this is point number one and you went to point number two okay now at any moment let's say you're talking about this particular point at any moment let's take a very small displacement if I take a very small displacement I'll get a strip whose width is dr fine so this is a strip I'm talking about whose width is dr so dr is the displacement okay and let us say at this moment this is the value of force let's say f fine so this particular length this length is f because on y coordinate it is f and the width is dr because on x axis there is r fine so f dr is nothing but area of strip isn't it it's an area of the strip and if you integrate this if you integrate this what does it mean you're going everywhere and drawing a strip you're slowly and slowly moving and you're drawing strip and summing it up fine so when you sum the strip you'll get what this will be the total area fine so the area under force and displacement along the direction of force will give you the work done okay in thermodynamics we have already seen such scenario the area under pv graph for gas is work done fine similarly here area under force and the displacement along the direction of force will give you the work done by the force okay all of you clear about it type in yes or no you have any doubts is this applicable when force and area are not force and area see here there is we are not taking that okay force and displacement uh no then this area will not represent we are assuming that uh the displacement is in the direction of force here okay otherwise what will happen there will be a term of cos theta also comes in f dr cos theta will come now this integral is not the area of the graph between f and r okay now even though force is variable or force is a constant it doesn't matter area under force and displacement along the direction of force will always give you the work done okay and at times force can be negative also it can be like this then what you have to do you have to find this area and subtract that area from it fine just like what we did for pv graph this is negative force right from here till here this force is negative it means the forces against the direction of displacement okay let us take a question on whatever we have learned till now fine so here goes the question all of you please listen a woman pushes a truck on a railway platform okay there is a woman that pushes a truck on a railway platform which has a rough surface okay she applies a force the woman applies a force of 100 Newton over a distance of see the woman applies a force of 100 Newton over a distance of 10 meters okay thereafter she gets progressively tired after she applies a constant force of 10 sorry 100 Newton for 10 meters she got tired and her applied force reduces linearly with distance so the force after 10 meters reduces linearly with distance okay and it reduces to 50 Newton linearly okay the total distance through which the truck has moved is 20 meter so total displacement is 20 meters okay 10 meter is with the constant force and rest 10 meter is with this variable force that reduces linearly with the distance to 50 Newton okay you need to plot a graph between force versus plot for yeah plot a graph between force versus displacement let's say displacement is on the x axis okay find out Sukirt that is wrong answer find out the plot the graph between force and displacement Sukirt you don't need to hurry up every time okay focus on the learning plot the graph first done see till the displacement is 20 meters sorry 10 meters let's say this is 10 meters okay 50 meters okay so till the displacement is 10 a constant force is applied right let us say this is the force force this coordinate is 100 Newton's okay then this will be 50 Newton half of the distance so if you draw this line this represents 50 Newton's right and we know that linearly the force has reduced from 100 Newton till 50 Newton's right so this point represents 50 Newton and since it is linear reduction the graph will be like this okay so I hope all of you got this graph okay now find out the work done work done by the lady will be nothing but area of versus displacement graph right so if you are able to find this area that is the answer okay you can divide this entire area into two parts a trapezium and a rectangle fine so you can get area as 100 into 10 which is still 10 meters and then half into some of parallel sides which is 100 plus 50 100 plus 50 into distance between them which is 10 okay this will come out to be 1750 Newton's sorry again and again I'm taking it as Newton the unit says joules laws of motion chapter still in our heads okay this is what you'll get any doubts on whatever we have done till now please ask any doubts yes or no all right guys so we have discussed about the work in greater detail okay now let's talk about energy now energy is the capacity to do the work all right now you will be knowing many energies okay there will be multiple types of energy there will be sound energy there will be light energy there will be kinetic energy potential energy there will be you know many many other spring potential energy gravitation potential energy okay there will be multiple types of energies that are there okay our focus when we are in this chapter is okay so we are dealing with mechanical energy fine and there are only two kinds of mechanical energy one is kinetic energy and the other is potential energy okay potential energy is usually represented by a letter capital U and kinetic energy is represented by a letter of capital K straight forward right now potential energy is the outcome of the force only so we can leave this potential energy for some time okay we let us first only talk about kinetic energy right and I mean there is no surprises here kinetic energy is equal to half m v square okay this is how we write kinetic energy okay now this kinetic energy we have written this is the kinetic energy of a single mass moving with a speed v okay speed is equal to the magnitude of instantaneous velocity at that moment okay fine a don't message unnecessary comments if you have any doubts then please message fine so kinetic energy is half m v square where m is in kgs v is in meter per second okay so this is the kinetic energy that we are dealing with this will be in joules right now energy is capacity to do the work okay now if I get some relation between how much energy is required to do what amount of work then I can plan accordingly right I will be exactly knowing what is the energy that is required to do this much amount of work right so we have learned about the work done okay with the formula for work done we have taken different and we have solved problems to find the work okay anything which you can create right now energy is something which you can convert also one form of energy can be converted into another form of energy so energy also we have introduced here this is the kinetic energy now we are going to learn what is the relation between the kinetic energy and the work done by the forces okay so this relation is very important almost every numerical from this chapter will be solved from this particular relation that we are going to derive right now okay so we'll take up different cases case number one is constant force okay so for a constant force acceleration is constant okay so I will be able to write v square equals to u square plus 2 a dot s I will be able to write down this okay now if I multiply this entire thing with m by 2 what will I get I will get half m v square is equal to half m u square plus m a dot with displacement s okay now see left hand side is what this is kinetic energy finally let's call it as k2 okay and this is what kinetic energy initially let's call it k1 okay and what is m into a m into a according to Newton's second law should be equal to sum of all the forces right so if you rearrange the terms you'll be able to write down this as sum of all forces dot with displacement okay this is equal to k2 minus k1 which is what change in kinetic energy all right now sum of all forces this you can write down it as f1 plus f2 plus f3 you know like this you can keep on writing depending on how many forces are acting on it dot with s this is equal to change in kinetic energy fine now let's open the brackets if you open the brackets you'll get f1 dot with s plus f2 dot with s plus f3 dot with s like this if you keep on doing you'll be adding it up and then that is equal to change in kinetic energy all right now tell me what is f1 dot s what it is what it is correct f1 dot s is a work done by f1 force fine f2 dot s is work done by f2 force and so on if you add up all the forces sorry all the work done that will be equal to change in kinetic energy okay so basically work done by all the forces this is total work done total work done on a block of mass m will be equal to change in kinetic energy k2 minus k1 fine write down this you just individually take all the forces one by one you take all the forces find out work done by all the forces okay and add it up you'll get total work done that total work done should be equal to change in kinetic energy okay this is also called as work energy theorem work energy theorem fine any doubt on this this is is the heart of the chapter any doubt you can notice here one thing that potential energy is not there in the expression okay fine so we will later on introduce the potential energy right now when you talk about gravity force okay you don't take gravitation potential energy what you'll do you'll find out the work done by gravity also once you define gravitation potential energy then you will not take work done by gravity okay so let's keep that aside all right i'm not assuming that you know anything with which is potential energy okay so potential energy is something which we will talk later right now the theorem is plain and simple work done by all the forces will be equal to change in kinetic energy okay and this is the case we have discussed for a constant force okay now if force is variable then what will happen let's take case number two case two is variable force okay now kinetic energy is given as half m into v square fine this is the kinetic energy this is how kinetic energy is defined all right now if mass is constant i'm assuming mass is constant when you're applying variable force okay so if mass is constant and you differentiate kinetic energy what you'll get dk by dt is equal to half m times 2v dv by dt okay so this two is also gone fine so you will get m into v and what is dv by dt dv by dt is acceleration okay so if you write it down you'll get dk by dt there will be dot product also coming in over here once you take it as vectors this will be equal to m a dot with velocity okay now the velocity you can write down in terms of displacement it will be equal to rate of change of the position vector fine now you can cancel out dt from both sides so you will get dk is equal to m into a what is m into a m into a is the force now this force is a variable okay force is not constant it continuously changes so you just take it as f and this is dot dr now if you integrate you'll see that this side is what work done right and that side you'll go from k1 to k2 so that side will become delta k fine so again you're getting the same thing work done is equal to change in kinetic energy the work energy theorem does not depend on whether you are having constant force or a variable force if you are finding total work done that total work done will be equal to change in kinetic energy be it constant force or a variable force fine any doubts till now typing yes or no okay great good to see you guys are clear about the concept i hope you'll be as clear when you solve the numericals no doubts


Hello and welcome to senior moment. My name is David refson. I am your host for the show Senior moment is about seniors and for seniors. I am very pleased to have as my guest today Margaret Lloyd Margaret is a a poet a painter an artist Does work on slate and we're gonna talk about some of that later. So I want to welcome you to the show Thank you. Okay So tell me about you kind of early sort of life in history About you being born where you were and how your connection with Wales as a overarching part of your life. Yes. I Was born in Liverpool England because my father was a minister in a Welsh Presbyterian Church in England in England but both of my parents were Welsh my father from the north my mother from the south and Liverpool was often thought of as the capital of north Wales because there were so many Welsh people there and The church he was a minister of had 750 people in at the time, which was huge full of Welsh people. He preached in Welsh every Sunday amazing, you know, four-part harmony when they sang hymns, so I was born there and One sort of side thing I like to tell people about is that the church faced penny lane So that later on, you know, when I fell in love with the Beatles. I there was that association as well, but I Was too when we emigrated to the States from Liverpool What I understand your folks are from there, but it seems like you just have an incredible Involvement with well, yes, yes Yeah, well what the reason that we emigrated to the state is that he was called to be the minister of a Welsh Presbyterian Church in central New York State and So we were supposed to only stay for five years, but I know obviously we ended up living here And at that point central New York State was a hub of Welsh Cultural life because so many Welsh people had emigrated in the 19th century to that part of New York because of farming I think largely so I grew up in this church that had was a largely a Welsh congregation there and I Welsh was a language of my home. Well, it's just my first language you speak it and I speak Welsh I speak largely conversational Welsh. I wouldn't claim I wouldn't understand a lecture or a sermon, but day-to-day conversational Welsh I'm pretty good at and My mother died a few years ago at the age of 97 and I spoke Welsh with her every day on the phone Which is of a great pleasure keeping up the language in that way Over the years we went back to Wales all my relatives are in Wales When we came over on the St. Mary's ocean liner was my father my mother my older brother Gareth and Me and then there were two more children born over here my two younger brothers But all my other relatives are in Wales my grandparents my aunts my uncles my cousins well some in England some in New Zealand and Australia, but largely in Wales. So They would visit us in Utica, New York, and we would visit them and So there was always a deep deep connection with Wales and my mother I think always longed for Wales I think my father was a bit more independent, but there's this Welsh word called here Ice which is hard to translate, but it means longing and it's often used You know longing for your old for the old country and she thought that way. Is it my understanding that your lineage goes back? Yes, yes, it's traced back to the 11th century. I have a cousin who's There's a librarian being very interested in family trees and so he's a source of great information Around that so it's yes very old family in Wales the Lloyds in in Welsh. It would be sweet Which means pale or gray and the anglicized version is Lloyd So I have a cousin whose name is Reynacht Llewyd got to get that double L sound in and yeah, it's a very old family Wow quite interesting on both sides really, but I know I know more about my father's side of the family And you you mentioned you go back there quite often every summer now. Yeah, I we couldn't when we had Two young children meeting to go back all the time, but now we go back every summer and My husband is a Welsh medievalist So he's published books over there and does work over there and two years ago I published my fourth book a book of poems over there it won a grant from the Welsh Books Council and Got published which was thrilling to me because all my other books were published in the States and so to have one Published in Wales who just felt like the country was really Opening up its arms to me Very interesting to say the least so tell me about your early writing how you got involved Just writing in general we'll talk about poetry in a minute, but I know that's a nice day for you But yeah, that could start if you just yeah, you know, I have a clipping from the Utica Observer Dispatch With a photograph of my father and me when we had just come to the country I was two years old sitting on his lap and what was he reading to me in the Child's Garden of Verses? Robert Louis Stevenson, so you know, I like I look at that and I think okay lots of children are read poetry But I think maybe was the beginning, you know the love of rhythm and rhyme poetry, so Literature was very important in my family Books in every room People read My father was a great preacher words are really important I remember him walking back and forth in the living room memorizing his sermons I mean so there was always a sense that the words were really important And so I read a lot and I wrote as a child and there was this and I we lived in the manse Which is the minister's home and there was a little Bushes on the side of the house and I made a little bower in the bushes and I would crawl in there and I would read And I would write because it also felt like there was something secret and magical about it So I think I've been writing my whole life really did you Did you get published with your early writing before poetry or was it? Strictly right I did I did publish a couple of stories fiction, but I I think I'm a poet I oh, you know I came back to poetry. It's like exercise. I keep going back to yoga. It's what I That's what I do Okay, so poetry became your life's work and before we get into somebody reading I want just to read something here. I thought it kind of encapsulates you to some extent This is Margaret's book. It's called Forge light. It is a book of poetry And there's a gentleman named Jack Gilbert He's the author of collected poems and a finalist for the 2013 Pulitzer Prize. This is what he said I've always been impressed by the consistent high quality of Margaret Lloyd's poem The matter is always substantial and always accompanied by her excellent craft She has a distinctive voice, but in addition the voice is supple The poems are nuanced beyond themselves. They create a lasting resonance They produce an oddness that works as a shadow and multiplier of something elusive and foreign under the decorum Having met with you before a little bit. I think to some extent this encapsulates You and who you are in your poetry. I really do so poetry started to become your life's work clearly has for sure and We are very honored to have you read some of your poetry So if you'd like to do some of that that would be absolutely wonderful Yes, I'll read from the book Forge light that you that you were just reading the blurb from Forge light also has paintings of mine in I want to point out And The poem I it was difficult to choose. I knew you wanted me to read a couple of poems which wants to read But I chose this poem. It's called a world wanting a voice And it's written in form tutserima, which is an italian form Usually I write in free verse, but this one is in tutserima. So I thought I would read that and one of my as with many poets, you know, one of my great subjects is is love and This but this poem Is actually more about why I wanted to write that writing was a drive deep in me And it has my children in it And that of course there was always this part of my life my everyday life And then there was my writing life the part that called me to be a poet and that's what this is about That's what this is a poem about A world wanting a voice I wore white Their winter boots were muddy But I took the children in my arms to climb the hill home because they were tired Three bodies moving together like one hymn sung slowly by a small congregation That was years ago in late spring Farmers were planting corn while the sun shone But out of the far corner of my eye the magnolia blossoms looked like snow A snow that later fell out of the sky dumb and cold absolute in its demand Blinding me on that same hill where I had struggled with the children's weight my mind intent on home A world wanting a voice Wanting hours days years the passage of time Measured by the passing of nights close to words and the shifting moon Wanting to bind hands and eyes to take away any choice and send me singing Into the snow blind and failing leaving the first world behind Beautiful thank you I hasten to add that I was not leaving my children behind But it's about the two different kinds of worlds that I was dealing with the domestic world My love for my children and then my love for poetry and wanting to Wanting to be able to express my voice In a minute. I'm going to ask you to read one other one, but I'm a little curious I know if you're writing a novel People have a particular subject or an area they want to write about they could be a mystery. It could be whatever Where do you get your inspiration from for your poetry? You've written a lot of poetry What's what's your inspiration either for this one in particular or just generally where they where does that come from? Yeah well in this particular poem I think First of all, I hasten to add that I often don't know where a poem is going when I start it You know, I'm I'm working with images I was working with form at this point too. So that also helps find the subject writing about this experience of you know Picking my children up in my arms in the winter and struggling with them because they won't walk and I have to carry them home and and Starting with that, but where is my mind really what's also going on inside of me? So in this case it was expressing a part of my life And so the inspirer if want to call it inspiration or the impetus or the beginning of the poem was there As if my life as a mother as a parent, but then where did it go? I discovered that as the poem went on it went to my life as a poet It meant to the drive to write it went to the drive to express my voice so Each poem I recently was in Pittsburgh where Jack Gilbert was born and visiting my daughter who recently moved there and I Ended up writing a poem about an experience that I'd had picking up Her partner's child from school And it just started there. I didn't really know where it was going. So it often starts with something in my life but I hasten to add the two of my books are persona poems and so The book that I'm going to read from next Are it's called a moment in the field voices from Arthurian legend And it's all voices of various characters having to do with king Arthur I speak from king Arthur Lancelot Merlin Guinevere Elaine of Astelot many different women's voices probably more women's voices than men and so You know the inspiration there was Mallory's mort Arthur which had been reading the death of Arthur And so I got inspired by that and wrote those poems starting with one poem I had no idea I was going to write a whole book of poems You did and many more. Yeah, I I have been posed upon Margaret to read another poem And I'm glad she is going to do that because your poetry is beautiful So this is a poem from this book. I was just talking about And let me see Poem is divided into sections and this poem I'm going to read about Which is the maid of Astelot See if I can find it here. Here it is There's only one poem in the section And let me tell you a little bit about who she was. She was a woman who Was in love with Lancelot But it was unrequited love. He didn't return her love because he loved Guinevere I think probably many people are acquainted with the Lancelot Guinevere King Arthur triangle And so she dies Because she's um her love isn't you know isn't returned So what's interesting about this poem it's free verse and it's written from the point of view of her When she's dead And she's floating down a river. She's going from Astelot to London to Westminster on a barge Road by an old man And she's speaking From the dead as she's floating down this river. So you have to Realize that that's what's going on here. Okay The maid of Astelot How his word come down of me That I died because I loved even as he said too much What does the image of my body mean to you? Dressed in gold cloth Lying on a barge covered with black samite My arrayed and beautiful my cold and virgin body Floating down the Thames the river of molten lead Road by an old man carrying a letter in my hand to Lancelot Nothing but a fair maid dead for love When the barge arrived a swan preened herself in high wind But my heart was a lake with no wind My body came over the dark water from Astelot to Westminster and waited for three days Death ended the argument of my love Hawking and tournaments resumed as if I had never lived But didn't I honor God since God made him and wrought every scar on his heroic body? Listen I loved him the way I loved him even before I knew his name And how do you love you who forget you are dying? Who think you are not floating every day down the cold river? What are you asked to live with and to live without? What will the letter in your hand say to the beloved you know on earth even this very day? It is clear why you're a poet it is for these little works I want to move on a little bit before our time burns out sure And I want you to talk a little For folks who don't know you are an accomplished artist a painter And we're going to talk about some of your other works in slate, but how did that get started? I've seen some of your artwork and it's really beautiful and you chose As a medium It's alluding me at the moment. It's watercolor watercolor. Thank you As a medium, which I particularly like myself. So let's talk a little bit about that Yes, well, I began painting 11 years ago I was in Colorado with some friends beautiful mountains And two of my friends were watercolor painters artists And they were trying to get me to come out and paint with them because they were going to go look at a mountain and paint And I was oh, you know, I said no no And I didn't want to you know, I saw come with you, but I'm going to hike while you paint So but when we got to the spot, they they gave me a little watercolor set and paints and and of paints and paper and brushes and I So I said, okay I removed myself from where they were because I didn't want to be totally humiliated and I looked at this mountain And it was so beautiful and I started to paint it And I became obsessed with watercolor painting that whole summer and afterwards for years And I really still am so that's how it all started and I had no idea that I You know was accomplished in any way in visual art. So that's how it began Well, I have seen some of your paintings and yes, you are accomplished in that meeting for sure The other part of your art has to do with slate. Yes And tell me a little bit about that then we're going to go into some of the works that you've done Uh also talking about some of the slate not all of it is from whales itself. Yes, so please do adjust that Yes, so about four years ago. I really got interested in working with slate as a medium for my art and Why slate you might ask well my father my parents My all my relatives on my father's side. Let's put it that way. We've been involved in the slate industry For centuries probably and my relatives on my mother's side were involved in the coal industry, which is in south wales but um Obviously, uh, but slate became the medium. I got very very attracted to my great grandfather was I'm sure a corpsman went down into the mines and my turns out my And I didn't know this until fairly recently that my grandfather was a slate engraver And of course, I've been engraving on slate. He ended up Owning two slate mines in north wales after the war get bought borrowed some money And bought some slate mines. So I've heard about slate my whole life and when I was young I remember going to wales and my two younger brothers got to go down into The mine but I was not allowed to because I was female and it was bad luck for females To go down into the mines, but four years ago. I actually got to go into a disused Mine owned owned by my cousin in wales And then I just had this idea of putting my paintings together with slate so And also I just had a show called slate works in the brunette library in amherst And for that show when I was making works, I ended up engraving on slate and actually painting on the slate some of the the slate paintings on watercolor are fixed to the slate But some is actually embedded this one is an example of being embedded in the slate pick it up and let's um Let's show this let's see if I can Show this here Yeah, that's called an open book that that piece Okay, and I wanted to talk about this one too and I want you to address that one a little bit. Yeah, that's a hawk And I got the image from a medieval tile From strata florida abbey in mid wales, which is one of my favorite places And what I did was I engraved the hawk into the slate first of all and then I painted it gold And so I took something very old Which was the medieval tile and made it new by engraving it and embedding it on slate Which is also very old So the work is something about making something old new and reclamation in some way And I've seen some of your other works too and you're quite accomplished to say the least Um, I wanted to just mention briefly two things. One is what is group 18? Yeah, yeah group 18 has been very important to my life as a poet. It started in 1985 So what are we talking 30 some years ago in north hampton? um Linda greg and jim finnegan founded it and over the years many poets have come and go very accomplished writers Many books have been published jack gilbert was a really important figure and a very close friend of mine, but a mentor Of mine one of my great. I've had three great teachers. He was one of them So that's why he's pleased me so much to get that blurb from him and because because of that So it has met it in fact it met at my house last night for all that time I'm one of the old people who have been in it the longest and there are two other people in the group Douga anderson and bob coles who are also old-time members, but others joined and some of the members who were there left and came back and it's just been a very very vital group and I don't know it's amazing. It's lasted that long and we all went to rush it together a few years ago We went to scov and Where the russian writers union there? We'd been invited to go and we went there and read our poetry and the russian poets read their poetry to us We went to st. Petersburg and got to visit Anna ahmad of us. She was one of my favorite writers house Where she was imprisoned because of her political poetry and we went to where des dayeski's apartment was So we've and that just cemented us even more. So we we critique each other's work every week. That's what we do I wanted to mention before we're going to run out of time two events that are going on one on march 24th Yes, and the other one on march 31st So if you can share with us about those that would be yes um group 18 we we it's kind of a rare event where we read together as a group We do a lot of individual Readings, but on march 24th at 5 p.m We're going to be reading at 33 holly street in north hampton And what we're going to be doing is honoring three of the art partners in holly street, which is a pe eventual available potential enterprises the north hampton center for the arts which has moved there and the north hampton community television We're going to honoring that that Conglomeration by reading poems related to other art other pieces of literature paintings dance music so we'll be doing that and then I'm very excited about an upcoming performance. I'm involved in which takes place on march 31st at 4 p.m in the hubbard concert hall in cambridge new york And it's part of music from salem series and it's going to include lila brown on viola Judy gordon on piano and the actor playwright john haddon and i will be reading poetry And we're going to be interlacing music and poetry around the subject of love I think it's going to be pretty amazing. So i wanted people to know about that. Oh, absolutely We only have a minute here and I I don't know if we're going to really have time to talk about um How creative endeavors reflect your life, but it's clear to me beyond anything That you're an incredibly creative person and it obviously has been your life And everything that you do and it's really wonderful. Yes You know, I think of writing and also poetry You know also my painting As ways that I can have my life more fully That it is through Those both of those arts that I explore some of the really large subjects of life And you know, for example our mortality love Passion the suffering that goes on the world the loneliness that many of us feel Um the mystery the sacred, you know, my father was a minister. What is my relationship to god? What is the relationship to sacred those are very very large subjects and it keeps you know Keeps me going and because it's it's it's eternally interesting to me, right? Well margaret, I want to dearly thank you for being a guest on the show. Well, thank you my pleasure I also want to thank amherst media for sponsoring my show and I want to thank them for all the work they do in relation to this And I hope to see you next time on senior moment. Thank you


Autolight and its 98,000 dealers bring you Mr. Victor Mature in tonight's presentation of Suspense Tonight, Autolight presents the story of a cross-country train trip During which a police officer finds himself torn between his assignment and his personal feelings for the girl in car 32 Our star, Mr. Victor Mature This is Harlow Wilcox Would you like to be responsible for your local church or hospital getting a big share of $100,000 in cash? Well, that's the total which will go to the recognized charities chosen by the 25 persons selected in the Autolight family charity drawing The top award is $50,000 with 24 others from a thousand to $20,000 each to enter is as simple as signing your name and address and that's all you do Now it's our privilege to have you hear what the head of one of America's finest organizations says about this great event Here is Mr. E. Rowland Harriman chairman of the American Red Cross Thank you The spirit of the Autolight family charity plan is a fine example of the simple slogan of the Red Cross people helping people Just a slight effort to register may qualify you to be the benefactor of thousands who look to you for assistance through your Red Cross Fill out a registration form at any of the following Autolight family car dealers DeSoto Hudson Plymouth Studebaker Dodge Willis Nash Packard Kaiser or Chrysler Remember, there's no obligation But your favorite recognized charity may thank you for a large part of $100,000 sign up tomorrow And now Autolight presents transcribed the girl in car 32 Starring Mr. Victor mature hoping once again to keep you in suspense Hey Buker they can see better from here. I feel kidding. Okay, I guess Flying out here from New York last night and taking the train back this morning isn't my idea fun though Yeah, well, we'll show you LA next trip, baby Got about Two minutes. You better tell me what this is all about We got a dame who's been living with Fritzi Hollister's sweetheart for the past couple of weeks, you know Fritzi.  I'd like to get my hands on. Well, this is your chance morning Now we figure Fritzi has ducked the old girlfriend and made a connection with a new one in her name is Genevieve Josephine Johnson. Now here's the angle She's heading east on this streamliner today probably to wherever Fritzi is hanging around It's a sit-up train You're right across the aisle from her So you work yourself in with her when you get a chance check her luggage Find out where she's going to meet him. I know Don't look so sad kiddo.  Yeah Genevieve Josephine Johnson, uh-huh in the flesh. I don't know And I don't mean to argue with you But to me she just isn't the type for fritzi Hollister. Oh, stop your kidding. No job for one thing No family or background we can check an apartment in Hollywood that rented for $4.50 a month part of the act, huh? Everything else that all set So long Water yes, sir carry your bag sir bags. Okay. My ticket says 32 Car 32. Yes, sir. That would be the next car down, sir. You can board right here all reserved seats. Yes, sir. Thanks Pardon me. Pardon me, please. Oh Excuse me. I'm sorry miss. It's all right.  She's okay Don't lean across. I'll get plenty of time It'll happen soon enough So just relax and just let it happen. You know what you're doing boy That old mahony technique take your seat for a minute. I'm on my way to the club card Well, that's one way to sit on it No, it's a matter Ain't I even human And I even look that huh. Well, miss hi hat. Hey, please go wherever you were going and leave me alone I come while a little lady have a nice friendly drink. Well Frank tires. I bought it. Pardon me miss. Hey you Hey, we just what's the idea buster? What are you doing in this car anyway? And what are you looking for a good punch in the mouth? No, he's he's bothering me. Yes, but I I don't want any trouble about this Oh, it's a hassle about I get off in a couple of minutes December do I don't mean that so anybody Oh, they thought that yeah, all you thought and who asked you to sit down with the young lady, huh? Who wanted you? Why is it's all right? It's all it's perfectly all right. Just just don't don't hit him Where's your car? Come on. I'll take you I said come on Don't don't It's all right miss. Don't you worry. Come on. Hey, no wait just a minute You know who I am your bright eyes. You can leave off the bright eyes. Yeah, sure sure. It's your day to be touchy, huh? You look pretty good back in there you see her ring her hands and wink them big brown eyes Will you be compartment a next door whenever you need me? Now she's waiting for you mr.  I heard all about you You look like you could do it I'm just a beefy blot working out. I always central division, but I could whip you boy so easy I Better get back.  Oh You you didn't hurt him or anything like that. Did you know? No? No? No? I just took him back to his car and asked him to stay away from you It was embarrassing This is the first time anything like this has happened to me I'm glad you helped out. Thank you very much. There's no trouble at all. Oh I'm what I'm out of matches. Oh, well, I can help you there. I have some in my purse Thank Yes, here you are. Thanks. Would you uh, give us a grip? Well Thank you. Yes Why don't you sit down? Thank you. Thank you very much sure What my goodness it was kind of funny wasn't it? He was so tight Yes, yes, it was funny The old razzmatazz don't ask just answer Don't laugh but smile better see your teeth Don't move close But let her know that you've got shoulders there boy and the other trick Keep your hands open spread out Talk then stop look a while Watch the orange groves go by watch the houses go by watch your life go by what? My goodness You must have money in the bank. You're talking to yourself What's the trouble? I? Think I'll stop looking around out there. It's beginning to worry me Too big or too empty or do something. I don't know You like it. Do you oh?  Yep Jenny Johnson. Well, they call me Mahoney and Some other things sometimes My name's Harry. Oh What are you heading anyway all the way east all the way and more Bayside Hills, Pennsylvania. I work in a dentist's office there now. That's funny Maybe the suntan threw me you know I kind of thought you lived in LA and mostly that you didn't work. Oh dear Well, I did live there for three weeks in a simply marvelous garden apartment in Hollywood right off Sunset Boulevard They had a heated pool. Oh, it was wonderful. Yeah, it sounds expensive Oh, it was terribly, but I shared it with a couple of other girls off and on advertising the papers, you know Only only Go on something happened Only maybe I'm funny in some ways. Maybe I'm old-fashioned, but some things I just Well, there's not much point of going in that part.  Thank you What happened anyway was that she got out last week after one of her parties when I said what I had to say she Got out pretty darn fast believe you me My goodness, did I say something? Why are you staring at me?  Well, I'm sorry. I didn't mean to oh now. That's all right. I Goodness for some reason it seemed like you were looking at me for the first time I've seen you go to dinner with it. You don't okay bright eyes. Yeah, but it doesn't add up To a home spawn for this trick. Huh? What's she done thrown up a smoke screen that home spawn stuff's all part of the act she's fritz's girlfriend. All right Remember you're the operator boy not her.  Yeah Yeah, it's a great act. She's just a better actor than you are There's nothing in her luggage on the baggage car, but fixie must have slipped her some little trick in her Hey It took a lot of fixing to set this up getting you the space across from her and all so keep your eyes on our bright eyes That's what you're here for Keep on her Hi Yeah, well it seems to be getting pretty late doesn't it? Hadn't we better call it a night. Oh What why? Well, couldn't we sit here another half hour and just talk about things Why couldn't we I suppose we could That that is if you don't expect. Oh, I I don't expect anything well We'll talk about what we'll talk about you. Oh, no, we won't there's nothing to talk about that isn't the way I heard it You didn't hear anything about me. You'd be surprised sister What? Nothing. I I Don't think you want to talk very much. Do you? No, I I want to find out something Harry Harry. No Anything to matter. No, please. I don't care for that sort of thing. You promised you said, oh, please I'm sorry. I just that's quite all right The first minute it got dark though. You had to try it. I told you I'm sorry.  I'm not that kind of a guy.  I see Well, I haven't and I don't think I'm sorry either.  No, it isn't It's awfully late really it is I'll see you tomorrow About time Why didn't you come back last night? I didn't feel like it Did you get anything else done? I went through her suitcase when she was asleep. Yeah dresses and things shoes bathrobe some stuff underneath That's all the dress cost maybe $15 at the outside It was the most expensive item there and that suit that she's wearing went for 40 bucks at the sale You know that all right, so she's smart enough not only they whacked it, but I have the right props This isn't fritzy's girlfriend he wouldn't know one like this and she wouldn't have one liking that's the second time You've said that how do you know I just know I well I found out you're getting older and you're getting dumber for our lives You're getting fed up. She'd never have anything to do with somebody like fritzy. I told you that once before too. Hey, what fritzy? What just walked by outside the window carrying a suitcase Yeah, that's him all right. Yeah getting on this car. You see the little guy in the overcoat the cigarette You're right. It's fritzy Hollister. Yeah, sure. I'm right He just sat down beside Genevieve Josephine Johnson from Pennsylvania. Well, you know look that it could be just a coincidence Oh, she's a nice kid, huh? Couldn't have anything to do with a bum like fritzy. Come on now stay where you Will make our play when the time comes All right is bringing you mr. Victor mature as star of the girl in car 32 tonight's presentation in radio's outstanding theater of thrills suspense That's the car for me Harlow. You mean that new Packard that just passed Jim. Yes, sir That's the popular price Packard clipper with the power and luxury that only Packard can put into a car And have you seen the Packard patrician? That's the finest car ever to bear that famous Packard name a name we're privileged to salute tonight on suspense Packard an outstanding member of our worldwide auto light family. Well Packard is outstanding in every way It's ruggedness and dependability have withstood the most tortuous tests that packet engineers can devise Packards have proved over and over that they have what it takes under every road and weather condition Yes, sir Harlow when you get an auto light equipped Packard you get real value And you get a car with one of the most famous of all fine car names Packard. Yes, the auto light is proud of its long association with Packard and with Packard dealers everywhere And now auto light brings back to our Hollywood soundstage mr. Victor mature in the Elliott Lewis's production of the girl in car 32 A tale well calculated to keep you in suspense I'll use your head right eyes. It's no mistake.  So you played straight here sure She's fit sees one chance She'll work on you again bright eyes and watch that Because you don't want to let either one of them slip off the hook asleep No Cup of water. No, I'll drink it myself. I can't sleep Not with that strange man over there. What's so strange about it? What skip it? Do you feel like talking sure? Let's talk. Why not sit down? Thank you. Well, I Wonder what this stop is going to be.    What on earth are you talking about? I said cut the act Well, I don't have to have anyone to talk to me like that. I think you're crazy.  I think I'll get some water stay where you are. I'll get the water now see here I don't water. Let's see. I don't even I'm together when we come in a station. I'm sick of it.  Hey fritzy jumped over in your seat.  There he goes heading for the door He won't make it. Hey, come on. Hey fritzy I've been waiting for you to try something like this your girlfriend's pretty smart Look out right. I see it's got a good. No, you don't stay away from me Good fritzy. No good Are you okay? Yeah, here hold on to it to get his girlfriend. I want to attend to her personally All right, stand back stand back get out of the way What's all this police officers keep these people back? Oh, yes. Yes, sir I'll do that sir Stow that baby. This is a pinch. What come on. Come on. Come on up on your feet. We've got fritzy in a huddle You're hurting me.   Oh tears come on and what's it all about Sergeant Mahoney? We can keep the man for carrying a gun that'll do for a starter We've got a million charges against him. He pulled the biggest jewelry heist in the country last year You can get some papers out here to me sergeant Danes. It's funny. Los Angeles right now. All right What about the lady hold her to for disturbing the peace if you have to she's fritzy's girlfriend She'll be named accomplice Well, she sure cries a lot I'll hold them for you Anything else you want for me got a mix-up. What do you mean?  I've been on the phone to L.A. straightening it out for you Fritsie's old girlfriend and that other one had the apartment to gather on L.A. Okay, but that's all she's not tied up with Fritsie She never was why do you meet her on the train because Fritsie's girlfriend left an old truck after her in the Store room. I was this Johnson dame to know that there was a couple of hundred thousand dollars rather stolen jewelry in the false bottom Naturally fritzy wanted it back. So he found out this tomato you were bright iron with was coming east So he just grabbed a plane so as he could meet her in KC. He wanted that trunk boy. Yeah, you mentioned that well, sir That's it He's no more fritzy's new girlfriend than I am You know, it's funny how things work out The truck's been in a hot shop in L.A. all the time Little Miss Muffin got rid of it to clean up the place once you move What's the matter you say good something I Told you she wasn't fritzy's girlfriend. I told you well, I got that all straightened out for you now bright eyes Right out of release will you share for Jenny Johnson? Sure Sure glad to You know, I wanted to do just what you did ever since that fella started talking he bothers me The next one will be through tomorrow morning Jenny It's a real nice train streamliner and all they have a compartment for you Jenny Can I say anything? Can I do anything? You know what when I remember I was Well, I was beginning to feel in my heart and what I've done to you I just what you proved it didn't you That's all right bright eyes.  I don't ever want to see you again Jenny Jenny I know what I want.   Victor mature This is Harlow Wilcox again Remember you now have a good chance to do your favorite local or national recognized charity the favor of a lifetime If you're one of the 25 persons selected in the huge auto light family charity drawing you can name any Recognized charity you wish to receive a big share of one hundred thousand dollars in cash Those charities can be schools hospitals churches the American Red Cross or any other recognized charity So if you're 18 years or over visit any of the following auto light family car showrooms The Soto Hudson Plymouth Studebaker Dodge Willis Nash Packard Kaiser or Chrysler Print your name and address on the drawing registration form and have the car dealer sign it That's all nothing to buy try or solve So give your favorite recognized charity a chance to share in this huge $100,000 auto light family opportunity visit any auto light family car showroom and sign up tomorrow Next week the story of a man who found that everything was against him his wife Distrusted him his best friend had to give him an alibi all because of a girl a dead girl It's called the guilty always run our star mr. Turone power. That's next week on Suspense Suspense is transcribed and directed by Elliot Lewis music composed by Lucian Morrowick and conducted by Ludlustin The girl in car 32 was written for suspense by E. Jack Newman from the story by Thomas Walsh in tonight's story Kathy Lewis was heard as Jenny and William Conrad as day featured in the cast for Herb Butterfield Joseph Kearns Roy Glenn and John Dana Victor mature appeared by arrangement with 20th century Fox producers of Prince Valiant in Technicolor and Synascope starring James Mason Janet Lee and Robert Wagner and Remember next week mr. Turone power in the guilty always run. This is the CBS radio network


Hey Psych2Goers, have you ever wondered if your family is toxic? In past videos, we've outlined a few traits of toxic parents, but toxicity can also describe family systems. A family is a group of parents and children living together as a unit. In this structure, the parents control the power dynamic and they're responsible for the safety and well-being of the children. But what if you have a dysfunctional and toxic family environment? In today's video, we'll talk about a couple of examples of toxic family dynamics. 1. The Picture Perfect Family This family dynamic is all about appearances and paints an unrealistic picture of perfection by sweeping arguments and resentments under the rug. While everyone appears to be doing well, everything is falling apart. There's no authenticity within this family dynamic and actions are performative. Many members are likely to curate their life to appear perfect or acceptable in other people's eyes. This dynamic is toxic, as it places undue emotional strain on those who are in it. Parents may even exercise a degree of psychological abuse towards their children, who can grow up believing that love is conditional. An example of toxicity in this family dynamic is when parents hide a serious issue, such as a divorce, affair, or financial struggle and pressure their children to maintain the lie, so they'll not look bad. 2. The Disconnected Family The disconnected family has no parent-child connection. Parents are either emotionally or physically absent from their children's lives. The parent behaves more like a roommate, providing the bare necessities for their child and feeling to provide emotional guidance and support. They do not nurture the child, so the child grows up nurturing themselves. As a result, the child grows up emotionally distant from others, and they have difficulty being vulnerable and struggle to show up emotionally for others. An example of a disconnected family dynamic is a parent who solely focuses on work and neglects to forge a relationship with their child. 3. The Chaotic Family This type of family system lacks stability, which may arise from sudden divorce or financial struggle, thus burdening the parent with responsibilities and distancing them from their child.  They are accustomed to always being ready to run, so settling down is difficult. As a result of living in a state of chaos, they tend to process their emotions differently or not at all, and can default to dissociation to cope. An example of a chaotic family dynamic is an abusive household where the parent is overwhelmed and unable to fulfill their role properly. 4. The Child-Parent Dynamic This dynamic is also a product of an unstable family where the child assumes the role of the parent. This act of parentification may arise naturally, where the child may notice the lack of stability from their parent and assume that role to protect a younger sibling or may be enforced. An example of this dynamic is if the parent struggles with addiction. The circumstances in that family force the child to assume the role of the parent, or the parent may not be emotionally mature enough to handle certain situations, so they leave it up to the child. A child growing up in this type of family becomes incredibly responsible, but also reluctant to lean on others and open up emotionally. In relationships, they often have a hard time expressing their emotional needs and usually assume blame for everything. Unfortunately, the media glorifies parentified children as mature, but this idea of parentified children is harmful because it undermines the reality. A child has been robbed of their innocence and childhood. 5. The Messy Split Family This type of family dynamic is an extension of the previous one and is common within divorced families. If the divorce is not amicable, it can quickly become messy. A messy divorce can create toxicity for the child, planting resentments or undermining the other parent, which creates strain for the child and deprives them of a sense of stability. Children who grew up in this way have difficulties creating lasting relationships, developing trust issues, and believe that happy and healthy relationships do not exist. 6. The Codependent This dynamic involves an aggressor or abusive parent and an enabling parent who stays in the relationship out of fear. The child witnesses the power struggles within the relationship and may assume that they are normal. They may also grow up presenting their parent for not protecting them. As a result, they may struggle with trust issues and fear being taken advantage of. Have any of these points helped you? Let us know in the comments below. As always, the references and studies used in this video are added in the description below. Remember to like and share this video with someone who might benefit. Until next time friends and thanks for watching. Take care.


So, let's try this one. It says write the chemical formula for the following molecule, and it gives you lysine and amino acid with six carbons, fourteen hydrogens, two nitrogens, and two oxygens. So let's write that information down too. So, six carbons, fourteen hydrogens, two nitrogens, and two oxygens. Okay, so remember, whenever you're running the molecular formula for these molecules, you don't want to write it like this or any other weird way. It's just you're going to connect all these atoms in a row with these numbers here being subscripts behind each of the atoms, okay? And if there is only one, this one doesn't have it. But if it was like oxygen only one, we wouldn't put that subscript, okay? So let's do this one. So remember, what did I say? So you put the atoms and then the number as a subscript, okay? So C14, H14, like that, and two. So don't write them as big numbers. Don't write them in front, okay? They have to be below as a subscript and behind the actual letter that they are indicating how many atoms are in that molecule. Any questions on this one? No. Okay, good.


service learning course to SR this time we tutors I believe and it's been a I would say initially on this final evening it's been a very very successful course. One of the ideas of service learning is that the students from different faculties need to cooperate with one another, learn how to work using their different styles and this group have done it really really well. So right from the word go they were very very impressive. There are a lot of very interesting things that they've been able to take away during their time here such as you know the people's attitude, their outlook on life, the children's desire to learn, the way that education works and it's an interesting contrast with what they experience back in Hong Kong so it does allow them to have a new view on on not only the world but their own their own hometown. Hi I'm BD and this year I joined Hong Kong Polyu as a volunteer for this service learning trip this year. We are also partnering again with the manual community school. I just wanted to share one major takeaway from the principle and what he shared with us which really inspired us. He said that he wants to one day train his 400 students to one day help 400 more students. Having said that I think that's a major goal of service learning as well through teaching English which is to train 31 students to be global citizens and one day pass on the word to 31 more students or 300. Hi I'm Dorothy and I'm studying social work so ELC2SO2 gets a chance for me to come to Cambodia and teach some primary extrusion about English and most importantly life affect life so I use my heart and all my love and care to the kids so that they can feel my love and they can pass it to others so I really hope that you can also join this program because that's really really fun and very educational. Hi I'm Kojin and my major is international shipping and transport logistics or is my second time to join the service learning program organized by PolyU. Service learning for me as a special program is far beyond from curriculum because you not only apply for what you have learned but also you learn to help the community.