CHAPTER 17 THE WHOLE TRUTH MISSES BRACE, GOOD EVENING, MAY I COME IN? THEN FOLLOW THE SOUND OF FOOTSTEPS AND THE CLOSING OF THE DOOR. I shan't detain you long, Mrs. Brace. There were still in the hall. May I come in? Certainly! The tardy assent was the perfection of indifference. They entered the living-room.  Ah! his shrill drawl, although he kept it low, carried back to Lucille. All alone, may I ask? He went toward the chairs by the window. That is, I hope to have, well, a rather confidential little talk with you. Mrs. Brace resumed her place on the armless rocker after she had moved a chair forward for him. Lucille heard it great on the floor. Certain that he had taken it, she looked into the room. Her intuition was correct. Mrs. Brace had placed it so that his back was turned to both the bedroom door and the door into the entry. This made her escape possible. The relief she got from the thought was of a violent nature. It came to her like a blow, almost forcing a gas from her constricted throat. If she could tiptoe, without sound, a distance of eighteen feet, a matter of six or seven steps, she could leave the apartment without his knowledge. To that she was doubly urged. In the first place Hastings' warning drummed upon her brain. He had specified the importance of keeping even her father in ignorance of her errand. Upon that came another reason for flight, her fear of hearing what her father would say. A wave of nausea weakened her. She bowed down, there in the dark, under the burden of her suspicion. He had come to do, for quite a different reason, what she had done. She kept away from definite analysis of his motive. Fear for Bern, or fear for himself, it was equally horrible to her consideration. I admire your spirit, Mrs. Brace, he was saying, in ingratiating tone. And your shrewdness. I've followed all you said in the papers, and I'm in hopes that we may— He stopped, and Lucille, judging from the thin edges of sounds that she caught, had a mental picture of his peering over his shoulder. He resumed, I must apologize, I'm sure. But you'll realize my concern for secrecy after I've explained. May I—uh, do you mind if I look about, for possible hearers? It's unnecessary, came the calm, metallic assurance. I have no objection to your searching my apartment, if you insist. She laughed, a mirthless deprecation of his timidity, and coolly put herself at his disposal in another sentence. I've sensed enough to form an idea of what you'll propose, and I'd scarcely want others to hear it, would I? Ah, he drawled, expressing a grudging disposition to accept her assurance. Certainly not. Well, that's very reasonable, and obliging, I'm sure. Again, by the thin fringes of sound, Lucille got information of his settling into his chair. Why, he began, why, in the name of all the unfathomable, inscrutable angels? First, Mr. Sloan, Mrs. Brace interrupted him, and Lucille heard the rattle of a newspaper. As a preface to our, shall we say, conference—our conference, then, let me read you this summary of my position. That is, if you care to understand my position thoroughly. She was far from her habitual quietness, rattling the newspaper incessantly. The noise, Lucille realized, would hang as a curtain between her father's ears, and the possible sounds of her progress from the bedroom door to the entry. Stealing a glance into the living room, she saw his back. And, over his stooped shoulders, Mrs. Brace's calm face. In that instant the newspaper shook more violently, enough, she thought, to signal cooperation. She sickened again at sight of that woman about to dispense bought favors to her father. The impulse to step forth and proclaim her presence rose strongly within her, but she was turned from it by fear that her interruption might produce disastrous results. After all, she was not certain of his intention. She knew, however, that at any moment he might insist on satisfying himself, by a tour of inspection, that he was safe from being overheard. She hesitated no longer. She would try to get away. Look at this, Mr. Sloan, if you please, Mrs. Brace was saying. Notice how the items are made to stand out, each in a paragraph of large type. She held the paper so that Sloan bent forward, and against his will was held to joint perusal while she read aloud. The curtain of protecting noise thus was thickened. That Mrs. Brace has knowledge of the following facts, the harsh colorless voice was reading. Lucille began her escape. She moved with an agony of precaution, taking steps only a few inches long. Her arms held out from her sides to avoid unnecessary rustling of her clothing. She went on the balls of her feet, keeping the heels of her shoes always free of the floor. Each step a slow torture. Her breathing stopped. A hysterical contraction of her chest prevented breathing. Her face burned like fire. Her head felt crowded, as if the blood tried to ooze through the confining scalp. There was a great roaring in her ears. The pulse in her temples was like the blows of sludges. Once, midway of the distance, as she stood lightly balanced, with arms outstretched, something went wrong with her equilibrium. She started forward as she had often done when a child, with a sensation of falling on her face. Her skirt billowed out in front of her. If she had had any breath in her, she would have cried out. But the automatisms of her body worked better than her overtaxed brain. Her right foot went out easily and softly. She marveled at that independent motion of her leg, and taking up the falling weight of her body restored her balance. Mrs. Brace's voice had not faltered, although she must have seen the misstep. Arthur Sloan's bowed shoulders had not stirred. Mrs. Brace continued the printed enumeration of her stores of knowledge. Lucille took another step. She was safe, almost. There remained but a yard of her painful progress. One more step, she comforted herself, would put her on the threshold of the entry door, and from there to the corridor door, shielded by the entry wall from possible observation by her father, would be an easy business. She completed that last step. On the threshold she had to turn her body through an arc of 90 degrees unless she backed out of the door. This she was afraid to do. Her heel might meet an obstruction, a raised plank of the flooring even would mean an alarming noise. She began to turn. The reading continued. The whole journey from door to door, in spite of the anguished care of every step, had consumed scarcely a minute. She was turning, the balancing arms outstretched. Deep down in her chest there was the beginning of a sensation, muscles relaxing, the promise of a long breath of relief. Her left hand, or perhaps her elbow, in the blinding, benumbing flash of consternation she did not know which, touched the pile of magazines on the table that was set against the door frame. The magazines did not fall to the floor, but the fluttering of the loose cover of the one on top made a noise. She fled, taking with her the flashing memory of the first stirring of her father's figure and the crackle of the paper in Mrs. Brace's hand. In two light steps she was at the corridor door. Her hands found the latch and turned it. She ran down the stairs with rapid skimming steps, the door clicking softly shut as she made the turn on the next landing. Her exit had been wonderfully quiet. She knew this in spite of the fact that her straining senses had exaggerated the flutter of the magazine cover and the click of the door into a terrifying volume of sound. It was entirely possible that Mrs. Brace had been able to persuade her father that he had heard nothing more than some outside noise. She was certain that he had not seen her. She crossed the dim, narrow lobby of the Walman so quickly and so quietly that the girl at the telephone board did not look in her direction. Once in the street she was seized by desire to confide to Hastings the story of her experience. She decided to act on the impulse. He was at first more concerned with her physical condition than with what she had to tell. He saw how near she was to the breaking point. My dear child, he said in the tone of fatherly solicitude which she had learned to like. Comfort before conference. Here, this chair by the window. So. And this wreck of a fan. Can you use it? Fine. Now cool your flushed face in this thin, very thin stream of a breeze. Feel it? A glass of water? Just for the tinkling of ice? That's better, isn't it? The only light in the room was the reading lamp under a dark green shade, and from this little island of illumination there ran out a chaotic sea of shadows. Huge waves of them, mounting the height of the bookshelves and breaking irregularly on the ceiling. In the dimness as he walked back and forth hunting for the fan or bringing her the water, he looked weirdly large. Like, she thought, Dully, a fairy giant curiously draped. But the serenity of his expression touched her. She was glad she had come. While she told her story, he stood in front of her, encouraging her with a smile or a nod now and then, or ambled with soft step among the shadows, always keeping his eyes upon her. For the moment, her tired spirit was freshened by his lavish praise of the manner in which she had accomplished her undertaking. Following that, his ready sympathy made it easier for her to discuss her fear that her father had planned to bribe Mrs. Brace. Nevertheless, the effort taxed her severely. At the end of it, she leaned back and closed her eyes, only to open them with a start of fright at the resultant dizziness. The sensation of bodily lightness had left her. Her limbs felt sheathed in metal. An acute throbbing pain racked her head. She was too weary to combat the depression which was like a cold, freezing hand at her heart. You don't say anything, she complained weakly. He stood near her chair, gazing thoughtfully before him. I'm trying to understand it, he said. Why your father did that? You're right, of course. He went there to pay or to keep quiet. But why? He looked at her closely. Could it be possible, he put the inquiry at last, that he knew her before the murder? I've asked him, she said. No, he never had heard of her. Neither he nor Judge Wilton. I even persuaded him to question Jarvis about that. It was the same. Jarvis never had, until last Sunday morning. You think of everything, he congratulated her. No! Oh, no! Some quick and over-mastering emotion broke down the last of her endurance. Whether it was a new and finer appreciation of his persistent, untiring search for the guilty man, or the realization of how sincerely he liked her, giving her credit for a frankness she had not exercised, whatever the pivotal consideration was, she felt that she could no longer deceive him. She closed her lips tightly to keep back the rising sobs, and regarded him with questioning fearful eyes. What is it, he asked gently, reading her appealing look. I've a confession to make, she said miserably. He refused to treat it as a tragedy. But it can't be very bad, he exclaimed pleasantly. When we're overwrought, imaginations like a lantern swinging in the wind, changing the size of everything every second. But it is bad, she insisted. I haven't been fair. I couldn't bring myself to tell you this. I tried to think you'd get along without it. And now she answered him with an outward calmness which was, in reality, emotional dullness. She had suffered so much that to feel vividly was beyond her strength. You have the right to know it, she said, looking at him out of brilliant, unwinking eyes. It's about Father. He was out there, on the lawn, before he turned on the light in his room. I heard him come in a minute before Byrne went down the back stairs and out to the lawn. And I heard him go to his window and stand there, looking out, at least five long minutes before he flashed on his light. He waited, thinking she might have more to tell. Construing his silence as reproof, she said, without changing either her expression or her voice. I know it's awful. I should have told you. Perhaps I've done great harm. You've been very brave, he consoled her with infinite tenderness. But it happens that I'd already satisfied myself on that point. I knew he'd been out there. She was dumb, incapable of reacting to his words. Even the fact that he was smiling with genuine amusement did not affect her. Here comes the grotesque element, the comical, that's involved in so many tragedies, he explained.  She could not see significance in that, but neither could she summon energy to say so. She wondered vaguely why he thought it funny. That night, rather the early morning hours following, while the rest of you were in the library, I looked through his room, and I found a pair of straw sandals in the closet, such as a man could slip on and off without having to bend down to adjust them. And they were wet, inside and out. Sunday morning, when Judge Wilton and I were at his bedside, I saw on the table a quack pamphlet on the dew treatment for nervousness, the benefit of the wet, cooling grass upon the feet at night. You know the kind of thing. So— Oh, she breathed, tremulous and weak. So that's why he was out there. Why didn't I think? Oh, how I've suspected him of— But remember, he warned, that's why he went out. We still don't know what he—what happened after he got out there, or why he's refused to say that he ever was out there. When we think of this, and other things, and, too, his call to-night on Mrs. Brace, for bribery, leaving what we thought was a sick bed, but he's been up all day, she corrected. And yet, he said, and stopped, reflecting. Tell me, she implored, tell me, Mr. Hastings, do you suspect my father, or Mr. Brace, do you suspect my father, or not, of the— He answered her unfinished question with a solemn, painstaking care. Miss Sloan, you're not one who would want to be misled. You can bear the truth. I'd be foolish to say that he's not under suspicion. He is. Any one of the men there that night may have committed the murder. Webster, your father, Wilton, only their suspicion seems totally gratuitous. Eugene Russell, Jarvis, I've heard things about him. Any one of them may have struck that blow. May have. And Father, she said in a grieve to bewilderment, has paid Mrs. Brace to stop saying she suspects Byrne. She shuddered, facing the alternative, or himself. You see, he framed the conclusion for her, how hard he makes it for us to keep him out of trouble, if that gets out. He's put his hand on the live wire of circumstantial evidence, a wire that too often thrashes about, striking the wrong man. And Byrne, she cried out, I think I could stand anything, if only I knew. But this time the mutinous sobs came crowding past her lips. She could not finish the inquiry she had begun. End of Chapter 17, Recording by Roger Maline Chapter 18 of No Clue This LibriVox recording is in the public domain. Recording by Roger Maline No Clue by James Hay Chapter 18 The Man Who Rowed Away It was early in the afternoon of Wednesday when Mr. Hastings, responding to the prolonged ringing of his telephone, took the receiver off the hook and found himself in communication with the sheriff of Alexandria County. This was not the vacillating, veering sheriff who had spent nearly four days accepting the hints of a detective, or sitting chameleon-minded at the feet of a designing woman. Here was an impressive and self-appreciative gentleman, one who delighted in his own deductive powers and relished the results. He said so. His confidence fairly rattled the wire. His words annihilated space grandly, and leaped into the old man's receptive ear with sizzling and electric effect. Mr. Crown, triumphant, was glad to inform others that he was making a hit with himself. Hello, that you, Hastings? Well, old fellow, I don't like to annoy you with an up-to-date rendition of I told you so, but it's come out to the last syllable exactly as I said it would from the very first. And soot a pause for dramatic effect. The detective did not break it. Waiting, are you? Well, here she goes. Russell's alibi's been knocked into a thousand pieces. It's blown up. It's gone glimmering. What do you think of that? Hastings refrained from replying that he had regarded such an event as highly probable. Instead he inquired, and that simplifies things? Does it, exploded Mr. Crown. I'm getting to you a few minutes ahead of the afternoon papers. You'll see it all there. An apologetic laugh came over the wire. You'll excuse me, I know. I had to do this thing upright. Put on the finishing touches before you even guessed what was going on. I've wound up the whole business. The Washington police nabbed Russell an hour ago on my orders. Simplifies things? I should say so. I guess you can call them simplified when a murder's been committed, and the murderers waiting to step into my little ring-tumfy-diddle-D of a country jail. No clue to this mystery, the papers have been saying. What's the use of a clue when you know a guy's guilty? That's what I've been whistling all along. But the alibi, Hastings prompted, you say it's blown up? Blown. Gone. Result of my sending out those circulars asking if any automobile parties passed along the Sloanhurst Road the murder night. Remember? Yes. The old man recalled having made that suggestion, but did not say so. This morning the chief of police of York, York, Pennsylvania, wired me. I got him by long distance right away. He gave me the story. Details, absolutely right and straight. All verified and everything. A York man named Stevens saw a newspaper account for the first time this morning of the murder. He and four other fellows were in a car that went up Hub Hill that night a little after eleven, a few minutes after. Hear that? Yes, go on. Stevens was on the back seat. They went up the hill, on low.  They were no more than crawling. He says he was the only sober man in the crowd, bent out on a jollification tour of ten days. He saw a man slide onto the running board on his side of the car as they were creeping up the hill. The rest of the party was singing, having a high old time. Stevens said he never said a word, just watched the guy on the running board, and planned to crack him on the head with an empty beer bottle when they got on the straight road and were hitting up a good clip, just playing, you understand. After he'd watched the guy a while and was trying to fish up a beer bottle from the bottom of the car, he the chauffeur slowed down and hollered back to him on the back seat that he wanted to stop and look at his radiator. It was about to blow up, too hot. He'd been burning the dust on that stretch of good road. When he slowed down, the guy on the running board slipped off. Stevens says he rolled down a bank. The jubilant Mr. Crown stopped for breath. That's all right, far as it goes, Hastings said. But does he identify that man as Russell? To the last here in his head, replied the sheriff, Stevens' description of the fellow was Russell, all over, all over. Just to show you how good it is, take this. Stevens described the close Russell's war and says what a wonderful man he is. He shows Russell's war and says what Otis said. He'd lost his hat. Stevens get a good look at him? Says the headlights were full on him as he stood on the side of the road, there on Hub Hill, waiting to slide on the running board. And this Stevens is a shrewd guy, the York chief says.  That car went up Hub Hill at seven minutes past eleven. That means Russell had plenty of time to kill the girl after the rain stopped and to get out on the road and slip on to that running board. And the car slowed up, where he rolled off the running board, at eighteen minutes past eleven. Times right, locations right, identifications right. Pretty sweet, ain't it, old fellow? Congratulate me, don't you? Congratulate me, even if it does step on all those mysterious theories of yours, that right? Hastings bestowed the desired felicitations upon the exuberant conqueror of crime. Turning from the telephone, he gazed a long time at the piece of gray envelope on the table before him. He had clung to his belief that in those fragments of words was to be found a clue to the solution of the mystery. He picked up his knife and fell to whittling. Outside in the street a newsboy set up an abrupt, blaring din, shouting sensational headlines. Sloanhurst, mystery solved! Russell the murderer! Alibi a fake! The old man considered grimly the various effects of this development in the case. Lucille Sloan's unbounded relief mingled with censure of him for having added to her fears, and especially for having subjected her to the ordeal of last night's experience with Mrs. Brace, the adverse criticism from both press and public because of his refusal to join in the first attacks upon Russell. Arthur Sloan's complacency at never having treated him with common courtesy. His thoughts went to Mrs. Brace and her blackmail schemes as he had interpreted or suspected them. If I'd had a little more time, he reflected, I might have put my hand on—his eyes rested on the envelope flap. His mind flashed to another and new idea. His muscles stiffened. He put his hands on the arms of his chair and slowly lifted himself up, the knife dropping from his fingers and clattering on the floor. He stood erect and held both hands aloft, a gesture of wide and growing wonder. Cripes! he said aloud. He picked up the grey paper with a hand that trembled. His pendant-cheeks puffed out like those of a man blowing a horn. He stared at the paper again before restoring it to its scope, which he put back into one of his pockets. Cripes! he said again. It's a place! Pursuit! That's where the— He became a whirlwind of action covering the floor with springy step. Taking a book of colossal size from a shelf, he whirled the pages, running his finger down a column while he murmured, Pursuit! P-U-R-P-U-P-U. But there was no such name in the postal directory. He went back to older directories. He began to worry. Was there no such post office as Pursuit? He went to other books, whirling the pages, running down column after column. And at last he got the information he sought. Consulting a railroad folder, he found a train schedule that caused him to look at his watch. Twenty-five minutes, he figured. I'm going! He telephoned for a cab. Then, seating himself at the table, he tore a sheet from a scratch pad and wrote, Don't lose sight of Mrs. Brace. Disregard Russell's arrest. Hendricks, the Sloanhurst people are members of the Arlington Golf Club. Get a look at golf bags there. Did one or two contain peace or pieces of a bed-slat? Gore, check up on Mrs. B's use of money. I'll be back Sunday. He sealed the envelope into which he put that, and, addressing it to Hendricks, left it lying on the table. At the station he bought the afternoon newspapers and turned to Eugene Russell's statement, made to the reporters immediately after his arrest. It ran, I repeat that I'm innocent of the murder. Of course I made a mistake in omitting all mention of my having ridden the first four miles from Sloanhurst. But being innocent and knowing the weight of the circumstantial evidence against me, I could not resist the temptation to make my alibi good. I neither committed that murder nor witnessed it. The story I told at the inquest of what happened to me and what I did at Sloanhurst stands. It is the truth. End of Chapter 18, Recording by Roger Maline Chapter 19 of No Clue No Clue by James Hay. Chapter 19. Pursuit Returning from his trip Sunday morning, the detective, after a brief conference with Hendricks, had gone immediately to Mrs. Brace's apartment. She sat now, still and watchful, on the armless rocker by the window, waiting for him to disclose the object of his visit.  He caught himself comparing her to a statue, forever seated on the low-backed, uncomfortable chair, awaiting, without emotion or alteration of feature, the outcome of her evil scheming.  Having that imperturbability to overcome, he struck his first blow with surprising directness. I'm just back from Pursuit, he said. That was the first speech by either of them since the monosyllabic greeting at the door. He saw that she had prepared herself for such an announcement, but the way she took it reminded him of a door shaken by the impact of a terrific blow. A little shiver, for all her force of repression, moved her from head to foot. You are, she responded, her voice controlled, the hard face untouched by the shock to which her body had responded. Yes, I got back half an hour ago, and except for one of my assistants, you are the first person I've seen. When that drew no comment from her, he added, I want you to remember that later on he began to whittle. Why? she asked, with genuine curiosity, after a pause. Because it may be well for you to know that I'm dealing with you alone and fairly. I got all the facts concerning you. Concerning me, her tone intimated doubt. Now, Mrs. Brace, he exclaimed, disapproving her apparent intention. You're surely not going to pretend ignorance, or innocence. She crossed her knees, and putting her left forearm across her body rested her right elbow in that hand. She began to rock very gently, her posture causing her to lean forward and giving her a look of continual but polite questioning. If you want to talk to me, she said, her voice free of all feeling, you'll have to tell me what it's about. All right, I will, he returned. You'll remember, I take it, my asking you to tell me the meaning of the marks on the flap of the gray envelope. I'll admit I was slow, criminally slow, in coming to the conclusion that pursuit referred to a place rather than an act. But I got it finally, and I found pursuit. Not much left of it now. It's not even a post office. But it's discoverable, he continued on a sterner note, and began to shave long slender chips from his block of wood. I'll give you the highlights. Young Dalton was killed. His murderer made a run for it. But you, a young widow then, in whose presence the thing was done, smoothed matters out. You swore it was a matter of self-defense. The result was that after a few half-hearted attempts to locate the fugitive, the pursuit was given up. Very well. But why bring that story here, now? What's it significance? He stared at her in amazement.  Otherwise she was unmoved, unresponsive to the open threat of what he had said. Let me finish, he retorted. An unfortunate feature for you was that you seem to have made money out of the tragedy. In straightened circumstances previously you began to spend freely, comparatively speaking, a few days after the murderer's disappearance. In fact bribery was hinted. You had to leave the village. See any significance in that, he concluded with irony? Suppose you explain it, she said, still cool. The significance is in the strengthening of the theory I've had throughout the whole week that's passed since your daughter was killed at Sloanhurst. What's that? She stopped rocking. Her eyes played a fiery tattoo on every feature of his face. Your daughter's death was the unexpected result of your attempts to blackmail young Dalton's murderer. You, being afraid of him, and not confessing that timidity to Mildred, persuaded her to approach him in person. I, afraid of him, she objected, aroused at last. Her brows were lowered, a heavy line above her furtive, swift eyes. Her nostrils fluttered nervously. Granting your absurd theory, she continued, why should I have feared him? What had he done except strike to save his own life? You forget, Mrs. Brace, he corrected. That body showed twenty-nine wounds, twenty-eight of them unnecessary, if the first was inflicted in mere self-defense. It was horrible mutilation. So, she ridiculed with obvious effort, you picture him as a butcher. Precisely, and you, having seen to what lengths his murderous fury could take him, were afraid to face him, even after your long, long search had located him again. Let's be sensible, Mrs. Brace. Let's give the facts of this business a hearing. You had come to Washington and located him at last. But after receiving several demands from you, he'd stopped reading your letters, sent them back unopened. Consequently, in order for you to make an appointment with him, he had to be communicated with in a handwriting he didn't know. Hence, your daughter had to write the letter making that appointment a week ago last night. Then, however, what makes you think? Then, however, he concluded, overbearing her with his voice, you hadn't the courage to face him out there in the dark alone. You persuaded Mildred to go in your place. And he killed her. Ha!  What makes you say that? Where did you get that? Who put that into your head? She volleied those questions at him with indescribable rapidity, her lips drawn back from her teeth, her brows straining far up toward the line of her hair. The profound disgust with which he viewed her did not affect her. She darted to and fro in her mind, running about in the waste and tumult of her momentary confusion, seeking the best thing to say, the best policy to adopt, for her own ends. He had had time to determine that much when her gift of self-possession reasserted itself. She forced her lips back to their thin line and steadied herself. He could see the vibrant tautness of her whole body exemplified in the rigidity with which she held her crossed knees, one crushed upon the other. I know, I think, what misled you, she answered her own question. You've talked to Gene Russell, of course. He may have heard, I think he did hear, Mildred and me discussing the mailing of a letter that Friday night. He did, Hastings said, firmly. But he couldn't have heard anything to warrant your theory, Mr. Hastings. I merely made fun of her wavering after she'd once said she'd confront Bern Webster again with her appeal for fair play. He inspected her with an emotion that was a mingling of humility and repugnant wonder. It's no use, Mrs. Brace, he told her. Russell didn't see the name of the man to whom the letter was addressed. I saw him last Sunday afternoon. He told me he took the name for granted, because Mildred had taunted him, saying it went to Webster. As a matter of fact he wanted to see if Webster was at Sloanhurst and fastened his eyes for a fleeting glimpse on that word and on that alone. Besides, there are facts to prove that the letter did not go to Webster. Do you see how your fancy security falls away? Let me think, she said, her tone flat and impersonal.  He watched her and glanced only at intervals at the wood he was aimlessly shaving. Of course, she said after a while, looking at him with a speculative deliberating air, you've deduced and pieced this together. You've a woman's intuition, comprehension of motives, feelings. She was silent again. Peaced what together, he asked. It's plain enough, isn't it? You began with your suspicion that my need of money was heavier in my mind than grief at Mildred's death. On that you built up, well, all you've just said. It was more than a suspicion, he corrected. It was knowledge that everything you did after her death was intended to help along your scheme to, well, we'll say, to get money. Still, she persisted shrewdly, you felt the necessity of proving I'd blackmail, if that's the word you want to use. How, he put in quickly, prove it how. That's why you sent that girl here with the five hundred. I see it now, although at the time I didn't, she laughed a short bitter note. Perhaps the money, or my need of it, kept me from thinking straight. Well, of course, she made the admission calmly, as soon as I took the hush money, your theory seemed sound, the whole of it, my motives and identity of the murderer. She was thinking with a concentration so intense that the signs of it resembled physical exertion. Moisture beaded the upper part of her forehead. He could see the muscles of her face respond to the locking of her jaws. But there is nothing against me, she began again, and moved by his expression, qualified, nothing that I can be held for in the court. You've decided that, have you? You'll admit it, she said, there's nothing. There can be nothing to disprove my statement that Dalton's death was provoked. I hold the key to that. I alone. That being true, I couldn't be prosecuted in pursuit as accessory after the fact. Yes, he agreed. That's true. And here, she concluded, without a hint of triumph, even without a special show of interest, I can't be prosecuted against for blackmail. That money, from both of them, was a gift. I hadn't asked for it, much less demanded it. I, she said with an assured arrogance, hadn't got that far. So you see, Mr. Hastings, I'm far from frightened. I found nothing to say to that shameless but unassailable declaration. Also he was aware that she entertained and sought solution of a problem, the question of how best to satisfy her implacable determination to make the man pay. That purpose occupied all her mind, now that her money-greed was frustrated. It was on this that he had calculated. It explained his going to her before confronting the murderer. He had felt certain that her perverted desire to get even would force her into the strange position of helping him. He broke the silence with a careful attempt to guide her thoughts. But don't fool yourself, Mrs. Brace. You've got out of this all you'll ever get, financially, every cent. And you're in an unpleasant situation, an outcast, perhaps. People don't stand for your line of stuff, your behavior. She did not resent that. Making a desperate mental search for the best way to serve her hard self-interest, he thought she was impervious to insult. I know, she said to his immense relief, I've been considering the only remaining point. What's that? The sure way to make him suffer as horribly as possible. He pretended absorption in his carving. Why shouldn't he have provided me with money when I asked it, she demanded at last?  Instead of colorless harshness, it had a warm fury. It was not that she spoke loudly or on a high key, but it had an unbridled self-indulgent sound. He got the impression that she put off all censorship from either her feeling or her expression. That wasn't much to ask, as long as he continued his life of ease, of luxury, of safety, as long as I left out of consideration the debt he couldn't pay, the debt that was impossible of payment. Alien as the thing seemed in connection with her, he grasped it. She thought that she had once loved the man. The matter of personal feeling, he asked. Yes, when he left pursuit he destroyed the better part of me, what you would call the good part. She said that without sentimentalism, without making it a plea for sympathy. She had better sense, he saw, than to imagine that she could arouse sympathy on that ground. And, she continued with intense malignity, what was so monstrous in my asking him for money? I asked him for no payment of what he really owes me. That's a debt he can't pay. My beauty, destroyed, withered and covered over with the hard mask of the features you see now. My capacity for happiness, dead, swallowed up in my long, long devotion to my purpose to find him again. Those things, man, as you are, you realize are beyond the scope of payment or repayment. Without rising to a standing position, she leaned so far forward that her weight was all on her feet, and although her figure retained the posture of one seated on a chair, she was in fact independent of support from it, and held herself crouching in front of him, taut, a tremor in her limbs because of the strain. Her hands were held out toward him, the tips of her stiffened, half-closed fingers less than a foot from his face. Her brows were drawn so high that the skin of her forehead twitched as if pulled upward by another's hand. It was with difficulty that he compelled himself to witness the climax of her rage. Only his need of what she knew kept him still. "'Money,' she said, her lean arms in continual motion before him. "'You're right there. I wanted money. I made up my mind I'd have it. It was such a purpose of mine so strongly grown into my whole being that even Mildred's death couldn't lessen or dislodge it. And there was more than the want of money in my never letting loose of my intention to find him. He couldn't strip me bare and get away. You've understood me pretty well. You know it was written on the books that he and I should come together again no matter how far he went or how cleverly.' And I see now,' she gave him her decision, and as she did so, rose to an upright position, her hands at her sides going half-shut and open, half-shut and open, as if she made mental pictures of the closing in of her long pursuit. "'I'll say what you want me to say. Confront him. Put me face to face with him, and I'll say the letter went to him. Oh, never fear. I'll say the appropriate thing, and the convincing thing, appropriately convincing.' Her eyes glittered, countering his searching glance as she stood over him. Her body flung a little forward from the waist. Her arms busy with their quick angular gesticulation. "'When?' he asked. "'When will you do that?' "'Now,' she answered instantly. "'Now! Now! Oh, don't look surprised. I've thought of this possibility. My God!' she said with a bitterness that startled him. "'I've thought of every possibility. Every possible crook and quirk of this business!' She was struck by his slowness and responding to her offer. "'But you!' she asked. "'Are you sure? Have you the proof?' "'Thanks,' he said dryly. "'You needn't be uneasy about that. Now, if I may do a little telephoning, we'll start.' He went a step from her and turned back. "'By the way,' he stipulated, that little matter of the five hundred, you needn't refer to it. I mean it will have to be left out. It's not necessary.' "'No, it isn't,' she agreed, with perfect indifference. And it's spent.' When he had telephoned to Sloanhurst and the sheriff's office, he found her with her hat on, ready to accompany him. As they stepped out of the wall-man, she saw the automobile waiting for them. She stopped, a new rage darting from her eyes. He thought she would go back. After a brief hesitation, however, she gave a short, ugly laugh. "'You were as sure as that, were you?' she belittled herself. "'Had the car wait to take me there.' "'By no means,' he denied. "'I hoped you'd go. That's all.' "'That's better,' she said, determined to assert her individuality of action. "'You're not forcing me into this, you know. "'I'm doing it, after thinking it out to the last detail, for my own satisfaction.' End of CHAPTER XIX Hastings, fully appreciating the value of surprise, had instructed his brace to communicate none of the new developments to anybody until he asked for them. Reaching Sloanhurst, he went alone to the library, leaving her in the parlour to battle as best she might with the sheriff's anxious curiosity. Arthur Sloan and Judge Wilton gave him cool welcome, parading for his benefit in obvious and insolent boredom.  He was smiling, enough to indicate a general satisfaction with the world. There was in his bearing, however, that which carried them back to their midnight session with him immediately following the discovery of Mildred Brace's body. The smile did not lessen his look of unquestionable power. His words were sharp, clipped off. "'I take it,' he said briskly, untouched by their demeanor of indifference. "'You gentlemen will be interested in the fact that I've cleared up this mystery?' "'Ah,' drawled Sloan. "'Again?' "'What do you mean by again?' he asked, good-naturedly. "'Crown, the sheriff, accomplished it four days ago. Incredibly informed.' "'He made a mistake.' "'Ah!' Sloan ridiculed. "'Yes. Ah!' Hastings took him up curtly, and with a quick turn of his head addressed himself to Wilton. "'Judge, I've been to pursuit.' When he said that, his head was thrown back so that he squinted at Wilton down the line of his nose under the rims of his spectacles. "'Pursuit!' Wilton's echo of the word was explosive. He had been leaning back in his chair, eyeing the detective from under lowered lids, and drawing deep, prolonged puffs from his cigar. But with the response to Hastings' announcement, he sat up and leaned forward, putting his elbows in the rim of the table. It was an awkward attitude, compelling him to extend his neck and turn his face upward in order to meet the other's glance. "'Yes,' Hastings said, after a measurable pause. "'Interested in that?' "'Not at all,' Wilton replied, plainly alarmed, and fubbed out his cigar with forefinger and thumb, oblivious to the fact that he dropped a little shower of fire on the table cover. "'I'll trouble you to observe, Mr. Sloan,' Hastings put in, "'that, being excited, the judge's first impulse is to extinguish his cigar. It's a habit of his. "'Now, Judge, in pursuit, I heard a lot about you. A lot!' "'All right, what?' He made the inquiry reluctantly, as if under compulsion of the detective's glance. "'The Dalton case, and your part in it.' "'You know about that, do you?' "'All about it,' Hastings said, in a way that made doubt impossible. Sloan, even, bewildered as he was, got the impression of his ruthless certainty. Wilton did not contest it. "'I struck in self-defense,' he excused himself, wearily, like a man taking up a task against his will. "'It would be ridiculous to call that murder.' "'No jury would have convicted me. None would now, if given the truth.' "'But the body showed twenty-nine wounds,' Hastings pressed him, "'the marks of twenty-nine separate thrusts of that knife.' "'Yes, that's true. Yes. I'll tell you about that, you and Arthur, if you'd care to hear.' "'That's what I'm here for,' Hastings said, settling in his chair. He was thinking. He didn't expect this. He's unprepared.' Sloan, who had been on the point of resenting this unbelievable attack on his friend, was struck dumb by Wilton's calm acknowledgment of the charge. From long habit he took the cap off the smelling salts with which he had been toying when Hastings came in, but his shaking hand could not lift the bottle to his nose. Wilton, guilty of a murder, years ago. He drew a long, shuttering breath and huddled in his chair. Wilton rose clumsily and walked heavily to the door opening into the hall. He put his hand on the knob but did not turn it. Wilton repeated the performance at the door opening into Sloan's room. In all this he was unconscionably slow, moving in the manner of a blind man, feeling his way about and fumbling with knobs. When he came back to the table his shoulders were hunched to the front and downward, crowding his chest. His face looked larger, each separate feature of it throbbing forcefully to the pumping of his heart. Pink thread stood out on the white of his eyeballs. When the back of his neck pressed against his collar the effect was to give the lower half of the back of his head an odd appearance of inflation or puffiness. Hastings had never seen a man struggle so to contain himself. Suffering angels! Sloan sympathized shrilly. What's the matter, Tom? All right, it's all right, he assured, his voice still low, but so resonant and harsh that it sounded like the thrumming of a vile string. He seated himself, moving his chair several times, adjusting it to a proper angle to the table. In the end he sat close to the table rim, hunched heavily on his elbows, and looked straight at Hastings. But, since you've been to pursuit, what do you imply or say? He asked, the words scraping as though his throat had been roughened with a file. That you killed Mildred Brace! Hastings answered, also leaning forward to give the accusation weight. I!  Wilton's teeth went together with a sharp click. The table sagged under his weight. I deny it! I deny it! he ripped out an oath. This man's crazy, Arthur. He's dragged up a mistake, a tragedy of my youth, and now has the effrontery to use it as a reason for suspecting me of murder. Exactly! chimed Sloan in tremulous relief. Shivering saints, why haven't you said so long ago, Tom? I didn't give him credit for the wild insanity he's showing, said Wilton, thickly. Whatever had been his first impulse, however near he had been to trying to explain away all blame in the Dalton murder, it was clear to Hastings now that he intended to rely on flat denial of his connection with the death of Mildred Brace. He had perhaps decided that explanation was too difficult. Seeing his indecision, Hastings turned to Sloan. You've been exceedingly offensive to me on several occasions, Mr. Sloan, and I've had enough of it. Now I've got the facts to show that you're as foolish in the selection of your friends as in making enemies. I'm about to charge this man Wilton with murder. He killed Mildred Brace, and I can prove it. If you want to hear the facts back of this mystery, if you want the stuff that will enable you to decide whether you'll stand by him or against him, you can have it. Before Sloan could recover from his surprise at the old man's hot resentment, Wilton said with an air of careless contempt, Oh, we've got to deal with what he says, Arthur. I'd rather answer it here than with an audience. The reading public, for instance, Hastings retorted and added, It may interest you, Mr. Sloan, to know that you gave me my first suspicion of him. When you stepped back from the handkerchief I held out to you. Remember, as I was kneeling over the body and the servant laughed at you? I jammed it into Wilton's right-hand coat pocket. Later, when I got it back from him, I saw clinging to it a few cigar ashes and two small particles of wet tobacco. He had had in that pocket a cigar stump wet from his saliva. When he began then his story of finding the body, he said, I'd been smoking my good night's cigar. This is what's left of it. As he said that, he pointed to the unlit, remember that, unlit, cigar stump between his teeth.  It was one of the overfine little touches that a guilty man tries to pile on his scheme for appearing innocent. But what are the facts? Just now, as soon as he got excited, he mechanically fubbed out his cigar. It's a habit of his whenever he's in a close corner. He did it during the interview I had with him and Webster in the music room last Sunday morning, when, in fact, something dangerous to him came up. He did it again when I was talking to him in his office, following a visit from Mrs. Brace. There you have the beginning of my suspicion. Why had he gone out of his way to put a cigar stump into his pocket that night, and to explain that he had had it in his mouth all the time? When he came into my room to wake me up, he had no cigar in his mouth. But when you and I rounded the corner of the porch and saw him kneeling over the body, he had one hand in his right hand coat pocket. And when we stood beside him, he had put a half-smoked, unlit cigar into his mouth. You see my point, clearly? Instead of having had the cigar in his mouth and having kept it there while he found the body and reported the discovery to us, the truth is this. He had fubbed out the cigar when he met Mildred Brace on the lawn, and it had occurred to his calculating mind that it would be well, when he chose to give the alarm, to use the cigar stunt as evidence that he hadn't been engaged in quarreling with and murdering a woman. He was right in his opinion that the average man doesn't go on calmly smoking while engaged in such activities. He was wrong in letting us discover where he'd carried the stump until he needed it. He had put it into that pocket, but after committing the murder he wasn't quite as calm as he'd expected to be. Something had gone wrong. Webster had appeared on the scene, and the cigar wasn't restored to his mouth until you and I first reached the body. Here's my handkerchief, showing the ashes and the pieces of cigar tobacco on it, just as it was when he handed it back to me. He took from one of his pockets a tissue-paper parcel and unwrapping it handed it to Sloan. Ah, that's what it shows! Sloan admitted, bending over the handkerchief. Wilton welcomed that with a laugh which he meant to be lightly contemptuous. See here, Arthur, he objected. I'm perfectly willing to listen to any sane statement this man may make, but... You said you wanted to hear this, Hastings stopped him. I'm fair about it. I've told you why I began to watch you. I've got more. You need it, Sloan complained. If it's all that thin... Don't shout too soon, Hastings interrupted again. Mr. Sloan, this man's been working against me from the start. Think a moment and you'll realize it. While he was telling your daughter and a whole lot of other people that I was the only man to handle the case, he was slipping you the quiet instruction to avoid me, not to confide in me, not to tell me a single thing. Isn't that true? Well, he did say the best way for me to avoid all possibility of being involved in the thing was not to talk to anybody. I knew it, Hastings declared, giving his contempt full play. And he persuaded you that you might have seen, might, mind you, and he gave you the suggestion skillfully, more by in direction than by flat statement, that you might have seen Bern Webster out there on the lawn that night, when you were uncertain, when you feared it yourself a little. Isn't that true? Sloan looked at him with widening eyes, his lips trembling. Come, Mr. Sloan, let's play fair, didn't he? Well, yes. And Hastings continued, thumping the table with a heavy hand to drive home the points of his statement. He persuaded you to offer that money to Mrs. Brace last Tuesday night, didn't he? And that matches his slippery cunning in pretending he was saving Webster by hiding the fact that Webster's hand had gagged him when they found the body. He figured his willingness to help somebody else would keep suspicion away from him. I... wrought. All wrought, Wilton broke in. Where do you think you are, Arthur, on the witness stand? He'll have you saying white's black in a minute. Mr. Sloan, the detective said getting to his feet, he induced you to pay money to Mrs. Brace. While it's the color of blackmail, it won't be a matter for prosecution. You gave it to her, in a sense, unsolicited, but he induced you to do that because he knew she was out for blackmail. He hoped that if you bought her off she wouldn't pursue him farther. Farther, echoed Sloan, what do you mean by that? Why, man, don't you see? Money was back of all that tragedy. He murdered the girl because she had come here to renew her mother's attempts at blackmail on him.  He lies, wild lie, thundered Wilton, pushing back from the table. I'm through with— No, no, shrilled Sloan, wait. Prove that, Hastings. Prove it, if you can. Shuddering saints, have I— He looked once at Wilton's contorted face and recoiled, the movement confessing at last his lack of faith in the man. I will, Hastings answered him, and moved toward the door. I'll prove it by the girl's mother. He threw open the door, and sure now of holding Sloan's attention, went in search of Mrs. Brace and the sheriff. End of Chapter 20. Recording by Roger Maline. Chapter 21 of No Clue. This LibriVox recording is in the public domain. Recording by Roger Maline. No Clue by James Hay. Chapter 21. Ample Evidence. The two men in the library waited a long time for his return. Wilton, elbows on the table, stared straight in front of him, giving no sign of knowledge of the other's presence. Sloan fidgeted with the smelling salts, emitting now and then long-drawn, tremulous sighs that were his own special vocabulary of dissatisfaction. He spoke once. Mute and cringing martyrs, he said in suspicious remonstrance. If he'd say something we could deny.  They heard people coming down the hall. Lucille, following Mrs. Brace into the room, went to her father. They could see, from her look of grieved wonder, that Hastings had told her of the charge against Wilton. The sheriff's expression confirmed the supposition. His mouth hung open so that the unsteady fingers with which he plucked at his knuckle-like chin appeared also to support his fallen jaw. He made a weak-need progress from the door to a chair near the screened fireplace. For a full half-minute Hastings was silent, as if to let the doubts and suspense of each member of the group emphasize his dominance of the situation. He reviewed swiftly some of the little things he had used to build up in his own mind, the certainty of Wilton's guilt, the man's agitation in the music room at the discovery, not that a part of the gray envelope had been found, but that it contained some of the words of the letter, his obvious alarm when found quarreling with Mrs. Brace in his office, his hardly controlled impulses, once outside Sloan's bedroom to accuse Bern Webster without proof, and on the Sloanhurst porch last Sunday, to suggest that Sloan was guilty. The detective observed now that he absolutely ignored Mrs. Brace, not even looking in her direction. He perceived also how she reacted to that assumed indifference. The tightening of her lips, the flutter of her mobile nostrils, left him no longer any doubt that she was in the mood to give him the cooperation she had so bitterly promised. To be dragged down by such a woman, he thought. Mrs. Brace, he said, I've charged Judge Wilton with the murder of your daughter. I say now he killed her with premeditation, having planned it after receiving a letter from her. Yes, she responded a certain tenseness in her voice. She had gone to a chair by the window, and like the sheriff, she placed the trio at the table, Wilton, Sloan, and Lucille, who stood behind her father a hand on his shoulder. Hastings slowly paced the floor as he talked, his hands clasped behind him, and now and then moving the tail of his coat up and down. He glanced at Mrs. Brace over the rims of his spectacles, his eyes shrewd and keen. He heard an unmistakable self-satisfaction, like the elation Wilton had detected in his bearing on two former occasions. Now, he asked her, what can you tell us about that letter?  Mrs. Brace, her high-shouldered lean frame silhouetted against the window, began in a colorless, unemotioned tone. As you know, Mr. Hastings, I thought this man Wilton owed me money. More than money. I'd looked for him for twenty-six years. Less than a year ago I located him here in Virginia, and I came to Washington. He refused my requests. Then he stopped reading my letters, sent them back unopened at first. Later he destroyed them unread, I suppose. She cleared her throat lightly and spoke more rapidly. The intensity of her hate, in spite of her power of suppression, held them in a disagreeable fascination. I was afraid of him, afraid to confront him alone. I'd seen him kill a man. But I was in desperate need. I thought if my daughter could talk to him, he would be brought to do the right thing. I suppose, she said with a wintry smile, he had called it an attempt to blackmail, if he had to let it go far enough. She wrote him a letter on grey paper, and sent it in an oblong grey envelope to him here at Sloanhurst last Friday night. He got it Saturday afternoon. If he hadn't received it, he'd never have been out on the lawn, with a dagger he'd made for the occasion, at eleven or eleven-fifteen, which was the time Mildred said in her letter, she'd see him there. She had added that, if he did not keep the appointment, she'd expose him, his crime in pursuit. I see, Hastings said, on the end of her cold metallic utterance, and took from his pocket the flap of grey envelope. Is this the flap of that envelope? Or, better still, are these fragments of words and the word Pursuit in your daughter's handwriting? I've examined them already, she said. They are my daughter's writing. Her lips were suddenly thick, taking on that appearance of abnormal wetness which had so revolted him before. And I say what you've just said, she supplemented, her eyebrows upon her forehead. Tom Wilton killed my daughter. And when I went to his office, I was sure, then, that he'd be afraid to harm me so soon after Mildred's death. I accused him of the murder. He took it with a laugh. He said I could look at it as a warning, that—wait! The interruption came from Wilton. I'm going to make a statement about this thing. He ground out, voice coarse and rasping. Hastings hung upon him with relentless gaze. What have you got to say? Much, returned Wilton. I'm not going to let myself be ruined on this charge because of a mistake of my youth. Mistake, I say.  It explains that tragedy in pursuit. It explains my life. It explains everything. I didn't murder that boy Dalton. I struck in self-defense. But the twenty-nine wounds on his body—he paused, preoccupied. He was thinking less of his hearers than of himself. It was at that point, Hastings thought afterwards, that he began to lose himself in the ugly enjoyment of describing his cruelty. It was as if the horrors to which he gave voice subjected him to a specious and irresistible charm, equipped him with a spurious courage, a sincere indifference to common opinion. There is, he said, a shadow on my soul. My greatest enemy is hidden in my own mind.  You may say the makeshifts I've adopted, the strategy of my resistance, my tactics to outwit this thing, do me little credit. I shall leave it to you to decide. Results speak for themselves. I have broken no law. There is against me nothing that would bring upon me the penalty of man's laws. He wedged himself more closely against the edge of the table, and struck his left palm with his clenched right hand. I tell you, Hastings, to have fought this thing in whatever way has been a task that called for every ounce of strength I had. I have lived in hell and walked with devils against my will. Not a day, not a night have I been free of this curse or my fear of it. There have been times when, every night for months, my slumbers were broken or impossible. The devilish thing reached down into the depths of sleep and with its foul and muddy grasp poisoned even those clear white fools, clear and white for other men. But no matter. You've heard of obsessions, of men seized every six months with an irresistible desire to drink, of kleptomaniacs who, having all they need or wish, must steal or go mad, of others driven by inexplicable impulse, mania, to set fire to buildings for the thrill they get out of seeing the flames burst forth? Well, from my earliest childhood, until that moment when Roy Dalton attacked me, I had fought an impulse even more terrible than those. God, what a tyranny! It drove me, drove me, that obsession, at times amounting to mental compulsion, to strike, to stab, to make the blood flow. He rose, getting to his feet slowly, so that his burly bulk gained in size, like the slow upheaval of a hillside. Swollen as his face had been, it expanded now a trifle more. His nostrils coarsened more perceptibly. The puffiness that had been in the back of his neck extended entirely around his throat. He hung forward over the table, giving all his attention to the hastings, who was unmoved, incredulous.  The mistake I made was in running away, a bitter mistake. But those unnecessary wounds, twenty-eight that need not have been made. The obsession to see the blood flow drove me to acts which a jury, I thought, would not understand. And even if you don't see the force of my explanation, hastings, if you don't understand, I shall be in little better plight after all these years. He put there a sorrowful appeal into his voice, but a sly contradiction of it showed faintly in his face, a hint that he took a crafty pleasure in dragging into the light the depravity he had kept in darkness for a lifetime. I got away. I drifted to Virginia, working hard and studying much. I became a lawyer. But always I had that affliction to combat. All my life, man, always. There were periods, months long, when devils came up from the ugly corners of my soul to torture and tempt me. It wasn't the ordinary temptation, not a weak, pale idea of, I'd like to kill and see the blood, but an uproar, an imperial voice, an endless command. Kill. Draw blood. Kill. What it did to me. But to this day I've beaten it. I've been a good citizen. I've observed the law. I've refused to let that involuntary lust for blood ruin me or cast me out. Let me tell you how. I decided that if I had a hand in awarding just punishments my affliction would be abated enough for me to live in some measure of security. There you have the explanation of my being on the bench. I cheated the obsession to murder by helping to imprison or execute those who did murder. That's why I can tell you of my innocence of the brace murder. Do you think I'd tell it unless I knew there could be not even an excuse for suspecting me? On the other hand, if I had kept silent as to the true motive that drove my hand to those unnecessary mutilations of young Dalton, the only time, remember, that my weakness ever got the better or the worse of me, if I had kept silent on that, you would have had ground for suspecting me of a barbarous murder then, and arguing from that of the brace murder now. Do I make myself clear? Do you want me to go into further detail? He sank slowly back to his chair, spent by the strain of supreme effort. His breathing was labored, sturdierous. That, crown, Hastings denounced, is a confession. Knowing he's caught, he's got the insolence to whine for mercy because of his sufferings. Think of it. The thing of which he boasts is the thing for which he deserves death, since death is supposed to be the supreme punishment. He tells us, in self-congratulatory terms, that he curbed his inhuman longings, satisfied his lust for blood by going on the bench and helping to punish those who did murder. Too cowardly to strike a blow, he sculpted behind the protection of his position. He made of the judicial robe an assassin's disguise. On the bench he was free to sate his thirst for other's sufferings, adding to a sentence five undeserved years here, ten there, slipping into his instructions to juries a phrase that would mean the death penalty. He reveled in judicial murders. He gloated over the helpless people who, looking to him for justice, were merely the victims of his abhorrent cruelty.  He got a filthy joy out of seeing a man turn pale. He rubbed his hands in glee when a woman swooned. He—I can't stand that! Can't stand it! Sloan protested, hands over his eyes. What more do you want to prove his guilt, his abominable guilt? Hastings swept on.  You have the proof of the letter sent to him making the compulsory appointment.  I said at the start, Wilton put in hoarsely, this man Hastings was only theorizing. If he had anything to connect me with— I have, Hastings told him, and came to a standstill in front of the sheriff, bending over him as if to drive each statement into Crown's reluctant mind. He got that letter a little after five in the afternoon. He left me here, in this room, with Sloan and Webster, and was gone three quarters of an hour. That was just before dinner. He had the second floor, on that side of the house, entirely to himself. He took a nail file from Webster's dressing-case, and in Webster's room put a sharper point on it by filing it roughly with the file blade of his own pen-knife. That's doubly proved. First, my magnet, with which I went over the floor in Webster's room, picked up small particles of steel. Here they are. He produced a small packet, and, without unwrapping it, handed it to Crown. Again, you'll find that the file-blade of his knife retained particles of the steel in the little furrows of its corrugated surface. I know, because last Sunday, as your car came up the driveway, I borrowed his knife on the pretext of tightening a screw in the blade of mine, and I examined it. He put up a silencing hand as Wilton forced a jeering laugh. But there's more to prove his manufacture and ownership of the weapon that killed the woman. He made the handle from the end of a slat on the bed in the room which I occupied that night. The inference is obvious. He didn't care to risk going outside the house to hunt for the wood he needed. He wouldn't take it from an easily visible place. And, having stolen something from one room, he paid his attention to mine. All this is the super-caution of the so-called smart criminal. It matches the risk he took in returning to the body to hunt for the weapon. That was why he was there when Webster found the body. The handle of the dagger matches the wood of the slat I've just mentioned. You won't find that particular slat upstairs now. It was taken out of the house the next day, broken into sections and packed in his bag of golf sticks. But there is proof in this room of the fact that he, and only he, made the dagger. You'll find in the edge of the large blade of his penknife a neck, triangular in shape, which left an unmistakable groove in the wood every time he cut into it. That little groove shows, to the naked eye, on the end of the shortened slat and on the handle of the dagger. If you doubt it... Thunder! Crown interrupted in an odd tone.  He had taken the dagger from his pocket and given it minute scrutiny. He handed it now to Sloan. Wilton, watching the scene with flaming eyes, sat motionless. His chin thrust down hard upon his collar, his face shining as if it had been polished with a cloth. Sloan gave the dagger back to Crown before he spoke in a wheezy shrill key. There, there, the marks, the grooves. He did not look at Wilton. Hastings straightened to his full stature and looked toward Wilton. Now, Judge Wilton, he challenged, you said you preferred to answer the accusation here and now. Do you still? Wilton slowly raising the heavy lids of his eyes, like a man coming out of a trance, presented to him and to the others a face which, in spite of its flushed and swollen aspect, looked singularly bleak. It's not an accusation, he said in his roughened, grating voice. It's a network of suppositions, of theories, of impossibilities, a crazy structure all built on the rotten foundation of a previous misfortune. Arrest him, Crown! Hastings commanded sharply. Wilton tried to laugh, but his heavy lips merely worked in a crazy barrenness of sound. With a vague, clumsy idea of covering up his confusion he started to light a cigar. He stopped, hands in mid-air, when Crown, shambling to his feet, said, Judge, I've got to act. He's proved his case. Proved it! Wilton made weak protest. If he hasn't, let's see your pen-knife. Wilton put his hand into his trouser's pocket, began the motion that would have drawn out the knife, checked it, and withdrew his hand empty. He managed a mirthless, dreary laugh, a rattling sound that fell dead of any feeling from his grimaced lips. No, by God, he refused. I'll give it to neither of you. I don't have to. In that moment he fell to pieces. With his thick shoulders dropping forward he became an inert mass bundled against the table-edge.  He was like the victim of a quick consumption. Crown's eyes were on Hastings. That's enough, the old man said shortly. Too much, agreed Crown. Judge, there's no bail on a murder charge. I'm very glad, Mrs. Brace commented, a terrible satisfaction in her voice. He pays me, at last. In the music room Dr. Garnett had just given Lucille and Hastings a favourable report on Byrne Webster's condition. I should so like to tell him, she said, her glance in treating, if you'll let me. Wouldn't he get well much faster if he knew it, knew the suspense was all over, that neither he nor father suspected any more? I think the doctor gave his opinion with exaggerated deliberation. It might. In fact it really will be his best medicine.  End of chapter 21 Recording by Roger Moline End of No Clue by James Hay


Antibodies directed against citrelinated proteins are commonly found in patients with rheumatoid arthritis. Here, the authors show that citrelination alters the peptid repertoire presented to T cells by altering protein cleavage and inducing protein destabilization, thereby exposing cryptic epitopes. This article was authored by Ashley M. Curran, Alexander A. Gergis, Yura Jang, and others.


Okay, welcome back everyone. This is Silicon Angles theCUBE, our flagship program. We go out to the events, extract a signal from the noise. I'm John Furrier, the founder of Silicon Angles. I'm John, my co-host. Do MiniMan at wikibon.org. And we have Brian Stevens who's here from Red Hat CTO. Welcome to theCUBE. Thank you. So what do you think of the show right now? What's the take, 10 year anniversary? Get right into it. You know, I mean, I think that the show is a different show this year, just because to be honest, you wouldn't think that moving at 3,000 miles could have an impact, but you know what I mean? It's been a Boston show for the past, you know, three years or so. And so just coming out to California, I think we've found that there's a whole nother audience that to be honest, there's an interest in all of this, but it's a little bit easier to travel up from the Bay Area. There's no snow here. There's snow in Boston today. It's a dynamic. It's snowed, I talked to my wife. It was snowing this morning. It's 40 degrees right now there, so. So I want to ask you, everyone wants to know, what is the top conversation that you're having as the CTO and Executive Vice President of Red Hat? What are the top conversations that you're having here, both in the public and also with customers and partners? Yeah, well, I mean, the top conversation's actually getting kind of boring, to be honest, because it's always about open stack. So I think that, you know, so it's nice to mix it up once in a while, but the reality is. Okay, we'll put open stack up there, it's one, okay? It's a good problem to have, right? So I mean, that's the top topic, but that's the destination that most in the industry say, that's our path forward, because it's about cloud, but Amazon's not exactly sharing their intellectual property. So I think everybody is saying that open stack is a way for us to have an Amazon-like model and how do we do that? It's from enterprise to even the telco market, you know, it's the top, it's the topic. How do you guys look at the open stack market? It's a CTO, there's a lot of architectural things going on, there's a lot of discussions, infrastructure as a service, obviously pretty stable. We kind of know what's going on there. Platform as a service seems to be the battleground on the cloud, but the customers on the enterprise side want an enterprise-grade cloud. That's the number one thing we hear, and they want to look under the hood. That's a key choir. What's that OS look like? We're glad that they want to look under the hood. We're glad that they care about what the components are, right? We've built our business on the components and given them the flexibility to put it into the IT fabric. So one thing I've learned is that no two customers agree, right? And so they all have their ability and their recipes on how to combine things. And that's, to be honest, is why Linux has been so successful.  We were out ahead of our skis, we were saying Linux was ready for the enterprise, working with Oracle and others, and we were investing those dollars back into the business. Now, some 12 years later, we're wasting it neatly on our skis. So we got that model, we got the investment inside. So OpenStack to us is just this natural extension of 80% of what we're already doing, which is, you know, Linux at the core. So the question that we get a lot, Stu and I were talking about earlier, is OpenStack baked out? What is going on in the stack? And, you know, people want Amazon's like approach where they see things like Kinesis, elastic beanstalk, these integrated stack services that provide some really nice greatness for a DevOps-oriented developer. Now, the other issue is that it's Amazon's stack, but the idea of an integrated stack is very interesting to customers, it reduces headcount, and a lot of people focus on other things. So is OpenStack ready for that, in your opinion, and what do they need to do if not? There's a couple of questions in there, isn't there? Big one, big one. We'll start, is OpenStack ready? We'll do the right next one, we'll do the right next one first. So the reality is that Open Source is this different model, right? Where you get to see, you know, that sausage being made every day.  OpenStack's the exact same way. So you still have to have the ability to know what to deploy, when to deploy, and how to sustain it. It's really no different, but from a technology maturation, it's absolutely in the early days, right? I mean, there's a lot of great things happening. Look, the number of projects in OpenStack I think went from the original two, which were just computing storage. Now I think it's on the order of 10 or 12. We stopped tracking, because it's just every release a couple more things get adding. So it's getting sort of both this breadth, as well as maturity and it's core happening at the same time. So when you ask the question around sort of readiness, you almost have to ask the next question about which part are you talking about? Yeah, well the enterprise grade one is one that's important. You can't really rush that.  It's just that because you just need to guidance on what went and how, and you don't really necessarily have to pay the new ground here, you just want to follow what everybody else is doing. What about the integrated stack component? Because Amazon does have a nice approach and that's why startups love Amazon because they just jump in there, they have no legacy, it's a green field for them. They can then, and they got auto-scaling, all this greatness going on there. Now, with OpenStack, is that going to be something that we're going to see? I think it remains to be seen.  I mean, customers don't really classify their products and categories the way the vendors do and the way we do with foundations and we line up and build consortiums, it's really still kind of broken, right? So, I'm a big believer in exactly what you just said is that, and I talked about this morning, is that the whole infrastructure category and platform service category are going to get completely obliterated. It's going to become one. I mean, you could name a million services that Amazon has, right?  It all needs to be one. And we see the same thing with Paz. The overlap between Paz and infrastructure clouds is heavy right now, right? So, where does Amazon stop and beanstalk begin? You don't really know. So, we're going to drive that convergence because you end up with a better result. We're going to drive, in that case for us, it's open shift, but we're going to drive the convergence of that with open stack. And you end up with a better mousetrap. Yeah, so Brian, you've been talking about that merging of infrastructure and platform and absolutely, if you look at something like Amazon, that line is greatly blurred. One thing we've seen from Amazon is when they release something, it's a tool that customers can take and they've had lots of solutions that are getting huge adoption pretty fast, things like Redshift, taking off. When are we going to have that killer app on the open stack side then? Yeah, well, that's the difference between, because they're in a different business, right? So, because they're basically looking at, so how do we create interesting services to drive demand? Makes sense. So, they need the killer app to drive the platform. Where we are, our customers have all of their apps. And they may not consider them killer apps, but man, that's their business, is running infrastructure underneath their apps and managing it. And they just got a broken platform underneath that on which to do it. So, where we're coming is we're not saying, you know what, write a whole new set of apps and start over and what is it good for? Our answer is everything, because the core of everything around open stack is that runtime of Red Hat Enterprise Linux. The apps are already there with managing 22% of infrastructure, you know, from Red Hat. The apps are already on the platform. And also we're doing an open stack is we're wrapping it better, architecture and operational model around Linux and everything. You know, fundamentally that's a little tougher. We've got to basically lift the foundation and move everything that I've got, so. But we don't have to. So that's the whole thing is that you can actually bring open stack in with your apps already up and running, right? Because the stack from virtualization with KBM through the Linux OS, all the way through the app stays the same. What open stacks really change is sort of like, it's all the control mechanism for provisioning from managing virtual machines, from managing storage, bringing in new monitoring capabilities and new security architecture. But all that is really in the control plane of the data center and not at all in sort of the application runtime. Only when you start to get to past does that start to get a little bit easier. So I want to get your take. I know you got a tight schedule and you got some other things to do. Quickly, big data has been enraged. Now data layers have been certainly being discussed at certain parts of the architecture. We heard data virtualization being a hot button here. People see that as the next big trend. As a CTO in Red Hat, where do you see the data coming in? Dataware is part of the actual code base, meaning not just some data warehousing thing where it's fundamental to the business model of the company, seeing the Facebooks of the world. I want to be more like Facebook. I want to be more like Amazon. So there's a lot of these web scale companies who have proven that DevOps can actually work in scale. So the data equation becomes interesting. Where does that fit into all this? The data thing, I mean, it's certainly one of the hottest areas, but I think that there hasn't been this exact recipe or science on that. I mean, if you have to have a data scientist, the fact of how well not understood it is. But I think what the web scale companies have done better than anybody else is, they have a rich supply of data on a daily basis. They want to react to it and change their business. And I think in the traditional part, traditional corporations are still in sort of that BI phase. And so what they're really looking to do is saying, like, how do I actually store, secure and scale up data and really analyze it? And I think the industry is absolutely moving there. I mean, our work with Hadoop is saying, how do we take Hadoop, what's happening in Hadoop, but connect it in with the existing data storage solutions that IT wants to use? Final question for me is the community of open source. Okay, you're seeing open source now move from a cheap alternative to an absolute tier one, commercial grade, opportunity and innovation engine. And there's a lot of marketing tactics from competition and a lot of people elbowing their way into the sandbox, so to speak, where the community is a real fragile and proven business model. So what do you see about the future of the open source communities? Yeah, the business model seems to be going well, tried and true methods, but what's going on at the community level and what should we be paying attention to? Is it the poisoning of the well? Are there proprietary tactics? What's your view on that? Well, you know, every participant has a different sort of motivation and that's understandable. But the most fundamental thing that's happened that we think is interesting is that I think in the very beginning, people thought open source and Linux were synonymous. And we always felt that open source wasn't about technology, it was about a development model that allowed a shared industry involvement outside of standardization of consortiums. And so now we've seen that. I think OpenSec, Hadoop, those are the first two major new categories that are being led by open source. And so that's sort of the breakout. So I think the industry is still figuring out how to actually work together. I mean, for us, it's like, you know, falling out of bed because we've been doing it for so long, but as new companies come in to get involved in open source, you know, that's where the learning has to happen to realize, you know what, you don't own it anymore. You're participating. It's not fragile, it's pretty solid in your mind. No, I mean, I think it's actually more solid by the day. You look at sort of the contributions on the side of OpenSec, it's just growing by. So I got to ask you about the how LAMP stack has evolved to be a massive innovation, but now people are talking about multiple stacks. I not just LAMP stack, I have other things I'm programming in, it's all converging together. Integrated stacks, what's your opinion of the integrated stacks? I think integrated stacks are a great thing. I think as long as you don't take the IT flexibility and choice away, I think there's actually whole companies out there that are masterful at providing value add around driving integration for select markets and opportunities. So Brian, so many companies these days are looking to find innovation by reaching outside of the walls of their own company. Red Hat has always been there by working with communities. Can you speak of what you see the state of innovation out there and what excites you the most? You know, I mean, what excites me most of what's happening now is innovation's actually starting in open source. So I have trouble thinking of a whole category of innovation that is starting in proprietary or owned by one company. So just sort of that general model that's happening and then that innovation's reaching customers quicker because it's not owned by any one company. You know, the stuff that's got me the most excited to be honest is everything that's happening around containerization. It's funny that it's been technology that's been around forever, but it's just sort of that awareness that's happening now that just happened overnight is making people realize, you know, there's another model out there. So to me, that's something that's happened. Timing's everything. Something happened. Timing and brand awareness. Timing is everything. We are here with Brian Stevens, Executive Vice President CTO. Thanks for coming on theCUBE. You knew you were super busy, but I want to get you the final word. Put the bumper sticker on the car that's leaving this event. What does it say on that bumper sticker? Four-day weekend. Sorry. No, I mean, I think it's just great to show. I mean, a lot of this is really, as you said, it's not a technology problem, it's an awareness. And so I think this is just a great way to put open source on the road and reach a whole new set of people to get them involved. This is theCUBE. We're live in San Francisco at the Red Hat Summit with the CTO talking tech, talking about innovations. It's a great time to be in computer science, writing code, and certainly rolling out operating systems in open source. This is theCUBE. We'll be right back with our next guest after this short break.