in a galaxy not so far away from Walt Disney World. Hey friends, today I get the opportunity to take you guys inside the home that is completely decorated and themed, Star Wars. I'm so excited. I've seen pictures of this online and I was baffled on how amazing it looks. Not only is it located just 15 minutes from Disney World, but it's available to rent that you can actually stay here while you're on vacation or a local like me. Anywho's, let's go do this. From the looks on the outside, it looks just like a regular Florida home, but once we get through those doors, I'm pretty sure we're gonna be in another galaxy. That's a fitting welcome, Matt. The moment has come. Are you guys ready for this? Oh, look at this rug. That light. Wow, this is amazing. Already I can tell all the Star Wars posters, the empire strikes back. This is just a living room area. Wait till you guys see the bedrooms. I have only seen the common space areas and I need to keep my level of excitement to a moderate level because this is fantastic. Like seriously, wow. Look at the size of that kitchen table, the living room area, the couches. I love this, honestly. And all the artwork, look at this. Look at this Darth Vader, Boba Fett and the empire having breakfast or making pies. That's amazing. The kitchen area isn't just normally a kitchen area because they have Death Star toasters and a Millennium Falcon waffle maker. That is what, are these assaulting pepper shakers? They are. And you also have these complimentary 12 parsec buttons which actually we'll get to because that's the name of this dwelling and there's a little history behind it. Like I said, the common spaces are amazing but the themed bedrooms is what I'm most excited for and I think we're gonna start with the master one right here on the same level. The master bedroom right here is something amazing. You actually sleep in the Millennium Falcon. That's right. What? It's amazing, isn't it? Look at this bed.  They even got little switches. What? That is amazing. And the way the walls are themed, it's like you're in the galaxy and just flying and sleeping in the Millennium Falcon. Look right over here, the Death Star. That is awesome. Wow, this is something else. Even a little step stool to get up in the bed. Huh, the bed itself just looks so comfortable and plus you can just lay out here. Oh yeah, that's a good bed. Honestly, I'm pretty baffled. I don't know what to say but there's a lot more to come. We have a lot more bedrooms to actually look at and they're all themed differently. So I'm very excited. Before we move on, I noticed that the Millennium Falcon Room has its own facilities so we need to check that out. And take a look at this bathroom. Huge. They have a huge tub over here. And look at all the Star Wars art that they have. Plus that shower. This is very nice. I like this. I want this to be my home. Let's make our way upstairs to check out the other rooms. But this one's pretty phenomenal. I wanna see which one I like the most at the end. I feel like this one's gonna be a top runner though. Let's make our way upstairs. And remember I was explaining before the 12 Par Sacks is the name of this dwelling and it has a little backstory. Well, take a look at that. A little history about the home itself. That is really cool that they went into enough detail to make some backstory. And I think that's amazing. Really cool. The way up, we still have all the movie posters but wait till you get up here. I don't know which way we should start. Should we go this way? Or should we go that way? These are the halls. I feel like I'm in Galaxy's Edge right now. I'm not even kidding. This is phenomenal. Oh my lord. Just look at this. This is unbelievable. I can't get over it. And these are bedrooms right here. One bedroom here, another bedroom there. It's just like, I don't know which door I should go in first. And then you have two more bedrooms over here. I think we're gonna go into this one. Oh ho ho ho ho ho ho. What? They're pod racers.  Oh ho ho ho ho ho. What? This is so detailed. This is amazing. I can't get over this. Where do you even get stuff to make this? Unbelievable. Wow. This is so cool. and it sleeps two people, they're two different pods. I like it a lot. This one is pretty nifty, and I see they have a door, so that means they must have their own bathroom as well. But just take a look at that. That is amazing, isn't it? I'm gonna go in here. Oh, yep, got a bathroom. Oh, it's actually like a shared bathroom. I like it. Oop, and it's like Yoda, Yoda's bathroom. This is amazing. Do or do not, there is no try, and the man himself. But I'm wondering, maybe this is another room through here? I don't wanna go in this way, I wanna go out the main way. So we're gonna come back to that, but look at that. I like the color in here too. We're gonna go back out. Do, do, do, do, do. Go into the fancy hallway. Look at that door. You gotta be kidding me. Or should we actually, I'm actually, we're gonna go on this side first. Check out the rooms over here, and then go back to that other one. What? You gotta be kidding me. Seriously, no way. This is Dagobah, and look at that bed. This is amazing. This is where Luke went to find Yoda. And look at the little painting over here, the walls. That is awesome. The bed though. I've never seen anything like this. This is amazing, isn't it? But wait, it gets better. It gets a lot better. There's a button. Oh, they got a fog machine underneath the bed. It fits so perfectly in here. Oh my word. Wow, this is crazy. I wanna go out and then come back in. I wasn't kidding, I really wanted to go out and come back in. That's awesome. Wow. It's gonna be hard to top this room for me. This is pretty amazing. Like, I wanna stay here right now. Like, I would lay down and take a nap. But we must move on. And we're gonna go through that door right there, I guess. Oh, man, I was wrong. This is Endor. This is the Ewok planet. This is crazy. Look at this. I was not, it's all my lord. The walls are beautiful. This is amazing. They did this amazing. Like, seriously, I can't even believe it. This is something else. Take a look inside in here. Look at that. Unbelievable. I love this. This one has a bathroom as well. Oh yeah, it's a nice bathroom. It's so cool how you transition. Like, right now we're in Endor and now we're in the lavatory. This is nice. I don't think this one has a shower. Oh, it does. Would you look at that. So beautiful. And this one's a shared bathroom. So we have another bedroom on that side that we have to check out. Wow. Well, I have to say, I don't know. We've looked at three rooms or four rooms already and I don't know which one is my favorite, but we have a couple more to go. Back through the fancy hallway here and then to that room that we said we were gonna come back to right here. Wow. This is amazing. I feel like this room is either Alderaan or Naboo but it just reminds me of a queen's room because it's just beautiful. Look at the bedspread and then the canopy above the bed. Yep, this is something else. I like it a lot. Wow. That's right, you guys are gonna get a lot of wows out of me today. I'm really, I'm a little impressed. I am a lot impressed. We'll move out of this room and on to the next, a secondary living room. But it might look a little familiar. Look at this. Wow. This is so cool. Another living space on the second floor and it's amazing. It's so cool and relaxed. I like the way the lights are. This is amazing in here. We have already checked out one room, two room, three room, four room, five rooms and we still have this room, that room, that room and I think that room. This is crazy. I just had to do it. Wow. I feel like I'm about ready to ride Spuggler's Run. We're gonna pick this room first to look at. Oh boy, it's bright. I can see why it's bright. What? This is the ice cave? Wow. Oh my Lord, look at that carpet. I gotta touch it. Oh yeah, that's a good carpet. Look at that and look at the little blue light up on top of the bed. Wow. And the ice cave bedroom must also share a bathroom with Endar right over there. Pretty interesting. This one is really catching my eye because it's a double door and look on the outside, I have a feeling of what it is. Oh yeah, look at this. Oh, it's got bunk beds. The lighting's a little bit rough in here, but wow. This is great. Do you guys know what this is? This is the planet where Darth Vader, well Anakin and Obi-Wan fight. This is where he loses his legs. That is amazing. The artwork in here, phenomenal. And look at, you have bunk beds. One, two, three, this room sleeps four. That's unbelievable. And this, just the centerpiece. I'm blown away. From the outside, this house did not look this big, but wow, so many rooms, so many living spaces. I'm blown away. Like I've said that a lot. I know I've said blown away. I said, wow, I said I like it a lot. There's a lot of emotions going on right now. We have one more room over here. Yep. I'm excited to see this one. Oh, look at this. Do we got a light? Oh man, they have lights under the bed. This is amazing. I see another green button. Look at Han Solo. Look at that carpet. What? But we gotta find out what this green button does. Oh boy. Do not press too long or fire alarm will sound. Oh yeah. It's another fog machine. The fog machine fits perfect because it's Cloud City.  That is amazing. Wow. I legitimately don't know what to say. The walls in here are beautiful. We're gonna make our way back downstairs because there's another bedroom, a garage, and a pool area still that we haven't even touched. Like I feel like I'm in a maze. This house is almost my dream home. It is. We made it back downstairs and I wanna show you a little bit more of the living spaces or common areas because they have a little bit of Star Wars detail almost in every single corner. When we first walked in, they have this little baby Yoda statue. Well, not baby Yoda. Just a small Yoda statue and then a bucket of lightsabers. The kids can play for days. Look at that. And I'm guessing right next to the dining room here is the pool area. Oh yeah, there it is. Wow. Nice green den pool. I like this a lot. This is like one of the perfect like vacation homes to rent if you are a fan. Look at that scenery behind us. Nothing. Unbelievable. We use our lightsaber as a tool. And there's another bedroom over here that I wanna check out as well. I'm telling you, this place is massive. Yeah, let's see what we got here. Oh, these are like little pod bedrooms. I like this. This sleeps another four bunk beds again. Wow. This is really neat. It's got its own bathroom over here too. Yep. This is cool. This bathroom is R2-D2. What? This is like the coolest bathroom ever. I love this. And then across the hall is access to the garage. And the garage actually has a pool table. Look at this. Oh wow. That is an awesome piece of art. I like that. Really nifty in here. Kind of like a lounge area. Comes with a fridge. Maybe I got some cold ones in there. Nope. It's empty. And I think that's gonna do it for me. I think we covered the whole entire home and it is humongous. Big shout out to Loma Homes for allowing me to come out and check out this amazing piece of property. I really hope you guys get a chance to look at it. I'll put all of the information in the description below where you can rent it out, where you can view the rooms and everything like that. Speaking of the rooms, let me know in the comments what your favorite room was. Mine definitely has to be indoor or probably dog ball. Either of them, honestly. Those two really took me away. And this was great. So, love the life you live. We'll see you next time. Bye.


Lux presents Hollywood. Weaver Brothers Company, the makers of Lux Toilet Soap, bring you the Lux Radio Theatre, starring Burt Lancaster, Edward Arnold, Scott Brady, and Anne Pierce in All My Sons. Ladies and gentlemen, your producer, Mr. William Keely. Greetings from Hollywood, ladies and gentlemen. Tonight we bring you a turbulent drama that has its counterpart in many American homes, that of a father who has the human desire to give his sons everything money can buy. But in making that wish come true in this particular instance, his love for his family turns to greed for money. Now this is the theme of All My Sons, a smash hit on Broadway and later a successful motion picture from the studios of Universal International. It's a play with brilliant acting opportunities, and we have an all-star cast tonight to perform it. First, that dynamic box office attraction, Burt Lancaster, in his original role. Then our old friend Edward Arnold as the father, and Scott Brady, one of your newer favorites, and for feminine beauty and charm, Anne Pierce. Today is May Day, a day when beauty queens become a national symbol. And of course the national symbol for beauty care is luck's toilet soap. American beauties have known for years that there is no better way to guard lovely complexions than with luck soap facials. Now All My Sons, starring Burt Lancaster as Chris Keller, Edward Arnold as Joe Keller, Scott Brady as George, and Anne Pierce as Annie. Toward the end of the war, a tragic scandal broke in a small Midwestern city. A machine shop delivered a quantity of defective cylinders to the Air Force. As a result, 21 pilots crashed to their death. The owners of the plant were put on trial. One went to prison. The other, Joe Keller, was exonerated. It's two years later, and on this Sunday afternoon, Joe Keller's in his front yard, raking leaves. It's two o'clock, Chris. If Annie's coming on that train, you better get down to station. I'm leaving now, Dad. How's mom feeling? No better. I figured to let her rest a while. It isn't a rush she needs, Dad. You know it. Somehow she's got to understand that Larry is dead. It's insane what she's doing. Well, she just won't be convinced. But nobody comes back after all this time. You can talk yourself blue in the face with this. Nobody and no grave. The War Department reporting a missing and that's all. And Mars got a mind made up that someday your brother is going to come back. And what about Annie? What about her? Oh, she's Larry's girl. He was engaged in Larry's... She's not Larry's girl. How can you be Larry's girl when he's dead? Dead. I'm going to ask Aunt to marry me. You marry that girl and you're pronouncing Larry dead. You better give it some thought, kid. I have given it thought. I hope you could have a regular wedding and everything happy. But if that can't be then... Well, then I'll just have to get out. What are you talking about? You got a business here. You mean you leave the business? Yes. On this I would. Ah, don't even think like that. Well, then help me to stay here. All right, but don't think like that because, well, what did I work for? Was all for you and Larry? The whole shooting match. Now it's all for you. I know, Pop. Just help me to stay here. That's all I ask. Chris, wait a minute. Wait a minute. Let's leave it this way. Don't do anything without Ma knowing it. I don't want Ma to be hurt anymore. Do you think I want her to be hurt? Well, just don't go running off and do something crazy. Promise me you'll first talk to Ma. Okay. I promise. I used to know you. I don't know you now. Do I, kid? No, Dad. You don't. You know, that Annie's a swell girl. Get going now and don't keep her waiting. Well, we're home, Annie. Hey, Pop, where are you? I'm right here. You are. You look beautiful. Hello, Mr. Keller. Where did you get that Mr. Keller stuff? I'm Joe. Joe. Here, let me look at you. Oh, a dish if I ever saw one. Here, give us a kiss. No, no, wait a minute. Oh, they're still falling for me, Chris. How do you like that?  Hey, Kate. She's here, Kate. Well, tell me, how's the old neighborhood look to you, honey? Oh, it looks wonderful, Joe. I see the people painted our old house. Well, what about this house? Do you think you can still find your way around? I think I can. Oh, the piano. You know, I haven't touched a piano in years. Well, sit down, Annie. Play something. No, no, no, no, Annie. No, no, no, no. If you don't mind. Kate hasn't let anybody play that thing since Larry. Well, you know. Oh, that's silly, Joe. I'd love to have me play it. Play it, Anne. Well, I'm just telling you that's all. Annie, darling, I'm so glad you could come. Mrs. Keller, it's so wonderful to be back again. I'll take your bags upstairs. Yeah, like old times, huh, ma? Annie around again? Almost like old times, Joe. You know, the piano still looks good in spite of the way Larry and I... You think of him? You see, Joe, she still thinks of him. What do you mean, Mrs. Keller? Just that you remember him. But how could I help but remember Larry? I'll take you up to your room. Well, I'll see you later, Annie. You must be tired after that long train ride. Did you sleep well? Mm-mm. I was too excited. This room, dear, to your left. No kidding, Mom. Isn't she the sweetest gal you ever saw? Oh, now you just take it easy, Chris. You're gonna have me believing it. Okay, then you're not the sweetest gal I ever saw. Mom is. Oh. You big kid. You go away. See you downstairs. Tell me, Annie. You still work at the same place in Chicago? Oh, yeah, still pounding a typewriter. What are all these things, Mrs. Keller? Do these all belong to Chris? You don't remember? This is Larry's room. Oh, it just didn't occur to me that you... Well, like his shoes, they're all shined and his... Yes, dear. For when he comes back. Mrs. Keller. Annie. Sometimes it's better to let things stay the way they are. Not disturb them, no matter what. We'll be in the backyard. You come down whenever you're ready, dear. Where is she, Kate? Where's Annie? She's changing her dress. I wish she hadn't come. Why not? You know why not, Chris. People will ask questions. Well, let them. Then we should know the answers. Well, I'm glad she came here and let people know there's no grudge. They'll wonder about her father. Ask about him. Well, she's got a lot of spunk coming here at that. There's no flies on her. Oh, I like that girl. You like every girl. Well, no flies on me, either. There comes Annie now. No, no, don't move anybody, please. You know, I never noticed it before, Annie. But you got awfully pretty legs. Joe! Well, she has.  Annie, the neighbors, all the old friends, they know you're here. Well, I'd love to see them again. You want to see them? You mean they'll ask questions. That's all right. And George, your brother. How's George? Oh, he's fine, Mrs. Keller. George is a lawyer now, huh? All he needs now is clients. Oh, George needn't worry. Always was a swell kid there, George. They'll want to know about my father, too, won't they? Annie, you don't have to even... I know, but everybody knows my father's in prison. Haven't they stopped talking about it yet? Nobody talks about it anymore, honestly. No, it's gone forgotten, honey, believe me. How do you think I could stay in business if they didn't? For you, it was different, Joe. Your name was cleared, but people do talk about it. The only one who talks about it, Annie, is her. I think she's sorry they let me go. It certainly was more peaceful in this house when the trial was going on. That much, I do say. It's so wonderful to hear you laughing about it. It doesn't seem so awful when you can laugh about it, does it? Say, I got a great idea. Why don't we all go out to the lake tonight and have a short dinner, like we used to do? The whole kit in the caboodle of us, huh? I think for a change you're talking sense. Well, I'd love it. I'll call off Swanson's Reservative. Oh, no, you don't. This is my party. You'll just leave it to me.  You okay, Mr. Keller? How's the lobster? Oh, fine, Pete. Fine. Just keep that wine coming. Anything you want. Just holler for it, Mr. Keller. All right. Big shot, huh?  Here, Annie, have some more lobsters. Joe, I've gained five pounds already. Joe, Joe, look who's at the bar. Huh? Oh, yeah. Mrs. Hamilton, she's drunk again. So what? So nothing. Who's Mrs. Hamilton? Oh, she's a lush. She's always drunk. She used to work in the factory for a while. Yeah, during the war, extra help. Her husband was killed in the invasion in France.  As soon as we leave here, why don't we all take... She's seen us, Joe. She's coming this way. Well, to Keller. Huh? Oh, hello, Mrs. Hamilton. You murderer. Now, you cut that out, or I'll... No, I need you!   Dad, Dad, take it easy! Hey, what's going on? Get it out of here! I tell you, get it out of here! Frank, Eddie, take care of her, will you? It's all right, folks. Everything's all right. I'm sorry, Mr. Keller. No, it's okay. She's drunk.  Now, come on. Let's finish the dinner. Joe, I don't feel so good. Let's go home. Yes, please. Well, you take him out of the car, Chris. I'll get the check.  Yes, Joe. That's right. What's the matter, Annie? You're not letting that Mrs. Hamilton upset you, are you? Oh, I don't know. I guess things just aren't the way I thought they'd be. Perhaps I shouldn't have come back. That's what I told Chris. She's right, Chris. She's not right. You had to come because this is where you belong. Now, look, you listen to me, Annie. You do like I did, and you're going to be all right. Like you did, Joe. Yes, yes. The day I came home after the trial, I got out of my car but not here in front of the house. Oh, no. Way down the street, down the corner. Everybody knew I was out that day. Nobody believed I was really innocent. The porches all down the street were loaded. The beast. I was the beast. I was the guy who sold defective cylinders to the Army Air Force. I was the guy who made 21 planes crash. Well, kid walking down the street that day was really something. But I walked past the porches, passed every single one of them with my head up high. The result? Six months later, I had one of the best shops in the state again. A respected man again. Bigger than ever. I'm afraid I don't have that kind of courage, Joe. Besides, you were cleared. The worst thing you did was to move away from here. And it ain't going to end until you move back. And the next time you write your dad, I'd like you to tell him just what I said. But I don't write to him. Neither does George. You don't even write? Why? Because he did murder 21 pilots. That's why. Oh, now what kind of talk is that? Look, Joe, when they first took Dad away, I went to see him every visiting day until I learned the news about Larry. Then I stopped. What your father did had nothing to do with Larry. Nothing. And Larry's not dead, dear. He's not dead. Mom, please, please. He's not dead. If you'll excuse me, I think I'll go up. Good night, Annie. Good night, Mrs. Kelly. Good night, Joe. Chris. Good night, Mom. Now, listen, Annie, Larry never flew those planes. So who flew them? Pigs? Annie's father was a fool, but don't make a killer out of him. You got no sense? All of a sudden, a batch of cylinders come out bad. Something went wrong. A mistake. But it ain't murder. Annie, you mustn't feel that way about your father. No. He still didn't have to ship them. All right, so he shipped them. He believed they'd hold up 100% and some of them did. The army screaming for deliveries.  So he shipped them. I don't say he was right, but it wasn't murder. Do you hear me? It wasn't murder. Let's just forget about it, Joe. Annie, the day the news came about Larry, he was in the cell next to mine, your dad. And he cried, Annie. He cried half the night. I guess the fathers of those boys cried too. Don't talk like that. Well, then cut it out. We've had too much talk. Yeah, yeah, Chris, you're right, Annie. You're right. Too much talk. Now, look, why don't you two go for a ride or something?  What's the matter with you, Chris? A pretty girl and all you do is sit around here. Why don't you mind your own business? Well, it's too bad I'm not younger myself, Annie. Oh, you're just the right age, Joe. Yeah, what do you know? Just the right age, she said. Let's get out of here, Annie. He's too much competition. Yeah, and have a good time, Annie. Enjoy yourself. Why, Chris? Why, this is Eagle Rock. Yeah. Do you remember how I used to pick me up here, you and Larry and I? Oh, Chris, let's get out of the car.  Okay, this is where I learned three's a crowd. You were too sensitive. Are you still? Well, the Army rubbed some of it off. Not enough, I'm afraid. Chris, Chris, I'm not staying. No, don't say that. For one thing, your mother doesn't want me here. But, but mother doesn't understand, Annie, give her time. And then, well, ever since I got here, you've been, well, kind of distant. Do I embarrass you by being here, Chris? Oh, I know Annie, no. You act like it. But, but you must know why I asked you to come. I guess that's why I came. I love you, Annie. Honest, I love you a great deal. I love you. Gee, gee, I have no imagination. That's all I know how to tell you. Isn't that awful? I didn't want to tell it to you here. I wanted some place where we'd never been. A place where we'd be brand new to each other. Where we... Oh, Chris. I kissed Annie. I kissed Annie. How long have I been waiting to kiss you? We're gonna live, Annie. Oh, I'll make you happy. So happy. How long have you loved me, Chris? Always. Ever since we were kids. Have you seen anything or showed it? Well, you were Larry's girl. You're funny. What about your mother? Oh, don't worry about mom. I'll tell her. That's going to be hard, Chris. She doesn't want to know the truth. I'll tell her. Just give me a little time, Annie. Still sitting on the porch, huh? Checking up on us, eh? Phone call for you, kid. Long distance. For me? Ask for Operator 4 Springfield. I think it's your brother. George? But why would George? Why don't you call him? Find out. Well, I will if you'll excuse me. Well, that didn't take long. Couldn't you reach him? It was George all right. Anything wrong? We went to Springfield to see my father. What is it, Annie?  No. George is just a little upset. That's all. What about? I don't know, Joe. He didn't seem to make much sense. I think I'll turn in now. Good night, Joe. Well, sleep well, Annie. Good night, Chris. Good night, Annie. Wait, Joe. Now what is it? Why did George telephone? All these years George don't even write to his father. Suddenly goes there to see him. He's a lawyer now, Joe. Lawyers like to dig things up. Well, let him dig. I got a paper from the court, didn't I? I'm in the clear, so let him dig. Joe, Chris isn't going to marry Annie. I won't have it. OK, please go to sleep. Be smart, Joe. She means trouble for us. She and George both. OK, go to sleep, I said. Be smart, Joe. Be smart. In a few moments we'll continue with act two of All My Sons. And now our Hollywood reporter, Libby Collins. Give me a good melodrama, Mr. Keely, and I'm happy. Especially when it stars James Mason. Well, that's the way he affects all the ladies, Libby. In Universal International's One Way Street, he's involved with a gang of criminals, but still he wins your sympathy. Yes, you keep hoping he'll escape the vengeance of Dan Durier, the sinister gangster chief. The more so because of his romance with lovely Marta Torrin. It all begins when they arrive in the little Mexican village. A village you'd hardly believe was built right on the studio lot. So authentic in every detail, even the Mexican actors were impressed. You might say One Way Street has an international flavor, with James Mason making love to Marta in his nice British accent. And Marta herself is Swedish. You know, few people realize that when they see her. She's a brunette beauty, the dark, sultry type. You'd recognize her as a luxe girl though, right away. Instantly, John, such fresh, lovely skin, with the smooth look that comes from daily luxe soap care. Marta really depends on her luxe soap facials. That's because they give such gentle, protecting care, Libby, as famous screen stars know. Yes, and these luxe soap facials are so quick and easy too. Just smooth the rich, active lather in well. Rinse, pat with a soft towel to dry. That's all. But what fresh new beauty this gentle care will give your skin. Recent tests by skin specialists prove it. In actually three out of four cases, complexions improved in a short time. So here's a beauty tip for women everywhere. Next time you shop, stock up on Hollywood's own complexion soap. Remember, nine out of ten screen stars use fragrant white luxe toilets. Now, our producer, Mr. William Keely. Act two of All My Sons, starring Burt Lancaster as Chris, Edward Arnold as Joe, Scott Brady as George, and Anne Pierce as Annie. It's the following afternoon, and at the factory, Joe Keller and a few of his workmen stand in front of a stamping machine. Well, you see, it's all fixed. Is anything else up with you guys? Same old Joe. If you want to know, ask Joe. That's what we used to say. That's right, Charlie. If you want to know, ask Joe. OK, fellas, get with it. Knock it off time, eight or five o'clock. Hey, Chris? Yeah? Where are you? When were you this morning? I stayed in that breakfast with Annie. Well, you can dock yourself a couple of hours' pay. Now, wait a minute. It was only an hour. An hour and 14 minutes. If you want to know, ask Joe. Annie, say, why she called her up last night? George called her up. No, I guess it wasn't anything. Why? Does it bother you? No, it's just that I don't want them raking up things that had better be forgotten. This day in court, that man blamed it all on me. Well, this is his daughter. Dad, Annie's going to be my wife. Well, I'm glad. I'm glad for both of you, kid. And when it happens, I'll put up a new sign over the plan. J.E. Color and Son. How does that sound? Sounds important. It is important. And I'm going to build you the best house in town. I want you to spread out, Chris. I want you to use what I made for you. With joy, I mean. Without shame. With joy. Of course, Pa. Sometimes I... I think you're ashamed of money. Ashamed of it. I'm sorry. There's nothing wrong with the money, Chris. You don't have to tell me that. Am I interrupting the business? Well, Annie... I came to drive you home. Hello, darling. Annie, Chris just told me the good news. And I'm glad. Really glad. Thank you, Joe. You belong to us, Annie. In the same family. George, too, when you're dead. I hope that George found him a little less bitter toward me than he saw him yesterday. He didn't say, Joe. What have you been doing all day, Annie? Well, nothing too exciting. I saw some of the neighbors, and then after that, Sue Baylor stopped by. There, Sue's a nice kid. Jim's a doctor now, you know? I know. He told me all about him. Well, am I going to drive you home? Not me. I'm only the boss. I've got a state of closing time. Slave. Come on, Chris. Look, there's just one thing that you kids will have to consider. And that's mom. You can't do this over a head now, can you? Well, that's going to be hard, Joe. Well, hard or not, you'll have to talk to her. I'll talk to her. Annie, look at this plan. Look around it. Someday it's all going to be yours. Yours and Chris's. Tell that to George the next time you see him, so he can tell your dad. It might make him feel happy to know that.  Yeah, sure, sure. Well, I'll see you at dinner. But Joe wouldn't come home with us, Mrs. Keller, too early, he said. Annie, he phoned again. George, he's at the depot. George? George here in town? He wanted to meet you there, Annie. I can't imagine what's got into him. I finally got Jim Baylor's to drive down to the depot and make him come out here. Well, I'll phone the station and see if he's still there. If George is coming to reopen the case. Now, Mom, how can George reopen the case? No, I don't know. But when he leaves here, tell Annie to go with him. It is different, Mom. No matter what the others may think or do, she's different. He's her father, too. She's different. You'll see. I couldn't get the station. The line's busy. Well, Jim must have picked him up. I'd better look after the dinner. No matter how much help you have, you'll always have to look after things yourself. She's upset, Chris. Why? She's so fond of George. Well, she thinks she's going to make trouble.  It won't change anything between us whether Chris, no matter what he says. No matter what anybody says. Jim! Oh, Jim! Oh, it's Sue Baylor's. Oh, come on in, Sue. Oh, hi. He's seen Jim around. We went to the station, Sue, to pick up my brother. George? Oh. Oh, well. Well, it's nothing important. Chris! Yeah? George in a minute? Remember, Annie. No matter what anybody says. I, uh... I guess your brother's coming to give the bride away, huh? Oh, it's not hard to put two and two together. What's your father going to say about all this? Why should he say anything? Oh, why shouldn't he? After all, the way Joe Keller outsmarted... That's not true. Oh, I'm sorry, Ann, but there isn't a person in town who doesn't believe it. But that can't be true, Sue. The Kellers are on the best terms with everybody. They just give Joe credit for being clever. I guess I'd do myself. Susie, go on and see if you can calm down, Mom, huh? She's all worked up. Oh, but you and Ann, huh? Why don't you mind your own business? Go on and see what you can do, huh? Okay, I'll go in. Chris. Chris, she says they think Joe's guilty. That he just outsmarted my father. Sue talks too much. But Chris, I turned my back on my father if there's anything wrong here now. Annie, Annie, my father is innocent. Do you think I could forgive him if he were guilty? Believe me, I... Oh, there's a car coming. Oh, it's Jim. Look, stay here, Chris. Stay here on the porch. Hello, Ann. Well, your brother's there in the car. What's he staying in the car for, Jim? George came here to take Ann away. You take my advice, fight it out somewhere else, huh? Nobody's afraid of him here. I thought I heard you talking. Oh, hello, honey. Well, is that George out there? Hmm. He's getting out of the car. Oh, why wouldn't he? George. Hello, Annie. Hello, George. I'm glad to see you. Oh, uh, this is Jim's wife, Sue Billis. Hello. So you're George. Well, I heard a lot about you. Yeah, that'll do. So we've got to get back home. Well, you don't have to push me. Nice meeting you, George. Thanks. And thanks for the lift, Jim. Forget it. Sit down, George. Well, tell me, how's the law these days, huh? I don't know, Chris. When I was studying, it seemed sensible. But outside, there doesn't seem to be much law. Annie, you're not going to marry him. Why not? Because his father destroyed your family. That's why not. Cut it out, George. Let's not argue. Tell her to come with me, Chris. Who are you to come bullying your way in here? If you've got something to say, say it. I went to see Dad, Annie, to tell him you were going to be married. It seemed impossible not to tell him. All right, go on, George. Whatever he did, he's our father. We've got to remember that. That's not what you said when you got back from overseas. I know what I said. But now I know it wasn't all Dad's fault. Joe Kellan knew about those cylinders, Annie. Joe knew. That's a lie. My father was here in this house. He was sick. Sick? He came to give himself an alibi, so all the blame would fall on my father. But, George, all this came out at the trial. Dad told the whole story and the jury didn't believe it. The jury didn't know him, Annie. Yesterday I heard it straight from his own lips. And it's all together different from the way it reads on the court record. Your father tricked him, Chris. He took everything we had. Now, wait a minute. Where do you get the nerve? Get your things, Annie. You're coming with me. I'm staying here, George, with Chris. Staying here? Why, everything they've got is covered with blood. You're not the kind of a girl who can live like that. George. Oh, hello, Mrs. Keller. Oh, let me look at you. Let me look. Why, George, they've made an old man out of you. What? It's been a long time, Mrs. Keller. Annie, why do you say he looks fine? He looks like a ghost. What's the matter with you? Don't you eat? Oh, I feel okay. It's just that I don't have much of an appetite these days. If you ate in my house, you'd have an appetite. Wait till you see the dinner I've spread out for you. I'm not staying for dinner, Mrs. Keller. I've got to get right back. Of course you're staying for dinner. No, no, no, I can't really. Now don't you start telling me what you can do and what you can't do. Going around making believe that you hate us.  Not in your heart. I know you. I carried you when you were a baby. No, you can't fool me. You haven't changed, have you? None of us have changed, Georgie. We're all the same. Well, maybe I will stay for dinner. Nobody can resist, Mom. Not for long. Why should he resist me? Georgie, I've great juice. Remember? You and great juice. Great juice. See, can smile. You come with me. George, I'll be home soon. You'll be so glad to see you. Well, George, this is some surprise. You look fine, George. He looks terrible. Yeah, that's what I said. You look terrible, George. I wear the pants and Kate beats me with the belt. Tell me, how's your dad, George? Feel all right? No, he's not well, Joe. I wish you'd let me know when you were going to see him. I didn't think you were interested. Of course I'm interested. I'd like him to know that as far as I'm concerned, on the day he gets out, he's got a place with me. You don't owe him anything, Dad. I know that, Chris, but just the same. He hates your guts, Joe. Don't you know that? Yeah. But that can change, too. But Diva was never a man to hate. Never. He's like that now, Mrs. Keller. Well, that's a sad thing to hear. Why, Joe? Why? What did you expect him to think of you? Well, a thing can be sad, even if he expected it. As long as I've known him for 25 years, he's never learned to take the blame. You know that, George? Well, sometimes there are circumstances. Yes, but you do know it. I mean, like in 37, when we had the shop on Flood Street and he nearly blew it up with the heater, he'd left burning for two days without water. He never did admit it was his fault.  You don't remember that, don't you? Yes, but... I mention it because it's just one of a lot of things. It's not the same, Joe. Joe, many called dinner 10 minutes ago. You know, George, there are certain men in this world who just haven't got the guts to take the blame. You understand me? Sure, Joe, sure. I understand you. That's all I wanted to hear you say. Come on, everybody. Let's have some dinner. Oh, but I can't resist, Keller. One more bite and I'll bust. It's like I tell her, George. Mom should have joined the army and fed the fellas overseas. Oh, you're not kidding. Well, I just don't like to see people go hungry. That's all.  Yeah, and don't think I was kidding. Oh, he's got influence, this man. Influence. I'll talk to Judge Collins. He's got the biggest law firm in town. I'll have him take you in with him. Well, George, now all you'll need is a wife. Leave it to me, Georgie. I'll find you, girl. I feel so... Well, it's so wonderful. I've never fell at home anywhere but here. And why shouldn't you, Georgie? We've no argument. Why should we have argument? We were all hit by the same lightning, all of us. You know, Mrs. Keller, you haven't changed a bit, and you too, Joe, while you're amazingly the same. Still healthy and as strong as an ox. Joe hasn't been to a doctor as long as I can remember.  Is that a fact, Joe? Yeah, sure it's a fact. Except for that time when you... Oh, yeah, oh, sure, sure. Except for that time when I had the flu. I thought he had pneumonia. He couldn't leave his bed.  Not a day in your whole life. George, please. Do you remember every time you were sick? I remember that time. Oh, George. What's the matter with you? Especially if that was the day when my partner was going to ship defective parts to the army. Joe, what happened? I'll tell you what happened. Give up on this, Chris. I don't have to tell you anything, George. Ask the court what happened that day if you're so curious. Ask the court that set me free. You had me fooled for a minute, Joe. All this good food. All your talk about a swell job and girls. You sure had me fooled. Come on, Anne, we're leaving. George. I'll wait for you outside. Get your thing. Annie. No, no, no. Stay here, Chris. Look, I'll go out there and talk to her. I told you not to bring her here. She doesn't belong here. Why doesn't she belong here? Because she's Larry's girl. She's not Larry's girl. Larry is dead. He's dead and he can't come back. Oh, cut it out, Chris. Never, never in this world. He's not dead. As long as we're alive, your father and I, he's not dead.  He can't be dead. What did she mean by that? Well, if I know what she meant. That's a funny thing for her to say. Well, you know the way my talk sometimes. What's the matter? Why are you looking at me like that?  What kind of a thing is that to say? I don't have to defend myself to you or nobody, do you understand? Not to you or nobody. No hard feelings, kiddo. No hard feelings. But don't you see, Annie, what kind of happiness are you going to have with all that rottenness underneath?  It can't be. What are you telling her? Get out of here, George. Don't you ever come back here again. Well, Ann? You wait for me, George. I'll be right there. It's no good, Chris. Sometimes you just have to leave things the way they are, I guess. That's what your mother said. And she's right. Then you're going? Yes. Let me go with you. No, Chris. No. I'll be back in a couple of days, Mom. Don't try to stop me now. After her. After Annie. No. I'm going to Springfield to the prison. I've got to talk to Annie's father. In a few moments, we'll bring you Act 3 of All My Sons. Our talented young guest tonight is Joan Reynolds, 20th Century Fox starlet. As the daughter of the famous war correspondent, Quinton Reynolds, you've undoubtedly had your share of excitement, Joan. Yes, indeed, Mr. Keely. And I've learned enough about war to know there's nothing romantic about it. When I saw Claudette Colbert in 3 Came Home, I was so impressed with the terrific realism she gives her part. Yes, it's a picture of great emotional power. Claudette, as an American wife, held captive in a Jap concentration camp, shows us what courage and endurance can mean. Patrick Knowles gives a fine performance, too, as her husband. It was quite fascinating to see Claudette minus her famous bang. Oh, yes. Her personality's completely changed in 3 Came Home. So different from the sheet. Glamorous, Claudette Colbert, we're used to. Yes, she makes us feel the sufferings of a war prisoner, day after day, the indignities and privation. Yes, she actually lived the part. She'd come off the set tired to shovel, even limping sometimes. Grateful to get back to the comfortable world we live in. You can imagine how she welcomed her dressing room and the luxury of a fragrant luck soap bath. Nothing can be more refreshing when you're tired than a bath with that generous bath-sized luck toilet soap. It gives a real beauty pickup, Mr. Kennedy. The lather's wonderful, and it leaves such a nice delicate fragrance on your skin. Even in the hardest water, that big bath cake gives rich, abundant lather. Yes, once you've tried it, you know there isn't a finer bath soap made. So next time you shop, stock up on the generous bath-sized luck toilet soap. Enjoy its creamy lather and delightful fragrance. Find out for yourself why 9 out of 10 screen stars use luck's toilet soap. Thank you, Miss Joan Reynolds, for coming tonight. We pause now for station identification. This is CBS, the Columbia Broadcasting System. The curtain rises on Act 3 of All My Son, starring Bert Lancaster as Chris, Edward Arnold as Joe, Scott Brady as George, and Anne Pierce as Annie. At the State Penitentiary, Herbert Dever, the father of Anne and George, has a visitor, Chris Keller. I wasn't too sure you'd want to see me, Mr. Dever. Why not? So you and Annie want to get married. George told me. Why not getting married? Why not? Annie broke it off. George came to our house after he'd seen you. She went away with him. Why? Because George convinced him my father was guilty. I'm sorry for your, Chris. Very sorry. I don't believe my father is guilty, Mr. Dever. Go away, Chris. Go away and forget all about it. I'll go when you tell me my father is not guilty. It's all that matters to me now. My happiness and Annie's happiness. So tell me. Tell me the truth. All right, Chris. All right. As God is my witness, what I'm going to tell you is the truth. You were away at war when it happened. Your brother Larry, too. You have no idea how busy we were in the plant. Well, one day the foreman came to my office. It's about those cylinders, Mr. Dever. Have you looked at him? Why should I look at him? That's Joe's department. Well, I thought you should know, too. They're defective. Defective? I'll have to reject the whole batch of them. But you can't reject them. They've got to be shipped out on Monday morning. The government tells me I've got to inspect them, Mr. Dever. You know that. Well, they're no good. Get back on the job. I'll see Joe about them right away. That's right, Herb. The cylinders came out bad. Sometimes that happens. They come out bad. But then they be fixed. How can we fix it? You mean we start from scratch on that order? By the time we do that, we're out of business. We shouldn't have got into this, Joe. Well, way over our heads. We're not big enough. We had no right to accept those contracts. I don't remember you saying anything when I got those contracts. You looked at the profits at the bottom of the page and you thought they were plenty big enough. You said we could handle it. I relied on you. We can handle it. So what do you want to do, Herb? Not ship them? Haven't canceled us out? Put us out of business? Either we take the chance or we're through. Good and through. Broke. I've got every cent in the world tied up in this shop. I wouldn't even be able to keep my home. And what makes you think I'm any better off? I've got more than money tied up in this. I've got me tied up in me. My flesh and blood, my heart, my brains. 40 years of it. Keller and Diva. I guess you don't know what that means because you never had to get it that way. I know, Joe. I know. Yes, you know. When you were working for your father, wearing a white collar and living in the best house in town, I was collecting scrap iron and back alleys. A junk man. Old cars, old sinks, old stoves. I picked a stove from you once, too, Herb. Did you know that? Yeah, and I paid you for it, too. I guess you wouldn't remember. I was only $3.50. But I remember it. It was my last $3.50. I'd beat it into a scrap with my hands and sold it for five. Bucket a half profit. A nice turn of a, Joe. Yes, I know. Finally, I had my own shop. And then the times when I couldn't meet the payroll. The times when my wife took a job to pay the interest on a bank loan. Kate, Kate, a foreign girl who worked for your mother. You're only losing money, Joe. Only money. It's a crime to ship those cylinders out of here. You must realize that. It's only a crime if you get caught. So ship them out of here, Herb. I say the cylinders are okay. Ship them out. But when Mundy came, I didn't ship them, Chris. Joe was home that Monday. He was sick. The first time he was home sick. I'd like to say that I held the order up because of honesty, principle. But that wasn't so. I was frightened. And Tuesday, the army men came in. They tore the roof off the place. They wanted the cylinders. When they left, I phoned Joe. All right, all right. But what did you tell him? Did you tell him they'd get the cylinders? No, I can't take the responsibility, Joe. I'm frightened.  How can I come down when I'm sick? But if something happens... Nothing is going to happen. I'll take full responsibility, Joe. Yes, Joe, I know, but just... The full responsibility, I said. So ship them. Full responsibility, Chris. So I shipped the cylinders. But that's what you told them in the court and they didn't believe you. Why? Why? On the telephone, you can't have responsibility. And in court, you can always deny what you said. So they sent me to prison. No. No. He couldn't be like that. I know him. He's my father. You know it isn't the truth. It's the truth, Chris. It's the truth. Well, the guards come. Time's up, mister. Let's get going, please. But if it's true, how... You have to go now, Chris. Tell me something. Do the men at the plant still say, if you want to know, ask Joe? Yes, I bet they still do. Why'd you come back again here, Annie? Why? I thought you and George went back to Chicago. I did go back, Mrs. Keller. But I have to see Chris. I phoned the office. They said he's away. He's out of town. I don't know. A few days of vacation. Look, I wanted to talk to him before I talked to you. But perhaps it's just as well. You have nothing to tell me, Annie. But I have, Mrs. Keller. It isn't better to leave things the way they are. I want to marry Chris. Chris would never marry you as long as Larry's alive. He wouldn't do such a thing. Why won't you face the truth, Mrs. Keller? The truth. What good is the truth if it destroys us all? What good is it? Chris asked me to marry him. We love each other. You're engaged to Larry, to his brother. Larry isn't coming back, Mrs. Keller. Look, I don't want to marry Chris without your consent. Chris loves you. It would hurt him. So please, please tell him that it's all right. It would take more than my words. The day you marry Chris, Larry will be with you. Your hearts will dry up with thinking of Larry. And every day after, as long as you live. Larry is dead. No. He crashed off the coast of China, February 8, 1944. You have no proof? Not even the army had proof. I have proof, Mrs. Keller. In this letter. Letter? What letter? It's from Larry. It was written the day he died. No. Take it, Mrs. Keller. Take it and read it. No. No. I tried not to show it to you. Larry. Read it all, Mrs. Keller. Please. Now you know why I had to keep it from you. When Larry comes back, will you tell him I'll be at the hotel, please? You're taking the letter? Yes. Andy. Joe must never see that letter. Do you hear? Whatever happens, not Joe. Chris, come on in, kid. Come in. I was just driving back home, Dad. I saw the lights on in your office. Wednesday night, you know what that means. There's quite a poker game tonight. You just missed the boys. They just left. I know. I was waiting out there. What did you wait for? Why didn't you come in? I wanted to see you alone. What's the matter? You don't look happy. Did you have a good time? Is it really true, Dad? If you want to know, ask Joe. Sure, it's true. That's how I built this place up, knowing what's going on and knowing it good. Then I want to ask you a straight question. How do those cylinders get out of here without you knowing about it? Oh, so you ran that again? Well, how did they? Why don't you go ahead and say I'm guilty? Go on, say it. Because I don't want you to be guilty. I want you to be innocent, but people have put doubts in my mind. Isn't it enough that I told you so? Can't you trust your father? I should. I really should. But somehow I can't. I can't let it go with that. You've got to help me. What can I do? I've told you a million times what happened. Dad, I saw Mr. Diva today. You what? I went to Springfield and saw him. He told me his side of the story. Now I want to hear yours. You owe it to me to explain. You owe it to me. Explain, explain. That's all I've been doing is explaining. You're my son. You're in it with me.  You wear my clothes. Eat my food. You live in my home. I don't have to explain anything to you. If I'm guilty, then you're guilty too. Do you understand me? You're guilty too. Then... Then you did know. A man's in business. I'm in business. A batch of bad cylinders and you're out of business. Out of business. You don't know how to operate, they tell you.  Your stuff's no good. What's it to them?  Now what could I do? Let them take 40 years away? Let them take my life away? What are you telling me? I never thought they'd install those cylinders. Honest, I didn't, Chris. I thought they'd be stopped somewhere along the line. Why didn't you tell them? You knew they were no good. You knew they wouldn't hold up. Well, it was too late, the newspapers. It was all over the front pages. 21 planes crashed. It was too late, I tell you. I came with handcuffs to the factory. Now what could I do? I asked you, what could I do, Chris? I did it for you. Look, I'm an old man. When would I have another chance to make something for you? For me? Yes. For me? I was dying every day and my boys were dying and you did it for me. What kind of a man are you anyway? Kids hanging in the air by those cylinders and you knew it. I was so proud of you, you were helping us to win and you were worried about your business. Don't you have a country? Don't you think about people? Don't you live in the world? Haven't you got a heart? What must I do to you? What must I do to you?   It's alright, kid. It's alright. It's me, Kate. What made you think it was Chris? He was back, Joe. Yes, I know. He came home maybe half an hour ago. Then he left again. He couldn't talk, Joe, like he was crying. He'll be back. Joe, he knows. Chris knows. I guess Annie knows too. Have you heard from him? No, not again. Maybe she's still at the hotel. I told Chris. Then he's with him. I thought I had a family. What happened to my family, Kate? Joe, I was thinking this way. If you could sit down with him and explain yourself. I mean, make it clear to him that you know you did a terrible thing. I mean, if Chris saw that you realized... Ask him to forgive me, you mean? Something like that, Joe. Ask my son to forgive me. A man has to take care of his family. That's the first thing he has to do. He has to take care of his family. Why must I be forgiven? You need money, didn't you? To buy clothes, food, to send the boys to school. You had to have money, didn't you? Joe, not that way. Well, I didn't want it that way either. Forgive me. I could live on a buck a day, but I got a family, so I... Joe, it doesn't excuse it that you did it for the family. It's got to excuse it. There's something bigger than the family to him, Joe. No, no. There's nothing bigger than that. There's nothing Chris could do that I couldn't forgive. Because I'm his father, and he's my son. There's nothing bigger than that.  You don't think he'd go to the police to you? Joe, please. No, no, no. He wouldn't do anything like that. Not without telling me... Tell me, where is he going away like this and not saying a word and not coming back? You'll be all right, Joe. Nothing's going to happen. But Kate, for you... for you and Chris should marry. That's all I ever live for. I know, Joe. I know. You're having too, Chris. I don't know any. Does it matter? No. He's guilty, any. My father is guilty. I almost killed him, Eddie. Oh, Chris. I love him. I love him, and I almost killed him. I still don't know how it was that I didn't. Only it would have been useless. Because he doesn't know what he did. He doesn't know how awful a thing it was. He lies to himself, and he doesn't know. He'll have to suffer to know. He'll have to suffer in some horrible way to know. Oh, come away with me, Chris. Please, leave them all and come away with me. We'll start fresh and forget everything. No, no, Annie. It's too easy to run away. Too easy. All right, Chris, but what can you do? Call the police and give him up. It's not enough to give him up, Annie. Not enough to put him in jail. He's got to see it himself. He's got to understand what he did. Do you see what I mean, Annie? He's got to see it and be his own judge. Yes, Chris. But how? How do you make a man see into himself? A man who's forgotten about other men. Living as if he were alone in the world. You show him this, Chris. It's a letter. A letter from Larry. Larry? You stop the car and read it, please. I think after you read it, then you'll know what to do. You didn't come home, Chris.  What kind of a thing is that to do? Where is mom and dad? Yeah, but she can't sleep. Maybe if she knows you're home. No, wait. I want to talk to you.  You got too much money. Is that what bothers you? The way you got it bothers me. Well, then what's the problem? When something bothers you, either get used to it or you get rid of it. If you can't get used to it, then throw it away. Do you hear me? Take every cent and give it to charity. Throw it in the sewer. Does that settle it? In the sewer, that's all. That's not enough, dad. You think I'm kidding? I'm telling you what to do. If it's dirty, then burn it. If it's your money, not mine. Look, I'm a dead man. I'm an old dead man. Nothing is mine. Now, tell me. Tell me, what do you want me to do? It's not what I want you to do. It's what you want to do. What should I want to do? Prison? You want me to go to prison? Then tell me so. Only you can't tell me and I'll tell you why you can't. Because you know I don't belong there. You know it. Read this, dad. Read this letter. Then tell yourself what you must do. What is it? What do you got there? Chris, Chris, where have you been all night with... No, Chris. No, not that letter. It's from Larry, dad. Give it to me. Larry. Don't read it, Joe. No, no, don't read it. Then I'll read it. My dear Anne. Don't listen, Joe. Go away. Don't be quiet. Go ahead. I want to hear what he had to say. It's impossible to put down the things I feel. But I've got to tell you something. Yesterday they flew in a load of newspapers from the States. I read about dad and your father. I'm not clever in the way that you are, the way Chris is. And I cannot understand or make myself understand how this could have happened. We get to be proud of the planes we fly. They come to be piece by piece, bit by bit. Something of you at home would have made them. And we're not alone. But my father has made me alone. He has betrayed us all. You at home who have kept faith with us. We out here who have kept faith with you. I'm ashamed. I can't face the other men. I can't face anybody. I don't know how to tell you any, but I'm going out on a mission in a few minutes. And I will not come back. I want you to forgive me any for doing this. It's the only way I know to pay for what he's done. That's his letter. You shouldn't have. You shouldn't have. I didn't like doing it, Dad. You know that. Oh, sure, Ken. I know. You did right. Joe. Maybe I've known it all along. A man can be defective too, like a machine pod cylinder. A little pressure and he cracks.  A lot of innocent people. You paid for it, Joe. Larry paid. He was your son. There's nothing more you can do. Sure, he was my son. But I think to Larry, they were all my sons. And I guess they were all my sons. Chris, Chris, he's your father. You can't send your own father to prison. It's with him now, Mom. It's whatever he thinks.  What's accomplished if he goes to jail? Will it raise the dead? It's over. It's over. You didn't say that, Mom. It's not over. What was Larry to you, a stone that fell in the water? It's not enough to be sorry. Larry didn't kill himself, so you and Dad could be sorry. He did it to show you. What more can we be than sorry? What more? You can be better. Once and for all, you can know that the whole world comes in through those fences. That there's a universe outside and you're responsible for it. Because if you're not, then you threw your son away. Because that's why he died.  That's why... Mom! Mom, no, don't go up there. Stay here. Let me go, Chris. Chris, that shot! It was Joe. I'm going up to him, Chris. I took care of him all his life whenever he needed me. I can take care of him now, too. Annie, get Jim. Get the doctor. Joe doesn't need a doctor now. Take him, Annie. Take Chris and go. Make a good life for yourselves and never look back. Never, never. Larry's dead. And Joe's dead. So live. Oh, my sons, and that applause is our thanks to a stellar cast for their really fine performances. Bert Lancaster, Edward Arnold, Scott Brady, and Ann Pierce. I'll be spokesman, Bill, and thank the audience for all of us. Of course, Bert is accustomed to getting his applause by hanging from one toe from a trapeze at the top of a tent. Are you going out with the circus this year, Bert? No, not this year, Scott, but I've got a soft spot in my hard movie heart for the circus. Because, you see, that's where I got my start. Well, it's not my idea of a vacation hanging from a trapeze. Well, so few people can start hanging by one toe from the top of a tent. That'd be my end, I'm sure. Well, I'm a lot better off than you already. Now, Bert, what's the matter with Mr. Arnold's career? On the radio, he's all the presidents of the United States. Is that bad? Sure. No chance for advancement. May all your children be acrobats. Oh, I think I'm in too fast company here. Oh, not at all, Ann. You're absolutely the only one with a lovely luxe complexion. Why, thank you, Mr. Keely. Luxe toilet soap has been my complexion care as long as I can remember. And we're happy to welcome you and Scott to the Luxe Theater for your first visit. Thanks, Bill. And now, won't you tell us about next week's show? Yes, next week we'll have a wonderful motion picture comedy based on one of your favorite radio programs, The Life of Riley, starring in the role that has made so many famous will be William Bendix, plus three of the original players in the Universal International Screen Hit, Rosemary DeKamp, Richard Long, and Meg Randall, a show for the entire family. Next Monday, as we all enjoy The Life of Riley. Sounds like great entertainment, Bill. Good night. Good night. Good night and thanks for a wonderful evening. Here's a fashion flash from Hollywood. Aprons of Ogundy and Hankach of Lenin are going to the smartest parties. The other night, Ann Pearce wore a dark sheath evening dress topped by a crisp white Ogundy apron, beautifully embroidered in delicate pastels. Yes, it had actually been washed with luxe flakes, not once, but many times. Ann insists on this gentle care for all her nice washables. She knows it doesn't pay to risk wrong washing methods that fade colors, damaged fabrics.  Be sure to get a box of luxe flakes tomorrow. Give all your washables that lovely luxe look. Lever Brothers Company, the makers of luxe toilet soap, join me in inviting you to be with us again next Monday evening. When the Luxe Radio Theatre presents William Bendix, Rosemary De Camp, Richard Long, and Meg Rando in The Life of Riley. This is William Keely saying good night to you from Hollywood. Birdlandcaster appeared by arrangement with 20th Century Fox, producers of Wabash Avenue starring Betty Grable. Scott Brady is currently seen in the Universal International Picture. I was a shoplifter, and Pearce appeared by arrangement with Universal International, producers of Comanche Territory starring Marino Harrah and McDonald Carey. Norma Barton was heard as Kate. Our play was adapted by SH Barnett and our music was directed by Louis Silvers. This is your announcer, John Milton Kennedy reminding you to join us again next Monday night to hear The Life of Riley starring William Bendix, Rosemary De Camp, Richard Long, and Meg Rando. Stay tuned for my friend Irma, which follows over these same stations. This is CBS, the Columbia Broadcasting System.


So, let us take up another scenario, this is a very important scenario, this is called motion in a vertical circle, alright, write down, alright now do you have few examples of motion in a vertical circle, first of all what is this vertical circle, vertical circle is a circle which is moving in a plane that is vertical, okay, we define vertical with respect to accession due to gravity, fine. So, if this plane contains accession due to gravity G then this plane is vertical, fine. So, naturally if there is an object that moves in a vertical circle its potential G will change, isn't it? If you say that this is the height or this is the level where gravitation potential G is 0 then the height of the object is changing in a vertical circle, fine. So, if it is here let us say this is quarter of a circle, so this is R, yes, okay, that is correct. So, at this point if this is potential G is 0, so if this is a potential G is 0 at this location potential G will become equal to MGR, fine. So, you can see that when an object moves in a vertical circle then the potential energy of the object keeps on changing, fine. And if the object moves in a horizontal circle, fine. So, if it moves in a horizontal circle since height is not changing the potential energy of the object is not changing, fine. So, that makes the vertical circle motion a special one because here the potential energy also changes, okay. So, we can I know think of many examples quickly write down the typical examples I will talk about of course there will be many others as well. Example one, example one could be the string and mass like this. So, if you give this mass that is a mass M of velocity like this what will happen this mass will move in a vertical circle, okay. Guys, don't discuss among yourself focus, this is one of the example. So, it's a pendulum sort of thing, fine. So, pendulum actually oscillates and here you just go in a vertical circle like this, okay. So, this is example one there can be many other example I will quickly take few example two could be you know a circular track like this in which an object goes like that, fine. So, this track may not be a complete circle, fine but then it is a part of a circle. So, when this mass moves it will move in a circle like this, okay. Then third example could be a bead in a circular wire, there could be a bead like this that can move in a circular wire, fine. So, example four could be that there is a tubular passage, okay in which the mass moves getting it. So, all these are typical examples of all these are typical examples of the motion in vertical circle, okay. Meanwhile, you can please try out this particular question, I'll take two minutes. You have a mass, okay this mass is you know down vertically down like this hanging on a length L, you have given this mass a velocity which is equal to under root of 5gl. You need to find out its velocity when the mass becomes horizontal, okay. So, this is position one and that is position two. All we have to do here is to apply work in a j-thera. So, is the tension force doing any work? Tension force is not doing any work because tension is always perpendicular to the direction of motion, okay. So, this perpendicular to the motion hence work done by tension is zero and the only force that is doing work here is gravity and for that you have considered the potential energy. So, W will come out to be zero. This is equal to U2 if you assume this line to be zero gravitation potential energy. So, U2 will be equal to MG into R, K2 will be equal to half MV square minus U1 will be zero plus K1 will be equal to half M into this velocity square, okay. Let's call it as V1. So, this is half MV1 square. So, when you substitute it you will get the answer, okay. Fine. So, what I was talking about here is that in a vertical circle ultimately it is what a circular motion whether it is horizontal circle or a vertical circle ultimately it is a circular motion only and if it is a circular motion then at every moment there will be a centripetal acceleration of magnitude V square by R, fine. So, at every moment it will have an acceleration towards the center which is V square by R, fine. So, it must have a force that will create this much acceleration, fine. So, towards the center there will be a force called centripetal force that will be acting. I think we have already learned this in laws of motion chapter. I am just reiterating that make sure you are taking care of this fact that it is moving in a circle and since it is moving in a circle there will be a centripetal acceleration of magnitude V square by R towards the center, fine. And since there is a centripetal acceleration towards the center there has to be a force towards the center, getting it, right. Now, keeping all these knowledge let us try to solve this particular question. See this is not a part of theory, I am just taking a scenario and trying to tell you how you can tackle this scenario. Suppose this is mass m, it is hanging, length of the thread is l, all right. Now, if you give it a small velocity what will happen? If you give it a very small velocity it will move like this slightly this way, then it will come back that way, fine. So, it will oscillate left and right, getting it. So, if you give it a very small velocity it will just oscillate, now if I give it slightly more velocity it will be reaching horizontal level and it can swing one horizontal level to the other horizontal level, okay. Now, if I give it slightly more velocity it will reach there, okay. Now, it will reach there and suppose tension becomes zero here then what will happen? If this tension in the string at that location becomes zero then what will happen? At that moment if tension is zero what will happen to the motion of the object? Will it move in a circular motion? So, if T is zero there is absence of necessary centripetal force for it to move in a circle, fine. So, if tension becomes zero at that location then it will not move in a circle, fine. So, it will be as if an object is thrown with velocity V. So, it will become a projectile. So, it will move in a projectile way and it will not be a circular motion, getting it. So, from here to there from initial point to the point where tension becomes zero it moves in a circle and then as soon as tension becomes zero it becomes a projectile motion it no longer moves in a circle, fine. So, the necessary condition for this object to move in a circle is what tension should not become equal to zero, fine. Now, tell me where is the location where the value of tension most likely becomes zero, most likely where the tension of this mass or of this string can become zero, highest point or topmost point. So, at topmost point tension is most likely to become zero, fine. So, if T is not zero at topmost point then can I say that T will never be becoming zero, T will not be zero anywhere. Is this statement correct? If tension is not zero at the highest point then can I say that tension will not become zero anywhere. So, if tension is not zero anywhere it means that the string is not slack anywhere, string is always taut and if string is taut there is no motion along the radial direction, it is always tangential direction. So, I will say that if tension is not zero anywhere then the object will complete full circle, fine. If tension is not zero then the object will be able to complete the full circle, the mass will be just completing right down the full circle if tension tending towards zero at the topmost point, getting it? So, this mass if tension tends towards zero because tension will keep on decreasing decreasing and it will become minimum at the topmost point. So, if minimum tension itself is not zero tension will never become zero, fine. So, the limiting condition for which it will just complete the full circle is the tension at the topmost point is zero, okay. Now, listen to the question. Any doubts till now? Kindly message yes or no? You have any doubts? Kindly message? Okay, this is the last question for today then whatever is left over will take another class to finish this chapter. All of you should get the answer, okay. The question is like this, you have mass m and length l, okay. So, you need to find out what will be the minimum velocity? What should be the minimum velocity u so that this mass completes the full circle or full vertical circle? Try to do it. Clear about the question, right? I will write here. You have to find minimum velocity so that the mass completes full circle. Not correct Niranjan, don't be in a hurry, okay. Answering quickly doesn't impress me, you know that. I was joking. See, I know the thing is that if tension is just becoming zero at the topmost point then it will be able to complete the circle, fine. So, let's try to balance out the forces here. So, let's assume that at the topmost point its velocity is v, okay. So, down there will be a gravity force, let's say mg is that force and there will be a tension force like this, fine. And there will be a centimeter acceleration of magnitude v square by r which is l, radius is l, okay. So, if I write down equation there I will get t plus mg is equal to mass time acceleration, fine. So, if tension is just becoming zero at the topmost point then what will I get? I will get mg is equal to mv square by l, fine. So, mv square I will get this as equal to mgl, fine. So, let's, I will quickly write this as v square equals to gl, but this is what? This is not the initial velocity, this is the final velocity, okay. So, if final velocity square is equal to gl, okay, then tension will become zero at the topmost point. This is the minimum required final velocity that this mass should have, okay. So, minimum required final velocity will give you minimum required initial velocity, okay. Now, I am going to write down work energy theorem between this point and that point. So, w is equal to, in case you have any doubt please keep messaging u2 plus k2 minus u1 plus k1. Now, is there any force other than gravity that is doing work here? You can see tension is a force, but tension is always perpendicular to the motion of the object. Motion of the object is tangent to the circle and tension is normal to the circle, fine. So, work done will be zero by the tension, okay. And gravity is doing the work, but for gravity you are anyway considering potential energy. So, work done will be zero. u2 is what? There is only gravitation potential energy, there is no spring potential energy. So, if I assume this level to be zero potential energy, then u2 will be equal to what? u2 will be equal to mg into 2L because the height of this object, second point is 2L now L and another L, okay. So, mg L plus k2. k2 is what? Half m into v square minus u1 is initial potential energy which is zero plus initial kinetic energy half m u square, okay.  So, u will come out to be under root of 5gl. So, this is the minimum required velocity for the mass at the lower most point to complete the full circle, okay. When it is tied with a string, okay, this is the condition which you should remember because at times you can use it directly in column solving, okay. So, that is it for today and there are a few topics still left in this chapter and a lot of problem practice we need to do in this chapter to master this, okay. So, at least 200 to 300 questions you have to solve your own to master this topic, okay. And let me tell you that is not something which I am asking and nobody else is doing. Everybody who is serious is practicing lots and lots of questions, okay. So, the homework nobody has asked me any doubts from the previous homework, okay. See guys, you know, I can only tell you from my experience, okay. And I don't want you to make errors because you will not be able to learn from your errors and implement it to correct yourself because you will get only one chance, right. If you make error in that chance itself, you will not get a second chance, okay. So, make sure you do what I am saying, alright. Follow exactly what I say, nothing less, nothing more and you will be through and I am not asking something which is like beyond as in nobody else is doing. Everybody is working equally hard those who are serious. Anyways, you need to solve entire hcv on work, power, energy, okay. This is for J mains only. If you are serious about J mains, solve entire hcv on work, power, energy by next week, okay. And if you are aiming for J advanced, then I will be sending a worksheet.  J advanced is not like you should not do this and then you start doing the advanced level questions. No, that's not how you prepare for J advanced. You have to prepare from the basic level up, okay. So, once you are done with this, message me, I will send you a worksheet of around 100 to 200 questions for J advanced, okay. J advanced is this plus a worksheet that I will be sending you once you ping me that you are done with this, all right. Okay, and those who are preparing for KVPY, those who are preparing for KVPY tomorrow will have a class 4.30pm to 7.30pm, okay. I am going to talk about, you know, system of particles, okay. This is the start of rigid body motion and that we are anyway doing it after work by energy chapter, okay. So, you don't, I mean, you are not missing anything if you are not attending the KVPY lecture, okay. So, this will be anyway doing towards a later part of our syllabus, okay. Because KVPY is happening in November, so I have to hurry up with respect to this particular topic, fine. So, those who are attempting KVPY, only for those, fine. Please attend this class 4.30pm to 7.30pm tomorrow, okay. So, that's it for today. I hope you have learned many things today. Go back and straight away, jump on to the problem solving and finish off the homework as soon as possible. And I would love to hear at least some of you finishing the homework in next two days itself, okay. Thank you very much.


What do you do? When you're quarantined What do you do when you're thrown into that furnace a few things? I want to underline if you're taking notes right one is Don't go there alone The three boys went there together three musketeers They did not get thrown alone. They went through it together If you are right now at this season where a lot of things are shut down some of you are in states Where you cannot get out of the house Can you be with your family? Be with your two other three other siblings under ten though No, no, no, I'm not talking about that you finally father like oh finally kids are home Let's get the garage painted Let's fix the sprinklers. Everybody's home. Can you be together? If your family is in a different state take this time to reconnect with your family take this time to build community Yeah, not with the friends on Facebook Not with the friends or followers on Instagram, but with real people who actually have real faces Real identities and they're not just names. They're real people and they're sitting across the table from you This is a good season To spend time with the family This is a time where we are forced to Sabbath Every single day, you know last week me and my wife Decided in our state, we don't have the law yet that you cannot get out of the house And so we started to go for walks every single day me my wife and The Jaco and Saul who lives with us and it was so refreshing It was so renewing every single day take in an hour and just spending time together These three men went to the furnace together And so you gather your three One be two maybe a five people in the family and those of you precious Russian people who have 16 kids I don't know reach out to the local authorities figure out how you can still do that with the president's recommendation of under 10 But I'm pretty sure God will give you grace and so but if you're under 10 listen meet with your family play some games Read the Bible together be with your family spend time with your family I'm not talking about everybody under phones, but spend time being with your family It's a good thing to be with your family two or three are gathered in my name Jesus says I am among them and these three guys were there and they were there together Something happens when you are in unity. It's easier to fight fear depression anxiety and Disappointment something happens when you come together Even if all of you right now are struggling financially the presence of you together Helps you to fight the fear fight the the anxiety fight the thing of what's gonna happen to us bring your family together Mom and dad get the kids out of their rooms They don't they don't need to spend three four hours on tiktok and on snapchat or Instagram get them together Read the work together cook something to you do something together as a family watch a movie rewatch a sermon Do something with the family three boys went together and They went into that furnace watch this they didn't say king We're not going They went in That means if the president if our governor said we need to go to the fiery furnace, let's go Let's go with our families. Let's just say no man. I'm just gonna stand against that. I reviewed the devil That's not the devil in this case the king was bad and the three boys said we're ready throw us in They went together. That's number one number two. I want you to notice that happened is when they got there They got loosed from their chains.  That's it. That's it. We're gonna die lose yourself from the robe of fear That what's happening right now on the news what's happening right now in the stores What's happening with toilet paper? What's happening with all of these restrictions on our communities could Unintentionally, I don't think the president the governor and our authorities and health health people they're not doing that intentionally but the the enemy can use the facts to bring fear into our life and when we are Alone in the furnace we have to be loosed from fear Let fear be outside, but it cannot be inside of our house in our house fear has no place That means in our house we have love we have peace and we have joy in the Holy Spirit in our house We have the presence of God and our house We have the joy of the Lord in our house We have faith in our house. We have victory in our house We have hope in our house. We have future in our house We have light in our house. It's not a place of darkness in our house You turn to your children so we're gonna get through this you turn to your spouse This is this too shall pass you turn to your other person to say yes We might have to live tight for a little bit, but we will get through this We will be loosed from our mouths lose from our chains somebody say amen Somebody say amen We're gonna be loosed doubt and unbelief are not the same It's okay to feel doubt As a Christian, it's not okay to believe or have unbelief. I like what somebody said Maybe I said that long time ago They said when when you when you quote somebody for the first time you said this particular person said it the second time You said someone said in the third time you said I said This probably more than the third time that I mentioned this doubt is this is the absence Doubt is not the absence of faith. It's the questioning of faith Doubt is questioning what you believe and belief is determined Refusal to believe that is a struggle faced by a believer and belief is the condition of an unbeliever Doubt says I can't believe I need proof and Belief says I won't believe in spite of evidence Doubt is honest unbelief is stubborn doubt is looking for the light unbelief is content in the darkness Doubt is born out of troubled mind and heart unbelief is act of the will It's okay to doubt But we have to lose herself from the chains of unbelief and Our house has to be a place of faith of God's love Our place of work where we are at has to be a place where we carry the light and the love of Jesus Christ And the world needs this more than ever before because when the world is dark They need the light and that light my friend is right there when you are closed in in your house Loose yourself from fear Maybe the business is slow Maybe the kids are out of school I saw somebody said that if the scientists don't find a cure the parents having all their kids at home will find a cure Because they're so happy they want they want to get their kids quickly back to school So the cure will be found But for us we're not waiting for a cure to find our joy our joy is in Jesus Our joy is in in the Lord Jesus Christ and so loose yourself from fear don't walk in fear Don't think fear don't speak fear lose yourself from there But I want you to see another thing that happened the Bible says in Daniel not only that Verse 21 it says but these men were bound in their coats and their trousers and their turbans and their other garments And were cast into the middle of the furnace of fire verse 24 The king says did we not cast three bound in the midst of the fire? They answered and said Lord yet true. Okay. Look. He said I see four men loose Walking in the midst of the fire Go together Be loosed From your bounds With that said don't get bound Right now It's easy to have a lot of free time as young person and get yourself bound in pornography Because you have so much free time and you get yourself bound by entertainment What all you do is you watch things that entertain your flesh in the fiery furnace Don't get bound get loosed Do not let this time be a time where you get out of it and now you have depression now You've gained 30 extra pounds now you got a porn addiction now You have an alcohol addiction because you started to sip every single night Do not let this time bind you let this time be loosed at this time Loose yourself. That means you simply you get up still early and pray you read the word You simply you resist the temptation when you have more free time take time to read the word of God Take time to pray take time to listen to the books take time to be loose Don't be bound by this time because this time will pass They will be you'll be stepping into a new season, but do not get bound at this time be loosed at this time somebody say man number number Number three the Bible says they walked watch this not only they got loosed they started to walk in That furnace that there was not a lot of room there and maybe it's like it's this stage So not a lot of walking back and forth, but they were walking see what caught King's attention It's not only that they were free. It's the fact that they were walking So what I want to talk about right now is this is while you are on the lockdown Start to walk meaning work on the things you did not have time to work on before this Which projects were laid were held back because you were busy Which books needed to be read, but you just did not have time Which toilet is still leaking in the house? Which sink is still leaking at the house? Which sprinkler is still broken which book that's supposed to be somebody needs to start writing it and it's laying there Which song needs to be written which project needs to be completed which blog needs to be started Which idea needs to be implemented begin to walk not only be loosed, but also begin to walk now You might not have a lot of space, but you do have the time and begin to walk Why because before you can walk out you have to learn to walk in You have to learn to walk in this is a good moment Right now like for me. I made it a goal before they lift the quarantine I'm gonna finish the books each day now. I have a little bit more time to write the book because the gyms are closed praise God Jim took so much time and now I have more free time And then we have things that we are creating right now systems even in the church for discipleship We have a little bit more time why because this is the moment not only to be loosed from fear and not to be bound by Sin, but this is the moment to begin to walk This is the moment to begin to create certain things that you've had on your heart. You just had no time begin to walk somebody say amen Don't touch your neighbor, but tell your neighbor begin to walk Touch your family members say begin to walk even right now in the living room Begin to begin to walk some of you you need to paint that garage. That's your walking. This is the time You need to plant that garden. That's your walking you need to start that blog That's your walking you need to begin to do that thing that you wanted to do That's your walking for somebody need to clean that garage to clean that car. That's your walking begin to walk This is the moment not to sit and get fat but get up and do something not to sit and get lazy and become a couch potato but begin to walk begin to do something begin to read begin to write begin to listen begin to walk create something begin to walk somebody say man the Bible says they were beginning to walk and then this is what happens that the king said this they were walking in the midst of the fire and they were not heard and the form of the fourth is like the son of God can I mention the next thing is Jesus is with you right there where you are at right now I had this situation one time and I asked God for answers why did you allow this to happen why was this not resolved like I thought it would be resolved and I even had prophetic words that helped me to have a certain expectation and it didn't work out like that and as I prayed I said Lord give me an answer Lord give me an answer and I never got the answer and I felt the Holy Spirit said he says I never gave Job an answer of why his suffering came I gave him my presence Joseph did not get an answer why his brothers rejected him but he always had God's presence with him and I just want to tell somebody right now David says in in Psalm he says though I walked through the valley of the shadow of death when God doesn't give you answers he gives you his presence when God doesn't give you answers he gives you his peace and so well it's good to ask for an answer it's good to say God give me an explanation God you need to tell me why but what I want to tell you this is don't let your why stop you from receiving his presence and his peace because in here it does not say that Jesus gave them an answer or why this happened he just showed up see God does not owe me an answer but I need his presence some things will be only explained on the other side of the eternity but right now what I need is I need his peace and I need his presence in the Bible says is that Jesus was just God was just there when you don't get an answer or an explanation rely on his presence last we're gonna pray and that is this the Bible says the king asked the boys the man the young man to come out and when they came out the king started to praise God and then the king the Bible says he did this and the king promoted these guys in the province of Babylon God will use your story to bring him glory


In this video, we will introduce you to focus areas and how considering these categories will help us plan your first semester schedule. Ohio State offers more than 200 majors. For many students, the idea of exploring this many options can feel overwhelming. We categorize all those options into six broad categories called focus areas. Majors in the same category often have similar course requirements or recommendations. Some majors may fit into more than one focus area. By prioritizing one or two focus areas, we'll help you make strategic decisions about your first semester schedule. We use focus areas to guide you through the process of choosing classes with confidence, without having to pick one major out of over 200. As we describe each area, think about what you want to do. Consider which area best describes your interests. Do you want to think innovatively about the way the world is designed? Do you want to voice new and better ways to approach the world? The art, innovation, and design focus area might be for you. This category includes majors such as architecture, art and technology, engineering, and theater. Do you want to understand human behavior and interaction? Analyze how we engage with the world around us? The majors in the behavior, culture, and context focus area might be a good fit for you. Some of the majors in this category include public affairs, economics, anthropology, journalism, and philosophy. Do you want to engage in teaching, training, and helping others? While many tend to associate teaching with K-12 education, there are many other ways to engage in education and training. Do you want to explore those interests and develop skills grounded in leadership, policy, and service? Then consider the education and public service focus area. This category includes majors like community leadership, environmental policy and decision making, science and mathematics education, and history. Do you want to impact health from the personal to the community level? Pursue licensure at the undergraduate level or prepare it for professional health programs such as medical school? Majors in the health and human services focus area might be a good fit. These include direct patient care focused majors such as radiologic sciences and majors that focus on impacting the health and well-being of larger communities such as public health. Do you want to study business and industry and how they function within society? Do you want to prepare for careers in the nonprofit, private, and public sector? Students in the management and industry focus area learn about business and economic concepts while exploring different routes to business careers. Some majors in this focus area include city and regional planning, construction systems management, marketing, public affairs, and sport industry. Do you want to study the sciences from a theoretical or hands-on approach? Explore how the sciences can be used to improve technology, the environment, and the human experience. Science, technology, and environment is the focus area for students who are interested in majors like chemistry, biology, physics, as well as majors such as materials science engineering, environmental sciences, and food science technology. Hopefully at this time you have been able to identify one or two focus areas that you would like to explore further. By narrowing down your interest in this way, we'll help you plan a first semester schedule that keeps you on track while you identify and explore majors that interest you. In the strategic scheduling video, we'll talk about how these focus areas translate into specific scheduling recommendations.


Let me recognize my problems have been solved, Lesson 80. Let me recognize my problems have been solved. If you are willing to recognize your problems, you will recognize that you have no problems. Your one central problem has been answered, and you have no other. Therefore, you must be at peace. Salvation, thus, depends on recognizing this one problem. And understanding that it has been solved. One problem, one solution. Salvation is accomplished. Freedom from conflict has been given you. Accept that fact, and you are ready to take your rightful place in God's plan for salvation. Your only problem has been solved. Repeat this over and over to yourself today, with gratitude and conviction. You have recognized your only problem, opening the way for the Holy Spirit to give you God's answer. You have laid deception aside and seen the light of truth. You have accepted salvation for yourself by bringing the problem to the answer. And you can recognize the answer because the problem has been identified. You are entitled to peace today. The problem that has been resolved cannot trouble you. Only be certain you do not forget that all problems are the same. There many forms will not deceive you while you remember this. One problem, one solution. Accept the peace this simple statement brings. In our longer practice periods today, we will claim the peace that must be ours when the problem and the answer have been brought together. The problem must be gone because God's answer cannot fail. Having recognized one, you have recognized the other. The solution is inherent in the problem. You are answered and have accepted the answer. You are saved. Now let the peace that your acceptance brings be given you. Close your eyes and receive your reward. Recognize that your problems have been solved. Recognize that you are out of conflict, free and at peace. Above all, remember that you have one problem and that the problem has one solution. It is in this that simplicity of salvation lies. It is because of this that it's guaranteed to work. Assure yourself often today that your problems have been solved. Repeat the idea with deep conviction as frequently as possible and be particularly sure to apply the idea for today to any specific problem that may arise. Say quickly, let me recognize this problem has been solved. Let us be determined not to collect grievances today. Let us be determined to be free of problems that do not exist. The means of simple honesty do not deceive yourself about what the problem is and you must recognize it has been solved. Let me recognize my problems have been solved, lesson 80.