Hello and welcome to the Monday market update with me David Madden. Today's date is Monday the 18th of February 2019 and the time has just gone 905 GMT It's been a fairly slow start to the European session here We have seen a bit of a downward move on the footsie, the Dax and the Keck But keep in mind we had a very strong finish to European and US equities on Friday and Asian equity markets put in a solid performance Overlives, but we are seeing a bit of a move to the downside a bit of a profit-taking and there is continued Uncertainty over the growth rates in Europe. We've heard from the French central banker, Mr. Videroy He stated that the next move by the European central bank in relation to interest rates all hinges on The economic indicators that come out of of the eurozone. We already know from last week that Italy is in recession and Germany just about to avoid a recession and broadly speaking We've seen some fairly poor economic indicators of the eurozone in terms of services and manufacturing From all the major countries Germany France Italy Spain So there are questions about this at the back end of last week. We've been heard a member of the European central bank Suggests, we could have additionally targeted the equity from the European central bank Which helped any markets rally on Friday But if the European central bank are even talking about or contemplating Additional targeted equity, it would suggest that there's a problem there. There's a problem there to begin with So we've seen equity markets in Europe or most of them or most of the major ones just a small bit lower today It's been a fairly quiet day in terms of economic news Overnight we've heard from right move and they stated in February that average UK house Asking prices for houses increased by zero point two percent on on the on the year on your basis And that's just the slowest annual growth rate since 2009 British House property market has been quoted a small bit and given that We're only a number of weeks away from the UK's departure from the European Union And there's no real kind of clarity in that situation. It's already a surprise that we're seeing house prices taper off Today is president's day over in the United States of America. So US markets will be our Remaining closed. So it's likely gonna be the case that we're gonna have a lot of low trading volumes and load and no volatility here in Europe US Chinese trade talks are gonna continue this week There was progress made in Beijing last week the trade talks will continue in Washington this week And just a very fact that the trade talks are actually moving to continuing Is actually seen as a positive? The rhetoric we haven't really heard a whole lot from either side in relation to have the talks are going But the information we have heard heard seems to be positive and given that The rhetoric has certainly dialed out in comparison to what we heard in the kind of middle and back in the back end of 2018 Traders are seeing it or taking it as a positive sign I'll take a look now. I saw the major markets and See what see what the the price action is doing We can see here that the FTSE 100 has continued to make a decent recovery Since late December has been the kind of quite common theme global equity markets bouncing back to the date December And we can see here that on Friday The FTSE 100 pushed up to a level not seen since October So it gives indication of how how how strong the the recent bullish move has been that are for printing multi-month highs on the FTSE 100 and What's up? Predict the importance is that we're up in a round. We're currently trading at 7,000 212 and the 7,220 area after to be proved to be a very important metric or level In September October last year and we're there there about at that metric We're also not too far away from this red line here the 230 moving average which comes to play at 7,000 just north of 7,300 So if you can hold above 7,220 or if you can get it if you can close above that continue to build on that We could be liking your targetting the kind of 7,300 region Even if you do have a drift lower and move to the downside support might come into play in around this area here in around the 7,000 mark and we can see here that actually has both Resistance and support Back in early February. So if you do see any moves to the downside I'll keep an eye out for the psychology important 7,000 metric Taking a look now what's going on over in germany similar situation on the germ market Whereby we've had a decent recovery since late december, but notice how Notice how the DAX is hovering around this this area of this line here the water day moving average which comes into play at 11,280 We can see that we're just about holding above that line for the time being We can see that a previously active resistance At the beginning of the month that we're now could potentially acting as support If we can hold above that metric and we need to press on higher from here We could look to run into this trend line here, which comes into play Just shy of 11,400 or 11,390 and that trend line comes from this point here Where if you draw a line between the highs of june through july And also september and i'll grant it They'd manage to trade above it in september if you do if you do draw that trend line Which previously actually had resistance in the past that may act as resistance in the near term So we could be looking at targeting 11,390 or 400 And if we go beyond that and then keep on up for this region here 11,690 We can see that actually as resistance on a number of occasions at the back end of last year or so It may act as resistance again in the near term If the market does manage to turn over on itself again if it does in the near term Support might come into play in around the 11,000 markets a big psychology number But it also did act as support on a few occasions in the last month or so Take a look now at what's going on over on the s&p 500 in the u.s The u.s markets are in are in better shape than their in their european counterparts And as you can see here like with the european counterparts the u.s markets have been making a very impressive recovery since late december The s&p 500 has managed to um Pull back above they the um the trend line here and it's acting as trying to support yet again We've actually managed to trade above and close above and hold above this red line here the tourney moving average Which comes to play out 2747 We're well above that at the moment And while we remain north of that metric the tourney moving average It's likely that we're going to see further gains from here The big area to keep on our for on the s&p 500 is this region here It comes to play in around 2815 17 20 we can see on a number of occasions back in october november and december that metric in around 2815 or 20 that acts as resistance on number of occasions So that's going to be the big area to keep on now for if you can manage to trade above it Hold above it it could potentially act as support before you kind of look to press up higher and look to go north of 2900 if the the s&p does manage to pull back a bit We could potentially see The tourney moving average 2749 or may act as support or perhaps even as low as but this the this trend line which comes to play Just south 2700 so You can see here that this trend line You can get the trend line by drawing the lows from february 2016 through november 2016 you get this trend line here How we can see it was well respected and acted as support in october and november last year Then once it broke below in december it traded aggressively below it and then a few occasions acted as resistance In the new year and then it's managed to act as support again So it could potentially act as support again should we see a move to the downside on the s&p 500 Uh, let's take a look now at the dow jones So we're moving the dow jones whereby the dow jones has had a very impressive bounce back from late december It's managed to push higher a traded a whole it's traded above and whole as held held above It's tourney moving average which comes into play at north just north of 25 000 25 000 and 67 We're well above that at the moment. We're up around 25 25 865 We're well above that the moment The next big layer to keep an eye for beyond here will be say 26 000 big psychological number And if you go beyond that the late october high of 26 278 And then if you go beyond that you could be approaching the psychological important 27 000 metric If you do see a move to the downside In the dow jones support might come into play in this red line here the tourney moving average which you come into play just north of 25 000 One of the tenants of dow theory is that the stock market averages must confirm each other And I just saw on the last chart the s&p 500 was was above its trend line support And if you draw a trend line on the dow jones, if you draw it from the lows of February 2018 to the lows of april and may 2018 because this trend line along here and similar to the s&p Where by the market was respected in october and november and then it traded aggressively below it in december but managed to act as resistance initially but then act to support again and While both the stock market Stock markets are above their respective Trend lines we can be more confident that that that upward move is going to remain It's going to remain intact. So even if you're trading the s&p 500 only It's a good idea to keep an eye on the dow jones and vice versa But if both stock markets fall back below the respective trend lines, we can become more confident that the downward trend is going to It's going to is going to kick in again Take a look now at what's going on on the gold market So gold began its bounce back in august and really since about mid november we've seen a nice Kind of a more aggressive move to the upslide a nice series of higher highs and higher lows So a classic example of an upward trend The gold market ran at the steam in around at the um Rather ran out of steam rather Ran into resistance in around 1326 We're not too far away from at the moment. So we're approaching that level again A break above 1326 might might might bring this area into play At 1335 and then if you go beyond that 1315 and potentially up to 1366 Any move to the downside and gold may find support coming to play in around the kind of 1300 1298 mark And then a move below that could see support coming to play in around the 1277 1276 area Take a look now what's going on on the old markets starting off with Brent crude So the oil market like equity has been a decent bounce back in late december Um, it managed to kind of trade sideways for a bit throughout january But we are creeping hard yet again and we have recently been hitting levels not seen Since mid november. So we are back to hitting multi-month highs for the old market It's kind of getting there slowly but surely Taking a look at the market histogram like the indicator We can see that that's there's a steady increase in positive momentum So the upward move in the underlying oil market is being confirmed by the increase in positive momentum. So For the time being the bulls are in control If the market does continue to press on higher from here We could be looking at targeting this area here at a 68 spot 36 The mid november high and if you go beyond that we could be looking at targeting the psychology important 70 bucks per barrel Any move to the downside in Brent may find some support from this line here comes into play in a 63 spot 35 And I moved below that by bringing the psychology important 60 bucks a barrel into play It's a similar situation for wti. I'll take a look at uh, west text intermediate the moment So you've seen the bounce back from um from late december the market managed to trade sideways for a number of weeks Uh in a bit in january and february, but once again, we fish multi month highs levels not seen since mid november The market's creeping higher. There's an increase in positive momentum and the MACD indicator Uh, and if you do look to press higher from here, you could be looking at targeting this area here in around the $50 a 10 And should we go beyond that we could be looking at targeting the psychology important 60 bucks a barrel Any move to the downside may get some support from this blue line here Which is just north which is just below $51 a barrel or if you go below that It might come in support might get it going to play at the $50 per barrel Mark, it's a big psychology number. It's a price action a price in area that traders will be keeping an eye on Take a look now at the euro versus the u.s. Dollar it's a broadly speaking since um Since mid january, it's broadly been pushing to the downside a lower low a lower high and another lower low Now granted, we are a bit higher today for the trend for the last number of weeks has been to the downside And if you look to press a lower from here, we could be looking at targeting this area here in at one spot 1216 Uh, and of course a break below that could could then point us towards 111 10 any move to the upside could run into resistance in around the kind of 114 115 area Like I said at the at the top of the video It was suggested by a member of the european central bank that the ecb could go down the route of potentially using targeted liquidity, which would be a form of Which would be a form of Loose monetary policy and that's why we're seeing pressure on this single currency not to mention me if i disappoint the economic indicators of eurozone In recent weeks take a look now at the pound versus the u.s. Dollar So starting as a fairly aggressive sell-off since it's going to become latest january has been pushing to the downside And if you look to continue this downward move, we could be looking at heading back down towards one spot 27 10 one once 127 Any bounce back in a in pound dollar? Make them a resistance make them into play in around the kind of 130 mark Which coincides with this red line here the turnity moving average And notice how the turnity moving average acted as fairly decent support on number of occasions in late january early february But once the market traded below it and then began to active resistance. So Between the the turnity moving average coinciding Excuse me coinciding with the kind of psychology important One spot 30 mark kind of you know adds way to the argument that that's a level that traders are going to be keeping a mile for So take a quick look now at the week ahead and the week ahead article can be found On a website if you're going to see emcee marcus.com and under new to analysis you'll find most of the articles myself and the other analyst of the other analysts poster articles too The week ahead we could see here That tomorrow we have a uk unemployment and average earnings on wednesday We have fourth quarter numbers from wal-mart And i'm sorry i apologize on tuesday tomorrow. We have fourth quarter numbers from wal-mart on wednesday We have fourth quarter figures from the cheesecake factory over the u.s On wednesday we have the fed reserve minutes these are the minutes from the january meeting when rates were left on hold So both minutes would be released on wednesday On wednesday we have full year figures from both loitz and barkley's Um, um, you all see the big the big british banks keep in mind last friday We heard we heard from robert scottland to by and large add fairly positive numbers On thursday, we have the flash pm our reports from germany and france. This is going to be of fairly big importance because um one friend's senator banker stated that The next move by the european senator bank will depend on the economic indicators and the economic health Of the region so these these figures are going to be of fairly big importance And lastly on thursday, we also have fourth quarter figures from dropbox Um, some of the articles that we do get posted to the actual website All this get posted to insights and insight is a on our training platform It can be found under the market pulse tab second option downs to keep an eye out for insights on our training platform The economic releases that can that can announce throughout throughout the day with the post insights Some of the articles that we get that we write we've got post insights as well. And it's also worth pointing out keep an eye out for chart forum chart forum is uh Is it's open to everybody with the cmc markets account for buy You can take a screenshot of a particular chart and just try to become a short column tree And what you think the price action is going to do myself and the other analysts Um regularly contribute to this section and it can be found under the uh under the um market pulse tab Lastly, um, if you have any comments to make on this video or any of the other videos we've made here at cmc markets Please feel free to leave a review on google reviews. And that's all for this week. Thank you very much


Hey everybody welcome back to Magic Orthodoxy. My name is David and this is a deck review Hey today, we're gonna look at the big boy number one of playing cards from Gemini decks All right, so what is the big boy deck of playing cards? This deck was designed by Tomas Pinson and it's supposed to be a very fun unique very visually pleasing deck of cards The big boy number one is a fully customized deck and it was completely designed and developed from the ground up So nothing inside of this is going to be familiar to you It's all custom and basically what Tomas wanted to do was he wanted to create a well-designed deck of cards That kind of looked like a toy and although it's a fully customized deck It was also designed with cardus in mind So if you notice the back design looks great in spreads flourishes and fans the entire tuckcase and deck of cards Has a very art deco but also very modern art type feel to it says big boy playing cards across the front And as you can see it's a lot of the same design that you're gonna see again in the back design one side of the tuckcase is big boy Supreme quality the other side says playing cards number one The bottom has an ad copy about Gemini decks and the top says poker sized playing cards You do get a custom original seal and the tuck flap has a heart and a diamond And then you get some big bees on the flat tiny flaps as well that is pretty much it for the tuckcase Let's take a look at these cards these cards come printed from the United States playing card company And they are done on their casino grade stock. They do have a traditional cut and a modern emboss and they are limited to 1,300 decks and if you'd like to learn more about stock cut or finish You can click the link below in the description a lot of people always ask how the cards feel how they handle Best thing I can do is tell you how thick they are can measure them with a caliper And then compare them to other decks that you've probably held or owned And so this deck in a caliper 10 cards comes to 2.90 2.90 is a thinner Casino grade stock. Okay, it's on the thinner side of It's about the same thickness as the denim deck from Dan and Dave the blue bomber deck The snow leopards that recently came out the grinders and the artifice deck back design is a beautiful two-way image Has a very thin white border and then it's just all made up of these different colorful Geometric shapes with this deck you'll get to add and signature cards Both to tell you about big boy cards and Gemini decks also with this deck You'll get two original jokers one red and one purple the court cards are very fun and unique and they feature 13 original big boy characters comprised of only Primitive shapes you'll also notice with this deck that there's two different suit colors The traditional blacks are still black, but the traditional reds are now a light blue The pips and indicee cards are completely stylized like I said everything in this deck has been completely redone You got a nice cool big thick font over in the corner and then you have a little indicee arrow Underneath each one of the pips and then the pips themselves in the center Are kind of like half done and that art deco like line work and then the other half solid So it makes for a really cool Design all right, so that's my review of the big boy number one playing cards from Gemini decks as always I want to thank Tomas Pinson for allowing me to have this deck so that I could do the review for you And if you'd like to purchase this deck for yourself, you can visit Gemini decks comm. Thanks. Bye


no matter where you've been or what you've done, lift up your hands to praise the Lord. Even at the age of five, singer-songwriter Miriam Webster could sense the joy that came from praise, worship, and dancing. Born near Sydney, Australia, Miriam served as one of the Hillsong Church's main worship leaders and is featured on numerous Hillsong music praise and worship albums. Songs like Made Me Glad, Dwelling Places, Exceeding Joy, and Welcome in This Place. Today, her life and music has moved her to America. This is her story. This is Today's Nashville. This is Faith. Beautiful, Miriam. We have been talking about getting you on my show for a long time. You and your husband are such dear friends of ours. You have quite the story from Australia to America, but I want to share a little bit. Let's talk about the time you were here in Nashville, and your husband was in California, and you had what? I had a surprise attack. A appendicitis attack. Yeah, yeah. I got a call from the Nashville Hospital saying, you need to come into hospital right now because I suddenly went into the emergency. You walked? You walked in, didn't you? I walked in there, yeah. I walked past, I can't remember what you call it here in America, the urgent care. That's right, and had a pain, so I went in there.  I got a call from Nashville Hospital saying, you need to come into emergency right away. And you had an emergency appendectomy. Yes, yep. So we really had a lot of time to spend together and bond during that time because maybe in a nurse, previous nurse, I was able to take care of you in my home. Yes. So I learned a lot about your ministry, your music, and it was a recovering time, but it was a blessing time because I got to really know who you are. Let's go back to Australia. Tell me about your life growing up there. Australia, you know, what I remember mostly about the start and probably what had the the hugest impact or a very huge impact on me was in the 70s, there was the real outpouring of the Holy Spirit. So I was a little kid and I remember at five years old being in New Zealand because our family had moved there for a while. I remember just dancing and I remember the joy as a five-year-old just dancing and not wanting to go home. Mum and Dad would wake up. They said, we'd wake up just worshiping. Their spirits were so alive just with that outpouring. Your whole family. Yeah, there was three kids at that time with Mum and Dad. Yeah, yeah, everybody, but mainly Mum and Dad remember that themselves waking up worshiping. I just remember going to all these meetings every night.  They'd come and pray for us. Sometimes we'd fall over, but I remember the joy and not wanting to go home and just keep dancing and dancing and dancing. And so from that time, you started really loving music also. Whenever there was a record at some, we had records back then.  Is there anyone to be playing? I'd sit there and just listen to music. I was a little kid. So during that time, did you know Jesus or when was it, when in your life that you just thought I need to know more about him? That's pretty amazing really because around that time, my mother tells me I was about two and these people came to our church and they were telling a story and they're using an easel. And I remember the last picture of these three mountains and a cross on there and actually, you know, a blood spritling down from the cross and then living waters. I never forgot, I used to draw it everywhere. And I feel like the Holy Spirit did something then, you know, in my heart.  You know, Mum and Dad always talked about worship and, you know, after that, we came back to Australia and it was sort of had flowed over to Australia as well. We're in that church. We're there a few years and then we joined the shepherding movement, which kind of, I don't know if you've heard about that, but it sort of went way that way, a little controlling and, you know, Mum and Dad always told us, you know what, in the end, Jesus Yeshua is the firm foundation, you know, so that was always ingrained into me. And, you know, I had my ups and downs and everything, but that was a real strong foundation. And really, without realizing or articulating it, I'd, you know, experienced His presence and His glory from a really young age.  Or was it just a, you just always knew? I remember when we came to Australia, the pastor at that church, and like I said, there was a real outpouring there. I remember he was always doing altar calls. I remember him saying, would you come, would you come?  How many times now? Quite a few. I'd just go out there and go, yes, yes, I received you. Oh, it's so precious. Well, we all got baptized together, the three of us. We all got baptized. I remember holding hands, we all got baptized together. I got baptized later on when I understood it more, but I just think in that simplicity, you know, I believed, I guess I looked at it more like I was really blessed to find that at a young age and to whom much is given, much is required, you know? So, because a lot of people haven't had that. But through the years, I'd sit at the piano when we were in Australia and just try and learn to play, you know, all the, if there was a song, I had happened to have a, a book with the chords that went to the tape we had back then. And so I'd think, well, that must be B flat because, you know, and so I'd try and play what was on the tape. So you really didn't take music lessons? No, no. I just had somebody say to me one day, this is A, and you stop at G, and then you start again. I thought that was weird. When did you know that music was going to be part of your life? So that's another interesting thing. Everybody's journey is different, but it was funny with me. And I think, you know, around that time there was prophetic words as well, but I didn't get them, you know, till later. But something in me, and I don't even know if words were spoken to me, but, you know, I always just knew one day I'm going to sing. And that was that, you know, I was going to sing. I used to listen to Evie Taunquist a lot. Remember Evie? Evie? Yeah. So she was my mentor without realizing it. So I'd listen to her all the time and songs I'd pretend I was her. But I think the main thing was I remember, I really do remember when we were in, we were in Toowoomba in Queensland when I was growing up there. I really do remember we had these glass live-a-doors and I'd be behind there on the piano. And, you know, I don't want to sound over-spiritual or anything, but the truth is I'd start worshiping all these songs that I learned back there, which are songs like Within the Veil, I now would come. I don't know if you know that song. Into the holy place to look. So I'd just be sitting there playing that and just without trying to, I'd just go into that place and I wanted to keep going back there. Now, you know, sometimes I remind myself, keep that childlike simplicity. Other times I'll go and I'll break through and, you know, my flesh doesn't want to. You have flesh and spirit at enmity, you know. You know, you get into that place and it's just so beautiful. But back then I didn't think about it. You know, you went to a famous church. You started attending a famous church, Hillsong. And we are going to talk about that when we come back. Miriam, you went to a famous church. Was it about a teenager or was it older? I was in my 20s. 20s? Hillsong in Australia. And it changed your life, didn't it? Yeah, yeah, it did really. I was singing around. I had done an album and I was singing around and went to Sydney doing a project and didn't plan at all to go to Hillsong church. But I was staying with one of my best friends while I was doing this project. And long story short, I ended up going to Hillsong church. She went there. I was going to go to a church out near the beach. It was more what I was used to, just lingering and, you know. And, you know, in the end I made friends there and ended up being, you know, on the worship team.  What were some of the songs that you were singing during that time, the worship? That I wrote? Or that, okay. Back then, you know what? I'd written this song more early when I was there called Dwelling Places, which is, I love you, I love you. Very simple. I remember the pastor saying to me once, boy, that must have been a hard chorus to write. It's been funny, but anyway, it was pretty funny. When you're writing these songs, I know we talked about this when you were at my home and what inspires you? Or when you sit down and write a song, I know we were talking about one song that might have been Dwelling Places. I don't know. But you were just talking about the Holy Spirit. Share with me what it takes to write that song or the songs and how the Lord just inspires you. Well, it's been different at different times, but I would say the majority of the time, it's when I have really been ministered to by a certain phrase or a hook or there's been a rhyme or something is, you know, stuck out to me in the Bible. Is that the right word? Stood out, stuck it out? I don't know. You know, it's really touched me and or, you know, the Lord has spoken to me something during worship or so I'm like, I have to write around that because I know it will have power because it's revelation to me. So I always want to write from something that is truth.  But I always want something to be that has something that I know on the inside, you know, because that's where it's going to release people and as it has released me. Is there a song that's very dear and close to your heart that you've experienced something that maybe somebody else has experienced that you just want to, you know, touch them or? Yeah, I remember before I went to Hillsong writing a song called Fall Upon Your Knees and there were a couple of friends and they'd friends and they'd been through a tragedy, two different types of things. I remember sitting at the piano and I remember reading about actually in the old testament about, you know, if you cry out to me, I'll hear you. And so I just started writing this song about, you know, Fall Upon Your Knees.  And that was actually one of the first songs I sang at Hillsong. And Brian, the pastor, happened to be in the youth group, which he never goes. He had said to Darlene the pastor, the music pastor at that time, oh, can Miriam sing that? So it's like, you know, those steps just kind of, that's where it started with, you know, that song. And you were there for how many years? About 11 years. 11 years. Yeah. Yeah. And, you know, I learned a lot and definitely a place of worship. And I don't know why, just the grace of God. But, you know, singers and worshipers were just drawn there. Definitely a place with a heart to worship. What song is close to you that you could share? Can you share a little one that you want to just see? Yeah. Yeah. Oh, okay. This one, I was going for a walk one day and got home. And then the chorus just flowed. And that was, it's called I Will Love. And I was just walking along singing, I will love you, Lord, my strength. And I was working on that one. I thought, I need to walk home so I can quickly write that down. And then I got home. And the chorus just flowed like a song's never flowed before. And it's very simple. It was Jesus, you alone are holy. You alone are holy. Name above every name. Then Lord Jesus, you alone are worthy. You alone are worthy. Worthy the land that was slain. And that just flowed so easily out of that chorus. So I always remember that, you know. I wish they were all that easy. But you're still writing. So after Hillsong, what happened? I mean, after Hillsong, I was traveling around a little bit. I came to the States. I had done an album, an extravagant worship album at Hillsong. And I came to the States. And I was singing around a little bit with that, you know, back home. I lived here for a while and came back. And then I was going to Mark and Darlene. Darlene was the worship leader at Hillsong. They had started a church on the Central Coast. So when I came back from America, I knew them. I went there. And we just supported them. And in that time, there was a bracket of time where I had to move out of a house I was in. That's kind of a long story. And then we were all going to move back. And I thought, you know what? I've always wanted to go to Israel to be my dreams as a little girl. So I'm going to go to Israel. So I emailed this friend, his name's Hubey.  Because I didn't want to go with the pastor. I'm a pastor's kid. You know, I would have gone, but I like imagine going with a Messianic rabbi. And he goes, well, I do know this friend. And when he speaks the word, my mouth drops open. I thought coming from Hubey, that's a big thing. So they happened to get me on the team. I went over there and it was an amazing, incredible tour. Just really, you know, like my husband says, now it brought the Old and New Testament together. Even songs that I've written about, I'd go there and it added so much more meaning. And so I didn't realize- Were you doing the worship too? Or were you just- Well, well, because Jason knew I was a singer, he said we'd be at a site like Angerdi or something he'd say, oh, Miriam, can you sing something? You know, so I'd sing, as the dear Panath 4, you know, thinking about David then or, you know. And then I didn't know that one day, like, that I would actually marry the tour guide. You know, and we're going to talk about that because God had a plan for you. Yes. Taking you to Israel. And you had no idea. No idea. That it was going to lead to a marriage. Yes. To a very famous rabbi. We are going to talk about it when we come back. Miriam, your trip to Israel changed your life. How did it change? Well, you know, I was enjoying this trip and didn't think, you know, this tour trip with Rabbi Jason and didn't actually think I'd see any of them again.  He really keeps in contact with people. And so you left after the trip? Yeah. Yeah. Yeah. And one of the people on the tour said, hey, Miriam, if you're in America, you know, come and sing in my church. And I said, yeah, great. And I didn't even think that would happen. You know, I mean I knew I'd be in America, but I didn't think you know. And long story short, I ended up singing in his church and he ended up inviting the rabbi as well because all his friends that went on the tour were there. He says, by the way, and I said, great. Where was his new tour? This was in Albany, yeah, in Texas. Okay. Yeah. So it was kind of everybody getting together again, you know, a long time later. And we happened to be sitting when he hopped on the plane because he came to Dallas. I came to Dallas. He walked on the plane and I was like, oh, because it'd been so long. You know, we just had our WhatsApp from way back, you know, when we were in Israel. And I gave him a wave, you know, and he came and he's looking for his seat and he's sitting right next to me. So then we just got to chat and here we are today. So what happened then?  You know, I would sing at different events and now we administer a lot more together, but it was a real God appointed. So you married Rabbi Jason Sobel. Mm-hmm. Mm-hmm. Yeah. Isn't it amazing how God works? Oh, absolutely amazing. Absolutely. And God has spoken to me, you know, he speaks to you in different ways.  And other times where I can count on my hand where I just heard his voice so strongly here that bypassed my mind. I'd be thinking about something else on here. Bam. One time was faith. And that was when I was living in a garage in the middle of winter and working at a hospital and cleaning and getting up at six and one is freezing. And I, and I said, Lord, I just need one word. I'm so simple. I just need one word. Just, you know, I'm simple. Lord, give me one word. And then I forgot about it. I thought I've got to get up now. And clear as day, I had faith.  I didn't care what he said. Oh, that's amazing. Yeah. So you're in ministry now with Rabbi Jason. Yeah. Going on tours, Israel now.  Yeah. Yeah. We're going a lot now. And he, Jason, ministered around different places. I go with him. Sometimes I go to New York or different places and we'll minister with other groups and I'll be recording at some stage soon. Yeah, let's talk about what's next for you with your music. Yeah. Well, I'm just, you know, always doing lots of writing and we just trust and go with each step. But I know we're heading toward, you know, a project whoever God, you know, leads, but definitely there is recording. So you're writing every, every week? Yeah. Yeah.  It might be years ago, it might be recent, but what, like I said before, whatever is a revelation to me that is truth. Oh, I always want to write, you know, from that because, you know, it's, it's, as we know that the word and spirit coming together that is what's going to release people, even though the, the, the word by itself is powerful enough, but there's something about, you know, when the truth has been revealed, you know, in spite of me, where God's come on me and showed me something, I always want to write for that or, or something that I've been through or that I've seen other people, you know, go through. So that's my heart just really to write. When you look back on your life and the things that you've gone through some of the trials and challenges, can you think of something that you know that God has been there from the very beginning and, but you maybe have questioned or, you know, what is he doing or that you can share and that would just be an encouragement to somebody today? Yeah. Yeah.  And then I went through this really hard time where, you know, just crying out to God, beating, you know, something we can beat ourselves up because the enemy is the accuser. I should have more faith.  In the midst of all that, about a year later after, it was a, you know, quite an experience. And I remember just standing there one day, I was at this place and I was like, I'm in this picture. There's the light. There's, and I knew exactly. I remembered.  And my, I, I stand true to my promises if I've shown you something. And that was just download of, of revelation to be right there. How faithful God is in spite of me, spite of the enemy attacking me, you know, that he is always faithful. And the times where I don't feel him were another time where he just spoke, be anxious for nothing. And it was just a day when I was just out shopping, locked out of my car, a little bit of an air, and I got home and I had be anxious for nothing. I'm like, you really are into every detail of my life because I wasn't even thinking about you then. And you're just saying, you know, just those times in your life as milestones where all the things I've heard all my life was he's with you in every moment. It just downloaded. He is with us when we feel him least, you know, in the most mundane things. Mary and Joseph, you know, before they had the Son of God, they couldn't even find a stable. And they're frustrated. She'd been all that whole time on the donkey, pregnant, and yet the next day she birthed the Son of God, you know, so he's with us. But that's when we walk by faith. And he's so faithful. He is so faithful. And I think it's so important for people to know that he is in every detail of our life. Yes. Amen. Amen. Miriam, thank you so much for sitting down with me. I love what you're doing, your ministry, where God is taking you. If anybody wants to find your music, MiriamWebster.net. Yeah. Yeah, that's right. And you're going to be recording some new music in the future. Yes. Traveling the world. Yes. Spending time with us in Nashville. Yes. My husband definitely keeps me on my feet and on the move, which is great. I love it. Well, thank you, Miriam. We love you. You too. My friend, are you going through trials and challenges in your life? Like Miriam said, his light is shining on you and he is with you in every detail of your life. Trust him today. This is today's Nashville. This is faith. Cornerstone Television wishes to thank all our faithful viewers, whose consistent prayers and financial support have made this program possible.


This is Orson Welles, speaking from London. Grimstone structure on the Thames, which houses scarf and yard, is a warehouse of souvenirs. Where everyday objects, a candlestick, a china doll, a broom, all are touched by murder. Now take this button, the symbol of a barracks parade ground, but this was not found on any parade ground. This is interesting, sir, a brass button. Very interesting, Sergeant. It's from an army uniform. Today that button can be seen in the Black Museum. In the halls of the Criminal Investigation Department of the London Police, we bring you the dramatic stories of the crimes recorded by the objects in Scotland Yard's Gallery of Death, the Black Museum. In just a moment you will hear the Black Museum starring Orson Welles. Just by the exhibits that line the shelves, the tables and the walls, repellent they may be. But by reason of their association only for most of these tokens of murder, are very ordinary objects, a medicine bottle. The drug it contained was beneficial in small doses. But since a woman was forced to drink the whole contents and died shortly after, the jury called it murder. Here's a kitchen knife. No householders without one, but this knife was not used solely for kitchen tasks. It was found embedded in a man's heart. Ah, here we are, the brass button. It is an innocuous, ordinary brass button. This was found near the dead body of a woman. But come back with me to the beginning of this story. To a day some years ago on the common, outside the Kentage village of Wayfield, a girl was sitting beneath a tree, busily sketching. She was too engrossed to hear the approach of a young soldier until he spoke. Hello. Hello. Sorry. Did I frighten you? A little. I didn't hear you coming. Oh, I made enough, Ralph. You're so busy with whatever you're doing. What are you doing? Sketching. Can I see? You'll probably laugh. No, I won't. Show me. Mmm, that's very good. You don't really think so? That's fine. You must be the one they call the swamp girl. That's what they call me in the village. Poor, routine, dulled people. You don't like routine ways of living, do you? From what I've heard you're something of a rebel. Am I? You seem to know a lot about me. Oh, I've heard things. What kind of things? About how you live in an old shanty at the edge of the swamp and how you roam the common and sketch and paint. You're well informed. People talk about you sometimes. I was interested. Then so you came down to see for yourself. Oh, what's the matter? Couldn't you find a girl in town? Don't say that. I wanted to meet you. To talk to you. And now that you have. When you please go away and let me work. Oh, you can work any time. I'll go away soon. If you're nice to me. Go now. I've no intention of being nice to you. Whatever you may think. Come on. Get away. When you found out so much about me you might have also found out that I'm not interested in men. At least of all soldiers. That's not very kind. Come here. No. Go away. Come here. No. No. Please. Please don't hurt me. No. Please. A woman screamed and cried for help on the wayfield common. But there was no one within a mile to hear her screams. Two days later in the post office at Wayfield a letter was returned by the post mistress. Mrs. Riley. Yes, Jimmy. That registered letter you set me out with there was nobody about to sign for it. There wasn't a swamp girl at home. No, Mum. I called out Miss Morgan but there wasn't any answer. You're right. You can deliver it tomorrow. Yes, Mum. Her name was Jeanette Morgan but people of the town called her the swamp girl because of a vagrant strange way of living. The next day Jimmy, the postal messenger rode out on his bike to deliver the registered letter but once again the swamp girl was not at home. Then on the way back taking a shortcut Jimmy found her. Miss Morgan. Jimmy saw only her legs at first protruding from a bush which had been meant to hide her. At first he thought she was asleep. He didn't think so for long. She, she, she's dead. I've got to get the police. It transforms a little village like Wayfield. All work ceases. The people gather in small groups in the streets to talk about it. Yeah, have you heard the news? There's been a murder. A murder? Yes, out on the common. Oh. The swamp girl. They found her body. I was rather afraid that poor girl would come to grief sooner or later. Well, Vika, you know how it is these days. No parental authority. Ah, more of the pity. Be that as it may, the man who did it must be found. You know Bert, if young Jimmy Miles hadn't come upon that body like he did it might have lain there hidden for months, even years. I wonder how it happened. Well now, the way I see it is this. Now in the bar of the local they sipped their beer and discussed the sensation Jimmy became something of a hero. He'd found the body and even now is being questioned by the London detectives of Scotland Yard. This is Jimmy Miles, sir. Hello, Jimmy. You found the body, understand? Yes, Inspector Gallico. Was she really murdered, sir? Oh, that's what we must find out. And you can help us. Oh, really? How? I believe you wrote out to her shanty at the edge of the swamp to deliver a registered letter to Miss Morgan. Yes, that's right, sir. She used to get a registered letter every month. I always took them out. And she had to sign for them, of course. Oh, yes. Then you've got to know her, I suppose. Well, don't tell the postmistress, but sometimes I did stay and talk for a while. What was she like? She was nice, really friendly. People said she was a bit peculiar, but I never thought so. And she could draw, sir. Now think carefully, Jimmy. Did you ever see her with anyone, man or woman? Never, Inspector. She had no friends around here. She once told me so. No friends, I see. Now, about this registered letter, was that the first time you had taken it out? Oh, no, sir. I went out the previous day on Monday, but she wasn't there. Did you call out? Yes, and I went round the common to the place where she used to go and sketch. I know most of them. And she wasn't anywhere about? No, nowhere at all. What time of the day was this? Well, I just left the post office just down 10. It's about half an hour's ride. Oh, you were out there by 10.30. Hmm. All right, Jimmy. Thank you very much. Is that all, Inspector Gallico? No, it's all for the moment. You've been very helpful. A lucky witness, young Jimmy Miles. A break for Inspector Gallico early in the case. For with the evidence of the police surgeon, certain facts could be established. What's your verdict on the post-mortem, Doctor? Well, the cause of death didn't give us any trouble, Inspector. She was strangled. What about the time of death? Hmm, that's not so easy. I'd say she died 48 hours ago, at least. Wait a minute. That means before noon on Monday? It dies in, Doctor. Good. But at what time before noon, I would not care to predict. The contents of the stomach indicate she'd had breakfast. And sometime between breakfast and noon, she met her death. And she was nowhere about 10.30, when the postal boy brought her her letter. What about that letter, Sergeant? I have it here, sir. Who is it from? It's from Mrs. Morgan of Tundridge Wells, her mother. Money, I suppose. 10 pounds, sir.  Poor Mrs. Morgan.  The pattern of the crime begins to make itself clear. The victim's identity is known. The approximate time and the cause of death is known. Now the hunt will begin for the killer. Here is a police message. The body of a woman named Jeanette Morgan has been discovered on Wayfield Common. Evidence suggests that she met her death by strangulation sometime before noon on October the 19th. Any person who is in the vicinity of Wayfield Common on that day, or can give any information, shall communicate with the nearest police station in order to assist in the search for the murderer. And in this, the police will be aided by a brass button. That same brass button. But today can be found in the Black Museum. In just a moment, we will continue with the Black Museum starring Orson Wells. And now we continue with the Black Museum starring Orson Wells. Small cottage in Tundridge Wells now, though the detectives from Scotland Yard, to a house with a blinds drawn where a thin, bitter woman answers their questions in a strangely lifeless voice. Yes, I knew. I knew it was Jeanette when I saw the newspapers. Why didn't you get in touch with this mum? I knew you'd get in touch with me if you wanted me. Besides, what business is it of mine? But she was your daughter. Was she? Jeanette's younger sister lives here with me. Works at a shop nearby. She's my daughter. Yes, I see what you mean. I warned her. I told her it had come to no good end, giving that strange and unnatural kind of way. Mrs. Morgan, we won't trouble you any longer, but could you tell us, did your daughter have any close men friends? Men friends? Yes. Jeanette? I wish she had, but a boyfriend would have been too ordinary for her. She had to be different. She had to be the swamp girl. I'm sorry. Why did it have to happen to her? To me? Why? Why, why? Good evening. Good evening, Vicar. I'm from the police. The police? I don't recognise you. No, sir. You see, I'm not from the local police. I'm from London, and I'm down here in connection with the murder. Oh, yes. Terrible, yes. But, how can I help you? Well, you can help a good deal, sir. You see, the local police are pretty sure-handed, and Inspector Gallacher has decided that our next move should be to make a very thorough search of the common, particularly roundabout where the body was found. Oh, I see. I suppose you want some help from my parishioners. Yes, sir. That's roughly the idea. Ah, very well then. We'll help you in every way we can. You can depend upon us. Let's get on with the search. You take Martin, work in from the road. I'll take Rogers and work in from the fieldside. I'll meet you by the ditch. Yes, that'll be all right, sir. Here's a sketch, sir. It's a pencil drawing. A view across there, all right, sir. Yes, it is. Unfinished, too. You might have been working on it. What else have you got, Dan? This is interesting, sir. It's a brass button. Very interesting, Sergeant. It's from an army uniform. Where's the nearest camp to Wayfield? I believe it's one across the river, sir, about two miles away. Inspector Gallacher left his sergeant in charge of searching the common and went to the army camp to enlist gentlemen to see you, sir, from Scotland Yard. Oh, ask him to come in, will you, Captain? Yes, sir. Will you come through, please? Thank you. Major Curtis, I'm Inspector Gallacher from Scotland Yard. How do you do, Inspector? Sit down, won't you? Oh, no. How can I help you, Inspector? I'm here to investigate the murder of Jeanette Morgan. Oh, the swamp girl mystery. Yes. Major, not far from where the body was left, we found this... An army button. That's why I'm here. I see. Well, I'd be glad to assist in any way I can, but, uh, permit me to hope that it wasn't any one of my men. How many men are there in camp here, Major? Well, at the present time, our unit's strength is 120. We're an engineer section, as you may know. 120 men, huh? I wonder if any of them has a button missing from his tunic. Well, if you wish, I'll order an immediate inspection. Not yet, sir. You can assist me in another way first. How, Inspector? Well, I want a list of all those absent from camp on Monday morning. Oh, that should be easy. There's no leave on any week morning. If anyone was away from camp, it must have been for a special reason. Anyone at all, between the hours of seven in the morning and one o'clock. Well, the adjutant can help us, though. I'll get him to make out a list of all those away from camp on Monday morning immediately. The commanding officer was away a short time, and on his return, he brought with him a piece of paper containing a list of names. He gave it to the London detective. There you are, Inspector. Five men were away from camp during the time you asked about. Hmm. Sergeant Willis. Hey, Company. Yes, he's our caterer at the present time. We're understaffed, of course. Sergeant Willis and Private Fields were in town with a provision truck. They were together? Yes. We could always check that with one or the other. I don't think I'm very interested in those two. Oh? What about Private Liston, B Company? Oh, he's the unit driver. I, uh, I sent him into town shortly before noon. On a private island shortly before noon, huh? Well, that leaves two. Corporal Paul Ferris. Oh, he's our mailman. He leaves every morning at eight o'clock and drives the mail truck in to pick up the unit mail bag. From the Wayfield Post Office, I suppose. Yes. What time does he generally return? Oh, sometimes by nine. Though on occasions he has to wait for a registered mail, you know. I've even known him to be holed up as late as four eleven or even eleven thirty. Would anyone know what time he returned on Monday? I'll find that out for you. No, this last man. Private Williams, A Company. Yes, if you ask me, he might be your man, Inspector. Oh, why, sir? Because he was absent without leave. Nine hundred hours on Monday morning until fourteen hundred hours. Nine till two. Yes, that's interesting. I'd better see him. And the Postal Chappie. I'll have them paraded. Corporal Ferris? Private Williams? This is Inspector Gallico from Scotland Yard. He has some questions to ask you both. Thank you, sir. Corporal Ferris, we'll take you first. Yes, Inspector. What time did you leave camp last Monday morning on your mail run? Eight hundred hours, sir. And what time did you return? Well, I, uh... If I remember correctly, the mail was brought round rather late that morning, Corporal. Yes, sir. I was just about to explain to the Inspector. I had to wait for several registered letters. What time did you actually return? Uh, shortly before eleven hundred hours, sir. Thank you, Corporal. Now, Private Williams. Um, you were absent without leave throughout Monday morning. Yes, sir.  I'd prefer not to, sir. Private Williams has consistently refused any explanation of his conduct, Inspector. That's rather unwise, Williams. If you have an alibi, you'll need it. This is an investigation into murder. Murder? I didn't do no murder. I was with me girl in Wakefield. Ah, what's her name? Hey, Susie Walker, 9 I Street. You asked her if I wasn't there. Oh, I didn't want to get her into any trouble, you understand? That's all. But murder, who I don't know nothing about, the girl who was killed? On his side down. Well, we'll check your statement, Williams. I've finished with him now, sir. Corporal Ferris, Private Williams. Dismiss. Inspecting Alec O'Drove into Wakefield to number 9, High Street. Oh, no. Susie wasn't out with him that day. I remember it distinctly. She went over to see her girlfriend at Kenbury. Wait, you can ask her yourself. Susie Walker was a small, frightened girl. The counterpart of Private Williams. Oh, Inspector. I hope he hasn't done anything wrong up at the camp in not telling them where he was. Oh, that'd be terrible. He wouldn't tell a lie. I know that. I'm sure of it. You see, we'd had a quarrel and he wanted to see me. I didn't dare let Mother know, so I made up a story about it. She confirmed his alibi. And Gallica went next to the post office to interview Mrs. Riley. Just one inquiry I'd like to make, Mrs. Riley. Anything at all, Inspector. Anything. I could think of that poor girl and my Jimmy Miles finding a boss. Mrs. Riley, can you recall offhand whether you had any registered mail for the Army unit on Monday? Registered mail on Monday. Well, I couldn't remember offhand, Inspector, but I'll have it here in the book. Wait a minute and I'll look it up. No, there was nothing on Monday. There hasn't been a registered letter for the Army since last week. And the postal corporal wouldn't have been delayed on Monday morning. Not him. He was in for his mailbag and out again quick as you like. Didn't even stop for a chat. I remember that now. What time would you have left here, Mrs. Riley? Can you give me any idea? I can give it to you right on the dot. It's come back to me quite cleanly. We open at 8.30. Corporal Ferris was here waiting when I arrived to open up. And he didn't stay? No, not more than a few minutes. The Inspector picked up Sergeant Worthington and together they drove back to the Army camp. A few orders from the commanding officer and Corporal Ferris was paraded once more. And his gear searched. At the bottom of his kitbag they found what they were looking for. Here we are, sir. A battle jacket with one button missing. And it matches, Sergeant. Oh, Ferris? What have you got to say about this? Is that crazy, sir? I didn't know anything about it. She was sketching, wasn't she, Ferris? She drew a pencil drawing of you, isn't that so? You're bluffing. She didn't do any drawing of me. It was a landscape scene. A landscape scene, yes, so it was. And that fact has never been mentioned in any of the papers. Only the Sergeant and I knew that, Ferris. And the killer. All Ferris was taken into custody. Charged with the murder of Jeanette Morgan, the swamp girl. Ladies and gentlemen of the jury, you have heard the facts in this case as related by the witnesses which have been called, both by the defense and the prosecution. The prisoner stands before you accused of a crime of murder. A particularly brutal murder. A murder without motive. But lack of motive is not necessarily a defense. It is for you to decide whether the facts which you have learned during this case, not only the words spoken by the witnesses, but the mute testimony of the material objects placed before you, justify your verdict which must be beyond all reasonable doubt. The brass button and a slip of the tongue led to his downfall. Today that brass button occupies a place of honor in the Black Museum. Orson Welles will be back with you in just a moment. Orson Welles. The picture was completed when the tracks of a vehicle were found some 50 yards away from the scene of the crime. The tracks were identified as those of the mail truck, of which the driver had been Corporal Paul Ferris. The defense did their utmost to prove insanity. But the jury were in little doubt that the man was sane. And that his advances repulsed he had strangled the swamp girl to death. They took 17 minutes to find him guilty and the brass button which had led to his arrest was exhibit A on the courtroom table from where at the end of the trial and the pronouncement of the inevitable death sentence. It was taken to its present resting place in the Black Museum. And now until we meet next time in the same place and I tell you another story about the Black Museum, I remain as always obediently yours. Orson Welles is presented by arrangement with Metro-Goldwyn-Mayer radio attraction. The program is written by Creswick Jenkinson with music composed and conducted by Sidney Torch. Produced by Harry Allen Towers.


Stable isotope signatures can be used to characterize subsurface water dynamics and provide valuable information about the movement of water through the environment. However, traditional sampling methods are time-consuming and expensive, making it difficult to collect data over long periods of time. In this study, researchers developed a cost-effective and efficient method for continuous in situ monitoring of poor water stable isotope signatures. They used automated valves to extract diluted water vapor from soil air, which was then analyzed by a commercial laser-based isotope analyzer. The results showed that the new technique provided accurate and precise data on the movement of water in the environment, allowing researchers to gain a better understanding of dynamic and heterogeneous shallow subsurface and beta-zone processes. This article was authored by Th. M. Volkman and M. Weiler.


So, while the talk is loading, I try to explain a bit more about the problem that I'm facing or I faced for a couple of years while developing QML applications in general, is that before Q5.11, there is a problem when if you want to check your QML code, you are only able to check at runtime if something is wrong or something is not, and a bunch of problems make it harder to develop and test a QML application to test your design if you need to compile your application every single time to do any kind of test. Sadly, the talk is taking longer to load, I don't know why exactly, but I can do the talk directly from my computer if this is necessary. Meanwhile, I faced this problem, I come up with a solution that is a really simple solution, but is to come up with a tool that is able to reload every single time that a file changes, if it's an image, if it's a translation unit, if it's something that can be tracked, okay, it's loaded. Every time that application is loaded, you need to check how to style the image, so you usually come up with this as a result if you don't have a real-time feedback of your application, you have the image, you have an SVG as an example, and if you don't do the proper configuration, you lose the correct feeling or the correct position of this element, so it takes iteration, and this iteration takes time, so if you need to compile your application, you run an application every single time to see if this works properly, if you break your workflow, and sometimes you make a paint to do this kind of development. So the initial plan was, as I said, to come up with something that could help me to create fast development with QML. At the time, I found a tool called WatchExec, it's made in Rusty, and with that, you can pass the files that you want to watch, or the extensions that you want to watch, and with that, I was only using QML with main QML and doing some tests and interactions with it. It works, it's like a cruise man alternative, but at least it does the job, and it's like you're compiling a C++ service code, you have a watch in the auto terminal, compiling the code every single time to see the assembly, something like that, but you figure out QZ interface. The problem with that is that every time that you change a file, the WatchExec queues the QML handler, and it starts the QML scene, and every single time the window is closed and opens, and if you move the window around, and you resize the window, the application will close, and it will start in the top left corner with the default size. And of course, this can be fixed with QML if you save this in settings, but this is not the case. The idea is to make it something that does not need any modification or service code that helps you to develop and test applications much faster. So with that, I come up with an idea to create a QHot. QHot is a really simple application. There is nothing really on it. It's just a simple QML service code. There is a base class that's used the URL interceptor and another class that has the file system watcher to see if the file is changed. And if that is the case, it reloads the application, it removes the cache of the App Engine and reloads this new file. So every time that you have an application, sorry, changing your file, QHot will restart the application itself with the window there. And if you just use the test manager, it puts above all the windows, you have these, like, always there. If you code, if you do any modification underneath, it will reload and it will make your development much, much faster. So I tried to do some hands-on later to explain how is the workflow and how interactive you can do your work. But QHot also allows arguments in runtime. You can pass, like, you can change the DPI, you can change the desktop if you want to use GLS, GL, software handling. You can import skewigami, you can use skewigami directly on it. If your plug-ins need to reload, it will reload your plug-in. So it tries to be as much helper as possible to do some KML code development as much interactive as it needs to be. Because since we are working with something that's a user interface, and usually you need to do some experiments, you need to put animation, you need to change the speed of the animation, you need to change the font size, if you need to compile your code, or if you need to do any kind of correction that breaks this workflow and this experimentation, it makes the development not harder, but not as cooler that it can be. You can create development in a way that is more interactive. So you can experiment of things, you can change colors, you can do a bunch of stuff that it really helps your development. So I'll try to do a small demo and see how it goes. So hopefully you are seeing Keyhot now. I just change it here to make everything as much as possible. If here I have Keyhot running in the top right corner, I have a term now running the output of Keyhot and here I have a simple blue rectangle. So if I want to create another rectangle, I can just create another rectangle and change the color to head. I did something wrong, I did it. I spelled the rectangle wrong. You have the blue, you have the rectangle, you have the other rectangle in head, but I forgot the size, so I need to put the size. If the parent.wediff divided by two, and I have the same thing to hide. So yes, of course, I have the second rectangle. Now I need to center in the parent. Okay, let's center in parent. Yes, that's what I want. Okay, now I have it. Let's put a text on it. Yes, of course, why not? Okay, text has a bunch of arguments. I just need a couple of these arguments. Text text here, academy. And of course, academy is like really small there in the corner. Let's change it to, I don't know, font dot pixel size. You know, 500. Okay, it's too big. Let's try 100. 200 is good. No, 100. So we can train the color to, I don't know, white. I did something wrong. Okay, that's the wrong property, color. Perfect. And of course, I also want to centralize it. Perfect.  I have like a my icon there, single file here. I can create it here. I can save and I can put my icon here to load. What if it goes wrong? What do you miss it? Oh, rectangle is not a type. Oh, what did it wrong? I forgot the import statement. So I can put this import statement here. Of course, this is just a test, but it helps to see how interactive it is. You can just check the error message here. You can do a development. It makes it much, much faster. You can also start to do some crazy things. Like as a bunch of people know, rotation, it's something that I love because I love, I don't know why it's so funny. But if we just create the rotation here, again, just put to zero, 100, 160, sorry. I don't know what's wrong, of course. And I can put, I don't know, loops, animated, I mean, I made about animated.infinity. I think it's that. Yes. No, so I'll put a huge number here. I don't know. And we can also try the duration of it. Let's put like, no, no, it's too fast. One second. Okay. So as you can see, this is really effective. So you can try any kind of things and you're going to have your feedback at runtime. As you can see, I did a bunch of mistakes. It's really easy to see that I come up with a mistake because I can see that, okay, everything is missing. I have a message here here. Okay, that's what it is wrong. This makes the development time or the experimentation much faster because sometimes you don't need to create your entire KML code in your own application. You can come up with what you need in a small environment with a small KML that goes just to experimentation. But you can think that this is the end, right? But I have an application that does my job. It makes my development time much, much faster. But I thought that maybe I can do something better, much better. I can decrease the development time and besides that, I can decrease the gap of new developers to come with a KML development or how to make a KML development much friendly, much faster. And I felt the need of Qt running your machine. So this is the, this started with Compile Explorer because I'm a user of Compile Explorer to do a bunch of tasks and development and check what's being generated in my assembly or how to just test some new things with the new C++ concept and everything else. So Compile Explorer is really cool because you don't need to install the compiler. You can do everything in the web. It's really fast and accessible.  So it's much faster to do anything this helps the user to do tasks and helps the user to seek information and to learn. So it's much better for this interactive way and how easy it is to access. Because of that, I started because why can't we have these nice things with KML? What's the problem with it? So I come up with Qhot. I created a simple KML interface on it. And with that, I just created a simple text edit, put a bunch of code there, and created the same thing with Qhot. But if the browser, if they have a Q2EB assembly, the problem is that it's not as much friendly as it is, because QML is great in all, but for browsers, it's not perfect. You can see that the look and feel and the user interaction is not perfect. You can see that the look and feel and the user interaction is not totally accessible or okay. So with that, I moved away from the QML approach and started to learn HTML, CXX, and a bunch of web stuff. And for a simple developer, at least for me, that was like a better method of development with free marine stuff. And I started to learn a bunch of QML, CSS, etc. And if it's interesting, because if you google how to center, the first thing that appears is web stuff, because I don't know why it's so hard to centralize stuff with HTML, if KML is so easy. And so after a couple of months work on it, in a bunch of development, I come up with QML online. If you want to take a look, QML online is in QML online.kde.org. And with that, you can have access to the QML development directly, without worrying about two chains and everything else. You can go to the website, interact with the QML, check the examples, and do what's necessary, exactly like Compile Explorer. So the idea of the examples is to help newcomers just to come up and see what's going on. The idea of QML online is also to help any website or any blog to have QML code accessible in your own blog. So if you have a blog and if you want to put a QML code on it, you can just import the QML online component and use the QML online JavaScript library and pass the ID of the JavaScript script on your HTML. And you'll handle the web assembly, your QML code in your blog. The idea is also to put that in the documentation, like the Q2 documentation or Kirigami documentation, in a way that everybody can see the examples and run the examples directly on the website. And this makes everything much accessible and much easy to experiment and to test. And with that, it is not like a code example in a browser. You can just see the code example, you can edit it, and you can run directly in your browser. So if you want to experiment or do any kind of test with it, it's ready to go. You can do it. Of course, the idea is to create an interface that's totally friendly. So you have the terminal output. You can see there in red, you have the splitters. It can decrease the size of your canvas, increase the size of your canvas. It's the same thing for the terminal. It has autocomplete. You can share the code. You can share the code with tiny way hell. If you want, you can share the code with a permanent link. The entire code is like zipped with a string, and it should be a bit big. But at least you can share the examples to everybody. So you can come up with a QML example. You can share to your friend, oh, check it out. This is how you can do it. It's really simple. So it's accessible and it makes development and the learning process of QML in a way that is not hard at all. Everybody can test it in the browser right now if you want. So I'll show it really quick here. I'll share my screen again. Let me take it here. So right now you're probably watching QML online. It's going to decrease the size. As you can see, there is a wee example.  Every time that it loads, it takes a bit of time to load for the first time. But after it loads for the first time, it loads really fast in the second time or everybody else because of the cache. The idea is to make something that is really friendly and easy to access. So as you can see, I can change the test here. I can put your academy. I can change the speed to make it faster. I can put two cycles here. And I can change the color here to be green. And if you do something wrong, there is error message right here. I cannot assign to noisy property all of the colors. So it makes experimentation in a way that you can do in your house. If you want to check how to create a simple game, you can do it. If you want to debug test and do your own experiment with this example, you can do. If you want to check curriculum examples, you can also check curriculum examples here. You have to check example, push pop clear. You can just, I don't know, a bunch of push point appears that curriculum label is deprecated. And it also works as you can see as expected. You can go here, replace, clear. And as Kirigami tries to arrange with the window size, you can see that it also tries here. At some times, there is some problems with Kirigami still, but at least it's a state that's working and everybody can do some experiments with it. There is the icons and everything else. So as I said, it's really easy to do some kind of experimentation. It checks the curriculum examples, or any examples that you want with QML. And if you want to help QML line and to add more examples, it's really simple. It's just a matter of create your own .qml file, put in the repository, and add the number of files to a list. And that list will be loaded here. And after that, it's done. For example, it will be available. And as I said, everything is the way that it helps the development of the users to interact it in a way that's much faster. Like you can just try to on-trigger it here. You can see, okay, on-trigger it is not exist. Maybe on-click it. Yeah, that's maybe it. You can just print, click here, and you can just click here. It's really simple. So that's what I want to share. I know that it was more closer to a technical pitch. But the idea is to show how can QML improve development in a way that you could do it much faster with QHOT. And if you want to share your QML code with your friends and do some experimentation online, interact with your friends, you can just create your own QML line, share the file with someone, and anyone who has the browser has the link and can access the QML line and see your code that you share with them. And also, the way that it was developed by me, at least, is that it should be friendly. It should be at least a tool that makes you happy to use. Like every time that you reload, you'll see a different conky loading. Why of that? Because it's cool. It's funny. You will see a small conky. The conky is already making me happy about it. So why not? So the idea is to have anybody else that wants to experiment QML, task QML, to do it in a way that's easy, friendly, and accessible, and also improve development and prototype of QML codes in a much way faster with both QHOT or QML online. And I think that's it. There is also a QML loader from Tohini. And it's a really great tool that's embedded in your own application. And if you're not mistaken, you can also test it in remote devices, like you have a device that's running QT remotely. You can run your code here and the application reloads with these states is still at the same without changing the code that's running. Super exciting. Thank you, Patrick. Big applause, virtually. We do have five questions and about five minutes. So that's actually quite nicely fitting. I can maybe read the questions for you. Thank you again for your talk. Super exciting to see that. So the first question is, can it handle custom registered QML types, for example, typed properties somehow? Let me think a bit. With QHOT, it's totally possible because you can load things like any kind of load if you have a plugin ready. But can I also change QHOT? It's not hard. QHOT is really easy to do. But if you have any kind of plugins or any kind of, I can say that libraries that you want to import that you are in development, you can do it. There is no problem on it. Yeah, I think that was for QHOT, indeed. Cool. And then in KDE LAN, we often have QML front-ends that are backed by C++ data models. I often thought such a tool would have a pain where you could enter mock data for properties that are defined by C++. Whoa. So you can have ListView with delegates and so on. So yeah, mocking and supplying data. Do you have thoughts on that? Yes, that's also possible. The only problem is that it should be in a way that is accessible to QHOT. But if you want to do, if you're on application, if you're doing a development, I believe that Tuhini2, the QML Heloder, will help much more because it's embedded in your own application. It's not a second application. So if you use his tool, you'll be able to have your own states, have your own application, out to reloading. QHOT is like a helper for QML. If you have a code that invades C++, you can check his tool. I think it'll do the job for you. All right. Third question. Do all non-QML objects keep their state during reload? No, they don't keep. The application, it loads the front end, but since it's heavily based on in the loader instance of the QML code, the C++ states will change, of course. Sadly, this is an issue that I would try to fix in the near future. All right. Yes, a follow-up question suddenly appearing. Could you re-inject that? Yeah, in theory, yes. That's totally possible. But like, time is always a problem to me. Yes. All right. So, and we're also running out of time. Last two questions. Could it become a replacement for QML Web was trying to achieve as in using QML for front end web development? That must be about the online QML. Yeah. Yes. So, QML has a great future on the web. Right now, with the actual state, I did face some problems with it while development.  So, it's still in the early stage, but maybe in the future, we are going to have like, entire applications in QML and the browser and running your fault, having any like, user feeling difference. User feeling will be almost the same as the normal website. But like, if you have a QML application, like sometimes, I have cameras in my house, if I want to check the cameras in my house, it's better to have like, a video application in QML entering into our website that's taking hours figuring out how to do it, to share streamer and a bunch of other technologies. So, to me, QML is much faster to do anything like that. So, for a couple, for a speed of the volunteer, it's much easier. And I believe that QML has a completely future on the web. And right now, doing like, this kind of prototypes on QML and web, it's totally okay. You can do it. There is no problem on it. It's perfect. Very nice. Thank you. That's the last question. I'm not sure if I understand it correctly. The question is, how does it relate to the QML life stuff? Maybe you're more up to date there. QML life stuff. I'm not sure if I follow. But from what I can see, it's the application like QML line. I was developing it since September of last year, maybe September. I think so. If someone's checking if it's in the Qt had it, you can see my army of blogs and my development in the old interactions for the first entirely done QML prototype. So, I know there is one or two tools that come up of this year, but they are not so nice, I think, but I am developing off my own tool. So, that makes plans. The QML online is entirely open source. It's in the KDE organization. So, anyone can use, collaborate, help, put more examples. So, it's totally free. And I think that's a huge thing.


What's up? How are you guys this week? I didn't really feel like reading reviews today but some idiot for lack of a better word sent me a pretty funny review this morning so we will read that one. Ball Lover left the following one-star review for the product Vealtesticles. Empty. There was no nut in the nut. P.S. you can contact the reviewer via Iloveballsidgmail.com. Now I looked up this customer and they never actually placed an order with us so I'm assuming they were looking for some type of fluid in the testicles but unfortunately they were disappointed. Anyway that cheered me up a little bit guys because I was in my car for nine hours yesterday had the worst migraine headache made me really consider that beach in Mexico for a few hours but as usual we have some new stuff so let's take a look around and show you guys what's going on this week and then later we'll do the complaining and go over what else has been going on with the legal nonsense and stuff like that. So my guys have all of the meat orders packed up for this week. Egg orders will be going out tomorrow. We do have the plain jerky back in stock it's it's kind of Biltong style. I will say it's not a hundred percent like Biltong but it's definitely closer to Biltong than jerky. Now just salt and apple cider vinegar so this is kind of like the plain flavor and then we do have a flavored version that has like coconut, aminos, onion, garlic and both both very very good guys but I think the next product we will have should be some legitimate Biltong. Alright so let's jump in the freezer and see if I can remember what we have. Goat heart is back in stock we were out of it for a while but it's not really that popular of a product maybe some of you guys wanted it back. For a while we only had the goat testicles but we did just get the lamb testicles back in stock this week and we also have the beef testicles that we just got as a new product maybe two months ago. I mean we got a decent amount of restocks this week guys we have the one pound Chuck Steaks back in stock really affordable. We have some organic ribeye for you guys that were running low on plenty of flat iron steaks all of the beef glands are around this area we got the ovaries, pancreas, more pancreas, thyroid over here we have some tri tip oh ribeye stew meat if you guys haven't been waiting for this. This is a completely new product tenderloin stew meat which comes in a 2.5 pound package at $34 which is actually maybe not the correct price that we have on the website I got to double check that but either way this is very very affordable for tenderloin but obviously it's chunked up like stew meat so I think I'm really gonna enjoy this myself in the barley soup because when you put something really really tender that falls apart it's just so much more enjoyable to eat and it's also a lot easier on digestion and then we got the the one pound thick cut ribeyes back in stock for maybe a month or two we were only offering the the nine ounces a smaller ribeye so I'm sure you guys are gonna be happy to have these just regular thick cut one pound ribeyes so we got plenty of the shares in stock guys the beef shares and the pork shares so no worry about those running out at all if you want to see all of the sausage hot dogs different charcuterie products we offer. College and broth is in stock you guys have been really buying all this every week from us so hopefully we can keep up the demand alright so in the fridge we got some fresh made roast beef for you guys we are back to the top round instead of the chuck roll so it's the more traditional roast beef flavor nice and rare and for the most part we have all of the cheeses in stock running a little low on some but we have everything the eggs as well we have a lot of customers that have been enjoying them purchasing them consistently and really only positive feedback on those nothing really going on with organ supplements we did restock the magnesium oils a few weeks ago with MSM and the plain one in the new glass bottles all of the beef powders are on I guess liquidation discount because we are discontinuing them and we do have the macronutrient enzyme blend back in stock so hopefully by the end of November we get the new products in and the enzyme blend will be included in that so if that's something that you guys have been using to help your digestion we will continue to offer that Wi-Fi shielding we're just waiting on some like kind of wallpaper stuff and then I'll just do a product highlight of everything for you guys Frankie's Naturals we restocked the clay shampoo and the African black soap so everything's available I was actually using the bug spray last week because I was trying to get in maybe one of the last handing days of the year and smells very very pleasant I like the lemongrass and the other oils in there just very very nice aroma it's nothing overpowering now I don't really know what's gonna happen guys and honestly I don't really care that much at this point I do have a backup warehouse that I put a deposit on but if my employees don't want to move with me even though I'm paying them way too much I just don't have the physical energy I'm just not healthy enough to top break the business myself so if that happens maybe we'll just wrap things up who knows landlord is still trying to evict us in court and everyone including my own lawyer seems to be on the side of the jerk off secret society members and you know the continued censorship of my YouTube channel and I got a bit of a reality check yesterday when going to to see a meat plant that might have been available for sale we need to have completely separate like operations like the shipping and the warehouse and the order fulfillment has to be separate from the USDA plant so and I don't have anywhere near enough money to get both of them at this point and honestly like I feel like I'm still young like I can still do other things if I want to so I'm really considering at this point you know I've been doing the business for over three years now I've completely lost my mind I'm not physically healthy yet I'm just frustrated the whole time and I've always been relatively unhappy with how things are going but as long as I'm helping people and providing high quality product that's kind of kept me going but at this point I'm just I'm just about to throw in a towel because it's fucking it's just too much at this point I was thinking of doing a go fund me as like kind of a last resort kind of thing but I don't like asking people for money honest I just don't want to do that and even if we did get the money from the go fund me I still don't know if I'm willing to to do it I mean we would never get the amount of money I would need anyway I'd be like at least half a million dollars at this point as I've said guys I was supposed to be in this warehouse for another two two and a half years and by that point maybe we would have been in a good enough position with like the financials and the records and everything that when we go to the bank they give us enough money for us to do everything we want but it's whatever at this point you know I think I've done enough I'm tired of the YouTube censorship I'm tired of everything and I don't know I'll see how I feel over the next few weeks but you know I was gonna talk about this many many times over and over again and I kind of kept holding back but you know in the anticipation that things were gonna get better and I was gonna feel better about this but I'm really not so we'll see