Broadway's my beat, from Times Square to Columbus Circle, the godliest, the most violent, the lonesomeest mile in the world. Broadway's my beat, with Larry Thor as Detective Danny Clover. Broadway, it's a tensiled wilderness of steel and of stone, and the foliage of darkness is thick and unyielding. You make circles and pretend you're not lost. You make circles and walk and try to break through. Then you get the message, it can't be done. Because it's a cage, a big cage. The animal cries you heard were your own. It's Broadway, my beat. At ten o'clock of a bright December morning, Broadway's music shops open their loudspeakers. Broadway wears a scrubbed face, a new haircut and a flashy smile arranged to look appealing and innocent. Because Broadway is on its way to con Santa Claus. Then you get a look at yourself in a mirror decked with holly, and you know you're doing the same thing. So you drop a coin in the pot. Thank you Danny! It feels good inside. And then at 46th Street, you see a patrolman Meshrikov ad-libbing his way through a crowd. But he's got a tight hand on a little guy with gentle and tired blue eyes. Alright Townspeople, alright, the party's over. So make way for me and Santa Claus, huh Townspeople? Me too, patrolman Meshrikov. Oh Danny, I didn't notice you in the round of my appointed duties. And your duties? This little guy here, you see him? I see him, hello. Hello.  Lost his marbles, like Michugan. You know what I mean? I'm not crazy, I'm only doing what I have to do. You have to do this? You have to give away $10 bills in the middle of Broadway? This is not only a hindrance to the flow of traffic, it smacks also of holes in the head. You tell me about it, mister. I'll tell you Danny, even if it breaks my heart, this sweet little character is a potential client for Bellevue. He tells me he's got 50 grand to give away. Let him tell me how Meshrikov. Would you like a hot cup of coffee, mister? It's pretty cold out here. I'd like it, thank you. Oh, very nice. Let's go. He's a very nice man, that patrolman Meshrikov. He has a kind heart. I tried to give him $10, but he wouldn't take it. Will you take it for him? All right, we'll put it in the policeman's fund. After you, mister. Thank you. Here, I got a couple of nickels. You want coffee or chocolate? Chocolate would be nice.  You look like a man who worked hard for all that money. Why are you giving it away? Here's your chocolate. Oh, thank you. I give it away because it's my duty to share it with those who need it. Those people in the street, maybe they're just greedy. Oh, here's a place. We can stand at this counter. Sugar? Thank you. Some people buy yachts with money. I buy little boats in people's hearts. Maybe they'll still be sailing when I'm no longer here to wave them on their way. Oh, you'll be here a long time, mister. Henry Baker. No. I won't be here for long because I'm going to be murdered. What? My brother George. He'll murder me because he wants my $50,000. And I want to give it away before he kills me. What's your name? Well, Danny Clover. Look, I don't quite...  Yes. Then you'll protect me until I give all that money away. You'll do that, won't you, mister Clover? Yeah. Yeah, I'll do that. Oh, you're very kind. Kindness is in your face, mister Clover. You've done enough for the day. Why don't you go home and rest? If there's any trouble, call me right away. Just give your name and they'll put you through to me. I may call you at any time? Any time. All right. Now, I'll go home. Thank you for the chocolate, mister Clover. It was very kind. Michael wants to see you. Oh, I'll show him in. Okay, Danny. Yes. What can I do for you? Sit down. Thank you. I just learned you had a little talk with my brother. So? So this? I've come to ask you not to have him put away. You think he should be put away? Well, he's mad. Oh, I won't quibble with you. I just know that. Mr. Baker, I've talked to your brother a long time. I think you can be proud of him. Proud? Hardly that. Making a fortune and giving it to drifters. Well, that's his own affair, I suppose. But it's the other thing. Which is, he's insane delusion that I want to murder him. Yet you don't want him committed to an institution. Why? Well, I'm sorry for him. He means no harm. I try to help him. How? Well, I arrange that he be taken care of by a doctor. Oh. I'm glad you did. What doctor? An expensive one. Dr. Michael Sinclair. Dr. Michael Sinclair. You see. Oh, pardon me. Yeah, surely. Danny Clover speaking. He tried again, Danny. He tried to kill me again. He did, Henry? When was this? Just now. Just this instant. He shot at me, but he didn't get me. I'm glad to hear it, Henry. You'll have to do something, Danny. Promise me you'll do something. I promise. Where are you? 2150 East 20th Street. I'll be right down. Your brother, Mr. Baker. What did he want? You'll have to excuse me. I got to get down there. He says there's been another attempt on his life. Oh, no. Does it, Mac? Shall we try again? If you've got time to play, you've got nothing important to do here. Point yourself north, kid. Yeah. Now we stop rubbing noses, huh? Now we discuss our problem. You think so? I say we play some more. Copper. Huh? Blushed to my shoes when I say it. I'm from the police. Oh, so I can't bang on you. I got to throw my hands back against the wall and drop my jaw and say golly. I got to do that because you're from the police. Do it. It'll make me feel important. Where are you from? From here. Landlord. I had cards printed once that said Bencroft Landlord. They got sticky on a hot day and melded, but I ain't changed. You want a crummy room? I want to see Henry Baker. I got a theory you want to hear. I'll tell you. A cop puts in eight hours a day with a city ordinance and a gun and phony muscle. That gives him 16 hours left to be a grabber. That's why you want to see Baker, grabber. You an off-duty cop. Look, I'm working. I'm between card-punching time. So when I say a question, you say an answer. What's your interest in Henry Baker? I like him. Answer. Like why? Because sometimes I talk to him, then I can stand to look in the mirror. Answer. Try this. Why didn't you want to let me in?  Maybe he isn't kidding. Let's go. In here. He did it again. He started killing me. Who? Who was it? George, my brother. I saw him. He shot at me from in the alley. He went through the window, but there's no one out here now. He was waiting for me there outside in the alley. Then he took a shot at me. I see. You're sure it was your brother. I know my brother, don't I? Sure you do. What's this, sticking out from under the bed? You mean my suitcase? No. Yeah. Yeah, your suitcase. Open it, Mr. Clover. Sure. Holy... Almost $50,000, Mr. Clover. Have a $10 bill. Go ahead. Take some. You're my friend. I want to have some. I didn't tell Henry Baker that what I'd seen sticking out from under his bed was a gun that had just been fired. I didn't tell him that the window glass had fallen into the alley outside. And I didn't tell him that all that meant he had fired the shot himself from inside his room and through the window. He didn't even know his brother couldn't possibly have been there. I couldn't let him know I saw through his child's game of attempted murder. But I could take the gun away with me. And I could call on his doctor. Because a doctor is where you go when someone important to you is sick. Yes? What is it? I'd like to see Dr. Sinclair. Is he in? I'm Dr. Sinclair. Won't you come in? Dr. Michael Sinclair was the least medical-looking girl I ever saw. She wore a dress of some metallic cloth that shimmered in the afternoon light. And in her eyes was a kind of grave mocking smile. And her mouth... her mouth... The way you look at me, I wouldn't diagnose as neurotic. Not in the least. I'm sorry. It's only that... That what? I don't know. You're the doctor. It's that I'm a woman doctor, and women doctors are rare, wasn't that it? Rare? Yeah, that's it. And women have the vote and give their seats to nice old gentlemen in subways, get their PhDs in psychology at Hunter College in the Bronx. You feel better now? I'm a policeman doctor, Danny Clover. I want to talk to you about a patient of yours, Henry Baker. What about him? He tells me his brother is trying to kill him. Yes, that's what he told me. When did he first come to you? A few weeks ago, his brother sent him to me. What's your interest in Mr. Baker? Has he committed a crime? No, it's only that he's a friend. I want to help, if I can. Yes, he does have a lot of money, doesn't he, Mr. Clover? And he gives it away.  Don't be angry. I find greed universal. I have it myself. I just diagnosed you incorrectly, that's all. Or did I? Do you keep records of everything Baker tells you? Of everything everyone tells me. I record it on tape. New world, new methods. I find it more revealing and more accurate than taking notes. May I hear Baker's recording? Mr. Clover, what he says to me is in the nature of a confessional. I see no need to trespass on Mr. Baker's privacy. That's a law, isn't it? Is it? I'd like to hear the recording, please. I guess there's no harm done. I'll get it since you're a friend. Here it is. You'll find, Mr. Clover, that Henry's case is the usual one of sibling rivalry. More intense, perhaps. More outward going. More bizarre. How do you play this thing? Like this. What should he keep imagining his brother's trying to kill him? That's my problem, Mr. Clover, and I... Shh, that's me. Everything, just as it comes to you. It began when I sold my truck farm and took all the money and savings and started to give it away. I said to him, George, why do you want to kill me? You want my money. That's why you want to kill me. It's all like that, Mr. Clover. A recurring aberration. You think it's only that, eh? There couldn't be any truth in it. I strongly doubt it. How often do you treat him? Every day. As a matter of fact, he should have been here an hour ago. What? I called his rooming house. He wasn't there. I called his brother, not there. Do you have any idea where he might be? Yeah. Yeah, doctor, I do. This morning, I remember your face. Oh, here you are, sir. Will you help? Henry, Henry, come here. Oh, hello, Mr. Clover.  No, no, I'm not angry, Henry. Shall we have another cup of chocolate? Oh, that would be nice. All right, Henry. Oh, but I can't. I just remembered. I have an appointment with Dr. Sinclair. Would you like to come along? All right, Henry. Oh, she's very pretty. Oh, Mr. Clover. What's the matter? Mr. Clover? His body slumped to the pavement, and his face stared up at me. It was a face from which everything had fled, terror, the waiting, the protest against pain, the slender knife between his ribs, the blood that nudged from the corner of his lips was the shape of his dying. Suddenly, the crowd was aware that death had touched them. The confusion welled out from near the dead man. Eddie then broke itself into the fragments of people shopping for a happy Christmas. And with them, inside the sudden spasms of shock and motion and lost was a person who had just killed a friend of mine. You are listening to Broadway's My Beat starring Larry Thor as Detective Danny Clover. Did you know it was Buster Keaton playing Sing It Again's Phantom Voice these last few weeks? Well, now there's a new Phantom riding the airwaves on Sing It Again. For identifying him tonight, some CBS listener can win $50,000 in cash prizes, Radio's largest jackpot. Phone calls go out from coast to coast. Be ready when Sing It Again comes your way over most of these same CBS stations later tonight. You've got to listen close on Broadway. That's the only way you can tell if the sudden sound you just heard was laughter or anguish. Not that it makes a lot of difference. Broadway reacts to clowns and dead men in pretty nearly the same way.  How the policeman pushed you back but you saw anyhow. But you didn't tell how somebody came and swirled him up over the sidewalk because somehow you knew that was his final recognition, the requiem for a man who had just died. But I saw it. I had a state of the end. Until Henry Baker was shrouded and carried away, until Henry Baker was made a matter of official concern that I left, I had to go to a place. It's you and the police, fella. Yeah, Croft. Me. Then come on in out of the snow and cold and the dismal elements. See, I'm doing the right thing by it. Stick around, I got a bowing and scraping act that'll tug your heart string to pieces. Henry Baker is dead. Did you hear what I said, Croft? I heard only sad once more. Baker, dead. See, it don't pay, it don't pay at all. Good little guy with a good idea, being nice, the world couldn't stomach him. He breaks you up, huh? Yeah, I don't show it good, do I, because I don't know the words how to talk about it.  How did he die? The world slipped a knife in his back, a real one. I don't want to repeat myself this time, Croft. Who would want to kill him? I don't know you for a lifetime, Croft. So I'd say you might. Yeah, you'd have to say that. That's so you can smile when you draw your pay.  Yeah, this keen. How come you got a hat and muffler on? The temperature's fine in here. I've been out. Smell my breath, you'll see. Around Broadway in 46? Uh-uh, nowhere near there. Stick around, Croft. I'm going down to Baker's room. A matter of $50,000 in a suitcase. Where's the light switch? No. Better? Under the bed? No suitcase. Maybe he found another hiding place. Not in the closet. Maybe in the bureau. Hey, who turned out the light? Somewhere I heard it. Can't hold of it and wouldn't let it go. Christmas bells banging an offbeat rhythm to a dream I never had before. I was in the middle of a room, which was in the middle of a room and far away, far, far away was a little man with a blood red $10 bill tucked in his coat lapel. Then he did a clever thing. He did a back flip. When he stood up, it wasn't him at all. Her name was... I didn't make any difference. She was dressed in metallic cloth in her mouth. Her mouth said, I'd better get up. So I did. I looked for Ben Croft and he wasn't there. So the thing for me to do was to get back to the office. So I did. Michael Sinclair to see you, Danny. Huh? Well, show her in to Tiger. Okay. You can go in. Surprise to see me, Mr. Clover. Should I be? Yes. I'm a very busy doctor and I know you're a busy, busy man, so I'll come right to the point. I want Henry Baker's money. All that was left of it. Oh, you're his widow? Henry never told me. Neither did you. Nothing quite so cheap as that, Mr. Clover. Henry promised me his money. Every visit to my office, he promised me. He said that when he died, he wanted me to have whatever money was left because I was good and kind and helped sick people. Henry said all that on a tape recording? No. No, that was our own secret. When a man says things like that to a girl, a girl doctor, Mr. Clover, she wouldn't record it as if it were a symptom of a wandering mind. Now would she? I wouldn't know. No one want to keep you from your appointed rounds, doctor. So many people must be crying out for you. You're saying I don't get the money? I'm saying we haven't got it. I'm saying a girl with a bright, shining mind like yours can make her own way in the world without robbing the dead. I'm saying... Quite enough. And all of it insulting. Ain't it the truth? Thank you, doctor. Happy neurosis, doctor. I was glad when she went. Anyhow, she ruined the decor of my office. I made a note to splatter the place with wax roses then have her in again, which constituted the mixed-up daydream for the day. Right now, there was a man I had to see, George Baker, loving brother and soul-living heir of a murdered man. I wondered how he reacted to the news. At his home, I found out... I have nothing to say to you, Mr. Clover. You don't understand about policemen, do you, Mr. Baker? When they intrude upon grief, they're intruders. I started to talk about you not understanding policemen. We got a right to make a nuisance of ourselves, Mr. Baker. The public demands it. What do you want to know? You thought your brother was mad, didn't you? I told you that. Of course, Henry was mad. He gave away money. Money? What money? Money that was in a suitcase under his bed. Do you have the suitcase? Me? You have it. Uh-uh. I don't have it. Find it. It's mine. I'm his only living relative. Take it easy. Take what easy? I want that money. It's mine. See what I mean, Mr. Baker? What? See what I mean? You want that money so badly maybe you'd kill for it. Get out of here! You can't say that to the law without nudging me with your elbow and smiling. You know that, Mr. Baker. I'll post a suitable reward. Does that interest you, Mr. Clover? A reward? Wait a minute. I know men like you, Mr. Clover. You're greedy. You're holding out for a price. So I'll give it to you. I'll give you 20%. Baker, 25%. Don't hit me, big girl. No, no, no. Don't hit me. No, I wouldn't do that. I'll just throw you away. Dog, pig, filth! Stroll, Meshikov, picked up craft. They're in your office. Hey, Danny, Danny, what's the matter? Oh, Danny, I picked up craft here at the Eagle Tavern. He was spending money like a drunken sailor. Yeah, get out of here, Meshikov. Okay, Danny. You ran away, craft.  Sometimes.   Now you know. You slugged me. Beat me up. That makes you feel good, huh? It would have, but I didn't have the pleasure. Maybe I can arrange it sometime. Just you and me. A pleasure. First, tell me about the dough. The dough that flowed like wine. It was give to me.  That includes you and me. Baker gave you the money? How much? A hundred bucks. Ten crispy saw bucks. That makes a hundred bucks. That made you a big man on 2nd Avenue. Now you haven't got it right, Mr. Clover. Baker gave me the dough. He made me promise to toast his way to heaven when he died. This I was doing when your bull walked in and snuck it up. You could have followed Baker up to Broadway. You could have stood in the crowd and slipped a knife into him. And you could have taken his dough and hidden it. You want to know something, Clover? I'll bear my soul to you. None of that what you said could I do. It's a weakness with me how I'm in love with good people. Yeah. Yeah. Baker sometime had collars in his room. Yeah? The collars. Who were they? You. Me. His brother. His brother. His doctor. His what? His doctor. A perfume doctor with the body of a girl and the legs of a girl. Like how often? Like practically every day it was a thing a man could look forward to her with a little black case and a smile and say, Hey, policeman, where you going? I ain't finished with my confession. Oh, Mr. Clover, what an exciting surprise. For both of us, doctor. Professional visit or social. Perhaps we could combine them, you and I. But not out here. Inside, doctor. You wouldn't mind if the place is a mess. Not at all. You know, doctor, I've a problem. I miss my old friend. That's my laboratory. I allow no one in here. But doctor, how can I get well if you keep secrets from me? Yeah, what are all these little cardboard boxes? The recordings of my patients. Hmm. Here's Henry Baker's. Mind if I listen to it on the recorder here? Maybe Henry said something on this tape I didn't hear before. You heard all that was important. Not everything, doctor. Like how it was you who visited him and not vice versa like you told me. Practicing psychologists do that now. They visit the patient. I lied, didn't I? Uh-huh. Oh, closet full of test tubes and bottles. Very medical for an unmedical doctor. Are you always nosy like this? Calling an occupational disease. What do you think happened to Henry's money? As a psychologist, your guess might be better than a cop's. Don't go in there. Hmm. Pretty bedroom. Planning a trip, doctor? No. That's good.  Leave it alone, Mr. Clover. What are the initials? H-B. What are they stand for, doctor? Michael Sinclair and Code? I have bad habits, doctor. I open other people's mail and suitcases marked with the initials of Henry Baker. All these $10 bills. They could have made Henry so many friends. He gave it to me. He gave it to me because I cured his fixation. They cure it with murder now? Let's go, doctor. Grab a hand or something and let's go. That must be a patient, Mr. Clover. May I answer it? Yeah. I'll wait in your laboratory. Tell your patient you're busy. And doctor? Yes. Remember nothing fancy. Just tell him to go away. I'm sorry, but you can't... Don't be sorry about anything. Just give me a minute. You can't come in here. Can't I? Can't I, now? See, I'm in all right. Now, give me my brother's money. I don't have it. Give it to me. Give it to me or I'll beat you up just as I did that policeman. He wanted that money for himself, like you do. Give it to me. It's in there. In that room, my laboratory. Good, good. Very good. I sold my truck farm and took all the money and saved it and started to give it away. I said to him, George, why do you want to kill me? It's Henry. He's alive. But I killed him. I killed him.   I'll kill him. Baker, Baker!   It makes me feel good to give it away to people.   I need friends. That way, when you leave this world, you'll be remembered. What more could be a man asked? You should see their faces when I give it to them. Don't look like that, Danny. Happy.  There was nothing else you could do. That's important. Yeah. It's just... Okay, Doctor. Get your hat. And so it was over, done. A little man had given away pieces of his heart in kindness until it was shattered finally by violence. And his murderer, his brother, two bullets had fixed the mask of greed on his face. Michael Sinclair? She had the money all the time. She cried when we took it away from her. But it didn't do her any good. Not a bit of good. Broadway's sleeping now. And the furious avenue of the night is still.  Only the sleepwalkers are there. The handful who's lust for a dream or reality is never through. The seekers, the sorting, the huggers close of nothing. It's Broadway. The gaudiest, the most violent, the lonesomeest mile in the world. Broadway, My Beat. Ways, My Beat stars Larry Thor as Detective Danny Clover and is written by Morton Fine and David Friedkin. The musical score was composed by Alexander Courage and conducted by Wilbur Hatch, and the program is produced and directed by Elliot Lewis. The cast tonight included Charles Calvert, Jerry Hausner, Ralph Sedan, Byron Kane, Lou Merrill and Joan Banks. A week to go and Christmas and its problems of shopping and presents grow serious in the minds of most of us. For the lighter approach to Christmas, may we suggest you spend Sunday evening with Jack Benny, Amos and Andy, Red Skelton, Charlie McCarthy and Bergen, with Eve Arden and all the other famous CBS Sunday Night entertainers. Now stay tuned for Sing It Again, which follows immediately on most of these same CBS stations. Joe Walter speaking, this is CBS where you find Ways, My Beat every Saturday night, the Columbia Broadcasting System.


Hi there welcome back if you've watched our part one part one was about the major scale I talked about the major scale and pretty much all the positions then this one then this one so if you haven't already do consider heading over and watching our part one and then come back to part two where I'm going to now cover the other scales the minors and a lot more scales not too many but just enough to get you started on the bass and play a variety of music like most of the music out there I would argue 95 to 96% of music out there will be on these scales the major yes very famous very popular but the other ones I'm going to share with you also equally popular right guys before we get started it'll be awesome if you could hit that subscribe button turn on the bell for regular notifications and if you'd like to consider learning the bass guitar at our school do head over to nathanielschool.com there's a form you can fill it up and we will we will coach you over a six month semester program called music method let's get cracking so again I'm going to take the key of C for simplicity and let's just look at how you can build a minor so this is where you need to ask yourself what is the difference between the major and the minor if you know the major scale then you kind of already know the minor scale you just have to modify a couple of notes so you're going to basically mess around with a few intervals with respect to the major scale to then successfully form these other scales so assuming you know the major you can now do modifications like that the minor scale which I'm going to show you first so what do we do with the minors the two more common minor scales which I'm going to show you the natural minor and the harmonic minor both of these scales are very similar they sound pensive and a little bit sad and serious but they have a couple of different use cases and a different note comparatively so to build a natural minor scale what you need to do is take the major scale which is C D E F G A B and you're going to modify or bring down by a semitone the third degree of the scale the sixth degree and the seventh degree what is the third note of C major C D E so that's going to now change itself to C D E will become E flat so C D E flat now you could play that even here if you start with your middle but I think start off with your index finger on C and it's quite easy to form that E flat right C D E flat not C D E that will make it a major third which is part of the major scale that's E flat which makes it the minor scale so let's look at the first five notes of the natural minor you'll realize that the fourth and the fifth are same as major the second is also the same as major so what changes it's just the third C D E flat F G C D E flat minor third right so to identify the shapes a bit better you can do C F B flat and you're forming all of them on the same row the same fret of the consecutive strings C F B flat that's root perfect fourth minor seventh or flat seven and then you have the other stuff on the next row which is C D G C so that's D major second G perfect five octave and then the other one will be at the three skipping two frets and then going here E flat A flat that's your minor third minor sixth minor third minor six so the whole thing is actually three lines here here and here so quite easy to play that natural minor let's do it slowly C D E flat F G E flat B flat C down C B flat E flat G F E flat D C C D E flat F G E flat B flat C C that's your minor scale very impensive and serious compared to its major counterpart minor lot more sad okay now the minor has a variation we have the harmonic minor which will be instead of that seventh you just get to your major seventh itself the seventh used in the major scale right it's a very exotic vibe and very eastern vibe you'll also find a lot of in a lot of western classical music minor that would make it natural harmonic leave the seventh alone with respect to major or as some people say raise the seventh okay so those were the minor scales so i'd like to now cover some other scales which bass players especially find very very commonly used in music those are the pentatonic scales and the pentatonic scales are five note scales there are two variants there's the major pentatonic and there's the minor pentatonic so the the system here is with the pentatonic it means five notes the major scale or the minor scale have seven notes so for a major pentatonic you knock off two notes from the major scale the parent scale and for the minor pentatonic you knock off two notes from the parent minor scale okay so if you take c major now c major scale the major pentatonic is built by knocking off the fourth degree and the seventh degree basically the degree is which add a little bit of tension and make a semitone or a short distance between notes like c d e f that's one fret away so we knock that c d e g no f so no four c d e g a no b because b and c is a half step or a fret away so we skip that c d e g c d e g a c do so this is the groove scale this is how you build your grooves on the bass or a lot of these bass instruments not just a bass guitar right you can also do the major pentatonic in a couple of shapes you can do in this way starting with the middle or with the pinky what i like to do if i like to slide between the two and the three i could play it with my index finger on c c d with my pinky slide to e and then index pinky index pretty much just the index and pinky in that position versus the other position from the middle finger major pentatonic now what about the minor pentatonic minor pentatonic basically is like playing the minor scale without the second because then it'll avoid that that that chromatic minor second interval so pump pump pump pump c e flat f g root minor third perfect fourth perfect fifth now you don't do the minor sixth instead one minor third perfect four perfect five minor seventh octave the octave doesn't add a new note it's just there is an octave it's good to go up to the octave and come back let's do that together c e flat f g b flat c octave minor seventh perfect fifth perfect fourth now both these scales the major pentatonic and the minor pentatonic can be made bluesy or just converted into their respective blues scales by doing the following for the major pentatonic you basically add the flat three into the production so you basically go instead of that what is that that's one two three flat three or you can do it here one two three flat three i like playing the blues major blues scale actually starting from the pinky so root major second normally would have played the major third but for blues okay c d e g ac which makes it pentatonic but but that makes it major blues root major second minor third major third perfect fifth major sixth that's a nice way to practice it as well try to make your own melodies from your voice and then try to match it up on the bass in the position you're on so this is the pinky position of the major blues scale you could also do it this way so let's now look at the minor blues scale and that's the last scale for this lesson that's the minor pentatonic so for the minor blues we add the tritone to find a tritone from anywhere play a note c go up the fifth g and come down slide down a fret you get this kind of very chaotic very tense sound but anyway it sounds beautiful in the blues c e flat f tritone perfect fifth minor seventh octave so pentatonic was adding that blue note or the tritone element right that's four tritone g right guys so in this chapter we've looked at the minor scales natural and harmonic minor then we've looked at the pentatonic scales major and minor and we've looked at the blues scales major blues and the minor blues in part one we looked at all about the major scale shapes positions and some songs you can also build at the end of that video so this was our two part series on how you can play scales on the bass guitar in different positions with different patterns and I've talked about all the intervals hopefully you found the lesson useful and you can use it and apply it and you become a better bass player through this lesson thanks a ton guys and before I pack up the video it'll be great if you can consider heading over to Nathaniel school of music for a lot more bass guitar lessons which are listed there or on our youtube channel all you have to do is join us hit the subscribe button do consider following us on patreon and if you'd like to learn the bass you can always fill up a form on nathanielschool.com cheers this is Jason Zach catch you in the next one


How's it going everybody? Dato do it from the future here. Just wanted to stop by again and say this is yes another 3v3 video And the quality is still not that high because still recording on my Xbox for these and my capture card isn't that great So hopefully you don't mind this lack of quality. This video is mostly just to be a little bonus And something fun to do every now and again. Anyway, I hope you enjoy the video. Thanks for stopping by But if you don't I totally understand. Thanks again. What's going on everybody? Dato do it here We're playing some more 3v3 party match and as you can see we're rolling with three Vigitos against two more Vigitos One of these people is from the discord. So thanks for helping fill out the Six man slot The tires videos should be five and a half No, there's a lot of men Five guys all over the world shut down after being out class Five and a half men. Are we in baby? Oh, all right. Am I leading the charge me? Don't use me as I was me Like always. Oh my god.  That's not me. That's not me mark How come you guys get the six frames? I get the 20? Thanks for cashing in that bar at the world's worst ATM like pennies on the dog Attack me and see he could actually feel true pain No, this isn't gonna be you could have done a very optimal calm.  Yo shot. They really need to fix this ATM.  Oh Oh my god, I help please do any I'm dying. It's such a high level that he's not even playing at all. I'll be in Okay here Got me. Yeah. Yes There you go, Jim, they're thinking with your head. Oh nice material cover. You're shy. You're shy. You're shy. Oh Yeah, I didn't know Mad nice with it That was decent That's how to take me in I can I can kill him off as much.  Oh, I've LTV or or Let me guess going for it going for the legendary cross You don't even have three bars looking to the other guy That's why that's why my little dude can work watch this poke. I didn't work Now watch as I use sparking all three bars in 29 I'm not dead yet. Oh We are us.    It goes my it goes my sparking. Oh auto-combo nice The only way no Yo, yeah, thank you.   I don't feel like there's gonna come.  Oh easy Forgot that you're this is 16 player Declan you're getting you're not doing good.   No, I'm very nice indeed. That's grab. I may be able to offer something.    Oh Follow the cup No respect for the combos that came before at least James got he almost got that part a little bit backwards But killings the monster by the way, you forgot what we were doing. He's gonna switch them out right now Now he's over the reeds vanish or do that instead of you he wasn't He wasn't very confident in his timing abilities Okay, now we got to get Vegeta out of here remember you can't knock him out of the ring All right. All right. All right. All right. All right. All right. All right, switch out Don't switch out don't switch out hold hold I James I was going to use it. Oh my god. You really I was gonna use that little bit of help to like that It's in your dothel toy. Aren't you? Oh Yeah, I am that's a toilet.  Oh Very good. Oh No, yeah, I'm thank you. I've never seen it. This is gonna be so difficult.   It's all quiet. I'll be there.   Don't don't tag me in yet.  This isn't he's literally inspired. What you need to call me in I'm the only man with the experience for the job.   I like it Guys, this is game mode. That's the way you have to keep it a second video You want to keep it a second video hostage. I'm being held off Oh, I know some of you want to take a video They hashtag tech video. I'm gonna slap the round by Getting slapped. You gotta switch someone in deck with here. I'll tell you to tag me Sparkling.    Yeah Oh He knows you're not gonna do it. We have another vegeto kill this man It don't happen. There's no dramatic. No reverse dramatic. Oh, Oscar doesn't have one No, James will just stand on their menu.  Take it. It's a phrase of black. What do you want me to do? Oh Great now they can't even dramatic That's how you get it done. That's how you get it done.  Let me get in there. The lag isn't saying It says seven frames, but god, it feels like so much more Let me get in there. Let me get in there. Oh, that's it. That's not the key.  Oh, I actually did Nice Good luck Yeah, now that the day is on the case baby watch this Wow You're gonna die your own survivor That's okay. It's like uh student beating the sensei and getting a black belt I love because I thought you were gonna say black Second it's not the sensei It's more like that. This is an uncle. You never won at your party All right, so we gave it our best shot three characters, you know We won two wonder vegeta ones. I don't know how to play tomatsu


Today I received yet another malicious document. It was a spreadsheet. It's here So let's analyze it with my olidump tool Now my olidump tool is a command line tool. It's a Python program But we are not going to use the command line directly here. We are going to use one of my other programs sent to CLI and this Program has a graphical interface a GUI which allows you to execute command line programs So let's run this Here it is so it will execute on this file in This directory and now let's select the command from the drop-down list here Olidump this is the command that I want to run Okay, and here we have the streams Now if you notice a stream with the name Ola01 native Then you know that you have a Office document with an embedded OLA object. So this is stream 5 Let's select stream 5 Here is the ASCII dump Now to have more information about the embedded object You can use option I like this and Then here you have The name of the file that was embedded you sent see it's a VBS file a VBS script file now Remark, it's VBS VBS is not actually the same as VBA And also it looks like a URL, but it is not it is actually a file name and Then you have two other folders The folder where the file was actually stored and then the temporary folder where the file is stored when executed and Then the size of the file to see the content so to View the file we can extract it with option E like this Okay, and here you can see that it is an obfuscated VBS script Now we will de-obfuscate this and for that I'm going to use another graphical tool It's my clipboard manager. So let's copy this to the clipboard and Start my clipboard manager, which is here So and let's get this from the clipboard. Okay, so this is the actual script You can see here all kinds of strings with the mid command the mid Function sorry mid function allows you to select a set of characters from a string and here we are selecting From the ninth position so the nine character and we are only selecting one character So we are going to try to de-obfuscate this here in my tool. So first we are going to split this script here With the ampersand So that we have one mid Function per line. So let's do a split So ampersand character, that's where we are going to split. Okay, and here now we have the mid commands, let's delete this and You can see all those mid commands work on the string of the same length and always Select the ninth character. So that's what we are going to do here with my clipboard transformer Okay, and in the end we have a shell object that runs the string that Is executed here. So let's delete this too Now we are interested in these strings So let's select this string and then go to the menu and say keep column keep column Will delete All the characters that are not part of the column that I selected. So let's do this and We have the strings here now, let's look at that ninth character. So we are at character one two three four five six seven eight nine, okay, so the first Character, the ninth character here actually, but the first in our list is a C and then we have M and then a D So you can see CMD Okay, so again, we are going to select and keep this column like this and Now you can always already start to read the command the obfuscated command its CMD slash K power shell Now let's join this all those lines here with the join line function That's a function here. Okay, and here we have our The obfuscated string. So it's a CMD that launches power shell and this power shell downloads a file from this URL Saves it in the temporary folder as a cap file Then expands that cap file to an executable file and then it runs the executable file Now if you are interested in my clipboard transformer, I released a beta just to look into the comments for the download URL


This week, we took a break from the trails in the rivers to go visit an old friend. Chris Riley, like many people in our region, owns bows and arrows. However, you might be surprised to find that his bows and arrows are not store bought and they don't feature any extensive pulley or cable systems. Chris' bows and arrows come straight out of the mountains. For me it started, I ordered a book series called The Bowyer's Bible. I started reading the first volume of that and just kind of got addicted to it and it snowballed from there. I do, it's called traditional bowiering, which means that I use only raw materials that I harvest myself, only hand tools to work those materials. So bows come from essentially logs. You split those logs out using iron wedges and a mallet, which gives you half logs. You split those half logs into quarter pieces and what you have is essentially, it's called your stave and that's just a long triangular shaped piece of wood and that's what you work into a bow eventually. All my animal hides, feathers, things like that, those are all things I find in nature.  So everything feathers, hides, skins, bones, stuff like that, those are all things that I find in nature or have been given to me. So when I'm working on a piece of wood, I'm only thinking about what I'm doing at that particular moment and when you have an idea in your head and you see that manifest in a physical form, that to me is the most rewarding part about it. What I think an artist's most valuable asset is, is your own creative integrity and your drive to create. And the reason I say that is because each person's creative intuition is something that is completely unique to them. So when you harness that, that gives you the ability to make and create things that nobody else can. And I think that's certainly something that shouldn't be overlooked. Along with making traditional style long bows, Chris makes his own arrows out of all natural materials as well. Okay, arrows are kind of a different beast altogether. Some things are similar to creating bows. There's two schools of thought with arrows. There's what you call natural shaft and what you call split shaft. Split shaft is when you get your arrow from a log the same way I do a bow and the process is the same. It starts with splitting the log up and getting a board from that, splitting that board into blanks. For a natural shaft arrow, which would be something like bamboo or river cane or, or wild rosewood, which is actually here behind me. The process, once again you have to, you have to cure whatever piece you get and that can take up six months to a year right off the bat. But with arrows, they don't need to be fully cured when you make them because they're not going to be bending like a bow. So on average, I'd say to make a set of six natural shaft arrows, I would say maybe about four to six months. Chris explains how he overcomes a struggle that every artist or craftsman may endure while working on their projects. A self-doubt, I feel like something is, it's something that probably every artist suffers from to some degree and I think that self-doubt can be a useful tool. It can cause you to kind of look at your work with a critical eye to see if you know something might need changed or altered or if the piece may just need to be scrapped altogether. But I think there's definitely a point where self-doubt can impede on your creative process and I think that every artist needs to be aware of where that line is and needs to be really careful not to let that happen. Self-taught and using only natural resources to create traditional bows and arrows, Chris Riley is the type of person that makes our region truly special. For EKB Evening News at 6, I'm Ronnie Hilton.


Well, we've heard, including in Thierry's opening remarks, that one of the characteristics of the current international economic scene and political scene more generally is what some have called, including Thierry, developing Cold War between the United States and China. So I suppose it makes sense for us to ask you how that looks from Beijing or Shanghai in your case. I guess everyone agree now is the critical time of defining the future direction of the world economy in the next five years. In this regard, China can continue to make a contribution in following three aspects. First of all, China should keep steady economic growth. In past several years, the China make a contribution of 30% of GDP growth to global GDP growth. I clearly recall in 2015, the annual meeting of IMF and the World Bank, there is a roundtable discussion. A senior official from Indonesia say, you guys are talking about taping of QE. What I'm concerned is the slowing down of Chinese economy because 70% of low material export from Indonesia go to China. So that's critically important. China still should make effort to keep steady economic growth. So far, it's OK. In past several years, growth rate in China between 6.5% to 7%. But the last quarter is 6.5%, which is the lowest in almost eight years. So that's a big challenge for China to do that. Second aspect of China's contribution is to keep financial stability internally and externally. In past 10 years, the leverage ratio in China went up, particularly that of non-financial institution. The debt ratio for coal, almost 160% of GDP, which is one of highest China. Good thing is the region is stabilized now. They should do more. Externally, China should market a decisive role to decide the level of exchanging rates. The most important, as you mentioned, how China deal with trade escalation with the US. Everybody know trade war was not initiated by China. But in this regard, China, I guess, can do more. In 2001, China entered in WTO. The GDP of China occupied 5% of total global GDP. Now it's 15%. In this sense, China can do more in terms of reduction of tariffs, more open up to foreign investors. Also, they can actively deal with complaints from other side, not only from US, maybe other countries, Europe, Japan. For example, they can carry the principle competition neutrality. That means deal with all of the companies, no matter it's a foreign or domestic. No matter the state-owned or private-owned, they should treat them equally. The Chinese government commit to do that. Of course, also industry subsidy have to be limited, transparency and indiscriminatory. That means if they give subsidy to one company, they should give to all of them in same kind of industry. Of course, any distributes not only by one side have to depend on both side. So we will see what happens in the future.


Landscapes are nature's journals. Mountains, rivers, and shorelines tell stories of ancient earthquakes, ice ages, and the constant influence of the ocean. Here off the southwest coast of Alaska, nature's forces created a remote gathering of islands, a land of plenty. This is Kodiak National Wildlife Refuge, home of the great Kodiak Bear. Kodiak National Wildlife Refuge is surrounded by the North Pacific. It spans four islands, parts of the main island and a fog neck, and all of organic and ban islands. This is a wild and dramatic place. The island's jagged coastline is battered by storms and winds born at sea. Inland, the refuge harbors a wide range of habitats, from coastal estuaries to alpine meadows to glaciers and rugged mountain peaks. No place is more than 15 miles from the ocean. The name Kodiak has its origins in the native Aleutic language as a word for island. It is home to six villages, the second largest fishing fleet in the United States, and the largest coast guard base in the nation. It's sprang on Kodiak, and the island is about to become the land of plenty. The bears have emerged from winter dens, and Kodiak's shoreline is their first stop. Here they feed on tender sedges, beach grasses, and sometimes a special treat of carrion from the ocean. The short spring gives way to summer, and the living gets even easier. Millions of salmon converge on Kodiak. At nature's urging, they swim upstream to spawn, and the bears are ready. Some females have new cubs, born the past winter. Others have one or two-year-olds with them. Solitary by nature, the bears enjoy a wary truce during the salmon runs. There's plenty for all. Nourished by their protein-rich diet, Kodiak's brown bears are considered by many to be the largest brown bears in the world. Males can weigh 1,400 pounds and stand 10 feet tall on their hind legs. By comparison, brown bears in interior Alaska, often called grizzly bears, peak at half that weight and stand only six or seven feet tall. Kodiak's bears have been isolated by the Pacific for some 12,000 years and are genetically distinct from their brown bear cousins on the mainland. More than 3,000 bears live on the 1.9 million-acre refuge, one of the highest densities of brown bears in North America. The Kodiak bear is a product of a finely-tuned ecosystem, which is fueled by salmon and the marine resources upon which they feed. All five species of Pacific salmon return to Kodiak to spawn and die. From June through December, the streams and lakes of the refuge fill with Chinook, Sakai, Pink, Chum and Coho. The feast attracts more than bears. Otters share the work of catching the fish, while eagles and scavengers enjoy the leftovers. The salmon bring ocean nutrients inland, enriching the Kodiak ecosystem. All of Kodiak is nourished and sustained by the sea around it. Birds also abound on and around Kodiak. This includes more than 600 nesting pairs of bald eagles. In winter, while Kodiak's giant bears are sleeping in their dens, Kodiak's ice-free shoreline and abundant sea life support more than one and a half million seabirds. The refuge also provides critical winter habitat for rare emperor geese and stellar ziders. Kodiak's ecosystem supports abundant and diverse life, but it is also fragile. In 1989, these shores were devastated by the Exxon Valdez oil spill. It was the largest human-caused environmental tragedy ever to hit North America. Subsistence hunting and fishing are a part of daily life here on Kodiak. Even though the Kodiak archipelago may seem remote today, this ecosystem has been a hub of human activity for more than 8,000 years. The elutic people have been stewards of this great land and have hunted Kodiak's bears and other animals for many generations. And while hunting tools have changed in modern times, elutic knowledge and reverence remains the same. The elutic people share their heritage and culture at the Elutic Museum near the Refuge Visitor Center. Over the centuries, as new cultural groups settled on Kodiak, attitudes toward the bears changed. Fur traders from Siberia established the first permanent Russian settlement in Alaska on Kodiak Island in 1784. Within 20 years, Kodiak was a major port of call in the North Pacific fur trade. The island's Russian history can still be seen in the city of Kodiak. In 1867, Alaska was purchased by the United States and American settlers arrived on Kodiak soon after. By the 1920s, the bear population had dropped drastically because of uncontrolled killing by livestock owners, trophy hunters, and fur traders. But conservationists and ethical hunters were paying attention and rallied support for the Kodiak bear. As World War II loomed in 1941, President Franklin D. Roosevelt created Kodiak National Wildlife Refuge to provide habitat for brown bear, salmon, and other species. Kodiak Refuge is part of the National Wildlife Refuge System. There are now more than 545 refuges totaling nearly 96 million acres nationwide. Alaska is home to 16 refuges, including Kodiak. The National Wildlife Refuge System is the only network of federal lands dedicated specifically to wildlife conservation. National Wildlife Refuges are also places for people to experience nature. Kodiak is remote and can be accessed only by airplane or boat, but its allure is irresistible. Wild and roadless, the refuge promises adventure, whether you come to view bears, hunt, fish, or relax overnight in one of the refuge's public use cabins. Bear hunting is allowed, but strictly regulated by a keen understanding of conservation and population dynamics. Black-tailed deer, mountain goats, and elk, all introduced species are also hunted on the refuge. Managing refuge lands and resources can be as dynamic as the landscape. Staff assess the health of the ecosystem by monitoring fish and wildlife populations, habitat conditions, and public use. Although it seems isolated and wild, Kodiak is not immune to global challenges. It is situated along a busy trade route, and visitors, not all of them people, come from around the world. In Vasey species, such as orange hawkweed, came innocently. It was introduced as a garden plant, but aggressively spread into the refuge's meadows, killing off native grasses. Quirling disease, New Zealand mud snails, and green crabs are other species threatening the Kodiak ecosystem. Visitors can keep these invaders at bay by thoroughly cleaning boots, recreation, and fishing gear before entering the refuge. Undoubtedly, Kodiak National Wildlife Refuge will face other challenges in the years ahead. Refuge managers are optimistic that evolving strategies to preserve Kodiak's natural diversity and abundance will provide conservation solutions for the future. Nature's Journal is written in Kodiak's wild landscapes. It tells the story of early conservationists who rallied to save this wild and bountiful land. It tells the story of a national wildlife refuge founded in a time of war to preserve a sanctuary full of mystery and grandeur. It tells the story of people working today to keep our wildlife heritage healthy and vibrant. And it will continue to tell the story of the great Kodiak Bear, here on Kodiak National Wildlife Refuge.


It's Hopalong Cassidy! With action and suspense, out of the old west comes the most famous hero of them all. Hopalong Cassidy starring William Boyce. The jingle of the silver spurs heralds that fabulous figure of the early west, Hopalong Cassidy. The same hoppy you cheer in motion pictures. With the same California you've laughed at a hundred times in your local theater. These famous partners come riding into radio just as you've asked for them. William Boyce as Hopalong Cassidy and Andy Clyde as California. Our story tonight, Dead Man's Hand.  But Hopalong Cassidy knows that some of those things will have to wait, for he and California are going to have another job to do. Or it might be an easy job, like just giving a friend a helping hand. Then again it might mean tangling with a treacherous gang who put gold nuggets about human life. Hoppy, how incarnation am I going to get my work done with you snaking me and opening the range like a lame duck dog? No, I wouldn't have sent that writer out after you without a pretty good reason, California. Well, my ears are up, let's have her. You remember Kit Kribby? I remember Kit, why he was one of the best hands we ever had. He's in trouble. Listen to this letter I got this morning. Dear Hoppy, I'm writing you because I think you're the only friend I got left. Gold is where you find it, they say. And my partner Joe and I found it after three years in these God forsaken mountains. Our first samples have saved $500 to the tons. Gee, Willie, that's a rich price. Sure is. We thought we were lucky until the day Joe left with the second batch of samples, and I found him ten hours later in white water paths with a bullet in his back. So I'm alone now. But that's not why I'm writing you. My wife Sally is alone, too, in Indian Spring, and she needs help, Hoppy. You're kind of helped. That's all I can say now. Wish me luck, pal. Kit Kribby. Which sounds like the boy's got his shelf in trouble. Yeah, I believe Kit's in real trouble. More than this letter tells. Because, you see, I know Kit's handwriting, and this letter is a bad imitation. You mean it, eh? Someone wants it to come to Indian Spring, California, and they want it badly enough to forge this letter. Now back to Hapalong, Cassidy. Right behind them, when Hoppy and California pulled into the rough, dirty little town of Indian Spring, and as they walked into the town's rickety hotel past the poker game to the bar, Hoppy knew that only gold would bring Kit Kribby to a place like this. Jackson, better to open. I'll raise you it. How many? How many what? Well, I always got Twisky, so I don't ask what do you want. I ask how many. And suppose a fellow wants a room for the night. Well, how long you staying? Does that make any difference? Well, not to me, but might to you. If I was you, I'd ride on to Siwara in the morning. You know, mister, well, Sam, I'd say you were scared or something. Well, it ain't only me. It's everybody around here. Look, if you're smart, you get right back on that horseshoe. Jerry! Yeah, Luke.  Sure, sure.  Yeah. You're here. Right away, Luke. Jerry the jackrabbit. Look at him jump. Talking. All the time talking. Any objections? Yeah. Talking can get a man into a heap of trouble, pal. Well, remember that on your way out of town tomorrow. Okay, boys, this is the money hand. I want to be in at the start. Then he's part of that one, sir. Gosh, Hopper. I wouldn't turn my back and hitch and post it in this town. Look at that poker game. $20 limit. Well, it feels like naked here without a six-gun when he's hit. Here comes Jerry. Look, mister, this town's no place for a cowpoke on the loose. Now, take my advice. Ride on to Siwara. Trails playing and you'll have a move. Why Siwara? They've got the law in Siwara. Government marshal. You mean there's no law around here? Well, I don't know. Nobody's seen the sheriff since day before yesterday.  Got the whole town buffaloed. Oh, there's going to be trouble. I can smell it. Maybe I don't smell as sharp as you, Jerry. You're very strong, double-check me, will you? I'll show you. Get down! What's happening, son? You sure got Luke? That was fast-going, Don. You saw him pull a gun on me. Self-defense. I had to shoot him. Well, sure, sure, Don. Well, I'm still a doctrine. It's my duty to see what I can do for him. Help me get him over to my office. You come up behind the bar now, Jerry. Luke? What was it? Was it Luke? Why, nobody ever pulled a gun on Luke before. Well, better get him over to my office fast. I'm afraid it's too late, but I'll do what I can. If you're all for concern about a fellow, he's just shot. Who is that, Jerry? Oh, it's Doc Sheldon. He's still hanging out right across the street. Come on, California, let's take a look. Uh, look for what, Poppy, ain't we already seen a note? Hmm, this is a funny one. Why are you looking at them cards? Well, this is the dead man's hand, California, and I find it very interesting. This, uh, this Luke fellow sitting here, wasn't he? That's right. And the fellow who shot him was here? Uh, oh, okay. Well, what do you say? We just forget the cards. Wait a minute, California. Luke said something about the other fellow double-deckering. Pull these guns first, that right? Well, sound it like that. I was under a table by that time. Take a look at the cards. Luke's got a full house here. The other man held a pair of pens.  Well, maybe, uh, maybe he was drunk. Oh, not that drunk. Watch on your mind. Oh, just something to think about, that's all. Fix us up at the room, will ya? My name's, uh, McKinney. This is California Jones. Looks like we'll be here in Indian Spring for quite a while. Well, it's your funeral. Maybe. Don't you think... And, Jerry, could you tell us where Kit Kirby's wife lives? I'd kinda like to write out and see her tonight. I'm so glad to see you, Mr. Cassidy. Kit is very close to me, Mrs. Kirby. Oh, we do need help. We're afraid, the whole town's afraid. I wish 1,000 times Kit hadn't found that gold. You think that has something to do with it? I've had everything to do with it. The night Joe brought in the first sample, someone broke into the assay office and stole the reports. That's how news of the strike got out. Joe went to Sheriff Underwood, but I guessed someone else got there first. Ah, how's that? Well, the Sheriff seemed afraid to do anything. Then Mr. Sice at Wells Fargo called a protest meeting. He was attacked on the streets the next night. Left town after he got a note threatening his family. Well, didn't anyone do anything about it? The editor of the weekly paper tried to. He wrote up the story together with what he knew about the gold strike, but the paper never came out. Well, why not? His office burned to the ground last week. Presses and all. That bartender probably knew what he was talking about. Um, when was Kit's partner shot on the trail? Just before the fire. That's when I knew it was more than I could handle, Mr. Cassidy. Sheriff Underwood promised me he'd do something, but... Yeah, but he left town in a hurry, too. You've got any idea who's behind this, Mrs. Kirby? Oh, I thought it was Luke Barry until the Saturday morning. You heard about the shooting? Yes. I want to give you something, Mr. Cassidy. Yeah, but it'll tell you how to get to the mine after the trail leaves Whitewater Pass. I just threw it for memory. No one knows how to get there, you see. There's a maze of mountains and canyons beyond the pass. Kit's up there now, huh? He hasn't come out for a month. I haven't even seen him in that long. Well, now, uh, isn't it surprising that I got a letter from him dated less than three weeks ago? Uh, I-I-I definitely... I thought maybe he'd send it out by you. But you say you haven't seen him. You know, Mrs. Kirby, it's awfully hard to help when you just know half the story. All right. I'll tell you. I did write that letter, but it was only because Kit needs help so desperately. And even if he could get a letter to you, you know how proud he is. He'd never ask anyone for help. I know. He's got more spirits than Topper. That's saying a lot, because Topper's a mighty fine bit of horse flesh. It was wrong of me to sign Kit's name to that letter, I know. But you do understand why I did it. Yes, I do, Mrs. Kirby, but, uh, just don't make a practice of it, or somebody else might not understand. Now about Kit. He's afraid he might get the same reception as his partner if he starts down the trail.  Yes, but he has to come out, Mr. Cassidy. It's snowing up there already, and he's almost out of supply. What about the gold? Well, that's up there, too. Over $40,000 worth of it. And it's got to come out sometime through Indian Spring Wells Fargo. Tell me, uh, is there anyone in town you know you can trust? Just Doc Sheldon. He's one of Kit's best friends. He re... Oh, I see him coming up the walk now. He'll be still... Uh, Mrs. Kirby, uh, we'll be in the next room. Don't tell him we're here. But he's... Please. Oh, all right. Come on, California. Right behind you. Hello, Doc. You, uh, heard about Luke Berry? I heard he was shot. Is he...? Died in my office an hour ago. He drew a gun on me first. Peer-cut case of self-defense. Have a dozen witnesses. I, uh... Thought you'd want to know, Sally. Luke told me everything. What... What do you mean, Doc? He was back at the whole thing. That business at the assay office. The fire, all of it. Hello, honey. I think we're out of the woods now. The rain of terror is over. I'm not so sure. You still think Luke was working for someone else? Oh, I don't know, Doc. He's been such a nightmare I can't think anymore. You've got to think, Sally. But, Chip, you've got to get out of the mountains before the snow bottles him up. Any news on the shelf? Haven't heard. I think he's gone to Suwara for the marshal. Uh, take a look out the window there. Hmm? What? That sky. The snow could hit those mountains again tonight. It doesn't make sense, Sally. We've got to go up there and get Chip out. I told you I arranged for the sheriff, Doc. I tell you, the secrets of business is only hurting Chip. Winter doesn't wait for anyone. All right, Doc. If the sheriff isn't back by tomorrow morning, I'll take you up. That's better, Sally. Now you're being sensible. I'll be here tomorrow morning. Yes, sonna. Yes, Doc. I'll be ready. Good night, Sally. Good night. Can you trust him? Oh, I can't, so. I hope so. You mean I shouldn't have promised to guard him up there? No, that's all right. But stall him as long as you can tomorrow morning. Come on, California. Where are we going, Hoppy? Best place I know at the moment is to bed. California. California. Wake up. Oh, no. California. No, thank you, ma'am. No more of me, boss. I could all roast turkey I can eat. Oh, we're thinking of food. California. Hoppy. Hoppy. Oh, what time is it? Why are you... Get your britches on. Oh, it's dark. What's the... Why are you... Get your britches on. I got an idea. Great time to get ideas, Hoppy. Run me ragged old days. Duck and lead in the bar room. And ain't got the decent... Hurry up. Can't find my boots. Maybe my eyes are still closed. Never mind the boots. Just the britches. Huh? You ready? Yeah, but... Come on. What's got into you? What time in the morning is it anyway? It's four o'clock. Don't be very quiet and follow me. Right down the stairway into the bar room. What is this? I want to try a little experiment. I give up. I'm going to give you a nice, quiet job in the truck wagon somewhere. Getting up at four in the morning to do spermage. When a man works as hard as I do, Hoppy, he needs these 40 winches. There we are. This is the table. Uh, what table? Well, the boys were playing both of us afternoon. Now, you sit there. That's it. And I'll sit here facing you with the bar in my back. Now, you're Luke Baren. You're holding the high hand. But for some reason or other, you tell me I'm double-deckin' and drawin' me. Uh, what kind of... Wait a minute. Oh, I'm a long-suffering fritter. Why, I... Go ahead. Go on, Hoppy. I'm Luke Baren. You shoot once and miss. Then we trade shots. You miss again. I don't. Then I fire two more and it's over. Now, we can go back to bed. I don't get it, California. You miss me twice. What happened to your bullets? Look, not a mark on the bar. If you shot high, you'd have busted that mirror behind it into a million pieces. Wait a minute, Hoppy. You mean them shots were... Hoppy, where'd you learn to? One of the tables. Come on down and help me look. What you're looking for? Well, it's female. If it weren't for a mighty dart, it could help you find it. But that is, if I knew what it was. Of course. Ah, here we are. I thought Doc Sheldon was pretty hasty. If I can look very out to his office. What you got? Ah, there was no killing here this afternoon. I was a put-up John to make sound I could be think Luke is dead. Now back to Hoppillong, Cassidy. Hoppy in California has been in a lot of strange places. It's a very odd hour. At the moment, they are under a poker table in the Indian Spring Barrow. It's four o'clock in the morning. And they are just sitting and thinking, trying to make sense out of the discovery that the shooting of Luke Berry was staged and undoubtedly for Sally Kirby's benefit. This piece of warding is what I found under the table in California. A piece of warding from a blank cartridge. Blank cartridge? What do you know about that, Hoppy? Doc Sheldon knew Mrs. Kirby would take him up to the mine if he thought Luke was out of the way. Shh, quiet. It's the dead man in dark. Yeah, Luke Berry is just about as dead as I thought. You better settle up now. Write it for that bluff of a white water pair. Be a long way. We can't afford to be spotted. What we plan is still murder, you know. Best protection you've got is staying dead. Ha, ha, ha, ha.  Now, what are our plans? What about Kirby? We ought to hit the path on the way down about three in the afternoon. Mrs. Kirby will be first. Then Kirby. Remember that. Number two is Kirby. I'll bring up the rear after the fact news. You won't be able to tell who's who at that distance. You'll draw your bead on number two. And don't miss. I didn't miss before, did I? He talked after you left him. I didn't like that. Yeah, don't worry. Kirby won't talk. And remember, I gotta get out of this clean. Everything depends on that when the boss files for Kirby's clean. I'll see you in six weeks in Santa Fe. All right. And remember, I want you on your way to Whitewater Pass before Santa Fe. Of course you will. Why then dirty double-crossing skunks. Let's grab from Hoppy. Not so fast, California. But Hoppy, they'll get Kirby as he comes down that trail. If we grab these two right now, the boss they mentioned in Santa Fe will send somebody else after Kit. The only way to settle this right is to find out who's behind it all. So we'll just have to play along. Well, let's check in my instincts. But, Doug, go on. Hoppy, you always seem to know best. It gets down right. Monotonous. You trying to flatter me. Come on. It's almost daybreak, and we got to hurry up and spruce up a bit. Well, don't folks always dress up to go to a funeral? Funeral? Hoppy, you mean... Yes, Luke Berry's last right. And I have a hunch we're going to find it mighty interesting.  I just thought that I'd get up and take charge here. Now, as you know, we're sending Luke Berry to his reward. And at a time like this, we're supposed to say something nice about the deceased. Now, being the deceased is Luke Berry. That regulation puts me at a whopping handicap. Hoppy, what a nation. Take it easy. I'll tell you when. Anyone present got anything nice to say about Luke? Well, that being the case, sermon's over. Let him down, easy boys. Yes, sir, ma'am. What's the matter, mister? Let's not be too hasty putting old Luke away. I'm one of his best friends and I'd like to see the body. I'm sorry, mister. She's nailed down to stage. Rip her up. I want to see him. You get back down. You heard what I said. Take the lid off of that coffin. Well, you'll get tough with me, will you? And it isn't customary for the parts to pull a gun on the chief mourner. California. Yeah?  Right, Hoppy. But it's more easy. One of the boards is cracked. Stop it, will you?  Here she comes. Who's in it? I don't know. Never seen him. Good Lord. Well, it's your underwear. Oh, my goodness. Just a minute, folks. Just a minute. I know I'm estranged at all of you, but I'd like to say something. Well, speak up, mister. Yeah, what do you got to offer there? Since I rode into this town yesterday, I've seen nothing but fear. All of you are shaking in your boots. Now, you're only as strong as you want to be. You want to lie down and keep taking it? But here, rats will keep walking on you. It's up to you. How much longer are you going to take it? Well, what have you got to offer there? Okay, mister. We're listening. All right, you got a jail in town. I saw it. Put the person here inside it, and I'll have another one for you by nightfall. Come on, California. We got a job to do and do fast. It's all right. If we don't get ourselves in the dirtiest places, here we are, making our own trail up the mountainside with a window whistling through our whiskers. God, isn't that bad? Not even enough food to keep my ribs warm. I'll buy you a nice big steak just as soon as we get back to Indian Spring. No one look burries up men peaks above us. I ain't too certain of ever getting back. You aren't concerned? No. You're scared. I think we'd better split up here. You know what you're to do, don't you? I got to do some mighty hard riding to reach the party before they get the white water past. It's been a long wait up there, Sally. Seems good to be headed down this trail. It doesn't even be afraid of now, kid. Look, Barry is dead. Doing here. Oh, Topper needed a little exercise. How are you, kid? Oh, golly, it's good to see you, Hoppy. Hey, wait till you hear about my gold strike. We've had a fine trip, Mr. Cassidy. Doc Sheldon's been keeping a sharp lookout. Oh, have you two met? Mr. Cassidy's an old friend of Kit's, Doc. No, we haven't met. Howdy, Doc. Guess maybe I'll ride back to the end of the line and join you, if you don't mind. Maybe I can help you watch for any danger. Oh, I don't know what to do. Mrs. Kirby, when we round this next bend, we'll be in white water past. Can you make your horse stumble and not hurt yourself? I don't understand. Please don't ask questions. Just do as I say. All right. Now go back there behind the dock and we'll be on our way. All right, get on! Yes, Cassidy. I can tell you that I'm here to protect Kit. Then we have a lot in common, Doc. Well, just don't try it. If your horse is tired, why don't you come back here with me and let Kit lead the way. All right, Mr. Cassidy. Well, what's the matter with you? That's a good idea. Head through white water past this way. Kit, first. Doc, second. No, wait, wait. Sally, third. And I'll bring up the rear. All right, let's get going. But Cassidy, I don't think we should ride this way. Kit's out front. He exposed everything. I'll change places with him. I wouldn't have hired you, Doc. I have my gun handy in case of any emergency. Cassidy, Cassidy, I can't ride here. I'm sick, I'll tell you. Mountain sickness. And there's nothing like a good ride to cure mountain sickness, Doc. Especially in number two spots. Wouldn't be surprised if you never got sick again after the day. Poppy, that was a shot. What do you know? Someone's out shooting coyotes. Oh, what can we do? Leave this to me, Sally. Keep your places in line. Cassidy, please. Who's your boss in Santa Fe, Doc? There's no one. He's running the whole play up here, isn't he? After Kit's mine. Bound to get it no matter who he has to kill first. I'll tell you, I don't know, Cassidy. Listen, Luke Berry's up there. He's shooting at me because I'm riding second. Sure, you put him there. And he's going to keep shooting until you talk. Luke Berry, but I thought he was dead. Too bad, Doc. That was a good hat. Look at her float down the gorge. Stop him, I'll talk, Cassidy. I'll talk. Back to hop along, Cassidy. I'll take charge of the prisoners for a while, Poppy. You won't have any trouble with the Doc, yeah? And it's surprising how a tap in the head will tame a fellow like Luke Berry. So you were in on this too, California. It all came so suddenly. I don't even know what happened. Well, you see, Kit's California and I thought Luke would be up on that peak of a white water path. So when I rode up the trail to meet you, California kind of sneaked up on Luke and took over the job. Like taking candy from a baby. Then it wasn't Luke shooting at us at all. It was... That's right, it was California. But the Doc thought it was Luke.  Why, that's where I had been riding. Oh, Kit! And with a bullet's whiz and passing the Doc, you sang like a bird. What do you know about the whole crooked mining outfit in Santa Fe? Good old Doc. He just needed a little persuasion. That's right. Hey, by the way, there's something I forgot to compliment you on, California. Yeah? I'm blushing already. Uh, what is it? That's shooting in white water paths. Brother, when you shoot to miss, you sure don't leave much room to spare. Miss, did you tell me to miss him? I was done and they're heading back to the bar 20. But they'd be mighty pleased if you join them again next week for another story of action and excitement. Up along Cassidy, Starling William Boyd is transcribed and produced in the West by Walter White Jr. Dead Man's Hand was written by Harold Swamp. All stories are based upon the characters created by Clarence Mulford. This is a Commodore production.


Welcome back to another one. If you are new to the channel, I am Goldpony out doing car truck SUV reviews on YouTube and today we are in the brand new 2024 Alfa Romeo Giulia courtesy of Faulkner Alfa Romeo and Mechanicsburg PA for more information on their inventory. Please feel free to check out the link in the description box below. So we are in this one today because there are some massive changes for the 2024 Giulia including new styling, new headlights, new gauge cluster just to name a few, exciting stuff there and for anyone who is curious, you do get a 40 year, 50,000 mile bumper to bumper and power train warranty with all Alfa Romeos and 1 year or 10,000 miles of complimentary maintenance as well. So ultimately in this video we will be testing out and going over everything about this one from acceleration to braking, steering field, ride quality, sound system, exhaust clip, all that fun stuff. So having said all of that, what do you guys say? Let's just go ahead and jump right into it and as always, let's start with pricing and so there will be a few different trim levels for the 2024 Giulia. First one being the Sprint starting at $42,480, you got the Ti starting at $45,020, the Competizione for $53,270 and the Voloce for $48,780 and there is no way I could save those names without throwing an Italian accent over top of it. Sorry, I just can't but anyways that was all pricing for the rear wheel drive configuration if you wanted to add all wheel drive simply at $2,000 than to any of those prices but regardless of trim level that you go with the power plant on the Giulia is going to be the same. Powering the beast is a 2 liter turbo charged inline 4 cylinder putting out 280 horsepower at 5,200 rpm, 306 pound feet of torque coming in at 2,000 rpm, power sent to rear wheels or all wheels through an 8 speed automatic with some gigantic paddle shifters absolutely massive 0 to 60 time coming in at approximately 5.4 seconds top speed in case you're interested 149 miles per hour that's respectable with fbg numbers coming in at 24 in the city 33 in the highway for the rear wheel drive 23 in the city 31 on the highway for the all wheel drive taking premium a little bit of fuel but so then before we do any kind of fun paddle shifter or acceleration test here in our Giulia don't want to mention to you guys the drive modes and so there's a little circular dial labeled dna very clever name because it actually does stand for something dynamic neutral and advanced so those are the drive modes they will adjust things like the shift points the throttle response and the steering sensitivity so now that I've got all of that out of the way what do you say let's go ahead and test out the paddle shifters here first I'm going to slide the shifter all the way to the back into the left that is going to give me full control over the shifting and let's go ahead and find a straight away and let's test out how quickly these massive paddle shifters are actually going to react for us here all right so first test I'm doing right now with the paddle shifters is I'm leaving it in first gear and not shifting because I just want to see if it's going to shift for me and it is not so well done Alfa Romeo for that a lot of vehicles will actually shift for you so here we go let's test out the paddle shifters in three two one go there it is yeah baby they are fun they're dang quick now we'll say there was a little bit of turbo lag there at the beginning but as for the paddle shifters they are brilliant man and they are absolutely gigantic and I like that too so they did a wonderful job with the paddle shifters but anyways let's not give back full control to the Julia here I'm going to slide the shifter all the way to the back and to the right and let's go ahead and find yet another straight away and let's let the car do all the work and we'll see how quickly we can get this one here up to speed in that dynamic driving mood all right let's have a little fun with this one a little bit around the bend we're going to do this acceleration in three two one go from a stand still turbo lag but there it is oh these headrests are soft baby man once it kicks in it really kicks in man like 0 to 65.4 that is quick but having said that there is a little bit of turbo lag at the beginning Alfa Romeo maybe I don't know if you thought of this before maybe you have but maybe a mild hybrid system wouldn't you know wouldn't hurt this thing it gives a little more initial punch on demand there kind of like a lecture car would it probably would give a little better mpgs not that the mpgs are bad in this thing but it could probably help on both fronts but yeah there is a little bit of turbo lag but once it kicks in man it's like having a Honda once VTEC kicks in you're going son but this is a lot better than a Honda I'm just saying anyways to go along with that acceleration as always braking is equally important so as expected you will find four-wheel ventilated disc brakes coming standard and as far as that 60 zero stopping distance goes that's going to come in at 130 feet which isn't the best number on paper but honestly it does kind of feel like that it is a little bit softer of a braking feel for whatever reason I would have expected a little bit more firmness to the braking feel a little more bite to it and 60 zero on this car should be like 115 100 115 to 120 feet that's what I would be looking for because that's more of a sports today I'm braking number but according to motor trend it's 130 and that's more like an SUV number but anyways then touching on suspension and handling up front you're going to get a double wishbone tight front suspension in the back independent multi-link rear suspension as far as ride quality goes as we are driving her some rocks right now when I was on the road it was plenty fine so absolutely no issues there steering feels 100% on the heavier side of things so definitely appreciate that it instantly points you in the direction that you want to go so they did an amazing job with the steering feel as far as cabin noise goes that was perfectly fine and my little short test drive that I had there so now as I pulled up to the park I'm about to do the exterior part of this but touching on visibility it's okay I can see perfectly fine up my rear view mirror there so rear visibility is perfectly fine and actually rain sensing windshield wipers do come standard on the julia as well in terms of forward visibility so whenever it detects any kind of mist or rainfall it's going to automatically turn on this windshield wipers for you so just one last thing you got to worry about it's kind of like automatic headlights so big fan of that as well but that pretty much rounds out the performance segment of this review guys let's go ahead and take a look at the exterior because there are plenty of changes to our 2024 alfa Romeo julia all right so here she is you guys the new 2024 alfa Romeo julia finished in visuvio gray metallic swear all these italian words are driving me not spit anyway speaking of let's go ahead and start this one with where the alfa Romeo julia is made taking a look at the van first character is the letter z indicating that this one is built and assembled in italy as expected but again this is big completely refreshed for the 2024 model year you got a refreshed front fascia with new grille inserts refreshed headlight housings as well it kind of has this tri led effect on both sides so i think it looks absolutely amazing you do get full led headlights by the way so both low beam and high beam with led daytime running lights get the automatic feature as well meaning when it starts to get dark and at night the headlights will turn on automatically for you there you also have this of course amazing alfa Romeo logo up front so in case you were curious about that alfa Romeo was founded in Milan italy it contains the cross of the municipality and the viscanti serpent on the right there so in case you were curious about the background history of the alfa Romeo logo there you go but overall definitely a very good looking front end but pretty much rounds out the front let's now go ahead and check out the side of the julia all right and so we're now making our way to the side of this one matte black or gloss black windows arounds dependent upon the trim level that you go with you also have that trim level badging found on the front fenders you guys can see that volace found on the front fenders there so that's pretty cool power adjustable gloss black side mirrors they will be heated with led integrated turd signals as well so i like that take a look down to the wheel setup 17 by 7.5 inch aluminum alloys for the sprint 18 by 8 inch aluminum alloys for the ti and then 19 by 8 inch aluminum alloys for the volace and competition gosh darn it with these words but anyways i love the design of these wheels it definitely looks italian without a doubt so love the side profile let's now go ahead and make our way to the back all right so now making our way to the back of this one gloss black shark fin antenna found all the way to the top that q4 badging by the way that is going to be the all wheel drive configuration that indicates that it's got all wheel drive basically got the aframe logo yet again redesigned led taillights of course and they are super bright absolutely love the look of that you do have a gloss black rear diffuser you guys can see that towards the bottom there and that's for the volace and the competition so i like that as well that definitely looks good and of course probably my favorite part of the back end here integrated dual exhaust outlets with dark tips and i love how they're integrated into the rear bumper i love that look it looks absolutely amazing but as always do believe you guys know what we have to do next here is that exhaust clip all right so now since we are around to the back of the julia when it comes to opening that rear trunk there is a button on the key fob but of course there is a button on the trunk itself as well but once up and up cargo capacity comes in at 13.4 cubic feet then of course if you were to lift up underneath of that cargo floor there's a teeny bit of in-floor storage there in the middle i guess you could say but just the spare tire essentially but then make your way up to the rear legroom that comes in 35.1 inches for reference i mean even six feet tall this is how much space i had back there there is rear ventilation for the rear passenger so i absolutely love that you don't always get that even the luxury vehicles with the size of this vehicle so big fan of that there is a rear center armrest with cup holders as well you got some rear charging ports and best part of the rear seats get ready heated rear seats for every single trim level across the board not just our veloce it's literally every single trim so i gotta love that but then make our way up to the front seats power adjustable front seats with four-way powered lumbar leather seating coming standard heated front seats coming standard as far as seat comfort goes it was brilliant reason being is because the seats are plenty adjustable and the headrest the headrest again some of the most comfortable headrest that i've tested out in a while it's like BMW Mercedes headrest essentially they're like pillows little pillows with the alfa Romeo crest on them so wonderful then take a look at the steering wheel it is tilt and telescoping it is going to be leather wrapped for all trim levels with those gigantic paddle shifters just behind there as far as the startup goes let me start by showing you guys the key you got your cool alfa Romeo crest on the one side when you flip it over lock unlock the button to pop the rear tailgate the alfa Romeo lettering at the bottom and then the times two button that is going to be a remote start also coming standard but it is all keyless entry with a push button start so all i'm going to do here is simply put my front of the brake and press that engine start button located on the steering wheel so much different than 99 percent of the cars out there so i'm just going to put my front of the brake and press that engine start button and so when it comes to the gauges there is a new 12.3 inch digital gauge cluster that does come standard on this one and i absolutely love it so definitely looks good up there and i will say the colors change slightly as well when you change up the drive mode so you got that as well so in that dynamic mode it's a lot more sportier of a look than when you put it in the neutral mode it's kind of just some gray hues and so on so i like that it changes depend upon the drive mood so that definitely looks good giant digital readout front and center speedometers all the way to your left tachometers on your right gives you your speed limit recognition at the very top there how many miles you have left until you hit empty so their digital gauges it basically is everything you could possibly want up there but now let's go ahead and take a look at overall interior quality and let me actually start with dual zoom climate control does come standard across the board got this awesome power moonroof up top here so i absolutely love that it looks like we do have led interior lighting as well big fan of that i also love these aluminum speaker covers it looks like it says harman cardin on it so we'll be testing out that sound system in a little bit here got some contrast stitching on the doors as well just in front of the shifter you have a little bit of rubberized storage dual cup holders i like the silver kind of texturized finish surrounding the shifter and all these buttons here that's definitely very nice they could have left out like a matte black plastic or a matte gray plastic but they put a design to it so big fan of that you got your wireless phone charger just behind there within the center armrest got a bunch of papers apparently but teensy bit of storage in there honestly not that much storage at all but you do have a couple charging ports and an auxiliary port in there as well so overall it's pretty practical it's pretty to the point looks like an auto dimming rear view mirror as well so it'll definitely get the job done i don't have any issues with that but now let's go ahead and take a look at the infotainment screen you're going to find an 8.8 inch color touchscreen display bluetooth and audio streaming coming standard android auto apple carplay you got a factory navigation system so quite a bit up there climate control settings up there as well and of course your radio information so when it comes to the sound systems you will find eight speakers with the sprint ti and velocce however for the competition eh you will find a 14 speaker harmon card and sound system that is going to be optional on the velocce so for this particular option it's called the premium interior and sound package it goes for two thousand two hundred twenty five dollars so that's how we got it here with us today so i think i'm going to enjoy this one let's go ahead and turn on the radio see what we got playing today and let's test out the clarity of this one yeah that's plenty fine yeah a ton of base ton of clarity the clarity was crystal clear that's an amazing sound system it takes me back to my rave days in italy or eating pizza or something that was amazing anyways last thing i want to mention you guys on the infotainment screen is when did you put the julia in reverse oh my gosh you will find a rear view camera but very low resolution rear view camera though letting you know what is behind you which is always is going to lead us into safety and so front side side curtain airbags do come standard in the back you're going to have latch aka lower anchors to tether your children for the rear car seats rear child door locks tire pressure monitoring system but also coming standard blind spot monitoring system for collision mitigation and front and rear parking sensors as well so it's going to beep at you if you get too close to something which is a good thing so when it comes to my final thoughts of the alfaro mayo julia if you want a rare car made in italy that's not a ferrari check out the julia because that's what it is but anyways excellent design as well i love the refresh i think it looks absolutely amazing and let me know what you guys think of it in the comment section below i would have loved to have seen an adaptive damping suspension on this one kind of surprise that i didn't see it that would have added a little extra ride quality to this thing and a lot of other luxury cars will give you that in its class so would have liked to have seen that but it's always room for improvement because it's not particularly known for its reliability um check out consumer reports for that and maybe that's going to change this year i don't know we could i guess and also wouldn't mind it seeing some nice ambient lighting i think some red ambient lighting would look dang good in here to match this red leather red napple leather seating that we have in this one so overall i thought this thing was dang fun though so let me know what you guys think of it feel free to follow me on social media at the bottom of the screen if you want to see what's coming next on the channel before it gets to youtube be sure to hit the subscribe and the bell notification button if you're into new car reviews because that is what we do here on this channel after all do appreciate you guys watching more than you know and i will see you guys all in the next video stay gold