Going on everyone Sam here with late sports cards. We are ripping dual case MLB at 22 tops dynasty and tier one baseball hobby at number Two random team style. There's a look again at your random results As always you can find those on the website under the results tab as well as the link in chat So good luck here again everybody get an awesome 10 box Tuesday another spot came in We're down to seven everybody. Thank you there mark F taking a spot down to seven and And valid for the full sellout promo again Every single spot you do it take gets you into the full sellout promo. All right. Let's start with tier one Start with tier uno Full case of tier one in a full case of dynasty really great way to do these breaks man. You got a shot and everything That was good. You're you're rooting against me there. I know it too I'm not gonna say bless you Yeah That's a few Leoma. Yeah, Astros ain't bad at all Alvin you got a good shot in some dynasty some yord on Some older guys as well as like Altuve and Tucker will be in everything pretty much. Here we go Gary Sanchez the Sanchez the 399 the Kraken for the Yankees Yankees on the board first Got a Manuel Rodriguez 54 of 299 rookie auto for the Cubs Nice one there Chicago and a 299 Randy a Rosarina for the Rays To 299 Randy Rosarina. Oh, he's got the Guardians Daniel Guardians are decent because I think Juan you have J. Ram. Oh, that's big Okay, that's gonna be hopefully sick Corbin burns to 399. Oh be nasty here This is gonna be so cool potentially that it Moises a loop to 299 for the Astros This is nasty. This is going to Jeff Jay 10 of 10 all rise Aaron judge game use two colored patch auto Let's go can grats on that one there Jeff That is awesome man 10 of 10 Aaron judge That'll go straight into the Magaroni nice yogi bearer to 199 game use Jersey Grats Yankees cleaning up there Jeff with that Yankees spot. There's Miguel Cabrera as well. Nice miggy to 299 We've got Nick Fortez rookie auto 259 of 299 for the Marlins There you go, Miami and Ended off is Rhino Ryan Sandberg 28 of 75 For the Cubs, I know the side-eye Don't tip your pitches Raffy Devers 22 of 25 patch patch in Jersey. I swung there for the Red Sox Red Sox oh My god. Oh my god Saying the guy who's manager suspended for what two years That's the 299 Josh Lowe be hired him back rookie auto for the Rays Josh Lowe big guava and Dylan Carlson to your one talent to 299 for the Cardinals Want to see a cut come out of dynasty. I haven't seen a cut in a minute Bo guards the 299 for the Red Sox There's Charlie Barnes rookie auto for the 20th. I'm about to ban forest Charlie Barnes. He's getting banned JT Real Muto to 50 on the blue nice one there for the Phillies Phillies another 10 box Tuesday. We're down to six six to go guys. That's it on 10 box Tuesday baseball Multi-year Bowman look at this lineup 23 Bowman hobby and jumbo 22 best 22 inception 21 Bowman draft first edition 2018 Bowman Chrome 2019 Bowman Chrome 2019 Bowman jumbo 2020 Bowman jumbo 2020 Bowman draft super jumbo There's some rules John Shanking Devon Williams to 399 to 299 Brandon Lowe on the auto for the Rays on card auto for the Rays Brandon Lowe. I made a shank out of a bag 299 rookie auto set here HR you're listening HR First of all, that's breaking manager for us that you just admitted that to so Breaking manager for us. I have a complaint. He's the one to give it to me. I have a complaint against Will Smith arguably the best catcher in baseball right now to 399 For the Dodgers Spencer walk-ins rookie auto 299 that is for the Boy, that is for there's a corruption now corruption For the Orioles to 199 Fergie Jenkins for the Cubs 63 of 199 And seven of 149 Ozzie Smith nice one there to 149 Sean Murphy I said one of said argue arguably the best catcher in baseball Sean Murphy is there too. Don't worry Yes, he is yes, he is cool down there already with a pack of smoke got that right All right, see we got up next some some legends coming out of this one There's Garrett Cole speaking of legends to 399 nice one there for the Yankees Jersey got a Charlie Barnes for of 25 on the bronze ink rookie for the twins Got 6 of 99 that is you on Moncada Two-color Jersey 6 of 99 for the White Sox you on Moncada And a nice one here Barry Larkin 57 of 65 for the Reds very Larkin another spot came in Thank You Giovanni Let's go Giovanni it down to five five to go Five to go Thanks again everybody appreciate that very much very very much Yeah, just so you guys know in case you are wondering Sean and I have officially ordered the Cool Ranch Papa John's pop ideas for tonight, and we're gonna give you our honest opinion on them There is Logan Webb to 399 game use Jersey Mine that's that Alex Kearlaw tier one talent to 299 for the twins on cards second-year auto and For the Rays rookie to 299 Shane Bos the Wizard of Boz That makes it funny I'm saying for us. Yeah, we did talk about it last week that we were gonna do it this week though And I just thought of it and I was like, oh, we got to do it now $20 later each here. We are Alex Bregman to 399 Astros There's what's the interest the 399 Two-colored Jersey there for the Cubs very nice My Facebook in that real quick Five to do we got to get prism tiered sold out by the way 182 out of 299 auto Lopez rookie auto-auto And auto-auto Tony Perez the 299 nice one there for the Reds gorgeous say gone that as well. Thank you, Tony Congrats since he Alice there. You're ready. Get ready, buddy. There's Buster Posey 2 2 399 game use Jersey Be a nice one, too. We've got ourselves one sixty two out of 299 Jake Myers rookie auto for the Astros and Tier one talent ten of 149 Pete Alonso. There you go Alice there. Congrats, buddy. Nice polar bear coming your way Polar bear Pete your one talent. I think we need to need to run an LSE fortnight I think we need an LSE fortnight team. I really do My god This is insane. This is an insane break Joey Votto to 399 Jersey card cool one here for the White Sox a 299 is Mark Burley. This is insanity, bro Okay, what's next? Cal Raleigh big dumper to 249 rookie auto dumper and again to 45 Aaron judge another auto for the inks to Aaron judge autos in one case. Let's go 15 of 45 Aaron judge very nice little Dimple on the bottom. Unfortunately, we'll send an empty box and wrapper with this. I do apologize. Jeff's still an awesome card Congrats, buddy. We'll get that man Insane man to count it to Aaron judges in one case of tier one All right, we're gonna go into dynasty now everybody again just five to go in Ten bucks Tuesday. Here we go. Good luck dynasty Redemption this is a random team, so we'll not be around to everybody dynasty autograph patch card of Dave Parker go to the pirates nice one there. That's a new one That's on that there pirates That goes all rise dot dot dot the SNS show I know he's watching the inks game right now. I'll tell you that for a fact So I'm gonna watch it today 8 of 10 that is Mike try out Let's go Holy cow angels Eric are That's a sweet Jersey, too. I wonder what that's from that Shots that Arizona is that like spring training? Maybe palm trees on it. I don't know what that's from that's sweet though sweet shots Eight up to I has to be spring training. I think Because it has the Z on it which would probably denote Arizona But then I also feel like they would have the cactuses not the palm trees, you know I don't know. It looks like a spring training Jersey Anybody in chat knows or anybody watching this after it's uploaded knows drop a comment Let us know what this may be Looks like a spring. I don't know. I don't know. I don't want to be I don't want to I don't want to Say what I think it is either way, but that would be my best guess as of right now It's up Chris Chris. Are you doing Chris? What up? four of five Frank Thomas The big hurt look at the patch on that thing dude Are there palm trees in Phoenix? Okay, perfect. I've never been there. So I have no idea I just won there. It's got to be that old White Sox logo right there. It's like partial logo.  How you been? All right next up so far a great case of dynasty All right six of ten one Soto Wow, what a case of dynasty man. That is a trout Thomas and Soto all in one Right left side serial numbers coming in. Yeah, dude. Good Lord Good Lord. Yeah, like Sean said guys. We're down to three in our next break 10 box Tuesday baseball Juan Soto a great dual case break man. Everybody Hits getting spread out all over the place as well Even if you didn't hit something that was like necessarily mag worthy so a lot of good like Ozzie Smith making appearance Barry Larkin 20 Perez Like a bunch Peter Lonzo right two of ten Ryan Mountcastle I swung there as well for the Orioles Baltimore taking the last hit of the break Orioles David G. Let's go David. Nice one there, buddy. All right. I'll do it for the dual case or guys Let's do a quick recap is sweet All right, we've got jerseys first from tier one at Joey Votto Buster Posey Wilson Contreras Alex Breitman Logan Webb Garrett Cole Will Smith Devon Williams Xander Bogarts Raffi Devers Miguel Cabrera Yogi Berra Corbin Burns Gary Sanchez We've got autos now from tier one and then we'll finish with our dynasty and mag tier one stuff That is gonna be Mark Burley Cal Raleigh Peter Lonzo Jake Myers Tony Perez Auto Lopez Shane Boz Alex Kearlaw Barry Larkin Yon Moncada Charlie Barnes Fergie Jenkins Ozzie Smith Spencer Watkins Seth Beard Brandon Lau JT Real Muto Charlie Barnes Dylan Carlson Josh Lowe Nick Fortez Ryan Sandberg Moises. Hello Randy Rosa Reina Manuel Rodriguez Yeah, rest of the team does need to help out very true. It's gonna be Ryan Mountcastle Trying to show the cards off Dave Parker on the redemption We had gosh, I don't know where to go now. These are all sweet Juan Soto six of ten for the Nats We had White Sox Frank Thomas four of five on The logo patch auto we had from tier one not one but two Aaron judge autos one base 15 of 45 and one dual Jumbo patch auto 10 of 10 both for the Yanks and the end it might trout 8 of 10 dynasty patch auto What we're thinking is spring training Jersey So that'll do it for the break guys. Thanks again for the fill up next is 10 box Tuesday. It's bill


So watching my work is basically a free writing class that takes place in a lot of ways to So, what we do is to watch my work, but it needs to have the first time for you, okay? And basically, most of you are in this place, people can come and be all together, and we'll be able to do that to me and this, and then after that to me and my other two, I can take questions to all of you guys about your creative process, okay? So, should you have a question about people writing something to say to me? No, I can't provide that kind of answer to you guys. Can I just ask you another question tomorrow? We'll take your question about your creative process, okay? Okay, I'm going to ask you a question about all of us. We've heard all the questions, all right, and those are up in the comments, okay? If you are in the online community, and if you're listening to what's on the line, you may go up to one of us and ask, what do we need to do in 15 minutes? Sign up for the next class. Yes, very soon. We're going to tell you how to do your creative process. So, you're sharing this with me. Yeah, this one is mine. So, you're doing it now. Okay. And please, between us, we are watching your S&P, and you're going to be actually going to play, actually going to work, or actually going to work. Okay. So, what we're going to do first is we're going to work between us, and I have this with you two, but we don't know how it works. So, I'm going to let him actually get in here somewhere. You guys can maybe talk about why this is wrong. This is a lot of problems with this. You need to take big drugs. So, we're going to go to the other side. And then we're going to use this little tire to get in here. And we're going to use this little tire for 15 minutes. And then I'm going to get this out of here. I'll see you. Yes. Okay. So, in the top, I have a little shirt.  And we're going to take this. And then... And I'm going to use this tire. I'm going to use two of them. And here it is. I'm going to use one of these. We'll go out to the other side. Time for time to share. Ready? Ready? Ready and... Okay, that's a... Oh I forgot to tell you... tell you oh what's your name by the way June okay yeah so I'm doing this a little game That's the only one for me, but I don't know. Yes, we'll play that one. Let's try it out. I started remembering his name last year. I got a trick. I have a trick, too. It just came out. What's your trick?  It's good to see you here, Lori. Right, we're right. You say it three times, you won't forget it. Oh, well, that's such a... Why? I think it's simple. I see the song in my head. Oh, okay. Because there's one on the album. Okay. So you have a song now that I think there's a song in my head. There's some good June songs. There are. I think this is great. I'm so glad you made this tune. And I never had to try it. So I never had to tell you tune, but this is also a play. Hence, the Dolan's name. Every play has a melody. It's somewhere in the world. So if you can just imagine that it's also in this and that. This is a play. So what we did just then is we did the action together. I'm just going to say this is a good job. We did the action today. And now we're going to do the dialogue. I think people at Harvard call it ahead of the action call. But if we're not at Harvard, then I just don't like to do that. So you think I might be using this somewhere once. So, I know. I'll have to say your name for it. Like, you're going to go like that. It's not like a robot is saying it. But you said three different, yeah, three different songs. Just close there because I can't hear you. This is so long. I don't know if you can hear me. So does anybody have a question about their work? Their creative drama? Oh, yes, sir. It's weird. It's weird. It's so loud. We can try it with alchemyte. Yeah, because that'll get it. This is weird. Yeah, this is like... Oh, because those speakers are on. I know. That was so weird. Usually those speakers are on. Anyway, we won't worry about we're having enough tech today. So, yeah, what's your name? Remind me. I'm Brett. Okay, oh good, because I was like, I've never seen you. No, no, no, no, no. Here we go. Okay. Okay, Brett. Oh, the football player. Sorry. No, in my mind. I'm packaged that because of him. So that makes sense.  That'll work. Do you have a song about him? He's not doing one. Yeah, okay, but you are. I'm doing great. He's a bad guy.  It was bad. It was really bad.  That's what I'm... Probably not. I would imagine. Probably not. Anyway, but yeah. Okay, but you're the good Brett. Yeah, hopefully. Exactly. So I am an actor and a playwright, primarily, and I wonder when you write characters who are not necessarily dissimilar from your own experience, but maybe from a different walk of life, how do you... Is there anything you do in particular to safeguard yourself from feeling ridiculous or offensive or both? Right. Huh. So Brett, I mean, I'm going to repeat your question. So just to make sure that kind of I have something to do with what you're talking about. So Brett says when one writes something that a character that isn't like really close to you, right, someone who's really different from you, how do we safeguard ourselves from being offensive or ridiculous or ridiculously offensive? I would suggest just write it as best you can. I mean, because I think what happens is we worry about it and then that just makes it worse. Sort of. There is a school of thought that says that anybody can write anybody. I don't know. I know that in Hollywood, a lot of people get hired to write people. And that's okay. And sometimes they're successful and a lot of people generate stories that are far from them, you could say.  So, I don't know. It's good to be mindful, but up to a point. And if you really feel like you've got to write this person, then go for it. And when you're in rehearsal or whatever, count on the feedback to make sure you stay on the road. That's my best, you know? You know. So, don't worry about it too much. Don't let it stop you from writing it. Go ahead and write it. But just know that when you step... I mean, the question to me, I always ask, how much skin do you have in the game? And not just foreskin, but, you know, the skin, you know what I'm saying? I mean, really, how much skin do you got in the game? And that's a question. So, just be mindful, yeah. Also, it's easy to forget the rehearsal that you're doing sometimes. You have rehearsal to work stuff out. To work stuff out. Yeah. That's true. Yeah, yeah, yeah. And you do. But, you know, I'm a couple of minds. I mean, a lot of people write characters that aren't from their life and they just kind of put it up there because it might be fashionable to write about people from Czechoslovakia back in the day because they think it's interesting. And they are going to count on the actors to help them fix it. And I don't do that. But a lot of people do. Czechoslovakia. You know what I'm talking about. Yeah, so, you know, right? So, yeah, but, yeah, go into rehearsal. Be mindful. Just try to do research, you know, as much as you think is necessary and be mindful about it, you know? And open to like, hey, I don't know. This isn't, you know, I don't know. So, I'm open to be, I'm teachable. I'm open to learning more, you know? Good question, though. Good question. Anybody else? Questions about your work, your creative process. That was what I was saying. Yeah, I have a disciplinary question. A disciplinary question. Yeah, I'm a multi-genre writer. I write fiction, I write screenplays. There's always a story in my heart. And this exercise was really interesting because I started to work on a screenplay that I've been kind of nursing for a while before. And then I found myself going back to work on a short story that needs some tweaking. So, like, where do you fall in that?  Or do you kind of go, like, wherever the mood takes you? Right. Right. Did everybody kind of hear June's question? She does a lot of different kinds of writing. And am I correct in here? You said, so when I sat down right now, I started to work on a screenplay, and then I turned to... The short story. Yeah, okay. So you, I would say, yeah, I appreciate you asking a question because I would say you have a problem. Yeah, yeah. It is a focus. Yeah, it's a focus, yeah, yeah, yeah. So it's, because what happens is we start working on something and then, yeah, I feel a little... It's like dating, you know? I mean, it's nice to date, like, five people at once. But 500, then you've got a problem, right? Okay, okay. You heard about the men who have, like, I have six kids by 12 different women. You know what I mean? You think, well, brother got a problem, right? So we can narrow your focus, right? Uh-huh. Especially in a 20-minute exercise. Right. Right. I committed to one. I started on one. Exactly. I committed to three things. You committed to being here. That's major. So you can commit to showing up, which is major, right? Which is great. That's the hardest thing to do. So you can already do the hardest thing. And then the second hardest thing is deciding to do something. You didn't just sit there and go, I didn't know what to do. I couldn't make up my mind. Okay?  And what we want to look at is the changing your mind part of it. Because you've raised the question, it sounds like it is something that you can improve upon, right? So you need to... What's that saying, gird your loins? Okay. So you know there was a ship. What was his name? Ulysses. And the sirens were singing in the hills. And he had his men tie him to the mast. Which is different from gird your loins, but it's kind of the same. Because he didn't want to go off course, right? So they tied him to the mast so that the ship could continue and sail on. So you need to tie yourself to the mast, right?   Oh, I don't know, I don't know. You get in too deep with that.  All these sirens. They're coming here. You just have to... You know this, Jester. I mean you could have done that. Ulysses. You could have just said... Talk to them. But instead he had the men tie him to the mast. Cool, right? It's so exciting.  But you have to just... So when you are writing something and you feel the voice saying June, June, June, it's time for you. You're not done with your screenplay yet. You're only on page four. What's the name, Denafrio, the actor? Vincent. Vincent. He does that. You know it's a crime scene? Oh, it's a crime scene, right? Okay, Vincent. So when your voice says June, June, June, come on. You're only on page four, but boy, do I have a great story for you to start. You know that that is not the voice of inspiration trying to lead you to something great. You know it's the voice of fear trying to get you off track. And if it's like inspiration sort of inhabiting or fear inhabiting the body of inspiration and making it speak in tongues to you. Right? Lexa's notion, I've seen that happen. You can just write it down really quick on a little notebook. Great idea for a short story. Just write it down real quick. Okay, I'm gonna keep going. Does that make sense? It's the voice of fear. Fear appears to us in different ways. Sometimes it's, hey, hey, hey, work on a new project. You're not done with that one, but who cares? This is much better. No one's gonna work that one anyway. Right, okay? That's the voice of fear. That's kind of like, I'm stuck in this place of trying to work from what's gonna be able to sound. Right. See, I can read your mind. That's why I'm a professional. Yes. Yes, yes, yes. Of course. Yes, I can hear it. Yeah. That's why, a lot of times, that's why we might jump from one thing to the next. Right? Which is okay. I'll tell you what, nothing's gonna sell if you don't finish it, right? I mean, sure, you can pitch a concept, but if you can't sit down and write it, it's not gonna, you're not gonna be able to do it, right? So you have to develop, or develop more of the ability to stick with something. Through to when you can type the end. And then, in only then, you're allowed to go to the next section. And you can do this. You can practice spending 20 minutes a day, if say, how much time do you spend a day writing? I'm practicing discipline right now. I don't, right? Whenever the mood strikes me. I can't take in a drink. Right, right, okay. So what's your favorite time of day? I mean, the time when you feel like, yeah. I'm a night writer.  I'm a night writer. She's a night writer.  Okay, great. So about what time is that? Like 10 o'clock? Like you feel like, yeah, I'm really me. Okay. So how about from 10 to 11? We'll keep it simple. 10 to 11, a clock. You're going to have for your writing time. And in that time, you get to spend 20 minutes on three different projects. Yes, see your spine. Because see, this one doesn't have to be painful. It just has to be consistent. 20 minutes on your screenplay. Just whatever you want to do. And again, get yourself one of these. I'm sure you already have one of these. Can you tell the difference? Everybody, you see the difference? It is not like a flip-flop clam shell. No, one of these. All it can do is count. Wait, crack. Wonderful. Okay. Get yourself one of these. Set it for 20 minutes. It goes off, then you get to switch. And work on your short story for 20 minutes. Then you can go back to your screenplay or stay on your short story or work on your novel or your poem or your song or whatever. Okay. But make sure you put in the time an hour a day from, say, 10 to 11. And if you're not in the mood, so what? Sit there and let this just count down the minute. Think if you listen. He can do it, so can you. Okay? Your birthday's on Bloomington. Your birthday's on Bloomington. See? Ah-ha. You've come to the right place, dear. So, okay. See your birthday's on Bloomington. It was on the 26th of 1960. June. Amazing. Okay. So, now you have to do it. Yes. Okay. Everything's so easy. Anybody else? Yes. What's your name? My name's Get Simony. Get Simony? Yes. Oh, like the garden. Precisely. Oh, I mean, but, yeah. That's a beautiful name. Thank you. Oh, I see that my grandma went in to do that with my phone. That's so beautiful. Thank you. Wow. So you have a song now. I have a song. It's from Jesus Christ Superstar. It's okay. It's okay. It's okay. It's okay. Okay. So, what's your question? Get Simony? Part two questions. Yes. How do you feel like what you're doing is enough? How do you feel like what you're doing is enough? Got a job as a theater teaching artist. Party for grad schools have drafts of everything. Make my deadlines and it still doesn't feel like it's enough. And the second question is, or part two of that question is, what draft is the part is? For you? For you. For me. What draft is the roughest to get through? For Mary? For you. It's not your work. Okay. So, these are both really great questions. Did you hear her questions?  I'm going to paraphrase. Sure. So, she's moved here from D.C., right? She wants to pursue a life in the arts and she's moved here. She has drafts of everything. She meets her deadlines. She works really hard. She has a job as a teaching... Theater teaching artist. A theater teaching artist. So, she's doing... Sounds like everything right? Yeah. Sounds like you're doing everything right. But she still doesn't feel like it's enough. And the second question is, which draft for hers? Which draft for hers? Because it's about your work. So, who... I mean, thank you for asking that question.  What my problem is? Because it's about you today. So, is what I'm doing enough? Does it not feel like you're doing enough because you haven't received the recognition maybe that you need right now? I don't know. I'm beginning to get recognition. I just got a feature that I've been watching for the most part of the story. It feels like it never feels like it's enough. I got to feel like I'm going to wake up and work harder. Why did I press snooze? I could have gotten up 10 minutes earlier. Why did I skip yoga today? I know I need to do that to take care of myself. It's just... It never feels like it's enough. Right. Always to do it. Right. Remember it. Okay. That is a... That's something... I'm glad you brought that up because that's something you need to start working on because if you don't work on it now, then no matter what happens, no matter all the wonderful things that are coming to you in your life and your career, will never feel like enough. So it's like you have a whole inside that you need to... You need to start now. You need to tell yourself. I don't know if you want to look at America and say, I am enough. I'm doing really, really, really well. You need to replace that. A lot of times we have what we call negative self-talk in our head. We have this stuff going around in our head that says, you're not good enough, or your writing's not good enough, or you'll never make it, or whatever.  That old LP got that. And one of your things is, I'm not doing enough. And so you need to just start saying when that comes up, that is the voice of bullshit.  I mean, that's what your voice says. And your voice says, it's symphony. You're not doing enough.  You need to recognize it as voice of bullshit, instead of the voice of truth.  It's not true that you're not doing enough. Yeah, sure you should have gone to yoga today, but it's a recurring, your mantra should not be, you're not doing enough. Your mantra is, you're doing really well. And I'm proud of myself. And do you have the practice of, a lot of people do have a practice of writing gratitude lists? Has anybody ever heard of this? Gratitude lists? At the end of the day, you write down 10 things that you're thankful for. Do you do that? At the beginning of the day, do you do that? Yes, yes. Okay, so try it at the beginning of the day. I mean, do it twice. Book in your day with, wow, all the things that are going really well. And whenever that voice comes up, start replacing it with, wow, look at what's really going well. Look what I accomplished. Okay?   We've got a friend.  You know, you're not doing enough. Would you guys be friends? Right, right. She wouldn't talk to your friend that way, right? So why are you talking to yourself like this? Right? Okay. So that's just bullshit, okay? And replace it with something true, okay? And that will help you. That will serve you better. And the second thing, which draft is hardest for you? Which draft is hardest for you? I have a problem with finishing. And then I just sat down and made like, these are 100 things I'm going to get done in a year. And I'm going to meet these deadlines. Okay. And I'm meeting these deadlines and have drafts. But I feel like, okay, now fresh draft is done. I'm afraid the second draft will finish the second. And I'm really afraid of the third. If I keep doing 10 drafts and it gets nowhere, I think it's just fear. Yeah. So if you're writing lots and lots of drafts and you never feel like you're finished, it does feed into the I'm not doing enough feeling. Right? So hopefully working on the I'm not doing enough feeling is going to take care of that. I'm writing too many drafts. Because then what you write is never good enough. I mean, I have problems. I have that problem I don't have. I kind of like, hey, yo, it's okay. It's good enough. And I don't try to get it. I'm good. Great is the enemy of good. We know that great is the enemy of good. And great is the enemy of good enough. It just has to be good enough. And also we talk about lowering the bar. Try lowering the bar, just so many. I'm lower than the bar. I don't try to like, oh my God, I got it right like Sousa Laura Parks today. Look at that. What? Please. I'm just going to get something done. Come here. We have fun here. We're going to have fun part right here. So keep coming. Yeah, yeah, keep coming here. Because it's like fun, you know.   We don't like. Anybody else? Someone. So Crystal, she has something. Crystal from New Jersey. Is it Crystal from New Jersey? Oh my goodness. So someone wants to read her first play. Oh, okay. She has two endings and she's not sure which one to go with. One is, she said romantic but she corrected herself. One is more hopeful and one is more raw, but her heart, one's happy is the playwright and her favorite. So, which one does she like best? Does it sound like she likes the romantic one, the hopeful one better? She likes. I think it sounds like she wants the hopeful one, but the other one, I don't know.  Crystal, go with the one you want. And there's a big time delay on this. Oh, yes. Funny. Yeah, go, I would say to Crystal, she should go with the ending that she likes better and she can always change it back to the other one. You know what I mean?  Definitely. You know. And then she can always change it. But, yeah, Crystal, thanks for calling. There's a time delay. Sorry, I'm just watching myself in the center. Anybody else, Stephanie? Oh, Alexis. Alexis, okay. My question, well, I have one that's like the same, right? The other that's just like a personal heart. Yes. The first one is, how do you deal with the fear that everybody's pretty much already, you know, like what you need already? Right. Like, does originality matter? And we have thought of it in the middle of the question about input, like in the, like a fear with impulse switching between. So I kind of have this plan to like take off two years and maybe go back to school and like do more, or like get like a conservatory degree. But then now I kind of want to go back and I don't know if that's just me having the impulse because I went to an open house and saw like all these people excited. Oh. Or is that just like, Yeah. Right. Okay. So it's the conservatory grad school question, the second question. And the first question was originality. We're going to say it doesn't matter.  I'm so terrified. It's already been written. So I would say that it's like, you identified it. You said it might be like doing this question. So that might be your thing. Telling yourself, you know, I can't write this because it's already been written. Write it anyway. Know what I mean? I mean, I know the marketplace might say, I mean, it does say, we'll only do like one thing by this kind of person. A Czechoslovakian person. A Czechoslovakian person. Every year. You know what I'm saying? And movies, starring, movie-starring people from Czechoslovakia don't perform in Chinese. Czechoslovakian people from writing anything at all. Which is the whole point of those statements. I didn't want people from Czechoslovakia right in time! Shit. She had a little... Now she doesn't... Next year there will be a full-body cast. She's one of the heads of casting. Anyway, casting! There's a lot of that saying, you know, I would go ahead and write it anyway. It doesn't matter if it's like already been written. Right? How many movies are there about, you know, Portuguese dudes hanging out in a mall? Like a lot. Portuguese. You know what I'm talking about? Like 100 million, right? Okay. So you're allowed to write some Czechoslovakian thing. You know what I'm talking about. Go ahead and write it. If that's the voice of fear in your head that slows you down. So that's that, Alexa. So the second question about going to a conservative group, so you won't be taking time off? Really? You'd be putting time in, right? Would you come out with a lot of financial debt? Okay. Okay, that's something to consider. You know? Maybe she's thinking about the same thing. But you know, if you don't have a chance to have something to consider, but you'd be putting time in. So it's a great program. It's going to cost a lot, but you'd be learning a lot and networking and all that kind of stuff.  So, that's my experience. But I know people go there and they're happy to go. I didn't go. And I wouldn't go. Still. If I didn't do it all over again, I still wouldn't go.  But you know, but you learn a lot and you network and all that kind of stuff. And it wouldn't be taking time away. You'd be putting time in. Like, do I need it? Like I'm doing a lot. I feel like I'm doing a lot of good stuff. And now I'm trying to distinguish into like, you could actually do that degree and it'd be great. Or you can just do your thing like you were planning to do. And it'll be just a dream. So, I don't know. It's like, what do I want on paper? Like, what do I want? Right, right, right. If you're thinking that, then you probably don't need, if you're doing great stuff now, you probably don't need, you know.  But, we are all exceptions. If we just give ourselves the opportunity to be exceptional, we are all exceptional.  So it doesn't, that doesn't matter, but we're all exceptional. So, whatever decision you make is going to be the right one. Does that mean harder? Yeah. Because either way, you're going to be right, you know. Yeah, yeah, yeah. Right now, this is what you are where you were supposed to be. Right? It's true. It's true.  It's true. Which is, you know, right now in this movie are exactly where we're supposed to be. Which is like, oh, it's true. What does that mean? I'm not supposed to have that big house in Malibu? Yes, not. You know, which is very interesting. It helps us stay focused, disciplined, allowing yourself to love the thing, the place where you are. I went back to have a 10-year experience when I had a bad accident. Yeah. I think that you should like, get close to me. Are you getting into the program? Yeah. I want to sit around for a bit. I'm like, you bet. Right. And then I was coming to the station about whether or not I was going to go into everything. It's in this, this massive, it is, um, so it's a purpose and it's a reason for the rest of the business to be saying, well, you don't have to come right now. You've been accepted. So, I'm on it. That's kind of the advice that I'm going to do with, you can put it up for a year, maybe two, even three. Like, talk to me. Whatever, whichever the program is. What's your grade? Um, but also, just kind of, I went back when I said, I have a, I'm a, I did film school undergrad. And my feeling was that I didn't like, oh, I got lost somewhere. Like, I graduated film school and I was scared to be an artist. So, I found the money side of it and I worked in the business and I made good money for that prestige of having my name on great films and good projects. And then, I, like, my writing and my creativity always kind of, like, I'm stuck there. I'm like, how dare you? I didn't make it. It was not me. And I think, recently, like, I had a screenplay option and now I'm being dropped. So, my core, I think, trauma and discipline right now is that fear that Susan was talking about. Like, I've been rejected. So now it's like, I'm trying to create something that will be exact. You know what I mean? So, I think, all this is to say that we need to remember why we do it. But if you're doing good now, why is that good? Well, like, I almost want to write it for you. Well, good to me is, like, different. Like, I have something I'm really passionate about and I'm trying to make it happen, trying not to be intentional fail, but in the back of my head. I heard that I love a man. But, like, there's something that I'm really passionate about and I want to work on it and keep working at it. And I have something to work towards. Like, that's me doing it. It's not like, like, I see you and that's like super, like, are you all the things you listen to? Like, made in deadlines? Like, that's something I want to do. But, like, we acquire in a conservatory program. We can't acquire outside of it. You know that. It just takes, um, a different kind of effort. It's not all, it's not like a buffet on a cruise ship. You gotta kind of hustle out there. You know, like you're doing now. You're hustling out there.  And, when you graduate from that cruise ship, you're gonna have to go back to hustle and go. So, hopefully, at a higher level, you will have paid all that money. But, some programs are free, or, or, subsidized.  Anybody else? Anybody else? Anybody else? Anybody else? Anybody else? Anybody else? Anybody else? Anybody else? Anybody else? Anybody else? Anybody else? Anybody else? You good? Crystal has a follow-up. What's Crystal's follow-up? Her concern is that her main character is heavily flawed, and so would a hopeful ending be believable. I'd say, do the ending that she likes the best.  Do the ending that she likes the best. I would still say, do the ending that she likes the best. Because what, now you're asking me is to tell you to do the ending that you don't like. And I'm not going to tell you that. Haha, because I know that. I'm not going to tell you to submit something that you don't like. You know? Because maybe, Crystal, your ending, your happy ending, or hopeful ending, is the thing, the tract of being that's going to pull the character into the kind of alignment that the story actually needs. So maybe you're writing it, you know, from the back end. Which is a totally, okay way of writing. Next week, are we? I think we are. Great. Okay, well thanks to you guys. Angie, Matt, and Yubica. And thanks to you guys for coming. Yes!


Sup guys, it's Jacob here. Thank you first and foremost for clicking on my video. Secondly, this video is proudly brought to you by Manscaped. Now Manscaped do have a complete range of products on their website, but their most recent product and the one that I'm using at the moment is this. The Lawn Mower 4.0. So not only is the packaging impressive, but apparently it's a whole new balls game. And here it is now. The latest addition to Manscaped's incredible selection of mail grooming products. I've been using the products for a good couple of weeks now. I love them. There's no way I'd be making this video if I didn't. Manscaped use ceramic blades with skin safe technology, which means there's absolutely no risk of nexal cuts. In fact, you could probably do it blindfolded. Not only that, but you can do it in the shower also. It's completely 100% waterproof and it's even got an LED light. So power or no power, you can still get the job done. For those wondering, is it a tool just for the downstairs area? No, no it's not. It's actually good for your entire body, including your face. And for anyone wondering, that's the length. But if that's too short for you, there are four different trimmer guard options, which means four different lengths. Which means if you really wanted to, you could probably even draw a picture. It looks good. It's waterproof. It's rechargeable with a 90 minute charge. And it's only one of the incredible selection of products on the Manscaped.com website.  Join myself, your other favorite YouTubers, and over 2 million men worldwide, happily using these products. Once again, head down into the description box below. Click the link, check out the entire range of products. Use my discount code, happy days. Enjoy the video guys, and peace out. What's up guys? Welcome back to the channel, and welcome back to another episode of Rugby Player Reacts. I am your host, the rugby player in the room, Jacob McDonald. And I want to welcome you to the video. Today, I present to you number 41 on the list of the top 100 NFL players for the entire year of 2021, as voted by other players in the league. And that's why I love this series. It's interesting, for many reasons. But one of the most interesting things to me is to hear other players, possibly in that same position, if not in the same team, if not, you know, their arch enemies on the field. Any opinions from any players about other players, to me, is some of the most interesting NFL insight you will ever hear. So with that in mind, I'm going to roll the intro, and I'll see you back here shortly. And here he is now, Jarray Alexander. Jarray, Jairi, Jay Alexander. I'm actually not too sure about how to pronounce his name, but I'm assuming all of that and more will be revealed right now. Jarray time. Jairi, Jarray, Jairi, Jairi Alexander. That's my final pick.  I got it completely wrong. Jair. Well, all right then. Jair. Jair is a character, man. We love him to death, man. He's the guy that keep the energy. For sure the number one corner in the NFL. In the NFL, and I tell you what, one of my favorite voices in the NFL, and favorite pair of glasses in the NFL is Zadiria Smith.  Minnesota. I don't know if I'm supposed to tell this or not, but he wasn't supposed to go on that play. He was actually supposed to be in coverage, but you know, those are situations. That was a great corner, man, to know that he was unblocked and to know that he can come off the edge like that, man. Wouldn't he be tracking this guy right here? Jair Alexander on the blitz. Hey, whatever helps the team, man. Whatever helps us win. I feel like we're done. In my opinion, he got away with one there. I feel he's always in a really good position. And it's broken up and intercepted.  Now, who's that? That's the running back, isn't it? What is the running back for the Packers named Carson? Collins? I actually can't recall. That boy dirty.  So he's more of a guy that's what, 5'11". That's playing like he's six foot six. Six foot six. Imagine if this guy wasn't as nice. Imagine if Z Smith was faking us this entire time. With a smile in his demeanor. But deep down, tell you what guys, as far as the smile is concerned, in the NFL, you're not going to beat Z Smith. All right, so 5'11". So 5'11". For a cornerback from what I've heard so far, people are saying that's undersized. But being an NFL quarterback, if you lack in one department, you're most likely going to make it up in another. And with that in mind, let's look up his stats. All right, so that makes a little more sense. He's listed as 5'10". And as a cornerback on the field, you know, slight in stature and under six foot, you're going to seem undersized. But then the play begins and you see exactly what they're made of. And what he's made of is some extremely fast twitch muscle fibers. He's got a 40 yard dash in under 4.4 seconds. He's got a 20 yard shuttle in under 4 seconds. He's got a three cone drill of 6.71 seconds, a vertical jump of 35 inches, a broad jump of 10 foot seven, and a bench press effort of 14 reps. The Green Bay Packers selected Alexander in the first round of the 2018 NFL Draft, the 18th pick. But to get that pick, the Packers traded their first, third and sixth round picks for the Seattle Seahawks in exchange for their first and seventh round picks in order to draft Alexander 18th overall. Now they did have a 27th overall pick, which is bound to pick you up a decent rookie. But they wanted to make sure they got Alexander. They did get Alexander with the 18th pick. And they signed him to a four year, 12.05 million dollar contract, which he is currently playing out. If we're talking about 2020, he's got 15 games played, 51 combined tackles, 39 of which were solo, 12 assisted tackles and one sack, which we saw on the video against the Vikings. 13 passes deflected, so he's into absolutely everything. One interception and one forced fumble. Classic cornerback. Well I will say that anyone running under a 4.4 second flat 40 yard dash has got to be pretty damn confident with their speed. And when you've got a three cone drill of 6.7 and a 20 yard shuttle of under four seconds, you can move, put it that way. He has all the tools and you know, he has that swag and he has that confidence when he's on the field that he's the best player out there. I told y'all man I'm the best man. I don't know what else to say. His swagger, his personality. I told y'all I'm the best man. I told y'all I'm number one. I'm with the aliens baby. Quarterbacks will be wise to heed Jair's advice. In 2020, opposing number one receivers combined for just 14 receptions and 143 yards against Alexander. What? So we've got one, two, three, four, five, six, seven of 17 games. He did not give up one yard, one catch, one absolutely anything. And in the remaining 10 games, he gave up 147 total receiving yards. The most of which was in game number one against Adam Theland. The only other significant game was Alan Robinson with three receptions for 28 yards in week number 12. But apart from that, he is a shut down corner. He did a great job in that championship game too. Marking Justin Jefferson, one reception for 12 yards. The guy got 1400 receiving yards last year. I think he came out of there with two pigs. Intercepted, Jair Alexander. And it is intercepted again by Jair Alexander. Jair Alexander. So we just saw two interceptions there, but they must have been in the postseason because he's only got three total. In no situation, man, for him to step up in big time games like that, man, just to really show what type of player he really is. And that, my friends, brings us once again to the end of another video. In the next one, we're looking at a running back. We are in the top 40. I'm going to take a break for anyone following along at home. It is officially the second of September. It is 11.45 in the morning and it's lunchtime. So I will see you in the next video, guys. Thank you so much for the support. It means the world and peace out.


We need to get to know each other, we need to get to know our challenges, our opportunities, our areas of strength where we can collaborate. We need to do it before the disaster strikes, we need it to do it before the emergency happens. So we need to do it when we have the time to do it. I also think that this is a really great triangular relationship. It's the military and national disaster management authority or disaster management agencies. We all have different names for these in different countries. But those who come from the international zone, who come to meet the humanitarian workers, but the third corner of that triangle, the third partner, are either the militaries or the disaster management agencies of the countries within which the disaster is now occurring. The militaries have a great amount that they can learn off each other, but I think the disaster management authorities have huge amounts that they can learn, both in terms of response, but then in preparedness, early response, good preparation, good mitigation can save a huge amount of costly response that's costly financially and costly in human terms. In many ways, you need to practice before you do. It's a very difficult thing to do. In fact, the nature of our professional careers makes it very difficult to practice, particularly for operational roles. That's where we think that involving people in exercise programs is increasingly important. We also need to look at developing other, perhaps desktop exercises, which will enable people to learn by doing in what we call a virtual or a constructed environment. It's important for people to have opportunities to learn in an exercise environment because they can take risks. They can be exposed to different scenarios, scenarios that will stretch them. But it is about building flexibility into people so that when they get stuck with a thorny crisis and with the full range of coordination issues come from working in a complex multi-agency environment, then they're ready to step up to those. Because the one thing we can actually prepare them for is the issue of relationship management. And I'd say it really has been the experience of the last 10 or even 20 years that we've started to build up very strong cross-agency relationships and relationships built on trust.


J-E-L-L-O. The Jello Program, coming to you from Waukegan, Illinois, starring Jack Benny with Mary Livingston, Phil Harris, and yours truly, Don Wilson. The orchestra opens a program with man about town from the picture of the same name. The other day, walking along the streets, I stopped to look in the windows of a grocery store. And I was thinking how attractive the cool fresh fruit look piled up in heaps. Well, you know one of the best ways to serve fresh fruits is to combine them with Jello. Jello is delicious, served with fresh strawberries, with circles of orange, or with sliced bananas. And it makes an ideal hot weather dessert, cool, inviting, and satisfying. For Jello brings you that delicious, extra-rich flavor. The flavor is appetizing and refreshing as the fresh ripe fruit itself. Strawberry, raspberry, cherry, orange, lemon, and lime. All six flavors are extra-rich, and all six colors are extra-gay in summary. Just be sure of one thing. Be sure to get genuine Jello when you buy and don't accept any substitutes. Look at any substitutes. Look at any substitutes. Look for those big red letters on the box. They spell Jello, and Jello spells a treat. Now, ladies and gentlemen, greetings from Waukegan. Our last broadcast of the season is coming to you from the stage of the Genesee Theater in Waukegan, Illinois. Yes, sir. Jello again, folks. Please, Jack, wait till I introduce you. Oh, pardon me. I'm a nurse. On a certain Valentine's Day, many years ago, a stork flew over this fair city and dropped a little bundle of joy. And who do you think this bundle was? Jello again, this is Jack. Jack, will you please wait a minute? Don, who was born here? You or me? For heaven's sake. So without further ado, I bring you that local boy who surprised everybody by making good Jack Benny. Jello again, this is Bundle Benny talking. And it's about time. Gosh, Don, I've been so thrilled and excited the last few days that, well, really, I don't know where I'm at or what I'm doing. Well, I can certainly appreciate that. You look it. Well, you know, Don, I spent the last four days just renewing old acquaintances and visiting all my old hangouts. What a time I've been having. Well, who'd you see, Jack? Oh, everybody, Ollie Imerman, Stubb Wilbur, Cliff Gordon. And yesterday, I dropped into Bobby O'Farrell's pool room. I haven't seen Bobby in 15 years. Hey, I'll bet he was thrilled to death. Was he? Well, the minute I walked in, he said to me, Jack, will you ever forget the day you were showing off and you ripped a hole in the cloth on the billiard table? I said, I sure do, Bobby. And he said, that'll be $3. Oh. Oh. Oh, he was just tickled to death. And how?  Oh, you know, the fella that runs the clothing store. Oh, you mean Julius, Julius Sennigan. That's the fella. Was he glad to see you? Glad to see me. Don, when I walked into his store, there were tears in his eyes as he jumped over the counter, threw his arms around me, and said, yes, sir, what can I do for you? Before I got out of there, I had three palm beach suits and a raccoon coat. You must have been kidding, you know. Oh, hello, Phil. Hi, it's Jackson. How's the walkie-gun kid? Oh, I'm swell, Phil. Have you been having a good time? I'll stay. But you know what happened last night, Jack? No, what?  And we were singing and laughing and making a lot of noise. And the first thing you know, a couple of cops came up and took us to the who's gal. Took you to the who's gal? Wait a minute, Phil. You mean to say they put you in jail? Those weren't candy bars I was looking through. Well, for heaven's sake, why didn't you call me? I'd have had the mayor, Bitey Talcott, fix it up. He could have taken care of that. He could, eh? He was with us. Oh, my goodness, I should have warned him about you. So you and the mayor have been palling around together, eh? Yeah, he thinks I'm a riot. Yeah. Listen, Phil, I know Bitey Talcott pretty well. He isn't going to fall for that corny chatter of yours. Hello, Jack. Oh, hello, Mary. Well, Mary, here we are in my hometown.  Am I? Gee, everybody's been so wonderful to me. I've been outside singing every day. Now, you don't have to get nervous. It's my hometown. Oh, Mary, there's plenty to see here, too, eh? You know, Jack, I even saw the house you were born in. No kidding. It's a fish market now. A fish market, well, of all things. But they haven't forgotten you, Jack. They haven't, eh? No, they got a big sign there that says, Jack's any born here. Fresh mackerel daily. Well, naturally, they have to advertise what they're selling. What else did you do, Mary? Well, I went over to the city hall park to see that elm tree they planted in your honor. Oh, yes. You see that elm tree? I'll say. What are you laughing at? There was a squirrel in it signing autographs. That was my uncle Tarzan Benny. But, say, fellas, you ever notice, for a town this size, how many pretty girls there are here? You're right, Jack. The girls are beautiful. How'd they go for me? Oh, sure. Well, they're always staring at me. Well, Phil, Marcell Hare for men is a novelty around here. You know, so stop taking bows.  Have you seen any of your old girlfriends? Have I? Well, I died only this morning. I was walking down Washington Street. And who did I run into but Vivian Thompson? You know, when we were kids, she and I were kind of stuck on each other. You know, I used to write her notes, and we used to give each other presents. In fact, I still have a lock of her hair. You ought to paste it on, brother. Never mind that. Vivian and I had quite a romance. Was she thrilled seeing you again? Well done. Did she kiss you? I didn't put this lipstick on my forehead myself.   Because she's taller than I am. That's why. What do you want me to do? Carry a box to stand on? Anyway, let's not get into an argument here. I'm feeling too good. Me too. And I'm so grateful the way people here treated me that I wrote a poem all about Walkiegan. Well, that's a fine way to pay him back.  Let's hear it. Well, Jack, I'm going out in the hall for a glass of water. I'm going with you, and I never touch it. Come back here, both of you. If I can take it, you can. Now, go ahead with your poem, Mary. What's the title of it? To Walkiegan, where Jack Benny was born in the year- Never mind, never mind. Read the poem. OK. Oh, Walkiegan, oh, Walkiegan. On the shores of Lake Michigan. Michigan? Jack was born here in this place. He was very pretty, except his face. I was pretty all over. Go ahead. Once you were a little village, Indians roamed here to and fro. But now you are a great big city, and you got to buy bees in the 10-cent stole. 10-cent stole? Sure enough, honey. Oh, we certainly got to Alabama fast. Continue. Continue, Mary. I like your parks. I like your streets. I like your homes. They are so neat. I like your lake. I like your boat. Your sailors really know their own. No arrows. So oh, Walkiegan, oh, Walkiegan, we'll be sad when we are leaving. But before I go, this kiss I give to one and all, from Mary Liv, the end. Well, it's about time. Mary, that was simply wonderful. Oh, Phil, do you think you can follow that with a number? Sure, Jack. I'll follow anything. I know I've seen you on the street. Now go ahead. Hold it a minute. Come in. Mr. Benny? Yes? Oh, Walkiegan, here am I. Did I walk or did I fly? Is this just a dream, perchance? Oh, gee whiz, I forgot my pants. Woo! I'm going to shoot him during the quail season, folks. Play, Phil. The pose of Washington Square played by Phil Harrison as orchestra. And I'm not saying this because it's our last program of the season, Phil. But on the level, that number was really swell. Thanks, Jack. Now, if your boys played like that every week, I'd be proud that I was a member of the Musicians' Union. I thought they threw you out. They did not. I'll show you my membership card. I got it right here in my wallet. Oh, don't take off the barbed wire just for that. That's a fine way to talk, Mary, after the way I've been spending money on you. I took you to Nolan's restaurant every single night this week for dinner. Yes, and I know why we always went to Nolan's. Never mind. Why, Mary? 15 years ago, Jack bought a meal ticket there, and he had eight punches left. Well, I can't carry it around with me forever. I'd like to take one of those punches and give it right to you, right in the nose. Oh, isn't that all? Smart on the last program, huh? And now, ladies and gentlemen, I have a special announcement to make this evening. As you all know tonight, immediately after our broadcast, we are having the world premiere of Paramount's new picture, Man About Town. And there are a lot of Hollywood celebrities here in our audience, as Mark Sandbridge, the director, Dorothy Lamour, Heta Hopper, myself. Phil Harris. Yes, we know you're here, Phil. And incidentally, when your face appears on the screen, just applaud. Don't stamp and whistle. You know, you're not the only one in the picture. I'm the only one with sex appeal. Well, if that isn't the hammiest remark I've ever heard. Listen, brother, I got more appeal than you any day, and I'll leave it to Mary. You better not. Well, then you'll just have to take my word for it, Phil. Now, let's see, where were we? Oh, yes, in addition to our Hollywood celebrities, we also have with us several distinguished guests from Warkegan. And I'd like to present to you now an old-school chump of mine who, through hard work and diligent perseverance, has gone far in the field of politics. Here he is, folks, the honorable Mansel Bidey Tolcock, mayor of Warkega. Hello, Bidey, welcome to the Jell-O program. Hiya, Jackson, are you in the groove? What, what's that? Are you a jive and kid?  Well, anyway, Bidey, it's sure good to see you again, and you're certainly looking fine. How do you feel? Well, Jack, I'm right on the boom. That's on the beam. On the beam, Bidey. Well, this stuff is new to me. Oh, it's new to everybody but Phil. Say, Mayor, why don't you give out with a couple of those gags I told you? OK, tWitch, the fine mayor. I couldn't even be Alderman in this town. Let's see, where am I? Oh, here. Now, wait a minute, Bidey, I'm afraid. We haven't time for any of Phil's gags, but I do want to tell you how much I appreciate you're coming up here tonight to take a bow. And for the hospitality, you've shown the gang and myself all week. I'll never forget it. You're welcome, Jack, and believe me, that goes for the whole town. See you later. OK, Bidey. Oh, just a minute, Your Honor. Before you leave, I'd like to ask you just one question. What is it, Don? Do the people in Waukegan need a lot of jello? Oh, just oodles of it. Oodles? And why do all these charming people in Waukegan eat jello? Well, because it's economically easy to make and comes in six delicious flavors. That's right, buddy. And what are those flavors, Your Honor? Well, there's strawberry, raspberry, cherry, orange, lemon, and lime. Thank you very much, Your Honor. Thank you. Yes, thanks, Bidey. What happened? I'll tell you, Bidey, the plug is quicker than the eye, so be careful. Well, so long, Bidey. So long, Jack. Well, Phil, see you later. And we'll go out and cut a rug. OK, man. He sure is a nice guy. He gave me nine keys to the city already. He carries them around like lifesavers. And now, folks, as Kenny Baker, our young tenor, was called back to Hollywood. He will not be with us tonight. So for the vocal highlight of the evening, Mr. Phil Harris, the Nightingale of the South, and Miss Mary Livingston, the Plainfield Brush, will blend their voices in a popular little number called the, that must be Bidey again. Is that you, Mayor? It sure is, Buck. Open up. Well, the Mayor of Bandy, I thought you'd never get here. What delayed you? Well, I couldn't find the theater. Well, anybody could have told you where the Genesee Theater is. All you had to do was ask them. Well, I ask a lot of people, Buck, but every time I opened my mouth, they just looked in. Well, your tonsils are intriguing.  You being the mayor of Ann Nice, I could have introduced you to the mayor of Warkegon. Oh, I know, buddy. I was over at the city hall with them all morning. Yeah, what were you doing? Oh, we just sat around and hammered with our gavels. Well, I'll bet I was a lot of fun. Hey, Andy, have you been down to Chicago yet? There's a town you ought to see. Chicago? Where's that? Oh, Andy, you know, it's that big city with the tall buildings. You know where we change trains. Is that Chicago? Certainly. Well, dog gone. Bitey told me that was South Warkegon. He would. You better be careful, Andy. The first thing you know, he'll try and sell it to you. It's too late now, Buck. I bought it. Well, you got a marvelous buy. Well, Andy, now that you're here, stick around because Mary and Phil are going to sing a duet. You might as well hear it. No, I guess I'll go back to the hotel. I like to ride up and down in the elevator. Then things fascinate me. So long, Buck. So long, Andy. You know, folks, Andy's getting a terrific kick out of this trip. He's never been to East before. He's never even been in a hotel before. How do you know, Phil? I walked in his room this morning, and he was making the bed. Oh, he'll get by all right. Well, how about that number, kids? Are you ready? I am. Me too. Then swing it and be good.  If there's a gleam in your eyes. Each time I straighten your tie, you'll know the lady's in love with you. If I can dress for a day without that waiting, I hate. It means the lady's in love with you. And when my friends ask me over to join their table. But I take that far away before too. Well, sir, here's just how it stands. I've got romance on my hand. Because the lady's in love with you. If I go deptom and blind. And you've got things on your mind. You'll know the lady's in love with you. If I have met your old flames. And you remember their names. It means the lady's in love with you. And some tonight when I take you to see that movie. And I say the balcony seat will do. Well, sir, here's just how it stands. I've got romance on my hands. Because the lady's in love with me. That was The Ladies in Love, sung by Kenny Baker. And very good Kenny. And now, ladies and gentlemen. Hey, wait a minute. Phil and I sang that number. Oh, yes. I'm so nervous. Mary, do I know what I'm doing today? No. No? That no wasn't in the script, folks. And now, ladies and gentlemen, in a few more minutes, our little gang will bid you all adieu until next October. Say, Don. Oh, yes, Jack. Just imagine we'll all have 14 whole weeks of rest. 14 weeks of nice, carefree relaxation. And 14 weeks without getting paid. Yes! Oh, I never thought of that. Say, Jack, I'm getting a little bit jumpy. Are you? You mean on account of the premiere of the picture? No, Phil, I'm sure it'll go over big. Well, look at all my friends sitting out in the audience. Sid Block, Ward, Just, Mr. and Mrs. Prichard. And there's my dad and sister. Don, look at that big smile on my father's face. Yeah, he's sure thrilled. He certainly is. I don't see him. Which one is your dad? The one in Jack's blue suit. That's him. I wish he wouldn't put on both pair of pants, though. It's warm here. Say, Don, you know what I ought to do tonight as long as we're here in Waukegan? What's that, Jack? Well, after all, this is where I started on my musical career. And I think it's no more than right that I play a violin solo.  He just moved to the back row. He did not. And now that Charlie is here, I think I ought to play the first number he ever taught me, the glow worm. Oh my goodness, I'm getting out of here. Charlie, come back here. He always was a great kid, her folks. Say, Phil, let me have a violin, will you? OK. Here you are, Jack, it goes under your chin. I know where it goes. Well, I better tune this fiddle up. Give me an A, boys, will you? Oh, just when I wanted to show off a little. I'll take it. Hello? Hello, Mr. Benny, this is Rochester. Oh, fine. Rochester, how many times do I have to tell you not to interrupt me in the middle of the program? What do you want? Well, boys, I'm tired of being cooped up in this hotel room with Carmichael.  I want to get out in the sun. I'm losing my tan. Listen, Rochester. Rochester, you'll just have to stay with that polar bear. He's home sick. By the way, is he standing the heat all right? Yeah, but I think you ought to feed him more. All he had for breakfast was three fish, two eggs, and a bottle of milk. Well, my goodness, isn't that enough? I don't think so. I caught him putting marmalade on the bellboy. Oh, he was just clowning. He was drooling, too. Never mind. Now, Rochester, before I forget it, I want you to pack my bag because we're leaving for New York tomorrow. I'm going to see the Lewis Galento fight. You won't get shiny pants watching that. Oh, so you're still bragging about Joe Lewis, eh? Well, let me tell you something, Rochester. They don't call Galento the Iron Man for nothing. Why, he's got a chin like an anvil. Anvil? Yes. Well, Brother Lewis is going to play the course on it. Yes, well, we'll find out. I'll get going, and I'll see you right after the premiere. All right. By the way, boss, how am I in the picture? You're very good, Rochester. You'll be a big hit. Now, go ahead and pack my bag. OK, boss. I'll put a man on it right away. You'll pack them yourself. Goodbye. Goodbye. Oh, say, Mr. Benny. Now what? I meant to ask you something. When we start on our vacation, does that mean I'm off salary for 14 weeks? It certainly does.  When I don't get it, you don't get it. When you get it, I don't get it. Now, Rochester, I don't want to hear another word about it. You'll just have to take care of it. Carmichael! Carmichael! What's the matter? I got to hang up now, boss.  Between Rochester and Carmichael, I sure have my hands full. Now, let's see. Where was I? You were just about to play a violin solo, Jack.  Why'd you tell him? Mary. All right, boys. The glowworm. You know, I haven't had much time to rehearse it, folks, but I hope all my walkiegan friends will remember and recognize it. Well, I just tune up a little here. All right, boy. Give me an introduction to the glowworm, will you? Plink, plink, plink, plink. Plink, plink, plink. You can talk plainer than that, brother. Well, thank you very, very much, ladies and gentlemen. Of course, I could have done better if I had my own violin. And now, for an encore, I will play.  Your picture goes on just a few minutes. What time is it? Oh, yes, you'll have to excuse me, folks. Come on, gang. Let's all hurry out in the audience and see it. Gee, I'm excited. Oh, boy, wait.   Oh, stop arguing. Hurry up or we'll miss the picture. Don't worry. They won't start it without me. Where were we? Don't worry. They won't start it without me. Where are we going to sit, Jack? Don, where do you generally sit?  Let's go, will you? All right, buddy. Well, tonight, we're starting out on our summer vacation. And it makes us want to leave you with a suggestion that's just swell for these hot days to come. It's crisp summer salad. The dish just spruced up the tiredest appetite. You can make it with cool, golden lemon jello or tangy, sea green lime. And here's what you do. Dissolve one package of a jello in one pint of hot water. Add one tablespoon of vinegar and a dash of salt and chill until slightly thickened. Now, fold in one cup each of diced cucumber, sliced radishes, and sliced young onions. Mold until firm and serve on crisp lettuce. Ah, there's a cool, invigorating salad that's bound to make you hungry. Shimmering jello, lemon or lime, with that wonderful extra rich fruit flavor in the fresh summery color. And crisp, fresh vegetables molded firmly inside. So ask your grocer tomorrow for some lemon or lime jello and try this delicious summer salad. This is the last number of the last program in the current jello series. And we'll be back on the air again, the whole gang and myself, next October the 8th. We have just a few minutes before the picture starts. So in the meantime, I'd like to thank my listeners for their fine support during the year, my cast for their splendid cooperation. And I'd also like to thank my authors, Bill Morrow and Ed Beloyne, who worked with me in the preparation of my material. Well, say, Jack, don't forget about our summer show. Oh, yes, starting next Sunday, Jello will bring you the Aldridge family, which has been a feature on the Kate Smith program during the past season. And if you've been following it, you know that Ezra Stone as Henry Aldridge is America's funniest teenage hero. So be sure to tune in next Sunday night. Oh, Jack, can I have a bag of popcorn to eat during the show? Now, Mary, there'll be no crunching during my picture. This is a talkie, not a needy. Good night, folks. Thanks again and see you next October. The tune rolls of Washington Squire is the title tune of the picture of the same name. This program has come to you from...


Here's how to write the perfect summary paragraph for language trooper 2, question number 2. Step number 1, begin your opening point by talking about both sources and writing about whether they're similar or different. Step number 2, include your first bit of evidence from source A. Step 3, follow this evidence by explaining to what extent this evidence is similar or different to source B. Step number 4, then include your second bit of evidence taken from source B. And then in step number 5, finish off by explaining how this bit of evidence in source B is similar or different to source A and then link it back to the question.


This file is for internal foundation use only. Do not distribute. The following file describes SCP-2719, a keter class anomaly. This file is for level 4 plus staff only. Do not view this file if you do not have clearance. Special Containment Procedures. SCP-2719 should be kept inside. Description. SCP-2719 is a variable abstract metaphysical construct pointer. Concepts acted upon by SCP-2719 will either go or become inside. Further information on SCP-2719 should not be provided to personnel who are both sapient and biological.


Kaido, Ka-Don't, Kaidu, Kaidu, subscribe to the Grand Line Review for regular One Piece content uploaded straight into your YouTube feed. Hello and welcome to the Grand Line Review, your source for everything One Piece, and as many of you know, on this channel we recently covered CBR's list of 10 characters who can be Kaido. We mocked, we laughed, and then we promptly moved on with our lives. And just for some people who didn't like the tone of that video, look, I get it, it's not the wonderful joy of One Piece type of thing that I would usually represent, but at the same time, it's not like I stumbled upon some kids' blog post and just tore it apart. With over 3 million subscribers, CBR is a gigantic corporate entity designed to exploit your love of popular culture for a purely profit-driven motive, and they make well over a million dollars a year in YouTube revenue alone, so with that in mind, yes, we can and should fold them to excruciatingly high standards when it comes to the articles they disseminate. But I'm afraid it simply cannot end there though, because it is one thing to sit back in your comfortable chair behind a computer screen and demean someone else's efforts. But if you're not capable of taking on the task yourself, then you probably shouldn't have opened your mouth to begin with. So that's what today is all about, because I'm going to take their topic and present you all with a list of characters who can actually beat Kaido. And then once I've presented my list, you are all free to scrutinize and tear me apart like I did with CBR, because that is the circle of life. Ah, it's beautiful. But this list has actually been extraordinarily tricky to compose, because Kaido is a presence deliberately designed to evoke the pinnacle of raw strength in this world, which goes all the way back to his introduction, where the narrator stated, in a one-on-one fight, always bet on Kaido. Land, sea, and air, of every living thing in this world, this pirate is said to be the strongest creature alive. So we do have our work cut out for us here, and it gets even worse. Particularly when we consider that even Kaido cannot defeat Kaido. I mean, we've seen him try. He failed. So it's worrying when the world's strongest living thing cannot defeat the world's strongest living thing. And I'm not about to make it any easier either, because I have some extra restrictions to impose. Firstly, we will only be examining living characters. So that means no Roger, no Whitebeard, no Odin, and so on and so forth. Secondly, no time travel. By which I mean saying stuff like, well, Garp in his prime could certainly defeat Kaido. I'm just not interested in going down that rabbit hole. Too much speculation. Speaking of my third foolishly self-imposed rule, is going to be no pointless speculation. By which I mean offering up characters who have never shown a single tangible piece of evidence to use, and a great example of a character like that would be Eam, the Five Elder Stars, Ryokugu, and most importantly, Monkey D Dragon. I'm more than happy to reassess in the future when characters like this do kick into gear, but for now, to me, they're just not worth the time. And my final restriction is that I will not be considering characters for meta-narrative reasons, and this pretty much just applies to Luffy. I wholeheartedly believe that we will eventually somehow see him defeat Kaido, because that is what the story is going to call for. But that will not be used as a reason to place him here today. Now, the big question, why am I doing all of this? Well, it's because when I see a statement like 10 characters who can beat Kaido, the impression it gives me is one of present tense and in-world legitimacy. It says to me that there are people in this world right here and now that can overcome Kaido for an at least semi-logical and demonstrable reason. And as such, I feel kind of cheated when I see these loopholes use like Garp from the past or Luffy because he's the main character. I think stuff like that is once again just a waste of time, which isn't to say that what I'm doing right now isn't also a waste of time. It's just a more rigidly structured waste of time, like most of my videos really. Due to that structure, though, I've already encountered a bit of a problem, which is that it is simply not possible to come up with 10 living modern-day characters who can defeat Kaido. And that will happen when you are the strongest living thing in the world. However, I have come up with a mighty six, so we are going to alter the deal and turn this video into six characters who can beat Kaido. And I probably haven't titled the video that because six is just not as satisfying of a number as ten is. And if you don't like that, then please do express your displeasure by hitting the subscribe button for the Grand Line review. And if I see a sudden surge in subscribers, then I'll get the message pretty quickly. But who are these six mystery figures? And how are each and every single one of them capable of overcoming the strongest living thing in the world? Well, we're going to start with the obvious one, which is Big Mom. So this is not a surprise to anyone. Charlotte Linlin has been consistently portrayed as quite probably the only living thing in this world that can equal a force like Kaido. I mean, if I had to bit the two against each other, I feel like I would take the narrator's advice and bet on Kaido, primarily because he's more or less immune to Linlin's devil fruit, while she is certainly not immune to his powers. But from everything that has been demonstrated, there is no clear winner here and it would take a mighty, mighty battle to settle things between these two. One that Kaido may very well lose. So Charlotte Linlin is the first of our six characters. And next up, we're going to cover another some may say obvious one, which is Shanks. So this is a bit weird because I discounted Shanks when talking about CBR's list. But that was mainly because the writer didn't make like an actual argument for him being there. But the thing is, Shanks has actually long since displayed one of the biggest tangible cues of power within the series, with the very famous sky-splitting clash with Whitebeard. This is something of a trademark and probability, which does immediately plonk him up there as someone who can possibly beat Kaido, because he has demonstrated the pinnacle of strength, even if it was on a mere single occasion. And while I accept that a lot of this is that filthy word speculation, it's not pointless speculation because we do have a point of reference for Shanks' abilities. Whereas we don't even have that with characters like Dragon. Anything to do with Dragon is 100% speculation, while someone like Shanks would be more like 50% speculation, because that is the power of evidence. And fun fact, a lack of evidence is also why Mihawk will not be on this list, because yes, we do know that he was once the dueling partner of Shanks, but that was in the past. And we have no idea whatsoever how he stacks up to Shanks right now. So using that point as a reason why Mihawk could overcome Kaido is highly dubious and best. I'm not denying that Mihawk could be that powerful, I mean there's every chance that he's even stronger than Shanks. But at this point all we have to go by is his examples of taking out scrubs, which is not quite good enough.  And I want you all to know that when I say that I'm spelling conquerors with a K because I like alliteration. But Shanks and Big Mom were the obvious ones, and before I move on to the other four characters who can defeat Kaido, I'm going to flag that some of you probably won't like these answers. Primarily because none of what I'm about to say has roots in overcoming Kaido via power. I mean that's just sort of the reality of being the strongest living thing. There aren't all that many people who are going to be able to defeat you in that particular game. However that does not mean that Kaido cannot be beaten in other more creative ways.  And with that in mind we now land on Sugar, the wielder of easily one of the most overpowered devil fruits in existence. The hobby hobby no me allow Sugar to turn any living thing into a toy simply by touching them. That is literally the only condition Sugar needs to activate instant defeat upon anybody. Although to be fair that's not entirely true, Sugar does need to form a contract with the toy victim afterwards, which if she forgets to do so will be bad. Like what happened with Cures for example, and in that case even a toy form of Kaido will certainly destroy the very otherwise fragile Sugar. But that is still not at all a difficult thing to accomplish because making a contract just involves Sugar paying attention and having a conscious thought. That's it. That is all it takes and an Emperor is gone and forgotten. And I'm sure there are many people who don't like the Sugar argument because it would never happen in One Piece, which I agree. It never would because it's a story and that would not be a fantastic turn of events. You know for one of the most prominent antagonists of 23 years of storytelling to be dismissed in this way. But other than the fact that One Piece is a story which is a factor I've already said I'll be dismissing, there is no reason why this cannot happen. Kaido is arrogant, not overly cautious, and susceptible to any attack at any time. It's just that his own power makes 99.9% of those possible attacks completely meaningless, not Sugar's though. And I should say that there is a big difference between the Sugar argument and other similar fruit powers. Another one that would come to mind would be Gekko Moria's Devil Fruit, the Kaga Kaganomi, because in theory he just needs to steal your shadow. And then if you are left in the sun, well you die. Eventually it's not instant but it's pretty damn quick. It's not quite as simple as that though because Moria's shadow stealing condition is much more finicky than a simple touch, much more conspicuous as well. And even once the shadow is gone that still leaves Kaido entirely free to attack Moria and take his shadow back. Because even if he is in the sun he does still have a bit of time, and a bit of time is far too much time. Meanwhile Sugar is one and done. There is no chance for Kaido to retaliate whatsoever and that is why Sugar is the third of our six characters who can beat Kaido. And we're going to continue along a similar train of thought with our next example being Jewelry Bonnie. Bonnie has a startlingly easy win condition in any given matchup, which is that she can alter the ages of herself and others. And in this case we are much more concerned with the idea of others. And from here Bonnie has two options. She can either de-age Kaido back down to a young dragonling, or she can rapidly age him to the status of decrepit old beast. Either option being capable of incapacitating anybody, even the strongest creature in the world. I suppose the only real tricky part is that Bonnie needs to be sure that she hits that age of incapacitation because it won't do her a whole lot of good to make Kaido look like an old man thing if he can still hit hard. But what very much works in Bonnie's favor even more so than Sugar actually, is that Bonnie has some decent skills in the area of speed and stealth, making it much more likely, in fact I would say almost a given, for her to make physical contact with Kaido. And to be clear it was already pretty damn likely for Sugar to be able to do the same thing, so I don't think there's any denying that Jewelry Bonnie can beat Kaido. And just for some expansion on this idea of weird left field devil-free powers, there are other examples of these that I'm sure will be brought up in discussion, one of which would be Peronis Horohoronomi, which would be extraordinarily effective against most characters, but not so much Kaido. He rather unfortunately has the Usopp benefit of being overly negative in his standard state of being. And someone else who might be brought up would be Bola Hancock because her Merimeronomi will instantly decimate most men, in fact most people in general. And Kaido hasn't exactly been shown as, you know, being adverse to some lady company, so he may be susceptible to it, but he also may not. It's a pretty big question mark which is why I'm not including Hancock. I'm certainly including Bonnie though, and she makes up the fourth of our spectacular six, a predominantly female six as of right now, and we're going to continue that trend with one of the most unlikely characters imaginable being Princess Shirahoshi. So this mermaid gets heavily, heavily underestimated by most fans, including myself, because it's very easy to forget that she is no mere mermaid, and Shirahoshi is in fact the ancient weapon Poseidon, a weapon which has been said to possess the capabilities of destroying entire islands with ease. However, such hearsay has no place here. Thankfully though, we have seen this weapon in action through the ability to summon a legion of the biggest boss-seekings we have ever seen in the series. Powerful enough to carry the Noah, a construct almost as big as Fishman Island itself. In fact, many of these individual sea-kings dwarf Fishman Island in comparison, which is important to mention because it also means that Shirahoshi would be effective on any island within this world, because islands are absolutely meaningless in the face of these sea-kings. So what we would have here is essentially a much larger-scale Jack vs. Zunisha situation. Kaido is the strongest creature in the world, but this is an ancient weapon, and if Poseidon's full wrath was focused on Kaido, he is going to be defeated. And that is why Shirahoshi is joining this merry band, who I've now noticed all have primarily pink or red hair, which that's kind of fun, isn't it? In fact, maybe in general we should just be much more wary of pink-haired characters than we currently are. And you know what, in fact, for anybody who's still concerned about Suga not being able to defeat Kaido, well, bam. Look at that, pink-haired Suga. Absolutely unstoppable. But our sixth and final character who can beat Kaido is going to be our fan-favorite Trafalgar lore. And this is because there is no reason whatsoever why lore should not be able to defeat almost any other character in the series. His devil fruit is beyond broken. He can chop people up, steal their hearts, body swap them, and leave them in any number of positions at his mercy. And because of that factor, he's a very difficult character to manage. I still quite frankly don't see why he could not have beaten Del Flamingo on Dressfrozer.  There really is nothing that would be able to stop lore beyond lore himself. I mean, his rooms do have a range, but that range is massive, like the size of an entire mountain, sort of massive. The rooms don't get blocked by anything physical, and even fully coated arm and taki is somehow incapable of preventing lore from slicing up room-based opponents. All he has to do is get within the range of a mountain's worth of space between him and Kaido, and the emperor is done. Of course, that's never going to happen because fictional story reasons, but that does not change the fact that lore can defeat Kaido and quite probably anyone else in the series. And there we have it, six characters who are capable of taking down the emperor, many of whom are not the most prominent characters within the series, but that is their core advantage. Kaido more than likely cannot be overcome via the avenue of power, which makes Kaido almost the worst possible matchup for traditionally strong individuals like, say, Sakazuki, because Kaido is that path's pinnacle. So generally, it will take the direct equal to that sort of strength, an unexpected and frankly outrageous devil fruit power, or a living ancient weapon to bring this beast down. So that's my list of six characters, feel free to scrutinize as you wish. But what do you guys think? Please do leave your thoughts in the comments below or even join my Discord server. And if you'd like to see more videos like this and please do go and check out some of my other content or even subscribe to the channel for more glorious One Piece business, upload it straight into your YouTube feeds. But for now, this has been the Grand Line Review and I'll see you next time.


In mathematics and mathematical logic, bootle and algebra is the branch of algebra in which the values of the variables are the truth values true and false, usually denoted 1 and 0 respectively. Instead of elementary algebra where the values of the variables are numbers, and the primed operations are addition and multiplication, the main operations of bootle and algebra are the conjunction and denoted as, the disjunction for denoted as, and the negation not denoted as. It is thus a formalism for describing logical relations in the same way that elementary algebra describes numeric relations. Bootle and algebra was introduced by George Bull in his first book The Mathematical Analysis of Logic 1847 and set forth more fully in his an investigation of the laws of Thaw 1854. According to Huntington, the term bootle and algebra was first suggested by Schaefer in 1913, although Charles Sanders Pierce in 1880 gave the title a Boolean algebra with one constant to the first chapter of his ne-simplest mathematics. Bootle and algebra has been fundamental in the development of digital electronics, and is provided for in all modern programming languages. It is also used in set theory and statistics.