My name is Jan Zuhr from NitroKey. Today I'm going to announce our new product, the Nextbox. A Nextcloud NAS for home and office. Starting with an overview of typical Nextcloud deployments for personal use cases. You may have a NAS at home, but those usually lack a Nextcloud installation and you miss your favorite Nextcloud app. An alternative to this is to host Nextcloud in an external data center, but for personal use cases this can quickly become too expensive. A common option is to build a small computer based on a Raspberry Pi for instance, connect a hard disk to it, have some power supply. But this can turn into a cable mass and it's not very safe because you have some open electronics and not very reliable. Therefore another option is to use a proper x86 computer. They cost a lot of money and even if you use some old hardware, the hardware consumes a lot of energy and at the end of the day it costs a lot of money too. And all these options have in common that they require technical Linux administrator skills. And from our experience it's easy to set up a Nextcloud system with Linux, yes. But sooner or later it will run into some issues and some technical issues and it may go well for months and even a few years. But once you hit a problem it can become complicated and then cost hours of work and headache. So our solution to this is the Nextbox. A small, reliable Nextcloud network attached storage. It runs unattended and it's carefree. It requires zero administration and therefore does not require any Linux administration skills. It contains software updates for many years that you don't have to worry about nothing. It's available in various options from hard disks to SSDs from small to up to 5TB of storage capacity. And it's a small, neat and robust box.  Once you connect your Nextbox to your local network you enter http nextcloud.local Choose a username, define a password and select or unselect to install recommended apps. And after one or two minutes the system is up and ready and you get your expected Nextcloud user experience. The greatest feature of Nextbox is that carefree zero maintenance. We achieve this by choosing a smart technology design. The operating system is Ubuntu Core 18 which guarantees security updates until 2028. Nextcloud is packaged as a so-called snap package and both together ensure bulletproof software updates. The user data is preserved and in case something goes wrong the software update is automatically being rolled back to the previous version. Several security features are built in such as that the systems integrity is very fine to include. The Nextcloud is executed in a sandbox and the entire operating system is very small and therefore only expose a very small attack surface. Still we don't prevent users from installing their own linux or changing something in a hacker edition. It's absolutely possible. So if you like our efforts and you like the Nextbox please place a pre-order at nitrokey.com slash Nextcloud. There will be a significant discount during the next couple of days before the device has been shipped.


If you're working in a business or organizational setting, there's a good chance that a fair amount of the data you're going to have to work with involves dates. Now, it turns out that dates work a little differently. They're kind of special in spreadsheets like Google Sheets. And there are also special functions for dealing with dates that actually can solve some practical problems. And so I want to take a couple of minutes and walk you through how you can enter dates, format dates, and then do some operations on dates that might be helpful in your particular line of work. The first is that entering a date, you can just enter it as five slash 10 slash 18, and it will automatically fill in with the year if it's a date in the near future. Now, this format is the default, at least in America, it's the month slash day slash year, that's the American approach. But maybe you want to do it differently. So for instance, if you're familiar with drunken white, they talk about doing day, month, year, actually, how I prefer to do it. And the way we can change that without changing the underlying data is to come up to format, to number, and then come way down here, you see we have a few date formats, but I'm gonna click on more formats, and then more date and time format. So we're going kind of deep. But this is it right here. So if I click on that and hit apply, we have the day the 10th, the month written out in letters may and then the year. And drunken white recommends this because actually, it's a nice way of separating the values, you don't have to use commas, and it's very clear that what's the month and what's the day. On the other hand, there's a lot of situations in which the ISO format for dates, that's a international standard is going to be really, really helpful. And for no other reason, then it sorts correctly. And what this is is year dash month dash day. And we can get that one again by going to format, to number. And then we come on down to more formats. And we can scroll down here. This is the ISO format year month day. And again, if you're entering data, that will always sort by date correctly. So I use it in the number of settings. And it's a very common in computer programming. And then the last one is if you want to totally avoid ambiguity, just write it all out. And we can do the long version. I'll come up to format number. And I'll come down here to more formats. And I'll choose this one, it writes out the full name of the day, the month, the day, common, the year. And it's kind of long, but it's very easy to tell what's happening. And so I just call that the long version. But now let's talk about how to do some math. One of the interesting things is, you know, even though this is all written out really long, you see it's still coded this way. If we double click on it, you can see the date user and we've got this right here. So that's quick and easy and hit escape. Now, if you want to find out what five days from today, it's really easy to just do math.  So you can select stuff. All you need to do is a formula that says take that and add five. Now I'm going to paste that formula right here. And you can see it's the 15th. But look, if I click on it, you can see the formula, simply take that cell, add five. And it keeps the same format. And it's the date. Now, what if you want to add five working days, because often that's more important when you're working in a professional setting. That's a little hard to set up on your own, but there are special formulas for that. So for instance, you can use this formula, which is work day, and then you specify the cell you want to start with and then how many working days. And it gets you to the 17th one week later. Or what if you want to add five months? There's another one for that. It's a date. This is where you're adding months. And it goes to that cell B10 adds five months, you know, fortunately, that's pretty easy to know five months from May is October. Now, let's look at some other formulas for calculating differences between dates. So for instance, right here, we want to find the difference between this date and this date May 10 to July 14, because we're getting ready for best deal day. One way to do that is to simply do subtraction, take the later date, subtract the first one. Again, basic arithmetic. And what we have is 65 days from those two dates. But there are other ways to do this. So for instance, there is the special formula days, where you put the end date, the beginning date, and it gets you the exact same thing. I mean, you could just write subtraction and get what you want. Or if you want working days between those two days, you can use this one net work days. So the number of work days between those two, that's a nice one. Previously, when you use work days, it was to add a certain number and see what it was in the future. Now we're doing subtraction. And then if you want to see the number of months, whole months ignoring the extra days, you can use this function, which is date diff, where you give the first date. Now notice the order here is a little different because you do the first date, the second date. And then you specify this argument m, which stands for months. And you put that in quotes. Because there's another variation. If you want to know aside from those two months, how many days are there, you can use the same formula. But you it's still date diff, and you give the first date the second date. But now you specify MD, which gives you the number of days after excluding the number of months, kind of an obscure one, but it's there if you need it. Also, if you want to see how long an event lasts, that is elapsed days, there's a few ways you can do this. Let me scroll up a little bit here. The easiest is suggest you arithmetic. So for instance, right here, all we're doing is we're taking the end date, we're subtracting the beginning date, and then we're adding one, the reason you need to add one is because if the end date and the start date were the same, it still means it lasts one day. So any number minus itself is zero. So you add one to the total number of days. Another way to do it is with this function, the days function, and you just have to add one onto it at the end. Now if you start on a working day, that is Monday through Friday here in the US, there is a special function that you can use. Again, it gets back to net work days, but you still have to add one on to it. If you start on a weekend, it doesn't work quite right. But that will often help. There are also these two current day and time functions. So for instance, we have one right here called now I'm just going to type that in. Now, you can see I'm recording this on May 18. Or we can do it today. May 18. Now gives you the time up to the seconds. And so those might be helpful. And then finally, elapsed time, how much time passes between two things, we've done dates, but dealing with minutes and hours is kind of a special thing. So the first thing I want to do is if you just do subtraction, where you take the end date and time and you subtract the beginning date and time, by the way, notice you have to use 24 hour time for this to work. So this actually means 315 in the afternoon. If you do that, you get 0.73 and you might what on earth that well, that means 0.73 or 73% of a day. If you want to turn that into hours, then you have to do a little bit of formatting on it. You simply take that and you multiply it times 24, because there's 24 hours a day. And that means 17.5 hours. On the other hand, a lot of time people don't like fractional hours, they want minutes. And so the way you can adapt that one is by throwing in some extra formatting. This one is a little tricky. It means you have to take that number, but you have to then format it as text. And then when you do that, you have to tell it specifically the format that you want. And so we put the comma and then in quotations, we put the H with the H in square brackets to indicate it's elapsed time. And then the colon and the minutes, it's, it's a little cumbersome. But once you get it, you can just copy it and use it all again in the future. And that means 17 hours and 30 minutes have passed from this day and time to this day and time. Finally, this is actually a formula that I use a lot when I'm planning my videos, because I need to add up how long things take. And if you want to do the kind of math that's involved, you do a small variation on this. Let's say I'm going to do 15 videos at six minutes each. Now, you can just multiply in your head 15 times six is going to get us 90. So we know that's an hour and a half. But you can get a lot of other values, if you want the spreadsheet to do it for you, you have to do a slightly complicated thing. You first have to do the two things you're multiplying the 15 and the six so 15 videos at six minutes each. But then you have to divide it by the number of minutes in a day. And you get that by 24 hours times 60 minutes. I know it's it's also 1440. It's really kind of a weird thing. And then you tell it to format it as hours and minutes. And that's within the text command. And that'll tell you that this is one hour and 30 minutes total. Again, that's a function that I use regularly. It took me a long time to figure that one out. But it's a way of working with time elapsed time, days in the future, time between two dates, and all of these will give you some of the insight that actually it's really hard to do by hand. But once you get the right formulas, it can make it a very quick and painless process in Google Sheets.


Going on everyone Sam here with late sports cards ripping nine boxes of 2023 bowman draft baseball HTA choice for mr. Jeffrey H. So good luck here Jeffrey. Let's make sure you don't have another personal Snuck in there somewhere bowman choice. See something big man Why it lengthened super see that? Imagine pretty gold auto save and it's a bio screen lava to nun nun graves Green at Yava. Yeah, it's nice tj. Walton to one ninety-nine For the Phillies on the aqua lava auto nice one there Jeffrey and choice exclusive Christian napsick to 150 for the Good old Guardians actually says at 63 views. It is the most viewed video It is literally like the most viewed video. Let's go Run that thing up Outside of the one-in-one case and the mega triple case. Oh, we'll blow that out. It is the yeah It is the most It is the third most viewed video of today's break so far Unbelievable. It was done 20 minutes Run it up.  Yeah, wait till someone goes in like watching it like that The comments will be there tomorrow because nobody you know, it's all the All our guys in there now looking at it. Yeah, tomorrow people to be like the hell nice true green is Jacob Gonzalez to ninety-one That's part I've ever pulled I'd have to go like by sport man Yeah, I guess you could ask that too. Well shimmer hunts her haul into 50 Rats on that Jeffrey nice one there for the Reds and Two at 499 Jake D'Leo first refractor out of to four at ninety-nine football um Golden ticket Joey B. Yeah, probably the gold ticket Joe burrow 101 out of Also, pretty much your first week when you pulled. Yeah, Trevor Lawrence. That was big. Yeah It was huge. I was that at the time at the time. I pulled it was like a 25,000 Hard, which is unreal dude. Yeah, it was I remember I remember that's how much you know, yeah, oh nice Blue wave Wyatt Langford. Oh, there we go. Let's go Jeffrey to 150 a lot of Wyatt Langford today. Honestly.  Absolutely Absolutely God Michael Caracow will first base out of four of the Cubs and then to 150 Elyon Soto for the Nationals choice exclusive nice one there Jeffery Already full case coming at you now Jeffrey six boxes The treasure chest out of this year's NT was pretty big too That reduction I I don't I've like wash track at this point. Yeah, so much so much First base auto CJ Kephus Nice one there for the Guardians, that's probably number one for basketball that are the heart and logo man That's Kempa Alderman to 150 for the Marlins. Nice one there Jeffrey Never forget the mobility was on 10 box Tuesday And first base out of Cole Miller the ace AJ Ewing to 150 choice exclusive for the Mets first base auto Jake Cunningham going to the Orioles Yeah, that was wild too, dude. Yeah, the Palo Shipe at the Palo Nebula at a spectra one box and some of us do that Yeah, green lava Bryce Eldridge to 99 Grats on that one there Jeffrey.  Mm-hmm. That was big hit the the out of select the messy one-on-one patch auto as well I was pretty big and first base auto Jack Mahoney Grats on that The Rockies at the time it was huge too was the Mbappe out of NT because that was the first auto He was in like pack hold. Yeah, we hit it in like me the couple case of a NT World Cup We only had a few of them That's your LG by now, dude Jackson bow me sir to 150 Congrats on that one there Jeffrey on the choice exclusive green lava is Kendall George It's a 99 for the Dodgers Doors and then at first base out a noble mire For the my lens All right, Jeffrey two more boxes left for you buddy. See what we got See something big see something that'll rival that Langford if a Clark maybe another big Langford got AJ Ewing to 150 For the Mets first base auto is Joe Whitman for the Giants and first base auto Ralphie Velasquez nice one there for the Guardians He's a stud man. What is that Vaughn six and a half? scary dude Brons 39 and he's like averaging like Nice draft picks and prospects cam collier to 99 rats on that one there Gold shimmer Blake Mitchell there we go Took us to the last box. We will take that Jeffrey Congrats buddy to 50 choice exclusive gold shimmer Get that into a mag that is filthy Congrats buddy Royals first rounder and then first base auto Michael Caracol For the cubbies that will do it for your break there. Jeffrey. Thanks is always for the sport buddy group breaks and Personals got him right out to my friend


communications involving public business must be retained and made available for the public inspection. As part of its mission to serve the community, WJCT provides a sub-channel radio reading service for people who have difficulty seeing and handling print material. The service is largely powered by volunteer readers who love what they do. It's good to see President Barack Obama ban federal employees from text messaging while driving on government business. I've been volunteering here at WJCT for a little over two years now. Well, I motivated the radio reading service. I've done it before. I did it in New York for about 14 years for in-touch networks. And it's something that is needed, but not only is it needed, I get tremendous gratification and satisfaction from coming in and reading the Times Union to people who are blind or otherwise print impaired. I've been listening to the radio reading service since it came onto the air 16 years ago. The nature of my particular issue requiring the need for the reading service is that I'm visually impaired and I've got an eye condition called retinitis pigmentosa, which over time causes the loss of sight down to a certain level. And 16, 20 years ago, I was able to read the newspaper a little better than I can read print now. People living with blindness or a physical disability have called the service a communication lifeline. The round the clock programming offers readings from national and local newspapers and magazines. Grants and other contributions to the service go to help pay for the special pre-tuned radios that we loan free to the listeners who need and request them. Everyone involved with radio reading knows what a valuable resource it is to the community. Dog cartoon of the day.  The way it would impact my life if the radio station would be, you know, discontinued, it would like be totally, I mean, to do that it would just keep me out of touch with what's going on in the world. Sasha, and Sasha has a report card where she's got... The number of Americans experiencing vision loss or physical disabilities rises every day. The radio reading service depends upon your support to empower and enrich the lives of people who use it in Northeast Florida and Southeast Georgia. When you read your local news you are giving them an in-depth feeling of the news rather than your 15 second sound bite. So the people that are listening to us are getting just that much more of the news. How many people? I don't know, but we feel a very close contact to each one of the people. That's on the other side of our mic. 100 of those workers may have had serious criminal records. The radio reading service for me is a vital source of local information and as far as the newspaper's concerned. I'm aware that they lost funding from the state of Florida and I believe they also lost funding from a city grant which helped support the service as well. So from what I've come to learn, the financial situation at the reading service is somewhat dire right now. ...advisor. And Loretta says to Leroy... It's extraordinary. I'm completely and totally disabled and as part of that I'm legally blind. I can't drive anymore. I used to teach. All of my students are gone. Some really cut off from everybody. I'm a shut-in, shut-out, but I'm happy to be that way. And this service is wonderful. It keeps me in touch with the rest of the world. I get to hear the music. You read books. I mean, it's great. Thanks for taking a moment to learn more about WJCT's radio reading service. If you've helped us in the past or you will in the future, we appreciate your support.


Very small site is the site traslovica in central Moabia in the Czech Republic It is the site where is the plain settlement really small bridge which is from the middle bronze age and land bronze age It is by us as fun to move culture and our field culture the L. Ray unfilled culture in the so-called to zascian field circle and To this our field culture settlement is here the our field cemetery is 106 graves it is very small site, but I have Assisted and the most important for me was the possibility to compare the settlement with the burial ground But today I will speak most about the ground we can discuss already or the characteristics here is the Cemetery is to see that it's a Free small parts of the cemetery of the risk of excavation Dicts, yeah So the our field cemetery in Translavica It is for me. It is something what I have done already. It was done very for many years Yeah, and at that time I have assessed it and make it with the factor analyzes and I have showed that the most important characteristics of this site are the Variable grave goods that there we have the important depth of the graves which is which causes the fundamental difference in survival and Correlates with the number of documented vessel that the sex of individual was has not affected with the depth of the Deposition and the only anthropological Jekyll feature was associated with the Order of characteristics associated with the shallow graves of children that the mean that the children grace was very poor Yeah, so the presence of the bronze is and the highest numbers of vessels collate with the barret man It is on this grave on this factor analyzes The When I have seen the book of Grammash and important book and then I have discussed with Catherine every day the situation about the Double double grace and children grace in Arabia I have looked on it once more and I've seen that something is wrong Yeah, and I have taken the anthropological analysis from the last years. I have seen that My analysis, it was not my analysis from Colleagues from the Moravian view zoom Mate it so that I have no one double grave and no one double grave is children But it's after the new dates really untypical for the situation and in the art fields. Yeah, so I have Look on it and I've asked To my colleague, even I are sure about which assessed for me in the time of another sides Boykowitz it is the The new region already, but it is already 80 kilometers south from the traslovice and one Balkan It is on the Slovak I just one of our students So and I have compared this the Haudenosa work or a later back from the professor ho ho and I have asked her to re-assess the traslovice site cremations with the really important aim to see double graves and the children new children so When I still look on the map of the traslovice aside, it is necessary to say that it is really rescue excavation you have not all the Informations about the grace the documentation Documentation is not well, but we can say that we have your as the ungrace so the grace which Have as earn as the some remains in the under the iron for example or in the surrounding And we have dirt un-earned grace and so there are in the such a small groups Which is typical for our Situation it could be around the two monies but it is for the discussion after the assessment of the the first Points of the assessment. We have seen that only Part of the cremations is too accessible We have only not half remains with the whole body in some remains we have only long bones and parts of spring roses and At most the school is missing and the other categories are smith small parts of the remains at all and What we can send out is what we can say about it is that we have about 25% of the body population or from the graves from the 106th grade. They are only a part of the cemetery So and when we are speaking about the graves with have these schools or remains here is the hundred person correlation With the shallow graves so you can say that the part of the skull was probably on the top of the cremation after Assessment we see that we have 43 single brails three single burials is a few Recommit them is the elements of another individual to a one double braille these two mixed individuals One double braille was two separate individuals and one double braille was possible mix of two individuals Which is supported of the weight of the cremation in total 52 human individuals after the bone fragmentation I want to Show us show here that we how it was analyzed First thing, but I will want to speak about the correlation of the Weight of the pieces under the these two sides it's important to say that the weight of the pieces and as the Dementors of the pieces are really low But on whole our region in the workplace and fast love itself are typical of the pieces from the 10 to the 50 millimeters it is not only question of the um logic excavation and We have for example new excavations that are all the bones were flooded Yeah, and we know that we have really very low number of pieces which are longer than 50 millimeters And we have seen here Mattias paper we can See say to it that we have looped after the Fragmentations of the bones and there are very rare and it is not found in this Table or it is taken as a one piece. Yeah, so I Want to say here that it is very probable and it was already expected that it is some Part of the processing of the remains after the cremation here. Yeah only 60% of our pieces is bigger than a one One centimeter and only one for two percent of the pieces are measured more than five centimeters and it is typical So and and this point I want to say that there are other regions There are longer these bones. So it is very probable that it is a regional strategy of the processing of the pieces here is only to see that There is a typical correlation under the small pieces of the bones and unknown characteristic of the of the grave and That we cannot assess the Of this influence or the adult in this type of greats which have no these small pieces is a little bit logical so in the what we are speak about the Correlation of the Color of the bones it is very typical that is not the same on all sides at this differentiate very Here we have to This work of it's and plus of it's a side we can see here that is this most differentiable variable in this in my case and It's not only from this side We can look in around in the other studies it could be visit that it is really individual to see a color of bones So it could be with the individual Assess of the person which look on it or it could be and it is probable that it could be with the local tradition of the site We have looked for other possibilities to something say about this Cemetery we have asked Tatarino bases very and her team for the two cementation annulation for to Indicates age of some individuals, but it was not successful. Well, the impossible it for the high as stay of the high degree of cremation, but we have make some experimental part of the assessment with the cremation weight and We can say that in the table of the possible cremations was Only a very small part of the discreet individuals we can assess about it was after All the categories was necessary to take in 20 individuals which was fulfilling all these conditions for the Assessing this age after the After the weight of the cremains What is in the What are the results from it? It was possible indicate the five of the Infenses after the weight of the long bones long pieces of a bone as the Infants free not it was a question of it is a human is or in funds Yeah, so When I won't speak about this Ensemblage, I must say that in the first Assessment assessment of this assemblies. We have 30 people which were Detected after the sex man or female and now we have five only we were really Parallelistic in the Conclusions while On the first side on the first look it was to see that we have really differences in the In the grace that some gravestone assesses as the manner grace it was Probably women grace and on the end we have taken the Simulation of four categories which were necessary to ask and Only when all the categories was yes or nothing was Wrong, I would say we have taken this as a Sex of the sexual determination the sex determination So it is a really small Number so we then when we see these Situation we have 13 non-adults 17 adults two males three females three double cremations With infants and adult as I have already said so When we see it in the table of we have the groups. Yeah, it's for and Well, then I want to speak about the What it means in the social significance of this individuals It's very interesting While we have here a really another community as on the beginning We can see this the graves with the which are the social significance Where we have counted the number of vessels the number of bronzes the situation of the urn and both and the upper part of the grave and I want to see if they hear that we have your children. This are the red dots They are in the through the whole graph so and the most Significant graves To assess Women graves so no one men a grave was taken as the Yeah, is the is the high index social index. So here is the situation with a social index in the Cemetery we will That's when we can say that it is a concentration of The social significant graves in the center, but we have so Raster that it is not probable to interpret it. So but We can look about other analogies So here we have the graves with the Metals, so these are family graves. The one is in France If I just say it's family in the funds free and the second is Yeah, even is adult women. So when I go to the conclusions the new Anthropological processing changed the view on the whole community in the doubling Of the children in the graves. We have the multiply funerals which correspond to the other current Population studies now we can see there are numbers are a little in percentage really near to the other Sides and when we are looking for example to the biological profile of the population it is near to other sites from the Lusatian culture What is about the other conclusions it is very important to Look on the by the original Treatment of the remains. I mean that we can discuss it. For example, we have probably in Different bone lengths on major regions and I want to say that The temperature is very probable a very local tradition. Yeah, so it's my conclusions. Thank you for


Welcome back to the channel. In today's video, I'm going to show you how you can add different items to your cart. And when you go to view the cart and proceed to checkout, you should be able to see your country of origin, you should have a city. Then you should have something like a state, which is the district here. And we're going to have another dropdown, which is going to convert this village or town into something that we can select on our own checkout page. Now there are two plugins that I've realized that can help you to do this. I know in a video that I have done before, I've showed you how to code this, but there are actually two plugins that do this very well except they have their own limitations. Now those two plugins are one WC city select by eight manos. And then the other is state cities and places for who come us by Kingsley or two. Now I'm going to download both of these plugins and you're going to see how they work. So let's start off with either of them. I'll just copy this name state cities and places. I'll go into my admin dashboard. And then I'll go to plugins and click add new. And then I'll quickly search for this. I'll install it. And as it's installing, I'll just get this other name WC city select. And I'm going to go into my plugins right here and I'm also going to look for it. And it's this one by eight manos. So what I'm going to do is also install it and then we'll be able to use it. Now I'll activate the WC city select first. And when I activate it, we shall be able to see a city select. And then we shall also have a drop down for the different cities. So when I come here, we have Uganda here. I'm going to select a district. I can choose a beam and I don't have anything extra. But this particular plugin gives you the options of using the hooks and filters that are available for you to be able to. Extend what we have here. So what I'm going to do is I'm going to pick this filter. And I'm going to use it in a plugin that I'm going to add on. So you have the option to either add it in the functions that PHP or throw this in a custom plugin. So what I'm going to do is open up my editor. I'm going to open up my file here. And then I'm going to open a new folder and I'll call it states and cities. States and cities for wukamas. And then I'll drop this in my editor. And I'll open a new file and call it also states and cities for wukamas like PHP. I'll hit enter and then we'll have this available for now. I'll open my file with the PHP tag. And then I'll use the start plugin shortcut that I always use to help me with my plugins. So I'll add in the name and I'll say this is states and cities for wukamas. I'll change the plugin link. Now I'll just add my GitHub account. GitHub slash ITT. Take it first. Slash states and cities for wukamas. I'll change the plugin author and just add my name. Take it first. And then I'll say this adds a third level city to state. And then we'll have the version which is that. And then I'll just add this as a GPL to or later. And then we can always just use this right here. As our preferred or our prefix plugin name. So after doing that, I'll add basic security to this and say defined. So we're going to look for the apps path. If the apps path is defined, we shall go ahead and run the plugin.  So I'll save that and then we shall start writing our plugin. I'll go back to this. I'll copy this. And then I'm going to come back in here and I'll paste it. Now this is a custom filter that is tied to the WC cities. And what I'm going to do is just use this function. And I'm going to add those cities inside the wukamas. So the country that I want to work with is Uganda. And I'll need to add in the UG for the country code. If you want to see these country codes. If you go to wukamas and then you're going to the internationalizations folder and then going to states, you'll be able to see the different countries that are there and then you'll be able to see like Angola is AO and so on and so on. So you have all the different country codes available for you in here. And this is how the different states are added. So I'll look for UG here. And then you're going to see that we have the different cities here and we have the codes that are attached to my country. So I'm going to look for a beam and I'm going to copy this code. So we have UG in there. I'm going to add this right here. And I'm going to say in a beam have let's say a city called Saqodi. And then we have another that we're going to call maybe blue tag. And then I'll just look for another location. I'll look for Kampala, which is the easiest for me. It's the city. So I'm going to get Kampala. So Kampala will be my state. And then in Kampala, I know I have Nakawa. And then I know I'm going to have Machindia. Machindia in there. So I'll save this. And all I'm going to do is now go back to the plugins right here. I reload and then I'll have states for cities for wukamas. And then I'm going to activate it. When I come back to a checkout and reload, you're going to see that before we had a field that needed to be filled right here. And now it has become a drop down. So when I select a beam, you'll see that we have Saqodi and we also have blue tag. So easy if I go to Kampala, if I look for Kampala, you're going to see that now the options available are Nakawa and Machindia, which I added through this particular extension of the code. So it's so easy, you use one plugin and then you can use it and then make your own filter and make sure that this is working. Of course, you can use this same code inside your functions.php. Now let's comment this out so that we can see the other plugin, which works sort of in a similar way. So let me go back right here in the plugins. I'm going to deactivate the WCC to select. And let's check the states, cities and places for wukamas. Now this particular plugin is a little bit different in that it already has supported countries. So you need to check if your country is supported right here. Then you'll be able to use that accordingly. So what I'm going to do is let me pick Australia from this. So in my checkout, I'm going to have Australia and after picking Australia, I'll look for the states. The states I'm going to go for Queensland and you will see that now we have Sabab showing up right here. And I can select a Sabab and say I'm going to be in Brisbane. So this particular plugin is supported by contributors and people who share their particular countries and all the states that are associated with them. However, it also has its own hooks like adding states and places. So let me go and see what filter hooks they have for us. I'll click on this and you'll see that we advise that if we want to add a state, we can either disable the state that is available or we can actually add some fresh states into the different countries that we have. If you want to add your location, you can support this plugin by going to the plugin repository on GitHub and you will add your new country and you can add more details. My biggest preference is just using this because it makes it so easy for me. Now I'm going to make a couple of modifications to my plugin so that when we don't have this plugin that we are dependent on, we get a little notice here that tells us that we need to have a particular plugin installed. That plugin is WCCTSelect so that we don't have our customer or our user confused about what's going on. So let me go back into my code and then we can begin working with that. When we come back here, we'll use an add action and the hook that we want to use is going to be plugins loaded so we are trying to get this that when the plugins are loaded we are going to run this particular function which is going to be checking whether we have WCCT available inside our plugin so we are going to check for WCCTSelect active. So I'll copy this function name and then I'll start the function right here and in here we're going to just say if and what I'll do is I'm going to look for a particular class that is run through when we start this particular plugin. Now I'm going to just open the files of this plugin so that we can see what kind of function we can tap into. So I'll add this here and I'm going to look in the file right here and we're going to see that this plugin already checks whether we have WCCTSelect which is a good part has this particular class called WCCTSelect so I'm going to check for it and we see that it is always activated here as a global so we can either check for this global or we can actually check for this class to see if it is actually active so I'll copy that class name and I'm going to say if not class exists so we're going to say if this class does not exist then we're going to actually make our notice available so we shall have add action and this is all part of WordPress so we're going to set admin notices and in here we're going to add another function that's going to trigger the admin notices for the WCCT active we'll say notice WCCTSelect and this will be the name of our function so I'll copy this and I'm going to set another function the reason why I'm doing this is I could write all the code under this if statement but sometimes you want to be able to either test your plugin and breaking it into granular functions makes that easy or it makes it easy to read your code so what I'm going to do in here is produce an admin notice so I'm going to first save this what we want to do in this particular case is we want to print a message we're going to output a formatted string so we're going to just print if and in here we'll add our quotes and we're going to say we want to have a div and that div is going to have a class and it's going to have a number of classes from WordPress like error then it will have notice dash error it will have notice then it will have is dismissible and this is dismissible allows us to have that little x and then we can always close this out whenever the user clicks that x button so we also need to close this div and inside this div we are going to add a very small piece of code that will allow us to extend this and also allow our plugin to be translatable into different languages so first I'll add its HTML it's going to be a paragraph and then we're going to add this percentage sign and the letter s and after we do that this will give us an opportunity to add the message that we want to pass as this percentage s here this message here as a variable will be replaced in this particular section so that's why we have it as s percentage sign or the modulus s right here so now I'm going to write the message here now in here we're going to have the sprint if which is going to turn a formatted string and in here we're going to add our translatable string so I'll first add this underscore there are two underscores that will allow us to translate the string that we're going to have in here and this is the message that we shall pass the message we shall pass is say states and cities states and cities for wukamas requires wc city select plugin to be active then after doing that I'm going to add a comma here and then I'll look for our text domain from here I'm going to pick it, copy it and then I'll add it here let me maximize my space now you will see that we have the string here that's going to be our message and then we are translating it right here which is actually good now if I save this and then come back to our page and reload you're going to see that now we have this little error message with our X button to show that it is dismissible and all we are saying is this particular plugin that we have activated and written requires to have this particular plugin that's deactivated now in the case that this particular plugin had not been installed we can attach an installation link right here so that's what I'm going to do I'm going to add an A tag for this here I'll add a href and in here I'll also add the modulus and the S right here and I'm going to close off this A tag right here now this will allow us have the same opportunity like we did have down here now in this particular case I'm going to add a comma here and then I'm going to add the string that links to the particular plugin that we want to have installed so I'm going to copy this right here and then I'm going to paste it here when I save this and come back here reload you're going to see that this is actually linkable and if I click on it you'll be able to see that the plugin that we are talking about is this very one so I'll hit the button and then we shall be able to see that this is active so I'm going to deactivate this and you'll see that message is not there when I activate this we have our message here if I activate our WCCT you'll see that that message actually goes and if I deactivate this there's no message activate no message which works very well if I deactivate this you'll see that we have that message coming back up so that is one easy way that you can improve the way your plugins work and the way that your customers and the people using your sites as administrators can actively get involved in having the site maintained and also not breaking it so if this is something that you enjoyed learning and it's something new please let me know in the comment section that this is the kind of stuff that you can find out how to use WordPress especially its co-functionality and then I'll be able to do more of this inside the tutorial so that you can pick it up and you can start writing professional plugins so that you can make some market and sell from them so now the only thing that's left is for us to get our code right here I'm going to uncomment this out and what I'm going to do is just get this add filter to the co-function that it calls and I'm going to place it under here and say if the class does not exist add this message and then return so that will stop the plugin from continuing but if the class exists it's sort of like writing the else and then putting everything in here or you don't need to write the else because this return helps us to break the plugin if this does not work but if this particular class exists then it's going to go ahead and then make a call to this particular filter and this filter will call this particular name so I'm going to just modify this by adding a prefix so that we don't have issues so I'll add take a press my cities and then what I'm going to do in here is go back reload this to see that nothing is breaking I'll activate the wcct select and I'll deactivate the old plugin that was helping us to add more cities and when I come to our checkout and reload here you'll see that in Uganda we'll have this open we'll need to select a district which is a beam and then we shall have our circody and our blue tag available just like we had it here inside our particular plugin so I hope to see you making more plugins and submitting them to the plugin repo because these are some of the small things that you can do to improve your experience otherwise don't forget to subscribe don't forget to like the video if it was good for you enjoy your day


The purpose of this paper is to summarize mode of action of susplating on the tumor cells, a brief outlook on the metallocene compounds as anti-tumor drugs as well as the future tendencies for the use of the latter in anti-cancer chemotherapy. Molecular mechanisms of susplating interaction with DNA, DNA repair mechanisms and cellular proteins are discussed. Molecular background of the sensitivity and resistance to susplating, as well as its influence on the efficacy of the anti-tumor immune response was evaluated. Furthermore, herein are summarized some metallocenes, titanocene, vanadocene, molybdocene, ferocene, and zirconocene with high anti-tumor activity. This article was offered by Santiago Gomez Ruiz, Daniela Maximovich Ivanovich, Sanjim Mijitovic, and others.


We're moving on now from literature music, perhaps from reading to dancing, things we're heading into Friday afternoon. The next paper in the session is exploring how African American music developed as an original art form, whilst retaining its integral style and performance features. This paper is given to us today by Josephine Beaton who has concentrated much research in varied outlets on early African American jazz and blues short story. Josephine is the retired east end secondary school head teacher and is also a trustee of the Nubian community trust, anafric and caribbean community organisation who deliver cultural and educational outputs and services. Josephine is currently heavily involved in the trust project to raise a statue in honour of the Windrush and Commonwealth nurses. If you're ready to go Josephine I will hand over to you. Thank you. Thank you. Am I on sound? Yes you are we can hear and see you yeah. Great thank you. I want to start with a simple comment about music which is relevant to our subject. Different cultures produce musics that differ in instrumentation, vocal styles, the purposes of the music and the varied styles of song and dance that belong with that music. When different cultures meet they will often each learn something new from the other and copy or adapt this new feature into their own. The fascinating thing about the musical culture of African American music is that certain of its original characteristics have persisted despite the history, the changes in fashion of musical performance and it's spread across the world. Jazz remains the only original art form to have emerged from the USA. African American music begins long before we have recordings or film to show us how it was. Nevertheless we have some surprisingly early documentary evidence. In 1842 Charles Dickens saw a dance performance in a basement hall with a platform and a bar situated in a very rundown area of New York and an African American venue both management and performers. Dickens was struck by the novel aspects of the dance and took notes and the slide you can see is the gentleman we're talking about. William Henry Lane was a free man known professionally as Master Juba and still a teenager at the time. Dickens very precise description suggests what would in later times be termed an eccentric dance. Accompanied by energetic violin and tambourine he did single shuffle, double shuffle, cut and cross cut, snapping his fingers, rolling his eyes, turning in his knees, presenting the backs of his legs in front which is what you see in the illustration, spinning about on his toes and heels like nothing but the man's fingers on the tambourine. This clearly refers to tap dancing. The grand ending was a leap from the floor onto the bar counter, up to the bar counter. In his day, Lane was commonly acclaimed as the best contemporary exponent of popular dance against all pommers, including white dancers. In 1947 an American dance historian wrote, the repertoire of any current tap dancer contains elements which were established theatrically by him. An English academic study of 2008 states, in Lane's dancing the Irish jig was assimilated into African American vernacular dance and was not only considerably embellished but forged into a new form that had a profound impact. So Juba didn't copy but adapted to his own style, rhythmic, percussive, athletic, varied tempo and full body movement as compared with the Irish jig where the upper body is kept upright. Reaching Richmond, Virginia Dickens made a point of observing the effects of the institution of slavery which he strongly opposed and made a visit to a tobacco factory where the workmen were enslaved. They were working quietly. He wrote, after two o'clock in the day they're allowed to sing a certain number at a time. Some 20 sang a hymn in parts and sung it by no means ill pursuing their work meanwhile. These men have taken up the part singing of the European hymn which one assumes was a welcome accompaniment to their work but also suggests they sang what they were allowed to sing. When considering African American musical characteristics it is well to remember the constraints they faced from their earliest days in America. Hym singing was a non-threatening activity for the shareholders. Playing drums might be a dangerous signal. The spirituals for which the enslaved were noted continued those harmonies and the words were Bible derived but as we know those Bible references were often about escape and ambiguous. Swing low sweet chariot coming for to carry me home. Is this looking forward to heaven? And continuing I looked over Jordan and what did I see? A signal to cross the river to freedom? We know that such songs were used as signals for the underground railway as the recent film about Harriet Tubman illustrated. So the spiritual was repurposed but it also used a form which allowed for call and response and that has a further function. It brings the community together when a reverend leader can give the line and the congregation can all respond in this case with coming for to carry me home. Can I have the next slide and I'm going to try and find the camera. You can see it's okay. You come. Perfect. Thank you. Right. This is Paul Robeson. This music, the spiritual, already loved in Britain for its musicality and in the repertoire of many later 19th century choral groups here was given a further boost in the 20th century by the moving based baritone voice of Paul Robeson noted also as an actor and who chose to record spirituals along with other songs of his own culture such as Shortman Bread. They frequently featured on Radio's Housewives' Choice running from 1946 to 1967. When people choose to migrate as many from Britain have done, they will cherish and maintain their childhood ways long after their homeland has moved on and the earlier generations liked to keep in touch with family at home. For people forcibly removed from their homes and even their immediate family as Africans were, to keep their own ways and traditions as a community has to be an imperative for survival and to keep oneself whole. Their strong musical traditions were a way they could do this. We can trace some of the constant characteristics of African American performance throughout the turns of history and it seems that most of the performance characteristics were cemented in America. Post emancipation performers came here the earliest in 1866 when Hague's Georgia Minstrel Troop brought 26 liberated people to show their skills. It seems that Brits in the 19th century began to be concerned with authenticity. Are these performers genuine African Americans doing their own stuff? This is definitely a compliment. But at present, we only have hard evidence for the rising popularity of African American musical performers as we move into the 20th century. Next slide. In 192, Belle Davis brought her pickin-in-is to London, a popular stage act. We know how she sang purely because the group was recorded in London and never in the USA. The honeysuckle and the bee, a period piece, is one of the earliest known records of African American rhythmic practice. Belle sings the introduction straight. Then making a heart-stopping transition, she launches into what the bee sang to the honeysuckle in her own culture. A relaxed swaying movement, hard to describe, though the word should probably be swing in the general sense, as in the later Duke Ellington piece, don't mean a thing if it don't have that swing, or better still, fat swallow. When asked to explain swing, he replied, if you got to us, you ain't got it. A breakthrough came in 193 when, in Dahomey, the first full-length musical written and played by African Americans and Freshman Broadway came to London. No doubt about authenticity here. They were black and it was different. Next slide. Surprisingly, the cake-warp dance was included by public command. Demand, sorry, confirms that in London at least, this old-fashioned dance, the African satirical look at the stiff white ballroom dancing of the south, was already known, whilst research done on acts touring Britain in 1910 counted 26 featuring casts entirely or partially of African descent. Next slide. Also in 193, Scott Joplin had his something doing issued on a piano roll, the composer himself playing it, and now we've arrived at that name for syncopated music, ragtime. His rags and others have continued to be popular with pianists up till today, but African Americans also wrote or orchestrated rags for small groups. Next slide. Pete Hampton and Laura Bowman, members of the Indahomey group, met there and became life partners. He danced, sang and played harmonica and banjo. She sang and played banjo. Touring Europe with various shows, they lived in Stockholm. Between 193 and 1911, he made over 150 recordings, some with Laura singing, though no record with her banjo playing has yet been recovered. Clearly immensely popular, and Hampton is seen as a pioneer of the blues harmonica style in view of features such as train noises, rediscovered in Europe with the popularity of sanitarium Brownie McGee playing harmonica and acoustic guitar in the late 50s and 60s, favourites with the folk music audience. In 1910, the versatile quintet performed at James Wies Europe's Clef Club in Harlem, patronised by rich white people. The bill included the white ballroom dancers and teachers Irene and Vernon Castle. Their work was often set to ragtime and jazz rhythms appropriate to their modern dances such as the foxtrot, and when in 1913 there was a tour Europe, they chose three members of the quintet, now the versatile three to tour with them. At the end of the tour, the three players teamed up with a friend already in London, and so, as the versatile four, they became the resident band of the very upmarket Murray's club in Soho. The club closed in the summer and the group would then work for music halls and other venues across the country, reaching a varied audience. Next slide. Their members were Tony Tok on banjo and vocals, Charles Wenzel Milms on piano and vocals, Charlie Wesley Johnson drums and cello, and Goss Haston, mandolin. They first recorded in London in February 1916, including Down Home Rag, composed by an African American associated with the Harlem Clef Club, and this has been said to have a credible claim as the first jazz record. They remained in Britain for around 10 years. Their music popular and a favorite with the Prince of Wales, later Edward VIII. Yes, Murray's club was that upmarket. Records were made by the American Dixieland Jazz Band of New Orleans in 1917, the first to use the term jazz rather than rag. This white band was good, as well it might be in the heart of the south, where giants of early New Orleans jazz, King Oliver, who earned that moniker, Louis Armstrong, Sydney Beshe, and Jelly Roll Morton, incidentally part Heitean ancestry, were developing their styles and instrumental techniques. Next slide. Post war in July 1919, a blast from the past. The Southern Syncopated Orchestra, the SSO, arrived in London led by Will Marion Cook, composer for Indahomy, with an orchestra of 36, a very wide repertoire of ragtime spirituals, jazz, like classical show tunes, and traditional plantation songs, the full range of African American performance of the era. Instruments included banjos, vocalists included quartets and solo singers, and the scores were written. Personnel included Sidney Beshe of New Orleans, immediately noted as something wonderful, and whose intense jazz style and timbre could carry power or pathos equally. Known for clarinet, whilst in London he saw and bought a second hand soprano sax, a difficult instrument to play, and he made it his own. He later settled in Paris, where no parks and a cultural center are named after him. Billy Holiday's vocal rendering of strange fruit, a poem recording lynching, which was at its height in the 1920s in America, is heart-rending and was intended to be. Music as a weapon. Beshe's performance of the music, without words, is equally moving. Next slide. Arthur Briggs is of particular interest in the SSO, a fine trumpeter who rightly claimed British nationality for this trip with the SSO, because he was born in Grenada in 1901, but had joined the 369th US infantry band. He was too young to travel to Europe during the First World War, but finally made it with the SSO. He sometimes claimed to be American, indicating the prestige that US performers enjoyed, and was not contradicted because of the quality of his playing, virtuoso, and with a clear tone. For some years, he worked in the USA and in Europe, finally settling for Europe in 1931. He played with other artists of high quality, including Coleman Hawkins. In turned in France in World War II, though now an American citizen and America not yet in the war, he was rescued by one Tom Waltham, a jazz musician in the British inter-nease camp at Sandini, who petitioned the German authorities to have Briggs moved there, presumably by saying he was British. Jazz was forbidden in the camp, and the interned jazz musicians included many of African heritage, so they turned to classical music and gave concerts. Waltham directed Arthur Briggs' case on orchestre. German officers enjoyed the concerts, one commenting that he had not thought that Negroes would be capable of such playing of European music. Briggs stayed in France to play, and in the 1960s settled in Chanteer, teaching music. African American music has spread in many ways. Returning from that digression to the SSL, the show was a huge success, performed in other major cities with uniformly good reviews. Audiences were entranced and commented on the swaying of the performers, the way they exuded joy in what they did, with big smiles and their spontaneity. It ran until December, longer than expected, so that some performers had to leave for another contract or other obligations. At first replacements could be found among other African Americans already here, but finding other authentic people of African descent was an issue. Trained musicians were to be found from amongst Caribbean and African citizens, as we just saw, sometimes trained in military or police bands and also vocalists, including some merchant seamen. Some married British women and stayed. The point of interest is that they were able to adapt quite quickly and pick up the American style, and for some it proved a good training ground for their future careers. Some of the musicians took on small group work in clubs from the outset, resulting in an invitation from the Prince of Wales to play at Buckingham Palace. Natalie Spencer, a white replacement pianist, gave her account of how Will Marion Cook maintained improvisation and individuality in an orchestra, all new to her. When a new piece was rehearsed, the score was played as written until familiar. But then, she says, first conceptions are improved upon individually. That is the real secret of the fullness and liveness of the syncopated orchestra's playing. Later, in rehearsal or during a performance, someone might improvise a small variation. If Cook smiled, he was happy with it. No baton, only his right hand moving slightly. But a pleased and growing smile said, that's right. Lifted eyebrows and a pocket mouth meant softly. Both hands in his pockets and a vigorous nod said, all out loud as you can. Modified versions of the original orchestra with new conductors and still a varied offer continued into 1921, with shows in Paris and Vienna, for example. The aftermath of the SSO had equally important consequences. Some individuals and a plethora of small groups spread the African American style further afield through the 1920s. The Hammersmith Palada Dance opened in November 1919, where anyone could go to dance as long as they could buy the ticket and were suitably dressed. Evening dressed in a title not required. The castle's plan to promote modern social dancing had succeeded and had also created in demand for syncopating jazz bands. One minute, Josephine. Please try to interrupt you. One minute, thank you. Right. Three African Americans, former SSO players, were Ellis Jackson, multi-instrumentalist, Milford Warren, horns player and Al Young drums and vocal both in 1919. All three had their own acts as musicians and vaudeville performers in the US and Britain. They recorded for Victor Vordzanger, and it's not surprising that he had a hot band on record. Ellis Jackson was playing at Moody's Club, where else? In America, jazz was seeing great developments. Louis Armstrong, who honed his small group skills in Chicago, was joking Oliver as an example when he played in his band, started to lead his own hot small groups playing trumpet solos with an unmatched sense of swing timing, complexity and amazing technical skill. I am going to cut, obviously. He came to London in 1932 to escape the Chicago mobs and was surprised to find fans waiting to meet him on arrival. In 1933, Duke Ellington's orchestra debuted at the London Palladium and he received an ovation when he walked on stage and then a stream of others. Next slide. Calaway and his Cotton Club Orchestra appeared at the Paramount Theatre and was seen by my father in Manchester. Builders, my father was a student there. Builders, the first and only appearance in a provincial theatre. He was hip, sang, conducted the best hot-jaws band of the time, had a very original way of dancing seen on film. People were very... There was a great demand for this music, not only now for dancers, but for large audiences. Thank you. Sorry I overrun. No, that was perfect. Thank you. I'm sorry I interrupted you to warn you about the time. Thank you very much, Josephine. That was fantastic. Some really lovely photos as well. People can feel free to post questions in the chat, but I just wanted to ask you quickly because you mentioned Bell Davis quite early on and I wondered if it's possible to listen to her music that you mentioned. Is it on archive anywhere? Yes, because she was recorded here. The example I gave, the Holy Circle and the Bee, was recorded in London. If it had been left to the Americans, we would have no idea what she said, sounded like. There are many researchers in this country and in Germany and France who have worked hard to trace old records. They have worked with the Pete Hampton records. He recorded so many and was obviously so popular that they have been able to recover a lot of his records. They've got most of his records, but we're still not managed to get one showing his lady on the banjo, but it's ongoing research. Whereabouts would you think you might be lucky and find one? It's going to be in someone's personal collection, presumably. Originally, people found them in junk shops. When I was first in London in the 70s, there were lots of junk shops that were selling 78s and there's still a few, but probably the best stuff has been taken from them by that time. The other place where you can see them is when people are selling them online. Then, although you can't necessarily hear them, you can say, here's another Pete Hampton. Wonderful. Fraser has just posted in the chat to the panellists. I wonder if you mind putting it in all attendees, Fraser. He's put a YouTube link, which I presume is what we've been talking about. Is anyone else got any questions I'd like to ask? Josephine, well, we've got her here. OK, well, it leaves, that's left up to me to say a million thank yous again, Josephine, for that wonderful paper. That was really interesting, fabulous stuff. We should have had a soundtrack playing in the background really, but we didn't get round to that this time. Maybe next time. Yes, it would be nice. I also like the fact that these people, the earlier people, like Will Marion Cook, their parents or their grandparents may have been slaves. And what they produced when they were free. Something else, and they've given something to the world, which has given many people a lot of pleasure and also a fine art. Absolutely, yeah. Wonderful. Thank you again very much on behalf of everyone attending today, Josephine. That was great. Thank you.


Hey everyone, I'm Broogly, and today I'm going to be explaining a backroom's level called where everything is dull. This level is a quiet wasteland of decaying gray material that gets worse every second you stay in it. If that sounds fun, then you're going to enjoy it without any more talking in blabbering. Let's get into it, shall we? Go sub to my second channel, Tugly, for daily uploads. Thank you! So this backroom's level is classified as a class undetermined because of all its weird properties and unknown information about it. It has another name too, which is the gray-scale park, and this level is said to be one of the most phenomenal and otherworldly levels in all of the backrooms. I think that might be true. Seriously, this is insane.   In some spots of the level, you can see what's outside of this gray-scale park, and it's nothing but a white void. Just the white, empty space. As I said just now, the level has sloping and waving walls and ceilings, but you can actually walk on all of them. This is because for some reason, the gravity here lets your feet stick to any surface, so you can just walk up walls and on ceilings, and it would feel like you're walking normally, with no problems. This doesn't even seem weird to me because it's the backrooms, but it's cool nonetheless, and it comes into play later in the video too. Wanderers who have actually been here say that this level is cold and has a wet, moist feeling everywhere. Yeah, I said moist. There's actually been no wind here, which is pretty weird if it's cold and wet, and there's hardly been any sounds either, which leads the level to have a kind of isolation chamber feeling. The size of the level is also strange, and it's estimated to be around 10 kilometers tall and wide, or six by six miles, and all of it can modify and change itself at random dimes, which kind of gives it a non-euclidean feeling like the one you get in level zero. This level is full of anomalies and weird things that make no sense, but for this video, I'll be focusing on two main ones. The first one is if you try to no-clip through any of the structures here, then you'll just be sent back to where you entered the level from, then you have to start over. And when you do that, the surroundings of the level will morph and look slightly different, so you'll never be able to go the same path ever. No huge changes at first or anything, but it's enough to make you confused. The next anomaly that happens if you try to sleep on any of the structures here. If you fall completely asleep, the level will change while you're snoozing, and when you wake up, you won't be able to recognize anything. It's almost like the whole level knows that you won't be able to see it change when you're sleeping, so it does it then weird. Now, there are also four specific phases that happen on this level over the time that you're there, and each of these phases happens when someone sleeps and wakes up or moves, and I'll get into those now. Phase one is accessed by doing literally what I just said, sleeping and waking up here in the level. And the first time you do this, the level won't change too much, just kind of, but there will be a couple of misalignments and a few glitchy things that pop up. You'll be able to notice it, but it won't spark any curiosity yet. Now, phase two happens the second time that you fall asleep on this level, and when you wake up this time, you'll be in a completely different spot. Unlike the first phase, where you wake up where you were, and things look slightly different, in this phase, you'll wake up in a different spot and everything will be different. You'll also start to see that some of the walls are cracking and decaying and oozing weird liquids. And during this phase, the level will also randomly shake and rumble, which could cause you to fall over if you're not watching. Now, the next phase, or phase three, happens if you somehow manage to fall asleep in the last phase and then wake up again. And this is when the level truly becomes a hazard. In phase three, the level will start to rotate and warp pretty quickly, and it'll feel like a carnival ride, except it won't be fun. It'll be terrifying. Sometimes it moves so fast that it'll just throw you into walls, and then it'll cause you to no-clip right through them into other parts of the level. And at this point, the surfaces don't feel like metal anymore. They feel gooey and almost liquid. You also start to get weird feelings like you're about to fall, even though you're standing completely still. And you also start to get vertigo and you be all woozy and wavy when you're walking. You're pretty much going to feel like you've got thrown into a blender, and then turned on the highest setting. Now, if somehow you manage to survive that phase, you'll be in the last phase, or phase four. This is where the level becomes completely corrupt, and the walls and the floors are glitching in and on themselves, and there's literally no ground you can walk on. You'll just start falling through all the planes of reality and existence. Falling through floors and ceilings is common in this phase, and it's pretty much impossible to live through it, so you're going to need to get out before this phase happens, and just stop going to sleep, and you won't have to worry about anything. A good thing I'm here to tell you how to get out. To exit this level, you'll have to do it soon after you get here, and you can do that by finding a slightly dented or broken piece of metal that's on the wall, and then start prying and ripping it off the wall, and once you do, jump through that hole, and you'll be sent to level zero, which is better than this place, in my opinion. Definitely safer. Or, if you've just lost all ambition, you can jump into that white void that I talked about earlier, and you'll be sent to the void level, where you can float for all eternity. Or you can escape like I told you to. Who knows? To enter? Well, it's not really been a consistent way, but the thought is you can only do it from enigmatic levels, which kind of narrows it down. Just watch out if you're on an enigmatic level, because you probably don't want to be here. That's it for the video. Thank you so much for watching until the end, if you are still watching. Thank you so much. I mean, I really appreciate you. Comment Gray Broogley, so I know that you're a real one, and all the comments that I see with that, I'll heart. I'll even reply to them. I try to see all your comments, and I see most of them. I have notifications on my phone, so I do see most of them, and I read all of them, and I love replying to you all, and talking to you all. You all are literally amazing, and I appreciate your interaction with the videos and everything like that. Go down to the description and check out my second channel, Tugly, for daily posting and talks and that kind of thing. And the other links down there as well, if you're interested, like my Twitter and Discord, and that sort of thing. Thank you so much for all you do for me. I love you all. Hope you had a great Thanksgiving holiday, and I hope you're looking forward to Broogmas, because this December is gonna be awesome. So many uploads, so many awesome concepts I'm doing. Hope you're ready. Thank you all for everything, and I'll see you later. Please. Also, for Broogmas this year, I will be uploading every day for the week before Christmas. So for 7 days straight, I will be uploading from Sunday to Sunday until Christmas the week right before. I'll be uploading literally a brand new video every single day. You'll get a full video of Broogly each of those days, and I hope you're really excited. I'm gonna be going over levels 50 through 56, continuing the series where I go over levels in order. If that my schedule will return back to normal, but don't worry, because next year's gonna be awesome, people. Thank you so much for everything. I'll see you later.


with respect to women and child development, et cetera. Internationally, there is this huge discussion about setting some goals, millenium development goals. You've also spoken at the United Nations. When you speak there, when you interact with these world leaders, how committed are they to fulfill these goals? Because very often, we've seen many leaders have missed these targets. They've not invested enough in women and children and their health. And when they're when you interacted with them, what do you believe should be truly done in terms of commitment of these global leaders? So this is a complex situation. It's not as simplistic as we think in different countries and different cultures. These levels of disparities and the struggles are very different. Let's say you go to Africa. In Africa, women have more share of the work than men because men are drunk, okay? They have more share of the work. But a large number of men have managed to get guns in their hands. So what is an economic power? Because they have no share of that. The men, they've gone for military power, which is easy. Now, you just have to have a gun. In many of these societies, it's become like this. Women are doing all agricultural work, taking care of cattle, children, works, everything. Managers carrying guns and walking around. Because he has a gun, he gets more than his 50% of share. So please understand this. This is how societies will adjust themselves. If you try to force something, the reverse that comes back will not be a good thing. So now from Africa, if you move to Arabia, you can't touch it because it's religious. You can't talk about the woman. Nobody talks about it. You talk about it, you may be dead. So from there, you come to Europe. It's a different situation where everybody can do what they want. But are women very happy? No, they are not. Because of all this excessive talk about equality, nobody wants to be together. Right now, they're saying below 30 years of age, the number of people unmarried is over 70%, okay? Nobody wants to marry.  He wants her when he wants her, when he doesn't want her, he doesn't want her. There's no commitment. When this happens, as time goes by for the woman in her life, this is going to become a major problem. When she's young, maybe it doesn't matter. As time goes by, it becomes a serious problem. Then you come to India, here because of, you know, widespread poverty is there. Let's not sit in Hyderabad or Mumbai and think we're doing great, all right? Not even one percent of this country's population can sit in an atmosphere like this. So we can't suddenly believe we are in some lala land, we are not. There are harsh situations out there. For those very harsh situations, believe me, neither men or women are having a great time, all right? For that kind of situation, I believe there is substantial parity between men and women in the villages. There is... There is a certain cohesiveness. They're not thinking, I'm being exploited this, this. Unless a man becomes a drunkard or violent for some reason, this can happen always.  But it's the governments which want to sell alcohol to everybody, they want to do whole door delivery.  So I'm saying it is not like a one-off thing. If we want a healthy society, we must create the ecosystem for a healthy society.  We need to create a society with substantial economic well-being, education, then if somebody is still ill-treating a woman, then you have to deal with him with law. For everything you bring, one more law, one more law, one more law, then your home will be like a court. Every day arguments will happen between two lawyers which will never come to a conclusion. This is a complex situation. Global leaders want to look at that one single thing that will transform the entire world. That's what I was trying to say. These different societies need very close attention. You cannot pass a law and say or you cannot say, this is it, what works in Africa must work in Arabia, it's not going to work. What works in Arabia should work in India, it's not going to work. We have to handle it at the local level. Global leaders can give a direction and intentions, but work has to be very local, very organic and very involved. See what all this means is, can United Nations give us a solution? What this means is, we are looking for a solution without our own involvement in it. Without involvement, there is no life. Without involvement, there are no solutions. Without involvement, there's no emancipation of the human being. We have to get involved with all the little problems that we have around us, how we bring up our girls, how we bring up our boys. This is where it is, the freedom. It is not in just bringing one more law and one more law.


be able to squeeze the rain like water out of a sponge. And I could squeeze the rain in time with his front feet, right front, left front, right front, left front. See, I could just squeeze as that foot's coming off, right front, left front. I could squeeze both rains.  See, so what I'm doing is I'm using both rains with a squeezing and releasing manner as I'm out of the saddle. Besides squeezing the rain, you can use your abdomen. Pretend you're about to get hit in the stomach with a soccer ball. It's too late to move. There's a soccer ball coming. It's too late to move, right? So you're gonna get hit in the stomach. Uh-oh, what do you do? You go like this.  I want everybody to try that. Come on. Pretend you're gonna get the wind knocked out of you. What do you do? Uh-oh, too late to move, tighten up.


Hi comrades in Mira, I want to send my solidarity and support to you. I also want to work with you in the future, as we've often all of us worked together in the past, to oppose austerity, free market economics and the impoverishment of the already poorest people across our continent. We're here in London, we're campaigning for decent jobs, decent housing, equality to come out of the COVID pandemic, you're doing exactly the same all over, particularly in Greece. My greetings, my support, my solidarity, I look forward to working with you in the future.