Predictions are always a fun time especially as a Baltimore Raven fan Just thinking about your favorite player your favorite team and exactly what you figured was going to go down I made a bold prediction before the season even started about our Baltimore Ravens I predicted that they were not only beaten, but they were going to win the Superbowl now We of course know how that prediction turned out But nonetheless we ain't done making some bold predictions and in today's video We are going to get into predictions about several of the Baltimore Ravens players and some that could stay Some that could go and everything in between but before you do it I got to give a special shout out to the sponsor to today's video Powerhouse wheels you can go to powerhousewills.com for all of your tire and rims needs You want to be looking clean extra clean on a road? Hey, you go to powerhousewills.com and tell them team keep it clean since you now when you order anything under $1,000 you use TKIC 5 to get 5% off you any order anything over $1,000 you use TKIC 10 to get 10% off That's a lot of money off So again, they trying to take care you they trying to hook you up because they know that y'all are not good But great people so team keep it clean also before we get into this make sure you subscribe to the channel Turn your notifications on so you do not miss not a single video not a single thing and also leave a like on video because it Helps out the channel a whole lot now This article from Ravens wire shout out to Ravens wire by the way This was sent to me from my guy Noah and let's hear what he had to say He said a engraving Been big fan of the videos and congratulations on the newest member of the Ravens flock Hey, I appreciate that she better be a Ravens fan. She better be here. We ain't playing no game But anyway, he said I saw this post from Ravens wire that predicted where they believe which free agents will go And which will stay I wanted to know what you think of the scenario if it happened How realistic do you think that this is I know? Hey, buddy, let's see what this article is talking about and of course as always We will link the article down below in the description and it is from Glenn Erby And it is from Ravens wire that USA today commons has predicting the fates of Ravens free agents in 2024 and this article came out on February 21st today is the 22nd So this article still pretty hot off the presses anyway It says Baltimore faces an offseason of change after Mike McDonald bolted for the Seahawks job Anthony Weaver landed the Dolphins defense of coordinated job in 29 players are set to be free agents Headlined by Patrick Queen and Justin Manabekate the Ravens are 20th in NFL and cap space with about over five million available And there will be critical decisions regarding several vital contributors and to all pros. So here we go starting off First but certainly not worse, but not oh no back on Junior Will O'Dell Beckham Junior stay or go let's read what they had to say about O'Dell Beckham Junior And we'll read their prediction and I'll give you minds He said in his one season with the Baltimore Ravens Beckham appeared in 14 of the 17 regular season games logging 35 receptions for 565 receiving yards and three touchdowns Beckham hasn't recorded a thousand-yard season since 2019 But he viped well with the Baltimore skill players and had a tight relationship with Zay flowers Beckham should move on Unless he's prepared to return at a major discount Beckham could flourish playing opposite Garrett Wilson while catching passes from Aaron Rogers with the New York Jets. Okay. Well, I guess I didn't even really get to Hide what they were thinking, but yeah, their prediction was that O'Dell Beckham Junior is going to go And I could not agree more with exactly what they said They they said everything that we've been saying too So I think a lot of people are on the same page with that because they said Beckham should move on unless he's prepared to return at a major Discount and yeah, major major discount for sure It's funny. Something came out a little while back from the account was From NFL retweet and they put that the Ravens paid O'Dell Beckham Junior $16 million this season. He finished with 35 receptions 565 receiving yards three touchdowns O'Dell Beckham Junior got paid more than $457,000 per Reception It's like when you put it like that, oh, okay I but anyway, oh the Beckham Junior he responded to that and all the Beckham dream had this to say If I was going too crazy and we were losing it will be my fault if we would have won the Super Bowl It would not have been my fault. It's just funny the world we live in I play wide receiver Which means everything has to go right just for one opportunity to catch one pass And that's just one pass. We were blowing teams out and throwing the ball 20 times ago I wonder if he meant 20 times a game, but anyway, I played 30% of the snaps lol Please do the math and leave me alone Limited targets do the stuff out of my control. Please show me the passes. I dropped this year I can't I can find one control what you can control and miss me with the garbage Number one Russian team in NFL and we will win and it's funny how we control narratives to fit our agendas And yeah, so O'Dell Beckham Junior He went off about that when he a little frustrated about that one and I'm with O'Dell I uh, yeah, I think um again unless there's a big change in his pay I don't think Baltimore. I don't think they're gonna bring him back right now He is technically signed, but his salary technically next year is $50 million. So yeah, you know that ain't happening so one way or another Something's gonna give with O'Dell Beckham Junior whether it's gonna be an extension whether it's gonna be a release But something has to give like rather quickly it has to happen soon Because the clock is ticking and I don't foresee a scenario Baltimore Ravens don't they don't normally do this No, yeah, they're not a team that does this We have seen teams do it before though to where a player they slated to be or not They's not slated to be a free agent, but the team knows that they know what decision they're gonna make with that player They know that they're gonna move on from that player They know the relationship is done now with the Baltimore Ravens the relationship with O'Dell Beckham Junior is not a bad one at all And it's not like done on bad terms anything like that But they could possibly know what their decision is on O'Dell Beckham Junior But we've seen it in the past before to where some teams they will hold on to a player They know what they're gonna do with them already, but they'll hold on to the player hold on to them Hold on to them free agency or come they'll hold on to the play at the second wave of free agency or come They'll still hold on to that play the third wave of free agency or come They'll still hold on to the play then they'll be like, all right. We'll release you now And it's like why didn't you do this before if you knew you were gonna move on why not do it before? Now with the Baltimore Ravens and O'Dell Beckham Junior I don't expect them to be in that scenario because that's just that's not how they operate That's not that that's not how they get down when it comes to stuff like that It just reminds me of Cam Newton Cam Newton with the Panthers. They knew they were moving on They knew that they were done with Cam Newton and they just kept holding on to them. Hold on to them. Hold on to them Then they finally out. Okay, we'll release you and Just an ugly scenario, but um, whatever's gonna happen with O'Dell Beckham Junior I envision it happening sooner rather than later Just getting older like like they said the vibes were there. Hey, the leadership was there Just him being a great teammate was there Him being encouraging to the other teammates. It was there and the article mentioned his relationship was a flowers But it obviously went way past just a flowers You you saw O'Dell Beckham Junior is just impact. You saw how happy His teammates were when he called a touchdown pass when he would make a big play You just saw how they would get hype because he was hype and it was just And of course the ball like he mentioned when he went off the Baltimore Ravens, they were winning and when you're winning makes everything So much better. That just makes everything so much better because again, you could be frustrated with your numbers You'll be frustrated with your stats and I'm sure he was especially as a wire saver Yeah, of course, you're gonna be frustrated with them numbers because what hey, they were winning and You get to see what matters to somebody the most and I can't fault anybody for whichever side they on Because it's their money, but you really get to see what side people are on the most when They aren't getting their individual numbers, but the team is winning Because some people could be frustrated which I understand, but they could be like no, no Yeah, I'm upset. But hey, we win it. So we doing good things and I a I may not contribute as much As I want to but we win and that's what matters most Well, there could be some people that be like, hey, we went in but I need to get mine. I need mine and again, I Get both sides because Winning obviously. Hey, that's huge as fans That's what we we want the team to win and players they want to win too But players they want to win while getting theirs because their individuals that's mean a lot for their money for their upcoming Contracts for endorse for everything all that stuff matters big time. So that's why I say I get both sides But as far as Odell Beckham, Jr. Oh If I had to again make a prediction on the Baltimore Ravens Odell Beckham, Jr. I think they move on the thing What Odell Beckham, Jr. Is that we love Odell Beckham, Jr. was Great vibe with the Ravens, but my biggest concern and I've talked about this before previously Would be the injuries the injuries because we clearly know that he was not healthy all year this year We know that we get that we understand that he was not healthy all year this year He was hurt whenever he would be in a game He will come out whenever he will make a play then he'd be on the sideline two seconds later every time So we know that he wasn't healthy, but we'll all deal back on junior ever be fully healthy Because ever since his rookie year He's continued to miss significant amounts of time Throughout his career still been a baller now still been a baller still been a playmaker But he's missed a good amount of time a lot of times throughout the entirety of his career So while he gets older And while he again last year he contributed here and there now for sure But we're older and there was some missed opportunities to so that's something to think about as well There was a missed opportunity to But oh they'll back on junior. He's still got something left for sure but Again, the price tag that don't be the biggest thing the price tag had he had like they paid over there back on junior like five meals something like that and He got these numbers even even next year Had they paid him like five million and those were his numbers old thirty five reception five and sixty five receiving a three Oh, okay, cool. No problem No problem great go for it but 16 and I get it Ravens had to do it. I am mad at them for doing it I don't look back at this and be like, oh Raven should have never paid Odell Beckham junior all that money No, no, no, no Ravens had to do that. They had to do that for several reasons One number one and I was hoping that he would get to changes number two number one, but number one was Lamar Jackson Lamar wanted Odell Beckham junior one of the Andre Hopkins Couldn't get both Raven said all right OBJ. Let's go Let's get it. The Andre Hopkins was still with the Cardinals at the time by the way So he would have had to get traded for if the Ravens were to acquire him, but all they're back on dream was a free agent They wanted Lamar Jackson. So they say a will sign Odell Beckham junior and that helped them draw in Lamar Jackson So that worked but another thing too people knew and people know that Raven they don't pay receivers they do not pay receivers big-time money and Even while this wasn't the highest of the high when it comes to money for a receiver for the Baltimore Ravens This was significant like to pay a receiver who hadn't played all the previous year To pay him 15 mil base Salary with the potential of earning three more meal on top of his 15 mil base salad Oh, that is not very Raven like at all But they did it because they were desperate and they had to So I'm not mad at them at all for making that move because it's what needed to be done in order to secure their quarterback and In order to show the world like hey, we all willing to spend some bread here at this position If we really really need to and they really really needed to but With Odell Beckham junior specifically, I don't foresee them spending bread like that with him again because you just You saw what you got which was all right, but you don't know what you're gonna get moving forward My biggest concern is not Odell Beckham junior's ability to run. It's not his ability to catch It's not the yak. It's not the route runners not in the hand I ain't worried about none of that. I think all of that will be fine but my concern would be his health and literally health is wealth Especially for the Baltimore Ravens, especially for Odell Beckham junior, especially for that salary cat Health is wealth. So we'll see what happens with Odell Beckham junior and we will literally see very very soon


I'm Carrie and I run Cosson Cummry and I make Sheep's Milk, Cheese and Yogurt. I'm completely passionate about cheese and also passionate about local produce. I would not have been able to do this without the help of the Food and Technology Centre in Langevny. They really helped me through that first initial period and for that I'm very grateful. I can use milk from a series of small farms and transform it into high quality products that are going to really bring an important income not only to me but back to the farms to help make this sustainable. The milk from my breaded bark, the little soft lactic cheeses, comes from a flock of clean news and as far as I'm aware that's the only flock of clean news in the UK which probably means the world. So we're dealing with a completely unique product. I make my yogurts in glass jars that are returnable. I get an over 60% return rate which I think is pretty good. I wrap all my cheese in deli paper. There is a bit of a cost to that because it means my shelf life isn't as long but I would rather give up a little bit of shelf life in order to have cheese wrapped properly. I'm absolutely delighted to be working on a new dairy with eventually a little café over the top as well. It's triple insulated all over. We're putting in a heat recovery system so that all the energy expended in the refrigeration we're using to heat in hot water. I mean basically all I want to do is to make cheese and I would not have been able to do it without the help from the food business investment scheme grant. So I'm massively grateful.


Welcome to Data Doctor's video, Suggestions 573 and 576, Find a Grave, Empty Birth and Death Date. Suggestion 573 is caused when a wikitree profile with a matched link to a Find a Grave Memorial has no birth date entered, but the memorial does. Suggestion 576 is caused when the death date is missing from the profile. Here is the Suggestion Report for Josiah Co. There is only one Suggestion, 576, Empty Death Date. The Info column shows the date missing from the profile, year 1846, no month, no day. Here is Josiah's public profile. There is no death date in the data section, even though the Find a Grave reference is listed in the biography section under See Also. Click on the Find a Grave link to ensure it matches the wikitree profile. Everything looks correct. Josiah's memorial has several headstone photos, including one of his death date. Let's see if we can find further documentation. Return to his profile and click the Root Search link on the right. Root Search offers several sites to choose from. Let's start with Family Search. Note, you have to be logged into that site first. On Family Search, add the Find a Grave Death Year and place on the left to refine our search. Click Update. Except for the Find a Grave Source, which is already on the profile, there is nothing else to indicate Josiah's date of death. However, there is a corroborating source for his date of death and a Sons of the American Revolution application, but it is on Ancestry, a paid site. For thoroughness, that record will be added to the profile for those who have access to that site. Until Josiah's profile, click Edit. In the Data section, add the date of death and mark as certain. Add the place of death and mark as certain. Go to the Edit section and add his death information to the biography. Place your cursor at the end of that text and click on the Citation button above. Between the Ref Tags, add the Sons of the American Revolution record noted earlier. Add the information about his burial site. As before, create an inline citation. Since the Find a Grave Source under See Also is just the URL, let's change it to the recommended format. Return to the Find a Grave Memorial and copy the source citation. On the profile, paste it between the Ref Tags. Add the Wikitree Find a Grave template and delete the first URL. Last, delete the original source under See Also. Click on Preview to check your work. Make sure that the inline citations are properly showing in the Biography and Sources sections. Go to the middle of the profile page and explain your changes. This is strongly recommended for all Wikitree users and is required for data doctors. For me, I identify myself as a data doctor. Copy the suggestion number and name and explain what I changed. Save your work. Return to the Suggestions report and on the far right, click on Status. On the Suggestions Status page, make sure your Wikitree ID is showing. Of the five status options, choose one. In this case, correct it. Leave a comment from the comment tense or make one of your own. I left one of my own. Click the Update Status button. The last screen shows the status history has recorded your changes and you're done. Please note that Suggestion 573 is resolved the same way except that the date of birth is added. You are invited to like this video and even leave a comment if you wish. Also, keep up to date with new videos by subscribing to our Wikitree YouTube channel. On behalf of the Data Doctors Project, thank you for watching.


Hey guys, what is up? Welcome to my channel. So for today's video, I am going to be talking about and doing some tutorials using the brand new Vizier Grand Pro Volume 3 palette. So if you are interested in hearing my thoughts on this palette, then just keep watching. So I'm going to spend the first half of this video kind of giving my review and thoughts on this palette. And then the second half, I will put a timestamp down below if you are just interested in seeing the tutorials. Also, the sun is out and this keeps happening and it's really annoying me. So I'm sorry if it annoys you as well. So I just wanted to take a moment for the Muse Beauty Pro team for sending this palette out to me. I am an affiliate for them, but if they weren't going to send it to me, I was going to purchase this anyways. I'm genuinely excited about this palette and Muse Beauty is literally where I go to buy all of my Vizier products. I think you guys know that by now. But they're a great team anyway, so you should definitely check out their website. So let's talk about the facts of this palette. Like I said, it is available on the Muse Beauty Pro website. They worked with Vizier for this palette. If you don't know, I use Vizier all the time. They are the brand that I use in my makeup kit. I own so many of their palettes, so I am very familiar with their formula. And so when I saw they were coming out with this, obviously it was a no-brainer for me to pick up. This is $175 and it is a eyeshadow palette of 30 vibrant matte hues. It was created through the laws of color theory and it's ideal for creating avant-garde and editorial looks if, I mean, you couldn't already tell. So I also did get a fact sheet, so I did want to relay some information to you that you might be curious about. This palette is limited edition. Now, I will say I do believe the volume one was supposed to be limited edition, but it was just such a hit that it's in their line now. I mean, just given the colors of this, I really think this might actually be limited edition. So if you do want to pick it up, I would recommend you pick it up now. And these are all new shades that were created exclusively for this palette. So if you're like me and you own a lot of her other palettes, all of these shades are brand new. I will say when I was like kind of swatching and comparing to my other palettes, there are definitely some similar colors. But when you're creating such a range of colors, there are bound to be some similar colors. But they were all new. It's not like a palette of colors that already existed that they put into an empty palette. Another thing, these pressed pigments is quite a hot topic here in the makeup community because a lot of them are deemed not eye safe. So it says here that this palette is made with the finest pigments and is European Union compliant for use in eye makeup. So there is no warning saying that any of these shades are unsafe for the eyes. So that itself, I think, is going to make a lot of you guys very happy because there are so many palettes nowadays that are not eye safe. This one is, so that's awesome, especially for having such a range of colors. So obviously this is volume three, meaning there are two other volumes that came out before it. The volume one in particular is my most used eyeshadow palette to be quite honest. This will not be my most used, just given the color store here. But I just love one and two so much that I knew I had to have this. So let's go ahead and talk about the packaging of this guy really quickly. It's the same packaging as volume one and two. It's kind of like a pleather material. This is a professional palette, so it's not crazy as far as the packaging goes. It's functional, which is the most important part. So you open it up and you are able to kind of stand it like an easel. It has a mirror. And then of course this plastic sheet that does protect the eyeshadows. You can rip it off if you want, but I like to keep it there to protect the eyeshadows. Of course the great thing about busy art shadows is that you can remove the pants and put them in other palettes or rearrange it to your liking, whatever you want to do with it. You can use your finger, but I'm always scared of kind of digging in on accident. So I will take something thin and just kind of stick it out and pull it out. So the shadows are very easily interchangeable. So let's go on and talk about the color story of this guy. Now this to me is a rainbow palette. I don't want to slam ABH because I do kind of like their new big eyeshadow palettes. I really liked the Norvina Volume 1. I have the other two on the way. I don't physically have them in my hands, but I hated the layout of them. I want to take the eyeshadows out and rearrange them. And I love my shadows arranged monochromatically and just gradient wise. And I mean, this is how a colorful palette should be done. It makes it much easier for the user. And to me, I feel more inspired, whereas with the ABH, I felt a little bit of anxiety from it. So the fact that this is arranged like this alone is amazing. Now I don't want to go on too much of a tangent about color theory. You can look it up yourself if you want to learn or there's a lot of great other videos on it. I'm not a color theory expert. I do have a little bit more education in it just from going to makeup school and all of that. So I am familiar with it and I naturally kind of follow color theory in my looks without really thinking about it. But there's a color wheel. The more you stick with colors that are next to each other, the less money it's going to be. The more you go towards opposite colors, the more muddy your look is going to be. So essentially you kind of want to stay away from colors that are not alike at all. You want to keep it as a gradient into your eyes so that they don't get muddy and patch. And just the layout itself of this is going to help you if you are not really comfortable with color theory. Because this is arranged in such a way that you can place these colors next to each other and most likely it will be okay. Like using yellows to oranges to reds is going to create a seamless blend. And then blue to green is going to create again a seamless blend. I don't want to go too much into that. Just know that the way this is laid out is much more user friendly and you are less likely to get a patchy mess. But before you use this palette, I would recommend that you spend a little bit of time learning about color theory. Also it is arranged, it kind of goes from light to dark here too. So you have your depth shades and you have some great base shades here. So I just, everything about the way this palette is laid out, it's just perfection to me. Obviously the only color missing in here I would say is purple. But I think she has something up her sleeves as far as purple goes. That's what I saw in a comment. So hopefully because I'm a big purple freak. So that's the only color kind of missing in the rainbow here. This is all matte and I know for myself I like a lot of dimension and texture to my look. So I definitely will be using this paired with other palettes rather than alone. For this video two looks that I did were just using this for the sake of the video. And then I did one where I did grab a shimmer because I couldn't help myself. I just know personally for me this is a great palette that I will go to when I need a certain color because this has so many different kind of colors. So this leads me to my next point that if you have this palette in my humble opinion you need to pair it with the Grand Pro Volume 2. This is an all shimmer palette and this palette, I do have a video on it so I will link that down below if you want to kind of get more familiar with that palette. But these two palettes are a match made in heaven. So with these two palettes you can create some really stunning avant garde kind of looks. I'm not going to tell you to order both but like these two are amazing. I always felt like with the Grand Pro Volume 1 and the Volume 2 like yeah they worked but I wouldn't find myself pairing them together too often. I just, these two are made for each other. Definitely pick both up if you're interested. And just so you can kind of see a quick comparison between the one and three. Totally different. And really quickly I don't want to talk about this too much but as far as the quality goes I had no issues with this palette. I will say it is a little bit more colorful so colored pressed pigments are a little bit more difficult to work with. Some of the looks, that blue look in particular that I created it was a little bit of extra effort to use and to blend but it still is a really great palette. Had no issues. Some shades have a little bit more fallout than others. I would recommend doing your eyes first or tapping off. I tend to use a really light hand so I just tap off my brush and you will get a lot more vibrance in the colors if you kind of pack them on instead of just applying them straight through blending. These shades are buildable but you can actually get a pretty sheer wash of color with them. So they aren't super duper packed with pigment I would say because I have worked with pressed pigments that had so much pigmentation. These don't. These are workable. You can build them but you can also have a lighter wash or blend with them which I personally really like. I know some people may not like that because if you're buying a colorful palette you may want that whole vibrancy right away. Some shades definitely do have a little bit more vibrancy right away than others but overall I think it's a really good piece to have in my personal collection. I don't see myself using it a ton just because of the colors but I am glad I have it. And when I want to create certain looks there are such unique colors in here that I see myself grabbing for it a lot. So if you see yourself using these colors a lot I think you will really enjoy this palette. I do do makeup professionally but I don't make my living off of makeup. Like I have a nine to five job. I just do bridal and event makeup on the weekends. So for that I mean this I won't be using that. I won't be putting it in my kit. I use my volume one in my makeup kit. Like obviously this is much more suited towards brides but definitely if you are a professional and you have a need for these colors this is amazing to have in your kit. Visior being a professional brand they needed to come out with a palette like this. 30 shades of any color that you would need. Last kind of point I wanted to make before I got into the tutorials just kind of comparing it to the editorial brights palette. This formula is pretty similar if not I think the volume three formula is a little bit more easy to work with but very similar. There are a couple shades in here that I feel like are very very close but then there's a lot of shades in here that are very very different. I would say the editorial brights is a miniature version of this larger palette. This one I would say has a little bit more of like the neon super bright and vibrant shades whereas this one just it does have shades that aren't quite as vibrant but there are 30 in here and there are not 30 in here. Definitely some similar colors between the two if you don't use color too much and this is what you bought to have color in your collection I think you're fine here. You do need this range of colors. I mean go for it. It's a really nice palette. So now it's time for my tutorials. I hope you guys enjoy them and I hope this gives you a little bit of inspiration. This palette definitely inspired me and sent me out of my comfort zone and you will see that. So as a base right now I have on a little bit of Mac painterly paint pot but over top I'm going to put the visi art eyeshadow primer on there. We're going to go in with kind of a monochromatic look. I'm going to change how I did this because I feel like it's going to help with patchiness and just make things a lot easier. I just had this eye always turns out better. So the first color that we're starting off with is this pastel green right here. I'm just using this like random elf eyeshadow brush. So this is just kind of going to work as the base color and just kind of blend it. I'm not being too careful about the placement. This eye is a little bit more artistic than I would normally do so I'm applying the color in places you would not normally for every day. Taking my refer brush I'm taking this brighter green shade right here and we're just going to kind of start the gradient. Be mindful of the blend up here. I have a bit dry skin for some reason so it looks a little bit patchy here but that's my skin not the eyeshadow. But just be mindful that you still want the top to be blended as well. So as we go this refer brush I'm just going to detail this part right here and blend it to a very soft color. The next shade I will be taking I was going to kind of play more into the blues on my eye. I'm going to be taking this color right here. A really deep teal shade. And this is the Esum G27 one of my favorite eyeshadow brushes and we're going to work this into that gradient. Now this is when we're getting into the more dark shades so just use a very soft hand take your time because colors can be difficult to work with. So this eye is already turning out way better than my other eye. And again be mindful up here for this blend. We're going to transition into a blue color. This is almost like a periwinkle blue and this is the Esum S33 and we're going to build this into this true blue color. Now as you can see the undertones of these two colors are very different. So you really kind of want to work them together so that they work a little bit better together. To continue to deepen we're going to take this shade up here using the same brush and we're going to work on this outer corner. Okay and very important take your brush and blend. Because I can't help myself and I want to add some depth we're going to take this color right here. This is another refer brush and we're going to kind of work that out here. Okay so I'm going to touch up the blending and everything and I'll be right back. So this kind of more unblended area up here was driving me insane. So what I am doing is I'm taking some of this pastel yellow. This is on my small refer blending brush and I'm literally using this white shade to work as both my under eyebrow highlight and also to diffuse out those edges. Do you see what an amazing job it did out here? Obviously the colors a little bit higher than I had originally anticipated but we're going full artsy here. So that's just a little tip if you play with those blues this really did help diffuse these edges out. I'm going to go back to working. Okay so it is time to work on the lower lash line. I just continued with all the colors that were already on my eye. So I'm starting off with the pastel kind of green and I'm literally running that everywhere I want this to work as the base color. So I'm bringing it lower than I would normally bring these types of shadows but I want the darker shades to blend out to this green. Also try and bring it up here to kind of blend out that outer corner as well. Do you see how that just really diffused everything? Next I'm using the Morphe M562 and I'm taking this color and I'm just going to kind of put that right on top. We're going to take this brighter blue color right here. This is the Morphe M507 and then I'm finally finishing off with this shade right here and this is a MAC 219 brush. Tap off your brush with this color. Cool so I'm going to put on some lashes and do some final touch ups and I'll be right back. Okay so obviously I would say this look is definitely not a style I am very comfortable with but you know what? This palette really did have me step out of my comfort zone. I wouldn't say that these colors were the most easiest shadows to work with in the world but I was playing with these really rich deep blues and greens so I'm not really surprised by that but it did work well. I know this is not kind of my typical look so I'm going to take this off and we're going to do a look that's a little bit more my style but yeah dang. This palette makes me do crazy things. So the last look we got a little crazy with so for this look I kind of wanted to stick to a look that's more me using more colors that I'm comfortable with and obviously I have a shimmery color on my lid I will talk about that in a second. So for my transition crease shade I'm taking this color right here this is one of the more neutral colors in this palette and we're going to start off with this all over the crease like so pretty sheer color this color doesn't come off quite as pigmented as I would have hoped but it's still like a nice sheer base coat so I'm not mad at that so we're going to start into digging into a little bit more fun colors so I'm taking this kind of bright cognac color it's not quite orange but it pulls as you can see very bright on the eyelids I wouldn't say it's super rich in pigmentation but it's workable for sure which I really like I find that to be a little bit more user friendly I'm just doing a typical look I would kind of do that I'd feel comfortable wearing out so let's build on some of that brightness a little bit so I'm taking this bright orange shade right here I'm just taking it on the side of a blending brush and I'm using that all over my lid now the reason I'm using a blending brush is so that it kind of diffuses the pigmentation a little bit because if you were to use like a shader or a packer brush you would get more pigmentation but just because these bristles are very loose you're just putting a wash all over the lid and that's the way you can kind of get away with using this palette as more of an everyday palette is if you just do a wash of like one or two of the colors but anyways I feel like if you're getting this palette it is like you're not going for anything wearable so there's also that but this alone I mean is such a pretty fall look so here's another look right here some liner and lashes and you're perfect for the fall so I went in with this brighter red shade right here it's like an orange red and I'm putting this in the outer corner so as you can see instantly that's adding some brightness so one thing I'm noticing from this shades in this kind of color family they aren't extremely pigmented I don't have a sticky base on and I am using wiping motions now if you were to use more patting motions you would definitely get a little bit more pigmentation out of this palette but right now I'm kind of for this particular look I'm focusing more on actually maybe wearing the sound in public whereas that last look it was a lot about packing, pressing and blending a little bit this look is just about a really simple, diffused look so that's all the colors that I'm using from the Granite Pro 3 as you can see they worked really well because I kind of stayed within the same family they all blended beautifully it's a very cohesive non-patchy look that other look took a little bit of extra work so let's talk about how well this pairs with the Grande or Grande Pro 3 palette these palettes are a match made in heaven and honestly I don't see myself using the matte palette all alone very often because I'm a shimmer girl I like a lot of texture and dimension on the lid so I wanted to pick a color from here so I'm going to take this color right here and my brush is already damp by the way with the Esum Pro mixing medium kind of almost created a paste anyways I just added this to add a little bit of more dimension to the lid because the all matte was kind of killing me so I'm gonna finish the rest of my face on my lower lash line I'm just gonna kind of put the orange everywhere and I'll be right back for the final look so here is the second look I did it is the all orange look I did take a little bit of the brightest yellow in this palette to kind of blend out the edges to make it a little bit more smoky and a little bit more crazy because I just feel like with this palette how can you not create a crazy look this is this look really simple it was really easy to do and I really really like it so let's move on to the final tutorial so I wanted to do like a super simple one eye shadow look I feel like this is a kind of fun and playful wearable way to wear color like okay I probably wouldn't wear this in daytime but like I don't know when night out was like the appropriate lashes and stuff so it's super simple so the only shade that I used is this one right here so this is a Mac 217 I like it because it's a blender brush and kind of a packer brush in one so I'm just gonna tap off my brush so I don't get anything on my face I'm just gonna do the lid and then I start using the blender side to kind of work it up so you are going to need to layer this color a little bit but as you can see it is working very easily you don't have to go quite as blown out as I did but couldn't help myself so I just wanted to show this because it is so simple to do and it is a way to kind of play around with color for people who might feel intimidated you can literally do a look with just one color and it can be any color using this technique and I also kind of whatever is left over on my brush I'm working it along the lower lash line I'm just trying to get some product off of my brush so that I can really work on softening these edges I'm gonna get a little bit more product and put that down here so literally this is it I'm going to put on lashes and that's gonna kind of make it look not as crazy and I'll be right back alright so that is all I have for today's video I just wanted to stop by and say a quick thank you for watching this video I'm very passionate about Vizier and I give them my full support and I hope you would as well it's a great company let me know your thoughts down below about this palette and I will see you guys in my next video