Hello, Oslater Sync here. This is the Norand Mono, which is a 2-VCO monosynth with an integrated sequencer. And that's not a genre of synths that I am unfamiliar with, and you might be the same. I think if I looked in my cupboard I can probably find like five, including this one that I own, the five synths that we can call 2-VCO monosynths with an integrated sequencer. So for me to make a fuss about one on my channel, it's going to need to do something or offer something that's pretty unique. And the Norand does this. Looking at the panel, it looks like a fairly basic architecture. And if you want to use it that way, you absolutely can. It does great 303 stuff, if that's what you're into. Which, you know, I am. But what this offers is something that I think is probably unique in the world of certainly desktop units. And that is that this little synth, despite its diminutive appearance and supposedly limited number of controls, actually offers an LFO and envelope independently for every single knob on the panel. Which is bonkers. And allows you to do some performative and sound design tricks that I don't think you can easily do, certainly not on an analog synth. And it's that part of this synth that I want to focus on in this video today. This idea of having, I guess, 14, 15 envelopes and like 18 LFOs. And what that actually means for making sound and making music. Oh, just in the interest of transparency, Norand did send me this unit to make some videos on. But they've had no input and have asked for no input on the videos that I make on it. And as with everything I feature on the channel, I just wouldn't feature on the channel if I didn't think it was interesting and cool and didn't get me excited, which this synth does. So in this video, I really want to focus in on this idea of having this LFO and envelope per knob. So if you want a more thorough overview of the mono, then Loupop has done a really thorough overview, as you would probably expect. And if you want to hear it in a musical context with more instrumentation, Jeremy at Red Means Recording did a pretty good lengthed live set, which featured the mono as its primary synth voice throughout. And I'll put a link to both of those in the description of this video. Nevertheless, it's probably worth just talking about what the architecture is in general, so that you have a good feel for what we're then going to be modulating. So here's just sort of an initialised patch. So we have two identical oscillators. There is a frequency knob for each of them, which rather wonderfully, on the knob at least, steps to semitones. When you modulate it, it's smooth, but in terms of being able to tune to oscillators to like intervals, you'll even be able to see as I change the tuning, it highlights the light as it goes. Hopefully that's coming through on the video. So you've got a big tune knob, and then you've got a detune, which takes you a semitone in either direction, allowing you to detune the oscillators as is your want. The other control here is a wave knob, which is like giving you various different continuous shapes, starting at sine wave, going through triangle, through square, and over to a lovely, buzzy saw. I also love that point between the square and the saw and this thing. Perhaps we can modulate that if only we had an LFO per knob. Oh, wait, we do. So that's basically the oscillator architecture on oscillator 2. If we bring that up, we also have FM between oscillator 1, oscillator 2, to oscillator 2 as being the carrier. And you'll notice that despite this being analog FM, it is super stable right up into the top where you start getting some chaos. So these oscillators have through zero FM, which means that they, as I say, until you get right to the top, basically will stay in tune until you don't get that usual drift off one way or another. Even with linear FM, you still get this sort of global pitch shift, which you have to account for, and you don't get that on this, which is really, really nice. We also have sync on oscillator 2, so oscillator 2 as sync to oscillator 1. So we turn that on. You can get those sync sounds. It sounds a bit weird because it's stepped at this point where we can modulate that smoothly as well. And you can also bring the 2 in together for different textures of the like. So we then have a mixer section. And what is really important to note on the mono is that the mixer allows you to go way past Unity as you go into the filter allow and you should get crunch on the filter as well. So really, Unity is somewhere around half. And actually, if you've got both oscillators on, maybe a little bit below. And as you push it, you can hear, especially if we bring the cutoff down a little bit, you get that blowing out of the bottom end. And if you start to introduce resonance on the filter, it can get crunchy. So if you don't want that crunch, you want to bring that back a fair bit and then compensate on the master volume. Gain station on this thing is something that you just have to be careful with. It's one of those with great power comes great responsibility type situations, frankly. So we've kind of already talked about the filter sort of incidentally there. So the filter has a cutoff, it has a resonance, and then this filter is multi-mode. And you can blend between low pass in the middle, high pass at that end of the color knob and then band pass in the middle. I do love a band pass. Especially if you can drive it. Sorry, I know it's meant to be talking about the other ways. That's just love it though. So we also have this follow button here. And if this is turned on, then the filter will track the keyboard. As you can hear there, we can get almost chord tones out of it. And it does track pretty much perfectly. We then have an envelope amount knob here. And this envelope amount knob is going to refer to the master envelope, which is our VCA envelope. So that's the last bit we have here really. We have VCA envelope, just standard ADSR. This goes pretty long. It can also be incredibly snappy to the point of it being clicky if you need it. But it's got quite a big range on it. And if we turn up the envelope amount on the filter, it's going to be this envelope that it's dealing with. So we can have a type situation if we want. But of course, we don't have to use this envelope amount because we, as I keep saying, have an envelope and LFO per knob. Okay, so we're on an initialised patch. We'll just type in the filter a little bit. Lovely. We're just hearing oscillator one sawtooth wave. Great. So the way that the envelopes and LFOs per knob works is basically based on the last knob that you touched. So if we wanted to apply, say, an envelope to the pitch of oscillator one, we could touch the frequency knob for that. If you don't want to actually change the parameter as you're selecting the knob, you can just hold down function and it doesn't move it. So as soon as you've selected a knob to work with, you can hopefully see on the camera that it is highlighted. So you can see that that's the knob that you're currently working with. And that'll be the knob that is going to be affected by this X-mod and X-end section down here. So we've got the LFO or the X-mod, it does a little bit more than just LFO actually. But let's start with the envelope here. So if I want to apply a pitch envelope to this, just turn up the amount. It's bipolar so we can go down as well. And then we have an attack and decay control for this. So if we wanted to do something a bit, go back to the sine wave there, drive it into the filter bit. You do have to be careful to make sure that you're not trying to tweak the thing that you've just touched. There's something that I keep doing. So if you want to know, if we could get sort of kick drum territory, then the answer is certainly yes. So perhaps this might be a synth that you could turn into a drum machine. Perhaps that's foreshadowing for another video. So one place this is sort of obviously applicable, if we just get rid of the amount on there, is that we can now decouple the filter and the amp envelope. So we're not sat with this sort of 303 limitation, whether you have to move together or you have a gate. We can have a hybrid of those two things. Perhaps we can set like a longer amp envelope. And if we turn up the envelope out here, it's going to have to follow that long envelope. It also has to have that instant on. But if we want to modulate the cutoff separately, we can select the cutoff and we can apply an amount to it. So now we have separate filter and amp articulation. Lovely brassy sound. The filter on this is really nice. So you now have separate articulation over the filter and the amp, which immediately opens this thing up a lot more from that perspective. You also should be noted have separate articulation in this way over the two oscillator because the mixer is not just a passive mixer. It's a VCA that we can control here. So perhaps if we can just remove that just for the sake of hearing what's going on. So here we've got our oscillators tuned differently and perhaps we want this fifth above to fade in a little bit after we've started playing the note. So we can turn that one down because this is the last knob that we touched. We can turn up our amount here and have it fade in over the course of the note instead, which is a really nice option to have. So one place this could be really fun to apply a separate envelope to something would be maybe the FM amount. We'll switch back to sine waves for a second. Get this in tune. Maybe we'll just turn down oscillator one just for a second. Here we've got that lovely FM thing going on there. So perhaps having that FM knob being modulated so we basically have an analog to op synths. So we've got essentially analog cross mod happening here, which is through zero, and we have a separate envelope for that particular control and of course we could have separate control for the cusp as well if you wanted. Cool, so we've got that short FME attack there and then a longer sort of standard sound happening at the one pass. We'll just turn the FM up a little bit so it's just still a bit of FMness happening there. So this is probably a good opportunity to show another feature which is related to the X-Mod but is kind of also part of the sequence as well. So I'll just put down like a really basic just random notes. So we've got just some... just some notes. And at the moment that FM is obviously happening each time we play a note, as one would expect. But what we can do with our X-Mod here is if we hold down these two buttons we can start putting down steps on the sequencer which will decouple it from the note on. So rather than this envelope triggering each time a note plays it triggers per step on the sequencer. And you can do this with pretty much all of them again per knob. So if we just wanted that first one to be FME make sure that we've actually selected the right knob. That's what that's going on there. Here we go, let's try that again. There we go. You need to make sure you're on the right knob. The first one is playing that envelope but we don't have to have it on a note on a tool so we can have it in between notes. So we can get these terrible things happening in the sequencer and it can get really groovy. Especially when you just kind of catch the tail end of a note there or something like that. We've got our filter being separately... being triggered here as well aren't we? We can do the same with this but put them on different places. Which is really, really good fun and an incredible way to get more complex sounding sequences even if you're just sticking with the 16 steps and this does 68 steps, 64 steps in total I think into that filter a little bit. So yeah, we can get to a place where each of the different envelopes on each of the different knobs could be sequenced separately to the notes that are actually playing to get all of these really, really interesting patterns happening. Let's put a bit of reverb on that just for a second. And of course we could have the filter tweaked a little bit by the main envelope as well if we wanted. Still works. So that's really good fun as well. So we've spoken a lot about the X-end and there is still one trick I want to come back to it with but let's talk about the X-mod instead. So this is where our LFOs plus some other things live. So as a basic example if I wanted to apply a filter sweep we could select our cutoff turn up the amount and as our lovely filter sweep. And by default this is going to be a free running LFO we'll look at some of the other modes in a second and we have various different waves by tapping the wave. Make sure we're actually on our filter again. That's a sine wave instead. You can hear that's free running as well. There's our square wave. We've got our saw and if we want it to go the other way we just invert it. Then we've got sample and hold, random. And this goes really slow at the far end so if we come back to our really slow get the picture and at the high end we do stop just short of audio rate but don't worry about that. We'll get back to that. So we can have various different parameters all wiggling around a little bit so maybe we'll take the filter and their wave shape and we'll bring in oscillator 2 and have oscillator 2 gain staging and have oscillator 2 move separately as well and maybe the filter mode as well that we're going to really slow perhaps and we'll slow down a lot. And we can get loads of movement in here across loads of different parameters. They're all out of sync with each other so you get these constant interactions and we have FM between the two to get some grit. Loads of lovely things. I'll just stick some reverb on that. Just loads of lovely movement. Gorgeous stuff. So that's free running LFOs. We can also tempo sync them to the sequencer as well so if I just make a nice sound there it's just a generally good sounding thing. So there is a sound for us to start working with but perhaps we want to modulate our cutoff with a tempo synced LFO so we can select the cutoff and then if we tap type once it should see it starts pulsing and that's going to tell us that the LFO is now tempo synced. And so we can apply... you should hear that's locking to steps which is a different wave type. And maybe if we just track down some steps. So it's tempo synced but not to like sixteenths so we get these nice sort of... shifting patterns with our LFO there. There we go. It's a nice filter separate hold there. So we can tempo sync them to the sequencer if we want to. So we've seen that we have free running LFOs per knob we have tempo synced LFOs per knob. The final mode however that the export has is probably the most exciting for me actually let me show you. So if I turn the oscillator 2 as well maybe choose some just off triangle waves or something like that. Okay so let's go to the volume of oscillator 2 and we'll tap type twice and it's going to go solid and that means we're in the third mode for our X-mod which is audio rate modulation. So we're now going way past LFO place and we're starting to introduce new harmonics and side bands by modulating things so fast. Now the thing that's really really important about this so we're modulating the volume of oscillator 2 here the thing that's really really important about this is that this modulation amount sorry modulation rate I should say is related to the frequency of oscillator 1 and it will track it as you play across the keyboard which means that we've introduced these new harmonics and they're going to track across the keyboard and obviously the relationship between the pitch of oscillator 2 and oscillator 1 is going to give us different things so if I turn down that amount you can hear that we're introducing these additional harmonics and we can adjust what those harmonics are by changing the rate of the LFO or not LFO anymore, the X-mod and they're going to track across the keyboard and because we have an X-mod per knob essentially we can do this for lots of different controls and have them, although they're related to oscillator 1's pitch have them offset by a different amount to get different flavours so for example we can come to our cutoff here and go into audio rate mode that with some envelope amount careful with the gain staging if you're modulating lots of things to do with volume introduce some actual FM between them here's one, how cool does it sound when you do audio rate modulation of the resonance of a filter really cool as it turns out reverb, band passi so you kind of get to this place with all this audio rate modulation and the fact you can layer it up with different amounts to creating this sort of like I almost describe it as like analog masquerading as digital like you've still got that instability and dirtiness from all the analog stuff going on here but sparkly and harmonically rich and different overtones that you can't usually create just with standard analog waveforms without maybe going into something like wave folding or something I think this is where some of the really really fantastic aspects of this device really come into place and there's one more thing we can do to shape this functionality if you like so I've just for the sake of clarity just come back down to a initialised patch so let's go back to maybe doing audio rate modulation of our cutoff tap type twice creating an extra pitch in there a bit more to work with so obviously a very cool sound so at the moment that additional coolness of that sound is static we've got that additional overtone created by the audio rate modulation of our cutoff but it's kind of just static in the sound so what we can do if we hold down funk and tap I'll make sure we're on our cutoff first hold down funk and tap type and wave together you can see that the amount knob here starts flashing so what that means now is that the X envelope is no longer modulating the cutoff it's going to be modulating the amount of the X mod for the cutoff don't worry so let's just turn this back down back to our bass sound that we can barely hear because we had so much grit with that cutoff and now if I turn up the amount on the X envelope this is now modulating this amount for the cutoff and like how many analogs since have you heard that do that because this sounds like it's coming out of like a DX sound or something right and of course we can still offset the amount we just want a little bit of it I mean this is so far away from what you expect a two oscillator modulator to sound like let's do the same with the resonance shall we let's find a nice so that's creating a load of extra grit at the start there but perhaps we don't want that grit all the way through perhaps we just want a really strong attack so again we can tap those together it starts flashing turn that down just get that attack at the front end now and perhaps we could do the ring mod thing with oscillator 2 again so select oscillator 2 then we'll tap type yes and perhaps we want that one to fade in instead so we could again double tap there put some effort between the two if you ever wanted your analog mono synth to sound like a sound blaster keyboard and I do give it some reverb fantastic and all that while we're getting all of this what feels like digital glistening nastiness but it's still maintaining that sort of inherent analog flavour along with it all and sure we can make it do 303 stuff as well may pass that at this point and I think that's rather special because I don't have another analog mono synth that can do that kind of madness push the sound that far so anyway I hope that was interesting I think this is a fascinating synth especially when you get into this audio rate stuff and the independent triggering of the XM for stuff outside of the note on stuff within the seems to have a bunch of other interesting tricks up its sleeve including parameter locking or parameter offset locking in the case of this which allow you to create really really complex, interesting performable sequences and maybe just maybe you can also turn into a drum machine using some of those features perhaps just maybe that might be a video that I show off in the future but for now that's cool for now I think we will leave the mono to create its interesting sounds and we'll return to another day so thank you so much for watching until next time until next time take care bye bye


I'm standing in Samara Mashal right now one of the major streets in Harare and in this street you find the Reserve Bank of Zimbabwe and the National Parliament offices. You also have our beautiful Buyanihanda statue that was installed recently. This statue as a fun fact it rotates 360 having a view of every single part of this beautiful city. Come on now our ancestors are always completely looking over us. I really love the fact that Samara Mashal also has Zimbabwe woman's bank that's also located in this street. It's so busy that during traffic hours though you really can't stress us about it but it's so beautiful and we love to see it.


Good morning, everyone. Welcome back to my channel. If you're new here, my name is Sepi and today I'll be walking you through my morning routine. As you can see, I usually get up and check any important emails first on my phone Then I make my bed Then I go to the bathroom and wash my face today and my Neutrogena gel had run out So like a true Iranian, I filled it up with water and shook it and hope for the best and then put it on my face Then I started to brush my teeth using my Dr. Soul toothbrush. It's really good really soft and gentle on your teeth Really cleans it well eco-friendly and only cost four pounds. Make sure you check it out. I Always need to moisturize my face after I wash it because I have eczema so my skin gets really dry This is the Sephora moisturizer that I'm using here and it's really soft and gentle on my skin Although my skin's quite broken out right now, which is why I'm using this clean and clear rapid control spot treatment It's really good I put it on all the areas where I'm breaking out and it really does help to reduce the inflammation and redness in that area Then I got changed super fast as you can see Into some comfortable stretchy gym gear mainly because I was going to work out later on in the afternoon So I like to just be dressed and prepared for it and I put on a yoga with Adrian It's really good. Some days you do morning yoga some days you do morning meditation and it's available on Amazon Prime But also she has her own YouTube channel. So I basically just followed that today was a meditation day So I just did some meditating. I Don't think anything can make you more productive in the morning than just taking five to ten minutes in order to meditate clear your mind and your thoughts and Just be at one with yourself it really helps you to have a calm start to the day and Leave you feeling really refreshed If I start the day with meditation Then I usually go on to do a few stretches because I haven't done any sort of yoga So it does really like warm up my body and get me really stretched out Especially in the cold weather I do feel like I wake up in the morning with quite stiff joints And so stretching them out really does help me to be more flexible and relaxed in my own body throughout the day Then I go on to my most important meal of the day, which is a coffee Obviously coffee is not a meal. I'm just joking, but it is very vital for my productivity of the day And then I go on to have a little chat with my dad who tells me that I take after him in terms of being very active As you can see from his dad board, this is clearly not true Show us your cavities dentists I'm sure you do. All dentists have bad teeth Dentists have the best teeth. That's why they all become dentists just show off how nice their teeth are Oh, who is that a narcissist on the wall? Look at that Tis you And Also tis you I then take my coffee upstairs to my room and look at a couple of important apps on my phone No, not instagram the secret daily teachings app, which has really nice quotes on there One for each day of the year And then another app which I love is called grateful where you basically Make a list every day of things you're grateful for it gives you different prompts And you don't have to do it every single day, but I do feel like every time I do do this I feel quite happy with myself and all the things that I am happy about It just really helps me to start the day in the right frame of mind I then go on to do my makeup today I was joined by my sister sol Usually when it's the weekends my sister and I we do makeup together and it's always in my room because It has the best lighting believe it or not even though we're kind of sitting against the light here And we just catch up on everything that we have to do in terms of our own personal goals our work together in the clinic And anything else we want to chat about including gossip. That's my final finished makeup And then I'll just get changed for the day and get my day started really Depending on what day it is I'd either go to the hospital for a shift Or I'd go to the clinic to see some clients or film for youtube and shoot for instagram So guys, this is basically how I start my mornings most days if I am working in the hospital Then my coffee will just be takeaway to go But today is my day off, but I use all of my days So even my days off aren't really days off if that makes sense Um, so yeah, welcome to my mornings. You guys probably would have noticed that I skipped breakfast I don't recommend this for everyone, but I'm just not really in the breakfast zone right now. However, I'm trying to change that um, I want to start incorporating like porridge and stuff like that into my morning breakfast routine, but it's all about having time Which is so bad. I don't have time and I'm usually not hungry Which doesn't encourage me to make time for breakfast, but I want to change that about me before I sign off on this video I just wanted to come on here and tell you guys that No perfect morning routine exists and being productive is all down to what your goals are and what you want to achieve for that day And it doesn't have to be like doing the exact same thing as me or someone else you've seen on youtube or Someone you look up to it's all about being the most efficient as possible for you and doing what's right for you If for you is better to set your alarm allow an hour earlier And feel like you've had an hour long lie in and that will make you more efficient than do that I just don't want you guys to think that like the way I do it has to be the perfect way to do it or Anything like that because I think you shouldn't put a lot of pressure on yourself I think if anything the previous year taught us that we should go a bit easier on ourselves Especially with everything going on in the pandemic. I know a lot of you guys who watch me are students or your fellow junior doctors and you always message me about your You know worries about school and exams and like everything that's going on in your life that you're kind of putting your pressure on yourself about and I think just my message from this morning routine Is starting from the morning Be kind to yourself Don't set unrealistic goals for the day set things that you can actually feasibly achieve Otherwise, you're just going to be upset and disappointed with yourself for not achieving something that wasn't even achieving Achievable to begin with you're setting yourself up to fail almost if you set yourself up with too many tasks So be kind to yourself be kind to yourself. I don't always Meditate every morning or do yoga every morning But whenever I am stressed I do try and wake up 10 minutes earlier and do a morning meditation or a morning yoga And I really want to make it something part of my every single day routine Because it just makes you feel so much better and you're in such a better headspace for the day So those are a few tips that I have for you guys. I also want to make a video about Um, how to set new year's goals and be successful in the year last time I did this In january setting new year's goals in a youtube video that year my youtube really took off I always look back at that video and it makes me smile that like the energy that I put out there came back to me And I want to talk to you guys more about energy as well So if you guys are interested in that video then comment down below and I can film that for you guys I love you all so much and I just want to wish you a incredible year ahead I want it to be filled with happiness for you guys filled with love I hope that you guys overcome any difficult obstacle thrown in your way anything you're dealing with right now I am sending you so much energy and love. I just hope that you guys are safe happy and blessed Don't forget to check out my socials. They're always linked down below. My instagram is pahjan bunny My snap is seppi samai And my clinic instagram is dr s aesthetics and I'll be going so much and I'll see you next time Bye


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Hi everyone, Joe for Jaspy's casebreaks.com coming at you with 21-22, upper deck artifacts hockey. Just dropped yesterday, five bucks. Pick your team number two. And if you bought at least three teams right here, you get a chance at, you get some entries and you get a chance at a sealed box. Big thanks to this group for making it happen. Appreciate it. You're on Thursday the 29th. Got Terry with that double last spot mojo to close out the break, appreciate that. And we knocked this out straight up. I also appreciate that. All right, so you see, we mark these two. So we know they're the second half of that inner case we popped open last night. Let's see what we got here. Good luck. Trying to get the Thursday night football game. There we go, got Thursday night football game up on one of our TVs. Unfortunately, no, that's not the rules, Terry. We just can't change the rules midstream.  You know, and then people would say I'm only playing favorites with Terry, and then people stop buying at Jaspies, and then we'll go out of business. And then next thing you know, we're stuck selling vet commons underneath the bridge just trying to get by and be homeless. Who knows, and you'll never see us again. 178 out of 799. That's Wyatt Kalanuck, dual relic for Chicago, the Blackhawks, that'll be for Scott, and the Blackhawks. And Matthew Barzol for the Islanders to 65, that'll be for Chris. Max Packier ready to 299 for Vegas, that'll be for Arthur. Tanner Genot, 375 out of 999 for Nashville, that'll be for Terry and the Preds. Oh, Hovart to 299. Got NHL preseason happening, which is nice. Basketball preseason. A regular season action before you know it. There's Claude Giroux, Artifacts Orem, for the Flyers, that's gonna be for Chris. All right, yeah. Dolphins drove down the field, but having to settle for a field goal. According to our friend Logan Collister, these are the only three points that the Dolphins are gonna score all night. There's Martin Neckis, Martin or Martin, don't know, but Josh with Carolina, maybe he knows. Right, Logan's score gets still on the table. There's Mark Giordano to 499 for Calgary. Next box. And Terry's still standing by his six touchdown prediction from Tua. How often has someone thrown, thrown six touchdowns? I feel like that has not happened very often. I think Nick Foles threw seven against my Raiders a while ago. Six, seven touchdowns does not happen too often. How often has a quarterback done six touchdowns in the same season? Four, wow. Four passing and two rushing touchdowns. Terry's getting more specific, is there a prop? We should have put a couple of bucks on a prop there for that. NHL remnants, Mika Zvenyad, piece of his jersey going to Lewis and the New York Rangers. Phillip Forsberg to 85. Got Netgear, Jacob Markstrom for Calgary. That's gonna be for Eddie H. But so in the history of the NFL, six passing touchdowns has been done 47 times. More than I thought. I thought it'd only be like half that. We got Threads of Time, T.J. Oshie for St. Louis. That's gonna be for Matthew Wood. Got Ilya Sorokin for the Islanders. Our shipping and sorting team will top load all those before they get sorted and shipped out. Eli Tovanyan to 499. Got Anton Lundel to 999 for Florida. Hopefully any of our viewers or listeners in Florida, hopefully you guys are doing okay after the hurricane. Next box. The record is seven. It's been done eight times. I need to make that a smart TV. I may need to get like a little fire TV, sort of dongle, dangle. Terry, your sister and niece are in Sarasota. It's bad out there. Yeah, a lot of people without power, a lot of flooding. Looks bad. MJ, what's going on? Sean, what's going on? Yeah. So far, not good. The Josh McDaniels experience. Looks like whatever adjustments the team has to make is the new coaching staff and everything. It'll take a little bit longer than we most had expected or hoped. Capitals, that's gonna be for Eddie H. It's the Ovechkin, two-color dual rally. Terry's very bullish on the radius. Those are auto facts. Evan Bouchard for Edmonton. That's Gerald with the Oilers. And that'd be amazing if that happened, but I'm not holding my breath for 12 or four. It's David Perron for the Blues and Peter Forsberg for the Flyers to 4.99. But yeah, some McDaniels play calling has been called into question. I think there's some, another autograph. Sasha Kamelveski for San Jose. That'll be for Arthur King and the Sharks. I think there was a game, I think the Arizona game where the defense was kind of gassed and chasing Kyler Murray around. And McDaniels called like three passing plays, only took like nine seconds off the clock and then there goes the defense back out in the field. And the defense is actually, that was the worrying part for me. Cam York, 30 out of 3.99, but the defense has actually been decent, Chris with the Flyers. Alexander Barkoff to 2.99. And like, I feel like Josh Jacobs' yards per carry has been decent. It's a decent number, but the number of carries per game is not very high. I think they, they gotta try to do more with that, more with kind of establishing the run a little bit. First, all about that balance, but that balance isn't doing quite there yet. Yeah, Shawn the Patriots fan, struggling also. Yeah, how long is Mack Jones out? That's not good for the hobby. High ankle sprain maybe, possible surgery. Corner Belichick day to day. Well, I trust Belichick for sure, but not his coaching tree. Turns out that it's all Belichick. He's the guy. All right, next box. Another dual relic here. There's a Grigori Denisenko, two-color dual relic for Florida. That'll be for, that'll be for Eddie. Now check that, Jordan and the Panthers. And we got a Saku Koivu for the Canadians, Montreal, Gerald with Montreal. What's up next that is not sold out? Well, it has to sold out. Sell out to be next, Travis. So check the site, jasphyscasebreaks.com and sell us something out. We can get it on the schedule. Rasmus Capari to $4.99. Except for the older fans, Terry. Yeah, Shawn White's like, I'm old enough to know the struggle before Tom Brady. But any kid like born like in 2000 and on, they've known nothing of Boston sports struggles. Oh, hip rate is done, nice. So we'll add that to the schedule after this break. And then, whatever else is after that. You control what's next, ladies and gentlemen. There's Miko Retanian for Colorado. That'll be for Scott and the Aves. And the fifth and final box. Yeah, Shawn White's like, all the young ones around here are spoiled. I remember we sucked at all sports. But yeah, since 2000, let's just say, if you were born in 2000, they've seen like two Red Sox World series, you know, a bunch of Patriots wins. And has the Boston Bruins? Celtics have won, for sure. At least one title, maybe two. Bruins? Have the Boston Bruins won? Stanley Cup since 2000, maybe. There you go, three Red Sox World series wins.  There's Bo and Byron. The year one rookie sweaters for Colorado. It's gonna go to Scott. Roman Yossi for Nashville. Matthew Kachuk to 9.99 for Calgary. Seth Jarvis to 9.99. Jarvis? Jarvis? I don't know why I said Jarvis. And an autograph for Colorado. Phillip Grubauer for Scott and the Aves. Kayle McCarr also for the Aves to 4.99. Got Trevor Zegras for the Ducks. That's gonna be for Gerald. Andre Vasilevsky to 1.99. Pierre-Luc Dubois and Andre Pallet at the end. There you go, gang. Nice little artifacts break in the books. We got some more in the store if you wanna run this back. The next five box break will be from a fresh inner case. Now, let's flip back over here. If you bought, if you followed the instructions, basically you get a chance at a sealed box. You gotta buy at least three teams to get an entry. So, let's make that a little bit bigger. Let's alphabetize by your first names. Arthur bought three teams, that's an entry. Chris bought six teams, that's two entries. Chris Maxwell, Eddie bought four teams for the purpose of the promo. Three counts, still an entry. Gerald bought three teams, that's an entry. Jordan bought three teams, that's an entry. Matthew Wood bought three teams, that's an entry. Scott with two, Terry with two, all right. That's some really good odds. One in seven chance, right there. Just wanna make sure I got everybody. These are all one teams and then Matthew and that's it. All right, yeah. Great odds here. New dice, new list, name on top after four and a two, six times, we'll get that sealed box of artifacts, the current artifacts. One, two, three, four, five, and sixth and final time. Congrats to Jordan. There you go, Jordan after six gets the sealed box going your way. Great, thanks for watching, everybody. I'm Joe for Jaspy'scasebrakes.com and I'll see you next time for the next one. Bye bye.


Everybody forced to it ripping 2022 times chrome update baseball sapphire edition five box number 13 random team style You can always find the results on screen a late in sports cards.com. Let's go ahead and get started. All right We'll recap the color at the end race elder of a sale Garcia dancing in Detroit Roberto Perez Max Scherzer Nixon's a green many pina for the Braves there number to 57 to 75 Phoenix Sanders and Dustin Knight for the rays Duffy 3000 hits Miguel Cabrera Manny Pina Eric Tames About smack Donnie is not here tonight Tapia Kenley Jensen Blake Shinin and Clint Frazier. No, they just got a little curve to him It's nothing crazy for a chrome car. Just how some chrome cards are Francisco Morales the invoked Picture perfect Padres in a Ryan Presley Gold coming up. Why do you hate it? And a rookie debut Brandon Marsh for the Angels number to 50 of 50 nice one there The top lures that doesn't change the grade it affects the cards great in no way Yeah, yeah, he did yeah, it comes rookie debut if you don't rule on Anthony Bass No, you know, we switch around the schedule a bit. I got Dylan tonight I got a Sean's a protege a rookie debut hunter green John and Loisiga Stars collide and Eric Tames Oh bend in a chrome card is no big deal whatsoever Also, how often do you have cards you want to keep outside of a top loader or some sort of protection? Simmons opening day Bronx bash there Dickerson is your loop low nachos Bel Grande sounds pretty good Jake Walsh Giants duo there a gold Jonathan VR for the Cubs numbered 43 out of 50 and a Eddie aces word Rodriguez Yeah, exactly. I mean any sort of chrome card could be like this tops chrome prism optic. I've seen them all Every single chrome card that you guys have purchased or opened at all. It can be like that walls strong fed a and Freeman Exactly had exactly Clevenger Royce Lewis base. Here we go twins Hunter Strickland and a Rylan Bannon.  Let's say Brewer's legend right there 46 to 75 Garrett and Cole Sands thinking magic by 45 tonight is what I would predict Yeah, he's the only one that scores in double digits for the pelicans though Right CJ Abrams nice when they're Padres East rookie, who do they hire again? I forget croissant about Tista. All right. I saw yesterday. I know his name I know he is I just I'm blanking you. I got I got Monday brain real bad Austin Meadows. I've been going all day today, dude. I left the house at 10. I didn't really stop Guys at the center. We got a gold Aaron bummer White Sox number 20 out of 50 And they a sergi aroma dude, I want to open some of that. Oh, we got sapphire Garbage yo kids Is it Javi Baez Matt brash debut the Nelson LeMay and pro far. I want to open some that's so bad though. Yeah Yon Gomes Dodgers all-time strikeouts eaters Kershaw box burger and Brendan Donovan. There's a debut J rod Mariners debut Bruhan Walton and Irvin Aaron Savale angels MVP caliber duel Here's smiley and Mackenzie Gore rookie debut Elliott Ramos Michael Franco a green Steven Duggar Giants 50 of 75 rookie debut Shane Boz a big parallel so we need here Full more Dakota Hudson Royals dual and Adam Engel last two and we've still got spots left for basketball tonight Full case is close to full full case. No full case is full for mosaic choice There's eight to go on five box mosaic choice number four Pitchcock so far. I mean, I like it I mean once people adjust and we get to a point where it works I think it'll and I mean, I'm maybe there'll be some tweaks, but I'm I'm for it I like the notion of having some sort of Something to make sure the game has moved along rather than Some of these knockdown dragout dot dudes in the mound for 30 seconds then steps off like you know what I mean debut Mackenzie Gore Andrew Stevenson Nico Goodrum say a Suzuki debut. I don't think it's perfect right now, but We're gonna get there we're gonna get there John Gray Matt Beatty and an orange Jake Fraley Reds number ten or 18 to 25 Arias debut Bryson start rookie base for the Phillies. There he is Jen Kowsky a Padres duel and Zagranke pride of the popka Gary Sanchez Joss Stamont Jace Peterson rookie debut George Kirby The lead was about to get timed out for these these puns Chris Paddock Simon was the Audi rookie Cole Sulser and Jorge Solaire Nesta Cortez JP Sears rookie Andrew Knizner and rookie Bobby Whit jr Congrats Royals in the Bobby Whit jr. Rookie base even the base you do well. This one looks pretty solid, too Yeah, I think of sapphires table as a staple product now Cooper Hummel Boston Flex Jeremy Payne your rookie now your Stroze That too I guess sunny gray driver story green Luke voids number 11 of 75 for the Padres We just had a whole discussion on this Preston, so I'm the pride of a popka. I don't live in a popka. Hey Congrats Finch Grats Congrats Illegal that's probably that's probably the way to say right there Let's just say late in sports cards is by far the best part of a popka Ricky Ryan Pepe out Reds duel there Twins and Mariners duel Yorme with a purple behind it is Giants duel Is it Helley Sean Helley and you near Marte nine of ten To Jesus Alvin Rodriguez Philly Phenoms Brian Lavastita Daniel Norris. Yeah, you can take that you can take the breaker out of a popka You can't take a pop out of the breaker Louie store 100 career over on Soto APK Castellanos second rider Harold Ramirez and Sam Hilliard Nick Allen Brad hand Manuel Castro James Norwood Jack Sawinsky rookie Sean Maniah Ross dribbling and Tyler Anderson Finally this game is about to start 15 minutes Alex Fayedo Brad Miller. You gotta yell Hernandez and Oscar Mercado and gold on the back We've got Joey Wentz JP Fireyzen and a gold Alex Colomay 35 out of 50 for Colorado in Kennedy All right, no big parallels. We'll get him next break Thanks for joining everybody real quick recap here So greens we have Luke voids Steven Duggar Eric Thames many pina golds. We had debut Brandon Marsh nice one angels Jonathan VR Aaron bummer Alex Colomay orange Jake Fraley Purple was the Giants duel there Sean Helley and Union Marte and base rookies of Jeremy Pena and Bobby Whit jr That'll do it. Thanks y'all other five box sapphire up next


inga mana, inga reo, inga hou e fa, tena koutu, tena koutu, tena koutu katoa. Pro-chancellor, vice-chancellor, university staff, special guests, graduands, whanau, and supporters. As Chancellor of the University of Auckland, I extend a warm welcome to you all on behalf of the council members and staff of the university. This is a meeting of the Council of the University of Auckland at which the pro-chancellor and I will confer diplomas and award degrees in the Faculty of Arts. Graduation is a time for celebrating success. Today you will experience the pomp and tradition of this ancient ceremony and the recognition for fitting your success on your well-deserved day of celebration. Like your family and friends gathered here, we are very proud of all your achievements and look forward to your lifelong involvement as members of the University of Auckland family. Of course, graduation represents much more than just the day of celebration. Your qualification from this university will have a lifetime impact on you, your family, and the community at large. We know that, compared to those whose formal education ends in high school, graduates have lower unemployment rates, higher salaries, better career prospects, and better health outcomes. University of New Zealand has estimated the lifetime benefits of earning a degree are valued at between $1 million and $4 million. So your university experience and the qualifications gained at university will thus add real value to your lives and to the lives of those around you. The fact that our university can add value in these ways reflects the abilities and achievements of our staff and students. In the Faculty of Arts we have seen several notable achievements in the last year. For example, Professor Margaret Mutu won the Royal Society of New Zealand Po-Aronili Award for her contribution to Indigenous rights and scholarship in New Zealand. Distinguished Professor Daman Salmond was elected an international member of the American Philosophical Society for her scholarship in anthropology and Māori studies. Dr Jake Mahaffey's film, Free Indeed, won the Oratsini Award for Best Film at the 72nd Venice International Film Festival. Dillis Johns was elected a fellow of the International Institute for Conservation of Historic and Artistic Works in London. In order to ensure that we can continue to achieve successes like these and to enhance our contribution to future generations of graduates and our nation, the university must do three things in my opinion. First, we need to attract students of high academic potential and give them an outstanding academic and extracurricular experience. In this respect we are doing very well. The proportion of domestic students entering the university with a high grade point average is growing each year and we produce outstanding graduates just like you. Second, we need to attract, develop and retain outstanding staff. This we are doing is illustrated by the achievements I described earlier. Many of our staff are world leaders in their fields and you have been privileged to learn from and work with them. So it's no convenience that in the QS world rankings of university subjects, the University of Auckland came top in New Zealand in 35 of the 40 ranked subjects and we don't even teach two of them. So out of the 38 subjects which are ranked, we are top in 35. I think that's a pretty good result. And third, we need to create the kind of academic environment and facilities that support and encourage excellence. To this end, the university has been investing heavily in its campus renewal programme so as to ensure that we do provide facilities of genuinely international quality. Many of you will graduate today with a first qualification and you will be rightly proud of this achievement. However, I also want you to reflect on the ongoing learning opportunities and the wide range of postgraduate options available to you at this university. You must never rest on your laurels in a challenging and ever-changing world, but rather be prepared to embrace change and new technology and make the most of the opportunities presented to you. Although it may seem a daunting prospect right now, further study and learning is inevitable for us all as the world changes around us at an ever-accelerating pace. So whatever path you follow, I urge you as the alumni of New Zealand's leading university to never forget your alma mater, your university. We rely on our graduates for support, moral, political and financial. But today is your day with a focus firmly on your achievement. At this ceremony, we honour your success, along with the support of your family, whanau and others who have sustained you through your studies. I congratulate you all and trust that you will long cherish the memories of your graduation today. I'm very pleased to extend a warm welcome to Kirsty Trail, who is the first speaker in this year's autumn graduation ceremonies and an alumna of this university. She holds a bachelor's degree in arts and commerce with Japanese and marketing her specialities. Kirsty is the vice-president of customer support at Hootsuite, the world's most widely used social media relationship platform where she is responsible for using customer insights to drive strategic initiatives and deliver a superior customer experience. The company is one of Fortune magazine's fabled unicorns, companies with a valuation of more than $1 billion. Kirsty was previously the chief customer advocate at Snapfish, a San Francisco-based online photo merchandising company. She has more than 14 years' international experience gained from senior sales and marketing operations and business management roles in the United States, Canada, Japan and New Zealand, where she has a track record of effective leadership in business transformation. Kirsty has been a long-term board member at Tandon Bay Area, an organisation focused on early childhood literacy. She enjoys snowboarding, hiking and travelling, and she is a certified rescue diver and yoga instructor. Please join with me in welcoming Kirsty. Chancellor, Vice-Chancellor, members of council, members of the university, graduands, families, whanau and friends. My name is Kirsty Traill and I graduated from the University of Auckland with an arts degree in Japanese and a commerce degree in marketing in 1997. Since graduating university, I have enjoyed a long career in the technology sector, which has taken me to Tokyo, Vancouver and San Francisco to live and allows me to travel the world all in the name of work. Today I'm here to give you my advice on how to get the most out of your degree and maximise your chance of success. Now that you have completed your University of Auckland arts degree, success really comes down to three key things. Purpose, passion and potential. Purpose. The Oxford English Dictionary defines purpose as the reason for which something is done or created or for which something exists. Ask yourself, why do you think you are here? What other key attributes or skills you have to offer? Fundamentally, what makes you excited to get out of bed in the morning? Find your purpose and pursue it relentlessly. That is the key to happiness. A great piece of advice that was given to me upon my graduation some many years ago was to not look for the job in arts, but rather to seek out the arts in the job. In moving to Tokyo, I took up a marketing role for which I had to communicate in Japanese every day. It was here that I found the arts in my job and enjoyed a wonderful three years, perfecting my Japanese language skills and making lifelong friends. Even today, in my role as VP of Customer Support at Hootsuite, a social media relationship platform, I find my arts degree helps me approach issues from a different perspective, particularly as the industry goes through a major digital disruption and the customer becomes king or queen. As an aside, New Zealanders are pretty cool people globally, admired for our work ethic, combined with our unique ability to remain humble and down to earth, as well as the attitude to think differently from the norm. Embrace this and use it in your life and on your travels. Elizabeth Gilbert, author of Big Magic, sums up purpose very eloquently as, do whatever brings you to life. Follow your own fascinations, obsessions and compulsions. Trust them. Create whatever causes a revolution in your heart. Which brings me to the second key to success. Passion. Passion and purpose are deeply intertwined. If you are having trouble finding your purpose, figure out your passion, for that will lead you directly into your purpose. Passion is what drives you to keep going. It's that feeling in the pit of your stomach or the tingling in the base of your spine when you know you're just doing what you love. Following your curiosity is a great way to helping you find your passion. After all, this is what led Steve Jobs to a random typography class that must develop his ideas and design. In doing so, he infused art into technology and revolutionised personal computing, music and mobile communication. Speaking of Steve Jobs, he famously once said, the only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. And with all matters of the heart, you'll know when you find it. Another example is Elon Musk, CEO of Tesla Motors, the electric car manufacturer. Musk is relentlessly pursuing ways to make the world a better place. And if that doesn't work out, we can all rely on him to get us to Mars on SpaceX. Or William Shakespeare, widely regarded as the greatest writer in the English language. He plays in 154 sonnets in a short 52-year life. It is very clear he was passionate about his work. Your arts degree has given you a good foundation in learning and shapes the way you see the world. Art inspires regardless of who you are or where you come from. Your degree in arts will help you see the world through a different lens. Use and apply this and never stop learning. As Friedrich Nietzsche, German philosopher said, is life not 100 times too short for us to bore ourselves? In doing so, I think he was giving us that permission to be the wedo who loves what they do. It makes life a heck of a lot more enjoyable, I can assure you. It is also important to distinguish between following your passion and cultivating your passion. Following your passion implies that you discover your passion in advance and then go match it to a job, at which point you're done. Cultivating your passion implies that you work towards building passion. This is a longer process, but it's way more likely to pay dividends. It requires you to approach your work like a craftsman, honing your ability and then leveraging your value once good to shape your working life towards the type of lifestyle that resonates with you. As arts graduates, you likely already know something about passion. A degree in arts is not completed by those who are merely ambivalent about their course of study. In this world of career focus, undertaking an arts degree is a big step and if not following your passion, then beginning to cultivate it. Just completing your degree and achievement in passion cultivation and for this, I applaud you. Potential. When it comes to your potential, dream big. Graduating today, I hope that all of you possess the thinking that you can be anything you want to be. You are only limited by your own passion. Tune in to your purpose, ignite your passion and think really hard about where it could possibly take you. Dream a little and then write it down. That may sound trite, however, a study by Gail Matthews, a psychology professor at the Dominican University in California found that you are 42% more likely to achieve your goals if you write them down. Just to be clear, reaching your potential does not mean rising to the top or making the most money. It means looking very hard at how you personally define success or your own path to get there. To do this, you need to possess a certain level of self-awareness. This means knowing what you are good at and where you need help. Understanding what stands between you and the next job and by that, I mean skills and not people and really taking a critical look at what you need to get there gives you the ability to start working on those skills even before the role is advertised or the job sometimes even exists. In today's technology-driven world, there are roles that will exist 10 years from now that we couldn't possibly imagine today. Dream big. Don't limit your potential and recognise opportunities when they come your way. Be open to the road less travelled. It may not be as popular, but it's a heck of a lot more interesting and you're guaranteed to learn much more along the way. Without a doubt, it's what led me to where I am today. University of Auckland, arts graduands of 2016. These are your three key elements for success in life. Find your purpose. Pursue it relentlessly with passion and never stop believing in your highest possible potential. Congratulations on your graduation. The end of your studies marks the start of an exciting world ahead. I wish you all the best on your journey. Thank you, Kirsty, for a most insightful and challenging address. Can you all join with me in thanking Kirsty once again? This is a meeting of council in Convocation of the University at which the pro-chancellor Scott St John and I will be conferring degrees and awarding diplomas. I invite the pro-chancellor to confer the degrees in the first half of this ceremony. By the authority vested in me by Resolution of the University of Auckland Council, I, Scott St John, pro-chancellor award the diplomas and confer the degrees stated upon those who within the Faculty of Arts have satisfied the requirements of this university. I call upon the Dean of the Faculty of Arts, Professor Greenberg, to present grand joanns in that faculty. Pro-chancellor, as Dean I have the honour of presenting to you, students qualified for the award of a diploma or conferment of a degree in the Faculty of Arts. Graduate Diploma in Arts Justine Lea Davies Jeane-Yang Wahanfu Lawiti Itila Masina Auliana Maiai Akura Temata Otahiti Makia Pardington Ruvia Rim to the degree of Bachelor of Arts Shalu Shazleen Aara Iman Abu Laila Marie Hope Adams Veronica Aguilera Morales Sarah Tuifonu Alava Latoa Aho Zuchair Al-Shakif Safa Muhammad Hussein Alawi Bridget Mary Catherine Allen Pee Allen Dunia Jisi Alvalachi Laura Holly Anderson Lisa Stephanie Anderton Samantha Hannah Andresen Georgina Frances Anton Nerissa Noel Appa Rebecca Louise Armiger Sarah Kiros Acefa Senior Scholar in Arts Gai Eastephanie Al-Yung Rebecca Kate Alsford Simon Thomas Baker Sarah Kiroz Acefa Senior Scholar in Arts Simon Thomas Baker Clare Elizabeth Anna Baldwin Melissa Ponpon-Boncock Llankey Bough Isabella Teresia Barker Mifanwydee Barling Suzanne Shannon Barlow Sophie Elizabeth Barnett Yasmin Kaila Barry Morgan Beth Bartholomew Charlotte Annalise Bass Laura Elizabeth Bates Jennifer Ann Beckham Andrew John Bester Niall Louise Ellary-McCarthy Bijou Monica Louise Elise Binney Elizabeth Grace Blair I'm sorry, Blair Finley. Sorry about that. Catherine Faith Jorina Lenkensop Madeline Grace Bloxham Daniel Sydney Bonner I'm sorry, I'm sorry. I'm sorry, I'm sorry. Daniel Sydney Bonner Matthew Brian Boniface Jacqueline Dominique Konseco Bocchiron Larissa Kate Bottomley Jessica Savannah Narcerian Burke Rayleigh Joy Bradfield Andrew William Brady Clark Andrew William Brady Clark Bertie Brent Lauren Jane Brentnell Tina Brooke Sean Kevill Justine Ann Brown Madina Melissa Hazelbrown Shay Lorraine Burgess Hannah Carol Burgoyne Louise Butler Jiu Tsong Tsai Rebecca Rose Cakebread Claudia Josephine Borham Case Abigail Collette Cowood Ximun Tsong Sanjoli Chaitanya Michelle Miriam Burr Lydia Alice Berry Chamley Chang Yen Chan Devneel Pravitesh Chan Navneet Ravikesh Chan Charlene Jocelyn Chan Harry Roy Chapman Anusha Gopalhrao Chebi Ji Jing Chen Suhyun Cho Eunsem Choi Michael Choi Jesu Chae Michelle Miriam Chamberlain Lydia Alice Berry Chamley Michael Choi Jesu Chae Yujin Chae Joey Chung Senior Scholar in Arts Sarah Jean Christensen Catherine Suki Chung Casey Julie Clark Senior Scholar in Arts David Rhys Cole Jordan Robert Coe Demi Renata Cox Angus George Craig Gemma Crawford Yu Astrid Johanna Crossland Daniel Charles Cross Heather Mary Jean Cross Senior Scholar in Arts Rose Tara Closier Sally Marie Curtis Steven Daryl Curtis Patricia Danielle Salas-Dakanae Natalia Damjanovic Paula Moto Juris-David Courtney Francis Davis Kavindri Kikini Sarangu Hewa Desilva Demden James Kim Devereaux Shaolin Renee Dick Karence Robert Dixon Kud Kristina Natalie Dow Astra Elizabeth Drucker-Michels Hau Leng Du Duan Zi-Fung Anna Jane Dekraff Melissa Madison Easterbrook Elizabeth Lani Anne Tohulalei Lauren Jane Ezner Corriada Mae Eramiha Maxid Lisa Erasmus Jordan Esikia Thomas Charles Everett Anna Elizabeth Faber Suzanne Lucy Farmer Zoe Janet Fenton Jessica Amy Field Gardinia Ivadni Misa Fifita Soli Marie Finboya-Dotter Heather Elizabeth Fisch Genevieve Shigwin Fitz-James Talia Amber-Fong Eilish Marie Ford Moraika Fusche Taliah Amberfong Eilish Marie Ford Moraika Fusche Taliah Amberfong Taliah Amberfong Taliah Amberfong Moraika Fusche Matt John Fowler Lauren Marjorie Fudder Anna Diploma in Languages Pro-Chancellor, I now call upon the Deputy Dean of the Faculty of Arts Professor Luciano to present further graduands.  One of the great pleasures of graduation is the opportunity to hear performances by students from our acclaimed School of Music. Brigita Balsat on violin will now perform Obsession by Eugene Eisee. Thank you Brigita for that wonderful performance. Ladies and gentlemen, please join with me again in thanking Brigita. If you would like to hear more from our wonderful young musicians, I invite you to attend the Graduation Concerto Gala Competition to be held in the Town Hall on Thursday 12 May at 7.30pm. Admission is free. By the authority vested in me by resolution of the University of Auckland Council, I, Ian Parton, Chancellor award the diplomas and confer the degrees stated upon those who, within the Faculty of Education and Social Work, have satisfied the requirements of this University. I now call upon the Head of the School of Humanities, Associate Professor Campbell to present further graduands in the Faculty. Lea Constance Rose Morris Brittany Grace Mullochrain Munson Mamaroa Heath Munn Rebecca Joy Murphy to the Degree of Bachelor of Theology, Michelle Clare Bull Alexander Bruce Tipping Smith Keisaya Tapu Elu-Elu Immanuel Prakash Baladum Roseanne Elizabeth Wills to the Degree of Bachelor of Arts Conjoint, Geoffrey Bynart Smollan and the Bachelor of Laws and the Bachelor of Arts and the Bachelor of Laws Andrea Ching Chung and the Bachelor of Commerce Alexandra Mead Cliff and the Bachelor of Commerce Senior Scholar in Arts Robert Edward Drummond and the Bachelor of Science Tanya Emma Fonseca and the Bachelor of Music Kieran Mark Gainsford and the Bachelor of Science Frederick Harold Gillies and the Bachelor of Commerce Shaon Ying Gong and the Bachelor of Science Cody Patrick Header and the Bachelor of Science Samuel Jaffe and the Bachelor of Commerce Sarah Pearl Emily Laycock and the Bachelor of Commerce Anastasia Leskaba and the Bachelor of Fine Arts Honours with 2nd Class Honours 2nd Division Louisa Lynn Bue and the Bachelor of Science Zachary William Partoo Lowland Ting and the Bachelor of Commerce Ashley Mae Martin and the Bachelor of Commerce Mitchell James Mentor and the Bachelor of Commerce Oliver Baxter Mills and the Bachelor of Science Kaitlyn Ariane Phillips and the Bachelor of Commerce Bronwyn Rebecca Presland and the Bachelor of Science Um Ibenin Kazi and the Bachelor of Commerce Hannah Laura Spencer and the Bachelor of Health Sciences Osilin and the Bachelor of Commerce Samuel Alan Biskavich and the Bachelor of Commerce Alexander James Swarsh and the Bachelor of Commerce Ashley D. Williams and the Bachelor of Health Sciences Frendyn Michael Wong and the Bachelor of Commerce Surji Wu and the Bachelor of Commerce Kana Yamasaki and the Bachelor of Commerce Postgraduate Diploma in Translation Studies with Distinction Michelle Robin Edwards Riann Wences and Roberta Horn Lai Xiaotuong Nadia Nell Zhen Zhen Wong Postgraduate Diploma in Translation Studies with Merit Mae Wen Fan Chilert Jin Adele Joan Masters Postgraduate Diploma in Translation Studies Sarah Durich To the Degree of Bachelor of Arts Honours with First Class Honours Tessa Samantha Baines in Criminology Mary Grace Barmas in Employment Relations and Organisation Studies Samantha Joan Barnes in Psychology and a Bachelor of Arts Faculty Graduate Scholar Rachel Ann Berryman in Media, Film and Television Laura Marie Conroy in Ancient History Maria Therese Corken in Psychology Nicola Mary Corner in Criminology Makaila Ann Curtis in English Sophie Iris Helen David in History and a Bachelor of Arts University Graduate Scholar Andrew Francis Xavier Dawson in English Julian Murray He De Bruin in Politics and International Relations and a Bachelor of Arts Jessica Marjorie Douglas in Art History and a Bachelor of Arts Conjoint and a Bachelor of Commerce Ashley Jean Flavel in Ancient History Lauren Elizabeth Ann Fowle in French Sarah Louise Forgeson in Anthropology Nuzh Jessica Franklin in Psychology Faculty Graduate Scholar Natalie Sarah Germann in Psychology Madeline Violet Gifford in Art History Lillian Charlotte Hanley in Media, Film and Television Danielle Joy Hay in Psychology Jordan Alex Houston in Ancient History Elyse Anita Lockhead-Huggard in Ancient History Lucy Irwin in History Lloyd B. Vincent Johns in Anthropology Turin Huirau-Jones in Drama Pauline Barbara Kajatanawitz in French Rowan James Clevstall in Art History Graham Robert Lees in French Amanda Grace Sushen-Giu in Drama and a Bachelor of Arts University Graduate Scholar Robert Peter Loretts in Philosophy Gemma Ann Mansel in Art History and a Bachelor of Arts and a Bachelor of Arts Conjunction and a Bachelor of Arts Conjunction and a Bachelor of Arts Conjunction Gemma Ann Mansel in Art History and a Bachelor of Arts Andrew Robert Mackendo in History Alexandra Jane McIntyre in History and a Bachelor of Arts Charlotte Rachel Thea Moss in Development Studies Stefan Nicolich in Philosophy Allison Rachel Officer in Geography Sujin Park in Spanish Emily Louise Kelly Robertson in Politics and International Relations University Graduate Scholar Thomas Duncan Robertson in Mathematics Eden Shana Rogers in Ancient History Fiona Suzanne Bryson Ryan in History Anya Domino Maria Samara Sing in Art History Kiran David Beaver who's Sinclair in History Mariana Stetsive in Politics and International Relations University Graduate Scholar Declan Alexander Lidington-Thompson in Logic and Computation Faculty Graduate Scholar Taiko Rose Vandenberg in Psychology Kareen Angelou in Art History Courtney Joan Wentz in Art History Emily Rose Wheelan in Psychology Senior Scholar in Arts and University Graduate Scholar Samuel James White in Mathematics and a Bachelor of Arts Emily Louise Whitehead in Ancient History Jed Taylor Wilkins in Psychology and a Bachelor of Arts University Graduate Scholar Prudence Sophie Mary Wilson in Sociology Emma Grace Ray in Art History Senior Scholar in Arts and Faculty Graduate Scholar Jules Chung Jin in Screen Production and a Bachelor of Arts and a Diploma in Languages To the Degree of Bachelor of Arts Honours with Second Class Honours First Division Mark Hozonio Argiefsky in English and a Bachelor of Arts Georgia Kazinas Casey in Art History Michael Rutherford Chapman in Geography Michael Grant Clark in Media, Film and Television Seian Savaro-Cotigno in Media, Film and Television Oliver Ambrose-Cull in Geography and a Bachelor of Arts Sophia Charlotte Dawson in Psychology Annette Francis Docking in English Gordon Stewart Lowntz Elder in History Kirsty Jane Hamilton in Screen Production Daniel Waruheke in Ancient History Zoe Catherine Lovatangoloa Henry in History Vari Catherine Lennox in History and a Bachelor of Arts and a Bachelor of Arts and a Bachelor of Arts Vari Catherine Lennox in Screen Production Amy Lynn in Media, Film and Television and a Bachelor of Arts Ashley Ruth Littlewood in Art History Tommy Sokan Long in Politics and International Relations Rachel Jocelyn Longshore Park in Drama Sophie Mianmi McEwen in Media, Film and Television and a Bachelor of Arts Sarah Ann McLean in Criminology James David Murray in Employment Relations and Organisation Studies Millika Sela Agapi Pumana in Anthropology Sonja Diwela Pope in Education Georgia Margaret Kirk-Luping in English Jet Hartley Crue Sharp in Sociology Daniel George Smith in Criminology Lee Thompson in Psychology Sophie Jane Taylor Woolwich in History and a Bachelor of Arts To the degree of Bachelor of Arts Honours with Second Class Honours Second Division Shao Kalshaw in Politics and International Relations and a Bachelor of Arts Michelle in Politics and International Relations Amrisha Sumaran in Politics and International Relations Maria Adrianna Wheeler in History To the degree of Bachelor of Theology Honours with First Class Honours Therese Kiley To the degree of Master of Arts with First Class Honours Alexandra Susan Bonham in Drama Vanessa Day Cole in Sociology University Graduate Scholar Hilary Dancy Dutton in Education Eloise Joy Hoffman in Anthropology Natalie Joon-Jark in Sociology Veda Abdul-Kadam Jerala-Jabbar in Politics and International Relations Yali Liu in Applied Linguistics George Oliver Mason in Translation Studies and a Bachelor of Arts and a Postgraduate Diploma in Translation Studies with Distinction Joseph Daniel Mills in Anthropology University Graduate Scholar Finn William Morrow in Sociology Nerti Singh Nanda in Psychology Nerti Singh Nanda in Psychology Nerti Singh Nanda in Psychology Nerti Singh Nanda in Psychology and a Postgraduate Diploma in Arts with Merit in Psychology Neha Patel in Ancient History Bahri Nicole Penman in Ancient History Angela Blinda Rapson in Sociology Simon Edward Underwood in Ancient History Yasmin Rachel Strauga Wally in Geography Hannah Christine Wilson in Politics and International Relations Stephanie Marie Wilson in Development Studies To the degree of Master of Arts Honours with First Class Honours Honours with First Class Honours To the degree of Master of Arts with Second Class Honours First Division Inga Farooq Abdubaki in Applied Linguistics Yuko Araki in Applied Linguistics Sarah Marguerite Jacobs in Museums and Cultural Heritage Thiede Yang in Translation Studies Dennis John Mackasack in Development Studies Taylor Amy Jane Pitt in Drama Shreeta Mayuri Ryan in English Zhong Sun in Translation Studies Maxwell Alivar in English Shreeta Mayuri Ryan in English Shreeta Mayuri Ryan in Translation Studies Maxwell Alexander Presto Tarrant in Politics and International Relations Benedict Isaiah Alves Wee in Media, Film and Television Chen Wang in Applied Linguistics Yuan Xu in Applied Linguistics To the degree of Master of Arts with Second Class Honours Second Division Jing Wen Anet Chu in Politics and International Relations Arn Jo Jo in Translation Studies Amanda Shelley Urntio in Art History an A Bachelor of Arts Honours To the degree of Master of Professional Studies with First Class Honours skaimandrakesjuatMenteath in International Relations and Human Rights To the degree of Master of Professional Studies with Second Class Honours First Division Zhongjun Hu in International Relations professional studies with 2nd Class Honours 2nd Division, Hamid Maradi in language teaching, to the degree of Master of Literature, Gabriel Mahesh Prasad Sharma in theology, Bachelor of Arts Honours 2nd Class Honours 1st Division, Catherine Isabel Hartgill Rees in education. I now call upon the Vice-Chancellor to present the doctoral graduands. Chancellor, I have the honour of presenting to you the doctoral graduands, to the degree of Doctor of Philosophy, Phyllis K. Anscom in political studies. Phyllis examined how government-funded charities that provide social services have input to government policy. From a data set of 200 charities, 23 K. studies revealed that policy advocacy strategies are clearly influenced by government funding, but their advocacy responds to the needs of service users and communities. Ian Anthony Cook in art history, is a university doctoral scholar. Ian examined the acceleration and art-related interactions that occurred between New Zealand and the United States in the period from 1955 to 1974. He looked at a selection of the most important of these encounters, exploring their impacts and implications, and showed how they informed, and were informed by, broader artistic, political, and institutional contexts. Courtney Elizabeth Harper in history university doctoral scholar. Courtney investigated the emergence of diabetes as an important public health concern in post-World War II New Zealand, and the responses to this issue. Researching the responses of health professionals, policy makers, the public and the patients themselves, she showed how diabetes history contributes to an understanding of public health history more broadly as well as to state and voluntary welfare history. Jeremy Richard Johnson in philosophy. Jeremy evaluated philosophical claims about the relationships between morality, reason, and motivation. Using insights from Wittgenstein and Heidegger, he argued that some claims are clearly true in one sense and false in another, whereas other claims cannot be shown to be true or false by either empirical research or political analysis. Ray Tsai Kong in Asian Studies. This study investigated heterogeneity in the representation of the theme of revolution in the model performances within the aesthetic framework of socialist realism. Through a rigorous critique of socialist realism, the study offers an aesthetic approach to the socialist culture of the Maoist era. Lee Wan-Fai in politics and international relations. Wan-Fai examined elements of justice and peace in classical Chinese cannons in light of comparative study in international political and legal theory. His critical investigation lays the cornerstone for constructive dialogues between ancient China and the contemporary West on global governance and on the use of force for humanitarian purposes, resulting in a more comprehensive and sustainable solution for mass atrocities. Wan-Fai. In absentia, all those other persons named in the official record qualified for the conferment of a degree or the award of a diploma in the Faculty of Arts. Teaching Excellence Awards. The university places considerable significance on excellence in teaching. It recognises this by making awards each year to teachers who have demonstrated excellence in aspects of teaching. These awards are contestable across the university and signify a truly superior achievement. An award for sustained excellence in teaching has been made to Dr Eduardo Penaro in the Department of European Languages and Literature within the Faculty of Arts. I call upon a student of that faculty, Dong Mai Lin, to read the citation for Dr Penaro. When I was first asked to read the citation for Dr Eduardo Ben Yellows, I hesitate because of lack of confidence in public English speaking. But I soon realised that I should grab this opportunity to convey my appreciation for all that he has done for students like me who are interested in Spanish. Eduardo has been my teacher and mentor for most of five years. From all my experiences of studying and working with him I am completely convinced that he possesses a pathological talent. As a teacher his working in the classroom is truly excellent. His ability to engage students is especially remarkable. The entire class feels his energy and enthusiasm as he walks us through the arguments of analysis. He is also a powerful communicator who has the gift of making complex linguistic constructs easy to understand. After each class he makes every student feel proud and acquire knowledge and make the study of Spanish linguistics a rewarding experience. Eduardo's talent in teaching is also reflected in other directions such as undergraduate course coordination and postgraduate supervision. As a course coordinator Eduardo observes each JTA's class and gives constructive suggestions which assist them to adjust their teaching strategies for language learners of different levels and to create a more communicative and student-centered learning environment. As a postgraduate supervisor and a mentor he now imposes but rather inspires and guide students to find their own passion and gradually become effective researchers. Dr Eduardo Binellos excels at transmitting his knowledge in a positive environment and his commitment to his profession is beyond compare. We are now nearing the end of this graduation ceremony. On behalf of the university I invite all today's graduates to stand and receive the congratulations of us all. And while you are standing this would be a great opportunity for the graduates to show their appreciation of their families and supporters and the staff of the university who have helped them as they achieved their qualifications. Thank you. This concludes this meeting of council in Convocation of the University for the confirmative degrees and the award of diplomas. I now invite you all to sing the first verse of God to Fair New Zealand in Māori, then in English. The words are printed on the reverse of the programme.


Welcome back, it is now time for us to do some exercises and problem solving using the second law of thermodynamics. Before we actually do that, an exercise set is already available to you. We should remember a few things, there are a few tricks of the trade and some procedures which we will follow. Of course the procedures which we have followed for evaluating work and problem solving using the zeroth law and the first law of thermodynamics, those procedures will remain, we are not going to keep them away, they are also part of thermodynamics. So one thing to remember is we should not forget the first law and the zeroth law, we will use them as needed. Also the equations of state will be required to be used as needed. Then we will have to do the following, remember that second law, the basic expression of second law has two terms, delta s and dq by t, integral of dq by t. So we will need to determine or obtain an appropriate value for delta s for the systems and processes involved in that situation. Here we may use an expression or here we may use tables, if it is steam. Expression is appropriate for simple systems like an ideal gas, whereas tables are appropriate for a situation where you have water and steam. Then we will have to evaluate integral dq by t for the systems and processes involved if possible. If not possible, we will see there are some escape routes. And after that we should always check whether the second law is satisfied. That means either check that delta s is greater than or equal to integral dq by t or compute the entropy produced and then sp should be greater than or equal to 0. And after that we should comment, provide a comment or comments. For example, if it turns out that the inequality as specified in the second law is satisfied, then we will say that it is a real irreversible process. And we should also be able to guess or say something about what causes this irreversibility. If we notice that the second law is satisfied in its equality form, then this implies that we have a reversible process. And we know from our experience, everybody knows from their experience that a reversible process is very, very improbable. So it is a thermodynamic ideal in real life. We hardly ever see any reversible process taking place. And if we find that between this it is not satisfied but it is the other way it is satisfied, we will say that this is an impossible process. And if it turns out to be an impossible process, we should say that look, what is it that is making it impossible? And if something is possible to do, which would make it irreversible and a possible, we should be able to provide hints or suggestions for that. Thank you.