All right good morning everyone happy Halloween everyone's all dressed up I see and all ready for their midterms because they're super scary so We have a nice other relaxing topic today, and that is page replacement. So hopefully this isn't too bad Lab fours release. So if you can Wall that lab for primary lecture is still fresh You could probably start it and finish it after your midterms and be stress-free for two weeks. So that would be nice The quiz to grading is apparently happening later this week. So hopefully that comes back soon I stay still decided a day, but hopefully it'll be soon All right, so today we'll be talking about page replacement So memory and storage on your device is a big hierarchy where there's always this capacity and speed trade-off So at the top of the pyramid that is the fastest Memory on your machine. It's your CPU like your registers your L1 cache or L2 cache is Next fastest beside that and at the top Your registers are the fastest. That's where all the operations take place But there's only a limited number of them. They're not very big then below that you have your CPU cache Which is a bit bigger like it's in the megabyte range now like the 32 megabytes are the big ones then after that you have memory or RAM that is, you know 32 gigabytes or something on that order and fairly fast and then below that there's going to be Non-volatile memory or NVMEs, which are you know your little small solid-state devices that are really really fast then below that are going to be your SSDs or just plain old flash memory which are going to be slightly slower and Slightly slower have higher capacities Or be cheaper then below that you've hard disk drives, which are just spinning magnetic Dis that are even slower But you can buy, you know 12 terabyte ones quite easily and they're fairly cheap And then below that there's tape drives that are still actually used. That's like what Google uses for Really really slow archival storage So you can buy a tape that holds like 50 terabytes or something like that But if you've ever seen the machines you can like YouTube it.  It'll go pick up the tape Do it in right slow as hell, but it's cheap as hell as well so all the archival storage would be on something like that and it's still actually used although no one will likely in this class ever see tape drives so We have this giant hierarchy and it's only going to be Getting worse and worse over time because there's hierarchies within devices So like your MVME drive will have a cache on them too and there's just going to be this whole hierarchy Hidden everywhere and you don't want to have to deal with all of it You would ideally like each level here to pretend it has the speed of the lower level or sorry the speed of the higher level and the capacity of the lower level so You get the kind of the best of both worlds And you want the memory used by processes, you know, you have some physical limitations so all the Memory used by all the processes can't exceed the actual physical memory on the device So what you can do is you can make the illusion that you have more memory by essentially Using the capacity of the device below it So in this case if you want to make memory seem like it's even larger You could just put some pages on to you know the hard drive storage and Use that so that's what we'll be talking about today How you decide what pages go into hard drive storage and what the best policies for that would be so what you do with that is if there are Memory pages being used you keep them in memory While all the unused pages you can flush to disk and just keep them around in disks So if you need them, they're still there But it will just take some more time to access it and then whenever you need to use that page again You would swap it back to memory so you would write another page out to disk and then swap in the one that was from disk back to memory and then you can use it and have the illusion of You know having 32 gigabytes of RAM even though your machine even has eight or something like that So there are four page replacement algorithms. We'll talk about today. There is the optimal algorithm Which is essentially like an oracle like you're seeing into the future So in this case you replace the page that won't be used in the longest so I just Throw out the page I know I'm not going to be used in the longest so that all the other pages I'm reusing over and over again, and I'm essentially getting all the cash hits for free and Then there are a few other strategies There is a strategy of just randomness where I just randomly replace a page which surprisingly works quite well There's our good old friend first in first out Which just replaces the oldest page first? It is a very easy decision and a very easy thing to implement But it's probably not going to be the best thing and then the last policy is the least Recently used policy. So this is something you could actually implement and the idea here is just to replace a page that hasn't been used in the longest time because Likely nothing's using it anymore. So I can write it out to disk and all the other pages are being used over and over again So I'd keep them in memory. Yep Yeah, so the question is Is the least recently used history base and yes because you're keeping track of the least recently used and then Optimal would be essentially prediction based or if you're actually doing the optimal solution It's you just look into the future, which isn't going to be possible So we pretty much just discuss optimal just so we have a baseline to compare a bunch of different algorithms So here is our scenario that we're going to be using the whole day so It's a bit of a ridiculous scenario just to make things easier to write So assume our physical memory can only hold four pages and then you access this following So we just give each page a number so in here there are a total of five pages one to five and Initially, we'll just assume all pages are on disk. So we have to bring them into memory So this is what we'll use for all of our examples and our goal here is we want the fewest number of page faults When we do all these accesses So for every example at the end of the day, we're just going to record the number of page faults We have and we'll be recording when they happen So let's go through a little example just to get our feet wet and we will do the optimal Example for all these accesses. So these are all our accesses So we access page one two three four One two five one two three four five So if we do that We're assuming that all of our pages are on disk and nothing in memory So the boxes there are what is currently in memory and they're all currently blank So whatever we have an access to one. So I put the accesses above the box It is not in memory So we have a page fault and we have to bring it into memory from the disk So in red I will put the pages that we just brought into memory So for the first access for one not in memory. We have a page fault. We have to load it in Okay, and this story is going to look fairly boring for the first few So if we access page two next then it's not in memory. We have to bring it in so We have four slots in our memory so we can keep page one around So we bring in page two as well and now there are page one and two in memory And that would also be a page fault And we have page three same story. It's not in memory. We can load it in page fault. It's in red Same story for number four not in memory. We bring it in. It's in red So what happens now if I try to access our next access is on page one So what happens then I got thumbs up. So thumbs up everything's good. It's already in memory I don't have to do anything so in that case. I would just write out the same thing. Nothing's in red There is no page fault. Nothing bad happened. It was already there. I'm nice and fast Now we access page two same thing is going to happen. It's already in memory and we're good We don't have to reload anything. We don't have to swap anything out We're still living the good life Now we have an access to page five So now there's access to page five. It's not in memory and we have to kick something out and Between page one two three and four. What should we kick out? I? See a four everyone who thinks four? We got a lot of fours three Okay, do you have any twos or ones? Okay, so remember for optimal you are going to replace a page that is not going to be used the longest into the future so Page one is going to be used in the next access right away So we should keep that and then we should keep page two because that's also going to be used in the Subsequent access after that and then we should also keep page three because it's used right after that So if we want to keep around Throughout the page that's going to be not used the longest We would actually kick out page four because one two and three are all accessed before that So when we access page five, we're kicking out page for so we replaced the four with a five And we wrote it in red or a different color or you can circle it or whatever to indicate that it's a page fault And that was our swap So now because we looked into the future and we saw everything when we access page one That's a hit. It's already there Access page two. That's a hit. It's already there Then we access page three. It's a hit. It's already there and now we have page four So now we have to replace either page one two three or five Which should we replace? So should we replace page one? one replace page two replace page three replace page five Okay, so no one wants to replace page five and we were fairly ambivalent about the other ones in this case There's no future accesses. So you can pick whatever one you hate first Generally when I teach this classes seem to hate number one the most so So number one gets kicked out. So in this case doesn't matter as long as you don't kick out five. That's fine so in this case we kick out number one and We replace it with four and now because we didn't kick out Number five on our last access we access page five. So we are all good. It's in the cache so the last thing we did need to do is Get the number of page faults. So how many page faults do we have here? Six so you just count the number of red numbers so we have six page faults and if this is our optimal whenever we look at any other algorithms If this is the optimal any other algorithm should only do at best this and can't go lower. Otherwise, that's kind of a weird contradiction So six page faults is our target Okay, well, let's go at it with a fight foe example or first in first out so in this example our first four Page accesses are going to look exactly the same There's nothing in memory everything is on disk. So if we access page one, we have to load it in it's a page fault page two page three and page four So these are our first four page faults and now our memory is full and we have the pages one two three and four in So now when we access page one We get a page hit then page two we get a page hit Now something more interesting happens here when we have an access to five So when we have access to five, what are we going to replace if we're doing first in first out? One one right so the first page we loaded was a one So if we're doing first in first out since one was the first one in way back here way back here in step one then It's going to be the first one out. So when we access page five we replace page one So now we replace page one with page five. So now what's currently in memory is five two three four Now we're going to access page one and oh, no, we just kicked it out So we're going to have to swap back in page one and what are we going to swap out? To so now two is the oldest one because that was the second thing we put in so Now we're going to swap out page two With page one. So now in memory or five one three four and now unfortunately in the next access We're going to access page two. So we have to swap it back in now three was the most Was the first one in between the remaining pages? So we swap back in three and now we have another page fault and now in memory. We have five One two four Now we have an access to page three. Oh, no, we just kicked it out again So now four is our oldest one. So we replace four. So now in memory. We have five one two three And now our next access is to page four Which we just kicked out again. So you can see how this was really bad so now Five is our oldest one. That's still remaining So we were to replace five with four now We have four one two three and now of course we are accessing page five So which is what we just kicked out. So now our oldest one is page one So now we would kick that out again and now we have four five three or sorry four five two three so We did pretty much the worst thing we could do and in this case we have ten page faults so we only got two page hits and then we kept on going through the cycle of Accessing the page we just kicked out and you can see when you do this an easy way to look at it is Hey, all the page fault ones go in kind of like a waterfall pattern there So there's their nice diagonal lines So they should all look like that if you're doing first in first out makes it easier to track a little bit so Ten page faults Compared to six that is pretty bad And probably the worst we'll see all day Now let's see something fun. So Let's do the same example So here we have we hold four pages So if our memory held five pages We would be pretty much. Okay. We would have five page faults and then And then everything else would fit essentially, right? So we'd have five page faults then everything would be in memory or it all fit So it stands to reason that if more pages are better for the number of page faults then the Fewer pages we have the more page faults we have that would stand to reason that less pages we have to work with the More page faults we have So let's reduce it. So we'll do FIFO, but now instead of four Page or frame page frames in memory. We only have three so Now we have three instead of four so on our first access of course we have one that is a page fault So we loaded into memory and now memory contains the first page Then access to two same thing is going to happen Then access to three and the same thing is going to happen and now we have an access to page four So what should we replace with page four? One so if we do our waterfall thing or whatever we can look one is the current surviving one So that's the one that should go so we would place one with a four So now we have an access to page one and so this is looking really bad So we already have more page faults than we had before we are Zero for four on this case So we have an access to page one and that's a page fault and what are we going to replace? Two so two is the next oldest one. So we replace a one with a two. Oh No, our next access is to page two that we just kicked out So now we're going to load in page two So in this case our oldest one is page three So we're going to kick out page three So with our access to two we kicked out page three. So now we have four one two Okay, yeah, this is looking pretty bad. We got six page faults all in a row not great So now we have an access to page five It's not it's going to be a page fault two as well. What are we going to replace? Four so four is our next oldest one. So we replace four. So now we have five one two Okay, and now our next access is to page one It's in there. We're looking good. We got our first we got our first hit And now we're going to get super lucky again because our next access. It's a page two Which is also in there. So that's pretty good Now we have an access to three. So what's getting kicked out? five One so between all the pages that are currently in there one was Latest one to go in so it is out. So we replace one with a three. So we have five three two Then we have an access to page four, which is also bad So we're going to have to replace something and in this case we're going to replace two So we'd have five three four and then our last access is to page five, which is a hit and How many page faults do we have? weird so We have nine page faults, which is actually better Then when we had four is when we had four frames and we had more memory. We actually had more page faults Kind of weird So there's a name for this it's Belladies anomaly and it says for first in first out It says more page frames paradoxally Cause more page faults and this is a problem with all FIFO algorithms It does not exist for LRU or least recently used which is like that history-based ones or any kind of stack-based algorithms that We probably won't see so there's a paper about this if you're like really into math That you can read and it basically says you can construct any arbitrary sequence to get any Arbitrary page fault ratio you want if you can craft it yourself So that is fun for some late-night reading if you want to put yourself to sleep and so like Thankfully for other algorithms increasing the number of page frames like increasing the size of your memory Actually decreases the number of page faults, which is what you would actually expect This is only the case for FIFO algorithms, and it's this weird anomaly. Yeah But yeah, so in this one if we had five in this example, we only have five Accesses to five pages, so they'd all just load in so we'd have we just have five page faults And then everything would be in memory. Yeah, you have to you have to like Be able to swap things and in that case it all fits so you never have to swap anything So the paper is like if you have to swap anything you can construct an arbitrary sequence that make makes it terrible okay so let's use let's try a LRU or least recently used policy and in this case we'll use FIFO to break any ties we have where they would be Which seems a bit weird that you'd use FIFO to break ties in least recently used With only one CPU and one thing doing accesses So that would only be the case if you actually had like multiple CPUs And you could actually get a tie but in these scenarios. We essentially can't get any ties So let's go back and we'll make our memory be able to hold four pages And we'll do the same accesses again So the first four are going to be boring. They're going to all be page faults So we're going to have one two three Four and then we're going to access our next accesses are to page one and two Which are currently in memory. So they are both hits And the only difference is going to be when we access page five So when we access page five What should we kick out? So if we do least recently used well That's going essentially back into history So most recently used is two since that was the previous access so too safe I shouldn't touch two and I also shouldn't touch one Because it was used after two and then going back. I also don't want to touch four So between one two three and four my lease recently used is number three So if I'm doing lease recently used I should kick out three So when I do the access to page five, I'm replacing page three. So now in memory we have one two five and four and again, this is just using the Using the fact that generally if you access some memory, you're going to reuse it again Soon after that. So this is trying to take advantage of that So luckily it paid off because our next access into is to page one and we didn't replace it So that's good. Our next access would be a hit Because we access page one. It's there and then we access page two So if we access page two, it's also still there. That is a hit and now we're slightly unlucky We're accessing a page three So we have to kick something out So again, we look back into history to see what is the least recently used so Page two if we go back was most recently used because it was their last access Subsequently one is also safe because it was used after that and then five is also safe So the number that's currently in memory. That's not one two or five is four. So we kick that out So we kick out page four with page three and Oh, no, our next access is to page four So for our next access is to page four again We have to swap it in and we'll go look back at history So if we look back our history our three most recently used pages are one two and three So we would keep all those and replace four with or replace five with four So now we just kicked out page five Which was a bit unlucky because our next access is going to use page five and at this case and now when we have page five our least recently used is going to be page one because the three most recently used ones are Two three and four. So they're all safe. So we would kick out one So that's our last page fault. We replace five with a one So now if we go ahead and count all the page faults, we have one two three four five six seven eight So we have eight page faults so that was better than our first in first out which was ten and first in first out with three pages is only nine here at least was better than with only three Three page frames, but not quite as good as six All right, any questions so far fairly straight really straightforward, which is a nice break So if you implement least recently used in hardware You're gonna have to do what we did in the example Which was search all the pages to see when it was least recently used So if you actually have to implement something like this You could use a timer or a counter on each page that keeps track of when it was least recently used So whenever you reference a page, you would have to update that. Hey, it's been used recently So every time you access a page, you would have to update that Timer on that page. So your operating system essentially knows not to touch that anymore and then whenever you have to kick out A page you have to scan through all the pages to find the one with the oldest clock Which would be slow you might be able to speed it up a little bit by using a you know Like a red-black tree or something like that but it's still going to be fairly slow and the worst part about this is on every page reference you have to write some memory into the like a clock that keeps track of it and If you do that for every single page access Which is essentially every single memory access on your machine. You're probably going to make it twice as slow So that's not going to work. It's going to be way too expensive You could also be like hey, well, I'm smarter than that instead of doing just a counter I could just create a doubly linked list of pages that has a front and a back So whenever I have a page reference, I'll move it to the front of the list and say hey It is now the most recently used page and then whenever I want to replay replace the page I just pick whatever is at the back of the queue, which is like 01 But this 01 actually matters as well. So for each of them, there's like six pointers updates for each page reference and It also creates really high contention and bottleneck if you have multiple processors So all those pointer accesses are going to have to be Essentially guarded with a mutex. So it's going to be all serial and if you have Six pointer updates for every one memory access It's going to be terrible and even more terrible if you have to acquire a lock with it So in practice, it's not going to work at all so what we're going to do is settle for a Approximate least recently used and that is generally okay because least recently used is an approximation of the optimal case Anyways, so an approximation of an approximation is exactly what makes good engineering So there's lots of different tweaks you could do to implement it more efficiently So next lecture even though I yeah, usually this one takes more time, but I guess we can end early So next lecture will look at the clock algorithm, but there's also a few different variations There's least frequently used which is a slightly bit different There's a 2q approach and there's an adaptive replacement cache that we won't see But there's a bunch of different options and there's generally like scheduling. There's no Right answer.  So we have midterms today. So we can just wrap up. We are heller early It's tomorrow. Oh Well, we can study or we can take a time and we can start lab four and we can probably you can probably like finish most of lab four So page replacement was all the algorithms There's only one metric you use and it's the number of page faults and that's what you aim to reduce So we saw the optimal algorithm, which is you just replace whatever is not used in the future the longest So that's good for comparison Obviously not realistic because we can't predict the future and then there's random replacement Which we didn't see an example of because it's just random. It actually works surprisingly well it's better than first in first out because it avoids the worst-case scenario and then FIFO is easy to implement, but it has that Belladies anomaly, which is really weird We're reducing the memory actually reduce the number of page faults and there's that weird paper that says that's true And then there was least recently used that gets close to optimal but easy to implement So hopefully this is a nice break. So just remember I'm pulling for you. We're on this together


We're talking Ruby volume nine spoilers. If you're not caught up, go get caught up and then come back. Please. Cat's out of the bag, so to speak. So now we've seen the cat's true intentions. What was it like navigating around that? Difficult. You know, I think even starting the design and then the writing and the voice acting and everything, people are probably gonna figure out that something's like a little off with the cat. But how do we delay that as much as possible and also make it still feel rewarding and I'm really happy with how it turned out and Robbie Damon did an amazing job. Oh my God, it's so good. Having that low moment where it looks like, okay, the cat's finally coming in to save Ruby one more time and then, not this time.  This is the first time I've had a cat betraying Lindsay. This is the most ironic situation. Extra cruel is what that is. I feel like we put a lot into some of the earlier beats of the cat throughout of like, look, they're only doing positives. They're saving this person, they're helping out here just so that we could point and be like, look, they haven't done anything wrong yet. I still trust them. Well, and part of it too, it's like, we were okay with audiences watching it. It's like, oh, this doesn't feel entirely like something's off here. And then John kind of points it out and then making it feel like it ends there. But one of the things we wanted to do, and now it feels like we can talk about it, right, is to have something that ties this back into what's going on on Remnant and for the cat to reveal that like, oh, wait, the same brothers that made humans and stuff on Remnant also made the cat. So that blew my mind, I don't know, cool. Yeah, I think really early on people might think this is like a filler season or has nothing to do with like the main plot. Quite the opposite, one of the most important.  It's always fun too when, you know, a character goes bad, it's fun to go back and be like, were there ulterior motives to this earlier stuff? So it gives you a chance to kind of rewatch it all. I appreciate that. So this is a very, very low point for Ruby. What was that like for you to see this character that you've grown very attached to, hitting probably like the lowest of the lows? Rock Bottom has a basement, surprise. Hey. Yeah, found it. Yeah, genuinely, we already have Ruby, has been isolated in the Ever After from her teammates. We had some one of her union, but it was very skewed. She could not physically help her team in a lot of ways. So she relied on someone like the cat to guide her through this. So the ultimate betrayal is, oh, this person who I thought I could trust leading me through this whimsy world is actually bad. It's a great and necessary reflection on herself in the moment. Ruby needs to look at that and to stop trusting people around her. Just trust yourself for once, just for once. Early on, we had the idea for, if we're doing an Alice in Wonderland thing, we need like a mad tea party scene, right? And Mad Hatter in this scenario is Neo slash Torchwick. And all of these people that there's a part of Ruby feels like she failed or was a part of their demise. And to have them like in some senses, like literally beat it into her, you know, in the scene. It's really tough. It's tough to watch. There was a lot of nightmarish things in this episode. The cat and Neo, all that. I mean, we wanted this to be a shift in the season and really get into, okay, we're coming to the last couple of episodes now. Like the tone is gonna be shifted a little bit. Yeah, and then there's the little stomp. That broke my heart too, watching that. Oh my goodness. There was a couple of times where I was like, is this too, is this too mean? Are we allowed to do this? I still don't know. We absolutely put a lot into not making it, the grotesque or making it as nonviolent as possible, which is hard to imagine. The whole episode is very mean. That's what it should be called, the mean episode. But I think there's a little bit, at least for me, justification of that is because of how whimsical the season has been up to this point. Is actually, we kind of needed to set that there were gonna be some consequences to this area.  She's going to the tree. The dark and kind of twisted chapter in the fairy tale. So this is the grim portion of the fairy tale, as opposed to the Disney portion right now, basically. Got it, got it.


President Biden said that he will not send troops into Ukraine. What other chances that the U.S. or his allies will use cyber warfare against Russia? Well, I don't think they'll be using cyber warfare against Russia, because while you can do cyber warfare, I'll say in a peaceful environment, if you were to use cyber warfare, you're not going to keep it regional. It's going to become more global. I think the most important thing we can do is exactly what's happening right now, which is shore up the eastern and southern flanks of NATO with forces. And that's exactly what we're doing. And as President Biden said last evening in the State of the Union address, not one inch into NATO. So do you think that pressure could lead to possibly Russia attacking in cyber warfare? I think he could get desperate enough and do that. The United States has a great capability and so do other partners. I think there would be extremely dangerous for him. It would also be extremely dangerous for him if he decided that now's his time to attack NATO. But I would just make sure that everybody in the Boston area checks their passwords. And if they don't have a password on a system, whether it's for their home since everyone's connected or their password says password or one, two, three, four, they need to change their passwords to prevent the adversary from getting inside.


because we can't figure out what's going on with our Wi-Fi because it's always something, but that's my problem. I'm not going to be able to read back to it. Maybe better color anyways. So, the black was good. It did what I thought it would. It's pretty opaque. It didn't say what kind of black it was, but it worked. Just lighting incense for better juju. I don't have that much pain in this one, but it's fine. We are back. So, I'm going to let this dry a little bit more and then I'm going to have to do another coat. It's a little bit streaky, but that's fine. Just landed a rover on Mars but can't depend on the internet. No truer words. Okay.  It just says white. I assume it's a titanium. It's very thick. Also, you may see the cat in the background. Pugsley is about to fall out the window. You can't sit right there, buddy. You can sit there. You're going to see me go out of the lines a lot when I do the teeth because it just doesn't matter. I'm going to edge it up with the red paint. It's going to have a lot of glitter, so it does not matter. Jeff is lighting incense to help the studio juju. I don't know if you guys can see some of the brush strokes from this brush, but I don't mind those with the teeth because if you look at teeth up close, they have a little bit of like a striation. I swear I just dropped some paint but I don't know where it went. How does that sound, y'all? How does it look, right? I can see it from here, but I just I don't know what it looks like on the walls. Does it sound and look okay to everybody? Also, can you hear Jeff in the backgrounders? Do I need to get him closer? Sorry. What's up, Sue? Good day. This is admittedly not the most exciting thing to watch, but it's part of the process, you know? So we'd like to show all of the process. I did dip my brush in some water to thin out this acrylic paint. I find it makes the paint easier to use.  I don't need it that opaque. It's kind of like for oil painting when you like brush linseed oil on your canvas or whatever medium you're using to prep it before you actually art on it. I like a little bit of texture, but I can't do too much because Jeff airbrushes for me. And if you have too much texture, it can mess with the airbrush a bit. I think one of my favorite things about working on these lip pieces is the fact that Jeff and I work on them together. Maybe I'm being a little sappy about it, but whatever. So sappy. If you guys are not regular followers, subscribe if you want to. I am not a professional acrylic or portrait painter. I just paint what I like and do it however is easiest for me in the moment. I'm kind of a whatever works for me artist, but I like to share that process on the channel. So enjoy it or don't. We have had a couple grumpy viewers lately that are very interested in sharing their opinions. So I guess that was my announcement for those types of viewers that are critics of that being constructive. I can take constructive criticism. I cannot take people just being jerks. However, we're still nice to those types. Maybe they had a bad day and you never know what's going through, right? Right. All right, while that's drawing, I'm going to touch up this black. If there is anybody new, where are you watching from? What are you doing today? How's it going? So right now I'm just filling in wherever it kind of got a little thin. And this is artwork.  Imperfection seems more visually attractive to me. Everyone does need a job. Thank you. I appreciate you saying that. Sorry, Shane. I don't know what the deal is with this ODS. We just went live on our phone. That frustrates me too. No point to her. I just, I want to break something. With this bit, I'm cleaning up some of the teeth lines where there's scratchy kind of paint strokes. I'm going to do a little bit more white on here and then we're going to move on to the red. Hello Debbie. How are you chiming in from Michigan? We have a deep breeze. We just came out of a deep breeze. All those photos from right at the edge of your downtown, right where Lake Michigan, I think that hits. Is that a thing? Or maybe that's Chicago where like cars are parked along the street and then there's a barrier and then the lake or the ocean. I don't know. I'm not familiar with those parks, but where the cars are completely frozen from where the waves come up over and crash over the barrier and land on the cars, then everything just freezes. It just seems like literally the worst place to park a car. However, we have friends that park their car in their garage and they were still frozen. Had icicles on them. Update, I found that paint that I thought I dropped, dripped right here. So, how do I fix this? Drip some paint. Can I just sand that off? What did you, how did you, is that dry? Yeah, I just, I would just, what color is this background going to be? Black. Oh yeah, you just, you could probably scrape it off with very, very, probably heat it up too. It's not all the way dry. Well, putting a heat gun on a dried out more. Do you say that could be either side of Lake Michigan? We certainly find out here on the west coast. We can certainly find out here on the west coast. I'm just lightly scraping where the paint is, trying not to, can't even tell. And then to hit it, I would hit it with, what is that? 20. Yeah, just kind of go over it. The client was very specific about no lip drops. Black hides everything though too. But then if there's nothing, oh yeah, that would be fine. Just go over that with, I only hit it right here. You want to do it? Awesome. Back to business. Good at business. All right. So now I'm going to use the red that is in this magic fly paint. It's pretty true to the camera. It's like an orangey fire and genie red. And the glitter that we're going to end up using is a deeper red. However, I really, the color shade of the under paint, this part isn't as important. You just want it there. Just in case there's breaks in your glitter or whatever. Or if you're using all stones, I'm going to end up stoning parts of this. I'm just emptying out the paint that's caught up here. Jeff had a great idea of just using it as a little cup of paint, but it's very creamy paint. I guess I should have showed you guys before I did that. Come down here with me. This is not a catch up. I need to start on the Thornton collectibles. What's in the box? So it's got a great creamy texture to it. It reminds me of Liquid Foundation. There's no chunks in it, which is awesome. They sent this to us probably a month ago and we just haven't gotten around to it yet. You love giving them people a ride for their... I do. That I did again. You put no water in there. I'm going to. I just wanted to see how opaque what it looked like. I'm doing a review here. So far, so good. I mean, it works for how your style is. I remember whenever I used to paint, when I would always paint like lettering or a solid background, it would have to be solid. And I had to go over it and then I started using spray paint. But it's like this works so well with your style. You guys don't know my style is the messiest? I wouldn't say messy.  But your style is so loose that you make it work so well. I don't know how. I play with it until it does what I want it to. No, no. It accepts water really well. Like when you mix water into it, it doesn't just sit on top of the paint. That's good. You guys, the slip liner is messing with me a little bit. Even though you won't be able to see the directional paint strokes that I'm doing, I still like to do it just to keep my... It just works better for me if I try to figure out how to say this. You won't be able to see these directional lines under the glitter and the stones. But I guess to keep the shape and the illusion of it being dimensional, I personally have to keep the directional lines going, you know? Hey Clara. Yes, I paint outside of the lines often. Like I'm very much outside of this lip line that I had drawn out. But I'm fine with that. And it's super fine with that. Painting inside the lines is good for a lot of things. As long as you don't let it constrict your creative process, it's constrict the proper word. I don't know. Let me know down in the comments. A little bit too much water in this. So there's that. It's been a while since I had a commission for a red one of these. It's gonna look awesome. Sorry, my face got in the way there. Triple water almost got away from me. We caught it. We caught it. Do you guys have any like shapes that you draw or paint more often than any other thing? I've always done lips. That's, I don't know why. She's always been something that I thought was awesome. Comfy big boy. Okay. What are we yelling about up here?  I know. Perfanties. Did you guys hear that? That lady usually isn't so angry. We have like... It was like a homeless lady. She was just walking down the street. She's still yelling. She threw her Gatorade bottle, I don't know. Into the road. Good angle.  You almost can't even see it till you hit it. Yeah. Very smooth, very smooth. Is there a smell to it? There isn't. I was kind of looking for one just to see if it was like that old paint smell. Not that I just assumed that this paint would have old paint smell, but... I think after the first time you open paint or flow troll or whatever and it has that rancid smell, you just start to look for that in every, everyone that you open. Or at least that's the case with me. I don't know. You too? Just me? Let me know. I should have read it before I got it. How can you send us that, like that file? You can just send a file and then just... Does Johnny know how to 3D print? I don't know. I feel like he knows how to work every machine that that makers. So like I said before, this underpainting part really isn't going to have a lot. No, I'm not a puke person either. A what? Puke?  Smells like puke. Well, I can't draw frogs, so you're ahead of me. Trisha Whistler. That was the sound of a cop car racing up the road, if you heard that. So these brushstrokes aren't really going to matter. I'm just putting a coat of paint down for just in case there's some kind of little break in the glitter or stones. You won't be able to see like the white background. But I still like to paint it like it matters. I don't know why. Let's do back over here. We first started doing these, spent a lot of time varying the color and putting deep spots and highlights. But ultimately it's not something that can be perceived in the end product. Not that the piece doesn't deserve all of my time, but I think when you're selling custom artwork, you have to consider your time and the value of your time and how it's perceived in your artwork. Not that my time's super hella valuable, but I had a lot of stuff to do, which I'm sure all of y'all do. So just keep that in mind when you're doing commission stuff. For example, with resin, a lot of people like to put a whole bunch of floodcoats because the artists see a value in it. They see a difference, but a lot of the end purchasers, they're not able to see if you put a floodcoat versus three. And that's kind of the perceived value and paying attention to your time. Like the end user or the purchaser or the client can't tell that you put three coats on there. Just grabbed you guys. Sorry. You know what I mean? Hope I'm not just rambling. I hope that makes sense. That's going to make your cost to do that piece lower. So either your profits will go up or your piece is more affordable to more people. And it's going to save you time and product and headache. Oh my goodness. With every floodcoat, I have a small panic attack because you never know what's going to land in it. Sorry, you guys couldn't see what y'all were saying. Anyways, I hope that helps someone in their thought process on being an artist or pricing. And I'm sure I'm going to have some people later because people that like to argue never find their way into the live feeds. They just come up after the video is posted. And I love hearing all opinions and what works for people. No. What do you do? Stop. Make custom creations. Hello. We are awesome. It's funny because we still don't have a heater, but it's 69 degrees in Dallas today. But it's still colder in our place than it is outside. How random is that? It's so funny. Literally the windows are open so it can lit some of the heat in. In the winter. You can hear all the cars driving by. Every time I do one of these, I want to do one of my big glittery ones. Like a massive multi-color neon one. The one I did not too long ago that JJ wanted me to do another one for him because it's the original sold. But JJ hasn't moved yet, so I'm holding off until he's ready. That's done with this boring party, guys. Just stick with me a little bit longer. Also, if you have any questions about this or resin or art as a business or social media things, if I can help, I'm happy to. So just ask. Oops. I see I got a little black paint in there, but that's fine. It's all going to be glittered over. My goodness. Can I get this done without having to squeeze out more paint? That would be amazing. Is she back? Is she just coming up and down the road? Is she? I don't know. I heard somebody out there yelling. Are you sure? I agree. She's right out here. You guys want to see her? Sorry about that. To be clear, we're not making the phone. It's just what's happening right now. I'm just showing you guys another one down here. She don't care. Did she make a loop? I don't understand how she got over here so fast. Now we're going to do masking, right? It's been a minute since you've done one of these. I'm going to do this thing. So the next step in this is to mask off the something. That's something. So now we need to mask off. I'm seriously drawing a blank. But also one of these teeth are bigger on one side, so I'm going to have to. This tooth looks slightly larger, so I'm going to round this out a bit to try to bring it in. I don't know what to tell you. Gallus was frozen, so did you get that screenshot I sent you? That tooth is still bigger, but it's better. Nothing's perfect, right? Okay, I'm going to make sure this is dry before putting masking on it. Actually, instead of doing that, we're going to do all this aside. I've got to say that I'm pretty pleased with this magic-like paint. We need a magnet. We don't have to do it so big. Yeah, I'm going to heat it. I'm going to turn my compressor on so it can be on before. Now this is on. Do you need a new one? Yeah, you always do. Looks like this is the thin part. Do you want me to paint on it? I didn't. It's dry, right? It's all good? I touched up this part of the tooth. Oh, this is going to be glitter. I thought I was going to airbrush it. I forgot. Yeah, but I wouldn't have left it patchy. Can we please do one where we have lipstick on the teeth? So we're going to do airbrush here. We're going to do airbrush there, and then we're going to airbrush on top of the glitter. So we just need... We're going to do the background first, or... Yeah, we did this part. Bless you! Hold on to that one. Yeah, I didn't want to do that while I was cutting that. Are you... Are we going to patch it, or do you want me to cut another side? Is that a question? You only cut one of those. Are we going to cut the inside out, and then patch? I'm going to cut this down, and then we'll put another one next to it. I don't know, what are you... You know, I always end up doing patch. Yeah, I'm going to... We have to do this first, and then we cut another one. So a lot of people ask us what we're using, so I want to be very clear that you guys can know it. This is contact paper. And it's contact brand. It is clear so that we can see through it, see what we're doing. And it's also gridded so that we can make even cuts. If you guys are going to be using contact paper like this, sand your canvases, because contact paper doesn't like to stick to raw canvases, or just spray-painted canvases. Actually, when you do this, you need to do it fast, if you're going to do this particular technique, because it does not want to stick to spray-painted. So what we're going to do... Pull it all the way so that... I don't want to try to cut a lot of... Because what we're going to do here, we're going to cut this out, we're going to remove this part where the white is, spray-paint it, let it dry, then I'm going to cut this out, and then we're going to airbrush this inside of here, put this piece back over this. Well, we'll probably just put a whole big piece over this, another one. Cover this up, cover this up, peel this red out, and then spray adhesive, and then put the glitter down. Am I doing this or are you doing this? I'm going to go, we need it, you're doing it. And always, don't try to cut exactly on the line. Don't try to get in there and do exactly, because it'll take too long for one. Two, you don't need to... The thing is, you don't want to get any white.  So I'm just going to go just on the inside of this red, and I'm barely, barely pushing this, I'm barely pushing on this blade. You don't need a lot of pressure to cut through this contact paper. Especially if it's a new blade. Yeah. And so when you're cutting this, if you feel like you need to, if you stop and you try to peel it up, and it's not really cut, get a brand new blade.  But always, always try to start with a brand new blade. So how come she didn't want any drip? Oh, he? Let's see what we've got so far. Very nice. This contact paper surprisingly dulls out these blades pretty quick, like the tip of these blades get pretty dull pretty fast. I'm really surprised. So if you can buy, oops, sorry about that, buy some good quality X-Acto blades. I did find some good ones on Amazon for $11 for $100, which is a very, very, very amazing price. There we have it. So I'm going to cut this out. I'm going to cut it out. I'm not going to do anything with it yet. Because when you spray paint this, sometimes it goes over this and you can't see that. You can't see what you're going to be cutting. So I'm just going to cut it now.  I'm just asking. Well, if it does, it'll just kind of make it out. Sure, it will. I don't think that it will do that. I've never had a bug with that. Kind of asking for me, but also more asking for everything. See, I can actually feel, I can feel this blade not wanting to cut. But the other thing you can do with that, if you have a spare little piece of wood, just jam that Exacto blade in there and break the tip off. Jam it in the wood and snip the tip. Jam it in the wood. Snip the tip. That's what I heard you say. Forcefully put it in the wood. Snip the tip. Continue using it. The brand new tip. When we do these lips and when we do portrait stuff, we use a lot of contact paper. And you can get it cheaper from like dollar stores. But let me tell you, it is not the same. It has the same name. Looks exactly the same. Not the same kind of sticky. It does not work the same. I don't know if they got like damaged goods. Every time that we bought from there or some knockoffing. Not the same. Have you ever cut through the contact paper and into the canvas? I did it one time. How did you fix that? You don't. You just start all over? You just cut into the canvas. You made a hole in the canvas. I wish we did a video of patching. I wish we could make two of these. Because I want to cut the teeth out. Well, this is what I'll do. Cut this out. This is hard. No, this is what I'll do. Spray paint in black. We'll pull this out. I'll make the shadow. Put that piece back in there and then cut the teeth out. I only want to do that because I love to use the actual angle of this. I could use my hand stencils but I don't want to do that. Well, he's going to need to be over there. Now you cut that. Because of the amazing hand-eye correction. We have no room in here. I have that stuff there because I have to sand it. How do we move around in here? I don't understand. I'm going to spray these edges first. Let me get a mask. I've got my mask here. Remember that one that those people sent me? I'm going to use this. It's a little small but it does the job. Bowie, you can't be over here, bud. Come on. Alright, so I'm going to have this mask on so I won't be doing too much talking. What I'm using is this stuff. It's from Montana. It's called Blackout. Tar Black. This stuff is amazing. It is it is ultra flat and it covers very, very well. I'm going to start with the sides first. Put these up. It's covered in glitter so it's not like... You can see if you notice I'm not trying to get it Bowie. Babe. Okay, I got him. You got him. I thought this was over on both sides. I'm not trying to cover this in one pass. For one, I'm not a fan of this line here if you can see that. I'll probably use a different cap to spray the top of this because I want this to be a solid. Just make a couple passes. Let it dry. Make a couple more passes because the more paint you put on the longer it is it's going to take for you to it's going to take for you to let it dry. This spray paint dries pretty quick but you don't want to put a lot of paint on it right away. I'm just dusting it. I think what I'm using a fat tip is what I'm using. I'm going to use one of these. This is called a Lego cap. It plays a little bit more refined but it is definitely a bigger spray. Like it's a wider spray? Yeah, but more controlled. It's not just... It's not just spraying the paint all out. You see there's no lines. They're kind of dusting it. This is the thing. The spray paint it does dry pretty fast. Time just to hang out. Do something else, let it dry. You can see where this is starting to come up. Because I want this to be a solid. I don't want to see any of these lines. I don't want to see where it's not completely flat or not completely saturated. I'm going to let this dry. Obviously you kind of want to worry about this coming up but since this is going to be covered in red glitter you're not going to see a lot of if there's any under spray that goes in any of these when you finish your painting. But if you have to, if you kind of got crazy and it started coming up and it doesn't want to lay down and you still have to spray paint take that off, put another piece down. Don't be afraid to use that stuff. It's cheap. And it's what it's for. Make your life easier.  Alright, so I'm going to switch the tips. Switch the tip. Switch the tip. Switching the tip. I have a five layer. This patch, this is a, we call it the Klaus, a regular, a normal term for this called the German Finn back in the day. I think it's just called the Outliner now. What's your favorite cap? Do you use your acetone wash? This is a very, very controlled cap. It doesn't let a lot of paint out. It lets just enough to where if you wanted to like, let's say you just wanted to write a letter. It's perfect. It's a perfect cap for, if you need to make a sign for outside, a car wash sign or yard sale, or just spray paint something small. It's a very low pressure cap. So it just allows a certain amount of paint. It's very nice, very consistent.  I'm going to dust it and kind of let it settle so it'll all be cohesive.  And a lot of the time it's a little better and I don't know why I did this first, why I wanted to spray these edges first. It's probably a little easier if you stand it up because sometimes the paint drips from your caps. So if you stand it up and spray that first, it's probably a little easier. Then lay it down and do the sides. I just kind of did this backwards. So if you do notice your can leaking, you know, if you're spraying a lot, sometimes it will leak, it'll drip. Just pick your canvas up, put it on the edge and spray paint it upright. I might do that, but because I've already sprayed this edge, but this is a new towel so it's not too bad. So I might just do that. You can always spray your side. The only problem with that is, this is what contact paper hates. Can you saturate it or dust it? Dust it because it kind of makes it dust. You know? I think that's good. Like, Co, but if they're thinner, most of mine are thinner. You're going to have to do it in fact, Monday for most, Tuesday for some. In the world, like, no one's like, it's still Sunday. Australia's in the future. No one anywhere is like, huh? No one's in the past? Yeah. No one's ever like, it's still Sunday. No one's ever like, are you f***ing proud of me? It is not still Sunday. I think we've got it. We've got it covered. VAMP's obsessed with this black. It's called... You showed them what black it was? Blackout. It's called blackout. It's called black. We called that cap. That's the first. It called it. This is not a good... Don't use this cap with paint. Dane Baldwin. We miss Australia. We need to do... Brisbane. Your tux is clean. Virginia. So, we want to take this teeth part out. Not the teeth. Alright, Sam, you're in Dallas-ish. Put that black spray paint on. I just got here. So, the reason why you say it wrong way is because the right side is on top of the left side. And we want to make sure it stays lined up and stuck together. Sorry about that awesome soundtrack in the background. Okay. So, what we're going to do... It's good. We're just going to drop this. Put it where it would go. Put it where it goes. Rub it down. And move it over a little bit. So, you get a little bit of the... Will that be right to left shadow? Looks good. But you have a full before you start doing that. We need a little bit of paint because you're not going to be doing a lot of... I'm going to put this lid on here so I want to spill the paint. This is the thing with doing shadows with a stencil. You might think it looks very light or there's none on there. But there will be. It's amazing how it doesn't look like there's anything until... Because, for one, this is a transparent paint. So, it's there. And two, when you take this off and you start to do these lines for the teeth and the little shadows here and here, this stuff will just continue to get darker. Is there air there is? There's stuff all the way up in there. Well, just pull it with your fingers. I'm going to pull it. I got to get a hand on it. If you need to take this off, just take it off. Believe it or not, there is paint on here.  This is like a magic trick. It doesn't look like there's anything on there. Just pick it up. It's fine. It's black. You can paint over it. You know what you're doing. I wanted to show them because it was hard to see. Sorry for all that movement, y'all. I hope that doesn't... I'm just going to take you guys out of there and just hold on to you. She put this back on. I like this. I was pulling too hard on the arm attachment and it came out. And for a hot second, I thought I'd punctured the canvas. It is not. That lined up perfectly. I think what we need to do we'll touch that up is wipe this a little bit with a rag because you can feel. That's why the...  Before we put a new piece down, we'll wipe this with a cloth. Hopefully it won't make any... That's what's gonna... That's what sucks about using flat is you can see you know, wipe marks. Do you prefer those ones or these black ones? Those ones are better, right? I like both of them. I thought I went through it. Did not. So, what are we cutting out? Teeth. We've never done that. What do you mean? You have to do it so that... I mean, normally I'll use a hand stencil if I don't have this. Oh, okay. Yeah, because normally we take them out. Did you say I had no idea this was live? I was watching on the TV and there was no chat. So is there no chat? When you're on... When you watch on TV, there is no chat. Denise said she's wearing the same pants I am. I'm glad I'm not the only one living in Jam Jams. Jeff got these for me. They're super comfy. And it's still cold in here, so Jam Jams. Get me to hold on to your... Nope. You wear yours everywhere. Now I really don't feel as bad. Clara, we've been layering up, too. All right. Who in this room is not wearing their jammies? Because that made me... Me. Well, Jeff is not, but he always dresses. So you're putting a slight shadow where the lip touches the teeth and where the teeth are touching each other. Yeah. Sometimes layering your contact paper is necessary. So, like, this is an overlap. Be careful when you try to cut through those, though. Yeah. You're in pink clothes. We have to take your son to the dentist. I feel like it's acceptable to wear your jammies if you're getting them all worked on. You want to be comfy, right? Making noise. I want to do this one next, because these teeth... These teeth are the backside, so that is, like, in my face. My goodness. I would love to wear shorts in here, but it is way too cold. All right, so... Shane says I love how Jeff makes it look so easy, but then when I try, I make a mess. Let's just practice. I am, like, a surgical assistant. I like to help him in handing things, even if I don't tell him my plan of being an assistant. I'm just like, here. How can I help you? Oh. What do I want to do? This is kind of the... a scary part. But... you don't want to take this tooth all the way off. But you want to make it out of the way, okay? So you're barely... you're just lightly going to spray this center line here. It's where you can just kind of see it. And there's a little turn right in your teeth, so you want to make that straight. Just barely spraying that. I'm going to darken in this little part. Make a couple creases in the teeth. And then you're going to put that right back over it. And then you're going to take this, which you can actually take this one out, if you like. Because you're pretty much done with it, but you leave this side so you get a very nice even crease, if you must. Like, unless the person has a gap, you know, like, not a lot, but there's some people that do have gaps there. I've always wanted to do a portrait of somebody with a gap. Like, who is that, Lorna McCall? You just want a very nice clean edge on both sides. You could try to do that freehand, but I wouldn't suggest it. Tee-Tee says my mom has a gap.  Oh, I have done. I've painted Madonna before. She has a gap. It's crazy how you can't see anything happening. You can't see anything coming out. And until you remove the masking, it's like, I don't know what you've been doing. It's okay that that's not put all the way down, so it's kind of a softer. It'll leave a nice soft edge. See? It's just a barely noticeable. And if you want, you could take a straight edge. That is not a straight edge. I'll just do the other side of this. If you like, and just barely hit that bottom to the top.  Turn that light off. See what I mean by you just kind of you keep darkening this spot. Ooh, I don't like that at all. I think it's cut. It is. It's just those are the type of things that will really make something stand out. If you have just a little piece of it'll be fine because there's going to be glitter there. We'll just lower the I'm going to paint it too. I just rolled it up. You can make your shadow a little darker there.  Can we just call these teeth pleats? Can we just agree as a country? Claire said let's all get into a seated relaxed position and send him some back relief. Oh my god. It's like okay. Before you're done, can you put pleats on this one? You're like moving it. I'm just trying to hold it still. When you put that in there, there's a hair just going to go back. It's pleats. Hopefully we can fix this. It's not like a mark. Can you airbrush on the easel to help your back? I could. I just didn't want to move it. Hold that on my floor. Hi B.  Did I wake you? He did. You guys any here? Billy barking in the background. It's because he wants right here. He wants to be right there. It's all he wants out of life. He wants to be right there. I want to be painting on it. Is that a new rat? We have to spray paint it anyway. It's just dust. Let's see. Where do I go? But it's not making any marks. It's not leaving any towel. I love that idea. I think that Oh man. Fill that. Fill right here. It's a difference. Hopefully when we spray that it'll just cover that up.  I've never tried to do this. Because normally I have to spray that. So you're dusting over spray, right? That's what I'm trying to do. Thank you Clara. Do we want to Yeah. I want to put something there. On the on the contact paper I put over there there's probably this exact size. If you flip it over. I'm just going to put it. Okay. I don't think anything will stick to that. It's getting patchy y'all. It's just that blows my mind. Do you want another one? I don't want to ruin another one. That paint ruins this. ruins those. Just like using it because it's such a soft spray. Get with it Vamp. Hey Jacqueline, how are you? I don't like that. Another interesting thing about spray paint is you can't just spray part of it. You need that? I don't know where you're going to move it. Just here's the other parts. Sorry about that. This is the thing. We can take this off now. You don't want to leave this on for a day. This is what happens if you leave a spot. That should be solid black. That's what ruins paintings. You don't want to keep your outlining so you have an outline of what you do put that on somewhere. We used to have them on all our windows. I forgot about this. Why? I'm not sure we pulled it out of that spot. Alright. I don't know if we should put that down yet. Hi Angela, thank you. Our jelly, ta-da! I love your singing. Don't lie and flatter me, vamp. Okay, keep going. From here, I can't see that error. Can you guys see it? We didn't spray that side. I know. We want to... That's true. The next step is going to be masking off this black outside. Just so that it sticks right there. He's dusting off overspray because that contact paper doesn't like to stick.   Hopefully this helps. I've never done this so... I mean it was dry spray paint. Well thank you, Angela. You can kind of see that, but I'm not mad at it. I can't see it. So how we're going to fix this is when we mask off the area to be glittered, we're going to just include that in the red area. If you want so it doesn't hurt your back, I'll do the masking.  It was one of those little glittered pieces. It was what first got me out of my grown-up job. Jeff inspired me to tell me how to help. You know this? You're doing this by yourself. Sometimes you don't want this to happen. Well you don't want this to happen every time. But try to stick it. You're not going to be able to see that. It doesn't fold in on itself. That is the most difficult thing. Because you waste a lot of this if you don't do that right. So this time... No, no, no. We're taping off. All of the outside. The outside. I was thinking... Okay. I have that whole little... And this is the same thing as prep. Always do this. Always do this right. Always use more than you need.   Or... I have this. I was thinking they're messing up with this. Thank you to everyone still watching. This is definitely not a quick and easy hour process. It takes a while. And it took us a long time to learn how to do it well enough that it only takes us four hours. This stuff wants to stick to itself. It's like cling wrap times a million.  Do you want to pull it? Yeah. Try to do it with one hand. You can tell it's not... it doesn't want to stick. See that? You can do this. And it just comes up real easy. But... You just have to do this nice and easy. Is that another piece out? Easy Susan. Let's take it out. You don't need it to spin, right? Do you want to leave it on there? Let me just do this. Absolutely, Angela. Patch work. Now this is the fun part. So with this... We're going to cut the teeth and the outside. Yeah. And then we're just going to pull this. Leave this and leave this. You want to cut... You definitely want to cut on the... on just... just on the outside of the black. So you know you're getting all the red. Because sometimes that sticks out and it looks kind of silly. How handy is that light on there? And you got it from Amazon? I think we have those listed on... correct, Clara. We are prepping to spray the adhesive for the glitter. We're like... hopefully 30 minutes from... Magic time. Magic time. JJ said this is the part where I'd be cutting out the lips and then pull up the masking and there'd be a hole in the shape of the lips in the canvas. You kind of know. You can feel it cutting. And you're like... I'm not pressing hard at all. That's the only thing is if you don't press hard enough it won't cut. Then you have to cut it again. So you kind of get used to... You get used to that feeling. Like I can feel it cutting. It's like a little tug. That slice, it's just on the outside. You turn it? Yeah. If you were to cut it just on the inside bare redness with no glitter. And... I don't know if I didn't want that. Claire said you can feel a tiny pop in the plastic when you puncture it. Yeah, you can... You know that feeling. Like you get used to it.  Yeah. Ooh, I got words today. You do. Words are not hard for Claire today. JJ said that feel won't wrap my car. See you later, Angela. It's a little bit outside, but that's alright. Yeah. That's fine. We'll just lather on the glitter. Just lather it on. Take your time when you're cutting. Not only do you want to not cut yourself or cut through the canvas, but once you make a mistake in the cut you have to figure out how to fix it or start over. Well, you want one continuous cut. You don't want to cut it. Then start again and then cut it and start again. You'll be able to tell.  Look, glitter. When you do glitter glitter, it shines so much that you can't really see any of the... I give it a little bit of a crooked line. You want me to do the teeth? You got it. I prefer to do all this just because it messes up in it's mind. So to fix that he's going to cut on the outside of this white error. What I'll probably do is just start here. Split the difference? Yeah. We'll start the cut in the middle. But this right here you definitely want to cut right along the edge because you want to cover up that line. You need it to be a perfect line. We need to do a whole new one of these for TikTok. Claire's just spitting over here. Experience just means that you made all the mistakes and know how to get out of it. You're wording very awesomely. Oh yeah. It's all of the back pain for him right now. Judy says you do that like a surgeon. He does have amazingly precise cuts. Ramassan, does sprayed adhesive need to be shaken? I don't think so. Okay, cars. I'm going to put you guys right here for just a second and prepare the glitter. I feel like it's kind of sticking to these edges. So I think wiping that off just a slight, just a little bit definitely helps a little bit with the way it would be coming up. Will you guys save all this stuff somehow? Save it. Put it on some like butcher paper or put it back on the piece that you took it from. Why does glitter need a safety seal? Who's messing with glitter like that? Fung and dirty part. Just leave that covering the artwork because we're doing spray adhesive. Well, we need to we need to put on to catch the glitter. Right. I honestly have no idea how we still have this. I don't know. It looks like it should be like not, doesn't work. Look at this crooked. We've had this for at least a year. A year? Probably longer. Hey Tim. Hey y'all. Look how it sprays. Tim. We kind of want to fix that to get some of this excess off. But this cap is like, I don't know what they did or how they made it. Look at that. Like it never clogs. Right? All right. So you're going to section this or just go for it? Yeah, we're going to we'll just do a little bit. I don't understand but it's fine. All right you guys. Since we know that it doesn't like to stick we always double check the edges because it will under spray and ruin your life. This is sticking really well. That's where you wiped it down. I guess for moving forward so you guys know wipe off your over spray. If you can.  All right. So what we'll do is I'm going to spray probably probably about this much and then I'm going to have her throw that glitter down. I'm not going to have her do it right to the very edge so that I'm going to start spraying it again. I'll probably just do it over here. We'll work in thirds. Yeah. And we're going to put the thick glitter down first and then on top of it we'll put the fine so that it falls in between it. Let me put the flash on. Why don't you hook that up to there? Because it looks like that. I know. Because you were pulling on it too hard. That's not what he said. Let me have my moment. Y'all I did that by accident. Whoops. Okay well that's happening. T.G. started a new one. T.N.WHS he said Just need a couple 2F4s to raise your table and relieve back pain. Well that's what we have those for but they're full of other artwork. We just need a bigger space. I don't know where the flashlight option is. It's not when you're on there. You have to do it before.  In the hell Why does that not want to bend? What a tarnation. Alright you guys I'm not reading for a minute because we're both working on this. I know that drives y'all crazy. It drives me crazy too. Y'all heard to be like 70 outside. I am freezing. You're cold? Wow. That's not 70. But it was. Alright. So don't be afraid to do this. Just do it. Just spray it because you have to do it and once you start it you cannot fix this. Go back. Push your edges down wherever you're going to start spraying. And then we're going to drench it in this adhesive because this piece is getting shipped. It's not like spraying spray. So usually it sprays out in a fan but this time it's spraying in like sprayations. It's a little better. And if you need to go back over it. Because sometimes this stuff dries pretty quickly. Didn't we decide that that was better? Doing like two layers of adhesive and make sure you get this edge really well. Like you literally spray right on there. It's good. Like it's very technical. I just wanted to make sure we got every bit. I'm going up to like there's this much in between where he stops spraying. Now I'm just going to do this part here. I don't want to spray it all the way up to the line because then we're going to have it overlap. We're also using a fine glitter to fill in. Spraying it all over again.  We're going to save every bit of excess anyways. Didn't we want to try to push it down one time and it just made it look bad or? We're going to have to because it's going to be inching in for a while. So doing this we're working all the glitter down through each other. Just imagine just a red drip like that. It looks so good. They don't want to drip. I know that. It would look good. So we're going to take this off and then dump it so we don't waste the glitter. Take this off? Don't you like taking this off because this is sticky?  You want to do this one first? Because this is sticky. Just take it off towards the center. Look how nice that is. So we take that off first because we don't want the glitter sticking to the other adhesive on there. Do you want to put a different sheet of paper down? Are we good with this? It feels feels dry. I don't want to mess with that because it will probably fall off. What we need to do is just let it set. What we need to do is probably just let it set. Let it dry and then you can just wipe off all the excess. Because it's just going to continue. You can actually take a little piece of a little piece of the contact paper and just kind of press it on there and that will... because I think it's just the pre-clocked edge. What's it called? No, the from the laundry. A static. Because it's just moving. So we're just going to let that set. I don't want to mess with it. Let that let it dry. I'm going to put it up on this easel. Got you Clara. Huzzly wants to jump on it. He always does. Do its thing. How long will you let it set for? Where's that piece of wood? It's stuck to the bottom of your bat. You just set it on this part? Yeah, there we go. Two hours. So this stuff comes off. It's just static and blah, blah, blah. We're not worried about that at all. There's so much light in here. Alright. That's it. We are fanny. It drives me crazy. I'm like, we're done. Leave it alone and I have to... I just tried it. Alright. So that's it for today folks. Hope you liked it. It's not letting it bling out because that's open. We'll do a true card video. So... There you go.  Okay, Bowie. Don't jump over that. We've got to clean this space. So y'all hope you have an awesome day. Thanks for joining us three times. If you do any artwork post it in ATD's Poor People so we can see what you're up to. Yes. Oh yeah? Yeah. Okay, come on. We kind of want another... You never know what song's going through. We love you guys so so much. Stay safe. Stay warm if you can. Unless you're in Australia, stay cool. If you're in the east, stay cool. Or stay warm. I think you guys are getting that blizzard right now. Yeah. We didn't send it to you. Anyways, you guys, you're awesome. And we'll see you tomorrow is 2 o'clock Tuesday. Jeff will be handling the live. I'm not here. And we'll see you then. Yeah, and remember, we do the test. So you don't... I need you to come up with a different way to say that. Listen, the last time that we went through all the different ways... Hey listen, teach me how to beat box. I get it.