Right, good afternoon for me as well. Nice to be here. This is, as Andrea mentioned, the last community call before we head to summer holidays. And actually this time I have the pleasure to have with me the person behind the redesign of Argos, my colleague there's Erzetteles Cason-Mauriz who is here to also take notes and you know hear everyone's views and feedback if any. And hello everyone. Hi Erzetteles, thank you for joining and thank you actually for preparing the mocks for this community call. Yes, as you probably saw from the invitation of this community call today we focus on the redesign. We have been having quite an intensive, quite intensive sessions in the last months to both redesign the whole tool and the homepage and everything to make it more user-friendly and to expand our model at the technical side of things. So today we would like to show you just a bit of what we will be launching and that is the homepage and the dashboards that come with when you log in. So let me share my screen actually to show you this. Move you here. Okay, I'm not going to disable the floating panel because I think that's what causes me to not being able to find how to return back after stopping sharing. Right, so this is the new feel, look and feel of the Argos. As you can see several things have changed. We kept of course the menu on the left-hand side but we tried to minimize the information that we provide. As you can see we don't have all the resources and support and other, let's say supporting material, we don't have it here anymore. We will have it on top, on your top right next to the language, where the language is. And here you can see I'm not logged in at the moment so I can still see as you do when you're not logged in in Argos. You can still see some things, mainly the activity of users that have published openly their DMPs and the associated descriptions of datasets or software or other types of outputs. And here we have for someone that hasn't had any activity and is not logged in, we have this create your first DMP button which redirects you to login and then to the page where you can create your DMP. Let me go back though, sorry, let me make it full screen again. Okay and this is how I can create the first DMP after I login. I have a new box of resources that I can see. This is actually a slider. So we can see the most used templates and we can click to use the template. So start, this is another way to start a DMP by using the template immediately. Or I can see them all through this new website, this new page where you can search. Also that was something that the users like you sent as feedback that you won't be able to see the whole templates and search and filter. So here is the dedicated page for that. And if you select one of the templates, then you can see in the main let's say screen that let's say the first section of this template and you can use it. I have to go back again. Okay, so I can start my new DMP after I login. I can use the template or view the whole collection of templates and I can see some statistics. For now we have like these are, you know, these are not real numbers. We have the number of funders, users and projects or grants, but it would be good if you also tell us if this is something relevant for you or what you would like to see actually in this part of of the page where statistics are introduced. And then as a scroll, I can see the publicly published DMPs and they are provided in that way as a list as opposed to as we had them in the past as we have it now actually in this release of Argus. And we did that because we wanted to minimize the space and provide a quick view. So if you want to quickly search for a DMP, for example, that you know it's published or quickly browse some, you can do it from this list. And if you click so more, you're redirected to a list of metadata records of DMPs, which have some filtering according to the template to the funder to the organization, to the author, or to the repository that they are published in. You can also filter by date of creation or last revision. And you can see some basic information like the name, the type, this is the DMP, this is not, this is the whole DMP. You can see the name of the template here we don't have the name, but if it's Horizon 2020, you can see that the organization, the person, the authors, author and authors, the version of this DMP, the publication date, and the fact that it's published. You can also see the grants, the DOI associated to this DMP and click it and be directed to Genoro. And what it contains, it contains some descriptions. So one dataset or one software and so on. You can export it and clone it as you can do today. And also view all DMP versions as you can also do today, but this is another view to make it more, let's say, visible. Because today we're hiding a bit. And this is if you're not logged out. If you log in, you will be able to see your DMPs and your descriptions of dataset, software, whatever descriptions you have. You still have this box where you can use, which you can use to quickly access a template. Or you have these panels where you can search your DMP or your description to quickly access it. And you can see the name of the DMP in this particular box. The version of this DMP, the date that it was lastly edited. The status of the DMP, if it's in draft, completed or published, published is the DOI where it gets the DOI. So we keep both published and finalized. You can still click to create a new DMP from here. And if I scroll to see the descriptions that I have created and have added to a DMP, I can, in the same way I can see the title of the description, which DMP it is part of, when it was last edited, if it's in the status, if it's completely draft or published and or published. And I can quickly add new descriptions to a DMP from here. By clicking show more, I can now see my dashboard like this. So you see all your activity. And you see three major, we have split the screen in three major columns, let's say, draft, completed and published, as you saw it before. And we chose this visualization to again minimize the information, try to keep the information that is easier for us to understand which is the one DMP that we were working, so that we don't have to scroll much. So we chose this, let's say, this visualization to do that. And they can scroll the drafts and even load more. And in the same way I can do the same for completed and published. As you can see, the drafts, they all have a date on top. They all have the title of the DMP, the version of the DMP and the license that they come with under the grant, if there's a grant associated to the DMP, and how many items a base DMP describes. And I can quickly, for example, in the published one, you see also the DOI. This is because every published DMP gets a DOI.  And I can edit, click to edit, click to finalize and delete this particular DMP. And I can find more hidden actions here. So now I clicked it because I want to see more information. I want to maybe invite someone quickly. So when I click it, this, let's say, this, how do you say? Folded page appears, which has more information about this DMP and more actions visible at least. So I can see that I can edit, creating a version, finalize, if I click it, now it will be completed and it will be moved to the next, to the middle column. Then I can click Invite to invite someone. If I see that this is the correct DMP, I can invite someone like that. Oops. I can still export in the formats that we have today and some hidden options here. And I can see also the description and other types, like more information about the descriptions, like the title, which I couldn't see here, the thunder and so on. And I can click this plus and add new descriptions for my DMP. And similarly, yes, let's close it. And similarly, I can do for the completed. I can see that it's completed. If I want to undo because I missed something and I want to continue editing it before I publish it, I can click to continue edit. So when it's finalized, when it's completed, let's say, I can still undo this and it will be moved to the draft and then I can continue working on it. I can deposit if it's completed and do what I should be before we invite and export. And similarly for that, I mean, they're all the same before the same principle, right? And here we also have the possibility to show only the draft, the completed and the published. As opposed to all the activity and filter by template that I used, role that I had if I was the owner or the member of the DMP and the date that was created. And I think that's it. You see that now they create button still we maintain the place of the create button. We have it here on top right next to our profile. We would also like to know if it's helpful for you to have it there. And if I go back and go, for example, to let's say users, this is how I now see the users. If I am an admin of Argos or the open DMP software and I can change the role. If I change, for example, someone to only have access to the templates that I give them access to, they do not see all the all the different options under the admin here on the left. But they only see the description templates. And if they click it, they will only see the description templates that I have invited them to co-develop with me as an admin. Am I forgetting something? Are some days perhaps you would like to say a few things as well? No, I think you covered all our screens probably. We could show an action like the invite from the draft list. Oh, I forgot to show the, yes, you're right. I forgot to show this, actually, the profile. Top right, where you can click, you can see your profile and link any account, merge actually any accounts that you're using the Argos with so that we merge all your activity in one account. And also your DMPs, those that you are invited or you have created your own. So my profile will be now like this. This is the look and fill. You can link the accounts from here. You have your information that we get from the provider that you have selected to login here. And some more information that you can add here. But I think I saw some questions. So let me go. Let me go. Where is it? So let's chat. So Mauro asks, sorry, yeah? No, I just wanted to help you. There is a question that refers to the deposit action. What happens if you click on the deposit button asks Mauro, what happens today? It still remains the same. So if you click, let's see. Now, here I have clicked it. Actually, I have created already this. I don't know if I have an example at hand where I can show you this. Let's try. Oh, yeah. See if you click deposit. And in this, so now I'm in Argos. So this is, the repository is in order, but in other open DMP instances they're different repository that we connect to. So in Argos you click this and you are asked to login with Zenodo or with our token, so Argos token. Logging in with Zenodo means I'm going to add my credentials. And then I will have the metadata record and the attachments, the JSON and the PDF attachments immediately on Zenodo automatically. And then default option means that I don't have to log in. I just use Argos as my, let's say, as the means to expose my DMP. So it's under Argos. I think it's better if we do it, if we create our own Zenodo account, if we don't have, or if we have use ours. So that way we can have, let's say, we can have it also in our activity on Zenodo. So this is what happens. Area mess is published means deposited. Yes, it means deposited correct because it gets an EOI, so it's available. Andrea asks, maybe in the page my DMPs, let's go back. So maybe in the page, my DMPs, the filter for grant might be added, oops, we cannot see them. It could be useful to filter all the data sets for a given project. So my DMPs, there's a dose is getting notes. My DMPs, the filter for grant, okay. When I am here, for example, yes. And then it could be useful to filter also the data sets for a given project. So in my description, so this is the my DMPs, but in my descriptions here, if I click, which is not available in our mocks now, but if I click it, I will go direct this here in my description. So here I can have the filter per project. Okay, good. Thank you. Thank you, Andrea. And actually, I hope that everyone is okay with all the fires in Italy and in Greece. Luckily, I'm not in Greece, but I know all my relatives and all the people are there, so I keep an eye on what's happening. So hopefully all your everything, everything will calm down in Italy and Greece with the fires. This is sad times. Right. Do you want me to show, maybe we can take it one by one now and see, or before doing that, what is maybe one thing that confuses you today, as Argos stands today, like with this UI, that you wish would be different. Please feel free to just unmute. It's it's better if we if we have a discussion, you know, rather than chatting, rather than using the chat. I mean, I don't see if there are hands. Okay, maybe let's go it one by one then. So when you're, yes. And what I would also love to know if our users have detected from similar tools like Argos, any kind of functionalities they would like to have, they don't. So if there are any functionalities that are not covered from Argos or from similar tools to Argos, it would be really useful to to mention some of them. As as we are in the process of redesigning our tool, maybe we could include some more functionalities that we we have missed too. I mean, we based our approach on commercial tools like for management workflows, not for recent, not for data management plan, plans. So if there are any suggestions, they're welcome. Maybe I have suggestion Andrea here. Again, because in the current version of the Argos tool, once you list the orders, and then you have the list of the institution. And then when you publish the PDF, they are actually not linked one to another. This was kind of an odd issue. We maybe already talked before in previous community calls. So I was wondering if this is some way solved with a new version or not. Because it's kind of strange to have the list of orders and there is no direct link from the orders to the institution. Oh, yes, this is yes, yes, I know. So if you're here, yes, of course. But this is not this has to do with the redesign of the expansion of our model. So you mean when I start my DMP and I'm here, these two should be connected should be right. Yeah, exactly. Yes, yes. So this we are, yes, this I will have more to tell in September. Hopefully in the community call of September. Otherwise, for sure in the community call of October. But in September, we will have the first implementation and I can show you more things of how these things will change. Thank you. I mean, how do you like, like, is it is it how do you find it? How do you find our approach? It will be good to know because we're using Argos and OpenDMP software a lot every day, but for different reasons than you. So it will be good to know your thoughts. Do you find this approach better? Do you think it will help? Or what else would you like to see? Like with filters and everything here. Okay, Julius is highly and thank you for this presentation. Maybe I missed the info, but from but from the my dashboard page, is it possible to add different templates, not only the Horizon Europe one? Yes. So from your dashboard, yes here, you still see this, let's say toolbox where you will see the most used templates and you can quickly access them by clicking the use template or the view all to search and combine the templates that you want to use for your DMP. For example, software template and the data template. Yeah, the previous panel, the box, there is works like a slider. So we would like to present some of the most used templates and try to think of it like a slider that changes every few seconds, but you can browse them all from the view all of them. And maybe let me show this as well again. Yeah, I'm just here to, I don't know if it's the right time to mention it, but we will also have a default template that our users can use for DMP. So this is why we start with the default as a preview. Oops. Thank you, really interesting also the slider idea. Okay, by the way, I think that this dashboard is really intuitive in this instance and hopefully, yes. When we implement it, we'll, yeah, we'll also see how it will work in real life. Any other thing that you would like to see? No, then we're also working on the redesign of this page of the home, like the landing page of Argos. So we will have more to share with you in September. This will change a lot again. Yeah, Sarah asks, are the templates for the whole, Sarah please, you can feel free to unmute at any time. Are the templates for the whole DMP or the single descriptions or for both of them? If I choose a template for a DMP to automatically apply to all the descriptions within that DMP? No. The way that Argos works is that you create and that was our fault in the beginning, a fault. I mean, we just didn't highlight it that much because actually you can combine different templates in Argos and each time you add the description example for a data, you can choose which template you want to use. So you have, let's say, we call it a blueprint. So a DMP is for us a blueprint that we see, let's say, as the main folder where the different files are inside. So the different files have different, come with different templates and have different types of content inside them. So this we will show more in September when we have the expansion of the model also ready. Our service is already working on the editors. So today we showed you the home and the dashboards, but of course, when you click create, there's a whole new actions that you are able to take. So create a DMP, add this description, all that will come after this. But we see here in the DMP editor, which I haven't showed you because we'll do that in September. Okay. Julius would be nice if the researcher could choose and add his most used templates to the slider tool. Okay. So to be the most used by them, not by everyone. I don't, I think that's, yes. Yes, that's what I was meaning. Well, of course, many of them would use Dora's in Europe template for sure. But maybe they want to use one combined to our most useful for them, like they could place them there. That would be interesting, I think. But if that's doable, I'm not an expert. Yes. I think that's our intention here with our today. So when you're not logged in, okay, let's find that page where I'm not logged in. When I'm not logged in, I see what other users are using most of the times. And when I am logged in, I see my mostly used templates. That's, is that correct? Yes, this is correct. But as far as I understand, they would also suggest to have a list with our favorites, let's say, templates, where we pin them, and we present them at the top, something like this, I believe. Yeah, actually, this is a good idea. And I believe we should reconsider that. Yeah. Having a list with our favorites templates might be really useful. In addition to that though, right? Yeah, yeah, yeah. Okay, I see. And about your personal usage is something of that relevant? Like what would you like to see? How many DMPs? Of course, this will be clickable, so you will be redirected to your DMPs. The descriptions and the projects, something else, or same for the home, like when you're not logged in. What do you expect to see like here? Where it says Argus in numbers? It'd be, I think we were considering also the number of templates, so that you click and you go actually where this goes to the whole list. Users, which we don't have today, and projects. Would funders, for example, would templates instead of funders be more useful for you? Or is it okay as it is? Yeah, it's truly again. I would say that funders is okay. Maybe, I don't know if I missed this info, but if you could add the number of descriptions intended, the general ones, or if you plan to differentiate like data from software or something like this. I think that it could be useful from the first page if someone is wanting to make just a software management plan to be able to visualize it and click it straight away and go and see how the others did that. It could be an idea maybe. Okay, thank you. So here we should also have what actually we have here. But more fine grained to the type of output. Alima says hello. Thank you very much for your presentation. I have just joined this session, so I'm not sure if what I post on this platform is public or only for the members of the research group. Could you please clarify a bit about it? You mean post on Argus or on the chat? On Argus, okay. No, you have the possibility to have your DMP as a private project or public. You choose and we don't show it here because it's not part of the dashboards. Perhaps we could consider adding it somewhere or something else to make this action more visible. But for example, today if you go to Argus and you go here, let me minimize a bit. Okay, and you go here. You're asked to define the rights, the access rights that this DMP should have. If it's open access, then it will be publicly available. So if it's restricted access, it won't be publicly available. Even if you publish it, it will be under restricted rights. So the metadata will be there, for example, the authors, the project and everything, but the attachments, the files of the actual DMP won't be available. Thank you. I mean anything else like something that you would like to change since we are doing all this redesign and making all these changes also expanding the model? This is your chance now. So yes, I showed you the things that we are working on and we are also working with editors as you saw. So this editor, this is the DMP editor and also the data set editor. So this will also change. This won't be that data set specific. This will allow for the definition of more identification and labeling of more outputs and specific fields for them. But that we're going to show you later. I don't know. Arsutelius, I think we also had a question because we don't know. We have many ideas, but we don't know which one you would like the best. Let's say this is a fun job trying to combine the feedback that we get, but also think of how you could want things to happen a different way. When we are in the, where am I? You know, I have to go back. I have to go back here. So when I'm in the published DMPs, I'm not logged in. So I'm just viewing something without having to log in here. So when I'm here and I click to see this, our ideas are two. Either we redirect to the Opener Explorer, the discovery portal of Opener. So here, where we actually get this information from. Either we redirect to here. So if you click here, you go immediately on the page of the document as it is found on Explorer, since it's published. Or we open a card like this one, like this one here on the right where it's presented like that. So what do you feel is better? Because the one means that we need to integrate with Explorer, which we can do, but that means that you will need to be redirected to something outside Argos. And the other one is staying on Argos. Do you have any preference? The good thing if we do this, if we redirect to Explorer is that we will be able to link from here as well with other outputs. So we get, well, of course we can deposit as well, but it, so we have more capabilities, let's say. So you're puzzled as we are, that's fine. We can, we can see, we can have an initial, let's say, implementation of this. And if you don't like something, of course, feedback are always welcome. And we take them into consideration in a future basis. So, yeah. I should tell you something else that you would like to add? No, I would just like to know your overall impression of the tool and especially about how we present the information and how you navigate through the different pages of the dashboard. Is it clear for you how to navigate through the pages? Is something that you find confusing? You mean today? Yeah, in Argos. From the new, the new proposal? Yeah, from the new layout. I know that it's difficult for you to understand if you don't have the tool to play with it, but as an overall feeling, that's fine. What? I think we have Julia's feedback on that. Maro says to me, it seems more intuitive than the previous version. We feel the same. Yeah, let's see. Thank you. Thank you, Maro. I think you're doing. Thank you. Thank you, Julia. Okay. I think, you know, when I, when those messages start appearing, I think I want to close the meeting now. Like, I think this is the time to do it. As I'm blushing. Okay. Well, thank you, everyone. Thank you very much also for your feedback. And please continue providing them. We, it might be a huge thing, things that we need to change, but we will do it because we really want to support our community in Argos. Yeah. Thank you so much for being here. Hopefully, we'll, things will come in Italy and Greece with the fires. And yeah, let's, I wish you all a lovely summer holiday. We'll deserve the needed for all of us and see you all in September. Maybe at the US Fair, if you will be in Madrid. So yeah.


P.O.S.T. P.O.S.T. Post. The serials you like the most brings you the Roy Rogers show starring the king of the cowboys himself, Roy Rogers. It's round the time on the Double R Bar. The Double R Bar Rats transcribe stories and songs of the real west with the whipper-wills, the wisest trail scout of them all, Jonah Wilde, played by Forrest Lewis, the queen of the west, the king person, the king of the cowboys, Roy Rogers. Well, howdy, folks. This is Roy Rogers. Buckaroos, I hope you're enjoying those good post serials. I ask you to try them as a favor to me, remember? The reason I ask is because I know anything bearing the brand-name post is good. Well, this is a big day in Paradise Valley. Doug Manson's trial is over and the judge is supposed to sentencing. All these strange men crowding into the courtroom, Jonah, they look like gunslingers. Yeah, they look worse than that.  Yeah, but these armors are really bad, Jonah. Yeah, now you take our old drill sergeant. He was crazy about spare ribs. I say he's crazy about spare ribs. Didn't care for the meat, just the bones. And he used to have the dog gone, just in cases of indigestion. Quiet, here's the judge. He sure is high in the crowd in an unfaithful way. All right, this is the time, men, move in. Let's let Doug free.  Well, Doug, how'd we do? Sure took you out of court, didn't we? Boys, I never will forget they look on the judge's face when the gun started barking and he ducked behind his desk. The next thing is to get you out of this territory. What's the hurry, Nicholas? I like it here. Yeah, maybe so. But the law doesn't like you. If you want to stay free, you'll have to leave. Nicholas, you are the boys, too. Listen to me. I'm not riding out of this territory until we take care of every witness who testified against me. Now, wait a minute. I'm gonna fix it so that if the law ever gets me again, the case they've built up this time will be gone. No, Doug, don't take the chance. What I say here goes, Nicholas. We're taking care of every witness who stood up there on the stand while I was being tried. We're starting with Double E. Norris. Just the two of us, you, Nicholas, and me, we're riding out and taking care of Norris tonight. No chance there when somebody knocks Norris.  You testified against me at the trial. Now you're going to get yours. Hurry it up, Doug. That's the way to take care of witnesses. We'll get the others the same way. Come on, we're leaving. The next two hours are an awful agony for E.E. Norris. Wounded, he staggers through the night, using every ounce of nerve and strength that remains in him. Two hours to travel a mile and a half. Finally, he arrives in Mineral City. Roy Rogers walking toward the hitching rail after attending a rancher's meeting sees Norris. Roy goes to him, notices the wound, picks him up, and heads for the Eureka Hotel. Jonah, I need some help here. Roy, where are convolutions? What you got there, Roy? It's double E Norris, Jonah. Carrying him like it was your baby. Doug Manson got him. Dale, is there a room vacant on the first floor? You bet there is, Roy. Roy, wait. What is it, E.E.? After the three shots, Doug and the other man stood there looking down at me. I heard Doug say he was going to kill every person who witnessed against him at the trial. This is bad. Yeah, it's worse than bad. The plum ain't legal. Dale, Jonah, we better see that everyone connected with the trial is rounded up and put under heavy guard until we can bring Doug in again. Well, it can be brought here to the hotel if the sheriff approves. No, I think I know a better place. There's an old stagecoach station out at the double R bar ranch. It's sitting right in the middle of a piece of flat ground. We can spot anybody coming from any way. All right. You make the arrangements. I'll go get the doctor for Mr. Norris. Okay, Dale. Say, say, I got an idea how to lure Doug Manson into a trap. What's that, Jonah?  Now, if we throw her in jail, I say if we throw her in jail, Doug would be sure to ride in and try to set her free. I think you've got something there, Jonah. We'll get the sheriff to go pick up Marie Dale while we find the witnesses. I've got to hunch Doug Manson won't be free very long this time. News of what is being done reaches Doug Manson and his gang in their hideout at Five Oaks. Doug welcomes the news. They're fools, complete fools. But they've stopped us, Doug. Those witnesses will be guarded by half the men in the territory. That's right. Yes. What about Marie? They've got your Marie in jail. So for once, I don't have to worry about what she's doing. Yeah, but look, Doug, they've given us just what we need. And we're out of cash and food. This is our chance to get both. Right, right. Now that cattle buyer, Don Williams, usually keeps a lot of money at his office. We'll take it. And Bill, during the robbery, you get yourself captured. What? Captured. After they hold you a while, break down and tell them our headquarters is at the old Weber Ranch. They'll form a posse and ride off in that direction. While they're gone, we'll raid the jail, take Marie, and then get rid of the witnesses. Yeah, but what about me? You'll be in jail too, won't you? Yeah, but we'll set you free when we come for Marie. At nine o'clock in the morning, Doug Manson and his men ride to the outskirts of Mineral City. At this hour, and with so many ranchers and townsmen guarding the witnesses, the street is almost deserted.  The men dismount. Several, with Manson and the lead, start for the doorway. The holdup is in progress. I got it. I got the money. Let's ride. Bill Palmer is preparing to be captured. He stumbles, falls. Jonah Wilde, coming across the street, sees Palmer, runs toward him, gun in hand. Don't shoot. I still understand. Stand up here.  Sheriff! Where's your sheriff? I got me one of Doug Manson's gang. Oh, Roy, come on. I got an outlaw. What do I do now? Hold him, Jonah. I'll help you. If only General Thomas Kenneth Rowell could see me now. Nice going, Jonah. This will help a lot in dragging down Manson and the rest of the gang. Don't let that mob get me. Take me to jail. You help us, and we'll help you. Sure, sure. I'll do anything I can. Only take me to jail. I don't want a mob getting me. Where are Manson and the gang hiding out? The old Weber Ranch, north of here. We use the Weber Ranch as headquarters. I didn't even have a saber. Nothing but a gun. Jonah, let's get this rattle over to the lockup. You bet you. The sheriff will want to organize a posse and start for Weber Ranch right away. I ain't saying that Roy's going soft, Dale, but all he's doing is just sitting here in the sheriff's office. Well, I'll talk to him, Jonah. Yeah, shucks. The least we could do is try to catch up with the sheriff's posse. You've certainly been working, though, capturing Bill Palmer and then that other thing, suggesting that Marie Delby put in jail as bait for Manson. Oh, sure, that. Well, I took that from the battle of Coyote Hill. You know, General Rowe refused to fight that battle. He said he's tired of fighting. Till Corporal Duffy told him that we'd sneak behind the enemy lines and met up with a gal who was crazy to meet the general. That did it, I suppose. Well, I say you oughta seen the general go. I say you oughta seen him go. Of course, he was awful put out after the battle, but the only girl he found was Slick Top Sue. He threatened the court-martial Corporal Duffy and me. Wait a minute, Slick Top Sue? Well, that wasn't her real name. It just happened that one time she stood too near the fire to dry her hair and after that everybody called her Slick Top Sue. But about Rowe now... We'll find out what's the matter with Rowe. Yeah. Howdy, Dale. Rowe, I've had a complaint about you. That's all? Yes. Why are you sitting here miles away from the excitement doing nothing at all? Well, I sort of figured maybe the excitement would come to me. How's that, Rowe? It could be that the outlaw Jonah captured lied to us. While everybody's away, Doug Manson and the gang planned to raid the jail and set Marie free. Oh, shucks. They wouldn't do a thing like that right after a hold-up. I'll reach for it. Doug Manson and his gang. Doug Manson and his gang. Even General Rowe made mistakes. Where's the keys to those cells? You're not getting those keys. Rowe lunges at the outlaw. Instantly the gang punches into the room, swarms over Rowe, Dale, and Jonah. They fight with chairs, clubs, the butts of their guns. Jonah goes down. Dale is trying to fight her way to Rowe's side. She's pushed away, knocked to the floor. Rowe is alone now fighting not only to beat the gang, but to take revenge for what they've done to Dale and Jonah. They move in on him. He hasn't a chance. There are too many of them. Rowe is staggering. He falls unconscious. Set Marie free, Doug, but Bill Palmer isn't there. Not there. We checked every cell. They hid him somewhere else. Somebody will know where Bill is. Rogers, you mean? Take him along. Him and his two partners. We're not leaving Bill down. Rogers may never have done any talking before, but he will this time. We'll use our system on him, and he'll be glad to tell where Bill is. Say, have you tried wonderful new post-sugar crisp yet? You know, post-sugar crisp is the exciting new cereal treat that's been making friends just as fast as it sold. And no wonder it's a real round-the-clock favorite. As a cereal, it's dandy. For snacks, it's so handy. Or eat it like candy. Pour it into your biggest breakfast bowls with milk or cream for a delicious cereal treat. No sugar to add. It's already sweet. If it's a between-meal snack you want, post-sugar crisp will really hit the spot then, too. And you'll find it extra fun to eat as is, just like candy. Mom will be mighty happy to serve at any time, too, because it's so good for you. Wholesome wheat for nourishment. The sugar and honey coating for quick energy. Make sure you get a couple of packages right away. One is never enough. Remember, post-sugar crisp in the giant or regular size red, white, and blue package with the three little bears on the front. Sugar crisp, one of the famous triple-wrapped post cereals guaranteed fresh or triple your money back. During the short time since Doug Manson's gang rescued him from the courtroom, they have committed a robbery, shot a man who testified against Doug, and sworn to kill all the other witnesses who had appeared. Then while the sheriff was away trying to locate its headquarters, the gang raided the jail overpowering Roy, Dale, and Jonah. They freed Manson's girlfriend but couldn't find Bill Palmer. Manson has taken Roy, Dale, and Jonah to his real headquarters determined to make Roy tell where Palmer has been hidden. You may as well quit trying, Manson. You know where they're holding Bill Palmer, Rogers, and you're going to tell me. We're not telling you anything. Yeah, I say, I got captured by the Air Force Indians during the Battle of Crowfoot Canyon, and even they couldn't make me talk. Of course, my mouth was stuffed with feathers at the time, but just to say my words... At least you and a couple of the boys take the girl into the other room. Now, hold on there. I will talk, Roy. Sit down, Roger. Don't start another fight. I'm still top dog here. I've got my boys to back me up. Start walking, Miss, into that other room. I'll be all right, Roy. Manson, if anything happens to Dale, you'll meet with more trouble than you ever dreamed of. Suppose we get on to business, Rogers? Did you hear what I said, Manson? If anything happens to Dale... What happens to her is up to you. Where did you put Bill Palmer? I answered that once. You said you wouldn't tell. I still say the same thing. I think you'll change your mind. Okay, Nicholas. Rogers needs some persuasion. Always glad to oblige, Mr. Rogers. If anything happens to Dale... Manson, I'll judge you. Sit down, Rogers. Get back in the chair. Come on, you fellas, pitch in here. You know, if I had just brought my saber... Put him back. Yeah, that's it. Now, sit there. Our chance will come yet, Roy. You bet it will. Rogers, where did you put Bill Palmer? Why don't you write out and look for him? That might be quicker. Nicholas, he still doesn't want to talk. That's okay with us. Hold him in his chair, boys. How about it, Rogers? Are you going to tell us where Palmer is? Look him the hail off the livery stable in Mineral City. Thanks. Now bring Dale back here. I want to see him. Sure. He talked, Nicholas. Bring the girl back in. Oh, Sean, now, Roy, don't you be blaming yourself? If you hadn't talked when you did, I would've. Everything's okay. Hey, Doug. Are you all right, Dale? Oh, I'm sorry. I screamed, Roy. I didn't mean to. I tried to hold back. Forget it. Now you men tie these three in their chairs. Hands and feet. Put an extra rope around their chest and back of the chair. Is Bill where we can get him? Yeah. I'll take the boys and get Bill. You stick here and watch over these three. Why bother with them? Because Rogers may have told us wrong. If he did, I want to be sure he's around when we ride back. Manson and the gang leave. Roy, Dale, and Jonah are alone in the house with Pete Nicholas. The sun sinks below the horizon. Darkness comes to Paradise Valley. Nicholas lights the oil lamp on the table, then goes into the kitchen to prepare supper for himself. He feels secure. His prisoners are well-bound. There is no chance of their escaping. If only I hadn't screamed. It's better this way, Dale. Shucks ain't going to find Bill Palmer anyhow. Roy didn't tell him the right place. I didn't tell him any place at all. I merely suggested they look in the leverage table at Mineral City. It sure reminds me of the time General Rowe went from Portland to Minneapolis. If we could figure a way of signaling the sheriff, we'd clean this thing up in a hurry. This is the gang's real headquarters, and we know they're coming back. Yeah, but it'd be pretty hard to signal now. Even if we weren't tied up, it's night. Well, a light would do it. Fire. See, that oil lamp, it's lit and made of glass. If we could break the lamp, sit quite, Dale, Jonah. I'll try to work my chair over to the table. Roy's legs are bound to the chair legs. His arms and chest to the back of the chair, but he can move his feet slightly. He can walk the chair a little at a time. He starts moving toward the table. The oil lamp is quietly as possible, lest Peter Nicholas hear. Maintaining a balance while tied to the chair is difficult. To fall would mean disaster. Roy is almost at the table now. A little more. There. Be careful, Roy. Convolutions. Roy lunges in the chair, thrusting his head forward, hitting the lamp and knocking it across the table into the floor. The lamp breaks, the oil spreads out, the flames lick at it greedily. The room is on fire. Hey, there is a fire.  Yeah, push your eyeballs back in there, eye sockets and do something. The house is burning down. You won't be able to put it out alone, Nicholas. You'll need help, so cut us loose. Nicholas pulls a knife from his belt, steps to Roy's chair, begins cutting the cords that bind Roy. Come on, hurry. Those flames are spreading fast. I'm working as fast as I can. Everything dougones will burn if... Roy is free. He springs from his chair at Nicholas, hitting him hard on the jaw. A single blow, a knockout blow. Roy grabs the outlaw's knife, cuts Dale and Jonah free. A lightning stroke, Roy.  You bitchy. I'll grab some blankets and start smothering these flames. I thought the flames were to signal the sheriff, Roy. As long as we're free, Dale, we won't need to signal him. Well, here, give me a blanket and I'll help you. No, I've got another job for you. See if you can locate the posse. All right. Bring him up the main trail. Don't use the back trail or you might run into Manson and his gang.  Yeah, it'll be easier to get them after they're off their horses and in the house. Oh, one thing more. Stop the posse at the halfway point. Hold them there until you hear two shots. That'll mean Manson's home and to come on. Got it. When you get there, you'd better fire two shots too so that I know you're on hand and ready for action. As soon as the fire has been put out, Roy and Jonah remove all the guns and ammunition from the house. They find a hammer and nails. Nail the wooden shutters on the windows close. They nail the back door. Now there is but one way to get in or out of the house. The front door. The front door is a trap that can be guarded by one or two men. Roy and Jonah go outside to await the arrival of the gang.  The Indians used you to what? There was nothing to build a fire with, you see, and I was their prisoner, so they sprinkled me with water first, then they let me. Hey, that's Dale. She in the posse or at the halfway point? Well, now all we got to do is just sit here and wait for the outlaws to come. That's when the real excitement will start, Jonah. Manson's with the gang on, right? Yeah. A good sharpshooter could get him right from here. Uh, I'm a sharpshooter, Roy. Not yet, Jonah. Some of the gang might get away if we made a move now. Wait until they're in the house. Then I'll signal for the posse. If you're a chief rain in the face in the morning, get off the warpath with a breakfast built around new improved post-toasties, the heap-good corn flakes. Post-toasties are crisp, fresh, packed with the rich, sweet, kernel flavor of corn. The cereal, it's a hit with both big Indians and little Indians. Post-toasties, heap-good corn flakes. The best thing that's happened to corn since the Indians discovered it. Heap-good corn flakes. Post-toasties, heap-good corn flakes. So put a feather in your cap, Mom, by making sure your early morning hunters find a heap of post-toasties in their breakfast bowls. Talk about corn-flavored freshness that'll make them hoop for more. Say, you're talking about post-toasties, the best thing that's happened to corn since the Indians discovered it. Post-toasties, heap-good corn flakes. The best thing that's happened to corn since the Indians discovered it. Heap-good corn flakes. Post-toasties, heap-good corn flakes. Post-toasties, one of the famous triple-wrapped post-serials. Guaranteed fresh or triple your money back. We'll have trouble holding them inside from now on, Jonah. Signal the posse. You betcha. You're covered, Manson! Start shooting, Jonah. Make them think there's a lot of us. There's a lot of us. You and me. On the dot deal, the gang's in the house, men. Our job is to blast them out, so let's do it. Those sullen now and frightened filed through the open door into the moonlight dropping their guns as they come. The posse takes over quickly, efficiently. Where's Manson? Doug Manson hasn't come out yet. All right, Manson. We're not gonna wait for you. Let me take your saddle gun, Dale. Sure. Here, Roy. He's got another lamplet in the back room. We'll just start another little fire. That did it, Roy. Yeah, yeah. Look at them flames spread in there. They oughta cook his goose if he had a goose, I mean. Manson's trying to put out the fire, Roy. Get back there, Manson. You can't do this, Rogers. Keep back on your own side of the room. Away from those flames. Let's start talking. Manson hesitates a moment, then goes back to the far side of the room. He cannot be seen from the outside now. He's unnerved, frantic. Roy and the others here pounding coming from inside the cabin. Now I can take him. Roy turns toward the house and without hesitation steps through the doorway. Manson, no you don't. This is for what you did to Dale. You rattler. I wish there was time to give you more. All right, you men, come and get him. And we've got these flames to look after, too. I think you oughta pat Jonah on the back a little after all he did today. Yeah, I think so, too. I guess he's in his room. Jonah, come here, will ya? He worked mighty hard, Roy. You watch them, Roy? Yeah, I, uh, well, what's all this? Oh, just trying on my old uniform to see if it'd fit. No, I mean those things on your chest. Let's see them, Jonah.  Oh, it didn't, huh? What are they for? Well, this is for just plain heroism. This is for gallantry. And this one here belonged to my captain, but he left it pinned to his shirt one day when he gave me his clothes to wear. And this is for bravery beyond the call of duty. But this one here, it's beautiful. Yeah, well, that's a private medal. General Thomas Kenneth Rowe gave me for shooting a sheep. A sheep? You see, one day General Rowe got word that some bigwigs from Washington was going to inspect our post. Well, sir, the general couldn't keep slick top soof. Oh, my gracious, can't say that any more hardly. Couldn't keep slick top soof from hanging around. And naturally he didn't want the big moguls to see her, not with her head bare the way it was. Oh, naturally. Yeah, naturally. So the general left everything up to me. And I went out and shot a sheep. Then took the hide, cut it to shape and glued it, put the woolly side out on slick top, slick top. Oh, there boy. Well, to make a long story short, the results was amazing. I say the results was amazing. Then Washington moguls got smitten head over heels by slick top. The woolly effect was very fetching, you see. And they invited her to come to Washington. Said they'd give her a big job. So she accepted and they did. And we never heard of her again. Which made General Rowe very happy. Happy enough to pin a special medal on Jonah. Well, what I ought to do instead of patting this fellow on the back is to give him the side of my boot and I think I will. Won't you come out tonight? Come out tonight. Come out tonight. Alabama gal won't you come out tonight and dance by the light of the moon. I got a little gal. She's got a wooden leg. Got a wooden leg. Got a wooden leg. I guess that's the reason why they call her a pig.   Come out tonight. Come out tonight. Alabama gal won't you come out tonight and dance by the light of the moon. Won't you come out tonight? I ask her if she'd be my wife, be my wife, be my wife and I'd be happy all my life if she would marry me.  Yes sir, I will be your wife if you'd be true to me.  Won't you come out tonight? Come out tonight. Come out tonight. Won't you come out tonight and dance by the light of the moon. Yes sir, that's a twist to you're all right. You're all right. You're all right. Yes sir, that's a twist to you're all right. I'll dance by the light of the moon. Won't you come out tonight? Dance by the light of the moon. That's all for now folks. This is Roy Rogers saying to all of you, from all of us, goodbye, good luck and may the good lord take a liking to you. See you next week. Happy Trails 2! Roy Rogers' show is brought to you by Post-Series each week at this same time with the Whipper-Wills, Forrest Lewis, Dale Evans, and the King of the Cowboys himself, Roy Rogers. An art brush production transcribed, directed by Tom Hargis, scripted by Ray Wilson, music by Milton Charles. Featured in today's cast were Frank Hemingway, Leo Curley, Pat McGeehan, and Jess Kirkpatrick. This is Art Ballinger speaking for P-O-S-T Post-Series. Happy Trails 2!