Now, the Roma Wine Company of Fresno, California, presents... Suspense!  Suspense is presented for your enjoyment by Roma Wines. That's R-O-M-A, Roma Wines. Those excellent California wines that can add so much pleasantness to the way you live. Do your happiness in entertaining guests. Do your enjoyment of everyday meals. Yes, right now a glass full would be very pleasant, as Roma Wines bring you a remarkable tale of suspense. And with the drama called, A Guy Gets Lonely, and with the performance of Mr. Dane Clark as Eddie Lewis, Roma Wines hope indeed to keep you in... Suspense! Have you ever been lonely, desperately lonely? Well, as an emptiness in the pit of your stomach that no food can remove. There's a coldness about people's faces that make you shudder.  Maybe that explains what happened to me. Maybe. Anyhow, I was hanging around the shooting gallery in one of those Broadway penny arcades that night, one of those places where you can play a game of chess, get your fortune told, have 10 shots at Hitler, all 15 cents. And I was alone as usual, thinking the dull, drab, dreary things a guy thinks about when he's alone, when suddenly an old man standing next to me said, Ah, well, my aim is not what it used to be. Oh, uh, gotta match my boy. Match? Oh, sure, here. Oh, thank you. You haven't by any chance got a cigarette to go with that match, have you, son? Of course, here, take one. Oh, thanks again. You know, with cigarettes so scarce nowadays, the only way a gentleman gets a smoke is to buy him himself. Yep. Thank you, thank you. Ah, it's madder, kid.  Oh, nothing. Oh, come on. Face up to old Horace, I'm Beatrice Barefax without the girdle. Well, I'm just fed up with this town, that's all. There's nothing wrong with this town, kid. It's like all other towns. Except the one you grew up in. I suppose you're right. You know what you need is a little diversion. Oh, here, my man, load these guns up again, will you? Yes, sir, both guns, Jim.  Okay. You know, I think perhaps I've got just the right medicine for your homesickness, young fellow. What's that? A girl. A girl? Yes, don't tell me you've never heard of them. I don't want to be the one to tell you. No, it's not that. Here you are, sir, that'll be two bucks. Two dollars? That's right, Jim. There's a wire on it in case you haven't heard. Ammunition's kind of hard to get nowadays. Well, as a matter of fact, it's a little dark in here and my eyes aren't what they used to be, so perhaps I'll simply figure it out. No, no, no, here's the money.   As I say, my eyes? No, no, no, thanks. Well, as I was saying, son, I have a splendid idea. Now, tomorrow, being the Sabbath, my wife and I are bound for Minnewonka on a peaceful little fishing expedition. If you'd care to accompany us, there is a faint chance, just a faint chance, mind you, that I might round up a beautiful young lady who will make it a foursome. Well, wouldn't that be too much trouble? Not at all, son. Meet me here tomorrow at nine. What do you say? Gee, that's swell, except... Except what? Do you mind if I shoot first? No, go ahead. Except that I've never been fishing before in my life. Don't worry about it. Hey, your eyes aren't too bad. Well, with a fish, the big thing is not so much your experience as your bait. The idea of not being alone again on Sundays was excitingly. I didn't give much thought to the girl until I saw her.  First, you see the tiny gray silhouette in the distance, and then the figure seems to spring to life. Each curve runs into place, and finally you see the smooth oval face and the long, all-burn hair dancing in the breeze. Before you know it, you're in a trance, that's all. That must have been what happened to me when I first saw her, because I don't remember much of anything until I heard myself saying, Oh, hey, what's that? A worm, silly. You're caught in fish without a worm. Do I have to? Well, of course. As captain of this boat, I promise to bring in more fish than horse. I order you to put that worm on the hook. No, it shakes. Rather gracefully, don't you think? Kind of reminds me of a shimmy queen in a burlesque show. Oh. There. Now you did it. Easy was me. Now drop your line in the water. Okay. Well, where's the fish? Patience, lad. Patience. The fish hadn't had a chance to read your address yet. Well, if they could only see you, Jorley, I doubt if they'd bother with my line at all. Oh, your line isn't bad, Eddie. This is so bad at all. I guess in the next few hours, I told her just about all I could remember about myself, about wanting to be an actor and leaving home and coming to this town of disappointments and how I decided to go home while I still had some money left and how lonely I was, how terribly lonely I was. And before she left that night, she wouldn't let me take her home. I made a day for the next night. It's funny how quick you can get to feel that way about somebody when you're lonely. We met in the Asta lobby and after we talked for a while. Well, for a slow starter, you certainly poured out in the back stage. No, no, no. Please don't laugh, Jorley. I'm pretty serious. About what? About you. How about me? Jorley, look. Look. I was planning to go home today. I had the ticket in my pocket and this morning I turned it in. Oh. Look, I still want to go home, Jorley. But I want you to go with me. You want what? I... I want you to marry me. Jorley? I heard. Well? You want an answer now? Yes. It's no, Eddie. Oh. I'm sorry. Is there somebody else? No, it isn't that, Eddie. It isn't anything you could possibly imagine. It isn't even that I don't love you because maybe I do. Jorley! But, you see... Eddie, I was going to ask you something tonight, too, and it doesn't stack up very well against what you asked me. Jorley, what? What? Oh, I know. It's silly. We've only known each other for 48 hours, and it shouldn't matter, but... Oh, it doesn't matter anyway, no. Jorley, you've got to tell me. It's just an old, old story, Eddie. Such an old story that you probably wouldn't even believe it. That's the trouble. Look, I believe anything you told me. It's about my mother out west and how I support her and how she needs an operation, and... I was going to ask you for $1,000. Is that all? That's enough. Oh, Jorley, why did you put me through such a cold sweat for a little thing like that? It's pretty complicated, Eddie. Oh, what's complicated about it? Look, Jorley, look, here's a ring. It's all I've got right now, but I... I wish you'd wear it. Oh, it's beautiful. An old Samoan chief gave it to me when I was in Tahiti. Go ahead, look inside. The Eddie Lewis from... Question Mall? Yeah, I had that engraved in it when I got back to the States. I never did know the old guy's name. Will you wear it? Eddie, I'll meet you here tomorrow for lunch. And if I'm wearing the ring, third finger left hand. You'll know that I do. All right. Jorley? Yes? Do you want the money now? No, Eddie, no. Not now. The next day I was there waiting for her way ahead of time again, but this time she was late. After a half hour I began to get worried. Then I began to get scared. After a full hour gone by and she still hadn't shown up, I was half crazy. Then I felt a hand on my arm and a voice peaking over my shoulder. You waiting for somebody? That's right. A lady? Yeah, what about it? Would your name be Eddie Lewis? Yes. Say, what do you know about the fact that I'm... We found your name written in lipstick in the back of a bathroom door up on the 10th floor. After it, it said, I asked a lobby one o'clock, so we sort of put two and two together. You see, I'm from headquarters, Eddie. What? I'm a detective. Detective? Listen, if you know anything about Jorley Andrews, I was supposed to meet her here about an hour ago and she hasn't... Would you have been wearing this ring by any chance? That's right. That's my ring. Where is she? She's down at the city morgue, Eddie. She's dead. For Suspense, Roma Wines are bringing you as star Mr. Dane Clark, whom you have heard in the first act of A Guy Gets Lonely, a radio play by Don Paul Nathanson, which is Roma Wines' presentation tonight of Suspense. Between the acts of suspense, this is Truman Bradley for Roma Wines. Gracious hostess, internationally known on entertaining, Elsa Maxwell's suggestions are always worthwhile. Spring is here and nature is again bursting into life. Let's bring some of this beauty to the dinner table. A centerpiece of spring flowers will brighten your table and there's no better way to awaken winter weary appetites than by serving cool Roma Burgundy with the meal. This glorious wine from California goes well with almost any food. So simple and yet how charming. A few flowers to give your table the gain out of spring. A bottle of cool, delicious Roma Burgundy as the subtle accompaniment to a savory meal. You'll enjoy the tart pecancy, the fruity robust taste of this distinguished Roma Burgundy. Like all Roma Wines, unvaryingly good, always high in quality. The result of selected grapes, slowly brought to perfection in California's choices vineyards, gently pressed, then brought to fullest flavor by the ancient skill of Roma's famed wineries. Yet all this goodness is yours for only pennies a glass. Remember, more Americans enjoy Roma than any other wines. R-O-M-A, Roma Wines. And now Roma Wines bring back to our Hollywood soundstage Dane Clark as Eddie in A Guy Gets Lonely. A play well calculated to keep you in suspense. My mind was going round like a merry-go-round. Having an old mooch like Horace walk up out of a clear sky and introduce you to a girl like Jorley. Proposing to her after only 48 hours and then having a cop come along and tell you she's dead. They took me down to headquarters and I was there all day answering questions and trying to dope out what had happened myself. I even told them how she'd asked me for $1,000, but they didn't pay much attention to anything I said. It's a simple case of suicide and that's that. But it couldn't be! Jorley wouldn't commit suicide? You recognized her, didn't you? Well, I... Well, what? People don't look quite the same after they've fallen ten stories on a concrete side. But you recognized her? Yes, yes, I recognized her. But why does she write my name on the inside of that door? How do I know what women think about before they jump out the window? I'm not Mr. Anthony. Well, look, maybe somebody followed her. Maybe somebody tried to force the door. There wasn't any lock on the door. Then it would have been that much easier. Maybe somebody... Look, Eddie, just what are you trying to make out of this? I don't know! All I know is it couldn't have been as simple as this. You wouldn't be thinking about murder, would you? Maybe. Now, Eddie, this sort of thing happens all the time. Look, I'll draw you a picture. A friendless girl meets a guy. They start going together and she asks him for money. He doesn't give. The next day she... Look, I told you... I'm doing that talking. She asks him for money and he doesn't give, see? The next day she writes his name on the handiest plain white surface and... boom. Now, how does that look to you? All right, all right. But what about Horace? Have you tried to trace him? Yes, sure, sure. We tried to find Horace. Only we didn't. Mainly on account of he doesn't exist, if you ask me.  He introduced us. You don't have to go that far to explain how a man meets a girl nowadays, Eddie. Look, he did introduce us. He was an old man. White hair, it wasn't a shooting guy. Eddie has a hobby of introducing guys to beautiful girls and nobody knows where he lives. And the only time you ever met him was in the penny arcade that's so busy they wouldn't remember George Washington being in there. That and the time you were seen together by a couple of lake trout. I'll cut it out, will you, son? All right, go on, Horace. I wouldn't leave town just yet, though, if I were you. All right. And, uh, Eddie. Yeah. I wouldn't push that murder theory too far, either. Why? Because you know who's the only possible suspect for murder? That's right, you. First, I didn't know what to do or what to think. I didn't blame the cops. From where they sat, it just didn't make any sense any other way. And then all at once, I knew what I was going to do. First, I moved to another hotel just in case. And then I started growing a full beard and I dyed it black. And my hair, too, you see, I'm a natural blond so it turned out pretty good. Good enough to pass off for a night anyway.  And I got some different clothes and then I was ready. I began haunting that shooting gallery because I figured the old man had a system. But after about three weeks, I had about given up hope. When one Saturday night, I walked into a little place off Times Square and I saw him. My heart was jumping through hoops but I just sort of moseyed around, tried to look as down in the mouth as I could and kept my face out of the light. I felt pretty safe with the beard so I went over and I stood next to him. Well, my aim seems to be off tonight. Oh, pardon me. Do you have a match? I reckon I do. Sure, here you are. Oh, thank you. My boy, like to try your skill at the shooting gallery? Perhaps a little wager? Oh, no, thanks. I've just about had enough shooting to last me a lifetime. I've just come back from two years in the South Pacific. So that's where you got the beard?  I promised my kinfolk I'd let them see it before I shaved it off. I'm not so sure I would shave it off. It's mightily becoming to you. Thank you, thank you. Uh, where are your folks? Uh, Texas.  Sure do miss it. Kind of lonely, huh? Oh, you all can say that again, mister. Well, son, if you'd forgive an old man for sticking his nose in somebody's business where he's got no call to. No, what's on your mind? I think I know just the medicine for you. Well, what's that? A girl. That was it. That's what I've been waiting for. First, I thought of taking the old devil off in the alley and sweating it out right then and there. Then I thought, no. No, there'll be a girl and I want to have a talk with that girl. In the meantime, the old man was going on about that fishing trip. If you, uh, if you'd care to join us, my boy, I think I can promise you a very pleasant afternoon. Well, I, I reckon I couldn't do that, uh, perhaps if you could make it tomorrow night. Well, now that might be arranged. Uh, where would you like to have us meet you? Why couldn't you just sort of give me the young lady's phone number? Tell her I was, uh, fixing the phone. I'm afraid you see this particular young lady doesn't have a phone. I don't think I'm not downright grateful, mister, or that I wouldn't enjoy your company. But you'd rather be alone. Shucks. No, don't get me wrong. I'm no wolf and nothing like that. But, well, when a fella has his first date with a gal for more than two years, maybe you can understand what that means. I think maybe I get the general idea, son. I'll tell her to look for a handsome Texan with a beard. Can you be here tomorrow night at, say, eight o'clock? Oh, I'll clear that sure can. Well, then, my boy, you've got yourself a date. The next night I was there in plenty of time. I had plans for that girl, lots of plans. As I got around toward eight o'clock, I kept looking toward the street entrance, but somehow I must have missed her because the next thing on you, there was somebody standing beside me and I heard a voice. Hello there. I'm Joyce Arlen. It seemed as though minutes went by before I was able to say a word. But hadn't been dark where I was sitting, she couldn't have but helped to see that something was wrong because the girl was Jorley, my Jorley, who was supposed to be dead, the Jorley that I'd seen at myself, at the slam at the city morgue. And somehow, somehow, I managed to pull myself together and start talking. You're Johnny Farrell, aren't you? Yeah, well, uh, that's right. It was sure mighty nice of you to come. Oh, that's all right. I wasn't doing anything. Is there anything in particular you'd like to do now? No, nothing in particular. I thought maybe you'd like to go dancing or something like that. Only I... Only what? Well, I discovered a terrible thing just before you got here, Miss... a man. You can call me Joyce. You see, I left my wallet up in my hotel room. Oh? If you all wouldn't mind stopping by there with me for a minute and pick it up, then we could... I suppose while we're up there, I can look over your actions. Oh, no, ma'am. I ain't that kind honest, I'm not. But if you don't want to go... What's the difference? Come on, let's go. Do you always keep it this dark in here? Well, there's a couple of bulbs burned out. I told them to have them fixed. Oh, never mind. Where's that wallet? In the closet there, in my other suit. Say, uh, Joyce. Yeah? I sort of slicked up a little before we went out. No. No. Go right here. I went into the bathroom and got out my razor. My plans were still the same. I excused myself a minute before we came upstairs and I made the phone call that I'd planned to. There was a couple of little extra flourishes to be added on now that I hadn't figured on before. First, I shaved off my beard. Then I went to work on the hair dye with some rubbing alcohol. It came out pretty easy. And I was almost ready when I heard her voice in the next room. Johnny! Uh, yes? You mean you're, you reckon you don't want to go out with me? Oh, well, it doesn't kill Johnny, but... Well, what is it? No, no, I won't. What is it? I just know. Oh, but Joyce, I'm all ready to go now. Well... Only first I thought maybe we'd better have a little more light on this subject. I thought you said you didn't have any... Hello, Jorley. Eddie. That's right. I'd never catch up with you. All right, Jorley. All right, give. What? Come on, talk and talk fast. Who was that other girl? The one they thought was you, the one who was dead? Well, she was my sister. Sister? What happened to her? I don't know. What kind of a racket are you and the old man running anyway? Well, Horace is... He's my father, Eddie. He's my stepfather anyway. Oh, that's nice. It's very nice. It keeps it all in the family, huh? Oh, Eddie, you can think anything you want to. Nothing could be quite bad enough, but... I wasn't playing any games with you. No. No. That's why I sent Evelyn that day, my sister. I gave her your ring so you'd know she really came from me. I just couldn't face her myself. Face me with what? With what, Horace, and I had planned to do. To you. You'll shake them, huh? I guess so. Evelyn was horrified anyway when she got wind of it. She was a funny girl. She belonged to one of those religious sects and she said we'd have to atone for our sins and be punished. I know. Maybe you'd better start from the beginning. Well, that's about all. We were awfully high up and mother really was sick. And... I'd borrowed some money once from a man I'd met. I played it back that time, but it gave Horace ideas. He weedled and threatened and said, oh, mother, might die and... Well... I had a couple of pretty raw deals pulled on me out here and I just didn't care anymore. I guess. That is, till I met you. And so you sent your sister to me to confess all and she jumped out of the window instead. Is that what you think happened? I don't know. Then why did you tell me what you knew then? I wouldn't have brought Evelyn back to life.  Mother didn't know what was going on. It would have broken her heart. Yes, but you went right back at it again. Horace said if he'd had just a little money, he'd go away. He'd leave us alone and go back east. And I was supposed to be the next victim as Johnny Farrell with the ranch in Texas. No, Eddie, no. Not after I met you. No. You weren't before, were you? Oh, Eddie, maybe if you knew a little more about what a girl is up against in this town, you'd understand. Telegram. Telegram.  Horace! Why, you... Don't try anything foolish. You know, if you have these little guns, you may recall, my boy. I suggest we close the door and have a nice quiet talk just between ourselves. That's better. So in spite of all my admonitions, you still persist in this confessional mood, do you, my dear? Horace, what are you going to do? You young people may not see it quite my way, but I'm an old man and I don't fancy the notion of spending my remaining years behind bars. It's quite a penalty for extortion, you know? I'm afraid there's going to be a little accident up here. Something like the accident that happened to poor Evelyn.  Well, technically, yes. I did assist her through that window after she insisted on making a scene. Evelyn was always excitable, you know. Really not quite normal, I'm afraid. Horace, you're mad. I want you to write a little note. See, there's paper and pen over there on the desk. And you will say, darling, forgive me, but you must rest this way for both of us. And sign your name.   Oh, yes, these old eyes can still tell love when they see it. Jolly, look, don't do it, don't do it.  Horace, will you promise then? Of course I will. That's it, my dear. Write it down just as I told you. There's only one thing wrong with all this, Horace. You want to know what it is? Naturally. Now, if I'm not down there in about five minutes, they'll be up here. Oh, dear, this is embarrassing, isn't it? Isn't it? I think perhaps you'd better get on that telephone, my boy. Give directions for the officers to go away immediately. Say that you no longer have any need of them. Well... All right. Hello? Hello, Desk? You know those two men who were waiting in the lobby for me? Well, tell them... tell them to get up here as fast as they can. Horace, no! Jolly, why you won't... Jolly, Jolly, are you all right? I think so. It's only my shoulder. Oh, darling, you shouldn't have gotten in the way. I'd rather have had it been me than you. Look, I'll call a doctor. What's going on here? We heard a shot. Look, there's the man who's responsible for the suicide of Jolly Andrews.  He killed her. It wasn't Jolly Andrews. That's Jolly Andrews over here. What are you talking about? Hello? Hello? Hello? I've got to get a doctor. Wait a minute, will you? Hello?  Look, that isn't Jolly Andrews. That's Jolly Andrews over there. You're not making sense, man. Look, fella, look. I met this guy at a hotel. Yeah?  Yeah, yeah. And then she was in a slab, and she was dead only. She's not dead. She's wonderful. We're going to get married. See, I love her. And then Horace and I were in the shooting gallery. Then I met him, and I dyed my hair, and I made a fake Texas accent scene. And I met him one day. And so closes, a guy gets lonely.  Suspense. Before our star returns to the microphone, let me say a word for Roma wines, the sponsor of Suspense. Elsa Maxwell is known the world over for her great charm as a hostess. Now, here's a brief message from this noted authority. It is always a gracious act of hospitality to serve a glass of distinguished Roma wine. I suggest you try Roma California Toque, a wine of unusual versatility, enjoyable anytime, before or after meals. I serve it frequently with dessert or coffee. It's perfect with fruit or nuts, or with any light snack. Follow Miss Maxwell's good suggestion. Try Roma Toque. A velvety smooth, flame bright wine, moderately sweet, light, yet delightfully rich in flavor. And you'll find that all Roma wines are always delicious, always of unvarying goodness and fine quality. The next time you use Bermouth, sweet or dry, use Roma Bermouth. Zestful, herb-flavored Roma Bermouth is blended, mellowed, developed, and bottled in California, with all the traditional wine-making skill of Roma wineries, yet surprisingly low-priced. Try Roma Bermouth soon, won't you? This is Dane Clark. That I enjoyed appearing on Suspense goes without saying all of us do. Next week's show sounds like it'll be really swell. It's a story written by one of the great contemporary masses of the art of suspense, Dashel Hammett. And starring in it will be two of your favorite Hollywood people, John Payne and Stuart Irwin. I'll surely want to catch the one next Thursday, and I know you will too. Suspense is produced, edited, and directed by William Spear. Dane Clark appeared through the courtesy of Warner Brothers, and will soon be seen with Dennis Morgan in their production, God Is My Copilot. Next Thursday, same time, John Payne will be your star of Suspense. Presented by Roma Wines, R-O-M-A. Made in California for enjoyment throughout the world. This is CBS, the Columbia Broadcasting System.


In this video, we'll work through an example applying the method of partial fractions to integrate a rational function. Be sure to follow along on your own paper as you work through the video. Consider the integral of 1 over x squared plus x minus 2. Our goal is to decompose the integrand into partial fractions so that we can use known methods of integration to evaluate the integral. Let's focus on this integrand 1 over x squared plus x minus 2. Now we notice that the denominator can be rewritten as x minus 1 times x plus 2. So we set up an equation to find an equivalent expression for 1 over x squared plus x minus 2 using the factors in the denominator. 1 over x squared plus x minus 2 equals some constant A over x minus 1, one of the factors, plus B, some other constant, over x plus 2, which is the other linear factor of the denominator. Our goal is to solve for the constants A and B. So let's do this by multiplying both sides of the equation by the original denominator, x squared plus x minus 2, since it's the common denominator among all rational expressions. If I multiply both sides by the original denominator, I obtain the following. 1 equals A times, now since this denominator can also be written as x minus 1 times x plus 2, we see that when we distribute it with this term A over x minus 1, we're left with x plus 2 in the numerator. Plus B times x squared plus x minus 2 divided by x plus 2 leaves me with x minus 1 in the numerator. So we're going to employ a sort of a trick to find A and B separately. So I'm going to rewrite that previous step. Let's suppose that x is equal to negative 2. What we know about this expression is that it's supposed to be true for any x. So I have freedom to choose whatever x value I want to help me get to my ultimate goal. So if we let x equal negative 2, what that allows us to do is drop this term, because when x is negative 2, we have A times 0. So when x is negative 2, I have 1 equals A times 0 plus B times negative 2 minus 1. Simplifying, we have 1 equals then negative 3B, which then tells me that B is negative 1 third. I'm going to hold on to that. I'm going to do a similar thing with supposing that x equals 1. Notice I'm choosing x values strategically. Those that will allow me to drop one of the terms in this equation. When x is 1, I have the equation 1 equals A times 1 plus 2 plus B times 1 minus 1. This tells me that 1 is equal to 3A, which then tells me that A is equal to 1 third. So we've now found that 1 over x squared plus x minus 2 is equal to 1 third over x minus 1 minus 1 third over x plus 2. So our original integral can be rewritten as you see here, the integral of 1 third over x minus 1 minus 1 third over x plus 2. We basically decompose the original rational function into two rational functions that we know how to integrate. This is equal to the integral of 1 third over x minus 1 minus the integral of 1 third over x plus 2. We know this as 1 third times the natural log of absolute value of x minus 1 minus 1 third times the natural log of x plus 2 plus C since this is an indefinite integral. We can then use log laws to clean this up by writing 1 third times natural log of the absolute value of x minus 1 over x plus 2 plus C.


Hi guys, welcome back to my channel. It's Ekib. The first time stopping by. Thank you so much. Today's video is a makeup transformation on my gorgeous model crystal bell. If you love what you're seeing, then sit back, relax and enjoy while we go into the video. So guys, I love to work on a clean canvas so I always love to clean the skin before I layer in my products. I'm cleansing using the Mycelia cleansing water from Missimetic. So I will also be moisturizing our lips with the Norwich lip balm to keep our lips moisturized before I apply the lip products. And then I'll be moisturizing our skin using the Aveno moisturizing lotion. This just keep our skin moisturized and it doesn't leave the skin greasy at all. So the next thing I'll be doing I will be layering my primer. So I use the Ponce primer to control oil and I concentrated that on a T-zone and I'm using the same brush I used earlier. So then I'm covering up the dark circles underneath our eyes with the orange corrector from Elegirl Pro Concealer. So I'm just blending that out using the beauty sponge from Inno Beauty. I always use a damp beauty sponge when doing that. Next guys is foundation. I'm using Melani foundation in number 13. I'm using the flat brush to apply the product on our skin and then blend out with the beauty sponge. I'm blending down to our neck because I don't want color demarcation and I blend that foundation to our skin seamlessly. You can see how flawless our skin is looking already. So guys, am I lighting the areas that light will normally hit our face underneath our eyes, our chin, forehead and the bridge of our nose with Elegirl Pro Concealer in chest knots. So guys, if you've not joined the family yet, please subscribe ring the bell beside it so you don't miss new videos and also subscription is free. Please give this video a huge thumbs up and leave a comment down the comment section if you like it. This is very helpful to my channel. Thank you. And then I blended out with the same beauty sponge I used earlier in blending out the foundation. My mother and I were just gisting. I've actually forgot what we were gisting about. She was just laughing all through. Actually, she made me laugh a lot. Okay, so you really need to take your time to blend out. If not, you'll be having creases under the eyes which when you set, it will not be okay at all. So I decided to pop in some lighter shade of concealer for Milani in number 160 just to open our eyes a bit because she have a very small eye. So I wanted that area to look more brighter. Next, I set underneath our eyes using the Sasha Buttercup Setting Powder and the S-Pond. I mixed both of them for all the areas that I highlighted.  It's still damp a little bit and it has that product so I like to use that to set all the areas that I highlighted. So I'm setting the whole of our face with the V-Beauty Palette Powder in chocolate and then I contoured our face with the Maroon and Ebony Powder from the same V-Beauty Palette. Next is the brows. So I used a brow pomade from Blood Cosmetics. So I'll use this to outline our under brows and then I'll do the same thing at the top of our brows. So guys, I have a video on my channel on how to do makeup for the amaranth season. If you are not in Nigeria, I explained in that video in details what the amaranth season is all about.  So I'll be leaving the link down in my description box. So thank you for checking that out. Next, I'll be filling in my brows with the same brow pomade I used in outlining. And then I'll be highlighting underneath the brows. So I used the Milani concealer in 160 to highlight the brow bone. And then I'll be using a close shade foundation to highlight the inner corner of the eyes and I'm also going to use it to highlight the top of the brows. So I blended out the concealer into our skin with a small blending brush and then I'm contouring our nose with the same powder from V Beauty in Maroon. So I just want to chisel that nose out a little bit. So I'll be priming our lid and so I'm using the Benign Clown White eyeshadow base to prime her lid using a small flat brush to pack that product onto our skin. And then I blended that out using a small fluffy blending brush to blend that seamlessly. So guys, next is eye shadow. So I'll be creating my eye look from the Esby Sparkle eyeshadow palette first. I'm going into the Nietzsche Nude eyeshadow for transition color and then I'm blending that out with a small fluffy brush. I blend that into the inner corner of our eyes and then I'm deepening the outer corner of our eyes with the bronze surface. So I blended that into the inner corner of our eyes because I wanted that eyes to have some dimension and then I blend the edges with the first shade which is the Nietzsche Nude I used in our first transition. So I blended the edges together so it will look flawless and seamless. And then I went into the Benign Clown White again to give the lid color a base to stick on. So I went into the gold brown for her lid color. I went back with the brush that I used in picking the bronze surface eyeshadow to blend the edges of the eyeshadow together so that we know debakation. So I used the Glitter Primer from Adean to apply that on our skin because I'll be going into the pigment from Treci Bella. Okay, so this pigment is heaven. It's also beautiful. It gives me this frosty shine like it helped the eyeshadow to pop out even more. So if you're applying the pigment, sweep it along the surface just a little bit so it helps to even pop out the more. So I went into the Dome White eyeshadow, the shimmer eyeshadow in the palette to open up our eyes just a little bit because of the way our eyes are small and then I dust off the excess powder from our face and then I'm applying the lash from Mismetic. This is in the Star Olive. So I'm smudging out our under eyes with the same eyeshadow palette I used for our transition color, the Nature Nude and the bronze surface in the palette too. So the next thing I'm spraying our face with the Teya Setting Mist. Before the setting mist dries down completely, I'm going to be using the Nubank Beauty Glow palette to add some glow to our skin. I used the Star Stroke and the Basel in the palette. I don't know if it's Basel or Dazelle. I'm leaving the name so you correct me down in the comment section. I used the Popu Dust in the eyeshadow palette as my blush. So now I am using this Popu lipstick for her lips. I've got this lipstick shade for a very long time so I can't even remember what the name of the lipstick is. So guys, this is it for the final look. Okay guys, I know that I love you as stylist. The hair might not look the way it should because things actually went sideways for the hair. So we were left with the option of using this particular hair. So I am so so sorry if the hair did not come out the way it should. Thank you so much for watching this video. If you find or got any value out of this, please don't forget to give this video a huge thumbs up. Leave a comment down in the comment section and do not. Please forget to subscribe and ring the bell so you get all notifications. Thank you so much for watching.  Bye guys.


Freedom. Today I want to talk to you about the specifics about finances when it comes to hitbox. It seems that there's some confusion out there in the community. Part of that's my fault because I didn't do a wonderful job explaining it in the brief overview, which you can find in a card somewhere up there somewhere. But I'm gonna do my best in this video to explain it a little bit better. Of course, there are some things I'll have to describe in very general terms, but I'm gonna try to use YouTube as a guide so that you better understand because there are those weird fringe cases where things aren't necessarily always black and light. This is... I just wanted to disambigwify... disambig... disambiguate... disambiguate? I don't know. I wanted to make this clear to you because a lot of people do seem confused between the two. Subscriptions and follows are not the same thing. Real quick, a subscription is kind of like a Patreon ongoing donation from the viewer, whereas a follow is kind of like a YouTube subscription where the person gets notifications when you go live or when you have a new VOD or VOD or video on demand, however you want to put that. So just to disambigwify big and disant words, I can't do it. Just to make it clear, subs are totally optional. Follows are also totally optional. So just wanted to put that out there.  When it comes to subscriptions, just to be clear, the way that that works is a subscription is $4.99. Of that, Hitbox takes a cut and then hands everything off to Freedom. That Hitbox cut, I believe, is a 30% cut. If I'm wrong, I will make an annotation somewhere on the screen that says otherwise. Hitbox then hands that revenue over to Freedom and then Freedom pays you out via your Freedom ID and thus PayPal, just like your YouTube earnings, per your contract with Freedom. Hopefully that helps clear things up to you. Now that we've gotten past that, let's go ahead and talk about regular revenue. Regular revenue is paid out per your agreement with Freedom through your Freedom ID. So no fuss, no must, no added payment details, nothing like that. How much you make really kind of depends on how many people you're streaming to, how many people see ads, how many people don't see ads. Some people have reported that they can't get ads to work properly. However, 99.999% out of 100, it's just because the person that they're trying to show an ad to or the people just recently joined the stream and Hitbox will only show ads to people every so often. They will not actually allow you to bombard your users with ads, which pretty much means that, you know, you can't annoy your users too much, right? It's their way of trying to help make sure that everybody stays happy. If your viewers have seen too many ads recently, they'll go, ah, we're not going to show that right now. So for instance, if someone joins your stream and then you hit the insert ad button immediately or within the next few minutes, they will not see those ads because they just recently saw ads or possibly even those same ads that we're going to run. It's a great feature to keep for you from accidentally annoying your audience too much. As far as dollars and cents, it's really hard to nail down, but I can tell you that they are very competitive CPMs. I'm not really sure how much of that I could talk about as per our contract with Hitbox, but I can tell you that freedom did fairly well and that for instance, if someone moved from Twitch to Hitbox with the same audience, they would see no difference whatsoever and possibly even make more money just because of the higher CPMs over on Hitbox. Yay for group deals! So far, we've had a lot of people streaming, some people making more in one day streaming than their entire channel makes in a month. That is pretty encouraging. Now, also it's important to realize that this is a wonderful platform for growth. A lot of people have made the point that Hitbox as a website is smaller than one of their competitors. That may be true, however it's also a lot easier to stand out in the crowd. One example that I've been trying to give recently is this. Is it easier to find Waldo in a crowd of, say, 300 people or 30,000? That's really kind of the math that we're working with here, so if you're a smaller streamer or just trying to grow your existing audience, regardless of your size, this is really the place to be. Especially since they do have a tendency to put the small guy on their front page, quite often actually. And to recap something we talked about earlier, keep in mind that sub-buttons and custom emotes are usually something that only people of 100 concurrence and above get. However, because of the deal with Hitbox, we got that at a much lower rate of anywhere between 75 and 100 concurrence. That is a huge win for small channels. The reason this is important is it allows you earlier access to these features that you would have normally had. Financially, the little guy's sub-button, anywhere under 75 concurrence, works the same as the big guy sub-button. The only difference between these two is that your fans can go on to other streams that are also partnered with freedom and enjoy the same benefits, but only for freedom streamers, keeping it in the family.  In case you've forgotten, every freedom partner does have the ability to recruit their friends, family, whoever they'd like, using their referral friend link in the dashboard. One other really cool thing is that Hitbox just partnered with a company that sells video games and say if someone subscribes to you, they then get a credit equivalent to their subscription price for the first month to spend on games. So if you really want to push those subscriptions, keep that in mind. If you, if someone subscribes to you, that's the paid subscribe, they get $4.99 towards buying the game of their choice. You'll find more information about that down there. If you have any other questions, comments, matters of concern, let us know in the comment section down below. Till next time, I'm Anthony with Freedom. Like, subscribe, comments please. And remember, believe it or not, I believe in you. Alright, I'm getting back in game now. Bye guys.