Welcome folks, we have the Dow Industrial's finished down 150, Nasdaq was up 21, S&P's down 11, Gold. Gold contract traded down $22.00, $1809.00, we had Silver down 30 cents, $20.95 an ounce, Light Sweet Crude off $256, $118.37 a barrel, notes and bonds. The 10-year note, $227.00, trading out of the price point of $114.14, the 30-year bond off another full point, plus $13.00, trading out of the price point of $131.11. The 10-year note, folks, closed at its highs, meaning 3.475%. The amazing part about this here, let me put the, here, you got to see this because we put this up and what I'm going to do is I'm going to take this and put it back for the last year and when you see, look at this, man, the low, last 12 months, right? Low is 1.1 and we're at 3.4. That is a fast acceleration. Let me do it for six months and see because most of this was actually, yeah, it's the last six months. 1.4 was the 10-year yield six months ago, 3.4 today. So we've added two percentage points, you know, bottom line, over 130%. We went up. That is one monster move. Well, you know, when we take a look at the, oh, King Dala, we got to look at King Dala because what's happening with King Dala, it looks very well, looks like that good old King Dala is actually going to make the run for this 121. It broke topside out here again today. The first time I get up here, I couldn't handle it. The second time, looks like it's going to handle it. You're at 105.486 and when you take a look at this, that's the only thing in between here and the 121 is air and you know, we were in this consolidation for seven years. You know, when you break out of consolidation for seven years, that's pretty powerful. When you take the top of the consolidation, the bottom, you need a price projection. You come out to about 118. The highs are 121. That's saying that we're going to be going up with interest rates for quite some time. And that's also saying that the other counter countries, meaning Europe, Asia is not going to be going up as fast. And that's why our dollar is going to be so strong. Have a great night, folks. Have a safe night. Come back and visit Tommy tomorrow morning. Kicks us off nine o'clock in the morning. Great show, folks. Look at him, folks. Sharpening your skills


In this video we provide the solution to question number 13 for practice exam 1 for math 1050. We are given the 1 to 1 function f of x equals negative 3x minus 4 all over x minus 2. You don't have to prove it's 1 to 1, you can assume it. We want to compute the algebraic formula for the inverse function of f right here. Now remember the idea about the inverse function here, that you have your function f that's given in terms of its graph, the f of x is just the y-coordinate. This formula for f gives us y equals negative 3x minus 4 over x minus 2. Now as we switch to the inverse function, we switch the roles of x and y. Therefore the y variable becomes an x and the x variables become y's. So we get negative 3y minus 4 over y minus 2 like so. Now what our goal is, is we need to solve for the y-coordinate because that'll give us the formula for f inverse of x. We have two y's in play here, one's in the numerator, one's in the denominator. We need to get them together and so the first thing we're going to do is clear the denominators. They can't be combined together if one's in the denominator, one's in the numerator. So we times both sides by y minus 2 that cancels in on the left hand side. And then on the right hand side we get x times y minus 2. I'm going to go ahead and distribute that x there, so we get xy minus 2x. And then that's going to equal the right hand side, which is now 3y minus 4, like so. Our goal is to combine together the y's. We have a y right here and we have a y right here. So I'm going to move things from one side of the equation to the other. The negative 3y will move to the left hand side by adding 3y to both sides. The negative 2x will move to the right hand side by adding 2x to both sides. That gives us something like xy plus 3y is equal to 2x minus 4, like so. And now you'll notice because of how we organize things, there is a multiple of y on the left hand side. In fact, everything's a multiple of y. We have xy and we have 3y. We can factor the y out, giving us a y times x plus 3, and this is equal to 2x minus 4. And so we wanted to solve for y. That was our goal. So to do that, divide by the coefficient of y, which in this case is x plus 3, so that it cancels out. But what's good for the goose is good for the gander. We have to do the same thing that we did to the left hand side. We have to do that to the right hand side. So you get this x plus 3 over here. And so in the end, we end up with y is equal to 2x minus 4 over x plus 3. This gives us the formula for f inverse. But a common mistake that students make is they stop right here. If I just put a cute little box around here, I haven't yet answered the question. The question is, what is f inverse of x? You didn't tell me what f inverse of x is. So we need to make sure we are specific in our label. And we're saying that f inverse of x is this formula right here. If you just leave it as a y, we've kind of overloaded the meaning of y in this context. There's a y here. There's a y later on. You need to be very explicit. Don't leave anything up to the imagination here. When you're trying to prove that you know something, say it so that this is known. So you do need to write f inverse of x is, in this case, 2x minus 4 over x plus 3.


We're here at ITU Telecom World 2016 in Bangkok, Thailand and I'm very pleased to be joined this morning by Henrik Milgaard, who is the Vice President of Global Sales for BlueTown. Henrik, thank you very much for being with us today. Thank you. No, it's my pleasure. Now I'd like to start off by asking you a little bit about BlueTown perhaps you could tell us about your company, your SME, and how it's innovative. The way that we are innovative is basically that we have created the solution which is disrupting and will be disrupting the market right now. The problem here about connectivity is that with the traditional telco technology there's no business case for connecting the rest of the world. So we wanted to create a business case for that and you needed to go and look for the technology there. So we have created that technology which is so cheap that you actually can generate a business case for connecting this part of the world. So tell us a little bit about it. Yeah, OK, thanks for that. What it is, it's basically a Wi-Fi solution that creates a Wi-Fi hotspot anywhere in the world. It could be backhauled by satellite for instance. So if you could drop it in Sahara you can actually go on the internet there. You can also work with fiber if there's an infrastructure for that and you can work with a microwave link as well. It's battery backed up and solar powered so you don't need a grid's power. You've been selling it recently, how long have you been developing it for? We've been developing for a couple of years now and we're very proud to have projects in India and Tanzania and also currently we're deploying a nationwide Wi-Fi for the government of Rwanda. And what's the reaction that you've had to the people who've been here at IT and telecom? It's massive. It's great to be here. The interest is fantastic and we can see that there's a very, very big opportunity for replicating the solutions that we do to all the parts of the world that we are focusing on which is, you know, Africa, Middle East, Asia, but also South America actually. Now there's been a lot of talk about ICTs supporting the sustainable development goals, UN SDGs. How do you think you fit in that picture? I'm very proud to say that Blue Town fits very well into that picture. We are proud to say that we're supporting 11 out of the 17s SDGs. If you just look at the first five, which are for me very important. So we are very happy to say that we will reduce hunger. We are supporting the way that you can get gender equality. You can also get a lot of education and also health improving information out of being connected. Basically all the studies about saying getting connected gives implications that getting connected isn't self enforcing for a better life standard. And that's also what the SDGs is about. So we're very happy about that. What's the biggest challenge that you face as an SME?  So there's a big challenge in that geographically. But the way that we overcome that is basically by partnering. It's very important for us to partner with the local governments, partner with the local engineering companies and what have you. So that is the way that we overcome that. But of course it's a challenge. And how is collaboration important to you? Who would you like to partner with? Yeah, but we're partnering with the ones that we want to partner with already. And that is the governments. It's like ITU is very important for us basically. UN and other global organizations that's very important for us to partner with. I think it's also important to partner with the financing institutions like the World Bank, because not all have the right finances to actually roll out an infrastructure like this. So that's also very important. And nevertheless, also not forgetting the local partners on the ground. That's also very important for us. And finally, what's the value for you of attending events such as ITU Telecom? It has been a big, big and a great value. The thing is that there's many leaders coming here and many decision makers. And we have had so much contact, good contact and many, many follow-ups that we have to do here. So for us, the value has been tremendous. Can you move out? Thank you very much indeed. Thank you.


Do you not like Tom Brady for the same reason you don't like the Yankees? Their greatness, because they're both cheap. Their greatness.  That's the reason he's not the goat.  I'm Tom Brady. Um, you are definitely not the goat. I love that story about Meryl Streep though. So funny. Oh, yeah, the goat, when they kept calling it a tale, the old goat knows where to go. Meryl, you know we're not just calling you goat, right? I love, it says a lot about Meryl, that she did think they were calling her the old goat, and she was okay with it, that she's not full of herself. Stop, it's always him, it's always him. But yeah, look it up, Meryl was, she had no idea what the goat was. I got a treat for us, we got an Irfan Khan interview. What? Obviously a previous one, but it's with Film Companion. Obviously. Yeah. So I think it's this, remember that the questions from the audience that we got from Ren Beer? Yes. So I think, even though this is not him answering the question from the audience, this is her interview with him. But it's the same kind of format. Got it. And so he's going to go over career stuff, he's going to go over acting stuff, it's going to be amazing. We can sit and listen to acting, especially by the great Irfan Khan. Yes. He is, it's still so sad. It's one of the saddest losses I've felt for a celebrity. Me too. I'm so thankful for this channel for many reasons, but we got to know him more. Because if he just passed, we'd be like, oh, that was that guy, if we had never seen one. Oh, the guy from Life of Pi, and the Jurassic World. The fact that we got to know him, and his career, and get to watch his work, and realize we've been able to talk to him. I know. But man, anyways, this is going to be amazing. Awesome, awesome. Unless and until you become a good human being, you can never be an actor. You know. So, so, that's not true, actually.  Irfan, thank you so much for making time for FC Unfiltered. Thank you very much. You know, I read somewhere. Yes, and thank you, this is amazing. I hope this is a way to move with Benefit Yoga. After Shanmila Tagore saw the namesake, she sent you a message saying, thank your parents for giving you both. I swear, sometimes, you know, I've got kind of praise or kind of acknowledgement from people, which was so moving. And there were no compliments. It was like somebody has, you know, just poured their heart out. So, Irfan, what are the choices that you made, that made you the man you are today? Getting bored with oneself. Just to avoid getting bored with oneself. To keep my profession, because I had no other way to keep and engage myself. No other way. I had choices when I was a teenager. You know, I could have indulged in a few things and it could have, you know, engaged me.  I am not of anger, I'm not anxiety, you know. I get bored with things very easily. And I could never fit into the system, any kind of system. But are there any favorite failures? Oh, yes, there are, there are favorite failures. I won't call it failure, but it was a kind of traumatic experience. Either way, failure, like, you know, when I was seven years old, I was, you know, passionate about flying kites and we were not well-to-do, although I belonged to a feudal family, but my father didn't take anything, so we were still living in a rental house and our terraces didn't have a protection. It was it was, you know, a diva. And in the evening, I was trying to catch a thread from, it was hanging from an electric wire. And, you know, I just was trying to catch it and I fell down.  And that took at least two years for me to, you know, to recover, because my father was not there, my father was under, so he was out, so nobody knew what to do. So it stayed like that. Have you been here? No, no, I haven't been here, but it's, I can, you know, I'm okay with it. But I couldn't, you know, stay in it. And then slowly, slowly started losing strength. Again, you know, for the sake of the wrestler, he had to do it straight. So then he used to massage, he used to pull it straight. And that was so traumatic. I told him that's mostly because he was feeling sorry. He would pull it straight.  And they, you know, they get indulged in making fun of each other. Holy school used to make fun of me. And I, you know, I started getting into my shell. And I, I was as it is, you know, I was, I was a very shy guy. And suddenly, you know, I lost all the confidence and everything, you know, I was just living in dreams at that time.  And I used to pick it up like this. And I used to see. So, so this trauma, traumatic experience in this, you know, being oneself in that so much of a shell. It, it made me realize, made me notice things. You know, I, I used to notice that whatever I am, people are not perceiving it like that. People are not, they don't know what is there inside me or what lies inside me. So when I, when I was aware of this, there was a little kind of organic need for me to come out of myself and do something so that people realize what I am. But how does a child who, who draws up very far away from anything to do with cinema then sort of find the courage to go into say that I want to be an actor and go to drama school. And then I read that, that you were so insecure about the way you look that you would sleep with a pin on your nose. How do you then get past all of that and say, I'm going to make this work? You don't need to tell that, you know.  Pump to the inspiration. Sure, this is the kind of thing which I, which I was suffering from when I came to, in the city, in Delhi there was an atmosphere where I could watch international cinema, European cinema. I was introduced to this kind of cinema and that was my, my, lot of source of inspiration and I've learned a lot from, from the movies. When I came to the city, I was almost like in the middle of Monday. Nobody talks about cinema. Nobody discusses. You don't watch interesting cinema. Where do you watch it? The time when I came. So my struggle was to just keep my inspiration going. The first thing I bought from my income was VCR and I was looking for films and that time I realized that this is not my real drive. Otherwise the inspiration would have been there even without watching films. So that time I realized that this is a cultivated interest of mine. I have cultivated it. So I have to keep it up. Keep, keep it going. So I need to buy, buy, buy VCR and I need to watch good cinema so that my inspiration is pumped up. Not myself but saying that I'm a good actor.  Make a character even there. So, so you have a good post but, but you can't keep pumping yourself saying that I'm a good actor. That's it, that's it. That would be a folly I think. It will, it can work for certain, for sure. But it won't work for me. You need something else. I need something else. But there are people who love to say that I love myself and I'm great and it works for them.  Think of Leo and what's fun to talk about. That was the greatest acting I've ever done. Fun is perhaps the only actor in the world who has worked with both Ang Lee and Anis Basmi. What does that take? Well, I'm still struggling to, to, to see myself as an, as an accomplished actor where I'm playing the craft. I'm still struggling, you know. The thing is a lot of my time is, is, I give a lot of time to Hindi cinema. And here you don't have so many challenges where you can keep polishing yourself as an actor. I go there for four months, three months. Then again I have to come back here, you know. I, I'm still, you know, working on my craft. I'm still not as easy as a model fellow.   Then you'll start enjoying the, you know, the being an actor. So maybe I'll, I'll reach there very soon. But you said, when you were talking about Hindi cinema, you said that we can live without nuance here. You said what we need more is attitude. So even if you give a superficial performance, it can still work because we're not aiming for nuance. But what does it take to give that superficial performance? Does it require high level of skill? Like what do you do to create that attitude performance as opposed to what you do in the West? That, that is, that's just there. You know, you don't need to work on it. The only work you do is that you don't work too much. That you don't put your own sensibility onto it, onto it and make it liability.  Not dumb, no. Don't, don't, don't research on the, on that character. Don't, don't find its background and, you know, see nuances of its behavior, this and that.  And don't bring in all those shades, man. Don't, don't work too much over it, you know. Just, just, just, just flow with the flow, you know. Have a good time when you're doing this movie. You have related to that humor, you know. You enjoyed that.  Isn't it? And that's it. That's it, you know. And that's how everybody can be the most effortless. There's no one formula which fits into when you, when you're working on a character. There's no one formula which works for every character. Right. You know, you will keep discovering new ways of doing it. That's what you have to discover that each and every character needs a different kind of approach to, to reach him. This is, this, this kind of revelation just happened with me. You know, I was doing a, a, a movie with a, one of my favorite director, Anup Singh. And he narrated the, the story and, and something came, something, you know, I just realized that I cannot work on this character. Because he makes, he's, he's, his narrative is musical. He sees music in everything. Even in your behavior, he sees music, rhythm. His short taking is like that. His way of telling a story is like that. Because earlier for Kissa, I was not ready to do that because too dark a subject.  It's been two, three months. I don't want to be comfortable with it. But when I saw him the way he was shooting it, suddenly it was not realistic. He said that when... Interesting. Didn't pick it up until he was shooting it. He sings at night. He has thoughts, he has pain. He's not going through that pain. It's there inside him. He's just playing on that pain. He's just projecting in a way that he's also enjoying that pain. So that understanding I had, you know, when I went in this film, in the next film which I did with him recently, in Rajasthan, I didn't work with that character at all. I just went on the sets of black. I used to have great time at night, you know, just a party, this and that. Go there, see the mahal and do it spontaneously. His method is to have fun. The most effortless man we've ever seen. Brilliant. It's not shocking in the lightest that he really is. Sometimes I just show up and do it.   And in that conversation you had said that Bhaatsaab had sometimes directed Bhaatsaab, I'm gandhi acting man. So how is an actor of your caliber purposely do gandhi acting? It's not gandhi, he was not saying gandhi acting. He was saying that you don't personalize it. Make it a jugglery. Make audience say, you know, in this film what happens is an actor will come and do magic and all that will happen. There is a lot of language to work on. The camera is covering it. There is no language in it. The language is flat. So if there is an actor, you will do magic in it. So he was talking about that. Give a superficial hypnotic thing. It was gandhi. He never said that you don't see the king of the house. He said, such a beautiful person. There is a lot of Hindi writing in this part. Is it hard for you to do? Can you do that easily? I don't know how it happened but I was doing two kind of series which are equally popular. Badeya Privat and Chandra Hantha. Chandra Hantha was completely lined by me. I didn't know character research, I didn't know anything. What's that? How you can convincingly say your lines that's all it was about and Badeya Privat was very realistic. So somehow I think my background, my choices helped me. You can juggle between the two. But these stylish words, nobody bought it in the cinema. Although it was popular in series when Jagannath and those characters were very popular. But in the cinema nobody was ready to give me that kind of opportunity. The stylish version of his song. I am thankful to that. I would have miserably got sucked into it and lost my heart. A couple of weeks ago I was talking to Arjun Kapoor and we were trying to address the issue of an actor as a celebrity versus an actor as an artist. And I was saying to him that now actors are not just acting.  Doesn't that distract in any way from being an actor? And he said look in our ecosystem we are actually entertainers and this is all part of being that. Do you see yourself as an entertainer? I do see myself as an entertainer but as far as art is concerned whatever the responsibilities you have just mentioned art doesn't fit in any of those. Art only comes when you start making things personal and when you start reflecting on those things. Life around you, life is around you. Whatever you are absorbing as a human being and then you are somehow communicating that observation. Your own point of view about society, about human beings through those stories if that is not happening then art is not happening. You are just an entertainer, actor, celebrity, whatever you can call it. But artists only happens when you start reflecting, when you start personalizing things.  Yes, you have to. Otherwise you confuse the story you confuse the other people as well. You confuse the audience as well. When I am doing a film which is just about one-liners I have to deliver one-liners and enjoy it and we shouldn't be skeptical about it. Just have fun, the story is about that. Somebody was telling me about this that he went to meet an actor and he was sitting in his trailer and he was doing all kinds of meetings and the assistant was waiting. Sir, he was in a meeting. He goes back and comes back in maybe 5 minutes and that was meeting. So he was just wondering why is he doing this on the road? It's from business propositions to the future story where to go for picnic where to go for holidays and everything is going on. So that's what you become. If you enjoy that, you enjoy that. It's your personal priority. So you start playing that game and if it suits you, please play that game. Whatever works for you.  I am a human. I am a human. I am a human. I am a human. I am a human. If I am human, I also talked in interviews about the star system in Hindi. And you said even the most interesting directors will at some point say, in the next film, let me get a star and you used very interesting words. You said it's a very strange feeling. They feel like they almost belong to some kind of a substandard community until they've worked with a star. Is this frustrating for you as an actor or have you just made your peace with it? This may be a helpless at a time at one point in time but there are so many things which could make you helpless and frustrated. That's your again and again challenge how to keep yourself positive and interesting enough for yourself that you can enjoy yourself and you don't let it affect you that much but it happens because you are not bringing in that kind of money one. The other thing is if you are doing something which is not from the copy book, regular which you are doing if you are bringing some new element to your craft which doesn't confine the norms which doesn't confirm the norms rather there is a tendency of the establishment that they get threatened because they couldn't use that. They think what is this new thing? Can I use it if I can't use it? What is it? So there is a kind of strange way of pulling that down bringing it down and it doesn't happen directly but it happens in these kind of you know, where you are not offered you are a very good actor that you can blend in we are making a group if you are not in the group that kind of attitude happens but no big deal you can fight it out you can find your own space you don't need to fight it you just need to create your own space But did you refine your own space? Ever have a sort of dark night of the soul where you just felt like I can't struggle against this anymore? There were times also it was because the way I was reacting to those circumstances I mostly have done movies first time directors making their first films and suddenly I have seen them changing and you know first film was successful and then the next film I wasn't important at all and subconsciously you start banking on this team that you know we both have you know and then you start banking on that person and he starts banking on you and unfortunately that happened so I am out of that game now I don't depend I learn my lesson I said it's your own journey you know it would be unfair on your part to start expecting that you know your journey accordingly one film was very good let him do his own thing and you do your own thing so that was frustrating at that time and before that when I was doing series I used to feel claustrophobic, jealous insecure because my juniors they were getting breaks, they were doing commercial cinema and I was struggling to just get a one minute part in a movie I was doing series everybody used to talk to me talk about me I used to hear that you know when you saw a series called Suffer Suffer was on some channel so he was discussing he was talking to the director who is he? then I used to see him in the morning but I never got I know, I prayed in cinema until the time of right I remember one discussion once we had about 100 crore clubs and he said you know everybody used to say I wrote my films and I did not and if I said I think he was just coming off Jurassic Park with him my mind went about 20,000 crores functioning on another plane completely but I remember him saying that it's just it's just not cool for actors to be discussing my not for me not for me that you know I have kind of benchmark my film that's too boring for me what a what a scale to judge yourself man that you are taking away all the mystery of storytelling it's not a product which you know it's an experience sometimes the stories are not made to make that kind of money there are certain stories which can make money which they wouldn't have imagined their work films which they would have imagined it's an experience where it's a job which has mystery to it which has you know you can't judge a storytelling or a story or those figures figures are just buy and buy story is a life thing it is a life and it interacts with you and you can see physically how it's interacting with you because it's a creation creation cannot be dead and I can give you many examples how story has come and you know nudged me and you know created an atmosphere for me or challenged me and you know you said pancing tomorrow right but I believe it and I can show it to you pancing it around I was getting hurt so many times and so badly and without any rhyme or reason I'm just walking and then the kind of step which I didn't realize suddenly my back was which my back is it's not fragile I've done so many things I'm not weak from my back and I'm playing a cricket and suddenly a ball you know the healthy is a ball you know tennis ball so many incidents happened I told my legament with a very small incident I'm just jumping from here to there and there are stones there and the trouser the one which was here suddenly slipped and came down the one which was here so I I jumped with a gun and as soon as I fell I went there again I was told this was mob slain the whole stone was with a gun so that film was testing me in a different way completely I'll give you one more example because when you know this line you have to leave I was suggested that you go to Turkey and at this time you do your best so we too as well as the security we also as well as the security we were saying that we'll do something so I said tomorrow is 4 pm from 4 am to 7.30 pm so he said yes we'll go there we'll go to the scene we'll do something we'll use the water so you wait in front of the camera the camera went down he went down he was coming on the airport he was coming he was coming he said the gun was shot the camera didn't come it didn't come you know and that's the film you won a national award for and that's the film which exactly behaved what happened to Pan Singh Tumar in his life example he was a talented man he was he made he was national champion and his name was not there at all when he started researching about him there was no record nobody knew him exactly same thing happened the film was made and everybody was loving it before it was released but it was not getting released we were so frustrated after 8 months or 9 months if anybody used to ask me what's happening Pan Singh I said I forgot Pan Singh don't talk to me about it Pan Singh is nowhere he's gone and then suddenly the film came out without any publicity nobody knew that one poster one poster suddenly the other version suddenly the film stood on its own so see the correlation between his life and film how it interacts Mahudra's don't matter it doesn't matter it doesn't matter it doesn't matter worst advice you see being dispensed in Bollywood it was generous from a strange kind of insecure to fall into a kind of formula people who haven't reached there have a kind of a say on how things work and what gives you success and this premature way of understanding things is the kind of folly that without experience you have made a kind of formula that if you do it like this you will do it like this one must interact with oneself and see one's potential and see what is unique about oneself and evolve get evolved as an actor falling into formula is something which can reduce one's possibility and one's uniqueness those are good lines to remember folks always don't fall into formula we always think of you as this very dense serious actor but when I remember reading this interview Roland Joshi from AIB 10 after they shot that amazingly funny video the club song and he said they were all so nervous about meeting you but he said you were all kinds of chill so what do you like but you are not looking I am scattered actually I am scattered and I see every house I try and find a space for myself here I will sit here I will have coffee, I will have tea I will study but those places remain like this I read the script sometimes I am there sometimes the script is in that room I am here in the line I am basically scattered I am not an organization I think I understood most of that when you see actors doing wonderful roles when you see people changing themselves completely and getting into that cannot happen spontaneously you have to work on yourself and diligently work on yourself but which you do I do but when I am not doing characters that time also for me I should be able to keep tuning myself at least because I have done a lot of abusing I abuse myself my body whatever now I am slowed down but I am a very reckless man I used to carry a lot of anger which I have controlled dealt with it peaceful so the whole being is your tool so it becomes a kind of other responsibility or a kind you should enjoy taking care of yourself taking care of yourself also that is what it is to enrich your soul through your job it has to have communication both ways otherwise you are doing just this your job you are killing your possibility that's lovely I have to tell you guys I didn't interview with Irfan and Tom Hanks in photo and I remember Tom Hanks saying something I don't like Irfan because when he walks into the room suddenly I am not the coolest person in the world I thought that was a great line I guess I am going to have to questions my name is Ange I wanted to ask you what is the USP of any actor be created or that is something which is involved yes you create your own USP and start disturbing yourself USP first it is a natural thing to aid or to imitate other actors or to find confidence when you resemble somebody I used to resemble somebody giving this wrong idea that my face is similar to what you are looking for and I used to feel so good about it every actor falls into it I used to copy him I used to take his dialogues I used to tape I used to there is a kind of I resemble this there is a possibility I am not what I am suddenly you want to skip all that process and become what you are looking for so as you start discovering yourself there is a kind of organic style organic you are being you start reflecting on the characters and that is the USP your understanding, your perception becomes your own USP I saw my name is Raj and you have done a variety of characters who they belong to various parts of the world or even various parts of India and how important is the addiction language and you know the way the character speaks to developing the character if the story, if the script demands that then it becomes very important that is what I realized in Mughal at that time I was my second film and what I was doing when I was trying to personalize things I was putting my own way of speaking into I was freshly coming from Hassan and that is what I was doing in Mughal and suddenly I realized that the power of the line has gone as I said in my own words as I diluted it it was not a realistic language it was a constructed language but it has its own music and own power where I did that the power is gone and I realized then I stuck to what Vishal has written how he is becoming famous and has changed you as a person for example you talked a little bit about how you had anxiety so would you say that you're a happier person now that you're successful why do you ask this are you asking it to understand that if one becomes popular or known does it make you happy yeah that's exactly from your perspective do you expect that as a person no it depends what you take of it sometimes popularity or fame can destroy you personally with me it has healed me it has because I don't look at popularity just popularity because my focus is not just popularity is again byproduct what you're doing is much more important for me and that doing brings the popularity so it's a byproduct what you're doing to your job will bring a kind of whatever it will bring to you so what relationship you have with your job is it satisfying you if that is satisfying you then everything will fall into place hi sir you said playing characters excite you playing the most exciting and challenging character you played till date these are two things exciting and challenging there were some characters that were challenging but were very painful very painful and I was just mentioning that in an interview I did a character in a series called entreatment it was I didn't know he was in that I was playing a mentally disturbed person and the kind of writing it had was a very complex character and his age was like 54 or 56 whatever my life didn't have that kind of complication so where do I bring all those elements to fit into this this outline of this character that was really painful for me what all I was doing to myself to appear that I am as this character so the challenge was there but that experience was not not enjoyable it was painful so when the shooting was over I literally screamed as if I won the work up and everybody was surprised what happened to me and I'm out I remember the life but I carry this this thick which I have to learn in few days which was like I am giving exam just reminding you of examination day so there are exciting characters like Pansi and other characters you want to keep you want to keep them in your being you always remember them fondness and bond so Pansi was one of the characters that you did thank you so much Pansi thank you and I'm going to remember your words good questions too really good questions and once again I'm sorry I was told this was I mean it was mostly hit there was certain segments that obviously I would have loved to and no one would even say jokes that he said it's how Indians speak obviously speaking in English speaking his own language I wish I would have known what he said grateful we got as much English as we did to understand it but man yeah he wasn't surprising at all some of his answers the fact that box office makes no difference the money doesn't make a difference both in terms of what it makes and what you're paid he's like they don't measure that don't talk about that I loved when he was asked the question about fame I wanted to know why she asked the question because it's very true because there are people who pursue things because they want the fame and the fame is what they think is going to give them the satisfaction and for some it is how much truth is there for Lady Gaga as I live for the applause there may have been a lot of truth in that and then there's other people who it becomes a poison for them and then there's other people who like Irfan and I think part of it I don't want to put words in his mouth but it's possible that for him the link of the fame was commiserate to the level of success he had in the art form he likes to do so that the more fame that he got commiserate to the work it brought a healing sense of affirmation to the fact that I'm doing what I love doing and people know about it versus I need the fame for my own sense of self-worth he is definitely not the latter an incredible human being the whole effortless style to his approach to art which makes it the most that's the thing we've always said if you've seen any of our reviews the word to describe Irfan is effortless and the fact that he's kind of confirmed that this is how I do it not always obviously so he says there are certain roles that you have to kind of really dig yourself and dig deep and do the fact that his process is just effortless a lot of times the fact that his process with some roles is none and many of the greatest teachers that I've ever heard teach or read what they've taught they'll tell you at the end of the day after you've learned everything you've learned forget it you really do need to do that but he's taking it a completely different direction in terms of many times and it shows in his work I do nothing I don't create backstory I don't think about what I'm going to do for substitution I don't try to figure out what is my why, what's my motivation in this I simply take the words from the page and I do what I do and then I'm done and I feel good about it and it shows that's like I remember when we first learned from him his approach to being exactly the same that when you should be the same person before action and after cut that you are in between that there's no putting anything on and just doing something as simple as background work one day I recognized wow it's really easy as an actor to fall prey especially in film to the tension that builds there's a tension that builds on set okay everybody quiet please stop moving around rolling okay speed quiet on set get camera one ready camera two ready and slate and action there's a tension that's building up to that and to be able to just be speed and action so that's your fun it's the best he's the best he's the best man yep it's so great to be able to speak with him yeah there's a lot of people life's not fair a lot of people still hear that shouldn't be and a lot of people that aren't that should and I oh man just to hear more of his wisdom and see more of his work he's missed that was great more there was anything that he said you feel like we need to know you can let us know down below what he said obviously what should be our next earphone film we're gonna watch everything he's done before we are dead hopefully but let us know other earphone videos whether it's interviews clips whatever everything and if there's a video of him just having a snack on set just anything anything he's ever done that's been captured on film or audio send it this way down below


So today I am going to do just a quick video About like dirty poor ribbons I really think they're lovely and I don't ever get to Do them because every time I do a dirty poor it's like at the very end and There's just too much going on already so I want to do a negative space piece dirty poor So far I have mixed my art coat, which is a one-to-one resin Which means it's equal parts hardener and equal parts Resin and this was art coat you can get it on our website artists till death comm I have mixed it for the recommended Three to five minutes If you're new to resin, you're gonna see a lot of bubbles in it. That's perfectly normal Absolutely nothing to freak out about Totally normal. We're gonna hit it with a little bit of heat and get all those bubbles out of there So I'm pouring out into my little color cups The amount of resin you put in each cup depends on How much of that color you want represented in the piece? And see looks like you guys are a little bit blown out So The first color I'm going to use is light aqua marine by color obsession you can get that on our website artists till death comm right here Is our email address and artists till death comm is our Website our shop where you can find all of the colors that I'm using today This is an awesome Blue it's got a little bit more aqua in it than it's showing on the camera, but not by a whole lot Anytime you get a paste you want to stir it up and make sure everything's all mixed together I really like working with paste because They don't dilute or anything like that If you manipulate your resin a whole lot, I'm not going to be doing that much manipulating so I'm gonna also be using a powder. So really it's like just on It's like if you mix Tiffany and powder blue Next color is mountain mist it is by resin art You can find it on our website as well. This is actually It looks like a powder, but she calls it a dry paste When you look at the particles It looks like it's just gonna be a glitter that isn't gonna mix in very well, but it actually mixes in Really nicely I don't know how she does it, but it always melts in super well. I always overload my powders a little bit It's not that necessary, but I always do the recommendation for adding color to a resin is about 10% Look, it's already all mixed in there. It's got this awesome like Holographic e Sparkle to it. It can't even focus on it. It's so sparkly But I have this color as well on my website artist hold at that come Next color is going to be color of sessions snow white Next up and the last color is black by just resin It's like tar. I love how creamy pastes are too Is that a weird word to describe? Resin paint probably It's fine. Nice rich black color. I Went ahead before I did this video. I Spray painted This cradle board that you can also get on our website artist hold at calm I spray painted it with Montana's black Montana gold in the color black It's moving to the side and The next thing I'm gonna do is grease the pan. I call it grease the pan, but I Don't know what anybody else would call it. Basically. It's where I go ahead and prep my canvas with a base layer of a Clear or a color Today it's going to be with This glitter by just resin It's called halo and it is all of the colors of all of the awesome glitters It's super super fine. So be careful because it'll go everywhere if you're not Being cautious Love that the halo it picks up every color And it's just like an LED disco ball. It's gonna focus. Oh Well, you get the hint So Let's get our disco ball on Does it count as negative space if it's all sparkly like this? Let me know down in the comments. I got you guys over here because of this wanted to be in the way, but Maybe that'll be better super shiny super sparkly is what I was going for Looks like I'm gonna get that wish Also looks like I might need to mix up a little bit more of this sparkly Resin We'll just mix it into here and it makes quite as much Into this may look a little bit different when I put it down, but we'll see You'll I'm trying to push it all the way up to the edge, but not over Since this is a right angle board. It's not beveled on the edge It should just go up to the edge and stop just don't And not roll over Because I don't want any of my design to flow off the piece So because there's glitter in it you can kind of see where my hand is gone So you could do like a Design of some sort if you wanted to It's kind of like an etch a sketch Let's see. What kind of design could we do? Or could I make it absolute void of design and just Doesn't look like I'm gonna end up getting a void of design. So we're gonna have to come up with something Let's see Know about all that, but maybe just a hint of it if we just kind of It just sketched that away Now let's see if it relaxes some usually when you hit things with glitter or a pigment With heat it'll thin the resin and so then your Particles like the glitter in this will sink So if you want it to stay more Towards the top Use less heat. It's a little Pro tip for y'all There's something in here now.  Let's just leave it in here We'll pour some of the Purple in light aquamarine We'll put a dot of the other ones over it Now we'll just start You just want to give it some kind of little design But when it starts to come out I've never done this before it may turn out it may not but It's kind of one of my favorite things about working with resin You can only control so much Black really took over Let's just Make up another pour real quick. We'll put it. Oh, no Let's see how this one turns out while I'm mixing this up Some heat on it and see what happens So it's gonna react a little bit, huh? Wasn't gonna do anything Now I feel like I need to It doesn't look good. We'll just tilt it off I'm back through it Now I'm going to Work it out a little bit Kind of like flames almost picking up some purple from this edge. I like it. It's a very different for my style It's the most negative space thing I've ever done I'm gonna leave it Leave it here. I'll do a true color video as well Thanks for watching. We kind of went another you never know what someone may be going through Bye


Remember a hallmark card when you carry enough to send the very best. The makers of hallmark cards bring you a true story from the life of Lydia, starring Miss Helen Hayes, Hall of Fame. Here is our distinguished host, Mr. Lionel Barrymore. Welcome to the Hallmark Hall of Fame.  And we're especially proud to star in the title role one of the great ladies of the American theater, Miss Helen Hayes. And now here is Frank Goss. Every word you use paints a picture of you. The right words can add charm and brightness to that picture. That's why so many people choose hallmark cards to express their personality and messages to friends. For hallmark cards are carefully designed to carry the thoughts you want to send. To say what you want to say, the way you want to say it. And the hallmark and crown on the back says, too, that you carry enough to send the very best. Lionel Barrymore appears by arrangement with MGM, producers of Executive Suite, starring William Holden, June Allison, Barbara Stanwyck, Frederick March, Walter Pigeon, Shelly Winters, Paul Douglas, and Louis Calhurn. And now, Mr. Barrymore brings you, transcribed tonight's true story, starring Miss Helen Hayes on the hallmarked Hall of Pain. In the first years following the death of Christ, his apostles traveled far and wide, telling the world the glory of his resurrection and of the life eternal. And so, one of them, Paul, by name, came to Philippi, chief city of Thrace, an important Roman colony. And in this city, there lived a wealthy businesswoman, and her name was Lydia. I am searching for the captain of this vessel. I am told his name is Palo. Search no longer, unknown pal, and you have found Palo. You may drink with him. I came here to speak to him. Aren't someone else woman I'm drinking? This vessel was to be loaded and to sail by dawn. It is high sun time now. What does my vessel to do with you, and to are you woman? I am a Roman citizen, Greek, and the owner of the merchandise this vessel is to carry. My name is Lydia, a Philippi. Proud name, a proud woman. Why do my goods still rest on the dock bleaching in the sun? Claudius sees over here... Well, here of this, I know, and I will point out to him or his soldiers, as I point out to you, the fault is not mine. This is not the only vessel that is idle and unmanned of crew and workers. Where are the men, the crews, the workers? Have all gone to listen to a traveller. A traveller? Yes. Traveller is of the fathering that believes in the resurrection of the man named Christ. He spoke to others I have known in Galatia and Mycia. A Christian. I have heard of this new religion. It is the same trouble they are stamping out everywhere. And the more they stamp, the more it grows. You defend it, Greek? I do not defend it. I wonder at it. And a man would. He said that in his lifetime, before he was crucified at Calvary, he worked wonders, healed the sick, crazed the dead, and self-included. Lies or lies? Of course there are lies. They say this one they all listen to can also heal. Doctors can only deal with herbs and invocations to the proper gods. This man is a single god and a single faith. I am repeating what they tell me, dear madam. Enough. Where does this traveller speak his blasphemy and what is his name? You will find him by the banks of the river. He is from Tarsus. He is an apostle and his name is Paul. We are his offspring. Do not search for him in a temple. Nor look for his likeness as in gold or silver or stone, graven by art and man's device. Where is he to be found?  Who asks? I, Lydia of Philippi. You are the one called Paul. I am Paul. Tell me of this god I cannot see, apostle. He is everywhere. He is the god that made the world and all the things therein, the Lord of heaven and earth. He lives not in a temple made with hands. He is in the temple of yourself, Lydia. Fools! Idiots! Our god, the ones we all know, insure your peace. His god brings only unrest and takes you from your work. You waste your time and yourselves listening to him. Or can he tell you a way to fill your stomachs without work? I tell of a way for them to fill their hearts and their souls. Sit, Lydia, and rest awhile and be one of us. And listen to this heresy about a god I cannot find. Why do you stare? Perhaps he is within you now, without your knowing it. Look for your god, Lydia, and then you will see him. Rattery is wasted on me, Nestor. Rattery is never wasted, dear lady. What would you have of this poor and humble man? You are neither poor nor humble. I've heard tell that your wealth is beyond computing. I have also heard that you gained it by presenting to the superstitious and the gullible a young girl who interprets the future, a soothsayer. I have been privileged to translate Mithya's thoughts to those who ask. You wish to learn of your future? Mithya! She's gentle and childlike. See? Come forward, Mithya. I have heard she is dumb. Is she without tongue? She is with tongue, but it will not move, not since her birth. Is that true, Mithya? See?  Sit, dear lady, sit, and put questions to her. I will define every nod of her head for you. I am not here about the future, Nestor. I notice that your shop and the shops of others are uncrowded this day. Even as my goods lie profitless on the dock. True, true. All have gone to hear the lies of the Apostle. He's a Christian, a lawbreaker.  You can prefer charges. And I shall. But Roman law demands proof before action can be taken. Ah, you have some delightful plot to silence the Apostle? Yes. He can be silenced with this silent girl. Bring your Mithya and follow me. You are certainly not hostile. I am certainly a possible be in a Roman jail before night. Hail, believer of Christ! You have returned, Mithya. Yes, I have returned and I have brought this girl with me. Forward, Mithya, forward.  She wishes her tongue loosened so that she may speak aloud and praise your Lord. Her name is Mithya. Is this so, Mithya? She nods. Do you wish to use your voice to praise God?  Do you believe in one God and one life? She nods again. Yes. If your God heals all Il's Apostle, he would heal Mithya, would he not? I know not for what purpose you brought her here. But she is already healed. She has found her Lord. Then let her find her voice, Apostle. You have told me you can cure any Il with your faith. I cure no Il. I spoke of my Lord and my God. Then entreat him for her. Ask your God to let her speak. She is asking God herself. She is proclaiming in her heart that she believes in her resurrection and in the life eternal. He has succumbed to the trap, Lydia. Look, he touches her throat and her lips is though in anointment. If she does not speak, you have a charge. I am a witness. Can you speak, Mithya? Can you speak now of your love for God? I command thee in the name of Jesus Christ to be heard. Can speak of my love for God, his love for man. Do all that you have got. He is a miracle. No, no. He cannot be. Lydia, come back. Lydia! You sought me not, Lydia, but ran from the river banks. Yet I feel that you sought him. I sought my life, Paul. I seek it now. Where is my life? All of your life you find in him and in no other. Will he forgive me? He has already done so. Believe in the Lord Jesus Christ and thou shall be saved and thy house. Then tell me of this man who lived and died and lived again and was a God. Tell me of him, apostle. Tell me and make me a Christian. In just a moment we bring you the second act of the Hallmark Hall of Fame. Remember how you look forward to May Day when you were a youngster? That was the exciting day when you and your friends filled May baskets with flowers and left them on each other's doorsteps as a token of friendship. Well, that delightful custom has become popular again through Hallmark May baskets. Children love these pretty paper baskets they can make all by themselves. For Hallmark May baskets are cut out ready for little fingers to assemble them without glue or scissors. Mothers, teachers and nursery school supervisors are finding that making Hallmark May baskets is a wonderful way to keep children happily occupied.  Now, a package of five Hallmark May baskets in different designs costs just 50 cents a package. Look for these May baskets with the familiar Hallmark and Crown on the package. The symbol you always want on your cards because it shows you care enough to send the very best. And now Lionel Barrymore brings you the second act of our true story of Lydia starring Miss Helen Hayes. That the woman named Lydia found her heart open to the Lord. And when she was baptized, she besought Paul the apostle and bade him enter her house and stay there. And then one day... Yes, Missia, it is my former master. She has come to see you. Fear him not, Missia. He has no power to hurt you. But I am afraid he is clever and ruthless. The Lady Lydia. Go, Missia. I will join you presently. Yes, my lady. Her new voice is tinkling. Not like coins I could have but tinkling. What do you want of me, Nesta? I heard you have embraced the new religion. You were there. You saw the power of his faith and the glory of God as did all the others. One named Paul. He stays in your house. Your apostle is here from time to time. Why do you ask? Exclusive, Lydia, this Missia... She was my sous-sère, remember? I interpreted and I became rich. And do you recall the day you came to me with a scheme to expose the apostle? Yes, Nesta. And I am ashamed. Ashamed that you helped steal my livelihood? What? It was you, Lydia, who took the girl to Paul. It was Paul who did this to me. What are you saying? That I, Nesta, or a Greek, have charged him with theft. But even now the soldiers have taken him to the marketplace. If you hurry, exquisite Lydia, you may be in time to see the apostle die. Dear Lydia... Anthony! The magistrate presented the apostle to the people and I presented my charges. They are now debating the sentence. Ha! They bring him out now. His arms are bound to the rod. Oh, yes, yes, as it should be. He has violated Roman law. While the verdict is being justly determined, at my suggestion they will flog him. No! Ha! That's what it is! Who whimpered? Yet he is silent. Are you in more pain than he, Lydia? Before he's even tried. I must end this scene. And what can you do? The proconsul, Claudius Caesar. I am influential. I am a Roman citizen. Wait, dear lady, wait. And think. You place yourself in danger if you intercede on the apostle's behalf. You might suffer his same fate. Oh, Lydia, I have affairs of state to settle. He is an innocent man of great good. Listen to me, Claudius. Now he lies in a jail. His back is stripped of flesh where they have beaten him. Yet there has been no trial, no sentence. Yes, I'll call it to the attention of my officers. Now, if you will please be pleasant enough to allow me... I will allow you nothing. One moment, Lydia. You're speaking to a Caesar. For such speech I hold your life in balance. I entreat for this man. I entreat for justice. And you make me consider the effrontery of the stories I've heard of you of late. Of how you, an important woman, a Roman citizen, have been baptized in this Christian faith. And of how you embrace it and its followers. You see, I'm not unaware of your association with the apostle. But I still entreat you. I have no wish to do this. Once more I ask you to leave here. The man is a Jew. He has no rights under the Roman law. He is fortunate they did not kill him before the verdict only beat him. I am new in this faith and I believe in it. I am yet too new to have learned the ways of submission and humbleness. And perhaps this is my sin. You call yourself a Caesar.  Stop! I charge you with the crime of defiance. God, God! And Claudius Caesar, I charge you with the crime of blindness. The apostle of Christ is broken and bleeding in your jail. He has brought to your subjects and to your citizens a life and a belief that will make them whole. And yet you could allow him to be put to death. Much as I will allow you the same faith. God, stay! What is it? My dear, outside the building is not safe. Hurry! The very earth shakes with the injustice of this faith. The streets assure them the quake has ended. Call for the doctors and the priests to administer. Yes, my Caesar. This woman, wait. Lydia, I have forgotten my temper.  No, I could not. Take her to the jail. We must confine somewhere other than the jail. It was destroyed. What? And those in it? Well-speak, gosh! The most strange thing, my leader. Though the jail is a crumble ruin, no prisoner is hurt. And parties out immediately. No, they have not escaped Caesar. They merely followed a prisoner named Paul to safety. They sit quietly and listen to his words of comfort. Are you certain? As I am a Roman soldier. Must see this man. See him, see for yourself, Claudius. Then condemn him, if you can. Look above the others, put his back to us. It is curly torn. Rightfully so, great Claudius. Who is this man? His name is Nestor. He is the one who has made the charge. Indeed, indeed. And though the earthquake came, I am still present to uphold the Roman law, under which I have little right, but under which I live. They certainly seem to death. The law will be upheld, Greek. God, bring the one named Paul to me. Your command, Caesar.  The charge still rests. But for not escaping when he had the opportunity, it might be commuted. It would be an injustice. He stole my livelihood. Silence! That is no form of mercy. His worker to spread the story of the resurrection and the life eternal, languishing in a prison, you take away his work. I did not design his work. I interpret the law. Then I repeat my charge against you, Claudius. And I will make mine against you, if you aggravate me further. Bow, prisoner. You are before Claudius, Caesar. I bow to God, not to man. I say...  Paul, you should have escaped when the time was ripe. They still will sentence you. Fear not, Lydia. Our life is yet to be lived in another kingdom and another world. Comfort in the Lord, woman of Philippi. Comfort in the Lord. He is back for me, Caesar. See how he is. Let me look on this man. God, the doctrine, the charges. If you confirm the sentence, if it stands, then confirm your charge against me and put me to death also. And let the city know of your injustice. She pleads for him, but she pleads against Roman law. Marcus, I was an officer in the Roman army. I was. You persecuted the new faith, yet you have embraced it. I have lived it from the moment when God asked me to. Paul, a persecutor. Like you, Lydia, I once persecuted.  What of the charge? What of the charge, Caesar? There is no charge. This man is a Roman citizen. He cannot be charged by a Greek. Release him. But this cannot be. And take this man away. Come. Injustice! Injustice! Injustice! Paul, I know not what faith you hold inside of you. I know I have seen it this day. And you will see it again, Claudius. The Lord is everywhere. Take him to your home, Lydia. He may stay in Philippi and do as he wishes. Farewell. By bringing him to me, you have served the Lord. And you will spread his word. And you, Lydia? My life is for my God. And my home is for all his servants and all my goods. I will learn my faith by serving. And be at peace. Yes, Paul. Now the apostle went out of the prison and entered into the house of Lydia. And he stayed there many days. And he spake unto the people. And when he heard the resurrection of the dead, many, many played through him and believed in the Word of the Lord. Pays and Mr. Barrymore will return in just a moment. Hasn't this happened to you? You find in your mail an unexpected card from a friend. And a surge of delight goes through you.  And your whole day becomes brighter. And the best part of it is, you get that same glow when you send the card too. Thoughtfulness warms both the giver and the receiver. That's why it's such a good idea to stop at a fine store where hallmark cards are featured and choose a variety of cards for your friends. Not just for their birthdays, anniversaries and big occasions. For those, of course. But there are many, many hallmark cards designed too for the little occasions. For those unnoticed days that can be made memorable and happy by your remembering. Because you choose hallmark cards, you pay your friends the added compliment of going to a fine store and personally selecting the right design for each individual taste. The right greeting to say, just what you want to say, the way you want to say it. And the familiar hallmark and crown on the back tells them too that you will carry enough to send the very best. And now here again is Lionel Barrymore. Helen, when we started planning our Easter Sunday program for the Hallmark Hall of Fame, we wanted to give our listeners something special. And I can think of nothing more special than having the opportunity of airing your performance tonight. Well, I thank you very much, Lionel. I'm very happy you invited me to take part in such a beautiful story. It certainly was a fitting choice for Easter Sunday. But then all of the stories you have on the Hallmark Hall of Fame are most interesting, I guess because they're always about real people. What story are you planning for next week, Lionel? Next week, Helen, a little known story from the life of Stradivarius, that remarkable genius who lived centuries ago and created the finest musical instruments in the history of the world. You will hear this unusual story next week. Oh, how wonderful. I'll surely be listening. Good night, Lionel. And I hope the joy of Easter stays with you always. Thank you, Helen. Thank you. Until next week then, this is Lionel Barrymore saying good night. Santos Otega, Louis van Rooten, Everett Sloan, and Ted Osby. Listen to the Hallmark Hall of Fame on television next Sunday when we bring you an exciting true incident from the life of Marquis de Lafayette. This is Frank Goss saying good night to you until next week at the same time when you'll hear a true story from the life of the world's foremost violin maker, Antonio Stradivarius. And on the following Sunday, May 2nd, you'll hear a dramatic incident from the life of the famous former manager of the New York Yankees, Miller Huggins, as told by Joe DiMaggio on the Hallmark Hall of Fame. This is the CBS News. This is KMBC, Kansas City, Missouri.


My name is Dr. Ravishwamy. I am one of the consultant neonatologists at Manipal Hospital and the clinical lead for neonatology. Currently, what we are doing is that for all expected parents, especially the mothers, within the first one or two weeks of expected date of delivery, we are getting the mothers tested for COVID-19. So we are absolutely sure that when these women are delivering, we are making sure that they do not have COVID-19 or any of the coronavirus is positive at this point of time. If for some emergencies, the lady is coming to the hospital and we are not having enough time to test for the COVID-19. In such cases, we are using the full set of precautions, those who are involved in the delivery and we are separating the mother and the baby temporarily. We are isolating the baby in the neonatal intensive care where babies are looked after by the specialist nurses. During this time, we are sending the sample of the mother for rapid testing. And usually in our experience, we have done this for almost two or three mothers who have come unexpectedly to deliver and they have turned out to be negative. In such cases, usually in 24 hours, we are handing over the baby and the mother and then bringing them together in the ward. So this is our current practice. If the mother is known to be negative, still the routine precautions are followed at the time of delivery. The doctor who is attending the delivery will be wearing a hat, will be having masks, will be wearing gloves and sort of a gown to protect himself or herself. And the usual normal resuscitation practices are followed. Development usually is sort of divided into three main aspects as we see in children. One is their cognitive development, which is their IQ type thing, their language development and then their motor development. These are the three main areas which we focus on. So cognitive development usually happens when children have education in school. They see things in practical life. They experience things and watch TV or something where they can see, they gain knowledge. Whereas the speech will have two components, receptive and expressive. So children have to hear things, hear talking to people and expression is talking to these people. In the current coronavirus, this is something which has become a problem at this point of time. Because of lockdown, the interaction with other children, with their teachers and stuff has come to a limited aspect at this point of time. Similarly, the final thing is the motor development, which basically involves children running around, playing all sorts of games. Team building and stuff, which has also come to a standstill because of the current situation. So the ways to improve these are that perhaps one of the simple ways is to get people to talk over on telephones so that the children can talk to their friends and colleagues on the phone, which will help them to keep in touch with their colleagues team building. And similarly, for all the children in the evening, maintaining social distance, wearing masks, but still go for a jog or go for cycling, which will keep their physical activities going on. So this is the simple ways to boost their development during the pandemic situation. This is a double-edged sword in the sense like at this point of time, because all the education institutions are closed, all of them are erupting to distance learning, which means the children have to spend some time on the computers and the tabs. So usually we would suggest paper rents that two to three hours of screen time is more than sufficient. But in the current situation, things have to be relaxed. So what I would suggest parents is that discuss with your schools, each schools will have their norms. So have sessions on Microsoft Teams or similar platforms where they can have one-to-one teaching type classes. And so during, say, restrict these classes to 35 to 40 minutes and pose that most of the work should be done off screens, where the children can use the homework done on papers and pencils and stuff like that. So at this point of time, Manipal Hospital Whitefield has started the VCs. What we are suggesting parents is that as much as possible, try to use the VCs at the first point of call. And of course, during the discussions we do come up, we will figure it out whether the child has to be physically seen. And in such cases, then we would suggest you to come for a physical consultation. However, this will also apply if the child requires vaccination or the child requires a blood test, then definitely you will need to come physically. So we have made several arrangements. We have kept a dedicated lift for women and child access at this point of time so that the healthy children do not mix with children who have fever or any related illness. We have made our vaccination timing between 9 to 11 with a separate vaccination room. And anytime after 11 o'clock, we have kept those children who have febrile illness so that we can separate these children. So the safety always starts with us. So whenever you are coming outside, please wear masks and always sterilize your hands, either probably wash your hands or use the hand rub and of course always maintain the social distancing of 1 to 2 meters. These are the simple things which can keep yourself safe and also keep your little ones and the whole community safe. Thank you.


This is weak. I don't even know what of the lockdown COVID-19 pandemic. Welcome back to my vlog and if this is your first time, a massive welcome to you. My name is Claire Carmichael and I am a newly qualified general practice nurse. So today is Saturday. I've finished my week guys. It's over with. I know I'm gonna have to catch up and try and remember what's happened on Monday. I haven't had a chance to vlog. It's been such a busy week actually. So I was in Monday, Tuesday, Wednesday.  I've actually got the weekend off and Monday. I've got three-day weekend guys. Oh my god. So this week I've seen a whole range of patients like always. I've been doing the urgent blood tests. I've done a couple of ECGs this week. I have done B12 injections. I have done a lot of wound management as well because there's a lot of people that really need their wounds doing weekly, if not weekly twice a week, some of them. There was a couple that come in and they looked quite infected. So I was like, oh, so I did all of that. I've also removed some clips. I know after surgery, amazing. I love something a little bit different. So that was nice to be thrown into the mix. I've had to send off kidney stones and I have also had a urine in a jam jar. And a partridge in a partridge. So that was interesting. I've had a really, quite a good week actually. I've had a really, really good week. So other than that, we have as a team started the home visits. So there's been a couple of nurses doing those this week. I'm voted to do home visits, not next week, the week after by the looks of it. I think there's a day where I'm going to do it. Also a lot of people are having scrubs made for them and the nurses and doctors are all looking amazing in their scrubs. They've all got these multi-coloured scrubs. It's just, I love it. It's so nice to see everyone quite cheerful and in different colours and it's really, really nice. I like it anyway. Whether that will stay like that after the pandemic, I don't know but I'm loving it right now. Also on one of the days, I finished my patients quite early. I think it was about four o'clock. So I had a couple of hours to spare. So I thought, I'm going to start doing a re-evalidation online. So I know it's not due for another three years but you know what I've got nothing else to do. I've done quite a bit of e-learning. I've done a lot of reading and stuff like that. So I thought, you know what, let me just sort out my re-evalidation. So all of the e-learning that I've done so far, I've put onto my re-evalidation CPD log. So I've been doing that so that I'm keeping up to date with it so that it's not a whole long-winded process in the next three years when I come to it. So I have started that. I've knocked up 16 hours I think so far. I think it works out as about 16 hours. So that's like almost half of my re-evalidation done. I've still got three years nearly left. So yeah, I'm doing quite well with that. And also this week, non-related work stuff. We had a family quiz on Tuesday I think it was.  Everyone's doing these online pub quizzes at the minute. So we had a big family one on Tuesday and it was amazing. It was so much fun. I think it was about 13 of us in the Zoom call. It was so much fun. It was quite good. Did not win, but you know, it's fine. But yeah, it was really, really fun. And yeah, that was quite nice. It's quite nice to break up the week. It was quite nice just to get that little bit of motivation again. It was really nice to sort of feel connected to family and loved ones again. So that was really, really good. Looking forward to next week's quiz or whatever we're doing. We still don't know. If anyone is doing other things on Zoom, games and things with your families, please let me know. Give me some ideas. I'm trying to think of sort of like, not board games, but some things that you can sort of play on Zoom. But yeah, anyway, we'll see. And apart from that, I've been doing a lot of online shopping. I'm really sorry to the Royal Mail because they must hate people like me. I'm so, so sorry, but I can't get to the shops. This is the only thing keeping me going right now. I bought some more crystals. I know, but these are beautiful. I need to show you. I'm sorry if you're sick of my crystals, but I've got this unicorn. I don't even know if you can see that properly. But my unicorn, she's so beautiful. And then I've got my Native American Indian. She's so gorgeous. I know. So these are my two new ones, two newest ones.  And also this one, it looks like an orange. I know. Look at it. Don't judge me. But it's so nice. I'm trying to find like really nice, yellow, bright, happy sort of crystals that will go in the lounge to match my yellow and gray sort of theme. So that's what I've got going on at the minute. So yeah, apart from that, there's not really much else to sort of, can you hear the dog barking? I bet she's barking at a shadow outside. Anyway, ignore the barking. So anyway, apart from that, I haven't really got much else to say. I know, I haven't got much this week to say, but obviously as the week goes on, I'll keep you updated. Everybody, thankfully, that I know of is safe. They're healthy. They're happy. It's just, I feel very fortunate. I feel so fortunate that I'm down south. I'm in Portsmouth slash Southampton area. And where I'm working is just, I feel really fortunate because I'm hearing stories from my friends in Birmingham. I know somebody in London and they just tell me these horror stories about the wards and what's going on. And I kind of feel guilty for it. I feel guilty because I'm okay. Does that make sense? Does anyone else feel like that? Is it just me? But that is my sort of feelings right now is I feel so guilty because I am okay. My patients are safe. My patients are okay. My colleagues are all okay. And I just, I feel so guilty because people have got it rough out there. But hopefully this is the start of it sort of coming down now. The peak. Let's fingers crossed. Let's hope so. But yeah. Anyway, I diverted off track. Sorry guys. Anyway, I hope you're all okay. Hope whatever you're doing, you're staying motivated, keeping yourself positive, keeping a routine going.  If you're doing that, hope you're okay out on placement and staying safe. If you've opted in, make sure you're staying safe. Make sure you're well supported, please. If you're not and you feel very unsafe, you have every right to back out. I keep saying this. Just checking in. Is everyone okay? Let me know. I hope you're okay. And if you've got any worries, you've got any concerns, you know, I'm always open. So talk to me. It's fine. I don't mind at all. So I'm going to go. I'm going to stop talking because this is probably boring now. I'm sorry guys. Big loves and see you next week.


Hello and welcome back YouTube channel, I'm EvilRabbit We are staring at the start line of the DCGP of Ebizu West. It's a new track that was released for DCGP We're gonna be taking a rip on that today in another spotlight car So make sure you guys follow me on all social media, I'll just find the description box below. Let's do it So for today's spotlight we do have a BMW. So of course we have the right shoes. This is TDS Lemons E36 It is a DCG based car with modeling and updates done by Benny's Garage It definitely is a very aggressive car I do like all the lemons on the sides and it's just a amazing looking car and E36s are a very great chassis and obviously I'm running BMWs now in my competition car So this E36 definitely a very fun car to rip for sure for me So we take a look at Ebizu West and then we're gonna be taking on Laguna Seca's drift course You heard me right, Laguna Seca. So without further ado, let's get to it and let's do some more stuff So we're gonna run it in first as well as third. Oof that turbo So this Ebizu West track looks a bit difficult in that little hairpin section, a little downhill So we see what we can do. I'm gonna start this in second gear That's some really nice transmission clunks. If we get through these chicanes DCG chicanes pretty small in gear Oh, we did not brake soon enough. We're gonna run the track to finish this up Did not slow down enough initially I love all this car sounds. I love the transmission winds and the diff whining The overall not a terrible run For the first run out in this car, this could have been Way worse of a run So we're gonna go another full run in it and that will switch up to third person we'll take a look at the first two runs in a A box camera because I don't know if this track has a good replay camera Just so we can get a perspective from the outside Definitely have a lot of fun driving all these cars. And so another top spec car So we get out of this gate again Nope, there's a cone hit I don't think my m4 would fit out of that gate start braking sooner That's a little better that bump now this car does not hit anytime to set up on it. So We could probably tune it to manage those bumps better And bring it out into that outer zone Felt a lot of it towards the end But not too shabby of a run. So now we're gonna go out in third person and drive this course thought guitars Oh, oh, we're in the grass. Sorry lemon.  So that's what we are trying to do Like I said, we're going to laguna seca drift track next which The utilizes a very interesting portion of that track. So third person run here Paul said Oh, I see you had a break way sooner with that. Oh, we kind of ran that one out though A little tire drop there Angled that out way wider than I wanted to It's probably should have been down to fourth on that final Little section which we're gonna actually run that again and probably downshift into fourth On that section don't want to go into the dirt again So entry you do got to start slowing down pretty uh pretty substantially quick to get that hairpin right Especially with that little downhill section. So one more run here. I'll take a look at those replays Throw on some more angle to get through that's what I kind of wanted to do Don't break more throw on some more angle Probably what the judges would want to see anyways Bring that one back in Not too much solid over a run Shift it four gears through that. Yep, that was a much better run So let's go take a look at those first two runs and see how we did on those first two Let's see we're going to Box cam activate our box cam Get past what I was doing the little intro clip All right first run Initiation was good. We were deep in the zone, but we did put that way wide huge understeer also We're in that zone a little bit more of understeer there Let's see where we were in the actual outer zone We fell off towards in so overall not too terrible of a first run In this car in you know the in-car camera. So the second run was I feel a little bit better, but we're going to find out This car just so much aggression in the car Oh, we cut through those cones That would have been uh very bad At least we got a solid run in third Like the lemons on the side So overall not too bad on this track for the first time running this track Definitely going to be doing some testing on this track because this track is a lot of fun So we're going to switch up to that Laguna Seca drift track that I told you about As we watched my myself almost wreck his car. So I said catch you guys. I'm great So Laguna Seca is definitely a fun track I've drifted this whole track when I was doing grip first drift, but now we have a drift section Um, I believe all the links for all the tracks down the description box below But it utilizes the uphill course truth. So backwards of the actual racetrack so It's a bit different, but we're going to run it in third person first. I didn't change my brakes. I'm locking him up We're going to run it in third person first and then we will run it in first. So let's go full send Second gear starts probably fifth gear kind of a late wonky initiation, but we're dirt dropping there Trying to get out to that zone. Let's have to go on the wall That would be a full gear down chip going up there and up to the top. So it's definitely a very aggressive track and uh It's probably fun to run it the other way. Let's see Run it the other way coming in down on that wall. It's actually aggressive We can almost run this both ways So we're going to go run it in first person now. See if we can't tackle the Laguna Seca drift track in lemons e36 In first person because this track going up that hill is going to be very uh Very interesting and very different Like I said, I'll leave all the links in the description box below for these tracks Let's hear off the rip Early initiation I can't see where I'm going That uh banner definitely got rid of all my line of sight. That's a really dirty brake graph I definitely need to bring my car up here Overall not too bad. It definitely was not the cleanest on that initiation part And I do need to do some tuning this car if I want to make it like perfect for My style of driving. So I want to thank you guys for coming back and watching the episode Make sure you follow me on all social media all that's found in the description box below I'm gonna run it one more time that we'll take a look at the if it's got a replay camera and see how bad we actually were On those second runs because this track is very challenging So all these tracks are actually being able to find on boss in if you Do not know about boss and I'll leave the link down there as well For all the competitive tracks car packs and stuff like that They're all on there. So my stuff's on there as well So let's go pull send that that clunk every time. It sounds so good Oh, we kind of straightened out We're in the dirt Yeah, we need to do some gearing extension for this car I feel Definitely a very aggressive track. So let's go take a look and see if we do have some replays We do have a judging camera So I think this might have been the first One to take a look at the judging camera Initiation was pretty good. And then yeah, we lost it there We definitely needed to change some gearing to get this car to run full here But like I said, not a tune setup definitely gonna bring my car out here and see what my I'm for Or my united two practice car can do because uh, this track is fun Maybe pull on some of the guys and see if we can't get some tandems because uh I feel like this could make for a very interesting tandem section AC drift Grants is the series that is using this track So a big thank you to tds lemon for giving me the keys or the push button to his e36 comp car Definitely, uh, hope I drove it probably not as good as him because like I said, everybody's car is totally different Definitely needs more time and it's getting solid But it was an aggressive car so big thank you to him and uh, Benny's garage looks like did amazing work on the car So make sure you guys follow me on all social media all the way down the description box below As always, I thank you guys for coming back and watching. I'm evil rabbit. I'll see you guys on the track


What's going on, everyone? Sam here with late in sports cards. We're ripping 22 Panini Obsidian and Prism Football Hobby six-box mixer number four, random team style. Here's a look again at your random results. As always, you can find those on the website under the results tab, as well as the link in chat. Again, guys, actually, we're at nine on the mixer. I was the wrong mixer, as it always is when I'm talking about it. So, yes, four Obsidian to Prism. Very nice. It's a good deal, dude. It's a good little mixer. 82 bucks. What? Yeah, 82 dollars, dude. It's a good deal, man. Random teams? Yeah. Might have to be on the lookout, please. That's what I'm saying, dude. They sell out very quickly. Yeah, I bet. We already have seven and eight already selling really quickly. Yeah, we got a gold already. It is Russell Wilson, Broncos country. Let's ride, baby. That is three of ten. That is jersey numbered. Very nice. Congrats to the Broncos. Keontae Ingram for the Cardinals to 75. Yeah, I got you. I got you, Flynn. Really quickly, there it is. Did I not drop the link in chat? I think I did, right? Flynn, if you go to the website, scroll all the way down to the bottom, you'll be able to see the random results, too. Just click on results. Josh Allen, 31 of 50. Four color, one color, two color. Nice one there. Player one. Oh, this is kind of sick. We've got, how about Tyron Smith for the Cowboys? Nice one there. 19 out of 50. There you go, Flynn. There's the random results again. Got nice. Two of 25. That's going to be Galaxy, Inc., Antonio Gates. The chages. Very cool. And 93 or 83 out of 125 is Isaiah Spiller for the Chargers on the Jersey Auto. Nice little first box right there, everybody. Trent McDuffie to 25 for the Chiefs. Rookie. And a Vitrius. 34 out of 99 is Zach Wilson for the Jets. Vitrius. Quirlin Sutton. Maria is in a Chrysler Seaprain. Thanks, illegal. There's 30 out of 100 Tre Lantz. Equinox Gear. Does it say what year? 114 out of 125 is Tre Lantz-Berks. Unbreakable for the Titans. We've got 87 out of 99 is a K-Von at Tibidome, owner of the K-Von at Tibidome. 88 out of 175 is Bailey Zappie. Wonder if Maria in the Chrysler Seabring is aware that her name and car make and model just got doxed on a sports car stream. Yeah, Flynn, what's the name? Yeah, this is number four. What's the name? Could have made a mistake. Oh, Kenny Pickett. Nice one there. That is 100 of 100. And TJ Wap. 20 out of 25. Let me double check for you, man. No, I don't see you on here, Ronald. I don't see you on here for number four. You sure it was number four? Could it have been number five? Because I don't have you in any of them right now. There was, we did have an issue where a couple oversold. We had a couple, because we've been having some issues on the back end here, so you may have gotten refunded if you bought in because the breaks did oversell. So that could be the situation there. You could have been refunded because the break had oversold. We ran into that issue today with Shopify. There's Nico Collins. We've got Chris Godwin, 81 out of 100. Jake Schert Jersey currently. Nice one here, 67 out of 75. Ronald, I was refunded. Thank you. That is two-colored patch Kenneth Walker on the Unbreakable. Yeah, Ronald, you were refunded today for the break, so I apologize on that one. Yeah, you were refunded. The break did oversell, so I do, and we did, yeah. Yeah, yeah, no worries. Okay, perfect. You got it. No, I'm just glad everything's good. No worries at all. Just glad it's taken care of. Five out of 75. Elijah Moore, lightning strike for the Jets. Again, do apologize for that, Ronald. Just wipe this one off really quick. I think there's a little speck of dust on there. And John Mechie, 75 out of 99. Two-colored Jersey Auto for the Texans. Yeah, so again, sorry, but we've had a couple issues over the past few days with the website that we use, and we've run into a lot of issues over the past two days, what they've just been messing up, especially if they've been overselling random teams. Sometimes they'll take spots out. It's just been an absolute pain. Just the dressing will be there. Oh, God. We've got Chamberlain to 100. The Jags and a orbital. 37 out of 50 is Russell Wilson for the Broncos. Just four croutons at a copper ranch. David Montgomery. Got Chris Olave, 40 out of 100 on the Obsidian rookie eruption jersey. 29 out of 50 is Julian Chestnut for the Titans. That's Jake Chestnut. Jake's new last name. 65 out of 75, Magnetic Auto is Nick Chubb. Nice color match on that for Cleveland. That's going to Jeremiah. Joey's brother. Yeah, I was going to say Chubb. And one 62 out of 175, EZE, Erica Zucanma going to the Dolphins on the Jersey Auto. All right, two boxes of prism now, guys. Boris, do you like my shirt? I got to show you really quick. I think you'll like it. Power CD Land fireworks. That is 25 of 49. And Ike Mekawanu. That is Orange Wave 41 out of 60. We've got James Cook and Kyle Hamilton. It is a Tampa Bay Buccaneers baseball jersey of Cadillac Williams. Cadillac Williams, baby. God, what a cool name, dude. What a cool nickname. I wish I could have a nickname that cool. There's Drake London, new recruits. Blue Wave Allen Lazard to 199. Sauce Gardner rookie and Nick Benito. Got it at Goodwill for like three bucks. I was like that. There's no way I'm leaving this place without this. Silver Mike Kosicki. We've got a Navy camera. That is Giants. Non rookie is Julian Love. Nice one there. We've got 13 of 25. Julian Love. Nikoby Dean and Kyle Phillips. Silver Malcolm Rodriguez. Purple Ice Daniel Jones to 250 or 225. Matrell Washington. And Christian Watson. Very exact. That's what I'm saying, dude. Still at nine to go on our basketball mixer, breaking a little bit later today. We haven't had an auto out of this yet now. So we do have our first auto. Silver Terry Bradshaw. It's going to be a Trey Lance. Very cool. On the Silver Second-Year Auto, going to the 49ers. Congrats, San Fran. Got Davante Adams at Greenscope, 31 of 75. Wondale Robinson and Trent McDuffie. Silver Throwback, Jalen Hertz. Got Red Wave, Alec Pierce. Nice one there to 149. Fireworks, Josh Allen, Orange, Tyler Boyd. Boyd Scoid to 249. Anywhere around for that one. Tyler Gordon, Rashad White. Boyd Scoid. Yeah. Like I was toppling for Forrest. It was a back when we were doing NT football still when it first came out.  Brilliant. It's Joe Burrow. There's Greenscope, Luke Keekley, 11 out of 75. George Pickens and Boyd Mafia. Hey, let's go, illegal. Nice. And Tyler Boyd has scored a touchdown today.  Like he actually scored today. And I was like, you could say that Boyd Scoid. Micah Parsons, Silver. Tyquan Thornton, 64 out of 1 at 49. Going to the Patriots. Nice one there on the Red Wave Auto. Good God, illegal. Cunny Pickett and Chris Olave on your rookies. I'll be giving you a call, boy, you don't want to mess with illegal.  Honolabakite, Rookie for the Falcons to 99, Blue Ice. Tyler Algier and Desmond Ritter. Silver, Breeze Hall for the Jets. Got Tyler Boyd again, 299. Boyd Scoid again. Scoid another Boyd. Charles Cross and Hasan Haskins.  You're going Nimrod. I'm going crazy on the beat. I'm going Nimrod, baby. Yes, sir. We're down to eight to go now. Down to eight to go on that one, guys. We've got Prison Break Trevor Lawrence. Nice one there. On the Silver, Red Wave, Tyson Campbell to 149. Greg Dulsich and Honolabakite. I think we're only down, I think it's at eight lane. I think it's just, yeah. I just suggested it. Yeah, it's Shopify is Shopify is Shopifying again. So yeah, it is at eight to go. It's at seven briefly, but Shopify is Shopifying. Silver, Isaiah Spiller. Orange, Nick Chubb to 249 for the Browns. Jerome Ford, Rookie and Matt Corral. Silver all out, Tom Brady. Orange, Ty Chandler to 249. Kate Aten and here in Davis Price. Purple Ice, Matt Corral. Nice one there to 225 for the Panthers. Danny Gray and Jelani Woods. This is very true, very true on that one. Silver Fireworks, Kenny Pickett for the Steelers. Hyper, Michael Thomas to 175. The Slant Man, Breeze Hall and Kyar Elam. Florida Gator Legend, Kyar Elam. Ooh, we've got a Mojo. So that should be on a throwback right there, I believe. Come on baby, give us somebody big. And it's gonna be Mojo, Matt Corral on the variation, 23 of 25. Nice one there for the Panthers. Congrats on that. Blue Wave, Evan Neal to 199. Jermaine Johnson and Vilous Jones. That is such fax, florist. Trayvon Walker, Emergent. Purple, Justin Simmons to 125. Devonte Wyatt and Kate York. That's so true, dude. That's so true. Silver, Dick Buccus. Vilous Jones Jr. Silverado. Grow up. Nice one there for the Bears. Jalen Naylor and John Meshie. Which one? Which wah-wah, florist? The one, like, if you take a right then take a left and take a right at the light, is it the first one that you see? Cleal Mack. That is Purple Power. T. Higgins to 49. That's exactly why. Yeah, that one stinks, florist, I agree. Josh Pascal to Kobe Durant. I stopped there on my way in every now and then. I do not stop there on my way home. I do, I refuse to stop there on my drive home at night. Yep. Silver, Vince Young. There is Eli Manning, 15 out of 35 on the Sensational Signatures. Blue Ice. Cool one there for the Giants. Nice one there. Antonio Gates to 75. Bailey Zappi Rookie, Isaiah Lackley. You often read Zappi. I love Buckeys. There's one in Daytona. And when we drove, me, Heather and our two friends drove to Jacksonville to see a Ravens Jags game. Silver Emergent is James Cook. Adam Thielen to 149. Yes, it did, Derek. Kway Walker, Alec Pierce, it did. Yeah, we had to move the mixer back, so we moved all the other brakes up. It happens every now and then. It was just because the basketball mixer had not filled yet, so we moved it to the end of the night. But they'll all be on YouTube, obviously. Traylon Burke's new recruits. Blue Ice, Adam Thielen to 99. Brian Robinson, Jr. And George Carl Appas. Yeah, I got you. Derek W. You got the Chargers, Derek. You got the Chargers. First one on top. Also, Jeremiah S. got the Ravens and Browns combo. You have the Chargers, Derek, and then Jeremiah has the Ravens and Browns. Ravens, Browns combo spot. Devontae Adams, Purple Ice, Cam Hayward to 225. Skymore, geez, illegal. And David Ajado. Let's do a quick recap here. Brian, you've got the Commanders. Brian got the Commanders. Recap. Yeah, I got you. Sorry about that, Brian. Traylon Burke's, Chris Olave, Chris Godwin, Tray Lance. A Kenneth Walker and a Josh Allen. Autos, we've got Tray Lance, Vilous Jones, Taekwonthor and Eli Manning, Isaiah Spiller, Erica Zuccon, Bailey Zappi, Kevan Tibido, John Matchy, Nick Chubb, Elijah Moore, Julian, or Julius Chestnut, Tyron Smith, I know, Tyler Smith, Tyler Smith, thought it was Tyron Smith and Antonio Geetz. That'll do it for the break, guys. Thanks again for the fill. Next up, number five.