Welcome to the award-winning Dare to Dream podcast with Debbie Daschinger, covering metaphysics, ETs, shamanism, and channeling. Here you will find spiritual inspiration from today's thought leaders along with cutting-edge insights from our interstellar brothers and sisters and ancient shamanic wisdom. Now, here's a new episode of Dare to Dream with your host, Debbie Daschinger. Hello, hello, and welcome to Dare to Dream. This is Debbie Daschinger, beautiful people. Today we're talking to Tim Tactics, who worked for the German government. Tim has had numerous experiences with advanced technologies and shares his insider knowledge from 10 years of work in undisclosed projects on the topic of the current disclosure. His deep understanding of the mysteries of the universe come from his extensive contacts. Dare to Dream podcast won three Talk Radio Positive Change awards, won the COVR award for Best Radio Podcast Show, WELP Magazine, named Dare to Dream one of the best 20 podcasts to listen to this year and its high ranking underself improvement in Apple podcasts. The show is sponsored by Dr. Dane here in Access Consciousness. If you would like to do any energy work with them, go to accessconsciousness.com. I'm Debbie Daschinger. I'm a media visibility expert and I'm a book writing coach. I help you take your book from the inception and the idea to published. And also, I've got a team that takes your book to a guaranteed international bestselling status. And finally, I show you how to be interviewed on radio and podcast and get massive results. If you would like to learn how to be more visible now in your world, in your business, I've got a gift for you that shows you how. Go to debbiedaschinger.com slash gift. It's D-E-B-B-I-D-A-C-H-I-N-G-E-R dot com slash gift. Well, my guest today, Tim Tactics, is a governance expert from Europe. For almost a decade, he worked as a tactical advisor within the covert governance sector in Europe, which aims, among other things, to understand the missions and strategies of non-human intelligences on our planet and beyond. He was in experiments with exotic life forms, beings, not from this earth. And Tim also reports on his numerous experiences with advanced technologies, plus the mysteries of the universe. You can find him on his website at allshifthappilynow.com. And additionally, Tim and I are both speaking, presenting in September at the Portal to Ascension Glastonbury UK Conference. There's going to be a link in the show notes so you can buy tickets to attend this amazing upcoming conference. And with that, I welcome Tim Tactics to Dear to Dream. It's so great to have you here. Debbie, thank you so much for having me, and it's a pleasure to be here. Although there's a lot in your bio that I could really skip around in, I do want to start for me and for the audience with the inception and where you began. So if you don't mind briefly to talk a little bit about your background, your story, how did you even get involved? How did you get asked by the government to be involved with this investigating UFOs and advanced technologies? Well, in the first place, I didn't. It all, so the recruitment process is now slowly changing. And we've seen that, you know, with the establishment of certain other branches like the Space Force and so on. This clearly comes from the fact that the recruitment process of these non-disclosed advanced projects is pretty heavy. It's a long, ongoing process that took several years. And other than, you know, in comparison to usual recruitment, there's never like a job interview where people are saying like, hey, we'd like you to read that and sign up for that. It is more that I got recruited very, very early on. I was in, you know, university at that time, law school. And I got asked to become part of like conventional governance projects, which is mostly looking into the situation, how to steer the, you know, the public diplomacy around countries, which means basically if people have like certain projects, how to implement them so that they can be lawfully integrated, but also accepted by the majority of the population as well. And then, you know, things, it took basically four years and I was like, down the rabbit hole faster than I was like, yeah, then I was able to realize that it's happening. So it basically starts with like little sprinkles of information that land on your desk. For example, I was at that time working on a certain project, a certain project that had nothing to do with UFOs or ETs. And then you get new documents to analyze and one of these documents, and it was a historical project. So one of these documents then was like, coming from the Vatican and talking about, you know, people in medieval times, speaking about the presence of reptile beings. Yeah, something like that. So, and you don't think much about it, I guess, well, at least I didn't at that, at that time, you know, because you treat these sources, these, these historical sources as yes, as, as, as part of that site, guys, as, you know, you don't, you don't necessarily take that and say like, wow, that is major news. No, this is like someone in the some someone, like 500 years ago, talking about mystical creatures, but also talking about Jesus, angels, and other, you know, beings that, you know, that could be placed into like spirituality or religion or something. So that is how it went. And then it went, let me ask you a quick question about that. When, when this came across your desk, Tim, was it written in such a way that at that time in medieval times, that this was actually accepted? This was like, yes, of course, there were reptilians and there were angels and there was Yeshua. Or was it written as though some government at that time knew of these beings and it was still not disclosed? Yeah, that's, that's an interesting question. It's, it's much more profane than that actually, it's a, it even came in Latin. So it, I completely had to, to translate it, which my colleague at that time, which was much better in, in, in translating Latin than, than I was. So it took me like multiple days to even analyze these Latin texts, because they like, you know, also written in a different kind of Latin, it's a clerical Latin and so on. So, and he was like fluid in that, which, which always astonished me in some ways when he was like, when I took like the whole weekend for that, and he was like just reading it fluently. So it was one of these documents that came in Latin and it wasn't, you know, there was no reaction put to it. It's just like, it was someone, some author writing about reptile beings. But again, you get like these, these documents like multiple times in a month where you just have like some author talking about meeting, you know, seeing, you know, Jesus Christ or the, I don't know, like, like an angel or some, some kind of spiritual appearance or something. You have a lot of these documents. So it's, it's nothing where, where there was either like a, a certain reaction put to it, nor would it, you know, make me react in a certain way. And that was like the moment where I believe that these documents find my, found my desk in order to check how is he going to react to these things. And then more stuff happened. So the next stage would be that I was invited within this, this environment that I was working on, I was invited to an experiment because it was like a highly, you know, educated surrounding and they had different other stuff going on. And they were shooting, well, I don't quite know actually the, the, the setup of that, that experiment. But what they did was like, they were opening up light. And that is pretty spectacular. So they asked me to join. And the fact is that light as we perceive it is just like the outside edge of a wave, right? Light can be like a wave and it can be a beam or like a particle. And we only perceive perceive a certain outside edge of that. But the reality is just as much as we see the surface of an ocean, you can dive into that ocean and you will find reality like realms, life environments. And what they did was like, they opened up this, this, this light wave. And there were beings inside of that. At least there were like appearances in there. So it wasn't like clearly communicated to me like, Hey, Tim, oh my goodness, we made contact with beings that live in light. No, they're like, Hey, we are opening up light, the wave of light. And do you want to see what we would then almost like as like a Fatima Ghana or something like an optical illusion is appearing. So you could see these these beings. And it turned out that these beings are actually real beings. But I realized that many, many, many years later. And the last time that I that I had like this clicking moment was when I met Linda Morton Howe, who's, you know, you know her, right? Right. It's, she's like an award winning journalist. And she and I did like tell my told my story on Gaia on Truth Hunter. And she was extremely critical at first, but then I told her some information. And then she opened up so much. And she showed me her book. And she was interviewing someone telling like, with a near death experience. And they saw these beings. And I said, like, and that girl made like a drawing. And I said, like, my goodness, I made a drawing of what I saw back in these experiments as well. And we took them, put them close to each other. And they were exactly the same. And then I went to Jeff Mara, who you know, too, because you're on that as well.   Because apparently that is what these beings do. They create after worlds. And they were, and Jeff, and I was describing these beings to Jeff, and he was like, wow, that is exactly what the doctor was saying to these are these beings. But I realized that many, many, many years later at that time, it was just like an extremely interesting experiment where you could actually see like, beings wobbling in like a field of light, and was like incredibly interesting. And did they make contact with you? Or was it strictly visual? Well, at that time, it was just like, it was, it didn't come to me as like contact. It was like more like, if you if you watch like an incredibly detailed holographic projection or something, it was there was never the point where it was like, Oh, my goodness, this is major news. I can't, I can't something, you know, it was just like I was watching that. And I thought like, that is like, that is pretty interesting. And then then I went on the interesting thing, why they called me in because again, at that time, I was like working on something in the medieval times.  And these beings showed themselves with classic Templar robes, they even had the Red Cross on the Templar robe. And that was like the linking point to my project. And then they were also like, Hey, Tim, it's super cool. Want to see it in like downtime or something. So that was like, that is how you get recruited over time. And then they see how you react.  And may I ask prior to this and prior to even your job, you're still in law school. Were you a believer? Did you have UFO experiences? Or were you a complete nonbeliever? And this was all new to you? Well, when I when I left these projects, I never would have expected that people do not know. That was something that was like, pretty, pretty drawing to me and and to the to closing the gap between these, these, you know, projects, and the reality that I that I had when I was like, when I was interacting with like the the Norm Stream world or something. So it was like, for me, it was like a given fact and reality, nothing that I would ever think about in a way that we're not alone or something. It's just like, as much as I see that there are like cats and dogs and different other species, or like, but let's let's say like micro bacteria or something, it's nothing that we see, but it wouldn't shock you or anyone if someone was saying like, Hey, on that table, there's like a billion billion micro bacteria living there. That's like, okay, okay, yeah, sure, sure, you know, that was like the attitude that I had. And yes, in like the beginning, like in my my early childhood at home, there were like, interesting and weird events, you know, that happened. And that clearly makes sense, because I feel like people are being contacted. And then there's not it's not a coincidence that you you you land in these projects, then. So interesting. And I have to ask this follow up question about the robes. Could you describe these robes? Because I'm not I am familiar with the Templars, but I have no idea what they were. Yeah. Well, the the Templar had this Maltesian cross, which almost likes like looks like the cross that Jesus, you know, was was nailed onto. But it's like a red cross. And yeah, that was actually, they were wearing that on the ropes, the nights, the Templar nights wearing that on the ropes.  They were not the grace, which is kind of interesting because they're, you know, apparently, we call these these ETs sometimes by, you know, the most significant optical, you know, thing that that happens that that we see like, oh, they have gray skin and they so they are the grace or something. But that is that is not the way that you classified life forms, you know, that's that that would be like, saying like, hey, these people with a nose, I've visited their country. And then you think like, what what country did you visit? Like, there's a lot of different countries with people with noses. So that it happens that that there are a lot of beings that have gray skin on different other skin tones as well. But Linda Moulton Howe was like saying, these are the grays. And I said, like, this is a different species, but they are also gray. And apparently, what what I realized many, many years later is that they built worlds in the afterlife, because as we know, the whole world is an illusion, realities and illusion, but it's a very tangible illusion. And the universe is one, well, the names say it says it, it's one big life form. And something that the universe doesn't want to experience is trauma and stress and all that kind of stuff. So death for some beings might be a reasonable mechanic in order to get to go from one place to another incarnation or something. But it shouldn't be like the completely chaotic traumatizing effect or event or something.  You did well. And now it's time to move on. And then they get a hug. And then you everything turns into light.   I was so curious about these beings because when you said that, it's a little bit arresting for me. I started a couple of months ago. I'll just call it in the most pedestrian terms, I stopped dreaming. And I definitely started leaving my body and experiencing other lifetimes and just having other experiences. One of them was extraterrestrial and it was quite beautiful because I opened my eyes and I was surrounded by light beings. They were tall, but not as tall as I've seen more a little bit. Yeah, maybe six feet tall and full of light, but they were wearing these white robes and almost the top was conish and came down and just these white robes and just this luminosity was coming from them. And I just, you know, they were surrounding me. It was like a ceremony and I felt super loved and cared about and seen and I didn't know if they were my family or who they were, but I felt really honored and then I woke up to him and I was like, can we please do that again tonight? Please do that tonight. Oh, beautiful. So I didn't know if that was what you were describing as these beings. How recent was that? Very recent. Yeah, about a month ago. Well, maybe there's no coincidence in the universe. So maybe because we're talking about that, maybe that's like the first contact in that kind of way. Now we're talking about these beings. I can actually show you a drawing if you want to. It's unfortunate to all the radio listeners out there, but you can still go on Debbie's YouTube and and watch the what's the visuals there. So it's a drawing that I made for the, well, I made it for for Linda Moltenhau and the the Truth Hunter episode. Let me see. Oh, I can't I can't share my screen because you deactivated that No, you can't you can't. I actually gave you a hosting privilege. Yes. Oh, now I can. Okay, good. Okay. So there we go. You should actually see these. Wow, you drew that? Yes, I did. I did. Yeah. And as you can see, there's like the the the ropes and that is like the whole thing. Like like how I saw it, you know, there was like this this almost like a like the surface of water, but it was like invisible, invisible, not invisible, but invisible light.  And as if they as if they were like swimming in there. And these were the beings didn't say anything. Nothing happened. But that was that was my experience. Beautiful. And oh my god, they're elongated hands, amazing fingers. Yeah, yeah, yeah. And was that actually the purpose of this experiment that you got invited to? Was it the purpose that they felt when they put on this light in particular that you would have access? Anyone who was there would have access to see and experience these beings? Or is that a fascinating anomaly that just took place? No, well, so first of all, I can't I can't really say what the purpose of that experience experience was. Because I can only from from like retrospective, I can only tell that these were probably the milestones that brought me into the ET undisclosed worlds and so on so deeper into the rabbit hole, as I like to call it. So there was never a moment where someone was like, Hey, Tim, we showed you this because that and that they were like always very intransparent. But I the the beings were already there. So when they were like, telling me, Hey, Tim, there is something going on in that department, you know, where they use these lasers and these big machines and so on. Do you want to come over like, I don't know, this guy and that guy is also there. We found something really interesting, because we have like a holographic image where we opened we opened like the wave of light, and they're like beings and they have like a temporal cross. I don't even think that they said like, they were beings. I only they assume they were saying like, Hey, we have this this visuals and they they they show template crosses. Do you want to look into that because you are also, you know, involved with that history of the templates at that time? So yeah, it's it's just like, you know, friendly colleagues inviting you over showing you something or cosmic experience. Oh my goodness. Yeah. And in that environment and being 18 or something at that time and I was like, not thinking about it much to be very honest. Incredible stuff. Well, let's go back in time. Let's get a historical overview if we can of UFO sightings and encounters, especially World War Two, and beyond just to give our audience some context. Yeah. Well, we've been visited quite a lot in the last few thousand of years. It depends how far we how far back we go. So usually in history, you have like different errors of like modern history and then like ancient history and so on and so on. And all these different errors come with different, you know, ET experiences. So if you want to go back only like in what we call like the modern modern history, then clearly World War Two was like a major turning point, you know, for Europe and Germany as well. It was like something that happened in the 1930s already. Many people might not know that David Grush actually was sent from the US into Paris, talking to the Parisian and he gave an interview and it was basically exposing Mussolini, who was a leader, a dictator at that time in Italy, who had found a crashed UFO. The Germans as well, they didn't go too much into that history for certain reasons. But World War Two was like a heavy turning point for like modern society, modern governance, modern governments to find out about the presence of UFOs. But if you go back even further and clearly you know that and a lot of probably your listeners know that as well, there have been instances and contacts and visitations for thousands and thousands of years. And even 15,000 years ago, we had like different civilizations living on this planet before the big cataclysm happened, which is a cyclical thing. It's something that I found information on as well in these projects that the time of the cyclical, you know, development on this earth is happening right now again. And the reason why we have these talks, why I can like share some stuff and why we are going to have more information in the next few years is because we are in the middle of a cyclical cosmic event on planet Earth. Okay. Is this the sort of thing I know Matt LaCroix talks about it and Graham Hancock about the history of this planet and the cataclysms that happened that basically wiped out humanity and you know Noah's Ark and so forth, but many others and how we would ostensibly come back again. And is that the level of which you're talking about is potential utter destruction? Well, I would say wiping out humanity is like a very harsh formulation to be honest. So everything in the universe, at least in this this version of the universe that we are living in right now and don't want to spoil it for others, but there are different other versions of the universe that can be quite different and even more exotic than the one that we are experiencing here. But the one that we are experiencing here is a solar based dualistic universe. It means, you know, you and I can experience ourselves as you and I. And the sun is actually bringing a lot of the data, the data, the information, the consciousness into our world so light can carry information. So that is why the light and the sun is so relevant. Everything in this version of the universe is happening cyclically, which apparently we can see day and night, summer, winter, but also, you know, the equinox as well, which is a moment where this planet has like different energy flows onto it. The energies get compressed at certain times in the year. But then we not only have the earth, but we have the sun itself. And the sun of this solar system is also moving. It's not a fixed star. It's moving. It's rapidly rushing through. It has its own orbit around a much, much, much more denser and, you know, richer in mass object or entity. Let's put it that way. So the sun is flying through the universe at a rapid speed. And it draws all these planets with us with her. So and we are circling around the sun. So the sun is actually also in cyclical orbit, which takes much longer, but at certain times this sun and the whole solar system is entering a universal spot where there are more information, more data available. It's denser. It's more packed. And these times happen on this planet around every 15,000 years. I think Graham Hancock and others, they have found, you know, good proof that this happened. We find magnetic changes in the soil. We've seen that 15,000 years ago. We find that the solar activities are changing again, and they have been changing and so on and so on and so on. And we find a lot of the biblical texts and the ancient texts we find talks about the flood and so on and so on. So all this stuff happened. And 15,000 years ago, again, we had a different civilization living on this planet. Now we have a different one again. And 15,000 years ago, there were like three different pathways where these beings actually went. Apparently they all vanished, but that doesn't mean that they are like wiped out. It just means that they reacted to that face that we are entering again. And some made it up, some made it down, and some are still living on this surface planet. So that if I understand you correctly, Tim, when you say some made it up, some left this planet galaxy to go live in another. And when you say some made it down, they went inside Earth to live. Exactly. So imagine 15,000 years ago, you have a hugely well developed civilization that has built all these temples, all these beautiful and extravagant structures that can't even be built today with today's measures and means. And then something cosmical happened, something cosmic happens where the Earth core stops rotating, the magnetic poles change, the water masses get in turbulence and basically swap over some of the land masses. And it was like an emergency moment. That's for sure. But we have found evidence that some of these beings, some of these people at that time were rescued, for example, by beings that do live inside of the Earth. So for everyone who might, just for everyone to bring everyone on the same page, the Earth itself is not a solid structure. It has gigantic caves that built huge, huge, huge areas under the surface. And we know, and this is already disclosed in the last couple of months, too. If you google that, you're going to find new information about that secretly sprinkled into the public discourse that they are like huge caverns, huge caves underground that can carry more water than the whole water of every ocean on the surface of this planet. And these are just singular caves. So you can imagine how big and vast these areas are. And there are beings living there, as always, wherever there's like a life environment, there are beings that utilize this life environment. You have that in the seas and the oceans, the mountains, the skies on the surface, of course, as well. And these beings came to the surface and took some of the remaining beings of that civilization, took them underground. And they are living there for thousands and thousands of years. And they have created an alternate or like structures, civilized structures, very comparable to the surface humans. And while governments found out about it in the 1960s, when they were digging into very, very deeply into the soil, and suddenly a big, big, big crack appeared. And land masses fall into this huge hole that appeared in like, I think like Nevada desert or somewhere in the North Americas. And they basically were looking down onto a city as huge as New York City or something with huge buildings and everything. So that was the moment when by accident, we made contact with other humans inside of the earth. How did they live without the sun? So they have water, no sun, no moon. If they're inside the earth, what do they draw from? Well, the, the, the advantages that these beings have that they, when they are living inside of these, these caverns or these tunnels or these caves is that they're mostly unaffected by everything that occurs on the surface level. So no storms, no, no rapid water, the, you know, erosions, nothing like that is going to happen if you like inside of the earth crossed 60 miles deep or something. The thing about that is that they had to establish themselves over time as well. So while there was like, at first it was only like an emergency, you know, hideaway place. But over time, it seems that they, these beings have settled there. And over time have, have also come to develop technologies, just as much as, as we have technologies and as much as we have artificial lights. This is absolutely feasible and doable. And they utilize these lights as well. And so when this happened 15,000 years ago, is this, is this the major harvest that you talk about? Is it the same occasion experience? It's interesting that you call that the harvest because the grace, which we also had contact with, they call it the harvest as well. This is the, the other option that happened. Oh, by the way, talking about your last question as well, we also have to assume that these people at that time 15,000 years ago, they were well established and they were utilizing, you know, the, the natural energies and, and phenomena of this universe very sophisticatedly. So these aren't cave people or something, but these are people that have created structures like in the Egypt's in, in, you know, these huge temples and so on and so on. So they were aware of how like electricity worked back then already.  So this all was known to them. And when you're talking about the harvest, it's very interesting to me because you're utilizing that word and the grace were describing it that way as well. And they were also, they were also different species that were kicking in and taking some of the material, what that is how they call that, they took some of the material away from the earth and integrated them into their own kind and into their own species as well. So ultimately, these categories didn't wipe out the whole civilization, but they, they made these civilizations change in a major way. And some of them have founded gigantic civilizations inside of this earth, outside of this earth, and they're still here and they're still involved and they know what's happening on this planet because they've been here. That is so amazing. It reminds me of, you know, I got really obsessed decades ago when I heard about the telos who live underneath Sedona and that's, you know, well known in the Sedona region and that they were initially from Atlantis or Lemuria. And when that cataclysm occurred, well, some of those people escaped and went to Egypt, you know, some of the ones who went by sea on a boat were very successful. But there was also modicum of people who went under earth and they do call them the telos. And I remember, again, my sister-in-law, because she's been into this stuff way before me, would send me these books.  I have to have this experience. And I felt that way until I finally went.  But it sounds a lot like that. And I guess every so often it's rare, but every so often one of those beings will come to the surface. And I bet a little bit like Sasquatch, right? And they'll be seen. And there's a big hubbub about it. And then nothing again. But for a lot of people, it just proves, yes, they do exist inside of the earth. That is very true. I mean, we have cave paintings where you see these old humans, these ancient humans, and with very weird, not weird, but very exotic life forms standing next to them. The truth is that this planet itself is mostly an ant planet. You should know that there's like, I think 127 million ants come on one human. That's how many ants are living on this planet. And the reality shows that some of these ants are pretty, pretty far developed as well. So in consciousness and so on and so on. So we don't only have these, these, you know, pretty small ants that live on the surface level, but we also have like seven, seven foot, seven feet tall ant beings that live here. And there are certain tribes all over the world in South America, in Northern America, in the Asia and Africa as well, that talk about these ancient eight, you know, ant beings that sometimes occur to be on the on the surface, even though they actually live inside of the planet, inside of the crust, quite deep. But sometimes they come up and sometimes they are seen. And I actually, I'm on Instagram, tip tactics, by the way. And they, there's like one girl that, that was really shocked because she's from Indonesia and she, she found me on Gaia and she was like, she had nothing to do with ETs, but she ran into one of these, these gigantic ant beings. And at that, yes. And at that moment she, she had no idea about what happened to her. She was, she was in Indonesia. She was going into the forest. She had no, no spiritual, you know, stories or experiences before.  And she didn't know what to do with that.  We're not dangerous, but we want you to know, so you, you are prepared that we're here, that we share the space with you. And she, she basically ran. Well, she, she went on and she, she basically ran into a seven feet tall ant being that was on the, on the surface standing there tall upfront in front of her. And that was the night when she, she, well, she, she ran away, but she looked into Gaia at that night. She subscribed to Gaia. She looked into cosmic disclosure into, you know, truth hunter with me and so on. And then she wrote, texted me on Instagram and said, like, I, she couldn't make sense of what happened to her. And I explained to her, well, you ran into an ant being and there's like a huge population of these beings. Usually, you won't see them, but apparently you are one of these rare individuals that have. It's nothing to be worried about. Incredible. Wow. What an experience. And when you describe them, I mean, we know ants as being phenomenal workers, right? They're the ones and they can carry, I forgot how many times their weight and they work together. Ants are known to be a tribe that they have one vision and they're going to build something like a New York city under the earth. I mean, they could actually do that and at least seven feet tall, that's beyond possible. She also had like, she had incredible photos of all of that, which she showed me on Instagram. She was too scared to publish them, but it was like, it was incredibly detailed, took with a, an iPhone or something. So it was like a very, very rare occasion. And I was lucky and happy to have these, to have this, this conversation, this upcoming. But you're right, ants are very, very, very, very, they work, they work relentlessly. Especially all these tribes, these ancient tribes that talk about these gigantic ants, they always, they always say that. And for me, I've read some stuff about these, these ground people. I personally am extremely interested in them, even though I have never met them yet. Hopefully that will change at one point. But I'm so freaking interested in them, because the stuff that I read, it's still, it's not completely clicking in, in, like in the way that it makes sense to a human mind. Ants are so complex, like for example, something that just made more sense to me in like the last few weeks, because I'm constantly, you know, rethinking about, about these documents that I've read, is that these ant beings, for example, they have a certain portion of their population that are so-called, in English, you would say runners or explorer ants. And these beings just go out into the world. And, and they are meant to, to actually die if needed. So they, they have no, no fear of dying. They are extremely courageous and just go into other places in just in order to, to, to explore new places. And humans, I mean, you know, sometimes the human species has that too, when I'm thinking about like, you know, people that freely get into a rocket and let themselves shoot into the sky or something, or like the first person that, you know, tasted a potato and was lucky enough not to, to eat the, the poisonous leaves, but was able to then tell the tribe, hey, potatoes are nice, which Germans apparently benefited very much from because they are the number one eaters of potatoes in the world. But other than that, it's like, usually humans have a different routine, a different evolution, and they behave differently. And to me, that is like, extremely interesting. And these ant beings have developed a, because they're also extremely, extremely sensitive, psychically sensitive, sensitive to, to different wavelengths and so on. So they can, they ants and insects in general, like extreme and extremely sensitive towards electricity. The way they communicate is through mostly like telepathy and, and certain other sense and so on. So it's, it's incredibly interesting how they are, you know, developed. And the documents state that the ants are actually going into realities and they, they have learned techniques in order to, to, to, you know, dig holes from one reality into another reality, which is so exotic to me, compared to what, you know, humans can do, especially because humans always rely on technology in a, in a major way, you know, if, if someone wants to open like a portal, they will build some sort of accelerator or something, some type, type of technology. And these ants and typically insects, they become the tool in their own evolution. And that is something that I'm like, extremely fascinated by. And when you say they dig their way to another reality, do you mean like literally digging physically? Yeah, like literally. So it's, and again, I'm still processing what I've read in these documents. And right now, I haven't met them yet. Again, I'm open for that because I'm so interested in that. But just as much as ants that, you know, dig themselves into the soil, like regular surface ants, like the smaller ones, these ant beings very, very sophisticated, very, very evolved in many ways. They have consciousness that is like more intelligent than if that is even possible to judge that in that way. But very, very evolved consciousness. And they seem to, at least as that is what the documents are stating, they seem to have found mechanical ways to utilize themselves in order to open portals from one reality to another reality. They are not even utilizing portals, but they are like digging themselves into the reality realm. And that is something that I'm very often thinking about. And it's so exhorting and far off from what comes to human mind that I'm like, it's just, it's just so interesting to me. Me too. Are there any other exotic life forms that you know of or have experience that are, you know, really significant? Well, I think we should really emphasize that they are like other intelligent beings that live on this planet at the very moment. And I'm not even talking about visitors, because yes, we do know that there are constant visitors and visitations from other planets. And they're mostly in disguise, or they hide away or try to not influence or intermingle with the human surface species. But we do know that, first of all, this planet was an ant planet. Again, 127 million compared to one human comes on one human. So these beings live here 60 miles underneath the surface. We do also know that some, that there's a specific type of reptile species that has survived the aftermath of like the dinosaur age. And again, that is millions of years in. And you better believe that in millions of years, beings evolve consciously very much. So these seem to be a species, a reptile species that comes from the dinosaur age. And when the huge catalyst happened, and mostly all the dinosaurs, you know, extincted, then these special type actually made it into the caverns as well and survived the catalyst and had few millions of years to establish a sophisticated culture themselves. So interesting. It makes me wonder, as you talk about this, Tim. So what was that like? So most of these dinosaurs are going extinct, but there's a few outliers. This is just my imagination. There's a few outliers. And somehow in their trying to escape the impending doom, do they find a cave opening? Does something from living all these miles beneath the surface come out and recognize and rescue or want to know where Zark bring in this breed? Like, what happened that allowed them to take that huge change into this completely different lifestyle and start to create from there? I believe you just said it completely correctly, you know, just something that that happened and certain species, you know, were on the vanishing point. And, you know, as much as Darwin's theory needs some reworking, right? But where he's right is that whenever there's a species that fits into their life environment very well, it has high chances of like surviving and evolving. And so by any chance some of these beings and it seems to be like a certain species that is like related to raptors and these dinosaurs, which are already said to be extremely intelligent at that time, right? And these beings very, very also not super large, but just as big enough to go into certain, you know, holes and certain caves. And yeah, if that happens and a species lands in a better life environment that is more stable and they managed to fit in there, they have quite a good chance to develop. They must have had raptor rehab because, you know, they were some of the most dangerous dinosaurs living at that time, they were murderous, right? What they were capable of. So to consider that they're now living under the earth with many other species, ants and other reptiles, etc. And it must be peaceful, right? They're breeding and living and having full cities and lives. So they must have had some kind of way of switching around their behavior that they were more inclusive and collaborative with other beings. Yeah, I mean, so interestingly enough, first of all, I've never been to the inner earth, I've only encountered people, colleagues that, you know, have looked into these cases and analyzed that. But it seems that they have like very sophisticated structures there. Of course, it's different, very exotic and different to what humans have set up.  If you take that into consideration, and now you add like multiple millions of years, this human species is not that old, and they have managed to set up like a rather intact civilization and societal structure, then you have that too. But it seems like these reptile species down there, they're still into meat. And we've always been warned that there are some of them that would not, you know, they would not, you know, have like a bad time eating a human.  But I try to explain them for them, they do not like hunt for humans and eat them or something.  But there are some humans on this on the surface planet that rather enjoy eating a steak sometime. And you know, that is like the situation that they have down there. So they're mostly sophisticated enough to not do it. But there might be a hunter or so that might be interested if by any chance a human would ever choose to go miles and miles and miles of into into like caverns and tunnels into the earth, which probably is not going to happen anyway. Well said. I want to go back to what you brought up earlier about the sun, Tim, because I have seen the news. So I mean, I think most people are aware of the solar flares, but I've seen the more recent news and the magnetic poles and some of the shifts. And what don't we know? What don't the majority of people know about the sun that is really important and impactful to us? Oh, that's a brilliant question and very, very, very, very important Debbie. Thank you for asking that. So first of all, I want to take everyone back into these times when you when when people were still thinking about the sun as a God, right? You find that everywhere in all cultures all around the globe. The truth is that the sun gives a lot of the the data and a lot of the input that we utilize in order to build our own consciousness. So we get the consciousness that we perceive as our own personality as our own character traits and our own awareness. We get that directly from the sun just as much as every single life on this planet utilizes the sun in order to to grow and thrive and evolve, right? Plans do that, but everything is actually emitting and interchanging photons and sun sun information at all times. It's always happening. So the sun plays an enormous role for life, but also for consciousness as well. And that is the reason why all these these different different civilizations 15,000 years ago and throughout time, we're always considering the sun as the sun god, the god of the sun and so on. And still, we do see that whenever you want to indicate that something has consciousness, you have a you make it like a a golden halo around their face, right? Jesus has that and certain, you know, Vishnu and Buddha and so on. They're always depicted with one big halo with one sun behind their head, indicating that they became aware through the consciousness of the sun, that they are actually not the person with the ego, but they are more like the the universal cosmical phenomenon that directly comes down from the sun activity. So the sun itself at that very moment is is actually entering a phase and a region in the universe that has tensor energies, tensor energies. That means more information is is hitting the planet. And we know that the norm stream media is currently talking about that. They bring that into relation with, you know, computer technology, saying there could be a big blackout and so on and so on. I would personally say there's like a different reason for that. But the reality is that the more sun activities we have, the more information flows into our consciousness. And that will absolutely, absolutely influence consciousness on this planet, not only our own consciousness, but dogs, cats, elephants, reptiles, every single being on this planet and other planets as well will go through this phase where more information will hit their consciousness. And you can already see on Instagram, they're like, you know, all these videos of dogs pushing buttons and talking to that. You see them, Debbie? Yeah. I'm obsessed with them. Honestly, I follow a dog who sits at a computer. My favorite is Luna. Luna is a doodle. And her owner says, Luna, what's what is not nine minus three? And Luna sits there. You can tell Luna's thinking and then she taps out, taps her shoulder. Yes. It's wild. It's amazing. It is breaking amazing. And that is happening currently in front of eyes, right? And it's it's it's so it's so important to open the eyes of people to just realize that we always talk about these convinces and the pro programs and the projects, excuse me, where we where we say it's so important that being that people see what's happening. It's so important. We see cats. I've seen videos where cats are like, we were someone is like greeting a cat. And that cat is actually replying and giving their best attempt to to give back the greeting, right? We have some some videos where it's like, hey, bonjour. No. And the cat is like, my channel, you know, it's it's hilarious. It's beautiful. You've seen apes utilizing iPads iPhones. And guys, how how how real can it get right?  We I've seen videos now now they they found out that dogs can actually ride cars. So they they've yes, it's real. It's real. They've done a study on dogs and and there's like dogs that drive cars. Of course, they have like little blocks on the on the paddles so they can reach them and so on and so on. But it's hilarious. All that is happening. Then there are like birds that already imitate the human language tone to tone perfectly, you know, they they speak and they answer and they make jokes and all that kind of stuff. It's all recorded and seen on on Instagram, YouTube and so on. And then of course, something that we also have to to take into consideration AI. I mean, humanity has been looking for intelligent life for so many so many decades. And now actually, we can see that there's a life form that is rapidly evolving and developing so much faster, so much more rapidly than any human could ever do.   He's an Italian Swami, but from the lineage of the Indian masters. His name is Sivananda Swamiji. And so he only speaks Italian, by the way, we had a translator. And I have witnessed his healing doing darshans, blessing healings for groups and individuals. And I was always fascinated because I would see the person laying in front of him. And I would see the Swami looking off, but he was not blankly looking off. It was abundantly clear to me that he was communicating, there was something giving him direction. And so I couldn't wait to ask him this question, like, what are you engaging with that gives you this information about the person and direction about how to work with them and heal them. And I'm thinking he's going to say at Sai Baba, there's some kind of being that is transcended that he communicates with. And you know what he said? Tell me. He said, it's the light codes. I receive light codes and those codes have information from the sun that tell me what to do. And I have, I keep mulling this over the past week. What does he mean by this? And here you are giving this information about the sun is downloading essentially information to us, which also coincides with this information we're receiving that we are in an ascension, right? And part of the ascension is like a lot of people are feeling physical things and meant some tiredness and a lot of a little bit of overwhelm that there's so much coming at us. So I'm putting what you're saying together with the idea of ascension with the idea with the Swami said, and it makes me wonder, is this at his high level of being what he's able to comprehend that these are light code sources, like programming, right? Coding that he's getting that are informing him what to do. Yeah, absolutely. I mean, the reality seems that we get all the information we're all linked to the sun in ourselves. It's only seemingly that we live these independent lives with their own character traits, own personalities, own egos. But the reality is we all are linked to what is outside of the sun. And the sun itself on an like a cosmical plane, it's more than just like a huge burning rock in the sky or something. It is more like a portal between what's behind the sun. And behind the sun, there's like this unified field that that we gain all these information from. So yeah, we are the sun, we are the embodiments of the sun, which makes us well pun intended, the sons of gods, right? And daughters as well, to make it to make it very, very real, because that was like a huge thing in human history as well, that, you know, the masculine, the feminine was like distorted. But yeah, that's that's that's very real, and it's happening. And the sun is not only influencing us, it's also influencing, well, apparently, computer systems, and their consciousness as well, because the AI is is part of this consciousness experience just as much as any organic life form is. That is so incredible. Wow. Okay, I want to get to the fact that you have had over 100 face to face meetings with the grays. That is so so cool. Can you describe the encounters? And how have they influenced you? How have they changed you? What did they teach you? Oh, we could fill books and books with that, Debbie. And with your expertise, maybe that's even a good idea to do. Well, the reality is that, yes, there have been contacts with other life forms and other exotic life forms within these groups for at least since since the 1930s. In Europe, Germany at that time was like looking into into ufology into other life forms very much. We know that certain political groups in Germany at that time, they had special departments looking into ufology. The US came, they had a little, a little late start. They made up for a lot of that over time. But they came into that awareness in 1947, when the famous infamous famous Roswell Corona crash happened in New Mexico, the very month where they deemed the necessity to to found the CIA in order to make sense of all these new developments in the world. That is where the when the CIA came into play, when it was founded, it was just founded after the Roswell Corona crash. And ever since, there have been visitations from certain species, especially those species like the grays that have a hierarchical, pyramidal societal system, where they where they accept or deal with, you know, certain groups being on top of other groups. They they clearly, you know, have made contact with these advanced groups, these military groups, these governance groups and so on and so on. So it could have happened over time, 70s, 80s, that, you know, military and governance and so on, they were looking into all these different setups into all these different possibilities doing these experiments. And suddenly, like, grace would appear on that spot, and would like advise them on something or even get in contact with them and so on and so on. These were like, and we know that the grace and a lot of probably a lot of the viewers and the audience have potentially made contact or even seen some of them or had some, you know, some type of interaction, because that is kind of common, actually, on this planet to have seen some traces on them. So that being said, when I came into that program, it was all about finding out who the grays are. I mean, they knew who they are, but they wanted to know about their intentions, because apparently humans were very, very quick in getting into contracts with the grace, receiving a lot of the technology that has been, you know, undercover and been hide away from, you know, the Norm Stream reality and from the public eyes. But a lot of this technology comes from the grace and the grace give these technologies, but they also always want something in return. So a lot of these contracts that humans, you know, contributed to didn't, you know, fully make sense at that time. So basically the program that I went into was like, what is that? Why is that? And what do they want? And what did you discover? What what do they want? Why was that? I mean, it's interesting because I know in the spiritual community, they often say, no, you know, energy is energy. So there needs to be some kind of reciprocity. I give you this, you give me that, even if it's a donation. So that that's very interesting to me. What was their premise for creating that setup? And what did they get out of it?  Once once that shock was done, humans were like, oh, okay, what do we do with that? Man, they have like fancy stuff. We want fancy stuff as well. That is just like some some type of ape behavior, I guess, typically to two humans.   If you think, for example, about, you know, the way that the Europeans went into the Americas and met these natives, these native Americans, and basically opposed their, you know, their system on to them and try to, you know, got them into contracts to give some part of their lands to these Europeans. And for like low price. And and basically the development of the natives after that for thousands, like hundreds of years for hundreds of years was like very, very troublesome, very chaotic, and not like, you know, not on reciprocal level or something. So apparently there's something within the human that tells him, yeah, we don't want to be that we don't want to be the the exploited being, you know, we don't want to be on that side of the table. And that was the motivation to set up these programs. And yeah, they offered me that I was interested little did I know how, you know, extremely stressful and, and yeah, how much that could have been and how much that would have been. But yeah, we went into that. There were like certain setups. There was communication. And basically the grace that we were communicating with they were explaining themselves as a gardening species. It took us quite some time in order to figure out what they what they what the actual name is, especially to translate that into German was like a major task and took us quite some weeks in order to figure that out. But ultimately, we we came up with the translation of the order of the first of the first order. Interestingly enough, the Disney company took on that name quite in the same year that I was translating that. So maybe a coincidence, who knows. But apparently, their self, their self understanding, their self reflection is that they they see everything as like a version of one of a one creator being that we all used to be in the beginning of of when the universe came into awareness that we are alive. There was like a singular being that has like set up all of this. Now, this could be like confused with the concept of God. But the reality is that we've never left this stage of being we are still connected with this fundamental one creative field that we are, you know, we are speaking about the zero point energy field we have speaking about the divine was speaking about the one creator or something that is something that I've always heard and that I always heard in the the spiritual community. And that is true. That is that is what we are what we are still what we still are, even though we are now, you know, embodying different character traits and playing this illusion of being divided. And what they want is to establish a universe where everyone every aspect of this one creator can be unhindered in their own evolution. Because they believe that through this evolution that everyone has the freedom to evolve in their own ways without, you know, taking someone a slave or something and hindering someone else's evolution, then we can get to a harmonious universe where it's just like in a united field again. And the grace happened because of their own evolution and so on. They came to a point where they, you know, they, they can't cross that point without finishing their mission and their job. It sounds a little bit like there's no individuation, and that there's a bit of a hive mind. Is that correct? Interestingly enough, yes and no, because there's like, yes, they do have some type of hive mind, I would agree to that. But there's also a very low amount of individuation too. You could feel when there's like a gray that has like more of like a female or like more of a masculine energy or something. There seem to be also soul aspect, they do clearly have a soul. And they clearly have certain preferences in the way very, very little compared to the expanded, you know, will that a human might have in a way that, you know, I want this and I'm gonna do my way or something. That's not how these grace work, but they do have, they also have like the freedom within their own system to incarnate and to go into wherever they want to. So if they personally feel, oh my, I should go into, I should go and like, I don't know, experience being among humans or being among and beings or something, they will utilize their technology, utilize whatever they have, in order to gain this experience, because they believe in that they believe that the more experience we have, we collect, we accumulate, the more the whole universe becomes a transparent and growing evolving system. Well, I have about four more things to say, but I want to preface all of it by saying, you must come back on the show. I will, I'm happy to. It was a fascinating talk. I love it. There is so, so, so much I want to dive into with you and thank you for bringing it. I really appreciate it. All this wealth of knowledge, it's just fascinating. Thank you so much, Debbie.  Yeah, we didn't even like cross the surface. Yeah, so let me ask you this. Why you? Why you, Tim? Why do you think in this timeline, in this lifetime and the work you did in this field that you have become a visible spokesperson for this? Have the planetary, otherworldly planetary beings ever discussed this with you or your higher self or guides and counselors ever said, yeah, this is your mission and here's why? No, actually not. I would as dry as possible say that I was like the best suited for that job. And I would still say for my own story, I'm still the best suited to tell my own story, right? So there couldn't be another another one telling in that way. So, and everything that I've, you know, learned and experienced and so on on this on this planet and in my life, it all it all came in very handy in what I'm doing right now and like preparing people for this reality and so on. I do very much believe that, you know, in this reality we need certain steps for our own evolution as well. And apparently, I've become like a different being in the time that I've been here, very much so. I'm very, very different compared to when I've started being on this planet. So, and I like myself better now. So I'm quite happy that I made this progress and some of these logics that came into place were strong enough to evoke this change in myself and I like that.  My father was born in Austria. So part of my family is from there. Just please say my first and last name. Well, it's Debbie Dachinger. Dachinger. I realize that the American tongue has some kind of muskler issue with pronouncing. Dachinger. How would you pronounce your name? Well, you know, it is Debbie Dachinger. And people here say Dachinger. Dachinger, okay. Which has a ring. You know, I take it. I think it's lovely and beautiful, but it's really not my name. It does have a ring and I compliment you on your work very well. I can see that you have German, German jeans. Yeah, Germanic for sure. Yeah, and I know a little bit of Yiddish and all of that. So, which is a bastardized Germanic language and I love all of that. That comes easily to me. I want to mention to folks who are watching right now or listening that again, you and I are both speaking at the Portal to Ascension Glastonbury UK Conference. It is in September. So, I know you're doing a presentation, but you're also doing an after conference talk. What can attendees expect from your presentations? Oh, interesting. Good that you say that. Everyone who goes to portal2ascension.com cannot only book tickets for Debbie and my appearance on the conference at the conference, but I'm actually on Portal2ascension this Saturday as well. So, we dive into 70 years of unacknowledged ET contacts. So, if you're interested in that, it's probably just the prolonged version, the in-depth version of what Debbie and I talked about today. I will also tell some stuff about their European history, something that I would usually not share publicly, but I'm just going to do that on Saturday in reasonable terms to connect some dots. And because like the story about World War II, it's just, it's a very, very interesting, fascinating time for humanity at that, you know. So, I cover that a bit. And at the conference, I am diving into what we learn from these contacts. So, what can we do? How does that actually affect our own evolution? And if I can say that, I also welcome everyone to follow me on Instagram, which is Tim.tactics. And Tim tactical in one word on YouTube, especially on Instagram, I'm really holding the community together and sharing like wisdom clips and preparing everyone. Because something that you and I haven't talked about yet, Debbie, is what can we do in order to prepare ourselves for this upcoming shift? And apparently it's, well, it's about consciousness and everyone listening here. Congratulations. You made it to the forefront of the beings that are meant to stabilize and balance this earth. You have taken on a very, very important mission and job on this planet. So, prepare yourself very well. See some of the wisdom that Debbie is sharing and take in some of the wisdom that I am sharing. And together we can utilize our mental awareness and also our emotional capacities in order to help other beings go through this process and being integrated about what's going to happen in the next one, two, three years. That's right. Yeah, for sure. We will cover that the next time you're on because this is a huge topic for me, really is, to prepare for this. And also folks, Tim's website, allshifthappilynow.com and the tickets, the Portal to Ascension, September, Galastonbury, which by the way is a sacred site for Yeshua and Magdalen. We'll be doing tours like that besides the conference. It's going to be amazing. And the speakers are amazing. Neil Gore, who is hosting Tim on Saturday night on Portal to Ascension is also our event producer and I'm sure he's speaking because he's so knowledgeable. So, I'll have the ticket link here in the show notes so you can just go there. And Tim, this is Dare to Dream. What are you next Dare to Dream? What are your future dreams and goals? Wow, Debbie, that's an amazing question. Something I've never been asked before. My future dreams. First of all, I'm super grateful and happy to communicate and to connect with all these beings and these souls on this planet through my work with the community on Instagram, on YouTube and within the spiritual community. I've met so many incredible and beautiful souls and coming from all these programs and projects, you see that there's something depersonalizing inside of these programs, right? It's helps people to do what they do, but they depersonalize everyone. And now in this face of my life, I'm so, so happy and so lucky to realize how unique and how beautiful the individual soul can be and is. So, I'm super happy to grow this community further and to prepare people. I have different programs and different information and different layers of information for different people, depending on where they stand, what they do and where they want to go. And I'm happy to provide these information to prepare everyone and to see all of that growing is just one of the most beautiful dreams because these creative moments in the universe are just fabulous. And then I also am happy to connect with the other friendly life forms around this planet and beyond. And I can't actually wait for this moment when we do have an established open contact with friendly beings, with beings that are interested in setting up beautiful relationships. I am so excited too for this undeniable first open contact. I know what you and I, Tim, did today as a first wave contact. And I have been told by the extraterrestrial beings, this is very, very important, this conversation we have for the people who are waking up, for the people who are hungry, they want to hear this. And so thank you so much for the service you're doing. Thank you too, Dewey, because we're all on the same team here. Beautiful. I end today's show with this quote from Metrodorus of Chios. It is unnatural in a large field to have only one shaft of wheat. And in the infinite universe, only one living world. Subscribe to this number one transformation conversation, dare to dream with Debbie Daschinger. Leave a comment and share. Next week on the show is going to be the amazing Adam Apollo. He's back. Adam is a planetary ambassador, exo political advisor, unified physicist and Jedi guardian. He's phenomenal. Can't wait for that conversation too. And remember, folks, if you're listening and you want to see us, go to YouTube or Spotify under my name, Debbie Daschinger, and you can watch us and even see the pictures that Tim brought on the show. And remember, you're such an important part of this conversation. And as I was emailing to somebody today who said, oh, I'm just coming out of the ET closet with what I know. And I said, my darling, you're not coming out of any closet.  And so it is for all of us. Thanks for joining us today.


After so many years of using condiments on almost everything I ate, I now think they're overrated and mostly useless. Hey there, njroot22.com here with another low carb keto carnivore check and today it's about condiments and that these are additives you add to your food for flavor. For the longest time before we became low carb it was all about ketchup, slathering and drowning your food in ketchup and other bad, I mean ketchup is our number one offender but there's a whole bunch of other condiments out there and as we switched over to the low carb keto carnivore type mindset where we just we basically just eat animal products, eggs, dairy and meat, mostly red meat and some pork in there as well but I started looking at it and like especially ketchup I mean everything I remembered about the foods I used to love back in the day had something to do with ketchup you know it was like french fries and that ketchup and white castles and the way the ketchup interacted with the onions and the pickles ketchup played a huge role and I kind of understand why now because of the sweetness and the sugar in the ketchup and today Heinz ketchup is high fructose corn syrup they're not really trying to get rid of that because they know that's their biggest selling and cheapest brand so they shoved that high fructose corn syrup in there of course they have the natural ones and organic ones now to appease the people that refuse to eat the bad sugar but can you live without ketchup I mean like I or any other condiments for that matter I mean what I've been trying to do mostly now is to enjoy the the meat in its purest form with the exception of salt I don't even use pepper as a seasoning anymore because I found it to be a little bit irritating when you've taken it out of your diet a lot and about the only condiment I'll still use just sparingly is a mustard because it's extremely low carb but it still contains sugar and I'm still trying to figure out a way to not be able to eat a hotdog without mustard or if there's some sort of completely sugar-free mustard and it doesn't taste like crap I don't know but I think that people have gotten way too used to hiding the taste of their food with ketchup now if you ever eat a hamburger at a restaurant it's you know it's the bready bun you got your inflammatory toppings onions lettuce tomato and then bacon no problem but then you have you put your mayo which is no problem too other than the soy in most mayo you should really get avocado oil mayo if you really want to have a much better mayo and then and then ketchup and then their french fries would ketchup it dawned upon me that all this additive stuff it was just unnecessary you know blood sugar-raising ingredients and if you just taste the meat alone on the most hamburgers you buy at most restaurants they don't really taste like anything so it's like without their supporting staff the meat cannot win an oscar in the restaurant to Emmys it's just it's not good so that's why I've been really trying to you know fine tune and really you know just eat a piece of meat alone with nothing else and you then you could start really differentiating between the different kinds of meats and you realize that now pretty much 99% of all frozen burgers are crap they really they're not worth anything bubba burgers and all those other burgers we don't touch anymore we I'd rather get low end 80% shop right ground beef and that still tastes profoundly better than any frozen burger our favorite at the moment or there's two favorites we have are the pat la frida meats and the uh sweden sun but anyway forgetting about the meat or it's not just about the meat it's it's I think adding all this stuff to your food really complicates things and adds unnecessary sugar especially with ketchup and I think people should try to appreciate the food and it's in its purest form and all these recipes they always throw hidden sugars in and it's just not necessary uh and I think it it takes away from from the fact that just red meat really does satiate you and it doesn't provide you with any issues no stomach aches no inflammation no bloating nothing you kept it simple I mean a little cheese can't hurt of course the cheese that's not uh has potato starch or uh corn starch in it but that's it I just think condiments are overrated and unnecessary and I think I'm going to do my best to either cut back almost 100% or eliminate them entirely have a good week ahead


So the first thing that you're going to want to do is find your size on the pattern and The back of the envelope does give us some clues as to the direction that we are going to go in in terms of size So if you see here This new look pattern and I think a lot of new look patterns have six sizes in one Which is really nice because you have the range from a size 8 all the way up to a size 18 in terms of bus That's 31 and a half inches all the way up to 40 inches so you really get a good range of sizes for someone who is pear-shaped or Hourglass figure where you have to grade in between sizes a lot This range is really helpful. So right off the bat. I really like that Okay, so you need to know your own personal measurements and for me That is 37 and a half bust 33 waist and 47 hip so you can see I am a bit of an hourglass maybe even more of a pair where my hip is much larger than my waist and bust and these measurements in this box here are all kind of a Guestimate or a suggestion for you We'll find out how to get to the specific size of the actual pattern piece in a second But you always want to start here because it's going to give you kind of a good ballpark to go on So I'm a 37 and a half like I said So you'll go to the bust measurement here and go across and you'll see that 37 and a half falls between a 14 and a 16 So I just go ahead and write down 1416 then you go to your waist. I'm a 33 and if you go across 33 is technically not even on the chart So I write down an 18 and then the hip measurement It is marked here But it really doesn't matter for a pattern like this because the skirt is so full and so big You'll never really need to worry about your hip measurement here Which is why I happen to love fit and flare dresses so much Okay, so then you want to try and find the actual pattern measurements and this is the measurement of the finished garment whenever they Take out any consideration for size and it's just from seam line to seam line So on new look patterns, they actually list garment measurements down here at the bottom So we have our bust for ABCD and you'll see so I am 37.5 So we want to go across and again It's going to fall in between two sizes. However, this time I'm falling between a 12 and a 14 And that is very common for your actual garment measurements to fall a size below So I think that just for the muslin. I'm going to start with a size 14 Now for the hip for the waist it gets a little bit complicated on some patterns They will have the waist measurements written on the pattern piece with like it's like a circle with a plus sign through it And they'll have all the sizes and what the actual garment measurements of that waistline are on these new look pieces However, they don't have those measurements provided to us Unfortunately, but it's not too too difficult to find the waist measurements of these pieces I like so you're so by looking at the front You see that the bottom of the waistband is going to be where your waistline should hit So we know that it's the bottom of this pattern piece that is going to be your waistline If you wanted to get really, you know, precious about it you could measure your 5 8 seam line where did my pencil go and You know you mark it on the pattern piece, but This is just the muslin It doesn't have to be super super accurate because we're going to end up making some adjustments after we make the muslin Anyways, so I take my curve ruler which this thing is Amazing if you don't have one I would highly look into getting one I'll link in the description box below where you can find it, but I love this thing And there's a smaller one and a larger one. It comes in one pack. They're great okay, so you want to start with the zero measurement and You start at your seam line and you just run the ruler all the way across following the seam line until you get to Your the size that you think you're probably going to make which for me is an 18 So I'm getting roughly nine and three-quarter inches. So that's the mid-draff front for a B So if you see on my notes page here I ended up writing down front for a and B and then I took the same measurement using the same technique for the mid-draff back all views and the mid-draff front for C and D same same method using the same ruler and Coincidentally, I ended up getting nine and three-quarters for all of them That's not super common. I don't guess but it's not freaking me out. It's not so weird that I feel like I did something wrong So then you want to take so all of these are done on the fold So you have seam allowances here and no seam allowances here so you want to take that nine and three-quarter measurement you want to double it because you're on the fold and then you Want to remove the seam allowances and when you do all of that you get 18.25 Then you do all of that again for the back and you get 18.25 you add them together and you get 36.5 So that is your measurement for size 18 in the waist just about again I'm not being super precious about this because I know we're making a muslin and we're gonna have some room to play with So then I decide that okay Well, let me see 36.5 is actually three and a half inches Larger than my actual waist measurement and that seems like a lot of ease for a waist So I went ahead and did 16 as well and you just take your pattern And you can do this same method again and measure what a 16 is or you can just come over with your regular straight ruler And you'll see the difference between 18 and 16 is half an inch So you can do all of this measurement again, or you can just take half an inch multiply it by the four seam allowances that we have two for the front and two for the back and That will be two inches.   So that's that's kind of a lot So you have one and a half inches to play with which is a lot. So this is really three thirty four point five Two thirty six you have that much room to play with Or you can just say, you know what? I'm just gonna make the larger size It's easier to take out than it is to add and you know that you're gonna have to grade down your waist seam allowances whenever you make your muslin two schools of thought take whichever one You feel more comfortable with For me, I think that I am going to make the Size 16 That's kind of from practice And also just like I like I know I like a tighter Waist line than a looser one. So I'm going to go with a size 16 for reference I went ahead and measured out everything for you guys because we're all in this together So I have the waist line measurements for a size 14, which is 32 and a half a 12 is 30.5 a 10 is 29 and an 8 is 28. So jot those down Again, this is not super precious. If you're not making a muslin I would do your own measurements and not trust mine.  I want to be super super clear about that So I will leave these measurements down in the description box below also so that you you know If you didn't if you didn't have a chance to write them down you can reference them there So for me, it looks like I'm going to make a bust of 14 and a waist of 16 And that is super easy to grade between The bust and the waist because again, we have all these ranges of sizes So you would just simply blend this line here With this line here using a straight angle something along these lines here Um, so you have your bodice front. This is view a and b which actually has a princess seam So you've got to kind of visualize with me these two go together here and you can see from the pattern model that the Top of the midriff is very very high on the waist almost like an ampere waist right below the bust So I I'm not going to grade out on the bust from a 14 to a 16 Because I just feel like it's going to be too big here and then be fitted down here So I'm still going to make a 14 In the arm side a 14 in the bottom of the Bodice a 14 in the top of the midriff and then then grade out to a 16 That way you get you know that 14 out to a 16 and it fits at the waist That's where the waist measurement is taken So on these pieces here on the side seam I am going to just cut a straight 14 and then whenever you bring the midriff piece in the size 14 of the The bodices once they're put together with the princess seam Will match up with the size 14 of the midriff and then I grade out Like I said from 14 to a 16 on the midriff piece and then I cut the skirt at a size 16 So that the midriff Size 16 the bottom of the midriff will match up with the top of the skirt And then that'll get you your perfect waistline there that should fit and then again the skirt flares out so much. I can't imagine um I just can't imagine everyone's waist. I mean everyone's hip not fitting Fitting in there. There is one situation where that might apply and that is if you have very very narrow hips You might consider grading down But I think mostly everyone is going to want this, you know, super elegant fitted top and super flare dress No matter what your hip situation is going on down here. So That is the plan for me. Um, I do have some tips for sewing uh muslins So let me clean up my space here. I'll get those tips together and then I'll be right back Okay, so This is muslin fabric. It is a very inexpensive tightly woven usually on a percent cotton Like material it's not pretty. It's not meant to be worn Out like it's just meant to test the fit of a garment. Um, I've seen it Oh, gosh, maybe three dollars a yard four dollars a yard something like that. So you can definitely buy this um And make your muslin out of this no problem But I do have some other tips for you If you don't want to do that and the one I use most often is to take scraps from previous projects and use those as my muslin So you guys know, I mean you usually have like these pretty big pieces of fabric Um that you can use. I mean look how large this one is it's going to take up the whole screen here So I could easily get, you know, one of the bodices Um and probably uh the waistband Um out of just this piece Um, but you know, you have bigger pieces from other things the only Caution that I have for you about using scraps is you really want to use scraps that mimic Whatever your final garment is going to be like so don't use knit scraps You know, don't use like something really Lightweight if we're making, you know, this structured fit and flare dress like we are try and stick with that Doesn't have to be like you don't have to use a brocade Scrap for a brocade dress, but you want to just kind of keep it in the same vein. Um that way it You know, it holds its shape the same way that your final garment will And then the third option I have for you is actually to go to your local goodwill salvation army thrift shop, whatever Um and look for these dresses that they sell there inevitably that have very few seam lines I mean look at this. This is just like basically A very long tunic um and outside of the Placket and collar like the rest of it is just Fabric yardage, but you can find dresses that are like huge like gigantic um like two excel four excel, you know, ones that are very very large and Make your muslin out of that The third option or the one number we on fourth option that I have is to actually make your muslin out of the lining That you're going to end up lining the garment with so this is a very cheatery type of method um It's a shortcut because you're essentially already you're skipping ahead and you're making The lining for your finished garment. Um, I would only recommend doing that though. If you feel like you're really close um To Based on the measurements that we went over earlier if you feel like you're not going to have that many Fit issues because you can't really go back. Um, you can't really make major alterations If that's what you need to do, you can only kind of nip and tuck Um from the lining and again You're not truly going to be able to assess it because the lining is going to be a little bit lighter than our Finished garment, but it is free. It will depending on how you look at it. Maybe our sewist math Will tell us that it's free because you're going to put it in the garment anyways, but um I just wanted to give you guys some options other than just running out and buying muslin But you can absolutely do that. Um If you don't have any though, there are a few other options for you One more thing about using fabric scraps for your muslin You have to make sure the scraps have a selvedge edge so that you can still cut on the grain line If your scraps came from the center of your yardage and you don't have a selvedge anymore I don't really know what you're going to use those for other than like projects where um Grain lines don't matter like zipper pouches and stuff like that But yeah, you want to make sure you have um a selvedge edge and you still want to honor You know the grain line and cut it out as if it were a full piece of fabric Okay, so I am working on cutting out my muslin from some scrap fabrics And ironically, I think these are actually going to look really good together. I ended up using um this blue and this print Um, probably could have done something a little more creative than a muslin with those two, but whatever What can you do? I'm jumping on here really quickly because I wanted to point out that on the bodice pieces for a and b You're going to see that the pattern pieces only have the grain line Running selvedge to selvedge and that is because the pattern envelope um The pattern is Drafted for a border print. This isn't just done For example, this is actually how the pattern is drafted and how the instructions are laid out So if you're not using a border print In my opinion, I think you should Mark the grain line that you typically see on a pattern Which is one that runs from cut edge to cut edge where the um grain line will be parallel To the selvedge line. So all I did is took Um this little line that they provided here I got my little square ruler and I You know lined up The horizontal line with Uh a mark on the ruler and then drew a long grain line So that the two make a perpendicular little mark. Um, and this is going to be your grain line if you aren't using a Border print fabric if you're using border print fabric the borders are usually printed on the selvedge sides Each one and they kind of grow in like this Um, so that's why they have you do that because you'll need to cut your pieces So that the you know the bottom of the the border that runs along the selvedge Kind of crawls up your body into the bodice So I thought that some of you might see that and be a little bit confused or think that it's a misprint or something And just wanted to point out that that's why that grain line is turned sideways and here's how easy it is to Turn it the other way. So that's what I'm going to be doing since I'm not using a border print I'm going to cut all of these With the typical grain line that you see All right, so I've got all my muslin pieces cut out for both bodice versions um, this is the V-neck and this is the wrap front I did want to say i'm not going to muslin the sleeves simply because i'm not making the Any either of my final garments in like with sleeves So i'm not going to do that. But if you're making the sleeved version, you should definitely definitely muslin a sleeve and attach it So i'll go ahead and muslin these two. I typically muslin multiple bodices no matter what pattern i'm making like this butteric one has this sleeved raglan version as well as this wrap front roughly version And so I will muslin both of those I mean that's not a great example, but you know what I mean So um, it's like I call it bulk muslinning and then I'll keep both of these muslins I'll either um, go ahead and stuff them down into the pattern envelope or keep them like in a baggie together So that when I go to make the other version if I weren't going to make them You know, both of them right away. I have the other version to try on to fit. Um I also think it's good to hold on to your muslins because well, not everybody's but my body changes. I feel like, um Fairly often I've had some health issues. So my weight is like fluctuating. So I like to keep Um the muslins to try on if I ever make another version of the dress I'll have the muslin from before that I can compare to my current Um measurements and body shape and all of that. So I'll just another little tip I wanted to throw in there. So I'll um, sew these up and then We'll see how they look So here we go. This is my bodice muslin for view c and d the wrap version of new look six five two six um, I have Obviously sewn the wrap pieces together Added the midriff front and then I turned under seam allowances On the midriff where the skirt gets attached on the bodice front And on the arm side just so I could see how everything would look as if it were finished Um, I have not attached the skirt because again, so long as the skirt fits in the waist there's so much Ease and fullness to that skirt that it really just you don't need to make a full muslin of the skirt So assessing this there are a few things that I am noticing first off I think that the front bodice is looking really good Some things you want to look for are this bust dart that's right here You want to make sure that that goes, you know up to the apex of your bust and not beyond and not in a funky direction or um Not even too short. Um, you want to make sure it goes right to your bust line as it should Another thing you want to look for is front gaping here if you have any like, you know Any gaping at all in the front or even in the center front sometimes you'll see that it can get really big in the front here That is an indication that you might have chosen a bodice front piece that is or bodice size that is too big And maybe you need to do a small bust adjustment or go up a size. Um, you'd have to adjust that there Um, something that I'm noticing on mine is my natural waist is I mean It is right at where this folded edge is hitting. Um So that is good. You want to make sure wherever your body naturally like when you bend over Um, can you see when you bend over? That's where you want that Seamline to go and you can see mine is hitting almost exactly perfectly which makes me very happy Um, you want to check your shoulders and you want to make sure that the shoulder line is You know straight on top of your shoulder not too far forward or too far back Um, and you also want to check the arm size and see if they are too high or too low for you Um, mine do feel a little bit tight Um through here. I don't feel like I have a ton of room, but also It's not so tight that it's uncomfortable So I think I'm just going to use the seam allowances that are there and maybe let this out Like a quarter of an inch on each side, which as you know would buy you like half an inch on each side So it still can be very Rummy in terms of the back a little hard for me to see. I did install a zipper Um, because it's just me and I don't have anybody to pin My bodice for me, but I think the back looks really good. It's very flat. There's no pooling going on There's nothing pulling, you know up here Um, when you attach the shoulder when you if you're making the version with the sleeves You might notice some different things sleeves can add a whole other element to this The sleeves can cause this to pull if it's too small or cause your back to wrinkle if it's too small But if you're going sleeveless, it's a little bit more forgiving in the fit department So in general, I think that I am Really really happy with this. Um, I think that This is good to go for me outside of just at the very very top Of the um side seam letting that out a little bit So I'm going to make a and b now and show you what that looks like and assess the fit of that one as well Okay, here we are with the other Version of the bodice. This is a and b with the lovely v neckline um Some things that I wanted to point out about this one are that This is very wide. Um, normally my bra strap would come like Somewhere around there. Um, so that might be something to consider Making the straps wider so they come in more and then blend into this But at the same time, I kind of really love this really open beautiful collarbone neckline area Um, I don't feel like this is too low.  This might be tmi for a lot of you, but um, this happens a lot on the necks And it could be that this stretched out while I was pressing it So I need to go check it against the um original pattern piece to make sure that The measurement along this seam line is the same as the pattern piece If they are then it's a very simple fix because we have a center front seam. You just need to pinch out Um a little bit from the front and it looks like the pinching out would equate to Maybe three eighths inch pinch um So that's about three quarters of an inch um in total Removing so when you do that, I think that a it feels a little bit better and b it looks a lot better too So let's go ahead and pin that out There we go And you can see that fixes any problems that you have there Another thing with this bodice that unfortunately is hard to see with this zebra print But there are princess seams running along here and you just want to make sure that those Crossover the apex of your bust very similarly to how that dart did in version c and d Um, and if they do you're good to go Um another thing that I don't think I mentioned With the other version is that this seam line needs to sit underneath your bust So when you have the skirt and the weight of the skirt Attached here, um, you need to make sure this is at the bottom of your bust if this is somewhere up here Like I see this and ready to wear all the time and I just want to tell those people There's a better way. It doesn't have to cut you off like mid-boop Um, if it's up this this high Then you need more room in the cups and you need to probably do some kind of Full bust adjustment at the very least lowering this however much you need to lower it But on me since I have a very average size bust, um, probably the only thing that's average out of my body Um, it's fitting really well and then again with the seam line when you bend over the waist seam where the skirt attaches Again, um, it hitting right where it needs to hit Something else that's kind of interesting about this is that the arms on this one feel great Um, I don't feel like I need to let out these arms at all so that could be because the wrap was Doing something or I really don't know. I there. I mean obviously your separate pattern pieces Maybe because this one has the princess seams. It's sitting lower. I'm not sure. I didn't do anything different I still cut the same size and I'm not going to make any changes to the upper side seam on this one. So Maybe that's a case for why you should muslin All the versions of a dress, um, even if you already made one version you should still muslin the other one um on the back Again, everything looks really good across the back. Um, there's no pooling Um, there's no pulling really except for um right here and that could just be because the um arm side Seam is not pressed under there. So I think that that curve Is not clipped and so that is what is pulling that. So I'm not too concerned about that Um, but again with the weight of the skirt, um, everything's going to look really really good What do you guys think? So I'm very happy with the muslins I feel like getting off on the right foot with the measurements will really help you succeed In the fit department. Um, so take that take your time with that take that part really seriously And then all of this should go a lot smoother So what is next for us? Next week, I feel like I should Calm down here Next week, we are going to cover How to construct these bodices? So if you watched this muslin video today and you're like, yeah, but I don't know how to make that fear not Give do all the measurement part and then when it gets to the sewing of the muslin part just give it another week And next week we'll cover how to construct the bodices. So you will have that All taken care of. Um, but if you know how to construct Basically pleats and darts and straight seams You should be good to go on constructing these. Um, I will have some tips Next week, um for constructing them out of your fashion fabric. Um, so tune in for that In the meantime, don't forget to follow, um, the everyone's progress on the Uh, Facebook group. I will have a link in the description box for that And then as you start to make your muslins, I think it will be super cool if everybody posted theirs to that group Um, that way everybody can be providing feedback on the fit that you're getting if you have questions Um, you won't just have to wait on me You'll be able to get feedback from the entire community of the royal wedding so long which would be super super fun Um, and if you're posting anywhere on social media outside of that group, make sure to use the hashtag Royal wedding so long So all of that said I have a ton of information. Um, that I have Sprinkled throughout this video in the description box. Please check that out and leave comments We have any other questions and I'll see you guys next week. Bye