Worried about income tax? Wonder if spring will ever come? Want to get away from it all? We offer you escape!  Escape, produced and directed by William N. Robeson, and carefully contrived to free you from the four walls of today for a half hour of high adventure. Tonight we escape to the west end of London, to a little house just off Hyde Park, where lived a man who didn't like people. Tonight we escape in the remarkable tale of Robert Hitchens, our love came to Professor Gildia. It has been said that no night ever passes over London Town that sees not some strange and curious event, some occurrence too incredible to bear repeating in the light of day. How horribly true are those words? It's been over a year now since the night I first met the amazing Professor Gildia. I had delivered a sermon at the rectory of St Swithin in the east end and was passing through the foyer in departure.  Hold me a moment, please. I believe you're Father Murchison. Yes, that's right, but I don't think I've had the pleasure of... Perhaps you've heard of me. My name's Gildia, Professor Gildia. Gildia? Well, yes, you're the famous psychologist. Yes, yes, psychologist, biologist, anthropologist, philosopher, and that takes care of that. Sir, I never attend religious services. It appears you've done so tonight. I came for one reason, to hear you. Find out why another wise normal colleague of mine thinks you're the most convincing speaker he's ever listened to. And did you find out? No. Your talk was intelligent, logical. Therefore, it could never convince anybody of anything. Thank you.  No time to be anything else. I'd like to have you dine with me, Father Murchison. Say, a week from tonight, seven o'clock. I live at 100 Hyde Park in the west end. Can't we make it two weeks? I'm preaching at St. Saviour's that night, just round the corner from the park. And I'm afraid it'll have to be nearer 8.30 than 7. The service isn't over so well. We can't even agree on a time for dinner. Very well, 8.30, two weeks. Good night, sir. Perhaps if I had known then what a... but no matter. I kept the appointment, of course. And after an excellent dinner, we climbed the stairs to Gildia's study. A large book lined room running the width of the house with windows at the end overlooking the park. In front of those windows stood the one incongruous thing in the room. A cage holding a large grey parrot. In fact, as I recall, it was the parrot that was responsible for my first becoming aware of what exact opposites Gildia and I really were. The same parrot that was responsible for so many other things that happened later. Quiet, Napoleon, quiet.  Somehow it surprises me, Gildia.  I possess a parrot for the Merchison, that's all. Made a study of the imitative faculties of animals some months ago, bought the bird then, never got rid of it. Started the bad habit of scratching the fool's head. Loves it, you see. Well, in five minutes he'll be screaming for more of it. Why would it surprise you so much if I kept a pet? Well, because I believe you're the most self-sufficient man I ever met. More than that, actually. I detest affection, any display of sentimentality. But you do feel the need of close human sympathy in your life. None whatsoever. A reasonable amount of companionship naturally, but that's all. Well, the Merchison, I'm one person who does not love his fellow men. Nonetheless, some of your discoveries have been of great benefit to mankind. Oh, entirely accidental. I thought you'd be liking your coffee now, sir. Oh, yes, pitting. Put it there on the table, please. Thank you, sir. Will there be anything else, sir? No, that's all pitting. Yes, sir. Excellent servant there. I know nothing of pitting's thoughts or feelings, nor he of mine. Perfect relationship. And if a crisis occurred, if you needed to call on him as a friend... It would take a considerable crisis. But what about the parrot? Surely you must regard it with some affection, otherwise you'd get rid of it. Napoleon? You're merely a specimen. The birds is devoid of sentimentality as I am. You can only imitate whatever he sees and hears. Gildia, have you ever been in love? Neither with anyone in particular, nor with love itself. Being in love, as you put it, or having someone in love with me would be the most monstrous and horrible thing to do. All of a sudden, I feel a very great sense of pity. For whom? For you. Yet, as different as we were, my life dedicated to all humanity. Gildia's life stripped of its own humanity. I called again at the house at Hyde Park many times, and we became friends. We talked away many evening hours and the months had followed. I called again at the house at Hyde Park many times, and we became friends. We talked away many evening hours and the months had followed. Sitting by the book-covered table in the long study, the grey parrot chattering away in the background with the lamplight barely reaching the farther corners. It was on such a night not long ago that the thing began. Gildia had seemed uncommonly nervous since dinner, and had spent much of the time pacing in front of the windows at face the park. Confounded, Murchison, I can't seem to relax tonight. I... ever feel a completely unaccountable presentiment a sense that something remarkable was about to happen. Oh, yes. And usually it never did. It turned out to be the effect of too much coffee. No, it's not that. Coffee doesn't bother me, nothing does. Well, then suppose you stop pacing the floor and sit down, you're wearing me out. Wearing me out, wearing me out. Have you noticed how well Napoleon's learned to imitate your voice? Yes, and it's almost insulting at times. The worst thing is feelings such a strong compulsion to do something which I know to be ridiculous. Exactly what is it you're talking about, Gildia? Ah, foolish even to mention it, but I wonder if you'd pardon me for a few minutes. Well, of course. Help yourself to more coffee. I'll be right back. Bye, goodbye. I walked over and stood stroking the feathers of the parrot through the bars of his cage. I'd grown rather fond of the ugly bird, but it always startled me to hear him mimic some phrase in all Gildias.  I happened to glance out the window toward the park across the street. The arc lamp at the corner threw a dim gleam across a bench set just inside the pailing. And I was surprised to see Professor Gildia moving about the bench, peering under it, behind it, staring into the shadows nearby. He kept this up for some minutes. Then crossed the street and came back toward the house. In a moment I heard him ascending the stairs. Ah! Ah! Ah! Ah! Oh, the merchant. Has anyone entered this room since I went out? Well, I know you mean pitting, of course, but he hasn't been in. Oh, strange. Very strange. I saw you across the street in the park. What were you doing? I thought I saw something. Wounded what it was, that's all. Did you find out? No. That parrot had never made a sound like that before. What do you mean, he seems all right? Napoleon, stop that!  Nothing. As you said it, most likely it was the coffee only. I'm very much afraid that... No. In this day and age it's... it's impossible. It was nearly a week later that I received a phone call in my quarters at the rectory. Father Murchison here. This is pitting, Sir. Oh, yes, Pitting. How are you? Very well. Thank you, Sir. The master would greatly appreciate your calling at the house this evening, if it's convenient, Sir. Oh, anything wrong? I couldn't say, Sir. But why didn't he phone himself? He isn't ill. I think not. He suggested eight o'clock, Sir. May I tell him you'll come? Yes. Yes, by all means. Tell him I'll be there at eight. You were speaking about the bush, Father Murchison. I am nervous. Of course I am. Plenty of reason for it. You're working too hard. Now I'm working too hard. The other night it was coffee. As a matter of fact, it's neither one. Be quiet, Napoleon. Maybe you'd better tell me what is the matter, Gildia. Do... Do you feel the presence in this room of anyone beside the two of us? Well, there's Napoleon, of course. No. No, I don't mean the parrot. He senses it too, though. Senses what?  Yes. I'd been watching someone sitting on that bench across in the park, a shadowy sort of figure. I had to find out what it was. But you found nothing.  That's right. But I'd left the front door open. And when I came back in, I felt suddenly that someone or something had entered ahead of me. Oh, now really, Gildia? I knew also that they'd found their way to this room. But I was here all the time. No one came in. Father Murchison, whoever or whatever came into the house that night came into this room is still here right now. You, Gildia. A scientist. Yes. Ridiculous, isn't it? But it's true. I'm only able to feel its presence. Napoleon can see it. Look at him now. Wouldn't you say he was watching something over there in that far corner of the room? No. I'd say he was just being as foolish as a parrot usually is. About this, yes. You've been working too hard. You need a vacation. I haven't told you the worst part of it. Would you say that I'm an attractive man? Frankly, no. Oh, I suppose to a certain type of society woman. No, no, no, no. That's not what I'm talking about. Well then, what are you talking about? I don't know whether this intruder is a woman, man, child, animal, but whatever it is, it holds a vast affection for me. What? Do you imagine anything so utterly monstrous, horrible? Madison, the thing is in love with me. Love me! Love me! I could not, would not, accept Gildia's beliefs. And yet the alternative was even more factful. For I could only decide that the long hours of study and lecturing had affected his mind and brought him in fact to the verge of insanity. I persuaded him finally to get away for a while to leave the house and forget his professional problems. Take a short trip. I accompanied him to Victoria Station. Saw him off on the boat train and then caught up in my duties I had little time to consider the strange affair for nearly ten days. Father Murchison here. I hope I haven't disturbed you. Professor Gildia, then you're back in London. Oh yes, I've been back for three days. You should have called me. How was the trip? Quite pleasant. I took a picture on a channel coaster. See, I was wonderful. You weren't troubled on the trip? Oh no, not at all. It waited here for me. What? But you will come over here tonight. You mean now? Yes, if you could. You see, I can prove it to you now. Very well. I'll come right over. I stood there by the phone and shivered. But he felt he could go away and leave it, then come back and find it waiting for him. That's why I didn't call you when I first came back. I wanted to be sure. So I've waited three days and every day has been worse than the one before. In what way? What do you mean? I mean the thing was waiting for me here. Glad I was back, farmed or over me. Came more insistently obnoxious all the time. You mean you've seen this thing? Heard it? No, no, I haven't seen it. I've heard it, but I know it's here. I can feel it, sense it. Try to put it in words and it becomes absurd. If you'd like some unsolicited advice, call in a doctor.  And what doctor in London knows any more about the human mind than I do? I know, but when it's your own mind... No, no, no, you're thinking of hysteria. Have you seen nation? I know all the symptoms. It's not that simple. Anyway, I told you I'd prove it to you. Now, you've noticed I've thrown a cover of his cage. Yes, I've been wondering about it. It's part of my proof. He's been here, you know, all the time I was gone here in this room. Yes, but I still... I want you to get behind those curtains with me. Then I'll reach out and pull the cloth off his cage. I don't want him to see us. I don't know what you're hoping to prove, but... All right, come on. Ready? I'll uncover him. We crouched there behind the curtains watching the parrot. Meanwhile, being so rudely disturbed by some unseen agency, then climbed about the cage with claws and beak, pecked at crumbs and appeared entirely normal. After time, he began to fix his attention on a spot across the room. There was nothing there. Watch him. Look at him now. In the parrot's mind, at least, someone or something was approaching the cage. And yet the room was empty. Whatever it was, apparently, had reached the cage now. Napoleon welcomed it with friendly chortling. The hairs rose on the back of my neck. The bird was cooing and burgling as it did when I or Gildia scratched the feathers on his head. I could almost fancy that I saw long white ghostly fingers reaching through the bars of the cage. Watch him and listen to him. He's talking to the thing, imitating it. See what you think. The bird was moving about in the cage now, nodding his head in a very peculiar manner, uttering the most extraordinary sounds. I began to realize he was imitating the thing he saw standing by his cage. And then the full horror of it came over me. I tried to hide the thought from Gildia, but he'd already seen it in my eyes. So you see it too. That's all I wanted to know. That I wasn't imagining it. No point in hiding there any longer. That was my proof. But perhaps someone was here while you were gone. I have questioned pitting and the cook. No one has been here. But it can't be. Such a thing can't be. Oh, the emergency it is. But where? Where is it now? Can you tell me where it is? Not exactly. Somewhere here in the room, not too far away. I can feel that. Napoleon, of course, can see it. There is some rational explanation there has to be. You're whistling in the dark, father. You recognize the same thing I did. I know what you mean, of course. But we're only something I could fight, strike out at.  But I can't see it here. I can only feel it trying to touch me somehow, trying to get close to me, drooling with desire and affection, fondness for me. And I can't even away it gets closer all the time. Gildia, you've got to get hold of yourself. Get hold of myself. You saw the way that parrot imitated this thing, those mannerisms, that gibberish. You know what it means as well as I do. I saw it, but it can't possibly... how hideous it is for me. I can't stop it. The thing makes love to me, caresses me. In whatever it is, it has no mind. You saw that.  I walked home at a late hour, trying desperately to think of some reasonable answer to the whole strange affair. I could not accept Gildia's explanation of the actions of the parrot. The bird had produced an extraordinary illusion of an invisible presence in that room. In a day gone by, perhaps I might have been called in to deal with an evil spirit. I thought of retribution. Gildia had always born an unnatural distaste for human love. Was he now being forced to endure the unnatural love of a monstrous being as punishment? I cast such thoughts away from me. Yet I could not quite accept the only other reasonable solution. But my friend was insane. It was very late when I fell asleep. The following evening, I preached at Warwick Chapel and returned to my quarters about nine. I found that Pitting had called a short time before and left a rather puzzling message. Implored that you come to Hyde Park at once. Otherwise, I cannot answer for the consequences. But what is it you're trying to say, Pitting? He's not himself. In what way is he not himself? I can only suggest, sir, that you talk to him. Here we are. Yes? Come in, come in. I'll leave you now, sir. Oh, Magistrate, come in. Gildia, what did the name of Heaven is wrong? Pitting said that you'd been a... Human machine. What happened? What did he do? Nothing. Just it. Nothing. But I... I don't know. Oh, you warned me about it once. And he wouldn't be there. Well, it happened. I'm going to call a doctor. I've never seen you in a state like this before. No, no, I don't need a doctor. I'm all right now. For a little while anyway. At least I think I am. Then what was it? What happened? That thing touched me. Really touched me. I mean, for the first time, it... It's only been trying to before. The only way I can put it, it rubbed itself against my soul. Oh, it was horrible. Now, Gildia, you've gone. Tell me to get hold of myself. I know what I'm saying. I'm sorry. But if you felt it for yourself, you'd know what I mean. It was disgusting. Filthy. But it lasted one more minute. I know I should have gone screaming mad. But you don't... You don't feel it now. No, no, no, not now. I lost my head, I guess. I struck out with my fists, I tore it myself, screamed for help, pitting came and thought I was drunk. But I could feel it touching me, sickening, soft and tender, inside of me. But it left you then. You forced it away. Yes, but it's still in this room somewhere. But it hasn't tried to touch me again. Well, that settles it.  It didn't follow you when you took that trip before. It stayed here. That's one way you can be free of it. Then you believe in the thing, too. Believe it's real. It's real for you, and that's enough. If I remember it, you're giving a lecture at Oxford the last of the week. You're going on up there now. I'll help you patch it. I could do that. I could stay at the grove tonight and take a train in the morning. It's right near the station. And it's all agreed. I'll... Wait, wait. Look at Napoleon. It's... It's standing there by his cane. Can you imagine what that thing must look like? Never mind. Let me help you start packing. But I didn't tell you what it really did this evening. What came the closest to driving me insane. It doesn't matter. The thing kissed me. But not from the outside. I could feel it. Warm and wet. Kissing my lips. From the inside. Gildia stayed at the hotel that night. Caught the train out to Oxford the next morning. Four days later I received a wire from him. I'm still feeling a bit shaky but everything else is all right. No sign of any... visitor. Why don't you try to come up for the lecture Friday night and please get rid of Napoleon for me. Sign Gildia. On sudden impulse I decided to accept his invitation. My train was late and I arrived at Oxford with only time enough to go directly to the seminar. I slid into my seat just as Gildia was introduced and began his talk. He was pale and perhaps a bit drawn but seemed otherwise composed and in control of himself. As I sat there my mind wandered away from his talk. Seeking some solution for the horrible problem which I regarded as being as much my own as Gildia's. I decided I would try to persuade him to sell the house in Hyde Park Place since his strange fixations seemed to be bound up with it and try to find lodging Zelsware. Some ten minutes passed when suddenly I noticed Gildia was becoming very nervous. He faltered in his talk and he seemed to be confused. He stood there on the platform deathly pale. His hands out as though pushing something away from him and I knew what was wrong. Gildia! Pardon me. Pardon me please. Could I get through? Pardon me. Let me get to him please. I'm his friend. Gildia. Gildia, can you hear me? Father. Yes. Everything's all right. It came here. Found me out. It rubbed up against me on the platform. It's no use. It's no use. Take me back to London! We arrived back in London late the next afternoon. Gildia was a broken old man. He shivered continually. Trembled as though shaken by a chill. He claimed to sense the awful presence of that thing always near by us. Accompanying us. And it was constantly terror-stricken lest it might try to touch him again. I stayed with him in the house in Hyde Park. And as night drew on, we sat in the long, book-filled study on the second floor. Pitting brought coffee to us. And then withdrew. We found little to talk about. And the silence of the room seemed doubly oppressive without the familiar chatter of the parrot in the background. What did you do with him, Artisan? Oh, Napoleon, I mean. I boarded him with a pet shop in Shaftesbury Avenue. I thought you might want him back again after you'd reconsidered. I want him back. You still can feel its presence. Can't you? No, Gelda. I'm afraid I can't. I wish to have an eye, couldn't. It's been here with us now, you know. Now, please. It doesn't matter. It's no use. I can't fight it any longer. There's no way to fight it. Perhaps that may be the answer. To stop fighting it.  You meant you no harm. Try to return its fondness, its love, if you will. You don't know what you're asking. Even the thought of it sickens me fondness. Love for that thing. Perhaps it may be the only way out. Then there's no way out. I tell you, Artisan, I've only one feeling for that creature and that's hatred, hatred, disgust and hatred. Please, try to be calm. Wait. What is it? Perhaps that's it? Listen!   Artisan, that's doing it. It's recoiling. Withdrawing, I can feel it.   Artisan, he wants to leave. It's beginning to hate me too, but it wants to leave now. Open the door. Go downstairs and open the front door. Open the front door and let it out. It wants to take me along, but I know how to fight it now.    I ran down the stairs and threw open the front door. I stood there, breathing in the night air. It was clear and cold and the stars hung overhead. I looked across to the park and saw the glow from the street lamp falling on the empty bench directly opposite. And at that moment came a sound that froze my blood with horror. I stood there, paralyzed, unable to move. This past, perhaps, minute I don't know, I don't know how long I stood there. I glanced across at the empty bench and for one moment thought I saw a shadow sitting on it. A vague shadow as guilty as I'd one night weeks before. And then the bench was empty and I heard pitting running down the stairs. Come quickly. Professor Gildia, he... it was his heart, I think. Yes. Yes, I believe it was his heart. But his father Merchison, he's lying up there, sir. He's dead. Dead? Dead pitting? I hope so. I sincerely hope so. This is Louis van Rooten as Professor Gildia, Party Bear as Father Merchison, Harry Bartell as pitting, and Paul Freese as the parrot. Music is conceived and conducted by Sy Fuhrer. Next week. When you're tired out from doing nothing all weekend, when Blue Monday stares you in the face, next week at this time when your problems just seem too much for you, we offer you escape. Next week we bring you another exciting story of high adventure. Good night then until the same time next week when once again we offer you escape. This is CBS, the Columbia Broadcasting System.


The federal government has said it will not tolerate a recruitment of Nigerians in foreign fight in Ukraine, according to a statement signed by the Ministry of Foreign Affairs spokesman Francesca Oma Yuli. The government is in talks with Ukrainian counterparts to forestall any occurrences. The Ministry of Foreign Affairs had contacted the embassy to verify the speculation which the Ukrainian embassy refuted, but confirmed that a number of Nigerians had approached the embassy, indicating the willingness to fight on the side of Ukraine in its ongoing conflict with Russia. The government statement comes after a report on the measure of Nigerian volunteers being drafted into the Ukrainian army at the Ukrainian embassy in a bulger.