Hi everyone, my name is Steph, this is Little Bookish Teacher, and welcome or welcome back to my channel.  This is a non-fiction text. I actually recently purchased this from the author at a local market and was able to tell her how much I enjoyed Busy Beaks, which is another one of her books. And this is a non-fiction title all about Australia's marsupials. So I'm going to read you the blurb. It says, journey through the night with some of Australia's most fascinating furry friends, meet waddling wombats, bounding bilbies, peculiar possums, and daring devils in this delightful introduction to our cute and quirky marsupials. So this is a book that has very simple text for the main part of the book. So each page has a simple sentence and then whichever animal is featured as part of it. So big feet bouncing the twilight is kangaroo. So this is the red kangaroo. And then underneath it, it has the scientific name for the kangaroo. You don't get heaps of facts in the main part of the book because it's simply, it's kind of almost like a narrative nonfiction in some ways in that we're sort of traveling around through the dusk night and to dawn and meeting the different marsupials that come out at different times of the day, which, you know, another really great topic to talk about in this book. So we sort of get animal characteristics as we move through the main part of the story. And then when you get to the end, there is the furry field guide where all of the marsupials that we've met get a little paragraph that gives us more specific information about each individual animal. So this makes it very digestible. You could also, as a teacher, just take one of these paragraphs and blow it up and actually use that to deconstruct a very simple information text about a single animal as well, which it can be really difficult sometimes to find really great examples of simple nonfiction paragraphs about, you know, just a single topic. But particularly in the early and middle years, you're not expecting kids to write pages and pages of information text. So being able to see that it can be done really simply like this then becomes a really great mental text. Throughout the book there is great rhyming text. As you heard in the blurb, there's some really great tier two words like waddling and bounding and peculiar and daring, like those words you can pull apart and unpack as part of a word unit. I talked about the fact that we have nocturnal and diurnal animals in here. So you could talk about the characteristics of both of those. It's a really great jumping off point. If you are starting to learn about some of these animals, as I said, we only get a really short paragraph about that specific animal. But if you wanted to take it further, it's a great way of introducing students to a lot of different animals to then spark their interest in learning more about a specific one or more than one. It's also really beautifully illustrated. And I forgot to mention, I love these endpapers, which feature Australian leaves. So I had a great time reading this, and it was nice to read it after Busy Beaks. And now I need to go back and find out if Sarah Allen has any other books, because clearly I want to add them to my collection. In the description, I will leave links to where you can find out more information about jumping at Joey's and about the author. Let me know in the comments if you are interested in picking up this book, or if you've already read it or any of Sarah Allen's other books. Or if you just want to let me know that you're here, but you don't leave a comment, feel free to leave a koala emoji down below. I hope that wherever you're in the world, you're staying safe and healthy. And I will see you in my next video. Thanks so much for watching. Bye, everyone.


Welcome to Toffy TV. It is my three talking points. Everton to Arsenal. One of goodness and it sounds good to say. It definitely does. It's been a while since we've been able to talk about an Everton victory, but they've won it tonight with goals from the Charleston and a Screamer from Damari Gray at the end. It's a big win for Everton and an important win. First thing I'm going to talk about is the attitude of the players tonight. It's been questioned in the last few weeks. It was questioned certainly at games against Wofford, Wolves away. It was absolutely questioned, but I thought tonight it couldn't be questioned. I think every player worked his socks off tonight. I think the crowd were instrumental in that. The crowd were brilliant. I thought all night. I think the players responded to it, but what we say is fans who go to game or watch the game, wherever you're watching it from, you want to see those players giving everything the same as any of us would love to do.  That's what we expect from our players. I thought tonight they did that in terms of eight games without a win. You start looking at it and saying, are the players playing for the manager? I think we've seen lots of evidence when players throw the towel and go, I'm done with this manager.  I don't think it was there with Benitez still. I know some people will want him gone and I'm not here to dispute that. I'm just talking about the team at the moment. Luca Deem has left out the 18 tonight. He's got to get on board with everything same as other players have. We've all got a pull in the right direction. Rafa Benitez, his team is going to be here for a while, so we have to just back it, but the players are still putting the shift in. It'll be different if they stop. If Everton starts appearing and they're not giving their all, then we might have to question other things. I just thought the attitude of them to keep going tonight, keep sticking to battling for the ball. In possession of time, we're still not good enough. We're slow. We look awkward when we've got the ball, which is crazy when you think these are players who have a ball at the feet every day. That's maybe something you've got to get better at, but I think attitude wise, I thought it was quite good tonight. The second thing I've been talking about is just the state of the club in terms of what we've seen over the last week. We lost the Bremford and it was grim. We then had the Maisie side, Derby, and we were destroyed, let's be honest. Since then, there's been a lot of fallout. Fans aren't happy, and rightly so. A lot of stuff on social media, the campaign for 27 minutes, but people just in general getting it out there, that us as a fan base, we're just not happy with what we're being saved up. It isn't enough to just expect us to go every week to support year after year. There has to be some evidence. There has to be a plan. Marcel Brands has ended up paying the price yesterday. He lost his job yesterday, or resigned, or whatever, but whatever happened, he is no longer Evidence Director of Football. Whether people agree with that, disagree with it, that's the way it is. It's a fact. He's not Evidence Director of Football. His statements kind of hint at that. Him and the club have different views, different vision. Now it's difficult to talk about that vision when he hasn't spoken about it. He did an interview, I think it was something like two months before he started that ever, and he did an interview about the job when he was at PSV. But since he's been here, he's hardly spoken about what his vision is, what he wants to do, where we're up to, and I think that was an issue, and I think that was a massive issue, communication. Apparently he didn't want to communicate. We've spoken to people, and certainly on this channel we wanted to speak to, we know that other people wanted to speak to, and he didn't want to talk to anybody, not even Evidence' own media team with regard to his vision. So that's an issue. If you're not telling everybody what your vision is, it's difficult to see what that is, but obviously it is a concern. And when you have a director of football saying, my vision and the football clubs are totally different or different without moving forward, who's right? Is it brands that they have this vision to build this young team or the young manager and ever wouldn't let them? Maybe. Maybe, and time will tell, I guess, or the more it comes out, whether he will speak, he'll probably sign an NDA with Everton, so we won't talk about it, because it could be very embarrassing if he started putting a few people in the place. But then maybe he wasn't the right man, who knows, but he's not here now. And the reason I'm talking about this is because this has got to be an opportunity for Everton Football Club to pull its socks up, really. The fans aren't happy. We know that. We've seen it. We've seen it on our channel. We've seen it on social media. We see it in terms of things like the 27 campaigns tonight, things like that. The fans aren't happy. The board needs to know. The owner who is getting a kick in it.  He's done good stuff, don't get me wrong, but we want him to take hold of this now and put a proper structure in it. And whether that means replacing the CEO, or whether it just means bringing another football person onto the board, but someone with a proven track record, or someone with a business track record of working at a, I don't know, a real top company, big business. Maybe that's what Everton needs to drive this whole thing forward. The talk of replacing the doff, the other type of football. I don't know. Maybe they will. Maybe they won't. Who knows? A lot of people aren't happy that Raffer Benitez will be giving more responsibility with that. That's just the way it is at the minute while we've got this owner. But I hope Everton used this as an opportunity to almost reset because the fans are absolutely right to demand more. It's been disgusting really. 27 years it'll be the season without a trophy. It's embarrassing. And especially when we've had money, we've been a fantastically well supported football club and they've not been able to deliver it for us. It's embarrassing. And the last five years have been not as short of embarrassing really because they built to this point. When Meshiri come in, we finished seventh and then we had two eighth places and we've had 12th and 10th and who knows where we'll finish this season. So it's not going that way. It seems to be going that way or certainly it's plateau. I hope they use this as an opportunity to really move the club forward because we can't just continue. And fans won't just continue to put up with it. We've been proving that now. So let's hope they do it. And finally, let's just talk about Richard Allison to finish off because I thought he really battled his socks off tonight for us. He would have been disheartening to the first goal. He could see how much it meant to him and then it was ruled out. And then the second goal again and that one looked tighter and he thought he'd done it. It would have been easy for him to throw the towel in a little bit. Sometimes he does. Sometimes the toys come out the pram. But I don't think he did that tonight for us. I thought he battled and worked hard. And he got his reward by scoring what would have been a hat trick goal to equalise for us. And he battled and soiled and was a real threat to them all night. And even after Gray's goal he set up what should have been the third goal for Everton, for Alex Oboby, when he fluffed his lines. But he done brilliantly. Richard Allison held it up, waited, battled Gabrielle, moved him out of the way, laid it into Oboby and he should have smashed it in for 3-1 and killed the game and he missed it. But Richard Allison was excellent tonight. I give Michael Key man of the match because I thought he had a really good game and I thought the core I had a good game got better. But Richard Allison was definitely up there in that conversation for me, absolutely. I was just delighted that he just kept going because it wasn't his night for so long. And he could have let his head drop and mightn't have been alive to the Damari Gray, one that hit the bar, which he eventually stayed at over Ramsdale brilliantly to get us that equaliser. So fair play to Richard Allison. It's always good to finish on a positive. If you have any three things, let me know what you think in the comments section below. If you never told me, just enjoy it. Feels great to win a game of football. But thanks for watching. Give the video a thumbs up, subscribe. If you haven't, have a great night. See you later.


Welcome back MechanicalEI! Did you know that IS or International Standard Conventions in bearings help denote complex bearing structures using simple 2D drawings? This makes us wonder, what are conventions in bearings? Before we jump in, check out the previous part of this series to learn about what bearings are. Now, there are three main representations of roller element bearings. First is the representation of ball bearings. Balls in the rolling elements are represented by the use of circle between the races. Second are roller bearings. Here, rollers are shown as square elements between the races. Third are needle bearings which are denoted by rectangles between the races. Shown here are the two types of variations in needle bearings. One along the radial direction and another along the axial direction. Journal bearings consist of many representations due to their wide variety of types from simple dry bearings which consist of just a shaft in a hole to hydrodynamic bearings which consists of a fluid pump that circulates the lubricant between the hole and the shaft. One common representation is that consisting of an oil hole in the top and depicts the shaft as a solid cylinder and the hole with a hatched cross section. Hence, we first saw what IE's conventional representation is, first in roller bearings and then in journal bearings. So like, subscribe and comment with your feedback to help us make better videos. Thanks for watching. Also, thanks a lot for those constructive comments. You helped the channel grow. So, here are the top mechanical EIs of our last videos. In the next episode of Mechanical EI, find out what pedestal and footstep bearings are.


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You're you're all trash True but it's better that I double-check and it not be there Inside the meditation chamber going to the ice-pot that's super trying dude. Oh, I am Right here super first pack 100% Super in the first pack and I'm gonna do I'm just gonna do this right there We'll pull like that one right there Do you imagine? Oh there it is. Oh my god. Trudgin on the refractor. We got a Trudgin refractors basically a super going to the T Watch being in the second pass now.  I'm real To our doza let's go for actor later Lane. I'll coach you later base and base So f1 dynasty that's gonna be fun Jeremy There's vintage v2 of a close call going to a sip trooper refractor s and saying go birds not illegal The infamous Boba Fett p-spot. Oh, that's cool.  Oh On one on Boba Fett ambushed for B shots fire Well, we got a full 20 box case of contenders optic coming up today a lot of sweet Coming out of that Refractor BV 81 Poe Dameron The Jedi and the princess going to tea. 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As ever, we are the first in, last out professional group serving our patients as best as we can. So do the best you can for your patients.  No one knows what we will face in the weeks and months ahead, but everyone knows enough to understand that COVID-19 will test our capacities to be kind and generous and to see beyond ourselves and our own interests. Our task now is to bring the best of who we are and what we do to a world that is more complex and more confused than any of us would like it to be. So maybe we all proceed with wisdom and grace.


Today I'm going to talk a bit about multimedia as a data source, particularly about data management and support of research where multimedia is a data source and is the research material. And I guess I need to confess right up front, I'm not a new media expert, I'm what could be referred to as a digital librarian. So I come at this with a very different kind of understanding, potentially an exploratory approach and I'm very interested in the kind of questions and comments or thoughts those listening in today have. What I wanted to start off today with was to I guess have a bit of a think about what multimedia is because I have to say that this is what went through my head when I was thinking about offering up this webinar. I also wish to acknowledge colleagues over at Edith Cowan University who triggered the idea for this webinar because they were interested in looking at different types of data, particularly the sort of data that is generated in support of performance studies. And so that's where this idea came from. But I really wanted to look at how multimedia was defined to get a bit of an idea about the way that it's referred to by different groups of people and also what it is from a technical point of view. So you can see there on the slide, I've given a mixture of definitions of what multimedia is and I think the second one in there is the one that really holds my attention probably the most is that it's about different types of data that's actually contained in a file and there are different ways of referring to those components. So I've picked some of those out in the third point. I was quite intrigued to discover that there are chunks and atoms and parts and perhaps because I don't have any media background I come at this as someone who's looking at the material nature in some ways of multimedia. I wanted to have a think about where multimedia appears in the research environment and there I've listed films as an example of multimedia and web pages where you can have a mixture of moving image and sound possibly some graphics and digitized documents that can have both image and annotations, markup and transcripts and also satellite images which is something quite new to me. We had the great benefit of a lecture within the Australian National Data Service recently from Stuart Minchin from Geoscience Australia and he opened up my eyes to what a satellite image is and all the layers that actually exist in a satellite image. That was really interesting. He gave a great talk on the data cube that they've developed but that's a whole other topic. I just thought I'd pause at this point to see if any of those in the group have a background in multimedia or have some questions about the definitions of multimedia at this point. So I guess looking into where multimedia appears in the research domains got me thinking about the fact that this topic could come up through those working with people who undertake performance studies. So I listed some of the research domains there where multimedia is generated to help me kind of unpick who's actually using or creating multimedia and where that's happening and why they're using multimedia to get a better understanding of how it's created and also perhaps used. So I guess I'm looking at this from a cultural production perspective and I started to look at the methods that researchers were using that they used to create or process data or information and I found that a very kind of iterative process I kept bouncing across from the idea of something as information and something as data and having a bit of trouble identifying what was what and I kept circling back to asking myself what is the researcher doing and I think it really helps to look at research methods to understand when a digital object is being treated as a piece of information and when it's being treated as a source of data and I'm sure that there could be quite an exhaustive conversation about this but I really thought it helped to understand the purpose to which this material was being put and how it was being used and whether there was a human looking at it or whether it was a computer looking at it at the multimedia and whether that was a useful distinction or not and I certainly don't have all the answers and if anyone out there has some of the answers that'd be great or I can see lots of chats coming through that's really good. I think you asked earlier for people to suggest other types of multimedia that they've been working with or are aware of and some that have come up include photography and video gaming and opera. Where I got to was looking at multimedia was trying to understand what happens to a digital object and that's what I refer to something as a piece of digital material and so I tackled annotation as an area of research I guess interpretation or a process in which information is applied or data is applied to data and I became very tangled so I picked out four areas where I could see the word annotation being used and the first was genetics which was really interesting I'm quite fascinated by the idea of automated annotation and how that actually operates in genetics and it's more out of curiosity than ever having a desire to be someone who studies genetics but it was really interesting to understand the capacity for generating very large amounts of automated annotation and then I moved into geoscience to look at what happens when people annotate geospatial information and the kinds of terminology that's actually used to understand what's actually happening and whether data is being applied to data or whether information is being applied to information or data has been applied to information I really don't have the answers to this but I wanted to unpack what was actually going on to get a better understanding of how multimedia was being used and enabling research so I moved on to linguistics which was again quite fascinating to discover the different types of annotations that are applied to languages and I've listed them there descriptive analytic time sequence and text so that was I guess really interesting for me to understand to pick apart say a descriptive annotation from a time sequence annotation and try and understand what's data and information that it helped kind of distinguish different annotations but it certainly didn't help me answer the data and information kind of dilemma what's what's data and what's information but I recognize that material was becoming what seemed to be becoming increasingly multimedia in nature if it hadn't started off that way in the first place so the last area I looked at was biomedicine and I've got some images following this slide where where researchers they annotate images and they do that in different ways by drawing and adding notes and marking areas and I thought this was really fascinating and it made the idea of simplifying managing multimedia into what is data and what is information kind of meaningless in a way because it might be a theoretical concept rather than something which actually helps the researcher to do their research so I thought I'd put some examples in front of us here and this is a biomedical slide and it's been annotated and you can see that it's been annotated with a line shape and also with some words and that there's a scanned image underneath okay the next image I've got is this is this wonderful gene annotation image that I looked at and really couldn't make a tail of but it made me pretty interested in understanding how geneticists actually managed their data and what information they derive from that data really really complex and I think I've mentioned the fact that machines actually generate these annotations made me want to understand where those annotations are actually put and how they're linked to the gene sequence but I think that's a whole investigation under itself and the next image I've got which is slightly more familiar for many people is is a Google Earth image which has been it's a satellite image which has got street markings and bubble pop-ups and line tracing it made me want to understand a little more about how the how that information was being captured to know how to support researchers who want to manage their data effectively and be able to potentially make it available to cite it or to present it as part of their research this is the last one which I hope those of you who've ever been to Portland enjoy I found this on Flickr and it's a graphic image in the background and on top of that it looks like there are letters that are very carefully placed in alignment with what's called a spectrogram which is someone saying it rains a lot in Portland and I thought this is really interesting I wanted to understand a whole lot more about how these discrete pieces of data were actually brought together and whether you captured that all as one thing or whether you captured that separately and if the researcher uses those separate components as part of that multimedia but it made me understand that where the annotations or the combinations occur may be really critical and supporting some of the research findings is the first question that's come up is someone's interested to know whether anyone in the audience has worked with magnetic tape archives or if you've worked with tape archives or if anyone could suggest some points of contact I haven't worked with magnetic tape archives but I'm betting that national archives maybe major agencies I'm intrigued to understand a little more about what's prompted that question in relation to multimedia and if there's an opportunity to to sort of unpick that a bit more there's there's another question here is it accurate to perceive multimedia as not the raw source or primary data but as a visualization of the raw primary data you know I really don't have the answer to that but I do think that's why I've danced around what's data and what's information and how that kind of fits into a discussion of multimedia because it made me want to understand less about the defining of that and more about what was important to the researcher to enable them to do their research what is the information or what is the data that's going to enable them to do their research and when does data become information in the context of that research thanks Engrid another question that's come in someone would like to know if you have any thoughts about how multimedia might work or be used in forensic linguistics well I guess if you're capturing sound files and I know that this is potentially been on the news of late with analyzing the voice of someone who's been involved in aggression overseas and I guess that is underlying that is actually looking at how a sound file is created and what you can pick out from the different sounds that are captured and I really don't know how sound files work and I'd love it if there is someone who's got a bit more expertise in sound to contribute but I imagine this is where those layers and being able to pick out different spectrums and potentially changes in modulation is really important to see if they're a signature associated with people's voices but I think we need a linguist after that question that's a great one following on from the earlier question someone wanted to know who might be working with magnetic tape archives one of the audience members suggested the ABC and another audience member just happens to be doing a project to recover NASA magnetic tape archives to mine image spectrogram and audio radio astronomy data wow what an interesting project I'm what I'm fascinated about looking into multimedia it also is discovering language that I've never used before I've never used the word spectrogram and it's still something that makes me think I'm at the doctors but I'm not sure whether that's an appropriate description or not I thought what I'd do is introduce a project that's happening here in Australia that kind of for me emphasizes this idea of what's information and what's data and what other research is looking at and it's a project based up in Griffith but I think with people dotted around Australia I live by Mark for name called the prosecution project it's a centre of excellence policing and security and they're looking at criminal trials over time and they've been digitizing archival materials and transcribing them and you'll see there on the slide a nice kind of slashed image there that marks applied to kind of give you a view of the digitized image which to me is information but also on the lower part of the image is where the data entry occurs for transcription what I've found interesting in the exchange with Mark about this project and I met him through an interaction with Alana Paika recently up in Brisbane is that they're really looking at making the absolute most of this digitized material looking at it from an informational point of view to look at being able to read the records of these cases criminal cases here in Australia and also looking at what the data underlying that information can tell them it's been a pretty interesting process to get to grips with what it is that they're doing and I hope that this offers some insight to perhaps why it's important to understand what the research is trying to do and that they're interested in using whatever method and whatever feature of multimedia to enable them to do their research so Mark has emphasized here in the outcomes that they're looking at a mixture of research methods both quantitative and qualitative he's sent me an article and I will pop the link into these slides so that others can have a chance to go and have a read of it but the qualitative aspect of it was something that was a little more familiar to me the quantitative aspect of it was something quite different and it made me realize that perhaps looking at mixed research methods was also a way of understanding how multimedia is operating as both an information source and a data source but it's the data side of it which I'm finding I guess enlightening is the word to use and that they're getting that data through transcription human transcription but in other cases of digitization it can be character recognition so this is where I kind of got to as multimedia as a data source I got to the point where I decided that it could be both information and data at the same time because it's the way that the researcher is using it and building whatever they are learn from that multimedia whether it's being looked at as a piece of information or as a data source to do their research and so reading the cases or reading the court records and also doing text analysis or data mining is enabling this researcher this researcher or that research group to do their research which I think is a pretty incredible potential from one source of digitized material and I think that's quite an exciting prospect so from a point of view of management it made me think about how how they were going to approach managing that and Marcus can't be kind enough to give me a description of how the back end to the prosecution project is going to work they've got archival materials as digital images they're going to transcribe those images into an SQL database and that supports them doing quantitative analysis of longitudinal and comparative patterns this is an email that he sent over the last week they're looking to extend that database by accessing or linking other data sources and he's mentioned the Trove archive and possibly other projects or other digitized material like the police gazettes to enable qualitative what he's referring to as case level as well as quantitative analysis and they're looking also to enrich the data by accessing and just transcribing the trial transcripts and other text archives so I guess what I understood from this was that my notions of splitting something into information and data were helping me to understand what it is that was going to enable this research group to do their research but also I needed to dig even deeper into what sits underneath this application to understand how they're storing the digitized images and how they're storing the transcriptions and where they're wanting to store the linkages between those two things and I realized that multimedia in this context is very complex and that all that language that I introduced at the beginning about layers and components is important to I think inform how we support the management of this material so that's where I got to with the prosecution project so I'm just going to stop there before I get onto the three applications at the end and ask if there are any questions. Let's see there's been some further suggestions for sources people working on magnetic tape archives including the Smithsonian the National film and sound archive. Last but not least I decided to have a look at three applications that enable a person to manipulate multimedia so I picked three that seemed to be reasonably familiar to me and just wanted to have a look at how they how they enable material to be brought in and how they enable information or data to be applied and what happens in these three applications and these are I guess recently ubiquitous applications Final Cut Pro and ArcGIS and WordPress they're certainly not the very domain specific and you know I guess less commonly used applications that you might find in biomedicine or genetics more specifically so I had a look at Final Cut Pro to just try and understand some of the language that's used to understand what's actually happening when you use Final Cut Pro and if you've got any competent users in the group today it would be great if you offered some advice but I just wanted to look at what Final Cut Pro does to digital material and from what I can understand is that it technically consists of separate files there's something called a project file a media source file and render or cache files and to me that gave me an understanding that the multimedia was being captured in different ways and potentially for different purposes and I have to confess I haven't ever used Final Cut Pro and I think this is an interesting way for us to understand how multimedia is either brought into an application and where it is saved but also to try and understand what happens when you want to try and get that material out of the application and how you store that and whether you store that as a combined object or whether they're separate objects the open archives information system model which is used in the digital archiving world has been interpreted different in different ways to give you an example a long time ago when I was working on the National Digital Heritage Archive in New Zealand we decided to be very clear that we would capture metadata separately to capturing material that we were hoping to keep and I think it was the Dutch National Library decided to go a different way they decided to build the digital object with both metadata and also the object that was being collected and to me that is two very simple ways of approaching capturing multimedia is to separate concerns if you like or different types of digital information or to actually build it into a bundle but it made me realise that if I was trying to get material out of Final Cut Pro I would want to understand how this material could be linked back together again in case I ever wanted to work on that multimedia material again I won't carry on with that one but I did I did look at this and wonder how the output of Final Cut Pro is captured and how the components are captured and I don't have the answer to that today so ArcGIS this is another tool that I haven't used but I went in to have a look at how material was viewed in that application and what happened to it when it was being used and what I can understand from this is that it's possible to pull in images geospatial images and it's possible to pull in geospatial data if you like let long that kind of that kind of data and to build up layers within this application and again it made me think about being able to maintain those components separately but also to maintain the final output which may be a combination of those components could be critical to a researcher it might not but when you're dealing with different parts of material how is that used by the researcher from a point of view of looking at a map it's from a human point of view we can read it but is that an important aspect to the research or is it the annotations on the map that are more important I can't answer that but I guess in terms of being able to support researchers who use or create multimedia it's important to ask what it is that they want to do with it and whether they want to deconstruct or reconstruct from those original components so the last one is WordPress and this is one that I suspect many more people have experience with I've always wondered how people get the content out of WordPress so I went and had a look to get an understanding of what happens if you've had a website up using the WordPress application and you want to suck all the content out so you can capture it and perhaps put it into a different application and it may it may be very important to keep discreet narrative that's in posts or pages or comments separate from categories and tags and what I can glean I think you can get that out as separate pieces of data but it may be wonder how a researcher might actually use that material whether they would just want to reimport it into another application or whether they actually want to process those tags or categories to see how much contents being given those categories or tags. Hi Ingrid there's a couple of comments and one or two questions firstly there's someone at ANU using the Occam's content management system that's been developed at ANU and they use an extended Dublin core metadata schema Occam's can edit digital file object such as video audio image document they can edit digital file object metadata and also create record metadata to which files can be linked and the metadata itself can be embedded in the object or exported to an XML sidecar file they're currently working on being able to publish objects and records into WordPress including export of the metadata. That's really interesting because it sounds like that kind of well ununderstanding of the components seems to have if I if I understand correctly have really informed the way that that application has been designed so that you can maintain digital material discreetly irrespective of whether it's straightforward data or multimedia and I'm using that distinction very spuriously but it sounds like it's possible to pull everything apart and put it back together again so I don't know if that's a feature of multimedia that's useful for the research data management community to be aware of that being a bit like lego perhaps that being able to pull it apart and understand when you pull it apart how it was constructed so you can put it back together again might be quite important depending on what it is that you want to do with that material. Gee that's really interesting and ah that the content is being made available to go into WordPress fascinating. The question here um someone wanting to know if you have any thoughts on archiving websites as data sources is a website really data. Just before I get on to that and bang on um I guess I'm intrigued by the discussion of Occam's going from a data capture application to what can be construed of as a publication application and that the material becomes I guess a means to communicate the research but the data capture application is where all those pieces of information and data actually get brought together so sorry to the next question on web archiving. Long long time ago I used to be a web archivist at the National Library of New Zealand so this has been something that's interested me for quite some time and I've been really I've been hoping I guess to see or to assist with enabling material to be published to the web in a way that you can have a pipeline of that content whether it's data or information going into an application on the web and then um being able to harvest that website as a whole and also suck that material back out again as discrete components. While I was at the National Library back in New Zealand we developed something called the web curator tool which um was used to do that harvesting from the web so you scoop up the website as best you can from the way that it looks on the web but the example that I have in mind here is about how what kind of result you get from that and the the website that I was particularly interested in was the psychopedia in New Zealand that was being put online called and the front end of that is really important from a collecting point of view to capture because it shows you how the interface is designed and how the information is presented but the back end to that is a content management system and before that is a records management system if that's still correct at the Ministry of Culture and Heritage so capturing websites can be done in more ways so you could use the web curator tool it has an engine underlying it called Heratrix which is used by the Internet Archive but I'm yet to see that as a workflow to support a researcher potentially capturing information using a data capture device like Occam's potentially or we developed one a while back called Xite9 for some linguists here in Australia and then being able to port that into a content management system and then use that content management system to publish to the web and I think if there are multiple purposes to which this multimedia material is going to be put at each step through that it's important to understand what needs to be brought together and what needs to be able to be pulled apart and also what what is it that you want to keep at the end of that I really hope we see that eventually that that's possible we can actually sort of see that life cycle and ensure that that material is retained in different ways thanks Ingrid there's a comment and a couple of other questions firstly the comment someone saying that extremely large file sizes could be another consideration to mention when talking about managing unprocessed multimedia project files over time for example in Final Cut Pro ah whoever's just asked that or made that comment you might be reading my mind tomorrow I'm giving a talk at a workshop at University of New South Wales on digitization and data management and large images and I've been digging around to learn about a file format called big TIFF it sounds like an enormous argument but it's it's a kind of TIFF file and I think that that's that's a really important point to make and what I've learned by looking into our large image formats is areas of research that use this like the example I've given is by Med Before where they have these microscopic images that are just enormous and that they need to retain the image and also the annotations on the image and they may wish to align those annotations if they've got they're looking at particular shapes or morphology of cells perhaps and it made me realize that multimedia in the way that I kind of understood it from a library perspective was really limited and that the way that a cancer researcher might look at large microscopic images as multimedia and the way that they work with that material is is quite different and that there are real constraints certain applications can't handle the file sizes so they need to be converted and compressed and also it's sometimes necessary to cut them up and tile them so that you can actually move those large images across a network and that really made me think quite hard about how you support researchers to manage their data especially if you're you know pulling apart a large scanned image so yeah I think that side of research is is very new to me and it's certainly challenging the way that I've understood multimedia to be given I guess my cultural heritage background. A couple of questions from the same person that are and the questions are related to each other. Firstly we want to archive and preserve a WordPress website our 23 research things that we've just been running for the past 30 weeks so this person would appreciate any insights that you have into data extraction and preservation but just relating to this on the same track they're also asking should we be considering exploring export options or similar from any applications that our research IT services are considering offering to researchers for example Omeka shared self and that's importantly if yes how might this be done? First and foremost I think there is an export function to WordPress I haven't had to go at it but I think it's important to test that out and I'll be very happy have an exchange about that because I don't know what happens when you hit the export button and what kind of package you get and how discreet those components are or whether they're mushed up together I think that's quite critical to understand to know how well it is that you comprise things apart and know about their relationships even though you are kind of pricing them apart if you want to dump them out of an application but the I do think it's important to think about export import and export and what happens within the application with multimedia because it may be other data types and multimedia may be a bit of a furphy here because if it's coming in from different sources and being combined together to create an output from a data management point of view you want to understand the provenance of all those components irrespective of whether it's data or information and potentially be able want to be able to keep those apart if you particularly are value adding to something which you have access to but you don't own so for example you have access to some data and you create your own annotations well those are your annotations and you may you may share that those annotations with the party that's loaned you the the initial data but keeping those things discreet might be just as important as being able to link them together so I do think we need to kind of explore how material is processed brought in and processed and how we might support that coming out the other end so that we can enable researchers to potentially make their own data available if that's appropriate but also to maintain the data that they may wish to add to as they go through and undertake different types of research. I don't know how this could all be done because it's so so diverse it just made me realise that perhaps putting on the hat of not understanding and just trying to find out what was going on and what needed to come in what was happening and what needed to come out of that research process through an application with digital material was the starting point but in each case I think it would have to be explored to know what to do and how much effort to apply. I do think the WordPress example was where I started first was to understand what would I do once I got that material out and how would I want to keep it and that may or may not be important to our researcher that our colleagues over in WA sparked this because it sort of set me off on a bit of an exploratory process and I really hope that some of the people participating today undertake a bit more of that to extend our collective understanding because it it certainly well I have to say I found it quite intimidating I realised that there was so much to know that it was quite overwhelming. Do you have any thoughts about 3D rendering files? A long time ago I had to write some information on annotation which is why I picked it for this presentation to try and understand how you would locate an annotation in a three-dimensional object. It was a research project that I very incidentally worked with some of the researchers on at University of Sydney looking at the likes of games or virtual platforms like Second Life to see how you would apply an annotation in that kind of 3D environment and it made me realise that I needed to understand a whole lot more about working in three dimensions x, y and z and where you would locate a piece of information in that and what sort of tools. I don't even know the kinds of tools that generate three-dimensional object probably CAD tools that are used in architecture or industrial design but I certainly am not familiar with those types of tools. ArcGIS potentially does if it's dealing with space but 3D files to me are again the whole other area of multimedia that I think having time with those who who work with that kind of material or having a background in say design three-dimensional design would be incredibly useful because I'm very much looking at that from the point of view of an outsider I really I don't know and I certainly I can't comment on rendering 3D files except perhaps that they depending on what's in there could be pretty large and I don't know. Well thanks Engrid. Someone's saying that GISC has been very keen on 3D works. At the New Zealand Archives how did you separate the metadata from the object where did the object end and the metadata begin and how did you decide what was essential to the object. Okay I'll try and start at the beginning how did you separate the metadata from the object. I think the cheaty answer to that is that we had a collection management system which had different modules to it so it had a module which collected descriptive information so that was where metadata was captured. There was also a module that enabled digital objects to be loaded into it which was its kind of online catalog but underneath that was also what we called what we call the object management system where the objects themselves were loaded in and linked to the metadata that was in the collection management system so we had quite we had two separate systems and that to some degree dictated the way that we managed that material we managed the metadata very separately to the actual digital object itself and in other systems that's not the case that they managed that material within the same application and as to where the object ended and the metadata began when I started exploring big TIFF and kind of I guess reacquainting myself with TIFF as a file format I really I guess woke up to the fact that a TIFF file has metadata in it and data and I really didn't understand enough about file formats to begin to understand how I would describe it and so once I started peeling back the layer of a TIFF file I realized that there was a whole lot more information in there and when I looked at Landsat images I discovered that there were layers within those file formats I think they're called net cdf that's right they've got three layers in there something called the data access layer the coordinate system layer and the scientific data type layer and I am reading that from a piece of paper but I realized that that these were treated quite separately in the structuring of a file format I think depending on the way data and information is captured I think you could kind of move that line between the object and the metadata that perhaps describes and supports its retention as to the last question how did you decide what was essential to the object when you're in the collecting business you have to make decisions about what it is that you think that's important to keep because the whole point of keeping material as a collection is to enable that collection to be potentially used or viewed in some way and ideally you want to to capture the essence of the object so my comments about web archiving were just that when we were looking at what we could capture someone that I worked with back here in Australia Jason G said to me you're just cutting holes in the internet it's you know it's that's all you're doing you're cutting holes it's not the network and I think he was absolutely right what we could represent was a piece of the internet at a point in time and I found that pretty interesting but also some websites were really difficult to harvest using the kind of tools we have we used a tool called ht track which is open source so is the web curator tool by the way and you've got variable results depending on how you use the settings on those tools and flash was notoriously difficult to actually capture so in some instances other collecting institutions around the world have done film footage of a website to actually capture it and in other instances they've gone to the back end to capture what's in it and taken screenshots to reflect what the interface was like at the front so I think in each case it's important to understand what it is that's of value to the researcher and in a research context and also in a collecting context because if you're going to go to the bother of capturing information effectively it's with a view to making that accessible potentially reusable again that's a really really good bundle of questions and they're crikey and will be made available by and online for people to see who haven't been able to attend today it's been a real pleasure I don't really hope we get to have a bit more discussion and input because there's plenty to learn out there we need the collective brain at work definitely


Hello, we're here on economy days at New Frontiers 2016. I'm Elina from Kiwi Connect and I'm here with Hayden Glass, who is a consulting economist and author of a new book, Going Places, co-authored with Julie Frye. Hayden, do you want to tell us a little bit about the book? Sure, yeah, it's about how New Zealand can change its immigration and immigration policies to try and encourage more people who were born overseas, more smart creative people that come here, and also how we can make more of the fact that we've got an enormous overseas population, how we can make that a greater national asset. And along the way, it tells the story of the last 25 years or so of New Zealand's migration flows of people coming in and people leaving the country and paints a picture of kind of where we sit at the moment. Right, so I mean, why would you say in a nutshell that New Zealand needs to attract more creative people from overseas? Well, so what we have at the moment is a system where it's really good at collecting people who want to work. So New Zealand is a world leader 93% of our immigrants are employed six months after arrival, which is amongst the highest in the world. But what we are suggesting is not, is adding to that people who aren't coming here to work for somebody else, adding some experimentation around how you could encourage those types of people who might come here and do something different and do something new to actually have an opportunity to be able to do that without, without, you know, having to jump through a whole lot of hoops up front. Right, you also mentioned the extensive expat community that we have. So many Kiwis living overseas. What, what value do you think they can bring whilst living overseas to New Zealand? Yeah, so part of this is about kind of what kind of country does New Zealand want to be and we see it as you want to be connected to the world. And so having people from other countries here and having New Zealanders in other countries is how we maintain connections with other places. So what it would be good is if we could diversify the places that New Zealanders can go. Because at the moment we're tightly connected to Australia. There's a largest New Zealand population in Australia, but we're already well connected with Australians right beside us. So it would be good if we could get New Zealanders to have the opportunity to go further afield and to stay connected with New Zealand and to, and to build those bridges with our countries. Right. Do you have any comments around the economic benefits that, that can be bought from people's extended networks beyond New Zealand? Yeah, well, the evidence, this is one of the things that we cover in some detail in the book. And the evidence is basically that migration overall is a small positive impact. So the political angle on it is really powerful. There's a huge amount of debate and it outweighs actually what the, what the economics shows, which is actually the long run.  In fact, a lot of the conversations here today have been about, OK, diverse teams work better. And so trying to sprinkle together, trying to bring together that kind of chemistry that happens. When, when people who aren't like each other kind of come together, that's, that's part of the magic of what we're kind of trying to achieve. And, and it's hard to do that as a sort of national political level, like in the sense of immigration policy, that stuff really happens at an individual connection level. So we're trying to, we're trying to make that stuff possible and make it possible for people to work together more easily through opening up immigration just a little bit in this particular way. Sounds like some really useful stuff. So when, when does the book come out? March 14th will be in the bookstores. 15 bucks. Do the world a favour and buy a paper copy. A paper copy of Going Places by Hayden Glass and Julie Fry. Thanks so much, Hayden.


so today i've got some good news and some bad news first the bad news let's get it out the way the bitcoin death cross is upon us guys it is coming there's no way around it at this point we just have to face it however i do have some good news stay with me for a second could the bitcoin death cross actually be a bear trap could this signal actually be wrong could this actually this lead us higher up well one analyst definitely thinks that this is bullish for bitcoin and that it is a bear trap so naturally of course we had to bring him in to break it down for you guys himself guys you don't want to miss this video hey what's up jay here and welcome to bitcoin daily bringing you guys the best tips tutorials and ideas to help you guys become profitable and successful investors the goal of this channel as always is to provide you guys with the resources and knowledge to take you up to that next level so make sure to smash the like button guys on this video helps us out a ton and if you're new here on this channel make sure to subscribe turn on the notification bell let's jump right in all right guys so today i have a special guest with me um we will have another analyst so you guys are used to seeing me always give you the analysis and we spoke about the death cross earlier so i'm bringing on another analyst today that has a theory on why the bitcoin death cross is actually a bullish signal for bitcoin so let's go ahead and bring him in his name is john berry he's the co-founder of quantify crypto how are you doing john i'm doing great jay and i just want to start thank you for having me on the show it's a great honor to be here because i really respect your show i respect your analysis and i enjoy listening to it so thank you for having me no problem john i'm i'm excited to get you on here so a few days ago i did well last week yeah probably about five six days ago i did a bitcoin death cross explainer video where i kind of looked down what what it was um how you know what what what's happened with bitcoin previously when when it's experienced a death cross and you know the potentials so you i saw that you wrote an article on why the bitcoin death cross will actually be something bullish for bitcoin so i love to to hear more on that um but first give us a little background of on you know what what it is that that you've done because i know you've been in the game for a while and you came over from the stock market correct yes it came over from the stock market i worked for the new york stock exchange for 22 years but my background was not in trading at the stock exchange i was like a programmer then i kind of moved up the ranks i was in charge of capacity speed and performance when high frequency trading was going on and got it but i've always been around trading my whole life is a key point got you got you yeah so it makes it makes sense it makes sense why you have your uh your website quantified crypto and so my background really goes back decades for why i got involved in cryptocurrency when i was a college student um the ibm pc was just coming out i'm really going to date myself and i told my father who was big in the stock market that oh this ibm pc is a game changer this company microsoft is going to be a game changer i said you have to get in on this and he looked at me and said do they pay dividends i'm like i don't think so and he totally ignored me and never got involved in the microsoft or delo computer so fast forward my oldest son is in college and he tells me dad this cryptocurrency bitcoin thing is going to be great and i said to myself i am not going to be my father i totally ignore my son i knew nothing about bitcoin but i was open to what he was going to say right and so you know spring break when he came home was all about cryptocurrency and that summer we were starting to trade bitcoin you know bitcoin was about five hundred dollars a share wow i mean i'm a coin i should say wow yeah get me for my and so we've been involved and then we would start with like a really small amount of money exploded i mean just exploded and then the bitcoin crash came and all the old coins crashed and everything we had just yeah tanked yeah so all right so let's go ahead and jump into the uh bitcoin death cross let's let's talk a little bit about that okay first i'm going to just give a disclosure none of this is meant to be financial advice i'm not a financial expert and what i say is just my speculation on what might happen so um a lot of my analysis is based on what we have researched and learned and i want to look at the last two bitcoin death crosses so i'm going to share my screen yep okay so today this is the daily um bitcoin price chart you can see the blue line up here is the 50-day moving average and the line below here the gold line is the 200-day moving average and these two lines have been coming together every day now my expectation is around june 21st is when the actual bitcoin death cross is going to occur i feel it's inevitable because the 200-day moving average goes back until i think late november into december right now and so it's losing like a 15 000 dollar value every day and being replaced by a 36k value so that's going up right where the 50-day is losing like a 55 000 to 62 000 price so it's going to happen bitcoin would have to go like to 80 000 yeah to for it to not occur this is this is going to happen it's no if ands or buts okay i'm going to go back in time and just move my screen to 2020 and the big reason why i don't believe in the death cross called the golden cross is that it is a great indicator for stocks there are so many stock traders that have used these metrics successfully and they've made boatloads of money on it right it works really really well for stocks and it has a huge following in the stock market but to me the daily averages is a great way to detect support levels it's a great way to detect resistance levels but i feel a good momentum algorithm is best for cryptocurrency and that the shorter time periods are critically important because like the two hour the one hour the 30 minute and even all the way down to the five minute are critically important because bitcoin is so highly volatile it can move so quickly in a short period of time you really need to zoom in for those shorter time periods and i feel the 200 day and the 50 day for a trader like me just lags way too much right where in stocks it doesn't lag as much because stocks don't have the volatility right correct and so in 2020 we definitely had some bitcoin death cross going on okay we had a golden cross occur and then that's right in February yeah and the pandemic was happening right okay and so it was clearly not a time to be buying any asset at this point because it was risky and this is just a sign that it's lagging and then multiple days later the market totally crashed right the bitcoin death cross happens like March 25th which is 13 days too late after the March 12th low and dumb and then we have a golden cross occur here on May 20th and technically this is an accurate indicator right where crypto does leave from here but to me it's just a coincidence because every technical indicator that happens after March 12th 2020 is a buy signal right right now like if you had something saying oh bitcoin is bad after March 20th or 30th after it's clear it's recovering totally get rid of that right because everything is saying buy buy buy right so I want to go back to 2019 to me the market that we have today is exceptionally similar to what was occurring in 2019 okay I really want to zoom in on that just to give some history in 2019 bitcoin was having a great year it had hit highs of 13,000 after starting the year very weakly yeah you know so we had even a golden cross that was accurate in April 2019 occur it lagged a little bit which is my biggest problem with it but it was accurate right and now we come to October 25th 2019 and I really wanted to zoom in on this and if you go right before the death cross actually happens which is late October 21st you can see this 50 day moving average is sinking downwards you can see this 200 day moving average is consistently going up very much like today right and who watches these things are stock traders right and stock traders kind of look down to cryptocurrency traders to a degree they think this is a crap asset I can make easy money in this crypto right ability of it and they look and they have their favorite things because when you have your favorite indicator as a primary indicator and it's telling you to do something right they are going to go in on it of course and so this short right here for a stock trader is saying short it's saying it's gonna collapse it's going to short and who else is looking at these things are crypto whales crypto whales are not stock traders they watch and the favorite thing a crypto whale likes to do is cause people to be liquidated right forced out of their positions and at this point the media youtubers everybody everybody was bad if I can just bring this image so back in October of 2019 these were the images you were seeing for the bitcoin death cross yeah people were saying bitcoin is going crazy you see the skull and crossbones yeah you see the coffin you see the fire you see the hell you see bitcoin and the rocket ship is going down and everybody is saying bitcoin is going to 3000 you know which is going to be a tremendous loss yeah around 7000 at this point yeah and so the negativity is just extreme right now in bitcoin and I feel that's a lot today I think in the next week you're going to see more of these type of fud videos right coming out that are followed by the crypto whales right now as I was saying the crypto whales are watching these indicators yeah and in your video back in May mid-May you talked about how the crypto whales had been selling it might have been a planned sell-off you know you talked about that anonymous person that posted right that there was going to be a big downturn it was a very good video and then everything kind of crashed but to me the crypto whales were selling when bitcoin was at these very high lofty levels so they have cash on the side and this narrative where stock traders are going to come in and really be shorting bitcoin because it's an algorithm set up that they follow and they plan to make money but the crypto whales it's like a chess game you know they are a step ahead of the stock traders yeah always yeah and they're always taking opposing positions basically so whatever the majority thinks is going to happen they usually do the opposite of that you know yeah and the press coverage is going to be really negative on this so so another thing that that kind of coincides and goes with what you're saying is if we take a look at the open short positions we pull this up so this is the amount of shorts that grow up this is back on May 17th when we had the huge drop so this candle is basically doubling the candle that we saw on the day of the drop now if you try to look back once the last time that we were this high as as amount of open short positions you have to go back all the way to the pandemic so you can see over here March 12th all the way to March 16th basically just massive open short positions and right now we're about to hit that same high that we were at back in March 16th so what that's leading me to believe as well as like you said that kind of goes with your theory this could cause a massive short squeeze where we can end up getting kind of a candle like this but in the opposite direction to the upside i've been saying i don't know if you've seen my analysis lately but i've been saying that if we can get above 42 000 that's going to cause i believe a short squeeze where we will get at least up to 50 like it'll be like one big green candle all the way up to 50 i think yeah i agree with you i think 42 k is a very key level and that we're gonna punch that in like June 21st if we get above that like you know we we break that um the narrative of going dropping down to 30 or below because we that would put us above not only the descending uh resistance that we're watching right now here it'll put us above the 40 000 psychological resistance and it'll put above that 42 that there's confluence there with you know the moving averages there's a Fibonacci retracement level there it's a previous all-time high so it's a lot of things there and if you even pull up the rsi's you could also see that there's a bullish divergence right now in the market so there there's definitely a lot of different things that are that are backing up your theory there okay so this is really zooming in on the bitcoin death cross 2019 this is the one hour candle and the prior chart we showed you how bitcoin has really come down it was like at high at 13 000 and it's now at 7 400 and when i look at the one hour i look for what i call a set up to signal pretty much after a large drop and we've had a large drop here um there tends to be a flattening out period and this is what i am looking to see happen on like the june 19th 20th and i'm hoping for is that we're going to see a period where things kind of go flat you have people that are trying to short it but you have somebody that's kind of just you know i'm going to be buying at this level and you're going to have something flat right but then you start seeing an uptick in activity and this is exactly what happened on march 25th uh 2019 was you had this 50 jump where it went from 7677 all the way above 10 500 all within 12 hours wow so this was a massive short squeeze and the 25th is the day the death cross really happens so you can look at the death cross in 2019 and see it has a high price of 10 500 and say wow it was all the way up there but when i was trading it this day i was long and i was very happy i had like one of my 10 best days of trading on this bitcoin death cross and it was because of the setup that occurred before the bitcoin death cross actually occurred and so that leads us to today where we've had this major increase in bitcoin and we are here today where the death cross is going to occur probably in 10 days you know it might be eight days from now it might be 12 days from now let's go into a car yeah and as your analysis showed earlier short positions are increasing and that was our stock traders that are seeing the death cross is definitely going to happen you're going to see the youtube's you're going to hear it on national business channels that the bitcoin death cross is a happen it's a fearful thing you're going to see the skulls and the crossbones you're going to see the coffins bitcoin is going to die you're going to see peter shift celebrating and then i think you're going to have a really massive short squeeze i think this is a classic bad trap all right so uh thank you so much john i appreciate you coming on here and talking to us and you know sharing your your theory on uh how this bitcoin death cross could actually be something to take us back up uh where we can possibly see some sort of short squeeze and and uh explaining why um based on history what the price has done uh on previous death crosses um because at the end of the day moving averages are lagging indicators it doesn't always tell the full story thank you so much again john i appreciate you coming on here um you guys can find him the website your website is quantifycrypto.com and uh where else can they find you no quest by crypto.com i'm on twitter also okay quantify crypto there but twitter but the website check out our website we think we have a great website for people awesome thank you so much john appreciate it okay thank you jay love being on all right guys i hope you enjoyed this video as always trying to bring you guys different angles different perspectives and different views so if you guys enjoyed this video make sure to smash the like button guys it helps us out a ton um and if you guys are new to the channel don't forget to subscribe and turn on the notification bell guys we're almost at 10 000 subscribers we're only what like 300 away so let's go ahead and hit that milestone and take off to 100k thank you guys again for tuning in i hope you guys have an incredible weekend i will see you next week guys as always peace and love


From Kaduna now we move to Ogun State where there have been incest and kidnappings through the Ogun State waterways. Ogun State government has collaborated with the Nigerian Navy towards stepping up security of lives and property for the citizens residing in the river and communities of the state. The Western Navy command rare Admiral Jason Bassa disclosed this during a courtly visit to the state governor at his office in Oke Mosar, Abel Kota. I want to also observe that in our riverine area the waterside part of Ogun State is one of a very open flanks. It's one of a very vulnerable point because there were contiguous with the Niger Delta every now and then people there are attacked from the waters and people are kidnapped and we've been dealing with that. As one of our requests I would like to sit down with you and see how we can collaborate to see how you can help us in the provision of security for that riverine area. It's one of the areas that we're looking to bring investment to. We are proposing working on building a port in that area. We are building in partnership with others gas facilities in that area so it is important that we ensure that we provide the required maritime security in that area. Because of an emerging security situation which are somehow disturbing, the scope of Operation Awasi was reviewed to cover the entire southwest region and therefore the operation became known as joint task force Operation Awasi southwest region. So this means that it covers all the states of the southwest region. How is Ogun State going to benefit? Ogun State will benefit by way of we have more deployments now presence more presence the Nigerian Navy particularly in those riverine areas. It is our commitment to show presence in those places. So you get notified about fresh news updates.


18. Thank you. Thank you. Thank you. I think I'll be having to repeat that second meeting for you. The central theme in all of those meetings was how we could work together to achieve a just and lasting peace in the Middle East. We've been working closely with King Hussein to bring Jordan and hopefully the Palestinians into direct negotiations with Israel. And despite the recent bombing and hijacking incidents, we continue to believe that the opportunity for peace is still there and it must be exploited before it slips from our grasp. Hussein's efforts have already created enormous risks for him personally as well as for Jordan. He needs the visible public commitment of U.S. support, both military and political, signaled by the sale of U.S. defensive arms in order to withstand the pressure from Syria and radical Arab groups into continuing the next stages of the peace process. The United States remains firmly committed to supporting Israel's security. In the long run, however, that security will always be in danger unless and until we can help both sides achieve a peaceful resolution of this conflict. And the road ahead is immensely difficult and will require imagination, courage and flexibility from all the parties. Our aim is to help create conditions which will lead to a lasting Middle East peace. And I'm fully committed to that goal and so is the entire administration. Our intent, the Strategic Defense Initiative, our brightest hope for a more secure future is to find a way to move to an increased reliance on defensive systems that destroy weapons rather than threaten people. And our immediate goal is to neutralize the threat of offensive ballistic nuclear missiles. Eventually we hope to make them obsolete. Now, we seek a way to make deterrence of war more stable and enduring if we must compete. Why not compete to keep the peace rather than compete to build weapons whose only use is to destroy us and our civilizations? Finally, I want to emphasize that the United States did not invent the concept of strategic defense. The Soviet Union has long had a vigorous program of both research and development in this area. Rather than detailing their program here, I'd commend to you a publication that is recently released by the State and Defense Departments on Soviet strategic defense programs, and that is its title. It'll be enlightening reading and it's available, no charge. But before I have to leave, I want to ask for your active support for our efforts, your views and opinions are important and I know that I can count on you for that. But we're having problems up in the Congress with both of these, but particularly with the Jordan arms sale. And they need to be encouraged. King Hussein has really, he has been a tremendously strong man. And I don't think he has beguiled any more by Arafat and the Palestinians that he's received some eye-openers in the last several weeks himself. And I know that Perez is ready, as he made plain to us, to go into negotiations immediately. But Hussein is the one who's threatened from behind by the position that he's taken and that has become more evident in these last few days with these recent incidents. And this effort to prevent us from meeting some of his safety requirements must not be allowed to succeed. I think it will, I think it's the honorable thing to do. We should do it and I think it keeps him in the peace process and makes, well, for example, by the time that we could get the weapons to him, I believe that he will already be in negotiations with regard to peace and then that will prove our conviction about this because those weapons aren't like a package from the supermarket, they're not going to be delivered day after tomorrow if the Congress votes out. We can use your help. We've got it. Well, I see you've got me scheduled to move on here. Thank you so much for the discussion. Thank you so much. I had a saying I've made and maybe some of you've heard me say it before then with regard to your contacts with the Congress, it isn't necessary to make them see the light, just feel the heat. Are you going to be in peace? I'm going to be in peace. President Nancy, I'm sure you know the purpose of the meeting. After about two years and it seems longer, Martin Anderson and myself have both pretty well settled on sites for the Reagan presidential librarians, for the Reagan Senate, for public affairs. And after interviewing, it seems like it's a little bit of an architect's why we have, I'll say it's a recommendation. Martin will explain the complexities of it to you. My recommendation on an architect, which is actually two architects. Now the sites that you know, I'll just briefly say that the site for the presidential library is where we all are at Stanford is really the best site at Stanford University. How they passed that over for so many years because it's definitely the old magnificent view of both the Bay and the mountain range. And the site for the Senate for public affairs, the fellow by the name of Ronald Reagan was Governor even though Pat Brown took credit for that for it. And it's just past Foothill College, it's a magnificent site. What it is, is the old Marino Missionary Center. They have 30 acres at Martin's.


My name is Emix Moth, and every day I fear for my life. In my job, many things can go wrong, have gone wrong, in fact, that even death himself would face palm at my refusal to quit, yet I can't complain. I am completely free to leave my job whenever I want to, but I haven't and don't plan to. You see, I work in a school that deals with kids. I put parenthesis as they aren't kids. They just, through one reason or another, have the appearance of children, though please note, they aren't human at all. We don't teach them subjects like math or English, nor could I as I barely did well in school myself, honestly. But we teach them subjects more questionable, how to lure in victims, proper removal of certain body parts, and so on. I know what you may be thinking, why help if I don't have to? Why not just walk away from the job? I wish I could give an answer that would satisfy both you and my ever-growing guilt, yet I can't, as I don't know why I stay myself, honestly. I'm human. I'm not under a contract, spell, or curse. I have seen other teachers come and go through my years working here and leave just fine. I even stay in touch with one, Miss Olive, a kind lady. She was the teacher of Class 2C before she had to move due to family issues. The only time a teacher has died is due to trying to hurt the students or being targeted by them. Some teachers, Mrs. Katz comes to mind personally, deserved it, while others did not. We may be their teachers, but to them, we are still potential prey. We aren't protected, and our lives could end at any given moment. I used to keep track of the number of close calls I had encountered yet had to stop for my sanity. I choose to stay though, because I do enjoy the work. Not the murder part, I promise, but being able to help and possibly guide my students. My current class has stayed roughly the same ever since I started, as the only time it changes is when a student leaves for a multitude of reasons or a new student joins us. They aren't required to be here. This isn't like a human school. They choose to come. I think that's a decent amount of info about me and the school for now. I want to share about my students and what it's like in my classroom, partly to hopefully help myself understand why I choose to stay, and partly as a way to relieve some of the guilt I have for staying. For safety reasons. I won't be saying any of my students' names, but rather just describing them. The girl with a basket of eyes was the first student of mine that I met. She gives the appearance of a small scrawny girl with golden hair and blue eyes. The longer you work here though, the easier it is to see their real forms.  She lures victims in by acting lost and scared. If she likes their eyes, she'll offer them a treat from her basket, claiming she bake the goodies herself. If they agree, she'll take one of their eyes. It's not a pretty sight, yet it's an even worse one when they refuse. The first time I saw it, I was on tour with the last teacher of 1C, Mrs. C. She was finishing up the tour and she was leading me back to the main office, when the girl with a basket of eyes appeared. I was told by Mrs. C that she was a new student that started a few days ago. Mrs. C crouched down to eye level and I heard her ask what was wrong. The girl replied by asking if Mrs. C would like a treat that she had baked them herself that morning. I noticed the woman stiffen. She silently stood up and turned to me, placing her hands on both sides of my shoulders. She told me that if I couldn't stand what I was about to see, that I had to turn away and find another career, that the kids need someone strong. I just stared at her, puzzled. Mrs. C turned back to the girl and fully knelt this time. Mrs. C gave her a small hug and apologized, for she didn't want any baked goods. I used to get nightmares about this before it was covered up with more recent memories, kind of like layers of dirt, except a bit bloodier and gross. The girl frowned and uncovered her basket. I gagged at the sudden sight of eyeballs. At the time, she only had three in her basket, a small number compared to now. I leaned on the wall for support and watched as the little girl pulled out a melon scooper. I almost didn't hear her, but Mrs. C whispered that the little girl does worse if you try to run. I watched as she gently scooped the first eye. I promptly threw up as I heard a sickeningly loud pop and the wails of Mrs. C falling over in pain. I glanced over and the girl surveyed the eyeball, a look of disappointment as it had been damaged. I watched her start for the next one and took a shaky step forward before falling to my knees. I knew what I was signing up for and I didn't want to turn back. Mrs. C had taught here for over 40 years and I wouldn't let my predecessor down. With shaky hands, I grabbed the girl's hand in my own. She watched curiously as I did. I proceeded to help show her the proper way to remove an eyeball without causing extra damage to it. Tears were streaming down my face as I struggled to not throw up again. After she inspected the second eye and added it to her basket, she forced the ruined one in Mrs. C's mouth. I threw up again. Due to the loud wailings of Mrs. C, a staff member arrived to see what was going on. They asked if the girl was done and I silently nodded. They lifted Mrs. C and left. I turned to the little girl who looked at her collection of eyes in awe. All except the most recent one had small dents or cuts due to messy removal. The newest one was, for the most part, perfect. She proceeded to get up and hug me tightly before running off with her basket. The next day on my desk, I had found a jar with a single eyeball floating in it. I still have it to this day and I swear I can feel it watching me. I keep meaning to get in contact with Mrs. C as she did survive, yet I can't quite get the courage to. Allow me to offer you some advice in case you ever run into my student. If you were ever offered a baked good from a little girl, don't try to run. Explain that you are sadly full, yet know someone who would love a baked good. You can take her to a stranger, it doesn't matter, as long as you take her to someone else before she gets impatient. And she does get impatient quite fast. I am sorry to say that you can't walk away safely without sacrificing someone else. It's a hard decision to make. I know that full well myself. I'm Emix Moth and I work for a school that helps inhuman kids. I fear for my life every day. It's been nine years so far, soon to be ten. When that happens, I'll be re-evaluated and asked if I would like to continue to work here. I hope to figure out my reasons for staying before that day arrives. Until then, I'd like to tell you about my students and perhaps my co-workers and their students. Stay safe, Emix Moth.


What is going on guys welcome back to the channel critical overlord here So I'm a little bit late on the news were earlier this week Bloody disgusting put out a report that said that we will be getting potentially two Halloween movies coming out next fall So not just the sequel to Halloween 2018 But then a sequel to the movie that we already knew was coming the moment We saw how much success the 2018 film had at the box office So we could be getting two films both of them could be directed by David Gordon Green I'm presuming. I'm assuming that Jamie Lee Curtis, Judy Greer, Andy Matyshack They will all be back for it in full effect with the stroll trio And I want to say that maybe James Duke Courtney is going to come back as much admire still I don't think anything's been confirmed as far as who will be portraying him Filming is still set to begin on the movie that we know for sure is coming in the fall I think after Labor Day With the release of like around October 16 2020 none of this has been confirmed yet by Blumhouse themselves This is just what the report says. Nothing's come out denying it or Intent of the sort But I think something is supposed to be going on this weekend involving Nick Castle Nick Castle did he put out a tweet a few days ago I don't have the tweet on screen. I wasn't able to get any screen caps of it But I believe Nick Castle did tweet something out that John Carpenter gave him the word that he had some big news That he wanted to present to the public and I think that's going down this weekend. So We could be getting some news in regards to what is happening there About if this report has anything to do with Nick Castle is gonna say we will find out when Nick Castle makes his news public But my opinions on them shooting two movies back to back and then not only that they're gonna shoot release it in the same month On top of being released in the same year I don't really my thing is this if they if they don't plan on having like a longevity with the Francis Which I don't think they should go ahead and do it. It's never been done before I've never seen two movies released back to back like this in that short span of time The only other time I've seen this happen with the Halloween series was Halloween 5 that came out the year after Halloween 4 because it was rusted to production a few Cons that come along with this though is that they had to go back and edit the ending further for the 2018 film I don't think they're gonna have that leeway or that that as much time to put as much effort into editing and stuff and Going back and doing all this with the release Being so near and then not only do you have one movie now? But you're also gonna have two movies that you're gonna have to do it for so It's just gonna kind of be a little messy to me if they do it if they want to do it. That's fine I Per se am not gonna be a big fan of the decision if these movies end up being set in Multiple different years like there's big time gaps in between because then you're running into the same issues that the other And you're also pushing Myers up closer to the age of 70 and it's like come on now It's a little ridiculous now that this old man is out here doing stuff like this and no one's able to stop him Not that there aren't strong resilient 70-year-olds out there But the stuff Michael Myers went through and the fact that he just he sat in the sanitarium for so long Granted, we don't know if he was in there doing his work doing his push-ups it us We don't know what was going on in there But it's just a little it's a little like come on now a 70 year old man But those are my thoughts on it. I'm really interested to see what happens again I still do not even want to see a sequel to the 2018 film I'm fine with the series just ending on a high note right there They tell if they they left the room over to tell more story. So When it comes out, of course, I am gonna see it. I love Michael Myers I love the Halloween series I just do not want them to put it in the ground and end up in the same position as they were with the sequels They were trying to avoid Those are my thoughts on the news Let me know what you guys think about the about the chance of us getting two Halloween sequels in the same year in the Same month next year down in the comment section below if you enjoyed this video Make sure you give it a thumbs up if you haven't already subscribe and turn on post notifications So you never miss a video in the description. I'll have links on my social media accounts I'm on Facebook Twitter and Instagram you can message me there to let me know what movies news or Reviews you would like me to cover in the future with all that in mind guys. I will see you in the next video