Lux presents Hollywood. The Lux Radio Theatre brings you Dick Powell and Linda Darnell in Christmas in July with Raymond Walburn. Ladies and gentlemen, your producer, Mr. Lionel Barrymore. Ladies and gentlemen, if you're wondering what's happened to my young friend, this will be the mill, but don't worry, he'll be back next week. This week he's in Chicago for an opening of the story of Dr. Wassell and he's trusted me with the keys to the Lux Radio Theatre. I happen to have a week off at Metro Golden Mayor where they're celebrating 20 years of making pictures by presenting a fine new production called The White Cliffs of Dover. Before CB left, he'd arranged for a play and a cast which I'm sure you're going to like and which has been a pleasure for me to work with. It's the Paramount hit Christmas in July and the stars are two favorites of yours and mine, Dick Powell and Linda Darnell. Naturally, boy meets girl in this story, but from there on Mr. Preston Sturges who wrote and directed the picture has a brand new idea which will give you a few surprises before the hour is over. If CB were here tonight, I guess he'd say something about Lux Flakes at this point. Well now, I don't know much about Laundry, but I do know that a theater like this is a wonderful thing for about 30 million people. To an old trooper like me, the idea of an audience enjoying these plays without buying a ticket is fantastic, but here it is. You don't have to buy a thing.  You see, we know just how it's going to come out. And now, let's go back a few years to a time when hearts were young and gay and a certain boy and girl discovered Christmas in July. Here's the curtain for the first act starring Dick Powell as Jimmy and Linda Darnell as Betty with Raymond Wahlburn as Maxford. Five months ago, the Maxford House Coffee Company offered a $25,000 first prize for the best Maxford House coffee slogan. And in three minutes, over the Maxford House Coast to Coast radio program, the winner's name is scheduled to be announced. But something that even Dr. Maxford himself could not foresee has happened. He's plowing through a million entries, the bleary-eyed and weary juries, hopelessly deadlocked, and now into their hushed and solemn precincts, Dr. Maxford descends with all the graciousness of a blockbuster. Quiet! Quiet! Watch all this hogwash about a deadlock. Where's the verdict?  Don't ask us, ask Bill Docker. He's been holding out all day. He's been holding out forever.  Don't you know that our program is on the air? Don't you know that the whole of America is waiting for your verdict? That you're giving heart failure to the Western Hemisphere? What do you know about picking slogans anyway? Why, you wouldn't know a slogan if you slept on one. If you gentlemen had the combined brains of a grower... But we're all agreed, doctor. That is all except the brilliant Mr. Bill Docker. Well, let me tell you something, Mr. Bill Docker. I'm giving you just four seconds flat to get in line. I'm a member of this jury and I'm going to vote the way I think is right if it takes 10 years. I'm giving my services free to a bunch of suckers who fell for a lot of dribble that don't... Hello? Oh, we are, are we? Well, that's just lovely. The Maxwell House program is signing off the air, gentlemen, so just take your time. You can stay here the next Wednesday for all I care or you can stay here till Hoboken freezes over. You have failed in our promise to the public.  The next nitwit who takes talks to me about a contest had better duck before I swing on him. And in conclusion, gentlemen, and especially you, Mr. Bill Docker, let me say that I have seen far, far better heads on a glass of beer.  Come on, I'll walk down with you. Oh, let's stay here and talk, Jimmy. It's so hot. That's a great way to spend the evening. Sitting on the roof of a broken down apartment house because I don't have the dough to do anything else. Oh, it's cool up here. Besides, you wouldn't have missed listening to Maxford House for anything. A lot of good it did me. I wish they'd get that contest over one way or another. You start thinking about that $25,000 or even the second price of $10,000. Or even anything. You said it. And then when you practically got it right in your midst, they'd leave you there with your tongue hanging out. Did you really think you were going to win it, Jimmy? I haven't lost it yet, have I? How many contests have you lost? Never mind. Well, every time I've lost one, I've doubled my chances on the next. It's what you call the law of averages. Like when I lost on how many peanuts are there in this window. Well, that doubled my chances on the you fill in the missing words contest. But you lost that one too. So I was eight to one when I went into the limerick contest. But you didn't win it, Jimmy. Well, that's what makes it such a sense this time. Can't you just see it over there on Broadway? A great big electric sign. A guy swallows his coffee and it says, if you don't sleep at night, it isn't the coffee. It's the bunk. You got to admit that's some slogan. Uh-huh. Well, do you get the point? Do you understand what it means? Yes. Well, it's as clear as crystal. It isn't the coffee. It's the bunk. If you don't sleep at night, it isn't the coffee that keeps you awake. It's the bunk. I know what it says. I just don't understand it. Well, a kid of two could understand it. That Viennese doctor in the Sunday paper, he said that whole idea is just a superstition.  That's simple enough, isn't it? Coffee makes you sleep. It doesn't make me sleep. Well, he says it makes you sleep. He's a Viennese doctor. Jimmy, coffee keeps you awake. That's a well-known fact. Why are you so pigheaded about it? I tell you, it's a new scientific theory. People only think coffee keeps them awake. Those kind of people are nervous wrecks and couldn't sleep anyway. So I say if you don't sleep at night, it isn't the coffee. It's the bunk. Do you get it? I guess so. You guess so? What does it mean? It's the bunk. Yes. But do you get to play on words? Oh, Jimmy, you don't need to play on words.    It's funny. It means if you don't sleep at night, it isn't the coffee that keeps you awake. It's the bunk. The bed. The bed. With me, it's the coffee. Oh. Oh, Jimmy, you know I want you to win. I'm just as anxious as you are. And gee, when you lose this one, just think how much better your chances are on the next one. Uh, fine chance anybody's got to win again and think that everybody going around saying coffee keeps you awake. All right, all right. Let's go downstairs and drink a gallon of coffee and see which one sleeps the longest.  Jimmy! Yes, Mom. Oh, Jimmy.   I am not a sap. Nick's. Two can live cheaply as one, you know. Who wants to live cheaply? Jimmy, what would you do if you won the $25,000? Stick in the bank? Wouldn't you even buy a little ring or something? Oh, what's the use of talking about it, honey?   Anything you wanted. We'd be happy, all right. Oh, we could be happy anyway. When you say that, you just make me mad.  She's never been to the country for more than one day and never had any nice furniture. The dream of her life is the Davenport that turns into a double bed at night with a crank. She's never had a decent dress except what she's made herself. And my old man, hmm, worn out at 48 and died because he couldn't afford a decent doctor. So I earn $26 a week and you want to get married. And I earn $18 and that makes $44. Sure, sure. And you've got your ma and I've got mine. And then we have a baby and you have to stop work and we're right back at the same old $26 again. Except then there's you and the kid and the two old ladies. Oh, but Jimmy, do I... Nick's, honey, Nick's. They didn't give you risks like that and hands like that to spoil them scrubbing floors for a dope like me. The man's got to look out for himself in this old world and the girl's got to do the same instead of fooling away her time on a guy like me unless he crashes through. Oh, you make me tired. Then go to bed. Well, that's a nice thing to say. You invite a girl over to your roof and then yell at her. Listen, if I wanted to be insulted, I could have gone out with a credit manager. Who's stopping you? Well, thank you very much. It's very nice to know just where I stand. Oh, oh, oh, I'm sorry. Maybe I will go out with a credit manager. Good night. Wait a minute. I'll help you with that skylight.     Wise guy. Now, don't fall down the ladder. I've been down the ladder before. You fell down it before, too. Good night. Yeah, see you at the office. Aren't you gonna take me? Hmm? Well, okay. Good night, Jimmy. Good night, honey. Good night, darling. Good night, darling. Good night! Hey. Hey, Charlie. Yeah? I gotta go out to the hall to phone. Tip me off to the boss comes in, will you? Yeah. Well, you've got a phone. Oh, the Maxfield House coffee company. Maybe they picked the winner of that slogan contest by now. Oh, go ahead, Jimmy. If I see what I bury out, I'll warn you. Thanks. I'll be right back. Hey, Al. Get a load of that. I wonder what one of those suckers would do if they ever did win anything. Well, it's very easy to find out. Huh? All you need is a telegram blank, some scissors, and some glue. You type it out, cut it in strips, and glue it in the blank. Holy mackerel. You mean like a gag? We work this gag on Jimmy Shore. We'll pick up a telegram blank at lunchtime, leave it on his desk. You think he won $25,000? Oh, brother. Well, you see his kiss, and when he reads it. Well, you're happy to inform you that you have won the Maxfield House coffee contest. I was just wondering if the jury's reached a verdict yet on the contest. Oh, the haven? Oh, in a minute, huh? Well, thanks a lot. Goodbye. Oh, I gotta win it. I gotta. You, uh, sent for me, Mr. Waterbury? Close the door, McDonald. You had a good lunch, McDonald? About the same as always. Nothing wrong with your appetite. You feel well. By sure. I feel fine, Mr. Waterbury. I've been watching you for some time, McDonald. Yes, sir. You used to make me kind of nervous. Not nervous anymore? Oh, no, sir. Look at this. Your morning worksheet. The comtometer you operate is almost foolproof, McDonald.  To what do you attribute this? I, uh, I don't know, Mr. Waterbury. Have you troubles at home, then? You play the races? Or are you simply incapable of doing your work? Well, I, oh, I guess it's the contest, Mr. Waterbury, the Maxfield House contest. It's been on my mind. I had no idea it was hurting my work. Oh, and how much is the prize? The first prize is $25,000. Ah, yes. I used to think about $25,000. And then one day I realized I would never have $25,000. And then suddenly another day, considerably later on in life, I realized something else. I may not be a rich man, but I'm not a failure either. Ambition is all right if it works, but no system could be right where only half of 1% were successes and all the rest were failures. No, I'm not a failure. I am a success. And so are you. If you earn your own living and pay your own bills and look the world in the eye, I hope you win your $25,000, Mr. McDonald. But if you shouldn't happen, who don't worry about it? Now get the heck back to your desk and try to improve your arithmetic. Yes, sir, Mr. Waterbury. Thanks a lot. That's all right. Hey, hey, what's this? What's what? Well, this telegram. It got me. Get just brought it in. What's it say? Huh? Wow. Wow. Betty. Betty, Betty, come here. Everybody come here. Jimmy, what's the matter? Honey, honey, quick. Everybody, come here. This telegram. Wow. Boys and girls, there comes a time in everybody's life when you just got to climb up on your desk and let her rip. Yippee. Hold on, everybody. I've just won the $25,000 Maxford House contact. Oh, Jimmy, you're cool. Oh, that's wonderful. Yeah, thank you. Thank you. Look, do you think I could use the company phone for just one call? Help yourself. Thanks, thanks. Hello? Hello? Oh, I'll store you 5597. Oh, this is really going to be good. That's where he lives. Hello? Hey, Mr. Schwartz.  Yes, it's very important. Thank you, Mr. Schwartz. I'll let you use my phone all you like when I get one.  Hey, shh, shh, quiet now, quiet, quiet. Shh, quiet, everybody. Hello, Mom? Mom, now don't get scared. No, of course I'm not hurt. Mom, listen, listen. Are you a rich woman or a poor woman? No, I'm not crazy with the heat, Mom. Look, Mom, you can go out by yourself anything you want, new furniture, automobiles, new dresses. Oh, the electric washer. Yeah, yeah, the electric washer. You know the one you like, the green one? It's yours, Mom. Hey, Charlie. Yeah, this ain't so good. Yeah, and the Davenport, the one that turns into the double bed with the crank, it's yours, it's all yours, and anything else you want. Listen, guys, this is going to cost us one Davenport. I'll tell the world I got a raise. And how he got a raise? Look, we just got to put him out of his misery. Yeah, some gig. I didn't know he'd go nuts like this. Hey, look who's coming, Mr. Baxter. Yes, everything's wonderful, Mom. Well, I'll call you back. What's going on around here? What is this, football game? What are you doing out here? What are you doing up on that desk? Never mind what you're doing, you're fired. What's your name? James McDonald, sir, and this is my fiancée, Miss Casey.  Well, what's so funny? What is it? Waterberry, where are you? I demand an explanation. Mr. Baxter, I really see no point in firing this land. If anyone ought to be fired around here, it's me. Never mind the noble gestures. I'll decide what's what around here. Waterberry. Wait a minute. You don't understand what's happened, Mr. Baxter.  And anything that happens to them happens to you. This young man you fired has just won the $25,000 Maxford House slogan contest. And in my opinion, that's ample reason for this demonstration. Well, I should say it is. Congratulations, young man. Thanks.  Well, I've always liked it here, Mr. Baxter, but a little raise would come in handy. And you really won the Maxford contest, eh? Here's the telegram. And what was your slogan? Oh. If you don't sleep at night, it isn't the coffee. It's the bunk. Well, it's a play on words. It means if you don't sleep at night. But coffee keeps you awake. I know. Yeah, but don't you see this Viennese side? It's a very clever slogan, just the same. It isn't the coffee. It's the bunk. Excellent for the entire industry. Eh, you didn't happen to get any ideas for Baxter and son while you were inventing slogans for our competitors. Did you? You know, we make coffee, too. I certainly did, Mr. Baxter. I've been trying to give ideas to the advertising department ever since first came here, but there won't listen to me. Well, how would you like to come into my office and tell me a few of these ideas? Yes, sir. I'll wait here for you, Jim. Oh, no, no, no. You come to my dear. My, my. 25,000 smackers. Mr. Baxter, Mr. Jenkins, Mr. Babcock. Hi. I tried to find a slogan for Baxter's coffee, too. One that would imply that Baxter's was the finest coffee made. The aristocrat of coffees. Aristocrat Babcock. Revise your thinking. Aristocrat? Oh, no, no. That's been used too much. Oh. And what is your slogan for Baxter's, Jimmy? Baxter's. The blue blood coffee. It's bread and the bean. Ah. Ah. Jenkins, what's your reaction to that? I'm mulling it over, chief. The blue blood coffee. It's bread and the bean. That's it. Bread and the bean. It's wonderful. It is? I mean, it is.   Thank you.  But if you'd care to have a little office here. Oh, you mean all to himself with his name on the door? Naturally. And with you as his secretary and, of course, a reasonable increase in salary. I see no reason why we shouldn't shake hands on it now. Oh, Jimmy, quick, shake his hand. Sure. Well, gee, gee, Mr. Baxter, thank you. That's, well, that's fine. I, I just don't know what to say. Well, I think you've said quite enough, my boy.  I'd certainly appreciate it. Do you suppose Betty could come along, too? Why, of course she can. And the little bird tells me just where you'll be headed for. Some little jewelry store I'll wager, huh? Well, I guess you're not very far along, Mr. Baxter. But first of all, I think I'll go over to Maxford to house and pick up that little check. Oh, yes, we'd almost forgotten about that, hadn't we? Oh, not me. I hadn't. What was your slogan for Maxford again? It isn't the coffee, it's the bunk. Isn't that marvelous? It isn't the coffee, it's the... But, but, uh, it's bread in the bean. That's the one for my money. Functional, precisely. Well, I don't know how to thank you all. Well, goodbye. Goodbye. Goodbye. Thank you again, Mr. Baxter. Oh, not at all. I had my eye on that boy for some time. A big future. Immense. Jimmy. Hey. Hey, wait a second, Jimmy. Hi, Harry. What's on your mind? Need a few bucks? Oh, hello, buddy. Jimmy, uh, could I talk to you for a second? Alone? Uh, could you beg it tomorrow, Harry? Gosh, we gotta go over and pick up that check. They might think we weren't grateful or something. But that's just what I want to talk to you about. You see, Charlie and Al and I, we, uh... Hello, Mr. McDonald. Yes, sir? Was that its bread and the bean or just bread and the bean? Oh, it's Mr. Baxter. You see, just bread and the bean might sound like... bread and the bean, I'll fix that one. Might sound like bread and butter or something like that. Yes. Yes. Naturally, I don't know why I didn't realize that. Is that all, sir? Of course. Have a nice time and don't spend all your money. We won't. Well, goodbye. Goodbye. Goodbye. Great mind. Oh, did you wish to speak to me, petty pass? Who me? Oh, no, sir. I'm just watching them go out. Well, well, it's been quite an exciting day, hasn't it? Yeah, and it ain't hardly even begun yet. Before we present act two of Christmas in July, starring Dick Powell and Linda Darnell, Libby and I want you to decide an argument that's been going on between us. Oh, not really an argument, Mr. Kennedy. It's a debate. Well, whatever you call it, the question Libby and I have been discussing is... Do women dress to please men or other women? I say to please you men. But just try asking a man to describe what a pretty girl is wearing. He can tell you the color of her hair, whether she has good-looking legs and nice hands, but... Maybe he can't describe her dress, but he'd know it all right if it were unbecoming. Well, to be honest, there's one thing a man does notice, and that's the color. Now, I saw a girl in a red dress the other day and... Oh, you see, you've admitted my point. But seriously, it is important to wear becoming colors and to have everything you wear look color-fresh and lovely. That's why I talk so much about lux care for colors, Mr. Kennedy. Just a booby-trap for us men, huh, Libby? Well, not entirely, Mr. Kennedy. It's pretty hard on the budget if colors fade or run in washing. But here are the facts. Washing tests have proved that gentle lux care keeps colors lovely up to three times longer. That's a big difference. Indeed it is. Gentle lux flakes are safe for anything safe in plain water. You see, when you use harsh wash-day methods like rough handling or rubbing, strong soaps, and too hot water, well, delicate colors can't stand that kind of treatment. So whether you're dressing to please the man in your life or impress other women or to pamper your own pocketbook, the moral is... Dick to gentle lux flakes for colors. We both agree on that point, Mr. Kennedy. We pause now for station identification. This is CBS, the Columbia Broadcasting System. Act two of Christmas and July, starring Dick Powell, is Jimmy and Linda Darnell as Betty, with Raymond Waldman as Maxford. It's 45 minutes later, and blissfully unaware that they're victims of a practical joke, Jimmy and Betty are waiting in the reception room of the Maxford House coffee company. And the office of the president, Dr. Maxford, is percolating furiously to the announcer of his radio program. Contest. What good are contests anyway? Why, they make you a million enemies, and all they prove is that you've got too much money in the first place, since you can afford to toss a large chunk of it to some sap who probably never had a cup of your coffee in his life, but exists on goat's milk. Oh, it's deplorable, Doctor. Has the jury reached the verdict yet? I don't know, and I don't care. Well, maybe if they could hold off until our next broadcast. Oh, no, no, that would be the intelligent thing to do. That would be useful to the company that feeds and close them and sends their children to college so that they can grow up to be dumbbells like their parents. Well, what do you want? The contest, what is here, Dr. Maxford? All right, bring him in. Yes, sir. Well, how do you like that? Then they've reached the decision. How do I know? I'm only the president. Why should that jury of impulses bother to tell me anything? I'll have their heads for this. Why, I'll... Well, come in. Well, how do you do, sir? I suppose I have the honor of addressing Dr. Maxford, I presume. Yes, well, this is Don Harper, and our announcer. And this is my fiance, Miss Casey. Well, it's certainly a pleasure meeting you. How do you do? Congratulations. Thanks. Here's the telegram, Dr. Maxford. Yeah? Oh, yes, yes, yes. Great pleasure to inform you. $25,000.  Oh, you aren't by any chance a coffee drinker, are you? Yes, sir. I certainly am. Well, that's surprising. You don't buy any chance to drink my coffee, do you? Well, no, sir. You see, we're both employed over at... Oh, yes, yes, yes. That sounds more natural. But we could easily change. Sure, I think it would only be fair. Oh, don't bother, Mr. McDonnell. I wouldn't want anybody to think that I had any base commercial motives in all this. I just... I just give my money away because I can't sleep at night. I have a guilty conscience. But that's my slogan. That's the one I won with. Oh, well, I guess you know all about that. A guilty conscience, eh? I can see that my money is well spent. That is a wonderful slogan. Oh, no, sir. The slogan is, if you can't sleep at night, it isn't the coffee, it's the bunk. I beg your pardon? It's a... It's a pun. It certainly is. Why, I... I can hardly wait to give you my money. Miss Slidewell. Yes, sir. Bring me that contest check.  But to be poor and unknown one minute and sitting on top of the world the next minute, that's a feeling nobody can ever take away from me. Oh, but it's more than that. It's the knowledge that Jimmy won this contest because he thought up a better slogan than anyone else. You see, I used to think I had good ideas and that I'd get somewhere in the world, but, well, now I know it. And that's what I want to thank you for, Dr. Maxford, even more than the money. Here's the check, Dr. Maxford. How do you spell your name, young man? Is it M-C or M-A-C? M-A-C, sir. James MacDonald. You know, it's customary under these circumstances to have a few photographers present or even a microphone or reporter. But since we do everything here on a highly non-commercial basis, I merely take pleasure in giving you this small check written out with my heart's blood, and that's all there is to it here. Well, thank you. Thank you, Dr. Maxford. I don't know how I could ever find words to... Never mind them. Just good-bye and good luck. Oh, Jimmy, just look at it. Just look. Oh, boy. Now, Miss Slidewell, get me Bill Docker! I tried to, sir, when I got the check. He isn't in his office. Well, where is he? Down the lobby to the yo-yo? You find him and tell him? Never mind. I'll find him myself. When I... it isn't the coffee, it's the bunk. Jumping Jerusalem! You know what? We could get everything here, the ring and everything, all in this one store. Can I help you? Oh, that diamond ring there in the showcase. Oh, it's so beautiful, Jimmy. Holy smoke, I should say so. But here's a ring of more practical dimensions. Firey little devil, isn't it? Does a magnifying glass come with it? I was only trying to be helpful, that's all. It's immaterial to me how big a stone you'll look at. Ah, fresh guy. Yeah, what do you think of this, for instance? Boy, how much is that one? $12,000. We wouldn't care to spend that much. No, that's what I thought. Well, I could have felt like it. Oh, you could. Well, that puts everything on an entirely different basis. Now, let me see... Oh, Jimmy, I'm in love with that one. They're in the case, sir. Ah, yes, well, there's no denying. It's a lovely little rock. Well, then I guess we'll take it. Yes, sir. Of course, I haven't got the cash with me, but I got a check here. And may I see the check? Sure. Well, he just won the Maxford House contest. See, isn't it wonderful? Well, I'll be... Mr. Schmidt. Mr. Schmidt. Oh, for heaven's sake, congratulations. I might say $25,000. Congratulations. Yes. Mr. Schmidt kindly cut a groove, will you? Watch closely. I merely remove the two cushions, press the button mark night, and with one easy push of the finger, it changes into a double bed. Comes morning, a turn of the crank and presto. It assumes the characteristics of the finest Davenport money can buy. It's called the Davinola, Mr. McDonald. Price? $198.50. Uh, plus tax. We'll take it.  I beg your pardon. Oh, this is Mr. Schindel, the owner of the establishment. Congratulations. And the check is good. I just found the Maxford Company. Well, how soon do you think you could send the Davinola? Mrs. McDonald's been waiting for years. It's very ready. Make it a special hillbinder.  Oh, no, thank you, Jimmy. We haven't got room. Well, we've got to get her something. We've got to get everybody something. Well, say mom's been wanting a new iron for a long time. She's got it. Compliments to Schindel's. Free, she's got it. Betty, we got, we got to get something for Mrs. Schwartz and a doll for Sophie. Oh, yeah. Then there's old Mr. Zimmerman and the Casey kids. Oh, but Jimmy, we've spent so much, honey. I mean, the ring and the silver fox jacket. Nonsense. The Fennigan kids and Pintroben, Goldstein. Well, Tony Marzappo. And Mr. Romanoff. Look, you just better work up one side of the street and down the other. Wonderful. Okay, Mr. Schindel. Where's the toy department? The trucks, Mr. McDonald, all loaded. They'll shoot right uptown with everything. Gosh, thanks. And for you and Miss Casey, a Texacab. Also compliments to Schindel. He'll buy it. Put in the other packages. Yes, sir. Oh, how can we ever thank you? And that's not all. From Schindel's fernary, a beautiful orchid for the lady. Oh, Jimmy Love. An orchid. Oh, look, Mr. Schindel, I don't like buying all those things without paying for them. Nonsense, Mr. McDonald. We know an honest man when we see one, don't we, boy? Yes, we'll do all that. Well, Mr. Schindel, why don't you take the check and give me the change? We should have changed for such a check. Well, I'll bring you the money as soon as I put the check in the bank. Who's in the hurry? Drop in anytime. Drop in tomorrow. I certainly will, sir. Well, goodbye. Well, the taxi's all ready. Thanks. Goodbye. Goodbye. Come in and see us again. We will.  What a business. Happy, Jimmy. I feel kind of good myself. Can you see the faces on everybody when we get there? Yeah, like Christmas in July. Well, happy new year. Oh, it will be a happy new year, too, darling, from now on. Everything new and clean and different. And just think, Jimmy, no more worry. No more worry. That's the only terrible thing about being poor. Say, what kind of a house are we going to have? Any kind you like. How about a penthouse? They come kind of high, don't they? Oh, I was...  Will you love me always? Of course I will. For always and always? I don't know why not. It might be a long time. It might be an awful long time. I hope so. The longer the sweeter, baby. Yeah. Oh, gosh.  I know. My niving. He drinks, too, once in a while. Oh, but, Jimmy, he never takes a drink unless something terrible has happened. Mightily lost his job. But he said he got a raise. A raise? Who gives raises these days? Listen, that lawyer's in the street. What is it? Maybe a funeral. Look, right in front of the house. Such a congregation. Look, there's Betty. She's bringing him home and a taxi cab. Well, don't you worry, Mrs. McDonald. Maybe just a little accident. The leg may be a ruffinger. Mom. Jimmy, boy. Jimmy, there's something here for everybody. And what isn't here soon will be three truckloads. Wait a second. Oh, here's her doll. Sophie. Hey, where's Sophie? Jimmy! Here, darling, in this box. Hey, somebody find my mother. And look at this, everybody. Oh, what's happened? Are you drunk? Are you hurt? Mom. Jimmy, what's going on? Mom, mom. Now, look at me, mom. I'm fine. And everything I told you is true. The Davenport's on the way here and a lot of other stuff. Special trucks. Oh, wait till you see, mom. A raise. Oh, glory. Mom, mom, sit down. Sit down on the curb. It doesn't matter. I'll get you a dozen new dresses. Yes. Look, Bobby, here's a check. $25,000. Jimmy, oh. Oh. Hold on to it. And I'll be right back. Hey, somebody find the ice cream wagon. Free ice cream, kids. Free ice cream for everybody. Oh, now look, Bill Docker. Get wise to yourself. If the slogan's good enough for the 11 of us, who are you to say that it smells? You smell. One more crack out of you. I'm Bruce and I'll bust you right on the nose. Sit down. Both of you now look, Bill Docker. The public was promised they'd hear us announce the slogan winner last night on the radio. So we couldn't agree and we didn't announce it. We got to announce it by next Wednesday. And I think it's high time we talk this over in a nice, friendly way, of course. Stop what over. Everybody but you says that this slogan is just what the doctor ordered. Maxford's magnificent and mellow. It's brief. It's smooth. It's pungent. It's putrid. And just why is it putrid, Mr. Bill Docker? Because it smells. Well, well, so there you are, Bill Docker. And all the rest of you playing poker, I suppose. All right. Now that the contest is over, I wonder if you would be kind enough to go get back to your offices and try and sell a little coffee for a change. Or am I becoming too commercial? And while I'm on the subject, I just want to tell you that of all the groups of fatheads that have ever had the misfortune to gaze upon, you take the large pale. And what about the contest? Well, what about it? Now that you've killed it, what do you want to do? Hold the postmark on it. Don't you want us to choose a winner? You did choose a winner. Who chose a winner? We certainly did not choose a winner. Well, you certainly did choose a winner. You, if ever... What do you mean you didn't choose a winner? I mean we haven't reached a verdict yet. Well, you certainly have reached a verdict yet. And what are you trying to do?  We have not. Then why did you send him a telegram telling me one? Answer me that. Send who a telegram? Mac-Mac-Mac-Mac-McTavish. We didn't send any tele... You didn't... Who's Mac-Tavish? Mac-Mac-Mac-Mac-Mac Well, you certainly did send a telegram, Yomping Jerusalem! Get my lawyers! Which one? Schrammels, Schimel, Abercumber and Schlitz! Get the police! You can't do that. Quiet! Quiet! And get me chendral brothers. The important thing at a moment like this is to remain cool and collected. Collected! Holy Moses! Call the bank! What is the matter with everybody? Call my bank! Look, Anthony Jimmy, it's so wonderful I could cry. It's the best time they've ever had in all their lives. The whole darn neighborhood. You see what money can do, honey? Things like this. Well, get another load. It's all on me. You didn't forget anyone, Jimmy. A present for everybody. Everybody but yourself. Well, I am on a present for her. I've got you. Thank you, darling. Look, here comes the truck with mom's dappin' boy. Oh, she'll love it, Jimmy. She's, say, Jimmy, isn't that Mr. Shindle getting out of the truck? Oh, but he didn't have to come down here himself. Come on, baby. Take it all away, boys.  Hey, what's the big deal? It happens to be my scooter. What do you mean? Jimmy McDonnell gave it to me. And when I get through with that low life of McDonnell, I'll be sure to tell you what's going on around here. Rest them, officer. All these people, arrest them.  Yeah.  It's the property of Shindle Brothers. And who's got it now? You got eyes, these loafers. Enjoying themselves with some of my best numbers. You, young lady, come back with that dolly buggy. Now, beat it, kid. Beat it. Have a good time. I tell you everything is stolen, down to the last Pogol steak. Stolen? What stolen? Grab him, officer. That low life. He comes to my store with a phony check. And when I ask him to- Phony check? Low life. He ain't even had the decency to run away. Hey, now listen, you. Officer, arrest that man. Arrest him. You starting that again. Now calm down and tell me what he's supposed to have done. I've been telling you. He's supposed to walk into my store and flash a sour check in my face. He's supposed to walk out with a diamond ring, which I suppose I don't see on that young woman's finger, I suppose. And a nice forecoat, which I suppose he ain't showing off in spite of the weather. Was Jimmy in his store, Betty? Well, sure he was. So was I. Jimmy offered him the check, but he didn't want to- Rubber checks he offers me yet. Who says it's a rubber check?  Dr. Maxford, the Maxford house. Maybe he's nuts. Listen, Dr. Maxford gave Jimmy that check himself. I saw him. If Jimmy says somebody gave him a check, then somebody gave him a check. No, Mom. Take it easy. It's just a little mistake somewhere. OK, OK, Schindler. Go on home. Think it over. Listen, you. I'll break you in so many pieces. You've- Get out of here.  This officer refuses to arrest you. Are you trying to intimidate an officer in the pursuit of his duty? Who's trying to imitate anybody? I only want my- Officer, officer, arrest that man. Yeah, that's been tried before. Dr. Maxford, have you- Speak to me, young man. What are you talking about? I just wanted to tell these people that you gave me a check. What check? What check?  Let me see it. Certainly, here. Oh, that check. Well, now I feel better. Wait a minute. A crook? Destroying evidence? Who are you, you burglar? The shindle, you schnook. Who are these people thrown in jail? Listen, Mussolini, I'm not gonna- Dr. Maxford, there's been something wrong. Why don't you- Why did you give me the check? Why did you send me the telegram?  I never heard of you. Well, you're not going to say you didn't give me the check. That was entirely a mistake.  You mean I didn't win? You know perfectly well you didn't win. But, but gee, I- Wait a minute. He's entirely responsible. This is Maxford. This is an honest boy, ladies and gentlemen.  I should take back the merchandise I sold in good faith.  Enjoy it in good health, my friend. A present from Dr. Maxford. I'll see you in Hoboken before I pay for anything. And I'll see you in court where I guarantee you will pay for everything. Where I pass the ice cream cones around with love from Dr. Maxford. He's paying for everything, including court costs. Well, there's, there's one present I have for you here. Oh, obviously.  OK, OK, the two of you. I'll teach you to make trouble on my beat. You're going for a ride. Both of you, come on. Jimmy, where have you been, darling? Oh, just walking. Everybody's gone now. I've been sitting here on the steps waiting for you. I couldn't face them, Betty. Look, supper's ready, Jimmy. Been ready for an hour. Yeah. Oh, it doesn't matter, honey. You can't lose something you never had. I don't want his old ring or his old skunk. You know, what I can't figure out is who sent that telegram. Jimmy. Isn't that Harry coming down the street and Charlie? Yeah, they're carrying something. Well, it looks like it's, it's a Davenport. Well, there's Al, too. Hiya, Jimmy, Betty. What in the world are you all doing? We, uh, we got something for you, Jimmy. It's a kind of Davenport. Is this the kind Jamal wanted? The crank fits on here. And when you turn it, it makes it to a full-sized double bed at night. The guy says it works well. Oh, I don't know what you had to go get that for. Well, we kind of hoped to make up for that funny telegram we'd rigged up. It was supposed to be a gag, Jimmy. Just a gag. Wasn't a very funny joke. We're sorry, Jimmy. Oh, Jimmy. Oh, I see. I, I, I get it. Well, thanks for the Davenport. You can bring it upstairs if you want to. Oh, gee, thanks, Jimmy. Who was awful worried? We figured maybe you'd be sore or something. No, I'm, I'm not sore. If you're going up now, tell my ma I won't be home for supper. Sure, we'll tell her, Jimmy. OK, guys, let's lug her up. Jimmy, where are you going? I don't know. May I, uh, go with you? Hm? No, if you want to. It doesn't matter.   See if you can tell the difference between these two sounds. Yes, one short and one's long, but that's not all. Listen again carefully. That's right, the second one lasted three times longer than the first. Now that's exactly what can happen with your undies. If you wash them the wrong way, they soon look old and drab. But if you use lutz flakes, they can stay lovely three times as long. Quite a difference, isn't there? But it's true. Actual washing tests proved it. We purposely washed pretty slips in 90s the wrong way, you know, with strong soap and too hot water. You should have seen them after 30 washings of that kind. Half their color was gone, and some of the straps and seams were frayed and pulled apart. But then we washed the same kind of undies in gentle lukewarm lutz suds. And they came out beautifully. Still colorful and lovely and new looking. Now I know you don't want to ruin perfectly good undies proving to yourself what wrong washing can do. So take it from me. Don't risk your undies and soaps that are strong. Lux keeps them new looking three times as long. Now our producer, Mr. Lionel Barrymore. After the play, we'll have a chat with our stars. But now the curtain rises on the third act of Christmas in July, starring Dick Powell and Linda Darnell with Raymond Walburn. A few hours ago, Jimmy McDonald had $25,000 in cash and a couple of million in self-confidence. Right now his physical assets total about $0.95. And spiritually, well, there's more starch in your laundry bag. Jimmy's wandered all the way downtown. Force of habits brought him now to his office building. Betty's still at his side, and she says nothing when he takes the elevator to the floor marked Baxter and Son. Hello, Sam. Careful, sir. You don't slip on the floor. I've just been mopping up. Oh, evening, Miss Casey. Hello, Sam. Funny how different an office seems at night. Well, I always say how funny this office looks in the daylight. Forget to turn out the light in Dr. Baxter's office, Sam. Oh, no, sir, no, sir. I don't forget. Mr. Baxter, he's still in there, conniving away on something or another. Well, you hoped he'd be here, didn't you, Jimmy? Oh, and in a way, I guess. I hoped he wouldn't be. Why don't you wait and tell him in the morning? Sure glad to hear about you. Good luck, Mr. Jimmy. You wouldn't be needing a valley now, would you? No, thanks, Sam. Well, sir, I guess you's right. Pride ride before a fall. But it's sure everybody that hits the jackpot while they's young and all. You said it. Oh, look, a kitten. Yeah. Hello, cat. Sam, is it good luck or bad luck when a black cat crosses your path? Well, miss, I always say that depends on what happens afterwards. You said it, Sam. And it sure don't happen to everybody, sir. Oh, uh, your new office is ready for you, Mr. Jimmy. Yeah, so I see. You see the door? The painter man just got through. You see what it says on the door? Let's look at it, Jimmy, huh? Yeah. Mr. James McDonald. Oh, it's beautiful. Careful, I guess the paint's still wet. I guess it wouldn't hurt if we went in and sat down for a minute. It was going to be nice, wasn't it? Oh, now stop it, honey. Come on, cut it out now. Please, Betty. May I come in? I heard you talking to Sam. Oh, I was just coming in to see you, Mr. Baxter. We stopped him to take a look at the office. Well, I hope you like it. Oh, it's just lovely, Mr. Baxter. Yes, it isn't every young man who gets his own office and a private secretary at your age. The great many of them, I'm afraid, it would go to their heads. But I think you have your feet pretty solidly on the ground. Thank you, Mr. Baxter. I mean it sincerely. Mr. Jenkins and I discussed our little meeting at great length. And I want you to know that we were genuinely impressed. Genuinely so. Well, that's certainly nice to hear, Mr. Baxter. Yes, the more we thought about your ideas, the more aware we became of their pungency, their brevity, of their sparkle. Thank you, sir. It's certainly nice to hear. Yes, you have a genuine talent for slogans. Must be like having an ear for music. Now, take me. I sing flat.  It's bread in the bean. Hot, sing at him. Well, it's certainly wonderful to hear, Mr. Baxter. I kind of got something on my mind, but you certainly made me feel a lot better. I'll wait you. He has something on his mind. Miss Casey. Oh, it's really not what you're probably thinking, Mr. Baxter. Oh? Well, it's just this, sir. Now, look, if my ideas were good this afternoon, then they're still good, aren't they?  They're still the same idea. Well, of course they are. Of course they are. I'm not quite sure that I receive your thought. Well, I mean, if you thought the ideas were good this afternoon, you still think they're good, don't you? Well, of course I do. Why? Well, I mean, since they were good, and they're still good, they'd have to be good. And then it wouldn't make so much difference if I did. It wouldn't make any difference. Oh, any difference if I hadn't won the contest, the Maxford House contest, would it? Of course it would make a difference. Oh, it would. Well, certainly it would. Well, why? I'm no genius, but I didn't hang on to my father's money by backing my own judgments, you know. I make mistakes every day, sometimes several times a day. I've got a whole warehouse full of mistakes. I should say it would make a difference. You see, I think your ideas are good because they sound good to me. But I know your ideas are good because you won this contest over millions of others. Yes, but you see, Mr. Baxter, I... It's what you might call commercial insurance. It's like a racehorse. If a horse wins the Kentucky Derby, well, then you back him for the preakness. But I didn't win it. The preakness? The contest. I didn't win anything. It was a joke. A joke? That's what they meant it to be. Who did? Well, some of the fellows. They didn't mean any harm. They just wanted to see how I'd look when I got the news, I guess. Well, just you give me their names and we'll see how they look when they get some news. I wouldn't care to do that, Mr. Baxter. I... Oh, well, it doesn't matter. What do you mean it doesn't matter? After I spend a whole afternoon listening to a lot of baloney entirely predicated upon the winning of this contest and giving you this office. Well, Mr. Baxter, how about it's bread and the bean, the blue blood coffee? Well, I don't know what about it. We'll find that out. There's plenty of time for that. But I won't be made a fool of you, understand? I can't go around handing out private offices and secretaries on the strength of a practical joke that I personally consider far from funny. Yes, sir. Yes, sir. It'll be kind of hard to face that gang tomorrow from back of the old desk. It would be just as hard to face them in here if you didn't belong here. Uneasy lies the head that... He does belong in here, Mr. Baxter. Well, what is the joke this time? He belongs in here because he thinks he belongs in here. Because he thinks... Oh, that's all very deep-dish and highfalutin, but far from practical. It is practical, Mr. Baxter. It's the most practical idea you ever had. He belongs in here because he thinks he has ideas. He belongs in here until he proves himself or fails, and then somebody else belongs in here until he proves himself or fails, and then somebody else after him, and so on and so on for always. Oh, I... I don't know how to put it into words like Jimmy could, but all he wants, all any of them wants, is a chance. A chance to show, to find out what they've got while they're still young and burning, like a shortcut or a stepping stone. Oh, I know they're not going to succeed, at least most of them aren't. They'll all be like Mr. Waterbury soon enough, but most of them anyway, but they won't mind it. They'll find something else, and they'll be happy because they had their chance because it's one thing to muff a chance when you get it, but it's another thing never to have had a chance. Oh, please, Mr. Baxter, his name's already on the door. Well, if anything decided me, that would be it. Oh, Mr. Baxter? Now, you've talked enough. Desk has already been moved and the name has been painted on as you so skillfully point out. So we'll try it for a very short time and at no advance in salary.  Yes, sir. And for a very short time? Yes, sir. After all, this is a business institution not a cultural or governmental project. Oh, you'll never be sorry, Mr. Baxter. Yes, well, I'm a little bit sorry already, so just let it go with that. Good night. Try to be on time in the morning. Oh, sure. Jimmy, Jimmy. You were wonderful. You'll always be wonderful. I'm just a little bit leery about me. Oh, don't talk like that, Jimmy. This is the chance of a lifetime, darling, and you know you've got what it takes. You know it. I don't know. I never did know it. I've got the telegram, and I don't know anymore. I'm like Mr. Baxter. That's why I understood him and didn't say anything, see? Well, even if it shouldn't work out, it's brought us together, darling, and that's something. Listen, I've still got the ring to prove it, and you can't back out of me now or I'd sue you. We've plenty to be thankful for, Jimmy.  Well, let's go. There's a cat again. Oh, maybe he brought us luck, Jimmy. Maybe. Good night, Sam. Good night, sir. Good night. What's so funny? I was just thinking how ridiculous Dr. Maxford looked this afternoon arguing with Mr. Schindle. That poor old buzzard. Little doctor of all the colossal gall. What do you mean by coming to my home and waking me up? I got some good news for you. It took a little doing, but I finally won those clocks over. What a jury. Well, it just doesn't matter anymore. This has been the stupidest, the most asinine, the most infuriated. But wait till you hear the winning slogan. But I don't wish to hear the slogan. I don't wish to hear another word about the whole mess.  Listen to this. Is this good? If you don't sleep at night, it isn't the coffee, it's the bunk. It's what you call a pun, and believe me, some pun. We just sent the winner a telegram, a guy by the name of James McDonnell, and why Dr. Maxford, how pale you look. Just a moment, our stars will return for a curtain call. These days, all our thoughts are on the job our fighting men are doing. It's up to us to back them in every detail. They'll need more and more supplies, ammunition, synthetic rubber tires, yes, and drugs for the wounded. Your used kitchen fats help to make all these things. So keep filling up that can on the back of your stove. You know, ever since D-Day, I've tried to double the amount of fat I've been saving. The way I see it, our boys are doing an all-out job in Europe, and we've got to do an all-out job here at home, too, all the little jobs that add up to so much, like saving every last drop of used fat. Now that we can have meat more often, it should be easy to turn in twice as much as we used to. And even though meats aren't rationed, those two red ration points tokens you get for every pound of waste fats still come in handy for steaks, certain kinds of cheese and butter. You know, Mr. Kennedy, there's one thing I don't understand about that. What's that? Why is it that they give us points for used fats when we don't have to pay any for new ones like shortening and lard? The government doesn't want to use good cooking fats for industrial uses, unless it's necessary to do so. Well, I should hope not. So they're asking women to turn in old burned used fats for our warplants. Keep right on saving every drop of used kitchen fat. Keep it in can right by the stove. Then take it to your butcher when it's full and collect two points and four cents for every pound. It will be on its way to a war plant in three weeks. Keep on saving used fats. Now, here's Mr. Barrymore with our stars. Now, in any theater I've ever seen, this is the time for a curtain call and nobody's ever earned one more than Dick Powell and Linda Darnell. Thank you, Lionel. It was swell working with you. Dick, you better call me L.B. L.B.? Yup, it's a rule here, you know. The producer has to be called by his initials. Well, I guess when you first came to Hollywood, Mr. Barrymore, things were a little different than they are now. When I got off the train, Linda, there were hundreds of Indians all over the place. Oh, then you were here before Mr. DeMille, huh? No, the Indians were working in one of DeMille's pictures. I was a youngster of 35 or so. Oh, how old were you when you started in pictures, Linda? Oh, 15. Lionel probably started on the stage about the same age, huh? No, no, Dick. No, you see, everybody in my family was...


August is hot, and so are the savings at Appalachian Wireless, where all smartphones are 50% off. Even the 64, 128, and 256-gig models. Two-year agreement required. Better service, bigger savings. That's today's Appalachian Wireless, an East Kentucky network company. A grand jury in Pike County returned a 14-count indictment against eight people this week, accusing them of engaging an organized crime in a drug trafficking ring involving crystal meth and vitamin, or ICE. 44-year-old David Shane Ferguson of Shelby, 22-year-old Jeremy Ratliff of Shelby, 42-year-old William Riley of Elkhorn City, 50-year-old Mark Wesley Wilson currently incarcerated in Montgomery County, 21-year-old Deborah Lynn Ferguson of Shelby, Wendy Ratliff, aka Wendy Mullins, 40 of Hopkins Fork, Pikeville, and Shannon Johnson, 41 of Dorton Jenkins Highway were all named in the indictment and charged with engaging in a criminal syndicate in trafficking in a controlled substance. Also named, 33-year-old Kelly Bice of Neon in Letra County, who was allegedly in possession of 70 grams of crystal meth in March and was indicted for trafficking in meth in just the last meeting of the Pike County grand jury. The information received by police authorities is that he had been making regular trips from Georgia to Eastern Kentucky to distribute ICE. During one of his other cases, he was recently indicted after having been found in a local motel room with about $30,000 worth of crystal ICE as well as several weapons. Pike Commonwealth's attorney Rick Bartley said the meth those indicted are accused of pushing is being imported into the U.S. from a foreign country, likely Mexico. He said the members of the alleged syndicate had only a loose affiliation, but were working in concert with one another. They didn't all meet every day and decided let's go out and sell this like magazines, but they knew when drugs were coming into the county, they knew when they could pick them up, they knew when a new shipment was coming in, and so they would come and get their shipment and go out and and sell them in various areas here in the county and in the city. Those indicted could face up to 20 years in prison on the criminal syndicate charge alone. Kelly Bice is now facing a combined 30 years in this and the previous indictment. In Pikeville, Chris Anderson, EKB News.


Forensic cleaners move in once police and forensic officers have vanished at the scene. They're often not told how a person has died when called upon to clean the scene of a death, but from what they can see can give them some ideas. Crime scene cleaners grisly encounters on a daily basis. From the stench of aging, rotting corpses to blood spatter walls, the hardest part of the job is the smell. If you get a weak stomach, this certainly wouldn't be the job for you. The purpose of forensic cleaning is to remove any biological material from a crime or trauma scene and restore it to a liveable condition. Doing so safely often requires specialized equipment and knowledge that the average of population does not possess.


In today's video, I'm going to tell you how I built an extension arm for my medium-sized crosscut sled. The purpose of the extension arm is to allow me to put a 42 inch or 44 inch stop block on a crosscut sled that's only 20 inches wide. It's a little bit hard to put a stop block out here in the middle of nowhere. And I don't want to have a little sled and a big sled. I've already got a mini sled and a medium-sized sled. So here's what I came up with. I took three pieces of Baltic birch plywood and I cut them all three inches wide, about 44 inches long. You could do longer if you have the space. That was about all I could do and still be able to walk around it. I took those pieces of Baltic birch plywood and before I laminated them together, I put some various dovetail slots in going different directions. I wanted to make sure that I had in this one that's the furthest outside. I wanted to have an inward facing or one that faced toward me dovetail slot in at least two places, you know, within the distance of this wing here of my sled. So I've got that.  I then laminated these three pieces of Baltic birch together. And in order to get them to go straight, I put a 42-inch metal leveler with nice square edges on it against this. That's a technique I saw by 3x3 Tamar. She showed laminating some plywood together and, you know, while it's drying up, have it all braced with a leveler so that it would dry straight. That doesn't mean it'll stay straight forever. But when you've got three pieces of stable Baltic birch, it's probably going to last for quite a while without getting any curves in it. All right, so I laminated that together. I also put a little taper on these bottom inside edge here so that there's a place for sawdust. And then I routed a track for the depth of a T-track and I inserted a T-track into most of this. I just happened to use one that I had left over if I had a longer one. I probably would have used it, but I don't have any real need for it to be down here because I'm not going to use that stop block down here. When I'm doing cuts down here, I'm not going to have this. This will be hanging up on the wall. All right, so I have the T-track in there. I purchased this from Jonathan Katz Moses and it's his stop block. Really, really nicely engineered with the ability to do micro adjustments and also change the height. So that's a nice device. The other thing I did was I took a rule that is from FastCap and they sell that with a two-sided tape. I took about forty-seven inches of that and I put it down on this sled and then I cut it right at the zero spot. And I edged up and edged up and edged up to that until I could finally put down my measuring tape and see that it was accurate all the way along. So kind of a little calibrating. So now I have this fence. So if I'm going to do twelve, fifteen, two hundred and I need to get them to be forty-two inches long each or whatever the length is, which normally I wouldn't be able to do on this cross-cut sled. And I don't want to have different cross-cut sleds. I don't want to have a big, wide one for some applications and then a medium-sized one. I've only got so much wall space, folks. So I want to have one like this. Depending on how accurate I need to be, we'll determine how much time I need to spend in order to line up this edge where you can see where the kerf is. So most cuts you don't have to be that precise. So get that lined up and then use the match fit dovetail clamp from MicroJig and probably advisable to have it kind of secured in at least two places so it won't slide around or anything. The back fence here is perfectly ninety degrees. Well, within reason, I used the William Eng five-cut method to build my sled and I test it every once in a while. And if it ever got out of alignment, by the way, you could just use some painter's tape along the edge to make the proper adjustment. But so far, mine has not moved and has not needed it. And because this is ninety degrees, then this is nicest square and stable and so it's ninety degrees in the face here. And now I've got the ability to take this stop block and put it wherever I want to put it. So I did a bunch of cuts at 42 inches. So let me demonstrate that it's, and the whole idea of a stop block is repeatability. It's much more difficult to take 12, 15, 18 pieces of wood that you've dimension and just constantly measure all 42 inches in market. You're allowed to mark it differently.  So having a stop block is an extremely good idea. With a stop block, even if it was slightly off, not precisely 42 inches, at least all of your cuts are going to be precisely the same. And that's really what you're after. And that is how I accomplish having a stop block way out there somewhere beyond the margins of my cross-cut sled. Easy to build, easy to put away. Let me demonstrate.  Get one big enough for whatever you put up in your rafters to hang up some of your jigs. And I just hang that puppy right up there out of the way.  It's always nice to know that somebody actually made it to the end of the video and saw that I was requesting a comment. Any likes you could give me would be much appreciated. If you'd like to throw a couple dollars a month my way on Patreon, that is most appreciated as well. Small Workshop Guy, I hope you found this idea to be good for your little cross-cut sled. Take out those match fit drill clamps.  So again, stop saying so, stop saying again, just get ready to talk and then when you're ready actually talk. Now I'm a little concerned that's 42 inches precisely. Did I move that? That's 42 inches precisely, so why wasn't that lining up? Because I don't have a square edge here. That's not 90 degrees, something not 90 degrees here. That's interesting. I did that one of these in the slot. It's a little hard to get it flat at level. If you don't have both the 5-8 inch puppies in the slot, so let's try that again.


Na mbogi mbogi Anyway guys, did you enjoy that interview by Tui, Bogi, Bosti? Ya So people are doing great things, apa? Just so you know If you sit at home and you're wondering How do I make it in the music industry? This is indeed the best platform to look out for because you get some tips here and there You know, we have a coming artist like one I have in studio right now This is the third interview we're carrying out today Na maze Let me tell you Wera no wera Yes, I am with the one and only Mark Manza I feel like that wasn't the right intro So I'm gonna do it again He is an independent rap, hip-hop rap artist And maze, mi I love the fact that his first song is using his mother tongue And imagine it is a banga So many likes, so many views But I'm like yo bruh, for the first song anyway So Mark Manza, karibu kwenye show This is hip-hop Thursday We always drop nice awesome gomans here in the show Na luna taka uongeleshe yo fans You know? Na taka wambie why are you here? What are we going to do today? And which song are we dropping? Okay, so what's up guys? My name is Mark Manza And if you're watching, I hope by the end of the show you'll be convinced and become a fan Ya, that's if you're not Yes there I just have here to discuss music and music business Entertainment, that's it Exactly So I've been watching you Just so you know I've been following you to foodstuffs here And I won't mention where But I think I know you from somewhere Oh really? I know weird huh? Hey dropping bombs on the show Anyway, so we happen to be friends somewhere on social media platform But I'll reveal it to you later So I am honored to be interviewing you Okay So tell us about your journey in the I mean you say that you started back in school Ya So ebu tu eleze, Historia ya kukamamonamziki Amamonamziki ane ingiakwenye industrial music Tu eleze, a bit of your history, when did it start? And what has it been like? Um It's been like I don't know how to put it Loving a woman who doesn't love you back Oh Ya, ya, ya It's that cold if I was to sum it up It's been like one rain But um I started music when I was in Like After primary school Just before I got to high school Closet Ya ya after closet So before that I wasn't so much of a music guy But in closet I met this guy who It was my deskmate And he introduced me to all the cool music out there He was the guy who introduced me to Jay-Z And before that I wasn't paying much attention I was just like You know I was I was more of a book kind of person Because I grew up with books Ya but after closet I had so much time reasoning to music Because I have nothing to do else So Ya And one day I just found myself You know like Not into something And I was like okay Where did I hear that? And um I spent like the whole day trying to Like reasoning to radio Trying to figure out how I heard this song And um Like a week passed and I was convinced I came up with that And that was like how I started my music journey So that was before I joined high school Then I joined high school Of course doing the normal school stuff Like rapping and all that Um Then I started recording I actually started recording when I was in Form 1 But it didn't work out At Karif Records That project actually We kind of completed it but I think it's If they have their old files It's probably just there I never picked it So um That was it Then Kampas came In Kampas I tried to work on it But then of course finances That was always like a limiting factor So uh Eventually I was not able to work on it Up until now So 13 years exactly Bo 13 years of trying to get things right Ya just trying to tell this woman Let's go out for a date Ya she's like That's like the perfect representation of Boy child And struggles Anyway So you have been on a rollercoaster In the music industry Maybe when you are back at home Because you come from Aka County Okay it's not Aka It's a county on its own And maybe you can tell us about Nyandarua County And what it's like to be a musician Coming from that place Do you guys have You know recording studios that people go and I know but I just want to know Kuna mtu Nyandarua me toka Nyandarua Na nashanga Mark bedei uli fikaju Komiswezi get fair Nairobi But come on let's get to Nyandarua County at least Yo gimi aka liwi Ya um Well I come from Nyandarua County As you have said A place called Kinangop Um Growing up there was cool like You have the rivers to swim in But now they are dry I know So climate change So but ya that was the fun part of it But music wise I'm sure there are studios there I've never been to one But I'm sure they are there So maybe I was looking for certain quality I didn't go there But I'm sure if you're looking for a studio Find it in some parts of Ya of Nyandarua But I think Like back then I used to hike rides from You know towels Sintasi mamatu Like when I was in high school I'd be like I see when I ride back a towel When I was recording Too smart I mean How can you You're still in high school And then you make it all the way to Nairobi To just record This is you hustling while still in high school Ya while still in high school So you have to figure out Ya just because you're in a certain position Doesn't mean you can't figure out How to move to where you want Ya once you decide that's where I want to go It's up to you to now figure out How exactly to get there So ya Plus good thing with kids in Up country you keep rabbits You do a lot of hustles yourself So you have some money So you can use that Like fair sometimes I mean Ya you just have to figure something out So let me ask you a question Because I'm sure there's some ladies who are wondering Is he Ya so are you in a relationship Ya dating No I'm not okay I'm in a relationship with Like my music Okay ladies Munaskia Ya ya So ya that's it So kama kuna babe out there Who's you know feeling you Feeling this vibes I come through a man Ya you know it's a two way thing I have to feel her just as much As she feels me so You can never be sure with these things Okay alright So let's get right into action Tell us about Wera no Wera It is your ka only track Let me tell you something Raj is hatakusho But he loves this song Ya ni anashindanga tu Ya ni mi na kwa mbea Kila mara tu tumenda break Wera no Wera Nyu kwenia na nyu Ono na dangana No So bado kuna mafan So tell us about Wera no Wera And then we'll be playing it Right after the Ya hapa kazi is my first track Hapa kazi no Wera So no Wera is kikuyu For niko job too Like I'm just working So I'm a workaholic So it was just like the best way to Come in and say Like this is who I am Ya ya So and I'm glad it has done like fairy So fair enough So it's a song just talking about Work and respecting all types of work As long as you're not hurting You know That's the case to it Bado ni haso so True that So we'll just take a few Something small Ume mention haso liya kwa ya over 13 years So I'm assuming Wera no Wera inekwa inspired by What I do Ya But maybe you can tell us Kido goto in the future What are you looking at As in what do you want to happen For the music industry And also as an independent hip-hop star Within the industry Of course I want to see More growth Like for everyone in the industry Because that means more jobs For a lot of people Ya this thing is not just for the artist This thing is for managers This thing is for designers And your manager is here with you Ya my manager Is like ya Very supportive Ya very supportive So you're talking of so many professions So I would want to see the entertainment Industry become more vibrant And I feel like we're headed there Ya And I just hope that we as Kenyans Or others Africans Will be part and parcel of this progress So that we don't I think we are in the best position Like compared to people in the west People think that western artists are lucky enough But ya they are lucky they have a structure But the good thing about not having a structure Which is what we don't have Is that you can become part of the solution You can create the structure So artists in Africa or even Kenya We have an opportunity to build that structure Which is not something It's not small as some people might think Ya so that's why like when I say What diamond is doing in RTZ I'm happy I'm like this means we can do this in Kenya Like you come up you build your own rebel You support and you build your own distribution Because it's huge I don't know I'm sure any artist watching this Understands what I'm talking about True So for me as an artist What I'm looking at is just building that structure Being that structure Ya when in the US Artists will talk about Apo is eating from us So in Kenya I'm looking at I could be that up Ya iTunes ya know I could be the structure I could be the system Ya Like just be at the helm of your Like you own your whole Process from creating To distributing Alright I love the fact that You know you draw a lot of inspiration From the international music scene And by the way this guy Draws his inspiration from people like Jay-Z So you can understand His music I'm not going to say Is going to be bad But it feels like his music Of his soul Ya Encouraging you to wake up early in the morning Go do what you have to do To get that money going Ya Anyway so Kidoga wacha to skye What is Hapa ni kazi ama Wera No Wera And if you don't know kikuyu My friend chukua dictionary Ya Chakumari mo ako Ya exactly Ya