So I, good morning, and welcome to this open air public webinar. This webinar will be about Zenodo the open digital repository but before we start, I just want to give you some housekeeping rules that you already know so this session is being recorded. We asked all the participants to have your microphones and cameras off while the speakers make their presentations. If you want to participate, you know you can use the chat to introduce yourself to interact with other participants or write questions and address questions to the, to the speakers, or at the end, we will have a Q&A session where you can raise your hand to speak or just write your question or comment in the chat. The presentation and the recording will be made available via email and via our channels we are going to upload the record in the open air YouTube channel and the presentation also in our website. If you want to share any comments in social media, please tag us and identify our accounts on Twitter on Facebook and on LinkedIn so share this activity and your comments about this session. So, as I said today, we have this public webinar about Zenodo the open digital repository, and we have our colleagues from CERN responsible for developing this tool, Chosebanito and Pablo Panero. So, now, without further ado, I just give the floor to Pablo and thank you so much for being here today to present this, to present Zenodo. Thank you. So, hello everybody. Just before we get started quickly, can you see my screen. Yes, yes. Okay, thank you very much. Thank you very much, Paula. So, my name is Pablo Panero. And today I'm going to talk to you about Zenodo. But before we dive into what Zenodo is and how it works. I want to take you through a very quick story, right. I'm a researcher and you're on your way to work. It's the morning. It's very early and you're slightly sleepy. So you lost your laptop. We forgot it there. And I want to bring your attention to the second paragraph which says crucial scientific data plus many years of work inside and all of that was lost. Another potential case which is that, you know, a colleague was working late at night and wanted a coffee but the machine short circuit and burned the laptop down. It might be slightly an extreme example but all the work, all the data was lost. Maybe less extreme, but who here has never lost a pen drive or just simply deleted data by mistake. The result of all these actions are quite catastrophic. So to say, there's studies that show that 50% of the links in papers are inaccessible after 10 years. So if you're, you know, doing your literature review and you want to cross check some references or get the data that was used to try a new technique, you cannot because you cannot access it. And if you go in line to that and take it one step further, for example, 80%, 89% of the 53 most important cancer research papers are irreproducible. There was an effort that took around 80 years and 2 million US dollar trying to reproduce this research to see we're basing ourselves on correct assumptions or not. So this is a waste of money and time we should be progressing we should not be repeating what was already done. So it is clear that we need to improve. We need to improve in how we disseminate an archive information and research to make it accessible so those links, you know, when you click you can access it to irreproducibility. Eight million eight years and two million US dollars should not be that amount should just be one click a person says okay I want to see if this is valid. I do one click, and I can check it. And also in reusability. We don't know what we do today. What's going to be used for in the future. As an example, she blocks from the 18th century that were used to navigate the disease to know what they were going nowadays are used for climate research. So we also need to enable that. So this could be summarizing what we need to improve in how we do science to do science we need to be able to explain how we got to a piece of knowledge to understand it, and then be able to repeat the process to the how we got there to verify. So then we can progress. So we don't redo what was already done. So now you might be wondering. How do we improve. How do we do that. Well, I'm here to talk to you about another right. But that's a very beautiful page but what actually is another. So in a nutshell, Senado is an open digital repository for the long tail of science where researchers can publish their research outputs artifacts like posters presentations, data software everything that's related to their research in three simple steps. The first one is to upload the data right then to describe it to give some information and finally publish it to make it available to the world. So let's go in a in a bit more detail on these on these three steps. So the first one is actually to upload the files. At least one, you need to upload a file, it doesn't matter the format we accept every format. And there's a limitation on 50 gigabytes per person or record per publication. Once you've uploaded your, your data, you need to give information about it. Senado has a very rich but flexible metadata schema based on data site. And there's a lot of information that you can give about your, your publication. And once you do that, you just need to click one button, the publish button. That's how you will make it available to the world. And you will get this, what we call landing page.  And that way you also get a DOI or digital object identifier, which can be used to site. For example, your data and your research and other researchers can also use it to site your, your, your records. But you may be wondering why do I, it's just a fancy blue box, but is not a do I, it's an identifier that will always resolve. It will always point to, let's say your data, your publications. So all those 50% of links that were not accessible after 10 years. Now they are. It doesn't matter how things change below with the URL changes or not the URL of the DOI will always resolve to that data so it will always be accessible. So you, when you go verify sources or to access data sets or other researchers will never be in this situation. But okay, the fact that data is not available because the link doesn't work is not the only problem. It also the data might change. Okay, so if you change the data with which you you made a certain publication that does not apply. So in that sense, after publishing a record in Zenodo, the, the data cannot be changed. You cannot modify the files, and you cannot update them. You can edit the metadata imagine you forgot to mention something in the description or there's a typo or you want to add something else, you can, but you cannot modify the files. Okay, I had a data set two years ago, I did a publication with it but now over the next two years, we will do more data in and it grew. I want to also publish that. Well, you don't need to do it separately, you can create a new version. Same that we do with software version one two and three you can do the same with data sets. Okay, and your publications. The, the old data set is still available. And it's still valid for the old publications and the new one will be available for the new publications, and they are related so people if they access the old data set they will get a banner on the top of the page saying okay there's a new one in case you're interested. All your versions and all your records you might be wondering how many people are actually interested in my work how many people are downloading my data or viewing my publications. So for that we have what metrics and statistics is like Instagram likes but for research. We use the counter code of practice for research data usage metrics or make data count, which is basically a standard on how to count views and downloads of these publications. You can do it in the same metric, and it can be compared. Imagine you publish your data set in Zenodo but you know you know the repositories to it will come the same, you can compare and also aggregate and see the full impact of your research. So you get all these by following three simple steps and publishing on on Zenodo. The next question is, Okay, I uploaded in Zenodo and I uploaded many things but my Institute or, you know, the people of my project, we want to have our own place our own group because we only are interested in in this part. Zenodo has a lot of information a lot of records and we want to search among only our content. So for that we have what we call communities, which is basically a way to create semantically meaningful groups, like for example, all the related data set research or the lucerne open repository that is there the NASA transform for a sense project. It's a way to group content. But okay, I talked a lot about features and so on. Let's see how it looks a bit in reality. And so for that, I'm going to show a few videos. If I put it in full screen does it still show or we need to share the other screen and someone quickly confirm. Okay. Okay, thank you very much. So on this first step, we're going to create a community. Okay, we're going to create one of these semantically meaningful groups.  I'm using what it's called Zambok does another door, which is exactly the same that Zenodo, but it's just for testing when you are not familiar with the platform and you want to play around. So first of all, I would sign up. Okay, I would need to create an account, you can do it by, you know, just giving your email, or if you already have a gift or key account, you can log in or sign up with that. In my case, I already have an account. So I go to the login page. And once I go in, I go to the communities tab on the top. And there I can search what are the communities that already exist. But in my case, I will want to create a new one. So I go to the bottom on the top right. I can create a form where I can put an identifier title, give a description about the community and what's saying, what is the purpose of it. Explain a bit the curation policy, what are the conditions for for a record to be to be accepted in this community. And finally, you can, for example, give a web page if you have an external one. In this case, I'm just putting open air for example, I didn't, but it's a good practice to do and then you fill the capture I was able to find all the buses in the image and finally you click on create. This will take you to a page where you can see, for example, the direct URLs to perform certain actions will be seen more in in the next videos. But you can see that on the right you have your communities and then you can search for example, they upload URL to send to other people so they can add content to your community. And now that we've created a community, we can also create a record. So we can basically upload content. It's not required to create a community but I'm doing a full example you can simply, you know, create the records and do not add them to a community. In the same way that before I log in, in this case I'm log in with GitHub so I so it's a different account from from before. I go to my uploads, I create a new one. And the first step is to choose the files. So I go might choose the file, I took the first slide of this presentation and I click on start upload so the files start going up. Then I fill in the data there's four pieces of information that require, which is the type that I put on top and then the publication date, the title one author and description. And also the do I if is not mandatory to reserve it beforehand, as I just did. If you don't once you publish one will be assigned automatically, but in case for example, you want to know what's going to be your do I because you are already writing the bibliography for your publication and you want to be able to cite it. You, you can already get the UI before publishing. And yeah, I'm feeling the rest of the form. Okay, I skipped the orchid but you can also add it and then there's plenty of information. You can choose a type of, of access. Okay, you can say it's open access or you can say that the files are embargo restricted or fully closed you can choose a license is a search box. So, by default is created commons attribution for but you can search for I don't know GPL a GPL and many other variations we harvest them from SPDX. Same with the grants, you can search for a specific grant and in the bottom you have many collapse fields that you can give plenty of information about your publications if it's a, if it's published in a journal with thesis or many other pieces of information. I go to the top, and I save. Okay. That means that it's a draft, it's the information that I already filled in is safe and I want to add it to a community. Disguise to the one that I created previously the opener webinar. So I search for opener. And I see the, the actual opener community so I search for opener webinar, and we can find the community that we created in the previous video. Click again in safe and publish. It will tell me that okay, there's a that afterwards I cannot change the files, I say I understand, and I publish the record, and I get what's called before the landing page, which I can preview a file. I can see my views and no load, nobody did it yet with zero. But this means that the record was published. It's in Zenodo, but it's not available yet in the community that we created before. For that, we need to go to the previous account. Right. So, for the person that owns the community. We go to our community, we click on actions, and we want to create this means that the person that owns the community has the right to say okay, your record is accepted, or your record is not accepted. Does it fulfill the criteria the creation policy or not. In this case, let's say, yes, I could, you know, access the record to verify it, but then I can also just click accept. We can go to the community. And we can view. And we can see that the record is there. So, this is basically the end of the of this part of the demo, and we learned how to create a community. In case we want a specific grouping of our content, how to upload content, and how to accept or reject content into our community. But it may be that you have many publications per day, let's say you are 50 or something it is, and you want to automate this process or you have certain tools that you want to integrate with Zenodo. Zenodo was filled with REST API first in mind that means that everything can be all the actions can be carried out by doing the HTTP requests. So you can integrate your systems with with Zenodo. And also, in case you want the opposite action not just publish but get content from Zenodo, you can harvest. I don't know, for example, a community using the OI-PMH protocol. And I've been talking a lot about publishing data, publishing data, publishing data, but in order to reproduce to enable progress as I said at the beginning in science. We also need the code. We also need the scripts. How was that data used. So for that, there's already a very well known and popular code repository, which is GitHub. And if you have your code there, every time you create a tag or a release, which is basically a snapshot of your code at a specific point in time. If you have the integration with Zenodo configured, then a publication will be directly done in Zenodo. So then you have your paper, your journal article that is published. And then you also have the data in Zenodo. You have also the code in Zenodo and everything can be site. And it's almost ready to reproduce. We have the data. We have the software, but someone has to run it. Sometimes it's easy to run things, but sometimes it works in computer, but it doesn't work in mind. If this were the case, there is another service at CERN, which is called Rihanna from reusable analysis. And you have a link to their documentation on the top right of their logo. And how this would work is that they enabled you to actually run the code. If you create what's called a workflow file, which is basically telling how the code should be run with data and so on. And you can find more on how to do that in their documentation. And you will get a banner like executed launching in Rihanna. And that means that with one click, it could be fully reproducible. This disintegration is still in the prototype phase, but it's working. For example, there you have someone clicked on that button and started executing the access mortality data processing. Those two million US dollar and eight years of work would have been summarized in one click. And with that, I conclude that that is Zenodo part and how to use it. And I hope by now I convince you on why you need to use repository. Basically to prevent research invalidation because in Zenodo, for example, data cannot be changed cannot be removed. It will be there when someone comes looking for it. And we need to improve site ability and find ability. It cannot be that when someone clicks on a URL from a research paper, it's not available anymore. In the repository also, you might think, okay, I can just put that in a server, I have a home or in Google Drive or something like that. But in that case, you are in charge. It might be that 20 years from now you don't remember that you put that there you run out of storage you're doing a cleanup you remove it. And there's nothing telling you, hey, don't remove this because it still might be need to be found for this paper, or a company. It's in control. And we already have cases like a mercury a little bit bucket or Google code, they were faced out. And basically, those links are very hard to find nowadays. And by now also I convinced you of using Zenodo but we need to know when to use another Zenodo is digital repository for the long tail of science. If, for example, in your domain of work, there's already a repository because there are many. It's highly probable that those integrate better with your tools. So, if that's the case, use them. If your institution provides a repository, maybe it's better to use them but there's many that do not have a home there's many research outputs that there's no place to put. And that's why Zenodo exists for is for the long tail of science. And you might be thinking that there is not many people, there's not many research like that but there is. Although in numbers there's around 3 million records at the moment, half of those 1.6 million are text publications. But I want to bring the attention to 220,000 software publications that accounts for approximately 80% 85% of the whole world software device, those are hosted at Zenodo. In India, we have 1.3 petabytes, which accounts for 10 million files. And we have up to today, there's still one month to go in the year 25 million visitors. And if you see the graph on the top right, we are growing very fast. We have around 300,000 active registered users from 7.7,500 research institutions. And from those institutions the users 50% are in Europe, but the long tail of science is not only in Europe we have users from 153 countries. It's very spread, it's very diverse for example the top institute in terms of users has 500 users so it's not just one institute using Zenodo. And then, if you belong to the long tail and you want to publish something you might be wondering why Zenodo. So far we have a very good track record over the last 10 years of experience in the field. We are open source, you can find all the code of Zenodo and the framework below in Invinio, in GitHub. So in that sense we practice what we preach. We do our best to adhere to best practices in research. So just from publishing Zenodo you get a lot of things to help disseminate to index your publications in many places, and so on. And there's a sustainability and archiving plan. And Zenodo is hosted in CERN's data center and is in our best interest to CERN to help improve how we do science. And as part of a large organization such as CERN there's many services and technologies that we already have available that we can make use of. And I hope now I convince you why to use Zenodo and you know when to use Zenodo, but it might be the case that you have certain restrictions. And you want your repository, for example, my institution, we need the data for our publications to be hosted in our service because of some law. And you're not alone. There's many of those that we call Zenodo clones. We wanted a repository with the functionality that Zenodo is providing, but they need to be, you know, hosted on their servers, for example. So they took the code from Zenodo, from GitHub, and they deployed it on their site. The only issue is that Zenodo is a service. It's not a product, so it might be that we implement new functionalities, the code evolves, and we unintentionally break something that was working for you because you did it differently. Or it might be that someone we don't know it's implementing a feature that we are also implementing that feature so we are duplicating efforts we're redoing the same thing. And from this, a project called Invinio RDM was born. It's a turnkey research data management solution, based on Invinio and Zenodo, and the idea behind it is that you get a repository with features like Zenodo, and you can just brand it you can change how it looks you can configure certain functionalities and you can get your own repository without the problem of it maybe breaking in the future. It's a community effort to maximize impacts and optimize the efforts and we're doing it with 25 partners all around the world. There's institutions, there's businesses, there's everything. It's a very welcoming community. And that's online, you know this core server. And when I say as I don't mean just certain people. This is a community project there's a lot of people there's people in every time zone, almost so there's always someone answering the questions. There's a link on the top right. And sometimes, you know, when the world conditions allow it, we also do live events it's always nice to meet in person and to collaborate there you can see us playing with stickers in a workshop. The whole project is again open source and their MIT license. And if you want to know how you can collaborate and what's the code of conduct and so on, you can also find it on the link on the bottom right. But coming back to the project. In the new RBM, it's the idea of having a repository that you can configure to your needs. It's a collaborative repository platform. And we want to empower users like GitHub does with the organizations they can manage the members in there, they can manage the pull requests to add code to the repositories and so on. And it was born with two guiding principles, scalability, because it needs to power very big repositories like Zenodo and user experience. We want our users to be the utmost happy when they're using our service. And how does it look today. So, there's already many instances of a mini RBM as you can see everyone looks different on the top left you have the default like you install it that's what you get. And then you have the one from Technical University of Grads the technical is University of Vienna. Prism from Northwestern University in the US. There's also the latest production ones, Caltech data from Caltech library. But it's true that none of these are Zenodo. That's what we call now the Zenodo RBM. We're not changing the name but Zenodo RBM is basically the project that we are announcing later today. And it's the umbrella of the migration from the current Zenodo on top of these new product calling the new RBM. And we are aiming for that to be in production in autumn 2023. We will have regular communication about it in the usual channels, Twitter blog posts and so on. But let's go to what's new. Why are we doing that migration. So, going on the steps of the publishing the first thing was to actually upload the data. You can see how to upload it change a bit. You can see on the top right, the quota then you select your files. And actually, you see that if that loaded immediately, there's no need to click on the start upload button. And on the left you can see imagine you have a list of 100 files you can say which one is the one that's going to preview in the landing page is not always the first. Going to the second step which was filling in the data. There's now auto completion for many of the fields there's a better search and suggesting filtering and again auto completing the values for example for languages. You can start typing in G and it will suggest you all the available languages. This is also true for languages, subjects, authors but for licenses, we improved how to choose a license you can click on that license and you can filter on the top right by data and software. And then you can also search for example for creative, and you will get the creative commons licenses there's also a description on it. We have improved authors. So, we have integrated with orchid. So that means that we got the dam from all the orchid database. And now when you want to add a creator of your publication, you can just search by the name for example I'm searching for my colleague Jose, and I click on all the data gets refilled. The orchid identifier, the affiliation and so on. And then you save. And that's it. It was easier you didn't need to pre-fill all the information on each creator. Then the same was done for affiliations. We in this case we got the raw dump. And now when in this case I refilled, I didn't search for a user, I put my name, and I want to say that I, you know, I'm affiliated with CERN, so I search and I can find all the affiliations that are in the raw dump. Might also be that the affiliation was not found so you can also add in this case I'm just typing another because I know it's not going to be found. So you can add your own. And then that's it about how to fill in the form. Once you publish, you can also get a link to share before is just the link or the do I but now imagine your data is closed, and you have peer reviews or you want to share it with your colleagues. You can get a link or embargo, for example, and you want to share with your colleagues, you can get a link and, you know, choose if they can edit the metadata if they can just view the files and so on, then you get a link and you can share that with them. There's no need, like in the past to do a request. And finally, the biggest change, which is in how we manage communities. We want to empower the users to self manage their community so now they can manage members and that's what we call inclusion requests that if you're familiar with each have you could understand it as a pull request, more or less. But let's look how that that that works. First of all, explain a bit the video so on the top left, there's two browsers and on the top left. There's me, let's say Pablo so this is simulating two people. And on the bottom right there's, there's Jose. Okay, and we're using as another RDM instance, also will create a community and reproducing more or less the same things that we saw in the previous in the new scenario, you can see the existing communities and you can create a new one. You just need to to keep the name and then the, the identifier. That's what's going to happen. What's going to be available in the URL. And afterwards you can see that you can give a lot of information about it at a website description and so on. And then there are other tabs that we're going to see later about requests and members and so on. But now imagine that me Pablo, I want to upload a record and I want to add it to that community that also created. So I go to my dashboard, where I can see my communities my request but in this case I'm interested in uploading content so I click on new upload, filling the form. I'm just uploading the file so I choose it and it uploads. Then I don't have a UI. So I want one. I fill in the resource type title. I add the creators. I will search in this case, for example, what was it. And I will add myself, not pre feeling but just, you know, inputting data that is not in the database. I do have an orchid but I didn't add it for this demo. And then after that, there's more information in the bottom but I need to be simple in this demo. I save the draft and I start looking for a community. The opener webinar is the first but just to showcase that you can search my search for webinar, and the community will appear I select it. I save the draft, and then I can preview preview doesn't mean publish preview means that you know this is how it's going to look once it's published this is why it's going to look. For example, you wanted to check if the HTML that you put in the description displays properly or if the review file is the correct one that you can preview and then submit for review. This is not publishing this is submit for review this change from the past. And you can see on the first thing that I did. It says that I'm giving view and edit permission to the curators to the people that own the community to actually edit my metadata my files. Then you can send a message. Okay. And you submit for review. You can see that he started an inclusion request, and there's a place where the, you can have a conversation and discuss things about the record in case they need to be changed because of curation policy or similar things. So now we go back to Jose Jose will go to the community and then to the requests and see that. Okay, Pablo wanted to add this record to the community could accept or decline as before but now can also go check it and have a conversation. You can also saw it and then things that something needs to be changed can edit by himself, but can also say, okay, I'm not going to edit, but I'm going to ask Pablo. Okay, I would like you to add a description on the files and change the title with this format for example. Once it commented. Imagine Pablo did it. And imagine it implemented the changes. And then once they can go and accept saying okay. Now it's correct. And accept the publication. Now we could see the record in the community we go to search tab. You can see there, the record. It's in the community already. But time passes the community became very popular, and there's a lot of requests, and there's a lot of records that need to be checked. And Jose cannot check all of them or imagine someone, the owner of the community is retiring you want to allow more people to to curate the community. So you can manage the members you can invite people to help you do that. In this case I'm going to invite Pablo because I know he uploaded good content. So I search for for the name or the email. Okay, and I can say in this case there's several roles but I'm going to say it's a curator. So Pablo can actually accept those records in the community. We send the invitation. It lasts for 30 days and you can change the role and so on but now we go back to Pablo, Pablo will go to the dashboard, the request tab, and we'll see okay I've been invited to this. You could also click on it and again have a conversation, but you can also accept. And that means that, for example, now Jose can go to the members tab of the community and see that okay. Jose is still the owner but there's also Pablo which is a curator. And that way you can manage who has permissions in your community, who can help you who can have multiple owners for example you can also remove users if needed from that community. And that way we are empowering the users to manage their own groups, let's say. On the demo of community management. Okay. So, this was a lot of information, a lot of new features. If you want to play with it. You can find it in Zenon.dashrvm.web.com.ch. This is a new site we put on is the foundations for this migration project that I mentioned.  But a heavy disclaimer, this site is under development that means that there's no guarantees what you publish today there can be removed a few hours later or a few days later. Hopefully not but it can also be down at times. So it's just, you know, playground site. We will keep you updated again on the progress in the blog post and Twitter and all the usual channels. So as I conclude the presentation, I hope I convinced you to publish your research artifacts to make it siteable. And I hope we can do it easily. Thank you very much. If you have questions, more than happy to answer. Thank you so much Pablo for for your presentation for for being for being so detailed. And this was very enlightening presentation about the possibilities of using Zenodo and the. And now with the, with the very new RDM also, we have we have some questions here, I will, I will go through them. I think Pablo just answered one. I will try to until the, the time we have to to address all the doubts that were posed here in the, in the shot. So, did there on says a quick question will I support the presentation so Bernard for Pablo already is Jose already answered Lorenzo Manela says is there a way to edit the curators contact within the community. So today only we only one contact can be set as curator and modifications look impossible. It would be nice to have multiple curators or at least included options to share curation feedbacks to additional email address. Thank you. I think in the presentation you already answered this. No. Yes, so this is one actually it is one of the features we get requested in Zenodo in the actual Zenodo right now you cannot do it it's only one owner one curator. But as I showed in the in the community management once we migrate to to Zenodo RDM these get gives you a lot of power over it you can choose multiple curators multiple owners so the answer is yes, once we migrate. It's, it will be possible. Yeah. Okay. So, another question from if it's a news flakos is there as another API API, something similar to AC valve. As another API, you can find information about it in the developers to send another dog. That's a documentation for that and I'm not sure I understood the last part. Similar to SCV. I don't know if if he genus is here and want to open the microphone and maybe to help us out understanding. If he Genesis is from Elsevier, like an API from from Elsevier. I'm not familiar with the with Elsevier API. He wants to add some words to this question. Yes, yes. Okay. I'm not familiar. So, but we, I just share the link to our API. So it's for his playing there. What we can offer, we can do API. Thank you very much. I'll check the Elsevier API later on. Thank you. And now Teresa Gomez Diaz says hello a question about licenses. I have tried to have other CC license then CC by, but it's not easy. Could you please show the CC licenses that are available in the deposit page. Yes. So, basically, in the I just shared a link. Okay. So basically all the licenses we have available are taken are harvested from spdx.org. And it's true that one of the things, for example, right now in Zenodo is not easy to understand that the license field is a search box. So when you click you only get for CC by for some other licenses. But you can also search by it and you will most likely find the one you're, you're, you're looking for with up. We have also improved that in Zenodo RDM you can filter and you can search in a better way. And the list is on the link that also sent. I think I pass one of the questions previously. Why don't Zenodo use handle identifier also. So, so John Prada is asking. Maybe I can take this one. If it's okay. So, so we, we did use do I right. I mean, in the other day we want to provide only one person to identify. And our choice was the eyes if somebody or there are some communities out there that require handles and they want to have it in their own repositories like with a new inviner at the end that is coming out. They can actually set up and configure whatever identify they want to, to use and if it is hundreds that's a possibility. Yeah, from our side, we only provide the eyes. Thank you. Thank you. There's another one from Bernard, who is asking, when you have several versions is the limit 50 gigabytes limit for each version or for all versions together for each fashion. Thank you. And then we have here Teresa Gomez Diaz, the license already if he's any of our the Costa. Is there a way to create the community and gather all the related to that community records that are already uploaded. So, at the moment, when you create a community, you will need to find a way to contact the the authors, the people that did those uploads so they request an inclusion to the community. So at the moment. Yes, this is just to complement what I will say correctly. So he's right. And at the same time is something that we foresee to have in the future in. We don't know if it is going to come directly with the first version of Senado Rdm the say, but we, we, this is something that's been requested several times and we, we know it's important. So we will try to put in place a mechanism to, you know, to try to get these records into your community and some, some way of communicating with the uploader to make it possible. Thank you. Someone wants to address the question I hear a microphone on. Sorry, I'm on with the microphone now. Okay, thank you. We have three questions here from Juan Pereira. For the purpose of digital preservation, how is the file format identified and validated in the model is droid pronoun or GHO VA used for example. Pablo, do you want me to get this one. Yeah, that's okay. So for the time being, to be honest, our main goal is to enable a way to all users out there to, to share data in and to give the right to this data in a very simple way. So we don't do any post processing after that. So we don't control whether, you know, the type of the file is preserved for the long term. It's something that we're exploring. We have a parallel project to Senado here at CERN, looking at how to improve the long term preservation aspect of, of the content we are carving. But for the time being we just simply get the files, we store it, we keep it in our storage systems replicated and some, but we don't, we don't look at the other type of the file or do anything about it. So it's a natural Pablo. Totally correct. Okay. And Joanne asks also our statistics saved for future memory. Do you mean that in the migration, like if we will migrate the records and the statistics will, will be preserved once we migrate. So Joanne, that was your question. Or if you prefer you can open your microphone. If it goes more in the preservation side of, of it is basically what was answered before. Hi Paula. Joanne. Yes. My doubt is, if we might, if in the process of migration of Senado to a new version of Senado, if you lost the, if I lost the statistics in this space, this is a problem for example. No, the statistics will also be migrated. Okay, thank you. In that aspect we're trying to do it as transparent as possible so let's say at some point we're migrating to Senado at the end but except for new features and things like this data should will not be lost. Okay, thank you. Okay, because as long as another question is when the platform is updated does the auto still have access to statistics form from the past. Sorry, I didn't. When this platform is updated does the still have access to statistics from the past. Yes. Things are migrated as they were. Okay, okay. Another one from Bernard is integration with GitHub only or we can use alternatives like GitLab. So, I know at some point there were some works to do a GitLab integration but the current integration is with GitHub. Basically, there's also work on the GitHub side that they have to enable the repositories and so on and integration is with GitHub. So, okay. Thank you. I hope Bernard this answers your question. And then Sylvie Lebrass asked when you were presenting in venue RDM, could you tell us more about metadata, the flexibility about metadata? Yes. So, the schema of venue RDM and therefore Zenodo RDM is still based on data site. We keep evolving also with the new versions of data site. And in terms of the flexibility that that means that basically, there's very little data that is required. And then we put a lot of information on it. And again, the schema is actually the one from data site. I'm going to try to put in the chat the documentation page that explains every single field in detail and what are the options and so on. And also one more thing is that in this Zenodo RDM, we are introducing a new feature which is custom fields. And it's just that we can. So the installations of, in the end will come with the capacity to expand this data model to, yeah, with, as the name says with custom metadata. And then there will be integrations with, for instance with a specific vocabulary for specific communities like mesh vocabulary for health sciences. Another one, Christine Huffner says, if, for example, a publication later proves having false data of being pleasure. Can it be removed? Is there a kind of an ethics commission that could decide these kind of actions? So we have, sorry, Paula, on this one. So we have a very clear sense of use as you can find in the footer of Zenodo in which we explain, you know, all the actions and everything that we do and how you can use Zenodo. So if there is a copyright infringement, and this is one of the reasons for which we will take down a record. So there are just a few reasons for that and then we will do it. Yeah, so it happens sometimes. Unfortunately. Thank you. Thank you. I think we only have two more. One is for Gordon Melsey. Will the Zenodo API change after realization to Zenodo RDM? Yes, but no. So there is a new API that improves some some workflows, but there will be backwards compatibility. So that means that if you have an integration, it will still be working. There is a new API that improves some workflows, as I said, but it will all still work. Alicia asks, are there plans to expand Zenodo into a bigger research platform like Google Scholar, for example, by harvesting metadata from the other non-Zenodo repositories? I think those are two different questions. Yeah, objectives or goals on the platforms, but maybe I'll say if you want to. No, you're totally right. We don't plan at all. It's not at all in our goals to go into the aggregators role, which aggregators, that's what they do, right? So they can harvest content from many different sources and then unify the search. So the difference between aggregators and repositories, like Zenodo repositories, get content. They can harvest the content from their sources, but maybe here is just, you know, doing a bit of PR for OpenAir as well. There is OpenAir Explorer that is doing that for research in general, but they're harvesting many different repositories, not only Zenodo across the Europe and I think even across the world, right? And they unify this and create a big research graph with content from everywhere. So now we are not going into this direction. Yes, yes. And you all can explore a little bit of discovery portal from OpenAir in explore.openair.u. Yes, André already put the link there. Thank you, André. I think we have one more. It's the last one from Ilra, as in, I'm sorry if I don't pronounce the right name. Could you please elaborate more on the integration of Rihanna? So the integration with Rihanna is still in a prototype phase, right? And so I cannot give too much, yeah, thanks Jose for sending the link to Rihanna. But basically the idea is that if you comply with the format of files and the definitions of the workflows that Rihanna accepts. And then for example, when creating the Zenodo record, there is a workflow.jammel file explaining the steps that need to be run for the analysis to be run in Rihanna. You will get the batch on your record to launch on Rihanna. That also means that, you know, it needs to all be functioning in Rihanna. Okay, I hope it helped to clarify a little bit more. So I think we reached the end. I'm just sharing an evaluation form that I would like all the participants to give us feedback about this webinar. And I would like to thank again to Pablo and to Jose for this amazing webinar that you give here. We had a huge audience. And I think you made a huge effort to explain everything in a detailed way and even now at the end to giving answers to all, at least we try to clarify all the participants here. To all the participants, thank you for being with us. And Jose and Pablo, thank you so much. And please follow our activity, open airs activity in the website and social media. So we will meet soon here online. So thank you so much and have a nice day. I will leave the session open for at least for a few minutes for you to copy past some links that you would like to have. So thanks again and have a nice day. Thank you. Thank you. Thank you.


ond gwybod, wrth gwrs, mae'n rai'n ei gael y ddull yn cymrydol, ac mae'n gweithio'r ysgolwydd yn rydyn nhw ym mlynedd ar y cael y cwmbr ac yn y hollolod ac yn eu campos. Yr un gweithio ymlaen, mae'n gyhoeddur yn gweithio'r ysgolwyd, ac mae'n gweithio'r ysgolwyd yn gweithio'r lleidol yn ein hyn o'r Pethau, sy'n gyhoeddur yr oedd ymlaen o'r grennig. Fy fyddai'n gweithio'r ysgolwyd ymlaen o'r cyd-aeth. I owe my nomination to speak because of a letter I wrote to MSP Stuart McMillan about my experiences as a black much-raced person navigating Scottish schools. Speaking about that experience seems an obvious choice, but sometimes I get tired saying controversial things. I am emotionally weary from recounting my past traumas. Fashifred issues does not prevent the take of that same issue. I get tired of telling people about the likes of Joseph Knight, a black man enslaved and living in Perth, who in 1778 won a court case against his enslavement, or that way back in 1488, when King James IV ruled Scotland, there were black mirrors from North Africa in his court. I want to improve the skill experience for black and people of colour, and ensuring that teaching includes parts of the histories that I have just mentioned is something that I am deeply committed to. The opportunity to speak to the Scottish Parliament seems too good to pass up, but it is not a 17-year-old's job to carry the weight of changing the education system on her shoulders. I would rather talk to you about something that I expect to be a shared experience for many of you, youth groups. Feefusly, I thought that youth groups were irrelevant, reserved to church halls and pool tables and tuck shops. The spirit of the future of youth groups washed over my head. That was until I joined the youth group into cultural youth Scotland. IYS for short. IYS is an Edinburgh-based charity that supports young black and people of colour. IYS was a turning point in my life. I find something that I didn't think existed in Scotland. For the first time, I could spend an evening surrounded by black joy, young black people dancing to Afrobeats, long-braised flying, dark-skinned shining, carefree and happy. I understand first hand how youth groups bring young people together, help us grow in self-belief, and provide opportunities for personal development. I never dreamed that a youth group would lead to opportunities like performing at the Edinburgh Fringe or running a small music festival. I now know what's at stake when people talk about the important place that youth groups have in our communities. In closing, I urge the Scottish Parliament to reflect on the value of youth groups and the investment that they make in future young minds.


Well, what's going on everyone Sam here with latent sports cards, and I'm ripping 10 packs of 2022 Penini national silver packs for Joe F. So good luck Joe Got Sean the accountant to exactly precise Appreciate it Sean got Peyton Manningbees and Orange Bobby Whit jr. Rookie to 199. There you go. Nice Bobby Whit Got one card in that pack Ronald Acunia Anthony Towns first time we saw him and red Josh Allen 66 out of 99 There you go. Nice Josh Allen got one Soto base and orange Joey Logano 139 of 199 Nice one there. That's a NASCAR love again Walter Peyton base and blue Justin Jefferson 19 out of 51 off Jersey number man Nice one there though Tom Brady base and orange Cooper cup 139 out of 199 nice one there nice Cooper cup got Devin Booker base and Orange LeBron James 77 out of 199 Three to go Justin Herbert base and blue Freddie Freeman five out of 50. I believe that's Jersey number There you go. Nice one there on the MV free color match and Jersey numbered There you go. Congrats on that one Joe Jordan Lawler base and Orange Fernando Tates 20 out of 99 nice one there and Last pack here we go Nicola Yolkic and Red Kevin Durant 36 out of 99 for the Nets That'll do it for your break there Joe congrats on the hits man. We'll get them right out to you appreciate it again


Welcome back to Tennis Talk, my name's Cam Williams and Novak Djokovic has confirmed that he's going to be playing the Paris Masters In a couple of weeks time. He's also confirmed that he's playing the ATV finals and the Davis Cup So we'll be seeing Novak Djokovic in a couple of weeks time But he has expressed concerns over playing the Australian Open of course. There's a lot of rules going into the Australian Open next year Let's go have a read of what Djokovic had to say about his participation at the Australian Open So Djokovic came out and said things being as they are. I still don't know if I will go to Melbourne I will not reveal my status whether I have been vaccinated or not is a private matter and an inappropriate inquiry People go too far these days and taking the liberty to ask questions and judge a person. Whatever you say. Yes, no, maybe I'm thinking about it. They would take advantage So there you have it Novak Djokovic still a question mark over his participation at the Australian Open But we are seeing him in Paris He's going for a sixth title at the Paris Indals also trying to wrap up the world no more in ranking by the end of the Year maybe Dev has a slim chance to get there But it looks like Djokovic with a couple of wins in Paris will be able to get there and get the win He's also trying to win the ATP finals for a sixth time Which will equal Federer's record of six ATP finals if he does finish 2021 as the world number one He will pass Pete Samperas with seven year-end number ones as well So he's playing for history Djokovic to finish up the season. It's been a history season already with Norway Let me know down in the comments below. How far do you think you can go in both Paris and the ATP finals? And of course playing for Serbia at the Davis Cup. How well do you think you can finish the season off? We haven't seen him since the US Open where he lost to Medvedev of course and of course the SRAM open Do you think he's gonna play next year in Australia? So no back Djokovic He's back in a couple of weeks at the Paris Indals


Ladies and gentlemen, the railroad hour. And from Hollywood, here comes our star-studded show train. The creation of American Railroads presents the rollicky musical success, Hit the Deck, starring the host of our series, Gordon MacRae, a very charming guest, Miss Frances Langford, and featuring a great cast of Hollywood players.  And now, here is Gordon MacRae. I don't need to tell you that the tune common dragon in the orchestra are playing is Hallelujah. From tonight's show, Hit the Deck, a musical that was a tremendous success on Broadway, on the screen, and still plays in theaters all over the country. Sometimes I'm happy, sometimes I'm blue. Yes, sometimes I'm happiest from Hit the Deck, too. As well as many other hits you'll hear tonight sung by lovely Frances Langford, myself, and our choir under the direction of Norman Lubbock.  I mean, Lulu Martin. But suppose I let Elvia Almond tell you the story, because she's Lulu's Aunt Lavinia, and remembers a lot more about it than I do. But you know, every time I hear that tune, it takes me back to the day Lulu and I were standing on the dock in San Diego, just outside her coffee shop, listening to a gob named Bill Smith making a recruitment speech. But since I knew Lulu couldn't join the Navy, it didn't worry me too much. But I wasn't counting on a little guy named Dan Cupid. Okay, men, who's gonna be the first to sign up? Step right up and get your papers. Uncle Sammy puts the bills. Join the Navy and see the world. All soda clerks and them that works and loading grates and washing plates and those that's driving trucks in every tailor should be a sailor and sailor worth. It's great to serve so quickly, job and be a gob and go with Uncle Sam down to Havana or to Savannah or Prisco Bay. Sure and sure, there's always a girl who has left behind who's been behind before. It may be Lulu or Sue, it's all the same to you from China to Peru, you've nothing to lose. Where the seas always see the world. Paces where a strike can heal, join the Navy and see. Coffee shop on the dock, too long to be fallen for sailors. What's wrong with sailors? Now, don't get me started. Navy Little Red Riding Hood did meet the first wolf, but that wolf was just a schmo compared to the ones who hang around here. But this one's different. So is your Aunt Lavinia. What's his name? Mr. Smith. Smith? He sure didn't knock himself out thinking of that one. His name is Smith Aunt Lavinia and he, oh here he comes now. Be nice to him Aunt Lavinia. Why there's two of them deck swabbers coming this way. Lulu Martin, have you been learning about sailors maneuvers? Hiya Lulu, I want you to meet a pal of mine. How do you do? I'm Matt Smith, seaman first class. And I'm Lulu's Aunt Lavinia. Cook third class, chaperone second class, and bouncer first class. Come on Aunt Lavinia. Aunt Lavinia helps me run my coffee shop. Well, I'll eat that nice.  Well, I... So you're the reason Lulu was out so late last night. Yeah, did we make too much noise when we got back? The noise was all right, it was a silence that worried me. What were you talking about? Oh, nothing. Took you a mighty long time to say it. We didn't talk much. Yeah, we were just thinking most of the time. What were you thinking about? Don't answer that. Won't you boys date for dinner? Uh, I can but Matt can't. He's gotta clear up the groban on the watsis after recruiting duty. Huh, sounds like mighty hard work. Oh yeah, yeah, it is. No kidding. Well, I gotta shove off. I'll stop by for you when I get finished there, Bill. Okay, Matt. Come on in the coffee shop, Mr. Smith. Suit's me. Aunt Lavinia'll dish up dinner right away. Here you are, Mr. Smith. Sit right up to the counter and make yourself at home. Mmm, sure smells nice in here. You mean it did. Huh? Well, I'll go get the child. Where's your home, Mr. Smith? Oh, I haven't got one. A couple of distant relatives here and there, but nothing to call home. Bet you'd like a nice little home in the country with a picket fence and roses round the door with someone to fix dinner for you all. Not me. Oh, the wife part's all right, but I'd rather live in the city where something's going on. To me. Nothing could be sweeter than just a little sweet or two. No, nothing could be sweeter than living on the avenue. Easy streets. Happiness would be complete if we could go out to eat. I'm not looking. I don't want a cottage that has a waterfall. Is dandy for a week or two. But after that, it's awful. Flat. Raisin' kids is safe and sane, but first I want to raise some canes so nothing could be sweeter than just a little sweet or two. All my life I've waited for the one they say I'm fated for. I hope and pray each night and day the man for me would know what seemed to care for, even act quiet. Mr. Smith, tell me some more about your plans for the future. I'm going to be in the Navy. I'm going to write for my master's papers and try to get a job as a captain of a freighter. Captain of a freighter? Gee, my dad was a captain. Well, I'm going to be too someday. I got some money saved up. Not much, just a hundred bucks. That'll help toward getting a freighter. It's you will. Well, set it down. We can eat it. We're lucky you. Call me when you're finished. It's not the things that aren't nailed down. There. Go ahead and eat. I hope you like my cooking. Me too. Cream chicken, biscuits, mashed potatoes, pie and coffee. Smells well. Wouldn't it be nice if we could eat all our meals together like this?  I'm not hungry with you here and all. I've been thinking about you and that freighter. My dad used to say it would be awful lonesome on a freighter without me. Yeah? His first mate used to say that too. I mean, he used to say it would be awful lonesome on a freighter without his wife. Yeah. The second mate, guys, you should have heard him talk about how lonesome it would be on a freighter without a wife. What'd you say, Mr. Smith? Oh, nothing. Oh, want some more coffee? Nope, I'm full up. I'll be right with you, Matt. Matt's waiting for me, baby. But you just got here. Can you come back soon? No chance. We shove off tomorrow. Will you think about me when you're away? Right to me, maybe? Sure. Sure I will, sister. I'll think about you all the time. And I'll always remember tonight, the freighter and you, mostly you. I hope it makes you happy, baby. It will, sometimes. I don't get you. Sometimes I'm blue. My disposition depends on you. I never mind. From the sky.  Salon, baby. I'm waiting for you. It's right here in this drawer. Here. Here it is. Here. That's me under the hat. Just what I wanted. Can you see me when you get back? Sure, I will. I like to have a place in every port where I can drop in. Well, goodbye, Mr. Smith. Salon, sister.  Mmm, must be slipping. Come to baby, Papa. No, come to Papa, baby. There. Now make that last till I get back. Mr. Smith. Goodbye. Captain of a freighter. I'm going to buy a shop and that diamond pendant my mother left me. The one that the jeweler offered me $5,000 for. I could sell him and buy him a freighter. But what about a bum? He is not. He has money in the bank. He told me. He saved $100. $100? All right, so he's a bum with assets. But I'm not going to let you make a fool of yourself, Lulu. I'm just not going to let you do it. You can't stop me, Aunt Lavinia. Back to hit the deck. Let's consider Thanksgiving Day. Or rather, two Thanksgiving days. The first one was more than 300 years ago when a tiny band of immigrants precariously hanging on to what was little more than a beach head on the very edge of a wilderness continent set aside a day in which to give thanks for the bounty and blessings which they had received in America. This week, another Thanksgiving Day will be observed. This time by a great and numerous people securely occupying the whole of the vast continent, which was a wilderness and has now become one of the most richly productive countries of the Earth. The pilgrims celebrated their first Thanksgiving Day with a dinner made up of whatever was right at hand near Plymouth, grain and vegetables from the garden patches, fruits and nuts from the surrounding forests, turkey shot wild in the woods. By contrast, most of the people who will celebrate Thanksgiving Day this week live a thousand miles and more for most of the food they will eat. But they are able to draw to their dinner tables wherever they might live in America the products of a whole continent and not just on Thanksgiving Day but on every day of the year. And what is true of food is typical of everything else we use. For here in America, the producer has the widest possible markets. The consumer has the broadest possible choice of sources of supply. In this great national competitive market made possible by the continent-wide low-cost transportation service of American railroads. Back to Hit the Deck starring Francis Langford and your host, Gordon McRae. And here's Elvia Allman as Aunt Lavinia to go on with the story. Next time I heard that song, there was more recrutin' goin' on. Only this time, Bilge wasn't there. But a ship was expected that day and as usual, Lulu had dragged me down to the dock to look for him. You don't suppose we missed Mr. Smith, do you, Aunt Lavinia? Lulu, why don't you face it? Trying to find a Smith in the Navy is like looking for one bean in Boston. I guess you're right. I've never been wrong where sailors are concerned.  And still, you insisted on selling your diamond pendant in your restaurant. What could it do you to invest that money? Now you're just rich. Sometimes I don't understand people. You say you know all about sailors. Sailors aren't people. Aunt Lavinia, I know what I'll do. I'll give a dance. I'll invite every sailor in the Navy whose name is Smith. Captain Roberts will help me. He's an old friend of Dad's. But he may even let me give the party on his ship. Now don't be so backward, honey. Why don't you ask President Truman if you can use his yacht? And don't poke fun at me, Aunt Lavinia. I'm gonna find my Mr. Smith. I know I am. Wonderful dance. You set a faithful, baby. Why not? Ms. Lulu Martin used her influence with the old man to throw this party aboard ship for us, Smith, so try to pretend you're gentlemen. Well, who ain't been behaving? You. You gotta cut out slapping dames on the back. Oh, they love it. Yeah, I know, but they gotta pretend they don't. So cut it out. All right, now you guys are dismissed. And the first guy that cuts in on me when I'm dancing with that red head is Jason the break fallout. Well, what cloud did you drop out of, Angel? My name's Toddy Gale. Shall we dance? Well, let's sit here and get acquainted first. See, it embarrasses me to put my arm around the girl until I've known her for at least 15 or 20 seconds.  You got any boyfriends? Just one. Deal me and baby and make it two. I pass. Well, it's been nice knowing you. But he's in Japan. Come to daddy. How about having that dance now? I'd love to. We'll get to that later. Come on, baby, after we dance, I'll take you after and demonstrate the ship's hold to you. Huh? Oh, why? It's Lulu. Hey, you must be the dame that's giving us here a party. That's right. I was hoping he'd be here. You don't know where he is, do you, Matt? Last I heard he was transferred to a destroyer. He could be anywhere. Gosh. Poor kid. That's a tough break. Yeah, well, come on. We'll all have a glass of punch.  No, don't worry about me. The blues don't get beat down. I got a secret formula. Yeah, you have? Sure. When I was a little girl down in South, I used to hear the colored folk sing a certain song. And whenever I get the blues, I can almost hear them singing it. And it clears me up. I'm from times when I was small and bright and free. Dancing tonight? That's a safe guess. They tell me we're all smiths here tonight. Hey, why are you staring at me, baby? What's eating you? I meet so many women. Don't you remember the girl in the restaurant? The cream chicken, the mashed potatoes, the... the javel? Hey, sure I remember you, honey. You bet I do. I knew you all the time. I was just kidding. Do you remember what happened when we... when we stood in the door saying goodbye? Sure. I'd been a pugnose pelican if I hadn't kissed you. You sure would've. I, uh, I did kiss you, didn't I? That was me, all right. Take a look at this on my sleeve. Three stripes in a wheel. Quartermaster, first class. Doing all right, huh? I'm gonna write for my master's paper soon.   Oh, please do, Mr. Smith. Please do. Yeah, I'm sure I love you. Hey, what do you say we get spiced, huh? I dare you. You mean marry you? What do you say? I wish you'd ask me a little more romantic. Well, I haven't got a ring to give you, baby, but here. Wear this. Your identification tag. Let me put it on you. There. That makes it official. We are now the future Mr. and Mrs. Bill Smith. Mrs. Bill Smith. What a beautiful name. Free life. See life. Although its lore is strong. Could never hold. Trust me. Just me. Cosy fireside where troubles will fly. Sin wonderland. Tiny someone will say how to do.  How cosy armchair. That's come before. A rosy fireside where troubles will fly up the flue. Will fly up so high up way up in the flue. Though we're in Dallas or Kalamazoo. Our little palace will never be blue. You'll be my Alice in wonderland always have the latest book. Tiny someone will say how to do. And he will seem like a sweet little. Baby we shove off for China in the morning. China? I can't lose you so soon again. It'll be my last trip baby. When I come back we'll be married. Now I've got a big surprise for you.  Sure. Well, how would you like to say a lot of freighter that I could get you? You could get me. Hey wait a minute hold the phone. Are you the Martin Dame who's throwing this party? Yes I'm her. I should have guessed it. Seeing you all dialed up like that I should have known you had dough. Well I'm not having any sister. When I sail a ship I'm going to be the boss. And when I love a girl I do all the giving. But Mr. Smith I can't help it if I'm rich. That's your story baby. But I don't have to get stuck with it. Midnight parties over. Mr. Smith please don't go. You heard what the Admiral said so long. But you don't understand.  Traditionally this is the day to give thanks for the fruits of the earth harvested during the past season. This year not only Americans but people all over the world have special cause to be thankful. For this year American farmers have harvested a record corn crop and near record crops of wheat of other grains and of many staple fruits and vegetables. It is the job of American railroads to collect and distribute this bountiful harvest to wherever it is needed in this country and to our coastal ports for shipment overseas. This year's record crops have been handled faster and more efficiently than ever before. That's because of fine cooperation of shippers and receivers of freight in the prompt loading and unloading of cars. Yes and because of the more efficient use by the railroads of the new equipment they have bought and the improvements they have made. Our country's high standard of living is based on two things common and widespread distribution. These are not mere accidents. They are products of our American institutions of human freedom and our system of enterprise and individual opportunity of which both the American farmer and the American railroads are essential parts. Our show train will return in just a moment after a brief pause for station identification. Francis Langford and your host Gordon McRae with Elvia Allman as Aunt Lavinia. This time I heard that song. We were in, yep, you guessed it, China. And me, what hates chop suey. You know why we were there too. Lulu couldn't rest till she found that Vilge Smith. Somebody told us we could find him at a tea room called Ming Fuz. Oh, off we went.  Take your time sailor and for gosh sakes cheer up.  I got things in my mind. That gal again? Yeah. Look Rita, is it wrong to marry for money? You mean there's some other reason? Wait a minute. I don't mean for money. I mean to be a person that's got money.   There's nothing wrong with her face. It's beautiful. Here's a picture of her you can see for yourself. Hey, she's cute. And you've got so because she had money. You wanted to be a big shot, didn't you? I'll bet you totally you wanted to buy the meals even if you're starved to death. Something like that. Sounds pretty dumb now that I think of it. Rita, there's just one solution. After I muster out the Navy, I'm going back to San Diego and let her marry me. Hey, what's all the excitement? Sounds like trouble. Come on, men, pull in. What's up, chief? Vantage from the hill. It's all the civilians stay right here. Now, right? Hey! Where's the place at, Lavinia? But why... There he is! Mr. Smith! Mr. Smith! Even if it is here, he can't hear you in all this racket. Mr. Smith! You wait here. I'm going after him. You better stay here, girly. There's banded trouble out there and this is where they've ordered civilians. Hey, hey, don't I know... I don't think so. Gee, that's funny. I got it. I just saw a picture of you. A sailor showed it to me. He said he loved you, but he didn't want to marry you because she was rich. Mr. Smith, then it was him. How did he look? What did he say? Well, he said he loved you, and as soon as he got out of the navy he was going to go back and marry you. Adavinia, he loves me. Well, here we go again. I'm going back to San Diego and open up my restaurant again. Then I'll get rid of my money and be poor and wait for Mr. Smith. Be poor? You mean on purpose? If that's the way he wants me, that's what I'll be. Come on, Adavinia. We're off. If you ask me, you've been a little off ever since you met the guy. Isn't it wonderful to be home again? The restaurant hasn't changed a bit, has it? Neither has the navy. It's still lousy with sailors. Look, here comes another mob of them. Hello, boys. It's good to see you all again. And since you're my first customer since I opened my place again, the Java's on the house. Rip and navigate my way. Here's strong for your coffee, too. Second sky's a cold and gray. Notice you sent out to all the Smiths in the navy, Lulu. Tell them you were back in the restaurant business again. Well, I wanted every Smith to know. So I wrote to all the Smiths in the Pacific Fleet. A lot of them have come to see me. But not the right one. Oh, maybe that's Mr. Smith now. If it is Adavinia, you can tell him that I never want to see him again as long as I live. But don't make it sound like I'm mad. Hello? Yes? Oh, yes. It's for you, Matt. Oh, yeah, yeah. Oh, hello? Yeah, yeah, this is Matt Smith. Yeah? Oh. Ah, Toddy. No. Ah, Toddy. Ah, Toddy. Wait. That was Toddy. She's gonna get married this afternoon. So she's gonna get married, so what? She's gonna get married, Matt. Toddy's a sweet girl, but there are lots of others. At three o'clock, she's gonna get married. At three o'clock. All right, so let her get married if she wants to. She's gonna marry me. She's a lovely girl, Matt, and I know you'll be very happy. Yeah. Well, she wants you to be her maid of honor, Lulu. She told me on the phone to tell you. Oh, I'd love to, Matt. You can make believe you're rich again, Lulu, and wear one of those dresses you bought when you sold the restaurant. Yeah, well, I guess I'd better be chevin' off, Lulu. I'll drop by later and pick you up. Okay, Matt. Bye. I haven't been to a wedding in a long time. Oh, I wish... I wish... Hey, Lulu! Lulu! Who is it? It's me, baby. Filch. Mr. Smith. Oh, come on in if you want to. I hardly recognized you with all that cold soot on your face. Well, I would have washed before I came, baby, but your ship just got in, and I thought if you liked me enough, the little dirt wouldn't hurt. It doesn't. But you can wash. There's soap and a towel on that basin. Okay. I was down in Buenos Aires when I got your notice about opening up this joint. You out of the Navy? Yeah. I've been out for weeks now.  I don't know. It's just gone. All of it? Except what I earned here. Well, I'm here to take care of you now, baby. Does that mean you love me? Sure I love you. Why'd you think I'd come over here so fast without washing? Oh, Mr. Smith. Hey, Lulu, I got the promise of a ship. A ship? What kind? A coal barge. Of course it isn't as fancy as a freighter and she sails to Portland instead of the South Seas, but she's a ship. If you were in love, we'd almost feel like it was the President's yacht. What do you say, baby? Somehow I don't feel like sailing on a coal barge. Oh.  Okay. I know when I'm not wanted. Just as you say, Mr. Smith, I got used to getting along without you. Yeah? Yeah.  Honest I am. I never once took out one of the Buenos Aires names without thinking of you. Never mind taking them out. Do these fancy dresses belong to you, Lulu? Yes, but I... So you're not broke after all, huh? Okay. But like I told you before, baby, I'm not living off any rich wife. Mr. Smith, please, you've got to believe me. I have a dissent. I signed it over to a trust company. Then it's still yours with a string on it. No, I can't touch it. It's being held in trust for someone. Who? Oh, tell him to go take a jump, Lulu. Go on, tell him. Who's it being held in trust for? I can't tell you till we're married. So long, baby. No, don't go. I'll tell you. Don't look at me. Well, it's... It's being held in trust for my first baby. What? If his or her name is Smith. Lulu. Hold him till I get a minister in the gun. He may want to shove off any minute. Sing hallelujah and you'll shoo the blues away. When cares pursue your hallelujah get you through the darkest day. Lies away. And to L.V. Allman, Jim Bacchus, Sandra Gould, Sheila Stephens and Barney Phillips for their fine performances in our production of Hit the Deck by Herbert Fields with lyrics and music by Leo Robin, Clifford Gray and Vincent humans and adapted for radio by Ed Gardner and Bill Demling. Well, next week our star-studded show train will arrive in the same tracks and at the same time. On board will be Nadine Connor and Rudy Valley to join me in bringing you Sigmund Romberg's New Moon with our orchestra on the direction of Carmen Dragon and the chorus under the direction of Mr. Norman Lubar. Well, it looks as though we're ready to pull out so until next week, goodbye. And remember, during the coming week as always the American Railroads will provide for you the dependable low-cost transportation that is so essential to the American way of living.


Felly, ahead, the first item of business this afternoon is time for reflection, our time for reflection leader today is Mr Jamie Stewart who is an elder of High Can Time parish Church. He is also the author of the Glasgow gospel and a Glasgow bible. Presiding Officer, members of the Scottish Parliament, I thank you for this opportunity gyda'r hynny'n gweithio'r hynny. Felly, mae'r gweithio'r gweithio, mae'r Llywodraeth Scott yn gyfwyrd. Mae'n credu mae'n ddod yn fawr ac yn ymddiol. Felly, mae'r fawr yn ddiddordeb gyda'r llunio'r llunio'r llunio'r llunio'r llunio. I may speak with the tongues of men, and even of angels, but if I have near love in my heart, I'm just a noisy gong, or a client symbol. I may have the gift of prophecy, and can all but life's mysteries. I may have faith, strong enough, to shift mountains, but still and all, have near love in my heart, I am nothing. I may dole it, all that I possess, and even gear my body to the flames, but if I have near love in my heart, I'm in a better one. Love is patient and kind. It's isn't ae graspin. It doesn't ae blo, I was saying trumpet. Love has good manners, very good manners. Love doesn't ae gloat, our other folk sins, but rejoices with the truth. Love tends near limit to us endurance, near enters, trust in ae fade into us hope. It will exist for all eternity. Love will not fail. Do we have profit? There day will be hour. Are we care of the war with tongues? They will cease. If the knowledge, it will vanish a war. For we can now impart, and we prophesy impart, but when perfection comes, the parcel will finish. When I was a bain, I had the speech you were bain, the mind you were bain, and the thoughts you were bain, but now that I'm drawn to manhood, I've put a war all bain like things. For just now we can see and hear just a wee bit about God, but one day we will see him in all his glory. Hi, face to face. I can now impart, but one day I shall care at all, even as God sees into my heart right now. There are three things that bind forever. Faith, hope and love. And the greatest of the three is love. Amen.


Hey everyone, I have a bit of a late night video here for you guys But before I get into it, I can remind you we are giving away a $99 Nintendo Switch eShop gift card if you want to enter that giveaway head down to the description and or the pinned comment And good luck. We picked the winner at the end of the month. All right Let's get into this Grezzo, do you guys remember who Grezzo is? They have done a ton of work on Zelda games over the years Almost exclusively with remakes, although they actually were the primary development studio behind a unique Zelda game called Triforce Heroes But yeah, they've done a ton of stuff Things like a link between worlds. They helped work on that Triforce Heroes, those are the two unique ones, but then Ocarina of Time 3D, Majora's Mask 3D And they actually did Like a really heavy lifting role They didn't do it alone, but a very heavy lifting role on what essentially was a remastered version of Link's Awakening Nintendo Switch. Some consider a remake of Link's Awakening on Nintendo Switch Just because it's such a massive art overall But whatever you want to call it, they were heavily involved with that And now Grezzo is doing something that they have done Several times in the past and every time a post like this comes up It certainly seems they are working on a new Zelda game Now we don't know if this is just another remake, of course Because hey look, this is the company that remakes Zelda games so You can kind of throw out there any number of things whether it's in a link to the past remake or you're looking at Triforce Heroes Heck maybe those Phantom Hourglass Stuff that we saw getting registered out in Australia that trademark Are they like rebooting that for a Zelda collection or an individual release? Who really knows except for Grezzo themselves But this all comes up because they are actually hiring a couple positions at the company One of them is a programmer an effects designer and then a UI designer and in the hiring Profiles they put out there. They mentioned they're gonna be working on a game that is medieval and stylish And that the programmer themselves is gonna have to be able to use unity visual studio get red mine and Jenkins Obviously the person's gonna have to experience with unity and C sharp and they say that person the programmer particular has to like games and can Great greet things or create things. I think is what they mean with the player mindset They mentioned their role is gonna be bored in the simple programmer is they're gonna be involved with the planning team Other job listings. It's a pair The other job listings essentially tell you that it's not gonna be one of those photorealistic games and Zelda is not a photorealistic game So this is just one of those things where? It really opens the door to a lot of possibilities on what this game could be clearly It's sound you see here medieval, you know, not photorealistic You really do think this is Zelda related now Grezzo to their credit has made other games beyond Zelda But they've really been focused on Zelda games over the last decade So it just kind of seems like this is probably another Zelda project and you know whether or not it's gonna come out this year I don't know because they're hiring someone who's gonna be on the planning team But it doesn't mean they're not already super far, you know into this game already So who really knows it also could be a game for 2022 There's actually been like something Zelda releasing Basically every year last year was gonna end up being the first year in a long time There wasn't something Zelda coming out and then they did us with H. A calamity right at the end of the year, so Just this doesn't mean it's this is a game for this year, you know As much as we think there's a collection pack of some sort whether it's a win maker fenomar We've got Spirit Tracks collection whether it's a win maker HG toilet for this HG ocarina of time that you know for Those who don't know we didn't really talk about it much with ocarina of time and Skyward Sword We're also both trademark registered very recently Over in Australia, so it's kind of one of those. Hey look, you know if we're gonna get phantom hourglass a little pub Let's do the games too, you know, so Skyward Sword it would be a very simple game to put an HD motion controls Still exist on the switch so you could literally port it straight up Although you would have presumed they need to make it work in handheld mode and Reworth the controls for that which you know people have already done on emulators So with with button mapping and everything so it's not an impossible feat. I just find it interesting As for what I want Gresel to be working on To be honest, I want to see Oracle of Ages Oracle of Seasons and the Minish Cap brought back Now these are the Capcom Trilogy of games because Capcom or the company that created these for Nintendo pay Nintendo wholly owns them So Capcom really probably isn't gonna get in the way of those games getting redone remade remastered Whatever you'd like to call them There's also been obviously some people out there hoping that Zelda to the adventure of Link could maybe get You know a boost in life I bring that game back from the dead because it's widely considered one of the black sheep of the franchise Although I think with four swords adventures and triforce heroes out there many consider those maybe a bit more black sheep than Link to the past but I honestly just want to see any of these games brought back to full life And this presumes that they're working on 2d obviously We know they worked on or cream time 3d and we know they worked on Majora's Mask 3d and those were not 2d Zelda games so Maybe They're working on Breath of the Wild 2 for all we know Maybe they're working on God knows what else we know with Breath of the Wild Nintendo brought everyone out So Grezzo worked a little bit on Breath of the Wild Monoliths off had a team working on Breath of the Wild and then you had the main Zelda team So maybe they're just helping finish up Breath of the Wild 2 like there's a lot of different directions You can go when you hear Grezzo is involved because Grezzo seems to have their hands all over a lot of different Zelda projects And the thing is Grezzo is an independent company They're not owned by Nintendo now the other independent company that was making Nintendo games for a while That wasn't owned by Nintendo was out of Canada and that company was bought up Of course from the team that made the Weegee's Mansion 3 But it's kind of like Nintendo recently bought that company is Grezzo gonna be bought next because Nintendo doesn't own them But they seem to only ever work on Nintendo games and they're working on Zelda games and Link's Awakening actually sold really well, so Are they gonna be swept up eventually here be the next logical purchase for Nintendo? But that's again now we're just really spiraling off because I don't know the Zelda fan in me It's kind of like getting giddy here because guys we are eight days away from the 35th anniversary of Zelda now No, I don't actually Expect Nintendo to drop an announcement on the 35th anniversary of Zelda I don't expect them to drop a trailer on the 35th anniversary of Zelda heck I don't even expect them to put out a tweet about the 35th anniversary of Zelda I think they're gonna let Pokemon company do its thing this month because the Pokemon company has their own anniversary the 25th anniversary going on and they're gonna be having a week of celebration and doing their stuff So I don't think Nintendo is gonna try to overshadow any of that with Zelda right now, but The 35th anniversary of Mario came and went and Nintendo originally didn't have anything going on then either and then we started to think man Are they not going to do anything with the 35th anniversary of Mario and then buh-bye him They hit us with that Mario direct style presentation Super Mario 35 Super Mario 3d all-stars all that jazz Obviously, you know Bowser's Fury that just came out It's one of those things that yeah, maybe it didn't happen on the anniversary But Nintendo still gave us something and I think that's what's going to happen here with the 35th anniversary of Zelda is They're gonna leave it alone because Pokemon's got their thing, but next month Could Nintendo start dropping some Zelda goodness announcements because Reality is Nintendo doesn't have to celebrate the 35th anniversary on the 35th They usually make it like a year-long celebration now They made the Mario stuff like a four five six month long celebration. So that's what I think they're gonna do with Zelda I think they're gonna do something where it's like, hey, look, we're gonna do like a Zelda presentation And we're gonna give you six months of Zelda and we're gonna cap it off with what we think is our best game probably breath of the Wild to So I I'm just saying that Something's all this coming. So I get giddy because maybe Nintendo, you know Surprises me and decides the 35th anniversary is when they want to start dropping news But they're gonna do something. I mean they celebrated Donkey Kong a little bit They celebrate Fire Emblems anniversary a little bit And Donkey Kong's got it's what 40th anniversary this year something like that like come on Donkey Kong So Nintendo has been celebrating celebrations a lot And getting into that and taking advantage of the fact that us fans are excited about these anniversaries as well So Grezzo working on something just really starts to tickle the fancy here such to get me a little giddy in my chair I'm so excited to get a little hyped over here Just a little bit hype now if you want to know why my voice might sound a little bit more subdued this video instead of me going nuts I'm Currently at a hotel room Nothing fancy. No, no, no problems. No traveling really going on Needed to get my kids out of the house So we're staying at a at a hotel and just getting a night out of getting a night away from home I'm sitting here recording with my blue yeti microphone, which is it's a quality microphone It's what I use for when I'm on the go. I don't bring my whole audio set up with I could I just don't because It's a little crazy trying to set that all up. Well, that's not as bad now Anyways, thank you guys so much for tuning in enough rambling I needed to get this late night video in because I'm too excited to wait for the morning So thank you guys so much for tuning in I'm the tanner over just from the tender prime and I'll catch you guys in the next video


And today, we're, of course, launching HUB6. So I know you all have high expectations, and we intend to deliver on that. As you all know, we're working together online these days. People work from home more often. It's important to be productive. It's also important to take care of yourself. And NextCloud should support you in that. So for this release, our goal was to reduce the amount of brain cells that is needed by NextCloud, so you can focus your energy on the things that really matter to you to get things done. So that's why we have a theme again. And this theme is a healthy meeting culture. We listen to your feedback. People always come to us to tell us what we should approve of various areas of NextCloud. They say, hey, can you make it easier to use? Save us more time, make it faster, or add some key features that help people get work done. And this is what we did. And that's why we are gonna focus on, as I said, a healthy meeting culture.