Hi everyone, it's MJ and in this video, I want to talk about Jordan Peterson. In particular, he's video called The Introduction to the Idea of God and it's a great video, but it's two hours and 38 minutes long. So I want to try and make a very quick summary of what is discussed in this video. Now, very quickly, let's look at Jordan Peterson. I mean, normally you've got these two extremes. You've got atheists and you've got apologists. And then Jordan Peterson comes along and he's kind of like in the middle. He's in the middle because he takes the Bible very, very seriously like an apologist, but he doesn't believe that God is real and so he's kind of like an atheist. And what he's done is he's made 12 of these monster videos that are two and a half hours each on the biblical stories, which I'm busy going through and I'm busy making notes and summaries and they're really awesome. So hopefully this video encourages you to go check them out.  I mean, I'm probably more on the apologist side than the atheist side. I believe in God. I try to be cynical. You'll know from my financial videos, I'm quite cynical of the financial system and I try to incorporate that in all that I do. But anyway, enough about me.  In this video, I want to talk about just three big things. We want to look at Jordan's opinion on the Bible, who his main influences are for this video and his idea of God. So hopefully we can get this done very, very quickly. But there is a bit to go through. Like I said, this is a two and a half hour video that we're trying to summarize very quickly. So on the Bible, what does Jordan Peterson say about on the Bible? This is his introduction. He says that he's amazed at its durability and he admits that he doesn't understand it and that he wants to learn about it. And he says that's the whole purpose of these talks is to try and help him think about this thing and figure it out. He says he has deep respect for the Bible and he's got this little picture in his presentation where he talks about how hyperlinked the document is, you know, how the New Testament keeps referring to the Old Testament. Now each book kind of refers to each other book and it paints quite a pretty picture. He also wants to analyze the psychological significance of the Bible and he says that the Bible aids us in self understanding. He does say that the stories are not historical, but he does say that the Bible is older than prehistory. So before people had even learned to write down, he says these stories were before then. He does say that the stories are not empirical science, but instead the stories investigate the structure of being. He calls the Bible a comedy as it has a happy ending and he says critics need to take it more seriously. He also says the Bible is the best idea we have come up with and he wants to extract some of its practical value. So that's Jordan Peterson on the Bible. Those are his opinions. Let's look at his influences and I do apologize for probably going to mispronounce everyone's name here, but we've got Carl Jung. We've got Frederick Nisha. We've got Dostoyevsky, the guy who wrote Crime and Punishment and we've got the famous guy Freud. Now, what is interesting about Jordan Pearson's influences and why call them his influences because these are the people he keeps referencing throughout the two and a half hours is if we look at the Russian guy and Carl Jung, they are Christians. They say that they believe in God. Carl Jung might not be Christian, but he does say in one of the videos on YouTube that he doesn't believe in God. He knows God and the Russian guy was a Christian Orthodox in Russia. But then the other influences are very well known. Atheists. I mean, Nisha is one of the famous guys for saying God is dead and Freud also was very, very much anti the existence of God. So it was quite nice seeing Jordan having this balance of influences. But from the psychologist, he kind of takes this idea. He combines Jung and Freud together to give him this idea that is God is the ideal formed in our dreams. So the idea is that people were observing the world and it was all chaos. And when they went to sleep, their mind figured everything out and they dreamt up God in a very powerful state. And when they fought other nations, this idea of God kind of kept growing and growing and merging all these ideas together. And it was always tending towards the ideal. So that's what he gets from the psychologist. From the other guys, what he's basically saying is he's looking at the moral consequences if God disappears. So he looks at crime and punishment. He looks at the words of Nisha. And he kind of says, you know, religion is very important as a moral framework.   So kings weren't the highest authority they had to keep, you know, or they had to be answerable to God. And this was one of the reasons for the success of Western civilization, according to Jordan. Now we're going to move on to his idea of God. And like I say, he's taking it from the Bible, the Christian Bible, which is Old Testament, New Testament. And the Bible, it's it's a little bit confusing for some people because, you know, there's one God, but he's represented in three times, God, the Father, God, the Son, and God, the Spirit. And this was my favorite part of the talk was Jordan's summaries of each of these these elements or things. He will refer to them as it's. So yeah, just to trigger warning, don't get offended or feel like it's blasphemy by referring to God as an it. But here we go. God the Father. He's got 14 points. He says you can enter into a covenant with it. It responds to sacrifice. He spent, he spends quite a lot of time talking about the sacrifice thing and how amazing it is that humans were able to figure out that if you give up something now, you can get up something more in the future. He says the discovery of the future was a big achievement in humanity. And what we know from material science is we spend a lot of time trying to figure out the future. So I guess that's the small little relevance to this actuarial channel. Anyway, coming back to the points, he says God, the Father, answers prayers. It transcends time and space. It punishes and rewards. It judges and forgives. And like I say, he's getting all of this from the Bible stories. This is his very big summary that we're going to be unpacking in the rest of these videos. We does get interesting is that he says God is not nature.  And I know that has upset some people. But this is, this is Jordan Summary. He says God built Eden for mankind and then banished us for disobedience. That's the famous Adam and Eve story, which is one of my favorite stories of all time because it's just, yeah, it's an incredible story. He says God is too powerful to be touched. God grants free will.  Distance from God is death. God reveals himself through dogma and mystical experiences. And then he also says God is the law. And he gets he gets very excited about the Bible and the legal system. He says this whole idea that mankind was made in the image of God, that both man and woman have got a sense of divinity in them. He says has been one of the cornerstones of the legal system that says everyone is equal. Everyone has a certain amount of basic rights. And he says that has been a great foundation on which to build legal systems. And he gets very excited seeing that in the Bible. Moving on to to God, the sun. He says God, the sun speaks chaos into order where he's bringing a lot of this from is from the New Testament book, John, where it says in the beginning God was with the word and the word was with God and all this type of stuff. And also with the Genesis story, where God says, let there be light and there was light and how God talks or he speaks order into the chaos. They say he speaks chaos into order. So it should be the other way around. God speaks order into the chaos. This one was quite interesting. God, the sun slays dragons and feeds people with the remains. That was interesting. I don't know if he's pulling that from revelations or if he's referring to when Jesus breaks up the fish and feeds the people. That one's an interesting one. Says God finds God, the sun finds gold. I mean, there is a story of Jesus who he has to pay taxes. He tells the disciples to go fishing. They catch a fish and there's some coins inside the fish's mouth. Jesus rescues virgins, Mary Magdalene. Jesus is the body and the blood of Christ. Jesus is the tragic victim and scapegoat and eternally triumphant redeemer simultaneously. And he says that's a very, very big idea. Jesus cares for the outcast. Jesus dies and is reborn. Jesus is the king of kings, the hero of heroes. Jesus is not the state, but is both the fulfillment and critic of the state. And that's from God. So in the New Testament, Jesus does come a lot of or a lot of confrontation is with the Pharisees and with the old legal system of the Jews and how Jesus doesn't. Well, he's critical of some of the rules, but he's also fulfilling it as well. It's like I said, it's a very religious, fascinating. It gets it makes me very excited. Jesus dwells in the perfect house. Jesus is aiming a paradise or heaven.  Jesus is the foundational stone or the cornerstone that was rejected. Jesus is the spirit of the law. And like I say, these 15 points, Jordan puts in his his video and then, like I say, spends two and a half hours discussing these. And now we're going to end it off with looking at the third party of the Trinity, which is the Holy Spirit. He says the Holy Spirit is akin to the human soul. It is the prophetic voice. It is that still small voice, like your conscious or whatever. It is the spoken truth. It is called forth by music. It is the enemy of deceit, arrogance and resentment. It is the water of life. That's an interesting one. It burns without consuming, which is interesting because then that references the story of Exodus with Moses talking to the burning bush and it is a blinding light. That's also a reference to Saul's conversion on the road to Damascus. So it's very interesting. And what I love about this is Jordan has taken the whole Bible. So he's read the whole Bible and he has created these summaries. So I really, really appreciate the summaries. And talking about summaries, this has very much been just a summary of his entire video, which I said it was two hours and 38 minutes and 29 seconds long. So I have simplified it. I do encourage you guys to watch the video and let me know if I've left out anything major out. I probably did leave a lot out, but that's great for you guys to go and explore in his actual video.  Like, should I make a summary on the next video? And should we maybe do it like every Sunday? We release a video like this or did you guys not like it? And I should rather stick this on my actuarial philosophy course on you to me and keep it away from the actuarial science channel. Let me know your thoughts in the comment section below. Like I said, I'm trying something new. This guy's been fascinating me on YouTube and just wanted to chat more about it. But let me know your thoughts and I'll see you guys soon for another video. Cheers.


Alrighty, so we are about 14 hours away from announcement, maybe 13 hours by the time you guys watch this video. And lots is going on. So not only do we have the announcement going on tomorrow first thing in the morning, and then the early ride time first thing in the morning, and then we're all hanging out tomorrow all day. We are also having our live stream tonight at 8.30pm approximately. We are going to live stream from the park as the track shipment comes in. And then we're going to live stream around 10.30pm tonight to answer all the questions you guys have been sending us on social media. We're also going to be at the park tomorrow filming. If you want to be in one of my videos reacting to the ride announcement, come meet me at the park tomorrow. We're going to have our film equipment and our backup batteries and all that with our microphone tomorrow. So if you want to be in a video, come meet me tomorrow. If you're under 16 or even under 18, please come with a parent. That way I can confirm that you're allowed to be in the video with their permission. But yeah, hopefully I see you guys at the park. So basically as you can tell from the footage that's already well into the transfer track was installed today. And they were just lifting in the catwalks into place. And then from what I can understand, they were starting to get a support beam for the beginning of the brake run in and they'll probably do some of the support beams tomorrow and have the one brake piece, the tiny brake piece installed by the time we're all at the park tomorrow. Hopefully these people work really quickly. It's actually really impressive.  It started with the horizontal, let's call it, transfer track or transfer beams. And then it started with the station and now it's the transfer track. And then next it'll be the brake run and so on so forth construction moves really quickly once they're done the station, brake run and transfer shed. When they're done that construction moves really quickly. It's gonna be like literally one, two, three once they get that start to do the lift hill, which is probably why you'll start to see construction slow down a little bit. I mean the transfer shed area takes a long time on its own. So until Labor Day is probably they'll be working on station, brake run and transfer shed and all that. And they'll probably get the pre-lift area set up. It's a lot. So like because this coaster is solo to the ground, you know how we saw that the pre-lift area is very different to Val Raven, it's probably to do with that. So what I'm assuming is that you're gonna see a lot of the electrical for this coaster and the basement for this coaster because a lot of coasters have basements or underneath the station area with the electrical and all that.  So we're probably gonna see a lot of that under the lift hill in that area. But here's some nerd shots of the transfer track just because I had the opportunity I thought I'd grab them. So here's some really cool shots of the transfer track that moves into the storage facilities for the trains so the maintenance can work on them or if it's raining and they only want one or two trains running, that's where they'll store them. So again this is the area they'll be working on for approximately about a month I would assume. We got to talk to the truck drivers. We learned a lot about this. This is definitely one of the earliest shipments of a coaster they have done. So very intriguing. I can't wait to find out why in tomorrow's announcement at 5.30 in the morning. So yeah again we'll be live streaming tonight at 8.30pm from the park with the track shipment arriving. If you're at the park come hang out in the storage area just to see it coming in and then 10.30pm approximately for our question period before the announcement at 5.30am tomorrow and then we'll be at the park all day so again come hang out. Anyways guys thanks so much for watching thanks for being a part of this whole journey and I look forward to an even longer journey moving forward. Have a good one guys. Bye.


Hello everybody welcome back another Dolby After Effects tutorial look at this I'm gonna show you how to create the smooth head or Face tracking that you see in so many videos so many dance videos actually to be more specific I'll just load this up here. Look at this. This is a guy from you've probably seen this already But this is the Jesus from the big Lebowski dancing around This is the original shot and you'll see here that I've tracked it When I go into my composition and I've load the grid up take a special look here at his face and where it is in this grid when I hit space bar You'll see here his head and his face is locked in and if I move it forward no matter what It's always locked into the same spot in that grid now I'm gonna show you this technique from front to back. It should take only a minute or two It's very easy to do. Let's get started All right, so the first step here is load some footage up into your project panel like I've done here next drag That piece of footage onto new composition and you'll see here that I've got about six or seven seconds And it's the same clip here where he's dancing around doing his thing I am the Jesus and there we go. So that's the first step now Let's start tracking. All right the second step is you need to load your tracker for me The tracker is right here. You'll see it's underneath paragraph If you don't see it go to window and then make sure there's a check mark beside tracker when you do you'll have your tracker Panel open up the next step after that is to click on Stabilize motion now when you do that you're gonna get a double Square or a double rectangle and if I zoom in I'll show you what I'm talking about You'll see here They've got an outside border that I can pull on and it's got an inside border now depending on what you're trying to do You generally just want to move this into the area that you're looking to track So I'm gonna move it up to his face here I'm gonna put the X for now around his I guess I'll put it around his eyes But it doesn't really matter but watch this I'm gonna pull on the corner and you'll see here that I've changing the shape in the size So something like that and then I'm just gonna pull it down a little bit. There we go So I've got the outer rectangle around his face outside his ears here And again, it doesn't have to be perfect But this is just generally what I find and then the second rectangle I'm gonna basically just put it around his eyes and nose So it just fits nicely around there and then presto and again You can see here that I've got an X underneath it that again It's somewhere right between his eyes kind of thing So there we go now after that you've got that place correctly What you want to do is you want to click on this play button. It is going to analyze it forward I'm gonna do that. It'll take a few seconds to run and then we'll come back. I'll show you the next step All right, welcome back. So here we go. It has analyzed it and you'll see here that this is a trail Because in this scene, I'll move it down a bit and I'll just center it for you You'll see here that in the original shot You'll he actually moves to the right and to the left and basically we've got the Tracking right on his face and it is a great track We never lose it if you ever find that at one point the track gets off you can actually go in and Manually move it around if you need to but you don't need to in most cases But I just want you to be aware of that. So there you go. We've gone ahead and tracked it now Let's get to the next step. All right So the next step here is to simply just click on the apply button when you do that you'll get an option It could apply dimensions X and Y X or Y only that means either, you know On the X axis which is side to side Y axis which is up and down or both So in almost all cases you want X and Y click on okay, and then underneath that you're gonna see it's gone ahead and created All these different tracking points, but now look at it when I hit play Let me zoom out just a little bit for you when I hit play it is now Tracked the only thing that you want to be careful about here is you're gonna see these black bars around the sides And basically what's happening is is whenever there's a place where his face Has quite a bit of tracking the it's trying to center it and it's moving the background So the background is not quite Rex correct So what you can do here to fix this This is a very simple trick is I'm just gonna grab one of the corners here I'm gonna hold down the shift key and I'm just gonna make it a little bigger so that now It's you know We're just zooming in like 20% or 10% and now I'm just gonna go ahead and slide through this and look at this Okay So this isn't quite enough So I'm gonna maybe need to make it a little bigger and I'm just basically picking the place where it's the most Distorted or the most out of wow out of whack so to speak here. We go look at that So everything stays in the shot and that is it now Let's hit play and we've got a perfectly tracked face track smooth track video. Let's go hit play. I Am the Jesus I am tracked correctly inside After Effects. That's how you do it. Thanks for watching


嬉しいぞー!あ、そうだ、あのね、 ちょっとね、関係の意味を込めて日本のダンス踊ります、ねJapanのダンスを教えてくれる。Japanのダンスね。ちょっと焼くして。じゃあ、今日ダンスはやりたいと思います。いきます!とっとんがとー!とっとんがとー!せ!とっとんがとー!とっとんがとー!あ、ボブ・ボブ・ボブ・ボブ・ボブ!よー、きたなぁ!ボブ!あははははは…よー、よー、よー、よー!最近、よー、よー、よー、よー!OK、ドラマクレーン、Let's go!K- Both chocolate creams.M- So it's not even pretend.K- I've got flashbacks of the Ladybug affair.K- You're certainly a drama queen.K- That was legitimate. It had weird eyes.K- Its eyes were just red.K- I pick up a ladybug every second day.M- Some scent I give off.K- Ladybug.K- What's the opposite of repellent.M- Repellent?ブリンペランストラクトペランスドロップペランスアンティーレペランスレディバッグマグネット今回は生き残った人生き残った人生失敗ビルマリースカーチョー今はスカーチョで行ったか?スカーチョで行ったか?スカーチョは愛知しない?愛知しない愛知しない愛知しないそれが一番彼らだ友人かスカーチョ は彼らが彼らは日本人で 生き残った人生その理由はアクションの人生彼らの行き方はハッチオみたいな職業者から日本からスカージョーは彼女の Husbandそしても sort of日間を付けた彼女との戦いの仕事を怒っているそこがバイクをして彼女のミッションを勉強してくれた彼女にとって彼女の家族のままに彼女は彼女にとって彼女の家族を彼女にとって彼女の家族には彼女の家族が彼女が彼女の家族に彼女の家族に彼女の家族に家で子供たちを帰る。未来の場所からとても好きな日に彼らが友達と一緒に住みるのと、異なる時には少し変わりました。そのことを適応してあなたは適していますか?あなたはこの映画の行為もとっても私は同じ気持ちを 知らないように感じていましたあなたがこの有點を隠しているのと愚痍るな彼らは友人だとかこの留守では沒客だとか私はこの感想についてまもなく… Cause that's why it's so common.え?私もドリンクしてるよ俺ももうここだよもうここだよよかったよちょっとこのオランサーはいや、今もカラーとこのオランサーもう来てくれてるからやっとそう、ファドラリーや、はい、いんは、いんはと、はいいんっていつも、いんはと、はいいんって、いますか?if これは、2人でしたw are ウィアドラリーや?w Were ウィアドラリーや?w were ウィアドラリーや?w were ウィアドラリーや?w why can't they be infidels?you know what I mean?w are ウィアドラリーやit ウィアドラリーやw are ウィアドラリーやexistentialism, I guessyea、まぁron both their endsyea, there's a bit of aan on wee of lifethat they're both experiencingexactlyMovie has a lot of weariness in it.So we know that both of them are in a place where they're not necessarily...They're not happy with their marriages.Petentially unhappy with their lives.Yeah, questioning themselves and their lives and their choices.There seems to be a frothy connection between these two people.They have this kind of understanding, this unspoken understanding between them.And they just get along swimmingly in the movie.They don't really talk about it.They don't question what is this thing between us, you know.They can see it, they understand it.They appreciate it and they revel it.このコネクションの感想を感じる。全てが映画のような感じ。それが素晴らしいかと思います。彼らとともとととととととのコネクションを連絡する。そういう感じで...彼らはとても楽しかった。とても明るい。彼は新しい映画の中で、彼は新しい映画から彼女の家族に行ったら、彼女が言うような、彼女はこのような、彼女はスヌーディに行ったら、それについてわかってくれたら、彼女は彼女の家族の家族に行ったら、と同時除引後で議會を始めたりも辛くて良いというのは他說のキャンプがあるそのために解消致したが結婚権に見慣れてそしてマイッシュの時には デーマを仕inkling in No Y.マイッシュを受けて結婚した時の場合ももちろん好きなんだ多分サイン chiliカイツプを私が両方の顔を見つめて、私のプリズムをでも浮かせないの。人にはその思いがあるのが、彼はすぐに仕事をしないでしょ?私は、今日の褒めているのと確かめないといけないので、私はそれをあめたりするの。前にお世話する人はみなさんでも maskそして、何の人が mask を残るんだから、他人には可能な情読をしないで。そして、彼はもう半分だけ眠らなくて、彼は 今までうち目で服はっつってないから、そして、そういう人は、ああ、私は mask のようにもされてもらった。そういう意味で、一人はそれを見ることが必要だったかもしれません。たとえば、他人の人を本気で信じて人は違うかもしれません。それは、この映画のダブルに関しては、それを話すことができるかもしれません。それは、インフォダルですよ。その感じで、それを考えているかもしれません。I mean, I think the infidelity comes up where, most probably, where he cheats on the wife with that woman who sings.Okay, yeah, he was in Fidel. He was definitely in Fidelis.Yeah, he was in Fidelis.I got it.What was she?I mean, I don't really know. It's really hard to say, but one thing we know is that there are feelings.There's a flirtatiousness.They're feelings. They understand that they're feelings. Again, they don't talk about them.They go hang out after he cheats, right?And she's like, well, is it because she's older?I mean, obviously you guys, maybe you were both born in the 50s, and then you have stuff to talk about, like, growing up in the 50s and stuff like that, you know?And so she's clearly upset, and the dinner isn't, breakfast isn't great.You could talk about things you have in common, like, growing up in the 50s.Maybe she likes the movies you're making in the 70s when you still were making movies.When there anyone else there to lavish you with attention?I'm switching to beer, okay?Later they meet, just kind of like, they don't delve into why it wasn't great, but she just says, that was the worst breakfast.But the idea of it is like, there was just that tension where she's upset and he's upset.I think he's also, obviously he wakes up upset with himself.It's never a good thing to, I never felt like, okay, well, the wife has been mean.The relationship between him and the wife is clearly very bad, but I don't think that ever condones anyone doing that, like, at the end of the day.Which is why I think he felt very bad about himself.Yeah, he did.I would say on both their ends, especially him, because it just seems like the relationship with him and his wife has been going on, has been kind of sour for a long time, the way that they talk to each other.Because remember in one scene, she's like, how is marriage basically or something like that?How is it after some time?And he's like, well, you know, it's hard.At first, when we didn't have kids, things were okay, but then the wife used to travel with him for work, but then the kids came and she didn't need me anymore.She didn't need me to be in LA anymore and the kids are in her priority.And so now the relationship is where it is, which, I mean, we don't have kids, so I don't really know how that kind of works, but just kind of seems very drastic, a drastic change from what they had before to that.And I feel like a lot of the times you can see in this movie, you can see Bob asking very tacitly expressing his discontentment towards the wife.She doesn't pick up on it.She doesn't pick up on it.But at the same time, I'm like, even if she doesn't pick up on it or doesn't care, he's not clear.That's the issue I kind of had, where I'm like, tell your wife the issues you have.Things like, I feel like we should start, I want to get healthier.I want to start eating better, less pasta.And she's like, well, maybe you should just stay in Japan and eat it.It's kind of like, they're not, they're talking about the relationship, but they're not talking about the relationship.They don't want to be healthy anymore, like, I want us to be better again.There's so much stuff built up between them that they can't really communicate in that open way anymore.So there's a lot of that indirect or kind of negative or kind of like, they'll say something and that'll already set the other person off and then we'll just keep setting each other off for more, you know.Only if you want to.Okay, I'll talk to you later.Like, what is this?You want to talk to me later and so we can fight some more?Like, passively aggressively?You know what I mean?I feel like them living, spending time in Japan could be more like a metaphor for them both being lost in their lives in that period of time, right?It's just the setting is different from what they're used to and then they're kind of in this limbo state.They're both staying at hotel rooms.They're both kind of unsure why they're there, but it's not even so much why are they there on that vacation or that trip.It's just why, where are they in their lives?Both of them, you know?Because she is thinking, you know, I want to be clearly want to do something creative.I want to be a writer, but I don't really like what I'm doing.And I feel like maybe I got with this person who also seemed creative, but we're clearly very different people.You know, so she's like, I'm not sure about that.And then why am I even here with this person that I'm not even sure I have a connection with.And then same thing with him.And he's thinking, you know, why did I'm stuck in this position now where my agent suggests and maybe I either can't say no or I'd rather go get the $2 million.But it doesn't feed my soul.I could have been doing a place somewhere, but instead I'm doing this commercial that is just eating me up.And it makes me drink every night while I'm here.I just hate my situation.Just lost in life.They're both searching for meaning again, I think.And so I think the thing that draws them together to each other as well, besides probably some kind of similarity that is unspoken,is the mutual experience of feeling lost and not having anyone to confide in.I think both of them don't really have people to confide in the way that they both need.Is that loneliness and a need to be able to connect and find someone to attach to.And that's where I'm like, is this really a kind of cheating movie?Because I feel like sometimes, you know, the people that you can meet people in your life and they can have a lasting impact on your life.And even if you don't necessarily stay in touch with that person, but they always stay with you.Something they said or a moment you shared, you know, unexpressed feelings or whatever.But they stay with you for whatever reason.In that case, I'm like, you can meet those people, married or not.You know what I mean?But just because you meet someone like that, who you're drawn to in that way, in that special unique way.Is there an issue here?I didn't really feel that.I mean, they do kiss.Yeah, well, that's why I think with, for Skarjo's case, I think Bill Murray straight up just did.But with sleeping with the other woman.But Skarjo, I think it was borderline.Maybe you could say emotional cheating or something.Instead of just saying to the husband like, can we just take some time off?Because at this point, she already clearly just wants to spend time with this other guy.So emotionally, she's already, she's holding her hand.Yeah, that's fair.So there's that, but also, yeah, the kissing at the end.You're kind of like, but if it wasn't even for the kissing, I would say it's borderline.But it is, you could say it's, it's not necessarily cheating, but the infidelity in terms of like just basically doing what she would be doing with her husband with someone else.I guess, right?That makes sense.No, I totally get it.And it's such a tricky thing, right?Like, whenever they're there, the physical aspect of cheating is removed.It's, it becomes very complicated to assess infidelity, but emotional infidelity is very real, isn't it?I think so.Yeah, because a lot of times that's what starts the physical infidelity.Exactly.The lack of physical intimacy, the fact of what, how lonely these people are presented to us and what we see before.It's really tough, right?Because you can, let's say, you know, a friend of yours is going through some stuff in their relationship.That kind of thing can, sometimes you'll see, okay, well, they're coming from a really tough spot.You know what I mean?And then you make excuses for them when they mess up because they're going through some tough stuff.So, okay, yeah, he cheated.Okay, here they are having this emotional infidelity.But to be fair, both of them are going through like a bit of a crisis in their own marriage.So what else are they going to turn to?They don't have anybody.You know what I mean?And so is that fair?I don't know.It's very interesting.I wonder, Sophia Coppola did this on purpose because I'm like, you have, you present this really sweet, the sweetness between these two people and behind the scenes, there's all of this, there's this huge mess.You know what I mean?Is it to kind of make people perplexed or to see who's going to assess this movie in a certain way?It also shows you that people can have a sweetness to them when they're there and then there's this whole mess of the life that they have back home or something.You know, like everyone kind of has that.When you meet someone, you don't see all the trails of fire and debris that is right behind them.That's so true.At the end of the day, it's so much easier to meet a stranger and just talk about stuff.I think it's because you're not necessarily, I think the reason it's easy is because you're not really invested in that relationship or there isn't a lot to lose.You just met this person and you don't really know each other.It doesn't go well.We'll see them again.Exactly.And you can be honest, right?Like whatever you feel about stuff or you can just unload, right?Because what you said, the fact that they don't have this trail of, they don't see what comes before, what came before the time you guys meet.And so I can say whatever I want to say and you don't know like my backstory.Because if maybe I shared something like that with my wife as Bob in the movie, then she'd be like, well, yeah, but you say this, but it doesn't align with what you've been doing in the past.So much more accountability.But with a stranger, with somebody you just met, you're in a place that's foreign and you can be whoever you want to be.Or you can present yourself however you want, even subconsciously.It's not even to say that these people are a certain way.But there isn't really any delving into the nitty-gritties of their past.They just present certain things, little things that they're going through in the present moment.And there's never any questioning on either of their ends as to, well, how did you contribute to that?Why are you here when your kids are gone?Why do you think your wife stopped coming to these places with you?What did you do?It's really complicated life, I guess.I guess this is the thing with the movie that you see, how complex life can be.Because not even just life, but relationships.The relationships you have with people.Very tough.Yeah, because what happens when you do meet a person, you meet a stranger and they're this profound being.You don't necessarily pursue things, right?Because when they leave, they don't exchange contact details.They both understand that this isn't going to go any further.We have this moment and that's it.When you have that kind of encounter, what do you do as a human being?Because then you have to grapple with the morality of it as a married personor a person in a relationship as these two people are.What do you do, especially when things aren't too good with your situation?You know what I mean?It's hard.Human relationships are probably the hardest thing.The situation that these two people find themselves in, both Scarjo's character and Bob's character,it is not the husband or wife's fault.The people that aren't really present in them.These two people are in a relationship.They're husband or their wife.They aren't in a relationship alone.Where their relationship is, both of them should be held accountable.You know what I mean?Maybe we are catching them at a point where they're kind of coming to a point of disillusionment with their lives.I'm out.I've shot my six shots from my Smith and Weston.I'm working, Bob.Mr. Smith and Weston.And you've had your six.That was some stuff that we reflected on with Lost in Translation.But what did you guys think?Have you seen it?The things about that you thought about, noticed?It's an interesting thing, though, about this movie.I'm sorry.I think the reason I'm so conflicted here is because we talked about the morality of these two people's relationship and emotional infidelity.I'm conflicted because this relationship that they have, I love it.I love their relationship.Maybe it's beautiful, but a little infidelitous, a little flawed.It's complicated.Morality is a hard thing to pin down.I'm going to get back to work and you're going to let us know what you guys share your thoughts.Just comment down below and share your thoughts on our thoughts.Or just share your thoughts.Let us know what came up for you in this movie.Let us know how your warring was.You're big with your eyes.Let us know.But yeah, anyway, until next time.Goodbye.Goodbye.That's a wrap.


Čakaj, Mr. President. As a mayor and as a representative of the local, municipal and regional authorities, I like to strongly support some of the proposals from the citizens panel in the field of education. Why? Because in the end, all education goes local. This conference is about the future of Europe, the democratic future of Europe. Unfortunately, we are in front of a new iron curtain on the east side of our continent. We cannot have a long-lasting democratic future in Europe without real access to education and quality investments in education. Education is the best form of investment because there is no risk of bankruptcy. Education is the solution to ignorance, intolerance, racism, violence, disinformation or fake news. I do support so much the citizen proposal about soft skills and critical thinking in schools in order to fight against discrimination and fake news. I really appreciate the citizens reference to the brand drain phenomenon. If left unaddressed, brand drain can affect our European project on long-term perspective. I want to be very clear. Freedom of movement is a basic and fundamental right in our Europe. But in the same time, no one should be forced to leave his own city, region or country due to economic reasons. Investments, education, cohesion policy and a good quality of life provided by local and regional authorities can turn the brand drain to brand drain through brand circulation. So dear colleagues, in this very moment we have Europe more united than ever before. A Europe united in diversity and a Europe with one voice in defending democracy and its values. Mr. Putin must know that our values are not negotiable. Our values are not for sale, neither for money nor for gas or oil. As long as we work together, here in Salzburg, in Brussels and all over Europe, we have a democratic future. There is no place for authoritarianism or dictatorship in our Europe. Mr. President, you said once something like that. Once Europeans fought, now they talk, work and live together. That's our European story. You are right, Mr. President. Let's write the best chapter of our European history. Thank you.


Okay, continuing with our BabylonJS tutorials allowing you to create 3D scenes in your web browser and today we're going to be looking at creating scenes in Blender 3D and exporting them for use in your web browser using BabylonJS and luckily BabylonJS has an exporter for for Blender 3D. I'd like to mention that I am running Blender 2.71 and also this is not a Blender tutorial. This is just on how to import stuff that you make in Blender so I'm assuming you already know how to use Blender. So let's go ahead and first thing I do is let's just add some stuff to this Blender scene. I'm going to, well actually before we do that, let's go to our web browser, let's go to BabylonJS.com, go to downloads which brings you to their GitHub page and we'll go to exporters Blender and right here you can see there is an io export Blender Babylon.py, it's a Python script. There's also this new tower of Babel.py which was added six days ago. I have not had a chance to look at what that is but today we're going to be looking at the export Babylonpy. So you can click that, click raw and then download this Python script. Then you can go into Blender, go to file user preferences under add-ons, click install from file, find where you have downloaded that file and click install from file. Then our little search bar here, we're going to go Babylon, we'll type that into search and enable the Babylon importer exporter and then if you want you can click save user settings and that will keep that enabled. Otherwise when you exit out of Blender, when you come back in that will be unchecked and you'll have to go back in there and check it every time if you want to export a Babylon scene. So killing save user settings will save that so you don't have to do that every time. Now that we've imported the exporter or loaded the add-on that is the exporter, let's just create a very basic scene. I'm going to move this cube up, add in a plane, scale it up. I'll just randomly create some cubes here and maybe rotate some of them just to give us something so obviously you can import and create much more complex scenes and models and Blender will import most of the common formats out there for models so if you get a model that was created in another program you should be able to import it to here. So we have that, the default scene has this light here, this lamp, let's move that over there and clone it over here and give each one a different color just to liven up our scene. We'll make one of them a blue color and we'll make the other one a reddish color and if we hit F12 that's what it looks like in Blender. Here we go, the camera is kind of close there but luckily we'll be able to move the camera around inside the Babylon, inside your browser once you import it with BabylonJS. Again, it will import the entire scene including any cameras you have, any lighting you have. If you're adding textures, we're not going to go over that today but you want to use UV textures and you'll have to make sure that the JPEG files or PNGs or whatever format you use are appropriately located. But now that we've got this basic scene let's go ahead and while our cursor is over the 3D view here, hit spacebar, type in BAB to bring up our Babylon exporter, click on that. There is only one option in here which is if you want to export only the current layer. We're not going to check that because we're going to export the whole scene. I'm going to go to where I have my tutorials that I've been working on and we'll call this one B scene for Blender scene and we'll automatically append to that dot Babylon. We'll export that and now let's go into our editor here real quick. I'm going to get out of Vim here and if we, I'm in the folder that I just exported that file to which we called B scene dot Babylon. If I enter to bring, open that up in a text editor such as Vim, you can see that it is a plain text file which actually a lot of 3D models are but this isn't just a model, this is the whole scene so everything we just exported, the cameras, the lights, the names of the lights, any materials. It also exports physics. If you wanted to use, set physics in Blender, you can do so. I'm not going to go over that today but just as I talked in the previous tutorial, you'll have to import the Canon JS engine if you want the physics to work and they act a little different than they do in Blender so they don't always get the results that you want but if you want some basic physics and you set them in Blender, they will export into here as well and so you could actually modify your scene in here. I don't know why you would do that unless you accidentally deleted your Blender file but you can actually import this back in with the same plugin that we just added on to Blender so if you forgot to save your Blender file and you have this Babylon file, you can import it and start modifying it and then export again but I just want to show you it's a very basic JSON format. If you've done a lot of stuff with JavaScript, you've probably come across JSON. It's very common format, very easy to use, very easy to read and I just wanted to show you that. Now let's go into our script, our HTML file. I call it 04.html. Right now I have the basic HTML tags in there, our HTML tag, header tag, title, script importing the Babylon JS script and again if you want to have physics you have to import the Canon JS physics. Some very basic CSS which all this really does is get rid of any padding margins and sets our game or scene to be the full width and height of our windows. Basically it will fill up the full browser. So that's what that's doing there. Inside our body tags we're creating a canvas and which is going to be used to render out our Babylon JS scene. I gave it the idea of render canvas and then inside our actual script tags here, the only thing I left from previous tutorials is this resizer for when you're resizing the window the scene will resize properly. So let's go ahead and start writing out our code. I'm going to create an object first here, our canvas object, a canvas variable here that we're going to point to an element on our page. So document which is our our web page it's the document we're looking at right now. We're going to say get an element by ID and again this is case sensitive so capital E, B and I there and we're going to say the render canvas because that's what we called it. That's the ID equals this. We're saying get the element by its ID, what ID is there and don't forget your semicolon at the end of the line there. So now anytime in our script if we call canvas with lowercase C or however you name it you can call it whatever you want within reason. It will look at that canvas element and we'll do the same thing for an engine. We're going to create our rendering engine and we're going to say it's a new engine. Look at our Babylon script that we imported and use its engine function to create a new engine and we're going to say to use the canvas element that we just created. Next we're going to load our scene and instead of creating a new scene from scratch we're going to use a scene loader which is already built into the Babylon JS script. So we have to say Babylon again all capital there. That's saying to look at the function inside the Babylon JS script and find the function called scene loader. Use that scene loader and run from within that the load option and here we're going to set the name blank just double quotes there. Just keep simple we're only going to have one scene here if you have more than one scene you're going to label them different things. We're just going to leave that blank for right now but we want to give it our Babylon file that we looked at earlier the JSON file which we called bc.bablon. If you ever get an error that says unable to load no loader found for this file or something like that you probably spelt or put the wrong file name there. I've come across that I got the Y and the L backwards and I'm looking at my code and could not figure out why I did wrong and it's just it was a typo there it was looking for a file that didn't exist so it didn't know how to load it and my browser was telling me the console my browser was telling me I don't know how to load this file and I'm going what do you mean you don't know how to load it anyway next we're going to tell to use this engine that we created here because again you can have more than one on a page and we're going to say new scene and that will create a variable called new scene let's close out this function here but this is saying okay we're going to load this while it's loading then run this function the scene is going to be called this we're actually going to relabel it here to scene so vars scene that way anywhere in our script we can just call scene and get it again you can have more than one scene and you might use this function more than once and that's why we're doing it this way in a way yeah okay so now from here on out anytime we want to call our scene we'll call it scene with capital S that's just how I wrote it you can write with lowercase s just be consistent with whatever you do we're going to say scene execute when ready I'll give you a give you a guess I give you one guess on what this does well when the scene is ready well and then execute this function so basically it waits for the full scene file the this file here which is our scene and the other files need for it to download from the website which a very basic scene should only take a second or two larger scenes might take longer you could create loads load you know a process bar we're not going to go over that in this tutorial but it's saying once that's downloaded ready to go then run this function and now we're going to take our scene and we're going to stick the active camera well you know I'm not going to do that yet we're actually going to leave this function right there blank as far as let's see make sure we write that out correctly yeah close our braces and our parentheses but in here we're going to put our our engine so again we're going to call our engine element that we created again up here and that we're using for this scene and we're going to say renderer loop and we want to spell things properly so we probably want to put an n here instead of an a so run renderer loop and this we talked about in previous videos in this series and basically this is just a function that every time the render loop happens it's going to do something we're going to say scene dot render so we're going to render the scene but you could do other things as in the previous tutorial we used it to rotate objects again this does is affected by the speed of your machine so if timing is important you may not want to use this for certain things and that's it as far as importing the scene that's all we need I mean 10 maybe 15 lines of code to create our import our scene let's go back to our web browser here and refresh that page and there is our scene with our cubes and our lights right now you can't do anything with the mouse or keyboard so let's say we want to create a very basic fly through camera in Babylon JS they call it the free a free cam which is the default type of camera so we don't need to even say make it a free cam we're going to assign controls to that camera and we're going to do that once the scene is ready so once the scene has loaded we're going to say scene dot active camera dot attach control and we're going to attach that to our canvas element and what this does is spell things right again camera so we're saying okay take our scene and find the active camera now we didn't create a camera in our script here although you can if you want to create a camera you can have more than one camera and change from one camera to another or have multiple players theoretically and have a view for each player but we didn't create one in our script here so where's it going what active camera is it looking for well it's this camera so you notice when the page loaded it automatically we got the view from here so wherever you put this camera will be the first view when the page loads unless you set another camera and we're saying is take that camera so look at the scene find the active camera and then attach controls to it using the canvas element we'll save that come back in here into our browser hit f5 to refresh and now I can use the mouse to move around and my arrow keys also to move around and that is our scene from blender and of course right now if I hit f12 and then I hit f5 to refresh the page you'll notice that there is you'll get an error that says that there's a manifest file missing manifest file is not something that is necessary although you will always get this error in the console if you don't have one but what it does is it adds a few options tells the browser a few things that can improve its loading time so let's quickly create a manifest file or at least look at one that I have already I'm going to open up one that I've already created called boxes dot manifest and we can actually copy this all over perfectly but okay so we can say inside the manifest file right here I'm I think there might be other options but these are options I usually have in there the version of your scene or game and then enable scene offline either true or false enable textures offline true or false okay so what this does is when before your scene loads Babylon JS checks for a manifest file if it if there is one it checks these things and sets them so the first time you load up the game or scene or whatever it's going to load everything that you need within that same browser if I go back to that same page and I have enabled offload offline mode set to true same with textures which I do have set to true here what that will do is it won't need to download everything again it will load it it will basically store it in your browser and then later on reload it from there so you can have an offline mode once you've already loaded it from online and the only time that it will get redownload that stuff is if the version number changes now I set this to false and I probably should set this false to although we're not working with textures in this example and I'll show you why so what I'm going to do here is I'm just going to highlight copy and so the name of the manifest file like our scene is called be seen that Babylon create another file with that and then do manifest at the end I'll import that same exact thing from here but here I'm going to set this offline mode true and save it which I don't recommend while you're actually still developing the game and this is why so I come in here I hit f5 now we don't get that error in the console so let me go ahead and close the console here everything looks fine let me go back into my Babylon scene here and I'm going to or my blender scene here and I'm going to add a sphere and I'm going to grab it I'm gonna put it right there you can see it's in the camera view and I'm going to now again just hit space bar BAB hit enter hit enter I just resaved the scene it's that simple come back in here at f5 and where's my sphere I don't see the sphere the reason for that is the version number didn't change and I have it set to offline mode true so it didn't redownload the scene so I get a faster loading scene if it was more complex because it wouldn't have to redownload it from a server if you are running this off the server rather than locally it will store it inside your browser and load it from there so what I am going to do is I'm going to come in here and I am going to set this to false and this to false so this is a great thing to have set to true once you put it up on a web server for people to use it will lower the load on your server lower the traffic that's needed and improve the speed of loading if you have those set to true but since we're still working on it here on my local machine now that I've done that I can come back in here hit f5 and you can see the sphere is right there and now anytime I refresh the page it will reload everything since I have those set to false so all depending if you're still working on it might want to set them to false once you have kind of a set you know version that you want to put out there you can put it out there and then you know as you make changes change the version number and then that's when people will get updates so it's very a very smart way of doing things I think so again I can now just add a few spheres here hit spacebar Babylon exporter enter enter I just overwrote that file at five and you can see the other spheres I just added I can come in here again I can say monkey I can add a monkey move the monkey on the x-axis z rotated on z so there's my monkey I'll hit space at or I just added another monkey I'll move that to where the camera can maybe see it at some point anyway and now we're going to Babylon export come in here whoops refresh my browser and there are the monkey heads so you can see how easily if you have a web server setup all I have to do is export and every time I export as long as I have my manifest file set to false or if I change the version number as soon as I export that boom the scene is automatically updated and anybody accessing it all they have to do is refresh their page and that's it so again you can add materials to these objects colors again if you're going to add textures you want to use UV mapping otherwise it won't come through that's true with a lot of game environments UV mapping is usually used for games and there's a lot more you can do but I just wanted to show you the basics today again Canon JS will help you add physics but we just got this basic free cam a fly-through cam and I thank you for watching I hope you enjoyed these tutorials that's it for this month is what my patreon voters voted for were these Babylon JS tutorials and we'll see I might do more in the future if my patreon supporters vote for that so if you are a patreon supporter of mine and you want to see more Babylon JS let me know and I'll be sure to do more if you're not a patreon supporter think about going to patreon.com forward slash melex 1000 should be a link in the description of this video to it and there you can support me on a monthly basis either a few dollars a month or more whatever you think I deserve for the tutorials I put out I do a lot of tutorials and if you enjoy them I ask that you support me and I appreciate your views either way and I hope that you have a great day I'll also visit my website filmsbychrist.com that's Chris the K should also be a link to that in description again have a great day I would like to take a moment to thank the following patreon supporters for helping make this video possible