From the heart of the jungle comes a savage cry of victory. This is Tarzan, Lord of the Jungle. From the black core of dark Africa, land of enchantment, mystery and violence comes one of the most colorful figures of all time. Transcribed from the immortal pen of Edgar Rice Burroughs. Tarzan, the bronzed white sun of the jungle. And now in the very words of Mr. Burroughs, the story of a cross a continent. For many years, Africa has been a haven for the lost souls of Europe. Criminals and political refugees, misfits, outcasts and social pariahs, all of them have poured into the dark continent. From Lisbon they sail to Casablanca. From Marseille they cross to Algiers. From Sicily they flee to Tunis, or perhaps Tripoli. And from a dozen seething cauldrons of Europe, they filter into the obscure port of Bekorata. A soiled, disreputable city that's sweltered in the equatorial sun, it seemed a strange place indeed to find Tarzan, Lord of the Jungle. Pardon me. I wonder if you could direct me to the office of Eric von Horn. Office? Why do you laugh? Mr. von Horn is the government agricultural adviser to the natives, is he not? Oh, yes, he draws a salary for that too. Well, then tell me where his office is if you can.  This? This? His office? But it's a café. Yes, it's a café and Mr. von Horn owns it. He dispenses information on agriculture, cheap liquor at expensive prices and anything else he can make a profit on. I see. This picture in front, the girl, surely she can have no connection with a place like this.   She's the best looking man trapped von Horn's ever had singing here. Not that she'll last long, never do. She should not remain long in such a place.  She knows a score, all right. If she didn't, she wouldn't be in Beccarata. Believe me, stranger, Madame Ozil Gabrielle is bad medicine. Her eyes look sad. Well, I didn't travel to Beccarata to discuss café singers. I have business with Mr. von Horn. Thank you for directing me to them. Oh, watch your step when you go inside. They keep the lights low and their eyes are used to it. They're apt to pull a knife on you. They don't like your looks. I have a friend, a small native boy named Togo, who claims that I resemble a monkey very closely. But I think he refers to my ability to climb trees rather than to my appearance. I'll take a chance that those inside will like my looks. Thanks again. What'll it be? No, I don't care for a drink. I would like to see Mr. von Horn.  I told you I came to see Mr. von Horn. Is he in? He ain't into a naked savage from the jungle. I wear the same clothes as do the natives whom Mr. von Horn has paid to advise. I demand to see him. Look, stranger, you may be big, but around these parts... I don't speak to him a lot. I am von Horn. What do you want? I have come here from the Punya country to get advice on agriculture. Their café corn grows poorly. Each season, the yield grows smaller. Why should you care? The Punyas are my friends. I traveled many moons to see you. I do not intend to return without some instruction from you. Well, you'd like some instruction, eh? All right, I'll give you some. Come back to my table with me. Hallad, bring us some of my special stock. Oh, thank you, but I'll take the information without the drink.  If you want to talk with me, you will drink with me. In civilization, it is considered rude to refuse to drink with a gentleman. I did not mean to offend you. If it is bad manners, I shall break my rule and drink with you while you tell me about raising café corn. Good. I'm afraid you misunderstood me. I said I'd give you some instruction. I did not refer to instructions for the growing of corn. But what else could you instruct me in? In letting you in on your own. Look, what did you say your name was? My name is Tarzan. Look, Tarzan, I come to this country as a young man. I took my work seriously. I went into the bush, tried to teach these lazy natives about soil erosion, crop rotation, increase of yield to cross-fertilization. But did it do any good? No. When they had ruined the soil in one section, they moved to another. You sound as though you know a great deal on the subject. I do. But I am still with that fangless job. There's more profit and less work in other fields of endeavor. Like running this café? Among other things. That girl there, the one who just walked in the door. She's the one whose picture is out front. What about her? Oh, nothing. I was just admiring her. She's very beautiful. Halak, where are those things? I was just bringing them. Here you are, boss. Where are health, Tarzan? Well, you said you were going to drink with me. Oh, yes, yes. Well, here's to your health, Mr. Von Hain. Now, what made you ask about that girl? Oh, it was just a natural inquiry. Her picture out front, and then seeing her come in and disappear in the back. She went to her dressing room. She is an entertainer here. It is not wise to ask questions about people in Baccarata. Then I will ask you more questions, save those about Cafia Corn. I know something about, about crop rotation, about crop. Sure, it took long enough to get them, didn't it? There was nothing in his drink to knock out an elephant.  Why not take him with a jail? Tell him he wouldn't pay his bill after he got drunk or something. He will avoid contact with the officials until after we've taken care of the girl. He's abhorred, and he started asking questions about her. Soon there will be others asking questions. You think he knows something? He certainly didn't come here to get information on agriculture. He didn't fool me for a minute. Somebody should have told him it ain't healthy to ask questions around here. By this time it is apparent. And his health is apt to get worse and worse down in our cozy little basement. We shall return in just a moment to the exciting story of Tarzan. Night comes quickly in equatorial countries. And as the darkness descended on Baccarata, the city came to life. And those whose livelihood depended on stealth and secrecy left their daytime haunts. In the café of Eric Van Horn, intrigue flourished. But in the dank basement of his establishment, all was quiet, save for Tarzan's heavy drug-laden breathing. Wake up. Wake up, jungle man. You... you haven't much time. When they close the café, they'll attend to you. They won't stop at a few knockout drops. You... you are the stranger. I met outside the café this afternoon. That's right. But you must have had a key to get him. Perhaps you are one of them. Don't worry. I have keys that'll open any door. But I'm not in league with Van Horn. I hate him. Henry will join forces and have revenge. Let's say that I've had mine by freeing you. And I'd suggest you have yours by escaping and returning to your jungle. Now you better get going. Give me a minute to clear out and then leave by that door over there. Better keep to the side streets when you slip out of town. Tarzan crept up the rotted wooden steps from the basement to an alley. But he could not bring himself to sneak from the city like a criminal. Instead, he slid along the outside wall of the café. Through a window, he could see the girl whose picture he had noticed that afternoon. Glamorous and exciting in a dark dress of lace, she stood by the orchestra. And at a table near the window where Tarzan peered in, Van Horn and a huge man with a small moustache and a goatee stared at the girl intently. As she stepped to the center of the floor, she noticed them for the first time and her eyes bespoke terror, contradicting the casual sensuousness of her song. She'll go back to Mademoiselle Gabrielle's dressing room, huh? She is not going anywhere to play. I have a man on the front door and one on the back. She won't get away. Then what are we waiting for? You haven't paid me yet. I shall give you what you have coming when I have my hands on the girl. I've waited too long and taken too many chances to risk her slip up now. There won't be any slip up. Finish your pen all and then we'll go and tend to the girl. For the conversation, Van Horn and another plot against you. Your life is in danger. So Van Horn did lead them here. I don't know who you are, but you've got to help me escape. I shall help. The man Van Horn posted the rear door is helpless now, I saw to that. We can leave that way, but you must hurry. I've got to get a few things. Here, here, hold this bag. Yes. Thank you. I'm not used to running away, but Van Horn has many accomplices here and if I were killed, you would still be in danger. Oh, you don't have to apologize for not fighting. All you have to do is get me out of this jam. There, that's as much as I'll need. Let's go. Yes, I fainted. When that last bullet whistled by us, I didn't feel too brave myself. Where are we? I can see leaves all about me, but I... Nature has provided this small platform of boughs in the top of a great tree. Top of a tree? Oh, get me down from here. Oh, no, we're safe up here. But, but I can't stand heights I never could.  Why do those men seek you? You, you don't know and yet you came to my rescue. You needed help.  Who are you? Schmappel Tarzan. Dressed like a savage and at home in the trees and he speaks French. I don't understand French except for a few songs I learned. But I take it your name is Tarzan. Yes. My name's Gabrielle. But you said you were not French. Oh, it's a stage name. You can call me Gabby. You, you did not tell me why the men wish to harm you. Well, it's a long story. You see, I'm an American, but I was stuck in Warsaw during the last war. I'd been working in a nightclub there. The Nazis admired me and I was not arrested. So I was free to secure information for the Allies. Naturally, I made many enemies. And they still pursue you now. They'll never let me go. They followed me here. I changed my name and learned that French act. I thought I'd be safe, but somehow von Horn learned of my past. He made certain demands on me. And when I refused him, he put my picture out front as a threat. And others beside Tarzan saw the picture. Did you see the large man? The one with the mustache and goatee? Yes. He was the head of the Gestapo in Warsaw. We shall return to Bekorata and report him to the authorities. Oh, no, no, Tarzan. Please, we can't do that. Why not? You know what they are in Bekorata. Government officials would promise to investigate. They might even put him in custody in his hotel room. Do you think that would stop von Horn and him from killing me? It is all confusing. Certainly, we must turn to the government for help. And yet von Horn is an official of the Agricultural Bureau. And he refused me help. If you could just guide me to Lewanda, I would be safe. I have friends there. Well, that's in Angola. It's all the way across the continent. And look, there. They're still pursuing us. You are strong and brave and wonderful. Surely you will not refuse to help me.  It makes refusal difficult. My eyes can look softly, too. And with you, I would know no terror. I shall guide you to Angola. But your days of terror are only beginning. We must cross the most dangerous jungle of all Africa. We will have to ford rivers and brave man-eating animals and overcome the greatest of obstacles. And unless my appraisal of your enemies is very wrong, we will be pursued every inch of the way. We'll return to our story of Tarzan in just a moment. All that night, Tarzan traveled through the upper level of jungle growth, carrying the frightened girl in his arms. Below them, Sheetah, the panther, sounded his mournful cry. In the distance, it was answered by the scream of dango, the hyena. And the screeching of Manu, the monkey. Each time, a new threat sounded. The girl's soft arms clutched Tarzan more fiercely. But as morning broke, her fears abated somewhat. Could... Could we go down to the ground now? All right. I think we've lost our friends, at least for the moment. I don't know how I stood it. If I ever get my feet on the ground, I'll never leave it again. There you are. Terror firmer. Oh, honestly. Now, Latin and French and English. I can't figure you. Oh, my story's even longer than yours. I'll try to make it brief. My parents were English. They were murdered on the African coast. And later they were killed by savage apes. But I was rescued by a mother ape who had lost her own child. She raised me and I learned to hunt and fight and leap from tree to tree as did the ape tribe. My small friend, Togo, a native boy, claims I am a monkey. Not in your appearance or speech. Ah, yes, the speech. Well, I spoke only the language of the apes until I was 20 and then other white people were marooned near the cabin where my parents died. A Frenchman taught me the language of man for the first time and then later I traveled extensively and I learned many languages and the ways of many people. But always I returned to Africa. Well, I'm glad you were in Africa last night. Oh, Tarzan, in the trees, savages. Natives, they've been following us for the last hour. They're a friendly tribe, but this is their land and they observe us to find out our intentions. Jumbo. They do not want to make talk, I guess. What hideous looking painted faces. Perhaps they do not approve of the way in which civilized women paint their faces. They will not bother us, but they will watch us closely until we've passed into the country of another people. I'm frightened. And there's a great distance to the Portuguese Angola. I will gather some fruit and then we will resume our journey. I won't go up in those trees again. How will you travel? I walk. In those shoes? What about my shoes? Well, they're not meant for a trek across the jungle, even though they are sturdier than some I have seen on women's feet. What what do they call that manner of footwear? They're called wedgies and I'm not giving them up. All right. Only we do have a start on funhorn and the others. If you are to walk in those wedgies, they might catch up. Oh, no, no, they mustn't.  You could put those wedgies in the little bag you carry if you're so fine to them. All right, fine. Tarzan, where are you going? To find your future shoes. Oh, no, no, Tarzan, please. Please don't leave me alone. But Tarzan had already caught the scent of wappy the antelope and with his knife fun sheen, he glided through the forest. In a matter of minutes, he had killed the small animal, stripped it of its soft hide and cut off enough of its meat to supply a good meal. And then suddenly he sensed that the girl was in great trouble. He wheeled and ran back like Bara the deer. But already the deadly python, which had hung motionlessly from a tree, had begun to wind its great coils about Gabby's slender body. Tarzan sprang from the brush and his knife found its mark in the brain of the writhing reptile. It's all right. You're all right, Gabby. He saw the snake is dead. Tarzan, Tarzan. Almost worn out, Tarzan. They served well, considering I had no time to cure the skin properly. How far must we travel yet? It seems as though we've been beating our way through this jungle forever. Well, let us stop and rest for a moment, Gabby. Ah, yes, let's rest. Gabby, we've been walking for weeks now and there are still many weeks traveled before us. Each day the enemy comes closer. Let me carry you through the upper level so that we can increase our speed. No, Tarzan. Even if I could overcome my fear of the heights, I couldn't stand the jostling. I think my... my ribs still haven't healed. You were lucky the python didn't do more than crack a few ribs.  Not so brave. I can't sleep at night for fear of Von Horn and the leader of the Gestapo. I plead with you for the last time. Let... let me build a Boma for you. A tall one, well spiked. You'll be safe within it and then I can turn back and fight your enemies. Oh, no. Tarzan, don't leave me in the name of heaven. Don't leave me. All right, Gabby, all right.  Sing the song I heard you sing that first night. Zatandre... I... I can't... Oh, Gabby, Gabby, I... I won't let anything harm you... ever again. You have to run faster, Gabby. They're gaining on us. I can't run any faster. They're surrounding us. Our only hope is that cave ahead. But we don't know what's in the cave. We know what's outside. Come on, Gabby. I can't... I'll pick you up. We'll make that cave yet, Gabby. That water? It's an underground river. If we were worried empties into the sea, we'd be safe. We're close to Angola? Must be just over the ridge. Less than a mile from this cave. Quiet, Gabby, quiet, quiet. We might fool them yet. Take my hand, Gabby. Where are we going? We must find the river. Here's the underground river, Gabby. Are you game? For what? Our only hope is to take a deep breath and then try to swim under water. We'll have to wander until the river flows into the open. But how far is that? I don't know, Gabby. This is your last chance. I'm not a very good swimmer, Tarzan. I'll help you. Why are you changing your shoes at a time like this? My wedgies are lighter. All right, then. Take a deep breath now. It may be your last. Ahead, the sunshine. All right, Mr. Tarzan. Mademoiselle Gabrielle, climb out of the water. Never. We'll... I beg of you. Do not make me shoot. In the name of the Surte, I implore you to surrender. Hey, the police are France. No, Tarzan, don't let them arrest me. I'll help you up, Gabby. Well, a little scheme work, Captain Duffer. No, I... The reward money would be yours, my norm. Now step aside. This is official business. Carson, would you like to take care of our charming young prisoner, you? I'll take care of her, all right.  Handcuffs. And after all I've been through. The stranger who released me from Fanon's basement? I'll relieve you of that bag, Gabby. Someone tell me what this is all about. The lady you've been escorting for the jungle, Tarzan, has many aliases and many stories. Sometimes she's a European princess in exile, sometimes a member of the underground, fleeing from the Nazis who still pursue her, even now. Sometimes what... She has a dozen stories and names to match. But who is she, really? One of the cleverest jewel smugglers in history. Gabby? She's wanted in a dozen countries. I represent the Surte. Monsieur Carson here represents the FBI of the United States. And Von Horn? Paid informer. It's unfortunate that we have to resort to them, but in cities like Becurata there's no other way. But Von Horn drugged me and the man you call Carson released me. That just doesn't make sense. Makes very good sense. Fanon was afraid you knew the girl and intended to ruin his game. Carson released you so that you could save her. You see, we did not know where she carried her present shipment of gems. But we did know that if she made a break for it, with your help, she'd take them along. Is this true, Gabby? Yes, Tarzan, I'm sorry. Did you find anything, Tarzan? Yeah, just about a million dollars' worth of uncut diamonds. In the bottom of her wedgies. It all adds up. We do not intend to press charges against you, Tarzan. You were an innocent tool. Believe me, you are not the first man this woman has made a monkey out of. A monkey? Maybe Togo was right all along. In just a moment, a preview of our next thrilling story of Tarzan. The killer, as he was known in boxing circles, stood well over seven feet in height and weighed more than 300 pounds. His red-rimmed eyes and savage mane indicated that he had come honestly by his ring name. But there are no electric arc lights, no rules and no referee when he meets Tarzan in the jungle. It's a fight to the death in our next story. Tarzan and the killer. Tarzan, the transcribed creation of the famous Edgar Rice Burroughs, is produced by Walter White Jr., prepared for radio by Bud Lesser, with original music by Albert Lesser. This is a Commodore production.


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Right to the member statements. I see member from Burlington Thank You speaker. It is my pleasure to rise in the house today and deliver my first member statement on Friday, August 19 I had the privilege of joining the Juno Beach Center Association a non-profit organization that is based in my riding of Burlington The Association owns and operates the Juno Beach Center in Normandy, France The JBCA plays a vital role in commemorating Canadians who served during the Second World War Last Friday the Juno Beach Center Association Announced they were the recipient of a hundred and nineteen thousand five hundred dollars through the Ontario Trillium Foundations Resilient Communities Fund It was an honor to be a part of a special funding announcement on the 80th anniversary of Dieppe This grant has helped the JBCA completed a digital educational resource who tells the story of Dieppe Focusing on how the soldiers from Ontario and across Canada made the ultimate sacrifice on one of Canada's darkest days the Dieppe raid Congratulations to the Juno Beach Center Association on receiving this grant and Thank you for educating adults children and future generations about the role Canada played on the world stage Thank You Speaker Since being elected I've had the opportunity to meet with many community service organizations in my riding of Ottawa, West Nippin The Caldwell Family Center Jewish Family Services The Carlington Community Health Center meals on wheels and Britannia Woods Community House are among the many Organizations doing amazing work to support seniors newcomers people living with disabilities and low-income communities But speaker they are all facing a situation where demand for their services is soaring Due to the rising cost of living the challenge of finding affordable housing and the increasing rate of poverty The Caldwell Family Center for instance has experienced an almost 200% increase in demand over the past two years But funding for many of these community organizations has been frozen and is not keeping pace with the demand I urge this government to take immediate action to address the affordability crisis To pass the rent stabilization act to double Ontario works and ODSP Increase the minimum wage and to support the many community organizations that are providing such vital supports to vulnerable members of our communities Thank you member statement member from victory. Well, thank you speaker this past weekend Whitby resident Mike shorman made history when he became the first athlete in Canadian with disabilities across all five great lakes on a stand-up paddle board in a single summer Wow Now speaker Mike started his journey in May at Lake Erie before paddling through Lake Huron Lake Superior Lake Michigan and finally Lake Ontario this past Saturday Time and time again speaker Mike demonstrated his perseverance And resiliency when faced with difficult obstacles He would simply not be denied Mike you're an inspiration for us all Thank you for your efforts in raising funds and awareness for youth mental health Residents across Ontario and Canada are so proud of you. Absolutely so proud of you Speaker and colleagues, please join me in congratulating Mike shorman on his historical feat And celebrating this amazing achievement with him His family and many supporters. Congratulations Mike Thank you speaker, I'm proud to rise for my first member statement since my reelection The riding of Humber River Black Creek is my lifelong home in the place. I love the most I want to once again thank my neighbors fellow community members Family friends and all my supporters for putting their trust in me to be their voice in this chamber Representing my lifelong home is truly my life's greatest honor Speaker, I'm joined here today with my wife Alexandra and two sons Four-year-old Alexander and one-year-old Ilya and just as becoming an MPP is my greatest honor the birth of our two sons Is my life's greatest joy But speaker my children are here with me every day Maybe not in person, but they are with me in every decision I make here I ask myself what kind of a world are we building for them for all children I think of my elderly mother Eileen Who was watching us from home right now and ask is the system truly there for her when she needs it If it is true that this chamber can get heated at times It is because we are fighting for what matters most For our own loved ones our communities for the future of this province And so despite what it appears at times. We all have a lot in common We just don't always agree on the path forward To all of my colleagues regardless of where you sit here I congratulate you and I wish you and your loved ones all the best I look forward to working with you in the years ahead to build in Ontario. We can all be proud of member statements the member for glengarry prescott russell Thank you, mr. Speaker. I would like to take this opportunity to congratulate many organizers And volunteers across the writing of prescott russell for organizing some nice events that took place over the last few weeks I had the pleasure of attending the glengarry island games in the town of maxville on july 29th A 74 year old tradition that is always a success The town of russell agricultural fair on august 13 and the town of ventlkill agricultural fair on august 19th And we're also successful in hosting many people from the region I am looking forward to attending the riseville fair this coming weekend And i'm sure that it will also be a success It is nice to see people gathering in social events again I would like to thank the provincial government and their financial assistance through the Reconnect festival and event program from the ministry of tourism culture and sports I I would also like to thank the administration of the glengarry memorial hospital In alexandria for inviting me to their hospital So they could teach me about their operations and their issues It was very pleasant to meet with the ceo and the chair of the board of director I would also like to thank all the ministers parliamentary assistance and provincial government staff for participating to the amo conference last week It was it is very important to have a good relationship with all of our 444 municipalities. Thank you Member statements the member for london west Since 2015 london west residents sandy micolackie and nicole spryatt have helped outstanding low-income students attend post-secondary with a micolackie scholarship of $5,000 for up to four years This government's changes to osap however mean that the scholarships they award to some of the most impressive and deserving students in Ontario Are clawed back a policy they view as both Merciless and a name a recent recipient was a young woman whose single mom was on Ontario works She had earned a 92 average while managing to save $6,000 by working two jobs Two days a week for these efforts. She was punished with a $2,200 reduction to her osap grant Effectively at 37% tax on her savings and another $1,100 reduction for each of the four years of her scholarship Her osap loan was also reduced since resps are excluded from osap calculations as they should be Sandy asks are we saying to these impoverished kids? Good that you saved but you should have known at age 13 while your heat was being turned off to open up an resp Sandy's campaign to end these punitive clawbacks has taken on new urgency with the rising cost of living hitting low-income families the hardest Sandy says and I agree that helping low-income students to break the cycle of poverty should not be a partisan issue So I ask today will this government commit to finally ending its perverse and heartless osap clawbacks Speaker I rise today to pay homage to a true gentleman for my riding Gidega Magizabum has begun his journey to the spirit world Doug Williams was a much loved elder knowledge keeper and former chief of Curve Lake first nation In 1972 he was one of the first graduates of Trent University's newly created Indian and Eskimo studies program That program would eventually evolve into Trent's current indigenous studies Doug retained a close relationship with Trent and would eventually become an associate professor and director of studies in the indigenous studies phd program But Doug wasn't just an educator of indigenous studies. He was also a defender of treaty rights He was the subject of a court case in the early 1980s that led to a landmark decision on first First nation treaty rights to traditional harvesting On one particular day Doug was caught more than 60 frogs six zero While waiting for the game warden to come and charge him When asked why he caught so many he said he wanted to make sure it was obvious what he was there to do Doug was also an author His book Michisagi Nishnabek. This is our territory published in 2018 tells the story of his people in Curve Lake And if you have the chance to read it, I highly recommend it As you read the words you can actually hear his voice speaking them Thank you Gidega for your teachings and for sharing your knowledge and wisdom with me the member for Guelph To rise to forgive my first member statement of the 43rd parliament I want to thank Guelphites for trusting me with their vote And I will continue to work hard to be your voice at queen's park I campaign on a promise that I would push for solutions to the housing affordability crisis and the homelessness Addictions and mental health crisis so many people are facing in our community speaker I want to acknowledge and thank Guelph City Council Wellington County Social service agencies private developers and donors who have all come together to build three vitally important Permanent supportive housing spaces in my riding with wraparound mental health and addiction supports Housing the most vulnerable will improve people's quality of life and reduce pressure on our stressed health care system and hospitals It will also address the many challenges that small businesses in our downtown are facing To realize these benefits speaker, we need the province to chip in with some operating funds Speaker every ten dollars invested in permanent supportive housing saves the province $21.72 and other costs So I urge the government to work with us to respond to the Ontario big city mayors Partner with the city of Guelph and municipalities across the province Who are putting forward solutions to address the homeless crisis as well as providing mental health and addiction services and support For the most vulnerable in our community. Thank you speaker Thank you Member statements the member for richmond hill Thank you, mr. Speaker I'm happy to rise in the house today for my first member statement I would like to thank my constituents in richmond tale for re-electing me Thank you for your support and trust in me and i'm committed to serve ontarians And be a voice of my constituents in richmond hill I'm thankful that I will continue to serve the seniors with minister chole And as his parliamentary assistant We will work tirelessly together to plan our serve our seniors I'd like to take this opportunity to draw your attention to the upcoming moon festival When the moon is full mankind is one This year moon festival falls on september 10th When families get together at cynics sports or parks for moon appreciation parties and eat moon cakes The city of richmond hill and markham has been celebrating this with the communities for the past 12 years This year it will be held at the parking lot at king square Come and enjoy the full moon share the festive food and cultural performances Of course, there will be lanterns for kids. Thank you Member statements the member for brampton west Thank you, mr. Speaker. I'm honored to rise First time to give my member statement in the 43rd parliament Mr. Speaker, I would like to thank the association of municipalities of Ontario and the city of otawa for hosting this year's emo conference The emo conference presents an opportunity for the provincial government to have extremely productive meetings with our municipal partners These vital discussions are influential in securing the ongoing and future success of our province Speaker municipal governments get the opportunity to individually meet the various ministries and discuss important relevant topics specific to their communities Through a mo anterios 444 municipalities work together to achieve shared goals and meet common challenges Mr. Speaker investing in our local communities remains the top priority for our government as we know how important it is for the people of Ontario to have investments that will promote their health and safety Speaker the government is building anterios future by investing in health care infrastructure education community safety and transportation and municipalities across the province to best serve their individual needs and improve the quality of life for the residents Our government alongside our municipal partners will continue to get it done for the people of our great province And mr. Speaker, we will leave no stone unturned to make sure that we will continue to deliver for the people of Ontario Thank you. Thank you very much. That concludes our member's statements for this morning


Now we're gonna go to another transaction that isn't normally a day-to-day type of transaction and one which, therefore, there's not a standard form for. So in other words, remember the general process whenever doing a data entry type of activity, we're gonna look through our forms up top and the day-to-day forms are gonna be in this plus button and under the cycle, customer cycle, vendor cycle and employee cycle. But sometimes we might have a transaction that doesn't happen on a day-to-day basis and therefore there might not be a form for it. What do we do then? We fall back to the question of generally, is cash affected? If cash is going up, we might use a deposit form. If cash is going down, we might use an expense or a check form. If there's no cash impacted and it's not a day-to-day transaction, then and only then, generally, do we go to the general, the journal entry, entering debits and credits. That's difficult for somebody that learned accounting in a textbook to do because when you learn in a textbook, all you learn is debits and credits and you wanna do everything with a journal entry. But if you try to do everything with a journal entry, you don't get that nice linkages between the forms that you can be tracking such as an invoice, a received payment, such as a bill and a pay bill form, such as the purchase order and the bill forms and whatnot that you get when you use the forms in the system. So that everything has a journal entry, but we wanna use the forms that are designed in the system because that helps us better track and communicate with informations, not just create the end result in the financial statements balance sheet and the income statement, which are constructed with the journal entries. This time, we're thinking about the purchase of equipment, but we're gonna finance it. So you would think, okay, purchase of equipment. Well, it's a purchase, so maybe that would be like in the vendor cycle here, but it's not a day-to-day purchase. It's not like a utility bill or a telephone bill or something that happens on a monthly basis. We only purchase large pieces of equipment from time to time. And so you don't have a form designated just for that. And so you might think, well, then if cash is affected, then I can use an expense form or a check form, even though it's gonna be for an asset account. But if we financed the purchase of equipment, took a loan out for it, in other words, then now I can't use the cash form and now I have to default basically to the journal entry to enter that transaction as the general idea. So one more recap on the purchase of equipment and how it differs from other purchases. Normally, if we have normal transactions for the phone bill, the utility bills, supplies and whatnot, usually we just pay for those with cash or we enter a bill into the system, cash goes down or accounts payable goes up. And then the other side is gonna go to the income statement, which is gonna be an expense because we incurred the expense we used it at that point in time.  But some things you're gonna have to steal, even if you're on a cash-based system as the point, move away from a cash-based system. If there's an extreme difference between the time that you actually use whatever you're purchasing to generate revenue in the business, which is the goal of the business, versus when you paid for it. That means if we're going to these fixed assets, which are gonna be here, property, plants and equipment, building, machinery and equipment, then you're gonna have to then put it on the books as an asset when you buy it, which is an accrual thing. And the tax code, if nothing else, will force you to do that. So even a cash-based system will typically still be forced to kind of do that. Whenever we record something in the fixed assets, we wanna make sure that we track all the data to the best of our ability so that we can give that information to the tax preparer at the end of the day. So we're gonna give them possibly the detail in these accounts to see what was purchased, what was disposed of, so that they can create the sub ledger with it, which is often done in the tax software, rather than in QuickBooks, so we can get the depreciation schedules. So in other words, it's kind of like inventory here that we put the inventory on the books when we buy it, and then we expense it when we consume it. Same concepts here, we're gonna put the equipment on the books when we buy it, and then we're gonna allocate the cost over the useful life, the theory being when we consume it. However, because that's just an estimate, that's why we use this separate account, instead of decreasing the account directly as we do with inventory, we're gonna make this other account, which is a contra asset account, so that we can see how much has been allocated, and we can see the book value, which is the difference between the two. Also, just realize that whenever we're dealing with the fixed assets, you wanna be able to line up to whatever you're gonna use for the sub ledger that's gonna be calculating the accumulated depreciation often done with tax software. You might wanna talk to your accountant to see what format or categories their tax software uses for property, plants, and equipment, so that you can name yours in a similar fashion, making it easy to do adjusting entries at the end of a month or a year. So for example, this is kind of a quick little look at a depreciation schedule, showing all the things that were purchased, the date of the purchase and how much it costs, and then a depreciation calculation. Now, the other problem is you've got differences between tax depreciation and book depreciation. Tax software can usually calculate both of those things, so you might wanna discuss how exactly you're gonna deal with fixed assets and recording the depreciation, book basis, tax basis, adjusting entries. Are you gonna do it? Are your accountant gonna do it? How are you gonna deal with those things? You probably wanna talk those over with your accountant. So, given that then, we're gonna enter this into the system. Now, even if you paid cash for it, you'd still have to put it on the books as a fixed asset, but in this case, we're not paying cash for it, which means we're gonna finance the equipment, so that's why we have to enter a journal entry. Because there's only two accounts impacted, then we might be able to not just go directly to the journal form here, but use the registers to enter the journal entry, which is kind of nice system. You don't have to use that system, you can just enter a journal entry, but I'm gonna use the registers, because QuickBooks is kind of designed to use the registers when you can, and I think it's a useful tool for some people. And then down here, I just note that we have a liabilities down here, is gonna be our loan, so we're gonna have another loan that we're gonna be putting on the books that also causes us some issues. Do we want the loan in one account, having two loans then in one account, or do we wanna break out the loan in two accounts? What about whether it's a short-term loan or a long-term loan? And my general policy on that would be, I would rather have like a parent account called Loan Payable, that I can collapse to one account if necessary, and then break out each loan into its own account so I can tie out to the amortization table related to it, and then collapse it into one account if I want external reporting. And I'm not gonna break out between short-term and long-term portion because I wanna do that periodically at the end of the month or year for financial reporting purposes, which we will talk more about in the adjusting entry process in a future course or section.


This is a special Listener Terrors episode. The stories sent in by you are like the terror listeners. Send in your own story at Microterrors.com. Welcome to Microterrors. Scary stories for kids. Where it's always the spooky season. Full of chills. Thrills. And spine-tingling spooks. Microterrors are family-friendly frights for those ages 8 and up. And while our stories are for younger years, we are still talking about things that go bump in the night. And some children may not be able to handle what others can. Parental consent is recommended. Now for tonight's Microterror. Zombified. Written by Ren, age 6.  He had to go to the bathroom, so he raised his hand and his teacher said he could go. He made his way down the hall to the boys room. He looked in the mirror, but his reflection wasn't there. Staring back at him was a zombie. Its skin was gray. His features appeared to be vine-like. Its eyes were a shade of yellow and red. But the scariest bit about it was that it looked like the boy. But it also didn't look like the boy, because the boy wasn't a zombie. He washed his hands and went back to his classroom. But when he got there, no one was in the room. The boy walked down the hall, but no one was around. He looked in the room next door, but no one was there either. Nobody was in the whole school. The boy looked out the window, and he saw something towering over the houses. The towering figure looked just like the boy's reflection. It had grayish, vine-like skin and yellow-red eyes. But this was a massive zombie, taller than the telephone poles. The figure looked toward the school, and the boy noticed the giant figure had no pupils. It walked toward the boy slowly, step by step by step. The boy woke up. It was just a nightmare. He was relieved. He got out of bed, looked out the window, and there the figure was, towering over the town. It looked just like the one in the boy's nightmare. The figure turned his head, looked toward the boy, and smiled. The dream, written by Ibrahim Butt, age 11. Once about a time, Buzz was watching a scary movie, Ghost of Tibia. Buzz, Buzz, Buzz, his mom said, Stop watching those scary movies. You know those movies give you nightmares.  I'm 13. I'm not scared of anything. Well, let's see. Last time you watched them, you ended up getting scared and came into my bedroom and sleeping with, Okay, Buzz interrupted. Don't repeat that, especially not around my friend. Okay, mom. Can you just go away, please? Because I'm trying to enjoy this movie with my friend. When you're enjoying shopping, I don't interrupt you. So please, mom. Fine, his mom said. Just remember that I warned you. After the movie, Buzz said, Bye, John, as he closed the front door behind him. Bedtime, his mom said. Yeah, yeah, Buzz said as he went to his bedroom. Wow, the ghost is going to get me. I mean, get real. Buzz mocked his mother's warnings from earlier. Buzz suddenly woke up. Good morning, said Buzz to himself. He looked outside from the window. Wow, it's dark. Really dark. Wait, let me just go outside and make sure Buzz thought. The stairs started creaking while Buzz went down them. Just got to make sure mom didn't wake me up. Buzz tippy-toed down the stairs, opened the front door. Creeee. The door opened right in front of him was a light that shined in, but it was coming from within a deep dark forest. Buzz started walking toward it. But when he thought he was getting closer to the light, it kept getting further away. Then it suddenly disappeared into thin air. Well, Buzz said, Let's go back. Suddenly he saw his house door close. Huh, Buzz said.    The monster sat in a deep voice. Suddenly a tree branch fell behind him. He got distracted and let Buzz go. Buzz ran toward a bush and jumped in it hoping the monster didn't see him. Then he suddenly got dropped into a deep pit that looked like a portal. Buzz woke up. Buzz, Buzz, wake up. He woke up and said, Mom, Mom, you were right. I know, his mom said in the monster's deep voice, Buzz pushed the monster off the bed and ran outside. He had nowhere to go. So his only choice was the deep dark forest. He ran into the forest with branches hitting his face, but then he tripped on a rock and fell in the bush. The last thing he saw was a deep, dark hole that he fell into. Good morning. Buzz's mom said. She went into Buzz's room and saw that Buzz was crying. She said, Buzz, are you okay? He said, Yes, in the monster's deep voice, then Buzz stood up to be a six foot ten hairy monster and ate her. The Krampus, written by Hampton, but age 13. Once upon a time, there was a boy named Brandon who hated Christmas. Every time the clock struck December 25th, he would wake up furious and only settle down if he got the things he asked for. These things were out of his family budget. Last Christmas, he asked for a costly console. He said, Mom, you'd better have got me the Gameplay Seven or else I'll tell everyone that you're not a good mother. His mom replied, Brandon, I that's you know, I can't afford that yet. My three jobs barely pay the rent. Maybe this year you should be appreciative of what Santa got you. Mom says, Brandon, I'm going to call everyone and tell them how bad of a mother you are, but you could change that if you get me what I asked for. Brandon opens his presents to see elf socks. Socks elf socks says Brandon. He's furious. He throws them at his mom's face and leaves the room. His mom sighs. This Christmas when he woke up just as furious as every Christmas, he trots down the stairs heavily. Thumb thumb thumb, but he sees no one. He only sees one present under the Christmas tree. The present is in fully black wrapping paper with a yellow sticky note attached on the top saying, Hey, Brandon, I needed to leave early today. Enjoy your present. It's what you wanted. XO XO signed mom.  He laughs. He opens it to see an all black box. He can't see inside it. He's confused, but then a blue hand jumps out of the box to grab his face. Brandon screams at the top of his lungs. But no one can hear him. He then manages to escape the mysterious blue hands grasp and falls on the floor. Terrified. The blue hand grabs one side of the box as another blue hand grabs the other. Then he sees two big red eyes rise up from the box. Then a six foot seven blue figure with a long red tongue nails sharper than any knife and a big black bag on his back. Brandon stutters the words, Who are you? The mysterious blue creature replies, Your nightmare. And then it laughs menacingly and walks over to Brandon while laughing. Brandon tries to back away, but the monster grabs Brandon's leg, dragging him towards it. Brandon screams. The monster holds him upside down as Brandon punches it in the face. The monster doesn't even flinch. It opens its mouth and wraps its tongue around Brandon's neck. Brandon tries to breathe, but he's unable to. The monster opens his eyes to reveal them as red and glowing.  Then he eats the cookies that were meant for Santa and gulps down the milk. He leaves an all black card with the letter K in red and sets it next to where the cookies and milk were. The monster then crawls back into the present closing the lid over top while saying, Merry Christmas. Brandon's mom wakes up and goes up to his room to see a clone of Brandon, who is a better person. Brandon's clone says, I know what a present, Bob. I just want to celebrate Christmas with you.   Thank you for listening to micro terrors. Join us each Saturday for another scary story. For more fun, visit our website at micro terrors.com where we will also have spooky games you can print out and play like wicked word searches, mysterious mazes and more. Micro terrors.com is also where you can find us on your favorite social media and even send in your own scary story for us to tell. Plus, you'll learn more about our author Scott Donnelly, who has other horrors for both young and old. I hope you'll join me again soon from micro terrors, scary stories for kids. Hey, weirdos. Be sure to click the like button and subscribe to this channel and click the notification bell so you don't miss future videos. I post videos seven days a week and while you're at it, spread the darkness by sharing this video with someone you know who loves all things strange and macabre. If you want to listen to the podcast, you can find it at weirddarkness.com slash listen.


Welcome to our brand new series OSD TechBytes. Today we are live in our Synthagon customer center here in Weiblingen.  Today's episode of our OSD TechBytes is all about the turret changeover of our TPR500. We like to show you how fast and easy the turret, including the cams and the tooling, can be exchanged by using the integrated crate. Thanks for watching the latest video of our OSD TechBytes. Stay tuned for the next episode.


So, let's first of all just kind of learn about the major parts of how the voice work and in my acting classes, because we're always moving, I use a lot of body mapping. If you take your three fingers like this and you place them at the bottom of your belly button and then you put another finger kind of underneath the belly button, boom, we're starting to get down to your center and we talked about the center a lot in vocal production so that we kind of understand where the pelvic wall is of our pelvic muscles so that we know where the big diaphragm muscle happens. So, if you put your hands on a second, we'll just kind of show you where it is. As you inhale, you should feel your belly kind of naturally going out, yeah? And as you exhale, you feel it going in. So again, inhale, it comes out, exhale, it comes in. And what that does in terms of the inhalation, exhalation has nothing really to do with the lungs so much as it has to do with this big muscle that sits flat on the pelvic wall and we'll work on this breathing in a second. So then, of course, we have our lungs up here so as my diaphragm muscle then pushes those organs up against the lungs, that just pushes the air out of the lungs and then the air of course floats up through the larynx and all that and it hits our two vocal cords. Have you ever seen that very, very thin Japanese paper where you can literally see right through it? It's transparent almost. Your two vocal cords, which are membranes, that's about the structural strength of them. They literally are about that transparent. And so these two little vocal cords right back here are side by side and as air comes by them, they're just supposed to vibrate nice and gently and really never touch. And those little vibrations that are produced from those gloriously delicate, soft, gentle, like the babyist of babyist things that we would never want to hurt ever, those vibrations then come up and then they'll start to resonate around in our bone structure and create our voice. When we get tired, when we do vocal damage, what we're doing is with this musculature around our neck, around our shoulders, tints, yeah. We then compress all the muscles around the throat, which starts to push those tiny little membranes together. So then as they just want to kind of like flap in the wind and create vibrations, they start to bump each other. And when they bump each other, if they do that over and over, this is where you can start to get vocal damage that won't heal with just rest. You develop literally scar tissue on those two little membranes and then they can't just vibrate and create the vibration day more. And that's where you get that horse sound or you get that really thin, airy sound. Yeah, or if you remember Guns N' Roses fans, Axl Rose, his whole career went away because he had literally just slapped his vocal cord so many times, he's like singing like this, you're done. Two main things, if you ever like I lectured really long, I did eight hours. How am I going to do eight hours tomorrow? The two best things you can do, water and rest. Vocal rest, just shut up, yeah, and hydrate, hydrate, hydrate. Those are the two best things you can do. All that stuff you hear about like, gargle some salt water or all that actually just hurts the voice more. You can't in a pinch like right before if my voice is tired and I've got to go out and I've got to do a show tonight. I have no choice. Then I can do a little lemon juice right before, but you've got to understand you take lemon juice because that strips away the mucus that's on the vocal cords, which is not, that's like a very short term fix with long term damage. Because I took away that mucus protection that keeps them from rubbing together. I want them coated in that mucus. So the best thing I can do is sleep, drink water or some decaffeinated tea because sometimes the warmth just feels good. It doesn't really do anything more, it just kind of feels nice. Yeah, but lemon juice is not a fix, honey is not a fix. Those are just like psychological, it feels better. So one thing that we want to learn today and to think about is this wants to be soft and this is a great tool. So let's start kind of finding that. Part of what we have to work on what I mean by the voices in the body is our alignment. If I'm going through life like this, so do that. Feel how your throat just got tight, yeah? Or if I'm going through life like this, feel how your voice just got tight. Versus if my head is aligned on my spine, this should be nice and soft here. So every once in a while if you're not sure, use this tool, go up here. Same thing to the side, you can feel one side of the throat gets really tight. And that's adding tension which is now compressing those two little membranes together. So the vocal mechanism, yeah, starting with the diaphragm muscle, including the lungs, including our soft, I'm just gonna keep saying it, our delicate, so soft little vocal cords. Once those little vibrations happen, then they want to naturally come up into the mouth, yeah, and find its first ricochet point, yeah, which is the hard palate. So find the hard palate, the roof of the mouth, all that glorious bone. It's right there, ready for the vibration to come up, hit it. And if you know anything about sound theory, when a vibration is made, when it hits a hard surface and it ricochets off, then the sound wave gets bigger. It hits another one and it gets bigger and therefore louder and feels more space.  The problem is a lot of us go past the hard palate and feel the little soft part in the back, you kind of choke yourself. The soft palate, that soft part absorbs those vibrations. So if we're talking about here with the voice in the back or the throat, those vibrations don't have an opportunity to ricochet off the hard palate and get out.  That's what's happening, they're absorbing the sound vibrations. So we really want to make sure when we are speaking that we are, and we'll work on this in a second, are opening our mouth wide so that those vibrations can get forward in the mouth, bounce off the hard palate and go out. So those are the key parts of the vocal mechanism, diaphragm muscle, lungs, vocal cords, hard palate, boom. As well as thinking about knowing how the body works and the vocal mechanism, the best thing we can do for vocal health is to just not think about volume at all. As soon as we think about I have to be loud, well we think about being in stands and cheering and screaming and all that comes from vocal tension. So instead of thinking volume, think about vocal dynamics or vocal energy is a way to think about that. Or vocal like, who, space. So instead of the dynamics that I need to just get from here to here, I think about the dynamics I need to get from here to that back room. Yeah, it's just a little shift. And that little shift is done all from down here, not from up here.


Some people really get a lot of value out of daily or regular journaling. It can be a deeply significant way to check in with ourselves, reflect on the day and how things are going, and get centered in the path that we're on. Here are some ideas for daily journaling prompts that you can do. What were three things that I did today that felt really good to do? Did I do anything unnecessary today, like take an action that wasn't needed? What was something today that was kind, either that I did or someone did for me? Have I spoken any unwanted words? And how might I do better? How would I like to see myself being tomorrow? And was there anything that I did today that I did really well? If you feel called, play with some of these the next time you do some journaling, and see how it feels to hold this space of reflection. Much love.