Abstract genomic instability is the hallmark of various cancers, and the accumulation of DNA damage is often observed in these tumors. Radiotherapy and chemotherapy are commonly used treatments for cancer, but they come with side effects such as damage to healthy tissue. Targeted cancer therapies have been developed to specifically target cancer cells without damaging healthy cells, and understanding how DNA damage repair works could help us develop even more effective treatments. We review the history of our understanding of DNA damage repair and its role in cancer, discuss the mechanisms involved in targeted cancer therapies, and outline some of the current clinical trials being conducted. Finally, we propose two hypotheses that could further advance our understanding of how DNA damage repair affects cancer treatment. This article was authored by Rui Xu Ahuang and Pingku Anjou.


Today we are going to go see one of the most extraordinary manifestations of man's desire to tame the wilderness. We're looking, standing here above what was once a vast and deep and beautiful canyon and has turned into a wonderfully used lake that people like to go boating on and people like to go swimming in and so we've seen a great change in what happened here from a world that was used by very few who loved solitude to a world that's used by many who love running around in motorbikes. I think a lot of the early settlers really wanted to place their mark. They said we are not going to be defeated by this land that has you know only a few inches of rain per year. We will live here and the way to do it is to get lots of money from Washington that we collect out east and bring it out west here and build these dams and these places just do not belong. They're magnificent creations they're incredible engineering masterpieces but they should not be here and so it obviously does a tremendous amount of good and it's very clean.  You're not running out smoke from your smokestack that will dim the air in the grand They should not be here and I think we've learned that over and over again but you go to India, you go to China and they're doing the exact same thing. The three gorgeous dam in China one of the most enormous incredible engineering projects displaced millions of people is an absolute acologic disaster. If you've got hungry people and you can save that water and ship it to them it's food. If you've got people who need power to do things and you can ship them the power they can use it. Dams are amazing human achievements but they have incredible costs associated with them so to me it's very much of a bittersweet kind of a thing. As a former engineer myself I can appreciate the artistry and the mastery that goes into building these but as a practicing geologist as a practicing resident of this planet I find them a little depressing to be quite honest. We're gonna argue this one again on a lot of rivers and a lot of places for a lot of time.


So today guys I will show you how you can get this amazing Crush Melee Poison Carrot Ultimate Gravity Super Powerful Weapon, a weapon in which if you upgrade it it gets even crazier. And for those who are all about the melee system, the melee combat system in Biomutant this in my opinion is a must get. How's it going guys my name's DPJ and if you enjoyed the video leaving a like really helps out and if you like what you see and want to see more Biomutant be sure to subscribe. Ok so the Carrot Handle Infected Carrot is a great and powerful weapon, it's something I do recommend for the players out there who enjoy this game's melee combat system. The Biohazard Carrot is a must for sure. So this side quest in which you get this thing is called the Walking Village and it's triggered when you speak to Chubsa who can be located here on the map. He's one of the only few NPCs found around here and you can't really miss him. What he requires you to do is find a certain carrot and while where this is early on it's kind of a hard place to go unless you've built into a certain resistance. You need that resistance to radiation as where you have to go is within a ranch and deep beneath it but there's radiation poison all around it. So unless you have that 100% radiation resistance here you probably won't survive. So use armour and Biopoints to assist you here in getting 100% resistance to radiation. Again though if it's the early days for you you don't have many Biopoints, you don't have much armour which gives you resistance to radiation, I'd leave this and come back at a later time. So once you're ready to take this and you enter the ranch, now the ranch is home to quite a few puzzles and a few bits and bobs you can elute but a quest requires you to go downstairs deep beneath the earth to take on this quest. And what's down here isn't a walk in the park, it requires you to overcome a couple of minor tricky paths, nothing too serious here, I mean I'm not going to lie I did fall in the poison water a couple times but once you get past this you then have to take on two big dudes who I will say gave me a little trouble but I did get there in the end, I think it's probably because I was slightly under level when I got to this stage but if you sit back use your dodge, use your roll and shoot them you shouldn't have much of a problem. Now once you've taken these out you progress and grab this golden carrot in the next room, from here you then have to return to Chubsa, once you return to him you will understand why this quest is called the walking village and once things have settled back down, I mean for me I had to jump off the platform to settle back down but I think if you just leave it a minute or so it will do it itself, either way it's up to you do what you gotta do but once things have settled down you then need to speak a gang with Chubsa in which you then grab this weapon from a box behind him and from here guys the weapon is yours to enjoy and while this is how you get the great crush melee weapon which is known as the poison carrot, that's what I'm calling the poison carrot, the names of weapons in this game are absolutely hilarious but yet this is a potent weapon offers that by all has a damage when you level this thing up it gets even crazier so yes guys if you're able to get it go get it and enjoy it. I don't know the end of the video has arrived if you enjoyed it leaving a like really helps out, if you're new around here and want to see more Bible Mutant be sure to subscribe and if you never want to miss a video I upload can turn notifications on by hitting that bell button but guys thanks as always for stopping by and hopefully I will see you on that next. One


Marleek de Krakere and colleagues reflect on the need for better global estimates for the burden of antimicrobial resistance. This article was authored by Marleek E. A. de Krakere, Andrew J. Stewardson and Stefan Harbarth.


Lagos West Senator Salomon Alameleco, and their land popularly known as Yai, has won the APC ticket of Ogun West Senatorial District held at Orona Hall in Laro, the headquarters of the U.S. local government area of Ogun State. The primaries were conducted by APC's Senatorial Electro-Committee, led by Dr. Dapo Dukua. As Yai peeled 294 votes to defeat his main rival and incumbent senator, representing the zone, Tolu Lape Odebe, who scored 0. Earlier, Odebe, while speaking to Newsman, said he was the only aspirant vying for the APC ticket in the ongoing party's primaries for the zone, describing his Lagos West counterpart as a visitor in the exercise. I'm extremely delighted that finally we're going to have an opportunity to now do our primaries. More importantly, I'm also excited for the people of Ogun West. My expectations is that they won the same of what has been going on, the transformation, the leadership, the development that one has brought to bear in the last three and a half years or so. For me, I really don't think I have, I think I'm the, I don't even think I have an opposition at this point in time. I'm the only candidate from Ogun West. I know my people, I know where they should pinches, I know how they feel. I can assure you that going forward, come 23 after the election will have come and be held, from then they are on, representative by excellence. That's what they should look up to and look for. I do allow my speakers and Newsman to show to the people of Yohan of better representation, saying, is an expert in the field, hence, called on others' parents to cooperate with them for the best interest of Ogun West. We've had an opportunity, we're going to have an opportunity to now do our primaries. More importantly, I'm also excited for the people of Ogun West. My expectations is that they won the same of what has been going on, the transformation, the leadership, the developments that one has brought to bear in the last three and a half years or so. For me, I really don't think I have, I think I'm the, I don't even think I have an opposition at this point in time. I'm the only candidate from Ogun West. I know my people, I know where they should pinches, I know how they feel. I can assure you that going forward, come 23 after the election will have come and be held. From then, they are represented by excellence. That's what they should look


Hello and welcome to Behind the Mic from otrpodcast.com. I'm your host, Austin Vaak, and on this podcast we'll explore the history behind many of Oltime Radio's greatest performances. We'll be jumping around from series to series, picking one episode each week, and together we'll learn about the actors, producers, sponsors, and more before listening to that full episode as it was originally broadcast. If you have feedback for today's show or have a great idea for a future podcast, please send me an email at contactatotrpodcast.com. I'd love to hear from you. Today's episode will begin after a brief message from our sponsor. My introduction to Oltime Radio began at a young age after my parents got a few cassette tapes featuring popular radio programs like Dragonet, Lights Out, Inner Sanctum, and Suspense. My brother and I shared a room with the time, and we both loved falling asleep listening to those old radio shows. Of all the episodes we listened to, one of the most memorable for me was the House and Cypress Canyon from the radio program Suspense. I remember being terrified while listening to that episode, but I couldn't stop listening because I had to know how it ended. While preparing for this podcast, I did some research, and it appears that it wasn't the only one who thought it was scary. According to John Dunning, known in OTR circles for his encyclopedias on Oltime Radio, the episode is frequently cited as one of the most terrifying programs broadcast during radio's golden age. The plot is presented as a story within a story, framed by a meeting between Detective Sam Spade, a character who also appeared on his own radio program, which we'll cover in a future episode, and a real estate agent named Jerry who has discovered a manuscript in a currently unfinished house in Cypress Canyon. After brief introduction, the narrative shifts to the story presented within the manuscript. I won't go into further detail because I don't want to ruin it for anyone who hasn't already heard it, but trust me it's worth a listen. As you listen to the episode, listen for the voice of the real estate agent. He's played by Hans Conreed, who voiced Captain Hook in Walt Disney's Peter Pan. The characters of the detective Sam Spade and the main character Ellen Woods are performed by Howard Duff and Kathy Lewis. Now, being from Seattle myself, I found it interesting that both of those actors were born in Washington State. Howard Duff was born in what is now Bremerton, Washington, and Kathy Lewis was, I believe, born in Spokane. This episode first aired on December 5th, 1946, and despite being very popular was never performed again. On that same day in history, President Truman issued executive order 9808, creating a 16-member presidential committee on civil rights and José Carreras, a Spanish opera singer and one of the three tenors, was born in Barcelona. Now without further ado, please enjoy The House in Cypress Canyon. And now Roma Wines, R-O-M-A. Roma Wines, present. Suspense. Tonight, Roma Wines bring you Robert Taylor in The House in Cypress Canyon, a suspense play produced, edited, and directed for Roma Wines by William Spear. Suspense. Radio's outstanding theater of thrills is presented for your enjoyment by Roma Wines. That's R-O-M-A, Roma Wines, those better tasting California wines enjoyed by more Americans than any other wine, for friendly entertaining, for delightful dining. Yes, right now, a glassful would be very pleasant, as Roma Wines bring you Robert Taylor, star of Metro Golden Mayor's undercurrent, in a remarkable tale of suspense. Merry Christmas, Jerry. How's the real estate business? Kind of early with your greeting, aren't you, Sam? Well, I gotta get them in sometime. I mean, I'll see you again until next Christmas. This real estate racket gets any crazy, I'll be dead by next Christmas. I'm glad you could get up here, though, Sam. What's on your mind, Jerry?   You sound like it's serious. That's just it. I don't know what it is, Sam, but listen, you know we're agents for a group of houses up in Cypress Canyon, those places that were started before the war never got finished. All they got in were the foundations, just concrete and a couple of beams. Well, they've been finished now. In fact, I'm putting up the for rent on the last of them today. What do you want? Police protection from the mob? Yeah. Listen, Sam, this house that I'm talking about, it's got a number now, 2256. But before when the men went back to work on it about three months ago, well, they just started when the foreman on the job brought me a shoe box that he'd found up on a beam. And this box had a, what do you call it, a manuscript in it, a story kind of, all written out. Yeah. Well, he gave me the thing. I read it. I didn't think much about it. I put it in my desk. But the other day, and I happened to drive by there, I saw the number on the house and what the house looked like. I thought of this manuscript and, well, I don't like it. That's all. There's something funny about it. What's funny about it? Well, mind you, this thing was found in an unfinished house in Cypress Canyon. Cypress was only just started building. All right. Well, listen, Sam, I want to read it to you if you've got the time and you'll see what I mean. Oh, I should. Well, here's how it begins. To whom it may concern, my reasons for setting down on paper what follows here will be abundantly clear to anyone into whose possession it may fall. First let me say that I'm a very ordinary person. My name is James A. Woods.  My profession a chemical engineer. My wife, Ellen, was a school teacher when I met and married her in Indiana seven years ago. There's nothing in the past life of either one of us to suggest remotely any cause or reason for the dreadful thing that has invaded our lives. Our married life has been in no way different from that of millions of other average, reasonably happy and congenial families. Three months ago, I was ordered by my firm to take charge of a rather minor project in Los Angeles, Hollywood, to be exact. The order was a sudden one. There had been no time to secure accommodations and conditions being what they are. The inevitable result was that until day before yesterday, we'd been living in the cramped quarters of one of those characteristic California motels. Needless to say, most of our spare time had been devoted to a search for something more permanent and comfortable, but the fruits of these efforts had been, financially and in every other way, a geometrical progression of discouragement. Until last Saturday afternoon, only four days before Christmas, we were driving into town on our way to a movie when Ellen saw it. Jim, look. What?  Oh, yeah. But don't you see what it says? Forent, furnished, two-bedroom house, close in, immediate occupancy. Yeah. Aren't you going to stop? Oh, Ellen, you know a sign like that. It'd mean right out in plain sight in front of a real estate office. Oh, yeah, but Jim. Either they want $600 a month. We'll never know until we ask. If it's any good at all, there are probably 50 people fighting for it right back there now. Well, honey, there's no harm in trying. Now, is there? You really want to go back? Oh, it's probably foolish. But what can we lose? Oh, OK. Oh, darling. Come on. Cheer up. How do you know? Maybe our luck's changed. Maybe fate's going to give us a nice new house for a Christmas present. We're sorry to bother you, but we just happened to see that for rent sign outside. Oh, yeah. I hung it outside just this minute. Is the house available? Why, sure. Sure it is. Let me introduce myself. My name is James A. Woods, and this is my wife, Ellen. How to dole. Wow. Looks like it's fixing to rain. Yes. So it does, doesn't it? Well, it was one of those things the real estate agent had just been authorized to rent the place by mail that morning. And he'd hardly had time to look at it himself and put up his sign when we drove up. It was just an ordinary little California house about halfway up Cypress Canyon. Number 2256. That's an ordinary, undistinguished little house. The agent didn't know much about it. Construction on it had been stopped by the war, and it had just been completed and furnished lately. Been vacant while somebody's estate was being settled, and now it was owned by a bank in Sacramento. Of course, we didn't come out of it. We got this key in the mail along with the authorization to rent. Only one there is, of course you can have duplicates made. It seems to stick a little. Oh, no, there it is. The sound as though that door had ever been opened. Well, a little oil on the hinges would fix that, all right. Oh, sure. Now, here's your living room. Furniture's a little dusty, of course. You've got to expect that. It's good furniture, though, you see? Benson Brothers. Yes, uh-huh. Now, over here's a little den. Panel, you see? Radio, fireplace, really a very attractive little room, particularly for a man. Uh-huh, yep. Now, the bedroom's off the living room here. Everything's all on one floor, you understand? Uh-huh. It's quite nice, I think. Yes. Uh-huh. You can see you get the morning sun here. There's a view of the canyon through these front windows. You've got to cross that way. That's about all there was to it. It wasn't the best place in the world. It was small and badly built, but what would you have done? We took it with as little inspection as that. It was the Saturday before Christmas. And the very same evening, we were struggling up the steps from the road with suitcases and boxes and arm loads of clothes and all the endless brick of rack that people collect and never know they have until they move. Ellen began unpacking, and I began moving things around and taking the worst of the pictures off the wall, doing all the little things that everybody does when they move into a new place and try to give it something of their own personal.  You know, it's a roof over our heads for Christmas. That's more than we ever thought we'd get, isn't it? Now, what in the world are we going to do with those two pictures? Why don't we just leave them where they are? Jim, we can't. They're too awful. Well, all right. Put them in the closet then. I can't. Both the closets are jam-full. No, I mean the other one and the little alcove off the den. At least there's a door there. I suppose it's a closet. Yeah. That isn't a commentary on the housing problem, huh? A woman moving into a house without even knowing where all the closets are. Take the pictures down. What do you, honey? Bring them in here. Okay, okay. All right. I guess you'll have to help me with this door. I can't get it open. Let me see it. Well, of course you can't, silly. It's locked. Where are those keys we found on the desk? Here they are. Not this one. I'm sure this one won't work. Well, it feels like an awful solid door for a closet. Oh, and that's one solid door in the house. Well, this one won't do it either. Well, we'll just have to get a locksmith up here on Monday. I'll put the pictures behind the desk, okay? Yeah, yeah, all right. Jim, if you could just help me move this armchair, huh? Oh, Ellen, will you let it go until tomorrow? You know what time it is? Oh, but, honey, I'd like to get the place looking just a little bit. Yeah, but it's almost midnight. In fact, it's exactly... What was that? Tomcat, I guess, out in the brush somewhere. Sounded near. Oh, hope that doesn't go on all night. There's as much we can do about it. Come on, Ellen, I'm dead tired. All right, Jim, all right. Where'd you put the toothpaste, honey? It's right in the medicine cabinet. Oh, yeah. Jim, we ought to get some firewood tomorrow. You know, a fire in that living room would make all the difference in the world. Make a camp Sunday. Well, Monday then. Jim, I think red curtains are what we need, don't you? Mm-hmm. You know, just at least for the living room. Anyway, the ones in there now have just got to come down. Yeah, I suppose they do. Well, I guess it's... Jim. It's some Tomcat. Jim, it sounded in the house. Well, how could it be in the house, Ellen? We've been over every inch of the house.  How could a cat or anything else be in the closet that's been locked up for over a year? Oh, I don't know. It's probably under the house of Wildcat or Mountain Lion or something. I hear they have them in California. Jim, I don't like it. Well, neither do I like it, but there's nothing we can do about it tonight. Well, maybe we ought to call somebody, the police, or some neighbor.    All right, I suppose it is silly. Jimmy, did you lock the door? Yeah, yeah. Can I turn out the lights now? Yeah. All right. Good night, Ellen. Sleep tight. Good night, Jim. I don't know what time it was, perhaps an hour, or perhaps only a half hour later. My mind was in that hazy borderland between sleep and a dream that's still part of consciousness. Then I was awake. Ellen, are you all right? Yes. Did you have a nightmare or something? I heard it, too. Well, that didn't sound like any cat. Put on the light. Yeah. I wish it. It seemed to be out there, Jim, in the house somewhere. I'm going to look into this. Jim, you be careful. Come on. Where's my shotgun? In the den, I think. Jim. What? There's something wet. What? Wet? Running from under the closet door. Sticky. Ellen, don't. Don't touch it. I had to. Jim, it's blood. For Suspense, Roma Wines are bringing you Robert Taylor in the house in Cyprus Canyon. Roma Wines' presentation tonight in Radio's Outstanding Theatre of Thrills. Suspense. Between the acts of suspense, this is Ken Niles for Roma Wines. These days before Christmas are busy ones indeed, yet smart hostesses everywhere find time for shopping and distinguished home entertaining later. The secret? Magnificent Grand Estate Wines. Presented by Roma, America's greatest vintner, Grand Estate Wines add distinction to your hospitality on a moment's notice. Make your holiday welcome, effortless and in perfect taste. The brilliant clarity, full fragrance and mellow taste of Grand Estate Wines, please discriminating people everywhere. For Grand Estate Wines, limited bottlings by Roma are born of choicest grapes, then patiently guided to superb taste richness by Roma vintner skill, necessary time, and America's finest winemaking resources. Delight your guests with Grand Estate California Wines for entertaining, medium sherry, ruby port or golden muscatel. For dining, burgundy or so-turn. So insist on grand estate wines enjoy the crowning achievement of vintner skill. And now, Roma Wines bring back to our Hollywood soundstage Robert Taylor as James A. Woods with Kathy Lewis as his wife Ellen in the house in Cyprus Canyon. A tale well calculated to keep you in suspense. It cannot be too difficult to understand from the foregoing why I've taken the pains to sit down and writing the events related here. To find in one's newly rented house a closet which cannot be opened is in itself certainly no great cause for alarm. But to be awakened in the stillness of the night by unearthly cries within that house to find oozing from under that closet door something that is unquestionably blood. That's another matter. Perhaps others might have been braver than we. Suffice it only to say that we got out of the house in something very close to a panic and only returned when we had the moral support of the English police. You just moved in here, you're saying? That's right, officer. You can see we're still unpacking. And the place has been empty right along before that? I don't know much about that part of it. You could check all that with the real estate agent, though. Well, where is this closet? Oh, it's right in here, officer. And the blood, the blood is... Where? Where's the blood? Jim? Officer, I swear to you, there was blood on the floor less than an hour ago. I saw it. It was running out from under that door. You heard that noise and we got up and then we saw it. The door was locked. Locked, huh? Well, it seems to be all right now. Hey, uh... You folks aren't trying to be funny, are you? Is...isn't there anything in it? No, ma'am. There is not. Look, officer, we're reputable people. You can call my firm. They'll tell you all about me. There's nothing wrong with this closet. Walls are solid. No trap doors. You think I'm lying? I didn't say that, mister. Oh, you probably did hear some sort of a noise and you got a little panicky and, uh... What about the blood? It...it got on my hand. It isn't there now, is it? Yes. Where? I feel it. Now you folks, just take it easy. You know you're liable to hear all kinds of noises up in these canyons at night? You're, uh, from the east, you say? Uh, yeah. I'm sorry, officer. Ah, that's all right. That's all right. If you have any real trouble, call on us any time. All right. Well, good night. Good night. Good night. Hey. You ought to have this door fixed. That's enough to scare you. Yeah, we're going to have it fixed. We didn't say much about it after that. There wasn't much that could be said. The next day, I went down to a lot and bought a little Christmas tree and some trimmings and we tried to pretend we were cheerful, but there was an uneasiness between us that had never been there before. Ellen seemed tired and listless. Several times during the day, I noticed her washing her hands with a... with a brush, scrubbing the one that had touched the blood. That night, we each took a sleeping pill and went to bed. There was some time after midnight when I was suddenly wide awake and staring into the darkness. In some way, I knew at once and instinctively what had awakened me. Ellen was not in her bed nor in the room. The nameless thing I feared gripped at my heart until I could scarcely breathe. I opened the bedroom door and started through the house, putting on every light that I could find. There was not much to search, but I searched thoroughly. The living room, the kitchen, bathroom, day and even the garage. And all the time, the dread of looking where I knew at last I must look. For I think I knew from the very first time where I'd find her. It must have been a full minute that I stood before that closet door. Then, I opened it. She stood there rigid, her arms at her sides. Her fingers extended like claws. Her hair was over her face. Her eyes stared out of it. Her lips were drawn back in a grin like an animal at bay. For a moment, I was frozen with the horror of it. I stretched out my hand.  I'd raised my hand to strike at her, but already she'd relaxed her hold and gone utterly limp. She would have fallen unless I'd caught her. I carried her into the bedroom or later on the bed. Strangely, at that moment, my only thought was how I might revive her. Until I saw that it was... it was not a faint but a sleep that she'd fallen into. A sleep as deep and heavy as though she'd been drugged. And so I left her. That night... there was no sleep. Yes, Ellen? Oh, I got a little restless. I'd make some coffee. Oh, and I feel so rested. Do you? Jim. What? What's the matter with your arm? Oh, I just heard it. Well, honey, it's terribly swollen. Let me see it. No, it's all right, Ellen. Oh, it isn't all right? You've got to see Dr. Wesley right away. Sure, I will. No, now you promise me, Jim, that you'll go the first thing this morning. Oh, I... there was a dog. A dog? Yeah, I... I heard him trying to chew through the screen door. I went out to chase him away and he bit me. Oh, is all that racket? I didn't even wake up. No, Ellen, you didn't even wake up. It was clear to me that Ellen knew nothing of what had transpired the night before. I went to my office that morning and made a pretense of going over routine business if only to restore my mind to some semblance of calm and sight and sound of common, familiar things. Pain in my arm had become a persistent, dull throbbing. I made a late appointment with Dr. Wesley. He treated my arm with something of an arched eyebrow and he said... Well, I've never seen anything quite like it before. That is such a rapid onset of infection. It was dark when I left his office. I hadn't realized it was so late. Driving home, my car seemed sluggish until I saw the needle on the dashboard and realized that I was pushing it to the utmost of its speed. I was racing home to prevent... prevent something before it was too late for the darkness that inspired against me. For somehow, I already knew with certainty that it was the darkness and the night that I had to fear. The curves of the canyon seemed endless. And then the cold fear leaked up inside me. My house, too, was dark. I went slowly up the stone steps in the road, looking, praying for some kind of light or light. There was none. The house was empty. Ellen was gone. I looked with the same self-touching thoroughness and in that closet, first of all, knowing as I did so, there was hopeless. And so, alone in that empty house, I waited. Powerless and helpless now. Deadened in thought and will. Empty as the house itself. Save only for the overwhelming sense of a terrible foreboding. There's some time in the early hours of the morning when I snapped on the radio, shortwave. Why, surely a minor question now. I only know that I did. And then I heard it. Car 58, car 58, go to Laurel Canyon, the 4000 block. A report that a man has been injured or attacked. Conditions thought to be critical. Ambulance will follow. That is all. I was there almost before the police, edging my way through the little crowd, staring down at the man lying there in his white uniform under the street light. Yeah, the milk man for a guy. I heard him scream, but when I got here, just like this. Stand back, stand back. Please, please stand back. Well, you again. I heard it on the radio. I lived just down the road. Yeah, yeah, I remember. What happened? Well, take a look. You can tell us. He was dead. He was lying on his back. And his throat had been torn out as though by the fangs of some wild animal. It is now Christmas Eve, or rather Christmas morning, for it's a little after midnight. I've been waiting here. Here in the stillness of this empty house for nearly 24 hours, waiting for the end. Already once tonight, I've heard that dreadful wailing cry somewhere in the hills. I've nailed up the closet door, but that I know was childish and useless. My arm is horribly swollen and turning black, but that's nothing. It's another end that I foresee, as surely as other men foresee the rising of the sun. I hear the cry again. It's nearer now. I shall leave these notes in a sealed envelope and put it in a shoebox in the hope that someone will give credence to these dark and terrible events. If indeed such nameless horrors can ever yield to mortal understanding. As for myself, I feel no longer any fear or even sorrow. Only a desire that the end and the thing that I must do may come soon, and it will be soon. I know. Yes. But there is someone left to go. Ahh! It's quite a yarn. But what of it? That's what I thought. Now listen, that's not quite all of it. Clip to it's a newspaper clip. Listen. Hollywood December the 26th. Police reported what was apparently a case of murder and suicide in Cyprus Canyon sometime in the early hours of the morning. The victims were James A. Woods, a chemical engineer, and his wife Ellen. Preliminary investigation indicates that Mrs. Woods was killed by the blast of a shotgun in the hands of a husband who then turned the weapon upon himself. That she fought desperately for her life, however, was evidenced by the disorder of the room and the severe lacerations inflicted upon her husband about the neck and arms. This is the second tragedy to be reported in Cyprus Canyon within 24 hours. The other being the unexplained death of Frank Polanski, a milkman. Well, no such murders or whatever they were ever occurred if that's what's worrying you. The clipping. Yeah, those things printed up, you know. No, no, it's not that, Sam. That story was found in an unfinished house in Cyprus Canyon, no number, no nothing, just a framework. Now that house is finished. When I drove by it today, but that's what stopped me, Sam, because it all fits. Now that it's finished, it is the house and the story, the same construction, the same vines and creepers on the lawn, even the same number. So what, a guy who knows roughly what this house is going to be like, writes a yarn and loses it or something? Did he know the place was going to be listed for rental today, the Saturday before Christmas? Jerry, coincidence. Two bits you find the guy next door as a ghost story writer or something and he's been wondering for a year what happened to that thing he wrote. Okay. Okay, coincidence. Well, I'm sorry I bothered you, Sam. Don't be silly. I liked it. It's a good yarn. That the, uh, for rent sign you were talking about? Oh, yeah. Yeah, I'm going to put it up outside now. Uh-huh. Well, so long, Jerry, and Merry Christmas again. Well, thanks, Sam. I guess I was kind of zillio. Listen, when a guy named, whatever it is, Woods with a wife named Ellen comes in to rent that place from you, then you can start worrying. Yeah. Well, so long, Sam. So long, Jerry. Oh, we're sorry to bother you, but we just happened to see that for rent sign outside. Well, yeah, I hung it out just this minute. Is, is the house available? Oh, sure, sure it is. Let me introduce myself. My name is James A. Woods, and this is my wife, Ellen. How do. Wow. Looks like it's fixed in her... Right. Yes, it does, doesn't it? Suspense. Resented by Roma Wines, R-O-M-A. Roma Wines, selected for your pleasure from the world's greatest reserves of fine wines. Tonight show marks the third birthday of Suspense on the Air, and this is Ken Niles asking our star of the evening, Robert Taylor, to help us celebrate. Why didn't you tell me before, Ken, if I'd only known I'd have baked a cake? Well, Bob, all suspense parties are surprise parties. As an old hand on suspense, you know that in our plays, the tables are usually turned on the star. So tonight, although it's our birthday, we're going to give you a present. Here it is, a gift basket of Grand Estate California wines from Roma, America's greatest vintner, to our distinguished anniversary guest, Robert Taylor. Thanks, Ken, you turn a nice table. And you can set a nice table with Grand Estate Burgundy in your basket, Bob. For Grand Estate Burgundy means rare dining pleasure, adds memorable distinction to holiday dinner. Even everyday meals are outstanding in taste when Grand Estate Burgundy is served. Yes, all Grand Estate wines presented by Roma are limited bottleings of outstanding taste excellence. That I know about Grand Estate wines, Ken. But did you know that for Grand Estate wines, Roma selects only the choicest grapes? Then the ancient skill of Roma master vintners, necessary time and America's finest winemaking resources guide the cuvee of this grape treasure to rich taste luxury. That's why discriminating wine users everywhere looked to Grand Estate wines as the crowning achievement of vintner skill. Reason enough. And now, Ken, who's all set to star on suspense next Thursday? It's that very wonderful actress and wonderful girl, Miss Susan Peters. Susan will appear as a young lady in straightened circumstances, and is herself mistaken for a very rich young lady and who is forced into continuing the deception with murder as a result. I'll certainly make it a point to listen. Before I go, I'd like to thank this really great company of actors who have played with me tonight, and particularly Kathy Lewis who played Ellen. Thank you, Bob. Tonight's original suspense play was written by Robert L. Richards. Next Thursday, same time, you will hear Miss Susan Peters as star of suspense. First by William Spear for the Roma Wine Company of Fresno, California. This is CBS, the Columbia Broadcasting System. Thank you for listening to that episode. If you would like to listen to more suspense, please visit OTRpodcast.com. That's OTR for Old Time Radio, and podcast with an S. OTRpodcast.com. On the website, you can register for my mailing list, and as a thank you, I will send you 14 different links to podcasts that each feature every available episode of a popular radio program. In addition, I'll send out an email each week when I release a new episode of Behind the Mic, this podcast, so that you never miss a single one. If you have enjoyed today's episode, please take a moment to subscribe and give it a five-star rating in whichever podcast app you use. Thanks for tuning in.


Good afternoon, Foundation staff. This is Level 4 Research with Theron Sherman, and today's briefing is easy and breezy. We're talking about SCP-5747, its Level 2-classified Object Class, Euclid. Special Containment Procedures. Foundation watched all algorithms on a monitor the flight records of licensed pilots involved in civilian and or military aviation. The number of unique aircraft flown by each pilot is to be recorded by the system as it iterates through flight personnel. Should this statistic approach the threshold necessary to activate SCP-5747's effects, the offending individuals to be revoked of their piloting license and retired from employment. In the event that SCP-5747 occurs successfully, the airspace within a 50 kilometer radius of the affected person is to be cleared of air traffic. Civilian witnesses in the vicinity of the area ought to be apprehended and amnesticized. At the conclusion of the anomaly's effects, the affected subject must also undergo amnestic treatment, as well as the implantation of false memories to justify their subsequent retirement from the aviation industry. Description. SCP-5747 denotes an anomalous phenomenon that manifests in individuals licensed to operate aircraft. These individuals must meet the following criteria in order to trigger its effects. More than 100 unique models of aircraft flown throughout the span of their piloting career. This criterion includes all forms of manned aircraft including civilian airliners, military jet planes and space shuttles. The specifications for what constitutes a unique model of aircraft appears to be dependent on the manufacturer's internal cataloging system. Possession of a valid piloting license that is legally recognized by the individual's local aviation regulatory body. Aircraft models that are flown without a valid license do not count towards the first criterion. Within 24 hours of meeting these two conditions, the subject will experience the onset of SCP-5747's effects and begin levitating upwards. Any attempts to impede this assent will invariably fail, as the subject will pass through any solid objects blocking their path. The velocity of the upward movement increases at a geometric rate and levels out to a constant speed as the subject rises above the cloud layer. As the affected individual enters the stratosphere, the atmospheric particulate in front of the subject will coalesce into an enormous lettuce. These filmmakers should spell out the names of notable figures in the aviation industry, ranging from early aircraft inventors to modern aerospace engineers. More than 2,000 names appear during this phenomenon, materializing in vertical succession as the subject floats through the stratosphere. At various points during SCP-5747, large humanoid entities will briefly appear in front of the subject. These figures measure up to five kilometers in height and resemble the leaders of contemporary aerospace corporations from the torso up, terminating below the upper chest. Spectroscopic surveys reveal that they are primarily composed of rarefied vapor and other aerosols found in cloud formations. After manifesting, these entities will make eye contact with the subject and gesture an approval, typically with a smile or a nod before slowly dissipating. In rare cases, the entities will produce a vocalization in lieu of a physical gesture, such as, go to work sport, give or mail, tiger, or what brought you son. All attempted communication have yet to be reciprocated, suggesting that these manifestations are non-sentient. After reaching an altitude of 40 kilometers, the subject will decelerate until they are hovering in place. At this point, a crowd of human figures, identifiable as the subject's friends and family, will manifest around them. These entities do not respond to external stimuli and do not perform any actions besides clapping loudly and staring at the subject. Shortly after their appearance, a large set of texts will materialize in the distance. This text reads, Congratulations. Thank you for flying with us. We love you. After 30 minutes have passed following this message, the subject will fall unconscious then disappear. Affected persons typically wake up in their place of residence after an SCP-5747 event. All previous subjects recount experience of feeling of pride and accomplishment after regaining consciousness. They also report finding a $500,000 check always in the subject's native currency on their person and an airplane-shaped trophy in their domicile. Subjects have also reported gaining an implicitly understood ability to requisition a gold-plated aircraft from any airplane manufacturer of their choosing. Subsequent testing has shown that these requests are universally honored, with little to no skepticism regarding the validity of the order. You see that? They get a gold-plated airplane, but I requisition one gold-plated and I get Keta duty for a week. The Gulp! Alright staff, that ends our broadcast.  Hit the bell and support our broadcast at patreon.com.cipe42.


Hello everyone this is rd from miscellaneous debris and welcome to the weekly bros you sound like a like a weird simpsons character or something I'm really sure what's going on there before we begin don't forget you can reach us on the twitaz at miscellaneous debris that's two underscores don't you know rd is at rockin the d and we our d and i are available at the weekly bros you can also email us at real weekly bros at gmail.com once again the email address is real weekly bros at gmail.com I'm pickle rick I'm pickle rick so it's starting off on a down note going right where if there any war left off yeah basically it's I think it's just like it's nebula and Tony drifting in space in the in the Benatar I mean we see nebula later on in the trailer but do you think that she's in there with him well I would assume so let's continue on all right but one thing do you think that Tony's line of zero promise of rescue has any reference to pepper no I think I think it's a coincidence I like I saw Kevin Smith's reaction trailer and he's like oh more than that later and I think he thinks the same way like rescue is coming in the form of pepper pots but I want to hope it does not that's not what it means that's the ultimate troll by Marvel having the logo get dusted away like that oh it's just like it's just like hey we're gonna be killed everyone oh yeah here you go yes yes you do it's actually I love it I love how they did that so Thanos was walking through the the farmland two things no two things sit out to me one is that scarecrow is right out of infinity war issue number one yep thank you resource for doing that the other thing is and this is like a complete doesn't have anything to do with anything if you look closely at that plant that Thanos is walking by it looks like that Yaro root that that Nebula was trying to eat in Guardians of the Galaxy volume 2 that wasn't quite ripe yes this yes I understand what you're saying it's not ripe yet yeah I'll tell you what you lost you lost the ground screw because that place looks disheveled lost his beard yeah exactly a nice clean shaving Captain America yeah so it's just you know it's a tim and widow and banner you know hanging out at the Avengers headquarters just kind of reminiscing on the past like what just happened we just got our ass kicked it seems like they were having a good time you know yeah we see Nebula on the Benatar you know and I it took me a second to notice that I'm in that scene right there but she is touching someone's shoulder which I like to assume it's Tony's but but it looks an awful lot like a strap on Captain America's shoulder right so is it really Nebula's hand is it really not that's just a little splice there they kind of make okay is it really Tony something I mean it could it could be Tony with the seatbelt on I mean that's the only reason why I'm saying that maybe we're going too far into it Ronan is introduced in this black widow looking very concerned that Hawkeye just murdered a bunch of Japanese folks with it well you know goddamn katana it appears he's lost his family so you know you got that's what I would do if I was lose my female I go underground go Ronan and kill bunch of your cozy Captain America went to soldier outfit hell he asked that they're bringing that back that's my favorite outfit that he's ever had and it's coming out in April no longer the May release date yes thank God shit I don't know if I can wait that long well two quick things I just want to point out right now I love the fact that they moved up the the date the release date because I was gonna be pissed off and it came out like a week after it comes out in Europe and I was like the whole yeah yeah yes I do remember you telling me that yeah and I hate the title two quick takes were quick takes from our D you hate the title our D's takes I do not like the title surprisingly enough I do not like the title either see what I did there like yeah I watched you do it I made you think I'm wishing I could unsee what I just saw I just don't feel like it doesn't flow good it's very yeah I just I'm not impressed with it I would have rather have seen annihilation or assemble I would have preferred gauntlet I would have preferred crusade like infinity gauntlet or infinity crusade Avengers forever well forever would have been cool even though I don't like you know assemble or forever like I mean I if it was my choice I would not name it those but I prefer those over end game yeah yeah so I don't I'm not really cool on title but whatever I mean there's gonna be elements to the movie that are going to foreshadow later Avengers films or maybe the future of the MCU and I don't think I don't think they want to give away that title so if it was like Infinity watch or infinity crusade I mean you can kind of put those pieces together even annihilation people are thinking about Niles people are gonna just project that into the future like this is where it's gonna go it it ruins the movie right so I see that but that's why I kind of like I was kind of hoping for it you know on the down though I would have been like to have seen Avengers assemble so I think that would have been sweet but I think that would have been the best one end game was the end game was the you know that was the initial title that we had heard back like in early summer that was when the what was it like a some cinematographer or the DOP or something like that posted Avengers in game on his resume or something right yeah so that's what I'm talking about like from that moment on I think everyone knew it was in game but they just had to play damage control at that point you're right well here's the thing that really bothers me about it both the Russo's and Kevin Feige came out in interviews and said that the title of the film has not been said in any previous Avengers film and I realized that they can go back and say well yeah of course we said that because we didn't want you guys to think of the title of course I get I get that are you pissed off because you lied to you Matt are you upset are you but hurt if you sound but hurt get over it the other thing I don't like what are you whinging about is the fact that every every Avengers film up until now has had a comic book arc to it you're talking about the titles the title of the film yeah so the Avengers very the first one that's been a very very long mainstay comic book arc age of all Tron and Infinity War Infinity War was a series Avengers Endgame has never been a series it's been used for splash pages it's also been mentioned in comics but it's never actually been a storyline arc and I like it when the movies fit those storyline arcs like Captain America Winter Soldier Thor Ragnarok you know I like it when those things have have structure because it just gives more validity to the actual comics themselves that's just me being a nerd I think they they were trying to pick something that was appropriate and I think they were not trying to foreshadow what's coming up in the future they want the movie to reveal that not the title of this film that's I think that's also why they they they didn't call it Infinity War part two it's its own thing well you oh no I okay I yes I understand so I think I like I said those two of my hot takes and you know I just I don't like the title but it is that's what it is and we're gonna go with it so fine what do you mean game on game on now it's not to say that I might not change my mind because I am open for my mind to be changed but at first glance I don't like it so the the end tag when Ant-Man shows up in the at the facility here now why don't you tell me about the scuttlebutt that you've heard about about this whole thing well maybe if you can do you know what the hell is a scuttlebutt then maybe I can help you out there word on the street rumor you endo in oh so you're talking about the whole Ant-Man scene if you look up on the upper left hand corner of that screen it does say archive so is that shot live or is it from the past is it in stemming is it recorded in the past and now they're watching it in the present my my initial take is no fucking way and I'm gonna swear but no fucking way I feel like first of all he has to know the adventures you know the facility is so it has to be after age of Ultron second of all I just don't believe it I mean well the whole the whole premise is so stupid like he so we last saw him in the quantum realm so he has he has to physically come out like in a different in the go-north time vortex and come out like a 1985 yeah so here's a big loop for you how does the van know it's like 85 exactly so where does he come out it's I'm saying he comes out he has to come back out in present time that is a present shot and I think you hear 100% agree even when widow was like it's the front door yeah you know I think they're saying that he's there now yeah at least I'm hoping no I was gonna say I'm in the exact same boat as you when I when I saw that yeah I didn't see the archive thing I didn't even that didn't even come into my mind I didn't think about it being back in time so when I started reading that stuff I was like well that's fishy because he goes back he goes in the quantum world the van doesn't go out the van doesn't know what the fuck year it is that van's not gonna be there it's like yeah it's like with any story when you start involving time travel things get really fishy and you really have to you know suspend some you know spend your disbelief and just this is the way things are and you can't be thinking about well how does the van know about what's going on here yeah you know all the rest of those things are happening I mean I think they you know like the Occam's razor is like it's a simple explanation I I did love the fact that they framed it as Ant-Man's here to save the day because who doesn't want to be saved by Paul Rudd so let's go let's deep dive here we deep dive we're going deep so deep we're going deep once you start off all right so first off what do you get let's start with Tony and Nebula flowing out in space there because I got some questions regarding this thing so number one they they mentioned you know food and water ran out four days ago being adrift in space with no hope of rescue obviously the Benatar has no power right why doesn't the Benatar have power was it damaged on Titan right I don't shouldn't Nebula be able to figure out I mean shouldn't Nebula be able to navigate and find a planet with fuel she's an alien she traveled the cosmos after all sure she knows her way around I feel like this is something that's not really important I'm sure I didn't think I got damaged or somehow they took off trying to maybe they can make it someplace they're not gonna do them and they also have to like move story lines along like so it's a good story I have Tony stuck in space but I mean if there's a gaping plot hole in it as in like his arc reactor that's on his chest he built one in a goddamn cave out of spare parts you think that he can't find some spare parts laying around the fucking Benatar to make a stellar arc reactor to power the goddamn thing yeah he might be a man listen I'm just saying I might be a story line but there's a huge fucking plot hole the size of New Hampshire obviously this is this is really bugging you but this has been bugging you since the moment you saw the trailer for the first time you're like you stop it and you pause it you're like why they had a power doesn't make any sense listen I man I don't I don't know why the bandit doesn't have power I mean I'm not I'm not asking you directly I think it's a well man I think it's a legit it's a legit question I think it's we've had some serious concerns here about the validity of the storyline written by the the writers and the way they directed the film I really don't feel like putting this in the trailer is just throwing all fans for a loop here like here's a shiny object come look at me and over here on the right hand is you know Matt I'm sure I mean I was trying to go back in my guardians I thought there was some lines in guardians where they were quills talking about how expensive fuel was or oh yeah that was in the first guardians when they were on nowhere right oh yes you believe how expensive fuels yeah I'm gonna actually lose money on this job that's right that's what I was thinking of so I I mean yeah it could be out of fuel what's this it could be as simple as that good question it's a good question oh and kind of say like that a part where Tony says part of the journey is the end you know that's like my favorite line of Aldi of it's it means so much it can be used in so many different ways but I think Tony's journey is the I mean he is the Avengers basically Tony Stark swan song so I kind of get a little bit now I'm not crying obviously but it's a little emotional thinking about that and this could be the last time you're gonna see Iron Man is as we know him I don't I I don't want it to be honestly like I mean I like I could I could live without Black Widow without Hawkeye I don't know how I'm gonna deal without Cap and that Iron Man it's gonna be difficult I'm not gonna lie to you no so yeah I just feel like it's a cool line and I think it's it's perfect coming out of Tony's mouth yeah it's very poetic yeah so let's move on Thanos's armor as a scarecrow yeah fucking dope I know we've talked about it before and I know I I mean I know I mentioned to you was that you could see that in Infinity War too oh yeah yeah it's a kind of you know over his right shoulder it's in the lower right corner at the very last scene of the film yeah the Avengers facility is looking a little worse for wear there like I said you know they may have gotten rid of the grounds crew well you know half of them did die now piggybacking on to that widow states that Thanos wiped out half of all living creatures now tell me I'm crazy because I really want to not get this in my head that means not just humans all living creatures no pets pets are gone okay see you later bye bye so here's the problem I have with this oh let me know if my logic is flawed if you wiped out all of half living creatures not just humans or humanoids would that not leave him with the same problem because you would be eliminating half of the food sources too I mean I'm just my looking too far into this we need to have any Avengers in-game trailer plot holes episode we can just have like three hours of Matt talking about plot holes and like how about this one Matt Huckum instead of killing had the people Huckum he doesn't just make more food it's a good question it's a good question listen I don't like his choices obviously if you can do anything you want to with this gauntlet why kill half the population when you can just make a hundred percent more food it's a good question it's a good question over there good question so let's just move on before I get made fun of more you know it's a good question man I mean I really gotta think like since you've only got half the amount of people now you only need half as money you know half the amount of food to feed those people and I would end up in the same you'd end up in the same spot no cuz I also feel like maybe he took out you know out of those people let's say eight I just say you lost 50% of the population let's say 80% of those people were meditarians so now you're left with way more vegetarians than you are meat eaters so there you go solution plato filled I'm gonna have to write down and remind myself to look up what a meditarian is people that eat meat I mean a carnivore sure but I say meat it's here I I haven't laughed that hard little girl thank you Bruce Banner aka the Hulk looking at some data in the in the Avengers facility yeah saying that Scott Lang is missing now Shuri and Peter are shown as well did you happen to catch anything does it say missing or deceased underneath them no it just says missing for everyone I think okay it says missing for all those things so what do you think happened to Shuri then do you think that she like split Wakanda good question Matt no obviously she's missing well yeah but I mean like you know just go back to go back and be like hey it's going on the last time she's infinity what I think you know is it a Corbis Glade Max are off the yeah whatever she falls in the ground that's it yeah you don't you don't see her after that so I think there are so's have said that she does live but where she you know anyone's guess yeah maybe she just got your observation yeah she went into hiding and decided to become a ninja and kill people hey just like Hawkeye did right yeah but her name is Ronan right I do like I was edited together where cap speech says you know as Hawkeye enters as Ronan cap says you know we lost family so obviously you can you know infer from you know Hawkeye losing this family that's what it seems like I mean it's pretty safe assumption he looks pretty distraught I've got some theories about that but you know I don't make this episode five hours long do you have any anything else to add before I go into my yeah I know I know what you're gonna say I'm let me just add my I'll say one thing you know it the Rousseau's have shown us in the past that they like to play tricks with the trailers like there's things in the trailers that are not really happening there's you know two of the biggest things I can think of is in Ragnarok trailer where Thor has an eye but he's missing an eye and then in Infinity War where you know you see the gauntlet on Thanos' hand with cap it always he's only got two stones but he's really got them all right there I feel like they've put some of that into this and they do it on purpose so that fucking fanboys search they know they're gonna get searched and I think you know part of that could be like Scott you know Ant-Man's missing or Shuri's missing or Peter Parker's missing or even that archive footage thing with Ant-Man I feel like there's things there that they've messed with that on purpose because they know people are diving into this shit I think that could be what's going on here besides that I mean I was blown away by the trailer I just think it's amazing oh yeah I thought I thought it was an absolute gem of the trailer I think it's it's exactly what I wanted to see and it was very short and sweet it was very short very sweet it didn't give you anything more than what you they wanted you to know no and I don't think it's going to only do it on purpose a good good comment way to point the obvious thank you thank you um like I didn't want to see Captain Marvel in it because I don't want to know and I don't want to see her any I don't want to see her in another the next trailer do you not want to see it do you not want to see her until her movie comes out yeah and then and then I want to see what you know the next trailer for and you know if the next trailer comes out like a week after Captain Marvel comes out that'd be perfect then you can have her in the trailer but I don't want to see any scenes with her in that trailer until after her movie comes out I mean I don't think it'd be right obviously Captain Marvel as we all think has a head she had a big part to play in this film yeah and I still think she does but I think the bigger thing is the quantum realm in Ant-Man do you want to see the next infinity the next in-game trailer because we have a name now we call it in game do you want to see the next in-game trailer with Captain Marvel on it without seeing her origin story or anything about her I would but I would like to see that trailer come at the end of Captain Marvel as an incredibly as one of their end credit scenes the trailer for the next movie yeah that that'd be so Marvel not right yeah now do you want to hear my my crazy wacky ass Alex Jones info wars theory on this on this trailer we talked about it off air but yeah good I think the whole entire trailer was done just as a title reveal I think all this I think all the scenes I don't want to call them fake scenes because you know they're definitely real but I don't think any of those scenes are going to be in the movies I think are in the movie I should say I think everything was intentional misdirection it gave us a story points of Tony Nebula being stuck in space they're choosing Ronan Ant-Man escaping from the quantum realm coming to save the day you barely have a shot of Thanos on Titan to saving on CG costs you have cap at his wits end doesn't know what to do and Thorin banner in grief it gives you points for almost every single main character in the story but I don't think that any of this stuff is actually gonna be in the film it could be right you know it can be like the one shot you know it's like any trailer it's got shots that don't end up in the final film like that one with all the Avengers rushing towards the screen in Infinity War like the one with the TIE fighter and what's their name on in Rogue one that didn't make that you know I mean these things happen and I I mean yes just pop you're probably right I think so many scenes will not make the final cut I don't think they were all fake just to make for the title reveal I think it's pretty good though you know I'm looking forward to it I was excited to see it I'm glad it came out now we can Jones I've only watched it like every day I I think I think I'm up to about two or three times two or three times today whether I need to or not just to make sure nothing changed and don't forget that you could reach us on the twitters at miscellaneous debris that's with two underscores don't you know our D is at rock in the D and we are available at the weekly bros you can also email us at real weekly bros at gmail.com once again the email address is real weekly bros at gmail.com rd thanks for hanging out you're welcome at anytime anytime