Good morning, I'm Rick Kyle division chief of investigations for the Denver police department. My name is spelled R. I see K K Y le I'd like to thank you for the opportunity to provide an update on this case that resulted From the recovery of human remains at a residence in the 2,500 block of South Quitman Street Recognizing that were there would be a lot of interest in this case We arrange this press conference to walk through the chronology and answer any questions that we can answer after we presented that chronology First I want to share our condolences with the families that are impacted by this situation Lose it losing a loved one is hard enough, but when the loved ones remains are mishandled It just adds to the grief and causes further unnecessary pain This has been a very complex and taxing investigation And I want to commend the thorough and compassionate work of the Denver police major crimes bureau and crisis services bureau Along with the members of the Denver district attorney's office as well as the office of the medical examiner In a debt in addition to investigating the criminal aspects of this case Our teams are working with the impacted families and ensuring that they receive the support that they need To provide further details of this case. I'd like to introduce commander Matt Clark of our major crime bureau Good morning. I'm commander Matt Clark. I oversee the major crimes division for the Denver police department Thank you for being here today as we provide information regarding the active investigation It's being conducted by the police department the Denver district attorney's office and the Denver office of the medical examiner Related to the discovery of a deceased woman's body as well as the recovery of numerous professionally cremated remains That were found in a residence in Southwest Denver This is a unique investigation. It's been difficult for the investigative team not only because of the complexity of the case But also the concern and sensitivity for the families who have been impacted The investigative team has been working diligently on this case since the discovery on Tuesday, February 6 2024 in addition to the investigative agencies the professional staff of the department's victim services team Continues to play a critical role in our outreach efforts to families I'll provide background information regarding the recovered remains and detail what we've learned through the investigation to this point At the end. I'll attempt to answer any questions With the understanding that we're still working to connect with some of the families that were impacted in this case And we're also working to understand the operations of the funeral director and his business Additionally, we do anticipate a criminal filing against an individual and want to ensure a successful prosecution on Tuesday, February 6th 2024 the Denver Sheriff's Department served an eviction at a single-family residence in the 2,500 block of South Quitman Street A sheriff's deputy was standing by while the homeowners removed the tenants property from the residents During the process of removing the property the homeowner discovered several boxes in the crawl space that were determined to be Temporary urn boxes containing cremated human remains, which I will refer to as cremains Investigators from both the Denver Police Department's homicide unit and the Denver office of the medical examiner Responded to the residents to examine and recover the items Nearly three dozen temporary urns were located some of which were empty for context These urns are black plastic boxes similar to the size of a shoebox The owners found that the tenant was storing an Inoperable hearse in the backyard of the residents as part of the eviction process that vehicle was towed from the backyard to the street While looking in the vehicle investigators discovered additional urns inside that vehicle Detectives entered the vehicle to recover the urns and upon doing so discovered the body of a deceased woman Who was covered with a blanket in the back of the vehicle a search warrant was sought to recover the body and further process the scene The woman's body was removed and transported to the medical examiner's office Medical examiner's team has since confirmed the body was that of a 63 year old woman who died in August of 2022 Through the investigation detectives have determined the woman's remains have likely been stored and concealed in the hearse since shortly after her passing The outreach team has met with the woman's family and learned the family Previously received remains from the funeral home that they believe were their loved one Investigators also executed a search warrant on a U-Haul vehicle that was recovered in front of the residents through that process They located six additional urns containing cremains All the recovered cremains appear to be associated with individuals who passed away between 2012 and 2021 at this point we believe we have recovered the remains of At least 30 individuals The investigative team is currently cross-referencing information from tags and labels that were found with the cremains To attempt to identify the families The investigators and advocates are working to connect with each family regarding the discovery as you can imagine These are extremely difficult conversations to have and the information comes at a shock to many of the families Several of whom believe they had the entire remains of their loved one Through the investigation, it was determined that the tenant of the residents on South equipment was 33 year old miles. Hartford h a r f o r d Mr. Hartford operated a funeral service between 2012 and 2022 in Littleton, Colorado that was called Apollo funeral and cremation services Mr. Hartford appears to have experienced financial trouble in his business At times he was not able to create complete cremations to provide Remains to families for services unbeknownst to families who sought services from Apollo funeral services Mr. Hartford may have occasionally provided family members with another person's cremated remains in lieu of their family members remains So services could be held Through conversations with the families it has come to light that many experienced delays in obtaining cremated remains from Apollo and mr. Hartford Some expected pieces of jewelry with their loved ones cremains, but never received those Investigators also learned that Apollo funeral services completed cremations for individuals who were indigent or Persons whose next of kin was not known The team is working to determine if the services mr. Hartford provided in those cases account for some of the cremation The cremains recovered at the residence In regard to the deceased individual recovered in the hearse that appears mr. Hartford had accumulated significant debt with several metro area crematories As a result these businesses would no longer work with mr. Hartford And he was unable to complete the cremation that had been pre-arranged by the family of the woman Mr. Hartford appears to have placed the woman's body in the back of the hearse and concealed her with blankets until she was recovered on Tuesday, February 6th 2024 Mr. Hartford provided the family with the remains of another person Investigators have obtained an arrest warrant for 33 year-old miles Hartford for investigation of abusive corpse forgery and theft These charges at this point are related specifically to the woman's body that was recovered from the hearse At this time we do not believe there is a connection between the case involving mr. Hartford or Apollo funeral services and the extensive funeral home Investigation that's occurring in Fremont, Colorado. We have been in contact with investigators Working that case We've set up a hotline and would ask anyone who did not receive the cremated remains of a loved one from Apollo funeral Incremention services or mr. Hartford to call that number And number seven two zero nine one three six six one zero seven two zero nine one three six six one zero This will put collars in contact with a member of the department's investigative outreach team so we can figure out how to best Assist them as I mentioned this is a complex case that involves some very difficult conversations with families We currently have two specific focuses. The first is compassionately caring For the families that were impacted by this case These families are being supported by the department's victim services team and the staff at the Denver medical examiner's office The second involves a determination regarding crimes that may have been committed by mr. Hartford or anyone else Investigators have previously been in contact with mr. Harvard Hartford Excuse me who is believed to be in the metro area and we are now working to facilitate his arrest on the warrant we obtained We anticipate and additional charges may be filed once we have a better understanding of mr. Hartford's operations and his handling of the human remains that may or may not have been provided to families in this case The determine on criminal charges will be made by the Denver district attorney Before I conclude I want to address a potential question that may also be a concern for several of the families Who work with Apollo services? For cremation services. This is regarding the challenges associated with identifying individuals post cremation Once the cremation process is completed obtaining viable DNA Samples becomes a very difficult task due to the intense heat and the chemical changes that occur. I've had several calm Conversations with our forensic scientists in this crime lab and have learned the extreme temperatures involved in the cremation Process alter the molecular structure of DNA often rendering it fragmented and highly degraded That makes it exceedingly difficult to extract genetic material sufficient for identification Consequently traditional DNA testing methods often prove ineffective Significantly limiting our ability to determine the precise identity of the individuals in question as a result The police department and the medical examiner's office will not be conducting DNA testing on the remains recovered from the residents or those that may have been previously provided to families by mr. Hartford We remain dedicated in our mission to To respectfully handle the cremated cremains that we have and supporting the impacted families I would like to share that the Family of the woman whose body was recovered from the hers is requesting privacy in this Like to introduce Denver District Attorney Beth McCann. Good morning. I'm Beth McCann the Denver district attorney And I just want to let you know that we are anticipating filing the the counts that Commander Clark mentioned and that would be abuse of a corpse, which is a class 6 felony Forgery of a public document, which is a class 5 felony and theft Based on a payment of $1,200 that we believe we can prove Mr. Hartford accepted from the family of the woman that whose body was discovered and of course did not Deliver what he had promised in terms of cremation. That is a class 1 misdemeanor So the abuse of a corpse Charge as a class 6 felony One of the allegations of that charge is that a person commits this crime If they treat the body or remains of any person in a way that would outrage normal family Sensibilities so that's the area where we will be focusing When we do have once mr. Hartford is arrested and we proceed with the case The forgery of the document, which is a class 5 felony Relates to what we allege Happened in that mr. Hartford provided false information on a death certificate related specifically again to the woman Whose body was discovered and as I mentioned the theft charge would be based on the amount of money that he Obtained from that family In guaranteeing that he would then perform cremation Of the body which we allege he did not do so We do anticipate the possibility of additional Criminal charges dependent upon the Denver police department further investigation So I think that's pretty much all I have to say but happy to answer any questions We we join with the police department in expressing our Condolences and certainly our great sympathy to any families whose loved ones Have been impacted by this incident and we certainly Want to be as cooperative as possible with the medical examiner's office and the Denver police department in Contacting families and trying to help them through this process and if possible identify Others who have been impacted so it is an unusual situation and We intend to fully prosecute once mr. Hartford is arrested. Thank you So we don't believe that this particular case is related to what's happened in South Colorado however This situation does Raise the possibility that this kind of thing is happening in other parts of the state And it's my understanding that there is legislation being proposed and contemplated to Require licensing and supervision of funeral homes, which I fully support So that's all I know about that There need to be a better process Well presumably In a reputable funeral home, there is adequate identification So when the body is is obtained In at least in my experience, which is not a lot with my two parents You actually view the body in the funeral home and the the cremation takes place right away But I don't think there are any regulations about that or any requirements So I think that's part of what the legislature will look at and what a regulatory be through through the Department of Regulatory Agencies what kind of regulations they will propose once the legislation is passed So that's certainly something I think they will look at is how How secure is that identification process and usually there's a tag that has the name and birth date and so forth That accompanies the body that then is is with the cremains But that's something I'm sure there'll be public hearings about how best to do that if the legislation passes your office been in touch with the family that first charge is based on a normal family and whether they'd be Outraged can speak can you speak to the conversations that have had so my office has not contacted the family the Denver police department has Normally the way that works is the Denver police department works with families of crime victims Until the case actually gets filed and once the case is filed then my office will take over the victim contact But I know they have a very Active and successful victim services unit in the Denver police department They are the ones that have been in contact. So I don't know if you want to say anything further So the investigative outreach team, which is the homicide personnel members the medical examiner staff and our victim services team Have had direct contact and multiple contacts with the family of the woman who was whose body was recovered They're devastated. They're shocked. They were hurt by this they Believed and they were processing their grief with the remains that they had and had had services with that And then they come to find out that that was not the person that was processed and in fact she was being held in that in that hers there I know So in terms of There are a number of the remains that we have that have identification tags or The possibility of us connecting with families and either reuniting them with those remains Or processing and determining how those were handled to determine if there's criminal Copability on on mr. Hartford's part. So that's that's kind of our focus at this point Well, I think a normal family would be outraged which is what the statute provides You know, it's it's there's enough grief associated with the death of a family member And then to understand and realize that the trust you placed in the person that was going to Do the cremation and provide you with the remains You've lost that trust and you don't really know You know what happens to the family member I mean in this case, they do know that this woman's body was in this hearse for considerable amount of time and I think most family members would be outraged by that kind of behavior and certainly grieved considerably I Well, that's a difficult question a little bit a little bit outside my expertise but What I would recommend is that they have the process where they can view The body of their loved one in the actual funeral home at the time the cremation takes place Which is what happened with my parents, but I don't know if Commander Clark or Has a better answer to that I think Given what's been happening. I think your people probably need to Do a little more research before they choose a funeral home and Look for reviews or recommendations. Maybe family members have used this funeral home in the past I think unfortunately and I think Commander Clark alluded to this that Oftentimes people don't have a lot of resources to pay for either a burial or a cremation and so Maybe they're you know, there aren't as many options for people who don't have the ability to pay for a More reputable kind of situation, but I think doing research learning more about The company that you're working with Would be my advice So So I I think I'm pretty sure that The Denver Police Department will not be doing Any kind of exhuming of a body unless there's some sort of probable cause to believe that a crime actually occurred And there would have to be evidence of that You know, I think people Have to evaluate their own situation and try to come to the best decision that they can within their resources for how to honorably respect Their loved ones who have passed away and that's really an individual Family choice So But I'm I don't think we wouldn't get involved unless there was some indication of criminal behavior I mean in this case it was fortunate that the Denver Sheriff had been Contacted to come and help with an eviction and in that process You know, you had a law enforcement person there the sheriff who knew that this was not normal or Usual and was able to get the Denver police and the medical examiner's office involved right away so if certainly if a family is suspicious about some remains or if they find something in In a in a house or in a apartment building that appear to be remains of humans That's a situation where the police should be called so that they can do an investigation But you know, we we have to have some indication that there's some foul play So it's it's not impossible it's it's there I'm told that there are Processes that can be undertaken to attempt to extract genetic material for identification testing Again, that's not something that we are going to be undertaking nor is the medical examiner's office The process for returning the remains we do have cremains that are In sealed bags and have tags and if we can associate those back through the crematories and the records they have to an individual We're going to work with the medical examiner staff and they're going to coordinate the return of those remains to the families that would like those I'm going to defer to the medical examiner's office on that I think they'll have a process for for handling those respectfully No, he's not on the run mr. Hartford's not on the run we've been in contact with him We obtained the warrant we wanted to get this information and share this information and we're working to facilitate an arrest of him So The cremation or the Apollo funeral and cremation services was in another county We've had communication with those counties. We've looked at the at the building There's nothing more that can that we can obtain or there's no need for us to obtain a search warrant for it at this point We've again, we've had contact with him in terms of the criminal prosecution and working with the other law enforcement agencies Denver intends to handle And process the remains and the cases that result from those remains that are that we recovered in Denver And so even though they may have made a sale or or an agreement in a different county We will have venue and jurisdiction on that I'm not sure what they've done with it My understanding is the investigative team has talked to either the current tenant or the landowner there And and we are confident that there are no further remains in that facility But I'm not sure what the storefront is being used as now There was there have been conversations with him without getting into the details recognizing a future prosecution He does acknowledge that he could not Find a crematory to process the woman's body and then he Felt that at that point he just stored it in the hearse and then provided remains to the family so they could have their services Because It's correct sir Denver sheriffs conducts evictions in the city and so they were executing a court-ordered eviction at the location and The homeowners the ones responsible for moving the property and they discovered it and alerted the sheriffs We actually had contact with mr. Hartford prior to issuing an arrest warrant We're working to facilitate his arrest I'm not sure that the terms of what caused that So the abuse of a corpse is an F set felony six which is our lowest level felony That carries a one-year to 18 month possible sentence the forgery of the public document which is a class 5 felony carries from one to three years and theft which is the misdemeanor would be up to 364 days in jail, so Really three years is probably the maximum Based on what we know now and what we're able to charge right now Well, we'll have to see We we don't really make those kinds of decisions until we get the final investigative materials from the Denver police and then we Look at the individual he'll have an attorney and there will be discussions about What might be an appropriate resolution of the case it could go to trial or there may be some kind of plea agreement? Sure, I mean they could contact our office, but typically the Denver Police Department does the investigative work So if they contact our office, that's fine We will refer them to the investigative team at the Denver Police Department They can also contact. I think the phone number that commander Clark gave Would be one way also to get in touch with the Denver police if people feel like they have additional information or if they have Have concerns about the remains that they got the cremains Or if they if they feel like they have possible claim One more Yes, sir It's it's a very resource intensive process with a very low likelihood of success And it would we have some very serious cases being processed by the Denver Police Department's lab the state labs that would potentially Push those cases to it, you know, put them in a line And so we're focusing right now on reuniting people Families with the remains that we have and and then helping them process moving forward But we're not in the we don't have the the ability at this point to undertake that


All right, I think we'll go ahead and get started. We have a good lineup today. A lot of our home and visiting medical students are presenting, so I'll introduce a couple of the presenters at a time, then we'll go from there. So our first presenter is gonna be Judd Kahoon, who's currently a fourth year medical student at the University of Utah. Judd and I go way back. We were students together as undergrads, as medical students, actually before that even, he taught my brother guitar. So that's another thing about Judd, if you don't know, he's a fantastic guitar player and teaches many prolific students. Did he get health back?  Great question, and I'm glad you brought that up. Judd pursued a PhD in neuroscience, neuroscience, and he's now back finishing the MD portion of the MD-PhD. So we'll be happy to hear from him. Oh sorry, and then I'll also introduce Rebecca Genture, who is a fourth year student who is at Rutgers, Robert Wood Johnson Medical School in New Jersey, and she has also earned a PhD in biomedical engineering, and she'll be talking to us about trans-corneal electrical stimulation today. So we'll go from there. Thanks a lot. Thanks for inviting me to give this little talk. I gave a grand round a couple of years ago, and I guess I can kind of update kind of where the progress happened since then. I'll be talking about CompEng1, and a therapy that we're trying to use in diabetic retinopathy. So just kind of an overview of the talk. We'll discuss an intro to diabetic retinopathy, some of the methods we use to probe this, and then I'll focus just on a small segment of results regarding vascular inflammation. Basically, I just chose the results that I thought looked really cool and had kind of cool videos to see physiology in action so that we could enjoy that. Then we'll wrap up from there. Great, so diabetic retinopathy, my understanding of diabetic retinopathy is that, A, it's a big problem. It's the leading cause of blindness in the working age population. It's 93 million people worldwide that's a good chunk of folks. It costs a lot to treat, very expensive to treat, but there's also some indirect costs because this is happening to the working age population, so there's lost productivity, there's absenteeism with people having visual disturbances because of the diabetes. 35% of people, so over 80% of people with diabetes know the experience of diabetic retinopathy, and 80% of people with diabetic retinopathy don't even know they have it, as they can remain asymptomatic for a while despite the pathophysiology going on. Those numbers are expected to triple by 2030. So I try to conceptualize how this works and what's going on in relatively simple terms, and I just think of hyperglycemia inducing neurovascular damage. How is it inducing neurovascular damage just through some of the classical pathways of increased reactive oxygen species? Some cells are very sensitive to that. Advanced glycation end products, PTC pathway, and the polyalk pathway with sorbitol and increased osmotic. By neurovascular damage.  We'll take a look at some of that. There's capillary degeneration and non-perfusion where actual endothelial cells are gone, and the only thing left is an empty basement membrane through which no blood or oxygen or nutrients flow, and as you can imagine, that could lead to some neuroglial dysfunction and degeneration. So what's the problem then? The problem is that the current treatments are reactive. When I think about a retina that is undergoing vascular damage and vascular compromise, such as it happens in diabetic retinopathy, I picture the retina screaming that it needs to be fed, and what it screams is VEGF, and so some of our treatments for that are to just eliminate the screaming cells with PRP, and you can see we're just eliminating those cells that are telling us something bad is going on and ignoring the underlying problem. Secondarily, we could just eliminate the message that they're screaming, which happens to be VEGF, and ultimately we know that the best treatment for this would be to prevent the hyperglycemia causing that, and so we're, to further conceptualize what's happening to the endothelial cells, here's a capillary. We've got endothelial cells here in pink, pericytes, which are supporting cells for the endothelial cells, diagrammed in yellow, and the retina special because it's got this increased ratio, the highest ratio in the body of parasites to endothelial cells, a one-to-one ratio of some parts, and the pericytes are responsible for providing structural and trophic support, and one important signal that they send is angiopoietin one receptor. Type two is a tyrosine kinase receptor, which is kind of a secondary vascular maturation signal that comes after VEGF, where VEGF could induce neovascularization or angiogenesis, and ang1 through the type two receptor induces vascular maturation. It prevents the vessels from leaking and it helps them become more stable, and that's in part through this vascular endothelial calcium adhesion molecule, VECAD here, and this is about the only thing I want you to remember from the talk is angiopoietin one signaling through the type two receptor, the signaling molecules we can leave for another day. In a hyperglycemic state, you lose pericytes and their trophic signaling support. Angiopoietin one levels decrease, there's decreased signaling through the type two receptor, therefore those adherence molecules, VECAD herons, they become internalized and you have increased hyperpermeability. Additionally, diabetes leads to an inflammatory state in the retina where the VEGF levels and TNF alpha levels are increased, leading to adhesion of these, my representation of leukocytes sticking on to integrins and ICAM ones and eventually down the road, you get capillary degeneration itself with resulting poor perfusion and increased VEGF secretion. We hypothesized that if we had a model with persistent hyperglycemia and we restored signaling through the type two receptor, we could prevent the pathophysiologic sequelae of diabetic retinopathy. So, how did we study that? Briefly, I'll go over the methods here. We used a mirroring model of diabetic retinopathy, this is the akita mouse, which has a point mutation in the insulin gene, so it's a type one diabetic model, it doesn't secrete insulin, results in hyperglycemia. It mimics the early pathophysiologic presentation of diabetic retinopathy, including capillary loss, increased retinal hyperpermeability, and ganglion cell loss. Comp-ange one is a modified version of angiopoietin one, so the angiopoietin one that I described earlier, secreted by the parasites and acting on the type two receptor is a very long protein, and when it's been tried to use that specific protein in therapeutic applications before, this coil-coil domain results in hyper conglomeration, forming multimmers that fall out of solution and aren't therapeutically reliable. Some collaborators of ours developed this comp-ange one, which stands for cartilage oligometrics protein, basically replacing this portion of the protein which caused clumping and aggregation and falling out of solution with a portion that makes it much more soluble and actually much more potent while leaving the portion, the domain that interacts with the type two receptor. So this is the drug that we were using, and our delivery mechanism of this was to take the code for that protein and put it in a plasmid and use an adeno-associated virus, serotype two. The reason we decided to use this one is that we felt it was very translationally relevant as multiple clinical trials have used AAV2 for retinal purposes with an intravitrile or sub-retinal injection. So the setup of the experiments went something like this. We took mice and we had four groups of mice.  So these are the four different kind of representations I'll show you here. And the important thing to remember is with these mice we treated them with a single intravitrile injection, not repeat injections, not a systemic injection, but one intravitrile injection of this AAV2 construct and then monitored them over the course of four months. The end of our experiments took place when the mice were six months old and today I'll focus on the inflammatory cycle of leukocyte adhesion and some extravagant gravitation. All right, so in terms of results from this, what we were looking for, I'll focus in on the vascular results and specifically we'll talk about the vascular function in terms of inflammation. So what we're looking at here is an in vitro treatment where we have an endothelial monolayer where we tried to make a blood vessel on a dish basically. And here we've got a bird's eye view of some endothelial cells back down here and then these little white dots represent leukocytes. Roll the leukocytes under constant pressure and a regular density from the top to the bottom. And we'll take a look at that one more time. And these leukocytes are rolling, they're flowing from the top to the bottom and not much is happening, this is a control situation. When we add one inflammatory side of the endothelial cells, you can see these leukocytes grab a hold, stick and roll and there's much more adhesion going on in this inflammatory state. When we add Compang1 plus that inflammatory cytokine, the adhesion and the rolling is greatly reduced. That's all well and good for our blood vessels that we mock created in a dish. How does this work in vivo? So we took, oh we quantified that and found it significant. So we quantified that with acridine orange leukocyte fluoride. And what we do here is we label leukocytes with acridine orange. Just give us the best view possible. Using a Heidelberg Spectralis we anesthetize the mice and plop them up there and we can watch the leukocytes as they travel up the artery through the capillaries and then back down the vein. So we can track these and measure them and look at the flow time, the response time and how well they're flowing. So here's our control animal and you'll see a wash of white blood cells come up this arterial, cross through this capillary here. We can go back and take a look one more time. And here is an inflammatory response. This is a diabetic mouse. Here's two veins coming back in to the central portion here. And I'll play this video one more time so that we can see leukocytes rolling as they come through here, adhering, much slower transit times. You can see them plugged up at these bifurcations pretty well. Here's our other control mouse. This is a GFP mouse. You can see the GFP staining of the renal ganglion cells and their axons and they had increased rolling as well. And finally, with our Compang1 treated mice, the leukocytes were flowing much more cleanly through the arterials, the capillaries and then back down through the veins. We were able to quantify this showing that Compang1 normalized the velocity as well as decreased the rolling in our diabetic mice. So that's just a snippet. I think my time is up and the take home point would be that Compang1 prevented leukocytes adhesion and an inflammatory response as well as extravasation despite persistent leukemia. Again, lots of people helped out with this project and this is just a small slice of it. I'd like to acknowledge them. And I'll thank you and I'll take any questions at this point. Yeah, Dr. Olson. Fascinating work. And to make it even more germane, sadly with the incidence of diabetic complications and diabetes going like this, and with macular degeneration improvement in the visual quality due to our VEGF inhibitors, there are many people who think if not, everybody agrees with them one or two years of working. Yeah, yeah, that's still an interesting. So all of the big breakthrough on that is critical. I'll just point out that I know that the Hagen group have been looking at their human eyes with diabetes with absolutely normal histories, absolutely normal, relatively normal. There's already profound changes in up-and-down regulation of vascular homeostatic mechanisms that are way out of whack. So this is something that happens early on. Eventually, I think we'll come up with these that are saying, oh, this person is, we don't change this, they are gonna get it. There's definitely a lot of silent things that are happening. We'll start treating it and doing it. It's gonna be very, very easy. Definitely. Thank you. The light's on real fast before we go to our next speaker. And we should have done this a while ago. But, and then it's our, Zach, we're mostly Zach, partly because of the introduction that's been around with us. It's there, it's there. Hey, welcome.


Hi guys welcome back to my YouTube channel this is Daniel at Rosal here bringing this video from Connecticut today and I want to make a video about trying to help out other folks you have Golan telecom and you've paid for their data abroad service it's included in the 100 checkup plan now this is actually kind of a weird place to make this video because I'm in a basement hence I actually don't have data as you can see but I do have data my data is working just fine but I spent now around the phone with Golan the other day trying to diagnose why my data was not working and data not succeed in fixing the issue I succeeded by changing a bunch of settings on my phone myself and in this video I want to show you what those are so if you're having data problems here are a few things to check for android now disclaimer two clearly I don't work for Golan this is not the official Golan support documentation or anything like that use these steps at your own discretion okay in your android settings you're going to have sim cards and mobile networks and here's just the first thing to check out if you're having problems with data I have two sim cards in this phone and a business in a personal line and my 100 checkup plans on the personal line so you have an option here for data sim so just make sure that your data sim is if you have two sim cards that it sets to whatever sim you have data on if I scroll down a bit there is an advanced settings page here and there is now something called data roaming has appeared you may see so in data roaming you have options for the first setting here is setting international roaming and there's a toggle here between always for exceptions only and never clearly if your international roaming is set to never you're not going to be able to access data when you're roaming so make sure that is you do set to exceptions always or always I recommend going for always even though it may incur data you may use up your data allocation very quickly through background act background app usage just be warned so choose that according to your risk limit let's say so then there's also a data limit cap make sure you don't have that activated because again if that is activated and you've limited your data to let's say you know 100 megabytes a day then it's probably going to cut off really quickly so make sure that's not on that's all there is to do really in the phone menu you don't need to configure the apn as a to the best of my knowledge just to get the data now the choke hold for me or the problem was in this thing called a sim toolkit each phone's going to have one and this is kind of a second menu for your sim options now coming back to the thing I have two options I guess because I have two sims you probably most people probably I think only one sim card in roaming services there is going to be select mode I had to move it to manual this is where this is why it wasn't working for me and within manual you have national and international and I chose national I tried all the other options go and support literature or documentation says firstly do this get on the network then after it's on the network you want to go back to automatic I'm not sure if that's necessary I have it now set to manual select mode manual there supports documentation for iPhone and Android say different things once as international once as national and for me it was national and then after I changed over that setting I refreshed my device rebooted it and that fixed the problem when it was rebooted I was able to access the data I had paid for again so that's the end to my saga again not go on support steps but if that works for you I hope this has been useful thanks for watching more videos will be as always coming soon


State-ranked Grand Rapids Greenway of Class AA visiting states ranked CEC of Class A Lightning strike first after some back-and-forth passing. Ellie Tilma cleans up the play with the rebound goal Later on in the period the Jacks attacking, but Emily Tras is there to make the glove save She gives herself a shutout as Grand Rapids Greenway wins four to nothing If you enjoyed this segment of Lakeland news, please consider making a tax deductible contribution to Lakeland PBS


You love the movement for the city too. What about a boosty when he came?  Department in my apartment. Yeah, I shot apartment. That's a good job Which one was the other one But so let me ask you something and so the biggest guy you you say he inspired you well He made you feel like oh, ah, but there's been people that you've seen grow Who grew the most like the artist mode three because you did when you first start dealing with him till then Yeah, yeah, mode three was the artist that I seen grown the most. Okay. That's what I figured like, you know Go literally go from nothing to to being able to sell out shows, you know Yeah, only in your city, but like in other states as well. Yeah, you know, I mean, that's crazy. I saw that you know, I was a Loved seeing that because I love seeing people girl. I like seeing people come out and then to know that, you know, I mean like I Was I was helping him in a way. I was part of the part of the team He would shoot you would shoot the videos I would shoot the videos for me Oh, yeah, and then like if he needed like I need I wanted to make sure like I was telling three all the time I like three like we got to make our videos better. Yeah, we got we need to put a bigger budget behind his video Like bro, we need to make you look like a superstar And what would he say? Let's just shoot the video, you know, he was like he was never really Get out he just wanted to talk it out just shoot and but the more like, you know, as I kept on showing I was like, look, this is what we gotta do. So I got to Kevin Gates shoot, you know, I mean at that point That's when he was really starting to see okay. Yeah, we got to do it We have I see I see I see why we need the red camera. I see what we need this crew I see what we need to pay this like he didn't he didn't really was talking about paying You know, until then You know, I mean even at that I was I was making a little bit off of those videos, but But I supported I knew I knew the vision. I knew I knew where it was going Yeah, you love the movement for the city, too. What about a boosty when he came? Did you shoot that video as well? Apartment in my apartment. Yeah, I shot apartment. That was a good job I'm just a young nigga from the poor miss. I can't let me chop so solid in so which one of the other one Okay, yeah, yeah, yeah, yeah, yeah, that was a good one Let me ask you a question do Videographers do they get any which has a residuals videos I guess you can I guess you can work that out with the bigger artists or like let's say if you want to have it in contract with With the growing artist you you might but like I think for for a lot of videographers who who are just still on the come up trying to grind We don't really ask for that. Really. Yeah, you just get paid what you can pay. Yeah, I didn't know how it works But when you write, you know, that's what you think about cuz you write you know artists when they you know Whether sing or whatever they get residuals all their music. So I'm like, okay, that's your work. That's your video You know, I didn't know if they pay you it's a little percentage or whatever.   Sometimes it does. Sometimes it doesn't I had a Cam God on here and I had a Shun Ovid media that worked with 979 It's so funny that all y'all got different styles of what y'all do things like Over media he do the recap videos where he talked about what happened the night of the party Then you got Cam God who's who's kind of like you he goes and deals with different artists You know what I mean, but all y'all got different ways, but he do more of taking pictures at the club I don't see you do much of that. I used to back in a day. You don't mess with that. I don't mess I don't need to be out there. No, yeah.  Yeah, you know, I mean I feel like at this point I can't be out there, but why I mean why why do it?  I'm gonna send my homie. Yeah, I need to put him on now Yeah, so you let him get out there and get that shine and basically he learned in how to grind Yeah, it's so you did you ever do like recap videos like that for like different people? Yeah, I've done a couple but like I wouldn't say any like crazy major artists because I Wasn't in the scene like that. That's what I did it. I did it with a lot of local artists Yeah, yeah, yeah coming up, you know, I mean Because I was in there. I was in that underground. Yeah, yeah, yeah with all these with all these that's what Chun did like 50 cent or you'll see the one for while and that when it was in Dallas Like I'm sure that if I kept on going at it only did highlight then it would have got that Yeah, I would have you know, but that was that was never my goal


The former Governor of Nassarara State and Senator-Represented Nassarara-Westerneterra District, Umarutanko Aomakura, has promised to unite the all-progressive Congress APC, run a gender-friendly and all-inclusive government in his quest for the chairmanship position of the ruling party. Aomakura visited the House of Representatives to solicit the support of members for the clover-tied position. We are supported in this project because if I become the national chairman, I will ensure internal party democracy. I will ensure a reward system in whatever way. I will also ensure equity, justice and fairness. I will promote gender and youth aspirations. I can assure you my leadership of the party will be inclusive. I will pay special attention to people that are vulnerable so that I can have a sense of belonging and participate effectively in the governance of the party. I have a relationship with Distinguished Senator Aomakura spanning more than 30 years. Relationship, not on a parallel basis, vertical. A friend to my senior brother, intimate one, and I believe I have a lot to say about Distinguished Senator. I believe he has the quality, he has the capacity and he has everything he takes to give. Distinguished Senator, you have also said what you are today. You have also said what you were yesterday. But one important thing I believe members will always cherish that you are also a card-carry member of this great institution of the legislature. I thank you so much for finding time to come and interface with the members of the ABC House Caucus and on their behalf I would like to wish you very well in your pursuit for this national assignment. Please do subscribe to our YouTube channel and don't forget to hit the notification button so you get notified about fresh news updates.


So good morning, this is the Banner Bunch. Let me introduce everybody that's here. We've got Carl Rhodes on the end, Kimmy Damon, Mark Carling, Lori Peterson, and Tracey. The other Patterson. Patterson. We're two separate people. I'll see you guys in a minute. Other people gone. No, I know that. And we're missing, I guess, Tyler.  No, he's not. Is he working? And Gabe had another meeting up in someplace else. So welcome to the Banner Bunch. We're going to look at Quickflow. And I don't know how long we plan on talking about that. And then we'll maybe take some questions and see if we can help you with that. I'm glad to hear that. So good morning, guys. There's a little sheet board around the sign-in. If you haven't done that already, thank you. And then there's beauty documents that came in. You saw those. What we want to play with today is you guys, just a quick introduction about Quickflow and the process that it takes to get that set up. It's really easy. It sounds like Fed was using it in the new Student Center. However, until Jay Tillman mentioned Quickflow, it was one of the other Banner Bunches. And then I said, hey, you know, what are the things you'd like to see more about? I had no idea it was out there and that it was so easy to use and actually is able to cut down on some of your printed caps.  You actually process multiple forms without actually having to type in each form name when you get ready to go to it. So the first thing I want to show you guys is where it actually resides on the Banner menu. It's actually a part of the menu system that you get to. Only if they have it. Right. So if this is something you're interested in working with, you can let Theresa know the other person and she'll go ahead and help get you set up with that. So on the Banner main menu, you're going to go to the Banner at the bottom. And then you're going to choose the general menu because this is one of the general functions. And then you've got Assistant Functions and Administration that you're going to end up going to. And under System Functions and Administration, there's a Quickflow process. And under that Quickflow process, once you get to that menu, like Carl said, once it's open, it's open. You have three different things that you have to do. Two things you do to set it up. And then one thing that you will execute each time you want to use it. They have in the brackets. They have the name of what you would do to get to these different places. So you don't have to drill down through the menu once you are comfortable with where you're going. Just type in that menu name like you would do to go to Spain or wherever else. So the first thing you've got to do is actually set up your validation. So you're going to go to that GTB quick to get you started. You're going to do a record insert. You're going to go to the very last line where you can put something in. We're going to put in dirt because I do a lot of work with dirt. I'm repeatedly going into things one by one by one. Once you get done putting in a code that's special for you and your description, that's whatever you want to name it as, you're going to get to save money. As long as you've got it saved, you know that it's out there. And exhale in that form and go to that next option on your menu. So the Google Quick is actually where you're going to define what you want to see, what you want to do, the way you're executing that quick flow function. So when I use the dirt quick flow function, these are the different forms that I want to go to. You can always use your dropdown. So if you don't remember what you called it, you can just drop down and go grab it again. And right now you can see I don't have anything in my forms that are set up. That current forms is actually what's going to happen before me when I actually tell it I want to use my quick flow. So the order you put them in here is the order in which you want them to exist when you go out and processing stuff. So the first thing that I do when I'm playing with the dirt, I go to Spain to make sure that I get to see what my day is. I'm going to check in Spain because I believe that's what I want. So I go to Spain and then I know what the next thing I end up doing. I go off to Segas to check in Segas because I know I have that one. And I know that there's a form that I go to, but I don't exactly remember what the name of it is. I know it starts with an SAA. I know it's admission. So I'm going to go over and I'm going to search for that in the available forms. And when you're over in that spot, you're going to have a little quick help tick at the bottom. And it'll tell you the address. You type in what you want to try to find and with the entity, and it'll bring up what it can and that address. So I want the admissions application. I want the SAA. It's just because when I'm working with dirt, there isn't any applications out there. I need to see what it is that they have on their stuff first. So I know that it's correct when I get these out of my dirt. So I'm going to grab that. But I'm going to use an arrow key. So I'm going to hide it. Use an arrow key in the middle. It's not going to be difficult. And so for this example, that's going to be the last thing that we're going to do. So we're going to hit the save button. And we're going to close out this one. So when you guys want to create a quick flow process, that's literally all you have to do to get that process set up. That's a one-time deal. What you need to go and change it. You can add things and change things within your process.  Go insert it. Go have it to the process you created. So the third thing that we're going to do for this example, and then this is all you have to do to use it in the future, is just go ahead and deal with quick flow use. So I don't remember what I called my quick flow process, because it's been months since I've been there. I'm going to use drop down and then you're going to find my way to the spot. Got that guy? That's my line of use. And you just have to start. It will go to the first form that you specified when we created that flow. So I'm sitting in space. You're going to type in your views, whatever, see what idea you're working with. You're going to process to whatever you want to process to on this form, just like you normally would. Whatever plane you're going to be looking at. You can make changes, make corrections. As soon as you hit the save button, or you click the X, it's going to take you out of this form. And it'll take you to the next one. I didn't like that. Alright, so don't do it over and over again first. So now we're actually going to go to the second form. So the second form I specified in my process was sagastin. So now I need to work to sagastin, do whatever it is that I need to do in sagastin. And you can play throughout this as you actually can. And once you save it, it's going to take you to the next form. I want you to close it. It'll take you to the next form. That's great. Now I'm on the status form. And I can process through here. So for what I do in some of my stuff, I don't have to change anything. I just need to go and look at stuff. So it looks really nicely not to have to type in a form name, go page through and look at my things next block, next block, and then get out of that and go type in the next form name and go through those different pieces. There are other examples where you actually may want to be changing information. And if you find that you're having to save multiple things on a form, then put that form in multiple times. If you save it and you want to come back in and look at it or whatever your function may be, just put that form on your quick flow twice. Understanding that if you don't use that understanding that if you didn't need to see it twice, you're going to see it twice. And if you just exit that form. When we're all done, it takes you back to that first part so you can start it again or you can close it. And that's as difficult as quick flow anxiety. So there is another product that Banner had. So he had had for years and years and years that he's never used. That's called the workflow. The workflow is quick flow and steroids. We've not done a lot of work with workflow. However, there's additional functionality that exists within workflows. So if you guys get into the quick flow and you realize that there are really some other things that need to happen and you want somebody to review your process with you, then this is good data hauler. And let me know that there's something you'd like to do. So we're in review and we will look into that with you guys and make sure that we help you guys do things that are efficient and not wasteful. What's the difference between workflow and workflow? Workflow is like a steroid product.  I believe there's document processing that can happen within it as well. So it will do things. It will create tasks for people to send emails to people. It's a much more complicated product than what quick flow is. But there's more functionality within it to deal with the idea of other tasks that can happen. So the documentation for quick flow ends up being the general manual out there, the banner docs. It's the other systems functions and administration, kind of like that, menu tablets. And there's literally, it's on page 150, 151 and 152. And it's literally creating and using quick flow, which is exactly what you and I just did together on the screen with Carl's help. And then there's a creating quick flow, and then there's using it. So your documentation is basically as simple as what we just did in the flow form. Do we have any questions for you? Ed, thank you. I have a concern on the very first form that Kimmy brought up was the validation table that listed all the forms that are available out there. That doesn't necessarily mean you have access to all of that. And you won't get access to that. This is just so if you're like registration, you're going to create your quick flow within that for every form that you use. And you may check in, because you guys are doing registration for students. You may check in with Danny Sidenhouse and ask them, do they know what I'm using? Well, they do for, yeah. They do it for the rest of the system. There are things that you're specifically doing over and over and over like my dirt. I was doing validation for high school stuff. And I hadn't had four and five different forms I was going into. And it was really slick to grab, you know, an ID and copy that ID and then took the X button and then paste that ID in. I didn't have to type in the form again. Oh, okay. So, Mark is just showing us how he needs to put flow faster than he was in the major buttons. So, switch it under file if you have access to it. Cool. Okay, Kevin, what were you thinking? Is there a way, I don't think there is. I'm just curious. Is there a way if you either knew ahead of time you wanted to go back to another stream or you had to try to set it up? I would just put it in multiple times. Yeah, but if you're in one and you decide how should I go back to the last one, is there a way to do that? So, is it something that I feel totally new to you guys?  I'm a little bit confused too, because you're messing with me. Yes. But having to go through, it's nice for the new employees. For as long as you have any people, we just know it's right. Yeah. And to get out of that habit. I use it. I have two set up from the front counter for registration. One is for continuous streams. One is for continuous streams. Because continuous streams, it's easy to forget to do something even as long as we've been doing it. And so, if there is a way of reminding my staff that they need to remember to check the address at the time. So, that's what I'm going to do. So then, sometimes you're going to go back one, and that means you're going to have to just, you know, run through all the other screens, close it out, and go back to the screen, type in the screen you want, and that's it. On the clip flow list, when you did a search, is that just for users specific, or is it for everybody's? So, Gwen's, you're two different ones, would be out there for anybody to use. I think it's different than what registration here uses, because we can't pay it. Right. And so, that makes it a different process. But if Levin and Sarah want to use your clip flow for either new students or returning them, they can use it already, but it's already set up for them. Exactly. So, there are changes that you want made to something that's already out there, and you know it's something that was created only for you, then you can assume that it would be okay to change that. But if you know that there's a screen, there's a form that you very often make changes to and then have to go back to, then have it added to the process. And if you don't need it, hit the X button, and go on and that's all right. Because then you would at least have it there. You don't have to make notes out of the wagon, but you don't have to fix the address because you can save and realize you forgot to put it in. You can use it as part of the process. Any other questions about the flow? It was quick. I put it in. Actually, it was. Yes, it's good. Once you get into it, it's still awkward, especially for recovery. So, it's just the pictures that I get in first is to the screen. And, gentlemen, if you're using multiple sessions of banner so that you actually have one up, if you're doing your quick close-up, then you have another one you're processing. I don't need your links to come up. You don't have to worry about what you're at because it's obviously your approach. So, if you guys don't have questions about quick flow, what do you have questions about or comments or suggestions or are there any points in your job to talk about this before? How can our department help make your job easier? Less competitive, less time-consuming. Aside from hiring additional people to work on it if they all struggle with. Because we want to know what we can do to help make these better for you guys.  We were, since he's out in here and probably won't watch the video. We were very blessed to get Gabe on our campus because Gabe has a lot of experience with banner already. So, when we have trouble with a lot of things, we go to Gabe and he can say, oh, look at this, oh, look at that. Hey, have you tried this or did you know about it? Something else. He's also not afraid to dig into the documentation and get information for us. So, if you guys have needs or want to explore whatever it is, please. You know, the story is always open. It's not untouchable. There are a lot of things that you would... No pain points? Are some things, are there some things that you'd like us to talk about or demonstrate here in the future? We're doing this every month and are we hitting things that you need to know about? I'm not sure if this is the setting for it or not. But one of the things that I've come across is with myself and other people, there's a lot of things in banner that people just don't know about. There's a lot of the things that are... People use a limited view of things and they have access to do a lot more things but they don't know that it's there. So, again, without getting everybody's specific variable, because we all have different access to different things that we use it for, I'm not sure if here's appropriate, but that's another variable thing that I think is one of the important things where somebody asks a question or I ask a question and somebody shows up with something really cool I didn't know about and that kind of thing. That's where the super user in your area would help you out on that. Because they know your job or whatever you have a good idea of what everybody's doing with your band-docs. Because we don't know step-by-step what your job is. So, I would highly recommend talking to a super user or read your band-docs. And then the Aleutian Hub games. I know you talked about it a couple of times. You talked about using it. You can use it to help your community to have access to other banner users that are going through probably some of the same similar things you are. You can post out there and say, hey, anybody else out there got a problem with workflow or how to use workflow. What's an easy way to do, and get responses back from what's going on. Maybe one of the things that I need to set up something is it's not history. It's a course. That's what the bigger area is. People ask questions and things they have access to. That may be something to do is have you and Margie come up here and do the presentation for the banner. Margie? Thank you. Well, nobody has anything more. I wanted to mention this. Last week was the Northwest Aleutians users group. Mark and Kimmy and Gabe and a couple of people from HR went up there. There was about 150 Aleutians both banner and colleague users up there at Pacific University for two days. Sitting with people from Aleutians, sitting with people from other schools. It was a great opportunity and we're going to do that here at Lynn Benton next summer. I'm starting to talk about it now even though it's a year away because it's a great opportunity for lots of people from lots of different places to come to campus and meet people that are maybe doing the same thing that you do at other schools and how do they do it? What kind of forms do they use? Are they different from the way you do it? Just a great opportunity. We'll have a date for that pretty soon and we'll ask you to put on your calendar. Start thinking about that. And then to tag on to that message if you guys have not gotten to go to Aleutian Live or maybe you have gone but it's not something you do every year, Aleutian Live ends up putting on presentations that's basically what it is. It's just an entire 3-day-40 session of training sessions. That's what the Northwest Aleutians users group will do. We're seeing here in multiple sessions for people to go to. If there are things that you want to see more on, maybe we want to see some sessions on workflow to understand how it works, we could ask other institutions that are going to be coming to the conference to actually help present to us how they use workflow. If you have this specific area that you wanted to know about or you wanted registration and admissions or you came with a process or whatever, that would be something that we would specifically ask for. So if you have any interest for what you would like to go sit down in a session and learn, please let us know because we need to fill the sessions to things that are relevant to people so that it's not a waste of time and so these sessions are actually attended. Thank you. They were easy on us. There's more of you than there are. Before we ask, I'm more afraid of you than you are of us. I imagine we're just supposed to grab bagels and... Bagels and smears. So, Carl's changed it up to our whole thinking. We appreciate you guys being here. We greatly appreciate you attending. We were not talking to ourselves and trying to make a self-assay for an hour. The video that was created, the recording that was done with this, will actually be out on the sole of the website. So eventually, when Carl can focus that point out there, of course, we'll have an overview spot and you'll actually, there's the others that we've done that we recorded also.


Good morning, John. Let's talk about screwing up today. The first summer I was in college, I worked at Walmart, and it was a weird experience. Made a lot of friends, cleaned up a lot of poop, but that is a story for a different day. My second summer out of college, I worked at a community access television station called Orange TV in Orlando, Florida. It was a pretty cool job. I got to do whatever. I did graphic design, I did camera operation, I did sound, and I learned a ton that is still relevant to my life today. Like, for example, that it does not matter what you know about lighting or screenwriting or cinematography, you are dirt if you don't know how to properly coil a cable. I also learned a thing or two about screwing up. By very first assignment at Orange TV, I went out and we were filming like this bank woody thing, and I was on sound. And I could tell that the audio wasn't great. I didn't know for sure that something was going wrong, but I was pretty sure that it wasn't right. Later, without me telling him about this, the camera operator checked the audio and was like, oh, that sounds real bad. It was on the onboard camera, Mike, and not the handheld mic. So all the footage we'd taken at the beginning of the shoot was completely useless. He managed to not go off, which was impressive, instead just telling me, if something seems wrong, you should tell someone. Yeah, good advice. So the year 2000, back then I was 19, 20 years old. I did not have great fashion. I still don't. Also, hair cut. John, you know this. I wore a lot of thrift store clothes. One day, a fair ways into my short tenure at OTV, we were getting ready for a shoot in a parking garage. The shoot wasn't in the parking garage. We were shooting a community event at a, you don't care. The producer on this shoot was this little guy, but he was like super solid, and he had a mustache that was like perfect silver and like very straight on the bottom. As far as I was concerned, he'd been in TV since the beginning of time. I was very much respected him. We were just breaking from getting our instructions, and he comes over to me and he pokes me in the shoulder and he says, green, you outrank me. I looked down at where he's poking me in the shoulder and it's a patch and it looks like that. Turns out my producer was not always in television. He was at one point in the Air Force. I will never forget that green, you outrank me that he said to me because like it was 90% joke, but it was 10% frustration. The frustration with me with society, I don't know. But I was horrified. Like I knew that I was wearing a military jacket. I hadn't even really considered that it was once someone else's. I also wasn't worried about like stolen valor here. I don't think anybody was going to confuse me at 19 year old kid in two baggy jean shorts for a master sergeant in the Air Force. And my producer wasn't concerned that I was portraying myself as a member of the military. He didn't think I was trying to fool anyone. But he had like opened my eyes a little bit to the fact that there were symbols on my body that I knew nothing about. Symbols that were part of other people's identity of their work, of their pride. And the sum total of everything I knew about that was that it looked cool.  I didn't even know that the jacket I was wearing was from the Air Force. It could have been any branch of the military. And let's be honest like as a young lefty I a little bit looked down on that career path. And yet I was wearing the jacket because it looked cool. John I remember specifically that I kept that jacket for a little while thinking I would probably wear it again at some point. But I didn't. Every time I looked at it I thought you know what I know is that I don't know. Like I don't know. When my producer poked me in the shoulder and gave me that 10% frustration. He had told me that something didn't seem right. And what that thing is is not as simple as whether we're on the onboard camera mic or the handheld. It didn't mean I was a bad person. It just meant it was complicated and I didn't really know what was up. And it turns out there are other jackets in the world. So I wore one of those. John I'll see you on Tuesday.


As you say, hello world, this is Michael Chang, so I'm showing you now the Engineers SG website. So this is basically how it looks like right now.


Oh, dude, no! Why are you running? Hey guys, RG here and welcome back to another video. So today we're going to be playing evil granny nursing hospital. Now, I just said it was granny's granny because how awesome would it be if granny had an actual grandma? So I'm calling it right now. This is going to be granny's grandma from now on, okay? I even checked on ancestry.com and these results came in positive. So it's 100% legit true. Okay, so now I'm going to show you guys evil granny. And now, granny. Alright, so let me know who you guys think is way more scary in the comments below. So let's begin with evil granny. Okay, so let's see how this goes. Oh God. Okay, so we're like waking up and like, what is this? A mord or something? Okay, what do we do here? There's like an elevator. It's an elevator called what I hear breathing. I just, oh God, I think somebody's coming down the elevator. Oh, dude, no!  Not gonna lie, that kind of got me there, okay? So what are we supposed to do? We wake up in the room. Okay, do we have to find something? Maybe let's try to hide. Let's try to hide, but where can we hide? It's like nowhere to hide. I'll just stay in the corner here and pretend we're like a piece of wall or something. And hopefully she doesn't see us. She's coming out. Oh God, dude, she came for us. Okay, need to chill, Granny. I already think this is gonna be more harder than the actual Granny game. Because you can't even get past this. Okay, round three. This is the best round. Third time's a charm. Okay, let's just hide here. Have a feeling if we hide here, she won't find us. We're out of no man or unless we have to hide in one of those. Oh, okay, I'm pressing space bar, but I don't know what it does. Oh God, she didn't see us. Actually, I think if you press the space bar, you're going invisible or something. I don't know, man. Okay, so can we look in these? Okay, so we open these up. Oh, flashlight, yes. Okay, so you have to right-click on this and it's pretty weird. Because most games you have to press E to interact, but over here you right-click. I mean, that's so hard. It's a little easier, actually. Okay, you need cutters to open this. Great, we're in the world. Are we gonna find cutters here? Okay, so she put this down. I think we turned the power on. Oh, or maybe every time you turn that on, she comes down here. Okay, let's take this elevator. Where are you taking me, man? Black one. Oh, I hear her already, man. Oh, no, this is not good. Oh, oh! Dude, so how do we... How do we like... How do we get around this old lady? She's too quick. Okay, I think I have an idea. I think whenever... Oh, no, we have to hide. Hurry, hurry, hurry, hurry. Okay, so I'm gonna press space bar. If it works again, I think when you press space bar, like she can't see you. Oh, God, so press it. Please don't see me, please don't see me, please don't see me. Okay, now she goes. Okay, so I think every time you turn the power back on, she gets in the elevator and she comes back down here. So let's just take the elevator and not turn the light back on. Okay, so we have... Oh, God. Okay, where's our flashlight? There it is. Let's take this bad boy and call the elevator. Let's make sure she's not in it. We don't want her to be in the elevator while we call it. Okay, so where do we go? Can we go anywhere? Go to one. Oh, why do I... Press one. Oh, no! The lights went away. Oh, my God, I hear her. Can we just like hide here and like just stay put till somebody comes? Okay, what is that? Walkie talkies? Dude, we just found like walkie talkies.  It's so dark. Okay, can you crouch? Okay, you can't go in here. Well, that's the elevator. Wait, there's two elevators? Okay, we can't call this one. It seems like only that one seems to work. I hear her somewhere back there. I am not about to go that way. Okay, let's go upstairs. No! Dude, run! Run, call the elevator! No! Dude, we just opened it and closed it. Closed it, closed it, closed it. Dude, it's not going. Go to one. Oh, my God, okay, I think we got away from her. Well, I don't think the elevator is even moving because like the power is out. Can we go somewhere? Go to two? Okay, there you go. Dude, that was so close. She was right on us. Oh, my God, what's up with the creepy music? Oh, the floor seemed to...  Oh, my God, that is so loud. It's scary. Okay, so at least we got somewhere this round. I'm not so sure where all the steps are. Like, what do we have to do? I know we have to find an axe for that and like some cutters. But I don't know where we can find those things. Okay, so I'm going to prove my theory here. If she leaves, if I turn the power on and get in the elevator, then that means she gets the elevator because she's trying to come down here to turn the power back off. So here we go. Let's try this one more time. Activate Electro. Let's call the lift. I swear, if she comes back down here, that thing is a no-no. Oh, God, hopefully she's not in there because she's sneaky, man. Okay, she's not in there. Take the flashlight. No! Oh, I think she called it. Bro, I'm going to go hide in the corner. Okay, it's on the second floor. I swear she called it. Here she comes. Oh, God. Dude, there she is. I bet she's going to come out.  Okay, so she knows her way around. She knows what's up, man. Okay, so let's not turn that thing on anymore. I guess it's really up to the flashlight to hide in the lightning strike to give some type of lighting in the house. She's pretty scary, man. Okay, let's call this thing. Okay, I don't hear her breathing because you can tell, like, if she's coming or not, you hear, like, her old... Okay, let's go in here. Okay, so when we take the elevator, what? Okay, whatever. So when we take it, can we call it anywhere? Go to two, go to one. Oh, my God, I'm just pressing all the floors at once. Okay, hopefully she's not... Oh, no, the light just went out. Oh, my God, we need the light. Okay, we need a code. So you really need the light to, like, actually find other stuffs because we need access to these doors, but... Oh, my God, I just heard something. Okay, so we really need the light on. I'm scared to go back out here. Okay, uh, okay, is it... No! I think if you hold the spacebar, you can, like, run away from her. Wait, does that work or not? Okay, let's try that. I think if she holds you, you hold onto the spacebar and, like, you see the red, like, de-play? Like, it's like some type of power or something. I'm not so sure yet. But I mean, I got that down, like, the power on every time you turn it on. I mean, oh, yeah, and she comes back down to me. Okay, we're invisible right now. You see the red thing going down, the green bar? Seems like to go make it invisible. Okay, I don't know, let's just let her get out of here open. Open, so so far we found a radio, but I don't know what that's for. Or maybe, like, it's a de-play type of thing. Like, use it and, like, she tries to look for you, but she's looking after the radio. I don't know, man, but let's call this elevator. Dude, this is so hard. I wonder if anybody's beating this game already.  I think it's harder than Granny already. Okay, so let's go. Please don't take me to Granny's floor. Go to... She always seems to be on the first floor. Well, no, last time she was on the second floor. Because remember, she called it and went to the second floor. Oh, God. I don't want to be here. Okay, so this takes us down. Okay, so we're on the first floor. Oh, God, she's down here. Nope. Nope. Oh, God, what was that? You need an electrode. Oh, God. There must be an... Oh, I'm invisible. I'm pressing the space bar right now. She doesn't see us. Turn the flashlight off. No. Oh, we ran out. What? Dude, I thought every time we pressed it, but she didn't see us. We were just standing there for, like, 30 seconds. I don't know, man. This game is so much harder. It's gonna take a while to, like, know to what floor. It's because there is, like, the morgue floor. And I don't know what else. But for, like, the beginning, you can only go to the first or second one. Okay, let's actually try to go to the morgue. But wait, we are in the morgue. What am I talking about? So it's only the morgue and first two floors or what? I don't know. We're just gonna try this route just to go explore.  I'm just gonna go look around and try to dodge granny. Okay, let's hide. Power's activated. And now she goes. How did she even know how to use an elevator? Like, how? She's a grandma. Old people don't know how to do those type of things. Okay, so where's the flashlight? Give me the flashlight. Okay, let's get out of here. So how do you do this? Like, how do you get around her from calling the light and from her getting the elevator and you trying to escape at the same time while she's coming down? Man, that just sounds like so terrible. Just too much. Okay, so we got one, two, three, four, five, six. Oh no, the light. Okay, let's turn our flashlight on. Okay, there's something right here. What is that? A ruler? Why can't I pick it up? Wait, we just got it. What was that? Bro, is she really taking the elevator right now? Oh gosh, run, run, run, run, run. Dude, where can we hide from her? What if we just hide here? I saw the code numbers on the wall. Do you guys saw that? And one of the codes, I mean, one of the doors down there asked for a code. Dude, did she see us? Please don't tell me she saw us. I don't want to use my powers. Oh my God, why is this so quiet? Is she after us? Okay, she's gone. Oh, she's going back upstairs. Look at her go, dude, she's so creepy. Okay, is there anything here for us? She better not come this way, I swear. Okay, what are the walkie-talkies for her and how do we use them? Down. It says down, but how? How? Somebody show me how. Okay, I don't know man, let's just go upstairs. Oh God. Oh my God. No, did she see us? I don't think she saw us. I don't think she can see us in the dark either way. Okay, so what was that loud noise? Dude, is she right there chilling on the stairs? Okay, where'd she go? 6-0-3-7-9-4, 6-0-3-7-9-4, 6-0-3-7-9-4. Dude, she went in there. We need to go in there. Are you kidding me? Is this a joke? Okay, so is she going to come back out? 6-0-3-7-9-4. Oh my God, she's coming. Can we just hide here next to the elevator? 6-0-3-7-9-4, please do not get us. I swear, if she gets me here, I'm just going to stop. Okay, activate powers. I'm pressing the space bar right now. Oh my God, she's... Okay, run, run, run. Oh my God! Dude, we just, like, busted some stealthy moves on her. 6-0-3-7-9-4, which one was it? I think it was this one. Is it this one? 6-0-3-7-9-4, enter code. Oh my God, did it not work? 6-0-3-7-9-4.  This has to be it, 6-0-3-7-9-4. Enter code. Dude, nothing happens. We just got bamboozled. Are you kidding me? This has to be a jail guard. No! Okay, so we're just stuck in here. Oh, wait, what? Okay, so this door opened. You need a straight edge? Okay, what are we doing here? There's nothing in here, like... What's even the point? Okay, wait, this has to be something. Can we grab it? No. Oh, gosh, whatever. I'm ready for my destiny, Granny. Where are you at? I don't know, man. Why is there a cell phone ringing? 6-0-3-7-9-4, I was right. It wasn't working, man. Wait, how do we get out of here? Can you go around? Uh-oh, I think she's coming upstairs. Dude, she's right there. You're too slow, Granny. Dude, she just went past us. Oh, God, okay, so where do we go? Somebody tell me. Wait, there's a door over here. Can we open this? Can you open? Okay, it's not going to open. We have to find another way around. Okay, so this side is blocked. Like, literally, we can't go that way. Oh, this door. I completely forgot about this door. What's on this side? Okay, you need an electro? Is this the same? 6-0-3-7-9-4, uh, 6-0-3-7-9-4. And so, there you go. Okay, so the code actually works. Okay, anything in here? Is there anything useful in here? Don't tell me we just came down here for nothing. There has to be something in here. Okay, uh, there's the table. There's nothing. So what's the whole point of that, man? Okay, there, nope. I'm not going to give up. There has to be something. Oh, open. Nope, we just opened this. Oh, my God. So there's nothing in here. Okay, whatever, man. Let's just get out of here. Hopefully Granny doesn't come down here. Oh, I see something, a knife. How do we use a knife? How do we use our knife? I want to use my knife against Granny because she's the main to me. Okay, no, that's a flashlight. Control-Tab, Tab-Tab, Tab-Trol-FA. No, dude, I'm like literally bashing the keyboard. We can't, oh, you need a knife. Okay, so we use the knife to open the door. What? We can't use it against Granny. What kind of, okay, what kind of game is this now? Okay, so we just opened this door for nothing. So most of these rooms don't even have a thing inside them. This is just chaos. Okay, so we're just risking our lives for nothing down here. Okay, so Granny's not here. Okay, so we need an electro. We need an electro to open the rest of the doors. Oh, there's another door right here. What? Dude, I, oh my God. Oh my God, is she coming? I'm going to close the door. So when she comes in here, I can hear her open it. Okay, so we're in the showers. Oh my God. Okay, what is that? The pipeline seems to be acting kind of funny. You need to use a plunger. Where in the world are we going to find a plunger in this restroom if the restroom doesn't even function? Okay, so we really need this plunger, guys. I think we have to find the plunger in one of those rooms that we need the light. Okay, so let's go back out here. Hopefully Granny's not here.  Okay, you disappeared. Okay, let's just call the elevator. I got an idea. I'm going to call the elevator down to the morgue. Can we go to the morgue? I'm going to turn the power on. Oh my God. Okay, I'm going to turn the power on. Okay, so we need to turn the power on to get those doors. Activate the electro. Now I'm going to go in invisible mode on Granny. Let's go to the black one. Okay, invisible mode, activate. That did not work. That did not go as planned. Dude, this, I don't know, man. I give up. This game is just too much. There's like 20 floors. There's like, it's so dark in the game. So, as far as I think, this game is like, way harder than Granny. Whatever, man. Alright you guys, well thank you guys for watching. Thank you guys for the amazing support. If you guys enjoyed the video, make sure to slap the like button if you needed a channel. Make sure to subscribe and hit that notification bell and I will see you guys in the next one. Bye.


Don't miss Big Lit Comic-Con February 12th and 13th of the Berglings Center presented by Bank of Bonnetime featuring celebrity guests LeFar Burton, Tante Bosco and Michael P. Power Ranger Austin St. John, famed wrestler Al Snow, plus legendary comic creators and artists alongside over 100 incredible exhibitors and experiences featuring comics and games and cosplay and so much more. Get your tickets at biglitcomicon.com and the box office. The Big Lit Comic-Con presented by Bank of Bonnetime February 12th and 13th from Big Lit Entertainment.