Let's go over to our man, Mr. Steve Rose, as we do each and every Monday at 20 past the hour. Don't forget folks, Steve does an outstanding show here every trading day, one to two Eastern stand in time, also has a great newsletter, the Mastering Probability. Now the way you get Mastering Probability, you come over to our website at TFNN, you go into newsletters, you see Master Probability right there, you can subscribe to Mastering Probability for $149 for one month, you can get it for six months for $695 which is a savings of $199, you can get it for a year for $593 which is a savings for $1195 and save $593 which is a savings of 33%. Great newsletter folks and as you know Steve was the number one market timer, according to time is digested in 2019 and in 2020 folks, okay, the bottom line is that you got to get the decimal pen out because we got to go three decimals, okay, and he missed it by, he's number two, what do you mean he missed it by what? Is it three one hundredths of a, oh it's sad, it's great, congratulations man, but Tommy and I are looking at it like you got to be kidding me, yeah it's three decimals right? Yeah, it is, it is, I told you when we were talking last week that it was going to be touchy yet though that it was really going to be close, so the action on, anyways, look you know what, it is what it is, it doesn't necessarily- Oh yeah, listen, it's very unusual that anyone gets it two years folks, it even gets close to it, so yeah, that's right. It would have been nice but you know the reality is that it's a, the run lasted about two and a half years, which is a big run, you know, and the great news is Tom is that you've created this platform that allows myself, Larry, David, Basil yourself and others to really share with you tools that work so that we can kind of cut through a lot of the noise and the media out there and just be able to interpret the charts and what I really love about what you've done is that, you know, there's no assignment that gets sent out to everybody and says, you know, we need to, you know, we need to do things a certain way or we need to be on the same page, you allow everybody to give their interpretation in reading the markets and what they mean, so for that really the kudos are to you, you know, for- You guys are all doing the work. I appreciate it though. No doubt. No doubt. That's great because look, the great thing is that we use our standard tools, but the markets are always changing. You talked about lots of volatility to anticipate in 2020 and the gold market is probably going to be all of the markets and then the last time that you and I spoke last Monday, we're talking about all the, my concern about 2020 and the patterns that we're setting up there. Yes. And I wasn't really sure what the trigger might be to move us into the potential of a 2020 bear market, but last Friday, and you'll see as we go through these charts here, which I wanted to talk to you and our listeners about war, its impact on the stock market because there's enough situations where we can go back so that we can understand what could unfold here and that's what's really important. So, you know, so that's what I want to take a look at between the, just simply historically and specifically with regard to the Dow, how the market has behaved as, as, as attentions here are a little bit heightened, so to speak. Yes. So, let me actually get over to, to, or where's my cursor, let me get to these actual charts here so we can begin, take and look at war and its impact on the stock market. So here's the stock market.  Well, it truly hates the uncertainty of war and bottoms. What I've found as we go through some of these charts or what you'll see is that bottoms don't form until the market senses a positive resolution to the dispute. In the den, they're not seeing it. Maybe the guys in the production room can get this chart up here or some of the others. You guys have Steve's chats now. So, so, and I'm sure they're on Tiger TV, but so bottoms don't form until the market senses a positive resolution to, to a dispute. So whether, so whether it's a war, whether it's a skirmish, whatever it might be. So here we go, we go back to World War One, just to sort of back into to 1914, just so folks can get a feel for this. So here we, let's take this all the way to World War Two. Let's take a look at Pearl, the attack on Pearl Harbor, December 7. And so we can see where the market was at. And it was really the battle of the Coral Sea on May 7, 1942, where there was a, where stock investors sensed a, a potential of a positive resolution. It doesn't have to be the end of the war, what have you. It's just about, when I take a look at the charts here, it's really about the market sensing some type of positive resolution. And if we take a look at the Korean War, we can see here where the North Korean People's Army crossed the border back on June 25, 1950, what the stock market was doing. We can see that it was when Task Force Smith stalled the North Korean army that the market sensed a positive turn and hence, it is and hence the bottom. And that's really, so, so this is how we can use news events versus the way that people might be interpreting things in the market. Here's the Cuban Missile Crisis. And so we can see when, when it began, when the Cuban Missile Crisis is over and the market just simply continued there on a nice bull run. If we take a look at the Persian Gulf War, we can see what the market was doing when the Iraqi forces invaded Kuwait. We can see when the reserves were called up. We can see when Operation Desert Storm was. And so it's just about being able to sense a positive resolution. Here's 9-11. Now, I have a whole set of charts. I couldn't find them all in, but what I can share with folks is that terrorist attacks are different than wars. And when we go back, we actually take a look at terrorist attacks. The moves typically are over rather quickly.  That's great information to know, though. That's it. It is, it is, because we know, unfortunately, we're going to have more terrorist attacks and we're going to see the market, you know, move lower. But the ability to be able to differentiate the terrorist attack from an actual military incursion war, what have you, here is the Iraqi invasion. Here's where we see the mission accomplished, so to speak, out there back in 2003. And so that threat of war is occurring right at a time. When you and I have taken a look at it last week, we said, hey, if this were to work like this, the actual January seasonal high would be today. Now, I'm not calling that today because there's other factors that you've talked about in your show, things that I talked about in my show this morning and on Friday, what the market did was it generated for me a confirmation of top. And that top was the road from Intimidicator top here is the Ysmini. It also had a 1 to 1.618A to B equals CD. And it does that, I wait for some type of bearish reversal candle. We got that on Friday. So the question would be, is now the time to sell? Has the change in trend occurred? And my answer to that is no to both. And the reason is, you know, use these wonderful tools. You brought John Logan and his group into the fold here. And once I saw those tools and how they work, they're really great for being able to, when there's a topping pattern that's in place, it's the responsibility of sellers to push price down to support. And if we take a look at this chart here going back in the beginning of 2019, you'll see that it moves just back to, these are just the bottom of the profiles that I have out here. Price must break through support in order for there to be a change in trend. And I realize we're just about to run out of time here. But if we take a look at what has transpired last Friday, we've got a brand new market profile in the ESMini, it's $32.16. Price must close below that for there to be any possible change in trend. I love it, man. Pretty amazing. Pretty amazing. Well, listen, man, congratulations again. Thanks, man. Amazing feat, no doubt about it. Folks, come over to our website at TFNN.  Steve, have a great one, safe one. We look forward to the show tomorrow. Thanks, man.


This time of the year is usually showtime, sadly this year due to COVID-19, we're not going to see a show as normal We're going to see a show that's completely different, an online show. My family history is very long My grandfather, Bunny Basham, was the first legend of the Adelaide show Back in 2007. I love to continue the tradition of the family at the show I take my girls there to enjoy their time. They've had opportunity to lead cattle around the show rings as well It's a great time of the year. Sadly, we won't be there in person this year There are many things you can do this year online, supporting the show, supporting the farmers. Get online, enjoy the show It's September in South Australia and that means one thing, it's roll show time and for the team at Bank of S.A. It's one of our favorite events of the year Not just because we're the presenting partner But because it brings together families from all around South Australia for a heap of fun and excitement Of course this year is going to have to be a little bit different with COVID-19 The show is moving online to a virtual event called the show at home What that means is we're not going to be able to see our favorite things such as the Bank of S.A. Farm Yard Nursery Something that's been going since 1996 Or we're not going to be able to provide our discounted show tickets or discounted rides to the show as well this year But there'll be some great things to do online. There'll be virtual events, competitions And of course you're going to be able to buy your favorite show bags By supporting the show at home, you'll be supporting your local producers, vendors and other contributors At Bank of S.A., backing the things that matter in South Australia is really important to us And that means events like the roll show So get behind the show at home, share it with all your friends and family online And I look forward to seeing you in person next year at the show


Section 30 of Cain by Jean Tumor. This Libra box recording is in the public domain. Cadence Part 2. For a month has passed. Halsey's workshop. It is an old building just off the main street of Semptor. The walls, too, within a few feet of the ground, are of an age-worn cement mixture. On the outside they are considerably crumbled and peppered with what looks like musket shot. Inside the plaster has fallen away in great chunks, leaving the labs, grade and cobweb exposed. A sort of loft above the shop proper serves as a breakwater for the rain and sunshine which otherwise would have free entry to the main floor. The shop is filled with old wheels and parts of wheels, broken shafts and wooden litter, a double door midway the street wall. To the left of this a workbench that holds a vice and a variety of woodwork tools. A window with as many panes broken as whole throws light on the bench. Opposite in the rear wall a second window looks out upon the backyard. In the left wall a rickety smoke blackened chimney and hearth with fire blazing. Smooth worn chairs grouped about the hearth suggest the village meeting place. Several large wooden blocks chipped in cut and sawed on their upper surfaces are in the middle of the floor. They are the supports used in almost any sort of wagon work. Their itemness means that Halsey has no worthwhile job on foot. To the right of the central door is a junk heap and directly behind this stairs that lead down into the cellar. The cellar is known as the hole. Besides being the home of a very old man it is used by Halsey on those occasions when he spices up the life of the small town. Halsey wonderfully himself in his work overall stands in the doorway and gazes up the street expectantly. Then his eyes grow listless. He slouches against the smooth rubbed frame. He lights a cigarette, shifts his position, braces an arm against the door. Cabinous passes the window and stoopes to get in under Halsey's arm. He is awkward and ludicrous like a schoolboy in his big brother's new overalls. He skirts the large blocks on the floor and drops into a chair before the fire. Halsey saunters towards him. Cabinous, time for lunch. Halsey, yeah. He stands by the heart rocking backward and forward. He stretches his hands out to the fire. He washes them in the warm glow of the flames. They never get cold but he warms them. Cabinous saw Lewis up the street, said he'd be down. Halsey's eyes brighten. He looks at Cabinous, turns away, says nothing. Cabinous fidgets, twists his thin blue cloth covered limbs, pulls closer to the fire till the heat stings his shins, pushes back, pokes the burned logs, puts on several fresh ones. Fidgets the town bell strikes twelve. Cabinous fixes up for tonight. Halsey, leave it to me. Cabinous, get Lewis in. Halsey, try on to. The air is heavy with the smell of pine and resin. Green logs spurt and sizzle. Sap trickles from an old pine knot into the flames. Layman enters. He carries a lunch pail. Cabinous for the moment thinks that he is a day laborer. Layman, even in generalmen. Both, what say Layman? Layman squares a chair to the fire and droops into it. Several town fellows, silent and fathomable men, for the most part, saunter in. Overalls, thick tan shoes, felt hats marvelously shaped and twisted. When asked Halsey for a cigarette, he gets it. The blacksmith, a tremendous black man, comes in from the forge, not even a knot from him. He picks up an axel and goes out. Lewis enters. The town men look curiously at him. Suspicion and an open-liking contest for possession of their faces. They are uncomfortable, one by one. They drift into the street. Layman heard, you was leaving, Mr. Lewis. Cabinous, months up eh? Pell of a month I've got. Halsey, sorry you go and Lewis, just getting acquainted like. Lewis, sorry myself Halsey in a way. Layman, getting to like our town, Mr. Lewis. Lewis, I'm afraid it's on a different basis, Professor Halsey. And I've yet to hear about that basis. Been waiting long enough, God knows. Seems to me like you'd take pity of Feller, if nothing more. Cabinous, something that old black cockroach over yonder doesn't like, whatever it is. Layman, that's right, that's right, show Halsey. A fellow dropped in here the other day and said he knew what you was about.  Well, I could have told him you was a queer one myself, but not the way he was drifting. Didn't mean anything by it, but just let drop you thought you was a little wrong up here. Crazy, you know? Laughs. Cabinous, you mean old Blottson? Hell, he's bats himself. Lewis, I remember him. We had a talk, but what he found queer I think was not my opinions, but my lack of them in half an hour, he had settled everything. Bow weevils, God, the world war. Weevils and wars are the pests that God sends against the sinful. People are too weak to correct themselves. The Redeemer is coming back. Get ready, ye sinners, for the advent of our Lord. Interesting, eh? Cabinous, but not exactly what we want. Halsey, ye could have come to me. I've show been after ye enough. Most every time I've seen ye. Cabinous, sarcastically. How's it yet? Never came to us, professors. Lewis, I did to one. Cabinous, you mean to say you got something from that celluloid collar eraser cleaned old codger over in the mud hole? Halsey, rough on the old boy, ain't he? Laughs. Lewis, something, yes.  And you, Cabinous, what about me? Halsey, tell him, Lewis, for God's sake, tell him I've told him, but it's something else he wants so bad I've heard him downstairs mumbling with the old man. Lewis, the old man. Cabinous, what about me? Come on now, you know so much. Halsey, tell him, Lewis, tell it to him. Lewis, life has already told him more than he is capable of knowing. It has given him in excess of what he can receive. I've been offered stuff in his stomach, curdled, and he vomited me. Cabinous, face, twitches, his body writhes.  How about Halsey? Lewis, yes. Halsey, fits here, belongs here, an artist in your way, aren't you, Halsey? Halsey, reckon I am, Lewis. Give me the work and fair pay, and I ain't asking nothing better. Went overseas and saw France, and I come back. Been up north, and I come back. Went to school, but there ain't no books. What's got the feel to them? Of them, their tools, Nasser, and Amatellinia. A shriveled bony white man passes the window and enters the shop. He carries a broken hatchet handle and a severed head. He speaks with a flat-drawn voice to Halsey who comes forward to meet him. Mr. Ramsey, can you fix this for me, Halsey? Halsey, looking it over, reckons so. Mr. Ramsey, here, Cabinous. A little practice for you. Halsey directs Cabinous, showing him how to place the handle in the vise, and cut it down. The knife hangs. Cabinous thinks that it must be dull. He jerks it hard. The tool goes deep and shaves too much off. Mr. Ramsey smiles brokenly at him. Mr. Ramsey to Halsey, still breaking in the new hand. A Halsey seems like a likely enough fowler. Once he gets the hang of it, he gives a tight laugh at his own good humor. Cabinous burns red. The back of his neck stings him beneath his collar. He feels stifled through Ramsey, the whole white south. Ways down upon him. The pressure is terrific. He sweats under the arms. Chill beads run down his body. His brows concentrate upon the handle as though his own life was staked upon the perfect shaving of it. He begins to out and out botch the job. Halsey smiles. Halsey, he'll make a good in some of these days, Mr. Ramsey. Mr. Ramsey, you ought to know your daddy was a good in before you. Runs in the family, seems like to me. Halsey, that's right, Mr. Ramsey. Cabinous is hopeless. Halsey takes the handle from him with a few death strokes. He shaves it, fits it, gives it to Ramsey. Mr. Ramsey, how much on this? Halsey, no charge, Mr. Ramsey. Mr. Ramsey going out. All right, Halsey, come down and take it out and trade. Shoes, strings or something. Halsey, yes sir, Mr. Ramsey. Halsey rejoins Lewis and layman. Cabinous, hang dog, fashion follows him. Halsey, they like you if you work for them. Layman, that's right, Mr. Halsey, that's right, show. The group is about to resume its talk. When Hanby enters, he is all energy, bustle and business. He goes direct to Cabinous, Hanby. An axle is out in the buggy, which I would like to have shaped into a crowbar. You will see that it is fixed for me. Without waiting for an answer and knowing that Cabinous will follow, he passes out. Cabinous scowling, silent, trudges after him. Hanby from the outside, have that ready for me by three o'clock young man. I shall call for it. Cabinous under his breath as he comes in.  He slings the axle on the floor. Halsey, wee-ee. Layman, lunch, finished long ago, rises heavily. He shakes hands with Lewis. Layman might not see you again before you leave, Mr. Lewis. I enjoys to hear you talk. You might have been a preacher, maybe a bishop someday. Show do hope to see you back this way again sometime, Mr. Lewis. Lewis, thanks, professor. Hope I'll see you. Layman waves a long arm loosely to the others and leaves. Cabinous goes to the door, his eyes sullen, gazed up the street. Cabinous, carry Cays, coming with the lunch, about time. She passes the window, her red girl's cap, catching the sun flashes vividly with a stiff, awkward little movement. She crosses the door sill and gives Cabinous one of the two baskets which she is carrying. There's a slight stoop to her shoulders, the curves of her body, blend with this to a soft rounded charm. Her gestures are stiffly variant. Black bangs curl over the forehead of her oval olive face. Her expression is dazed, but on provocation it could melt into a wistful smile. Adolescent, she is easily the sister of Fred Halsey. Carry Cays, mother says excuse her brother Fred and Ralph for being late. Cabinous, everything's all right and okay. Carry Cays, okay and all right. The two men settle on their lunch. Carry with hardly a glance in the direction of the hearth, as as her habit is about to take the second basket down to the old man when Lewis rises. In doing so he draws her unwitting attention. Their meeting is a swift sunburst. Lewis impulsively moves towards her.  He sees the nascent woman, her flesh already stiffening to cartilage, drying to bone. Her spirit bloom even now touched sullen, bitter, her rich beauty fading. He wants to, he stretches forth his hands to hers. He takes them. They feel like warm cheeks against his palms. The sunburst from her eyes floods up and halos him. Christ eyes, his eyes look to her. Fearlessly she loves into them and then something happens. Her face blanches. Awkwardly she draws away the sin bogies of respectable southern colored folks clamor at her. Look out, be a good girl, a good girl, look out. She groups for her basket that has fallen to the floor, finds it and marches with a rigid gravity to her task of feeding the old man like the glowing white ash of a burned paper. Lewis eyelids, wavering, settle down. He stirs in the direction of the rear window from the backyard mules tethered to odd trees and pose blink-dumbly at him. They do seem burdened with an impotent pain. Cabinus and Halsey are still busy with their lunch. They haven't noticed him. After a while, he turns to them. Lewis, your sister Halsey, what's to become of her? What are you going to do for her? Halsey, who? What? What am I going to do? Lewis, what I mean is, what does she do down there? Halsey, oh, feeds the old man. Add lunch, Lewis. Lewis, thanks. Yes, you have never felt her, have you, Halsey? Well, no, I guess not. I don't suppose you can. Nor can she. Oh, man. Halsey, someone lives down there. I've never heard of him. Tell me. Cabinus takes time from his meal to answer with some emphasis. Cabinus, there's lots of things you ain't heard of. Lewis, dare say, I'd like to see him.  Halsey, fixing a little something up for tonight, Lewis. The three of us and some girls come around about 10.30. Lewis, glad to, but what under the sun does he do down there? Halsey, as Cabinus, he blows off to him every chance he gets. Cabinus gives a grunting laugh. His mouth twists. Kerry returns from the cellar, avoiding Lewis. She speaks to her brother. Kerry, okay. Brother Fred, father hasn't eaten now, going on the second week, but mumbles and talks funny or tries to talk when I put his hands on to the food. He frightens me and I don't know what to do. And oh, I came near forgetting brother, but Mr. Marmin, he was eating lunch when I saw him, told me to tell you that the lumber wagon busted down and he wanted you to fix it for him. Said he reckoned he could get it to you after he ate. Halsey chucks a half-eaten sandwich and the fire gets up, arranges his blocks, goes to the door and looks anxiously up the street. The wind whirls a small spiral in the gray dust road. Halsey, why didn't you tell me sooner, little sister? Kerry, I forgot to and just remembered it now, brother. Her soft, rolled words are fresh pain to Lewis. He wants to take her north with him. What for? He wonders what Cabinus could do for her, what she could do for him, mother him. Kerry gathers the lunch things silently and in her pinched manner curtsies and departs. Cabinus lights his after-lunch cigarette. Lewis, who has sensed the change, becomes aware that he is not included in it. He starts to ask again about the old man, decides not to rises to go. Lewis, think out, run along Halsey. Halsey, sure glad to see you any time. Cabinus, don't forget tonight. Lewis, don't worry, I won't. So long, Cabinus. So long, we'll be expecting you. Lewis passes Halsey at the door. Halsey's cheeks form a vacant smile. His eyes are wide awake, watching for the wagon to turn from Broad Street into his road. Halsey, so long, his words reach Lewis halfway to the corner. Five. Night, soft belly of a pregnant negrus, throbs evenly against the torso of the cell. Night throbs a womb song to the cell. Cain and cotton fields, pine forests, cypress swamps, sawmills and factories are feckoned at her touch. Night's womb song sets them singing. Night winds are the breathing of the unborn child whose calm, throbbing in the belly of a negrus, sets them somnolently singing.   Semper's streets are vacant and still, white paint on the wealthier houses has the chill, blue glitter of distant stars. Negro cabins are a purple blur, Broad Street is deserted, winds stir beneath the corrugated iron canopies and dangle odd bits of rope tied to horse and mule nod hitching posts. One store window has a light in it, Chesterfield cigarette and Giro cola cardboard advertisements are stacked in it. From a side door two men come out, pause for a last word and then they say good night. Soon they melt in shadows thicker than they, way off down the street for figures sway beneath iron awnings, which form a sort of quarter that imperfectly echoes and jumbles what they say. A fifth form joins them, they turn into the road that leads to Halsey's workshop. The old building is phosphorescent above deep shade, the figures pass through the double door. Night winds whisper in the eaves, seeing weirdly in the ceiling cracks stir curls of shavings on the floor. Halsey lights a candle, a good sized lumber wagon wheels off, rests upon the blocks. Cabinus makes a face at it, an earthly hush is upon the place no one seems to want to talk, to move lest the scraping of their feet. Halsey, come on down this way folks. He leads the way Stella follows and close after her core, Lewis and Cabinus. They descend into the hole, it seems huge, limitless in the candlelight. The walls are of stone wonderfully fitted, they have no opening, save a small iron barred window toward the top of each. They are dry and warm, the ground slopes away to the rear of the building and thus leaves the south wall exposed to the sun. The blacksmith's shop is plumb against the right wall, the floor is clay, shavings have at odd times been matted into it in the right hand corner under the stairs to good sized pine mattresses resting on cardboard or on either side of a wooden table.  Six rigidity chairs are near this table, two old wagon wheels rest on the floor, to the left sitting in a high back chair which stands upon a low platform, the old man. He is like a bust in black walnut, gray bearded, gray haired, prophetic, immobile, Lewis eyes are sunken him, the others unconcerned are about to pass on to the front table when Lewis grips Halsey and so turns him that the candle flame shines obliquely on the old man's features. Lewis, and he rules over, Cabinus, the smoke and fire of the forge. Lewis, black Vulcan, I wouldn't say so, that forehead, gray woolly beard, those eyes amuse John the Baptist of a new religion or a tongue-tied shadow of an old Cabinus, his tongue is tied all right and I can vouch for that. Lewis, has he never talked to you? Halsey, Cabinus won't give him a chance. He laughs, the girls laugh, Cabinus winces. Lewis, what do you call him? Halsey, father, Lewis, good, father, what? Cabinus, father of hell, Halsey, father is the only name we have for him. Come on, let's sit down and get to the pleasure of the evening. Lewis, father John, it is from now on. Slave boy, whom some Christian mistress taught to read the Bible, black man who saw Jesus in the rice fields and began preaching to his people, Moses and Christ's words used for songs, dead, blind father of a muted folk who feel their way upward to a life that crushes or absorbs them. Speak, father, suppose your eyes could see, O man, the ears hold hands, O sing, suppose your lips. Halsey, does he never talk? Halsey, nah, but sometimes only seldom mumbles. Sis, says he talks. Cabinus, I've heard him talk. Halsey, first I've ever heard of it. You don't give him a chance. Sis says she's made out several words, mostly one, and like is not cause, it was sin. Cabinus, all those old fogies stutter about sin. Cora laughs in a loose sort of way. She is a tall, thin, milato woman. Her eyes are deep set behind a pointed nose. Her hair is coarse and bushy, seeing that Stella also is restless. She takes her arm and the two women move towards the table. They slip into chairs. Halsey follows and lights the lamp. He lays out a pack of cards. Stella sorts them as if telling fortunes. She is a beautifully proportioned, large-eyed, brown-skinned girl. Except for the twisted line of her mouth when she smiles or laughs, there's about her no suggestion of the life she's been through. Cabinus, with great mocks, solemnity goes to the corner, takes down the robe, and dons it. He is a curious spectacle, acting apart yet very real. He joins the others at the table. They are used to him. Lewis is surprised. He laughs. Cabinus drinks and then glares at him with a furtive hatred. Halsey, bringing out a bottle of corn liquor, pours drinks. Halsey, come on, Lewis.  He is looking at you, then as if suddenly recalling something, he jerks away from the table and starts towards the steps. Cabinus, where you going, Halsey? Halsey, where? Where you think? That oak beam in the wagon. Cabinus, come here, come here. Sit down. What in hell's wrong with you, fellas? You with your wagon? Lewis with his father John? This ain't the time for fooling with wagons. Daytime's bad enough for that. Here, sit down. Here, Lewis, you too. Sit down. Have a drink. That's right. Drink corn liquor. Love the girls. And listen to the old man, Mumblin's sin. There seems to be no good time spirit to the party. Something in the air is too tense and deep for that. Lewis seated now so that his eyes rest upon the old man, merges with his source and lets the pain and beauty of the south meet him there.  Stella is serious, reminiscent. Stella, a soul is brought up to hate, sin, worse than death. Cabinus, and then before you have your eyes half open, you're made to love it if you'll want to live. Stella, us never.  Stella, it wasn't them. Cabinus, I know, they put you out of church, and then I guess the preacher came around and asked for some. But that's your body, now me, Aussie, passing him the bottle. All right, kid, we believe you. Here, take another. Where's Clover, Stella? Stella, you know how Jim is when he's just out the swamp, done up in shine and wouldn't let her come. Said he'd bust her head open if she went out. Cabinus, don't see why it doesn't stay over with Laura where he belongs. Stella, ask him, and I reckon he'll tell you more than you want.  Sorry to mix you up this way, Lewis, but you see how it is. Lewis' skin is tight and glowing over the fine bones of his face. His lips tremble, his nostrils quiver, the others notice this and smile knowingly at each other. Drinks and smokes are passed around. They pay no never minds to him.  Then Lewis opens his eyes and looks at them. Their smiles disperse and hot cold tremors. Cabinus chokes his laugh. It sputters gurgles, his eyes flicker and turn away. He tries to pass the thing off by taking a long drink, which he makes considerable fuss over. He is drawn back to Lewis, seeing Lewis gaze still upon him. He scowls. Cabinus, what are you looking at me for? You want to know who I am? Well, I'm Ralph Cabinus. A lot of good is going to do you. Well, what you keep looking for? I'm Ralph Cabinus. Ain't that enough for you? Want the whole family history?  Keep off me, do you hear? Keep off me. Look at Cora. Ain't she pretty enough to look at? Look at Aussie or Stella. Clover ought to be here and you could look at her and love her. That's what you need, I know. Lewis, Ralph Cabinus, gets satisfied that way. Cabinus, satisfied? Say, quit your kidding. Here, look at that old man there. See him? He's satisfied. Do I look like him? When I'm dead, I don't expect to be satisfied. Is that enough for you?  Or do you want more? Well, you won't get it. Understand? Lewis, the old man as symbol, flesh, and spirit of the past. What do you think? He would say if he could see you. You look at him, Cabinus. Cabinus, just like any done up preacher, is what he looks to me.  Oh, Helen, he reminds me of that black cockroach over yonder. And besides, he ain't my past. My ancestors were southern bluebloods. Lewis and black, Cabinus, ain't much difference between blue and black.  Can't hold them, can you? Master, slave, soil, and the overarching heavens. Dusk, dawn. They fight and bastardize you. The sun, tint of your cheeks, flame of the great season of multi-colored leaves, tarnished, burned. Split, shredded, easily burned, no use. His gaze shifts to Stella. Stella's face draws back her breasts come towards him.  Ain't no use to look at me.  I swear you are. Told you so, didn't I? Girls, just take him easy, though, and he'll be riding just the same as any Georgia Mule. A. Lewis? Laughs. Stella, I'm going to tell you something, mister. It ain't to you to the Mr. Lewis what knows is about. It's to something different. I don't know what. But, oh, man, there, maybe it's him. It's like my father used to look. He used to sing, and when he could sing in no mode, they'd always come for him and carry him to church, and there he'd sit before the pulpit of swaying and a lead in every song.  He died, and then I didn't care what become of me, and I don't know. I don't care now.  I'm some sentimental Susie asking for yo sap, nice sir. But there's something to yo, though those ain't got boars and kids and fools. That's all I've known, boars. When their fever's up, when their fever's up, they come to me. Halsey asked me over when he's off the job. Cadmus, it'd be a sin to play with him. He takes it out and talk. Halsey knows that he has trifled with her. That odd things. He has been inwardly penitent before her, tasking him, but now he wants to hurt her. He turns to Lewis. Halsey, Lewis, I got a little liquor in me, and that's true. True is what I said true, but the stuff just seems to wake me up and make my mind a man of me.  They're too hot for them. Stella and Cora and Cabinet, so we'll just excuse them. A chat between ourselves turns to the others. You all can't listen in on this, won't interest you. So just leave the table. This gentleman and myself go along now. Cadmus gets up, pompous in his robe, grotesquely so it makes as if to go through a grand march with Stella. She shoves him off roughly and in a mood swings her body to the steps. Cadmus grabs Cora and parades around, passing the old man to whom he bows and mock curtsy. He sweeps by the table, snatches the liquor bottle, and then he and Cora sprawl on the mattresses. She meets his weak approaches after the manner she thinks Stella would use. Halsey contemptuously watches them until he is sure that they are settled. Halsey, this ain't the sort of thing for me, Lewis, when I got work upstairs. Nah, sir. You and me has got things to do. Waste and time on common low-down women. Say Lewis, look at her now. Stella ain't she a picture? Common wench. Nah, she ain't Lewis. You know she ain't. I'm only trying to fool you. I used to love that girl. Yes, sir. And sometimes when the moon is thick and I hear dogs up the valley barking and some old woman touches out her song and the wind seemed like the Lord made them fur to fetch and carry the smell of pine and cane and there ain't no big job on foot. I sometimes get to thinking that I still do, but I want to talk to you Lewis, queer as you are. You know Lewis, I went to school once. Yeah, in Augusta, but it wasn't a regular school.  Some goody-goody teachers from the north had come down to teach the niggers. If you was nearly white, they like you. If you was black, they didn't, but it wasn't that. I was all right. You see, I couldn't stand a messing and pulling over my business like I was a child, so I cussed them out and left. Cabinous there ought to have cussed out the old duck over, yonder and left. He'd have been a better man today, but as I was saying, I couldn't stand their way, so I left and came here and worked with my father and been here ever since he died. I sat in for myself, and it's always been. Give me a good job and sure pay, and I ain't far from being satisfied. So far, satisfaction goes.  But when it comes to potting around and doing nothing with nothing bigger than an axe handle to hold a fella down like it was a while back before I got this job, that beam ought to be, but tomorrow morning early's time enough for that. As I was saying, I get to thinking.  I get to thinking. I used to subscribe to that literary digest, and that helped along a bit, but there weren't nothing I could sink my teeth into. There's lots I want to ask you, Lewis, been asking you to come around. Couldn't get you. Can't get in much tonight. He glances at the others, his mind fastens on Cabinous. Say, tell me this, what's on your mind to say on that fella there? Cabinous name. One queer bird ought to know another seems like to me. Licker has released conflicts in Cabinous, and set them flowing. He pricks his ears, intuitively feels that the talk is about him. Leaves core and approaches the table. His eyes are watery, heavy with passion. He stoopes.  Cabinous, talking about me, I know. I'm the topic of conversation everywhere. There's talk about this town, girls and fellas, white folks as well. And if it's me you're talking about, guess I got a right to listen in. What's Sam? What's Sam about his royal guts to do? What's saying, eh? Halsey to Lewis, we'll take it up another time. Cabinous, no, another time about it. Now, I'm here now, and talking's just begun. I was born and bred in a family of orators. That's what I was. Halsey, preachers.  I didn't say windbusters. Yeah, misapprehended me. You understand what that means, don't you? All right then, you misapprehended me. I didn't say preachers. I said orators, orators. Born one and I'll die one. You understand me, Lewis? He turns to Halsey and begins shaking his finger and his face. And as for you, you're all right for chopping things from blocks of wood. I was good at that the day I dug the cradle, and since then I've been shaping words after a design that branded here. Know what's here, my soul. Ever heard of that?   Thought I couldn't talk, I'll tell you. I've been shaping words out, but sometimes they're beautiful and golden and have a taste that makes them find a roll over with your tongue.  Stella and Cora come up to the table. Halsey, give him a chave, will you, Stella? Stella jams Cabinous in a chair. Cabinous springs up. Cabinous can't keep a good man down.  That's branded on my soul. Rhyme, you see? Poet, too. Bad rhyme. Bad poet. Something else you've learned tonight.  Bug, the form that's burned into my soul is some twisted awful thing that crept in from a dream, a goddamn nightmare, and won't stay still unless I feed it. And it lives on words, not beautiful words. God Almighty, no mischaping, split-cut, tortured, twisted words. Laman was feeding in back there that day you thought I ran out fearing things. White folks feed it because their looks are words.  Yellow niggers feed it.  I want to feed the soul. I know what that is. The preachers don't, but I've got to feed it. I wish to God, some lynching white man, a stick his knife through it and pin it to a tree. And pin it to a tree. You hear me?  Me, Ralph, Cadenus, weak. Ha, Halsey. That's right, oh man. There, there. Here, so much exertion. Merits a fit and reward. Help him to be seated, Cora. Halsey gives him a swig of shine. Cora glides up, seats him, and then plumps herself down on his lap, squeezing his head into her breasts. Cadenus mutters, tries to break loose, curses. Cora almost stifles him. He goes limp and gives up. Cora toys with him, ruffles his hair, braids it, parts it in the middle. Stella smiles contemptuously, and then a sudden anger sweeps her. She would like to lash Cora from the place. She'd like to take Cadenus to some distant pine grove and nurse the mother hymn. Her eyes flash a quick tensioning, throws her breasts and neck into a poised strain. She starts towards them. Halsey grabs her arm and pulls her to him. She struggles. Halsey pins her arms and kisses her. She settles, spurting like a pine knot of fire. Lewis finds himself completely cut out. The glowing within him subsides. It is followed by a dead gill. Cadenus carries Stella Halsey, Cora. The old man, the seller, and the workshop, the southern town, descend upon him. Their pain is too intense. He cannot stand it. He bolts from the table, leaps up the stairs, plunges through the workshop and out into the night. Six. The seller swims in a pale phosphorescence. The table, the chairs, the figure of the old man, are amoeba, like shatters which move about and float in it. In the corner under the steps, close to the floor, a solid blackness. A sound comes from it, a forcible yawn. Part of the blackness detaches itself so that it may be seen against the greyness of the wall. It moves forward and then seems to be clothing itself in odd dangling bits of shadow. The voice of Halsey, vibrant and deepened, calls. Halsey, Cadenus, Cora, Stella. He gets no response. He wants to get them up to get on the job. He is intolerant of their sleepiness. Halsey, Cadenus, Stella, Cora. Gutterals, jerky and impeded, tell that he is shaking them.  What's the big idea? What in hell? Halsey, work, but never you mind about that, up with you. Cora, ooh, look here, mister. I ain't used to being thrown into the street before day. Stella, any bunk what's worked is worth in wages more than this, but come on, taint no use to argue. Cadenus, I'll argue. It's preposterous. The girls interrupt him with none to pleasant laughs. Cadenus, that's what I said. Know what it means, don't you? All right then, I said it's preposterous to root an artist out of bed at this ungodly hour when there ain't no use to it. You can start your damn door work, nobody's stopping you, but what we got to get up for. Afraid somebody will see the girls leaving, some sport you are. I hand it to you, Halsey. Up you get all the same, Cadenus.  Well, son, seeing that I'm the kind hearted father, I'll give you a chance to open your eyes, but up you get when I come down. He mounts the steps to the workshop and starts a fire in the hearth. In the yard he finds some chunks of coal which he brings in and throws on the fire. He puts a kettle on to boil, the wagon draws in, he lifts an oak beam, fingers it, and becomes abstracted. Then comes to himself and places the beam upon the workbench. He looks over some newly cut wooden spokes. He goes to the fire and pokes it. The coals are red hot with a pair of long prongs. He picks them up and places them in a thick iron bucket. This he carries downstairs. Outside darkness has given way to the unpalpable grayness of dawn. This early morning light seeping through the four barred cellar windows is the color of the stony walls. It seems to be an emanation from them. Halsey's coals throw out a rich warm glow. He sets them on the floor a safe distance from the beds. Halsey, no fooling now, come up with you. Other than a soft rustling, there's no sound as the girls slip into their clothes. Cabinus still lies in bed. Stella, to Halsey, reckon you could spare us a light. Halsey strikes a match, lights a cigarette, and then bends over and touches flame to the two candles on the table between the beds. Cabinus asks for a cigarette. Halsey hands him his and takes a fresh one for himself. The girls before the mirror are doing up their hair. It is bushy hair that has gone through some straightening process. Character, however, has not all been ironed out. As they kneel their heavy-eyed and dusky and throwing grotesque moving shadows on the wall, there are two princesses in Africa going through the early morning ablutions of their pagan prayers. Finished, they come forward to stretch their hands and warm them over the glowing coals. Red dusk of a Georgia sunset, their heavy-cold lip faces. Cabinus suddenly recalls something. Cabinus, the old man talked last night. Stella, and so did you. Halsey, in your dreams. Cabinus, I tell you he did. I know what I'm talking about. I tell you what he said. Wait now. Let me see. Halsey, look out, brother. The old man will be getting into you by way of dreams. Come still. Ready, Cora? Coffee and eggs for both of you. Halsey goes upstairs. Stella, getting generous. Ain't he? She blows the candles out, says nothing to Cabinus, then she and Cora follow after Halsey. Cabinus left himself tries to rise. He is slept in his robe. His robe trips him. Finally, he manages to stand up. He starts across the floor, halfway to the old man. He falls and lies quite still. Perhaps an hour passes. Light of a new sun is about to filter through the windows. Cabinus slowly rises to support upon his elbows. He looks hard and internally gathers himself together. The side face of Father John is in the direct line of his eyes. He scowls at him. No one is around. Words gush from Cabinus.  And all night long, I heard you murmuring that devilish word. They thought I didn't hear you, but I did. Mumbling, feeding that ornery thing that's living on my insides. Father John, Father Satan, more likely, what does it mean to you?  Death, what does it mean to you? To you who died way back there in the 60s? What are you throwing it in my throat for? What's it going to get you? A good smashing in the mouth, that's what.  Don't believe you have never seen signs of none. Death, death, sin and death. All night long, yet mumble death. He forgives the old man, as his mind begins to play with the word and its associations. Death, these clammy floors, just like the place they used to show away. The worn out, no count, niggers in the days of slavery. That was long ago, not so long ago. No windows. He rises higher on his elbows to verify this assertion. He looks around and seeing no one but the old man calls, Halsey, Halsey, gone and left me just like a nigger. I thought he was a nigger all the time. Now I know it. Ditch you when it comes right down to it.   He looks and re-sees the old man.  What do I care whether you can see or hear?  It's a feeling and it's raging in my soul in a way that'll pop out of me and run through you through and scorch you and burn and rip your soul. You are so hot, niggers, so a gin, so that gets drunk on a preacher's words and screams and shouts.  Where's the beauty in that? Gives a buzzer to windpipe and I'll bet a dollar to a dime. The buzzer to beat you to it.  So when you had eyes, did you ever see the beauty of the world?  Now don't tell me. I know you didn't. You couldn't have.  Ever lose their sight?  If you had drunk as I am, my whole Christ will kill me if I couldn't see it.   You're an old man, a dead fish man.  Damn fool you are not to know it. Do you know how many feet you're underground? I'll tell you 20. And do you think you'll ever see the light of day again? Even if you wasn't blind? Do you think you're out of slavery? Huh? You're where they used to throw the worked out no count slaves on a damp, clammy floor of a dark scum hole. And they call that an infirmary. Thus, sons, while I can already see you toppled off that stool and stretched out on the floor beside me, not beside me.  Someone is coming down the stairs, Carrie bringing food for the old man. She is lovely in her fresh energy of the morning in the calm untested confidence and nascent maternity which rise from the purpose of her present mission. She walks to within a few paces of cabinets. Carrie Kay, brother says come up now, brother Ralph. Cabinus, brother doesn't know what he's talking about. Carrie Kay, yes he does, Ralph. He needs you on the wagon. Cabinus, he wants me on the wagon, eh? Does he think some wooden thing can lift me up? Ask him that. Carrie Kay, he told me to help you. Cabinus, and how would you help me, child? Dearer, sweet little sister. She moves forward as if to aid him. Carrie Kay, I'm not a child as I've more than once told you, brother Ralph. And as I'll show you now. Cabinus, wait, Carrie. No, that's right. You're not a child. But it won't do to lift me bodily. You don't understand. But it's the soul of me that needs the rising.  Cabinus doesn't hear her. He breaks down and talks to himself. Cabinus, great God Almighty, a soul like mine can't pin itself onto a wagon wheel and satisfy itself in spinning round, iron prongs and hickory sticks and God knows what all. All right for Halsey. Use him. Me.  The old man in me. Carrie Kay, has he been talking? Cabinus, huh? Who? Him? No. Don't need to. I talk. And when I really talk, it pays the best of them to listen. The old man is a good listener. He's deaf, but he's a good listener. And I can talk to him. Tell him anything. Carrie Kay, he's deaf and blind, but I reckon he hears and sees too from the things I've heard. Cabinus, no, can't, can't I tell you? How's he do it? Carrie Kay, the no, except I've heard that the souls of all folks have a way of seeing things. Cabinus, then I've heard them call that superstition. The old man begins to shake his head slowly. Carrie and Cabinus watch him anxiously. He mumbles with a grave motion. His head nods up and down. And then on one of the downswings, Father John remarkably clear and with great conviction, sin. He repeats this word several times, always the downward nodding, surprise, indignant. Cabinus forgets that Carrie is with him.    Father John, sin. Cabinus tries to get up.  Carrie steps forward to help him. Cabinus is violently shocked at her touch. He springs back. Cabinus, Carrie, what? How? Baby, you shouldn't be down here. Ralph says things, doesn't mean to. But Carrie, he doesn't know what he's talking about, couldn't know. It was only a preacher of sin they knew in those old days. And that wasn't sin at all. Mind me, the only sin is what's done against the soul. The whole world is a conspiracy to sin, especially in America and against me. I'm the victim of their sin. I'm what sin is. Does he look like me? Have you ever heard him say the things you've heard me say? He couldn't if he had the Holy Ghost help him. Don't look shocked, little sweetheart. You hurt me. Father John, sin. Cabinus, ah, shut up, old man. Carrie K. Leave him be. He wants to say something. She turns to the old man. What is it, Father? Cabinus, what should talk him to that old deaf man for? Come away from him. Carrie K. What is it, Father? The old man's lips begin to work. Words are formed incoherently. Finally, he manages to articulate. Father John, the sin what's fixed, hesitates. Carrie K. Restraining a comment from Cabinus. Go on, Father.  It looks like sin, if that's what you mean, gives us something new and up to date.  Boom, boom, boom. Thuds on the floor above. The old man sinks back into his stony silence. Carrie is wet-eyed. Cabinus, contemptuous. Cabinus, so that's your sin all these years to tell us that the white folks made the Bible lie. Well, I'll be damned. Lewis ought to have been here.  Carrie K., Brother Ralph, is that your best amen? She turns him to her and takes his hot cheeks in her firm, cool hands. Her palms draw the fever out with its passing. Cabinus crumples. He sinks to his knees before her, ashamed, exhausted. His eyes squeeze tight. Carrie presses his face tenderly against her. The suffocation of her fresh, starched dress feels good to him. Carrie is about to lift her hands in prayer when Halsey at the head of the stairs calls down. Halsey, well, well, what's up? Ain't you ever coming? Come on. What's up down there?  You're weakening, man. You're weakening. The axle in the beam's already waiting for you. Come on. Cabinus rises and is going doggedly towards the steps. Carrie notices his robe. She catches up to him, points to it, and helps him take it off. He hangs it with an exaggerated ceremony on its nail in the corner. He looks down on the tiles of beds. His lips curl bitterly, turning.  He savagely jerks it from the floor and then seeing Carrie's eyes upon him. He swings the pale carelessly and with eyes downcast and swollen, trudges upstairs to the workshop. Carrie's gaze follows him till he's gone. Then she goes to the old man and slips to her knees before him. Her lips murmur, Jesus, come. Light streaks through the iron barred cellar window within its soft circle, the figures of Carrie and Father John. Outside, the sun arises from its cradle in the treetops of the forest. Shadows of pines are dreams the sun shakes from its eyes. The sun arises, gold glowing child. It steps into the sky and sends a birth song, slanting down gray dust streets and sleepy windows of the southern town. The end. End of section 30. End of Cain by Gene Tumer.


As far as my views on abortion, to be honest it just makes me very sad. I can't believe that we are moving backwards by taking people's rights away to choose what's happening to their body. This self-proclaimed liberal parent but this progressive pro-choicer is missing out on the irony of what she's saying. She says that they're taking away people's right to choose what's happening with their body. I wholeheartedly agree. This is exactly what's happening in abortion but not in the way that she thinks. From the moment of conception a human being has been created in the image of God with distinct DNA. Their right to life that has been ordained by God has been taken away. These children don't have a voice to speak but the pro-choice folks would like to keep it that way. It's ironic because they say they petition for women's rights and yet they deny the rights of millions of little women in the womb every single year. The heart of the problem of this issue is that we choose to rebel against the creator of life in exchange for comfort and convenience.


Today we are forging one of the most crucial tools for blacksmithing and metalworking. A request that's been very prevalent in the comments, an anvil, and finally get passed by makeshiftrocks. An Anvil is one of the most important tools in blacksmithing and metalworking. At its core, it's just a large chunk of metal to hit against. However, the larger the anvil, the higher the inertia, the more effective each blow transfers to the piece of metal being worked. Getting something strong and dense enough to handle the countless blows makes the anvil one of the most important tools of the blacksmith. So with this difficult forging project, I enlisted the help from some experienced blacksmiths we've worked with before, Joe and Adri. Be sure to check out Joe's work on Instagram at Adri's own YouTube channel. Alright so I'm back with Joe and Adri and we're going to tackle the next step with kind of a blacksmithing, which is making an actual anvil. Historically, especially in the earliest phases of ironworking, you would have been working with very rudimentary tools and probably using a stone or a lump of bog iron or a smelted bloom that they'd compacted to continue forging their anvils.  And stone makes a terrible anvil because of its thermal properties and how chippy it is and it doesn't, yes it does not does not do well under hammering forces. The earliest anvils were likely just rocks, like what I've been using so far. From there, some would be cast in bronze, something we did last year. Unfortunately that anvil didn't survive long as it eventually snapped at a weak point in the casting. Andy has cast a bronze anvil in the past, but those when moving into iron tools really would have been short-term solutions. You can't really use bronze long-term as an anvil because you'll crack it or the heat will anneal it and you'll deform the face. Eventually iron and steel became the preferred metal with early anvils basically just being a chunk of iron. As it evolved, more specific shapes were designed and formed for specific purposes such as the bick or horn which is used for working curved pieces. In the 20th century, as mass produced manufacturing techniques became more prevalent, the anvil has become a rarer and less familiar object. Today most people are likely more familiar with its use in cartoons as a heavy object that is dropped on people's heads. This trope emerged as anvils were easily recognized as a heavy dense object that was easy to draw and then became a tradition of animation even as people became less familiar with the actual use of an anvil. The earliest example in a cartoon is the 1942 A Tale of Two Kitties. This leaves you nostalgic for some old cartoons like the Roadrunner who might be wondering where you can easily stream some of these old cartoons. Something that might help open up additional streaming options would be a VPN like today's sponsor Private Internet Access. Using PIA, you can change your location to another country like Australia then suddenly you have some unique streaming options like the 1979 classic The Bugs Money Roadrunner Movie. Unblock your Amazon Prime, Hulu in Disney Plus, Netflix, UK and US and BBC accounts today but PIA doesn't allow you to just watch your favorite TV shows and movies by using Private Internet Access to keep all your private information away from snoopers, hackers, even your internet service provider. Private Internet Access is the leading no-log VPN service and has unlimited access to almost thousands of servers and dozens of countries. It works on all platforms from Windows, macOS, iOS, Android, Amazon Fire and Linux and you can use it on up to 10 devices at once. There's no risk because it comes with a 30-day money back guarantee. Check out PIA right now and use the link in the description to support our channel and get 2 years and 3 months for free for just $2.59 a month. Now onto the 4Gene. Today we do not have a anvil stone as it were so we will be using a modern pattern anvil. Making this more Scandinavian style 2-piece anvil is going to last a lot longer and it's going to work out way better in the series when we don't have the time to continuously make anvils over and over. So where are you thinking? This would be our shoulder. Okay. Tongues are going to be interestingly slippy. There we go. And that's what happens. You're going counterclockwise or clockwise? Oh I gotta get in rhythm because I'm so used to following Joe. You start? That was a good one. This works better. Yep. Is that bending it? That's wonky. There we go. Ready to go. Shoulder so far. So I think that's good. This is looking like an anvil now though. Yeah. This is super close to a lot of examples I've seen already. It's definitely starting to look like an anvil. I think it's a very clean taper though. Yeah. I probably want one of these things for traveling. Yeah. Take one more heat with the flatter. Sounds good. Nice little mushroom anvil. I've got beeswax, linseed oil. Linseed oil works. All this is basically the scale that's forming in the outside soaks up the oil and it forms a protective coating like gun-blowing. And then there's wax mixed in with it which melts in and seals it off to further protect it. It's definitely a steak anvil. Yeah. It turned out nice and flat. Yeah. Nice and flat on the top. It'll do the job. With the first steak anvil done, next we moved on to the second piece, the horn anvil. Start working some of the hum. There's good instincts to pull your feet out of the way as soon as it starts slipping. The blacksmith's shuffle. Yeah. Yeah, now that we got the first taper down, this is striking. This is striking. It's a strike. This is a hammer. It's a hammer indeed. Good rhythm started. That was pretty good actually. Everything was solid. There's not a lot to clean up. No, I'm honestly pretty proud of how that forging went. So if you ever do want to make a socketed spear, there's your mandrel.  So when you chisel it out, you don't split the wood. There we go. With the anvils completed, we brought them back to the studio. If you're like me, you might be wondering that if an anvil is just a heavy object to hit against, is an iron one really that much better than a rock? To put it to the test, I challenged Egery to try and forge the same thing on both the new anvils and a rock and see how they compare. Now we're going to try and compare and see what the difference really is between our homemade anvils here and a rock. This is a new rock after the untimely death of rocks one through four. So through this process, we'll be able to see what we're capable of, what the different tools can do differently, how many more options we have when we're forging. And in doing so, we're going to try to make a couple more tools for the coal forge. First up, the rock. Thank you, I guess. Or not. Next victim. If I can split this one, it's going to be hilarious. This is honestly more tiring. Like you have to have intense focus to get it to stay on this while you're striking it. And it's not just because it's on a smaller log, it's because the surface isn't flat. So every strike you have, it pushes it back and forth. There's just one little nook that I can use to actually flatten things out. I think that's the best we're going to get, so it's not even worth trying to draw it out any further. Because this is relatively straight, and there's no way you're going to get it any straighter, so you might as well bend it over. You just have to make concessions when you're working on that thing. I think that's what we're going to get out of this because I have no way to fix it. Now to try and forge the same thing using the actual anvils we just made. You can definitely see more little dents and dings in the one made on the rock, and it's definitely not as flat when you look at the surfaces. A little bit about this anvil setup here. This is a fairly common setup to have a steak anvil and a separate horn because it's easier to manufacture. A lot of these parts can do really specific things that you can't just do on a block of steel or a rock. You can use the horn to concentrate your force on a smaller area or you can use it as a guide to make round shapes. When you're working on the flat face of the anvil here, you know that you have a nice flat register and you can compare your work to the surface of the anvil itself so you get a nice even surface all the way along. You can also use these edges where they're mushroomed out to part off pieces like we did here. When I took that and hit it against the side, what that did is create a tiny little concentration on this sharp edge. It helped me cut through without having to use a hot cut chisel. So between these two tools, you can make pretty much anything. We have made two different rakes out of the same material in the same forge with the same hammers, just changing what we use as an anvil. It's almost impossible to keep things straight and stable. Everything flies everywhere. You can't hope to get a square edge or a flat corner no matter what you do. Every single thing is a shortcut with how much the rock shakes. You can't go down into planishing heats and clean things up to get a nice smooth surface. You leave pock marks in your work all the time because we uneven surface the rock. Overall, it's just a way different experience. Even though you can make the same thing, it's a world of difference working on an anvil compared to a rock. A huge difference in effort. Every single swing I took on the rock, I had to really swing it because that's the only way I could get any metal to move. Working on our steak anvil, I had the ability to choke up and really think about where I wanted to move metal just ever so slightly you can finish up and just get a smooth surface. I never want to work on a rock again. Thanks again to Joe and Adri. Check out the link to see more of their work and now with this crucial step in our block smithing we can move on to some larger and bigger projects. Thanks for watching. If you enjoyed this video be sure to subscribe and check out other content we have covering a wide variety of topics. Also if you've enjoyed these series consider supporting us on Patreon. We are largely a fan-funded channel and depend on the support of our viewers in order to keep our series going. Thanks for watching.


Hey everyone, Christopher here from jaspyscasebreaks.com and we are doing our free spot giveaway for our 2023 Topps Museum Collection Baseball. One box break, number two, random division, fresh from a case. No, not fresh from a case. This is from the last one. The next break is fresh from a case. This one is just a loose box. A loose box. The last box that we had. The next break will be from a fresh case. Okay. Get after jaspyscasebreaks.com. All right. You'll see that one also there, but now we are going to be randomizing that extra spot to somebody. Who is it going to be? So as you can see, these are everybody in the mix. One of you is going to get an extra spot. What does ... I would do that in a different dice roll. So copy those names and then put them into that second one over there. And then the divisions will be the second dice roll. So this is for the spot giveaway. The spot giveaway will be for this one right here. Risk. Let's go. Nice. So we have a four and a three. It's going to be seven and ... It's on top after seven. Exactly. Here we go. One, two, three, four, five, six, and last but not least. Good luck. Good luck. Alan gets an extra spot. Copy that, pop it right there. Pop his name right over here, put the symbol there so you know that's his winning spot. There we go. Yeah. And now let's go. Let's roll it. Let's get to it. I'm excited. About this break. Four and one, five times. Five times. Here we go. We got one. We got two. We got three. We got four. And last chance. Here we go. Five. All right. As you can see, that number five. So it's going to be going ... We got Nestor, Alan right there. And we'll put that into eight. Oh, you didn't ... See? You got to set all this stuff up before. Spread sheet. I saw it, but ... Okay. I wanted you to learn that lesson. Hey. Got to learn the hard way. All right. All right. So now ... Divisions. Divisions. Here we go. So we have the dice. We have five on the dice. Here we go. Rolling one. Two. Three. Four. And last one. Good luck, everybody. Five. All right. This one is going to be right here. I don't need this one anymore. Let's blow that up to 150. You can do all that later. 150. Tell them what they won. All right. Nestor, AL Central. No. Nestor with AL East. Eric with NL Central. Eric with AL West. Alan with NL West. And Alan with the NL East. All right, everybody. Good luck. Nice trade windows open. We're going to pause the video really quick. And we'll see if there's any trades when we come back. Then the break. All right, everyone. Trade window is closed. We have no trades. Therefore, this ... is everybody who's in on the mix. Once again. Yep. It's time that we get to ripping. Good luck. I hope you all get something that you like. Speak it into existence. Hopefully, those of you who are in on this one are watching as well. Empty box. Christopher, Christopher, Christopher. We've got to be on top of this. Later signs. Later signs. Come on now. Is it already 7 o'clock? Time flies. Oh, my gosh. Look at that. Should we watch our local broadcast? Yeah, we want a 691. We want a home team. We want our home team. Unless it's an exclusive? No, it's not. Not an exclusive we get. I love it. Are we home or are we away on this? We are home. Oh, I love it. I actually like those jerseys even though people say they're polarizing. I don't mind it.  Wow, time flies four hours. It's went by already that quick. What in the world? Let's go Lakers. We're winning it all. This is like Joe says, LeBrona, Anthony, Davis have been dreaming about this since they were kids. We've been dreaming about this tournament since we were kids. This is as big as an indie championship. All right, everybody. Empty boxes. Let's do this. Good luck, everyone. All right, there we go. We have a Zach Grankey. Wow, this is cool. American League Central. This one is going to be going to Tannester. Tristan Caussis. Tannester out of 50. Wow, that's awesome. That's going to the AL East. Boston Red Sox. AL East is going to be going to Allen. Speak it into existence, everyone. What are we potentially getting? And that does it for that stack right there. What if it's like a base card rookie? Is it going into, like, Yashida or Peralta? Would we sleeve them up? No. On this one as well. And for number of cards, you don't have to top those. Oh, okay. You're sorting and shipping. On the fanatic side, we will, just because we have a two-man crew. Okay. But for here, my sorter's in Shipperville. Carlos Tanton. Make sure it's here for the Rodriguez. Paul Goldschmidt. And J.J. Blede. Wow, all right. That's what I'm talking about. This is going to be the American League West, and it's going to be going to Eric. Do you think the Lakers win it all, Joe? And this into the tournament? Dang it, Joe. Ozzie Smith, Bobby Miller, Francisco Lindor, Carlos Correa, and Aaron Nola, Signature Swatches. All right. This one is going to be 174 out of 299. Try not to touch that corner with your thumb right there. Gotcha. Yep, just right there. Okay. Noted. Yeah, never touch the corners. This one is going to be going to the NL East. NL East is going to Allen. And Last Pack Magic. Allen, he won Atlanta. Everyone speak it into existence. This is it. Last Pack Magic. Oscar Colas is going to be 170 out of 299. And the Chicago White Sox. All right. This is cool. This is going to be going to the American League Central. And you will be going to Nestor. And to Nestor just want to sleep there. What else do we have? Canvas collection. There's something you don't see every day. And who is behind that? Wow. Wow. Bryce Harper, Manny Machado, Christian Yelich. Hand off that corner. And it's going to be Bryce Harper, Manny Machado, and Christian Yelich, Nick Castellanos. Quad Patch right there. So this one is going to be randomized at the end. We are at the end. Yeah. And that's going to do it. And this one is a 26 out of 75 hidden right there. So now this is going to be Bryce Harper. The Phillies will be in the NL East. You can just do it by team and then look for the winner later. Oh, OK. So what we can do is, on a randomizer, just type in, like for this one, we'll do a brand new. There you go. Yeah. And then we'll do a brand new list. And then we'll just type in like, let's say, PHI for Phillies. Just abbreviate it. And then we have SD, Padres. And then we have the Brewers, M-I-L. And then we have the Phillies. PHI. All right. And then the dice is going to tell us to roll how many times with a new dice it is going to be for an A37. Here we go. So seven times. Good luck. Who gets it? Team on the bottom? The team at the top is going to be the one who gets this. So at the top, whoever it lands on after seven rolls, this is going to you. One, two, three, four, five, six. Yeah, six. And last one. Good luck. Seven right here. San Diego. All right. So that's going to be. NL West. NL West is going to be going out to Allen. There you go. Nice. All right, everybody. And that is going to do it for our... I usually show them the card one more time just to remind Allen of what he won. All right. Perfect. And this is... Allen, this is going to you. There you go. And we also... You don't need a recap. They got the video. They can watch it later. Gotcha. Well, that's going to do it for our break with our 2023 Tops Museum Baseball Collection One Box Break Number Two. And we'll see you on the next one. Yeah. And the next one box break from a fresh case.  Congratulations.


An induced pluripotent stem cell, we say iPSC, is a cell that can become any other cell. This paper sheds new light on the mechanism by which iPSCs are generated. We use a technique that was developed by Shinya Yamanaka. He found that if you just turn on these four genes in a cell, then you can get an iPSC over a period of a few weeks. That cell can become anything. What we found is that there's something else beyond the Yamanaka factors that are required for pluripotency. What was not known and what we discovered is that activation of innate immunity basically opens up the chromatin, it opens up the DNA. This paper that was published in stem cell goes a little bit more into the mechanism by which innate immune signaling causes the chromatin to open up. This process that I just described may be important not only for nuclear reprogramming, but this process may be important anytime a cell faces a challenge. Ultimately, we would like to translate this knowledge into something useful for our patients. For wound healing, for example, to improve the response to a heart attack, for example. Better healing responses.


Shoms I know you have been by your phone. You're constantly by your phone. That's nothing new But today is more intense because of what went down with all these deals in the NBA more in particular with James Harden and Ben Simmons So how did this deal come about and why are we seeing these two teams in the positions that we're seeing them in now? The writing was on the wall in Brooklyn as far as James Harden is concerned His future just was not gonna be in Brooklyn whether it was gonna be at the deadline now or in July James Harden was out of the door and everyone around the Nets organization has begun to learn of that fact in the last couple weeks And once something like that is known Kevin Durant Kyrie Irving in that Nets organization They they want committed players. That's important to them when you're trying to go for a championship Everyone has to be pulling in the same direction and once they sense James Harden was not that's when they decided to go This route and pursue a trade and the only trade that made sense was trying to get back and all-star caliber player And the only major all-star caliber player and James Harden didn't have the leverage as far as being able to dictate his future He knew Philadelphia was his match And they targeted Ben Simmons in this trade and Ben Simmons and Kevin Durant have had a level of dialogue this week I'm told and so that is their next partnership and yes They've been haggling over different players picks and all that from the weekend Monday to now for this deal to get Done but James Harden, you know, they were dealing with a guy that was at the end of the day He was moving on. Okay, and and even in the last day. He wasn't in Brooklyn. He wasn't with the team on the road I'm told he was in a totally other city. So the fact remains is that The brooklyn that's needed to get new players in there get some depth in there They do that with Seth Curry under drum and draft picks and Ben Simmons still 25 So able to guard one through five in this league Yeah, you reported this news also and speaking of James Harden with the Sixers that he's opting in To his player option for his contract for next season at 47.3 million How necessary was that move for Daryl Maury and that Sixers front office? Well, it's getting it's getting not only like Pat said the assurance of next year But you have the option of possibly extending I believe yes await a period of time our guy pack and probably do a better job explaining that but He he's going to have a lot of options as far as his his future moving forward to Philadelphia. That was behind it He wants to be a Sixer. This is a sign of that commitment


okay hey guys hey guys hey guys hey guys so today I'm going to be doing a Q&A for hitting a hundred thousand subscribers yeah we hit a hundred thousand subscribers and I just want to say thank you so I decided to do a Q&A and I'm also going to be doing my makeup and my hair because a lot of the questions I get are how do you do your makeup how do you do your hair so I thought I'd kill two birds with one stone and answer some questions while I get ready thank you guys for a hundred thousand I don't deserve it at all and let's get into the Q&A and you're about to see me do no makeup I'm gonna start off with the most frequently asked questions I get a lot on my channel on my videos the number one thing is how old are you I'm 16 oh I also get asked a lot about editing what I used to edit what I film on how do I edit but yeah if you're wondering what program I use I use Bunker Pro I've tried using Premiere Pro and After Effects personally it's a little bit confusing for me that's just because I've been using iMovie and then Bunker Pro for oh my god my beauty blenders on the floor and I just stepped on it sanitary final cut pro is easy for me right now and it's what I already have so I don't really want to go out and buy Premiere Pro or After Effects right now when final cut pro is really what's working for me anyways I have already done my eyebrows I use the Anastasia dip brow and I use the NYX control freak brow gel I didn't want to do them on camera because like who wants to see that no one I cleaned up my eyebrow with concealer and I put concealer on my eye and set it with some setting powder I'm not doing anything special with my eyeshadow I'm just doing a little a little shading a little contouring on my eyeball Milly K asked what has been your favorite movie TV show that you seem lately in could you do a review okay my favorite show that I've been watching right now is deadly class welcome to Kings Dominion rain check on the celebration you're at the bottom of the food chain I finished it I love that show so much I love Lana Condor a lot of people ask me to do a reaction to it but there's some shows that I just like watching on my own or movies that I just like watching on my own and I don't want to like set up a camera every single time I want to watch an episode I really do love deadly class it's one of my favorite shows I think it's really interesting and it's based off of a comics it's produced by the Russo brothers which we know those motherfuckers are crazy but it's really good and I really recommend it if you're looking for a new TV show and you love like gory kind of like darker things because it's very dark and it's not that gory and it's not that scary like I wouldn't compare it to like American Horror Story I don't think it's scary it's just gory and it has some dark concepts in it and a dark theme to it basically it's like an assassin school so if that tells you anything one thing in the show that they do really well is when they tell back stories they use animation they use the cartoon animations or the comic animations in it and I think that's really cool and it adds such a cool aspect to this show and really separates it from you know other teen shows I don't really know if it's a teen show I mean they're in high school but a recent movie that I just watched that I had like a really love-hate relationship was assassination assassinations nation assassinations nation may kill me but she can't kill us all it had a really cool and interesting concept that's what drew me in from the trailer but felt a little bit over dramatic to me at some point but that was the whole point some points in the film it does seem a little bit too like this is a message this is like all this kind of stuff but honestly I kind of liked it there's like one specific shot that is so cool it's just this long shot when they're like in a house and like some dramatic stuff is happening and they just like they shoot it from the outside of the house and they just pan from like a window to window to show what's happening and it's really long but it's really cool and through the film it has a lot of different like colors in it like red is a really key color in it that I use a lot and the lighting is just very interesting and it's very like visually stimulating I liked it and I didn't like it I wanted to do a whole video on it because I felt like there was so much to say about it I wrote like three paragraphs on it in my like laptop because I had so much to say about it but no one to talk to so if you guys want me to do a video on assassinations nations I would love to do it I'm not gonna do a reaction to it because it's like what's there to react to I would have to cut out like the whole thing because it's so graphic so not doing that I'm gonna do my eyeliner a lot of people ask me how I do my wings I don't know what to tell you on that one majority for past like two mm probably like two or three years I've used the NYX Epic ink liner it's a brush chip which I prefer I like brush chips way more than felt tips but recently I've been using this benefit roller liner with a felt tip why I'm using it is cuz it's not this one's not Matt it's like a shiny finish which I don't like brush chips are great if you want a really like clean wing but you definitely have a lot less control with it because oh my god I messed it up that's as good as it's gonna get oh shit now I'm gonna do my inner corner highlight for this I use the Contra Beauty bet Beauty bento in the color rosewater and then on top of that I'm gonna use my Stila liquid metals in the shade ballet baby I personally like that kind of more chunky glittery effect in the inner corner kitty Fitzpatrick asked how do you get into movies what was the first movie you remember watching would you consider yourself a movie expert so how do I get into movies I feel like I don't really know I don't really know if I'm into movies maybe I just have a stronger appreciation for them now because I feel like everyone's into movies I feel like if you watch movies you're just into them and most people watch movies if you don't I'm a little scared of you that's kind of like a weird question to me because I don't really know how to answer it like to me I never thought that I was more into movies than say like the average person walking down the street but I guess I am because the average person on the street would not make five videos on the Twilight series the first movie I ever watched I don't really know I does anyone remember the first movie they watched I don't there's probably a Disney movie or something it was probably like Cinderella and would I consider myself a movie expert definitely not my reviews would be better if I considered myself a movie expert I don't know like anything about film but I want to learn more about it so yeah this is so pretty personally I like the really high shine in a corner some people don't like it and that's okay it's so pretty I want to cry nice nice naysa kassandra naysa kassandra what is your favorite movie of all time favorite movie of all time that I will probably never turn off if it's on and will continue to watch just cuz I love it so much is Mulan I know it's so good and if you don't like Mulan I really I can't like you everyone like brings up Mulan when they're like girl power yeah but I don't think that movie was about like girls can do what boys can do like I really think it was like there's like truly like Asian message about honor to your family like how important your parents are and all that stuff and I really love it and if you have not seen it I don't know what you're doing like I am so passionate about Mulan it's a little too close don't stand so don't stand so close to me I like how we just all pretend that Rachel didn't have a whole episode where she was in love with mr. shoe like I don't know why we all like forget that that happened and he literally had to sing her a song and be like don't stand so close to me if you guys ever wonder what eyelashes I use I use total lashes the ones I use are in 316 it's too long I can see it from a mile away that's too long Lauren asked which movie has been the most fun to film a reaction to anything that is like truly bad I have such a fun time filming reactions to and usually the ones that I can talk a little bit more in and like make jokes are some of my more favorite ones like a legion or like where hands touch my most popular video on the channel was actually one of those videos that I filmed and I didn't like it I filmed for two hours there's got to be at least 20 minutes of good reactions and luckily I found a lot of good bits that I really enjoyed that was probably one of those fun videos to edit just because it was like I had a lot of fun with the scenes and just like the little jokes that were happening I really liked it Ellie Reinhart asked how tall are you I'm 5'8 maybe like 5'7 riding on 5'8 I don't really know I'll I kind of question my height sometimes like I can't be 5'8 yeah I think in my videos I look a lot shorter than I am because I'm always sitting down I'm a little bit tall for being an Asian girl and neither my parents are that tall either my parents are like average height the average height for a girl is like 5'6 and I feel like the average height for like an Asian girl is probably like 5'2 or 5'3 so the fact that I'm 5'8 I'm Asian is like it's interesting Harold Harold asked who are your favorite youtubers I feel like this is like so obvious like who my favorite youtubers are obviously pretty much it and Dylan is in trouble Dylan is in trouble is like a huge tell because like my videos are just the knockout version of his I'm sorry I love both of their videos they're the reason why I started doing commentaries because I watched probably all of their commentaries I'm using the next angel they're primer and then a little bit of the what in wild dewy luminix luminix face primer for foundation I'm using Nars Sheer Glow concealer I'm using Maybelline dream loomi concealer and Nars law radiant creamy Olivia asked I noticed from your Riverdale video that you like kpop who are your favorite groups a lot of people have noticed that I do you quite like kpop not as much as I used to I used to be like a like a like a very hardcore fan ah well obviously I like BTS like everyone does I like black pink obviously got seven I like twice I like a pink like day six solo artists I really like I'm using the kaja beauty little heart cushion blush in the shade going to take it and just do a little cute I like a lot of blush some people don't do what makes you happy to set the rest of my face I'm gonna use the Laura Mercier candle glow powder Alison asked what got you started in YouTube such why did you choose to do movie commentaries um yeah I think I was just like a normal 2000s baby that wanted to make you to videos and then why I started doing movie commentaries obviously from pretty much it and Dylan is in trouble but I used to do show reactions you can't see them on my channel anymore cuz they got blocked but I actually did all of stranger things season 2 I did teen wolf reactions they got taken down to you the only reason why I started doing movies is because of the channels that I was watching and then also because of to all the boys I love before to all the boys I love for was the first like commentary I filmed sort of it's literally me in front of my mic my MacBook just watching the movie and it's kind of bad but it's there on my channel if you want to watch it I'm taking that steal a liquid metals again and putting it from the inner part of my lower lash line I say BC the Avenger asks do you like to read if so what is your favorite book I really don't read that much I wish I read more but I go into phases so if I start reading a book like and I like it I'll finish it that day the last book I read was carry on by Rainbow Rowell and I finished it the same day I got it if I don't like it I won't finish it like I literally don't care I'm using the alpada by the way this is in moonlight it's the baked one it's really good yes check it out but my favorite books of all time is the box before and like I know some people most people probably don't know about it but if you don't you should go read them because they're the best books I've ever read in my life they're so interesting I probably reread them about I would say like three times I go through them a lot they're just the best books ever the covers is really what I think is it's major flaw I feel like that's why people don't gravitate towards it cuz of the cover and they they judge the book based off its cover and like don't judge a book based off its cover I feel like the covers really do make it seem like it's not gonna be that good of a book but trust me it's a really good read it's got such a good story and I've wanted to make a video on it for a really long time I've tried to make videos on it like I think three times at this point but every time I try to film a video on it I can never just do it justice and really get out my thoughts of what I want to say about it but it's just the best and I love the boxhole core I love all three of the books are so good my favorite one is probably I really like the Kingsman because it's just the fattest one and I really loved that it was so long for lips I'm gonna use the Kaja Beauty heart-melter Gloss stick cute then I take my Fenty Beauty gloss and I put it over top of it if you see me wearing any type of book gloss in any video it's this one because it's just so good a lot of people ask me what I use to curl my hair or what's my hair care routine all that stuff I do not take care of my hair I'm the worst for taking your hair my hair I wash my hair every day because that's how I grew up and you would think my hair would be really dry from washing it every day but I think it's pretty okay looks fine to me I've also bleached my hair two times I don't have any special hair care routine but I will show you how I curl it so I was gonna see my hair is already kind of curled but it's kind of a little bit falling and I'm gonna re curl some pieces to show you how I curl it this is the hot tools one in one fourth inch one I just go like this hold it and then I undo one and then I curl it back up then I release it for my top pieces to make them look a little bit nicer I open this and so lie the curl or the pair into it like this so basically if I just have like a normal one but this one has a clip on it so I just need the clip out of the way pop it into my hand hold it a little bit and then you get a nice little bouncy curl um Ruby Rogers asked are you homeschooled if so was there a specific reason I have kind of mentioned in a few videos kind of hinted at that I'm homeschooled yes I am homeschooled in fact about me I'm homeschooled I've been homeschooled since I only went to kindergarten so basically homeschooled for my entire life there's no specific reason I'm gonna see how my hair looks in a different hair what I'm gonna do is first of all make your part how you want it mine's the way I want it then just kind of eyeball it and part down to your ear all the way down to your ear so there's a nice part it's actually these pieces of okay so now you look like this and it's really cute I just take my hair this hair and I create a half up half down something like that okay I did it and you need a little a little rubber band I mean you could leave it like this if you wanted to it's not bad you know it's not that bad of a look okay so then I grab my pieces I take this ponytail flip over and I grab these pieces under it and then why and that's how I do my ponytail someone asked me what is the weirdest comment I've gotten on any my videos I don't really get weird comments I get a lot of comments from like babies only baby babies but like young like 12 year olds especially on my Riverdale videos oh my god and like no offense to 12 year olds but like some of your peers are annoying but I get it I was annoying as 12 year old too but like geez wow I don't really get weird comments I get main comments yeah that's for damn sure a lot of people a lot of people make fun of my voice and then like the cancer in me jumps out because that like really like it hits a little hard though but like it's fine you know I never had a issue with my voice before I started making videos and then everyone started like once my videos started getting more popular people were like what the fuck is wrong with your voice someone told me I sound like I was a boy going through puberty and that one hit I get it my voice is a little bit deeper but I can't change it so you're gonna have to deal with it okay I think that's all the questions I have today I hope you guys like this I hope you feel satisfied by me doing my makeup a lot of people ask me to do it a lot of the time and I don't know why and I didn't even do anything crazy I just did winged eyeliner and I put on false eyelashes but now you know and I did my hair for you guys so I hope you liked it also thank you for a hundred thousand subscribers that's so great and I never thought I'd reach it so thank you if you want you can follow me on Instagram and Twitter at t-caw level if you wanted to know where I got these questions from I actually posted on my YouTube community tab so in the future if you want to ask me questions it'll be on my community tab on YouTube maybe on Twitter maybe on Instagram I don't really know probably most likely on the community tab on YouTube make sure you subscribe so you can see more videos from me and turn on the notifications bell as well if you would like to be notified every single time I post a video in that website up for a day guys I'll be enjoyed and I will see you in my next video