And that is what's up man he goes by more actually he's right here he's literally right here in studio and asung is called sella and playing right here on that bounce nation we are the latest mustang to show in two five four i go by feeling that is feeling dream on all socials and hang out with the one and only mr. serving vibes can thank you yeah we're in the building from a panel you you you talk to us making you requesting a song that you want to listen to make sure you ask any question that you want to ask right now to morachi yeah and along one thing that you actually knew about morachi before he got here yeah if you if you by the view if you've been around for the past few years you've had me playing this song yeah yeah if you've been around for the past few years yeah you know you have been playing this song right and we had introduced him but i feel like we should go ahead and reintroduce him again so morachi is basically an ajerian and you are its best award-winning singer songwriter recording and performing artist and model as well can you just put your hands together and go can give one more time on the show that's yourself all right all right so uh let's get started with uh you coming to kenya is this your first time oh yeah the very first time for real how you finding it the weather the weather is amazing yo the first thing i talked about was the weather you know i was pretty concerned but i'm surprised you're surprised the weather beautiful weather amazing love it have you had time to try any food or local food have you tried any yeah so i don't know the name though but it's some chicken and uh some spice in it and some seasoning you know and and and the the well i think there's like a jaloa for stuff like that is a kenyan jaloa for stuff like that should be pilau probably chicken chicken it was biryani chicken biryani yeah it was it was a big boy it was good though it was good yeah we love it we like that and um have you did they teach you how to say hi hello um i don't think we we we got to uh to that you haven't gotten there okay so we'll teach you okay so uh it's basically how you say hi but in slang okay so una sama niyaja you say niyaja so i ask you niyaja and you say poor so you respond by saying poor so niyaja is basically hi so i'm gonna say poor yeah poor so poor means good good all right so niyaja poor ah that's more like it so now we're here now we can get started ah you get it you get it now that we are quinted let's talk about that like i read somewhere i don't know if it's true though like um your dad was a preacher oh yeah he is so i was wondering like you're getting into music and your dad being uh like um a preacher did he have any problem was he okay with you doing secular music when you're getting started um at first nahi he wasn't a fan you know but um i started changing my music i started changing the things that i say in the music and um yeah i would say today he's he's actually one of my biggest supporters right you know what i'm saying but it with time with time i walk my way i walk my way through yeah you know what i'm saying yeah so he actually gave me uh the scope he actually um you know he gave me uh the scope like hey now you're doing what you're supposed to do yeah you know that is dope but i know you also used to write music for other people when you were in school back in school is that what got you into singing or you by the time you were writing for other people you you already knew you wanted to sing to be honest i didn't want to be musician i didn't want to have nothing to do with it i just i was okay writing yeah plans and songs and stuff like that but you know like when you're teachers and then your fellow colleagues you know keep pushing you like hey you know you've helped us win a lot of um uh school competition you know musical uh school competitions why don't you just and one day i went in the studio with my best friend he booked the six hour studio section and he couldn't do anything with the with the with the time yeah so i had a i had to go help him out you know and in less than three minutes i got everything i'm since that day i just you knew you knew you were talented like that that's awesome but then you also became famous at such an eye age you had a mega hit uh help we are like that that was back in tour seven that's right yeah so how did you deal with that i mean like fame coming to you at such an eye age how did you handle that um so number one i i didn't expect the fame right i just i just wanted to make you know great music with great music video one problem we had in nijera back then was the content the the quality the quality of the music videos in nijera was not solid back then you know so i was one of those who i was actually known for that dope video production that was one of the things that blew me up and you know and yeah you know your song actually um held the record i don't know if it's still is the most played video on mtv back then back then back then when that we're talking about when mtv just launched in africa that was the highest played video in the history of mtv base so happy i like that yeah yeah and i know when when when you become famous at such an eye age sometimes you think like you're better than everybody else and all that the fame gets to your head no did you experience that no you're just cool no the fame didn't get into my head yeah i think i would say the only problem is people misunderstand me misunderstand um uh when when you courageous you know when you when you confident and bold people you know sometimes see the other way yeah you know but i don't have a problem with that yeah if you have a problem not being confident that's why do i have to entertain that like how does that that's not me bro that's that's you people have to work on the insecurities exactly you know i'm saying so that's just that's all yeah but back then i didn't i didn't have anything like oh get let it get to your head because i came from a pretty you know well to do family you know i was i was raised properly yeah and your parents were even in euro for the time um no i i i so the time i started doing music my mom my mother was you know back back in Nigeria but my father was away all right now and that was back in 2007 now you're here 2323 you're still releasing mega hits your songs are getting up to a million views and even more than a million so what can you say keeps you going because that is like a lot of consistency how have you remained so consistent over the years passion yeah passion having passion for what i do i've been true love for what i do not doing it for the money or not doing it for this and not doing just doing it because that's my therapy that's that's my run to that's what i go to to uh feel good to feel great when you throw a lot of bad stones or whatever i gotta go back to the music i gotta go write it down you get what i'm saying and make meaningful things out of that yeah so you say like music is super therapeutic for you oh yes when you're having a bad day you just sit down in this music everything is music wow that is fantastic everything is music i go back to the same music because quite frankly speaking music saved my life yeah honestly it it did i didn't know how to laugh or smile like you tell me to smile now i can smile music taught me how to smile because i didn't have a very happy childhood and stuff like that i had a pretty rough time you know uh but i never let the media know that side about me you know what i'm saying because i know people like piti oh let's piti him and yeah i don't want you to piti have piti on me you know what i'm saying you know i had a rough life just like every other person you know what i'm saying and that's cool i would rather use my story to heal people like to let you know hey nobody tell you can't do that i did it you know i'm saying but no no no piti no i'm saying yeah i think i think together and for someone who is watching and they've probably never heard your music before so they just listened to it right here maybe for the first time well they're yet to listen because you'll have to perform for us again maybe one more time all right so how would you describe your music for someone listening for the first time um i don't like to put my music in the box um i i would say that my music then and now is is two different things i talk about more relatable things now things that people go through and stuff like that you know is definitely more melody and and you know uh professional touch to you know vocals and stuff like that so but the kind of music i make right now i make happy and inspiring music that's the two things i can i can say right now happy and inspiring music anything outside of that count me out i'm not making it because that's the emotion that i want to give to people i want to make them happy and although happiness is relative though you get what i'm saying but you can be happy listening to a tune hey can you play that song again i actually like it like to trigger the good emotion in you you get what i'm saying oh man i feel inspired i like what that guy said i have the kind of music i make right now you can't see me make music that makes no yeah right i get that and also um i want to talk about like you uh being in the states and Nigeria and all your nikanya is there a way any of the sins relate do they relate in any way different things like jiria you know you are here do you see any similarities any differences we can talk about that okay so leaving the states right now decided that you know there's something i have been wanting to do all my life so i didn't have the opportunity to do that because obviously i need visa to travel the world i'm a us citizen now so dual citizenship majruan american um so i first of all started from Nigeria i went to Nigeria i'll go push the new record and then to south africa go push the new record and then now i mean kenya yeah pushing the record yeah next i might be in Uganda yeah pushing the record and after that i might just be in Tanzania pushing the record you know i'm saying and this is my flow this is the vibe this that's how i'm going but i'm starting with africa first because is the motherland yeah i was born in africa so that's where i'm starting the tour yeah yeah we love it and africa is taking over it's like the way right now i have a lot of kenyan fans you know yeah you know i'm saying i came into the studio knowing that i have fans and then the dj him also made me understand like yo you had a record you had a whole record that was loved out here and i'm like really he did not even know about that yeah no idea yeah part of the part of the job i do let me describe myself part of the job i do is to educate people through new music and i have to let you know that this is new music and it's good music right so you have to listen to me right yeah for you to understand good music and new music you you have to you have to listen to it please tell if you've never heard before sometimes yeah next to just like sample music i like to flex that yeah right right and uh last year i released sella after a while and i really wanted to know about sella was it inspired by history because i was just i i listened to it and i was like all right so you are talking about this chick who's playing you know okay well first of all sella sella is uh is also she tell the bible you know yeah is the book of sam it's on and on and on and on and on over and over and over and over again sella sella sella so this is the vibe this is the emotion this is what i'm feeling for this lady like that is repeated you know it's on and on and on and on the feeling is constant that's the sella and as for the record what inspired the record simply the beat the beat the beat yeah love it a good beat let's go good song right love it so do you have any projects or any collabs that you're currently working on that we need to know about um yeah there's um there's a atlantic record artist uh he he goes by the name simba the real simba from california uh we have a a big major collaboration going on so that's in nijiria so after kenya i have to be back to nijiria for that and you know there's a 10 state tour in the us as well too so um yeah hopefully um we'll do that tour together with the collaboration as well and yeah i have a couple of other acts that i'm you know collaborating with although uh we're in discussion with you know a few but i don't really like you know like talking about you know projects until they're you know finalized i have stuff like that yeah they may get jinxed but they're not not really jinxed you know i wouldn't say jinx you know sometimes it's vibe you know sometimes you know there are things that happen unforeseen things that happen and then a record is not able to you know be out again you get what i'm saying but on a pipeline yes there's some collaborations yeah all right so um as you wind up do you have anything happening in kenya that we should know about maybe if you want like your fans to turn up for do you have any way um like there's a like there's a lot uh uh there's a couple of uh club uh you know club gigs and stuff like that and then majorly the rest of them is just promotion you know i'm just you know putting more of myself right out here you know what i'm saying because for a while i've been doing this thing from a way so now i'm like i'm coming closer like hey you have not met me before you've heard my record or you're probably seeing me on instagram and stuff like that but hey now this is me hey come take a picture you know what i'm saying that kind of stuff that's amazing we love it all right so as we wind up we're literally winding up uh because of time i have this thing i just have like more like quick fact questions but they're not like really quick fast so uh let's just do it quickly right so uh if you want to approach a girl what's your best pick up line to use because i know you are ladies man you are a model so if you want to approach a girl what's your best pick up line okay first i don't i don't work with pick up lines i work with the energy i work with the vibe if your vibe is off already i'm not saying hello to you i'm not saying hello to you you and i have no business no matter how pretty you are the energy is off already is throw me off i don't want to know you and stuff like that you know i'm saying so it's the energy first before i pick up line all right we got it so she's a 10 like you know on a scale of 1 to 10 so she's like 10 being like the hottest so she's a 10 but can't cook or clean what's her new rating wow she's a 10 but she can't cook and she can't clean yeah what's her new rating okay well if if her mom didn't teach her that then i don't think i can so you can't cook you can't clean and you can't clean so that that means you're dirty i'll give you a good two yeah i'll give you a good two yeah i'm the two because she's pretty in it all right below average below average that's right all right next she's a 10 but she only has guy friends what's her new rating she's a 10 and she only has guy friends there might be a reason for that so i can't conclude her job because maybe the female friends are not good for her they they be snitching and doing all sorts of things so i so she can confide more in men i think i i think i can change that so she's a 10 no no not not only no should i say a 10 because you know it could it could flip both ways though you know so let me say i'll give i seven until i can turn out to a 10 all right seven until all right one last one she's a 10 but she's taller than you what are you rating it's okay for her to be taller than me i don't have a problem you don't mind ah so she's still a 10 if she's taller than him yeah she's still a 10 thank you so much for coming through you have to perform for us the latest one echo wangile help us with the pronunciation too echo wangile echo wangile so that means legas so echo means legas so wangile is just like inhaling like echo wangile got it like okay okay like what okay say you say kenya now what do you use to heal kenya like the great kenya or what yo come on guys help me man yo we can we can we can we use the the the famous no no you say it in kenya language something kenya i think we we we use hakuna matata to akuna matata kenya no i don't i don't i don't accept that i'm trying to trick you we're really really impressed for time we have something coming in so thank you so much for coming through your social media this uh morachi uh social media is morachi and then official yeah morachi official all right you know yeah so definitely thank you so much for making time thank you guys so much to your team thank you guys so much thank you thank you so much for coming anytime you in kenya this is home right this is home so echo wangile all right performing the brand yourself okay let's go


Connecting Galaxy to a compute cluster, let's find out how we will connect Galaxy to compute cluster and how we can configure job dependent resources like cores memory and so on for our distributed resource manager. This is an acronym we'll use a lot today distributed resource manager just means any different kind of clustering or job scheduling software like slurm sg condor all those sorts of things. So by the end of this you should be able to understand how the galaxy job stack works a bit understand a little bit about the galaxy job configuration file know how we map tools to do job destinations and the various ways in which they can be mapped. Let's start a little bit talking about the galaxy job configuration. So we set up a template in the Ansible Galaxy tutorial to handle the job configuration it was very simple. And then we came back in the singularity tutorial and we added on to that the parameters necessary to tell the job to run in singularity containers. Now we're going to do a bit more with that. And so as a result you need to know a little bit more about the galaxy job configuration. I guess this was also covered in the Pulsar tutorial where you added a different plug in a different handler in different destinations as well. We're going to do more with it now then so plugins these are the different distributed resource managers that we have access to and how they how we talk to them. Then we have the handlers these are responsible for handling the entire lifecycle of jobs from creation of the shell script that gets sent to the DRM to manage submitting the shell script to the DRM to monitoring the process to cleaning it up. Then we have destinations these are groups of places where jobs can go that have common parameters. Additionally we have tools these are just the individual galaxy tools and how we want to map them to individual destinations. Resources these are a section that let us provide in the tool form some additional information the user can select. We can provide for instance a select box saying hey I know this job is going to be very quick I have a very small file. So give it less resources something like that, as well as limits. These are limits to help preserve the quality of service of your cluster by limiting the runtime of jobs, limiting the maximum number of concurrent jobs that sort of thing. So why use a cluster a cluster is a fantastic idea just to preserve performance of the server. Even just one other host will already help a little bit by moving some of the galaxy jobs off onto another server that when that server fills up with jobs it doesn't affect the main galaxy server. Additionally by opting into using proper distributed resource manager we can ensure that galaxy can be restarted. And the jobs won't be killed with the local runner any job that is running while galaxies restarted gets automatically terminated. These galaxies managing that job and the entire process tree of galaxies killed. So let's talk a little bit about plugins these are all the different DRMs the galaxy can talk to we have plugins for things like a local runner, which as we've said should not be used in production. Slurm and DR drama. So drama is a library interface that a lot of the different clustering engines speak. S G PPS LSF torque I think even HTE condor and slurm all speak drama protocol and you can use the drama interface to talk to them in a very generic way. Torque is available as well pulsar so well if we cover this in the pulsar tutorial sending jobs to the heterogeneous resource destinations. There is additional a command line interface so if you have some some reason to need this where you want to send jobs to a specific location that you can do so via SSH but you don't have a scheduler running across those locations you can do that with the clean interface. Galaxy conditionally scheduled jobs in Kubernetes go or chronos. So this is a little bit about how drama works you don't necessarily need to know how this works. Just know the drama is generic interface and a lot of the different DRMs will speak this interface and galaxy can use the drama Python library to talk to see drama library which talks to your scheduler. So handlers handlers are the actual processes which process jobs, each of them should have an ID attribute in the server name when you set them up these you can configure different handlers for different destination so for instance if you have people who submit a lot of high memory jobs and for some reason these take a lot of time to process and manage. You can put all of the high memory jobs onto a single handler and then those can be processed separately from a lot of the small high throughput jobs. Or if you have a lot of individual small jobs that you want to process you can also sequester these on their own handler to make sure that make sure that everything gets processed efficiently and quickly. Destinations. You can define different destinations these are generally a collection of different memory requirements and CPU requirements these are sort of like a high mem destination or a low memory destination these are common things. And they define how a job should be run which plugin should run them. Should they be running a container which one. What resources to the DRM need to be aware of as well as what the environment should be so if you have some special environment variables that need to be set. So let's look at a very basic job configuration file. Here we've got the single default plugin. This is just saying run in local we've got a handler section which is now no longer included by default and then we've got a destination section which just says everything should go to the local destination. So in this job configuration file you can set tags these can let you select from different destinations at random select from different handlers at random so if you have a couple of different clusters. And they should all be given equal preference you can just say oh please submit to any of these different destinations in your, any of these different handlers in your destination or any of these different destinations in your tool. They can help enforce concurrency limits and they can help you distribute the load across your different resources. Next up is the job environment we so we set some of these already in the singularity tutorial we set the environment variables to set LC all the correlation environment variable and language settings environment variable. As well as a couple for the singularity. You, but this is not just limited to environment you can also load environment settings from a file. You can also execute a command which generates different environment settings. So all of these are options depending on your needs you can do different things. Next up limits. This is a very, very important section. You can set well time in your galaxy job to make sure that they don't just run forever if someone has specified some operation which is misbehaving. For instance when I was the administrator of use galaxy dot you. We had a couple of times where someone would launch a join on the same file, and it would take an absolutely crazy amount of time and produce really really massive output files which would destroy the entire university's file server. And so limits help you prevent this they let you put limits on the output sizes so that if the tool produces outputs which are too large it's killed. They let you put limits on the wall time so if the job is running for a suspiciously long amount of time they're killed, and they also let you put limits on the concurrency. This one will talk about in a little bit more detail. So concurrency limits let you ensure quality of service for all of your users. Personally, I think they're incredibly an important thing to set and set low. Otherwise, if you have a server that's supposed to be used by a large number of people, a single user can launch 100 jobs in the queue and then no one else's jobs can be processed until those are. And this is really unfair at all of your users so by setting concurrency limits you prevent multiple jobs from running at once. When they shouldn't be when one user is starting up a million jobs that other users can still run their uploads, they can still run their tiny text computations. If you don't set concurrency limits you're at risk of individual users abusing the server. Next up shared file system so most of these distributed resource managers require a shared file system between Galaxy and compute nodes. There is the exception of Pulsar this will be discussed more in detail next day on using heterogenous heterogeneous compute resources. So for the shared file system there are files and services and data sets which need to be available both between the Galaxy head node and computation nodes right. So there are, for instance, the Galaxy application itself some of the tools that you will want to run require access to the Galaxy code base things like the upload tool. Needs to know about all of Galaxy's internal file type detection algorithms things like this, where the tools on the compute cluster need access to Galaxy. So you'll need to have these things shared between both node and Galaxy. Additionally, there are some things that need to be actually the same, not just in the same location. These are things like the job working directory and the input and output data sets both Galaxy and the compute cluster need to operate on the same data sets themselves for things like the tool dependencies and the Galaxy server we've just said they need to be at the same path. So they can be sim linked in and shared they can be completely separate duplicate copies of files, whatever works for your environment. That's something you'll need to work with your cluster administrator to figure out. So multi processing. Galaxy automatically sets this variable Galaxy slots to CPU or core County specify when submitting and a couple of tools within the Galaxy ecosystem know how to take advantage of this. There are a couple of different ways to set them multi processing threads are course based on different schedulers you'll need to look up the one that's appropriate for your scheduler. Additionally, Galaxy can set memory requirements for different jobs, you'll need to be aware of how to do this for your own scheduler. And some tools will additionally need additional environment variables to actually function properly they don't natively know how to take as much memory as possible. So these are things you'll need to think about when you're setting up your cluster. In my experience we mostly adjusted memory requirements rather than adjusting the CPU core requirements. There are very few tools that need or can take advantage of multiple cores and you'll need to look through the tool code itself to figure out if that tool supports it. For most of the informative bioinformatics tools we ran though when I was admin abuse galaxy dot you. Most of it was just setting up memory requirements and increasing those. So next, running jobs is the real user if you have an existing cluster, perhaps an existing cluster which your users have been ssaging into and running jobs at the command line. Those users probably have a real user identity on the system. If you can match up those user identities on the cluster with the user identity in galaxy you can also run these jobs as them. This is especially nice if you have save for instance an HPC where the counting of who is running jobs is very important by running jobs as the real user you ensure that everyone's using the cluster fairly and galaxy can use as much of the cluster as possible. It does require some additional rights you can read about that in our cluster documentation if it's relevant to you. So job config mapping tools to destinations. For instance, if we have a tools or tools that behave differently we might want to have different destinations that have those parameters. For instance, here we have two different destinations have single destination which is a single core and then we have a multi destination which has multiple thread multiple course assigned to it. And here you can see we've done that in the slur runner by saying minus minus and tasks equal for number of tasks equal for. And then we can pass it individual tools that we can say okay hi sat tool should go to the multi destination because it can take advantage of that. This is however unfortunately very static mapping you can see we've just said hi sat goes to multi. We haven't done anything intelligent with that so far. So, when you have needs for that you can use dynamic job runner. This lets you dynamically choose which tools go to which destinations. And this gives you a lot more freedom and flexibility. There are a couple of different ways to do this there is the dynamic tool destination, which is a built in system that given a YAML file, YAML configuration file that says, based on this tool ID plus input data set sizes and put number of records and what the username is you can map these different destinations. So this is very convenient way to get started with mapping tools to destinations you can just say oh this tool, if it's using this many input files or the input files or at least this size. Then maybe I want to send it to the high memory destination or the long run time destination something like this. And if the. You may want to give priority to users and you can do that here again as well. But if that is not enough flexibility, you can have arbitrary Python functions as dynamic tool destinations and these let you say given a tool ID username inputs to the tool tool parameters and literally any other resources you want to access, you can configure where tools go. Maybe you want to do something fancy like saying okay I'm going to send all of my tools to this dynamic destination and then based on which cluster I have if I have multiple that has the lowest queue, I will send those jobs there. You can do really fancy things like that you can also use this to implement authorization to run tools to make sure that specific users or specific groups have permissions to run tools.  So, once you've got, once you figured out where the tool is going. You'll want to care about the tool dependency resolution so we talked about this a little bit in singularity. There are other systems like conda Docker and modules that you can use if you want in this training this week will only be using singularity though. And you can read about this more on the tool management with ephemeris that you should have covered yesterday. So key points from this galaxy sports a large variety of DRMs and a large number of interfaces are available through drama. If your cluster is not available it's possible to add your cluster you can just read the existing runners and add your own or you can use the clear runner. The command line interface runner to run arbitrary commands to launch and manage jobs. Dynamic tool destinations are incredibly important to map jobs different locations and lastly job resource parameters allow you to control these resources available to job. So thank you for listening and let's get started with connecting your galaxy to a cluster. So now that you've heard a little bit about the background of distributed resource managers and how galaxy interacts with those. Let's get started connecting galaxy to a compute cluster. So your results may be a little bit different just because of random processes so some of the numbers used in this tutorial like job number four. This may be different for you and you'll need to check with your actual system in your system logs to make sure of what the number should be. Just know that in advance it may not be completely copy paste from the tutorial. So do you need to DRM. Yes, unequivocally yes you need a distributed resource manager. So we'll start by editing our requirements dot yaml to add a couple of new requirements for our DRM one will be the galaxy projects repositories. These are needed for a slurm drama library. And then we'll need the galaxy project slurm role which is used for setting up the slurm distributed resource manager. So why slurm slurms pretty easy to get started with. And it's very easy to cover in a training it's also very popular. It's one of the more popular ones. So let's edit add our two new roles to our galaxy dot yaml. We've noted that we should add them to the beginning of the roles section because there are. They don't depend on anything being already there so we can add them to the start and anything that needs slurm to be up and running later will have it already running when it's needed. And we'll also need to add some group variables to control how the slurm server will work. We don't have galaxy group far as galaxy servers and down here at the bottom I'm going to paste in all of the slurm content. So you'll see that we have slurm roles controller and exec, which roles the machine should play if you are using ensemble to set the larger cluster you probably have one controller node and multiple execution nodes where all the actual jobs are run. In this case we have a single virtual machine and the controller and execution node are identical. Here we list the slurm nodes that are part of the cluster. We have the name of our host and here we've defined two CPUs. This does not match the number of CPUs our virtual machines may have but we're going to use that just for this training to be a little bit consistent across all of the trainings. Then we have slurm config. There are a couple of parameters we've set here. First off we've set config override slurm D parameters to config overrides. This just tells slurm, please don't throw an error because we've lied about how many CPU cores are there. And then we also allocate individual cores memory instead of the entire node. It's just how we want our slurm configured. And when that's done we will run the playbook. And this will set up all of slurm. So I think slurm is used by usegalaxy.org usegalaxy.eu uses primarily HT condor. And usegalaxy.org.au the Australian Galaxy server uses primarily Pulsar but usegalaxy. Europe and the American one also use Pulsar just as a lesser role. Okay, that's looking good. And when this is set up slurm will get installed with munch. And this is just a search UID and GID imporium is a recursive algorithm or acronym. It is just a service which authenticates users between different cluster hosts. So normally if we had multiple hosts we would start to worry about is the user ID the same and that we distribute the munch key across all of the hosts, which is a very suitable task. Grantsful and managed for you if you use this slurm D or the galaxy projects slurm roll. You don't need to do this since we're already we're only installing slurm on a single host. Okay, this is going to run in the background, but slurm D should be set up. And if we run system CTL slash status munch slurm D and slurm D CTL, we can see that all of our services are running and active, which is exactly what we want to see. So let's check out how the service is configured with the S info command, or the S info now for a little bit more information about the nodes we can see that's configured with two CPUs there. And all the node list is localist everything's up. It looks good. I'm going to send letting the playbook run in the background. This is again, it comes back to do you want to set individual labels on your tasks in Ansible and potentially miss some changes that affect other things or if you just want to run the entire playbook every time and be absolutely certain it's running completely. But, and as you can see here I'm just letting it run in the background it should be done shortly. So we are going to play around a little bit with slurm to figure out how it works there are two main commands for running things in slurm interactively. We can use the s run command or the s batch command. Here we have s run, you name a, if we copy and paste that we should see something like this where slurm runs this command in the background. It's created a job for it. It's written out a script it's run you name minus a and then it's reported the result to us. However, usually what you want to do is more complicated than running a single command right you want to run an entire script that does some tasks and reports back at the end. This is how galaxy works itself right it writes out a script. This is our batch script which runs you name a runs the uptime command and sleeps for 30 seconds you name a runs the uptime command and then sleep 30 and our batch script should look approximately like this. So we'll go ahead and make that executable. And then we can use the other command, the companion to s run as batch to run this command. And run some stuff in the background and sleep for 30 seconds. Okay, you can see that submitted batch job three, and we can use sq to check on it. And you'll see that our job is running in the background. And you'll notice that we've only assigned a single node with two CPUs but there's only one slot as a result. So if we tried to run you name a, we'd see that it's queued waiting on these resources. So this is yeah nice part about distributed resource managers is you can go into galaxy can queue up all of your jobs and then they'll run when they have been allocated resources and works a lot more efficiently than the local runner. So the job number three finished and job number four ran. You can see a little bit of output here like this that our job was running in the background it's been running for seven then 12 seconds state running that's running under the Ubuntu user, Ubuntu user. So if you've seen all of this is all of this has worked, then your slurm installations working, and you're good to go. Next up we actually need to get the slurm drama library installed. We'll set this up as a post task that at the end of the playbook. We install slurm drama, and then we will run our playbook again. And that'll install the very last at the very end the slurm drama library. I believe that needs to be at the end because slurm needs to be available. I'm not 100% sure that you can submit questions in Slack and hopefully Nate will answer them when he wakes up. Okay, so when that's done playing, then we're ready to set up galaxy and slurm. So on top of the slurm drama library that we just installed the libdrama.so library. There is the galaxy interface to this galaxy needs a Python interface to that library and it also needs to be able to find that library. The slurm drama is one of the examples of those conditional document conditional dependencies the galaxy has. So where we've made some special configuration to galaxy that has changed its behavior and this also requires new dependencies to be installed. So whenever we run the galaxy playbook this time after we make these changes we'll see the galaxy also changes the installed packages it installs an extra additional slurm drama pack Python package. So we'll start off by changing the environment, we have to do this because galaxies started by system D. So the environment for the galaxy process is controlled by system D, and we need to specify the path to the drama library. So we'll add that after the system D portion. Right there we'll add in galaxy system these are going environment. We'll put the drama library path to the location of our library file. If you like you can check that that exists, and you'll see that it does. This is provided by the drama package that we installed, or rather by slurm drama itself. Okay. Next up we need to configure our job configuration file to actually take advantage of this new slurm that's available. So we'll start off by adding a new runner and up here up here at the top, we're going to set the slurm runner ID equals slurm type equals runner just like the other and load this new module, the slurm job runner. And out here we're going to update our local destination to be a slurm destination, and we're going to add this new destination called slurm, and we're going to make that the default destination. ID equals slurm. It'll have all of the same environment variables that the singularity local destination has, except instead it will go to the slurm runner. So, when galaxy works with the slurm destination. It'll do all the same things it did with local runner, but this time it'll write out this job script that's sent to espatch. So just like we ran an espatch command earlier in the tutorial. It'll do exactly the same thing with galaxy jobs just running espatch and then the path to the shell script it wrote out. Okay, and with that we're ready to run our playbook. All of the tasks will run. And when it's done, we'll check that everything loads correctly by following all of the galaxy logs to see when it restarts. Oh, and look at that. It's finished. Fantastic. So over in our galaxy logs, we should be able to see that it started up and it started to use slurm instead. And when we run a job, we'll actually see it show up in the slurm logs, which will be very exciting for us. Okay, so let's run a job. If you're not following the log files already, we recommend you do that journal CTL minus F for follow and minus you for the unit named galaxy. And then we're going to click the upload button at the top and paste in some test data. And we'll see that job get started. And if we look in our journal CTL logs, we'll see a look job runner drama is running three slash five a state change job finished normally. If we go back to the tutorial, it explains a little bit about what all the different log messages mean. If you're interested, you can read a little bit more about there. But the interesting thing is I read off that three five. This means galaxy job ID number three and slurm job ID number five. And we can actually find out about slurm job number five by s control show job. I'm going to show job five. Okay, and here it is upload one. So that's the tool ID and the username is attached there so you can see who ran this it ran under the galaxy account. That's the upload tool. You can see the start time and the end time it only took three seconds to run. You can find out the working directory where any of the error messages might have gone if the job failed something like that. So that's fantastic our jobs work they're running in slurm now. If we look at the job information. You might be able to see that it was run under the runner slurm. Also again with singularity. Okay. That is how you connect galaxy and slurm together so all of our jobs now by default are running in both slurm and galaxy and singularity. And this starts to be a really good production server right we've got our jobs running in a reproducible way in a very reproducible environment and they're also running in a distributed resource manager, which enables us as administrators to restart galaxy whenever we want and not have to worry about if we're going to accidentally kill some jobs. There's a lot of further reading if you're interested in all of the different options the different features of slurm or other clusters you can read the cluster documentation for information on how that works. There's a lot of accounting information. It's very big topic for clusters and oftentimes at your university or a research institute you'll have an existing cluster that you can use. And you can work with where you won't have to learn all of this and you can just submit jobs to it which is really nice. The job configuration XML file is a very long file we recommend you read through that to find out any additional information about these job runners that you might want to set there are a lot of different features of the job configuration file it's a very long file. And there's a lot that you can configure that will make your jobs more performant or easier to account for set different parameters etc to work with multiple clusters. So key points of this galaxy sports variety of different distributed resource managers you should definitely set one up. And as always please fill out the feedback form so we know that if this was okay too complicated too easy. If you have comments on this individual video please leave those in our slack. Let us know. Next we'll get started with mapping jobs to destinations.


What they gonna do with me now? I'm still a twerk in the town Got these sisters, I'm hooking them down Reaching the smiles and the frowns Gang hop out, then we clarin' them It got a, now you a, now you a patch What's up y'all, it's your girl Rihanna Imani And you tuned in to another twerk in the town interview And who do I have here with me on the couch today?  Where you from? Camden, New Jersey, you know what I'm saying, the trenches Okay, so walk us through like what it was like growing up in Camden It was rough, we always baddest hell running around, you know what I'm saying We made the best of it, like it was rough but it wasn't like as bad as it could have got You know what I'm saying? Okay, is it still like that now? I'm not too sure Well, it's crazier now, we crazy about it Oh wow Okay, so were you always like, well would you consider yourself to be like outside? In the field? Yeah, yeah Yeah, were you always like that or was that like something that came to age?    Oh, isn't that just what happened with you?  Oh, so you bought about it, you got Okay, so we don't get into the music so like what were you listening to growing up? Lil Wayne, Drake, they was lit when I was first starting writing, you know what I'm saying? They was on the radio, that's who they were playing So I was listening to older rappers, like mainly males because I don't really listen to no rappers Okay, okay, so were you influenced by them? Were you just listening to them? Yeah, because they made me want to write because punch lines and stuff I really try to challenge them or challenge myself to make some hard line that make them be like Okay, so what was it like making your first song? The first time you stepped in a booth, what was that like? It was just different. I don't know because before I stepped in a booth I was freestyle on my phone, like I sit my phone up right to it like that When I went in the booth, it was just like, oh now I'm really making songs now Like I'm ready to take this to a different level And you were freestyling, what was the reaction from people when it was him and you freestyle? I ain't even want to post it on my page, I had it with my boy Seb I was sending him the videos and it was just going crazy Like from the minute I started it was like in the hood, I started bubbling for real And you've been making music for a minute and it's still going up because I saw you had sober And that's at like over 60,000 and it's still going up And like I said, that was a while ago So like how would you compare the music that you was making back then to like what you're making now? Like then I don't know like it was just like I was just starting you know what I'm saying Everything different now from like my delivery, the tone of my voice everything like I'm just different and better now the way I say stuff And we talked about like the reception back before when you was freestyling stuff But like what is it like now? How do people react to your music now?  It's like different. So I'm getting a bigger crowd So who were like some people that you got support from or got like co-signed from that you were Like excited. I've been around some big people like FAB was probably the biggest person I've been around that would really like gave me some gems and like Freeway too though. He a OG from Philly. He big though. He was giving me games So did you think like that you were gonna start like going up going up when you when you were writing your music We first started or no, that's why I was scared to post on my page like because I didn't know how they was going to take it You know I'm saying uh, but then I stopped giving the So if it wasn't music and let's say, you know I won't say God forbid because you already going up, but if you didn't what would it have been? What would you have been doing? I would have Been a surgeon to some in school for surgery because that's really was my main goal like medicine and stuff like that so So is that something you still interested in or yeah, yeah, you in school or no? No. Okay. Well, I'm gonna finish school Okay, and it's never too late, you know Um, so how would you describe your sound if you had to describe it in a few words trenches Okay, because um, but I'll be on some compsid though. So it'd be like um Like a little in between. Yeah, but you versatile so you can't say both. Yeah Right I'm humble too So do you consider yourself and I noticed it's a redundant question, but would you consider yourself a drill rapper? No No, no So if you had to categorize your music What would you categorize it as? This hip-hop, right? Okay, because I think I saw something and correct me if I'm wrong That was associated with your name. It said queen of drill. No I won't be calling myself dead. There was somebody that had posted something or something It said Nia G is the queen of drill. I think I saw it on twitter And I was like, that's very interesting because I wonder if she Yeah It's a every female that drill rap stated the queen of drill. I ain't looking for that title. I ain't no drill rapper I'm the queen of this whole rap. That's what I'm trying to be. You know what I'm saying Top of all that and I was I really wanted to get your feedback on that because I think you know You got the tic-tocs with the the props You got the guns and all of that, you know, you got the tough exterior and all of that So I think maybe that's where it's coming from Um, so how did you build Your image? I won't say it's an image But like how did you decide that that's like what you wanted to go out with? Because that's how I am for real like I always been like tomboyish With the gods all the time so it just came natural like when it was time to shoot a video That's how I was coming.    Do you feel like there needs to be that versatility? Yeah, definitely. Yeah, definitely because I need female fans. I'll be too hard. I feel like my raps be too hard for females That's why my female fan base ain't as big as my male fan That's why I'm gonna have something for the ladies too. You know what I'm saying?  You know what I'm saying? I'm a girl But it's hard for girls to do some hard shit and draw a man in you know what I'm saying, that's what I can do Okay, so how would you describe the state of female rap right now? It's definitely doing this thing bigger than I think it ever was for a lot of female artists And you did the um, what was it the women's month freestyle, which was though and that whole thing was dope And you know you was last you came but it ended off great So who like are there any female rappers out right now that you would like to collaborate or that you've been listening to I know you how you feel You told us how you feel about female rap, but Anybody likes to work with I'll always work with Nicki Minaj. You know what I'm saying? She's just different Her, yeah That's really yeah. I ain't really I wasn't really like I mean I would but I ain't really And do you like Freestyle and more like you were before do you like recording getting in a booth doing anything? Uh I'll write I feel like I'm better when I write.  I don't know.  I'll be hearing everything in my head before it even hit a beat Or something you know I'm saying I'm already hearing the bass and how I wanted to sound So it's it's easy for me to write it without a beat and pick a perfect Okay, so I know you write your own music, but how do you feel about ghost writers? That don't count bro. Don't count.  That's that's a tonic, but it's like You can't consider yourself a real rapper rapping somebody else's stuff Okay, do entertainer at that point or something Okay, I feel that now How would you feel about ghost writing would that be something that you would do? Okay, so if anybody's looking All right, so, um You described yourself as shy before I saw on tiktok.   Do you read comments? No, I read all my comments.  You know what I'm saying? I'm glad I got that self-love and like Confidence because the internet it freaked you Yeah, and the industry will break you too for real. Is that something that you've always had? Is that something that you grew into? No, I've always been like Okay, okay, so I see you got the chain With the Bando baby records on it. So how did that come about? What was it that made you want to sign to Bando baby? My man Garcy. He had hit me and To be honest, I really like didn't see a DM or none till like a year later And I'm like, uh, and he was like, how can I make your situation better? I'm like Look on his page and stuff. I see him with me.  I send them like that But I could definitely make something happen for you. I'm saying and I don't know He was just different like some different because I read people good like in Garcy my boys So we linked that stuff and from near talk business and it been up from there Okay, so are you happy with the decision? Yeah Yeah Would there be any words of advice that you would give to artists that are looking to get signed or thinking about getting signed That maybe you wish that you knew before you sign Getting signed ain't all Think it is I think it's pretty It's a lot to it and you got to be real careful A lot of times you don't even need to sign just be independent.   So how important is like your image to you? Are you like a material girl?    No, I think that it works So what do you do? I'm interested because I know that you you and the church is for you outside. Well, like, what do you do for fun?   He too You know, I'm seeing it. So it's like that'd be keeping me company like But other than that, I just like hang with the guys being on the block. I'd rather do that before anything I don't know. That's just where I'd be comfortable Mm-hmm. So I was asking about the balance between Your career and your friends, but how was it balancing being a mom and trying to go up in your career? Hard definitely hard. It's not easy at all But your kid is your mean should be your main purpose and that should make you want to grow harder at whatever you're doing You know, I'm saying trying to rap and being the mix and on the scene and I'm still a full-time mom You know, I'm saying it's hard, but try to make it happen I'm gonna make it happen And if there was anything that you Like later down the line if your son was to look back on like your journey and your process What is one thing that you would want him to take away from? Like your experience Like with the rap journey, yeah about his mom keep hustling like just I want him to be Even harder hustler or hustle just as much as I did because when I make this it happen become a millionaire for him I want him to be like, yeah, my mom did this for me because that's really what it is I want him to hustle grind always had that And so I see you here with the guys I know you've got a lot of guys friends your videos with a lot of guys like How does that translate into like I don't know if you're dating But what where you are like do guys get intimidated about that? No, because they know it's up.  You know what I'm saying?   You know what I'm saying? I don't have time Okay, in that short period I feel you sis It could wait it could wait So, um But do you hang out with girls too?  That's not me And that's why I was curious because I got that from you So I'm like I wonder like who who you hang around with my girls though My girls they they the only ones that could pull that out of me.  But there's a balance. It's important to have a little balance in the friend group Okay, so I know I actually to describe your music, but how would you describe yourself if you had to describe Nia Jean in three words, how would you describe yourself? girl I'm saying real That That that consists of a bunch of different words. You know what I'm saying? I'm just that good words I ain't conceded or nothing, but I just feel like I'm that because I made myself that Okay, how did you make yourself that? Because I went out there made a name for myself You know I'm saying before this bangle baby stuff before anything I went out there I rapped I did that it got crowded. You know I'm saying so and they turned me up for sure You know I'm saying ain't no discrediting them or nothing But I really got out there got my name turned God wasn't all that Do you feel like you still get support from people in Camden from your hometown? Not really. No most of them niggas ops if they not ops.  They scared or something like I don't know Some people in the city support me, but not the whole city I ain't gonna hold you like and that's unfortunately the reality of what it is the people All right. No, I ain't in red cap like my city behind me. They not So where do you get the most support from? Where do you think it's the most important my hood my block? That's all okay. So I'll study a lot Like is there like another city? Yeah, Philly. It'd be Baltimore. It'd be other countries like I'll be going up a lot of things, but New York starting to really get in tune now. Mm-hmm Jersey Different parts of Jersey. Okay. Well, you're you low. Can't give me Philly vibes for some reason. I've been out there too I feel like you definitely give me Philly vibes. Um, are you are you listening to any Philly artists? Are you tap dancing? Maybe you are Okay Okay All right. So is there any like common misconceptions of you? Well, we already touched on one But is there any other like common misconceptions of you that you have heard like as you've been going up? Um I heard this and by one of my guys be writing for you. That was crazy.  What can we expect? It's versatile with all different sounds all different vibes because I just want everybody to feel All different type of weeds. I want to 90 song for however you feel, you know, I'm saying that's how I gotta be That's how I'm coming for this tape. Okay. And when can we expect that? This summer We don't need no exact days, but we just know that we're gonna be violent streets about to get hot Okay, okay. So is there anything else that you would like to talk on touch on before we sign out of this? I don't really be talking All right, well it was good having you welcome back to new york And we looking forward to the next day make sure you shout out your social media So that everybody make sure y'all follow me on instagram naya underscore g follow me on twitter nia g3 Tiktok nia g3


Here's how that ties together. The powers of B understand the value of the Arkansas-Missouri Ozarks. They understand that value. The Russians understand this value. If you... And I was going to give you some Google searches before you distracted me, sir, in the yellow hat. What's your name, Ray? Randy. Randy distracted me. And then I'll add this to you. Here's the first Google search. Russians in Texas County. The Russian enclave in Texas County, Missouri. They claim to be an alcohol and drug rehab facility from St. Petersburg, Russia. They were driving cross-country to get to Florida. Now, why would you go through Texas County to get to Florida, of all things? I mean, you can't get to Florida from Texas County. I mean, it's...anyway. It was so beautiful that we decided to stay. So, they bought whatever their acreage is there. And they moved in. There's about 30 of these men. Now, I've been around...anybody's been around law enforcement or things of that nature. You've probably been around some drug and alcohol rehab places. The real hand ones for people, the children of the rich, and they'll do. They generally are pretty shoestring operations. Now, the Russians in Texas County, if they need a new $30,000 backhoe, they just go buy it. They go to the hardware store with their debit card to buy $1,000 worth of supplies. If the money's not on the debit card, they walk out in the parking lot, make a phone call. It's there. The people who've been observing this location, they say, boy, John has a lot of really nice new BMW Mercedes coming and going from there. People I've talked to that have watched the... And they got videos promoting on YouTube, promoting what they do. I mean, they're real proud of themselves. Some of the guys I've talked to who watch these videos say, yeah, that guy spits nuts, that guy spits nuts and so forth. They can pick them out of the crowd. Thick necks, short hair. There we go. And there's another compound I'm a little bit... About another hour south. Now, Jesse Ventura, when he started doing his shows, I thought, before I started watching him, I thought, this is going to be a bunch of flim flam smoke and mirrors. He's been doing a lot of good work, actually. He's doing a lot of good work. It's very shocking that his work could get as mainstream as it's become. Well, it's amazing they got as many shows in as they did. The Russians are here. I'll say thousands. I don't know how many thousands. It doesn't matter. Now, driving an 18-wheeled truck is considered a good blue-collar job for American men. Make what, 40, 50 grand a year? Okay. It's a good blue-collar job.  You're sober. You've got a nice job. Why are there so many Russians here driving those trucks? Why? Now, where I live, we've got a fairly narrow two-lane highway, and I'm driving along this 18-wheeler stop, and I stop to see what's going on. This guy is Russian. He can't get his truck turned around without help because the roads are so narrow. So I help him get turned around to get to his destination. A lot of Russians driving these 18-wheeler trucks, jobs that should be taken by American men. Now, the plane ticket here to get here from Russia alone is more money than most Russian men would make in several years. Just the plane ticket. Now, what better way to learn how this country's put together than to be 10 feet up in the air driving these roads? Whoa, baby. You want to figure out how this country's put together, that's a good way to do it. Okay, next Google search. CIA and the word Denver. You'll find press releases issued by the CIA that they're moving from Langley, Virginia to Denver. Now, the first press releases, they may still be archived, they said, well, we want to break up the good old boy network that's been in place for so many decades. Well, even their own people were laughing at that, just like you are, sir. So they changed the press release, and they just say, we're moving from Langley, Virginia to Denver for operational reasons. Next Google search. NSA and Denver. No such agency, National Security Agency. Moving from the east coast to Denver. Now, they say they can't get enough, and the press release said, oh, we can't get enough electricity at Fort Meade, Maryland, so we have to move to Utah. Denver and Utah both. We can't get enough electricity. Now, if I was in the business of selling electricity, I think I would increase my capacity to meet their needs. There's a Gene Hackman film, Enemy of the State, great film. There's a true statement in there about NSA at Fort Meade. 19 acres of Cray mainframe computers underground. 19 acres of Cray mainframe computers underground. Now, what they've done in Utah, I think, doubles it, maybe triples it, breathtaking. That's your third Google search, next Google search. Plum Island. Do we have any biologists in here? Doctors? Okay. Teresa, if you're going to be messing around with foot and mouth disease, anthrax for a living, would it be a good idea to have it on an island, maybe 100 miles off the coast? That'd be a pretty smart thing in case something got loose, wouldn't it? That was smart.  The press release for Plum Island being moved to Kansas of all places says, oh, we've run out of space on Plum Island. Now, you do a Google Earth search. You can see an aerial photograph of Plum Island. Looks like a 300 acre golf course with five buildings on it. Run out of space, excuse me. Move with the Manhattan, Kansas in the middle of the most productive, very cultural real estate on the planet. And it's also a very well-respected veterinary school. We have any business owners here? Okay. If you have a business and you have employees, you don't move your business 2,000 miles unless you've got a really good reason. And why would you do such a thing? For operational reasons? You wouldn't do it unless you had no choice. That's why you would do it. If you had no choice at all, you would move. If the event that you was causing you to do it, this goes to Randy's question, if it was 20 years in the future, why would you do it now? All those people are going to be retired. They'll be gone. Why would you move them now? You move them because you have no choice. You move them because you have to do it right now. Talk about expense. When Milton Denver for the CIA had to be a mirror image of what they were leaving at Langley, Virginia. Everything in place. All the square feet, all the logistics, the computers, the workstations. Before they moved anybody, everything had to be duplicated. And Denver first. Incredible expense. Tens of millions of dollars. Yes, sir. There's a book I'm going to recommend you read. The title is real simple. The Prize. The Prize. It documents just like winning a prize at the fair. The Prize. It documents the involvement of energy and oil interests in all the major wars of the last hundred years. Well, I was, everybody here at the Prophecy Club? Stan Johnson? Okay. Stan sent me on two nationwide tours in less than a year. He never did that with anybody. Fall 2004, January 2005. The book titled Peak Oil had just come out. It's a thick, heavy, hardbound book. People coming up to me frantic. John, John, we're about to run out of oil. Peak oil. Professor McCann and I talk about this occasionally. Most of the geologists at the oil companies got laid off fifteen, twenty years ago. They found at least a century's worth of oil and natural gas. At least a century's worth. Fifteen, twenty years ago. Why are you going to send out geologists looking for more oil? You know, your great-great-grandchildren may need it, but we don't. And the reason we're doing it is because of money. The reason where these fuels are being generated is that the amount of money being generated is beyond belief. There's lots of ways to create energy and they're being suppressed. There's books that were published a hundred years ago that talk a lot about this. I'm sure many people here have heard about Nikolai Tesla and the things that he was coming up with. That's a rabbit trail. I don't want to go down too deep, but yes, there are easily obtainable solutions. Natural gas is a good one, for example. What do you get when you burn natural gas water vapor? You know, okay, I can live with that. We got a century's worth of natural gas. Questions? Yeah. Doc. Bob Gaskin. Yeah, right. You have any new information on that or what are your feelings about it? Right. Well, Bob Gaskin is a former Marine who runs a preparedness school, Black Dog Survival School. I've met him at a couple of these expos down in Springfield in Lebanon. His friend and he were having breakfast in Kansas City about four weeks ago. And his friend, at the time, he turned his resignation four days later, worked for the Department of Homeland Security. His friend turned over a stack of documents. They weren't classified, but they were DHS documents. And the following morning, Bob was staying in a hotel and he was having breakfast in the breakfast bar. And two men approached him and they said, Mr. Gaskin, we'd like to talk to you. We'd like to talk to you about those documents in August. Then they showed him a photograph of him getting the documents the day before. And they were playing good cop, bad cop, and they wanted to go up to his room and recover documents. He agreed to have one of them go up with him, the good cop. And Bob is also a deputy sheriff, by the way. As he's walking past the registration desk, he tells the young lady, if I'm not back in 10 minutes, he shows her his badge. If I'm not back in 10 minutes, call the police. So they go up and they get the documents and they all went their separate ways. Bob talked about a financial event the second week of April. Now, there's many people, Gerald Salante is probably one of the best known, who's saying the second quarter this year could be real rough. It's not rocket science. There's many, many well-respected economic prognosticators saying the second quarter this year, something really serious could happen with our financial situation. All Bob Gaskin has done is attach a more specific time frame. That's all he's doing. No big deal. Although it's going to be a big deal, but we'll see. The second event is what he refers to as a celestial event the second week of September. And he says, I won't be anywhere near, on or around the Caribbean the second week of September, but I'm just looking at what this will be.  That's a good guess as any. I don't have any plans to go to the Caribbean anyway, so I'll make sure my daughter doesn't go. If any of you want to go, well, send me a postcard. Yeah, doc. Okay. Okay. Everybody here is doc's question in the back. First and foremost is the spiritual preparation. That's above everything else. If you haven't been through really hard times, I have, I'll tell you, that's the most important thing. When you're in combat, the guy who doesn't have a solid spiritual foundation becomes a very dangerous person to be around. The other kind of person is real dangerous to be around as a guy who doesn't have a sense of humor. Right, Commands Sergeant Major?  The guy in the foxhole doesn't have a sense of humor. He's going to get you hurt. The guy in the foxhole doesn't have a strong spiritual foundation. He's going to get himself hurting people around him. So work, make sure that house is in order. Next come skills. I'm working with the viburnum community, the mayor, the chief police, the fire chief. We've got what we call the viburnal emergency response team. We're starting our fourth year now. The first thing we did three years ago was identify two groups of people in that community. All the ham radio operators and every man and woman who had any kind of medical training whatsoever. Doctors, nurses, dentists, dental hygienists, EMTs, paramedics. Those are the two skills. If you've got a group of six people or a group of 600, those are the two skills that will be in highest demand and shortest supply. Now, granted, there's dozens of other skills that are going to be needed for a long-term crisis. But those two skills will be in highest demand and shortest supply. So work on those two skills. Yes, sir. Everybody here has a question. How's it lined up with Bible prophecy? I've got a great answer for that. Anybody know any Messianic Jews? Messianic Jews? They're Christians who keep the Jewish holidays, basically. I'm kind of a shorthand version of it. There was a Messianic Jewish rabbi giving a presentation in North Carolina about the 10th planet and all that matters. And this woman comes up to him after he's finished and she says, did you get some of your information from John Moore? And he says, who's John Moore? So she gives him one of my DVDs. He watches it and he calls me up a week later. He says, John, I've reached the conclusions that you have by studying the Torah, the Old Testament. He came to understand the cyclical nature of people living on this planet. Now, archaeology has two jobs. It's not to entertain grade school kids. Archaeology has two jobs. One is to recover ancient technology. The other is to keep us from finding out about it. We have any math majors in here? No math majors. Who wants a math? Okay. You've done mathematical calculations to 10 decimal points, haven't you? Why would somebody do such a thing? Tell us why. Okay. The Mayans were doing mathematical calculations to 10 decimal points. They were. Or was supposed to believe that the farther back you go in history, the more primitive people get when in fact it's just the opposite. More sophisticated language. The two foundations of any civilization are language and mathematics. That's the foundation of any civilization. A complex written language and mathematics. If you've got those two things, you're on your way to have an advanced civilization.  How about green glass in the Saudi Arabian Peninsula covering the desert? How about Kashmir? A friend of mine, he retired from the oil industry. I said, you've ever been to Kashmir? He'd been all over the planet. He said, yeah, I went there on vacation with my wife. I said, did you know that there were nuclear devices set off there 12,000 years ago? He says, oh yeah, John, they sell trinkets in the local souvenir shops, commemorating it. Now up until August of 1945, we didn't know how you could turn the sand of Saudi Arabia into glass. We all found out in August of 1945 how you get the heat of the sun at the surface of the planet. There's only one way. And it's there. You can go out and walk on it right now, green glass in the Saudi Arabian Peninsula. There is only one way, 12,000 years ago. Our ancestors, and this is where we got some Christians here, right? Oh, aliens did this. They have to keep this whole false thing about Darwinian evolutionary theory going. What we're finding out is it was our ancestors, it wasn't aliens. It was our ancestors that had that technology, not aliens. Once you figure that out, Darwinian evolution is out the window and they can't tolerate that. That's why you see so much promotion about chariots of the gods. No, it was our ancestors, our ancestors that God put here. They found pyramids in Bosnia, bigger than the Great Pyramid in Egypt. Another intelligent analyst, a friend of mine, he got an assignment. Him and 99 other men with ATVs, cameras, surveying equipment, they entered the man-made tunnels at Hoover Dam. The man-made tunnels that come out at the North Rim of the Grand Canyon, 60 miles away, as the crow flies. Two man teams, all day long, measuring, photographing, surveying, the man-made tunnels that, when they were originally found 100 years ago, had artifacts in them. This is common knowledge in certain areas. Andy Jackson, my hero, Andy Jackson, he kicked the bankers out. War of 1812, you can read it in his biography. The War of 1812, he's down in New Orleans. He says right there in his autobiography, we made use of the ancient canals in our defenses of New Orleans. Canals large enough to be used for ocean-going ships that predate any white man being here 500 years ago. Yes, sir. I wish we had more time, but thank you. Mid-level and upper mantle management in FEMA and Department of Homeland Security, they really want their friends and family, their high school buddies, people they went to college with to know what's coming at us. But they also have non-disclose agreements. I mean, that's a pretty serious thing. A paycheck and a pension is a pretty serious thing. So how do you let your friends and family know that what's coming at us? Here's what mid-level management in FEMA says. Watch these two films. The current version of Red Dawn, if you haven't seen it, I do recommend it. It involves an EMP attack on the United States and the film the day after tomorrow with Dennis Quaid. That's two films they tell people to watch. If you want to know what's going to be like in the future, watch those two films. That's what they tell friends and family. How are we doing on time, Doc? On my table over here, I don't know if you all saw it, we've got several, a couple of books. One is Special Forces Men. One of my jobs in Special Forces was to maintain the library. FM 31-20, I call that book Portable War. 500 pages. That book is meant to take an A-team out into a remote village in Burma or Africa or South America and create an army, literally. Portable War, I mean, right? Command Sergeant Major? That's it. And the other book there, it was bound with parachute cord in the last edition. This one's got an ACO fastener, but that's the best wilderness survival book I've ever seen. Six ways in, 12 ways out. Excellent. I do recommend it. Of course my DVDs are there. If you need an energy cleaner, 25 bucks off tonight. Faraday bags to protect your electronic equipment. Getting back to Doc's question about prepping. These cities, and going back to your question, sir, about being in the city, these cities will become death traps, literally. If the power grid goes down, you're toast. You think you can hold off the starving masses? You know, good luck. You need an exit plan. There's one road. Now, we don't think of Metro St. Louis as an isthmus, but we've got the Missouri River on the north, the Sip River on the east, and the Merrimack River on the south. There's only one road. One road that comes into St. Louis City and County that does not cross a major body of water. What is it? That's it. Who's going to control Manchester really quick? The military and the police. I don't know if they're going to cut off all the traffic, but in a severe crisis, especially in earthquake, they'll take control pretty quick to make sure that their equipment can move in and out. Okay. One more question, and we'll be done. There's the lady right here in the red sweater. The question is, what do you do with your money? I've had this come up, and we could talk privately about it if you wanted a private consultation, but a friend of mine recently came into a quarter-million-dollar windfall, and we discussed this, one of the things he's doing, and he's doing a number of things, gold and silver coins, and cashier's checks from the enemy banks, like Goldman Sachs. Cashier's checks made out to himself. Now, I don't have a hundred-dollar bill with me. Anybody got one of the new hundred-dollar bills? You can hold it up here. There's one. Hold that up so everybody can see it. The new hundred-dollar bill. Actually, that's the old one, but there are new ones. Thank you, sir. There's one of the new ones. There's one of the new ones. This is the second time they changed it. The first time they changed it. There's this nice color poster from the Treasury Department. Here's the new hundred-dollar bill with all the anti-counterfeiting measures on it. And then at the very bottom, we will always honor all previously-issued currency.  Why would the counterfeiter try to make the new money when they just counterfeit the old? All previously-issued currency will be honored. What's the point? That's true. Really, you need to become a student of Gerald Salente. I would suggest, seriously. Gerald Salente, C-E-L-E-N-T-E. He puts out some really... And there's some other good people out there, but he does a good job. You will be the last question, sir. I think that Hussein Obama has a loose grip on reality myself. I've got an email into a friend of mine. He's in Europe. He's a troubleshooter for passenger jets. I've heard that there's a transponder built into the current Boeing engines.  I don't know if it's true or not. I read an article by some general who's making it some retired general. If that's true, then that's the kind of thing Boeing would do. If that's true, they've known where this jet is the whole time. We have anybody connected to Boeing that knows that? One way or the other? You've got to know people that work for Boeing, right? I mean it in St. Louis, but the big jets. I'll be on the radio the next day. If I get confirmation they've got transponders on those engines. I'll be talking about them the next morning. They tracked it the whole way. That's the question everybody wants.  We used to call it come as you are war, right Dan? He's busy talking. He's going to run us out of here, right? Changing is one of the possibilities. They've passed a law that your money in the bank is now an investment. Not a deposit. So they might just keep it. Thank you ladies and gentlemen.


I'm excited to announce the school that's going to appear here in the days, weeks, and months ahead. A $19 million investment including $12.6 million in construction and $6.7 million in site acquisition. Working together for student success is part of the Langley School District's mission statement. And to that end, the Board of Education and the Langley School District are highly delighted to once again be working together with the Ministry of Education to build another elementary school here in the Willoughby area. The purpose in getting together today is for the Ministry of Education and the Langley Board of Education to sign a project agreement so that the construction of another much needed elementary school here in the Willoughby area can get fully underway. It's important for people to know that while we often see our school districts doing the work that is visible, building the schools, providing the quality learning environments in terms of classrooms that these are people who are really focused on that primary goal of making sure that our students achieve the greatest of their potential. It's going to be great for us as a community. We have a number of students who live in this community who need access to their neighbourhood schools and it's going to mean that that's available to them and we're really excited about that. Well this is very big. The Willoughby slopes area of Langley is one of the fastest growing areas in the province. When I turned sod on this site about a year and a half ago, a lot of the houses around us were just under construction. Now they are thriving neighbourhoods and literally that's being duplicated thousands and thousands and thousands of times. So we know these schools are going to be very extensively used for generations. It's all going to work out very well. This is growing and prospering British Columbia at its best.


Hi everyone, Joe for jaspyscasefrakes.com coming at you with 2020-2021 upper deck series two hockey four box random team break number five big thanks to this group of people right here for getting into it.  We did combo a team ducks and jets for comboed and let's roll it let's randomize each list names and teams three and a one four times one two three and a one fourth and final time after four we got Walter all the way down to Nicholas three and a one four times for the teams one two three and four wild down to the New York Islanders. There's a Disney plus original series bringing Emilio Estevez back as a hockey coach he runs an ice rink or is this a movie it's a series it's a series anyway Walter with the wild Nicholas with the stars Ryan with the Canadians Michael with the ducks and jets Nicholas with the Rangers Peter with the flames Nicholas with the abs and canucks Michael with the centers and blues Nicholas with the flyers Michael with the Panthers Peter with the blue jackets Ryan with the caps Andrew with the hurricanes Walter with the sharks Troy with the Preds Walter with the coyotes Troy with the New Jersey Devils Ryan with the lightning Michael you got the Kings the Kings are playing in about an hour or so 45 minutes Walter with the Oilers Andrew with the Blackhawks Walter with the Oilers and Maple Leafs Peter with the Red Wings Walter with the Bruins Michael with the Sabres Andrew with the Penguins Troy with the Golden Knights and Nicholas with the New York Islanders let's get all this on one page let's sort by column B and let me know if there's any trades while you're thinking about trades remember I marked all the boxes with with X's here so it's a four box break we're gonna roll the die select a die we're gonna select that one here we'll go one two three for the top four boxes and four five six for the bottom four boxes good luck boxes and it's five one two three four five six so we'll save this for the next four box break and those are the boxes we're gonna do many trades go through a few more orders while maybe people are thinking about trades all right looks like no trades let's close the trade window let's roll final print out right here thanks everyone for getting in appreciate it the Celtics we got Celtics in Milwaukee on in the background Milwaukee up by eight with three minutes left in the game that the Celtics look like they have a really great team but they don't very good record apparently the Aaron Gordon trade rumors are growing for them we'll do left-right randomizers for these checklist cards and let's see what we got here Drew Dottie there's Brent Burns Dazzlers Markey rookie Mason March Montmart March Montment for Florida that'll be for Michael the Dazzlers for St. Louis San Jose that is for Walter I got Matias Rome for the Red Wings that'll be for Peter and the Braden Burke for Arizona that'll be for Walter there's a meal Larmie for the penguins and Matias or Mattis for Columbus that's gonna go to Pierre some more rookies here Chase Priskey for Florida it's gonna go to Michael and Dylan Coughlin for Vegas that's gonna go to Troy there's Alec Regula for Chicago Andrew there's another rookie portraits Tim Soetzel and program of excellence I don't think I've seen this one Michael DiPetrio how to go to the team that he's on whatever that one might be Tim Soetzel for Ottawa we'll look it up Michael Anthony Angelo young guns and we got the Brad Hunt acetate for Minnesota Walter it's award winners Connor Halibut Nick Robertson for Toronto that'll be for Walter Markey rookies Bowen Byron for Colorado that's for Nicholas yeah let's fill all of it we got a late night to Ryan we can do it all tonight there's double young guns right here that'll also be part of that left right randomizer so there's Shane Bowers for Colorado that's gonna go to Nicholas let's go to the Flyers and this will be for Chicago okay all right looks like that hanger box sold out so we'll go through orders after this but Bowman draft we'll be coming up so yeah so I'm doing this hockey the trout break the up to the Bowen draft and that'll lead us right to to late night with Sean Jaspie so he'll handle whatever breaks fill after that so anyone actually here in this break that's watching this live I haven't you know I haven't heard a peep out of anybody since about any of the cards maybe they're just all bad young guns I don't know hockey so I'm just counting on people's reactions to let me know if I've pulled a nice card there wasn't really that much excitement in the last break there was nothing oh next here so Capri Zov on the wild is the cards that's what we're looking for the Walter got randomized the wild I'm doing well thank you and folks don't forget to take advantage of that 10% off absolute basketball pick your teams up until 9 o'clock Pacific 12 a.m. Eastern take advantage of that before that promo goes away and it's a it'll automatically the discount will automatically be applied in the cart so there's no code yet to ask you just add add the team and the discount will be applied to you automatically Andre Miller we got Thomas Harley rookie materials for Dallas that's gonna go to it's Nicholas that's unique with Dallas where I'm hearing Suitsa is another good one going by I'm another one for Colorado that's for Nicholas and Sororcan if you chase goalies so Forsberg their Stuart Skinner young guns for the Oilers that's Walter with Edmonton Markey rookies Ryan McLeod that looks different for some reason is that numbered maybe a different different color background here Edmonton it's another one for Walter Jake Onigar for Dallas that's gonna be for Nicholas there's Artem Zagidulan Zagidulan Zagidulan Phillip Kourachev and there's Connor Ingram and Dazzler is for Nashville Troy this is for Chicago Andrew and Calgary that's gonna be for Peter Markey rookies Marshmallow Connor McMichael Markey rookies that's for Washington that's for Ryan Lind there's Alec Regula young guns Chicago Lucas Carlson oh yeah the breaking documentary show potential players how tough it is tough to get in today there's Sen for New Jersey that'll be for Troy this is for Chicago Andrew yeah I think that that might have some legs there there's Pavel Francus Colorado Nicholas the documentary might might have some legs Rex if people thing is getting people to to like have them film their like locations a lot of breaking operations like ourselves are kind of a it's a little bit of a proprietary sort of information that they might they may not want to share or reveal but there could be something there exactly yeah we don't we don't share our shipping secrets because we we might we might make another operation more more efficient they snuck back there also maybe help expose the scammer side you know that sounds more like an idea I had Rex that's more closer to like more closer to like a breaking 101 kind of thing I would like to do a series of videos on on that it wouldn't be a documentary necessarily but but just like an informational series of videos on what a group break is what to look out for you know how to look out for scams blah blah blah sort of an evergreen series of videos that that can that can kind of sit in a playlist and we can direct people to them and what not answering like kind of broad level questions about the industry and whatnot but yeah documentary would be a whole other beast it's not just not just you know there's a it's not just here's how it works you know and I mean there has to the documentary would entail like more of a deeper narrative as opposed to here's just the behind the scenes look so that like that's not that's not kind of what I have to what one would have to think of if they weren't do a documentary right you want to hear the knock right yeah there's like two different projects like the overall documentary just on the history of dot dot dot could be interesting and that'd be more involvement with just that might be a documentary more about the modern hobby in general but then the other side of it is yeah maybe a series of like yeah like FAQs and video form or something like that see in Mitchell young guns could be an interesting project we got Ali here for Vancouver that's gonna go to Nicholas the Ian Mitchell young guns for Chicago that'll be for Andrew there's Connor McMichael Stewart Skinner Edmonton that'll be for Walter the McMichael will go to the caps that'll be for Ryan Lind some dazzlers here young guns checklist canvas and also be a left right randomizer this one is for the flyers Igor Zamula Nicholas and that'll be between the Wilde and the Islanders Shane Bowers for Colorado there's the Kynan young guns here Oliver Joseph or Livier Joseph Cal foot next half here Tim Suetzel that's the guy some people are saying that he's pretty good there's Jake Evans rookie material Montreal that'll be for Ryan Lind and this is for Michael and the Senators the gang saying this guy's a good guy to get it's award winners Victor Hedman Alexander Alex Victor Soderstrom for Arizona that'll be for Walter this is for the Capitals this will be for Ryan there's Joel going to Dallas that'll be for Nicholas Vitali for the New York Rangers Joel for the sharks that's going to be for Walter this one for the Rangers that'll be for Nicholas another Victor Soderstrom for Arizona Walter Steven Lorenz for Carolina that'll be for Andrew here's Austin Pogansky for St. Louis that'll be for Michael K alright Tyler Johnson starting I thought he plays for the Buccaneers Nets at Jazz is the second ESPN game he's some I think there might be some Kings pregame action happening here or is it an NBC SN game might be an NBC SN game I have no idea what channel NBC SN is on direct TV I don't have direct TV at home you took the under in the Kings game I guess we watch the end of the Sabres Penguins game oh this game I'm not gonna penguins are up 5-1 on the Sabres let's go back to the basketball yeah we have I have direct TV here at the shop but I don't have it at home so I don't know channel numbers one day no I already found it Mac thanks but one day I can I'm just gonna tell the TV TV hey TV change the channel to NBC SN who knows who knows channel numbers anymore you know that's like memorizing phone numbers it's ridiculous alright here's one for New Jersey that'll be for Troy Winnipeg that'll be for Michael there's a young guns card for the Rangers and a rookie portrait for Dallas Dallas Nicholas L has Dallas Keondre Miller for the Rangers that'll go to I'll go to Nicholas as well there is a Matthias Brom for the Red Wings that'll be for Peter and Mattis Kovlenik's goes to the Blue Jackets that'll go to Columbus that's gonna go to Peter we've got Nico Hersher Dazzlers for New Jersey Troy Conner Ingram Mackenzie Ensign while going to Chicago that'll be for Andrew there's Conner Ingram for Nashville Troy there's Alexis LaFrenier I've heard of him that goes to Nicholas and the Rangers there you go nice Alexi LaFrenier Brock Vessar Young Guns Cal foot canvas like the canvas editions of these Tampa Bay Ryan Lynn and this one's for Vancouver we for Nicholas the Dazzlers Brock Vessar there's Niles Hoglander Young Guns and a florescent I haven't seen one of these yet florescent Bowen Byram for Colorado Nicholas I think so yeah I haven't seen any young guns car I saw a double young guns card of him I've not seen a standalone young guns card for the for that Minnesota Wild Kid we still have a little stack to go so maybe we'll find him there's Igor Zamula Alex Belzil for Montreal that'll be for Ryan this will be for the Flyers that'll be for Nicholas Marquis Rookies Giles Sen for New Jersey that's going to be for Troy Niko Mikula and Pavel Franco for Colorado Niko goes to the blues that'll be for Michael here's the last bit here good luck everybody we've got Philippe Millet capitals Ryan like me Malkin and that is that ladies and gentlemen there you go another nice four box break ran team five of the brand-new series to hockey just dropped today let's do a quick left right randomizer new dice and let's roll it and randomize it two and a six eight times one two three four five six seven and eighth and final time right side teams we'll get all of those dual player cards I'm Joe for Jasper's case breaks calm thanks for watching I'll see you next time for the next one bye bye