Now, the Roma Wine Company of Fresno, California presents Suspense. Roma Wines bring you the suspenseful play called Two Birds with One Stone, starring Mr. Dana Andrews. Suspense is presented for your enjoyment by Roma Wines. That's R-O-M-A, Roma Wines. Those excellent California wines that can add so much pleasantness to the way you live. To your happiness and entertaining guests. To your enjoyment of everyday meals. Yes, right now a glass full would be very pleasant, as Roma Wines bring you a remarkable tale of suspense. And with Two Birds with One Stone, and with the performance of Mr. Dana Andrews, Roma Wines hope indeed to keep you in suspense. You ready? That's the boy. Shh. Not so loud. Not so loud. We want to surprise him. You don't want him to hear it before his birthday, do you? All right, all right, all right. I'll put the recorder on, and you're only to speak when I tell you to.  Now, here we go. Walter? Hello, Walter. This is Eleanor Walter, and this... speak, speak, speak. This is Tracy. And we're saying happy birthday from your loving wife and your faithful dog, Tracy. Is it Tracy a smart dog, Walter? He can talk, can't you, Tracy? Speak up. Speak up. Tell us everything you know. You didn't know Tracy could talk, did you? But he can. He knows lots of things. Tell us everything you know, Tracy. Now, that's enough. That's enough, Tracy. Do you want him to hear us? There. Now, the record's finished. We'll mark the label. Not to be played until May 17, 1945. Eleanor and Tracy. There. Tomorrow we'll play it for him. The first thing in the morning. I'll bet you're the first dog that's ever made a record.  No, no, no. Well, no. Yes, dear. What are you doing? Nothing. Just waiting for you. What's all the racket about? Just Tracy and I roughhousing. I wish you wouldn't do that when I'm trying to write. I'm sorry, darling. I thought you were finished. Well, I'm not. You said you'd work till 11, and we'd take Tracy for a walk. It's after 11 now. I didn't think I was going to get stuck. Oh. We belong? How do I know how long I'll be? It's hard work for me to write a play. I'm not told, Stoy. I'm sorry, darling. I just can't seem to say anything anymore without getting on your nerves. We didn't used to be like this. Maybe you're not like we used to be. Poor Tracy. He wants to go. Well, we'll never go unless I get that second act cut and fixed. I wish I could help, dear. Maybe you can, Eleanor. What would you say if you were thinking of committing suicide and you didn't want anyone to know exactly what your plans were? What would be the last thing you'd say to your husband, for instance? I don't know. I never thought about such things. Tracy, boy. Walter, couldn't you work it out tomorrow? You'll be fresh in the morning. I said I'd finish this and I'm going to if it takes all night. Tracy and I'll have to go for a walk alone. Come on. Come on, Tracy.  Oh, Eleanor, you said you wanted to help me. Well, if I thought I could. You helped me the other day. Only with what your leading lady's dress looked like. About the suicide. Oh, first of all, why is this girl committing suicide? She's tired. Bored. Oh, darling. No wonder you can't make it convincing. People don't just commit suicide because they're bored. Yes, they do. People do even worse than that when they're bored. Well, Walter, I've been bored lots of times, but I've never even thought. I can see you're not going to be much help. I'll help you, honey. What's the girl like? Is she married? Yes. Is she in love with her husband? Well, she doesn't know anymore. How could she not know? Eleanor, you may not understand her, but you've got to take my word for it. Let's see. Um, would she say... Eleanor, let's try it this way. You know, sometimes the very first things you think of are the best. Just say whatever you think she'd say without stopping. You know a little about the character. Just say whatever comes into your head. Now, try it. I won't interrupt you. All right, but... Oh, Eleanor, did they fix the recording machine today? Yes, yeah. Why? Have you tried it out yet? No. No, I was just going to... I'll tell you what we'll do then. We'll try it out by cutting a record of what you say now. It'll be spontaneous, unrehearsed. I've thought too much about it. Maybe that's why I can't do it. But yours will be fresh, and we'll play it back and change it and work on it after we hear it. Well, wouldn't it be better, darling? It was... Please, pride my way, before you have a chance to think too much about it. Oh, come on. You've got a record right there, haven't you? Well, um, one side's blank. All right. Come on. And, uh, make it emotional, convincing. You ready? All right, go ahead. Maybe it's foolish of me to do what I'm thinking of doing. But I don't see any other way. I'm confused and... and bored. I guess bored, most of all. And maybe what I'm going to do will solve things for both of us. Goodbye. Well, that was good, Eleanor. I can get a lot of ideas from that. Is that the end of the record? Yes. You see, you have helped me after all. Oh, I thought it was terrible. I'm no writer, Walter. It was all right. Well, of course I may change a word here and there, but it was all right. Really? Well, can we go walking now? Yes. Get your coat. All right, baby. All right. Here we go. Here we go. Eleanor, would you mind if we left, Tracy? Huh? Why? I feel so tired. I thought I'd like to stop at Joe's for some coffee. We can take him in with us. No, we can't. Remember what Joe said last time we had him in there? Oh, I'd forgotten. I don't see why he has to act that way about dogs. We just spoiled Joe. Just because he gave you music lessons as a child, he thinks he can treat us any way he wants. Eleanor, he has his customers to think about. People don't like to have dogs hanging around an eating place. Joe's fault. Oh, poor Tracy. He knows he's not wanted. Well, that's the way Joe feels about it. We'll only stay a few minutes and then we'll come back for Tracy. All right. I suppose we have to. Tracy, you wait now. We won't be long. Then we'll come back for you. Oh, we'd take you now, boy, but we can't. Look, Walter, it's almost as if he understands. Yeah. Expect him to up and answer you one of these days. Oh, come on, huh? Let's go so we can hurry back. We'll only be 20 minutes, boy. Did you see him look at the clock? I saw him look at his wristwatch. Oh, come on. You know, old Joe's got a nerve not wanting dogs in here. Look at some of these customers. Don't be bitter. I don't think we ought to come in here anymore, even if he is an old friend of yours. It'd break his heart if we could quit coming here. You know that, Eleanor. How else could he worry about me and keep an eye on me if we didn't come in here once in a while? Look, they've got new records in the jukebox. It's about time. See what they've got. Did you say new? Blue Heaven. Together. Blue Me Sunday. Blue Me Sunday. I haven't heard that one in a long time. Would you like to? Let's order first. Let's sit at a table. Make him wait on us for a change. No dogs allowed. He's got a nerve. Honestly, I'd never... Shh! Here he comes. Now, don't start anything, Eleanor. Well, I'm off of Joe, and I don't care if he knows that. Shh! Good evening, Walter. Mrs. Faber? What'll it be tonight, huh? Well, hello, Joe. Just coffee. Well, you got any of that seven layers? Yes. I think I can think you have. Nothing for me. I haven't seen you in quite a while. You're not going to see me and hear any more at all, Joe. Huh? Why not? Oh, Joe, never mind. We're in a hurry. But why do you say that, Mrs. Faber? Never mind. I'm going to play a record, Walter. I'll be right back. What is the matter with your wife? Maybe I did something? No. No, Joe, it's... It's nothing you've done. But you notice it too. I notice what? How depressed she is. Yes, but then why? If you could understand women, Joe, you wouldn't be in this business. That record she's playing... In Hungary, we called that the Suicide Song. Bring us some coffee, will you, Joe? Maybe that'll pick her up. Yeah, all right, Walter. Even if you don't like old Joe, you've got to admit he certainly bakes a wonderful cake. I'm not interested. Let's go. But you're hurrying. I don't like this place, and I'm not coming back anymore. Shh, not so loud. I don't care if he does hear me. Well, good night, folks. Good night. Where are you going? We have to go back after Tracy. Look, Eleanor, it's starting to rain. If we go back now, we won't get our walk in at all. Oh, Walter, but we promised him. Let's just run down by the wall, shall we? Then if it doesn't rain too hard, we can go back for Tracy. Oh, maybe you're right. Gee, it is beginning to come down. Come on. The river's wonderful when it's raining. Well, maybe we better go back. We won't get wet if we make it a quick one. Come on. Walter, let's go back, Walter. Come on, Eleanor. Come on. Walter! Walter! I'm just soaking wet. Now, this is a game. This isn't a game, Eleanor. Oh, Walter, you frightened me. Standing in the shadows like that. Come on, now let's go home. I'm just freezing. Look at the river. It's beautiful, isn't it? Oh, please, let's go home. Dark, mysterious. And dirty. Let's go back. It's not dirty, Eleanor. And if it is, it's dull, boring people who've made it that way. Whatever it is, I'm cold. I'm wet. Eleanor. Yes. Come over here. No, I'm going home. Look over the edge here. The way the water washes over the piling. Oh, please, Walter, let's go home. Just a minute longer. Then we'll go. All right. But promise. Walter. Walter, what... Walter, what's wrong with you? Walter, let me go. Walter, no. You dumb-clock. Well, it's two birds with one stone, I guess. For Suspense, Roma Wines are bringing you as star Dana Andrews, whom you've heard in the first act of Mel Dinelli's Two Birds with One Stone, which is Roma Wines' presentation tonight of Suspense. Between the acts of suspense, this is Truman Bradley for Roma Wines. To millions all over the world, the name Elsa Maxwell stands for gracious hospitality. Her suggestions on entertaining are eagerly sought. And here's an especially timely one. Planning a simple dinner for friends during these days of food rationing calls for imagination in making plain dishes temptingly attractive. I suggest the simple inexpensive touch that Roma lends. Making party fare out of the most ordinary supper. Serve cool Roma California burgundy with the meal. If possible, too, dine by candlelight. The tart pecancy of deliciously robust Roma red burgundy and the soft, flattering lighting heightens the pleasure of dining. That's a grand suggestion of Elsa Maxwell's dinner by candlelight with distinctive Roma burgundy. Truly an appealing idea. Like all Roma Wines, Roma burgundy is of unburying goodness. The goodness of selected grapes, guided to flavorfulness by the ancient wine skill of Roma's famed wineries. Serve Roma regularly. It costs only pennies a glass. Remember, more Americans enjoy Roma than any other wine. R-O-M-A, Roma Wines. And now Roma Wines bring back to our Hollywood soundstage Dana Andrews as Walter Faber in Two Birds with One Stone, a tale well calculated to keep you in suspense. Joe. Joe, and what's the matter, Walter? Have you seen my wife? Well, not since you were here a while ago. She's disappeared, Joe. What do you mean? We went for a walk after we left here. In the rain? She insisted. You saw how she was acting. Yes. Well, she got away from me down by the wharf. I couldn't find her. I thought maybe she'd come back here. I haven't seen her, Walter. Joe, Joe, will you help me try and find her? Oh, sure. Nick, I'm going out. Take over, will you? All right. I can't think of any other place to look. What am I going to do? She will turn up. Don't worry, Walter. I don't know. She's been acting so strange lately. What about the dog? What do you mean? Was he with her? Well, yes. Yes, he was. She'll be all right then. You look after her. Let's go to your apartment. She might have gone back there. Might as well, I guess. But she was sore at me. I don't think she would have gone back home. We'd better have a look anyway. Look there, Walter. What's the matter? There's a door to your apartment. It is open. Didn't you lock it on your left? I didn't lock it, but I remember closing it. Maybe she's come back. No, she couldn't have. I mean... Come on, let's go in. Oh, Eleanor. See, there's no one here. I'll look in the kitchen. You go in the bedroom, Joe. Yeah. Walter. What is it? Come here in the bedroom. What's the matter? Look on the bed there. No. It couldn't be. I thought you said the dog was with her. He was. Yes, he was with her. She must be here, too. No, she couldn't be. Why not? I mean... Oh, Eleanor. Eleanor!  Maybe he's been hurt. He's soaking wet. It was raining, wasn't it? Yes, it was raining. What's the matter, Tracy? What's the matter, boy? I guess it's all right. But the way he stares at us... Joe! What's the matter? I just remembered. A record. She made it tonight just before we left the house. She wouldn't let me hear it. She wouldn't tell me what it was, even. She said I could listen to it after we came back from our walk. It's in here, on the machine. Oh, we'd better play it, Walter. Maybe it's foolish of me to do what I'm thinking of doing. But I don't see any other way. I'm confused and bored. I guess bored, most of all. And maybe what I'm going to do will solve things for both of us. Goodbye. I think we'd better call the police, Walter. What for? To have them look for her. Oh, yes, of course. Anything else you can think of, Mr. Faber? Oh, that's all. Then you believe the recording was intended as a suicide note? Yes. I would like to talk to Mr. Weiss here alone for a moment. I'll be in the bedroom if you need me. All right. Mr. Weiss, how long have you known Mr. Faber? For many years. I gave him music lessons as a child. Can you add anything to what he's already told us? Well, she was acting just like he said. I noticed at the moment she walked into my place. She was usually very friendly. And she said something about my not seeing her anymore. Anything else? That's all. And you did hear them play the record Gloomy Sunday? Yes. Well, we've had a couple of suicide cases where that song has come up before. I think Mr. Faber better prepare himself for the worst. I'm afraid so. Well, look, I'll go along now. Faber will probably want to come with us. But I think he'd better stay here. There's no telling what we'll find. Is there anything I can do? Yes, yes. I suggest that you get in touch with his family. I think he ought to have someone here with him. He has no family. Oh? Then perhaps you'd stay. Of course. Well, we'll call you the minute we have any news. Good night. Here. Did the officer go? Yes, he did. But I think I should have gone with him. No, no, no. He said for you to stay here. He'll call us. Walter, have you noticed Tracy through all of this? What about him? I don't know. It's depressing just to look at him. That's because you don't like dogs, Joe. Oh, no, you're mistaken. Walter, I do like dogs. I never did know why you asked me to tell your wife not to bring him into my place anymore. Oh, would you like a drink, Joe? No, thanks. Strange the way that dog follows you around. Every move you make, it's almost as if you were trying to say something. He's all right. Come here, Tracy. Come here. Come here, Tracy. He was her dog, wasn't he? Yes. She bought him. His eyes are almost like humans, aren't they? Yeah. Stop it, Tracy. Stop following me around. Oh, no, you ought to get hold of yourself, Walter. Yes. Yes, I guess I'm pretty upset with all that's happened. Tracy is too. He knows something's wrong. He doesn't know anything. Will you stop it, Joe? Huh? Oh, well, I'm sorry. We both need sleep. That couch is pretty comfortable, Joe. Oh, that will be fine for me. What about Tracy? He usually sleeps on that chair over there. Well, I'll go on to bed. Good night. Good night. No, Tracy. Don't follow me. Get over there in your chair. You know about your chair. But go and get away from me! Joe. Joe! Joe, were you talking in there? Did you call me? No, no. I was asleep. You must have heard Tracy scratching at the door here. Joe, keep him out of here, will you? Keep him in the living room. Yes, I will. Joe, I've got to get rid of that dog. First thing tomorrow. Maybe my wife and I will take him. No. Why not? It'll be too hard seeing him around. I don't want to see him anymore. I don't want him around.  You can talk about it in the morning. Yes. Good night. Good night. Come on, Tracy.  You'll have to carry him. Pick him up, will you? Yes. Here we go, boy. Hey, he has got something sticky around his neck here. He ought to have a bath. I'll get it. You stay in here, Walter. Oh, officer. I have bad news, Mr. Weiss. We found her. Where's Mr. Faber? In the bedroom. Well, you'll have to help me break it to him. Where did you find her? In the river.  She was in pretty bad shape. Her clothes were torn and her arms were badly lacerated. We can't figure that out. Well, I guess we better go into Mr. Faber. Yes, yes. What is it? Have you... Walter. Walter, we have very bad news for you. I'm sorry, Mr. Faber. There's nothing you can do now. As we suspected, it was suicide. There's no need of your coming down now. There's no notification on her. But we would like to see you in the morning. I'll be down. Good night. Officer. Yes? Would you do me a favor? Certainly. This was her dog. I don't want him around anymore with her gone. Could you take him with you now? This is a bit irregular. What would you want done with him? Just get him out of here. I don't care what you do with him. I know you're upset, Walter, but the dog decided about it tomorrow. You may feel different. Don't stand there and argue with me, Joe. I know what I want. I'll get him out of here, I tell you. I guess you'd better take him, officer. You'll have to carry him, I guess. Yes. Well, it's too bad, Bill. Probably put him out of the way. Yes, I know. Goodbye, Tracy. Happy birthday from your loving wife and your faithful dog, Tracy, can talk. Speak up. Tell us everything you know. You didn't know Tracy could talk, did you? But he can. He knows lots of things. Tell us everything you know, Tracy. Joe, did you hear... Happy birthday, Walter. How did you know it was my birthday? Eleanor told me. Eleanor? No. Eleanor's dead. Walter, you had a bad dream. Wake up. Dream? Oh, Joe, I dreamt I... What did you dream? I dreamt I... I murdered her. I mean, I... Why did you do it, Walter? It was a trick. Why did you do it, Walter? You won't tell anyone, will you, Joe? You won't, will you?  I hated her. I knew I'd never be rid of her. I am going for the police.  I've got a gun here. So you didn't give Tracy to the police after all. You wanted him here to be crazy. You knew all along. You suspected from the beginning. I suspected nothing until a while ago when I prayed the other side of this record. I put that gun down, Walter. Let the dog in. Go on, let him in. If it hadn't been for him, you'd have never known about Eleanor. But I'm going to fix both of you now. You couldn't get away with one murder, and now I suppose you think you'll get away with two. Pick the dog up.  That's right.  Hold him close if you're so fond of him. It's going to be two birds with one stone again. Only this time I'll make it stick. Stop that gun. If that dog hadn't gotten away from us, you'd have been a goner, Mr. Weiss. And if I hadn't followed this dog back here, I wouldn't have overheard your very interesting confession, Mr. Faber. Well, okay, I guess I'm even a worse playwright than I thought. Come on, Tracy. Let's go for a walk. I'll walk you down to the station. That's funny. Listen to him. This is the first time he's ever wanted to go for a walk with me. And so close as two birds with one stone, in which Roma Wines have brought you Dana Andrews as star of tonight's study in Suspense. Suspense is produced, edited, and directed by William Spear. Before our star returns to the microphone, let me say a word for Roma Wines, the sponsor of Suspense. The world-famous hostess, Miss Elsa Maxwell, knows all the niceties of entertaining. And she has this to say about simple wartime hospitality. Good friends and good Roma California sherry. These are the makings of a pleasant evening. Roma sherry is ideal for any occasion. Before dinner with appetizers, or during friendly visits. You and your guests will enjoy the light, nut-like flavor of glorious amber-colored Roma sherry, especially served cool. Delicious Roma Wines cost only pennies a glass. Serve them often. Remember, more Americans enjoy Roma than any other wine. R-O-M-A Roma Wines. In the next time you use Bermuth, choose Roma Bermuth. Zestful, full-flavored Roma Bermuth is blended and developed with all the traditional wine-making skill of Roma Wineries. Is made and bottled in the heart of California's famous vineyards. Yet surprisingly low-priced. Try both sweet and dry types of Roma Bermuth soon, won't you? This is Dana Andrews. I certainly enjoyed appearing on this evening's Suspense. And I'll be looking forward to next week's show, which will star my good friend Herbert Marshall. In the meantime, remember this. We've got the biggest home-front effort of the war facing us right now. It's buying more bonds during the current Seventh War loan, more than we've ever bought before. Last year by this time, we had two war-lone drives. This drive, the Seventh War loan, is the first this year. But it must do the job of two. For there'll be only two war-lone drives in 1945. So buy more and larger war bonds now. Dana Andrews appeared through the courtesy of 20th Century Fox. And will soon be seen in their production State Fair. Next Thursday, you will hear Mr. Herbert Marshall a star of Suspense. Presented by Roma Wines. R-O-M-A. Made in California for enjoyment throughout the world. Yes, the Columbia Broadcasting System.


Days before the elections with Ben Davis, U of Toledo Law School, Professor Jim Alfini, Dean and Professor Emeritus from Northern Illinois Law School and Southern South Texas Law School, and Jeff Portnoy, our leading First Amendment constitutional scholar here in Hawaii. Gentlemen, lots of possible topics today. Ben, thanks for sharing an absolutely magnificent article. Do you want to give us just a quick intro of what you're talking about with that? Yeah, just real quick. I was watching the Judge Barrett confirmation hearings and heard her mentor herself as Justice Scalia being her mentor and that she was an originalist. And so that caused my old, originalist question to pop up in my head that I always asked them because I have an ancestor or I have ancestors who were enslaved and owned by one of the founders and framers of families, the Harrison family, Benjamin Harrison, William Henry Harrison, who ended up being a president long after. And so what I usually would ask originalists as my objection, as opposed to the usual ones, was just what if you have a personal objection to a founder or a framer because they owned your ancestor? And the other part of it was also I found out later on from my sister that it's not just that he owned them, that I actually have his DNA in me. Okay, I mean, that's how deep it was. And so I wrote to a piece that that's a question I'd like her to answer. I didn't once ask Justice Scalia that question and big dinner 400 people at the Inverness Club here in Toledo when he came. And the back and forth was kind of fun and that he first said to me, well, the people made the Constitution. Of course, everyone says, people, what do you mean? It was white men with property, right? I mean, so there's a lot of people who are not white men with property at that time. And then he said, well, I should man the barricades, you know, be in the streets like May 68 in Paris. And I was an untenured law professor at the time.  And he said, well, you have to be logical. And so that was fine. So, you know, I stopped the back and forth. And then he said, which I think was really interesting. You've got to get over slavery to me like that. The resounding applause at the time. And but on the way out, and I'm here in Toledo, this white couple said to me, he didn't answer your question. And the wife of a judge who's at the same table as me, she spoke to me with very strong emotion and pride about her great grandfather who had fought for the Union during the Civil War. And it so moved me actually, I was driving to D.C. once I stopped at Gettysburg to see the ghosts, which is incredible. Gettysburg is incredible. And I went into a little store there and bought a U.S. Army belt buckle, which was made in China, but you know, which was because she said that he had gotten shot. But what had saved him is that his belt buckle had blocked the Confederate bullet. So I sent that to her and sort of remembered so. But you know, Comey Barry is not really an originalist. What she should call herself is a federalist. And that's why these hearings have gone a little bit off the rail. You know, I mean, this was, as we all know, a fate of complete, but getting into the weeds on originalism and how the Constitution is to be interpreted, what they should do and should have done and some tried was get into the federalist society, her membership in that society, her adherence to all of their politics, positions and legal positions. I think the country would have been a little bit better served understanding really where she's coming from. Yeah, that's a good idea. And where is that? Well, I mean, you know, I think what we have now are literally, I don't know how many hundreds of judges who have been nominated by the Federalist Society. I mean, they have provided Trump with lists from district courts to the Supreme Court, and he is nominated off of those lists there. I don't know if there's more than a hundred that could be 200 judges sitting now who are members of the Federalist Society. And it's a very, let me be charitable, a very conservative organization whose views probably follow those of Ben's relatives, indirect relatives who own plantations back in the mid 1800s. I think that's the most charitable way to put it.   I mean, that's really a common way of saying it. You guys probably have a much more intellectual way of defining who they are. Yeah, they were founded in the 1970s, and Justice Scalia was one of the founders, one of the originators of the Federalist Society. I think it's probably best to see them as a reaction to the war in the era, you know, the Warren Court, and even the Burger Court to some extent, extended the rights of the accused. We had Roe versus Wade, and all of a sudden these people said, hey, wait a minute, let's put the brakes on this. And originalists is part of their thinking. The problem I have with that term, I think, is that it really is an extreme way of looking at the Constitution, has been so carefully pointed out in his piece. And there are conservative justices. A good example would be Souter and O'Connor and Kennedy that really don't subscribe to the originalist thing. I mean, I remember when we were holding our breaths that Roe versus Wade was going to be overturned, and then Casey came out, and those three got together, and I think basically what they said was, we have to be concerned about the integrity of the institution. This has been decided, people have relied on it, and so, you know, maybe we can quarrel a little bit about the reasoning, but we can't overturn the basics. And I think that's institutional integrity is where the justices all should be, and I don't think Barrett is there. I mean, she's too much, I think maybe even more than Scalia. I think she'll bond with Thomas on the court. Hey, and Jim, you have been one of the leading people in the American Bar Association on ethics, and if my recollection is correct, not that long ago, you and the ABA Ethics Commission had some of an encounter with the Federalist Society judges. I'm going to tell us a little bit about that. Yeah, actually, I wasn't directly involved in this, but there's a committee of the Judicial Conference of the United States, which means federal judges, that basically makes changes to the Code of Judicial Conduct for federal judges, the U.S. Judges Code of Judicial Conduct. And they had put out a memo recommending a new provision that would have said that federal judges could not be members of the Federalist Society or the American Constitution Society, because they took basically stood for political things. And at the same time, they said the American Bar Association is okay, because it's a more neutral body. Jeff, this is where the Federalist Society comes in. They got a petition from, I want to say, about 300 federal judges who all said that they were members of the Federalist Society and there were outrage that they would have to quit the Federalist Society. The moral of that story is they didn't withdraw it, but they basically put it on hold. Yeah, you know, I don't know whether he is or isn't, so I'm not making a statement, but our Chief Judge here actually talked to me about that because of the First Amendment ramifications. I never asked him, nor did he say whether he was a member, but he was very outraged by what you're talking about and the attempt to force judges to not be members of the Federalist Society. So it hit home even a little bit here in Hawaii. Yeah, right.  Oh, is he? I didn't know that. He is indeed. He was one of the signatories to the letter of outrage. I'll tell you all, I have a Federalist Society t-shirt because one of my students bought me a membership. This was after grades were in. Or for a year there I was and I'd sell him for his birthday. I would buy him a membership in the ACLU, which I mean, you know, there is a legitimate argument about what the role of judges are. I mean, you know, I think I think you can make an argument both ways.  And then there are the other side that say, no, courts are supposed to expand the law if they believe the law is unjust or, you know, how they interpret the Constitution literally or not. And unfortunately, I think we are seeing a significant influx, right, of those judges at the federal level who are federalists or originalists and who believe that they're not there to make law. And, you know, if you can't get the second branch of government to change the legislature, the law, that's just the way it is, right? And they look at the Constitution the way it was written and claim, if you don't like it, that's why there's a way to amend the Constitution. So, you know, I think the three of us probably feel differently about what the role of judges should be. But lots of people who believe the contrary. But if you look at the opinions of a lot of those federalist-oriented judges, there's no doubt in my mind that they're making policy. That's BS that all they're doing is applying the law.  Good example is our, we started early voting here in Texas this week. And record turnouts, by the way. But at the same time, our governor, Greg Abbott, who's a Trump ally, reduced the number of, he basically shut down dozens of drop off points for mail-in ballots. And basically what he decreed was there's only going to be one per county, one drop off point for it. Well, some of the Texas counties are as big as the state of Rhode Island. So, it'd be hard for a lot of people to get to that point. And so, they brought suit and a federal district judge actually said that he was suppressing, that it was unconstitutional, that he was denying some people the right to vote. He was suppressing voting. It goes on appeal to the Fifth Circuit and a three-judge Fifth Circuit panel overrules the district judge and upholds the governor's order. All three were Trump appointees. So, unless you live in California, Jim, where the Republican Party are putting drop boxes on every other corner and then collecting the ballots themselves, it's unbelievable. The only real evidence of voter fraud in the first month of voting is the Republican Party in California putting out their own phony drop boxes. What else can happen? What else can happen? So, the Secretary of State writes the cease and desist letter, which I think is supposed to end at five, you know, the timing of that is five o'clock this evening, right? Okay. And I'm looking at that and I'm saying you should maybe do like Michigan. Remember those guys in Michigan who were making those robocalls to people by saying, if you vote, you know, by mail, you're going to be put on the list and all that stuff. So, what do they do in Michigan? Criminally charge them. Boom! You know? And I'm saying, when I looked at that happening, when the party says, oh, we're not going to listen to your cease and desist order, it's like, well, why don't you just charge them? Just bring the case. Bring the case.  The states and local have been left on their own and the federal response has been appalling.  They interviewed a few people, you know, at this Trump place in Pennsylvania, and this is no different than what I've seen for weeks now about going to these rallies and, you know, one person and I know they represent lots of people say it's in God's hands. I'm not worried.  I mean, these are millions of Americans. It's unbelievable.  So I guess that was that what he only, he only did it to strike down the sodomites. Oh, that's what it was.  That's right. That's right. If you're God's mind, right. Jay, if you're right, and I hope you are, that it's going to be Biden Harris, at least those are two people that I think have the capacity to heal some wounds and develop a consensus. What do you think? I don't, I don't see it, Jim. I think they're the right people. But, but, you know, you just watch those rallies and it's like, it's like they've all been brainwashed. It's like Hitler. I mean, I'm sorry to say it. It's like Hitler. You watch the old film of the 1930s into the early 1940s of the Hitler rallies or some of the Soviet Union rallies. They're no different. They're no different. The people are, are, it's mind boggling me. CNN went and interviewed yesterday. I don't know if you saw it in Pennsylvania. They went to a rural community, a rural county that voted for Trump. And some woman, 2016, built a little house, which he now calls the Trump House, where she sells Trump paraphernalia. And they interviewed her and she said, oh, in 2016, people found this novel and whatever.  She had a book this thick of signatures and they showed the line stretching as far as I could see for people to walk through the Trump House to buy a Trump t-shirt, a hat or whatever. Jim, I, I don't know how you're going to do it. I just think, I just think, I think it's the civil war without the war. Well, my wife thinks I'm an uncurable romantic, but I like to remember those moments during, during the most heated protests, Black Lives Matter versus skinheads, where they caught on tape someone from Black, someone with a Black Lives Matter shirt debating, you know, a proud boys guy, and they wound up shaking hands at the end. I think it's possible. It's tricky, but I think people can get together. To some extent, they're angry about the same things, you know. So what is going to happen with Trump? Do we think when he's gone? Do we think he's going to shrink it to the background like Bush, or like, you know, Obama?  I don't think so. I don't, I mean, he is an enabler of hate. If he doesn't get convicted, by the way, yeah. He's going to be out there worrying about that. But I think he is, there's no doubt he is an able, an enabler of hate, but he does it for only one reason, and that's to get elected. When that's not the table, he doesn't really have a reason to be out there doing that, you know. Right. Well, I figured there'll be Trump TV. That's what I think is what's what's going to happen because the adulation is just too strong for him, and he can make money doing it. That's where he made some big good money. So I don't know if it's inside of Fox or somebody else, but he's going to find a way to be a commentator. That's- Do we have a, do we have a two-party system come January? You know, how will the Republicans remain as rabid as they are right now, you know? Sure, sure. But I'm not, I'm, you know, we've had a lot of bad times in history, right? So it's like, things will change, things will change. You could say that in a way that it's only of the country, you know, imagine this was 80% of the country was left. Well, then- That's progress. Then the four of us would be in Canada. Yeah, yeah. Or New Zealand. I've never been a big fan of the two-party system. I know that that sounds like sacrilege, but I wish that some of these third parties would gain some trust, particularly like the Green Party. You know, it's been there. It's hanging in there. You know, if you get some charismatic leaders in that party, they haven't had any. You know, having a third or fourth party, I think might be a healthy thing. I don't know, Jake, those third parties cost us Donald Trump. But the state structures, the partisan structures that are basically killing third-party candidates by making the hoops they have to go through to get on the, on the ballot so incredibly complex, you know, just because it's like a Democratic and Republican game, so to speak. And that's something that's bothered me a lot over the years, that not being allowing really, I don't know how it would be done, but just, okay, if you want to run, you get your signatures and you do it, but you don't put people through so many hoops.  So gentlemen, in our last minute, final thoughts, we're going to come back just before the election on October 29th and revisit this, and we can talk more about voter suppression and which communities are targeted and what impacts it will really have. But last thoughts? Vote. Vote, yes. And we should have had a stimulus before the SCOTUS. That's what I think is a sacrilege. And that is the biggest problem I have with the confirmation hearing, is they didn't get the stimulus done before. Gentlemen, thanks so much for your time, for your thoughts, for this really dynamic interactive discussion. We will be back in two weeks on the eve of the election to talk about what are we all confronted with them. Thank you all. Stick around for a little debriefing.


I remind members that social distancing measures are in place in the chamber and across the Holyrood campus, and I ask that members take care to observe those measures, including when entering and exiting the chamber. Please only use the aisles and walkways to access your seat and when moving around the chamber. The first item of business this afternoon is time for reflection. Our time for reflection leader today is Linda Britton, a celebrant humanist society Scotland. Thank you for inviting me to speak today at time for reflection. We should all know what that means, but do we take time to reflect? Some of us have busy lives get caught up in what we feel is important without thinking of what we do and say has an effect on others. As a humanist, I try to treat people as I expect them to treat me to think before I act or speak and just recently had to make a decision that I thought might upset someone, so why did I do it and importantly how? I engaged with the person and asked them to talk to me about their reasons, then asked them to listen to mine. We had a middle ground. Both of us felt listened to and respected for our different beliefs. I was able to conduct the ceremony for a person who did not have a faith and their next of kin was able to lead the mourners in prayer after the ceremony closed. That was important to them. It was the right thing to do and benefited everyone. There is much debate in this chamber. Rightly so, our actions and words cause reaction in others. When we think before we speak, encourage discussion, try to walk in another shoes, we become human beings that care. As the people who have been elected to make decisions, it is important that this is foremost in your minds. If nothing else, the pandemic has shown us what is important. Look at Maslow's hierarchy of needs.  As a human being, it is my responsibility and yours to work together to ensure that no one is left without these basic needs, as John Donne wrote. No man is an island and the pandemic has shown us that. With COP26 taking place soon in Scotland, we can make changes that benefit all living creatures. We have lived through the worst year and a half that most of us can remember. I hope that you have taken heart from the many people who have worked throughout without a thought for themselves. We applaud them. We can do better. We can show our gratitude by changing our behaviour or, as I mentioned at the beginning, reflecting on what we do and how we do it. Thank you for listening. It has been a privilege to speak to you.


um the bus is completely empty as you can see uh we've got nine hours to go i am one of only three left on the bus what the fuck was that next minute all right guys what is that it's me it's jake we're here on the bus on the greyhound bus on the way to rockhampton i don't know how i'm going to get through this honestly i'm three hours into a 12 hour bus ride thank god thank god although intermittently there is wi-fi coverage on this bus it's making it a hell of a lot easier and i think it's gonna see me through thank god um so today i left you in sydney i flew to brisbane i had a little bit of trouble checking in i thought that i had 30 kgs of luggage which i had on the other two flights uh unfortunately it was only 23 so i had to pay extra i had to pay 100 bucks extra for my luggage there's a bit of a fuck around but it's all good we got through so last night um on the tv i saw that melbourne um the state of victoria has gone into a five day lockdown right so when i got to the airport this morning the gate that i was going to go through to fly to brisbane had a melbourne flight coming through so not only could we not be around that area but we had to wait a little bit extra that the flight was delayed but you know all i was thinking every single flight from from melbourne from that point jesus christ what have i got myself into should i jump on the radio what do you reckon i jump on the radio no okay so i'm gonna get off i'm led to believe we're here for 20 more the bus is completely empty as you can see we've got nine hours to go i am one of only three left on the bus what the fuck was that okay here we are a bit of daylight for you like a zebra and gimpy nine hours to go how many times have i said that i don't know this this video bringing out the camera right now is actually helping me it's breaking it up so i think at the next stop wherever that may be i will bring the camera back out and report to you how it's going so peace out guys thank you so much for coming along on the trip and we're almost there this is the fourth and final leg of the trip three flights one bus ride fourth and final leg i'm wearing my antonio brown raiders top and um what a time to be alive what a time to be alive i get to see my kids in less than 24 hours that's the main thing it's been 12 months and in less than 24 hours i get to see them should be good are you still there all right well i'm still here um i thought i thought before i eat any of this i show you exactly what i'm getting to sustain me for the rest of this trip it's actually a pretty decent shop not going to lie there's a few different selections but i decided to get all of all of this so we start with a chicken bacon and avocado turkish bread roll with salad we've got a blt on another turkish bread roll with cheese we've got a bounty bar which if any of you guys were ever going to buy me chocolate this is my favorite i love coconut yes i got some more sweet stuff we've got some locally made i'm led to believe peanut brittle that looks absolutely delicious and last but not least we've got some caffeinated beverages in the form of v i don't know why i'm why i'm doing this like a news reporter i honestly don't um i think i'm just getting excited i'm getting excited we're nearly there and what i am excited about is the color of my teeth now i'm gonna say safely that my teeth are certainly not that white but i'll take it so guys i'll see you on the road thank you thank you very much right guys we made it this is the final clip of the day a 12 hour bus ride it's three o'clock in the morning or what would be about six in the morning new zealand time so this is the final clip i am absolutely exhausted but it was worth it so it's time for me to leave you and see you in the next one peace out guys thank you so much for keeping me company what a trip so glad it's over time to go to sleep


What is going on guys welcome back to the channel critical overlord here So let me talk about Halloween kills and the official or one of the official pieces of the score that came out earlier this week from John Carpenter and his son Cody Carpenter I believe is his name and David Howie I think is the other person's name, but the track that came out was titled unkillable I did touch on this a few weeks ago when I talked about the fact of that song leak It was one of the only ones that I could manage to listen to and just like how I said it sounded amazing then now that I know that That was actually real Officially confirmed with this official release. It's actually up for pre-order the whole soundtrack itself is up for pre-order I believe right now, but the track unkillable it is done To perfection I mean I could see this playing at a very or during a very intense chase sequence between the shape Maybe Lindsey Wallace or any of the characters that are in halloween kills this track unkillable The way it seems like it's just building and building and building and building with whatever emotions any character who is dealing with this Chase that's I'm assuming going to be occurring while this is playing It's just building and building and building on emotion. I can see this a company accompanying a Very high-paced or very fast-paced Chasing that has you on the edge of your seat. You're hold holding out and hoping that the character that's being stalked We'll make it out alive Most likely they won't I would have to argue that I think this is gonna be playing during Lindsey Wallace's kill Only because and I say kill only because of the fact that you know again going off of the trailers everything to show It looks like Lindsey Wallace will not be making it out of this movie alive Tommy Doyle at this point seems like he'll have a better chance of making it out alive Because of the fact that there hasn't been anything in the teasers to suggest that he won't make it out alive in my opinion Do I think he'll make it out alive? I I've said before that I don't really think Tommy will make it out alive But we're going off of what the trailers have provided Lindsey's chances of survival look a little worse than Tommy's Tommy seems like he has a better chance just based off of the trailers and TV spots that come out It looks like Lindsey has a better chance of dying than Tommy, but the track unkillable. I really liked hearing it I liked how it sounded. It definitely got me in the feeling of yes I am watching a Halloween movie or I'm going to be watching a Halloween movie I think I'll be watching this What I hope will happen is during the month of October during the week of its release. I'll watch Scream on Monday again in theaters for the first time and then Chucky the day after and Then Halloween kills the day after that like on the Wednesday before it comes out on Thursday night Or I could see Halloween kills and Chucky the TV series episode one in the same night That's what I hope so I have scream on Monday of October 11th and then Halloween kills and Chucky on October 12th That's what I would like to see happen, but the other thing I wanted to talk about was regarding the whole Unmasking of Michael Myers because we know in the trailer we've seen The shape will be unmasked and we've seen that there will be a moment where he is without his mask and James, you Courtney has talked about this in some interviews recently or in the past and I just want to talk about how exactly will he become unmasked one Whether or not this happens at many different instances in the film I don't know but one instance I can see this happening is during that whole house sequence where Cameron and Andy Matichak's character, I'm forgetting her name Allison are in whatever house there and I think it looks like the Myers house I'm predicting that's the Myers house they're in whatever house that they're in and when Allison is at is down is Downstairs yelling as the shape is trying to stab her to just do it I think from that point what happens is Karen comes from behind and just yanks the mask off or she does something to Get Michael off balance and then she takes his mask away from him and then that's when it leads to Michael Eventually coming after them and then there's that moment where she's standing there and just saying you want you want your mask Come and get it etc. I Think that would be one of the many instances where he could be unmasked If not the only instance because they could have instances where he's taking his mask on and off on and off on and off on and off For whatever reason I think that having him unmasked won't take away from the film as much So as it would if we're just seeing too much of his Not even seeing too much of his face because the thing that took it away in some of the previous entries like Halloween 5 was just having him cry and specifically Halloween 5 none of the other ones where he was unmasked was it really an issue of Him having him cry like that and just like what are you crying for? It was just a very bizarre Scene in Halloween 5 it wasn't it wasn't The emotion they're trying to get get in that scene. It's not done to perfection at all It's not even done good at all. It's you're more so wondering. Why are you crying right now? Michael? What's wrong with you? And then he snaps back into it. He puts his mask on it's okay Yeah, that scene was useless. They didn't have any tender moment there. There was nothing sweet about that moment It was kind of underwhelming and why is Michael Myers crying? But if you're just gonna have his mask off and the way he looks with his mask off as we've seen in Halloween 2018 He could still be very terrified. I that with having no expression on his face He's just an unstoppable killing machine going back to the title of that track that came out unkillable so I would think that would be one instance where he gets his mask taken off the other instance could be during a Altercation with maybe Tommy Doyle who knocks his mask off with his baseball back If he manages to do that somehow I know Michael Myers will undoubtedly not stop until he kills Tommy whether that be in Halloween kills or Halloween ends I think that would be something that's gonna be putting Tommy Doyle's character Basically solidifying a death sentence at that point if you hit Michael Myers so hard his mask comes off I can see Michael taking that some type of way and wanting to throw hands with you or deal with you in some fashion that would of course result in your Unfortunate death because you knocked his mask off and you basically disrespected that man But that's all I have for this video is as it pertains to that track that came out and just wanted to share my quick thoughts on The unmasking of Michael Myers that we know will happen in Halloween kills and how it could or could not happen You guys can talk about it down in the comment section below What instances in the film? Do you think will lead to Michael Myers being a mask if you think there are multiple instances where this will happen? Or if there's one those of you who read the script in its entirety do what you got to do in the comment section If you don't want any spoilers, I'm just gonna say it in this video. Don't read the comment section if you're trying to avoid spoilers I'm sure people are gonna just talk about how I was wrong and what happens because they read the script But whatever let me know what you guys think about this down in comment section below If you haven't already make sure you subscribe turn on post notifications The video in the description have links my social media accounts my Facebook Twitter and Instagram You can message me there of course there's any movies news or views I'm gonna cover in the future here with all that in my guys I will see you in the next video


K-E-L-L-O! The Jell-O program starring Jack Benny with Mary Livingston, Phil Harris, Dennis Day, and yours truly, Don Wilson. The orchestra opens a program with night after night. Everything from soup to Jell-O, and that, ladies and gentlemen, is the best way I know to describe a really complete meal. For Jell-O adds to any table that grand final touch of pleasure and perfection. Its rich glowing color is a tempting invitation to pick up that spoon and start right in on this swell inviting dessert. And just to taste it is to know the ultimate in good things to eat.  So friends, make that next meal really complete by topping it off with a top-notch Jell-O dessert made with any of Jell-O's six delicious flavors. Ask your grocer for several packages of Jell-O tomorrow. And when you buy, look for those big red letters on the box. They spell Jell-O, and Jell-O spells a treat. And after night played by the orchestra.  A man who- Hold it, Don, Don, hold it, hold it. Jack isn't here yet. Well, where is he? He's out in the hall talking to Orson Welles on the telephone. You mean Orson Welles, the famous actor? Yeah. What's he talking to him about? Well, it's a long story. Jack is still burned up because he didn't win the Academy Award this year. So from now on, he's going in for heavy dramatic stuff. And right now, he's out there trying to get Orson Welles to coach him. Ain't that a lulu? But gee, Mr. Benny's a comedian. What does he want dramatic lessons for? Well, that's what I say. He ought to stick to them big shoes and baggy pants. But I guess I better go out in the hall and get him. Yeah, tell him to make it snappy. I'll be right down the air. Okay. Yes, I understand, Orson. Yes. Yes. Quite. Oh, but definitely. Very well, Orson. I shall be expecting you within the hour. Hey, Jackson, we're waiting for you. I'll be there in a moment, Phil, old boy. By the way, Orson, shall I send my car for you? Or will you take a car? I mean, cab. Oh, very well. I shall be looking forward to your visit. Thanks very much. Goodbye. Well, that's that. Say, kind of putting on the dog there, wasn't you? Phil, don't say wasn't you. It hurts my ear.  He talks to Orson Welles for two minutes, and my English ain't good enough for him. And don't say ain't. Heavens. Oh, stop with that high-brow stuff. What are you trying to do? Make me feel subconscious? That's self-conscious.  I'll tell him you've got laryngitis. Come on, let's go inside. Yes, let's join the others. Gee, you're funny. You know, Phil, it's amazing that you haven't got your own program. Well, I may have one of these days. I often dream about my own show. Oh, you do? Well, maybe I can arrange for the Sandman to tear up your option and sprinkle it on you. Come on, subconscious. Oh, hello, Dennis. Hello, Mr. Benny. Oh, hello, Donna. I'm sorry I'm late. Oh, it's all right, Jack. Shall I go ahead now with your introduction? Oh, don't bother. Let it go tonight. Well, no build-up for the star, huh? It isn't necessary, Phil. I think I'm fairly well-known, don't you? You're Don Tutin. Everybody knows you, Mr. Benny, while your name is famous from coast to coast. Well, thanks, Dennis. That kid will work next year. That's not flattery, Phil. I've been in show business for a long time, and naturally, my name has become more or less familiar.  When I go out on the road with my band, I hit a lot of towns where they never even heard of you. No, kid. That's a fact. Well, Phil, in the kind of towns you play, you can get eight to one that shoes are a passing fancy.  You're not an entertainer.  Say, Don. Yes, Jack? I meant to tell you, I just spoke to Orson Welles on the phone, and he's coming over in a little while. Oh, yes, Phil mentioned something about it. He said you wanted Mr. Welles to coach you in dramatics. Yes, and he is consented to help me out. Gee, Mr. Benny, you're a swell actor now. You don't need any coaching. Yes, I do, Dennis. That's right. Don't change your mind so fast. You know, Don, I've been doing comedy for a long time in radio and pictures, and, oh, comedy is all right, but I've decided to go in for deeper things. Now, Dennis. Yes, please? Mr. Welles will be here pretty soon, so I think you ought to get your song over with it. You got something ready? Yes, Mr. Benny. This being St. Patrick's Day, I'm going to sing a real old Irish folk song called Fill the Flutter. Well, that's very apropos. Go ahead, Dennis. Okay. Say, Jack, I forgot to ask you, how's Mary getting along? Mary? Oh, she's much better, Don, but you'll have to stay in bed a couple more days. Well, I'm very glad she's improving. Hey, what's the matter with Mary? Oh, she had a bad... Dennis, you can close your mouth. We're going to talk for a while. Okay. Uh... She had a bad cold, Phil. I think it was a touch of the flu, but she's getting along fine. Has Mary got a nurse? Yes, Phil, and she's gorgeous. Well, all right. And her husband, who was six feet four, and could break you right in two, isn't bad looking either. Sing, Dennis. I think there'll be no more interruptions. And when right now he was careful to suggest to them if they found a hat of his convenient to the door the more they put in whenever he requested them the better would the music be for dancing on the floor with the toot of the flute and the twiddle of the fiddle up and in the middle like a heron on the griddle low up, down, and around crossing to the wall Oh, hadn't we the gaiety of Philip Flutter's ball? Then little Mickey Mulligan got up to show them how and then the widow, Cafferty, stepped out and makes her bow I could dance you off your legs as she assured you were born If you'll only make the pipe or play if a hare was in the corn So Phil plays up to the best of his ability The lady and the gentleman begin to do their share Faith and Mick, it's you that has agility Because of Mrs. Cafferty you're leaping like a hare with the toot of the flute and the twiddle of the fiddle low up and in the middle like a heron on the griddle low up, down, and around crossing to the wall Oh, hadn't we the gaiety of Philip Flutter's ball? Then Philip Flutter tipped to winks a little crooked pat I think it's nearly time to see for passing round the hat So Paddy passed the hat around a looking mighty cute says you've got to pay the pipe for when he tooters on the flute all joined in with the greatest joviality cover in the buckle and the shuffle and the cut Sheig's walker danced of the very finest quality but the widow beat the company a handle in the foot with the toot of the flute and the twiddle of the fiddle low up and in the middle like a heron on the griddle low up, down, and around crossing to the wall Oh, hadn't we the gaiety of Philip Flutter's ball? Well, Dennis is a funny thing but you're the only Irishman I ever met that I can lick Don't be too sure about that, buddy I guess I picked the wrong day, folks Say, I wonder what's keeping Orson He ought to be here pretty soon Well, Jack, you must remember that Mr. Wells is a very busy man between his radio program and directing plenty to do Oh, I know he has a heavy schedule In fact, I don't know how he'll ever find time to come over here and help you out Well, you see, Don, he and I are old friends We went to high school together High school together? Why, Orson Wells is only 24 years old Phil, he graduated from high school at the age of five Don't you read the magazine? Why, when he was seven he played Shylock and the merchant of Venice and the beard was his own Don't tell me about Orson Wells Pretty smart youngster, huh?  No, Dennis, he's coming over to coach me in dramatic art And I'll tell you one thing, fellas with his technique and my feeling for the finer things who knows what results I can attain who knows where I can go Oh, boy, if Mary was only here Never mind, Phil, I'm quite serious Anyway, when Orson gets... Oh, gosh, that must be him Come in Pardon me, has Mr. Wells arrived yet? No, not yet I'm the secretary, Ms. Wentworth If you don't mind, I'll wait for him Oh, no, no, no, come right in Thank you Oh, Mr. Harris, will you please show Ms. Wentworth to a chair? Mark the chassis here, babe Phil, make yourself comfortable, Ms. Wentworth Now, as I was saying, fellas when Mr. Wells gets here I don't want any heckling just behave yourself while we're rehearsing Well, what do you intend doing tonight, Jack? Goodbye, Mr. Chips Oh, no, Don, we're going to work up to that gradually First, he's going to teach me dramatic delivery and enunciation and how to breathe Isn't that right, Ms. Wentworth?   It was, oh, darn it, I was so excited I forgot to ask Well, you're a fine secretary You're the secretary, not me Then why did you answer the phone? Because it's my phone, that's why I forgot to ask the man's name, so why? Mr. Wells won't like it Look, miss, don't worry about that The party will probably call back again And when they do, I'll be... Come in Excuse me, is this Studio B? Yes, sir I was to meet Mr. Wells here I'm Mr. Stone, his secretary His secretary? Then who's Ms. Wentworth? She's his private secretary I'm right out in the open Well, uh, come right in Mr. Wells should be here any moment Thank you How do you do, Ms. Wentworth? Good evening, Mr. Stone Gee, that Orson's a pretty busy guy, ain't he? Phil, I warned you about saying ain't Oh, that's right He's a pretty busy guy, am he not? Just let it go, Phil Now, Don, I wish that you and Dennis... Mr. Stone, here's a script the theater girl sent from New York Thank you And by the way, there was a phone call from Mr. Wells But Mr. Benny failed to get the name Oh, that's terrible I said I was excited and I made a mistake I'm sorry Mr. Wells won't like it Not to Mr. Wells Gee, you think I'd murdered somebody Now, Don, as I was saying If you and Dennis would be... Now what? Come in Pardon me, I'm looking for Studio B If he isn't here yet, have a seat Good evening, Mr. Wells Good evening, Mr. Wells Good evening, Mr. Wells Oh, Orson! I'm glad you were able to make it, Orson I was wondering if you were going to... Mr. Stone, did Gabriel send in those sketches The cartoon's the picture We'll be needing them soon, you know Yes, Mr. Wells I received that script from the theater girl Good, good, let me see it Here you are, sir Hmm, it looks like a very interesting play Whatever the finish the second act We'll need polishing Gee Oh, Orson, before we get started I'd like to have you meet some of the members Mr. Wells and his co-produce The first one that was given to you Did you cable Mr. Miller about The American rights to his new production The one that opened last week in London? Yes, I did By the way, just before you arrived A phone call came for you But Mr. Benny didn't get the name Snitcher I was excited, Orson That's alright Jack But watch those things in the future Oh Oh, I will Now, Orson, before we get started I'd like to have you meet the members of my cast This is our announcer Don Wilson How do you do, Mr. Wilson? And this is Dennis Day, our young tenor. Mr. Day? How do you do? Dennis, don't curtsy. Oh, he's, he's, he's, he's, you know, he's so polite. And oh yes, this is our orchestra leader, Phil Harris. Good evening, Mr. Harris. Hi, Orson. Still scaring people? Don't pay any attention to him, Orson. He's always like that. Oh, I don't mind. He's rather amusing in his own crude way. Crude. That's very good. By the way, Jack, where's Miss Livingston? Oh, Mary's home in bed, Orson. She has a rather heavy coat. Oh, that's too bad. Has she got a nurse? I checked on that, Bob. No soap. Oh, what course language. I don't know where he picks those things out. Just the same. He's a very interesting study. Don't you think? Oh, yes. Yes. Why? Why? Now, Orson, I think we ought to get started with my rehearsal. Did you have anything in mind for the first lesson? The first lesson? Now, let's see. Benny, Benny, Benny. Oh, yes. Hmm.  I have. Definitely. For instance, if your goal is the Academy Award, as you say, you should concentrate... Uh, pardon me, Jack, there's something I must do, Miss Wentworth. Yes, Miss Wentworth. Take a telegram to Mayor LaGuardia, New York City. Yes, sir. You see, Jack, you should concentrate on the heavier and more legitimate type of drama. I understand. Well, uh, what would you suggest, Orton? Dear Mayor LaGuardia. Receive your telegram, and if I'm in New York on the 29th, we'll be only too happy to attend the banquet. Well... However, we'll let you know in plenty of time if I ain't coming. Ain't? Listen, you said ain't. Oh, I'm surprised. Well, Jack, the use of the word ain't is sometimes permissible. You see, in this instance, by using ain't, I saved a word in a telegram. Oh. You don't have to tell him about saving anything. Never mind you. That's all, Miss Wentworth. Yes, sir. Now, Jack, where were we? Uh, you were about to suggest a proper vehicle for me. Oh, yes. Now, the type of play that would offer you the greatest scope for emotional histrionics would be a literary classic, something like the Hunchback of Notre Dame. The Hunchback of Notre Dame? Uh-huh. You mean Charles Lawton's part? Exactly. Gee, that would be swell. Mr. Christian, come here! How's that? That's from mutiny on the bounty.  I got a little mixed up there, I guess. Well, Orson, if the Hunchback is the play you feel I ought to do, let's try it out. I'm your obedient servant. Shall we get started? Yes. Uh, Mr. Stone, did you bring the script to the Hunchback with you? Here it is, Mr. Wells. Good. Now, Jack, here's a scene that we can start out with, which I think will give, give... Oh, pardon me, Orson. Come in. Excuse me, is Mr. Wells here? Why, yes, he is. It's your teller, Mr. Wells. Oh, come in, Max. You might as well measure me right now. Okay, Mr. Wells, market is down, Sam. Right. Now, Jack, I think we can take this scene where the king of France meets the gypsy dancing girl. Here's Morelta. Now let me glance at him in a minute. Next! 15 and a half! 15 and a half! Wait, 36! 36! Lake 29! 29! Come on, Sam. Goodbye, Mr. Wells. Yes, I think this scene will be fine, Jack. Well, I'll do my best, Orson. Now, do you think I'll... Oh, Miss Wentworth. Yes, Mr. Wells. Take a memo to the tailor. No bells in the back. Now, Orson, as I was saying, do you think I ought to give my own interpretation of the Hunchback, or should I mimic Charles Lawton? In other words... Oh, darn it, excuse me. Hello? What? What? London? London, England? Oh, I think that's for me, Jack. Gee, London. Hello? Oh, hello, Miller. So nice of you to call. Yes, yes. Yes, I've heard splendid comment on your London production. I'd like very much to do it. Gee, all the way from London. I understand, Miller, but the theater guild has sent me a script which I may have to do first, you see. Yes. Phil, you better play something. This may take all day. Yes. My goodness, what a busy man. Now, here's the point, Miller. I'm committed to the guild until May 30th. However, if you could arrange to hold the American right, I'd still like to read it. Pecker's song played by Phil Harris and his orchestra.  What do you mean, hypocrite? I mean, your music was the same as always. You didn't play good just because we have a distinguished visitor. Well, Orson, should we get started with the hunchback of Notre Dame? I'm raring to go. Oh, now, wait a minute, Jack. Oh, Mr. Wells, I have an important message to deliver right now, and I wish you'd listen to it and give me your frank opinion. I'd be glad to, Mr. Wilson. Don, Orson is here to help me. Well, Jack, this will only take a second. Ladies and gentlemen, next time you're in the mood for attempting an appetizing dessert, go to your neighborhood grocer and ask him for a package of jello. You will find it's not only economical and easy to make, but comes in six delicious flavors. So be sure to insist on genuine jello and look for the big red letters on the box. Wow. How was that, Mr. Wells? Very good, very good. But I wish there was some place you could bring elephants in there. Elephants? What an imagination. Well, let's get to me now, A. Orson. All right, Jack, I see you're ready to play the hunchback. What did you do?  No, no, that's this suit. I must have it altered. Say, Orson, I was just thinking, of course, I don't want to complain or anything, but as I remember in the picture, Quasimodo, the hunchback, had very little to say. In fact, all he did was grunt and groan. Not very dramatic, is it? Well, now that's where it's going to go. Not very dramatic, is it? Well, now that's where you're wrong, Jack, a groan or a grunt, if properly delivered, can convey as much emotion as a whole page of dialogue. Well, perhaps you're right, although I never thought of that. Now, tell me, Jack, can you groan? Groan? You ought to hear him on payday. Phil, you're the only one I resent pain. Well, now that you've explained it, Orson, I think I can handle it all right. Very good, then let's get started. Now, this particular scene calls for the King of France. I'll play that. Frollo, the King's High Justice. I'll play that, too. Hmm. Quasimodo, the hunchback. That must be me. Yes. And Esmeralda, the gypsy girl, Miss Wentworth. Would you care to help us out, please? Delighted, Mr. Wells. Now, Orson, I noticed in the script here that Quasimodo rings the bells in the tower of Notre Dame. Do you want me to ring them? No, I'll handle the bell.  And incidentally, Jack, at the finish of this particular scene, you have a very dramatic speech where you tell Esmeralda not to be afraid of you. It's really the highest part of the play. Oh, well, I'll sure try and get a ride, Orson. All right, then let's proceed. We open first with Esmeralda and Frollo. Now, quiet, everybody. Quiet, everybody. Mr. Wells is about to rehearse. You have the first line, Miss Wentworth. Yes, sir. Let me go. Don't touch me. You have the hands of the devil. Great. For such talk, I could have you burned at the stake. I am the law. Yes, the law that drives my people out of France. You deserve it. You are thieves and swindlers.  But you don't know the gypsies. I don't want to know them. I want to wipe them out with fire and sword. Every one of them. How, how was that, Orson? Just grown once, Jack. Oh, oh, I thought twice. Now, at this point, King Louis XI of France enters the scene. Esmeralda speaks. Oh, thank heaven. The king approaches. Maybe he will listen to me. You will be heard. I will help you, my child. You're mad to see it. But you must give me a good reason. They say you are a lot of thieves. Oh, no, your majesty. Whenever we steal, it is because we are hungry. Help us, Sire. Please help us. I will help you.  Go, go back to your... Go back to your people, my child, and tell them that their king will see that they have food and shelter and that in the future, they shall be unmolested. For this, I needed a teacher. Now, look, Orson. I don't know what's wrong, but I don't feel those groans. Maybe I ain't breathing right. Jack, don't say ain't. It's bad English. Well, for heaven's sake, you said it. That was in a telegram. Oh, well, Miss Wentworth, take a wire to Mr. Wells. Dear Orson, I ain't breathing right. And another thing, Orson, when do I get to that long speech of mine? It's right here at the top of the next page. Esmeralda speaks again. Continue, Miss Wentworth. Oh, thank you, your majesty. My people will always be grateful. Rest easy, my child. And now, goodbye. Goodbye, sir. Oh, wait, your majesty.  I'm frightened. That's your cue, Jack.  It is I, Quasimodo. Do not be terrified of me. I am not a man and not a beast. Yes, I am human, too. I have a heart and a warm core. But people... Hey, wait a minute, Orson. You're drowning out my voice. Well, the script calls for better. I don't care. You don't have to ring them that loud, do you? I'm sorry. Try your speech again. Oh, Mr. Stone, will you ring the bells this time? I want to watch Mr. Benny. Yes, sir. Uh, go ahead, Jack. It is I, Quasimodo. Do not be terrified of me. I am not a man and not a beast. But more looked down upon than me. Hello? Yes, he's here. It's for you, Mr. Wells. New York calling. Thank you. I have a heart and a warmth to others. Oh, hello, Harrington. I can't drive me off. Listen, Harrington, I'm trying to reach you all the way. I'm trying to reach you all the way. When you think I'll get to put those books.  I'm hearing this. I'm hearing this. You promised that two weeks ago. And all that is here. Harrington, this is why I look at you. Harrington. You are very beautiful. Harrington. And you try to look me in the eye. Oh, for crying out loud. How can I act with all this going on? For Heaven's sake. Oh, Mr. Wells, your suit is ready for a fitting night. Thank you, Max. I'll try it on here. Oh, the heck with a play, Phil. What I go through for a career. Folks, if you're looking for a swell dessert to serve for Easter dinner next Sunday, look no farther. Because here it is, the whole answer in a pastry shell. Jello Easter tarts, each one heaped to the brim with clear golden orange jello and several sections of tender juicy oranges. Yes, believe me, it's a glorious treat and just as simple as it is satisfying. To make it all you do is dissolve one package of orange jello in one pint of hot water. Chill until slightly thickened. Divide three medium oranges into sections, drain them, and arrange in eight baked tart shells. Fill the shells with jello, chill, and then, if desired, garnish with whipped cream before serving. The result, ladies and gentlemen, is a truly marvelous dessert. So plan now to highlight next Sunday's dinner with one of the most delicious and intriguing treats you ever tasted, jello Easter tarts, a grand combination of plump, juicy oranges and rich, brilliant orange jello. This is the last number of the 24th program in the current jello series, and we'll be with you again next Sunday night at the same time. Say, Orson, I'm sorry I blew up the way I did, but I would like to become a dramatic actor. Well, Jack, those things take time, but I'll tell you what, come over to my show next Sunday. We're gonna do June Moon, and there's a swell part in it for you. Well, gee, I'll be glad to. Well, I have to groan much. No, Jack, there isn't a single groan in the entire play. Oh, gosh, and just when I had a down pat. Good night, folks. And here's more fun and enjoyment for you. Tune in every Tuesday night for another swell half-hour of jello entertainment, the famous Wildrich family. See your local paper or our movie and radio guide for time and station. This is the National Broadcasting Company.


Finally, we will very, very briefly look at the concept of pressure altitude for other LTA vehicles. What we have seen so far is only for a classical non-rigid airship which has a ballonet inside and an envelope. But there are other LTA vehicles, there is a hot air balloon, there is a super pressure balloon, there is also a rigid airship. So let us very briefly see for them what happens. Let us look at a rigid airship. A rigid airship does not have any ballonet. It just has gas bags inside a structure. So the analysis that we have done so far is applicable for them also. Now if you look at a zero super pressure balloon that means a balloon which is having a pressure inside just equal to atmosphere, this is called as a zero super pressure balloon. Now let us assume that this balloon, now this balloon it has, if it has to go up, it cannot have no buoyancy, it has to be radically light. So it has to contain a volume more than that which gives you lift equal to weight. So the buoyant lift will be more than the weight, that is why it will go up. Now up to a pressure height it behave like an airship at which point it is fully inflated. So what is happening is the balloon is not fully inflated at sea level. As it goes up, it goes up, it goes up, the gas inside is expanding. When it reaches the pressure altitude, it is fully expanded. Once it is fully expanded, there is no room for expansion unless you stretch the envelope. So if you want to go above this altitude, again you have to lose the lifting gas. So even there they have a small appendix. And then it will start going to a state, it will reach an equilibrium. After that it cannot go up, it cannot come down unless you rupture it. If you rupture it, the gas is lost, it loses the buoyant lift, it comes down. So it will remain up to a desired altitude and this is what they do. They want the balloon to fly at some given altitude, let us say 40 kilometer altitude. So they will design in such a way that at 40 kilometer altitude it is now neutrally buoyant and then it will remain there. Now this is just a calculation that how much statically light it should be. So you can work out that the lightness should be equal to the difference. I am not going to go into the detail of this because this is little bit beyond the scope of a basic LTA course. Now let us look at super pressure balloon. But I will leave in the notes so that you can do it yourself. Super pressure balloon is basically having a pressure relief valve. It has got pressure more than what is needed. So it is tight but there is a pressure relief valve. So just like the secondary airship as it goes up, when it exceeds the place where the super pressure is equal to the delta P, the valve will open and it will just keep going up. Now if you look at the hot air airship or a thermal balloon, what is there inside that? You have a chamber which has got hot air and you have a heating element below and the throat is open. There is nothing, there is no balloon there. There is no pressure height because the lifting gas is the same as the outside air and it is open to the atmosphere at its base. So just by virtue of heating the air, you create buoyancy. So there is nothing like a pressure altitude for it. As long as you can keep on heating the air and the outside air is cooler, that delta density into volume will keep giving you lift. So it can technically go to any altitude it wants to go. But the energy requirement, as it goes higher and higher, temperature also falls. That temperature will be conducted inside. So the hot air inside actually will start getting cooled because of the heat transfer. So you pump in more heat from inside, a time will come when you cannot exceed it. So it will basically remain at that altitude. So with this we have finished the theoretical calculation for the static lift. This portion as I mentioned in the beginning of the class was left out. Now it is completed. So that is why this is part of a capsule 2 only.


That's such a small showing man. Can they do better than that? Yeah. I mean, a dozen? And the Beverly Hills police, they don't mess around man. I mean, look at the way they've turned out. Oh yeah. Which is one of the reasons why we have to move here than LB and LA. Yeah, yeah, yeah. From what I've been hearing, the prices have gone down actually in rents. Yeah. So, maybe. Yeah. Maybe at some point I will. Oh look who's here. Is that Antifa? What's that? Who's that? I don't know, Antifa. Yeah, I think they're... Keeping people separate. They're keeping people separate. Racial. Okay man, I'll see you later. Pretty rockin' day there for Israel. About 600, 700 Jews showed up. 600, 700 people, I assume. 80%, 90% of Jewish. And about a dozen Palestinian protesters showed up. Thank you. Thank you. So, peaceful afternoon. No drama, no violence, no crime. Just don't bring you into that aspect of my life very much. I'm glad to see my friends. Had to be all ethnocentric. Didn't have to be all even-handed. I could just rebel being ethnocentric for a couple of hours. Beverly Hills, one of the few places outside of Israel that's majority Jewish. And that was fun. Ethnocentrism is fun. Nationalism is fun. You can just let your head down. Just let my head down, man. It's good being with your own kind. Feel so happy, comfortable, energised, relaxed. All good things. At ease. Nationalism is awesome. Group strategy. It's the way to go, bro. I'm Israel. I'm Israel. I'm Israel. Hi. I'm Israel. I'm Israel. I'm Israel. Hi. I'm Israel. I'm Israel. Hi. I'm Israel. Hi. I'm Israel. I'm Israel. I'm Israel. Hi. Great talk there by Dennis Prager to close off the speeches. So I've lived in Los Angeles since 1994. So I have a slight acquaintance, moderate acquaintance with hundreds of people. Probably acquainted with 100 people there today. But I'm not going to bring my friends on my YouTube channel. I like to keep a separation between my real life and my YouTube life. Yes, it's over. Wow, what a beautiful dog. What a beautiful doggy. So maybe 1% of the audience is wearing masks. Probably 75% Republican today. Or maybe 1% people of colour. Haven't seen any homeless in Beverly Hills. Haven't seen any trash. There's no trash on the streets. No crime. See all those cops out there? Nice and safe. Great place to be Jewish, man. I'm Yisrael. Hi. I'm Yisrael. Hi. I'm Yisrael. I'm Yisrael. I'm Yisrael. Hi. I'm David. Hi. Life is a narrow bridge. The important thing is not to be afraid. Even got the helicopters. We love our cops. Our law enforcement. We love our military, too. They're important. We love our banks. We even love our subprime lenders. We love our mortgage brokers, too. Because they're important. We love our merchant bankers, our stockbrokers. We love our fancy Jewish department stores. We love our car dealerships. Our classy restaurants. Our fine hotels. Our movie studios. Our TV production companies. Our book publishers and newspapers and magazines. We love Harvard and Yale and Stanford and UCLA and Berkeley. We love our nationally syndicated conservative radio hosts. Man, don't you wish you belonged to a high-intensity in-group with strong nationalist feelings, united against hatred? Able to rally support from all sorts of diverse groups? Simply by the moral probity of your arguments. Just by having moral right on your side. See those Latinos for Yisrael? And that Miss Iraq speaking there for peace. What, two Muslim speakers? Come on, doesn't this make you want to work hard? Give it a nice area with smart people. Strong police. Clean streets. Nicely kept up loans. Great infrastructure. Feeling a serenity, joy. Being with your own kind. Nationalism. In-group solidarity. The energy that comes from in-group solidarity. Hundreds of you gathering together. Rockin' and rollin', mate. Just rockin' and rollin'. Oh well, someday we'll all be together once more. And all of the ships return to the shore. I realize something I've always done. I still call Australia home. All the sons and daughters. All around the world. Hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm. I still call Australia home. I've been to cities that never are closed down. From New York to Rio to old London town. But wherever I go, whatever I do, I still call Australia home. All together now. Do do do do do do do do do do. Look mate, the only is, only is. Think I know a little bit about Judy as a mate. I think I know a little bit. Just spending my last 27 years in the tribe reading over 1,000 books and attending thousands of hours of Talmud class, spending 20,000 hours in synagogue. I think I've learned a little bit about strong ingroup identity, Mike. I think I understand the different interpretations of who is a Jew. I know what it's like to walk into a shawl, be counted in a minion, be invited back for Shabbat dinner to be set up for Shadukam. That means dating the eye to getting married, taking kids to Jewish day school, picking kids up from Jewish day school, being right in the burning hot core of Judaism. Where the streets are wide and clean, there are lots of police. Where the sun is always shining, the sky is blue, where the lawns are manicured, where the cars are expensive. That was so much fun, man. It was such a thrill for me to move to Los Angeles in March of 1994, just to explore all the different ways of being Jewish from big communal celebrations like that. I think that was one of the first things I went to in Los Angeles in 1994. Cut to meet Schwartzi, Rabbi Shlomo Schwartz, formerly of Kabard of Westwood, and got to talk to him about Hungarian Jewry, some of the great rabbis of the Hungarian Jewish tradition. And I enjoyed my time in reform synagogues and conservative synagogues, reconstructionists. I hit for the cycle, mate. It singles, doubles, triples, and sometimes I made it all the way home.  That's not being my experience. You can find every type of Judaism you want in Los Angeles. I've delvinged with the Hasidim, I've danced with the Hasidim, had meals with the Hasidim, with the Lit Vox, the modern Orthodox, with the Yeshivish crowd, with the left-wing modern Orthodox, the traditional conservatives, the centrist conservatives. I appreciate their scholarship on parts of their reform and conservative and reconstructionist traditions and enjoy the way they challenge Orthodox understandings of history. But there's nothing like the community formed by Orthodox Judaism. Just much more intense than non-Orthodox forms of Judaism. God forbid, God forbid. No, I'm not committed to any or modest behavior with the Hasidim. God forbid. I went to a very nice reconstructionist synagogue a couple of times in Malibu, been to one a couple of times in Pacific Palisades. Even went to a gay-friendly reform synagogue on Sunset Boulevard on Friday night. I didn't know it was a gay synagogue, but they were very friendly. All the guys were really friendly. In the Sinai Temple, I heard Rabbi David Walfi speak probably 50 times, so he was incredibly eloquent. Rabbi Isaiah Zodan, one of the most successful congregational reform rabbis. He created Stephen S. Wise Temple in Bel Air. I think at one point, it was the largest synagogue in the world. It was like 28,000 member families. I was a member there for a couple of years, 1994 to 1996. And then went to Rabbi Morchai Finley's synagogue for a couple of years, Orha Torah, as a traditional liberal show. The Rabbi Finley's most influential teachers had been Orthodox rabbis. He was ordained a reform rabbi. He served in the Marines. I think he got his PhD. He was known as Rabbi to the Stars. So Dustin Hoffman would come along to services out of other Hollywood royalties. So Rabbi Finley was known as Rabbi to the Stars. Best rabbinic teacher of the inner life. Best rabbinic teacher of practical Kabbalah, practical Jewish mysticism. But I spent almost all my time in Orthodox life since August of 2000. Why? Because in July of 2000, I went to Israel and I drew a single strip. And it was like the most secular two and a half weeks of my previous six years. And Israel shook me up. So I started putting on to fill in again every morning and going to Shruel to study Daphne Yomi, Peja Talmud. So that experience in Israel reignited my Jewish Neshama. So I've spent probably five to six years total in Daphne Yomi, meaning daily Talmud study. So I've been through on a very superficial level, virtually all of the Gomorrah, the Babylonian Talmud, only on a very shallow superficial level. But I have a slight, slight acquaintance. It's pretty much every Masakta in the bubbly, the Babylonian Talmud. What a lovely afternoon here in Bubbly Hills. I think we're going to go by the Riders Guild here. Riders Guild of America. They often rent out their facilities for Jewish events. Very different feeling in English Judaism because Jews are not nearly as influential or as numerous in England as they are in the United States. So English Jewry is much more buttoned down, much quieter about their Judaism. Keep things under wraps. I don't let the go emcee. But in Los Angeles and particularly New York, Jews tend to feel very comfortable at home, at ease, powerful. San Francisco is overwhelmingly highly assimilated Jews. There's very little Frumkite, very little Orthodox Judaism in San Francisco. A lot of Jews in the San Francisco Bay Area, they tend to be highly assimilated. Very rich, highly assimilated. So maybe 600, fewer than a thousand Frumkite, Orthodox, Shamir Shabbat Jews in the San Francisco Bay Area. While in Los Angeles, probably have 60,000 Shamir Shabbat Jews. And in New York City, probably have 500,000 Shamir Shabbat Jews. Melbourne, and you have about 10,000 to 20,000 Shamir Shabbat Orthodox Jews. Sydney, Australia probably have fewer than a thousand. So I think you have about 100,000 identifying Jews in Australia, which probably 30,000 max are anywhere close to Shamir Shabbat. And you probably have another 100,000 Jews in Australia who don't identify as Jewish that are assimilated. But Australia's Jewish community is well organized, well funded. They punch above their weight in terms of political, cultural influence. Generally speaking, religion on the west coast is much more assimilated than religious and ethnic ties much weaker on the west coast than on the east coast. That people generally come to California to get away from family, to get away from tradition, to get away from those kind of ties. So these used to be that you'd find many conservative Jews on the east coast northeast who are more observant than Los Angeles Orthodox Jews. So I notice I've only been in New York City for about three weeks once in 1994. Did notice that traditional ties of family, education, religion, ethnicity, much more significant in New York City. So on the west coast, you're much more judged as an individual. So there's much greater freedom on the west coast. And on the east coast, particularly in the northeast, you're much more immediately typecast as a member of a collective group. And the group has much more power and influence over you. So you have less freedom on the northeast than on the west coast. Vlog! Vlog is right. Y'all doubt vlog. She biked by. So yeah, I noticed people in New York were more serious, but felt like their options in life were narrower. That you belong to a community. The community had considerable power over you and you owed the community a great deal. While people come to the west coast to do their own thing, man. So Los Angeles is probably the best place in the world to be in recovery. More acceptance of 12 step programs, more 12 step programs. It's more culturally acceptable to be in a 12 step program in Los Angeles. Any thoughts on Ron Jeremy and his legal plight? Yeah, it seems pretty obvious to me that Ron Jeremy was way over boundary as the young people say these days. And the evidence against him seems overwhelming. So yeah, I think Ron Jeremy is as guilty as sin. It's just that what he was doing was wasn't considered as big a deal 15 years ago, even 10 years ago. Now in the Me Too era, things that were just considered gross or even rape but private still are now being made into big legal cases. Sexual norms like other norms change.  So no, I don't think Ron Jeremy is an innocent man. But dozens of women are falsely accused of him. What is going to be the result of the Israel-Palestine conflict? Well, I think there will continue to be a conflict until one side definitively wins. So I see no escaping the war between Israel and Palestine as long as there's a Jewish state there. Because the Jews just have to lose once and it's over for the Jewish state. The Arabs can mount 150 wars and lose every single one. But if they just win one, then it's finito completo for the Jewish state. So I see no reason to believe there will be peace between the Jewish state and the Arabs, the Palestinians in my lifetime. So Israel certainly has some challenges, but I'm running low on batteries, so I better wrap this up.