Non-pro riders battled it out for the four-year-old buckle at the 2017 NCHA Lucas Oil Superstakes. But it was Lindy Ashlock who took the night. She scored a 222 or board in reverse. Congratulations to you, Lindy. Thank you. How does it feel to be a winner here? It's amazing. Describe to us what it was like when you went through your run. Well, I came out first cow and she was just a really nice cow and it enabled me to, I guess, get my horse in position and start my run-off. And then my second cow was amazing. And then on my third cow I was going to cut a cow that stepped up, yellow cow that stepped up front. And I just felt like I had a little too much time to go with her. And so I went back and cut another black cow that we had liked in the settling. How did it feel when you were going through that right? Because a 222 would have been one of the top scores here at the whole event. Yeah. I mean, it was amazing. I've never felt anything like it in this game. Now, it kind of been pretty tough. How did you find them? They've been extremely tough. The semifinals was, I mean, I've never seen cows like that in the Serena. Okay. Tell us about your horse. What do you like about it? He's just, he's extremely athletic.  We bought him as a yearling from Gale Homes and we've always had high expectations for him. It's just been a little time coming. Now, you've won something like, I think with this, with the winnings here, you've won something like your top 1.3 million. You're obviously a fairly experienced non-pro. How often do you find you have to stay competitive? Are you riding at home and training at home? How much do you put into it on a daily or weekly basis? We work every day. Yeah, at least five to six days a week. Sometimes seven. Now, you had a very busy day here today because your husband was in the final. He was last out in the open and you had your final. You won and then you've spent a couple of hours preparing your horse. Tell us about that. I mean, it was just, it's so amazing to have both made the finals here and just anything on top of that was just, I mean, incredible. He was last out. How were you feeling when you were watching him? Because he has a horse that could have taken it out. He did probably play 7th, 8th or 9th. We worked out. What were you thinking at that point? I mean, I was just, you know, I told him for he went in there. I was like, there hasn't been a lot marked. So let's just do what you can do. Go for it. What are you going to do now with this horse? We'll probably go home for a little bit and then we'll go to the BI. No risk for the weekend, huh? No. We made a joke before this that if he didn't win it, we were going to cut him. OK. Well, congratulations and thanks for joining us. Thank you.


Hey guys, what is up? Welcome to my channel, Rabbit Snack, because we have a long video ahead of us. I am going to be doing my 2021 favorites. So far, we are halfway through 2021. So I wanted to select my favorite products for you that I've been loving up to this point. You wanna see what I picked out, then just keep watching. Hi guys, if you're new here, my name is Morgan. I am a purotic, knowledge enthusiast. I just love knowing anything and everything about all of the new makeup on the market and sharing my thoughts with you guys. And if you're new here, I like really love makeup. Like I love makeup, I love collecting makeup, I love my collection and any kind of cumulative favorites video always stresses me out a wee bit because I feel like I'm picking it through my children. I really feel so much guilt in this video and I kept adding so many products as I was applying products because I know there's so many amazing products that I'm leaving behind in this video. And as it's good, like it's gonna be a long video. I just wanna talk about makeup products that I've really been loving and this was cut down, which is embarrassing. But without further ado, we're gonna get into the first product, which is going to be primers. I'm going in order of application, face, eyes, lips. And there are two primers that I've really been enjoying. We're gonna talk about the one that I'm wearing first. This is the Giorgio Armani Luminous Silk Hydrating Primer. And I actually received this in a PR package. It wasn't the main focus of the PR package. And this ended up being my favorite product. It is a mixture of hydrating and glowy. Now I have normal to dry skin, leaning more dry in the winter and then leaning more normal in the summer. And this just gives the prettiest glow while also hydrating my dry skin. I know glowy skin is very in, especially now in the summertime. This is an underrated product in my opinion. It is a great primer for the summer. And anybody who's looking for that hydrating, glowy duo, this is going to do it for you. Again, playing more in the hydrating basis, I have found myself really enjoying and using the Fourth Ray Oat Face Milk. Maybe not oat in particular. I have a few different flavors if you will. I have Jasmine, I have oat, I have melon. I just really like these because they are a quick layer of hydration before you put on your makeup. And you know, comparing it to the Armani, this one really makes the skin glowy. This one's not going to do that. This just is a great base because it leaves your skin feeling more hydrated for the makeup to sit on top of it. So I love this mostly because it cures my dry skin and it's just a really nice quick way to get some hydration before you put products on top. And I forgot to mention this earlier. The way that I chose these products are, these were products that have snuck their way into my everyday kind of routine because there were a lot of great products that I really enjoyed the quality of. But in order to really narrow down my choices, I chose the products that I find myself reaching for on a regular basis and incorporating into whatever makeup I'm doing for that day. So these are all very used and very loved by me. Let's get into foundations. And 2021 has not been the year of foundations for me. They've come out with a lot of foundations, but none that I've really loved with the exception of like these two. These two are the best. So this one, hands out, is my favorite foundation to have launched this year. This is the Gerlon L'Essential High Perfection Foundation. And now this was a play off of a more dewy foundation and they came out with more of a matte foundation. And even though I have dry skin, I do like a matte foundation. I just feel like it makes the skin look a little bit more perfected because the glowiness is not going to emphasize texture and this really is a perfecting foundation. It gives medium to high coverage and it just looks really beautiful on the skin. It's what I'm wearing right now. And I've had this eyelash right here for who knows how long, but this by far, my favorite foundation I've tried this year, my favorite foundation to have released. It literally makes my skin look perfect. I have the shade O2N, which is the perfect shade for me as well. So that also plays a part in it. But if you are looking for a perfecting foundation, not necessarily natural, this is the way to go. And I always say I love luxury foundations because I feel like they give a finish to the skin that high end and drugstore can't give. This is that type of luxury foundation finish. Now this isn't readily available in the US. I believe you have to go through Selfridges to pick it up, but it is totally worth it. Next we have something a little bit more light coverage. And I've definitely gotten more into like coverage makeup this year just because my skin has been better. And I haven't really been leaving the house as much or doing a lot of activities. So when I just want my skin to look nicer, I go for something lighter weight. And Fenty Beauty released a complexion product that I really enjoyed. And I have to say, Fenty Beauty didn't have my favorite complexion products prior to this year. But you will see in the following products that I'm gonna be mentioning, Fenty killed it in complexion this year. So this eShop Blurring Skin Tint, I believe kind of had mixed reviews. I'm on the end where I really like it. I think it is blurring. I think it's lightweight and it still gives a good amount of coverage. It really just evens everything out on the skin and makes it look better, which is nothing more of what I could ask. Just because you want something light, it's a tint and it makes your skin look better. And I find it wears really well. And I think what's the most kind of unique thing about this product is the amount of coverage that you get based on how it feels. So it feels extremely liquidy, lightweight. But you do have some coverage. I mean, it's not gonna give you full coverage, but compared to a lot of other skin tints on the market, this one is going to give you more coverage and it's blurring. And that also is another unique factor about this that I don't find with a lot of other products. So I've really been enjoying this for every day. Moving on to concealers. I have not been a fan of the concealers that have come out this year. And honestly, there really hasn't even been much. There's a new concealer recently that I've been enjoying and wearing a lot. And following Fenty, it is the Fenty Beauty Bright Fix Eye Brightener. It took me a little bit to jump on board with this. I had to use it a few times, but then I noticed I kept reaching for it again and again and again. Now, this is not an on-camera concealer. If I'm filming, I really probably won't use it. I'm using it today and I wish I had a bit more coverage. But as far as every day, I've been reaching for this a lot. It's the perfect concealer for those tinted moisturizers and those skin tints because I've said this multiple times before, but I do not like the look of a full coverage concealer with the skin tint. I feel like you can see the difference on the skin, high coverage versus low coverage. I like the low coverage, low coverage mix. So this is perfect for the lighter weight foundations that I've been wearing. It also kind of blurs the skin and just makes it look smoother and prettier. And I like that you can wear this alone. Now, I had a bit of trouble finding my color. They're very, very light. A lot of them are, but it is forgiving because it is a more sheer formula. But I wear this a lot when I'm not even wearing foundation. If I just want to brighten up my under eyes, this blends in seamlessly with my natural skin, which is what a lot of concealers can't do. A lot of times I find if I wear just concealer, I need to do powder. I need to put on a little bit more so it doesn't look so obvious that I'm wearing concealer. This one just blends in seamlessly while perfecting the skin and it doesn't look weird on its own. So a lot of times when I've had weddings and I'm wearing a mask, I'll just put this over to the areas that need it, especially the under eyes. And it looks perfectly fine. So this has been my favorite everyday concealer. Other than that, I haven't liked the concealers that have come out with this year. And honestly, there weren't that many. I've just been playing with my same favorite concealers that have been my favorites for the last couple of years. This is the new kid on the block that I've really been enjoying. Let's move in to powders now. Lots of powders did come out this year. I picked my top two for you guys. So the first one is by Dior. This is the Dior Backstage Face & Body Powder No Powder. I love this because it literally looks and feels like no powder. Everybody is very into the glowy kind of look and this holds the glow. It's not going to mattify the face too much and you really can't trace any powder on this skin either but it does set.  I honestly believe that this would make a great touch up powder as well but it really does kind of finish off the skin without disrupting the base too much.  It's literally an invisible powder. I love it, it is awesome. I did want to talk about also a powder foundation. I'm a huge powder foundation fan. Honestly, I know everybody is into tinted moisturizers and skin tints right now. For me in the summer, I prefer a powder foundation.  I feel like those products make me a little bit too shiny. And I don't have too shiny of skin but I think powder foundations are underrated especially in the summer and Fenty came out with another great complexion product. They really stepped up their complexion game this year. So this is the Profilter Soft Matte Powder Foundation. It's really smooth on the skin. You can build up the coverage.  It has a great wear time and you really can't even tell that you're wearing a powder foundation. It looks like you're wearing just a regular foundation. It looks beautiful, it's perfecting, it's evens everything out.  You probably could build it up to give you full coverage but I think then it might start to look a bit too powdery.  If you're on the market for a powder foundation I highly recommend this one and if you have not tried powder foundation yet you are missing out. I'm talking too much. I'm thirsty. A theme this year I've noticed. Cream products are in. I don't have as many cream products as I think you would hope for because again, I'm weird. I don't like cream products in the summer. They look beautiful. They look beautiful with a skin tint. Yes, I see why people like it but I get so sweaty and oily looking. So quickly, I just prefer powders in the summer but go for creams in the winter because that's when your skin looks dry anyways. So these cream products are gonna hydrate the skin.  I'm the odd man out here but I don't love cream products for this time of year especially with a mask. No, okay. So we're gonna start off with my cream contour products. So the first one is she's pricy but I think that's part of the reason why I reached for it so much is because I knew I spent an arm and a leg on it but the formula is really, really nice. This is the Westman Tilly A Face Trace Contour Stick. I have mine in the shade Biscuit and this is the perfect contouring but still giving you a little bit of bronze shade. You can see it's cool based. So it's not going to be warm on the skin but I don't need too much warmth. I can just go in with like a powder bronzer that has a touch more warmth over top but I love the way that this blends. Love the color because it really does shade the face and it overall is just a solid cream product and the packaging is a yes. It's magnetic. It is so heavy like at least the packaging makes sense for what the price is. Do you need to spend this much on a cream contour stick? No, but if you are extra, this is really beautiful. Now we're gonna counteract that because I do have an affordable product. It has a really beautiful cream formulation and that is the Elf Cream Contour Palette. So good you guys. I am late to the game on this but it is awesome. If you are looking for a cream contour palette, not even a palette, just a cream contour that is affordable, please go for this. So I have mine in the lighter shade and you can see they even have a highlight shade which I did use today and you'll see in the demonstration it blends so easily onto the skin. Now how the formula differs between the Westman Atelier and this is the Westman Atelier has a little bit more powderiness to it so I think it does last longer whereas the Elf is maybe a touch more oily but it makes it work out so much better and anyways, for the price, you really can't beat it. So if you've been looking for a good cream contour palette, this one is accessible, it's affordable, it really is a beautiful palette. And I have one cream blush. Now I've been loving a lot of different cream blushes lately. You know, the Melt has a really great formula and NARS has a decent formula but the one that I found myself reaching for a lot and again, it has to probably do with the price that I paid, it's another Westman Atelier product. She really does have a beautiful cream blush formula. So this is the Baby Cheeks blush stick in the shade petal and it is this beautiful, neutral kind of pink shade so it goes with every look that you do anyway so that's probably also another reason why I reached for it is just how universal the shade is.  I feel like that presses it into the foundation to make it look more seamless but actually when I did this demo, it was over the powder. I had already applied the powder and you can see it is completely ignoring the powder. It works great over a powder. It works great on its own. The color itself is beautiful and these last a really long time as they should but I mean these Westman Atelier products they have beautiful cream products. I'm not a big fan of cream highlighters so I can't speak on their cream highlight formula. I do have one. I'm not as big of a fan of it but I just don't like cream highlighters in general but the bronzer and blush, awesome. Let's move over to powders starting off with the powder bronzer that I've probably used the most this year. 2020 was the year for powder bronzers. They came out with the best bronzers so there really wasn't a brand new bronzer formula that knocked my socks off except for this. So this, it wasn't necessarily new but it was new to me. This is from a Canadian brand called Vesca. I actually had the pleasure of doing a partnership with them earlier in the year but I truly do love this bronzer. I have mine in the shade Kissed by Santorini. These are called the Soft Matte Bronzing powders. This has the perfect amount of warmth to it. It's like the perfect color for that Westman Atelier A. You know, it's not orange or anything it does have a neutral undertone to it but it does have that warmth that's gonna bring the bronziness to the face. These are a little bit more pigmented but what is great about this range is they have so many colors and they really do work so well for the fairest of the fair and they have a very, very deep color as well. The formulation blends on to the skin like butter. I just love this bronzer formula. I reach for it regularly over the past six months. It's one of the best. Also, this one's a little bit surprising and I didn't even expect it to end up being a favorite but in terms of what I've just been wearing and reaching for consistently it is these Jacqueline Cosmetics bronze and blushing duos and I know she's come out with more blushes recently. The formula is completely different than these but I think the reason that I've been reaching for these recently is because they are so easy to use. They're completely foolproof. You're never going to apply too much. They're this like baked formulation and I personally prefer the shade Pick Me Up and Oh Honey. It just shows up a little bit better so make sure you pick up the one that's the correct shade and you don't need every color of these but they blend onto the skin with so much ease.  They'll blend out any which way that you want them to. They'll blend, they're so good and I wasn't super duper in love with them in my initial review and I'm still not but the formulation is just so easy to use that I can't stop reaching for it. I don't know what's going on. I think that covers it for bronzers. We are going to move on to blush. Now this year, it's a crazy time for blush. So many blush formulations have come out and I love it, I love blush and not only have a lot come out but a lot of good ones have come out. So we are going to start off by talking about the one that I'm wearing on top of my cream blush which is this Laura Mercier blush. These are the blush color infusions. This one is in the shade Passion Fruit. Now this is the only Laura Mercier individual blush that I own. The Nexa for a VIB sale. I plan on purchasing more colors but this formulation, beautiful. Now I can't speak for the general formulation because I don't know if they're all the same. This is the only one that I own but it blends beautifully into the skin. This particular color goes with every look.  It doesn't even really emphasize texture as a normal highlighting blush would. It's not even highlighting. It just has a healthy sheen to it that really does kind of replicate the natural texture of this skin and don't get me started about how easily it blends onto the skin. Anyways, this is like my new favorite blush formula. Nobody was talking about this really but it's awesome. And I also was not expecting to put these in this video quite yet. I've been taking my time with testing these really figuring out what colors I love and along the way of doing that, I found that I really enjoyed reaching for them and incorporating them into everyday. Pat McGrath came out with the most beautiful color range for her blushes. So the two that I've been loving. For a more everyday wear, I highly recommend the shade Nude Venus. You can't go wrong with the shade.  And then if you like more warm tones or you're looking to complete your warm toned look, I would definitely say pick up Desert Orchid. This actually I think is my favorite shade in the line because I'm really into cooler, pinkier blushes, even mobby as well. I've never really been into warm of blushes. I just feel like they don't complement my skin tone very well. This is the first warm shade that I am in love with. It really completes any warm look that I am doing normally. I'll go with something peachier if I am wearing a warm look because the orangey blushes just don't look good on me. This is the first one that does. It also has a beautiful golden sheen. And I wasn't going to sugarcoat it in my review. The formulations on these are good, but they didn't really stand out to me. But I have to say, I find myself continuously reaching for these formulations again and again. And to me, that really is the true test of how much I love a formula and how good a formula is. Is it unique enough that I find myself reaching for it? Is it easy enough to use that I find myself using it in my everyday routine? And for these, that is for certain. So I really do love these. One last blush palette. And then we are done talking about blush. And this is a newer product, but man, oh man, do I love it. This is the NARS orgasm on the beach palette. I wasn't sure how much I was going to love it because NARS does come out with a lot of blush palettes. And I'll be honest, yes, it might be a bit overkill, but I love a good NARS blush palette. But this one to me, really special. It's a beautiful glowy blush formula. So if you don't like texture being emphasized, maybe you're very porous in the center of your face, you just don't want a glowy blush. Then absolutely do not pick this up. But if you love a glowy blush, this palette is perfection. I think it has some of the most beautiful tones, the perfect pigmentation, very easy to blend out. It also has a couple of highlighters that are very pretty as well. And for me, I've been using this more so as a layering palette. I even layered a little bit today of the orgasm shade on the apple of my cheeks to add that extra dimension to the cheek. So I'll use this to finish off my cheeks. I'll use it as the only blush on my cheek. And I don't know, it's just a really solid palette. I've really been enjoying this ever since I've gotten it. And it's one of my new favorites from NARS. I have a newfound appreciation for glowy blush that I didn't once have. So I have some other NARS palettes that do have that kind of glowy blush look, but this one, so good. Okay, I do have one highlight that I've been using and abusing and I feel like you saw it coming because it's awesome. This is the Pat McGrath Labs Divine Glow Highlighter in the shade Golden Nectar. Pat McGrath really had to play around with her highlights before she came out with one that I really enjoyed. Her last Divine Rose highlight was beautiful. I really liked that. But then this one came out and this one is so much better. This is by far the best formulation she's come out with. And I mean, it's really, really smooth. It has that smooth look in the pan as well that does translate onto the skin as well. It also gives the most beautiful glow to the skin. What is so unique about Pat McGrath's formulations and the colors in her line is that they work for everybody. This highlight looks good on everybody. Now I can see if you're very fair that maybe this might not work for you, but it's just crazy to me how versatile her products can be even if it's just one highlight shade. I have one last palette to talk about and I forgot to imagine if you're like, Morgan, where are the eyeshadow palettes? I'm gonna do a whole separate favorite eyeshadow palette so far this year video. So that's why there aren't any eyeshadow palettes in this video, but there is kind of one. But it's a full face palette. So that's why I'm putting it in today's video and I'm obsessed with it. So obsessed that I lost it. I didn't really lose it, but I forgot where I put it because I pull it out so often and I was tearing up this room earlier today. I forced Jose to come up here and he helped me look. Like I was having a heart attack. I thought I was gonna have to buy a new one of these and I loved it so much that I felt a genuine loss when I couldn't find it and I was gonna instantly order a new one, but luckily we found it. It was in my eyeshadow palette drawer. And I guess I don't know why I put it there. Anywho, this is the Charlotte Tilbury Instant Look of Love in a Palette Pretty Blush Beauty. I don't know, this is just kind of an everyday version of me. If I want quick everyday makeup, this is the one that I'm going to go to. I love the colors in here. They're neutral, but still very romantic and soft. Everything in here is perfection. It really is an instant look in a palette for me and my skin tone. I love that she has her airbrush flawless face powder in here because that really does perfect and finish off a look. Just everything in here is perfect to me. So when I just want to do a quick full face without having to grab too many products, wasting time on that, this has every color that I would want. A pinky blush, a beautiful champagne highlight, a nice cooler toned bronzer over here and then just some really light natural toned glittery eye look. It's a perfect look for me. She did have a deeper palette, which I liked, but I didn't love. This is the one that I personally like for my skin tone, but these are perfect. I love them. Taking a look, complexion has really won. So far in 2021, because I don't have too many products left for eyes and lids, but let's get into it though. A category that did excel this year so far has been eyebrow products. There's been a lot of new staple eyebrow products that I have started incorporating into my routine. And that's a big feat because we all have been using the same eyebrow pencil for the last few years, Benefit, ABH. I mean, they just can't be beat. Well, this year it happened. So we're going to start off with what I'm wearing in my eyebrows. And that is the new Posas brow collection. These are pretty new. So the brow pencil is called the Brow Pop. And then I also really love the airbrow gel as well. We'll start off with the packaging. You guys know I'm obsessed with the packaging, but the pencil itself, I love that it's not too creamy. It actually is a little bit more stiff and powdery feeling, but I like that. I feel like I have more control. I feel like a lot of times with pencils, sometimes they don't lay down the pigment that I want. This shows up on my skin very well, but it's not too pigmented. It's like the perfect consistency for me. If you don't like a drier eyebrow pencil, then you won't like this, but I love it. And the brow gel really does hold my brows up in a comfortable way. You know, it doesn't make my brows too hard, but I think what I like the most about this brow gel is the spoolie itself. It's really short. So it really allows for a lot of control and the fibers on here are very close together. So it doesn't separate the brow hairs. It just perfectly kind of brushes them out to give your eyebrows a fuller look. So I love that as well. The other eyebrow pencil that I have in my brows is the Huda Beauty Balm Brows. I have mine in the shade medium brown.  And this is perfect for detail work. I wouldn't recommend running this through the entire eyebrow because this is gonna go faster than water. But if there's certain areas that are really sparse and you really want to get hair-like strokes, this is the product that you need to have. I like to use this in the beginning of my eyebrow because it really creates the most hair-like strokes I've ever seen from an eyebrow product. And I used to struggle with that technique with this. Really does give those false hair-like strokes. And I love it. I highly recommend it. But again, don't put this all throughout your brows. Don't let this be the only product that you use because you'll be wasting so much money. The next eyebrow product, if I want a quick brow, this is a little bit thicker, but it is dirt cheap, you guys. This is the Elf Instant Lift Brow Pencil. And it's so good. It is a little bit more creamy than what I normally prefer, but it really does deposit the perfect amount of color. And it is a great way just to very quickly run through my brows to fill in those sparse areas. It's nothing too precise, but I like that. It's just for a quick everyday brow. I've been enjoying this. It's only a couple bucks. I did want to mention this to you guys because it's so cheap and it really does get the job done and I've been reaching for this very, very frequently. It really is a regular in my routine. And when I went out of this, I definitely plan on repurchasing it. One last brow product, y'all. This is from Ardell. I have never heard anybody else talk about besides me, but I use it almost every day. This is the Ardell Limitless Enhancer. Not even sure if they would still sell this. Haven't seen this really in retail except for at the Ardell website. And it's just a creamy eyebrow product, but it's so creamy. What I've been using this for is putting it right underneath my brow and then taking a synthetic brush and cleaning up down here because I have not gotten my brows professionally done in over a year and a half. I've been taking care of them and they're not perfect. They're a little bit messy, but this makes them look a lot more cleaned up. It's really quick. I know ABH has a similar product. I have one from Sigma that I use as well. But something about this blends in better than all of those. It doesn't look too chalky. It's just so creamy. I love it. It's so easy to use and manipulate. There is one mascara that I've been obsessed with and that is a big deal because I do not have the best lashes. For me, mascara is just to coat my lashes, make them look a little bit more black. They never really actually build up my lashes. But the Maybelline Falsies Lash Lift. I got this in a PR package. Didn't think anything of it was just trying new makeup. Open this up, put it on, it changed the game for me. It's one of my new favorite drugstore mascaras. My lower lashes are never visible, but with this, they are visible. So I can only imagine how this would look on somebody that actually has really nice lashes. It's a bit more of a dry formula, which is normally what people who have shorter lashes prefer, because it actually gives them mascara, something to build on. So it gives the perfect combination of volume and length, which is very rare. And I don't know, I just really like it. I feel like it makes my lashes look good. It doesn't really flake on me either. A lot of times with dryer mascaras, they do flake like crazy, this one doesn't. Let's talk false lashes. I am pretty set in my ways when it comes to false lashes. I stick to my Ardell Naked lashes. I stick to some of my favorite Lily lashes. But there's a small indie brand that reached out to me and asked to send me lashes. And I think they have a beautiful collection. So this brand is called Black Label. And I asked them to send me their more natural lashes because they have some really crazy, dramatic, voluminous ones. These are their more natural ones. I am currently wearing the Style Brazen. And these are the dramatic lashes for me, but they are perfect. They look so good on the eyes. They're very, very black. And they are mink. So if you only wear synthetic lashes, then don't buy these. But these are beautiful mink lashes. I think they are a great price as well. And I prefer the more natural ones of their range because they're a little bit more affordable. And on my eye size, they look really nice. And even then, these are pretty dramatic. These are for dramatic eye makeup looks for me. But when I need a dramatic lash, these are the ones that I go to. Final category is lips. And lips is definitely the most boring category for my favorites video just because, anywhere much lips, honestly, I stuck to the few formulas that I knew and love. But let's talk about what I use for hydration. The Milani Avocado Butter Lip Mask is a great dupe for the Laneige lip masks. Now, this is a little bit more gel-like. And so it feels a little bit more wet on the lips, but it really does give the same effect and level of hydration. It smells really good. It's a lot more affordable.  I love the way that it smells. Get it for the smell. I love the Laneige as well. I just discovered this dupe and I've just been reaching for it a little bit more. And it's really, really nice. Milani Side Note has come out with some banging products this year. I've absolutely loved the collections that they've come out with. But this one, so good. And their primers also really bomb. The lip liner that I discovered this year that I've really been enjoying and not only the formulation, but the color range of is the Natasha Denona I Need a New Lip Crayon. I also like the Hood of Beauty one, but I've been using these for longer. So Natasha has a way with colors. Her nude lip colors, beautiful. The one that I've been using the most is Natasha. It's a little bit more of like a peachy skin tone shade. It adds just a little bit of depth. Her formula is very, very creamy. It's not necessarily as long wearing as say Charlotte Tolbury or Pat McGrath.  But I just love the colors that she has. They're very easy to use. They are pretty creamy. If you prefer a creamier lip liner formula, I don't mind a drier lip liner formula, but this one is really comfortable and it goes perfectly with her pre-existing lipstick line, which probably one of my favorite lipstick formulas ever. So that's another reason that I've reached for these so often is just they go with the colors that I already have because I own so many of her lipsticks. So yeah, that's a really good lip liner to try out. And while I'm on the topic, Hood of Beauty also launched a really good lip liner formula this year. Continuing onward, I do have another Natasha Denona lipstick and I recently mentioned it. So you guys know it's one of my favorites, but with her love collection that launched earlier in the year, she came out with the eyeshadow palette that I'm wearing now, which is the Mini Love Palette and this lipstick. And normally I pass on the additional lipsticks that she launches with her palettes just because I have so many lipsticks.  So you can still get this at Sephora. This is the I Need a New Lipstick in the shade Amorosa. I wear a lot of cooler toned colors, a lot of pinks, a lot of purples. If you've been looking for the perfect lipstick to go with your pink and purple eye looks, this is the way to go. It does lean a bit cooler, but it really can go with warm and cool looks. And I have gotten quite a few questions on Morgan. What lips look good with purple? Eyeshadows, it's this one. This is the go-to color whenever I'm wearing a pink or purple eye look. It's the best. And here we are, ladies and gentlemen, onto our very last product. And oh my gosh, two years ago, I would have hated this product. But obviously because of masks, I think a lot of our lip preferences has changed. I mean, that's why I don't have very money. I wear masks to go out. But the perfect, perfect lip formula for mask wearing lip formula for mask wearing are the Maybelline Superstay Matte Inks. These ain't going nowhere. I'm sorry, I did not swatch them for you because they would be on my arms for three days and won't come off. So I'm just gonna spare myself and not swatch these but if you are looking for a lip formula that's not gonna budge, that's not gonna transfer, these are it. The best most long wearing liquid lipsticks. Are they drying? Yes, please prep your lips. But in terms of how functional they are, even though they might not be the most comfortable, dang, they do their job. Now I've picked three colors for you to share my favorites. My favorite pink that's like bright but still neutral is Lover. I kind of have it mixed in with the lipstick right now. I also really like Fuller because I've been trying to get more into pink lipsticks and this one is not going anywhere. When you're wearing a brighter or maybe a more deep color, I do prefer to use a liquid lipstick because they're not gonna get all over my face. So I like this one a lot. And then my more neutral brown kind of shade that I've been loving, they came out with like a coffee collection, Chai Genius, great neutral brown shade. So they're awesome. I mean, uncomfortable but really awesome. All right you guys, I'm sorry. I just love makeup so much I couldn't put it down too much. This video had to be long. There was no other way I was gonna do it but there we are. Those are my favorite products that have launched thus far in 2021. Keep an eye out because I will also be doing a video on my favorite eyeshadow palettes for 2021. I love it. Okay, I hope you guys enjoyed this video and found it helpful. If you aren't subscribed to my channel already, I would love it if you would consider taking the time to do so. And I will see you all in the next one. Bye guys, have a good one.


Today's podcast is brought to you by WarbyParker.com. Get a free five-day home try-on at WarbyParkerTrial.com forward slash David Feldman show. Five pairs, five days, 100% free. The David Feldman radio program is made possible by listeners like you.  J. Elvis Weinstein is one of the founding members of Mystery Science Theater 3000 or 2000. Who's 3000? 3000 and was a writer, producer on Freaks and Geeks and he is a documentarian besides being a great comedian and comedy writer. He's a director. His new movie is I Need You to Kill. Welcome to our show J. Elvis Weinstein. I'm very happy to be here. You're joining us from the valley. From beautiful Sherwin-Oaks, California. Yes, and we're in beautiful New York City. I saw you last week while I was in LA and tell me about I Need You to Kill. What is this documentary about? It sounds fascinating. This documentary is about the burgeoning stand-up scene in Asia. Um, sort of told through the eyes of three American headliners who are brought over there by a club owner named Louis Lee who runs a club called Acme Comedy Company in Minneapolis, which is a great stand-up club. Oh, yeah. I love it. One of the great clubs. Oh, it's, and he is one of the great human beings. Go ahead. Absolutely. And he says hello because I just talked to him. Tell him I said hello. Tell him I love him. Yeah. He's a beloved guy. And I've known him literally since I was a 16-year-old middle at a club called the Comedy Gallery and he was the bar manager. So I've known him for almost 30 years and watched him grow his club from a bad place to one of the best, you know. He had a fascination with political satirists because he came from Hong Kong where to this day, freedom of speech is, some would say, non-existent. Well, it exists in the stand-up world and I don't know if that's because of the lack of it being on the radar yet, you know, flexing the last vestiges of British Hong Kong. Right.  Yes. And our internet companies here in America are complicit in that in order to do business with China. They'll censor. The myth that capitalism would bring freedom to China is, it's a myth. So the movies, you directed this movie and it follows comedians performing in Asia. Which specific countries were they again? They went to Hong Kong, Singapore and Macau. So Macau is an island off mainland China, correct? Yes. It's a gambling place, right? It's basically China's Vegas now. But it's bigger than Vegas. It's bigger, yeah. It was a Portuguese colony for about 200 years and it was handed back to China much like Hong Kong was around the same time. So it's still under that same 50-year, you know, separate but, you know, the two system, one country, two system thing. So you have comics. Who are the comics who made this journey? Tom Segura, Chad Daniels, and Pete Lee. I don't know Pete Lee. Is he Asian? He's not. Which he got mileage out of on the trip. Chad and Pete are both, Pete is in New York. He's been out there for several years. Chad and Pete were both ACME sort of homegrown from open-stager, now headliner guys. And Tom Segura is just a funny dude. Okay, so now you have three, four funny guys traveling in China. How long did it take before this conversation sprouted? We better make sure they only serve Pepsi if there's a Chinese comic opening for us. I didn't get it on camera if it happened. No, seriously. At what point did you see a glass of Coke and make the joke? I don't even know the joke. Oh, come on, J.L. I don't. You're making me feel like an amateur now. Are you kidding? I cannot believe. You guys traveled throughout China telling jokes. And the subject of a glass of Coke never came up. Is this the something PP in my Coke? Yeah. Okay.  But we just didn't get to that one. How could you not get? Oh, my God. So, okay. Now I can talk because I was hanging on to that for so long. I'm sorry. Yeah, so now I can actually focus. We can excise that from your show. No, no, no, I want to keep it in. It was like a popcorn kernel stuck in my back molar and it's been flossed out. And let's get back to the documentary. When did you shoot the documentary? In the fall of 14. And how long is it? How long is the doc? Yeah. It's 97 minutes, I think. It was shot on what? Not iPhones, right? No, we shot with Canon C100 digital high-def cameras. And you directed this. I did. I took two camera guys and a fully dedicated sound guy, so crew of three and me. I need you to kill. It's playing where? How can we see this? You can't yet. We're just sort of entering the world of commerce with it now. It's like it's a month that's finished. And what is the message to this movie?  Do they do stand-up comedy in Chinese or is it all done in England? England, in English? There are separate scenes. The movie, I'm covering the movie with the English scene. And a lot of the message of it is sort of through Lewis Lee's voice, which is twofold, which is his advice to sort of comics is be true to yourself. The only good comedy comes from you personally. And he's also sort of better trying to shepherd and help the club owners there because it feels like the 1980s over there right now. It's all one-nighters and bars and very few full-time clubs, but there's crowds coming out for it.  You're talking about Mainland China? Even on Mainland China. There are several rooms that are now on Mainland China too. I didn't get to them, but they're happening in Shanghai and Beijing. And are they modeled after, you know, stand-up comedy was invented in America? Yeah, and all these English-speaking rooms, for the most part, have been started by expats from America or Great Britain or Australia. And most of the comics doing it are expats or people who were Hong Kong natives who went and studied overseas and came back. Do you have any idea of the number of English-speaking people living in China? I don't in China. In Hong Kong it's, you know, it's probably 15 or 20 percent who fully speak English. Yeah, my son lives in Germany.   English has become the lingua franca. Absolutely, and in Hong Kong you totally can get by with English. When I was in Tokyo shooting my previous documentary, it was much more pantomime throughout the day. And what was your previous documentary? My previous documentary was called Michael B. Barr, Who Do You Want Me To Be? And it's about this rock singer and actor who's had this Zellig-like career from, you know, being one of the kids and to serve with love, to singing in live aid, to, from WKRP, to, you know, to being on Zeppelin's label and, you know, to just create any married panel at Daybar who wrote, I'm with the band. And he's living, where does he live now? He lives in the valley, here in Los Angeles. And what is the name of the documentary? It's called Michael Daybar, Who Do You Want Me To Be. Also, on the verge of a low distribution right now, but working on music issues like that. Okay, with, with the Chinese, it is my understanding that the Chinese, or the ancient Chinese, viewed laughter and smiling, the showing of teeth as submissive. Much the same way my dog, when he smiles, I'm being serious, my dog Cody would show his teeth, not as an act of aggression, but as a signal that he was being submissive. In the United States, laughter is aggression. We show our teeth to snarl, to exhibit hostility. So is there a different sensibility with the Chinese audience? When they laugh, are they being hostile? Are they, or are they being submissive? Do they, do they respond to aggression, comics who are aggressive or more of like a Maria Bamford type? Well, in this case, we, I have three pretty aggressive comics. It's hard to say they were Chinese audiences. You know, in, in Hong Kong, it was mostly expats from elsewhere. In Singapore, which is, which is an actual English speaking country, which has, you know, Indian, Chinese and Malay are their three major ethnicities there, but they all are English speaking. It's a, it's a, it played very much like a Western country. You know, it felt like very, it was a young comedy scene, definitely very open-stagey, but the open-stage acts were... And what are the Chinese comics talking about? Do they criticize Xi? Is that, how do you pronounce the Prime Minister? There's very few, there's only a couple of actual political comics. In Singapore, it's weird because that's a very authoritarian country, and most entertainment is censored. You have to submit scripts to get rated by the editorial board. Standup is somehow under the radar still. So, you know, I talked to comics who were going, yeah, there's stuff I'll definitely say on stage that I won't put on my Facebook page, you know.  So, most of them, I would assume, play it safe and talk about sex and going to the bathroom, right? Yeah, and local stuff, a lot of local stuff, like, you know, like new comics in the United States, you start off with, you know, the stuff that works, you know, the expats in Hong Kong are doing a lot of stuff about Hong Kong and what it's like to live in Hong Kong, and white guys with Chinese women jokes, you know. In Singapore, they talk, you know, about Singapore a lot. And they do a lot of racial stuff, a lot of racial stuff. A lot of crowd rap. Where are you from? Here's a joke about that place. So, is that, that's interesting. So you make fun of where somebody's from. I do remember W.C. Fields saying, I read a book about W.C. Fields while I was just starting out to do stand-up, and he said he never got over the fact that when he was in vaudeville, no matter where he played, there was always one city that if you mentioned it, the audience would laugh at it. Absolutely, and those universals are completely intact over there. Wow. In Hong Kong, they make fun of the mainlanders.  Is there anything like our politically correct movement? Is there a line that you can cross where the audience self-censors? Not the government where the audience thinks you've crossed the line and they're offended? It's pretty much not funny still, you know. It's pretty much, you know, like Chad Daniels does some pretty edgy stuff in this thing, and because it's funny, he gets away with it, but lesser comics wouldn't. Right, and you're talking about playing to expats, but did you see Chinese speaking comics playing to Chinese audiences, correct? I saw, yeah, I saw, well, no, I didn't, I didn't film any actual Chinese stand-up. Chinese stand-up is a separate scene, and it really is a different form of comedy. It's a much longer storytelling sort of thing, and there are comics there who do both scenes, but they say for the most part they're acting. You can't just translate your English act into Chinese and have it work. And these, are they modeled at, the Chinese clubs, are they modeled after yuck-yucks in the punchline? Do they look and sound like American comedy clubs, or are they? For the most part, or at least, you know, American one-nighters, you know, and good, you know, decent one-nighters. There's one full-time club that we went to in Hong Kong, it's called Take Out Comedy, and it started by a guy named Jamie Gong, who was actually a Chinese American guy who grew up in Chinatown in New York, and went over there and opened this club and started teaching people how to do stand-up, and just, you know, doing bad shows and bad shows and bad shows until they got enough comics who could do good sets, you know. But he built his room up that way. He basically went and started a comedy scene there. And who are the influences?  Obviously, I can't think of his name right now, I just blanked on it, but the guy in the end comic who's just huge right now. Yes, Russell Peters.   Yeah, exactly. Wow, we're talking with J. Elvis Weinstein, you know him from Mystery Science Theater 3000, and The Edge with Mark Thompson. He's also been a writer, producer on Freaks and Geeks, and the new movie is I Need You to Kill, which will be released shortly once we get a distributor, is that what the plan is? That's how it's gonna happen, yeah. Yeah. And of course, Amazon, iTunes and all that kind of stuff. Freaks and Geeks, Judd Apatow. Yes. James Franco, right? And so many others, Seth Rogen, Jason Fiegel, Linda Cardellini, Martin Starr. Why does that show still resonate with people? Is it because of the stars who came out of it, or was it because of the writing and the producing? I say it's because of the writing and the producing. I think the stars that came out of it are what keeps drawing people to it now, but I think that, I mean, I think once you're there, it's, you know, it's a pretty well-made piece of TV. Did you know it was a well-made piece of TV while you were making it? Yeah, we all knew, everyone, because everyone cared.  I'm a good friend of Frank Conn if he does the show all the time. It's his birthday, in fact. Is it really? It is. Oh. I will have to call him. Why does that still resonate? When I saw you in L.A., you said that you had just the right amount of fame from that show. What did you mean by that? You know, it was when we toured. I got together with Frank and then Joel Hodson and Trace Blea and Mary Jo Peo, you know, three of us were the originals, and then Frank came on when I left the show. But we toured as a thing called Cinematic Titanic, and we did like 1200 seat theaters around the country for a few years, and it was really fun. But it was like, we were talking the other day, and it was like the perfect amount of fame because you go and you do this show, and you're totally famous in that theater. And you sign autographs, and then you walk out the door, and you are totally anonymous again. Mm-hmm. And so you get to turn it on and off like a faucet, which is, you know, pretty ideal. Unless you need it, you know. Right. Well. Then you want the faucet on at all times. Jay Elvis Weinstein is the director of I Need You to Kill. I don't know where it will be playing, but I can assure you you'll be able to catch it on Netflix, Amazon, and iTunes. You can see his work on Mystery Science Theater 3000, Freaks and Geeks. You can listen to him once a week on The Edge. Give us the podcast ID so people can find that. Go to edge-show.com. And you can either play them there or go to iTunes or Sketchers. Sketchers? Sketchers. Stitchers. Yeah. Is it Stitcher? Stitcher. And the I Heart Radio network as well. Before we go, Gene Wilder passed away. Heartbreaking. Yeah. Any thoughts? Any thoughts? Besides Heartbreak.    You know, I remember just being sort of, as a kid, my parents took me to the young Frankenstein when I was like four years old, which was a huge mistake because I was terrified by it. But I was, and my mom had to keep taking me out to the lobby and I, but I kept wanting to go back in because I knew it was funny. Everyone else was laughing. I was terrified. So, but it was Gene Wilder that like, that I kept wanting to go back and watch more, you know. Yeah. And ever since then, like, you know, including one of my favorite underrated movies, The Frisco Kid. Oh, I'll have to see that. Where he plays, yeah, a rabbi on the old West with Harrison Ford. Oh my God. I never, how did I not know about this? It's like 1979 and it was on heavy cable rotation when I was like 11. It became a huge man of it. Well, I posted on Facebook, I'll post it to my website. Mel Brooks in 1969, accepting the Academy Award for the producers. Did you ever see his acceptance speech? I have, yeah. Do you remember how he wrapped it up? I don't have hands. Mel Brooks, he beat out 2001. This is back when, I guess, there were, there weren't separate screenplay, you know, best screenplay was best screenplay. And he said, I'd like to thank Sarah Mostel, the people from, you know, the studio. And I'd also like to thank Gene Wilder, Gene Wilder, Gene Wilder, Gene Wilder, Gene Wilder. That's how we, that's how Mel accepted his Academy Award. Hey, Elvis Weinstein, come back real soon. What's up, dude? I'll be funny next time. You were hysterical.  Or your phone or functions. Yeah. Thank you, buddy. Thank you.


So, we are going to see about creating delightful human experiences using social center design of course right. So, from the jazzy title which is split up all the terms here. So, it is about social impact, the human design and then delightful experiences right. So, these are the key terms that we are going to see in the entire presentation ok. So, designers have always designed a lot of things for giving it impact and say revenue for the companies and customer impact marketing. So, most impacts we are trying to bring it up, but what have we done for the society right if you see common people or the community of human. So, that is the question we wanted to raise here. So, for this we are having a look at the new process called social center design process which has three modules basically inspiring, identity, credibility. We will quickly see how the process works or by case study that was done by us. So, the first thing what you have to do in the process is to frame your design challenge. So, in your day to day life you have seen a lot of problems right. So, if you see here it is a traffic jam right. So, we used to compute through the traffic jam, but we never thought that this is a problem and that is not a swap or let us say garbage dumping right. So, we have seen garbage dumping everywhere, but have we ever thought about doing a design solution for this problem or few places. There is a place where there is access to food and there is a place where there is access to food. Have you ever thought about connecting these two dots on the design perspective or let us say people in the streets without proper sanitation, proper hygiene, food or shared delivery. Have you ever thought about all these social problems that are hindering us which we come across everyday. So, the first thing you do is to get inspired from the society we have been done, millions of problems right. And then the next thing you do is to form a team of mixed people. It is not only about designers who can make workers out of the problem. Many people who can code, who can develop, develop a map or something like that. It is all a problem. People who can find it, people who can contribute right. So, there are lots of stages. So, you need to come up with a design team like this. So, this is our team. Many previous companies team. So, you see and then the people of this. This is like people who are who can code, who can design all the stuff. So, mixed people of mixed people. Then the next thing is that you find your audience. So, whom you are going to design right. So, there is a traffic problem in this case where all the wrong people right. And then it has to be very particular. You cannot design for something here. Something happening in the hyper plan for interviewing people in China right. So, you need to know what is the, what is the target audience who are facing the problem. And then the most important part of this whole process is getting used into the lives right. If you are doing something for a village people, get into the village, stay there, know what is the problem, actually live through the problem then you have to come up with a solution right. It is not about interviewing other people. It is about interviewing the right and the wrong people. So, once you get a lot of insights right. So, you take it back to the team. You prioritize group and strategize it. You say what is it, how far is priority? What is the lowest priority to be solved in the problem? And then you actually prioritize it in the video. And the next is obviously brainstorming. You come up with all kinds of solutions for the problem right. It could be financially not possible. It could be approximately not feasible to take up, it could not be feasible or impossible. That does not matter. Come up with all possible solutions for the particular problem. Once you have sort of found solutions, become the most viable and prototype to integrate the people's feedbacks. You get awesome feedback from people and then you integrate it and then you actually build up your solution better. So, the last step is implement, monitor and evaluate the impact. So, there are lots of NGOs who have already all these things for the same few examples. So, this one is called Project Fitness. This is like multi-utility cardboard project that was done for school teams. It can be used as an ideal level and you know, back-back. So, this is called Hippo Waterloo Project for people in Africa done by NGO organization for you know, picking up water from the wrong places. This is called LifeStraw and Acronco Waterloo, where you can just suck the water from any water source and it's not going to get purified, right? It's all focused on the very particular set of people who are facing the problems, not the whole world. That is actually the main thing about it. And this is called Wayfinding App for visually impaired people, okay? For post-spaces. So, when you are into an illustration or if you are shopping or on a date, right? So, it actually gives you four-many steps you have to take to the counter and stuff like that. So, this is one more interesting part called Fiddle for the visually challenged kids. So, it is actually coming to play language with the phone. So, if you see, if it's in the shape of a fish and the play language just says F-Y-S-H. So, they can easily understand another one. This is called Auto-Box, a smart phone that works for the elderly people. So, if you see, it's very much focused on the elderly people because we are all used to smart phones, right? So, this is like having a place for them in the center. You put your phone in the center and you flip the pages and you just try to figure out how it works. So, these are all very easy and very nice solutions for us to do this kind of thing. We picked up a nice problem from the society. How do we make supermarkets building counters less crowded? So, building counters being crowded is not a big problem, right? Have you ever thought that it's a problem? Yeah. So, if you see, long use for building one of the products for the customers. So, that is the problem of depth. If you're like purchasing only two items in the shopping mall and you have to stand for 30 minutes in the mall in the encounter and you'll be in trouble for you. So, maybe if we are interested to understand what about the elderly people and what about the particular challenge people will need to stand for long term, right? So, what would be the quick solution? So, when I post this question, people will be like, this is not a big deal. We can increase the number of building counters. We can put express counters. Of course, we all know about express counters, right? So, we can modify items if we go to the express counter. But it would not work. If it worked out well, right? We would not have a queue there. So, we came up with a set of questions that has to be posed to the users. So, we went to malls, like which was a real release and then spa, all those parts of the city, which are right. And then we posed all these questions to them. We had a lot of audience, like, you know, housewife, a particular professional and then a senior citizen. Senior citizens are mostly, you know, I can stand for a long time. It's like waiting for me to stand for this and so on. But then we went to the shopkeepers, went to the shop managers, went to the workers and asked, what is the problem? Why are you not taking a solution for this? They said, we actually have been brought a solution for this, and it was not worth it. There were findings from the people. We actually stood in lines for 30 minutes to build the products, the peak hours and stuff like that.  So these are the things we identified. We wanted to focus on the solution for purchasing the signals. It has to be beneficial for the elderly and the physically challenged people and it should benefit the business. It should not be cost consuming or, you know, it should not be like, you know, not physical at all. It has to be a proper optimization of the process and also easy implementation. So this is our teamwork work for the design solutions. This was, apparently, all the solutions we got, the like how it was for all kinds of solutions we came up with. And then the final viable product that you thought would be a mobile app, this kind of product, or go and pay through the app, right? So very simple solutions that would easily be implemented. This is there in the US, but, you know, India hasn't operate this kind of infrastructure yet. So we made up a product, and if you see, a user is using it in the supermarket. He's trying to figure out how to use the app, right? And then, so this is what we thought. We got the feedbacks and people said that don't make the single app or simple supermarket make it universal. The user can use the same app for every single supermarket. So once you enter, it actually detects the store and then it automatically selects and connects to the inventory of the store. And then you can start scanning your barboards and adding it to the cart and then you finally behave in each account. This would be an universal app. So this is not the only solution that was there. So we had a lot of other solutions too. If you see, this is a barboard scanner and that's to a shopping cart, but this is no cost-consuming. If you see this scanning kiosk, this is already done by Tesco in USA. See, you can go and scan the products and then you can build it. Or, which one's the markets? This is also done by Tesco in some of the airports in the US. So this is also very easy with it. See, on the ending of editing mode, I would like to say you need to make your solution viable and then you think about what can be easily implemented at the right time so that people are actually getting used to it. There's nothing more rewarding than giving back to society that they are living in and make a difference that we do in communities. Thank you. Well, ending ideas. Or did you have any idea apart from the app? The point where I'm coming from is why does any solution has to end with an app? Not necessarily. We wanted to make the most easily implemented and the quickest solution so that people are not going to be long-awaited. Do you have examples of other solutions? The scanning kiosk, which I showed you earlier, that was also what we thought. I've been researching it. It was already there, but it was a little bit better. Let me rephrase it. Apart from technology, will you have any solution? As a designer, as a technology person, you want to do something from the digital world to make the process more optimized? Something similar to what the person has asked just now. So, what I think is people who have got the ability to scan things in the supermarket and get things through mobile application are those people who can do it from home itself? That's what I think. So, for example, this big basket is something like that, right? We can order it from home itself. Why would they go to supermarket and do bar-boarding stuff and all these things? Yeah, very valid question. So, there were models in Shanghai where it was connected to the IT people, the IT offices, and then there were models in the bar basements. People were going to work for people who were in the breaks.  That is one thing which we thought should be reduced. And then coming up, coming to the elderly people, right? We actually saw a lot of people coming with their grandchildren and then scanning the queues, resting all the time.  But you see, it actually takes half a lot of material in the end. So, that was one more key thing which you wanted to focus on. Sorry, I have one more question. I think you have started with a society centered business and something like that. But I think this case study falls into more into business solution rather than society because it's a problem created by the business people. So, what society, what we are continuing, the examples which we have shown, the water bucket is there. That is all done by the NGOs or organizations which are full-fledged. We just wanted to adapt that process for a simpler solution for people to understand and think about how to bring about solutions in the society. With the help of designers and the business standpoint, it's not a problem. Okay, whatever it was, either the case study is not going with the idea or the idea is not matching with the case study, that's what I think. So, we actually have another app for people to connect to to a stage also. So, maybe I can explain it to you if you are interested. See, you have standards to identify different quality and high specs and if registration is in the amount of time. Okay. Why not do the simple solution by having a brand to move in and you keep on practicing the separate research solution and start a new company? Sure. See, it's most of the time I want to start a research on all those things. The time is gone when it goes and making each product standing manually. Yeah. So, the time is wasted by the manual information, right? Right. So, anywhere to materialize something on the hardware, okay? So, why can't I create why can't I just do it? I'm obviously the kind of solution. And when you keep the bar called up visible to the scan, this can help instead of not buying an app, you can't... Engage is mobile and I don't think most of the people are smart enough to use a smart phone. So, that is the reason I told you. So, that is not the only solution which you can provide for this problem here. We see there are lots of other solutions already implemented successfully in other countries also. So, it could be yours. At the end of the day, you should actually integrate the society into mobile, right? That is what the pending mode of the whole presentation is about. Yeah. Hi, Rasha. Yeah. That was a great solution actually. I actually have something simple for sitting next to me. So, I thought... So, my idea is very simple. Maybe, it's starting mobile premiums. Why can't we have a digital basket? Yeah, sure. We can have a basket itself. We can have a standard while we drop an item to it. We can have a standard. It's expensive. You need to have a standard to have a standard. And that's right. These are the most used products. No. See, there are hundreds of solutions for a single problem. There is no harm in doing it. I'm not giving it a standard. See, everyone has their own ideas. Yeah. You are not going to complicate the issue. Yeah. You are talking about many things. Simple, straight communication is this. Maybe I'm not in the part of your brainstorming team.  But the thing is research means now. We are really searching for the value of resources. You need not start from a new idea. So, it can take the available things to make it more useful for your convenience or making other people feel happy. So, if you can't keep the basket safe, there will be many items which are hard and hard and other things. So, you can keep them visible. So, every age person and understand is there a way to keep it up. We will stand when the problem has been cash or carded. Sure. So, there are a lot of problems. Yes, I'll just talk to you later. So, yeah, different persons have different opinions and obviously there are different solutions as well. So, I just say my solution is simple. So, here the digital basket itself stands out and each and every person do not have to wait all the long. And we have the technology that we have devices where we can pay the amount there itself. Like swiping the cards to the device. We have the delivery persons like two e-cards, we have the same technology. So, there won't be a lot of environment to take in. There will be a response. They will be moving around and they will have this device and they can just enter the basket number so that they are able to get out there and they can solve it and they can solve it. So, as you already said there are kind of users that has made the long devices with different options. Because maybe that will give us a view of which of the devices are wired and looking into the option that probably is in the basket standard. Like you are saying elderly persons might not be very comfortable using the standard. So, we actually tested those kind of people also. So, we went to SPAR because it was in malls. So, we went there. They were like, ok with them. Then, three of them completed it. It was like the first idea that we have got for back lock or for processing. So, yeah, that is all. We feel like the pain is so big now. For going there might not be able to use this device. Because they are very smart phones, yes. So, we have made our life easy, but I don't think it has made life easy for most of the people.  So, it's more of a more useful for them. Yeah, I'm afraid if you don't have that. Thank you. Thank you so much.