Good morning. My name is Laura Kalanian and I'm here to tell you a story. The story of the surprise social entrepreneur. Professor Greg Dees from Duke University tells us that a social entrepreneur has five characteristics. A social entrepreneur is socially driven. They're motivated to make social change, not just to create private wealth. A social entrepreneur is growth focused. They're looking for ways to scale and sustain their solution. A social entrepreneur innovates, they adapt, and they learn. A social entrepreneur is resourceful. They're not daunted by the fact that they may not have capital or assets in hand today. And a social entrepreneur is accountable. They're accountable for delivering social results and financial results. So now onto our story of the surprise social entrepreneur. 22 years ago, this person started a social purpose business, and equity and access were key values for the company. So they've made a special effort to be sure that their price point is set at an affordable level. The company is brave, and they're willing to use their bully pulpit to take on controversial issues. In year one, this company had a budget of $35,000. Last year, the budget was $12 million. And the company has recently opened a new production facility, so they've been able to expand their production capacity by 700%. When this company started, they had an absolutely unique value proposition. And frankly, over the last two decades, other organizations have tried to copy or mimic them. But that's okay, because our surprise social entrepreneur has an in-house incubator, which allows them to continue to experiment, try new things, and stay ahead of the curve. That new production facility they opened recently, they financed that through a public-private partnership. They were able to raise $70 million of expansion capital that way. And in terms of being accountable, really, I don't think I know another organization that uses feedback from constituents, from peers, and from experts the way this organization does. They're continually making real-time quality improvements to their work. So when I thought about this person and the company that they created, I went through the five criteria from Greg Dees of what makes for a social entrepreneur, I felt there was a pretty good fit. But then it occurred to me, not everyone would necessarily look at this person and see a social entrepreneur. Because I think we have sort of a pre-determined view in the sector of what a social entrepreneur looks like, who a social entrepreneur is. There are a few people that we've all come to agree are our representative social entrepreneurs. We think we know what a social entrepreneur looks like. Jacqueline is a social entrepreneur. We have a sense that certain people are really leading social innovation in the space. They're working in education, they're working in health, they're working in Africa. These are the folks that we all pretty much agree are social entrepreneurs. And then on a day if we're feeling very provocative, we might stretch the envelope a little bit and say, okay, this is a social entrepreneur. But I'm not talking about any of those folks today. This is the person that I'm describing. And frankly, if anybody knows who this is, I will give you my free beer ticket because I would be pretty surprised. This is a fellow named Jim Houghton. Jim is the founding artistic director of Signature Theatre Company in New York. And at this moment, I'm sure you're wondering why you got up early to come to the first plenary of the day, because what could Laura be thinking? Here she is, she's comparing some guy in New York City who runs a nonprofit off-Broadway theater company with two Nobel Peace Prize winners and a very rich 29-year-old wearing a hoodie. But stick with me, right? Because let's look a little bit more into Signature Theatre Company. Signature was built around a mission. They're dedicated to celebrating the writer. And they started with this purpose 22 years ago. They recently opened a new facility in Midtown Manhattan, the Signature Center. It's a 70,000 square foot facility. It was a fabulous new space. Frank Geary in the yellow hard hat was the architect for this space, financed through a public-private partnership that included New York City and the related companies. New York City put in $28 million, and they granted a zoning bonus to the related companies. Signature is built on the first two floors of a new luxury high-rise building on West 42nd Street, which was constructed by the related companies. This public-private partnership also included some funding from philanthropy. Bloomberg Philanthropies put money in. Pershing Square Foundation funded this. And I just want to underscore this. We know Bloomberg Philanthropies, and we know the Pershing Square Foundation here at SoCAP, because these are two foundations that support social innovation. And here they are funding Jim Houghton and Signature Theatre Company. It's a great new space. They have office space, rehearsal space, studio space, three theaters, as I said, which is how they're able to expand their production capacity. They also made an investment in a 75,000-square-foot lobby, a 7,500-square-foot lobby, an open lobby, to be a bit of a meeting place, a community gathering place in their Hell's Kitchen neighborhood. So you can come into Signature. You can buy a cup of coffee at the cafe. You can browse at the bookstore. You can sit in the comfortable lobby. There's some free, pre-performance musical entertainment. So you don't need to buy a ticket to participate at Signature Theatre Company. But if you'd like to buy a ticket, you can probably afford to do it, because for the next 20 years, all tickets at Signature Theatre are $25. And this is where the company's commitment to equity and access comes in. Now, I understand why people often don't think that the arts are very social, because they see them as being expensive, and that means that they're elitist, so they don't include everybody. But Signature used its position as a nonprofit organization to raise subsidy from government and from philanthropy. So a ticket that costs them $75 to produce becomes available to you at the box office for $25. This does a couple of things. First of all, it makes the revenue for Signature much more predictable, right? They don't have to wonder if their $75 seats are going to be filled or empty on a given night. Another thing that it does is it means that there's a much more diverse audience at Signature than for other cultural events. You have younger people, you have greater socioeconomic diversity, and you have greater racial diversity. The new facility has also allowed Signature to expand artistically. Their dedication to celebrate a single writer in the past has meant that they dedicate a full season to one living playwright producing a retrospective of that writer's work. Now they're able to do that, but they're also able to bring back writers who they've celebrated in prior seasons, and they're able to begin relationships with new younger writers. But the title of our talk is the Surprise Social Entrepreneur. So let's look a little bit more into this fellow Jim Houghton. Now, granted, when Jim started Signature 22 years ago, I'm not sure that Ashoka or Echoing Green would have necessarily yanked his resume to the top of the pile, because when he started Signature, Jim was an out-of-work actor. But like any good entrepreneur, he spent his life savings, he maxed out his credit cards, and he started to build his idea. But what's a little bit different about Jim compared to the other entrepreneurs that I know is he didn't just build this single organization. Jim, from the very beginning, started to hold complementary roles within other organizations, because he understood that to accomplish his vision, he would need to rise the sector. In addition to building the single organization. As a result today, in addition to leading Signature, Jim runs the drama division at the Juilliard School, which has allowed him to put together a fantastic partnership where Juilliard students get some exposure to real theater, real professional theater, while they're still in school and coming out of school. And Signature has access to a fantastic talent pipeline of young professionals who are starting to come into the field. Every story has a moral. And the moral of our story is that it should not be a surprise that an artist is a social entrepreneur. And I worry that in the social sector, as we narrow our perspective about who's a social entrepreneur and who's not, we limit our ability to solve problems. A social entrepreneur has to have an MBA. A social entrepreneur is going to be working in education or health. A social entrepreneur will be using technology or will be innovating at the bottom of the pyramid. If we assume that about our social innovators, we're much less likely to solve the problems that we're seeking to solve. Now, in case you think that Jim is the exception that proves the rule, let me quickly describe to you four other amazing artists, social entrepreneurs. Let's look at Rick Lowe. Rick is down in Houston, Texas. In 1993, he created something called Project Roe House. He and other artists went into the Third Ward in Houston and they started to renovate some abandoned and debilitated housing stock because they needed some affordable live workspace. But while they were there, they accepted a challenge from their new neighbors.  And today, Project Roe House not only has provided fantastic live workspace for artists who are integrated into this historically African-American community, but they have also provided safe and comfortable housing for single mothers and children, community gardens, community health centers. Or let's look at Gregory's sale. Gregory's working in Tempe, Arizona. He's a multidisciplinary artist. And his recent work, It's Not Just Black and White, showcases artwork that was created by inmates who incarcerated for life without parole. And the intention of this installation is to provoke and support conversation about our criminal justice system. Or in Portland, Maine, Marty Pottinger in 2007 started something called Art at Work. Marty is a playwright and a performance artist and she believes that if you brought elected officials, city employees, union leaders together to make artwork that they'd get to know each other, that open up lines of dialogue, that build some trust, that let go of their typical traditional adversarial roles. And as a result, you have an open line of communication between the Portland City Police Chief and one of the founders of Occupy Wall Street. Or in Minneapolis, we've got Robert Karimi. Robert's a playwright, a poet and an activist. In his company, The People's Cook combines theater and cooking to promote health and well-being. One of their works focuses on type 2 diabetes and communities of color. You may have realized, if you looked in your program and you started talking to the folks next to you, that we have artists at Socap with us this year. For the first time, they've been at the accelerator. Hopefully they're sitting with you this morning. And they're on panels joining us in this conversation about social innovation. There are three great panels coming up. There's one today at 2 o'clock in the Marina Room that looks at what artists are contributing to healthy communities. Nine o'clock tomorrow morning in the Marina Room, there's a panel that looks at social impact video games for health. And tomorrow at 12.15 in the Marina Room, there's a meaning track panel where artists talk about their roles as storytellers, collaborators, activists and social entrepreneurs. So please come and participate in these panel conversations. But the reason that artists are here at Socap this year is because we believe that they are essential to the conversation that we're trying to have in this conversation. You may have seen last month in the news that they're updating the calculation for the gross domestic product. One of the things that they're doing is they're recognizing the contribution of artistic, literary and other creative originals in the GDP. You might have also seen that Fast Company recently published their list of the 100 most creative people in business. Well, 20 of the 100 creative people in business are artists. What this says to me is that the traditional economy and traditional businesses are understanding and appreciating what artists have to contribute. Help me to be sure that the social capital markets and our social purpose businesses realize how essential the artists are to the conversation about social innovation as well. Thank you very much.


Sean, good evening. You cut a very frustrated figure for a large part of that game. What are your emotions now, having gone out of the cup? I don't think I was any more frustrated than I normally am. I think I was more frustrated with the first goal and we can't get the right side of the VAR. Two hands in Dominic Cavalund's back. You can say he went down a bit light, which he probably did, but at the end of the day, I see a penalty is given with someone stradding on their toe. And it's a penalty, so I'm frustrated with that. The game scrappy or could ugly affair. They got on the best side of it and two set pieces. You know, it's that type of game. It felt like that type of game. I must say when we scored to go equal, I thought we had about 15 minutes when we looked like the side were more likely. You could see the soft corner at the end and you could see the goal through a bit of a ricochet. But yeah, a tight, a tight, awkward, awkward game. I thought fair play to them. They found their way through it and got a win. What did you say to them half time? Really, I just said the expectation changes quickly. There's an expectation on us. We're ever in football club, you know, with all due respect to Luton, the crowd are expecting us to win these games. They expect us to take the game on. So I said, you've got to remind yourselves of what we are. And I said, we're a good side. And I thought, second half, we were better.  I thought, first half, we couldn't find the pass. Looked nervy and edgy. Second half, I thought that was better without finding the killer moments, obviously. And that growth I want from the side, you know. Of course, we're stretched at the moment. Everyone knows that misses are very important players. But at the end of the day, it's a great opportunity for other players to come in and show their worth. You know, and that's what we want. We want that team and that squad mentality. Whoever's out there playing. So really about that. But I thought the second half was better without getting it right, if you like. Too direct with two set of forwards. That can be the tease of two set of forwards, especially physical styles that, you know, let's play it up there too quickly. That sort of thing, finding the balance. So, you know, it was a tricky one for them to deliver. No lack of effort or energy or any of that. Lack of that true moment of quality in the final third when we had the moments to get that. I guess it's a measure of that expectancy that the fans around me in particular were getting very frustrated and very annoyed because they expect more. Yeah, I think I've spoken clearly about that. You know, it's about the noise, about the points and all that and teams and players missing win a game. That's what they want. So our job to respond to that and win games. We didn't today. Next will come quickly. They'll be expecting again. So I said that to the players of me, the staff, the players, you've got to keep working for it. You know, you've got to keep earning the right and playing under pressure from a crowd. It's part of being a footballer. And that's what the players have got to keep responding to, I think. And injuries, any fresh injuries from today? Hopefully not. Emma got a bit of a knock. I thought he played well, particularly second half. He got a bit of a knock. So hopefully that's nothing too soon. We'll have a roll call tomorrow and find out, you know, make sure everyone's okay. Because obviously we're still not got too many getting back yet. So that's going to be a bit of time yet. Thank you. Joe. What did you make of Beto and Calvitt-Lewan up front together? Yeah, that moment. So I don't think it looked like they played a lot together, which they haven't, of course. The connectivity of two up front, I thought Don played well again. I thought he hasn't nicked his goal, but I thought he played well. Excuse me. Second half a little bit more to it and a little bit more power in it and a little more edge to it. But they're two strikes who are not used to playing two together.  It's not that easy. You know, you need two players who can combine and play together and learn how to play together. So that's in its infancy. At use, everyone wanted to give him some minutes to try and activate, you know, as well. What was the thought process behind starting Beto and Calvitt? Obviously it's not a partnership that's had a lot of experience so far. Was that just the best option when you've got so few given the injury list at the moment? Yeah, at the end of the day, we've got to look at the team that can win a game with so many injuries in the camp. So therefore, what's the best system? We've had to change before. We went three at the back. Today, we thought the two-center forwards could be effective and there was moments second half when you thought it was going to be. You know, so we are working with the squad and piecing it together and trying to continue to look for a team that can win games. And it's slightly unfamiliar to this club to have two-center forwards. So, you know, you can only do so much work with the players on that in the week to get it right.  That's when you see in those moments. But you could tell it was Rusty in a sense they haven't played together, but Rusty in a sense, the way they work together. But yeah, so we've learned something new. And what would I and Jim have to do to get a start? What's the message to him, sir? No, he's come on and affected the game. That's all we want. Just keep affecting the game. Great, thank you. John? Hi, John. Hi, mate. It's your first anniversary on Tuesday. It's been some year for you, hasn't it? I mean, how can you sum it up? Well, I used the word interesting recently. A lot going on at this football club still is. A lot of work to be done when I got here. A lot of work still to be done. The highs and lows, the ups and downs, the ins and outs, the off-peer field, the on-field. It's the kind of thing of the words, but interesting is probably the best one. Massive challenge without a shadow of a doubt. There's a meaning, it suffers. To bring it all together or try, and still try to bring it all together is tough. Lots of voices, lots of noise, big club. Chairman sadly passed. Owners change in and all of that, and then get it right on the pitch and try and win games, and not enough money to get players and all the rest of it. So to bring all that together and to try and glue it together and still form a group of people that can activate out there and a fan base that can buy into that, that's not easy. And balance the books while you're trying to do it and probably not balance them but save some money. So all that in the melting pot has been an interesting year, as I said, very interesting. Lots of work done, lots and lots to do. I'm under no illusions here, no one should be. There is lots of work to be done. Thanks. Shaun, you mentioned Calvert, Lewin and Beto haven't played much together and we're rusty. Is that something now with the Coray out for a little while? Is that something that needs to be given time to flourish as a partnership? Do you see it as like a viable option for Premier League games? I think we see every game with the group we've got over fit. We see every game as one which we're going to pick a team that we think can win. Today we felt that would work and it had signs of working but it didn't inevitably because you've got to win. Yeah, rusty for the team more than anything, not just for them because the team's not used to. You know, you think of the players here, I don't think there's many. Obviously the Burnley players have played with two up front or I had previously but there's not many here who have played with an out and out two strikers. So not so much them because obviously they would be rusty because they haven't played much together. I'm talking about the, sorry, I should have explained that the team is not really knowing how to find the blend of two strikers. You know, are we playing short? Are we playing long and strong? And we played long and strong too much today. So finding that blend to open up and offer different ways of operating which we want to do. You know, I want mixed, well I want different ways of operating, different ways of affecting the game. And there were signs of it but without the clinical moments to win a game and they found two set pieces which won in the game and that's sometimes the way it goes. How is the Coray getting on? Yeah, he's settling down well but it's not going to be, well it's not going to be this week. I'm pretty sure of that. Shameless, maybe get back in the group but we've got to be careful obviously. Don't just come back on a minor injury. Young is back in the grad 75 minutes the other night but it's a big difference. Excuse me with all due respect playing in that game than it is in this game or it's Tuesday. So try and the risk and ward of getting them fit and not breaking them and all the rest of it. It's a challenging sort of moment though. The squad in general has been really strong both sides with set pieces both attacking sense and defensively but that's four against Luton specifically this season here at Goodison. What do you think's gone wrong against them in particular? Well, I think it's a foul on the first one. I have no clue, I'll try and ask the players to be why that's not given as a foul because if you turn it the other way around I bet you they give a penalty. And the second one is I think Dandume is really unlucky on the back seat he's doing his job, he's come on the pitch, he's listened, he clears it, he hits their lad, bounces down, he wacks it in the net. So I wouldn't put luck in every set piece but sometimes you go well with the set-up's right. You know, that sometimes happens and we don't win the first contact. We didn't actually have to give the corner away which is not helpful because I think I can't remember, someone takes a quick throw but I didn't quite tune in, Taki sort of tries to nick it out of play and it goes for a corner, that sort of thing. But then the second phase you go well. So you know, sometimes these things might be an anomaly. You know, because two, the same team four set pieces, four goals. Well not literally, but you know what I mean how does that happen? But it does happen. So we'd obviously got to learn for it and move forward.


What's going on guys got Kyle here with Leighton sports cards, and we are ripping this is 2022 Chronicles football six box number 14 Random team style we did a random before the break show the results here real quick had John G with the Cowboys down to Dallas P with these Saints can always check those on our website Leighton sports cards calm have a results app all the way at the bottom Good luck here guys second half of the case just one left on the Brace for tonight guys. It is a full case division style of this So you get four teams per spot a full NFL division per spot on these Got one spot left for tonight Got a Christian Watson luminance Trayvon Walker and Redemption this one is Brian Robinson, Jr. On the Great Iron King signatures now when it's for the commanders Brian or Robinson, Jr. Got a Christian Watson silver prism black nice one there packers Garrett Wilson rookie and a George Pickens clear vision and rookie quay Walker got Sam Howell on the canvas Desmond Ritter canvas God blew on the Is that pristine? to 99 there James Cook Zemir whites and Petrie Chronicles Baker got a Ken Walker luminance Johan Dotson Hand auto this is number two one hundred. It's Chris Collins worth on the invincible auto Not pulled one of those now. Here's a guy. Yeah, man. That is a I have not ever pulled a Chris Collins worth there 35 of 100 Nice hit bangles. Please. That's a combo spot as well. Nice in there Andrew That's a 49 out of Chronicles quay Walker Malik Willis prison black and Stefan digs Yeah, I have not pulled a Chris Collins worth auto. I thought I remember at least maybe I have ripped quite a few different stuff But I don't remember pulling one There's a Hutchinson on the canvas James Cook and silver out of flux Malik Willis Bailey zappy There's a Bailey zappy canvas Jelani Woods Wanda Robinson and for the Jags on the red to 99 or 199 Trevor Lawrence Teal off a score Malik and we've got clear vision acetate of Kenny Pickett thick one here That's George Pickens photogenic Eden Hutchinson base. We've got this is Jersey the 25 Isaiah Pacheco nice one there for the chiefs the champion Now one is four out of 25 on the Pacheco Jersey We've got a Garrett Wilson to 49 on the acetate Jalen Tolbert and a Bailey zappy All righty guys box to come on. Let's see some low number rookie autos here Some more low number prison black, maybe Trayvon Walker quay Walker and Christian Watson acetate Oh, nice one here Brock Purdy on the Dynagon red that one's number to 99. I sit there for the Niners on the Purdy number Got Emron and Malik other thick one Kenny Pickett Sauce Gardner and this one is Javante Williams nice one there to 25 with the number patch nice three color Javante there For the Broncos. We've got to 199 Taekwondo orton rookie Kenny Pickett from legacy and Traylon reminds you of Jimmy Neutron What does the he said the the Dynagon design? There's a Sam Howell Desmond Ritter and another printing plate this one's also out of prism It looks like it is Durwin James for the Chargers nice one there on the lockdown insert Durwin James on the one-of-one Magenta plate you go Chargers To 149 we had Brian Robinson grid iron Kings Drake London Dynagon and Brock Purdy clear vision Certainly haven't thought of Jimmy Neutron in a while of us That was a little brain blast there you saying that Definitely has been a minute Drake London rookie got Aiden Hutchinson rookie This is Otto Ascension Otto of Nico Collins for the Texan second-year Otto and Silver we got Christian Watson on the prism black. That's the second silver Christian Watson prison black Drake London Jalen Hurts Got a Rogers photogenic doing the discount double check looks like I might have been the best like advertisement of a brand in the discount double check We've got Bailey zapping nice one here on the rp8 and 99. There you go Pat's on the momentum rp8 and 99 and We have to 25 that's gonna be Stefan digs Acetate and a Garrett Wilson rookie prison black Jalen Hurts Jordan Davis Stingley got a silver Hassan Haskins Haskins rookie out Malik Willis rookie John Taylor Box three good luck guys Got two divisions cases coming up next One left in the second one still one left guys. Oh, wow. It's a lot of orders Who's grabbing that last spot last spot of the night? chub photogenic Malik Willis got a Kenny picket gridiron Kings This is tractor CTO to 199 on the photogenic Jersey Titans Got a red rookie to 199 Johan Dotson Josh Allen on the prism black and a Kenny pick momentum any two gloves Malik Willis photogenic Dak Got a Garrett Wilson canvas Traylon Berks. There's Drake London on the luminance Drake London gridiron Kings and this is number to 10 We got gold that illuminance of Aiden Hutchinson Nice one there lions one of ten on the hutch got a rookie sauce and Reese It's like a prism black auto coming It is gonna be Johan Dotson on the prism black silver auto that one's for the commanders not numbered great-looking prism black auto there and A silver prism black Jamo Jamison Williams Maddie Corral as a conma Romeo Dobbs Romeo Dobbs got a Derek Henry to 199 chronicles red Justin Herbert prism black and Tyler Algier rookie That's a sweet picture Christian Watson photogenic hitting the back flip. Oh, yeah, that's cool Christian Watson chronicles And this is great iron Kings auto It's gonna go to the Steelers number to 75 Calvin Austin Great iron Kings auto to wreak woolen behind that number to 25 nice one seabirds Ken Walker and Rajus Rajus Rajus Austin Barnes hitting 107 that is not good That is not good at all Garrett Wilson chronicles There's a Brock Purdy luminance Brian Robinson silver is Devin Lloyd Jax Bailey Zappy score and Drake London playoff momentum No ready guys box for Come on. Come on See some low number rookie autos here breeze Hall James Cook This is store-back auto here invincible number to 50. It's Greg Lloyd for the Steelers Look at that face mask man. That's a throwback Things like double the size of the actual helmet 299 that one is Aaron Rajus Desmond Ritter score Tyree kill I'm looking for some for you hot dog. Let's see some saints. Let's see some saints Brian Robinson Alec Pierce Sam Williams. This is a silver rookie of hutch Got a Brock Purdy prism black rookie and Crystal Lave there on the acetate Justin Jefferson keep thinking that one's upside down Is the second time I've done that Malik Willis got a Bailey Zappy there luminance and red is out of flux Ken Walker Number 299 Robinson momentum Romeo Dobbs Tom Brady This is Damien Pierce on the jersey. That is timeless treasures to 240 Texans Got a J-Moda 99 for the Lions photogenic Quay Walker and tip it up Quay Walker and another printing plate. This one is for the Falcons It is Kyle Pitts on the rookie prism printing plate That is a sick one there on his rookie prism That is the one-of-one yellow plate and see where the magenta play was pressed against it there Nice one there for the Falcons on the one-of-one Kyle Pitts from his rookie prism There's a reshot white to 49 Christian Watson to Rick woolen Drake London photogenic Breeze Hall Garrett Wilson This is RPA nice one here to 99 triple relic auto from momentum. That is commander Sam Howe Nice one there got a silver Garrett Wilson from score Desmond Ritter rookie prism black and a Drake London clear vision Already guys box five good luck. Good luck Got two full casers coming up after this one There's a Hutchinson tip it oh God Lamar Jackson on the Chronicles base to 199 Patrick Mahomes on the prism black and a Kenny Pickett momentum Baker Mayfield There is Bailey zappy canvas Brian Robinson and this is John Michi on the auto number to 49 nice one there Texans canvas auto John Michi Got silver Hassan Haskins from flux Damien Pierce Hey Cody Cody grabbing the last spot of the night guys appreciate that Got two full cases of Chronicles coming up. We are full of an awesome Pat Mahomes nice one here We got a silver from prism black Kenny Pickett nice you go Steelers son Haskins Rogers and we've got Jersey to 199 from Chronicles Kenny Pickett as well Nice box there Steelers for the Pickett to 199 Romeo Dobbs Maddie Corral and hutch There's Desmond Ritter Chronicles There's an Olavé canvas Got Breeze Hall Jelani Woods quay Walker that one is number to 20 or 35 there 35 quay Walker for the pack Justin Herbert prism black and a Garrett Wilson. Oh nice one here number to the 99 we got a sauce gardener On the Great Iron Kings auto to 99 got a Trey McBride that one is to 99 as well Dynagon Trayvon Walker and Joe Burrow Alrighty guys one box left box six and this is six box number 14 Random team stop got two full case divisions coming up in a little bit of space for personal There is no room and it's sold out We'll get what was the ordered earlier done today And we'll have more personals tomorrow night starting at five. I'll be ripping over on our second channel latent channel two Sauce gardener. We got red Mahomes to 199 Malik Willis and Breeze There's a deck tractor Seago Quay Walker. There is Christian Watson Great Iron Kings With a Drake London Great Iron Kings behind it. I got silver rookie prism black Breeze Hall Hutchinson and Drake London momentum There's a hutch on the canvas got Desmond Ritter luminance And Panthers this is rookie autos of 75 Maddie Corral Great Iron Kings auto Panthers Got a Brock Purdy silver from Flux Christian Watson Prism black and a Aaron Rajas Here's Baker Wanda Robinson Joe Burrow and we got Joe Burrow again this time it is to 199 on the photogenic jersey Joe Burrow Got Kenny Pickett another one to 199 there on the red acetate Garrett Wilson rookie from Legacy And a Garrett Wilson clear vision rookie Two packs left guys. Good luck Like I said, we are full up for tonight. We got Matt break in tomorrow morning at 11. He's got um Panini one release day and he's got Bowman's best basketball release day Both with Matt in the morning got a luminance a lave Oh nice one here number to 75 on the prism black orange auto.  Good luck guys There's sauce Gardner Nicoby Dean Damian Pierce and red that one is to uh 149 David bell Sam Howell rookie and Joe burrow on the back Alrighty guys, we'll do a quick auto recap here We had a sauce Gardner prism black auto nice one there jets to 75. We had Medi corral auto to 75 We had to 99 sauce Gardner from gridiron kings to 70 or sorry 49 john meet you gridiron kings To 99 Sam Howell triple relic rpa. We had Greg Lloyd on the auto to 50 Calvin Austin to 75 Johan Dotson not numbered prism black silver auto We had Bailey zappy to 99 triple relic auto Ascensions Nico Collins uh chris Collins worth number 200 for the bangles And our redemption was brine robinson on the gridiron signatures Any there guys that will do it for chronicles six box number 14 or random team style got uh two full casers coming up next both are full


Clean drinking water is vital to the life of this community. Colonel Allensworth had been a slave and he escaped slavery at an early age, joined the Union and the military. Colonel Allensworth and a group of people came and founded this community of Allensworth in 1908 with the whole premise of being self-governed. They wanted safety. They wanted to be self-sufficient. All of the water that we drill for in this area is heavy laden with arsenic and we have to do something to get rid of that. Arsenic is one of the most toxic naturally occurring substances. It's spread naturally all around the earth's crust. It's found almost everywhere and under certain conditions, arsenic will leach into groundwater. Primary effects of arsenic range from lower IQ for children to early onset of diabetes to a range of internal cancers. So these are five of our electrochemical reactors. We call it ASAE, air cathode-assisted iron electrocragulation. In the reactor, one wall is made out of steel and the opposite wall is made out of carbon cloth. The steel dissolves and makes a kind of rust. The carbon cloth creates tiny amounts of hydrogen peroxide which it releases in the reactor water enabling now that rust to quickly capture the arsenic that we are then able to separate just like any other suspended solids in water. This is our settling tank and so the kind of the where all of the arsenic ends up is in the sludge and you'll see that being collected here at the bottom. So then the clear water on top of the settling tank overflows into just a holding tank so that we're able to again pump all of that water that's mostly clean through the rapid sand filter. And so the water gets pushed through this sand filter to remove bigger particles that have kind of escaped and then we have the micron filters. We take samples every hour to check on arsenic concentrations. So the influent groundwater has about 200 parts per billion arsenic by the time we've treated this water it's coming out consistently below 10 parts per billion. This promises to be one of the lowest if not the lowest cost ways to reliably remove arsenic from groundwater at a price that local communities can afford. With drought as an issue for all of us especially here in California we're seeing groundwater levels go lower and essentially concentrates the arsenic levels in the water we have. A system like Dr. Gadgill's will definitely be one of those systems that we look at for sustainability. I'm very excited about the future. I believe that if it can work here then there are implications for communities not only throughout California but around the country and around the world.


What's up guys? This one's going out to Susan Baldwin. She wanted blue camo, which essentially different types of blues or different shades of blues And we just put it on a canvas and spin it. So I hope you guys enjoy this one Okay, there's that one There's this shade. Oh, that's a nice shade. That's a nice shade. Okay, then we got this one We splatter it Little more shade. Okay, put this off to the side and then we spin Essentially you got this blue different shades of blue with blue camo on it. So let's see one more spin Yeah, I hope you like it


All this teaching about abstinence is absolutely useless. Just teach safe sex. Okay, wait a second. Safe sex? There's no such thing. What do you mean? I mean you're only accounting for the risk of pregnancy or disease, but you're not accounting for the spiritual and emotional bonds that are formed. Explain. In the Bible, it says that man shall leave his father and his mother and cling to his wife and they shall become one flesh. Because of our sin, we've distorted God's plan and design for sexuality. When we engage in that act of intimacy with somebody that we're not in a covenant relationship with, when we leave that relationship or that relationship breaks up, emotional baggage, hurt, and scars all stem from it. What if you've already done it? Now that's not to say that it's hopeless for those who have sinned sexually. And that's good news for all of us because all of us have sinned sexually whether in thought life or in physical deed. But because of Jesus' payment on the cross for our sins, we can find redemption, restoration, and new life in him.