What's up, everyone? Take down here. Welcome back to another video. As you guys know, I'm a Canadian eBay reseller. I also sell on Facebook Marketplace and Kijiji here in Canada, and it's a lot of fun to find things to flip for profit. Now, I did mention in previous videos, every two weeks there's going to be another reselling video, whether it's me sharing what I sold recently on Facebook Marketplace or eBay and sharing a breakdown of what it costs, what it costs to ship eBay fees and my overall profit for each item, which you guys seem to love, or different hauls of things that I purchased to sell for profit. Today is going to be one of those haul videos, which is absolutely a lot of fun. Now, one thing you guys might not know if you guys are here for my reselling stuff, I also collect comic books. About five years ago, I bought 500 comic books. I kept half for myself. That's what started my collection. The other half of the lot, I ended up selling and making $300 profits, and I kept the other half for my personal collection. As you can see behind me, I did buy a lot more comics to be able to flip for profits, and I ended up paying a lot more than I've ever purchased a single lot for, and I spent the most money on this lot than anything else that I purchased. Normally, I end up buying video game lots and things like that. I decided to get back into comic books. It's been about five years since I was selling comic books. I decided since it's something that I know, I love, and I do collect, I'm able to engage with my potential customers and talk to them a little bit more about it. I think this was a great find for me. So, inside here, there is 2,234 comics and also 20 paperback Marvel and DC graphic novels. Those ones there should be able to sell for about $10 each. That is about $200 there for just the graphic novels. Some of them are even from Kevin Smith, which is going to be ones that hopefully I'll be able to keep in my personal collection. But for the most part, everything you see here is going to be solely to sell for profits. Some of the comics, I might be able to pull it for myself and keep a few along the way, but some, or most, are going to be sold for profits. This whole lot here, it did cost me a lot more because there's over 2,000 comics. For the whole lot, it was about $1,000, which is a lot of money, I must say, but I'm at least going to be able to double my money with the entire lot, which is amazing. Now, for example, this box here, in my opinion, is one of the best long boxes that I have. There's seven long boxes in one short box. The short box has a lot more of the higher end comics in it. I'll be able to sell for a lot more money, and probably that box alone, I'll be able to make back what I paid on the entire lot. I'll talk about that in a second. This box here has the 20 graphic novels in it. Like I said, that's about $200. I'm expecting to sell those for. It also has the rest of the box. All X-Men and Spider-Man comics seem to be in great condition. A bunch of different stuff. Web of Spider-Man, amazing Spider-Man, spectacular Spider-Man, X-Men, X-Force, X-Factor, which is stuff that sells more higher price and sells quickly in my area, which I'm really excited to get into those. Most people in my area sell those comics for about $5 each. I'm likely going to ask around $3 each. I think each lot, a lot of X-Men, a lot of Spider-Man, a lot of X-Factor, a lot of X-Force. I'm thinking $150 each. That equals out to be 50 comics for $3 each, $150. I think that's realistically what I'm going to be able to get. A lot of people have 20 comics for $100 right now. I'm going to ask 50 comics for $150. That's about $3 a piece. That's what I honestly think I'll be able to sell them for. Now on top of that, there is other comics that aren't going to be as good as that, but some that are going to be just as good as the comics I just mentioned. There's other stuff like Avengers, Iron Man, Thor, different stuff that I personally collect, some Transformers comics, some Simpsons comics, which those ones I'm going to read. Just check them over and see if there's something that are of interest to me, and then possibly sell them. I'm likely going to sell those. They sell, I think, $10 for the sets. In here, there's other sets as well that are very interesting. There's some comics that are from 93, some X-Men and Spider-Man. I think I have two X-Men comics and one Spider-Man, brand new, sealed in the bag with the collector card from 93. Those ones there, I don't know what they're worth, but I'm likely going to sell them, not keep them. There's a box of 300 Marvel and DC comics. It's more lower and lesser known. Superheroes, some Speedball, I think issue one through 10 is included in that box, and I think I have Wonder Man issue one through 10 also in that box. That box there is going to be basically a dollar each, so that whole box, 300 comics, $300. That's what I'm expecting. There's a box of Indie comics, so there's some Dark Horse, some other ones, Impact, and other ones that honestly I've never even heard of the company. No idea what they are, what they're worth. I think those ones there, that whole box, there's 300 comics in it as well. I think realistically I'm going to ask maybe 50 cents of comics. That's 150 for that box. Now, paying $1,000 for everything here, that's about 44, 45 cents per comic. Selling that one box for 50 cents of comic, that's basically what I paid for all of those comics. There's stuff that honestly are not going to sell much higher than that. I might as well just get rid of them quick. There is other image comics that I actually have already sold a few. There was Spawn Dark Ages issue 1-28. I sold that for $50 and the guy is interested in more image stuff, so I sent him a list and he did pick out some other image comics as well, which is exciting that I have a returning customer already. I only listed them on Kijiji so far, but they're going to be listed different sets, different lots on Facebook Marketplace as well. Some of the individual ones that I might sell on eBay are going to be more of the higher end ones. There's one set that honestly I've been looking for for a couple years now for my personal collection that is Venom Lethal Protector Series, issue 1-6. In great condition is what I was looking for for myself. This was included in the lot. It is in perfect condition. It's around $100 on eBay. That's something that honestly I've been looking for for a while. I can't afford the $100. It was included in the lot. I'll likely be able to keep that in my personal collection, sell the rest and pick out maybe a few other ones here or there and still at least be able to double my money on the entire lot. One of the more expensive comics is the Incredible Hulk issue 449. It's from 1997. It is the first appearance of the Thunderbolts and it's on average on eBay for $150 for that one comic, which is amazing. Also included in the slots, there is some older Disney comics which I looked some of them up individually. They don't sell for much. I might list those on Facebook Marketplace, bundle all of the Disney ones together and see what I can get for those. There's also Looney Tunes that are a little bit older. I want to say the Looney Tunes are around the 60s. There's some Ghostbusters, Chuck Norris, Casper the Ghosts, different things like that. I think there's Power Rangers, which is more 90s, but I think I have issue 1-3 and it was exclusive to Canada this set. So that's very interesting and that stuff there. I don't know, I'm actually going to try to bundle it together and see if there's any interest on Facebook Marketplace for it. Disney is really popular, Looney Tunes, some of the characters have been discontinued or canceled. So some of that might be hit or miss, but I'm at least going to try and see what I can get for those. In this lot, a rough percentage of what there is, there's about 40% that is Marvel, 30% that is DC, 10% that is Image, that's stuff that I've been selling, that's honestly isn't stuff that's of interest to me from my personal collection. I'm more into Marvel, but some of that already been selling fairly quick and that is awesome to see. And the final 20% is more indie stuff, stuff that I just have no interest in that I'm going to likely sell for about 50 cents each, which isn't bad because that's exactly what I paid for them. The rest is going to be where I make my money. Now in this lot, there is some more expensive comics, which I'm honestly going to be waiting to the very end to start listing and selling those comics, whether I sell them individually on eBay or I do try to list them locally and see if I can sell them. I don't exactly know what I'm going to do, but right now I'm thinking that the bulk of the lot is what I'm going to be focusing on getting rid of first and then focus my attention on the more expensive comics. The bulk of it alone, I'm at least going to be doubling my money and I think the more expensive stuff is going to be where I see exactly how much extra profit I'll be able to get for this lot. Now this lot here, I did go through about half of it so far. I think honestly all I have left might actually be just two long boxes and see what is inside and basically categorize them right at what is inside. There might be some more hidden gems. There might be some more that are just 50 cent comics, but at the end of the day, I'm still going to be making some decent profit on the lot. So regardless of what's in the last two final boxes, that's fine. I'm okay with. Now honestly, I think some of the Spider-Man I am going to be keeping for myself, some of the Spider-Man and X-Men are already pulled out some doubles and some that I wanted that were very interesting to me to keep my personal collection. Some of the Spider-Man, I actually might be holding on to for a little bit, see if the value goes up and then sell it. Right now, individually, they just don't sell for lots and that's more of the holographic card comics. So the front cover is a holographic image, which is amazing. So I think there's issue 90 of Spider-Man, issue 100 and issue 365 that are all hologram that I found so far. And there's one X-Men, I actually have two copies of that. So one obviously I'm going to sell, one I'm going to keep for myself, but some of that I'm going to keep for now until the value goes up. Some of the complete sets that are inside here, I might keep or see what the value is and sell those. And who knows, some of my personal collection, I might replace it with some that are in the slots that I like more and keep those and sell some of my personal collection. I might end up doing that as well. I don't exactly know what I'm going to do, but buying them this cheap if I keep a few for myself and with me keeping the Venom Lethal Protector series, I plan on keeping that one. I still am expecting to sell the whole lots for $2,000. That's me doubling my money. That is at least what I'm going to make on this whole lots, if not more. There's one book that's 150. There's other lots here that are worth a lot more. There's some books that are $20 to $40 each. There's the paperback graphic novels that I'm going to be trying to sell for $10 each. That's $200. A lot of other great comics as well in here. I'm at least going to be able to sell the lot for $2,000. That's me doubling my money, but realistically, I think it's going to be around $3,000 to $4,000 that I'm going to sell the whole lot for. That is $2,000 to $3,000 profits, and I get to keep some also on top of that. Now, in this video, I did not share any comics physically, so expect to see those in the future. Now, as far as my reselling videos go, again, every two weeks, there'll be a new video, whether it's eBay, Facebook Marketplace Sales, Breakdowns, or lots like this. But for the rest of the comic books, if I sell any comic books, I will update you guys in future reselling videos. Again, every two weeks on Tuesdays is usually when I do those, but for the most part, the comic books are going to be on other videos on the channel outside of my reselling videos. So the only other reselling video I might do with comics showing the comics is likely my more expensive comics for the slots. I'm likely going to show all of those ones on camera for you guys. And the rest of them, going through all the lots, that's going to be other comic videos outside of my reselling videos on my channel. So if you guys are interested to see exactly what's in here, it's going to be outside of my flipping for profits and my eBay videos, basically my reselling videos. It's going to be outside of that. But if I sell any, I will update you guys in some of my reselling videos. I hope you guys enjoyed this video, and I can't wait to get started with these comics and start selling them. I already sold a few, and I know there's definitely money to be made, and I'm really excited to bring this to the channel and share all of this with you guys. So I'll see you guys in the next one. Please take care. Peace.


Hello, everyone. Welcome to our pre-owned vehicles of the week. I'm Gabrielle and I'm over here at Oxmer Toyota. You guys, we have three vehicles we would like to go over some details on. I want to go ahead and start with this very unique vehicle, this Toyota right here. So the first vehicle, it is a 2003 Toyota MR2 Spider Base. Now that exterior color is in the Paradise Blue Metallic. So there's the 15 inch alloys in the front. You've got the 16 inch in the back. So this has the Deluxe 3-in-1 Combo Radio. Now this is a manual. You'll have the four speakers. That interior is in the tan leather. The mileage is $90,432. The price is $17,995. Our second vehicle is a 2015 Volkswagen Golf R. That exterior color is in a blue. Now you are going to have alloy wheels. There is going to be a spoiler. You have the MP3 Decoder. There is going to be a backup camera.  The mileage is $72,687. The price is $30,995. Our last vehicle is a 2018 Toyota Tacoma TRD Sport V6. The exterior color is in a magnetic gray metallic. You are going to have 17 inch alloy wheels. This is four wheel drive. You'll have bluetooth, clean car fax. It has the 8-way power driver seat. There is going to be the backup camera. This vehicle has been well maintained. As you can see the interior has been modified as well as the tailgate. Now that interior was in the gunmetal. Mileage on here is $66,120 and the price is $40,995. If you all have any questions feel free to let us know. All of our contact info is listed right here. Thanks for watching and I'll see you soon. Bye.


Welcome to Episode 8 from the balcony. Hopefully all are doing well. Staying safe, being healthy. Let's get into today's video. My name is David Patton. When I started photography, I wanted to make art. I wanted to be a landscape photographer. But with a family to feed and bills to pay, I decided it would be better to be a working photographer than a starving artist. So I took a job as a photojournalist. 25 years and thousands of assignments later, it was time to go back to my first love. It was time to follow my passion. Come along on my journey to become the best black in my photography I can be. Whether it be film or digital, I will be sharing what I learned through my successes and my failures. In hopes to inspire and educate. This is my journey. This is Bright in the Edge. Today I thought I'd show you my gear. Specifically my cameras and lenses. I think it's kind of a modest collection. It's nothing impressive. But instead of just showing you my gear, I thought instead I would show you images that I've made with this gear. I think that'd be more useful. Kind of see how I'm using each piece of equipment. So with that said, let's get into it. The choice of camera gear and lenses is a very personal thing. Everybody has different needs, different objectives. So anything that I would use doesn't necessarily mean you would want to use the same thing. I thought it'd be nice to show you how I'm using my gear. Some of it's pretty old, some of it's not too old. There's still some pieces of gear that I'd like to have in my collection. And I'm not collecting gear. Everything has to have earnest place. There's a few focal lengths in each format that I would still like to have. And I'd like to expand into the large format. Pick up a body and possibly a lens or two. Ultimately I'd like to have something in each format 35mm, 120mm and 4x5mm. Four different types of subjects. So I'm getting into today's video right here. Once again, thanks for joining me here on the balcony. And until next time, thanks for coming along for the ride.


All right, there's a new version with sounds play this you have no idea what it's like to be a card See these horrors Do nothing you have no idea what it's like to be a card All right, let's bring this all the way down. I like this a lot. This is definitely your best version Let me just bring my video. Just a bit or that's the friend that we have. I Think this is all very cool. I like I just like How you have just a slight look over there Into this look up Into the breakdown there. I think that's great. I think there's a bit more we can do with the body More about that later This I would just bring his soapy keep up bring his head More like that just a little bit over so you don't have a tangent over this over Right there If you want to have him in there, I'm gonna move like this You will probably have a dart and dart down just a few more darts a little bit of breathing And then that's it like something super simple something simple Since he's you know fully there. He's not fully over the shoulder and blurred out and dark So a little bit more keep alive will be good So if you look at him, it's overall for just look at how his demeanor is head and body wise That's great See when I look at this it is a lot of women here, and I think you can go and Bring him just a bit further over Then when he goes up He goes up into that just it's such a big head move And I look at this line here, and it's just it's it's fairly. Let me just turn on it's getting here It's pretty You know, it's pretty static and how nothing really is moving Especially here and then at the end it's like the big collapse, but I'm seeing just everything in here but If you look at this there's nothing In here, so I would I would play definitely with a little bit more tension in the shoulders And he goes up here a bit tighter and then That exhale shoulders drop to this and he lean forward Just the whole body goes forward a bit not huge You don't want his head to be you know from here to here, but just a bit more so that the end He would be probably more around here this here and this over there And then watch out at the end here Just this I like it, but it's there's a slight feeling of up Horses just a bit too archy Now that's super subjective. I don't think I don't think it breaks the shot I don't think it's a shock killer. It just ever so slightly for me just a bit too Overanimated with that big broad arc With with that jaw there just ever so slightly So it would be Horrors like horrors and then down a bit less like that. It's a bit straight of a just like arc I think it's just a bit too broad a little bit just a tiny bit Question is though, this is still in step mode and you're asking for some polished stuff Um, is that the style you want to go for a bit more steppy? You know in twos type of things or you want to spline this out Because as a now I like that it'll head shake Here you hear the sound it says we're a coward.  I would have a little bit of a head accent and then watch out Here he moves over And then he just stops there Just on that turn because it's kind of like, huh Huh, we're gonna over and back. It's been over shooting back Yeah, and then just that just has that too much of a arc There's not too much time. I was wondering if I've watched this here. I Think since we don't have too much time and I love how he stares and Then it's kind of does this eyebrows first and break down. I would try a version where here Bringing these eyelids up higher. So this one a little bit more and this one definitely more So it's a bit more open like this. This seems, you know more open in this one, but really bring up The white before he closes this so I will bring This guy just a bit higher and this one even more just like this moment of I'm just slightly Missing it all subjective but slightly missing that intense horse there Because he says that horse and it's almost too tired and Slightly cross-eyed looking in different directions. So I would stabilize those eyes I would even hear why in those eyelids the upper ones and after this Really widened that Just to see how that feels and then you can go back into that Plus the extra bot animation And I think I'm scrubbing here It feels like coward you could stay within This it's almost like he's He's tense. He's embarrassed. He's just it's just so much anguish here That it's like the shape will be this between these two and Not so wide. I know he has an exhale Even it could be a bit closer, but to me I feel like coward would have more tension. So it's more between these two shapes versus this wide from here to here and Hate to constantly tone things down, but This into a close. I think that This to out the corners is a bit too much He's really like it really looks like we want to emphasize the breathing and I would tone this now like 20% and There's a lot of movement through there With a closing but I'm hearing I get here some breathing where I will keep the mouth open Especially through here, especially would have some more open mouth like the last inhale to Into this It's almost like he wants to say he wants to say like the mouth opens a bit He inhales he has to let it out and that's why he opens up here And I would wait with the corners Into this by like two frames for polish That Exhale will be a bit sharper So you would hold this a bit longer again like two three frames and then close that the mouth shapes like the the the extremes here just a bit like literally just a frame or two and Not sure you need to close the mouth here do nothing Was it do is here so here it's okay But I think right there. I would still keep that mouth open I think the opening of the eyes here is a bit fast Right through there. I would give this two more frames two or three more frames It's kind of a little bit of a slower opening. It just seems very active and it's kind of almost too too clear headed I feel like this would be more like a slower opening a sad opening Yeah, and that's not the biggest thing really would be on that head drop at the end to Bring him forward lean forward a bit more maybe tilt the head down a bit more But that's kind of that some broader notes and some polishy notes. All right. Thanks All right, there's an email you can sign up You can start whenever you want you can submit whatever you want to get 16 submissions either way a like and subscribe would be awesome All right. Thank you


Hello, everyone, Ola. My name is Samar. And I'll be talking about how to automate your incident response for the clown area risks using post-eat. I'm joined by my co-host today, Carolina. We work at Aqua Security, a leader in the cloud-native space. So this is the agenda for today. We'll briefly talk about what security implies, what it shouldn't imply, and some of the challenges associated in the space will go over what SOTA actually means and what we plan to achieve with it. And in the end, we'll go over some demos. So you might have heard that security is a need, not an option. You must make security into all our products from day one. It cannot be an afterthought. It doesn't work if it's an afterthought. You must drift left. Some of you might not be familiar with this term, but essentially, this is moving security closer to the active development of your software rather than, again, being an afterthought. And we've all heard the famous patch that servers batch all the servers, and it has to be SAP. Hopefully, you never get to see a zero-day, but that's basically what the situation looks like when you have one. So what is security, you might ask. If you were to go and look for the definition, it's essentially the state of being free from danger or threat. Well, this is a general definition of what security could mean. It does, and it should translate somewhat very well to the cloud-native space that we're working in. So you might wonder, how do I get into a state that is free of danger or any threats? Let's take a look at the cloud-native landscape for a minute, and let's see if you're able to figure out how many software projects are on this landscape that directly or indirectly focus on security, monitoring, observability, and automation. So if you had any guesses, you would find your projects in the highlighted boxes, and that's a lot of them that you see there. So having said that, maybe we should try to answer this question of what is security by eliminating our options and answering what isn't security. So using more security projects or adding more layers just for the sake of protecting yourself is not security. We've all heard of security by doing security by hiding stuff from the audience, from the user. Security by obscurity doesn't work. Reducing accessibility for the users to act that your security also doesn't work, and most importantly, for the purpose of today's talk, it should never mean that a security person at a company is the alert management team or security should never translate to alert management or alert ops for operators working at a company. So while I was preparing this talk, I decided to dive into this topic of how the DevOps realm looks like today around security space. And I ran into this post on Reddit to highlight it's a bit shocking and a little sad to see that someone working in the space being a DevOps person is having to deal with such a situation. So let's lay the groundwork that alert fatigue is real. It's a problem. We need to tackle it. The sooner we do, the better it is. Otherwise, you'll see and be very familiar with stuff like these. And yeah, it's not a good place to be. So patriotity, the people who would really know about the alert and the monitoring space, were all would have published a series of blog posts on their website that talks about what is alert fatigue and the problems associated with it and how do we actually get there in the first place. So I do encourage you to check that out. It's a great series. The link is on the slides. But the T of the R is we need to do better. The status quo of security and the endless reports from different scanners is just creating more noise and more noise does not necessarily equal more security. So if you talk about the alert fatigue and we take the alert part of it and talk about that for a second, a good alert should possess all these qualities. First and foremost, they should be actionable. You do not want to get a page in the middle of the night and not know what to do with it. It should be descriptive enough that it has all the information self-contained within it so that you need and you know what to do when you get that page. It should also have certain set thresholds. You don't want a page for every small tiny little detail on a Friday night while you're enjoying a party with your friends. That stuff, if it's not too important and not going to cause a meltdown can, or might, or could bait until Monday. And most appropriately, you should go to the right people. There's nothing worse than getting a page and then basically bouncing that off to another team because well, quote unquote, you're not the right person for it. But in our definition, an ideal alert should be all of those plus it should be automated. You should get an alert. That something's gone wrong, but you should not need to handle that. It should take care of itself. And the operator is essentially a passenger watching the series of actions and events unfold that are related to an alert. So if you put the two together, what is alert automation? Well, it should be self-healing. I just described that an alert should essentially take care of itself. And in other words, we're basically automating the quote unquote playbooks that exist today in the DevOps world where a series of steps are defined in order to do a certain thing and achieve a certain task upon the arrival of an alert. So for today's talk, if we go back to its title, it's SOAR with postee. And for those of you that might not be familiar with what SOAR is, it's actually an acronym that stands for Security Orchestration Automation and Response. So combining all these things together, the system that works should possess all these qualities to handle your alerts and manage them. So I feel the picture would explain a lot better. In this case, you can see you have all your security technologies, your firewalls, your antivirus, your vulnerability scanners. All those outputs from those tools, wonderful tools can go into the SOAR system. What SOAR essentially does is what a team would manually do. So it's not magical. It's nothing new other than the fact that this is a category that if defined well can act wonders in this space. So SOAR will triage and analyze the incidents that are coming in from your security tooling. And essentially, as any system will act on those inputs that it receives and interact with external applications. Could be like paging you, creating a ticket for it if it's not too urgent, sending a message in Slack so there is more than one person that can be alerted for something that might get missed. Send you an email as vanilla and plain as it may sound. Emails work. So without further ado, I would like to introduce posty. You might ask, what is posty? And it's essentially a combination of what I've talked today. It's a message routing system, takes and inputs, looks at what to do with it, and sends it out to something else. We have policy-based routing using OPA in the regular language. So you can essentially define your own policies and tell posty what you want to do when you receive a certain kind of event. And more importantly, it can also enforce stuff for you based on the alerts that you receive. So that's the third remediation response aspect of it. So if you try to fit posty into the previous diagram and draw a picture, essentially you take in all the inputs from your vulnerability scanners, from your Kubernetes operator, like trivia operator, your system level demons like Tracy looking for malicious behavior, vulnerabilities, and whatnot, and pipe that all into posty. Posty is going to triage, like I mentioned, and the triage happens using regular evaluation using OPA, categorize them, and essentially act based on the policies you've defined to these certain actions, like credit ticket, sending an email, or even terminate a malicious process on your host if that's the policy you've defined. So if you've not understood any of that, I have an ELI 5 picture for you. You can take in any tool. It will send an alert, create an event. Posty is going to take that and do stuff with it. Simple input, simple output. So how can posty help? Well, as we've discussed, it can field alerts for you, essentially. Posty is available all day. You can go enjoy a party on Friday night. Posty is going to handle the stuff for you. It can automate those playbooks when an alert happens for you on your behalf. And the overall picture is to, in general, reduce the operator overload so you can deal with the more important stuff and the routine stuff, let's say your server crashed because of a hard drive failure. That sends out an alert. Posty takes it, could do a remediation like schedule another EC2 instance in place of the one that died. Very simple tasks. And you can only make it more complex and suit to your needs as you go. So there's talk and talk is cheap. I think the best way to demo posty will be with the demo. So I'll introduce Carolina, and she'll go over a demo of posty with our tools and how you can configure and use it. So, Carolina, over to you. Well, thank you, Simar. I will continue showing how can integrate posty with security tools. For example, here we have 3D that, as you can see, 3D can find vulnerabilities in container image, fight system, git repository, or even can find misconfigurations in Kubernetes, health charts. It can analyze cloud formations, terraform, also with secrets and licenses. And I will use the results of 3D to integrate with posty. For example, I will analyze my Docker image. That is an Alpine image. And I will run my 3D in GitHub Actions. It could be any other CI, it could be Yankee, GitLab. And this result, I send to posty. Because I want, if I found some critical vulnerabilities, I would like to notify to my security team. That's the target. So, here is the project. So, you can take a look, I put all the steps. And I will run the GitHub Actions. We have these, the Slack channel. I will only put some mark to notice that I am receiving a new notification. And I will run my workflow with my demo. So, as you can see, well, you will see here that I'm running, in this step, in one of the steps I am running 3D. I'm running 3D using GitHub Actions, 3D Actions. And after I have the results, I will send to posty, posty that could be support any event. You could send any event to posty. And this is send it. And if I go back to my Slack, I receive the notification because in this image, I found some critical vulnerability and I want to notify my security team. I will show here some steps about, for example, here is the posty user interface that I defined. You could define many routes. I have only these two routes because I am doing these two samples. And here, my route, basically like we have, we're using OPA to define rules that you want to apply in your input. In this case, the input for posty was the 3D. Now, the 3D results. If I found some critical vulnerabilities, I want to be notified. I want to take actions for my Slack team. Could be any other third-party like PagerDuty, Jira, that you could set here. And will be notified after you, after match through. So here is the demo about 3D with posty. Any doubt that you have, please. The repository will be public. It's public already. So you can ping me if you have any doubt to be waived. Or any other idea that maybe you are thinking how you need the result, or you need to integrate, or how are you using in your organizations. Here you have, yeah, it's already we see it. I will go to the next sample that is Tracy. So Tracy is another security tool that help us to detect suspicious behavior at runtime. For example, in the before demo, we were at the built stage. We are building our image. This image will be published in some Kubernetes cluster. And this image will be a container that is running. And could happen anything when you are in production. So Tracy will help us to protect or detect these kinds of bad behaviors that could happen in our production or in any other environment at runtime. Here also have this repository that is with all the steps that you can reproduce. Basically, I will go here to my channel first. I will go for my Tracy channel. And also I will put some to notice that it's coming a new message. And here I install, in my environment, it's a Kubernetes cluster. And basically, I have my Tracy and posting installed. Then I have this spot that is a demo about generator file list. File list is a technique to run some process at memory. And when you run it at the memory, maybe some antivirus or it's not easily to be detected. It's advances technique. So if some hacker or some malicious actor could run, for example, a malware using this technique of file list could be very hard in your organization because no one is not track or evidence that you will notice if you don't have a tool prepared for that. OK, I will run here. Basically, I am running. I will run my I will run this. I will force to generate this event inside of my container. So as you can see, I basically running Vendate that it was executed. But the mode that it was executed is using file as mode. So this process was executed at the memory. That's the reason that Tracy detects with using the sign at the sign after about file is execution. And detect that someone tried to drop it some executable at runtime. This is like a suspicious event. I will show also how was the configurations in posting this case was. I receive the Tracy event and the rule that is using OPA. Basically, I am fear if I found some any sign at tour or security signer that Tracy sent us, I will be notified in my Tracy channel. While all the steps are here, if you have more doubts, please contact us. And here is basically that I was explaining if you have some malicious behavior, Tracy could help us to detect because it's a runtime tool. And here is all the demo, so it's OK. And here are the projects. If you want to know more, we have also Slack channels, so please go there. If you have also some doubts or any other ideas and how you needed to use it in your organizations, please share with us. Thanks so much for watching, for being with us, for the pay attention. I hope to see you. Thank you also, Seymour, and all the CNCF organizations.