Something new, something also fun, also I'm going to counter, he n- Oh, that was the hardest read I've ever seen in my life! How's it going everybody? Dot, and I hear back with some more Dragon Ball fighters, rank badges, this time doing a suggested duo of more Jiren and more Zebrauli. Pretty much as soon as I got the comment that he wanted to see more Jiren and more Brauli, I was like, all right, yeah, I'll do that. These are two very fun characters, both very strong characters, and also for the third member of the team, since it wasn't explicitly stated, I just went ahead and threw on UI Goku, something new, something also fun, also I'm going to counter, he n- Oh, that was the hardest read I've ever seen in my life!  That one hurt, that one, that one hit different. The little run up, the little crouch as well, just, just a- Oh, this guy is making reads right now. He's got the whole library card, he walked in with the library card front and center. Usually, you know, they ask if you have it, you're like, oh, yeah, I should have known while I walk into a library and I didn't have the library card, but this guy, he just knew, he knew, 21 of a sudden, oh my god. All right, we need to focus. It's been a little while since I've played fighters actually, a few days. Oh, combos as well. Do I UI tech? I'm going to say no, just in case this guy also has the read on that. Nah, we got to take that. We got to take a punishment on that. All right, that is, that is more than fine. Do I back flip down? Why not? Right, let me, in fact, let me also punch him in the face. You know, I got to pay him back for the read. And I think I'm also going to make a read myself. He's going to early spark. I don't know why I'm feeling like he will, but he will and I'm going to dodge it. He didn't, but you know what? It doesn't matter. UI Goku going to get the hit anyway and still get that kill combo. And now we have to deal with his UI Goku. I'm feeling pretty good about our chances as long as we keep, as long as we keep three characters up. Oh my god, I personally don't think I should have teched that. I'm not going to, I'm not going to bring that up with fighters though. I'm personally fine with having tech that. I just, oh, I got hit by the, I just got hit by the bit. Oh no, I wanted to switch out. All right, we're going to stay in and hope the sparking saves us. Oh, you've got to know that I'm coming in. We actually get a hit there. I should have done the other way just in case, but this is fine. Oh, you can, I, for some reason, after they nerfed UI Goku, I thought they nerfed maybe in my head. It's because I thought that would be something they would nerf, the fact that you can do it twice, but they've changed other things about UI Goku. And I think he's a lot more fair now. But for some reason, I still think you can't do that twice anymore. And you definitely can. And I got caught out there by four bars, a lot of damage already on the board. And he's only adding more, a level three from 21, especially dangerous.   Those slots are so good to the purple ones. I don't play 21, but the purple slots always seem like the best options to me if you do play the character. Could have comboed, but I failed. Oh, I'm going to go for a counter. Double counter. Let's go. You thought I was going to, you thought it was sweet with Jiren, huh? It's not sweet. Counter again. That's how we get the melee one. Melee, I was going to get bullied for that one, could feel that coming. And now we just get a level one kill. The melee character, counter. I'm stuttering. The melee counter just is too good. All right. That was smart. I don't know why I put the counter down. It's going to be Broly versus UI Goku to wait. Let's keep it canon. I don't know why I said canon. I don't think Jiren won that fight in the show. Okay. That's fine. Broly is nothing. Broly is a character I have nothing but faith in. What are you going to do? What's the, what's the neutral looking like? If that's neutral, you got a problem. Stay down, Broly. Broly, just do it to him, Broly. Why? Broly just hits so hard. Look at this guy. You know he benches at least 3,000 pounds. It's probably way more than that action. Have they ever shown a scene in Dragon Ball where the character just does a legitimate bit? Well, I'm all over the place with this recording. It's been too long since I've recorded fighters. All right. Well, I'll definitely take that a very good first game. We got read a few times. That was fun. I agree, dude. That was actually a really fun game. But you know, I think it's my turn to do the reads. How about that? He blocked? Counter? Oh, you're assisted, you win. Even if you're the smartest player in the world, your assist is only as good as your call-out. Oh, nice catch, actually. I'll take that. Jiren, it's the Jiren show. I can feel Jiren's going to run away with this one. I should have definitely punished that. Another? Who is this guy? I'm taking Dragon Rush. Don't even try it. Don't even try it. I could tell he was going to mash on that one. He saw the frames were at his advantage, but Jiren doesn't play by that rulebook. Oh, I tried to counter again. Dude, Jiren is too fun. Jiren is too addicted. You just always want to go for the counters, or at least I do. Why not? Okay, he got both of us. He got both of us. I definitely thought that Broly assist would be a bit faster. Maybe I should have gone with the C assist for this team, but I don't know. I feel like both work out fine. Oh, nice. That actually comboed. All right, I'm not going to do too much more after that. Yeah, yeah, makes sense, makes sense. I'm going to die for that. Jiren does have to go. Please don't switch. I'm coming for that blue life. I don't know why you switched. Now I'm just anxious. Now you're going to make me work like 10 times harder. Actually, what if I read? Bad read. Bad read. I'm out of there. Oh, you have punishes. All right. Well, I want the blue life. So I'm going to do this UI Goku. Don't think he's going to ex flip. Oh, he did it. Then I'm glad I didn't. I'm glad I didn't try to read the ex flip. I actually wanted to go into Broly. I think Broly would have had that. Oh, he forgot about the double hitting medium. He thought I'd go for a mix. Maybe because he saw me do the command grab. He thought I wanted to do it. Admittedly, I thought about it a little bit. Counter that. Oh, UI Goku. Play my theme music. Somebody get my theme music going. Don't actually copyright. But you know what? Open another tab if you have the time. All right. We should be looking good for this. I'm going to save the meter. Reads. Reads part two. Reads part three. Reads part four. You can do it twice. Probably should have canceled that series. Seven bars. Okay. Level three is definitely. Are we dead? Where did this damage just snuck up on us? All right. Use the aerial level three. So not going to get the four stacks. We might die. Oh, that was sick. This 21 is moving right now. But we got six bars with Broly. I'm willing to go. I'm going crazy. Sit down. Oh, no. I should have stood up. All the damage. Why is the damage adding up? 21, please stop. Don't get four stacks. Unnecessarily unnecessary. I must say. Childish even. Okay. How do I play defense? Higher low, dude. It was low. Oh, please not enough. Please not enough. This. Oh, it's going to be enough, isn't it? All the, all the abilities. All the abilities limit. We actually lived it. Yo, I'm a Broly player these days. Oh, you're going to open up, dude. You're going to open up and you're going to get Broly. You're going to get Broly. Oh, I got a bit too aggressive. Dude, Broly. Oh, I can't believe we lost that. But I definitely deserved it at the end. I can feel the fear, dude. The fear levels were definitely rising right there. I just needed one good level three, too. That's, that's, that's the crazy part with Broly. Medium starter did not expect that to be fair. Oh, love to land that command grab. That just means that they respect the Jiren pressure, which is good. I need to see that. Oh my God. Okay. Two bars. Just that's all I need. Broly, catch this man. Batter's glove. Mitten. What? I got him. All right. That's fine. We're already up a character. Jiren's in the back. Broly's going to have to take the point lead, which is okay. Two H. I didn't even see it through the explosion. Oh no. That's bad. I got armor. I got armor. Broly counter. Oh, that was smart. That was smart. Got to give it up. Got to give it up. I don't want to be in this corner, dude. I think this guy can tell. I really would rather be anywhere but here. And I'm willing to get Dragon Rush to prove it, I guess. Oh no. This is bad. This is not great. Oh, Broly's dead already. Not the boss character, dude. Not the boss character. We can't afford to lose. We'd need that guy.  We had a crazy lead. I'm sparking, dude. I want pressure. I felt like mashing there myself, actually. Six, seven. Give me that. Give me that. I'll take it. Use the sparking benefits to our advantage. We want to make an impression here. All right. I'm going to spend some bar here. I might regret this. I might just stick with level two, actually. I'm happy I did. It was not a smart... I don't want to call that decision smart. I would never have done that if it was like a tournament and I had money online or something. But in an online world where I'm okay with the repercussions, it felt like just crazy enough to go for it. That was nasty. This is bad. This is very, very bad. Okay, wait. We might have something here. Just go through Goku to get him on the other side. Jiren level one. I promise my thumbs... Unless my thumbs are down, they're trying to learn how to tap dance on the D-pad. I did not do that input. I don't know how did it happen. This is bad. That's bad again. And the spark. Oh, God. Oh, they messed up. No. Jiren says no. If we get a good sparky read, it could be game. It doesn't matter. You got to spark early. Look at Sparky just sitting there. It knows it will never be able to be used. Boom. We robbed. We robbed the win. The win was robbed. And I'll take it too. I'm not saying that in a bad way. Great games to that opponent. That was really fun. I could tell this team is a blast. Hopefully the next set is just as fun. Okay, we're back. To be honest, my audio stopped recording. I hope I didn't miss anything. Hopefully it stopped in the middle there. But we're back. I was wondering, do I counter at the beginning of this match after the devastating read? I'm going to say yes. Yes. Finally, I love when a good counter pays off. I'm going to do it again. One too many times. I almost got a comma there. Ah, I thought I landed in time to 2S. Don't make me. I hate when it changes side and I try to get the counter and I end up just grand charging into them. That is always a great way to just lose a lot of health. But I'd be able to extend with UI. Okay, nice. If that would have hit, that would have felt great. 2S, it's fine. Counter again.  I mean, it was something I just threw out randomly. There was no read behind it, but if he hit it, I would have taken full credit. Give me that unfortunate drop by him. He likes to reflect there a lot. Okay, so we're definitely just going to wait there. I need to make sure that I'm tagging the UI Goku here. Nice. Don't want to waste any bar, but also we do want to get that blue light for Jiren there. That's where that switching mechanic really comes into play. Do I just counter? Oh, me and Broly. What? Don't do it. What, child? Yeah, I deserve it. I miss my counter. When you miss a counter, you know, you have to just, you have to just fess up and say, yeah, I deserve to lose. So once that counters out, Jiren no longer gets to play. I'll take it. I'll take that too. All right, I'm thinking normal combo here. Nothing, nothing too fancy. I've actually changed my mind entirely. I want to get Broly out. I want the double level three, dude. Oh, is there a way to stay up? I'm just going to have to vanish. I'm just going to have to vanish. Let's play it safe. I definitely was trying to go for a little reset there. And then he just busted out to level three. That changed everything. I don't know if Broly, I even Broly might not have enough damage for this. I think this kills. Wow. That's still pretty crazy. Keyblast, you got to block. Do you got to hold the Broly Keyblast? You can't stand up into that. Do I read? I'm going to read.  Also, this guy is dicing me up, man. All right, that time we actually blocked. Thought I wasn't coming back. You want Goku? I'll take it. No, the set play. 2H. That's fine. Just slam him into the ground, Broly. Slam him into the ground. Grab him, vanish.  All right, I want him to jump at me again. I want a 2H. It's not going to happen. Broly, let's go. Set play. Set up the set play, set up the orb. He can't see, dude. He can't see. Broly is going to take a clean sweep there. An end game one. Yeah, this team feels great. This team is amazing. Hopefully that part isn't what got cut off. I don't know how I messed up the audio. I definitely need to remember not to do that. All right, I wouldn't dare counter again. Did you think Dragon Rush beats the counter? Maybe, maybe in a normal world, but you're facing Jiren. And you're still, I still remember. Oh man, I wish I still had the clip. When somebody, because I streamed the start of season three over on my Twitch, twitchTV.dot.do it. I did not mean for this to be a plug, but you know, it turned out to be that way. He's going to reflect again. Oh, he didn't. When I was streaming season 3.5, I think is where Jiren got that buff. People told me, you got to try Jiren. You got to try Jiren. His counter, his counter counters everything. So I was like, oh my God, it actually does. That's crazy. Do you know how good that is? And then long story short, there was like, wait, you didn't counter Dragon Rush. I was like, guys, you can't counter Dragon Rush.  And then it happened. I swear the smile on my face, dude. I thought it was a bug. I genuinely thought they included that on accident. But I don't think they did it this point. I was so afraid to get nerfed, but I think at this point, they've accepted as part of Jiren's character. All right, let me jump in. Oh, it's over. Broly combos. You want to dash in, set up the Key Blast. One, two, three, four. Oh, almost dropped it. Yeah, I did drop it. I went, I went a little overboard there. Oh, you can't, you can't. You've just got to block, dude. You've got to block, wait for a reflect opportunity, or maybe hope to get a guard cancel. Honestly, I wouldn't recommend. Oh, the lag. Nah. Oh, we almost had enough armor there. All right, I kind of want to get six bars anyway. Give me six and a half. Get off of Broly. Whoa, no. Yeah, save me, Sparking. Save me. I don't need to be stopped. Look at the damage. Oh, and it still had so much to go. Wow. That was so unnecessary. I'm dodging everything, then. Damn, it's so fast. I was trying to flex. I'm in a UI attack. I regret it, dude. Why am I? Oh, no, no, no, no, no, no, no, no. I regret everything. This Trunks is too full health. He is too healthy. Block that, guard cancel. I almost regretted that immensely. I got to stop throwing these buttons out three bars. Jiren could be dead if he wants, but he drops it. Oh, we just land with a button again. I thought I was punished for that. I just did not learn my lesson the first time. All right. Level one, wait for him just so we don't miss. Level three, UI Goku. Now, he's got to block. If he does block this, then fair play. But I'm not going to go for Dragon Rush. I don't want him to be even mashed here. There it is. You got to handle that stress. Is that it? Was that two wins? That might be the 2-0. I need to see, though. Put it up on the screen. I need to know. I definitely got scared against Trunks. That's why I forgot. All right, is that two? That is two. Hopefully you all enjoyed it. If you did, definitely let me know down below the comment section and let me know any other team suggestions you might have as well. While you're down there, make sure to like button and subscribe to the channel if you enjoy the stuff we put out here and want to stay up to date. It also helps the channel out immensely. Then I would definitely appreciate it. Or you could also check out more videos that should be on your screen right now. Other than that, I have been Dr. Doya. Thank you again for watching this one all the way to the end and I will see you in the next video.


Hi there. My name is Neil Kent. I'm the Director of Events for the Drupal Association. My name is Ben Jevins, local team lead. Really happy to have you guys here with us. Thanks for sticking it out to the end. Yeah, so just a quick reminder, if you haven't filled out session evaluations for all the great sessions that we had at DrupalCon, please do so. It's really helpful. There will also be an overall conference survey that will be available on the websites. There will probably be an email that goes out about that later this week. So, how many of you folks? How many is this your first DrupalCon? Wow, that's fantastic. That's great. So, here's what we do in our closing sessions. We have a few announcements for you. We have some fun facts to share. All sorts of cool stuff goes on. And everybody, I think pretty well knows that our next event coming up in August is going to be in Munich. Very cool. We've made some pretty good progress on the show. And there's a few people I'd like to bring out to give you an update on what's happening. So, in just a second, let's go ahead and bring out Karsten and Florian. Hello DrupalCon! Hello Denver! We're having a fantastic conference here in Denver. But the fun is not over yet. And in less than six months, the fun will continue. The adventure will continue in Munich, Germany. Well, the same of the next conference will be open up interconnecting people. And for us, it means think outside of our box, think beyond Drupal. What are the people doing and using out there every day? And how can we make them interconnect with us, Drupal community? So back in London, I told you that we would have some secret keynote speakers to announce. And today is the moment that we are going to announce that the first keynote speaker for Drupal... Sorry. Yes, the first keynote speaker of the first day of DrupalCon Munich will be Dries. And he'll be telling us everything about Drupal8 and the progress that we're making into turning this into the best version of Drupal that has been ever made. And we got even more. We got Anke Donscheidt back. She's a very famous business leader in Germany. And she will talk to us about open government and women and business leadership positions. On the third day, we will have Fabien Potentier, the creator of the symphony framework. And he'll be telling us what it means for Drupal to be integrating parts of symphony components into Drupal. But we got even more. Just look at the slide. We got so many tracks and so many cool people there, even fresh faces. So you just have to come around and see all of this awesome stuff. So we've been pretty active over the past couple of months, actually the past couple of weeks, to get everything ready to, well, all the things that need to be ready for today. Well, we got a city Munich. Jack, we got an even bigger venue for that. You can all come to us. Jack, we got a grand team and they are even here with us now. We got great speakers. Jack, we got a lot of great sponsors already. Actually, we've had a lot of sponsors very quickly and we're almost running out of sponsorship opportunities and we're putting a lot of work on Megan from the Drupal Association to create new sponsorship opportunities because we want to help all these companies who want to support the Drupal community and the Drupal County event. If you want to get your logo on this slide, get in touch with Megan. Jack, we got a lot of very cool marketing materials. So, well guys, here it comes.  So we've gotten a lot of things done, but we're not completely done. There's still a couple of things that we need to do before August. First of all, we need attendees. We need you, we need all of you to come to Munich. And we need speakers. This is an awesome opportunity for all of you to share your experience and just go to the website and sign up there. If you've got a good idea for a session, just please share it with us. As usual, before the conference, we're going to have a pre-conference training day. I know that there's many of you in this audience that give professional training if you want to give a training at DrupalCon Munich, submit the form on the website and we'll get in touch with you. Yeah, and we need even more attendees. See, this was London and it was just totally crowded and it was so cool, so many people being there. So the next venue will be even bigger and we wanted to be as cool as London. So please come around, we need attendees, we need all of you. And finally, well, how are we going to get all these attendees? Well, we want to grow the community. And to do so, we need your help. So tweet about it on Twitter, write about it on Facebook, just use those coasters that you get, just spread them around, spread the word. So don't hesitate, the registration is open now, which is really great. Now go to the website and sign on, we really want to see you there. It's in Germany, it's great, it's Munich, just be part of our community. Come to Munich, please. Thank you and we'll see you in Munich. See you there, thanks a lot, bye. Thanks you guys. Florian and Karsten, the Germany team, you guys are great, thanks so much. Really looking forward to Munich, it's going to be really cool. There is something else that's coming up that I don't think anybody's aware of just yet. And I do have a couple of other friends to bring out and make a very special announcement. I think right now they're probably getting mic'd up. So I'd ask the question before about how many people this is your first Drupalcon. How many people this is your second Drupalcon? Any three-timers? Beautiful. Okay, whoa, hey. How's it going? Nice surprise. I'd like to introduce to you my friend Fernando and Fabiano, who have a very special announcement for you. Good afternoon everyone, I'm here to invite you to Drupalcon, Sao Paulo 2012. Good afternoon everyone, we're here to invite you to Drupalcon, Sao Paulo 2012. Welcome everybody, we are here to invite you all to Drupalcon, Sao Paulo 2012. It is the first Drupalcon in Latin America ever. It will take place in Sao Paulo, a vibrant city home to 20 million people and the world's third largest city. Brazil, it's a booming economy and now is the sickest sixth economy in the world and has 46 million internet users and established Drupal community. That's big, no? And there is potential for even more growth of the Drupal community in the global market and Latin America is huge. And even in Brazil, we'll allow lots of new people to experience the power of our community. And the best part is, it's going to take place in December 6th to 8th. December, it's summer in Brazil.  We hope to see everyone there. We'll see you in Sao Paulo. We're waiting for you in Sao Paulo. Thanks you guys. Who's excited for Sao Paulo? Yeah. So we have one more announcement, sort of a passing of the torch so that to bring out the organizers for the next North American Drupal Con 2013. I'm Amy Scavarda. And I'm Chris Bloom. And for those of you that already know us, you kind of know where this one is going. That's right. We're going to tell you where you're going in 2013 for the next... sorry, 2014 for the next North American Drupal Con. But first, we'd like to tell you a little bit about our city, accompanied by the theme music we've brought with us. Thank you because you were me. I don't know about you, but I'm totally pumped right now. That was awesome. In 2013, Drupal Con will be held in a beautiful city with no sales tax, a ton of bridges, and more breweries inside the city limit of any city in North America. But for some reason, it's illegal to pump your own gas there. It's a city with more hipsters per square foot than a Panic at the Disco concert on a two-for-one PAPS night. It's a city so hip, you've probably never heard of it. It's a city that sits at the confluence of the majestic Willamette River, the powerful Columbia River, and a clown college. That's right. If you somehow didn't know already, in 2013, you're going to Portland, Oregon. Portland has a strong and varied open-source history from Oskon to open-source bridge to Linus Torvalds. We're a big part of the Silicon Forest. What's more important is that Portland loves Drupal and beer, and Drupal and beer at the same time a lot. We've got a fanatically active community. We have three different user group meetings that meet every single month, and at least a couple hundred active users. Recently, the Drupal Association actually moved into town, and we couldn't be prouder. In my opinion, Portland holds some of the best Drupal people and companies in the entire country. So it'll be our pleasure in May 2013 to welcome you to the beautiful city of Portland, Oregon. Thank you. Thanks, Chris and Amy. Okay, so we're going to just take a little bit and talk a little bit about our process for DrupalCon Denver and say thanks to a lot of the people that helped make this happen. So hopefully you noticed the amazing conference design, the great beautiful website. The website was actually nominated for our Web Fonts Award. So we're very thankful for that. A big shout out to Ken Woodworth and Atten Design Group for their help there. We also made some press with this event. We were in Fast Company's top events for March, one of the must-attend events. It's a little bit hard to see there, but we were pretty high on education, so we learned ability, how valuable this conference is to learn something from it. I hope you all agree. Also drinkability, we scored pretty good. It sounds like we might be better in Portland and a unit for sure, too. We also made some of the local press. So this is Jeff Walpole from Phase 2 Design, talking to, excuse me, Phase 2 Technology, talking to 9 News. And I found it a little interesting that coding nerds unite, because we're pretty wide on diverse community, we're not all coders, they just don't get us quite. All right, so we'll talk a little bit about some of the statistics from this conference. In San Francisco, we had just over 3,000 registrations. In Chicago, we had 2,881 registrations. Today, you guys are sitting at the largest Drupalcon in history with 3,081 registrants from over 47 countries. So thanks, you guys, for making that happen. That's really cool, and I'm really, really proud. So let's talk a little bit about some of the revenue and some of the expenses. So how did we do it? What did we raise and where did it all go? So we have just a tremendous sponsor community out here. There was, I think, about 60 or 70 different sponsors, all of them contributing in different ways. And the thing that's really important about them is we offer about a $1,400 conference for somewhere between $350 and $450 per person. And the way we do that is through the help of our sponsors, and we thank every last one of them. There's just too many of them for me to put up on a screen right now, but I hope that you met them in the exhibit hall, and certainly we all thank them very, very much for making it possible to be here. So thank you guys. So the numbers that we'll talk about, these are preliminary numbers. Please forgive us a couple of percentage points as we're waiting for invoices to come in and final numbers to come in from accounting systems. But sponsorship revenue was $452,200. That's great. Ticket sales, you guys coming in for a Drupalcon, a few people from our CXO event and other, $894,325. And $41,000 worth of ticket sales to help pay for that great party over at City Hall. It was a lot of fun. And we had an open bar for three hours, cash bar for the last portion of it. We had DJ J from Aquia spinning for us all night. That guy was up there over five hours, never took a bathroom break. Don't know how he did it. It was really cool. That was a lot of fun. So our total revenue for this event was approximately $1,542,640,000. Thank you all. All right, so we made all this money. Where'd it go is one of the ever-popular questions. So first of all, the venues that we're at today, the Colorado Convention Center, $85,912 to rent this facility. It's a lot of money, but it was a lot of space and this was one of the best venues economically to say that we've worked in as a Drupalcon. So very cool to them and thank you very much. Our partner here, Arlena McDaniel, I think she had to run out and pick up a kid or something like that, but I wish she was here because she made life so easy for us. Our AV partners, $68,140 for these great screens, projectors, all the AV in the breakout rooms. Catering, $382,000 and a little bit higher because today when we plan a conference, we know that we have X number of people after five or so percent won't show up the first day. We'll get 10% that'll leave the second day so on and so forth.  So we were a little bit short on lunches today. We apologized to the last 100 people that had to wait a little extra. But our approximate catering bill, about $382,000, maybe $500, a little bit more. Graphics and signage, in a little bit, you guys will meet Ken Woodworth, who did just such a beautiful, amazing job on all the signage around. We love him for it. He put in so much time. So we designed this great signage and we had a few different partners to print it. So about $29,000 or so. Security, temp, the coat check. I didn't know anybody would use a coat check because it's Denver in March and everybody would be cold. No idea it would be 70 degrees.  Almost $9,000. Speakers. There were a couple of speakers that we worked with that do get compensated. About $6,500 including the travel and expense, really, really reasonable. Registrations materials, the t-shirts, the toe shirts, the badge lids, the value ad booklets, excuse me, $32,000. Our trainings, the trainings that take place on Monday, the approximate cost before the speaker compensation is about $66,000. And some of the speakers get compensated differently. We don't have those numbers just yet. We saw some tabulations to do. Scholarships. One of the things that DrupalCon is incredibly proud of is there are some really great people that we needed at DrupalCon and they just can't put their own bill. They need some help. So the association pitches in and this year our scholarship program to get about 20 people or so here was about $20,000. The city hall party that I mentioned to you before, $65,000. Conference planning and production, about $65,000. Merchant registration fees, credit card fees, that type of thing. That's a nice little chunk of about $32,000. Travel for the staff and miscellaneous folks, about $35,000. The association works on this event all year round and we have offices, we have electricity, we have computer fees, we have all sorts of different things. The overhead for the association, about $272,000. And our total expenditures would be about $1.2 million. Thanks, man. So total revenue, $1.5,000. Total expenses, $1.2. We have generated $333,000 that we can put back to the community and we thank you all once again. We also drank a lot of coffee. Indeed we did. This is what we ordered, I believe. So 9,040 cups of coffee, roughly 565 gallons. So we actually had originally some coffee planned in the afternoon, but we worked, Jason Yee from our community worked with the caterer to kind of move around a little bit to try to make lunch a little bit better. You all enjoy the food. So our Wi-Fi usage. On Tuesday, there were about 2,900 consecutive users connected to the Wi-Fi, and that bandwidth on that day, we peaked around the average of 103 megabits. So pretty, pretty high. On Tuesday, we had about 2,100 connected. That's even on Wednesday. And actually broke that 103, we got to 107 megabits, average transfer. And then today, until about noon, 2,000. So we kept about a lot of people connected and online. And did 102 megabits. Oh, and one note, sort of about the design and the conference center and all of that in regards to our environmental and social-like impact. So the food, all the food that was left over was donated to a program called We Don't Waste, which donates to local charities to make sure that that food gets out to people that can use it. Leftover materials were donated. Also, all of the signage that was produced is 100% biodegradable. So that's about that. And I believe it's from what I've heard from part of the Drupal Associations initiative to help create more of an environmentally sound impact with these events. So look for more information on that and more progress. So one last note on the environmental impact. We have a particular partner, a production company we work with called Groundsfall Marketing, and a lady named Diana Connolly. Diana's actually right now, she's back in college getting a master's degree and my job is to watch budgets and her job is to watch out for the earth and make sure that our conference runs as smoothly as possible. So although I give Diana a bit of a hard time, I do want to thank her very much for making sure that we do keep down that path. So Diana, wherever you are, thank you again for making sure that we are socially responsible. Alright, so I'd mentioned that we had about 60 sponsors and the importance of our sponsors was that they made this conference a cost effective event. They support our community, they support our platform. We really, we just can't thank them enough and if we could just one more quick round of applause for those guys. Thank you also to the Colorado Convention Center and all of the crew and staff here that has helped make this happen. It's very much appreciated. Alright, so I mentioned Groundsfall Marketing and Diana Connolly, thank you so very much. We had a great many wonderful partners here. The Colorado Convention Center as I said, it wasn't cheap but we really got our money's worth from them. They were really fantastic. The Hyatt Hotels, we had our 24-hour Coder Lounge, great many sleeping rooms. They put up with us at the bar.  Not one day were we under 100 megabits. We got off to a little bit of a rough start as Drupalcons tend to do because nobody takes seriously when we tell them how much bandwidth we use. But if you look at it, we asked for 100 megabits and 103 megabits, 107 megabits. And there is a really nice lady named Debbie Olivia's. Debbie, I think, worked about 48 hours between Monday and Tuesday to make sure that we were up and running and smooth on Wednesday and Thursday.  You did a great job.  The food here was pretty darn delicious. And also, the Denver community as well for myself, I work for the association I Get Paid. I work with people like Ben and a bunch of other folks that will introduce you to in just a bit. You guys are just amazing. And thank you so very, very much. So we'd also like to thank our keynote speakers. So thank you, Dries, for coming out. Also, very happy to have Mitchell Baker speaking on Wednesday. We'll be all really enjoyed that keynote. So thank you, Mitchell. Thank you for coming out this morning. I hope that was wonderful. Thank you, Luke, for coming out. And also, thanks to the Drupal Association for their support and really making this happen. So I mean, it's a lot of volunteers that go into this, but it's people like Neil and the rest of the Drupal Association staff that have direction and have, like, drive to make this happen. And it's very much appreciated. Thank you, Drupal Association. Thanks, Ben. So speaking of the association, we have a great group of people, a really great group of people that are working with us in the association, and I'd like to introduce those folks now. So are any of my partners back there? Neil Drum, our Systems Manager. Thank you. Chris Clinkhardt, our Office Manager. Liz Trudeau, our Data Wrangler. My new partner, Stephanie, Stephanie Alhouch. Marta Betts, our Marketing Manager. And I think you all probably know Jacob Redding, our Executive Director. Thanks, guys.  I'd mentioned that we have this local community that was really just tremendous.  I can't do it all by name, but you can see them up on the screen.  We had about 40 volunteers organizing since October of 2010, so big round of applause to all of these folks as well. So, like I said, I get paid, these guys don't, and many of them put hundreds and hundreds of hours in.  But would you all say it was fun? Would you all say that it was worth it? Would you all say it was worth it?  I think any of these people will tell you. If you would like to volunteer for a DrupalCon that we have in an upcoming city, just go to the website, click on the link and submit your information. What would you like to do, and what makes you good at it, and we'd love to have you as a part of us. So, with that being said, I'd like to thank all of you folks for your interest ever. Tonight, we've got some trivia. Tomorrow, if you want to contribute back to the project, we've got the code sprint going on. I think everybody here has been just fantastic. I really love doing the show. I'm very, very proud. I thank you, and I think it's time for a beer. Thanks very much.


Welcome to another episode of Fredfully Forgotten Horror Movies. What are we drinking today, Adam? Today, we are drinking May Day offerings. It is a smoked Scottish ale in conjunction with May Day. And burning Sergeant Howey, too. Yeah. In the wicker man. Today, we're going to bring to you 1982's Alone in the Dark, directed by Jack Shoulder. He did a movie that we reviewed start of season two, which was Nightmare in Elm Street 2. Jesse! He stars Jack Palance, Donald Pleasance is in this and Martin Landau is also in this, too. It starts off with a dream sequence. Martin Landau's character goes to this kind of diner.  So he can tell that Leo runs things a bit differently. He kind of lets the inmates run the asylum to a degree. Potter's taken to the third floor and the third floor is where they keep the worst introduced to four main psychopaths in this movie. Frank Hawks, he's an ex-P.O.W. Dr. Potter! Happy Trills!   Find out that every night Frank Hawks tests the security to make sure it's working, he's always trying to get out and they come up with this idea where Dr. Potter has actually killed the old doctor and replaced him and they want to get out to kill him. There's a great big power outage.  They get out of their cells, there's the one kind of guy that sort of runs the floor I guess. The one child molester guy picks him up and just crunch right down on his knee and just breaks him in half. They end up escaping out of the hospital, join all of the looting that's going on because of this power outage, rioting, everything, killing people. I guess there's a power outage. It's a little extreme. They end up grabbing a whole bunch of weapons. The bleeder actually gets himself a hockey mask, takes off on his own and kind of leaves the three of them.  There's a babysitter that's supposed to be coming by and the child molester comes by and he poses as the babysitter. He gets very unsettling because he's like, why don't we go upstairs and we can draw pictures together. The real babysitter ends up showing up, checks on the kid. It appears that she's sleeping. Well, she's got a bit of time, so she'll phone her boyfriend right and maybe get a little busy here, get a little bit of action going. Of course. It's the 80s, it's a horror movie. They hear a noise in the closet, so he gets up and he goes and checks it out and nothing. As he gets closer to the bed, bring, something grabs his leg and pulls him right under the bed. A big knife, a big blade comes up from underneath the bed. So now she's on top of this bed with his knife coming up. Dr. Potter's sister and his wife are at this protest. They end up getting arrested. This one nice guy who ends up giving them his phone call. The sister and the wife, they take this man back to their house. Psychopaths end up sieging the house and sort of trapping them in. Dr. Leo has to come by and sort of try and use his psychology to try and rear them in and get them into their space. You guys out there, this is Leo. And that's where we're going to end it. You want to see what happens to the Potter family and Leo and all the escaped mental patients? Keep watching Alone in the Dark. One of the great things about this movie is the music. Again, we always got to mention the music. 80s synth feel, right? But it also has like a big orchestral score too, so it's a good blend between the two. Of course the cast and the characters really make this movie. Jack Palantz, Donald Pleasant, Martin Landau, they're all great. The actor who plays the child molester, he's really creepy. Jack Palantz is great in this. He plays such a good psychopath, but not in a crazy way, in kind of like a composed psychopath way. In a normal sense. And on the other hand, Martin Landau plays a great kind of outlandish psychopath with a crazy laugh. And he even asks Leo, can I have some matches? Oh, here you go.  This movie has a lot of unsettling scenes in it too. That scene with him and the child when they're alone in the kitchen, it's really kind of unsettling and unnerving, just knowing what he is and the way he speaks to her and his intentions. It's like, oh man. There's another cool scene, the whole bed scene. It's very tense. It's a long time of them kind of kissing in this kind of sex scene and you know something is going to happen. It has to. Because you know that guy is in the house and they do a real good job of dragging you along and just waiting for that to happen and you don't expect the guy to be dragged under the bed. Dragging under the bed is more of like a supernatural thing as opposed to like a slasher type thing. Naif is coming through the bed. I kept thinking, what would I do? And you're watching her think the same thing. She doesn't know what to do. It's a really cool scene because like do you stay on the bed and try to void her? Do you run? I love that tough decision that she has on the bed. It's really cool. The kills are great. They're really good. I think the first one is when they snap that poor guy's back in half. That's rare to see that. How can you beat that? You know, the meat cleaver. There's a scene where the bleeder puts on the hockey mask and I immediately knew the year the movie took place, right? I'm like, what came first? I looked it up and the movies were shot at the same time. But Friday the 13th part three came out like two or three months before this one. This movie didn't know about the hockey mask. So they both kind of did the hockey mask thing at the same time, which is kind of neat. It's a very original plot in Halloween. Halloween is about a menstrual patient escaping and terrorizing someone in the house. This is kind of the same plot, but it's done in such a different way. There's not just one person. It's a whole group of them who escape. They're not wearing masks. They're not really hiding in shadows. We know who they are. We know who they look like pulled off in a really new way. Because you follow them throughout the whole movie, even though they do these bad things and stuff, you still sort of sympathize with them. Because you know they're nuts. Yeah. You know they're crazy and they're crazy. They think that they're completely in the right. The ending to this movie too, not that we're going to give anything away. There's kind of two endings to it. All the mayhem. It's wrapped up. After that, there's an extra scene shows how kind of the story can continue even a little bit, right? You're going to have to watch to see how it all comes together and wraps up. An old classic 80s movie with a bunch of veterans, Jack Palimps at probably one of his better performances. Not Dracula, you mean? No. I'm Dracula. Kind of a different take on the escaped mental patient slasher. Check out All in the Dark. It's a lot of fun. Yeah. Memorable moments and lines and a lot of good tension. Check it out. Keep drinking and happy trails.


This is Kyla. Yes, yes, but you're talking about the policy? Uh, yes, yes. Oh, yes, yeah. Okay, yes, sir. I was just wondering more about your honesty, how I could help you in any way. Well, ladies and gentlemen, Ricky Groot here. Welcome back to another live cold calling session. Man, it's a crazy market out there, isn't it? So yeah, tell everybody kind of who you are, how long you've been selling and where you're at and all that good stuff. Little background. All right, well, my name is Kyra Hodge, I'm located here in the Fayetteville Fort Bragg surrounding areas. I've been in real estate since August of 2020 with EXP currently, yeah, powered by them. And I've been there since about November. Just here, doing what I do, trying to master my craft and get better at it. That's why I'm here with you today. So, it's picking up right now. Come on. Pick up the bag, it's okay. You just keep dialing. Don't pick up. You gotta get into a groove with these calls, you know. Some days, young days, where a lot of people pick up. Some days, not so much. Some days people are nice. Some days people are mean. We're still waiting to get that first pick up of the day. We want to hear, we want to hear her in action. Afternoon, you're getting crammed. Yes, hi. I'm gonna speak with Sherry. This is Sherry. Hi, I'm Sherry. This is a Kyra with EXP Realty. How are you doing today? How's it going? How are you? I'm doing just fine in you. I tell you, we got a little sunshine out here, in North Carolina. It's cold, but at least we got some sunshine, right? Right. Yes, ma'am. I don't want to take much of your time, but I saw you had a property that was for sale and I was wondering if you were still selling it or interested in selling it. We are. I would love to know why do you think it didn't sell? I don't know. I have no idea. Okay, okay, okay. Well, can you tell me more about the property? It's a niche, they couldn't get along. Okay, okay, okay. So they couldn't qualify. I understand that, that happens sometimes. Well, could you tell me more about the property? Not now, I'm with a client named Kenzie. Okay, well, I understand totally. Well, look, I would love to see your property or at least keep in contact with you about possibly listing it again. Is there anywhere I can get your email to keep in contact? I'm sorry, I don't even have one. You don't have one. Okay, well, is this a good number for you? I can text you at this number with my information and let me know if I'm there. Okay, all right, Ms. Sherry. Well, again, Kyra Hodge with the XP. I'll give you a call back here at a better time, okay? Okay. All right, you have a good day. Bye-bye. You too, bye-bye. Bye-bye. Hello. Or absolute natural. How was that? The tone, your tone, the speed of the voice, how friendly, how comfortable you sound. You know what I mean? Yes, sir.  You know what I mean? So that was great. I feel like you kind of have got a script in mind and you're just like going from line to line to line without really giving them enough time or really listening to her. I feel like you rush going to the next thing. I have a different approach. I want to call and say, just what you said, hey, I saw your house was on the market. And I would have said at that point, what happened with that?  What's going on? We need to think of when we're making these calls and really everything with marketing and emails and text messages and everything needs to be in an efficient way to save them time or like get our point across in a like package it in a way that it brings them tons of value in the least amount of time. So you said, are you still interested in selling the house and why do you think it didn't sell? And tell me about the house and you could have consolidated all that down into one question. What happened with your house? All three of those questions in the one thing, right? Okay. You could have got the real story. But then here's the flip side of all that. What are you going to be doing with it? Like, are you interested? Are you still interested in selling it? You know, and if so, are you working with an agent on that? They may tell me we're going to relist it with the agent we have. Or they may tell them, they may say, we're interviewing agents. In which case, how do I, how do I put in an application? How do I, where do I send my resume? Right, right, right. Where they may say, yeah, we're thinking about it. We're not really talking to any agents, you know? Well, hey, I'd love to work with you. Is there a time I could come see the house? Those kind of questions. Yes, ma'am. Hi, this is Kyra Hodges with the Xperia Realty. How are you doing today? I'm well, thank you. How are you? Good, good. I saw that you had a house that was for sale and was just wondering what happened with the house. What happened with it? Yes, ma'am. Okay. Is, are you still interested in selling the home? We are. Okay. Okay, okay. Well, are you currently working with an agent? By any chance? I'm not a dependent, we aren't. Okay, okay. Well, I would love to be the agent to help you guys out and do whatever I can for you. Is there a good, is there a- I had a call a little bit earlier from a, actually I thought you might be the agency. He was some sad one. Got it in second. I can't remember his name, but the agency that we had it listed with had relisted it without our permission. Oh, okay. And he did not want to, you know, have in the bag. I told him we didn't have a list of bad people down anymore, but in any way. Yes ma'am, well, no, he's not me. Are you with that agency? No, ma'am, he's not me. I'm Kyra Hodge and I would love to help you and, you know, get it sold for you. Is there a, is there a good time that maybe we could come and see your home? Well, most anytime. That sounds good. Well, is there, I have your phone number and- You don't live there. Set an appointment. You don't live there. Okay. All right. Well, is there a good time, time and they will work for you? Is that okay? Yes, yes, that's okay. Okay. All right. Well, thank you so much. I appreciate it. I look forward to meeting you. Thank you. Bye-bye. Nice. How's that feel? It feel awkward, but- No, but after it's over with, don't you feel good that you at least, like, it feels, it's exhilarating, isn't it? Yes, it feels really good. See, this feeling right here, this is what you need to become addicted to. The feeling after you make a call, no matter how it goes, right? You got better. Putting yourself in these awkward situations is what makes us better.  I promise you, you're gonna do nothing to get better and better and better at handling these situations and knowing exactly, exactly how to make that conversation go exactly where you want it to go. And everything, I wish I had a different number over my, so I didn't even know her name. It doesn't matter. It doesn't matter, right? We're just talking to people. We're talking to people. Yeah, don't worry about all that. You just talk to her and try to figure out, okay, yeah, property did you own?  Kind of thing, like, it's all about how you're talking to her. You don't have to feel like you have to know everything, you know? Humans actually don't have the best memories in the world. They can't expect you to remember every little. So I think, like, that same scenario, I kind of feel like you've lost her there. Hi, is this Mr. Wang? Hi, how you doing? This is Colin. Yes, yes, you're talking about the property? Yes, yes, yes, yes, sir, I am. I was calling about your property. Yes, sir, it is, yes, this is. Okay, yes, okay, I'll help you. Okay, yes, this is Kyra Hodge. Yes, this is Kyra Hodge with EXP Realty. I was just trying to find out more about your house, about your home, is it still, yeah, I can, it's still for sale by owner, correct? Oh, yes, yes. Okay, yes, sir. I was just wondering more about your home to see how I could help you in any way. You'll help me a lot. For what, you're only for your client? Well, yes, well, yes, sir, I can't, I would love to have a buyer, but I would love to, you know, come and see the home. First, if possible. Yes. Okay, okay. No, no, no, what are you talking about? You wanna bring your client come to look at it, or what do you think? Okay, well, yes, sir, I just wanna, I would love to help you in any way selling your house. I'm an agent with EXP Realty. And like I said, I could have a buyer. No, no, I'm a buyer, I don't want anything but that's missed for me. Okay. Because the market is so hard. Okay, yes, sir, I totally understand that, but thank you, we have a good day, bye-bye. Yeah, that didn't go this. Here's what you should say there. You should say, sir, listen to me for one second. I'm not trying to list your home. Sir, sir, let me stop you right there. I see where this is going. I'm not trying to list your home just to get that out in the open, okay? Now, can we talk? Can we have a conversation now? Yeah, what's going on there? Why are you guys selling? You wanna find out why people are selling? You know, like what you did, is it still for sale? You know, tell me about the home. Let me come see the home. But he was kind of going in circles trying to ask you. He's trying to figure out what you're trying to get out of this thing. See, they're looking for, they're thinking that we're vultures, you know, trying to be nice and get down on their property and make some money kind of thing. When really, like everyone that follows me or everybody that sees what my philosophies are and strategies, it's not like at the end of the day, yeah, we're trying to do business but we're also trying to use our career and our business as a vehicle to help people. How you feeling? I'm feeling real good. I feel like another hurdle jumped over. So, you know, and like I said, I've had other call sessions too. So it's just, you know, add into that, you know, that time in the saddle.  I wrote down a lot of notes. Yeah, good, good, good. Just continue making the calls with your imperfections, your great tone, work on where the conversation's going, slow down, get them talking, you're gonna be great. The only thing stopping you is you, you know, if it's, if real estate, if the success of real estate doesn't happen quick enough and you start to get discouraged and you drop out, that's the only way that you're gonna not, only a matter of time. It may not happen as quick as you want. It may happen quicker than you think. You never know, but you gotta put the work in, you gotta put the time in, you gotta talk to people, you gotta build your database. That's the barrier of entry, you know what I mean? Keep doing what you're doing. You're inspiring a lot of people and we will talk to you guys soon. We'll see you Thursday for another show. I'll have real coaching in real time and I'll be right back here Tuesday with another agent making live cold calls. Talk to you guys soon. All right, bye-bye. Thank you.


Hey everybody, welcome back to Magic Orthodoxy. My name is David and this is my deck collection. Hey, today we're gonna look at my blue crown collection. So these are the decks of cards that I have that are from the blue crown. Now as always, of course, I have more decks than this. Okay, I have duplicates. I have extras, but I'm not here to show you my extras. I'm just gonna show you my collection. And so this is just gonna be an overview really quick of all the different blue crown decks I've got. Ready? Alright, let's start. Alright, so first up we're gonna look at the knocked decks. These are the vertical boxes. Okay, most of these were made by United States playing card company. This is the light blue, yellow, orange, and this is actually black. So four decks in total of the vertical boxes. Then we've got knocks in the horizontal boxes. Sideways boxes. These are all made by the expert playing card company. Of course, we have blue, green, red, and purple. So four horizontal boxes. And then we have two more decks of cards also made by expert playing card company. Also horizontal tuck boxes, but these are the signature series knocks. And so you have the original number one, which was the Alex Pandrea box, and the second one, which was the Danny the Ortiz box. Alright, then we get into the crown deck. Now as far as I'm concerned, the crown deck was the original staple deck for the blue crown. I wish they had gone on with this series. I really liked it. These are great handling cards. These cards are made from the United States playing card company. And since some of these printings, I haven't seen blue crown make any sort of attempts to remake them. Okay, so I have the original blue, the original red, the light blue, the green, and then this one's pretty special. This one's an actual deluxe crown edition. This is another signature series with Alex Pandrea signature on the front. Alright, then I have two decks of nautical. I have the original branded version, but in the red and I have the unbranded version in the cargo net. All right, then we have the white Aladdin's. This was a really cool project the blue crown took on. These were also printed from the United States playing card company and there's some really awesome magic bells and whistles in this really neat gas really interesting way of cutting the cards. If you can find a deck of these, I'd pick them up. Then we have the altruism deck. This one's done very mystical, very mysterious. A lot of old magic symbology in this, like owls and keys and locks. It's another deck that's printed from the United States playing card company. I like all the mystery and the intrigue with this deck. Another cool one. Then we have Sky Island. This was done from expert playing cards in Itohuang. This is a very simple basic deck kind of plays off on the old vintage casino look. Got a very neat red, very interesting graphics, also kind of looks like you know the old vintage cards you used to get for free when you flew on an airplane. So yeah, Sky Island. And then lastly Boardwalk. This is another deck printed from the expert playing card company and this one's got a ton of embellishments. Lots of gold foil and embossing. The whole theme of this deck is done very circus-like, but you know just a really cool classic looking deck of cards. I really like this one a lot. Alright, 21 decks for the Blue Crown. Okay, 21 decks. 21 original decks. No copies, no duplicates. So hey, run out to the Blue Crown and check them out. Look at some of their decks or cards and pick yourself up at Deck of Nox. As always recommend that you like this video just so other people can find it faster. We also recommend that you subscribe to this channel just to stay up to date on the latest in cards and card magic. Hey, you want to follow me on social media? Go for it. I'm on the facebook.com slash magic orthodoxy twitter.com slash magic orthodoxy instagram.com slash magic underscore orthodoxy and if you need more content, you can always find it at magicorthodoxy.com. Thanks. Bye.


Hi everybody and welcome to another Barn's Takeout. My name is Amy Gillette, I'm a collections researcher here at The Foundation, and today I'm going to go with you into Room 18 to look at what I believe is one of the most beautiful paintings in the entire collection displayed right up here. So let's go on in and take a closer look. So the title of this picture is Two Women by the Shore Mediterranean, painted in the year 1896 by Henri-Edmond Cross. You see it here, you can actually see right down here, the year 96. Now Cross was a French painter who'd gotten his career going in Paris in the 1880s but actually moved down to the Mediterranean coast in the south of France in Provence in the year 1891 and this painting even has a sticker on its back that gives the other title, alternative title Coast of Provence and so I believe that's what we're seeing here. Let's take a look down here. We've got the Two Women, this one gazing out toward the sea, this one sitting on this wonderful purple rock thinking it seems. We've got these low shrubby green bushes, some fabulous orange trees over here. Out in the water we've got this sailboat gliding across the water with its edge I think catching the sun just sort of picked out in gold there and across the water actually I'd really like to think for a sec about this shape up here which seems to be a trail of smoke from a passing ship and so in this painting that smoke along with the dress of the Two Women tell us that we're in the late 19th century and this isn't some vision of the idealized past for example and on top of being present focused, it's actually a painting that's very future oriented and I'm going to read to you something that Cross wrote. He said, I want to paint happiness, happy beings who will have become humankind in several centuries. Once I have to be honest when I first saw this picture I thought it was beautiful and perhaps an ornamental way and was very surprised to find such a rich quote from the artist and so I'd like to think a little little bit about what he means about painting a happy future of self-willed humanity and much of that was the technique that he used. He along with some other artists that you might find at the collection are known as Neo-Impressionists. It was a term coined by the famous and very influential critic and reporter Felix Fenyon and what that meant was they took some of the techniques developed by the Impressionists a little bit earlier like showing the brushwork very gestural open-air painting and rationalized it and so what exactly does that mean? Let's take a closer look. He's applied all of these discrete spots of color in ways that create very harmonious color, color-cording relationships between color and so for instance if we look at how he often sets up yellow and purple together those are complementary colors so when you put them together they they both kind of pop and orange and blue if we kind of look over here at their pairing do the same thing on each is brighter by its relation with the other can see as well over here on the sailboat this wonderful pairing of of the kind of golden yellow and the purple up here and so you know altogether we've got the harmonious hole on the one hand but made up of each of these discrete parts and I'll read you another quote from Cross who wrote I think very lyrically when one has conceived of the ensemble study separately each fragment in order finally to foresee how each detail is itself a pretty thing um so this painting technique um actually quite purposefully dovetailed um molecular theory um the belief that um a lot like the quote that I just read you from um from on Redmond Cross um that there's the ensemble and then each autonomous fragment um molecular theory held that um an atom itself is autonomous but like the different um dots fragments details um within this um kind of coalesce into an organic coherent um cohesive hole and um on top of that I think um I think I might have mentioned that the overall effect um of all all of these dots um that Cross has provided us that um that create these color cords that stir up joy that kind of echo current theories of um of the fabric of nature um also in some ways did look back to um techniques of um of ancient and medieval artwork such as mosaic making um holding up the idea in this um Cross was living in a very industrialized society um with um huge gaps um between the rich and the poor um looked back to craft work um artwork architecture of the past because um they people really believed that um when people have been working in together in guilds for instance back um and say the middle ages each craftsman had his own creative freedom um and self agency and so um now I'm going to give a quote from um one of the social theorists to whom um Cross and the other new impressionists really looked to guidance when forming their own kind of social political theories um and he was writing about um um how we see he wrote in the marvelous time of ancient Greece um another um Mediterranean place that people thought was an awful lot like friend frivols and in the age of the cathedrals sculpture painting music and dance works of the individual artist were born by free generation and not less by collective labor such as architecture or the construction of a city in this manner one saw surge the temples of um of cities and the churches of the middle ages whole populations animated by the same spirit swapped along by the same desire collaborated on a common work which would be at the same time the glory of all and the particular joy of each one of the citizens and so we see this um Mediterranean idol one of the paradigms that Cross has provided us and I'm going to go back to the ensemble to look one more time at its display in room 18 by these cathedral cityscapes um that his friend Paul Sinak painted of um Geneva over here on the right hand side and of Rua over here on the other and so he's given us the cathedral and a city paradigm there we go and so what we've got is a painting full of joy and um and hope for humanity um rendered by the whole as well as every detail um is beautiful so thank you so much for listening um that's a wrap for today's Barnes Takeout don't forget to hit subscribe and um we'd love it if you'd leave comments thank you so much and be well I'm Tom Collins new Bauer family executive director of the Barnes Foundation I hope you enjoyed Barnes Takeout subscribe and make sure your post notifications are on to get daily servings of art thanks for watching and for your support of the Barnes Foundation


Good morning, everybody. I'm Tommy O'Brien, coming to you live from TF9 headquarters in St. Petersburg, Florida. It's Thursday, 10 a.m. Eastern time, 30 minutes into the trading day, and we have a relatively calm, positive market to start things off. You get the Dow up three points right now, trading $26,433. S&P's up three points as well, trading $29.27, and NASDAQ leading the way up 23 points, or about 3.10% trading $8,072. The VIX this morning, we'll start it off. You have the VIX getting some positive action yesterday as we saw the market accelerate to the downside, spiking to $14.83. We have a positive market this morning, VIX pulling back a bit, $14.27, a little bit of volatility in that market. I just add the chart of the NASDAQ 100 to put things in context of yesterday, quite a fall-off. Of course, you have the Fed decision keeping rates unchanged. You had a press conference with Chairman Powell about $230. The NASDAQ 100 is trading at $78.61. By about 5 o'clock, it's trading at $77.32. You're talking about 130 points to the downside, but from that level, we're now up about 50 points, $77.83, and that NASDAQ 100. Jumping over some of the other indices, we'll start it off with the Dow, and let's back it up for some context. Yesterday, similar story. Yesterday at $230, trading $26,640. The Dow trades down to a low of about $26,334, getting a bit of a spike since the market opened this morning. NASDAQ 100, we just covered, trading $77.83. You have the S&P spiking since the open. At the open, we're trading at $29.20. We're almost a solid 10 S&P points above that level, trading $29.29. Crude oil, trading lower this morning as well. Crude trading $61.85. We're at session lows almost as we speak. Gold, trading lower as well. Spiking in the last maybe 20 minutes up a few dollars. Gold, trading at $12.71.23. And Euro, U.S. dollar, trading $1187. In terms of what else you have happening in the market, Tesla going to the market for more money as they're going to raise $2 billion from investors. One of those investors being Elon Musk, the market liking the fact that Tesla is going to get a cash infusion. Tesla getting a pop of 4.4% on that number. You had Under Armour out with their earnings as well. Quite a pop, 7.8% for Under Armour trading up $1.55 at $21.23. Stay tuned folks. Come back at 10 o'clock with Tom. We get natural gas inventory numbers at $10.30. Of course, 11 a.m. Kevin Hinks, Tom White, Fast Market, the team at TD Ameritrade, Basil Chapman, Steve Rhodes, Dave White, Tom O'Brien all this afternoon. Stay tuned folks. Have a great Thursday.


Hello and welcome to this presentation of the STM32 CROM GRC. This chapter presents the features of the memory management unit used in graphical-oriented applications. The CROM GRC is a graphic-oriented memory management unit to optimize the memory usage according to the display shape. The CROM GRC lowers the memory usage by storing only the visible pixels in the memory. It is fully configurable according to the display shape and is totally transparent in the system. The CROM GRC works with any memories and any masters of the STM32. The CROM GRC is seen by the masters of the STM32 system as four virtual buffers to store the graphical frame buffer. Each virtual buffer consists of 1024 lines with 3072 or 4096 bytes per line. The size of each line is configurable by software. In case of accesses exceeding the buffer space, a buffer overflow interrupt can be generated and in case of wrong physical memory address, a memory transfer error is generated. The display shape is described in a lookup table to define which bytes of the virtual buffer have to be stored or not in a physical memory. Thanks to this very flexible architecture, only the visible pixels are effectively stored and each virtual buffer can be physically mapped to any memory of the system. Each virtual buffer is seen as a continuous memory space of 3072 or 4096 bytes per 1024 lines. Each line is composed of 192 or 256 16 byte blocks. In this example, out of screen blocks shown here in white won't be mapped into the physical memory. For each line, the first visible block and the last visible block are stored in the lookup table. Only the visible blocks of each line will be stored in the physical memory. The operation is repeated for each line indicating the first block and the last block. All the first and last block numbers are stored in a lookup table and all the visible blocks are stored in the physical memory in a continuous way, saving a huge amount of space for non-rectangular display shapes. All the line parameters are stored in an internal lookup table. The description is the same for all four virtual frame buffers. For each line, the following parameters are stored. The enable bit of the line, the number of the first visible block, the number of the last visible block, and the line offset in the physical memory. The line offset is the offset between the physical buffer base address programmed by the user and the address where the block zero of the line has to be stored. Each virtual buffer has its own base address in the physical memory. The Chrome GRC runs with two operating modes. 192 blocks per line mode or 256 blocks per line mode. The 192 blocks per line mode is useful as we can have an integer number of pixels per line when the frame buffer color mode is in 24 bits per pixel. Thanks to the smart mapping of visible pixels in the memory, the Chrome GRC reduces the RAM usage significantly for the graphical frame buffer. For a round display, the gain is above 20%. There may be slight variation depending on the frame buffer color mode. The Chrome GRC manages five interrupt sources. AHB master error when an error occurred during an AHB transaction to the physical memory. And four buffer overflows, one per buffer when an overflow occurs during the offset calculation of a buffer. The Chrome GRC is active in D run mode. In D stop or D stop to mode, the Chrome GRC is frozen and its registers content is maintained. In standby or shutdown mode, the Chrome GRC is powered down and it must be re-initialized afterward. Wearable applications require low power management functions together with a high quality user interface. In this context, the Chrome GRC optimizes the internal RAM usage and it's no longer necessary to add an external component for SRAM or SD RAM. The graphical content creation is much faster thanks to the internal zero-weight state RAM. You can refer to peripheral training slides related to RCC and interrupts.


Welcome to World's Best Videos. We've combined the list of facts of Disneyland's biggest secrets. Let's get into it. Club 33. Club 33 is a private club located in the heart of the New Orleans Square section of Disneyland, originally maintained as a secret feature of the theme park. Club 33 members and their guests have exclusive access to the resort experiences, which vary depending on the type of membership. In addition to the Club 33 restaurant, access may also include less salon, a jazz lounge within New Orleans Square, and 1901, a lounge in Disney California Adventure, both of which are not open to the public. There's a $25,000 to $100,000 initiation fee, and there's a $12,500 to $30,000 annual fee, depending on the level of membership. It is also the only place in Disneyland that sells alcohol. Hidden basketball court. About two-thirds of the way up of the Matterhorn, there's a small attic-like space used as a staging and a break area for climbers. Inside of that cramped space is a basketball hoop, complete with backboard and net, which has been attached to a flight of wooden stairs. The basketball hoop was placed there for mountain climbers and other cast members to pass time while waiting for scheduled climbing times, or in bad weather prevented groups from scaling the Matterhorn. Seeker apartment. Walt Disney had a small private apartment constructed on the second floor of the Main Street Firehouse. The apartment had a bathroom with a shower and a small kitchen. Lily in Disney used a quiet patio She loved to drink afternoon tea or entertain her guest out on it. Laundry and tobacco. When Disneyland opened in 1955, guests could stop at Hollywood Maxwell Brasiel, co-of Los Angeles. After six months, it was closed. In Disneyland on Main Street, a wooden Indian is a marker for the old tobacco shop. The shop sold cigarettes, pipes, and tobacco paraphernalia, along with Disneyland matchbooks. In 1991, the shop permanently closed, but the wooden Indian still remains where it used to be. Doritos. In 1955, when Disneyland first opened, the founder of a Frito Lay got permission from Walt Disney to open up a Mexican-themed restaurant in Frontierland. They called it Casa de Fritos, and Fritos were the main ingredient in most of their dishes. One day, a salesman from Alex Food was making a delivery to Casa de Fritos when he noticed all the stale tortillas in the garbage. He gave the cook at the Casa some advice. Fry the old tortillas and sell them as chips instead of tossing them in the garbage. So Casa de Fritos started frying up their old tortillas and seasoning them. It became a huge success, but they never reported their new menu item to Frito Lay. A year after its stem-trick conception, the VP of Frito, Archibald Clark West, made a surprise visit to Casa and discovered the new snack. West made a deal with Alex Foods to sell Doritos as a snack. Well, that concludes the video, guys. Hopefully you guys did enjoy it. And if you did, remember to smack that like button. Also, let me know in the comments section below what you'd like to see next. And if you haven't already subscribed, please do subscribe to keep up with the world's best videos.