Preface to The King of the Golden River by John Ruskin This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to find out how you can volunteer, please visit LibriVox.org Recording by Zanusha The King of the Golden River by John Ruskin Preface The King of the Golden River is a delightful fairy tale told with all Ruskin's charm of style, his appreciation of mountain scenery, and with his usual insistence upon drawing a moral. Nonetheless, it is quite unlike his other writings. All his life long his pen was busy interpreting nature and pictures and architecture, or persuading to better views, those whom he believed to be an error, or arousing with the white heat of a prophet's zeal, those whom he knew to be unawakened. There is indeed a good deal of the prophet about John Ruskin. Though essentially an interpreter with a singularly fine appreciation of beauty, no man of the 19th century felt more keenly that he had a mission, and none was more loyal to what he believed that mission to be. While still in college, what seemed a chance incident gave occasion and direction to this mission. A certain English reviewer had ridiculed the work of the artist Turner. Now Ruskin held Turner to be the greatest landscape painter the world had seen, and he immediately wrote a notable article in his defence. Slowly this article grew into a pamphlet, and the pamphlet into a book, the first volume of modern painters. The young man awoke to find himself famous. In the next few years four more volumes were added to modern painters, and the other notable series upon art, the Stones of Venice, and the Seven Lambs of Architecture, were set forth. Then in 1860, when Ruskin was about 40 years old, there came a great change. His heaven-born genius for making the appreciation of beauty a common possession, was deflected from its true field. He had been asking himself, what are the conditions that produce great art? And the answer he found declared that art cannot be separated from life, nor life from industry and industrial conditions. A civilisation founded upon unrestricted competition, therefore seemed to him necessarily feeble in appreciation of the beautiful and unequal to its creation. In this way loyalty to his mission bred apparent disloyalty. Delightful discourses upon art gave way to fervid pleas for humanity. For the rest of his life he became a very earnest, if not always very wise, social reformer and a passionate pleader for what he believed to be true economic ideals. There was nothing of all this in the King of the Golden River. Unlike his other works it was written merely to entertain. Scarcely that, since it was not written for publication at all, but to meet a challenge set him by a young girl. The circumstance is interesting. After taking his degree at Oxford, Ruskin was threatened with consumption and hurried away from the chill and damp of England to the south of Europe. After two years of fruitful travel and study he came back improved in health but not strong and often depressed in spirit. It was at this time that the guys, scotch friends of his father and mother, came for a visit to his home near London and with them their little daughter Euphemia. The coming of this beautiful, vivacious, light-hearted child opened a new chapter in Ruskin's life. Though but twelve years old, she sought to enliven the melancholy student absorbed in art and geology and bade him leave these and write for her a fairy tale. He accepted and after but two sittings presented her with this charming story. The incident proved her awakened in him a greater interest than at first appeared. For a few years later, Effie Gray became John Ruskin's wife. Meantime she had given the manuscript to a friend. Nine years after it was written, this friend with John Ruskin's permission gave the story to the world. It was published in London in 1851 with illustrations by the celebrated Richard Doyle and at once became a favourite. Three editions were printed the first year and soon it had found its way into German, Italian and Welsh. Since then countless children have had calls to be grateful for the Young Girls Challenge that won the story of Gluck's Golden Mug and the highly satisfactory handling of the Black Brothers by Southwest Wind Esquire. For this edition, new drawings have been prepared by Mr Hiram P. Barnes. They very successfully preserved the spirit of Doyle's illustrations, which unfortunately are not technically suitable for reproduction here. In the original manuscript there was an epilogue bearing the heading Charity, a morning hymn of Treasure Valley where the Gluck had returned to dwell and where the inheritance lost by cruelty was regained by love. The beams of mourning are renewed, the valley laughs their light to sea and earth is bright with gratitude and heaven with charity. R. H. Co. End of Preface to the King of the Golden River. Chapter 1 of The King of the Golden River by John Ruskin This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to find out how you can volunteer please visit LibriVox.org Recording by Zinousha. The King of the Golden River by John Ruskin Chapter 1 How the Agricultural System of the Black Brothers was interfered with by Southwest Wind Esquire. In a secluded and mountainous part of Styria there was in old time a valley of the most surprising and luxurious fertility. It was surrounded on all sides by steep and rocky mountains rising into peaks which were always covered with snow and from which a number of torrents descended in constant cataracts. One of these fell westward over the face of a crag so high that when the sun had set to everything else and all below was darkness, his beams still shone full upon this waterfall so that it looked like a shower of gold. It was therefore called by the people of the neighborhood the Golden River. It was strange that none of these streams fell into the valley itself. They all descended on the other side of the mountains and wound away through broad plains and by popular cities. But the clouds were drawn so constantly to the snowy hills and rested so softly in the circular hollow that in time of drought and heat when all the country round was burned up there was still rain in the little valley. And its crops were so heavy and its hay so high and its apples so red and its grapes so blue and its wine so rich and its honey so sweet that it was a marvel to everyone who beheld it and was commonly called the Treasure Valley. The whole of this little valley belonged to three brothers called Schwartz, Huns and Gluck. Schwartz and Huns, the two elder brothers were very ugly men with overhanging eyebrows and small, dull eyes which were always half shut so that you couldn't see into them and always fancied they saw very far into you. They lived by farming the Treasure Valley and very good farmers they were. They killed everything that did not pay for its eating.  They poisoned the crickets for eating the crumbs in the kitchen and smothered the shikadas which used to sing all summer in the lime trees. They worked their servants without any wages till they would not work anymore and then quarrelled with them and turned them out of doors without paying them. It would have been very odd if with such a farm and such a system of farming they hadn't got very rich and very rich they did get. They generally contrived to keep their corn by them till it was very dear and then sell it for twice its value. They had heaps of gold lying about on their floors yet it was never known that they had given so much as a penny or a crust in charity. They never went to mass, grumbled perpetually at paying tiths who were in a world of so cruel and grinding a temper as to receive from all those with whom they had any dealings the nickname of the Black Brothers. The youngest brother, Gluck, was as completely opposed in both appearance and character to his seniors as could possibly be imagined or desired. He was not above twelve years old, fair, blue-eyed and kind and temper to every living thing. He did not of course agree particularly well with his brothers or rather they did not agree with him. He was usually appointed to the Honourable Office of Ternspit when there was anything to roast which was not often for to do the brothers justice they were hardly less sparing upon themselves than upon other people. At other times he used to clean the shoes, floors and sometimes the plates occasionally getting what was left on them by way of encouragement and a wholesome quantity of dry blows by way of education. Things went on in this manner for a long time. At last came a very wet summer and everything went wrong in the country round. The hay had hardly been got in when the haystacks were floated bodily down to the sea by an inundation. The vines were cut to pieces with the hail. The corn was all killed by a black blight. Only in the treasure valley as usual all was safe. As it had rain when there was rain nowhere else so it had sun when there was sun nowhere else. Everybody came to buy corn at the farm and went away pouring maledictions on the black brothers. They asked what they liked and got it except from the poor people who could only beg and several of whom were starved at their very door without the slightest regard or notice. It was drawing towards winter and very cold weather when one day the two elder brothers had gone out with their usual warning to Gluck who was left to mind the roast that he was to let nobody in and give nothing out. Gluck sat down quite close to the fire for it was raining very hard and the kitchen walls were by no means dry or comfortable looking. He turned and turned and the roast got nice and brown. What a pity! thought Gluck. My brothers never asked anybody to dinner. I'm sure when they've got such a nice piece of mutton as this and nobody else has got so much as a piece of dried bread it would do their hearts good to have somebody to eat it with them. Just as he spoke there came a double knock at the house door yet heavy and dull as though the knocker had been tied up more like a puff than a knock. It must be the wind said Gluck. Nobody else would venture to knock double knocks at our door. No it wasn't the wind. There it came again very hard and what was particularly astounding the knocker seemed to be in a hurry and not to be in the least afraid of the consequences. Gluck went to the window, opened it and put his head out to see who it was.  He had a very large nose, slightly brass coloured. His cheeks were very round and very red and might have warranted a supposition that he had been blowing a refractory fire for the last eight and forty hours. His eyes twinkled merrily through long, silky eyelashes.  He was about four feet six in height and wore a conical pointed cap of nearly the same altitude decorated with a black feather some three feet long. His doublet was prolonged behind into something resembling a violent exaggeration of what is now turned a swallow towel which was much obscured by the swelling folds of an enormous black glossy looking cloak which must have been very much too long in calm weather as the wind whistling round the old house carried it clear out from the wearer's shoulders to about four times his own length. Luck was so perfectly paralysed by the singular appearance of his visitor that he remained fixed without uttering a word until the old gentleman, having performed another and a more energetic concerto on the knocker turned round to look after his flyaway cloak. In so doing he caught sight of Luck's little yellow head jammed in the window with its mouth and eyes very wide open indeed. Hello! said the little gentleman. That's not the way to answer the door. I'm wet, let me in. To do the little gentleman justice he was wet. His feather hung down between his legs like a beaten puppy's tail dripping like an umbrella and from the ends of his moustaches the water was running into his waistcoat pockets and out again like a mill stream. I beg pardon, sir, said Luck. I'm very sorry, but I really can't. Can't what? said the old gentleman. I can't let you in, sir. I can't indeed. My brothers would beat me to death, sir, if I thought of such a thing. What do you want, sir? Want? said the old gentleman, petulantly. I want fire and shelter and there's your great fire there blazing, crackling and dancing on the walls with nobody to feel it. Let me in, I say. I only want to warm myself. Luck had had his head by this time so long out of the window that he began to feel it was really unpleasantly cold and when he turned and saw the beautiful fire rustling and roaring and throwing long bright tongues up the chimney as if it were licking its chops at the savoury smell of the leg of mutton his heart melted within him that it should be burning away for nothing. He does look very wet, said little Gluck. I've just let him in for a quarter of an hour. Round he went to the door and opened it and as the little gentleman walked in there came a gust of wind through the house that made the old chimney's totter. That's a good boy, said the little gentleman. Never mind your brothers, I'll talk to them. I pray, sir, don't do any such thing, said Gluck. I can't let you stay till they come. They'd be the death of me. Dear me, said the old gentleman, I'm very sorry to hear that. How long may I stay? Only till the mutton's done, sir, replied Gluck, and it's very brown. Then the old gentleman walked into the kitchen and sat himself down on the hob with the top of his cap accommodated by the chimney, for it was a great deal too high for the roof. You'll soon dry there, sir, said Gluck, and sat down again to turn the mutton. But the old gentleman did not dry there, but went on drip, drip, dripping among the cinders, and the fire fizzed and sputtered and began to look very black and uncomfortable. Never was such a cloak. Every fold in it ran like a gutter. I beg pardon, sir, said Gluck at length, after watching the water spreading in long, quick, silver-like streams over the floor for a quarter of an hour. May I take your cloak? No, thank you, said the old gentleman. Your cap, sir? I'm all right, thank you, said the old gentleman rather gruffly. But sir, I'm very sorry, said Gluck hesitatingly, but really, sir, you're putting the fire out. It'll take longer to do the mutton then, replied his visitor, dryly. Gluck was very much puzzled by the behaviour of his guest. It was such a strange mixture of coolness and humility. He turned away at the string, meditatively, for another five minutes. That mutton looks very nice, said the old gentleman at length. Can't you give me a little bit? Impossible, sir, said Gluck. I'm very hungry, continued the old gentleman. I've had nothing to eat yesterday nor today. They surely couldn't miss a bit from the knuckle. He spoke in so very melancholy a tone that it quite melted Gluck's heart. They promised me one slice today, sir, said he. I can give you that, but not a bit more. That's a good boy, said the old gentleman again. Then Gluck warmed a plate and sharpened a knife. I don't care if I do get beaten for it, thought he. Just as he had cut a large slice out of the mutton, there came a tremendous wrap at the door. The old gentleman jumped off the hob as if it had suddenly become inconveniently warm. Gluck fitted the slice into the mutton again with desperate efforts at exactitude and ran to open the door. What did you keep us waiting in the rain for? said Schwartz as he walked in, throwing his umbrella in Gluck's face. I what for indeed, you little vagabond? said Hans, administering an educational box on the ear as he followed his brother into the kitchen. Bless my soul! said Schwartz when he opened the door. Amen! said the little gentleman who had taken his cap off and was standing in the middle of the kitchen, with the utmost possible velocity. Who's that? said Schwartz, catching up a rolling pin and turning to Gluck with a fierce frown. I don't know indeed, brother, said Gluck in great terror. How did he get in? roged Schwartz. My dear brother, said Gluck deprecatingly, he was so very wet. The rolling pin was descending on Gluck's head, but at the instant, the old gentleman interposed his conical cap on which it crashed with a shock that shook the water out of it all over the room. What was very odd? The rolling pin no sooner touched the cap than it flew out of Schwartz's hand, spinning like a straw in a high wind and fell into the corner at the farther end of the room. Are you, sir? demanded Schwartz, turning upon him. What's your business? snulled humps. I am a poor old man, sir. The little gentleman began very modestly, and I saw your fire through the window and begged Shelter for a quarter of an hour. Have the goodness to walk out again, then, said Schwartz. We've quite enough water in our kitchen without making it a drying house. It is a cold day to turn an old man out in, sir. Look at my grey hairs. They hung down to his shoulders, as I told you before. I, said Hans, there are enough of them to keep you warm. Walk. I'm very, very hungry, sir. Couldn't you spare me a bit of bread before I go? Bread indeed, said Schwartz. Do you suppose we've nothing to do with our bread, but to give it to such red-nosed fellows as you? Why don't you sell your feather? said Hans sneeringly. Out with you. A little bit, said the old gentleman. Be off, said Schwartz. Pray, gentlemen. Often be hanged, cried Hans, seizing him by the collar. But he had no sooner touched the old gentleman's collar than away he went after the rolling pin, spinning round and round till he fell into the corner on top of it. Then Schwartz was very angry and ran at the old gentleman to turn him out. But he also had hardly touched him when away he went after Hans and the rolling pin and hit his head against the wall as he tumbled into the corner. And so there they lay, all three. Then the old gentleman spun himself round with velocity in the opposite direction, continued to spin until his long cloak was all wound neatly about him, clapped his cap on his head very much on one side, for it could not stand upright without going through the ceiling, gave an additional twist to his corkscrew moustaches and applied with perfect cornice. Gentlemen, I wish you a very good morning. At twelve o'clock tonight I'll call again. After such a refusal of hospitality as I have just experienced, you will not be surprised if that visit is the last I ever pay you. If ever I catch you here again. But as Schwartz, coming, half frightened out of the corner. But before he could finish his sentence, the old gentleman had shut the house door behind him with a great bang, and there drove past the window at the same instant a wreath of ragged cloud that whirled and rolled away down the valley in all manner of shapes, turning over and over in the air and melting away at last in a gush of rain. A very pretty business indeed, Mr Gluck, said Schwartz, dish the mutton, sir, if I ever catch you at such a trick again. Bless me why the mutton's been cut. You promised me one slice, brother, you know, said Gluck. Oh, and you were cutting it off, I suppose, and going to catch all the gravy. It'll be long before I promise you such a thing again. Leave the room, sir, and have the kindness to wait in the coal celler till I call you. Gluck left the room melancholy enough. The brothers ate as much mutton as they could, locked the rest in the cupboard, and proceeded to get very drunk after dinner. Such a night as it was, howling wind and rushing rain without intermission. The brothers had just sense enough left to put up all the shutters and double-bar the door before they went to bed. They usually slept in the same room. As the clock struck twelve, they were both awakened by a tremendous crash. Their door burst open with a violence that shook the house from top to bottom. What's that? cried Schwartz, starting up in his bed. Only I, said the little gentleman. The two brothers sat up on their bolster and stared into the darkness. The room was full of water, and by a misty moonbeam which found its way through a hole in the shutter, they could see in the midst of it an enormous foam globe spinning round and bobbing up and down like a cork, on which, as on a most luxurious cushion, reclined the little old gentleman, cap and all. There was plenty of room for it now, for the roof was off. Sorry to incommode you, said their visitor ironically. I'm afraid your beds are dampish. Perhaps you had better go to your brother's room. I've left the ceiling on there. They required no second admonition, but rushed into Gluck's room, wept through and in an agony of terror. You'll find my card on the kitchen table, the old gentleman called after them. Remember the last visit. Pray heaven it may, said Schwartz, shuddering, and the foam globe disappeared. Dawn came at last, and the two brothers looked out of Gluck's little window in the morning. The treasure valley was one mass of ruin and desolation. The inundation had swept away trees, crops and cattle, and left in their stead a waste of red sand and grey mud. The two brothers crept shivering and horror-struck into the kitchen. The water had gutted the whole first floor. Corn, money, almost every moveable thing had been swept away, and there was left only a small white card on the kitchen table. On it, enlarged, breezy, long-legged letters were engraved the words South West Wind, Esquire End of chapter 1 Chapter 2 of The King of the Golden River by John Ruskin This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to find out how you can volunteer, please visit LibriVox.org Recording by Zanusha The King of the Golden River by John Ruskin Chapter 2 of The Proceedings of the Three Brothers after the visit of South West Wind, Esquire until little Gluck had an interview with The King of the Golden River South West Wind, Esquire, was as good as his word. After the momentous visit above related, he entered the Treasure Valley no more. And what was worse, he had so much influence with his relations, the West Wind in general, and used it so effectually that they all adopted a similar line of conduct. So no rain fell in the valley from one year's end to another. Though everything remained green and flourishing in the plains below, the inheritance of the Three Brothers was a desert. What had once been the richest soil in the kingdom became a shifting heap of red sand, and the Brothers, unable longer to contend with the adverse skies, abandoned their valueless patrimony in despair to seek some means of gaining a livelihood among the cities and people of the plains. All their money was gone, and they had nothing left but some curious old-fashioned pieces of gold plate, the last remnants of their ill-gotten wealth. Suppose we turn goldsmiths, said Schwartz to Huns as they entered the large city. It is a good knaves trade. We can put a great deal of copper into the gold without anyone finding it out. The thought was agreed to be a very good one. They hired a furnace and turned goldsmiths, but two slight circumstances affected their trade. The first, that people did not approve of the coppered gold. The second, that the two older brothers, whenever they had sold anything, used to leave little luck to mind the furnace and go and drink out the money in the owl-house next door. So they melted all their gold without making money enough to buy more and were at last reduced to one large drinking mug, which an uncle of his had given to little Gluck, and which he was very fond of and would not have parted with for the world, though he never drank anything out of it but milk and water. The mug was a very odd mug to look at. The handle was formed of two wreaths of flowing golden hair, so finely spun that it looked more like silk than metal, and these wreaths descended into and mixed with a beard and whiskers of the same exquisite workmanship, which surrounded and decorated a very fierce little face of the reddest gold imaginable right in the front of the mug, with a pair of eyes in it which seemed to command its whole circumference. It was impossible to drink out of the mug without being subjected to an intense gaze out of the side of those eyes and sport positively avert that once, after emptying it, full of renish, 17 times, he had seen them wink. When it came to the mug's turn to be made into spoons, it half broke poor little Gluck's heart. But the brothers only laughed at him, tossed the mug into the melting pot and staggered out to the alehouse, leaving him, as usual, to pour the gold into bars when it was already. When they were gone, Gluck took a farewell look at his old friend in the melting pot. The flowing hair was all gone. Nothing remained but the red nose and the sparkling lips, which looked more malicious than ever. And no wonder, thought Gluck, after being treated in that way, he sauntered disconsolately to the window and sat himself down to catch the fresh evening air and escape the hot breath of the furnace. Now this window commanded a direct view of the range of mountains, which, as I told you before, overhung the treasure valley and more especially of the peak from which fell the Golden River. It was just at the close of the day, and when Gluck sat down at the window, he saw the rocks of the mountaintops, all crimson and purple with the sunset, and there were bright tongues of fiery cloud burning and quivering about them. And the river, brighter than all, fell in a waving column of pure gold from precipice to precipice, with the double arch of a broad purple rainbow stretched across it, flushing and fading alternately in the wreaths of spray. Ah, said Gluck aloud, after he had looked at it for a little while. If that river were really all gold, what a nice thing it would be. No, it wouldn't, Gluck, said a clear, metallic voice close at his ear. Bless me, what's that? exclaimed Gluck, jumping up. There was nobody there. He looked round the room and under the table and a great many times behind him, but there was certainly nobody there, and he sat down again at the window. This time he didn't speak, but he couldn't help thinking again that it would be very convenient if the river were really all gold. Not at all, my boy. Said the same voice, louder than before. Bless me, said Gluck again. What is that? He looked again into all the corners and cupboards and then began turning round and round as fast as he could, in the middle of the room, thinking there was somebody behind him, when the same voice struck again on his ear. It was singing now, very merrily, la la la la la. No words, only a soft, running, effervescent melody, something like that of a kettle on the boil. Gluck looked out of the window. No, it was certainly in the house. Upstairs and downstairs. No, it was certainly in that very room, coming in quicker time and clearer notes every moment. La la la la la. All at once it struck Gluck that it sounded louder near the furnace. He ran to the opening and looked in. Yes, he saw right. It seemed to be coming not only out of the furnace, but out of the pot. He uncovered it and ran back in a great fright, for the pot was certainly singing. He stood in the farthest corner of the room with his hands up and his mouth open for a minute or two, when the singing stopped and the voice became clear and pronunciative. Hello, said the voice. Gluck made no answer. Hello, Gluck, my boy, said the pot again. Gluck summoned all his energies, walked straight up to the crucible, drew it out of the furnace and looked in. The gold was all melted and its surface as smooth and polished as a river, but instead of reflecting little Gluck's head, as he looked in he saw, meeting his gaze from beneath the gold, the red nose and sharp eyes of his old friend of the mug, a thousand times redder and sharper than ever he had seen them in his life. Come, Gluck, my boy, said the voice out of the pot again. I'm all right, pour me out. But Gluck was too much astonished to do anything of the kind. Pour me out, I say, said the voice rather gruffly. Still Gluck couldn't move. Will you pour me out, said the voice passionately. I'm too hot. By a violent effort Gluck recovered the use of his limbs, took hold of the crucible and sloped it so as to pour out the gold. But instead of a liquid stream there came out, first a pair of pretty little yellow legs, then some coat towels, then a pair of arms stuck a Kimbo, and finally the well-known head of his friend of the mug. All of which articles, uniting as they rolled out, stood up energetically on the floor in the shape of a little golden dwarf, about a foot and a half high. That's right, said the dwarf, stretching out first his legs and then his arms, and then shaking his head up and down and as far around as it would go, for five minutes without stopping, apparently with the view of ascertaining if he were quite correctly put together, while Gluck stood contemplating him in speechless amazement. He was dressed in a slashed doublet of spun gold, so fine in its texture that the prismatic colours gleamed over it as if on a surface of mother of pearl. And over this brilliant doublet his hair and beard fell full halfway to the ground in waving curls, so exquisitely delicate that Gluck could hardly tell where they ended. They seemed to melt into air. The features of the face however were by no means finished with the same delicacy. They were rather coarse, slightly inclining to coppery in complexion and indicative in expression of a very pertinacious and intractable disposition in their small proprietor. When the dwarf had finished his self-examination he turned his small, sharp eyes full on Gluck and stared at him deliberately for a minute or two. No, it wouldn't, Gluck, my boy, said the little man. This was certainly rather an abrupt and unconnected mode of commencing conversation. It might indeed be supposed to refer to the course of Gluck's thoughts which had first produced the dwarf's observations out of the pot. But whatever it referred to Gluck had no inclination to dispute the dictum. Wouldn't it, sir? said Gluck, very mildly and submissively indeed. Nope, said the dwarf conclusively. No, it wouldn't. And with that the dwarf pulled his cap hard over his brows and took two turns of three feet long up and down the room lifting his legs up very high and setting them down very hard. This pause gave time for Gluck to collect his thoughts a little and, seeing no great reason to view his diminutive visitor with dread and feeling his curiosity overcome his amazement, he ventured on a question of peculiar delicacy. Pray, sir, said Gluck, rather hesitatingly. Were you my mug?  I, said the little man, and the king of the Golden River. Whereupon he turned about again and took two more turns, some six feet long, in order to allow time for the consternation which this announcement produced in his auditor to evaporate. After which he again walked up to Gluck and stood still, as if expecting some comment on his communication. Gluck determined to say something at all events. I hope your majesty is very well, said Gluck. Listen, said the little man, daining no reply to this polite inquiry. I am the king of what you mortals call the Golden River. The shape you saw me in was owing to the malice of a stronger king, from whose enchantments you have this instant freed me. What I have seen of you and your conduct with your wicked brothers rends me willing to serve you. Therefore attend to what I tell you. Whoever shall climb to the top of that mountain from which you see the Gold River issue, and shall cast into the stream at its source three drops of holy water, for him and for him only, the river shall turn to gold. But no one failing in his first can succeed in a second attempt. Anyone shall cast unholy water into the river, it will overwhelm him, and he will become a black stone. So saying, the king of the Golden River turned away and deliberately walked into the centre of the hottest flame of the furnace. His figure became red, white, transparent, dazzling, a blaze of intense light. Rose trembled and disappeared. The king of the Golden River had evaporated. Oh! cried Porgluck, running to look up the chimney after him. Oh dear, dear, dear me! My mug! My mug! My mug! End of Chapter 2 Chapter 3 of The King of the Golden River by John Ruskin This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to find out how you can volunteer, please visit LibriVox.org. Recording by Zanusha The King of the Golden River by John Ruskin Chapter 3 How Mr. Hans set off on an expedition to the Golden River and how he prospered therein. The King of the Golden River had hardly made the extraordinary exit related in the last chapter, before Hans and Schwartz came roaring into the house, very savagely drunk.  At the expiration of which period, they dropped into a couple of chairs and requested to know what he had got to say for himself. Pluck told them his story, of which of course they did not believe a word. They beat him again till their arms were tired and staggered to bed. In the morning, however, the steadiness with which he had dear to his story obtained him some degree of credence. The immediate consequence of which was that the two brothers, after wrangling a long time on the knotty question which of them should try his fortune first, drew their swords and began fighting. The noise of the fray alarmed the neighbours, who, finding they could not pacify the combatants, sent for the Constable. Hans, on hearing this, contrived to escape and hid himself. But Schwartz was taken before the magistrate, fined for breaking the peace, and, having drunk out his last penny the evening before, was thrown into prison till he should pay. When Hans heard this, he was much delighted and determined to set out immediately for the Golden River. How to get the holy water was the question. He went to the priest, but the priest could not give any holy water to so abandon a character. So Hans went to Vespers in the evening for the first time in his life, and, under pretence of crossing himself, stole a cupful and returned home in triumph. Next morning he got up before the sun rose, put the holy water into a strong flask, and two bottles of wine and some meat in a basket, slung them over his back, took his alpine staff in his hand, and set off for the mountains. On his way out of the town he had to pass the prison, and as he looked in at the windows, whom should he see but Schwartz himself peeping out of the bars and looking very disconsolate? Good morning, brother, said Hans. Have you any message for the king of the Golden River? Schwartz gnashed his teeth with rage and shook the bars with all his strength, but Hans only laughed at him, and, advising him to make himself comfortable till he came back again, shouldered his basket, shook the bottle of holy water in Schwartz's face till it frothed again, and marched off in the highest spirits in the world. It was indeed a morning that might have made anyone happy, even with no Golden River to seek for. Level lines of dewy mist lay stretched along the valley, out of which rose the messy mountains, their lower cliffs in pale grey shadow, hardly distinguishable from the floating vapor, but gradually ascending till they caught the sunlight, which ran in sharp touches of ruddy colour along the angular crags, and pierced in long, level rays through their fringes of spear-like pine. Far above shot up red, splintered masses of castellated rock, jagged and shivered into myriads of fantastic forms, with herein there a streak of sunlit snow traced down their chasms, like a line of fault lightning. And far beyond and far above all these, fainter than the morning cloud, but purer and changeless, slept in the blue sky the utmost peaks of the eternal snow. The Golden River, which sprang from one of the lower and snowless elevations, was now nearly in shadow. All but the uttermost jets of spray, which rose like slow smoke above the undulating line of the cataract, and floated away in feeble wreaths upon the morning wind. On this subject, and on this alone, hunts his eyes and thoughts were fixed. Forgetting the distance he had to traverse, he set off at an imprudent rate of walking, which greatly exhausted him before he had scaled the first range of the green and low hills. He was, moreover, surprised on surmounting them to find that a large glacier of whose existence, notwithstanding his previous knowledge of the mountains, he had been absolutely ignorant, lay between him and the source of the Golden River. He entered on it with the boldness of a practised mountaineer, yet he thought he had never traversed so strange or so dangerous a glacier in his life. The ice was excessively slippery, and out of all its chasms came wild sounds of gushing water. Not monotonous or low, but changeful and loud, rising occasionally into drifting passages of wild melody. Then breaking off into short, melancholy tones, or sudden shrieks resembling those of human voices in distress or pain. The ice was broken into thousands of confused shapes, but none, hence thought, like the ordinary forms of splintered ice. There seemed a curious expression about all their outlines, a perpetual resemblance to living features, distorted and scornful. Myriads of deceitful shadows and lurid lights played and floated about and threw the pale blue pinnacles, dazzling and confusing the sight of the traveller.   The ice crashed and yawned into fresh chasms at his feet, tottering spires nodded around him and fell thundering across his path. And though he had repeatedly faced these dangers on the most terrific glaciers and in the wildest weather, it was with a new and oppressive feeling of panic terror that he leaps the last chasm and flung himself exhausted and shuddering on the firm turf of the mountain. He had been compelled to abandon his basket of food, which became a perilous encumbrance on the glacier, and had now no means of refreshing himself but by breaking off and eating some of the pieces of ice. This, however, relieved his thirst. An hour's repose recruited his hurdy frame and with the indomitable spirit of avarice he resumed his laborious journey. His way now lay straight up a ridge of bare red rocks without a blade of grass to ease the foot or a projecting angle to a folding inch of shade from the south sun. It was past noon and the rays beat intensely upon the steep path while the whole atmosphere was motionless and penetrated with heat. Intense thirst was soon addled to the bodily fatigue with which hunts was now afflicted. Glance after glance he cast on the flask of water which hung at his belt. Three drops are enough. At last thought he. I may at least call my lips with it. He opened the flask and was raising it to his lips when his eye fell on an object lying on the rock beside him. He thought it moved. It was a small dog, apparently in the last agony of death from thirst. Its tongue was out, its jaws dry, its limbs extended lifelessly, and a swarm of black ants were crawling about its lips and throat. Its eye moved to the bottle which hunts held in his hand. He raised it, drank, spurned the animal with his foot, and passed on. And he did not know how it was, but he thought that a strange shadow had suddenly come across the blue sky. The path became steeper and more rugged every moment and the high hill air, instead of refreshing him, seemed to throw his blood into a fever. The noise of the hill cataracts sounded like mockery in his ears. They were all distant and his thirst increased every moment. Another hour passed and he again looked down to the flask at his side. It was half empty, but there was much more than three drops in it. He stopped to open it, and again, as he did so, something moved in the path above him. It was a fair child, stretched nearly lifeless on the rock, its breast heaving with thirst, its eyes closed, and its lips parched on burning. Hunts eyed it deliberately, drank, and passed on. And a dark grey cloud came over the sun, and long, snake-like shadows crept up along the mountain sides. Hunts struggled on. The sun was sinking, but its descent seemed to bring no coolness. The leaden height of the dead air pressed upon his brow and heart, but the gull was near. He saw the cataract of the Golden River springing from the hillside, scarcely five hundred feet above him. He paused for a moment to breathe and sprang on to complete his task. At this instant a faint cry fell on his ear. He turned and saw a grey-haired old man extended on the rocks. His eyes were sunk, his features deadly pale and gathered into an expression of despair. Water! he stretched his arms to Hunts and cried feebly. Water! I am dying! I have none! replied Hunts. Thou hast had thy share of life. He strode over the prostrate body and darted on, and a flash of blue lightning rose out of the east, shaped like a sword. It shook thrice over the whole heaven and left it dark with one heavy, impenetrable shade. The sun was setting. It plunged toward the horizon like a red-hot ball. The roar of the Golden River rose on Hunts' ear. He stood at the brink of the cavern through which it ran. Its waves were filled with the red glory of the sunset.  Their sound came mightier and mightier on his senses. His brain grew giddy with the prolonged thunder. Shuddering he drew the flask from his girdle and hurled it into the centre of the torrent. As he did so an icy chill shot through his limbs. His staggered shrieks and fell. The waters closed over his cry, and the moaning of the river rose wildly into the night, as it gushed over the black stone. End of Chapter 3 Chapter 4 of The King of the Golden River by John Ruskin This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to find out how you can volunteer, please visit LibriVox.org Recording by Zanusha The King of the Golden River by John Ruskin Chapter 4 How Mr. Schwartz set off on an expedition to the Golden River and how he prospered therein Poor little Gluck waited anxiously alone in the house for Hunts' return. Finding he did not come back, he was terribly frightened and went and told Schwartz in the prison all that had happened. Then Schwartz was very much pleased and said that Hunts must certainly have been turned into a black stone and he should have all the gold to himself. But Gluck was very sorry and cried all night. When he got up in the morning there was no bread in the house nor any money. So Gluck went and tied himself to another goldsmith and he worked so hard and so neatly and so long every day that he soon got money enough together to pay his brothers fine and he went and gave it all to Schwartz and Schwartz got out of prison. Then Schwartz was quite pleased and said he should have some of the gold of the river. But Gluck only begged he would go and see what he'd become of Hunts. Now when Schwartz had heard that Hunts had stolen the holy water he thought to himself that such a proceeding might not be considered altogether correct by the king of the Golden River and determined to manage matters better. So he took some more of Gluck's money and went to a bad priest who gave him some holy water very readily for it. Then Schwartz was sure it was all quite right. So Schwartz got up early in the morning before the sun rose and took some bread and wine in a basket and put his holy water in a flask and set off for the mountains. Like his brother he was much surprised at the sight of the glacier and had great difficulty in crossing it even after leaving his basket behind him. The day was cloudless but not bright. There was a heavy purple haze hanging over the sky and the hills looked lowering and gloomy. And as Schwartz climbed the steep rock path the thirst came upon him as it had upon his brother until he lifted his flask to his lips to drink. Then he saw the fair child lying near him on the rocks and it cried to him and moaned for water. Water indeed! said Schwartz. I haven't half enough for myself. And passed on. And as he went he thought the sunbeams grew more dim and he saw a low bank of black cloud rising out of the west and when he had climbed for another hour the thirst overcame him again and he would have drunk. Then he saw the old man lying before him on the path and heard him cry out for water. Water indeed! said Schwartz. I haven't half enough for myself. And on he went. Then again the light seemed to fade from before his eyes and he looked up and behold a mist of the colour of blood had come over the sun and the bank of black cloud had risen very high and its edges were tossing and tumbling like the waves of the angry sea and the cast long shadows which flickered over Schwartz's path. Then Schwartz climbed for another hour and again his thirst returned and as he lifted his flasks to his lips he thought he saw his brother hunts lying exhausted on the path before him and as he gazed the figure stretched its arms to him and cried for water. Ha ha! laughed Schwartz. Are you there? Remember the prison bars, my boy. Water indeed! Do you suppose I carried it all the way up here for you? And he strode over the figure. Yet as he passed he thought he saw a strange expression of mockery about its lips and when he had gone a few yards further he looked back but the figure was not there. And a sudden horror came over Schwartz who knew not why but the thirst for gold prevailed over his fear and he rushed on and the bank of black cloud rose to the zenith and out of it came bursts of spirey lightning and ways of darkness seemed to heave and float between their flashes over the whole heavens and the sky where the sun was setting was all level and like a lake of blood and a strong wind came out of that sky tearing its crimson clouds into fragments and scattering them far into the darkness and when Schwartz stood by the brink of the Golden River its waves were black like thunder clouds but their foam was like fire and the roar of the waters below and the thunder above met as he cast the flask into the stream and as he did so the lightning glared in his eyes and the earth gave way beneath him and the waters closed over his cry and the moaning of the river rose wildly into the night as it gushed over the black stone End of Chapter 4 Chapter 5 of The King of the Golden River by John Ruskin This is a LibriVox recording All LibriVox recordings are in the public domain For more information or to find out how you can volunteer please visit LibriVox.org Recording by Zanusha The King of the Golden River by John Ruskin Chapter 5 How Little Gluck set off on an expedition to the Golden River and how he prospered therein with other matters of interest When Gluck found that Schwartz did not come back he was very sorry and did not know what to do He had no money and was obliged to go and hire himself again to the goldsmith who worked him very hard and gave him very little money So, after a month or two, Gluck grew tired and made up his mind to go and try his fortune with the Golden River The little king looked very kind thought he, I don't think he would turn me into a black stone So he went to the priest and the priest gave him some holy water as soon as he asked for it Then Gluck took some bread in his basket and the bottle of water and set off very early for the mountains If the glacier had occasioned a great deal of fatigue in his brothers it was twenty times worse for him who was neither so strong nor so practised on the mountains He had several very bad falls lost his baskets and bread and was very much frightened at the strange noises under the ice He lay a long time to rest on the grass after he had got over and began to climb the hill just in the hottest part of the day When he had climbed for an hour he got dreadfully thirsty and was going to drink like his brothers when he saw an old man coming down the path above him looking very feeble and leaning on the staff Why son? said the old man I am faint with thirst Give me some of that water Then Gluck looked at him and when he saw that he was pale and weary he gave him water Only pray don't drink at all said Gluck But the old man drank a great deal and gave him back the bottle two thirds empty Then he paid him good speed and Gluck went on again mirrorly and the path became easier to his feet and two or three blades of grass appeared upon it and some grasshoppers began singing on the bank beside it and Gluck thought he had never heard such merry singing Then he went on for another hour and the thirst increased on him so that he thought he should be forced to drink But as he raised to the flask he saw a little child lying panting by the roadside and it cried out piteously for water Then Gluck struggled with himself and determined to bear the thirst a little longer and he put the bottle to the child's lips and it drank it or put a few drops Then it smiled on him and got up and ran down the hill and Gluck looked after it till it became as small as a little star and then turned and began climbing again and then there were all kinds of sweet flowers growing on the rocks bright green moss with pale pink starry flowers and soft belled gentians more blue than the sky at its deepest and pure white transparent lilies and crimson and purple butterflies darted hither and thither and the sky sent down such pure light that Gluck had never felt so happy in his life Yet when he had climbed for another hour his thirst became intolerable again and when he looked at his bottle he saw that there were only five or six drops left in it and he could not venture to drink and as he was hanging the flask to his belt again he saw a little dog lying on the rocks gasping for breath just as hunts had seen it on the day of his ascent and Gluck stopped and looked at it and then at the Golden River not five hundred yards above him and he thought of the Dwarf's words that no one could succeed except in his first attempt and he tried to pass the dog but it whined piteously and Gluck stopped again poor beastie said Gluck it will be dead when I come down again if I don't help it then he looked closer and closer at it and its eye turned on him so mouldfully that he could not stand it Confound the king in his gold tooth said Gluck and he opened the flask and poured all the water into the dog's mouth the dog sprang up and stood on its hind legs its tail disappeared its ears became long longer, silky, golden its nose became very red its eyes became very twinkly in three seconds the dog was gone and before Gluck stood his old acquaintance the king of the Golden River thank you said the monarch but don't be frightened it's all right for Gluck showed manifest symptoms of consternation at this unlooked-for reply to his last observation why didn't you come before continued the dwarf instead of sending me those rascally brothers of yours for me to have the trouble of turning into stones very hard stones they make too oh dear me said Gluck have you really been so cruel cruel said the dwarf they poured unholy water into my stream do you suppose I'm going to allow that why said Gluck I'm sure sir your majesty I mean they got the water out of the church front very probably replied the dwarf but and his countenance grew stern as he spoke the water which has been refused to the cry of the weary and dying is unholy though it's been blessed by every saint in heaven and the water which is found in the vessel of mercy is holy though it's have been defiled with corpses so saying the dwarf stooped and plucked a lily that grew at his feet on its white leaves there hung three drops of clear dew and the dwarf shook them into the flask which Gluck held in his hand cast these into the river he said and descend on the other side of the mountains into the treasure valley in so good speed as he spoke the figure of the dwarf became indistinct the plain colours of his robe performed themselves into a prismatic mist of dewy light he stood for an instant bowed with them as with the belt of a broad rainbow the colours grew faint the mist rose into the air the monarch had evaporated and Gluck climbed to the brink of the golden river and its waves were as clear as crystal and as brilliant as the sun and when he cast the three drops of dew into the stream they opened where they fell a small circular whirlpool into which the waters descended with a musical noise Gluck stood watching it for some time very much disappointed because not only the river was not turned into gold but its waters seemed much diminished in quantity yet he obeyed his friend the dwarf and descended the other side of the mountains towards the treasure valley and as he went he thought he heard the noise of water working its way under the ground and when he came inside of the treasure valley behold a river like the golden river was springing from a new cleft of the rocks above it and was flowing in innumerable streams among the dry heaps of red sand and as Gluck gazed fresh grass sprang beside the new streams and creeping plants grew and climbed among the moistening soil young flowers opened suddenly along the riversides as stars leap out when twilight is deepening and thickets of myrtle and tendrils of vine cast lengthening shadows over the valley as they grew and thus the treasure valley became a garden again and the inheritance which had been lost by cruelty was regained by love and Gluck went and dwelt in the valley and the poor were never driven from his door so that his barns became full of corn and his house of treasure and for him the river had, according to the dwarf's promise become a river of gold and to this day the inhabitants of the valley point out the place where the three drops of holy dew were casting to the stream and trace the course of the golden river under the ground until it emerges in the treasure valley and at the top of the cataract of the golden river are still to be seen two black stones round which the waters howl mournfully every day at sunset and these stones are still called by the people of the valley the black brothers end of chapter 5 and end of the king of the golden river by John Ruskin


For their courageous response in a dynamic and life-threatening situation, Constables Viet Nguyen, Jenny Kwan, and Clayton Richardson are awarded the Chief Constable's Commendation.


In the shallow shallow shallow Hey, so the Golden Globes just happened and once again I was not nominated for a leading role in the Brad Motto YouTube channel. It's fine. Really, it's fine. I just worked my butt off on this channel and I just, I wanted a nomination and it didn't come this year and it's okay. Next year, I can do it. I'm gonna do it next year. So I tuned into the red carpet pre-show to see all the beauty, the glamour, the fashion. I didn't see a lot of it, however I did see this. He stole my look. It's okay though. He can rock it. And this.  I see that harness you're wearing and I do want to tug on it. And then there was this. We can't forget this. This is definitely a moment, I mean. And this. And this. And I'm missing a reference on this one. And this. She delicious. And this. And then we had this moment. This, this one. This one. This one. This one. And I was sitting there watching my TV like, oh, oh, yes Gaga, yes Gaga, yes Gaga. And then I kept watching my TV. And I kept staring at that TV and I got closer to it and closer to it. And then I zoomed in and I zoomed in more. And then I saw this. No Gaga, no Gaga, no Gaga. I don't know how it happened so quickly, but I went from yes Gaga to no Gaga very quickly and I wasn't okay with it. I wanted my moment and I didn't get it. All right, hold on, hold on, hold on, hold on. Let me keep the shadiness back for a second. Let me just keep it inside, tie it up, make sure it doesn't come up. My shade is not coming out yet. I don't think it's going to come out at all. Okay, it already came out. Let me just be serious. I want to first say something before this video continues and I talk about Lady Gaga's hair at the Golden Globes. I do not think that Lady Gaga's hair stylist is bad. I do not think that he's incapable of doing hair. I think that he is a wonderful stylist. I'm sure that he's great. And hair is art and art is subjective. We all see art differently. In this video, I'm simply giving you my opinion on the look. This is not the right opinion. This is not the wrong opinion. This is just my personal opinion. As a hair stylist, I definitely know that you never know the circumstances behind a look. Some of these stars give you a half an hour to do a look, okay, when you need three hours. Some of these stars, they're moving around, they're texting, they're moving their head like this, they're getting their makeup done, they're getting their nails done at the same time. You don't know what happened behind the scenes, but I always like to give a lot of credit to these celebrity hairdressers because it is not an easy job. So the last thing I want this video to do is bash Lady Gaga's hairdresser. Please do not leave any hateful comments. If you are going to leave any hateful comments about the look or about the hair stylist, don't. But you can leave constructive criticism below. I've seen a lot of looks that Lady Gaga gets by him and they're all awesome. Now with that said, I just want to share my personal opinion about Lady Gaga's look at the Golden Globes. Let's do it. Let's recap on this look. All right. So here's the look. It's sort of a periwinkle blue. I know that the look was also inspired by Judy Garland in A Star is Born from 1954. And I understand the concept of the hair completely. I think. So the look she has here is sort of a modern take on a classic chignon except higher up. And I personally think looks better from the back of her head than it did translate on the front. I feel like the front was a little flat and kind of looked like kind of thrown up quick. You see all the detail on the back and it kind of makes more sense to me when I saw only the front, I was kind of like, what's going on? Because I don't really see anything but a lump on the top of her head and like two strands of hair hanging down in the front. Also it's Lady Gaga, so we're always trying to do like a little bit of shock value, which I think that's what they're going for with the periwinkle blue that didn't quite work out. I think this is the main thing that I had an issue with. The blue. I don't know if this was the stylist who did this. I don't know if it was Lady Gaga who was maybe getting her hands into a little bit too much purple shampoo that day or her hair was just overtone when they bleached it or they sprayed some kind of temporary hair color in her hair to make it blue that night and kind of didn't distribute it evenly on her head because if you don't spray at an even distance all around the head, you're going to get spots that are darker and spots that are lighter. Looking at this picture, I just don't see how he could have messed up that bad with like a spray hair color. I mean anybody looking at this can see that it's not covering every strand of her hair and it needs to be like coated over again or maybe this is just an artistic choice and maybe Lady Gaga loved it. I mean clearly she walked the carpet with it so I don't think she'd leave her house if she didn't like it and hey more power to him. So I just found this article on ET after I recorded this video. It says, Aspirus used the blonde life lightener to create this brilliant blonde and then makes the brand semi-permanent color intensity in sky and rose to create this cerulean blue. So apparently he just did a double process and then toned her hair with joyco toner sky and rose. I don't know how the rose goes with blue. Now I realized that it's toner and her hair is really porous and a lot of her hair is yellow and a lot of her hair is really white porous so it just took on the really porous parts of her hair and not on the yellow parts of her hair. That is why it's so spotty and colored like that. Now we know. Back to the video. She looked beautiful and no matter what I just think that the hair was not quite on point. Hate me, love me, whatever that's my opinion, sorry. So I considered remaking her entire look on American Head and doing it how I would have done it but then it was like first of all I'm not trying to compete here. I'm not trying to say that I'm a better hairstylist. I think every hairstylist has their own techniques and has their own point of view so I don't want to sit here and pretend I'm better than this guy doing Gaga's hair because clearly I'm not at his level. I'm not doing Gaga's hair. I thought that I would take the dress she's wearing, the overall aesthetic of Gaga and create a hair look that I would have loved to see her in in place of this hair look that her hairstylist did for her. So I'm going to show you guys a really, really simple way for you to also achieve this look at home. It's going to be a very classic Judy Garland inspired hair look that would go perfectly with Gaga's dress and Gaga's look that night and I'm going to show you guys a little technique on how to color your hair at home not permanently to get that beautiful periwinkle blue that I think that they were aiming for. And then you can decide which look you liked better. So let me get my mannequin head, the creepy old mannequin head. Love you, girl. Come over here, grab my supplies and let's start. If you want to follow at home, please do. I would love to show you guys how to do a classic, gorgeous, old Hollywood wave Marcel curling iron set. They're so fun to do and they're so easy and they come up beautiful and it's just a classic look that will never die. Okay. I'm going to stop talking. Let's do it. All right. I got Bay here. We're ready to do some hair.  Any kind of hairspray will work really, whatever you have, all Gucci, a round brush, really of any size, not that important. Anything like small or medium will work. Any kind of blow dryer, a one and a quarter inch Marcel curling iron or a regular curling iron will do. I wouldn't go any bigger than this size, one and a quarter for a curling iron if you're trying to do this look because it will not work out for you. And I prepped her hair with just a little bit of a oil. This is Elixir Ultime by Karastas. Just gives you a little more added shine and moisture in your ends. Here's an inspiration picture of Judy Garland. This is kind of what we're going for here, but we're going to do a halo section, which I mentioned in a video before. That just starts like about an inch and a half back and it goes all the way around her hair like a halo. That is a halo, one and a half inches all the way around the head like that. Basically all we're doing is blow drying round brush style and setting it with a Marcel curling iron and then pinning it in place. And I'll show you right now. I don't think I mentioned that you'll need some pins. You can either do ones like this. These are really helpful because they don't put a crease on the hair or you can take these little like. So for this first section, we're blow drying this way and towards the face.  You'll see what I'm talking about later. All right. Let's blow dry this out. If you ever find like your brush gets stuck a lot going down the hair, that's because you need to get these ends really nice and shiny and soft first and then work your way up. All right. Now while the hair is still hot and setting in place, we can quickly take our curling iron. This doesn't need to be at high feet. I have my curling iron set at 300 and just do a simple curl towards the face. Very old school sort of banana curl situation. Let that sit for a second. Get it nice and hot. Let that drop out. Boom. It looks crazy right now, but it's going to look very pretty later. We're going to quickly rabble that up. Okay. And there you go. That is the first curl and you're going to continue to get all the way around the head the exact same way. Let's do it.  Don't do that. Okay. Work from wet to dry.  And again, you guys, so important to focus on these ends first and make sure they're nice and shiny and perfect. All right. All right. Now that we have all of that done all around, that is all finished. We have everything going forward towards your face. Now we are going to start with the top and everything is going to go backwards. So the same thing just backwards. Great. Let's do it. And this is the sectioning. I'm just going to just rose going down and I'm just explaining kind of the easy way of doing it. This isn't exactly how I would do it on a client, but I want you guys to do it at home. And otherwise, if I was going to explain the real way, the cop could away doing it. Not a lot of you guys would be able to follow along. So I am doing this more as a beginner, but it'll still have a really nice finish because in a salon, I would do a bricklay pattern back here. That way all the curls don't get stuck together in the back, but it should be fine. If you know what a bricklay pattern is, you can do that. You can look it up and Google it. You can do it at home if you know how to do it. Cool. The blow-dry is finally complete. We have the entire head set and ready to go. And if you guys want a more detailed description of how I did this, there will be a video link below. It's called how to do perfect hairstylist blowout or something like that that I made a few months ago. And it explains pretty much this without the curling iron. So if you want to learn how to do really nice blow-dry, just watch that video. But now that we have this base now, we get to do the fun part. I'm so excited for this ball. So you're going to want to spray with hair spray.  Wouldn't that be so helpful? And actually hair, it takes 20 minutes to cool down properly. So I'm going to give this a little time to cool down and I'll be back to brush it out and show you guys how to get that perfect Judy Garland inspired 1950s hairstyle. OK, now that it's properly cooled down, we're going to take a flat bore bristle brush like this, or you can just use a comb or whatever brush you have. Let's take the bobby pins out from around the halo section. Look at those bouncy curls are so pretty. I love these parts so much. We're going to take our brush and just work with the hair, not against it. I'm going to take this section up here. I do a little back combing and then tease it and then spray it. All right, just like that. This this is the most important piece of all. This really gives you that old Hollywood feel. We're going to take a clip and just clip this into place for now. You can also do a little teasing to bring out those waves a bit more. You see that definition that I gave that? I'm just really working on getting this into a nice best formation and that is the front. That's how it's going to stay. And we're going to take down the other side. This side's a lot easier because we're just kind of pushing it back away from her face. We're going to take it all down now and move all these clips from your hair. Just get your hands in there and break up all of those curls. And just working with the hair, I'm going to pin this section back because I feel like that's something Julie Garland would do. I don't know that much about her, but seems like something she would do just like that. Most of the time, they didn't have too much volume up here, so I'm just parting it kind of all the way back. Alrighty, so I just hair sprayed it and now we're going to take these pins out very gently. And here is the finished Judy Garland inspired, possibly how Lady Gaga should have worn her hair to the Golden Globes. Look, I hope you guys like it. But like I said, we're going to give her a little periwinkle blue moment, just like Lady Gaga had it. We're going to take this teal breeze by Hush Prism. It's a temporary hair color spray that washes out with shampoo. So you're going to shake it up. And I like to take a white piece of paper or any kind of piece of paper or anything just to block the face from getting blue all over it because that would not be cute for the red carpet. We're going to go like this. We're going to spray it from like 10 or 12 inches away. And there you go. That is the blue added to her hair. And listen, if she was going to the Golden Globes, I would spend another hour doing that blue. I kind of just went over it really quickly, but I think it looks pretty nice. And to be honest with you, it's not very easy doing this spray color. It's never that perfect or even, except I just think it could have been a little bit better on Gaga. Doesn't need to be perfect, but there was spots missing, you know? This is how I would have loved to see Gaga on the red carpet this year with that gorgeous blue gown. My Judy Garland inspired look and the Gaga inspired look. Here it is. A mix between the new and the old. I'm Daniel. It's really cute and fun and fresh. So I hope you guys enjoyed this video. There's a lot of information and I hope you learned a thing or two about how to style your hair at home and rock this gorgeous 1950s. Judy Garland inspired Lady Gaga inspired hair look. Thank you guys so much for watching today. Get this video a like, subscribe if you're not already.  I'll next time. Peace.


I just released version 1.1.0 of Godot Skeleton, my starter template for Godot projects. And in this video, I just want to talk about the changes and what happened here. So if you use it, you can get a quick rundown on what's new. So if we go over to Godot, the first thing I want to show is the sound auto load kind of singleton that's available. So anywhere in your game, you can call sound dot play SFX or sound dot play music. And then it respects the global setting for your player as to whether or not to play that audio. So for example, here, if I turn sound effects on and go back to start, and I added a sound effect in the test project, or if I press P, you might have heard that blip that was a sound effect being played that way.  So, you know, that's how that works. And that code, for example, here is an example, where let me find that code. So I think it's in paused.gd. And here when pause function is called, it just plays sound effect. And you pass in the node from the scene where you could instantiate a new instance, however you want to go about that. But that's sound. And the same thing works with play music. So that's the first thing I wanted to share. Second thing is the debug UI. This is something I added in my Godot type scheme. If you press the zero key now, you'll see up there, debug UI enabled toggles. And what this does is it gives you a really easy way to add debug information to your scenes that you don't want in your final game. So here I have it hidden. But if I toggle it on, you can see it there. And how that works is that there's a group. And all you do is add the debug underscore UI group to a node. And it will then be only displayed if you toggle on the functionality in debug mode. And it's set to toggle by default by pressing the zero key. And there's some debug logging to help make that clear. You'll want to make these hidden in your scene view. And yeah, I want to make that a little better. So just in case you forget, it doesn't show up. But yeah, you're going to go ahead and keep that hidden. And then pressing zero will toggle it. You may have also noticed that there's a version displayed up in the upper right, that's driven by the export config, which is a custom file in Godot skeleton for uploading to itch and setting some metadata. So this sets the version of your game. And when you make new releases, you can increase this version. And then in the upper right, it displays that so that you and your players know what version they're playing. It's going to be helpful for bug reports or just having confidence that the latest build is out there. So Godot doesn't really have a good project wide way to do that. So that's why I added this. And this version is also used when you upload itch. So they correlate with one another. And the renderer change to compatibility mode, that's the kind of like lowest common denominator renderer, I think, and has the widest support. And I figure best to start with the widest support. And then if you need to change it, you just click here and change it for your game. And you'll have the different renderer set. And everything should just be compatible and not be a problem there. So that's that change. I made it so that all of the GD script code uses type signatures or pretty much most of it, just because I've been using that for my own projects. And I think it's made my code better. And that's clarity to like what's expected. So like set full screen, we know that Val is a Boolean and not like a string or whatever. And then when we call set full screen in places, we know that we're expecting a Boolean. So yeah, that happened. I renamed all the code to be snake case and all the all the scenes to be snake case. That's pretty much it. Fleshed out the read me a little more. So that's version 1.1 of Godot skeleton. When I finish my next game, I'll take what I learned and put it into Godot skeleton and contributions are welcome to you can also fork it and maintain your own template. And, you know, to use it, you just click use this template, create a new repository, or you just download the code as a zip here. If you want to see what it looks like yourself or play with it, you can run the tool, you can run Godot skeleton on the itch page. But that's it for 1.1. If it's useful, use it. If you're onto it, that's cool too. If you do use it for a game or something, let me know, that would make me feel good. All right. Thanks, bye.