I'm Enya Schumacher. I work for Primary Integration and I am a project manager. Essentially I am given a scope award by clients and I run the commissioning process from beginning to end in critical environments. It can be industrial environments, but primarily we focus on mission critical facilities. I would have loved for someone to have told me the value of networking. I was not aware of how important it would be until a couple of years ago. So that is the one thing I would have liked to have known. The biggest challenge I face for myself is continuing education. It's not that it's very supported by my company, but unfortunately finding time once you actually get into the field is very difficult. So you always want to find out what is new in the new technologies that are coming out, but it is challenging to find the time once you are working in this type of environment. It's a long story, but essentially it started out when I was a little girl. I've always been involved in taking things apart and I've always enjoyed math and sciences. I actually went into computer science to begin with in college and decided that it was not for me. I needed something a little more hands-on and a little more teamwork based. And from there I decided I would move into mechanical engineering just from my hobbies and interests it matched. And I ended up taking internships that were in the mission critical field in the HVAC design. And I love the people I work with. I love the fellows I worked with and even got a chance to work with some women and that was even better as well. I went to college at the University of North Carolina, Charlotte. I knew that I was going to go into computer science and I knew I wanted to stay in North Carolina. So it was NC State or UNC Charlotte for me and I am very happy with my decision. I met a lot of great people and from there I've developed a lot of skill sets that have been helpful for my career. The mission critical environment has changed because it's becoming more dynamic. It's becoming an environment where you need to be able to come up with solutions that aren't just something to make a piece of equipment operate and work. You want to make it work efficiently and better than it did before. So that's what I'm seeing. It's been fortunate because I have also seen an influx of females in the field as well. And from that you see them actually out in the environment, in the construction type environment. And I think just getting them out there so people can see that we are very capable of doing a job just as efficiently and just the same quality as any other person is capable of doing. Having that ability to get them out there has been a positive influence in this environment. My advice for women that are interested in this field is don't shy away from those types of environments. Own it. You have an edge that makes you viable candidate for any position. And if you were given these types of opportunities to learn and get this type of education you're just as much of a candidate as the next person sitting next to you. It doesn't matter if they're male or female. If you're interested, just walk in there and do your job. That's all you got to do.


Hi and welcome to the session. Today we will learn about polygons. A polygon is a simple leader of line segments. For example, this is a polygon. Now the line segments in a polygon are called av, vc, cd, de and ea are the sides of this polygon. Also with a common end point av and ae have a common endpoint a. That means these are adjacent sides. Sites va and vc have a common end point b. So these are also adjacent sides and so on. Next we have the meeting point, the side av and ae meet at a point a. So a is a vertex. Also point v, cd and e are other vertices of the given polygon. Also the end points of a polygon, the adjacent of side av, that is point a and b are adjacent vertices. Similarly v and c, c and d, d and e and e and a are other pairs of adjacent vertices. Now points a and c are not adjacent, points v and d are not adjacent and so on. So the joint adjacent, so here ac, ad, ve, vd and ce are the diagonals of the polygon. Now let's move on to our next topic, angles is made up of from a common. For example here we have two rays starting from a common end point say o. Now let's name these rays as op and oq. It is formed by the rays op and oq. Here o is the vertex and we denote this angle by angle p, o, q. Then specifying the angle the vertex that is o is always written as the middle letter. So here we have the common is the vertex and oq are the arms or sides of the angle p, o, q of a region. The shaded region is the interior of the angle. So we can say that the point y lies in the interior of the angle. The remaining area that is this one is the exterior of the, we can say that the point z lies in the exterior of the angle. The interior and the exterior restricted areas, they can extend indefinitely since the two sides can extend indefinitely. Now let's move on to our next topic, triangles and ce. Interior of triangle abc. So we can say the interior of triangle abc is ab, bc and ce are the c. That means the point z lies on the triangle abc, which the vertices are named, that is d. So this is a quadrilateral abc, t, av, line segment bc, cd and line segment da. Angle b and angle c are adjacent, angle c are adjacent angles.


Let's talk about the current content that you do, Muna Fanyapale na Samiro. Ideali kwa yadani mulipatana wapi kwanza? It was a mutual idea because Nishi enyad kwa na fanya na minyana fanya, sisi oteni wamita. So, kind of a way to lipatuna sa idea na, to lipatana kwangu. Ay, shigwa and bana. Ati wapi? Siti lipatana kwangu, si piya kwanguni venue. Piya kwanguni venue, natu kapatana, natu kwanza and atu jawa iwacha and I don't think to tacha because we like telling our story because we know it best. Situ me toka geto, we don't fake. Atu dream mambu ya kufanya, mambu zama punk. So we are telling our story best. So atu tawa iya, chanta less imbu eke, na hatu ta kubali imbu eke, ya. Idea kutubua soda na nam sumari, ili toke awa piya wami na muna isingi uko? Niliyana first quetu home na mamayangu na uncle zangu na kazinsu zangu. They used to do that because wuki shikisha, hawfumwangi soda yote, inatana uto eka dogo, kadogo. Stareya kushikisha ni unei pata pole pole. So yos staili toka nga apu walko na toboa chupa apu ju, then na kavuta tumosmos. Na bagjete ajaba ina kwangangapi? Ina depend also, ina depend wewoneza kulea nga api. The standard price ya kuzu ajaba iniwe it's 50 shillings, kuna veve, veve niya waseyo. Mifukoi meja, neza pata surba na miya tatu. Ya depend stareya koe nan zia atu. Nime groi apu, na sa siyesi fek. Eh, that's one thing I know poa. Guys, I'm hanging out, ni kuna merasa pa, ni kuna rani kama uta ni gonga lakini, ni kama leu metulia. Leu na behave, muna security koi maia ya, acha ni chesechini. Ya. So shigwa umetya pisamero? Sijui, by the way, to be honest, ako maia yuku. Ujua sa zingi kong IMCA, neza kwa na salimi ya wa, tumara na ombakura, marana fanya tiktok, marana dance, I don't know, but he's around. E tumara leu me gara, outfit naia ume piga, who has dressed you today? Yvonne Afro Street. Yes. Ime kukwa sma milion ingapi? I'd rather not say. I'd rather not say. Lakini, it is worth it. It is worth it. Awa ni uki rudu, kwa kunyu ita ibiwa? Uno jo ni kuna jeans, zanguna sahara pali. Ni kuna zoso, ni ki tokapa, kwa gari, naru defom. Jotas hindi home, tumenda regi afta apa. Yay! Nasa miro. Sisi wotem, bogi wotem, tuto na nene leo, lazima aingi regi. Alright, so Shigwan, today's International Women's Day, a happy one to you, and we are celebrating all the women in film. So today, to na celebrate, all the women who have played a role in the film industry. So why wa tuki kong elelea first of all? We want to appreciate you, tuliku anapale, klik klik bang, na nikulize, do you feel like klik klik bang ilikuwa, ili, like, kitulikupe exposure, ka bisauka tokea? Ili ni pati exposure in terms of acting, but in terms of writing, I was ready there, sababu klik klik bang kifanika, nili kwa pi anisha nominetiwa, wefa, two times. Yeah. Actually it was the second time niki nominetiwa tuki release klik klik bang. Yeah, so ili ni pati ya, ili ni inuwa in terms of acting, and my prowess also was noticed. Yeah, zili pele kana, naza se maivo. And how is the women community in film, like nyu upatana, you guys give out ideas, how is it? Yeah, at times yu upatana siu netwak, kuna times tunafanya nga brainstorming with women's famoja, tuki upatana, where to exchange ideas, it's a world where tunas idea, nasisi whatin, atuna inuwa nasisi whatin. Yeah. Let's talk about the current content that you do, muna fa ya pala nasa miro. Idea ili kwa ya nani mu li upatana, wa apiku anza? It was a mutual idea because nishi inuwa nafanya na miro nasanya, sisi whatin uwa mta. So, kind of a way to li kwa tunas idea na, tulipatana kwangu. Right. Ay, shuguan bana. Atu api? Situ li patana kwangu, sii piya kwangu ni venue? Oh, okay. Piya kwangu ni venue, natuka patana, natuka anza, and atu jawa iwacha, and I don't think to tacha because we like telling our story because we know it best. Situ me toka geto. We don't fake. Atu dream mambu ya kufanya, mambu zama punk. So, we are telling our story best. So, atu tawa ya, chanta less imboeke, na atu ta kubali imboeke. Ya. Idea kutoboa soda na namsumari, ili toke awa, piya mba iwa na isingi uko? Nili, na first kwetu, home na mama yangu, na uncle zangu, na kazinsu zangu, they used to do that because wuki shkisha, hawfumuangi soda yote, nata kana uto e kadogo, kadogo. Stare kushkisha ni, unei pata pole pole. So, yos stile toka nga, walko na tobo ya chupa apo ju, then na kavuta tumosmos. Na bagjete ajaba ina kuangangapi. Ina depend also, ina depend wawu neza kula yangapi. The standard price ya kuzu ajaba ini wei it's 50 shillings, kuna aveve, aveve ni ya wasi yoyo. Mfukoi meja, neza pata surba na miya tatu. Ya depend, stare ya koe na zia api. Nime groi ya apo. Nasa siyesi fek. Ya, that's one thing I know poa. Ya. So, the reason to submit two years, your career has elevated as a writer, kuna watuengi sana palenja wajui like ulu kuna script. Eh, it's okay. It's okay, nifain, it's okay. You are doing a scripting.  The first people wanye, wacha kuna impact, wanyo wali nisho neza andika, ne Abel na Philip. I was doing my content kama kwa ida, but awa lukuna yona, ioni script. Those are great ideas that can be stretched.  Watuengi na me nisa idea sana ni sele, because nime kwa part of the writing team na jugush creatives.  Ya, writing. Ya. Ya. All right, so, wacha tu wa chewingi, batu na tuka wungele shek gal chal daba? What I can say ni, jitambue, jitambue uspo jitambua, akuna muna takutambua. Then, if you are afraid of doing your craft, how do I end up Miley? So, do your thing, jitambue, you'll never know who's watching. You'll never know stawa kwa kwa kwa mone na ameshikili aniote kwa kwa pali inje, ano wajatufanya that one kakili. Nivo. Ya. All right, thank you so much for talking to us, Shigwa.  Ah, ito onekana. Laki ni kwa lachanche techi, no, na nabile ko kuna ma, kuna ma suwa. We get to realize anu inulili. Wei, wei, wei. Sare. All right, guys, that was Shigwa. A happy international women's day to her.


Here we are. Nice. Hi everyone. This is Gicho. Welcome to my channel and welcome to another live stream. Today, today is March 20th, 2023, and it's the 20th anniversary of the invasion of Iraq. Iraq war 2.0 with the coalition of the willing and an incredibly, incredibly important moment in history. Really. A lot of people, some people anyway, realized that at the moment, many people were still in the West anyway, full of bloodlust and cheered on the war. Some places in the West, the protests were large enough where those countries did not get involved in the invasion of Iraq. Some places, even though the protests were large enough to prevent them, their leadership still joined the fray and committed this crime against humanity. So, I don't want to say panic new. How are you doing? And so forth and so forth. Right? And so forth. That's a good way of saying it, really. And so forth. Just a quick note regarding that. The only way in the Western world we will see peace is to bring the war criminals amongst our midst to justice. I said this way back then when I was writing blogs, political blogs and whatnot, and I'm repeating it now. We didn't bring them to justice then, and this is where we are. And we need to hold those people accountable for the crimes against humanity. We'll see how far we're willing to go until we wake up and deal out a little justice. On that note, for those of you that might be watching this live stream, this little segment on SensorTube, there's absolutely no way we can upload this full live stream, which is being held on March 20, 2023. The discussion is current events, news, politics, economics and whatnot. There's no way we can upload this to SensorTube.  Just imagine, just imagine, even though everything he was saying was fact and humorous. Right? They just deleted it. So I hope you appreciate those of you that are watching this on SensorTube. Hello, Baseman. How are you doing? SensorTube, please appreciate that you want to, if you want to know what's going on and what we're talking about, you're only getting bits of it. You want to be following the work on Bichu Rumble, courtesy free speech platforms. This is, SensorTube is like the Titanic. Okay. It's a slow sink in, but once it goes, you know, once it goes like this, people are going to be jumping ship left and right. Okay. And we pre, we are preemptively and we have been preemptively building our channels on those platforms. And you're definitely welcome to join us on our Gilded server and share your perspective on life. Baseman, Chichu, been a few months, I'm working in Times Square, Times Square, and it's a zombie. I've been to Times Square, not a place I'd want to be again. I have friends in New York, love the New York. What it used to be. The leadership in New York is horrendous to say the least.  How are you doing? Hey, how can I get a, get a bailout where the money go? You can get a bailout by either flying a Ukrainian flag, or you can throw a party and invite some of the aristocrats and politicians to the party and have a hot tub and serve some pizza, right? I don't recommend it because you're selling your soul to the devil and you will pay a price at some point, right? Aside from that, you don't want a bailout. What you want is to become stable, to become self-sustaining, to know what's going on, what's going on, and look around you and realize who the zombies are, who the NPCs are, and distance yourself from them and make sure you build up your network with people who are awake, not woke, but awake because those are the people that your community, that will protect you from the people that are asking for bailouts and from people that are handing out taxpayer money. Eduardo, how are you doing? I want my bailout money. Keep the bills coming, bills coming, sweet green cash, drop them like honey. Nice rhyme in there, brother. Cheryl, how are you doing? Hi all, happy spring, happy spring, happy spring. Oh, by the way, Cheryl, in the last stream that I uploaded, Personal Finance, we talked about Van Damme and Van Damme is 5'9", I think Elder God mentioned. He said, oh, he's pretty tall, 5'9", and then I said, oh, 5'9", he's taller than me. I was reading Elder God's comment. So to Elder God, Van Damme is taller, to me, Van Damme is shorter. Okay, I think there might have been some confusion, confusion there. TGIM, I don't know what TGIM stands for, what's the acronym? Sometimes my salutations afternoon to you, Chico afternoon, sometimes my panic. What do you think about restaurants, including the tip in the check? I've been seeing it more and more. I disagree with it. I disagree with it very much, very much. I have a friend that's been in the industry, I have multiple friends that have been in the industry for multiple years, and I tip well in general. If I have the funds, I tip well. They tip well. However, realize what tip is. Tipping is subsidizing large corporations, business, keeping the real estate bubble going and the tax bubble going and bureaucracy going. Okay, please appreciate this, that it's just another tax that the system politicians have put on people. Okay, because restaurants can't afford, really, because of taxes and real estate fees, and real estate, just the bureaucracy involved is insane in running a business, especially in Canada. Okay, restaurants in the industry can't pay most of them, the small bomb, can't pay living wage, so it's dependent on tips. Now keep this in mind when central bank digital currencies, or centrally backed digital currencies, come into play, tips are not going to be enough for people to be in the industry. So you can expect a lot more restaurants and businesses that depend on tips, people working in those places, to pack up and move somewhere else, right, or get into another field. Okay, because all of that is going to be taxed then, so they won't be able to live like that. Okay, Mojtaba Sanchez Sanchez, I've been doing it for a long time, haven't been here in your stream. Do you remember me? I remember Sanchez, but Mojtaba, I don't know, I know you're a far Iranian, yeah? I know you're Iranian. Sanchez, are you based in Iran? Were we talking about the protests way back a couple of months ago? Mojtaba, how are you doing? Do you think there's something about all governments that control every aspect of your lives? There's something above, oh yeah, 100%.  Panic, yeah, they want the tax tips, douchebags, yeah, crazy. They're going to send tons of people into poverty, especially lots of single mothers. Okay, this is an attack from bureaucrats and governments on the working class, especially the most vulnerable single mothers, people with disabilities, like it's insane, it's insane, it's insane. Corporations, yeah, to a certain degree corporations and secret societies, Telephone92 says, first time chat, yeah, corporations and secret societies, right, board of directors of multiple corporations, right? Birdie here, from my experience as a Brit, holiday in America, the higher tipping culture in US means the level of service is much higher from my experience than what you get in the UK genre. If you get a good server, right? If you get a good server, sometimes you get poor servers, right? Sanchez, yeah, I'm the one from Iran living and studying computer, yeah, Sanchez. I was thinking about the discussion we had two months ago, two, three months ago during a protest, and I mentioned that they weren't really going to go anywhere because there's a bigger game at play, and you were giving us feedback from Iran saying, oh, it's really big and it might change things. I think they died off, you can fill this in. And by the way, I'm going to finish off our intro because there's no way we're going to load this on to Sensor2. We've already gone too far for Sensor2. I've reframed from mentioning a couple of things because I haven't finished the introduction and cut the segment for Sensor2. But gang, if you want to follow this work, we're on Patreon, Patreon.com, Facebook.com, Twitter.com, Facebook.com. We do have a sub-stack page and a subscribe star page. You're definitely welcome to follow us there. And for those of you that are supporting this work on Patreon right now on sub-stack and on Twitch, gang, thank you very much for the support. It is in the large part because of the support we're getting on these platforms, including a handful of people that are supporting us on Sensor2. For those of you that are supporting this work on Sensor2, my apologies. I just can't load this full stream. If we're going to have a full open discussion on current events, even personal finance, we can't load this on to Sensor2.  They're killing channels of musicians that are putting out parody piano tunes that they've written that are two minutes long, 16 years of content, deleted.  Please wake the F up, okay. Platforms that are censoring need to pay price. The price is go to other platforms.  Really, gang, we do announce these live streams 35 minutes, 30 minutes, 45 minutes before we go live on Twitter. Minds, we can get part of the getter and Bitcloud, okay, not Bitcloud, but Parler, okay. Bitcloud, we're off, okay. You can follow the work there and I do share additional information, mainly a lot of stuff on Twitter because people are linking me up to Twitter and that's where I find stuff. And we will be uploading the audios on the live stream to SoundCloud.com for as a podcast and this podcast will be available on your favorite podcast platform, including Spotify, Google, that said, gang, if you're on Sensor2, we're killing a full live stream on Bitcloud, Rumble, and Odyssey. And if you want to join these discussions live, you want to be on Twitch.


Lux presents Hollywood. Lux Radio Theatre brings you Humphrey Bogart and Lauren Bacall in To Have and Have Not. Ladies and gentlemen your producer Mr. William Keely. Greetings from Hollywood ladies and gentlemen. We've had many premieres on the Lux Radio Theatre and tonight on our 12th anniversary we bring you one of Hollywood's most fascinating couples together for the first time on the air. They are Humphrey Bogart and Lauren Bacall, co-starred in Warner Brothers' thrilling screenplay To Have and Have Not. To Have and Have Not is a story of intrigue and action with Lauren Bacall in the sultry and romantic role that won her instantaneous acclaim. To bring the Bogart family to rehearsals we had to lure them from their brand new mountain home where along with a dog, 14 chickens and eight ducks they are still in the process of getting settled. No phoneers yet, no tables and no drapes. But if you should drop in on a friendly visit of inspection as I did you'd find Lux Flakes doing their part in washing curtains, bedspreads, blankets etc etc etc. When I commented on this fact Bogart assured me that on his 54 foot yaw in Newport Harbor which is the Bogart's home away from home Lux Flakes are a standard part of the equipment making this family loyal to Lux Flakes on land and sea. It's curtain time and here's the first act of To Have and Have Not starting Humphrey Bogart as Harry Morgan and Lauren Bacall as Maddie Browning. In 1940 following the fall of France the rule of the new Vichy government stretched to a group of islands due east and south of the tip of Florida the French West Indies among them the island of Martinique. It's early evening at a little town on the Martinique coast a boat has just come into port. All right Eddie tie her up. That's what I'm doing Harry, tying her up good. Well Mr. Johnson, want to go out again in the morning? No I'm fed up with this kind of fishing. Yeah I can see how you would be you hook a couple of marlin that any good fisherman would give his life to tie in when you lose them both.  About my bill, 16 days plus the rod and reel you lost overboard. The fishing tackles your risk. Not when you lose it the way you did. I paid for the rent of it every day. Now look if you hired a car and ran it over a cliff you'd have to pay for it. Well that's entirely different. Not a few was in it. It's a good one, isn't it Harry? Yeah that's a good one Eddie. Now look I'm not trying to- I lost that gear through carelessness it cost me 275 bucks. And there's 16 days at 35 a day that's a total of 835 bucks. I'll go to the bank in the morning. I was figuring you'd pay me off tonight. I don't keep cash like that at the hotel. Okay. Well let's go up and have a drink. Why not? All right lock up Eddie. I mean I can't go with you. That's just what I mean.  Hey look Mr. Johnson, Eddie's my worry scene. Now don't you worry about Eddie. Well are you coming or not? Yeah I'm coming. Well Monsieur, what luck today? Not so good Frenchie. Couple of bourbons straight. What are you doing behind the bar Frenchie? Oh a small hotel like this Harry the proprietor does a little of everything. So the fish would not bite eh? Maybe tomorrow you do better eh? Not me. I'm through. This is my last day. Oh that's too bad eh? Yeah. Well here's to you. I'm gonna wash up. Oh that bill was 800 and eh? 835 bucks. 835. Oh Johnson. Yeah? What time tomorrow morning? Oh after the bank opens around 1030. I'll be waiting. Harry, you are free after today? No more fishing parties? Why? There are some people who want to hire you both. No not a chance. They only want it for one night Harry. They pay well. Well I can't afford to get mixed up in politics. I would not speak it if I'm not involved. You better not speak at all. Company's coming. Company? Oh good evening mademoiselle. Anybody got a match? Oh yeah, here's a match. Thanks. Hey who's that? She came in on the afternoon plane. Oh well about my boat. I know what your sympathies are and it's all right for you. But I don't want any part of it. They are coming here tonight Harry to talk to you. Well then get word to them. They'd be wasting their time. Oh I am sorry. Yeah me too. I've been looking all over for you. What's doing Frenchie? Those men wanted to see you. I was unable to reach them. Well tell them when I get here. It is dangerous for them to come here at all. But to come here for nothing. Oh you don't even listen. Well I'm looking to my client Mr. Johnson. What's that Dame doing with Johnson? The one who was out of matches. Oh she's been with Johnson all evening. Her name is Browning, Marie Browning. Oh she's leaving. Yeah so am I. Some place? Just in my room if you don't mind. I don't mind but mine's much closer. It's right here. Say Mr. what's got into you? Come on let's have it. Have what? Johnson's wallet. I want that wallet Slim. I'd rather you wouldn't call me Slim. You see Steve I'm a little too skinny to take it kindly. I'll quit the baby talk and hand it over. I didn't know you were a hotel detective. Johnson's my client. He didn't speak so well of you. Well he's still my client. Here. That's more like it. Johnson owes me money. You know you ought to pick on somebody to steal from who doesn't owe me money.  And you were going to give it back to him. No. No I wasn't. I don't like him. Well that's a pretty good reason. Besides I need boat fare to get out of Martinique. That's another good reason. Well what's in it? Sixty bucks. A plane ticket. And fourteen hundred dollars in travelers checks. Did you expect more? That bird owed me eight hundred and thirty five bucks. And he said he'd have to go back to the bank tomorrow and all the time he's got a ticket and a plane leaving at daylight. Then I've done you a favor. That's right. I'm entitled to something. What do you think it's fair fifty-fifty? Well company. Please Harry I told him what you said but I insisted on... It is not Gerrard's fault Mr. Morgan. I am Joan Boclair. Come in boys and close the door. I told Gerrard I wasn't interested. Wait a minute this girl. I'd better go. Now stick around.  Isn't it slim? Go ahead I don't mind. We'll give you twenty five hundred francs. We'd offer you more but we haven't got it. Sorry my boat's not available. I thought all Americans were friendly to our side Mr. Morgan. Well there's a rumor they put fellas on Devil's Island for doing what you're doing. I'm not that friendly to anybody. Who's that? Relax. In here ready? Hi Harry. See I want to talk to you about the... Hey who are these guys? I saw them hanging around the dock after you left. For one who drinks you have a good memory. Drinking don't bother my memory. For did I wouldn't drink. Forget how good it was. See was you ever bit by a dead bee? I have no memory of ever being bitten by any kind of bee. Were you Eddie? Was I? See you were all right.  Because if you step on them they sting you just as bad as if they's alive. I bet I've been bit a hundred times that way. Why don't you bite them back? That's what Harry always says. Would I even get no stingers? Please must we listen to this? All right Eddie. What do you want? Oh I guess I forgot Harry. Yeah well then I'll see you down to dock. Later on tonight. See Harry could you let me have a couple of drinks? Here. Thanks. You're all right Harry. Well sir so long. Now look Bo Clare. I don't care who runs Branson, Martinique or who wants to run it. You'll have to get somebody else's boat. You're leaving? Yeah. Make yourselves at home. Good night gentlemen. Sorry Bo Clare but I got a client waiting downstairs. Come on Slim. I want to see Johnson's face when you hand him back his wallet. He is still sitting at the same table. Hey where have you been? I've been looking all over for you.  She's got something she wants to give you Mr. Johnson.  That's my wallet. Yeah. Where'd you get this? I stole it. Stole it. And just what are you going to do about it? The question is what are you going to do about it? Maybe you'd better look it over. Oh it's all right I'm sure. Oh you better be sure the plane ticket's still there. Goodbye Mr. Morgan. You're not staying now? No we're not staying. Excuse the interruption Mr. Johnson. Now look I was going to pay you all. Sure you were going to sign some of those travelers checks weren't you? I wouldn't skip out on you. Yeah well here's a pen start signing. 835. That's right 835. What's that? What's going on there? Look see those men are adjusting your own. They're after us. Pipe down baby and duck quick. Harry he's dead. Mr. Johnson is dead. No that's right Frenchie stray bullet. He couldn't ride any faster than he could duck. How do you feel Slim? Oh I'm fine Steve just fine. Not a minute and those travelers checks would have been good. Has it struck you it might be an idea to get out of here? Oh it is no use the police are coming back. They were after your friends huh Bo Claire? Yes.  Remember you know nothing. Hey there they're not regular cops. No sir ten nationals.  Yes yes quiet not quiet. What happened to this man on the floor? A stray bullet Mr. His name is Johnson an American. Unfortunate. Take him away. Your attention everyone. There is no cause for alarm. Inspector Reinhard is only interested in those persons who have violated regulations. Mr. Gerard. Yes. Quarters for questioning. And you. It's not nice to point Lieutenant. The name's Morgan.  You mademoiselle. Hey Steve would you have a bit by a deadbeat? You will come with us. At once.  Bo Claire and the others escaped. I don't know. Yes yes later. Now then you were saying Mr. Morgan you did not know those men. That's right Inspector. What was your connection with the dead man? Mr. Johnson. He charted my boat. But he was leaving after nick in the morning. His wallet here. There is no money in it. Only travelers checks. There was some money in it. Sixty bucks I took it. Why? Because he owed me over eight hundred. You will surrender it please. Oh wait a minute. And your passport. I do not be concerned. If your claim is just it will be returned. That is all at the moment. Mademoiselle. Yes. Mary Browning American age twenty two. How long have you been in the city? I arrived by plane this afternoon. Residence? Hotel Marquis. Where did you come from? Trinidad. Alone? Yes. Why did you get off here? To buy a new hat. Why? To buy a new hat. Read the label maybe you'll believe me then. I never doubted you. It is your turn that is objectionable. I will ask you again. Because I didn't have money enough to go further. Where were you when the shooting occurred? I was in... You don't have to answer that stuff.  Don't answer.  Go ahead slap me. Monsieur Morgan. We wish merely to get to the bottom of this affair. Well you'll never do it by slapping people around. It's bad luck. We shall see. If we need to question you further you will be at the hotel? Well you've got my dough and my passport. I'm stuck. By the way what are your sympathies? Mining my own business. May I suggest... I don't need any advice about continuing to do it either. Let's go Slim. How do you feel? I'm breathing fresh air again but I don't understand all this. What's it about Steve? Well you see that character I know it works for Vichy. You know what that is. Yeah something you're putting a drink isn't it? Yeah that's close enough. Well the other fellas the ones they were shooting at in the hotel they're free French most of the people on the island are but they haven't been able to do much about it. You know I could use a drink. Another cafe across the street let's... Uh oh. I forgot. No dough those guys clean me out remember? Maybe I can do something about that. Another Mr. Johnson maybe. Oh any objections? Well if you're that thirsty go ahead. You don't mind? I'll wait out here. If I get tired I'll be back at the hotel. You're not sore are you? Oh why should I be? I won't be long. You've been waiting for me very long did you? No.  Why should I be sore? Well I didn't behave very well did I? Did all right I see you got a bottle. There was a naval officer. I asked for a bottle and he gave it to me. Just like that? Yeah he was feeling good but you're not. Now look I don't give a... I know I know you don't give a hope what I do but when I do it you get sore. After all you told me to you know. I told you. Well you said go ahead didn't you? Yeah that's right I guess I did. Would you rather I wouldn't do things like that? Oh I ask me. I'd like to know. Call of all the screwy. I won't do it anymore. Now look I didn't... I know you didn't. Don't worry I know what I'm doing. Yeah well as long as you do sit down. How long have you been away from home? This is about the time for it isn't it?  I got a pretty fair idea already. Who told you? You did. That slap you took from Reynard. You hardly blinked an eye. It takes practice to be able to do that. The next time I get slapped I'll be sure to do something about it.  I don't want it. Who's sore now? I am. It's me. The door's unlocked. Here's your bottle. I said I didn't want it.  I asked you a question you didn't answer me. I said you're sore aren't you? Look I'm tired I'd like to get some sleep. What's made you so mad? I've been mad ever since I met you. Most people are. One look and you made up your mind just what you wanted to think about me. Now go ahead keep going. You don't know me at all Steve. It doesn't work Steve.  And that didn't work either. Instead I'm the one who feels cheap and I... I've never felt that way before. I wanted to... Well I thought that...  How long have you been away from home Slim? None of... Home about six months. Going back? How? What are you going to do here? I don't know. Get a job maybe. Jobs are hard to get. Hmm nice perfume. Remind you of somebody Steve? No this is the brand new one to me.  I'd walk if it weren't for all that water. Good night Steve. Good night and quit worrying. You'll get back all right. Could I see you for a minute? What the... Oh all right. Open the door. Here's that bottle again. Yeah that bottle is getting to be quite a problem isn't it? Well you want a drink? No. I thought you were so tired. I am. But you gave me something to think about. You said you might be able to help me. That's right. You're going to take that job with those men Frenchie brought up here. Yeah I can find what's left of them but don't get the idea I'd take that job just to help you. I need money too. Wait a minute. Here can you use this? Oh now that's great. She carries a dough in her shoe. And I thought you said you were broke. Oh you're awful good slim. I'd walk home if it weren't for all that water. Who was the girl Steve? Who was what girl? The one who left you was such a high opinion of women. You think I lied to you about this money don't you? Well there's $32 here. Not enough for boat fare or any other kind of fare. But you can have it if you want it. I'm sorry. I still say you're awful good and I wouldn't... I know you wouldn't take anything from anyone. You know Steve, you're not very hard to figure. Only at times. Most of the time I know exactly what you're going to say. The other times, the other times you're just a stinker. What'd you kiss me for? I've been wondering whether I'd like it. What's the decision? I don't know yet. You know now? Well that was better.  The money belongs to me and so to my lips. I don't see any difference. Oh I do. Okay. You know you don't have to act with me Steve.  Not a thing. Oh maybe just whistle. You know how to whistle don't you Steve? You just put your lips together and blow. You just put your lips together and... Stars Humphrey Bogart and Lauren Bacall will return with act two of to have and have not in just a moment. Where have you been today Libby?  Oh someone with an Irish brogue. A temporary brogue. Margaret O'Brien had to learn it for her part in Metro Golden Mayor's Three Wise Fools. So she loves to practice it. Margaret never lacks for admirers. Everyone she works with adores her. It's no wonder she's so convincing in Three Wise Fools when she wraps the three old bachelors around her finger. Lionel Barrymore, Louis Stone and Edward Arnold enjoyed it thoroughly. Margaret takes a keen interest in the other actors doesn't she? Oh yes. I don't know whether she was more intrigued by a troupe of midgets who masquerade as fairies or by lovely Sid Cherish the famous ballerina. Margaret dances in her next picture so Sid taught her some ballet steps between scenes in MGM's Three Wise Fools. Sounds like quite a stocking risk for Sid. Oh no. Her stockings hardly ever get runs. She told Margaret the fairies helped her. The fairies in a box of lux flakes? You guessed it. Having a box of lux is just like having a troupe of fairy godmothers to help you. That's right. Lux helps stockings last twice as long so you get the wear of an extra pair from everyone you buy. That's just like having a fairy godmother present you with an extra pair. You're sure that's no fairy tale? Quite. We've scientific tests to back it up. Thousands of stockings were washed with lux flakes. The same number with a strong soap. Then strain tests were made to see how soon they'd go into runs. The lux stockings lasted twice as long. Rayon, nylon, silk and cotton all showed similar results. That's like finding extra stockings in every box of lux. Remember, those lux flakes are precious. Don't waste them. Here's your producer, William Keely. Act two of To Have and Have Not starting Humphrey Bogart as Harry Morgan and Lauren Bacall as Marie. Since escaping the Vigie police, Jean Bloclair of the French Underground has been hiding out on the outskirts of town, a bullet wound in his leg. It's early morning now and Bloclair has two visitors. Gerard, the hotel proprietor and Harry Morgan.  Why have you changed your mind? I need the money. Last night, I didn't. What's the job? You will take your boat to Angela. About three kilometers from the point. It's a coven little jetty. You know it then? Yeah. You will go at night. When you're off the jetty, flash a light. It will be answered. There will be two people to take a board. I know the name of only one, Paul de Bersac. How about landing them back here? Oh, not here. You know Cape Saint-Pierre, Harry? Uh-huh. I will have a rowboat and we'll meet you there offshore. Okay, I'll leave around noon with luck and no patrol boats. I'll be back at St. Pierre a little after midnight. Well, I won't be carrying lights, Frenchie, so keep your eyes open. If it weren't for this leg of mine, I'm glad you're on our side, Morgan. Oh, not. I'm getting paid. Oh, uh, and I'd like my money now. There, that envelope. Thanks. How is the leg? Please, I'd feel better if you were on your way. All right, good luck. You need the luck now. You and de Bersac. Oh, that girl, Morgan, the one you call sleep... She's leaving Martinique on the afternoon plane. We can both forget about her. Good morning, Steve. Have some breakfast? I had mine two hours ago. What have you been doing? Arranging so you could get on the afternoon plane. Can you make it? Sure. Frenchie here will see you get the ticket. Gladly, if you wish. You took that job, didn't you? Yeah. I figured this way you wouldn't get your feet wet. You want me to go, Steve? Yes. I want you to go. Okay. Help her get on that plane. Would you, Frenchie? I will. Well, I've got to get down to the dock. I probably won't see you again.  Yes, do that. I'll leave my address with Frenchie. Yeah. Maybe I'll know how to whistle by then. So long, Mr. Morgan. Well, it was nice while it lasted. Perhaps it is better this way, Miss Browning. A strange man. Very strange. Yeah. Eddie. Put on the gun, Harry. It's just me. Well, how'd you get aboard? I thought I told you... I stayed down at the dock while you was working on the engines. If I thought you could swim, I'd dump you overboard.  You and me is going to stick together when there's trouble. How do you know there's trouble? You can't fool me. See, where are we going? Eddie, what would you do if somebody took a shot at you? Took a shot at me with a gun? Who's going to shoot at me? I'm going to be lucky, nobody. Harry, where are we going? I'll tell you when the time comes. Oh, put on a sweater, it's getting cold. See, what's going on? That's all the darn guns for two rifles. In case we run into a shock or something. What do you mean, or something? We're going on a job. Can you shoot one of those things? Anybody knows how to handle a rifle. All you got to do is work the lever and pull a trigger. What do I got to work a gun for? I just wanted if you could.  Sometimes. Is it going to be that bad? It all depends. That's why you didn't want to carry me. You was afraid I'd get hurt. You was thinking of me. What are you laughing at? I was just wondering whether you're going to hold together or not. I'm a good man, Harry. You know I am. Yeah, well, we're going to pick up a couple of guys. Eddie, now take this gun and get apt. If there's any trouble, start shooting. But don't shoot me. Yeah, but supposing something happens to you, what do I do then? How do I know? You invited yourself on this trip. We'll make an agile in about 30 minutes. I'm standing on the jetty. I see them come out of the shadows. Turn off that flashlight. Yes, Monsieur. All right, get aboard. There's a strong tide here. We are coming. Who are you, please? The booklayer sent me. My name's Morgan. It's all right, Helen. Quickly now. Now, wait a minute. The booklayer didn't say anything about a woman. Don't meet me, Captain. This is my wife. How do you do? What do you want to bring her? Well, it's your funeral. All right, Eddie, let's get out of here. What happened to the booklayer, Captain? Well, he ran into a little trouble. Monsieur Morgan, who are you? I own this boat.  You're on our side? No. I don't understand. I don't understand what kind of a war you guys was fighting.  You're being paid for this. That's what I said. Then I suggest you stop talking and get us to Martinique. That's just where we're going, sister. I keep pretty soon, Harry. You want me to store the rifles? I said you want my sister.  There you go again. I asked your father. Turn them off. Huh? Turn them off. Do you hear anything? Do you hear anything? No. Listen. There's a ship out there. A patrol boat. Take the wheel, Eddie.  Keep quiet. What is it? It is a patrol boat. It ain't it. Give me that gun. You can't fight them, guys. Oh, what's the matter, Eddie? This is where you ought to be telling me how good you are. If I can do it, what do you want me to do? What does this mean, Monsieur Morgan? You and your wife get down on the deck and stay there. You'll try to resist them with a rifle? They've got a searchlight. They see us.  I'm going to save my boat. And I! And I owe me a fire! Harry, get their searchlight. Shoot it out. I can try anyway. You got it, Harry.  Stay on that wheel full speed, Eddie. All she's got, hurry. Don't shoot. Don't shoot. Save your breath, mister. They'll run us down. They'll sink us. Yeah, they might. That's a chance we'll have to take. Get down, doctor. Oh, boy! You should have laid down. He's down now. Do something. Please do something. I am, lady. I'm getting this out of here. Get in on the cape, Harry. Yeah, yeah. Take over for a while and watch for Frenchies' boats. Well, how's your husband? Please, help me get him on the seat. Now, we'll leave him where he is. It's just his arm. Besides, I don't want him bleeding all over my cushion. Can you be so heartless? That's something I ask myself at least once a day. I will be picking up Gerard any minute. He'll take care of both of you. Where will he take us? I don't know. There he is, Harry. Okay. Slow down and watch the drift. Can't I get a drink now? Just one? Sorry, Eddie. I need one worse than you do. What are you going to say? It's the idea, Slim. What happened to that plane? I missed it. Why? Didn't you like the accommodation? I just decided to stay. Oh, now, look, I've been to a lot of trouble to get you out of here. That's why I didn't go. Not so, are you? Well, it'd be all right if I had any dough. I've got a refund on the ticket here. Oh, that's going to help a lot. I'll be all right, Steve. I've got a job. Frenchie seems to think I can sing. Well, it's his place.  Harry, you could watch. Harry, I need your help. The Bursakis is badly wounded. The bullet hit the gun first and it's practically spent. All you've got to do is get somebody to take it out. We don't dare call a doctor. You could. Me? I'm hotting any doctor right now. Don't you think they recognize my boat? All I've got to do is walk out of here. You don't have to go out of here. The Bursakis is the seller. Oh, why didn't you put him in a go? Fish ball in the lobby. We had to do something. They're watching every road out of town. How slim. You see what you've got yourself into? Sticking around here? I'm ready to leave any time you want. Oh, Harry. Not a chance. Harry, my wife tells me your bill is overdue. 6,356 francs. Oh. You will be glad to dismiss the bill if you will do this for us. You'll, uh... you'll throw her the bill. Slim's? Yes. Hers too. Uh-huh. Okay. You'll find a medical kit inside. Slim, bring it down to seller. Sure. And bring some boiling water too. You're not to touch my husband. That's all right with me. Oh, Harry, please. She's not herself. Look, lady. They can't get a doctor without giving the whole show away. I won't let you do it. He's not badly hurt. He's unconscious because he's... Oh. Come in, Slim. Hello. Miss Browning, this is Madame de Boussac. Who are you? Nobody. Just another volunteer. What'll I do with this water, Steve? I'll drop these instruments in it. You better get out of here, Mrs. de Boussac. I mean, I'd like this. I'll be all right. Then hold this can of chloroform if he comes too while I'm probing pour some on this cotton and give him a whip. Uh, don't open it until I tell you to. His arm. Look at it. Oh, fine. Fine. She's out. Like a light. Madame. Madame. Let her alone, Frenchie. Slim, any chloroform left? Some. Enough, maybe. All right. Fan those fumes away or we'll all be out. Hey, hey, wait a minute, not towards her. Well, keep your fingers crossed, Frenchie. Uh, here. Here. Bandages? You and Frenchie can do that. Adhesive tape in the box. I'm afraid the patient's going to recover. Well, I better get Mercy up off the floor. She may catch cold. Ooh, she's all right. Just fainted. I've got her. What are you trying to do? Guess her weight. Oh, she's half to you than you think. Maybe you'd better just look after her husband. He's not going to run out on me. Neither is she. When you're finished, go upstairs and get some sleep and thanks for your help. I'd rather stay here. You heard me. Oh, for the lover. Now what did I do? You know, Harry, before I told Miss Browning, you are a very strange man. Now I tell you, she is a very strange girl. Yeah. Huh, funny. That is what she said. Yeah. How do you feel now?  I'm not in the habit of fainting. Well, your husband's OK. I just put him to sleep again with a pill. I'll stay here with him. Tell me, why did you tag along on a trip like this? Why don't you be with him? Well, that's no reason. I was also told to come. They said no man was much good if he left someone behind for the Nazis to find and hold. Well, that makes sense. I told them I'd be no good, but I was afraid. I've made Paul that way, too. Now he's afraid. Well, he didn't invent it. Invent what? Being afraid. Thank you, Mr. Morgan. Mr. Morgan, I... You're not going to faint again, are you? No. I'm just having a hard time trying to say something. Oh, I won't bite you. I'm sorry for the way I behaved.  Don't make me angry when you say that.  Another screwy dame. Now, how can you... Hello. I hate to break this up, but I thought you'd want something to eat. Thank you. How's the patient, Doctor, or haven't you looked lately? He'll be all right. I hope you have everything you need here, Mr. Bursak. The eggs may be a little hard boiled. Oh, they're fine. I like them that way. You're lucky, isn't she? Well, I'm going up and get some sleep. If you need me, tell Gerard. Here, Steve, do you mind? Oh, suit yourself. Thanks. For what? I'd like a match. Here. No, I need a cigarette. I'll help yourself. Thank you. Steve, aren't you hungry? Nope. Let me help you take your shoes off. Look, I'll take my own shoes off. All I want to do is get some sleep. Then I'll fix you a nice hot bath. You'll sleep better. Look, Junior, I'm not hungry. I'll take my own shoes off, and I don't want a nice hot bath. You mean there's nothing I can do? Uh-huh. You can get out. You know, Mr. Morgan, you don't make me angry when you say that. I don't think I'll ever be angry again at anything you say. Oh, my doing, Steve. Does it work a second time? Look, you want to do something for me, don't you? Yes. Okay, then try this. Walk around me. Hmm? No, go ahead. Walk around me. I don't get it. You find anything? No. No, Steve. There are no strings tied to you. Not yet. What do you mean, not yet? Come here. I like that. Except, uh, except for the beard.  Harry. Harry. Yeah, Frenchy? He's here. Inspector, you'd better come right down. Oh, no, not now, Frenchy. I gotta shave. Harry, he's got your man. He's got Eddie. He's got... Eddie? Yes, he's giving whiskey. He's asking questions. Well, I'll be right down, then. Oh, Slim, I've got no strings.  We pause now for station identification. This is CBS, the Columbia Broadcasting System. Act three of To Have and Have Not, starring Humphrey Bogart and Lauren Bacall in a moment. Being discovered by a talent scout doesn't usually mean immediate stardom. Months of training in diction and acting may precede a starlet's introduction to the public. Our guest tonight, lovely Miss Cary McCord, is training at Fox right now, and it looks as though big things were in store for her. Do you spend much time on the sets, Cary? Yes, indeed, Mr. Keely. When I first signed Fox with just finishing Daryl Afzanik's The Razor's Edge, and I watched Gene Tierney every chance I could. An excellent way to learn technique. Well, I liked her own powers, too. Well, they were both perfect casting for Somerset Marn's novel. I'd love to be in a picture that called for a stunning wardrobe like Gene's. You're naturally interested in clothes. Oh, yes. I used to be a model. Fashion shows especially. Well, Gene Tierney was also a model. Well, that's encouraging. We're likened to something else, too. What's that? Our clothes get the same kind of care. Naturally. I found out from the wardrobe mistress that the beautiful blouses and sweaters Gene wears in The Razor's Edge were washed regularly with luxe. I've used luxe for my own nice things for years. You'll find luxe is the favorite of Hollywood Studios, Cary, because it takes such good care of colors and nice fabrics. Well, that's been my experience, Mr. Kennedy. Actual tests support that, too. Carefully supervised washing tests were made by a famous laboratory on dozens of different fabrics and colors. Case after case, those washed the luxe way were still lovely, when those washed the wrong way were faded and drab. In fact, the luxe when it stayed color-fresh and new-looking up to three times as long. With the high cost of clothes these days, keeping them attractive longer is important to any girl. And that's one of the reasons luxe is worth waiting for if you can't get it the first time you try. Just keep asking for it. More is on the way. Here's Mr. Keely at the microphone. After the play, we'll bring our stars back to their customary curtain call. Here they are in Act 3 of To Have and Have Not, Humphrey Bogart as Harry Morgan, Lauren Bacall as Marie. It's a few moments later. In a corner of the hotel bar, Harry Morgan finds Inspector Renard and Sergeant Coy of the secret police. Seated between them is Eddie. We are buying your friend a drink, Captain Morgan. We find Mr. Eddie very entertaining when he drinks. You hear that, Harry? He called me Mr. What were you boys talking about?  Oh, yeah? That fish was so big it me and Harry could hardly budge him. Yeah, that's right. Must have weighed a thousand pounds. Every time he takes a drink, the fish grows larger. Judging from what's left in this bottle, he must have started with a macro. And how did you finally manage to land such a great fish? Didn't Eddie tell you? We didn't land him. He went into a German submarine. A German submarine? Well, whatever it was that opened fire on us, I didn't stick around to find out. I do not think anybody could give him a more logical explanation for refusing to obey the challenge of our patrol boat. Patrol boat? Oh, so that's what it was. Now Eddie kept saying it was a patrol boat, but I wouldn't believe him. Now we get down to business, eh, Morgan? What about your passengers last night? What passengers? The ones you bought over from Angela. Would five hundred dollars refresh your memory? Oh, my memory's pretty good. For instance, I can remember you're the guy who lifted my passport and all my cash. And if your passport, the money will return. Including the 835 Johnson owed me? Why not? Now where are they? Your passengers? Well, if these people are as important as you seem to think they are, they're going to be pretty hard for me to find. For a man of your resourcefulness? Not too difficult. Think it over. Let me know, Morgan. Come along, Coyote. Goodbye, Mr. Reddy. See me again when you get thirsty. Them guys don't think that I'm wise, do they, Harry? They was trying to get me drunk. They don't know me, do they? Wait, what happened? What did they want? The Berserk. I heard you're arranging a deal. I now think you will turn them in, eh? Well, that's what you want them to think, isn't it? What will happen? Bernard hasn't searched this hotel yet, has he? No, not yet. Well, here's your answer. Bernard doesn't want just to besack and his wifey wants the whole setup. And what shall we do? No, it's not we. It's you. And you can't do anything until the besack is strong enough to move. And how about some breakfast? Sure, sure. I thought you didn't want any breakfast. Oh, how are you, Slim? I asked you before if you were hungry. Sit down. You know, Harry, them guys, well, you don't know? No, I ain't got no idea. Well, that's a good way to leave it. Say, you got the hiccups. Have I, Harry? Oh, yeah! Don't you think you'd better take a drink of water? Water! I'm getting out of here. And don't you worry none about me, Harry. Yeah, well, you stay away from the police.  What story was that, Harry? I forgot. Well, just, uh, just beat it and keep out of sight. Sure, Harry, sure. Well, I'm starting work tonight, Steve.  I'd be interested to know what you think. Uh, will you be there? I don't know, maybe. You decided to drop in, huh? Yeah. I do my song in a few minutes, like my dress. Well, you won't have to sing much in that outfit.  That's why I do it. You haven't seen Eddie, have you? Not since noon, why? Well, he left the boat and he hasn't come back. Anything wrong? Plenty. They don't look now, but the guy with the door have been following me. Keep an eye on him, will you? I'll be down the cellar. Give Mrs. Tabersack my love. I'd give her my own if she had that dress on. How's your patient? That's what I'm going to find out. Harry, you see? There has been no bleeding all afternoon. I am very grateful, Mr. Believe Me. Don't worry about it anymore, Tabersack. Frenchie, I'm pulling out. When? Soon as I can find Eddie. Missing? Yeah. You wouldn't go without him? No, I don't think Eddie likes that. Now look, Frenchie. Soon as I'm gone, Renard's going to turn this place upside down. You better start figuring how and where you're going to move our patient here. It would be best if my wife and I went with you. You're going to take care of Vilmar. Vilmar? Yeah. Hey, he was quite a guy. Vichy got him, didn't he? Didn't he? He's dead, isn't he? No, Monsieur, he's not dead. He's on Devil's Island. They sent me here to get him. He's a man whom an oppressed people will be leaving and follow. And just how are you going to get him off Devil's Island? You don't think much of me, do you, Monsieur Morgan? You're right. I am not a brave man. How are you doing, Vilmar? We will find a way. If it fails, if I die, someone else will try again. There always will be someone else. Yeah. Originally, we planned to do everything from here, but now, because of my clumsiness, it is impossible. That's the reason we have to go with you. They've got the docks covered. They're all over the place. How will you go? They're watching me to find you. As long as I haven't got you long, I can get on my boat. There'll be a fog tonight. Before I start my engines, I'll have trouble enough without you. No, Morgan is right, Gerard. This is not his fight yet. Oh, Gerard told me of your refusing Renard's offer. How do you know I won't take it? There are many things a man will do, Monsieur. But betrayal for a price is not in your makeup. Well, good luck. I hope you find your friend. Thanks. I'll be around, Frenchie. I'll be by your side. I'll be by your side. Any sign of Eddie? No, your friend's still at the door. Yeah, so I see. I've got to hunch the whole thing's going to blow up and soon. Any plans, Steve? A few. We're going to pull out of here tonight. We? Yeah, as soon as I can find Eddie and don't look so happy about it. It'll be rough. I'm broke. If we do get out, it'll be with a couple of hundred gallons of gas and a pair of prints, maybe. I've never been there. I don't know when you'll get back home. It could be a long time. It could be forever. Or is that what you're afraid of? I'm hard to get, Steve. All you have to do is ask me. How long will it take you to... Oh, no. Break it up with being watched. I'd better give out with another song anyway. I'll see you later on. Yeah, later on. I'll see you, Madame de Burset. Now, look, Frenchie, that's all over. I just took her to your room. You what? Please, Harry, she has to talk to you. Okay. Tell Slimmum and I'll come to think of it. Don't tell her anything. Here, it's too much of a chance. I had to see you. It's about this jewelry. I'd like you to take these. They're all Paul and I have left. Save them until we can come for them. What if they get me before I get out? And let it be a part payment for all you've done for us. Miss Browning, I keep barging in, don't I? Renard just came in, Steve. He's on his way up. Do you see her? I don't think so. All right, get in the other room, both of you. Go on, hurry. I suppose he... And keep quiet. As soon as I get rid of Renard, take her back down to cellar. Okay, Steve. Are you looking for me, Renard? Do you mind if we come in? Not at all, and any friends of yours... carry guns. And what's on your mind, Renard? The whereabouts of Monsieur Madame de Berset. How would I know? Well, I thought perhaps you... perfume. Very nice. You like it, huh? Yes. So do I. All right, Slim, come on out. Good evening. Mademoiselle, well, now we are all here. Except your friend, Mr. Eddie. You've got Eddie? What are you going to do with him? If you will not give us the information we want, perhaps he will. We made a mistake this morning of giving him liquor. This time we will withhold it. Oh, he couldn't stand that. He'd crack wide open. All of which you could prevent. Yeah. Yeah, I could. Um... You got a cigarette, Slim? Here. Thanks. Can't you make Eddie talk, Renard? When necessary. Uh, you got a match, Slim? Sorry, I... Uh, there's some over in that drawer. You could save your friend a great deal of, uh... shall we say, discomfort? I don't see any matches, Steve. Well, there's a whole box of them. Uh, never mind. I'll get them. Uh, how much money did you offer me, Renard? 835 and 500, wasn't it? Except now I don't believe I will pay any. Yeah. Now, you're probably right. Eddie will talk. He'll have to talk. There's nothing else I can do but... But what? But this. Look out! He's got the gun! Sorry, Renard. Coyo shouldn't have shot first. When somebody shoots at you, you gotta shoot back. All right, Slim? Yes, Steve. You know, I'd forgotten all about the gun in the drawer. Thanks. Listen to me, Morgan. I've listened to you long enough. Now get him up. You forget we still have that drunk.  That's right. Go for your gun, Renard. Your boy in the floor needs company. No, Harry, don't, don't. Get the gun, Frenchie. Yes, Harry, yes. Now get over that couch, Renard, both of you. Don't bother me, Frenchie. I'm getting mad. All right, Madame du Besac, come on out. Uh, let me introduce you, fellas. This is Madame du Besac. The other one's down the cellar, her husband. Take her down, Frenchie. Get some help. We're going off as soon as we get Eddie out. And just how do you think you will get him out?  And to telephone the hall, Renard, you're gonna tell someone to let Eddie out. Oh, yes, you are. One of you. Because you're both gonna take a beating until someone gets on that phone.  I don't care which one it is. But I'd like to start with you, Renard. Where? Where is the phone? I'll show it here just as soon as you tie up your partner here. Yes, you hear me? I said you'll release him immediately. Tell him you'll explain later. I will explain it later. Do nothing until you hear from me. Then I'll take the responsibility. Goodbye. Thanks, Renard. Now back to my room. You've got some harbor passes to fill out. Everything is ready, Harry. We'll take them down to the wharf here. These passes will get them through the guards. Where will you take them, Harry? I'm going to the old island. What? Just a short stop to pick up your friend Vilma. He's still there, isn't he? Oh, Harry, do not joke. That's what you wanted, wasn't it? Oh, Harry, you should tell me that you're going to have a party for Marble. That's all right. Just don't kiss me. Oh, no, Harry. Why are you doing this, Harry? I don't know. Maybe because I like you and maybe because I don't like them. You'll have to take care of those guys. Renard and his pal are in my room. We will give you plenty of time. If you let them go, they'll come back here and burn this place down. It will be a very small fire. When Vilma comes back, we will start a bigger fire. Okay. I'll see you at the boat, Frenchy. See, how's everything been going, Harry? Everything is all right now. You look glad to see me. You know a funny thing. Yeah, I know. We're not at the police station. We're shoving off, Eddie. Ready, Slim? Already. They're down in your cabin. Hey, what is this? She going with us? Yeah, it looks like it.  But, Harry, you mean... I don't know what she got to... Who are you? Was you ever bit by a dead bee? Was you? Yeah. You know you've got to be careful of dead bees. They can sting you just as bad as live ones, especially if they were kind of mad when they got killed. I feel like I was talking to myself. I bet I've been bit a hundred times that way. Why don't you bite them back? I would only. I haven't got a stinger. No, I remember you. You're all right. She can come, Harry. It's okay with me. Thanks. I'll have the two of you to take care of Luna. That's right, Eddie. Throw off that line. Sure, Harry. All clear. Well, here we go, Slim. Yes, here we go. You don't have to act with me. That's what you said, remember? You don't have to say anything, and you don't have to do anything. Oh, maybe just whistle. No, I've been practicing. Lesson. You're feeling happy, Slim. What do you think? Our stars will return to their curtain calls in a moment. Grandmother is sitting quietly in the living room. That is, until young Jane bursts in. Mother! Your mother's out, Jane. What is it? Oh, hello, Grandma. Look what I just bought. A duck in your slip.  Oh, why not? What's the matter with it? Silk and lace. Why, in my day... It isn't silk, Grandma. It's rayon. And I've looked all over town for a blue like this. We wore sensible clothes when I was young. Oh, but, Grandma, pretty undies make you feel so wonderful. Sheer extravagance. Not really, Grandma. I've got lots like this, and they wear and wear. You see, I use locks. You take care of your own things. Well, I should say so. On my clothes allowance, I can't afford to have them wear out fast. With luxe care, they look simply swell. Sensible, Jane. Luxe care really does keep pretty undies lovely longer. Up to three times as long, in fact, color tests show. I've seen identical slips. One washed the wrong way with the wrong kind of soap, and one washed the right way, the luxe way. You'd be amazed at the difference after 30 washings. One was faded and drab. The luxe ones were still lovely looking. So, if you value your pretty things, luxe them after every wearing. If you don't find luxe flakes at your dealers, try again soon. More is on the way to him. Luxe flakes are worth waiting for. We return you now to William Keely. Back for a well-deserved curtain call, come the stars of To Have and Have Not, Humphrey Bogart and Lauren Bacall. Lauren, all our heartiest congratulations on your first appearance on the air. I'm sure there'll be many more. Thank you, Bill. See, that wasn't so bad now, was it? What if you do make a slip on the air? There's only 30 million people out there ready to jump down your throat. You know Lauren. Just a minute, Bill, the name she answers to is Betty. You only call her Lauren when you're sore at her. Okay, Bogie. As I said earlier, Betty, we've had many premieres in this theater. But tonight, I'd like to bring our audience a world premiere. Something never before heard on the air. But I'm not sure Bogie would approve. But think, Bogie, 30 million people waiting breathlessly to hear it. Yeah, but think of me. My nerves. Every time I hear it, I jump. Yeah, but in spite of personal sacrifice, the audience must come first. Now, how about it, Betty? Oh, shall I, Bogie? Okay, honey. Thank you, Bogie. Ladies and gentlemen, for the first time on the air, you're about to hear an instrument made famous by tonight's play. Immortalized by the line, Whenever you want me, whistle. It's Betty Bacall blowing the special whistle which he carries for that special purpose. Ready, Betty? Ready, Bill. Blow. You can see how you'd find that whistle irresistible. Incidentally, Betty, I notice you don't use it in your current Warner Brothers picture, The Big Sleep. Well, she doesn't need it. She has me hooked right from the beginning of that picture. Well, both of you do a splendid job in bringing Raymond Chandler's mystery to the screen. Thanks, Bill. What do you have coming up on Lux next week?  It's Paramount's recent screen success, Miss Susie Slagals, starring Joan Caulfield, William Holden, and Billy DeWolf. One of the newest and brightest stars of Hollywood, Miss Caulfield plays her original screen role as does Billy DeWolf in his poignant story of a group of students in pursuit of fame and happiness and love. Oh, that ought to make a great hit with your audience, Bill. Good night. Good night. Good night, and many thanks to both of you. Our sponsor, the makers of Lux Flakes, joined me in inviting you to be with us again next Monday evening, when the Lux Radio Theater brings you William Holden, Joan Caulfield, and Billy DeWolf in Miss Susie Slagals. This is William Keely saying good night to you from Hollywood. Suppose you had to do without a month's supply of soap. That could happen if used fats aren't turned in by the housewives of America. Scores of major industries need oils in Greece, yet there's a shortage of oils all over the world. So if they're going to keep going, they must boost their supplies with used fats or cut into the supply of fine soap-making oils. And that would mean less soap for you.  Your dealer will give you four cents for every pound. Heard in our cast tonight were Tim Graham as Eddie, George Sorrell as Gerard, and Jack Crushan as Inspector Renard. Our music was directed by Louis Silvers. This is your announcer, John Milton Kennedy, reminding you to tune in again next Monday night to hear Miss Susie Slagals with Joan Caulfield, William Holden, and Billy DeWolf, broadcasting system.


This is Think Tech Hawaii, Community Matters here. Howard Wigg, Code Green, Think Tech, Hawaii. My guest today is Cesar Casciola, Executive Director of the Walter Cameron Center in Kahului, Maui. We don't have an image of Cesar to show you, but take my word for it. He's a pretty good looking guy and turns out he's a very serious runner. So he's also an athletic looking guy. So welcome to the show, Cesar. Hi, Howard. Thank you for the invite. Oh, and here's an image. I told you he was a good looking guy here. Very... So by way of introduction, Cesar came here from Mexico many years ago as an agricultural worker. And you wouldn't think that was the most promising to start in the world, but this is America and the American dream comes true. So Cesar worked his way up, up, up, up, up. And now from Agricultural Worker, Executive Director of the Cameron Center in Kahului. And those of you who are familiar with the center know that it's big and it serves many, many community functions. I was over talking to the American Institute of Architects a few months ago on Maui and our meeting and our refreshments came from the Walter Cameron Center. So let's go to the first slide and Cesar, I will let you take it from here as we follow the slides. We'll first do the Walter Cameron Center. If you wanna tell us a little bit about... Oh, and you know what? Let's go to the next slide and you can talk a little about what the Cameron Center does. Okay, sure, definitely. As you can see, our mission is to serve, incubate, support, and accelerate social good in our community. So since 1973, we've been housing nonprofit agencies and many of them continue with us and some of them have gotten into better themselves and now they have their own facilities. One of them is the MAC, Maui Arts and Culture Center and now they have their own beautiful facility. So we help the community that way. We serve nonprofits when churn serves the community. And let's go to the next slide that gives an outline of one of the many, many nonprofits that you host over there. Yeah, we house currently 16 agencies and you can see from American Red Cross, American Cancer Society, Nakekiwe-Malia, the Chamber of Commerce. Anyway, so we house 16 of them and we're very happy that we can continue to do that and offer services for all these agencies. You can see on slide number four, where we list the different services. We provide the office and program. Oh, this is on the next slide. We have all the facilities and we do have electric car charging stations. We provide Wi-Fi for the entire complex and then we have some equipment, the agencies come and borrow and they're able to use like laptop projectors and tables, chairs, whatever, things like that. Yeah, we all know that nonprofits continually have financial issues and you're just setting them up with everything they could possibly want. I assume for a very good price for them, something they can afford. And they in turn reach out very often to the less advantaged people in the community. Yes, yeah, that's correct. So that way they able to concentrate on their services because we provide the space and we just charge one fee, so they don't have to worry about paying electricity or coming areas or parking or anything like that. Everything is included in one fee. And so that way they have their hands on to provide the services to the community. Yeah, let them focus on what they're good at and I see that the electric car charging station is also there and Wi-Fi access. I don't know how many people have told me, oh my goodness, I need Wi-Fi access, here it is. Wow. Yeah, yeah, that's the thing of today. Everybody's into technology, Wi-Fi, internet and social media. And so let's go to the next slide, the challenge. Oh, no, this is a slide that shows different groups, Cesar, there's a slide with little kids enjoying themselves, somebody lecturing, somebody serving food. Yes, it's the pictures with the different activities and events that take place at the center. And so just some photos in there and stuff. Yeah, yeah. It gives you an idea of that diversity. And the challenge, you can see we got to one point and this is back in 2008 when we looking at the facility, we saw that we had some challenge on us in other electrical systems, the AC, the plumbing, windows, doors, landscaping, things needed to be updated. And so we kind of started taking note of that. And we say, wow, our water heaters are rusty and they don't work properly and things like that. Is that the, I see a big rusty piece of equipment. Is that a water heater or? That's a water heater, yeah. Whoa, the remains of a water heater, yeah. Yeah, we have eight of those in the complex. And so we do have a few showers and then we also have six kitchens. So we need hot water, yeah. I would think so. Wow, that is, so you really had your hands full when you get started, just to bring the level of service up to a decent standard there. Yeah, that's correct. You know, after 34 years and you know, as a nonprofit, I guess you kind of realize, you know, you've been busy providing the service, but then it's time for the facility to get a fresh coat of paint and replace some of the equipment and things like that that we can continue to do what we've been doing in those past 34 years. I know with it, when we get into this, we're going to talk about newer equipment being much, much more energy efficient, but first let's go to the next slide, projects up to or, oh no, things to do here. These are what you do here. Yeah, things to do was really quick to list the things that we needed to do, kind of to put a plan together basically and say, this is what we need, kind of like your list of things. And so we kind of departed from there and basically we got into doing projects. So up to today, we have done about $10 million and various projects. And so we did remodel tough restrooms, replace all the electrical, the plumbing, everything inside. We refurbished 25,000 square feet of interior ceiling, updated electrical system. We had an old transformer and we got rid of the transformer. We purchased a new system and gave it to the utility company, so now they own it. If it's not in our side, now we own it. Yeah, let them take care of it, yeah. Yeah, so we don't have to take care of it anymore. That is an ambitious checklist. We remodel for kitchens. We replace the large, 156 large single-pane windows and to the low E double-pane glass. So that's gonna see us a lot on electricity. Absolutely, yeah. Yeah, and we also replaced the 28 handling units. We did hydro coating for the rooftop. I like that. We did flooring, removed the carpet. We replaced the water heaters and things of that nature. And then you probably see the slide there. We have the energy efficiency initiative. We got into lighting retrofitting. So, yeah, let's go to, yeah, there we go. We went from those old T-12s into a T-8s and now we're actually looking into a T-5s. You have fast technology changes, yeah. And so without just lighting retrofitting alone, that was 30,000 kilowatts hours that we save per year. We also replaced our AC chiller. We went from 100 tons to 125 ton unit with a smart turbo core, which is all magnetic. It doesn't use oil. And that alone saved us 100,000 kilowatts per year. Yeah, and one thing I like about retrofits like this is when you get this newer high-tech equipment, not only does it reduce energy use, but it delivers more comfort and better health to the building occupants. Definitely, definitely. And when you say comfort, you just write about that. Our old chiller was really noisy, real loud. New chiller is so quiet. You can have a conversation next to the equipment. And it's just very pleasing. We don't have the loud noise throughout the day. Yeah, yeah. That's called improved lifestyle. Definitely, definitely. And then we installed two PV, two photovoltaics. We did 107 kilowatts and 15.3 kilowatt systems. We did those through a power purchase agreement. And so they've been producing power for us for the past eight years now. They produce about one third of the power we consume. It comes from the PV. Yeah, and power purchase refers to the fact that you didn't have to put one penny up front.  Is that correct? Yeah, so that's what it is. They start us with a lower, and then we have an escalation rate per year. I believe it's about 2%. And so, which is much lower, you know, than the power that we consume from the utility company. And so you're gonna have an idea why you're gonna be able to expand, because you have the price already for the next 20 years. Yeah, yeah, yeah. So you're able to budget that, you know? It doesn't go up and down. I mean, it goes up, but not, you know. Now, 2% a year compared to the volatility of oil, that's nothing. Yeah, so it's something that we can manage, yeah, and knowing. And so anyway, so that was the PV systems, and now, of course, we're getting into the projects that we're working on right now. And so we're currently working on a third PV system. We are in more PV, and this time we are in energy storage. Yeah, that's still the day. So we are in 147 kilowatt hours, with energy storage for 244 kilowatts. And so we're gonna work into the same thing. It's gonna be also a power purchase agreement, which there is no down payment or money in front, or deposits or anything like that. So now how is this storage going to work? You probably in the middle of the day, you've got all of this sunlight coming down. So you're storing some of that or all of that in this system here? So yeah, so during the day, we're gonna provide the power is not going to the storage, the energy is gonna go into the storage, and we're gonna use the power nighttime, when the morning's between six and nine o'clock in the morning, when our kilowatt rate goes high in demand because our AC is coming on. So we're gonna turn it on in the morning the way we are able to control our demand with the utility company. And have you reached a power or a time of use rate with MECO since you're smoothing the load like this? Yeah, so with this new system, it's gonna be around 20 cents per kilowatt. And so again, it's gonna be for 20 years, it's gonna have an escalation rate of, I believe it's 1.5 a year. And so we're estimating a savings of about half a million dollars those 20 years. Yeah, yeah. All at no upfront cost through you. It's just the agreement between. No upfront cost or don't payments or anything like that. And then I should point out that since you're one of the large users on Maui, you are doing what's called smoothing the load where when MECO is getting too much sunlight, you're absorbing a lot of that, making good use of it. And then MECO has an evening peak between 5 p.m., 9 p.m. And instead of there having to put on extra generators, this is when this battery kicks in and reduces that peak load. That makes life much, much easier for MECO. Definitely, yeah. So it's gonna be able to smooth the peak at the morning and also now p.m., a.m. and p.m. Yeah, and the end result there is that MECO is using more solar power and less fossil fuel. Yes, that's correct. So our goal is to reduce 100,000 kilowatt hours by the end of 2018. Wow. Yeah, so that definitely is gonna take us closer to 75% renewable power. And we're gonna be probably about 25% from MECO from the utility company. Very ambitious goal. And that certainly helps.  Yeah, so we're getting closer and closer. Currently, we're working on a new gray lighting audit. We're doing a side survey for our lamps, our night lights and everything to do with fixtures. So we're gonna be renovating our T-8s now into probably T-5 and also reduce power consumption there. We also gonna be replacing our parking lights to LED lighting and then we're looking into painting the exterior of the facility using what is called friendly environmental paint and also takes less heat from the environment. Absolutely, that's something near and dear to my heart because I'm the energy codes guy and Hawaii is the only state in the nation that gives credit not only for reflective roofs where when the sun's radiation hits the roof, most of it bounces back into the atmosphere but we give credit for reflective walls. And this is exactly what you're gonna be doing and the reflective walls issues has attracted the attention of several national energy efficiency groups including Lawrence Berkeley Laboratory out of Berkeley, California and they have established a cool walls center and Hawaii is the guinea pig because there's more and more people like you who are gonna be installing cool walls and now we get to monitor just how much energy they save and we reduce the... It makes so much sense and of course, the savings too because your building's being cooler and so you use less electricity to power your AC. Precisely, and then I would go back to... So my next slide goes into the lessons learned and so you can see there we stole multiple electrical meters and it's gonna go about... Yeah, let's go to the next slide. If anybody wants to conquer easier to have others pay for the energy they use, easier to control, locate fault equipment and so we learn all those lessons. Of course, develop a maintenance plan and I keep emphasizing here it doesn't matter what kind of plan it is but whatever plan you're talking about it needs to be easy, it needs to be sure and concise. Don't elaborate too much into all these manuals that people sometimes produce and nobody reads they just kind of see it around. You need to keep the facility top cheap, provide training to staff anytime you see training available, work with your staff and see who's turn is to take training, who can take training, divide the work among your staff and the contract work. That's a big one there because when you have a contractor providing a service to you, they work from an agency where you know if you call the plumber, the plumber has the right tools, has the right equipment, they have the license, they have the training and they're constantly updating themselves, they're constantly taking classes and things like that. So you don't wanna try to create a plumber you know within your staff because then you're gonna have to buy special tools that you wanna use only once or twice a month and the plumber using those tools every day it makes a difference. Absolutely, yeah. Same thing with electrician, same thing with the AC technician. So you know some of the trades is better just to call somebody and work a maintenance contract with them and your staff don't need to be doing some of the specific work that you might need to buy expensive tools or get them into special training classes or things like that. So you always gotta make sure that the load is balanced. And then by hiring the specialists like this you can also reduce the size of your staff. You don't have to have people trained to do be part-time plumbers and part-time electricians or whatever and when you're doing something part-time you tend to forget some of the lessons you have to re-remember when you get back to that type of task. Whereas you point out the trades, they do this every day. They know exactly what they're doing. And you know what is the other one? Safety.  So safety is a big one. And so if they're not doing it every day might as well don't get yourself into trouble. Yeah, we're on the lessons learned continued slide right now. Yeah, what's the newest and greatest out there so far? It's yeah. And then of course you're getting to all the OSHA staff and all the requirements and everything. And so anyway, so it's things that you gotta that you have to think and say, okay should I have somebody in the staff or should I just grab the phone and call so-and-so company or ex company or whatever. So that was a big one for us. We save a lot of money to making those decisions. And then of course, compare facts at the local, the national and international levels. What other facilities are you seeing in California or New York or whatever and learn from them? You know, efficiency, stability, communication, visit other facilities. Anytime I go to the mainland, I always make it upon myself to go and visit a large facility and just to see what they're doing and how they're doing things. Is there one thing that I can learn from them that perhaps I can implement here? Yeah, when I go into a building that is obviously poorly managed, I ask about the staff, well, how much training have they had? Oh, well, we don't have any budget for training. And you know the consequences of that. Yeah. So yeah, so one of my friends was calling that the bubble. You know how people things to work and sometimes we get trapped in this bubble. You know, I live in this place so I wanna do things my way and that's it. And so you gotta open up the bubble and kind of go and see what other people are doing, you know, what your neighbor is doing, what the people that lives across the street is doing. So you can learn from them and you can innovate, you know, so we gotta break the bubble and just go outside. Precisely, again, I see the difference in the trades. I see somebody doing something very right and I ask for their background and they generally have been to the mainland to one of the more progressive states or progressive cities and they've gained a lot of experience there. Whereas somebody who just keeps on doing what he was taught to do 10 years ago is not doing such a good job. Yeah, so and then just the last steps here is schedule equipment shut off, purchase energy efficient equipment, keep an eye on the AC, thermostat, turning lights off when leaving the room. You know, it's kind of the old stuff perhaps but it's a small savings, you know.  It really quicks, and if not one person, you know, you're talking about two, three, four, 500 people, so it really quicks it up, you know, it works. Plus when the lights are off, the light of the lamp is extended. But actually it makes a difference that those little things. Absolutely, and the more the lights are off, the less heat is generated, the easier the life is for the AC system.  And I think that has done a quite tremendous impact for us here at the Center. Absolutely, what kind of savings were you talking about? I know there was an estimate of a half million dollars. Oh, that will be with the new PV system. But in the past, what I was saying, in the past or the last few years, we, all the changes and everything that we had done over here, we have saved, I would say, a good about $140,000 a year that we have seen just on energy efficiency, changing the chiller and installing the two PV systems. And that savings, this is the beauty of energy efficiency and renewables, is it keeps, it's a gift that keeps on giving year, after year, after year, after year. And when you maintain the equipment the way you are, that savings does not go down because the equipment does not degrade. It's kind of like keeping your automobile all tuned up. A lot of people take their car in every six months. Yeah, that's correct. And it's a one point right there, actually, that I wanted to make, is that when you call the plumber or electrician on emergency, it's $160 to $180 an hour when they respond to an emergency. But if you can call them to come in five days or 10 days later, that's gonna cost you $60 to $80 an hour. Yep, yep, I speak from personal experience with that one. Yeah, yeah. Yeah, I think we all have experience. Yeah, it makes a big difference when you get into an emergency and you know, same thing for your car. You maintain it to your car and you pay the price when you go into an emergency, broke the breakdown. And we've got a wrap up. I think you've got a slide on how can you support Cameron Center? Yeah, thank you very much, Howard. Yeah, this is pretty much what it is. If people are interested to learn more, they can give us a call at 244-5546. Or they can visit our webpage at www.cameronscenter.org. And you know, same thing if they wanna make a donation, they can visit our webpage or give us a call or stop by. Sure, yeah, it's an interesting place to visit, right there in Kahulu'i. And with that, we've got to wrap up. Cesar, thank you so much. This has really, really been fascinating. You know, if we could replicate you and your building management, we would much, much more quickly reach 100% clean energy by the year 2045. Again, Mui Mahaloz, Cesar. And talk to you later. Thank you, thank you for that. Thank you, thank you for that. Code green.