Hi, my name is Leon Roe currency trader and trading coach at trading 180 calm and welcome to this week's supplier and Demand Forex technical analysis if you're new welcome and if you're returning welcome back Haven't done these videos for the past couple of weeks. I hope you all have enjoyed your your summer as well with the you know, the friends and the family and all that and Yeah, we're back to a business starting obviously September Everyone's back from the holidays. So lots to go through also before we get into it don't forget to like subscribe and share the content if you find it useful so We start off before we get into the technical analysis on some of the fundamentals and the sentiment analysis So looking at the week ahead Trading economics say it will be a busy week with us in the US with jobs report ISN PMIs and trade data, right? In fact, we all as wise that important because of the the effect of potential trade wars with China All right, and we're getting to a little bit of that after this analysis Elsewhere central banks in Australia and Canada will be deciding on monetary policy So that's pretty much interest rates Whether they're going to be holding or cutting Interest rates and pretty much all major central banks are looking to cut interest rates due to the low inflation environment and global potential global slowdown also investors will be focused on the UK and India market PMIs the UK I think with the UK, it's more to do with Brexit any kind of economic fundamental news isn't really going to have much effect is more about whether the UK are going to be More likely to have a deal Brexit or a no-deal Brexit, which is going to drive the sentiment of the pound euros on retail trade and Germany factory orders. That's important because apparently Germany potentially are going into a recession and You know retail sales and Germany being Europe's biggest I guess country economically in the eurozone The focus really is on Germany and what they do and if they start to slow down pretty much everyone else is slowing down. So Eurozone retail trade Germany factory orders and industrial output and in China PMIs Australia second quarter GDP growth that would be important as well trade balance and retail sales and also Japan household spending so there is potentially, you know, a lot of In a data being released and what's really, you know, potentially market moving But also what is may overshadow pretty much everything is the US and China begin imposing new tariffs as The trade war escalates the Chinese exports worth 125 billion will face new taxes from the 1st of September pretty much today I'm recording this on the 1st of September while China places a levy on oil and agree and As agreements become more distant. So again, the more the closer The more that the trade war between China and America is likely to be resolved the more positive I think everybody will be and but according to this article by Martin Farah This You know pretty much spells out that there are, you know tariffs being implemented and That the Deal between China and America are maybe not as close as people may think even though This is an independent Australian market strategist mark Greg McKenna McKenna has said Concerns have been repeatedly sued by Coalitiary words from Beijing and Washington, right? We said the reality Could begin he said basically it could begin to buy with Sunday's new Round of tariffs. So come Sunday evening open UK time Monday morning We could see risk off which basically would mean that the Japanese yen and this Swiss franc as well as you know safe havens like gold May strengthen, but this is not a prediction It's just basically wait to see what the market sentiment is when it opens now getting into the technicals so Let's start off on the Dow Jones daughter index as we always do and again, this hasn't been updated None of these shots have been updated for the last couple weeks as I haven't taken a bit of time off from doing this so Let's load new bars and see what's happened So supply zone pretty much is held out and Dow Jones dollar index is really just a measure of dollar strength against the other major currencies like the euro the pound and the yen as well as the Australian dollar and There have been some opportunities to obviously show and go along on the The dollar and over the precinct, you know recent week we've had, you know some dollar Strength, so let's go to the price chart and see what we can do to update Any of the zones which I've kind of done already previously. So here we've got and here really was the previous demand zone there All right, so what we do is we look at the Dow Jones in an index for really just confluence any kind of dollar strength that comes into a demand zone You want to be buying any kind of dollar crosses advice versus so if there's any sell trades or we get some you know Some shorting opportunities What you want to see is the Dow Jones dollar index confirm that and dollar weakness if you know, I mean so now that we've made new high Higher lows higher highs we've Created a new demand zone right here So what you want to probably see if you're looking to short the dollar is look for The dollar index to start to sell off before you go in into the onto the dollar yen dollar Swiss Dollar cad etc and looking for short trades price if you're looking to buy the dollar You're looking at you know any kind of bullish price action Especially within an area of demand for confluence So next on list is the dollar yen And dollar yen again, it's about two weeks ago. So the last update was the 9th of August Let's see what's happened during that time and we've literally had Prices kind of just goes ranging between this demand zone and this supply zone did have a bit of a spike down Last week in the beginning of last week I think this is more of a stop-hunt and then prices have gone on their way. So if we're looking at the Dollar yen To really update the chart We could leave things as they are I guess I think I will just Make some adjustments. So We've made a bit of a higher high there In fact, this whole area I would say is demand right there What I am going to do though is I'm going to move this to around here just to Clarify things you've also got a level of what note what is known as support resistance resistance So if you are looking to get short Best bet is to put it up for this 107 round number or thereabouts before looking to get short What you want to probably try to avoid is the levels that have been to several times, you know fresher areas of supply are you know Better so, you know this 107 round number fresher area of supply is It's probably favorable if you're looking to trade some risk of sentiment potentially coming into the market Says the market opens pretty much look for pretty shorts now, but preferably up high if you're looking for long trades I like this area below the Around this one of five Round number and below so anywhere around here will be a decent area to look for some long trades and Use support and resistance in conjunction with supply and demand Really just because of the supply and demand equation if you want to know more about that and why Then there's a video that should pop up in the top right-hand corner It talks about the supply and demand Equations so these are areas where we want to look for potential Buying opportunities when you have a wide zone of demand like this. All right, so Next on the list is the dollar Swiss dollar Swiss and Managed to get into this trade matter of fact. I'm still in this trade And let's see what the new bars So what we've got couple weeks ago is nice Bullishing golfing candle prices have reacted from this This is a long-term demand zone. So zoom out a little bit. Yeah, so that was from the June 25th nice textbook trade right there prices are where they are now Again with risk of coming into the market and the supply zone here. This could be potentially a take profit area So If you are in this trade, you may want to look to potentially take profit and this at this 99 round number as well But again, we don't know All right, so It's just basically a take profit potential take profit area if you've got a decent risk reward again, like I said just Risk of potentially coming into the market. So if you're looking to Potentially get short on risk off and short dollar now is pretty much a decent time to have some nice Supply technically anyway, it's a nice supply zone To update this demand zone. We've got quite wide demand zones right here. So Let's just maybe move that down a little bit more I would say that area there is an area of interest But what we also have is higher highs and higher lows here. So we've got large zone So again when we get those massive zones, all right, what we want to do is separate them and look for areas Within that where other traders would be looking to potentially get long Or short within those zones. So we've got a level of Resistance there support there Resistance there and then we've got actually we've got a Bit of an outside candle right there So that's hidden demand. So this is where we're going to be placing the The Monson so pretty much if prices do come back to this area, this would be the first area I'd be looking for to look for long trades if not then You know down at this 97 round number is a nice area for Confluence or what you could also do is go down into a lower time frame and look for lower time frame Support and resistance zone. So that looks like one as well right there Yeah, but from a daily perspective Those are, you know, your your your areas to look for by trades now moving on to the dollar CAD Dollar CAD Last couple weeks. I think we've literally yeah been in this range between a supply zone zoom out a little bit A nice supply zone there and this demand zone again There was a nice opportunity for long trades there which we managed to take But really haven't gotten into any trades on this one again We're looking for after price to come back down to this demand zone or back down to these demand zones before looking at long trades if you're looking for a short trade then I Think right now Is a decent time I personally be looking for again if I was looking to get short a fresher area of Supply before looking at any kind of short trades long trades would be within this zone here We've touched it once so twice is is pretty much okay the CAD Depending on what happens fundamentally whether they're going to be potentially cutting rates or Holding rates, you know may drive The price of the Canadian dollar a bit stronger if they're especially if they tend to hold race They did get some good GDP news Some decent GDP news on Friday. So the CAD's looking quite decent matter of fact when it comes to Economic policy anyway when it comes to whether they're going to be raising cutting or holding rates moving on to New Zealand dollar US dollar and New Zealand dollar was literally just Continued lower and this is mainly due to there being a surprise cut so the Reserve Bank of New Zealand Ended up cutting more than expected So kind of surprised the market And so what the market is really doing at the moment is I would say is probably just pricing in that extra cut Let's see if it reached there. Yeah, so it's top of that demand zone there But also as well The US dollar is pretty much the strongest out of you know the two anyway, so you've got a whole load of Supply and prices really being You know driven lower due to strength of you know overall strength of the US dollar anyway regardless of what? The news is telling you about you know Dollar recession and US economic recession you also have to compare that to everyone else and The US is still number one currency overall Doesn't mean they can't be pullbacks, you know within that time or whatever it is but Overall, you still want to get you know, probably me personally is still long dollar Over, you know any any other currency and then he pullbacks just looking at this desk for me It's just shorting opportunities. So With the US sorry, the New Zealand dollar cutting more than expected What you're looking for is any kind of pullbacks Into these areas here. We have had a massive massive, but it's quite a long Down trend without any kind of pullback, so you you know You have to expect a pullback at some point and any pullbacks into these zones will be Areas that I'd be looking to get Shorting So best area for me is gonna be that area of confidence where you've got support support Should turn to what resistance here? So the supply and demand equation there should be some decent supply within this so in this area here Probably as well in the immediate short term It's gonna be some probably in within that zone there as well So again decent buying opportunity if you think that the dollar's gonna, you know get weak And to my dear the US dollar But overall, I think this is still a cell trade moving on to the pound dollar The pound dollar What have we done? So we've kind of bounced off of this demand zone a couple weeks ago Did get some price action here prices have literally gone through that supply I think it's taking out pretty much all of the stops to be of a stop-hunt here And now beginning to sell off and this is again due to some Brexit sentiment So what I'm gonna do is I'm gonna delete actually if I don't remove it up here now For those of you taking the course. This isn't necessarily your your textbook Supply as far as a strong level of supply if you go through, you know the analysis But I will keep this supplies down here because to deny that that there is supply here is You know is isn't necessarily true There is supply it's not necessarily the strongest area of supply and what we want to really see is You know basically a bit, you know more supply before understanding that this is definitely a strong area of of supply so That's what we're looking at. I mean there is an opportunity also to get involved on any kind of pullbacks But just again understand that from a daily supply perspective. This isn't necessarily strongest area of supply due to certain reasons There is demand here, so you've got a demand zone right there Change that to demand and also what I'm gonna do is I am going to Just get rid of this demand zone for now and draw Bit of an overlapping one. Let's see if that is. Yeah, so there's a bit of demand there as well and Then we have also Some support and resistance within that area So if you're looking at buying the first area, you know buying the dollar Sorry buying the pound isn't it is now and then you've also got I think another little area right here to look to buy and Then it's absolute low area right here And again, that's if you believe the British pound sentiment is going to get better i.e. the The UK is going to do a deal with Europe if you think so if you don't then this is really just a cell trade at the supply or Pretty much further up if you get um, you know some a positive sentiment That'd be a nice short trade around this one point two four five area um Moving on to the euro dollar and the euro dollar A couple weeks ago, there was a nice shorting opportunity right here in this supply zone And then we had prices set off and for those of you that have been watching for any length of time, you know that You know my opinion on the euro. It's just literally shorting the euro as a nice opportunity And you can see pretty much what's happening With the euro and the dollar the euro isn't in much worse shape than the u.s At the moment so there's really no reason at the moment to buy the the the euro We've also got potential quantitative easing coming in September the next week and a half two weeks and that should have the effect of QE is to weaken the currency so With that being said It's the intention of the European central bank to weaken its currency My people get get you know, it confuses that central banks don't want to be currency They do and that's because they want to stimulate inflation And if you read any of Donald Trump's tweets, especially one recently where he's complaining and moaning about the European Europe and China having an unfair advantage because their currency is weak Right because of like I said certain economic factors and what a weak currency the benefits that a weak currency has So don't ever think that you know some miss misconception that Central banks always want a strong currency They don't in fact all central banks at the moment are cutting interest rates pretty much Because they want weaker currencies. Yeah, so the European central bank are actually getting what they want Which is a weaker euro And it's pretty much broken this area here. So if you go to This chart really updated my supply zone right there Let's delete this level here and again any kind of pullbacks, I think Into this area here is definitely a nice shorting opportunity zooming out We haven't got any kind of weekly demand until this 108 level. So For now, it's pretty much shorts all the way. Let's just maybe clear some of this up Again, if you want to know You know more about the fundamentals. There is a fundamental analysis course And the link is in the description box below and it basically goes over, you know interest rates inflation and GDP and why Central banks would want a weaker currency to achieve their rate of their inflation Target, which is 2% anyways going on to the euro yen and the euro yen Whisk being off Pretty much the euro has weakened as well And we've come down into this demand zone. It's reacted and you know, we're back down in to this zone We've created, you know some supply zones also Staggered quite a large zone if you think about it where we've got all this level of supply And again when you have a large area of supply what you want to do is kind of see where There potentially may be some support and resistance within that area All right, so you've got Support bit of support here bit of support and then it kind of breaks down and it's you know, I'd say Area there's resistance. So if you do get a pullback into this area specifically, that's a nice decent short Long trades if you believe that the euro is going to get strong for you know, whatever reason Potentially just profit-taking and pullbacks now is pretty much a decent time to look for some long trades But risk off remember The yen is a safe haven currency. So Potentially the yen could look too Strengthened looking at the Aussie dollar and Aussie dollar Since we've really just gone sideways Within this a demand zone Nothing's really happened pretty much untradeable. I see nothing's untradeable, but from a daily perspective Nothing's really gone on So if we go back to the charts Not to update the chart, I'll probably say I'm gonna pull this Neville Down a little bit There is some demand here, but not necessarily a strong area of demand and there is also some supply Again, not textbook, but just to show you that there is demand down here And there is supply here. I wouldn't say this is necessarily the strongest area of supply or demand But if I was looking at either Now it's pretty much time to get long preferably if he goes with prices can go get down to that 67 or 60 0.668 level and again That's where your area of you know shorting is When it comes to this currency pair this week nothing really no really setups Potentially on the daily supply or demand Would you really want to be buying the Australian dollar versus the the US dollar? Again, that's really up to You from a technical perspective, but it's not the greatest area of supply has touched a couple of times But it's decent nevertheless But moving on to the final currency of this week and it is the Aussie yen Aussie yen, I don't think has Moved as much as I had expected expected it to due to risk off But we have had you know decided movement then we got a bit of a push down move up. So Again any shorts, you know over the past coming weeks. I will say coming weeks, but the past previous weeks With definitely opportunities and you can see where they've actually worked out Due to risk off. Let's go to update the chart I'm gonna get really get rid of this longer term demand zone And again, I'm probably gonna put some demand right here It's not necessarily the textbook demand, but to deny that that is demand Isn't correct. We've got a level of support there So I think if you're looking to get long then you can favor pull back into this area here or That fresher area of demand where demand is at its strongest from a supply zone perspective you're probably looking at a higher area to look for a Trade at the top of the range because if you look where the range is and Let's go from here to here, you know, where we are is just about fair value This would be a either a bargain or a cheap area And this is a bargain or a cheap area depending on which one, you know You want to buy or sell so if you're shorting then this you're assuming that this is a bargain for the Japanese yen, right, which is the reason why you're gonna be buying the yen And if this is you know, if you're looking to buy here You're saying that the Australian dollar is an absolute bargain at this price. So again Nice little range, but not necessarily the best when it comes to, you know, the level selection And how many times it's been, you know touched, but Those are pretty much your options for now shorting here or getting long anywhere around here. So guys take care And I hope you have had, you know, enjoyed the the technical analysis and for those that have Purchased the course. Don't forget that you have If you go to number 11, which is in the course area, right right here is plan demand weekly analysis, right? 11 and I've got the members market analysis for over 25 pairs which goes over everything that we learn in the course For over 25 4x pairs. So if you want to know a bit more, you can check that out. So guys Have a great week and I will speak to you soon. Take care


one shiver 1000 here and as always the lovely monkey 1000 all right so we're gonna be having a havin we're gonna be doing a filming locations video coming up soon like probably Sunday maybe you'll see it Monday I'm not sure but we're going to filmings location so well let monkey tell you more about it here in just a minute stick around okay so this will be my second filming locations video because the first one was Jeepers Creepers you guys like that and we haven't been able to get out and do anything for one reason or another and then you know the world went crazy and stuff so we're gonna go and do one this weekend aren't we yeah and I'm gonna let monkey tell you a little bit more about that I'm gonna let monkey tell you a little bit more about that okay well I was reading on my internet and I found a thing that what's his name Howard Edward Edward Scissorhan was filmed in Florida and it actually was filmed in Tampa so we what I was reading is that they have opened up a museum in one of the houses which was the house that he lived in in the movie well stayed in yeah stayed in his castles not around no the castles got but the house is available you can come in and it's a museum so shaver what did you do okay and it's free by the way yes which in that video we'll have links and everything to it in case you want to go see this house it's the main house that the family brought in to come live in right that's the house we're going to go see and that's the house we're going to go in so I got a hold of the owner we're going to we get an interview with him yeah so the owner is going to give us an interview and he's going to tell us his story and he's got a story to tell so for those of you that don't know we'll just leave it like that for now right so we don't give too much of that away I'm sure a lot of you may already know it but it's a really cool story great guy so we're going to go meet him Sunday yeah and that's going to be going we want to take it to her the house it's gonna be neat and now following that video since we're on that subject because I'm going to do a two video two different videos and so following that video will be the filming location of Edward Scissorhand like I said the the castle was built in Diddland Florida right and of course they took it down right after right after filming they took it down because it was it was on a farm so I guess it's a cowfield now right so we'll get a few places that couple other places that were in the movie but the main the main thing the house where the filming was done and stuff we're going to get that for you right yeah so and yeah it's gonna be a lot of fun so and but the whole street I'll tell you more about it yeah in the video but the whole street still there all the houses are still there they're different but this one they restored back to what it used to look like right so they had the like the wallpaper was in the kitchen or dining room it was in the kitchen the wallpaper they went in France no England they ordered it from England yeah they they sent a peace in yeah and they made it exactly the way yeah so it's I was when they did the move it's replicated so they're trying to get it they do accept donations and stuff but they're trying to get it down to a T the way it was when it was filmed in there so and they also I was 1990 by the way and they also live in it yes they live in it so it's pretty cool yeah yeah now we made an appointment but apparently I guess they've had people just come and knock on the door and they'll show them around yeah like I said links links will be in the description of that video of the of the interview video and of course of the the the filming location videos monkey wanted to kind of do the sea cauldron announcements yeah so then people know and I think it's really cool and can't keep my mouth shut because she kept going you need you need to get you need to get a hold of that calling them find out blah blah blah but the whole time I'm in contact with this guy she didn't know it yeah I was messaging him so asking polite I told him you know thanks for trying to you know save a piece of you know cinema history and blah blah blah and you know I asked if you know I'd like to make an appointment to come and see your you know your home and and maybe do a quick interview he said he replied he responded right back with absolutely yeah told me the date and time yeah so okay we'll be there so anyway she wanted to do this announcement yeah she's excited yes because you found out what it popped up on Facebook yeah I was looking at stuff I was flipping up and down on that place and it just popped right up and it says free and they said it's a museum I'm like oh my god and then I come out here and he was in that garage and I said look we could go do this and then I said wouldn't it be cool if we could get an air view at the guy and so here he is already we think alike she's like you need to find a number so here's a number call it now you call you do a bad bad bad bad but in the meantime I had already messaged the guy had it already so anyway that should be a lot of fun so stay tuned for that or those two videos but in the meantime until then after this video we will be doing the with you and the another noodles like we did the noodles the noodles the the munchkins yeah the munchkin noodles so that should hold you over and maybe we'll find something to do tomorrow kind of tomorrow's kind of up near so but anyway in the meantime you'll enjoy another video or two and then Sunday stay tuned we'll get those videos up for you too so anyway that means that I'm going to say she buried the myth the man legend gone for now like so she's out for now y'all bye guys have a good weekend oh happy Labor Day yes every Labor Day you'll be safe we'll see you soon bye bye


Good afternoon. My name is Nicole Quadra. I'm programming an outreach manager for San Mateo County Libraries where our tagline is open for exploration. Today, I'm here to talk about the Lookmobile. The Lookmobile has been called a mobile observatory, a learning lab, a museum on wheels. Unlike a bookmobile, the Lookmobile doesn't contain books. Created in collaboration with San Francisco's Exploratorium, the Lookmobile was designed to bring hands on inquiry-based learning outdoors, to create an inviting, highly visible, and welcoming public space, attracting new library users, non-users, or elapsed users who might not realize how awesome libraries are. This is a view of the Lookmobile on opening day, December 2016, at the East Palo Alto Library. One of our library's strategic goals is to cultivate an active presence in our communities and create spaces that support discovery in enriched lives and uplift the community. The Lookmobile offers tools and activities for seeing the world from different points of view. It was designed to encourage people to linger, to take a closer look, to experiment, to create, and reflect upon the world around them. This is a view of the interior of the Lookmobile, and it really is quite pretty. The Lookmobile consists of six core interactive experiences, all designed to encourage open-ended discovery, includes tools and activities for seeing the world from different points of view. The visitor moves from light to the dark, visitors are invited to draw their friends and surroundings using the perspective window, lenses flip the view upside down, evocative maps reveal surprising ideas about places you thought you knew, visitors are invited to pin their own creations on the walls around them. The Lookmobile is an evolving work in progress, adding new elements and linking communities as it travels throughout the county. Starting on the outside, visitors are greeted with the map wall. Maps were chosen for their quirky character or particular way of communicating information, and because they show more than geography or political boundaries, we want to show that maps also represent values, different points of view, different perspectives. I just want to point out, I don't know if there are any fans in the room, but I believe that is the settlers of Catan Game Board. Missing a map of Westeros though. These maps can be swapped out and changed, so I think that will be one of the next installations. Visitors are then invited to make their own maps, drawing what is familiar and has personal significance for them. Visitors are encouraged to express their unique perspective on the environment and their place in it. Selena has drawn, well we have a lot of maps from her, and they're all equally colorful and amazing, and here I think she has drawn the road from her house to her family car. This one shows North and South America with Venezuela, lovingly highlighted. This one is just showing a lot of California love, I think. And this next one is my absolute favorite, it's really faint, I'm sorry, I thought I might trace over it, but you can see that Emma has drawn a dog, or she has mapped a dog, which I think is awesome, love it. Moving inside the Lookmobile there are more maps and a perspective drawing window. Visitors can trace their friends and surroundings. From inside, looking out.  It's often quite surprising to people how perspective makes very large things quite small in a drawing. This man is drawing that large truck parked outside. Built into the trailer's front section a wall of pinhole cameras projects images from the local landscape into the trailer. Each lens has a different focal length which results in slightly different images and different depths of field. This is a closer look at the dream-like light of the pinhole camera wall. And this is a view of the pinhole camera wall from the outside. Again it is quite pretty. Friends like to look at each other through the pinhole camera wall. The camera obscura is located in a periscope poking through the top of the Lookmobile. Light is bounced from a mirror, through a lens then focuses on a white table top. Visitors can turn the top mounted camera, turn it around like a periscope to look at their surrounding environment. And then last is the fog tricycle. It's an open-ended exhibit designed to get people to experiment and play with fog. The fog trike reproduces our region's distinctive fog belt. On a portable scale visitors blow, push and swirl thick clouds of water vapor replicating the fog formations that cling to the San Mateo County coastline. So I'm going to wrap up with a few slides that show how we have used the Lookmobile to cultivate an active presence in our communities in our outreach. Here a hiker explores the Lookmobile while stopped at a trailhead in San Pedro Valley Park. This is one of my favorite stops ever. It was a beautiful day. You kind of can't tell maybe the sun went behind a cloud for this picture. But there are about five trailheads that lead from that particular spot. And it just had a really nice synergy with its environment there. Here a community member explores the map wall at East Palo Alto Library. At Sunridge Elementary School a teacher brings her very well-behaved class to visit the Lookmobile. A class of middle schoolers visits the Lookmobile at Valomar School in Pacifica. And here those Valomar students work on their maps. So these young people are at the San Mateo County Fair and it looks like they're collaborating on a map. And this is another group at the County Fair last summer. This is the Fog Tric at the County Fair. And I really like this picture. These are young scholars from our big lift inspiring summers summer camp. Checking out how fog is made with the fog tricycle. The Lookmobile visited all of our camp locations this summer.  All right. So thank you. I'm going to leave you with this quote from a Lookmobile lover. And then introduced to my colleague Sean Lanny with the Exploratorium Studio for Public Spaces. Thank you. Hello that video. Hello that video. That level of engagement. I mean we use a lot of words for learning play is an excellent indicator of engagement of investigation of investment. And it's one of the hallmarks I think for the kind of what we mean by informal inquiry. It looks just like that sounds a lot fancier. It's better for getting the grants. But when we say informal inquiry that's what we're looking for is that sort of behavior. Let me see if I can get this right. So we we started looking outdoors eight years ago at the Exploratorium as a potential of of expanding our impact as an institution. So if you think about outdoors spaces we generally think just outside the doors of our institutions because that's probably the easiest place to put stuff outdoors and take care of it. But as we started to investigate the potential we started thinking well why just outside the doors of the institution. Why not say somewhere like on Market Street in San Francisco. So three years ago we got invited to do what they call the living innovation zone. And after bobbing about for a while we thought well let's try something that we know works well. They're listening vessels. They're eight feet in diameter and if you there's two of them out there and if you sit in one you can whisper to somebody 50 feet away on Market Street. So you can talk to a total stranger anybody. And if things go south you have a 50 foot head start. Head down market because what you're doing here is you're breaking all the rules on how to survive in San Francisco on Market Street. You don't look people in the eye. You don't talk to random strangers. You don't put your bag down for any given reason. And you don't turn your back to to long alleyways like this. And it turns out that this installation was like a wrecking ball for those social norms that human freeway out there where people were passing by each other. And became a really important gathering spot and actually led to some really interesting discourse between people that otherwise might not have spoken with each other. So this bench was also located in that it's a singing bench. So if one person has a hand on the metal on the left and the other has the hand on the metal on the right and they hold hands music starts to be generated. And if you touch fingertips or kiss the sound tones change because the amount of conductivity shifts. And so we were really focusing on getting people to move beyond the way that they saw not only things like sound and how sound moves which is all very technical. But think about how they themselves are generators of place and they themselves are generators of culture. They make a place by the way that they behave. And by giving him that sense of agency you can call it civic agency. And actually it fundamentally shifted people's perceptions of Market Street and their role in the daily lives of how they move through the city. Their roles as active players. And we were also able to engage with what we call the indigenous phenomenon of a place. So before we might have made an exhibit about sand and water and it's all very beautiful. When we got to the location we actually dredged the bottom of the bay and we brought these dredges up and put those in these thin shells of water. And when you spun it around you saw basically what made up the bottom of the bay. And then you got to look at like why is the sand there and why is it so silty there. So it's really kind of a blueprint for how the bay works. And so this intrigues us. And then when we talked about the locomobile we said well if we're going to roll into town you can't just roll into town in a grey box right. So we were looking like well we really want to we want this thing to be engaging. We want the locomobile to be something that it's like the circus comes to town right. You throw a little glitter in the air and have a bullhorn. So looking at San Mateo the county was really intriguing to us because it was huge. That is a huge county and extremely diverse. So not only with the economics but the socioeconomics and the settings and the variety of ways of living. They're all kind of in high relief. I mean if you travel enough now in the world you understand just how much impact this region has on so many people's lives. Worldwide. And so looking at this as an opportunity we were also trying to serve as individual libraries. So what are the needs of the libraries and what will we do has to work in all these different settings right. So we got really enamored with this idea of map making. Map making is you saw those drawings right. You can actually give a little bit of yourself when you make a map and you don't have to make a map. And we wanted to make sure that the maps weren't seen as purely geological or geographical. And maps were about power to whoever draws the map or setting lines and setting rules. And so in some ways by drawing map or making a map you're saying this is my family. This is what my daily commute looks like. This is how I see my home and my place. And this is who I am. That's what that map making exercise is about. So again we get back to that sense of agency that sense of making is important. And we were inspired by a lot of weird things looking through for ideas. If you're going to look at the landscape changing your view or perspective or framing is often an excellent way to reconsider what you think you already know about where you are and who you are and how you fit in. And so we went through a number of different ideas and permutations. Things might unfold. Things might zigzag or accordion. One of the big problems we had or the challenges we had was ADA accessibility. So trailers are fantastic if you can get up into the trailer. So we found a trailer that actually squats down to the ground. And they make these for really expensive car toys that go up to Sonoma and race around in tracks and can't lift more than a couple inches off the ground. But the nice thing about these is it allowed us to have full access without having to do something like this which is a ramp. So this is an early sketch. As the idea evolved this whole idea of something that was accessible that had different compartments associated with it. So the dark end with a camera obscura and the pinhole camera back to the more active map making to the perspective window which got you kind of out of the cerebral into the actual observing matured into an increasingly dynamic design. And then funny I was telling her before this didn't start like we didn't go to San Mateo kind of library say hey we really want to build a trailer. They actually approached us looking at outdoor public spaces as additions to libraries. And that is the focus of the studio for public spaces is enlivening these public spaces because they're hugely accessible. Only 11% of people go to museums. And I think if you're arguing that you have social or cultural impact it's difficult to make that argument with such a rarefied audience. And so working in public spaces and taking full advantage of those learning environments is something we're very much interested in. So the lookmobile itself is very much considered a prototype by us to get to know how libraries work. What can they offer programmatically? What do they need? What do their audiences respond to? And by having a platform to drag around we actually had a rolling archive. So when people made maps those maps get stored or they get displayed and you get a little bit of where that trailer's been left behind as evidence of what really makes up these counties. And so with that in mind the way we got to the final installation was through prototyping. This is Becca who's an architect and this is Hiba. Hiba was visiting from Palestine. They're starting a museum from scratch in Palestine. If that sounds easy it's not. They have challenges that are difficult for us to understand I think. But amazing spirits and there are 12 of them out here for three months. And she helped prototype the pinhole camera wall. Here's our chief engineer. We're sitting in a big cardboard box that we built with lenses and it is as fun as it sounds. And that's our studio back there. And likewise we did this with a map. So if you want to have an exhibition that invites people to make maps and gets over the phobia of drawing.   Like really bad drawings. And we made sure that like oh I could do better than that. And that got them over that hump you know. And it also I think it got people thinking differently about what it was that they were mapping. Not only like how do I get to school or what is my best friend live. But this is a map of my heart it says. So it's my grandma my grandpa my wife music involved mom and the brothers. This is a map of how they live and where they live. Not that that was really sweet and telling that people were willing to kind of share. When you asked them in the right way and you gave them a tool to express themselves. Who they were and how they thought that they fit in the world. So the look mobile. Not complete. I don't consider it complete. It's only been out there for a year. We're learning a lot about the functionality of it and what kind of care it takes. I think the potential of combining moves like this with outdoor public spaces and libraries that are taking advantage of their immediate parks. Many you know libraries have an incredible set of assets. And if their locations are amendable to having those outdoor spaces be part of their ongoing programming. I think that would be a bold move because it takes commitment. But from what we've seen and experience over the last four years at the Exploratorium. We know that the learning outcomes and potentials are far broader when you're in context of people's what they consider. They're kind of normal day to day lives. And so even though it's outside the library it's still outdoors and in public space. And I think when you change the context in that way you are opening up possibilities that simply don't exist inside institutions that are traditionally educational institutions. But probably programmatically set or habituated to offering a certain kind of program. This is an example of an extreme I consider to extreme risk. We put in and these are still just outside if you swing to the West in UN Plaza you'll see a set of five outdoor installations. This is an echo tube pointed right at City Hall. There was a little label there it says it said it was a little teeny label and said it takes about it takes two seconds for sound to reach City Hall in about a week for them to get back to you. Maybe maybe it was a month I forget. And then yeah so we had a sense of humor about it but this exhibition and Ray up in that corner there really taught us that people are absolutely critical to making these things work. If people aren't there mediating it and helping people through it not caretaking like you know get off that bench and don't crawl on that. But really engaging people in a way that all these people are local from hundreds of you family. So they're they're from the area. A lot of them have training and dealing with people that are often considered problems for San Francisco and they have a way of. Well when we designed this initially we were thinking less about sound and more about kind of social bomb. Like how do you make this more human. How do you how do you humanize a space that seems so desperate sometimes and so empty and desolate. But it doesn't matter where you're from or where you are in life when you're doing inquiry and playing and learning. It kind of humanizes you and it equalizes you in a way that's really unique. And I think that was one of the big surprises of working in you and Plaza. And also the idea of building right on the last slide for open-endedness is really important. So she came along with her violin and started playing and I thought that was wonderful because we didn't build it for violin players. But we didn't build it for not violin players. So I think keeping that the opportunity and just the pure potential open to your users to decide how they want to use and what they want to do. What they want to how they want to use the work is really an important part of making these places work. Okay. I have a thank you at the end.


O King of Grief, a title strange yet true to thee of all kings only, do you? O King of Wounds, how shall I grieve for thee, who in all grief preventest me? Shall I weep blood? Why thou hast wept such store that all thy body was one door? Shall I be scourged, flouted, boxed, sold? It is but to tell the tale is told. My God, my God, why dost thou part from me? Was such a grief as cannot be? Shall I then sing, skipping thy doleful story, and sighed with thy triumphant glory?  But how then shall I imitate thee, and copy thy fair, though bloody hand? Surely I will revenge me on thy love, and try who shall victorious prove? If thou dost give me wealth, I will restore all back unto thee by the poor. If thou dost give me honour, men shall see, the honour doth belong to thee. I will not marry, or if she be mine, she and her children shall be thine. My bosom friend, if he blaspheme thy name, I will tear thence his love and fame.  As for thy passion, but of that anon, when with the other I have done. For thy predestination I'll contrive, that three years hence, if I survive, I'll build a spittle, or mend common ways, but mend mine own, without delays. Then I will use the works of thy creation, as if I used them, but for fashion. The world and I will quarrel, and the year shall not perceive that I am here. My music shall find thee, and every string shall have his attribute to sing. That altogether may accord in thee, and prove one god, one harmony. If thou shalt give me wit, it shall appear. If thou hast given it me, it is here. May I will read thy book, and never move, till I have found therein thy love, thy art of love, which I'll turn back on thee, O my dear Saviour, victory. Then for thy passion I'll do for that. Alas, my God, I know not what! End of poem. This recording is in the public domain. The Agony by George Herbert Read for LibriVox.org by David Barnes Philosophers have measured mountains, fathomed the depths of seas, of states and kings, walked with the staff to heaven, and traced fountains. But there are two vast, spacious things, the which to measure it doth more behove, yet few there are that sound them, sin and love. Who would know sin? Let him repair unto Mount Olivet.  Sin is that press and vice, which forceth pain to hunt his cruel food through every vein. Who knows not love? Let him assay, and taste that juice, which on the cross, a pike, did set again a brooch. Then let him say, if ever he did taste the like, Love is that liquor, sweet and most divine, which my God feels as blood, but I as wine. Good Friday by George Herbert Read for LibriVox.org by David Barnes O my chief good, how shall I measure out thy blood? How shall I count what thee befell, and each grief tell? Shall I thy woes number according to thy foes? Or since one star showed thy first breath, shall all thy death? Or shall each leaf, which falls in autumn, score a grief? Or cannot leaves but fruit be sign of the true vine? Then let each hour of my whole life one grief devour, that thy distress through all may run, and be my son? Or rather let my several sins their sorrows get, that as each beast his cured doth know, each sin may so.  That when sin spies so many foes, thy whips, thy nails, thy wounds, thy woes, all come to lodge there, sin may say, no room for me, and fly away. Sin being gone, O fill the place, and keep possession with thy grace, lest sin take courage and return, and all the writings blot or burn. Redemption Having been tenant long to a rich lord, not thriving I resolve to be bold, and make a suit unto him, to afford a new small rented lease, and cancel the old. In heaven at his manor I him sort, they told me there that he was lately gone about some land which he had dearly bought, long since on earth to take possession. I straight returned, and knowing his great birth, sought him accordingly in great resorts, in cities, theatres, gardens, parks, and courts. At length I heard a ragged noise and mirth of thieves and murderers. Here I him espied, who straight, your suit is granted, said, and died. The Church Floor Mark you the floor, that square and speckled stone which looks so firm and strong, is patience, and the other blackened grave where with each one is checkered all along, humility. The gentle rising which on either hand leads to the choir above is confidence, but the sweet cement which in one sure band ties the whole frame is love and charity. There sometimes sin steals and stains the marble's neat and curious veins, but all is cleansed when the marble weeps. Sometimes death, puffing at the door, blows all the dust about the floor, but while he thinks to spoil the room, he sweeps. Blessed be the architect whose art could build so strong in a weak heart. The Windows by George Herbert Read for LibriVox.org by David Barnes Lord, how can man preach thy eternal word?  And when thou dost a kneel in glass thy story, making thy life to shine within the holy preachers, then the light and glory, more reverent grows, and more doth win, which else shows waterish, bleak, and thin. Doctrine and life, colours and light in one when they combine and mingle, bring a strong regard and awe, but speech alone doth vanish like a flaring thing, and in the air not conscience ring. Constancy by George Herbert Read for LibriVox.org by David Barnes Who is the honest man? He that doth still and strongly good pursue, to God, his neighbour, and himself most true, whom neither force nor forning can unpin or wrench from giving all their due. Whose honesty is not so loose or easy that a ruffling wind can blow away, or glittering look it blind? Who rides his shore and even trot, while the world now rides by, now lags behind? Who when great trials come, nor seeks nor shuns them, but doth calmly stay, till he the thing and the example weigh, all being brought into a psalm, what place or person calls for he doth pay? Who none can work or woo to use in anything a trick or slight? For above all things he abhors deceit, his words and works and fashion too all of apiece and all are clear and straight. Who never melts or thaws at close temptations? When the day is done his goodness sets not, but in dark can run. The son to others writeth laws, and is their virtue, virtue is his son. Who when he is to treat with sick folks, women, those whom passions sway, allows for that, and keeps his constant way, whom others faults do not defeat, but though men fail him, yet his part doth play, whom nothing can procure when the wide world runs bias from his will to writhe his limbs and share not mend the ill. This is the Mark man, safe and sure, who still is right and praise to be so still. End of poem. This recording is in the public domain. Monday by George Herbert Read for LibriVox.org by David Barnes O day most calm, most bright, the fruit of this, the next world's bud, the endorsement of supreme delight, writ by a friend, and with his blood. The couch of time cares balm and bay, The weak were dark, but for thy light, thy torch doth show the way. The other days, and thou, make up one man, whose face thou art, knocking at heaven with thy brow. The worky days are the back part, the burden of the week lies there, making the hole to stoop and bow till thy release appear. Man had straightforward gone to endless death, but thou dost pull and turn as round to look on one, whom, if we were not very dull, we could not choose but look on still, since there is no place so alone the which he doth not fill. Sundays the pillars are, on which heaven's palace arched lies. The other days fill up the spare and hollow room with vanities. They are the fruitful beds and borders in God's rich garden. That is bare which parts their ranks and orders. The Sundays of man's life, threaded together on time's string, make bracelets to adorn the wife of the eternal glorious king. On Sunday heaven's gate stands oak. Blessings are plentiful and rife, more plentiful than hope. This day my Saviour rose and did enclose this light for his, that as each beast his manger knows man might not of his fodder miss. Christ hath took in this piece of ground and made a garden there for those who want herbs for their wound. The rest of our creation our great redeemer did remove, with the same shake which at his passion did the earth and all things with it move. As Samson bore the doors away Christ's hands, though nailed, wrought salvation, and did unhinge that day.  Thou art a day of mirth, and where the weekdays trail on ground thy flight is higher as thy birth. O let me take thee at the bound, leaping with thee from seven to seven, till that we both, being tossed from earth, fly hand in hand to heaven. End of poem. This recording is in the public domain. Denial by George Herbert, read for LibriVox.org by David Barnes. When my devotions could not pierce thy silent ears, then was my heart broken, as was my verse, my breast was full of fears and disorder. My bent thoughts, like a brittle bow, did fly asunder. Each took his way, some would to pleasures go, some to the wars and thunder of alarms. As good go anywhere they say, as to be numb, both knees and heart, in crying night and day, Come, come, my God, O come, but no hearing.  All day long my heart was in my knee, but no hearing. Therefore my soul lay out of sight, untuned, unstrung. My feeble spirit, unable to look right, like a nipped blossom, hung, discontented. O cheer and tune my heartless breast, defer no time, that so thy favours, granting my request, they and my mind may chime, and mend my rhyme. End of poem. This recording is in the public domain. Size and Growns by George Herbert Read for LibriVox.org by David Barnes O, do not use me after my sins, look not on my desert, but on thy glory, then thou wilt reform, and not refuse me, for thou only art the Almighty God, but I, a silly worm. O, do not bruise me. O, do not urge me, for what account can thy ill steward make?  My head did ache, till I found out how to consume thy goods. O, do not scourge me. O, do not blind me. I have deserved that an Egyptian knight should thicken all my powers, because my lust hath still sewed fig-leaves to exclude thy light, but I am frailty, and already dust. O, do not grind me. O, do not fill me with the turned vial of thy bitter wroth, for thou hast other vessels full of blood, a part whereof my Saviour emptied hath, even unto death, since he died for my good. O, do not kill me. But O, reprieve me, for thou hast life and death at thy command. Thou art both judge and Saviour, feast and rod, cordial and corrosive. But not thy hand into the bitter box, but O, my God, my God, relieve me. Love built a stately house, where fortune came, and spinning fancies, she was heard to say that her fine cobwebs did support the frame, whereas they were supported by the same, but wisdom quickly swept them all away. Then pleasure came, who, liking not the fashion, began to make balconies, terraces, till she had weakened all by alteration, but reverent laws and many a proclamation reformed all at length with menaces. Then entered sin, and with that sycamore, whose leaves first sheltered man from drought and dew, working and winding slily evermore, the inward walls and summers cleft and tore. But grace shored these, and cut that as it grew. Then sin, combined with death in a firm band, to raise the building to the very floor, which they affected, none could then withstand. But love and grace took glory by the hand, and built a braver palace than before. Obedience by George Herbert My God, if writings may convey a lordship any way, whither the buyer and the seller please, let it not thee displease, if this poor paper do as much as they. On it my heart doth bleed, as many lines as there doth need, to pass itself, and all it hath to thee, to which I do agree, and hear by the hand, and hear by the hand, to present it as my special deed. If that hereafter pleasure, cavill, and claim her part and measure, as if this passed with a reservation, or some such words in fashion, I hear exclude the wrangler from thy treasure. O let thy sacred will, all thy delight in me fulfil, let me not think an action mine own way, but as thy love shall sway, resigning up the rudder to thy skill. Lord, what is man to thee, that thou shouldst mind a rotten tree, yet since thou canst not choose but see my actions, so great are thy perfections, thou mayst as well my actions guide as see. Besides thy death and blood showed a strange love to all our good, thy sorrows were in earnest, no faint proffer, or superficial offer, of what we might not take, or be withstood. Wherefore I all forego to one word only I say no, where in the deed there was an intimation of a gift or donation, Lord, let it now by way of purchase go. He that will pass his land as I have mine may set his hand and heart unto this deed, when he hath read, and make the purchase spread to both our goods if he to it will stand. How happy were my part, if some kind man would thrust his heart into these lines, till in heaven's court of rolls they were by winged souls, entered for both, far above their dessert. End of poem. This recording is in the public domain. Man's Medley by George Herbert Read for LibriVox.org by David Barnes Hark how the birds do sing and woods do ring, all creatures have their joy and man hath his, yet if we rightly measure man's joy and pleasure rather hereafter than in present is. To this life things of sense make their pretense, in the other angels have a right by birth, man ties them both alone and makes them one, with the one hand touching heaven, with the other earth. In soul he mounts and flies, in flesh he dies, he wears a stoff whose thread is coarse and round, but trimmed with curious lace and should take place after the trimming, not the stoff and ground. Not that he may hear taste of the cheer, but as birds drink and straight lift up their head, so must he sip and think of better drink he may attain to after he is dead. But as his joys are double, so is his trouble. He hath two winters, other things but one, both frosts and thoughts do nip and bite his lip, and he of all things fears two deaths alone. Yet even the greatest griefs may be reliefs, could he but take them right and in their ways, happy is he whose heart hath found the art to turn his double pains to double praise. End of poem. This recording is in the public domain. The Twenty-Third Psalm by George Herbert, read for LibriVox.org by David Barnes. The God of love my shepherd is, and he that doth me feed, while he is mine and I am his, what can I want or need? He leads me to the tender grass where I both feed and rest, then to the streams that gently pass, in both I have the best. Or if I stray he doth convert and bring my mind in frame, and all this not for my dessert, but for his holy name. Yea, in death's shady black abode well may I walk not fear, for thou art with me and thy rod to guide thy staff to bear. Nay, thou dost make me sit and dine, in in my enemy's sight. My head with oil, my cup with wine, runs over day and night. Surely thy sweet and wondrous love shall measure all my days, and as it never shall remove, so neither shall my praise. End of poem. This recording is in the public domain. Mary Magdalene by George Herbert Read for LibriVox.org by David Barnes When blessed Mary wiped her Saviour's feet, whose preset she had trampled on before, and wore them for a duel on her head, showing his steps should be the street wherein she thenceforth evermore with pensive humbleness would live and tread. She being stained herself, why did she strive to make him clean, who could not be defiled? Why kept she not her tears for her own faults, and not his feet, though we could dive in tears like seas, our sins are piled deeper than they, in words and works and thoughts? Dear Saul, she knew who did vouchsafe and dain to bear her filth, and that her sins did dash in God himself, wherefore she was not loath, and as she had brought wherewith to stain, so to bring in wherewith to wash, and yet in washing one she washed both. End of poem. This recording is in the public domain. Aeron by George Herbert, read for LibriVox.org by David Barnes. Holiness on the head, light and perfections on the breast, harmonious bells below, raising the dead, to lead them unto life and rest, thus are true errands dressed. Profaneness in my head, defects and darkness in my breast, a noise of passions ringing me for dead, unto a place where is no rest. Poor priest, thus am I dressed. Only another head I have, another heart and breast, another music making life not dead, without whom I could have no rest. In him I am well dressed. Christ is my only head, my alone only heart and breast, my only music striking me in dead, that to the old man I may rest, and be in him new dressed. So holy in my head, perfect and light in my dear breast, my doctrine tuned by Christ, who is not dead but lives in me while I do rest. Come, people, errands dressed. End of poem. This recording is in the public domain. The Elixir by George Herbert, read for LibriVox.org by David Barnes. Teach me, my God and King, in all things thee to see, and what I do in anything to do it as for thee. Not rudely as a beast to run into an action, but still to make thee pre-possessed and give it his perfection. A man that looks on glass, on it may stay his eye, or if he pleaseth, through it pass, and then the heaven espy. All may of thee partake. Nothing can be so mean which with his tincture for thy sake will not grow bright and clean. A servant with this claws makes drudgery divine, who sweeps a room as for thy laws makes that and the action fine. This is the famous stone that turneth all to gold, for that which God doth touch and own cannot for less be told. End of poem. This recording is in the public domain. A wreath by George Herbert, read for LibriVox.org by David Barnes. A wreathed garland of deserved praise, of praise deserved unto thee I give. I give to thee who knowest all my ways, my crooked winding ways wherein I live. Wherein I die not live, for life is straight, straight as a line, and ever tends to thee. To thee who art more far above deceit than deceit seems above simplicity. Give me simplicity that I may live, so live and like that I may know thy ways. Know them and practice them. Then shall I give for this poor wreath give thee a crown of praise. End of poem. This recording is in the public domain. Death by George Herbert, read for LibriVox.org by David Barnes. Death thou wast once an uncouth hideous thing, nothing but bones, the sad effect of sadder groans. Thy mouth was open, but thou couldst not sing. For we considered thee as at some six or ten years hence, after the loss of life and sense, flesh being turned to dust, and bones to sticks. We looked on this side of thee, shooting short, where we did find the shells of fledged souls left behind, dry dust which sheds no tears, but may extort. But since our Saviour's death did put some blood into thy face, thou art grown fair and full of grace, much in request, much sought for as a good. For we do now behold thee, gay and glad, as at Doomsday, when souls shall wear their new array, and all thy bones with beauty shall be clad. Therefore we can go die as sleep, and trust half that we have unto an honest, faithful grave, making our pillows either down or dust. Love, by George Herbert, read for LibriVox.org by David Barnes. Love bade me welcome, yet my soul drew back, guilty of dust and sin. But quick-eyed love, observing me grow slack from my first entrance in, drew nearer to me, sweetly questioning, if I lacked anything. A guest, I answered, worthy to be here. Love said, you shall be he. I, the unkind, ungrateful, are my dear, I cannot look on thee. Love took my hand, and smiling did reply, Who made the eyes but I? Truth, Lord, but I have marred them, let my shame go where it doth deserve. And know you not, says love, who bore the blame? My dear, then I will serve. You must sit down, says love, and taste my meat. So I did sit and eat.


Hello friends, I am Sanjay Gupta. In this video, I am going to demonstrate you how you can perform string concatenation by passing string into function using pointer. Before starting, you can note my information, you can follow or subscribe my YouTube channel through the URL youtube.com slash sanjaygupta underscore tech school. You can download my programming app Techimace which is available on Google Play. Now I am going to implement solution of this problem with the help of C programming. So first I am including a header file that is stdi.h. Now I am declaring a function that is concat. Its return type is void and its argument type is character pointer and character pointer. So it will receive two addresses of two character arrays. So this statement is function declaration. Now I am going to define main function. Inside main, I am declaring two character arrays S1 and S2. Then with the help of printf, I am going to display the message enter string 1. Then through gattus, first string will be received from user. Now through printf, again I am going to display the message enter string 2. So again gattus will receive the entered content and that content will be stored inside S2. Now I am going to call the function concat and I am passing S1 and S2 string inside it. So this statement is function call. After completion of this function call, S1 will be modified. It will be having contents of S1 as well as contents of S2. So I can print this string on console. So this way S1 will be displayed on console and at last I am writing returns 0. So this way I have implemented the complete definition of this main function. Now I have to define concat function definition. In this first header line, I am receiving addresses of both the character arrays into pointers p1 and p2. And this block will be known as function definition. Now inside this function definition, first I have to move to the ending position of S1 character array through p1 pointer. So for that purpose, I am applying while loop. Here you can see condition is S risk p not equals to null. So p1 is containing base address of S1. Now I have dereferenced it with asterisk sign. So it will provide first value of that character array. So asterisk p1 will be providing first element. If it is not equals to null, then I have to increase p1 to the next location. So this loop will be repeated until null is available. So if p1 is pointing to null position, then this loop will be terminated. So after termination of this loop, p1 is pointing to the null position. Now from that null position, I have to copy contents of S2. So for that purpose, I am implementing second loop, asterisk p2 not equals to null. So inside this loop, I have to copy contents of S2 into S1, but through p1 and p2 pointers. So I am writing this statement. So p1 is having addresses of S1 and p2 is having addresses of S2. So p2 is pointing base location now. So base location contained will be copied into p1 and p1 is pointing to the null position of S1. So at the end of S1, all the contents of S2 will be copied through this statement. Now for increment operation, I am applying p1 plus plus and p2 plus plus. So this way, all the contents of S2 string will be copied into S1 at the end of S1 string. At last, I have to copy null explicitly because p2 pointer will not be copying null in p1 pointer. Or you can say from S2, null will not be copied into S1 because when null will be occurring, this loop will be terminated, which is available at line number 22.  Now I am going to execute this code. So in first string, I have entered Sanjay. In second string, I have entered Gupta. You can see the output. Concatenated string equals to Sanjay Gupta. And I have displayed only S1. So the concatenated string is S1, which is having contents of both S1 and S2 strings. And I have passed both the strings into function with the help of pointers. So pointers are concatenating contents of S1 and S2 in this program. So this way I have implemented the code in front of you. I hope you have understood the logic well. If you want to watch more programming related videos, you can follow or subscribe my YouTube channel through the URL youtube.com slash sanjaygupta underscore tech school. You can download my programming app Techimus, which is available on Google Play. Thank you for watching this video.