presentation of TFNN. The Tom O'Brien show is produced every business day. Tom takes your phone calls toll-free at 1-877-927-6648. Internationally at<PHONE_NUMBER>. Tom, look what we got. What's a beautiful thing? Get out of man. Jim from Minneapolis. We're gonna take him by storm. Take him by storm, baby. I love that. That's a great saying, man. Hey, what's happening, brother? Good morning, gentlemen. How you guys doing today? Good, man. You saw? Oh, man. It's been the most incredible couple of days. And when I called in on Friday, Lifecoin busted out of that consolidation on the two-hour chart. Okay. And it just never looked back. It did a 100-point ABC up. And now it's very extended, the way I look at it. But, holy mo- I mean, it went up to $420 last night. Now, Tom O'Brien, welcome, folks. This is Tom O'Brien of TFNN. We go five days a week. We go seven and a half hours a day. We go 24 hours a day on the internet at tfnn.com. Always remember, folks, whatever you think about, you bring about whatever you focus on grows up. Everyone's having a great day, safe day. Let's make it a great night, folks. Don't take anything personally. Your truth is personal to you. Your own opinions and point of view reflect your own agreements and are personal to you. It's no one's truth, but your own. My guys, let's take a look at it out here. We have the Dow Industries up 192, Nasdaq up 56, S&P's up 19, Gold Contract up $9.10, trade in at $17.47 an ounce. You get Silver up $0.06, $0.15, $0.40 an ounce, Light Sweet Crude up $3.12, $0.16, $0.92, a barrel, notes and bonds. Ten year right now down one tick, 139 flat, 30 year up a half a point, 16 ticks at $181.15 and King Dollar. King Dollar's up 54 ticks, trade in $100.441, the Euro is at $107, the yen is out here at $107.64 and the British pound is at $123 to $1.00. iPhone number's<PHONE_NUMBER>. Give us a call, folks. We want to know what's going on in your world and the world of the S&P's. Let's take a look at it. What do you have? Well, you got a little volatility out here today. These wrenches come out of nowhere and what we had out here this afternoon, you got up to a price point of $28.36. Let's see. Well, yeah, at 12.40 p.m., what you did, you had a story come out about Gilead that the test over in China was a failure, et cetera, the whole ball of wax. That took the S&P's down about as fast as you can go. We went down at 34 points. Tested it again, bottom line, rejected it on the first test. What I expect you're going to see here, folks, I suspect we're going to sell off into the close. Now, the reason I'm saying that, if we go over to the spy, what you're going to see is this, is that yesterday what we had done, you went to higher price, you had a monster contraction of volume, bottom line, we're going to have another one today. We are coming into 146 million shares. Yesterday you did 86, no, you did 94, 93. Today we're already at 84, so we should do 100, but the bottom line, you should be banging out like 150, 160, in order to sustain higher price. The demand is just not there. Inside the NDX100, same type of setup. Inside the NDX, bottom line, we should be banging out at something like 60, 65 million shares. Right now you're at 36. Yesterday we did 40 at the Qs. They'll probably do about 40, 45. What I expect you're going to see in both cases now is that you won't hold price also. Not holding price, folks, in this particular case, I'm not talking about on the highs. I'm talking about you won't even hold price of the highs of yesterday. Inside the Qs, that number is 21235. That was the high of yesterday, even though we had given it up, we got over it. I suspect we're going to close under it. If we go over to the spy, what you're going to see, that number inside of the spy is going to be 281 flat, and right now you're 280.59. Going to be wild watching this whole thing shake out. We go into the gold contract. Gold contract out here today. We hit 1764. Right now you're at 1747. You've got 191,000 contracts traded. Bottom line is that gold wants higher price. You get the equities wanting higher price. If we go take a look at the GDX, you get 42 million shares inside the GDX, you're going to have, that's not going to be an ABC structure up. They will put some monster volume into the close and the GDX. We take this on the weekly, though, what you are going to see is that I believe we get the break top side. Let me see what that number is. The number that we need to stay over, yeah, we have it. The GDX folks, it's trading 33.53. That has launched the seven-year consolidation that we've been in. That's a big number because that's saying the GDX next move up is going to be somewhere about 47 to 53, and right now you're at 33. I know that's a very large number, folks, when you just say that, okay, you're going to move from there to there, but if you want to see how fast these large numbers have come inside these gold equities, bring a couple up for you just to show you. If we go back into Newmont, what you're going to see inside Newmont, Newmont broke top side two weeks ago. When it broke top side, we're talking $44, it's trading 62. Barrick just broke this week. That broke top side. So those are the two largest gold equities in the world. Bottom line, Barrick is trading at $26.91. That break, which has been this week, $23. And Barrick is bottom line saying, you know, 37.43 is coming at us and you're at $26.91 right now. So you're talking about some very heavy numbers. There's no two ways about that. Notes. Notes and bonds. You get the 10-year flat out that $133.01. The 30-year right now is up 20 at $181.19 and $Kingdoll. Kingdoll is up that $286.00, trading $100.417. Bottom line, what I expect we're going to see out here, let's go into the NQs for a second. We take a look at the NQs.  We had a high out here today of 87.86. So that's 120 points higher than we were. I suspect this is also going to go right after the lows, which is 86.05. So you're talking about another 60 points down. We're alive in the green by 30. I think it's going to be a wild 60 minutes as we shake out here. Some of the higher volume equities, and this will be a low volume market out here today, is that you have snapped down 64 cents. Let's see, American Airlines is up 5 cents. You get kind of a 42. Nothing really heavy. No, ExxonMobil. ExxonMobil is up about 42. Inside the NDX100, the strength versus the weakness inside the NDX, you get serious satellite up 6%. Expedia is up 3%. NetApp is up 3.2. Taking away from it. Citrix down 6.3. This is always a heads up, folks. When the chip stocks can't handle it on the way up and they give it up, guess what? Heavy pressure inside the NDX100 as well as the composite. They love bringing the market up, bringing the market down. So Citrix is down 6.5%. You get Xilinx down 4%. You get Starbucks down 3.7%. We're going to take a look at the Intel INTC. That's coming up with numbers today. Let's take a look. Thanks, Jeff. So INTC. So this is going to get interesting. Intel trading down 58 cents. That's been a sideways move. They're going to be looking, let's see what they're looking for, 23rd already. They're going to be looking for 18.8 billion to the top line, a buck 28 coming down. Stay right there, folks. Get out, man. Mr. Jason Path coming back with us. We're going to be bisecting and dissecting some of these sectors inside the marketplace out there. Come right back. When you sign up, I'll mail you a physical copy of my bestselling book, The Art of Timing the Trade, Your Ultimate Trading Mastery System, an $88 value. 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The Tiger's Den is an interactive chat room that runs all day where other Tigers and Tigresses discuss trading ideas with the hosts and members, along with charts and current market news, as well as live access to the charts the hosts use during their programs. Join us for the Tiger's Den open house. Begin your Den membership today by just entering OPEN at checkout and pay nothing while you try things out for 30 days. For all the details and to start your Den membership today, visit the front page of TFNN.com. Don't miss out on the TFNN Tiger's Den open house taking place now. Sign up today. Toll free at 1-877-927-6648. Internationally at<PHONE_NUMBER>. Welcome back folks. That was a baby three. Nasik's up 15. S&Ps are up five and a half. Let's go over to IMM. This is Jason Path as we do each and every Thursday at 20 past the hour. Jason, what's going on, brother? How much time are you, man? I'm doing great. I'm doing great. So, you know, we get quite a market, no doubt. We had gas numbers this morning. So what are we thinking here? Yeah, so I've been watching gas closely. You know, the interesting thing about natural gas right now is in some ways, certainly from a production standpoint, it's linked with oil, right? A lot of companies drill with both. You have a lot of what they call associated gas, about 10 to 12 percent of the natural gas we extract is really comes from drilling for oil. I see. Again, a lot of wells, you know, are both gas and liquids. So as rigs come off the field, as these oil primarily EMP companies get hit as hard as they're getting hit, we really see natural gas production going down. Clearly, the demand is the variable everybody's watching closely. But, you know, we all get the story in oil, right? We're not flying. We're not driving. But we're still, you know, heating and cooling our houses. We're still using electricity. Yeah. It's so convenient, isn't it? Yeah. Exactly. We've been a long-term downtrend, you know, gas markets, you know, once upon a time were very volatile and swung wildly. It's been, you know, kind of a grind downward over the last year or two. But I really feel like gas got hit harder than it should have a few weeks back when oil started to get hit. People take their rigs out of the field. We're going to see production really fall off a cliff. And again, we're still going to heat and cool our homes. Clearly, demand will incrementally go back up in gas as we reopen the country. But, you know, I think the consensus this morning was for 47, 48 BCF on an injection. We did 43. I think it's going to continue to be a little more bullish on the storage numbers that people are expecting because I think they've over-factored for, you know, a loss of demand. And I think as we move forward, as the country reopens, we incrementally use more gas, you know, because, you know, we're at like 155, 156 on futures, which is getting pretty close to, you know, multi-decade lows. I know. There's no doubt that it's amazing. I said this morning, it's so deviant, man, right? That, you know, it's been so low, folks, okay? And then you think that, okay, it only can go so low. I mean, a man used to add young years ago, he said, well, the best cure for low prices is low prices, right? That's right. And commodity. What happens in gas is you have what they call gas switching or coal switching where when the price gets that low, the price of coal has really gone up dramatically over the last couple of years. Plants, many plants are able to switch. And so when you get down to 155, 160, folks switch over to gas. What we've seen during the downturn, we've seen electricity demand drop about 10% across the country. But plants are burning more gas because they're switching over from coal. And we've seen gas as a percent of mix moving 35% to 40% across the country. Wow. And so we're actually burning about as much gas as we did before the downturn. So I think that's net bullish for gas. And I think it's going to, it's certainly going to be an interesting spring and summer in the energy world. But as these companies continue to get hit, CapEx gets hit, Riggs come off the field. You were down about half from this time last year on Riggs. I think it's net bullish for gas long-term. Hey, so let me ask you, right? You know, on the notes that you sent over, and this is really intriguing folks, okay? Because uranium, and I'm looking, you know, as soon as you sent it over this morning, right? I'm looking at Comico, right? That's right. Comico's an ABC up. I mean, so talk to me about uranium. What's the deal? Why this thing is running, man? You want to talk about companies that just could never figure out how to make money historically, right? So uranium companies, they over mined. They could just never figure it out. And then countries honestly started using old nuclear waste piles to get supply. And, you know, across the world, right globally, about 25% of our power is supplied by nuclear. And what you had last year, Comico and others really got together almost cartel-like and decided to really cut supply. I see. And they did it. And again, below the radar, everybody's worried about oil and gas in the energy sector. Yeah. And Comico's really led the way on cutting back in production with the stated goal of lifting price. And you can see it's just been exploding topside. We expected that, given Comico and other statements, and it's just played out, and it's continued to go up and up and up. It's a beautiful setup, man. And it's Comico, folks. The symbol is CCJ. And, you know, check it out. It's an ABC Up. It took the B point out today that B point is $9.80. And it already just went up from $5 in a month. So, big dumbo. So, we're going to switch over. Let's talk the euro. So talk to me about the euro. Actually, you know what I want to do? Can we talk? I want to talk about this. No, let's do the euro first. Then we'll go into the bonds, all right? Yeah, absolutely.  But there's a lot of geopolitical risk and a lot of things happening across the world.  You've got... Europe is in the midst of the greatest recession that they've ever faced. And they just cannot get on the same page as to how to deal with it. Right. You've still got risk in the Middle East. You've got, you know, Italy versus Norway. They're on the continent. And I think all of that...  The economic data that's printing. I think it's very net bearish for the euro. And one of the ideas that we're, you know, expressing to be trade is, you know, short euro yen, for instance. You know, with Kim Jong-un, who knows what's happening over there in North Korea. You know, the yen's a safe haven. Yeah. A lot of geopolitical risks, certainly some on the continent with the euro, are waiting this week and today, really trying to hammer out a $2.2 trillion deal. And I just don't think it's going to happen. So if folks are looking for a way to divest a little exposure away from the dollar, still go long geopolitical risk short the euro. I think your yen's short for the next couple months. Nice. There's just too much risk in the world right now aside from the virus. And the European leaders just can't get on the same page. Yeah. We're a lot lucky. In all of the states, it's one, you know, federal government versus what they have going on. There's no doubt. That's right. You know, in Italy and Spain, we're in trouble going in, right? Yeah. It's just exactly the same time. So when we talk bonds, can we first talk, tell me about this gold-copper ratio, okay? Right. Yeah. So one of the models we use is the gold-copper, copper-gold ratio. And just think in terms of a simple ratio, you know, the price of copper over the price of gold. Yeah. It's a way to mathematics, right, macro, large macro cycles. And if the price of copper is going up, it's typically bullish. You know, gold's certainly a safe haven. And what we've seen over the last, you know, 10, 20 years is it's a very good proxy for tracking anticipated movements in the 10-year yield. Again, also kind of a benchmark safe haven type play proxy for risk in the macro environment. So what we've seen lately is, you know, I certainly expect a copper to continue to break higher. Is there's been a break, right? Yields have come way in. The gold-copper ratio hasn't broken down nearly as much. So I'll tell you one or two things.  And, you know, the price of treasuries has to come down. I think that's what's going to happen. We've seen that historically with that ratio. Whenever it gets back out of whack, the yields come up to meet where the price of copper is as you chart that over a longer time horizon. That's so cool, man. Because I think one of the biggest questions that we'll be asking each other, all of us in the investment world, is that what's going to happen with the yields and is there inflation coming in, right? That's right. Yeah, yeah. I think they have to go out from where they are today. You look at the 10-year today. They'll drift out. You know, will we see three again in this decade? I can't say that. Right, right. You know, from six-tenths of a percent on the 10-year, I think it's pretty safe to say, we'll be in a much higher yield world in the next few months. Awesome, awesome information, man. Thanks for the education, Jason. Yeah, Tom, appreciate it, man. Have a great rest of the day. Take one safe one. We'll look forward to speaking to you next week. Hey, you too, man. Okay, man. I can't wait. Thank you. Great. Thanks, Tom. Stay right there, folks. Coming right back. Dow up 92 and there's like a 15. S&P's up six and a half. Coming right back. Thanks, Tom. Thank you. Are you in the market for buying or selling real estate in the Bay Area, including the surrounding St. Petersburg, Tampa, and Clearwater markets? Tiger Real Estate LLC is a firm that has extensive experience in the Tampa Bay Area. Whether you're looking to sell your current property for maximum value or you're in the market for a second home or investment property, Tiger Realty has the experience across all areas of real estate in the Tampa Bay Area to help buyers and sellers make the most informed decisions across all price levels. From the price you should be paying per square foot in certain up-and-coming areas to the type of cash flow investment properties are capable of creating, Tiger Real Estate can help you make the best decision when it comes to all areas of the market. Before you make one of the biggest decisions of your financial future, call Tiger Real Estate LLC today at<PHONE_NUMBER> or email us at tiger at TFNN.com. That's<PHONE_NUMBER>. Call us today. TFNN has developed a daily programming lineup for traders by traders. We start every trading day live at 8.30 a.m. with Tommy O'Brien hosting the morning market kickoff as he starts the day off by breaking down everything you need to know about what's going on for the trading day ahead. At 9 a.m. Larry Pezzavento takes your calls and questions live on the air for the opening bell as he hosts Trade What You See. At 10 a.m. Tom and Tommy O'Brien host the Bull Bear Trading Hour. At 11 a.m. it's Kevin Hanks and Alex Coffey from TD Ameritrade Network with Fast Market, Basil Chapman at Noon with the Tiger Technicians Hour, Steve Rhodes hosts the Traders Edge at 1 p.m., Dave White with the Power Trading Hour at 2 p.m., and Tom O'Brien closes out the day for the final hour of trading live from 3-4. Don't miss a second of our daily programming lineup. Tune in to Tiger TV every trading day live at TFNN.com. Educating investors. Welcome back folks.  Now this is pretty cool folks. So New York, of course, got hit one of the hardest in the country outside of the state of Washington. The differential coming out of it is that they're going to have some monster testing capabilities which they've already started. And this study here is pretty cool. This just came out today. New York study seeking to measure the spread of the new coronavirus found that 13.9% of the 3,000 people tested across the state had signs of the virus. Now that is one of the biggest reviews to date. Now check this out though. That implies that 2.7 million residents may have had COVID-19. Governor Andrew Como said that's 10 times more than the official count based on the state's testing. The pandemic no doubt was more intense in New York City, the hardest hit area, where 21% tested positive for a blood marker showing that they had been infected at some point, the bottom line just only the beginning of it. So we're going to be getting some more numbers. His quote is that we're going to continue to test on a rolling basis. We have to get a Lodger and Lodger sample. I wanted to see a snapshot of what's happening with the rate. Is it going up? Is it flat? Is it going down? So that they can really make some clear decisions as to going forward. The cool thing here, so what they're also saying is this, okay, the study, let's see, okay. So this is a big part of it too. The fatality rate is likely to be lower than implied by merely examining the confirmed cases and the deaths, okay. Because if we had 2.7 million people that actually had it in New York, the fatality rate would go down a half a percent versus the numbers that we were talking about before. What they are worrying about a little is that they're not sure whether they got enough older people inside of the study, okay. The survey used blood tests that look for antibodies which are markers in the blood created by the immune system after a person has been infected. They can show whether the person was previously infected by the virus. So the bottom line is that a decent setup, and I suspect what's going to end up happening is that it's going to be more than likely some of these tests that are coming out of New York will tell us exactly how many folks actually had it. And that's going to make a difference as long as these antibodies do turn around and keep people safe going into the future.  So we'll see where that's at, but that is good news. There's no two ways about it. Market-wise out here, this is going to get interesting. You know, we were talking about, my take is that this thing is going to go negative as we come into the close here. Now what we just did, we just popped down again. So the low of this trading session, the low of the day, but that was overnight, is 27.72. The low of this trading session, thus far, folks, has been 27.86, I think. Yeah, it's 27.86. Well, we just popped into 27.90. Now, 27.97, we got, let's see, where are we at? Yeah, it's 3.30 in the afternoon. This is building cause to break this area. Now, this is what's going to be intriguing. This area right here is going to actually be hard to break. The reason it's going to be hard to break, folks, is that we've been trading at this area right now. You can actually bring it all the way over to yesterday, basically at noon. You know, so we've been down here many times and thus far it does not want to break this area. So we'll see how this shakes out. The first leg down was the largest leg down. And the next leg, even the leg that we just come down, there's not enough volume. If you can see this correlation, the correlation when we came down was 26,000 contracts versus 36,000 contracts versus 125,000 contracts. So you can see this is the building cause. It looks to break the area. And the way that you do this, okay, meaning that so the real question would be there, and that methodology would be that, well, how would you know that? Why would you think that? So what you do is that then you look to see how the S&P goes up. And if you look at how it goes up, what you're going to see, your first bounce out here, bottom line had 28,000 contracts. Your next bounce had 21,000 contracts. And we'll see what we get this time. See, that's the correlation. So the correlation is that you try to bust it down. You get the lighter volume on the way down. First big volume, then bigger volume. No, first big volume, then lighter than the big volume, then lighter. But all those three volumes were much heavier than how we went topside. By the tune, you can see that by the tune of 125,000, 60,000, 38,000 versus started out with 28,000 and the topside 21. You can see the correlation. The correlation is quite clear that you don't have any buyers that as you're going into higher price. The XAU, the HUI, I believe the XAU has broken topside. That's up 357. Was it the XAU or the HUI? Let's find this out. This was the consolidation it took out also. So that number and that consolidation bring this back. If you're looking at these consolidations inside the gold market, you've got to bring them back like 10 years. Yeah, you did it. 114.71. So the XAU is the first one to break out of the seven-year consolidation, folks. Listen, man, that sets up a big number, man. It sets up a big number. All you have to do is go look at Newmont, look at Barak to see the acceleration and how far that acceleration actually went. If you're into any of the South African equities, you're going to see that these things, they went exponential out here today. You had gold fields get up to 848. Harmony out here, that is trading to 350. And if you want to see why, folks, we'll get over, we take this gold contract. We put the gold contract on, I put it on a long-term chart. When you see the amount of dollars and ran dollars that the South Africans are actually getting, it is an absolute mind-blower. So if you're watching Tiger TV, right now you're going to see 1733. It's a continuous contract. That's in U.S. dollars. In U.S. dollars, folks, the high in gold is $1920. We haven't broke it with 1733. Now watch what ends up happening. I put this in ran dollars. This is just a hard chart to really wrap your head around because it's so dramatic. And that's why the South Africans are making so much money. The high of 2011 in ran dollars is $14,743. The high today, folks, is $33,313. Yeah, ran dollars. And their expenses, well, they get paid in U.S. dollars for the gold. Their expenses are in ran dollars. And so you can see how many AU, they have their numbers only once a year. Bottom line last night in South Africa, they basically came out and said, hey, listen, man, we're making some money out here. These stocks went up, they've been going up dramatically. Last night they all went up on a monster number. There's no two ways about it. If you're looking at that, that's ran dollars right now in harmony. You went from a $5,800 last night to $6,900 ran dollars. Stay right there, folks. Come right back. Our phone number is<PHONE_NUMBER>. We have it out at 97. NASDAQ is up 15. S&Ps are up 7. We'll come right back. If you're in the CD market and looking for a secure investment, the Tiger First mortgage program may work for you. The security for these first mortgages are building lots in the tax opportunity zone in St. Petersburg, Florida. 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Biotech is booming, but for how long? Whether you think the Biotech bull has room to run or has run its course, trade L-A-B-U or L-A-B-D. Directions daily S&P Biotech three times bull and bear ETFs. Visit DirectionInvestments.com slash Biotech today. An investor should consider the investment objectives, risks, charges, and expenses of the Direction Chairs carefully before investing. The Perspectus and Summary Perspectus contain this and other information about Direction Chairs. To obtain a Perspectus or Summary Perspectus, please contact Direction Chairs at<PHONE_NUMBER>. The Perspectus or Summary Perspectus should be read carefully before investing. An investment in the funds is subject to risk, including the possible loss of principal. The funds are designed to be utilized only by sophisticated investors such as traders and active investors. Distributor Four Side Fund Services, LLC. Welcome, O'Brien! Welcome back, folks. Dow up 142, Nasdaq up 31. S&P's up 13. Let's go to Lee in Riverview. Hey, Lee, what's going on? Hey, Tom, how you doing? Doing great, man. Yourself? Good, good. Lee, just from listening, I kind of know what your thoughts are on gold. I was looking at the gold to silver ratio, entered SLV and wanted to get your thoughts on it and also a stop. Let's take a look. So we get the SLV, which is the ICS Silver Trust, folks. The low out here for the year is $10. The high is $18.34. You're trading at $14.27. So silver, I mean, the bottom line, Lee still needs a bid. This has not been moving with gold, that's for sure. Right. So the real question is, stop-wise, I wouldn't let it go into $13.90. And what I'm doing there is that I'm taking the high of three days ago. You could put the stop at $13.75 or something like that because if they smoke silver, I mean, this will come down quick, do you know what I'm saying? Okay. What I don't quite get is that why silver hasn't taken off. I think there's only one gold. That's the bottom line because if I learned anything, like I love platinum and platinum's been a dog. So if we were talking like 10 years ago, I'd be saying that, if we were talking three years ago, no, four years ago, I'd say silver has to take off with gold but I'm not in that camp. And I'm not in that camp. The reason I'm not in that camp is what happened with platinum. I know platinum upside down. I know that there's less of it in the world. It's harder to mine all the above but it's not gold. That's what it comes down to. Do you know what I mean? So I'm trying to figure out now is like, okay, what's going on with silver then? You know what I'm saying? Because it's certainly not acting like gold. The silver stocks aren't acting like the gold stocks. They're not bad, okay? But they're certainly, they just, some of the gold stocks are up 100% in four weeks, five weeks. You know what I mean? So that's the part I'd be careful of. And I wouldn't get hung, I definitely would not get hung on that gold-silver ratio. That gold-silver ratio, what that is, folks, okay? That goes back to when we actually use silver and use gold and we're on that standard. And I know silver people love it and I wouldn't use it. Okay. Yeah, you know. All right. Well, thanks a lot, bud. I appreciate it. Okay, man, you have a great... Hey, I think I'm going to just sell that and put it in the USO. You are funny. That's awesome. Thanks a lot, bud. Have a great one, man. Have a safe trip. Thank you.  It's just so funny. And here we go. Also, look at this. This is sick. When we were talking to the USO, Tom and I were talking about this for the last two days, right? And the USO finally went back to net asset value. In fact, it's less than that asset value now. So watch this. This is how sick this is, folks. So two days ago, the net asset value was the same as it is right now, 260. Well, the net asset value right now is 276, and it's trading at 262. It was 60 cents over what the net asset value was. And we were explaining that it doesn't matter where oil goes, this is going to go back to net asset value. Well, it's worse than that. It actually not only basically now it's trading under net asset value. So I wish I could basically explain to the hundreds of millions of people, well, there wouldn't be hundreds of millions, but it'd be thousands of people that are trading this, that they bought a mine is that they shouldn't be trading it. Because now, anyway, it is what it is. And the reason I know there's so many people that are in it, folks, has to do with the market cap. It's almost a $4 billion market cap. And the sponsor of this is never going to give it up. And the reason they're not going to give it up is you can see, you can multiply $4 billion times .72 of 1%. That's the type of money that they're making inside of this. So they'll keep changing the structure that's inside it, but they're not going to give it up. Because there's plenty of people outside of the Tigers and Tigers that don't understand, number one, what it is, and number two, what is actually inside of it. So pretty wild. Let's go take a look at a few of the big dogs inside the NDX100. Oh, here. Amazon's up $35, but check this out, folks. This is going to be intense. Amazon is going to start getting some real bad press, I'd say. Let me find this article, because this is a bad article. And it's not like, I like what Amazon has done in the context of a business. I know that I can't stand this, actually. It drives me out of my mind right now. And what it is, so check this out. I've got to find this article, because this is what they did.  So Amazon and these large internet companies have done this a million times. Microsoft was the king of this years ago. Once they'd basically see a product out there, they'd figure out how to put it inside windows, destroy the product, OK? In Amazon's case, this is what's out here today. Amazon employees have used data about independent sellers on the company's platform to develop competing products of practice at odds with the company's stated policies. The online retailer has long asserted, including to Congress, that when it makes and sells its own product, it doesn't use information that collects from the site's individual third-party sellers data that those sellers view as proprietary. Yet interviews with more than 20 former employees of Amazon's private label business and documents reviewed by the Wall Street Journal reveal that employees did just that. Such information can help Amazon decide how to price an item which features to copy and whether to enter the product segment based on its earnings potential. In one instance, Amazon employees assessed documents and data about a best-selling car trunk organizer sold by a third-party vendor. That information includes total sales, how much the vendor paid Amazon for marketing and shipping, and how much Amazon made on each sale. Amazon's private label later introduced its own car trunk organizers. It's sick. They're going to bust them. This is the stuff, folks, that these companies will end up being one company left if, in fact, regulations don't go in the middle of this. Because you get a picture. So picture this.  You start a business, you get a great business going, right? The bottom line, we all know that businesses in general, and particularly we're going to know this even more so after this pandemic, if you can be in the digital part of the business and you're paying less rent and you're doing things digitally and you have a hit, you should be able to basically, you can have competition, but that competition shouldn't be on the platform that you are selling. And in this particular case, of course, there's only a few platforms. So I think the, yeah, I can absolutely see how these, in fact, I was reading about this woman that has been going after Amazon forever. And specifically what she said even years ago was this is how it was going to come down, and we're going to be that many businesses destroyed. And that, in fact, destroys communities because guess what, you know, and yes, they've been doing it for years. I know, I know, sad. Stay right there, folks. Dow. Dow up 99. That's like a 19. That's a piece of bait. We'll come right back. I'm Steve Rhodes, author of Mastering Probability, and for the last 12 months, Timer Digest has been tracking my newsletter signals, which have earned me the ranking as their number one market timer in the nation for the S&P 500 for the last 12, 6, and 3 months. Timer Digest also ranks me as the number one market timer for gold as well. The fact is markets can be timed, and I'll teach you the exact set of tools that I use that has transformed me into one of the best at what I do. Sign up for Mastering Probability today by clicking on the newsletter tab on the homepage of TFNN.com and get immediate access to workshops where I take you step by step how to use an extraordinary set of tools as well as provide great market calls too. Sign up today. 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New subscribers get a 30-day money-back guarantee so you have nothing to risk. Sign up today. You know what's cool? Taking something that's good for you. Something specifically formulated to help with weight loss, better sleep, stress reduction and the need to detox. Nicar hunter and gatherer ancestors found all their nutritional requirements for health in their wild environment, but today our food sources no longer contain the vitamins, minerals and nutrients our bodies need to stay healthy and strong. That's why we need primal-edge daily nutrition. It includes a special blend of ionic, soil-based vitamins, minerals, fatty and amino acids in an easy to use liquid form. Primal-edge is powered by highly concentrated folic and humic acids, nature's preferred delivery system. They have been called miracle molecules because, like sunlight, air and water, life cannot exist without them. That's right Paige, they ensure we receive all the nutrition we need to be healthy and thrive. We take it every morning. Primal-edge, formulated and approved by Niko and Paige of Living a Primal Lifestyle. Buy it today for just $89. Please click on the Primal-edge banner on the front page of TFNN.com. Don't forget, you can listen to TFNN live on your mobile device 24 hours per day. Go to TFNN.com and hit Watch Tiger TV. That's TFNN.com and hit Watch Tiger TV for the latest market information. Welcome back folks. Dow is up 66, Nasdaq's up 11, S&P's up 3.5. This is going to be a wild one folks. The reason why that is these last minutes before 4. Now futures don't close the quarter past. The reason I'm saying it is that the volume acceleration has got pretty dramatic and it's laying right next to these lows. We've already done, let's see, 28,000 inside the E-mini and the bottom line is that the last swing point was 36, but you get five minutes left in this bar and then the one before that is 125,000. So when you're this close and you've got six minutes left, my take is that what they're going to try to do here, you're going to see one large yard of community, they're going to try to blow this bottom out. We'll see whether they can get it done. If we get over to the NQs, yeah, same setup in the NQs right now. Let's do it that way. Okay, so in the NQs, that's interesting. Now watch this, this way you want to look at both of them. The NQs don't have as much volume on the build up here. Even though we're flirting with the red right now, the S&P actually has a bigger build up than the NQs do. Doesn't mean it won't do it because it's still a lot. In five minutes we're still on, let's see, where do we get there? Where are we? You're 5,500 versus 94. So the way the NQs are actually set up is that that's doing about the same amount. The S&Ps, however, different ball game, man, that S&P is doing some big numbers. The S&P, when you get a setup like this, don't be surprised if the S&P end up down like 10 points and right now you're flat because we've been here for so long. If they can blow this bottom out coming into the close, they'll put... Yeah, you can get down to 27, 74, 27, 75. When you trade in one place for such a long period of time, folks, it makes a difference. Folks, don't forget, let's see, a week from today. A week from today I'm doing a full webinar, 9 o'clock in the morning, 4 in the afternoon. If you want to understand the out of time and the trade, price and volume, all of the above, check it out on the front page of TFNN.  Step into it, take ownership of it, fly with it. Thanks for being here, folks. Have a great night, safe night. Come back and visit us tomorrow morning. Time it kicks us off, 8.30.


Lux presents Hollywood. Lever Brothers Company, the makers of Lux Flakes, bring you the Lux Radio Theatre, starring Catherine Hepburn and Robert Taylor in Undercurrent. Ladies and gentlemen, your producer, Mr. William Keely. Things from Hollywood, ladies and gentlemen. From time to time as we pass each other on the narrow drive that leads to our respective homes, I scrape fenders with one of my most charming neighbors, Catherine Hepburn. But in spite of our frequent and more friendly contacts, I found Catherine very difficult to lure before a microphone. Her radio appearances are rare indeed, so that it's something of a triumph to present her here tonight. Co-starred with another of Hollywood's outstanding stars, Robert Taylor, in his first green roll since serving with the Navy Air Corps. Together, Bob and Catherine bring you Metro Golden Mares thrilling screen hit, Undercurrent. Last Monday night when we announced tonight's screenplay and stars, the audience response was, to say the least, terrific. And I might say that the same is true of audience reaction when it comes to Lux Flakes. Hundreds of listeners who've used Lux Flakes to care for precious fabrics have written us their appreciation. I only wish I had time to answer them in person. But I'm sure that the help which Lux Flakes offer is an answer in itself.  They appear, respectively, as Anne Hamilton and Alan Garaway as the curtain rises on our first act. It was a marriage no one ever would have predicted. Anne Hamilton, reserve, unaspiring, and Alan Garaway, the wealthy celebrated inventor of the Garaway Distance Control. Garaway brought his bride to Washington. Their first night there, he displayed her before a large select group of friends. When the friends had departed... Oh. Hand darling, what is it? I thought they'd never go Alan. Oh, you shouldn't have, you shouldn't have. What darling, I shouldn't have what? You shouldn't have married me. Your friends asked them. They know it was a mistake. Anne, please. Darling, I can't help it. I didn't even know what they were talking about. They were laughing at me, Alan. I know they were. Well, I was proud of you. Alan, I was so lost among them. What must they have thought? I mean, well, good grief. I don't even know how to dress. Is that all that's worrying you? I'm gonna take this dress off and never see it again. Darling, it's a perfectly nice dress. Nice dress. It's eight inches too short and it's only two weeks old. Alan, you're stuck with a wife who doesn't know how to dress. She doesn't even know how to behave. We'll go shopping tomorrow, darling. Won't do any good. By tomorrow night, you'll be the best dressed woman in Washington. You're already the loveliest.   I'll learn. I really will. I'll learn to talk like your friends. I'll learn to be like them. I don't know how the heck I'll do it, but I'll do it.  Darling, just tell me one thing. Who do you belong to? You. Well, that's all. That's all that matters. Is it, Alan? Is it? And if you ever forget that, you'll be very sorry. Now, if Madame does not mind waiting, I will arrange to have some hats modeled for her right away. Well, darling? Of course, I just don't believe any part of this. A mink coat, a beaver jacket, 14 gowns, 12 pair of shoes. Relax, will you? If I relax, I'll drop dead. Oh, Alan, how could you have let me wear that brown horror last night? I'm in love with you, darling. I didn't even notice. But you must have. Darling, don't be afraid of hurting me. I don't know much about these things. Alan Garroway, is that you, Alan? Oh, hello, Mrs. Foster. And this is a neighbor of ours from Virginia, an old friend of my mother's, Mrs. Foster, my wife. How do you do? I'm delighted to meet you, my dear. When are you coming down to Middleburg? Well, if business eases up next month, I hope. Well, Alan, she looks like a fine, honest girl. You, uh, ride, of course. I'm afraid I'm not very good at it. We're raised on horses at Middleburg, aren't we, Alan? Oh, definitely. Alan's not a bad rider, my dear. But his brother, Michael, is the boy with the light hands. Now, there's a real horseman. By the way, Alan, how is Michael? Michael is always Michael. I hope you'll excuse us, Mrs. Foster. We were just going to... Of course. I'm late for an appointment myself. I'll be looking for you in Middleburg, my dear. Goodbye, Mrs. Foster. Alan, she's nice.  Well, I haven't had time to tell you a lot of things, darling.  But I won't... What's wrong, darling? You've seen so troubled since we came back from shopping. You were surprised to learn I have a brother. But what a nice surprise. Where is he, Alan? Spoiled my first day along with you. So typical. Good old Mike. I meant to tell you about him, man.  Our factory's there, and you'll meet people who know Mike, who adore him. He does that to people. My mother adored him. He was her favorite. Alan, please, if you'd rather... When my father died, Mike and I took over the business. I was the engineer. That's when I started working on my distance control. We'd been making plenty of money when suddenly we began to run out of funds. First, I couldn't figure out why. Mike must have thought I was an imbecile to do it the way he did. It was just like putting his hand in the cash register. He was stealing from you, your own brother? Yes. Mike had bought a ranch in the country. He'd spend a lot of time there. Like to give parties. Anyway, I drove out to see him. Fortunately, he was alone. When I told him what I'd found out, he said that I'd never do anything about it, not while mother was alive. And I didn't. Mother was an invalid. She died the next spring. Please don't, Alan. Well, there's not much more to tell. After she died, Mike just disappeared. Last I heard he was in the army. That was over three years ago. He disappeared because he was afraid of what you might do to him. Maybe, but Mike's not afraid of me. I keep thinking he's alive somewhere and hating me the way he must. I even felt I didn't have the right to marry you. Don't say that, Alan. He can't hurt us if we never let him come between us. Why should he? What's Mike got to do with us? Nothing, Alan, nothing. So we'll never think about him or speak about him again? But if anything ever does come up, you'll tell me, Alan, you'll let me know. Nothing ever will. Darling, I'm so deeply sorry for you. But I'm glad you've told me because it means you're not as sure of yourself as I thought you were. You need me even if it's only to help you forget. Yes, I do need you, Anne. You may have a no-good brother, but you're going to have an awful good wife. I'm so grateful to you for so many things. It's as though you'd led me by the hand into a strange and wonderful world, a world to dream of. Why dream? You're here, Anne. You're mine. And I love you. Good afternoon, Mrs. Garaway. Did you have a nice afternoon shopping? Oh, yes, Mrs. Hildebrand. Any messages? No messages, madam. That means all your invitations for tonight have been accepted. Mrs. Hildebrand, I don't know what I'd do without you. The perfect housekeeper. How many dinner parties have we given this month? Is it 210 or 211? This is your sixth, madam. Oh, I beg your pardon. Would you mind looking at the table? I took the liberty of arranging the place cards.  Mr. Garaway left a book there months ago to be rebound. He must have forgotten all about it. It's a volume of English poems. I'm glad I found it. Yes, madam. Or you'll notice I put Judge Putnam on your right. What?  And who's this one, Mrs. Hildebrand? Who is Mr. Henry Gilson? A new congressman from the Midwest, madam. I wondered why you placed him in the doorway. He's no one important, Mrs. Garaway. Ah, that explains it. If that is all, madam, I'd better see to the order. Sorry, Henry Gilson. You're just not important, poor guy. We have something in common, you and I. Now, me, I think you are important. Henry, you and Mr. Justice Putnam are changing places. There. Now, tell me, Congressman Gilson, just what part of the Midwest do you come from? What part of the Midwest do you come from? Ioway. Oh, I love Ioway. So big and full of corn, isn't it? Yes, ma'am. Yes, it certainly is. Excuse me a moment. Shall we go into the other room for coffee? It was such a lovely dinner, Mrs. Garaway. Thank you, Mrs. Postcode. Oh, my cherries, you're gown. What exquisite taste you have. Thank you, Madame Lefebvre. Oh, and just a minute. Thank you, Mr. Gar... Uh-oh. Yes, darling, what? Ma'am, are you trying to be rude to Judge Putnam? Why on earth did you seat him practically in the doorway? I thought the draft might do him good. He seems so stuffy. I invited him here for a reason. You know that. Oh, I'm sorry, darling. I don't know what got into me. I'll make it up to him right away. Leave your wife's bewitch me, Garaway. Why, I haven't talked so much about myself in years. Please don't stop now, Judge Putnam. Not when you're telling us about your home. Charleston must be beautiful at this time of year. It is, but I won't see it. Sometimes I feel it really belongs to the people who take care of it, much more than it does to me. That's a very generous attitude, sir. Not only generous, I think, but wise. My father always says how foolish we are to think that we ever really possess anything in life. What do you mean, ma'am? Well, I think Judge Putnam understands. No one ever really owns anything. All we have is a temporary use of it. It just isn't true to say my this and my that. Not even my wife? Oh, hey. That's different. No, but you know, I've read something today which says what I mean better than anything I've ever heard. I'm ashamed to say I memorized it. I'd love to hear it, my dear. Well, I found it in an old book of poems. This particular poem was marked. And I thought to myself, the man who marked this poem is someone I understand and who understands me. Remember it, Alan? Remember what? My house, I say. But hark to the sunny doves that make my roof the arena of their loves. Our house, they say. And mine the cat declares and spreads his golden fleece upon the chairs. And mine the dog. And rises stiff with wrath if any alien foot profane the path. That's charming, Mrs. Getaway. Well, I may have left out a line or two, but that's the general idea. And I think Dr. Fort would like another brandy. Oh, of course. You see, Judge Putnam, poetry is one of Alan's hidden vices. Excuse me. It's a wonderful girl, Getaway. Yes, yes, she is. I'm a very lucky man. It was a nice party, wasn't it? Yes, it went beautifully. And how about driving down to Middleburg tomorrow for a few days? Alan, could we? The house where you were born, the house where you grew up. Well, we can get an early start. Oh, Alan, here's your book. Book? The book the poem came from. Well, that's not my book. But it is, darling. You send it in to be rebounded, remember? I'm afraid it's a mistake. But they had the name, Galloway Middleburg, Virginia. No, it's a mistake. We'll leave right after breakfast.  No telephone. No telephone. Sounds like heaven.  Give me a kiss and then tell me why you ask that. Because I love you. And I can't help noticing when we're alone how a lot of the glow you have with people sort of goes out of you. And what's the matter? Oh, oh, I don't know. Nothing, I just want to be reassured, I guess. Well, consider yourself reassured. About this book, if it is a mistake, I suppose I'll have to return it. But I hate to. What's the penalty for stealing books? You stop shoving that book at me. Can't you see I don't want to discuss it? Alan. Don't you know by now whose book it is? You even memorized the poem he marked. I told you it wasn't mine. It's, it's his. It's Michael's. He got you, didn't he, Ann? The sweet gentle boy who loved poetry. He understands you, isn't that what you said? I only memorized it because I thought it was yours. Yes, of course you did. Ann, that was very unfair of me. I shouldn't take it out on you the way I feel about Mike. Please forgive me. I forgive you, Alan. Well, this is it, Ann. This is Middleburg. Alan, what a lovely old house. Oh, it's a dream. George, we're here, George. George? Just a caretaker, darling. Oh, oh. Well, aren't you going to get out of the car? Now, back there are the stables. And the orchard's on the other side. And that Mrs. Foster you met. She lives beyond that stretch of wood then. Alan, you have a dog. Yes, that's, that's Bate. I don't think Bate likes me very much. Dogs and horses never do it. Sign a bad carriage or I guess a little Bate. Come here, boy. Hey, now don't you back away from me. You're supposed to be glad to see me. Come here, dog. What you can't own like that, fool? Come back. Well, Mr. Alan, well, I'm so glad to see you, sir. I'm with Bates all right, ma'am. It just ain't used to strangers, that's all. George, this is Mrs. Garroway. Well, I'm glad to know you, George. Place looks fine, George. It's beautifully kept, so neat. Thank you, ma'am. You can get the bags out of the car, George. I'll show Mrs. Garroway through the house. I've saved the living room for the last, Ann. Well, here it is. How charming. I suppose it could be. It's a little grim right now. Not grim, darling. A little lonely, perhaps. A little unused. I'll open a shutter. I've been looking for pictures.  Everything all right, sir? Oh, yes, George.  Well, there used to be, ma'am. I took them down, Ann. I've stored away most of the personal stuff. Oh, I just... Would you like to drive over to Mrs. Foster's? No. Well, not if you're tired, dear. But I wanted to speak to her about buying a section of those woods we passed. You go ahead, darling. I'll unpack while you're going. All right. I'll be back by dinner time. Mr. Galloway hasn't returned yet? No, ma'am. Where did you have a nice walk? George, I just came from the stables. There was someone there. He just about scared me to death. A colored man, ma'am? Big and fat? Yes. I'll teach that old Ben... No, no. It's all right, George. He went away. Ben, Ben, he's plummed out his head, ma'am. He don't mean no harm. I chased him off. He just keeps on coming right on back. He kept talking about the horses in the stable. I'll fix you a nice cup of tea, ma'am. No, no, George. Wait. He warned me about the black stallion. Oh, yes, ma'am. He's a devil, that horse. Please don't go near. He's... Mr. Michael's horse, Ben said. Yes, ma'am. He was. I think I will have that cup of tea, George. Good and strong, please. George, that must be Mr. Galloway. I'll go, ma'am. I'm in here, darling. Who was it, ma'am? Who was just playing that piano? Alan, what were... Darling, what's the matter? Who was playing that? Well, I was. You? Why did you play that piece? Well, I don't know. I play it often. Father taught it to me. Your father taught you that? Yes, he does play the piano. I'd forgotten. That's a piece that anyone might play mightily. Alan, you're ice cold. Tell me what's wrong. I...  You see, Ann, Middleburg is not all happy memories for me. Alan, I'm so sorry. I... I didn't mean to upset you, darling. That's all right. I wish I could have known your mother, but finding out that she loved that piece too makes me know her a little, doesn't it? That's a bond between us we didn't know about. Yes. Well, I... I guess dinner will be ready soon. I'll go clean up a bit. Oh, bring them in there, George. Yes, sir. I'll fix the cocktails, ma'am. Thank you. George. Yes, sir? Mrs. Garroway must have been a wonderful woman. Yes, ma'am, she was. She was an invalid for a number of years, wasn't she? Yes, ma'am. Layed up there in her bed, never complaining, always smiling. This piano must have been a great comfort to her when she did get up. Piano, ma'am? Well, Miss Garroway never played no piano. She didn't. But she died sitting at that piano, didn't she? No, ma'am. She died upstairs in the room, ma'am. George, you can serve dinner any time it's ready. Yes, sir. I'm starving. Be ready just a minute, sir. Cocktails. We can use these, huh, darling? George's cocktails are the best, almost good enough for you. Well, to us, darling. Yes, Alan. To us. We'll return in act two of Vondercurrent in a moment. Libby, you look positively dreamy-eyed. What Prince Charming are you thinking about now? Oh, not a prince, but a king. Charles II of England. Hasn't he been dead since 1685? Yes, but Douglas Fairbanks Jr. makes his romantic and adventurous exile really come alive in Universal International's new picture, The Exile. Douglas not only stars, but he wrote and produced the picture, too. He had his hair dyed dark for his role as King Charles, and my, he's handsome. Athletic as ever? Oh, yes, indeed, John.  He had a very narrow escape during the filming when he fell 19 feet to the ground from a windmill. Hmm. I understand there are some beautiful women in the exile, too. Oh, but definitely. There's Miss Maria Montez as the beautiful Countess in her most dramatic role to date. And Douglas's own discovery and absolutely lovely blonde, Miss Paul Croce. Quite a cosmopolitan pair. Maria Montez was born in the Dominican Republic, wasn't she? Yes, mm-hmm. And Paul Croce and Tahiti. She's also lived all over Europe and the Far East. There was a lot of travel talk the day I was visiting them and a lot of chatter about one thing, how to live out of a suitcase. You'll be interested in this, John. Paul told Maria and me her favorite traveling trick. She always had her maid tuck a box of luxe flakes into her suitcase. A tip to any traveler who wants to look fresh from tip to toe. Especially down to her stocking toes. Luxing stockings at night is so easy and nylons dry so quickly. They're ready to put on again in the morning fresh and smooth fitting. By luxing stockings frequently, a girl doesn't need to carry so many extras or own so many either. That's right, Libby, because scientific strain tests prove that nylons last twice as long with luxe. That's just like getting an extra pair every time you buy a pair of stockings. It was really amazing how much more quickly stockings went into runs when they were washed with a strong soap or rubbed with cake soap. Another thing girls like about luxe is the way it keeps nylon stocking colors fresh looking longer. That's important with the new dark shades that are so smart now. Right, Libby. It's no wonder that so many girls count on luxe flakes to keep stockings lovely longer. Here's William Keely, your producer at the microphone. Intermission's over and it's time for act two of undercurrents starring Catherine Hepburn as Anne Hamilton and Robert Taylor as Alan Garaway. It's been a strange and troubled 24 hours for Anne Garaway. Clashing against the peace and loveliness of Middleburg are the tormenting doubts of what Alan has told her. His brother, Michael, his mother. It's after dinner now. Alan has to drive to the village and when he's gone, Anne has a plan. You sure you don't want to come to the village with me, Anne? Do mind, darling. I am tired. That telegram this afternoon, it was from John Wormsley. He's in charge of the San Francisco plant. You'll be meeting him soon. Oh, Alan. I'm sorry, darling. If you'd rather stay on here... Oh, no. If you're going to San Francisco, so am I. You like San Francisco. Well, I won't be long if you need anything. Just call George. George, what is it? The scare way. I said, what is it, George? Nothing, ma'am. What were you afraid of just now? You knew I was in here. No, ma'am. I hear the car drive off and I thought you'd gone too. No lights on in the room here. I turned them off. Who did you think was in here, George? Who used to sit at this piano and play that piece? Oh, please, Miss Ma'am. It was nobody, ma'am. That's not true. Who did you think it was? Did you think it was Michael? No, ma'am. But Michael did play that piece, didn't he? Oh, Miss Gairdwood, please. Don't tell Mr. Allen I was talking about Mr. Michael. I won't tell him, George. How he must hate him. He's tried to take every reminder of Michael out of this house. Erase him completely. No pictures, nothing. George. Yes, ma'am. Mr. Allen has been terribly hurt. We've got to find a way to help him. Just...just tell me what I can do. There's not much you can do, George. We'll be leaving soon for San Francisco. What has to be done, I must try to do myself. Of all the places to take you your first night in San Francisco, another nightclub. But you said Mr. Wormsley was to meet you here. Oh, well, I know. Allen, who was that girl, the girl you spoke to as we came in here? Sylvia Burton, an old friend. Just an old friend? Well, sort of. You jealous? You bet. She's far too lovely for an old friend. You want to know something? Yeah. You've got it all over Sylvia in every way. People wouldn't even notice her with you in the room. Darling, you're wonderful. Catty about every other woman. Good evening. Oh, hello, Wormsley. May I present Mrs. Garroway? How do you do? I...I'm very glad to meet you, Mrs. Garroway. Pull up a chair. How are things going? Very well, sir. Things are really breaking in Seattle. I suggest you fly up there as soon as you can. It's a matter of Henderson. Can't he handle the new business? There's not much he can do without real authority, sir. He has as much authority as you have. Not quite, sir. Anyway, I brought some contracts along. You care to look them over? Do you mind, darling?  I'll run into the powder room for a moment. I, um... I just saw Miss Burton. Did you? Has your wife met her yet? Those contracts, Wormsley. Let me have them. Mrs. Garroway. Oh, Miss Burton. How do you like San Francisco? It's wonderful. So many bridges. Yes. So many to cross. I beg your pardon. Um... What do you hear from Michael? Oh, nothing much. Did you ever meet him, Mrs. Garroway? No, I haven't. But I'm looking forward to it. You know there have been some pretty unpleasant rumors about Michael. Well, whatever they are, I'm sure they're not true. Sorry. It's strange, but I was beginning to have a funny feeling that Michael might be dead. Oh, no, I'm... I'm sure Alan would know. Yes, I suppose he would. You know, Miss Burton, when I saw you before, I... I wondered who it was you reminded me of. It's me. Not our features exactly, just something intangible. Have you noticed it? No. Is that your glove on the floor there? Oh, thanks. Maybe it's the way we dress or walk or something, or maybe it... Miss Burton. Miss Burton. Well, that's funny. Why should she just walk out like that? What do you think of our plant, Mrs. Garroway? I'm very impressed, Mr. Wormsley. Well, I imagine your husband's in Seattle, but now... Is there anything else around here you'd care to see? Yes, I'd like to see some photographs. Photograph? It's silly of me, isn't it? But it's such a big plant now and so impersonal. What was it like when it started, Mr. Wormsley, the plant, the employees? Who was here at the beginning? Well, there's a picture on that wall behind you, Mrs. Garroway. Oh, yeah, yeah, that's what I mean. Oh, there's Alan. Alan in the overalls. And you, Mr. Wormsley. Yes. But those other three men? Well, two of them are still with us. The other one is dead. Who was he, Mr. Wormsley? His name was Carl Stoyer. Wasn't my husband's brother working here then? Why isn't he in the picture? He was at his ranch the day it was taken. His ranch?  What's happened to the ranch? Well, Mr. Garroway took it over. Alan owns it. You know, I'd like to see that place. I'm afraid that's not very practical. It's quite remote. Fog is bad this time of year. There is a caretaker. But I'd like to spend the day in the country. Could you give me the keys, Mr. Wormsley? I'll send them to your hotel in the morning. And would it be possible to draw me a sort of map as to how to get there? Alan, close the map with the keys. You've been very kind, Mr. Wormsley. Thank you. Good day, Mrs. Garroway. Looking for someone, Miss? Oh, oh. Hello. I'm Mrs. Alan Garroway. How do you do? Are you the caretaker? I, uh, yes, yes. I've just been inspecting the house. Well, I was just about to leave. But if there's anything I can do for you. Tell me, did you know Michael Garroway? Yes, I did. I'm a close neighbor up the road. He left here very suddenly, didn't he? Yes. I guess he was a rather unpredictable person. Well, well, anyway, I think this is one of the most charming houses I've ever seen. It has, well, dignity. Doesn't look as though it had been shut up at all, does it? Oh, no, it doesn't. It looks well as though it were waiting for someone. I had a feeling coming in here that time was standing still. Time doesn't stand still anywhere, does it? Oh, yes, it does. Haven't you ever had a feeling of complete peace and contentment? That's what I felt when I came in here. Nothing to fear, nothing to think about. This was, well, peaceful. And time stands still. You probably think that's foolish, I suppose it is. No, I don't think so. I agree with you about the house. It is peaceful. Is that so far here? Are we that close to the ocean? Yes, if you like, I'll show it to you. It's none of my business, Mrs. Garroway, but did you have any special reason to come out here? Well, it was such a nice day, and I thought I... No. I came out here to learn more about Michael Garroway. You better watch the path, it's sort of rocky here. Everyone seems to be so vague about him, except my husband, of course. I don't know why I'm bothering you with all this. There's the ocean, Mrs. Garroway. Gahley. Gahley, it's beautiful, isn't it?  Michael had so much. Why do people do the things they do to themselves? Why doesn't someone step in and stop them, help them? What about those people who refuse to be helped? Useless to even try. Oh, no, it's not, it's never useless. Not if your chance of helping them is one in a million. You feel quite deeply about it, don't you? You bet I do. My, that sea is near. Is there good swimming? No, there's a... there's a riptide. But it looks so calm. You can't always see the undercurrent, but it's there. Like life. Yes, that's right. Oh, the fog's starting to roll in. You're getting dark soon. You going back to the house? Yes, in a minute.  Thanks for taking me around and forgive my philosophic outburst. Don't apologize for that. I think it was very well said. Goodbye, Mrs. Garroway. His house. Michael's house. Just as he left it. But walls can't talk and books and chairs and... What are you doing here? Alan! What are you doing here? Alan, you frightened me so. You came here looking for something. I asked you not to pry. I asked you to forget about Mike. Alan, you didn't leave Seattle just because... He formally telephoned me. He said you'd asked him for the keys. Yes, I thought it was important that I come. You're my wife, Ann. You've never even seen Mike. Yet he's managed to get a hold on you and make trouble between us. Darling, I'm only trying... He had a diabolic cleverness about pushing people around. Always knew how to get his own way. You keep saying had and knew. Alan, is he dead? How should I know if he's dead? I hope he is. Alan, how can you? How much do you think I can stand? He's got you sneaking around corners trying to find out things about him. Well, what have you discovered? I'm here to help. Let's find out everything we can about him. A man who likes music and books, wouldn't you say? The strong, silent, philosophical type. He'd have read your poetry and told you whimsical stories about his neighbors. You'd have fallen for that, wouldn't you, Ann? Alan, I'm sorry. I know you're sorry, but that doesn't help. Why couldn't you do as I asked? There's anything else you want to know. Ask me now. Don't ask warmsly or the natives or the bellboys at the hotel. Ask me. I'll tell you anything if you'll only stop bringing him into our life. I was wrong to come here, Alan, if you didn't want me to. But for you to shout at me and treat me as though I were a criminal. Alan, whatever I did, I did for us. To try to find out what it is that comes between us because of him. Alan, it's our life together that he's hurting. Our marriage. And I want our marriage. We'd better start back to town. Do you want to go up to our rooms, Ann, or would you rather have dinner first? I'd rather go up if you don't mind. I'd like to. Alan, wait. What's the matter? Listen. Oh, Garaway shrewd all right. His patent is all set for reconversion. Garaway knows all about reconversion. Did you ever see his wife? Ann, please. No, I won't listen. I saw her in Washington the day they arrived. She couldn't have looked out of you. Of course, the poor girl had on her Sunday best, but really. We can go up now, Alan. Thinking about Ann, those two women in the lobby, you're going to let a couple of gossips throw you? I'm thrown by the truth. I was rather dowdy that first night in Washington. You expected me to be, didn't you? What? You could have waited to have me meet your friends. But the truth is, if no one saw the before, you wouldn't get the credit for the after, would you? Why should I want to do a thing like that? So you could exhibit me as your very own invention, like the Garaway distance control. What do you mean by that? You know, Alan, I think I have a glimmering now of why you married me. I want to know what you meant about the distance control. I meant nothing about it. All right. What else do you think? Why did I marry you? He wanted another girl, but she fell in love with someone else. I happened to remind you of her. Only I was so terribly admiring of you. And you thought if you could make me outshine her. You're mad, Ann. Yes, Alan. I think sometimes I am. I have a feeling, so I will living in a dream, haunted by your obsession, your hatred for your brother. All around us. Ann, Ann, things between us look pretty black right now. It's hard to talk, but I want to tell you that I love you. The way I acted at the ranch was unforgivable. I'll never speak that way to you again. I have to go back to Seattle. You'll have a couple of days to think. And when you do, try to keep a little old-fashioned trust and blind to faith in our marriage. I want our marriage too, Ann. It's very important to me. Please try. Yes, Alan. I'll try. Pause now for station identification. This is CBS, the Columbia Broadcasting System. In a moment, we'll return with Act III of Undercurrent. The role of a script girl in producing a great picture is seldom fully appreciated by the public. Her meticulous attention to detail is of the utmost importance to a successful production. Our guest tonight is one of those unsung heroines. She's Miss Isla Jacobus, script girl for Clarence Brown, producer and director of Song of Love, Metro Golden Mayor's romantic love story of Clara and Robert Schumann starring Catherine Hepburn. It must have been a fascinating picture to work on, Mr. Jacobus. It certainly was, Mr. Keely. I learned so much about the life of Schumann and the music in the picture is so thrilling. With Paul Henry to interpret the sensitive and celebrated composer, Robert Walker as Johannes Brahms, Henry Daniel as Franz Liszt, and a brilliant supporting cast, it's bound to be a superb picture. Especially with Catherine Hepburn as Schumann's devoted wife who inspired some of his greatest music. Well, Catherine brings glamour and rare ability to every role. Her performance here tonight confirms that. She looks stunning too in Song of Love in Clara Schumann's romantic 19th century costumes. And Mr. Kennedy would certainly have been impressed with the gentle care those costumes got. You mean luck's care, of course, Mr. Cobus. Naturally. Replacing one of those costumes would have meant a lot of time and expense. So when a garment had to be fresh and for retakes, they always used luck's flakes. And the studio wardrobe mistress told me that kept replacements down to a minimum. You must learn a lot of interesting things in the course of your work, Mr. Cobus. But none more important than clothes care, Mr. Kennedy. Important to any girl, I mean. I wouldn't trust my own blouses and nice washables to anything but luck's. I figure when experts choose luck's flakes, it's wise to follow their advice. Yes, the experts know how much longer luck's care keeps washables lovely. Actual tests have proved that wrong washing methods fade colors discouragingly soon. Luck's care kept them lovely up to three times as long. That's important to any girl these days when prices of new things are so high. Today, more than ever, luck's care is thrifty care. Thank you for coming tonight, Miss Isla Jacobus. Back now to our producer, William Keely. We continue with Act 3 of Undercurrent, starring Catherine Hepburn as Anne and Robert Taylor as Alan. It's the following morning with Alan back in Seattle and is making an uninvited call on Sylvia Burton. It's very nice of you to see me, Miss Burton. You have a reason for coming here. There are some questions I'm trying to find the answer to. I'm rather curious about a few things myself. As far as Alan is concerned, I despise him. Does that answer one of your questions? Not quite. I love him. But it's not Alan I want to know about. It's Michael. I can imagine. All I know is that he and Alan had a terrible fight. Michael disappeared. But he seems to be coming up more and more in our lives, wherever we go, whatever we do. I've got to know more about him. My marriage, my happiness, my future seem to depend on it. And you'd like to know how close Mike and I were. Well, we weren't. I tried, but Mike wouldn't have it. I used to think it was because he had some sort of funny sense of loyalty since I'd met him through Alan. He was that thing you have to look for with a microscope, a gentleman. And that's the man your husband spread those lies about stealing money. I believe my husband, Miss Burton. Nonsense. You think he's lying? I know he is. Why? Because I've been through this myself. When Mike disappeared, I went crazy trying to find out what had happened to him. And did you find out? Only that he'd been at his ranch. That was the last anyone saw of him except your husband. You see, I still think Mike is dead. You mean he was killed in the war? No, I don't mean he was killed in the war. Why hasn't he written to someone, his friends at the plant, his neighbors at the ranch, or a hundred other people he knows? Lots of us would like to know what happened at that last meeting, Mrs. Garroway. Ask your husband. What kind of a fight was it and what happened to Mike?  I should never have come here. Forgive me. It isn't such a shocking idea, Mrs. Garroway. Not when you've lived with it for a while. Hello? Yes? What is calling? Yes, Alan? I'm so glad you said that, Alan. I'm so confused. Don't, darling, don't. That's all right, Alan. If I think it could, I'll be through in Baltimore and can join you. Yes, Alan, yes. But, Miss Garroway, I wish you'd told me. Why, George, I don't think you're very glad to see me. Oh, no, ma'am, no, no. I'm real pleased. When Mr. Alan be here? He'll be here later tonight. George, why do you wish I'd let you know I was coming here? Well, just so I'd have a little time to fix things up. Such is out there, George, out there by the stables.  Miss Garroway, there's nobody out there, Miss Garroway? I don't mean old Ben either. Just now, when I was walking, the dog saw him. Bait saw him. Bait was all excited, jumping up and down and wagging his tail. But you didn't see nobody, ma'am? No, no, I didn't. It was too dark and I was frightened, I suppose. I came straight back here. Oh, let it pass. Please, Miss Garroway, let it pass. I can't, George. I'm not frightened now. I'm going to go back to the stables and look for myself. Bait, Bait, come here. Come here, boy, come here. There's no one here now, is there, Bait? But there was, and you saw him, didn't you? You saw Michael. He's alive, isn't he? I thought that Sylvia Burton was right, that Alan had killed him. But everything that Alan said about him is true. Michael's here and he's hiding. That's why, George... Oh, Alan, Alan, how could I? How could I? Bait, Bait, you can stop barking. It's no way to welcome me home. Hello, Alan. Mike. Take it down, your wife's in the house. You've seen my wife. Don't worry, she didn't see me. Why did you come back? Wouldn't she rather know why I went away? I didn't steal any money, Alan. You've been a long time denying it. Be kind of tough to prove. You had the books pretty well read. But that's not what kept me away. It was Carl Stoyer. Stoyer's dead. Yes, dead and buried. Just a nice old German refugee who lived for one thing only. To get back at the Nazis. You remember that invention he was working on? Every man at the plant was working on an invention of some kind or other. That's right. But only Stoyer died. Coroner said it was an accident. He fell down the cellar steps. What's that got to do with me? He's got a lot to do with you. Stoyer had a pet name for that invention of his. His fan, he called it. He used to say, my fan will fix the Nazis. Your brother and me, we know. Someday my fan will pay them back. Fan. Fan, I couldn't figure it out until it dawned on me that fan is a German word. It means distance. Fan stirring. Long distance control. That's why Stoyer died. He was murdered by somebody who wanted his invention. The distance controller was mine. It was Stoyer's and it's made millions for you. Well, has the money been worth it, Alan? Has it been worth killing for? You can't prove any of this. Maybe not. Is Wumsley the only other one who guessed?  Anyway, I wanted to get out of the whole mess. That's why I disappeared. It seems it has to be faced after all. I have met your wife. Here, today? No, at the ranch. She thought I was the cat-taker. She's a fine girl, Alan, but she doesn't know about Stoyer, does she? I'm here to make sure she finds out.  What makes you think I wouldn't kill you? I believe you're capable of trying. No. Once I could have killed you, but not now.  I'm going to keep her, Mike, for as long as I can. A minute, an hour, as long as I can. How can you think you have a right? What gives a man a right? Does love because I love her? You can take everything else, but not her, Mike, not her. I never thought I would, but I'm crawling to you. She loves me, she's helping me. I've got a chance now. I can be all right. I never could before. What chance does she have, Alan? I'll tell her. Only I'll have to do it in my own time, just a little time. That's all I'm asking, until I'm sure of her. I think you can be sure of her. Well, I guess there's nothing left for me to do. If she'll go along with you, I'll stay out of it. But tell her, Alan. Tell her because if you don't, I won't be able to stay out of it. I'm going to see that she gets her chance, too. Wake up, dear, I'm back. Alan. Oh, Alan. Alan, oh, forgive me, darling, forgive me. Forgive you? I've been so wrong, Alan. I've got to tell you something, and I'm so deeply ashamed. I thought such crazy things about you. I thought you'd killed your brother. No, darling, listen to me. I thought that. And I was going away and never see you again. You were going to leave me? I couldn't have stayed. I couldn't have endured. You couldn't have endured living with a murderer. But it's all over, Alan. I know he's alive. I'm able to breathe again. Yes, Ann, it's over. No one will ever come between us again. Alan, I want you to listen to me. You remember that I once told you that Michael was your obsession? Yes. I was wrong. I think he's my obsession. I want to drive him away. But there's something unfinished somehow. I think if I could see him, hear him speak, then I'd know him the way you do. As a man, not a shadow. Someone who is cruel and wrong and who has hurt you. Oh, I was so wrong about him, everyone was. Everyone? Who did you speak to about Mike? Sylvia Burton. She thought you had killed him. You believed her? Were you glad she was wrong? Glad, oh yes, Alan, yes. Then why are you unhappy? Well, that's what I'm trying to tell you. He's still here in my mind somehow. You got to help me, Alan. I don't understand it.  Yes, I think I do. You're in love with him. No. You're in love with him, aren't you? Oh, no, no. How could I be in love with someone I've never seen? You've seen a lot of Mike. A book, a poem, his house. A girl who once loved him. Aren't you jealous, Anne of Sylvia Burton? Why did you go to her? What did you really want to know? Alan, please. You could go to anyone who could talk about Mike. You wanted to believe what they had to tell you. You never believed me, you don't believe me now. Stop it, Alan, stop it. It wasn't my happiness, our happiness. You were trying to find it was him. That's not true. You were so relieved just now, not because I hadn't killed him, but because he was alive.  And after you find him, then what? Will you leave me? Alan, Alan. Don't you see what you've done? You'll never leave me, Anne. Never. George. Well, George is gone. I sent him into town. He won't be back until evening. Alan, Alan, no more. I thought I'd go for a ride. That's dang it. We'll break down the stall unless he gets some exercise. I thought we could, uh... Why are you trembling, Anne? Yeah, sit down. Have some coffee. Alan, I... Don't be afraid, Anne. Fear is no good. I know. But now I'm finally free. Drink your coffee, Anne. Your hand's shaking.  Are you? Why run to your room? You can't lock yourself in. I've got the key. Hey, there. Anyone up? Oh, hello, Mrs. Foster. Come in. Hello, Alan.  Yes, I think so. Shall I call her? Well, it's a fine morning for a ride. Yes, it is. You must have had the same idea. You're dressed for it. Yes, I... Oh, there you are. Welcome home, my dear. How about coming over for breakfast and a ride? I'd like to, very much. Wonderful. I'll expect you in half an hour. How's that? But I can be ready in just a moment. Well, sure. This gets for breakfast, Mrs. Foster? With my own two hands. And just wait till you taste them. There's nothing like them in the whole world. Mrs. Foster, there's something I must tell you. I must speak to you. That's fine, dear. We'll have a leisurely breakfast and all morning to get acquainted in. See you soon, dear. I'll walk along with you, Mrs. Foster. I'll have to saddle up the horses. What's the matter with a bride, Alan? A quarrel? Not a quarrel, exactly. Oh, don't worry. It's natural the first year getting acquainted. What horse are you going to ride, Alan? A stallion, naturally. Well, you just make sure you don't give him to her. He's a mean one, that brute. Alan, Alan, did we have to come this way? Can't you handle your horse? I gave you the mare. But I'm not a good rider, Alan. This cliff. I thought if we took the trail along the cliff, you'd enjoy the view. It's beautiful, isn't it? Alan, keep your horse back. Please. It's easy to say. I can't hold him in. But there's no room for both of us. There's an arrow, isn't it? Quite a drop to the gorge, Anne. 250. Alan, you're pushing me. Use your spurs. Go on ahead. Alan. Did you hit a low branch? Oh. Hurts doesn't end. Nothing is going to hurt you anymore. Michael.   This is Mrs. Foster. There's been a terrible accident. Alan Galloway is dead.  Kicked him to death, it looks like. You better come right out, doctor. His wife's been badly hurt, too. That music's beautiful, Anne. Who's playing? My father. He always does well by Chopin. I like your father, Anne. I'm so glad he was able to come down here. So am I, Mrs. Foster. You're all right, Anne. Staying on here at Middleburg all these weeks, doing your getting well here, it took courage to face it out. Most people would have run away. Hard to run away in a wheelchair. Dr. Hill says by next week you can burn that wheelchair. But that isn't what I mean. That's not what I mean, either. No, I feel I have something to do and that I must do it here. That's really why I stayed. Not because I have courage. Here you are, darling. One of George's priceless eggnogs. Father. Well? Who's playing the piano? You have a visitor. Oh, no, no. I can't see him now. I'm not ready yet. I can't. You sent for him, Anne. Yes, I sent for him. I'll wheel you in. I can manage alone, thanks. Michael, aren't you? I'm sorry, Anne. I should have told you that day at the ranch. I think I knew. Not at the ranch, but afterwards. I think I knew. You sent for me? Yes. I think I'd have come in any case. I was just waiting until you were well. It seems I'm a very rich woman. Yes. It's wrong for me to have it. It belongs to you, Michael. No. No, it belongs to someone who's dead now. Carl Stoyer. He's as air as possible. They must have it then.  I didn't send for you because of the money. The lawyers could have handled that. I wanted to know you. Now that you do. I'm happy to know you, Michael. There are other things that I must tell you. I won't forget Alan. I loved him very much. Not at the end. It was gone then. But I did love him. I know. Anne, I almost got you killed. I was here the night before. I saw Alan talk to him. I should never have left. I looked for you, Michael.  I had no business to feel the way I did about you, my brother's wife. I won't talk about it now, someday. Yes, Michael. Any fashion tips for the ladies in our audience tonight? One very important one, Mr. Kennedy. I've noticed that some girls who are wearing the new longer skirts think that lengthening their dresses is enough. Actually, they need longer slips, too. Otherwise, the gap is often apparent and the skirts don't hang gracefully. Are the makers of slips cutting them longer now? Oh, yes. But you don't necessarily have to buy a whole new slip wardrobe. Why, imagine how annoyed Lux girls would be. After all, their Lux slips still have lots of good looks left in them. Well, naturally, I know that Lux care keeps slips lovely longer, but how can it make them longer? Well, it can't do that, John. But there are some simple tricks a clever girl can work. For instance, she can sew a deep lace ruffle on the bottom of a two-short slip, gain a good two or three inches that way, or cut an even strip off the slip near the bottom and fill in with lace insertion or a contrasting color. Then stitch back the snipped-off piece with a deep seam. All that lace sounds pretty, Libby, but is it practical? If careless girls wash a slip the wrong way, handle it roughly or use strong soap or hot water, why, naturally, it'll be sad-looking in a short time. The color will fade and the lace is apt to tear. But after all, practically everybody knows that with Lux care, undies stay lovely three times as long. Actual washing tests prove that. As a matter of fact, Libby, Lux girls can afford more new slips on their budget, too. Instead of replacing drab-fated ones so often, they can use that money to buy extra new ones, have three times as many slips without spending any more. Here's Mr. Keely at the microphone. I'm sure we never could have enough of stars like Catherine Hepburn and Robert Taylor. And here they are, back at the Footlights, to receive our thanks for two superb performances. Catherine, I'm happy our efforts to bring you to this stage tonight have been so splendidly rewarded. I'm glad you feel I didn't let a good neighbor down, Bill, and I'm certainly happy Bob got back from his hunting trip in time to join us. Well, as much as I like hunting and fishing, I wouldn't have missed tonight's show, Kate. Fine, your own plane must be very handy in getting you to wear the fish-abiding, Bob. That's a big help when your time is limited. I understand, Catherine, that your newest picture is about to have its premiere in New York. It opens at the music hall on Thursday, Bill. Your pictures have always been favorites at the music hall, Kate. And the advanced critics here agree how wonderful you are with those concert sequences. Yes, Bob and I saw the picture at the studio and the scenes with you at the piano were really great. Well, praise from Caesar's praise, indeed. That's right. Bob, you did used to be a musician, didn't you? Well, I studied music at Pomona College until I got sidetracked into pictures. From what the preview fan said about your new Metro-Goldwyn-Mayer picture of the High Wall, you were certainly sidetracked in the right direction. I hope they like it. On the subject of pictures, what's the news for next week, Bill? Tonight we usher in our 14th year on the air. And to celebrate, we're bringing our audience one of the greatest works of an author whose popularity has never been equaled. It's J. Arthur Rank's exciting production, Great Expectations. Charles Dickens at his best, Bill. Who do you have as stars? Our stars are Robert Cummings and Blythe Howard de Silva and Lee J. Cobb. Great Expectations is a thrilling, dramatic story that should hold the interest of our listeners of every age. It should indeed, Bill, a play that nobody should miss. Congratulations and good night. Good night, Bob and Captain. All our thanks. Leave a brother's company, the makers of Lux Flakes. Join me in inviting you to be with us again next Monday evening when the Lux Radio Theatre presents Robert Cummings and Blythe Howard de Silva and Lee J. Cobb in Great Expectations. This is William Keely saying good night to you from Hollywood. This is Community Chest Time, a time that unites Americans of all faiths and creeds behind the great work of the Community Chest. Experience has proved that this is the best way, the truly American way of providing help to the unfortunate in your community. Each year your local Community Chest helps support vital services, such as hospitals, clinics, homes for the aged, aid to the handicapped and youth organizations. The theme of this year's campaign is everybody benefits, everybody gives. So give generously, all you can afford when you're approached by one of your fellow citizens within the next few weeks. A contribution to your local Community Chest is an investment in the future of our nation. Catherine Hepburn and Robert Taylor appeared by arrangement with Metro Golden Mayor, producers of Green Dolphin Street, starring Lana Turner and Van Heflin. Heard in our cast tonight were Ira Grossell as Michael and Francis Robinson as Sylvia. This program is rebroadcast to our servicemen and women overseas through the worldwide facilities of the Armed Forces Radio Service. And this is your announcer, John Milton Kennedy, reminding you to join us again next Monday night to hear great expectations with Robert Cummings and Blythe Howard De Silva and Lee J. Cobb. I'm Sprite. For your cake and pie. Sprite. It's your shortening pie. Rely on Sprite. For lighter, better tasting cakes, try Sprite, the pure, creamy, all vegetable shortening with the special cake making secret. Hear them say, boy, what a cook. Rely on Sprite. Sprite. S-P-R-Y. Be sure to listen next Monday night to the Lux Radio Theatre presentation of Great Expectations with Robert Cummings and Blythe Howard De Silva and Lee J. Cobb. Stay tuned to My Friend Irma, which follows immediately over most of these stations. This is CBS, the Columbia Broadcasting System.