I'm back chat. Let's get back to this Octo Dad in his letter. He said he was bound for Sturmgart. We shall begin our search Hey, no, you know how you doing man. Good to see you sitting down now. I Pray it is no more serious than an ill-founded wage. I'm really doing the combat now Just got into the skills and items as care. I like their boost system I don't know if it's unique to Hunter, but I like it That's nice. Stay as safe. I probably miss something important there Across Osterra, there are seven others who await you. Why not venture out to find them together? You can defeat the greatest foes I'm down for that It's time to explore look at this game They just tell you straight up go explore. You don't have to tell me twice I'm gonna kill some rats on the way to watch my arrow flying true I just upgraded this so let's see how it does Not bad One so do I automatically summon creatures that I beat cuz I got those foxes without doing anything We got five we use all these Yes, I Love that system Double five do I get a do I get a skill? I don't They come from job points. I wonder where the job points UI is I forgot what it is. Ooh a safe point. Never mind. Let's fight. Oh No, it's a cutscene. Oh Feeling great Back it there are people need your help all across Osterra. I'll be a little bit Help the people around or using the power of the path actions using the power of the path actions There may be more than one way to for you to solve their problems interesting Whoa the dollar reduced chat you safe dollar reduced in the house Okay, they're a bigger map that but Okay, so East Where am I? Is this me? I don't know where I'm at on this map Okay, that's me. So if I keep going east along the road I Don't know where north and south is I'm assuming this way is east cuz that's to the right Against me So, how do you like the switch?   Oh man, cuz I docked my switch to set it up Geez Louise.  I wasn't holding them on the switch. I was holding them separately. Oh Boy So if I want to use this thing on the go, I gotta get used to him though. Oh, he's he's vulnerable to the axe I forget about that There we go now I can go me here and go Easy I'm curious chat his reputation just not yet not yet All of a life That's like a Phoenix down right The tilt shift look at this game is pretty good. Yeah, it is. How do you like this game so far so good? I'm very early in though them particles though. How do I get over there letting us begin my squirrels, huh? Letting my arrow fly in true Let's see. We're gonna They're vulnerable to it I'm gonna get All right, I'm gonna get three BP Like that and I'm gonna use them all on my trial. That's AoE skill I have That's just got Arrowstorm, let's do it. Well that worked pretty good chat That was a good strat there I gotta say that You just erased them from the screen that that works. I'll do that. I'll keep doing that chat Let's get this treasure chest if I don't get another encounter $800 reduce That's what keep going up, right? Letting my arrow fly in All right Jeez Coming if thou darest Cool, I should have used that. I only got one more left. We're gonna use the strat chat No, I don't have enough but do We'll do rain of arrows That's easy. Oh Okay, I was trying to say I got a sneeze and the sneeze came out while I was saying it that was weird I was trying to get away from the mic too Whoo climbing ever mountain Blessings you thank any thank any OSU. What next? So I need 24 sp for that one thing He's broken already So I do have sp items, so I'm not gonna use them though. I want to capture this guy untouched it Essence of pomegranate healing crappy Also the d-pad on this this thing is really nice On this pro controller. It's like they really stress this thing Is he gonna get first right cuz I was I've kept him now. I don't need sp for that. Let me see begin it That noise that was something I don't know what for that get I Didn't so I'm at 39 job points now. All right, let in my arrow flow chat Am I still going the right way? I don't even know looks like I am I think Or am I going I actually looks like I'm going back Unless I turn north here. I think I'm going back to where I started. We'll find out in a second Uh, okay, they go around letting us begin Oh, this is not working if thou darest Use one of my new dudes Oh, you're done. I've got the new 8-bit do switch controller for when I travel with my switch To play in hotel room TVs. Oh That sounds cool. I don't know what that is though, but that sounds cool I Know it's frustrating when hotels they like they like block off HDMI ports and prevent you from using stuff So you can pay for their overpriced entertainment options Sounds cool. What are these? Coming if thou darest Not an axe chat coming if thou dare Not that easy your boy's got to heal up fly and true This will happen. Okay. Let in my arrow fly and true arrows are not very good against them All right, let me try summon our trap This will help miss Are you going down? This is it?  That was Um, oh treasure. How do I get to that? Here comes an encounter. Nope. Let us begin in We still don't know where they're weak to what next Um This kind of sucks. Let in my arrow fly and true not be thy prey 12 speed left. Okay Come in if thou darest Tell the curiosity ant on ant crime perhaps Uh-huh found a weakness chat Let in the hunt beginning there's magic which I don't have Actually, I think he does that Jurassic John Some bits I don't know why they didn't alert us, but my cabbages. Thank you so much Jurassic John for the hundreds everybody's watching chat How you doing, man? knocks root Danger level 17 Uh Does that coincide with the lever? This is l reduce That's the left thing Dude, I don't know if I should be here Let's find out By finding out I'm running away Doing about food Know what? There's a save point right here Now we can go find out chat. Let's go die in happiness Love and happy now Now let in us hunting Letting my arrow fly and true letting my face fly true into yours and do stuff that you probably Never heard this game, but it looks fun. Dude. I saw it and made me get a switch They put me over the edge. Oh, he see Maybe I should have attacked him Was that like a loop goblin or something? They put me over there to get a switch, man Even though I was gonna get one anyway for warframe at some point, but Save points. I'm not seeing


So, now I have come to a very important part of a neutron spectrometer known as monochromators. As you can see in this diagram above that as I showed you earlier there is a collimator in the beam path in pile collimator and then it is followed by a monochromator. This monochromator actually this is a polychromatic beam which is falling on the monochromator what goes out is a monochromatic beam monochromatic coat within coats how good monochromatic beam it is that I'll discuss now and this whole circle you see this is the monochromator drum at the center of this monochromator drum is the monochromator and this spectrometer was the design by BN Brock house is triple axis beam you can rotate the monochromator and the whole spectrometer rotates around it including the sample including the analyzer and including the detector. Now so by rotating the monochromator you can choose a different lambda the sample is here and the sample scatters the beam now there are options you have got an analyzer if you have an analyzer in the beam path then you can also keeping the rest of the things fixed you can rotate the analyzer and you can do an analysis of the scattered beams energy before it goes to a detector. I must mention that neutron detectors cannot distinguish energy of neutron because neutron has to be converted to some other radiation before it is detected and I just show that you have choices of having a position sensitive detector or a end-on detector this we'll discuss later but the fact is if I take out the analyzer part then I have a situation where I have the sample which has scattered the beam but after the beam I have not put any analyzer so I have an incident beam in an elastic scattering so either you can end on detectors as I showed you this is not the way it is actually earlier days a single detector moves from one position to another to another and that is how the scattered beam is monitored and counted and it takes longer time so today we have got something called position sensitive detector these red straight lines so the beauty is that with these detectors you know at which point the detector has hit and once you know the point doing the distance from the sample you can find out the angle of scattering so in one shot you can collect the data unlike the previous case where you do end on collecting collecting data over time serially so this is sort of a parallel processing all the data at the same time so as I told you that this is elastic but the more generally you have got three axis monochromotor sample analyzer three axis that's what it was called a triple axis spectrometer so we have a triple axis spectrometer where the first you have the monochromotor axis followed by the sample axis followed by the analyzer axis triple axis spectrometer this is what was done by BN Brockhouse and he got Nobel Prize for his studies on because this is for inlass scattering experiment because you know the energy of the incoming beam and after analyzer you know the this is decided to the k prime outgoing and these also tells me of what energy finally prime k prime so this is the measurement which I to discuss to earlier this is what due to sigma d omega d e is for inlass scattering which goes on which is done for getting the dynamical processes in the system at various time scales but if I take out the last leg and if it is just a sample and followed by a detector now the detector earlier this was rotated serially as I told you with an end on position at different times it rotated around the sample today we have position sensitive detectors so the need of rotation goes away and this is the typical detector to measure d sigma d omega so this is for structure work structure at various length scales and these are also integration equals a integration over sq omega d omega so this is gives you i q zero instantaneous picture I hope you remember when I discussed the correlations for various kinds of correlations in case of neutron scattering so now we have reached an important point where we have reached the monochromators so now I have to discuss wow how to monochromatize the beam very simple answer the monochromatization is not a difficult task you know that we use 2d sin theta equal to n lambda on the maxillian spectrum and we choose a particular wavelength for experiments and of course here I have shown typical neutron scattering setup monochromator you can also use a filter instead of a monochromator you can use a filter where I use a filtered beam for a low resolution experiment and then you can look at the analyzer and look at the detector so this is also one possible configuration I want to show you so this collimator and then filter does the filtering of neutron beams as I showed you like beryllium filter filters out the low energy neutrons or you can even use a monochromator beam monochromator which chooses one particular wavelength which is usually done most of the experiments and I will come to them later when I specifically discuss the various facilities so this is what you have so now you use crystal to monochromatize the typical monochromators that are used by Lister or some of them copper beryllium pg or pyrolytic graphite is very common germanium single crystal silicon they easily available we also have magnetic monochromators this oyster alive is a monochromator come polarizer so not only monochromatizes the neutron beam it also chooses one particular polarization of the neutron beam I will complete later how it does I just want to put it here in the list of the monochromators now the angle and the plane that we choose depends on the wavelength that's clear because I have to get 2d sin theta equal to lambda and I need to choose the right d to get the lambda that I need for my experiment now should we use perfect single crystals now I have drawn it to vertical blocks you see if I use a perfect single crystal a perfect single crystal means you have one very specific plane which satisfies 2d sin theta equal to lambda so it gives out only a narrow slice of the neutron beam so suddenly it gives a monochromatic beam but you also have the added requirement that you need neutrons because already your neutron beams as I told you down by a factor of 10 to the power 7 to 10 to the power 8 as it came out from the reactor beam line now you are monochromatizing it but then you have a competing interest you need a monochromatic beam but you also need a large number of neutrons to do your experiments so how to have that dual purposes of so what we do need actually I need a larger slice of this beam so what I mean to say if I put a single crystal this is a maxillian which has come out from the reactor if I use a perfect single crystal I have a perfect so almost like a delta function in energy which will be scattered out by the beam only this much of neutron beams I will have but what I need actually more number of neutrons so that means I have I need a E plus minus D E delta E but of course immediately the question comes immediately my lambda becomes undefined lambda plus minus delta lambda because delta I will add to the uncertainty of the wavelength yes I'm ready to accept uncertainty at the cost of at the cost of resolution well I also need more number of neutrons so every experiment is a design where you have a compromise between resolution and intensity so I want intensity I also want to have resolution reasonably good so I have to make a compromise between these two by taking a larger slice of beam but how do I take a larger slice of beam from the maxillian that is a question and that is done by that is done by a mosaic crystal so I tried to show you how a mosaic crystal works a mosaic a single crystal will have a narrow beam going in and just one beam going out a mosaic crystal is one which has got crystallites which are perfect in themselves these are the crystallized various colors you see this blue red yellow these are the crystallites but now they are slightly oriented with respect to each other so the way it can be done actually you take a perfect crystal and you can hot press it that means you take it to a higher temperature and then press it and then it will introduce grain in the system there will be grain boundaries and you can have slightly misoriented uh note my words slightly misoriented crystallize in that case when the beam comes false if I take a single polychromatic beam with a single direction the outgoing beam because some of them will scatter at a lower angle some of them will scatter them at a higher angle and you have a range of angles and a range of lambda in the outgoing beam which is desirable so we use mosaic crystal and hot pressure technique similarly we can also use bent single crystals I'll come to that so I just show you that if you have a flat perfect crystal in that case a 2 dhkl sin theta is equal to lambda you have only a parallel outgoing beam of single wavelength in a mosaic crystal you have a parallel beam coming but since there is some angular variation in the planes that are offered to the incoming beam please remember this is a polychromatic beam so the angle becomes slightly different when sin theta theta becomes slightly different you choose another lambda from the beam at slightly different angle so you have got excuse me is around 20 to 30 arc millis 30 arc millis half a degree so you have got a resolution compromise but you gain in intensity using a mosaic crystal another way of increasing this angular width is to use a perfect crystal but to bend it now you see if this is a bent crystal look at it from left to right the parallel beam falls here here the angle of incidence is small here the angle of incidence is large so it focuses the beam it's true it's like a mirror it is like a elliptic mirror which focuses the beam but it also gives you larger spread in lambda that means more intensity that means it makes some compromise on the resolution to give me intensity so instead of flat perfect crystal I will tend to use either mosaic crystals or bent perfect crystals both of these help me to gain in intensity at the cost of so if it is a perfect single crystal you have only one angle going out perfect and from this polychromatic beam this beam is polychromatic the direction has been fixed by your in the solar collimator but now direction is fixed but there are many energies I want to choose one it chooses only one which I don't want because it is too narrow just one so now I have a mosaic crystal as I showed you in case of mosaic crystal there are lots of small crystallites inside this so this beam is polychromatic directional this direction becomes slightly uncertain so I have this gives me a delta lambda a larger slice from this from this max volume so my number gets enhanced I make some compromise on the wavelength resolution and also on the d resolution because when I'm doing brag diffraction your delta d by d is the subject of interest for us how good we can resolve our d spacing and that depends on not only delta e it also depends on delta theta also I can use a bent crystal when I put a parallel beam on a bent crystal you can see the angle here is small and the angle here is large so you have got a focusing effect large angle and the divergence increases for the beam and again it gives you a delta e desirable delta e so these are the tricks for the mosaic crystal that one uses to improve the intensity in the beam at the cost of resolution so I have now I am just showing you photo of a very fine germanium crystal slices are used you can see this photograph it will make you some I show you this because this will give you some idea this height is almost 20 25 centimeters and each point there was stuck a single crystal which is bent so basically here this curvature that you see is in the vertical plane that means in the vertical plane it is curved like this and you can see that the beam gets reflected onto the samples and it focuses the beam so it makes the beam size smaller it makes a compromise on the angle and now in the and as I told you with the here the resolution is not compromised because you are doing the focusing in the vertical plane but you are doing the experiment in the horizontal plane so you gain in intensity using these germanium crystals but you get high resolution data in the horizontal plane so this is this large beam because neutron beam is large you want to use a smaller sample size that's often the need because it is very difficult to grow large quantity of samples especially if the samples are novel and you need to get data from them then this is one way which is being done this is in UK also I will show you open Australia in the reactor here these are hot press germanium so they have been made a vertical stack of this germanium each one has hot press that means they have a lot of mosaic spread in them so first you make the vertical focusing so you reduce the size of the beam and then there is mosaic spread so you also have delta lambda you get more intensity so this is in opal australia they have this hot press germanium monochromators and there as I showed you that this is a horizontally and vertically focusing monochromators all these sizes are typically 15 to 20 centimeters the large assemblies ultimately the beam size can be as low as 1 centimeter square you can see that they're actively controlled double focusing monochromators consisting of an area of 315 pyrodynamic graphite crystals this is at NIST USA so monochromators possibly a single most very important component in our beam path so now let me come to the fact that we I talked to you about beam tailoring inside the reactor and the target after the beam tailoring how they are transported out so I talked about beam holes beam lines and the guides and after we have brought them to the beam I talked to you about various collimeters and filters that are put in the beam path and at the end I have talked to you about how you get a monochromatic slice from a polychromatic beam using these techniques in the next lecture I will discuss with you the role of detector and monitor counters in neutron experiments and then we will get into real experiments with our samples


This is so dirty. Okay, hi guys, welcome back to The Average. Today I'm gonna be doing a sketchbook tour because I have finished this sketchbook finally. If you're new to my channel then you probably don't know but for these sketchbooks I got them from Lidl, they're super cheap and I don't think I'll find them again because if anybody knows what Lidl Lidl, I don't know how to pronounce it, is it's basically like this cheap grocery shop and yeah they have these rotations of things that they sell and sometimes they have art supplies and sometimes they have different stuff but I got these kind of fake mull skinny stuff and they have like 120 pages in them so I split up half doing half the sketchbook tour in another video and my other one is about the horror comic so it was all stuff that I did for my horror comic. That is not in shop and I've got that sketchbook tour on another video which I will link up here and if you want to see more of that then go check out that video. You guys probably will see it anyway because it's all part of the horror comic vlog so I don't know if any of you've watched that if you have then yeah I'm gonna zoom in a little bit more so you can see better. Makes more sense doesn't it? So let's just skip all this stuff this is the old stuff so you will see all this in the other video if you care to watch it. So let's flick to the halfway point where I was like just finished my horror comic and a bit like what do I do now because you know when you work on something so solidly for a few months then it afterwards it's like um what do I draw now so I think I was just going for a little bit of art blog but not really because I was just still enjoying what I was doing but these pages that are to come you'll be you'll see a difference from this stuff where we're just heavily drawing on a particular subject for a while so whatever I just drew different leaves trying out different textures pencils colors I wouldn't usually use in the horror comic necessarily or just like happy things here we have some leaves I was doodling this with like Posca pens and those tiger markers that I reviewed and here I use a Posca and it's just built everywhere and I was like thanks for that Posca thank you so much and yeah I was just doing patterns I really like the way that turned out I used this pattern a bit in my map video if you see that here I was watching those tiger markers I also received a box of Risma colors and I was just doodling a woman just to see how they blended so I use this sort of as my swatchy kind of experimental page if that makes sense this is my tiger markers video if you've seen that then you will have seen this drawing on the back it looks quite cute as well I quite like the way it went through the page is very clear this is was I don't know what this was because I started doing it and I was like what the heck is this I was trying to draw myself and do like a little thank you postcard for everybody who backed the Kickstarter and then I just I got stressed out and I didn't do it so I'm sorry that there weren't any like thank you stuff in your packages everybody who supported me but I hope that you can understand that sometimes stress gets the better of us and yeah this is for my book video where I paint over books of film covers and I just did a little quick sketch here I've got the name for sketch that's you know that's a good sign isn't it here is the worst art blocky page ever I was feeling it pretty blue and I don't know why and I hurt my farm and I wanted sushi but we can't get sushi because I always I'm in always a constant state of just wanting sushi and is expensive so you know that's not gonna work out for me and I'm a sweet potato apparently I am a sweet potatoes potatoes oh my god what is that okay so we just breeze on past that page shall we here are some horse studies that just didn't work out for me I thought yeah I wanted your horses I can I can draw horses that's gonna that's gonna work and they just and no no don't don't look at that stone into your soul and yeah and some random doodles just you know what I do is like I just like to draw girls and I think that's apparent on this channel and I I'm not apologizing for it oh god here is another one of those awful pages I promise it gets a little bit better I think before it gets worse again but here is that you know that blob challenge you know when you're feeling bit art-blocking you just block down colors okay you just block down colors and you kind of just do face well you're supposed to make a drawing but apparently I just went with faces which you know really creative and we'll breeze and post that as well this was just trying to work with textures I I think you can see that I was going through a bit of a tough time after not having the horror comment to work on and me and Chris went out for food in Spain and I asked for a Coca-Cola light which is a diet coke in Spanish I know it's a bit sounds a bit bizarre but I asked for that and she came back with normal coke and I'll say uh excuse me I've asked and she was like next time you up to say lie like took her away like stored up but I did say it you made a mistake and I'm such a little timid bee I could have been like yo you did it but I'm too polite I guess another tiger tiger another drawing with those tiger markers and I quite like her and I think the black is just an ink pen pencil ink pen again another bizarre page of like what how do you draw I can't draw anymore and art block this was a doodle I did for a video when I was just talking about my life and I was talking about getting a job and I actually I got two job offers and I picked one of the jobs and it was very hard to choose because they were both really good jobs and that's where I'm at so I'm hoping to keep like everything the YouTube going as much as possible but it's gonna be a bit rough so if you think like oh West Staff's video today then just know that I'm a ball of stress and I'm working and it's hard okay thank you this was some doodles for the first day of October which I am severely behind on but I'm also I don't care is does that make sense to anybody because everyone's like oh no so it's just out back into I'm like I want to swear yeah look it you know absolutely block it because you know look after yourself first if you stressed out the whole point of it is to enjoy it and get into drawing every day and I'm drawing every day anyway so me and that's my little excuse and I thought I would draw because the first day was probably was poison and I thought I would do Juliet when she fake poisons herself I think she fake poisons herself yeah and the dice is her the star is from a song about Romeo and Juliet and that was my Inktober and I tried to do like this skull kind of face behind her but it kind of just looks like weird random shapes why why is that skull just shapes here was just experimenting with inks because I was enjoying just playing with it instead of doing the prompts here is a quote from a song by Brandon Flowers and I quite like it that's that's that guys here's another ink drawing again I was doing lots of ink drawings but just not to the prompts so I didn't I don't I kind of don't really care as long as I'm drawing if that makes sense I don't really owe anybody anything I don't think any of us owe anybody anything unless they're paying us you know so whatever and he is like some orange pencil that I added just to like pop it out because I think I got those pencil what on what are they Prismacolor pencils and I just I really like them so I was like putting them on different pages heroes messing about with ink we were out having a drink in a bar no in a restaurant and I was just drawing this woman and then her friend like stared right at me and I was like they know I bought a band admission and then I drew this sack of don't know a great eyes aren't I unsubscribed right now look at that that will be in your nightmares tonight and then the next day I had my interviews so you know I said I applied for two jobs I had both interviews on the same day so that was like the nerve-wracking day from hell and it was quite actually the interviews obviously went well and it was it was okay it was better than you know when you have what's it called when you're like thinking about something apprehension is worse than the actual doing of stuff and I was in this cafe waiting for my next interview to call Sakarello so I was just doing stuff around me and then in October day two was relax I believe so I did some I wanted to do a woman in a bar I was thinking I kind of relax with like a coffee but that doesn't make sense does it so I didn't draw that I went with the bathtub or roasted I did a witch which you'll see which I did doodle here just to like help fill up the page so this was my first attempt and I really liked it but then I just didn't I thought like I can do better than that so I went again and I did it again and then I like that and then I use the personal colors to kind of color it in after I'd posted it on my Instagram and I like some of it I wish I hadn't used that yellow and orange you see what I mean it's just like maybe if I just use blue and red it would have been nicer because I felt like she was in a dark room having a bath and here's my inktober for roasted so basically she's being burned at the stake as a witch and she's like not burning so she's like yeah fine I'm a witch you caught me now you're gonna die at least I like to hope that's what's gonna go down next although we're gonna suffer somehow maybe not die maybe that's a bit brutal but then they did try to burn her alive at the stake so mmm tomato tomato and here I was practicing my paint techniques so this is that classic technique of do a light wash and then do a darker wash and then do a darker wash but just painting in the negative spaces to make layers and I really like doing that I have a lot of fun doing that and I think it came out quite nice so quite like it I really like using watercolors and I think sometimes I stem away from it and then I always come back to it like wait I really like using watercolors why haven't I been constantly using water colors this was inktober I think it was day three or four I just looked at my other ones so I should be able to count back I think is for spell and I just wanted to do something abstract and have fun with inks and I think I really like the way it turned out I think it doesn't photograph very well it looks cooler in the sketchbook if that makes sense do people agree and that's that I really liked it it was fun doing different washes of inks I think that's fun to do and then I did another one another one another like ink experimentation sort of using that layering effect technique but with inks and then going over I'm saying these are pebbles but I don't know what they are with different inks and then here I used a white Posca which I kind of regretted because I felt like it just didn't work with the whole situation mm-hmm then I you know those Prismacolor pencils I was using them here and I was just doing like different studies of pictures that I find online and I quite like the way it turned out here I drew her and then I was drawing at night so I used this yellow pencil and I didn't realize that it looked like that because under the light I was using it just didn't come out as anything and then I looked in the sketchbook the next day it was just a giant yellow smudge on her forehead I was like okay yeah rubbing that out as best as I can but I didn't really rub it that well here I was experimenting with inks I think I was like what am I doing and I just did it ink wash and that didn't work but then I did like sort of like a little city town street where you know have those a little crampacked town houses and we went to the market on Saturday and we were sitting eating before our food arrived I managed to draw this little stall and I quite I like that the way that turned out I like using ink wash is the best I think it's very fun again using the pencils just doodling random pictures and stuff I like the way that this girl turned out except her face so if we do that I quite like it and yeah I like I like some of these faces quite fun I was enjoying my time there I think when you're enjoying doing your art it does show and then I drew another little doodle of a girl and I don't really know what she's doing but I just I like the way that other girl look with this short skirt and these puffy shirt coming out so I wanted to have a go that I drew a little doodle of my cat pesto and she has no time for you and then I was drawing Marzia who youtuber I don't know why I just really like her style and I follow her on Instagram so I was just like oh I just doodle her and she has outfit of the days here is a preliminary doodle for I'm doing a Sinbad poster for a local play so I was drawing out the girl of that I can't remember the girl's name in that show no doubt you guys do show in that story of Sinbad and here I drew a house because I was like I need to do some house studies and I wanted to see how it would work with those pencils I kind of like it and then I'm like also like what is that then our block returned and I don't know what this is I was like I'll do an envelope and then the girl is like looking at the envelope and I don't know guys you know what I mean like sometimes you just have those days I was doing some research for Sinbad poster I'm doing so I drew like sort of that type of ship that would happen and look to all shows and then this person Andre Herston this is basically his drawing but I wanted to just study it to see like the clothing and stuff the inspiration for Sinbad that he did because I need to do that poster and I was just doodling like different characters and then I got completely sidetracked with drawing girls again because you know that's that's me that's my life that's what I'm about and next page these are cute though I was drawing Pesto because I like the way that image turned out so I was trying to see what would happen if I drew her and then there's Kubo and Gigi as well because I couldn't leave them out and let me tell you a story Pesto knows how to open the front door and this is how she looks when she does it and she's like lets everybody out and it happened in the middle of the night the other night and all the cats were missing we had to get up at like 6 7 a.m. to search around our building for these cats these little shits I mean these little little bee bebes bee bebes escaped they're all fine though can you focus on me camera okay it didn't like my hand being there for some reason then I got a little bit obsessed you know the story of Ophelia and like different paintings and lots of people do photo shoots where people lying and girls lying in water and I got a little bit obsessed with that and this one I'm like what what is that I'm gonna call that my my warm-up and then these two I really like and it was fun to do again I use the layering techniques within the painting kind of and I just like it it's it was it was it turned out nice and I like the colors so yeah then I was looking again at Ophelia paintings and this is kind of unfinished a little bit but yeah that's where I'm at with that little image I think I got a bit bored of it and sidetracked then I did some random I don't know I think I did these very quickly just just to do something and get like just practice I guess I quite like this image I saw this image of this woman holding flowers but then I put like a heart in it and then the heart was bleeding because you know I'm such a dark twisted tormented soul and and then this girl is wearing this really nice fluffy dress and I really like that silhouette of people when they sounds really bizarre but I like drawing it when they like thin there and then come out like it's very dramatic dramatic silhouette shape and I think this is my last ring it's just this girl they're random just this girl sitting down and then I have like lists and stuff in the back I don't know why I did that in the back and then this was a game that I played with my sister and my niece where we had a minute to draw something somebody said I think we had less than a minute so we just we were like oh draw painting or a bin or a cat man I don't know I don't remember a plane we just that was fun anyway and there's nothing in this pocket because last time I had loads of stuff in the pocket but I think anything I had in these sketchbooks I just stuck them down so there's nothing in the pocket it's all stuck in this book so that's my completed sketchbook I think this is my third or second completed sketchbook in the year and I'm pretty pleased with some things I really like and other things I don't but that's a whole point of a sketchbook right there's not supposed to be this pressure of making something perfect you just have to go with what you can and draw and have fun and experiment and make mistakes because you learn from mistakes I'm a big advocate for mistakes so that's that's it that's my sketchbook and I hope that you guys enjoyed it and I hope that I'll be able to complete another sketchbook this year but we'll see actually when do I start this one because I know I put the date I started this sketchbook in July so four months that's pretty good for 120 pages because of the the horror comic stuff I filled it up the first bit quite quickly and then I just do the rest of the stuff and yeah that's it okay that's it um thanks for watching guys please like and subscribe for more content content you're not gonna subscribe now yeah ruined it messed it up just leave and I will see you next time guys hopefully okay bye


Lagos State Police Command has said that it has commenced investigations into Chrisland School's sex scandal and a statement of command stated that the video perpetually depicting students of Chrisland School in Lagos being investigated to establish to establish the identities of the players in the video, the two incidents in the video, the geographical location of the incident, the alleged threats to life against the students of the school and circumstances surrounding the alleged repeated pregnancy tests conducted on a student without parental consent.


Science is trying to achieve everything through physical means by taking physical quantities, going by the physical laws. If you go through physical means, you will hit that glass wall somewhere. I think, in my perception, I'm not a scientist, I don't know all of it, but in my perception, I think the physicists are near the glass wall. They might not have hit it, they're near. That's the unknown question, right? We have no guarantee how far we'll get in science. By glass wall, I assume you mean we run to a place where we say we can't… Where the present faculties will not be good enough. The present faculties of fire senses and the brain will not be good enough. That we hit a long time ago. So for example, things like quantum physics, quantum physics, you can't understand it, but you can write it down in equations that make predictions accurate out to 14 decimal places. So we think it's pretty good and we can build new things out of it that we can see things much smaller and much farther away than we ever could before. We understand the wondrousness and the subtleness of everything around us much better than we did before. But the actual physics, a human can't understand. We just make tools to get where we need to go with it. So we've already hit that point. And certainly it's the case with the human brain, which is made up of almost a hundred billion specialized cells with thousands of trillions of connections between them. And every second… I like the way you're saying it with the passion. Like some people are talking about food or something else. You have a brainy instead of a food. You feed on the brain. But the reason it's easy to be passionate about it is because it's a system of such unimaginable complexity that it bankrupts the language. We have no way that a human could perceive a system of that complexity. And yet, each of us has it in this three-pound organ that we're carrying around. But we've already hit that point a long time ago in science where we realized we can make new strains of mathematics. We can make computer simulations. But we'll never get it. I'll never get the brain. All I can do is take the way that you explained the 16 aspects of the mind. You simplified it down to four. The best I can do is take the thousands of trillions of connections in the brain and make some cartoony model that my impoverished intellect can sort of get a sense of. They're building a simulator, brain simulator, you know? Andrew Mocker is a busy building this simulated brain. All that is fine. We are looking at the physical mechanics of what's happening. The complexity of what's happening is beyond the physical mechanics. See, looking at the physical mechanics of the brain, the neuronal function and the electric, the thing that's happening, the waves that are flowing, whatever thing's happening is fantastic because of the complexity of what it is, the sophistication of what it is. It is the gadget, no question, okay? This human gadget is the gadget on the planet. Of what we have seen, this is the most sophisticated gadget on the planet. There's no question about that.  So I'm saying there is an intelligence here which can create a brain. Why are you ignoring that intelligence? I think the heart of science is to try to understand what that is.


Okay, today is our first workshop of the Global Entrepreneur in Residence program and I'm really pleased to introduce you to Tungai Cioto, the co-founder and CEO of Afroblox who will be sharing more about how you can use freelancers to scale up your business. So I would like to hand over to Tungai. Tungai, welcome. Great, great. Thank you so much. I appreciate you for having me. Yeah, so I'm going to go ahead and share my screen. You see my screen?  And my name is Tungai Cioto, I'm the co-founder of Afroblox, which is a Pan-African freelancers' talent marketplace. So we'll talk about designers, developers, marketers, you know, and reconnect them with remote jobs, mainly from the USA, the UK, and Canada. And, you know, in 2020, I was recognized as one of the most influential people for African descent inside Africa. And I'm the former Vice Chair for the Science and Technology Sector for African Union, Pan-African Desperate Youth Association. So yeah, that's, you know, a brief about me and Afroblox, what it is is, you know, if you are designing for your market, because what we figured out was, you know, there's so much potential on the African continent, you know, talk about 1.3 billion people and 60% is another age of 25. And yet there is this global tech talent shortage that has been impending, you know, it is estimated by Mackenzie, you know, a research firm in the US that by 2030, there will be as much as 85 million jobs that are going to be left unfurled because there won't be enough people talented and skilled in those roles. So what Afroblox is trying to do is to help more African freelancers and professionals participate and thrive in the global gig economy, talk about from a job being posted to collaboration, to payments, you know, you want to work with someone from Ghana, from Zimbabwe, from Zambia, and be able to know that, you know, after this job is done, this professional will be able to get their payment and, you know, be able to end economically. So that's what Afroblox is doing. The topics, though, that I want to cover today, I've split them into three.  So building a business, you know, is something that is hard to do when you start. But once you get the hang of it, and once you follow, you know, certain things that people have followed for centuries, successful business people have followed, you'll at least increase your chances of being successful as well. So obviously, you know, you need a name. Website is not really necessary. It depends on the industry that your business is in.  Is it a for-profit? Is it a nonprofit? What industry or category? Is it, you know, manufacturing? Is it a SaaS? You know, software is a service product? Is it a marketplace?   They probably talk for like, you know, three minutes. But the better approach is to, you know, to have what they call a one-liner. It's just one line, or it's a one line is a bit longer than say, you know, a slogan. So you have a one-liner, what does your business do? Afriblogs is a Pan-African freelance and selling marketplace. Full stop. So now that takes someone to the next stage, like they get the one-liner, now they're interested to understand more. Now you can give the short description, the long description. And another thing is what they call an elevator pitch. You know, they call it an elevator pitch because the idea is by the time, you know, if you get into an elevator and someone asks you about a business, by the time they get to wherever they're going, you should be done explaining about your business. Then the next thing is a pitch.  And then you get questions and then it gets to like 30 minutes. So that's a pitch. But what helps you while you're pitching is now a pitch deck, because now that's the visual, that's kind of, you know, giving, you know, the talent or the investor or the person listening to you, you know, a visual understanding, like if it's a graph, if it's showing competitors, now they understand better, because that's your goal, your goal is to sell your business to anyone who's listening and you need to make it as easy as possible for them to do that. Then the other thing I wanted to share was now you've passed all that, now you're working on your business. There's a framework that I read about, they call it the W3 framework. But I modified it a bit, I call it the W5 framework. So the first three Ws are who, what and why.  So who's buying the soap? The soap, maybe it's, the soap is being bought by moms for their children. The next king is what are they buying it for? So they're probably buying it because it's good for their children, right? The next thing is why. Why are they buying it? Because, you know, it's great for their kids. So the who, the what and the why, those three things, you should ask them about any business that you do. If it's, I'll give another business example. Who is buying, say, you know, lemonade, you know, anyone can buy lemonade. So that's a broader audience. What are they buying? They're probably buying because, you know, lemonade is chewed and cold. And that's what they want for the buying it for the taste.  So now when you're framing your, your business, you're like, you know, what or the why now you include it even in your marketing to say, hey, get this, this cool lemonade so that you can feel better. So now you're selling, you know, different things. Just like a Coca Cola, they never talk about the talk, you know, their tagline is taste, the feeling because they've really realized why people buy it. So those are the three things. Then the next, the things that I added, I figured you also need the when, when are people buying it. So now if it's winter, and then you're outside with the stand of cool lemonade, probably no one is going to buy it because it's cold. Now it makes more sense to sell maybe coffee or tea, right? The way you can't, you know, being, you can't be maybe during a presentation at a church and you're selling your lemonade, it's probably better to set up your stand outside so that maybe the presentation is done, people are going out, that's when they get it. So this is, you know, brick and mortar examples, but this ponds into even, you know, digital products.  So those are the 5W, what I call the W5 framework for building a business.  So the reason most people use freelancers and even, you know, our platform will make use of our own freelancers is that quick turnaround. So you need something then, you need a logo app. Freelancer is a contractor. So they have the time to work on your project and get it done because it's in their best interest. Once they complete, they get paid. If they don't complete, they don't get paid. So that's what freelancing is.  So how do you identify them? These are some of the things that we are working on as a platform to, you know, when someone registers, we actually vet them. We don't just add them.  So one thing that's really helpful when you've identified the freelancer is to be clear on what you need done. So it's, it's easy to just say, you know what, I need a website, full stop. But for a freelancer, be like, okay, what is the company? So if you tell them the company, they're like, next question is, do you have preferential of colors or do you have, you know, similar websites that you like? So to, to even, you know, all of that can be frustrating to both parties. So what makes sense is for you to start by providing that information. We need a website with five pages. Here are three examples of websites that we like, you know, to look like similarly. Here's our logo. These are our colors. Can you prepare this for us? Here's a Google doc with the information on the homepage, on our vision mission, on our contact information. So now when the freelancer sees that they're like, okay, this is going to take me what, five days to do. The fee is $400 or $500 to do this. That's because you've provided the formation. So it takes away friction from you and friction from them as well.  And it's also helpful to state your timeline, because, you know, sometimes, you know, someone might say, you know, I can do this in 10 days. And then for you, maybe you need it in five, maybe needed in a month, you know, but basically, you need to communicate. So it's easy to just assume that it's a freelancer's job to, to know, which is fair. But at the same time, they cannot guess what you have on your mind or what your team has came up with. So you need to be, provide as much information as possible to them for them to be able to do their job.  So if you're looking for someone who can do WordPress, if you're looking for someone who can do Python language or C sharp or PHP, and then you see a resume that is JavaScript and Java and, you know, quarterly and things like that. And then the person tells you, I can also do that. Don't believe that because if they will be able to do Python, they'll replace Python on their resume. And those are some of the things that promise you to say, you know, before someone does any work, you might want to give them a test. This is something that I do a lot. If I want someone to build a whole system or a whole platform, I'll start by giving them a page. And in some cases I'm like, okay, this is the page that I need. How much is it going to cost? So that someone, I'm not wasting their time, they're not wasting my time. And if someone is paid for this work, and then the work doesn't come out well for that one page, instead of me building an entire platform for, for 6,000, you know, pounds, I can build a page for $50.  So communication strategy is important. Communication channels as well. Some people prefer, there are a lot of communication channels out there. Some people prefer telegram, some prefer email, some people prefer slack, some prefer WhatsApp. There's so many platforms. So it's clear, it's, it's hopeful to be clear from the word goal, which platforms you're going to be communicating on. So now the other thing is, after that project is done, you should be able to mind your results. Look at, you know, what you stated, which is why, you know, job description is important. You know, it's more like a proposal. This is what I need done. And they're like, this is what I can do for you. And they're like, we agree, let's work on this. So now when the job is done, you're like, here's the proposal. This is what we needed. Here's your result of your work. Is it what we needed? Is it what we agreed? If it's not, then, you know, you're clear because there's a document that both of you are looking at. And then there's the issue of progress as well. Someone said, you know, I'm going to get this done in five days. And now you're like a month in, you need to cut your losses, you know, that that happens a lot because five days, maybe someone can do it and can can miss, you know, with two days. But if it's a month and they keep telling you this and that, you probably need to stop. That's what I've seen from experience because it's in human nature to say, you know, let me just try to finish this because you know, you've been digging through it all for a while.  And one way that we have done it is actually from the freelancers.  We now need you to work, you know, more time. So because we've worked with them, we've worked with them well. We've treated them with dignity and respect. Pay them what they deserve. We're now able to to hire them.  It's not something that you want to do, you know, the time when you need a lead developer is not the time that you start to looking for it for one, you start to look to look for one when you start your business and when you start interacting with people. Yeah. So that's the main thing I wanted to share about, you know, analytics, progress, fees, you need to agree on all of that before is that. The next thing, the conclusion. So what advice someone gave, advice that no one gave me that I'd like to share that the hardest part of all of this is going to be dealing with people. When it's cold, you can tell cold to change from blue to green, you can tell cold to change from a rectangle to a circle, you know, it's cold. So you can tell you what you wanted to do, you know, sometimes it's hard depending on the language or whatever, but you'll get it done. But when it's another human being that has different views, different, you know, agendas from yours, that you are trying to align because, you know, they're working for you, you'll probably have to work harder on that. This is based on experience, talking to people, you might get out of a co-assuming you're all good, but it's always good to ask, are you okay? You know, is this clear, is there something that, you know, we need to talk about, is there something that I can explain in another way or I can explain better? All of that ultimately creates an environment where both the client and the freelancer are on the same page and not assuming that they're on the same page.  Yeah. Yeah, finally, you need to get things done. That's why I have competence, a technical competency, you need, you can talk and talk and talk, but at the end of the day, you need to get this work done. So that means, you know, late hours working, that means, you know, you have to get advisors, you have to ask, you have to read and get work done. As a bonus, I wanted to share these three things that going out, you need to take care of. So that's the business, the technology and the people. So the business is your idea, you've created this for it to grow into scale, always implement, you know, technology within it, even if it's a shop, it makes things easier if you're managing your inventory with a laptop, then to write in a book, even if it's a library, so it's easier to have, you know, an electronic library where you can type books and be able to know where they are. And once that is that becomes successful, you're going to need to work with people's that. So that's why there are three things, the business, the technology, the people.  What is the market? What is your solution?   There's so many platforms that you can leverage on to make your organization or your business run more smoothly. And then the people, you know, you're going to need to get to get help, you're going to need to have a team of advisors, sometimes a co-founder, you're going to need to know rules and regulations and sometimes you're not a lawyer, so you're going to need to identify someone to help with that, grow your community and eventually all this will need to lead to a network effect where people keep telling other people referrals are the best in terms of growing your business. Yeah, so this is my presentation to you around how to scale up with freelancers. Thank you. Brilliant. Thank you so much, Tonguy. We have a few questions for you. So what advice would you give someone if they were looking to get a freelancer on board and they want to put together a technical specification, but they want the, let's say, a web app to have a few functionalities.  Yeah, so there are a couple of ways to do it. At Afi Blocks we realize that it happens a lot that a founder needs a web app, needs a mobile app, but they're not, you know, it's not their skill set or it's not their space, they don't know about Android, iOS faces, all of that. So for our platform we have our project managers. So when you post a job you actually talk to a developer, a complimentary of Afi Blocks that says, hey, this is what you posted, here are our recommendations. So part of that is part of the freelancer's job. To say you need this and this and that, but this is what we recommend. Someone can come in saying, we've had a customer say that I need a web designer, but when we were talking we realized they needed a web developer and recommended, hey, these are the couple of people that can help you with what you need. You can use WordPress or you can use Wix or Shopify. These are the advantages and disadvantages. So the tough part though is you won't always have, excuse me, you won't always have a freelancer that's willing to go that extra mile to, you know, to guide you through all this. So that's where, you know, for me what I had to do in some cases was to ask some of my advisors, to ask some of my colleagues, you know, you probably know someone who knows a developer, you know, we ask a favor, hey, this is what I'm doing, what do you think about this job post or job description?  So they'll give you feedback. So all of that, you know, you can combine all of those things to come up with the specification document and then share that with the freelancer. Thank you very much. Could you talk me through how we could engage your AfriBlocks if we were looking for a freelancer to build a web app or a phone app? Great. So the best way is, you know, to visit AfriBlocks.com. That's a F-R-I-B-L-O-C-K-S.com and you simply click on post a job. That job, you know, comes to our network and if it's a design job, you know, probably our design team will reach out, our software team will reach out. We're actually creating a website for you guys, right? You know, through that process. So, you know, again, those project managers, you know, we decided to, you know, to add that layer so that the quality of work that comes out, you know, at the end is high quality work. The freelance is happy. The client is happy. So it's AfriBlocks.com. You know, feel free to post a job anytime. We're here to, you know, to help your business grow. We're here to help your ideas tend into reality. Thank you so much. I have another question as well. So you got through to Techstars, which is really competitive and again, globally renowned. Can you share more about the application process and also how to impact on the entrepreneur that you are today? Yeah. So Techstars was, yeah, the process is hectic. It's not an easy process. I think we had about six interviews. You know, we applied. We had to fill in a whole form, you know, couple of questions, your business, your competitors, what's your solution? Why are you special?  We answered all those questions and sent them out. We got a response. We got a first call, second call, then a final call, and then after that we got the response that, you know, we have qualified. So one thing again that I did was to, before I answered any question, I took all of those questions, put them on a Google document, place my answers there and send them to my advisors. Hey, guys, I'm applying for Techstars. Here are my answers. So they have experienced like, you know, where you say the, you know, Afriblogs does this, I think it's better to say this. Where you say, you know, Upwork is your competitor. I think it's better to say, you know, it's an indirect competitor. So it's just those words that makes, you know, someone interviewing you realize that you understand your market. You know, it's an indirect competitor because we are focused on African professionals. They are not. Other competitors are focused on developers alone. We are focused on designers, developers and marketers. So all of that, when someone is talking to you, they're trying to figure out, do you really understand your business? Or you're just, you know, taking a chance. So, you know, asking helps a lot.  So it was still hard, but it made it easier that, you know, I've researched because nowadays with Google, you just go on Google and you're asking and you type and you see, you know, some other people, their comments and all of that. So, so that's what we did. We went through the process. We, we eventually, you know, they announced that we qualified when we were the first Simbabwin startup to get through the, the, the Texas Accelerator. They give you capital. But the most important thing is you go through a 13-week intensive program where I remember, you know, my calendar was full the whole time, the whole 13 weeks. And you're meeting people where it would have taken you months or never to meet some of these entrepreneurs that are being handed over to you. So I'm saying that greatest value of Techstars was that they are community. They have an immense community of founders. They've been building for years who basically come to you and look at your business and tell you, is this great? You need to change that. You need to change this. And that's one of the most important things that any entrepreneur can ever get early on. And just someone to scrutinize. And because as an entrepreneur, it's very easy to say, you know, this is my idea. I know this will work. But these guys have been in the industry for years. They have some have sold three, four companies. Some of their companies have gone public. Some are millionaires and billionaires. And they are here to talk about your business that's worth like $10. So, you know, that, that, that feedback is, is extremely, you know, helpful. So I would say, you know, I recommend anyone and everyone to, to apply to, to, to Techstars. They have, you know, you know, different cities, different managing directors and different accelerators for different industries. But, you know, Techstars.com, look at them, you know, information is there. Thank you. And you mentioned that you had a group of advisors. What would you recommend to our community of entrepreneurs? How can they start getting a group of advisors together? All of that is, is a process, is a journey.  I'll give you an example. You have been an amazing, you know, leader in this space. You invited me here. And you are helping me, you know, share my business with, with a lot of people. You basically are advising us because, you know, I ask you questions sometimes and things like that. And for, for me, you know, I've met some people during, you know, we have worked before.   Someone is really good with investment advice. Someone is really good with product advice. Someone's really good with legal advice. So you need to identify that, okay, with everyone that I know who's really good in, in product advice. If you don't have someone in product management, you probably have someone in investment. You ask them, do you know someone who can help me with the product? And they'll probably know someone because that's the thing with advisors. Advisors do know that, you know, this is my strength. This is not, you would never have an advisor. It's very rare someone to say, like, for me, if you ask me for legal advice, I'm like, I'm not that guy. But if you ask me for, you know, development advice, yeah, we can talk all day. So, you know, asking the person that you already know, if they know someone is another way. And being conscious in your head to say, these are the things that I need advice with. So it's not just getting a random advisor. It's like, what do I need help with? I need help with marketing. So let me look for your marketing advisor. Some of the people I've met are literally connections from LinkedIn.  And then I reach out to them, hey, this is what I'm building. Would you help me? And some have said, yes, some will say no, that's part of the process. Thank you. And some of our students have business ideas, whether they want to set up agencies and they're thinking about, for example, outsourcing marketing. And they were talking about how do I go about pricing? What advice would you give them on deciding how to price their service or product? Yeah. So there's this thing called a product or price discovery, literally, especially if you're building like projects like software as a service projects where you're you're trying to figure out like, okay, you're building Netflix, you're trying to figure out should I put you should people pay $6 or $3 a month. So that is something you really need to ask your customers and have a good sample size. So I've seen some platforms actually have a survey that they send out to their community. You know, for us, we've sent out surveys before some to ask, you know, from a simple question like, hey, how do you get paid? Feelings will say, hey, I get paid through Payoneer. Now we know that there's this service that's dominant right now, we'll look at them and then we try to see if there are some things that we can take from them. So for pricing, it's really product discovery. If it's a brick and mortar thing, like, you know, you're selling, I don't know why I keep saying soap. I always go back to that example. You're selling soap and, you know, now it's things about like how much did it cost you to to get that inventory? How much will it cost you to acquire a customer to buy it? How much will it cost you to market that product?  So now you're selling that at $15. So, you know, I always think like brick and mortar or retail is easier kind of to figure out as opposed to software products because software products, like, that's where you really need to literally put a service out there. Like, don't stop because a lot of people take too long to put a product out there. You need one thing, you need a lending page. You don't need the whole website. You can have a lending page. I'm selling coaching services, $50 an hour, one on one, you put it out there. And you look at the analytics. How many people clicked on this? 300 people clicked on this. One person bought it. So $50 is not working. Of course, sometimes it may mean maybe no one wants the service. That's another, another, another, you know, interpretation from that. Next thing you lower your service to $25. How many people opened it? Maybe now, you know, $5,000 opened from $5,000, maybe $10 booked a service. So now it's product discovery. And all of those experiments need to be done and need to be done fast and need to be recorded. Because if you don't record, come, you know, three months later, you won't remember what happened when because your mind is not meant to remember things. It's meant to process things. That's what I always tell my team, write things down. Look at what you wrote. You don't have to remember how many people clicked on it.  And then now your mind is trying to process. So this is how many people clicked, 10 paid. So this might be getting closer to the, to the right price. Thank you. My last question for you would be, what advice would you give to entrepreneurs who have this large vision of, let's say, a NAP that has various functionalities, let's say numerous functionalities, but there are stages where they say, okay, I don't have much funding available. I don't have an expert to build that. I can't actually set up that business right now. What advice would you give them? The first thing is get started. The second thing is you probably don't need to have all those features. Figure out, I guess that's what, that's why you need to go back to what do you want, that those five Ys, those five Ws, what, where, why, like all of those things make you figure out what the business should be about. So you can start out saying the business should be a learning platform where people can chat and do video calls. And then you're like, okay, who am I targeting? And then you forgot the people you're targeting don't even want video calls, the one voice calls. So now you literally, we are about to build a feature that no one wanted. But because as an entrepreneur, it's very easy to want to build this thing that's in your head, even though you need to listen to what the data, the information, the feedback that you're getting. So I'll say, you know, when you haven't happened, it's huge. Change it or maybe you can even place a roadmap to say at this stage, this is what we're starting with. I'll give an example of someone who wanted to start a broadcasting service. So I was like, maybe you probably need to record videos and then stream them later because they wanted a live stream service. Maybe you start by recording because streaming is difficult. Streaming means you need to be online all the time. So if you start there, you get traction, you get customers that pay you, then you use that money to watch to get to the next stage.  Thank you so much, Tungai. Thank you so much for showing more about how entrepreneurs can scale their businesses with freelancers. It's so great to have you back as a guest. Everyone always learns so much. We will share more about Afroblox and how our students can find out where your website is. And thank you. Thank you for coming. Very great. Thank you so much. I appreciate you. Wonderful. I'm just going to stop recording for the moment.


We think like the program. We have the same view, ego, not just words. We can see pictures first. We can connect them, associate them. We think through them. Are we even able to understand? Without them, immediate, fast, clear, easier. As soon as we read 9-11, we see the photo. Our archive is the same that the program has. Internet and other people experience it. We don't have a direct view of it, or a feeling to connect with it. Just like a computer, leading through fading memories of someone else. At 8.45 am, one of the three towers of the World Trade Center complex in Manhattan. At 9 am, the second one was destroyed. 2,996 victims of this satisfied high-tech, just destroyed three towers and hit Pentagon in the day of terror. We are left here trying to remind it's a time. Seeing changes. Even though we didn't feel the heat of the fire. When we see you tomorrow, the bells will ring for you. But you already reached the light. You have so far to go. Characters were written for you. You are never coming back down. We're down hurting, trying to figure out if it is even real. What I'd love to know is that this was our last goodbye. No will for nobody. Who are you down for? Did the pilot even knew who they were down for? One life and he's gonna use it. One last dance in the room with you. You were just a puppet that got sacrificed. Did you even know you were under attack?


Hello everyone, welcome to our direct entry programs. I'm Fiona Sun, boss direct entry lead. As a direct entry student, I understand you come from a different country, but need to adapt to the UK life and study environment very quickly, and this must be challenging to most of you. To help you accommodate your life at Greenwich, we have our welcome week induction session strategy for you. And during your study, we also have personal tutoring system to help you and support you and the online module called personal and professional practice to help you develop your personal skills and also to improve your employability.  As your program leader, once again I welcome you and look forward to seeing you very soon on campus.