Hi, my name is Andrea with Food and Mentory Adventures in Food.  On our channel, you'll find simple and tasty recipes using everyday ingredients. Hey guys, so for dinner tonight, we are having this thin crust pizza from HEB. It's Italian sausage and pepperoni. And I made it on this pizza rack, this little silver pizza rack that I got from Walmart a while back ago.  So I've got it resting on a cutting board. But quick and easy dinner tonight, and we will see y'all next time. Hey guys, so for dinner tonight, we are having this chicken lo mein. It's from Aldi. It was in my freezer. I got it on an Aldi haul, and it was quick and easy to throw together. As always, whenever I make these little quick meals, I always add extra vegetables, so I added in some extra broccoli. I didn't have to add any extra salt, any extra sauce or anything like that, just the broccoli. So this is what we are having for dinner tonight, and we will see y'all next time. Hey guys, so for dinner tonight, we are having pinto beans and rice. I do have a video on our channel showing how I make my pinto beans with smoked ham hocks. Now tonight, I did, or today I should say, I did not make them with ham hocks trying to be a little bit healthier, but like I said, I will link that recipe in the description box. It is very, very easy to follow. So this is what we are having for dinner tonight, and we will see y'all next time. Hey guys, so for dinner tonight, Howard grilled some chicken wings. I forgot to save the package, but in my freezer, I had a package of, I think these are bourbon black pepper chicken wings that I picked up from Tom Thumb's meat section, and they smell absolutely delicious, serving it with some fresh corn on the cob with butter, and these cheesy cheddar noodles from Noor. So this is what we are having for dinner tonight, and we will see y'all next time. Hey guys, so we are having breakfast for dinner tonight, and I am making biscuits in gravy and quick fried potatoes. So in my pot here, I have about three large potatoes that I have sliced and peeled, waiting on those to boil. I'm not going to cook them all the way, I just want them to be a little bit tender. And in this skillet, I've got some olive oil, and then to save time, I'm using frozen fajita blend. So I've got, well in this bag is red and green peppers, and then also some onions. So I'm just waiting for these vegetables to get done. I'm going to drain these potatoes and add them to the skillet and just fry them up. So I just added my potatoes to the skillet, and then I am using this mixed up salt. I really like this a lot. It has salt and different herbs in there, has a really good flavor, but I'm just going to cover the skillet and let these soften and brown until they look like I want them to look. Okay, so here is our dinner all plated up, sprinkled a little parsley right on top. And as you can see, there are the potatoes quick and easy to make. So this is what we are having for dinner tonight, and we will see y'all next time.


The Cavalcade of America, presented by Dupont. In the onward sweep of the Cavalcade of America, Congress is marked by the milestones of achievement set up by the persistently inventive minds of our great men of science. One of these, known more by the result of his works than by his name, is the great pioneer chemist and scientific philosopher Robert Hare. Hare was an industrious research chemist and an earnest scientist. Ideals such as his are summed up today in the words of the Dupont Fledge, better things for better living through chemistry. The play to the Big Bad Wolf was a tune that everyone was singing some years ago. The art of animated drawings has advanced greatly since then and chemistry has had its share in the improvement. Tomorrow evening, New York views the premiere of the first feature-length animated cartoon, Walt Disney's Snow White and the Seven Dwarfs. As an overture, Don Voorhees and the Dupont Cavalcade Orchestra play one of its musical numbers. Someday, my prince will come. The Northern Liberties. When he was only 11 years old, the chemical society of Philadelphia was founded, the oldest organization of its kind in the world. In the year 1801, when he was only 20 years old, Robert was using its facilities to carry out his experiments in chemistry. We find him there one day as his instructor, Professor Woodhouse, comes into the laboratory with a friend, Joachim Bishop. Robert! Yes? Why, Professor Woodhouse? Well, I'm glad to see you. Robert, I'd like you to meet a friend of mine, Mr. Joachim Bishop. Mr. Robert Hare. I've asked Professor Woodhouse to explain your new invention, Mr. Hare, but he thought it would be better if I saw it. Well, I wasn't sure I could explain it. Mr. Bishop is not a scientist, you know. Is this your celebrated blue pipe? Yes. The pure oxygen comes in through here, and the hydrogen through here. They mingle in the pipe and make a great heat when they unite in combustion. But I can't understand, Mr. Hare, what value it is, though it is doubtless scientifically interesting and all that. Well, there are a great many things, Mr. Bishop, that chemists would like to experiment with, but they've not been able to get a claim hot enough to work with. Perhaps Robert, if you could give Mr. Bishop a demonstration. I wish you would, Mr. Hare. I'd be quite interested in such an experiment. Certainly, sir, I'd be glad to. I'm always giving myself demonstrations of it because there's still plenty of room for improvement. The blowpipe is better than the elements used in it. I'm convinced I can get a pure hydrogen, and I think if I had a bellows... Bellows? Yes. You see, in order to keep the flame steady at the end of the exit tube, the oxygen and hydrogen must be fed under pressure that is steady and constant. Oh, I see. Would you be good enough, Professor Woodhouse, to touch the opening with that lighted taper and all the two gases are certainly Robert. All right. Glad it. It's a pretty steady flame, Robert. So that's the famous octahydrogen blowpipe. Flame isn't very bright, but it's very hot. Hot enough to fuse a refractory metal like plastic. Oh, come down, Mr. Hare. Plasticning is not an easy metal to fuse. In fact, I've always thought it impossible. It has been. To any extent, it would make it commercially practical. Why, there'd be a good business in that alone. Mr. Bishop, if you hold these two small pieces of platinum in this container, do you mean you'll give me a demonstration of it? Better still, you can give it yourself. Just wait till I adjust the blowpipe of the rifle. Now just bring the platinum into the flame. Yes. Yes, sir. Like by heaven it does. It is huge. See, the flame is really quite hot. It's the opening key to an endless chain of chemical experiments. It's going to open something more than that. Why, I thought it was just a schoolboy's toy, but now, why, I can see it as a business, a whole manufacturing. Do you propose to make blowpipes now, Mr. Bishop? No, Mr. Hare, you make the blowpipes. I use them to make a business. Doing what? Fusing platinum. That's one more triumph for your blowpipe, Mr. Hare. Improving the qualities of his blowpipe and its two gathers, the heat of which fused such hitherto unworkable elements as alumina, silica, lime, magnesium, and so forth, he took up lodgings in a boarding house run by a Mrs. Smith on the southwest corner of Dock and Walnut Street in Philadelphia. There stayed many of the brilliant and ambitious young men of science who were attracted to Philadelphia as it was the center of scientific research. One evening a new lodger arrived at Mrs. Smith from New England. Well? Is it possible to get accommodation here for myself, madam? If you have the proper recommendation, come in. Thank you. I have some letters here. If you look them over, I think you'll be satisfied. I'm not at bad risk. I'll have your luggage taken up, and I'll let you know when your room is ready. Uh, meanwhile, uh, go in the tap room. The parlor I used to call it. You'll find a young gentleman there to keep you company. You're very kind. Sevadile, come get this luggage. You carry it upstairs. Sevadile, where are you? I, uh, hope I'm not intruding, sir. Oh, not at all. Come in, come in. It's a public room in a manner of speaking, and it's all right if I sit down? Yes, uh, if you'll do me the honor of having a glass of porter with me. There's one fresh drawn on the table there. I ordered several. We use it here as a table beverage. Thank you. Well? Your health, sir? Thank you. And yours? The porter. It's been gone too long, I think. Well, anyway, it's a slice. Who rude to stuff? My father. Well, you see, my father's a brewer. It's his porter. In fact, it's also mine. I work with him in the brewery. I do beg your pardon, sir. I'm afraid my rudeness is unpardonable. Not at all, sir. In fact, I would have been amazed if you said anything else. You see, as it happens, I agree with you. Indeed. Yes. Yes, the porter does taste as though it had been broke too long. Yet I know it hasn't been. You see, the trouble is, air gets through the spickets we're using now, but I'm working on one that's airtight. You see, the vent is part of the spickets, and it works quite well, I think. Indeed. Now, if you'll try this new draft from a jet with my invention on it, it'll tap five days before the other. I think you will not only be able to drink my health, but wish for it. Here, try this. Your health and your pardon, sir. Well, it's excellent. It's a good spicket. And it's good for her. I'd like to know the name of the brewer. Robert Hare. Hare? Then your father's the inventor of the octahydrogen blowpipe.  Why, this is the best of luck. It is on your account to make your acquaintance talk with you that I am here in Philadelphia. I am Benjamin Silliman of New Haven. Benjamin Silliman? Well, by coming here, sir, you've saved me a journey to New Haven. While your interest in science is known to all of us here. Oh, you're most welcome, sir. The friendship of these two great scientists so happily begun lasted all their lives. The next year, Robert Hare was elected a member of the Philosophical Society, and the following year, he was elected its curator. In 1811, when he was 30 years old, he married Harriet Clark of Providence, Rhode Island. Giving up the brewery after his father's death, he taught chemistry for a short while at the College of William and Mary. In 1818, he was in his house in Philadelphia in his homemade laboratory. His wife sitting quietly in another room. Harriet? Harriet, come here. Mr. Robert, what's the big deal? Never mind that. Look here. Oh, what a mess. Now, that isn't a mess. It's a new instrument, a sort of caloric motor. In fact, it is a caloric motor. That's what I'll call it. A heat motor. What does it do, dear? It makes a terrific heat. But I thought it got a terrific heat from your blowpipe. No, not enough. The effect of this new invention is to produce a great flow of heat by electrical means. And there's none of the danger we have in using gases. What makes the heat? The things in this cell right here. I just put these zinc and copper plates in a solution of sulfuric acid, and you'll see the heat fuse this platinum wire. Here, look, I'll show you if you don't believe it. Hand me that bottle of liquid over there with that flame. Now I'll pour the content of this bottle over these zinc and copper plates. You see, they're hooked up together. And the action of the solution on the plate... Well, they look like a battery. They do, and they are. A battery of electric force. See, when I connect the ends of it with these points holding the platinum wire, the heat is so terrific it burns the platinum wire. That's wonderful. What a beautiful display. Yes, but look at the platinum wire. You know, Harriet, I believe if I could heat that platinum wire in a vacuum, it wouldn't burn. Just go with the white heat. Bright enough to see by from a long distance. It's almost like magic, Harriet, to think I just pour sulfuric acid solution over those plates. But my dear, you didn't do anything to come. What? Well, I certainly did. The content of the bottle you had with me... That bottle didn't have acid in it. What? Well, look how it's marked. It says alkaline solution. Something else, I can't... Harriet, let me taste that. It is alkaline. It's a weak, it's barely sensible to taste, and yet you saw it produce the white heat when I used it in the battery. Yes, sir. Well, but if you didn't know what you were doing, then what importance is there? I don't know. But Harriet, there is one thing we're sure of in science. What's that? Nothing that's learned is lost. I may never know what that experiment means, but someday, someone will. That the platinum wire in the path of an electric current strong enough to give a white heat worked in a vacuum, make it glow without burning up was the basis of Thomas A. Edison's researches in the incandescent lamp. In the same year that he invented the Kalora motor, Air was appointed professor of chemistry in the Department of Medicine at the University of Pennsylvania. There he was able to have a fine laboratory, an adequate apparatus suited to his needs. We find him there with one of his classes in 1832. That concludes my lecture for today. Any questions, gentlemen? Dr. Hare. Yes? I find it difficult to get a copy of your compendium of chemistry. Do you expect to put out another edition? Yes, in another year, perhaps. It'll be some revision. Dr. Hare, what is the peculiar property of charcoal in an electric current? Well, like other forms of carbon, coal, for instance, it offers very high resistance to an electric current. Would you give us a demonstration of it, sir? Certainly. If you'll give your attention to this galvanic defibrator. Yes, sir. You remember that's the apparatus by which I improved on the Kalora motor. I don't think I understand the principle of it, sir. Well, it's built so that the plates of metal and the solution in the battery are brought into practically instantaneous contact with each other. Now notice when these two pieces of small lead pipe are connected with the ends of the battery and a piece of charcoal is inserted between them. Does anybody know what would happen if the circuit were completed? Well, yes, sir. The charcoal would burn up at once. That's correct. But suppose you put the charcoal under water so it wouldn't burn. What would happen? It would fuse the lead pipes that hold it. But suppose the pipes were each tipped with two pieces of charcoal and drawn apart after having been brought into contact. What would happen then? Well, I don't know. We'll do it and see. George, get two pieces of charcoal about two inches long and sharpen it like a pencil. Yes, sir. Now, why don't you clean the lead pipes while the assistant touches the charcoal? Yes, sir. Well, these charcoals do, doctor. Yes, yes, very well. All right, fasten one into each terminal pipe. They're clean now. Thank you. Stand a little way off, gentlemen. Now, we'll adjust these carbon pencils so that they can be drawn apart immediately after touching. Like that. Now, ready with the defibrillator, George? Yes, sir. Surprised, gentlemen. This is a new experiment. All right, let the plate drop, George. Now. How brilliant it is! Oh, that's blinding. Well, look, it even makes the bright place on the wall out, George. It seems brighter than the sunlight, doctor. What was it? Yes, fellas. An electric arc of light, gentlemen. That carbon will shed more light on electricity than we'll live to see. In 1839, Robert Hare invented the first real electric burner, which was deflagration in vacuo. This invention enabled Hare to isolate calcium, the metallic base of life. He later made calcium carbide, which gave him a settling, and though he did not know it at the time, he had invented the calcium light. That same year, it's for us to enable him to convert charcoal into graphite a process that makes it possible for us to have today what we call lead pencil. At last, in 1848, the year after his retirement from teaching, Hare and his wife make a visit they have long looked forward to. A visit to his old colleague, Benjamin Sullivan, in New Haven. Oh, did it, eh? Did it? A bit of weakness, sir, till I stand by the head. You'll be careful, driver. You take my hand here. It's an easy step, Robert. Well, I was a nice house for Silliman's hand. Yes, I can hardly believe I'm going to see him again. It's been such a long, long time. Welcome, doctor. Hello, Silliman. This is my wife. How do you do, Mr. Silliman? How do you do, sir? I am. Thank you. I hope you had a comfortable journey. Come in, sir, come in. That door to my study. Rest a moment, if you wish, for unpacking. Ah, thank you. How nice. There's some Benjamin here. He's gone to the printer for the last proofs of my journal. I wanted you to see him. Silliman, I envy you, your son, to carry on your work with the Journal of Science. You have a son, sir? I thought he studied chemistry under you. Yes, but he turned to the law, eventually. And he does very well at it, too. I'm sure he does, man. Sit down, won't you? Yes. Ah, and rather he carried on my work like young Silliman will his father. My journal needs someone to carry it on. Your inventions, friend Hare.  I wonder, sir. You see, I've had so little success in carrying them out in any commercial form, as Bishop did, for instance, with his platinum works. And that was only made possible by your blowpipe. And you have invented the technique and the apparatus that blaze the pill to many greater industries. Others will follow the way you have shown them. Robert is a pioneer in science. I see rather he's a Columbus who has discovered not one new world, but a dozen of them. I'm eager to see the proofs of your next issue with the journal, Silliman. I can show you all but one article. Then that'll be the first scientific secret you ever withheld from me. Quite the contrary. The secret is yours. The proofs I can't show you are those of the article you haven't written yet. Ah, yes, I see. Yes, my dear, don't you care to rest a while? Professor Silliman and I have much to talk over. Why, is it plenty of time to read a part? Please don't distress yourself on my account, Professor. This is not the first time I have been used for a scientific principle. Well, my dear, I'm afraid I have let my work lure me away from you too often. Never mind. I understand, my dear. There's so much to do and so little time to do it with a producer. You can't reproach yourself for wasting time. We can only do what we can and hope that others may find the use for our knowledge. Yes, even as we found a way to use the knowledge passed on to us by others. And if those in the future profit by my few improvements to the past, I'll be satisfied. These then important discoveries of Robert Hare laid the foundations of many great industries that flourish in America today. With his blowpipe and electric heat, he blazed great trails and others were later to make great scientific highways. It was not for him to perfect the machinery for commercializing his discoveries. That was work enough for many others. It was for Robert Hare to find the way to reveal the technique. This first great electrochemist anticipated holiday and inspired Edison. DuPont is proud to salute this unselfish scientist as a worthy pioneer in the capitalcade of America. In 1802 when the young scientist Robert Hare was carrying on his early experiments in Philadelphia, another young man, E.I. DuPont, was founding a tiny company not far away in Delaware. By the time Hare had been appointed professor of chemistry at the University of Pennsylvania 30 years later, a few pioneer enterprises such as the DuPont Company had already begun to form the basis for an American chemical industry. Even such a fine mind as Robert Hare's, however, could hardly foresee the progress that chemistry would make in a century to follow. It is fitting that we should have as our guest on this program tonight Dr. Hiram S. Lukens, who as director of the Department of Chemistry and Chemical Engineering at the University of Pennsylvania, occupies a position similar to that formerly held by Robert Hare. Dr. Lukens, it has been said that we live today in the age of chemistry. Just when did this chemical era start in America? The greatest developments in American chemistry, both in number and importance, have come within the last 20 years. Of course the foundations were laid early in the nation's history by such research workers as Robert Hare and by our pioneer industry. When Hare taught chemistry at the University of Pennsylvania, he had only a handful of students. Last year, 2800 students were enrolled in our chemistry courses. And this growth of interest in chemistry has made it necessary for us to plan for a $2 million laboratory as one of the university's most important needs. Such a situation, of course, merely reflects the vital position that the chemical industry now holds in America. But the important thing to you and me is that America now has a chemical industry that serves and gives us a steady share of lower cost to make America ever enjoyed before. Just mean that chemistry, such as rayon, such as better fuels and oil, improved rubber and finishes, increased employment and greater opportunities for a fuller life. The chemical industry itself now provides jobs for more people than in 1929. And the average wage is 15% higher than the average in all manufacturing. Chemists are so constantly creating new, useful products that their industry resists business depression much better than most. Well, Dr. Lukens, many people still think of new things as luxuries. How is it that these new products of chemical research can be made at a price nearly everyone can afford? Many chemical products in common use today would have been regarded as luxuries a few years ago. Why all of us here in the United States enjoy things every day that most people in other countries still look upon as reserved exclusively for the rich. There's a sound reason behind the low cost of American chemical products that chemists must give more for less because people adopt new things only when they're better or less expensive than the old. The chemist is able to bring prices down by discovering new raw materials and developing domestic sources for materials formerly imported by devising new ways of making products and perfecting more efficient methods of volume production. The chemical industry typifies the American system of producing more goods at constantly lower prices so that more people may enjoy the fruits of scientific and industrial progress. Well, some people wonder, Dr. Lukens, if there's anything left to discover. How far can chemical research go? To answer that question, I'd have to be gifted with second sight. Research chemists throughout the nation are steadily moving on toward new discoveries that undoubtedly will make the models of today seem commonplace. But no one can say exactly what they will be. New medicines to cure our ills, better clothing, improved building materials, new mechanical inventions in which chemistry will play a part, surely these and many more. But the really vital thing is that research be carried on through both good times and bad so that we shall continue to go ahead. At the heart of this system are the research laboratories maintained by the colleges such as the University of Pennsylvania and by industrial firms such as the DuPont Company. It is our job as educators to train men to staff these laboratories, the chemists of today and tomorrow. Thank you, Dr. Lukens. What you've told us about how much chemistry means to America is indeed a tribute to the work of men like Robert Hare and the chemists who have followed him. The DuPont Company is proud that it has been able for so many years to play a part in this nation's progress. And our goal for the future is to continue to make goods. DuPont pledge better things for better living through chemistry. The Big Brothers, the story of a great humanitarian movement will be the subject of our broadcast when next week, at the same time, DuPont again presents the Cavalcade of America. This is the Columbia Broadcasting System.


Lux presents Hollywood. Lever Brothers Company, the makers of Lux Toilets Hope, bring you the Lux Radio Theatre, starring Fred McMurray and Ava Gardner in Singapore. Ladies and gentlemen, your producer, Mr. William Keely. Greetings from Hollywood, ladies and gentlemen. Travel in the Far East introduces one to many fascinating places, none more glamorous or exotic than Singapore. I remember thinking as I glimpsed its teeming wolves and torturous alleys and sensed its age and oriental secrecy, what an ideal background it would be for a mystery. Tonight I seem to be rewarded, as indeed you are as well, with the first screenplay to use present-day Singapore as its locale. And our stars are straight from the cast of the Universal International Picture Singapore, Fred McMurray and Ava Gardner. No one who has ever visited the Far East, as Mrs. Keely and I did, could possibly forget the internationally famous Raffles Hotel, a crossroads of the world. And if my memory serves me right, Lux Soap was among the welcome modern touches there, as it is right here in Hollywood. In fact, my good friend, Hernando Cortwright, president of the Beverly Hills Hotel, host to so many famous green stars and celebrities, assures me that Lux Soap is part of every room's hospitable appointments, a friendly, thoughtful way of saying welcome to a guest. From Hollywood to Singapore, we bring you now our first act, starring Fred McMurray as Matt Gordon and Ava Gardner as Linda Graham. Our theater lights are dimmed as the curtain rises. At the airport in Singapore, there's a modest group of officers of the British government. Among them, an office-labeled customs division. Welcome back to Singapore, Mr. Gordon. Hello, Inspector. Won't you sit down? I'll all this attention I'm overcome. So am I. I thought these old eyes were failing me when I saw your name on the passenger list.  But how could I? How is the pearl business these days? Pearl business? You still don't believe me, do you?  Why'd you come back, Gordon? Leave something behind. No, I just wanted to see what Singapore looked like again. Find out what the war did to it. I always loved Singapore. I have a little report on you here. Oh, routine, I trust. More or less. Matthew Gordon, lieutenant, United States Naval Reserve, commanded motor torpedo boats, Solomon Islands, New Guinea, Silver Star, Battle of Surigao Straits. Congratulations. Thank you. You must have been very useful. You know those waters like a native. Oh, uh, your passport? Oh. Here you are. Mm-hmm. Oh, by the way, where did you find those oyster beds? Of Labuan, wasn't it? Copra, Mr. Hewitt. The dried kernel of the coconut. Copra. Going to buy another schooner? No. Well, in case you change your mind, here. Summary of regulations, melee states, section 211. Now, let me quote just one paragraph. Any person or persons convicted of removing pearls at sea and taking such illegal pearls into or out of a British colony shall be subject to a minimum of 10 years imprisonment. 10 years, huh? Before the war, it was only eight. But I guess everything's gone after. I see a couple of other Americans were on your plane, a Mr. and Mrs. Bellows. Tourists. Of course. Like yourself. Of course. Well, Mr. Hewitt, if you should want me for anything, I'm staying at the same hotel I was before the war. Thank you. I'll be in touch with you, Mr. Gordon. Mr. Gordon. Oh, how good to see you again. I think of you many times, Mr. Gordon. It's good to see you, Katelyn.  I was in a concentration camp. That's past. Yeah. How are you fixed for accommodations, Katelyn? For you, there is always room at this hotel. Uh-huh. Any chance of getting that suite I used to have? 202, wasn't it? Yes, quite a memory. I'm terribly sorry. 202 has been already reserved for a Mr. and Mrs. Bellows. I could put you right next to them, though. Suite 200. Right next door, huh? That'll be fine, Katelyn. Oh, will you have my bag sent up? I think I'll drop in the cafe. Yes, yes, Mr. Gordon. I can give you a table at the window, sir. No, this one will do. Bring me a ginsling, will you please? Yes, sir. It's been five long years since I've been here. But nothing really has changed. Things I'd hoped I'd forgotten, I can't forget. It almost seems that I've returned to Singapore just to see this bar again, this table again. It had been our table, Linda's and mine. Linda. Linda Graham. We'd known each other only a short time. And then the war came along, and there I was at the dock saying goodbye to her. But why must I go, Matt? Why can't I stay here with you? I don't think we've been through all that. There's a war on, this is the last ship out of Singapore. But we may never see each other again. Missy Graham, Missy Graham. Oh, there's Ming Ling. She made it. Oh, you did get through. Nobody keep me from saying goodbye to Missy. Oh, I wish I could take you with me. Missy's so kind. Maybe I'll come back after the war, Ming Ling. If I do, I'll find you. Here, take this. Missy's bracelet? Yes, my bracelet. I want you to have it. Thank you. Goodbye, Missy. I won't go, Matt. I won't. You've got to go, Linda. Just... just don't forget me. Whatever happens to either of us, I'll find you, Matt. Nothing's going to happen, darling.  Goodbye, darling. I stood there watching Linda disappear in the crowded deck. I'd never felt so alone in my life. And then suddenly she was running down the gang plank and into my arms. I couldn't let her go again. I held her there as the hawzers slipped from the pylons and the ship that would have taken her to safety slowly headed towards sea. Twenty minutes later, we were here. Here, at this table, Linda and I. I asked the waiter for a telephone. Hello? Give me the desk, please. Okay, then. This is Matt Gordon. Okay, then, I'd like a room for a lady. Huh? Well, only for a day or so, then we'll both be in suite 202. No, it's all right, Catam. Don't worry. We're going to get married. Oh, thank you, Catam. He says he hopes we'll be happy. He should know how happy. Is that the way you propose? Yeah. I accept. Oh, darling, I love you so much. Linda, you know what you're doing. You're sure. There's only one thing I regret. You see, someone's on that ship out there that I missed terribly. Who? The steward who has my luggage. All my alluring clothes. Well, tomorrow you can buy all the clothes you want. And who are you? A rich man? I'm a pirate. In my rooms upstairs, there's a buried treasure. Buried? In the floor? Oh, no, no. That'll be too easy. It's in the ceiling. And if nobody else finds it, we'll have a fortune. The next morning, Linda and I went to a mission. We'd be married then and there. The minister's wife was listening to a radio in the next room. Do you wish to arrange for a wedding? Well, first your names and date and place of birth. Matthew Gordon, April 26, 1910, Brooklyn. Let me see. That's in New York, isn't it? Since when? No. Yes, sir. That's in New York. And you, young lady? Linda Graham, September 11, 1919. Rochester, New York. Linda, G-R-A-H-A-M. H-A-M-E. There's an E on the end. There's an E on the end? Yes, darling. Well, what do you know? You haven't known each other very long? Oh, nine days. Well, now, if you'll each sign here, please. You understand this is just the notice of intention to wed. You'll have to wait three weeks for the bands to be posted. Three weeks? Well, it'll give you time to get better acquainted. But we... Excuse me, yes? The radio! They just had a very important announcement is coming. Listen, they said everyone should stand by. Attention, please. Attention. Penang has just been bombed by two flights of Japanese aircraft. Japanese ground forces have invaded the northern part of the peninsula. All military personnel and local defense corps are ordered to report to stations at once. I will repeat. Penang has just been bombed. Well, Thomas, what are we going to do? Make the best of it, Emily. Under the circumstances, sir, wouldn't it be possible for us to be married sooner? Couldn't you forget the regulations just for once? Perhaps. Be here Wednesday night. I'll try to arrange for a special license by then. Wednesday. I can't promise to have it that early, Mr. Gordon, but bring two witnesses and a ring just in case. Four more days to wait. Four more days. On Christmas Eve, they put up a tree in the hotel lobby. There was a tinsel star on the top of the tree with the words, peace on earth. Let's get our presents, Matt. We can open them down here under the tree. Oh, no. There are too many people here. All right. Then run up to your room, darling. I'll join you there in a minute. Linda had just come into my room when I became aware of a vaguely familiar scent, a special brand of toilet water. I went out to the balcony. No. No. Let go of me. I knew I smelled a rat. You're tearing my shirt. It's real silk. You wore too much perfume, Sasha. I always told you that. Look what you've done. Material like this is irreplaceable. Oh. Good evening, mademoiselle. Good evening. What were you doing here, Sasha? Enjoying the view from your balcony. A perfect place to watch the Japanese attack Singapore. I'll try not to be here when they do.  Looks like I'll have to, doesn't it? I hope you won't leave without seeing Mr. Maribus. That's why I came to tell you he still wants to see you. Tell him I won't have the time. He'll be very disappointed. Well, my apologies for having interrupted such a charming date-a-date. Merry Christmas. And who is that? Sasha? Oh, he's part of the charm of Singapore. Who is he, mad? I'll tell you about him sometime. And who is Mr. Maribus? Maribus? He's, uh... He's Santa Claus. All right, keep your old secrets. Here. Your Christmas present from me to you. Hey. You know what it is? It's Burmese, isn't it? A Burmese ring. The Min-La Talisman. Mm-hmm. Means one life, one love. One life, one love. Thanks, darling. Well, here's your present. Come on, open it up. You'll have to excuse the wrapping. I tried to get some Christmas paper. Oh, Matt! Oh, they're gorgeous. But they must have cost a fortune. I've never seen such pearls. You know how I got them? One day I was hungry, so I ordered some oysters. A hundred oysters. I was pretty hungry. And when I opened them up, what do you think I found? And each one a little pearl. Wasn't that lucky? Mm-hmm. You fish for the pearls from your schooner. You're learning, darling. You used to say boat. This day was more than Christmas to Linda and me. It was our wedding day. The war news was getting worse, but we had happier things to think about. We found Ming Ling, the little native girl who'd been Linda's housemaid. She would be one of our witnesses. And the other'd be Sabar, the maid of my schooner. Late that afternoon, Linda and I wandered into the hotel bar. Waiting for us at this same table was an official of the British government. Mr. Hewitt of the Customs Division. I hope you'll forgive me. You see, I'm not here just to wish you to a merry Christmas. No, I'm disappointed. I came to inquire about the string of pearls you're wearing, Miss Graham. What about them, Mr. Hewitt? A few weeks ago, you came to Singapore. Suddenly, we find you spending most of your time with Mr. Gordon. And equally, suddenly, you appear with this remarkable necklace. What shall I call it? An arresting coincidence? Very arresting. You're implying that Matt stole these pearls? The word is smuggled, Miss Graham. I bought that necklace in America, in New York. May I ask where? You may, at Bretton Langhorne's. Then you'll forgive me if I send a cable to confirm that? Oh, no, I won't, but don't let that stop you. I hope you understand my position, Miss Graham. We have to try to clean things up, you know, with the Japanese practically at our gates. Well, I'll try to get a cable through. You'll hear from me, Miss Graham, with an apology or perhaps to confiscate that necklace. You performed beautifully, darling. Thanks. Matt, what's this all about? Hewitt's right, of course. I smuggled the pearls. Well, now that the necklace is mine, can I do what I want with it? Sure. Then I'll give it to Hewitt, so he won't bother us anymore. Oh, that won't stop him. Oh, what else does he want?  Where are they? In your room? That's what Hewitt would like to find out. Just like Sasha tried to find out last night. Can't you sell them without smuggling them? Sure. For about a fourth as much. Does that make it worth the danger? Maybe that's what I've liked about it.  I don't know. Plan changed, Linda. Like I never planned to get married, but I'll be married in four hours. Come on, let's get down to the schooner. I want to make sure we get out of here tonight. Everything was set aboard the schooner. Then we picked up Ming Ling and Sabar. We'd take them back to the hotel with us. With the jabs closing in, we knew we'd have to stick close together. But when we were near the hotel, a military guard stopped us. Sorry, sir, you can't go any further. What's going on? We were just going to the hotel. The government has just taken over the hotel, sir. It's a military base. But we lived there all our... Better see the sergeant, sir. He may be able to help. I told Linda to go on to the mission with Sabar and Ming Ling to wait for me there. I know I shouldn't have left her, but the pearls had run so much risk to get them and to keep them. I had to get back to my room in that hotel. It took me a half an hour to get a pass. My then enemy planes were already over the city, but I didn't turn back. The pearls had become an obsession. I... I had to have them. I'm Matt Gordon. Oh, yes, Mr. Gordon. I understand these rooms belong to you. Well, we've moved your things to the corner there. Help yourself. No. Well, it's all right. I'll come back later. I'll get them later. It'll be very likely much later if there's anything left at all. There was nothing I could do, not with a British major and four men in the room. The bombing had started from Singapore was in a panic, and then I saw the mission, what was left of it, burning like a torch and huddled in the gutter Ming Ling and Sabar. Ming Ling. Where is she, Ming Ling? Where is she? Sabar. Mr. Graham. Still... still in that one. In there? No, that one. Come back! Maybe I would have found her. A wall gave way, and I... I didn't move fast enough. When I came to, I was in the street. Sabar had dragged me out. We searched for hours everywhere, until there was no hope left. When we finally went to the schooner, I knew Linda was dead. During the night, we left Singapore with as many refugees as we could carry. I never meant to come back again, but now, five years later, I am back. But not for memories. A quarter of a million dollars worth of pearls would bring anyone back.  Oh. Well, Sasha. Nice to have you back in Singapore again. That's funny. That's what you had told me. That is what Mr. Moribus would tell you, too. Is he still around? Oh, yes. I've got nothing more of us once. But he has something that you may want, huh? Something that belongs to you, Mr. Gordon. What is it? How should I know? Okay. Tell your boss I'll drop around tonight. We'll return with Act II of Singapore. Meanwhile, here's Libby Collins, our Hollywood reporter. What's on your list tonight, Libby? Two brand-new hits, Mr. Keely. The one I'd like to talk about first is the Enterprise Productions picture Body and Soul. In which John Garfield plays the role of a prize fighter? Yes. The prize fight scene at the end is really terrific. I know I left the preview completely exhausted just from watching it. John takes a lot of punishment in Body and Soul. But he certainly has an incentive with lovely Lily Palmer as the heroine. And sultry red-haired Hazel Brooks as the other woman. Hazel Brooks plays the torch singer and wears some gowns that can only be described as, well, exotic. Have you seen a Mr. Kennedy? I have, Libby. And I'd say exotic is the word for Hazel, too. And how would you describe that smooth, luxe complexion of hers, John? Oh, that's easy. Glamorous, gorgeous, exotic. Which reminds me, Libby, what's that other brand-new hit you said you had on your list? It's the One Screen stars are talking about. It's a new version of Hollywood's own beauty soap. The big new bath-sized cake. With that same delightful, luxe soap fragrance. Lots and lots of that wonderful, creamy leather. In a handsome, larger cake. It's exotic. That seems to be our favorite word tonight, Libby. Well, doesn't it help describe our exciting new beauty product? You're right. That fragrant, satin, smooth cake has glamour. Screen stars love it.  Says her luxe soap bath makes her feel like new after a long day on the set. And now, the new bath-sized luxe toilet soap is available to women everywhere. Why not ask for it when you shop tomorrow? It's in the familiar sampler wrapper, and it's the same fine-quality luxe toilet soap you've always used. Only the size is different. And by the way, the men in your family will be keen about this new bath-cake, too. We return you now to William Keely. Curtain time for the second act of Singapore, starring Fred McMurray as Matt Gordon and Ava Gardner as Linda Graham. It's a few minutes later. In an antique shop on a fashionable street, the man called Sasha has a report for Mr. Maribus. Gordon, we'll see you tonight, Mr. Maribus. Gordon, what else? Mr. Hewitt spoke to Gordon at the airport. Gordon then came to the hotel, asked for his old suite of rooms, but could not get them. They had been rented. Mr. and Mrs. Gerald Bellows, American tourist. Gordon got this weed right next door. Well, I am right. The pearls are still in Singapore. In his old rooms in that hotel. This Mr. and Mrs. Bellows. Gordon knows them. He was talking to them at the airport when he was sent for him. Tourist, sir. My instinct tells me something, Sasha. Mr. Gordon is going to be very kind to Mr. Bellows. Why, Mr. Gordon? Gerald? Gerald, look who's here, Mr. Gordon. I just thought I'd stop by and see how you're getting along, Mrs. Bellows. I know what it is to be a stranger in the Orient. Dad, blasted bathtub. Didn't they ever hear of American plumbing? Hello, Mr. Gordon. Say, are you stopping here, too? As a matter of fact, I'm right next door. What? How lovely! Are your rooms comfortable? Oh, we think they're just bombings. The reason I asked is that I lived in these rooms before the war. They hold a lot of memories for me. They're pretty much the same as they were. That is, they still could use a few coats of paint. And how? Take a look at that ceiling. You see those cracks? Well, they're probably due to the bombings during the war. Well, what about that electric fan on the ceiling there? That could cause vibration. Oh, yes, I suppose it could, but be pretty warm without a fan, though. Well, I think it's all very quaint, and we leave the fan alone, Gerald. Well, if there's anything I can do, I... Oh, but there's one thing you can do. Could you tell us where that temple is in the Southbridge Road? Well, gladly. They say it's a must for every tourist. Oh, I should say it is. There, you see, Gerald? We'll go there tomorrow. I'd be happy to take you. Oh, that's wonderful! Now, how about you're having dinner for this tonight?  Well, thanks a lot. I'm afraid tonight I'll be pretty busy. Oh, dear. Come in, my friend. Come in. Well, this is indeed an honor. Your boy Sasha tells me you're holding something for me. What is it, Mr. Moribus? Oh, we'll get to that. You're looking very well. How was your war? Very absorbing. How was yours? Oh, not too bad. I rather like several times. They keep the police occupied. Looks like you're back in business. But I'm not. I came to Singapore for sentimental reasons only. You came back to get a quarter of a million dollars worth of pearls. Oh, I did. Tell me more, Mr. Moribus. In 1941, you were at sea for five months. You can bring up a lot of pearls in five months. But strangely, when you left Singapore, you took no pearls with you. Is that so? Yes, that is so. Among the refugees you saw heroically evacuated was an acquaintance of mine. He assured me there were no pearls aboard your school. So? Pearls are very scarce. I'm going to buy yours at a price. But I do mean to have them. There aren't any pearls, Mr. Moribus. I traded only in Cobra. I've assembled your Cobra, Mr. Gordon, here on my desk. You remember this necklace of beautifully matched Cobra? Where did you get that? It was found among the debris of a bombed-out mission. I would gladly give you this necklace when you sell me the other pearls I know you have hidden. No deal. And stop bothering me.  Good night, Mr. Moribus. You heard him, Sato. Yes. He does not want to be sociable. But we do. Watch him closely. Well, Mr. Bellos, I've shown you the oriental aspect of Singapore. Now, here is what western civilization has accomplished. A nightclub. Just like at home. Well, this is more like it. Yes, sir. This I think I'm going to like. Oh, very well, Gerald. But it's no different than Minneapolis. That's just what I mean. Good evening. Good evening. Table for three. Right near the dance floor. This way, please. Don't worry, Mrs. Bellos. We don't have to stay long. There's a Chinese theater down the street. Maybe we can... What's the matter? I just saw some... Would you excuse me, please? Well, what came over him? I don't know. Oh, come on, Gerald. You probably just recognized someone. Linda, you don't know me. I'm sorry, but I'm afraid I don't. I think you're confusing my wife with someone else. Your wife? Yes, I... I guess I am confusing. I beg your pardon. That's quite all right. Captain. Yes, sir? That lady in the white dress. Can you tell me the name of the gentleman who's with us? That's Mr. Michael van Leiden, sir. He owns a plantation at Mid-Dang. Thank you. Mrs. Van Leiden home. Your name, sir? Matt Gordon. I'm an old friend of hers. If you'll wait in there, sir. Mr. Gordon. Linda. Why, you're the man who spoke to me last night. Linda, look. There's no one around now. What's the matter? What's happened to you? Why don't you want to know me? You must be mistaken. My name is Linda. Linda Graham with an E on the end. Doesn't that sound familiar? I'm afraid it doesn't. We met here in Singapore five years ago. You had a servant named Ming Ling. Ming Ling? You've forgotten her, too, huh? And I suppose you don't remember commission your huard, either. Come along, darling. We're waiting for you to play doubles. Oh, I beg your pardon. This is Mr. Gordon, dear. My husband, Mr. Van Leiden. We, uh, sort of met last night, didn't we? Mr. Gordon insists on someone else, a Miss Graham. Or... or is it Mrs. Obviously a case of mistaken identity. But he said I... And may I speak to you for a moment? Yes, of course. Will you excuse us, Mr. Gordon?  I'll wait on the baranda. Thank you. Michael. We... we knew something like this might happen, didn't we, darling? Yes, but... but now that it has happened, it's such a shock, Michael. Names, people. And not being able to remember. Darling, have you been happy with me? Yes, you know that. Then doesn't that answer everything? We don't have to know about the past. Would it make any difference to you? Oh, it might make a lot of difference. The both of us. I rather expected this visit from Mr. Gordon. I thought I'd try to find out who he is. I did. From the police. They're very interested in him. Do you trust me, Anne? Yes, more than myself. Then let me handle this alone. I have to keep awaiting, Mr. Gordon. My wife sends her apologies. That's understandable. You knew her before the war? Yes, I knew her. And you're still concerned about her? Certainly I'm concerned about her. What's wrong with her? Why doesn't she remember me? My wife remembers none of her past. She only remembers her life from the time she worked up in a hospital after an air raid. So, that's what happened. Yes. We met in a hospital.  We've built a whole new life. She's happy, and I want her to remain that way. Maybe she'll be happy when she doesn't remember the greater part of her life. Maybe the best part. What kind of happiness is that? Mr. Gordon, I don't care to know about my wife's past. Maybe you don't. But I think it's up to her to decide which part of her life she wants to remember and what part she wants to forget. Anything else? No. Not for the moment, Mr. Van Lytton. Hello. Mrs. Van Lytton? Yes. Oh, yes. You've located her? Surprisingly enough, we have... Mr. Morivus. I tell you, Gordon has made not the slightest effort to learn if the pearls are still in Sweet 202 or not.  Gordon is not impatient. For one thing, Mr. and Mrs. Bellows have those rooms now.  As far as I can see, he's only interested in that lady who now calls herself Mrs. Van Lytton. Ah, that's sentiment. The pearls are business. Nevertheless, he's bought another schooner. Is that also sentiment? That's what I intend to find out. Tell your friend to come in. Pepe, come in. Pepe and I used to work together, Mr. Morivus, before I joined you and big business. Pepe's had a conference with Mr. Gordon. Oh. What about Pepe? I'm a loyal man. What's in it for me if I talk? Double as much as if you don't. That's 200 American dollars. After you've shown me how disloyal you could be. Well, sir, I'm in the business of manufacturing official papers. Unofficially, of course. Mr. Gordon wants an American passport for a lady. The name is Graham. He wants to take her on a voyage with or without her consent. Well, now. And when does this voyage take place? Mr. Gordon has to complete certain arrangements first. That's all I know. Give you the money, Sasha. Thank you, Mr. Morivus. Now go. If you want to know anything else, Sasha knows where to find me. With or without her consent. Hmm. Interesting. Very. Tell me something, Sasha. Have you other friends in Singapore? Good friends like, uh, Debbie. I think we can use water to such friends. Now. And since they told me at the desk that you'd be back, Mr. Gordon, I decided to wait for you here in the bar. I hope you don't mind. You'll excuse me if I seem a little bewildered. After what's happened, I hardly expected you to be calling on me. Where's your husband? At the plantation. He doesn't know I'm meeting you. This may sound silly, but how did you have him to wait for me at this particular table? I don't know. Why do you ask? I just wondered. I came in town to see someone. A native girl named Ming Ling. You found her? Yes. That's why I'm here. Ming Ling also says that I'm underground. What else did she tell you? Everything. It was like hearing a story about someone I didn't know. Someone who's dead. I remembered nothing. All right.  But we're alive, you and I. We're sitting here. The same hotel, same bar, the same table, just as it was five years ago. Can't you see that it doesn't make any difference if you remember or not? Linda, if I'd never known you, if I were seeing you today for the first time, I'd fall in love with you just as I did before. Can't you see that? And it's got to be the same with you. It is, isn't it? Answer me. There is no answer. There can't be. Because you're married. Because I know there's no happiness if it means hurting someone else. Didn't my husband tell you how we met? Yes. He said you were both interned. During the whole war. I was lonelier than anyone else. You see, I didn't even have memories. The present was completely empty, cut off from everything. And without Michael, there would have been no future. And you want me to keep out of it? Is that what you're trying to say? Yes. I won't see you again. What are your plans? Whatever they were, they've changed in the last couple of minutes. Whatever they are, I wish you good luck. Thanks. I'd like to go now. There's just one more thing. This ring. I want to give it back to you. There's an inscription. One life. One love. Goodbye, Mr. Gordon. Mr. Gordon, I thought I heard you in the corridor. Oh, hello, Mrs. Fellows. Do come in, Mr. Gordon. We want to say goodbye. Oh, you're leaving? When? Hello, Mr. Gordon. When would you guess we'd be leaving? In the below hour? Oh, no. 5 a.m., 5 o'clock in the morning. Oh, would I like to meet the maniac who thinks up tourist schedules? How about a drink? No, thanks. I've got to do some packing myself. Oh? You see, I'm leaving Singapore too. We'll be on the same plane again. We've got a wonderful coincidence. Yes, isn't it? Mr. Fellows, sir. Yeah? Excuse me, sir, but the sightseeing car is leaving in five minutes. Oh, thanks, son. Oh, you can come up later and get our luggage. It's all packed. Yes, sir. For example, Muriel just won't give up. It's got a gold-plated roof. Gold leaf, dear. I still say at best the shingles are cheaper and better. You'll be back here for dinner? No, sir. Look, this tour goes on half the night. Well, I'll see you at the airport then. Have a good time. What a nice young man, so friendly. Give me the desk, please. Hello? Oh, this is Matt Gordon, Caden. Yes, Mr. Gordon. Do you know if Mr. and Mrs. Fellows have left yet? Well, it's nothing important. I'll see them later. Thanks, Caden. Oh, no. It was nothing important at all. Just a quarter of a million dollars' worth of pearls. The key to their room, suite 202. For five years, I've hung onto this key just to... Hey, wait a minute, sucker. The pearls are tucked away in that casing around the electric fan on the ceiling.  But then what? What do you do with them? You hide them again? Where? Yeah. In their luggage. In Gerald Bellow's Gladstone bag. As simple as that. Yeah. Just as simple as that. Oh, good afternoon, Mr. Hewitt. Hello, Caden. Mr. Gordon, do you know? Yes, sir. Should I announce you? Oh, no, no, no. I want to make it a surprise visit. Suite 200, isn't it? Yes, sir. Suite 2. Mr. Gordon. Hello, Commissioner. Home sick for your old rooms? Oh, I was just saying goodbye to some American friends of mine. Just a social call. I'd like to meet those friends of yours. Well, they seem to have disappeared. Mr. Bellows. Yes, they, uh... They do seem to have disappeared. Come on, Gordon. Let's have the pearls, eh? Pearls? Mind if I search you? I know. Go right ahead. Excuse me. Yes? May we take the luggage now, sir?  It's all right with me. Uh, anything else, Commissioner? Yes. Suppose we have a little talk in your rooms. Fine. You can forget about the pearls for a moment. I hear you met the van Lytens. That's right. And she was here in the bar with you early this afternoon. Yeah. Did she seem all right when she left? Certainly. Why? Because she never got home. What do you mean she never got home? She's disappeared. I thought you might know something about it. No. No, I don't. Perhaps not. How did she leave here in a taxi? I don't know. I stayed in the bar. Any idea? No. I don't like this, Gordon. If you find out anything, call my office. I don't like it either. I'll call you. Pause now for special identification. This is CBS, the Columbia Broadcasting System. In a moment, we'll be back with Act 3 of Singapore. Our guest tonight is an interesting young lady with an interesting job. Let me introduce Miss Billy McKim. I let her tell you about the work she does. I'm with Universal International, Mr. Keely, and my job is to escort important studio visitors who want to see pictures being made. Famous names are all part of the day's work to you then. You might say so, Mr. Keely, and I just love it. No matter how busy and important they are, people are always delighted to watch a story being filmed. That was especially true of the Universal International picture, The Exile. Douglas Fairbanks Jr. does some exciting fencing in that. Yes, Doug wrote and produced the picture, besides playing the leading role. Yes, and Douglas Fairbanks made full use of the opportunity to bring to the screen this romantic period of Holland's history. There's a lovely new blonde star, Paul Croce in The Exile, and beautiful Maria Montez plays the role of the Countess. Visitors to the set were fascinated by her traveling bathtub. Yes, that huge copper affair, the kind used by wealthy travelers of those times. The script called for Miss Montez to be immersed in it, and the top closed down, leaving just a place for her head. Well, that sounds highly uncomfortable. It was, but guess what Miss Montez did after the scene was over? I can't imagine. Took another bath in her dressing room. Another one? Yes, but what a difference. This time she told me it was a real 20th century luxury bath with her favorite beauty soap. I guess Mr. Kennedy wants to say something about that. I certainly do, because it was a very special beauty bath with the brand new bath size, lux toilet soap. Well, Mr. Kennedy, I visited all the dressing rooms at the studio, and the stars are certainly keen about the wonderful new bath size. I agree with them, too, that generous new case suits so luxurious. Thank you, Miss Billy McKinnon. It's beauty news that the fragrant white soap 9 out of 10 screen stars use is now available in convenient bath size. Women everywhere who've tried it say, More of the rich creamy lux toilet soap lather. The delicate fragrance like a bouquet of fresh flowers. Such a joy to use. You'll agree when you try the new bath size lux toilet soap. You'll say it makes your daily beauty bath more delightful than ever. Look for it in the familiar wrapper tomorrow. Here's your producer, William Keely. Continuing with tonight's play, Singapore, starring Fred McMurray as Matt Gordon, and Ava Gardner as Linda Graham. Our curtain rises on the third act. News of Linda's disappearance has sent Matt Gordon directly to the antique shop of Mr. Matavos. But if Linda has vanished, so have Mr. Matavos and Sasha. In desperation, Matt begins a search of the Singapore waterfront. Meanwhile, Commissioner Hewitt's returned to his office. I'm sorry, Ben Leiden. No sign of your wife as yet. What about Gordon? Why didn't you arrest him? Because I don't think he knows where your wife is.  A smuggler. He's a gambler. He's smuggled because he loves the risk and making a fool out of me is an added incentive. Well, if you can't get the truth out of him, I will. In my opinion, he's as anxious to find your wife as we are. Did he tell you why I went to see him today? No. But I can guess. Commissioner. Oh, yes. Come in, Folson. Well, Mr. Chin is with me, sir. He says he sold a schooner to Matt Gordon two days ago. Mr. Chin. Good evening, sir. About that schooner. Did Gordon give you any reason for buying it? No, sir. I asked him if he was going after Cobra again, and he said no. Was that all? He did make a joke. He said the sea was a good place to get one's health back. I said he didn't look sick, and he said he wasn't. There. There you have it, Hewitt. Anne's health.  What else could he have meant? And you tell me he's not involved in this? Towson. Yes, sir. Bring Gordon in. About time. If he's not at the hotel, send out a general order. Yes, sir. Hello, Jimmy. Oh, Mr. Gordon. Where? Long time, not at the pleasure. Yeah, I've been away.  Play at the game downstairs. Come, I'll show you. No, I just thought you might be able to help me, Jimmy. Oh. Has Sasha bought a bin around? Him. He does not come here anymore. No, he has a place of his own. Um, Macau Cabaret, Sunflower Street. His own place, huh? Ah. He's coming up in the world. Thanks, Jimmy. I'm the manager. The waiter said you wish to see me. I want to see Sasha Barter. Mr. Barter is not in. Then I'll wait. It's quite possible he will not come at all tonight. I'll take a chance. What are those rooms up there off the balcony? Private dining rooms, Mr. Hewitt. All of them? And the office of Mr. Barter. I'll wait in his office, then. It's quiet. What do you want? Someone is here looking for Sasha. Gordon? Yes, he's in the office. Go downstairs and stay there.  But believe me, if necessary, I will. I would delete him if I were you, madame. Where are the pearls? Where did Gordon hide them? I've told you a hundred times. I don't know. Where are they? I can't remember. I can't remember anything. Where did he get the pearls for this? He gave you... But I've told you I've never seen that necklace before. So lie! You were in his room that night five years ago. The night he gave it to you. I don't remember. I beg of you to start remembering soon, or you won't ever be able to remember anything. I think the young lady is loyal to her friend. Let us see if her friend will be loyal to her. But he's here? He's here. Oh, I'm sorry, dear lady, but as they say in your room, business is business. Locker in, Sasha. I'll join you and Mr. Gordon shortly. Well, I'm delighted. Skip the preliminary, Sasha. You know why I'm here. To bring the pearls for us? Mr. Moravis always said you would listen to reason.  You're not very bright, not very fast. What was the idea of the gun? You're not very bright, not very fast. What was the idea of the gun, Sasha? What do you want? I want you to talk. I want my share. What share? The share of the pearl just told. Don't try to tell me you didn't. Oh, but I didn't, Mr. Gordon. Really, I didn't. Won't you turn around, Mr. Gordon?  Yeah, I see your point. Pick up your gun, Sasha. Sasha, now what was the meaning of that? He hit me. I hit him. Let us be sensible, Sasha. Uh, Mr. Gordon, what makes you think we have the pearls? All right.  Well, you can keep them, but all I want is my cut. I'd gladly pay you, but unfortunately, we have no pearls. You still have them, or someone else has. No one else knew where they were, except one person, and she... Yes, and she... and she what? Nothing. You're overly shriveled. But many gentlemen make the same mistake of trusting the, uh, lady of the moment. Yes. Yes, there was a girl. She was scared to death when I ran into her again. And only this afternoon, she came to find out if I was suspicious of anything. Uh, Sasha's not the only fool in this room. Self-reclamation will get neither of us anywhere. Yeah, but I'll find her, see?  The lady is here, Mr. Gordon. She's here? I cut out the kidding. I'm... I'm not in the mood.  Come with me. Come along, Sasha. Mrs. Van Lichten, eh? Well, you're smarter than I thought, more or less. They keep asking me about pearls. What do they want of me? What do they want of you? How long has she been giving you this, more or less? Too long. I'll get the truth out of her. Just leave me alone with her. I prefer to watch, Mr. Gordon. All right. All right, come on, baby, spill it. So you wanted the pearls for yourself, huh? Didn't you even cut in your husband? Oh, please. Do I have to beat it out of you? I don't want her, but you're asking for it. No, I don't know. I don't know. Give me your gun, more or less. Come on, now, now. This I keep, Mr. Gordon. Then it looks as if I'll have to use my arm. Mr. Hewitzer, he's here. Gordon is here with Mrs. Van Lichten. Gordon? He's been hurt. She's unconscious. I told him, give him a hand. Well, what's happened? There was something. Ann, Ann, darling. There was some shooting. A bullet grazed her head. I guess I caught one, too. Call the doctor, Van Lichten. Where did you find her? You've got a priest report. Martians. There's more of us in Sasha. If you don't mind, I'd like to wait around and see what the doctor has to say about it. What is it, doctor? Is she all right? She will be. Is she still unconscious? Oh, no, no. Incidentally, Mr. Gordon, see that you keep that arm in a sling for a couple of weeks. Now, about your weight, Mr. Van Leiden. Yes, doctor. She seems to be under some great emotional strain. Yes, I'm afraid she is. Well, there's nothing more I can do now. I'll stop by again in the morning. May I see her now? Yes, but I'd like her to rest. Before I go in, Mr. Gordon, I owe you an apology. Forget it, Van Leiden. Goodbye. Goodbye. Where is he, mingling? Matt, where is he? I am, I am, darling. The bombs! The bombs! Before I mingling, I owe... No, don't be frightened, darling. Michael. Everything's going to be all right, Anne. Where's Matt? Matt Gordon. I've seen him again, haven't I? Yes. Where is he, Michael? He's gone. Oh, but I must see him. Oh, no, perhaps it's better this way. We'll love him, don't you? We'll go back to the plantation, Michael. Nothing will be any different. I'm so grateful to you. You've been wonderful to me. The best friend I've ever had. Gratitude? Friendship? Everything but the one word I want to hear. And that's reserved for him.  I wish I deserved it. Oh, but you do. No. No, for three years I've known all about you. Why didn't you tell me? I didn't want to lose you. What happened to me? It's not your fault. But I could have helped you and I didn't. That young doctor was on the plantation. He said he could cure you, but I sent him away. Do you still think I'm your best friend? Yes. And I'll try to prove it to you. There still may be time. Light fire. It's already at gate two. Light fire. It's already at gate three. Gerald, just look at poor Mr. Gordon. His arm in a sling and those dreadful custards men just tossing things out of his bag right and left. I'm sorry, this is just routine. I'm glad there are my bags, Mr. Bellows, and not yours. But they didn't even touch ours. Where are they? Our bags. Why, they're over there, aren't they? Oh, your luggage is inside Mr. Bellows. The commissioner wanted to go over it himself. If they mess up those things of mine, I'll go straight to the American Council. They won't, Mrs. Bellows. I'll go in and see that they don't. I'm all toast, and we'll have to go through the lot of them.  The pearls are in a shoebox in the Gladstone bag. And just to make it worth your while, here. Well, the necklace too. Yeah. Moribus gave it to me. Is this a confession or a declaration? That's up to you to decide. Your plane? That's also up to you. Have a good trip, Gordon. Dozen, see the bellows get the baggage. Yes, sir. You know, Hewitt, I'm sorry I'm leaving so soon. Just when I'm beginning to like you. Better get on that plane before I change my mind. Returning back, Gerald. The plane's going back to the airport. Gerald, do something. Oh, fresh. For heaven's sake. Yes, sir? My wife insists that we're going back. Would you mind explaining to her that... But we are going back, sir. No reason for nervousness, ladies and gentlemen. We've been ordered back to the field. What's going on here, Mr. Gordon? You were changed as mine, I guess. What's that? Nothing. Nothing at all. There it is. It's your plane. And here. My sport and tickets. Oh, my God. No. No scene, darling. Goodbye. Good luck. Sorry to interrupt your flight, Mr. Gordon. Oh, I bet you are. What did that book of regulations say? A minimum term of 10 years? These terms for life, Mr. Gordon. Now take a long board and get out of here. Merton falls on Singapore and rises again on Fred McMurray and Ava Gardner, who returned to the footlights for a well-earned curtain call. Incidentally, Fred, I understand you met Ava for the first time on the set up Singapore. That's right, Bill. It's one of the pleasant memories of the picture. That I can well understand. Fred, what's this about your going into farming in a big way? Yes, where is this farm I've heard so much about, Fred? Well, it's 65 miles north of San Francisco on the Russian River. We raise prunes and sheep and the registered herd of milking, shorthorn. Well, the cows, you know. How many heads? No one to each cow. You know, tail to balance and four legs, one in each corner. And you really get plenty of milk from this herd?  Well, it sounds a lot easier than cattle ranching. Oh, it is, Ava. Joel McCray raises cattle for meat. He says it's just one big beef after another.  Yes, I was brought up on a farm bill back in North Carolina. Is that where you get that wholesome country girl complexion, Ava? Or can we credit it to Luxo? Luxo gets the credit there, Bill. I use it faithfully for my complexion. I always have. Good for you, Ava. Well, Bill, how about slipping us the news on next week's show? And good news it is. With another fast-moving mystery from 20th Century Fox. The dark corner, starring from the original screen cast, Lucille Ball and Mark Stevens. That was a thrilling picture, Bill. One combining intrigue, humor and romance. A story packed with action and suspense.  Good night. Good night. Many thanks to both of you and come back soon. Before we leave, may I remind you, as I do myself, that the precious liberties we take for granted in America are not ours by an alienable right. They are not a gift from nature, but something that we fought and worked for through the years. Individual freedom. Let's never take that great American heritage for granted. For to continue to enjoy the freedom that we have today, we must be vigilant in its defense. We must exercise our powers of citizenship, our faith in liberty, to the extent that our free way of life will be a model for this troubled world. Leave a brother's company, the makers of Luc's toilet soap. Join me in inviting you to be with us again next Monday evening. When the Lux Radio Theatre presents Lucille Ball and Mark Stevens in the dark corner. This is William Keely saying good night to you from Hollywood. Fred McMurray is soon to be seen in the Lasky-McEwen production for RKO, Miracle of the Bells. Ava Gardner appeared by arrangement with Metro Golden Mayor, producers of Green Dolphin Street, starring Lana Turner and Van Heflin. Herd and our cast tonight were Bill Johnstone as Hewitt, Ben Wright as Van Leiden, Jack Edwards Jr. as Sasha, and Charlie Lung, Edmund MacDonald, Joseph Bell, Regina Wallace, Alma Lawton, Herbert Rawlinson, Lyle Chanmaira, Jack Krushen, Norman Field, George Zarell, Guy Kingsford, Lois Corbett and Eddie Maher. Our music was directed by Louis Silvers. This program is rebroadcast to our men and women overseas through the worldwide facilities of the Armed Forces Radio Service. And this is your announcer, John Milton Kennedy, reminding you to join us again next Monday night to hear The Dark Corner with Lucille Ball and Mark Stevens. For crispy, golden-crusted fried foods, deliciously tender and full-flavored, try Sprye. You get no strange off-flavors with pure all-vegetable Sprye. And note, foods fried the Sprye way are just as digestible as baked or boiled. When you fry... Fried on Sprye, F-B-R-Y. Be sure to listen next Monday night to the Lux Radio Theatre presentation of The Dark Corner with Lucille Ball and Mark Stevens. Stay tuned for my friend Irma, which follows immediately over most of these stations. This is CBS, the Columbia Broadcasting System.


It's an honor to have this opportunity to testify before you today on behalf of Public Knowledge. I'm Charlotte Slayman, competition policy director at Public Knowledge, a non-profit that has represented the public interest for 20 years. We value an open internet, free expression, and access to affordable communications tools and creative works for everyone. I'm an antitrust lawyer and a former antitrust enforcement attorney at the Federal Trade Commission in the Anti-Competitive Practices Division. Competition is often the best way to make companies pay attention to what the people want. When companies face few competitors and are protected by high barriers to entry, they find they can ignore the interests of everyone else. That's where you come in. This subcommittee has undertaken a year-long investigation, an in-depth staff report, a series of hearings on the problems with competition and dominant digital platforms, and now this series of hearings to address those problems. This subcommittee is digging in and doing the work, building a record for new laws and rules that can actually promote competition on and against the most powerful digital platforms. Important antitrust cases have already been filed by enforcers of both parties against Google and Facebook, but it is still vitally important that Congress take up these concerns in a more proactive and comprehensive manner than antitrust alone can achieve. This hearing rightly zeroes in on the concept of gatekeeper power, the special power that platforms have over businesses and consumers that rely on them to reach each other. This power is the root of the problem. Gatekeepers can impose contract terms like high prices or unfair data access requirements. Gatekeepers can also use their power to protect themselves from potential competitive threats. By discriminating and by withholding interoperability, gatekeepers can pick themselves as winners in a market while ensuring rivals and potential rivals remain losers. These gatekeepers exploit incumbency advantages or barriers to entry, features of the market that make it especially difficult for anyone to challenge the gatekeeper. Network effects, especially prevalent among these digital platforms, occur when a platform becomes exponentially better and more useful as more and more users join the service. This creates a chicken and egg problem for a new entrance. You need users to get users. Share size can keep customers locked in, even when there are superior options available. When the problem is network effects, the solution is interoperability. Both the subcommittee's majority report and the ranking member's third-way report highlighted interoperability as a potential remedy. Public knowledge believes there can be bipartisan consensus on interoperability, and we are excited to work with you to make that happen. Just as our phone networks are already interoperable, you don't have to worry whether the person you're calling is on Verizon's or AT&P's network. Facebook should be required to offer interoperability with its network to competitors and potential competitors. For a new social network, this would help address that chicken and egg problem. Innovative competitors could compete on a level playing field with dominant platforms. Interoperability requirements like this are absolutely necessary to reinvigorate competition on and against digital gatekeepers. Interoperability creates lasting change to the structure of platform markets. For markets where a gatekeeper controls access to key components, it will be incredibly difficult to sustain multiple competitors without interoperability, leaving us again with the gatekeeper problem. Interoperability requirements should be carefully tailored to maximize competition and innovation. They will need to change as technology changes. Finding and choosing the most efficient options requires a level of technical detail and frequent updating best suited for an agency regulator. Congress should give clear rulemaking authority to an agency to require interoperability from gatekeeper platforms for competitors or potential competitors that meet baseline privacy and safety requirements. In conclusion, the world we live in today where a single company can dominate search, shopping, or social networking is not inevitable. It is instead the result of our policy choices. We have a market structure that tends towards monopoly because policymakers have chosen not to intervene yet, but it is not too late to make a different choice. This led by this subcommittee's sterling work can and indeed must pass new laws like interoperability and non-discrimination requirements. Thank you.


Throughout his naval career, Vice Admiral Samuel Lee Gravely Jr. achieved many firsts. The first African-American officer to command a warship to hold the rank of Captain then Rear Admiral. He then became the first Vice Admiral and the first to command a numbered fleet. For continually leading as a surface warrior, he was honored by the commissioning of USS Gravely in 2010.


I'm just going to get going because there's a handful of people left in the room. Thank you all for coming to DOK Day. We really appreciate it, lasting all the way to the end. Ambassadors, Robert, I see you still here. Are Alex and Gabrielle still here? Alex is here. All right, come on stage just so you can see who these people are. We've got their pictures on screen as well. So Robert and Alex, some of our newest ambassadors. Gabrielle was here earlier but just wanted to let you folks know, these are the folks to turn to. If you see them walking around KubeCon, you have questions about DOK or DOK Day or any of the information you learn. Come talk to these folks. They'll help you way find in the community and answer questions that you have. So thank you all for being our first ambassadors and joining us for DOK Day. We, just a reminder, we have DOK Day Europe happening in Paris. The CFP is open now. It closes on December 3rd. So please submit your talks for that. We will be hosting a panel on Thursday, this Thursday at 2 o'clock in room W185. We'll be talking about operator security, operator maturity with Robert and some other folks from the DOK SIG. So we hope to see you there. And that is it. Last chance to do your QR codes for the day. We really appreciate you all coming. Thank you so much.