And welcome back. Today what we're going to be doing is talking about the experimental probability. So this is a little bit different from the theoretical probability that you may use to be working with. Instead of what you want over total, experimental probability is the number of times the event occurred over your number of trials. So the big difference between theoretical and experimental probability is experimental probability actually uses data. It uses numbers from a chart or something to that effect rather than the theoretical possibility which deals with what could happen. Experimental probability deals more with what did happen. So go through this example real quick. The table shows the results of a spinner experiment. Find each experimental probability. So you took a spinner which had the numbers 1, 2, 3, and 4 on it, and you spun it a whole bunch of different times.  So it looks like three wins out right here. We get more threes than anything else. It looks like one kind of lost out. We don't get very many ones in this experiment. So this is what we want to do. We want to find the probability of spinning a 4. So the probability of spinning a 4 using experimental probability. Now again, instead of what we want over total, in this case, theoretical probability would be 1 over 4. The number of, sorry, the number 4 is the one that I want over a total of four numbers that I could get. That's theoretical probability, but we're not going to be using that. So what we're going to do is we're going to use experimental probability. We're going to use the number of times the event occurred over the number of trials. So in this case, 4's, how many times did the 4's occur? 4's occurred 14 times over a total of how many trials. Now to do this for the number of trials, what we have to do is we have to take all these occurrences and add them all together. 6 and 14 is 20. 11 and 19 is 30. So I got 20 and 30 to make a total of 50. So add those numbers together quickly. And then that would be, reduce that to 7 over 25. So the probability of spinning a 4 using this experimental probability is 7 out of 25 times. Now what you could also do is you could divide that and make that into a decimal. Decimal wise, that would be 0.28. Or you could say that this could be 28%. There's a couple of different ways you can write probability. Traditionally, we write them as fractions, but they can also be written as decimals or even percents. Sometimes, again, it depends on what the problem asks you to do. But at this level, if you're talking about experimental probability, you're probably pretty good at taking a fraction like this and making it into a decimal or a percent. You're pretty good at that. All right, second example here. Spinning a number greater than 2. So we're looking for the probability of spinning a number greater than 2. So I'm not going to write out that whole sentence. I can use just a little bit of notation. Maybe you have a variable in here to kind of shorten that up. So the probability of a number greater than 2. So again, we're going to take the number of events that occurred over the total number of trials. Well, I'm going to do the total number of trials. There was 50 total trials, 50 occurrences. Now I want the numbers that were greater than 2. In this case, my numbers greater than 2 are 3 and 4.  I want 3s. I want 4s. Those are the numbers that are greater than 2. So I have 33 of them over a total of 50 that occurred. And now there's no reducing that I have to do there. So that is my total probability. You can also write that as 0.66 or 66%. Either way, it works. So there's just a couple of examples of experimental probability. Now remember, the key difference between theoretical and experimental probability is the fact that experimental probability uses data. It uses a number. It uses a chart or a table or something to that effect, like what we have here. Whereas theoretical probability, totally different, you use the numbers that could happen. Or the total number of events or outcomes that could happen, as opposed to what actually did happen with experimental probability. Anyway, that's it for this video. Thank you for watching. Hope you enjoyed this. And we'll see you next time.


Welcome to planting the garden variety selections. So where to begin? First of all think about what your family enjoys eating most. It's best if you plant what you know you will eat. If space is limited choose longer season crops or high value crops such as tomato, okra, peppers and snap beans and leave the low value crops to purchase at the local farmers market. Keep a journal each year so that you know what varieties you have grown in the past and the success that you've had so that you will continue to be successful from year to year. So how to choose the best variety? There are so many choices. Numerous vegetable varieties are available newer bigger and better every year. But if you're new to gardening stick with those that are proven to be successful in the area that you're growing. There are many that are advertised as proven winners or proven recommended varieties. Why is variety so important? The variety chosen will have many factors in the success of your garden. Whether the variety is well suited for the area in which you live, how large the plant will be at maturity and how many days it will take for you to get your first harvest. Even the continuation of harvest if it produces all at once or if it gradually produces all throughout the season. Variety plays a role in that. What is your intended use of the produce? Are you planning to can or eat it fresh? Disease resistance or susceptibility? Hybrid varieties are grown specifically for disease resistance as well as some size variations. But a hybrid will have disease resistance bred into it. So generally you're going to be more successful with a hybrid variety than you would be an heirloom or open pollinated variety. Also whether it's a hybrid or open pollinated would determine whether or not you be able to save seed from one year to the next. Adaptability. Some varieties do well in northern parts of Alabama that do not do well in south Alabama. Some like sandier soils. Some like more clay soils. So overall the adaptability of different varieties does vary across the state. There also is a microclimate effect where the climate in the plant's immediate vicinity may differ from somewhere else and success can definitely be impacted based on variety. Earliness. The number of days from planting to maturity can vary depending upon the variety. Some varieties will produce in 30 to 50 days where others may take 90 to 100 before they'll begin to produce a crop. So that's definitely something to take into consideration when you're choosing varieties. You would never want to choose something that takes 90 days to produce that you may wait to plant until July as a frost would kill the plant back before it would even begin to produce a crop. Also succession planting. If you plant early of a tomato variety that produces say an heirloom that takes 90 days you wouldn't want to succession plant or continue to plant every two to three weeks more of that same variety as you get later in the summer or else you won't end up with a harvest. You would want to plant earlier quicker maturing varieties as you go later into the season. Size determinant or indeterminate is something to take into consideration especially with tomatoes. It's a popular plant in the vegetable garden but they do come in two different forms either determinant which means it will grow to a determined height and produce most of all of its crop in about a three week time frame where an indeterminate will grow continually into a long vine. It takes more intensive trellising structures but it will produce all the way till a frost kills it back or an environmental condition were to kill it or a disease but it will produce just a few fruits here and there all along the way until the plant dies. Given the variety of beans also would determine whether or not you needed a more intensive trellising structure for the vining crop or if it's more of a bush form where no trellis is required. Again mature plant size is definitely something to consider when you're selecting the variety. How many plants are you even going to fit in your garden space? Do you want indeterminate or determinant tomatoes or do you have room for pole beans or bush or top pick that will all be determined by them size of your garden the space that's available and the varieties that you choose to place in your garden. Productivity even with the same care some varieties yield considerably more than others but usually your hybrids are going to out yield your non-hybrids due to bread resistance to diseases and also their production capabilities the size of fruit that's all been incorporated in that plant while when it was hybridized. Some plants do respond well to fertilizers and need other nutrients more specific to that crop than others for example corn is a grass and requires a lot of nitrogen while a bean is a legumin will fixate nitrogen to the soil so the productivity of your garden due to fertilizer requirements or nutrient requirement needs of each crop does need to be considered when you plant your garden so that you don't end up with long lush vines and no fruit if you were to over apply nitrogen to the garden for example the quality of your product also is a determining factor in the variety varieties differ greatly and the flavor of the fruit texture size of the fruit whether it's a cherry size tomato or a large sandwich tomato the ability to keep as some produce keeps longer on it has a longer shelf life than others when you store it in your refrigerator or the adaptability to be able to can it or freeze it based on to the amount of pulp that's to water ratio that is inside the fruit all that determines the quality of the fruit how long the fruit will keep but then also the way that you decide to use the fruit whether you're going to make sauces or pastes you would choose a different variety of tomato like aroma that's got the doesn't have as much water and pulp in it as you would if you were going to grow tomatoes to use for tomato salad or BLT buy wisely buy seed for your garden from a reputable dealer make sure that the kind of seed the variety percentage of germination date of testing are all marked on each package cheaper bargain seeds may be a liability as the longer you keep them the germination rate will continue to go down and you don't want to invest a lot of time into seed that are not going to come up well in your garden don't save your seed unless they are from a desired variety that's no longer available and know whether or not it's a hybrid as hybrid seeds are not going to come back true to the parent plant it will have genetic variations it will still grow the same crop but the plant will produce different offspring there will be different variations in the produce when buying transplants from a garden center buy plants that are healthy on the shelf never purchase plants that already have problems that you may bring home to your garden examine the roots for presence of nematodes or even circling in the pot indicating that they have been in that container too long also discard of all infected weak or damaged plants so that you do do not introduce new problems to your garden here are some helpful links alabama cooperative extension has a vast resource of information through our publications online here are a few that you would want to check out the alabama vegetable gardener less many different varieties as well as the fall vegetable gardening basics publication that will tell you varieties that do well based on the area and what you live also more information on growing garlic or growing lettuce all of these will tell you the time of year the plant spacing information that needs to be taken into account when you plant your garden based on the season and time of the year also we have free apps that are available with so much information free to check out the so app is through alabama cooperative extension and is free and it will tell you every day what you could plant on that day varieties that are recommended for the area and what you live and other general information common insect disease problems and things like that as well as the farming basics app which also gives you pictures of insects and diseases that commonly affect vegetables and fruits that you may have in your garden so again they're free check them out and if you have gardening questions call our toll free master gardener helpline 1-877-ALA-GRO or 252-424-769 and we'll be happy to assist you


take a house filled with 40 people, then add a man with a mission and danger lurking behind every smile. That's our story, the first stone taken from the files of John Steele, adventurer. This is John Steele. If you like your stories hard with action and fast with excitement, come in, sit down and make yourself comfortable because we've got a story waiting for you that's guaranteed to curl your hair, wear out the edge of your favorite living room chair. And the wait won't be long because here's John Steele adventurer's producer, Bob Monroe. Bob? At least once each year, and this being the usual time, I try to get across one particular fact to those of you who follow John Steele and his stories. And here it is. Like everything else in the world, our programs are the product of combined effort. These people, all of them, work hard each week to attempt to bring to you an interesting and entertaining story. First, there's director Elliot Drake, who worries and writes too. Next to him in the control room is writer Lois Landau, who has quite a following down Carolina Way. Another Elliot, Elliot Gruskin, has the responsibility of keeping this show time properly. Out here in the studio, we have the large and small of things, the man who make calculated noise, soundman Walt Schaefer and Adrian Pennett. Within queuing distance is the man who makes our musical moods Doc Whipple. And in the glass booth, handing technical matters is engineer Don Williamson. Add to these the cast we've used this year, whom you'll meet tonight under their own names. Do all of them for a fine job. Thanks. And at least once each year, and this being the usual time, we're going to a party. It's like any other party, almost. The story itself begins as a car moves along a snow-covered street. There are three men in the car. Oh yes, the story is called The First Stone. I'm glad you could make this, boss. You would pick New Year's Eve. Well, it's the only time they'll all be together. I know. Oh, right here, Maury. Turn down the heat, William. It's like an oven in here. Okay, Mr. Steel. Nice town, Maplewood. Yeah, yeah. You wouldn't think you'd find a foreign agent working a place like this. They're not particular. No, I guess not. I don't like to say this, Johnny, but what? You've been on this case for a year. The bureau is beginning to want action. Well, I can't help that. This is a tough one. What have you found out so far? Not much. The blueprints, experimental data, all the records are kept in one room. Somebody's getting that information outside. Yeah, only I don't know who it is or how they're doing it. Only five people have access to that room. The records are in plain view of everyone. Nobody could copy them without one of the other four seeing it. Could they be memorized? Don't think so. This is pretty complicated stuff. Where they kept at night? In a vault. The vice president himself takes care of that. Who's he? He's throwing this window tonight. Who made him? Have you checked him? He was the one that asked for help. Oh, don't I tell you, boss, this is a tough one. I haven't had a single lead in a year. Do you think you've blown your cover? Oh, no. I'm sure nobody knows who I am. Not even the president. What's the matter, Maury? This street hasn't been plowed. How can he get through? I give it a try. That doesn't seem possible that they're all in on it. There's a leak there someplace, Johnny. We've got to find it. Yeah, yeah, I know. Raymond Precision Optical Company has a lot of government contracts. They deserve the best protection we can give them. I know, boss, but whoever is behind all this is a pretty smart boy. Got any ideas at all? Just one. I tried to figure out how I'd go about doing a job like this. Yeah. You know, almost everybody lives in a glass house. We've all got something in our past. We wouldn't want none. That's a pretty good whip to hold over somebody's head. Yeah. So I went ahead and I checked. I figured if I could find the one who didn't have anything to hide, we'd have our man. What makes you think it's a man? Maybe it isn't. Well, what you find out? All five have something to hide. What do we do now? Oh, that's why I wanted you here, boss.  Then we just sit back and watch. Yeah. If I'm right, it's going to be an awful lot of glass houses with broken windows before we're through. How are you doing, Maury? Oh, we'll make it. That's Elm Street up ahead. Well, it's a block down on the right. Okay. Oh, by the way, Johnny, I've got good news for you. Huh? Bureau okayed your request for China. Oh, that suits me fine. It's undercover stuff. It's for the birds. We'll be out with his room to swing if you have to. You'll be on your way as soon as you wind this one up. Good. A house with all the lights. That's it. You'll be back to town, Maury.  Oh, taking a movie or something. It's a good run at the strand. Mysterious traveler. Who plays the lead? I don't know. Keep going. Okay. Happy New Year. Better give me a name for the night. All right, what'll it be? Call me Don. Don Douglas. All right. Now, there's going to be a mess of people here. I'll let you know which ones to watch. Right. I wasn't sure you'd be back until now. Miss the New Year's Eve party tonight. Yeah, fun. Always do, you know that. Sheen's been out of California. Oh. Is this your friend? Yeah. Sheen, meet Don. Hello, Don. Let me take your coat. It's awfully nice of you to include this right here. Who is it, dear? Loud, yes. Well, it is now. Oh, uh, this is Don. Hello, Don. Nice to have you with us. Thanks, Bill. Oh, dear. You'd better drive into the Aram Wine and Liquor Store on 52nd and Broadway. We're low on scotch. Oh, I don't. Shoot in the corner to the Bird in the Hand restaurant on 51st and pick up the chicken. Oh, all right. You know everybody, Johnny. Just go and make yourselves at home. Yeah, sure, Bill. Will you excuse me? One of these things takes more concentration than the other. Hey, Johnny. How are you, will you, Ben? Oh, the snow held us up. Yeah, I thought all the good stuff would be good for you, got it. Oh, I knew it was in safe hands. I will let you down. Mort, meet Don. Oh, Mort. Ah, yeah. Now, you two stay. You two stay. Both of you stay right here. Where you are, and I'll go get you a drink. Oh, OK. That's one of the five. Mort? Yeah. He's been with the company for years, worked his way up from the machine shop. He's a technician now. Uh-huh.  Just one. OK, OK. Where can you do, huh, Johnny boy? I've been doing a torch for him for years, so I got it. Hey, Johnny, you seen Phil? Over at the piano, Joe. Oh, thanks. Sure, he's hard to keep up with. He has got just as big a torch for her as she has for Phil. Oh, three of them going round in circles for years. They important to us? Oh, no, no, no, no. I'll let you know the fine when we hit them. Mm-hmm. Good, good. Can I love you for a drink? Here's your drink. Thanks, Mort.  Sorry, Mort. Ah, you're lucky. Why? Last of a good stuff.  Every year is the same thing, you know. I come earlier than by the time the good stuff runs out. I don't carry, boy. Well, I'll remember that. Oh, thanks, buddy.  Let's go around and meet the people. What's your name, old pal, old pal? Don. Yeah, that's it. Come on. Hey, I've been looking for you. Oh, me? Oh, Johnny. Oh, hello, honey. Did you see Mother got back? Yeah, yeah, she let us in. Doesn't she look wonderful? Runs in the family. Why, thank you, sir. Ah, is this Don? Oh, yes, yes. Hello, Don. I'm Joyce. Hello, Joyce. Mother said Johnny's friend was very good looking. Hey, wait a minute. Wait a minute. What she did? Well, that's her problem. Come on, dance early. Later, huh? No. Oh, I can't leave Don, dude. Ah, I'm not sure about old pal, old pal. I'll take care of her. Yeah, go on, you two. OK, old pal. Call me Titer. Oh, yes, ma'am. He didn't wear the suit I liked.  Oh, I still like it. All right, I'll wear it tomorrow. Good. Who's Don? Just a friend. What's he doing in Maplewood on New Year's Eve? He was passing through. He looked me up. Good friend? Yeah. Where do you know him from? War. I'm sorry, Johnny. For what? I guess I was being curious again. Oh, forget it. No, you don't like it. Forget it, honey. It's just that there's so many things I don't know about you. You never talk about yourself. Honey. Sometimes I feel like I don't even know you. Please, joys. OK. Come on, I better get back to him, huh? Sure, Johnny. Oh, there he is. OK, honey, I'll see you later. Oh, well, I see you met Ross and Viv. Yeah, hi. Hi, Johnny. How are you, kids? How's that new baby, man? Oh, he's just wonderful. He's starting to talk yet? Give him time. He's only seven weeks and three days old. How many minutes? All right, wife, guy. You ought to get married and have one of your own. Then you'll see. Me? Yes, you. Maybe I will. I wish you could have seen him today, Johnny. No, honey. Oh, OK. But he was cute. People haven't got a drink. Mort, old pal went to get him. Oh, I see. Good old Mort. Yeah. How's your dad, Ross? He's coming along fine. He out of the hospital in another week. Ross's dad is the local J.P. Morton, you know? Banker? Yeah, yeah. Maplewood's most respected citizen, huh, Ross? Yeah. He was the one who had that gambling house on Route 29 closed up, wasn't he? I wonder what's keeping Mort with those drinks. Said it was upsetting the economy of Maplewood. I heard one guy drop 20,000 out there. Nothing, Dave. Yeah, I'd better go look up more. You coming? Yes, dear. See you later, Johnny. Yeah, babe. Two down, three to go. I take it he's one of our five. Oh, well, did you see that reaction? Hey, Johnny, where you been all night? Oh, hello, Wendell. I got the funniest story, where you been? Oh, Wendell, this is Don. Hi, you, fella. Listen to this story. Seems there was an American soldier in Paris during a war, and he was sitting in this bar one night when a couple of Frenchmen come in and sit down for silence. Frenchmen. Well, he starts to listen in on the conversation, and he hears them talking about a petite noir. Well, he don't understand French, so he says to himself. Wendell. Uh-oh. Wendell. Oh, there's a wife. I'll finish this later. Yes, dear? He needs someone to crack ice in the kitchen. I said you'd help. Hello, Johnny. Hello, Abby. Come on. Now, everyone has to pitch in. Yes, dear. You know how it was last year. Yes, I do, dear. Later, huh? Tell me he's one of them. Oh, no, no, no. Come on, everybody. Still's going to sing a song for us. Be, baby. Uh, something slow. No, no, you've got to put some life in the party. How about, um, I can't give you anything but lollies. Well, there's plenty more out in the kitchen when you need it. Well, I could use another. How about you, Don? I'm ready. OK, thanks. Yeah? Yeah. I thought, oh, no. I'm sorry. All right, come on in. Isn't often you catch a man kissing his wife. This is Don. Jack and Inga, Don. All right, Don, you know, Jack. Looking for a drink? Yeah, where's Wendell? I thought he was crackin' ice. Well, I took over for him. Really put your heart in your work, don't you? That is the trouble with you old bachelors. You do not understand, Roman. You were bachelors, too, Don. Huh? Oh, uh, yes. What a kid. Jack and Inga supply the glamor in Maplewood, huh? Oh, Charlie. I wouldn't say that. They met in, uh, in Berlin after the war. They're a big international romance. Oh, really? Where do you come from, Inga? I've lived in Berlin all my life. Eastern or, uh, Western Zoll? Eastern. Well, see, this is, uh, what? You're fourth New Year's here, isn't it, Inga? Yes.  The quotas were so small right after the war. What are you drinking, Scotch? Yeah. Yeah, I heard that some of the guys had to smuggle their wives in. Have you got my comb, do you? Yeah. I think I will go fix that. Will you excuse me? Who do you think we ought to get back to the party?  We'll be out in a minute. Yeah. Yeah. Seems like a nice guy. Oh, you never tell. He's the technician out of the plan. Mm-hmm. Let's see. That's Ross and Jack. Who's the third? Mort.  You haven't met the other two. Mm-hmm. I'm not sure how to drink, but you aren't there anymore. Sorry, Mort. So, Cal, pal. Hey, come here. I'll let you know a secret. I got one bottle of the good stuff in the way. Well, we just had a drink. Thanks, Mort. OK, OK, Johnny. When you're ready, you'll let me know. I'll fix you on it. You know, you remind me of a guy who used to be in my outfit during the war. Oh, why? Always knew where the good stuff was, you know? Well, it couldn't have been me. I was in the first one. Yeah, I know. Too bad about this guy, too. Why? And dishonorably discharged. You sell, pal? He deserted. Maybe there was a reason. Maybe. Don't forget, any time you want a good drink, you'll have more to know, huh? Yeah. Sure, Mort. Sure. All right, takes care of him. Yeah. Kind of tough. Not a nice way to make a living. Come on, let's get back to the party. OK. Oh, Joe, I haven't. Thanks. Hey, where have you two been? Out in the kitchen, getting a drink. Oh, you missed all the excitement. What excitement? Ross and Phil almost had a fight. What about? Oh, it's nothing. Francis had a little too much to drink. Why did he pick on Phil? Didn't you know? Phil used to work out of that gambling house on the highway. Uh-huh. Excuse us, Joyce. We'll be back in a minute, huh?  I feel like I haven't even seen you tonight. Well, it's started. Yeah, let's get to the other two, huh? Right. Oh, uh, Connie. Connie, come here a minute. Yes, Donnie? I want you to meet a friend of mine. Don? This is Connie. Hello, Donnie. I'm just telling Don about you. Oh? Company's most efficient secretary. Oh, Donnie. This girl is the rock of Gibraltar, Don. Nerves of steel. Do you want me? When everybody else at the plant is blowing their wig, Connie is the one person that never loses her head. Oh.  This girl, never. Connie, did you always live in Maplewood? No. Where'd you come from? Why? I just wondered. Barrington, wasn't it? Yes. That's up near the state mental institution, isn't it?  Will you excuse me please? Brother, how to be the most popular man in town? I know. But if we catch our face, it'll be worth it. Yeah, I know. All right, one more. Come on, let's get this over with. Hey, Johnny, come here. What? I want to finish that story. Well, not now, Wendell. He'll die of laughter, then. That's what's not a moveable. Let's see, where was we now? Yeah, the GI in Paris. And he heard the Frenchman talking about the petite noir. And he didn't know French, so he decides he's going to find out what a petite noir is. So he goes out of the bar, and he walks down the boulevard. Pretty soon, he sees the boulevard, and he sees a very distinguished-looking Frenchman. And he says to himself, this guy, I don't know. So he walks up to him, and he says, what is a petite noir?  Oh, that's more. Yeah, that's more. Well, the GI, he says himself so. Wendell? Wendell? Oh, yes, dear? I thought you were cracking eyes. Hey, Jack, what are you doing here? Well, Jean needs some help in the dining room. Honestly, you men wouldn't lift a finger. All right, dear, I'll say it. Excuse us, Johnny. I'll be right back, Johnny. OK, Wendell. Saved by the bell of the ball. What ball? 1890s? All right, come on, this is the last one over in the corner. Right. Oh, hello, Jim. What are you doing over here all by yourself? Hello, Johnny. I have some candy. Huh? Oh, Louis Cherries. Thank you. I'd like you to meet a friend of mine, Don. Jim. How are you doing? Hello, Don. You know, I've heard of you. Really? Yeah, one of the country's outstanding physicists. Well, now I've heard. But I hear, oh, it's nothing to excel in the work one is chosen. You know, that's funny. Oh, what, Johnny? I always had the idea that you should have been a doctor. No, no. Those long, thin hands? Surgeon, maybe. No, Johnny. I'm happy. Well, maybe you're right. I wouldn't want to be a doctor. There's too much responsibility. I'm happy. Especially a surgeon. So much can happen in an operating room, you know. The patient dies. Sometimes this can be hard to explain. Well, how'd we get off on this subject? I don't know. Hey, Jim, could I see you a minute? Of course, Jack. Excuse me, gentlemen. Yeah. Well, that's all of them. What do you think, boss? Let's go out in the kitchen where we can talk. OK. I did before. Well, it's got to be one of that five. Maybe it's two of them. Sure. Maybe it's all of them. Could be. I hope the next job Washington gives me will have an answer. This one has an answer, Johnny. You just haven't thought of it. Oh, yeah, I know. Let's see if I've got them all straight now. Ross the gambler. Jack married to the German girl. Mort the deserter. Jim used to be a doctor. And, uh, Connie. Oh, yeah, Connie. Well, we'll just have to sit tight to see what happens. Shouldn't be long now. No. We'll split up. You stay in here for a while, and I'll cover the party. OK, boss. Holler, if you need me. Couldn't help over here. What? So that's why you came to me. What do you mean? You don't love me. What are you talking about? I'm just the boss' daughter. I made your investigation a little bit easier. Look, I can't talk about it, Joyce. I'm not being curious now, Johnny. You were so right. I wish I never had been. I was a lot happier when I didn't know this. Joyce. Oh, there must be an easier way than this to make a living. It's like Grand Central. Hello, nice guy. Hello, Connie. I want to talk to you. Go ahead. We're going to get out of town. Why? Because you point a gun at me? You got a better reason. Sure.  You know, I've been trying to find you for a long time. I don't know what you're talking about. Maybe I'm wrong. Maybe you're not the one. Johnny, will you please get out of neighborhood? Why, Connie? I've worked too hard to forget the past. If anyone knew I'd been in the state hospital, I just couldn't face it. Look, you know, that's nothing to be ashamed of, Connie. Somebody's been working on you over time. Please, Johnny, please. Listen, honey, your secret is as safe with me as it is with you. No, you need a guy that's got some... I was just looking for a cell. Oh, Joe, wait. Come here a minute, huh? No, what's the matter? Joe, would you do me a favor? Yeah. Look, would you take care of Connie for the rest of the night? See that she has a good time. Connie? Well, sure. Yeah, glad to. Please, Johnny. Don't you worry about anything, baby. Thanks. You know, it's funny, Connie, but I don't think you know what I'm thinking. Who knows? Maybe I should charge admission. Hey, Charlie, old pal. Oh, more.  Oh, I wanted to get away from the noise for a minute.  Still got some of that good stuff hit away. So when I put it, found it selling.  Yeah. Okay, okay. Yeah, final life. Oh, I don't. Switch. Hey, that is drink. Oh, okay. Watch your step. Well, you watch yours. Yeah. I said that's far enough.  Stay where you are. I was wrong once before tonight. Don't move. Hey, I'm not wrong now. Get down, Johnny! He's our man, all right. All right, how do you know? We figured it out, Johnny. He was taking little pieces of information from all four of the others. None of them realized how important it was. Of course, they didn't talk it over among themselves because they were all trying to hide their past from each other. You were right, Johnny. He was holding that whip over all their hits. Told him he wanted the information so he could learn more about his work and get a better job. Well, they'd known Mort for years, and they all liked him. We didn't know how serious it was. And Jim and Jack got together tonight after you talked to them and compared notes. We never would have done that except there wasn't much secret anymore. We're very ashamed, Johnny.  We know. What do you want to do about us? Oh, nothing. We got the guy we wanted. I'll take him down to the local jail for tonight. But use my car, will you? I'd like to feel like I've done something. Okay. I'll sneak him out the back door at no point in breaking up the party.  I'll get in touch with you in the morning, Johnny. Okay, boss. Talk to you about your next job, then. Oh, so soon? Not much time to waste. Yeah, I know. All right, good night, boss. Good night, Johnny.  Oh, hey, Jack. Jack, would you ask Joyce to come in the kitchen and see me, please? You bet, Johnny. I need to talk about Johnny. Don't we? No. All right, then we won't talk. Stop! Guys, listen to me, character. I'm sorry I couldn't tell you all about myself, but if we're going to get married, you're going to have to learn to trust me. Marry? I wouldn't... Yes, you would, and we don't have much time to do it in, either. Why? Because I've got another job at... Stop asking questions. I can't help it, Johnny. You want to know something? I can't, either. That's why I'm in the business, I mean. Come on, let's take a look at this party. All right. Let's see. Now, where are we? We're in the... What about Joyce? All right, all right. Let's see. So the freshman is going to do all the G.I. So the G.I. says to himself, I've got to find out what this here petite noir is. So he goes walking down the avenue. I'm supposed to pull the bar. The avenue, so he meets a cute-looking French guy. You know one of them, real... Well, so he walks up to her and he says that he says... Wendel! Wendel! So he says to her, he says... Wendel! And she says... It was my joke in the first place. The story of a man who went to a party where many faces covered one dangerous mask. False faces, that is. And if you like Johnny's story, friends, why not come back again next week? I'll have a man who sacrificed public acclaim for a personal greatness. I like to call it Stargazer. So until next week, this is John Steele saying, a life of adventure is yours for the asking, wherever you find it. Well, you don't look for it, it may find you. Well, goodbye, good hunting, and a grand new year. This program came from New York. Mutual is your network for sports. There are two terrific football games on Saturday. First in the Crampton Bowl in Montgomery, Alabama, you'll hear a thrilling pass-by-pass, plunge-by-plunge report of the North-South blue-gray game followed over many of these stations by the Shrine, the East-West game from San Francisco. Yes, for top football thrills, just before the King of Sports bows out for 1950, listen to the blue-gray game followed by the East-West game over many of these same stations on Saturday. This is the Mutual Broadcasting System.


In early 1993, when I was just a year and a half old in the legal profession, I appeared in a very important case in the Delhi High Court. I was representing a large nationalized bank against a VVIP defaulter and something really strange happened in the courtroom. The defaulter showed no respect for the court proceedings and chose not to appear despite half a dozen directions and opportunities to appear before the court in person. He was a VIP so perhaps he thought that he was above the law. On that day, I remember citing several Supreme Court and High Court judgments to ensure the personal presence of the defaulter by way of warrant. And I actually succeeded when the honorable judge on being convinced passed a detailed order, a verbal order, a dictation in an open court issuing bailable warrants against the said VIP to secure his personal presence before the court. The client celebrated and so did I as a young lawyer. The tragic part is that when I received the order in hand, the next day it said nothing about what was pronounced in the court. A two-liner order simply stating the defaulter is given the last and final opportunity to appear on the next date and the next date was three months henceforth. No mention about warrants. I took up the matter with the judge in his personal chamber despite being very young myself. I was charged up. He gave me an audience and told me that he had reapplied his mind and he had the prerogative to change the order before it was actually signed by him and the rest is history. Not getting into too much details, the lesson I got and which I want all of you law students and young lawyers who wish to embrace litigation to remember is that when you are handling legal briefs and cases, do not get carried away and also not get too personal or sensitive or emotional about the outcome of the professional matters. Just do your best for the client. Some days are good and some days are not too good but there is no such thing like a bad day. Thank you.


Learning to hear God's voice can be quite frustrating, and I know that from personal experience. In today's video, we're going to talk about how to hear God's voice and know that it's actually Him. If you're new here, I'm Sarah, and I created this channel to help you build a more loving and beautiful and fulfilling life through self mastery and spear to alley. So I've been on this journey of seeking God for a few years now. Now, I did grow up in the church as a Catholic, but it was never something I really pursued until the last about two years. And in that time, there were a lot of frustrations that have come up, and then I'm sure we'll continue to come up on this journey. But one of the biggest ones for me was just feeling like, why is God speaking to everyone but me? Why can't I hear this voice that everyone talks about? And then it happened. And so I want to share that story with you and so that you can get a better understanding of how to know and how to seek that voice from God. So I was attending this church for about a year and a half, and for some weird reason, I always left early. Now, it was about a two hour service. So it was very long, because you'd have about an hour of worship and then an hour of, you know, the pastor or preacher, whoever speaking. And so I would get through the hour of worship about halfway through the sermon.  And this voice came from inside me. And it said, stay until the end. It didn't sound like our inner voice when you know you're just thinking thoughts or whatever. Like it was like this deeper voice. It came from a, I can't, I don't know how to explain it that it came from deeper within me. And it was a very commanding voice. And it was very deep, direct, and quick. And so it kind of caught me off guard. But then of course I was kind of questioning it, like, you know, whatever, it's just like my own voice inside my head, like telling me that. And I was like, yeah, yeah, yeah. And then I heard it again, stay till the end. And it was so direct.  And so that was well over six months ago that that happened. So it took me a while to be able to understand where this voice is coming from and how to separate God's voice from what I perceived to be my own inner voice. And since then, while it's not always easy for me to understand or to hear God's voice, it's become a lot easier as I start to separate those two voices. I believe that we hear God's voice when he wants us to hear it. Okay, it's not on our timeline, it's not on our demand. And I think that was a huge thing that I needed to learn because I would hear all these other people saying, oh, I heard from God and God said this, God presented me this. I got this download, I got this revelation, I got this visualization.  I want all of these things that all of these other believers were getting. Okay, and it started to become more about what I wanted and not about listening to what God wanted for me. And I think that's the other big thing when you're trying to hear God's voices, don't give up on it. Because look, I've been there, I've been frustrated. I get mad at God quite frequently. Okay, especially studying the Bible, I'm like, what the heck? Okay, and that's okay. It's okay to be frustrated and that was something that I'm still learning is not having that fear that I'm not allowed to be upset. I'm not allowed to be frustrated. You know, just the other day I was saying, well, you know, God, if you want me to seek you more and you want me to know you more than like, that's on you. And I was all frustrated, but that's the thing. It is on him. It's not on us. We can't demand to see a miracle. We can't demand to get some type of revelation. We can't demand to hear God's voice. But what we can do is continue to pursue it, is continue to listen, is to continue to understand the different ways in which he is speaking to us. And the thing is too, is I think it's different for a lot of people. You know, some people like myself, we hear him. And the thing that I was thinking was, is that before it happened, I thought it would come from outside, like if another human was speaking to me, that's how I expected to hear God's voice. When in reality, when I finally heard it, it actually came from inside. Which makes sense, doesn't it?  So why would we expect to hear some grand deep voice from the sky? You know, of course it's gonna come from within, at least for me. Whereas I know other people who have witnessed and performed miracles through the Holy Spirit. And that's the way God speaks to them. And then there's times when we get these revelations or otherwise known as downloads that seem to come out of nowhere. That's God speaking. And another thing too is, you know, when we think about miracles, or when we read the Bible and read about these miraculous things that happened, you know, back when Jesus was on earth and even prior in the Old Testament. We expect those things to happen and they do. They do still happen. But what we fail to often see is that miracles happen every day if we're looking for them. So what do I mean by that? Here's another way God's speaking to you.  And then all of a sudden, you know, you get some random check. You know, you overpaid some company and they sent you something back or something happens and then now you have those funds to pay for your rent. Okay, that is a miracle. That is hearing from God. And I think we tend to take for granted all the ways that he does show up in our daily lives because we are so directly focused on how we believe we should be hearing from him. And so that's, so we're almost like tunnel visioned in into thinking that's the only way we're gonna hear from him. But it comes in so many variations and that's what's so beautiful about it. So I invite you to step out of that tunnel vision and be more receptive and open your mind up to all of these different possibilities that God probably already is speaking to you like he was for me. I just wasn't, I wasn't listening. I thought I was, okay, but I wasn't. And so something practical that you can do to be open and hearing the voice of God is at the end of every day, write down all of the positive things. I don't care if it was finding a penny on the ground. Write down all the positive things that happened to you that day and see God's hand, see God's voice in those little things, in the big things, in all things.  And then you hear it easier and easier and easier. I don't do many God or Christian focused videos on this channel, but God gave me a direction today. Okay, I didn't have to script this video. He all of a sudden this idea, all of a sudden this idea popped into my mind to make a video.  But you see, if I was still focused on hearing him the way I perceived that he would speak to me, I would've missed it. I would've missed it and not been able to share his message to you that came through me. Okay, he wants to share this with you and he's using me to do it. However, I had to be open. I had to be receptive to listening to him and doing that and sharing this with you, okay? I love you guys so much. I hope you found value out of this video. If you do want more videos like this, let me know below. I am always listening, I'm always here for you and I just want to make content that will expand and bring more fulfillment into your life. I love you guys so, so much and don't forget, be limitlessly yourself.


Excellencies, distinguished guests, ladies and gentlemen. I would like to extend my warm greetings to the Secretary-General of ITU, Excellency Doreen Bogdan-Martin, and to all of you connected online. I'm honoured to address this esteemed gathering on this 2024 edition of the annual Symposium of the Future Networked Cars. This symposium is the result of the UNICE and ITU cooperation for more than a decade already. And this event, which is organised by ITU and the UNICE, remains a unique platform at international level to gather authorities and industry experts from the automotive and telecommunications sectors, as well as their regulators. The world is at a crucial juncture in the fight against climate change, and the Paris Agreement has set ambitious targets for reducing greenhouse gas emissions. The recent session of the Inland Transport Committee adopted a few weeks ago the Inland Transport Committee's strategy on reducing greenhouse gas emissions from inland transport. The measures and efforts related to reducing the share of transport in greenhouse gas emissions have an impact on the possibility to travel for citizens that cannot be understated. And innovation in transport is made more important now than ever before. This milestone supports the transformation of the automotive sector, which is happening at an unprecedented pace. The shift towards electrification of vehicles, they need to adapt to cybersecurity risks and the push to generalise driving assistance and develop automated driving systems are some of the major challenges they are facing today. UNICE is pleased to report on recent achievements in terms of regulatory developments related to cybersecurity, but also in terms of advanced driver assistance system with the adoption of the draft regulation on driver control assistance systems last week. These transformations occur in a context of general digitalisation. We will hear today about software-defined vehicles as well as on Thursday on vehicle communications where the collaboration of UNICE and ITU is remarkable. As we move forward, we must remember that the challenges ahead in terms of mobility, energy consumption, climate-related targets, shocking road safety figures and cybersecurity risks continue to require close cooperation across sectors. The automotive and telecommunications sectors have a crucial role to play in this transformation, so let's work together towards a sustainable future. I wish you all an excellent session.


What's the black market without a food court? I mean, you just put that one all the way in perspective. And what's a food court without a soul? Come on now. I mean, we got to talk about it, man. We got some special people here. Oh, do you see this billboard beside you? Yeah, it looked like the cover of a black novel from the 90s. That's what that looks like. Boy, you were this close. That looked like something since the soldier wrote right there. Come on, man. That's how you look at this. When you got this many accomplishments, do you have to print it on the long paper? Yeah. Come on, Chico. All the way. Chico, man, we got some very special guests in the black market with us today. Without further ado, you know, you see the grits. Yeah. And I want to just start right there with the grits. Pick up from the grits and introduce yourself to the world right now. Well, we don't introduce ourselves like this. We Nouveau. First and foremost, Nouveau. That's who we are, yeah. We appreciate everybody for recognizing us, but we Nouveau. Right here is the owner, the CEO of Nouveau, Ebony Austin, which is my sister. OK. That's what maybe y'all see right there on that Sheen magazine cover, you know what I'm saying? Yeah. I'm her brother, Rob Grover. The director of operations for all the Nouveau brand. We just trying to do something great out here, man. This your sister? Indeed.  Yeah, she a little younger. But she been on her grind for a long time. What is it like telling your big brother what to do? I don't. He pretty much runs it. Like, we think a lot alike. So I think when both people think a lot alike, it just makes it that much easier, right? Yeah. And you are from the south side of Chicago. Negative. I'm from the west side of Chicago.  Who broke it? Who printed this wrong shit?  You ain't got this lady all mixed up, right? You got the south side of she from out west 290. Y'all tripping. How you know about that 290, man? Come on, man. I know about Chicago, man. We go, we on our way to the shop, man. That's why we give the most love, man, as is Chicago. Oh, what's your son? Transitioning from Chicago, it says in, you know, I hope this part is right. Did you always dream of moving to Atlanta? Or is that a type 02? Absolutely. I love Atlanta. You love Atlanta. So where did that love come from? I think I used to come down a lot for a little weekend. And just to see the support that Atlanta would give when we would just come down for his charity event, it just gave me a different love. For Atlanta, I would go to the different restaurants and see that it was black owned. We had different clubs. And you see all of these black entrepreneurs, these promoters. And just to see what black excellence looked like, right? When you think of that, you think of Atlanta. And so for me, it was, hey, I need to get to Atlanta. Let me get my business set all the way together in Chicago. And then the next move would be Atlanta. And that's just what happened. Hey, Luda be saving people. Because I damn sure did some community service over there at the Ludacris Foundation. And got extra hours and credit. Shout out to the Ludacris Foundation, bro. And you had to do it for some reason. You think I'm playing, bro? I don't think you're playing. I had to do black and yellow. You're giving out greens for Christmas and turkeys and everything. Yeah, that's why I'm playing. That's why you write about Atlanta.   They made you do every hour.  It's like, man, this shit's supposed to have dust on it. It's the Goodwill. This is crazy. So you say your business in Chicago. So did you start Nouveau in Chicago? No, so I started my own real estate investment company in Chicago. I wanted to kind of change the community of where I grew up in Chicago. So I started with one property at a time, rehab and properties, buying different properties, flipping properties. And then I kind of moved on to another state and started building houses from the ground up. And now I'm in Atlanta building as well. I still have my real estate company. OK, well, what made you want to go into the food? Did you have a love for cooking? I love people, most importantly. And knowing that I love people in cooking, I just tied the two together and did two things that I absolutely enjoy. And that's where the restaurant came from. That's dope as hell, especially keeping it in the family, though. Absolutely. I love your pearls on your necklaces, on your glasses. It just gives a seriousness to it that just makes everything believable. I just don't feel like you're playing. I'm not. No, no, no, no, no, no, no, no, no, no, no, no, no, no. You can tell for that. And it says you started during the pandemic, so you went through.  But it says you paid your rent a year in advance, which is amazing, because any black person that pays rent a year in advance is a special type of new girl, so you get through those for that. So talk about the process of making it through that point to get to where you are now. Oh, it was hard as hell. Just looking down Main Street, you think of all of these black owned businesses, right? That's on Main Street. And at one point, we had just kind of got a flow. And then all of a sudden, everything shut down. So you go from seeing hundreds of people outside and to seeing literally yourself outside. So there was times when it would just be me, my chef, and my bartender, like literally on a Tuesday, we would make $12. And that would be because of the bartender buying food. So of course it was hard, but I mean, those type of situations are only for the strong, right? If it don't scare you, then why even do it? And so in my mind, I trusted God's plan. And outside of that, I knew that my staff was taken care of, not only that we have the rent paid up, but we had what that salary would look like for my staff for a year paid up. So my staff never really caught the pandemic because they were always in a good situation. I just like how y'all get that.  I love it. One of the things that her and I talked about a lot was how the pandemic was a blessed curse. Yeah. Everybody shut down. But this one here, soon as they said, open it back up, she opened it up. And that's where we found a lot of people that were looking for that escape to get out of the house. They had been in the house for a while. And it was like, they just started coming to Nouveau. Then they start telling another person, hey, y'all heard about that spot on Nouveau? That spot in College Park on Main Street? Man, they got a rooftop. They got a patio. They got this. They got that. The food is bustin'. Like, and then we started with the relationship with Mamosa Jams. Absolutely. Explain what that is. So Mamosa Jams started out between her creation and our DJ named Allende and Kondo. And it became something where they said, hey, we need to get something to get the people together. We want to do a celebration of life. There's so much death going on. Let's get a celebration of life going on. So we sell our bottomless Mamosas on the weekend. On Sunday, we do the celebration of life. We have a host with the DJ and the energy inside of that place. If you walk in with a bad feeling bad, you will walk out of there on cloud nine. He touches, the host touches each person in a certain way, whether it's a kid, whether it's an 80-year-old woman. We've had 80-year-old women in their dancing. Off the Mamosas. Off the Mamosas and off that energy. You thought it was the energy. It's no drink, man. So the Mamosas do it now. It isn't the Mamosas. The Mamosas do something. They do something about the energy. That's why they didn't drink. That whole, that whole, the pandemic really was a blessing for us because that's how people started to truly know about us. Like, getting that escape. Come on, man. How many of us were in the house? Like, man, I want to get out, man. But nothing was open. I went back to Chicago.  And I came back down. And next thing you know, we were right there. And you said she don't tell you what to do. She don't. She don't. Now, speaking of what you just spoke to about just the celebration of life and having a division and be able to give people a different experience. Like, does that come from, a lot of that come from what you guys' background is coming out of Chicago and the stigma that Chicago has? And you don't know until you go to Chicago is one of the most beautiful cities in the world. The people, I mean, everything, like that stigma that they get about it being so violent, it's like that everywhere. And I don't know why they project that. But coming from the city and then moving to somewhere like Atlanta where the environment is totally different, do you feel like that's something that motivated you all to want to give people here that experience? You go out way more than I do. All right, so I love Chicago. Anybody that's from Chicago will tell you, hey, they love Chicago more than anything else. Like, I don't care what you say. Like, don't get me wrong. Atlanta's, I've been coming to Atlanta since 2006. Every year I came for Luda Day weekend with Luda and all them. We was together all the time. But Chicago is just something about it from the food, to the environment, to the energy, to the whim. No, Atlanta women, let me stop, let me stop. No, man. Let it go, please, man.  That's the way it is. But truly, when you talk about, and you said it best, they try to put this image about Chicago like, hey, it's all this, man. Everywhere you go, you got violence, you know? Poverty brings about violence too. You know, the critical decision-making skills, you don't learn that in the hood.  So when you take that and you put that in these urban areas, of course it's gonna be crazy.  And it's great to live there. I tell people all the time, don't go to Chicago in the winter. Go to Summertime Shot. Absolutely not. Go Summertime Shot. Experience the lakefront. Experience people to walk. Hell yeah, just gunshots in the distance. The gunshots is down that way over there. In the distance, man. I'm not worried about you. I didn't been, I just was in Chicago this past summer, and I forget what, I went to a Jamaican restaurant. I can't remember the name of it. But I just went out and then walked, and just walked around. It was like people on the corner playing music and, you know, just black people everywhere. And I'm from DC and I grew up in a city that had that type of culture. And anywhere that I go that still has that type of feel, I love. So Chicago is one of the most beautiful cities, but when you come from Chicago and come to Atlanta and see the difference, like you said, and the difference, like what parts of Chicago do you guys bring to Atlanta? Like what makes you guys unique in y'all experience being here? The food for one. We gonna say that right off the bat. Like the level of taste that we bring as a brand is outstanding. We cook a little different in Chicago. We cook a little different. The seasons hit a little different. Atlanta got some. You know, cause they, in Chicago, we were Mississippi, so a lot of them, you all. A lot of them. So we cook a little different, but most importantly though, I think the experience kinda puts you in that downtown vibe when you go to a rooftop party, a day party, right? That's kinda the experience that we want people to feel. But I also want people to come in with their families, their kids, and still have a great time.  That's what I'm saying. I wanna come host one of them Sunday devotions with bottomless mimosa. 70-year-old twerk competition. Just be in there with a suit on. No shirt.   That's what it is. It's gonna be loud. I wanna host Nana Jam. What's in the bottle? Nana Jam. You just say Nana Jam. Nana Jam. Nana Jam. But one thing about Atlanta that I love, right? And this is a straight fact. In Chicago, we ain't helping each other. It's just not like that. It's just, in Atlanta, you might be doing something. You gonna pull her on here and get to expose her and say, hey, tell us a little bit about yourself. It's a lot of hatred in Chicago, especially when you have somebody that's successful. And then the politicians in a bureaucracy, as far as getting a liquor license, if you ain't white, you're not getting a liquor license.  And if you don't, if you happen to get lucky, if anything happens, they shutting you down immediately. Right. Absolutely. It's a weird- It's really segregated city. It really is. Remember, we as black people, we can change that. Because just like you said, we got this platform. We want you to come on and tell everybody about it. So when we do an event, we can do it at your spot. And then other people in the city can say, oh, I want to use that spot. So we're going to create our own network. That's what this whole thing is about. That's a lot, man. Come on, man. That's real. It's all in about the network and the exchange of information. Absolutely. Because we're still 100 years behind in communication. Because it used to be against the law for us to congregate and speak and exchange the information. And that was not for a reason. So all of this is new. We're still a young culture as black people. We're still a young people. Because we've still got 5, 600, 700 years of discommunication to catch up with. So we're still learning how to do business with each other. Still learning how to treat each other. Absolutely. How to treat each other, how to respect each other. But as long as we have platforms like this where we can come on and we can exchange this information, and you can drop your location, and you can tell these people where to support you and where to hit your website. Because these people watching this all over the world, somebody want to make them reservations. And I want you to feel the impact of the people that support us. Because they support the people that we support. So that's why we appreciate y'all bringing y'all business to the black market. And the black market is over. Now tell us where to get these goddamn grits. Yes. Yes. Yes. Indeed, indeed. We want to talk about the grits. So yeah, the grits, you can go on our website and order them as well. You can go to Shopify. And there's Nuvobar, ATL, as well. And then all of the proceeds go to HBCUs. I went to HBCUs all. Which one? So I went to Lansing University in Lansing, OK? Lansing? Absolutely. And I just remember the struggle, right?  I remember my mom telling me, like, yo, you're going to have to figure this out. I'm not going to pay your tuition. I'm not helping with financial aid. You're going to have to figure this out. Same thing my mama told me. Yeah, but in that, right, it gives another beauty of strength, right, that we don't even know that we're getting, right, until we are actually at another age and now it's time to perform. And now little things, you just look at it and you keep going, right? Because now you feel like you're unstoppable at this point, right? And so for me, it was like, OK, how do I finish school with no support, right? What does that look like? And so I never want people to go through what I went through. So when we did Nuvobar, my grits would do so well. I said, hey, you know what? I want to give back to the HBCUs, but not once a year, right? I want to give back every single day that Nuvobar is opening and what that does is it looks like my grit line. Every single purchase goes, Nuvobar don't see none of those dollars. It literally goes to other African-American students that had the same struggle that I had growing up and going into college. So for us, this grit line, that's my baby. Because this is my way of giving back to people that looked like me. I'm not going to say how many years ago, but. Why not?  That's a blessing. Look at how good you looking on the guy there. Look at this. Look at you. Yeah, they're on the man. Just put everybody on the front of magazines. Exactly. You should be. And that's the thing. That's another thing. I want to speak to that just to be proud of the progression and the transition that you made, no matter how long it's taken, how many years it's been.  You look like it's bigger than just what you putting on paper or what you selling to somebody. When they see you, they see that you are the personification of what success looks like. You got pearls on your glass. Stop playing. In that level of progression that you've made is the motivation that not just the money. The money is great. Don't get me wrong. You need that. But you need also the motivation to know that there's somebody that I can look at and see that has walked this journey and made it to a certain point so I can be motivated no matter what it is I go through. Because I see you. I see a winner. I see a success story. So that's beautiful, man. If we can't let y'all get out of here without you giving some advice to the young black girls who are watching this and you drop some game on the young black man who might be watching. I guess for me, I say this all the time. When I think about myself, I tell people all the time, just do it. Whether you're scared, whether the finances are there or not, like, figure it out, just do it. Whatever it is that you go to sleep thinking about, you wake up in the morning thinking about, whatever it is that you're extremely passionate about, just do it, be consistent in it. And trust God, the rest is history, though. Once you do that, the rest is history. Once you do something every single day, you learn to perfect it, right? You learn the mistakes that you've made, you learn the things that you've done right. And most importantly, you're at some point, it'll reach where it needs to reach, right? Because you're trying it every single day, but the key is being consistent and doing it. For me, it's more so of a, man, listen, everything that glitters ain't gold. For all our young brothers who are out here trying to live a certain way because of what you're seeing on Instagram and all that, man, that ain't real. That ain't real. What's real is getting up every day, making a goal for yourself and focusing on it. Like, man, what somebody got today don't mean they gonna have it tomorrow. What you work for every day to get to, man, you can achieve it.  And you're here now, saying what you, saying with me, I got a story that, man, it's probably gonna come out one day to be able to tell people, like, everybody go through trials and tribulations, man. Don't give up. Just keep on striving, man. Keep going. Keep on pushing. Keep pushing all the way, man. This is a beautiful thing. So Main Street location and now the Jones. Jonesboro. Hey, y'all just did a firehouse. Was it a firehouse subs? Or was it a firehouse? Like an actual firehouse. It was an actual firehouse museum. Okay. Man, let me, let's give her her flowers, because everybody around was telling her, man, don't put nothing out there. Don't put nothing out, ain't nothing out there. And she said, that's exactly why I'm going to put something out there. And when I tell you, the blessings have flowed from that space, like, we, I don't know if y'all even heard about, like, we do the R&B Thursdays out there, where acts everybody from Tank, Vito, Tamar, Cressette Michelle, K-Michelle. We've had so many talented acts come out there and perform. I'm about to start loving it. Me and y'all. I'm coming. I'm coming. I'm doing work in this. Man, maybe at night, couldn't do it like it's real. We got a sneaker ball coming up on Thursday. Tank is performing. We got some other special guests performing. I see the kicks. We got the sneaker ball, the sneaker ball, come on, man. They don't want us to come through. Yeah, we do. Man, man, man, man, it'll be. And I got my shirt off like my bag. Hey, y'all, man, it might be unfair we come through there. What a lose, man. You can't guess. But God bless you. Hey, man, we more than appreciate y'all stopping through the Black Mardi and y'all. Drop the website one more time. Let them know where they can reach y'all and all that. No, don't forget. Social media, everything. We got to do something for the community, for Thanksgiving, and then for Christmas, we're going to put some people in houses for Christmas. We're going to do laptops, X-boxes, playstations. This is our third year doing it. So our Christmas event is definitely going to be amazing. Coming down there to get me one of them houses. Come on. I'll take a turn. I'll take a turn. Yeah, I'll take a turn. Our website is www.newvobar.com. What's the Instagram? NewvobarATL. Yeah. NewvobarATL. And we definitely want, you can make your reservations there. You can purchase things there on our social media platforms, everything. Well, wait, wait, wait, before you read that mail, before you read that mail, I see the ringer, ringer, ringer coming.  We're getting our brand up. I need people to know about her. She won't promote herself. So we have, you see her on that magazine cover for one, but follow her at evaneeakira on Instagram, at evaneeakira. We're about to make people know what this woman is doing, what type of effort she's put in this community. She's not going to tell you that she bought all these books from black authors and gave them to schools. She ain't going to tell you all that. She's going to tell you all the things that she does. That's what you're supposed to do. And that's why I'm doing it. You feel it. You feel it. So, Evanie, what are you? Evanie Akira. So it's E-B-O-N-Y-A-K-I-R-A. A-K-I-R-A. Go start back with the old pictures, Chico. I'm going. Go do that, baby. Go wave back to 2015. Not there doing that. I was 290, the guy there in Chicago. You're not too far, Karen. Let's say, I'm not far from 70. I know about the city, man, all the way. Yeah, he know for real for real. He started footworkin'. Yeah, for a show. But yeah, that's what I want people to really get an idea of who she is. Like, she not going to brag on how much real estate she did. She can brag on this show. She don't like to. Brack. Give us a break. I'll just say, God is amazing. We know. And I think I'm an example of what young people can do. I came from the west side of Chicago off of Independence, off of the 290, where everybody that you seen, majority of them was on drugs. And then the other half was trying to figure it out. We were taught that, hey, you're going to go to school. You're going to work a nine or five, and that's life. And for me, that just wasn't enough. So when people look at me, I do want people to see that anything is possible. My faith in God is extremely high, of course. But I mean, to have the real estate and where I've come from, and to have properties that's in my hood. I didn't want to go to the suburbs. So all the properties that I purchased are in my hood. And that's the beauty of it. So for other young people, I just want people to know that it's possible you're a step away from your dreams. That was the classiest brag. That was the classiest brag. My properties are in my hood. In my hood. Because that is going to go outside on my hood. My hood. That's right. We love it.


This paper studies the performance and feasibility of several QoS mechanisms in single-homed and multi-homed networks slash nodes with fluctuating resource availability, introducing an interface selectivity technique to enhance essential governing parameters such as throughput, latency, processing time, and jitter. The results show that site multi-homing provides a better overall end-to-end latency over host multi-homing as it supports the entire network. This article was authored by Hater Oliwi, Nagkam Said, Hiba Alte, and others.


Bucks and sheeps they are five to one and plus six fifty respectively. Any lingering value in either of those teams? I think there's still value with Tampa. I look at the Bucks this year and I'm curious if you guys agree with this. I think they have the opportunity and I'm not like planting my flag in down and being like hey like this is absolutely going to happen but I think there's a good chance it could happen. I think it correlates to a couple different bets where I think we could realistically look back on this Tampa Bay Buccaneers team five, ten, twenty years from now and say this is one of the better teams we've seen maybe in the history of the National Football League. Like I think they they actually have that upside to be legitimately historically great this year. Everybody coming back. Joe Tryon looks ridiculous obviously the rookie pass rusher. Now you put him with Shaq Barrett and Jason Pierre Paul and the the NFC is just not as good as the AFC right? Like I don't see any team in the NFC East challenging Tampa. I think they're upside is to go 15 and two or 16 and one in the regular season.