Dedicated to the strength of the nation, now heard of more than 1,300 radio stations. Proudly we hail. Proudly we hail, starring Angela Lansbury in The House on Lakewood Drive. The United States Army and United States Air Force presentation. Now here is your producer, the well-known Hollywood showman, C.P. McGregor. Thank you, thank you, and greetings from Hollywood, ladies and gentlemen. Welcome to your Theatre of Stars, where the cinema world's finest motion picture talent gathers for your weekly entertainment. Angela Lansbury is our proudly we hail star. In our bright comedy, The House on Lakewood Drive, Angela portrays a novice writer with grandiose ambitions. Her try for the literary jackpot and the realization of her dreams supplies us with some delightful comedy situations. We'll have the curtain for act one of our play in just a moment, but first, Wendell Niles. Friends, let's just stop a minute and think about our men in uniform. Our Army and Air Force men are spreading democracy throughout the world. Wherever stationed, they are demonstrating by their actions that the American way of life is proving best. Our soldiers and airmen are unofficial ambassadors of goodwill. And each one has the gratitude and respect of his fellow Americans. For they know our career in the U.S. Army or U.S. Air Force is one of the finest today. And now once again, our producer. It's curtain time and here's act one on The House on Lakewood Drive starring Angela Lansbury as Kathy Lane. It all happened more than 10 years ago when Kathy Lane decided to write the great American novel. You'd not picture Kathy Lane as a woman novelist, not even in the making. She looked more like a cover girl. But on the morning our story begins, all the signs of the budding author were there. Manuscript paper, visoris, dictionary, yes and the inevitable typewriter, which at the moment is a triumphant sound, triumphant indeed. T-E-N-D. Irene, Irene, it's finished. It's the end. It's really finished. Finished, I tell you my novel. Well, I didn't think you'd been baking a pie. It's about time. About time? I've only been a year on it. A year.    They spell fame and money. All money that we could use. They spell all my life and all my hopes and all my dreams. If they could spell out hamburger, it'd be more to the point. With onions. And french fried potatoes. And a big salad and rope for cheese. Oh, toasted french bread and garlic. Irene, you big dope. I think if you were starving, about an hour and 80 cents from now will be at the complete mercy of our creditors. I am going to take my manuscript right down to Todd Farrell and son's publishers. I'll bet within 24 hours they're back-waving a contract at me. That's okay with me, but I prefer dollar bills. In fact, I'd settle for even one. Irene, are we as badly off as that? Who worse? Grocery man won't even trust us for a stale soda cracker. We owe two months back rent. We're behind with the gas bill, the light bill and the telephones already turned off. Irene, you never told me. Well, honey, all I wanted was to see that novel finished. It is. Now we can start worrying about the eating and sleeping problem. Well, I certainly didn't dream things were as bad as all that. Well, I can go to my sister-in-laws, the one without a leash. But where can I go? You might crawl in through the window of the house on Lakewood Drive. That is, if the for sale sign's still up. Oh, it has to be, Irene. I can't bear to see that house sold till I've got the money to buy it. And we have 80 cents between us. Well, there's the down payment.   Put on that trick make-up you used to curse the milkman into giving us credit, and start now. We haven't a minute to lose. Oh, Irene, be serious for just a minute. Cathy, when you're as old as I am, you'll know the one time never to be serious is when things are serious. And I suppose the only time to be tragic is when there's plenty of money in the bank and the one's best. Exactly. Only the very rich can afford to worry. But come on, honey, get your hat and let's get going. Where are you going? Public library. I don't want to face the landlord alone. Oh, Irene, let's walk past my house. Oh, all right. Oh, golly, I hope it isn't sold. Irene, I don't suppose you can possibly understand this, but owning that house means more to me than anything in the world. I know. Oh, it's... I know myself. Any place I happen to be is home. Even a telephone booth. I think I understand a little. Irene, you've been a wonderful friend to me. I don't know what I'd have done without you this past year. I'd never written the book. I know that. Oh, now, don't get sentimental. Always makes me cry. The Dime Store mascara I'm wearing this season will run at the first tier. Just the same, it's true. All I hope is that Todd Ferrell will be able to help me out. Come on, honey. We've got to get there before somebody passes along against women novelists. You bet. There it is. And the sign's still up. Oh, you're really in love with it, aren't you? Just look how cheerfully those big windows gleam in the sun. And the brass knocker really shines like anything. It has an old world air. It looks as if it was meant for a home, Irene. Not just a stopping office. Just as wanted. Must have knowledge of antiques. Only a woman of breeding and intelligent need apply. Everett K. Gaylord Realter 846 High Street. That's it. That's what? Well, they must want someone to help sell this house. Maybe they'll give you a room here. It's better than living in the street. Do you really think so? Irene, that would be too wonderful to be true. Oh, come on, we'll find out. The Rita State Office is on our way to Todd Ferrell and... Oh, I couldn't bear it. All right, let him pay.  Until your book is sold.   Yes? I saw your advertisement under the for sale sign of the house on Lakewood Drive. I came to apply. Do you know anything about antiques? I know a chippendale from a Queen Anne. I know a little about porcelains and old glass. And I love that house, Mr. Gaylord. I pass it every day. It's beautiful.  You'd like to own it yourself, eh? Oh, yes. But, of course, there isn't a chance. You seem to have the proper appreciation of the property. It's not a new house, you know. It won't be easy to sell. Well, I'll tell you just what the proposition is. We want a girl to pretend that she's the owner. We'll find some excuse why she must sell. A family moved east anything. But it must be someone who understands the house. Even loves it. And that I do, really. Yes, I can see that. You'd be living there, of course. Live there? Oh, that'd be wonderful. Your job would be to greet customers just as if it were your home. Sometimes that's an easier way to sell than through your business office. Would you like the job? Would I like it? Oh, Mr. Gaylord, if I had the money, I think I'd pay you for the chance. Very well. The job is yours. You've exactly one month. If you sell it in that time, you'll receive two and a half percent of the sale price above your salary for the month. Will you sign this paper, please? Oh, yes. I'd have to have reference. Well, that's perfectly all right. I have references. Oh, Mr. Gaylord, I feel as if I was signing a passport to heaven. Oh, Irene, it's wonderful. Imagine finishing my novel and moving into that house all on the same day. What about the title of your manuscript? Irene, I've decided to call it The House on Lakewood Drive. Why, sure, that house inspired her to write the book in the first place. Just be our luck. Rain. And no money for a taxi. No money for a streetcar, even. Oh, I don't mind getting wet. I wouldn't mind either if it wasn't for my shoes. The only pair I got left. They've got to get me over to my sister-in-law's. Well, we just can't stand here in this corner forever. The gutters are young Mississippi. What are we going to do? Swim it? Oh, this is our lucky day. Someone will come up. Oh! Oh, I'm terribly sorry, girls. I didn't mean to splash her. Well, in that case, go back and try it over again, young man. Only bring us an arc next time. I can't bring back the arc, but I could offer you a reasonable fact. Emily, this chariot I'm driving. Well, it'll do in a pinch. Come on, Kathy. Oh, no, I...  Get in. Please, yes, get in. Oh, goodness. Are you comfortable? I'm fine. Oh, my name is Kathy. Oh, my name is... Oh, Shay. Young man, keep your eyes on the road. We'll do the talking. Is it too much to ask where I can drop you girls off? At the take-bill. On the way, you can stop at the public library. I've got a date with a book. First stop, ladies, public library. Thanks. See you at the house, honey. Good luck on the book. Give it to Todd Ferrell with my love. Oh, yes, they're my publishers. I'm just dropping off the manuscript of my newest novel. Oh, really? For publishers, they're really very intelligent. You write a lot? Oh, yes, and there's the take-building. You can let me out there. Oh, I certainly. Thank you. Thank you so much. You know, I've always wanted to meet a real artist. Excuse me, I mean an honoress. Oh, we're just like other people, really. Kathy, I'd like to go on record saying that you're not like that. Like any other people I've ever seen. In fact, I think you're something rather special. Goodbye. It's very nice of you to give us the lift. Thank you. Oh, wait a minute. I don't know your last name and you don't know mine. Well, just read the best seller list next season. The title of my book will be The House on Lakewood Drive. Pause briefly from our story, The House on Lakewood Drive, starring Angela Lansbury, to bring you an important message from your government. Protect your democracy in the free way of life. Protect your U.S. Air Force man. But he's more than that. He's a man who's going places in his job because he has picked for himself the most modern of careers, a career in aviation. Your Air Force man is learning and working at some valuable phase of aviation. Perhaps he's studying jet propulsion or mastering the know-how of airplane engines. There are any number of skills he might be studying, all valuable and all interesting. And he's paid well right from the day he enlists in the Air Force. But the only thing he can get ahead is finding he has plenty of chances for advancement too. Yes, your Air Force man is really too. He's a symbol of free government and at the same time, a man in a career with a future. Ask at your nearest recruiting station today about the fine young men in your United States Air Force. Our curtain rises on Act II of The House on Lakewood Drive starring Angela Lansbury as Kathy Lane. It's the last day of the month and I suppose such things will happen. House seekers discriminating in particular have come and gone but still no one has bought the lovely old house on Lakewood Drive nor has Kathy Lane heard from the publishers Todd Farrell about her book. She's not very happy girl at all as she faces ever K. Gaylord realtor for the house. I just don't understand it, Mr. Gaylord. It is such a beautiful house but nobody seems to want it. That is nobody but me and I can't afford it. There are so many precious things in this world. Only the very few appreciate them. That is why perhaps they are precious. They all say the house is old fashioned. They want glass, brick and air conditioning. Those things don't make a home, Mr. Gaylord. You look quite right, my dear. Well, you tried. I appreciate very much your efforts and I'm sorry that I can't continue our arrangements past tomorrow. You mean my month is up then? Tomorrow night at exactly six o'clock. So if you're to earn a commission you must make a sale sometime between now and then. And you wouldn't want to keep me on another month. Oh, I'm sorry Miss Lane but that would be impossible. You've done your best but I must ask you to bring me the key after you close the house tomorrow night. Very well, Mr. Gaylord. I can only hope that something will happen between now and then. You never can tell, my dear. The unexpected sometimes happens. Well, honey, I've got to be running along. I'm supposed to be downtown at six. I have much time. Neither have I. Oh, Irene, I just can't understand why I've had no luck. I'm jinxed, I think. I've heard nothing from the publishers. I guess they don't want the book. Well, no news is good news, I always say. And nobody wants to buy the house? I thought you didn't want to sell it. Oh, it's different now. I'll never have any money to buy it myself. Oh, honey, don't worry. A whole month and not a word. A whole month. Think that no one wanting this house. And it is such a beautiful house. I'm more in love with it than ever before. No news is good news, they always say.  Maybe you've got a customer. Oh, I hope so. Well, you could certainly use that commission. Well, I'll be moving on, dear. I've got a lot to do.  Sir Walter Raleigh and Suntan. I'm going to check the color. Why? It's the man that gave us the lift. Maybe this is the beginning of true love. Do I look all right? Oh, pretty as a picture. How do you do? Hello. It's sort of a family reunion, isn't it? This part of the family's taken wing. Won't you come in? Sir Walter Raleigh, we call you. Well, ta-ta. Bye, Irene. It's quite a character, your friend. She always makes a joke of everything. Well, did you come to see me? Or the house? Both, Kathy. You see, I didn't catch on at first. The title of your book was this house. Oh, yes. It's my old family home. Yes, I was born here. My mother and my grandmother before me. It's been in our family for generations. It's a lovely place. You aren't interested in buying a house, are you? Well, you know that's quite a coincidence. I am. Oh, then may I show you through? It's for sale. I suppose you noticed the sign on the outside. Yes, yes, I did. I wondered also why anybody would want to sell so lovely a house. Well, it's a purseful problem. I wouldn't want to bore you with it. Now, this is the entrance hall. Attractive, isn't it? Oh, yes, charming. Look, isn't there some way that you could solve this personal problem of yours without selling your family home? No. It's... It's just one of those problems. As I was saying about the entrance hall, it's just the way a hall should be, don't you think? How should a hall be? Oh, friendly and inviting, yet not too familiar. Oh. And the living room. Lovely old pieces, don't you think? They belong to my grandmother. You don't say. Museum pieces, really. Particularly this time of day. I think it's so nice to have it attractive at tea time. Of course, I know that's old fashioned and you probably don't care at all for tea. Oh, but I do, I do. In fact, I'm always in a bad humor when I miss my tea. I'm glad. We have something in common then. Kathy, I think perhaps we could find a lot in common if we tried. You know, I've been thinking a lot about you since the day I let you off at the tape building. Well, that was a month ago. Well, I've been away. Not that day for the West Coast. And I didn't get back until yesterday. Otherwise, I'd have been here much sooner. Oh. Well, this is the drawing room. Notice this cabinet? Yes, early colonial. Should be in a museum. And this ottoman. How did you know? Oh, I've been out with a lot of antiques in my time. Now you're making fun of me. Told you, I'm always in a bad humor till I've had my tea. What about the tea? Well, if it isn't too much trouble. Oh, by the way, you haven't any husbands hidden under these anti-macassas, have you? Not a husband anywhere. Absolutely perfect. They always say they spoil a man's tea. Indeed.  Well, every man that's wanted to marry me has always insisted upon moving up to the best new district in town. New house, a smart new address, the latest gadgets. And you, Kathy. I don't want those things. You see, I love old things. Beautiful things. I want a house that can be a home. I want to tell you something. Today, when I walked in here, I stepped from one world to another. It was just as if I'd walked into an enchanted room. And you were part of that enchantment. Oh, Kathy, this room without you would be as cold and dull as a museum. Unfortunately, I don't go with the house. And it shouldn't be sold. But it must. Oh, you belong here. You've made it part of yourself. It is a part of you. You should stay here and write, Kathy, write of real and lovely things like yourself to bring reality to others. Oh, no one will listen. No one will read. But they will, they will. Kathy, make the world know that there are rooms like this to be lived in and women like you to make them livable. You've such a lot to say. He must never stop saying it. Oh, why did you come? Why didn't you just come and look at the house and go away? Then I could go on letting you believe my fraud. But now I can't. I've got to tell you the truth. What do you mean? I've lied to you from the first day I met you. I've never had a line of my work published. This is not my house. Okay, Gaylord. Well, well, well, well, well. You don't say. And I love this house. I'd hope the publishers would buy my book and then I could buy the house myself. Ever since the for sale sign has been on it, I prayed it wouldn't be sold. But now it's all over. You see, it's nearly six o'clock. That means I'm out of a job. If you want the house, I mean really want it. Buy it now before six or I'll lose the commission. And I do need that money. Kathy, I have a confession to make also. I'm a fraud too. What? I'm John Farrell of Todd Farrell Publishers. No. Yes, yes. You see, we've just bought a first novel from a new writer. Her name is Kathy Lane. I brought with me a check for advance royalties and a contract for a design. Believe it. Here's a pen. Mr. Farrell is really quite enthusiastic about Miss Lane's writing. For a publisher, you see, Mr. Farrell is really quite intelligent. Oh, no, no, you're making fun of me. Does a thousand dollars look like a joke? A thousand dollars? Oh, my goodness. I can almost buy the house myself. Oh, no, no, Miss Lane. The clock has struck six o'clock. You're out of a job. It doesn't matter. I can still buy the house. I'm sorry, but you can't. You're at K. Gaylord. No, no, Kathy, it isn't it. It's up to me. You see, I happen to be the owner of this house. You? Yes, I instructed Gaylord not to give out the owner's name because I didn't want to be bothered. And when you told me the title of your book and when I saw the address on the manuscript, I was intrigued. Then it's all been a game. Yes, but a wonderful game. Oh, Kathy, I've learned a lot this afternoon. I learned before it was too late that if I lost this house, I lost part of myself, part of my heritage. If you really feel that way, Mr. Ferrell, I don't mind losing the house. Of course, if you wanted it very badly, it might be arranged. But how? I mean... Well, there'd be a small clause in the contract. The owner would have to go with the house. Well... Well, this is so quick, Mr. Ferrell. Well, after all, a girl doesn't get a novel sold and acquire a... Well, anyway, it seems to... It seems like an awful lot has happened today. Look, look, suppose we close up shop, go to dinner someplace quiet where we can talk and plan. I want to please the new tenant if the new tenant chooses to move in. I should be delighted to have dinner with you, Mr. Ferrell. And I know, of course, that a new tenant has to put up with something or other. Oh, yes, yes, that usually happens. Usually it's the plumbing. The plumbing. But maybe the owners are much less difficult. The curtain falls in the final act of the house on Lakewood Drive. Our star, Angela Lansbury, will return for a curtain call after this timely message from Wendell Niles. Veterans, do you know the four doors of opportunity for you? Well, just listen to what the U.S. Army has to offer you. First, your choice of unit in the United States. Yes, if you've served abroad after September 2nd, 1945, you may enlist for any one of nine well-known Army outfits and their station that posts all over this country. Here's another great opportunity. Many of you veterans will be able to enlist in grade depending on your former grade and length of service. And veterans, that will mean to you more responsible positions for your duty in Europe. Or you can choose assignment to one of the famous U.S. Army divisions in the Far East. And here's another opportunity. If you have a high school education, you can choose your Army technical school. Veterans, why don't you talk it over at your recruiting station now? The men there will be glad to advise you. And I'll back at the microphone our star, Angela Lansbury and our producer. A deserving call for a brilliant performance, Angela. It's always a treat to appear in your theatre of stars, CP. Remember last time we discussed you, the Coutierier for Angela Lansbury. Yes, the new look, which was somewhat controversial at the time. It was highly pleasing, especially to the ladies of our audience. And you know, the views you expressed to me just before curtain time should be especially interesting to everyone. Oh, you mean the exchange of stars? Yes. Well, you see, there has been more or less of an exchange between our country to be gained through such an exchange between us, France, Sweden, Italy, for example. There is some talk about a picture to be made in India by one of our producers. That's it. He and his staff will produce the picture, but he will use as many Indian actors and actresses as possible. There is excellent talent over there. That may be discovered and then brought over here. Yes, you see, such an exchange will give our own people opportunities also to appear in foreign productions. I think it'll broaden culture and to what do you think the theater gore's reaction will be here, Angela? Well, of course, Americans have their favorites, but I feel that the reaction will be rather stimulating, that they will be pleased to see new faces, to observe the differences in technique, etc., and in the way of doing things. Well, Angela, when this comes about, we'll remember your timely thoughts on the subject. By the way, CP, I understand you have a very special treat for us next week. Next week, Angela and ladies and gentlemen, we present one of our greatest actresses, Billy Burke, who appears in our comedy, The Fabulous Delears. Oh, that'll be perfect for your listeners. And I'll be dialing your way as usual, CP. Goodbye. Goodbye, Angela. Goodbye. We should have joined us next week, ladies and gentlemen, when we present Billy Burke in The Fabulous Delears. Until next week, this is CP McGregor saying thanks for listening and Cheerio from Hollywood. Angela Lansbury appeared with the courtesy of the Hollywood Board and the appearance of all stars on this program. The orchestra is directed by Eddie Skrivani. This program is rebroadcast The Armed Forces Overseas to the worldwide facilities of the Armed Forces Radio Service. The number probably we hail next week presents Billy Burke. This program is transcribed in Hollywood for release at this time. Wendell Niles speaking.


The Miracle League of Columbia, and this will be our fourth year administering it, the City of Columbia and some partners, some local partners, combined their efforts years ago to establish an official Miracle League field here. So we've partnered with the National Miracle League program and we conduct that program throughout this facility. The City of Columbia and through the Parks and Rec Department and specifically through Athletics. We can take registration, prepare volunteers, we conduct the games on Saturday mornings. We get other volunteers from the community to come out and support. We have pelicans that will come out and provide free snow cones for the kids. At the end of the season we'll have donations for our banquet trophies given out. We have a local DJ that comes, DJs the game, calls every kid's name out every time they come up and bat, there's music in between games. So it's a real family affair and it's very inspiring to see some of those athletes perform in that part of the game. The directive for the Miracle League is to support athletes with disabilities, especially needs athletes, and really what the community can get out of it regardless of if you are in that community or in that niche or not is an opportunity to see another athlete performed by considerable athletes who may not be left out of the normal, as we would consider probably the normal landscape of athletics. There are also opportunities to volunteer with these kids. We get a plethora of students from USC, from Benedict College, from local high schools, local travel baseball teams, local companies who support us as well. So if there's an outlet for anybody in the community, it doesn't necessarily have to be directly involved with the athletic program itself. And so the bottom line I would have the community probably get out of the more is that there's an opportunity for everybody to have a hand in the growth of these athletes and just to have them experience the level of play and the enjoyment that we all get out of sports.


Right now, waiting on Paul to sign up for the Ram Experience. You know, I think they're gonna show us all these rounds we're forming under different conditions and stuff like that. Looks pretty cool. It looks like the whole course. Whole course for the Ram Experience, man. Mmm! See, look, it's on the side right there. All of you guys can see it, but way, way over there, that white one is going on the side, so it's just cool, man. Yeah, I can't wait for the Experience, we're waiting on Paul, they're going to match right there. And at the end, you know I'm gonna get a Ram hat. But yeah. I think after this, I think there's another Experience elsewhere too, so we're gonna try and do that. I hope I don't get copyrighted, the music is playing, but yeah, once we get in the car, I can't wait to show you guys the inside of the car and all that stuff, so just stay tuned for that. Here we are, we're in the Motor Trend Truck of the Year, the Ram 1500, man. I'm excited for you guys to be here at the Central Floor to Auto Show with us. I really want you to take in this ride, all right? Right now, I am off the gas, it is pulling itself over these railroad tires. 410 pounds of torque, 395 ponies pulling this thing, okay? How much room you got back there, sir? Tons of rooms. Tons of rooms. See the room, guys? Look at the glass. I'm like, look, this is money, that's a seat. Wow, right. All right, how tall are you? Six one. Six one, so you know, five, eight, and I'm turning hard guy like me. And he's six foot, got some big boys in here, got plenty of room. All right, we took the tunnel out of the middle. Get some love right there, all right?  Back there too, those seats recline actually a little bit. Whoa. So in the middle, in between your legs, there is a lever, you pull that lever and just roll out a little bit and it will recline for you. How was that ride? Just over those, right? All right, it's good. I didn't even get to talk about it without talking about the interior because we're the most luxurious truck. Most luxurious truck. Most luxurious truck. But that ride is new. Yeah, I can't believe the console. The console, man. 12 inch display screen, all right? Heated seats, vented seats, driver and passenger. Left the driver seat has 12 different adjustments. The passenger is eight. All right? Eight different adjustments. 100 safety features, 98% heavy steel, okay? So regained integrity and strength. The chassis does not flex when we get that 30 degree banking right there. All right? Oh my goodness. So the ride that we just fell over there, articulation over there, brand new suspension. We have the same suspension you might find in your Charger or your Challenger is underneath this. Yeah, we actually drive Chargers and Challengers. All right. We drive the Charger, we drive the Challenger. There you go. Our car is actually in the show. So is it? Yeah, it's in the show actually. Word, that's dope. So this truck rides like your car is now. People are like, why would you want your truck to ride on the air? Because the sedans can't get no bigger than what you got out there. That's crazy, guys. But we can make our trucks ride better and that's what we have done, okay? We took the least things out of the pack. We got Coral Spangs on all four corners. Our new air ride spring system. When you're going down the interstate, it will drop down for you. More aerodynamics. We're best in class in aerodynamics. More airflow over the top, helping with the fuel mileage. 17 and 21 is the fuel mileage. When you get that 2,300 pounds of payload, over that 12,750 pounds of towing, it'll auto level out for you. Wow. Okay. So what model is this one? This is the limited. This is our Mona Lisa. This is our baby. Top of the line. One more cool feature. Surround 360. Hang on, let me get back for you. 360 view camera. Nice, man. Hey, guys. Appreciate you coming out. I'm gonna come check you guys out. We guys over here. All those dodges right there. I'm modern day muscle and he's garage driven. Bad ass, man. Appreciate it, man. Hey, y'all have a great day. Thanks for coming out. You too, man. Appreciate it. Now I see why. Now I see why tall guy be riding in the ram, bro. I see why tall guy be riding in the ram. He always been talking about that ram. This is crazy. Look at that. Cheap land right now. This is a cheap plug too. They're brought in some nasty looking cheats, man. Check out the hat, bro. I've been thinking the hat and the dad hat. Look at this one, y'all. Look at this one right here. She eats. Yo, look at that, guys. It don't get no crispier than that. This is hard. Check out this one. I think this one's called Salty Soul. This one's nasty too. Yeah, guys, we're in Jeep land. As you can see, we're all these nasty jeeps. Yeah, but yeah, the ram experience was cool. We're trying to see if we can do the Jeep experience. Not sure yet, but we're trying to see. Oh, I forgot this one. Oh my God. Look at this. Look at this. Over there. Look at all the guts. See that? This is amazing. Yo, this is nasty. Wow. Oh, no, you're fine. Terminator Jeep, y'all. Let's see the rims. Wow. Okay. Yeah, this is nasty. Check out this one too. Terminating the game. Yo, look at that. Look at that, y'all. See that? It's a little dark. It's a little dark, but yeah. Look at these wheels, man. Jeez. Bro, this is, this is, y'all, it's not gonna work. Oh, you see the speaker system in the back? All right. Fall back. Yo, I'm gonna have that joint all the way up, I don't care. Yeah. Check out these aphids. They look aphid. They look amazing. See this one? This is like a slate-ray silver one. And we got a, what is this? Oh, a lotus. Wow, I've never seen a lotus person like this. This is cool. Got that apple green. I don't know if it's called apple green, but that's what I'm calling it. Ooh, then y'all know I like this color. The destroyer gray. Look how beautiful this car is, guys.  Absolutely amazing, man. Got Alcantara on the inside. I know you guys can't really see it. This is amazing. It's amazing, guys. See this? Absolutely amazing. You guys, a little bit more of this car. Wow. Look at this car, guys. This is amazing, man. See this car? That cream, cream leather, wood grain. Oh, man. Absolutely amazing. Look at this thing. Astro Martin, if you all don't understand what's going on right here. But check this thing out, man. Wow. It all has wood grain in the back, too. Look at this. Yo, this Astro Martin section is crazy. Look at this. You got a Lotus. That's not really an Astro Martin, but you know what I mean. You got this Astro Martin right here. This cream one is amazing. And then you know the destroyer gray. This is sort of my style right here. Look at the back of this thing. Oh, my God. What's going on, guys? It's the next day. We're heading back to the auto show.


Yup, that's right, I'm doubling down on the clickbait. A couple years ago I broke down and made a best SNES hidden gems video despite the fact that everybody has completely different criteria of what's considered hidden and what's considered a gem, but this is still asked about constantly at places like the Super Nintendo subreddit, so fine. Twist my arm, I'll do another video, this one being a list to amp up the subjectivity even further. And yeah, of course this video is gonna have some games from the previous video I made, so I'm forcing myself to throw in at least 6 or 7 new games just for this video alone. Also, I think it's fair to say that stuff like Lufia 2, Space Megaforce, Sky Blazer, Run Saber, and even Plock, that sort of stuff isn't all that obscure anymore. What I'd really like to do here is place an emphasis on the word hidden, as in you would have no idea these games would be any good based on their title or cover art. So let's get going. 13. Spanky's Quest Now this is a good example of what I mean, Spanky's Quest is a terrible title, but it's a pretty good platformer that reminds me of stuff like Doremi Fantasy. There's 5 distinct worlds here with 10 levels each, and each level is cleared when you find the appropriate number of keys for the exit. You attack by blowing a bubble and bouncing it on your head to increase its size, and you can pop it at will which creates a shower of basketballs? One flaw here is that this game moves pretty slowly, but other than that this is a good game with a great soundtrack, and the cartridge is only about $15. 12. Shoplifter 3 The first shoplifter goes all the way back to the Apple II days of 1982. Shoplifter 2 only came out for Game Boy, but Shoplifter 3 originated on the SNES. You play as a rescue helicopter pilot, flying into combat zones and rescuing hostages, the catch being that there's a limit on how many you can carry at once, so you have to manage your time and resources appropriately to get as many people out of there as possible. The controls are intuitive and easy to get used to, and there's not quite another game like this on the Super Nintendo. 11. Artie Lightfoot This is one of those mascot platformers, and yeah, there were dozens of these throughout the 90s, but this one is actually pretty good. The mechanic that makes this one stand out is your bird friend named Peck. He can be used as a weapon or to destroy barriers, or help you fly. If you get hit he disappears, but you can find him again in a chest, kind of like how Donkey Kong Country works. The cartridge is a bit pricey at close to $50, but this is a solid game that not many people talk about. 12. Zero the Kamikaze Squirrel Yes, another mascot platformer. It's so easy to ignore these on site because there were so many of them, but this is another one that's surprisingly pretty good. This is a spin-off of the Arrow the Acrobat series, and yeah, Zero controls a bit like Arrow does, but with a lot more abilities. He can double jump, throw projectiles, he can flip, he can do a couple different dive attacks, and the huge level design gives Zero tons of room to do all this stuff. This is a quality title. Too bad the cartridge is insanely overpriced though. 9. Robotrek. I've talked about this game a lot over the years, but it remains the very definition of a game hidden in plain sight. It was released in Japan with the name Slapstick with this cover. It gets a translation and sent over to North America with the title Robotrek and this cover. That's kind of a stark difference. So yeah, this is an RPG made by Quintet and published by Enix, and yeah, it's got some translation issues, but it's still a fun lighthearted role-playing game with some unique elements that you won't find in any other SNES RPG. 8. The Twisted Tales of Spike McFang. Here's one that sounds like a mascot platformer, but it's actually a top-down adventure game where you play as a vampire with a magic hat who needs tomato juice rather than blood. Okay, that sounds ridiculous, but this is a fun one featuring tons of gameplay variety and a fantastic art style. It gets pretty difficult and grind heavy toward the end, but this is a quality game. 7. Brain Lord is another top-down adventure style game, tons of weapons and upgradeable armor and all that good stuff, but a big part of this game is puzzle solving. Some puzzles are comically easy, some are pretty fun, and some are laughably impossible. And like Robotrek, this is another Enix published game where the translation leaves you scratching your head at times, but still, Brain Lord is a pretty good game that gets ignored for stuff like Zelda and Secret of Mana too often, and it's worth checking out. 6. Phantom 2040 is another good example of a game that seems simple at first glance, but once you get into it, you'll see it's not just a run to the right and shoot stuff type of game. It's heavy on exploration and story. There's lots of split paths, and you can earn up to 20 different endings. It's not always intuitive and straightforward to know where to go, and the enemy respawning can get kind of tiresome, but Phantom 2040 still features a lot of depth and a ton of replay value, which is surprising for such a cheap cartridge. Blackthorn. Yeah, this is one of those weird cinematic platformers where your character sprite is hyper detailed, but moves very slowly and deliberately. I know when you see a dude with a shotgun blast against enemies, it's easy to think you should be able to just sprint through this game, but the opposite is true here. In Blackthorn, you want to take your time, avoid enemy gunfire by ducking into the background, and carefully pick your spots when you can. This game may not be for everyone, but for what it is, it's really well done. 4. UN Squadron. Okay, this one's not that obscure, but it's definitely hidden. I mean, there is not a worst title or a worst cover you could have given this game. The UN, really?  UN Squadron is far from boring, though, easily one of the best Super Nintendo shoot-'em-ups released in North America, featuring three different pilots to choose from, a shop system to buy and upgrade your own weapons, and an actual life bar, so you're not subjected to that one-hit-death nonsense, like so many other shoot-'em-ups do. Even if you don't like shoot-'em-ups, you can still get into UN Squadron. 3. Super Adventure Island 2. I talked about this one a bit in my video about Forgotten Sequels, but yeah, this is a case of a sequel being shoved aside, because the first game was pretty ordinary. Super Adventure Island 2, however, is far removed from its predecessor, introducing some action RPG elements like upgradeable weapons, magic, armor, and an overworld map where you can explore whatever world you want at your own pace, and even uncover some hidden areas here and there. Few games have caught me off guard like this one. Try it out for yourself. True Lies, like Robotrek, this is another game hiding in plain sight. How many times have we been burned by Schwarzenegger movie games in the past? I mean, the Terminator SNES games are some of the absolute worst on the system, so it's pretty surprising that True Lies is a really fun title, a top-down shooter where you can fire in eight directions with tons of different weapons, making tons of stuff go boom. There's Uzzies, there's shotguns, there's grenades, there's tons of explosions, and tons of carnage. True Lies is one of my favorite discoveries since I started this channel. 1. Dragon View. Hey, I just reviewed this a couple weeks ago. In fact, this is the game that kind of inspired me to do another blatant clickbait video like this, because I think it's one of, if not THE best game, that I never hear anyone talking about, whether it be on Reddit or on forums or wherever. Dragon View is a nicely polished blend of beat-em-up mechanics akin to Knights of the Round, and RPG elements from side scrollers like Ease 3 or even Zelda II. The cartridge is over $50, but if you've got a flash cart, you gotta play this one. It's really well done. Alright, that's all for now. Thank you for watching, and I hope you have a great rest of your day.


This is joint work with Chris Pickert and Lon Rosen from Georgia Tech and IDC respectively. In this talk, I will be presenting some new constructions, some efficient constructions of pseudo random functions from lattices and towards this end, we would also introduce a new technique which de-randomizes the learning with errors problem. So this talk would be divided in three heads. First, I'll give some background. Then we'll talk about the de-randomization technique which we call learning with rounding. And lastly, we are going to give a direct construction of PRF. Let's start. So first we define what a pseudo random function is. They are essentially families of function which are indexed by these seeds S. And once you select a function from this family using the seed, it is essentially deterministic and indistinguishable by any computationally efficient adversary from a random function on the same domain and range. And the adversary is allowed to make adaptive query access. In this talk, I would be talking about the domain would be the set of k-bit numbers and random objects would be in red. So pseudo random functions are a cornerstone in symmetry key cryptography. They are used for encryption schemes and as a stop pointed out two days ago, they're also used as a primitive for message authentication codes. They're also used for some very simple identification protocols like friend and foe. Let's talk about how we construct, go about constructing pseudo random functions. The first method would be these objects, AES, Blowfish, this symmetric cryptos streams. These objects are extremely fast, super efficient. They're used all over and they're secure against all known cryptanalytic attacks. However, we want some sort of reduction to complexity theoretic assumption which has been well studied in theory. Towards this end, Goldreich, Goldwasser and Mikali gave the famous CGM construction which gives pseudo random functions from any secure doubling PRG, lend doubling PRG. While simple, this is not that efficient. It's sequential, it requires k iterations for k-bit input. So to remedy this, Neorangold and Neorangold Rosen in a slew of papers gave us direct constructions of PRFs and these security are based on number theoretic problems like factoring, discrete logs. However, they suffer from these problems that despite being theoretically efficient, they require huge exponentiations and also these assumptions fall under quantum attacks. So how to remedy these last two bullets? Well, the session topic and Daniel's talk should give you some clue and the answer is lattices. So the advantages, we've seen them before. Lattices are simple, efficient. They resist quantum attacks. They have very good, average case, worst case reductions. So how does pseudo randomness and lattices stack? What is the state of the art? You can construct PRG from lattices, but then you would have to feed it into this inefficient GGM construction which loses the efficiency that lattices kind of provide you. You can also, to construct a pseudo random function, however, you would need to answer queries and these lattice based assumptions, their problem is that they need some sort of fresh biased errors with each query. So I'll talk about this problem in detail and this is kind of the roadblock we hit and we attempt to solve. With that, we come to our results. We would give these efficient lattice based pseudo random functions. There are two kinds of those functions that we propose. The first is the synthesizer based construction in the model of Neorangold 95 and then there are these direct constructions, subset product based constructions in analogous to Neorangold 97 and Neorangold 2000. Towards this end, there would be this technique of de-randomizing the learning with errors problem, generating these errors deterministically somehow. In this talk, I would be talking about the de-randomization technique and the direct construction details can be found in the paper and on the print. So let's talk about the de-randomization technique now. I would be talking about the learning with errors problem, more specifically the ring variant, although all the results carry over to the general version as well. I would be using these polynomial rings, which are just polynomials with integer coefficients and what you do is you mod them with this polynomial x to the n plus one, which is a cyclotomic for n being a power of two. So the cyclotomicity is used for efficiency. I'll just show you when, exactly when. We also use this ring R sub q, which is the same ring, except the coefficients are now drawn, the coefficients are now a model of q. So the LW problem here is for the adversary to distinguish between these two worlds. In the first world, what the adversary gets is a random element sampled from RQ, sampled uniformly from RQ, and it's noisy ring product with some element S, also from RQ. And in the second world, what he gets samples are both drawn completely uniform at random. So a couple of points. The sample S is uniform and it's fixed for all the samples. And the error is EI are drawn fresh for each sample and they are drawn according to this Gaussian distribution, which is typically short poly n error rates. This problem has been well studied in literature and the hardness is based on worst case lattice problems. The LW problem by itself gives you a pseudo random generator if you wish, but the problem here is the secret error E. Each time you take a sample, you have to deal with getting a fresh error sample. So this kind of gives you a roadblock when you are dealing with a query access from an adversary, when you are trying to design a pseudo random function. We could get around this problem if we could somehow generate these errors deterministically. Could we do that? The answer is affirmative. What we do here is instead of adding error, what we do is we round it to a sparser subgroup, which is the group of integers model of P for some P, which is less than Q. So what we do is we divide ZQ into these QRP size chunks that are P of those and we map all of them, we round them essentially to these values and we interpret them as numbers model of P. This is kind of the central technique that we use throughout. We extend this operation over the ring by rounding each coefficient. That's giving us a operation from RQ to RP. The problem gets defined, this is the problem that we propose, the ring LWR problem, and LWR stands for learning with rounding. And this problem instead of distinguishing noisy ring products, you instead try to distinguish rounded ring products from uniform over RQ cross RP this time. So the intuition behind this is LWE essentially hides the lower order bits by kind of adding this short noise at the end. LWR instead discards those lower order bits. Let's talk about the reduction from LWR. We prove that it's as hard as ring LWE. For this ratio of moduli, the source modulus Q and the target modulus P is supposed to be super polynomial and your error rate is small. The reduction is, this is the reduction idea. It's very simple. So the first line just says that if you sample an element at random model of Q, and if P divides Q, then it's exactly the same as sampling, and rounding it, then it's exactly the same as sampling a uniform element model of P. So the division criteria is not really necessary. I mean, if P does not divide Q, then it's a statistical equivalence instead of being exactly equivalent. Then we invoke the LWE assumption and just replace this uniform distribution with this rounding of the noisy product. And then since the error is short and with this moduli that we have set up in this fashion, the rounding of the noisy ring product is almost the same as the noisy, is exactly the same as the rounding of the just the ring product with high probability since the error is short. The actual proof is slightly more subtle. It requires more sophisticated corner case analysis. The LWR assumption in itself directly gives you these objects called synthesizers, which Neorain Gold defined in the paper in 95. The synthesizers give you a K bit PRF through a log K depth tree of synthesizers. I won't go into the details, they could be found in the paper. Now let's move on to the direct construction. The synthesizer, while being an improvement over the GGM construction, which is a K length sequence, instead you get a log K level tree. It's still in NC2, could we somehow improve this? The answer again is affirmative and this is the construction. We choose this key, we choose an A uniformly from RQ and we choose the elements S1 through SK from the error distribution of LWE and then we compute this function. So this looks complicated, however this function is really simple. What we do is this input X1 through XK just indexes a subset of these SIs. So if XI is one, then we include that SI and if it's zero we don't. So once we have that subset we perform this subset product and then we multiply A and then we round it. And this product can be computed efficiently. We do this, this is where the cyclotomicity comes in. We can do this FFT or Chinese remainder theorem sort of transformation to convert this from a polynomial product to a coordinate-wise product. And then once we have that coordinate-wise product we can then perform a discrete log operation to reduce it to a subset sum sort of operation. And this is kind of motivated by this direct construction that Neurangul and Neurangul Rosen gave which is essentially very similar, however they require exponentiation but we don't. Let's talk about the proof of security of this PRF. I'll leave up the construction here. It's kind of like the LWR reduction. However, it's slightly more complicated than that because we have to handle these adaptive adversarial queries. The strategy would be simple. We would try to embed the LW challenge on each bit of the PRF. This is how we do it. We define this new function f tilde x, which is essentially the same as fx. Instead, what we do is in the first bit we embed the LW challenge in the following way. So if x1 is zero, we answer as usual. We multiply a with the subset product of the rest. If x1 is one, we multiply a with this s1 and we add this short error. So this is the new bit which is coming in. And so you form this product here, which is extra compared to this product. Now in this product, what you would note is these s elements were all chosen to be short. And this error is also chosen to be short. So this combined product is also short. However, this increases exponentially in case so you have to select your model appropriately. Then we employ the same argument as the LWR reduction. That with high probability, these two functions give the same value. Now, since we embedded the LW challenge, we now would use the hybrid argument to replace this with completely uniform elements instead of the first bit answer by the ring LW assumption. Then we get this new function f prime x, which uses only the x2 through xk to give you an answer. So we reduced a bit. And then we embed the LW challenge on the second bit to get another function then on the third bit and so on until we get the uniform function. So this is how the proof works. In conclusion, what we have, what we discussed today was the de-randomizing technique from LWE which gives us synthesizers. And then we also gave a direct construction of PRFs based on lattices. Recently, a couple of weeks back, Mark Zandri gave us a construction, posted a paper on e-print which shows that these construction also yield quantum PRFs in the sense that the adversary is allowed to make a superposition of queries. So that's an exciting development. Some open questions remain. The first open question, the big open problem here is to improve this p over q ratios. So these p over q ratios somehow correspond to the LWE error rates. And currently our proofs need these to be super polynomial, n to the omega 1, n to the theta log k, and in the direct PRF, n to the theta k. The hope would be to somehow match the LWE sort of error rates which would be like square root n is what LWE currently achieves. We would want to achieve that. But this is the best we can hope because Arora Gay showed that there's an attack on LWE if a sub-exponential attack on LWE if you go below square root n. And for the actual PRF constructions, we would want these ratios to be poly n. Also, we would maybe look for efficient PRFs from other learning problems like parity with noise or the subset sum problem. So these are all directions we could look at. That's all. I can take any questions.


So I'm going to show you how to bookmark your MyDynamics Pro to your web browser. In this example I'm going to use Google Chrome as the web browser. So you're going to go up to the address bar, you're going to click on in the address bar and you're going to type in MyDynamicsCRM.com. Alright, once you type that in you're going to hit enter. That's going to take you to the login page. Right here you're going to put your email address, for this particular one I got the test account, so I'm just going to put test account, but you'll put your email address in this area right here. Next you're going to put in your password and then after you put in your password you're going to click on secure login. Alright, so it's just telling me I need to have a better password but it's just a test account. Alright, so once you get to your home page what you can do is up in your right hand corner you should see three dots up here in the top right hand corner. So if you follow my cursor and go up here to the top it's right here and I'm going to click on three dots and that's going to bring down this menu and you're going to find bookmarks and then you can show bookmarks bar. And so what you'll see happens is right here at the address bar it will bring a bookmarks bar down. So we're going to put show bookmarks bar so when I click on that now you'll see my bookmarks bar comes down and then over here to the right there's a little star right here and if you click the star it'll say bookmark this tab so you click on it and then you'll name it and you can name it you know Dynamics Pro and then you can hit done and there are different folders here because I have folders so you can just choose where to go on the bookmarks bar which I highly suggest. So have bookmarks bar folder chose and then you're going to hit done and then now you'll see the Dynamics Pro is bookmarked on your bar. Now this may if you have a bunch of bookmarks it may be over to the side here and there may be like a little arrow that points over letting you know that you have a bunch of bookmarks. If you do you just click on that and then you could click and then drag it over. So like for instance if it's over there over here you just click and then drag and then there'll be a little bar separator and it'll show you where you could actually put it and if you want to you can just put up here at the front and then now whenever you go to this Google Chrome web browser it'll be right here and you'll be able to log right in.


Hello and welcome back to The Craft Box, my name is Brenton today and we're in episode 163 of the Wizard101 Death Walkthrough last episode, if you haven't checked it out already, we made our way into the pitch black lake and we are going to start by talking to you. Not bad magician, they are some of the oldest and stupidest creatures around but nevertheless, not bad.  With those light staves you collected you should be able to pierce the gloom and find his cave.  Okay, so in between the episodes I had to defeat a couple of these guys. It took a while, you had to collect light staves so yeah it took a while. Um, what else do I need? TC. Um, yup that looks good. Okay, here we go. Um, I don't know what the difference between Dark Pact and um, the aura are 30% and 25, okay, 5 extra damage from Dark Pact. We're going to go without that for now. Oh, he's, he's dead. Oh, oh, wrong way. I've only just realized that they sort this by pips. Um, I didn't actually realize that I thought it sorted by when we got it but it's actually sorted by pips so the more you know. Um, you know what I might put in a couple of those just in case. Uh, yeah, let us. I have the fire and the fury at my command. Don't think he cheats. I would hope he doesn't. Um, he starts with a lot of pips but that's for sure. Um, we are going to, no we'll prison first then we'll start fainting and then bleeding. Okay, scapegoat is straight off the bat. This is going to do nothing on the secret switchy. So that's unfortunate. It did absolutely nothing. Who okay. As much as this could do, this could do quite a bit. Okay, that's always good. Um, and, faint sculpt. Nice. Bumbumbumb. It's actually not a faint as a convert, we're doing faints now. Draw, see what we get. we'll do this faint fortify nope amplify okay that is not bad and the faint years so what we'll do is we'll put another faint on and then blade I mean you guys know the drill basically what we do for all battles um yeah just continue that kind of pattern oh Wraith hello love this spell they just love it and that crit as well can we block nope okay that was too much to ask for we can't block for sure that did quite a bit okay Wraith OP okay what are you doing what are you doing Stormzilla no Isla nope you're fizzling that's what you're doing and faint there we go that is two feints and a prism so that is very nice and we're going to stop waiting I mean this play could be a bad idea but who cares you know who cares I'm just gonna do it anyway hello that's gone through just a bit not too bad better than huge dark pecs because that would be bad okay 335 and 30% blade very nice just cut you we will draw and we have every single blade we need which is great except the item card which hopefully will come in soon I mean these guys can't steal blades he can steal pips and he can um weakness but I'm not worried about that he will do this blade and then we'll do spirit blade them all or and then hit on this side of late comes in between that time yeah just so we can do as much damage as possible and hopefully kill the boss who has only 20,000 health okay um at this blade hello the spell we get in one level I think it's 1 yeah we're level 87 in one level ooh I can't believe you're nearly level 90 already labeled Oh impossible it's been only 163 episodes and we're nearly level 90. What, how is it possible? Please explain to me that. Yeah, we should hopefully, we'll probably get level 90 before we finish Azteca which is good. Going into Chrysalis at level 90 would be great. Even level 91 that would give us just a small boost. I'm going to continue doing some side quests hopefully if I find time. Probably not this week but next week hopefully. Just because I'm super busy this week. Yeah, we will do this and then we will hurt. Hopefully they don't do anything too bad. They actually have a really long health. I should have probably thought about that. It's only doing 80 so I'm not worried about that. You know what? It's all gonna be worth it when we kill the boss. You know, we'll be fine. We'll be fine. They've got like a barely any pips. It's fine. We'll be fine. We're fine. Fizzle? Okay, that's fine. And what are you doing? You've got four pips. Bull is it? Okay, fizzle. That's also fine. 103. Congrats, you're good. And here we go. Hitting. Yes, very nice. For it? No, it'd be cool. JK, we can't for it. Four blades. Two feints. Prison. And we pierced a lot of that. Resist from Fortify which is great. He is dead and we are full health. So I'm happy with that. We just need to save up for a Dr. Vaughn. Hopefully we can find another prison. That would be fantastic. We probably won't be able to knowing my luck.  But you never know, I am kind of stupid, so I could have two rounds left. We'll probably do that next round. We'll re-aura. Hopefully we get a prison soon because we desperately need a prison to hit. Otherwise, we are bad because I do not have enough pierce to not worry about it. There we go. Fantastic. Then I'll re-aura, re-bubble and hit, I think, because we still don't have Dr. Vaughn. So that is their plan. There goes aura. Bye bye. We get Dr. Vaughn now. No, okay. That is great. We will bubble. Bubble. Boop. Boop. Wraith, hello. Are you gonna crit or something? Oh look, he's gonna crit on me. Haha, that's cool. I literally have like 1% block, so don't expect me to block ever, um, because I'm bad. Also because Waterwork Scare doesn't have much block, but I mean it served me well. It's not too long until I change it. I might, yeah, I'm not sure what I'm gonna do between level 90 and 100. Yeah, that makes complete sense, Brent. Good job. Level 90 and 100, but hopefully I can find maybe new amulet or something. I'm gonna go and have a look at some good gear for that level. Most of them reckon in Waterworks, so I might just deal with Waterworks Scare for a bit more, um, and then level 100 get Darkmore Gear, because that is very good, which will be about halfway through maybe three quarters through Chrysalis, which will be great. Can't wait for Chrysalis. It's gonna be amazing. I've been going through it all my life, and it's actually, I feel like I've progressed through areas really quick, but it's still like kind of daunting how much you have to go, because you like go back to the same area a couple of times, and then yeah, so like usually the areas are like really short, and then you go to another really short area and then you come back, so it's kind of like, okay, so that's kind of what makes it long, but for me it doesn't really feel long, but I'm only like, I'll stay down in the hole, take the giant shell and get out. Okay, here we go. Giant shell doesn't look too giant. It's a large shell now, okay. Yeah, just changing your story. Um, yeah, so I mean, I'm not that far through on my life in Chrysalis, but yeah, I've been questing probably about an hour a day for the last three or four days, so I don't expect to be far through on that time, especially considering Chrysalis is the longest world, but yeah. I'm surprised he didn't chew you up and spit you out. Use the giant shell to create a bridge over the white smokers to keep your skin from getting red and delicious. Burnt, I mean, when you get to the other side and knock some of the piranha scissor teeth around, just to be safe. Find me over there. Okay, here we go. So yeah, basically to get through everywhere you need to like go through the obstacles and find a way to get over the obstacles, and this is one of them. So we are making a bridge, which is good, and we need to defeat three of these. So in usual fashion, the death.  This is basically my revised deck for mobs. Basically, instead of dark pact, I just have Rulence or the death aura. Basically after this, we head on over through here, and through here, I think there's a boss over there. There's a silver chest, nice. But yeah, I'll be back in just a bit. Okay, I am back. Bitey, those guys are. Takes a good smack to send them on their way. Aha, so you don't have to worry. I brought you safe and sound to the pyramid of Mother Moon.  Long, long ago, before this whole area collapsed into the tower. Just clear the rubble off our path and enter. Tell me how it goes. Okay, I'll let us do that then. Nice, wee bit of cope. That is really real now, because of the update. That's... You heave and lift, making sure to bend with your knees, not your back, and soon you have the rubble cleared away. Really, light child, did you think it would be so easy? We will be done and gone before you even find a way in. Yeah, kelp is kind of rare now, since the update with the revered weapons, so yeah, because stuff costs a lot of kelp.  I'm out of my depth, but I will find someone who can get you inside. You need to get through the coral wall. If you poke the coral wall with the right thing, like a weapon coated in piranha saliva, it will retract and let you through.  Oh, okay, more of these guys. I'll be back in just a bit. Okay, I am back. That took forever. When you poke at the coral wall with the scissor teeth spears, they retract instantly, leaving a nice path for you. So yeah, you only need two, but the first six battles, I didn't get anything. The coral wall will stay out of your way now. I don't hold much stock in piranha. However, there is one who is in the bad sort, though sometimes he acts the tough guy. Go find Magda Knife and tell him I sent you. He'll take care of you, one way or the other. Okay, so yeah, they really do not like dropping their things. I thought he was over there, but he's not. He's over this way. Um, yeah, they were terrible because you only need two, but like the first six battles, I didn't get anything. And then the seventh, I got one, and then the eighth, I got one as well. So now, well, Rivertoothcincture, that bottom feeder still owes me 50 crowns. Why would I help a weak little air breather like you? You want my respect? You earn it. I'll be waiting for you in there. Okay, let us defeat you. I think he is death from memory, so we will just pretend that he is and set for death. We'll put a bit too many blades in. Should probably take one of them out. Yes, we will. Um, oh, he's ice and death. Okay, so we do need death. Um, one of you, and we will remove you and put you in instead. Okay, let's do this. Come on. Let's do this. Here we go. Um, Mack the knife. Do you? We will do you. What's this? Starting off with a nice wee skeletal pirate. Okay, then. Okay, and what's this? This is going to do a lot of damage, probably. Oh, it's done. Wow, that's so good. Thank you. Thanks. Oh my god, any crit. Oh, wow. Wow, okay. Let's say this is going to do a lot of damage. Um, so yeah, now they have a whole free turn. Technically not really because they just hit and I passed. And now I can do anything again. Which is one good thing about going second is like getting stunned doesn't actually like, like it's annoying, but it doesn't as bad as, um, getting stunned when you go first because they actually do have, I think if you stun, if you get stunned from first you have a bigger advantage. You have a more less advantage. Whereas if you get stunned from second you're kind of dead. Like, okay, I didn't do that. Next time I'll do something. And like, Medusa, you'd like, I didn't do that. Well, next time I can pass and then I can do my hit. Whereas if you're first, you have to go like, okay, I can't do anything this turn. What am I going to do next time? Or for Medusa, I just have to wait two turns.  Um, yeah. Medusa, thanks for watching. Discard you. We will faint. I should have probably drawn, but it's fine. We will deal with that in a bit. Yes. What did we get?  We will discard you and we will draw a blade. Okay, so blade it is. Blade in for days. Don't you, dear shield. Good lord.  Honestly, I'm going to be so annoyed. At least we got there minus 30 off. Um, 4-3-4. We're like half health already. Good job. Um, we need to hit as soon as possible. I don't need you because we will kill. Um, we'll do this. We should have probably drawn, but that's cool. We'll just wait. Um, yep, okay. What's this, Isilla? Nope, frost fight. Okay, that's cool. Okay, that's doing a lot. Okay. Mm-mm, this ain't good. We embed situation here. Um, we need at least one more blade to kill the minion.  So, we're going to put up at least one more blade. Um, again, I probably should have drawn, but it's cool. Don't you, dear shield. Good. I don't know if he can shield. I'm just assuming he could because he has ice. So, yeah. May seem to shield a lot in this world, which is not cool. Um, do-do-do-do-do-do-do. Hello. How much health? 1-1-2-7. He's got three pips and four pips. We're going to hurt just because I don't want to risk it for the risk. Don't you, dear shield. 35, okay. I'm not too worried about that. Um, we may not kill him now, which is not cool. But we can try. Great. Yes, thank you. Okay, he should be dead. The minion that is not the boss, the boss will not be dead. Um, yes, he's dead. Sweet. Okay. And don't block. Don't block. Yes, he didn't block. That's great. It's like a thousand. That did quite a lot with two blades of faint and machine. Three blades in fact. Um, full health again. Much happier. We will. We've really enchanted you. We will now go for a nice wee faint. And we'll just kind of get ready for a Dr. Von, a huge Dr. Von, hopefully to kill. We won't have all the blades, but it'll be fine. It'll be fine. We don't need you. We are going to draw and we get a one of you. Okay, we will do this. What's this? This is probably a natural attack. Okay, wasn't going to say that, but that's cool. This is going to do a lot of damage. It's just going to do heaps like six hundred. Eight hundred.  That is how you get down one thousand health in one round. Yep, good job.  We don't need to kind of assume we're going to get stunned again. But you never know, we probably will now that I say that.  Good. And then a blade. Yes, very nice. Two blades and a faint. Good. Okay, we're going to enchant you. We are going to discard you and we're going to draw twice. Hopefully to get everything we need, which we didn't. But it's fine. We're going to do that anyway. Do a faint. We'll discard the other one and then draw for another blade. Just as well. I'm not storm or fire. That is dangerous. That's terrible. I think I did have a bit of struggle on my life and storm when they were questing together because that happened. And I was like, oh no, you can't do that. That's cheating. That's not fair. And he did it. And I was kind of upset because I was about to hit and he did it just before I hit. And yeah, what will do you? And then we will. Okay. So the Stancharm would think it might happen. Oh, he created as well. Oh, this is going to do a lot. This is going to do just a bit. This is going to do like a thousand or two. A thousand, yep, okay. Um, half health. He bit not a shield. He bit not a shield. He bit a... Yeah, I'm worried he's going to shield now. Um, we're going to do you.  I'll do this blade and then I'll aura and then I'll hit. Hopefully in that time he doesn't think to shield. And if he shields just before I hit that, I'm going to be so annoyed. Um, aura. This is a shield. Thank you. Thank you for being smart and not using your shields. Okay, aura. And here we go. Hitting the boom. The big Dr. Vaughn. What's this, fortify? Whew, I called it. Okay, we fizzled anyway. Cool. Um, I mean there's nothing we can get rid of fortify with. So we're just going to continue to try and hit. Um, he bit not stars now. He fizzled. Okay, that's cool. Here we go, Dr. Vaughn. Yes. How lightning can get underwater? I don't know, but that's cool. We're just going to deal with it and pretend it's cool. Which it is. One, two, three, four. Four blades, two feints, and death. Here we go. Fantastic. Twenty-one. Amazing. Full health again. Yay. Uncle, Uncle. Man, you pack one heck of a punch, don't you? Okay, okay, I'll help you out. Meet me back by the coral wall. Okay, I like how he just runs off this way into like the tar or whatever that is. Um, very smart, but that's cool. Just going to pretend that didn't actually happen. Um, and we're going to talk to him and then I think we're going to end up with the episode there. So, where are you, just here? Hello. My jaw still stings. So, what can old Mac do for you? You want to get into the pyramid of Mother Moon? I might be able to help with that, but oh man, I'm so hungry. I'm on a strict diet where I cut back out, cut out meat, fish, birds, jaguars, and reptiles, our friends, not food, as they say.  A salad. But I have to confess, I'm not really sure what a salad is. Hey, I've heard cucumbers go into salad, right? Get me some sea cucumbers and I'll snack on them. Okay, so next episode we will get some sea cucumbers for Mac. Um, so anyway, thank you for watching. Please leave a like and subscribe. And if you're very subscribed, press the little bell so you know exactly when I post another video. And remember, craft outside the box.


Well, I would recommend the cadet services very definitely because there is such a good opportunity for them to learn their discipline and the one thing that the cadet services emphasize when they do join, they must not become lax as far as their education. They promote that just as well and there is an opportunity for them, especially in the Air Force because the young ones are taken out to the flying places and learned a lot about aircraft and of course, boys are very keen on engines and aircraft and so are the girls and the girls are writing and it's very nice to see that leadership that the girls do take on in the services. When I was with the Navy League, the girls were all by themselves. There was no and the cadets were the boys. They were all, you know, separate areas whereas now it's all together so that's very good.