Three, two, one. Easily one of the most famous living Irish actors, Killian Murphy was born in the city of Cork. However, he spent most of his adult life living between Dublin, Ireland and London, England, while starring in wildly popular films and TV shows like The Dark Knight Trilogy, Red Eye, 28 Days Later, and of course, Peaky Binders. Now, at 46 years old, Killian is starring in the biggest project of his career, Christopher Nolan's film Oppenheimer, portraying one of the most important figures in history and a father of the atomic bomb. Despite the fact that he's been one of Hollywood's most sought-after actors for decades, Killian is never considered living in the state of California. For a good old Irish boy like himself, that would be a bridge too far. In fact, even as far back as 2005, he once told People magazine, I don't need to live in Los Angeles, I'd be tremendously far away from my family, I'd never see them. According to Murphy, he struggles with America's passion for monoculture and living in an industry town like LA, wouldn't provide him with the buffer he needs to keep his work and private life separate, but also make things much harder to avoid the spotlight, which is important to Killian as well. So much so that he's sold interviewers over the years, the less people know about me, the better. But of course, he hasn't been able to keep everything about his personal life under wraps. For instance, we know that Killian married his partner, artist Yvonne McGuinness, back in 2004, after meeting her almost a decade earlier during his days in the rock band The Sons of Mr. Greenjeans. At that point in his young adult life, Killian was content to live in London, but it wasn't something that would last. He told The Guardian back in 2016, I loved living in London in my 20s and 30s, but after a while you kind of go, right, is this it? Is this it for the rest of my days? Or is there some other possibility? As it turns out, there was. Killian Murphy and his wife Yvonne made what they'd call the best decision of their lives by moving their family from London to Dublin. At the time, their young sons Malachi and Aaron were approaching adolescence and moving back home was spurred on by Killian's sons having developed English accents. Something that didn't quite sit right with their Irish father who told the armchair expert podcast. We wanted the kids to be Irish. They were sort of at that age where they were pre-teens, they had very posh English accents and I wasn't appreciating that too much, so we decided to come back. So in 2015, Killian and his family did what many Irish families have done over the years. They were turned home after decades spent abroad. Not only did it help with their kids accents, but it brought them closer to their extended family as well, ensuring Killian's parents could watch their grandchildren grow up. Better yet, at least for Killian, soon after arriving in Ireland, his son's English accents were on their way out. Now, let's take a closer look at the home Killian and his family moved into, a 1.8 million dollar residence in South Dublin. According to the real estate agent who sold Killian Murphy's property, this Irish home is a historically protected structure and a Victorian-era terraced mansion located in the prestigious neighborhood of Monkstown. Better yet, all of the estate's original details have been preserved to ensure that Killian's Irish family home is as sophisticated as it is welcoming. Constructed sometime around the year 1863, this 3,444-square-foot house is said to boast six double-sized bedrooms, as well as a living room and several original wrought iron fireplaces spread throughout. Unfortunately, outside of an image or two, Killian has kept the interior of these living spaces with their high ceilings and bay windows largely out of sight. All we know for sure is that shortly after the home was purchased, his family submitted plans for renovations and received permission to upgrade the residence in order to put their own stamp on it. As nice as the home no doubt is, the neighborhood might be more so. It's only a five-minute walk to the sea and close to a number of incredible amenities, including yacht clubs, city parks, and high-class schools for the kids to attend as well. But if you're wondering what the strangest thing I was able to find out about Killian's home life was, it's definitely this. He absolutely refuses to install internet in the house. Really. During a conversation with the Mirror UK in which Killian discussed his return to Ireland, he revealed that he's a firm believer in not letting his kids hop online. And he's not too fond of smartphones either. He told the media outlet, it's a very complex time growing up. Things are changing a lot at a very accelerated rate. We're all aware of the effect of the internet online and life online. It feels to me like lots of kids, like their lives exist inside of this device. The idea that empathy would form part of a curriculum is an excellent idea. Young people are caring and compassionate and willing to be. That might have worked when Killian's sons were entering adolescence, but I would be interested to know if he's been able to keep them offline now that they're much deeper into their teenage years. Today, Killian Murphy and his family live in Dublin most of the year, and whenever he gets the call from Stephen Knight to star as Tommy Shelby in the hit series Peaky Blinders, Killian heads off to Liverpool, England, where he holds himself up in a rented apartment for the duration of the shoot. During the entire time he's staying there in his own, Killian has admitted to having zero life in terms of social engagement. He simply shuts himself inside and learns his lines. He told The Guardian, It's canceled life.  When filming, it finally does wrap up. It always takes Killian a bit of time to decompress upon returning to Ireland. More than just a buffer that helps Killian keeps his work and family separate, living in Ireland allows Killian to concentrate on the little things that make family life enjoyable too. For instance, he once told GQ that he and his wife enjoy average everyday activities such as cooking, watching films, and listening to music whenever they're lucky enough to be sharing time together. He explained to the popular magazine, that work-life balancing is hard. I have an amazing wife and I couldn't do this without her and her understanding, but it is a struggle. I think it is for any dad whose work takes him away, which it generally does, and which consumes him, which my work does. All right folks, thank you so much for watching today's house tour, and before you head out, consider answering the following question for me. Would you ever consider living in a home without access to the internet? I think in these days that's gotta be a hard no, but maybe for a bit it would be relaxing. Let me know how long you'd last trying to stay offline in the comments below. Otherwise, like, subscribe, and turn on those notifications to make sure you never miss an episode. My name is Kara the Vampire Slayer, follow me on Instagram to chat, and I will see you all next time. Bye!


Hello. I am Antonio Vitorin, the head of the International Organization for Migration, IOM. We can all agree it's been a rough year for humanity. New fears, new restrictions and new challenges of all sorts have been sent our way. Our health, work, friends and families. Our job security, hobbies and the plans we have made are all in limbo. It's been a non-stop balancing act and our psychological and social well-being was taken at all. Even for those with good access to healthcare, water and food and adequate home and a reliable source of income. Now, imagine the stress endured by migrants and people displaced by conflict or natural disaster. Women, children and men. Some who have suddenly lost their homes or jobs because of the crisis. Others who have found themselves stranded as borders closed overnight. Some are living in harsh conditions in a camp. Others in substandard conditions or in detention. Still more are stigmatized, discriminated against and abused. Many do not have access to health services and are physically cut off from support systems and social networks. As we celebrate World Mental Health Day, these 10th of October, more than ever before, it is critical that we raise our voices together and call for greater investment in mental health and psychosocial support so no one is left out. Mental health care must be available legally to all, regardless of migration status. Affordable and within reach, with dedicated outreach for migrants. And culturally and linguistically appropriate and diverse. As well as mainstreamed across all public sector services, be it else, education, social services and law enforcement. As well as religious settings, and last but not least, to build capacity in migrant communities, to understand and respond to mental health needs. And in the mental health care sector to understand different cultures and different needs of migrants. COVID-19 has demonstrated that one person's well-being is closely linked with everyone's well-being. We are all in this together, so let's mobilize and let's move for mental health for all.


Parts of central and southern Germany resembled a winter wonderland on November 27th after the season's first snowfall overnight die in the southern state of Bavaria known for its picturesque lakes and mountains, people were seen walking their dogs on the shore of Spitzing Sea Lake, south of Munich near the border with Austria.A five-hour drive further north, the Großer Feldberg mountain north of Frankfurt was also covered in snow and ice roads in the local recreation area near Germany's financial. Capital had to be freed from snow and the way to work posed major challenges for some drivers who likely did not yet mount snow tires to their vehicles, more snow and storming guests are expected for the Großer Feldberg mountain in the coming days.


long time about having this be my tutorial for this month, but while my hand is in the way of the camera, I really thought that there would be a lot, hopefully that you would get out of this video. Now, I know some of you are going to immediately give it a thumbs down because of the funny camera angle or the fact that my hand often gets in the way, but it's really not for me, this tutorial is not about showing you exactly what I'm doing. It's more about just encouraging you to try. So this is me downstairs. I'm literally filming this with my cell phone and my word for the day for this particular day was sloth. And I needed to draw something inspired by that word and I was like, really? I have no idea. What am I going to do with that? So I decided to take it literally and draw a sloth the animal or at least as best as I could have never drawn one before. So I went to Pinterest and I looked up a number of different inspiration photos and having all of them open on my iPad, I started to draw my version of a sloth hanging from a branch. And as you can see, I'm not doing this in pencil. I'm going straight in with a ballpoint. I'm making a lot of sketchy lines. I'm working in a tanned, toned tanned paper, little journal. The journal is made with Strathmore tanned paper. I have them made with tanned paper and gray paper actually. Anyway, so the background already has a little bit of a color and I'm going in with my black bic crystal ballpoint pen and I'm just sketching in the rough shape for my sloth. I am downstairs. This is probably like 9 30 at night and I am just getting my daily drawings done. It's for me about daily practice. They don't always come out perfect. In fact, there are quite a few of them that don't come out. I don't like them at all to be honest, but I share them all on social media regardless of whether I think they turned out good or not. And I if you want to see some of that and you don't believe me, my link tree link list of links is in the description below. Go click on it. You'll find my links for Twitter and Instagram and all of those. And I post nightly my daily drawings and the sloth was one of them. But there's a lot of them that don't work out and I just go in with a pen and I just give it a shot. If it doesn't work, it doesn't work. At least I tried and I always try to draw something I haven't drawn before inspired by the word. Definitely I've never drawn a sloth before. So this was real new for me. When I first start any of my drawings, I use as you can see very light sketches, pen marks. I'm barely touching the pen to the paper. As I refine the shape, I push down more firmly with the pen and get a darker line. I add more sketchy marks and shading. And in the case of the sloth, some crazy hash marks to sort of suggest some hair. They don't really work out too well. I end up covering them up with other things later, which you will see. But I get the basic sketch down first before I add any color. I do add color eventually to all of my sketches. And I just work at it and I just try and I do a quick sketch. Each one of these sketches is about 15 to 20 minutes or so. This one you're going to see and this is real time. I'm not going to fast forward it or anything. And here you see me making those dark marks I was talking about. So the reason for me showing you this way is that I really just want to encourage you all. This month our theme is animals. Regardless of what the theme is or if you're inspired by that or not to create art, I want you to just try. If you think I can't do that, there's just no way. Just try. You don't have to sketch it. Although it would be great if you tried that. What about collaging an animal into your work? What about every day this month taking the inspiration daily creative words? And if you don't want to draw them, what about collaging something that you're inspired to by the word? What about writing some poetry or just some random thoughts that you're inspired to write for the word? I want you to just try.  You'll see daily creative words under the theme of animals. And I want you to think about what you could create that's outside of the box and definitely maybe outside of your comfort zone. What can you do? What can you try that's new? They aren't all going to be successful. Some of them are going to suck. Some of mine are terrible, but I do them anyway and I share them with all of you with the idea in mind that I can at least try that no matter what I'm going to I'm going to try and that it's not going to work out, but it's about the daily creative practice about just giving it a shot and losing some of that fear that you hold on to that holds you back from trying something new. And really for me this month, that's the message I want to give you all. I want you to let go of the fear. I want you to work at creating something new and step outside of your box in your comfort zone. So now you're going to see me. I have my Bible gel high gliders. I have the brown and a gray one and I've got a white gel pen. Now these aren't not these are not intended to be water soluble by any stretch of the imagination and in fact if you don't dissolve them with water they stay pretty sticky the crayons especially. So that being said I use them as if they were a watercolor crayon. I'll put links for the products I'm using in the description below but if you put the Bible gel high glider on there and then you immediately hit it with a water brush which I have here is a pentel water brush and you scrub it around you see how that gel crayon that gel highlighter moves around and you can layer them on top of each other. So I will be going in with the gray one and layering them on top of each other. I also at some point grab a really dark black pen which I do have downstairs in my downstairs drawing case. The other thing is your white uniball signals until they dry they can be blended out a little bit with water and with your water brush. So I use it to create highlights on the sloth in places where maybe I lost the lightness of the page or the page is not as dark too dark and I need to add a white bright highlight and so I just keep layering my colors on top of each other and moving them around with the water brush including the gel pen and I do believe if I'm not mistaken if I'm remembering correctly I had trouble with a gel pen on the desk so I went into my bag and grabbed another one at some point because that one was almost dead. The uniball signals don't like writing over the gel crayons so you may need a separate piece of like scratch paper which you'll actually see in a little bit that you're going to want to have out to like clean off the rollerball of your uniball signal on because if you don't it's just going to get all clogged up. I go through lots of uniball signals just FYI. Anyway so I use my crayons and my uniball signal on my water brush to add color and definition to my sloth and it turns what was an okay sketch into a really cute drawing. So I am just playing and experimenting I don't have a plan I'm looking at Pinterest pictures I'm I am just experimenting and seeing what I can do and I really want to encourage you all to do the same this month. If you're not inspired by the subject of animals then I want you to just pick a different one and just experiment and play and do something new I would love to see you all do something with the creative words every day do something new and unique and see here you see me cleaning off the rollerball on that spare piece of paper. So I'm going to speed forward through the rest of the process stay tuned to the end and I do give you a decent picture of the sloth at the end from a good angle. I know some of you are going to thumbs down the video because you're not going to like the camera angle or the fact that it's not a full tutorial straight on the page but I hope that you'll listen to the message more and that you'll take it to heart. By the way that pen you just saw me grab that is a correction pen and those also while you're waiting right after you put them down if you don't wait too long those you can move them around with water too. It is a good idea to have a spare piece of paper handy so that you can wipe your rollerballs off on it anyway. I'm going to speed forward through the process and I will see you. I'm going to speed forward through the process here on the rest of the video. I hope that you like share and subscribe. If you would like to be part of my creative year Facebook group and you're not yet the link is in the description below and in the group you'll get the daily creative words over there and other teachers will be bringing video throughout the month so that's always a fun thing to see everybody's different perspective on the same you know inspiration. Everybody's going to have a different take on it and that's kind of the beauty of arts. Don't forget to like share and subscribe hit that little bell icon if you want notifications of new videos when they come out and definitely check the link tree list of links and you can follow me on social media besides supporting all the free content here on YouTube and over on Facebook but you'll see all my daily drawings every night and the ones that work and the ones that don't so I hope if I can share that and I can try and I can lose some of the fear that maybe you can too. That's it for now. Don't forget to go out and have a great day. Do something nice for yourself because you deserve it. See you later.


Joining us now is Jeff Deist. He is a former chief of staff for Ron Paul. One can't help but look at this. I know the numbers are astronomical, but we do ask, Jeff, are we giving too much too soon? Well, the numbers are astronomical and markets didn't respond too well over the weekend to these numbers. I'm not sure that more narcotic, more Viagra does much for the patient at this point. I'm sure you remember Janet Yellen used to use the term pushing on a string. There's only so much the Fed can do, and now the Treasury and the Trump administration are trying to jump in on the fiscal side and talk about sending all of us $1,000 or something like that. The problem, Rick, is that prices adjust. None of this creates any new good or services in the economy. None of this makes anything more productive. It's just more money. And frankly, right now, Americans and people in the West, they don't need more credit. They don't need more debt. That's not the problem. We've created a ton of both since 2008. And from my perspective, the lessons have not been learned. You know, more stimulus is not what's needed here. What's needed is some sobriety and getting us back on a firmer footing with respect to the dollar and debt and all the things that have plagued us since 2008 that we enjoyed pushing a little bit farther down the road. So maybe this is the end of the road. What are the repercussions though? Let's suppose that you're right. And yeah, there's a trickle up effect because of some of this capital infusion. But at what cost? What might happen down the road that we all may end up wishing we hadn't done this for? Well, ultimately, it's the devaluation of your dollars. If you happen to be an American, unless you're very wealthy, you're probably not very diversified with respect to your retirement savings or with respect to your day-to-day purchasing power. So that's the ultimate fear. And look, this may well be good for the dollar in the short term, because the world still views the U.S. dollar and the U.S. economy as safer and better than the others. Now, that's a relative perspective right now. But in the short term, I think a lot of people will be selling assets and flooding into dollars. I think we're seeing that with precious metals. So we don't know exactly how this will play out. But I do think in the long run, when you're creating more and more of something on one side of the supply and demand equation and on the other side, the demand isn't going up or it's even going down. I mean, let's face it, Rick, this is a deflationary period. We're closing businesses. Airplanes are sitting there grounded. Restaurants are empty. Kids aren't even at school. This is a deflationary environment. So people don't need more credit. The interest rates don't much matter right now.  They're thinking the opposite. They're hunkering down. So it just seems to me like we need to figure out how to, first of all, get past this coronavirus thing and then create the foundation for prosperity, which isn't just more money and more credit. Down to a minute. But do you agree with those who say that we're running out of bullets and that too many of them were misspent a year ago or so, and we started lowering interest rates and putting money into banks that we essentially didn't need to? Absolutely. I think David Stockman was entirely right in 2008 that this, the Wall Street crisis would not have necessarily spread to Main Street. I mean, let's think just a little more than 10 years ago. Interest rates were at 4% and 5%. So the Fed had a lot of rate cutting it could do. It had a lot of ammunition. And today I think it's basically run out of ammo. And I think pretty soon you're going to see Chairman Powell and other people at the Fed say, you know, this is all we can do. And they're going to kick it over to the fiscal side. Mr. Deist, you're a great guest. Thanks so much for being with us. Thank you.


A record number of participants will hit the road tomorrow morning for the fifth annual Loop the Lakes Festival. Our Josh Peterson shows us how safety is a key focus for this year. For the past five years, a record number of cyclists have geared up for the annual Loop the Lakes Festival. Participants had a chance to check in today and each year the event has drawn more participants than expected. A success that is credited to the overall event. You know it's really inclusive and even for people who haven't been out on their bikes training a lot they can take advantage of all the stops. While committee members were busy setting up the stops along the 17-mile route, many had one thing on their mind. They're all hoping for good weather especially with so many expected to participate. Looks like get here early, get started, enjoy the time, relax, watch the weather and you'll get it done. Either rain or shine the festival will go on creating another need for safety. Around the route motorists will expect detours and will need to pay attention. And one of the biggest concerns we have of course is sharing the road with with these vehicles. The preparation that's been taking place in order to avoid any conflicts and make it easier for the traveling public. But safety also applies to those participating in the event which includes practicing proper bike etiquette. They're going to have a lot of other bicyclists around them and so they need to be aware of others around them when they stop or when they start. With a rolling start expected to begin Saturday morning around 7 30 a.m. Both participants and committee members are looking forward to another good ride. In Bemidji, Josh Peterson, Lakeland News. If you are interested in biking the 17-mile loop, you can still register at the starting point at Lake Bemidji South Shore parking lot tomorrow morning. If you enjoyed this segment of Lakeland News, please consider making a tax-deductible contribution to Lakeland PBS.


What's good George boros back again with another video? So we're gonna check out another video from WrestleMania Roman Reigns leaving WWE for some time Huge WWE WrestleMania twist Goldberg AEW wrestling news. We're gonna check this out I do know the reports was that a Goldberg is now a free agent So I don't know if the rumors are true or maybe AEW signing him But I don't think that's the best idea I honestly think he should you know kind of just kind of retiring and you know enjoy the rest of his days with his family And loved ones, but that's just my opinion on it But we're gonna see what's going on with all of this appreciate all love and support you guys are showing on channel Let's get right into this. Hey guys, what is going on? This is WrestleMania back with another episode join us now as WrestleMania looks at the wildest wrestling news stories and rumors You need to know including rumors on a main event twist at WrestleMania talk Roman Reigns is taking an extended hiatus The tribal chief lays in a solo Sokoa after Raw a top star won't be on Dynamite is Tony Khan interested in signing Goldberg and more Rumor is WWE planning a twist for WrestleMania main event Topping today's news is a wild rumor concerning WrestleMania's main event of Cody Rhodes versus Roman Reigns for the undisputed championship Well, WrestleMania doesn't think this is a spoiler You may want to jump to our next story just in case Dave Meltzer reports that WWE may not have Cody Rhodes defeat Roman Reigns at crown jewel according to diamond Dave You know the American dream son wins in Arabia. That's that's an ironic twist But I don't I don't expect that to happen Yeah, Roman will probably defend against somebody there while Meltzer didn't state what he's basing his take on it Is known that WWE likes to book mega matches for its Saudi Arabia shows with the Saudis expecting each one to be a WrestleMania-level show there are also rumors that Triple H still hasn't figured out who will go over at Mania WrestleMania is skeptical about reports that Triple H doesn't have the finish for Rhodes Reigns figured out yet as he's known for long-term booking rather than hastily throwing together shows Yeah, I Don't know if it's seeming like maybe the reports are coming out that maybe Roman will retain at the WrestleMania I don't know but I do have good. I guess you could say Some type of belief that Triple H does have an idea of how things are gonna end at WrestleMania He's been kind of going crazy with the booking as of late So it's hard for me to believe that he doesn't have an idea of how This this story is gonna end in culminate at WrestleMania I just I find it very hard to believe that he does not have some type of idea where they're going for the for the future But it may be looking like Roman may still end up holding the championship after WrestleMania. We'll see is Roman Reigns taking an Extended leave is Roman Reigns taking an extended leave. That's the rumor coming from WrestleVotes and give me sports Let's look at two tweets concerning this scenario give me sport tweeted Roman Reigns is expected to take a Significant break following WrestleMania WrestleVotes tells give me sport. The belief is that the undisputed WWE Universal Champion could even be missing until SummerSlam in August Damn WrestleVotes added adding to this I'm told this is contingent on if or when Reigns eventually loses the titles as of now Those plans are not certain as you can see this report does not state when the WWE intends to have Reigns drop the belts while the WWE seems to be setting the stage for a Reigns loss This wouldn't be the first time fans have thought he'd drop the title the head of the table has enjoyed a light schedule ever since signing a New deal with WWE it'll be interesting to see what he does with any extended leave Will he take time off to spend with his family? Will he pursue any movie roles? The WWE couldn't have set up a better scenario for Roman to lose the title and leave first There's the storyline of Sami Zayn and Kevin Owens reuniting to take out the Usos Second there's the white-hot program of Cody Rhodes vying to win the title his father couldn't Cody's promo on the 20th March raw hinted how things could play out with Roman losing the title and losing everything Nonetheless ringside news tweeted the WWE is keeping things open for what happens after WrestleMania I was told that Roman and Cody's raw segment was setting up multiple paths for post-mania and Cody's promo ending with Multiple ways for the bloodline to go that is Roman and Heyman and they are playing it very close to their vests Plenty of rumors to sort through and you could be sure the WWE wants to keep fans guessing about who will win right? Until WrestleMania bloodline made eventing both. Yeah Yeah, if he does lose I can see him being on television for a while Granny, I wouldn't want him to be because I would really want to see how they're going to Play the bloodline situation of him losing him not being the tribal chief anymore. What's gonna happen with everybody I would definitely love to see how they play that up, but I can also see if he does lose him taking a break I mean the dude has been pretty much the guy carrying the company for the past three years So I would not have a problem with it But with the show's suffer from him not being there on a regular basis not every once in a while Like you don't see him for some months. That's gonna be really how things play out. So I don't know Both nights at WrestleMania. It's a bloodline world and we're just living in it At least that's WrestleMania's take on things if the following tweet from WRKD wrestling is accurate However, after the match has been made official tonight We stand firm that Zayn Owens versus the Usos will main event WrestleMania night one while the Usos versus Sammy and KO is a hot Program Dave Meltzer recently reported that some WWE officials believe Rhea Ripley versus Charlotte Flare will headline the showcase of Immortals first night Roman Reigns admonishes I've talked to made a video about this. I am still in the camp of it got both nights Needed in with the bloodline storyline It's it's the hottest thing I know some people are like well the women's royal rumble, you know Winnership main event at least one night and I get that I understand that But right now the biggest story is the bloodline, bro. I'm sorry It's the hottest thing WWE has right now, and I think you end off both shows with the bloodline Solo Sokoa after raw Circulating on social media showing Roman Reigns admonishing solo Sokoa after Roman's confrontation with Cody Rhodes on this week's raw This is an interesting development as it's a reminder of the apparent problems within the bloodline Yeah, in case you missed raw or our news on the show Cody Rhodes told the enforcer He's not ready to take him on leading to solo staying in the ring after Roman and Paul Heyman left Solo went to attack Cody only to charge into a boot Roman had to remove solo from the ring a Situation some believe shows that Reigns is losing control of the bloodline And I love that of this development love that main event her won't be on dynamite I love that current AEW World Heavyweight Champion MJF is a controversial figure in wrestling But fans apparently won't get to see him on tonight's dynamite as PWInsider Elite reports that he's not on the schedule for AEW's flagship show The report did note that MJF was spotted in Los Angeles this week This shouldn't come as a surprise given the rumors that MJF is exploring options in Hollywood Wrestling's Salt of the Earth has a role in the upcoming biopic about the legendary Von Erick wrestling family Is AEW interested in Goldberg? Now that Bill Goldberg is apparently a free agent There's plenty of talk about where he might end up assuming he wants to continue wrestling AEW president Tony Khan was recently interviewed by youtuber Adrienne Hernandez and had this to say about big bad bill I have a lot of respect for Bill I think Bill Goldberg is a great professional athlete and has had a great career in pro wrestling and is a very nice person He's a household name in pro wrestling So it's interesting to hear that he is a free agent and so that's something to follow He's one of the biggest names in wrestling and certainly will be something else to keep an eye on for us Would you like to see Goldberg work in AEW? No, let us know in the comments below I said at the beginning of this video. Just let him retire. He's well past his prime He is a goat in this in this wrestling biz For what he's been able to do and how he was able to get over but no Just know You're trying to build new stars beating Bill Goldberg doesn't make you a mega star It doesn't have the same weight he used to have back in the 90s in the 2000s. No Don't do it Tony. Don't do it, bro Tony Khan talks up Mercedes money Goldberg wasn't the only free agent Tony Khan mentioned during his YouTube chat When asked about Mercedes money who it is believed will become a free agent soon as her current deal in Japan is set to expire Working at the AEW new Japan forbidden door event. He commented. It's a very encouraging thing to hear I have so much respect for Mercedes I think she's such a great pro wrestler and certainly one of the best in the world any wrestling company in the world including AEW is Fortunate to have Mercedes currently. She is the world champion for our partner and JPW And I think she's a great champion for them money has made it clear that she's not looking for any long-term wrestling deals However forbidden door is another story as Mercedes could show up and wrestle a match Connoted. I'm glad she brought up forbidden door as it's going to be an exciting event Certainly the shadow of Mercedes is looming large in NJPW right now when AEW and NJPW clash at forbidden door It'll be very interesting to see what happens She's certainly one of their top stars and it makes for a very interesting situation going into forbidden door Last year's forbidden door show saw several new Japan pro wrestling wrestlers appear on AEW prior to the event to hype it Might Mercedes appear on AEW TV if she decided to work forbidden door WWE. I can see that happening, but the thing is Honestly, I wouldn't want her to go to AEW either. I wouldn't Would they could they benefit from that? Of course, but I just From what I've seen they're just not really good at Booking someone is like people who come from obviously WWE have a big name or whatever people want to see them in AEW when they get there They're all hyped and been about two three weeks later. The hype is dead for them And it comes down to how their book how they're presented Look what will happen with a Page now she goes by Saraya She was super like she hadn't been in wrestling in the years super mega over The hype for her was real within a couple weeks the hype died You know I'm saying and it seems like that happens, especially in the women's division for sure But in just in general anyone that comes from WWE or what not it's like there When they get to AEW their hype is there for a little bit and then it completely dies or it falters very quickly So I don't know. I would like to see her at forbidden door I think that would be a pretty cool event for her to be there at but I Don't know about a long-term situation though He looking at pushes for two new stars in current raw star the WWE universe could see two NXT Superstars get a big push when they make their main roster debut WRKD wrestling is reporting two NXT talents slated to be a main roster mainstays in the next few months following WrestleMania are Cameron Grimes and Braun Breaker Cameron Grimes debut should be happening soon. Well, it's unknown when the WWE plans on taking the NXT Championship off Breaker, although it could have him work both NXT and the main roster last month The WRKD Twitter account also reported that Chad Gable is set for a big run in singles action The WWE seems to be leaning towards this based on OTs being torn away from his loyalty to Gable and the allure of Maxine Dupri's modeling agency Undertaker reveals when he won't sign autographs asking wrestlers for an autograph can be an exciting opportunity for fans But as recent news has shown not everyone is respectful of wrestlers personal space when they're not on the job One person who has made it clear about his policy for signing autographs is the undertaker who discussed his signing protocol with the bet Las Vegas my kids play sports and it becomes a thing every weekend people who come up and say hey Can I have an autograph or a picture? I appreciate you being a fan, but I'm not the undertaker right now I'm dad this weekend and hopefully you understand that taker added that in other circumstances He'll accommodate fans who are respectful.  He's out here with his with his family I'm not about that. Hey, you know, I'll speak like a man. Hey, I appreciate all you done for the business You know saying he with his family. I just want to say amen. It was cool to you know Meet you. I appreciate you for what you've done. Even if now if you had his family's involved with that I may not even say nothing, you know, if he walks Bob that a man appreciate your work All you've done leave it at that, you know, but you know It's a time and a place and there's someone feeling tired of because the undertaker didn't give him a An autograph.  The two-time SmackDown Women's Champion was scheduled to team with her new bestie Chelsea Green to take on Bianca Belair and Asuka But was replaced by Piper Niven. Apparently that wasn't the only show Mella missed. As a fightful select write-up notes Carmella was off this weekend's house shows as well The plan had been to continue with she and Chelsea Green, but the decision was made over the weekend to replace her with Piper Niven Nobody we spoke to had an update. The current word is that Carmella will continue her team with Chelsea when she returns WrestleMania will continue monitoring this story WWE unveils new SummerSlam logo last but not least while SummerSlam is still a few months away The WWE has unveiled its logo for this year's biggest party of the summer as wrestling news Angel Aaron Bolles pointed out The logo has evolved over the years and in recent years They have tried to do something similar to what they do with the WrestleMania logo with the colors and look Matching what the city is most known for in this case They're keeping in line with the Motor City vibe if the rumors of a John Cena versus Logan Paul match proved true This year's PLE is already on its way to becoming a must-see show. Well guys, there you have it the wildest That wasn't bad. What in the bad logo at all matches the theme of where they're gonna be at But yeah, it's really interesting to see what's gonna happen with this whole Roman Reigns situation in WrestleMania That's what has it even, you know, a lot of people talking even more. Will he drop the titles? Will he have them? How long you know saying will he be going if he does drop the titles is you don't know We don't know all we can do is speculate and that's what makes it great So comment down below Let me know do you guys feel that Roman will hold the titles until after WrestleMania? Do you guys feel he will drop them at this year's WrestleMania? But I appreciate all love and support you guys are showing on channel road to 150K I'm still here on the speedy YouTube residency of the world and in the cluster will have a way champion appreciate y'all


So let's try to balance this redox equation. So what we're doing here is we're oxidizing cinnamal alcohol with Collins reagent or this chromium 6-oxide reagent to cinnamaldehyde here, okay? So anyways the one thing I want you guys to think about is since this is a redox reaction We're going to have to break it into its two reaction components It's reduction half reaction and it's oxidation half reaction, okay? so Let's write those out. So So the reduction Well, the oxidation is from the cinnamal alcohol to the cinnamaldehyde and how do I know that really quickly is because I'm Losing hydrogens, okay? So if I'm losing hydrogens that means I'm getting oxidized, okay? So The other portion is the reduction. So we've got CR03. Remember in these balancing redox reactions and acidic solutions whenever we have extra oxygens we put them as water balance extra oxygens So since we've got three That's the three waters there Remember after that The hydrogens we balance this H plus on this side. So how many do we have? So Then the next thing we do is balance our charge So on this side we have plus six Six plus it on this side. We have plus three So to balance our charges, we're going to have to add some electrons so here we'll add three electrons so three minus That'll give us three plus So we have balance in both atoms and charge on this reaction. Does everybody understand that? Here we have no balance, right? So ten H is here eight H is here The way that we recover from that is adding H pluses So we're going to have to add two H pluses Or protons if you like Now the thing isn't balanced, right? We have a zero charge over here, but a plus two charge over here So we're going to add Two electrons like that everybody should be cool with that so Now what we're going to do is we got to balance the number of electrons to each of these Okay, so we need to find a common factor So this one has three electrons and this one That's two So we're going to multiply this one by two and this one by three Okay, giving us six electrons in each one Okay So let's write it out. So six electrons plus 12 Frotons or hydrogen ion Plus Plus Water and this one's Remember now what we can do I'm going to erase the initial reaction so now what we do to Write the overall reaction is to cancel out things that are on both sides of the reaction So you see here Got the six electrons on both sides. That's the thing you're used to canceling out but in this case hopefully you see we've got six H pluses here and 12 H pluses here So what we're going to do in this case is cancel out that six H plus And make that a six And now we're just going to combine the overall reaction So we got the overall reaction is going to be six H plus a Q plus two CR of three Plus three C nine H ten eight Oh goes to To see our plus Plus six H two oh like with plus Oh That is the overall Balance three dots equation for the oxidation using Collins reagent To make sense to you guys Remember balance atoms then charge then push them together. Okay. Good job guys


our second day of transcribers user conference. We're starting with a session called Transcribers in Practice. And our next speaker is David Brown, from Community College, Dublin, one name. Good morning. We did a little project with Google about four years ago.  The archive is in the little black box.  So this is our little black box. The public records office of Ireland was opened in 1867, after a long campaign of historians and civil servants to have a single repository for all Irish state papers. The collection has grown over the years, and perhaps in fairly unsatisfactory version of the building is all across the city. And we're basically inaccessible to most people, especially people who even knew London's records existed. So the building that opened was part of London's four-course complex, was the state-of-the-art facility, with modern climate control, and a brand new poultry and carbony machine, which in 1867 was the GPU of its day. Over the next 50 years, all of Ireland's important records were brought to this building, and it created one of the best archives in Europe that stretched a whole recap to the height of the ages. On the 20th of June, 1922, in the middle of the Civil War of Northern Ireland, that was newly independent from Britain, to celebrate our independence, we could completely destroy the archive. There were only maybe 100 pieces of paper left. Since then, the most prominent in the Irish historians has been the lack of evidence to conduct historical research. The loss of public record office was catastrophic, but during its short lives, a tiny amount of records have been packed in coffee, and before it existed, they'd be copying in these other little repositories, either by historians or by government agencies. Many records of data from long before 1867 have been very well used in more than one copy. The Beyond 2022 project, Trinity, aims to reconstruct as much of the last archive as possible from copies in certain circuits, and we place them in this new virtual record treasury, that's been built from the original architect's plan, so what you look at there is a digital model of the original building. Thanks to the early publisher, who produced a report every year to say what records they received and where they were put in the archive, we can actually pinpoint the shelf of the original building and put our virtual copies onto the direct shelf, and then we have a three-dimensional avatar that will walk you around the building and take you to the record, if you have a lot of time, otherwise you can obviously just put it on the screen. Just before the record office was destroyed in 1919, a complete cycle of contents was published, and from this we've been able to create a database for all of the last records, and these entries are linked to metadata that describes the replacement of them, and its current location and the space of digital image where available, otherwise it brings you to the unique and the other repositories, capital ugly, you can double find it. And that shows how the database works. That's the copy that we found in the Martian's library, and you can see on the bottom there, it says that it was copied before the great fire. So the project itself marks a new coming together of the whole of the largest collection of Irish records, and this hasn't been known before, our project forward includes the national authors of the UK Record Office of Northern Ireland, our own Public Records Office, and the Irish Management Commission that's been involved in creating a lot of prescriptions as it was established in 1958. Now the project has developed, we've found copies and surrogates in archives large and small, really old records, but this particular set is the Medieval Chancery Roads, and we've found 13 repositories have quite a large selection of copies of that, our search goes wider and we get some more general records, and this gives you an idea of over the over 60 value currently found copies of Irish records in that are all certified as having been copied in the Public Record Office before it was destroyed. That doesn't include all the ones that were pretty sure were originally Irish records. So the Huntington, which is a very relaxing place to work, gives one such repository. The Huntington purchases enormous amounts of operating modern manuscripts for their own collections, particularly related to British and Irish history, but they also have very large volumes of an axon to manuscript from all over the earth, so if you're not familiar with what they have, it's worth going to have a look because you may be surprised to find that they're extremely wealthy buyers, the counter auctions in Europe and some of the important everything in the room, this seems to be the way they operate, but it's not technically a catalogue though, it's one of the drawbacks, and it is actually worth a trip. One of the audience is a collection of transcripts from a predecessor of the Public Record Office, which is the Birmingham Tower in Dublin Castle, and it's a British part of the Irish Record Commission that was established in the early 19th century to transcribe and to counter them. As many early Irish state papers as they can find, they found a part in 1830, though some problem with the money and some problem with people getting paid and having worked together for about 20 years, they have a lot of that, but they hate each other. So the copies of which you reckon there were at least 80,000 pages were dispersed, some of them found a way back into the Irish Public Record, because a lot of them were sold to the collection of Sir Thomas Phillips, who was the major huge collector of manuscripts, with his life being sold in 1920s and 1930s, things like hunting can end up only quite a lot of these volumes. They're all very, very similar, and there was a common agency, so as you can expect, all of the collectors were trained. They're all very, very similar. What we found, we basically have now a meta-collection, the collection of collections, and we find these very similar examples of these canondens in the repositories, pretty much everywhere it can go. The last one there is one that was kept in the Public Record Office. It's an outside room in the middle of survival fire. The rest of it all come from better old cases and options and various other sources. We've developed, we've finally used transcripts, because as you can see, this is perfect for transcripts. If transcripts were being developed by us, we would have designed it to do exactly this job. We guess target error rates are less than 3% for all of these. So we're basically using this as essentially a full OCR system. We have about two tools to speed up the work. We have a tool that was about 15 in cream, and that's on the, we did a blog post about it in September, and it's on Gishok, and it will search all of our available models for the best match. We know there are only 30 clerks involved. We have 10 models already, so it's a quick job to search to see if we already have the model. If we don't have a model that's usually only giving us 95% accuracy any way because they're all trained to do as we do exactly the same way. It's also helped us to have a button to them that's not signed, we don't want to give it, but through the transcripts model, we were able to find what it was actually done by the same person that we used before, and it's just another one of that series that got broken up in an auction. We find the tools for both handwriting recognition and for speeding up the basic action of finding the right model to use. The second tool that we developed, because our project partners both showed the scale of the terms and the 50 volumes so far, we think the size of the volumes, we reckon it's only 20 million words, it could be 30 million words, but we don't know how much stuff these people produced. We've written a outer routine that will put us in a triple I after this because our partners, the National Archives, the three National Archives, wanted us to work in triple I after they work in triple I after. So we're using triple I after our viewer. We're probably going to be producing models out of the text on the side that is highlighting the management the way that you were looking at yesterday, so that's basically the same job. And this is using triple I after so that we can use different types of documents and looking on the screen at the same time, so the one on the left is a publication that was done by the Irish Manuscripts Commission about about a year ago, and it's in the same series as a manuscript part of the parallel Irish calendar. The content and the structure of all of those are both just a calendar of the same big long series of commissions, so the structure of the models is actually the same, they're just from different parts of the country, but we can be an item collection as a way we can search across any type of document whether it was originally published and printed, or whether it was originally from the manuscript. We've been involved with entity disambiguation for about 12 years and we use entity disambiguation and entity extraction, so we do a lot of indexing. So here you see there's two sets, Ellingworth, so Charles Cooke, and if you don't know much Irish history, Charles Cooke was a symbolic madman who buried millions, so hundreds and hundreds of people in Connacht in the 16th century who had inherited a lot of madman. The painting of them is actually wearing all of our Cromwell's clothes and they put his head on to take all of Cromwell's head off. But we can disambiguate the text to a period of index, so we can do this in quite a wide way as we often do, we can have them name and place ontologies that we use and we also have magnetically routines that will use these distance algorithms to put together words that we don't really know what they are. We can do the same thing with place names and we can work with you on this every now and then to match the old place names with modern place names so ultimately we can use them to go to that location safely and have a look at it. We can also use text disambiguation to find the content, so when we start with an entity we can also inherit a language. Some of you went to somewhere some of you lived, some of you died, some of you got married in, some of you mentioned the sacred sentence and some of you had some various different contexts and we can automatically produce these natural graphs in their associations. So we find that this is going to be an excellent tool for historical research as well as for things like genealogy and we've even found some use for it in environmental research. You can use synonyms for various language events and you can put together graphs which link those to historical events. For example, if there was an unusually wet year, was there a lot of unrest? Do you find it very useful? And so it's coming along to it. So ultimately our intellectual repository will hopefully be a replacement for our original repository and it will become a new national language that we don't have further than 1992 at any moment so this will push it back in over 800 years hopefully within the next three or four years. So it will be useful. What sounds amazing from my background is in medieval history so searching for documents is really, really familiar. Questions or comments for David? I would ask when you thought about this project which kind of experiences in other countries have you found just to build the way of finding solutions for your project? Did you? It's actually from a an Irish project that we did in 2012 called the Down Survey. It's one of those maps that the Promenians when they were seizing Irish land after the conquest in the 1650s mapped the entire country and it begins to back to that large scale catastrophe maps that basically showed every field and linked that to a set of records that showed only every single part of the land. That was assumed to have been completely lost on the front but we hear a couple of volumes in the Bibliothèque Nationale that have been taken by pirates on the way back to England and some other bits of pieces and we sort of get together as many of those as we can. In the course of this project we actually found more in the backtrack of five different positions. So what we thought was that if we could look together this important set of lost art houses maybe we could put together the rest of it but that's really where the idea from the project came so that's not even a European experience from an Irish project. Thanks a lot for having a great talk just a brief question about TripLIF implementation you have been doing. So this is used for display and do you do first an export of the page XML or can you directly use the page XML and to display the transcriptions in your TripLIF view because I mean TripLIF is going to be the topic for transcripts. We go directly from the transcripts to TripLIF. So you are running a TripLIF server for the images and you grab it. Okay that's great you need to polish that. I'm sure we will be back soon with this. Great, thanks a lot. Thank you David again. Welcome all. Yes, thank you everybody. It's been really good to listen to all the interesting presentations that you have and about the project that you actively working on. And I'm also about prospects and biases in some regarding to some 60th century Swedish material. And when I talk about Swedish documents I mean documents that are written in Swedish and that were related to the history of Finland or Sweden as Finland was part of the Swedish realm during the 16th century. And I'm kind of trying to make case for my the time period that I am expert in as a 16th century historian. I have seen many biases that affect the choice of research topics and I'm not talking about political biases but the fact that the sources are the best available often are the sources that are studied most. And here is a picture that I often use when I teach or talk about the way how the documents survive from oblivion as the as first of course there are the historical processes, the partial documentations of the historical evidence in the first place. But what is quite important and what affects our historical research whether we want or not is also the way how the selection and archiving of sources is done in the organizations like archives or universities or libraries and studying the 16th century documents I have become very much aware of that when it comes to the medieval times of Finland there we have wonderful medieval documents documents and stuff those have been quite well catalogued and studied. When we go to the 17th century there we have the Swedish administration, general administration taking form and it's a wonderful massive administration with lots of archives well documented, well catalogued. When it comes to the 16th century it's a mess. It's a rough time there are lots of organizations that the classic organizations vanished or were in difficult times the lay organizations were changing so the problem then is that the material from the 16th century is not easily available, it is scattered it is written in one very fragile papers that are in decay some are very difficult to read nowadays so my aim then has been to do something about it to take the poor 16th century documents in the focus in the hope that the more understandable more readable bringing them to the core of the future and present day research and there is an example of some podiums that we are starting with it's called Akta Historica it's in international archives of Finland and similar kinds of documents are also in the on the Swedish side as after the independence of Finland the documentation was kind of divided between Sweden and Finland there one has to study those many archives to study them unless we digitize them better and Akta Historica in international of Finland includes some 2,000 pages of the same different documents mostly from the 16th century and these documents are related to administrative decisions and orders the problem with them is that they are letters from the king letters to the king copies of letters copies of complaints copies of private letters and these are written with many different hands so there will be we will need quite a lot of work however we are relying on previous very un-digital work done by my family and my colleagues as there are previous transcriptions and we are trying to fit the transcriptions existing transcriptions with the scanned documents in the hope that we can then learn or make the system read the variety of hands available in the 16th century documents even here the best scribes are easiest to read the king had the best scribes so what you see here is the letter from the king John III and I guess that's more work must be done in order to make also the poor handwriting of local judgment and narratives to be readable and this is just an example and the work is very much in progress but the plan is to build a larger 16th century source project around this so that we will benefit and promote transcripts and read and but also otherwise build a more solid and cataloged and indexed knowledge about the 16th century Nordic past, thank you Thank you, Anu comments or questions if not presentation given by Marek Sloan, Michalaj Sloan and Adam Zopala I'm so sorry about pronunciation but I know our names Marek Sloan in Polish from Poland from Warsaw and our task is to index tax register of 16th century I did the project we started 140 years ago in the year of reconstruction of the Pulsat and the network and space structure of the state was formulated and started already in 19th century and more than 6 years ago we started a series with precise roles of reconstruction and presentation and in 2 years I have to complete the main effect of the work is the map of 16th century Poland with all settlements existing in the night with the names in this time with some data about each village so legal status large ownership and also localization it's not so evident in every cases and our main source our task register from 16th century so one settlement is mentioned about 10 times in different years of course as a part of this of life and sometimes it's just one or two and the other case is about general speaking each settlement should be mentioned sometimes there are status of this village name and some tax categories so economic objects people, land of use and how many was taxed in there and we transferred this map printed in several volumes in last 50 years into a GIS database and now we would like to provide a drawing of this map with some footnotes because our reconstruction made in these 60 years based on this source but the user had no access to sources used by us so our database we have scans of manuscript tables with data from this and the map and all connecting together in our database we have about 25,000 of settlements and this the main series of our source is about 70,000 pages of manuscripts written by several hundreds of hands and not only hands but type of writing and we think that it's about 250,000 mentions about concrete settlements in this series so you can see that it is definitely the task for transcribers so we decided to check how we can use this tool to help us we created the model based first on seven title same as the style we choose the sample of the same style in other hands but how you can see in these photos we have some of our material some features which doesn't perfectly fit to transcribers first of all we have several languages it is sometimes in Polish, sometimes in Latin and sometimes on one page you have Polish and Latin what's more we have very irregular a lot of irregular variations that's why yesterday I was asking for real time about it but another problem which is the biggest is that we have different style of headlines and the rest of the text so we made the model but unfortunately this HDR model is not perfect our CR is 25% we didn't make so huge model it's only 11,000 of words so we said that if we will make it bigger it's definitely insufficient for us here I have an example that mostly the words which are frequently transcribers read them well but the biggest problem is with these headlines which are crucial for us because it is the name of the cities so our problem is that these headlines are written in another totally other way than the rest of the text and here you have an example that this headline transcribers read the words so that's why we have to find some tool to make it bigger the problem is that since we train the model of our documents it's very inaccurate for the headlines that are most interesting to us and one solution would be to create a different model specifically for the headlines to increase accuracy in transcribing those headlines and this would require as we filter our dataset to only feed it the headlines and the hand would be extremely a lot of work so I am hoping by creating a tool that will do this automatically and I am creating a network that is supposed to classify those headlines so we can create a dataset to construct a model only for the headlines and maybe the biggest difference from most transcribers that are transcriber users is that they are working with the transcribers but to create my classifier I need to work directly on the communication API so basically my work would be this AI part I have to filter from the layout analysis that I use for transcribers and filter it and get on in the headlines so this is how it's supposed to work I get the separate lines and then I need to put all the normalized one classifier in one class so we don't use it to create this new model that is supposed to be more accurate for the headlines and then put all the headlines in the second class so the approaches I will use a convolutional network very similar for transcribers used uses for layout analysis and I will use it for construction I will not go into the details of convolutional network since this would be a very long presentation but one of the main challenges that I am facing with creating this classifier is that actually I have very different size of input because as you know lines in this historical documents can be of very different size and usually those classifiers for images are expected in a normalized input so input is size so one a possible solution for this might be a system of stacked out encoders to generate stars outputs of non-trivial sparse outputs to feed them to my classifier alright so what we want to do and then the end we would like to index these 70,000 pages at this index connect with a digital map and for this purpose we need transcribers but with some additional us, thank you thank you for your excellent presentations any questions or comments yes so I would like to ask two questions first we are going to the abbreviations so did you just expand it in the original descriptions and how did you do that the regular ones we we did but the regular ones we left without I mean like only the the letters which are yesterday we spoke about it a lot that there are several tools which can help us somehow like for example, the tagging but we have to test it but we don't have an answer how to do it and the second question I asked you did the Polish Autography in that time was probably quite different than today's and I have this feeling that transcribers is sometimes more like consideration that you have to write like the letters as they used to be then like for this modern way of editing how do you deal with that are you like adapting it to the modern Polish Autography or your transcription or is it in the old Polish Autography the problem is there was no stable photograph in the time so we cannot it's impossible to use and the second week was for us there are names geographic names so we use vocabulary we have the list of these names with some source versions of these items and we would like to use to combine transcribers with our GIS database so that for example we use our list of names taken from the sources check thank you very much what you were just explaining that you use the dictionary now about the variants of these names in order to to find for it transcribers so the question is is it also affecting can we do OCR correction while because I'm doing something similar when we find variants of placement many times I actually decided it's an OCR error or not and then if it's an OCR error this is relative to that and then do you also use these variants to find to add to your database of to the dictionary this solution is not ready yet the answer exactly but so I hope we can use the list of names because we have a list of names each name from 16th century the source versions we have normalized versions and today versions and we would like to set with pure spotting all forms in a given part of of these passwords I'm not sure with other questions and answers next day we will manage to answer because it do work in program thank you very interesting I want to ask you do you have a list of place names have you connected this into some kind of national ontology or like municipalities and places or is it like have you done try to map the place entities in some kind of historical level do you understand what I mean settlements it's quite simple because this network was based of the autonome villages although it's no ontological problem with settlements sometimes but it's two or three percent also an ontological project ontology of historical geography in Poland but the big questions are with districts municipalities etc and not in a given time because what we are doing now is one point it's 16th century so we have no problem with ontological questions of settlements thank you Adam, thank you where is Kriste from the short house in the UK so I'll start with the customary fashion class everything in it so that ends today from the National Archives of the United Kingdom we are the British Government's central wildlife we've got about 200 kilometers of shelving and we are on our way to be here so I'm going to talk about some of the projects which we recently got involved in so I'm going to be asking someone to try so the principal collection we've been doing transcribers on is a project with Prop 11 which are wills or last testaments from the Prophet of Port of Canterbury actually it's a very large collection the Prophet of Port of Canterbury proved and sort of passed the wills of people who own their own property over a certain value in the countries of England and London and also proved the wills of people who held property in multiple diocese and also proved the wills and testaments of people who own property overseas as the collection runs from the late 14th century through to the mid 19th century there's around 2,000 physical volumes they are copies of the original wills and there's about a million wills all at all and it says there are an estimated 10 people per will as in 10 people have mentioned each person's will on average and what before would be useful to do with them is they are written pretty consistently throughout their time in English it's the very early ones in Latin and they're also written pretty consistently in the same kind of handwriting and they are very formal there in their structure they are legal documents so there are forms of words that have to be used consistently throughout most of the run and the other thing we thought would be useful is that there you can see a copy of all of the digital microphones that are available in the microphone in the 19th century as I believe there was such a kind of digitalized equipment which has caused problems which I will do in a minute but what's exciting about them is we've currently got them counter-locked to have a name a date of death and the execution of what itself is proving by court an occupation and a place name but by transcribing they would be able to write huge amounts of detail this is a network map that we haven't generated using computer assignments but it just sort of shows the number of connections in one will have a larger image here so this is the will of Catherine Sturdis who died in the early 18th century and you can see here just the vast array of connections drop T place names that sort of come off just like where they have to transcribe they expect to give us a wonderful insight in people's networks over a very long period and so we started doing some work with it and we encountered some issues with the person's success as well so I'm going to try to get an overview of what work we've done so far and what we're going to do in the future so as I've said the images are not the greatest quality that's probably one of the best quality ones so I think it's probably that many of us in our portfolio with a lot of information here so that sort of creates the problem that's going to push me in due to the platform so the addition and the fact that the segmentation so these sort of lectures at the top of the page there they get sent as lines and then the experience of some of these creates a lot of results and also here those two sort of line which are used to fill out the space so it can't be filled in for anything else so you might check those have been second to second lines as well so again that causes some problems that's for a very regular feature there's also been some issues with the characters themselves and the program recognises that one character has been a separate character which leads to sort of slight odd spelling so this M and E on the far left has been recognised as two models and I think there's a focus between the M and the second to center so the M for you becomes a free there so this one here so it's a pretty standard phrase in the world in the name of God so that the M there has been split into two characters so one is an error and then the second one is an error as well so we get really interesting which I've heard as well and again again there's a gap between the ascenders there but you know we've had eight M in the cutting compared to some other projects we haven't done quite as much work which has some more training models that's an interesting result so we used a training data of 26 images so it's now 16,000 to 16,000 words with about 3,000 distinct words and then Branson test data with 10 images generating reference of the training data that's 7,000 words with 877 distinct words 388 which were worked with you so that's been interesting and so these are some of the new words that have worked quite well so it was quite complicated so it's interesting and you can sort of see it gives us an idea of stuff we might find in the text as well some of the other projects so these bodies are going to come up but they have not in the 10 images we did the training but otherwise quite good some of the semester new good words so this sort of shows some of the slightly strange words we've been having so you can see why as well so in that case the line segmentation is sort of ripped down into the receiving line in this case two lines of text have been taken together as one so I guess that's a quite long transcription it's the rift I don't know it's like an awesome but obviously that again is the cosmetic line so it's basically this mark at the very bottom of the page where the microphone is dark and we pick up the text and ask ourselves if we have this sort of neolithic so as an example the transcription not the going is but it's readable in parts but what we have had success with like with presented is with the keyword searching so this goes with search for nephew it's obviously very common thing to find in Will's family relations and you know the keyword has worked quite well I've been asked by one of my colleagues who's done a bit more work on this to ask if we can get the page of the line the keyword spot will be different so this has allowed us to do some interesting things to try and improve the transcription so there has been using Python to try and basically we've tried to work the first two words to say there is a different one in the end to try and correct spelling errors by looking at sort of common diagrams throughout the data that we've used and basically create five scripts to be able to deal with that so we were looking at sort of particularly so if you can see here the combinations we find regularly so we've got obviously four names we have a dictionary of four names and so on and also other words so for instance with said nephew we find that the data we've looked at is the four name there and so what we can do is start to build a model which corrects the spelling and you can see that it sort of comes to the solution of the issue we've had I'm not aware of the amount of time so I'd like to go through what we're planning to do in the near future so it would have been to sort of speak to people not just a story I'll just try to have a logic test to see what we can do with this the information that hopefully the transcription will create the wills and how we can solve the problem hopefully burn network around to get the tumor to facilitate sort of more discussions we also have a postdoctoral fellow who's working who's working to do basically mixing HDR with crowdsourcing the idea being that we create ground proof and do the HDR on the QA but somehow trying to have a platform to understand the question the fact that more of their books that was many years ago trying to help improve so with that I'd like to thank you very much Any questions or comments? Did you work with dictionaries? Did you create a dictionary for you? I think we're to work with English dictionaries The new Russian will create an internal dictionary with visual training so with the new model for the HDR Plus you will get also a dictionary based on training data and then use Jung Any other questions? Okay if not, thank you Chris paper in this session is given by Olga, Bella, Borodoma, Makdenen and Joshua Good morning everyone so my name is Olga, Bella, Borodoma and together with my two colleagues Rob Dillon and Joshua I'm here to present our upcoming transcribers based project called Catch 2020 Now before I move on to the question itself, a few words about our team back home Our research group is called Anthropcenter for Digital Humanities and Literary Criticism ACDC for short and we're basically a team of scholars working in digital humanities based at the University of Antwerp working with digital humanities digital scholarly editing and more specifically textual genesis of modernist works and how to computationally analyze it In other words we work with modern manuscripts which are often very messy and extremely difficult to read and I'm sure many of you know Our approach to transcribers technology is from a genetic critical point of view the purpose of making a genetic critical addition so that's something that's something we should bear in mind Part of the ACDC research group is the Center for Manuscript Genetics and over the years the CMG has developed expertise in digital scholarly editing by working mainly in manuscripts and Samuel Beckett One of the projects run is the Beckett Digital Manuscript project which is a digital genetic addition of Samuel Beckett's works It is precisely the experience we have garnered while making that addition that we would like to use in our cooperation as transcribers So what is CACH 2020? The acronym stands for Computer Assisted Transcription of Compliance Handwriting The project which is funded by Research Foundation Flanders and DERI of Belgium which is an organisation that supports digital humanities initiatives in Belgium So let's quickly discuss the acronym I'm sure you're all familiar with the concept of complex handwriting and we'll encounter a few examples in the presentation But what do we mean by Computer Assisted? What we certainly don't mean is that Computer Assisted means automated So I don't believe in fully automated at least at this point in time Well the answer is simple As genetic editors it is our task to produce accurate transcriptions and to enrich them with annotations and markup So we know that transcribers technology currently achieves a very impressive character error rate of only 5% with good training data and relatively neat hand We're more interested in the real messy hands of modern writers But regardless of that the purposes of scholarly editing only 95 success rate is just not good enough Even 99.9% success rate could not possibly wake the proof reading stage because it will still generate more than one mistake per page Because the editors role in an edition is so crucial we propose to put the editor in the driving seat of development technology In other words, instead of letting the machine do the bulk of the work and the human proof reader correct it we want the trained human editor to get assisted by transcribers functionalities just at the right times in her workflow This is by no means our own idea We met with the REIT teams from Innsbruck and Valencia in Antwerp just two months ago and the impressive developments that Veronica Romero shared with us they also apply the same logic in their work While they focus on computationally supporting the transcription process we hope to support the specific workflows of digital scholarly editors or even more specific of genetic editors that work on complex modernist handwriting So the research question that underlies Catch 2020 is the following How can the core functions of transcribers best be integrated into the workflows of digital scholarly editors and the core functions we're talking about are the layout analysis and handling and text recognition But there's also another one which is not yet part of the transcriber's desktop client The facsimile transcript might be for cases in which you have a texture of transcript already so the editors work Although there is a tool available that's not part of the transcribers interface So our plan is to implement a web-based virtual research environment that supports digital scholarly editors at producing text genetic digital editions at all stages of their workflow In the best case this development is not a new standalone web interface but an add-on or a module of the existing or currently developed transcribers web interface The target group is scholars with training editorial theory and with a particular focus on genetic criticism but with rather little technological know-how We want to help the editors organize their facsimiles design for annotation guidelines transcribe their documents annotate their documents with further information map their transcripts to the facsimiles and publish their results all in one workflow At specific points within this workflow the editor has the option to get computational support by calling the transcribers rest API where tasks are executed results are sent back and processed seamlessly within that environment We think that collaboration is key here It's better to build on and merge existing developments than to start from scratch and reinvent the wheel Tools for most of these problems have already been developed in institutions across the world and our aim is to incorporate these solutions into our workflow and add features to them to cater to our specific needs So what kind of means are we talking about? Let's quickly go over a few examples An important issue for a digital genetic addition is to be able to link with the authors of revision campaigns encoded in TEI and the transcribers' layout analysis So we want to incorporate TEI editing more into the transcribers workflow For example with p5 version 2 the TEI allows to capture reading and writing orders Transcribers currently only allows to annotate the reading order The writing order is determined by the editor This is the crucial part of their work and we would like to bring manual and computational annotation into one workflow So we want to capture in which chronological order the page has been filmed in the same environment in which we do automatic layout detection and HDR The following example visualizes what we mean by the writing order and comes from gene choices drafts for UDISP and although this example might be complicated it's actually quite simple for Joyce So this is how the page is filled based on the decision by the editor So this is the writing order Yeah So the editor will show zones based on their decision so it will look something like this So this is what we envisage for the workflow What transcribers has is just the reading order in a sort of chronological way A few more examples of such needs typical for a genetic critical edition Very briefly one of them is detecting highlighted text whether underlined, deleted superscripted or overwritten Here we have an example again from Joyce We have underlined and blue crossed out crossed out These are important, very important events in the writing process and they should be registered somehow in the workflow Another problem is detecting intervening additions This example from Samuel Beckett's draft for film notes the neat handwriting Another example which is related to the above is detecting substitutions by combining into linear additions of deletions in the following line Here we have an example from Virginia Wolf Another issue for a genetic edition is the genre based layout detection Obviously we're not just dealing with prose words we have drama and poetry Here's an example from Beckett's end game with a typical drama layout which is another feature we would like to incorporate Something genetic editors deal a lot with our metamars It's a keyword spotting that we mentioned a lot and we think it's very useful feature but we'd like to use it on metamars And here are some examples of metamars by James Joyce Again, another issue is version comparison Very often you have words that are illegical upon version and it precedes it Here's an example from Belgium by Johigo Klaus Last but not least and probably most crucial thing or more We would like to reach out to the community for feedback Many of us are dealing with civil issues so let's join forces and collaborate in order to solve them in the best possible way Please do give in touch with us and let's work together Thank you for your attention Hi We set the main task of this current editor is to transcribe the text and and reach with markup annotations and that is if now it's really the first and the most important task to transcribe the text It's just one of ways to make the text easier So if we have good written transcript it's not necessary Also user can read text written beforehand and if we have for example automatic transcription also with some errors but then revised like a little and with annotations etc. It could also be good current edition Thank you Well, two things here What you said about legible text that don't even need transcription I perfectly agree with you There is no need for transcription then we shouldn't transcribe What I'm talking about is text by modernist writers that really do need to be transcribed and not just because the handwriting I think the main task of the editor is not just to provide an accurate edition which is essential but also to comment on it So the hermeneutic aspect, the interpretative aspect that's why we call it genetic criticism the genetic part is actually doing exactly that coming up with perfect text if that's at all possible but the interpretation part is extremely important So I'll comment on the accuracies I think the purpose of genetic edition or any edition is exactly that, to be absolutely accurate because if what our editions are used for, they're used for scholarly work So if we provide an edition that is not 100% accurate then we basically don't deliver what we should deliver So I think an edition should at least aspire to be 100% accurate And then the question is what's more sensible? Do we do HDR revised by a human editor or maybe in some cases it's just more sensible for the human editor to do transcription work because he or she is so familiar I mean let's mention Beckett for instance the writer I work on at one point you just learn to read his handwriting because he's done it for so many years and you provide a more accurate transcription from the start so HDR is a very useful tool and we're going to definitely incorporate it into our work but that's the whole idea but sometimes you have to ask yourself that question what's more sensible to use HDR and revise for the other way around just to manually transplant but it's very individual and that's the core you have to make based on the individual I hope I've answered your question You're quite right, we're all individuals and my experience with the Benetton edition is that starting with an HTI transcript is a real benefit and then the experience I can then correct the HDR since we've started off with rough transcripts let's say from PhD students and then the experience they just have seen and we have to do a further process as well so we my sentence I think the idea was not to say well do it one way around or the other way around the idea is to get both approaches optimized in one way in other ways optimize additional layers with existing web interface web interface development that supports manual intervention for our specific needs which is not a big archive that I don't need 99.9% accuracy but for our specific needs more that's the idea I think we all also believe in exactly what Benetton came in that having a base transcript being done by HDR is the best to do but embedded neatly in our work basically what we want to do is to make sure that the editor can intervene much easier same interface always thank you for the first time


Coming to you from RGIS Studios, I am Nitya Antoine and this is your media news brief. St. Lucia, along with many other global leaders, made a commitment to promote sustainable development by signing on to the Agenda 2030 for Sustainable Development, which has replaced the Millennium Development Calls or MDGs, a more robust and enhanced set of calls that focuses on people, planet, prosperity, peace and partnership. The Agenda is made up of 17 Sustainable Development Goals and 169 corresponding targets. Countries must now take ownership of SDGs and develop strategies. The United Nations developed the mainstreaming, acceleration and policy support maps to guide countries in landing the SDGs into national development plans with technical expertise from the UN systems. St. Lucia began engagement with the UNDP in 2016 with the aim of developing a SDGs roadmap for the countries. At the end of the engagement process, it is anticipated that there will be an SDG integrated and risk informed national development plan, the identification of development finance solution towards meeting targets and a work plan for monitoring and evaluation of targets. Spareheaded by the Ministry of Education, Innovation, Gender Relations and Sustainable Development, the Education Quality Improvement Project EQUIP is on stream. Funding for the project was secured from the Caribbean Development Bank to the Department of Economic Development, Transport and Civil Aviation. EQUIP formed part of discussions at the Terminal Meeting of School Principals and the Officials of the Ministry of Education, Innovation, Gender Relations and Sustainable Development. One component of the EQUIP is enhancing capacity to improve teacher quality, relevance of education and instructional effectiveness across the education sector. This project also focuses on enhancing the provisions for special needs education in St. Lucia. In fulfilling these objectives, short term and degree level continuing professional development training programs are provided for teachers. Among those opportunities is the undertaking of master's programs at the University of New Brunswick. The Government of St. Lucia has received financing from the Caribbean Development Bank equivalent to $16,192,000 towards the cost of implementing the EQUIP project. The Dental Services Unit of the Department of Health and Wellness launches the first ever Dental Comic Strip competition. This competition is launched as an oral health promotion campaign targeting young adults between the age of 18 to 35 years. It is meant to encourage young people to take charge of their life in a healthy and positive way to have health as a priority as they plan for their future and begin to navigate through life creating their own path to success. With the focus on oral health, young people will make better choices for their oral hygiene and understand that changes in their breath can impact not only on their life but on persons around them. The unit wants the public to know that for oral hygiene can be a symptom of disease or can set the stage for undesirous outcomes especially in their social interactions. This has been your Mijie News Brief. Thank you for watching.