Autolight and its 96,000 dealers present Suspense. Tonight, Autolight brings you fly by night, a suspense play starring Mr. Joseph Cotton. Well, Manning, how about signing this confession? I want my lawyer. You don't need a lawyer, not if you tell the truth.  I want him. Look, Manning, we know you killed Garvin. All you have to do is admit it. I didn't do it. It's a frame, I told you. Just as soon as you confess, you can go to sleep. I'm a bargain.  Don't be stubborn, Manning. I didn't do it. Frame. Then how come that boy, Manuti, saw you? He says he saw you leave Garvin's apartment at 11.30, just after the show. I left at 10. Manuti's wild. Why should Manuti lie? Let me talk to him. We'll find out. What's to find out you hated Garvin? You don't deny that, do you? Garvin accuses you of stealing money from the business. Prove you're out, so you kill him. Cut and throw me out. Full pardon, isn't it? You're alone. You're killed in sleep. Not until you sign this confession. Sign this confession and we won't bother you anymore. You can lie down on my bed here in my apartment and sleep till you can't look sleep in the face anymore. Come on, Manning, be smart. You know who you are. Well, man, here's his sleep. Well, come on, man. Professor, I'll keep you awake. You'll sign the confession? Yeah, yeah, yeah. I'll sign it. Sleep. Put the killer to bed. In just a moment, Mr. Joseph Cotton in the first act of fly-by-night. See, Harlow, I went to a carnival last night and that human skeleton... Thin, huh? Oh, practically transparent. Lives on bread and drinks water only once a week. Once a week? Well, that's nothing, half. Auto-light-stay-full batteries need water only three times a year in normal car use. And they had a strong man who lifted a horse. One horse? Listen, half. The auto-light-stay-full battery can snap up 100 horses in your car's engine without even half trying. But they have a big advantage. Oh, and what's that? Auto-light-stay-full batteries have fiberglass retaining mats to help reduce flaking and shedding, and thus protect the power of every positive plate. And there was a flagpole sitter at the carnival, too. He's out to break the record. Now, you'll never break the auto-light-stay-full battery record, half, because you can't buy a better battery for your car.  Thank you, half. And friends, see your auto-light-battery dealer and ask him for an auto-light-stay-full battery, the battery that needs water only three times a year in normal car use. And remember, you're always right with auto-light. And now with fly-by-night and the performance of Mr. Joseph Cotton, auto-light hopes once again to keep you in suspense. Wake up. Wake up, Manning. Wake up.  You had your eight-hour sleep. Let's go calling. What? What? Don't you remember? You signed a confession. Admitted you murdered Leo Garvin. Oh, I didn't do it.  Come on, into the bathroom and shave. Here, Lieutenant Driscoll left this shirt for you to change into. Want you to look nice with a photographer. I didn't do it. Well, I left Garvin. It was 10 o'clock and he was alive. Yeah, yeah. Save it for the courtroom. They'll be real impressed with a signed confession. I'll swear you forced me. Sure. So what? You can't swear Vanoodie out of existence. He saw you leave at 11.30. He'll testify, sir.  He's part of the frame. I want to see him. Go on, shave. You'll see Vanoodie in court. Shaving mug, soap, brush. All right, all right, all right.  The shaving brush and Kogan's eyes and hitting him with all the strength I had left in me, it worked. And I got out of there out and into the streets. They didn't have to torture me. Lieutenant Driscoll and Sergeant Kogan didn't have to beat me with a rubber hose to make me confess to a crime I never committed. All they had to do was keep me without sleep for 72 hours.  So I signed a confession because I just wanted to sleep. Now, now I was awake and on the streets outside Lieutenant Driscoll's apartment at 8.15 in the morning. Until the next four hours I walked, trying to recall everything I had known about Vanoodie, trying to figure just one reason why he wanted to frame me. Why, why he said I left Kogan's at 11.30. But it was no use. I, I couldn't think of anything. And suddenly it occurred to me that we're looking at me. The people on the street were staring. Then I remembered it was October and I had no coat. I was in shirt sleeves. I'd left my coat in Lieutenant Driscoll's apartment. Now you got a phone in here. Now down that aisle to your left. All right, Mary, don't worry. I don't know a drugstore downtown. I escaped, Mary. I got away from them.  I need your help. I need a coat. I didn't kill him. It's, it's all a frame, Mary. All I've got to do is find a guy named Benuti and beat it out of him. Mary, Mary, couldn't blame her much. The shock of finding that her husband was wanted to murder. I had to get to Benuti to prove it was a lie. But now was no time to think about it because it was a few minutes before one o'clock and that was good because I was near Charlie Borden's office. They went out to lunch at one o'clock. Charlie was my lawyer and my wife's cousin. And now he was the man I had to see. There was an alley next to his office building. I waited there. Charlie, Charlie, over here. Give me. What happened to you? Where have you been these past three days? Listen, Charlie, two cops had me in an apartment uptown. Cops? What for? Trying to get a confession out of me. What kind of confession? They say I killed Leo Garvin. They've got a witness named Benuti. He said I left Garvin's place at 11.30. But I left at 10. Well, then you got nothing to worry about. Mickey, Mary will testify. You were home a little after 10. I didn't get home till after 12. Well, after I left Garvin, I walked. We had an argument. I was upset. I spent a couple of hours walking. Well, then you didn't do it. No, no, of course I didn't. They got a confession out of me anyway. You need to say you signed a confession when you didn't do it? They kept me without sleep for 72 hours. I can't do that. That's illegal. Listen, Charlie, I need your help. Of course. Let's go back to my office. I'll arrange to surrender you directly to the DA. And I'm going to raise the roof about that confession. I'm not going to surrender. I've been framed, Charlie. I've got to find this for Newtie. Listen, Mickey, you leave that to me. You can't wander around where any cop might take a shot at you? Got to find me first. Listen, I need a jacket and a coat. Can you get them for me? Sure. I'll phone Mary right away. Where'd you be? Remember that movie you went to last week? The Riverlink? Yeah. I'll be there. Back row. Make sure they're not following you. Okay, give me a half hour. What would you do meantime? I'll give you an hour because I'm going to Newtie's.  Mickey, don't do it. Better leave things to me. Just get me the coat and the jacket. The Newtie is the one thing I can take care of better than you. I caught a streetcar and 20 minutes later, I was walking toward the sway back two-story building where the Newtie had his insurance office just across the street from Garvin's house. I opened the door and walked in. You want something? Drink, maybe? The Newtie. Where is he? Who shall I say is calling? Where's the Newtie?  Come on, come on, where is he? Take it easy, take it easy, slow down. You want to see the Newtie? I'll take you to the Newtie. Come on. There he is. There's the Newtie. Sure you don't want that drink? He was sitting at his desk, gnatty as ever, disinterested as ever. I walked over to him, stopped. There was a bullet hole in his forehead. He was dead. There was a gun lying on the floor. I picked it up, examined it. Two bullets had been fired. And it was my gun. The light is bringing you, Mr. Joseph Cotton, in fly-by-knife. Tonight's production in radio's outstanding theater of thrills. Suspends. Cap, was there a barker at the carnival? Sure was, Harlow. Ah, I can hear him. Right this way to the ninth wonder of the world. Step right up, folks, and see the auto light stay full battery. This sensational specialist of sure starts needs water, not ten, not five, but only three times a year in normal car use. Yep, barker's always a big attraction. Well, not as big as the auto light stay full battery, Hap. It attracts hundreds of thousands of discriminating drivers every year. Plays to a full house, Harlow. You said it, Hap. And no one night stands either. Auto light stay full batteries are always good for a long run. How come, Harlow? Well, auto light stay full batteries have fiberglass retaining mats protecting each positive plate. These mats help reduce flaking and shedding. They get top billing with me, Harlow. Atta boy, Hap.  The battery that needs water only three times a year. Remember, you're always right with auto light. And now auto light brings back to our Hollywood sound stage, Mr. Joseph Cotten in Elliott Lewis' production of Fly By Night. A tale well calculated to keep you in suspense. I told you I'd take you to Vinuti. What do you think of him? What happened? I thought I'm dead when I came in. A couple of minutes before you did. By the way, who are you? Did you kill him? I know who you are. Your name is Manning. How do you know me? Fell in the picture. What picture? Nevermind. You still haven't told me what you're doing here. Vinuti's girl. My name's Irene Conway. We had a cocktail date. Kind of date did you keep with him? Swarie saw me leave Garvin's apartment at 11.30. The night Garvin was killed, he lied. He lied about a lot of things.  He'd never got anything out of my prove it to you. Garvin was shot on Monday night, wasn't he? That's right, why? Vinuti couldn't have seen you leaving Garvin's place. We were together in my apartment on the other side of town, the close to two. And what made him lie? Why did he do it? Why did he frame me? What? Tell me. Someone paid him to say he saw me leave Garvin's house that night. Maybe. Oh, who paid him? Maybe the man. What man? Monday, Vinuti called me to meet him here at about five o'clock. Here's a man with him. They were looking at some pictures. And when I came in, the man put him away in a hurry. Went right out without even saying goodbye. I know everybody Vinuti knows. This man was a stranger. What is name? Didn't Vinuti mention his name? No, he wouldn't talk about him. I asked him what the picture's where he got mad. But I saw one of them. Who was it? You. That's how I recognized you when you came in. Can you describe this man? Here's a blonde man who wasn't pretty. You're pretty. Vinuti was pretty. Vinuti was prettier than anybody. Listen, Irene, you've got to talk to Charles Borden, my cousin. He's a lawyer. You've got to tell him everything you told me. Will you do that for me? Vinuti isn't pretty. Listen, Irene, Vinuti's dead. Somebody's knocking on the door, Mr. Manning. Must be the police. I call the police. Look, my cousin's name is Charles Borden. He's in the Taft building. You go right down to his office and tell him. I know that's the police. Do you think you'd better run?  You've got to do it now, right now. No, no, I couldn't right now. I've got to talk to the police. Just a minute. Charles Borden in the Taft building. Will you do it? You'd better run, Mr. Manning. Run fast. I ran out the back way and into the streets. Not was time to meet Charlie in the movie theater. Get the jacket and coat for me. Tell him about Irene and the man with my picture. I got settled in one of the empty seats in the back row of the movie and waited. And a little while, Charlie came in and sat down next to me. He had the extra coat and jacket with him. Did you find Vinuti? I found him. He was dead when I found him. Shot with my pistol. Here, here, you take your time. Someone's trying to get me, Charlie, and I think I have a lead on it. What kind of lead? A girl named Irene Conway, friend of Vinuti's. She saw the man who paid Vinuti to put the finger on me. If she doesn't come to you, you've got to find her, Charlie. Make her tell you what she knows, then follow it up. I had detectives, if you have to. Eric and sign checks for me. I've got about 1,500 in my account. Don't worry about the money I'll take here. I need some cash now. I used what I had on phones and street colors. I put $25 in the jacket. Thanks, Charlie. I hope it fits you. It's my jacket. Mary wouldn't give me one of yours. I'll keep in touch with you by phone. Okay. I'm going. You stay for another 10 minutes or so. Right, right. Thanks again. Good luck, Mickey. Charlie walked out leaving the coat and jacket on the seat. I waited 10 minutes, then picked up the clothes and started to leave when a woman sitting three seats away carefully closed a bag of popcorn, leaned over and grabbed me by the arm. What do you think you're doing? Pardon me, please. Stop that man. He's stealing the gentleman's coat. He's a thief. Shhh. Wait a minute, you. What do you think you're going? John, I'll let go of me. Let go of me. I'll let him go. I shall then take out with you. Oh, what are you talking about? These are my things. Oh, no, they're not. I saw you come in. You didn't have them then. That other man sat beside you and when he went to the men's lounge, you grabbed his clothes. I saw you. No, you're mistaken. These are my things. Are you sure I don't belong to him, madam? What have I got eyes in my eyes? I'm mistaken. I'll tell you all the police. Let's go to the office and get this straight now. I don't have time. These are my clothes and I'm the man. I remember you came in your shirt sleeves. Come on. All right, all right. Take me to the manager right now. Yes, madam. You want me to come too? I saw him. Yes, madam. And please don't talk too loud. You're disturbing the patrons. Yeah. Mr. Schreier, this woman claims that this man is trying to walk out with a coat and jacket belonging to another patron. She says he's in the lounge. Here's that phone. Go get the gentleman in the lounge. Yes, sir. This is all a mistake. Coat's mine, so's the jacket. It is not. You came in without a coat or a jacket. I don't deny that. The man who brought them was my cousin. I'd left them in his office. And you won't find him in the lounge. He's gone back to his office. You say this coat and jacket are yours? Yes. Can you identify them by the contents of the pocket? There should be $25 in the jacket. In which pocket? I don't remember one of them. Well, we'll soon see. Nothing in this pocket. Oh, here's something. In bill, madam. I told you. Five, 10, 15, 25. He could have put the money there. That's no proof the coast came in. I told you it was my jacket. Now may I have it, please? Just a moment. There's a letter here in the inside pocket. I presume it's yours. Sure, it's mine. And the name on it? If it's your letter, it should have your name on it. Of course. The name is Charles Borden. Yes, it's addressed in care of Charles Borden, but not to Charles Borden. Oh, yeah, I'd forgotten. It's addressed to Manning. Mrs. Michael Manning. Yes, Mrs. Manning is my cousin. And what is your address? 5437 Booth Street, Forest Hills. Well, that's the address all right, madam. I'm afraid you've made a mistake. This man can identify the clothing. This man's a thief. Oh, I don't think he is, madam. My apologies, sir. It's quite all right. I walked out of the theater, lost myself in the crowd and didn't stop until I was 10 blocks away. Then I slipped into a lunch room and had my first meal of the day. While I was eating, I took the letter out of the pocket of Charles Jacket. Why hadn't he turned this letter over to my wife? What was in it? He didn't want Mary to see. I opened and read it. Leeds, full bride and benning, attorneys at law, 1312 Q Street, Sacramento, California, 12 August 1950. Dear Mrs. Manning, this is to inform you that you have been named so beneficiary under the last will and testament of your late uncle, Benjamin Williams. We request that you or your attorney appear in the probate proceedings by means of the enclosed waiver of citation so that we may make distribution. In our opinion, after taxes, your inheritance will be upwards of $200,000. Silly yours, Julius Benning. $200,000. I was stunned at first. Then it suddenly occurred to me Charlie hadn't said a word about it. Charlie hadn't even shown the letter to Mary. Then I took a novel look at the date. August 12th, over a month ago. Then it came into focus. Cousin Charlie was playing the hand alone. He didn't want Mary to have any of that money. Charlie was the one who had framed me. Get me out of the way then, Mary. Then Charlie would be the sole survivor of our late uncle. Charlie had stolen my gun. Then I'd helped him. I'd put my fingerprints on the gun at the nudies and then given it to Charlie. Charlie was the man with the pictures who paid for Nudie to put me on the spot. I paid my check and grabbed the cab outside at 8.30. I was running up the steps of Charlie's house. Talk to you, Charlie. Anyone see you come here? I didn't bother. Look, I want to talk to you. All right, Vicky. You had me fooled, Charlie. Framed me and fooled me. What are you talking about? You knew Mary had inherited $200,000. You knew it. Never told Mary about it. Kill Garvin to get rid of me. Kill for Nudie because you were afraid I'd beat the truth out of him. When were you planning to kill Mary? Oh, you're going crazy, Mickey. Now look, listen to me.  I swear to you, I don't know what you're talking about. Hey, look. Me, confess, Charlie. I confessed once. Confess. Confess. You didn't confess, Charlie. Well, I'll get someone who will make you do it. Someone who's an expert at it. Driscoll. Driscoll. I stated it. Ah, yeah. Driscoll. Mickey Manning. Charlie Borden's apartment. I've got your murderer for you. Hello, Mickey. Mr. Driscoll called me and said you found Garvin's killer. Have you really, Mickey? Yes. Nudie's too. I told you it was a frame, Mary. Who's the killer, Manning? Cousin Charlie.  Because he wanted all that money for himself, don't you see? Because he wanted that $200,000 for himself. Is that right? Yes. Wait a minute. How do you know about that $200,000, Mary? I knew it from the day I got the letter from the lawyers. And I said to myself, now there's no sense in sharing all that money when there's a way to get it all to myself. So you frame me, Mary. So I framed you. Driscoll and I framed you.  Now- Driscoll. What's your salary for killing off-duty? Always off-duty killing. Kogan and I don't have that. People like Mary here pay us the play act that we encounter. That confession I made to you is worthless. No, not at all, Mickey. I have it in my purse. It's a confession a husband made to his wife. Well, tell me something, wife. How did you plant that letter from the lawyers so I'd find it in Charlie's jacket?  I came to Charlie and persuaded him to take one of his own. Then I slipped the letter in the pocket so you'd find it. Had two people kill for that money just to get rid of me.  I like it this way, Mickey. I like testifying at your trial. I like being all broken up because they'll hang you for murder. Driscoll? Yeah. Let's go say hello to cousin Charlie. Hello, cousin Charlie. Huh? Cousin Charlie doesn't answer.  Charlie did. No, cousin Charlie is still alive. He'll be able to talk. And if he talks, Mary will be in trouble. Hold this gun on your husband, Mary. All right. Close your eyes if you can't stand this, manning. I'm going to start on cousin Charlie where you left off. Leave Charlie alone. Leave him alone.  Mary.  Stick of his bone. Drop it, Mary. Oh, Mickey. Now, Mickey. Mary, you go over to that phone. Go over to the phone. All right, Mickey. I call the police. Tell them you're calling for me. Then tell them I know who killed my partner, Garvin. All right, Mickey. This isn't Mary Manning. I'm calling for my husband, Mickey Manning. Tell them how you framed me, Mary. My husband wants me to tell you how Leo Garvin and a man named Vanuity were murdered. It started with a letter I got in which I inherited $200,000. Presented by AutoLite, tonight's star, Joseph Cotton. We all enjoyed your performance very much, Mr. Cotton. Thanks, Hap. Thank you, Joe. We hope you'll return to suspense again soon. I hope so too, Harlow. It's always a pleasure to be associated with AutoLite. We sound like you, Wilcox. Of course, like me, and hundreds of thousands of satisfied AutoLite customers. Why, Hap, you'll find AutoLite friends everywhere because AutoLite makes more than 400 products for cars, trucks, planes, and boats in 28 plants from coast to coast. These include complete electrical systems used as original equipment on many makes of America's finest cars. Generators, coils, distributors, voltage regulators, wire and cable, starting motors, and electric windshield wipers. All engineered to fit together perfectly, work together perfectly, because they're a perfect team. So friends, don't accept electrical parts supposed to be as good. Ask for and insist on AutoLite original factory parts at your neighborhood service station, car dealer, garage, or repair shop. Remember, you're always right with AutoLite. Next week on Suspense, Ms. Miriam Hopkins as star of Miss Bone. The story of three women living in a small town boarding house and the unusual murder that took place there. And in weeks to come, you will hear such famous stars as Milton Burl and Howard Duff appearing in Tales Well Calculated to Keep You in Suspense. Tonight's Suspense play was produced and directed by Elliot Lewis with music composed by Lucian Moore Awake and conducted by Lud Bluskin. Parts of this program were transcribed. Fly By Night by George and Gertrude Fass was adapted for suspense by Morton Fine and David Friedkin. Joseph Cotton may soon be seen in the 20th Century Fox production Two Flags West. And remember next week on Suspense, Ms. Miriam Hopkins in Miss Bone. Stay for batteries, AutoLite standard type or resistor type smart plug. AutoLite electrical parts at your neighborhood AutoLite dealers. Switch to AutoLite. Good night. This is CBS, the Columbia Broadcasting System.


Okay, thanks y'all. All right, here we go. So bridging the gap, CDF and GitOps communities in collaboration. Pinky, you are the best. Thank you so much. Okay, so who am I? Here I am. I'm Laura LaRusso. As Pinky said, I'm the Outreach Marketing Committee Chair of the CDF and I'm a CNCF ambassador. Feel free to link with me on LinkedIn. That's a little QR code. Take it right there. Also Twitter, X, whatever you wanna call it. I haven't left yet. That's my handle. And this is a picture of me and my daughter from the summer. She really likes Snapchat. We just use the filters because the rest of that is too much. So story time. How did I end up here? So last year at this time, if you told me that I would be a keynote for GitOpsCon EU virtual, I would have said, what? Excuse me, are you losing your mind? Because right around this time last year, we started planning for CDCon and I was the program chair of CDCon and that's when I met Pinky, which was great. And we were just kind of talking and they said, oh, we're pairing CDCon with GitOpsCon and I didn't know what that meant. So I asked the former executive director of the CDF FATI, I said, what does this mean? I'm sorry, I'm lost. And he was very frank and said, many people are in consideration of GitOps. They see it as the evolution of CI CD and it helps incorporate the best practices of this. And so many end users are either evaluating or moving to GitOps. So it's a perfect marriage between CDCon, which is focused on continuous delivery and GitOpsCon.  And so I hope y'all agree with that sort of statement. And so in that, we got to work with the GitOpsCon committee which was Christian and Scott and Dan and they did a great job and it was so much fun working with them. So when Christian asked me if I would talk with y'all today, I jumped at the opportunity because it's always fun to play. And so why are we here today? Why are we at GitOpsCon Europe? Why are we watching somebody flail as they start their presentation because they can't find a Zoom button? Well, I think it's very simple. What makes GitOpsCon the place to be is community. This is why we're here. This is why we wanna be together. And so what is community? It is a feeling of fellowship with others as a result of sharing common attitudes, interests and goals. And I just wanna make sure you guys can all see my right screen, right? I just had a momentary freak out. Okay, so back to community. So what is open community? So it takes it a step further, right? Cause we all are working in open source. So an open community, it ensures that the community is cohesive, inclusive. There's a level playing ground. We balance the three forces of developers, users and ecosystems and I have to tell you this idea of building common goals, strong connections coming up with one path forward is something that when I saw it in action for the first time at my first open source developer meeting where they were building out a project, I thought I was gonna lose my mind. Like, first of all, seeing magic happen is amazing. I think developers make magic, but seeing you all come to a consensus, having everybody at a table be super passionate about what they're talking about and have different viewpoints and different opinions and going through the motions of getting everyone at the table heard and listened to. And then as a consensus deciding how to move forward, I mean, think about it. That doesn't even happen in my house and I just have an eight year old, right? There is no sense of consensus. So I think the idea of community, of open community is amazing and you all practice it every day. So I'm gonna take us on a little journey, right? And so we are now a company because this is why we're here today. We're talking about GitOps and CDF. So we are Trendy Corporation. I hope you like my very generic logo that I found online. What are we?  We're starting to scale up in 2024, but we wanna make sure that we're thinking about all the things we need to think about so we can do this appropriately and in the right way. We work in Git, we are all about distributed teams. So no RTO issues, you know what I mean? And our desired outcome is to work smarter, but not harder. So this is our problem. So how can the community help us modernize our developer workflow? How can the community help us move forward? Well, we gotta do some investigation, right? We gotta find a proven framework. And where does that, how do we do this? How do we evaluate what we're looking at? Well, easy. We see like what other companies, we find a framework, we find what other companies are using this framework, who's developing and maintaining this methodology, like who's saying that this is a best practice? And does it allow for us to keep using our current developer toolset? Or are we gonna have to completely scrap everything that we're doing and move forward? Well, I think as you would all agree, the choice is simple and that's GitOps, right? Because we wanna go by their four principles. The declarative, the versioned and immutable that pulled automatically, continuously reconciled. You know, it's a framework using the best practices of DevOps and taking it to a Git infrastructure. So it's the best of everything. You've got your version control, you've got your compliance built in, your CI CD built in, and it's all about automation. So we're like, yes, this is what we need to do. And who maintains GitOps? Now, this is what's great, right? It's a project of the cloud native computing foundation. So you've got the GitOps working group and then you've got open GitOps. So basically, again, you have all these brilliant minds working together to make sure that they're constantly refining and reviewing the principles, the architecture and making sure that end users have a good path forward. That's proven and tested. But now we have another problem. How can the community help us optimize continuous delivery component of our GitOps workflow? Because we realize things are getting stuck. So what do we do? We find a proven framework. How are we gonna do this? Who can help us? And so if Kelsey Hittiteower says that, and this is back in 2018, that GitOps is version CI CD on top of declarative infrastructure, stop scripting and start shipping. So we need to work with people that are all about the shipping. So who's gonna help us do that? Continuous delivery foundation. So the continuous delivery foundation was actually born out of the CNCF. The group of founders realized that continuous delivery was such a strong subset of problems that it deserved its own sort of home. And then they created the CDF to live for it. So here are some of the projects. There are eight projects at the CDF. There's Jenkins, Spinnaker, screwdriver, Ortelius, Jenkins X, Tecton, Shipwright and CD events. So all of these events have to do with continuous delivery in some way, shape or form. And as these projects are evolving, they're adding in security and other layers, integrations with other projects truly help build out a robust tool set for users. So what can we use to help us? Well, there's a project called CD events. And CD events makes it simple to connect workflows from one different systems. It increases the pace at which you can migrate and fully automate your continuous delivery process for your organization. And as you see here, they already work with Argo, Flux and Harbor. So these are projects we're currently using and they're gonna help us have a standardized event so that anytime something happens, we have an easy way to observe the event happening, have a common language, and we can be able to quickly remediate any issue. So if an event happens over here in our pipeline, we realize now that it's triggering something over there that we didn't see, that's the magic of CD events. So we don't have to change our tooling, we're just adding on a call that gives us the information that we need that we didn't otherwise see. And shows how everything is related and interoperability is the way to the future and it's gonna make us all work faster. Again, when we're doing our research, so we found out what CD events is, but now here's another paper and it's called Using GitOps and GitHub Events, CD Events and DevSecOps Release Orchestration Pipeline. So Manuel Schuler just did this talk at DevSecCon and he's putting it into practice. He's giving us all this information and all this research that he did. He's showing us a demo, he's showing us his frameworks. Now we can start getting really confident that, okay, we can do GitOps and add in CD events and we're gonna be better shaped in for the future. And lastly, here's the new article that just came out, I think yesterday, CD events and action leveraged into the spec for pipeline notifications for approvals. So now I'm telling you that not only do you not have to change your pipeline, you just have to add on this call to figure out what's going on, how things are working, interoperability and now I'm gonna get notifications where I work, which is in Slack. So when you have all of these things combined, you do the research, you see others, what others have done, you see that the projects that you're currently using are already integrated with this. There's like no other answer, like this is where I need to be. And thank you to the community for figuring out there was a problem and solving it so that I can then move forward. So collaboration is key. That's the one thing that we need to think about is we need to work together and that means we're gonna work smarter. So open GitOps, GitOps working group underneath the CNCF and the CD Foundation with projects like CD events or Jenkins, you know, all of these things can work together to create a nice harmony and have us work smarter and not harder. So what does cross collaboration projects bring? Well, first, you know, I think it encourages more diversity of thought, right? Cause each community can view the same problem space to a different lens, right? So where, you know, CDF, there was Jenkins as a pipeline or then CNCF took it a step further and created Argo because they wanted to focus on cloud native infrastructure. So you have different communities working on the same problem in different ways and you can take from each of those what's gonna best suit you. What else can it do? You can get more robust solutions that represent your organization and organizations at scale. You know, because when you look at the list of members of these projects, right? You've got your Fidelity's, you've got your Apple's, you've got your Dell's, your IBM's, you've got all of these huge end user companies that are working like Netflix to solve a problem. And in that, you're gonna see how they did it at their scale and be able to pair it down to where you're at. And lastly, you know, open and open lines of communication like really helps you get things done faster. So even though somebody is working in the Argo project when they decided to adopt CD events, perhaps they started sitting in on the CD events working group meetings.  So I want to be a part of that as well. So the more you can have cross flow communication between different communities, the better the overall ecosphere is gonna be because no one is going to be operating out of a silo. People are going to be able to have this free flow of communication and knowledge. And again, when we talk about open source, everybody gets a seat at the table. Everybody gets to get their voice heard. So CD events was actually born out of the interoperability sig and they decided that they could move things forward and create an actual POC and that's awesome. So when you open and maintain lines of communication cross projects, cross foundations, what you're really just gonna get is better solutions and work done faster. You're going to be able to lean on each other in different ways, different avenues. And I also think it sparks innovation, right? Because you're hearing what other people are doing and how they're doing it. And maybe you think, ah, I could do it like that or I could do it a little bit different and get a better result. So that's super cool. So diversity of thought. So I just took these like amazing screenshots of the working group for getups as well as the CD events group. Now these are in different Slack channels because we can't have enough Slack channels. The cloud native computing foundation has the getups working group and the CDF has the CD events working group. But as you can see, the getups working group has 983 members and the CD events working group has 197 members. I would love to do a download to see like if there's any cross pollination because I'm sure there is. But this is what I mean when I say diversity of thought. So you have over a thousand people here working on similar problems and addressing it in their own way. So this is huge, right? And again, when we follow those open source principles everybody gets a seat at the table, everybody gets to get their voice heard. You can just watch, you can see, you can download documentation and then maybe you wanna do an issues request or maybe you wanna like start mentioning things in Slack and maybe you have this and maybe you have that. But the whole point is you're with a thousand people that are in a similar place than you and they wanna help you because everybody wants to get to the end and to the better solution. Now, robust solutions. Now I just did a random Google search and came up with this little scenario. So it's an end-to-end getups automation with Argo CD Jenkins on Kubernetes, right? So look, we're at a cross-pollinating where we thought we were or not. So Jenkins, of course, the CDF project, Argo, CNCF project, everything working to create better tooling and better workflows in the getups pipeline. So why are we working together? Because you get the best out of each community, right? So they're hyper focused on solving the specific problem and you get to see what their solutions are and you get to do the research and determine like, okay, is this solution right for me? Here are their workflows, here are their examples. Everything's out in the open, it's amazing. So again, you can take two different foundations, two different projects and see how they work together to create a great workflow for this organization. And in that article, there are demos, there are code-based examples, there's all kinds of things for your resource. So again, I can't stress enough, this is why we wanna work together and this is why open source is so amazing. You can get this high level view of what they did in this one little image right here and then you can really get into the weeds, into the down and dirty, into their code base because it's open and they're sharing it with you. It's amazing. I apologize for this terrible photo. I took it at the LF member summit a couple months ago but I was super excited because Andrea Portole who's one of the lead maintainers of CDEvents was just, it's just a quick shot of like who's collaborating and who's adopting. So as you see Argo and Flux and Harbor are adopting CDEvents but then as you also see there are other foundations helping to adopt CDEvents. You've got the open SSF, they're going to use CDEvents as a framework for security. You've got the VSM consortium, they're concerned with interoperability. You've got a cloud native computing foundation which of course houses, Argo and Flux. So from the beginning this project which I think is at version dot three now has done it in my idea the right way from the beginning. They really realize that what they're trying to solve is interoperability issue. You needed to have a common set of language, common set of pools. And so they started really reaching out to all of these projects and all of these communities to see if they were interested in working with them so that everything can kind of get kicked off the right way from the beginning. And so the reference architecture is getting built. All of these things are getting built with tools that end users currently use. So again, the framework, the reference architecture that's going into this, the amount of communication that's happening in collaboration. I mean, it's phenomenal. And like I said, they're not even in version one yet. So imagine what's going to happen as everybody continues to work together over the next few months, few years and really starts to show the value of what CDEvents can do, what interoperability really means to your pipeline and how you can work so much faster knowing that something triggered over here is going to trigger something over here because your system is so huge, you had no idea. And now you're going to be able to tell. So, where do we begin? Where are the gaps? How do we bridge them? How can we standardize the process of cross communication and collaboration? Well, I think it all starts, looking at the current communities that you're involved with, looking at the current tooling set that you're using. I'm sure like you get emails saying like your tool sets up to this different version, you know, version 8.6 or whatever. And maybe you just don't have time to upgrade, but maybe look and see what they're doing. Maybe they're saying we've now decided to, you know, adopt CDEvents and we want to show you why this is important or, you know, maybe go to the GitHub Slack channel and just start poking around, start asking questions, see what people are working on, right? Like, is there one of the principles that's really important to you that you want to see what is happening in that space? Ask around. And if so, maybe you're in the CDF Slack and you're like, I feel like this principle of continuous delivery and automation is something that maybe somebody else is working on, ask a question. I think, you know, sometimes we get meeting to death, so it's really hard, but the cool thing of again, about open source communities is that everything is transparent and out in the open. So there's always meeting notes or agendas or, you know, things that you can look at on your own time, like recordings, which is super cool. I would say, don't limit yourself to just doing your normal day-to-day if this is something that you're passionate about and you have these ideas that are like in the back of your head, but you don't know where to get started, just get started in the Slack channel.  I know someone so that works in Jenkins and he's a part of Plugins. And what you're saying sounds like a plugin that you need added on. So why don't you go talk to them? It's amazing. I think for all the jobs that I've had, when I got to focus on open source, I think my mind, and it's still blown about how much the community cares and how much the community wants people to advance and enhance their everyday-to-day like working. So, you know, I think the first step is probably just to do a little bit of research. You know, look at the tools that you're using, see where they came from, you know, and then start poking around. Maybe start asking questions. Maybe there's a blog post that you want to write. Well, guess what? CNCF, CDF, all the foundations love posting blogs. I'm sure the projects would love to host an example that you did. So every voice matters. And I think, again, in the spirit of open source, it's always good to give back and not just take. So part of that could just be, like I said, just asking question, raising a hand and adding your voice to the conversation. And with that, I want to say thank you and here's my information. And like a lot of us out there today, I am also looking for my next opportunity. So if you know of anything or if I can help you in any way and extend my network to you, please let me know. I would love to be able to help open a door for you. And, you know, the same in return. So I will now stop sharing. Okay. So I'm a little early. So. Yeah, that was my bad. I just be eager. No, I love it. And it's just so funny. My mom's like yelling at me. She's like, is this your recycling? I'm like, lady. While you're, oh, we didn't hear it. We didn't hear it. We were just talking about that before too, before the sessions. We were talking about like random interruptions. Everything's changed. Yeah. I have a couple of questions for you. The first one is, is Argo CD not part of the CD Foundation? No, Argo CD is part of CNCF and it's graduated from the CNCF. And like I said, I know that the CDF is born in this continuous delivery space and that's their job is to like make things worse fast and secure, but CNCF has 170 something projects. And when CDF was started, Argo went to CNCF.  And the same thing is true to graduate. It's a marathon and not a sprint. So you can talk more about that. Like it's- Oh, yes. But it's great, right? Getting close to graduation around the same time. Yeah, it was, I wasn't like the one that had all the stress on my shoulders, but I watched the people that did. It was my teammates. And yeah, it was a big process, like the security audits and just trying to get it pushed and like get it past all of the like different things that were asked of it. Yeah. But very much worth it. I totally agree with you. It changes a project's, I think trust and like the outreach pool as yeah. A hundred percent. And I think like, again, like the, I think the key to open source is to do the research. And it puts a little bit on you in the beginning, but that's okay because again, if you're a project and you want to donate it and you're not sure where you have to figure out, there's so many projects out there that are focused on so many different things. And you need to scope the criteria. Again, for entry, for exit, you need to like look at so many different things and the credibility factor of being a project at the CNCF or being a project at the CNCF, CDF, CNCF, OpenSSF, all of the SSFs, all of the Fs is huge. And I think it again, it allows to what you said, the reputation building and the trust, the trust for the community because they know that your friends, Pinky went through it and you got to like sit back and watch, but you worked on it and you continued to work on it. But no, I wasn't like, I remember it was like Daniel too and it was just, it's a lot, but it's like really, really worth it. Like you said, it changes. I was actually asked this question at KubeCon recently in Chicago of like, why donate a project to the CNCF? And we were discussing like the value ads and it really changes the lifecycle of a project and the outcome. And like, it gets more visibility, but it also gets this like wonderful backing and community outreach. And it's really cool. I agree. It's cool to be a part of the community like this. 100%. And when you think about it, why are you gonna get to sit down with all of these end users that are really trying to make things better? Like the, like, and that's what I mean too about my network. And I'm serious. If you guys are need a connection and you see that I'm connected to somebody, please let me know because without open source, I wouldn't have all of these connections. Like I wouldn't have been able to have this seat at the table to meet all of these people that I was just like, oh, this is just DDC. He's really cool. Oh, wait, he works for Apple. Wow, oh, he does this.  And I think it's just, it's an awesome environment. I feel the exact same way. I feel like before I became like involved in CNCF, it's like my network has just increased so much now. And I know people like all over the world that I wouldn't have known and it's so wild. I get to meet all these cool people all the time and it's my job and it's really just awesome. It's very, very cool to be a part of this community. I agree. On that note, actually, how did you yourself get started, like being involved in the open source communities? So this is kind of funny and I talked a little bit about it at CDCon. I was all-in-told. So when I started at my previous company, I started as a community manager and just like internal kind of stuff.  And then I realized, oh, wow, there's a lot of things happening in all of these meetings. There's a lot of cool stuff that not only relates back to the company that I'm working for, but just like kind of my passion and my kind of interest, you know, like, and there's all these opportunities, like I'm a marketing person and oh my gosh, there's so many different ways that I can help, you know, these projects or the organizations help market themselves. So last June, my position shifted to open source program manager and I got to devote more of my time to just like getting my hands dirty. And then I was nominated and accepted a leadership position as the outreach marketing chair of the CDF. And then I like on a whim nominated myself for marketing chair of the CNCF and I got it. And I was like, wow, this is amazing because going from a organization with nine projects at the time to another organization that's so huge. And I like, I wrote that project mantle. Like I was like, we have got to get all of these projects as much information as they can, like as many templates to market, as many things as they can do to help them while they're making magic. So just kind of snowballs. And exactly, I have now this huge network of people that I am so excited to see virtually or in person. And it's been great. So again, sometimes you just got to be told to do something to make it happen and you'd be surprised at what comes out at the end. Yeah, that's really true. I mean, I think mine was kind of similar. Like I went from, I used to work at the State Farm and then I went to work at Weaveworks and it was like a totally different experience. Like being involved in the CNCF, it's really different and it's really, really cool. And I really do wish like everyone could experience it because it's like the nicest community of people that are so welcoming. And it's, yeah, it's just really exciting to be a part of. There is a question here too about if CD events is based on cloud event standard. So that I don't know, but I will say that in the presentation there are a bunch of links. And if you just go to the CD events website they have all of the documentation that will help you get started. And if you join the CDF Slack channel and join their working group, like you'll see everything you need. Like I said, there's links. This is what again makes open source amazing, right? Is that everything is transparent. So nobody's trying to like hide anything from you. So you can see their agenda, you can see their meeting minutes, you can see recordings of their meetings and really get yourself started. So sorry I don't have the exact answer for that. I just know that they're rocking and rolling over there and the adoption rate is awesome. And every time I hear somebody talk about CD events I get super excited because I could never say the word interoperability. And now I just got it and it's so important. I also had to practice it before I was like interoperability. It's a tough work. It's a lot. Like why didn't they work so hard, you know? This question is kind of similar where it's like, I don't know if you'll know this like for sure. I don't know where cargo light lands, but it's kind of a comment slash question. We had a presentation of cargo yesterday. It's a very interesting project to respond to problems of environments, stages, promotions. Cargo is a part of which foundation. I'm not, I'd have to look into it too. I haven't checked to see what cargo, which one it falls under yet. So that might be, go check the horrible maps. Maybe that's a good one for the Slack channel to just kind of ask around and see who can be your resource. Cause sadly I am not your resource on this one. But again, you're in an open source community with lots of people that can help. And sorry, I don't know. Yeah, no, you're fine. What's the relationship between cloud events and CD events? It's kind of like a... You're getting in the weeds, man. I know. I'm going to say that's beyond our scope. But I did want to ask like, I know you did touch on this earlier, but like, so what's your recommendation for someone to like how to get started and help and contribute to the projects and get involved in like CNCF things? So I think like the easiest way is, well, first you need to kind of determine from your own boundaries, do you want to do this at work or do you want to do this as a passion project at home? And I highly recommend and suggest and figure that out first. Because if you're going to go the at home route, well, there's so many things, right? You can look at the tools that you work on your passion projects at home. You can see like, if they're looking for contributors, maintainers, maybe they need somebody to help write documentation and you're really good at that. Maybe you're like me and you're like, well, I can just help market. Like maybe there's like outreach and networking I can help do and like there's other companies. Maybe I run a meetup or something and like I can have a speaker come in. So, okay, that's passion side. Work side, I think it's always good to look at the current tools that you're using. Look at the open source tools that you're using and then do some research. Are they looking for maintainers, contributors? What can you do? Is there something cool that you created at work that you want to help give back? And then ask your manager, hey, we're working on Flux and I would like to be able to donate five hours of my work week to helping them move Flux forward. We're working on this project, Steve. You know, Steve, it's not getting any further but if I could actually sit with them and talk to them, maybe we could help shape how this is moving forward and we can do this. Steve, Jill, Bob, whoever. I think those are- Yes, Steve, let them do what they gotta do. Come on, Steve, just do it, man. But I think you need to have justification as to why you want to do something and again, start with your internal, where do I want this to fall? Because slowly but surely, if it's a passion project, you can realize it starts creeping in and then, you know, like your night times get shorter and you're like super excited and you have all these things you want to do and then it's like all of a sudden at 7 a.m., your kid's gotta get out the door and then you gotta sit down and start work. So I think that's something that you can also, you know, relate back as value. Maybe you do a tech talk at lunch, a brown bag because you want to share what you're learning. But that's the key to development, right? Like you guys are always learning. Like you guys make the magic and in order to do that, you have to kind of stay abreast as to what's going on and joining a project at whatever level or becoming a more active member in the CNCF or CDF, taking the trainings, the certifications, like these are the people that are building the tool set and the knowledge base that is gonna get your project and your company from point A to point B. So if you can sell that in that way to your manager, I mean, Steve's just gonna have to say yes. I've not given my number and we'll make it happen. You're so right too. Cause like it's not just about like coding either. There's so much more than that. You could do documentation. Let's say you don't know the code base. You can still like actually help out the project that you're using. And I think that's a really cool place to start. I agree with you. If you're already using the open source tools, help out the community. That's awesome. And like, yeah, you're so right too. End user talks. That helps out the project so much more than people realize. So yeah, that's very cool. Okay. Is there anything else you wanted to like chat about? No, this was awesome. This was a great opportunity. I hope everybody online has a great time. I was popping in yesterday. The talks are awesome. The fact that everything is being recorded, you don't feel like you're missing anything. Again, I appreciate you letting me be here. And it's so good to see you after, seems like I guess it's been like almost like half a year. This year just went so fast. It's December. I have elves on shelves. And I said elves because my kid is obsessed. So we have five. Five. I can't believe it's December. I just like can't. It feels like we were just in Vancouver too. So it's like. Yeah. And honestly, y'all, now is a good time. Like if you want to get involved in an open source project, take the next couple of weeks when we know everything's kind of like winding down unless you're in sales and figure it out, right? So pitch it to your boss as something that you want to work on in 2024. Add that to your set of deliverables. Add that to your next performance review, right? Add that as an objective of something that you want to accomplish. Like this year is almost gone. And so it's a good time sort of reflect on like what you maybe want to do next year. So I think joining Pinky with Flux or anybody else could be a good way to go. And I think open source summit Seattle's CFPs are open too. So if anyone wants to take a look at that. I know it always feels like there's another thing to submit to you can never get to break. But yeah, I think those are open as well. So if anyone wants to submit to that as well, that'd be really awesome. If there's an open source tool that you're a fan of that'd be really cool. But also I just want to say a few things before I run out of time. So we're going to be transitioning to breakout sessions in a bit. And so if you look to the left of your screen you should see a vertical menu where you can select breakout sessions. So once we're done here, you'll want to click on that to see the next sessions and join them. And it's going to like ask you to verify that you want to leave and that's fine. But thanks so much for joining us and we'll see you back here at 330. Thank you so much, Lori. It's always a pleasure. And hopefully I get to see you in Paris. Hopefully you'll be there. You guys crossed. Yeah. Have a great one. This was awesome. Happy holidays, y'all.


Hi, this is D5 Render. Welcome to this tutorial. This episode will focus on a daylight commercial space lighting setup for a natural wood themed restaurant. Here are the five perspectives we set for this scene which all look natural and realistic thanks to the advanced lighting algorithm of D5 Render. Before we get started, make sure to subscribe to our channel. First, turn off the auto exposure in the effect panel. Switch to the view we'll be working on. For natural light, go to environment HDRI. I've chosen a nearly white HDRI as we want to create a cloudy environment. Next, adjust the sky brightness to light up the scene and ensure the sky is not overexposed. You can rotate the HDRI to position the clouds in a more visually appealing spot. For the sky's color temperature, we can make it slightly colder. The HDRI sun is also critical for natural lighting. After turning it up, adjust the sun to a position where it can cast atmospheric shadows. For example, we can elongate the shadows of the chairs making the ground look layered. Then make the sun a bit warmer in color temperature. Adjust its brightness to 0.5 ensuring the light colored ground is not overexposed. With the natural lighting settings done, don't forget to save the changes by clicking update in the scene list. You can see the light and shadow of the entire space outline. Further brightening the dark areas, we need some artificial lights to enhance the light transition. First, zoom out the camera to determine the direction of the key light source for the entire restaurant. Place a rectangular light here, not too bright with a big attenuation radius and a neutral color temperature. Let's check the difference between with and without this light. It can brighten up the entire scene and enrich the reflection details of metal objects. However, it shouldn't be too bright because we will add more accent lights later. Otherwise it may cause overexposure. Now add rectangular lights on the right according to the size of each window. Give them a big attenuation radius and a neutral color temperature. They shouldn't be too bright or the scene will look flat. Make sure the light source on the left side is always brighter than the right ones. Next, add a point light inside the pendant lamp above the table. We don't want it too bright, just enough to illuminate the table and create a warm atmosphere with a color temperature between 3000 and 4000 Kelvin. The point light setup also works for those inside the wall lights. The overall lighting is in place. Check the whole scene, specifically the left corridor. The wall has a full length window, yet doesn't have light and shadow behind it. So we'll add a rectangular light here. In this way, the entire corridor is lit up and looks much better. If you feel the chair backs look dark, don't worry. We can add a rectangular light behind the camera. Turn down its brightness or it'll mess up the current lighting. And as always, don't forget to save the scene. After completing the light settings, you can move on to the effect panel, making some post-processing. Turning loot on can add a specific atmosphere. Here, we choose the D5's built-in loot desert with low intensity. Then, adjust the effect parameters as you need, such as exposure, contrast, shadow, white balance, bloom, and saturation. The scene is all set to render. That completes our tutorial. You can download the scene in the video description. Thanks for watching. See you next time.