Hi everyone Sean with jazby's case breaks comm here doing 2020 tops museum collection 12 box case break random team number four Should be good stuff in store for everybody. We've got our list of customers names from Sean Mikhail down to Jesse shin with last spot mojo there and then the eight spots that we just gave away in our elite random team one box break Congrats to all of you no matter how you got into this break And from the Washington Nationals back up to the Arizona Diamondbacks Dice roll here is going to randomize which player which person gets with which team randomize each list One and a six seven times. Good luck everyone one two three four five six and seventh and final time From Steve birch down to matt medland now we're gonna do seven times on the teams one two three four five six and seventh and final time from the Detroit Tigers Down to the Kansas City Royals Let's go ahead and add it up make it a little bit easier for everybody to read And we'll open up the trade window Steve birch with the tigers Chris Walker with the a's Steve birch with the jays blue jays Joseph Petrelia with the cubs dj potty with the twins scott brown with the red socks christopher freeze with the pirates Jesse shin last spot mojo los andros angels Bradley Newman nationals gave a specia with the fillies Aaron pettit with the chicago white socks and the spot he won in the elite two break that we just did Wesley thomas Padres Sean mackayl indians travis melburgh mariners Aaron pettit astros robert runkle with the orioles Barry roberts yankees kyle uplinger with the marlins jake featheringill with the cardinals Gabe a specia with the giants travis melbourne with the dodgers Aaron pettit with the rockies joe petrelli diamondbacks matt mclochlin reyes tamer tamer kiramika braves jason pritchard brewers jake featheringill rangers matt medland reds erin pettit mets matt medland royals here we go guys let's go ahead and sort this by teams i'm gonna open up the trade window any trades while you're talking about trades potentially if anybody's in here let me know we're gonna go ahead and open up the case so here's our case fresh case for everybody you can also see it up here on the nick cam we're gonna open this up uh it is full case 12 boxes so we got the pirates up for trade guys full gays is 12 box there's our 12 boxes one two three four five six uh jakes got the rangers up for trade chris so it looks like rangers are up pirates are up chris with the pirates jake's offering the rangers chris says yes jake do you want to do that trade if so that'll be the break or the trade that we're gonna do let me know jake we're gonna close the trade window afterward rangers for pirates confirmed okay confirmed trade window closed guys jake is trading out of the texas rangers spot and into the pittsburgh pirate spot chris is trading out of the pirate spot and into the texas rangers spot there we go now let's print and rip good luck everyone good luck trade mojo to both of you guys let's see some classics for both teams this is true guys remember we're guaranteed at least one frame case hit here is the final checklist jesse shin last spot mojo los angeles oh switch to this camera would probably be helpful huh good luck everyone we're doubling it up so we're gonna go two boxes at a time scott did i get you your red sox oh my god i did how'd that happen it's like i rewarded you for being a mascot for this break gabe you got the giants too random.org definitely treated you guys on this one let's move these and stack them higher so we can get a little bit of floor space dj you're in for a treat man if you haven't seen this stuff before johnny if you don't want to watch on insta you can come over to youtube we're streaming it on that as well you're more than welcome you can join 40 other people on the youtube watching it one two three four five six seven eight i remember correctly there's a base card on the back jake who you're looking for what i can't really switch the thing the camera to show you the teams if you tell me what what like what team you're looking for or what team you have i can tell you because you have the st louis cardinals did you have you had two spots right you have the pittsburgh pyre to the st louis cardinals are you looking for somebody else apologies to keston here well remember it's not just current players guys museum collection does lots of uh classic players too so think about all-time classics osi smith bob gibson bob gibson's a big uh big player for tops they love bob gibson brooers jason keston here christian yellich maybe maybe you've heard of those guys keston here i'm a big fan of christian yellich should have been the mvp last year classics robin yell oh nick i don't like saying ryan brawn's name that guy cheated one mvp tried to lie about it and now he sits there and talks about accountability and and owning up nope not a fan but you remember that feeling that i had when you're holding the heavy pack that happens to have a frame in it and one of the very first boxes you open gives you that feeling guys oh 808 you're in true retreat you never seen a frame you'll see so we'll start in the back since the frame's in the front yachty malina the 150 for the st louis cardinals jake feathering y'all ripkin guerrero scherzer our first hit triple relic and auto brendan rogers for the colorado rockies going to erin pettit spot he won in the lead to uh jason you do have the brewers if that the spot you won that gave you the brewers erin judge parallel reberto clemente roger clemens chain beaver second hit four of the chicago cubs quad relic 16 out of 75 jason hayward chicago cubs joe p spot he won in elite two keston here at a 99 purple milwaukee brewers jason pritchard kyle louis rookie seattle mariners travis melbert reese hoskins decky matt suey on card auto and lab raves dan's b swanson tamar karmica matt chatman mookie betz chris bryant and garret coal and relic for the philadelphia fillies seven out of 35 jake arietta fillies going to gabe aspecia now second box joey vato to 50 for the simpson adi reds matt meddlin spot he won in the lead one gary gwin and bell first hit of box two jt real muto 116 out of 199 love the old powder blue philadelphia fillies gabe aspecia kody bellinger tray turner bober shed rookie toronto blue jays steve birch spot he won in elite one ted williams and quad relic for the houston astros numbered to 99 alex bregman jose al tuve callers carlos korea and george springer houston astros erin pettit spot he won in elite one espidia not aspecia espidia now i got a kid hey the more and times i say your name wrong good better for you right masahiro tanaka shio heo tani williams and illy himenez so if i'm not saying your name wrong that means i'm not getting your hits dj lemayhu 32 out of 35 triple color relic for the new york yankees barry roberts spot he won in elite one anthony rizzo to 150 for the chicago cubs jopey jt rumiuto miguel cabrera and glaver torres and our first frame there's guaranteed one per case donnie baseball eight out of 15 for the new york yankees and barry roberts the spot he won in the elite one random 808 that's a frame see the silver frame around the card let's see if we can find more guys i've done cases where we've hit a silver frame a gold frame and a framed one-of-one patch out of so don't think that that kills the case in regards to frames that's why it's called museum collection gave it's gotta be museum quality so i mean everybody is this stuff we could barely keep when we had it the first on release day i think we sold out two or three times on this stuff now we've got it again sold out a fourth timer however many times we've had it now uh jake what are you saying all these boxes yeah we're opening all of these it's 12 boxes full case if that's what you mean by your question i think it is right because all the packaging this takes a little bit as you can imagine because you got one outside box you got four inside boxes then you got the pack to go with it lots and lots of hits i mean you're guaranteed two autos per box on average right or so 12 boxes 24 autos plus the relics so even the non autos you get at least 24 of those plus all the rookies which there's some good ones this time and we've already got ourselves one frame let's see if we can get more what up shoe how are you man uh i was doing youtube and jason took off so i came over and grabbed the instagram camera and brought it over to try to uh finish up a case break or two nice to see you man i heard jason say you popped in the chat earlier i was like i was like dude tell him tell him we still need to get him that uh i think it's go jackson right or something that card we got sitting here it's all good don't have to be here all the time just have fun while you are right cool so let's start in the front corner this time since there's no frame there mike schmitt alex bregman johnny bench no cinder guard nice three-color relic jose Ramirez 19 or 15 of 25 for the cleveland indians that's going to shawn mackayl okay cool that's what we were holding it for jack flirty chris sale albert poohols gavin luxe rookie los angeles dodgers travis melbourne and dual patch an auto for a dude that's been crushed at luke voigt new york yankees berry robert's spot he won an elite uh it is shoe it is a group break congrats nick the thing is awesome brendan mckay variation rookie keston hiera niko horner ronald akunya jr reproduction sketch for the atlanta braves tamer kribka and nice on card wan soto 20 out of 25 washington nationals bradley newman congrats that niko horder relic or auto or not auto or relic rookie went to jopey chicago cups david orteez to 50 for the boston redsox scott brown ricky henderson itchero nullan ryan the quad relic for the colorado rockies number 10 out of 75 nullan aeronado trevor story charlie blackman and david doll poppy's your guy scott he's a good dude good guy good guy i like him buster posie francisco lindore frank thomas and jackie robinson another one for the new york yankees louise severino triple relic auto three or four colors in there 66 out of 99 new york yankees berry robert's once again spot he won in that elite one break ronald akunya jr to 50 for the atlanta braves tamer karamika trevor story ozzy smith ken griffey jr dustin padroia with a really dirty relic there dirt on that one 31 out of 99 for the boston redsox scott brown uh that's gotta be game warren scott how you get dirt like that on something um that or it's just dirt picked up from uh from the factory noah cinder guard justin verlander jacob de graham clayton kershaw and for the san francisco giants won marishaw 93 out of 149 that's going to you gave aspedia congrats man and hey sus laser lizardo for the oakland days chris walker andrew mccutcheon jar carlos stanton christian yellich and relic for the colorado rockies german marquez 32 out of 50 colorado rockies erin pettit spot he won in elite two that fox is three and four guys let's keep going scott we're still we still got we're not even a third of the we just got to a third of the way through the break that makes sense now i get it gave i thought maybe used it for business purposes me too scott me too this after these two boxes will be at the halfway point guys so don't fret you wouldn't call baseball game in the middle of the fifth oh what's up it's gotten big you know it's funny dude it's it's funny that you popped in i actually uh uh last night when i was heading home i was putting everything away and i saw i saw your hit like the the jacks in the box and i was like you know what i gotta reach out to him on instagram i was like because i know that i had i had uh we had sent messages or something like that from like my personal card account so i was like i gotta reach out to him and i was like oh dude it's like two in the morning i was like last thing he wants to do is get like an instagram message in his dms from you so i was like do it tomorrow okay so i'm assuming all of you guys have seen that hulu has life sports thing with uh erin judge and like donald mitchell and i apologize but i don't know who the female athlete is but uh how terrifying is that like photoshop it looks like it's ai i think it is there's no way that's real real oh i got grace nice clemens torrez turner bobe chat rookie toronto blue jay steve birch and for the minnesota twins max kepler 204 of 299 minnesota twins go into dj poti spot he won in the elite to break oh yeah no worries dude i get it we're actually i mean crazy enough we're actually going to be opening up finally next week hosay ramirez to 150 for the cleveland indians sean mckayl eloy the garig and i think this is ernie banks yep ernie banks reproduction uh sketch so not a one-of-one chicago cups jope jopey and first hit on the trade mojo joey gallo five out of 10 three color patch texas rangers christ friece somebody was saying that uh apparently there was talks of him going to colorado rockies can you imagine his bat on the rockies like with how how like just his strength like the guy's not a great player by any means but he can hit a ball mile ryan sandberg ted williams show you a tony and willy maize quad relic washington nationals stevens drossberg won soto trade turner and max scherzer to 99 for bradley newman washington nationals george springer tony gwin josh bell mike piazza reproduction sketch for los angeles dodgers travis melberg and patch and auto eugenio suarez to 299 for the simson adi reds matt medlin spotty one in elite one marlins kyle i don't know the checklist offhand 69 and 99 ricky henderson for the oakland days chris walker soto korea sonny gray for the philadelphia fillies erin nola 26 out of 50 dual relic and auto gape aspedia and the fillies freddy freeman jd martinez chipper jones george brett and dual relic for the pittsburgh pirates josh bell chris archer 21 out of 50 trade mojo pirates jake featheringell louise robert rookie variation chicago white socks erin pettit sandy cofax nolyn aeronado and willy maize sketch reproduction san francisco giants gape aspedia quad relic for the st louis cardinals colton wong 99 out of 99 reduce those fractions got yourself a one of one jake featheringell mike trout to 150 for the los angeles angels jesse shin javi baez mani machado don mattingly eloy Jimenez 34 out of 99 chicago white socks erin pettit spot one elite two of course jesse halfway through guys still got a whole lot to go if you're hitting congratulations if you haven't yet don't panic you still got six boxes to go who's dad coaches on the islands can we talk about tight eloy colton wong okay i was like what um so it was a random team break if you bought a spot straight up it was like 140 bucks for a team we did a filler break where we sold like a random box of 2015 elite baseball um and that was a random team break for 40 bucks a spot and in each one of those we gave away eight spots in the break uh striped no unfortunately they're not available for personal breaks this was a case break full case so at each one of them we like you could buy a spot and potentially win a uh a full spot in this case break which 16 people did so it worked out for a lot of people no not at all especially for this product too we still should have a one of one relic in here too uh yeah that was pretty crazy uh jt we pulled a uh don mattingly silver frame out of numbered out of 15 out of this first or second box so that was nice but there's still a whole lot more to go guys i know well scott that's the funny thing is when we first did these we did them as half case breaks so it was only six box breaks so yeah this is literally two breaks in one that'd be cool chris i definitely down the sea the ryan express what's a break a break is exactly what you're watching we break open packs boxes cases and all the such so that's a break exactly what you're witnessing right now just a term for opening anything you can break open anything right and break open a bottle of coke yachty justin verlander jake of the grom rod caru reproduction sketch minnesota twins dj potty jt rio mutto auto for the philadelphia fillies gave espidia uh pez no this is a case break mike trout variation los angeles angels jessie shinn kershaw story ozzy smith quad relic jd martinez boston redsox 95 out of 99 go to scott brown and his boston redsox harper yellich lindore and thomas dual patch and auto for the minnesota twins mitch garver 265 out of 299 minnesota twins dj potty but he won any elite two uh they do pez each hero purple the 99 for the seattle mariners travis melbert griffy mccutchen stanton and single relic christ davis oakland a's chris walker harper to 150 for the philadelphia fillies gave espidia banks a quino for the sincenity reds matt medlin and brice harper factory sketch reproduction gave espidia and the fillies and milwaukee brewers keston hiera 37 out of 50 jason pritchard spot he won in elite two uh this is 2020 brand new couple months old or month old jose Ramirez yordan alvarez houston astros erin pettit randy johnson and gavin lux sketch reproduction for the dodgers and travis melbert and for the dodgers dual relic and auto out of 299 will smith dodgers travis melbert devers gold schmidt rendone and maguire and for the dodgers max munsey to 199 travis again last pack box eight barry larkin robinson cano whit maryfield and charlie blackman quad relic for the boston redsox rafael devers 17 out of 75 scott brooks boston redsox oh sorry scott brown still got seventh eighth and ninth inning scott you're the home team also just remember that yeah these are very nice cards that's what i'm hoping for tiger remember we still have that uh we should have the one of one relic too the jumbo jumbo relic in here i think it's one of one sometimes it can be an auto too uh we break all sports and non-sports you like it we have it we'll break it that should be our slogan quick to the point and for you you can go to our website for personal breaks jaspys.com for case breaks jaspyscasebreaks.com we have lots of football boxes if we had a little i'd name them for you but we've got too many for me to name i don't think my fridge does shut by itself scott now you make me think about that i feel like if it's like already shutting that it would continue but i don't think it's like automatically shuts by itself you know pez if you're looking for like a specific football you can ask me i can tell you offhand if i know we have it or not now you have any thinking about my fridge scott you never want to have to think about your fridge because typically you're only thinking about it for bad reasons because something broke cody bellinger to 150 for the dodgers travis melberg ramirez devours and freeman that is beautiful momentous materials patch tory hunter triple color relic and auto for the angels tiger nine out of 15 it hurts me to give that away to somebody but congrats dude one of my all-time favorite players too ruvera molina tanaka bellinger why is why is it this product that makes me give away my my all-time favorite angels jeff mcneal nine out of 35 relic for the new york mets erin pettit arm rizzo harper and trout quad relic for the san francisco giants evan langoria 16 out of 75 hunter was the was one of the best man braggman to 99 for the astros erin pettit obis tatis goldie yep gold schmidt st louis cardinals reproduction sketch jake feathering ol and who called it lou brock st louis cardinals jake feathering ol oh wait no i said bob gibson didn't i cheek cheek cheek cheek cheek orteez poppy sorry give me a second altuvay vado and orteez passion auto san diego padre's curbie yates dual relic and auto to 299 padre's go into wesley thomas nolyn ryan texas rangers to 99 trade mojo chris freeze Chapman judge buhler and relic for the new york yankees dj the mayhew to 25 new york yankees berry robert spotty won an elite one one instagram your stream is about to cut off in a minute so i'll stop the stream and keep restart it akunya variation larkin brandon mckay rookie toronto beluga or sorry tampon bay rays matt mclaughlin and louis robert sketch reproduction still nice chicago white socks erin pettit spotty won an elite two and quad relic for the minnesota twins nice four colors on that one joe mower 11 out of 25 dj potty there's still time chris last stack pete lanzo louis robert again chicago white socks erin pettit jack flaherty mike schmitt and our auto dale murphy for the atlanta braves archival autographs that's number 28 out of 149 leta braves go into tamer karimka last two boxes everybody good luck we deserve it at this point we deserve to see a frame booklet guys we've been patient enough museum collection no more we're still waiting i think on the the jumbo relic too you get a book you get a book we all get books what's the best twins player all time harman i don't know guys help me out harman killabrew curbie pocket i mean torrey hunter is one of my favorites we're not gonna we're not gonna throw out harman at all no love for harman killabrew well no curbie is not in this break unfortunately curbury is no longer a part of this world he died way too young curbie can do whatever he wanted to yeah scott his eyes are why he had to he he retired so so young catcher leg catches up with a lot of them man that's why the ones that are around for forever buster posies and all the rest of them pudges it's hard to compete with what those guys did man curbie was a good guy too man never never heard a bad thing about him you know so guys unless it's in this last pack i don't know if we're getting another frame for sure was there joe maybe you know media wasn't this prevalent back then this is now so it's easier to cover up i guess to knock out a 150 for the new york Yankees berry roberts alamar posie lasardo oakland days chris walker on the jesus christian yellinch 78 out of 99 quad relic for the minister or sorry for the milwaukee brewers jason pritchard joey vada akunya alonzo revera i know this guy fernando tatis jr sandiego padres westley thomas congratulations congrats walker buehler babe ruth steven strawsburg eat shero relic reproduction or sorry sketch reproduction for the seattle mariners travis melburg keston hera mere walkie bucks dual relic and auto the 299 jason pritchard that might be the best of night scott honestly that torrey hunter to me altuvay springer sandberg mattingley sketch reproduction new york yankees berry roberts a rolled us Chapman to 50 for the new york yankees berry roberts berry larkin the 150 Cincinnati reds matt medlin johnson realmuto cabrera somebody called this earlier right adrian bell trade triple relic auto five out of 25 for the texas rangers christopher freeze trade mojo strawsburg maryfield blackman reberto clemente sketch reproduction pittsburgh pirates jake featheringle and quad relic for the houston astros at a 75 george springer astros that should be for erin pettit is our jumbo relic in one of these or was it maybe the tory hunter ruth banks a queen oh and alvarez a queen oh going to matt medlin the reds alvarez going to erin pettit in the astros a nice patch here for matt Chapman in the oakland a is 12 out of 35 i think we still have one right scott i guess that jumbo relic had to be in the had to have been the uh what's it called 99 johnny bench Cincinnati reds matt medlin rendone maguire cano and lucas gilito chicago white stocks 23 out of 25 going to erin pettit spot he won in elite two there you go guys that is the break a little bit over an hour so let's do a uh hit recap okay everybody we're back a little recap on the break overall some very nice stuff these are all big rookies we got here's some sketches the reproductions no one of ones in this one robert rookie luxe rookie here's all the numbered cards or variations these this is a frame variation the brown uh those aren't numbered but they are short printed here's the single relics that gallows to 10 nice patch there dual relic here's the quad relics the quad four player relics our solo signatures one solo to 25 very nice marishaw kepler jimenez murphy real muto hiera munsey brock tatis jr and gilito real muto triple relic auto rogers voigt severino suarez nulla garver smith yates hiera and beltrated 25 on that one and our two case hits tori hunter patch and auto nine out of 15 three color patch and auto mon momentous material patch and our frame silver frame silver inked auto don mattingly nine or sorry eight out of 15 you guys that's our break that was 2020 tops museum collection 12 box case break random team number four i'm sean jaspyscasebreaks.com we'll see you next time


What is carbon vote? Basically, it is a gauge for human consensus. It collects information and opinions from the community, usually for blockchain governance-related issues. We are a decentralized team from the Chinese community. I am from StoneLager, which is a consortium implementation of Ethereum that connects and compatible to Chinese legal system. So we have both outside, so if you are interested enough to learn more, come to us. And other teams, members from Constance Labs, Group Ape, and ETHFans. So I think we have all our members here today. So guys, if you are here, would you please stand up and say hello to everybody? Daniel from Constance Lab did most of the heavy lift. He built the website within like three days. So yeah, thank you, Daniel. So at StoneLager, at the carbon vote, we believe in people. We think machine serves human and carbon over silicon. That's why we are called carbon vote, not silicon vote. So human comes first, right? We are based on carbon and machines. Computers are based on silicon. So our goal is to reach consensus from the community in an efficient way. So when it comes to consensus, we think there are two layers of it. The underneath layer is the machine consensus. And the upper layer is human consensus. The machine layer refers to consensus mechanisms like proof of work and a proof of stake, while human consensus is more closely related to blockchain governance. And often it comes with soft forks and hard forks. We firmly believe that machine consensus is just a tool for human consensus. Its main purpose is to facilitate for the human consensus. So that's what we did with the carbon vote. I guess many of you have seen this photo here. During the debate of the hard fork, we did a poll from a community to measure whether the community wants a hard fork or not. So basically, there are two addresses. One is a yes address and the other is no address. If you want to vote for yes, you simply send a zero ether transaction to the yes address. And all your ether in your local account would be casted to the yes voting. By doing so, we lowered both technical bearing and the mental bearing. Because here, you do not need to send the ethers out. And your ether is not locked in any means. So in the end, we got about 5% of total ether voted. And 87% of them voted for yes. So what we learned, we found that consensus enforcement is very hard. In the real world, decisions are enforced by violence. While in our world, crypto world, everybody is free to choose on what blockchain to live on. I do believe we have a better world, but we've got to split with the coexistence of ETC. The space is in terms of price, talents, and resources. If you look at the price of ETC, it has been hovering around 10% to 20% of ETH. And it's pretty consistent with the voting results. About future plans, we think there is something suitable to vote, and the other are not. Community-wise, they can affect issues are probably worth a voting. Yes or no to controversial hard folks and soft folks and fundamental overhauls like POS and other wide effect issues like whether or not to charge a rent for smart contracts instead of charge for a big chunk of a fee in the beginning and let the smart contract live forever. And there's something that we think is not suitable for voting. Something too technical and something not essential enough to work our time. So to wrap up, blockchain governance is really hard and the voting results are not likely enforceable, even with the supermajority support. So in that sense, deal with caution. And that's all I want to see. And I look forward to see you on blockchain and make a carbon vote, make your voice heard. Thank you.


Live from Las Vegas, it's theCUBE, covering NAB 2017, brought to you by HGST. Hey, welcome back, everybody. Jeff Frick here with theCUBE. We're at NAB 2017 in Las Vegas, California, 100,000 people all talking about broadcast industry, media industry, and tech. Met is the theme because the technology is completely interwoven in with media and entertainment. And we're excited to have a great representative from the Hollywood section manager, society, motion picture, and television engineers. That's a mouthful. Steve Wong, Steve, welcome. Welcome, or Semti. That's the easiest. Semti, I'll go with Semti. He's from Semti. All right, so you had an interesting talk earlier about blockchain, that's interesting. We've been here for a couple of three days and a lot of conversations of kind of similarities with trends we're seeing at other shows that we cover with democratization of data and access to the data and the abilities of cloud and integrated security, but we haven't really talked about blockchain, but I think that's kind of funny that now we're hearing the blockchain conversation come in as we hear in many places. Where does blockchain fit? You know, it's really interesting because, you know, originally I heard of blockchain for folks in the financial industry, and that's where the real big push is. And a lot of VCs were talking about blockchain. So I started to look at blockchain and media and entertainment, and I said, you know, could this fit? You know, what would be an interesting fit for this? And when you look at, you know, making a movie or a television program, it's just a lot of transactions. And that's where blockchain is absolutely perfect.  So when you think of, you know, why is that important?  So imagine when you write that, the first thing you do is you go and you register it with the copyright office. So my thought is that's your first chain in that link of ownership. And so the next thing you do is you want to option that script off.  And then you'll have a track record of that next transaction, whoever received that. So as you go down through that production, you know, I envision being able to tie back to that original ownership of that script, whoever options this script to go out into the production, they actually take that all the way down to the storage, to the camera and be able to pull even all that metadata together, link it to the ownership into that chain, all the way to the distribution to the actual viewer at the end of it. So. The greatest descriptive term I've heard of blockchain is trust as a service. Which is really an interesting way to point it. And what's interesting about this industry is the transient nature of the way, you know, kind of groups of people and resources are assembled around a particular project, the script in which you describe.  So it really begs for better trust solutions. So imagine you're, you get a deal with a show and they say, you know what? We're going to pay you a rate, but we're going to give you a percentage of the back end.  How do you find that out? Right now it's really difficult to track that all the way back residuals or whatever. This would be an easy way to basically see who's seen it, who gets paid, what your road and everything else. Now it's pretty crazy now you said before we turned on the cameras that it's all very, very still old school paper based at this point in time.  But even today, the television industry in the motion picture, you know, for 99% of it, it's all paper. So basically all my stuff, I have to physically give them and fill out, you know, documents at the end of the day. You know, a PA checks me in when I show up. A PA signs when I send out on a piece of paper. They send it into football back to the financial office at the show and they do all this thing manually.  All this stuff is still paper because really it's like we've been making movies for the last 100 years. Right. And yet we're surrounded at this conference with hundreds of thousands of square feet of new technology and new innovation and computer-based stuff and IP-based stuff and crazy cameras and 360 cameras and 4K and 8K and HDTV. So clearly there's no holding back the technology edge that this industry leverages, but then they're going to check in with the PS. But if you make billions of dollars, right? If you make billions of dollars the same wave that you did 100 years ago. Right. You know, who's going to be the guy that's going to change that or a girl, right? That's the challenge. If it's, you know, not broke, don't fix it. That's why I love Clayton Christensen's book. It's still my all-time favorite book, right? It's hard to change when you've been making money. That same old way. So what are some of your other impressions of the show? You've been coming here for a number of years. The vibe's different, I keep hearing. It's our first time, but I'm curious to get your kind of general impression. The interesting thing is, again, following the trends in other industries, you know, it's moved to a true digital IP workflow. So I'm seeing that really starting to materialize around here. You know, I think of the challenges. You know, when I started off 100 years ago on television, I was a de facto MIS manager and director of research at ABC. And back in those days in the 90s, you know, I connected our sales team to the internet and they can actually send emails to the buyers. And that was like a big jump. That was a bad day, though, in hindsight. Yeah, so you see folks at, you know, understand video and BNC cables and things like that. Right, right. You have another group that understand Ethernet, you know, NIP. And they have always been in two different worlds. You know, at every TV station, you have your IT guy that would never touch the broadcast equipment. He was forbidden there a long time ago.  And it's secure nowadays. And, you know, if you take the right precautions. So that's the trend that I've seen change around here. Because the cameras are all digital, right? Right. Everything is digital along that path. Why would you have to go back to video? Right. You know, we have things like Periscope. We can do live video to millions of people. Right. So the technology is clearly here. It's just so amazing, you know, again, the themes are consistent wherever we go. There's just democratization of access and ability that I can go sit in the front row of a Dodger Giants game and, you know, hold up my Periscope and I can be pretending I've been Scully, you know, for a minute, which clearly I'm not. And people probably, I'm not going to watch me like they love Vince Gully. But it's just so interesting that at the low end, you know, there's so many tools available for people, for creators that they just have access that they didn't have before. At the high end, I mean, the amount of stuff in this conference, again, with the 360 and the VR and the IR and the 4K and the 8K, it's fascinating. But it just sometimes wonders, is it too much? Are we still managing, you know, the storytelling? And is it? That's what it comes down to. You have to tell a story. And it's so competitive for the audience, right? Because the alternate is just a quick swipe away. So it seems like the pressure to perform and to get to ROI, especially on these bigger projects, it's got to be higher than it's ever been. This is an interesting thing because what we've seen in Hollywood is an increase of production. You know, it used to be, you know, you'd wait, you know, for a TV season and they'd pitch the shows to the advertising agencies in New York. But now, with the increase of Netflix and Amazon, there's always a season because they're always buying things or whatever, you know, YouTube channels. You see YouTube stars that are making money and that's a valuable audience now where people are saying, I'll just watch YouTube tonight and see what's going on there from the people I like to follow. So that drives production, you know, goals and costs down because you can't do a $100 million YouTube production or you can't, I guess, but probably won't make any money with it. I'm sure they are. But the other thing, it strikes me, just is the compression for feature movies around the opening weekend because there's only 52 weekends a year and some of those are probably not so great and from the marketing point of view and just compression to make that number because the next weekend or two weekends from now, it's another movie or it's another movie or it's another movie. And so it seems just crazy. On the other hand, the long tail opportunities with BOD and multi forms of distribution, multi language, multi format, multi channel are bigger than they've ever been before. So it's just interesting dichotomy in terms of the way the market's evolving. The interesting thing, because of that pressure, we see a huge growth in analytics. You know, it was a great article from about Netflix and talking about this genres, you know, in Hollywood, we've got like 13 genres or something like that. But Netflix has like 73 genres.  So they use those analytics to their benefits when they buy, you know, the studios are disadvantaged unless they have the same things.  It is interesting, again, it gets consistent, right? Is that now, if you can track to the consumption of the material, you're not just shipping the product anymore and it's going to a theater and, you know, hopefully people are watching or not watching it, but now if they're watching on their phone, you know, where they're watching it, you know, who's watching it, you know, with time, how often, how deep they go, it's pretty interesting. If you have that application and you have the ability, you know, not like Netflix does, that's awesome. But remember, most of the studios and networks, they're creating it and licensing it off. So they may not get that information, but that's where you see the other trend where folks like HBO, they create the content, but they also want to have that application device so they can get that information. So I think that's another trend you'll start to see. So will the ones that are still independent that don't have the channel, you know, start to get back as part of their channel deals, some of that data? It's challenging, right? Because cable companies typically don't want to release that data. You know, a secondary OTT app may not want to release that data. So it really forces a creator to own that distribution chain so they can get that valuable data. So. Interesting time. Somebody said earlier, I think in the week, that Netflix is now the largest producer. I don't know what genre of category, but they're like one of the largest studios now of all, which is pretty fascinating when they were simply, you know, DVD rental service not that long ago for people that remember where the DVD was. Right. And they had a difficulty getting contracts with studios. Right, exactly. So make your own, I guess that's the ticket. There you go. All right, Steve. So I give you the last word, as you look forward to 2017, if we meet again here next year, what do you think's the topic's going to be? Again, I think what you're going to see is more folks moving to a public cloud, trusting that and really working with it, using analytics. And the most important thing that we touched on is managing that security, making sure they don't get hacked. Right. All right, Steve. Well, Steve from SNPTE, that was a shorter way. There you go. Steve Long, I'm Jeff Frick. Love and bye. Thanks so much. All right, you're watching The Cube from NAB 2017. We'll be right back after this short break.


All righty. So I wanted to come out here and talk about a lot of what survey markings mean at theme parks. Obviously this is essentially anywhere on job sites, construction sites and all that. But I've done a lot of research and have connected to a lot of people who understand this topic really well. And I basically have stumbled upon probably some of the biggest news that I could break on Canada's Wonderland and a future project. And before I want to come out and release that I wanted to talk about this because what I'm about to talk about is going to prove something I'm going to talk about in a later video. But essentially this video is going to talk about the various survey markings on a site and the steps that occur before a project goes under construction. So what is a control point? A control point is something like a traverse of series of points established on the job site connected through the measurement of angles and distances. These measurements are used in a process called traverse computations, which determine the relative location of the points to each other. In construction traversing is used to establish control around a job site to lay out the structures. Control point is a point on the ground or any permanent structure whose horizontal and vertical location slash position is known. Control points are used as a starting point of the surveyors CAD file. So where should control points be placed for my GPS equipment? So this is very important. There should be a minimum of four points surrounding the job site. They should be placed on the ground in a hub, drill hole, PK nail or iron rod. So we've seen a lot of these various ones at Canada's Wonderland in specific. And for example, another park like Six Legs Grid Venture has used them more recently on their new coaster that's being built. So pretty much anything that can be in the ground that you can get the point of the GPS rod on. They should surround the site as much as possible. If you draw a line from point to point, it should close around the site. So that is very key information and how I've been able to figure something out that's really important and groundbreaking in terms of news on Canada's Wonderland. So I'm not ready to talk about it yet. I don't want to show you what I found at Wonderland. So I'm going to show you something that I found earlier this season that I actually described incorrectly. So if you remember, we found these triangular markings with circles in them. So I had said that those represent a where a building or structure would go. So I had misunderstood something and hadn't done my research in full, whereas now I understand that these are actually control points. So if you look at where these markings were, they were surrounding the front gate construction project. And it makes a lot of sense now and it actually helps me solve, again, one of Canada's Wonderland's major new additions. So you're not going to see in this video, I'm going to pull up a map surrounding the mountain that shows you some of these other survey markings. But there's another future project that's really massive that I've been able to figure out with these control points. So we have control points off the map. You have control points and traversing off the map. So again, you'll see a lot of various types of survey markings. You have the red checker ones, you have the black circle checkered ones, and then you have the distance reflective targets. All of these are key survey markings in a major project where you would need a CAD file to do stuff like a structure, like Lazy Bear Lodge, a ride like Windseeker or a new launch coaster, or even as simple as a new flat ride like Tundra Twister. You would need a lot of these survey markings to determine a boundary, permanent structures, vertical references, and horizontal references. So these are all really important. So when you start to be able to understand these and read them, you can actually figure out a couple of things. So for example, if you're just looking at this map of survey markings and control points on this map in front of you right now of the mountain, it looks really confusing. However, with the understanding that there are multiple projects in this area, you can figure out exactly where those projects are and their boundary. So I'm not going to go too in detail about that right now. I want to talk about this on the podcast tomorrow with Surya. But for example, you can definitely tell that Thunder Run might have its own little project and the Alpine area might have another project as well. And then you can kind of see the startings of a boundary set for the new launch coaster that's rumored to be coming to Canada's Wonderland in 2025. So it's all really interesting. Now when you start seeing spray paint and flags, I do want to stress that flags are overly used. So little yellow, red, orange flags actually could mean nothing a lot of the time. For example, the Go-Kart track at Canada's Wonderland has had these flags in it for three years now, and it's meant nothing. Now when you start seeing spray paint on the ground, like you saw at Front Gate, you can know that construction is most likely going to start very soon, especially when you see control points going in. It's the ending of, for example, the surveying project. So to put that into perspective, you will see red and white checkered markings going up, distance markings with the reflective targets, and other vertical control points like the black and white checkered ones. But when you start to see that triangle with a circle going on it, you know that something is about to begin. That's them double checking their control points and their traversing to ensure that all those surveying points that they got, the GPS surveying points, are correct. Once those are determined to be correct, a construction project can move forward. So for example, on this newest breaking news that I'm about to break sometime soon, probably this week, I just want to make sure, I just want to see one more thing completed, and then I'll be able to confirm something massive for Canada's Wonderland. So I'll definitely be keeping an eye out somewhere in the back of the park on something big, and then once we get that, I'll be able to tell you guys something major. So I just wanted to get this information out there. This is going to help a lot of parks. If you start seeing some of these things pop up, feel free to reach out to me too. I would love to help anyone as I even start to get a better understanding. So for example, even like three weeks ago, I said something about some of these markings that wasn't true. But as I have covered construction more and more, you start to get a complete better understanding of what these things mean. So if you have any questions about your home park, snap a picture of the markings, send it my way, and I can help set you on your way to figuring out what some of these things mean. But hopefully this video helped you understand any markings at your theme park. Again, stakes is not a surveying tool. It's actually a construction tool. So when you start seeing those, that's when you know construction is about to begin. So this video was about surveying markings, which you should see anywhere from one to three years ahead of a construction project. So guys, thanks so much for watching guys. Have a good one. Bye.


Thank you, my name is Dave White and I'm a professor in the School of Community Resources and Development at Arizona State University and Director of the Decision Center for a Desert City. I spent the summer of 1998 rafting the Colorado River through Grand Canyon National Park, working as a graduate student on a social science research project. I rafted more than 1,300 river miles and spent about 60 nights sleeping under the most brilliant stars imaginable and this extraordinary experience inspired a commitment to ensure the sustainability of perhaps the most significant natural resource in the West, Colorado River water. Now river rapids around the world are measured on a six-point scale, with class one being easy, little riffles of water and no risk. Now class six are violent, turbulent rapids, waterfalls really, with significant risk of injury or even death where rescue may be impossible. Now the whitewater rapids on the Colorado River and Grand Canyon National Park are so wild that they are measured on a ten-point scale. When you reach River Mile 179, you encounter the biggest and most fierce whitewater rapid in Grand Canyon, lava falls. It is a ten. To run lava falls in a river raft, you have to navigate a series of terrifying obstacles. Stay to the right of the ledge hole.  Now paddle forward hard and punch through the V wave. Watch out for the cheese grater, a huge boulder on River Rite. Just like that, 30 terrifying exhilarating seconds later, you're through. What's the reward for running lava falls in a river raft? You pull over at Tequila Beach. Celebrate, but be prepared to help out with the next group of rafters. Now sometimes, of course, there is conflict on the river. Rafters disagree about the best path to take through the rapids. People argue about which challenge is the most dangerous or deny there's any danger at all and sometimes after camping with people for two weeks, you just don't like each other very much. Now running lava falls takes courage. It takes skills and experience leadership and more than anything, it takes teamwork. Your power to navigate the rapids comes from everyone in the raft pulling together in the same direction at the same time toward a common purpose. The story of running lava falls is the story of the Colorado River in the American West today. Right now, we are in those relatively calm waters above the rapids, enjoying the beautiful canyon scenery. But now we begin to hear the ominous roar. In the American West, we face challenges managing the Colorado River. Instead of the ledge hole, the cheese grater, or arguments between rafters, we face population growth, drought, climate change and conflicts between the states. The solutions to these problems will require courage, skilled and experienced leadership and collaboration. The Colorado River is the lifeblood of the American West. It provides water to one in 10 Americans across the West in cities like Phoenix, Las Vegas, Denver and Los Angeles. Hydro power plants along the river provide low-carbon renewable electricity. The water irrigates millions of acres of land to grow crops like alfalfa, cotton and lettuce. The river supports national wildlife refuges and national parks, including Grand Canyon, stimulating over a billion dollars in annual tourism revenue. And the river is integral to the history, culture, economy of dozens of Native American tribes. Through 100 years of collaboration, productive conflict, planning and marvels of engineering, we developed a remarkably robust and resilient water system that supported economic development and population growth across the region. The system was managed mostly by technical experts, lawyers, politicians and engineers, a group we affectionately call the water buffaloes. Now, my undergraduate degree was in American history, so I tend to think to understand our current and future challenges, we must look to the past. The Colorado River is managed through a patchwork of decisions, laws and court regulations that are collectively known as the law of the river. These agreements guide the allocation of the water between seven U.S. states and the nation of Mexico. The foundation of it all is the Colorado River Compact of 1922, which defined the relationship between the upper basin states of New Mexico, Utah, Wyoming and Colorado, where most of the water originates, and the lower basin states of Arizona, California and Nevada, where most of the water demands were developing. When the states couldn't agree on how to divide the water, the federal government intervened. The river would be divided equally, with each basin getting the right to develop 7.5 million acre feet of water annually. An acre foot is a water management term. It's the amount of water needed to flood one acre of land to the depth of one foot, or about the amount of water needed for two to four households in the Southwest for a year. Later, another 1.5 million acre feet was promised to Mexico. That's 16.5 million acre feet in annual allocations. Remember that number, 16.5 million acre feet in annual allocations. It will emerge further down the river, like a boulder hidden in the rapids. Over the next 80 years or so, we all navigated the river pretty well together. Yes, there were lawsuits. In 1964, the Supreme Court settled a 25-year-old dispute between California and Arizona, ruling in Arizona's favor. Following that decision, Arizona gained approval from Congress to build the Central Arizona Project Canal, a $4 billion aqueduct, to pump Colorado River water 300 miles across the desert, uphill from Lake Havasu City to Phoenix and down to Tucson. The Cap Canal was completed in 1985, and it significantly reduced Arizona's reliance on groundwater. However, as part of the political bargaining in Congress to get the Cap Canal completed, Arizona agreed to give up all of its Colorado River water during times of severe shortage, even before California loses a single drop. The decision was critical to keep all of the rafters paddling in the same direction at the time. By the turn of the 21st century, some new problems were emerging, like flash floods altering the course of the river, creating new and more treacherous obstacles. Let's start with the promises we've made compared to what the river can deliver. Remember that number? 16.5 million acre feet in annual allocations. Well, it turns out when we divided up the river, we based our estimates on an extremely wet period, when the 10-year average was about 18 million acre feet. Well, the long-term average annual flow is more like 14.8 million acre feet. So we've promised about 1.5 million acre feet more than the river has delivered. That wasn't a problem for a long time since the states weren't using all of the water that they were allocated. And the basin-wide storage capacity is about 60 million acre feet, or four times the annual flow. But as states like Arizona developed and began to use their full allocation, the supply-demand balance began to get tighter and tighter and tighter, like canyon walls closing in on our rafts. Then came the drought. Since 2000, we have seen the driest 16-year period in the last 100 years, and one of the driest periods in the last 1,300 years. The 10-year average is now down to 13.4 million acre feet. Those reservoirs that have been so important, like Powell and Lake Mead, are down to about half of their capacity. Recently, we've seen the lowest levels since the dams were completed. If those reservoirs continue to decline and Lake Mead reaches a critical threshold of 1,075 feet above sea level, the Secretary of Interior will declare an official shortage on the river. Under the rules set forth in a 2007 agreement between the states, Arizona loses about 10 percent of its Colorado river water. If the lake drops lower, the cuts get worse. Remember, according to the bargain, Arizona loses all of its allocation before California loses anything. And if the lake levels drop too low, the dams can't produce power. On top of these issues comes climate change. According to the National Climate Assessment, our region will face rising temperatures, which increases demand, and decreasing precipitation, which diminishes supply. Taking all of these factors into consideration, a major study concluded that without new interventions, a 3.2 million acre foot imbalance could exist by 2060. That's the water needed to supply 10 million households in the West. The rapids are roaring. Some of the rafters are arguing with one another. The river guide is trying to keep everyone paddling together. How will we make it through? First of all, we need to understand that the solutions for the next 100 years are different than the solutions from the last century. These new solutions are based on cooperation and the recognition that the vitality of the American West depends on everyone paddling together. At Arizona State University, the Decision Center for a Desert City is working to bring together scientists with water managers, policymakers, environmentalists, farmers, and other stakeholders to cooperatively develop the solutions, the knowledge that we need to foster sustainability. These solutions include managing demand through smart conservation-based incentives, technology, and pricing, expanding the reuse and recycling of reclaimed water, developing climate adaptation plans, and fostering more innovative and adaptive institutions, and focusing our water decision-making on maximizing the economic and quality of life benefits of each gallon of water invested. And there is increasing evidence that these solutions are working. Cities across the West are becoming remarkably efficient. The city of Phoenix, for instance, has reduced its per capita consumption by 30 percent over the last 20 years. This allowed the city to add over a million new residents and use the same total amount of water. In the Phoenix region, we now recycle almost 90 percent of our wastewater and use that water for producing power, irrigating crops, and watering landscapes. Climate planning is now regularly incorporated into water management across the West. Federal agencies are learning to anticipate and adapt. At the Decision Center for a Desert City, we developed WaterSim. We worked with stakeholders to build a dynamic water balance model to explore how water sustainability is influenced by various scenarios of population growth, drought, climate change impacts, and water management decisions. We're using this model to test different policies and to encourage collaboration. We're becoming more innovative and adaptive in our institutions. Recently, the cities of Phoenix and Tucson entered into a water sharing agreement that will encourage groundwater aquifer recharge in both areas and save the city's millions of dollars. Along with the city of Phoenix, the Decision Center for a Desert City launched the Western Mayors' Water and Climate Summit to create a network of cities working at the cutting edge of sustainability and sharing best practices. The Bureau of Reclamation developed the Pilot System Conservation Program to encourage water conservation across the basin, unleashing the power of innovation and entrepreneurship. And the states are not waiting for a declaration of shortage to occur. The leaders of the states of Arizona, California, and Nevada are working right now to negotiate a voluntary curtailment in advance of any federal declaration. To ensure that we can maintain water in the basin and keep those lake levels above the critical thresholds. This is bold leadership, and the states deserve credit for engaging in these deliberations ahead of the crisis. California has even agreed to take cutbacks in their deliveries to avoid that big boulder in the middle of the river. Courage, leadership, teamwork, these are the qualities that it takes to run lava falls in a river raft, and these are the same qualities that it will take to solve our sustainability challenges in the Colorado River Basin. We've made it through some big rapids in the past, but the biggest tests are yet to come. Let's all pull together, dig those paddles into the water, and have some fun along the way. Thank you.