Section 14 of childhoods favourites and fairy stories. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Childhoods favourites and fairy stories by various authors. Section 14. The Little Shepherd Boy Once upon a time there was a little shepherd boy who was famed far and wide for the wise answers, which he gave to all questions. Now the king of the country heard of this lad, but he could not believe what was said about him, so the boy was ordered to come to court.  What are these three questions asked the boy? The first is, How many drops of water are there in the sea? My Lord King replied the shepherd boy, Let all the waters be stopped up on the earth, so that not one drop shall run him to the sea before I count it. And then I will tell you how many drops there are in the sea. The second question said the king is, How many stars are there in the sky? Give me a large sheet of paper, said the boy, And then he made in it with a pin so many minute holes, That they were far too numerous to see or to count, And dazzled the eyes of whomsoever looked at them. This done, he said, So many stars are there in the sky, As there are holes in this paper, Now count them. But nobody was able. Thereupon the king said, The third question is, How many seconds are there in eternity? In lower Pomerania is situated the Adamantine Mountain, One mile in height, one mile in breadth, And one mile deep, And thither comes a bird once in every thousand years, Which rubs its beak against the hill, And when the whole shall be rubbed away, Then will the first second of eternity be gone by?  End of Section 14 Section 15 of Childhood's Favourites and Fairy Stories This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Childhood's Favourites and Fairy Stories by various authors Section 15 The Three Spinners Once upon a time there was a lazy maiden who would not spin, And let her mother say what she would, she would not make her do it. At last the mother, in a fit of impatience, Gave her a blow which made the girl cry out loudly. At that very instant the queen drove by, And hearing the screams she stopped the carriage, Came into the house and asked the mother why she beat her daughter In such a way that people in passing could hear the cries.  She spins from morning till night, And I am so poor that I cannot afford to buy the flax. There is nothing I like better than to hear the sound of spinning, The queen replied, And nothing pleases me more than the will of spinning wheels. Let me take your daughter home with me to the castle. I have flax enough, and she may spin there to her heart's content. The mother rejoiced greatly in her heart, And the queen took the maiden home with her. When they arrived in the castle, She led her up into three rooms, Which were piled from top to bottom with the finest flax. Now spin me this flax, said the queen, And when thou hast spun it all, Thou shalt have my eldest son for a husband. Although thou art poor, yet I do not despise thee on that account, For thy untiring industry is dowry enough. The maiden was filled with immutera, For she could not have spun the flax, Had she sat there day and night until she was three hundred years old. When she was left alone, she began to weep, And thus she sat for three days without stirring a finger. On the third day the queen came, And when she saw that nothing was as yet spun, She wandered over it. But the maiden excused herself by saying That she could not begin in consequence of the great sorrow She felt in being separated from her mother. This satisfied the queen, who, on leaving her, said, Thou must begin to work for me tomorrow. But when the maiden was once more alone, She did not know what to do, Or how to help herself, And in her distress she went to the window and looked out. She saw three women passing by, The first of whom had a great broad foot, The second such a large underlip That had hung down to her chin, And the third an enormous thumb. They stopped under the window, And, looking up, asked the maiden what was the matter. When she had told them of her trouble, They immediately offered her their help, and said, Wilt thou invite us to the wedding, And not be ashamed of us, But call us thy aunts, And let us sit at thy table? If thou wilt, we will spin all the flax, And do it in a very short time. With all my heart answered the girl, Only come in and begin at once. Then she admitted the three strange women, And, making a clear space in the first room, They sat themselves down and began spinning. One drew the thread and trod the wheel, The other moistened the thread, The third pressed it and beat it on the table, And every time she did so, A pile of thread fell on the ground, Spun in the finest way. The maiden concealed the three spinners from the queen, But showed her heaps of spun yard whenever she came, And received no end of praise for it. When the first room was empty, The second was commenced, And when that was finished, The third was begun, And very soon cleared. Then the three spinners took their leave, Saying to the maiden, Forget not what thou hast promised us, It will make thy fortune. When the girl showed the queen the empty rooms And the great piles of thread, The wedding was announced. The bridegroom rejoiced that he had won So clever and industrious a wife, And he praised her exceedingly. I have three aunts, said the maiden, And as they have done me many kindnesses, I could not forget them in my good fortune. Permit me to invite them to our wedding And allow them to sit with me at table. So the queen and the bridegroom consented. When the feast commenced, The three old women entered, Clothed in the greatest splendour, And the bride said, Welcome, my dear aunts.  And going up to the one with a broad foot, He asked, Why have you such a broad foot? From threading, from threading, she answered.  From moistening the thread, she replied, From moistening the thread. Then he asked the third, Why have you such a big thumb? From pressing the thread, answered she. Then the prince became frightened and said, Then shall my lovely bride Nevermore turn a spinning wheel, As long as she lives. Thus was a maiden freed From the hated flakes spinning. End of Section 15 Section 16 of Childhood's Favorites and Fairy Stories. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Recording by Ralph Snelson. Childhood's Favorites and Fairy Stories by various authors. Section 16. The Cat and the Mouse in Partnership. A cat, having made the acquaintance of a mouse, told her so much of the great love and affection that he had for her that the mouse at last consented to live in the same house with him and to have their domestic affairs in common. But we must provide for the winter, said the cat, or we shall be starved. You, little mouse, cannot go everywhere looking for food, or you will meet with an accident. This advice was followed, and a pot was brought with some grease in it. However, when they had got it they could not imagine where it should be put. But at last, after a long consideration, the cat said, I know no better place to put it than in the church, for there no one dares to steal anything. We will set it beneath the organ and not touch it till we really want it." So the pot was put away in safety, but not long afterward the cat began to wish for it again. So he spoke to the mouse and said, I have to tell you that I am asked by my aunt to stand godfather to a little son, white with brown marks, whom she has just brought into the world, and so I must go to the christening. Let me go out today and do you stop at home and keep house. Certainly, answered the mouse, pray go, and if you eat anything nice, think of me. I would also willingly drink a little of the sweet red christening wine. But alas, it was all a story, for the cat had no aunt and had not been asked to stand godfather to anyone. He went straight to the church, crept up to the grease pot and licked it till he had eaten off the top. Then he took a walk on the roofs of the houses in the town, thinking over his situation, and now and then stretching himself in the sun and stroking his whiskers as often as he thought of his meal. When it was evening he went home again, and the mouse said, so you have come at last.  Yes, answered the cat. It went off very well. What have you named the kitten? asked the mouse. Top-off, said the cat very quickly. Top-off? replied the mouse. That is a curious and remarkable name. Is it common in your family? What does that matter? said the cat. It is not worse than crumb stealer as your children are called. Not long afterward the cat felt the same longing as before and said to the mouse, you must oblige me by taking care of the house once more by yourself. I am again asked to stand Godfather, and since the youngster has a white ring round his neck I cannot get off the invitation. So the good little mouse consented and the cat crept away behind the wall to the church again and ate half the contents of the grease pot. Nothing tastes better than what one eats by oneself, said he, quite contented with his day's work, and when he came home the mouse asked how this child was named. Half out, answered the cat. Half out? What do you mean? I never heard such a name before in my life. I will wager anything it is not in the calendar." But the cat replied nothing. Pussy's mouth soon began to water again at the recollection of the feasting. All good things come in threes, said he to the mouse. I am again required to be Godfather.  Such a thing only happens once in two years, so pray excuse me this time. Top off! Half out! answered the mouse. Those are such curious names. They make me a bit suspicious. Ah! replied the cat. There you sit in your gray coat in long tail, thinking nonsense. That comes of never going out. The mouse busied herself during the cat's absence in putting the house in order, but meanwhile greedy pus licked the grease pot clean out. When it is all done, one will rest in peace, thought he to himself, and as soon as night came he went home fat and tired. The mouse, however, again asked what name the third child had received. It will not please you any better, answered the cat, and called all out. All out, exclaimed the mouse. Well, that is certainly the most curious name by far. I have never yet seen it in print. All out! What can that mean? In shaking her head she rolled herself up and went to sleep. After that nobody else asked the cat to stand godfather, but the winter had arrived and nothing more was to be picked up out of doors, so the mouse bethought herself of their store and said, Come, friend cat, we will go to our grease pot which we laid by. It will taste well now." Yes, indeed, replied the cat.  So they set out on their journey, and when they arrived at the church the pot stood in its old place, but it was empty. Ah, said the mouse, I see what has happened. Now I know you are indeed a faithful friend. You have eaten the whole and you stood godfather. First, top off, then half out, then will you be quiet?" cried the cat, not a word, or I'll eat you. But the poor mouse had all out at her tongue's end and had scarcely uttered it when the cat made a spring, seized her in his mouth and swallowed her. This happens every day in the world. End of Section 16 Section 17 of Childhood's Favourites and Fairy Stories. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Recording by Clarica. Childhood's Favourites and Fairy Stories by various authors. Section 17. The Sweet Soup. Once on a time there was a poor but very good little girl who lived alone with her mother and when my story begins they had nothing in the house to eat. So the child went out into the forest and there she met an old woman who already knew her distress and who presented her with a pot which had the following power. If one said to it, Boil, little pot, it would cook sweet soup. And when one said, Stop, little pot, it would immediately cease to boil. The little girl took the pot home to her mother and now their poverty and distresses were at an end for they could have sweet broth as often as they pleased.  So it began to cook and she soon ate all she wished but when the poor woman wanted to have the pot stop she found she did not know the word. Away therefore the pot boiled and very quickly was over the edge and as it boiled and boiled the kitchen presently became full then the house and the next house and soon the whole street. It seemed likely to satisfy all the world for though there was the greatest necessity to do so nobody knew how to stop it. At last when only a very small cottage of all the village was left unfilled with soup the child returned and said it once stop little pot immediately it ceased to boil but whoever wishes to enter the village now must eat his way through the soup. End of Section 17 Section 18 of Childhood's Favorites and Fairy Stories this is a LibriVox recording all LibriVox recordings are in the public domain for more information or to volunteer please visit LibriVox.org Childhood's Favorites and Fairy Stories by various authors Section 18 the straw, the coal, and the bean all alone in a quiet little village lived a poor old woman one day she had a dish of beans that she wanted to cook for dinner so she made a fire on the heart and in order that it should burn up quickly she lighted it with a handful of straw she hung the pot over the fire and poured in the beans but one fell on the floor without her noticing it and rolled away beside a piece of straw soon afterward the live coal blew out of the fire and joined the company then the straw began to speak Dear friends said he, when's come you? I was fortunate enough to spring out of the fire answered the call had I not exerted myself to get out when I did I should most certainly have been burnt to ashes I have also just managed to save my skin said the bean the old woman succeeded in putting me in the pot I should have been stewed without mercy just my comrades being served now my fate might have been no better the straw told them the old woman burnt 60 of my brothers at once but fortunately I was able to slip through her fingers what shall we do now? said the call well answered the bean my opinion is that we have all been so fortunate as to escape death we should leave this place before any new misfortune overtakes us let us all three become traveling companions and set out upon a journey to some unknown country this suggestion plays both the straw and the coal so away they all went at once before long they came to a brook and as there was no bridge across it they did not know how to get to the other side but the straw had a good idea I will lay myself over the water and you can walk across me as though I were a bridge he said so he stretched himself from one bank to the other and the coal who is one of a hasty disposition at once tripped gaily over the newly built bridge halfway across she hesitated and began to feel afraid of the Russian water beneath her she dared go no further but neither would she return but she stood there so long the straw caught fire broken to and fell into the stream of course the coal was bound to follow no sooner did she touch the water than hiss out she went and never glowed again the being who was a careful fellow had stayed on the bank to watch how the coal got across before trusting himself to such a slender bridge but when he saw what very queer figures his friends cut he could not help laughing he laughed and laughed till he could not stop and at length he split his side it would have gone badly with him then had not a tailor happened to pass by he was a kindhearted fellow and at once took out his needle and thread and began to repair the mischief the being thanked him politely for he knew that the tailor had saved his life but unfortunately he would use black thread and from that time till today every being has a little black stitch in its side end of section 18 the straw the coal and the bean section 19 of childhoods favorites and fairy stories this is a LibriVox recording all LibriVox recordings are in the public domain for more information or to volunteer please visit LibriVox.org recording by Clarica childhoods favorites and fairy stories by various authors section 19 why the bear has a stumpy tail one winter's day the bear met the fox who came slinking along with a string of fish he had stolen hi stop a minute where did you get those from the bear oh my lord Bruin I've been out fishing and caught them said the fox so the bear had a mind to learn to fish too and bade the fox tell him how he was to said about it oh it is quite easy answered the fox and soon learned you've only got to go upon the ice and cut a hole and stick your tail down through it and hold it there as long as you can you're not to mind if it smarts a little that's when the fish bite the longer you hold it there the more fish you'll get and then all at once out with it with a cross pole sideways and a strong pole too well the bear did as the fox said and though he felt very cold and his tail smarted very much he kept it a long long time down the hole till at last it was frozen in though of course he did not know that then he pulled it out with a strong pole and it snapped short off and that's why Bruin goes about with a stumpy tail to this day end of section 19 section 20 of childhoods favorites and fairy stories this is a LibriVox recording all LibriVox recordings are in the public domain for more information or to volunteer please visit LibriVox.org recording by Ruth Golding childhoods favorites and fairy stories by various authors section 20 the three little pigs once upon a time when pigs could talk and no one had ever heard of bacon there lived an old piggy mother with her three little sons they had a very pleasant home in the middle of an oak forest and were all just as happy as the day was long until one sad year the acorn crop failed then indeed poor Mrs. Piggy-Wiggy often had hard work to make both ends meet one day she called her sons to her and with tears in her eyes told them that she must send them out into the wide world to seek their fortune she kissed them all round and the three little pigs set out upon their travels on a different road and carrying a bundle slung on a stick across his shoulder the first little pig had not gone far before he met a man carrying a bundle of straw so he said to him please man give me that straw to build me a house the man was very good natured so he gave him the bundle of straw and the little pig built a pretty little house with it no sooner was it finished and the little pig thinking of going to bed than a wolf came along knocked at the door and said little pig little pig let me come in but the little pig laughed softly and answered no, no, by the hair of my chinny-chin-chin then said the wolf sternly I will make you let me in for I'll half for I'll half and I'll puff and I'll blow your house in so he huffed and he puffed and he blew his house in because you see it was only of straw and too light and when he had blown the house in he ate up the little pig and did not leave so much as the tip of his tail the second little pig also met a man and he was carrying a bundle of furs so Piggy said politely please kind man will you give me that furs to build me a house the man agreed and Piggy set to work to build himself a snug little house before the night came on it was scarcely finished when the wolf came along and said little pig let me come in no no by the hair of my chinny chin chin answered the second little pig then I'll half and I'll puff and I'll blow your house in said the wolf so he huffed and he puffed and he huffed and at last he blew the house in and gobbled the little pig up in a trice now the third little pig met a man with a load of bricks and mortar and he said please man will you give me those bricks to build a house with so the man gave him the bricks and mortar and a little trowel as well and the little pig built himself a nice strong little house as soon as it was finished the wolf came to call just as he had done to the other little pigs and said little pig little pig let me in but the little pig answered no no by the hair of my chinny chin chin then said the wolf I'll half and I'll puff and I'll blow your house in well he huffed and he puffed and he puffed and he huffed and he puffed but he could not get the house down at last he had no breath left to huff and puff with so he sat down outside the little pig's house and thought for a while presently he called out little pig I know where there is a nice field of turnips where? said the little pig behind the farmer's house three fields away and if you will be ready tomorrow morning I will call for you and we will go together and get some breakfast very well said the little pig I will be sure to be ready what time do you mean to start at six o'clock replied the wolf well the wise little pig got up at five scampered away to the field and brought home a fine load of turnips before the wolf came at six o'clock the wolf came to the little pig's house and said little pig are you ready? ready cried the little pig why I have been to the field and come back no long ago and now I am busy boiling a pot full of turnips for breakfast the wolf was very angry indeed but he made up his mind to catch the little pig somehow or other so he told him that he knew where there was a nice apple tree where? said the little pig round the hill in the squires orchard the wolf said so if you will promise to play me no tricks I will come for you tomorrow morning at five o'clock and we will go there together and get some rosy cheeked apples the next morning piggy got up at four o'clock and was off and away long before the wolf came but the orchard was a long way off and besides he had the tree to climb which is a difficult matter for a little pig so that before the sack he had brought with him was quite filled he saw the wolf coming towards him he was dreadfully frightened but he thought it better to put a good face on the matter so when the wolf said little pig why are you here before me are they nice apples he replied at once yes very I will throw down one for you to taste so he picked an apple and through it so far that whilst the wolf was running to fetch it he had time to jump down and scamper away home the next day the wolf came again and told the little pig that there was going to be a fair in the town that afternoon and asked him if he would go with him oh yes said the pig I will go with pleasure what time will you be ready to start at half past three said the wolf of course the little pig started long before the time went to the fair and bought a fine large butter churn and was trotting away with it on his back when he saw the wolf coming he did not know what to do so he crept into the churn to hide and by so doing started it rolling down the hill it went rolling over and over with the little pig squeaking inside the wolf could not think what the strange thing rolling down the hill could be so he turned tail and ran away home in a fright without ever going to the fair at all he went to the little pig's house to tell him how frightened he had been by a large round thing which came rolling past him down the hill laughed the little pig so I frightened you I'd been to the fair and bought a butter churn when I saw you I got inside it and rolled down the hill this made the wolf so angry that he declared that he would eat up the little pig and that nothing should save him for he would jump down the chimney but the clever little pig hung a pot full of water over the hearth and then made a blazing fire and just as the wolf was coming down the chimney he took off the cover and in fell the wolf in a second the little pig had popped the lid on again then he boiled the wolf and ate him for supper and after that he lived quietly and comfortably all his days and was never troubled by a wolf again End of Section 20 Recording by Ruth Golding Section 21 of Childhood's Favorites and Fairy Stories This is a LibriVox recording All LibriVox recordings are in the public domain For more information or to volunteer please visit LibriVox.org Section 21 The Three Children Three Children sliding on the ice upon a summer's day as it fell out they all fell in the rest they ran away Now had these children been at home or sliding on dry ground ten thousand pounds to one penny they had not all been drowned You parents all that children have and you too that have none if you would have them safe abroad pray keep them safe at home home Anonymous End of Section 21 Section 22 of Children's Favorites and Fairy Stories This is a LibriVox recording All LibriVox recordings are in the public domain For more information or to volunteer please visit LibriVox.org Recording by Sarah Williams Childhood's Favorites and Fairy Stories by various authors Section 22 The Owl and the Pussycat The Owl and the Pussycat went to sea in a beautiful pea green boat They took some honey and plenty of money wrapped up in a five pound note The owl looked up to the stars above and sang to a small guitar Oh lovely pussy Oh pussy my love What a beautiful pussy you are you are you are What a beautiful pussy you are The pussy said to the owl you elegant fowl how charmingly sweet you sing Oh let us be married too long we have tarried but what shall we do for a ring They sailed away for a year and a day to the land where the bong tree grows and there in a wood a piggy wig stood with the ring at the end of his nose his nose his nose with the ring at the end of his nose Dear Pig Your ring, said the piggy I will So they took it away and were married next day by the turkey who lives on the hill They dined on mints and slices of quints which they ate with a runciful spoon and hand in hand on the edge of the sand they danced by the light of the moon the moon the moon they danced by the light of the moon Edward Lear End of Section 22 Recording by Sarah Williams German Town, Maryland June 2008 Section 23 of Childhood's Favorites and Fairies Stories This is a LibreVox recording All LibreVox recordings are in the public domain For more information or to volunteer please visit LibreVox.org Recording by Johnny J.T Childhood's Favorites and Fairies Stories by various authors Section 23 of Childhood's Favorites and Fairies Stories Little children never give pain to the things that feel and live Let the gentle robin come for the crumbs you save at home. As his meat you throw along he'll repay you with a song Never hurt the timid hair peeping from her green grass lair Let her come and sport and play on the lawn at close of day. The little lark goes soaring high in the bright windows of the sky singing as if twer always spring and fluttering on an untired wing Oh let him sing his happy song nor do these gentle creatures wrong and a section 23 Kindness to Animals This recording by Johnny J.T is in the public domain Section 24 of Childhood's Favorites and Fairies Stories This is a LibreVox recording All LibreVox recordings are in the public domain For more information or to volunteer please visit LibreVox.org Recording by Sarah Williams Childhood's Favorites and Fairies Stories by various authors Section 24 How Doth the Little Busy Bee How Doth the Little Busy Bee improve each shining hour and gather honey all the day from every opening flower How skillfully she bends her cell how neat she spreads the wax and labor's hard to store it well with the sweet food she makes In works of labor or of skill I would be busy too for Satan finds some mischief still for idle hands to do In books or work or helpful play let my first years be passed that I may give for every day some good account at last Isaac Watts End of Section 24 Recording by Sarah Williams Germantown, Maryland June 2008 Section 25 of Childhood's Favorites and Fairies Stories This is a LibreVox recording All LibreVox recordings are in the public domain For more information or to volunteer please visit LibreVox.org Recording by Ralph Selston Childhood's Favorites Childhood's Favorites and Fairy Stories by Various Authors Section 25 Suppose Suppose my little lady, your doll, should break her head. Could you make it whole by crying till your eyes and nose are red? And wouldn't it be pleasanter to treat it as a joke, and say you're glad to have dollies and not your head that broke? Suppose you're dressed for walking, and the rain comes pouring down, will it clear off any sooner because you scald and frown? And wouldn't it be nicer for you to smile than pout, and so make sunshine in the house when there is none without? Suppose your task, my little man, is very hard to get, will it make it any easier for you to sit and fret? And wouldn't it be wiser than waiting, like a dunce, to go to work in earnest and learn the thing at once? Suppose that some boys have a horse and some a coach and pair, will it tire you less while walking to say it isn't fair? And wouldn't it be nobler to keep our temper sweet, and in your heart be thankful you can walk upon your feet? And suppose the world don't please you nor the way some people do, do you think the whole creation will be altered just for you? And isn't it, my boy or girl, the wisest, bravest plan, whatever comes or doesn't come, to do the best you can?  As your bright and tiny spark lights the traveller in the dark, though I know not what you are, twinkle, twinkle, little star, anonymous. CHILDHOOD'S FAVORITS AND FAIRY STORIES BY VARIOUS AUTHORS PRETTY COW by Jane Taylor Thank you pretty cow that made pleasant milk to soak my bread every day and every night warm and fresh and sweet and white. Do not chew the hemlock rank growing on the weedy bank, but the yellow cow's lips eat that will make it very sweet. Where the purple violet grows, where the bubbling water flows, where the grass is fresh and fine, pretty cow go there and dine, and a section 27 pretty calf. This recording by Johnny J. T. is in the public domain. section 28 of CHILDHOOD'S FAVORITS AND FAIRY STORIES This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Recording by Ralph Salson CHILDHOOD'S FAVORITS AND FAIRY STORIES BY VARIOUS AUTHORS section 28 THE THREE LITTLE KITTENS A CAT'S TAIL WITH ADDITIONS The three little kittens lost their mittens and they began to cry. Oh, mother dear, we very much fear that we have lost our mittens. Lost your mittens?  Meow, meow, meow. No, you shall have no pie. Meow, meow, meow.  Oh, mother dear, see here, see here. See, we have found our mittens.  Purr, purr, purr. Oh, let us have the pie. Purr, purr, purr.  Oh, mother dear, we greatly fear that we have soiled our mittens.  Then they began to sigh. Meow, meow, meow. Then they began to sigh. Meow, meow, meow. The three little kittens washed their mittens and hung them out to dry. Oh, mother dear, do not you hear that we have washed our mittens? Washed your mittens? Oh, you're good kittens. But I smell a rat close by. Hush, hush, meow, meow.  Meow, meow, meow. End of section 28. Section 29 of Childhood's Favorites and Fairy Stories. This is a LibroVox recording. All LibroVox recordings are in the public domain. For more information or to volunteer, please visit LibroVox.org. Recording by Kaylee Kay. Childhood's Favorites and Fairy Stories by various authors. Section 29, Land of Counterpying by Robert Louis Stevenson.  And all my toys beside me lay to keep me happy all the day. And sometimes for an hour or so, I watched my lead and soldiers go with different uniforms and drills among the bedclothes through the hills. Sometimes set my ships and fleets all up and down among the sheets. I brought my trees and houses out and plant cities all about. I was the giant great and still that sits upon the Pello Hill and sees before him Dale and Plain the pleasant land of Counterpying. End of section 29, Land of Counterpying. This recording read by Kaylee Kay is in the public domain. Section 30 of Childhood's Favorites and Fairy Stories. This is a LibroVox recording. All LibroVox recordings are in the public domain. For more information or to volunteer, please visit LibroVox.org. Recording by Clarica. Childhood's Favorites and Fairy Stories by various authors. Section 30, There Was a Little Girl. There was a little girl and she had a little curl right in the middle of her forehead. When she was good she was very, very good. And when she was bad she was horrid. One day she went upstairs when her parents unaware in the kitchen were occupied with meals.  Her mother heard the noise and she thought it was the boys, a playing at a combat in the attic. But when she climbed the stair and found Jemima there she took and she did spank her most emphatic. Henry Wadsworth Longfellow. End of Section 30. Section 30 of Childhood's Favorites and Fairy Stories. This is a LibroVox recording. All LibroVox recordings are in the public domain. For more information or to volunteer, please visit LibroVox.org recording by Johnny J.T. Childhood's Favorites and Fairy Stories by various authors. Section 31, The Boy Who Never Told a Lie. Once there was a little boy with curly hair and pleasant eye, a boy who always told the truth and never, never told a lie. And when he trotted off to school the children all about would cry. There goes the curly headed boy, the boy that never tells a lie. And everybody loved him so because he always told the truth that every day as he grew up twist said there goes the honest youth. And when the people that stood near would turn to ask the reason why the answer would be always this because he never tells a lie. End of Section 31, The Boy Who Never Told a Lie. This recording by Johnny J.T. is in the public domain. Section 32 of Childhood's Favorites and Fairy Stories. This is a LibroVox recording. All LibroVox recordings are in the public domain. For more information or to volunteer, please visit LibroVox.org recording by Vera Unreal, Childhood's Favorites and Fairy Stories by various authors.  You have seen the scarlet trees and the lions over seas. You have eaten ostrich eggs and turned the turtles off their legs. Such life is very fine but it's not so nice as mine. You must often, as you trod, have wear it not to be abroad. You have curious things to eat. I am fat on proper meat. You must well be on the phone but I am safe and live at home.  End of Section 32. Section 33 of Childhood's Favorites and Fairy Stories This is a LibroVox recording. All LibroVox recordings are in the public domain. For more information or to volunteer, please visit LibroVox.org recording by Clarica. Childhood's Favorites and Fairy Stories by various authors. The Unseen Playmate When children are playing alone on the green, in comes the playmate that never was seen. When children are happy and lonely and good, the friend of the children comes out of the wood. Nobody heard him and nobody saw. His is a picture you never could draw. But he's sure to be present abroad or at home when children are happy and playing alone. He lies in the laurels, he runs on the grass. He sings when you tinkle the musical glass. When air you are happy and cannot tell why, the friend of the children is sure to be bi. He loves to be little, he hates to be big. Tis he that inhabits the caves that you dig. Tis he when you play with your soldiers of tin, that sides with the Frenchmen and never can win.  For wherever they're lying, encumbered or shelf, tis he will take care of your playthings himself. Robert Louis Stevenson End of Section 33 Recording by Clarica Section 34 of Childhood's Favorites and Fairy Stories This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information, or to volunteer, please visit LibriVox.org. Recording by Megan Kunkel Childhood's Favorites and Fairy Stories by various authors Section 34 I Saw Three Ships I Saw Three Ships Concealing In On Christmas Day On Christmas Day I Saw Three Ships Concealing In On Christmas Day In the Morning All three Pray with their Hinderships are three On Christmas Day On Christmas Day Pray with theirs Hamilton ships are three On Christmas Day in the morning All three On Christmas Day, on Christmas Day Or they sailed into Bethlehem On Christmas Day in the morning And all the bells on earth shall ring On Christmas Day, on Christmas Day And all the bells on earth shall ring On Christmas Day in the morning And all the angels in hand shall sing On Christmas Day, on Christmas Day And all the angels in hand shall sing On Christmas Day in the morning And all the bells on earth shall sing On Christmas Day, on Christmas Day And all the souls on earth shall sing On Christmas Day in the morning CHILDHOOD'S FAVORITS AND FAIRY STORIES By various authors Section 35 A was an ant A was an ant who seldom stood still And who made a nice house in the side of a hill A, nice little ant B was a book with a binding of blue Pictures and stories for me and for you B, nice little book C was a cat who ran after a rat But his courage did fail when she seized on his tail C, crafty old cat D was a duck with spots on his back Who lived in the water and always said quack Dear little duck E was an elephant stately and wise He had tusks and a trunk and two queer little eyes E, oh what funny small eyes F was a fish who was caught in a net But he caught out again and is quite alive yet F, lively young fish G was a goat who was spotted with brown When he did not lie still he walked up and down G, good little goat H was a hat which was all on one side Its crown was too high and its brim was too wide H, oh what a hat I was some ice so white and so nice But which nobody tasted and so it was wasted I, all that good ice J was a jackdaw who hopped up and down In the principal street of a neighboring town J, all through the town K was a kite which flew out of sight Above houses so high quite into the sky K, fly away kite L was a light which burned all the night And lighted the gloom of a very dark room L, useful nice light M was a mill which stood on a hill And turned round and round with a loud, humming sound M, useful old mill N was a net which was thrown in the sea To catch fish for dinner for you and for me N, nice little net O was an orange so yellow and round When it fell off the tree it fell down to the ground O, down to the ground P was a pig who was not very big But his tail was too curly and that made him surly P, cross little pig Q was a quail with a very short tail And he fed upon corn in the evening and mourn Q, quaint little quail R was a rabbit who had a bad habit Of eating the flowers in gardens and bowers R, naughty fat rabbit S was the sugar tongs nippity knee To take up the sugar to put in our tea S, nippity knee T was a tortoise all yellow and black He walked slowly away and he never came back T, tortoise never came back U was an urn all polished and bright And full of hot water at noon and at night U, useful old urn V was a villa which stood on a hill By the side of a river and close to a mill V, nice little villa W was a whale with a very long tail Whose movements were frantic across the Atlantic W, monstrous old whale X was King Xerxes who more than all Turks is Renowned for his fashion of fury and passion X, angry old Xerxes Y was a U which flourished and grew By a quiet abode near the side of a road Y, dark little U Z was some zinc so shiny and bright Which caused you to wink in the sun's merry light Z, beautiful zinc Edward Lear End of Section 35 Section 36 of Charlotte's favourites and fairy stories This is a LibriVox recording All LibriVox recordings are in the public domain For more information or to volunteer Visit LibriVox.org Recording by Vera Unreal Charlotte's favourites and fairy stories by various authors The Table and the Chair Set the table to the chair You can hardly be aware How I suffer from heat and from choking to my feet If you took a little walk you might have a little talk Pay let us take the air Set the table to the chair Set the chair onto the table Now you know we are not able How foolishly you talk when you know we cannot walk Set the table with a sigh It can't do no harm to try I have as many legs as you Why can't we walk on too? So they both went slowly down And walked about the town With a cheerful bumpy sound As they talk round and round And everybody cried as they hastened to their side See, the table and the chair Have come out to take the air And going down an alley to a castle on the valley They completely lost their way And went all the way till to see them safely back They paid a ducky quet and a beetle And a mouse who took them to the house They made a whisper to each other Oh, the lifeful little brother What a lovely walk we've taken Let us dine on Beanton Lagoon So the ducky and the little Brownie Mousey and the beetle Dine and dance upon their heads Till they follow to their beds And off the table and the chair Section 37 of Children's Favorites and Fairy Stories This is a LibriVox recording All LibriVox recordings are in the public domain For more information or to volunteer Please visit LibriVox.org Recording by Ralph Snelson Children's Favorites and Fairy Stories By various authors Section 37 Precocious Piggy Where are you going, you little pig?  Where are you going to, you little pig? I've got a new spade and I'm going to dig To dig, little pig?  Well, I never saw a pig with a spade that could dig Where are you going to, you little pig? Why, I'm going to have a nice ride in a gig In a gig, little pig?      Where are you going to, you little pig? Why, I'm going to the ball to dance a fine jig A jig, little pig?   I'm going to the fair to run a fine rig A rig, little pig?   I'm going to the barber to buy me a wig A wig, little pig?  Why, whoever before saw a pig in a wig? End of Section 37 Section 38 of Childhood's Favorite and Fairy Stories This is a LibraVox recording All LibraVox recordings are in the public domain For more information or to volunteer Please visit LibraVox.org Recording by JohnnyJT Childhood's Favorites and Fairy Stories by various authors Section 38 A Boy's Song by James Hawk Where the pools are bright and deep Where the great trout lies asleep Up the river and or the lee That's the way for Billy and me Where the blackbird sings the latest Where the Hawthorne blooms the sweetest Where the nestlings chirp and flee That's the way for Billy and me Where the mowers mow the cleanest Where the hay lies thick and greenest There to trace the homeward bee That's the way for Billy and me Where the hazel bank is steepest Where the shadow falls the deepest Where the clustering nuts fall free That's the way for Billy and me Why the boys should drive away Little sweet maidens from the play Or love to banter and fight so well That's the thing I never could tell But this I know I love to play Through the meadow among the hay Up the water and or the lee That's the way for Billy and me End of Section 38 A Boy's Song This recording by JohnnyJT Is in the public domain Section 39 of Childhood's Favorites and Fairy Stories This is a LibriVox recording All LibriVox recordings are in the public domain For more information or to volunteer Please visit LibriVox.org Recording by Clarica Childhood's Favorites and Fairy Stories By various authors Section 39 Butter Cups and Daisies Butter Cups and Daisies Oh the pretty flowers Coming near the springtime To tell of sunny hours While the trees are leafless While the fields are bare Butter Cups and Daisies Spring up here and there Ear the snow drop peepeth Ear the crocus bold Ear the early primrose Ops its pale gold Somewhere on the sunny bank Butter Cups are bright Among the frozen grass Peeps the daisy white Little hearty flowers Like to children poor Playing in their sturdy health By their mother's door Purple with the north wind Yet alert and bold Fearing not and caring not Though they be a cold What to them is winter What are stormy showers Butter Cups and Daisies Are these human flowers He who gave them hardships And a life of care Gave them likewise hearty strength And patient hearts to bear Mary Howett End of Section 33 Section 40 of Childhood's Favorites and Fairy Stories This is a Leave Row Box recording All Leave Row Box recordings are in the public domain For more information or to volunteer Please visit LeaveRowBox.org Recording by Kaylee Kay Childhood's Favorites and Fairy Stories By various authors Section 40 The Violet by Jane Taylor Down in a green and shady bed A modest violet grew Its stalk was bent, it hung its head As if to hide from view And yet it was a lovely flower Its color bright and fair It might have graced a rosy bower Instead of hiding there Yet there it was content to bloom Modest tints arrayed And there diffused its sweet perfume Within the silent shade Then let me to the valley go This pretty flower to see That I may also learn to grow In sweet humility End of Section 40, The Violet This recording by Kaylee Kay Is in the public domain Section 41 Of Childhood's Favorites and Fairy Stories This is a LibriVox recording All LibriVox recordings are in the public domain For more information or to volunteer Please visit LibriVox.org Recording by Clarica Childhood's Favorites and Fairy Stories By various authors Section 41 If ever I see If ever I see on bush or tree Young birds in their pretty nest I must not in play steal the birds away To grieve their mother's breast My mother I know would sorrow so Should I be stolen away So I'll speak to the birds In my softest words Nor hurt them in my play And when they can fly In the bright blue sky They'll warble a song to me And then if I'm sad It will make me glad To think they are happy and free Lydia Maria Child End of Section 41 Section 42 Of Children's Favorites and Fairy Stories This is a LibriVox recording All LibriVox recordings are in the public domain For more information or to volunteer Please visit LibriVox.org Recording by Ralph Snelson Childhood's Favorites and Fairy Stories By various authors Section 42 The Little Land When at home alone I sit And am very tired of it I have just to shut my eyes To go sailing through the skies To go sailing far away To the pleasant land of play To the fairyland afar Where the little people are Where the clover-tops are trees And the rain-pools are the seas And the leaves like little ships Sail about on tiny trips And above the daisy tree Through the grasses High or head the bumblebee Comes and passes In that forest to and fro I can wander, I can go See the spider and the fly And the ants go marching by Carrying parcels with their feet Down the green and grassy street I can in the sorrel sit Where the lady burdle it I can climb the jointed grass And on high see the greater Swallows pass in the sky And the round sun rolling by Heating no such thing as high Through the forest I can pass Till as in a looking glass Humming fly and daisy tree And my tiny self I see Painted very clear and neat On the rain-pool at my feet Should a leaflet come to land Drifting near to where I stand Straight I'll board that tiny boat Down the rain-pool sea to float Little thoughtful creatures sit On the grassy coasts of it Little things with lovely eyes See me sailing with surprise Some are clad in armor green These have sure to battle being Some are pied with every hue Black and crimson, gold and blue Some have wings and swift or gone But they all look kindly on When my eyes I once again Open and see all things plain High bare walls, great bare floor Great big knobs on drawer and door Great big people perched on chairs Stitching tucks and mending tears Each a hill that I could climb And talking nonsense all the time Oh dear me, that I could be a sailor On the rain-pool sea A climber in the clover-tree And just come back a sleepy head Late at night to go to bed. Please visit LibriVox.org Recording by Sarah Williams Childhood's Favorites and Fairy Stories By various authors Section 43 A Lobster Quadrille Will you walk a little faster? Said a whiting to a snail. There's a porpoise close behind us And he's treading on my tail. See how eagerly the lobsters And the turtles all advance. They are waiting on the shingle. Will you come and join the dance? Will you, won't you? Will you, won't you? Won't you join the dance? You can really have no notion How delightful it will be When they take us up and throw us With the lobsters out to sea. But the snail replied, Too far, too far, And gave a look of scance. Said he thanked the whiting kindly, But he would not join the dance. Would not, could not, would not, could not, Would not join the dance. Would not, could not, would not, could not, Could not join the dance. What matters is how far we go, His scaly friend replied, There is another shore, you know, Upon the other side. The further off from England, The nearer is to France. Then turn not pale, beloved snail, But come and join the dance. Will you, won't you? Will you, won't you? Will you join the dance? Will you, won't you? Will you, won't you? Won't you join the dance? Lewis Carroll End of Section 43 Recording by Sarah Williams Germantown, Maryland, June 2008 Section 44 of Childhood Favorites and Fairy Stories This is a LibreBox Recording. All LibreBox recordings are in the public domain. For more information or to volunteer, please visit LibreBox.org. Recording by Ralph Snelson. Childhood's Favorites and Fairy Stories by various authors. Section 44 Where Go the Boats? Dark brown is the river, Golden is the sand. It flows along forever with trees on either hand. Green leaves of floating, Castles of the foam, Boats of mine of boating. Where will all come home? On goes the river and out past the mill, Away down the valley, away down the hill.  End of Section 44 Section 45 of Childhood's Favorites and Fairy Stories This is a LibreBox Recording. All LibreBox recordings are in the public domain. For more information or to volunteer, please visit LibreBox.org. Recording by Chris C. Childhood's Favorites and Fairy Stories by various authors. Section 45 The Wind and the Moon Said the wind to the moon, I will blow you out, You stare in the air like a ghost in a chair, Always looking what I am about.  The wind blew hard and out went the moon, So deep on a heap of clouds to sleep. Down lay the wind And slumbered soon, muttering low, I have done for that moon. He turned in his bed, And again, on high in the sky, With her one ghost eye, The moon shone white and alive and plain, Said the wind, I will blow you out again. The wind blew hard and the moon grew dim, With my sledge and my wedge I have knocked off her edge. If only I blow right fierce and grim, The creature will soon be dimmer than dim. He blew and he blew And she thinned to a thread, One puff more is enough to blow her to snuff, One good puff more where the last was bred, And glimmer, glimmer, glum will go the thread. He blew a great blast, The thread was gone, In the air, nowhere, Was a moonbeam bare, Far off and harmless, The shy stars shone, Sure and certain the moon was gone, The wind he took to his revels once more, On down in town like a merry mad clown, He leaped and hallowed with whistle and roar. What's that, the glimmering thread once more? He flew in a rage, he danced and blew, But in vain was the pain of his bursting brain, For still the broader moonscrap grew, The broader he swelled, His big cheeks and blew slowly, She grew till she filled the night, And shone on her throne in the sky alone, A matchless, wonderful, silvery light. Radiant and lovely the queen of the night, Said the wind, what a marvel of power am I? With my breath good faith I blew her to death, First blew her away right out of the sky, Then blew her in, what strength have I? But the moon she knew nothing about the affair, For high in the sky with her one white eye, Motionless miles above the air, She had never heard the great wind blare. Where are you going, my pretty maid? I am going to milking, sir, she said. May I go with you, my pretty maid? You're kindly welcome, sir, she said. What is your father, my pretty maid? My father's a farmer, sir, she said. What is your fortune, my pretty maid? My face is my fortune, sir, she said. Then I won't marry you, my pretty maid. Nobody asked you, sir, she said. End of Section 46 The prettiest doll in the world. Her cheeks were so red and white, Dears, and her hair was so charmingly curled. But I lost my poor little doll, Dears, as I played on the heath one day, And I cried for her more than a week, Dears, but I never could find where she lay. I found my poor little doll, Dears, as I played on the heath one day. Folks say she has terribly changed, Dears, for her paint is all washed away, And her arms trodden off by the cow's, Dears, and her hair not the least bit curled. Yet for old's sake's sake, she is still, Dears, the prettiest doll in the world. End of Section 47 Recording by Rachel Linton, Bristol, UK. Section 48 of Childhood's Favourites and Fairy Stories. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Childhood's Favourites and Fairy Stories by various authors, Section 48. Foreign Lands by Robert Louis Stevenson. Up into the cherry tree, Who should climb but little me? I held the trunk with both my hands And looked abroad on foreign lands. I saw the next door garden lie Adorned with flowers before my eye And many pleasant faces More that I had never seen before. I saw the dimpling river pass And be the sky's blue-looking glass. The dusty roads go up and down With people tramping into town. If I could find a higher tree, Father and father I should see, To where the grown-up river Slips into the sea among the ships, To where the roads on either hand Lead onward into fairy land, Where all the children dine At five and all the play things come alive. End of Section 48, Recording by Rachel Linton, Bristol, UK. Section 49 of Childhood's Favourites and Fairy Stories. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Childhood's Favourites and Fairy Stories by various authors, Section 49. Bed in Summer by Robert Louis Stevenson. In winter I get up at night And dress by yellow candlelight. In summer, quite the other way, I have to go to bed by day. I have to go to bed And see the birds still hopping on the tree Or hear the grown-up people's feet Still going past me in the street. And does it not seem hard to you When all the sky is clear and blue And I should like so much to play To have to go to bed by day. End of Section 49, Recording by Rachel Linton, Bristol, UK. Section 50 of Childhood's Favourites and Fairy Stories. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Childhood's Favourites and Fairy Stories by various authors, Section 50. Try Again by Anonymous. Tis a lesson you should heed. Try, try, try again. If at first you don't succeed, try, try, try again. Once or twice though you should fail, try again. If you would at last prevail, try again. If we strived as no disgrace though we may not win the race, what should you do in that case? Try again. If you find your task is hard, try again.  Try again. All that other folks can do with your patience should not you only keep this rule in view. Try again. End of Section 50. Recording by Rachel Linton, Bristol, UK. Section 51 of Childhood's Favourites and Fairy Stories. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Childhood's Favourites and Fairy Stories by various authors. Section 51. A Good Play by Robert Louis Stevenson. We built a ship upon the stairs all made of the back bedroom chairs and filled it full of sofa pillows to go a-sailing on the billows. We took a saw and several nails and water in the nursery pales and Tom said, let us also take an apple and a slice of cake for Tom and me to go a-sailing on till tea. We sailed along for days and days and had the very best of plays, but Tom fell out and hurt his knee so there was no one left but me. End of Section 51. Recording by Rachel Linton, Bristol, UK. Section 52 of Childhood's Favourites and Fairy Stories. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer please visit LibriVox.org. Recording by Ralph Snelson. Childhood's Favourites and Fairy Stories by various authors. Section 52. Good Night and Good Morning. A fair little girl sat under a tree sowing as long as her eyes could see, then smoothed her work and folded it right and said, Dear work, good night, good night.  She said as she watched their curious flight, little black things, good night, good night. The horses' naid and the oxen load, the sheep's bah, bah, came over the road, all seeming to say with a quiet delight, Good little girl, good night, good night. She did not say to the sun, good night, though she saw him there like a ball of light. For she knew he had God's time to keep all over the world and never could sleep. The tall pink fox-glove bowed his head, the violets curtsied and went to bed, and good little Lucy tied up her hair and sat on her knees her favourite prayer. And while on her pillow she softly lay, she knew nothing more till again it was day. And all things said to the beautiful sun, Good morning, good morning, our work has begun. End of Section 52 Section 53 of Charlotte's Favourites and Fairy Stories This is a limber voucher recording. All limber voucher recordings are in the public domain. For more information or to volunteer, please visit limbervouch.org Recording by Vera Unreal Charlotte's Favourites and Fairy Stories by various authors. The wind I saw you tossed a kite on high and blow the birds apart the sky, and all around I heard you pass like lady skirts across the grass. Oh wind, a blowing all day long. Oh wind, that sings so loud and song. I saw the different things you did, but always you yourself you hid. I felt you push, I heard you call. I could not see yourself at all. Oh wind, a blowing all day long. Oh wind, that sings so loud and song. Oh you, that I so strong and cold. Oh blower, are you young or old? Are you a beast of field and tree? A just a stronger child than me. Oh wind, a blowing all day long. Oh wind, that sings so loud and song. End of section number 53 Section 54 of Childhood's Favourites and Fairy Stories This is a LibreVox recording. All LibreVox recordings are in the public domain. For more information or to volunteer, please visit LibreVox.org Recording by Clarica Childhood's Favourites and Fairy Stories by various authors Section 54 The Spider and the Fly Will you walk into my parlor? said the spider to the fly. It is the prettiest little parlor that ever you did spy. The way into my parlor is up a winding stair and I have many curious things to show you when you are there. Oh no, no said the little fly. To ask me is in vain. For who goes up your winding stair can near come down again. I'm sure you must be weary, dear, with soaring up so high. Will you rest upon my little bed? said the spider to the fly. There are pretty curtains drawn around. The sheets are fine and thin and if you like to rest awhile I'll snugly tuck you in. Oh no, no said the little fly. For I've often heard it said they never, never wake again who sleep upon your bed. said the cunning spider to the fly. Dear friend, what can I do to prove the warm affection I've always felt for you. I have within my pantry good store of all that's nice. I'm sure you're very welcome. Will you please to take a slice? Oh no, no said the little fly. Kind sir, that cannot be. I've heard what's in your pantry I do not wish to see.  How handsome are your gauzy wings.  I have a little looking glass upon my parlor shelf. If you'll step in one moment, dear, you shall behold yourself. Thank you, gentle sir, she said, for what you're pleased to say.  The spider turned him round about and went into his den, for while he knew the silly fly would soon come back again. So he wove a subtle web in a little corner, sly, and set his table ready to dine upon the fly. Then came out to his door again and merrily did sing. Come hither, hither, pretty fly, with pearl and silver wing.  Your eyes are like the diamond bright, but mine are dull as lead.  With buzzing wings she hung aloft, then near and nearer drew, thinking only of her brilliant eyes and green and purple hue, thinking only of her crested head.  He dragged her up his winding stair into the dismal den, within his little parlor, but she nearer came out again. And now, dear little children, who may this story read, to idle, silly, flattering words, I pray you nearer give heed, unto an evil counselor, close heart and ear and eye, and take a lesson from this tale of the spider and the fly. Mary Howatt End of Section 54 Section 55 Let dogs delight to bark and bite, for God hath made them so. Let bears and lions growl and fight, for it is their nature to. But children, you should never let your angry passions rise, your little hands were never made to tear each other's eyes.  His soul was gentle as a lamb, and as his stature grew, he grew in favor both with man and God his father too. Now, Lord of all, he reigns above, and from his heavenly throne he sees what children dwell in love and marks them for his own. End of Section 55 Section 56 of Childhood's Favorite and Fairy Stories This is the Lever Box Recording. All Lever Box Recordings are in the public domain. For more information or to volunteer, please visit leverbox.org. Recording by Kaylee Kay. Childhood's Favorite and Fairy Stories by various authors, Section 56. Child's Evening Hymn by Sabine Bering Gould. Now the day is over. Night is drawing nigh. Shadows of the evening steal across the sky. Now the darkness gathers. Stars began to peep. Birds and bees and flowers soon will be asleep. Jesu, give the weary, calm and sweet propose. With thy tentress blessing, may our eyelids close. Grant to little children, visions bright of thee. Guard the sailors tossing on the deep blue sea. Comfort every sufferer, watching light and pain.  Through the long night watches, may thine angels spread, their white wings above me, watching round my bed. When the morning breakens, then may I arise. Pure and fresh and sinless, in thy holy eyes. Glory to the Father, to the Son, and to thee blesseth spirit. Wildest all ages run. Amen. End of section 56, Child's Evening Hymn. This recording read by Kaley Kay is in the public domain. This recording by Ralph Snelson. Childhood's Favorites and Fairy Stories by various authors. Section 57. Hansel and Gretel. Many years ago a woodcutter and his wife, with their two children Hansel and Gretel, lived upon the outskirts of a dense wood. They were very poor, so that when a famine fell upon the land and Brad became dear, they could no longer afford to buy sufficient food for the whole family. One night as the poor man lay tossing on his hard bed, he cried aloud in his grief and anguish, "'Alas, what will become of us? How can I feed my hungry little ones when we have no food for ourselves?' "'Listen to me, good man,' answered his wife, who was stepmother to the children. "'As it is no longer possible for us to keep our children, we will take them into the wood with us to-moral, light a fire for them, and give each a piece of bread and leave them. They will not easily find their way back, and so we shall be rid of the burden of them.' But the father said, "'No, no, I could not find it in my heart to leave my darlings to perish.' The wild beast would tear them limb from limb. Then,' answered the wife, "'We must all four die of hunger.' She gave her husband no peace until he promised to do as she wished. And at last, very unwillingly, he consented. Now the two children had been too hungry to go to sleep that night, and so it happened that they overheard all that their parents were saying. Gretel wept bitterly, but brave little Hansel did his best to comfort her. "'Don't be afraid,' he said, "'I will take care of you.' As soon as his father and stepmother were asleep, he slipped on his coat, and, opening the door softly, went out into the garden. The moon was shining brightly, and by its light he could see the little white pebbles that lay scattered in front of the house, shining like little pieces of silver. He stooped and filled his pockets as full as he could, and then went back to Gretel, and once more bidding her be comforted for God would be sure to watch over them. He jumped into bed, and they both fell fast asleep. Early in the morning, the stepmother came and wakened the children. "'Rise, little liabeds,' she said, and come with us into the wood to gather fuel.'  Gretel carried the bread in her pinafore, because Hansel had his pockets full, and then they all set out upon their way to the wood. As they trudged along the father noticed the son kept turning back to look at the house. "'Take care, my boy,' he said. "'Or you will slip. What are you looking at so earnestly?' I am watching my kitten father. She is sitting on the roof to bid me good-bye. "'Silly little lad, that is not your cat,' said the stepmother. It is only the morning sun shining on the chimney.' But Hansel had not been watching his cat at all. When they reached the thickest part of the forest, the father bade the children gather wood that he might kindle a fire for them so that they might rest beside it and warm themselves whilst he and his wife were cutting the fuel. So they gathered a pile of brushwood and twigs, and as soon as it was well alight the parents left them, promising to return as soon as they had finished their work. Hansel and Gretel sat down in the fire, and when midday came they ate their bread and sat listening to the strokes of their father's acts, thinking all the time that he was near to them. But what they heard was only a dry branch which the man had bound to a tree so that the wind swung it hither and thither, and the noise made it deceive the children. At last the poor tired little eyelids closed and side by side brother and sister fell asleep. When they awoke the night was very dark and Gretel was frightened and began to cry. Hansel put his arms around her and whispered wait, dearie, till the moon rises. We shall soon find our way home then. As soon as the bright moon rose Hansel took his little sister by the hand and all night long they followed the track of the little white pebbles until at daybreak they came to their father's house. They knocked at the door and no sooner did the stepmother open it than she began to scold them for having stayed out so long in the wood. But the father greeted them kindly for he had grieved sorely for his little ones. In a short time they were as badly off as ever and one night they again heard their mother trying to persuade her husband to take them out into the woods and lose them. There was nothing left in the house but half a loaf of bread, she said. For the sake's it is better to get rid of the children but this time we will lead them farther away so that they will not be able to find their way home. But the man would not agree. Better to divide our last morsel with them, he said, and then die together. His wife would not listen to what he said but scolded him for his want of thought for her and at last the poor man gave way a second time just as he did at first. But the children had overheard all that was said and as soon as the mother and father were asleep Hansel stole down to the door meaning to go and collect pebbles as he had done before but the door was locked and bolted and he could not get out. Never mind Gretel, he said consolingly, the good God will surely help us. Early in the morning the woman wakened the children and said, bade them follow her and their father into the wood. As they went Hansel crumbled his morsel of bread in his pocket and strewed the crumbs upon the path. Come, Hansel, said the father, don't loiter so, son. What can you see to stare at so often?  Nonsense, said the woman, it is not your dove, only the rising sun shining upon the chimney. Hansel did not answer but he went on strewing his crumbs carefully until the last morsel of bread was gone, deeper and deeper into the wood they went where the children had never been before.  If you are tired you may sleep a while and we will fetch you when it is time to go home. When dinner time came Gretel divided her piece of bread with Hansel because he had scattered all his share upon the road and then they went to sleep. The evening shadows fell but still no one came to fetch the poor children and it was not until midnight that they awakened. Hansel put his arms around his sister and told her not to fear for when the moon rose they would easily be able to see the crumbs so find their way home again. So when the moon rose they set out upon their way but alas there were no crumbs to be seen for the little birds that lived in the green wood were as hungry as the children and had eaten them all up. We will find the way somehow, cried cheerful little Hansel but though they travelled all night long and the next day too they could not find it. Poor little mites how tired they were for they had nothing to eat but the berries that grew by the roadside. When at length the weary little feet could go no farther the children lay down beneath a tree and slept. On the third day they were still as far away as ever and it seemed to them that the longer they walked the deeper they got into the wood and they began to be afraid that they would die of cold and hunger. But presently when the midday sun was shining brightly little snow-white birds singing so sweetly that they could not help but stay to listen. When the birdies song was ended he spread his wings and flew away. The children followed him until they reached a little house on the roof of which he perched. Then the children saw with surprise that the strange little house was built entirely of bread roofed with cakes and with windows of barley sugar. See Gretel, cried Hansel joyfully, there is food for us in plenty. I will take a piece of the roof and you shall have one of the windows. He stretched out his hand to help himself and Gretel had already begun to nibble one of the windowpains when suddenly they heard a voice call from within. Nibbly, nibbly, mouse! Who's nibbling at my house? The children answered quickly did my lady wind that blows as round about the house she goes and then they went on eating as though nothing had happened for the cake of which the roof was made just suited Hansel's taste whilst the barley sugar windowpains were better than any sweet meat Gretel had ever tasted before. All at once the door of the cottage flew wide open and out came an old, old woman leaning upon a crutch. The children were so frightened that they dropped their food and clung to each other.  Come inside, come inside! No one will hurt you. She took their hands and led them into the house and set before them all kinds of delicious foods milk, sugared pancakes, apples and nuts. When they had finished their meal she showed them two cozy little white beds and as Hansel and Gretel lay snugly tucked up in them they thought to themselves that surely they had now found a delightful place in the whole wide world. But the old woman had only pretended to be friendly and kind for she was really a wicked old witch who was always lying in wait to catch little children. Indeed she had built the little house of bread and cakes especially to entice the men. Whenever anyone came into her power she cooked and ate him and thought what a fine feast she had had. Witches have red eyes and cannot see far but they have keen scent like animals and can tell it once when a human being is near to them. As soon as Hansel and Gretel came into her neighbourhood she laughed to herself and said mockingly Ha! Ha! They are mine already they will not easily escape me. Early in the morning before the children were awake she stood beside them and admired their rosy cheeks and soft round limbs. Oh, nice tidbits for me! murmured she. Then, seizing Hansel by the hand, she led him to a little stable and in spite of his cries and screams shut him up and left him. Then she shook Gretel until she was awake and bade her get up at once and carry food and drink to her brother and it must be of the best too for she wished to fatten him. When he is nice and plump I shall eat him! Gretel went bitterly but it was quite in vain for she was obliged to do the witch's bidding and every day she cooked the choicest food for her brother while she herself lived upon nothing but oyster shells. Day by day the old woman visited the stable and called to Hansel to put his finger through the window-bars that she might see if he were getting fat but the little fellow held out a bone instead and as her eyes were dim with age she mistook the bone for the boy's finger and thought how thin and lean he was. When a whole month had passed without Hansel becoming the least bit fatter the old witch lost patience and declared she would wait no longer. Hurry, Gretel! she said to the little girl fill the pot with water for tomorrow be he lean or fat Hansel shall be cooked for my dinner. The tears chased each other down Gretel's cheeks as she carried in the water and she sobbed aloud in her grief Dear God! she cried we have no one to help us but thou alas if only the wild beasts in the wood had devoured us at least we should have died together. Seize your chattering! cried the old witch angrily it will not help you so you may as well be still. The next morning poor Gretel was forced to light the fire and hang the great pot of water over it and then the witch said first we will bake I have kneaded the dough and heated the oven you shall creep inside it to see if it is hot enough to bake the bread but Gretel guessed that the old witch meant to shut the door upon her and roast her so she pretended that she did not know how to get in silly goose said the witch the door is wide enough to be sure why even I could get inside it as she spoke she popped her head into the oven in a moment Gretel sprang towards her pushed her inside shut the iron door and shut the bolt oh how she squealed and shrieked but Gretel ran off as fast as she could and so there was an end of the cruel old witch quick as thought Gretel ran to her brother we are saved Hansel she cried opening the door of the stable the wicked old witch is dead Hansel flew from his prison as a bird from its cage and the two happy little children kissed each other and jumped for joy no longer afraid of the old witch they entered the house hand in hand and they saw that in every corner of the room were boxes of pearls and diamonds and all kinds of precious gems ah said Hansel Merly these are better than pebbles Gretel and he stuffed his pockets with the jewels while Gretel filled her pinafore now said Hansel we will leave the witches wood behind us as fast as we can so off they ran and never stopped until they came to a lake upon which swam a large white duck how can we cross said Hansel for there is no bridge anywhere and no ship either Gretel answered but we will ask the pretty white duck to carry us over so they cried aloud little duck, little duck, with wings so wide carry us over the waters bright the duck came at once and taking Hansel upon her back carried him over to the other side and then did the same for Gretel they went Merly on their way and very soon they found themselves in a part of the wood they knew quite well when they saw the roof of their father's house in the distance they began to run and breathless with haste half laughing and half crying they rushed into the cottage and flung themselves into their father's arms oh how pleased he was to see them once again for he had not known a happy hour since he had left them alone in the wood Gretel shook out her pinafore and Hansel emptied his pockets and the floor of the little room was quite covered with glittering precious stones so now their troubles were at an end for the cruel stepmother was dead and Hansel and Gretel and their father lived together happily ever after my story has ended and see there runs a little mouse and the first who catches him shall have a fur cap made from his skin End of Section 57 Section 58 of Childhood's Favorites and Fairy Stories This is a LibriVox recording All LibriVox recordings are in the public domain For more information or to volunteer please visit LibriVox.org Recording by Clarica Childhood's Favorites and Fairy Stories by various authors The Fair Catherine and Piffpaff Poultry Good day, Father Holenthal, how do you do? Very well, I thank you, Piffpaff Poultry May I marry your daughter? Oh yes, if the mother Malcho, milk-cow the brother Hoenn Stoltz, high and mighty the sister Kastrot, cheese-maker and the Fair Catherine are willing, it may be so Where is, then, the mother Malcho? In the stable milking the cow Good day, mother Malcho, how do you do? Very well, I thank you, Piffpaff Poultry May I marry your daughter? Oh yes, if the father Holenthal, the brother Hoenn Stoltz the sister Kastrot and the Fair Catherine are willing, it may be so Where is, then, the brother Hoenn Stoltz? In the yard chopping up the wood Good day, brother Hoenn Stoltz, how are you? Very well, I thank you, Piffpaff Poultry May I marry your sister? Oh yes, if the father Holenthal, the mother Malcho the sister Kastrot and the Fair Catherine are willing, it may be so Where is, then, the sister Kastrot? In the garden cutting the cabbages Good day, sister Kastrot, how do you do? Very well, I thank you, Piffpaff Poultry May I marry your sister? Oh yes, if the father Holenthal, the mother Malcho the brother Hoenn Stoltz and the Fair Catherine are willing, it may be so Where, then, is the Fair Catherine? In her chamber counting out her pennies Good day, Fair Catherine, how do you do? Very well, I thank you, Piffpaff Poultry Will you be my bride? Oh yes, if the father Holenthal, the mother Malcho the brother Hoenn Stoltz and the sister Kastrot are willing, so am I How much money have you, Fair Catherine? Fourteen pennies and bare money Two-and-a-half farthings owing to me Half a pound of dried apples A handful of prunes And a handful of roots And don't you call that a capital dowry? Piffpaff Poultry, what trade are you? Are you a tailor? Better than that A shoemaker? Better still A plowman? Better still A joiner? Better still


What's up everybody, Jason here for Jasper's Case Breaks.com 2020, Leap Metal Draft Jumbo just sold out. This is a three box half case break, three random It's each number one. The way this works guys is that we sold ten spots First what we're gonna do guys is open up the three boxes There should be ten autos in every box for a total of thirty. Then what we'll do is I'll type in the list of thirty hits that pop out of here and the list of ten customer names And we're gonna triple them up to make it thirty names. Everybody gets three autos per spot We'll randomize the names and the hits and whatever you match up with is what you get So this is a fresh case. So I Didn't post up the second half already back on the website so If you guys like it, we can run it back again. This is some fun stuff I believe there's nine autographs including a one-on-one slab So there's gonna be at least three customers getting a one-on-one slab And again to determine which three boxes we use in this break One two three for the left four five six to the right little dice roll One one two three four five six. These will be used for the second one number two All right, so here you go Let's showcase the boxes and I got nine autographs plus a one-on-one slab proof card. All right guys good luck So all the autographs will be in here. I want the top of them And then the one-on-one slab proof should be Zach Delosh 15 out of 20 We got Edward Cabrera five out of 20 Pedro Martinez XRC One out of 15 Sleeve Two out of three a lot of these guys are pretty much prospects or even rookies Dax Fulton Jeff Criswell relief rookie XRC We have yeety That XRC are two more guys and then we stop the The proof slab That is Dylan Dingler and last one here is state pride at Howard Prospect for the Cubs I believe That is not numbered. All right, and the slab card is a one-of-one Bryce ball that is a Production proof crystal gold a little one-on-one production proof Bryce ball, so that was box one Leave them as is so we can type them in the same way they got came out so that's one box right there Go with the next first one. We got here is Casey Martin. That is a purple ice Or crystal I think they like to call it seven out of ten We have Ben Hernandez blue crystal Number to 15 out of 15 Luis Matos purple crystal 10 out of 10 We got Nick Sweeney Number three out of 20. We got Tanner Burns Miguel Vargas Jake Vogel Sammy and Ponte And what a nice one to end it off with how about a little Jason and Dominguez Very nice that is 19 out of 20 I think everyone's gonna want to get that part right there Little Jason Dominguez All right, and they press proof slab is Cory a bot One-of-one clear red pre-production proof very nice So you got a little Jason Dominguez in this box right here Put that right here, and let's go through one more box guys So once we get done with this third box, I'll probably pause the video. It'll probably take me a Few minutes to type in all 30 hits Then we'll come back around my customer names and the hits and see what you guys get The last box here though We got me govrodo and that is a on-card actually very nice Two out of 25 Gary Mitchell One out of four Reed Detmer's top picks national pride we got Miguel yajur That is a blue crystal to 15 Luis Medina playing beater Gage workman We have a nacelle Urbina not numbered nice very nice Zach Bean all about a Rockies prospect It is a leaf XRC purple one out of 25 All righty guys and the encase card is a one-of-one Orvillius Martinez Mojo orange pre-production proof one-of-one Sweet here right there And there you go guys. That was the third boxer here So we did get a Jason Dominguez and a Zach Bean I have seen like Fernando Tatis Jr. and Ronald Acuna Jr. autographs come out of here out of these boxes So there could be some really nice names hiding in the last three So here are the three boxes should be all ten hits right there guys 30 each So we're guys what we're gonna do is we're gonna switch scenes really quick Let's triple up your names. So there's 10 right there Let's go two and three that should be all 30 right there Now what I'm gonna do guys. I'm a positive either really quick type in all 30 hits that popped out of here And then we'll come back randomize the customer names and hits and see what you guys got guys. We'll stick around Alrighty welcome back everybody. So here are all the 30 hits from Zach Delosh blue 15 out of 20 all the way down to our velvius Martinez red mojo orange one-on-one slab And this should be 30 names right here guys. We tripled them up to get you 30 right there So now what we're gonna do guys is we're gonna roll the dice boom That is a two and a six eight times. Good luck We're gonna randomize because we're names eight times and the list of players eight times And whatever you match up with is what you get guys. So two and a six eight times. Good luck one two three four five six seven and eight Eight times Jake down to Jake So they go that should be 30 right there eight times Here now. Good luck one two three four five six seven and eight Eight times eight times Dylan Dingler at the top down to Miguel Vargas Alrighty everybody. Good luck. So Jake you have Dylan Dingler Michael with Clayton Beater Hank you have the Jason Dominguez pink 19 out of 20 Jake with the Nick Sweeney Our swiney star Nick Sweeney pink three out of 20 Pedro Martinez Blue one out of 15 Michael with Dax and Dax Fulton Michael L with the Miguel Yajor Blue national pride one out of 15 as well as the gage workman Hank with Zach Delos blue out of 15 out of 15 out of 20, sorry Robert Flores with the Ben Hernandez blue 15 out of 15 Simon with Edward Cabera blue five out of 20 Hank with Luis Medina Michael with Jeff Criswell Robert Flores with Miguel Hordalo Hordalo, sorry Purple two out of 25 Simon with the Cory Abok clear red one of one Robert with the Michelle Urbina Simon with Yeety We got Matt L with Zach v. Purple one out of 25 congrats man Robert with the Reed Demers purple 21 out of 25 Jake with the one of one Aurelius Martinez mojo Orange one of one slap congrats as well as the Ed Howard state pride Matt with the Slate green two out of three Hank with Sammy and Fonte and Tanner Burns Matt with Bryce Ball Crystal gold one of one slap congrats Matt and Hank with the Casey Martin purple seven out of 10 Matt with the Luis Matos purple 10 out of 10 Robert Flores with the Garrett Mitchell green one out of four as well as Jake A Vogel sorry and Jake Johnson with the Miguel Vargas So there you go So I'm going to alphabetize it here or actually I shall be appetizing by customer names And there you go guys. That was the break appreciate it. Number two is on the website the last three boxes of the case Jasper's case breaks.com


Tchaikovsky wrote an incredible concerto for piano and orchestra that nobody plays because of the popularity of number one. But I love the Gillel's performance of number two with Kondrasch and one of the most inspired and reckless things. And you're going to hear one of the few people that play the second concerto many years ago. I called her and I said well I want to do something on the cadenza because the cadenza is truly part of virtuosity. Can you do the second concerto? I know oh no no I can't I can't get that ready. But did I say that? Yeah but five minutes later she calls oh I just looked at it I'm working on it. And here it is. Here is it. Tchaikovsky did not have Lisbianism. In fact if Lis were alive and he had heard the Tchaikovsky's second cadenza he would have said oh let me change the passage work to make it less awkward the way he did with the Schubert Bondur. But it's very orchestral and I think that's why it works and it's lovely the melodies are lovely.  Exactly.


This morning, I had tea with some people in a village Alicha, we were we were driving by and They invited us to have tea with them and one of the little girls who was having tea with us Asked me what is the idea behind your yatra? So I told her I had heard that there was a very special person in that house And the purpose of my yatra was to come and listen to her to understand what the people of Nagaland are feeling What they are thinking and to also understand their way of life, their way of living So have you travelled outside Nagaland? You plan to go? Go So what do they teach you in your business course? Father is a civil worker Father is just He does business What's your name? Im Sinha And your name? Monila Monila What does she do the whole day? I don't know Nothing Nothing? Nothing at all So what do naga weddings look like? What happens in the naga wedding? You were in Naga wedding You were in Naga wedding You were in Naga wedding You were in Naga wedding And after that the parents and the boys parents They were in Naga wedding That I love them And she is originally from Nagaland or she is from She is from Assam From Assam But she is born from here Okay But she is originally from Assam Yeah, she is originally from Assam And her family is living here? Yeah But generally in Naga land People treat each other as equal Yes Is that correct? She doesn't face any discrimination or anything I believe that every culture Every state should be allowed to do its own thing They should be allowed to do whatever they want For example the organization that is now running India Would not like the fact that she has had a lot of money Yes This is her decision, nobody else's decision So it is not anybody else's business to tell her What she should do with her life So that is why I am here And I especially came to meet these two young ladies She said that before you come next They will study there Oh, four years So she has not been to school yet? Yeah, yes What does she want to do when she is big? Doctor Why doctor? To make a chocolate factory Nice to meet you Thank you so much