Hai! Am I too loud? Okay, so this is actually a photo that I took and posted in 2015 on Instagram of myself. So what it says there in terms of caption was after 10 years of building, I'm back to square one, what did I do wrong? So that was actually a reflection at the point of time when I stood outside my toilet and I asked myself really, why did all these things happen to me? And I think after 2 years, that's the title of what I'm talking about today, which is discovering why. I think after 2 years, I finally managed to understand why did all these things happen to me and I think that's what I'm going to share with you today. So this is my life journey. At age 1, I was actually a champion. So a typical joke that a lot of people indicated and said to me is that that was me in terms of photo wise. I won the healthiest and cutest baby award at one month. So they asked, what happened to you now? So that was me at age 1, at age 3. I think that's where if all of you know and you talk to your parents, typical, you know, what they talk about is that for male, you probably start talking at about 9 months or so. For female, probably you start walking at about 9 months or so or the other way around, not too sure.  So my parents always thought that I'm dumb. I couldn't speak because I never said ma, pa or whatever. I literally was a very quiet baby. At age 3, I actually spoke in sentences. So my parents were shocked because they thought that, well, this dumb baby can actually speak.  At age 21, I was a school dropout almost. Why do I say that? Because I actually went to study engineering. I hated my life in engineering. So within 6 months, I went to study. I spoke to my parents and said I'm going to go to school. And they said, no, what do you want to do in my life? I said, no, exactly what I want to do in my life. I want to do marketing. I want to go into an agency. That's what I want to do. Engineering ain't going to get me there. And they obviously said no. And I finished my degree by almost copying other people's work all the time. I remember what was interesting about my life in university is my final year thesis. I proved 30 years formula wrong. So the graph was supposed to go this way. My experiment came out that the graph was this way. And I was like, oh dear, what's going to happen? And I, oops, sorry. I think my hands are too much. Let's leave it here. Then I'll put it in. Oops. So that's where I felt that I could do quite a good job as a marketer because my whole entire thesis is about how you should write and do experiments and not make sure that the conditions are all wrong. If not, you'll get this kind of results which is totally opposite. So I did a reflection journal in that sense. So that was me. 24, when I graduated, I was jobless for a year. I was jobless for a year because I was very insistent I want to go into marketing. Nobody wanted me. I went for countless interviews. And at the point of time when I was a little bit demoralise, then I went to go for an interview for a sales engineer job. And at the moment, I offered a job immediately. I said, no, thanks. And I left. And eventually I did get a job at reply poly. So at the educational institute doing marketing. I think the next three years of my life, what was interesting is that I had a lot of success literally at the interview when I spoke to my boss, Dan. I actually told my boss, Dan, hire me and you get three dogs. And my boss was like, huh? And I said that I would like three dogs for you. I can do three persons job. I just need that break. So I think I was a bit lucky. They decided to offer me a job. I was there for three years. And at three years, I did fairly well in terms of my ranking. So at 26, I was actually very sure my road to owning an agency or being in that agency life. That's what I'm going to do. 27, I think that was when success came very early for me. I was earning a lot of money. I left my job. I started my own company doing a creative agency. Doing extremely well. I didn't have to work a lot of hours. I think one day I was working maybe eight to ten hours max and I was drawing easily five digit. I was able to get almost everything I wanted. I bought a house. I changed my car. I was enjoying life. I started picking up golf. And I actually didn't know what I was doing in terms of work because I was having too much fun. And the next nine years, I was basically playing a lot doing work now and then. And at 38, that was where I became lost and poor. So today I'm going to talk a lot more about lost and poor. And now I'm 40.  So that's where we are. So like what I mentioned, 38, where I'm lost and poor. In a nutshell, at a point of time, I had no pay for one year. The bank, my company had reserves of about half a million. I lost every single cent of that. In addition, I owed 250,000 to vendors. In terms of my personal life, I actually owed another 150,000. Key reason for that was because I was going through a divorce then. So I was married. Going through a divorce, I had to because of all the financial things that comes with divorce, I have to pay 150,000. I had imagine you have no pay. Your company, everything that was there was gone.  It was a very sad point of time. I went to my very rich uncle's and I said that, hey, would you like to consider perhaps investing a little bit a little bit at me? The uncle's told me to go and look for the banks. And as you all know banks, they come to you and offer you money only when you're rich.  Oh, it's in the rate. Sorry, we can't help you. So it was very sad when I spoke to my uncle's, I said that, you know, I really need help. Any small amount will do. And all I got was a year full and they told me that I don't even know why you got yourself into this stage.  That was how it was at 38. I think it was very demoralizing for me. And at the point of time, I actually really kept asking myself why I think the questions that I asked half a million how did it disappear? Half a million is quite a fair bit of money. It's not as if my company was very big. I had about 25 people. Half a million. Every so I actually lost money in 2013 and 2014. Every month, my revenue was going up. But my expenses were going up even faster. I didn't catch it and because I was always holding on to hope. So to me, it was a case of every month I'm losing $20,000. One project will easily cover it the next time round. So I kept holding on to hope I held on for two years. So one year you lose a quarter per million two years you really lost half a million was gone. So in January 2015, I lost another $150,000. In February 2015, I lost another $100,000 simply because the sums did add up. So from half a million of cash in the bank in two years it was gone. In the two months in 2015, I actually lost an old another $250,000. And this is in addition to I have not been paid for a year already at that time. And I was really lost. I when I thought about getting money one of my friends offered me $10,000. And I was thinking, I can only pay three person salary with $10,000. I don't know what I can do. No amount of money seems enough. And I was responsible for 25 people's family and their life. It was really sad for me. So I took on the hard decision. I tried to save whoever I could save. So after 25, I actually let go of like 56. So I let go of 19 people. It was letting go of the 19 I know I can survive. And to me it was really a case of what I was clear about is that my personal finance can't be solved if I cannot solve the company's finance. So I let go of everyone projects that I used to be able to do. I no longer can do. It's back to efficiency. I took on photo shoots by myself. I did on projects. I was a one-man show back in the game. A lot of stuff were looking for jobs. It was really demoralising and they asked themselves why do I even want to stay on? So I didn't have answers to them and a lot of them they asked me 20k a month how can that even go unnoticed? I said they didn't go unnoticed but it was really holding on to hope. So there was a lot of blame and especially the 19 people that I had to let go. All of them really blame us. And because it was the first time that we were letting go of people I didn't handle it properly as well. I remember the first very first person that I let go I literally told the person the company is not doing well. I'm sorry we are the first to go. Tomorrow you pack leave immediately. And he said this is back to me. I remember his name is Colin and he told me I was here for 4 years Why not have any other options? Why can't we write this out together? And I said no I took a very hard line approach I said no tomorrow you leave no questions asked. Now 2 years later I told myself that I think all those were wrong.  I spent 200 over 1000 to buy a Jaguar thinking that it's good to drive a fancy car. I got rid of the car in December 2014 Wow if you want to lose money a car is the fastest way to lose money. So in the 3 months 4 months that I owned that car I lost $50,000 it was just gone I sold off the car I bought a Hyundai Twiscarni that had 4 years gone 4 years left which I'm currently driving now it cost me $30,000 So to me it was like okay I need a car I need a car that can move but I need a car that at least I think I will not cry driving it every day. So I bought something that I thought was decently cheap okay and I'm still driving it and right now I think my decision for that is well I think that was one of my best decisions I'm intending to renew COE next year when it's gone that's my car and I asked myself as well I had a marriage it wasn't working out it didn't work out in the first place I didn't even know why I came into it was it because I put a down payment for a house I'm not sure was it a case where I thought that wow paving are so capable right maybe you can change the person and know also and these were all the questions that was constantly coming to my head I literally really had no answers let me know if I'm taking too long um okay two minutes I'm gonna go very fast so in the two years of my life 2015 and 2016 what I actually really did was I lived on $10 a week a meal I ate fried rice every lunch for one and a half years I ate fried bihun every meal for one and a half years I ate three slices of bread plain every single morning and the fried rice as well as the fried bihun I cooked it myself so the ingredients cost cost about $10 a week plus the bread that was how I lived my life I didn't go to a coffee shop and drink coffee there's no such thing as Starbucks I drank only $3.1 coffee I took on two jobs I worked about almost 20 hours a day then I sold off all my golf equipment that fetched me quite a fair bit of money I played games that I know I was able to earn money so I played mahjong I chose who I can play mahjong very interestingly I earned about close to $2,000 for mahjong I played golf and my condition for golf is that's bad and I make sure I covered that in golf so that was what I did in 2015 the whole of 2015 three times because of how demoralized I was I remember standing in front at the junction of the traffic light and I closed my eyes and I said I can just take one more step and I don't have to face all this anymore every single time that thought came into my head I took a very deep breath and I thought about my mum and it literally went this way and I took a step back and I think that's the reason why I'm still able to be here today so I think my learning point is that things happen for a reason I think all that happened I think I am a very arrogant person I think I think very highly of myself I think I didn't really know how to control and use money when I had so my learning points were that it's really not about the money it's not about your ego it's not about the pride that you have I think it's really about the humanity so my parting words for everyone this is a photo that I took with my current wife So Young, she's behind right now raise your hand yes so we actually just went to Korea in October we took this photo in Jeju and I think the key learning point I have is that pain makes you stronger tears make you braver heartbreak makes you wiser but thank the past for a better future this is Tehling, thank you alright, so we have time for maybe Tehling, Tehling, Sayang sorry maybe we take one question and then we'll go to the next speaker and then we'll come back to all the speakers sharing one last FBK together so anyone has a quick question that you'd like to ask Tehling before we move on to the next speaker any questions for now? anybody questions? alright, it's alright then please go your archi Terima kasih.


One of TV's biggest and most expensive shows of all time is coming to an end. Yes, a new season of The Crown is coming and we finally have a first look at the show's final season accompanied by some powerful promo posters. Join me today as we break down these promos and what we know so far about The Crown Season 6. Now I'm bringing you weekly videos covering the best and worst of movies and television and delivering it straight to your subscription feed. So to stay up to date and support the channel be sure to hit that like button, subscribe and ring that bell to not miss a single thing. Now something we could have guessed at but has now been confirmed is that all three actresses who played Queen Elizabeth II will be returning one last time for this season, which is a great send off for all of these terrific performances. Some fans joking that we are getting a multiverse of madness for British royalty. But one thing I did not expect was to see these women come together already in the promo for the season no less. In this date announcement teaser we open on a ticking clock, a common opening shot of many teasers throughout the series. Time passing is once again relevant here as season 1 and 2's Claire Foy enters, walking the halls of the palace. Foy's dialogue smoothly transitions into season 3 and 4's Olivia Coleman, all speaking on the sacrifices made by those under The Crown. The primary internal and external conflict faced by the Queen in all three time periods the show has portrayed, which lead to the appearance of a meldus staunton, the actress who will bring this whole series home. Out of curiosity I posted a poll asking who was your favourite performance of Queen Elizabeth and this is what you said. Claire Foy came out on top with a whopping 77%, leaving Coleman behind with 19% and not even recency bias could save Staunton with just 4%. Maybe that will change after this season though, who knows. Another surprise from these teasers was that this season will be broken up into two parts, but luckily spaced less than a month away from each other. This teaser gives us part 1's premiere date of November 16 and part 2 will be hitting our screens December 14. These parts have each been given their own poster. Let's start with part 1. Most of those familiar with the life and death of Princess Diana are aware of this famous image of the Princess of Wales holidaying in the Mediterranean weeks before her death. So seeing this image from this perspective in the poster is a hauntingly beautiful tribute. Season 5 ended its events in 1997 and season 6 will pick up right where it left off. Obviously these few weeks will be a key time period in part 1 of the season. But how will the show handle the events of Diana's death? Well Peter Morgan, creator of the show, has confirmed that the actual accident itself will not be shown on screen. According to a source on the production team, we will be seeing the car leaving the Ritz after midnight with Paparazzi in pursuit, the aftermath with the British ambassador to France swinging into action with the foreign office and then the subsequent constitutional aftermath. But the dramatic advantage to this tactic will be that when the crash occurs we'll be seeing nothing but human reactions from the on-screen royals and the public, a very impactful storytelling mechanic. When we see these events from the eyes of the characters we've come to be so familiar with, the impact and shock of this event will evoke a more emotional reaction from the audience, especially those that were there to recall this day in 1997. The accident will likely occur in the opening few episodes and then the focus will shift to the funeral and the aftermath resulting from the tragedy. The reaction of Buckingham Palace to the tragedy was a target for criticism as their statements came across cold and impersonal, an intriguing point in royal history that many have a strong opinion on, royalist or not. I feel that once they've covered this time period, this will end part 1. Part 2 may then move on to further losses the royal family faced into the early 2000s, the poster for part 2 showing a foreboding image of a lonely monarch. 2002 began with the death of the Queen's sister, Princess Margaret, who died in her sleep at age 71. This obviously being a significant loss for the Queen and the royal family as a whole. At this time though, the Queen's mother was extremely unwell, however insisted on being there for her daughter Margaret's funeral which she was able to attend at the age of 101. Although in the weeks following the funeral, the Queen mother died with the Queen by her bedside. After the heaviness of the events surrounding Diana, I think we as viewers will appreciate a few eggs break before entering the following time period, which is really no lighter. I have assumed in previous videos that the final scenes of the series will be surrounding the Queen's golden jubilee celebrations, marking her ascending to the throne 50 years earlier. However, my theory was recently thrown out as Netflix released this teaser image of the program for King Charles and Queen Camilla's wedding, which occurred in 2005. I guess a fitting end to the dramatization considering the current heads of the royal family. But the exact events of the show's final episodes are still up for discussion, so what do you think? How do you think they'll end the hit show after six seasons? Let me know, I'll be down there in the comments. But if you haven't already, be sure to subscribe for weekly videos covering the best and worst of movies and television. This is Matt Rogers, and that is all.


Hi, I'm Mark Hall with the Alabama Cooperative Extension System, and with me is my friend John Fulton. We were talking about old days when I was young, riding the back of a four-row planter and pulling it up with a rope, the row markers.  Planning is so important, and we've been talking about planning. If you just tuned in, go back and watch the first part of our precision planning demonstration. Planning is so important. Help us, John. When we talk about, you know, you've got that seed, and if you don't get it placed right or give it, you know, put it in the ground at the proper time, you're losing yield right away, right? Yes. And so at planning, we want to give that seed maximum yield potential when it's placed. So some of these technologies, which we've already reviewed, will help ensure that, improve that. And so, but the other part of this is, is once you've got a lot of this technology, the normal aspect that growers want to do, or farmers, is what about variborate seeding? You know, I've kind of got, you know, I've seen some gains with my section control, I've got some savings that's been, and I know my fields are variable, but how do I, what do I do? And so, we just wanted to kind of cover some of the prescriptive seeding where we're starting to use data to define zones and determine how much and things, but kind of just go through a few scenarios that are becoming very popular here. So variborate seeding, you know, that's been going on for probably several years, but it's become more mainstream, Mark. I can't tell you someone, a retailer, a co-op, or kind of a precision ag provider, agronomist providing service that can't write prescriptive seeding racks for people, and so it's become a little bit more mainstream, but at the same time, in order to do that, you've got to have the right technology in place. And so I think that's kind of what we just wanted to cover is, you know, to do this, you want to, there's some basics that I think that you've got to kind of follow is, number one, you've got to have the right technology, and so I've got to have either a hydraulic drive or the ability to change rates, and then the other piece of information that becomes very critical is you've got to have some data. We talk a lot about yield data, right, and having that, but on a field-by-field basis, we need the data layers in order to begin to explore how do I set up my zones because that RX or prescription in the top right is what we're trying to find, and so we'll comment on that in a second. Beyond those keys, I need that display, and I think that becomes very critical because we want to do everything as right as possible to ensure success, but you're going to have to have whether that's internal to the farm or the agronomy, but people have to, we're at a point where computers just can't, we don't have the analytical capabilities today, but agronomic expertise, what makes sense, and so there has to be that piece, and then typically you're going to have to get your seed salesmen involved and have them give some recommendations on varieties, hybrids, rates, things like that. I mean, your extension people have been around this, and then you've got to have, at the end of the day, you've got to have someone or yourself have some data management experience. How are you going to generate these racks? There's so many variables, so much data. Wow, when we started this, John, back in today, I thought it was field by field, that this is good field, and that field is not so good, but within field variability is unbelievable. And that's where I think we're slowly heading, and that's a real key. You brought out a key. We still got to manage on a field by field basis, but now we're trying to evaluate and investigate how do we do subfield management that can improve our profit and reduce our risks, right? Reduce our risk. And another key piece is that if you're going to do any of this, is you've got to have some kind of evaluation plan. Put some strips out there to check that you actually have a response, because if you don't, how do you define success and how do you learn and advance your program? So, very great seeding, I would tell most people, I think we found about a five to 10 bushel potential in most fields and very great seeding of corn, but I think you've got to really explore and make sure you get your data in place and evaluate and learn and expect that you're going to make changes either the way the zones are made or how you're trying to establish rates within zones. So, that's kind of what we're after. That's just a general prescription map mark as an illustration. It's been generated. You export that out and either put it on the card or you use the wireless or the telemetry today and it just pushes it up to cloud and down to the tractor. And so, when I arrive at the field, that prescription comes up and you can see they're green, yellow, red as three different rates and you let the planner execute on that. And we talk a lot about field execution. That's where the technology becomes, I mean, I want, if that's my plan, I want to accurately fulfill that plan. So, you've got to have the technology to make sure it's properly calibrated and running and operating to execute on that. And so, the new technology, and so that was kind of variable rate seeding. You know, that's kind of an advanced piece having the data. And like I said, some of our studies would suggest five to ten bushel gain for growers that are ready and prepared and have the right advice. But the new thing marked it, people are getting really excited about that just kind of come out as multi-hybrid planting. And so, this is, I can now go out with a couple companies providing this technology and I put in one bin, variety A and the other bin, variety B. Now, I got this prescription that says where I want A versus B and gives us an opportunity to place hybrids out there if we have a little bit of knowledge of what we're trying to accomplish there. I don't believe that, John. You're exaggerating. It's exaggeration or not. This is an example of Kenzie working with Bex hybrids. Give these with Raven, really the credit of doing about a three-year program to bring this to light. So now, Kenzie has this multi-hybrid planner as illustrated here. And precision planning, you can go to them and they've got options to multi-hybrid meters, which we'll show in the next slide. But this is real. There's a cost to this. I think we're at early stages of understanding value. But some of the preliminary results would suggest, you know, there's some potential yield and profit bombs. So and the other thing I would add on to, you know, in our world of agriculture, is things like biologicals and seed coatings. And that's not a cheap proposition either. And it might not be a variety change I'm making, but it might be the investment that I've put into the seed where that I'm trying to better manage. The same variety, but with different seed treatments and different prescriptions. That's right. Wow. And so I think, you know, when I think about the treatments and the common investment growers are making on those as you move around regions and in a necessity to have those, to get good quality emergence and ultimately yield. The biological is becoming more of a mainstream and available. Again, not a cheap thing. I think there's going to be some opportunities to manage that and manage the risks. Well, that's news to me, John. That's big. Yeah. And so just an example here. The prior, we showed Kenzie's planter, but if you get down to it rather than one meter, you got two meters on each row. Okay, and so this works well. If you look on the picture on the right there, you basically see a central fill. And you label one as A or blue in this case, another one B or an orange. And you essentially have two tubes running out there. Each meter, each row has electric motors. So you turn one motor off and the other one on it switches between A and B. And, you know, I think we're excited about this. Again, I think as you get these new technologies, all of a sudden you get your mind wondering, man, what can we do with that? All of a sudden, things that we used to just dream about, Mark. I mean, I can go out and actually test it or I can do things that I just had only thought about in the past. And this would be prescriptive. You wouldn't be making changes as you go through the field. It would be the computer and the tractor would be deciding based on your prescription. That's right, which A or B. And the other thing I would bring up here is there's two prescriptions now. I've got my seating prescription because I'm going to, you know, not if I'm doing this variety change, I might want variety A is certain optimum population and variety B. And so I'm going to have to have my population prescription. But then I'm going to have to have my variety or hybrid prescriptions. So there's actually two prescriptions now. And yeah, the complexity, but the opportunity. Yes. The opportunity. So that doesn't mean I can't just go back to a flat rate and a flat hybrid. That doesn't, you can still do that with this technology. But the opportunity, you can change both and do some things. This is an example mark. We work hard at a higher state of developing our management zones. This is our mascot, Brutus. And that's what this is what multi hybrid planning can provide. And this is just a demonstration. I thought we'd show, show everyone. But this is two different corn hybrids in this case that are planted and we do this intentionally. So we do some different colored tassels and we do some different maturity dates to help really bring what we're trying to show out. But just look at the Christmas of the of the lines and the ability of that planner to go out there and do what's prescribed. So a lot of people excited about this technology. It's unbelievable, John. You've talked about things in this video that I've never heard before. And it's just changing so quickly. And again, I think there's a lot to explore on the grower. There's a lot going on in terms of investment and how to manage that farm. But again, all of a sudden this technology and who knows. We talk, it's not cheap, it's 20% typically compared to an equivalent planner without it. But if I'm making myself another 10 bushels, seven bushels, five bushels potentially, that begins to add up pretty quick, Mark. So Mark, we've talked about technology. We talked about very great seeding. We talked about the ability to do hybrid placement today. And kind of the final component that we talk about here is kind of this data piece. And a lot of growers have adopted this. It's tremendous. We've already talked about these in-cab displays. But just the ability and detail to understand what that planner's doing. This is just some illustrations that would an operator in a cab can see. You can see an iPad sitting there. And even if I'm a farmer and having someone plan, I can have that iPad as well as long as I'm connected to the internet. I can watch that operation from my iPad sitting in a meeting, having lunch or whatever. And just look at that. Sitting in an apartment meeting in Ohio State, you're looking at this. Yeah, during planning it's amazing what you queue up. Just to see what's going on and make sure things are going all right. We already mentioned investment in planners today. And a planner-tractor combination is not a small feat. And we want to make sure that when the window is right, let's make sure that keeps going. And we're doing the best job that we can, the place and seed out there. But you just look at the information here. It gives you the population, simulation, down force. And there's just a variety of that. And it shows you on a row by row basis there. And the nice thing is, is not only do you see that in real time or why that operator can see it in real time is, but that's all collected as well. So maybe I didn't see what was happening yesterday. I can pull that up through an app and look at it as well. And so, and I can keep it for the post season. And I just want to kind of, we're just kind of throwing in a couple of things. We call this as-planted data right out of the cab. And then again, this is something after the fact we had planted this field. And if you notice, we planted kind of from left to right as it looks on that screen. But if you notice at a diagonal where some of those arrows are, you kind of pick out. And in this particular map, what it's looking at is the ride quality of each row unit. And what that means is there's an accelerometer on that row unit. And so if that row unit gets real bouncy, think about that in that red or yellow range. If it's smooth, it's green. And so that row unit is going across the field. And so anytime there's clods or you get to a scenario where maybe not be smooth, that row unit is going to be bouncing a lot more. And so in this case, the red would mean it's really bouncing. The green means it's just kind of floating or being real smooth. But you notice those red and yellow kind of lines are diagonal to the way we planted. It just shows you the information and what that actually is from if I blow that up.  And what that was was actually, that's compaction. The field cultivator came to the field prior to the planter, a little marginal on moisture. Let's go ahead, we need to go. And what you're actually seeing is an articulated tractor pulling a 40 foot cultivator, but you're seeing the wheel marks left because it's a little bit wet. You trace that through the season and why sometimes it's hard to see that. But I can go out right to those points and I could actually see where what we did prior to planting actually influenced what happened at planting and this data picks it up. Your eyes get to go on, well, why is that out there?  But this is kind of information that there's things that gets exposed. And so next year maybe I don't need to be out there quite that. Maybe we'll wait till afternoon. So these are, again, some data. This is a downforce map. We talked about the active downforce. And so while it's pressing on the road unit, it actually gives us how much it's pressing down. And so you can think about the red areas where it's really pressing down on the road unit and then the green and blue areas very little. And you can kind of see on the legend there it's a little over 400 pounds being pressed down. The reality is, is when you went out there to the field, what those red areas are telling you is, is actually compacted soil. It's compacted. And again, you may know about this, but this is an observable way of kind of identifying those areas, going out and kind of ground trees in it. And sure enough, we had some distance in this particular field. It's actually highlighting some of the soil compaction. That exists out there that needs to be dealt with. And so again, this is a planner giving you this information, Mark. This isn't remote sensing. It's just, hey, it's there. I'm just saying that there's an opportunity to look at it sometimes and pick out some things that you might learn how to make changes in the operation and such. So this is as applied as planted data as we talk about it. The other thing that's new that all the companies are providing today is what we call machine data. Again, I can capture this. And so very similar to that as planted data, this is actually, well, what's the tractor doing? That was what all what the planner was doing. And again, this is all through an app. I get this. It's got spatials, got GPS. And if you notice down there on the left, at this point, he's coming to the end to turn around. He's doing 4.1 miles an hour, Mark. Burning 6.9 gallons per hour of diesel fuel, engine RPMs, right at a little under 1,800 RPM and doing about a 55% torque load on that engine. And so again, data information, maybe I get a better handle on what my variable costs are just by having this. I would contend that as we collect this over time, there's things that this is going to expose to help not want to give you tangible variable costs on a field by field basis. But spatially, it's probably going to expose some things maybe to help improve the operation as well. And so just want to kind of point that out. So you got all these data. You got this technology today. It's a lot to keep track of. But as you said, the important thing is that the investment in planning is critical. Doing the best we can is more important than ever. A lot of us would probably argue that planning is the most important operation. And not only is it technology, but all of a sudden, this as-planted data can really verify what went on. As we've talked about, I can kind of go back and kind of replay when we see things. And I've got it collected today. I've actually got something measurable that I can use. And so that's kind of the full suite of where we are today with the planning tech and kind of this precision seating, prescriptive seating type scenario that's playing out here in agriculture. Thank you so much, John. It's unbelievable the changes that have happened. And just in filming this video, I've learned quite a few things I didn't know. After spending 40 years working with agriculture, I didn't know this stuff. And it's changing so quickly. I really appreciate you helping us out. And please watch our other precision ag videos. John, you're smarter than anybody I know on precision ag stuff.  Precision ag, you're terrific. And we've got quite a few videos with John talking about precision ag. So please watch them. Thank you.


We need less focus on the other learning areas and more on English and maths, especially in primary. Well certainly the English and maths curriculums are very important in the early years because literacy and numeracy are the building blocks that provide access to the rest of the curriculum. Maths is one of those areas in the curriculum that we've identified as needing a bit more work in terms of reorganisation and realignment than some of the other areas. It's very important that students get the best possible mathematics curriculum and to be able to not only have that sort of foundational understanding of core procedures but are able to apply those procedures and those mathematical concepts to the wider world. We think that every Australian child deserves to have a world-class mathematics curriculum not just in maths but in other areas and this has been the strong focus for our work.


Well, well, well. Welcome back. Didn't think I'd see you around this part. Welcome back to the average and without further ado let's reveal the watercolor palettes. Oh my gosh it's so shiny. I'm revealing my whole setup here. Is this much bigger than you thought it was gonna be because it is for me. I thought it was gonna be like that but yeah big big old palette. Let's get the plastic off so I can actually just get into this. No nails. My nails would happen to them. So first impressions first impressions. Nice.  I don't know what that is but I really like the packaging. I really like this pink like kind of I don't know makeup palette kind of vibe that is giving off. So let's open it up. Ah so many colors. These are definitely definitely looking chalky to me. They're looking like those kind of like watercolors that you get from like a kid's palette when you're younger but I will say that this was 15 pounds which is probably quite cheap for a watercolor palette this size. So it probably is gonna be a little bit chalky but we'll find out. That's why I'm here. I'm gonna test it for you guys. It can't just be beautiful. It has to work as well. Comes with this little brush. When I was looking online I was like that looks like a rubbish brush but they have surprised me in the past. That's kind of nice kind of nice. That looks weird underneath so I'm just gonna keep that on there. But yeah let's get into it. I don't know what that is. Oh what's this? You caught me. Yeah these are some character design for my newest comic that I'm working on in case you guys are following along with that. You might be interested in this page but if you're not I guess you're not. But also my comics my old ones are available as you can see down below just in case you're interested. Enough of that enough. Sorry about that. Don't know who she was. She came in. But yeah I want to do some sketches for this painting before I do it because I feel like I always dive into paintings and I don't necessarily plan them out very well and they don't always turn out how I want. I decided I want to do like a woman in like water and yeah just the idea of that is kind of cool. Sorry about the train again I'm so sorry I live in a flat by the train and I hate it. But yeah I just want to have like you know that studio uh studio jibby film what am I saying the Ponyo film where the woman is in the water and she has like the hair like flowing out and stuff and it looks so cool. I want to kind of emulate that but then also like make it mine do like a different thing with it if that makes sense not just like studio jibby uh so I'm just I'm looking at a lot of references of women in water which sounds strange but there's lots of if you go on Pinterest there's so many nice like beautiful photography work of women just like submerged in like green water and it always looks so cool. I don't know why it just does. So I'm just looking at lots of images like I said and just kind of collating them. I really love I don't know why like lily pads and the way that they just kind of grow over each other and I think it's really interesting and I really like the idea of having like really really really dark areas. So it's sort of more spooky. I didn't I did not just say spooky. Please don't leave the video. So it's sort of more spooky than you might imagine. Yeah like who is she she looks pretty but maybe she'll bite your head off you don't know. That's the vibe I want to create. And I think that's kind of a sketch dark. I don't know if I should do more than that. Quite lazy with this I guess. It appears to be the truth and we're acknowledging it and yeah I think I'm going with that. Sorry if you couldn't really see that I was planning to do more. I have my behemoth of water. Cool. All right I'm a little bit nervous because I haven't like painted the watercolor for a long time so I'm a bit like anxious to see how these are as well like if they're any good. Let's just do like a light wash but you can just like block out the shapes I guess. Yeah I'm gonna approach this how I would approach doing something with alcohol markers but yeah yeah why not. Not messed up yet. Yeah Being the operative word of course. A little bit darker for her. Right so I really wanted to do green kind of color and so these paints are not too bad so far. They're not chalky as I thought they would be and being really really careful with like the lightness of this painting because basically what happens when I do watercolor is I always go in too dark straight away and it always does not work out for me and it kind of put me off watercolors for a while and I liked you guys if you've seen my stuff you know that I like what I'm saying wash a bit more. So I'm trying to be really light with these washes just to block out like shapes first of all. Yeah I really want some dark values just around her face to like really highlight these areas and then spread into like a light green of this like bog that she's in. I don't know if it's a bog but you know it's probably not a bog because it does have lily pads. Is that how that works? Is it a bog if it's like mud and nothing grows in it except like gross things or is it a bog just curves? Who knows? Who knows the answers to these questions? Comment down below. These are nice I'm liking this. I feel like I've given it a real shot as well because I'm giving them I'm using the arches paper which is actually like quite expensive and good watercolor paper. I do see some like pooling and I don't know if that's like chalkiness I think it might be so it's not like the best paint but for 15 pounds which is what like 20 dollars I don't know maybe less maybe more. I am not a bank. All right I'm going darker because I'm tired of it. I'm like I need to do light washes but now I'm like no going in. Okay not bad not bad. Uh yes I am an artist. I want to just quickly sketch out this hand because I feel like I was just bored of sketching. Is he sketching? It's kind of not really sketching is it?  Oh I've got to try the um other brush haven't I? This little brush. I feel like I'm jumping around too much in this painting and I'm just not focusing on certain areas but whatever. Yeah the brush is good. I like it it's pretty decent it's not like flaking off any hairs and it's picking up water really well it's it's a nice brush. I thought it was going to be a bit crappier especially considering it is like a free brush you usually expect like the add-on stuff. I don't know I feel like I'm always always dubious of like paint sets that are like here is a free brush because it's just it is something that you would use when you're a kid in like art school and art school in like art class so that would never be like that good because obviously schools are underfunded. Yeah this is nice I like it. Let's block out the areas of her face. I feel like her head looks weird but we can fix that because it's like a bit you know what's going on with her head. We can fix it. So a bit of peachiness. Yeah the reference image I'm using she does have a bit of like red yellowy undertones of her skin. Yeah it's coming together I'm just building up layers of paint basically and trying to figure out where everything is going to be so it's kind of like just a step by step process at the moment. Also I'm really impatient with watercolor and I need to wait for like the paint to dry a little bit before I go in and I just I can't do that I don't know what's wrong with me I'm like no I need to I need paint I need paint I'm like come on man have some patience. Oh yeah see over here it's looking a little bit chalky. So I can't say that they're the best paints ever because if they're giving me chalkiness then that's not great is it? I'm gonna wait for these layers to dry and then I'm gonna continue. Okay may or may not have helped it a little bit along with some hair drying action. I was like I'm too impatient for this I need it done but yeah this I've realized her cone head here is like really bothering me so I'm just trying to I'm gonna fix that a little bit. Cone head is never a good you know thing to have. I said cone heads are never a good thing to have and then I was like oh my god the people in the comments are going to be like well I have a cone head and you like that is my YouTube anxiety I was like oh no have I offended someone by saying that? Well actually I think you'll find that cone heads exist and you're in trouble now. Yeah I shouldn't get carried away trying to do all the details because I need to rough out the areas first and I feel like I'm just being super like distracted with each part of the painting like trying to do thing over here and then something over there and it's like well that ain't it. I feel like her face is too long oh no I think I've made her chin too small. Wouldn't a lily pads to be really really bright green?  I remember I won like an art competition at school and her daughter was like how could you win over me like she got really bitter about it and it was like whoa that's your reaction it was bad and when I was a kid I was like I'm sorry because you know I was a stupid kid but now I'd be like bah you suck like be happy for your friend weirdo but yeah we were children so you know fair you know coming to terms with life being cruel and your mom's an art teacher but guess what your friend who doesn't have as much privilege as you beat you in an art competition and I know yeah I remember like getting up to get the award like because it was like done in an assembly and she was just like wasn't talking to me eh wow can you not hiss at each other that would be so splendid and nice can you not walk on my pain figure yeah cheers but yeah I felt like shame for getting this award and I was like I can't show that I'm too happy oh mean was that and then afterwards she was like oh no I'm really happy for you I think her mom probably spoke to her like you can't you can't be annoyed it's subjective like anyway that's my life and now I'm an art YouTuber sort of kind of well I do do art for a living like I am a graphic designer so maybe I'll go back in time and be like guess what be I deserve this because I followed it did you I don't think she did I don't I wonder if I've ever on Facebook probably do in the depths of Facebook somewhere just don't let people steal your shine I guess is the point of the story there I think I was probably about how old was I probably like 11 so you know let her off the hook for that I wonder like it would be so funny to look at that now that post her and be like maybe she was right maybe she did do a better thing that would be so funny maybe like she was right to be like why did they pick you yeah it's so strange I've always been like quite insecure about my art probably you can tell by the way I've named myself and I remember I won another competition like it was like an outside painting competition and I think it must have been about I don't know 15 and I won like I don't remember what it was it might have been like Kylie commended or something not even the main prize or anything um but it was like whoa really okay I guess you like that weird style I'm doing it's weird to think oh I won like stuff when I was a kid and then I didn't really think art was for me which is strange because obviously it is but yeah don't let people uh tell you what you can or cannot do you don't need to win competition either because I won a couple stuff obviously wasn't that like wow but I'm like in I just realized what I was saying I was like when I was in middle school I won an art competition isn't that impressive guys oh dear you know what I mean I just I got given confidence about art when I was younger is what I'm trying to say so why am you know why was I always like insecure about it I guess that's just the way it is with artists personal please don't walk on my stuff please no this water is paint water thank you goodbye yep thanks for your time you know what that nonsense rant was that was just going on but yeah okay so the problem is here the finger it comes down like this I have completely buffed this up oh well you win some you lose some that hand it's much smaller than that hand mistakes are made it doesn't matter it's just we just live in our lives here guys it's just a painting it doesn't need to be perfect it just needs to be fun and it just needs to express ourselves you know it doesn't need to be the best thing we've ever seen it can just be for fun and for learning and practice okay okay guys you got that okay go for it be free everyone's like yeah thanks Steph I know that already listen to me everyone I won a middle school art competition okay so I win at life I won an art competition when I was 11 years old so I know everything um that's sarcasm for those who don't understand sarcasm just to let you know that I'm not a horrible person so please leave me alone in the comments I'm just kidding everyone's like well just doing like some deeper values I guess on a face to just kind of bring it together I kind of like the idea of this um you can see that it's just kind of like shapes and I kind of like the idea of that with watercolor rather than having like this whole um completed and super pigmented area but just like different areas of texture and interest points I really like that so I'm just gonna build those up for now and we'll see where we'll see where it goes basically this is supposed to be you're supposed to enjoy this is why you like have a career in this like hello otherwise what's the point just go get any old job like hello everyone's like what are you talking about just my life my life okay so we're sort of starting to get the pieces together we're building it up slowly just going in not liking her face that much just need some like shadows I think I was like weird over here well it doesn't matter not painting the sistine chapel we are just learning yeah I'm kind of liking how it's coming out it is like yeah the paint is slightly chalky but you know what I kind of like the texture it gives oh my god I made a mistake horrible to say god who knows that well that's my nose now I think I'm just I'm but maybe I'm liking them mostly because I'm enjoying the process rather than the paints themselves I don't know they are super nice to paint with they're just like a little bit chalky that's all gonna forgive some chalkiness right for a cheaper price I think I might have gone a bit too dark I knew I was gonna do that I was like go slowly with the lights and then go dark and what's happened is I've just completely done the darkness first and I'm sorry for it to be honest because I I like it I think what I'm gonna do is like bring out some white wash just to highlight areas of like where the water is kind of super bright and I think that will like make it look huge so I've just got um some normal uh wash because I have like this pot to hand it's kind of handy sometimes use a beautiful decision that I just made compulsively so was that I'm not sure about this white wash now like maybe this wasn't a good decision but who knows that's what we're gonna find out I'm not quite like sure what I'm doing but I'm just looking at my reference image and seeing where the light kind of hits the water and trying to see if I can like emulate these like ripples that are coming from her hands um it's not looking terrible but it's not looking great but I'm enjoying it I think it's working to kind of signify like this movement in the water I don't know what you guys think it's ripples okay um yeah this was a good experiment I yeah definitely still don't love watercolors as much as I like gouache because even in the end I resorted to using a little bit of gouache and was like oh I like it now um so for me in particular I was like I realized that gouache is my thing a bit more but yeah I think these paints are a really nice palette I think it looks pretty and I think yeah it does the job they're not the best paints in the world but they're relatively cheap and you get all the colors so maybe they're good for like a beginner or someone like me who can just experiment with using watercolor again after a long hiatus or whatever um yeah let me know what you guys think because I think like this is probably the final thing for me I really enjoyed experimenting with this watercolor palette and I think yeah um it is cool it's very nice it's quite chunky uh quite sturdy so overall I think it's a good palette for the price point it's not the best palette but it's not the worst that's for sure and here's the finished painting it's not finished it's um deliberately unfinished that's the term we can use because I kind of like the way that it looks and I don't want to go too much with it but yeah let me know what you guys think and thanks for watching and uh see you next time bye


Oh, look at this man. Oh, gosh, Fletcher. Look at him going right towards my frog. Oh, no, this gator. Oh. Ribbit frogs, bubblegum flukes, sweet tater pie, sankos, the ol' poppin' perch, a red lipless crankbait, budget spinnerbait, lizards, jerkbait, tackle box. So now that you know everything that we bought, I just opened this tackle box. As you guys can tell, it's got all the slots open. Facers right here. We're going to cut these up, get scissors, and we're going to organize this tackle box. So for soft plastics, we've got the soft plastic frogs, flutes, we've got some lizards, and we've got some sankos. If you guys were wondering the total price of this, I think with tax and everything, it was $28. I bought two other things for a different video.  But you know what, that's okay. So we're going to go ahead and start loading all this stuff up. We've got some hard baits right here. We've got a big variety, guys. And I believe this kit or this tackle box is only, what, three bucks? That's something like that. It's like around $3. We're going to go ahead and organize this real quick, and then flop the baits right in. Now that the tackle box is all done, let me kind of show you guys the organization. Oh yeah, it's kind of empty, but like I said, this is a $25 challenge. We've got the pink flukes up top. We've got these natural-looking lizards right here. We've got the old poppin' pickle, poppin' perch right here down in the corner. That's going to be fun.  These are both really, these are like budget. These are like probably a dollar or something. Then the spinner bait, that's a dollar spinner bait. Then we've got the sweet tater pie. Sanko's right there. And then up top, ribbit toads. And those are looking saucy for today. So we're about to go ahead and hop on the water. We're going to see what we want to use first. I think all these baits are going to definitely catch fish. I'm really excited to throw this right here because I think that's what the big ones are going to end up coming on today is a frog. So we're going to go ahead and hop into this. I'll catch you guys on the chest. All right, it is time to fish. Now, one thing that I honestly forget and I apologize for, we literally didn't get any hooks. So I guess we did not count that in the little challenge, but we're going to open this thing up. I think what we're going to start off with is this pink fluke right here. And then we're going to like start working our way up to some crazy stuff like this. So this is going to be a lot of fun, but I just got a standard EWG hook on. This is three, six cents hook. I've never fished this place before. Fletcher said, you know, there's some, there's some decent fish in here. And I guess we're going to find out. Look at that tree. First cast, come on. It looks so juiced that honestly, this fluke looks so good in the water. Looks so good. That pink bubblegum color looks perfect. Oh my gosh. Look at this man. Look at this, dude. Freaking alligator. Oh, he's hissing. Listen to that. Did you guys hear that? Got him. This is a tiny one.  Holy cow, that fish was tiny. Could barely even fit the fluke in his mouth. I thought that gator was going and looking at my fluke. I'm like, dude, please do not eat my fluke. I don't want to start this. I'm sure enough a little bass grabbed it. You guys didn't even a pound. There he is. Oh, I messed up right there. That was all my fault. I got too excited. Oh no, this gator. Oh, no, that was a big fish, bro. That fish was about five plus. I'm not even, I saw him. That was a giant, dude.  Dude, that fish was every bit of four to five pounds. That was one of the toughest fighting fish. I don't know why I keep missing them. Being a dingleberry right now, man. That was a good bass, though. Got him that time. Oh, not a bad one. Got him that time. Finally, on the pink fluke, they've been eating it pretty good. I just could not give one pinned up. He ain't really a big one, but he's a good fish to start today. First fish of the day, nothing big. Saw a little pounder, but he's on the bubble gum fluke, which I freaking love, man. I'm actually sad I just caught this fish. I might try to catch another one on the fluke before I put it down and put something else on. Beautiful markings on the bass. Pretty dark bass. Let's get you right back in the water, buddy.  Look at that, beautiful. Trying to get too close to the water of these gators. I've seen way too many fish hitting the top of the water. I think it's time for us to tie on the frog, man. I got my frog rod right here. I am excited. I really want to catch my own frog right now. But honestly, my favorite way to catch bass, I love frog fishing. We're gonna try to get this over there on that tree line. Some of the slop in the water as well. See if we can get one to destroy this frog. I know there's some good ones in here. Since I lost that freaking fish, that was actually a really good one. Oh, good.  He's coming over here. Oh my God, there's a freaking sea in him. Holy, his head is a solid three foot long. Let's get on the edge of this tree before he comes over too far. These gators are not happy that we're here. I will say that, that's a big boy.  These are a little turd, man. He heard my frog popping all the way.   Look at him going right towards my frog. You know how tempting that would be to freaking just let him smoke it right now? I can't lose my frog though.     That looks so good. Oh my God. Gosh! Dude, that's a good one. On the frog. Dude, he hammered that freaking frog. Oh my God, I'm falling. He ain't quite three. Gosh. Gosh. Dude, look at him munch that frog. Oh, that's awesome. It's all the two pounder. I thought, dude, my top water bite's so off. I think they're so much bigger. Look at that. That's a beautiful fish, though, to catch it on a frog. We just came to pond number two, and that is awesome. I'm gonna keep throwing that frog for a second. If we can get some more on that, I do not mind catching them on a freaking frog. I'm not gonna bend down. I'm afraid of these freaking gators. Toss them in. All right, there we go. We got one on the frog. Dude, that frog fish was so much fun. Oh my God, I love frog. No, I filmed a frog video last week. It was probably like my sixth or seventh. Through the next cast. Guys, I threw my next cast of that frog. And Fletcher saw me, so he at least thinks he was four. I thought my next cast freaking hammered it. They're eating the freaking frog in here. Oh my gosh. I can't believe he came off, though. My camera, of course, died. That was insane. Oh, shoot, Fletcher. Right here, right here. Look, look. He's right below me. Oh my God. Look at him. Look at him. Oh, you scared him. That's a good one, man. Look at him, look at him, look at him at me. Yeah, he's kind of free. I keep forgetting he's there, and he just looks like he wants to bite my leg off. I keep looking at my ride. He has not moved a hair. He missed it the first time. Oh, heck no. You ain't getting my fish, but oh God, maybe he's trying to get my fish.  You don't want none of this, son. You don't want none of this. We're on a fish.   He is pissed. Oh, dude, you almost got him right there, bro. That was so close. Gosh, butchers, that's a good one. That's a nice fish. Freaking gators watching me. Oh, yeah. Smoked him, choked that frog, man. Look at that right there. That's how you like it. Ooh, give her a little kiss. Sorry, guys, for using the frog so much. It's just, I can't help myself. I wasn't really planning to do a challenge where I catch every fish on every bait, but I'm probably gonna go tie some on here in a minute, but that frog bite is so much fun. That is a beautiful fish. Look at that gator watching us.  All right, buddy. Oh, there's a fish right there, two bass right there. Toss him in. Sorry the show no up, so I tied on the trap. Give him a run for his money over there, working the frog. There's one. Got him. Not too great, definitely. A little chunky guy. A little chunker. A little chunker. We're gonna bring him right through all that gunk. Getting right up here on the bank. Couldn't resist the trap. We're actually gonna take one of these ribbit toads. Yes, I'm putting on just a standard EWG hook. That's what I got right now. I think we'll be good. It's a smaller frog, yeah, and this is gonna be perfect. We could catch a dinosaur on this thing. I think it seems I'm gonna get slammed. Right when I said that. Right when I said that. So this thing's gonna get slammed. Whoa, this best got some like blue on him. He's got, you got one too? Thank you, buddy. Get on in here, Jimmy. Bye, buddy. Oh, there we go. Right there. I was literally moving spots.  Glad I decided to go ahead and grab the pliers.  We're big, mom, we should. Oh my gosh. That's a good one, actually. I didn't think he was big.  My gosh. Little two number, little two number hammered the frog. Oh, baby. I like it fun, something different.  Beautiful, about two pounder. Okay. There she goes. Welcome to the giveaway portion of today's video. I actually have this whole fishing kit that we're using today. I'm gonna actually be giving away everything that's inside of this and if you guys would like to enter, all you have to do is be subscribed to the channel, hit the like button, hit the notification bell and if you would like this optional, you can comment down below your favorite fishing lure of all time. I'd like to know and also what's the biggest fish that you've caught on it? Tell me a little story. Everybody started writing some stories down below but yeah, if you guys wanna enter, like I said, subscribe, hit the like button, notification bell. Also, my boy Fletcher behind the camera. What's going on? I'm gonna say that to you. Go subscribe to my boy Fletcher and if you do all that, you're interested in the giveaway, got a lot of good stuff in here. There's one. Number three, it's been about five minutes. These bass are loaded in here. This is the first pond that we wanted to go to but there was a guy out here fishing so we thought we'd leave him alone and go try one of the other ponds. Looks like he left plenty of fish for us. Bye, buddy. Gosh. Came up and freaking ate that sucker. That is so much fun, man.  On the old rivet. He is not big, but that is sure a good time. Pretty fish. Oh, there's one behind it. Oh, there's two behind it. Oh my God. What? Oh my. Dude, you should have saw that one Fletcher. There was another one right by my feet. He ate it like a crawl. Oh my gosh, beautiful two number. I don't know where the other one went. I was gonna see if I could pitch in there. That is awesome. Look at that.