Worried about income tax? Wonder if spring will ever come? Want to get away from it all? We offer you escape.  Escape produced by William M. Ropeson and carefully contrived to free you from the four walls of today for a half hour of high adventure. Today we escape to the West End of London to a little house just off Hyde Park where lived a man who didn't like people. Today we escape in the remarkable tale of Robert Hitchens. Our love came to Professor Gildia. It has been said that no night ever passes over London town that sees not some strange and curious event. Some occurrence too incredible to bear repeating in the light of day. How horribly true are those words? It's been over a year now since the night I first met the amazing Professor Gildia. I had delivered a sermon at the rectory of St. Swithin in the East End and was passing through the foyer in departure when I was accosted brusquely by an odd little man.  Hold me a moment please. I believe you're Father Murchison? Yes, that's right, but I don't think I've had the pleasure of- Perhaps you've heard of me. My name's Gildia, Professor Gildia. Gildia? Why, yes, you're the famous psychologist. Yes, yes, psychologist, biologist, anthropologist, philosopher, and that takes care of that. Sir, I never attend religious services. It appears you've done so tonight. I came for one reason to hear you. Find out why an otherwise normal colleague of mine thinks you're the most convincing speaker he's ever listened to. And did you find out? No, your talk was intelligent, logical, therefore it could never convince anybody of anything. Thank you.  No time to be anything else. Like you have you dying with me, Father Murchison? Say, a week from tonight, seven o'clock, I live at number 100 Hyde Park in the West End. Can't you make it two weeks? I'm preaching at St. Saviour's that nice, just around the corner from the park. And I'm afraid it'll have to be nearer eight-thirty than seven. The service isn't over so early. We can't even agree on a time for dinner. Very well, eight-thirty, two weeks. Good night, sir. Perhaps if I had known then what I... I would no matter. I kept the appointment, of course. After an excellent dinner, we climbed the stairs to Gildia's study. A large book-lined room running the wind to the house with windows at the end overlooking the park. In front of those windows stood the one in Congress thing in the room. A cage holding a large gray parrot. In fact, as I recall, it was the parrot that was responsible for my first becoming aware of what exact opposites Gildia and I really were. The same parrot that was responsible for so many other things that happened later. Quiet, Napoleon.  Somehow it surprises me, Gildia.  I possess a parrot, Father Murchison. That's all. Made a study of the imitative faculties of animals some months ago. Bought the bird, then never got rid of it. I see.  It loves it, you see. In five minutes you'll be screaming for more of it. Why would it surprise you so much if I kept a pet? Because I believe you're the most self-sufficient man I ever met. More than that, actually. I detest affection, any display of sentimentality. But you do feel the need of close human sympathy in your life. None whatsoever. A reasonable amount of companionship naturally, but that's all. Father Murchison, I'm one person who does not love his fellow men. Nonetheless, some of your discoveries have been of great benefit to mankind. Entirely accidental. I thought you would be liking your coffee now, sir. No, it's pitting. Put it down the table, please. Thank you, sir. Will there be anything else? No, that's all pitting. Yes, sir. An excellent servant there. I know nothing of pitting's thoughts or feelings, nor he of mine. Perfect relationship. And if a crisis occurred, if you needed to call on him as a friend, it would take a considerable crisis. What about the parrot? Surely you must regard it with some affection, otherwise you'd get rid of it. Napoleon? Merely a specimen. Birds of the void of sentimentality as I am. He can only imitate whatever he sees and hears. Gildia, have you ever been in love? Neither with anyone in particular, nor with love itself. Being in love as you put it, or having someone in love with me, would be the most monstrous and horrible situation I could possibly imagine. All of a sudden, I feel a very great sense of pity. For whom? For you. Yet, as different as we were, my life dedicated to all humanity, and Gildia's life stripped of its own humanity, I called again at the house at Hyde Park many times, and we became friends. We talked away many evening hours and the months had followed, sitting by the book-covered table in the long study, the grey parrot chattering away in the background, with the lamp light barely reaching the farther corners. It was on such a night, not long ago, that the thing began. Gildia had seemed uncommonly nervous since dinner, and it spent much of the time pacing in front of the windows that faced the power. I found it muchess and I can't seem to relax tonight. I never feel a completely unaccountable presentiment, a sense that something remarkable was about to happen. Oh yes, usually it never did. Turned out to be the effect of too much coffee. No, it's not that coffee doesn't bother me, nothing does. Well then, suppose you stop pacing the floor and sit down, you're wearing me out. You noticed how well Napoleon's learned to imitate your voice? Yes, I have, and it's almost insulting at times. The worst thing is feeling such a strong compulsive to do something which I know to be ridiculous. Exactly what is it you're talking about, Gildia? It's foolish even to mention it, but I wonder if you'll pardon me for a few minutes. Of course. Help yourself to more coffee, I'll be right back. Oh my! I walked over and stood stroking the feathers of the parrot through the bars of his cage. I'd grown rather fond of the ugly bird, but it always startled me to hear him mimic some phrase of mine or Gildia's. Napoleon?  Creature devil, creature devil! I happened to glance out of the window toward the park across the street. The arc lamp at the corner threw a dim gleam across a bench, set just inside the pailing. And I was surprised to see Professor Gildia moving about the bench, peering under it, behind it, staring into the shadows nearby. He kept this up for some minutes, then crossed the street and came back toward the house. In a moment I heard him ascending the stairs. Oh, the merchants. Has anyone entered this room since I went out? I know. You mean pitting, of course. He hasn't been in. Strange. Very strange. I saw you across the street in the park. What were you doing? I thought I saw something, wonder what it was that saw. Did you find out? No. I'm from the parrot. I've never made a sound like that before. What do you mean, he seems all right? Napoleon, stop that!  As you said, most likely it was the coffee. Only I'm very much afraid that... Oh, no, no. And this day and age, it's impossible. It was nearly a week later that I received a phone call in my quarters at the rectory. Father Merteson here. This is Pitting, sir. Professor Gildia's man. Oh, yes, Pitting. How are you? Very well. Thank you, sir. The master would greatly appreciate your calling at the house this evening if it's convenient, sir. Oh, anything wrong? I could not say, sir. But why didn't he phone himself? He isn't ill. I think not. He suggested eight o'clock, sir. May I tell him you'll come? Yes. Yes, by all means. Tell him I'll be there a day. I'm speaking about the bush, Father Merteson. I am nervous. Of course I am. Plenty of reason for it. Oh, you're working too hard. Now I'm working too hard. The other night it was coffee. As a matter of fact, it's neither one. Be quiet, Napoleon! Maybe you'd better tell me just what is the matter, Gildia. Do you feel the presence in this room of any one beside the two of us? Well, there's Napoleon, of course. No, no, I don't mean the parity. He senses it too, though. Senses what? When you were here last week, I left the house for a few minutes. You remember? Yes. I'd been watching someone sitting on that bench across in the park, a shadowy sort of figure. I had to find out what it was. But you found nothing.  That's right. But I left the front door open. When I came back in, I felt suddenly that someone or something had entered ahead of me. Oh, come on, really, Gildia. I knew also that they'd found their way to this room. But I was here all the time. No one came in. Father Murchison, whoever or whatever came into the house that night came into this room is still here right now. You, Gildia, are scientists. Yes, ridiculous, isn't it? It's true. I'm only able to feel its presence. Napoleon can see it. Look at him now. Now, wouldn't you say he was watching something over there in the far corner of the room? No, I'd say he's just being as foolish as a parrot usually is. You, a skeptic? About this, yes. You've been working too hard. You need a vacation. I haven't told you the worst part of it. Would you say that I'm an attractive man? Frankly, no. Oh, I suppose to be a certain type of society woman. No, no, no. That's not what I'm talking about. Well, then what are you talking about? I don't know whether this intruder is a woman, man, child, animal, but whatever it is, it holds a vast affection for me. What? Can you imagine anything so utterly monstrous, horrible? Murchison, the thing is in love with me. I could not, would not accept Gildia's belief, and yet the alternative was even more frightful. But I could only decide that the long hours of study and lecturing had affected his mind, had brought him in fact with a verge of insanity. I persuaded him finally to get away for a while, leave the house, forget his professional problems, take a short trip. I accompanied him to Victoria Station, saw him off on the boat train, and then caught up in my duties, I had little time to consider the strange affair for nearly ten days. Father Murchison here. I hope I haven't disturbed you. Professor Gildia, then you're back in London. Yes, I've been back for three days. You should have called me. How was the trip? Right, pleasant. I took message on a Channel Coaster. The sea air was wonderful. You weren't troubled on the trip? Oh, no. We didn't hear for me. What? Then you needed to... Could you come over here tonight? You mean now? Yes, if you could. You see, I can prove it to you now. Very well. I shall come right over. I stood there by the phone and shivered. The thing had become so real to him now that he felt he could go away and leave it, then come back and find it waiting for him. I didn't call you when I first came back. I wanted to be sure. So I've waited three days, and every day has been worse than the one before. In what way? What do you mean? I mean, the thing was waiting for me here. Glad I was back fond all over me. It was more insistently obnoxious all the time. Gildia, do you mean you've seen the thing? No, no, I haven't seen it. I haven't heard it, but I know it's here. I can feel it, sense it. Try to put it in words, and it becomes absurd. If you'd like some unsolicited advice, call in a doctor, have him look you over. And what doctor in London knows any more about the human mind than I do? I know, but when it's your own mind... No, no, no. You're thinking of hysteria, hallucination. I know all the symptoms. It's not that simple. Anyway, I told you I could prove it to you. You'll notice I've thrown a cover of Napoleon's cage. Yes, I've been wondering about it. Part of my proof. He's been here, you know, all the time I was gone here in this room. Yes, but I... I want you to get behind those curtains with me. Then I'll reach out and pull the cloth off his cage. I don't want him to see us. I don't know what you're hoping to prove. But, uh... All right, come on. Ready? I'll uncover him. He crouched there behind the curtains, watching the parrot. He protested while it being so rudely disturbed by some unseen agency. Climbed about the cage with claws and beak, pecked at crumbs, appeared entirely normal. After time, he began to fix his attention on a spot across the room. There was nothing there. Watch him. Look at him now. In the parrot's mind, at least someone or something was approaching the cage. And yet, the room was empty. Whatever it was, apparently, had reached the cage now. And the Napoleon welcomed it with friendly chortling. The hairs rose on the back of my neck. For the bird was cooing and gurgling as he did when I, a gildier, scratched the tethers on his head. I could almost fancy it that I saw a long white ghostly finger reaching through the bars at the cage. Watch him and listen to him. He's talking to the thing, imitating it. See what you think. The bird was moving about in the cage now, nodding his head in a very peculiar manner, uttering the most extraordinary sounds. He began to realize that he was imitating the thing he saw standing by his cage. And then the full horror of it came over me. I tried to hide the thought from Gildier, but he'd already seen it in my eye. So you see it too. That's all I wanted to know. That I wasn't imagining it. No point in hiding there any longer. That was my proof. But perhaps someone was here while you were gone. I have question pitting and the cook. No one has been here. It can't be. Such a thing just can't be. Father, where is it now? Can you tell me where it is? Not exactly somewhere in the room, not too far away. I can feel that. Napoleon, of course, can see it. There is some rational explanation, Gildier. There has to be. You're whistling in the dark, Father. You recognize the same thing I did. I know what you mean, of course. I can't stand much more of it. There's really something I can fight, strike out at. I'm not a coward, but I can't see it here. I can only feel it trying to touch me somehow, trying to get close to me, drooling with desire and affection, fondness for me. I can't keep it away. It gets closer all the time. Gildier, you've got to get hold of yourself. Get hold of myself! She saw the way that parent imitated the thing, those mannerisms, that gibberish. You know what it means as well as I do. I saw it, but it can't... Can't you feel how hideous it is for me? I can't stop it. That thing makes love to me, caresses me, and whatever it is it has no mind. You saw that!  I walked home at a late hour, trying desperately to think of some reasonable answer to the whole strange affair. I could not accept Gildier's explanation of the actions of the parent, though the bird had produced an extraordinary illusion of a reasonable presence in that room. In a day gone by, perhaps I might have been called in to deal with an evil spirit. I thought of retribution. Gildier had always borne an unnatural distaste for human love. Was he now being forced to endure the unnatural love of some monstrous being as punishment? I cast such thoughts away from me, yet I could not quite accept the only other reasonable solution that my friend was insane. It was very late when I fell asleep. The following evening I preached at Warwick Chapel and returned to my quarters about nine. I found that Pitting had called a short time before and left a rather puzzling message. Implore that you come to Hyde Park at once. Otherwise I cannot answer for the consequences. But what is it you're trying to say, Pitting? He's not himself. In what way is he not himself? You only suggest, sir, that you talk to him yourself. Here we are. I'll leave you now, sir. Oh. Come in. Gildier, what in the name of heaven is wrong? Pitting said you'd been upset, but he didn't say... In human machine. What happened? What did he do? Nothing. That's just it. Nothing. But I don't see then what you... You warned me about it once. You said I'd meet a crisis, need him as a friend, and he wouldn't be there when it happened. I'm going to call a doctor. I've never seen you in a state like this before. Doctor, I'm all right now. A little while anyway. At least I think I am. Then what was it? What happened? That thing touched me. Rarely touched me. I mean, for the first time. It's only been trying to before. The only way I can put it is... it rubbed itself against my soul. It was horrible. Now, Gildier, you've got to... Don't tell me you've got to get hold of myself. I know what I'm saying. I'm sorry. If you'd felt it yourself, you'd know what I mean. It was disgusting, filthy. It had lasted one more minute. I know I should have gone screaming mad, but you don't... You don't feel it now. No, not now. I lost my head, I guess. I struck out with my fists. I tore it myself, screamed for help. Pitting came and thought I was drunk. But I could feel it touching me, this sickening, soft, tender inside of me. But it left you then. You forced it away. Yes, it's still here in the room somewhere, but it hasn't tried to touch me again. Now, that settles it.  It didn't follow you when you took the trip before. It stayed here. That's one way you can be free of it. Then you believe in the thing, too. Believe it's real. It's real for you, and that's enough. Now, if I remember it, you were giving a lecture at Oxford You're going on up there now. I'll help you pack it. You could do that. I could save the Groveners and I'd take a train in the morning. It's right near the station. And it's all agreed. I'll get it. Wait, wait. Look at Napoleon. Standing there by his cage. He's talking to it. Imitating it. Can you imagine what that thing must look like? Never mind. Let me help you start packing. But I didn't tell you what it really did this evening. What came closer to driving me insane. It doesn't matter. The thing kissed me, Martison. But not from the outside. What? I could feel it warm and wet, kissing my lips from the inside. Gildia stayed at the hotel that night and caught the train out to Oxford the next morning. Four days later, I received a wire from him. I'm still feeling a bit shaky, but everything else is all right. No sign of any visitor. Why don't you try to come up for the lecture Friday night and please get rid of Napoleon for me? Signed Gildia. On sudden impulse, I decided to accept his invitation. My train was late and I arrived at Oxford with only time enough to go directly to the seminar. I slid into my seat just as Gildia was introduced and began his talk. He was pale and perhaps a bit drawn, but seemed otherwise composed and in control of himself. As I sat there, my mind wandered away from his talk, seeking some solution for the horrible problem which I regarded as being as much my own as Gildia's. I decided I would try to persuade him to sell the house and hide park place, since his strange fixation seemed to be bound up with it. I tried to find lodgings elsewhere. Some ten minutes passed when suddenly I noticed Gildia was becoming very nervous. He faltered in his talk. Seemed to be confused. He stood there on the platform, deathly pale. His hands out as though pushing something away from him. I knew what was wrong. Pardon me. Pardon me, please. Could I get through? Pardon me. Let me to him, please. Pardon me. I'm his friend. Gildia. Gildia, can you hear me? Well, I just... Yes. Everything's all right. It came here. Found me out. It robbed up against me on the platform. It's no use. Take me back to London. We arrived back in London late the next afternoon. Gildia was a broken old man. He shivered continually, troubled as though shaken by a chill. He claimed to sense the awful presence of that thing always nearby us, accompanying us. And he was constantly terror-stricken, lest it might try to touch him again. I stayed with him in the house in Hyde Park. And as night drew on, we sat in the long bookfield study on the second floor. Pitting brought coffee to us and then withdrew. We found little to talk about. And the silence of the room seemed doubly oppressive without the familiar chatter of the parrot in the background. What did you do with him, Marston? Napoleon, I mean. I warded him with a pet shop in Shaftesbury Avenue. I thought you might want him back again after you'd reconsidered. No, no, no. I don't want him back. You still can't feel its presence, can you? No, Gildia. I'm afraid I can't. Mr. Heaven, I couldn't. It's in here with us now, you know. Now, please, please. It doesn't matter. That's no use. I can't fight it any longer. There's no way to fight it. Perhaps that may be the answer to stop fighting it.  Then why not stop fighting? Try to return its fondness, its love, if you will. You don't know what you're asking. Even the thought of it sickens me. Fondness, love for that thing? Perhaps it may be the only way out. Then there's no way out. I tell you, Marston, I've only one feeling for that creature, that hatred. Hatred, disgust, and hatred. Try to be calm. Wait. Wait. What is it? Perhaps that's it. Listen.   Marston, that's doing it. It's recoiling with drawing. I can feel it. Gildia, please.   Marston, it wants to leave. It's beginning to hate me too, but it wants to leave now. Open the door. Go downstairs and open the front door. Open the front door and let it out. All right, Gildia. If you'll feel better about it. I can't wait to go along, but I know how to fight it now. Go, Marston, and hurry.   I ran down the stairs and threw open the front door. I stood there, breathing in the night air. It was clear and cold, and the stars hung overhead. I looked across to the park, saw the glow from the street lamp falling on the empty bench directly opposite. And at that moment came a sound that froze my blood with horror. I stood there, paralyzed, unable to move. Seconds passed, perhaps minutes I don't know. I don't know how long I stood there. I glanced across at the empty bench, and for one moment thought I saw a shadow sitting on it. A big shadow as Gildia saw it one night weeks before. Then the bench was empty, and I heard Pitting running downstairs. Father Merchison, come quickly. Professor Gildia, it was his heart, I think. Yes, yes, I believe it was his heart. But Father Merchison, he's lying up there now, sir. He's dead. Dead? Dead, Pitting? I hope so. I sincerely hope so. Escape, produced by William M. Robson and directed by Norman McDonnell. Today brought you How Love Came to Professor Gildia by Robert Hitchens. Adapted for radio by Les Crutchfield, with Louis Van Rooton as Professor Gildia, Parley Baer as Father Merchison, Harry Bartell as Pitting, and Paul Fries as the parrot. Music was conceived by Psy Theuer with Richard Orant of the console. Next week When the coming weekend offers little to stir the imagination, when routine inactivity stares you in the face, when you're already tired of doing nothing, we offer you escape. Next week, we bring you another exciting story of high adventure. This is CBS, the Columbia Broadcasting System.


Hi everyone, my name's Mia, I'm 21 from Southampton and I've got a little girl called Malia and she is one and ten months. So in between series two and series three, I went on holiday with Manly, that was nice. Me and Manly broke up quite a lot, got back together quite a lot and now we don't get along. A lot happened. Malia has changed dramatically from series two to series three. She is now like basically talking and she's dancing and she sings. She's changed so much but right now I am literally loving life. I can do what I want, when I want, with who I want, where I want and literally nobody can tell me otherwise. I feel like I'm back to being the independent Mia before I had Malia but with Malia and it's even better with her. Even though I say life's perfect, I am some struggling like with life. You know, having a flat is quite hard. I struggle with money because like, yeah, okay, I have to be really careful with money but I just love food and go out for dinner so that's what we do which we can't, we need to stop really but you know, you're only young once. I think the biggest challenges I'm facing right now is my relationship with Manly, absolute disaster, like shipwreck disaster at the bottom of the sea. I'm not a horrible person and I just try and do what's right for Malia. Even though Manly will completely contradict that and say I don't, I genuinely do and I'm hoping that people will be able to see that.


Collect appeal brothers Brooklyn, New York Ladies and gentlemen the railroad hour And here comes our star-studded show train Tonight the association of American railroads presents transcribed the world premiere of a new musical play by Lawrence and Lee Penny Whistle Starring Gordon Macrae and his celebrated guest Dorothy Warren show Our choir is under the direction of Norman Luboff and our music is prepared and conducted by Carmen dragon Yes, tonight another musical first is brought to you by the American railroads the same railroads that bring you the food you eat The clothes you wear the fuel you burn and the multitude of other things you use in your daily life And now here is our star Gordon Macrae And good evening ladies and gentlemen Tonight Dorothy Warren show this Fanny Osborne Stevenson, and I am Robert Lewis Stevenson as we present Penny Whistle Fanny news wonderful news Oh Louis they've accepted the poems the penny whistle volume the whole lot of them they promised to make a beautiful little book out of Oh, why shouldn't they I love them everybody else will too Fanny there was nothing in the marriage boughs that said you had to like everything I write. Do you know my favorite? bed in summer In winter I get up at night and dress by yellow candlelight In summer quite the other way. I have to go to bed by day You've memorized them. How can I help it? They're all like songs each one sings a little melody like songs. I remember Fanny Fanny you spoil me, but I'm glad you like these little verses. They mean a great deal to you Louis don't they their memories Fanny of the days when I was chained to a sick bed I couldn't run and play like the other boys Well, I went voyaging nonetheless My body stayed at home, but my mind went traveling far beyond the counterpane How wonderful it will look in print Penny whistle by Robert Lewis Stevenson. Oh, I forgot to tell you the publisher has changed the title They're calling it a child's garden of verses But to me they'll always be Penny whistle the little piping sounds I made you Make a little sound like a penny with so many And the sound comes from your heart and soul the world around you If you do the tiny whistle, it'll make a little tune And soon your panty whistle sound is floating through the moon It travels like this In the Your penny If you do the tiny whistle, it'll make a little tune You see Fanny, I'm cursed with a disease of optimism. I write a handful of three penny verses and already I've made myself a mortal So fill your song with heart beats and love and everything And then your penny whistle We'll make the whole world see Oh Louis wait until your friend Henley hears about it How can you hope to outlast the flimsy paper of this edition by writing nursery rhymes? Perhaps I'm not gifted with your profanity Henley. I write what I can take this story The magazine's printed it because it amuses the 12 year olds, but how long can you cater to them? This isn't the stuff that makes books treasure maps and The bottle of rum I like it. I like treasure island. Oh be quiet Henley Louie you should be wrestling with the problems of existence instead of writing where go the boats dark brown Now we're going to wait a minute. I don't like the way you read it Fanny my love say the verse the way it should be said of course Louie Good Fanny, thank you All right, William Ernest Henley advocate of the deep there it is simple Unprofound a child song written by a child overgrown perhaps, but a child No wrestling with angels. No demons or devils Exactly what you said it was nursery rhyme Are you all right? Of course my love. I'm all right. I'm not dying one of these days soon perhaps, but not quite yet That's no way to speak you must defeat death Louie you must be the master of your universe and here Here's a poem I have written read it perhaps it will strengthen you. What a flourishing title in Victus Fanny listen to mr. Henley's formula for mastering the universe I think whatever God's may be Fine poem a brave poem But it's not true God is the captain of my soul and if God calls my ship into harbor who am I to say the voyage must not end so soon Louie stop talking about death.  Henley here how we see the world in a nursery rhyme. All right Louie The world is so full of a number of things. I'm sure we should all be as happy as king There are stories to tell and music to sing There are flowers to take you to lands of delight The sunrise to wake you and starlight at night There are winters and orphans and summers and springs and miles of smoke And in a moment for act two of penny whistle Just for a moment. I'm going to ask you to close your eyes and picture in your mind a field of wheat and a railroad freight car They don't look much alike. Do they in one important respect? However, they are very much alike Both are essential if you and all of us are to have bread and flour and cereal in our kitchens But standing alone neither one can provide food for your family For just as the freight car must be coupled together with other freight cars and a locomotive in order to bring you your bread So america's wheat fields must be coupled up with grain elevators flour mills and bakeries in order to make your bread And to do that calls for a mighty job of transportation by america's railroads To carry out that tremendous and complicated job requires the closest kind of teamwork and planning america's wheat crop in 1953 is estimated at more than one billion bushels And stored in grain elevators is a carryover from last year of another three quarters of a billion bushels Making it a major problem to find sufficient storage space for the new crop Right now thousands upon thousands of railroad box cars are busy moving this year's torrent of grain And the freight cars will keep coming in endless lines Just as long as there's a place to put the grain Then as the wheat is sold the railroads will move it on in a steady stream to the mills Where it will be made into flour and cereal and other basic foods for the tables of america All told this calls for the world's biggest single transportation job a railroad-sized job Now here is act two of penny whistles starring gordon macray as robert louis stevensson And dorothy warren should as fanny osborne stevensson Robert louis stevensson there Louis Louis, what in the world are you writing that looks like some kind of legal document? It is my love I have just given away my birthday. You were birthday I had a letter from a little girl who was born on the 25th of december Terrible thing to have happen to a child who likes to get presents twice a year So I affected a transfer listen I robert louis stevensson Being in sound mind and pretty well. I thank you in body Do hereby make this grant In consideration that miss annie h. Ide Was born out of all reason upon christmas day I hereby transfer to her all my rights and privileges In the 13th day of november formerly my birthday But now completely hers to have hold and enjoy By the eating of birthday cake with candles By the receiving of gifts Congratulations and compliments according to the manner of our ancestors I charge her to use this birthday with moderation and humanity Said birthday not being as young as it once was Miss I bus becomes a month and 12 days younger than she was But will undoubtedly go on growing older from one november 13th to the next The effect on the undersigned is more doubtful Lacking her birthday. I may now live forever or I might come to pieces like the one horse she had a moment's notice Doubtless this step is risky But I do not the least regret That which enables me to sign myself Your delighted name father Robert Lewis Stevenson Oh louis That's wonderful And as for you and me my love We're going away away. I've chartered a little ship and we're going to find ourselves an enchanterdile Tahiti or samoa My love are you my passenger my fellow voyager on every sea that was ever chartered The crew very nice At least the crew could do is to sing one of my songs instead of tenacents Oh, well He's the poet laureate very singable. I wish I'd written it It and I don't know if I can have you said your prayers like a good boy Well, but I shall the one prayer of my life Dear lord give us grace and strength Give us courage and gaiety And the quiet mind Can you sleep now my love? Sing to me fanny All right louis There's a verse that was written long ago by a young man I once met a sailor a hunter a teller of tales a dreamer of dreams As a matter of fact, I liked him so much. I married him Now there was a foolish thing to do and do you remember the verse? Oh, it's I that have the captain of a tidying little ship of a ship that was sailing on the And my ship it keeps on turning all around and all of us But when I'm a little older, I shall find the secret out How do you send my vessel sailing on beyond Then you'll see me sailing through the rushes and the reeds And you'll hear the water singing at the crowd Oh beside the dally sailor I'm to voyage and And upon the island where no dally was before My love I'm sure the man who named the islands of the pacific the happy isles The enchanted isles had a wife as wonderful as you beside him Will we get there soon louis oh my beloved don't you know that to travel hopefully is far better than to arrive King of the island of samoa Half king half exile are you sorry we came here? No no fanny. I wish I could live it all over again First sight of the first sunrise on the first island of the southern seas Why are you unhappy? I'm a failure my love. I'm 44 and I have accomplished nothing The men and women of this island adore you the name they've given you is like music to sit down The teller of wondrous tales Oh fanny and me I quote my husband So long as we love we serve So long as we are loved by others. I would almost say we are indispensable Yes when I wrote that I was young and a little foolish Life lay ahead of me now it is all behind me Oh no louis no look there out of the window Not by here with its peak floating in the clouds That is where I wish to lie my love close to the stars But still close to the sound of the sea. Oh no you are not going to die I have left a little poem It will tell you how I feel Oh my love I could only have left behind some monument in print But shall I be remembered for a few jingles a handful of magazine stories that line the dustbins My father and my grandfather built great lighthouses Enduring lighthouses was beacon lights cut through the dark But my penny whistle has made such a a little little sound Louis Louie Many letters My dear mrs. Stevenson May one unknown to you will share your sorrow at the loss of so greater man May I tell you only that my sick child grows better as he reads your husband's brave poems One stanza and the pain and loneliness seem to disappear That goes in and out with me and what can be the use of him is more than I can see Oh louie Oh my love Dear mrs. Stevenson My little girl has a garden by her bedside a garden of verses Planted by your husband My daughter is crippled But she walks in that garden which belongs to the children of the world How do you like to go up in a swing up in the air so blue? Oh, I don't think it's the pleasantest thing every child can do Oh my love your little penny whistle sound is floating to the moon Oh Sleep well my love close to the stars Ten chieftains carried you there to rest and dream And they have carved into the mountainside the words you wrote This is the verse you and your husband The Dorothy Warren show will be back in just one moment and meanwhile our hearty thanks to Lou Meryl Patty iron known stuffy singer and our entire company Penny whistle with special music by Carmen dragon was written by laurence and lee The music of where go the boats is by ethyl burt nevin The railroad hours brought to you each week at the same time by the american railroads Marvin in all this world There's probably no bigger challenge in the field of transportation and the annual job of moving america's vast grain crop to market Thousands and thousands of railroad box cars must be in the right place at the right time There must be sufficient storage space in the grain elevators And the most careful advance planning is necessary if the tidal wave of wheat is to move smoothly and steadily to its destination But above all else It's the vast hauling capacity and flexibility of the railroads that make this huge transportation job possible Thank you, marvin. Well, that was a sweet sad and lovely story, gordon. Well, you know, Dorothy There's a story behind the story It was a retired school teacher in pittsburgh who suggested that we make the story of robert louis stevenson into a musical play Her name is mary eastman. She taught for many years at patrick henry junior high school in cleveland Though she taught on crutches Like stevenson the music of her penny whistle has echoed in the lives of the many many children She's taught thank you miss eastman from all of us. Yes, sir a very big thanks One of the best ways to build your future security and to save for long range personal objectives Is to invest in united states savings bonds through the payroll savings plan where you work or the bond the month plan at your bank You help yourself and you help your country when you buy savings bonds All aboard Well, dear friends It looks as though we're ready to pull out and so until next monday night in our 250th broadcast the frimmel story On behalf of the other members of the cast and of the american railroads. This is your friend gordon mackray saying goodbye The railroad hour was transcribed in hollywood gordon mackray can be seen in warner brothers the desert song in technicolor Our choir is under the direction of norman luboff and our music is prepared and conducted by carmen dragon This is marvin miller saying goodbye until next week for the american railroads Now stay tuned for your monday night of music on nvc hear the voice of


Hi, I'm Dazza Greenwood, a scientist at MIT Media Lab, where I run law.mit.edu. And this is a classroom with a friend and colleague, and who are you? Oh, I'm zooming in is what I'm doing there. I'm going to do that. See if we can do that. You can see me a little better now. Awesome. Get the right direction. Here we go. So I am Evan Carroll, and many of you, there we are. Here we look at the reviews. So I'm Evan Carroll, and I'm a jump instructor here at UNC School of Information and Library Science, and author of a couple of books, one of which was Your Digital Afterlife. And that was the first book out on what happened to your digital life when you passed away. Indeed. And so you're in a classroom right now. And I was just in that classroom through the miracle of cyberspace a moment ago. Can you tell us a little bit about the class that you teach and what we just did together? Sure. So we just spent a good 45 minutes talking about identity and the legal framework surrounding identity. And our class here is a group of a dozen information science undergraduates. This is their capstone course in information science. So we're discussing emerging topics that will benefit them as they go on to whatever is next. Which may be the working world. It may be graduate studies or something else entirely. Here, here. Yeah. And part of the way that Evan and I know each other is from the so-called digital death work that he was such a pioneer of, looking at what happens to your digital identity at death and the expectations, how should we set things up so that that happens in a more elegant and compassionate but also very effective way. And now fast forward a little bit in this class, we're talking about what should be the legal framework that applies to identity itself. Property, human rights, and civil liberties, intellectual property, something else. And your students have really did a great job at grappling with this. And we had some interesting ideas, right? That's exactly right. And a lot of what we do inside this classroom is to grapple and to wrestle with different ideas and make sure that we're understanding them. And then we're understanding how they apply to what we, our role as information sizes, whether we're designing information systems or securing information systems or starting the public by providing information to them, how we can be better professionals by understanding the issues at play and the sort of technologies and frameworks and structures that support it. And so people want to learn more about what's happening at your school and with this class. Where could they learn more? Sure, you can learn more about this particular class as sillssils.unc.edu, that's the entire school that we operate with it. And I have a private site for my students. You can check out our civil liberties open. And that's INLS 697, 697, SBC has a section, www.usb.edu, bring19.web.usb.edu. We're all along with you around. Perfect, and I did look at the syllabus. And it's impressive. I'm glad to see that people like you, Evan, are sharing what you know to help educate the undergraduates to be ready to work in and inhabit the world as it's evolving now. And boy, it is an information world. So it was great joining you in your class. I hope that we can keep this collaboration going. And we just want to thank you. Absolutely, thanks so much for joining us. I really appreciate it.


Welcome to NTN Nightly, I am Genelle Norvell. This edition stops stories. The Ministry of Education to embark on an academic recovery program to offset the impact of COVID-19. The Chairman of the COVID-19 Management Centre addresses issues surrounding the national response to the pandemic and government pursues a landfill-free inclusion by 2030. The Ministry of Education, Sustainable Development, Innovation, Science, Technology and Vocational Training is reporting a successful return to the classroom for the nation's student population. The school term resumed in the physical setting for all students on Monday 8th November 2021 as the island draws nearer to resolution of the fourth wave of COVID-19. The Ministry of Education has also announced that it will be embarking on academic recovery and accelerated learning programs to compensate for lost instruction time. Details in this report by Hermione Mark. Students across the island returned to the physical classroom setting on Monday. Instruction had to be conducted via virtual platforms for students with smart devices and internet connectivity following the onset of the fourth wave of COVID-19 in St. Lucia. Officials from the Ministry of Education took the opportunity on Monday visiting various schools with a view of ensuring that students had a seamless transition back to the classroom. Honourable Dr. Pauline Antoine Prospep, Parliamentary Secretary in the Ministry of Education, Sustainable Development, Innovation, Science, Technology and Vocational Training explained that several measures have been put in place to ensure the health and safety of all students. Well, we would know that last year we had a tomb where all the students were back and most schools have refined their protocols to ensure the safety of all students. So you have students wearing their masks at school. We have the social distancing at the schools. We also have where social distancing is masked, we have different at the gate. You would be welcomed by someone who would take your temperature and ensure that your hands are sanitized and there are different parts around the school compound where students can wash their hands and sanitize to ensure that their hands are clean at all times. Acting Education Officer Sarah Cipal indicated that the Ministry of Education is also embarking on an academic recovery program. The program aims to ensure that no child is left behind as a result of disruptions in instruction. What is important now is the academic performance and along with that now the social upbringing and emotional psychological aspect of it with reference to school. So returning face to face, it has more to it than just simply the knowledge aspect of it. And then now with this now we are also considering you have the learning loss that may have taken place because of the distributed learning because as you know yes the teachers were doing their best to try to get everybody with the online platform but there were some children we could not reach so because of that there would have been some learning loss. So therefore we are putting a program in place for the academic recovery to take place and along with that now we are going to put another program in place called Accelerated Learning. So we are going to have the academic recovery under Accelerated Learning working together so the children can be where they are supposed to be. Acting Chief Education Officer highlighting the importance of students' return to the classroom explained that students' holistic well-being was considered during the decision-making process. In the school setting, the psychological component with it, most children when they are at home we don't know what they are going through, we don't know the conditions they are at home how much learning is really taking place, they want to learn but then the environment with which they operate, you also have to consider the psychosocial aspect of it you also have to consider the nutritional aspect of it because remember we have a lot of the children especially the primary school who depend on the feeding program of the Ministry of Education to get a good meal. So all of these components and as I said now we had a number of children who were getting the packages from the schools however we could not give them any feedback because we had no interaction between the teacher and the students so although they would receive a package but they were not getting the feedback so that one month and that's why the Minister had said we are not going to have end of term exams but we are going to have interaction with the children from the one of this month until the last day so then now the misconceptions that they may have got during the packages that they got or probably where there was internet connectivity issues and then they may have lost on certain things and that one month would actually bridge that gap and prepare them now for next time we are hoping that things will be okay that we will continue the face to face. Principles the island over have welcomed students return to the classroom principle of St. Mary's College Don Howell assured that the school in collaboration with all stakeholders have put in place the necessary measures to ensure the safety of all students schools across the island including special education schools and tertiary institutions resumed in class instruction as of Monday 8th November 2021 using a face-to-face modality via whole school or alternate day approach from the Government Information Service, Humedi Mark reporting Meanwhile the management of the COVID-19 pandemic requires a multifaceted approach and multi-sectoral involvement. The Government of St. Lucia recognising this necessity ensured that the National COVID-19 Management Centre was comprised of professionals and representatives from a societal cross-section. The entity is responsible for advising the Government on the best strategy for the management of the pandemic. During an appearance on Issues and Answers aired on the National Television Network NTN Chairman Cletus Springer explained that his background in epidemiological analysis plays a major role in fulfilling the requirements of the position. My role is to examine the intersection of epidemiology and the strategy that is needed to combat this. So my focus is on where the hotspots of infections and what is happening there relative to the movement of people from that point to other points is their link between the infections in the transportation system from the hot points to other points. These kinds of considerations are what I bring to the table. So it's my planning background, strategic planning, my communications and my knowledge of the public service and my understanding of the people of St. Lucia. The Centre's Chairman in providing insight into the decision-making processes of the Centre highlighted the significance of protocols to maintaining low COVID-19 positivity rates. If you're seeing a trend that says to you if that trend continues your capacity to cope will be overwhelmed. Your bed space in the hospitals, your intensive care capabilities, your availability of nurses, your availability of doctors, the ability of the government to buy oxygen and all of the treatments that are required. If you see that trend you are on an obligation to do something. In a situation like that doing nothing is not an option. Now where all of the tensions arise is what is the something you must do and how effective that is. And people have their own views on how effective confinement which is not a nice term but how effective these are. In our case I think the data is very clear. At the peak of our fourth wave I think we had about 7,000 just over 7,000 cases. In the third wave we had about 5,000. So it's very clear that the fourth wave has been far more severe than the third. But we are in a situation now where from that peak of about 7,000 cases we are now down to just about 350 active cases. Now you might argue what has brought this about? Is it the lockdowns? Is it the confinement? Is it people's strong adherence to the protocols? It could be any or all of these. But the fact is we have now a situation that is more manageable than we had before. Another important factor in the management of the pandemic, Mr. Springer noted, is vaccination. He indicated that the country's low inoculation rates may be as a result of conflicting schedules and inadequate ease of access. An issue he said the COVID-19 management centre is working to address. Meantime the reconstituted COVID-19 management centre will hold its inaugural meeting on Thursday November 11, 2021. The meeting which will take place at the financial administrative centre at Point Seraphine will be addressed by Minister for Health, Wellness and Elderly Affairs, Honourable Mozi Jabatist. Members of the COVID-19 management centre will receive a report by the Chief Medical Officer, Dr. Sharon Belmar George, on lessons learned from St. Lucia's experience during the fourth wave of the pandemic. It is expected that representatives of the private sector on the COVID-19 management centre will share their perspectives on a policy and strategic framework for handling the pandemic in a manner that will protect lives and livelihoods and promote a healthy economy. The meeting will be telecast live on the National Television Network from 10am. The Ireland's Minister for Sustainable Development has been assessing the existing systems and capacity for waste management. Minister for Education, Sustainable Development, Innovation, Science, Technology and Vocational Training, Honourable Sean Edward, accompanied by management of the St. Lucia Solid Waste Management Authority, recently conducted a tour of the Declos Sanitary landfill. Minister Honourable Edward indicated that the government of St. Lucia to achieve its goal of a landfill-free St. Lucia by 2030 must overcome the many challenges that currently exist. One such challenge is that the St. Lucia Solid Waste Management Authority is currently without a general manager. The Sustainable Development Minister explained that the government of St. Lucia will be looking to appoint a general manager to lead such a critical agency. The ultimate objective is for us to have a landfill-free St. Lucia by the year 2030. Moving forward, there is also a very robust education plan and campaign that will be rolled out by the Solid Waste Management Authority. Generally speaking, I think St. Lucia's have adapted well to Solid Waste disposal and as I said, it is just a matter of ensuring that whatever we do, it is done in conformity with the best practices that exist in other parts of the world. As we speak, there's a situation where we are hauling waste from the south of the island all the way to the Declos landfill. I do not believe that this is the best practice and this is something that we have to revisit as a new administration. It has cost the government of St. Lucia somewhere in the region of $2 million just to hold waste from view for two-day glow and in an environment where the government does not have too much fiscal space in which to maneuver and to roll out programs with the rapidity that we would have liked as an incoming administration, this is something that we have to review and we believe that the $2 million that has been expended so far in trucking garbage from view for two-day glow is money that could be used in other areas of national development to provide relief for the citizens of this country. The government of St. Lucia, in addressing the issue of hauling waste from view for two castries will be reviewing its agreement with Desert Star Holding, DSH to allow for changes where possible and necessary in the best interest of citizens. The Sustainable Development Minister also explained that efforts will be channeled towards improving the work conditions at the landfill. When I came here a couple days ago, well, probably I should say that from time to time I make an impromptu stop at the landfill just to get an appreciation for myself in terms of what the workers go through when the cameras are not around and there's no oversight being provided by management and you get a much truer picture of what obtains and I must tell you that when I came here two-some days ago I was not particularly thrilled with some of the conditions that I noticed the workers had to endure. I have brought that to the attention of management day two, well aware and it wasn't deliberate action on the part to have the workers enjoying the conditions that are obviously not favorable but moving forward we have all recognized that there's need for improvement and I can assure you that the next time you come here you will have the workers at the landfill and just workers at solid waste generally speaking much more favorably in terms of the conditions under which they have to work. Acting general manager of the St. Lucia Solid Waste Management Authority Lorianus Les Flores explained that the landfill has been faced with the issue of waste not being covered resulting in increased pests. He noted, however, that this would be addressed over the next two months. The Deglo Sanitary Landfill was commissioned in 2003 with a 20-year lifespan. Operation of the landfill comes at a monthly cost of $45,000 for equipment rental and wages as the authority does not own any equipment. Based on the current situation, the authority is looking at an additional 9 to 12 years lifespan for the landfill providing that a number of provisions are made including the reduction of waste coming into the landfill. If we reduce the volume of waste coming into the landfill, organic waste make up over 50% of the waste as deposited there. Now the authority have a plan in terms of doing composting at the landfill and I will show you the site that we have prepared for that. In the coming months we will be encouraging households and businesses to undertake composting. So our objective is to have very little compostable waste coming into the landfill. With regards to the other waste streams, example cans, plastic bottles, metal, we have a plan to do some segregation of that waste at the household level but that's in the long term. So those measures would increase the life of the landfill considerably so that hopefully we could achieve, like the minister said, zero landfill by the year 2030. The St. Lucia Solid Waste Management Authority also explained that some 20 incinerators were procured however it has been facing a number of challenges with their operationalization. Four of the incinerators were commissioned in February 2021 however as of now only one remains operational. As such, a significant effort will be made towards rectifying existing issues with the incinerators. From the Government Information Service, I am Janelle Morville. The livelihoods of Fisherfolk have been brought into sharp focus by the Minister for Fisheries as he continues to lay plans for the sub-sector. We hear more in this report by the Ministry of Agriculture's Anissia Antwan. Approximately 25 Fisherfolk from the Souffre area participated in a consultation headed by the Minister responsible for Fisheries Honourable Alfred Prosper and the parliamentary representative for Souffre Honourable Emma Hippolit to discuss on what challenges and concerns they face and what intervention may be required from the Department of Fisheries. Minister Hippolit has given the assurance that her commitment remains working with the Department of Fisheries to resolve the myriad of issues Fisherfolk in the Souffre area face. I gave them a commitment that I will address some of the issues that they've raised but I felt it was formal to give them the respect so that they can meet the Minister responsible for Fisheries, let them add their views and their concerns and we sit here and hide the Minister making some commitments and saying how as a government we will attempt to address the issues impacting Fishers in Souffre because in Souffre they've got some specific problems as well as Fishers in the entire country. Some of the main issues highlighted by the fishermen include the deterioration of the coral reefs, the high costs of deploying fish aggregating devices commonly referred to as fads as well as the illegal use of gillnets within the reserves. Minister Prosper emphasised the importance of involving other sectors impacted by the fishing sector such as tourism and finding solutions to issues confronting the marine environment in Souffre. Our fishermen work very hard. They take high risk. They go out to sea and most times they don't make much but yet there is very little coverage in terms of health insurance if they are sick or if they get injured at sea or if they are lost at sea very little or no benefits are affordable for them. I am also concerned based on what was mentioned today the issue of sale of fish. I was not aware that the issue of moving the sales depot from the centre of Souffre to this area would have impact the fishers. And this is something I believe must be addressed as soon as and I am looking forward to my ministry working with the fishermen of Souffre not just Souffre but the entire country to see how we can work with them and assist them and to make lives better for them. Minister Prosper also affirmed his commitment to assist in sector agencies such as the Souffre Marine Management Authority as the Ministry of Agriculture, Fisheries, Food Security and Rural Development works to improve the livelihoods of all those affected by the sector. From the communications unit of the Ministry of Agriculture I am Anisia Antoine reporting. This is NCR Nightly. Primers Hutchinson is up next. Stay with us. I got the COVID-19 vaccine to save the return to my dance class. I wanted the vaccine because I really missed being at school. I got vaccinated so that I can go visit my grandparents without having to worry about them getting ill. I asked my mom to be vaccinated after reading and realising this was the best way to keep my family and friends protected. We all look forward to doing the things we love once more. The COVID-19 vaccine gives us this hope. The vaccine is protecting us and will protect you too. Vaccinate for you, for yours, for us. Welcome back. We join Primers Hutchinson for the NCR News. Thank you very much, General. Thank you, Madam Department of State University for the information on the government of the GIS, the National Television Agency of NTN, for the NCR News. For Primers Hutchinson. The government of the GIS, the National Television Agency of NTN, for the NCR News. For Primers Hutchinson. I have just noted the information that was made on social media, like the hospital OKU that explained the big battle and the corona disease. The OKU manager explained that they have to continue to operate in a safe way for one service to increase the number of people in this sector. According to the management of the OKU, with all the past businesses, the hospital is OKU, I have told the Corona Department, but they have to continue to fight, to protect the workers and also the people who have been treated at the hospital. The management also explained that they have to take care of the workers and the sick very carefully. That is why I have established the protocol to limit the people who can be treated at the hospital OKU and the corona disease. They have to expose the workers and the sick to the corona disease. The people who have been treated at the hospital OKU have to continue to test the workers, to see the results and to see if they can be treated. The protocol also explained that if the workers who have been treated at the hospital are not treated, it is positive that the workers are treated immediately. According to the management, they have to sanitize the workers who have been treated at the hospital and the people who have been treated at the hospital and the people who have been treated at the hospital and the people who have been affected. The management of the hospital OKU has advised the public to follow all these protocols, such as the treatment of epidemics, the service of sanitizers, the service of masks, the service of COVID-19, the service of social distancing, the service of the sick, and the people who have been treated at the hospital and the people who have been treated at the hospital to continue the fight against epidemics to help the people with the bad situation. This is the work that they have been doing to find a doctor, to take care of the local produce, to serve and eat, and to provide good health and to improve the quality. These are agricultural and chemical products I'm actually more concerned about money. Because for employment, just to get a job, we would like to have given our people to be manual jobs, otherwise of course normally they would wait for me to take a job. It's just for transportation, the way I work is I have to get some job and no one would ask me to hire me. It's very easy for the government to make it available to make it a reality. The government is a shayteh. The shayteh is not a factory, it's a factory. But it's also a shaymongi that does agriculture. And the government, I don't think it's very important to have a land bank. Because if you don't have a job, you can't even buy a shimai. And it's not worth it. You can't think of how many different types of land you'll live in before you get a land bank. The shayteh that the government is making it available to people. Because the shayteh that the government is making it available to people. And the shaymongi that we live in there, I don't know yet. I think it's a way of living. If the shayteh that government is making it available to people, it's like a factory, because as you can see, model. I decided to have initiatives to try to combat the coronavirus as soon as possible. Particularly, during the observation, I was a professional, ex-fabrikator, several models had been linked, or split, or divided, or even divided. I was able to take advantage of the opportunity to expose the virus to the public. But the coronavirus changed all of that. I was not just a business and an organization model, as I said, I was a Joyce Meryk. I explained that this was an initiative that started in February to make the country more remote and more effective, and to encourage the country to pay more money to come more sensitive to the virus. But as the pandemic has affected all of these places, and these areas have been linked, I decided to go out and to create a new model to expose the virus to other models that can exist in this country as soon as possible. But these areas have been linked. So we are going to do all the necessary things to encourage this country to wear a shirt or a shirt made by you. He probably gave me a shirt and it was made by me. But to bring awareness to make it... To appreciate what we do. To appreciate what we do. Because we don't know what to talk about this talent. But we can do it. We can do a lot of things to appreciate it. The only way we can do that is if we are able to talk about how much we can do in this country. So we hope to help those who are tired and want to do creative arts in this country. Hello Momsel Madrid. This is the initiative to help people to buy. But we can't do it. We can't do it. We can't do it on the first step. We can't buy things. But we can do it. We can start from the internet. We can do it in a different way. We can tag our fashion council. We can hashtag fashionfriday. Just tag us. I think it's important for us to understand what we are doing, because if we are not able to do our job, we will not be able to do our job, we will not be able to do our job, we will not be able to do our job, we will not be able to do our job. I am very happy to be here today, thank you for your invitation, I would like to say thank you to all of you, and may God bless you and the world. YouTube channel. I am General Novel.


When the narcissist realises you've had enough When they realize you're not going to do it anymore You're not going to cave into their demands You're not going to let them mold you into what they want you to be You're not going to be their puppet The narcissist wants to control you.  You can let them think that they can control you They can think whatever they want But you can choose to not be their puppet anymore When you've had enough of the narcissist It's not going to change their behavior They're not going to praise or encourage you They're not going to support your decision.  To someone who only cares about themselves To someone who is only concerned with their own feelings and needs How is that going to benefit you in any way Which is why you've had enough of the narcissist Because you realize that they are not good for you And that's where they get so angry when you finally find your freedom Because it reflects back to them That they are not good for you Thank you for watching I hope this video resonates with you Please like, comment, share and subscribe If you would like to donate My PayPal link Is in the video description Coaching inquiries You can email me at question.nag.survivor.uk Thank you for watching And I'll talk to you soon


Hi, let's talk about the preventive aspect of Amalakshmi injuries. First and foremost, make sure you make proper planning for your event. Do not rush into it and make gradual progress for that. Second thing, make sure you know the difference between muscle soreness and injury because that could lead to problems. Make sure you prepare yourself in terms of getting proper footwear. Do not change footwear because it is comfortable for you. Get proper footwear which supports you and prevents injury. Main and the important part of marathon, particularly if you are suffering from arthritis, do not get overexcited because you want to participate. Make sure you do not aggravate your pain or aggravate your arthritis, just overdoing it. Know your limits and do adequate preparation for it so that you can have a safe marathon as well as you can have an injury-free marathon. Thank you.