I don't even know how to put into words when I'm watching right now.  Four wisdom teeth taken out. Last night I had a severe panic attack and I spent the night in the hospital.  I'm fine right now. But the question is, will I be fine after this episode? Because y'all said this episode is one of the best things in anime. And if that's the case, was today the right day for me to react to this?  Episode 7, man. Episode 7.  Let's get to it. Yeah, this video is going to be one episode. I don't think I'll be able to handle two with the amount of hype y'all are building with this. All I know is it has something to do with Gojo, and it's going to be nervous. He has the serious look in his eyes, and I don't even see his eyes. The action in this show is incomparable to anything I've seen. Don't tell me you should stand in there now. Some animation where his hands are in his pocket. I don't want to see it. I swear to God. What? Oh my God. Oh yeah, that's right. He said he'd keep up with Sukuna, even with all his energy. Oh my God, no. Is this whole episode going to be this fight? What is this guy? I chose the wrong day to react to this. My mouth is going to be brutal after this reaction. Let me just tell you that. It's his first fight in the show, in the first season. Episode 7. This is some season tension. Oh my God, this is giving me chills, man. What kind of mumbo jumbo did he just say? How are you making jokes in a time like this? It's insane. Like the impact sounds? Everything. Does that mean he's everywhere?   Can I do that?  You know something is insane when I'm barely reacting to the music. That's how good the action and the storytelling of this show is. So how powerful? It's Gojo. Guys, I can't handle anymore. Please. Please, please, just leave the fight now. That can't be anything more. That was insane.   Is this his lesson? I thought he's watching porn. He's here to watch? Is this a movie? Is that Lord of the Rings in an anime? This is officially the best show I've ever seen. He's watching Lord of the Rings, my favorite franchise of all time. But it's an anime form. I want to know what his power looks like. Domain expansion! I remember they warped in the movie. I know that much. I am not ready for what's about to happen.   If he's weak, that means Sekuna's weak. I want to see Sekuna versus Gojo.  I don't even know how to put into words when I'm watching right now. This is next level. Nick, you always say it's the best thing ever. Bitch, stop. This is... I don't care what anybody says. This is next level animation, right? This is... This is cinematic. My face is swollen.  My mouth can explode at this point. I do not care. All I know is the action is not going to slow down.  Oh my god. It's like their own prison. Their own domain. Domain expansion. And it expands. I don't even want to know what Gojo's domain expansion is. Is he going to use it in this episode? This is what I mean. This shows the perfect balance between comedy, action, emotion. Oh no. Who am I looking at? No.  Sometimes I talk too much. It's rare that I could go long without saying a word. But I think that's the longest I went without talking on my channel ever. I can't believe what just happened. No.  I thought he said a living orgasm. He is a living orgasm. They're just watching! I want to see this guy versus Gojo. Full power. We do wear the true humans after all. How is he so composed? Unless he's a...   I need to know if we just saw Gojo's full power.  Oh, I vibe down. I pose pants down too while I'm at it. Look how this guy is acting after what just happened.  How? Could you compare that scene to what just happened? Like this show is just everything. It's literally how I feel inside. It's that bipolar-ness. Yeah, he's just busy unloading the universe on a guy that looks like a volcano. Is this like the big boss? They're giving us dates now. What do you say? Let's be coming about this? I'm already coming. Oh, cunning. Oh no, listen. It's a sin to pause this, but I have to. Oh my god, I feel so bad for you. Because on my channel, I like talking as much as I can in a video. I like adding entertainment to my reactions. But in a situation like this, I forget I'm on camera. It's like I'm so trapped.  What was a coy void, infinite?  Bobcat. I don't even know what I'm saying anymore. I'm not even gonna keep saying that was the best thing I've ever seen.  Anyways, I'm just... Oh my god, I need to get sleep. I need to edit this video and then get sleep.  I have four wisdom teeth out. I just got back from the hospital from a panic attack last night.  I don't even know what's going on anymore. I don't even know what I just watched.  That's gonna be it for today's video, though. I love you guys so much, and I will see you all in tomorrow's video. Peace.


Hey everyone, thanks for checking out surf station board reviews today. We are reviewing these sharp-eyed blowfish This is a great all-around model especially for the types of surf that we have here in St. Augustine, Florida and all around the East Coast I actually have this exact board, but in a 5-3 the one you're looking at here is a 5-6 This is your typical, you know kind of Florida fish Pulled in swallowtail a little bit of a wider nose This board is going to be great in waves anything from knee-high even slightly overhead I ride my board with the quad-fin setup as you see they come with the 5-fin option I like to quad a lot more especially for Florida. You get a lot more speed without You get maximum speed with minimum effort And then as well as when the surf gets bigger or even steeper face waves the four fins bite in really well And give you that extra drive that you need I actually just took this board to El Salvador and I'm surfing it and you know solid head-high Little bit overhead waves and it held in great and then I ride it pretty much every day around here in Florida The sharp-eyed blowfish features a single concave through the nose to a slight double Starting about right here out through the tail The single concave up here is really what you're looking for for any board where you're surfing, you know mushy marginal surf The more surface area you have down on the water the faster the board's going to go This is a great all-around board, you know Like I said anything from knee-high to slightly overhead. It's going to work. Well the 5-fin option, you know gives you the choice to start 3-fin or Quad or even you can ride it as a quad with a small trailer in there like you see Slater doing a lot I personally ride the PC5 quad set in my board. It's a good standard fin plenty of drive Plenty of release Other than that these boards are great. We got a few here in the shop or with an also new custom orders Yeah, check us out online search station store.com. Thanks


So no, we were not saved by works, but we were saved to do his work. I wanna make sure that it is abundantly clear to you all that we are saved only by our faith, our faith alone. We are not required to produce works in order to be saved and we are not required to produce works in order to stay safe. However, because we are saved, we are going to do some sort of work. Now, to what degree, to what measurement? We don't know. There's no way we can measure it. Although we do know that we're told what we will do and it's validated by none other than the Trinity by God the Father, God the Son, God the Holy Spirit. Jesus even makes a statement. He says, the harvest is plentiful, but the laborers, the workers are few. Pray therefore that God would send these laborers. Now, how do we know that we are going to do something? Again, we don't know to what degree it might be just praying for someone, showing some love out there, witnessing, helping some. We don't know how visible it's gonna be, don't know. Can't tell if you're gonna do it or that I'm doing it. You can't tell. However, all we do know is what the scripture say. And so there's gotta be this harmony between our faith and then what our faith is going to do in us. Now, we are told in Ezekiel 36, really quick passage that when the Spirit is in us that he is going to cause us to work. He says, I will put my spirit within you and cause you the word is asa and then halak for walk, which is to go to walk in my or to go in my statutes or my teachings and you will be careful to observe my ordinances. That means that he's gonna cause us to keep the law. No, he's just gonna cause us whatever his teachings are that we are going to walk in them. That we're gonna do those things. Again, how many of those things? Perfectly, obviously not perfectly, but we will do something in him. Jesus even makes this statement that sometimes gets twisted by a lot of people in the charismatic movement where they think that we are going to do greater works than him. No, we're gonna do more. Let's go to that passage. Look what it says. It says, truly, truly, I say to you that he who believes, remember, that's the key, the believing ones. And by the way, the word that's used there, the believing ones is hapistuan. So the ones who's believing, that believing person, he in me, the works that I do, the Bible says that he will do. And the word is, point A, say, which is a future active indicative, meaning he will do these things. He will what? He will work. And more works or greater works he will do because I go to the Father. Again, we're not saying that he's gonna do something better than Jesus, but he's going to do the work of Jesus, which is to, as Paul tells us in 2 Corinthians, we are to reconcile. People, Bible says that if any man be in crisis, a new creature, old things have passed away, but the whole office has become new. And so now we also, as a result, if we keep reading, we have been given the ministry of reconciliation. That's the work of Christ. And so we are gonna do that very same work in greater volume because now I have the Holy Spirit, you have the Holy Spirit. All these other people who are in Christ have the Holy Spirit and Jesus says that the believing one's the one who doesn't believe. Again, that's how we get saved. And so after you believe, he says you will do the work that he does or did, which is to reconcile the people to himself. He's doing that work in us now. And then we're told in Ephesians 2 that God prepared these works for us. Says that in Ephesians 2-10, he says, for we are his workmanship created in Christ Jesus for good works, which God prepared beforehand so that we would walk in them. Well, what was prepared beforehand? The good works. The thing that God had prepared beforehand, we have been created to do those things. And Ephesians 1 tells us, as well as also Romans 8, that we are going to be conformed to the image of his Son and doing these things by who? By the Holy Spirit. So no, we were not saved by works, but we were saved to do his work. The work that Jesus did is the work that we will do according to his own work. Amen.


Welcome back to another animation analysis and today I want to take a look at the box assassin filled by Jeremy Schaefer. It's a crazy one-man project plus very talented people behind the voice and the music and the sound design and I want to take a look at some of those shots and sequences they're so good. Starting off right up the bat with the introduction where you have a camera move and a reveal of the character coming out. This already cracked me up just having the character fit inside the box and then the montage of where the assassin comes out of. Again everything comes with the camera move kind of drawing you in and it all comes closer and closer and closer. Let's love that. I love that little thing that comes out. So good. I'm shot with the intensity with the speed but also right off the bat it's just really well done. Already well animated all the details beautiful lighting and composition. Come on I'm gonna look at all that. So cool. That being a student project absolutely fantastic. And then bam into a cool transition too that it shoots into camera for a cut to black and then we get into an introduction of the main story. You can see with the establishing shot already this big in scale it's not a little tiny thing you got your atmospherics you got your environment effects you got a big set nice camera move a car animation too everything is there and establishes where we are kind of boxed in that shows where the characters are here and I love that too the introduction of a with this it tells us something how the character is just by closing the doors it's not like a nice neat closing both arms we don't know yet that he's holding something but it's just a cool this is a relaxed cool character it's a cool introduction bam then we see okay it must be a delivery person who's you got the menu or receipt you can see this here it matches okay this is character working for this company also love this I always talk about when you have the environment could be windy could be snow could be cold hot whatever the character should be reacting to it so it feels like the character is part of that environment and there we go he did that love this too so hand pose and how to lift this up but also starting the shot with a basically a walk and talk it's not the static shot the character is there's an interaction here there are changes of bottom mechanics there's movement there's a forward walk there's acting there's so much involved that's a cool first shot to establish a the character but also this is the quality behind this short and then we got reminds me of Voldemort got the introduction of the bad guys love that too just a little bit you can see this depending on what kind of monitor you're gonna watch this but it gives this character not enough room it's not comfortable space here and change his focus are we getting into a bigger acting moment with clean expressions clean silhouette nice poses nice moves and moments like that just the introduction of this is the characters of the weapons that's the danger that's involved with that'll relax pinky here's great still kind of staying hidden here with who the characters in terms of the face get the goons coming in ready for an attack and again you got elements coming in from the left from the right boxing him in making it less comfortable it's really nice framing choice there all the while the character walks backwards nicely frame two with the car with the highlights that we can really have the focus on this is the character here never forgetting that these are the elements of danger still not bother finding the character looking back below that to the ramp of intensity getting in getting closer ready to shoot the intensity in the face and then bam the first change ah that now triggers this guy to finally look we get a good look at the face and I love that too because even though we see the hands here for a moment you couldn't think was that just a ruse are the characters hands through the box and it's the character shooting but then you can see this like wait a minute no no no this is not what happens ah again it's the box assassin coming out here love that too is always ready regardless of how he jumps wherever it's ready against the target you like whoa what is going on and you get a slight look who the character is kind of nice look in terms of the render nice highlights even that I got a little change in the wrist movement in the gun still enough detail animation here we can see the full face you can see detail here that's animated and then and getting into a freeze frame there's voiceover so make sure to check out the link in the description with the actual youtube account and the Jeremy's twitter account as well but there's voice over here so actually watch this there's I'm going to skip this and fast forward and we're going back to him freaking out of this too good look at some physicality again make sense it's wet he would slip and again it's not just the one axis move somewhere it does move with the curve the complexity there of that run back and I love this too so it just goes into now the action you part getting into the car even for that you can get a little bit of a camera adjustment just for reframing but you can really sense how he opens up and sits down there's good weight in that and then we get into more cool actually moments here you can still see the silhouette that's nicely done too of this character here nice clean pose that's cool too I love all this I gave you frame there's something in there comes in there slightly hidden but he realizes that opens up the frame into just for now we see some highlights you see what's going on dodges that nice line here oh it just appears again out of a box is very consistent where that character is oh and I mean get to the back eye cool back eye design too come on the design the lighting the skin the facials but even a shot like this where this is the focus you still have this character here if you look at what it does it's enough detail to see where they're still detail animation here on the browse winding here the ease into even though that is off to the side there's still enough detail and all this and not just in the main character but even with the main character you can see all the subtle details and compression there you got your asymmetry in the mouth facial expressions everything is there is really nice detail in that animation there let's go back with little head accents there to flare of the shoulders lots of little detail there in moments like that too when he goes back and says as you can see how the body goes down a little bit and he has a little bit in the shoulder to push himself up and then as you want to say something he goes up a little bit you can see that as well with the eyebrows let's watch this see even something like that just there's always enough detail where the head accent fits the voice just the voice delivery you can believe that the voice comes out of this it doesn't feel like it's just pure body mechanics in the lips it just kind of gets copy pasted on where nothing else is being influenced love that too again just the framing as he comes in taking up a lot of room not giving him that much space making this a bit more threatening nice overall look and lining and composition and not just on characters but you get your sliding of the car you got the wheels turning the suspension moving everything here as detail that's it the look here as he moves over watching the guy on the left moves over like hey wait a minute what is going on changes you can see his expression changes to wait a minute this is cool too i really really like the shot too the composition in the camera move where it goes from car headed towards us with a slight lead on the camera we go underneath the car and then into this turn and away it's really nice let's watch us again here let's go back car goes back camera underneath the car nice slide and also enough weight on this it doesn't ever feel light or just not believable even on those little moves in that turn you can see the little up and down in the car and i had the car kind of leans and goes up here sound design is nice too and then with the camera move revealing bam this guy's still there so lots of complexity in the shots really well done really love this also lighting wise it helps with the fog that you got the lights are illuminating this area a bit more nice reflections just overall i'm just blown away by the quality of all this love that too where you have that camera reveal where we see focus on this character and as it moves over the chair reveals this guy still in danger the red light on him more shots with good head accents and moving all that even this on a move like this where you have what's your shoulder up leads and then you got that lean with the head for a nice arc you can really see that every shot has a lot of love in there same with this character how it transitions you got that flare on the nose coming in here almost with the chin first and as it goes up you can see that a little whining of the eye it kind of goes right with the knife and you can see like no blink no darts intense there again you got to listen to the sounds i love what that when he does this in the same way very exaggerated sound design i love this and that too he has a couple darts down here and you can hear in the audio where it goes and again you got to watch this with the sound but it tells you something's going on and you can imagine well it's going to be the box assassin coming out of a specific area wait for it as it turns around love this too great look and then get your freeze frame and voice over and scrub forward to reveal out of the tight space again and that's great too this little detail in the lids darts eye darts processing what's going on and then oh no into that cool as well as we can transition from a sound design of the shot into darkness and then come out of that with just the blinding of the headlights very cool also nice again detail just in the car watch this how the car and it is animated as you can really feel that the sound design is really neat i say opens up here your next physical shot as it comes out that's great too as the camera kind of reframes here and slowly comes out it's kind of like you know that something is coming out of that car and we transition to this showing yeah that was him coming out of the car nicely shot from below to give him a bit more of an imposing look again with the light get a nice silhouette there as well and then back into just the framing of you know to make someone feel small more in danger you got that bigger object coming in and taking up more space in the frame and then moves into a more friendly banter between the two realizes actually he's not in danger that's a cool moment to hear as he looks just that moment here when he stops looking at the guy a nice hand pose here your offside on the fingers and just that moment realize that he's gone see the lead up here with the eyes you got soft he's in on the eyebrows and with the eyelids you can see that look over and then cut to not there but also the camera moving back kind of like having us feel like this is the end of the shot as we're pulling away from that moment here but you got just enough of the hand here to see clean silhouette nice pose just everything nice lighting on that too and then we reach the ends with the boxes as entitled also cool transition into the credits i'm going to let this play out here with the elements on the left so not too long just long enough a nice style till the very ends and again using the headlights here for a cut to the end again really really impressive amount of work just in terms of storytelling the editing the look and the lighting the montage but also right away the animation of it all the details and again it's not super simple you have complex camera work you have vehicle animation you have complex body mechanics a lot of cool framing and composition ideas and different areas where this takes place so we have the loading dock here but then goes into the car and then back out here so again it's really really impressive work make sure to watch the whole thing with sound and music and go through the shots and analyze these frame by frame as you can see where it's really not minimal animation you have all really nice facial animation head accents lead ins with the head everything has just enough arcs and complexity just to make this really nicely polished you got your asymmetry in the face your offsets and nice hand poses in the fingers nothing is simple everything has a really nice look and style and feel to it the transitions are nice and how the character reacts to the dangers the environment is running as except before just everything feels very believable even moments like this when you realize that actually it's not that bad when you can see how he tenses up a little bit of shaking and then as you relax as you see the squashing here and as he relaxes the body goes up a bit the face relaxes just little things here and there just really really well done and I would say that's it congratulations Jeremy really really awesome work and if you're still watching until the very end as always thank you for your patience feel free to subscribe if you want to and check out the rest of the channel for animation lectures and rig reviews and product reviews and all kinds of things put free to browse around maybe there's something that you like and that's it for me thank you for watching