Around Dodge City and in the territory on West, there's just one way to handle the killers and the spoilers, and that's with the U.S. Marshal and the smell of gun smoke. William Conrad, the story of the violence that moved West with Young America, and the story of a man who moved with it. I'm that man, Matt Dillon, the United States Marshal. The first man they look for and the last they want to meet. It's a chance, they job, that it makes a man watchful and a little lonely. Those who think Young, pick the right one. The modern life one. Now it's Pepsi. For those who think Young, so go ahead and pick the drink that lets you drink Young as you think. Yes, get the right one. The modern life one. Now it's Pepsi. For those who think Young. I'm a working man. I have to keep a regular hours, you know? Then what were you doing in the long branch of two o'clock this morning?  Well, it means I make good money at it. Kitty, would you really like to see me settle down and run a saloon? You might get the like of it. All right, I'll do it. When? So... Good morning, Kitty. Hello, Chester. Yes, sir. What are you doing? Here's a letter for you. Yeah, thanks. The envelope says it's in Judge Rambo over in Wichita. Uh-huh. Anything important? Well, because Brandon Teak didn't file legally on his land over by Wagon Mountain. Did you say Brandon Teak? Yeah. Well, where did you know him, Kitty? Well, everybody knew him. Ron Aveline. Yeah, he had a pretty bad reputation then. Doesn't he still? No, I haven't seen him for some time, Kitty, but he's married and he's trying to prove up some land. Well, I don't envy you trying to put him off it. Brandon Teak never shoved very easy that I would call. Well, don't you have to evict him off? Maybe the judge made a mistake or something. No, I'm no admirer of Judge Rambo, but he knows his law. Well, we'll write out that this afternoon, Chester. Be sure your gun's loaded, Matt. Maybe I won't need it, Kitty. You want a bet? No. No, I guess not. If you don't ask me, Teak's went and built himself a mighty nice place out here. Yeah, it's been fun. All right, Teak. What brings you out this way? What's this all about, Marshall? That's just what it says. Well, I got my deed to this place. Yeah, but you failed to register at the land office. Well, now, nobody told me about that. Oh, sorry, Teak.  Brandon, who are you talking to? You, you stay inside, Sarah. It ain't nothing. If I come out. This is my wife, Marshall Dillon and Chester Proctor. I do, ma'am. Marshall? Is there trouble, Brandon? They say we got no legal right to this place, Sarah. I didn't register the deed or some fool thing. No. Now, don't you worry. Ain't nobody going to move us off. Law or no law. It's a court order. I ain't wore a gun since I got married, Marshall, but I can sure go put one on. Brandon. Now, Sarah, you... You can't forget your promise. Especially now you can't. It's all the more reason for fighting, Sarah. We're going to have a child, Marshall. Most any day now. Well, and we ain't moving. We ain't starting over. If we have to, we can do it.  Now, you think on it. I'm sure it'll make it easy on me, Marshall. What are you going to do, Tick? It's a hard thing for a man like me to swallow, but I can't go against her head. I ain't putting on my gun. Why don't you go in and tell her that? And when will I tell her we got to get off the place? There's no hurry? Well, what about that immediate eviction? I'll be responsible for that. Guess I ought to be grateful to you. No, no. No, Tick, not to me. Goodbye, Marshall. Chester Hughes. Bye, Tick. These things are mint there. I thought he was going to make trouble sure. When are you going to put them off? What's it doing? I'm going over to Wichita, Chester. I'll find out there. Arthur Godfrey time, for instance. You can enjoy quips from the redhead himself, plus the fine singing of Richard Hayes and the Mary Mayo singers with Dick Hyman in the orchestra. Genial Gary Moore will be joshing with his sidekick, Edward Kirby, on the Gary Moore radio show. Art Linkwetter's house party will play host to more merriment, and Bing Crosby and Rosemary Clooney will regale you with grand songs, grandly sung. Listen to a lineup like that five mornings a week, and you'll never have a blue Monday or any other work day again. And then Tick up his last trouble. He's putting up a fight now. True must be changed. I remember Tick around here. He's married now, judge. I expect I'm a child any day. A child? I told him that I could take their time about moving. Take their time? I was the victim at once, Marshal. I know that. Tick's been on that land over a year, judge. How come this business about failing to register his deed just came up? It was only recently brought to my attention. And who brought it to your attention? Lee Sprague. Not that it makes any difference. Lee Sprague owns a lot of land around Wagon Mountain. And he's filed on this piece, too. There's nothing irregular about it, Marshal. That's what you're thinking. Legally, I'm sure everything's correct, judge. Just guess it isn't my kind of law, that's all. There's only one kind of law. The way you see it, maybe. You can't argue with facts, Marshal.  Brandon takes a change, man. He's done more than prove up that land. He's proved himself up, too. Homestead Act, 1862. Paragraph 12 after one year of the deed to such land that it's not duly recorded that there's... Never mind, judge. I know how it reads. And start acting like a... acting the whole evening of U.S. Marshal in contempt of court, you know? Yeah, sure. I know. You've got a lot of power, judge. There's just one thing wrong. What's that? You never learned how to use it. It's bothering you, Marshal? I'm making out mighty well. No man can accuse me of ever doing anything illegal or dishonest. But everybody knows I've practiced. I'll go on practicing sharp, too.  What do you mean, his family? Well, there's a child coming any day now. I'm doing Tick a favor. You've got an awful easy conscience, Sprig. Well, there's no use arguing, Marshal.  No, Sprig, I'm not gonna do it. What? I couldn't hold my head up if I had any part of the kind of law you and Judge Rambo want. You mean that? Yeah, I mean that. You stand in my way, Marshal. You're in for trouble. Fully on him, Mr. Dillon. Yeah, you recognize him, Chester? Oh, sir, I don't. He's a stranger to me. Standing out in the heat of the day that way. Let me let Marshal Dillon settle this, Hayley. You got nothing to do with it no more. That's a trouble here, Tick. You told me there was no hurry about our leave in, Marshal. Wait a minute. Where'd you get that badge? Hayley, Marshal, Deputy Sheriff from Wichita. Wichita? How'd you get here? Well, I took the train to Dodge and then I rented me a horse. Answer me, Hayley. Judge Rambo sent me. I guess he felt the law needed a little enforcing down this way. He's got a court order, Marshal, just like the one you had. Plum legal.  Be out of here by tomorrow. Just a minute, Hayley. I can take care of him, Marshal. No, Brandon, there'll be no fighting. No, Sarah, I can't.  Let go, Marshal. No! Here's his arm.  Chester. Yes, sir? Jump on your horse and ride for Dodge. But that didn't mean to hurt her. You just keep quiet, Hayley. Nobody wants to hear from you. I'm still in there, Doc. Yeah. He's been over two hours. We don't look none do happy, do we? The baby's dead, man. There was a chance of saving the baby. It's her I've been working on. She's gonna be all right now, man. Oh, good for that anyway, Doc. Sorry, too. But you can't blame me for it.  Now, don't make me break it. Come on, Hayley. I'm gonna take you into Dodge with me. Now, look here. Ain't you forgetting I'm a lawman too, Marshal? I'd like to forget it. It doesn't make me very proud of being one. I come here to do a job, and I'm gonna do it. Soon as his wife can be moved, of course. Now, this is all over. There's no reason for waiting long.  I promise you I will. A man can take only so much. I'll be back. No, you won't. I'm gonna throw you in jail for a while. What? Take as soon as your wife's better you come and see me. I don't know what I can do, but things aren't going on this way. Foot from you? Now, stop Athlete's Foot from spreading through your family. NP-27 treatment roots out Athlete's Foot, penetrates below skin surface where others can't reach, even into toenails. NP-27 liquid stops itch, relieves pain, promotes healthy tissue. NP-27 powder guards against new infection. NP-27 treatment roots out Athlete's Foot, or your drugist will refund your money. You be talking to him, isn't it? I'd say so.  That's what he told me. There's a neighbor woman staying with his wife. Not that she really needs anybody now. Well, I'm proud to hear that. It's only been a week, but she's a strong woman. Oh, here we are. Oh, he did come in. I was a patient. Oh, pretty good Doc. She's being awful brave about it. I know how she feels. Only time will cure that. Yeah, I guess so. Uh, Teek, Miss Dondon's in the office. He warned you to go right on in when you got here. Okay. Do you help him with this, Marshall? I wanted to be sure that they weren't in a loophole. And there aren't any, huh? No.  But I warned her, I can only stand so much.  I sent Haley back to Wichita this morning. Teek, I want to tell you something. Ain't you sent enough spray? No. I'm a greedy man, Teek, and I'll take anything I can get. Talking pretty hard to me. Sure, I've been listening to him, too. Blame Teek, it's me. What? I guess I'd have gone right on, and I could have. She's that matter to you. My son, Teek. I lost my wife, too. Taking my land, gonna help you? You tell him, Marshall. Teek, he's not taking your land. Now that deed's in his name, ain't it? Didn't you go along to be sure he didn't make any mistakes? No mistakes this time. Sprig can deed that land to anybody he wants to now. All clear. Well, what about it? It's yours, Teek. You mean you're giving it to me? I'm not giving it to you. It's yours anyway. I'll tell Sarah. She was right all along. That's right, she was. Well, what about you, Marshall? Ain't there gonna be trouble in your jail and the deputy sheriff? Well, as soon as he gets back to Wichita, there'll be trouble. Don't you worry about that. I always wanted to see California anyway. Remember how relieved you were when you heard there was at last a vaccine to stamp out polio? Remember the early doubts and fears that it hadn't really been perfected? Those days are behind us. Areas where the Salk vaccine has been taken by substantial numbers of children and adults under 40 have shown remarkable results. But studies made last year show that the most susceptible group have been neglecting themselves. Almost 41 million adults under 40 years of age have not taken as much as one polio shot. Do you doubt that this is important? If so, please note carefully that after two years of rewarding statistics, in 1958, the incidence of polio started to climb again. The vaccine won't work on people who don't take it. At least three shots, spaced as your doctor or clinic recommends, is vital for maximum protection from polio. The CBS radio network and its affiliated stations joined the United States Department of Health in urging, get your polio shots. Get them starting now. For Houston, directed in Hollywood, by Norman McDonald, stars William Conrad as Matt Dillon, U.S. Marshall. The story was specially written for Gunsmoke by John Messon. Featured in the cast were Vic Perron, Gene Bates, John Daner, Barney Phillips Parley Baer is Chester, Howard McNeer is Doc, and Georgia Ellis is Kitty. This broadcast concludes the current Gunsmoke series. Next week at this time, the CBS radio network and its affiliated stations will welcome back the distinguished dramatic favorite suspense. The premiere of this new suspense cycle will be Alan Sloan's gripping original play, Call Me at Half Pass. Be with us next Sunday at this same time for the return to these stations of suspense. This is George Walsh speaking. That's Serana Arthur Godfrey, weekdays on the CBS radio network.


Hey everybody, Matt here for late in sports cards ripping 2022 Panini impeccable WWE hobby one box break, number five, random left side right digit. Here we go. Let's do the random. We'll randomize seven times. One, two, three, four, five, six and seven Ross T down to Ramar's a and seven times on the numbers. We have one, two, three, four, five, six and seven zero down to one. All right. Here we go. We have Ross T zero Isaac L four Eric R eight and three William and two Eric R six Logan s seven William and nine Tony Y five and Ramar's a one. I'll post those results to the website drop a link in the chat we'll start ripping. All right results are posted. Here's your link. Yeah, that's what I've been hearing Mike. Oh, it's so much better. Oh, I forgot. Here we go. Ramar's you might be in luck because I'm feeling warmed up now might be ready for the first one of one of the day. Maybe a metal bar there. Thank you. I'm just salty. They don't have the shock master. That was Hector Guerrero. Yeah. First up 17 of 35 Andre the giant seven spot Logan s one plus seven equals eight equals eight one of the world. eBay one of one. See what I did there. Nice Andre 32 of 49 shanky. Yeah, we have NT soccer starting at five that's NT Road to World Cup and also Bowman Sterling breaks tonight. This is nine of 99 Carmella nine spot. That's William in is auto three of 25 Rikishi go three of 25 three spot Eric are anything not PG this is auto 67 of 99 biggie. Nice one seven spot Logan s and auto this is 68 of 99 riddle 68 is eight spot Eric are and this is stainless stars auto orange. Indy Hartwell that is 11 of 25 11 is one spot Ramarze I know I didn't have the bro one so we had to use brother awesome Indy and here we go auto 62 of 99 Stone Cold Steve Austin two spot William in no stone cold awesome stone cold that is awesome Congrats William in so glad you guys are better than me yo this is a metal bar card that is one try ounce of silver Shinsuke Nakamura 35 of 35 that is Tony why man that was one hell of a box that'll do it for the break great stuff thank you everybody appreciate it we have number six up next


want to ask one starting couple of starting questions and then start handing over to the folks who are raising their hands. First to gather all the knowledge that you have just shared and a lot more that you have not shared today. Does everyone have to fly to Canada to take a course? That's an excellent question and I'm very happy that you asked that because I feel the reason I flew to Canada to take that course is no longer valid. I think with more people giving talks like this and stuff that gap is bridged. But a place where I find this is really confusing that there are these really nice technologies like CSS grid, for example, which is now a grid system that is beyond the scope of what I just presented. And it's a very, very sophisticated grid system that's in the hands of developers. And where the gap I see there is scope for bridging is that how does one package this tool for designers so that they know how to leverage these capabilities? Because I see a lot of these tools coming up like CSS grid and variable typography, which are mostly in the hands of developers with no input that designers should use them. So that's the only reason where I would feel like maybe it's good to speak that language a little bit. And yeah. So are you suggesting that designers need to learn a little bit how to code? I think there are more accessible things like say, for example, Jen Simmons makes us saw these series of videos called Layout Land. Yeah, so in the topic of grids itself, it's a YouTube channel called Layout Land. Honestly, I eat lunch to this person talking about grids. So how she speaks is she speaks about grids like this. She speaks about this. And then this comes here, the stacks like this. So the way she speaks is very, very visual. So you can actually find people who speak that language also. I would say like if you now want to know how to kind of like do grids or anything, it's always there. It's available, I feel somewhere. But I just feel there's a miss that there are certain technologies that are written only for developers to understand. But at the same time, like for CSS grid, the closest thing I've come to exploring that works for designers is webflow. They have a very nice like grid engine that you can you can kind of if you're a designer and you want to understand how CSS grid works and stuff, you can kind of read, maybe see what's layout land and practice on webflow to just see how things work. Right. So for those who are asking, Jen Simmons is someone who is, I think she was also a part of the working group for CSS grids, if I'm not wrong, definitely very closely associated with the people who are building the standards for design related things. And she goes on around the world giving a lot of talks. And I think during the COVID times, she's making a lot of videos as well. So do follow Jen Simmons work in this space. That's that's a very interesting. She's a very interesting person to follow and all the information that she gives. All right. And one more question I'll ask and then hand over to others. Do you start with the designs first, or do you start with laying out the grid first before you do the first shot and design? I always start with design first. For me, it's always good to say for example, the article detail page. I kind of at that point, it's I have this play. I would like you to just elaborate what is article detail page. It's a vocabulary that we're comfortable with, but not. So, okay, I'll talk about the article listing page that I spoke about earlier, which an article listing page would be any group of similar content that's presented in a screen. So it could be like a listing page could be a search result page, which kind of lists out different types of content. It could be a blog listing page where you're just showing a lot of blocks together and stuff. These kind of things when I know because what precedes the website grid, the grid part is a visual language presentation where I'm exploring like the visual attributes of the brand and seeing what typeface is kind of like would work for it and stuff like that. So you would want to kind of lock in your typefaces, maybe your colors because if you're working on like black, dark background versus white background, the amount of space you might need would be kind of like different. So I think it would be good to lock on like those physical, like visual attributes like color, typography, a brand elements, all of those things before you kind of like do the grid for sure. Do the grid bit. Okay, that makes sense to me and I hope the audience also benefits from this. I start taking a few audience questions and later on come to a few of the other questions that I have. We'll start with Avani first. Avani, I'm going to unmute you. So please ask your question. Hi, hi, everybody. Hi, Ansa. Hi. It was such a great session. I got some amazing insight. I had one question, you spoke about prioritizing your design for a particular device based on the audience that uses that device. So and you put, like you showed us some graphs which had like really precise percentages of users on how many people used the desktop and how many people use the mobile and all of that. So I wanted to know how do you go about finding these statistics? How are they derived? If they are the key statistics based on which you define your approach to designing for a particular device and how do you go about that? So that usually applies only for only for website redesigns where the website has been around for years and years and we have access to their Google Analytics panel. So these screenshots that you show are directly from Google Analytics, which allows you to which allows you to measure exactly how much how much of your audience comes from these different devices. So it's mostly for website redesign. In a case where I'm doing a design for a company that does not exist at all, the way that we would prioritize is by holding a discovery workshop, finding out who's their audience. Suppose they are like millennials or like, you know, and they're like, or whatever, like if there are certain kinds of users, or if they're like really, really, maybe in villages or something like that, you always know that maybe these are mobile only users, you know, they're not even it's not even mobile first users, they're like literally mobile only users. So the way that you might arrive at this could be either by guesswork through a discovery workshop or through actual data coming in from an existing website that you're redesigning. Let me let me add something to this answer as well, because having a data for a website that is there has been for a while has its own. I mean, you will always take that with a little bit of a pinch of a salt because a pinch of salt because the data might be skewed because the design is not enabling mobiles to use the site effectively and therefore more desktop usage is happening. Such a thing might also be possible. So you should keep those things in mind rather than just taking that data and start applying that to your work. At the same point of time, it's also good to have to always keep a check on what the web trends are. And there are lots of studies that are published every year, updated every few months and all what is the percentage depending on which country you are designing for where the audience lies. What is the maximum like in India? I think at this point of time about 65 to 70% of web usage is happening on mobile versus only about 30% usage happening on non-mobile devices. So such data points you can have are there publicly accessible, which you can also take as an input to decide where you want to focus more. All right, so I will move on to the next question, Akshath. Akshath, please go ahead, ask your question. Hi, Akshath. Hey, hi, Hamza. All right, so my really great talk, super insightful. So my question was actually about designing for iMacs and like the really big screens. Usually when designers do it, they stop at laptops and desktops and not really design for iMacs. And it's mostly an afterthought a lot of times. So I wanted one and that really affects from a developer point of view, because like you mentioned the use case to I guess where the background stretches edge to edge, for example. So now what happens is that the way if I'm designing my sections, where I'm putting my container class directly affects how my backgrounds look. So if after after the desktop design is done, and then we do kind of an audit of the design on an iMac and we realize, oh, it's not looking good. We need to make the section stretch from edge to edge. The developer will have to literally remove containers and probably put it as a subcontainer like he'll have to refactor his code to get that design in place. So my question was that as a design process, is it recommended? Or like how do you go about designing for the bigger screens? Like do as a designer, do we need to have the discipline to always make sure to test your design on a bigger screen before handing it out off to the developer because otherwise there will always be this back and forth on you know, an added work that gets added after the design is done. I think that's a really good question. I think I can answer particular slide also, which is say, for example, this, right? When I design, so one thing to do is like, I can probably like give this as a sticker sheet also to just tell people to kind of just say that you know, when you're designing like not this part, but the case A, case B, case C, so that like the next time you're designing with a designer, you can probably show them these three things and ask how does how should your things scale? The usually B and C are not going to be an issue. But when they're scaling with case A, they might need to give you additional stuff as well. So I think this would become this is good potential for the sticker sheet for future projects for you. But to just answer how I scale, I work myself is anytime I'm kind of designing, I have all of these four views always in my so even if I'm just doing like design on desktop, every page of mine has all of these four grids that are there. So sometimes what would happen is that I have a certain element that I know that is going to scale to my large desktop in eight columns similar to this, but I just want to test it. And I would just push it over there, test it and then kind of come back. So at no point am I only seeing one screen, it's always seeing like these four screens, even if I don't use them just to be cognizant of it. So I feel the two things and I completely understand your pain about introducing that wrapper after this thing, it's a proper pain in the behind. So I completely think that these things need to be solved for before. And that's kind of why even this came to be like because I do notice that this is a problem a lot of people have. And yeah, I think like to kind of show the screen to your designers and say, tell me how the scales and to ask them to and if they're designers around to kind of always be cognizant about these four grid system should be good. All right. So I think, yeah, I think that really helps. I really wanted to understand from you. Suppose you don't own an iMac, you can't afford one. That's a statistic. That is an example. What's the recommended way for you to test your design on an iMac? Is there any recommended tool that you use to do that? I usually just zoom out to like when I just zoom out or like if I if there's something specific or like it's a Windows machine, I usually just ask a friend, I would know a friend who has a Windows machine. So sometimes color, like especially grays, I will send it to them allows them to take a photo with their camera and stuff like that. Like, so a lot of this stuff happens. And with the camera does that work? Once it was terrible because I use a shade of gray which you had like, which I saw as gray, but like, because I was on a Mac and then the clients kept saying but this green that is there and I kept thinking they're saying gray wrong. And then later on they told me they're actually seeing green and when they took a picture, like the gray actually appears green. That was a huge lesson learned for me. So for me, it really helps to just call someone who has like a large monitor and says send me a screenshot from your legs. So that would be the easiest way I feel. Yeah, going and going by the trends, I think the larger desktop thing, if you can ask for the grid right up front, that can be the best way to make everything more deterministic as a handover from the designer, because not just the last desktop, I think the tablets and many the portrait and the landscape orientations that you talked about, Hamza, many of these things become an afterthought. Like, and I think the starting premise that you started off with, which is we do think of the mobile and the desktop design is something that I would often question because I encounter lots of designers who start off with one and that's usually the desktop. And that's where you start and you're not even thinking the mobile because you're so focused in laying out and getting your creative juices flowing for the desktop view that you're not taking the mobile as standard. So that itself, which started off as a premise, I would say something that needs a good degree of self-awareness when you get into a project that take these two things at least and start off always. And that's an important bit. They just let's take, they just go ahead and ask your question. Hey, Hamza, I wanted to understand a little bit more about if you could go back to those five or six columns of different typefaces that you had selected. Oh, don't get me started. We have a session. Hopefully on that. Just give me a second. So two things here. One. Oh, sorry. Is it auto play? No, no, no. I, by mistake, skipped. Yeah. Yeah. So, so two things. One is how do your line heights and this block of typography and weight of it, like visual weight of it impact your grid system? I wanted to understand a little bit more about that. Specifically, your graphic and second thing. How, how do you factor in the baseline grid and how do you relate it with your column? Okay. Cool. So, so the first question is about, like, how does the typography itself dictate the grid, right? So, are normal for reading the best kind of, like, amount of space to give us about 10 words, 10 words, like a line, right? So say, while these are all equal widths, if I had to kind of, like, create, like, a 22-point size, which is what this is laid out on, in the same width to have different, to have 10 words each, to fit 10 words each, all of these will have different widths. So that is one thing. And the other thing is that the line height over here, like, when you, when you have, like, a little bit of a lighter type phase that has a slightly more breezier line height, the amount of space you would need on the right and left of it become a lot more. Whereas when you look at something as condensed as this, which is, so the different attributes at play here are the font thickness, like the weight of the font. So whether it's like a bold, medium light, whether the line height is slightly like kind of grand and suppose the letter forms itself, are they a little bit more like condensed versus a little bit more wider? So when you have all of these three attributes and you equate them, you realize that, like, when you squint your eyes and see, this kind of appears like a darker block than this block. So whenever it's a lighter block, you will need a little bit more space for around it. And hence, this kind of dictates the gutters in which you lay them out. So because it's a denser block, you would need a slightly lesser gutter, but when it's like a, like when you have a font that is slightly like lighter, you will have like a breezier, you will have a thicker gutter over here. Quick, quick, quick follow up on this bit I have, Hamsa. Is it also, does this dictate how far someone is from the screen to comfortably read as well? And that is why the spacing between the blocks can be, if you're too close, then the spacing obviously appears more if you're too far than you need more spacing around it to make, to distinguish the two blocks of text. Is that also a factor? I think viewing distance would be a factor for sure. And that's why like when you're doing it with, like it would be a factor, but I don't know how much it would be a factor. Here I'm saying in the same viewing distance, two typefaces would have different gutters. But maybe I'm saying that two typefaces automatically dictate what the viewing distance is going to be. So sometimes you pick a typeface and the viewing distance, someone will hold it a little away. And if, and the dense fonts, you would probably bring it a little closer to read it. Yeah, yeah, yeah. And also that's also how like display typefaces and body typefaces work as well because of the viewing distance. And that's why they used in slightly larger typesize because display typefaces don't have to have the heavy lifting of legibility as much as like the shorter, the smaller typefaces need to have. Right. Another question they just said. Yeah, baseline grade, right? Yeah, but I still had a like small follow-up on the previous page if you could go back. Oh, okay, okay. Yeah. Okay, so on this, I like, this is a really today I learned thing because I would think the exact opposite. I would think like a heavier typeface needs little more gutter and little more spacing around it because it's already very heavy. Like it on that screen area, it's already looking a little bit heavier. My assumption was that it would be exactly opposite. Like with heavier things, you would need slightly more air around it was say the typefaces which are already light. It's already light, you could like be a little bit a little bit tight with your margins and other spacing. Okay, okay. Yeah, good TIL. Now we can move to the next question about how that relates with the column and margins and like your overall grade. Okay, so that's a really good question. And it's, I have a slightly controversial opinion about baseline grade itself. I use something, baseline grades come from a print point of view. And I... Please explain the terms as well, Hamzad, I should agree. So a baseline grade kind of helps you draw lines below. Like it kind of say, for example, a four pixel baseline grade would mean that your entire vertical height is divided into rows of four pixels and every content that you have sits on these rows, right? So a lot of the way that baseline grades work is that content sits only on these rows so that the motive of baseline grades is that there is vertical rhythm. Now I was, I am still a very heavy advocate of baseline grades for print because you're looking at the canvas in its entirety and you're kind of looking at your flipping pages and looking at everything in its entirety. So I feel for things to sit exactly where they're supposed to sit is an important thing for print. But for where I've found a difference in opinion is that I like to use a modular scale rather than a baseline grid system where I'm creating vertical rhythm but I'm creating it with a modular scale. And I think a link, if you just Google modular scale you'll see that, so suppose you go into say a Microsoft word, right?  It has, when you open the dropdown it has 10, 12, 14, 16, et cetera. It has all of these different types, says that it goes all the way to 96. The reason that it has that is because Google has defined that that is the modular scale for all of its Google products. So the same way what I do is when I have a typeface like say for example I have, I'm using Railway for a project or Roboter for a project or something new for a project. I realize that the same scale that Google is providing me or the same 12, 16, 24 scale that life has provided me does not work too well. So what I like to do is go to modularscale.com I think and calculate a scale that works really well for my measurements. So that's kind of, that's why I don't use baseline for print basically. If you were to replace the phrase, like I think I've used it wrongly. If we replace the baseline, the concept of baseline grid with say modular scale. So you have a vertical rhythm, right? Yes. Is there a way to utilize the same vertical rhythm or create a relationship between that vertical rhythm with your column bits, like your overall vertical horizontal bits? That's yeah, that's a good question. So the only relationship that I would kind of build in this thing is where if I want someone to read things from left to right, I would keep lesser spacing between the contents like this. Whereas when I want someone to read something from top to bottom, I would spread out the horizontal space more and keep more tighter vertical spacing over there. So that's the only way. The reason I would do that is because of an intention that I want someone to read something or consume something in a certain way. So if I wanted to do that, the way I see the relationship work and it's not consciously at work anywhere else, but the way I see it consciously at work is suppose the gutter then becomes that thing for me to know that, okay, this is the space between these two. If I use a space lesser than the gutter for a vertical thing, that would mean that people will read this first instead of reading the horizontal thing first. So for me, it's more to do with like the relative, what is the space I'm using vertically relative to the gutter spacing that is there. Understood. So for example, your line height is like say 32 pixel or something, but your gutter is 24, right? Like two columns is 24, but your paragraph line height is 32 pixel. And then to maintain that, you're also adding a margin at the bottom which is 32 pixel. So your horizontal blocks are far apart than your vertical two things next to each other, okay? Yeah. That's some designer geeky happening right there in between the questions. Okay, we are at 12, 16. We want to be ending this session in about 10 minutes or so. If there are any final questions, please drop a text on the chat or please raise your hand. I have a couple of questions that I want to close off with. One is that I want to definitely take up or discuss that point which you started off with, wherein you said that 12 columns start with 1200 pixel. It's so easy to divide 100 pixels per column. Does it really matter? That because eventually what we saw was you were directing everything from the Guttall spaces and the margins. And in some cases Guttall and margins were also equal in the desktop space as well. The columns just figured out for themselves, right? So can we make the 1200 pixel decision of whichever viewport you're talking about independent of what is actually the number of columns? Yes, yes, completely. I think it was more for the, I should add that that easy multiplication was the purpose of this demo. I think it would have taken something like 1366 or something or I wouldn't, yeah, like it would be a little bit more complicated. So it was mostly the 1200 was an arbitrary number taken for the purpose of this demo. Right, so if you come down to that slide where you had shown all the views and the ranges 506 to 900 pixels and stuff, I think there's one very interesting thing that I do want to highlight in that because that is something that we had learned and discussed that also sometime back in a project that you were doing, then next one where you show the breakpoints, defining the breakpoints, yeah, perfect. So one of the things that in these breakpoint decisions and I don't know how you go about taking this, so please follow it up with Hamsa, how you decide eventually where should the breakpoint be? You suggest a 900 pixel breakpoint over here. So there's a one at 500, one at 900, one at 1200 at this point of time, at least what I can see as breakpoints. And what we had learned a few years back was pick breakpoints where a break in the screen is least likely to happen. I'll just invert it in a way that when we started out doing responsive design, we would always take 320 pixel as the mobile width and we would pick a breakpoint at around 320 to 360 pixel. But what we realized and learned by around 2016, there was a very interesting article that had came out and they said that because devices vary a lot in sizes, you can't pinpoint and say that a mobile width will end at 320 pixel or 350 or 360. It's better to not have a breakpoint where common device ends. Better to have a breakpoint where a device, a standard device is least likely to end. What that imply is a larger number of mobiles will fit into your mobile breakpoint. And which is why a choice of 500 over here suddenly makes a lot of sense to me. Instead of say 360 or 400, where lots of mobiles will start ending because 500 will safely take in all mobiles together in one of those things. And as a result, we have started doing our breakpoints at around about the things that you have pointed out, like around 500 or sometimes 600 and at around 900, at around 1200 or more rather than the standard sizes of 320 pixels, 768 pixel, 1024 pixels, which are the common points that we always use to follow earlier. So is this a deliberate thing at your end as well, following the same principle or are there other reasons for... No, I think you forwarded that article to me in 2017. I think that's how this came from as well, where like that article also made a lot of sense. So I think this came from that project that we were working on together where... I'll share the link of the article on the chat window, just in case anyone wants to just further... It's a really nice article. Very nice article. What about using... Oh, sorry, sir. Yeah, go on. Content as a... How about using your content as a guide for your breakpoints? Would you take that question? I think this is mostly to do with... The thing is, if you go into the content bit over here, I think the way that this would break, like suppose the 12-column thing, the way this entire principle would change is that if you have a 12-column grid, if my 12-column grid threshold does not go down to 900, it goes down only to 1,000 along with all of my typography from mobile, it basically depends on threshold also. So if you want to pack a lot more content over here, but your 900 is not going to allow the same layout to happen, you need to tweak it, and that's when you put elements on this grid to test it, to see whether that works and then take that call. But this is basically to do a lot with the threshold of how your components can hold up in a grid like this. So if I know that 1,100, for example, like Sawvik mentioned, that 1,100 or 1,024 is that breakpoint around which I need to break. So I want to ease down a little bit before that. So maybe I will go up to like 1,000 to kind of make sure that, like this number could go up to 1,000 just to make sure that this content is sitting well over here. Does that answer well? Digas, there's also one more question, Hamza, on the chat if you can take a look. So Selvain asks, is alternate way where you start by defining total content area and then derive gutter margins in relation to that, also a legitimate method? I haven't tried that actually, but I think for me it would be a little difficult to, I think it would be great to do that for single page websites and stuff, or I'm just seeing my, if I had to apply it, but for a website that needs to be like a design system where I want developers also to kind of like take, be a little bit more freedom once they have freedom, free to kind of dictate how things work and make the entire thing a little more predictable, but I honestly haven't tried that approach. So I wouldn't know the way of defining content area and then defining the rest of it based on that. Right, makes sense. Sometimes it's very hard to define a total content area. I think that also might be a challenge in many ways. Coming back to the breakpoints bit, one of one other popular method earlier used to be, start with the mobile and keep expanding it until your design breaks. That's when you select the breakpoint. So that is something that we never mentioned or talked about at this point of time. So do you follow that idea at any point of time that keep stretching your design and introduce a breakpoint only if required? If I don't have any device priority of tablets, like in a recent project, like tablet was a little bit of a priority. So and for that, like I wanted to make sure that as much as I can punch in of this view as possible in the landscape, and I wanted to intend it so that the portrait kind of is working with the mobile thing because I knew this can't scale down. But if tablet is not a priority, I would defer to seeing the threshold of how much the designs individually can hold up for that thing. But if we are thinking, I would go about it more intentionally and say that if we are thinking about the whole system, why not think about what that experience would be? Because once you start visualizing it, there's lesser guesswork. And I feel as a designer, it might be better as the process because they can't visualize the threshold live until they see it in code. Okay, makes sense. Cool, one more thing. Do you still work with pixels? There's a lot of pixels that we are talking about. And what about the newer units that have come in and see us? So yeah, I use like the newest unit I've used is CH which is like the dictating the number of characters that you can fit into a content type. Like so sometimes I actually like put that the width of this should be like 240 CH, so that I know that it's going to take the width is defined by like the content like they suggested. But I like pixels because it allows me to kind of dictate whatever comes from here. If I want to do it with viewport width or anything, it kind of comes from this native understanding of, okay, these are where our devices lie and this is where it comes. So I think at least so far I have defined stuff like this, like the breakpoints by pixels itself. So do you feel that this is also a way in which we are getting jailed to certain ideas that were important before and the world is progressing just like the points as a unit has something that has lots of designers really consumed because for the largest part of their work life, they have been using that as the unit and then we moved on to different units and from pixels also we are moving on to different units and maybe the next generation of designers will be like, who uses pixels? But you know, I also feel like this is a development thing as well. So like suppose I'm giving the handoff like this. Suppose someone gave me as a designer and they gave me a handoff. It would be my discretion also to say that, okay, this 500 pixels, what if it is like 50 REMs, you know? So I think it would be more like that because I actually define everything with REMs in my code or when I'm doing it in design for me, the more native thing, even though I'm familiar with REMs as a developer is like pixels. So just to summarize what Hamsa is saying, while as a designer, you might still, one of these very defined units like pixels which are static, unchangeable, not flexible and fluid units, you might start with that when it gets translated into code, then probably it should convert into relative units or some of the more modern units. Is that a right summary? Yes. Okay, got it. Do you think that all design components, all components that you're designing after you've decided the grids need to always map to the grids? No. How do you break the rule? I think it's also to do with practice a lot. I don't know how you can jump the thing of not adhering to it and then breaking. Even today, if I had to break it, I would foresee if there's a way to work with the grid before I break it. For example, I had a 12-column grid recently and I had to do a five-column people page. So in that, the grid that I used was a custom one, like I just defined the start and end of that content type and said, now divide this by five columns. I didn't literally use the grid, but that's because I found a use case only in that page where it made sense to display five things in a grid from end to end. So that's one place. I also think that you need, you cannot rely on, that is one way of where your ambition is greater than the grid, but I also feel the grid is not enough. Like you need MaxWidth, you need MinHeight, you need all of these things to make sure like your components are working as intended, even if the content in them are not as much as what was there when you designed it statically. So I feel MaxWidth is really helpful for text where you want to make sure that the text, like when I know that my font size is going to be 22 pixels and I know that it's going to, if for 10 words to fit, it needs to be 70 to 720 pixels wide, I would always set that with, I would set a MaxWidth to paragraph so that when it scales up, no matter how much, if the grid scales to 900, my text will stop, absolutely makes sense. So my last question, which I'm changing a bit because my question earlier, my question was about handing it over and talking grids with the developer and you had given a very nice way in which a handover can happen with a developer. It is by far one of the best ways I have seen a handover can come to us if we were developing a site. So you've kind of addressed that question. So I'll just change that a bit. Have you ever tried having conversation of grids with clients and has ever grids been a developer to, are deliverable to clients? And how else that turned out, if at all? Do clients care about grids? They haven't, they don't know about the modular scale I use. They don't know about the grid I use. They have no idea. Like, and the fun part is like, that's where most of the world goes, you know? So for me, it's very invisible, like the client, because I don't expect them to have an opinion about it. Yeah, so this has mostly been something between the designers and the developers who have had to always figure it out. All right, thanks a lot. We are almost at the end of our time and for our session. It's really, really great to have you, Hamsa. It was a fantastic session. We are planning to do a few more sessions in the future. I am not like Apple, who will keep everything under wraps until it's launches. But I will also say that we are trying to figure out how can we have a typography-related sessions with Hamsa and also maybe have more involvement in that from other designers as well. If any of you are interested, beyond typography also, if any of you are interested in knowing any other aspect of web design, want to pitch in a subject area where you can come in and have a conversation like how Hamsa did, please go to hasgeek.com slash content web. Over there, you can either put in a proposal, you can also directly reach out to hasgeek or to me and we can have a quick conversation because we are lining up these sessions from almost every Saturday.


Internal revenue services are as tax news eligible seniors should take advantage of free filing options this tax season Speaking of seniors. Did you see that state of the union address? Of course not You know, they need to work on their marketing over there, you know, like for example They need to be more specific if they're going to sell this thing I mean state of the union. It's like which state are you talking about man? So the the union has a whole bunch of them in there I mean, that's like saying we're going to talk about the nut in the nut house It's like which which nut which nut the house literally derived its name from having a whole bunch of nuts in it Now If you chose another house One not generally thought to be filled with nuts like oh, I don't know the white house for example Then people may be able to pick out the specific nut you're referring to you know Oh, I know I know the white house is filled with almost as many nuts as the nut house like okay It's not a perfect example, but I'm just you get the idea specificity specificity. That's what's needed here Anyways, I mean honestly, how is it possible? Joe biden can be so fluent in lies without being fluent in english What are you doing part of yes way back? I can't really understand much of what is being said. You tell me come back to Kettering. Mr. O'Neill Tell me Mickey. How are you? Very well. It's been kindest for the past.   I think so let's do that Just give us your money back and you can keep your car over I r s tax tip 2023-16 february 8th 2023 Seniors and retirees who want to file their taxes for free or find free in-person tax help can look at a few programs available For eligible taxpayers in-person i r s help for seniors and low-income taxpayers Eligible taxpayers can also have their taxes prepared in person for free through these two programs You got the tax counseling for the elderly the tce program prioritizes taxpayers age 60 and older tce specializes in questions about pensions and retirement related issues unique to seniors Volunteer income tax assistance the vita program is generally for people who make $60,000 or less People with disabilities and limited english-speaking taxpayers So note obviously when you're looking at different peoples or categories of people's taxes There's going to be different needs in terms of how you're going to deal with the taxes When you're dealing with people that are still in their working years Then you would assume that you would have like w2 types of income and that kind of stuff and possibly earned in Income tax credits child tax credits and those kind of things when you're talking about People that are past their working years likely you're not going to have as much w2 kind of stuff But instead be dealing with you know pension plans social security And savings and you know that kind of thing As well so uh when you're picking the best option to get advice from you might want to be taking into consideration These two components so that you're going to a place where hopefully they have the specialized needs for your particular Needs and your particular Circumstances if you're looking to volunteer at one of these two kind of programs Which can be a good way to get experience and whatnot Then uh again you might want to think about which one would be your best suited for in terms of your Knowledge and which ones you'd want to most learn about and get more experience within So taxpayers can go to the irs free tax preparation page. There's a link to that here It's on irs.gov and use the available site locator tools to find a tce or vit a site near them irs free file many seniors and retirees can file their taxes for free with irs free file available irs.gov Forward slash free file. There's a link to that here the program offers online tax preparation software for taxpayers With income of 73,000 or less in 2022. So this is in essence an option for basically everyone Seniors included it should be able to handle the kind of needs of seniors It's proprietary software that has a deal with the irs to be on their page that offer deals that might be Good or possibly free if your income is below a certain threshold The top threshold is 73,000 that doesn't mean all offers will fall under that category But um, they have at least one that falls under that category. And that's why they use that threshold So uh through this program a public private partnership between irs and free file Incorporated leading tax software providers make their online products available for free This year, there are seven products in english and one in spanish s spanyol There's a link to that here each irs free file partner sets its own eligibility standards based on income age and state residency So the actual softwares themselves are going to set their own standards their private software the tool on this irs website Kind of helps you to sort That your particular needs what you want to do is say hey does it do I get it for free Is my income below the threshold to get it for free obviously number one Number two does it cover the state that I need it to cover that is going to be an important component And does it include the kind of needs that I might have with regards to credits For example the earned income tax credit is a complex credit even for software to calculate Sometimes the software doesn't do them for some reason. They try to take remove that under the free file option But many low-income individuals would be Good to check if you if you can get that credit. So you'd kind of like software that would pick that up So tax camp payers can browse Each of the offers are used the irs free file lookup tool to find the right product for them The program software supports the most common forms that can be filed electronically including the form 1040 s r There's a link to that for seniors over age 65 Program providers also offer state income tax return preparation some for free and some For a fee some for free some okay taxpayers can use the lookup tool to find the right state product all program products are Enabled for mobile devices so software can be Use their smartphone or tablet to do their taxes now. I think that's just crazy just lunacy to me But sometimes all you have is your cell phone. Maybe if you don't have access to the computer I would think that would be quite a small screen. My eyes are not good enough I only I and I don't trust those those cell phones and tablets in the first place So I try not to use them. They're they're evil. I think but maybe not I could be wrong And uh, yeah, so if you can do it on the cell phone if you're comfortable doing your taxes on the cell phone then Uh, check that out. That's an option free file fillable forms Well, I as free file has an income cut off taxpayer with income over 73 thousand can use free file fillable forms Most people I wouldn't recommend doing that because that's basically doing your taxes by hand If your income's under 73,000 There's no reason to do that because you can probably get access to free software And that would be far better in terms of an internal control and a check On your data input to make sure that you're not making any data input errors And there's also other kind of tools that can help you to fill out the tax return Other than box by box on the actual form if your income's over 73,000 You're probably getting into more complex area on the high income side of things And in that case, I would at least buy the software. So once again, you have an internal control instead of doing it by hand Or actually hire a professional that's going to help you not only with the current tax preparation But with future taxes and and budgeting and tax planning because your income is getting high enough to the point We might need more complex kind of tax planning at that point in time I think the reason the iris always has to point out the free file fillable forms Is because they like to be able to say that they have a free option for everybody But I I don't think that is the same thing as saying that, you know, everybody's, you know, you should Do the free file fillable forms because there's probably a better option For most people but in any case it's available if you if you'd rather I think most people that use that option might use it because maybe they don't have access to a computer They don't want to do it on their smartphone or something like that or they don't they still don't trust online The the software or whatever. So maybe Maybe the free file fillable forms will be more secure in their mind or something like that Or that's why people might still file a paper return I believe as opposed to maybe an electronic kind of return in my experience But in any case Fillable forms don't include a guided preparation So taxpayers need to be comfortable completed in their own tax forms Certain veterans can use the mill tax. So you got the mill tax online software So if your income is below a certain threshold And you're in the military then you might be able to qualify for either a mill tax or the free software In that case, I'm not sure if the mill tax is better than the free software because I would expect Most of or a lot of the the free software has the options necessary for the significant differences often there For people in the military But uh and it's proprietary So you would think that it's competing on the market Whereas the mill tax is being created from the department of defense Which means it's not really competing against other software. So i'm not sure if it's going to be You know keeping up with basically the the the changing technologies and how easy You know the ease of data input and that kind of stuff, but maybe it does I don't know But you might have both of those options available to you if you're in the military and your income is below that threshold So mill tax allows eligible taxpayers to prepare and file their federal income tax returns and up to three state income tax returns for free Now that's a huge option with the mill tax right there because the military You might end up Finding yourself in multiple states possibly subject to multiple state taxes because of moving around and whatnot and a lot of the limitations on The the private software is going to limit the number of states that you can that you can go to You would think in terms of their deal. So if you have multiple states that you're dealing with That might be a differentiating factor to push you over to get the mill tax, which is a free Which you could still get the free option For it. So in any case you could check those out. There'll be a link to this in the description To do so


We started to bop it, you know. And he saw me as an opportunity to have a big brother. His mother had already put the mandate out. I talked to his cousin the other day, she's like, Donda told you to stick with Cayenne and protect him. Are you been doing that? I'm like, to the best of my ability. Just be, you know. And the reason that's big is because she's speaking from a different place now. Mm-hmm. It's on a whole another level. I do know that. And so I know, because I got calls like that to where it, she ain't even got to see it. Mm-hmm. It's already, it's already been spoken to you. No question. Constantly. No question. You live in it. You're trying to figure it out every day. And that's the whole game when something, because it's speaking from a different place. It's heavy, bro. And I know that. It's heavy. Yeah, we on Boss Talk TV. Shout out to Ihi, the reason you see me. Wow, I want to go back. I want to go back to just how you and Cayenne even linked up.  Yeah, physical. Bucket nose, you know what I'm saying?  Now all of a sudden, you in a studio with a guy who produce, producing. That's what I want to know. Yeah, it's crazy. I met his mama and she was, I was introduced to her through, I want to call his right name, but it's Oscar Brown, the third Oscar Brown, junior son and Koresh Ali. Okay. Koresh Ali, his chosen name. And they had did a McDonald's commercial. Okay. And a lot of people in the spoken word and poetry and conscious community was upset about that.  That's where I'm from. That's real. Cause y'all ain't paying him. Y'all ain't selling him. I don't see y'all buying all his tickets at his motherfucking show. That's real. I don't see y'all buying his book out. Y'all ain't buying his motherfucking album.  No, that's real.   I'm not with that. I'm not on that. I don't believe in that. So every time he would be somewhere, I see a flyer. I would go. If what, hopefully it costs 10, 15, 20 dollars. I'm going to pay. Show up. So they had an event and Haki Matabuti, who is somebody who is an author and he's big time for me in the poetry world. As I got into the poetry world, his assistant introduces me to Don DeWest. And I talked to her.  I ain't say this stuff. Like I'm a black piece stone. I say, oh, dope. I shoot people. I got 80, I got 80 some arrests on my record. That ain't what, I ain't giving her that portion. You see what I'm saying? I gave her the portion that's going to make her leave and lean into it. She said, I got a son that do music and I want you to get around him. His name is Kanye West. I said, yes, ma'am. Because, you know, I got mother hunger. You know, I'm starving for a connection. And every, all of my friends, they know, if you got a mama, I'm taking over. That's my mama too. Now that's all right. Everybody know. I mean, Devon know, Carl Thomas know, Common know, all my friends know. You got a mama, we share her now. That's hard. That's hard.  That's real. I want to ask you about the fact of what phase was this Kanye? Was he, had he done it? No, no, nothing. He hadn't done nothing. Let's talk about it. So, you know. So you went to meet him? Yeah, Mama Donda. Well, before I went to meet him, I hadn't met him yet. Mama Donda had had a relationship with no ID's mother. And no ID was a friend of mine through Common. Okay. They fought corner hustling on a stone and in their neighborhood, foals and stones don't get along. But me and him had a relationship through my man, peace be upon him, you's have facade. He a folk. We went to high school together. So that was his people on 87th Street. I went to school on 87th Street. So in my neighborhood, the foals and stones is thick as deep. We friends, we brothers. There it was different because they didn't really had no GD ops in that neighborhood. So they were up with each other.  So the next time I heard about Kanye West was through my brother, Don C, who I love and talk to all the time.  You know what I'm saying? No games. No games. And he say, man, him and John Monopoli, who are somebody else who I love. They say, hey, can the go getters open up for you? I was the host of a bunch of shows in Chicago. I had money. They had to pay me. I won't always bring the best, you know, the best dudes out.  They got a little bit of money. You know what I'm saying? They got to treat them good. You know what I'm saying?  So you understand, they going to always attract to that energy and it's human nature. No, I'm wrong with that. So I say, for y'all, yeah, go getters, okay. They some young GDS or whatever. They say, man, and you know, Kanye West is part of them. I say, oh yeah, I know his name. His mama told me to be around him. I just don't have a way to be around him. So they say, yeah, he's, you know, he's that. He got a group and all that. And they got this song that my niggaz in. I think that was the name of the song that my niggaz in. I pull up, pull up a holla where my niggaz at. And I had Card Blanc at the radio station.  That's me. And so I let them open up. And then I started to work on things happen, the Carl Thomas album went big. I started to work on an album. And John John, John Monopoli, who was A&R in my project with Zoë Reckers, my man, Ola, in Nigeria, we have a very contentious relationship because, you know, he wasn't the best of listeners.  Yeah, of course. You ever tried to be folk? I tried. Y'all, if you're talking to one, you better be talking in a way to where y'all can come to an agreement. Exactly. So you can finesse them in the right way. I got money, he got money, so we wasn't here.  But John John said, man, I want to help put your project together.  I'm like, that's my third time here in Kanye West, third time's a charm.   He's taking meetings with labels. He's like, very much like he is now.   They didn't really take him that, God damn it, serious.  But I saw some talent in him and I saw some grit in him, which was more important than the talent. So we started to bop it, and he saw me as an opportunity to have a big brother. His mother had already put the mandate out. I talked to his cousin out there. She's like, Donda told you to stick with Kanye and protect him. Are you doing that? I'm like, to the best of my ability. Just be, you know? And the reason that's big is because she's speaking from a different place now. It's on a whole other level. I do know that. And so I know, cause I got calls like that to where it, she ain't even got to see it. It's already, it's already been spoken to you constantly. No question. You live in it. You're trying to figure it out every day. And that's the whole game when something, cause it's speaking from a different place. It's heavy, bro. And I know that. It's heavy. It's heavy. I feel Donda Spirit all the time with me. Yeah, yeah. And somebody who I really looked at as a mama for real. Yeah. When Kanye moved to New York, I was Johnny on the spot. You want some Chinese food from your favorite place? What you want? You making food? What you want, mama? And I took pride in that.


So my beauty for people, I am back with another hour and ring video and again on my quest to find and gather every weapon in the game. I've come across another weapon, another unique weapon I've barely saw anyone cover called the Volga Militia Chateau which is actually super unique and I must get in my opinion today I explain all. As it goes on guys my name is DPG and if you do enjoy the video leaving a like really helps out and if you like what you see and want to see more be sure to subscribe. Okay so this Volga Militia Chateau is a super unique weapon reason being it's an ace scaling in both strength and dexterity pretty cool so it requires 14 in strength and 16 in dexterity to wield this thing and you can see it scales with both strength and dexterity you can put an actual one on this thing and like I said depending on the one you use guys and the level of the weapon you can actually get an A in a strength and an A in dexterity which I'll showcase to you now which is pretty unique and I'm dual wielding these things because actually not that hard to get I got two in about 45 minutes of farming so that's pretty cool so I'll show you after the war and what you can do people what you can do okay so as you can see there we go we got an A in strength right there A in dexterity right there I think it goes a B faith maybe um you can get a B faith in this it's not a bad not a bad weapon what I see in intellect as well it's pretty good guys pretty robust so yeah if you're interested if you if you if you pitch your interest guys or if you just let me and you want to collect every weapon in the game this is the way you come to get this thing so where we're at on the map right here is the fun great bridge this is far east at a map starting out just pass all the way all the dragons are and all that keep coming this way they'll come to a massive bridge there will be a dragon if you're a new player there will be a dragon on this bridge here but hey there's a grace point right there on the other side you can run past the dragon quite easily by the way but hey in this area you'll see there's quite a few at least add you can see that little ad right there they're the people you want to farm another one there there's quite a few of them in this area now I'll suggest guys if you have them use a silver tier mask and also the silver scout these both boost that discovery massively also guys if you have this great sword the grafted blade great sword this also upon you using special attack it gives you plus five in every stat including that discovery so it makes guys farm these dudes much much more efficient in regards to their loot drops so yes you're basically guys I mean you can fight them off the horseback but they can't hit pretty hard I mean I'm a high level and they hit pretty hard you can see this guy here this isn't a weapon I would fight them with to be honest I guess even way I could guess even way but these are the guys that drop them that is a couple different variants of these ads they don't have different weapons but most of them do have there's another one right there see he hasn't got this weapon we see another one there he don't have the weapon he don't no he doesn't either there's actually quite a few different weapons these guys have so you can probably farm them too now definitely there you go there's one of them he has a weapon I mean it's all about this rotating around this area guys whoo he's got a big cleaver he don't want to mess with him it's probably actually the other side the other side it's probably actually this is where I've gotten from to be honest I got two of them both from the left side room not this hill he was so the right hand side has got actually of all weapons I've made just have to farm for myself you know I mean people you know I mean because I get thinking the game and they look like weapons I don't have well as of right now that one belong there you go he's got one so you can farm him I know there's one over here because this is where I got it dropped there's this guy here which I don't think has the weapon but a guy behind him does there he goes oh shit there you go he has it there so yep there's them there as well what have you got he's like there so like I said there's quite a few quite a few of these dudes here who have this weapon so yep him too so we can then do guys this one should have took them out and make sure they're all he's got he's got like a I'm gonna have to farm him because that looks pretty cool is that like a flail is that what they call it a flail something like that you can just run back down to a grace point sit down rinse and repeat guys rinse and repeat and it really is that simple now it has got a base drop rate of about a three percent at 100 discovery so depending on what your discovery is mine as you can see is 250 255 I'm gonna use that well or 256 so I get plus six with that not bad but yeah he will either way it's about a three percent at 100 discovery so I've got like a six percent drop chance well about eight percent drop chance that's not too bad whatsoever so you guys do what you gotta do and let's quickly check if I've got that flail I've got a few of them might just sit here now for the next couple hours try and get it uh I don't think I have so I'm gonna try and get that if you see another video from me like I said there's so many so many weapons this game guys I've missed so I mean I'm trying to farm and get everyone but it's all these like these ads that don't have guaranteed drops that have a chance of dropping said weapon those are the ones that drop the weapons the other ones we're chasing right now but yeah guys anyway if this is a weapon that picture interests you know where to come to get it guys if you enjoyed the video leave a like who helps out if you like what you see and want to see more out of the ring be sure to subscribe and hopefully might be you too for people I will see you on that next one


And you're welcome back. I am being joined by Honourable Adelaja Adelie. He's the ADP House of Representatives candidate for Oshodi Isolo Federal Constituency. And we will be looking at the challenges of the new generation politicians. Good morning and welcome to the program. Thank you so much. Good morning. Good to be here. Yes, nice to have you too. So we are in a country where young people have been accused of having very low interest in politics and political activities. But here you are. You are vying for office. Would you please lead us through what motivated you to get involved in politics and get to the point where you are operating at right now?  There is something that I have been doing for quite some time right from when I was in school. I was actually the Student Union Secretary-General at school. When I got into the Unilike, I got involved in so many politics at my father's office and all of that. So I became a passion in service to service, you know, to serve people. So that's probably into joining a political party. And from there, you know, I became the State Public Secretary of Empathy in Lagos State. Then at some point in time around 2019, I became the National Public Secretary of the same party. So back to PDP. Here I am, vying for House of Representatives in my course 20. You know, should you sort of process it to in Lagos, Nigeria. So politics for me is not about passion. It's about service to the people. And about also getting involved, you know, making the desired change that we need. We all know what's going on in this country. That there are a lot of companies from the people of the country. And you know, they keep saying that there are leadership gap and all of that. So some of us have feel that we have one thing or the other to contribute, irrespective of whether we are old, we are young and all of all know. That's what we are getting involved because we want to really be a change agent. That's why someone like me is a technology. And I have also used that to show an example to fed your people that it is possible because a lot of people feel that way because they need to have millions, they need to have this, they need to have that. You need to have these starting points. You need to start from somewhere. You need to be relevant. You need to know the people who are also relevant so that at the end of the day you also can also be relevant. And when you show an example and when you show that you have the capacity to actually contribute to some of the various problems we have in the country. Of course, in one way or another you go to the people and tell them that I can do this, I can do that. Point is a game of number. It's a game of appealing to people and telling people that I can do this, I can do that. So because they follow you then you get in there and you serve them and you go there to represent them. So that's what it's all about.  They need to come in. All of the leaders we see today, if you go back to history, you will realize that many of them started politics at their young age. We know that a lot of people that became president at their mid-1930s, some at their late 20s, and all were not. They are still a political specimen. If they didn't stand at that time, they would not be relevant and they would mostly be here and say that they are the leader leading the country. So that's why I challenge young people to come up, young people to energize and to team up and work together and see how we can begin to push ourselves one by one to get into power so that we can create change. Because a change in this country or a policy in this country for all young people without us is actually not for all. So that's why we have to get involved deeply. Thank you. Okay, so part of my opening speech was how that young persons have been accused of not being interested. And that is a school of thought, because whenever young people and politics, whenever the conversation comes up, of course, different people, different perspectives and different opinions come up. There's this school of thought that says young people are just not interested so we can't fuss them. The other school of thought says we are not being properly represented or included. How would you rate inclusion and use representation in politics in the Nigerian space? Well, the truth of the matter is that young people are interested, like I've visited before. They are very, very much more interested in politics and leadership and governance in this country. We will see that there are some of our leaders that see the need for young people to be part of government. They understand our challenges. Some of the challenges we have is our ability and resources to compete effectively with these guys that have built themselves over the years. So we now see some of them who really see the need to help the young people to come into governance. That's why you see young people. I will give you an example. For instance now, if you look at all the states in the country, you will see we have a cabinet where we have positions in the cabinet that have commissioners for youth and sports. You see some of these positions in some other clients. They are putting other people in these positions because the field is just a way to compensate some of their people politically. But we still see some of the new leaders that say that this position is for the young people. Example is Heimakide. He appointed a board of 26 years old as a commissioner in New York State, Nigeria. And we have some other examples in other states as well. You know, that is deliberate inclusion of young people into governance. So like the young people, even in legal states, for instance, because I'm aware that the commissioner for agriculture is a very young lady too. So those are the inclusion that are coming into governance. By the time these people they become commissioner, they did very well. Tomorrow, in no distance time, some of them will say they want to run for governor. Before you know it, if they are accepted by the people, they become young governors at a young age. People like us also the same thing because we are young people who are putting effort to make sure that we do something that makes people know that young people are really rich. It's not as maybe young people are not interested. Young people are interested, but it's just unfortunate that the institution of the country does not really put the resources that young people need to come into governance and to come into governance. So those are the challenges but I believe gradually the challenges will be gradually resolved. I want us to dwell a little bit more on the challenges. You are a young person running for office so for the benefit of this conversation, I am going to say that you are a representative of the new generation politicians that are just coming up because while you were talking earlier, you mentioned how you encourage young people to start early just like you are doing because some of our leaders who are still leading us today actually started off getting office positions when they were in their late 30s, early 30s, late 20s. Having people coming up now, young persons coming up now to join politics, we are looking at the challenges now because while you were just speaking, you mentioned resources and you mentioned the situation of the country which is a general term that we usually use for when we don't want to go into details of what we want to talk about. But you are a young person actively involved in politics. What would you say is the major challenge facing the new generation politicians who are just cropping up? Yeah, I mentioned it earlier. You see, inclusion of young people into politics. Of course, as we know, power is not given, it is taken. So it now takes a certain set of young people who have ideas, who are bold enough and who says that they want to be part of it because you can't force anybody, you can't say because you are young people then you have to consider this. Nothing is considered to anybody. You have to work for it and you have to get it. So young people across the country, of course, we go to different states, you know, you see young people taking positions at a party. Young people, young people, young people are, they have a variety of challenges. But then, notwithstanding, irrespective of the challenges, there are some young people that they look beyond those challenges and they still try to run. They still try, no matter how little the resources they have, they go around to galvanize support from those people they know that they could actually support them to make sure that they also make man in the political landscape in the country. So we have a lot of them. Look at PDB, for instance. We have a very young man from Karyuna State as our national youth leader. The same thing with FPC, the national youth leader of FPC. It's also your person, following your Israel, you know, from Lagos State. So we are having young people who have that capacity, who have that boldness to say they want to be part. So once we have a few of them, those of us who now, you know, energize other people, who now, you know, ginger other people that maybe they feel that we can't do it. We have challenges here and they give one excuse or the other. They give other excuses aside and say, yes, let us, you know, just go in there and see what we can do. So by the time we have one from one, we have two, before you, we have three, we have 10, we have 20, all young people across the country now giving morale to other young people who are just feeling that because there's one challenge on the other, so they couldn't run, they couldn't be involved and all of that. And before you know it, we will now be looking beyond the challenges, we will now be thinking outside the box and see how we also, you know, be part of the system. Not just be part of the system, be part of the system and make impact and make good impact that will say that, yeah, this is what the relationship between young people in power, in governance and leadership and the old people in power and governance and leadership. Because young people, they tend to have more ideas because they are more technological and scientifically inclined and all of these things have what to do with governance and leadership and governance. So these are reasons why I am encouraging for young people to come into politics and look beyond the challenges. I know those challenges, they are overwhelming sometimes but then we can surmount it where we will all work together and support ourselves to power. Alright, in the past we've had, you know, women come out to vie for office. I think it was in the 2015 elections, we had one female candidate who was vying for the office of the presidency as well. And during the primaries and the build-up to 2023, you know, primaries from political parties, we had a couple of women who were also, you know, in the race. I don't know what has happened now because I've not really heard anything about them or from them. But my question is before I get to that, even in our national assembly, there's been like a quota system for women to be represented in the National Assembly and the Senate. What is your take on balancing gender representation in politics, especially when it has to do with young women who are interested in politics? Well, you see, one of the things that a lot of young people need to realize is that, you see, politics is not something you would just dabble into and say because I am a female or I am a young person, then automatically I have to be included. I remember that there was this 33% affirmative action during the Good Love Jonathan era that women and young people should have 35%. Because of this disadvantaged position that they have that they couldn't compete with the big weeks in quotes. So that is something that I think the young people and the women, they need to push because we need to start from somewhere. I believe 35% affirmative action or quota is something that is a good start for us. But it's just what people are not thinking about looking at alternative and say how we could come into government without having to label someone. I understand that there is some political party because of the fact that women, young people couldn't be able to compete effectively. Then they reserve this as part of their constitution and say 35% of the party position go to women and youth. So this avenue that I am calling on the women and young people to now begin to amount on and begin to promote. So that a load could make those big weeks to some parents and say let us implement this affirmative action. But nobody is talking about that. Like I said before, power is not giving. Power is taking. So whatever system that you could use then let us exploit what I just said, 35% affirmative action. And I remember the former first patient to a gulok Jonathan was at the forefront of that affirmative action during the reign of former president gulok Jonathan between 2011 and 2015. So I believe the current president Aisha Buhari, I believe she is rallying around women across, in fact I just saw a tweet when she was talking about a female making case for female deputy governor in Adama state. So we need to speak up. It's when we begin to speak up for ourselves then we will not begin to see how we can create those platforms and those chance for the young people and women to come into governance and power. And I understand that women helping women, women collaborating women, these are what we need to do more.  So all of these things anything that could make women to come together to actually fight for themselves so that they will also be included in the government these are actions I think we should be doing. I'm not talking about the issue of feminism or whatever this one has nothing to do with women fighting for women.  This is strictly political and political what we do logically, politically. Not that you have the practice of feminism and propaganda and you know some of that is up to whatever you understand. Those ones they are not going to work.  What work is when you have a formidable action plan like what I've just mentioned you come under that and I believe it is doable. People Nigerian citizens and especially young people there is a lot of gap between them and the political class and another way to say that is there is a lot of difference a lot of distrust among the young persons and the ruling class. What do you think that the new age politicians who are cropping up you vying for office what can you do differently what do you think can be done differently to curb or bridge this gap and you know begin to build trust again among our political class and the citizens? The fact of the matter is that trust is in quotes it is a subjective ok? The constant itself the people themselves they need to tell themselves to truth and they need to come to terms with what is real what is imaginary and connect it with their expectation from politicians because when a politician is campaigning and they are telling you what you know that it is practically impossible to achieve and you believe them and when they see you get into power then you are now expecting them to do the impossible for you of course you know it is a two-way thing the trust that we are trying to there are people that you tell reality and the truth of what is possible what is logical based on reality but they will not listen to you they will not follow you ok? so that aspect needs to be ironed out that aspect needs to be resolved by the people themselves so that their hope is not that but we as a young people the new generation politician and leaders what we will do differently is when we say it is A it has to be A and we have to tell people have an issue what is possible what is reality in governance, in government and in leadership the truth and all of it then it is now led for the people to embrace the truth so that when we get into power our own truth we will not make sure that they can hold us on our own truth and what we have told them that we are going to do if I tell you that when I become the National Assembly member from Oshodi Federal Constituency to Enlegos I understand that legal states supposed to have a special status and I tell you during my campaign when I get into the National Assembly I will work so hard my other colleagues in the house and other Federal Constituency across the country to make sure that they support my bill to make that come to reality and in the process of doing that I will let my Constituency and the state see that this is what I am doing you understand what I am saying this is the step I am taking I have regular feedback system with my people so at that point in time they will know that this is what I have told them I am going to the National Assembly to do not that I will get to the National Assembly or I will just run if you are for I say I if you are for me without any impact without any bill that will be they will have far reaching effect on the people like in my own Constituency we know the challenges and I am discussing this thing with my people that we know we have problem of bad rules network in the system is it a purview of the National Assembly no it is a purview of the state government what can I do can I make sure that I have a good relationship with the state government that I can use my influence to attract the government to come and fix some of the state roads and some of the local government roads in my Constituency then the aspect that concerns my own purview are the nothing laws legislative agenda then I will make sure that these things are judiciously done when I get to the National Assembly without you know rigmarole around so these are the things so that is the truth my truth and the truth are presented before my people so they can hold me on my truth then they will now know that I am totally different from every other other other politician so that they will know that this young man at the National Assembly we can emulate him we can say he is the true representation of the young people in the country so these are the challenges so like I said the people need to know their own truth to expect from the politicians okay so if they know their own truth to expect from the politicians then we can now you know move ahead alright thank you so much honourable for joining the conversation this morning thank you so much for sharing your ideas with us we really appreciate your presence on the program this morning thank you so much for coming through it is still the run-up and after this quick break when I return we are going to be going to Western State to have that conversation do not go anywhere the run-up will continue after this break stay with us