It's like being a litigator, eventually maybe all you have to do is use your name, right? Yeah, yeah. Then I go to, I go, you know, when I had thyroid cancer, I got to go back and do scans, make sure it's and come back because they took my thyroid out, right? So I'm at the, getting my scan done and the girl is like, so what, so what do you do? I saw a body language expert.  So then I'm thinking she's in here doing the scan stuff. She's into all this, the minutiae, neurological, everything. So I go on this, this almost around. Yes. Well, it is fascinating because I'm using big words that I never use. And after this big, long, almost soliloquy of how bad what I do is she goes, yeah, your pants are zipped. All right. You ready? Yeah. All right, here we go. I'm Scott Rouse, my body language expert and analyst. And I train law enforcement in the military and interrogation and body language. And I created the number one online body language course, body language tactics.com with Greg Hartley. Mark. I'm Mark Bowden. I'm an expert in human behavior and body language. I help people all over the world to stand out, win trust and gain credibility every time they communicate, including some of the leaders of the G7. Chase. I'm Chase Hughes. I'm a behavior expert did 20 years in the US military published number one bestselling book on influence, persuasion and people reading. And I teach corporate America and the general public today. Greg. Greg Hartley. I'm a former Army interrogator, interrogation instructor, resistance to interrogation instructor, written 10 books on body language and behavior, put together this body language tactics.com course with Scott.  Excellent. All right. Well, today we're going to talk about somebody who keeps we every time we put a video out, we get at least, I don't know how many we get people saying, do Patsy Ramsey, let's hear about the Ramsey dude. Talk about John Bonnet. So we're going to do that today. So it's come to the point where we can't put it off any longer. So today we're going to talk about, we're going to take a look at Patsy Ramsey. Greg, you're the one that found the video. We're going to use you and tell us a little bit about it. Yeah. And there's some irony to this. I'm going to almost be a cold reading today because I found this video a few months ago when people kept harassing us for this one. And this is a, this video is from 2000. So a few years after the John Bonnet Ramsey murder and they've released a book and they're back in front of the cameras. And I think it speaks for itself past that. This has become the hottest one we constantly get asked for. I honestly don't find it as interesting as other cases often. But when other people ask for it, I think it's good for us to all spend our time looking at this. And if you don't know this case, this is one of those long running cases. No one has ever figured out. Nobody knows what happened exactly on that Christmas day or Christmas Eve. So it's a timely one. I think it'll always be around and people will always be conjecturing. What we don't plan to do is say, this is what happened. It was, you know, Colonel Mustard in the study. We're not going to do that kind of thing. We're just going to tell you what we see. We're not going to say she's guilty or innocent. We're going to say what we think in terms of this. We're not trying to be the court here. There's way too many people looked at this case. This is the behavior panel's opinion of what we see in Patsy. Excellent. Okay. The first thing we're going to do is we're going to listen to the 911 call because that, a lot of it's centered around that. There are two parts to it. The first part is the 911 call itself and then we're going to listen to the last part of it, which we won't hear in this first video, but we'll hear it again later, where it was questionable about what went on in there. So here we go. She's blonde. She's old. How long ago was this? I don't know. I just filled the notes. Are my daughters... Does it say who took her? What? Does it say who took her? I don't know. There's a ransom note here. It's a ransom note? It says FBTC victory. Okay. What's your name? Are you that? Patsy Ramsey. I'm the mother. Oh my God. Please. I'm okay. I'm sending an officer over. Okay.  No, I don't. Please. We just got out and she's right here. Oh my God. Please. Okay. Please. There's nobody. I am honey. Please. Take a deep breath. Please. Hurry. Hurry. Here. Patsy. Patsy. Patsy. All right, Greg. What do you got? Yeah, guys, I'm always talking about 911 calls.  I need you at my address right now for this problem. I need police to look for my daughter. Not please, please.  Usually responding to prompts. Now, people can be hysterical. If you lose a child, if something happens, you're going to be hysterical. But you typically don't control release information. Control release of information sounds like storytelling. Mark, you talk about storytelling a hell of a lot on these things. And this is storytelling. It feels awkward to me. And all this HBTC victory. Who cares about any of that? Who cares what's in the note? What you want is the police right now. You're beginning to release a story. And those are typically alibis when you're doing that. So this is a red flag conversation for me. Never mind all the, it feels like bad acting to me. Now I'm not in her situation. I can't say what she's normally like. I don't see her enough. But this looks like telling her story, not the story. Mark, what do you got? Yeah. So here's what I want you to do. I want you to replay that. And I want you to breathe along with the caller there because what I want you to see is whether you can sustain that level of breathing in out, in out, it's pretty rapid. So it's real panic breathing. But can you sustain it without giving up and going, wow, I'm going to fall over. I'm going to faint because here's the thing that level of breathing without having an adrenaline, you would stop. So here's what I'm going to say. That's real panic breathing from this person. There must be some adrenaline in the system. There's some kind of real panic going on because otherwise she wouldn't be able to breathe like that for so long, I would suggest. And I've tried this again and again and again with lots of performers. How do you do panic and do it take after take after take after take and not collapse, fall over, forget the words that you've got. You have to have some adrenaline going through your system to burn up that oxygen. So real panic going on here. Now, I don't know why there's real panic going on. I can think of a whole bunch of reasons, I don't know why, but there's something real emotional going on there. Again, heightened emotions are very, very difficult to sustain. Most of the heightened emotions you've ever had, you won't have been able to sustain them for more than about 10 minutes. And very quickly, you will have peaked, you'll have found your body start to get tingly, your legs start to go from underneath you. So again, breathe along to that video and see how long you can sustain it for. There's something real going on there. Scott, what do you got? Hey, Greg. Yeah, we can't see you. Are you about to waterboard us, Greg? I turned it off. Oh, I do something. Always get, always get worried when it all goes dark piece of felt goes out like that and Greg slowly, very worried. Don't do that to me. Okay. You ready? Yeah. All right. Well, here's what I got. That's Greg and I did a whole that which this is from, from our course, the truecrimeworkshop.com. And so we've studied these, some of these things and this one I've been able to spend a little time with. And like Greg was saying earlier, there are specific things you say when you're in a panic, when you're calling 9-1-1, you're calling the people that are going to help you the quickest and the fastest and get there to get you as much help as possible. Two or three things for me lit up in here. Right out of the gate, she says the right thing. She gives her address. That's the first thing she does. Usually you'll hear that when cops call, when police officers call. The first thing they'll say is the address and they'll say our house is on fire or whatever the problem is. But then in this case, when there's a kidnapping, she wouldn't have said we have a kidnapping. Nobody says that. She would have said my daughter's gone, my baby's gone, somebody's got my kid, something like that. And then when she would ask questions and there was a note, it takes her meant to get to the part where she says a ransom note, but she makes sure to say that, which means she's read it. So that part of it is a little bit iffy for me. I don't think she would have hung up at the end. I think she would have kept talking and trying to communicate and find out when this help is coming. Because she's saying, please, please, please help me give this. There's a 911 call we have in this course where the woman has, her children have been killed. And she's screaming just like the Patsy Ramsey is screaming there toward the end when she goes, oh my God. I think what's firing her adrenaline off there, Mark, is the fact that she's, as she's doing this, she's realizing the depth of the situation of where they are in it. And I think that's what's helping fire off her adrenaline to get her excited as she moves forward through her communication with the 911 dispatcher. So I think that's what we're hearing there. We are hearing some panic because when that happens, you've got to lean into it like this is, and I think your body, even with a lot of actors, they'll go ahead and lean on into the panic mode. I think that's what we're hearing at this point. But I think she would have stayed on, I don't think she would have just hung up. I think she would have kept talking to her until they showed up. I don't think she would have hung up at this. So those are a few things in there that bother me. Chase, what do you got? Let's just talk about language here. You guys covered a lot.  And would you say I found the ransom note or would you say I found a ransom note? Let's say you found something insignificant.  You're not going to say I found the cockroach in my room. The word the suggests familiarity with the other person. If I say I'm going to meet you at the restaurant, you will have to know exactly what I mean. And I think it's subconsciously was a way for her to imply familiarity and understanding with the situation. Excellent. Okay. Any cockroaches in your Jamaican hotel, Chase? So far, no. I'm in Tower Isle, Jamaica right now. And it's been good. I bet if you find a cockroach, it'll be a very specific. It will be a cockroach. If it's on the beach, it would be nude. Am I correct about that? Yes, I think all the cockroaches are nude here. Okay, good, good. All right, let's move along. Lovely. Say who took her? What? Does it say who took her? I don't know. There's a ransom note here. It's a ransom note? It says S-B-T-C victory. Please. Okay, what's your name? Are you that? I'm the mother. Oh my God. Please. Okay, I'm sending an officer over, okay? Please.  No, I don't. Please, we just got out of here. Oh my God, please. Okay, well, I am, honey. Please. Take a deep breath. Please, hurry, hurry, hurry. Patsy, Patsy, Patsy. Footprints outside the house. No evidence of footprints. I think it said no footprints in the snow. And we have seen photographs that were taken the morning of the 26th. By the police. By the police of each of the door entries around the house and there was no snow. Urban myth. All right, Chase, what do you got? There are what I describe in my training. We've talked before about something called a confirmation glance. If you're looking at an accomplice, you'll probably do it before you answer. If you're looking at two interrogators, you'll probably do it after you answer. But there are five ways you can look at someone that's with you in a conversation to gain something from that person.  The first one is confirmation. It says, I want the other person to nod. The next is relief. Somebody speaks for us and we're glad that they took the opportunity. The next is approval. I'm requesting for the other person to nod or affirm what I'm doing. Then we have suggestion. And this is a request for them to continue for me or add some details for me. And finally is help. Spelling out crash. H is help. And this is a requesting for rescue. Things have gone south in the conversation. I need a bailout. I need a mulligan here. I need you to help me out. And we see this relief glance in this. The moment that his wife speaks, starts speaking to answer the question, we see this relief in his face that somebody else has answered it. And I think it's interesting. There's a strong chin raise in this woman's face by what she's saying by the police. And her statement is kind of showing a little indignation and welcoming a challenge. This is what we do when we want to challenge another primate and expose these vital organs.  I think that's interesting. And right at the end of the clip, we're starting to see something called a pre-swallow movement, where this throat is starting to go up as a result of a saliva dump into the mouth. All in, I think there's a few credibility issues with the statement. Scott, what do you got? All right. I agree with you 100%. I didn't catch that swallow thing though. Fascinating. Here we see her head's tilted as she's talking. If you say playing poker, when poker players are playing, when they do this and they expose that side of their neck and they get that head back, that denotes, it indicates confidence. So here she's given information that she knows or that she believes to be true and she's sort of like sticking it up this interviewers because from, you can tell her, I would suggest her attitude would be more of a holier than thou at that point because she's almost like, I've got a huge nose, I can talk about noses. She's almost looking down her nose at her as she's, as you say that, as her head goes back. And the tone of voice is that dominant tone of voice you use when you're talking to a child or you're mad at someone and you're saying, well, I'll tell you what I do know. And the same thing with her, we'll see as we go along, her illustrators get larger as we go, illustrators of the ways your brain focuses on specific words and emphasizes specific words or phrases, just like I did then. I did then. And so we're seeing a lot of that and it gets more predominant as we go along. But the longer it goes, the more into it she gets of being more dominant over this person. And we'll talk about some other things that I'm sure everybody's caught them as we go through this where she's being that way as well. Mark? Yeah. So arrogance, condescension, we see exactly as been said there. The chin comes up, which means she ends up looking down the nose in condescension. That's the over display of kill points on the body in close proximity, basically saying you have no power. I don't think you would strike or if you did strike, I don't think it would have any effect on me. So she's wanting to display power at this point. I think that's because she's wanting to control the story, their story. This is about them getting their story out. And so she uses this idea of how forceful she is. There was no snow. Almost said it there, fake news. She says, but instead she says urban myth and urban myth was the kind of 80s, 90s version of fake news. She's saying everybody else has controlled this narrative. They've made up stories about this now I'm taking control of the story. This is our story. So I think that's what people don't like. This isn't my first indicator of she's not a very likable person in this situation because she wants to assert power. That as a good generalization across many cultures is a female asserting power is not looked on well. It's often looked on well by men and women. They don't neither like it. They want the women to share power, but she's taking control of this. I'll show you later on how actually she's very similar to Margaret Thatcher, the 80s prime minister of the UK, very, very similar vocal range, very, very similar gestures as well. Again, not a likable woman by many people at the time. So assertion of power, assertion of the narrative. Greg, what do you got? Yeah, so you guys have gotten almost everything I had. There are a couple of other small things.  That's the whole demeanor that she has when she's talking to this woman. It's condescending. It's arrogant. It's telling. You always talk about that pawing, that pushing down. She's pushing down when she's talking to this person more. And the other piece that she does is she does what I typically refer to authority by association. Hear her blast police out. She uses that word like it gives her some kind of authority. And we'll hear her again, do what I would call holy ground or take some kind of authority figure and use it to validate her story. That's the only thing I saw that you guys haven't mentioned. I'm a great round cover. I think all of this, you're dead on. I think when I was watching this, all I could think was letting them eat cake. Famous last words. She's condescending. She's looking down her nose. And it's hard to like her. And if you don't like her, you're going to look for reasons why she did it. That's what I'll leave this piece of. Okay. Footprints outside the house. No evidence of footprints. I think it said no footprints in the snow. And we have seen photographs that were taken the morning of the 26th by the police by the police of each of the door entries and around the house. And there was no snow. Urban myth. This is Ramsey, the 911 call. There are contradictions about whether or not the phone was hung up and whether or not for some Burke came downstairs and was talking. Some police officers believe that they can hear that on an enhanced audio tape. Others say no. What do you say? We've not heard the 911 tape, but we understand from people who have heard it that it sounds like a bunch of chipmunks chattering and that it is almost unintelligible. All we know is that Burke did not come downstairs that morning, nor did we say to him, you know, go back or whatever it is they say that it's set on the 911 tape. I phoned the police called 911 from the kitchen telephone, wall phone, hung up, dialed one set of our friends, hung up and dialed another set of friends and asked them to come quickly to help. How soon after that 911 call did you dial the first one? Immediately, immediately. So it seems to me like if you hang up the phone, you're not going to be able to place another call unless the phone is completely. This is another, there's been no logic applied to any of this case in my judgment. All right, Mark, what do you got? Yeah. So, you know, to your point, often Scott, this idea of loping, what I like about this is her story seems to kind of jump along quite well. It seems kind of okay. Again, the problem is I think for a lot of people is it just seems a little bit cold. You know, it doesn't have some of that variation. It doesn't have the cracks in the voice of emotion. And yet at the same time, in terms of, you know, looking for truth, it seems to romp along fairly well. Again, I don't think people like the forthright aggressive nature of which it loops along at. I don't think people like her assurity around this because, you know, everybody out there, we've all got ideas about what might have happened here. First point I pick up here of the, of the, what looks to me like lip grooming, you know, it's a lick of the lips, I would say in order to say, hey, I'm looking good. I want to look good for this. So it already feels to me like looking good is important to her. And, you know, I know, I think her daughter was obviously in pageants. I think she was in pageants. The idea of looking good and presenting well, my guess is, is massively important. And that comes across for me in the lip grooming. Oh, also this idea of social status and two sets of friends. So this is this idea of already, you know, I've got my whole crowd involved. I've got lots of friends that they're a set as well, strong social structure and looking good in front of the social structure. That's what I've got out of that. And Chase, I want to go to you. What do you got? Yeah, absolutely agree with you guys. I think there's some indignation at the beginning here with the question. And the mention of the 911 call and the sun coming downstairs produces immediate eye flutter, which I thought pretty telling. And we've not heard the 911 tape. And this is a reassurance and approval glance that we see here. And all we know is that Burke didn't come downstairs. We know nothing else. We know that there was no involvement. The one thing we're certain of is that he did not come downstairs. We know nothing else about anything. He just didn't come downstairs. And I fully agree with Mark. And this is the world that they live in is appearance and image and perception management. So most of her life pageants are about perception management. It's not about true beauty. It's not about a whole lot of other things that they might purport themselves to be. Perception management is the name of the game. And I think that has blood into many other areas of her life. And we see that here. Scott, what do you got? Right. I think we're seeing some really odd eye blinking behavior here. And this is the first time I've actually ever paid attention to it, where I've seen it like this. We do see the eye flutters at the beginning, but she blinks twice. Every time when she hears whether or not the phone was hung up when the interviewer says that, she blinks twice. When she says, son, Burke came down and was talking, she blinks two times there. And then she says some police officers believe they can hear that on the enhanced audio. She blinks two times there. No other time is she doing two blinks like that. So she may do it a couple of other times as we go down the road here. But in this thing, that seems to almost trigger her double eye blink, which I've never seen it before. That was really, really odd as far as that goes. And I agree with you guys on everything, on everything else. So Greg, what do you got? Yeah, so we always talk about fight or flight increasing blink rate. In this specific case, this is fight, almost guaranteed. This is not flight. This is how dare you attack me again. I can see it written all over and the double blink is a condemning double blink, I think. It's the how dare you ask that again. And it's a poke. She's ready for a fight. You can see she's ready for fight. She's not backing away from it and looking afraid. She's not, her lips are not getting thin. She's ready for going at this person's what I see. When she starts to talk, and she's nodding, and she's thinking, watch her head slow down. The speed of her nodding slows down as her processor kicks in. And she's thinking about how to answer this question. Love the confirmation glance. Love the connection, connecting glance. As she looks over to make connection and think, okay, I'm not alone in this. We're on the same page. And that you guys covered everything else. I think those pieces. Scott, I love the fact that you're catching that double blink. And I think fight or flight makes us blink more rapidly. And I'm a Southern boy. I was raised in the South. I can see a Southern woman looking at me and blink and rise twice and saying, oh, no, you didn't. I can see that written all over this woman. You know, if my grandmother had done something like that, I would have thought, oh, here it comes. Something bad's about to happen to me. So think about the park culture place, because we're all born capable of doing everything the other person's doing. And all culture does is add nuance to those meanings. That's all it does. So when somebody looks at you and goes, that means something. She's done it before and it's a method for I see fighter flight and she's after you. That's it. That's all I got. This is Ramsey, the 911 call. There are contradictions about whether or not the phone was hung up and whether or not for some Burke came downstairs and was talking. Some police officers believe that they can hear that on enhanced audio tape. Others say no. What do you say? We have not heard the 911 tape, but we understand from people who have heard it that it sounds like a bunch of chipmunks chattering and that it is almost unintelligible. All we know is that Burke did not come downstairs that morning, nor did we say to him, you know, go back or whatever it is they say that it's set on the 911 tape. I phoned the police called 911 from the kitchen telephone, wall phone, hung up, dialed one set of our friends, hung up and dialed another set of friends and asked them to come quickly to help. How soon after that 911 call did you get on the phone? Immediately, immediately. So it seems to me like if you hang up the phone, you're not going to be able to place another call unless the phone is completely hung up. This is another, there's been no logic applied to any of this case in my judgment. Cool. All right. Here we go. So what we'll do is this, we're going to play this, the last part of the 911 call. We're not going to comment on it. What we want you to do is you talk about it and you tell us what you think is being said in this because it's really tough to make out, I'm hearing one thing, but I'm not really even sure what that is. So why don't we do that? We're just going to play this for you. We'll play it, it'll go through three times and you'll listen to that and then you write what you think it says in the comments. Cool. All right. Here we go. This is Ramsey. It's my understanding that the Colorado Bureau of Investigation took your handwriting samples to the Secret Service. Do you know the results of that test definitively? No, I don't. I just, no, we had experts do the same kind of testing and it's my understanding that the people that we use trained the people from the CBI, Colorado Bureau, that administered the tests and they, on a scale of one to five, with five being absolutely no match, I ranked at a 4.5 with one being a perfect match. So we know. We don't know All right. I'll go first on this one. When she's nodding, yes. We see her squint when they talk about the Secret Service.  So something's there. I don't think she knew that it happened because once they say that, once they throw in that jab at her, in other words, she comes back with, well, here's what I do know, that I'm not the person that did it and here's all the proof that tells why. That's what I'm saying. That stuck out to me like a red flag. Greg, what do you got? Yeah. I'm on the same page. Watch her pupils. There's a flash in her pupils in this. You don't get the opportunity to see very often. Her pupils go to pinpoint and then back out a little. When she does that squint thing, I'm with you, I think if she really believes that whatever she has, her expert's better than your expert is what she just said. My expert taught your expert. So there, I'll see your expert and raise you another. If she really believed that and didn't know about the Secret Service doing it, she probably would quickly go, uh-oh, there's a piece of data I didn't expect and the squint is data intake and what you call it, fake concern or concern. She's doing data intake. So those are really big things for me. And the other one is Mark, you brought up last time she's lip grooming. This is not lip grooming. That was a quick jut. That usually is distaste. That usually is disapproval, whatever. It doesn't, the Morris said it's our first no. It's how we push a nipple away from our lips. And so it's rejection of an idea, rejection of that. It makes me want to talk to her more about the handwriting. And in fact, guys, if you really want to know about the handwriting, there are hours and hours and hours of stuff about her handwriting, about her talking to in a deposition about the handwriting. So you can go and dig into this for yourself and not just look at what we're doing with body language. Chase, what do you got? Let's keep in mind, when they're talking about handwriting analysis, they're talking not about graphology, which is referred to sometimes as a pseudoscience. They're referring to the characteristic and nature of how letters are constructed and written and whether or not they match someone else, all the way down to pressure of the pen on the paper. Great color, great color. So right here she starts out discrediting the evidence instead of making any kind of denial, makes no denial, as a matter of fact whatsoever. And she says, it's my understanding and this is the first thing that any good lawyer is going to teach you to say during an interview. You always say it's my understanding and you can never be backed into any corner for the rest of your life. And I think that's just being used here. And I think it's interesting they would hire people to analyze their own handwriting to begin with. Mark? Yeah. So here's what we see again, is this playoff of status there instantly goes to, as Greg was saying, my graphologist is better than your graphologist, my graphologist, trained your graphologist. So kind of almost the resume statement or resumes at dawn, it's a dueling matches going on immediately. And here's why I think this is important for our perception of her is it's very aloof and high status. And I think what we want to see is the public from her is sorrow and loss. And she doesn't give us any sorrow and loss. So I think what we need to do as a public kind of watching this is go, what am I really wanting from her? And if she isn't able to give it to me, might I be against her? Might it cause a bias in me? I think her aloofness here easily triggers us into a bias against her because she is a mother. And from a mother, we want to see continued sorrow and loss around this. That's all I've gotten. I will bring up again as well this idea of the urban myth and the idea that in urban myths, in mythology, you often get children going missing. It's a classic of mythology and also infanticide, parents killing their kids as well. So again, as a public here, we are in this wonderful world of mythology of the most horrible crimes of parents killing kids or kids just going missing, being taken away by the fairies. So again, we've got to check in with ourselves around this and make sure that mythology isn't biasing us and that we can get to the real truth of what's going on here. Okay, let me leave it at that. Guys, this is going to be another McCann's for us. People are going to hate or love us because they made up their mind a thousand years ago and all their evidence is right. Their expert is going to be better than our expert. They're going to say this expert said that. So we're going to see that too. This is a mess. None of us know what happened in this house. And I always say, somebody says, well, it couldn't be, she couldn't have killed her child because she's not a murderer.  Mrs. Ramsey, it's my understanding that the Colorado Bureau of Investigation took your handwriting samples to the Secret Service. Do you know the results of that test? No, I don't. I just know we had experts do the same kind of testing. And it's my understanding that the people that we use trained the people from the CBI Colorado Bureau that administered the tests. And they on a scale of one to five with five being absolutely no match, I ranked at a 4.5 with one being perfect match. So we don't know the result. And the ransom note was already written? I believe it was. I mean, it's very unusual for a ransom note to be this long. From what we understand from professionals we've talked with that after someone commits such a crime as this, they get the heck out of there. All right, Mark, what do you got? Yeah, so again, playing status, the idea of this is very unusual. This is very unique. This is very, very special. So again, this idea of the status coming forward, here's what triggers me around this furrowed brow, lots of helpfulness, lots of confusion, lots of expertise where you maybe shouldn't have any expertise. I think we've seen this time and time again with people who we know are not telling the truth. It's a usual trope of I'm going to be very, very concerned, really helpful, a little bit confused and actually quite knowledgeable about things that I really shouldn't be. Four or five big reg flags come up for me at this moment, probably the most concerning moment of all of these videos for me. Chase, what do you got? We have another great case of the missing perpetrator.  And in 9 out of 10 of those cases, those people don't want to talk about the one who committed it. They don't want to talk about the perpetrator who did this. And as the video starts or as this clip starts, we see some false confusion, but it's confusion for agreement. It's looking confused with my face in hopes that it becomes contagious to the other person. And when she says someone did this, not kidnapper, not murderer, not potential rapist, it's someone. And when she says such a crime as this, it's not any of the harsh words, kill or murder or whatever else we could be saying. If that happens to a person's family member, there is a 99.9% chance they have no problem. And they're even very vocal about using that word to evoke emotion out of the person listening to them.  The same thing happens. Instead of saying sex, we change it to sexual relations. And when she says, at the very end, get the heck out of here, she actually does with her eyes. She escapes the conversation as fast as she possibly can in hopes for a subject change. Scott, what do you got? All right. Yeah, this one kind of bothers me too, because when she says, or she says in the ransom note was already written, and she uses what I call fading facts. She starts getting quieter and quieter. The further along she goes, the quieter she gets. And she goes like, then when she says, in a crime such as this, when she's explaining, her head goes down to guard her neck. Because her neck, as after this point we've seen a lot of times, has been up. Going back to the, when she was talking about the 911 call earlier, we saw it go down and guard a lot. It was bouncing around and it guarded a lot down there when it was talking about if she had her involvement in the second part of the call. But when she says a crime such as this, that head comes back down and guards the neck. And then again, she continues to speak quietly as she goes along. So this shouts to me some guilty knowledge. Something's not right here. Something's not right here. Greg, what do you got? I had a few more sprinkles on what you guys have already said. Too much eye contact. Way, way too much eye contact. Mesmerizing eye contact. She breaks eye contact at the end, yes. But during this time, even when she's stammering as she's admitting that this was an unusual ransom note, which is probably a point that people are using to establish guilt, usually a ransom note would say, hey, give me some money. I got your kid. You know, it wouldn't say, you know, victory to the whatever she said. That's not usually what you expect. You don't expect three pages. You also, if you did something and it has become the place that is the most scrutiny and you wrote a three page thing, you're giving a real handwriting sample on a level nobody has ever done. And now they can compare it and they go look at your work.  So you may stammer and stutter your way through it. Way too much eye contact. She's almost trying to give you a, we will never find this guy because this is such an unusual thing. And this is just sprinkles on everything you guys said. I agree.  That's the way they approach it. Now a lot of this is just her personality, all that stuff, but the chin down and all this together, you should have a pretty good picture that we're all concerned here. That's it. Correct. And the ransom note was already written. I believe it was. I mean, it's very unusual for a ransom note to be this long. From what we understand from professionals, we've talked with that after someone commits such a crime as this, they, you know, get the heck out of there. Cool. We good? Yeah. Like that. Mrs. Ramsey.  And then someone writes out this ransom note. Why do you think that that's not feasible? Why do you think it was written before? Because I have been told by people who are experienced in this field that that is usually the way it happens. I have no previous knowledge about these kind of things, but we have been, you know, in conversation and in. We think about this every day. Every day. And we've sought out, you know, the top people in the field that know about how the criminal line works. And this is what we're going on. The profile that's in the book, you know, all that information is not from John. And for me, this is from from people that know what they're doing. All right, Chase, what do you got? If you're watching this, do me the biggest favor of all time and watch this clip and only listen to her responses and see if somebody offered you a million dollars to figure out what she's talking about. If you could figure it out. This is the most generalized, unnonspecific, noncommittal answer I've ever heard in any interview, I think in my lifetime. It's those people, these people, these techniques, this agency, those agencies, these people, all arguments are arguments from authority or an argument on authority. So if you told me, oh, I think she's on drugs and I my response would be, oh, where did you graduate pharmacology school? That's the argument of authority. And what they're doing is something called borrowing authority. So I am borrowing the authority of another agency or another group of people in order to make my story more believable or more palatable for people to like me more, which certainly lead to maybe an innocent claim at the end, but it would certainly lead to where I want somebody to start believing I'm going to wind up. Greg? Yeah, what you call borrowing authority, I call authority by association and she doesn't just borrow it. She paid for it. She tells you, we have the experts. There's a status claim here and there's a resume statement of sorts there. I would say I paid for this expertise and I know. So I agree with you. There's that, certainly up front. She swallows really hard at the beginning of this. Did you all see that? Just awkward. Now it's probably from the question before, but it's still there. She smiles awkwardly in the middle of this thing. I don't get that. Of all the things, it's kind of that condescending spot. Some of this is her baseline of snarkiness. I mean, it's just how she's wired, I think, but she is in the middle of a rambling to your point. There are not many questions and answers that are quite this messy, but she's rambling and running off into the quicksand and he rescues her. You see that when she said, we, she has a word pattern about this every day. She has a word pattern shift that says, we have been, and she's not said that up to now, any weird word pattern like that, not just noncommittal, not just rambling, but it's a weird word pattern for her. Remember, she was a beauty queen. She was a pageant person and presentation is everything to your point earlier. Even if you don't answer a question, you probably have a long rhythmic process to it. So I would say, what are you, what are you talking about here?  And I'd get what she's got.  So Scott, what do you got? All right. Here we see the largest illustrators in the whole thing. And when she says, as she's going along, she illustrates almost every word she's saying. And it's like she's answering to a child for the fifth time answering a question and she's not going to answer it anymore. This is what people do when they, when they're done, when they're finished with it, they're telling you they're finished with it. They say, I'm not, you know, but the interesting thing here is, and I just caught this, was that big head dip when she says, we have no previous knowledge of this, but we, when she says we, her head goes, it dips almost like she's bowing to this interviewer. That lets me know she's done at this point. She's saying, this is the last you're getting about this right now, because her head goes low on that part of it.  But when you listen to it, it just, it's just like huffing and puffing is all that is as you go along. There's nothing really there. It's there, but there's nothing there. It's just all smoke and mirrors at that point. Yeah, but she's, she's making sure she gets her point across. She's done with that, with that question. So Mark, what do you got? Yeah. So as the camera pans to her, you get the lip groom. So she really knows that the camera is moving on her again. Perception is really, really important. Condescending, lecturing tone almost to a child. And that's what's eminently unlikeable about her. I want you to take a look at some of Margaret Thatcher's interviews because this is the most like Thatcher that she is. You see the nodding of the head and then the shaking of the head. At the same time, this is condescending downward low voice that is almost male in its way of pushing you down and telling you exactly how the world is. It's not very likable, is it? And Thatcher was never very likable and neither is this lady here. So it has that cold kind of iron lady perception to it. Again, we've got to be careful how that influences our ideas about her. I mean, one of the things you probably want to do if you're in this kind of situation is be eminently likable so the public will be on your side. And there's no way that the public is going to be on her side again because she doesn't have that sense of loss around her either. So bad public perception from somebody who is all about public perception. And I hope you like my Thatcher impression there. I loved it. We have been in conversation and in... We think about this every day. Every day. And we've sought out the top people in the field that know about how the criminal line works. And this is what we're going on. The profile that's in the book, all that information is not from John and from me. This is from people that know what they're doing. So are we good? Yeah. How is it that you are able to sit here and talk about the body of thatcher daughter? I have to kind of put it in a clinical perspective rather than emotionally when I can to talk about it like this. And we have a strong faith. Greg, what do you got? Yeah, this one, the speech pattern shifts. She's almost childlike in her recall of what she should say. Now, here's the thing, guys. I'm also going to go with you, Mark. If one of us were being questioned, we're in trouble because we would not be likable because we would be informing and telling you how things are. And it's just in the way we're wired. She shifts here and when they ask her, now, if you ask me about bodies and that kind of thing in my past life or chase, well, we probably have a little more experience in that world than is normal. But when it's your own child, I'm going to tell you that seeing somebody else's body that I don't know probably wouldn't affect me nearly as much as someone I love. I've seen quite a few bodies in my life. And when you lose someone in your family, that is a devastating thing. This is awfully clinical to talk about it, but it's also childlike. So this is probably one of the few places where I start to say, well, there's a soft side of her and she's trying to say whatever. And then she goes up and her accessing changes. She's not focused on you and making eye contact and trying to hypnotize you. She's doing something else. She's recalling and thinking and she's avoiding eye contact, which is actually more endearing of her than anything she's done. And now if she'd look at you and say, well, I just compartmentalize it, you would think, yeah, this woman needs to go somewhere. So there's that chase. What do you got? I think they publicly announced that they're doing all this from a clinical perspective, which I think is is them saying, this is why you're not seeing emotion. This is why you're not seeing our grief. That's the way that they can explain this. And some people might say, well, that, you know, we're not seeing a lot of grief here because they're numb after this experience. It's an experience. Yeah, we watched the McCann's, for example. And they were really numb. And we'll get back to that in a second. But when she does this, she's gesturing off to her right side. When she's talking about something horrible, like something horrible that she needs to get out, gesturing to her right side. And this is important. Later, if I was interrogating or interviewing her, when I want her to be emotional, I'll move to that other side. The opposite from where she was associating this clinical part. And I'm also going to gesture with that hand to make her look over that direction, to make her use eye accessing in that direction. And when people say, oh, maybe they're numb. And that's the reason they just don't show any emotion. There's a ton of emotion here. It's fear, social approval, seeking, anger and disagreement. We see a lot of it here. And people who are spent or empty on emotions are just numb after an experience like this. They're numb from all emotions, not just one. And I think this is an attempt to explain the lack of feeling about the issue. But when emotions are there, you're not numb to the experience. Mark? Yeah, so I totally agree. And I buy in from this video to her idea of compartmentalization. She's very clear about where she's placed it. And she seems to be clear to me about where the feelings are and that she's not accessing those now. She's put it in a little package over here. And her eyes go all around the house to get from one to another. So I think she really is experiencing and truly has packaged up the story and the emotions in different places. But the important thing is, is it comes across very, very cold. And again, from a perception point of view, it doesn't work well for us. So she comes across as cold that easily makes us feel like she is calculating and then inhuman. And at that point, we've dehumanized her. At that point, you know, we can turn her into doing horrific crimes. I don't know whether she did or not. But all I'm saying is, because of her behavior right now, it's easy for us to dehumanize her and make her the bad person. She could well be, maybe she isn't, but it's easy for us to put her there. So we've got to be careful about that. Scott, what do you got? All right. I don't think she's thought about compartmentalizing anything up to this point. However, she has compartmentalized, like you said, Mark, everything, because this is years later. And she's been able to put everything in a box. I'm going to talk about this. This is what I talk about. And this is what I talk about. So when you get called to do a gig somewhere, all of us, you go do a keynote. What is it for? Oh, it's for the military. Okay. I know the things I'm going to go deep. Here are the things I always cover on the deep stuff. Then I want to go talk to a dental assistant. And then it goes small.  So she's compartmentalized all this stuff. And that's where she's got hers over here. She's compartmentalized what she thinks about her over here. So as a whole, everything's got its own spot. And that's all she's talking about because I think this whole thing has been compartmentalized for her. She keeps it in a box and then she brings it up and then she starts looking at the different separate parts of it mentally. That's what I'm getting from that. And five years is a long time. You can do a lot of compartmentalization in five years. Yeah. I will say this. The rule of thumb to go off of in compartmentalization, the more a person feels like what they did that they need to compartmentalize or what they witnessed was a result of doing something good or doing the right thing, the easier it is to branch off and scoot somewhere else. Well, it's the reason soldiers can box things in a lot easier than the other guys, right? Yeah. Yeah. We've all seen him been witnessed to a lot of horrible stuff in our gigs.  It'll start getting everywhere. So I think everybody compartmentalizes. And I think this is just observing somebody explaining what that is for maybe the first time, possibly. How is it that you are able to sit here and talk about the body of your daughter? I have to kind of put it in a clinical perspective rather than emotionally when I can to talk about it like this. And we have a strong faith. So are we good? Yeah. This is our story. I mean, there have been, I think this is now the 10th book I'm understanding that has been written about this case.  No one else. This is a story only we can tell. I was even a bit uncomfortable putting your picture on the back. All right, Jason, what do you got? Why would it be a story and not an ordeal and experience, a trauma, our suffering, our history, our family? It's a story. I think that's an interesting choice of words there. And this offering of discomfort means nothing in terms of the question of true events. When he's talking about, I was actually uncomfortable to put this photo on the cover. And I think it's incredible to hear that it's our story, not her story. It's ours. And I just think that's an unusual choice of words. Maybe she's looking in Jean Benet with the word ours. I won't claim to know that, but I will claim to know that she did not credit her daughter in the story at all directly. Scott. I agree completely. I think it's Jean Benet's story. So that's what you'd be telling what happened. But maybe she's leaning toward the section of here's what we went through for her story. You know, so maybe that's what she's talking about was our story or whatever. But I think maybe she separated the child from this whole thing. I mean, it's all about the child, but she's not telling the story. Like you just said, Chase, of talking about the child at all. Greg, what do you got? Yeah, so this to me is her baseline. It's all about me. It's all about me. It's about us. You need to listen. This is our story. This is about us. Other people shouldn't be writing our stories, what I'm hearing. So yeah, this is not makes her not likeable. And Mark, I don't think we can say enough times. It doesn't mean she killed anybody. I do think when you are forthcoming, there's not a lot of smoke and mirrors and stuff about your kid dying. You know, if you talk about somebody, whether murdered or some something else, you'll get to clear easy points. If I'm going to tell you a story about something that happened five years ago and losing a child, it'll be very clear about what happened. I don't need to make it a big deal in a song and dance and about me. It's going to be about what happened and where it's gone. Look, these are all well known facts and it makes you feel like someone is hiding something in my world. When somebody looks like they're hiding something, it's usually guilty knowledge. That's, and we'll always say, you can't tell what happened, but you can certainly say, we need to lift the covers on this when something's up. And that's what I see. Mark, you want to bring it home? Yeah. So why does this make the public feel really bad? And I think the interviewer hits the nail on their head here. People don't understand how you are past the loss of this. That's the big problem with this. We as a public go, I wouldn't have let her go so quickly. I'd still be in loss and mourning. Why? Because she wasn't ours in the first place, but we've made her ours. Jean Benet became really an icon of the death of innocence, a beauty that gets taken away for no apparent reason. She is almost an urban legend. She is mythology. And so the parent, I think at this point, is going, you can't have that. This is now my story. I'm going to take control of that. And we don't like that because we don't want to dead. We don't want that child dead. We want to keep that child alive. And the parent here is really killing that child for us and going, she's not even on the cover. We don't even want her on the back. This is our story now. So we don't see the value, I think, of that maneuver that the parents are doing. We may have our arguments for why it isn't valuable. But we've got to see from their point of view why it may be valuable to them. Again, I don't know who's culpable, who's guilty of anything here. All I know is that in this interview, she is wholly unlikable. And I think we've got some of the reasons why we don't like her. And we've got to be really careful that we understand that that's going to bias us in our judgments and the stories we make up about her there. I'll leave it at that. This is our story. I mean, there have been, I think this is now the 10th book I'm understanding that has been written about this case.  No one else. This is a story only we can tell. I was even a bit uncomfortable putting your picture on the back. All right, let's talk around the room and let's come up with two words for what you think is going on here. Greg. Jury's out. What about you, Chase? Guilty knowledge. Mark. Guilty of bad public perception. I know it's not two words, but I don't do two words. All right. Then I mine would be I don't know. I don't know what I'd say. I don't know what I'd say. I don't have two words for it. I talk too much. All right. Well, thanks you guys so much. If you like what we're doing, please subscribe and click the little bell so you know we have a new video come out and never get to go to the back one more time or back to the 911 call the second part and let us know what you think is being said in there. So we will read it. Oh yeah. No kidding. All right. I'll see you guys next time. Bye now.


what's going on guys welcome back to another video so this is going to be kind of like an unordinary is that is that how you say it an unordinary the opposite of ordinary an ordinary unordinary it's not going to be a regular vlog all right instead of correcting me she's laughing at me like a bully because i don't know either it's too early you're the one that's grammatically correct in the relationship i'm illiterate not all the time most of the time okay but anyway this isn't going to be like a regular vlog so this vlog is going to be over the span of like two days um but as you guys can see last title and thumbnail the video we are going to be on our way to shine's second birthday party he's already two yeah that's insane time has flow flown flew time flew by i think i'm just stupid today yeah it's just i don't know we've been under a lot of pressure trying to pack and prepare for the trip yeah so i mean right now we're still in florida we're still in Tampa we're about to go grab some breakfast then head back home grab our stuff hop into uber go to the airport and get to our destination in jersey and then the event shine's birthday party is tomorrow but right now let's go ahead let's get some breakfast in and then we'll continue on with this vlog wait show them my ring on the light you want to show them your ring yeah look how pretty look at you showing off the ring i got you yeah yeah i like showing it off when it's clean but it's not clean because you already have a mad lotion on it i do but i got eczema and lotion all right anyway guys we'll see you inside man you guys already know it's the same deal every time chocolate chip pancakes and bacon a beautiful date with what you got potatoes eggs and turkey sausage oh i got your sausage all right what you just don't all right all right all right so we finished up eating we're back home kind of like in a rush now our uber is already outside we're pretty much ready to go got the luggage backpack you got everything yep i got everything you're positive and then we'll be back in a few days okay just gone for the weekend okay love you so yeah guys right now we're about to make our way to the airport so we'll catch you guys as soon as we get there we made it to the airport crazy because we're doing the bag check and the lady actually recognized us and i don't know for me that kind of like i don't know took my anxiety down a little bit yeah i don't know just knowing that she knew us and she was like taking it easy and calm because usually at the airport it's like really hectic and everything's so fast-paced but yeah that made me feel a little better we're in jersey now we just landed got off the plane and they're running this whole drill at the airport it's freaking crazy jenny's already got anxiety over it it's just a drill babe i but i didn't know that i was literally in the bathroom peeing and then they were telling everyone to evacuate so and then he's alone so obviously i started freaking out she started freaking out she thought daddy was in trouble she thought daddy was in danger but she doesn't know that daddy is in danger how would you say that like so yeah guys right now we're just waiting for our bags to come out and then we're actually gonna go to our hotel then we're gonna go meet mylo and hazel in new york and just chill a little bit at their hotel you know nothing too crazy and then tomorrow the party starts yeah i'm excited all right guys just made it to the hotel the uber drive took forever babe how long was that uber drive it was really long i feel like it was like an hour it took like an hour forgot how much traffic is in like newark new york area it says oh my god i just can't i hate traffic what was going towards traffic for our lightning yeah but right now we're about to grab some food and probably just chill just take it easy and then you know just get well rested for tomorrow because tomorrow i feel like tomorrow might be a long day you know we have shine's birthday party but we don't know what we might get into after so gonna try to get as much rest as we can and take it from there so we will see you guys tomorrow when we pick up the camera again we're back next day morning and janice is already wasting my money so because i got you an almond milk an almond almond milk vanilla smoothie and what do you do you don't drink it she doesn't drink it it's too sweet and it doesn't taste like it's a milkshake i don't know what do you mean it doesn't taste like almond milk it doesn't taste like almond milk tastes like dairy like regular milk and i don't like it bro where do almond milk like how is that made like do you squeeze an almond and the milk comes out like how does that work you like soak almonds overnight and then you blend it so essentially almond milk is water that's why all right that explains everything that's right wow that explains why you shut up so right now we are waiting a little bit because it's still a little early but pretty soon we're gonna be calling it uber and we're gonna be heading over to shine's birthday party it's gonna be lit it's gonna be dope you're gonna be able to catch up with some friends and do that face again you're recording me like putting on my lipstick get on my face so yeah guys we're gonna wait a little bit longer then we're gonna call it uber and then we're gonna make our way over there it's pretty cold today bro we're wearing the coats yeah you're wearing your coat over the bust yep okay i'm gonna blame you we'll see you guys in a bit quick fit check before we head out uber is on the way hack olive green to match the cargo pants i'm on cleasy coat thanks to babe don't mind our hotel room it's a mess right now but yeah she got me this coat keeping me all warm she got for me last year if you guys didn't see that video go watch it fashion nova uh pullover hoodie sweatshirt and some nike air maxes you very nice um i forgot where i got this but long sleeve amazon i got some jeans for fashion nova they look good so amazon some dior sneakers and then my dior her tummy very nice very nice thank you all right let's go over is about five minutes away we got about an hour drive it's gonna be crazy i'm just bundling up it's cold outside guys it's like 50 degrees out it's raining it's cloudy it's black yeah but we're gonna have a good day guys we ended up falling asleep in the uber yeah it it was like an hour drive a little more than an hour and we both knocked out and then she told me that i switched mad hard yeah i mean he kept scaring me like he's switching and then he's still knocked out and i'm looking at him like oh my god he is switching so much yeah guys when i get like really sleepy or like i'm in mid-sleep i start switching like crazy literally it's so bad but yeah we just got here so we're gonna go inside see what everything's living like you're excited yeah i'm super excited let's get it so happy birthday shine go playing some some piano keys all right because i told him everything he knows just made it back to the hotel 2 30 in the morning jenice's feet are in flames yes they hurt really bad so yeah guys we just made it back to the hotel it was a very very long day pretty eventful um super dope really fun good vibes all around thank you to rissen kwan for inviting us shine's birthday was amazing they outdid themselves as they always do yeah it was a vibe and honestly i'm just ready to take it in at this point just go to sleep so i'm about to hit the shower and go night night anything else must i just want to say shout out to hazel for doing my lashes oh yeah hazel did her lashes they came out really nice thank you shout out to hazel love you girl so yeah with all that being said guys we're gonna close it out right here we hope you guys enjoyed today's vlog again happy second birthday to shine all that being said guys we'll see you in the next video


Our study suggests that preterm birth has lower levels of Vitamin D in the placenta than full-term pregnancies. Additionally, we observed a higher concentration of the enzyme responsible for converting Vitamin D into its active form, suggesting that the placentas of women who gave birth prematurely may not have enough Vitamin D available to support fetal development. This article was authored by Rima Irwinder and Biencharan Dadi.


Tom here from Lauren systems and Synology has sent me this for review. This is a rack station RS 1 2 2 1 plus now They make two models of this. It's an RS 1 2 2 1 plus is the one in front of me with a single power supply and a RS 1 2 2 1 RP plus is the dual power supply model I didn't want to bring this up right away because I thought this was an odd design choice by Synology this right here is the Single power supply, but it's not like it's just missing one in the picture You see here on their website is the dual power supply model, which are you know your standard kind of server style hot Swap from the back power supplies, but what they've didn't hear is a little bit different. Let's take a look at the overhead We have a power supply mounted this way not this way I mean what obviously that brings to mind is how do you get it out of there if it goes bad? Well, you can it's just under the motherboard So the chassis themselves are absolutely different on these and I thought that was one of the first distinctions that kind of struck me as odd and Others than that they're the same exact motherboard and specs are gonna be the same But if you're want to know a difference between the two it isn't just the fact that one has a single power supply The other one has redundant It's the fact that they put the power supply in and made it well I would say a little bit more challenging to remove so if I had to swap the power supply in this one Or if you had bought the single hoping you could add a second power supply later and save a few dollars It doesn't work that way either But swapping the power side does mean removing the motherboard because it's underneath it I don't see I mean maybe I could pull the chassis out from You can see how it's not as easy to get this out because they put it right in here But the MSRP on this model is 1299 and the dual power supply model is 1699 other than that all the other specs are gonna be the same which is an AMD Ryzen processor It's the v1500 b4 core 8 thread. They both have an e-sata port to USB 3s 4 gigs of ECC memory. That's what they ship with and 4 1 gig ports now There is a PCIE in here so you can expand but that's where things get a little bit well Confusing and let me explain real quick here. It may be confusing is not the right word but disappointed So I've gotten used to the Synologies having some of their higher-end models offering the NVMe cache They did not offer one on this probably to keep the price lower, but nonetheless, it doesn't have 10 gig either now Not having 10 gig and not having that means well with one slot Is it either or? Actually, Sonology does have a solution for this and the MSRP on this is 249 This is the 10 gig and M2 SSD cache all at once I think it's kind of clever that they have a solution for it But I would like to see one or the other like just a 10 gig port on here because offering the caching is not bad I do like that. It's not always necessary. It does offer speed improvements under certain workloads I would have liked at least a spot on the board as an option to mount it But I figured at least mentioned that it's not on this model right here now This is an 8-bay model and so you can certainly put quite a few in here It has an expansion trade that you can get for it of four more bays totaling in 12 drives that you could potentially expand this too We've been testing it here for a little over a week and a half running different workloads That is why we added both a 10 gig card and we added eight gigs of RAM So we wanted a little bit more memory in this device so we could test it further But as it shipped it only had this analogy for a gigs in here and this is our card We did not have one of the Synology dual cards for testing this now if we want to take a quick look at the back And this is like I said how they put that power supply in there matter of fact You might be wondering how do you plug in a power supply that's sideways in here This actually reminds me of the old printer ones They give you actually two of these cords one of these and an extension and it goes in like this now The good news is pulling on it like this means it's not gonna come out easy So I don't mind that it's plugged in sideways actually that's really nice because if you slide this in and out of the rack It's not going to pop out But it makes sure you have this handy if you forgot the power cord and thought a standard one would get in there That angle will not make it with your standard power. It is a standard cord It's just at a right angle which not uncommon, but so a little unusual here across the back. There's those four one gig ports There's the 10 gig Intel X 520 card that we put in here That's something we had at the office and then we have the two fans on the back I'll take a little bit closer look at the motherboard now with the lid on we get pretty good airflow So we don't have any dedicated CPU fan just a large heat sink and with the airflow going this way Even our 10 gig card is still well cooled Nothing seemed to be hot at all after letting it run provided you keep the cover on top of it The eight memory is right here and then right here is where we added in the extra ram for our testing And I do like that the batteries right on top and accessible. There is one two three four five six seven Eight screws all the way around holding the lid on so it does stay on nice and snug No wobbles there does have a little system speaker for beep and then we'll slide it forward Well, look we have two fans here pretty beefy ones and because this is a Meant to be in essentially a data center or server rack. It's not going to be the absolute quietest fans But they certainly have quite a bit of airflow. There's nothing else really serviceable here I'm assuming this device right here is Probably where the operating system base lives on this device. It's not really meant to be serviceable or removable It has kind of an unusual connector. We looked at on the bottom of it But back to where that power supply is the only way I see is maybe if you took the side This appears to be screwed in right here You could probably take this out to slide off the back but that would also mean disengaging some of the way this is pushed against it and Like I said, it's not going to be an easy change out if there's everything anything goes around the power supply It is nestled underneath here in order to get to it. There's really nothing too remarkable about the front of it We have a power button on the front. We have your standard kind of Synology trays. Everything feels nice Got the standard Synology kind of hex lock that's on there So not super secure but good enough to keep people from doing that unless they stick their fingers or stick something in there Give that thing a little twist and one thing Synology really wanted to highlight is that it's not very deep So if you're putting this into a rack, you don't really have to worry about, you know Having it all that much depth behind you It is 30 centimeters for this model and 38 centimeters for the dual power supply model Fans go full power just for a second when it starts and then go down pretty much as you can tell I'm recording next to it and I don't know if it even know if the microphone is really picking it up, but the TV is pretty low on this About 55 decibels once it's initialized and I imagine if it's under enough load with enough drive Maybe these fans have wore up a little bit noisier, but it's even quieter from the front of course That's why I did this at the back. So I have the system booted up It's running it Synology distation manager 6.2 3 the latest available right now as of February 2021 And it idols at a brown 65 watts and I have the kilowatt over on it checking that out now When it ramps up it does take a little bit more wattage But even under some of the workloads and some of the testing we never really heard the fans ramp up on there It seems to stay quite cool and we have a couple virtual machines sitting right here This is actually in a cluster mode with another Synology I'll cover that in more in-depth in a virtual machine manager another video But nonetheless firing it up and connecting which we have right here Windows 10 on here It works reasonably well This is not exactly a powerhouse of a device in terms of virtualization But it will run Windows 10 and other workloads including Docker and all the other features that you get with Synology distation manager Now my overall on this device other than you know kind of hoping it would have shipped with 10 gig You know, I think that's a minor problem But it is something that you can fix by doing what we did either putting a card in or getting the Synology card And if you need the caching if that's something really necessary Well, that's an opportunity as well if you want to add that because that dual card I mentioned will kind of solve both problems at once with the only single card slot The only other minor complaint But it's worth noting is if you get the single power supply model now These do offer five-year warranties, but if you get the single power supply model and you have to swap the power supply It's just not as easy as sliding one out and sliding it in I kind of wish they would have even if it was single held that type of chassis on there So if this was going to go into data center for convenience and that little bit of extra cost I think the dual power supply model might be a little bit better in terms of that So it depends on where your budget is but nonetheless buying a pair of these and setting up Synology to back up to another Synology is very very easy to do and I still really like the solution a distation manager provides for well Just general ease of use and easy deployment We've been using it more and more for a lot of things such as the active backup and having all those features that are built into Which I'll leave a link to the video where I talk about some of the cool things We do with the Synology and some of the reasons we like their software Yeah, I'll leave a link to that. It's definitely some good stuff So hoping to see some more AMD stuff maybe even some epic stuff coming in the future I'm not aware of any but it seems like once they've started down the path and partnering with AMD to put something other than Intel on there That's exciting. We're hoping to see more in the future. All right. Thanks And thank you for making it to the end of the video If you liked this video, please give it a thumbs up if you'd like to see more content from the channel Hit the subscribe button and hit the bell icon if you like YouTube to notify you when new videos come out If you'd like to hire us head over to Lawrence systems calm fill out our contact page and Let us know what we can help you with and what projects you'd like us to work together on If you want to carry on the discussion head over to forums dot Lawrence systems calm where we can carry on the discussion about this video Other videos or other tech topics in general even suggestions for new videos They're accepted right there on our forums, which are free Also, if you like to help the channel in other ways head over to our affiliate page We have a lot of great tech offers for you and once again, thanks for watching and see you next time


Hello. Myself Satish Thalange, Assistant Professor, Department of Civil Engineering, Walton Institute of Technology, Solop. In today's session, we are going to see regarding the decision making under uncertainty. At the end of the session, the student will be or the learner will be able to identify the alternative available by collecting the overall information and select the best alternative on the basis of the various principles and the criteria. Now, coming to the point, what is the decision making under uncertainty? Particularly, if the person or the decision maker don't know what exactly the outcome is going to be there, that is, the certainty of the particular state of nature, then the particular human is said to be making a decision under the uncertainty. And the commonly used criteria or the principles for the decision making under uncertainty are as follows. The vital criteria, laplace criteria, Hurgis criteria, and the savage principle or it's also known as the minimax-regret approach. In the earlier sessions, we have seen regarding the vital criteria, laplace criteria, as well as, you can say, now, continuing to that, today, we are going to see regarding the Hurgis criteria and the savage principle or the minimax-regret approach. Now, coming to the particular pay-off table. What is the pay-off table? It's a particular table which is known as the profit table also. Now, the pay-off, as I said, it is very, the pay-off table is very helpful for making a decision by using various principles or you can say the criteria. Now, in today's session, we are going to see one of the examples and we are going to make a decision or you can say, select the alternative by using the Hurgis criteria and the savage principle. Yeah, the person, Mr. Krishna, is having a particular plot and he is interested to have the decision regarding the making or you can say, constructing the luxurious or deluxe or ordinary rooms and he can provide the facility of the lodging and next, he can lease the particular land for the parking or any traditional fare or any function or the third option is that no plan at all. So, by observing all these options, now, we have to make a decision but for supporting into that presently he is paying 25,000 a tax per year. Now, this is a table which is representing you the various alternatives and the state of nature means it's there may be the high demand or normal demand or low demand and these are the outcomes or you can say the pay-offs for the respective alternative for the respective state of nature. With the help of this table and using the various principles or you can say criteria, we are going to make a decision. Now, coming to the Hurgis criteria, it's the principle based on the decision maker view may fall somewhere between the extreme presumim or the particular extreme optimism. In the present example, the alpha, they are defining that 0.6 and of course, the 1 minus alpha will be 0.4. As these are the alternatives, lodging, facility, rent out space and no plan to find out the particular solution by using Hurgis criteria. The first step is what to identify the maximum value from each alternative. This is a column which is representing the maximum value from each respective column. So, lodging facility, the maximum benefit we are getting for the high demand that is 5 lakh. This is a maximum value which we have written here. Same for the rent out space, the maximum value is 3 lakh which we have mentioned here and for the no plan, it's a minus 0.25. Similarly, we have to find out the minimum pay off is minus 0.5, for the rent out the minimum pay off is minus 0.30 and for the no plan, it's a minus 0.25.   So, here the maximum is 5 multiplied by 0.6 plus minus 0.5 multiplied by 0.4, we are getting value 2.8. Similarly, for the rent out space as well as no plan, the values we are getting 1.68 and minus 0.25. Out of these two, we are going to select the maximum pay off, it's 2.8 which is the alternative related to the lodging facility. So, lodging facility will be best option according to the Hurig's criteria. Now, one more criteria that is a savage principle. The savage principle is nothing else, it's also called as a regrid criteria or you can say mini max principle. Here, this is the principle in which the particular decision maker convert the profit table into the loss table or you can say regrid table. How to convert the particular table from profit to the regrid table? Let's see. The regrid table is obtained by following method. You have to select the maximum or the best from the state of nature column.  Out of this, the maximum, when we see this table, the maximum outcome is 5 for the first state of nature that is high demand, for the normal demand it's 1 and for the low demand it's a particular minus 0.5, difference between each respective alternative with the help of the best outcome from the respective state of nature. So, 5 minus 5 is 0 and 5 minus particular 3 is 2 and 5 minus minus 0.25 is 5.25. Similarly, for the normal demand, we can get the regrid outcomes or you can say loss payoffs of the particular alternative with respect to the state of nature. Here, as I said, the one is the maximum best outcome from the second state of nature that is the normal demand.  Similarly, for the last low demand, same methodology we have to use and we are getting value as 0 minus 0.25 on minus 0.25. Now, coming to the next step, after getting the loss table, this is the regrid table. Earlier, we have mentioned the profit or you can say the profit table. Now, we are converted into the regrid table or you can say loss table. These are the values or you can say outcomes of the loss for each alternative for a respective state of nature. Now, we have to carry the stock that is the mini max principle. Means what? We have to select the maximum regrid from each respective alternative. For the first alternative, the maximum regrid is 0. For the second rent out space, the maximum particular regrid is 2 and for the no plan, the maximum regrid is 5.25. After that, this is the values 0, 2 and 5.25 are the maximum regrid. Means, these are the maximum loss for respective alternatives. For the lodging, it is a zero loss. For the rent out space, it is a 2 lakh loss and for the no plan, it is a 5.25. So, by getting the maximum regrid, we are interested to select. And I ask you from this maximum loss that is 0, 2 and 5.2, which alternative you are going to select, we are going to select the minimum value which is having minimum loss that is a zero, which is related to the lodging facility. Similarly, now we are getting lodging facility will be the best option according to the savage principle also. In this way, by Hurgis criteria also we are getting the lodging facility as I declared earlier and similarly by the savage principle also, we are getting the lodging facility. Let's select the correct answer for the questions, hope so you have selected these represented correct answers, these are the references for the today's session. Thank you.


The paper proposes a framework for assessing the readiness of oil and gas engineering projects. It consists of four stages, identification of key project readiness indicators, analysis of the existing literature, expert interviews, and questionnaire surveys. The resulting indicators were used to develop an algorithm for making decisions about project implementation. This article was authored by Pavel Tsilyanu, Natalia Romashiva, and Artem Nanko.


Hey everyone, Shaper 1000 here. Today we're gonna finally review this saw. Had it for a long time, haven't used it. I don't think I've even turned it on, so it's good. That's a 16 inch bar. I know it looks like 91 but it's not. Low kick back. So we're gonna be checking this out. I got my work crew over here looking like a regular tree cutting work crew. Yeah. Sitting on their hind ends. Okay so we're gonna take this over here. There's a tree. I gotta finish cutting down over there, pine tree. Then we're gonna cut this up. So we're gonna see how it works. It's a zombie. It's a model number Z, C, S, 1, 2, 0, 1, 7. 13 amp. Okay. Well, let's do this. Check this out. We have a tomato plant growing. Remember, we had nothing but onions in here. So this had to be a seed from two years ago, or two seasons ago, or whatever. I thought I'd share that with you. But just happen to look over.  We had tomato plant growing. Cool. Okay guys, so to the right of your screen you'll see me. That tree right there is what we're cutting down. It's about 20 feet. The rest of that is what came off the top. And I'm gonna put the stench cord through here around that and then plug it in. Let's get started. Okay guys, the tree is down. She can see it was pretty well dead. I think cut through there like butter. So I'm gonna start cutting some of this up. Then I'll take a break and come back with you and tell you what I think of the saw, what I gave for it. Of course, there'll be a link to that saw in the description below. But I bought that. This is not, they didn't send it to me. It's not a paid thing. So, all right, let's get you on the stand. Okay guys, so there it is, the zombie. So far I like it. And I like the fact that it has an organ blade and an organ chain on it. Bar and chain. It's organ. Now this you'll find it does not have a break up here. It doesn't need one because as soon as you let go of the trigger, it stops.  But yeah, I like the fact that it's got the organ on it. And it just, that tree was was dead. But I mean, still cut through really easy. So yeah, I think we gave what we get for 75 55 or 75. I'll put it across the screen right now. And like I said, there'll be a link in the description. If you want one, we bought this with our money. I'm not working for them. I'm not getting paid to say this so far. I like it. And of course, it's electric. So it's going to be quiet. So yeah, that's awesome. We got it because, you know, my condition now I can't. I can't use a regular chainsaw as much as I'd like to. I'm not supposed to use it at all. I'm not even supposed to be using this one. But it's good for just like cutting up this tree here. You know, I did fill it up with oil at oil last a long time. So I don't have to fill up with gas and oil and all that just to cut up a tree. I just plug it in and there we go. So yeah, two thumbs up. I'm going to give it a five store so far because I like this paint scheme. It's like lightning. Pretty cool. Alright guys, there you go. Also, I do like that those pine needles get in there and they really just blow it out. This will come right off. I do like this quick release here. You don't need any tools. Okay, so far I forgot to show you this. You can just unscrew this, blow it all out which I've already done because like I said I forgot to add this. I meant to tell you that during this clip but I forgot. And you blow it out. The chain will stay on. It'll stay right where you have it tightened. Now if you need to adjust your chain, no tools. You just loosen this up and you turn this. That'll tighten it and that'll loosen it.  You're good to go. I wanted to show you that because I forgot. So there you go guys. Appreciate you watching. We'll see you in the next one. Sheba the myth man legend gone for now. Y'all take care. Bye bye. Oh, what was your filming? I think badass. Yeah, I like it.


Elizabeth Guigou, welcome to WPC TV. You are a prominent member of the party socialists in France, former minister and now very important in the assembly national on foreign policy in particular. French foreign policy has been quite active at the moment. What is the biggest challenge? I think that the the biggest challenge is whether there are two big challenges. One is on our east side, the question of course of Ukraine, and the second is security in Africa and the Sahel region, which of course is a question for the whole of Europe, which is something that is beginning to be understood but not not well enough I think. But you've established a permanent quasi permanent force in the Sahel region with allies at the moment. So in a sense that you know you can see the way forward. Yes but we should be we should be more more present not only of course because military intervention is never the solution it is sometimes absolutely necessary in Mali to avoid an Islamic State right in the middle of Africa. But the real solution is both political and non-development of course. And this requires change in governance, more efficient help from European countries and of course a new strategy of partnership between developed countries and Africa because of course there is a lot of potential in Africa which is you know which should be the difference between potential development and real development is the gap is very wide. What about Ukraine what is the solution there? Well I think that there is no other solution than to have to implement the Minsk process process and to have both parties around the table. So obviously both Mr. Porochenko and Mr. Putin should you know compromise and I think we should continue to be very firm towards Mr. Putin as far as Crimea and the east of integrity and territorial integrity of Ukraine is concerned but we cannot we have to to have a strategy to end this crisis someday on strong basis because I cannot imagine that Europe remain in a long-standing confrontation with Russia we have to find ways to get out of that and of course it's mainly for the Ukrainian government president government and of the Russian to be together but with the help of the European community of course and I think that it's good that Francois Hollande went to meet Mr. Putin just now I think it's a good moment to do to do it. We'll keep our fingers crossed Thank you so much. Thank you.