This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. The Importance of Being Ernest by Oscar Wilde. A Trivial Comedy for Serious People. The Persons in the Play. John Wehring, J.P. Read by Hans-Stefan Duchamp. Algenon Moncrief. Read by Simon Ferland. Reverend Cannon Chasable, D.D. Read by Toby Parity. Merriman Butler. Read by Toby Parity. Lane Manservant. Read by Toby Parity. Lady Bracknell. Read by Sarah Farnham. Honorable Gwendolyn Fairfax. Read by Nissa Gatko. Cecily Kaudu. Read by Rebecca Bailey. Miss Prism Govenus. Read by Eileen Nadeau. The Scenes of the Play. Act One. Algenon Moncrief's Flat in Half Moon Street W. Act Two. The Garden at the Manor House, Walton. Act Three. Drawing Room at the Manor House, Walton. Time. The Present. First Act. Scene. Morning Room in Algenon's Flat in Half Moon Street. The room is luxuriously and artistically furnished. The sound of a piano is heard in the adjoining room. Lane is arranging afternoon tea on the table. And after the music has ceased. Algenon enters. Did you hear what I was playing, Lane? I didn't think it polite to listen, sir. I'm sorry for that, for your sake. I don't play accurately. Anyone can play accurately. But I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for life. Yes, sir. And speaking of the science of life, have you got the cucumber sandwiches cut for Lady Bracknell? Yes, sir. Hands them on a salver. Inspects them, takes two, and sits down on the sofa. Oh, by the way, Lane, I see from your book that on Thursday night, when Lord Shorman and Mr. Worthing were dining with me, eight bottles of champagne are entered as having been consumed. Yes, sir. Eight bottles and a pint. Why is it that at a bachelor's establishment the servants invariably drink the champagne? I ask merely for information. I attribute it to the superior quality of the wine, sir. I have often observed that in married households the champagne is rarely of a first-rate brand. Good heavens! His marriage so demoralizing as that. I believe it is a very pleasant state, sir. I have had very little experience of it myself up to the present. I have only been married once. That was in consequence of a misunderstanding between myself and a young person. I don't know that I am much interested in your family life, Lane. No, sir. It is not a very interesting subject. I never think of it myself. Very natural, I am sure. That will do, Lane. Thank you. Thank you, sir. Lane goes out. Lane's views on marriage seem somewhat lax. Really, if the lower orders don't set us a good example, what on earth is the use of them? They seem as a class to have absolutely no sense of moral responsibility. Enter Lane. Mr. Ernest Worthing. Enter Jack. Lane goes out. How are you, my dear Ernest? What brings you up to town? Oh, pleasure, pleasure. What else should bring one anywhere? Eating is usual, I see, algae. I believe it is customary and good to society to take some slight refreshment at five o'clock. Where have you been since last Thursday? Sitting down on the sofa. In the country. What on earth do you do there? Pulling off his gloves. When one is in town, one amuses oneself. When one is in the country, one amuses other people. It is excessively boring. And who are the people you amuse? Oh, neighbors, neighbors. You've got nice neighbors in your part of Shropshire. Perfectly horrid. Never speak to one of them. Oh, immensely you must amuse them. Goes over and takes sandwich. By the way, Shropshire is your county, is it not? Eh? Shropshire? Yes, of course. Hello? Why all these cups? Why cucumber sandwiches? Why such reckless extravagance and one so young? Who is coming to tea? Oh, merely Antigusta and Gwendolyn. Oh, how perfectly delightful. Yes, that is all very well, but I am afraid Antigusta won't quite approve of your being here. May I ask why?  It is almost as bad as the way Gwendolyn flirts with you. I am in love with Gwendolyn. I have come up to the town expressively proposed to her. I thought you would come up for pleasure. I call that business. How utterly unromantic you are! I really don't see anything romantic in proposing. It is very romantic to be in love, but there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty. If I ever get married, I'll certainly try to forget the fact. I have no doubt about that, dear Algie. The divorce court was specially invented for people whose memories are so curiously constituted. Well, there was no use speculating on that subject. Divorces are made in heaven. Jack puked out his hands to take a sandwich. Algenon at once interferes. Please don't touch the cucumber sandwiches. They are ordered specially for Antigusta. Takes one and eats it. Well, you have been eating them all the time. That is quite a different matter. She is my aunt. She takes plate from below. Have some bread and butter. The bread and butter is for Gwendolyn. Gwendolyn is devoted to bread and butter. Advancing to table and helping himself. And very good bread and butter it is too. Well, my dear fellow, you need not eat it as if you were going to eat it all. You behave as if you were married to her already. You are not married to her already, and I don't think you ever will be. Why on earth do you say that? Well, in the first place, girls never marry and girls don't think it right. That is nonsense. It isn't. It is a great truth. It accounts for the extraordinary number of bachelors that one sees all over the place. In the second place, I don't give my consent. Your consent? My dear fellow, Gwendolyn is my first cousin, and before I allow you to marry her, you will have to clear up the whole question of Cecily, rings bell. Cecily? What on earth do you mean? What do you mean I'll devise Cecily? I don't know any one of the name of Cecily. Enter Lane. Bring me that cigarette case, Mr. Worthing, left in the smoker room the last time he dined here. Yes, sir. Lane goes out. Do you mean to say you have had my cigarette case all this time? I wish to goodness you'd let me know. I have been writing frantic letters to Scotland Yard about it. I was very nearly offering a large reward. Well, I wish you would offer one.  There's no good offering a large reward. Now the thing is found. Enter Lane with the cigarette case on his silver. Algernon takes it at once. Lane goes out. I think that is rather mean of you, Ernest. I must say, opens case and examines it. However, it makes no matter. For now that I look at the inscription inside, I find that the thing isn't yours at all. Of course it's mine, moving to him. You have seen me with it a hundred times and you have no right whatsoever to read what is written inside. It is a very unsentimental thing to read a private cigarette case. It is absurd to have a hard and fast rule about what one should read and what one shouldn't. More than half of modern culture depends on what one shouldn't read. I'm quite aware of the fact and I don't propose to discuss modern culture. It isn't the sort of thing one should talk of in private. I simply want my cigarette case back. Yes, but this isn't your cigarette case. This cigarette case is a present from someone of the name of Cecily and you said you didn't know anyone by that name. Well, if you want to know, Cecily happens to be my aunt. Your aunt? Yes. Charming old lady she is too. She lives at Tumbridge Wells. Just give it back to me, Algie. Retreating to back of Sofa. But why does she call herself Little Cecily if she is your aunt and lives at Tumbridge Wells? Reading. From Little Cecily with her fondest love. Moving to Sofa and kneeling upon it. My dear fellow, what on earth is there in that? Some aunts are tall, some aunts are not tall. That isn't a matter that surely an aunt may be allowed to decide for herself. You seem to think that every aunt should be exactly like your aunt. That is absurd. For heaven's sake, give me back my cigarette case. Follows Algernon around the room. Yes, but why does your aunt call you her uncle? From Little Cecily with her fondest love to her dear uncle Jack. There is no objection, I admit, to an aunt being a small aunt. But why an aunt, no matter what her size may be, should call her own nephew her uncle? I can't quite make out. Besides, your name isn't Jack at all. It's Ernest. It isn't Ernest. It's Jack. You have always told me it was Ernest. I have introduced you to everyone as Ernest. You answer to the name of Ernest. You look as if your name was Ernest.  It is perfectly absurd you're saying that your name isn't Ernest. It's on your cards. Here's one of them. Taking it from case. Mr. Ernest Worthing. Before the Albany. I'll keep this as proof that your name is Ernest if you ever attempted to deny it to me or to Gwendolyn or to anyone else. What's the card in his pocket? Well, my name is Ernest in town and Jack in the country. And that cigarette case was given to me in the country.  Come, old boy, you had better have the thing out at once. My dear Alge, you talk exactly as if you were a dentist. It is very vulgar to talk like a dentist when one isn't a dentist. It produces a false impression. Well, that is exactly what dentists always do. Now go on, tell me the whole thing. I may mention that I have always suspected you of being a confirmed and secret barbarist and I am quite sure of it now. Banbarist? What on earth do you mean by a barbarist? I'll reveal to you the meaning of that incomparable expression as soon as you're kind enough to inform me why you are Ernest in town and Jack in the country. Well, produce my cigarette case first. Here it is. Hence cigarette case. Now produce your explanation and pray and make it improbable. Sits on sofa. My dear fellow, there is nothing improbable about my explanation at all. In fact, it's perfectly ordinary.  Cecily who addresses me as her uncle from modus of respect that you could not possibly appreciate lives at my place in the country under the charge of her admiral governess, Miss Prism. Where is that place in the country, by the way?  You are not going to be invited. I may tell you candidly that the place is not in Shropshire. I suspected that, my dear fellow. I have bumburied all over Shropshire on two separate occasions. Go on. Why are you earnest in town and jack in the country? My dear Algy, I don't know whether you will be able to understand my real motives. You are hardly serious enough. When one is placed in the position of guardian, one has to adopt a very high moral tone on all subjects. It's one's duty to do so. And as a high moral tone can hardly be said to induce very much to either one's health or one's happiness in order to get up to town, I have always pretended to have a younger brother of the name of earnest who lives in Albany and gets into the most dreadful scripts. That, my dear Algy, is the whole truth pure and simple. The truth is rarely pure and never simple. Modern life would be very tedious if it were either, and modern literature a complete impossibility. That wouldn't be at all a bad thing. Literary criticism is not your forte, my dear fellow. Don't try it. You should leave that to people who haven't been at a university. They do it so well in the daily papers. What you really are is a bumburiest. I was quite right in saying you were a bumburiest. You are one of the most advanced bumburiest I know. What on earth do you mean? You have invented a very useful younger brother called earnest in order that you may be able to come up to town as often as you like. I have invented an invaluable permanent invalid called bumbury in order that I may be able to go down into the country whenever I choose. Bumbury is perfectly invaluable. If it wasn't for bumburies extraordinary bad health, for instance, I wouldn't be able to dine with you at Willis's tonight, for I have been really engaged to Antigusta for more than a week. I haven't asked you to dine with me anywhere tonight. I know. You are certainly careless about setting out invitations. It is very foolish of you. Nothing annoys people so much as not receiving invitations. You had much better dine with your Antigusta. I haven't the smallest intention of doing anything of the kind. To begin with, I dined there on Monday, and once a week is quite enough to dine with one's own relations. In the second place, whenever I do dine there, I am always treated as a member of the family and sent down with either no women at all or two.  She will place me next to Mary Farquhar, who always flirts with her own husband across the dinner table. That is not very pleasant. Indeed, it is not even decent, and that sort of thing is enormously on the increase. The amount of women in London who flirt with their own husbands is perfectly scandalous. Look so bad. It is simply washing one's clean linen in public. Besides, now that I know you are a confirmed barbarist, I naturally want to talk to you about barbarian. I want to tell you the rule. I am not a barbarist at all.   Cecily is a little too much interested in him. It is rather a bore, so I am going to get rid of Ernest. And I strongly advise you to do the same with Mr. with your invalid friend who has the absurd name. Nothing will induce me to part with Bunbury, and if you ever get married, which seems to me extremely problematic, you will be very glad to know Bunbury. A man who marries without knowing Bunbury has a very tedious time of it. That is nonsense. If I marry a charming girl like Gwendolyn, and she is the only girl I ever saw in my life that I would marry, I certainly won't want to know Bunbury. And then your wife will. You don't seem to realize that in married life, three is company and two is none. That, my dear young friend, is the theory that the corrupt French drama has been propounding for the last 50 years. Yes, and that the happy English home has proved in half the time. For heaven's sakes, don't try to be cynical. It is perfectly easy to be cynical. Well, dear fellow, it isn't easy to be anything nowadays. There's such a lot of beastly competition about... The sound of an electric bell is heard. Ah, that must be Ante-Guster. Only relatives or creditors ever ring in that Wagnerian manner. Now, if I get her out of the way for ten minutes so that you can have the opportunity for proposing to Gwendolyn, may I dine with you tonight at Willis's? I suppose so, if you want to. Yes, but you must be serious about it. I hate people who are not serious about meals. They're so shallow of them. Enter Lane. Lady Bracknell and Miss Fairfax. Algernon goes forward to meet them. Enter Lady Bracknell and Gwendolyn. Good afternoon, dear Algernon. I hope you are behaving very well. I'm feeling very well, Ante-Guster. That's not quite the same thing. In fact, the two things rarely go together. Sees Jack and bows to him with icy coldness. To Gwendolyn. Dear me, you are smart. I am always smart. Am I not, Mr. Worthing? You're quite perfect, Miss Fairfax. Oh, I hope I am not that. It would leave no room for developments and to develop in many directions. Gwendolyn and Jack sit down together in the corner. I'm sorry if we are a little late, Algernon, but I was obliged to call on dear Lady Halbury. I hadn't been there since her poor husband's death. I never saw a woman so altered. She looks quite twenty years younger. And now I'll have a cup of tea and one of those nice cucumber sandwiches you promised me. Certainly, Ante-Guster goes over to tea table. Won't you come and sit here, Gwendolyn? Thanks, Mama. I'm quite comfortable where I am. Picking up empty plate and horror. Good heavens! Laine! Why are there no cucumber sandwiches? I ordered them specially. There were no cucumbers in the market this morning, sir. I went down twice. No cucumbers? No, sir. Not even for ready money. That will do, Laine. Thank you. Thank you, sir. Goes out. I am greatly distressed, Ante-Guster, about there being no cucumbers, even for ready money. It really makes no matter, Algernon. I had some crumpets with Lady Halbury. It seems to me to be living entirely for pleasure now. I hear her hair has turned quite gold from grief. It certainly has changed its colour. From what cause I, of course, cannot say. Algernon crosses and hands tea. Thank you. I have quite a treat for you tonight, Algernon. I am going to send you down with Mary Farqua. She is such a nice woman and so attentive to her husband. I am very grateful to watch them. I am afraid, Ante-Guster, I shall have to give up the pleasure of dining with you tonight after all. I hope not, Algernon. It would put my table completely out. Your uncle would have to dine upstairs. Fortunately, he is accustomed to that. It is a great bore, and I need hardly say a terrible disappointment to me. But the fact is I have just had a telegram to say that my poor friend Bunbur is very ill again. Exchanges glances with Jack. They seem to think I should be with him. It is very strange. This Mr. Bunbury seems to suffer from curiously bad health. Yes, poor Bunbury is a dreadful invalid. Well, I must say, Algernon, that I think it is high time that Mr. Bunbury made up his mind whether he was going to live or to die. This shilly shelling with a question is absurd. Nor do I in any way approve of the modern sympathy with invalids. I consider it morbid. The illness of any kind is hardly a thing to be encouraged in others. Health is the primary duty of life. I am always telling that to your poor uncle, but he never seems to take much notice. As far as any improvement in his ailment goes, I should be much obliged if you would ask Mr. Bunbury, from me, to be kind enough not to have a relapse on Saturday, for I rely on you to arrange my music for me. It is my last reception, and one wants something that will encourage conversation, particularly at the end of the season, when everyone has practically said whatever they had to say, which in most cases was probably not much. I'll speak to Bunbury on to Guster, if he is still conscious, and I think I can promise you he'll be all right by Saturday. Of course, the music is a great difficulty. You see, if one plays good music, people don't listen, and if one plays bad music, people don't talk. But I'll run over the program I have drawn out if you will kindly come into the next room for a moment. Thank you, Algernon. It is very thoughtful of you, rising and following Algernon. I'm sure the program will be delightful after a few explanations. French songs I cannot possibly allow. People always seem to think that they are improper, and either look shocked, which is vulgar, or laugh, which is worse. But German sounds a thoroughly respectable language, and indeed I believe is so. Gwendolyn, you will accompany me. Certainly Mama. Lady Bracknell. Lady Algernon. Go into the music room. Gwendolyn remains behind. Charming day it has been, Miss Fairfax. Pray, don't talk to me about the weather, Mr. Worthing. Whenever people talk to me about the weather, I always feel quite certain that they mean something else, and that makes me so nervous. I do mean something else. I thought so. In fact, I am never wrong. And I would like to be allowed to take advantage of Lady Bracknell's temporary absence. I was certainly advised you to do so. Mama has a way of coming back suddenly into a room that I've often had to speak to her about. Miss Fairfax, ever since I met you, I have admired you more than any girl.  Yes, I'm quite well aware of the fact, and I often wish that in public. At any rate, you have been more demonstrative. For me, you have always had an irresistible fascination. Even before I met you, I was far from indifferent to you. Jack looks at her in amazement. We live as I hope you know, Mr. Worthing, in an age of ideals. I am constantly mentioned in the more expensive monthly magazines and has reached the provincial pulpits, I am told. And my ideal has always been to love someone of the name of Ernest. There is something in that name that inspires absolute confidence. The moment Algernon first mentioned to me that he had a friend called Ernest, I knew I was destined to love you. You really love me, Gwendolyn. Passionately. Darling, you don't know how happy you've made me. My own Ernest. But you don't really mean to say that you couldn't love me if my name wasn't Ernest. But your name is Ernest. Yes, I know it is. But suppose it was something else. Do you mean to say you couldn't love me then? That is clearly a metaphysical speculation. And like most metaphysical speculations, it has very little reference at all to the actual facts of real life as we know them. Personally, darling, to speak quite candidly, I don't much care about the name of Ernest. I don't think the name suits me at all. It suits you perfectly. It is a divine name. It has a music of its own. It produces vibrations. Well, really, Gwendolyn, I must say that I think there are lots of other names much... Well, really, Gwendolyn, I must say that I think there are lots of other much nicer names. I think Jack, for instance, a charming name. Jack? No, there's very little music in the name Jack. If any at all, indeed. It does not thrill. It produces absolutely no vibrations. I have known several Jacks, and they all, without exception, were more than usually plain. Besides, Jack is notorious domesticity for John, and I pity any woman who is married to a man called John. She would probably never be allowed to know the entrancing pleasure of a single-moment solitude. The only real safe name is Ernest. Gwendolyn, I must get christened at once. I mean, we must get married at once. There is no time to be lost. Married, Mr. Worthing? Well, surely. You know that I love you, and you led me to believe, Mr. Fairfax, that you were not absolutely indifferent to me. I adore you, but you haven't proposed to me yet. Nothing has been said at all about marriage. The subject has not even been touched on. Well, may I propose to you now? I think it would be an admirable opportunity, and to spare you any possible disappointment, Mr. Worthing, I think it only fair to tell you, quite frankly beforehand, that I am fully determined to accept you. Gwendolyn! Yes, Mr. Worthing, what have you got to say to me? You know what I have got to say to you. Yes, but you don't say it. Gwendolyn, will you marry me? Goes on his knees. Of course I will, darling. How long you've been about it, I'm afraid you've had very little experience of how to propose. My own one. I have never loved anyone in the world but you. Yes, but men often propose for practice. I know my brother Gerald does. All my girlfriends tell me so.  I hope you'll always look at me just like that, especially when there are other people present. Enter Lady Bradnock. Mr. Worthing, rise, sir, from the semi-recumbent posture. It is most indecorous. Mama. He tries to rise. She restrains him. I must beg you to retire. This is no place for you. Besides, Mr. Worthing has not quite finished yet. Finished what, may I ask? I am engaged to Mr. Worthing, Mama. They rise together. Pardon me, you are not engaged to anyone. When you do become engaged to someone, I, or your father, should his health permit him, will inform you of that fact. An engagement should come on a young girl as a surprise, pleasant or unpleasant, as the case may be. It is hardly a matter that she should be allowed to arrange for herself. Now, I have a few questions to put to you, Mr. Worthing. While I am making these inquiries, you, Gwendolyn, will wait for me below in the carriage. Mama. In the carriage, Gwendolyn. Gwendolyn goes to the door. She and Jack blow kisses to each other behind Lady Bracknell's back. Lady Bracknell looks vaguely about as if she could not understand what the noise was. Finally turns around. Gwendolyn, the carriage. Yes, Mama. Goes out looking back at Jack. Sitting down. You can take a seat, Mr. Worthing. Looks in her pocket for notebook and pencil. Thank you, Lady Bracknell. I prefer standing. Pencil and notebook in hand. I feel bound to tell you that you are not down on my list of eligible young men, although I have the same list as the dear Duchess of Bolton has. We work together, in fact. However, I am quite ready to enter your name.  Do you smoke? Well, yes. I must admit, I smoke. I am glad to hear it. A man should always have an occupation of some kind. There are far too many idle men in London as it is. How old are you? Twenty-nine. A very good age to be married at. I've always been of an opinion that a man who desires to get married should know either everything or nothing, which do you know? After some hesitation? I know nothing, Lady Bracknell. I am pleased to hear it. I did not approve of anything that tampers with natural ignorance.  Touch it, and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately, in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes and probably lead to acts of violence and grow of no square. What is your income? Between seven and eight thousand a year. Makes a note in her book. In land or in investments? In investments, chiefly. That is satisfactory. What between the duties expected of one during one's lifetime and the duties exacted from one after one's death, land has ceased to be either a profit or a pleasure. It gives one position and prevents one from keeping it up. That's all that can be said about land. I have a country house with some land, of course, attached to it at about fifteen hundred acres, I believe, but I don't depend on that for my real income. In fact, as far as I can make out, the poachers are the only people who make anything of it. A country house? How many bedrooms? Well, that point can be cleared up afterwards. You have a townhouse, I hope. A girl with a simple, unspoiled nature like Gwendolyn could hardly be expected to reside in the country. Well, I own a house in Belgrade Square, but it is let by the year to Lady Bloxham. Of course, I can get it back whenever I like at six months' notice. Lady Bloxham? I don't know her. Oh, she goes about very little. She's a lady considerably advanced in years. Ah, nowadays that is no guarantee of respectability of character. What number in Belgrade Square? One forty-nine. Shaking her head. The unfashionable side. I thought there was something. However, that could easily be altered. Do you mean the fashion or the side? Both, if necessary, I presume. What are your politics? Well, I'm afraid I really have none. I am a liberal unionist. Oh, they count as Tories. They dine with us. Or come in the evening, at any rate. Now, to minor matters, are your parents living? I have lost both my parents. To lose one parent, Mr. Worthing, may be regarded as a misfortune. To lose both looks like carelessness. Who was your father? He was evidently a man of some wealth. Was he born in what the radical papers call the purple of commerce? Or did he rise from the ranks of the aristocracy? I'm afraid I really don't know. The fact is, Lady Bracknell, I said I have lost my parents. It would be nearer the truth to say that my parents seem to have lost me. I don't actually know who I am by birth. I was, well, I was found. Found? The late Mr. Thomas Cardew, an old gentleman of very charitable and kindly disposition, found me and gave me the name of Worthing. He happened to have a first-class ticket for Worthing in his pocket at the time.  It is a seaside resort. Where did the charitable gentleman who had a first-class ticket for the seaside resort find you? In a handbag. A handbag? Yes, Lady Bracknell. I was in a handbag, a somewhat large black leather handbag with handlers to it, an ordinary handbag, in fact. In what locality did this Mr. James, Thomas Cardew, come across this ordinary handbag? In the cloakroom at Victoria Station. It was given to him in the mistake for his own. The cloakroom at Victoria Station? Yes, the Brighton line. The line is immaterial. Mr. Worthing, I confess I feel somewhat bewildered by what you have just told me. To be born, or at any rate bred, in a handbag, whether it had handles or not, seems to me to display a contempt for the ordinary decencies of family life that reminds one of the worst excesses of the French Revolution. And I presume you know what that unfortunate movement led to. As for the particular locality in which the handbag was found, a cloakroom at a railway station might serve to conceal a social indiscretion, has probably, indeed, been used for that purpose before now. But it could hardly be regarded as an assured basis for a recognized position in good society. May I ask you then what you would advise me to do? I need, hardly say, I would do anything in the world to ensure Gwendolyn's happiness. I would strongly advise you, Mr. Worthing, to try and acquire some relations as soon as possible, and to make a definite effort to produce, at any rate, one parent of either sex before the season is quite over. Well, I don't see how I could possibly manage to do that. I can produce the handbag at any moment. It is in my dressing room at home. I really think that should satisfy you, Lady Bracknell. Me, sir? What is it to do with me? You can hardly imagine that I and Lord Bracknell would dream of allowing our only daughter, a girl brought up with the utmost care, to marry into a cloakroom and form an alliance with a parcel? Good morning, Mr. Worthing! Lady Bracknell sweeps out in majestic indignation. Good morning! Algernon from the other room strikes up the wedding march. Jack looks perfectly furious and goes to the door. For goodness sake, don't play that ghastly tune, Algernon.  The music stops and Algernon enters cheerily. Didn't it go off all right, old boy? You don't mean to say Gwendolyn refused you. I know it is a way she has. She's always refusing people. I think it is most ill-natured of her. Oh, Gwendolyn is right as a trivet. As far as she is concerned, we are engaged.  Never met such a gorgon. I don't really know what a gorgon is like, but I am quite sure that Lady Bracknell is one. In any case, she is a monster without being a myth, which is rather unfair. I beg your pardon, Algernon. I suppose I shouldn't have talked about your own aunt in that way before you. My dear boy, I love hearing my relations abused. It is the only thing that makes me put up with them at all. Relations are simply a tedious pack of people who haven't got the remotest knowledge of how to live, nor the smallest instinct about when to die. Oh, that is nonsense! Well, I won't argue about the matter. You always want to argue about things. That is exactly what things were originally made for. I pardon my word. If I thought that, I'd shoot myself. Pause. You don't think that there is any chance of Gwendolyn becoming like her mother in about 150 years, do you, Algernon? All women become like their mothers. That is their tragedy. No man does. That's his. Is that clever? It is perfectly phrased, and quite as true as any observation in civilized life should be. I am sick to death of cleverness. Everybody is clever nowadays. You can't go anywhere without meeting clever people. The thing has become an absolute public nuisance. I wish to goodness we had a few fools left. We have. I should extremely like to meet them. What do they talk about? The fools? No, about the clever people, of course. Now, what fools? By the way, did you tell Gwendolyn the truth about your being earnest in town and jacking the country? My dear fellow, the truth isn't quite the sort of thing one tells to a nice, sweet, refined girl. What extraordinary ideas do you have about the way to behave to a woman? The only way to behave to a woman is to make love to her, if she is pretty, and to someone else, if she is plain. No, that is nonsense. What about your brother? What about the profligate earnest? Before the end of the week, I shall have got rid of him. I'll say he died in Paris of apoplexy.  Yes, but it's hereditary, my dear fellow. It's a sort of thing that runs in families. You had much better say a severe chill. You are sure a severe chill isn't hereditary or anything of that kind? Of course it isn't. Very well, then. My poor brother earnest to be carried off suddenly in Paris by a severe chill. That gets rid of him. But I thought you said that Miss Cardew was a little too much interested in your poor brother earnest. Won't she feel his loss a good deal? No, that is all right. Cecily is not a silly romantic girl, I'm glad to say. She's got a capital appetite, goes long walks and pays no attention at all to her lessons. I would rather like to see Cecily. I will take very good care you'd never do. She's excessively pretty, and she's only just 18. Have you told Gwendolyn yet that you have an excessively pretty ward who's only just 18? Oh, one does alert these things out to people. Cecily and Gwendolyn are perfectly certain to be extremely great friends. I'll bet you anything you like that half an hour after they have met they will be calling each other's sister. Women only do that when they have called each other a lot of other things first. Now, my dear boy, if we want to get a good table at Willis's, we really must go and dress. Do you know it is nearly seven? Yeah, which is always nearly seven. Well, I'm hungry. I never knew you when you weren't. What shall we do after dinner? Go to a theater? No, I'm not listening. Well, let us go to the club.  Well, we might trot round to the Empire 10. Oh, no, I can't bear looking at things. It's so silly. Well, what shall we do? Nothing. It is awfully hard work doing nothing. However, I don't mind hard work when there is no definite object of any kind. Enter Lane. Miss Fairfax. Enter Gwendolyn. Lane goes out. Gwendolyn, upon my word. Algie, kindly turn your back. I have something very particular to say to Mr. Worthing. Really, Gwendolyn? I don't think I can allow this at all.  You're not quite old enough to do that. Algernon retires to the fireplace. My own, darling. Ernest, we may never be married. From the expression on Mama's face, I fear we never shall. Few parents nowadays pay any attention to what their children say to them. The old-fashioned respect for the young is dying out. Whatever influence I ever had over Mama, I lost at the age of three. But although she may prevent us from becoming man and wife, and I may marry someone else and marry often, nothing that she can possibly do can alter my eternal devotion to you. Dear Gwendolyn. The story of your romantic origin, as related to me by Mama, with unpleasing comments, has naturally stirred the deepest fibers of my nature. Your Christian name has an irresistible fascination. The simplicity of your character makes you exquisitely incomprehensible to me. Your town address at the Albany I have. What is your address in the country? The Manor House. Walton. Head for Cherry. Algernon, who has been carefully listening, smiles to himself, and writes the address on his shirt cuff, then picks up the railway guide. There is a good postal service, I suppose. It may be necessary to do something desperate. That, of course, will require serious consideration. I will communicate with you daily. My own one. How long do you remain in town? Till Monday. Good. Algernon, you may turn round now. I have turned round already. You may also ring the bell. You will let me see to your carriage, my own darling. Certainly. To Lane, who now enters. I will see Miss Fairfax out. Yes, sir. Jack. And Gwendolyn. Go all. Lane presents several letters on a salvage to Algernon. It is to be surmised that they are bills, as Algernon, after looking at the envelopes, tears them up. A glass of sherry, Lane. Yes, sir. Tomorrow, Lane, I am going bunburying. Yes, sir. I shall probably not be back till Monday. You can put up my dress clothes, my smoking jacket, and all the bunburiesuits. Yes, sir. Handing sherry. I hope tomorrow will be a fine day, Lane. It never is, sir.  I do my best to give satisfaction, sir. Enter Jack. Lane goes off. There is a sensible intellectual girl. The only girl I ever cared for in my life. Algernon is laughing and moderating. How on earth are you so amused at? Oh, I'm a little anxious about poor bunburying. That is all. If you don't take care, your friend bunburying will get you into a serious scrape someday. I love scrapes. They are the only things that are never serious. No, that's nonsense, Algernon. You never talk anything but nonsense. Nobody ever does. Jack looks indignally at him and leaves the room. Algernon lights a cigarette, reads his shirt cuff, and smiles. Act drop. End of Act One. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. The Importance of Being Earnest by Oscar Wilde. Second Act. Scene. Garden at the Manor House. A flight of gray stone steps leads up to the house. The garden, an old-fashioned one, full of roses, time of year July. Basket chairs and a table covered with books are now set under a large yew tree. Miss Prism discovered seated at the table. Cecily is at the back watering flowers. Cecily! Cecily! Surely such a utilitarian occupation as watering the flowers is rather molten studie than yours, especially at a moment when intellectual pleasures await you. Your German is on the table. Pray open it at page 15. We will repeat yesterday's lesson. Coming over very slowly. But I don't like German. All are becoming language, and I know perfectly well that I look quite plain after my German lesson. Child, you know how anxious your guardian is that you should improve yourself in every way. He lay particular stress on your German as he was leaving for town yesterday. Indeed, he always lay stress on your German when he is leaving for town. Oh, dear uncle Jack is so very serious. And sometimes he is so serious that I think he cannot be quite well. Your guardian enjoys the best of health and his gravity of demeanour is especially to be commended in one so comparatively young as he is. I know no one who has a higher sense of duty and responsibility. I suppose that's why he often looks a little bored when we three are together. Cecily, I am surprised at you. Mr. Worthing has many troubles in his life. Idle merriment and triviality would be out of place in his conversation. You must remember his constant anxiety about that unfortunate young man, his brother. I wish uncle Jack would allow that unfortunate young man, his brother, to come down here sometimes. We might have a good influence over him, Miss Prism. I am sure you certainly would. You know German and geology and things of that kind influence a man very much. Cecily begins to write in her diary, shaking her head, I do not think that even I could produce any effect on a character that according to his own brother's admission is irretrievably weak and vacillating. Indeed, I am not sure that I would desire to reclaim him. I am not in favour of this modern mania for turning bad people into good people at a moment's notice. As a man sows, so let him reap. You must put your diary away, Cecily. I really don't see why you should keep a diary at all. Oh, I keep a diary in order to enter the wonderful secrets of my life. If I didn't write them down, I should probably forget all about them. Memory, my dear Cecily, is the diary that we all carry about with us. Yes, but it usually chronicles the things that have never happened and couldn't possibly have happened. I believe that memory is responsible for nearly all the three volume novels that Moody sends us. Do you not speak slightly of the three volume novels, Cecily? I wrote one myself in earlier days. Did you really, Miss Prism? Oh, how wonderfully clever you are! I hope it did not end happily. I don't like novels that end happily. They depress me so much. The good ended happily and the bad unhappy. That is what fiction means. I suppose so, but it seems very unfair. And was your novel ever published? To last know, the manuscript, unfortunately, was abandoned. Cecily starts. I use the word in the sense of lost or mislaid. To your work, child, these speculations are profitless. But, I see, dear, Dr. Chassable coming up through the garden, rising and advancing. Dr. Chassable, this is indeed a pleasure. Enter Ken and Chassable. And how are we this morning? Miss Prism, you are, I trust well. Miss Prism has just been complaining of a slight headache. I think it would do her so much good to have a short stroll with you in the park, Dr. Chassable. Cecily, I have not mentioned anything about a headache. Oh, no, dear Miss Prism, I know that. But I felt instinctively that you had a headache. Indeed, I was thinking about that, not about my German lesson, when the rector came in. I hope, Cecily, that you are not inattentive. Oh, I am afraid I am. That is strange. Were I fortunate enough to be Miss Prism's pupil, I would hang upon her lips. Miss Prism glares. I spoke metaphorically. My metaphor was drawn from bees. Ahem. Mr. Worthing, I suppose, has not returned from town yet. We do not expect him till Monday afternoon. Ah, yes, he usually likes to spend his Sunday in London. He is not one of those whose sole aim is enjoyment, as, by all accounts, that unfortunate young man his brother seems to be. But I must not disturb Egeria and her pupil any longer. Egeria? My name is Letitia, doctor. Bowing. A classical illusion merely. Drawn from the pagan authors. I shall see you both no doubt at even song. I think, dear doctor, I will have a stroll with you. I find I have a headache after all, and a walk might do it good. With pleasure, Miss Prism, with pleasure. We might go as far as the schools and back. That would be delightful. Cecily, you will read your political economy in my absence. The chapter on the fall of the Rupee you may omit. It is somewhat too sensational, even those metallic problems have their melodramatic side. Goes down to the garden with Dr. Charlesville. Picks up books and throws them back on table. Horrid political economy. Horrid geography. Horrid, horrid German. Enter Merriman with a car and on a salver. Mr. Ernest Worthing has just driven over from the station. He has brought his luggage with him. Takes the card and reads it. Mr. Ernest Worthing, B-4, the Albany W. Uncle Jack's brother! Did you tell him Mr. Worthing was in town? Yes, Miss. He seemed very much disappointed. I mentioned that you and Miss Prism were in the garden. He said he was anxious to speak with you privately for a moment. We'll ask Mr. Ernest Worthing to come here. I suppose you had better talk to the housekeeper about a room for him. Yes, Miss. Merriman goes off. He never met anyone really wicked before and I feel rather frightened. I'm so afraid he will look just like everyone else.  He does. Rating his hat. You are my little cousin Cecily, I'm sure. You are under some strange mistake. I'm not little. In fact, I believe I am more than usually tall for my age. Algernon is rather taken aback. But I am your cousin Cecily.  Oh, I am not really wicked at all, cousin Cecily. You mustn't think that I am wicked. Oh, if you are not, then you have certainly been deceiving us all in a very inexcusable manner. I hope you have not been leading a double life, pretending to be wicked and being really good all the time. Well, that would be hypocrisy. Looks at her in amazement. Oh, of course I have been rather reckless. Oh, I'm glad to hear it. In fact, now that you mention the subject, I have been very bad in my own small way. I don't think you should be so proud of that. Though I am sure it must have been very pleasant. It is much pleasant to being here with you. I can't understand how you're here at all. Uncle Jack won't be back till Monday afternoon. That is a great disappointment. I am obliged to go up by the first train on Monday morning. I have a business appointment that I am anxious to miss. Oh, couldn't you miss it anywhere but in London? No, the appointment is in London. Well, I know, of course, how important it is not to keep a business engagement if one wants to retain any sense of the beauty of life. But still, I think that you would better wait until Uncle Jack arrives. I know he wants to speak to you about your emigrating. About my what? Your emigrating? He has gone up to buy your outfit. I certainly wouldn't let Jack buy my outfit. He has no taste in neckties at all. Well, I don't think you will require neckties. Uncle Jack is sending you to Australia. Australia? I'd sooner die. Well, he said at dinner on Wednesday night that you would have to choose between this world, the next world, and Australia. Oh, well. The accounts I have received of Australia and the next world are not particularly encouraging. This world is good enough for me, Cousin Sassily. Yes, but are you good enough for it? I'm afraid I'm not that. That is why I want you to reform me. You might make it your mission if you don't mind, Cousin Sassily. I'm afraid I have no time this afternoon. Well, would you mind my reforming myself this afternoon? Well, it is rather quixotic of you, but I think you should try. I will. I feel better already.  That is because I am hungry. Oh, how thoughtless of me. Oh, I should have remembered that when one is going to lead an entirely new life, one requires regular and wholesome meals. Won't you come in? Thank you. Might I have a buttonhole first? I'll never have any appetite unless I have a buttonhole first. A Marshall Neal picks up scissors. No, I'd sooner have a pink rose. Why? Cuts of flower. Because you are like a pink rose, Cousin Sassily. I don't think I can be right for you to talk to me like that. Miss Prism never says such things to me. Then Miss Prism is a short-sighted old lady. Sassily puts the rose in his buttonhole. You are the prettiest girl I ever saw. Miss Prism says that all good looks are a snare. They are a snare that every sensible man would like to be caught in. Oh, I don't think I would care to catch a sensible man. I shouldn't know what to talk to him about. They pass into the house. Miss Prism. And Dr. Chasable. Return. You are too much alone, dear Dr. Chasable. You should get married. A misanthrope. I can understand a woman-thrope never. The scholar's shudder. Believe me, I do not deserve so neologistic a phrase. The precept as well as the practice of the primitive church was distinctly against matrimony. That is obviously the reason why the primitive church has not lasted up to the present day. And you do not seem to realize, dear doctor, that by persistently remaining single, a man converts himself into a permanent public temptation. Men should be more careful. This very celibacy leads weaker vessels astray. Is a man not equally attractive when married? No married man is ever attractive, except to his wife. And often I've been told not even to her. That depends on the intellectual sympathies of the woman. Maturity can always be depended on. Righteous can be trusted. Young women are green. Dr. Chasable starts. I spoke horticulturally. My metaphor was drawn from fruits. But why was Cecily? Perhaps she followed us to the schools. Enter Jack slowly from the back of the garden. He is dressed in the deepest morning with crepe hat-pan and black gloves. Mr. Worthing? Mr. Worthing? This is indeed a surprise. We do not look for you till Monday afternoon. Shakespeare's prison's hand in a tragic manner. I have returned sooner than I expected. Dr. Chasable, I hope you are well. Dear Mr. Worthing, I trust this garb of woe has taken some terrible calamity. My brother. More shameful depths and extravagance. Still leading his life of pleasure. Shaking his head. Dead. Your brother, Ernest, dead. Quite dead. What a lesson for him. I trust you will profit by it. Mr. Worthing, I offer you my sincere condolences. You have at least the consolation of knowing that you are always the most generous and forgiving of brothers. Poor Ernest. He had many faults, but it is a sad, sad blow. Very sad indeed. Were you with him at the end? No. He died abroad in Paris, in fact. I had a telegram last night from the manager of the Grand Hotel. Was the cause of death mentioned? A severe chill, it seems. As a man sews, so shall he reap. Raising his hand. Charity, dear Miss Prism, charity. None of us are perfect. I myself am particularly susceptible to drafts. Will the internment take place here? No. You used to have expressed a desire to be buried in Paris. In Paris? Shakespeare's head. I fear that hardly points to any very serious state of mind at the last. You would no doubt wish me to make some slight delusion to this tragic domestic affliction next Sunday. But Jack presses his hands convulsively. My sermon on the meaning of the man in the wilderness can be adapted to almost any occasion, joyful or, as in the present case, distressing. I have preached it at harvest celebrations, christenings, confirmations, on days of humiliation and festal days. The last time I delivered it was in the cathedral as a charity sermon on behalf of the society for the prevention of discontent among the upper orders. The bishop, who was present, was much struck by some of the analogies I drew. Ah, that reminds me. You mentioned christenings, I think, Dr. Chasable. I suppose you know how to christen all right. Dr. Chasable looks astounded.  It is, I regret to say, one of the rector's most constant duties in this parish. I've often spoken to the poor classes on the subject, but they so don't seem to know what thrift is. But is there any particular infant in whom you're interested, Mr. Worthing? Your brother was, I believe, unmarried, was he not? Oh, yes. People who live entirely for pleasure usually are. But it is not for any child, dear doctor. I am very fond of children. I would like to be christened myself this afternoon, if you have nothing better to do. But surely, Mr. Worthing, you have been christened already. I don't remember anything about it. But do you have any grave doubts on the subject? I certainly intend to have. Of course, I don't know if the thing would bother you in any way, or if you think I am a little too old now. Not at all. The sprinkling and indeed the immersion of adults is a perfectly canonical practice. Immersion? You need have no apprehensions. The sprinkling is all that is necessary, or indeed I think advisable. Our weather is so changeable. At what hour would you wish the ceremony performed? Oh, I might talk around about five if that would suit you. Perfectly, perfectly. In fact, I have two similar ceremonies to perform at that time. A case of twins that occurred recently in one of the outlying cottages on your own estate. Poor Jenkins the Carter, a most hardworking man. Oh, I don't see much fun in being christened long by the babies. It would be childish. Would half-past five do admirably, admirably. Takes out watch. And now, dear Mr. Worthing, I will not intrude any longer on to a house of sorrow. I would merely beg you not to be too much bowed down by grief. What seemed to us bitter trials are often blessings in disguise. This seems to me a blessing of an extremely obvious kind. Enter Cecily from the house. Uncle Jack! Oh, I am pleased to see you back. But what horrid clothes you've got on. Oh, do go and change them, Cecily. My child, my child. Cecily goes towards Jack. He kisses her brow in a melancholy manner. What is the matter, Uncle Jack? Do look happy.  And, well, I've got such a surprise for you. Who do you think is in the dining room? Your brother. Who? Your brother, Ernest. He arrived about half an hour ago. What nonsense! I haven't got a brother. Oh, don't say that. However badly he may have behaved to you in the past. He is still your brother. And you couldn't be so heartless as to disown him. I'll tell him to come out.  Runs back into the house. These are very joyful tidings. After we had all been resigned to his loss, his sudden return seems to me peculiarly distressing. My brother is in the dining room. I don't know what it all means. I think it is perfectly absurd. Enter Algernon. And ceasely, hand in hand, they come slowly up to Jack. Good heavens! Motion's Algernon away. Brother John, I have come down from town to tell you that I am very sorry for all the trouble I have given you and that I intend to lead a better life in the future. Jack glares at him and does not take his hand.  Nothing will induce me to take his hand. I think he's coming down here disgraceful. He knows perfectly where why. Oh, Uncle Jack, do be nice. There is some good in everyone. Ernest has just been telling me about his poor, invalid friend, Mr Bunbury, whom he goes to visit so often. And surely there must be so much good in one who is so kind to an invalid and leaves the pleasures of London to sit by a bed of pain. Oh, he has been talking about Bunbury, has he? Oh, yes. He has told me all about and poor Mr Bunbury and his terrible state of health. Bunbury? Well, I won't have him talk to you about Bunbury or about anything else. It is enough to drive one perfectly frantic. Of course, I admit that the faults were all on my side. But I must say that I think that Brother John's coldness to me is peculiarly painful. I expected a more enthusiastic welcome, especially considering it is the first time I have come here. Uncle Jack, if you do not shake hands with Ernest, I will never forgive you. Never forgive me. Never, never, never. Well, this is the last time I shall ever do it. Shakes with Algernon and glares. It's pleasant, is it not, to see so perfect a reconciliation. I think we might leave the two brothers alone. Cecily, you will come with us. Certainly, Miss Pism, my little task of reconciliation is over. You have done a beautiful action today, dear child. We must not be premature on our judgments. I feel very happy.  You young scoundrel, Algernon, you must get out of this place as soon as possible. I don't allow any bun-burying here. Enter Maryman. I have put Mr. Ernest's things in the room next to yours, sir. I suppose that is all right. What? Mr. Ernest's luggage, sir. I have unpacked it and put it in the room next to your own. His luggage? Yes, sir. Three portmanteaus, a dressing case, two hat boxes, and a large luncheon basket. I'm afraid I can't stay for more than a week this time. Maryman, order the dog cart at once. Mr. Ernest has been steadily called back to town. Yes, sir. He goes back into the house.  I have not been called back to town at all. Yes, you have. I haven't heard anyone call me. Your duty as a gentleman calls you back. My duty as a gentleman has never interfered with my pleasures in the smallest degree. I can't quite understand that. Well, Cessley is a darling. You are not to talk of Miss Cardew like that. I don't like it. Well, I don't like your clothes.  Why on earth don't you go up and change? It is perfectly childish to be in deep mourning for a man who is actually staying for a whole week with you in your own house as a guest. I call it grotesque. You are certainly not staying with me for a whole week as a guest or anything else. You have got to leave. Buy the four or five train. I certainly won't leave you so long as you are in mourning. It would be most unfriendly. If I were in mourning, you would stay with me, I suppose. I should think it very unkind if you didn't. Well, will you go if I change my clothes? Yes, if you are not too long. I never saw anybody take so long to dress and with such little results. Well, at any rate, that is better than being always overdressed as you are. If I am occasionally a little overdressed, I make up for it by being always immensely overeducated.  Your conduct in outrage is your presence in my garden utterly absurd. However, you have got to catch the four or five and I hope you will have a pleasant journey back to town. This Bunbury, as you call it, has not been a great success for you. It goes into the house. I think it has been a great success. I am in love with Cecily and that is everything. Enter Cecily at the back of the garden. She picks up the can and begins to water the flowers. But I must see her before I go and make arrangements for another Bunbury. Ah, there she is. Oh, I merely came back to water the roses. I thought she were with Uncle Jack. He's gone to order the dog cart for me. Oh, is he going to take you for a nice drive? He's going to send me away. Then have we got to part? I'm afraid so. It is a very painful parting. It is always painful to part from people whom one has only known for a very brief space of time. The absence of old friends one can endure with equanimity. But even a momentary separation from anyone to whom one has just been introduced is almost unbearable. Thank you. Enter Merriman. The dog cart is at the door, sir. Algernon looks appealingly at Cecily. It can wait, Merriman, for five minutes. Yes, Miss. Exit Merriman. I hope, Cecily, I shall not offend you if I state quite frankly and openly that you seem to me to be in every way the visible personification of absolute perfection. I think your frankness does you great credit, Ernest. If you will allow me, I will copy your remarks into my diary. Goes over to table and begins writing and diary. Do you really keep a diary? I'd give anything to look at it. May I? Oh, no! Puts her hand over it. You see, it is simply a very young girl's record of her own thoughts and impressions and consequently meant for publication. When it appears in volume four, I hope you will order a copy. But pray, Ernest, don't stop. I delight in taking down from dictation. I have reached absolute perfection. You can go on. I am quite ready for more. I'm somewhat taken aback. Don't cough, Ernest. When one is dictating, one should speak fluently and not cough. Besides, I don't know how to spell a cough, writes as Algernon speaks. Cecily, ever since I first looked upon your wonderful and incomparable beauty I have dared to love you wildly passionately, devotedly, hopelessly. I don't think that you should tell me that you love me wildly, passionately, devotedly, hopelessly. Hopelessly doesn't seem to make much sense, does it? Cecily. Enter Merriman. The dog cart is waiting, sir. Tell it to come back round next week, at the same hour. Looks at Cecily. Who makes no sign? Yes, sir. Merriman retires. Uncle Jack would be very much annoyed if he knew you were staying on until next week at the same hour. Oh, I don't care about Jack. I don't care for anybody in the whole world but you. I love you, Cecily. You will marry me, won't you?  Of course. Why, we have been engaged for the last three months. The last three months? Yes, it will be exactly three months on Thursday. How did we become engaged? Well, ever since Uncle Jack first confessed to us that he had a younger brother who was very wicked and bad, you, of course, have formed the chief topic of conversation between myself and Miss Prism. And, of course, a man who is much talked about is always very attractive. One feels there must be something in him, after all. Yes, eh? It was foolish of me but I fell in love with you, Ernest. Darling, and when was the engagement actually settled? On the 14th of February last.  I determined to end the matter one way or the other. And after a long struggle with myself, I accepted you under this dear old tree here. The next day I bought this little ring in your name, and this is the little bangle with the true lover's knot I promised you always to wear. Did I give you this? Pretty, isn't it? Yes, well, you've wonderfully good taste, Ernest. It's the excuse I've always given you for leading such a bad life. And this is the box in which I keep all your dear letters. Neals at table opens box and produces letters tied up with one blue ribbon. My letters? But my home's sweet, Susie. I've never written you any letters. You need hardly remind me of that, Ernest. I remember only too well that I was forced to write your letters for you. I wrote always three times a week and sometimes off-ner. Oh, do let me read them, Cecily. I couldn't possibly. They would make you far too conceited. Replace this box. The three you wrote me after I had broken off the engagement are so beautiful and so badly spelled that even now I can hardly read them without crying a little. But was our engagement ever broken off? Of course it was. On the 22nd of last March, you can see the entry if you like, shows diary. Today I broke off my engagement with Ernest. I feel it is better to do so. The weather still continues charming. But why on earth did you break it off? What had I done? I had done nothing at all. Cecily, I am very much hurt indeed to hear you broke it off, particularly when the weather was so charming. Well, it would hardly have been a real serious engagement if it hadn't been broken off at least once. But I forgave you before the week was out. Crossing tour and kneeling.  You dear romantic boy. He kisses her. She puts her fingers through his hair. I do hope your hair curls naturally, does it? Yes, darling, with a little help from others. I am so glad. You'll never break off our engagement again, Cecily. Well, I don't think I could break it off now that I have actually met you. Besides, of course, there is the question of your name. Yes, of course. You must not laugh at me, darling, but it had always been a girlish dream of mine to love someone whose name was Ernest. Algernon rises. Cecily, also. There is something in that name that seems to inspire absolute confidence. I pity any poor married woman whose husband is not called Ernest. But, my dear child, do you mean to say that you could not love me if I had some other name? But what name? Oh, any name you like. Algernon, for instance. But I don't like the name of Algernon. Well, my dear sweet loving little darling, I really can't see why you should object to the name of Algernon. It is not at all a bad name. In fact, it is rather an aristocratic name. Half of the chaps who get into the bankruptcy court are called Algernon. But seriously, Cecily, moving to her. If my name was Algernon, couldn't you love me? Rising. I might respect you, Ernest. I might admire your character, but I fear that I should not be able to give you my undivided attention. Cecily, picking up hat. Your rector here is, I suppose, thoroughly experienced in the practice of all the rites and ceremonials of the church. Oh, yes. Dr. Chassebel is the most learned man. He has never written a single book, so you can imagine how much he knows. I must see him at once on a most important christen... I mean on most important business. Oh! I shall be away more than half an hour. Considering that we have been engaged since February the 14th and that I only met you today for the first time, I think it is rather hard that you should leave me for so long a period as half an hour. Couldn't you make it twenty minutes? I'll be back in no time. Kisses her and rushes down the garden.  I like his hair so much. I must enter his proposal into my diary. Andrew Merriman. Miss Fairfax has just called to see Mr. Worthing on very important business, Miss Fairfax States. Isn't Mr. Worthing in his library? Mr. Worthing went over in the direction of the rectorist some time ago. Pray ask the lady to come out here. Mr. Worthing is sure to be back soon and you can bring her tea. Yes, Miss. Goes out. Miss Fairfax! I suppose one of the many good elderly women who are associated with Uncle Jack in some of this philanthropic work in London. I don't quite like women who are interested in philanthropic work. I think it is so forward of them. Andrew Merriman. Miss Fairfax. Andrew Gwendolyn. Exit Merriman. Advancing to meet her. Pray let me introduce myself to you. My name is Cecily Cardew. Cecily Cardew. Moving to her and shaking hands. What a very sweet name. Something tells me that we are going to be great friends. I like you already more than I can say. My first impressions of people are never wrong. How nice of you to like me so much after we've known each other. Such a comparatively short time. Pray sit down.  I may call you Cecily, may I not? With pleasure. And you will always call me Gwendolyn, won't you? If you wish. Then that is all quite settled, is it not? Oh, I hope so. A pause. Both sit down together. Perhaps this might be a favourable opportunity for my mentioning who I am. My father is Lord Bracknell. You've never heard of Papa, I suppose. I don't think so. Outside the family circle, Papa, I'm glad to say, is entirely unknown. I think that is quite as it should be. The home seems to me to be the proper sphere for the man, and certainly once a man begins to neglect his domestic duties he becomes painfully effeminate, does he not? And I don't like that. It makes men so very attractive. Cecily, mama whose views on education are remarkably strict, has brought me up to be extremely short-sighted. It is part of her system, so do you mind me looking at you through my glasses? Oh, not at all, Gwendolyn. I am very fond of being looked at. After examining Cecily carefully through her organette, you're here on a short visit, I suppose? No, I live here. Really?  No, I have no mother, no, in fact, any relations. Indeed. My dear guardian with the assistance of Miss Prism has the arduous task of looking after me. Your guardian? Yes, I am Mr. Worthing's ward. Oh, it is strange, he never mentioned to me that he had a ward. How secretive of him. He grows more interesting hourly. I am not sure, however, that the news inspires me with feelings of unmixed delight rising and going to her. I am very fond of you, Cecily. I have liked you ever since I met you, but I am bound to state now that you are Mr. Worthing's ward. I cannot help expressing a wish that you were, well, just a little older than you seem to be, and not so quite very alluring in appearance. In fact, if I may speak candidly... Oh, pray do! I think that whenever one has anything unpleasant to say, one should always be quite candid. Well, to speak with perfect candor, I wish that you were a full 42 and were more than usually plain for your age. Ernest has a strong upright nature. He is of the very soul of truth and honour. Disloyalty would be as impossible to him as deception. But even men of the noblest possible moral character are extremely susceptible to the influence of the physical charms of others. Modern, no less than ancient history supplies us with many most painful examples of what I refer to. If it were not so, indeed, history would be quite unreadable. I beg your pardon, Gwendolyn. Did you say Ernest? Yes. Oh, but it is not Mr. Ernest Worthing who is my guardian. He is his brother, his elder brother. Sitting down again. Ernest ever mentioned to me that he had a brother. Well, I am sorry to say that they have not been on good terms for a long time. Ah, that accounts for it. And now that I think of it, I have never heard any man mention his brother. The subject seems distasteful to most men. Cecily, you have lifted a load from my mind. I was growing most anxious. It would have been terrible if any cloud had come across a friendship like ours. Would it not? Quite sure that it is not Mr. Ernest Worthing who is your guardian. Quite sure. In fact, I am going to be his. I beg your pardon. Dearest Gwendolyn, there is no reason why I should make a secret of it to you. Our little county newspaper showed a chronicle of the fact next week. Mr. Ernest Worthing and I are engaged to be married. Rising. My darling Cecily, I think there must be some slight error. Mr. Ernest Worthing is engaged to me. The announcement will appear in the morning post on Saturday at the latest. Rising. I am afraid that you must be under some misconception. Ernest proposed to me exactly ten minutes ago. Shows diary. Exams diary through a lorry net carefully. It is certainly very curious, for he asked me to be his wife yesterday afternoon at five thirty. If you would care to verify the incident, pray do so. Produces diary of her own. I never travel without my diary. It is something sensational to read on the train. I am so sorry, De Cecily, if it is any disappointment to you. But I am afraid I have the prior claim. It would distress me more than I can tell you, dear Gwendolyn, if it caused you any mental or physical anguish. But I feel bound to point out that since Ernest proposed to you he clearly has changed his mind. If the poor fellow has been entrapped into any foolish promise I shall consider it my duty to rescue him at once with a firm hand. Whatever unfortunate entanglement my dear boy may have got into I will never reproach him with it after we are married. Do you allude to me, Miss Cardew, as an entanglement? You are presumptuous. On an occasion of this kind it becomes more than a moral duty to speak one's mind. It becomes a pleasure. Do you suggest, Miss Fairfax, that I entrap to Ernest into an engagement?  Oh, there is no time for wearing the shallow mask of manners. When I see a spade, I call it a spade. I am glad to say that I have never seen a spade. It is obvious that our social spheres have been widely different. Enter Merriman, followed by the Footman. He carries a salver, tablecloth, and plate-stove. Cecily is about to retort. The presence of the servants exercises a restraining influence under which both girls chape. Shall I lay tea here, as usual, Miss? Yes, as usual. Merriman begins to clear table a long pause. Cecily and Gwendolyn glare at each other. Are there many interesting walks in the vicinity, Miss Cardiff? Yes, a great many. From the top of one of hills quite close one can see five counties. Five counties? I don't think I should like that.  I suppose that is why you live in town. Gwendolyn bites her lip and beats her foot nervously with her parasol. Looking round, a quite well-kept garden this is, Miss Cardiff. So glad you like it, Miss Therifax. I had no idea there were so many flowers in the country. Flowers are as common here, Miss Therifax, as people are in London. Personally, I cannot understand how any bond he manages to exist in the country. If anyone who is anybody does, the country always bores me to death. This is what the newspapers call agricultural depression, is it not? I believe the aristocracy are suffering very much from it just at present. It is almost an epidemic amongst them and, while I have been told, may I offer you some tea, Miss Therifax? Thank you. Aside. Detestable girl, but I require tea. Sugar? No, thank you. Sugar is not fashionable anymore. Cecily looks angrily at her, takes up the tongs, and puts four lumps of sugar into the cup. Cake or bread and butter? Bread and butter, please. Cake is rarely seen at the best houses nowadays. Cuts a very large slice of cake and puts it on the tray. Hand that to Miss Therifax. Merriman does so, and goes out with the footman. Gwendolyn drinks the tea and makes a grimace. Puts down cup at once, reaches out her hand to the bread and butter, looks at it and finds it is cake, rises in egg-dignation. You have filled my tea with lumps of sugar, and though I asked most distinctly for bread and butter, you didn't make cake. I am known for the gentleness of my disposition and the extraordinary sweetness of my nature, but I warn you, Miss Cardo, you may go too far. Rising. To save my poor, innocent, trusting boy from the machinations of any other girl there are no lengths to which I would not go. From the moment I saw you, I distrusted you. I felt that you were false and deceitful. I am never deceived in such matters. My first impressions of people are invariably right. It seems to me, Miss Therifax, that I am trespassing on your valuable time. No doubt you have many other calls of a similar character to make of the neighborhood. Enter Jack. Catching sight of him. Ernest, my own Ernest. Gwendolyn, darling, offers the kisser. Draws back. A moment. May I ask if you are engaged to be married to this young lady, points to Cecily. To dear little Cecily, of course not.  Thank you. You may, offers her cheek. I knew there must be some misunderstanding, Miss Therifax. The gentleman whose arm is at present around your waist is my guardian, Mr. John Worthing. I beg your pardon. This is Uncle Jack. Receiting Jack. Oh. Enter Algernon. Here is Ernest. Go straight over to Cecily without noticing anyone else. My own love offers to kiss her. Drawing back. A moment, Ernest. May I ask you, are you engaged to be married to this young lady? Looking round. To what young lady? Good Heaven, Gwendolyn. Yes, to Good Heaven, Gwendolyn. I mean, to Gwendolyn. Of course not.  Thank you. Presenting her cheek to be kissed. You may. Algernon kisses her. I felt there was some slight error, Miss Cardew. The gentleman who is now embracing you is Algernon Moncreef. Breaking away from Algernon. Algernon Moncreef! Oh. The two girls move towards each other and put their arms round each other's waist as if for protection. Are you called Algernon? I cannot deny it. Oh. It's your name, really, John. I could deny it if I liked. I could deny anything if I liked. But my name certainly is John. It's been John for years. My poor wounded Cecily. My sweet wronged Gwendolyn. You will call me sister, will you not? They embrace. Jack and Algernon, grown and walk up and down. There is just one question I would like to be allowed to ask my guardian. An admirable idea. Mr. Worthing, there is just one question I would like to be permitted to put to you. Where is your brother, Ernest? We are both engaged to be married to your brother, Ernest, so it is a matter of some importance to us to know who is at present. Gwendolyn, Cecily, it is very painful for me to be forced to speak the truth.  I am really quite an experienced in doing anything of the kind. However, I will tell you quite frankly that I have no brother, Ernest. I have no brother at all. I never had a brother in my life and I certainly have not the smallest intention of ever having one in the future. No brother at all? None. Had you never a brother of any kind? Never, not even of any kind. I am afraid it is quite clear, Cecily, that neither of us is engaged to be married to anyone. It is not a very pleasant position for a young girl suddenly to find herself in, is it? Let us go into the house. They will hardly venture to come after us there. No, men are so cowardly, aren't they? They retire into the house with scornful looks. This ghastly say to things is what you call bun-burying, I suppose. Yes, and a perfectly wonderful bun-burry it is. The most wonderful bun-burry I ever had in my life. Well, you've no right whatsoever to bun-burry here. That is absurd. One has a right to bun-burry anywhere one chooses. Every serious bun-burryist knows that. Serious? Bun-burries? Good heavens! Well, one must be serious about something if one wants to have any amusement in life. I happen to be serious about bun-burying. What on earth are you serious about? I haven't got the remotest idea about everything I should fancy.  Well, the only small satisfaction I have in the whole of this wretched business is that your friend bun-burry is quite exploded. You won't be able to run down to the country quite so often as you used to do, dear Algie, and a very good thing too. Your brother is a little off-color, isn't he, dear Jack? You won't be able to disappear to London quite so frequently as your wicked custom was, and not a bad thing either. As for your conduct towards Miss Cardew, I must say that you're taking in a sweet, simple, innocent girl like that is quite inexcusable. To say nothing of the fact that she is my ward...  I want her to be engaged to Gwendolyn. That is all. I love her. Well, I simply want her to be engaged to Cecily. I adore her. There is certainly no chance of you marrying Miss Cardew. I don't think there is much likelihood Jack of you and Miss Fairfax being united. Well, that is no business of yours. If it was my business, I wouldn't talk about it. Begins to eat muffins. It is very vulgar to talk about one's business. Only people like stockbrokers do that, and then merely at dinner parties.  I can't make out. You seem to be perfectly heartless. Well, I can't eat muffins in an agitated manner. The butter would probably get on my calves. One should always eat muffins quite calmly. It is the only way to eat them. I say it's perfectly heartless you're eating muffins at all under the circumstances. When I am in trouble, eating is the only thing that consoles me. Indeed, when I am in really great trouble, as anyone who knows me intimately will tell you, I refuse everything except food and drink. At the present moment, I am eating muffins because I am unhappy. Besides, I am particularly fond of muffins. Rising. Rising. Well, that is no reason why you should eat them all in that greedy manner. It takes muffins from Algernon. Offering tea cake. I wish you would have tea cake instead, but I don't like tea cake. Good heavens, I suppose a man may eat his own muffins in his own garden. But you have just said it was perfectly heartless to eat muffins. I said it was perfectly heartless of you under the circumstances. That is a very different thing. That may be, but the muffins are the same. He seizes the muffin dish from Jack. Algernon, I wish goodness you would go. You can't possibly ask me to go without having some dinner. It's absurd. I never go without dinner. No one ever does, except vegetarians and people like that. Besides, I have just made arrangements with Dr. Charseval to be christened at a quarter to six under the name of Ernest. My dear fellow, the sooner you give up that nonsense, the better. I made arrangements this morning with Dr. Charseval to be christened myself at five thirty, and I naturally will take the name of Ernest. Gwendolyn would wish it. We can't both be christened, Ernest. It's absurd. Besides, I have a perfect right to be christened if I like. There is no evidence at all that I have ever been christened by anybody. I should think it extremely probable I never was, and so does Dr. Charseval. This is entirely different in your case. You have been christened already. Yes, but I have not been christened for years. Yes, but you have been christened. That is the important thing. Quite so. So I know my constitution can stand it. If you're not quite sure about your ever having been christened, I must say I think it rather dangerous you're venturing on it now. It might make you very unwell. You can hardly have forgotten that someone very closely connected with you was very nearly carried off this week in Paris by a severe chill. Yes, but you said yourself that a severe chill was not hereditary. It used to be, I know, but I dare say it is now. Science is always making wonderful improvements in things. Picking up the muffin dish. Oh, that's just nonsense. You're always talking nonsense. Jack, you are at the muffins again. I wish you wouldn't. There are only two left. I told you I was particularly fond of muffins.  Why on earth, then, do you allow tea cake to be served up for your guests? What ideas you have of hospitality? Algernon! I have already told you to go. I don't want you here. Why don't you go? I haven't quite finished my tea yet. And there is still one muffin left. Jack groans and sits into the chair. Algernon still continues eating. Act drop. End of Act Two. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. The Importance of Being Earnest by Oscar Wilde. Third Act. Scene. Morning Room at the Manor House. Gwendolyn and Cecily are at the window looking out into the garden. The fact that they did not follow us at once into the house, as anyone else would have done, seems to show that they have some sense of shame left. They have been eating muffins. That looks like repentance. After a pause. They don't seem to notice us at all. Couldn't you cough? But I haven't got a cough. They're looking at us. What a frontry. They're approaching. Oh, that's very forward of them. Let us preserve a dignified silence. Certainly. It's the only thing to do now. Enter Jack. Followed by Algernon. They whistle some dreadful popular air from a British opera. This dignified silence seemed to produce an unpleasant effect. A most distasteful one. But we will not be the first to speak. Certainly not. Mr. Worthing, I have something very particular to ask you. Much depends upon your reply. Gwendolyn, your common sense is invaluable. Mr. Moncrief kindly answered me the following question. Why did you pretend to be my guardian's brother? In order that I might have an opportunity of meeting you. That certainly seems a satisfactory explanation. Does it not? Yes, dear. If you can believe him. I don't. But that does not affect the wonderful beauty of his answer. True. In matters of grave importance, style, not sincerity is the vital thing. Mr. Worthing, what explanation can you offer to me for pretending to have a brother? Was it in order that you might have an opportunity of coming up to town to see me as often as possible? Can you doubt it, Ms. Fairfax? I have the gravest doubts upon the subject. But I intend to crush them. This is not the moment for German skepticism. Moving to Cecily. Your explanations appear to be quite satisfactory, especially Mr. Worthing's. That seems to me to have the stamp of truth upon it. I am more than content with what Mr. Moncrief said. His voice alone inspires one with absolute credulity. Then you think we should forgive them? Yes. I mean no. True. I have forgotten. There are principles at stake that one cannot surrender. Which of us should tell them? The task is not a pleasant one. Could we not both speak at the same time? An excellent idea. I nearly always speak at the same time as other people. Will you take the time from me? Certainly. Gwendolyn beats the time with uplifted finger. Your Christian names are still an insuperable barrier. That is all. Our Christian names? Is that all? But we are going to be Christian this afternoon. To Jack, for my sake, are you prepared to do this terrible thing? I am. To please me, are you ready to face this fearful ordeal? I am. Have so to talk of the equality of these sexes. Where questions of self-sacrifice are concerned, men are infinitely beyond us. We are. Class hands with algenon. They have moments of physical courage of which we women know absolutely nothing. Darling. Darling. They fall into each other's arms. Enter Merriman. When he enters, he coughs loudly, seeing the situation. Ahem. Ahem. Lady Bracknell. Good heavens. Enter Lady Bracknell. The couple separate in alarm. Exit Merriman. Gwendolyn. What does this mean? Merely that I am engaged to be married to Mr. Worthing Mama. Come here. Sit down. Sit down immediately. Hesitation of any kind is a sign of mental decay and the young of physical weakness in the old. Turns to Jack. I am surprised, sir, of my daughter's sudden flight by her trusty maid, whose confidence I purchased by means of a small coin. I followed her at once by a luggage train. Her unhappy father is, I am glad to say, under the impression that she is attending a more than usually lengthy lecture by the university extension scheme on the influence of a permanent income on thought. I did not propose to un-deceive him. Indeed, I have never un-deceived him on any question. I would consider it wrong. But, of course, you will clearly understand that all communication between yourself and my daughter must cease immediately from this moment. This point, as indeed on all points, I am firm. I am engaged to be married to Gwendolyn Lady Bracknell. You are nothing of the kind, sir. And now, as regards Algernon. Algernon. Yes, Aunt Augusta. May I ask if it is in this house that your invalid friend Mr. Bunbury resides? Oh, no. Bunbury doesn't live here. Bunbury is somewhere else at present. In fact, Bunbury is dead. Dead? When did Mr. Bunbury die? His death must have been extremely sudden. Oh, I killed Bunbury this afternoon.  What did he die of? Bunbury? Oh, he was quite exploded. Exploded? Was he the victim of a revolutionary outrage? I was not aware that Mr. Bunbury was interested in social legislation. If so, he is well punished for his morbidity. My dear Aunt Augusta, I mean, he was found out. The doctors found out that Bunbury could not live. That is what I mean. So Bunbury died. He seems to have had great confidence in the opinion of his physicians. I'm glad, however, that he made up his mind at the last to some definite course of action and acted under proper medical advice. And now that we have finally got rid of this Mr. Bunbury, may I ask Mr. Werving, who is that young person whose hand my nephew Alginon is now holding in what seems to me a peculiarly unnecessary manner? That, lady, is Miss Cecily Cardew, my ward. Lady Bracknell bows coldly to Cecily. I am engaged to be married to Cecily, Aunt Augusta. I beg your pardon. Mr. Moncrief and I are engaged to be married, Lady Bracknell, with a shiver crossing to the sofa and sitting down. I do not know whether there is anything peculiarly exciting in the air of this particular part of Hartfordshire, but the number of engagements that go on seems to me considerably above the proper average that statistics have laid down for our guidance. I think some preliminary inquiry on my part would not be out of place. Mr. Werving, is Miss Cardew at all connected with any of the larger railway stations in London? I merely desire information. Until yesterday I had no idea that there were any families or persons whose origin was a terminus. Jack looks perfectly furious, but restrains himself. Miss Cardew is the granddaughter of the late Mr. Thomas Cardew of 149 Bellgrave Square, S.W., Gervais Park, Darking, Surrey, and the Sporum, Fafcher and Bee. That sounds not unsatisfactory. Three addresses always inspire confidence, even in tradesmen. But what proof have I of their authenticity? I have carefully preserved the court guides of the period. They are open to your inspection, Lady Bracknell. I have known strange errors in that publication. Miss Cardew's family solicitors are Mezzers, Markby, Markby, and Markby. Markby, Markby, and Markby? A firm of the very highest position in their profession. Indeed, I am told that one of the Mr. Markby's is occasionally to be seen at dinner parties. So far, I am satisfied. How extremely kind of you, Lady Bracknell. I have also in my possession, you'll be pleased to hear, certificates of Miss Cardew's birth, baptism, whooping cough, registration, vaccination, confirmation, and the Mezzers, both the German and the English variety. Ah, a life crowded with incident, I see. Though perhaps somewhat too exciting for a young girl. I'm not myself in favor of premature experiences. Rises looks at her watch. Gwendolyn, the time approaches for our departure. We have not a moment to lose. As a matter of form, Mr. Webbing, I'd better ask you if Miss Cardew has any little fortune. Oh! About a hundred and thirty thousand pounds in the funds. That is all. Goodbye, Lady Bracknell. So pleased to have seen you. Sitting down again. A moment, Mr. Webbing. A hundred and thirty thousand pounds. And in the funds. Miss Cardew seems to me a most attractive young lady. Now that I look at her, few girls of the present day are these solid qualities. Any of the qualities that last and improve with time. We live, I regret to say, in an age of surfaces. To Cecily. Come over here, dear. Cecily goes across. Pretty child. Your dresses serve this simple and your hair seems almost as nature might have left it. But we can soon alter all that. A thoroughly experienced French maid produces a really marvelous result in a very brief space of time. I remember recommending one to young lady Lansing. And after three months her own husband didn't know her. And after six months nobody knew her. Glares at Jack for a few moments. Then bends with a practice smile to Cecily. Kindly turned round, sweet child. Cecily turns completely round. Now the side view is what I want. Cecily presents her profile. Yes, quite as I expected. There are distinct social possibilities in your profile. The two weak points in our age are its want of principle and its want of profile. The chin a little higher, dear. Style largely depends on the way the chin is worn. They are worn very high, just at present. Algenon. Yes, entreguster. There are distinct social possibilities in Miss Cartier's profile. Cecily is the sweetest, dearest, prettiest girl in the whole world. And I don't care two pence about social possibilities. Never speak disrespectfully of society, Algenon. Only people who can't get into it do that. To Cecily. Dear child. Of course you know that Algenon has nothing but his debts to depend upon. But I do not approve of mercenary marriages. When I married Lord Bracknell, I had no fortune of any kind. But I never dreamed for a moment of allowing that to stand in my way. Well, I suppose I must give my consent. Thank you, entreguster. Cecily, you may kiss me. Kisses her. Thank you, Lady Bracknell. You may also address me as entreguster for the future. Thank you, entreguster. The marriage, I think, had better take place quite soon. Thank you, entreguster. Thank you, entreguster. To speak frankly, I'm not in favour of long engagements. Think of people the opportunity of finding out each other's character before marriage, which I think is never advisable. I beg your pardon for interrupting you, Lady Bracknell, but this engagement is quite out of the question. I am Miss Cardew's guardian, and she cannot marry without my consent until she comes of age. That consent I absolutely decline to give. Upon what grounds, may I ask? Algernon is an extremely, I may almost say, an ostentatiously eligible young man. He has nothing, but he looks everything, but more can one desire. It pains me very much to have to speak frankly to you, Lady Bracknell, about your nephew, but the fact is that I do not approve at all of his moral character. I suspect him of being untruthful. Algernon. Ancecily. Look at him in indignant amazement. Untruthful. My nephew, Algernon. Impossible. He is an oxoian. I fear there can be no possible doubt about the matter. This afternoon, during my temporary absence in London, on an important question of romance, he obtained a mission to my house by means of the false pretence of being my brother. Under an assumed name he drank, I've just been informed by my butler, an entire pint bottle of my perigionette, Brut 89 wine. I was specially reserving for myself. Continuing his disgraceful deception, he succeeded in the course of the afternoon in alienating the affections of my only ward. He subsequently stayed to tea and devoured every single muffin, and what makes his conduct all the more heartless is that he was perfectly well aware from the first that I have no brother, that I never had a brother, and that I don't intend to have a brother, even of any kind. I distinctly told him so myself yesterday afternoon. Mr. Webbing, after careful consideration, I have decided entirely to overlook my nephew's conduct to you. That is very generous of you, Lady Bracknell. My own decision, however, is unalterable. I declined to give my consent. To Cecily. Come here, sweet child. Cecily goes over. How old are you, dear? I am really only eighteen, but I always admit to twenty when I go to evening parties. You are perfectly right in making some slight alteration. Indeed, no woman should ever be quite accurate about her age. It looks so calculating, in a meditative manner. Eighteen, but admitting to twenty at evening parties. Well, it will not be very long before you are of age and free from the restraints of tutelage. So I don't think your guardian's consent is, after all, a matter of any importance. Excuse me, Lady Bracknell, for interrupting you again. But it is only fair to tell you that, according to the terms of a grandfather's will, Miss Cardew did not come legally of age till she is thirty-five. That does not seem to me to be a grave objection. Thirty-five is a very attractive age. London society is full of women of the very highest birth who have, of their own free choice, remained thirty-five for years. Lady Dumbledon is in instance and point. To my own knowledge she has been thirty-five ever since she arrived at the age of forty, which was many years ago now. I see no reason why our dear Cecily should not be even still more attractive at the age you mention than she is at present. There will be a large accumulation of property. Algie, could you wait for me till I was thirty-five? Of course I could, Cecily. You know I could. Yes, I felt it instinctively, but I couldn't wait all that time.  It always makes me rather cross, and I'm not punctual myself, but I do like punctuality in others and waiting, even to be married, is quite out of the question. Then what is to be done, Cecily? I don't know, Mr. Moncreith. My dear Mr. Worthing, as Miss Cardew states positively that she cannot wait till she is thirty-five, a remark which I am bound to say seems to me to show a somewhat impatient nature, I would beg of you to reconsider your decision. But, my dear Lady Brackner, the matter is entirely in your own hands. The moment you consent my marriage with Gwendolyn, I will most gladly allow your nephew to form an alliance with my ward. Rising and drawing yourself up, you must be quite aware that what you propose is out of the question. Then a passionate celibacy is all that any of us can look forward to. That is not the destiny I propose for Gwendolyn. Algernon, of course, can choose for himself. Pause out or watch. Come, dear. Gwendolyn rises. We have already missed five, if not six trains. To miss any more might expose us to comment on the platform. Enter Dr. Chaspor. Everything is quite ready for the christenings. The christenings, sir? Is not that somewhat premature? Looking rather puzzled and pointing to Jack and Algernon. Both these gentlemen have expressed a desire for immediate baptism. At their age! The idea is grotesque and irreligious. Algernon, I forbid you to be baptized. I will not hear of such excesses. Lord Bracknell would be highly displeased if you learned that that was the way in which you wasted your time and money. Am I to understand, then, that there are to be no christenings at all this afternoon? I don't think that, as things are now. It would be of much practical value to either of us, Dr. Chaspor. I am grieved to hear such sentiments from you, Mr. Worthing. They savor of the heretical views of the Anabaptists. Views that I have completely refuted in four of my unpublished sermons. However, as your present mood seems to be one peculiarly secular, I will return to the church once. Indeed, I have just been informed by the pure opener that for the last hour and a half, Miss Prism has been waiting for me in the vestry. Starting. Miss Prism? Did I hear you mention a Miss Prism? Yes, Lady Bracknell. I am on my way to join her. Pray it. Allow me to detain you for a moment. This matter may prove to be one of vital importance to Lord Bracknell and myself. Is this Miss Prism a female of repellent aspect, remotely connected with education? She is the most cultivated of ladies and the very picture of respectability. It is obviously the same person. May I ask what position she holds in your household? I am a celibate madam. Miss Prism, Lady Bracknell, has been for the last three years Miss Cardew's esteemed governess and valued companion. In spite of what I hear of her, I must see her at once. Let her be sent for. Looking off. She approaches. She is not. Enter Miss Prism hurriedly. I was told you expect to be in the vestry, dear cannon. I have been waiting for you there for an hour and three quarters. She catches sight of Lady Bracknell, who has fixed her with a stony glare. Miss Prism grows pale in quails. She looks anxiously round as if desirous to escape. Prism?  Come here, Prism. Miss Prism approaches in a humble manner. Prism, where is that baby? General consternation. The cannon starts back in horror. Algernon and Jack pretend to be anxious to shield Cecilie and Gwendolyn from hearing the details of a terrible public scandal. Twenty-eight years ago, Prism, you left Lord Bracknell's house, number 104, Upper Grovener Street, in charge of a perambulator that contained a baby of the male sex. You never returned. A few weeks later, through the elaborate investigations of the Metropolitan Police, the perambulator was discovered at midnight, standing by itself in a remote corner of Bayswater. It contained the manuscript of a three-volume novel of more than usually revolting sentimentality. Miss Prism starts in involuntary indignation. But the baby was not there. Everyone looks at Miss Prism. Prism, where is that baby? Lady Bracknell, I admit with shame that I do not know. I only wish I did. The plain facts of the case are these. In the morning of the day you mentioned, a day that is forever branded on my memory, I prepared, as usual, to take the baby out in its perambulator. I had also, with me, a somewhat old but capacious handbag in which I intended to place the manuscript of a work of fiction that I had written during my few unoccupied hours. In a moment of mental abstraction for which I can never forgive myself, I deposited the manuscript into the bassinet and placed the baby in the handbag, who has been listening attentively. But where did you deposit the handbag? Do not ask me, Mr. Worthing. Miss Prism, this is a matter of no small importance to me. I insist on knowing where you deposited the handbag that contained that infant. I left it in the cloakroom of one of the larger railway stations in London. What railway station? Victoria, the Brighton Line, sinks into a chair. I must retire to my room for a moment. Gwendolyn, wait here for me. You're not too long.  Exit Jack in great excitement. What do you think this means, Lady Brachnell? I dare not even suspect Dr. Chausable. I need hardly tell you that in families of high position, strange coincidences are not supposed to occur. They are hardly considered the thing. Noise is heard overhead as if someone was throwing trunks about. Everyone looks us up. Uncle Jack seems strangely agitated. Your guardian has a very emotional nature. This noise is extremely unpleasant. It sounds as if he was having an argument. I dislike arguments of any kind. They are always vulgar and often convincing. Looking up, it has stopped now. The noise has redoubled. I wish he would arrive at some conclusion. Suspense is terrible. I hope it will last. Enter Jack with a handbag of black leather in his hand, rushing over to Miss Prism. Is this the handbag, Miss Prism? Examine it carefully before you speak. The happiness of more than one life depends on your answer. It seems to be mine. Yes, here is the injury it received through the upsetting of a Gower Street omnivus in younger and happier days. Here is the stain on the lining caused by the explosion of a temperance beverage, an incident that occurred at Leamington. And here on the lock are my initials. I had forgotten that in an extravagant mood I had them placed there. The bag is undoubtedly mine. I am delighted to have it so unexpectedly restored to me. It has been a great inconvenience being without it all these years. Miss Prism, more is restored to you than this handbag. I was the baby you placed in it. You? Embracing her. Yes, mother! Recoiling an indignant astonishment. Mr. Worthing, I am unmarried. Unmarried? I do not deny that that is a serious blow, but after all, who has the right to cast a stone against one who has suffered? Cannot repentance wipe out an act of folly? Why should there be one law for men and another for women? Mother, I forgive you. Try to embrace her again. Mr. Worthing, there is some error pointing to Lady Bracknell. There is the lady who can tell you who you really are. After a pause. Lady Bracknell, I hate to seem inquisitive, but would you kindly inform me who I am? I am afraid that the news I have to give you will not altogether please you.  Algiers elder brother? Then I have a brother after all. I knew I had a brother. I always said I had a brother. Sisley, how could you have ever doubted that I had a brother? Seized his hold of Algernon. Dr. Chasable, my unfortunate brother. Miss Prism, my unfortunate brother. Gwendolyn, my unfortunate brother. Elder you young scoundrel, you all have to treat me with more respect in the future. You have never behaved to me like a brother in all your life. Well, not till today, old boy, I admit. I did my best, however, though I was out of practice. Shake's hands. To Jack, my own. But what own are you? What is your Christian name now that you have become someone else? Good heavens. I had quite thought in that point. Your decision on the subject of my name is irrevocable, I suppose. I never change except in my affections.  Then the question had better be cleared up at once. On to Gusta, a moment. At the time when Miss Prism left me in the handbag, had I been christened already? Every luxury that money could buy, including christening, had been lavished on you by your fond and doting parents. Then I was christened. That is settled. Now, what name was I given? Let me know the worst. Being the eldest son, you were naturally christened after your father. Yes, but what was my father's Christian name? I cannot at the present moment recall what the general's Christian name was. But I have no doubt that he had one. He was eccentric, I admit, but only in later years. And that was the result of the Indian climate and marriage and indigestion and other things of that kind. Algie, can't you recollect what your father's Christian name was? My dear boy, we were never even on speaking terms. He died before I was a year old. His name would appear in the army list of the period, I suppose, Aunt Gusta. The general was essentially a man of peace, except in his domestic life. But I have no doubt that his name would appear in any military directory. The army list of the last 40 years are here. These delightful records should have been my constant study. The rushes to bookcase and tears the books open. M. General's Malham. Maxmy Magley. What ghastly names they have. Markby, Migsby Moore. Wormcreef. Lieutenant. 1840. Captain. Lieutenant Colonel. General. 1869. Christian names. Ernest Torn. Puts book very quietly down and speaks quite calmly. I always told you, Gwendolyn, my name was Ernest and Ty. Well, it is Ernest after all. I mean it naturally is Ernest. Yes, I remember now that the general was called Ernest. I knew I had some particular reason for disliking the name. Ernest, my own Ernest. I felt from the first that you could have no other name. Gwendolyn, it is a terrible thing for a man to find out suddenly that all his life he has been speaking nothing but the truth. Can you forgive me? I can, for I feel that you are sure to change. My own one to misprism. Laetitia embraces her. Frederick at last. Cecily embraces her at last. Gwendolyn embraces her at last. My nephew, you seem to be displaying signs of triviality. On the contrary, Aunt Augusta, I have now realized for the first time in my life the vital importance of being Ernest. Ernest. End of Act 3. End of the importance of being Ernest by Oscar Wilde. Recorded April 18th, 2008 in Hauck Auditorium at the University of Maine.