Everybody forced here ripping 22 23 elite court contenders six box basketball mixture number four check the random results anytime elite sports cars calm Let's go ahead and get started top five Tom Petty songs Last dance of Mary Jane running down a dream What else I prefer a wildflowers I like that song American girl and I was a No, is that a song? Yeah free phone is the name. Okay. Okay, I was gonna say three phones. All right To elite start us off won't back down. Yeah, we're going down. It's a good one When back down is probably his best song I like wildflowers though. So what's called wildflowers? He can marry your rookie blue to 99. There you go Kings. Good start for you. We'll see if you can hit you something Anthony And not the best right now. We'll see what you can get for you Mavericks look at Donchich orange John Morant star status. I felt there's a really good one that we're all missing right now Journey in total tomorrow night. Whoa, that's that's that's a combo. That's that's kind of crazy Jonathan. Where is that had spellbound Zion? Didn't know those two bands are still playing music They're Novitsky back to the future Purple Chris Paul the 49 sons Orange Randall more junior rookie Timberwolves who goes done for the season Or in Zion spellbounds for the pelicans that's cool, man That'd be fun. Jonathan. I'd be a good time for sure got a Trey young spellbounds Seven ways great song ever made Tim Duncan spurs tidal waves Jay, what do you think the best song ever made is? The goofy goober theme song.  Yeah Orange John Miranda Where they're drunk on ice cream Later just trashed on ice cream at the I don't even know what the place is called full throttle Jason Tatum Actually the part where they go to the the bar I Don't suppose context orange crystal I'd say Pacers Hornets rookie your book auto is Mark Williams saw the hit there for the Hornets Man y'all are picking some weird ones. Yo, which rookie for the heat safety dance That's just picking y'all are just like let me like random shuffle every single song ever created and you're just picking out songs Orange call Anthony magic Dear and Fox power formulas swiper for the Kings say the dance is a fantastic song though Orange DeMall Murray Nuggets Vince Williams Jr. Grizzly's rookie new breed auto the anchorman version of afternoon delight Whip it by Devo. Oh boy Oh What's all the 80s picks? This is weird. It's a great. It's a great era of music. All right, Jake What's the best Britney Spears song of all time? I feel are you are you too young to appreciate Britney Spears? Yeah, I think I am Orange spellbound the bronze James Lakers power formula Dude, yes illegal I'm down Saying it love dude y'all just picking y'all just picking the you're like, all right, what's the I didn't say best 80s I said best song RJ buried elite techniques Kennedy Chandler rookie for the Grizzlies Anthony Edwards spellbound T-wolves. Well, those are good picks right there Shane. Those are good picks star status dame Impact impressions auto wizards Chris out sports angus to 49 man. They are hitting any elite tonight the wizards The third auto in four boxes So flowers you rip something over there tonight on the old dripperino dripperoni full throttle step curry You're talking about last night still Spellbound blue LeBron James to 99 Lakers orange full throttle step curry warriors Wow, no way while who's that's incredible Gold prismatic taker and one-of-one Ricky steamboat. What? Spellbound step curry. What's up Mike Charles Barkley back to the future Sixers E.J. Ladelle rookie for the the peccalins as a As Jake says Oh, they finally changed pitchers after giving up eight runs in the readings Kauai Leonard power formulas the claw He's in their bullpen and on their rotation Orange Cory Kispert wizards John Morant Grizzlies spellbound Orange siacum for the Raptors or that's got a big ding on the bottom left Get a box-wrapper out to the Raptors spot Said calves the other day. I guess I'll stick with that. I don't know pen pals rookie auto Pacers Andrew Nemard Pacers old PJ Tucker six of 1076ers Josh kiddie power formulas Two corp Kings now many orders have come in recently first two contenders are sold out now the last one is at five 12 and 11 football. I don't do six games here. They're fairly even I just like the calves have like one or two more like better options as far as like their depth goes This is what it feels like. I wouldn't be surprised the next win at all Spurs Devin Vaselle. This one's number to 149 ruby parallel Blazers, Anthony Simons master Shokes auto number to 75 My Simons. He's a baller Wizards here game use Jersey card Art Nouveau Bradley Beale. I don't answer illegal while I'm breaking at least on my phone watercolor Yokich Nuggets Works in progress shade-on-sharp Blazers Level one brand I'm spurs and a level two Mark Williams for the Hornets Take it's literally as a joke is a trap. Don't do that if you want my number of just text for us I'll give you Jake's number illegal watch. I'm gonna give I'm gonna give Jake your number. He's just gonna block it immediately Let me have that it was like a block it Dyson Daniels to 49 first steps pelicans Sub CW Sam Cassell box auto to 35 The rare Sam Cassell auto Jaden Ivy Jersey Card Pistons artistic endeavors. Hey, Jacob. How are you? We're at J. Duff works in progress Thunder My show is derosin level one math or in Pacers and Level three spurs Blake Wesley rookie level three All right to tendies It's my kind of baseball sounds like a good Friday Friday night No, it sounds better Vince Carter Sweet shot some Ella the issue is a never finder delivery address or something literary a lottery ticket Palo Ben caro We got a Celtics Purvis Allison auto to 199 legendary auto Purvis Allison Don't even don't give him any satisfaction don't compliment him Jake's trying to be too nice right now. Kyle Cruz about a 199 wizards third. We've got James Harden a Premium edition coming up first is the variation Anthony Davis Superstar die-cut Jason Tatum Kevin love and a premium edition season ticket your Nirkage for the Blazers Let's say your kitch Sons Chris Paul conference finals ticket to 75. Oh, we got a cracked ice y'all. We got a cracked ice be a big one Be a big one Let me see blue shade on sharp Jaylin Williams Jaydub 10 at 25.  Oh, there's Kyle and chat guys Kyle's on drip right now Dripperino dripperoni dripshop.live slash Leighton sports cards for personals all night Chris Paul Devin Booker a lottery ticket Jaydub and Rookie ticket auto Jabari Walker Blazers variation Hey, Kyle Set semi-final ticket to 99 Kevin Durant 7 7 77 is dual Jersey number if you ask me Lanes in Chad Coloco Lana like this one. We need that card enjoy We pull it before he got in chat this time. Yeah, sweet shots Iverson lurking Yovitch variation rookie ticket for the heat play Thompson lottery ticket Johnny Davis and a Walker Kessler Variation rookie ticket auto for the jazz telling you guys basketball is good tonight. There we go Nice Kessler variation good way to end the break Shane said the $10,000 price point Almanac We'll have Zimbair. We'll have Zimbair and Pickle Rick as one of the redemptions and all night Actually, I think we give up pickle Rick. Yeah, I think people would get upset Pickle Rick was gone. I think the shop would really work hard for that All right, we got relics of a Bradley Beale Jay Nivey autos Vince Williams Jr Mark Williams Andrew Nemard pen pals Purvis Allison Jabari Walker Walker Kessler will for Walker to Walker Anthony Simons is a nice vet hit for zingus Sam Cassell as a Milwaukee buck and cracked ice variation rookie ticket J dub Thunder 10 of 25 Goodness gracious, dude. That's that's that's pretty that is pretty. Thanks again everybody on a contender's four boxers


One of the reasons so many people dislike marketing is because of the ulterior motives behind it you're watching a video that is supposed to help you with a particular problem or Reach a goal that you want and then you find out Later in the video that they're actually trying to sell you something the real thing that will sell you solve the problem That you came to the video for or sometimes it's a video series that you opted in for over email and later You realize oh, they're actually trying to sell me this thing I I couldn't really solve the problem. They were promising to help me solve in the in the video series, right? Or they've they've Stoked your desire through that video series for a particular thing that they want you to buy That you didn't expect to want at the beginning of the video series Okay, this is why so many consumers dislike marketing. It's it is Creepy the definition of creepy is to have intentions Towards somebody that you don't reveal until later, right or that they had to discover themselves So I encourage all of us to purify our intentions in our marketing To purify our intentions so that if we are doing content to help our audience just do the content to help our audience rather than Secretly try to sell them through our content on something Now we do want to sell sometimes, right? If you believe in your product or your service then be upfront and Tell people hey, this is a product that I'd love to I believe that you're gonna benefit from and how do you know? You're gonna benefit from that because you've gotten to know your audience over time Through your content and through your connections with them And so you can speak directly to what you know about them in a piece in a particular post or a particular email When you're trying to say hey, you know what I have a product that I'd like to let you know about I think it's really gonna help you with XYZ or have a particular event that I'd like you to experience I believe you would enjoy because of ABC reasons So in your content be pure and in your selling be pure and there's my dog By the way trying to guard me for some reason saying don't come up here. This is our hill. It's not But that's that's what buddy does so I apologize for that noise but Whether you're marketing whether you're doing content be pure in your content if you're doing selling be pure in your selling Okay, if you're doing networking be pure in your networking rather than All of us have hats have an old friend Approach us. Oh, it's been a couple years. I haven't seen I haven't heard from you or I haven't seen you around I hope you're doing great how your kids or whatever and then they go into Selling you on their business opportunity or their product that they're they're wanting to sell people and it feels off Right.  It's mixed isn't it and when it's mixed we start to doubt that particular friendship or that relationship This is why so many people hate network marketing because they've gotten approached by old friends who appear to be old friends But really are trying to sell them on the thing, right? Be pure if you're trying to sell someone just just sell them I mean, I really recommend you build an audience through content And then you are direct when you are trying to sell something you say I've given all you this content. I want I want to share this product and you may or may not be for you But for some of you, I think it will be really helpful And I'm going to continue doing videos and doing content or whatever But I just want to let you know that this is available that I'm really excited about this that I really believe in this, right? Be direct when you are directing that piece of communication. That's what I'm trying to say so So let's continue and I need to continually remind myself of this That's what I you know, that's why this message is important for me, too Let's continually observe our intentions in our communications and be pure in our intentions And that way we will enjoy our communications more We will no longer feel icky about our marketing and our audience will also enjoy our communications more They won't be they won't feel like something is off So I hope this is helpful always open to your questions in your comments and until the next video. I wish you well


Another consequence of the strong hydrogen bond is that the vapor pressure of water is extremely low. Now the vapor pressure can be thought of as a measure of how hard or easy it is to evaporate a liquid. When you have a low vapor pressure it's very difficult to evaporate that liquid. When you have a high vapor pressure it's very easy. Now the vapor pressure of water is incredibly low. Heating up water actually increases its vapor pressure and the boiling point of any liquid is defined as the temperature where the vapor pressure matches the atmospheric pressure. This means that we can not only boil water by increasing its temperature but we can boil water by decreasing the atmospheric pressure or the pressure that that water is in. So while we all know that water boils at 100 degrees Celsius this is only true for the reference atmospheric pressure which is at sea level. So as you go to lower pressures which you can achieve by going to higher altitudes for instance the temperature of the boiling point reduces. So for example water boils at 68 degrees on Mount Everest and we can demonstrate this phenomenon by reducing the pressure in this vessel which contains water at room temperature.


Good afternoon, thank you for joining us. We're here today with Tanya Elias and she's gonna be discussing mapping the social world arena of open education and she's joining us from Disney. Thanks Tanya, I'm gonna pass over to you now. Thank you. Hi everyone, happy to join you. I'm joining you today from Disney World. You may see giant top hats behind me. And so yeah, I'm going to talk about the mapping social worlds, an arena of open education. So this is, yeah, so this is me, this is not, I haven't been to this castle yet but I expect that I will get the opportunity to go in the next couple of days. And I have to say it's a little surreal given that what I'm talking about and what my research is about is about standardization and issues of scale and corporatization in open education presenting this from Disney takes a little bit of a new spin and really makes me think about this in a slightly different way. So a little bit about me and my experience with open education, I've been involved in various forms of open education for 20, 25 years. So, I think of it now as my many opens, my many different types of open education from open universities to transcending limits of distance, place and time, flexible self-paced learning, completing courses outside of programs, reducing barriers to entry, online cohorts, increasing accessibility, OER, open data and software, open colonialism and increasingly I think open educational practices as well. So as I go through, my research is really thinking about how these various types of opens have shifted over time. So my research is using a methodology called situational analysis. So it really thinks about the situation of open education. And when we think about the situation of open education right now, I don't think we can talk about it or at least I can't talk about it. Without thinking about the impact of COVID-19, when approximately 1.5 billion students around the world went online for in various ways. And clearly teachers and researchers responded in different ways with articles and journals on social justice. At the same time, ed tech companies and technology companies have also responded in a variety of ways. And some of those ways have been quite a great way and quite aggressive. And so my goal in this presentation and this research is to really think about how those two different approaches intersect and overlap and converge and impact one another. So the more things change. So large-scale open education initiatives have regularly been positioned as a response to a crisis. So I made a note that in 2017. And as I just mentioned, was certainly the case with COVID-19. And throughout all of this, there's been silence with respect to the implications of scale as it relates to internet-enabled open education. And that continues today with very few exceptions. So in my work, I've adopted this idea from Madeleine Tien. I think we keep repeating the same mistakes. Maybe we should mistrust every idea we think is original and ours alone. And so in my work, I really take a critical approach to say, where has this been done before? Are we doing something new? Or are we really repeating the same things that we've done before because we think that we're doing something new? So as I said, situational analysis is my methodology and it's a qualitative inquiry approach that takes into account post-structuralist ideas in terms of going beyond the knowing subject, taking into account non-humans and highlighting relationalities within the situation. And the focus really is to foreground process, emphasizing fluidities of power relations. So my study has had, it's pretty much over now, hopefully over, three phases. I started with an anonymous online qualitative survey. I then did a collaborative mapping session with annotations with a smaller group of participants. And then I did two one-hour focus groups with the folks who helped me with the map annotations. And so out of that process, I developed three different kinds of maps. So situational maps, the social world arena maps and positional maps. And the one that I'm gonna talk about today in more detail is the social world arena maps, which is the one in the left-hand side of the screen. So these social world arena maps, they're intended to analyze social design. And so they explore two analytical questions. Who cares about this situation and what do they wanna do about it? And the purpose of doing these social world arena maps is to really look at grasping the big picture, something that we don't often do in qualitative research. So this is when I mapped the social worlds of open education. So you can see the arena of open education is the gray egg. What I did is I took all of the words and terms that people put into the anonymous survey and I mapped those against the field. And then I looked at those social worlds, so the other circles and identified what those actants and actors that were identified, what social worlds they belong to. And as you can see there, there were plenty of references to publishers, LMSs, ed tech companies, tech companies, foundations, governments and organizations, educational institutions and administrators, educational technologists and teachers, librarians and faculties. So as I mapped this and as I really started to look at it in more detail, what I really saw were patterns emerging in this space. We see this widening sphere of technology companies. If we'd done a similar map of open education, I don't know, 15 years ago, 10 years ago, I don't think we would have seen that heavy participation of the tech companies and honestly those ed tech companies as well. So we see these new entities entering the space and impacting the space in various ways and not only having a direct impact, but also having an indirect impact in how they fund fundamentally, foundations and how they provide funding for governments, organizations and educational institutions which really leads to convergence between these worlds. And we see the same thing between publishers and ed tech companies. Publishers are more and more, when I looked at my research, the publishers are more and more. They don't even frame themselves as publishers anymore. They frame themselves as anything but publishers, right? Really ed tech companies. It's all about the ancillary materials, quizzes, interacting, proctoring. All of these are connecting and becoming really one in the same. And with these dynamic intersections, what we see is these trends towards this ever-increasing massification and the applications of more and more prescriptive processes and technologies across all of these various worlds. And so when you step back and take a look at what is going on around open education, it can become, it's overwhelming, but I think it's also important that we take that step back and see what role these companies and these organizations are doing to influence the space. And like I said at the beginning, really think about why? Why do they care? What is it that their goals and initiative, their goals in terms of being in this space? And are they aligned with our goals as open educators? So you can see there in the blue circle, that's open educators. So they are an overlapping world that have interactions with all of these other worlds and they're not a homogeneous group, which makes it even more interesting. And it means that they're being tugged and pulled in different directions by all of these different worlds and by the needs and desires of these different worlds. Oh, what did I do? Yeah, I missed something. Oh, that's okay. Okay, well that puts me at my end of my presentation. I'm just going to escape for a minute because I think I should have more here somewhere. Oh, here we go. Okay, let me just present again. Fine, we will do this instead. Can you, hopefully people can still see it. It doesn't really matter if you can see it. These next slides, I don't know why. Oh, because I've got them hidden. Okay, so fundamentally what this really means is that open education sits at the nexus of these very powerful and big social worlds, most of which have significant interest in seeking to maximize financial gain versus via very prescriptive methods, including increased efficiency and divided labor. Controlling open education is an effective way to both accumulate and exert more control over broader educational systems and entire populations because education matters and who controls education matters. Throughout my research, I've mapped the pervasiveness of prescriptive patterning throughout these social worlds and it's apparent prevalence within the arena of open education. So I think it's really important that we think about how the patterns, the business patterns that impact these worlds also impact what we are doing as open educators. And with that, with ed tech companies, textbook publishers, governments, institutions replicating these prescriptive approaches to their technological patterns, it makes sense that teachers, librarians, and faculty feel caught in these bureaucratic patterns. And we see these same bureaucratic patterns in institutions, in post-secondary and educational institutions. And sometimes I would suggest that open educators look to technology, look to open spaces to escape those bureaucratic systems only to find themselves caught in different systems but that are still following those same prescriptive patterns. Yeah, so that's, it's really interesting to see this replication of these prescriptive approaches to technology. And the open educators who participated in my research really did tend to recognize the harms of these dominant prescriptive patterns within traditional institutions. And they also tended to see open education as a positive alternative. At the same time, they did demonstrate an ambivalence with respect to the use of big technological tools and their prescriptive tendencies. And although some of them did express a preference for smaller open source tools, the overwhelming effectiveness and efficiency associated with the big tools makes them really easy to use and really difficult to avoid for open educators. And these tools are often deeply embedded within our practices. And I can't think of a better example than Twitter right now of, if Twitter is at the center of open educational practices, what does it mean when that software is purchased by Elon Musk? I think these are the complicated questions, they're difficult questions, but I do think that they're questions that we need to interrogate and answer. The good news, because I don't want this to be completely depressing, is that change is possible. If we can recognize these patterns and we can recognize that social worlds and arenas are not fixed, but rather fluid entities constantly changing in response to interactions with one another, change is possible and we have the ability to enable that change and to reopen systems that seem closed or repattern prescriptive systems in more holistic ways. And so really the question becomes, what role do we as open educators want to take in terms of affecting that change or not take? Because I think that that's the question that we're left with. All right. So I will close my presentation and return to the screen. So I don't know if there's any questions. Oh, I can't hear you. Sorry, I was on mute. I've just asked everyone to post their questions in the comments. So if anybody has anything, feel free to ask. We've had a couple of people sharing comments so far, about how they've been using Twitter since 2009. So the research is very timely. So, yes. Jenny said, I like the indicators for different types of stakeholders and players in the big picture. Awesome. Hi, Jenny. Hi, Jenny. But we don't have any questions so far. So it seems that you might have already answered them with your presentation. All right. Well, so I have tons of questions. So I don't see, in general, my research was not research intending to come up with answers. It was, it's really research intending to trouble and ask questions. And I think, certainly, I've come out of my research with more questions than answers. So... Can I imagine? My, you know, is that, you know, but I, you know, and I think my key finding is that it's so important that we critically question everything that we're doing. And, you know, really think about the trade-offs of easy technologies and hard technologies, how we can just do that. I see Gabby saying, just gone back to Mastodon. Yeah, and it's interesting. So this research, my research on scale actually was originally triggered by being part of a small community on Mastodon approximately five years ago. So again, in the number of things that have been surreal for me in this week, starting to see that return to Mastodon as well, I think is certainly one of them. And I mean, I think as I see people coming back and, you know, I see people saying things like, oh, but the technology is not very good or it's hard. And I think that's kind of the point. Like, if we're looking for things that are easy, the answers will be prescriptive. The answers will be big and they will be corporatized. If we want things to be small and holistic, they will be hard, they will be work. They will be, they will take us to take things that are imperfect and be okay with it. And that to me is really what we need to think about if they were willing to do that. Yeah, it's a lot of questions to answer isn't there with all these changes and things. Awesome. I've got a couple of people commenting about how they're going to try and find some spare time to investigate Mastodon. 20-25. Good, there'll be another resurgence about them. I don't see any other comments, Tanya, sorry. So, and if you have anything else that you want to add or I'm happy to close off the recording now. Nope, I'm, yeah. I appreciate everybody taking the time to come out. And yes, Sarah, I will look for you again on Mastodon. I had to start a new account, but yes, I hope everybody has a wonderful time. And I will sign off from the world of the giant top hats. Thank you everyone for joining us. We really appreciate your time. Bye.


Good morning! I feel like a little panda. It just came out of the womb. Today is jump rope meetup day in Venice Beach. My sunblock exploded in my backpack. I don't know how that happens. Maybe because I left it in the car. So now I'm reconciling the situation. You got to do the old repack here. Get all that stuff back in there. We are not breaking the fast until after the meetup today. So we're starting with a little bit of a little coffee, a little hydration, and a little hand stretch from a boy, Eric Sajuro. He's the homie from college. He's allowing me to stay in his house because I'm homeless here in Los Angeles until then I find an apartment. So here I go. All right, meetup is in about in two hours and 30 minutes. So I'm going to go down to Venice, maybe get on my computer. I'll upload some footage, answer some emails, and get ready to jump some rope with some of y'all. Well, well, well, look who it is. Darryl the big blue whale right on the wall here in Venice. All right, just got out of my car. We are about to go hit up Abbot Kenny and hit the cafe for a second because I need to upload some footage, do a little little checking with Zendu Fitness on the internet, and then we're going to take some time lapses. We're going to meet Zendu Fitness, Zendu Nation at Venice Beach, Muscle Beach. Here we go. What do these leaves look like next to me? Whenever I'm in LA, I always have these close encounters with piss my pants because you're always in a freeway here. I was out in Rancho Cucamonga, which is the boonies.  So before I do anything, I need to find a place to relieve myself. Hi, my man. How are you doing, man? I'm going to get you in the vlog. What's your name? Hyman. Hyman. Good to meet you. What's your name? Zeke. Zeke, great to meet you, brother. Shoot. I got Danny here from England. Danny came to the Zendu Fitness Meetup in Los Angeles from England. That's pretty insane. That's what I call doing the thing, brother. Jump rope into my life, man. That is beyond dope and we're about to skip smoking, man. Let's get into it. So we just finished our workout here on Venice Beach. These guys absolutely crushed it. We did five rounds, five of jump rope and push-ups. So we're going to go and around the circle really quick and I wanted to ask them what does Zendu Fitness mean to them because we don't get a ton of these meetups. Like we're using it on the internet. I don't think you get to meet you guys and I want to know like what like what does this movement mean to you? So let's roll. What's up guys? Zendu Fitness is about passion and conquering fitness. Addicted. Doing the daily thing. Zendu is the thing. It's about the intensity and the rhythm. Small possibilities. Anyone could do it. Zendu Nation. Doing the thing means freedom. It's about getting these. So I love it. Thank you for having me. Doing scooter tricks. I need to see some scooter tricks. I just split up the last Zendu. Man, such a good crew. Just dudes that I want to kick it with on a daily basis anyway. So super awesome to have the first meetup in the U.S. and see that like you guys are like me and I'm pumped for future meetups to get to meet you all. So right now I'm going to go offload some of this footage and then I got to pick up my girl from the airport. I haven't been gone for a while so I got her. Got showered. Now we're having some beers with the team. We're gonna get some Korean barbecue in a minute but first playing the wave game, drink some beers.


So, let's do one of these problems, determining the rate orders. So it says, consider the reaction presented 2NO gas plus O2 gas goes to 2NO2 gas. Collection of the following kinetics data was shown. Okay. So, we got rate data, concentration data. The rate is actually in units of all over per second. Okay, so how do we figure out the rate of law? So, remember, you guys remember how to do the rate of law, write it out at all. So, we're going to have to remember that. The rate equals the rate constant times, well, the concentration, and now we've got to go back and look at what the reaction equation gives us. Okay. So, we see nitrogen monoxide here. Okay. So, that has to go into the rate law, and we're determining the rate order scheme. So, that's this superscript, that M, okay. So, the other reactant is oxygen, so we're going to have to say the molar concentration of oxygen to the end. Okay, so we're determining M, and that's what we're determining. Those are the rate orders. And then it also wants us to determine the rate order of the entire reaction itself. Okay. So, how do I do this? Well, I've got to do effectively a couple of problems for specifically. So, the first problems I have to do is find, well, where does find experiments or do these experiments, and then find data where the concentration of one of the reactants changes but the other reactant stays the same. So, for the first set, so for nitrogen monoxide, right, we see experiments two and experiments one where it changes, but oxygen's concentration doesn't change. You guys see that? Yes. You guys see that? Yes. Yes. Okay. Cool. So, those would be the ones we would want to use for N up here. Okay. So, let's go ahead and write out that part of the problem. Okay. So, let's just keep this up there to remind ourselves what we're looking for. So, I'm going to just say, and I always like to put the bigger number on top so we'll have a number at the end that's going to be bigger than one as opposed to one that's smaller than one. Decimals are harder to work with. Okay. So, in this case, 0.02 is bigger than 0.01. So, I'm going to put rate two over rate one like that. Everybody okay with that? So now, so the other thing about these problems is we have to be under the assumption that temperature isn't changing in between any of these experiments or the rate constant would change. Okay. So, if you remember the Uranius equation problem that we did before. So, K is going to be constant. So, anyways, so K, the concentration of N, L, M, so that's K, N, L, 1, or in this case, 2, sorry, 2, and then 0, 2, 2, N. Okay. So, those 2's are referring to the experiment, too. Is everybody okay with that? Yes. So, notice, I didn't put a 2 under being the K. Why? Because it's not going to do what? Change. Change, right? Okay, 1. So, this would be N, 0, what? 1. Very good. And 0, 2, 1. Okay. Is everybody okay with that? Yes. Okay, wonderful. So, all straight away, right, we can see that K is going to cancel out. Everybody's cool with that, I'm sure. Right? So, let's just cancel that out. Alrighty. The one thing we should realize is that the concentration of N, O cannot cancel out. Okay? Because there's a change. Does everybody see that? Yes. So, look at the concentration of O2 of them. Right? It's the same, it's the same. Okay? So, if this is the same and this is the same, and the reaction order doesn't change when you change the experiment either. Okay? So, that's going to be the same as what? Is everybody fine with that? Yes. So, what we can do effectively is cancel this with this, because those two numbers didn't change. Okay? So, what's the problem with that? Let me know right now. Should be writing this down. If you're not writing this down, I'm going to be looking at you twisted. Write it down. There's no reason not to. Okay. So, I'm going to just kind of reduce our equation to get all this business out of the way. So, we've got an equation that looks like this now. Concentration of N, O to the M. So, the second N, though, over O, 1 to the N. Everybody's cool with that one, right? Yes. That makes sense. If I have M here and M here, I can parenthesis and take it out. Okay? So, that's what I'm going to do. I'm going to put 0.02 divided by 0.01, and that's what muller, or some muller, whatever. So, those units are going to cancel. So, in this case, it's going to be, what is that? 2 divided by 1. So, it's 2, right? 2 to the, okay? So, at this point, we don't know what M is. Figure it out. Have any problems with what we've done so far? Yeah. Kind of wonderful. So, now I'm going to figure out these things here. So, we get this from the initial rating. So, lucky that's rate, rate. Okay? So, we're looking at experiment 2 and experiment 1. So, experiment 2, experiment 1. So, we'll just say this equals experiment 2, 0.20 muller per second divided by 0.05 muller per second. So, notice, in this case, there was no super script, so we don't have to worry about that part. Is everybody okay with that? Yes. That makes sense? Yes. That's wonderful. So, this, if you reduce that, is going to be what? 4. In your head? Good job. So, 4, that equals 2 to the m. Okay? So, we're going to set those two things equal to each other. If you can't do that in your head, I can show you how to, we'll do another recording of like how to do that mathematically. But this one you should be able to do in your head if you can't. Just remember, 2 to the what equals 4. That's what we're taking here. Okay? So, 2 to the 2 equals 4. Right? Is everybody okay with taking that for an m? Usually these problems are pretty straightforward where you can figure out what that number is. There's a lot of pretty easy, I don't know, power equations. So, in fact, what we found is that m here is going to equal 2. So, the reaction order for nitrogen monoxide is 2. Okay? So, I'm going to have to erase that to use that piece of board again. But I'll let you guys take a second to write it down. I think you guys think we're going to be looking for it. So, what do we have to look for here if experimental ones? Ones that, what does this have to do? Stay the same or change? If 1000 stays the same, that one changes, right? So, which experiments do that? 3 and 2, okay? So, we're just going to set it up like we did last time. Okay? So, this is essentially a rehash of that same problem. Okay? 1 and 3. Oh, sorry. Oh, yeah. Is that one? Sorry, yeah. Sorry, sorry, sorry. You guys got it. That was a test. So, 1 and 3. Okay? We would have figured it out once we got over there anyway. So, anyway, thanks for catching me. Okay? So, 3 and 1, right? Which one are we going to put on the top? Well, let's write out over here what we got. So, we're going to do rate equals k. And we know m is 2. If you want to put it there, you can. Concentration of O2 to the hand. Rate to concentration of O2 to the hand. So, now, which one is going to go on top? 3 or 1, right? That's the one that I would prefer to put on top because it's bigger. k, does that change when we do this reaction experimental conditions? No, so we don't have to worry about changing that. 3, 3. 1, 1, 1. So, k cancels straight away. No, didn't change. Yep, cancels. Okay? So, let's reduce this equation out here. Concentration of O2, 3, to the hand. O2, 1, to the hand. Like that. And remember when we have hand over hand, right? Like that we can. Any problems with what we've done so far? Okay, wonderful. So, O2, 3, 0.02, 0.02 molar. But 0.01, is that right, molar? I can't see. 2 and 1, right? So, to the hand. Cancel, cancel. So, what's that going to be? 2 to the hand, right? Any problems with what we've done over there? No. Okay, wonderful. So, let's do our rate 3 over rate 1. So, rate 3 is 0.10 molar per second, divided by 0.05 molar per second. Like that. So, cancel, cancel. Notice again, no superscripts there. So, what's 10 divided by 5? 2. Okay, so now we have to set 2 equal to 2 to the hand. Okay, very good. That's awesome. To the hand. Okay, like I said, usually you'll see that these ones are pretty easy to do in your head. If they're not, then you might have done something weird in your problem. Okay, so, like I saw over here, people getting excited saying 2 to the hand or whatever, that's 1. Okay, and you're absolutely right. So, the reaction order for oxygen in this particular reaction is 1. Okay, is everybody okay with that? Yes. So, let's just write n equals 1. Okay, so what have we found? We found the reaction orders for the individual reactants. Okay, so how do I erase all of this business here that we've been working out? Does everybody got that written down to where I can erase it? Because there's more to do with this problem, not much, but a little bit more. Because it wanted us to not only tell what the reaction order for the two reactants themselves were, but the reaction order for the reaction itself. Okay, so let's just write this down. So, reaction orders, that's going to be m, right? So, that's equals to 2, and for o2, that is n, so that equals 1. So, we can actually come back here and figure out, well, what is the actual rate law? Okay, so let's write in what m and m are. All we have to do, erase m and put a 2 there, and 1's, you don't have to show, okay? They're understood. Is everybody okay with that? So, that would be the actual rate law for this. Okay, so I think that was one of the things that asked us to figure out what the rate law is. So, we figured out the rate law, figured out the reaction order for mO, the reaction order for o2, and it wants us to figure out what the reaction order for the overall reaction is. So, overall, n equals 2 plus 1, okay? So, that's all you do is add the 2 m and n up. Okay, so that equals, so that's the overall reaction order. And we could probably even do one other thing, you know, let's do one other thing. Let's figure out what k is for this reaction, okay? So, we have now data from an experiment, and you can pick any experiment that you want. Let's just pick number 1 here, okay? So, we've got rate data, right? So, the initial rate there. We've got the concentration of nO2, and we've got the concentration of o2. So, if we rearrange that equation, we can figure out what k is. Does everybody follow what I'm saying? Yeah, you got that? Okay, so let's rearrange this equation. So, rearrange it on your own and see if you can do it the same way I do. So, k to rearrange, guys. k equals the rate of squared. And like I said, we're just going to pick one of these reactions. I just picked 1 because, well, that was just the first one up there. Okay, so the rate is 0.05 molar per 1 second. The concentration of nO is 0.01 molar squared like that. The concentration of o2 is 0.01 molar, okay? So, tan to the 1, 2, 3, 4, 4, okay? So, 1, 6, big, 1, 6, big, 1, 6, big. So, that's going to be 1, 6, big. Okay, let's figure out what our units are going to be, okay? So, this is going to be molar times molar times molar, right? And that's going to be a molar on top, okay? So, molar divided by molar q. So, we're going to have molar squared in the bottom, right? Is everybody okay with that? So, molar squared in the bottom. And then, also, seconds in the bottom, okay? So, it's going to be per second per molar squared. All of those various questions. Okay? Long problem.


When I started playing mariachi in New York, one of the things that I noticed that I was one of the only females doing mariachi music Also, just in the music industry. I didn't know that many women I would Constantly have these conflicts, you know, machismo that I had to deal with I Wanted to break away from the tradition a little and do my own compositions and experiment with the arrangements and all those things kind of Sparked the idea of starting all female mariachi So the first person I thought to start the group is she I called her up and I was like, hey, do you want to start this group with me I Had never listened to mariachi before I played rhythm guitar for you know, like rock songs or funk We all came from different genres. So the articulations may be slightly different in the trumpet or viola Just kind of made it have its own sound If we all just stayed in our lane all the time things wouldn't blend they were they wouldn't come together and create something new It's mariachi, but it's like a little different We live so long in New York and we're exposed to so many cultures and different kinds of music that I mean Whatever each of us brought in we're like, oh, that's cool We all just kind of fit in so perfectly And Google up listening to money at you always money at you every day what we do here. It's it's different I actually lost a couple friends of her playing here in the Latin because they're so traditional when they heard that I was playing here They're automatically, but they suck. You know, it's a jazz band with many instruments. Why are you even playing there? I was like well because it's made me a happier person a Great amount of pushback comes from how we look we're wearing pants people don't like our outfits They don't like the fact that they're not the common mariachi outfit We make the uniforms ourselves because that's how we feel we can express ourself best We're glad that it sparked a conversation and we're glad that it's empowering and inspiring other women It's important because you know, if you're trying to be something that you're not then it's kind of just comes across as forced If I have to stand up straight and do my hair I'm policing everybody else and not myself, but if I'm slouching or pulling my sleeves, that's who I am and I feel so free Like I want people to see what music that I make from my heart sounds like if you want your art to be yours It has to be something special It's cool to stick to what you believe in but then there's also something really beautiful that can come out of taking a risk You know follow your joy it will lead you to amazing places Now is the time for you to just express yourself and just keep going if if it's true to yourself And is very genuine. I think people will see that


Stoker coach gun in 12-dage Hey there friends. Thanks for checking in after age now We'd like to do a comparison with two very nice coach guns right here. We've got the Stoker coach gun Of course a side-by-side double barrel. That's what the coach gun is. It's a side-by-side double barrel 20 inch barrels You see a lot of double barrel side-by-side Shotguns, but the coach gun typically has 20-inch barrels the Stoker model has a improved cylinder choke fixed choke on the right side a Modified choke on the left side. It's a nice shotgun MSRP 4 49 Does have a raised rib there a dot in the front very nice walnut furniture and Of course the break open action every time the action is closed It puts the shotgun in safe it does that a thumb safety there You have to push that forward when the action is closed But it's a nice shotgun, you know for the price you really can't beat it It does not have much of well. It doesn't have any recoil pad here. It is polymer and This is a single trigger model. All right I go with the single trigger it resets really quickly the coach guns are a lot of fun and I Got this initially and then I've got the CZ. I'm gonna bring that out shortly But they are a ton of fun the trigger resets really quickly I went with the single trigger with both of the shotguns But I really do enjoy them some people hunt with them Some people use up for home defense, but they are a bit heavier if you consider the weight in a shotgun It's typically with the barrels and the fact that this has two barrels Makes it heavier and you can feel it, but it also feels extremely sturdy I also like the way they disassemble they are very easy to disassemble you simply Well the first thing you do is pull off the fore end and then Then you take the action lever out and it just comes apart like that both of these Disassemble the exact same way to put it back together you open up That gate there by the action lever and then you put it in As such I can get this in there and then you put the fore end back on so it's a it's a real easy Process the Stoker is very nice They make a ton of shotguns and I really do like this coach gun really windy out there Make sure my microphone is on but it has been great for me. It will accept three inch loads It does have walnut furniture the double barrel once again fixed They also make a supreme model that is a hundred bucks more, but it has a little more to it like a recoil pad and Screwing chokes so you could put the choke in that you want But over here is the CZ model check that out now. This is way more high-end You may not be able to tell there, but it's color case hardened the entire receiver It's color case hardened some of the engraving in there is incredible It's a beautiful shotgun Turkish walnut All right, I'll get these closer with a side-by-side and these have a fixed cylinder bore Chokes on both the difference here is the left side fires first and then the right side is where the Stoker the right side Fires first, but let me go ahead and take a few shots once again. This is the the single trigger model All right And we'll go ahead and disengage the some thumb safe Really nice. Both of them have extractors All right, and if you look at the CZ model It is stunningly beautiful It also has a raised rib a little higher than the Stoker It has a front sight instead of a bead so it kind of looks like a bead but does have a white sight there and it is a Little darker with the furniture does have a recoil pad there, but it essentially performs the same action You know two two shots one after another the safety does not engage when closed But at the same point it breaks down the exact same way I'm not going to go through it all but the exact same way. Okay. It's very standard with a coach gun and many people There it is. Many people want to know, you know, what is the advantage? Well, there are a lot of advantages to a coach gun They are easy to maintain easy to function just about anybody can do it You consider something like this for anybody in the family, maybe 20 gauge or 410 Anybody could use it 12 gauge It'll kick you back a little bit But the fact that it does have some additional weight to it kind of softens that a bit and especially this one Because it does have a recoil pad the MSRP on this is a thousand and thirty nine dollars So this one is more refined if you look at some of the texturing on the grip If you look at some of the case hardening or color case hardened receiver even all throughout there It is really a nice shotgun both these are but let's go ahead and get them on the table and we'll See some of the differences first hand here both of the coach guns with the stoker on the bottom and the CZ Sharptail on the top take a look at the the stock Maybe over here. You can see it's a little darker finish with the stock longer length of pull with the CZ Sharptail some of that accounts for the rubber recoil pad But if you look at the triggers you can see that's about an inch inch and a half further up Creating a longer length of pull the stoker is fine You know MSRP 449 I mentioned that but it certainly gets the job done. It Was fired by me several times with various loads all function just fine never had a problem with either of these the CZ sharp tail is Enhanced with the attention to detail you look at the color case hardened Receiver all the metal parts with the exception of the barrel is color case hardened all the internal parts the engraving is incredible you look at some of the Deep cut engraved in the color case hardened. It's beautiful. It's just it's stunning and you get that You just has class written all over it. That's where the stoker is pretty much a workhorse You know and so you consider the two which which would be best. I personally I like them both They're they're Shooting impressions are essentially the same with the exception of that recoil pad that certainly helps I've shot various loads through the CZ sharp tail as well and it performed great. You know the Right side left side whatever shoots first. It's different really doesn't matter too much. We'll take a look at This side you can see the thumb safety. It does engage each time the action is closed and many people Commented to me. They said they didn't like that whatever the case. This one does not and look at that engraving right there It's beautiful. So is the Stoker more attractive to you because of the cost or are you one who believes that the CZ is worth the money? I think they're both great if you had to choose which one would you go with the stoker for a lot less money or The more detailed more refined CZ sharp tail for about double the cost But it sure is Beautiful, I'm going to give you the most basic answer That one could give you if money's not an issue hands down the CZ. It is stunningly good-looking But the stoker gets the job done. So if money is an issue Stoker works just fine. Both of these have performed great for me and I certainly enjoyed Have enjoyed owning both of these coach guns if you like videos like this, please subscribe and share I always appreciate thumbs up button. Thanks for watching and you guys be safe


Hello, I would like to welcome you to our video oral history project, and we're so pleased to have you here I'd like to introduce you to the world and I am introducing Lonnie Boucher Averich Do you ever need nicknames your friends call you Lonnie? They call me Lon. Lon. We learned of the hidden information here And Boucher is for my professional name. Your professional name and and Averich was your married name Continued wonderful. I'd like to ask you something about your early life. I'd like to know What are your parents names? What nationality were they? Where did they come from? How did you arrive in San Francisco? Did you have any brothers and sisters? Cousins anybody that I would love to hear their name Well, my mother's name is Dolores and my father's name is Ted and my father was Scandinavian and he was born in Seattle, Washington, and my mother is was Irish and French and Well, my father's Scandinavian and Al says these must be you know, so and then my mother and father my father was in the war which one? World War II and my They met in San Francisco. Wow, and my father was Not mortally, but he was very badly wounded in the war, right? And he spent a whole year in the hospital in Stanford and They got married here actually at my grandmother's house on Washington Street and But my father wanted to move back to San to Seattle where his family was and that's where I was born My sister was born, but my mother couldn't take the weather. What's your sister's name? Pammy Pamela, Pamela Yeah, and we came here in when we were four years old So I consider San Francisco my home totally Where did you where did your family land back at that time? Where did you live? We lived on Washington and to visit arrow and We went to Grand School, which is no longer It's one of the most was the most wonderful grammar school in the whole world And we still I still have all of our friends that we still get together the ones Why are you know and high school and then when high school is low, which I went to the original low along the sonic What's across street? It's across I'd say hey, it's baby. It's so it's part of the part of the lower hate hate. Yeah It's still there. Yeah, and then the What the new low moved to the other side of the avenues at that time I think a lot of people are aware there ever was another Right. Yeah. Yeah, and I moved away went to Hawaii my parents got divorced and Then I went to Los Angeles and as soon as I was at high school and first year college I wanted to go back to San Francisco And so you did yes, I did and Where did you move to? My first apartment was on Jackson Street the back to the kites and then We moved and that's that's about the time that actually my mother called up and she said the Longshoreman's Hall was having a great dance. You should need to go and My brother was playing No, we were just talking about that. That's what I'm thinking of the charlatans. I Didn't go to that. I'm only what year this was It was It's a high sixty five and I'm at 75 so 65 We went to the California Hall and that's where I'm now a husband and the charlatans were playing I think what was his name And the big brother and holding company and then the next weekend the film world opened and For we went Friday Saturday and Sunday. I did Jefferson Airplane Jefferson Airplane and we were talking about just remember seeing the doors and I'll never forget seeing the doors and how I used to go from speaker to speaker to speaker and you know and then Jimmy Hendricks and Janice, you know all the people we saw but it was basically Friday Saturday and Sunday And you go and you'd have an apple and at that time no one really drank, you know, right?  It's right You know, I'm gonna have to a big two. It's yeah and you know you think back then you'd get you come in and you get your apple and you get your poster and You think back and the posters got better and better and and also during that time I was involved with One of my childhood friends who you're gonna meet next week for the rest of us Jimmy rest and her brother a well and Bill and They started the straight theater and I Basically, it's my mind ball was cleaning it Clean the toilets, which are gonna think there's a great man bill around that said it's more than just the artists on the stage Yeah, security clearing the aisles to make it safe somebody what looking and making sure the place is an environment ready So they were creating that that that environment and but there's one thing that part of the 60s that I'll never forget them Sitting in your car. You're driving in the car and on the radio They said that this is the summer of love and people are coming to San Francisco and you need to open up your homes and Invite everybody in because people are coming to And there's not enough love and there's right and and the hate at that time Well still is but that not as much at that time the hate was a haven because all every all the big Victorians and all the big flats and and everyone could just hang out and it was a really actually happy time It was not a you know There are one of the big drugs didn't come until a couple years later So it was still fun and it was just Every day was just it was just a wonder how old are you right about this time? 16 perfect, so when you come into the hate Just walking down the street. Yeah was a party was well. Yeah, it was a party and you know and The Beatles everything was just a very just happy time and that and then and you just the peace move I mean the marches and There just really was a lot of love going around and people just had a wonderful time And you just and at that time at that period of life You know and work. I mean we're work, but everyone's half an unemployed or Somehow it was all covered. Yeah, somehow it was all covered. Yeah, it was all covered and And he just met and people were coming to droves to San Francisco. Did you have any feeling? Well, maybe there's a change happening in the world. Did you have any I mean I've heard all different opinions people saying well coming to the hate Ashbury in the 60s made me feel Like I didn't have to have that nine to ten nine to five job that my parents always said I had I can be myself I can Contribute I can try to help towards informing people Well, I think at that time you didn't think of a career or a job and you you basically most of us didn't grow up to We're about 40 so yeah, I mean, you know, you didn't know one was there The ones got married very young had the children the most of us really either got married later Just you know you just you worked if you had to work you got by Did you have any favorite bands? Did you did you? Were you there at the straight theater for the for the events? Yeah, that's could you remember Any of the the things that happened at the straight theater? That's terrible. I don't okay Do you remember lights? Well, I remember the light shows. You can't forget the light shows, right? You know and we just found out Brian Epps Who's what who did who did the light shows and he's the founder of brotherhood light. He's coming. He's coming. Yes next week and And the reggae in Caitlyn and a lot of their dance classes. Yeah Caitlyn taught them. Yeah, they had a Saturday morning breakfast or they had a Sunday morning meditation or The straight was used when they had vents on the street. Oh, yeah You know, but I there was a blank there. Yes So I can't really remember you remember some of the Happenings with your relationship with the people there. Did they were there any problems in operating the straight you over here any? There was another building down the street that later became the I be Before that was a masonic large. Yeah, I know there was problems, but I don't really remember, you know That's just running to run a venue with that many people and Everybody just having fun makes a lot of work for you Yeah, but there were events happening at the straight theater the same way there were events happening at the film Artiforium and as you're talking well Friday night, we went here here in here There was also the Avalon Ballroom. We went to the Avalon ballroom. We went to every single one, you know You you go to yeah, the Avalon ballroom is really big And then there was the of course the film Artiforium, but then there was the film or west on Vanessa and market That opened when the film or East open. Yeah before that it was called Carousel ball, right? Well, yeah, I remember more of that. I didn't go to film on West. Which went to the Carousel. Yeah That was the early years the Carousel ballroom the Avalon the straight theater. Yeah, and Whatever you do you remember walking down the street in the hate and seeing Five people thousands of people walking into the park. I'm interested in knowing some of your firsthand Information of anything you might remember, but it's not actual the spirit of it. Well, it's more of the spirit I'm thinking of the was it to be in and just I'll never forget, you know, I did get it. I did get it all tomorrow. Okay But I just remember just the everyone just really just the colors people wore a lot of colors and I don't think you could really duplicate what people look like during that period. Oh, I mean even though people try You know the velvet and so the velvet the dye the tie dye that you know I mean sometimes I think you look at it now and you might laugh but at that time, you know the beads and There's a crater expression. Yeah, it was you know in the incense And the way we looked in the long hair and You know, it's just a lot of love and people caring about each other at that time You feel in any way in a small small way I mean one person can only do so much but thousands can do more at that time. We did I think we did we were How do you feel that the pressure got put on the world by what was going on then do you on small way any of the Well, I think we had a big part of it with the Vietnam War. I think with the protests that we did I think there was it. I mean it was taken very seriously at that time I don't know. I'm not sure now as much as a best man because I mean people really felt I think we felt really we not united at that time right as a whole Right, you know and it's the war a lot easier to say it together than with as one person Right and be part of the community that you felt as if did you have this feeling a family? Yeah, I think everybody felt that way. I think and there wasn't just I just think there wasn't the violence there Right, you know in groups was crowded and ended up masonic and continued into the part Yeah, but I mean as a group people never really didn't feel afraid of the crowd You know 18 is very formative years in the couple of years before that is very formative In in the artwork in the music in your friendships Do you think you can think of anyone that might you might have respected that might have influenced you In agreeing with your bullet with what you believed or inspired you to believe do you feel You are who you are now as a product of what did you you've lived? Do you feel that there's anybody in your life? my many people a friend someone that Can you remember anybody anything or even a song or the music that might have Influence you when you were young to say yeah, this is true. Come on people. Let's get together or whatever it is That's a good question There's not a person no but I can say but a group of Musicians or the way people dress in the freedom of expression or the any of that helped you be today Who you are because we all are who we are from just trying to be the music had a big part of it A big part of it. Yeah, a lot of people that have sat in your chair have told us that it's the music and actually I think the Beatles had a big part the Beatles were a big part The Beatles when the Beatles came everything. I mean, there's something about the Beatles music It was just every album they did everyone would look forward to the new music Because it was it was the only type of music that was different Right, you know, and it was just everyone would come and and oh my goodness. There's a new beat You know just and it was just strawberry fields forever Exactly. Yeah Um Someone we interviewed left us with the word of John Lennon. Imagine Well, you'll never forget the day he died Exactly. It was a really tragic day. I mean, it's you know, yeah, so it really was I mean, just couldn't believe the song, you know, that he someone would kill So some of the message of the Beatles and the I think the music affected you And we find we're finding that a lot with people are any viewing that if they may not put it in words They can they say it in a song they've heard it in a song and it's music So kind of a tribute to musicians is a very powerful Place to be because you affect so many and then there was um, he was killed Who wrote let's get it on Marvin Gaye Marvin Gaye was it? Yes, it was he was a big voice during that time. Yes A lot of some of the people on real as how much of the r&b and the blues played so much of a part in We had that midwest influence as well as the english influence coming in at the same time changing the music forever Exactly Did was when when you worked at the straight theater Was that a job you had to work all day? It was something you did at the night or you did in the morning or We just were there alone. Did you have a lot of friends? Yeah with friends, you know, you wouldn't do it You didn't and you would just if things need to be done. You would just help out, right? Um, that's kind of the way major events in the park. They play. Yeah Excuse me Where do you live now in San Francisco in San Francisco? And uh, Do you ever come to the hate now? Do you ever Once in a while? Yeah, actually this is the first time in a long time in a long time um Writing down the streets of the hate now and Riding here and from what you remember um Do you have any thoughts on it? Are you ever you have any thoughts on The future of young people young people still come here from all over But it's not the way the problem is there's not the music in the park and there's not the What was there then so part of what i'm asking you what was there then? and Well, there was You know the drug the um heroin the heavy drugs came into San Francisco later time and destroyed really well the beauty that was here Yeah, a lot of people have said the the lower hate hit the higher hate and There was no control. I mean, I don't really see very old Right I'm curious uh The the friends you said you had from the straight theater um What has moved away and stayed and some are local and I just think it's amazing Uh, he's kept a relationship on on some level. You you know these people. Yeah Uh, and you were friends before the straight theater. We grew up together.  Oh my goodness So this is a life friendship. Oh, yeah most of the kids we you know The ones who are still are friends the ones we went to school with And we're into doing a few people um next well next week hello regi regi and uh author And uh some other employees of this right there. Yeah, you'll be able to give you you know They were just so entree. It's wonderful that you're gonna be able to talk to them They have every flyer and every which is only one part of it But you worked there. You were part you were friends with them And I had to feel there were people with the public coming in You were part of the backstage. You were part of the staff there And did the staff itself Have uh as you saw it you remember any of it did the staff evolve where they're in the beginning? No light shows and all of a sudden we're gonna bring music in or um Did you interact? As friends even though people did their own jobs I mean, did you have a team feeling a family feeling among the people that worked at the street? Oh, that's how it was. It was yeah more it was like a family And uh jib would go out down the street to have a cup of coffee or eat together that yeah Yeah, everyone did that together. Yeah, so there were many things going on the psychedelic shop the oracle the straight theater And all these things and within each of these Places that no longer exist There was a team of people that felt like family and that family extended to the larger family of what was going on Everybody felt they were part of something. Yeah, exactly. Um I'd like to ask you what what kind of work you do in your life I mean, we've always wondered where people were and what they're doing now and And do you still love music? Do you still listen to music and I still Enjoy listening music and I love to dance and um I'm a chef Any chef. Did you ever do any cooking in those days?  Where was that the Renaissance fair and um Black point up in the bottom in the bottom And uh, you did a lot of cooking there and uh, I did a lot of cooking there and then I after that I had my own catering business and after that then I I had a coffee shop and after that. Wow I went to uh I worked at the Ritz Carlton and Now I'm the executive chef of the arch, I'm the executive chef for the Archbishop of San Francisco And is that cooking for him or more than him? I cook for him and I do all the The special events and I handle the household. Wow And what part of the city is that? It's over in The cathedral, which is over in japan town on gearing and golf You might too so As far as your future goes We pray for a long life for everyone and and and dreams should not stop so If you from what you've come through in the sixties from we've grown to be where you are now um Do you still dream about peace on earth? Do you still hope that our young people have a shot to you? If the world would listen to you What advice would you give the world if young people were watching this 50 years from now? Well, I just think for us We were really blessed to be able to be a part of that period and I really wish that most children were able to experience that And I do wish peace for children and I just would hope that If people and as a whole could get along You know, it was sort of like when you saw the pope when the pope Passed away and to see all those hundreds and hundreds of thousands of people together Sleeping on the streets and giving each other water and blankets and all the The dignitaries of the world that never get along but somehow got along that day, right? You know for just one day people could be able to do that You know and just be caring and loving to each other because that's the way it was in the sixties It was it was like that thousands of thousands of people in the park. Yeah, sharing their blankets It was there, you know Like I said when they sit over the radio and people open up your homes and you know and and let everyone in And you are proud of your city and you wanted people to come and and take care of them and You know, so you still wish that for them. That's why you know I think you are we are special people being able to grow up in San Francisco during that time Because it never leaves you so this tape will inspire someone in the future as part of this collection and It's hearing it secondhand but hearing it from somebody who lived it Who sees it the way they saw it is a way to inspire other people Yeah, you know, well because I'm sure I mean a lot of kids everyone. That's why they tourists come here Exactly they come to the hate during the weekends to see who knows what is it looking for And that's what it's about. Yeah, you can't you can you have to be able to be there to feel have a feeling but still it's It's a wonderful, you know, a lot of people who said that too. I can just tell you and I can tell you But you had to be there or people who said I mean, it's an old attitude It's like say I wish I could told you so but it's it is just we were just very lucky Yes, and I if if We could be left with anything maybe be left with the inspiration of the Beals And Marvin Gaye and the music that goes on forever. Yeah, because they don't make the music I mean, it's it was always that musical never changed. That's just classical will never change. Yeah The message is strong and that's what makes the music last. It's it's eternal message You know, well, I would love to thank you Rebecca Rebecca Nichols would love to thank you for being part of this And sharing your life with us And and helping us put the pieces together of the past And document it so that somehow people in the future can be inspired by There's so many people that made this happen Not only the major artists on the stage, but it took everybody to do their part To make the whole scene happen as you said share some water share a blanket And be part of you're gonna meet so many more new people next week. They're really well, you know, they just do such a There are there are many many people coming on this. It's just being so Be we're being so happy to document the straight theater that was not there anymore I know that's to be able to document this the psychedelic shop that was not there anymore and the masonic The it just goes on and on all of the things that weren't there whether it's because Of what came up on the street because the rents all of a sudden jumped because of the All of a sudden it's valuable property and moved the creative people out, you know But the spirit of the 60s still lives. This still is in here. I can tell and many and many others and Hopefully in the future when people do research and look back. Hey, what happened that day They hopefully will get the message So I so want to thank you for being here and sharing with us Because because it's it's many pieces of a puzzle that that gives us the picture and we want to thank you so much For your help your help locating some of the some of the people who founded the straight theater as well as your encounters Um, but that that there is no memory. So thank you so very much. Thank you very much


Here's my favorite sign, and it's be Madonna from the Facebook group. Everything is food, Royal Hibachi buffet. Rue 46 West, Saddlebook, New Jersey. Here we have salmon with mango sauce. They're not exactly what they're looking at here. They're kind of running low on stuff. What am I going to do? There's nothing here. What's going on? The cooks better get on the ball, man. Salmon and mango sauce. Salmon and mango sauce. There was a left, actually. Well, this I'm going to save. This bouillabaisse I'm going to save for the rice noodles. As my second entree. Oh, look at what we have here, people. Shrimp and crab soup. Oh, what a pleasant surprise. Okay, now I got to look for a turf. I already got the surf. What do we got here? What is this? Like a chicken cordon blue. Commodore Jeff Sanbella. Cordon blue is when they suffocate the chicken, right? Until it turns blue and it dies of suffocation. Yeah, looks a little dry to me. Here we got some Squish Squash. Alright, Squish Squash. The usual Chinese entrees that I see all the time. Wow, what's with the cooks today, man? Look at this, even the famous hot buffalo wings. Look at them, they're wiped out. Look, a lot of things are not here. The cooks are not putting out food. Over there it's empty, over in the front. Yeah, it's like nothing. What's the matter, they're losing money? They're losing money? I'm going to find something to have with the salad. Let's see what we got. Cattle salad. I don't know what to do. I can't find a good bona fide turf to have with me surf. So it might have to be surf and surf. At least the seafood salad looks pretty good. I have a feeling it's going to have to be surf and surf. Which is alright. Let's make it a Morisco's buffet. Going on back there in the kitchen. There's a lot of holes in the buffet. I have to come back for the lemons. Definitely going to have the avocado salad. I think my favorite waitress always gets me a steak knife. Let me have it in honor of Salvatore Mercurio. I'm going to get some moots. Don't mess with the moots. Mozzarella cheese with a slice of fresh basil leaf and tomatoes. I can always come back for the avocado salad.  I got no choice. I got no choice. A lot of things. Get some fried fish. Good, very good. Okay, it's round two. Get some nice steak. Looks like steak to me, brother. It's a nice steak. Oh yeah. Well, hopefully it won't be well done, but I'm just happy they have it. Look at this wonderful mooncake. The Chinese waiter. Sometimes he's my waiter, but he gave it to me. It's nice because I mentioned I didn't have mooncake yet. It's the traditional Chinese holiday of autumn. You know, the autumn harvest, whatever. Traditional. This is actually a very nice one. Salmon with mango sauce. They still haven't replaced it in a thousand years. Unbelievable. Well, you know what? You can't beat the Angel Hair May Fun Rice Noodle with cockles. Can't beat it. Lo Main Noodle with two pieces of beef. Not too much. Very sad, very sad. Anyway, Mongolian barbecue man is... You can't get more simple than that. It's like peanut butter and jelly sandwich. It's like nothing there. What are you going to do? That's what they want. That's what the customer wants. What can you do? Well, at least I'll have the opportunity to put together a little surf and turf. Some cockle clams. Cockles in my heart. The rice noodles. I know it's going to infiltrate the steak, but not too much. Bromeliads. There you go. Some new bromeliads. I want to show you what the nice man gave me. It's a pretty one, too. Besides the wonderful mooncake that the Chinese waiter gave me, I have here baby clams on May Fun Rice Noodle. Very thin rice noodle with steak. With broiled steak. With onions. Very nice. Very nice combination of surf and turf. Finally put out some hardcore sushi. I'm going to get some unagi. Roasted eel. Unagi.  Make too much of a hog out of myself. Roast. A couple of raw salmon. That's it. Slices of sashimi. I'm going to get the unagi sauce. The eel sauce. The eel sauce will not make you squeal. The eel won't make you squeal if you use the sauce. The right sauce. Then we're going to get some wasabi. Then we're going to put the soy sauce. So should I do sriracha? No, maybe I will. Put a little sriracha. Sriracha in there. Soy sauce. In with the wasabi and the sriracha. I'm going to mix this up. This will be the dipping sauce. For the sashimi. That should do it. I could try some of this shrimp and crab. But first let me examine it. The Wenglin clam chowder. I'm looking for the shrimp and crab. I have an honestly Commodore Jeff Sambello. I can't find it. I cannot find it. I'm stirring the bottom too. As an educated consumer I will pass. Let's check out the ice cream. Ice cream? Wow, they're wiped out of chocolate. Oh, look at this. The coffee is on the screen. They're wiped out, man. Okay, while I'm here. For the very finest in buffalo chicken hot wings to go. For your next sporting event party. Come to Royal Hibachi buffet. And get your bulk tray. And you can take them home in bulk. Upon request. For your next sporting event party. Here's my favorite sign. The very finest in buffalo hot wings. Okay, I will save my lovely red bean mooncake. For another day. Maybe tomorrow or Sunday. And here I have some sashimi. White tuna. Roasted eel. Or unagi. Raw salmon. And some slices of... I don't know. Could be tuna. Raw tuna. Here I have Sriracha hot sauce. Wasabi horseradish. Soy sauce. That I will mix up. And use as a dipping sauce. For the sashimi. Royal Hibachi buffet. Rue 46 West. Saddle Book, New Jersey. This is James P. Madonna. From the Facebook group. Everything is food.