ThinkTekAway. Civil engagement lives here. What a surprise we have for you at the two o'clock block here on a given Friday. This is likable science, but science is not just limited to technical science. It sometimes contains, includes, refers to social science. Social science like they have at the social science school at UH Manoa. We have a representative of that department here. The oral history department, the founder and progenitor of the modern version, right? Of the center for oral history, Daviana McGregor. I'm just a new director. New director, okay, okay, okay. But you know, can you tell me, it's really important that we know about this. Where did it get established? When did it get established? How did it get established and how did it get established at UH Manoa? Well, the state legislature wanted to have a center for oral history established. And originally it was in the Foundation for History and Humanities. But in 1976, I worked with other colleagues, actually Koji Ariyoshi and Carol Takahashi. We worked to have the center transferred to the University of Hawaii, Manoa. And the first director actually was Chad Taniguchi. And it was under the Department of Ethnic Studies, well, we were a program at the time. And then in 1983, the center transferred to the Social Sciences Research Institute. And then just this year in 2018, the center is now again back in the Department of Ethnic Studies. And I've been made the director in the interim. In 1983, when it transferred to the Social Sciences Research Center, the director was Warren Nishimoto. And he served as the director until 2017. So it's a part of the School of Social Sciences. And it's like every other school, or rather center, so to speak, in the Department of Social Sciences. Am I right? Yeah. Well, it's actually a college of social sciences. College of social sciences. Yeah. We're one of the centers. There are other centers like the Public Policy Center, for example. Right. Which runs the Energy Policy Forum and all that. Right. And so, yeah, the Center for Oral History is one of those centers. Okay. So who's on top? Is it Denise Conan? Is she right on top of you? Correct. Yeah. Denise Conan is the dean for College of Social Sciences. Okay. Now we're going to find out. This is my big question. I asked you this on the phone, too. I'm going to find out what is oral history? Because, you know, an uninitiated person, like my own self, I would say, how do you keep history if it's oral? I mean, you can't keep on telling the story. But no, that's not it. That's the wrong concept. It's oral, and then you document people. Yes. Tell me how it works. Well, you know, you have a plan for a topic or someone whose life history you want to document or a key event in history. And so you make a plan to, you know, what kind of questions you want to ask and you get someone who narrates the story about their life involvement in a particular time or place or event. And then you get that person's permission to transcribe and they review it. And after they look at the record of it, then we post it on Scholarspace at UH Manoa Hamilton Library, so it's online. And we have, under Warren Nishimoto and Chad Teriguchi, there are 800 interviews that were done of men and women in Hawaii and over 30,000 pages of transcripts that were approved for sharing with the broader public. This is since when? I mean, when did this collect? Since 1976. That's the first time. Yeah, that we started. I was saying, I don't know if this fits in the right context, but around that time there was a renaissance in Hawaiian culture. Yes. And it seems to me just as an observer that this is part of that renaissance, am I right? Yeah, I think Hawaiian culture and I think a consciousness among local people about having our history told our way. In fact, when our Department of Ethics Studies got founded, that was our slogan, our history, our way. And we recognized that a lot of history that was recorded and written was only told from the point of view of those in authority and controlled oligarchy that had controlled Hawaii during the territorial period. And so we wanted to document the stories of everyday men and women and all the contributions that working people and farmers and fishers made to building Hawaii and not just have one perspective of our history. Oh, that's so valuable and it must be so rich to be an NYU job. But it's not limited to native Hawaiian culture. No, not at all. It's like all cultures. Yes. This is really valuable. So like our first project was the history of Waialua and Haleiva. We have histories of the native Hawaiian community, but also Filipino community, Japanese community, Portuguese community, and many of them shared their experiences working for the plantation. And it was at a critical time when the plantation was closing down in Waialua. So it was really important to document the histories and the experiences of the people on the plantation at that critical moment in time. And the other thing is they were getting older. Yes. This is a consideration. Of course. If I was taking oral history, I would line everybody up in terms of age. Yes. I would talk to the oldest ones first. And if you were infirming in any way, you jumped in the beginning in front of the line. Yeah, sure. Yeah, definitely. Yeah. And one of the other stories that we did was the Filipino labor strike, Hana Pepe. That was one of the second projects that we did. But over the years, we've looked at people in different occupations, teachers, store owners, and other kinds of businessmen. And we've done histories of communities in transition. Like this is, I brought this example. Well, let's talk about this. What is this book? Well, so this is an example. I can't lift it. It's heavy. It's fine for it. It's a history of Waikiki in transition. And it goes from 1900 to 1985, because I think the people who we were interviewing, their memories went back as far as 1900. And then it has photos that we collect. First, we do a background history and we do a timeline of if it's a community, then the history of the community and changes in the community. And then this is the transcribed interview. So it has the question and there we spot. This is strictly a transcription. Yeah. It looks like a typed page is what it looks like. Yeah. And this, though, has also been put on the Internet and it's available at Scholarspace at UH Hamilton Library. So this is volume four of, you know, four volumes. So there's four volumes of just this period. And the photographs are the people that were interviewed. People that were interviewed, yeah. And then we also collect pictures that people we interviewed shared of the area as well. We did Waipio Valley also and Kakaako. Don't put it away. I don't want to embarrass you, but I would like to ask you to find a paragraph and read it to us so we can get the feeling of what it reads like. Okay. So let's see. Let's see. They're talking about Crab. Let's see. Oh, here, Limu. Did a lot of the neighborhood women pick Limu. Yes. But when it was time to pick, everybody went out and picked the same time. Oh, yes. The crowd, but the different Hawaiians would go out and they pick and they clean it. Whenever you go out to help them pick, they divide the Limu. So did they have seasons when you could pick? Yes. There were seasons for different types. Right in that bay, the seasons. And I'm telling you when the crabs, the big white crabs were done.  They were just, it was, especially was crab season when they came in. And oh, they came in by the thousands. So we would line up on the beach and we'd have these long, actually they used to take sheets and strip them. We saved the strip. And when the wave brings them in, we would take it and we'd scoop the water and roll the crabs on the dry part of the shore from the beach. With the sheets, yeah, with the sheets, just scoop them. Then the others who were on the other side would gather all the crabs and put them in the bags. You know, it strikes me. I mean, of course, there's so much to be gained by going through that. And in fact, parsing out that language is what are we really talking about here? But the one thing that strikes me, Daviana, is that life in those days was so completely different than our lives, all of our lives today. That's right. It's a disconnect of sorts. And you have to travel through the time machine, through the Proustian keyhole, as the case may be, and find, you know, our roots, our childhood and their childhood. It's a trip. It's a voyage. Yeah, yeah. And, you know, in Hawaii today, about 45% of the people who live here were not born and raised here. So having this kind of community history is a way to help build a common identity and a sense of legacy here in the islands, so that whether you were born here or not, you have a way to begin to connect to the stories and the histories of the people who were, you know, living here before you. Do you find there's redundancy in there? Do you find that the histories of one person and another are similar? You find that the one, well, I'll ask one question at a time, and we'll explore. Do you find that, you know, there are common touch points in one history and another? Well, I think maybe when you talk about plantation era, you know, there's a lot of, maybe, commonalities about the, you know, the struggle and the hardship and the role of the lunas, for example, and how hard it was in waking up early. And, you know, the hardships there. So that probably is a theme that runs throughout in plantation stories. Myself, I'm now involved in an oral history of people who picked limu. That's why it's interesting that I open it to that page. Because our limu areas, you know, the seaweed areas are being impacted very seriously from pollution, from runoff, from like things like chemicals from golf courses going to the ocean and contaminating the limu. And, or sediment running into the ocean, more sediment than, you know, normal in the seasonal. So we have a group of kupuna who are on every island, who are practitioners and taking care of those limu areas, reseeding where necessary. And so we've been interviewing them. And of course, they each come from a different island, so they each have different stories to tell. But when I ask them about, oh, how do you prepare it, it's very similar preparation, you know, how they prepare the imu to make it ono to eat. So if I wanted to do research, and I wanted to learn about the way people spent their day, you know, it was like a documentary kind of research. It'd be fiction, but it would be exactly how people spent their day. I could go into this book, or any of the four volumes here, and I could study what they did all day. And then I could be really accurate, and I could reflect, you know, how it was, couldn't I? So is this available to me? Can I go look at this? Yes. As I said, online, at Scholar Space. Yeah, okay. Well, you know, to me, that's very valuable. I'm just a comment on the Descendants movie. Descendants movie, to me, it was skin deep. And sure, there were some things in there we all know about and appreciate and all that. But, you know, the rule against perpetuities and holding of land and kawaii and whatnot. Yeah, yeah. But, you know, in fact, I don't think they captured it the way a Hawaii producer-director team might have captured it. They had some kind of daily experience kind of, you know, narrative about what was going on. And I could see doing the Descendants, but moving it back into 1930 or so. Oh, yes. Looking at what you have online, and really coming down with a really valuable piece of work. I mean, narrative would be fictional, but it would be very close to the way it was, which we don't know, because we forgot already how it worked. Yeah, right. The other thing I was going to ask you is now, 1900s to 1985, in there there is some significant historic events that took place in Hawaii. I mean, World War II, for example. Yeah. And of course, a lot of the statehood, a lot of the, you know, huge social changes that have happened. Yeah. I mean, it's been a very, very period. Correct. Do you find that these oral histories include discussions of those things? Yes. These are made to look at the transition that this area, Waikiki, went through and what happened to the families when the development occurred? Because I don't think, I mean, most of the people who were interviewed no longer live in Waikiki, but they were recalling what it was like to grow up there. But, you know, it's only memories because they no longer live in that area. And, you know, this is an experience common in a lot of people, especially on shorefront, ocean fronts, have no longer can afford to live in that area because the property taxes got so high.  And you need to talk to those original families to get a sense of what that area was originally. You know, it's only part of our imagination at this point. Yeah. But there is a sea change thing here. Yes, true. I mean, if I went back to the 1900s stories, they'd be down at Copilani Park and they'd be wearing their Sunday frilly dresses. Yeah. And the gentlemen would be on the arm and they'd be riding horses and having picnics with umbrellas and all this. Right in 1900. I mean, I don't know if you have pictures of that, but that would be my imagination of what, you know, the oral history would be like in that period. Well, as time went on, maybe they weren't along the water so much. They weren't in Copilani Park. Their lives had changed from generation to generation. And I can track that here, can I? Yeah, I think so, yes. That would be really interesting. There's a good research start for anybody who really wants to understand the sea changes in Hawaii. Yes. That's right. I mean, they're talking about thousands of crabs coming in. You don't have that anymore at Waikiki. You know, maybe like a Hanna, but not Waikiki. I have a million questions to ask you, Daviana. But I'm going to have to hold up for one minute while we take this little quick break. In the fullness of time, you know, this was in 85 years. It won't be long. It'll be one minute. Okay. Thank you. Hello and welcome to Out of the Comfort Zone. I am your villainous host, RB Kelly.  Truth number one, this is a real mustache. Truth number two, I want you to watch my show on Tuesdays at 1 p.m. So tune in and let me know which is the truth and which is the lie. I'm RB Kelly with Out of the Comfort Zone and show up next Tuesday to see my mustache live. And Aloha. My name is Calvin Griffin, host of Hawaiian Uniform. And every Friday at 11 o'clock here on Think Tech Hawaii, we bring you the latest on what's happening within the military community. And we also invite all of your response to things that's happening here. For those of you who haven't seen the program before, again, we invite your participation. We're here to give information, not disinformation. And we always enjoy response from the public. But join us here, Hawaiian Uniform. Fridays, 11 a.m. here on Think Tech Hawaii. Aloha. Okay, we are so delighted to be here with David Adam McGregor, the director of the Oral History Center in the College of Social Sciences at UH Manoa. She has a trove, a treasure trove of history. So just to clarify, if you didn't get it before, oral history is oral, but the idea in the center is to memorialize it. So we capture it so it doesn't run away into the nether. Okay, and so we're collecting this in the center. And we have a pretty good collection now, thousands of these oral history interviews. Many of the people, I'm sure, have died by now, yeah. Yes, unfortunately, yes. That's true.  I can look at it on my internet, right here in the studio. I can go look at it. Right. But do you have people coming around? Do you know how popular these are? Who's looking? Yeah, well, we get a report on the internet scholar space. So, you know, there's thousands of people who look at it every month and, you know, over the whole collection, which is the 800 interviews, 30,000 pages. But so, yeah, we get a sense. And it's from all over the world, really. I think a lot of scholars are looking at, if they're doing research on a particular topic, then this is really a great resource for them. You know, if they're doing, if they were doing Waikiki or tourism, this would be wonderful to look at. It's a great start, isn't it? Yeah, impact. We did a story about World War II survivors. We did a story about the tsunami survivors. And so, yeah, there's a lot of really important primary data material that's in the collection and available through the scholar space. You know about a Wahoo cemetery and the Pupu dinner? Sort of, yes. I'll tell you. I go every year. Oh, okay. In a Wahoo cemetery, it's an old cemetery. They stopped putting bodies in it a long time ago. But the Mission Houses Museum, okay, conducts this Pupu event. Oh, okay. And they take you around from grave to grave. And they have an actor at each of these half a dozen graves that you go visit. And the actor has a script written by people who research off this kind of material.  Okay, what I find interesting though is that, you know, we don't realize that back in the day, there weren't that many people here. And so, you talk to one person buried in the cemetery. And then you go down the other side of the cemetery and talk to another person. And they knew each other. You're part of the same community. They may even not have liked each other. But I just wonder if, in the case of these oral histories, they refer to each other. They talk about their lives and how their lives touched others. And then you have others whose lives touched them. Right, right. Yeah, I think so. Probably there's a collection of political leaders. So definitely that would happen. And you have that exchange. Also, one of our ongoing projects is to interview the delegates to the 1978 Constitutional Convention. So, of course, they would interface with each other as well. That's so interesting. Yeah, we're hoping to get as many delegates as possible to contribute to this project. Well, there might be another con con. You have to be out there. That actually, you know, provokes my next question is, what's the ongoing process?  Well, as I said, there's myself and then I have a graduate researcher and two undergraduate assistants. So we've been doing interviews, as I said, of the Kupuna who gather Limu and then in conjunction with the Limu Hui. Right now. And they're being accumulated and they're on the website also. Well, we are in the process now transcribing the interviews that we did in March. And then when they're finished, we will share it with them and then they will have the opportunity to decide what goes in and what comes out if they want everything taken out. And then we'll put that collection on the transcription. We'll go on Scholarspace. But the video that we took, we are arranging to hopefully have it on the moving image archive at Ulu Ulu at West Oahu so that if they want to arrange to see the video of it, then they can do so through that archive and that repository. So we're partnering with a lot of different repositories. Yeah, really lighting me up now when you say video, yeah. Because I told you in the break, you know, I'm interested in a Steven Spielberg show-up project which means Holocaust. Where he interviewed thousands, video interviewed thousands of people, you know, who survived. And the deal there, by the way, is they don't show the video until the individual dies. It's a matter of privacy.  You know, one question comes to mind is if people decide they really rather not, if they rather not you actually publish their interview, or... They're prerogative. You just, you pull it. Yes. That's the end of that. Yeah, it's only up to them.  And some people do, while limited. So in the case of Spielberg, they keep these videos. The videos are all done by students or interns, that sort of thing, as far as I know. And they are, they follow, there's a pattern of questions. Of course, they never have the same questions as another, they want to get the same kinds of information. So how do you do this?  I really, I really like it. Yeah, yeah, you're very good at it. Can I actually go down and interview people? This would be interesting. Well, we would want you to go through a training. You know, we're going to start offering workshops so that you could have a more systematic approach to it. There's a oral history association and they have a set of best practices to follow. To protect the narrator and make sure that the narrator understands that they have the right to, you know, recall whatever they say or not to have published what they want. But also if they want to, then to fully participate and let it be, you know, available to the public. So there are standards to follow and just to uphold everybody's, you know, respect and treat their memories with dignity that it deserves. So that's a process that we will go through. So this is an ongoing living process of finding people who are willing to do it, finding people who'd be interesting and memorializing the history of Hawaii, which is so precious really to us all. Yeah, so another thing we're doing, since these are, you know, on the Internet, we wanted to highlight and spotlight some of the stories. And so we were working with Bill Dorman in the conversation at KHPR, and we were going to be doing podcasts. We have funding from Hawaii Committee for Humanities to do a set of six podcasts in this year. And where we go through and we excerpt some of the memories there and we have the voices and we leave together a podcast about that story. Our first one's going to be about the tsunami of 1946. And so we have different memories about, you know, how, you know, when they saw it, they didn't know what was happening. People were going down to the beach to get fish.  So we wanted to tell that story. And there's been a lot of attention to, with the volcano erupting, every time there's an earthquake, we hear, oh, there was no tsunami generated, which you're very fortunate for, because if there was a tsunami generated, we would only have 15 minutes to respond. And so in a way, we'd be in the same situation that people found themselves in on April 1st, 1946. No warning. They only begin to see the ocean receding, extraordinary, receding of the ocean. And then they have to escape to run to the hills. So first person narrative. Yes, yes. So they're telling their stories, you know, some of them were just in grade school at the time because they were being interviewed currently. And, you know, they didn't know what was going on, and they had to run up the road to escape the tidal wave as it was coming in. They were running up, you know, in Hilo. So you're talking about somebody looking at the raw research material, the interviews, and then writing it up in some way as a story. Yeah, extracting the, and then we'll find that section of the tape and then we're going to extract it and then weave together a podcast from that story. Oh, that'd be great. Oh, so you're taking the sound for Bill Dorey? Right, yeah. Oh, I love it, I love it. Because we don't, those were just audio. You feel the scare when lying on the floor sometime, you just said it to me? Yeah, so we'll, and then after we do the story, we're going to put it on our website so people can go and access it. So we figured by doing that, people would then become more aware of what we have and it would, you know, it makes it more accessible to the public. Yeah, and the public will find a continuing interest in it, which is good for the center and good for the whole notion. Yeah, and to let us know if there are other individuals we should be interviewing in stories that we should be following. I got a call about documenting the history of the painted church in Honownau in Kona today, so we're talking with someone about that. I was there about 60 days ago, yeah. Yeah, it's interesting. I guess they reconstructed the whole church, but they didn't restore the paintings. The paintings, you know, are, I guess, need to be... There's so many things like that. And unless you capture it, you know, it's... Yeah. So, you know, what I've learned with you today here, Daviana, is that it's not just social science, it's also science. Just like Ethan Allen, the regular host of the show is always doing, it's likable science. And that means that you have to move with the times. You have to keep on finding people, whatever means, and there's probably a lot of ways you can find people. It's not only word of mouth, it's more than that. And then, if you put this on the web, that means you can search using searches, so I can search for the tsunami, I can search for the painted church, and I can find it among thousands of pages of transcript. Correct. Yes. And then you spoke today about video, which always excites me, and you can do video just like Steven Spielberg of the people that give you these interviews. Yes. So we're going to do with the video, because it's right along our line, isn't it? Yeah. Well, again, the video we want to make small stories, storylines, we have another part of our project is our professor Tai Tengan has a field school in our history of Wailua, and the students that work with him in that field school have done story maps. So they have the individual, and they show the person is talking in the video of that person, and then they show the place that the person is talking about, and they also show a map of where it's located. So it gives us new dimensions to make it more visible, and then you can also see the person, hear the words, and it's just multifaceted. It's really wonderful. Totally charming. A treasure for Hawaii. Yes. You should all know about it, and look at it, and take advantage of it, read and write about it, and create a literature around it. Thank you so much. Thank you very much. It's been wonderful to talk to you. Aloha.


. I got that sauce whisk and some Tay-Tay. More formally known as sausage, biscuit, and small-seasoned potatoes. This squared. And cheese, biscuit, and sausage, biscuit. Two biscuits. You know no matter what you call it, Wendy's breakfast is that breakfast. Choose one. Choose Wendy's noodles with red-hot or bidi bundles. And the... That's all I'm saying. A long squad, but not a show. If you're not in a show with fans, you're going pretty good themselves. 13-1, and we're waiting here at the one-position game. There's no standard control, decent field position. At their 30, what would they give the defender here? I don't think so. I think they can burst into it. This is the ball. On the other hand, there was only about 40 seconds left. Let's see if they continue that trend. Starting the air, the crew is here. The game's on. They're not in control. They're not in control. They're down to the 41. I know that's a good portion tonight. But you know where he's got the number two on, man. He's got it. He's been blessed with a couple of nice catches. Yes, sir. He's elusive. He pushed 25 this time of the year ago. He marked the ball to 44. There's a little wide receiver screen back there, but after nothing, we're in this time. Well, then the game is off. They're all in loss. Arizona transfer, 17-1. They're going to get in there. They're going to start to go out with something. You don't want to even break the loop in the coverage of Alex Rich's defense. And you don't really have to understand that you've got to get her. She's got a 25. That's over. All right, Nate. That's the worst. Alex Rich got a better defense in here and he's won those deals, man. They're leaving on a goal. They were leaving on Alex Rich's defense to keep this lead. And this is what the fans actually want to see. They crave that on the get-destruct in the last few years for the last two. That's your game. The late blitz. The delay glids by a little height. We have the turns for a quicker than it had done. Got two in and a heart beat. You can do a 45 arrow line. Where's your mistake? A loss of 10. You can see it come from distance, from depth. After that opportunity was there, it's got the grief on it. That's what's your assignment. Does whatever it's going to do, it gauges somebody else. It goes to two. It goes to three. It goes to two. I don't get that. I don't know. There's a big heart. I froze it. Got you. I see it going. You won the first. Third and 21. It's a three ball. USC's got it. I'll tell you what, that's a paycheck. Last year, plus 21 is a turn of the category. Last year that's quick. Alice, Gretchen Won from this top unit. This is the first big opportunity provided tonight. That's Salomon Bird. It's a get barrel. That will height. The inlend and recovery. So, a 51 scripted. And number two, two. I'm starting this with that delay, Blitz. We're coming in for you. Thank you. You must see it. Well, Tim, they're talking about dipping the touch of grass, man. If you can turn that corner right there off the edge, keep your balance and get home. It's exactly the same thing that you can do. Yeah, yeah, yeah, yeah. Those, uh, those strip phones, they're wondering, uh, how small is this thing at two? That's the only thing that came into the game, and it's the first time saying it's really never covered at the level. Should have lost. Oh, that's really interesting. First of all, thank you. Let's be here with y'all. Here are those ones. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. We have what we call release rules, but every see what gets in the back, he runs out and reads the thing, he has to do the mirror, the quarterback, the Caleb Williams, it's tough to do that sometimes, because he's got the worldly nervous back there, man. He hands both directions and you're supposed to go in the same direction, then he'll turn around, but just the awareness of Brendan Rice in the back end of the end zone to stay alive. 6 receptions, 2 touchdowns tonight. We have only 5 receptions all season coming in. There's 5 touchdowns this season. There's 2 touchdowns tonight. And he'll go for 2. All he needs to set back. 2. 2. 2. 2. 2. 1. 1. 2. 2. 2. 2. 2. 2. 2. Let's find someone open. I have to talk to my message. This one's like your last boyfriend. It's got issues. For the lightiest car, just say, show me the Carfax value. You'll get the most cash in the price based on the feelings, accident, and history. Shop at www.carfax.com Let's purchase this. I'm a spicy fan too. Welcome back to Just Take Order. I'm by myself from Romania. No, that's bonus. Take, hunting is for you two. I take, I take, I take. Let's go back to the other notes. Dr. Pepper, the ones fans deserve. The classic singer has made it to 10 seasons by calling me once a week. Then this season has to be fixed. It's called disco, Harry Potter. Make your talents. I still have to take. Wait a minute. I need to buy a 261. We're fixed now, still fixed here in this room. Difficult, difficult, well even fine, but it's been here even for a while. But again, wonderful and nice, because he's been the host here for the entire season, and he's been, when he's been on, he's been able to deliver like Jersey Mice or sandwiches. Caleb's awake. Caleb's awake. That's great. We'll tell you something that this USC office practices during the weekend. You have to stay active and make sure you know the play is never over. He says Kaelin can do some practical things and you just have to know Kaelin is going to find you no matter what. Let's see what people at home didn't see. That's a different replay. Christ was standing in the back of the hands of Kaelin. He actually gave a 360. Which if you're reading him, then you've got to head back down. I know where he's going to end up. Guys in the secondary are just, you know, turned around all the time to scale the boots. He's up to half castrate. Because they have to maybe two. That's every check-free. That's the stop. They're saying no gain. So that's under the 10. That's what I'm trying to say. Thoroughly impressed with this guy. First down, he touched down. 40 of his touches a year ago. That was the highest rate. 50-50 CS 12. Oh, I'm turning here. Seiki down. The flag is down. He's in the backfield. So probably a little poor. Maybe a late hit. Maybe a personal foul. Maybe a high hit. Personal foul. Grumping the faster. High contact. Number 90, defense. This is your penalty and it's given a 20. Automatic first down. He didn't tilt the head, but he did go in the head for a kiss. He also had some. He's got 89. Kev got the raise. And Chag got the tires. Those are my first two orders in almost two hours. That's pretty much going to be it for me. I think I'm going to start cleaning up here. Putting things away. We'll call it. Thank you guys for having a very solid day today. That was a great job. When he runs the football. 33. On that play, Eric Gentry was all over it. And as you said, you're trying to go horizontally. You're in trouble. You see this right here? Gentry just dodged right in there. That's really a hard run. That extra body down. It doesn't matter if it's a safe beat. It's a linebacker. That's just too much force for the block. 8-2 is a win. Wow.  I haven't been that Eric. Wow. What a run. Huh? Not over yet. You're in the desert. And the path this is growing. And all kinds of things are going through. That's a lot of power. How do you do that? This is not the first all-electric car. That's because no BMW sees the road until it's reached the ultimate standard. A standard that demands that every BMW drives and feels exactly like a BMW. Unparalleled performance and precision handling. It's possible by electric engineering. But isn't that what you expect from the ultimate electric driving machine? You consume a car's best friend from 2023. I stood up for what you believed in. But this... Alright, let me make sure I got everything here, guys. Pretty much done here, guys. Without the pollen, I used to stop the smell every day. The smell of fresh cut grass. The coffee in the morning. Alright, guys. Well, like I said, thank you for another good night of breaking here, guys. Again, no one's dark tomorrow for one night. But we're back on Monday with Chris. So in the meantime, guys, obviously still sell some of that flawless out. The high-end football mixer is getting closer. Hip-rate is down to seven plus two fillers. Mosaic, halfway there.  So people can start buying into Ginter again. But thank you, guys. Have a great night, guys. Thank you, guys, and I'll see you guys next, potentially Wednesday, Thursday, or not Thursday, Friday, Saturday again. So thank you, guys. Have a great night.


Dedicated to the strength of the nation, now heard on 1,000 radio stations, proudly we hail. Starring Helen Walker in No Room for Divorce, a United States Army and United States Air Force presentation. And now here is your host, the well-known Hollywood showman, C.P. McGregor. Greetings from Hollywood, ladies and gentlemen, and welcome once again to your theater of stars, Proudly We Hail. Our star today, Helen Walker, has already won her spurs as one of the fine young dramatic actresses of Hollywood. But here on Proudly We Hail, we approve of Miss Walker's versatility as we present her in a gay comedy, No Room for Divorce. Miss Walker plays the role of Barbara Dempsey, a young woman who can't overlook the shortcomings of her husband until she comes face to face with the shortcomings of her friends. The curtain for act one in a moment, but first, these brief words from Wendell Niles. Mr. and Mrs. America, let's think about your regular army and U.S. Air Force for a minute. Your soldiers and airmen are above average, intelligent young Americans. They're ambitious. They're anxious for and receiving a rounded education. They're taking vocational training and they're engaged in a worthy career, that of making the world a safe place to live in for themselves and for you. Give them your support. Now once again, it's a microphone or producer. And now, act one of No Room for Divorce starring Helen Walker as Barbara Dempsey. The story of Barbara and Bill Dempsey. When Bill finished his job in service, he found Barbara waiting for him just outside the separation center. And according to Barbara, she spent the next 18 months waiting for Bill to get time off from his next job, building houses without materials. But Bill didn't get time off. So now they're in another separation center, the Divorce Court. Next case. Dempsey versus Dempsey. Are they here? I'm here, Your Honor. So am I, Your Honor. But this whole thing is ridiculous. There's absolutely no reason why Barbara, that is, Mrs. Dempsey and I should be in a divorce court. This certainly is, Your Honor. There is not. This is! Remember me, the judge? Naturally, Your Honor. Good. Because I'm the one who's going to decide whether or not you should be in a divorce court. Now, just why do you think you should have a divorce, Mrs. Dempsey? Because Bill, that Mr. Dempsey, doesn't love me anymore. He's out of her mind, Your Honor. I'm crazy about him. Then why doesn't he ever ask like it, Your Honor? Why doesn't he ever take me anywhere? Is he ashamed of me? Why don't you ever take Mrs. Dempsey anywhere, Mr. Dempsey? Because I don't have the time, Your Honor. After I get through looking for materials and then go to the office and do some figuring, it's too late to go anywhere. So we just sit. I don't mind it. What business are you in, Mr. Dempsey? I'm a building contractor, Your Honor. Did you say building contractor? That's right, Your Honor. You know where I can get a house. Well, not right at the moment, but, uh... Well, every once in a while, I run into something. See, Your Honor, is this a divorce court or a real estate office? Hmm? Now, see here, young woman, don't tell me how to run my business. I'm sorry, Your Honor.  Is this a divorce court or a real estate office? If this was a real estate office, do you think I'd be sleeping in the cell block? You're sleeping in the cell block, Your Honor. You heard me. I had to suspend three sentences last week to keep from getting crowded out of my cell. This is all very interesting, Your Honor, but I'd rather talk about my divorce. When do I get it? Not for 30 days at least. I don't believe in divorces myself, and that'll give you a chance to patch things up. I'm not interested in patching things up. Well, I am. And so am I. And that's a court order, Mrs. Dempsey. Oh. Well, do I get the apartment while we're waiting? Certainly. It's customary for the woman to... Oh, not Judge. If Mrs. Dempsey gets the apartment, where will I live? You can stay in the cell block with the judge. I'm afraid that's impossible, Mrs. Dempsey. I've got two bailiffs in a court report are rooming with me now. Anyway, Judge, if I have to leave the apartment, how are Mrs. Dempsey and I going to patch things up? You're absolutely right. I'm going to reverse myself, Mrs. Dempsey. Mr. Dempsey can use the apartment, too. But, Your Honor... That's another court order, Mrs. Dempsey. Judgment withheld for 30 days. Try and make up. Gosh, baby, you had me worried when you tried to get the judge to kick me out of the apartment. Well, I hope you'll be very happy here. Well, I'll be happy any place is your with me. Well, then get happy in a hurry, because I won't be with you long. Uh-huh. Oh, now, Barbara, you... Judge didn't order me to stay in the apartment with you, and I'm not going to. I'm going to stay with Ellen and Jack Janis. Well, who are they? She's my best friend. But, of course, you wouldn't know any of my friends. Oh, now that isn't fair, Barbara. Hey, wait a minute. I want to talk to you. Well, then talk to me while I'm patching. Packing? Oh, you're not serious about this? About leaving right now? I was never so serious about anything in my life. Look, baby, if you'll just relax, I promise I'll do anything. I promise. When we were married, you promised to love me. I adore you. Oh, no, you don't. Stand there. Help me close this bag. Please, Barbara, listen to me. I don't want you to go. I love you. I need you. Will you please get out of my way? Barbara, darling. Can't you see I'm trying to use the phone? Hello? Will you please call a taxi for apartment 307? Thank you. Please, Barbara, forget this, won't you? No, Bill. My mind's made up and nothing in the world will stop me from going to live with Ellen. That must be the taxi now. Oh, not this fast. Come on out, please. Oh, this telegram. It isn't for me. It's for you, from your friend Ellen, the guy you were going to live with. What do you mean, the girl I was going to live with? Well, listen to this. Mrs. William Dentley is over. Landlord has sold our house, being evicted today. Jack and I are coming to live with you until we can find another house. I do the same for you. Love, Ellen. Brother Dentley, that certainly loses up your plans. Not particularly. I was only leaving because I refused to live alone with you for the next 30 days. With Jack and Ellen here, I'll have plenty of company. In fact, you may wish I'd gone to live with them instead. You know, Barbara, I've been doing a lot of things. Well, when do you expect your friend and her husband to arrive? Probably tomorrow. Well, maybe I could find a room for them somewhere and we could go right. You can find a room for them. You can find a room for yourself. And I'll go right back to the judge and tell him so. He was going to give me the apartment in the first place, you know. Yeah, it's kind of the awfully crowded. Four adults in one bedroom apart in half. Ellen and her husband and I won't mind. We usually see eye to eye on things. Well, that's what I had in mind. If any argument comes up, it'll be ducky. Three to one. I thought of that. Well, if they're going to move in on us, they'll have to pay their share of everything. They will not. They're my guests. Yes. They send you a wire saying they're moving in and their guests. I was going to move in on them. But you didn't. Well, I intended to. Hello, Reggie. Harry Randolph. Where are you? Well, come on up. I have apartment 307. Yeah, boy, will I be glad to see you. Who is that? Harry Randolph. A guy flew within Europe. Oh, what a guy. Where was he calling from? He's in the lobby. He'll be right up. Oh, yes, I almost slipped my mind. He'll be staying with us for a few days.  Where could we possibly put him? Well, I don't know. But if there's room for four, there must be room for five. Besides, it'll make three to two. Well, why can't he stay at a hotel or a motel or something? Oh, why can't you operate? Because, well, because they're my friends. But that's no reason why you... Well, it's a good enough reason for me. Anyway, you'll like Harry. Women are nuts, huh, boy? Really? Yeah, English, French, Belgian, Dutch. Well, when I could have set up a harem with just his overflow. Well, if I hadn't been married, of course. Of course. Did you say his name is? Harry. Harry Randolph. Nice name. Hey, what are you up to now? Oh, nothing. I was just wondering if maybe I couldn't change your odds from three to two to four to one. Oh, now look, Barbara, don't get any funny ideas about Harry. He's dynamite. Sounds more interesting every minute. Maybe I can be his little fuse. Come, please, Barbara. Now, look, he's my friend and all that, but just the same. I don't want you to... You'd better answer the door before your friend breaks it down. What did you promise? I'll promise nothing.  Yeah. Come on in, Harry. Oh, gosh, I was really snare food until I thought of you. I've tried every hotel in this town... Is this your wife? Uh-huh. Uh, it's Barbara. This is Harry Randolph. How do you do, Mr. Randolph? Oh, please call me Harry. All right. Harry. That's better. I, uh, wanted to think of you as Barbara, not as Mrs. Bill Densey. Oh, that's an interesting thought. Yeah, I can see now why Bill always stayed in his quarters at night instead of going out on the town with the rest of it. Oh, did he? Look, Harry, wouldn't you like some wine or something? Oh, later, maybe, Bill. Right now, I'll get enough stimulation just, uh, looking at Barbara. Why, Harry... Bill doesn't ever say nice things till I say it to me, do you, Bill? You wouldn't believe him if I did. Oh, uh, how long are you planning on staying, Harry? Bill, what a thing to ask. Harry just got here, and... Well, I hope he'll be staying with us for some time. Wild horses couldn't drag me away, Barbara. As a matter of fact, I was only planning on staying over night, but, uh, now that I've seen the attractions, I think I'll stay for a few days, anyway. Well, isn't that wonderful, Bill? Yeah, just dandy.  A good job in apartment, happily married, and... Bill, what's the matter, Bill? What are you choking about? Oh, no, no, nothing. I was just thinking the same thing. Oh, home of your own. A little love nest where you can get away from the world, lock the doors, and find the world's moved in with you. Don't mind, Bill, Harry. He has a lot on his mind these days. Oh. In fact, we haven't had a chance to go out together for six months. That isn't till this morning. Well, I've been awfully busy, Harry. You know how it is. When a job has to be done, it has to be done. As a consequence, I haven't been able to vote as much time to Barbara as I'd like to, and... Oh, I know. I thought you'd understand. Perfectly. Well, maybe my coming here was a favor to you after all. What do you mean? Well, when you're out on a job or having to work late at the office, I can squire Barbara around and take that responsibility off your hand. What do you say, Barbara? Well, it sounds like dynamite to me. What do you think, Bill? Oh. We keep from our story no room for divorce, starring Helen Walker to bring you an important message. Veterans, do you ever have a yearning to be back with your old outfit? If you have, here's your chance. Eight well-known Army units now in the United States have come from men with previous military experience, men of all branches. If you have served abroad since September 1, 1945, you can enlist directly for one of the following outfits, the 2nd, 4th, 5th, and 9th Infantry Division, the 2nd and 3rd Armored, the 82nd Airborne, and the 2nd Engineer Special Brigade. Yes, sir, yours for the asking, and a good soldier will be guaranteed at least three years where the unity is chosen. Let me give you those names again. 4th, 5th, and 9th Infantry Division, 2nd and 3rd Armored, 82nd Airborne, and the 2nd Engineer Special Brigade. There's a good chance you can enlist in non-commission grade, too. Stop by at your local Army recruiting station tomorrow for the details. And now, act two of No Room for Divorce, starring Helen Walker as Barbara Dempsey. It's a week later in the lives of Barbara and Bill Dempsey, a week spent sleeping on the floor while their three uninvited guests occupy their bedroom and the apartment's lone-day bed. Right now, Bill and Barbara are closeted in the kitchen, where they can privately discuss the situation, which has, temporarily at least, made them forget their quarrel. Don't help me, Barbara.  You aren't telling me a thing. I'm probably the only woman in the world who has housemaid's knee all over. I wake up in the morning feeling worse than I did when I went to sleep. I know. I love Ellen dearly, but I do think she and Jack should let us have an occasional night's sleep in our own bed. She could sleep on the day bed and let Harry try the floor for a change. I wish I knew how to broach the subject. Of course we could come right out and tell them that we'd like our beds back. Well, maybe we could hint at it. I wouldn't want to do anything that seemed inhospitable or that might hurt Ellen's feelings.  Yeah, I've noticed that. Well, come on, let's try. Let's be careful of Ellen's feelings. Hello, Ellen. Hello. And here I have a little love bird. What little surprise you sought up for us now. Well, it isn't exactly a surprise, Ellen. Oh. Oh, I was hoping that you might have thought of a new place to take us. I'm really getting awfully tired of this apartment. Well, great.  Are you thinking of leaving? That is, have you found an apartment? Oh, goodness, no. There's really no point in looking, is there, Dad? Huh? Oh, sorry, I was reading the paper. I said there was no point in looking for another apartment. Oh, gosh, no. Matter of fact, I kind of like it here. We're certainly glad to hear that, aren't we, Barbara? Yeah. Um, Ellen. Yeah? Well, Bill and I were just talking about the sleeping arrangements, and we were wondering if... Oh, set your mind at ease, dear. Those beds aren't the most comfortable in the world, but Jack and I feel that under the circumstances we shouldn't complain. Oh. Well, that isn't exactly what Barbara meant, Ellen. She and I have been sleeping on the floor. Oh, I know. I know. Doctors say it's so good for the spine. I wish I could do it. Oh, well, wouldn't you like to try? Oh, goodness, no. Well, I'd probably get so stiff I couldn't get up in the morning. Anyway, if I slept on the floor, Jack would have to sleep on the floor, and he'd never consent to that, would you, Jack? Huh? Oh, sorry, I was reading the paper. I said you'd never consent to sleeping on the floor, would you? Certainly not.  Bill and I have been doing it for a week. Sure, and look at you. You both look as though you've been run through a wringer. No, thanks. I'll take my sleep in bed. Look, there seems to be some misunderstanding here. I can see right now that you're both very sensitive, and I wouldn't want to say anything that might injure your delicate sensibility. Barbara and I are trying to hint that maybe it would be a little fairer if she and I get a chance to sleep in our own bed. Every other night? Why, Barbara didn't see that. Huh? Sorry, I was reading the paper. Barbara wants to make you sleep on the floor. No. Oh, really, Barbara? If I had done this with my own ears, I'd never believed it. How can you be so inhospitable to me? Now, please, Ellen, we didn't mean to be inhospitable. Well, if you have to have a bed, I wanted to make Phil's no good friend and give up the day bed. Oh, by the way, where is Harry? He went out to get a set for it. Oh, please, Ellen, I was trying to explain. You see, Phil has to go to work every day, and I have to get up and get his breakfast, and, well, we need a little sleep. I'll sleep out here with you and Phil while I dig around early in the morning.  Huh? Sorry, I was reading the paper. I said you'd like to get up before noon, do you? Heck, no. Why should I? Are you working? Yeah, you see, Barbara? What? Well, it's absolutely impossible for us to move out of the bedroom. Well, you've all the brass pounds, double it all. Phil, decide. If you two were fighting the day bed would be plenty big enough for you. Jack and I didn't need twin beds when we were... Oh, Phil, Phil, Phil, Phil, whatever you were thinking of doing, don't we cut it for the lawsuit? I wouldn't hurt him much. Come on back in the kitchen. I want to talk to you. Hi, Harry. Where's our host and hostess? In the kitchen. They've been there for hours. Oh, what's up? You two don't look very happy. We've been in thousands. Barbara and Bill want us to sleep in the floor and let them sleep in the twin bed. Oh, is that what they're talking about out in the kitchen? I don't know. They're so sneaky, they won't talk loud enough for me to hear, even with my ear against Keyhole. I think they're cooking up a deal to throw us all out. Oh, Bill wouldn't do anything like that. Oh, wouldn't he? If Barbara hadn't hauled them into the kitchen when she did, I'm afraid he'd try to throw us all out bodily. Of course, he couldn't have done it. He couldn't have. Don't kid yourself, Jackson. I've seen my little playmate get mad before. If he's in that kind of a mood, we're all going to find ourselves out in the street. Barbara, we have no place else to go.  Oh, never. Guess those beds right for the blonde guy. And I don't intend to sacrifice my principles just because some bully wants a bed bed. Well, uh, I have an idea that might work. Well, I'll try anything, except for Mr. Jack and me to keep our beds. Well, you know, when I arrived here, it seemed to me that Bill and Barbara had been fighting. They had. Barbara was already divorced, Bill. Oh, and now they're on good terms again, huh? Yeah. All right, now if we could split them up again, they'd probably be so busy fighting with each other, they'd forget all about us. Oh, Harry. You darling boy. Oh, that's a wonderful idea. Oh, Jack. Why don't you ever think of things like that? Huh? Oh, I'm sorry I was reading the paper. We're going to split up Bob and Bill, and we won't have to give up our beds. Hey, that's a good idea. What do you want me to do? Well, if we can make Bill act jealous about some perfectly innocent things, Barbara will never forgive us. Yeah? We'll do it this way. Now tomorrow, after Bill is going to work, I'll take Barbara out for a ride in Bill's car. Yeah. And you call him at his office. Hello, Dempsey Construction Company. We can't get any materials. Bill? What's wrong now? Find a lump in your mashed potatoes? What do you want, Ellen? I'm busy. You see a chance to cut our throat so you will. I'm not interested in any gossip, Ellen. Oh, yeah. What was that? I warned Barbara about that wolf. Well, I don't know yet, but I'll think of something before I get home. I couldn't concentrate on anything after you call. Oh, by the way, Bill, I've been meaning to give you this money. Money? What? Well, call it rent. After all, we have taken your bedroom and... Well, here. Well, let's talk about it some other time, Jack. Right now, I have something a lot more important than money on my mind. Well, just give me a receipt for this. I've made it out. All you have to do is sign it. Oh, OK. But I really don't care at this time. There. Does that make you happy? More than you know, Bill. More than you know. Look, when Barbara and Harry return, Jack, I wish that you and Ellen will offer a few minutes. There's going to be an awful blow-up, and I don't want any innocent bystanders getting hurt. I don't blame you, Bill. Barbara's my very best friend, and any wife who would do such a thing. Oh, my God. Oh, Barbara.  I'm going to tell him. You don't need to tell me. I'm here, and I know all about it. Bill, Bill, no, you don't, Bill. Listen, Harry asked me to go on a picnic with him today. I know that. I didn't want to go because you told me it was such a wolf, but Ellen and Jack insisted that it be perfectly all right, and then... What was that about Ellen and Jack? Well, they insisted it be perfectly all right after all, Harry's a friend of yours, and I... Oh, Ellen. Oh, I didn't know something. You insisted that Barbara go out with Harry and told me up and told me she was sneaking off with him. Bill, he didn't. Yes, I did.  Don't forget, Harry. He tried to kiss me. Don't worry about me. I'm on my way. But don't get funny with me, Bill. You can't throw me out of here. I can't, Harry. We'll see about that. If you do, I'll get a court order and come right back. A court order to come back in my home? Our home. I was afraid you might get a little excited if things didn't work out just right. So just to be on the safe side, I paid you my share of the rent and got a receipt. So what? So, the law governing housing won't let you throw me out. We're here for at least three months. I hadn't heard from you folks in over a year. Oh, but, Judge, won't you come in? Thanks. I don't mind if I do. Mr. Dempsey'll be out in a minute. I hadn't heard from you folks in over a year, so I figured you'd patch things up all right. But I just wanted to check up and make sure. Well, thank you, Judge. Everything's wonderful now, although it was pretty hectic a few months ago. Has Mr. Dempsey been able to find a house for me yet?  Oh, I can imagine. Ah, nice little place you've got here. Don't suppose you'd consider taking in a rumor, would you? I'm afraid not, Judge. As a matter of fact, there are two more living here now than there were when we went to court. Friends? Well, in a way. What's the matter? I put the twins down on our beds to change them. Yes? We're going to have to sleep on the floor again tonight. That's the no room for the boys. Our star Helen Walker will return for a curtain call after this timely message from Wendell Niles. There is plenty of opportunity for you high school graduates these days. And here is one of the best offers you'll have. I mean the Air Force Aviation Career Plan, through which you can choose the type of aviation training you want. Yes, I said choose. You can select one of more than 40 different pages of Air Force training, and if you qualify, you're guaranteed that training. You'll receive high pay, too, even at the beginning while you're learning. Also, if you're one of those fellows who want to get ahead, you'll find lots of chances for advancement. An Air Force career is the career of the future. So take a tip from me, high school graduates. Drop in at your local U.S. Air Force recruiting station first thing tomorrow morning. Look over the list of schools you can select. Then choose your career in the Air Force. Now once again, at the microphone, our star Helen Walker and our producer. A curtain call is certainly a must for our lovely and talented star Helen Walker. Helen, after the drama of Nightmare Alley, wasn't it a welcome change to do a show for laughs? It really was, C.P. Lots of fun and thanks. You know, Helen, we're all waiting for your performance with Jimmy Stewart in that much-ly heralded motion picture called Northside 777. Keeping you busy these days, aren't they? Well, no more than anyone else, C.P. What do you do in between times? Oh, I like to ride a swim or play tennis. Oh, I didn't know you were so interested in sports. I love them. Well, I take a horseback ride, look at the countryside, and start living again. Well, me, Helen, I play golf.  I've heard differently about that. Oh, who told you? But seriously, Helen, thanks again for one of the most delightful performances we've ever had on proudly we hail. I enjoyed it, C.P., and believe me, it was a privilege to appear for such a timely sponsor as Army Recruiting. These days, we only need a glance at a headline to make us all aware of the importance of Uncle Sam's army. But now before I get away, C.P., what's your play bill going to feature for next time? Our story next week on proudly we hail is called Santana. It's the exciting and dramatic story of a woman whose marriage brings her everything she dreamed of, home, security, position, everything except happiness. How she discovers that happiness makes for drama you won't want to miss. And we're delighted to announce that our star will be that splendid actress of motion pictures, Dane Wyman. That's for me, I'll be listening. Now, goodbye. Goodbye, Helen Walker. Goodbye. We will welcome you next week, ladies and gentlemen, when your theatre of stars presents Dane Wyman, the dramatic story of a woman in love, titled Santana. Until next week, this is C.P. McGregor saying thanks for listening and carry on from Hollywood. Helen Walker appears to the courtesy of the Hollywood Coordination Committee which arranges for the appearance of all stars on this program. Ladies and gentlemen, Dane Wyman and Dane Hampton with the orchestra under the direction of Eddie Stravani. Partly we hail his transcribes in Hollywood for releases this time. Wendell Niles speaking.


Family Theater presents Kathleen Crowley and Lyle Betger. From Hollywood, the Mutual Network in Cooperation with Family Theater presents Ladies Man starring Lyle Betger. And now here is your hostess, Kathleen Crowley. Thank you, Tony Lathrano. Family Theater's only purpose is to bring to everyone's attention a practice that must become an important part of our lives if we are to win peace for ourselves. Peace for our families and peace for the world. Family Theater urges you to pray. Pray together as a family. And now to our transcribed drama, Ladies Man starring Lyle Betger as Jim. And finish your milk. I am. Daddy, how do you spell between? Hmm? Sandy, I've told you no homework at the breakfast table. But we've got a test.   Is it with an eye? With an eye, you'll never get to high school. B-E-T-W-E-E-N.  That's what I thought. What you thought? Isn't that radical? Joanne, finish your milk. It's almost 8.20. I am. Miss Smarty Pants. Between with an eye. Hmm, really? Both of you eat. Jim, more coffee? Hmm? More coffee? Mm-mm. At least when I get to high school, I'll know how to do the flea hop. The flea hop? Isn't that radical? Girls. All right, who did it? What? Page three of the sports section. Tore out part of the bottom. Oh, Jim. It wasn't me, Daddy. Well, who was it? The Rams are going into the fourth quarter and bang, no paper. Oh, you. Joanne, no tears. I didn't know you wanted it. Didn't know I wanted it. It's only been in the house for a half an hour. Jim, control yourself. I said I was sorry. It's only a newspaper. So what's the rush to turn it into confetti? I wouldn't do a thing like that.  I just wanted an ad out of the bag. Oh, holy cats. Jim, you watched the game last night on television. And now I want to read about it in the paper. Is that unreasonable? I pay to have this paper delivered. Joanne, give your father the ad so he can find out what happened to the Rams. I know what happened to the Rams. They won. You go brush your teeth. Well, they did. That's not the point. The point is I like the paper all in one piece. Here, Daddy. Oh, great. Look, fold it up like a secret message. An ad for what? Just a skirt. A skirt? That's what we need around here. Another skirt.  It's almost 8.30. All right. Sorry, Daddy. Don't be sorry. Just leave the paper alone in the morning. Jim, I know you want to read about the skirt. All right. What about the skirt? Well, it's the one I told Joanne she could have for the trip to Mexico. Ellen, look. But she's been saving her own money, Jim. It's only 6.50. No, I don't mean that. I mean Mexico. I think we got to talk it over a little more. I've got the budget just about worked out. If we stay at motels for two nights going and coming and then... It's not only the budget, honey. Howard says you mustn't drink any water in Mexico. Let's see your teeth. Who's Howard? A boy in my class. Wider. And you're not supposed to drink any milk, either, unless it's boiled. Oh, that'll break my heart. We'll boil it. Howard says you shouldn't have anything but wine unless you live there, especially fresh vegetables. I'm sure Howard's a great wine drinker. Can I have the front seat going down? Now, will you wait a minute? This isn't even settled. You had the front seat to arrow here. I did not. Girls! I fell asleep and you squeezed in next to me. So this time you can sleep in the back. Now listen to me a minute. Jim. This isn't even settled. Everybody's got their bags packed and we're out on the road and it isn't even settled yet. But you said last summer when we went to our head... I know what I said last summer, but now it's this winter. But you've still got another week coming on your vacation. I know what I've got coming, but I don't know if I can afford a big pilgrimage to Mexico. That's all. I just don't want to plan myself into the poor house. Well, I told you I've worked out the budget. I know about the budget! Jim! Everything is the budget. Well, we're just trying to help you plan. Oh, don't I know it. I get a vacation and I've got plans to burn. Go here, go there. This is my vacation. We'll talk about it tonight. Whatever you say, Jim. Gosh, getting so you can't even breathe around here. Look at my eggs! Jim? Yeah? What's wrong? Oh, I don't know. Hard day, I guess. I don't know. Maybe I'm just tired. Yeah, you look tired when you checked in this morning. That's possible. Anything wrong at home? No. Well, yes, but it's not just home. It's a combination of things. I don't know. Maybe I get the wrong job. How do you mean? Well, look. Do you know that outside of you I see nothing but women? No, it's not funny. I don't. I've got a job repairing refrigerators. Who's the only one at home? The wife. I don't hear a man's voice all day. Jim, I've told you anytime you want I can transfer you from service to sales. Oh, thanks. I'd starve to death. I couldn't sell cold beer at a picnic. Have you told Ellen about the fishing trip? Uh, no. Well, you better get on your horse. Okay. Look, you don't know my sister. I married your sister. This is gonna be a bomb, Jim. We leave Monday. You've got to tell her. Dan, can I do this my way? Can I just once do one thing my way? Okay, but do it. I've already told Jean you're going with me. Oh, no. Well, I had to. I said I'm going fishing. With whom? A guy. I have to name the guy. When did you tell her? This morning at breakfast. Everything happens at breakfast. Well, what was I gonna say? Brother, I wanted to do this myself. You know she called Ellen already and told her. All right, suppose she did. Now Ellen knows about it. Half the battle's over with her. That's the other half I'm worried about. Look, Jim, you've got to learn to speak up. Dan, have you ever tried speaking up with three women in the house? Even so. I'm surrounded on the job at home.  They cry. So let them cry. Oh, big hero, you are with two bouncing baby boys. Yeah, they're 12 and 10 and they cry all the time. Yeah, you can hit them on the head. It's different. I raise my voice and the place gets irrigated. Yeah, that's women. That's right. So don't tell me how I should speak up. Well, you've got to say something. Sure, they're packed for Mexico and I want to go fishing. What do I say? Lay it on the line. I'm going fishing. The girls home? The girls are home, upstairs, and crying. Oh, for Pete's sake. You just go fishing. You do that. Okay, okay. It's your vacation. That's what it is. But you could have told us.  You could have told us. When? Between what Howard says in the budget or while I'm looking for the rest of the sports section. Dinner's ready. I was going to tell you tonight. You didn't have to. Jean called. I just want to go fishing. That's not a very big thing. Just fishing. It's your vacation.  Boy.  It's your wife and two daughters. But you can go fishing. I told the girls we'd go to Mexico next summer, or winter, or whenever you want. Honey, I've got to get away for a while. All right. We had a week last summer in Arrowhead. Sandy, Joanne, dinner's ready. I don't even go bowling. I can't afford it. You don't like bowling. Want some help with that? You can cut the meat. I don't know.  A million guys go fishing. I'll hold the platter. Sandy still like the fat? Mm-hmm. Hi, kids. Hello, Daddy. Have a big day? Pretty big. Want me to put on the cream and sugar, Mommy? Yes, thanks, dear. Knives and forks on. Everything's on. Daddy. Yeah? Will you bring home some fish? You get in first, I'll hand you the bait box. Okay. There you go. Got it. Hold it steady a minute. Yep. Okay, push off a little. Do you want to try the cove again? Oh, I don't know. We didn't have much luck there yesterday. That's supposed to be the best place around here this time of year. That doesn't say much for this time of year. Look, Jim, you wanted to go fishing. You're fishing. What's eating you now? Nothing's eating me. Are you still feeling guilty about leaving Ellen and the girls home? Huh? Why do they make you feel like such a heel? What do you mean? They were smiling and waving when we drove off yesterday. That's my point. So now I'm a heel. If they'd been crying, you'd feel better? Of course not. Well, then what? Well, it's a very subtle thing. Only women know how to do it. Do what?  It's subtle, all right. Oh, I've made a study of it.  All right. But if you do the same thing and she cries about it, just as you're starting to feel she's unreasonable and you're not really to blame after all, you realize she wouldn't be crying if you hadn't upset her in the first place.  Either way, they got you. That's fascinating. You get three women together like I have and they can do amazing things. Two will cry while one is smiling. And then right before your eyes, they'll switch around. It's like an opera. Jim, since we came down to Balboa to fish... Yeah, okay, okay. You mind if I start the motor? No, I'll go ahead. But Dan, it's amazing though, isn't it? Yeah, it's amazing. Give it just a little more line. I am, I am. Oh, I'd just like to get a look at this thing. A darn fog. All right, now take up the slack slowly. Yeah, if I could just get it in close to the boat. Got the net right here. Yeah. Oh, peachy. Gone? Gone. Two strikes, two outs. Any idea what it was? For all I know, it could have been a mermaid. You can't see 10 feet from the, say, Dan. Hmm. Which way is the shore? About a hundred yards that way. They can tell the way the fog's moving. Yeah. I think we'd better call it a day. Good enough. You want to take any anchor? Yeah. It's starting to cool off, huh? Yeah, but good. You all set? Right. I'll take her in slow. As soon as we see the shoreline, all we got to do is follow it south to the pier. Can't be more than half a mile. Let's face it, Dan. We've gone a lot farther than a hundred yards. Yeah, I know. And now I'm not so sure which way the fog is moving. Yeah. And there's a little wind coming up. Yeah. Usually blowing in from offshore, but you can't always tell. Hmm. I don't suppose you'd have a compass. No, no. I would if I hadn't taken out of the tackle box and given it to Jerry. Gee, I never used it anyhow. What did Jerry want with it? I don't know. He's king of the wild fronts here or something. Listen, why do you say we shut off the motor and see if the tide takes us anywhere? Yeah, I can't do any harm. That's a wind, all right. Yeah, it is. How do you think we're fixed for gas? Well, we got enough to take us where we want to go if we can figure out which way that is. But not to Japan, huh? No, no, not quite. What time you got? Oh, 20 of five. I thought maybe the fog was getting a little heavier. No. It's starting to get dark. Keep her in the wind, Dan. I'm trying to. These waves are getting worse. You want me to take it for a while? No, no, we'd better not move around. Wouldn't you think that clown we rented the boat from would have reported this missing by now? Yeah, you'd think so. Wouldn't we sign out those six o'clock? Can you see your watch? Are you kidding? I can't even see you. Oh, brother. Running out of gas? Yeah, it could be. We've got to dump that thing out if it cocks out on us. No, no, no, we can use the ballast. Here, I'll get on the oars. Keep her into the wind as long as you can. Now that's not going to be long. There she goes. That's the ball, Dan. Here, grab an oar. We've got to keep her swung around. Easy, easy. Squeeze over, will you? Yeah. You got it? Yeah. All together now. Brother. Jim, I don't know. The oar came out of the lock. Hang on to it. We're going around. I ease off. I am. Look, we're going to be swamped. We're in a draw. Dan, you okay? My head. I hit my head. Hang on. We're okay. We'll just turn it over. But it's still afloat. All we got to do is hang on. My head. I can't see anything. Dan, you can't pet us out. Dan, out here. I told Joann she could have her the trip to Mexico. I got the whole star, baby. It's only 650. I got the whole star. She's been saving her own money. Dan, I got three women who do nothing but save money. Dan. Help. All this water. I'm thirsty. Howard says you mustn't drink any water in Mexico. I won't. I won't drink it, I promise. Howard says you shouldn't have anything but wine unless you live there. Be glad to live there, Sandy. Living in Mexico beats dying in the Pacific. Take it from your old dad. A week in Arrowhead. A week with Davy Jones. Can I have the front seat going down? Braden, that's honey. I'll be going down all by myself. This is my vacation. Me and Dan. I told you I've worked out the budget. I know about the budget. What do I know about the budget? I give her the money and she works a miracle every seven days.  I wish this was the budget, baby. I wish it was. I just wanted to go fishing. It's not a very big thing. You can go fishing. With all this water, I can't tell if you're smiling or crying. It's all the same thing. It's beautiful. I told the girls we'd go to Mexico next summer. A winter or whatever you want.  Straight to Mexico.   Dan, Dan. My hair. Dan, listen. It's a lodge or something. A lodge? Yeah, can you hear it? It's a boat. They must be looking for us. Help. Jim, I hear it. Look. Look at the light. Search light. Help! Over here! Jim, Jim. Over here! It's a light. I see it. Yeah, over here. They see us, Jim. Hey, you're over here. How is he, Doctor? Just fine. All he needs is a good night's sleep. Thank you all to keep him here then, huh? For the night anyway. I've given him a sedative. That bumpy got on the head. Just a superficial bruise. X-ray didn't show anything. Oh, that's great. I was thinking you might want to notify your families personally that you're all right. I just tried to call from downstairs. Busy. Ah, figures. I've got three women in the house. No, don't misunderstand. They're great. Confusing, but great. Well, they've probably heard about you on the radio anyhow. The radio? You're a hero hanging on to your brother-in-law after he passed out. He wouldn't be here if you hadn't. Listen, I had to hang on to something. That's not how the Coast Guard tells it. Well, if I'm a hero, maybe I ought to get a hero's welcome. Incidentally, I've been trying to phone your brother-in-law's house for no answer. You want me to keep at it? I guess the news would sound a little better coming from you. If you're in a hurry to go ahead, I could have his wife on your place soon as I talk to her, so you're on the way. Would you do that, Doc? Be glad to. I want to get home. Hi, honey. Oh, Jimmy. Daddy! Daddy! Did you bring me anything? What a question. He brought himself. That's a big thing. Hey, give us a kiss, girls. Is Dan with you? No, no, he was pretty tired. Didn't she even bring any fish? Fish? Really? Isn't that radical?  No, and I'm starved, too. Come on out in the kitchen. You will not. You've been on the phone half the night. You and Joanne take Daddy out in the kitchen. I'll be right along, dear. I'm home so soon. Why did I what? Hello? Couldn't you catch any fish? Yes, Jean. Well, didn't Mommy tell you? Tell us what? She told us you were the best daddy in the world. And if you wanted to go fishing, you should. Jean, what are you talking about? Honey, let me speak to her. She said something about the boat turning over and Dan being in the hospital. That's right. I thought you knew about it. But, Jim... Hello, Jean. Yeah, now, now, wait a minute. Now, take it easy. Dan's just fine. When I left him, he was sleeping like a baby. He got a little bump on the head, but he's fine. Hmm? The doctor said, what? No, that's silly.  Well, the boat got turned over by a wave and we just hung on together. That's all. Sure, I'll drive you down first thing in the morning. Jeanie, now, look, he says sound is a dollar. All he got was a soaking. Now, will you stop worrying and get some sleep? I'll pick you up at eight o'clock. You bet. Good night. Jim, what happened? Well, I thought you knew about it. The boat turned over. How would we know about it? In the ocean? It's been on the radio. Jim, Jim, you could have been drowned. No, it wasn't as bad as it sounds. No wonder you didn't bring home any fish. I should have never let you go. I should have put my foot down. It's all right. I'm all right. Look, how did it happen? We lost our bearings in the fog and a wave swamped us. You were in the water out there in the dark? Well, it wasn't for very long. Oh, Daddy! Did any fish come around? Jim, if I'd have known, I'd have been a maniac. You did know. You gave me such a big welcome when I came in. That's because we missed you. It gets boring around here. Too many women. Well, I... Look, on the way home, it occurred to me. I've still got five days left of my vacation, and, well, if you still have that budget, you worked out for Mexico. Oh, darling, you don't have to do that. Baby, it's nothing to cry about. Well, I'm just happy. If we go to Mexico, I get to wear my false fingernails. Oh! Oh! Now, what are you crying about? I spent the six dollars I saved for my skirt, and now I haven't anything to wear. Honey, don't cry. We'll work out something. All right, all the way in the front seat. Milk fetch vegetables. I can't go down there and rag. Honey, Daddy, I'll get you a skirt. Isn't he a wonderful Daddy? Now listen to this, and listen, will you? Two crying, one laughing, and in a minute, they'll all be switched around.  This is Kathleen Crowley again. You know, we all like to feel we can be useful and helpful, and one of the great joys in life is knowing that we're useful and helpful in an undertaking that's worthwhile. Well, none of us can be happy if we live only for ourselves because the joy of living comes from giving. Yes, giving ourselves to something we know is bigger and better, worthier and more enduring than we are. That's why the greatest joy in living is giving ourselves to God. When a family joins together to give themselves to God in family prayer, they're united in a joy and happiness that only family prayer can bring. I guess we all know from experience that that's true, that whatever we give to others comes back to us some way or another, and whatever we give to God comes back a hundredfold. So let's give God a little time in our homes each day. Let's take a little time out to join together with our family for family prayer. Then we'll really know how true it is that the family that prays together stays together.  From Hollywood, Family Theater has brought you transcribed Ladies Man starring Lyle Betger. Kathleen Crowley was your hostess. Others in our cast were Lois Collier, Jill St. John, Gayan Kelly, Herb Ellis, and Bill Irwin. The script was written and directed for Family Theater by John T. Kelly with music composed and conducted This series of Family Theater broadcasts is made possible by the thousands of you who feel the need for this type of program by the mutual network which is responded to this need and by the hundreds of stars of stage screen and radio who give so unselfishly of their time and talent to appear on our Family Theater stage.  This is Tony LaFranco expressing the wish of Family Theater that the blessing of God may be upon you and your home and inviting you to be with us and restitution starring Gig Young. Rita Johnson will be your hostess. Join us, won't you? Family Theater has broadcast throughout the world and originates in the Hollywood studios of the world's largest network. This is Mutual, the radio network for All America.


everybody who did Cobra Commander 788 here and this is another compare and contrast between a vintage GI Joe action figure and its modern equivalent. This time we are looking at spirit. This vintage spirit action figure was released in 1984. This modern version was released in 2008 and it's called spirit iron knife. Iron knife was spirits real name according to his file card. So the name change makes sense. This modern figure keeps a lot of the design elements from the vintage figure. They are clearly trying to translate this vintage figure into modern form. Let's just do a quick overview of the vintage spirit action figure. He has black hair with braids. He has a red bandana and he has a blue shirt with some details on it. He has a red loincloth attached to his belt. He's got buckskin trousers and brown boots. He's got a knife here on his left leg and those trouser legs seem to have some fringe on him. Sculpted on. Pretty nice details there. For his accessories in addition to the belt he has his green arrow gun. He has his backpack with more ammunition for his arrow gun. Then of course he comes with an eagle. His eagle named freedom. Spirit is pretty famous for this eagle accessory. It clips on to his wrist. It doesn't always stay on well so I've used a bit of mounting putty just to make sure it stays on. Now let's do a quick overview of the modern figure. He still has his black hair and braids and red bandana. He still has his blue shirt but the details that are sculpted on to the chest of the vintage figure. That's a separate piece on the modern figure and it's attached to his belt with the red loincloth. He has his tan trousers with that fringe. On his left leg instead of having a sculpted on knife he has a knife that is removable. He has his tall boots but instead of being dark brown they are a lighter tan brown. Slightly darker than his trousers. For his accessories he still has his arrow gun but it's a different design. And instead of being green it is tan. And the magazine for the arrow gun is removable. On his backpack it looks like he has a silver frame. He has a tan backpack this time. Then he has additional magazines for his arrow gun and those magazines are also removable. So after he uses all the ammunition and his arrow gun he can always pop off one of these other magazines and replace it. He still has his eagle and it still clips on to his arm. This eagle is much larger than the original and it appears to be black instead of brown. Finally he has his figure stand that says spirit iron knife. The early vintage figures did not come with figure stand so it's nice that the modern figures do. Alright let's look at the differences between these two figures and I think the translation from the vintage to the modern wasn't entirely done very well. I think they actually lost a few elements. First of all you would expect it to be nice to have these chest details as a separate piece. But I think it's just a bit too clunky. This knife is huge and the handle sticks up above his chin. And that is not removable. That is just sculpted and painted on. So it's really just decorative. Now these details are all just a little too high. They just kind of crowd his head. The vintage figure certainly had its problems like the unpainted grenades of the same color as his shirt. But at least there's plenty of room for all the details. I also think it was a mistake making the rifle tan instead of green. It's the same tan color as the lower half of the figure. You have a color for the accessory that blends into the figure and so you lose a color interest that you get by making the rifle a different color. The accessories, these green accessories, add additional color interest to the figure without using up a paint application. So that looks better and it's economical. The backpack on the modern figure is a different tan color but it's still tan and I just think that's a mistake. Also with the boots you go from a dark brown color on the vintage figure to a tan color on the modern figure. It's a different tan color than his trousers but not that much different. Now you have painted in the fur lining on the boots. That was not painted on the vintage figure and so that's an improvement. But again by using a lighter color for those boots you lose some depth in the color palette and I think that's a mistake. Now let's talk about freedom, the eagle. On the modern freedom you do have two separate feet rather than one combined foot on the vintage and the talons and the beak are painted in on the modern one and so that should be an improvement. Also this modern bird is made of a softer plastic than the vintage so it's less likely to break and it does tend to grip on the figure better than the vintage eagle did. It's also considerably larger than the vintage eagle but I do not like this base plastic color on the modern eagle. It's too dark, it just doesn't work for me at all. This may be a nitpick but I do not like the asymmetry in the modern eagle's wings. I should point out one other improvement on the modern figure. The vintage spirit action figure despite him being Native American had Caucasian skin tone. The modern figure does try to give him more Native American features and skin tones so that's good. Despite a few improvements on the modern figure I much prefer the vintage spirit action figure. I even think the modern figure took a few steps back in some respects. That was just a quick compare and contrast between the vintage 1984 spirit action figure and its 2008 equivalent. I hope you enjoyed it. I'll be back with more vintage GI Joe toy reviews in the near future. I hope to see you then.


So guys, today I bring you details on the new Borderlands 3 event coming very soon indeed, the items available and how you get them and a few other specs of information. How's it going guys? My name's DPJ and today I bring you another BR3 video. If you do enjoy it, leaving a like really helps out and subscribe if you want to see more. Unscrew the legacy my weekly giveaway along with last week's winner, to be in the chance of winning this yourself, follow the instructions, now good luck. So the Broken Hearts Day Valentine's event arrives soon, and it brings a whole host of new features and loot for us to chase. Today I will quickly brief you on what this event will consist of, and also the challenges behind getting the new Legendaries this event will offer. So this event will use the same NPC in Morris who was our guide to the Bloody Harvest, and this event as far as we know so far consists of Hearts, which you will see hovering above the head of the enemy. These Hearts when shoot trigger different things. There are 6 Hearts in total, all ranging from buffing your team's damage output upon shooting them to converting enemies into allies for a short time. We have ones that fall on the ground, creating a fiery explosion and also exploding into loot. Kinda like what we got with the loot goals and how they worked with the Bloody Harvest. But with these Hearts common rewards, after shooting and destroying a certain set number, most will mail you rewards. After you shoot 10 you will get this Echocardiogram Echoskin, looking pretty cool. After 25 you will get this Cosmic Romance Weapon Trinket. After 50 you will get this Terminal Polyamorous Legendary Maliwan SMG. This SMG shoots an energy beam and chains to nearby enemies, sounds pretty cool. After 75 you will get the Heartbreak of Warhunter Skins. After 100 you will get this Wedding Invitation Legendary Jacob Sniper Rifle. This Sniper being super unique in the fact that it is an incendiary weapon, but its bullets ricochet trail sharks upon hitting a crit spot. It also turns ammo back into the magazine after you hit that crit spot. Which is amazing people. Now the skins I think will unlock when each Warhunter is destroyed 75 Hearts and not unlocked for all upon one set, of 75 Hearts being destroyed, that makes more sense in my opinion. I mean 75 Hearts or 100 Hearts in total doesn't seem like much I'll do it across 4 Warhunters isn't too much to expect from us. Now this event it seems will only be lasting a single week and will arrive with the February patch which comes this Thursday February 13th. Now this information I'm going to discuss is pure speculation on my behalf, but do you think there may be something they ain't telling us? Do you think there might be a boss at the end of this grind much like Captain Haunt after he kills said amount of Skulls with the Bloody Harvest event? I say this because the Broken Heart Day is a logo, he has an octopus breaking out at a heart or tentacles breaking out at a heart. Which puzzles me as what has an octopus or tentacles got to do with Valentine's? And it doesn't end there, look at this weapon Trinket. Now I know we had to amorphous from Borderlands 2 who was kind of more like a worm, but did have tentacles so to speak and we had to destroy from Borderlands 1 who also seemingly had tentacles, but they indeed look nothing like this. So yes, complete speculation on my behalf, but will there be guys a boss behind this event? We will see. Now like I said this event arrives Thursday February 13th, a day before Valentine's Day and they state it lasts a week. With 5 unique rewards to unlock, the Echo Skin, the weapon Trinket, the Maliwan SMG, the Vault Hunter Skins and the Jacob's Sniper. Will it offer more? Well that's something we'll have to wait and see guys. But on that note we have come to the end of the video. If you guys enjoyed it leaving a like really helps out, if you're new around here and want to see more Borderlands be sure to subscribe and if you never want to miss a video or upload you can turn notifications on by hitting that bell button. But guys thanks as always for stopping by, hopefully you enjoyed the video and hopefully I will see you on that next. One.


This is LaModulis and welcome back again to my YouTube channel. For today's tutorial, we will learn how to recreate the famous baguette bag. A little history, the baguette bag was designed by Silva Venturini Fendi in 1997 and gained popularity during the 2000s for its endless appearance in Sex in the City, the series and the movies and for the 8 girls of 2000s. In present time, the baguette bag made a comeback during the late 2010s with different iterations from labels like Prada and Daroe. The baguette bag is also known for its simple, pouchy and accessible design and just like a Frenchman, we carry disperse underarm like a baguette bread.


Commander 788 here and this is a very quick look at the 1986 G.I. Joe night spotter codename low light and low light is equipped as a sniper. He has his red goggles. He's got this sniper rifle with a very large scope on it probably intended to be a starlight scope, which is type of passive night vision. And his sniper rifle came with a bipod, a very small bipod that attached right here. I don't have that bipod. Now I will eventually get that bipod before I do the full review. I could pick one up pretty easily. I do see them around. It just hasn't been a priority for me. There have been some other items that have been a little bit more important to me that have been hunting right now. So I will eventually get that bipod. I'll probably do that soon. He came with other interesting accessories. He came with a submachine gun that looks like it's based on an Uzi. I don't think he would necessarily need this submachine gun, but he did come with that.  And this figure I think overall is very nice looking. He's wearing some nice subdued colors for operating at night in this dark gray suit. And the uniform itself has a lot of nice details. Now for this figure I also have the full card back with his file card on it. So we will be looking at that as well. But this is just a quick view for now. So I hope you enjoyed it. And I hope you enjoyed our guest reviewer for this week. And I will be back very soon. Right now I'm still on vacation. This was recorded before I left. But I will be back with the regularly scheduled vintage GI Joe Toy Review this coming week. I've already been working on it. I should have one ready to go on the usual schedule. So I'm looking forward to that. And I hope you are too. So thanks for watching. And I'll see you next time.


This is stock number 9762. We are here at Summit Automotive in Fond du Lac, Wisconsin. Your new and used heavy-duty truck headquarters. Remember we are the guys with the trucks on 41 today. We are checking out this super clean 2011 Ram 3500 crew cab long box dual rear wheel. This truck has the 6.7 liter Cummins diesel. From this HD video, you will be able to tell that this truck is extremely clean all the way around. No denser dings on that front bumper. Driver side fenders and excellent condition. Bright white is the color and I like to point out that we shoot all of our videos in 1080p. So if you have HD capabilities on your computer, tablet or smartphone device, turn them on right now because it's like you're right here looking at the truck with me. Comes with the factory steel rims with the wheel simulator chrome covers. General Maritrac LT 235 80R 17 tires with about I'd say 80% of the tread left in the front. Has built-in shocks and you can see the frame and under body is in really nice condition. Headlight lenses are nice and clear. Hood's pretty clean. You can see a couple little dings, but nothing major. Factory fog lights. Passenger side fenders in nice condition. No denser dings on that. And the passenger wheel simulator is in nice shape as well. As you go down this side of the truck you can see just how clean the body is. How reflective and mirror like that paint is. We take these HD videos so if you are far away or even if you're close by and just cannot make the trip down, you can still see the truck, hear the truck, and have confidence in the vehicle that you're looking at before you even get here. So you can make a smart buying decision from the comfort of your own home. Dually tub is in really nice shape. I didn't see any denser dings or cracks on that. The cab is in excellent shape and down this side, I didn't see any dense or dings very nice and clean. Lower rockers are all in nice shape. It has the factory side steps, back rim, wheel simulators in nice shape. Back tires have right around 50% of the tread left. And you can see the frame and under body. Just a little bit of corrosion, but nothing too bad. And it looks like it has the Bilstein shocks in back. And that it has all the remaining factory exhaust. So it hasn't been altered in any way. Shape or form, but that frame is really good looking underneath here. It does have an access soft tonneau. That's in pretty nice shape. Rear bumper is in nice shape as well. No denser dings on that. Back up sensors. Tailgate is in pretty nice shape too. It does have the backup camera and it is a locking tailgate. This truck comes with a Kurt 20,000 pound fifth wheel pitch, very clean back here. Couple little dings in the box, but nothing too bad. It is a truck that is just about eight years old. But for the most part, tailgate's in really nice condition. And as you go down this side of the truck, just as clean as that passenger side. Once again, that dually tub is in nice shape. And this passenger side rim is in nice condition as well. This one has the heated tow mirrors. They've pulled out like so. They also fold in and have the chrome covers. Inside the Laramie package gives you the tan leather interior. There are no rips or tears on these seats. Very nice condition. Both of these seats are heated. Both of these seats are cooled. Memory driver's seat with lumbar. We have some armor all-weather formats in the front. Power windows, power locks, and power mirrors. This one comes with the factory brake controller, auto headlamps, and power pedals. These are radio controls on the steering wheel here. And as we hop inside, you can see that this truck only has 38,464 miles. The instrument cluster is very nice and clean. And you get the leather-wrapped heated steering wheel with the information controls on there. They also get cruise control right there. It has the six-speed automatic transmission with the optional tap-shift. It has the factory navigation system. And this one has a hard drive in it, so you can save music and stuff to this vehicle. And this one has 16 gigs of hard drive space to save to. Turned-out four-wheel drive, factory exhaust brake, dual climate control.  Factory exhaust brake, tow haul mode. That's for your plug-in. And then your backup sensors. You can turn those off. Speaking of the plug-in, you get a 115 volt, 150 watt plug-in right there. And it has an alpine, the alpine sound system in it. This is also where your backup camera shows up. Right there. Passenger seat is in really nice shape as well. No rips or tears on that. Very nice condition. This truck smells very clean. I don't think it's ever been smoked in. It has the power sunroof as well. And we have the power slide and rear window, the home link buttons with the for your garage door security systems and lighting systems. And then you have your auto-dimming rear view mirror. We will take a quick look at the back seats and then check out under the hood. Truck was very well maintained inside and out. Back seats are just as clean as the front seats. Has the latch child safety system. Power sliding rear window. These seats do fold up for extra storage and have storage underneath. And then you get in-floor storage bins on both sides with removable bins for easy cleaning. And these back seats are heated as well. Very clean back here. And we'll take a quick look under the hood. I personally like to thank you for checking out the video today. Hopefully from this HD video you will have been able to tell just how clean this truck is inside and out. Under the hood we have the 6.7 liter Cummins diesel. Engine base very clean. Runs very smooth. Everything looks very stock underneath here. This truck has been fully safety and inspected by our service shop. Has a fresh oil and filter change. All the fluids have been checked and topped off. The truck has been gone through mechanically 100% and is 100% ready to go. To see more pictures of this truck or one of our other 450 new and used cars, trucks, SUVs, minivans, Wranglers, halftones, three-quarter tons, one-tons, you name it, we got to go to our website www.SummitAuto.com Full pictures and descriptions of every single vehicle on our lot, videos of every single used vehicle that we have all at SummitAuto.com. If you want to check out just our used inventory, you can go to truckson41.com. That's truckson41, the number 41.com. And go right to our used inventory page. And if you want to make this truck yours, give us a call right now<PHONE_NUMBER>. Ask for one of our sales associates to make this truck yours today. Once again, that number is<PHONE_NUMBER>. Thanks again for checking out the video. If you'd like to check out more, you can go to youtube.com. SummitAuto, remember to like, subscribe, and share on this video and all the videos that you see there. In fact, in a second, you will see a link to subscribe to our YouTube channel on your left. A link to more heavy-duty truck videos like this one on your right. And if you have not been to our website on the bottom, a link to this vehicle on our website, click those. Check us out. And we really look forward to helping you with this super clean 2011 Ram 3500 Crew Cab Longbox Dual Rear Wheel. Thanks again.