Good evening everybody. I'm Michelle Sigurd. I'm the adult programs coordinator here at the Cali Cupboard Library It's my pleasure to welcome you here tonight to hear Sydney Lee Sydney Lee is a former Pulitzer prize winning finalist in poetry and served as founding editor of New England Review He was Vermont's poet laureate from 2011 to 2015 He's published 24 books a novel five volumes of personal and three of critical essays and 16 poetry collections the most recent of which we're going to hear from tonight called what shines and It will be available for sale at the back of the room. Welcome to everybody who's watching live streams tonight Thank you to Orkin Media for doing that for us It's my pleasure to welcome you up Sydney and we're so happy to have you back here at the Cali Cupboard Library Thanks, Michelle. We happy few Of course, they're all just thronging in on the stream. You know that It's always good to be here. I was just thinking as I came through how I missed the spelling bee. I used to enjoy that so much but at any rate, I am going to read yes from this newer book and Before I start I Remember and I copied him for a while and then I get out of the habit of the goal We can now always use to start his readings by reading somebody else As opposed to himself And I want to read this poem by a man named Gordon Siemich. It's spelled the same way as Charlie Simech and like him He's a he's a Belgrade born Serb, although he had the misfortune of living in Bosnia and being married to a Muslim woman So everybody hated him. His brother was killed by a sniper Rough going anyway. He's I think one of the great Poets in America and you can read his he's in the Oxford series and in good English translation It's called a scene after the war. I'd never been aware how beautiful my house is until I saw it burning My schoolmate told me with 20 pieces of shrapnel that remained deep under his skin after the war He wrote me how at the airport he enjoyed upsetting the customers officials who couldn't understand whether checkpoint metal detector howled for no reason I've never been aware.  I Recognized them in a small town in Belgium They were sitting and watching the river carry plastic bags cans and garbage from the city She was caressing the hard shrapnel lumps through his shirt and he was caressing her gloves I wanted to say hello and give them a jolly photo from the times when none of us knew the meaning of house nation Then I realized there was more meaning in the language of silence In which they were seeing off the plastic bags down the river Then in the language in which I would have tried to feign those faces From the old photograph that shows us all smiling so long ago The best all the murder and mayhem in the air It probably doesn't set a very upbeat tone, but it seems so pertinent in a lot of ways and well the I put this put together a lot of it during the height of the COVID shutdown and During that period I Got older as one does and then all of a sudden it was published and I found I was on the brink of pinched me 81 a lot of this book as I put it together I saw that it really You know you get to be adious and you you can kind of hear the footsteps on the porch hopefully approaching slowly, but you get reflective and you know looking back over the various Moments in your life and in this book I found myself Going back as early as very very early as my first poem will indicate and a period stages through my life And one of the things that interested me was my attitude Toward these things when they happened When that was nine or twelve or thirty or whatever it might be and the way I look at them now this one's called Hi-fi my My grandmother bought a how we lived in my grandmother's house when she'd been born with born in and my mother was born in down in Pennsylvania and She she ordered a hi-fi, you know, that was that was the cutting edge technology in the early 50s We had a you know, we'll call a Victrola and she wanted one because she was a classical music enthusiast or so she said So she could fall asleep to this High fidelity sound just that she did at the Symphony Hall, but we also used it ourselves This one remembers that I Think both little sisters were still too young for school. We brothers not many years older. I I suspect what I say is more than a bit sentimental and May not have a basis in anything real back then So be it, but let me keep it The five of us hearing the tune the strings and horns so alive It's good to be where we are near our parents new hi-fi which spills into every corner the fidelity almost shocking They told us about its wonders and now it lasts the own one Having adjusted some knob they stand stone still for a moment as if in a sort of trance Of course, they're both long gone. So of course, they no longer dance cheeks touching or anyhow But as long as I say so they do Indeed the song I hear now is precisely cheek-to-cheek Now why would it talk about swimming in a river or a creek or maybe it's actually fishing who cares Strange bliss pours forth as long as the record keeps spinning Sickness regret and death will all arrive in time and Ranker I won't forget the ranker This evening, however, we brothers and sisters watch and chatted five children together on the couch with the fancy lace While our faithful parents glide and what looks like a fond embrace the Memory is a great Editor That's sort of the theme of this poem Do I had a great friend when I was a young man in the Pennsylvania Dutch boy named Zebedee foosh looker, which I found difficult to Put into the Rhythmics of what I tried to write. So I changed his name. I've anglicized it the poet's version To prompt myself to remember coxessence the gleam under sun mid-Pennsylvania December and me a young girl boy with a gun Likewise aimery Harris The two of us crept on all fours We clung to the rim of the forest our stalk seemed to go on for hours This happened so long ago. I'm sure I can make it sound right How emphatic they look those two birds and snow to a gimmick against the cold white Let my tense be the present in sunshine bright feathers shift and blend For the sake of an opposite end rhyme just here. I'll call up a wind Tired figure for inspiration for whatever good it will do Tried theme initiation the wide world blood can show the wind keeps cantering toward us So the quarry is deaf to our coming Later life looms before us Or so for now. I'm claiming I Should add that this is the solstice a very short day in the year How apt for aimery Harris and me how grim how austere Whether those pheasants in fact are slaughtered or fly off doesn't matter I'll say that our pastoral cracks The steadying past with a clatter crashes to ground and we stand in a single moment diminished Aware of our smallness, but men And now before I finish My apologies Amory Morris. So in fact, I've changed both your name For dragging you into this chorus of post lapisair in pain These days and although adult you prosper I hear you're respected content. So they say Amory, I haven't seen you for years. I've managed to keep it that way I Know why I got into that kind of sing-song-ballatic thing when I wrote that but I think it maybe that's what I would have thought poetry was at that age in my in my Arrested development. I live Virtually on the shores of the Connecticut River and That's a great resource. I like to I like all kinds of paddling and I am in my retirement able usually go down there during the week Day and I don't have much competition on the river Not many Greek big wakeboats or or whatever it may be and this remembers an experience as I was setting out to go paddling it's called eruption At dawn today the fog still slept on the river The son of a seemingly endless Hadean heatwave did not yet broken through so I drove to the launch for a paddle Green herons smartest centuries patrolled one bank a beaver skull beside me blasé For a full 40-yard peeled branches bright in its mouth. I Thought of Emily Dickinson's famous claim Several of nature's people I know and they know me. I feel for them a transport of cordiality She loves it dull with such sentiment So that the poem concludes her children reaction on coming across a snake Well, it strikes like a snake. I Tried to focus on cordiality Aware of my own delusion I willed myself to ignore an intrepid Kimber's pursuit of an eagle bully who may have succeeded in robbing her nest And I looked away from the cove where last summer a doe showed floating intestines Coyotes having ripped her just as she made her lip leap for salvation by water. I Cycle such things this morning My strokes narcotic my breathing steady little else coming to mind Back at the landing as I walked to get my truck I noticed a tree frog Pathetically hopping across the launch is hot launch lots pavement out of its proper surroundings. I Stooped to carry the thing to mist moist grass and suddenly saw that this was one among hundreds an eruption in fact Now like what could have brought them up from their safety under the daytime earthen shelters If I tried to fetch my boat with the truck I'd crush countless of Emily's people No way around them So although I felt tired I rightfully carried my kayak across that little distance and hefted it up to the rack on my roof and secured it balanced turn When I heard the unmistakable crunch of tires I Saw what racks me tonight four stubbled men in their own truck rowing them up towing a monster boat Through closed windows. I heard them rowdy with booze already And here I sit hours later a man ashamed. He did nothing to head off inconspicuous slaughter Now I jump behind my wheel and sped from home where I write this feeling zero at the bone that's crib that last line is from From a narrow fellow in the grass which I quoted earlier by Emily Dickinson that zero at the bone is always effective me when I read it what shines title poem I Was raised by a woman remarkable in many ways My father died quite young and she really really took to the Took to the to the alcohol and the prescription drugs and unfortunately was never able to get into recovery.  I mean she lived into her 80s drinking at least a quart of urban a day and and It made life at home complex put it that way and I've long forgiven her a because I followed in her footsteps but I was lucky enough to think to get into recovery quite a long time ago and be because she did the best she could with a with a fatal disease basically and And she had her own story going back all these stories go back generations of disappointments that she had in her life As a woman a very smart woman whose uncle her surrogate father said women don't go to college for example That's just a little background school What shine Astounding this never-ending effort to have had a happy childhood Why does it matter now? Why will yourself into all that forgetting? She may have been a good mother at least she tried Or did she Once again, you're the one who's trying you contend you do remember moments with glow You picture standing you picture her standing one day in the snow her teeth and a chatter no doubt And yet she looks quite cheerful Or she seemed to be trying as you are The teeth at last were one at least were one good feature radiant to the end You're a poise at the top of the hill on a flexible flyer Red sled that's showing your Christmas present at nine It may have brought you joy You're trying to alter the downslope rush to make it shiny too To bled out the icicles of snot the raw fingers chill bling pain a Father was there a good man. You're quite sure who's now no more than a specter Whose presence is no more advantageous than it was that day Or was it of some avail? You can't remember you honestly can't remember Perhaps you just don't want to You're doing well or at least you're trying with this your obstinate bid to sweep off Misfortune to see if there's anything more than only sorrow Well, there were a certain instance You say I remember stones you say I saw a beach by moonlight and Did those pebbles glint like stars as you insist? You yearn to be sure clouds never came to eclipse them You keep on trying There's that pervasive gleam along the shore Then you take a step And suddenly there's nothing that's another cribbed line that comes from Edith Wharton of Roman tales. I don't know if any of you ever read any of them, but they're extraordinary and I Got to the end of that poem and I remembered that ending to the first tale on the collection. I said well I'll just I'll steal that without acknowledgment Elliot said bad poets borrow good poet steel so I mean that made me a good poet almost instantaneously I've Why if and I have Seven grandchildren Mercifully every single one of them lives in Vermont So you see quite a bit of them and If you had told me when I was a typical witless hockey playing Beerus Wigan 18 year old American male that They would become the joy of my life I probably would not have believed you but turns out to be true and This poem takes off from a photograph that was sent to me by the The father of one of them whom I think Jeff knows I know his grandson does with these a my son is a guitar maker in Burlington of some considerable notes and He he tutored Just one of just grandchildren into making his own guitar That's that's a lovely thing from reading to contemplate It's called standard time as an unpredicted Epigraph Skateboarding values have always appealed to those who consider themselves somewhat outside of society's pace from Gentleman's quarterly GQ Don't ask how I came across it dentist office, of course Anyway, it's called a standard time We just got a photograph for her grandson to rubik at the local state park skate park His smile shows how he is pleased he was been adopted by the older so-called thrashers Though hasn't yet learned like them to be tough as nails Or to look that way I'm not sure why I think of Buster Except that his toughness is real He too looks in congressly to rubik though. I wouldn't tell him that and if I did he might not know what I meant He also might not like my explanation and then I'd wish I had somewhere else to go and quickly a Past busted today. He was mowing along If he hadn't been he might have been digging a grave or tuning his pickup Or maybe splitting some wealthier neighbors fire firewood from winter I've never asked of course, but Buster Or so at least I'm guessing Doesn't consider himself a rebel Though he did quit the highway department ten days before he'd been entitled to a pension He was that pissed off at his form in his high-handed conduct conduct I Call that genuine rebellion Buster's face is weather busts, which lessens the chore of effect. I'll grant you The kid to our grandson's right has a skull tattoo on one arm barbed wire across his neck He shows a nasty expression Whereas the brim of his hat points backward Buster's points straight ahead I Notice the scowling tattooed border is stripped to the waist whereas Buster has ever had on the Shirt that laborers seem to wear all over collared Army surplus green with blotches of sweat at the armpits and on the back from shoulder to shoulder Buster I think embodies the very meaning of what's called eking out When I passed him this afternoon the light was dying because it's November I Know something better than I did at the age of those thrashers half naked and surly Let alone of my grandson Or even Buster That the cold comes on at a pace nobody can keep outside of forever and the darkness shows up early. I had a Fabulous a Fabulous neighbor eight generation from odd. I think my nearest neighbor our nearest neighbor He was a wonderful neighbor, but he was just there were no filters I mean he would say what was on his mind When I we first moved there I was in 35 years ago He drove up and said understand you're a writer. Yeah, I ain't gonna read anything you wrote All I do is read Louie Lamore and once you get done reading him You don't read nobody else and Then he told me to read he lived to be 97 and told me in his last years He says I only got three Louie Lamores now. It's the time I get done the first one I can't remember what it was so I after I finished the second one I just go back to the first I keep going that way. He says no problem takes up a lot less space Anyway, this Tink he was called Tiny little guy toughest tough tough guy mere humans Tink shouted Hear my bad news. I Turned from bucking up firewood and killed the engine And different he looked a tough old Bantam neighbor a rascal, but solid a stone Here stood a suddenly tinier version No one in town would believe he'd cry Things had to be bad. He told me why Mike's gone some business called aneurysm I Caught my breath Mike his grandson dead before 40 Tink and Polly had raised him up from a schoolboy There were troubles in the in-between generation Tink's gone, but I see him back 20 years red oak sawed us pulled at his feet.  Yes. I've choked the saw dead quiet Mosquitoes strafus And now I recall Mike passing in front of our house last fall trailed by the six-point Bucky's shot Two flecks of blood have dried on one cheek and in spite of November's chill He sweats from dragging that whitetail out of our woods For years. He's been bigger than grandpa. I think Those the deer Mike will give our family good venison backstrap later this autumn Who'd predict I'd go over to think and hug him Not even I it's surprising he lets me How long has he soaked my shoulder like this Long enough it seems for me to sense something like splendor in this awkward clench By which I'll always feel shocked and blessed My wife established the was part of a crew that the established the mentor program, but one had been tried before and Tink had gone to school almost to the end of age grade He was a rascal obviously Set a skunk loose in it one time and but for some reason he was one of those lovable rascals and the principal really liked him so he came into school and his final final June of elementary school and and The principal said good morning. Thank you. It's nice day and he said yeah. See ya and that was the last He ever went to school. He went to work in the in the woods at 13 probably wait about 90 pounds at the time, but he's He's a blessed soul in our family's memory This one is called Innocence and experience The first warm spring day a melody pours from someone's window Unlike me the player is young notes stutter from that piano The music more moving for that of course The child's youth hurdles away at dawning speed which the player won't sense until a later day Up through thick foliage of village trees Plink plink plink The tune is one whose author a name I used to know I Think I've had enough time. I have to tell one my favorite things to worry Give you some indication of his character When Younger son was in third grade We were going down to school one day now Think in his retirement would buy furniture a big flea market oak furniture only and he would Refinish it and resell it. I bought one of his desk. I use it to this day and His wife ran the the food concession is down in Lebanon, New Hampshire and One day we were driving by on the way to school and I Looked out and there was a plaster of Paris or plastic. I should say a Saint Bernard on this lawn How do you like my dog? nice dog and so the next day I came by and Say how you like his collar, you know orange color the way I put on our three dogs and then next day when I Take a look at the dog and had a collar and there's a tag off and saying Sid well earlier Earlier that that in the summer actually Another neighbor whom we like very very much. He and his wife are great friends They had a dog that got into tink's and Polly's garden and dug it up and They they counted on that garden and it was a labor not only of love but of necessity because they're just living on social security and Tink went up a good old Yankees is that happens again. He says that's gonna be a dead dog I just want you to know I'm just giving you a warning so at the time I'd like to I I'm interested in in Bird dogs and I had one I was training was very young I had a Blank pistol the dog in the back and I was headed over to a friend's where we kept these pen whale We shoot blanks out and they come back to the cage And I said look we're kind of We're kind of early for school and we'll stop and think comes over you tell him that that damn dogs Went up in our garden and digging it up and you're sick of it And then let go six rounds from that blank pistol see what happened The thing comes over and he leans in And my son says your dog's been up in our garden digging it up She has not he says yes He has we even have pictures of it and we're tired of it bang bang bang bang bang bang like that Right, you know, he was waning up in the mirrors here.  Look back at my son. They said you missed him I Never see that like again This one is called the Zach's mystery and others and It touches on the theme of addiction and The tragedy that often accompanies it Zach's mystery and others We remember his acts hating himself so much toward the end he became a walking no a stumbling cartoon He left his apartment say to look for a brick Not some hand-eared thing like a lamp or a frying pan Not just any rock. He left and found his brick and used it to smash his grubby bathroom mirror The cartoon Bible thumpers was likely have shouted the end is near Third poverty that was one thing the lack of beauty in life was quite another and People turning away from him wherever he went The one still wearing to hear him still willing to hear him sore as hell. They remain so and Something else he couldn't count the years that had passed and someone called him dear or whatever Well, I guess that's a lot of things Those Bible folk I imagine would have been right if they'd met the end of Zach's pathetic world We remember how we drink with him and more than half our gang are dead as he is now But some of us gathered those thousands of little shards and managed to fit them together again like puzzles And so we all had mirrors that we could inspect without thinking of bricks or drinking But we did keep thinking not all day every day, but plenty of Zach And how we were like him and how we for sure we weren't heroes We just woke up one day and we were alive And it wasn't because we were smarter or God knows better to look at in fact And I say God by the way because what the hell else do I have to first explanation? Before it all shattered Zach had a movie star his feature and smile an athlete's body I could keep listening Not beauty or brains the courage None of that saved us but we did get saved and Zach and some others did I have to be I think my wife said she was going to stream this so I have to I Can't do can't step out of line too badly Which I would not be inclined to do anyway unless you were here so I could really properly embarrass her but I am Nuts about her. I kind of say I really am and every day I think you know How I mean this only happens in movies, you know the clutch gets gets the prize But it's been going on for 43 years, so I think it's gonna stick This is called mythology All have our family this thing That I had to stay out of the pond for half an hour after I ate That my grandmother selflessly rolled dressings for yanks who've been wounded in World War two That a uniform hung in our parents cedar closet for years, but somehow disappeared Perhaps there were thugs in math to grab this and lambs. No, sure. I Invented my own little myth as a boy six decades back Then if I thought hard about her in the shower a girl would appear by magic and she'd adore me The spray from the head the very icker of your us It never happened. I Never thought hard enough perhaps or couldn't picture which girl I wanted Which changed That whoever threw the first punch in a fight would always win. I Have scars to disprove that claim That marriage went dull as physical fervor is quashed by the passage of time It depends on whom you're paired with I'd testify I Wear two wedding rings the first for day one the other for 15 years and I'll soon need another for 45 If this is a trap don't set me free Such sentiment was hardly the point if indeed there was one when I began I well All's well so the fabulous bard that ends well As I've found like a wondrous myth Like a fairy tale the final one I go back and contemplate my remarkable grandmother. She was just really a lovely lovely woman and really kind of a point of refuge for Us her grandchildren her five grandchildren and She was an amateur painter and a rather bad one at that and I think she knew that but then she She did one painting in her late 70s, which was just brilliant It was a bunch of apple pickers. It was a little reminiscent of me as cleaners, you know three women Buns and baskets picking up these apples and Gosh, it was really good. And we had another member of our household was a A gay man who my father had known at the college lovely fellow who who came moved to Philadelphia. He was from North Carolina moved to Philadelphia to to Work for a medical textbook company. I think it anyway, there came a bad heat wave and My grandmother said well, let's invite that young Ned Boone out here where it's a lot cooler and He stayed for 25 years Until my father died at which point he thought well, it was inappropriate Of him to stay there with my wife my mother recently widowed So he he went back downtown and got an apartment down there. I think he bought the apartment in fact and I had argued with him about this painting. I wanted he said no She said it was for me and I wanted and he was a very accommodating lovely congenial man so he was unusually adamant for whatever reason and so In 1966 I Helped him to move into his apartment and the last thing we brought in was this painting And I said where do you want this we called him uncle uncle Ned where you want? So we'll just put it in the hallway there and I'll figure out where I'm gonna hang it later 16 years later. I Had a reading at Penn and my wife and I stayed with him because it was downtown in Philadelphia I walked in the door and there was that painting in exactly the same place I had left it a decade and a half before but he still wouldn't let go of it as it turned out He was not a very good not a very good housekeeper at all the abandoned painting was the least the least extraordinary of his of his inattention to basic housekeeping this is that's Too long I get to tell these stories some people have to sneeze when they're a mid red rag weed I just don't have to tell these stories, but anyway, it's called compensation the apple pictures peck pickers for my grandmother Others was Jordan as ever. She studied the paper with her left hand the right one wielding a nub of charcoal This time she worked on a sketch for what soon became her painting of 11th hour apple pickers No later too late But she wanted November frost on grass ghost white fragile as silence Against which her figures would be stationed the pillow of leaves below the tree umber gray subtle shades she rightly considered a challenge But then everything challenged her because and she likely knew it the brood fact was she painted poorly and Thus her grandchildren all believed at a marvel after the sketch gave way to canvas and oils That the picture proved brilliant as if crossed by magic It implied unseen things for instance crows which showed nowhere on what she produced could still be heard nearby and raucous outside the frame And we caught the scent of the windfall fruit And rather I did as I never told my siblings for fear of being taunted All of us loved her and laughed at her too We'd spy on her as she studied the easel on her sun porch biting her lip Shaking her head then dabbing again at the palette lost in thought no doubt May our laughs to be forgiven we were ignorant not callous Like her if only once in our lifetimes may we be gifted with something that Transports us beyond mere chronological measure as she was by her one good painting Which compensated her For ongoing griefs losing a son to the flu epidemic and shortly after a husband The apple pickers seems to have been her stingy muses gifts Not just for her valor But for her persistence For simply putting in time Thank you He's my uncle Ned has passed on and I don't know what became of that of the painting really. I mean I It's got to be somewhere, but it's not with me. I wish I did know As a matter of fact, I'm a little embarrassed that I've never even thought about that and so you just mentioned it now I Think I became resigned to the notion that it was not mine to have it was Hers to bestow where she wanted and he could do whatever he wanted with it But I don't know he didn't obviously have any children. He had one a sister Very bright woman down in North Carolina, but I don't know if she was a physicist I don't know if she was interested in the painting or or what but So who knows who knows where it may be Anything else any other I'm glad to answer any questions as long as they're not insulting this. I'm so sensitive, you know, I'm a poet Well, I don't I don't think there's an absolutely blanket answer For all of that and I did a reading with Ellen Bryant Voight Earlier in the spring and she said something that I really liked it. Jeff. You may relate to this too You know poems are just looking for excuses to be written And in my case, I Never know where a poem is going when I start, you know I something catches my attention or maybe a couple of things catch my attention and then I just start writing in the Faith that if it's gonna amount to anything the language will lead me to what it is that it's about and say if if I Saw an animal track with intrigued me and then got news of School shooting or something awful like that. I Assume they have something to do with each other internally because I was the one that noticed them, you know that they caught my attention so I just I work in that way and it's It's very improvisatory. I just keep doing it until And until I'm finished and When I first started out, you know, I was an academic at Dartmouth and I when I decided fairly late in life, I was my middle 30s that I really wanted to pursue a different Living different tracks. I was extremely disciplined. I mean, I would just I Schedule all my classes for late afternoon and evening and I work every morning Till noontime in part because the oldest child or the second child took Took her longest nap Or a long asleep including night time In the hours between nine and about 11 So I they've got so much great gear now I look around at my grandkids and the things they have baby monitors and picture and all this stuff So I rigged up this thing. I had a couple of chairs and a broom and an old wicker basket and I put the girl in the in the wicker basket and put Handles of the brand handle the broom through the two handles through the handles to the basket and then I put them across the chairs and I would sit there like this and Work on my poetry and I did it every morning like a tiger even if it wasn't coming. Well, I just kept going and going going I Don't I Don't do that anymore, but I do a lot. I mean I write a lot And I won't voucher the quality, but the quantity would testify to that and I do it It has nothing to do with discipline I mean discipline is not doing it discipline is stopping and going grocery shopping or whatever Obligation you might have for the day It's just what I do and here I am on the cusp of 81 and no one seems able to stop me I keep I keep doing it But there's no Set way I I love that that comment of Ellen if you know poems are looking for an excuse to be written and I you know if something intrigues me and I don't know why particularly Then I I want to I want to find out why it intrigues me and my method of doing that is Is it trying to write about it? I? Assume that it has some urgency to me no matter how banal it may seem because it just stopped me Figured easily in my tracks and sometimes literally in my tracks So that's that's my approach to call it that is a pretty big actor The payoff for doing a lot of writing is that you know, I I'm I'm kind of an addicted Reviser too much. So I think sometimes I fortunately my My wife was a good a good critic and she's only you just spin in your wheels now You know, it's because you're afraid to go on to the next thing you stop. It's it's as far as it's going to go But sometimes You get a freebie, you know you just sit down and you're right it and You don't have to you think yourself at any rate You don't have to change it and oddly enough this has happened to me three times particularly in my life in a very improbable way Those are all the longest poems. I've ever written the first one was called the feud. I sat down and I I wrote it at white heat and It goes to 15 typescript pages all in blank verse words were feeding kind of a sound to it and I took out a stanza. I remember that but I mean being a good Puritan, you know, I I sat on it for a while I'll get back to that. I thought a lot to revise and so on and then meanwhile I showed it to a couple of friends my old friend John Engels and David Huddle and and Some others and they said they thought it was pretty good And so it's just given to me and I have a theory as to why I came so quickly But I won't bore you with that Then I did another one I cut myself with a chainsaw and I wrote a poem called to the bowling because I that's how far I went And that was long and I came in the same exactly the same way I did a little more revising with that but not very much and There was another one that was inspired if that's the word we want an old Neighbor of ours she was quite eccentric and very She was an unwelcoming woman, but she had a she had a bull calf that choked on an apple Properly next to ours and and I saw her out there You know looking around I'm trying to figure out what to do and I just started writing about that So that was called the Blainville test of it and that's of equal length, but I Haven't had I haven't had such luck with any other long ones since but You do get the you you do get the the The freebies which are kind of pay off through all the sits time you put in On other things would you read free couch? Oh Okay, oh Jeff you're a friend Yeah, I have a Poet friend named Steve Blusone who was in Brooklyn and He read this poem and he said you know There's something set out for free on the brownstone Neighborhood I live in you know, it might be an espresso machine Blender or something like that. So it's a very different ethos whenever I see things for free Around here, I always think of there's a story and not always a very happy one behind it free couch page 40 Free couch. I can brood on things. It just why it's always the poor Who fashions flap dash song sign saying free and stack their detritus outdoors? Who'd want it? I wonder as I pass a certain house. I Know the people who live in there No, I don't know I'm not in the least There's some mystery in everyone of course, but souls like these some sounds seem even more inscrutable and dense than their dismaled willings We make our grim surmises about their behavior mother tense greetings perhaps the store where they empty their pockets to buy up feudal tickets Megabucks powerball, whatever Slim gyms and beer What do I bring to all this is Is it sorrow contempt compassion all these to be sure and none or more no doubt As I drive by this backcountry place in whose mud and gravel yard slumps a couch the color of their mixed breed rendle dogs Graceless scribbles bleed on a cardboard placard in rain, but I see that yes It's free this hunk of fabric and particle board Which even the dispossessed elect to reject Drenched by ruthless downpour of the couch sparks my customary inclination to conjure up metaphor But I keep myself from making the thing an emblem of perfect despair because Whatever disorder of spirit the sofa stands for whatever kind of psychological clutter Is it really theirs? Not mine Physician healed myself. All right. Well, thanks again for being here


6. Appendix to the Second Edition. The following letters remain unanswered at the time of going to press December 7, 1885. 71 Choo Street, Baltimore, November 21, 1885. R. A. Proctor, Esquire, St. Joe, Missouri. Sir, I have sent you two copies of my one hundred proofs that the earth is not a globe, and as several weeks have since elapsed and I have not heard from you, I write to inform you that if you have any remarks to make concerning that publication, and while let me have them in the course of a week or ten days, I will print them, if you say what you may wish to say in about five or six hundred words, in the second edition of the pamphlet, which will very soon be called for. Allow me to say that, as this work is not only dedicated to you, but attacks your teachings, the public will be looking for something from your pen very shortly. I hope they may not be disappointed. Yours in the cause of truth, W. Carpenter. 71 Choo Street, Baltimore, November 24, 1885. S. F. Baird, Esquire, Secretary of the Smithsonian Institution, Washington, D.C. Sir, I had the pleasure, several weeks ago, of sending you my one hundred proofs that the earth is not a globe. I hope you received them. A second edition is now called for, and I should esteem it a favor if you would write me a few words concerning them that I may print with this forthcoming edition as an appendix to them. If you think any of the hundred proofs are unsound, I will print all you may have to say about them if not over four hundred words as above stated. I made Richard A. Proctor Esquire a similar offer, giving him, of course, a little more space. I feel sure that the very great importance of this matter will prompt you to give it your immediate attention. I have the honor to be, sir, yours sincerely, W. Carpenter. Copies of the first edition of this pamphlet have been sent to the leading newspapers of this country and of England, and to very many of the most renowned scientific men of the two countries, from the astronomer Royal of England to Dr. Gilman of Johns Hopkins University, Baltimore. Several copies have been sent to graduates of different universities on application, in consequence of the subjoined advertisement which has appeared in several newspapers. Wanted, a scholar of ripe attainments to review Carpenter's one hundred proofs that the earth is not a globe. Liberal remuneration offered. Apply to William Carpenter, 71 Choo Street, Baltimore. N. B. No one need apply who has not courage enough to append his name to the review for publication. We should be pleased to hear from some of the gentlemen in time for the insertion of their courageous attacks in the third edition. Opinions of the Press. This can only be described as an extraordinary book. His arguments are certainly plausible and ingenious, and even the reader who does not agree with him will find a singular interest and fascination in analyzing the one hundred proofs. The proofs are set forth in brief, forcible, compact, very clear paragraphs, the meaning of which can be comprehended at a glance. Daily News, September 24. Throughout the entire work there are discernible traces of a strong and reliant mind, and such reliance as can only have been acquired by unbiased observation, laborious investigation, and final conviction. And the masterly handling of so profound a theme displays evidence of grave and active researches. There is no groping wildly about in the vagueness of theoretical speculations, no empty hypotheses inflated with base assertions and false illustrations, but the practical and perspicuous conclusions of a mind emancipated from the prevailing influences of fashionable credence and popular prejudice, and subordinate only to those principles emanating from reason and common sense. HDT, Woodbury News, September 26, 1885. We do not profess to be able to overthrow any of his proofs, and we must admit, and our readers will be inclined to do the same, that it is certainly a strange thing that Mr. William Carpenter, or anyone else, should be able to bring together one hundred proofs of anything in the world if that thing is not right, while we keep on asking for one proof that is really a satisfactory one on the other side. If these hundred proofs are nonsense, we cannot prove them to be so, and some of our scientific men had better try their hands, and we think they will try their heads pretty badly into the bargain. The Woodbury News, Baltimore, September 19, 1885. This is a remarkable pamphlet. The author has the courage of his convictions and presents them with no little ingenuity, however musty they may appear to nineteenth-century readers. He takes for his text a statement of Professor Procter's that, quote, the earth on which we live and move seems to be flat, end quote, and proceeds with great alacrity to marshal his hundred arguments in proof that it not only seems but is flat, quote, an extended plane stretched out in all directions away from the central north, end quote. He enumerates all the reasons offered by scientists for a belief in the rotundity of the earth and evidently to his own complete satisfaction refutes them. He argues that the heavenly bodies were made solely to light this world, that the belief in an infinity of worlds is a monstrous dogma contrary to Bible teaching and the great stronghold of the infidel, and that the church of Rome was right when it threw the whole weight of its influence against Galileo and Copernicus when they taught the revolution of the earth on its axis. Michigan Christian Herald, October 15, 1885. So many proofs, every Saturday, September 26, 1885. A highly instructive and very entertaining work, the book is well worth reading. Protector, Baltimore, October 3, 1885. The book will be sought after and read with peculiar interest. Baltimore Labor Free Press, October 17, 1885. Some of them, the proofs, are of sufficient force to demand an answer from the advocates of the popular theory. Baltimore Episcopal Methodist, October 28, 1885. Showing considerable smartness both in conception and argument. Western Christian Advocate, Cincinnati, Ohio, October 21, 1885. Forcible and Striking in the Extreme, Brooklyn Market Journal. Baltimore, Maryland, USA, December 7, 1885. Appendix to Third Edition. Copy of Letter from Richard A. Proctor Esquire, 5 Montague Street, Russell Square, London, W.C., 12 December 1885. W. Carpenter Esquire, Baltimore. Dear sir, I am obliged to you for the copy of your 100 proofs that the earth is not a globe, and for the evident kindness of your intention in dedicating the work to me. The only further remark it occurs to me to offer is that I call myself rather a student of astronomy than an astronomer. Yours faithfully, Richard A. Proctor. P.S., perhaps the pamphlet might more precisely be called 100 Difficulties for Young Students of Astronomy. Appendix to Fourth Edition. Copy of Letter from Spencer F. Baird Esquire, Smithsonian Institution, Washington, D.C., January 6, 1886. Dear sir, a copy of your 100 proofs that the earth is not a globe was duly received and was deposited in Library of Congress, October 8, 1884, 1885. A pressure of much more important work has prevented any attempt at reviewing these 100 proofs, which, however, have doubtless been thoroughly investigated by the inquisitive astronomers and geodeticists of the last four centuries. Yours very respectfully, Spencer F. Baird, Secretary, S.I., Mr. William Carpenter, 71 Choo Street, Baltimore, Maryland. Copy of a letter from one of the several applicants for the 100 proofs for the purpose of reviewing them. The writer is Professor of Mathematics at a high school, Auburn, New York, and, in his application for the pamphlet, says, I am a Yale graduate and a Yale law schoolman, took the John A. Porter Prize literary $250 at Yale College. Auburn, December 10, 1885. My dear sir, your treatise was received. I have looked it over and noted it somewhat. A review of it to do it justice would be a somewhat long and laborious task. Before I undertook so much thought, I would write and ask, what and how much do you expect? How elaborately you wished it discussed? And what remuneration might be expected? It sets forth many new and strange doctrines which would have to be thoroughly discussed and mastered before reviewed. I am hard at work at present, but would like to tackle this if it would be for my interest as well as yours. Hope you will let me know very soon. Very respectfully to Mr. W. Carpenter, Baltimore, Maryland, Frank Strong. Note, unless a man be willing to sell his soul for his supposed worldly interest, he will not dare to tackle the one hundred proofs that the earth is not a globe. No man with well-balanced faculties will thus condemn himself. We charge the mathematicians of the world that, if they cannot say what they think of this pamphlet in a dozen words, they are entitled to no other name than cowards. Baltimore, Maryland, May 22, 1886. Appendix to the fifth edition. Editorial from the New York world of August 2, 1886. The earth is flat. The iconoclastic tendencies of the age have received new impetus from Mr. William Carpenter, who comes forward with one hundred proofs that the earth is not a globe. It will be a sad shock to many conservatives who have, since their childhood, fondly held to the conviction that the earth is round like an orange, a little flattened at the poles. To find that, after all, we have been living all these years on a prosaic and unromantic plain, is far from satisfactory. We have rather gloried in the belief that the semi-barbarous nations on the other side of the earth did not carry their heads in the same direction in which ours point. It is hard to accept the assertion that the cannibals on savage islands are walking about on the same level with the civilized nations of our little world. But Mr. Carpenter has one hundred proofs that such is the unsatisfactory truth. Not only that, but the iconoclast claims that we are not whirling through space at a terrible rate, but are absolutely stationary. Some probability is given to this proposition by the present hot weather. The earth seems to be be calmed. If it were moving at the rate of 19 miles a second, wouldn't there be a breeze? This question is thrown out as perhaps offering the one hundred and first proof that the earth is not a globe. Mr. Carpenter may obtain the proof in detail at the office at our usual rates. A revolution will, of course, take place in the school geographies as soon as Mr. Carpenter's theories have been closely studied. No longer will the little boy answer the question as to the shape of the earth by the answer which has come ringing down the ages. It's round like a ball, sir. No, he'll have to use the unpoetic formula. It's flat like a pancake, sir. But, perhaps, after we have become used to the new idea, it will not be unpleasant. The ancients flourished in the belief that the earth was a great plane. Why shouldn't we be equally fortunate? It may be romantic, but it is not especially comforting to think that the earth is rushing through space, twisting and curving like a gigantic ball delivered from the hand of an enormous pitcher. Something in the universe might make a base hit if we kept on, and we would be knocked over an aerial fence and never found. Perhaps, after all, it is safer to live on Mr. Carpenter's stationary plane. The record of Philadelphia, June 5, 1886, has the following in the literary notes. Under the title, One Hundred Proofs that the Earth is Not a Globe, Mr. William Carpenter of Baltimore publishes a pamphlet which is interesting on account of the originality of the views advanced, and, from his standpoint, the very logical manner in which he seeks to establish their truth. Mr. Carpenter is a disciple of what is called the Zetetic School of Philosophy, and was referee for Mr. John Hampton when that gentleman, in 1870, made a wager with Mr. Alfred R. Wallace of England that the surface of standing water is always level, and therefore that the earth is flat. Since then he has combated his views with much earnestness, both in writing and on the platform, and, whatever opinions we may have on the subject, a perusal of his little book will prove interesting and afford room for careful study. The motto which he puts on the cover, upright, downright, straightforward, is well chosen, for it is an upright lie, a downright invention, and a straightforward butt of a bull at a locomotive. The Florida Times Union, December 13, 1885, editor Charles H. Jones. Pray, Mr. Jones, tell us what you mean by an upright lie. We have received a pamphlet from a gentleman who thinks to prove that the earth is flat, but who succeeds only in showing that he is himself one. New York Herald, December 19, 1885. The reviewer in this case is no doubt a very sharp man, but his honesty, if he have any at all, is jagged and worn out. The quotations which he gives are fraudulent, there having been nothing like them in the pamphlet. The author of the pamphlet is no flat, although he may perhaps be called a crank. St. Catherine's, Canada, Evening Journal, December 23. To say that the contents of the book are erudite and entertaining does not do Mr. Carpenter's astronomical ability half-credit. The Sunday Truth, Buffalo, December 27, 1885. The entire work is very ingeniously got up. The matter of perspective is treated in a very clever manner, and the coming of the whole down vessels on the horizon is illustrated by several well-worded examples. Buffalo Times, December 28, 1885. The erudite author, who travels armed with plans and specifications to fire at the skeptical at a moment's notice, feels that he is doing a good work, and that his hundred anti-globular conclusions must certainly knock the general belief in territorial retundity out of time. We trust that the distinguished author, who has failed to coax Richard Proctor into a public discussion, may find as many citizens willing to invest two shillings in his peculiar literature as he deserves. Buffalo Courier, December 27, 1885, and January 1, 1886. It is a pleasure now to see a man of Mr. Carpenter's attainments fall into line and take up the cudgels against the theories of the scientists who have taught this pernicious doctrine, the sphericity of the earth. Rochester Morning Herald, January 13, 1886. As the game stands now, there is one horse for Professor Carpenter, Buffalo World, January 16, 1886. It is interesting to show how much can be said in favor of the flat world theory. It is fairly well written, although we believe filled with misstatements of facts. Rochester Democrat and Chronicle, January 17, 1886. We believe the editor cannot point one out. It is certainly worth twice the price, and will be read by all with peculiar interest, Scranton Truth, March 8, 1886. Mr. William Carpenter has come to Washington with a hundred proofs that the earth is not a globe. He has a pamphlet on the subject which is ingenious to say the least, and he is ominously eager to discuss the matter with anyone who still clings to the absurd prejudices of the astronomers. The Hatchet, May 9, 1886. It contains some curious problems for solution, and the author boldly asserts that until they are solved, the globular theory of the earth remains unproven and is fallacious, etc. The Presbyterian, Philadelphia, June 19, 1886. His reasoning is, to say the least, plausible, and the book interesting. The item, Philadelphia, June 10, 1886. Mr. Carpenter seems to have made a thorough investigation of the subject, and his arguments are practical and to the point. Sunday Mercury, Philadelphia, June 13, 1886. A gentleman has just called at the editorial rooms with a pamphlet which is designed to demonstrate that the earth is not a globe, but a flat disk. He has also laid before us a chart from which it plainly appeared that the earth is a circular expanse of land, with the North Pole in the exact center, and the Antarctic Sea flowing all around the land. We went on to state that we lodged the care of all astronomical questions in the hands of Reverend R. M. Luther, to whom these perplexing matters are but as child's play. Our readers may therefore expect at an early date a judicial review of the astronomical and cosmological situation. National Baptist, Philadelphia, July 8, 1886. Editor, Dr. Weyland. We hope that the Reverend R. M. Luther will give us the means of publishing his decision before any more additions of the hundred proofs be issued. We are afraid that he finds the business much more than child's play. 100 proofs that the earth is not a globe by William Carpenter is published by the author, whose novel and rather startling position is certainly fortified by a number of argumentative points, which, if they do not shake the reader's preconceived notions on the subject, will at least be found entertaining for the style in which they are put. Evening Star, Philadelphia, July 22, 1886. His proofs go a long way towards convincing many that his ideas on the subject are practical and sensible. Fashion Journal, Philadelphia, July 1886. Editor, Mrs. F. E. Benedict. 100 proofs that the earth is not a globe is a curious little pamphlet that we can commend to all interested in astronomy and related sciences. It may not upset received notions on the subject, but will give cause for much serious reflection. Published by the author, William Carpenter, Baltimore, Maryland, priced twenty-five cents. The Saturday Evening Post, Philadelphia, July 31, 1886. Here now is an able thinker of Baltimore, Professor William Carpenter, who presents the claims of the Zetetic philosophy to be considered the leading issue of our times. One of the great proofs of the truth of the philosophy is that the regular astronomers do not dare to gain say it. They are well aware there is no South Pole. Professor Carpenter, in a treatise that has reached us, furnishes one hundred proofs that the earth is flat. And while we cannot say that we understand all of them, we appreciate the earnestness of his appeals to the moral people of the community to rise up and overthrow the miserable system of error that is being forced upon our children in the public schools, vitiating the very foundations of knowledge. What issue can be more noble or inspiring than truth versus error? Here is an issue on which there can be no trifling or compromise. In the great contest between those who hold the earth as flat and they who contend that it is round, let the flats assert themselves. Milwaukee Sentinel, August 1886, from a long article, The Great Zetetic Issue. Section 7 of 100 proofs that the earth is not a globe. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. 100 proofs that the earth is not a globe by William Carpenter. End Matter, Part 2. Letters to Professor Gilman of the Johns Hopkins University. 71 Chew Street, Baltimore, September 10, 1886. Professor Gilman, Johns Hopkins University. Sir, in the 21st Ultimo, I wrote to ask you if you received the pamphlet which I left for you at the university 12 months ago entitled 100 proofs that the earth is not a globe, and if so, that you would kindly give me your opinion concerning it. I write now to ask if you received my letter. I am quite sure that you will consider that the importance of the subject fully warrants the endeavor on my part to gain the views which may be entertained by you respecting it. The fifth edition will soon be called for, and anything you may urge, for or against, I shall be happy to insert in the appendix. I send herewith a copy of the fourth edition of the pamphlet. Your sincerely, William Carpenter. 71 Chew Street, Baltimore, October 7, 1886. Professor Gilman, Dear sir, I am now preparing the appendix for the fifth edition of my 100 proofs that the earth is not a globe, and I should be glad to receive your opinion of this work to insert in the said appendix. I can offer you from a few lines to a page or two if necessary. Of course, if this work as a whole be a fraud, it must be fraudulent in all its parts, and each one of the 100 proofs must contain a fallacy of some kind or other, and the thing would justify your disapprobation, expressed in few words or many. If, on the other hand, the work is what it professes to be, it will certainly claim your approval. Yours sincerely, W. Carpenter. 71 Chew Street, Baltimore, October 14, 1886. Professor Gilman, Dear sir, a week ago I wrote you a letter to tell you that I should be glad to receive your opinion of the 100 proofs that the earth is not a globe, of which work 5,000 copies are now in circulation. I wrote this work, 26 pages, in one week, without neglecting my daily business. Surely you can reply to it in a week from this time. I will give you from one to four pages if you wish that amount of space and send you fifty copies if you desire to have them, without putting you to the slightest expense. I will even take any suggestion you please to make, as to the title which shall be given to this extra addition of my work containing your reply or opinions. I should be sorry to be under the necessity of printing this letter with others in my next addition, in the place of any such reply or expression of opinion. For I feel sure there is no one in Baltimore who is more capable of giving an opinion on this great subject. Trusting to hear from you in a few days, I am, dear sir, yours truly, W. Carpenter. 71 Chew Street, Baltimore, October 22, 1886. Professor Gilman, sir, this is the fifth letter and the last to you asking you for an expression of your opinion concerning the one hundred proofs that the earth is not a globe. Which would you prefer to see my words or yours in print? I give you a week in which to decide. Truly, William Carpenter. The Johns Hopkins University of Baltimore We are indebted to Scribner's monthly for the following remarks concerning this institution. By the will of Johns Hopkins, a merchant of Baltimore, the sum of seven million dollars was devoted to the endowment of a university and a hospital, three million five hundred thousand being devoted to each. This is the largest single endowment ever made to an institution of learning in this country. To the bequest, no burdensome conditions were attached. The physiological laboratory of the Johns Hopkins has no peer in this country and the other laboratories few equals and no superiors." In the first annual report of the university, 1876, we read, quote, Early in the month of February 1874, the trustees of the university, having been apprised by the executors of Johns Hopkins, of the endowment provided by his will, took proper steps for organization and entering upon the practical duties of the trust and addressed themselves to the selection of a president of the university. With this view, the trustees sought the counsel and advice of the heads of several of the leading seats of learning in the country, and upon unanimous recommendation and endorsement from these sources, the choice fell upon Mr. Daniel C. Gilman, who at the time occupied the position of president of the University of California. Mr. Gilman is a graduate of Yale College, and for several years before his call to California was a professor in that institution, taking an active part in the organization and development of the Sheffield Scientific School of Yale College at New Haven. Upon receiving an invitation to Baltimore, he resigned the office which he had held in California since 1872, and entered upon the service of the Johns Hopkins University May 1, 1875, and quote, Galloway Cheston, quote, in the hunt for truth, we are not first hunters and then men, we are first and always men, then hunters, end quote, D. C. Gilman, October 1883. The one hundred proofs that the earth is not a globe have been running around within the observation of the master huntsman and his men for a year or more. Now let the hunters prove themselves to be men and the men hunters. It is impossible to be successful hunters for truth if error be allowed to go scot-free. Nay, it is utterly impossible for the Johns Hopkins University to answer the purpose of its founder if its hunters for truth do not first hunt error with their hounds and hold it up to ridicule, and then and always keep a watchful eye for the truth lest they should injure it by their hot haste or wound it with their weapons. Professor Daniel C. Gilman, we charge you that the duties of your office render it imperative that sooner or later you lead your men into the field against the hundred proofs to show the world that they are hunters worthy of the name, if in your superior judgment you decide that there is error to be slain, or show that your hunters are worthy of the better name of men by inducing them to follow and sustain you out of the beaten track in your endeavours to uphold God's truth, if in your superior judgment you tell them there is a truth to be upheld. End of The Appendix to the Fifth Edition, November 9, 1886 Professor Proctor's Proofs A proof, a proof, cries student Brown, says Proctor very well, if that is all you want indeed, I've plenty I can tell, but really I have scarcely time or patience now to do it. You ought to know the earth's aglobe, then as aglobe you'd view it. I knew it long ago, in truth, twas taught me in my cot, and then too old was I to doubt, too young to say twas not. And you have never questioned it? Why should I now, friend Brown? I took it all for granted, just as Daddy laid it down, and as my duty clearly was, no other way I saw it, and that's the reason why, of course, aglobe I always draw it. And so you want a proof, a-ha, just cross the broad Atlantic, and then a proof so strong you'll have, with joy, twill send you frantic. You mean that I shall see the ships come round the old earth's side, and up and nor the watery hill, as interview they glide? No, Proctor, no, you say yourself the earth so vast in size is, the surface seems a level one, indeed, to sight it rises, and ships, when coming into view, seem bearing down upon us. No, Proctor, let us have a proof, no, no, come, mercy on us. Well, Brown, I've proofs that serve to show that earth indeed a bolt is, but if you won't believe them, well, not mine, but yours the fault is. Why, everybody surely knows a planet must be round, and since the earth a planet is, its shape at once is found. We know it travels round the sun a thousand miles a minute, and therefore it must be a globe a flat earth couldn't spin it. We know it on its axis turns with motion unperceived, and therefore surely, plain it is, its shape must be believed. We know its weight put down in tons exactly as we weighed it, and therefore what could clearer be if we ourselves had made it. We know its age can figures lie, its size, its weight, its motion, and then to say, tis all my eye shows madness at the notion. Besides the other worlds and suns, some cooling down, some hot, how can you say you want a proof with all these in the pot? No, Brown, just let us go ahead, don't interfere at all. Some other day I'll come and bring proof that earth's a ball. No, Proctor, no, said Mr. Brown, tis now too late to try it.  We have to interfere and do the best that we are able to crush your theories and to lay the facts upon the table. God's truth is what the people need, and men will strive to preach it, and all your efforts are in vain, though you should dare impeach it. You've given half your theory up, the people have to know it. You smile, but then your book's enough, for that will plainly show it. One half your theory's gone, and soon the other half goes too. So better turn about it once and show what you can do. Own up, as people have to do when they have been deceived, and help the searcher after truth of doubt to be relieved. The only amaranthine flower is virtue, don't forget it. The only lasting treasure, truth, and never strive to let it. Odds and Ends. We do not possess a single evident proof in favor of the rotation of the earth around its axis, Dr. Schepfer. To prove the impossibility of the revolution of the earth around the sun will present no difficulty. We can bring self-evident proof to the contrary, Dr. Schepfer. To reform and not to chastise I am afraid is impossible. To attack views in the abstract without touching persons may be safe fighting indeed, but it is fighting with shadows. Pope. Both revelation and science agree as to the shape of the earth. The psalmist calls it the round world, even when it was universally supposed to be a flat, extended plane. Rev. Dr. Brewer. What a mistake. If the earth were a perfect sphere of equal density throughout, the waters of the ocean would be absolutely level, that is to say, would have a spherical surface everywhere equidistant from the earth's center. English Family Herald. February 14, 1885. The more I consider them, the more I doubt of all systems of astronomy. I doubt whether we can with certainty know either the distance or magnitude of any star in the firmament. Else why do astronomers so immensely differ, even with regard to the distance of the sun from the earth, some affirming it to be only three and others ninety millions of miles? Rev. John Wesley in his Journal. I don't know that I ever hinted here too far that the aeronaut may well be the most skeptical man about the rotundity of the earth. Philosophy imposes the truth upon us, but the view of the earth from the elevation of a balloon is that of an immense terrestrial basin, the deeper part of which is that directly under one's feet. As we ascend, the earth beneath us seems to recede, actually to sink away, while the horizon gradually and gracefully lifts a diversified slope, stretching away farther and farther into a line that, at the highest elevation, seems to close with the sky. Thus, upon a clear day, the aeronaut feels as if suspended at about an equal distance between the vast blue oceanic concave above and the equally expanded terrestrial basin below. In the Scientific American for April 27, 1878, is a full report of a lecture delivered at Berlin by Dr. Schepfer, headed, Our Earth Motionless, which concludes thus. The poet Goethe, whose prophetic views remained during his life wholly unnoticed, said the following, In whatever way or manner may have occurred this business, I must still say that I curse this modern theory of cosmogony, and hope that per chance there may appear in due time some young scientist of genius who will pick up courage enough to upset this universally disseminated delirium of lunatics. The most terrible thing in all this is that one is obliged to repeatedly hear the assurance that all the physicists adhere to the same opinion on this question, but one who is acquainted with men knows how it is done. Good, intellectual, and courageous heads adorn their mind with such an idea for the sake of its probability. They gather followers and pupils, and thus form a literary power. Their idea is finally worked out, exaggerated, and with a passionate impulse is forced upon society. Hundreds and hundreds of noble-minded, reasonable people who work in other spheres, desiring to see their circle esteemed and dear to the interests of daily life, can do nothing better or more reasonable than to leave to other investigators their free scope of action, and add their voice in the benefit of that business which does not concern them at all. This is termed the universal corroboration of the truthfulness of an idea. End of Section 7 End of 100 Proofs That The Earth Is Not a Globe by William Carpenter


Yeah, hi, can I have a McClurry? I'm sorry sir, I'm too tired to be here broken. Oh my god. You know what? I'm freaking tired of this ice cream machine always being broken.  Real is the game you hear? No stream today again. But we will be playing this Ronald McDonald horror game. I have no context what this game is about so let's just jump straight into the game. Oh we got that creepy music.  Okay uh, it's like we're in a parking lot. Dude it's so dark. Oh what is that? Muck doggles. What? What kind of place is the muck doggles man? Right whatever. Dude what happened here? Like we're stranded. Oh look they got them Big Macs. Yo! Well never in my life have I ate a Big Mac. Oh look there's a property of Ronald. Dude there's a kids meal. Let's click this. A happy meal. This one says property of Ronald on the back. It does say, no I'm not, dude it says, all right I'm not sure we should take this happy meal because it looks like it's cursed or something but you know what screw Ronald and this is my happy meal. Oh okay so it seems like it's a slender man type of game where you collect eight happy meals and Ronald is going to be lurking around. Dude he's over there. Yo what the heck? Hello! Bro he's just lurking over there. All right let's get away. Oh there's a camera. Follow the camera. I wonder if it still works. Uh you can't tell but let's take it. Dude he's moving closer. Okay you know what I'm out. I'm out of here. Oh my god let's go back here. Let's go hide. Oh there's a car. Dude is that Ronald behind the car? That is Ronald behind the car. That is so creepy. Oh it's open. Okay uh what would them hash browns be smacking different bro. I love those hash browns. All right um okay what do we need the pliers, a hammer and a hacksaw?  He's not. What was Ronald doing behind the red corvette? A red corvette? I get it. That tick tock reference.  I bet this uh I bet the poor child is really missing this. Yo Ronald you be whipping this? Man's be whipping his style. Oh my god all right you know what let's keep on moving because every time I turn away and look back this man seems to be getting closer and closer. Oh there he is. Why is my screen getting like blurry? Oh man so Ronald is a new slender man. All right let's go in this market. I'm not sure if this is uh safe. Okay so what the heck is this like night of the consumers Ronald McDonald style? Where is he at? Dude I can't see him. Okay so whenever your screen gets like shaky and blurry that means Ronald is around.  All right um oh man some wine if you want to get fancy. Okay whatever let's go let's go look for these Happy Meals. Okay uh it's gonna be super terrifying if Ronald appears in here hopefully he doesn't. Bro I swear I will quit this game if Ronald appears in here with us.  The screen thing is happening again please don't let Ronald be in one of these aisles. Dude I swear if he pops up here I'm quitting okay he's not oh there's a why is there a Happy Meal just sitting there okay whatever let's not question it and just grab it. I'm starting to crave these it's all I can think about now.