Hi everyone, Joe for jaspyscasebrakes.com coming at you with 2020 Panini Immaculate Collegiate Football five box break random number block number two Thanks everyone for getting into the action. There's how the number block works if you're new to this Big thanks to these folks here for getting into the action appreciate it and They're the numbers right there. So let's assign you a block of numbers in this full case We also have one box versions available as well if you want to on jaspyscasebrakes.com So for the full case or seven times for each list two and a five one two three four five six and Seventh and final time after seven we got Oliver Smith down to Rory Wagner All right once again seven times for the numbers one two three four five six and Seventh and final time after seven we've got nine down to two All right, so Oliver with two Chris with six Sam with four Tyler with five Chris Erickson with eight Talon with seven rich with zero so rich you'll get any and all redemptions popping out of this five box case Including one-of-one redemptions as it says in the item description, but Wes You'll still get live one-of-ones that are pulled out of here Brian Croft with three and Rory with two Let's sort this by number right here This box is up any trades Rory would trade two for zero trade at your own risk folks Tyler's gonna try to trade five for zero or one can't hurt to try Tyler. Okay, so we're gonna pass on trades. All right Let's close it up TWC trade window closed. Let's print. Let's rip. All right, so there's the full case right here Good luck everybody. Thanks for getting in we've got one box breaks of this in the store if you want to do one box random number block breaks and Keep an eye out on the website for a possible full case breaks Jasper's case rates.com You can see all five boxes on the top camera right here All right, let's roll I mean, it's there things like Oregon colors, maybe not super super knowledgeable on college stuff, but It's number one will be easy. It looks like no redemption in this one All right. Good luck Out of the gate is Christian McCaffrey one out of ten in the Stanford gear That will be for Wes and the number one. Oh, I didn't print out this list There you go. Good luck. We got Brandon. I it gloves 58 out of 99 Chris Erickson tried to trade couldn't trade mojo. Well, this has to go into a slider box I think there you go piece of his glove right there. That's pretty cool I got nine out of 99 triple relic no randomizers here. That's chase young Joey Bosa and Nick Bosa and some Ohio State sure knows how to get some elite pass rushers, huh? Oliver Smith with number nine Two color three color maybe Jersey and autograph four colors. There's a little bit of that Florida State maroon No, Minnesota maroon down there 87 out of 99 Talon Foley with the Tyler Johnson patch and autograph Whoo, and we got a Tua Tagal Viola coming up out of ten and that is five out of ten Tua Tagal Viola great patch nice auto. He tried to trade this number Nobody wanted it Imagine if he did Tyler would never do group breaks again You'd be like forget it Nice patch in there, too Two color three color Jersey and autograph 65 out of 99. You know Benjamin another one for Tyler Nobody wanted it He was trying to trade number five and it's Five out of ten Jeff Okuda. Nobody wanted the number five. He was trying to trade it He was trying to trade it away Classic tried to trade couldn't trade mojo coming into play. Will the five street continue With the Daniel Jones base card No close though six out of 49 it goes to Chris Mackie. We got more gloves and it's the same player But this time with the Adidas logo there That's awesome. That's 12 out of 20 Brandon Ike's gloves that goes to Rory and the number two. It's a cool patch right there Someday, I'll be sponsored by Adidas. I'll have like maybe some fingerless gloves or maybe some actual gloves from Adidas Maybe Adidas hat I could wear. There's Debo Samuel seven out of 49 a Gamecock Seven is Talon. We've got Stephen Montez. That's a nice looking patch 33 out of 49 Brian Croft with number three Two color Jersey and autograph Devin Duvernay five out of 49 Tyler with the number five Remember he tried to trade them Imagine if he did how sad would he be right now? But he didn't folks. So it's a moot point. He's happy Out of ten look at this Jordan love Seven out of ten Jay Hart Whatever Bowl that is I don't know my bowls Seven out of ten Talon Foley Sam. We've got three boxes to go player. You got a play to the whistle All it takes is one Talon Foley with number seven and 19 out of 49 that goes to Oliver Smith. That's Noah Igabino Haney Noah a big no Haney. There you go Oliver We got 89 out of 99 Alvin Camara Alvin That'll be for Oliver Smith with the lights Camara action Got another jumbo relic here 54 out of 99 the Michael P. Ryan Maja's brother That is for Sam you go Sam see On the board We've got more gloves Devon Duvernay with some stars on there. That's pretty cool And that's four Out of 80 got a play of the whistle Sam nice piece of Devon Duvernay's gloves We got Harrison Bryant And a redemption for rich Harrison Bryant Is 92 out of 99 that'll go to Rory in the number two The redemption is team slogan signatures die cuts emerald That's pretty cool.  What's emerald is that out of five? Rich Jalen Régord ding ding All aboard the big hit express Out of 500 get the train whistle, I think he's a little banged up though not sure if he's gonna start the season but That's for the fly eagles fly Number zero for rich Two-color jersey not a graph leviska chanel jr. 35 out of 49 Tyler and here's a nice looking one I don't know what bowl this is, but it's T. Higgins and the Goodyear something Bowl I don't like that little ding on the corner there, but seven out of ten T. Higgins going a talent and number seven I'm not sure if that's enough for Panini to replace, but that might be a little check with a cotton ball Maybe whatever bowl they were in recently. All right two boxes to go Good luck everybody That and that's another redemption for rich down there. All right first. We got four out of 99 gardener minchew for Sam Jumbo relic Anthony Gordon. I guess maybe minchews Minchews backup Not Washington State More gloves. I don't have any more of those slider boxes, but we'll set these aside carefully Denzel Mims 61 out of 96 and that'll be for West Thomas with the number one Joe Reed 29 out of 49 Joe Reed Oliver Smith number nine number nine And rookie patch autograph silver hi ho silver way Justin Jefferson There you go, not van Jefferson to where's where's I feel like Justin Jefferson is For the Vikings, that's right Could be could be a top top receiver here top. We've got our top receivers on it receivers That goes to rich and number zero Going ham KJ Hamler 50 out of 99 another zero for rich Nice, and here's my guy right here Henry rugs the third To 99 it's 75 out of 99 Tyler may never trade again or attempt to trade again nice as a Raiders fan got high hopes for this guy and The final box coming up ladies and gentlemen Good luck. Remember. I'm pretty sure this is part of tonight's promo Yeah, it is so the ten people in this break right here if we fill these old those other two required breaks and we'll be able to Run that promo tonight. What's going on you? Why is this all lopsided? You see that is that the the button on a on a hat or something? No, we got here. We got CD lamb on the bottom. Okay All right, we got Baker Mayfield 37 Out of 99 town foley. We've got team slogans Josh Rosen Nice, it is it is the button of a cab four out of five Sam. Oh with four and Out of five and under get the train so they're Miami's trying to find a proper place to trade Josh Rosen Feel like he deserves Like a chance Right, I don't think he got a fair shake in his first year in Arizona Then they got a new coach got rid of him. I don't think they really wanted him in Miami. Anyway, they were tanking But he needs to settle someplace and I think he could be he could be pretty good All right, there you go Sam all aboard All aboard the big hit express we got another train whistle It's Jacob Eason two out of three a piece of his hat Rory Rory has to Rory all aboard the big hit express See if this could I don't know if it's gonna fit into a 180, but this might be slider box situation here Yeah, let's just set that over here We've got Jared Pinkney 44 out of 49 Sam was very concerned after just a box or two in I told him to play to the whistle and here come the force There you go We got it out of five. We got a Jordan logo on here. Wow That's pretty cool. La Michael P. Ryan one out of five Wes Thomas with a train whistle Wes All aboard It's cool logo there, too Three color patch an autograph 19 out of 25 Anthony Gordon Oliver Smith with number nine and last but not least is that CD lamb and it's one out of 49 another one for Wes Thomas Nice and there you go ladies and gentlemen an excellent break in the books We've got one box breaks of this in the store if you want to do it Maybe we'll dig up another full case break. So keep just keep an eye out on jaspys case breaks calm I'm Joe and I'll break more with you next time. Bye. Bye


It only took an email to get Travis Greene back in the gamut of being a competitive athlete. I live in Boise, Idaho, so there's not a lot of adaptive sports out there. I jump on any opportunity that looks like a fun trip. That email led Travis to the 2010 Warrior Games in Colorado to compete against the other service branches. It's so hard to find adaptive sports sometimes when you go home. When I was going through my recovery, sports was the best medicine for me. Travis, along with three other Marines and one Navy corpsman, were injured in a secondary IED blast while giving aid to a wounded Marine in December of 2005. It was that IED blast in Iraq that took Travis' legs, but not his competitive spirit. I was an athlete before my injury, so to come out and find that I'm still an athlete after I lose my legs is a huge thing. It's that sentiment that most athletes competing in this year's Marine Corps trials brought to the table. This is just a great event. I mean, 10 days of doing sports, then you make the Warrior Games, and you got 21 days of nothing but sports, so it's just, it's heaven for me. Travis and the other athletes are living up to the Wounded Warrior Regiment's motto, still in the fight, as they edge closer to the all Marine team. From Camp Pendleton, California, I'm Staff Sergeant Will Skelton.


Hey folks welcome back. This is official live creation count up. We are t-plus-four and Sinking if we're supposed to be swimming kind of sinking Multicellularity is hard That I have struggled a lot this month Enough so that I'm wondering a little bit about whether I can even really Do this or do this in certainly any kind of finite time, you know I look at that natural evolution the Cambrian explosion Was this you know half a billion years ago when over a relatively small period of time 10 or 20 million years? there was obviously a architectural breakthrough in Multicellularity that allowed Multicellularity to take hold and then go crazy And you know, I love the Cambrian explosion. It's super fascinating But you know as far as what I'm concerned with here about half a billion years ago is not the number that's important What's important for me now? It is that you know, here's the earliest multicellular life fungi possibility about a billion and a half years ago But single-celled life is more like four billion years ago So there's something like two and a half billion years that I'm supposed to be saying I'm gonna do in six months or some kind of analog to it Maybe So can I do this? I don't know I Show you what I got. I made progress, but it was it was tough. It hurt the development process is painful. I mean I had other things that were kind of fun, but Man, uh, so, okay, here we are. All right, let's try looking at This is a this is the state of the art if folks that have been familiar with this This is a whole new kind of cell membrane Looks kind of like a chip now with little lead sticking out instead of all that sort of brown goo intercellular goo The intercellular goo is gone. I was trying to get more precision For how they register with each other and be able to send more information Not more information, but more accurate information through and you know this at the moment I've lost a whole bunch of other behaviors So this thing doesn't know how to change direction or lose any fins or so on and so forth. That was the big success and So and again, I don't know why I'm having so much trouble with my buttons. I did not look into them And okay, so where were we supposed to be? Today we were supposed to have clean living fish, no Well, I mean, they're kind of clean only because they don't do much stuff second species started no way not even close and I am increasingly resigned not to say happy to think about it being And the multi-cellular menagerie will be All about the fish if there's any little Happy mushroom or something that would be great Second half plan. I have some ideas more big fun, you know when I put aside the development stuff, you know April was good in a lot of ways stuff with friends and family was good and Stuff with other things were good. So let's just pushing to it Good and that Okay robustness demo. Oh, yeah, and so this happened I mean, so the previous fish with the intercellular goo that have all kinds of terrible problem They've been running on the grid for all of April basically and here's a little sample of it Oops, and if I could just try to figure out how to get the correct button here. All right. Here we go And folks that were watching the live stream, they were seeing the April run on the thing look at that Lotus 2 Power supply failed. It didn't fail hard to zero It failed to like six volts when it was supposed to be 12 volts and all of these tiles up in Lotus 2 just went nuts I bought a new I sprung for a mean well as I think oh, this is nice I soldered the connections on and I put the wrong gender on So, okay, but but now it is now we're getting 11 and a half volts and so forth and you know To put to find a point on it, but this thing survived. Ah, it Lotus 2 crashed it didn't lose itself. It kept on going. It was down for a day or more Actually several days because I ordered new power supply and so on and eventually I stuck a new power supply in and It actually came back up I don't want to claim anything for it because I think it was luck in most purposes, but hey, that's what was supposed to happen The tile, you know grid so big Matrix so big that parts of it are always failing. You know like that. So anyway All right. So now yikes So the schedule Supposed to be this is almost identical to last month's schedule, which is as far as the progress Which is a little scary. I've called increased code density. I've greened that out because I think That is not a problem for what we're currently doing Having that we can get enough, you know In fact, I've stuck a few extra instructions in and move them around and stuff like that And that has not been a problem it the existing machinery the loader and all that stuff takes care of it And it's good Coordinated movement while you saw it's hard there and junctions and intercellular signal were supposed to be the topic for this month And in fact, that is where I ended up going and we'll talk about it Right now, I guess. So yeah, so membranes 2.0 You know part of this whole project of trying to build a whole new computational stack Is one of the hardest parts of it is when you actually succeed at some given level And now you're supposed to go and build on top of that Just like when I was in grad school and you know, the older grad students when I was in graduate school They were working on parallel computers that their faculty and hardware Students were building new parallel computers or exploring it. It was the new stuff And there were other graduate students that were doing parallel software And what all of us little munchkins learned the new grad students learned from this Is that you don't let your thesis depend on somebody else's thesis Because the software parallel soft guys were getting really good Folks were really getting screwed by this whole thing because the hardware stuff wasn't working They were changing it out from underneath them and it was terrible. And that's what I've done to myself here, right? I built our own hardware I got our own programming language our own compiler and then this giant mountain of luam code that just to get the Diamond matrix going and so on. So, you know, yeah, okay Maybe I was a little glib thing a little bit easier. And as I said last time The the design, you know, and this is again the same thing, you know, my thesis depending on my previous thesis It currently takes eight minutes to build the software from standing start because it builds from a standing start each time It doesn't have any incremental compilation facility and anybody who's a programmer knows that the amount of time it takes To make a tiny change and then try again has a tremendous impact on how much productivity you're going to end up getting And an eight minute loop is tough. It's really tough Um, so Nonetheless Where we got to last time was the whole idea of sending Signals from a controller near the center of the diamond out to the edge to say, you know, what is out there? Do you see other diamonds? That you know, if so, can you get me some information like about how big they are and exactly where they are and Send that back to the center. That's the fish fin and the fish pod diamond controller And we sort of got it working But it was working so sloppy and terrible that the fins kept flying off And I became convinced that what we really needed Was more accurate. It would be nice to have more timely But the speed of light the speed of light on the grid that you can only go so fast Uh, so did a whole new implementation Um, and I don't know that should be Chords not cores So I did something I didn't want to do The the diamonds the the hc3 Atoms that make up a diamond now have an actual absolute coordinate within relative to the diamond There's still no absolute absolute anything, but I had been avoiding putting an absolute chords in because it felt like Going with the the old school thinking where I'm just lay everything out flat And then I'll have all the flexibility I need as opposed to thinking about what do you really need now? Well, I broke down and I made hc point the hard sell point and it's an absolute coordinate and I used it Some I re-implemented the membrane and in particular Instead of saying we're going to take all our information and ship it to the center And then it's going to decide oh, we've got an edge over there and an edge over there. We should do this Instead we're going to make these junctions. We're going to distribute the Information back to the edges or somewhere in the middle of the diamond Saying I want to have a fish fin junction on this side and over on the other one It says I want to have a fish bod junction on this side And the fish fin and the fish fish bod are supposed to have enough Information enough knowledge to know is this coordinate where I want it to be how how well are we lined up? So instead of sending the entire Position and orientation of neighboring edges back to the center the junction reduces that information itself It boils it down to a diamond stance that says for each of north south east west How much it likes or dislikes movement in that direction? So it it reduces it all and just passes up I would like north or west please and I would really like dislike south or east Or whatever it is and the cool thing that came out about that was that Once I had it spread out once I had the information spread out four things representing liking the directions four numbers representing disliking the directions Now it was possible to merge diamond stance signals coming from multiple edges and multiple atoms along an edge In the in the mesh in the grid without having they don't have to all go and reach the Route and instead as soon as they see another one of their own kind they do a merge, you know You want south? Oh, I want south too.  Oh, well, I want no west And so you put it all together and it gets to the top and the and the thing at the center Does very little beyond saying what's what possibilities do we still have now that there's an opportunity to move? And that's what we just saw in the antenna. Oh, yeah, there's I didn't even mention antennas here So instead of the intercellular goo, we have these probes that stick out that get exact information It's always outdated by the time it gets to the edge And from the edge to the junction and the junction all the way to the center It's always outdated, but now it starts out actually site perfect that from this site That guy's center is minus 26 plus 13 whatever it happens to be uh, uh, all right, so I Running a little bit long. I'm gonna skip the demo now.  So, uh, we had the submission to the artificial life 2023 conference waiting for results through most of April and and the results are the paper got accepted for a normal presentation And and that's as good as it gets pretty much through this channel of uh, submitting a paper. So that was cool and I have to say I had quite a bit of fun actually writing it You know, uh A programmable replicator for an indefinitely scalable machine We demonstrate a programmable mobile self-replicator for a non-determinist. So there's our there's our jargon and so forth Write down to it. Um, and I felt confident About, you know, just say it. I don't I don't need to puff it up. Just say exactly what happened 20 day case study Here it is so on and so forth did a Big essentially a whole poster version for figure one this is in the negative and so forth and there's one and they're reproduced and here's like a whole bunch of them or it all reproduced out, um and so on and I kind of Let myself go a little bit and you know Uh, one's supposed to be careful. So in the conclusion section, for example, I said Talking about uh, in particular, we may admire but we'll not Emulate heroic attempts to do the least possible thing use the least number of bits the least number of things Because what we really want to do is be useful not to be minimal It is possible to do all computing with just NAND gates, but real computers don't Indefinite scalability is hard enough. We don't need to also tie one hand behind our back So that was being able to talk about a little hubris and everything and indeed Uh reviewer number one really did not like The paper they suggested a rejection. They didn't suggest a full-throated rejection But they had lots of problems and kept telling me I needed to do better science and so forth I asked for that. I'm okay with it. I will not be actually traveling for this This is going to be a hybrid thing. So we'll have to deal with it but step by step And all right, and and we're at a time, but you know I want to step back from even monthly Updates at the moment. So I'm saying two more updates. Maybe three months apart something like that and instead I want to work on Coming out with a video on the Dave Ackley channel a more approachable by more folks kind of video And I'd be interested to hear your thoughts about what kind of topics might be fun might be into it And publishing something we'll see And that is it Thank you so much for coming and I hope to see you in a month I hope to see a little better multi-cellularity in a month as well


Traditionally, biobutanol is produced with the ABE, acetone butanol ethanol, process using clostridium species to ferment sugars from biomass. However, the root is associated with some disadvantages such as low butanol yield and byproduct formation, acetone and ethanol. On the other hand, butanol can be directly produced from ethanol through aldol condensation over metal oxides slash hydroxyapatite catalysts. This paper suggests that the chemical conversion root is more preferable than the ABE process, because the reaction proceeds more quickly compared to the fermentation root and fewer steps are required to get to the product. This article was authored by Bindaba, Aichianzu, and S Marks.


The U.S. military will continue evacuating people from Kabul Airport until an August 31 deadline if needed, but will prioritize the removal of U.S. troops and military equipment on the last couple of days. There are about 5,400 troops at the airport, a number that President Joe Biden says is set to go down to zero by the end of the month, depending on cooperation from the Taliban. Army Major General William Taylor, with the U.S. military's joint staff, told a news briefing more than 10,000 people were at Kabul Airport waiting to be evacuated from Afghanistan. First of all, we will continue to evacuate needed populations all the way to the end, if we have to and we need to. If you're an evacuee that we can get out, we're going to continue to get you out right up until the end. But in those last couple of days, we're going to try to preserve as much capability as we can at the airport, as you might imagine. So in those last couple of days, we will begin to prioritize military capabilities and military resources to move out. That doesn't mean that if you're an evacuee and you need to get out that we're not going to try to get you out, but that we will have to reserve some capacity in those last couple of days to prioritize the military footprint leaving, because we want to be able to keep it there as long as possible to do the job that it's intended to do.


From Hollywood, California, the Lux Radio Theatre presents Fred McMurray and Paulette Goddard in Front Page Woman with Roscoe Karnes. Lux presents Hollywood. It's a fast-moving romance comedy we bring you tonight, the love story of two reporters, the boy who thinks that journalism is purely a man's profession, and the girl who won't say yes till she shows him that he's wrong. Stard, our Fred McMurray and Paulette Goddard with Roscoe Karnes, and a special guest, you'll hear that ace news gatherer Mr. Floyd Gibbons. Lewis Silvers is our musical director. Just a word now before our producer takes over. We are grateful to all of you for your loyalty to Lux Flakes. It's your purchases of our product that makes it possible for us to carry on with this program. And Lux can help you carry on with the many household tasks you have every day. Its rich, pure suds make short work of dirt, yet leave your hands soft and smooth. Yes, Lux give you double help. It gets rid of dirt fast and protects your hands too.  Keep a large box of Lux Flakes in the bathroom and in the kitchen, another in the laundry. And now your host and producer, ladies and gentlemen, Mr. Cecil D. DeMille. Greetings from Hollywood, ladies and gentlemen. Front-page women are not new in history. There was, for example, that fabulous creature, Anne Royal, who wrote a column signed Paul Pry. Finding John Quincy Adams bathing in the Potomac, she sat on his clothes, which he left on the bank, until the embarrassed Mr. Adams gave her the most extraordinary interview ever granted by a President of the United States. The front-page woman of my boyhood was that darling of the press, Nellie Bly. She aroused international attention when, in 1889, armed with two knapsacks, a toothbrush, flannel underwear, a cap, Ulster, and stopwatch, she dashed around the globe on behalf of the New York world in the then incredible time of 72 days. Long's games and a racehorse were quickly named after her. And I still have a dim recollection of that beautiful reporter, Nora Donnelly, called the tut-tut girl. On the day Admiral Dewey returned from Manila, Nora boarded his ship for an interview.  That gave Nora her new name. Tonight's front-page woman, Paulette Goddard, is a star after only three pictures, her latest being the Selznick International film, The Young in Heart. Born on Long Island, Miss Goddard is a former Ziegfeld Follies beauty and is heard tonight as Ellen Garfield. Hollywood knows Fred McMurray as the man who said no. In the days when he was a $5 a day extra working in a mob scene, the director singled him out from a hundred others and afterward Fred bought to every extra as the opportunity of a lifetime the chance to speak a line, but Fred was frightened. Turned down the offer and went happily on at $5 a day until Paramount featured him. He stars soon in the new picture Cafe Society and tonight is Kurt Devlin. One of the screen's most reliable comedians, that perennial favorite Roscoe Kahn's, is heard as a news photographer who answers to the name of Kurt's.  The reporter's room at North Prison. At a long table running halfway around the wall, a dozen telephones stand ready for service. They're silent now, but soon the wires will be screaming news as a woman pays the supreme penalty for murder. The reporters converse in hushed tones, nervous as the hour approaches. In the corner of the room, a long girl reporter waits quietly. She's outwardly calm, but her heart thumps wildly. From the doorway comes Kurt Devlin of the Daily Express. This is a festive occasion. Hard guy. Just had a talk with the warden. It won't be long now. Well, that suits me.  Yeah, the sooner the better. How are you, Mr. Devlin? What? Well, I'm a so-and-so. That's what I always thought. What are you doing here, Garfield? Well, I'm covering the story for the star. You mean to say Spike Riley handed you this assignment? I asked for it. You asked for it? Well, why not? It's a big story, isn't it? Oh, look, Ted, but an electrocution is no place for you. Why not, I'm a reporter. No, you're not.    You think you're so cute, don't you? It's a wonder you don't talk baby talk. All right, all right. By the way, I don't suppose you've attended one of these high-tension parties before, have you? Well, there's always got to be a first time.  Well, why make an exception because she's a woman? Sure. Well, it ought to be quite an experience for you if your knees hold out. Don't worry about me, Mr. Devlin. You know, I'm really grown up now. Sometimes I even cross the street without taking the policeman's hand. Yeah? Yes. Listen, little Miss Frontpage, it's okay for you to chase fires and ambulances, but this is different. It does something to it. Choose you up and sign. Look at those guys. They've seen them before and they're really tough. Don't go through it, kid. You don't have to. I'll cover for you. No, not for me, you won't. I was sent here to see it and I'm going to. Oh, come on. Let me get you out of here. I'll write your whole story for you. No. I can take it if you can. Okay, tidbit. There's a warden, fellas. Well, what do you say, warden? All right, boys. You can go in now. Well, it's time for the slow music. Helen, how do you feel? Well, I'm fine. Come on, then. You wanted to join the parade and I'll keep step. Oh, honey, let me cover for you. No one will ever know. No. I'm going myself. I'll write my own story. I'll... Oh. Helen, hey, Nick. Matt, give me a hand. Little Miss Front Page just pulled a faint. How you doing, honey? I guess I'm all right now. Where are we? Almost back to town.  I phoned a story in for you. Oh, kid. I'm so ashamed. Thanks. Well, that's all right. Helen. Uh-huh? If you were me, would you ask me if I loved you? Uh-huh? Do you? Sort of? Not sort of. Lots of. Yeah? I know a guy that's married. He likes it. How about his wife? She wishes the guy were twins so she could commit bigamy and be twice as happy. What do you suppose would be like, kid? Heaven with all the modern conveniences. See, Helen, why not? All this stuff about being a newspaper woman, that's kid stuff. You don't have to work. No, but... Well, I just want to prove to you that I can be as good a reporter as the next fellow. Oh, stop it. Look, we could get one of those studio apartments with a fireplace and... What do you say, hon? Well, you make it sound nice, kid. Hey, wait a minute. The paper's on the street. Hey, boy, give me the Express. Yes, sir. Let me have a star, please. Yes, ma'am. Keep the change, kid. Thanks. Hey, here we are, honey. Listen. By Kurt Devlin, Express Staff Correspondent North Prison, November 10th. With a song on her lips, Mabel Gay, Broadway's female Boniface. Walked to the electric chair last night to expiate the murder of dapper Rudy Spain. Ah, boy, that's beautiful.  What?  What are you talking about? I'll show you what I'm talking about. Listen to this. By Ellen Garfield, Star Correspondent North Prison, November 10th. With a song on her lips, Mabel Gay, Broadway's famous female Boniface. Walked to the chair last night to expiate the murder of dapper. It's the same story. You covered me, didn't you? Oh, yes, you covered me beautifully. Well, you sent them the same thing word for word. But I told them to rewrite it. Ellen, honey, I didn't... You double-crossed me. What do you mean I double-crossed you? Do you think this is going to do me any good? They'll can me. Hey, wait a minute. Where are you going? I'm getting out of here before I slap your face in. Why are you going to get home? Well, the subways are still running. Yeah, but not to worry you can go as far as I can, sir. Hey, Kurt. What do you want?  What do you care? Well, if you ain't, I will. No sense letting all that mustard go to waste. Oh, go ahead and take it. Thanks. Okay, what do you... What are you beefing about? You ain't been fired. Not yet, anyway. Oh, boy, that was a swell story you, too, had. I looked at the express, and I looked at the star. And I thought I was seeing double.   Pictures of what? Oh, I get it. You want me to beat it, huh? Come on, guy. Okay, okay. Kurt Devlin, the Tsar Puss of the Press Cafe.  Hello, Kurt. Ellen. Oh, hello. I thought you'd be out of the newspaper business and taking a course in domestic science by this time.  Oh, you did? I'm sorry, Kurt. I should have believed you. I know, but do you think I'm a sort of a rat? Well, no. Just a little mousy, that song. Did they give you your notice? No, but I got a piece of our Mr. John's mind, and it was certainly no present that a gentleman should give a lady. What about you? Oh, Hartley was really quite pleasant about it. All he said was that he'd appreciate it if I could arrange a suicide pack with you. Well, I guess we're both in the doghouse. Yeah. Don't worry about it. I've been in the doghouse for so long I'm commencing to bark at strangers. Well, I'm not so worried about you. It's myself I'm worried about. Well, two more weeks and you'll be back covering the dally shows. Are you going to stop that again? Sure. Why don't you marry me? I'd make a swell husband, even if I am a reporter. I don't write novels and newspaper plays, and I take off my hat in the house. Perfect. Well, don't forget that I'm a newspaper woman, too. Yeah, and don't forget that women make pretty rotten newspaper men. Oh, is that so? Listen, I'm as good a reporter as any man, and I can prove it. The cons. And what's more, I'll make you admit it. Almonds. And I wouldn't marry you for anything in the world. Walnuts, both English and black. Why you? What's that? That? Well, that's the fire alarm bell, remember? They keep it here for the convenience of ambitious reporters who like to chase the engines. Yes, I do seem to recollect, but thank you anyway. Hey, Kirk, do you hear that? That's a three alarm. Well, now, what do you know? Terz has learned to count. Congratulations, Terz. Well, are we going to cover it? It's at the Granger Arms. That snooty apartment joint. I ought to get some pictures, maybe. Take your time. I'm having a talk with Miss Front Page. Well, the interview's ended, Mr. Devlin. I'm going to that fire. Fine. If it starts to burn out, I'll put some kindling on it and keep it going till I get there, will you? You're so smart. Good day, Mr. Devlin. Hurry up and maybe they'll let you ride on the hook and ladder. Backstreet behind the fire lines. Go on, now. But officer, I... That gunter is letting any woman through the fire lines.  You can't get through. Well, I'll be a billy goat if I want to. Oh, no, you won't. If you're going to be a goat at all, you'll be a nanny goat and black. Oh, sir. Oh, sir. Tell me, could you get me a cab? A cab? Would you please do as I say? I've got Mr. Stone here. Oh. He's been overcome by the smoke. Oh, Mr. Stone. Oh, yes, sir. Let a cab through here. Oh. How are you, officer? Oh, Mr. Stone. What are you doing here, sir? Showing remarkably good sense by... By leaving a burning building. That's all. Oh, sir. Mr. Stone is very shaky. Would you hurry that cab? Oh, sure, sure. I'll have it in a jiffy. Hey, Pram. Pram. Stone, are you all right? I... I don't know. Did... Did she get out of the apartment all right? I think so. Did she get out of that way? No one saw her. Find her. Tell her. Tell her I'm sorry. It was all my fault. Here's your cab, Mr. Stone. Thanks. Go ahead, driver. I'll tell you where to go. Now, young lady, are you still here? Yes, officer. I'm still here. And would you mind moving over just a little bit? You know, I can't see through a person. Oh, yes, you can. Oh, no, I can't. You can see through me, uncle. He's a skeleton. Good morning, Miss Garfield. And where have you been?  What's the matter, Spike? Didn't you like my story of the fire? Oh, that was literature. The hungry flames greedily licked the paint from the building. I don't think my goose pimples will ever go down from that line. I'll bet we've given a million readers duck bumps. Yep, you've got everything there was to get. Everything except the story. If you want to get the real thing, take a look at this copy of the Express. Marvin Stone disappears after fire. Broadway producer missing after apartment house fire by Kurt Devlin. Spike, how do you suppose he got that? By being a newspaper man, Tickety. There are 200 fires in this town every day, but only one Marvin Stone.  You ought to write poems on birthday cards. Go on, give it to me. I have it coming, but... Stone. Stone. There was a stone at the fire. Spike, I think I've got to scoop. You couldn't scoop the insides out of a cantaloupe. Give me 24 hours. I think I've got something. Yeah, I think so too. Sleeping sickness. Can you hand me that phone? Just 24 hours, Spike. Just let me start out by finding where that cab took him. Look who? Stone, Marvin Stone. Hello? Hello? Brown and white cab? This is the Daily Star. Listen, one of your men picked up two men at the Granger Arms last night, about 9.30. One of them was sick, dark coat, gray fedora hat. We want to know where the driver took him. All right, I'll hang on. They're checking. Who was the other man? I don't know. I heard Stone mention a woman, too. What woman? I don't know. No, I didn't expect you would. Oh, please, Spike, give me a break. A break? You had your breaks one more and you'll break the whole newspaper. Hello? Hello? Yes? Oh, I see. Thank you. Well, well... This is it, Spike. The driver took Stone to the Plaza Hospital. There's a hospital. I'll get a man over there. Oh, no, you don't, Spike. You've got a woman and she's on her way now. One moment. Hello, Plaza Hospital. I'll see if he's in. Miss, will you please tell me? Go ahead, please. I did tell you. There's no one here by the name of Stone. Well, look, was there anybody admitted about 10 o'clock last night, a man? Well, James Craig at a quarter to 10. Well, that's it. I want to see him, please. You aren't family, are you? Family? Oh, no, I just... Well, then you can't see him. Mr. Craig died a half an hour ago. Died? Died of what? Well, I'm not supposed to tell, but it was a stab wound. A stab wound? Are you sure of that? That's what Miss Ohm said. She was the nurse in surgery. Miss Ohms, get her here for me, will you please? Give me two minutes with her and I'll make her famous. Oh. Yes, and you too. Hurry up. Here we are. The star makes another beat. Marvin Stone, dead of stab wounds. Entered hospital under an alias by Ellen Garfield. Lucky little Ellen. Marvin Q. Stone, theatrical producer, was found dead of a stab wound in the abdomen. That's the stomach, ain't it? Yeah, yeah. In the Plaza Hotel last night, searches being made for an unknown man and an unseen unknown woman referred to as she by the mystery man in stone. In an overheard conversation... Overheard conversation.   She pinned a rose on me, all right? I got a hand of that. Isn't your name Devlin? Well, well, how are you? I'm in the mood of my delight. What's on your mind? Oh, nothing. Just wondered if you've been reading a star lately. Yeah, there was an interesting article by Lydia Pinkham in your last edition. Oh, you mean your yarn. Oh, you just had a lucky break, that's all. You stumbled over something and it turned out to be a corpse. Really? You know, I think I hear a noise like the sound of crunch sour grapes. Listen, you haven't got a story. All you've got is a lead. The real story is digging up the unknown man and the unseen she and the guy who did the foul deed. That's where I come in in my quiet way. If I don't beat you to it. All right. If I turn up this murderer, will you give in and marry me? Good. Are you proposing? Sounded like that to me.  Will you or won't you? Maybe. If you find the murderer. It's a deal. Read all about it, honey, in The Daily Express. The curtain falls on Act One of Front Page Woman, starring Fred Bick Murray and Paulette Goddard with Roscoe Kynes. In our short intermission before going into Act Two, let's turn to our friends, the Brownings. It's late afternoon and 16-year-old Dot, home from school, finds her mother in the kitchen. Mother, may I make some fudge for the crowd tonight? Why, Dot, I'm right in the middle of getting supper, but... Oh, please, Mother, I'll wash all the dishes. Well, perhaps. And liquors are panwashers, Bobby. Aw, shucks. There's too much washing up around this house all the time. Aw, but you wouldn't mind, would you, Bobby? It's easy. Well, you should know. You're the demon dishwasher around here. Gosh, I never saw anybody like washing dishes the way you do. Well, gee, it's easy. With Lux Flakes, there's nothing to it. You're right, Dot. Dishes are easier with Lux. Easy on your hands, too. Yeah, and Archie Smith says...  Well, anyhow, Archie Smith did say... Bobby, please!  Well, shucks, Archie Smith... Well, people will always say nice things about Dot's hands, and yours, too, if you depend on gentle Lux for your dishes. These fine pure flakes help hands stay lovely. In fact, Lux is so mild, beauty experts advise it for dishwashing. Lux contains no harmful alkali to dry the natural oils in your skin and make your hands rough and red.  You need just a dash of Lux to give you a fine big panful of real beauty suds that protect your hands and make speedy work of your dishes. Yes, a little goes so far. Lux is thrifty. Buy Lux Flakes tomorrow for your own dishes and be sure to get the large size box for extra economy. Mr. DeMille. We continue with Front Page Woman, starring Fred McMurray and Paulette Goddard with Roscoe Collins. It's the following day. In the office of the Daily Express, Curt and Toots are hot on the trail of the mystery woman. The desk in front of them is piled high with clippings from the newspaper file, clippings of the murdered Marvin Stone. Toots is furiously writing names on a pad. As he comes to the end of the long list, he looks at Curt and Despair. The mystery woman. Boy, she is a mystery. Yeah, as far as I can make out, this guy Stone has kept company with every demon in the world except Whistler's mother. Yeah, look at this list. You can interview the folly's line for ten years back and be only half through his address book. You got them all down? Yeah. Well, come on, let's go. Oh, Curt, we ain't gonna look up all these dames, are we? You think I'm crazy? I wish you hadn't asked me that. Well, the first dame we're gonna look up never twirled a toe at the bald heads in the first row of the folly's. We're going to see the nurse who was present at the death of the late lamented and punctured Mr. Stone. Say, wait a minute. Are we on the expense account? Sure, Seth. Okay. And oh, this is Toots. Call me a taxi cab. Yeah, never mind the old gang. The room where Marvin Stone breathed his last. And I'm afraid I can't help you. And I need details at all, and he never regained consciousness. The body's been taken to the morgue. Are his clothes still here? Yes, but I'm afraid they won't give you any clues. Please took everything out of the pocket. Nothing has less personality than a vacant suit, but I'd like to take a look at it, if I may. Well, it's not regulation. Aw, come on now, beautiful. What do you care about those old regulations, huh? Very well. It's in the closet. This is the suit he was wearing. Beautiful piece of material, ain't it? You'd toast marshmallows on the candles around a coffin. Do you mind if I examine it a little more closely? Not at all. Perfume. Have a sniff, Toots. Smells like foolish cardinium. Say, Kurt, what's perfume doing on a guy's suit? That's what I'd like to know. By the way, Toots, why don't you take a picture of the little lady in white here? Huh? Make a good human interest, or you know, no, not really. Well, that's an idea. Now, don't pose, honey. Just try to look like a cross between an angel and an ambulance going to a wreck. Oh, but I look too awful. You look very retro-gravy to me. Hold it. Oh, thank you. Thank you, Miss Nightingale. All right, all right. Toots, we're in a hurry. Goodbye, Miss, and thanks. Goodbye. Hey, Kurt, what was so much about taking her face? We can't use her picture.  You were busy while I was cutting myself a slice of suit. Stone suit? Yeah, stone suit.  Okay, so what? Let's find out who used to clean Mr. Stone's clothes. I think I've got an idea. For years I cleaned the suits. Fine. Do you happen to remember this piece of material? Material? Say, this is a good piece of goods. Sure, that's often Mr. Stone's suit. A double breasted. I cleaned it the day Mr. Stone was killed. Yeah? What time did you deliver it to him? Well, at the same night at eight o'clock. Personally, I delivered it. Eight o'clock, huh? The fire was at nine. Sure. Are you a detective? I'm beginning to think so. Much obliged. Come on, Toots. Say, would you be violating a confidence if you told me what we're doing? We're smelling out a murderer. What we need now is a perfume shop, some place with class. There's an educated smeller like yours. Just take a whiff of this cloth and tell me what you can about the perfume. Mmm, it's very fine, expensive perfume. Not a standard brand, an individual creation. Very feminine. Did you blend it? Oh, no, but whoever did is a fine performer. It's heavy without being soggy. It has a distinct personality. In other words, the perfume might have been blended to reflect the personality of the woman wearing it? Oh, undoubtedly. What sort of woman? Well, naturally, I couldn't be certain, but I definitely know it is the kind of perfume I would blend for a dark, decidedly Latin type. Latin type. Latin type, huh? Thanks, Mrs. Shenard. I can't tell you how much I appreciate your poking your nose into my business. Oh, not at all, not at all. Tut's my good man. Yeah, what do you want, brains? We're going hunting for Latin. I tell you, I've got it, Tut. When Stone was stabbed, the mysterious woman was with him. All right, Sherlock. I'll bite. How do you know she was? Simple, Watson. The suit was delivered to Stone at eight o'clock. The tailor said so. Yeah? Couldn't have come from the cleaner smelling of perfume. No. Therefore, the perfume must have permeated his clothes between eight and nine, right? Mm-hmm. He was stabbed between eight and nine, so the woman was with him. Still right? Yeah, yeah, you're right. Now, the Latin type was with him when he was knife, so we go looking for Latins. Yeah. So we've seen a dame on our list named Cochita Rinal. Check. A dame named Martelli. Mm-hmm. A dame named DeCosta. Mm-hmm. And a dame named Bolini. Right. And where are we? We're on our way to the Gayety Theater, my friend, to see a name named Inez Cordoza. So I says, I'll get my chance if I have to break the leading lady's leg myself. Oh, yeah. That's the way I feel sometimes. Gee. The idea of breaking it in our rehearsal. I'm sorry. Could either of you two lovelies tell me if Miss Inez Cordoza's around? Inez? No. She quit the show about a month ago. Oh, she did. Huh? Where is she now? She moved. I know that because I called her up this morning to get the dirt in her boyfriend being murdered, and they said she left. Mr. Marvin Stone was her playmate, huh? Say, what are you, detective? With dandy little feet like mine? Ha. Now, sister, I'm a reporter, and if you help me out, I'll have some good publicity. Well, my name's May LaRue. M-A-E. M-A-E. Take that down to it. I got it. Mine's Olive Wilson. Fine. Now, uh, what do you know about our Inez? Oh, I don't know so much, except that Stone was pretty crazy about her. Well, she went for him, too. That isn't until Mr. Coulter came along. Coulter?  Yeah, tried to take a poke at Coulter one night right outside the stage door. Yeah, it was disgusting. See both of them, but they're right. Mm-hmm. The next day, she quit the show, and nobody's seen her since. Hey, this is wonderful. I'll bet you were... you're the girls that... the kind of showgirls that write novels and sculpt statues on the side. How do you know? You have minds. Uh, by the way, did Inez leave any dresses or handkerchiefs around? No, she took everything. Inez was that way. Well, she left the slip hanging on my rack in the dressing room, but I don't see what good that'd do you. Get it for me, will you? Okay. Yep. Leave it to babyface Inez to get publicity like this. You know, if I thought for a minute that I'd get splashed all over the front page, I'd slip a little cyanide to Butch. Who's Butch? Oh, that's my boyfriend. What's the matter? Don't you like him? Yeah, sure I like him. He's swell, but a girl has to think of her career. Now, there's a girl with a brain, Toots. I'll bet she has a PhD. Who told you? Oh, do you mind giving it to me? Of course not. Thanks. Perfume, huh? Hey, Toots. What? That's a perfume. The same as on the coat. Toots? The unseen she is Inez Cordoza. Yeah. Try photographing an unseen she. Hello, Mac. Mrs. Kurt. Hold the first edition for a stop-press and get a picture of Inez Cordoza and Maitland-Colder out of the files. And send them down to me at police headquarters. I'm waiting there now. Have I got something? Listen, I've got a story that'd curl the hair on an eggplant. Hey, Sergeant, is the lieutenant still busy? Yep. He'll see you in a minute. Well, how's the future, Mrs. Kurt Devlin? Fine. In the disappointed bride room? Ameless, just aimless. How are you doing? Well, I've got a tree and no coconuts. Just got some routine stuff from the lieutenant. Anything to pick up your ears about? Not much. They found a loaded automatic in Stone's apartment, but no knife. The gun had never been fired. Gun, huh? What happened to the knife that did the deed? That's what the lieutenant would like to know. I'll bet. Any signs of a struggle? Yes. And the Negro house man says a man asked the number of Stone's apartment and went up about 8.30. And just before the fire broke out, a neighbor's complained of loud voices. Add that up and what do you get? A question mark. I suppose you've made some startling discoveries. No, no. In fact, it looks as though you're going to have to marry me out of love and not defeat. Maybe I will when you admit I must put a newspaper man as you. Oh, come on, Ellen. Let's call it a draw right now and never talk about it anymore, huh? Look, I made a bet with you on this Stone case.  Okay. How about having dinner with me tonight? I'll meet you at the room about 7. Dutch? Let me take you for once, will you? I'm commencing to feel like a Dutch uncle. You're commencing to talk like one. See you at Rome. Okay. The lieutenant will see you now, Devlin. Oh, thanks, Sarge. Oh, and by the way, you'd better notify the homicide squad. Tell them to dig up a guy named Maitland-Colder and a Latin lovely named Ines Cordoza. I've got a hunch the lieutenant will want to make a couple of arrests. Hello, Roma. Ah, Mr. Devlin, the lady is waiting for you over here. Hello, honey. Do you think I never get here? Oh, I didn't mind waiting for you. Sit down. Thanks. Ah, gee, I like you. I'm sort of fond of you, too. Don't know why, except you remind me of an Irish terrier I had once. Smart dogs, Irish terrier. Well, this one wasn't. He bit me. All of which shows us Irish terriers will just stand so much. Which reminds me to tell you, you're through playing newspaper. You're going to get off that sheet and marry me. That's right. When you admit I'm as good a reporter as you. Listen, I'm tired of humoring you and trying to save your face. You're not a reporter and you never will be. You're just another name getting in the way around a newspaper office. In fact, you don't even know when you've been taken to the cleaners. So that's what you think, is it? Yeah. Here, take a look at the express. Go on, read it. Coulter and woman implicated in stone murder. Maitland Coulter, wealthy polo player and Ines Cordoza's showgirl, were definitely identified by an express representative as the mystery man and the unseen she, who were in Stone's apartment the night he was stabbed. Why? Sure, look. Coulter was arrested in his luxurious bachelor quarters at the exclusive town apartments at six o'clock this evening, but refused to make any statement. Police are searching for Ines Cordoza, who has disappeared and so forth and so forth and so forth. Well? All right. You win. Good night, Kurt. Hey, where are you going? You forgot to find Ines Cordoza. I suppose I've got to do it for you, so long.  This is Ellen Garfield. Spike, I've got a lead on Ines Cordoza. I found out where Devlin picked up his stuff. He went down to the gate. He impumped the girls. Well, I did too, and I've got Cordoza's slip. Yes, but it has a laundry mark on it. What do you mean what good is it? Don't you know human nature? People don't change their laundry. All I have to do is to find out which laundry it is, who the mark belongs to, and then wait for someone to call for some clean shirts. I'll tail a home in 10 to 1. I'll find Ines Cordoza. All right, 20 to 1. Goodbye, Spike. There's another laundry, miss. Thanks. Wait for me, will you? Yes, ma'am. Good evening, miss. What can I do for you? I've been to every laundry in town. Maybe you can help me. I'd like to know if this is your laundry mark. Yeah, let me see. Well, yes, yes. This is one of our marks. It is? Uh-huh. I'm from the store in the Marvin Stone case. Can you tell me whose mark it is? Well, not the name, miss. But there's a gentleman who calls for laundry with this mark. In fact, I have a package for him now on a rush job. Today? Well, yes. He said he'd be here just about... Oh, pardon me, please. You got my laundry? Yes, sir, right here, sir. How much? One dollar and a half. Thank you, sir. Good day. Good day. Oh, miss. Yes? That man, he's the one. He just took the package with the same mark as you showed me. He did? So where does he live? Do you know? Well, no, miss, I don't. But I might be able to find out. Well, never mind. I'll follow him. Thanks very much. I'm looking for Arnaz Cordoza. Come in. Oh. Thanks. You followed me from that laundry, didn't you? Well, no, I didn't... Oh, yes, you did. I saw you there. Robert. Come here, Arnaz. Arnaz. So you're Arnaz Cordoza. Robert, what does she want? You're crazy.  Sis, go in the other room. No. Robert, don't. Get away from me. Go on. Do as I tell you. Wait. Listen. You've got me all wrong. Oh, no, I haven't. I got you dead to right, sister.  You'll be going back to headquarters on a slab. We pause for station identification. This is the Columbia Broadcasting System. We've just completed Act Two, a front-page woman. Fred McMurray, Paulette Goddard, and Roscoe Carnes are heard soon in the third act. Now it's intermission time, and time for Mr. DeMille to introduce the evening special guest. But before he does, just a word about our product. Lux is the world's largest selling package soap for fine fabrics. And here's why. Lux contains no harmful alkali. It's so mild, so pure, it's safe for anything that's safe and water alone. A little goes so far. Make such fine, rich suds. Lux is thrifty. Hello, dear sir. Mr. DeMille. We've just been hearing about the adventures of a front-page woman. Right now, we're going to hear from a man whose stories have been printed on page one many times, with date lines from Paris, London, Berlin, Shanghai, Madrid, and a hundred other cities around the globe. If I were to tell you the story of Floyd Gibbons in one sentence, I should say that he was there when it happened. Because for many years he's shown an astonishing ability to get to the scene just in time for a big news break. I can't see all the way to New York, but I know exactly how Floyd Gibbons looks as he waits in a New York studio.   When he talks, his fist flies out, driving home his words. Over one eye is that familiar white patch, a relic of 1918 and bellow wood. Speaking to you now from New York is the headline hunter, Floyd Gibbons. Thank you, Mr. DeMille, and hello everybody. Here in New York, I've been listening to Fred McMurray and Paulette Goddard in front-page woman. Now, that's a play about my kind of people. Newspaper men and newspaper women. We make fun of ourselves, but we do our darndest to outwit each other on the job. For many years now, I've been well trying to figure out just what it is that changes a normal happy everyday sort of a person into a newspaper man or woman, and by golly, I still don't know. One day, some 20 years ago, I stood in a boxcar down in Mexico talking to Pancho Ville, the revolutionary leader. I was just a kid and I threw questions at him one after another. I was so dumb, I didn't know that nobody dared question Pancho that way. Pancho got sore as a boil on the neck. He snarled at me in Spanish, what do you want to come down here for, Gringo? You have a nice, soft bed at home. Well, sir, I couldn't think of the answer to them and I still can't, but I stuck it out with Villa and his army and I saw plenty happen during that fightful war, including a 300-mile retreat, which I think I led, otherwise I wouldn't be here tonight. The newspaper reported tries his dog, Gondas, to be there when it happens, because the best and most truthful report of any happening is that of the personal eyewitness who can honestly say, I saw it. I was there when it happened. He has to keep in mind the importance of the main event, but must not overlook the apparently unimportant little facts that prove the truth of the story. I was on the 19,000-ton liner Laconia when it was torpedoed and sunk in mid-Atlantic. We were carrying a huge cargo of explosives. The thing I remember most is what a Canadian aviator named Dugan said when the torpedo hit us. Three of us were sitting in the smoking room listening to a phonograph playing for a butterfly. Dugan passed a pack of cigarettes and offered a light. He was the third man on the match. A few seconds later, the ship gave a sudden lurch. The deck began to slant, and the fog horn began to blow the signal to distress. That was when Dugan became one of our candidates for immortality.  It didn't even blow up the munitions. Well, sir, the boat sank, but we got away all right and were picked up by a patrol boat without wireless the next morning. It took us so long to reach the Irish coast that American newspapers thought we were lost. The boss printed my obituary in the papers, and, oh boy, was his face red when he got a 4,000-word cable story on the sinking of the Laconia from me the next morning. Of course, my clothing, trunk, and typewriter, and everything went down with the ship, and they also went down on the old swindle sheet. I mean the expense account. It isn't just ability to write that makes good reporters like these kids, Ellen Garfield and Kurt Devlin, in the play tonight. One of the best writers I know is my pal Westbrook Pegler, but Peg would still be a great reporter if he couldn't write a grammatical sentence. When King George V died, Pegler and I were covering the story of the funeral in London. Newspaper men had to stand in line like the tens of thousands of morning subjects of the late King, a line that stretched out for four miles, moving slowly forward in the rain. It looked as though it would take us 10 or 12 hours to reach Westminster Hall, the place where the body was lying in state. Peg found a fellow who had a little sympathy for us when he found we were newspaper men, and he slipped us through the back door of Westminster Hall. That's just across the street from the Abbey. And Peg, well, Peg beat the other correspondence by several hours. It cost us eight Bob Eats to get in. That's $2, you know. That was the first and last time I ever got into a royal funeral by the back door. There was nothing irreverent in our act, but it really was crashing the gate. A newspaper man does get around to a lot of places, and incidentally, Cecil B. DeMille, so does that product of yours. I've run into Lux Flakes all over the world. I've seen it in store windows from Shanghai to London. How do you do it? Mr. DeMille. And now, good night. How do we do it? Hmm, you've got to be good, Floyd. You've got to be good.  Good night and our thanks to you, Floyd Gibbons. And happy headline hunting. We're back in Hollywood and ready to star Fred McMurray and Paulette Goddard in the third act of Front Page Woman with Roscoe Collins. A few minutes have passed. Ellen, worried but calm, gazes steadily at the revolver which Robert Cordoza holds pointed at her head. Then she smiles quietly. You wouldn't really use that gun on me, would you? You never can tell, fly cop. But I'm not a fly cop. I tell you I'm a reporter. Robert, maybe she is a reporter. Miss Cordoza, believe me. I'm the only one who knows you're here.  But I'm not your... Well, then tell the world you're not.  Well, I'm only trying to help her.   Go inside and start packing. All right. But Robert... Get inside. Nice place you have here, Mr. Cordoza. You know, if you'd listened to me...  All right. May I smoke? Some cigarettes on the table. Thanks. My brand, too. Lucky Ellen Garfield. Where are you going? Get away from that window. It's awfully stuffy here. I thought you wanted to smoke. I do. You better come back here and sit down. Listen, I... What are you doing? Look out! The curtains! The curtains are on fire! But put it out. Do something. We'll be burned to death. Or you'll never get it out. That way pull the curtains down. Jump on them. We'll be burned. There. There it's out. I ought to bust you into you. I wouldn't if I were you. You? Where'd you get that gun? Thanks, Mr. Cordoza, for putting out the fire and thanks for putting your gun down when you did. Now, Mr. Cordoza, you wouldn't believe me when I said I was trying to help your sister, so I'll have to prove it to you. Call Mr. Cordoza, please. We're going to see the DA. Mr. Cordoza, I want you to tell your story and tell it as straight as you can. Not only to help me, but to save yourself. Go on, Agnes. The DA doesn't bite. Well, I went to Mr. Stone's apartment for dinner. When I arrived, Mr. Colder was there and Stone was sick. Colder wanted to call a doctor, but Stone wouldn't let him. He said it was nothing. Well, I thought he'd been drinking too much. We got to arguing. Stone struck Colder. I got frightened and ran out of the apartment. That's all I know, everything I swear. Well, why did you hide out? I was afraid Colder might be drawn in. I didn't want to testify against him. I love him, but he's innocent. I tell you, innocent. You've got to let him go. Please, Mr. Cordoza, no hysterics. You can go now. We've assigned a matron to stay with you until Colder comes to trial.  Thank you so much for everything. Goodbye. Goodbye. Well, Miss Garfield, congratulations. You did a splendid job finding Cordoza. Oh, nothing at all. Hello. Said you wanted to see me here. That's right, Devlin. I want to thank you for what you've done on the Stone case. I think Miss Garfield's done fairly well herself. Well, thanks, Kurt. Well, I guess Colder's a man, all right. Looks open and shut. Open and shut? Hardly. Where's Exhibit A?  A man who thinks to take a knife wouldn't forget and leave his gun in the middle of the floor. To build a case, we've got to have Exhibit A, the instrument with which the murder was committed. The knife hasn't been found. Well, how can they find it? They've searched Stone's apartment from stem to stern. Sure. But what that search like was the Devlin touch. Leave it all slew for folks. I'm practically there now. Brandishing the knife. Oh, sure. I clean up apartment for Mr. Stone. Every day I clean with vacuum. Ooh. You did a very good job, too. I cleaned up off the murder. You sure did. Pipe dentists. Now, look, I wonder if you'd be a good boy and let me see you vacuum cleaner. I go get. Ooh. Say, what do you expect to find in that Bronx bagpipe? I don't know. But our little Chinese friend swing out here says he cleaned up the mess in the living room with it, so we might as well take a chance. Say, Mug, you get more and more elementary all the time. Here, vacuum cleaner. Oh, thanks. And now let's see what's in the vacuum bag. Here, just make yourself useful. Help me dump out the dirt. Oh, I wish I'd never loaned you that philo-van spoke. Wow. Look at the sand. Sand. How do you suppose that got here? Maybe swing out clean the spinach with it. Oh, wait a minute. Sand. What's in that big vase standing over there by the door? Well, what's in it? Sand. Sand. Sand. Oh, you see, you sound like delirium tremens lost in the Sahara. It's an ashern. They're always full of... Full of sand. Here, give me a hand with this. We're going to dump it. Maybe you'd like to put up a few beach umbrellas. Come on. Help me here. Let's see. Cigar, cigar, cigarette butts. Cork, cigarette... So you know you could get a job in the nightclub doing that act. Cigar, cigarette butts. Cigar, cigarette butts. All right, wise guy. Look at this. Here it is. Oh, for the love of Mike. The knife. Yeah, the knife.  Hey, hide that knife, Toots. Well, look who's here. Oh, I felt a great need for you, Kurt. And I knew you'd be here. What a mess. I see you've been looking around. Find anything? Me? Oh, no, no, no. No, no, such luck. There's a knife in this room and it'll take Lady Macbeth to see it. Well, too bad, Kurt. Yeah, certainly is a shame. Ex-tree, ex-tree. Colder indicted. Express fine stoneware tonight. Kurt Devlin finds knives. Hey, baby. Hey, blur, extra. Call the trial, dear Zen. Call the trial, dear Zen. It was found in an ash receptacle. Why? Because this is what happened. There was a quarrel. Colder drew his revolver. In a struggle, stone knocked it from his hand to the floor. Then Colder snatched the paper knife from the table and plunged it into the man he hated, committing the crime for which he came. Murder, ladies and gentlemen of the jury. Premeditated murder, the same of which the people demand you find him guilty in the first degree. Ladies and gentlemen of the jury, the state rests. Ellen. What do you want, double crosser? Say, we've got plenty of time to hang around the courthouse. You better stick with me. I really got something this time. I'll cut you in. No thanks. You might slip and cut my throat again. Okay, if that's the way you feel about it. Hey, Tuts, wait for me. Okay, what's on your mind? Listen, Tuts, I've got an idea.  I hang out with you and I never get a chance to take any pictures. Tuts, come with me to the superintendent's office. Everybody's gone out for air but the jury. What do you want in the super's office? Keys, Tuts. One key to be exact. The key to the broom closet.   I've been studying the plans of this courthouse and I find the broom closet's got a double door. One opens into the hall and the other opens into the jury room. And I, my friend, am going to listen at the keyhole. I get it. You scoop the verdict. Brilliant. Come on, Tuts. Here's the key. All right, hurry up. Open the closet. If we're too late, I'll kill you. What do you mean? You spent four hours getting the key. Come on, come on. Open it up. It's dark in here. Close the door. It smells like old mobs.  Listen. We'll vote once more. And this time, Mr. Harrow, I hope you see the light and vote guilty. I'll vote the way I like. It's 11 to 1.  All once more. Smith, guilty. Vance. Guilty. Noise. Adamson. Guilty. Norris. Guilty. Basic. Guilty. Carrots. Guilty. 10 for guilty. And my vote makes 11. And now, Mr. Harrow, how do you vote? I vote the way I please. I... Well... I... It's... Guilty. Guilty. Colder's guilty. What a scoop. Better hurry and pull that news in. Now that's where I'm going now. Oh, look, Tuts. The judge is out to dinner. That means the jury will have to wait in the outer room. You get in the jury room, and they leave and mark the ballots not guilty. Not guilty? What for? The jury just said he was guilty. I know. But will you do as I tell you? Mark all the ballots not guilty and leave them lying on the table. I'm manufacturing a newsbeat for a little Miss Front Page. You mean she scoops the verdict and is the wrong one? Right. She'll be hanging around the press room with the rest of the boys. I'll go and tip her off. Now, remember... No news yet. Signed you're dead and dying Garfield. Hey. Hey, Garfield. What do you want? Come closer. I know a secret. What secret? You'd better hurry to the jury room through the broom closet. Through the broom closet? With what? With the key. Toots is there and he's got the key. Go find Toots if you want to scoop. I'd like to believe that. Listen. Go in there and read the ballots. I know the verdict, but you wouldn't believe me. Go in there and see for yourself. All right. Thanks, Kurt. Sorry. Thanks, Ray. Get your express. Cold or guilty? Thanks, Ray. Get your star. Cold or not guilty? Thanks, Ray. Cold or guilty? Thanks, Ray. Cold or not guilty? He is so. He is not. Thanks, Ray. Gentlemen of the jury, have you reached a verdict? We have. The defendant will rise and face the jury. What is your verdict, gentlemen? We find the defendant guilty of murder in the first degree. Baylor. Yes, Your Honor. That reporter Devlin knew the verdict before it was brought to court. I want to see him in my chambers at once. Mike, I steered you wrong. Yes, Kurt is guilty. Yes, guilty. Signed you're loving, but fired Garfield. Hey, Garfield, what's the matter? What's... What are you crying about? Oh, I'm washed up to it. I don't need Spike Carley to tell me I haven't got a job. Oh, gee, tough luck, kid. I'm sorry. You're not as sorry as I am. Oh, I'm going over to the press café and down my sorrows. Well, you can console yourself, honey. The judge just put Devlin in the can. As for you, Devlin, you look swell behind bars. You can rot in jail. I wash my hands of the entire matter. But Lester, you're my editor. For heaven's sake, get me out of here. No, and don't call me Lester. You brought this down on yourself. The express disclaims all responsibility. All right, the turnkey's gone. Now what? Fine, great stuff, kid. Congrats. You did a great job. Don't worry, we'll spring you. So long. So long. Hello, Kurt. Well, look who's here. What's the charge on you? Nothing. I've been fired. That's all. I'm through. Washed up. Oh, I'm... I'm sorry I tripped you up in that yarn, but... After all, you should have known better than to fall for that. You don't have to rub it in, Kurt. I know when I'm late. Well, I guess you're right. No job for a woman. Sure. Women make bad newspaper men. But not too bad, you lug. Look at what's in this copy of the star. Start memorizing this one. I killed Stone. Ines Cordoza's showgirl fiancé of colder confesses fatal stabbing by Ellen Garfield. Say, what did you give the story... You know, Kurt, you see, I had a lunch about that girl from the very beginning. I met her at the press café after the verdict. She was all set to break down, so I broke her down. She told me how it happened. When colder drew his gun, Stone grabbed it. Ines said that he'd have killed colder if she hadn't grabbed up that knife in desperation and let him have it. Yeah, but the fingerprints, those were colder sprints on that knife. Yes, but Ines was an evening dress. She had on long white gloves. And the minute she stabbed colder, Stone, colder grabbed the knife out of her hands. Well, for the love of Mike. That's the way to work. That's being a good newspaper man. Do you mean that? I hate to say it, but I do. Well, that's all I wanted to hear. Given, darling. I do. Oh, darling. Nice clinch, folks. You can cut out that silly stuff now. I've got the picture. So ends front page woman, starring Fred McMurray and Paulette Goddard with Roscoe Carnes. Our stars will be back in a few seconds for a personal interview. But right now, here's something I bet is news to a lot of housewives. Did you ever stop to think how much walking you do every day in the course of your housework and shopping trips? Well, I can tell you, it's nearly eight miles every day. Yes, and that comes to 3,000 miles a year. Why, that's the distance across the United States. And you get more exercise than that, too. But with all the kneeling and stretching and stooping you do around the house, think what that does to your stockings. They're apt to get runs if they aren't nice and elastic. Elasticity, you know, helps your stockings give under strain instead of breaking into runs. Now let me tell you a way you can help your stockings wear longer.  Lux flakes save stocking elasticity and cut way down on runs. Soaps with harmful alkali or rubbing with cake soap weakens elasticity. Gentle lux has no harmful alkali. It's safe for anything safe in water alone. So give all your nice things this special care to help them stay new looking longer. Your underthings and nightgowns, your washable dresses and all the little accessories that make or mar your appearance. And remember, a little goes so far. Lux is thrifty. And for even greater thrift, buy lux flakes in the large size box. Now, Mr. DeMille. Now for a three-star final. A short session with tonight's headline makers. Here's Fred McMurray and here also is the new star whose brief but brilliant record is holding the attention today of every Hollywood studio. Well, CB, perhaps not every studio, but I know what you mean. I want to say it's darn quiet of you and I. Well, I hardly know what else to say. Well, then suppose we skip it, Roscoe, until I finished introducing Paulette Goddard. Huh? Oh, excuse me. It's all right, Roscoe. And thank you, Mr. DeMille. But let me stay in character as a reporter for just another moment, because I'm sure it's news to many lux listeners that you're making this broadcast from a stretcher. Oh, not just this broadcast, Paulette. It's a picture, too. What was the disaster that swept you off your feet, Mr. DeMille? Just a little accident on the set, Miss Goddard. But it has its advantages. The cast of Union Pacific felt so sorry for me today, directing from a stretcher, that they accomplished two days' work in one. With results like that, I'm seriously considering remaining in this perambulator until the picture's finished. Once I fell for a stunt something like that, Mr. DeMille, it seemed as if you just couldn't play a scene the way the director wanted it. So finally we drove him into such a fit of raves that he snatched his watch from his pocket and smashed it to bits on the floor. There was a dead silence as we watched him get down on his hands and knees and pick up the pieces. Tears streamed down his face as he told us that the watch was his most prized possession. It was from years before. Nothing had met quite as much to him. The cast felt pretty bad about it. Finally the director dried his tears and we went back to work. This time, of course, we played the scene perfectly and he sent us out for lunch. As I was going out the door, an electrician stopped me and said, don't let it get you, Fred. He whispered, it was just a dollar watch. I've seen him pull that stunt a dozen times and it's never missed yet. Yes, now I can tell you another time that Fred failed to live up to expectations, Mr. DeMille. You were hoping he'd be a girl. What's wrong with that? Mine were hoping for a boy. That's why I'm Paulette, the feminine version of Paul. Yes, but they were going to call Fred Rose because he was born on St. Rose Day. When you picture McMurray with a hearty cultural handle like that... Take it easy, Mr. Kahn. Fred spent the last six weeks learning to box. Yeah. After being called upon to sock somebody and almost every picture he's made, they've finally given him a pair of eight-ounce gloves and turned him into a professional slugger. Do you like the idea, Fred? I like it. It has a couple of good drawbacks. The first one was that I planned to take a hunting trip and I had to forget all about that and take boxing lessons. And the second drawback is the plaid suit I've got to wear. It's got checks bigger than the first price of the Irish sweepstakes. But as I always say, that's the movies for you. So long, CB. Good night, Mr. DeMille. And many thanks for this chance to appear on a program which I listened to with so much enjoyment. Yes, me too. I hope that you don't have to take it lying down much longer. Thank you, Mr. McHarrie. Thank you, Mr. McHarrie. We'll talk here soon again. There's an outstanding dramatic event awaiting you here next Monday night. Listen for Mr. DeMille's announcement of it in just a moment. Assisting tonight's stars were Ines Seabury as Olive Wilson, Margaret Brayton as Mae LaRue, Lindsay McHarrie as Officer Hollahan, John Fee as Maitland Coulter, Lee Millar as Marvin Stone, Lou Merrill as Spike Keiley, Ralph Sadan as Robert Shenard, Abe Reynolds as a tailor, Frank Nelson as Robert Cordoza, Mary Jane Carnes as Ines Cordoza, Ted Osborne as District Attorney, Edward Marr as Laundry Man, David Starling as a Chinese cleaning boy, Harry Humphrey as Judge, Joe Franz as Bailiff, Elizabeth Wilbur as a nurse, Eleanor Harriet as telephone operator, Sydney Newman as taxi driver, Ross Forrester as Warburton, Rose as newsboy, and James Robbins as a reporter. Our musical director, Lois Silvers, appeared through courtesy of 20th Century Fox Studios. He was in charge of music for their new picture, Jesse James. Front Page Woman was produced on the screen by Warner Brothers Studio. Here is Mr. DeMille. Next Monday night, the anniversary of his first appearance on the air in drama, Mr. George Arlis returns to the Lux Radio Theatre. This beloved artist will be heard in our adaptation of one of his most popular screen triumphs, the dramatic story of an uncrowned king of France, Cardinal Richelieu. Our play is the story of one of the world's greatest statesmen, a man who matched his wits and life against the intrigues of the nobility that France might be united. Supporting Mr. Arlis, you'll hear an all-star cast featuring Florence Arlis, Caesar Romero, Heather Angel, Montague Love, and Douglas Dumbrill. This is Cecil B. DeMille, saying good night to you from Hollywood. Our Lux Radio Theatre presentation of Front Page Woman has come to you with the good wishes of the makers of Lux Flakes, those fine, gentle-soaked flakes of the world's greatest actors, George Arlis in Cardinal Richelieu, with Florence Arlis, Caesar Romero, Heather Angel, Montague Love, and Douglas Dumbrill. This is Cecil B. DeMille, those fine, gentle-soaked flakes used in the wardrobe departments of all the leading studios here in Hollywood and by housewives everywhere. Join us again next week to be part of the large audience that gathers each Monday to enjoy an hour of dramatic entertainment and a chance to meet Hollywood and its famous people. This is your announcer Melville Rueck bidding you all good night on behalf of our guests, our cast, and the staff of Lux Radio Theatre. This is the Columbia Broadcasting System.


It's important that we continue to break down that stigma behind mental health and keep talking about it because even if it helps one person, it's done a job, isn't it? 100%, yeah. Why is it where it mails mental health? I feel like we struggle to talk about it as much as... There's a stigma attached to it. There's like a stigma attached, yeah, like we're all a bit too proud to be like, well, I'm actually suffering. And I think a lot of that has to do with it's kind of like, you know, we're men, you know, we're fine, you know, you get down to pub, have a drink, you'll be fine.  As you grow up, it sticks with you and it's just, it's what we think is natural, but it's not.  Because no one had any idea that there was anything at all, like either wrong with them or suffering any type of mental health. And again, that's because nothing was like spoken out about. And one of the lads we used to work with, he was the more, well, I thought, he was the most happiest going, nothing ever bothered him, ladiest lads you can imagine. And then just killed themselves, do you know what I mean? You think, God, they just, if someone had to be the sport and to be afraid of the sport. That's the thing we're meant to have. People deal with things differently. People show different symptoms of how they're feeling. People don't show any emotion. And that's what's important, like you never know what someone's going through unless you speak to them. Unless you, at least that's the point, unless you speak about it. Unless it's like, it's one of them subjects where you can speak about it as freely as the weather. Yeah. It has to be, it has to be like, because it's so important, it's so important. We know from firsthand that that helps. Mine was predominantly before I did all the TV stuff. I suffered between sort of 19 and 20, 21 for a year and a bit. I spoke to my mum, and then I saw a hypnotherapist in my local town. And it was unbelievable. It worked on some breathing techniques for when, you know, like seven seconds, five seconds, all these kind of things, just like starving the adrenaline. Because that's what, that's what like the anxiety is, like an adrenaline bullet. You starve it while you're breathing. I've just done the breathing then. Yeah, look lovely. The best advice I ever got for the anxiety was Gazz. I was getting anxiety bad and jolly short. And Gazz was like, Aaron, he was like, you're mad. He was like, walk in there. He's like, everywhere I walk, I walk in like I own the place. So now everywhere I walk, I'll fly in Zora like I own the... I mean, I walk with it. I will just push my chest to anything. If you're going to say something, then say it. Yeah. Do you know what I mean? A lot of people in this day and age think, even like soppy stuff, like I'm a proper soppy bloke. Can I? I wrote one not long ago. Did you? And I printed off a bit of paper with a picture of me and my girlfriend on the background. That's really good. So I wrote over the top of it. That's really good. But I like being emotional. I think it helps. I think it makes me feel better. Yeah.  Then it would be the first person you'd go to. So I would always go to even my best friend or I would say I'd sort of... I wouldn't bring it up fully, but I'd bring it up subtly to my mum. And then see what she'd say. And then get the vibe of what she's going from that. And then if I thought about it, I'm going to tell you that. Would you be nervous or would you be able to get it out? No, anything now. Would you? Yeah, yeah. I mean, if I feel it's too much for her, then I've still got me a third of a ring. Yeah. And I used to be ashamed to tell people that, but now I think I'm naff. That's the best way to be though, because you need to get out of your chest. The first ever one I had, it was like... So I got there and I was sitting there and I was thinking, God, I was thinking right, what am I doing? So what do you want to speak about? And I just burst to cry and I was just like... It's terrible in there now.  But you feel so much better when you walk out. I just felt like... I felt like... I felt like for 30 years or whatever, I've just told her everything. A woman that just knows. I've just told her everything that I wouldn't tell, tell you I wouldn't tell anyone. Yeah. And I walked out and I was just like... I think it's brave to do that though. I really do. Oh, I took... I mean, this is what I found out, because I was like... I don't want a man, because I feel a bit intimidated speaking of a man. So I got like an older woman, sat down and got everything off my chest. Honestly.  Yeah. Because I was getting that much abuse. Yeah. So I seen her up until the fight and I've never walked out so confident. I think it is getting a lot better. I think naturally... It's definitely getting better. With all the charities, with all the help lines and all these... Well, all the resources out there which you can use is great. And just from speaking to her, it just lifts her weight off your shoulder. They say a problem shared is a problem solved. No, no, no. A problem halved. A problem halved. I forgot to say. A problem shared is a problem halved. You said shaved. No, a problem shaved is a problem halved. Yeah. A problem shared is a problem halved.