that you're in the city of Medina and the year is 11 after Hidra and our Prophet sallallahu alayhi wa alayhi he has just passed away and the event of Saqifah has just occurred. Now the Shia of Imam Ali alayhi salam they're being forced to give baita to this new ruler and I want to know what would you do in that situation? For example would you consider doing taqiyah and give baita but help the Ahlul Bayt alayhim as-salam in secret or would you even consider speaking out, risking your life, risking the lives of your family, your friends, what would you do? I think in such a situation I would speak out because it's not so easy to keep it quiet and to do taqiyah in my opinion I believe that speaking out would be the only thing that I can possibly do for them so I would try to keep a slight of low profile but be as loud as I can possibly be to help the Ahlul Bayt and to be beside them. When I think of how lonely the Ahlul Bayt alayhim as-salam must have felt in those days when nearly everyone deserted them I can't imagine it. Now I want you to picture that you are standing outside the house of Fatima to Sahra alayhi as-salam. This of course is such a blessed house, a place where the Prophet sallallahu alayhi wa alayhi would go every day and he would greet his daughter with such love, he would greet his grandchildren Al-Hasanwal Hussein with such warmth.  How would you feel seeing such a thing like that and how do you think you would react? It would be easy seeing the person that you love and a role model someone that you look up to being pushed in such a way I mean seeing your mother being her or she might cut her thing or something and it's so big for you and then this is this is someone higher than your mother this is the Fatima to Sahra the lady of the universe to see her in such a way wouldn't I I would probably break down crying I would run I'd rush to the door maybe push them away go and try to aid her I wouldn't be able to stand there quiet because it's just not something easy to do. Yes yes this religion of Islam you know you often hear the phrase Islam is a religion of peace when in reality it's fairer to say that Islam is a religion of justice that when we see someone when their rights have been taken away from them we do not stay silent we speak out we act to help them or even try to help them. I want you to imagine now that the attack is over and you walk inside the house of Lady Fatima alayhi salam and you see her lying on the ground and she's in so much pain and her children are there too Al-Hassan wal Hussain, Zaynab and Kulfun, young children so traumatised by what they've seen they're crying they're trying to get their mother to get up how do you think you would comfort them how do you think you would help to make the situation a little bit easier I don't believe that anything I can possibly do will make the situation any better because like I said before it's not something easy and there's not much I can do I'd probably be in so much like I'd be so upset myself that I wouldn't be able to comfort anybody else and what what am I gonna do like a month Imam al-Hassan wal Hussain I'm nothing compared to them how am I gonna be able to go and comfort them there's no there's no way I can think I can comfort them because I'm no one compared to them. These individuals they had the greatest of Imam and Thakwa they were the closest to Allah subhanahu wa ta'ala and see how emotional and upset they got at these situations it reminds us that even the best among us can feel sadness and weakness and upset at these awful calamities. Finally sister I want you to now imagine that again you are in Medina but this time you are with Imam Mehdi may Allah subhanahu wa ta'ala hasten his reappearance I want you to imagine that you are walking beside him through the city and he's taking you somewhere and you turn to him and say Yebna Rasulullah where are you taking me and he says to you I'm taking you to my grandmother Fatima to Zahra alaihi salam to that grave that place where every lover of Zahra wishes to know where that grave is so we can stand next to it to smell that scent to be close to her I want you to imagine that you are standing in front of that grave now and if you could say anything to her what would you say I think that I'd start off speechless and then slowly start to ask her if the things the services that I'm offering to the Ahlul Bayt if they are accepted if they are something that she likes I would ask her if the name that I take on like my name Fatima I took it from her if she's proud of it and if I'm making her proud with my actions and with the name that I'm carrying what a blessing that you have been given that name yes a very big blessing and I hope sincerely and pray that our lady is happy with you that she is pleased with you and I know that she is guiding you and praying for you every day of your life for that is the love that she has for her shea for her lovers I thank you so much sister for coming on here and being with me for imagine today and I and I hope inshallah that Allah subhanahu wa ta'ala will keep us all firm and steadfast on the path of the Ahlul Bayt alayhim as-salam and I hope above all that he hastens the reappearance of our master sahib as-salman so he may fill this world with goodness and justice and that we can strive to help him even in the smallest and maybe insignificant of ways


Hey guys, so here I am with the prompt first prompt in our my life of self-expression 2017 or shortened to my life 2017 Our journaling program and the prompt of this month to start off the year We're actually starting in December and the prompt to start off the year is a new step forward So I want you to think about that prompt and how you can not only get your Journal ready for the year so that you're all ready to go and to start collecting your bits and pieces and documenting your life or doctor Documenting your art journey or your inspiration journey whatever way you want to take it And how you can incorporate the prompt into that In my case I wanted to do some sort of a modified vision board sort of a thing But I really resisted the idea of going through like a million magazines to clip out little pictures That would represent what I wanted to accomplish this year or creating what we would call a resolution list There's just something about that word. It's kind of negative for me. I don't know But I was in the grocery store not long ago and I saw this greeting card that had this little girl character on it That was really cute. So I created my version of her and in and amongst the drawing I put inspiration words or Words that represent things that I want to accomplish in the new year I gave her different little symbols in the drawing I'm going to give a full tutorial on how to draw her in my group life of art and self-expression for the rest of you you're watching this video and You're going to be able to also see what the owners of your group are doing and on And you know, I encourage you to go visit all the all the different groups and see the different videos Everybody's going to have a different take on it and that's the fun thing about this for me over my group I'm going to do a full tutorial on how to draw her. We're going to use a dip pen and some water and see some Water soluble gel crayons to draw her. She's pretty cute and we're going to tip her in And tape her in so do something like that You could of course do her right on your page if you wanted to or whatever Version maybe you want to just do a list and you don't want to do a drawing. That's totally doable. You could just do a list Plain old-fashioned resolutions list. Maybe it doesn't have the same connotations to you. It does to me That's totally doable. You could do that You could maybe just do a traditional one where you've cut and paste a bunch of images I chose to do something more a little more creative with it and I thought she turned out pretty cute So there you have it Hope you join me over in my group and you want to see how to draw her and you have fun with this I'd love to see what you do and if you film What you do in your journal for this first prompt, please let us know and share the link in all of the groups tag us in Your post that would be great so that we can see it and don't forget the most important thing Go out and have a great day and do something nice for yourself because you deserve it and I'll see you later


My name is Michael Brumbaugh and I'm an associate professor in the Department of Classical Studies and affiliate faculty in Latin American Studies. Since coming to Tulane in 2013, my teaching and research have ranged broadly over topics in the languages and literatures of the ancient Greeks and Romans, as well as their subsequent legacies from antiquity down to the present day. In particular, I'm interested in topics related to how Greek literature and literary culture intersect with political ideology. Now today, when we hear the word political, our minds naturally go to our own political system, dominated as it is here in the U.S., by two opposing political parties. Now ancient versions of this sort of factionalism do occasionally crop up in my work, but more often I'm focused on a broader view of what constitutes politics. Today I'll be talking about my book, The New Politics of Olympus, which came out in 2019.  So let's start off with a reasonably well-known quotation by a pretty well-known ancient Greek. In the first book of his Politics, Aristotle says that the human is by nature a political animal. Of course, when he said it, it sounded something more like Goentropos Fusse, Politikons Doan. Now whatever image that may conjure to a modern mind, it might be more helpful to translate Aristotle's phrase, Politikons Doan, as a creature of the polis, which is the Greek word for a city state. Aristotle goes on to say that unlike other animals, say bees, for example, who are similar to us in so far as they live in a sort of community and respond to positive and negative physical stimuli, humans have the power of speech. And this, in Aristotle's view, is crucial, because it allows us to respond to pleasure and to pain by saying, I like that, or hey, that hurts. In the context of a community, humans thereby come to develop both individual and shared perceptions of what is good and bad, right and wrong, etc. Naturally, perceptions of these moral qualities are going to vary over time from place to place and indeed within a single community. But Aristotle believed that language and communication with others in the polis is what enables the uniquely political animal to make the leap from merely experiencing pleasure and pain physiologically to articulating and debating more nuanced moral ideas that emerge from efforts to collectively maximize pleasure and minimize pain. As moral ideas take shape, they come to have influence over the structure of our lives within the polis community. And taken together, they form ideologies or constellations of ideas that guide our decision making and help us rationalize and justify our political structure. Given that language is the medium for working out these ideas, it's hardly surprising that literature would serve both as a vehicle for transmitting them across space and time, but also as a laboratory for experimenting with them. So we've got to think about literature not just as a static heap of book rolls tucked away in the library, but instead as an ongoing dynamic conversation, just as Raphael sought to depict it here in the School of Athens Fresco. And so Greek literature offers us a distillation of the Greek's obsession with asking and answering questions about the best and the worst way to organize just about everything from an individual life to the entire political community. Sometimes this takes the form of a philosophical treatise that explicitly teases out this or that set of questions. Plato famously carries out his investigations in dramatic dialogues where characters discuss the nature of piety or goodness or justice while going on a walk together or sitting under a shady tree beside a stream. Most literature, however, doesn't attack these questions head on, but instead examines them in the context of human lives. Thus, we can see how moral and political questions are being worked out in narratives set in front of reading or listening audiences who can actively engage with the material by creating inferences and analogies relevant to their own experiences. My book examines the intersections of politics and literary culture at a period when Greek power and influence was not limited to the area occupied by the modern nation of Greece, but instead swept over most of Mediterranean basin, extending as far as present day Pakistan. At the head of a vast army, Alexander the Great absorbed most of this territory into a single kingdom in just a few years, but his sudden and unexpected death in 323 sent fishers shooting through his empire as his successors struggled to assert claims to his power. The most successful of these carved up his Spear 1 territory and set about creating kingdoms of their own, in most cases ruling over ethnically and culturally diverse populations who had not previously existed together in a single political community. The most effective of these successors was named Ptolemy, who ruled over Egypt, controlled the waterways and many of the islands of the eastern Mediterranean, as well as significant portions of the coastline from present day Libya to Lebanon. The dynasty he established stood for nearly 300 years until the future Roman emperor Augustus deposed the last Ptolemy, Queen Cleopatra and annexed her territory. The Ptolemy kingdom with all its power, the vast territory it claimed, the dynasty that lasted three centuries, all of it, had to be invented. It had to be manufactured because it was newly created from the ground up. Now, let's say you're Ptolemy, you've got this huge army and the resources to keep them loyal to you, which is a whole different issue. It's terribly inefficient, and not to mention completely impractical, to trot your army out every time you want someone to do something. You need a way to manifest that power that doesn't principally rely on the use of physical force, a way to fix that power indelibly into the imagination, both of those you seek to rule and of your neighbors who want to take away bits of your kingdom from you. To pull this off, Ptolemy and later his successors invested heavily in symbolic forms of power in order to project authority and legitimacy at home and abroad. Art, literature, and knowledge production more generally quickly became central to their efforts and a massive research complex known as the library and museum was created to serve as both a cultural repository and an international think tank that attracted superstars in every branch of learning in order to transform an insignificant peripheral city into the cultural capital, not just of the Ptolemy regime, but of the entire Greek world. No single figure was more important to this effort than a Greek polymath named Colimacus whose efforts are the central focus of my book. Born into an elite Greek family in Kyrene, a well-known Greek colony in modern day Libya, Colimacus became an influential power broker in Alexandria, the city on the Nile Delta that Ptolemy was constructing as the center of his sprawling kingdom. Over the course of some five decades, Colimacus manipulated the levers of power as the first three Ptolemy kings set in place the building blocks of a dynasty that would endure for three centuries. While his name is unfamiliar to most people today, well-known Roman authors like Virgil, Horus, and Ovid considered Colimacus to be the most influential Greek literary figure after Homer. Among other things, Colimacus was responsible for organizing the vast and growing collection of texts that Ptolemy was acquiring for his library which aimed to acquire every book ever written. Colimacus thus became a gatekeeper for a vast store of knowledge and cultural memory. He wrote dozens and dozens of works in both prose and poetry establishing himself as the dominant literary figure of his time. Of that massive output, only a single one of his books survives today. Paradoxically, that one book has received rather little attention from modern scholars who've been kept pretty busy trying to piece back together his other fragmentary works. Though long overlooked, Colimacus' surviving book offers us an important window into the foundations of the Ptolemaic regime, an anthology of poems written throughout his career. We call this book the hymns because it contains six songs of praise celebrating the major Olympian gods. Zeus, Apollo, who gets two hymns, Artemis, Athena, and Demeter. Long thought to be curiosities of a purely religious or literary character and of interest only to a small group of esoteric poetry specialists, these carefully crafted works must be read in dialogue with the burgeoning efforts to manifest political power and authority in the first decades of the Ptolemaic regime. Colimacus was neither a propagandist for the crown nor a reactionary critic and instead he staked out a position all his own that allowed him to stay close to power and yet also influence its development. Working within an authoritarian regime in which the king's favor could devastate you just as quickly as it could elevate you was tricky business and so Colimacus was forced to become a master of figured speech. When Colimacus sang the praises of the all-powerful gods he described them as kings and queens part of a divine family and a unified political regime. In so doing he adapted and amplified elements that were central to the narratives that the Ptolemies were advancing about themselves. In this way, Colimacus helped merge the Ptolemaic kings and queens with gods and heroic figures from legend who already occupied a place in people's imagination. Thus when Colimacus sang a song praising Zeus as the king of the gods he subtly repackaged the god in a way that gave him a sort of Ptolemaic family resemblance thereby co-opting him as a supporter and legitimizer of the new regime. Of course when Colimacus did it it looked a little nicer. Moreover, Colimacus sought to redefine both Zeus and Ptolemy all but erasing the space between the two as individuals presenting them as virtually synonymous with one another. This went hand in hand with other efforts the regime was undertaking to harness the authority of such larger than life figures. So we can set Colimacus's song side by side with freshly minted coins, new monumental building programs, innovations in religious worship and even foreign and military policy to gain a more complete picture of the diverse efforts that coalesced around institutionalizing and perpetuating the regime's power. My book is the first attempt to study Colimacus's hymns in its entirety. Analyzing how the six hymns both individually and collectively seek to reshape political values in order to bolster the Ptolemaic regime and secure a place for literature and for Colimacus at its core.


What's going on everyone? Sam here with latent sports cards ripping seven boxes of 22 tops formerly one chrome sapphire for Justin H. Good luck here Justin. Let's do some sapphire. Sapphire. Sapphire. Yeah. I like, I like photos. That was pretty funny, right? That was funny.  Sapphire. I like photos. Roy Nassani. Alexander Albaum. Max Verstappen. And Andreas Seidl. We need a, I like photo shirt. It's a turtle with the, like the first one. Oh dude, that'd be awesome. Oh, that'd be so, we need to make that happen. There's Lewis Hamilton. Green, George Russell. 19 out of 75. Nice first color coming out of there for you Justin. Grats on that buddy. Voltaire Botas and Max Verstappen. Grand Prix winner, Austria. Austria, yeah, Austria. McSchumacher. Luham. Saudi Arabia. Grand Prix winner. Jo Guan Yu Rookie. And Max Verstappen. Theo Porsche. There's a yellow Max Verstappen. That's going to be numbered 92 out of 199. Red Bull. Ord winners. Kevin Magnussen. And Luham, driver of the day, Spain 2021. Lando Norse. Amari Kordil. Felipe Drogovic. And driver of the day, Carlos Sainz. I got to tell Foresty, I like photos and things. Oh my god, that's so funny. That is, that is, that might be in like the top five funniest things of all time. Oh, we got a gold. That is going to be Lewis Hamilton. Grand Prix winner, Saudi Arabia. 10 out of 50. There you go. Congrats on that there Justin. There you go, buddy. Nice, Luham. Callan Williams. And Red Bull. regular Lewis. Say any of the driver of the days, unless it's like one or one, unless it's 10 or lower, I would say, or 25 or lower. Ayumu Iwasa. Max Verstappen. Christian Horner. And Jo Guan Yu. Unless it's like a portrait or like if it doesn't say that, then yes. That's what I would go with. Okay, I was calling you too. I got you. Danny Ricciardo. Here is Fernando Alonso, driver of the day, Qatar. 70 out of 99 on the teal. Nice one there for Alpine. Jo Guan Yu rookie and Lewis Hamilton, Grand Prix winner. Box number two. Connie is going to be drowned over there. Yeah, there's no way I'm keeping up with this. Well, we got Topstrome Black after, and I could do that pretty much all myself, which is good. Yeah, you're going to have to. Then three and two after that, which I can do theoretically all myself as well. Esteban O'Connor, Felipe Drugevich, and Carlos Sons probably have an extra card in one of these next acts. Marcus Armstrong, Sergio Perez, Max Verstappen, and Jo Guan Yu rookie. GQ's. We got a yellow Oscar Piastri for Prima. Nice one there to $199. Yeah, I think that is. Yeah, that's the variation right there of Oscar Piastri. Yeah, I was just going to say that is the variation. Nice one there. Congrats, Justin. Nice variation. Verstappen and Kevin Magnuson. Mercedes, Lewis Hamilton, Lewis Hamilton, and Felipe Drugevich. Gunther Steiner. There's a green, Pierre Gasly. That is numbered 66 of 75. Nice one there. Congrats on that. Carlos Sons and Callan Williams. Red Bull and Christian Horner, Oracle Red Bull. Principal card. Two to go in this box. Carlos Sons. Nice. Charles Leclerc on the portrait to $199 for Ferrari. Nice hit on that one. Congrats there, Justin. Jo Guan Yu and Jo Guan Yu. Here's where the extra card you were missing is. Oh, two numbered. Oh, wait, no, I'm just kidding. Not two numbered cards. We do have a Sepia, Jo Guan Yu. 72 out of 100. Oh, we do have two numbered cards in this. Nice. As well as a Tailport Cher, 3 out of 25 on the orange for ART. There you go. Congrats on that, Justin. Luham and Daniel Carr. Oh, that's an extra one. George Russell, Lando Norris. Liam Lawson, Lando Norris, and Ollie Caldwell. Five in that pack. We'll probably have a three, three-quarter coming up here, which I think is this one. Nice. Orange Clemente Novolok, 17 out of 25. Back-to-back boxes with oranges. Congrats, Justin. There you go, buddy. Sergio Perez, Enzo Fittipoli, Carlos Sainz, Max Verstappen, Lewis Hamilton, and Nicholas Latifi. My Crack, nice. Liam Lawson, Future Stars to 199. That is 14 out of 199 for F2 Carlin. Max Verstappen and Pierre Gasly. George Russell, Daniel Ricciardo, Richard Richure, and Carlos Sainz. Carlos Sainz, Teal Logan Sargent. A lot of portrait numbers coming out of here. 26 of 99. Congrats on that there, Justin. Marino Sato and Charles Leclerc. Jack Duham. There's Dennis Hauser on the Sepia, 15 out of 100 for Prima. Mick Schumacher and Sergio Perez. Esteban Ocon. Yellow, Sergio Perez this time again to 199 for Red Bull. Alexander Albon and Sebastian Betel. Xbox. Actually doing a pretty good job. No, I am not. Where'd you put the other ones? Oh, I'm like a fan. I'm just going to call Topola during the next two. Yeah, you're good. I'm just going to sleep right now. Not a bad idea, honestly. George Russell, Lando Norris. Lando Norris. Frederick Vesti, Future Stars. Sergio Perez. Yellow, Logan Sargent to 199 for who is that? F2, Karlin. Daniel Ricciardo and Sebastian Betel. That is Pierre Gasly. Gold, Daniel Ricciardo. Nice one there. 40 out of 50. And I believe is the variation as well. Yes, I believe we are Cardinals fan for the night. I can't really tell if that's a variation actually. Louis Hamilton and George Russell. I'd mag it just to be safe. Nice one there. Very nice. No, Sam, it's fine. Totally fine. I'm not. It's fine. Everything's good. Another orange coming out here. Lando Norris. That's orange. Lance Stroll. Nice one there. 13 out of 25 for Aston Martin. It is. Thank you, Sloan. Charles Leclerc and Yuki Sunoda. And then two, five, two. Five, two out of variations. Good to know. Marcus Armstrong. Pierre Gasly. Max Verstappen and Kevin Magnuson.  Max Verstappen on the green. 75 of 75 for Red Bull. Very nice. Congrats on that, Justin. Sergio Perez, Marcus Armstrong. Alexander Albon. Sergio Perez, Fernando Alonso and Johan Deravola. And last pack of this box. Pretty solid box over there. Two variation colors so far. Mick Schumacher. Sergio Perez on the yellow. Yes, 199. Sebastian Vettel and Lance Stroll. Next one. Box five. Oh, I did. Vinny Riccardo. Clement Novolok. Lance Stroll and Louis Hamilton. Lando Norris. Yellow. Pierre Gasly to 199. 82 of 199 for Al Pitari. Frederick Massour and Espan O'Conn. Logan Sargent. Sepia Oscar Piotri. Award winners to 107 of 100 for Prima. Ollie Caldwell and Alexander Albon. What happened, Graham? Charles Leclerc. Nice. Louis Hamilton. 23 of 99. Congrats on that on the portrait. We'll take that for sure. You can bag this one. Nice portrait, Luham. Max Verstappen and Jo Guan Yu. Jo Guan Yu. Sebastian Vettel. Volteri Botas and Mick Schumacher. Sergio Perez. There's a Max Verstappen. Variation to 199. There you go. Congrats on that, Justin. We will mag that one. Congrats on that, buddy. Photo variation Verstappen. That's the third one of these, of this break. Verstappen and Liam Lawson. Max Verstappen. Mataya Bonotto. Lando Norris and Ollie Caldwell. Lance Stroll. Mike Crack on the negative. That is five of 15. Mike Crack. Let's go, baby, for Aston Martin. Max V. Nice. Mike Crack. Sergio Perez and Enzo Fidipaldi. Mike Crack. It's Mike Crack. Happy Place. It's the greatest name in sports right now. We need the Pad Parasha of that, or else I quit, or I riot. Pad Parasha of Mike Crack. I want to pull or I riot. It does sound like a Bart Simpson prank to most avid. I'm looking for a friend. First name we, last name Kebum. That is Louis Hamilton. Daniel Ricardo. Nice one there, 299. On the portrait for McLaren. That is Andreas Seidel and Voltaire Botos. Yeah, I believe these are from the same case. Esteban Ocon. Nicholas Latifi. Max Verstappen and Max Verstappen. Yeah, this is pretty insane. This is a pretty insane break. Yuki Tsunoda. Max Verstappen. Alexander Alban and Sebastian Vettel. Max Verstappen. Esteban Ocon on the Sepia, 2100. Mick Schumacher and Sergio Perez. This is Joe Guanyu. Louis Hamilton, driver of the day, 2199. Spain. Marino Sato, Charles Lecler. Logan Sargent. Charles Lecler. Richard Versure and Carlos Sainz. Alonzo. Uh-oh. Is that a pad? Is that a pad Parascha? That is one of one pad Parascha. Sergio Perez. Let's go. Now congrats Justin on the pappy. Of one, my first pad Parascha, baby. Let's go. There we go. Justin getting that magged up for you, buddy. Sergio Perez. That is Max Verstappen. Pierre Gasly. Are you serious Sloan? That's kind of wild. Pink is one of one. One of one, Hawke. Roy Nassani. Louis Hamilton and Nicholas Latifi. Go, baby. That's so big. I'll do a recap of the just the mag stuff. Actually, can you go and find it? Anything 150 and lower. I need to stop loaded right now. Stop what you're doing. Last box. Good luck. I'm going to punch you. What is wrong with you? Louis Hamilton. Jack Duhan. Omari Cordil and Yuppie Sunoda. They asked why Don get fired. Oh, he had a physical altercation. Yeah. Understandable though. Yeah. That's Kevin Magnuson to 99. Nice one there for Hobbs. Daniel Ricardo and Fernando Alonzo. At least after this we're not adding anymore. I know what that's to do. Clementino Vlok. Max Verstappen. Lance Stroll and Louis Hamilton. Hey, what's up, April? What time is it in Singapore right now? What time is it now? I mean, I guess six o'clock. Carlos Sainz. Nice one there. That is 13 out of 199. Yeah, you've got a top load. And Asimado Khan. He top loaded Sam. That does sound like a wrestling move. The top load. That's Max Verstappen. Sepia Sergio Perez to 100. Might have to go off to that rainbow now. Nice one there. Congrats again, Justin. Ali Caldwell and Alexander Alon. Nicholas Latifi. There's Max Verstappen on the negative. 11 out of 15. Grand Prix winner, France. We will nag that one as well. Tony is working overtime over here. Verstappen and Joe Guanu. Jeez, dude. This is an insane break. Lou Ham, Pierre Gasly, Voltaire Botos, and Mick Schumacher. Two o'clock in the afternoon. Yes, it is. F1 Sapphire is a lot of fun. F1 Sapphire is a lot of fun. What? I guess it was six o'clock and six days over there. That's Danny Ricciardo, Max Verstappen, and Liam Lawson. That'll do it for your break. We'll do a quick recap of the big stuff for you. We had a Max Verstappen on the variation to 199. We had the Max Verstappen negative to 15, 11 of 15. A Lewis Hamilton on the portraits, 23 out of 99. A Danny Ricciardo gold variation, 40 of 50. That is Oscar Piastri, 181 out of 199. Again on the variation. And then a Pad Parasha, one of one, Sergio Perez for Red Bull. That'll do it for your break, Justin. That was absolutely insane, man. We'll get those right out to you, buddy. Thanks again.