Uzihwama kwa feruwa jama na pakaibu mwakiku quartiku 3a Talii followers in 34-35 Yinesi taji jazilia kunkufo alu buk suspaladzita Uzihwama katatia Nusikua jama na nakaibu Chini Yido ni taji toku Nuga nilla๑a Kima jo 13-34-35 Wakama na lora Kwa jama na kina So you must love one another, by these all men will know that you are my disciple if you love one another. This is just telling his disciple, yes, during my ministry years, those three years, guys saw you with me. Waluwa onanamimi, me performing all those miracles, they saw you with me performing miracles, going from one place to another ministering from this church to another, guys saw you with me. The people saw you and witnessed indeed you are always with me, but what this one thing that will set you apart from the rest of the people, people saw how much I performed miracle, how much I showed love even by dying on the cross that I'm going, this is before he died on the cross, people saw me performing so much miracles, people saw me doing these, showing love to even to the children, to the Sikh, to the elderly, to women. So if you love one another just the same way I have loved everyone else, people will say indeed you are my disciple, this is one mark that will set you apart and will prove that indeed you are my disciple. So Jesus is just telling and encouraging this disciple, love one another just the same way I have loved you. So you must love one another by these old men, we know that you are my disciples, not just any other ordinary people, but you by expressing the love and loving each other will be a mark that indeed you are my disciple. And I'm reminded that even this mark of love, apart from that as Christian who are born again, we get born again and we start flagging around our salvation. Don't judge me, don't do this, you know I'm born again, but what else do you have to show apart from your salvation, you know? I understand, I understand salvation is not that reset button. Ile ni uki okokanga iwi unenda kwa factory reset that and then you change. No, no, salvation is a process, it takes time, it is a process. So I will just allow, encourage you to allow yourself to go through that process. I remember when I got born again, same same years like size 8, 7 years ago, almost 8. I remember God took me through a process, working through me as in and any chonga in very different ways. Yes, but you know that year that I got born again, there are things I did not struggle with. The grace was sufficient that I was able to just to release, you know? I didn't even struggle with those, but there are things that I I struggled with and I allowed God to work through me, but the Holy Spirit, I just allowed it because the moment you give your life crust, the Holy Spirit comes and dwells in you. So I allowed the Holy Spirit just to manifest itself strong in me. The first thing that God dealt with me was that and forgiveness. Uile unahul graj for so long, for no reason. Uutaki kusa mehawatu. That is the first thing the Holy Spirit dealt with me. And I allowed myself to go through the process. It was very painful, but there I will not lie to you. It is very painful. Just allow yourself to go through that process here, that transformation process because your salvation, that mark is not enough. What is that other thing that will set you apart to actually see people saying that indeed this person is born again? Apart from your salvation and Anandanga Kanisa Sandy, what is that one thing that will set you apart from the rest of the people and the non-believers? What is that one thing? What is the difference between you and someone who is not born again? Ask yourself that. What is that one difference? That one thing, that difference between you and someone who is not. I will send you to 2 Peter chapter 1 verse 5 to 7 which says, for this reason, Make every effort to add to your faith goodness. Yes, you have your faith. You have been born again. You believe in Jesus Christ. You believe in His resurrection. You've given your life to Christ.  The moment it starts manifesting itself in you, what else can we see from you? We have faith. For this reason, make every effort to add to your faith goodness. And to goodness, knowledge. And where do you get this knowledge? The Holy Spirit gives you. Remember it gave Daniel Shadak Meshakan Redrego the wisdom and knowledge. And to knowledge, self-control, very rare. And to self-control, perseverance. And to perseverance, godliness. And to godliness, brotherly kindness. And to brotherly kindness, love. So you're born again. What is that one thing that sets you apart from the non-believers? You can read all this in the Bible.   Learn to listen.  What is it that it's telling you? Does it want to deal with your pride in your life? Allow him to just manifest himself in you. Set that pride aside. Let that ego aside. Let that sigiri whatever selfishness aside be kind, be gentle.  Hey! And that marks the end of inspiration vibe. Yes, thank you so much. Do you have anything to add on that, CJ Nix? Yeah, one amazing thing I love about what the Bible scriptures in us say about our salvation. Let us exercise it with fear and trembling. Let it be God, let it be treasure that is a gift to mepewa na God. So whenever time we are proud of it and exercising it, imagine all the fruits or the promises that God may say maata amewekea, ame seta aside for everyone who is called by his name. Imagine zote zita waka kwa life ya ako. So alafu, these are fruits. Okay, you know kuna fruits the Holy Spirit, kuna the gift of the Holy Spirit but unona kuna, I think kuna co-values kuna karakta tu ya salvation na mani seme fruits of salvation wacha zi yone kana mani unona seme be kind, be good anything that is hindering mutu kuna salvation inu, ama kuna the God inu. Yani achana tuna iso vitu. Yeah, wacha. Mmm, exactly. Christ did not take it comes up. And actually he paid a price for it.  That was the extent of love. So he is telling us love one another so that it can set us apart from those other people. Yes. It can be evident enough to everyone who is watching us that indeed we love each other and we are setting a good example for everyone. So that the only way we can attract people is just by loving them. We can attract non-believers. It's just by loving them. Yani aze uke se manga wmoku kuna wana chuki aji rani. Aji. Ili aze aze sa sa. E, maze wmoku kana wani mcho yo. Maze aze. I make sense maze. Kuna karakatumu wajam ebi inakwa ngayin built. Wno jwe yuhhe yone kanangi, nji aze mutu. Lakin ni kanda ni ake. Ile kuhane naweev.  There is an open door in his life or her life. Lakin ni wewa puku. Ndani yun aze kia, sa zambona e'i ndi anabarikiwa. Umbona na naji fanyanga ebi. No, no, no. Vitu kama izo. Izo tutawa yona. A tutawa yona. Lakin ni zikondani ako. Say, it's all about yourself. So, search yourself uone kama unanguwa na iyo. Ako kaspeka kaya kitu maze. Ume ni kumosa dijeni. Di kama kandili kwa na jona. Nga kama say, perfect. Yes. Perfect, perfect. Bata ni kakutanana na bibobas pale sams. David iakisemba. Aki sema. Blow it out. On my transgression nani. Ni kwiti. Maze nili jihambol before the Lord. Nika say, I cannot be perfect. Surely I cannot. So God, just blow it out watewa ni kwiti en transgression ni mi because I cannot see it.  No, mazef. Even doa kanda tuku wakon mazef. Anani pointia maze we are too selfish. And I didn't know I was selfish. And I prayed. And I cried because that process was very painful for me. But God has been painful. And this is an encouragement to you, mazef. Nasi kia tuya ni iyo story nani bamba sana. Because another person exercises salvation, mazef. Anali na takakulin on their own understanding of things, their own knowledge. God nani kuna witu tu ana tuambiyanga. I think ask me or seek wisdom from me. Exercise wisdom. Wachaku lilai na knowledge kusana sanati… Mi naji juanga Niki ou ni mio kaka miniko niki naivi.  Nage na kituta niopoeintuli kuna se maia kuna watu ingina ni comma awwe we mbonu na fanya evyo. Una jw lu wa angalia from what you know it's right. But also I think kuna kitu God maybe enawak in them na jua kutu asema ga God na kwainga behind every person mayne kwa Yeah, before Twitter, all are calling. Yes, before Twitter, all are calling. Before Twitter, all are calling. People guys, I don't understand what you're going through and what you enjoy in this present. I want Dennis to play a few songs and then be back to wrap up. Yes. This is Ako. Yes.


I'm Maggie Neal, painter in Montpellier, and I've got a show with Jack. Jack Saban figured this show would go good together. Our aesthetics and energy flowing together with this art. What an idea to show together to see how our work relates to each other. It's an experiment for us, and it is for the viewers. It's like in any contemporary gallery, you have some representational art, then all of a sudden you have the more contemporary large notes of color art. We didn't know what paintings we were going to use together. Jack said he was doing large landscapes, and I said, okay, large is good in this city center space because it can take large paintings. It needs large paintings. A big red one. Really, we're looking for color in this white world of Vermont winter. And we're looking for water forms. So there's the energy that the red one has moving with the energy of the green wave. So that was exciting when we saw the work together. We got excited. We're hoping that other people will come by and also feel that excitement, the inspiration and the contemplation of what are these paintings about and why are they here together? It was really a lot of fun putting the show together. We had to rearrange the paintings of how both pieces are going to work together, what does not work, what will work. We grabbed a larger red one because it's kind of complementary to the green paintings. New modern type of work, so kind of aesthetics of what I'd be putting down would be a little bit different, but I understand the work. These representational paintings, I would say, are much older pieces, but I didn't know what to paint one day. I looked out my window and I saw this scene, and I asked Karen to come up and she's my significant other. Come up and take a photo of this for me, so she did. Then I said, I think I want to do this in a 30 by 40. I came out and I specifically did it for people who admire representation. Then along with the energy of the wave paintings, which I just love because I love being in the waves. I almost kind of like the dangerous feel of them. Being right out there with that water is like trying to understand it. Trying to understand the hydraulics, the movement, the foam, the thinking, and I was like, I'm a light too. Maggie? And then my landscape is of a different realm than the abstract, but I'm really trying to bridge the gap between landscape and abstract in this one so that the people that can't look at abstracts could look at this and find the calm, the different emotional qualities of a landscape, of water, of a sunrise. It's kind of like the electricity of thought, and then being conveyed and actually put on canvas, soul and heart, even if you don't believe in that. Some of the electrons being fired off or being like sent up here, you know, like a decision of do I put this color here or not. Something about painting. Like I like to be kind of sucked into the painting and walla within its color and its form, and then resurface again back to the world and see what I've done. And I think that these paintings are successful at coming through that journey in a way that they want to be shown. We're just looking at the main wall. There's quite a few other paintings around the rest of the space. This show is up for the month of January, but it goes into February and there is an art walk, a Montpelier art walk on the 5th of February, and this show will be our closing night. Come see a lot of art in Montpelier and come see this conversation that Jack and I have made with our paintings.


Go back to this part two or watch along of Part two if you know sign language, you know what this is If you're watching this on YouTube you can see a very cut a version if you like to see a full-on cut version So you can head over to patreon Comment and obviously go watch the first part if you haven't seen that yet. Let's just get back into this Okay, but I'm gonna Great writing this is all justifiable Poor guy And the rest is history The other And doctor I think so He might be a little of scat man brothers. Do you remember scat man brothers? No Sorry So glad the songs have subs Shit's gonna hit the fan soon. I feel it. Everything's going to such a great shot through the car window like that Everything is going to smoothly right now Sir Great continuity with the tears well done I Have you noticed the reflection in his sunglasses there is zero reflection of the cameras Both out the front door when he looked in the back seat. He's looking straight in camera There's no reflection of camera in the sunglasses Twice he looked straight at camera I wonder what they did I thought it was sexy Stop drinking tea man. You've got too much caffeine I Said a lot of people Nelson's a man who can enjoy a good poop joke Mani She's the kind of actress that if you were critiquing her in an acting class. It's like I have no notes. Yeah Doing it perfectly. Yeah Yeah Every shot He's framing comedy enough. I feel and Nelson use it to the fuller does again Very Wes Anderson in that regard Phone Hello Great shot body a wasp and a I know that you didn't do anything, but it's very difficult to find a girl like this in our house. No sir, I will go only if I shoot. He's like, wow, girl of my dreams. Sir? Money? No sir, I am scared to see the murder. I will walk back and shoot. I will listen to his voice. I wish Scorsese would do this kind of mob movie.  Great scene.  Did you redo?   Sir, I don't have anything to do with my mother. Where did you get this courage from? Sir, please let me go. Sir, I don't think I can do this. I am scared. I will definitely kill him. Give me money before I do this. I will go, sir. Give it to dad. It's a big problem. I will have to eat it right away. I love that it was just on his beard. So, at 6 p.m. Has he had a little problem in every film? I think so. Well, definitely doctor in this one. Yeah. Jailor too though, wasn't there? Yeah, he sure did. I don't remember. He lit that. Yeah. I have a brown bag in the cupboard. I have your money. Take it. We have one bit of business left. I can't do this rape. Spinal cord is totally damaged. You should cooperate and take care of it. I will get the remote and send it to you. Great transition to make us wonder what happened. She has the money, I guess. I don't know. You think she killed him? It's a little bit of a problem. I don't know what to do. Get out of here. Uh oh. Somebody's there. Yep. What are you doing? Are you like a doll? Sir, I didn't do anything. I left the light on. He's the one who killed Mike. Hey, come. Yeah, bye. I'm with her. Talk to her. Someone call on the phone. Talk to her. How are you, Kogila? Come on. They told me that you are like a doll. Yeah, I think the score is heavily inspired by Breaking Bad. And this is how she became Queen of the Underworld. She said 100 kilos. Very Breaking Bad. I think that's the reference on this one. The score is heavily inspired by Breaking Bad scores. Good lord. Just getting better and better as the thing goes on. Just an interesting choice to put that chair there. To just add a little extra... That should be a distraction. Probably talk about this when we review at the end, but... His films are just proof positive. His collaborative film is just... His films are as good as they... Look at that shot. Tilted. My goodness. That's a lot. A lot of tiffins. Oh lord. Come and smuggle the drugs. He loves an actor with an interesting face. Oh yeah. I shouldn't even get angry. Okay sir. We'll leave in 5 minutes. We'll be right back. Mom. Everything is with you. You'll do it properly, right? Do it one by one. I'm going to drive. Do you want me to show you? I've not seen anybody do better comedy... No. ...in movies than Nelson. No. Okay, let's outing? Yeah! I was like, how are we going to bring Yogi Babu back in? How are we going to bring Yogi Babu back in? Who's going to do comedy for our family? If we don't have a van, we won't have a job. If we don't have a van, we'll go hungry. Let's go. Listen to me. Where are you looking at? Hey! You're the head of a rubber ball. Get lost. Why are you sleeping like this? What's wrong with you? How do you want me to sleep? Lie down. Lie down. Lie down. Lie down. Why are you sitting on the table? The doctor asked me to sit on the table. Is there no doctor on the table? Is there no doctor on the table? Let me drive my father's car. Will you be able to do that? No. My father... I'll be with you. Uncle! Go! Once we've reached the right place, we'll finish that girl's family. It's a risk for them to die.  Hey! If you're going to die, you're going to be in a big van. Hey! They asked me to check all the vehicles. What did they ask me to check? Did they ask me to check this father's family? Sir! You don't need money. You don't need Rs.10,000 or Rs.100,000. Hey! I don't have money, sir. I'll take you to the hospital, sir. Okay, sir? I won't go anywhere.  I don't have money, sir. I don't have money, sir. I don't have money. I don't have money. I have some money. That's why... Money? Do you have money? More than that. More than that? Is it your beer? Hey! Didn't you have money before this? Who? It's Rajapodakar. Mom, I'm a little late. Why are they so patient? I'll be back in a minute. Sit. What are you doing? What are you doing? Is it your brother-in-law? It's my brother-in-law. What? You're going to cook this chocolate, right? Come on. 30 crores of fruit.  You are going to Simla's door? It's not possible to come here. Come with me. Come here. Come here. Why is he opening the counter? Police. My wife is not feeling well. She has taken me to the hospital urgently. Okay, leave. No. You are talking to all the family members. You are coming alone for the third month. If you come alone for the fourth month, I will be alone. That's why. Who is he? Oh no. Don't worry, aunty.  You are raising a god.   Don't make me cry. Sit down. Okay, okay.   Do you want me to irritate you? I will strip you. Okay, okay. Saving... Saving Sobi's mother, bro. What is this? Bro, sobi's mother is not feeling well. Let's talk in the washroom. Hey. It's nearby. We need to talk. I spoke on the phone. Please. It's a cyber-psychic. Let's die, dad. Bro, what are you looking at? I am 22, 30 people. Bro, I can save my mother now. Hey, 20 people are fighting in my contact. Sorry, mom. I took your contact in my car. Now, he is taking my contact.   I told you. You need to shut up in the morning. I said, save me, bro. Dad. Sorry, sorry, sorry. Sorry, sorry, sorry. Sorry, sorry, sorry. Now, we get shot. Yep. Hey, Shobhi. Careful, careful.  Sorry. Please. Oh, okay.  Who is that black panther? What is this? What kind of a piece is that?  It looks like a black panther. It looks like a black panther. This is the only way to take you anywhere in life. How do I say this? A proverb. If you study 8th grade, you will earn Rs.80,000. If you study M.B.M.B. you will earn Rs.80,000. When I see you like that, I feel ashamed. Hey, wait.  There is still 90% left, dad. Only 90% left? I would have taken a bath tomorrow. Do you have salt for 25 crores? I asked you not to ask. I asked for cocaine salt. The salt you send is tartar salt. That's why I am eating it with salt. If you play a game with Alphonse... If you shout, you will get a helmet. If you ask for Rs.100, you will get cocaine salt for Rs.100. Your cocaine is worth Rs.100. Yes, I am a man. I shouldn't go to mother. I am a man. I shouldn't go to mother. If you don't come there like you said, I will definitely come tomorrow. If you don't come tomorrow, you won't come. Get out. Tell me. Babu. Do you want to go to Samaradhi for us? Ask for cocaine salt. Sir, if you talk calmly, I will talk. Otherwise, I will cut the phone. Hey, are you threatening me? What? Tell me. I am the one who changed the salt for Alphonse. Now, I have only 90 crores left. I am going to ask for help from you. Are you trying to fool me? Even if we finish this job, Bhai won't let us go. He is going to do it again and again.  But, if we keep doing this job, I will give you the 90 crores left. You will make that money. But, until Bhai comes, we have to take it and run away. Now, if we run away from here, you will only do one thing. If Bhai can contact me without even a small doubt, it will be my responsibility to clean up your family and me. This deal is between the two of us. Even if I were you, I would have done the job. I will save you. If you plan as I say, Bhai will not know. Sir, you are cute, aren't you? Bhai, are you with me? What have I done? Get out from behind him. I think she is going to do it. I think she is going to shoot him right in the head. What do you think? Yeah. Oh, she is going to do it. Here we go. Part 2. Reaction to Part 2. If you saw us on YouTube, you saw a very cut up version. If you'd like to see a full-on cut version, please leave a comment in the description. And on to Part 3!


Hey everyone, I'm really happy and proud that Intercom again is a sponsor of EmberConf. We took a bet on Ember in 2014, six years ago, almost to the day.  Day by day, week by week, month by month, we shipped feature after feature after feature. And these were features that our customers love and as a result, our company has grown rapidly and continuously. And Ember for its part has made this really easy. We try to be deliberate in everything we do. When it comes to Ember, we follow the conventions, stay in the happy path and keep our app up to date every six weeks. And where we can, we contribute to the framework and to add-ons and the RFC process. It's the beauty of open source and the communities that surround it. You get back way more than you put in and this has certainly been the case for Intercom. So I just want to say to you all the Ember community, thank you. I hope you have a great EmberConf and I'm looking forward to seeing you all in person this time next year. Bye-bye.


So each year all the students have a birthday in my class some of them have half birthdays if their birthdays in the summer When we are not in session and so for those half birthdays I do the exact same type of thing in the morning. I put pieces of paper on the students Desk and for the student whose birthday as I put this one happy birthday Thomas And I have made these all ahead of time and then on the other students desk I put a blank sheet of paper and what they do is they write their name at the bottom and they decorate the candles and the cupcakes and My instruction to them is please write a happy birthday wish to the birthday boy or birthday girl And so some like to write a lot Others just write one little thing and so we have lots of different ideas for wishes for the birthday Person that day and then when we have the birthday celebration We sing happy birthday, of course, and we usually do a little song and dance But most importantly I have each student read their wish to the birthday person that day So this is how I celebrate birthdays in my classroom students really like to hear from their classmates and their peers and it's also a way to kind of build community in your classroom because students are saying kind words about Each other and then they're saying then they're going ahead and speaking those kind words to them when they read their card to the Person so try this in your classroom this week


From Hollywood, California, the Luxe Radio Theater presents Kerry Grant and Jean Arthur in Only Angels Have Wings. Luxe presents Hollywood. This program is our way of thanking you for your loyalty to Luxe Flakes. Every time you purchase a box of Luxe Flakes, you're playing an active part in making this program possible. And every time you buy a box of Luxe Flakes, you're assuring safe, thrifty care for your nice things. For everything, safe and water-alone. Because Luxe has no harmful alkali to fade colors or spoil fabrics, it keeps your things new-looking longer. That's worth remembering, isn't it? Luxe is safe and it saves. Tonight we take you to South America in a play of high adventure and romance in bringing you Kerry Grant, Jean Arthur, Thomas Mitchell, Richard Bothamus and Rita Hayworth in Only Angels Have Wings. The music of the Luxe Radio Theater is conducted by Lois Silvers. And between the acts, you'll hear Arthur E. Laporte, captain of the plane Yankee Clipper, just returned from its history-making flight to Europe. And now, here's your host and producer. Ladies and gentlemen, Mr. Cecil D. DeMille. Greetings from Hollywood, ladies and gentlemen. During the past week, Columbia Pictures Corporation, released to the world of photo play, which in my opinion will be regarded as one of the finest adventure dramas of all time, destined for a long and successful run. It's called Only Angels Have Wings. For making it possible to bring this drama to the air, our thanks go to Columbia Studios, director Howard Hawks, and the brilliant players who re-enact tonight, the roles they so recently created. Our special thanks to Jean Arthur and Thomas Mitchell. The interrupted work on their next Columbia picture, Mr. Smith Goes to Washington, in order to be here this week. Our play brings back an old favorite and introduces a new one. In Only Angels Have Wings, a great personality of past seasons reappears on the screen for the first time in three years, Richard Bartholmes. And our newcomer is a beautiful and talented young actress, Rita Hayworth, whom we hear in the role of Judy McPherson. Mr. Bartholmes is Bat McPherson, Jean Arthur plays Bonnie Lee, Thomas Mitchell is the flyer called The Kid, and Cary Grant, who stars next for RKO in Memory of Love, takes the part of Jeff Carter. Also from the original cast are Noah Beery Jr., Victor Killian, and Donald Barry. Only Angels Have Wings was not written with any thought of the occasion which this nation observes tomorrow, Memorial Day. And yet, when you heard our drama, I think you'll agree that it's in the spirit of America's Day of Remembrance, since it tells the story of the sacrifice and daring of those who made it safe for man to fly. We take off now and begin the play. The Lux Radio Theatre presents Cary Grant and Jean Arthur in Only Angels Have Wings with Richard Bartholmes, Thomas Mitchell, and Rita Hayworth. The night has fallen on the little town of Barranca, port of call for South American banana broads. Near the waterfront, the fog hangs low over the muddy narrow streets and in the garish light of kerosene lamps, the natives swarm through the marketplace. Jammed in the crowd is a young American girl. She pushes her way quickly through the streets, glancing frequently over her shoulder, her two men who've been following her. In desperation, she stops by a peddler's stand, snatches up a butcher's knife, and turns to face her two pursuers. All right, gents, step right up and be carved into small pieces. Lady, we've decided to appeal to your better nature. What? It wasn't me wanting to follow you, lady. This guy thought it up all by himself. He just wanted to buy you a drink. Say, are you Americans?  Well, I thought you were a cop. Well, why didn't you say so? Gee, winnickers, am I glad to see you. You buy me a drink. I'm gonna buy you a drink. You won't need this knife anymore. Come on, let's go. Say, it sure sounds good to hear something that doesn't sound like Pig Latin. Where are you from? Oh, he's Les Peters, and I'm Joe Salter, New York and Kansas. Uh, what's your name? Lee. Lee what? Bonnie Lee from Brooklyn. Hiya, Bonnie. Right in here, Bonnie. Hey, Dutchy. Oh, hello, Joe. Hello, Les. Did you bring the mail from the boat? Sure, and something with it. Dutchy, meet Miss Lee. How do you do? How are you? How about a drink, Dutchy? Oh, sure, sure. Sit down and make yourself at home. Cigarette, Bonnie? Thanks. Oh, it sure feels good to be off that boat. What are you fellas doing down here? Oh, just the same as everybody else. Working for the Dutchman. What's that? Oh, we buy little mail and things here and there. Flyers, huh? Who'd ever think there was a flying field in a place like this? Where is it? Just outside door. Outside the door?  Very high class. Oh, sure. Well, here you are, Miss Lee. Thanks, Dutchy. Well, school, huh? To us. Down the hatch. Happy landing. Ah! What are you doing down here, Miss Lee, on your way back to the States? Yeah, if I don't get a job in Panama. Oh, professional. I could have shown Valparaiso. What time does your boat leave again? 4 a.m., so they tell me. 4 a.m.? Hey, Dutchy, bring a bottle. No, no, no. You boys better go easy. What for? One of you has to fly the mail tonight. Oh, can you beat that? Dutchy, take a number. A number? What for? Anything up to ten. One to ten? Oh, no, no, no, no. Not me. You want to gamble on who's going up in bad weather, you better pick somebody else for a number. Yeah. All right. Funny. Any number. Go ahead, anything up to ten. No, sirree, not me. I feel the same way he does. Ah, nobody's worrying about who's going up. But we're worrying about is who is going to take you to dinner. Yeah. Now, who said anything about staying for dinner? Ah, well, we'll send you a formal invitation. I got matchsticks in my hand, Les. Odd or even? Odd. Even. Too bad, Les. Well, Bonnie, how do you like your steaks? Oh, I don't know. Joe Salder. Joe Salder. You're up next. That's you, Les. Joe? Hey, Joe. Hi, Jeff. Over here. Stand by, Joe. Takes us a clearing up over the pass. Oh, no. Not me, Papa. Les lost. I'm having dinner with Miss Lee. Miss Lee? Mr. Carter. How do you do? How do you do? Sorry, Joe. Since when? Look, Jeff. They gambled and he lost. Now, let him go. Is that an ordered touchy? Yeah. No. Well, who is running things here anyway? Well, that's what I mean. Come on. Get going, Joe. Oh, what about Miss Lee? Don't worry about Miss Lee. I'll be glad to take up where you left off. Now, look here, mister. I've got something to say about this, you know. Corus girl? No. I do a specialty. So much the better. See you later, Miss Lee. Oh, you will, will you? Now, wait a minute. Say, who does that guy think he is? That's the boss. As you might have gathered from the conversation. Well, he's not my boss. Well, Bonnie, I hope you win. I'll be seeing you. Goodbye, Joe. No, no, no. Joe, be careful. No chances, huh? Want to watch him take off, Bonnie? All right. This way. Say, how can he fly in this fog? Oh, it's just on the ground. He'll pull right up through this. What he's waiting for is that heavy stuff piled up in the past. Sounds like double talk to me. Well, the only way of getting in and from here is through a deep pass. It's about 14,000 feet in the low spot. Winds and cloud make it a bad place, so we keep a lookout partway through to tell us when it clears. Call him or anchor. Go ahead, Tex. Oh, here he comes in now. Stand by. She's moving fast. How's his look down there? All right. The wind doesn't shift. All right. Okay, Tex. Go ahead, Joe. It's the most wonderful thing I've ever seen. Yeah, I know. It reminded you of a great, big, beautiful bird, didn't it? No, it didn't. It wasn't like a bird at all. So it was so wonderful. It was like a flying human being. Well, you're right about one thing. A bird would have too much sense to fly in that kind of muck. All right, Mike, turn off those lights. Hey, Jeff. Hello, kid. Hey, the wind swung round. It's moving that fog bank in. Take his mud. Yeah. Calling, look out. Go ahead, Jeff. How's it look up in the past? No, just a while. I can't. He's already gone. You ought to be able to see him by now. See him? All right. Stand by to put out a flare in case I don't get hold of him. Never mind the flare, Pop. Little Jody heard every word. Well, I do. Come back. Jeff. What's the matter?  Yeah, Joe. Come on back. But look, it's pretty thick down here. Start letting down. When you get over the fog, I'll line you up and talk you in. Hey, Jeff. What? You tell that beautiful blonde, I'm still in the running. When you stick to business, Joe. All I want to do is order a couple of steaks for dinner. I've got it. Tell him it's all right. It's all right with me, too. All right, Joe. You're all set. Okay. Here I come. Hey, Jody, plug in that field set. Come on. Get going. Yes, sir. Turn that big light ready. All right, sir. Turn it straight up. It's kind of cold out here, Jeff. What do you call it? Mike, light those tub. Okay. Joe, sell them. Joe, sell them. Okay, Jeff. Coming down. On top of the fog at 1500. That's higher than I thought. Watch carefully, Joe. We're turning on the lights. Turn them on, Mike. Here they go. They are joking. You see them? No, not a thing. You can't even see the glow, Papa. I'll be thicker than it looks. Well, it wouldn't hurt to take a stab at it. Yeah. Hey, Joe, blimp your motor. All right, you're passing over the field. Now turn 180 degrees and start letting it down and watch for the lights.  A little south. Okay, Papa. 800. 600. Cut it up into hundreds, Joe. 500. Take it easy, sonny. Take it easy.  Look. Gunner, Joe. Down to 100 now, Jeff. There he is, Jeff. He's way off. Joe, pull him up. Bump. Hand him for the... That wasn't right, was it? Oh, lady, not quite. Look, Joe. Joe, you had the wrong line.  Nothing's doing, Joe. Don't take any more chances. Now you've got three hours, guys. Stay out there. Listen, I told you to stick to business. Now get up on top and cruise around until it opens up down here. That's right, Jeff. Don't let him do it. Now, Joe. I'm coming down, Jeff. Now listen, Joe. You've got your orders. Stay up there and quit worrying about that blonde. It's all right, Jeff. I see the light. Get the wagon. Take along a big pair of shears in case you have to cut him out. Liz, you get the mail. Well, did the best you could, Jeff. Yeah. Mr. Wise Guy up there wouldn't listen to me. Do something. Do something. He may be alive. Don't just stand there. Cut it out. Haven't you caused enough trouble? He's dead. Yeah. All except for one tree that's stuck up too high. Hey, where's that drink, man, Joe? Right away, senior. Hey, look outside, kid. It's clearing up a little. Okay. Mr. Carter. Yeah? Mr. Carter, do you think... I mean, do you think it was my fault what happened out there? Sure, it was your fault. The Dutchman hired him. I sent him up on schedule. The fog came and the tree got in the way. Oh, your fault. Forget it unless you want the honors. Hiya, Jeff. Hello, Jeff. Just got back. You're amissed all the excitement around here. Yeah, afraid you did. You won't see a better one in a long time. Yeah, I see. She's a good one all right. Here, gangway, please. Hey, senior. Hey, there's the other one. Who wants it? Put it down here. Oh, senior. Hey, that looks all right, Pan Jones. How can you do that? Do what? Eat that steak. Why, what's the matter with it? It was his. Look, what do you want me to do? Have it stuffed? Haven't you any feelings? Don't you realize he's dead? Who's dead? Yeah, who's dead? Joe. Joe? Who's Joe? Anybody know Joe? What's the matter with you, fellas? He was sitting here with us talking and laughing just a few minutes ago. What now? Break the news to mother and tell her there's no... How do you like that?  Why don't you use your head? I don't know. How you can act like this? Why, that poor kid, he was... Yeah, I know. He's dead. Yes, he's dead. That's right. And he's been dead for about 20 minutes. And all the weeping and waning in the world won't make him any deader 20 years from now. If you feel like bawling, how do you think we feel? Joe. Come on. Come on. Go on outside and walk around and stay there until you put all that together. Hello, miss. Was that you they were rousing in there? Well, don't feel too bad about it. I did the same thing myself when I first came down here. Hey, mister. Can you kick real hard? Well, maybe you won't need it. I think I'd feel better. Does this sort of thing happen very often? Oh, that depends on weather and luck. We've drawn spades twice in the last three months. That is not counting this one. I suppose they'll be at it again tomorrow. Tonight of it, please. They must love it. Clowning, I mean. What is there about it that gets them? Well, I'm not a flyer myself. I'm a radio operator. Hey, hey, you better ask the kid. Miss Lee, Mr. Dan. How do you do? I do. She wants to know why you like flying, kid. I've been in it 22 years, Miss Lee, and I couldn't give you an answer to make any sense. What's so funny about that? That's what my dad used to say. Flare? No, trapeze. High stuff. He wouldn't use a net. There's not much future in that, either. Yeah, we found that out. Tell me about this head man, Miss Jeff. Does he go up, too? Only when he thinks it's too tough for anybody else. Well, just goes to show you how wrong you can be. The kid could tell you he's Jeff's best friend. The only thing I can tell you, he's a good guy for girls to stay away from. Thanks. I'll remember that. Excuse me, will you? Mr. Carter? Hello, what do you want? I, uh, I put it all together. Yeah, you grown up yet? I hope so. All right, who's Joe? I never heard of him. Does anyone know the peanut vendor? Oh, sure, sure. Go hit it. Let me at the piano. All right, all together. Goodbye, Dutchy. Goodbye, Mr. Carter. That's too bad, Broncos, so far from Brooklyn. Watch your hurry. It's only a few minutes after 12. Your boat doesn't leave until four o'clock. When are you going to get some sleep? After your boat sails. Aren't you just wasting your time? Well, now, there's a point that's open to argument. That's what I'm afraid of. What? Those arguments. What's the matter with them? Oh, they're too one-sided. Well, no hard feelings. You're not even annoyed, are you? No, why should I be? Say, what was she like, anyway? Who? That girl that made you act the way you do. Hmm, a whole lot like you. Just as nice, almost as smart. Chorus girl? Only by temperament. Well, at least you're true to the type. Still carrying the torch for her, aren't you? Got a match? Say, don't you ever have any? Nope. Don't believe in laying in the supply of anything. Matches, marbles, money, or women. That's right. No looking ahead, no tomorrows, just today. That's right. Is that why she gave you the air? Who? Say, listen, I wouldn't ask any woman to... Hey, you can think up more questions. What wouldn't you? Ask...what? Ask anybody to do. Look, did you ever know a woman who didn't want to make plans, map out everything, get it all set? Oh, well, I don't blame them, I guess. It's the only way they can operate. Run a home and have kids. I suppose you think that's a lot easier and less dangerous than flying. I don't know, I never tried it. Well, didn't you ask her to? Who? That girl. I told you, I wouldn't ask any woman to... Well, what if she were willing to? Yeah, I know, that's what they all say. Women think they can take it, but they can't. The minute you get up in the air, they start calling the airport.  What if she was the type that didn't scare so easily? There's no such animal, lady. Now, how do you know? Well, the girl I was telling you about came as close to it as anybody I ever met. But one night, when I'd been lost in a fog, something like this, radio beam was out, I was glad to get my feet on the ground. And I think my welcome home speech was. She was hoping I'd crashed. What? Yeah, she couldn't stand the gas. Said she'd rather see me dead, have it over with. Told me if I wouldn't quit flying, it was all off. You wouldn't, would you? Mm-mm, I'm still flying. I wonder what happened to her. Well, I don't know for sure. I heard she married another flyer. Now, ladies, is there anything else you'd like to know about me? Would you like to go over to my room? Got some letters from home, pictures of my father and mother, pictures of me the first time I went up in the air, pictures of my first crash. Any pictures of you when you were a baby? I don't remember. Want to go and look? Sure. Wait, Bonnie. Okay, keep on the way we're going. Just follow your nose, it'll take you right to the boat. Oh. I've got to stick around here. So that's where we were going. Take care of yourself. But... Look up here. Goodbye, Bonnie. Goodbye. What? What? Tex just called from lookout. He says the pass is clearing. Did you wake less up? No, because, well, Tex says it's nobody's picnic. All right, wind up number seven, put some coffee in it. I already did. So long, Bonnie, have a nice trip. Hey, wait a minute.  Sure. When you'll be back? Oh, well, it takes three hours each way. It won't be back until after your boat sails. Let's try it again, huh? So long, Bonnie. So long. Say, things happen awful fast around here. Uh-huh. Is it going to be dangerous? What do you want me to do? Put a net under them? Well, lady, you're really better off this way. Yeah, I guess. Now, look, I hardly know the man. Sure, but you'll get over it. You have just heard Act One of Only Angels Have Wings starring Kerry Grant and Jean Arthur. During this short intermission, we bring you the Browning family. As the scene opens, we find Dot and Midge just coming home from a shopping trip. They bought a graduation present for someone. Let's see what it is. Mother! Oh, mother, look what we got, Mary Lou. See, it's the lingerie. Isn't it adorable? Well, it's as sweet as it can be. And I know Mary Lou will love it. Oh, I hope she takes care of it. She's so careless with her things. Ah, the good old Browning trick. We'll send a jingle like this. These lovely things will wear and wear and keep on looking new if you'll just give them proper care. And that means luck for you.  She certainly is. And another stroke of genius would be to send a box of Lux Flakes along with your gift. You can depend on the famous Lux Promise. It's safe for everything, safe and water alone. Lux Flakes float out every trace of perspiration and soil and leave your nice things dainty and new-looking. And they'll stay new-looking a long time with regular Lux Care. So buy the thrifty big box of Lux Flakes tomorrow, won't you? And Lux under things after every wearing. Your blouses, dresses, sweaters, and pretty accessories often. Here's Mr. DeMille. Act two if only angels have wings. Starring Cary Grant as Jeff and Gene Arthur as Bonnie Lee. With Thomas Mitchell as the kid, Richard Barthelmas as MacPherson and Rita Hayworth as Judy. It's early the following morning. In the cafe adjoining the landing field, Bonnie's having breakfast. Jeff Carter, returning from his flight, comes through the door. As he sees Bonnie, he stops dead. His eyes glinting coldly. What are you doing here? Having my breakfast. Is your boat still here? No. Has it sailed? Uh-huh. How'd you happen to get left behind? Well, I just told a man. Told him what? To put my trunk on the dock. Yeah, why? Well, I couldn't stay over without having anything to wear now, could I? What's so funny? Doesn't it seem funny to you? What? Getting off that boat, well, doesn't it? I don't know. You know, the girl that got off that boat is a perfect stranger to me. I don't know. I don't know whether this is me or another fellow. You know, by all rights, Bonnie Lee ought to be sound asleep on that boat far out to sea. Yeah, well, she's not so far out to sea as you think. What is it? The boat. Hey, kid. Yeah? Put some more gas in number seven. Call up Santa Maria. I'll have them hold the boat till we get there. But what are you waiting for? The boat doesn't stop at Santa Maria this trip. Why not? They have no bananas. They have no bananas? Yes, they have no bananas.  Don't worry, mister. Look, you don't have to bother about me. I suppose there's a first time for everything. What do you mean? Well, I've never made quite such a jump out of myself. Look, I didn't ask you to stay. I wouldn't ask you... I know. You wouldn't ask any woman to do anything. That's right. And what's more, there's something else I wouldn't do. What? Get burned twice in the same place. There's another boat leaving next week. I'll be on it. Good. Jeff is here. Who? That new flyer you sent for. His name's MacPherson. Yeah, where is he? Outside with the boys. You want him in here? No, I'll go out. All right. They've been flying, MacPherson. Let's go sit in. What kind of stuff they're using down there, MacPherson? Oh, a lot of crates. Hello, mister. Oh, hello. You caught him? Yeah. But you're not MacPherson. Your name's Kilgallon. Kilgallon? Hey, what is this, Jeff? You heard him. That Kilgallon? That's right. Well, what of it? He's not the first guy that came down here under a different name. Oh, but he's the first pilot who ever bailed out of his plane and let his mechanic crash. Why, the dirty... Cut it out, Jen. Did you know the kid was working down here Kilgallon? What? He is. I don't think there's anything funny about that. You're right. There isn't. But I had to come a long way to find it out. Yeah, but what's the kid got to do with it? Oh, nothing, Dutchy. Only it was the kid's younger brother that was killed when this guy took to his parachute. Oh. Oh, Jeff. Jeff dares the kid now. He's... Fire. Now, listen, brother. You better make yourself scarce. Because for your information, the kid carries a gun. Aren't you getting kind of careful of me all of a sudden? I'm not thinking about you, but it's going to be inconvenient for me if they slap the kid in the who's gal. I have to meet him sooner or later, don't I? Yeah, well, maybe you're right. It's your own funeral. Shoo. It's hot down here in the ground. Who's going to match? Hey, what's the matter? Like walking in a graveyard. Oh, hello. Are you the new guy? Welcome to our city. My name is... Hello, kid. Kilgallon. Long time no see. That's right. Yeah. Thought there was something. Take a break, kid. Here. Huh? I'm all right. Kilgallon. Two years ago, I'd have broke your... Keep out of my sight, and may still do it. Well, that's not in my business, Jeff. But I don't know why you stopped him. All right. It's none of your business. Oh, Beth. Well, Judy, come here. I want you to meet these people. Gentlemen, this is Mrs. McPherson. Mr... Shelton is my name. Mr. Shelton? This is Les Peters. How do you do? Mr. Peters? This is Jeff Carter. Jeff? Oh. How do you do? Mrs. McPherson. I'm... I'm sorry, Beth, but I forgot to ask you for the trunk keys. Oh, yeah, you did. I'm afraid that I interrupted something. Not at all. Now, here you are. Run along now. I'll see you in a few minutes. I'm glad to have met everyone. I know what you're thinking. Now, she doesn't know about me. Come inside, Gilgallon. Jeff, you're not going to put this man to work. That's none of your business either. Come on. Sit down.  What person is the name? Yeah, that's what I'm talking about. Why didn't you tell your wife what you've done? Oh, let's get this over with. When does the next boat leave? Have you got enough dough for your passengers? No. That's fine. I wonder if I could. What? Cram you down their throats. That bunch out there? I wouldn't mind choking a few of them. Hello, Carter speaking. Yeah. This is Grant Hardwood. Hello, Mr. Hardwood. I'm sad. What's the matter? We don't grant. You mean fly a doctor up to the mine? Yeah. We can't set a plane down there. There's no room. It's practically suicide. Jeff, you've got any for the plane? You will? All right, wait a minute. Hey, Kilgallon, you want a chance? What do you think? I'm not promising you a job, but at least you'll make your passage home. That's all right with me. Okay. Mr. Hardwood, you got a deal? Oh, thanks, Jeff. A plane will be up there in a couple of hours, I hope. All right, Kilgallon. You take a doctor into a boy who's hurt. It's a bad place to get into, but worse to get out. Have you got a map? Yeah. And when you land, you better come in short or you'll run out of ground because there's a big drop all around there. Well, are you ready? Sure. And thanks. Thanks? For what? Jeff. Oh, come in, kid. Hey, Mike tells me that Kilgallon took off an hour ago. You're not putting him to work, are you? We'll talk about that later. Sit down. Take a look at that chart over there, kid. Huh? You're not giving me a night test, are you? Uh-huh. Read that fourth line. You worried about my eyes? Just because I didn't recognize Kilgallon right off. Now, quit stalling, kid. Read it. Sure. LPED. That's very good. Yeah, I could have told you. Wait a minute. Stay there. Whoa. I've got a new chart. Now, come on. Fourth line on this card. PDEO. Try the fifth. F-Z-B-D-E. Why, that's better than I can do. Well, that's that. Now, what about this Kilgallon guy? He's not staying here, is he? Why not? Why not? Thought you'd be the last guy to ask me that. He's no good, and you'll know it. Why, he's... Take it easy. He's no good. Look, you think he's any worse than a guy who double-crosses his best friend? Huh? Now, look, kid. I don't care about myself. Anything you do is all right with me. But if the Dutchman loses another plane, he's cooked. Cooked? Yeah. I thought he was rolling a dough. Well, why do you think that new plane is still down there on the dock? Yeah, you know, I wondered about that. Well, it's because he hasn't got enough dough to pay the freight. Now, look, kid, here it is. Dutchie made an agreement. If he could get the mail out of here twice a week on schedule for six months, he'd not only get a long contract, but a government subsidy, too. Do you know what that would mean? Plenty of money around here, no more secondhand junk to fly, no more pasta monkey ways. Why, these new jobs can get over the top of those peaks in any kind of weather. Gee, that'd be fun. When did the schedule start? Six months ago. Well, then you're only one more week, or at least until the northbound boat arrives. That's why you've been forcing things, huh? Huh? What do you tell a fella? Dutchie. Dutchie? Why? Well, uh, he was afraid that if you guys knew the spot he was in, you'd start taking unnecessary chances. What a guy. Yeah. Mm-hmm. Hey, you're right about my eyes. I couldn't see those cards. Mm-hmm. I learned them by heart. What about the new one? Dutchie told me where you hid it. Well, the old fool, double crossing himself. No, no, he wasn't thinking about that. He was thinking how you'd feel, grounding me. Yeah. Well, you threw flying kid. Uh-huh. After 20 years. Well, I guess that's long enough for anybody. You're going to need that kill-gallon, aren't you? I might. I'm thinking of keeping him on. Well, if you do, you can forget how I feel about him. Thanks. Look, kid, there's a lot of things you can do around here to help me. Oh, sure, sure. I know. I can help Mike. I can, I can, uh... Sure. See you later, pal. Next person. Calling Baranka. Go ahead. We got out all right, all in one piece. I'm on my way home. What do you want me to do? Pat you on the back? Signing off. Morning, kid. Hello, Bunny. How you doing? Oh, not so bad. After spending a night in that mouse auditorium I'm sleeping in. Just about room enough for me and a flip gun. I thought we had you fixed up in a pretty good room. You did. Mr. Carter had other ideas. He gave my place to MacPherson and his other friends. He had other ideas. He gave my place to MacPherson and his wife. Oh. Well, you warned me. Say, isn't that the girl the one he used to be in love with? Bunny, when it rains every third drop falls on one of them. I can believe that, all right. They come right out of the woodwork. Well, more power to him. Oh, sure. Say, you don't think I care anything about him? Uh-huh. Well, I don't, see. Just like to tell him what I think of him, that's all. All you have to do is raise your voice a little. Is that him flying up there? The old master himself. What's he doing? Testing an old smashed up plane that Mike stuck together with a little glue. Or did you use bailing wire this time, Mike? Don't worry. Those winkles stay on all right. We'll soon see. He's high enough. Here he comes. Hey, what the devil? Hey, hey, he's spinning. He's not trying to do that. I can't see. What's happening, Mike? Winsfield gave way. He must have hit something. He's out of control. Pull her out, Jeff. Pull her out. Now's the chance, Jeff. Come on, come on, get out.  What's he doing? He's going to try to land. He can't make it. Mike. Mike gets it for a crash. What's a crash? Why doesn't he jump? Why? Why should he jump? He's made a rubber. He is. He wants to hit the ground and see how high he can bounce.  Here he comes. He'll make it for the kid. I don't know, but it comes as close to it as anyone. There he goes. Look at that guy. Is he all right? I'm getting too old for this sort of thing. He's okay, Bonnie. Oh, kid. What's the matter? I don't know. I feel kind of sick. Oh, all right. All right. Take it easy. Take it easy. Can I come in? Sure. Here. This is good for your stomach, but it won't help much for what ails you. You didn't tell him what a baby I was. Oh, I skipped that. You won't tell him, will you? After that sample, you still got your chin out for more? Oh, I know. I'm a fool, but there's nothing I can do about it. You'll love him, don't you kid? Yeah, I guess I do. Why can't I love him the way you do? Why couldn't I sneer when he tries to kill himself? He'll be proud when he doesn't. Why couldn't I be there to meet him when he gets back? Why couldn't I... What do you do when he doesn't come back when you expect him to? I go nuts. Gee whiz, you're a great help. Go ahead, McPherson. Pass. How's your weather? Good or bad? Looks like there's a chance to get through. I didn't ask you that. Is it good or bad? Well, it's bad, but I can make it. All right. You're the one who's in it. Use your own judgment. Oh, Judy. Jeff, I'd like to talk to you. Why? What's on your mind? Jeff. The bet was carrying nitroglycerin. Oh, don't worry, Judy. He's pretty good. Yes, I know. But it's dangerous. Oh, not as long as you're in the air, it isn't?  Let that do the worrying. How can you be like that with me? Why does he always get things like this to do? Oh, Judy. Oh, please, Jeff. I told you I was happy. But I lied to you. Why don't people want to work with him? What's he done that makes people act the way they do? Why ask me? Well, you're the only one I can ask. Oh, it is the same at the last place. Everything was all right, and then he met someone he knew. Oh, what makes the Mac that way? I think he was a leper or something. Oh, please, Jeff, I've got to know. Can't you see that? No. No. But... Did you ever hear of the word trust? I did once. I forgot it. I don't blame him for not telling you. Maybe he wanted to find out what he'd got. You're no good, Judy. You never were. What have I done? Why do you have to know all about him? If it's so bad he can't tell you, how do you think he feels? Why did you think of his side of it? You're just like all of them. You don't know what it means to stick. You never will. Jeff. Good night, Judy. What's what? What do you think you're doing in my room? I watch all this cooking. Oh, that's coffee. Don't touch it. It's hot. Oh, I told you so. Let me see. I'll cut it out. Go away. Oh, that is a burn. I'll put some butter on it. I don't want any butter on it. My grandmother always used butter. I don't care what your grandmother... Look, what is all this about? Oh, I thought I'd like to have a nice cup of coffee. It's so cold and rainy outside and so nice and warm and cozy in here. Don't you want one, too? No, I don't. Stop making your lunch stand out of my place. Now take this thing out of me. I thought you never did that. Did what? You'll burn twice in the same place. What? Can I sit down for a while? Oh, yeah, I guess so. Go ahead. Say, where do you keep those pictures? What pictures? Those pictures of you when you were a baby. We're right back where we started, aren't we, Bunny? Oh, that was a million years ago. I know you're a lot better now. Yeah.  So are you. Come here. Oh, all right, Bunny. Jeff, you don't have to be afraid of me anymore. I'm not trying to tie you down. I don't want a plan. I don't want to look ahead. I don't want you to change anything. I love you, Jeff. Nothing I can do about it, I just love you, that's all. I feel the same way about you as a kid does. Anything you do is all right with me. A kid? Yeah. He doesn't ask you for anything or get in your way or bother you, does he? He drives me nuts. Hey, Jeff. Oh, I'm sorry. Oh, that's fine. Come in. I'm sorry. Sure, come in. We might as well be in the Grand Central Station. I'm awful sorry, Bunny. Hey, Jeff, the new ship's okay. We've just been testing the motors. What, you mean she's ready to fly? Sure, but what goods are going to do in this kind of stuff? Well, even if the pass is closed in, she's still got a chance. Chance for what? Taking that mail right over the top. Uh-huh. And you're going to try it, aren't you? Sure, if the boat gets in with the mail. The boat's late. She still might make it. I'll go out and get the feel of the ship. Jeff! Sorry, Bunny, this has got to be done. Oh, uh, here. Here you are, Bunny. See if you can find it. It's somewhere in that box. What? That picture we were talking about. And keep that coffee warm, will you? Sell on, Bunny. Kid. Yeah? Do you think that... Do you suppose... Ever pray, Bunny? Just pray that that boat don't get in until this storm's over. Special identification. This is the Columbia Broadcasting System. We bring down the curtain on the second act of Only Angels Have Wings, starring Kerry Grant and Jean Arthur with Richard Brothelmus, Thomas Mitchell, and Rita Hayworth. During our short intermission, we introduce our guest for the evening. But first, may I remind Housewives that lux is the thrifty way to do dishes. Yes, about a penny's worth of lux flakes, unless the water is hard, will do your dishes for a whole day, and help your hands stay lovely-looking, too. In hard water, a little extra lux softens the water and gives an abundance of suds. Next time you order lux, remember, a little goes so far, it's thrifty, and buy an extra large size box for your dishes. Here's Mr. DeMille with a prelude to our special guest. For drama and excitement, this play has a real-life parallel in the history-making flight completed Saturday when the Yankee Clipper of Pan-American Airways returned to New York after inaugurating regular commercial airmail service across the Atlantic to Europe. The huge Boeing plane capable of carrying 74 passengers stopped at the Azores, Portugal, France, and England, spanning nearly 10,000 miles in seven days. At the controls commanding a crew of 14 is tonight's guest, Captain Arthur E. Laporte, veteran of more than half a million miles of ocean flying. He's flown the Pacific 50 times. He made the initial survey flight of the Amazon River and commanded the first airmail flight between Manila and Hong Kong. With congratulations on his superb achievement, the Lux Radio Theater goes to New York to welcome Captain Laporte. Thank you, Mr. DeMille. We just returned Saturday, to be exact, from the first mail trip on the Yankee Clipper, the beginning of commercial flying between the United States and Europe. That means that we have at last conquered the Atlantic. Your play tonight interests me because of the contrast between the methods your flying angels have and the methods we as flying businessmen of 1939 have. The Yankee Clipper is one of a fleet of six beautiful ships for service on the Atlantic and Pacific. Each one has four giant engines to lift her 41 and a half tons, and each is capable of carrying 74 passengers. Her wings are large enough for a man to pass through, which he does regularly every two hours for inspection. This is a new development. Formally, it was impossible to get to an engine while the plane was in the air. If an engine needs repair, we can stop it and fix it because we are capable of flying on two engines of our four. So we had no worries about having to disappoint any of the people waiting for our cargo. We carried about 200,000 air mail letters for ardent stamp collectors and a package of diamonds for a firm in Baltimore. And for the ladies, the latest model hats from Scapparelli and Agnes from Paris addressed to Fifth Avenue shops. The Yankee Clipper wasn't flown by one pilot, but by a crew of pilots, engineers and radio officers who kept constant check on our location, the weather, the functioning of our motors, and the temperature of each individual cylinder. The captain of a Clipper isn't expected to be at the controls all the time. He is on duty in his office. Yes, his office right in the plane, from which he supervises the entire crew. I took the Yankee Clipper on the first trip because out of the Pan-American captain's qualified to take command, it happened to be my turn. Naturally, such an achievement as beginning of transatlantic air mail service is due to two things. Careful planning and the tremendous strides of aviation has taken recently. On the planning side, you may be surprised to know that although the Yankee Clipper can cross the Atlantic in about 25 hours flying time, it takes about 100 men, each working 50 hours, to complete the plans and check upon the plane. In other words, it takes about 5,000 hours of planning or 25 hours of flying. Improvements and aids to navigation in the aviation industry have advanced rapidly in the last few years. The planes get better every day, too, and safer. Even now, experiments are being made on a new device which will blow a horn to warn a pilot when there are mountains ahead. Another experimental invention called Paul Geis will enable the pilot to measure his exact distance from the ground when it is too thick to see. It may be that only angels have wings, but commercial airlines in the United States give wings to over a million passengers a year. I've grown up with aviation, and I think it is one of the most exciting professions I know. But it never stops improving and advancing. Mr. DeMille, I'd like to make the same wish for you and for the Lux Radio Theater. America salute you, Captain Laporte. We're in Hollywood again, where Cary Grant and Gene Arthur bring us only angels have wings with Richard Bartlemas, Thomas Mitchell and Rita Hayworth. The storm still rages over Barranca, but the mail boat has arrived on schedule and Jeff is ready to take off into the thunder-ridden sky. In the operations office, he's desperately to go with him. Now look here, Jeff. I heard you the first time. What, Jeff? You're not going, kid. Forget it. Why not? Forget it. Tell you what, I'll toss your coin for you. Heads, I go. Now watch. Give me that. Give me that. No, no, no. Get away from him. Come on, Jeff. Give me that. That's all right. Wait a minute. I've got it. What are you so anxious for? Well, what do you think of that? Well, it's a nice dollar, kid. It's heads on both sides. Is it really? No kidding. No kidding. No wonder I've been buying you drinks all year. Jeff, I want to go with you. Please. All right. Okay. If you feel that way about it. Give me my dollar. Come on. Give me. It's lucky. Yeah. Well, you better put another bottle of oxygen in the ship. I already did. See you in the field. Hello. Hello, Barney. Excuse me, will you? Hello, Barney. What's that you've got? Oh, I started that lunch wagon we were talking about. The care for the coffee. It was boiling hot when I put it in the box. So don't burn yourself again. Thanks. I won't. Have a nice trip, Jeff. Where are you going? Oh, to the room. What for? Oh, my boat's in. I've got to finish packing. Oh, yeah. Mm-hmm. Uh... Say, uh... Isn't that the outfit you came ashore in? Now, how did you remember that? Oh, I don't know. Got a match? Say, don't you think it's about time you started carrying some? Oh, I'm... I'm sorry, Jeff. I'm sorry to be so silly. I wanted you to do this just the way you... I know. Sure. So long, Barney. Jeff. Jeff, I can't let you go. Ah, now, look, darling, this has got to stop. No. No, I can't.  What do you mean, swiping that gun from me? Give me back that gun. I won't let you go. You're not going to go, Jeff. You're going to stay right here.  So you're going to do it to keep me from doing it? Well, well, Barney, you're just like all of Red. No. No, I'm not. Jeff, don't go, please. Give me that gun, Barney. Oh, Jeff, I... Oh! Jeff! Oh, well, that's fine. Jeff, oh, my God, Jeff.  Oh, darling, darling, I didn't mean to... I know you didn't. It was my own fault. I should have known better. Hey, what's going on? He's shocked. No, he's in the shoulder. It's okay. Where's the first aid box? Over there in the corner. What did you send for the doctor? No, not yet. Oh, get him. Get him right away. Who did it? I did. You? How did it happen? I didn't want him to go. Well, well, he's not likely to go now. See that? She looks bad. Oh, come on, come on. What is this? A side show? Clear it out of here. Come on. Oh, no, don't get excited, Grandpa. How's it look to you? Well, it's all right, but you're not going to do much flying with it. You're crazy. Now, I try to move it. Oh! See? Now, you can join the rest of us cripples. That's perfect. Can I come in? Sure. Meet the new cripple, McPherson. Yeah, I heard about it. Who's flying the mail? I was going to. How are you going to get through that stuff? Over the top with the new trimutter. Will she go that high? I don't know. I can find her. Well, you don't have to go, McPherson. It's not that kind of job. That's fair enough. I'll see you out in the field in five minutes, kid. I'll be waiting for you. Calling McPherson. Branker. Calling McPherson. Calling McPherson. Oh, why don't they answer? They ought to be over the mountains by now. Calling McPherson. Calling. Calling. There you are.  Cut almost 16,000. The bottom fell out. All right. Tell him to come on back. Heard you, Jeff. Not coming back. We're going through the pass. Give me that thing.  Tech's hands are closed in tight. Turn around and come back. Those are orders. You hear? No dice, Jeff. Signing off. Tell Tech to watch for them. Calling. Look out. Go ahead, Sparks. Tech's watch for number four. They're going to try to pass. They just went by here. It's rottled down and stealing their way. I tried to talk to them, but they wouldn't answer. Keep trying. Okay.  Branker. Calling. Branker. Branker. Go ahead. What was that? It sounded like McPherson. McPherson, go ahead. Hey, what's the matter? A bird just smashed through the windshield. It got the kid. What? Say it again. Windshield smashed. It got the kid. I'm turning back. Those condors flying in the pass. One of them must have smashed through the windshield. Calling McPherson. Hello, McPherson. They're awful heavy, those birds. You know if they hit...  McPherson! Calling Baraka. Go ahead, Tech. Jeff, number four. No time, Jeff. Calling number four. Calling number four. Look. Nothing out there coming in. Don't ever get her down, Jeff. Hey, kid. Kid, number four. Jump. Hey, doc. That's fine. That's fine. Cut it out, will you? Come on. Guide her. Quit fussing with me, will you? I'm all right. Sure. Leave me alone, doc. Go on. Cigarette pop. Sure, kid. Hey, uh... How's McPherson? Oh, hands burned. One side of his face. He's all right, Jeff. Got a jump, but he didn't. Just sat there and took it like it was a nice cream soda. Buy him a drink for me, will you? When I get on my feet, I'll buy him one myself. Or will I? Your next broken kid. Funny. No wonder I couldn't feel anything. Guess this is it, huh? Jeff. What? Okay. Hurry up. You too, doc. Come on. Get out of here. What is it, kid? Come on, you can tell me. I didn't want them to see me. I'm not afraid, Jeff, but I just didn't want them to see me. Sure. Sure, I know. It's like doing something new, you know. Just like when I made my first solo. I didn't want anybody watching me then, either. I don't know how good I'm gonna be at this. Look, you want me to get out, too, fella? All right.  I'll go. So long, kid. So long, Jeff. Jeff. Jeff. You know, the kid's gone. Yeah? How's that? Okay. The guys think he's okay, too. That's good. Well, the kid wanted me to buy him a drink. Do it, will ya? Do it for the kid. Sure. Oh, Jeff, here's all the kid's stuff. Just a lot of junk. Only cash was a phony dollar. A knife, keys, a picture and a phony dollar. Not much to show for 22 years. Well, I gotta get back to the desk. Clearing up a little. Hello, Jeff. Hello, Bonnie. I, uh... I thought I oughta... Well, the Dutchman said that... Well, he said that he thought before I go, I'd better... Gee, I don't know. All I wanted to say was... Jeff. Oh, Jeff. You're crying. Please don't help. I'll never be able to... You'll never be able to what, Bonnie? I'll never be able to say it. Say what? I was going to say goodbye. Jeff, do you want me to stay or don't you? Well, Bonnie is... It's calling Baraka. Wait a minute, wait a minute. Calling Baraka.  The storm's breaking up. Yeah? Wind's dropping down, no whispering. Okay, hey, Jeff. I got it. Wind up number seven. Mike, start number seven. Jen, get my sweater. Chief. We just got time to make it. Yeah, but who's going to play? I got one good arm, haven't I? But Jeff, you... Your contract is as good as in the bag. Come on, Jeff. So long, Bonnie. Keep that coffee warm, will you? I'll be back for breakfast. I won't be here. I'm going on the boat. Oh, yeah? Yeah? Nobody's asked me to stay. What, they haven't? No. You wouldn't ask anybody to do anything, would you? Oh, that's right. Here, we'll flip a coin. Now come on. Tails, you go. Head, you stay. It's heads. What about it? I won't stay that way. You won't? I'm hard to get, Jeff. Here's a little souvenir for you, Bonnie. You belong to the kid. Hey, I... I like that saying goodbye. Goodbye, Bonnie. A souvenir. A souvenir. That's great. You know that? Hey. Hey! Hey, Jeff! For the curtain call, I'd like to make a timeless suggestion. This season, shorter skirts and shoes with cut-out toes and heels make stockings more important than ever. So, more than ever, you want to cut down on runs and holes in your stockings, don't you? And luxe flakes can help you there. You see, luxe saves the elastic springy quality in your stockings. The threads give under strain instead of breaking into runs or holes so easily. And, of course, elasticity makes your stockings fit better, too, so they look smoother and more flattering. It's wise and smart and thrifty to give your stockings regular luxe care. Keep the generous large-sized box of luxe flakes in the bathroom and luxe stockings after every wearing. Mr. DeMille. Dropping out of the skies and leaving Barranca far behind come Jeff Carter and Bonnie Lee, this time as Cary Grant and Jean Arthur. Tonight's play brought up a point that has always interested me, Mr. DeMille. What is it that makes men go to places like Barranca to try to shove airplanes through fog and over mountains? They don't do it for their health or for money or for fame. What is it that makes them keep that? Well, I think the best and truest answer was right in the play, Jean, when you asked the kid why he flew and he said he didn't know. Is that your opinion, too, Mr. DeMille? Well, there's another way of looking at it. Years ago in this country, there were things to be done, territory to be settled, gold to be found, engines to be licked, railroads to be built, things that could satisfy a man who had sand in his shoes and a bee in his bonnet. Today, all those things have been done, but men still have the same urge to be doing things that are different and a little dangerous. They are lost in the modern world until they find an outlet. This is the urge, I think, that puts some men behind the controls of airplanes and puts others in submarines. Some it sends to the South Pole and some it sends to jail. Yeah, what's to be done about it, Dr. DeMille? Well, it's a big problem, Carrie. I suggest we talk about something else. For instance. Well, for instance, let's hear from you. Come on. Well, I'd like to say this. I think there's some special thanks due to the people who worked with us on the air tonight and in the picture. Tommy Mitchell, Richard Bartomus, Rita Hayworth, and all the others. Today it is right to name it to you, Mr. DeMille, our sincere gratitude. Good night. Good night, Mr. DeMille. Good night, James. Happy landing, Tyler. Listen for the grand news coming shortly for Mr. DeMille about the stars and play you'll hear next week. Tonight's cast included Noah Berry Jr. as Joe Souther, Victor Killian as Sparks, Donald Berry as Tex, Lou Merrill as Dutchie, Alan Ladd as Les, Herbert Bygren as Mike, and John Allen as Gent. Frank Capra directs the new Columbia picture starring Gene Arthur and Thomas Mitchell. At the same studio, Carrie Grant soon starts another Hawks directed film, tentatively called The Bigger They Are. Louis Silvers appeared through the courtesy of 20th Century Fox Studio, where he was in charge of music for the new picture, young Mr. Lincoln. Mr. DeMille. Next Monday night, the Lux Radio Theatre brings you a distinguished artist and a stirring play, Mr. Ronald Coleman in The Prisoner of Zender. As a novel and a drama, this classic romance enjoyed enormous success, duplicated when Mr. Coleman and Selznick International Pictures brought it to the screen. Mr. Coleman will repeat his fine role for us and will be joined by two other celebrities from the picture cast, Douglas Fairbanks Jr. and C. Aubrey Smith, and with them, Benita Hume and Ralph Forbes. Our sponsors, the makers of Lux Flakes, join me in inviting you to be with us again next Monday night when the Lux Radio Theatre presents Ronald Coleman, Douglas Fairbanks Jr., C. Aubrey Smith, Benita Hume and Ralph Forbes in The Prisoner of Zender. This is Cecil B. DeMille saying good night to you from Hollywood. And this is the Columbia Broadcasting System.


A federal Judicial Center Orientation Program for United States Judges and Magistrate Judges. Judicial Ethics, Part 2, a panel discussion. Judicial Ethics, a panel discussion, features discussion of three hypothetical cases by three judges on the Judicial Conference Codes of Conduct Committee. The participants on the panel are Judge Walter K. Stapleton of Delaware, Judge Patricia Wald of Washington, D.C., and Judge James B. Zagel of Illinois. Judge Stapleton was appointed to the United States Court of Appeals for the Third Circuit in 1985. He served as United States District Judge for the District of Delaware from 1970 to his appointment to the Court of Appeals. Judge Stapleton has been a member of the Committee on Codes of Conduct since 1985 and was appointed Chairman in 1987. Judge Stapleton received an A-B degree from Princeton University in 1956 and an L-L-B degree from Harvard Law School in 1959. Judge Wald attended Connecticut College where she received her B-A degree in 1948 and Yale Law School where she received her L-L-B degree in 1951. She has served on the United States Court of Appeals for the District of Columbia since 1979 and served as Chief Judge from 1986 until 1991. She has been a member of the Codes of Conduct Committee since 1987. Judge Zagel received a B-A degree in June 1962 and an M-A degree in August 1962 from the University of Chicago. He received a J-D degree from Harvard Law School in 1963. He was appointed to the United States District Court for the Northern District of Illinois in 1987. Judge Zagel has served as a member of the Codes of Conduct Committee since 1987. Case number one, membership in legal and non-legal associations and similar activities. The first case that we're going to take up today is that of Court of Appeals judge D.O. Good who needs to make some critical choices about what parts of her formerly very activist life as a lawyer and community do-gooder, she can appropriately continue now that she is a judge on a United States Court of Appeals. Now, you have the hypothetical which lists the long history of her activities in the community and the variety of those activities. What we're going to do now is to try to sort them out under the applicable canons in the Judicial Code of Conduct that may apply to her situation. I think the first thing that we will do is look at her activities that are law-related or that deal with the administration of justice. And these activities would be governed by Canon 4. Canon 4 says a judge may engage in activities to improve the law, the legal system, and the administration of justice so far so good. The commentary to Canon 4 in fact encourages such law-related activities within certain limits. On the principle that a judge has some unique talents and unique experiences to contribute to the better administration of law and justice. So let's look at Judge Good's American Bar Association and American Law Institute memberships and directorates. On first glance, they would clearly seem to fall within Canon 4. Those are long traditional organizations which are dedicated to improving the law, the legal system, and the administration of justice. So is Judge Good automatically okay on retaining her membership and even her directorship in those two organizations? Before we move on to discussing that with my colleagues, I would like to make three points that even as to Canon 4 organizations, Judge Good has to be careful in the following aspects. One is that she should never do so much on the outside that her outside activities, be they law-related or not, interfere with her judicial functions. That's a given. Secondly, the Canon tells us, and several Canon's tell us, that she should not be identified with positions or policies that may impair her ability or the perception of her ability to decide cases which may involve those issues. And any time one belongs to an organization, there is always the danger that one can take on the coloration of that organization's position. So she has to be careful there. And finally, there is a general caveat about judges not in any way soliciting or permitting their judicial office to be used by others to solicit funds for any organization no matter how worthy, no matter how law-related. And that also has been interpreted to mean no solicitation personally for membership in those organizations. Now let's stop there a minute on Canon 4 and look at two things. One, Canon 4 talks about organizations that improve the law, the legal system, and the administration of justice. Read broadly, that could encompass a lot of organizations other than ones like the American Bar Association or the American Law Institute. Almost any policy reform we can think of could eventually end up as a law. Walt, where do you think Canon 4 draws the line about what kind of organizations are judges encouraged to belong to? When the Canon talks about organizations devoted to the improvement of the law, the legal system, and the administration of justice, I think the last two, the legal system or the administration of justice, the meaning there is clear. They're talking about organizations pertaining to how courts are run and how our system delivers legal services. Where you get into a debate is what it means when it talks about organizations for improvement of the law and what that means. And our committee has interpreted that in the context of the purpose of Canon 4, which really is to single out for special treatment from the universe of all the activities on the outside a judge might engage in, those activities where the judge is by virtue of his office, having been a judge and his legal training, to contribute something unique to the objective of the organization. And as a result, we've construed it to mean fairly narrowly. That is, it's talking about organizations like the ALI, which is devoted to the structure, clarification, overall improvement of the law through restatements or uniform codifications and that sort of thing, and not organizations that promote a particular policy change, even though it may involve a change of the law, amendment of the law, or the addition of a new statute. If you interpreted that broadly, I think you would do away, you'd encompass the whole universe. So I think one has to ask, is this the kind of organization where the judge by virtue of having been a judge is able to contribute something unique? And where it's, if it's an organization for a statute to ban nuclear weapons, I think the judge, even though it's promoting a statute, the judge has no unique contribution there. Jim, what about her position on the governor's task force on drugs? We all know, and especially we federal judges know, that the war against drugs has had a profound impact on our dockets, our courts, our district courts, and some of our appellate courts, have a severe case burden due to all of the processing of the numerous arrests. Now the governor's task force is looking for perhaps a better way to handle the drug problem, which would undoubtedly, if its recommendations were adopted, end up in some legislation, but also end up perhaps in having impact on both state and federal courts. Now, does that qualify for a Canon 4 organization, or does it fall within Canon 5, which deals with non-law related activities, and specifically bars membership on a governmental commission, that is Canon 5, that deals with fact and policy in non-law related activities? My view is that the task force, the governor's task force on drugs is out, that the judge cannot continue to participate in this. Part of this is based on the circumstances involving the debate over drugs, because there is a debate over what we ought to do about drugs. The debate does focus on questions of fact, questions of statistics, questions of policy, and typically task forces on drugs and other major issues in the environment end up recommending legislation. When they recommend legislation, unless the legislation is not very non-controversial, which it's not likely to be in this case, I think you have a situation in which although law is involved, it's involved in the same sense that Walt said it was involved in a law to ban nuclear testing. There is law at the bottom of it, but it is not the kind of law-related activity envisioned by Canon 4. It is in fact the kind of activity in Canon 5, and if the task force becomes very controversial, and it may very well, considering its subject matter, it trips over also into Canon 7, which contains relatively absolute bars against any kind of political activity. Although I might add, Canon 7 has an exception for activities that fall within Canon 4. So I suppose the lesson there is that these canons are quite often cross-referenced, and there are judgment calls as to which is the predominant canon that applies here. All right, we're rapidly simplifying Judge Good's very busy calendar. Now let's turn to the private local law reform activity that she had so usefully been involved in. The Council on Court Reform, which had a very extensive plan for reforming the state courts, and she had been a very articulate spokeswoman for that plan. It's just now reaching the point where the state legislature is considering it, and she would have been a primary witness in the move to put that ahead. Perhaps she might also have appeared on TV and in a variety of local forums pushing the recommendations. Now can she continue that? Does she have to get off of that and leave the Council on Court Reform in the lurch as it were? I think that this is the kind of organization that Canon 4 authorizes a judge to be involved in. Our committee has given advice that it's appropriate for a judge to be a member and active in an organization favoring merit selection of judges, for example. So I think it's the kind of activity that's authorized, but it's terribly important how she goes about it and how the story develops, so to speak. If she gets into a situation where what she's doing is going to be viewed by the public as politically partisan activity, I think she's got to back off. But going to the legislature and speaking to legislators about Court Reform I think is entirely appropriate. I think you have to realize there are two levels here, one, two questions. One is, can you participate? And then two, whether if you do participate, you may find yourself in a position where you have to recuse as a result of having participated, but it doesn't make it wrong to participate just because there may be an occasional situation where you are going to have to recuse later. Our committee has been of two minds on the degree to which judges ought to participate in these kinds of things. In 1970 we issued an opinion which said that a judge ought not to engage in any kind of activity in which the judge gave some positive commitment on a question of law. Seven years later we indicated that at least for purposes of teaching, a judge might very well teach and not have to refrain from expressing views on the law. My opinion on the matter is that it's a delicate problem because even something on its face is non-controversial as the American Law Institute, which is a heavy component of memberships of federal judges, is an organization that issues the restatements, deals occasionally with controversial matters of law, and there are statements themselves once their issue tends to be very influential. I think there is no barrier to a judge being on the ABA or being on the ALI. I think that to the extent Canon 4 encourages law-related activities and that's what Canon 4 does, the drafters of the Canon made a decision that it is better to permit this activity at the risk of having judges express views on the merits of certain issues. Jim, take the American Bar Association. For instance, in recent years it's in varying meetings taking a pro-abortion and an anti-abortion, that's a generalized statement, position. Now, if a federal judge is a member, a participating member of the ABA, does he or she have any responsibility to distance themselves either affirmatively or negatively when a Canon 4 organization occasionally finds itself in the midst of a very hot political controversial topic, which may end up in a case in a federal court? I think that the judge does. I think the judge does even with respect to certain non-controversial areas of the law. What I've often thought of is, Canon 4 by its encouragement of law-related activities tells the judge that you can participate. But I think other provisions of the Canon, Canon 1 dealing with the judge's conduct, counsel also that the level of participation must be restrained in some respect. And I think that one of the things the judge does lose is the right to be in the forefront on a large number of issues. And on issues that are particularly controversial that are likely to arise, I think the judge really has a duty not to withdraw from the organization, but to abstain from voting on these particular matters. Doesn't it depends a lot on whether you're talking about an occasional situation where the organization takes a controversial stand, as opposed to an organization where they are continually taking positions on the same side. One issue organization. Yes, or the ACLU is not a one issue organization, but in the public's mind it's devoted, it is associated with a particular point of view. Where you have the occasional position, controversial position like the ABA, we've advised that there's no duty to resign membership and indeed you can sit on a case involving an abortion issue so long as you didn't take part in developing the policy of the ABA. If you didn't take part then you've got to recuse, but you don't have to back off, you don't have to resign from the organization. Before we leave Canon 4, Judge Dio Good used to be a very constructive member of the state law school. Can she stay on that board? I think so. I think that is expressly authorized by Canon 5, even though if it's a state law school it is a governmental entity, but it does seem to me to be devoted to the improvement of the law, the legal system and the administration of justice. I think there's a difference of opinion on that and I'm not speaking for the committee there, but I think that's my view. As I recall the committee has actually spoken only on being on the governing board of a state university or a community college which are not exclusively law oriented and said no to that. I suppose on the theory that you would inevitably get involved in all sorts of issues dealing with state governance if you were on the governing board of one of their agents. A law school might be different and that's one of those questions I guess that will, for an ultimate answer, will await the right inquiry. Okay, I'd like to move on now to DO's non-law related activities. Specifically her memberships on such organizations as the Right to Life Board, the Sierra Club, the NAACP, and later on the Red Cross. As you can see she was a very bipartisan individual before she came on the court. Now those are all Canon 5 activities and Canon 5 reads that a judge should regulate extra judicial activities to minimize the risk of conflict with judicial duties, but recognizes both in the Canon and in the commentary that judges are human beings and there is some part of their life that they may wish to devote to things other than the law just to keep their sanity if for no other reason. However the Canon 5 is I would say more neutral as to such activities than Canon 4, which has a note of positive encouragement in them. The guiding lights as I see it on Canon 5 activities are again the perception or the reality of the judge's ability to remain impartial in cases that come before her and of course her ability to put her judicial duties in front of everything else. There is one additional component which comes up in several of these organizations. You mentioned the ACLU, it would be true of the NAACP and it would be true of the Sierra Club too. And that is are these organizations which themselves have a sizable litigating agenda. I know in the court I serve on the Sierra Club and most of the environmental organizations are before us all the time and the ACLU is certainly there a good bit of the time. I believe and tell me if any of you think that there is something else to be said on it that for such organizations the judge should not join or participate in the governance of on the ground that they will be a litigator with sufficient frequency that it will be a real dislocation as it were if she is going to recuse in all those cases. There's another point to be made here too and I'd like your reactions to that. We touched on it even on the Canon 4 activities and that is some of these organizations have a decided point of view. Certainly we know the NAACP is only going to be on one side of discrimination cases. Sierra Club is only going to be on one side of environmental cases. The ACLU presumably will be only on one side of cases that they think involve significant issues of free speech. That does raise a real problem of the perception of the judge if she is a member or especially if she is a very active governing member of these organizations as to how impartial she can be when they bring their cases to court and if she recuses herself how frequently she would have to recuse it. I think my reaction is that she can't belong to those organizations but let me hear Jim your view. I think that she can't belong to the organizations. I think all of those that have a substantial litigation component are simply organizations to which no judge can belong. The Red Cross which she's a member is something that doesn't litigate and she can continue her membership there but even then she has certain restraints in terms of her ability to be part of the governing board. She cannot give for example legal advice. She can simply serve as any other member who was not a judge could serve. I think the only difficult position, the difficult question, is that which revolves around organizations that may have controversial positions but they do not litigate and on this it's a close question. You've given the example of a right to life committee that doesn't litigate but perhaps seeks to influence the course of law and litigation and maybe the passage of statutes. I think under those circumstances the judge ought to shy away from that sort of organization as well. There are two published opinions that deal fairly extensively with some of the questions we've taken up. Those are opinions 28 and 40 that deal with our thinking on Canon 5 activities. Walt, do you have anything to add? No, I agree 100%. The Red Cross is alright. The others I would advise against because I think even if they didn't litigate that the substantial segment of the public would think that they might cause them to question the judge's impartiality in some cases. Alright. As a wife and a mother and a neighbor, D.O. Goode has always been a role model for the women attorneys in her jurisdiction and she wants to retain that kind of double aspect to her life. She wants to stay active in her church affairs. She wants to stay active on the board of her small daughter's co-op nursery school and she is also a good neighbor and she wants to make sure that her neighborhood is the right kind of place for her children to grow up on. A couple of caveats. She certainly can be as devout a churchgoer, as active a member in her church organization. She has to be absolutely careful about not lending her name or making any personal solicitations even for as worthy an organization as her local church or her local co-op school. This is perhaps the most definite no-no in the entire code is not doing any personal solicitation of money no matter what the cause. I think she can stay on the co-op board. She's got to be careful not to give legal advice as she may have done formally about leases or about contracts. Or investment advice. Or investment advice, absolutely. But I think she certainly can participate in the direction, the educational direction of the co-op. Let's take up her activities to try to prevent the demolition of the midwife's historical preservation dwelling, which is in the middle of the nice in-town area that D.O. Good lives in and which would be replaced by a filling station. She's prior to going on the bench, she had signed petitions, gone to her neighbors to sign petitions. She was slated to testify before the zoning board about what the effect of that would be on her neighborhood. Now, can she still do any of that, Jim? I think she can do most of it. In fact, there's very little I think that she can't do. But again, it's an area in which she has to be careful in the manner in which she does it.  The one thing that presents significant problems, of course, is if a judge goes to a zoning board and makes a big thing of the fact that she's a judge and demands that the zoning board act in a certain way. The canon operates on the assumption that no judge is going to have the poor judgment to do such a thing. The questions become difficult because many judges will say, well, I'm going to testify as an individual. I'm going to speak solely on my own behalf, but everybody knows. Well, they get asked specifically, aren't you judge so-and-so from the Court of Appeals? We do have one canon. Canon 4 does address this issue. It says that a judge may appear to public hearing before an executive or legislative body in matters concerning the law of the legal system. And it then also says a judge may otherwise consult but only on matters concerning the administration of justice. On the face of it, it could be argued that this prohibits a judge's testimony before a zoning board. I don't think it does. I think this applies, Canon 4B does, only to those situations in which the judge is acting as a judge, testifying on the basis of the judge's interest as a judge in the law. I do not think it applies to those situations which a judge is testifying as a parent or as a homeowner in a particular neighborhood or as someone concerned about some other private social issue. All right. Our final aspect of Judge Good's new life will deal with Canon 7 which says a judge should refrain from political activity and certainly Judge Good knows that and intends to abide by it. She does, however, have a happy marriage with an aspiring politician in the state in which she lives. He's already in the legislature. He's being slated as a very promising candidate for the governorship.  He would like very much to have her go with him to the rallies, to go with him to the political gatherings. Certainly if he wins, he'd like her to be there with him at the inauguration and all the attendant celebrations. What do you think, Walt? I'm afraid she can't do it except with respect to the inauguration. I think the inauguration is a ceremonial public event that she could, if he's fortunate enough to win, she could attend. But I'm afraid Canon 7 rules out even attendance at a political rally. Now suppose in one of those rallies she doesn't appear and somebody says to her husband, hey, where's your wife? How come she never comes to these things? Obviously her husband isn't bound by the cannons, but is there any problem if his campaign headquarters puts out a statement of some sort saying he's married to U.S. Court of Appeals Judge Dio Good, who because of Canon 7 cannot attend any of these activities? I think that's appropriate. I think that a judge and a judge's spouse are entitled to defend a course of conduct and cite the cannons to do so. Indeed, I think most judges feel many times in their lives have occasion to do this, particularly when they're asked to participate in fundraising, which I think happens to all of us and we all have to say, no, we can't do it, we think it's a very worthy cause, but the cannon's prohibited. As a final blow, are we going to tell Judge Good that she has to relinquish her membership in the Women's Democratic Club, which is basically, despite its name, a social club where both Republican and Democratic women and adjunct members who are their spouses go to get good food and to hear speakers from both sides of the political aisle, but the name remains for historical reasons or whatever the Women's Democratic Club. Yes or no, Jim? I say she has to give it up. I agree. I agree too. Well, all in all, it's going to be a very different life for Dio Good, who may see much less of her old causes and of her old friends, but it's a great job and we know she's made the right choice.