Going on everyone Sam here with late in sports cards have been 22 peniselect football hobby 3 box break number 17 random team style There's a look again at your random results as always you can find those on the website under the results tab as well as a Lincoln Chat. Good luck. I'll see something big man Silver Trevor Penning rookie That re-killed Cam Jordan 7 of 99 on the Jersey card for the Saints. That's when they're New Orleans Silver Damien Donovan Wilson and Hunter Renfrow Blue checker Cam Juergens. That is to 149 premier level Silver Jonathan Taylor and Christian Watson rookie Chris Olave neon icons 37 of 49 village Jones jr. Jumbo rookie Jersey auto for the Bears. Congrats, Chicago and Tyler Conklin Traylon Burke snapshots Silver Jalen hurts sweet level sweet level Sam Williams not to be confused with sweet shots Blue Brady nice one there 25 of 149 Jonathan Owens silver Kirk Cousins Kevin Harris silver Trevor Lawrence brings their hats It's just one time in the middle of a break Stefan digs Ed Ingram rookie silver Melvin Mike Williams and you I think it was the same day and you look at me and you go Tie-dye Clial Mack field level nice one there to 25 Silver is kind of Walker and Harrison Phillips and Batwabi over there Mleek Willis Sensations silver fields and a Kyle Hamilton There's a Tyree kill the Dolphins to 199 a Leonard Floyd silver Arnold Ebukite and T Higgins Purple Jared golf to 75 Gold Rex Burkhead four of ten on the die cut for the Texans Brian Cook you get him under control out there, please Go out there with like yeah like those spears that you could stick poke people and it shocks them Yeah Posts so out of pocket you throw your phone. Yes, I have done that before actually Vaughan Oh God Did you see something that was phone throw worthy Heather lock it blue to 199 that is gonna be 21 of 35 white Kenneth Murray auto for the Chargers who Mike white to 99 silver John Mechie and Yes, only baseball is open for tonight Ronson. Yeah XRC Andrew Thomas and Channing Tyndall Defense one that's gonna go will Anderson and the Texans nice one there Houston on Defense one that's awesome. Let's go Ronson taking two spots and bowman Appreciate you buddy. We're down to 18 Thank you, man Appreciate that buddy red George Kittle to 99 Silver Zion Johnson AJ Taro Yes, that's Texans on the will Anderson XRC sauce Gardner and a sweet level Traylon Birks kind of Walker snapshots Silver Kyle Pitts and Danny Dimes Sean's boy Danny Hopkins silver Jay Jettos and Portland Sutton one of the broadcasts of all time There are the players of all time Right sauce Gardner Vaughan I can't believe you didn't say anything about the thumbnail today silver Tua and Christian Wilkins You've got you've got it. Just keep your eyes peeled on Saturday. I've got a funny thumbnail on Saturday Ritter silver Mahomes and Jalen Petrie 29 of 49 Samir White On the rookie Jersey auto and patch my home working sent something working sent something Ryan Robinson jr. To 249 silver and Kobe Dean Everybody win me. What's it? What's it Chris say like don't say That is Fuller on so fought to Kassie nice one there to 35 for the Jags They're all 21 of 49 Cooper Cup Jersey car for the Rams silver a lewis scene and Trevor Lawrence. I swear to God Chris said something Oh, he sent he sent the I said no then he sent it too. Oh, yeah. Yeah He sent the fourth signal Kind of Walker the only one late to a meeting silver quay Walker and Daniel Jones What green come on baby That is gonna be a Isaiah Spiller green Cedric Wilson jr. For a five nice one there for the Dolphins go Dolphins Paul B Shannon Tyndale Xrc Michael Parsons silver Jordan Brooks and Trey Hendrickson wide receiver five. I think that's Jaden. No, no, no, no, that's gonna be Jonathan Mingo for the Panthers. I believe let me look because four went in the first round and nobody went until the second Yeah, so Smith and Rigbo one Quentin Johnson Tuesday flowers three Jordan Addison four Next wide receiver Jonathan Mingo for the Panthers. Yes, it is Nice one there. Congrats Carolina Again guys down to 18 to go on Bowman 2020 Bowman random team style red Nick Chubb to 49 We get them out of here, please Ridiculous to be honest a bunch of bots and Lance Drake London Justin Herbert David Bell to 249 pick and sweet level silver Kyra Elam and base sauce Gardner Garrett Wilson silver Daven Cook and Corlyn Sutton silver Jamar Silver Aaron Donald and a Josh Jacobs. Yeah cobs There's Josh Allen 61 of 75 on the Sparks Jersey for the bills Silver Jamar Chase and Tealon to 99 Justin Herbert on the light blue 88 of 99 silver field second year and base, right? Yeah There's a Isaiah Pacheco to 75 on the field level nice one there try color for the Chiefs Silver Wandale Robinson and Aiden Hutchinson. Right. Let's see what we got here last hack filler 25 of 75 Jordan Davis blue rookie Jersey Otto for the Eagles another 2020 Bowman spot came in and base Do a quick recap here guys We had Josh Allen Cooper cup and Cam Jordan on your jerseys We had a Jordan Davis water see for five John Domingo uh for the Panthers Cedric Wilson jr. Green zamir whites Uh defense one will Anderson. I'm gonna have you mag this one. I think actually my bad I meant to say that too. Kath Murray feel is shown jr. And a gold rex burkehead to 10 That will do with the break guys. Thanks again for the fill up next is number 18


Welcome to our Halloween episode. Sniffers and flighters. My name is Marlene McCohen and guess where we are? And so we are here at this pumpkin patch, right? Yeah. I don't know. Look at the sign, hold on, hold on. No dogs allowed. Ha ha! We got birds.  I just said no dogs. No dogs. Did you steal any of our cars? That would have been great. Yeah. I want to say no. No? Who else? It's your big moment. Eiluga. Yeah. Right, Eiluga? Ooh, you want some corn? I have the cars, Megansburg. You guys are changing. Oh, Jersey wants some corn. Chrissy, remember? I love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. They got pony rides. Jersey wants to ride a pony. Want to ride a pony? No, no, no. I don't think she does. Oh, there's LL. So we're going to come over here, and we're going to put our face in this wonderful artist's painting right here. It's a masterpiece. And we're all going to become pumpkin people. Okay. Put your head in there. Hey, I got to get in on this one. So I think she came up with a great idea. What? The birds need to also have their own pumpkins and have them carve their pumpkins while we carve our pumpkins. Yes, Megan. You know, sometimes I have a good idea every so often. All the time. What do you think, Jersey? You like the pumpkin batch? To put a sign over here for massages. Parrots only. I mean, I could do humans too. Yes, George opened his massage shop already. Jersey, you want to go to the haunted house? Dippin' dots, but I don't know. Should I get them or not? Oh, yeah, I have Jersey. She wants some dippin' dots. What flavor? What flavors? She's going down, but she's moving forward. What, baby? I guess you'll get the cotton candy one, right? Cotton candy. Oh, birthday cake. Birthday cake. Did you get a cotton candy channel? Yeah, I got some, but just to decorate the house with little ones. I'm going to scare Kinga. Now, Jersey was a pro. She likes this kind of stuff, okay? Yeah. She's into that. Go on, that's too big. Pick it up. Myself? Do you want me to carry your pumpkin? He almost looks like he could be a skull. A what? A skull. A what? A skull. A head. A skull. SKULL. A skull. Are you talented enough to do that? I don't know if I'm going to make it into a skull. I could have if I didn't say that. I don't know. I have my eye on one. Which one? What do you want? It's over here. This guy. Oh, that guy? He just looks so smooth, no? Yeah. I thought you were going with this one. I mean... That looks like a princess that looks like Cinderella Pumpkin. Oh, yeah. So I thought you were going to go that way. What? But you went this one. I found my pumpkin. I need you to pick it up for me now. Is it that bad? I brought a purse that carries my pumpkin. He gave me a bag. Tracy was like, Watch my pumpkin. No one's stealing your pumpkin. Or your bag. It's so perfect. I'm just kidding. I'm playing. I'm playing. I'm playing. No one grabbed it. This one. This guy? Why? Okay. Maybe two. One for me and one for you. One for when I don't want mine anymore. I'll have yours. I'm going to go for that one. That would be a Cinderella Pumpkin. Yeah. I thought we need options. Kind of like Ernie and Bert, you know? Happy Halloween. He's like, I'm going to make him into like a witch. A witch. Exactly. It's pumpkin. It's reading. It's a black swan. Is this okay? Ask her. I am. Who else do you think I'm talking to? The camera? Jersey, is this okay? No. Okay. How about this little one? It's Halloween. You need a black swan. What's the smallest pumpkin here? Jack be little. Are they really? They're not. That looks like a little crown. Look, look. That works. Right? Or like Tatum will wait for you in the house. Because she's like... I don't know what you're saying because you're just so pretty. That's all I can think about. I look up. I saw you take a nap. You took a nap at the pumpkin patch? You said you could take a nap straight out in the middle of your walk. Boo-boos. Did you have fun at the pumpkin patch? With Jersey. Don't forget to subscribe and let me know your favorite part of this video. Woo! Hey guys, the Feathered Fun Box is our new subscription box of toys, treats, and other surprises for you and your bird. So don't forget to check the link below and get in on that. And guys, don't forget to check out my new line of organic bird food called Marlene Signature Blend. The link is below.


Okay, hi everybody, this is just a quick demo of something I'm working on that I wanted to share with everyone This combines two of the things I really like in life old-school arcade games and Star Trek So you can see over here. I've got my kind of tiny little enterprise shape And then over here I've got some code and I'm gonna be doing something called vector graphics And let me show you what that looks like and then I'll explain Here's my program. You can see I've got I forget maybe 50 little mini enterprises on the screen And this is what's known as vector graphics now. It's a simulation of vector graphics It's not really vector graphics, but it's close close enough for our purposes and vector graphics was just an old type of arcade Or old type of graphics system where instead of using like little bits Like normal screens that where you're used to it actually drew lines now, you know, of course in a modern monitor We don't have that option, but we can see you late it by drawing each of these lines Individually, okay, and so how I did that Was let's see if I shrink that down there. There we go was I first designed my shape over here I just made a little Google Doc to do that and here's my center That's at zero and zero so that would be that's gonna end up being my X and Y coordinate And it's really important to make your shape symmetrical So when you rotate it it rotates about this central axis and so I just did a little Star Trek enterprise type shape in Basically just lines and so what you see here is That's what's on the screen so you can see some of them are bigger some of them are smaller Now this isn't really a tutorial. I'm not gonna walk you through the code, but I will share it down below Maybe I will walk through someday because this is a bit complicated, but basically what I did Was I took all of these coordinates so you can see here I started at negative eight four So that would be negative eight and four and I went from negative eight four to negative two and four so I drew this line Then I put a blank Which means pick up the pen Go to the next one, which is negative eight negative four and then draw over to negative two negative four picked up the pen again and then went to negative five Negative three I drew this part actually should have started here and gone all the way, but that's okay And so I'm basically just drawing it line for line. So let me go ahead and Comment out wind tracers and see actually what's going on when I run this so this will run it just very very slowly So you can see how it's drawing the left nacelle And it's still a little fast, but you can see left right middle and it draws the the It's the bridge part the main part of the saucer section. Excuse me You can see how they're all at different random angles and this was just a little bit of a mathematical trick I found it on some website that can't find the website and I can't reference it but I found it somebody wrote this in JavaScript and This is the code. It's it's a bunch of mathematical stuff So if you want to try this again download it and play around with it It's written it's uses classes So it's a bit more advanced structure than probably what you're used to from what I usually do But it's kind of fun just to kind of play with you can see here I just made 50 different enterprises. They're at random places X and Y random headings and DH is the the rotation so they just have a random rotation and then they all have a random scale from 50% to It's 2.5. So 250% and then there's just a little while true loop. I clear the screen I move each enterprise and then I render which means to draw in this case And then I update the screen and just repeat over and over again So again, let's take a look at what that looks like and oops. Let's go ahead and speed that up real quick and This is a fun little program like I don't really need that anymore, but it's okay and Where is the tracer that's that's the big one a tracer So again, sorry, I know this isn't super form of which is something to play with You might want to try and draw your own shapes and see what you can get to come out of that Okay. Thanks for watching


good afternoon everyone So today is the second day of the conference. I'm not going to share many complex charts graphs and a lot of data right now I'm just going to share with you. What is our perspective of reality of digital out of form the way we see it today in India? So what we have captured over here are the different stages of digital out of form that we see in India today This year we considered or I would say, you know the years that we are going through are the second innings of digital out of form in India The first innings was way back in 2008-9 when digital out of form started over a period of years It kind of established itself and 2015-16 onwards We have seen greater traction in terms of the volumes which have come up in different ambiences across different places, different geos, etc So if you just see the trajectory, it has really grown First the growth was across transit and then place-based when I say place-based it covers basically all those areas Where in digital out of form is present across gyms, restaurants, residential, etc, etc Before I, you know, talk more about it, just want to share that for any new media to proliferate There are primarily four stages which it goes through any kind of new media and this is medium agnostic There are four key stages the first stages of Development stage when the media technologies are being developed That is the time when new media technologies are being invented a lot of money is getting into research And the second stage is all about proliferation Where in these new media technologies, they are being widely shared with the people and consumers are adopting these technologies and the third stages of Convergence where in different mediums they converge with each other and they merge with each other and the four stages of ubiquity stage Where in the media becomes so pervasive that it kind of becomes invisible completely And that is a time when another medium comes and becomes a disruptor And this is my hypothesis that in digital out of form today We are in stage two we are in a stage of proliferation and each stage has its own Opportunities and challenges. So let's have a look at where exactly we are in India as of now So one we have seen increased space of roadside UH. We have seen some impact sites coming up across few Metrocities, I would say but if you look at the map, which is over there You will see there's a huge traction in terms of roadside UH across top 25 cities If we were to bundle up the volumes where this growth is happening It is not only metrocities, but even tier one cities as well Today as on date And the bar tops this list when wherein there are more than hundred plus do at sites and all these numbers combined together Contribute to three percent of the total DOH in India Second place-based networks lead the volumes why they lead the volumes because it amalgamates lots of mediums together's all the Mods multiplexers gyms restaurants et cetera et cetera come over here and this is a big chunk and this chunk is contributing to 67% of the total DOH and out of this entire chunk Residential DOH tops the list and nowadays through residential DOH It is we are able to garner significant reach across metro markets in tier one markets These are some of the stunner sites that I have deliberately put up over here This shows the way DOH has grown in India across ambiances now we can do campings on these stunner sites Third is their increase in the transit networks that we have seen across a ports across railway stations across metro stations In fact, there are few DOH assets, which also have audio capabilities right now And this entire piece contributes to 30% of the total DOH as it stands in India today As they say when the market expansion happens creative Experimentation is not much behind and that is very true of our country as well This is the kind of work that our agency has done in the last one year And I will just name few of the Creative Enhancements tech integration that we have all done for multiple clients of ours Ranging from enomorphic which is 2d, 3d, QR codes across duet screens, dynamic creatives Countdown timers, API integrations, full-motion creatives, live streaming Using differential creatives on sequential sites and having live deals and offers on different DOH And this is the work of one agency in the last one and a half year And I'm sure if we were to bundle up all the work that all the agencies and all other media partners have done In the last two years or three years in India, we have really come a long way in digital out-of-home Also, there is increased Creative dexterity now in terms of the way we are Using the creatives in digital out-of-home We now in fact across multiple media partners, creative part time-based is available Multiple creatives can be deployed over time You can do a set level customization which we have been experimenting with which we have been piloting with for different Clients of ours. You can do 2d, 3d enomorphic creatives at the same time You can do a play between static and dynamic videos as well. I Spoke just now about the tech integration that we have done in the last one and a half year Also, there are a couple of media partners who are also providing a lot of audience data While you know, I must say that everybody is not in a position to provide this level of data But yes, we have seen some green shoots of nice data Which is coming our way in the form of demographic details reach and impression numbers Some have even tried to arrive at multiplier impression numbers Behavioral affinities and also log reports are coming in but again There's a lot of struggle over there to garner this kind of data But yes, there are some media partners who have taken the onus on them to provide all these details While this is all very good stuff that we are talking about I also want to talk about few challenges that we see right now in this medium While we were collating this I sat with my team to arrive at this list And it was a long list, but you know, we have just bundled all of this into three parts There are three I would say bigger buckets of the challenges of DOH that we see today the first pertains to infrastructural challenges and high pricing especially roadside DOH the second part pertains to efficiency in effectiveness and The third part is of regulatory framework, which plays a very important role in outer form Going to the first point of infrastructure limitations and high pricing I just want to make one point very clear to all the stakeholders of DOH that there is uneven Proliferation of digital outer form assets, which is happening Pan India It is not restricted to any specific geography, but it's happening Pan India across Markets and it's very disheartening right now since this conference is happening in the city of Mumbai We have used the map of Mumbai to showcase how disparate this coverage is If we were to do a mid-sized campaign of outer form, we generally take around 20-25 billboards But if we were to do a campaign using DOH as of today, it is just restricted to three to four Hot spots which are highlighted in red It shows the limitations of the reach that DOH spread is giving to us today and it is happening all across It's not only Mumbai per se, but across markets Second bit, which is more worrying is the fact that road-sized DOH is becoming very expensive Road-side DOH as compared to same-static bigger sites is on an average 10 to 15 percent more expensive While the impressions are much more less because this is being consumed on a spot basis itself And this is a very worrying trend not only for DOH But also for outer form itself because outer form in India is very inflationary in nature In the last couple of years because of the debacle that we had because of the COVID the rates are just going up the new tenders are expensive So some way down the line We need to check the pricing moderate the pricing of the sets if you want the industry if you want DOH as a medium to grow further Second big bit, which is again a big grouse is the fact that you know Few media partners today are giving location impressions, which is not correct We need to have spot-wise impressions Which can be made available It's little bit of more tech than what they have currently plus mathematical advanced mathematical modeling Which can be done, but which is not being done right now And I this is a big ask from all the advertisers and from the all the specialist agencies Second bit that the earlier panel also were discussing is the fact that you know, there are no creative guidelines DOH is a different Medium altogether it needs to be used consumed in a very very different way, which is not happening None of the media partners today are in a position to tell us what works What doesn't work in which champion should you do? You know, maybe let's say a dynamic video or a 10-seconder and 15-seconder a couple of days back in our office Only we were debating what works better 10-seconder 15-seconder 25-seconder because the dwell time is different Malls are different Airports are different bus depots are different what works where nobody has any clue While we are mounting pilots with our advertisers to understand, you know, I would say this Uncertainty and this ambiguity that do which is giving today. This is an area wherein Everybody needs to work though a look talked about a business idea that he had that he's going to start a creative agency But I think the onus is on all the stakeholders and it's not only the media partners But I think everybody needs to collaborate over here to figure out what works for this medium in the most optimal way Third most important bit is again pertaining to the fact that there is no research Very less research money is being spent on the researchers. There are no brand list studies which are happening Now when advertisers are putting in the money in let's say out of form or any other medium They want to see the returns. They want to understand whether this money is well spent or not Because things are becoming very difficult at advertisers and as well, you know, every penny that they spend is being questioned Internally as well as externally but digital out of form doesn't have any answers today So we need to put a little more effort over here to create a nice rich body of work Which can answer question which all the advertisers are asking today Thirdly, I would say the most important component of this entire Matrix that we have is the regulatory framework that we have The fact that there is uneven proliferation against tense To this fact only that the regulation for out of form is uneven across cities There are multiple corporations involved in all but there has to be some way in in the sense that wherein we can go to them Collectively and tell them to you know, plan DOH is in a certain way because DOH adds to the beauty even out of form Do is both they add to the beauty of the cities wherever they are present in So there's a lot of work that is required over here. Secondly, the licensing procedures Should be made easier for the media partners for them to proliferate further Because of all this ambiguity which is there in the background. There is fragmentation of ownership. I Heard the earlier panel also talking about the fragmentation and the fact that you know, there are regulatory hurdles We need to fix those and do something about it While it's a long list of challenges that we just bundle up together I'm not going to spend much time over here But the big question that I'm going to ask everyone over here is do you think there is any hope? Do you think that we can do anything to fix it? Please tell me honest opinion say a yes or a no Do you think this can be fixed all these challenges or something and happen out of it? Okay, so I hear a yes and I agree with you that it's a yes We can definitely fix if not all of it, but some part of it So moving on to the fact that you know, how do we build the speed better? How do we ensure that you which also contributes to the growth of out of form at the end of the day the industry will improve? So again, I have divided this into four parts one. We need to have more industry collaboration When I say industry collaboration advertisers creative agencies Specialist agencies media partners we need to sit together We need to share our learnings in terms of again, what works what doesn't work? How does a particular medium, you know behaves in a certain ambience? What all guard rail should be there from a creative perspective? While all of us in numerous conferences have been talking about the fact that the out of home copy gets Adapted the print copy gets adapted to out of form. What is it that we have done to fix it? So couple of us at on the special agency sites have taken Multiple measures to fix this and to create some guard rails guidelines for the clients and all of that But there is a bigger industry collaboration which is required to have workshops learnings case study shit, etc. Etc. Second part which is most important is Is that they should be even infrastructure development across ambiances and roadside? So that you know, there is a balance between glut and paucity We have seen in few markets right now. They're leading. I can see that future where in few markets are leading towards a situation of glut Where in after couple of months, there will be so much of oversupply that we really don't know whether those sites or those slots will be sold or not Which again would be a very Sad situation for the media partners who have made investments. So over there we need to have some sanity and a far-sightedness at the end of municipal operations to plan this out thirdly from the media partners we need higher tech and Data integration in terms of multiple things the way the planning is happening the way deployment is happening the way Verification of play out is happening a lot of work is required over there today Also, if you ask for log reports log reports are provided But after some point of time so that is something that needs to change at the media partners end Most importantly, we need to train our people and when I say we need to train our people We need to train everyone. We need to train our own teams. We need to train the clients We need to train the brand teams. We need to train the creative agencies Because they really don't know how do it works. Do it just very very different It pans out very differently and which we are though at our end. We are doing Some workshop for the clients as well to train them, but I think it has to happen at a bigger scale Where and we need to train people especially even within special agencies not everybody can today plan and buy a digital out of Home apart from that they cannot even deploy it So there are huge challenges over there in upskilling of the people and I think it is the need of the hour We need to upscale our people the entire ecosystem. It's not only agencies or partners even the clients advertisers need to be trained in this medium Okay It was a long list that I shared earlier and we all know that we can't boil the ocean Even if we want to we cannot do everything together So we will have to sift through a couple of things that we need to focus on we need to identify a few action points that we need to Go after so this is what I've written down over here that one we do definitely train our people training is need of the hour Rational pricing will do wonders for the medium If you are able to moderate prices make roadside digital out of phone much more economical much more competitive than static It will definitely open up more avenues Land infrastructure is also required and definitely a lot got spoken about Unlocking creativity, so I'm not going to spend more time over there But yes, there is tremendous Scope to unlock higher creativity a lot more is possible in terms of duration What all can we do and the way it can be integrated with technology? And lastly measurement. We have seen some green shoots happening on DOH as well, but they need to be made better Measurement has to be low-cost and scalable It can't be restricted to just one media partner who's providing it it has to be scalable because all of us handle national Advertisers who have national rollouts across cities and across touch points Thank you


You did that enough.  And now you're free. And you're free. It's 2014. Break the chain, sister. Go for a walk. Cross the list in the next line. You don't have to work. That man no more. Okay? And something better is definitely going to kill him. Anybody else? Now they're free. Oh my God. It's terrifying. You spoke so well. But listen, what happened to me that puked my computer and I was the same way. And everything I wrote for about three to five years was gone. But what it ended up meeting for me is that I began to take my work seriously in a way that I hadn't. Like I used to dabble with the idea of being a playwright and being a storyteller. And it was cute. And I was the only one among my friends that didn't. But I didn't realize how bad it would hurt when all of my ideas were gone. So it's like, feel it. And then just jump. Like, you seem to have already done that. Like you've already jumped into your whatever that game plan is and however that plan is it can't out for you. I don't, I literally can't remember but maybe one thing that I lost out of all of them. So it was three to five years is right. Gone. And there's only one story out of all of those. And that one story I still, you know, I still have. But otherwise I had to be right. And it was in another dialogue. So I had to start from scratch. Because I was so, you know, this story been a lot to me. But it'll, it gets better. And you won't feel this bad for too long. And then you'll just kind of find your rhythm.  Because the thing is, if you really want it, this situation can be a really good turning point for you. Because it was today. Oh yeah, absolutely. Not only the community. Good question. Oh, Ellen. Did you see, you just had this one copy and it was handed in? No, no, no. That was a make-believe. That was a make-believe. No, no, no. I'm just kidding. I'm just kidding. I'm not kidding. Yes. I'm just not kidding. I play now 70% of it.  And I decided to start workshopping it. Not rehearsals intended towards performance. But really I just wanted to get a small group together. Really flesh it out. Have them help me. Give me the chance to sit back down. Correct them. I'm trying to write a little bit of it now since we have the time. The hardest thing that I don't think matters is when you say it to anybody, I'm writing to play what it's about. It's the damnedest thing to describe something that's not describable. It's kind of like a person in a way. Well, who are you? What are you about?  I don't even know what the question is actually right now. But that's definitely something I have. I can't explain it. This speaks badly on it. People demand an explanation. How do you explain something that you feel that is so much in the words and all the little moments there? That's the book is a thread. It's one big thing. So many things are connected by a thread. One thing, who are you going to workshop with? Friends. Friends. Good. These people? No. Not these people specifically? But close friends. Close friends. Good. That's very smart. To talk about your work, it's a skill. It's a skill that you require from practice. Big picture. So like we were saying, when you're writing it, small little picture. Small steps. Word by word by word. I mean, you're talking about your work and you pull away that. And you say, not Fuji. That doesn't explain it. Little tree. I'm not Fuji. But you know that it goes like that. So you just try to talk about the story of your play. I would suggest talk about the story. It's about a person who blah, blah, blah, blah. And in the end, blah, blah, blah. You know what I mean? That's all. Just try to talk about the story. Don't, you know, the issue, or if you're an issues person, go that way. Okay. They didn't go that way. It's about something, something, something. And there's one guy or there's one person who's trying to help. Keep it as big stroke. Big stroke is possible. And by reading it, they'll get to know what you're writing about. That's... But you do want to get into the, develop the skill of saying, people say, what's your play about? A guy who goes to war and comes home. Yeah. Whoa. They come home from the war. It's blah, blah, blah. I don't see it. You know what I mean? But it's guy who goes and comes back. Yeah. There are five other things to go out and play. But that's good enough for me. They seem satisfied. Don't worry about explaining everything. You don't have to. You're doing big picture. Just doing little picture when you're writing. Small steps. When you're talking about big steps. Large steps. Anybody else? Like, is it good ideas about it? Yeah, like, you know...   I think that's what's cool about working in a collaborative art form that I have to actually trust the handoff. I mean, the Olympics are running a relay race. You know? That handoff, that takes like... To do that handoff is amazing. I totally trust the other person that they're going to be competent or more than competent. They're going to be brilliant. But they're going to do their work at great service. I enjoy trusting and practicing that trust. Because I try to control what I can control, which are the words I've made. That's mine. And then I love handing it off to actor. Take it, girl. See what you can do. So, you know, granted, I have been in my own place before. I've been on stage playing music before in my own place. It was fun. I liked it. But, you know, when I get an opportunity to hire a musician and sit back and watch it, I like to hand it off. It's just my personal. But, you know, there are people who do solo shows brilliantly. You know, there are people who write for themselves, who write with themselves in mind. They want to be on stage. You know, they're all kinds of things. But sometimes people want to be in their own place or direct their own plays because they have trust issues. It's a great way to practice working on that. Pat is love. Pat, he has trust issues. It's okay. You know?  They're scared. Not issues. That sounds weird. But they're afraid. It's okay to be afraid. But unless you really are an actor, actor. At times, I have... I'm just curious to come to my mind. Right? Like, certain scenarios make me see the pictures. Right? Or, like, sometimes when I'm just sitting down, I can see a picture and it's really clear. Right? And the dialogue is really clear. And sometimes it's funny. Sometimes it's dramatic. Right? But I'm wondering about how I might get that down and create a play from those small moments. There are so many of them. Like, I don't think that I could create, like, some huge piece from each one of these plays. They're really significant to me. And I find that each picture is really something that I cherish a lot. Right? You can create a show out of lots of pieces and small pictures. You can do that. Like, have you ever seen... There's a quilt pattern that is called nine-patch. Or you can just, you know, there's not very, very small, you know, or postage stamp quilt patterns. And they're very, very, very tiny things. You know? I run a play day for a whole year. That was a thing. You know what I mean? You could put all the pieces of the things together. That would be fun. If they're meaningful for you, then I would say collect them. Or you can put them down in a notebook and see which ones resonate into something that might be a longer piece. You know? You can do that, too. You can just find a way to write the data and carry around the notebook and just constantly scribbling things down. You know? That's a way to do it and then transcribe them into a document and see which ones resonate for you. You know? Or you can create a longer thing out of it, a little tiny thing. Or you can do... go to a weekly open mic and perform one a week. I mean... It's okay. I can have one cool thing, really. It's okay. But yeah, you know, that would work. You value them because they're meaningful to you. And we're... JB's giving us a sign. Black power. No, I'm sorry. Times up. Black power. Times up. Black power. Black power. Times up. Thank you so much for coming. You guys are great. We'll see you after finals.


Enter here and get out here. So, money geeks, Mr. V here. Welcome to another video, guys. So, in today's video, we're gonna look at the MACD and the RSI indicator for day trading. So, if you have been watching my videos, you know I use the VWAP a lot, but a lot of you guys have been asking me about the MACD and the RSI. Yes, I do use MACD and RSI to enter trades which are above the VWAP or below the VWAP because usually, when you trade using the VWAP, once that position is above the VWAP, people are asking when would be a good time for you to enter, when would be a good time for you to exit even though you are above the VWAP. If you're below the VWAP, should you wait until it crosses the VWAP? No, you can trade below the VWAP but you have to use different indicators. In this case, I use the MACD and I use the RSI indicators to kind of guide me when to enter and when to exit. So, I'm gonna show you guys how I do use them in my understanding of the RSI and the MACD in my trading. So, let's jump in the computer and just kind of walk through it using an example. So, basically, when it comes to using the MACD indicator in the RSI, you have to be very careful with your trade just so you know exactly when you're getting in and when you're getting out. So, again, I want to use this example that we see here on the screen to kind of walk you guys through the process so you know exactly how I do use them. If you see here, document sign is just the stuff that I want to use because it really has some really good things that I can show you as far as what I'm looking for. But just to add RSI on your charts, if you don't really have it, what I want you to do is you go to, so, open your charts, you go to where it says indicators up here, click on that and then you can select that. So, see right now I have the VWAP, which is the yellow line that you see on the screen. I have the RSI, which is what you see down here at the bottom and then I have the MACD, which is what you see right here on my chart. So, those are the indicators that I currently have. So, the RSI stands for relative strength index and we have the MACD here, which stands for moving average convergence and divergence. So, if you look at it right now again, I'm going to use the example here. So, here is what I talk about. So, if you see the VWAP right here is $215.56. So, if you see the yellow line again highlighted here, that's the VWAP. So, notice how this crosses the VWAP. And so, in this case, if you were just to trade using the VWAP, this would be a really, really tough start to trade because you'd be losing out a lot of money. Because if you see here, this thing pulled down all the way to $205 here.  And then crosses the VWAP for a very short amount of time and pull back down. But look at this squeeze right here. So, if you were actually trading, you would have missed out on this if you didn't have the VWAP, if you didn't have the MACD and the RSI indicator guiding you to kind of go in. So, here's how I use it personally for my trade when to guide me to go in.  So, the RSI gives you two key numbers. It gives you 70 and 30. So, 70 means that that stock is over, but. And 30 means the stock is oversold. So, if you see your RSI crosses 70 at that point, know that that's a dangerous point for you to get in. I don't go in at that point. I'll wait for a pullback. And then if I see the RSI below 30, that kind of gives me an indication that this is kind of a good time for me to start looking for a great entry point. So, let's look at the example here. So, if you see here on the screen, look at this dot drop to 207.75, right? So, if you look at the RSI down here, look at where it is. The RSI down here was actually at about 22. That's below 30. So, that was a great entry point. So, if you had bought the stock at that point, see what happens right there? It bounces right back and then now it screams all the way to 212. So, if you were trading, you get in at 207, you exit, you go in, it's now up to 212. That's almost like a $5 spread that you've made tour. Depending on the number of shares that you've bought, you'll be sitting on some profit right now. So, let's find a spot where it's overbought. Okay, so, if you notice here where it crosses over 70, and if you can see it on the chart clearly, there's an area in there that's shaded, which means that it's over 70. At this point, it's at, let's look at the exact number, 76. So, that's over 70. So, at this point, it's telling me that this thing is overbought. So, I am holding back. I'm not gonna jump right in. I'll wait for a pullback. And then, notice what happens. Right there, it shows overbought. Not too long, look at that pullback. Right down, and you just went down, down, down, down. Again, this is how you kinda take a look and see when a good time is for you to enter. So, that is using the RSI. Okay, what about the MACD? So, the MACD and Signer are two other indicators that you would definitely use for trading. So, I'm gonna use the example that we have here to kinda explain that. So, on my chart here, which you can customize, you have to have different colors. I have the MACD, which is the yellow line that you see here and then the bluish line here is my Signer line. So, basically, these two indicators, these two lines kinda guide me to know when to sell and when to get out. So, again, if you see the Signer line crosses the MACD on the upside, see what happens. You see that stock pulls back. See, when it crosses right there, pulls back. So, it simply means that when you see that cross coming, if you're in that stock, it's time for you to sell and get out because there's gonna be a pullback. And then when MACD crosses a Signer line on the upside, it means that it's time for you to buy because there's gonna be an upward movement. So, just look at the example again. See, MACD is on the low side. It crosses right here. Look at that pullback from there from almost two, 11 or two, 12 down to two or seven. And then MACD crosses on the upside, crosses Signer on the upside. Look at, it's not squeezing up all the way to $14 and some change. So, that is how you can actually use these two indicators. Again, these are not proactive indicators. These are reactive indicators because something has to happen before you can see this. Doesn't mean it's not predicting what's gonna happen. It's just telling you that this has happened and that you can use that. Does this always work the way you expect it? No, if you just look at this very well, you can look at the chart, you see instances where the RSI gets down to, like I said, 30 and you're thinking, oh, okay, maybe it's time for me to get in. And guess what, it just keeps going down. So, see if you can find one here. Okay, so, look at here. So, RSI gets down to here, you think it's time for me to get in. You get in, it keeps going down and down. So, it doesn't necessarily mean that it works all the time but once you use them over and over again, you will get a better understanding as to when to get in and when to get out. So, again, just to kind of wrap things up here, three key indicators, like I said, if you wanna add them, you go to indicators, you would see on the WebO platform, you would see the VWAP RSI and MACD indicators, you add those and then again, VWAP, each time you're watching, it crosses the VWAP and establish confirmation as time for you to get in. And then if it's crossing the VWAP heading south, that's time for you to get out. And then if you want to trade above or below the VWAP, let's say the stock has already crossed the VWAP and then it keeps going, how, when do you know how to enter? Then that's where I say you wanna use the MACD and the RSI indicators to kind of guide you. Again, using this example here, see that you could have traded a lot just below the VWAP but for most people, if you didn't use the MACD and RSI indicator, you would be missing out on some trade. So this is just another tool for you guys to kind of add to what you have already to be able to keep you making profit. Again, guys, be smart with your entry points and be smart with your exit points. Don't be greedy savage, always take profit. This market has no friends.  So don't make any friends with the market.  So as you guys can see, trading using the VWAP is excellent but sometimes once the price is above the VWAP, you're still looking for a great entry point or sometimes the price is below the VWAP, you're still looking for a great entry point. That's where the RSI and the MACD comes into play for me. That's my strategy. Again, I'm not a greedy savage. Most people wanna go in and make millions of dollars once and that's where you're gonna get burned. You go in, take your little profit, get out, wait for another great entry point, wait for confirmation before you can get in. So question of the day, do you use the MACD and the RSI indicator for trading and if yes, how do you couple that with VWAP on your charts? Let me know in the comment section. Again, if you're new, we talk about how to end money, how to save money, how to invest and build wealth. So if that's something that interests you, go ahead and hit that subscribe button and the notification bell too. You don't miss out on new content and also if you wanna get started, I do recommend using Vibo for trading. I'm gonna put a link in the description below. Right now, Vibo is doing a promotion where you get two free stocks for signing up and depositing $100 to not one. So links again in the description below and as always guys, don't be a greedy savage and stay motivated.