تبطه آدك الأيام فتا وتنه وما دلالته على التكثيري the opposite now which is it showing تكثير فنحو قولي it is like your statement when you say قد يانال المجتهد بغيته now it's تكثير it's a lot قد يانال المجتهد the striving one may receive بغيته that which he is looking for whatever he wants the striving one will get it it's not a lot the one who strives yes it's a lot that he gets it وقولي can also the statement that you say قد يفعل التقي والخيراء that pious person he does good that قد هي تكثير because he's تقي that's what that's what made my تقي he does a lot of good and also وقول الشاعري the statement of the poet قد يدر كل متأني بعض حاجتي وقد يكون مع المستعجل الزلالو which is وقد يدر كله he may reach المتأني the one who has come بعض حاجاته some of these some of that which he wants وقد يكون مع المستعجل and also with the one who is hasty it is with him a zalalu deficiency he doesn't get what he wants he doesn't receive it so here it is here is على التكثيري we've finished the قد we've finished the قد now we're moving on to the other two signs together one time وأما السين والسوفة scene and sofa فيتخلان على الفعل المضارع وحده scene and sofa only enter the فعل المضارع scene and sofa they only enter into the فعل المضارع that you won't never find it entering a فعل ماضي وهما يدولاني both of them what did they show على تنفيسي they both show تنفيس تنفيس means what brothers it means استقبال future معناه الاستقبال تنفيس is it means something that's going to happen in the future they both show that ومعناه الاستقبال it shows مستقبل إلا except that the scene أقل استقبال من صوفة now that's the difference except that the scene except that the scene has less future less indication of the future in comparison to sofa meaning scene the scene by itself is a close future whereas sofa is a far future are you with me far future and there's a قاعدة which you need to memorize and you always need to know which is كلما كثرة البناء every time that the structure is more كثرة المعنى غالبا the meaning becomes more whenever the structure like scene and sofa who has more words in it scene is only one letter scene is only a letter so if it's how many 3 scene while in fact since it has more letters than it the meaning has to be more but remember what I said again غالبا majority of the times there can't be times when you find that a قاعدة doesn't apply so it is not قاعدة مطريدة it's not a قاعدة where you find it everywhere فأما scene وفنح وقوله as for scene it's like the statement of Allah سيقول السفهاء من الناس they will say the dimwitted ones from the people سيقول لك المخالفون they will say to you those who have stayed away from the battle مخالفون are those who stayed back that's scene they all entered on to what فعل مضارع did they not يقول that's what they entered on to sofa so sofa now sofa فنح وقول فنح وقوله تعالى it is like the statement of Allah ولا سوف يعطيك ربك فترضى سوف يعطيك عزوات فعل مضارع ولا سوف يعطيك الله will give you سبحانه و تعالى ربك فترضى أن you will be pleased سوف نصليهم لارا we will make them صفا with the hellfire سوف نصليهم إذا فعل مضارع we will punish them with the hellfire سوف يؤتيهم أجورهم it will come to them their rewards سوف good the last one which is the fourth one is وَأَمَّا تَأْتَأْنِثِ سَاكِنَةُ as for تَأْتَأْتَأْنِثِ سَاكِنَة تَأْتَأْتَأْنِثِ سَاكِنَة has three meanings in it the shaykh just told you it's number one it's تَأْتَأْنِثِ it's feminine and it's ساكِنَة it has to call on it as I said it may not sometimes have a suckoon on it للتقاء ساكِنَة it may not have a suckoon on it sometimes because there's two suckoons that might meet each other so it becomes it doesn't become it such as the word وَقَالَ تِخْ رُجْ عليهِنَّة وَقَالَ تِخْ رُجْ عليهِنَّة وَقَالَ تِلْ أَعْرَابُ أَمَنَّة وَقَالَ تِلْ أَعْرَابُ أَمَنَّة وَقَالَ تِمْ رَاءَةُ العزيز وَقَالَ تِمْ رَاءَةُ العزيز all of those are what brothers the ta became a kasra but he still تَأْتَأْتَأْنِثِ الساكِنَة نعم فتدخل على الفعل الماضي دون غيره it only enters the final action it does not enter the final action it does not enter the final action وَالْغَارَظُ مِنْ هَدَّلَا لَتُعَلَا أنَّ الْإِسْمَنَّةَ وَأُسْنِدَ هَذَا الْفِعْلُ وَالْفِعْلُ إِلَيْهِ مُؤَنَّةٌ the intent and the objective behind it is what this ta what's the objective behind it the objective behind this ta is what to indicate that this noun in which the verb is being ascribed to it it's a feminine this action is being ascribed to a female it's a woman who did it قالت who is this action of speaking who is it being applied who is it being attributed to who is it being ascribed to a female that's the rule reason behind it brothers just as a side benefit what is the ta right now here what do you just benefit from the ta the ta is a noun that ta by itself is an ism why? because it's what? إِسْنَادُ إِلَيْهِ this action is being attributed to this ta by itself it's an ism now وَالْنِدَالِكَ هَذَا مِنْ أَنْفَعَ عَلَمَاتِ الْإِسْمِ that is from the best signs to identify a noun this author in this book did not mention it we will study that insha'Allah in our مُتَمِّمة الأجرومية now أن الإِسْمَ الَّذِ أُسْنِ دَيْهَا ذَا الفِعْلُوا إِلَيْهِ مُأَنَّثًا it's a female سواءٌ كان فاعلًا whether it's a subject that ta by itself sometimes can be a it can be a what it can be a subject it can be a subject for example you say قالت عائشة أم المؤمنين قالت is what قالت عائشة عائشة said doesn't matter here right now قالت is what فعن أني the ta is what it's a fa'il also أم أم كان نائب فاعل or the am here is little or whether it's نائب فاعل نائب فاعل we're going to take it which is المفعول الذي لم يسمى فاعله or مبنيل المشهول مبنيل المشهول ام المفعول الذي لم يسمى فاعله which is that the subject has not been mentioned the subject who did this action is not mentioned he was killed so for example you say فوريشة فوريشة دارنا بالبصوط فوريشة is what فوريش is مبنيل المشهول the person who did this is not known so the subject is where is it where's the subject where's the fa'il it's not here who's taking the place now نائب فاعل so the ta here is نائب فاعل the vice of the fa'il it's taking the place of the fa'il and we're going to come to that later it doesn't matter whichever of it whichever one of it it comes to whichever of it it comes to the sheikh has told you the verb has been attributed to it the verb has been attributed to it good that's one thing والمراد أنها ساكينة في أصلي وضعها as for it having a سكون it means in its original essence I mentioned that before it means that in its original essence there's a سكون on it فلا يضر تحريكها it does not harm it the fact there's a حركة on it now حركة other than a سكون اي فتها اي كسر انا ضمها حركة so the sheikh said فلا يضر it does not harm it تحريكها to place a حركة on it it doesn't harm it but this حركة brother pay attention it is not في أصلي وضعها in its original essence no this حركة is what لعارض التخلص من الالتقاء الساكين it is a reason for us to get rid of the two sqoons to meet one another that's the reason it's a عارض only that's not أصلي وضعها في نحو قوله تعالى it's like the statement of Allah وقال تخرج عليها وقال تخرج عليها that تاها is call it كسر has been put here this كسر that has been put here is been put here لعد ملتقاء الساكينين there are two sqoons don't meet one another وقال تم وقال تم رأة العزيزي also what is the issue here لالتقاء الساكينين the sqoon which is on the meme and the tag can't meet one another so we made it a kassara قال تاء أتين طائعين there's a fatah on top of that on top of the tag it's meant to be good why للتقاء الساكينيني the fear and the staying away from what two sqoons ومن ما تقدماء and that which has been mentioned and passed يتبين لك it becomes clear for you أن علامات تل فيعلي the signs of a verb التي ذكرها المؤلف على ثلاثة أقسامن based on that which has been mentioned it becomes clear to you that the signs of a verb in which the author has mentioned can be categorized into three types قسمن the first one is a type يختص بالدخول على الماضي it's specific into entering the ماضي it only enters who فعل ماضي وهو تاء وتقنية الساكينة and that is the تاء وتقنية الساكينة it's specifically for what فعل ماضي وقسمن the second type يختص بالدخول على المضارع it is specific for it to enter what فعل مضارع it doesn't enter فعل ماضي and that is what وهو a scene وصوفة scene and sofa both of them only enter مضارع مضارع the third type is what وقسمن يشترك بينهما and a type which they both share وهو قد and that is قد who shares it the ماضي and the مضارع the ماضي and the and the مضارع the author here brothers if we think about it the author has not mentioned the علامات الفعل للأمر because فعل أمر أمر is from the is from one of the types of فعل because فعل three types فعل أمر فعل مضارع فعل ماضي all he's mentioned so far is فعل فعل ماضي and فعل مضارع and he hasn't mentioned فعل أمر why one of two reasons one of two reasons the first reason why he mentions فعل أمر is because some of the grammarians believe that a verb is only categorized into two and not three and that the فعل أمر only if falls under the if falls under the فعل مضارع the فعل أمر if falls under the فعل مضارع so there's no need for him to mention it that's either one view the second one is the ماضي and the مضارع is the most used from the two verbs from the verbs فعل أمر is usage is a little in comparison to these two are you with me is less in usage and there's a third reason that could be the third reason is because anything if you've been told if there's three things you've been told two then you will always know whatever these two whatever is not in these two it's in this one it becomes clear to you like that نعب but محمد محديل عدي الحمي tells you it he tells you a فعل أمر is recognized for and it's better for the person student of knowledge to know وقد ترك علامات فعل أمر he left ابن أجروم he left who's saying this محمد محديل عبد الحميد ابن أجروم he left off the علامة فعل أمر وهي and they are دلالته على الطلب مع قبوله يا المخاطبة أو نون التوكيد good and it is for it to accept or for it to show request فعل أمر is something that shows you what a request it has to show a request مع قبوله also except يا المخاطبة I can put يا المخاطبة in it if I want to for example أقعد I said it to a man أقعد does أقعد show a طلب does it show a request it does sit down is a request good will it accept يا المخاطبة if I try to put it in it will it accept it yes yes it will accept it I can say أقعد sit down or go so this is now an indication to show that it is what good brothers pay attention it can't be without the other it can't be without the other the the the the pay attention I want you to understand this is very delicate point and it's very important the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the على طلب. They all show and they indicate requests. And what are they حصول القيام for you to come with standing. For you to come with sitting. For you to come with looking. And for you to come with a kitaba writing. Good. مع قبولها يا المخاطبتي. And even then it will accept يا المخاطبتي. For example قومي اقعدي. It can accept it. Oh مع قبولها or it can accept نونة توكيد. I can put نونة توكيد in if I want to. I can say اكتب. اكتب نا انظر. انظر نا الى ما يفعلك. Here does it accept نونة توكيد. Yes. Does it accept يا المخاطبتي. It does. And does it still have the meaning of the طلب in it. Which is حصول القيام. والقعودي والكتابة والنظر. No. It does. اسئلة. Questions. Questions. ما هي علامات الفعلي. What are the signs of a فعلي. What are the signs of a ذب. الى كم قسم تنقسم علامات الفعلي. How many types are the verb categorized into. الى كم قسم تنقسم علامات الفعلي. How many categories are the signs of the verb categorized into. ما هي علامات التي تختص بالفعل الماضي. What are the signs which are unique for the past verb. كم علامة تختص بالفعل المضارع. How many signs are specific to the فعل المضارع. ما هي العلامات. What are the signs التي تشترك بين الماضي والمضارع. Which the past and the present share. ما هي المعاني. What are the meanings التي تدل عليها قت. What are the meanings that the word قد shows. على اي شيء تدل تقنيث الساكنة. What does تقنيث الساكنة. What does it indicate. What does it show. ما هو المعنة الذي تدل عليه صين وسوفة. What is the meaning that scene and sofa show. وما الفرق بينهما and what is the difference between them. هل تعرف علامة المضارع. Do you know a sign where you can distinguish فعل أمر. مثل give example with two examples بمثاليني. لقد. For the word قد give two examples that the word قد showing تحقيق. Also مثل مثاليني. Also to show two examples تكون فيهما قد that the word قد is showing what. دالة على تقريبي that it shows closeness. مثل also give an example بمثاليني too. تكون قد in which the word قد في احدهما in one of them he shows what. على تقريبي that it's close وتكون في الآخر دالة على تحقيقي and that also there could be a meaning in it which shows تحقيق. Remember before we showed you one that had both meanings in it. Dependent on what time you said it. Like something like that. مثل بمثاليني. Also give two examples in which قد shows what. حديما دالة على تقريبي it shows little and the next one it shows على تكتيبي. Also مثل بمثاليني واحد in just one example تحتمل في قد which قد is possibly it can become دالة على تقريبي وتكتيبي in which it can sometimes be التقريب وتكتيب show us something like that. Also مثل give an example لي قد دوات قد بمثاليني واحد in just one let's take one example تحتمل ان تكون التقريب وتحقيق in which it can become تحقيق وتقريب. Also بيين clarify في هذا المثالي in that example متى تكون دالة على تحقيق و متى تكون دالة على تقريبي when it can show تحقيق and when it can show تقريب. تمرينوا. exercise. ميزي الأسماء والأفعال التي في العبارات التالية distinguish mention in these upcoming sentences those which are verbs and those which are nouns bring them out وميز كل نوع من الواعي الأفعال and also mention every type of verb of these if it's ماضي مضالع عمر mention it مع ذكر with why else you're doing that mentioned to us العلامة التي استدلت بها على اسمية الكلامة أو فعليتها tell us what evidence you used in identifying what is a noun or what is a verb and this is it what it is إن تبدو خيرا أو تخفوه أو تعفو عن سوء فإن الله كان غفورا الرحيمة فإن الله كان عفو و قديرا إن تبدو خيرا أو تخفوه أو تعفو عن سوء فإن الله كان عفو و قديرا صورة النساء 149 the next one is ومن تطوّع خيرا فإن الله شاكين وعليم good and also the Hadith of Prophet As-Salaamah ستكون فيه تانون there's going to be trials and tribulations the one that is sitting is better than the one that's standing والقائم the one who is standing is better than what فيها خير من الماشي than the one that's walking والماشي the one who is walking is better than the one من الساعي the one that's running anyone who presents itself to it it will present itself to it if you open if you open your hands for فتنة فتنة will come your way ومن وجد فيها ملجأة أو معاذا فلياعد به anyone who can find an alternative to run away from it to find aid then he should do so he should do so so what do you have to do all of those find the nouns the verbs and mention the evidence that you knew which one was a verb which one was a noun which verb it was mention it inshaAllahه وتعالى


One of the most common questions I get asked is, you know, how do I start day trading? So what me and my mentor about it for our viewers on YouTube is create a free mentorship course that reveals our 12 secrets that every single brand new day trader should know before they get started. But please take note that there is limited seating every single week. So please reserve your spot at myinvestingclub.co. Link is in the description. What's up, everyone? It's Tom Diesel here. I hope you guys had a great weekend. I'm also happy 4th of July, you know.  So yeah, today I'm, I just wanna kinda go over one or two of my trades from last week. So the ticker I traded on Friday, T-A-T-T. You know, this is like pretty straightforward, right? You know, small caps.   And as you can see here, maybe let me bring it to like, I don't know, timeframe. Maybe like five years, let's say.   So, you know, like history repeats itself, right? This is what we want. You know, like not, not probably, you know, a ton of baggies here since I didn't see a volume here. But I can clearly tell from the chart that, you know, this is like a broken kind of chart and it's beating down and, you know, like, every time it gets, it pops back into those lines. They're gonna meet seller, right? So this is like the faces behind it or like the big, like the bigger picture. And, you know, so that's why, you know, why I was in really interested in that one. And, you know, pretty much after hours, it ran some sort of news. I can't remember what that was, but, you know, basically it went from six to like, you know, almost like 10 after hours, right? In the premarket, you know, kind of went down a little bit here at four, five years, six, seven a.m. So to me, the top is pretty much set. The top is temporarily set at 10, 10, 20 or whatever you wanna call it. So, you know, and on this type of stock is really what I'm looking for, right? So I wanna, you know, as a short teller, I wanna top to be put in first before I looking into, to shorting the pops, right? And, you know, so all the, all my criteria, like, criteria were kind of lining up on this one. So I waited for the open, okay? And what it is was maybe like this, okay? So let's say you're gonna, your max loss is around like 1,000 bucks, right? So, theoretically, it's, you know, let's say you're gonna get in at 10, right? 1,000 shares, full size, right? Like, your max risk is like, you know, let me just put on here, maybe 500 bucks. 1,000 is too much, 500 bucks, right? So let's say you're gonna get here, get in here at 1,000 shares, right? And you're gonna risk all the way to that 10, 50, which is, you know, 500 bucks. And, you know, there is really nothing, like, this is really nothing wrong with it. Or maybe this is more like a better example here.  Not scaling, but chasing the stuff, okay? So, like, let's say here at 950, when I start doing this tank, right? You wanna get in here at 1,000 and risking here, 10, 50, this is like where this is valid, right?  But since you chasing in this here at 950, you know, like, for you to be able to sustain that move, 10, 50 is a good line to stop, right? But then, another one, 10 here, like, if you are getting yourself, like, a lot of times is, you know, let's say your max loss is 500 bucks, right? And you either gonna get in like the full size here, at 1,000 shares and risking only 10 here, which is a 500 bucks, right? This is, you know, I would say, it is more like a tight risk kind of trade. Instead of, if you're risking here 1,000 bucks, that's too much for you, right? Because since your max loss is 500 bucks, you're getting here with 1,000 shares, you're risking only 10, 500 bucks, that's correct, right? Because that's the max that you're willing to lose. But if you're doing that, right? Because the stop is so tight, and also the thesis is still valid, even if it breaks 10, likely the odds are not going to be in your favor, right? Like, you would be more stressful of every single tick because of that size that you're using, right? And whatever, so that's why we suggest, you know, our members to kind of scale into that. So, you know, what is the best kind of way, how to kind of approach it is, let's say 10, 50, 10, 51, this is like the ultimate stop, this is like, you know, whether this is no longer valid, yes?  So you could get in here with 9,50, not with the whole 1,000 shares, right? Because if you're getting 1,000 shares here, then your stop has to be over that 10, which is 500 bucks, right? So instead of that 1,000 shares you want to get in, getting with just 500, because 500, right? When it hits into this 10, 50, yes, it's going to hit your max loss, but you have more room for the stock to like, to let the stock work for you, which is going to reduce the stress, which is, you know, the odds are going to be in your favor. Thank you so much for watching our video. If you want to see more of our videos, please subscribe to our YouTube channel by clicking the button here. We do our best to post a new video every single day. If you have any questions about MIC or any general trading questions, please text Tosh using the number here. Also, stay up to date by watching some of our most recent videos right over here.