Since this is a more cozy atmosphere here, I will take my time and I will talk through us slowly, slowly through some lessons we have learned from other experiences and other mechanisms that also have integrated benefit sharing mechanisms. So before I do so, I should also mention that this work, this review of existing experiences and mechanisms, this work is a work of many, many different people. So I will start with a quick overview of what this project is about and most people here in the panel are part of this project.  And we do that study to provide decision makers, policy makers but also the practitioner community with information, tools and guidance to make sure that if a country is embarking on a Red Plus pathway it does so in a carbon effective cost efficient but also equitable manner while delivering co-benefits. And we as a research organization try to contribute there through information, tools, guidance, through evidence basically. This AC funded project opportunities and challenges for benefit sharing mechanisms is part under this umbrella of this global comparative study. And the main objective of this AC project is to provide Red Plus policy makers and practitioners with policy options and guidance to improve the design and the implementation of benefit sharing mechanisms. And this work as you can see here has multiple work packages and one work package is dealing with reviewing existing performance based mechanisms and that is something I will talk about in my presentation. But then another element of this project is dealing with costs and costs at the national level but also at the project level. And from Sven we will hear more about the national level, we will hear insights from Amy from the project level. And then also how Red Plus is emerging in a multi-level governance system. So this just as a quick overview what this AC benefit sharing project is all about and what we will hear from the CFO site a little bit this afternoon. So to start with my presentation now and I'm saying that because otherwise N is already counting time so now from now on please. Since I use the term benefit sharing already I think 20 times let me quickly define it. That's work done by Latrell and Arald Anzelsen was part of that. And we define benefit sharing as a distribution of direct and indirect net gains. So net gains is here the key word and we differentiate two types of direct benefits, monetary gains but also benefits associated with increased availability of forest ecosystem services. And goods. Then we also have besides direct benefits, indirect benefits and here we can talk about improved institutional governance, tenure reform etc. So after having clarified what we mean when we talk about benefit sharing let me also quickly explain what kind of analytical lens we use in this project. And at what exactly we are looking. So if you think of a benefit sharing mechanism then you have to think about may the first thought might be about incentives. So the distribution of incentives but obviously there's also an institutional area you have to look at. And that is how to create the enabling institutional conditions that this distribution can effectively happen. And finally obviously the most important area for some in a benefit sharing mechanism is does the incentive achieve what it's supposed to achieve. So are the outcomes there that are supposed to be realized. So do we see for example the desire changes in land use decision making behavior that we wanted to incentivize or not we but the benefit sharing mechanism was supposed to incentivize. And the analytical lens C4 is taking is a 3E lens but just to explain that and take some time here because we will hear these terms also later again to explain a little bit what we mean with effectiveness, efficiency and equity in the context of benefit sharing. But in terms of effectiveness here we talk about an effectiveness that relates to environmental, social and economic impacts or the performance of the instrument. When we talk about efficiency in this presentation then I mean the level of administrative but also social costs that are associated with the instrument and with the policy objectives. And finally equity and maybe the most important one has two in our definition two major elements. One is procedural equity that refers to the participation in decision making and the inclusion and negotiation of competing views and that's something I think we will learn more from Amy Dushel's presentation. But then also distributive equity that refers to the allocation of outcomes and obviously also the impacts on the very diverse and different stakeholders. For our work package in this project the big question was how do we do this review of different experiences and mechanisms and also why should we do that. And the idea was to provide a series of info briefs of policy briefs that really take out lessons what works, what doesn't work in other instruments and other mechanisms but also in other experiences such as anti-corruption measures. And we came up with that because all these existing benefit sharing mechanisms also tackle the same four big questions or struggle with the same things and that is actually how to operationalize equity, how to identify target groups etc. And then the big question how should incentives be provided for inputs for outcomes to actually change behavior or for outputs. Then another big question is what is the process of participation and decision making at multiple levels. And this is something that obviously also all other benefit sharing mechanisms deal with. And then finally how is accountability and outcomes measured and monitored. This year is pretty important because the rest of the presentation is also organized around these four issue areas. So incentives, institutions, outcomes again and the big question of how to operationalize equity. And to derive lessons we looked at a set of very different existing benefit sharing mechanisms. We looked at obviously payments for environmental services. But then we looked at community forestry systems, conditional cash transfers, indigenous people's trust funds and the European rural development policy. And these are all existing mechanisms but then we also looked at practices such as anti-corruption measures in Indonesia. We looked at standards and certification to learn here lessons for benefit sharing and at VPAs under flagged as well. So this gives just an overview what are the seven processes mechanisms we looked at and also what kind of lessons we took. For example for the indigenous people's trust fund we looked at Patasurui and Kaipiupo funds as an example how these trust funds function. In terms of anti-corruption measures that was interesting because here we looked at the selection of oversight and transparency mechanisms. We focused on Indonesia because the anti-corruption measures there is very much established and so that was for us a very good moment also to actually learn for benefit sharing. And we looked also at online permit, application systems, budget monitoring, instruments, etc. So starting with the first huge area operationalizing equity. And here we had four elements that we took a closer look at and one was techniques for assessing, recognizing the level of cost and obviously to whom they are crewing. We looked at elements that were related to setting fair and minimum payments, something we also find in plan vivo projects. In terms of establishing face and upfront payments here we have some lessons from plan vivo TGB that basically had put up upfront payments but then at the very end of the project. So they made sure that incentives were possible at the very beginning but then at the end the incentives basically faded out. So the way we looked at all these experiences was okay, what is really working where the possibilities also thinks that you cannot just take one-to-one into a red plus design but where you also should learn what works, how you establish incentives that really also incentivize to the very end of an activity. A fourth area here under operationalizing equity was paying attention to the different types of benefits when which type of benefits kind of help you to realize your outcomes in the most equitable way. In terms of increasing efficiency as a key element in cost and benefit sharing also here for areas we looked at the use of input rather than output indicators when could that be meaningful. We looked at addressing scale using targeting to increase effectiveness and also clarifying tenure. In terms of institutional design the third area we looked at using existing governance systems to reduce costs so what can they do and what can we see there already, how that works, the role of local governments in reducing or enhancing efficiency effectiveness same for intermediaries. A lot of literature is dealing with intermediaries in the past literature and we looked at coordination. That's pretty relevant also for the anti-corruption measures and popped up there. In terms of accountability through MRV here we have three major areas we look at and these are inclusion and participation in the process, how was that ensured in these mechanisms. We looked at transparency, what kind of measures had been put in place. For example and here induced by case studies from Cameroon that clearly show that money transfers never arrived at the local level and there was a total lack of transparency if payments at all were made why when to whom. And another major area here to look at dispute resolution mechanisms. So to come to an end of my presentation two more slides to follow. This is quite a lot of information and I also have to say that I cut off so many examples so please go and read outside the info briefs that really provide much deeper and much detailed information on what kind of elements could be really useful also for a red plus mechanism. But just to summarize some key lessons for each of those seven mechanisms, instruments or practices. The key lesson we found that was useful for red plus in terms of PES was that it really helps to understand risk but also advantages when it comes to the role of intermediaries. So again where you have to pay attention to what kind of risks are there and intermediaries especially in cross-scale interaction. For the community forestry I think the key lesson from those mechanisms is that they indicate that allocation of rights is in much more sustainable incentive in a situation where you really have difficulties to reflect true transaction costs and opportunity costs in the incentives. In terms of conditional cash transfers, the key lesson for us for a red plus mechanism is that cash may be more effective than in-kind transfers and that is something the red plus policy arena is really firmly believing and to ensure more flexible efficient and also effective incentives. But the problem is that conditionalities obviously even though they might bring effectiveness they are also very costly and costly mainly in the monitoring part as well. In terms of Indigenous Peoples Trust Fund, here we found the most useful lesson basically is that it really helps to create awareness that heavy safeguard requirements are absolutely necessary but they also may restrict then as an unintended side effect indeed the participation of Indigenous people and the mechanism at all. In terms of the rural development policies that's a kind of interesting example maybe even for the European Union because this is the European rural development policy. And there what we looked at was actually again mainly in the area also of MRV but the interesting lesson here is that it indicates that targeting to poorer areas helps indeed to achieve equity objectives. Doesn't come with huge surprise but please look at the info brief for further information. And to finalize with the last three in terms of anti-corruption measures key lesson here is and I think the Indonesian example is really strong. What you see is it requires a budget for coordination and in the Indonesian case this was partially given and that makes also the Indonesian anti-corruption measure so powerful as a tool and it requires strong authority including societal backup. In terms of certification and standards here it shows key lesson is that integrating minimum price guarantees has the potential indeed to lower risks. And for VPAs on the flag what we see is first of all you need to plan for time and compromise involved in inclusive multi-stakeholder processes. And I think for those that are working on VPAs this is a big lesson because that was also very much underestimated. In the beginning at least this was literature and case studies indicate and the value of dispute how important it is to have established those grievance mechanisms dispute resolution mechanisms and the transparency that comes with it. I will stop here these are just some publications and this is not even complete it's a little bit a show off slide I know that but again I cannot present all the details and you need to go into the details to actually learn the lessons. And that brings me to say thank you and...


CHAPTER 1 THE LAND OF THE SINGING MOUSE This is my room, I live here, and my friends come here sometimes, such as I have left. There is little to offer them, but they are welcome to what there is. There is the table, there is the fire, there are not any keys. That is my coat upon the wall, it is worn a little. The barrels of the old gun are worn, and the stock of the rifle, broken in the mountains long ago, is mended but rudely. And the tip of the old rod is broken, and the silk is fraying in the lashings, and upon the hand-grasp the cord is loose. The silver cord will loosen and break in the best of man in time, wherefore I beseech you, mock not at these belongings, though your own may far surpass them. You are welcome to anything there is here. But the singing-mouse will not come out, not while you are here.  True, then the singing-mouse comes out and asks for its bit of bread. And then it falls its tiny paws and sits up, and turning its bright red eye upon me, half in power and half in beseeching, as one of some fading memory of the past. Why, it sings, I say to you it sings, and I listen.  The walls are rich in art. My rod is new and trig. There is work, but there is no worry. I am rich, rich. I have the singing-mouse, and so strange, so wondrous, so real are the things it sings. So bewitching is the song, so sweeter than that of any sirens. So broad and fine are the countries, so strong and true are the friendships. So brave and kind are the men I meet. So beautiful the whole world of the singing-mouse, that when it is over, and in a chill I start up, I scarce can bear the shrinking in of the walls, and the grayness of the once-red fire, and my gold turned to earthenware, and my pictures turned to splotches. In my hand everything I touch feels awkward. A pen. A pen. To talk of that? If one could use it while in the land of the singing-mouse, then it might do. I think the pens there are not of wood and iron, stiff things to torture to reader and writer. I have a notion, though I have not examined the pens there, that they are made of plums of angels' wing, and that if they chose they could talk, and say things which would make you and me ashamed and afraid. Pens such as these we do not have. End of chapter 1. The singing-mouse came out. Quaintly and sweetly, and with wondrous clearness, it began an old, old song I first heard long ago. As it sang, back with red electric thrill, came the fine blood of youth, and beat and pulse with the song. Then all the world is young lad, and all the trees are green, and every goose a swan lad, and every lass a queen. Then hay, for boot and saddle lad, and round the world away.  Booted and spurred into the saddle again, face toward the west, and off for round the world away. There are green fields in Thrace, size the gladiator, as he dies. And here were green fields in the land before us. Early these were inimitable, and illimitable fields of nature, sheets and waves and billows and tumbles of green, oceans unswam, continents untracked of thousand-fold green. Then on beyond the gray, the gray-brown, the purple gray of the higher plains, nearer than that, a broad slash of great golden yellow, a band of the sturdy prairie sunflowers, and nearer than that, swimming on the surface of the mysterious wave which constantly passes, but is never past on the prairies, bright red roses and strong lark-spir, and at the bottom of this ever-shifting sea, jewels in God's best blue enamel. You cannot find this enamel in the windows. One must send for it to the land of the unswam sea. A little higher and stronger piped the compelling melody. Why? Here are the mountains. God bless them. Nay, brother, God has blessed them. Blessed them with unbounded calm, with boundless strength, with unspeakable peace. You can take your troubles to the mountains. If you are puerblo, as thick, you can select some big mountain and pray to it as its top shows the red sentence of the oncoming day. You can take your troubles to the sea, but the sea has troubles of its own and frets. There is commerce on the sea, and the people who live near it are fretful, greedy, grasping. The mountains have no troubles. They have no commerce. The dwellers of the mountains are calm and unfretted, and on the broad shoulders of the mountains. Once more was cast the burden of the young man's troubles, and once more he walked deep into the peace of the big hills, and the mountains smiled not, neither wept, but gravely and kindly folded over about behind the grey mantle of the canyon walls, and locked fast dose of adamant against all following, and swept a pitting hand of shadow, and breathed that wondrous, unsillable voice of comfort, which any mountain goer knows. Ay, the goodness of such strength, up by the clean snow, over the big rocks, by the lacework stream, where the trout are, why, it's all come again, that was a clink made by a passing deer, that was the touch of the green balsam, smell it now. And here comes the mist, folding down the top, and there is the crash of the thunder, and this is the rush of the rain, and this is the warm yellow sun over it all. Oh, singing mouse, singing mouse, back again, now by some impulse of the dog, which hasn't had any day. It is winter now, I remember, singing mouse, and I am walking by the shore of the great inland seas. There is snow on the ground, the trees look black in contrast as you gaze up from the beach against the high bank. It is cold, it is dark, there is shiver in the air, there are icicles in the sky, something is flying through the trees, but silent, as if it came out of a grave. I have been walking, I know, I have walked a million miles, and I am tired. My legs are stiff, and my legging has frozen fast to my overshoe, I remember that, and so I sit down, right here, you know, and look out over the lake, just over there you see. The ice reaches out from the shore into the lake a long way, and it is covered with snow, and looks white. I can follow that white glimmer in a long, long curve to the right, twenty miles or more maybe, yes, it is cold, but ah, what is that out there, and what is it doing? It is setting all the long white curves of ice, of fire, it is throwing out hammered silver in a broad path out there on the water, those are not ripples, that is silver, there will be angels walking on that pathway before long, that is not the moon coming up over the lake, it is the swinging open by some careless angels' mischance of the door of the white city of rest. How old, how sore, a man climbed up the steep bank, there were white fields, in the distance a dog barked, away across the fields a bright and cheery light shone out from a window, and as the moon rose higher it showed the house which held the light. It was not a large house, but it seemed to be a home, home what is that? I wondered, and I remembered that I pulled at the frozen legging, and moved with pain, the limbs grown tired and sore, and as one looked at the twinkling comfortable light, how plainly the rest of the old song came back. Then all the world is old lad, and all the trees are brown, and all the sports are stale lad, and all the wheels run down.  The light in the little house went out. I think it was a happy home, may yours be so, always. Chapter 3 of the Singing Mouse Stories This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Singing by Philip Griffiths The Singing Mouse Stories By Emerson Hoff Chapter 3 The Little River The Singing Mouse came out and sat upon my knee. It fixed its small red eye upon me, and lifted its tiny paws. So thin the fire shone through them, and it sang, like the voice of some night-wandering bird of melody, hid high in the upper realms of darkness, came faint sweet notes falling softly down. It was as if from the deep air above, and from the wide air around, there were dropping and drifting small links of silk and steel, gentle but strong, so that one were helpless, even had one wish to move. To listen was also to see. There were low rolling hills covered and crowned with a thick growth of hazel thickets and short oaks. Between these hills ran long strips of green, strung on tiny bands of silver. And as these bands moved and thickened and braided themselves together, I seemed to see a procession of the trees. The cotton-woods halted in their march, the box-elders and maples and water-elms and walnuts, and such big trees, swept grandly in with waving banners, and wound on and on in long procession, even down to two blue distant hills, set at the edge of the world, unpassed guardians of a land of dreams. Ah, well a day, I look back at those two hills now, and the land of dreams lies still beyond them, it is true. But it is now upon the side, whence I first gazed. It is back there, where one cannot go again, back there, along that crystal murmuring mystery of the little stream one knew when one was young. Ah, little river, little river, but I am coming back again. Once more I push away the long grass and the swinging bows, and look into your face. Again I dabble my bare feet, and scoop up my straw hatful, and watch the tiny streams run down. Again I stand, bare and small and trembling, wondering if I can swim across. And listen, little river, again at the same old place, I shall cut me the willow wand, and down the long slope to the certain place I knew I am going to hurry, running the last quarter of a mile in sheer expectation, but forgetting not the binding on of the tough linen line. Now I cast my gaudy float on that same swinging, wimpling, dimpling eddy, and let it swim in beneath the bank. And now, can it be? Have I here, now again, plainly in my hands, the strange and wonderful creature, the gift of the little stream? Is this its form, utterly lovable? Is this its coat, wrought of cloth of gold and silver? Are these diamonds its eyes?  Why take such things from us? All I have I will give to you, if you will but give back to me, to have by me all the time, this little fish from the pool beneath the bows. I have hunted well for him, believe me, hard and faithfully in many a place, but he is no longer there. I find him no longer, even in the remotest spots I search, but this is he. This in my hands, here in actual sight, is my first, my glorious iridescent radiant prize. Pray you, behold the glittering. But along this little river there were other things when the leaves grew brown. In those low, easy hills strange creatures dwelt, birds of brown plumage and wondrous soul-startling burst of wing, large gray creatures a foot long or longer, with light dread on the leaves and long ears that went to peek when you whistled to them. Were ever such beings before in any land? For the pursuit of these it seems one must have boots with copper toes made waterproof by abundant tallow. There must be a vast game-bag, a world too large for a boyish form, and strange things to eat therein, such as one sees no longer. For on a chase calling for such daring do, it may be needful that one walk far, across the hills, along the little river, almost to the delectable mountains themselves. Again I see it all, again I follow through the hills that same tall, tireless figure, with the grave and kindly face. Again I wonder at the uncomprehended skill which brought whirling down ten out of the dozen of those brown lightning-balls. Again I rejoice, beyond all count or measure, over the first leper in murder committed by myself, the same furthered by means of a rest on a forked tree. It seems to me I groan secretly again at the weight of that great gun before the night has come. I almost wince again at the pulling off of those copper-toed boots at night, there by the kitchen stove, after the chase is done. But ah, how happy I am again, holding up for the gaze of a kind pair of eyes, this great grey creature with the lopping ears. Now as we walk by the banks of this magic river, I would that it might be always as it was in the earliest days. I like best to think myself mistaken when I suspect the greatest stoop in this once familiar form, which knew these hills and wood so well. It cannot be that the quick eye has grown less bright. Yet why was the last malard missed? And tell me, is not the old dog ranging as widely as once he did? Can it be that he keeps closer at heel? Does he look up, once in a while, mournfully, with a dimmer eye, at an eye becoming also dimmer? Does he walk more slowly, by a step now not so fast? Does he look up, my God, is there melancholy in a dog's eye too? CHAPTER 4 THE FIRE WAS FLICKERING FITFULLY AND PAINTING GHOSTLY SHADOWS ON THE WALL It was winter and late in winter. The season was now at length drawing near to the end of winter, and approaching the dear time of spring which, beyond doubt, will be the eventful front enclosing of the circle in the land where winter will not come. I had drawn the little pine-table close to the heap of failing embers, and aided by what light the sulky candle gave, was bending over and trying to arrange a batch on my old hunting coat. It was an old, old hunting coat, far gone in the seer and yellow leaf. It was old-fashioned now, though ones of proper cotton comeliness. It was disfigured, stained and worn. The pockets were torn down, the bindings were worn out. It was quite willing to be left alone now, hung by upon a forgotten nail and subject to no further requisition. Nevertheless, if it's unawished, it could still do it day or two, endued, and something in the sturdy texture of its oft-tired nature excited more than half my admiration and all my love. While broke is on the ceiling, gray coming on in the embers, symptoms of death in the candle, a blotch of tello on the Shakespeare, and the coat not half done. It must have been about then, I think, that the sin-edged sweetness of the singing mouse voice pierced keenly through the air. I was right, glad, when the little creature came and said so many, and in its affectionate way began to nibble at my fingertips. It said, direct, with sin-paws waving with a tiny meshed swing, and its mystic voice, so infinitely small, so sweet, and yet so majestically strong, began a song which no pain can transcribe. Knowing that the awakening must come, but unwilling to lose a moment of the dream, I, who with one finger could have crushed a little thing, surprising it more and more, as more and more it's always swept, and swelled, and rang, rang till the fire burst high in the noble pyramids of flame, rang till the candle flashed in a thousand crystals, twirled, till the walls fell silently apart, and shot at all this time I'd been sitting ignorant of, but yet within a grand and stately hall, whose polished sights bore speaking canvas and noble marbles, swept up and around, till every stately niche, every tapestry corner, and every lofty dome rang gently back in mellow music. All for the singing mouse and me, small wizard, it was fell cunning of he, so to paint upon the world's picture of the old male dam, unedgerally the wooded hill slopes back beyond the mill, and how, with the same old sleepy curves, the river vines on back, how green the trees, how very green, ah, singing mouse, they do not mix that color now, and nowhere do white bottomlands wave and sing in such simile grace, so decked with yellow flowers with old sweet william and small wild rose, and nowhere now on earth I know, is there any stream to murmur so sweetly and so comfortably, to say such words to any dreaming boy, to bevel off her work well done, of conscience clear, and of his success and happiness to come? All that was in the river, if I listen very hard, and imagine very high and very deep, I can almost pretend to hear them now, those old words, heard when I was young. The voices are there, I doubt not, and there are other boys. God keep them boys always, and may they dream not backward but ahead. This lazy pool beneath the far wing of the dam, how smooth it looks, yet well we know the sunken log upon its farther side, we have festooned it full oft with a big cook and hempen line, and from the pool how many ventures fishes have we not harled for us. Here we came often when we were boys, and once did not certain bold souls keep here all night, curled up on the bank, walking next morning, you choose a source road. This true, but with heartful proud, it's such a deed of valor, and there is the long wooden bridge, what the feat of engineering the bridge one seemed to untravel souls, behold it now as it was then, lying in the level rays of the rising moon, the brilliant causeway leading over into the land of mystery, to glory, perhaps, perhaps to failure, forgetfulness, oblivion and rest, and there I declare at the other end of this great roadway, swimming up at the clear in the same old way, is the great round moon, whose light served us when we stayed late at the dam in the summer evenings, and the shadows of the bridge timbers were just as long and black, and the ripples of the rocks at the middle span were just as beautiful and white, and here, right at our feet again, the moon is playing its old tricks of painting faces in the water, there are too many faces in the water singing mouths, and the back view sees repeating the words about the corpus delicti, you would make one shudder, let us look no more at the faces in the water, but still you bite by the waters tonight wizard, for here is a picture of the sea, it is the sea and it is talking, as it always does, there are some who think the sea speaks only of sorrow, but it is not wholly true, if you listen thoughtfully enough you will find that it is not all of troubles that the sea is whispering, but does it speak always of restlessness and change, some find the stimulus beside the sea and say it brings forgetfulness, rather let us call it exaltation, but smart and of a petty excitement, fit to blood the man's momentary woes, it speaks in a stern and stronger note, it robs with the piles of the furthest shore, it speaks of a quiet tide making out to the fortunate islands and tells of a way of following gales and of a new Atlantis, somewhere on beyond, how dear this dream of a different land, the story of Atlantis, pathetically sought, certainly Atlantis is there, out beyond, somewhere in the sea, and truly there are those who have discovered it, and those who still may do so, I know it's singing mouse, for I can really threaten the hollow of this tiny shell of pink, you have found here by the shore, one across to us, we may not doubt, by an understanding tied from a place happily attained by those who wrote the message and sought to let us know, long time upon the mast our brown sail flapped, our kill-blood bitter salt and everywhere the ominous sky and silent mystery repped, for sight we looked on, either here or there, the welcome sight of land, long sadly sought, and that Atlantis hid within the sea, the land with all our hope and promise fraught, we saw not yet, nor wist where it might be, but as we sailed as manful as we might, encountered not the sail more fit than oar, low, over the wave of the burst of vision bright, of foot and winding stream in easy shore, then by the lofty light which shone above, we knew at last our voyage set was over, and we had by the heaven for which we strove, and soon all passed the need to wander more, then as our craft met safely on the strength, and we all well our very prosil furred, we guess the stranger smighted that furlend, and hardly knew if it might be our world, till one took gently every weary hand, and led us on to where still waters be, and whispered softly, low it has been bland, that towered last is pleasant place should see, and as though streaming so awakened we, and looked with eyes unheard on that fair sky, and whispered hand in hand, and eye to eye, this all Atlantis risen from the sea, this all Atlantis from the bitten sea, this all Atlantis come again of friend to thee and me. End of chapter 4, recording by Ellie, June 2010 Chapter 5 of The Singing Mouse Stories This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. The Singing Mouse Stories by Emerson Howe Chapter 5, Lake Belmoury Lake Belmoury lies far away. Beyond the forest the mountains are white. Beyond the mountains the sky rises blue, high up into the infinite unknown. I do not know where the Singing Mouse lives. No man can tell what journeys it may make, such times as it is absent from the room that holds the pine table, and the book, and the candle, and the open fire. But last night, when the faint, true sweetness of its little voice grew apart from the lonely silence of the room, and I turned and saw the Singing Mouse sitting on the corner of the book, delight of the candle, shining pink fruits. Tiny paws, almost the first word it said, was of the far-off lake of Belmoury. Do you see it? asked the Singing Mouse. You mean? The moon, there through the window. Do you see the moon and the stars? Do you know where they are shining tonight? Do you see them? They are deep in the water. Do you know where that is? Do you know the water? I know. It is Lake Belmoury.  The voice of the Singing Mouse, true and sweet, drowned on a thousand miles away in smallness, with every word a crystal of regret and joy. A thousand feet deep, or more, or bottomless lies Lake Belmoury, for no man has ever fathomed it. But no matter how deep, the moon lies tonight at the bottom, and you can see it shining there, deep down in the blue. The stars are smaller, so they stay up and sparkle on the surface. The forest is very black tonight, is it not? And the shadow of the pines on the point looks like a mass of actual substance. Wait, did you see that silver creature leap from the quiet water? You may know the shadow is but a shadow, for you can see the chasing gripples pass through it and break it up into a crinkled fabric of the night.  And do you hear them talking? They're always talking. Tonight they're saying, hush Belmoury, slumber Belmoury, we'll watch, we'll watch, hush, hush, hush. Didn't you ever know what the pines said? They wished no one ever to come near Lake Belmoury.  The pines would have been angry and would have crushed you. You do not know how they live, seeking only to keep Belmoury from the world, standing close and sturdy together and threatening any who approach. It would break their hearts to have her hiding place found out. You do not know how they love her. The pines are old, old, old, many of them, but they are told me that no footprint of man was ever seen upon those shores, that no boat ever rested on that little sea. Neither did ever a treacherous line wrinkle even the smallest portion of its smoothest coves. Believe me, to have Belmoury known would break the hearts of the pines. They told me they lived all the time, only that they might every night sing Belmoury to sleep and every morning look upon her face, innocent, pure, unknown and unknowing. They are for good, sincere and utterly trustworthy. That is why the pines live, that is what they are talking about. In many places I know the hearts of the pines are broken and they grieve continually. That is because there are too many people. In this valley the pines do not grieve, they only talk among themselves.  The white mountains, yonder, are very old. How strong and quiet they are and how sure of themselves to be quiet and strong one needs to be old, for small things do not matter then. They do not know what the mountains think as they stand their shoulder to shoulder, for they live only to shield and protect the forest here in the valley. They told me they were thinking of the smallness and the quickness of the days. Age and to age is what the mountains whisper, and and turn, strong, strong, strongest time. And yet I knew these mighty pillars stood only to shield the forest, which shielded Belmoury, so I stood upon the last mountain and looked upon the great blue of the sky, and there again I saw the face of Lake Belmoury, and the circle was complete, and I thought no more, for I knew that from the abode of perfect unheard nature it is but a step up to the perfect peace and rest of the land, where lives that time whose name the mountains voice in awe. And now, do you see what is happening on Lake Belmoury? Through the cleft in the forest, the pink of the early days showing, and light shines through the spaces of the pines. And down, the pebbles of the beach, knee-deep into the shining flood, steps a noble creature, entled, beautiful, admirable.  These creatures of the place, and no hand must harm him.  But before you go, take one more look upon the lake of Belmoury. So again I gazed upon the face of the lake, which seemed innocent and sincere, and trustworthy, and deserving of the protection of the lake of the pines, and the army of the mountains, and the canopy of the unshamed sky. And then, the voice of the singing mouse, employed in some song whose language I do not yet fully understand, faded and sank away, and even as it passed the walls came back, and the ashes lay gray upon the hearth. End of Chapter 5 Chapter 6 of the Singing Mouse Stories This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information, or to volunteer, please visit LibriVox.org. Recording by Morgan Schlicker. The Singing Mouse Stories by Emerson Hoff Chapter 6 The Skull and the Rose The Singing Mouse peeped out from the hollow orbit of the white skull which lies upon the table next to the volume of Shakespeare. It reached down a tiny pink paw and touched a leaf of the brave red rose which every day lies before the skull. It plucked the leaf, which made a buckler for its small, throbbing breast. It spoke. The rose is bold and red, said the Singing Mouse. Blood is red. A skull is white. The rose and the skull love one another. They understand. We do not understand. As I sat by the skull I saw a dream of the past go by. It was as you see it now. Do you see the waving grasses of the valleys?  Do you see the red roses growing down among the grasses? It is peace upon the land. I can see one who has seen the lands. He smiles, but he is sad. He crosses the wide sea, but cares not. He travels upon rails of iron, and he smiles, but still is sad because he thinks, and he who thinks must weep. He leaves the ship and the iron rail, and his road is narrower and slower, for he travels now by wheels of wood. He sees the valleys, and his smile has more of peace. His trail becomes narrower yet. He goes by saddle, and the mountains hem him in. But now he smiles the more. Now he must leave even the saddle, and the trail is dim and hard. See, the trail is gone. Here, where no foot has trod, where the mountains close about, where the trees whisper, he sits and looks about him. Do you see the red rose on his breast? Always the rose is there. Do you see him look up at the mountains, about him at the trees?  Do you still see his smile, the smile which is weary and yet not afraid? Do you hear him sigh? And what is this he whispers, here at the end of the long and narrowing way? I know not if this be the end or the beginning. Ah, what does this man mean, who whispers to himself in riddles? Look, it is the time of war. There is music, the blood stings, the heart leaps, the eye flames, the soul exalts. Flickering of light on steel, the flash of servant forces used to slay, the reverberant growl of engines made for death, the passing of men in cloth and men in blankets, the tramp of hurrying hoofs, the falling of men who die. Can you see this? Can you catch the horror, the exaltation, the joy of this, I say?  Here are those who ride against those who slay. Do you know this one who rides at the head, smiling, swinging his sword well and smiling all the time? It is he who said in the mountains that riddle of the end and the beginning, who knew that to the heart of nature we must come, for either the end or the beginning of this are life. Do you see upon his breast the red rose? I think he rides to battle with the rose, knowing what fate will come. You know of this biting whistle in the air, this small thing that smites unseen? Do you know the mowing of the death-sides? Hark! I hear the singing of this unseen thing. See, he of the rose is bitten. He has fallen. Aye, aye, he was so brave and strong. His horse has gone. He is alone. The grass here was so green. It is red. The rose upon his breast is red. His face is white, but still the smile is there. And now it is calmer and more sweet, though still he whispers. I know not if it be the end or the beginning. He is alone with nature again. The heavens weep for him. The grasses and leaves begin with busy fingers to cover him up. The earth pillows him. He sleeps. It is all. It is done. It is the way of life. It is the end and the beginning. He loved the valley, the mountain, the grass, the rose. Now, since he cherished the rose so well, see, the rose will not leave him. Out of the dust it rises, it grows, it blooms. Against his lips it presses. It is the beginning. He loved. He thought. He knew. He is not dead. He is with nature. It is but the beginning. Let the rose press against his lips in an eternal, pure caress. There is no end. They understand. We do not yet understand. The pink flame of the unreal light died away. The pageant of the hills, the panorama of the battle, faded and were gone. The table and the books came back. Wondering at these words, I scarce could tell when the singing mouse went away, leaving me staring at the barren walls and at the white skull by my hand. For a moment it nearly seemed to me the hollow eyes had light and spoke to me. For a moment almost it seemed to me that the rose stirred deep down among its petals and that a wider perfume floated out upon the air. End of Chapter 6 The Skull and the Rose Recording by Morgan Schlicker The recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Recording by Joseph Eric The Singing Mouse Stories by Emerson Ho, Chapter 7 The Man of the Mountains Once there was a man, said the singing mouse, who loved to go into the mountains. He would go alone, far into the mountains and climb up to the tops of the tallest peaks. Nothing pleased him so much as to climb to the top of some mountain where no man had ever been. No one ever knew what he said to the mountains or what the mountains said to him. But that they understood each other very well was sure. For he could go among the mountains where other men dared not go. At the tops of the high mountains he would sit and look out over the country that lay beyond. He would not say what he saw for he said he could not tell and that moreover the people would not understand it for they did not know the way the mountain thought. At that time this man climbed to the top of a very high mountain peak in a distant country. This peak looked out over a wide land and the man knew that from its summit he could see many things. The man was now growing old so when he got to the top of this mountain he sat down to rest. When he sat down he put his chin in his hand and his arms upon his knee and so he looked out over the land seeing many things. The sun came up but the man did not move but sat and thought. The moon came but still he did not move. He only looked and thought and smiled. After many days it was seen that this man would not come down from the mountain. The mountain made him part of itself and turned him into stone as he sat there with his chin in his hand. He is there today looking out over many things. He never moves for he is now of stone. I have seen the place myself. Once I thought I heard this man whisper of the things he saw. He sits there today. The Singing Mouse Stories by Emerson Howe Chapter 8 At the Place of the Oaks Do you know what the oak says? asked the singing mouse as it sat upon my knee. It had needed to nibble again at my fingers before it could waken me from the dream into which I had fallen, gazing at the fading fire. Do you know what the oak says? it repeated. Do you hear it? do you hear the talking of the leaves? I know what the oak says, said the singing mouse. When the wind is soft the oak says peace, peace. When the breeze is sharp it sighs and says pity, pity, pity. And when the storm has fallen the oak sobs and cries whoa, whoa, whoa. Do you see the oaks? asked the singing mouse.   I gazed at the naked, cheerless wall, seamed and rent with cracks along its shallow width. And as I gazed the seams and scars blended and composed into lines of a map of a noble country. And as I gazed more intently the map took on a colour and narrowed its semblance to that of a certain region. And as I gazed yet more eagerly the map faded quite away and there lay in its stead the smiling face of an enchanted land. There was the little silver lake rippling on its shore of rushes. A round rose the long curved hills swelling back from the shore.  The small springs tinkled metallically cold into the silver of the lake. The tender green of the gentle glades rolled softly back dividing the two hills in peaceful separation. And there were the oaks. At the water's edge near the lesser spring the wild apple trees twisted. But upon the hills and over the great glades stood the reserved mysterious oaks tall and strong. One oak, a mighty one, now resolved itself more prominently forth. Did I not know it well? Could one forget the tortured but noble soul of this oak? Could one forget the strong arm of comfort it extended over this most precious spot of all the glade? One must suffer before one may comfort. The oak had suffered somewhere. We do not know all things. But over this spot the great tree reached out sheltering hands and certainly from its hands dropped benedictions plantlessly down. Near the small house of white and under the oak's protecting arm there burned a little flame of small compass save in the vast shadows it set dancing among the trees. Those who built this fire here so many times, so many years, each time first craved pardon of the green grass of that happy glade for they would not harm the grass. But the grass said, Yay to all they that asked. This was sure. For each year the tiny hearth spot was greener than any other spot because it remembered what the fire had said and done. And each year the oak dropped down food enough for the little fire. The oak took pay in the vast shadows the fire made for it. That was the way the oak saw the spirits of the past and when it saw them it sighed but still it welcomed the shadows of the past. So the fire and the grass and the oak and the shadows of the past were friends and each year they met here. It had been thus for many years. Each year for many years the same hand had laid the little fire in the same place and so given back to the oak its past.  Nearby the little fire I saw a small table formed of straight laid bows and at either side of this were seats made cunningly in the workshop of the woods. There were two forms at this small table. I saw them both. One was gray and bowed somewhat. Stooped as the oaks are. Silvered as the oaks are in the winter days. The other was younger and more erect. Once the younger looked to the older for counsel but now it seemed to me the bowed figure turned to the one that had become more strong. I saw the savory vapors rise. Even it seemed to me I could note a faint clear odor of innocent potency. I saw the table laid not with gleam of snow and silver but with plain vessels which nevertheless seemed now to have a radiance of their own. I knew all this. It was as though they're actually lay at hand those pleasant scenes as though there actually arose the appealing fragrance of the evening meal. Now as I looked the gray figure bowed its head there under the arm of the oak and asked on the humble board the blessing of the God who made the oak and gave the fire and spread the pleasant waters on the land. Every meal time, every year for many years it had been thus. Ever the oak knew the gray figure would first bow and ask the blessing of God and each time at the close the oak with rustling leaves pronounced distinct amen. Let those just who will I do not know. I think perhaps the oak knows or it would not thus for years have whispered reverently its distinct amen. I will not scoff. It is perhaps we who are ignorant. We do not know all things. I ask not what nor who were these two who had come each year to this place of the oaks but surely they were friends. In shadow I could hear them talk. In shadow I could see them smile.  After they had gone the fire did strange things. All men know that though you see the fire burn down when you go into the tent you will sometime in the night see the walls lit up by a sudden flash or so now and then from the fire which was thought to be dead. That is the business of the fire and of the oaks and of the shadows. I know that the shadows dance strangely and hover and come near at hand in those late hours of the night. But what then occurs I do not know. These two friends never questioned this. They knew it was the secret of the night and gave the oak its own request and pay for its protection and consent. They gave the oak its union with the sacred past. In the night I have heard the oak sob. Yet in the morning when the sun was silvering the wake of all the leaping fishes the oak was always gentle and it said, Wake! Wake! God is wise. Waken! Waken! God is good. As pure shining beads upon a thread of gold I saw this small deer picture, reiterant and unchanged year after year, always with the same calm and pure surroundings. Only as year added itself to year slipping forward on the golden string I saw the gray figure grow more gray, more bowed, more feeble. Alas! it seemed to me I saw the silver coming up on the head of the younger man and his eyes growing weary as one who looks at the earth too closely which is not wise to do. Yet the years came to the oaks and to the grasses and to the friends. The grass dies every year but it is born again. The oak dies in centuries but it is born again. Man dies in three score years and ten but he too is born again. As I looked I could see the passing of the years and all but the unaltering fire of friendship I could see change creeping on. Grayer, grayer, more bent, more feeble. Is it not so singing mouse? And now this time what was this gentle warning that the oak tried to whisper softly down? Perhaps the grayer friend heard it as he sat musing by the fire. He rose and looked about him. As one who had dreamed and was content he looked up at the solemn stars unafraid and so murmured to himself. Day and to day uttered speech he said, night and to night showeth knowledge. Day and to day singing mouse, day and to day. Woe is me singing mouse and these are bitter tears for that which you have shown I see it all again. The oaks, the glade, the tiny house of white, the small pleasant fire. Here again is the little table and here is the evening meal. The table is still spread for two. A double portion is served as it was want before. Yet why? For all is not the same. At this table there is but one form now. The younger man is there. Although now he has grown gray and stooped. Year and to year, day and to day, the beads have slipped along the string. Once young, now old, he keeps the camp alone. But is he then alone? Hush! The squirrels have grown still and even the oak is silent. What is that opposite across the table? At the seat long years held only by the elder of these two. Tell me singing mouse, is it not true that I see there sitting as of old at the table the same sturdy form, the same simple innocent and believing face? It is the gray ghost of one grown gray in goodness. It is the shadow of a shadow, the apparition of a soul. The one at the table pauses as was the want before the beginning of a meal. He looks across the table to the shadow as if the shadow were his friend. The shadow bows its head. The living man bows also his head at the board. The shadow moves its lips. Doubt not those words are heard this day. See, the sun rises through the trees. The glorious day sets on once more. Doubt not, fear not, sorrow not ye too. Bow the head still ye too, and do not let my picture perish. Whisper again the benediction of the years and let me hear once more the murmur of the oaks. Amen. Chapter 9 The Birth of the Hours Do you know the story of the wedding of the times? said the singing mouse.  The flowers love and the grasses and the trees. And the circle of the wedding ring is the circle of life and the sign of eternity. Death and life, not life and then death, is the order and the law. Then hours are born of parents, as are the flowers. The hours of the day are born of the wedding of night and morning. It is the way of life. Come with me. So with the singing mouse I went into a place where I was once long before. I could see it very well. It was in the deep woods, far away. Nearby there were tall, sweet grasses. I could hear the faint tinkle of a falling stream. Other than that it was silent in the deep woods. Overhead the sky was clear and filled with stars. The stars trembled and twinkled and shone radiantly fair. So now all at once I knew they were the jewels on the wheel of night. The far shadows were the drapery of the night, and the great light of the heavens was the star upon her coronal. When I first looked forth the night was a babe, but as I guess it grew, the night is full of change and charm. Those who live within the walls do not see these things. When I saw them I could not sleep, for the night in all her changes seemed to speak. The night grew older, drawing about her her more ornate garb of witchery. Across her bosom fell a wondrous tissue trembling with exuberance of unprisoned light. These were the gems in thousands of the skies, all fair against the blackness of the robes of night. And I knew that the blackness of the one was as lovely as the radiance of the other. Nor could one separate one from the other, for there arose a thin mist of light, so that one saw form or features only dimly, as through a cloth of silver lace such as the spiders weave upon a morning. The night grew on, changing at every moment, for change is the law. There were small fronds of clowns which were praised by smiles of light. Did never you hear the laughter of the night? It is a strange thing, not all men have heard it. The singing mouse told me of this. Now, as I lay and looked at this glorious apparition, there came still another change and one more slonderful. In the heart of the night there came a tremulous exultation. Upon the face of night appeared the rosy tinge of joyous perturbation, so then I knew the lover of the night was coming, and knew too, once we have derived the signs of love, as among human beings we see it indicated. I saw the flash upon the cheek of night flame slowly and faintly up, until which touched her very forehead. This is the way of love, but the night went on, for this is the way of life, love and life. These are ever and forever, we mock at them and to understand them not, but they are ever and forever. And now the night I know not whether startled or in joy, whether ashamed of her dark garb or unconscious of it in the proud sureness of her beauty, dropped loose a portion of the shadows of her rope and stood forth radiant cloud with the dazzling beauty of her stars. Then she raised her hand and laid it on her heart. And so the morning came and took her in his arms and kissed her on the brow. So here was love again, and of this wedding there were born the hours. CHAPTER X THE STONE THAT HAD NO THOUGHT Once, said the singing-mouse, while many men hurried into the city as each day they do, there so many other men standing about a place where a large building was growing. There were those who raised stones on long arms of steel and swung them about, high up into the wall. Others remained upon the earth to place these stones upon the long arms of steel. Now a stone had fallen, and beneath it lay that had been a man, and around this many stood. The long arm reached out after stones, and so this stone again was taken and raised into the air. That which had been a man lay broken, never again to rise and smile and walk. There to it stood a woman, not weeping, being still too sad for weeping. Above her rose the stone once more, heavy and without thought. It rose above the woman, and above this that had been a man, and as it swung high and slow above her, the woman looked up at it, as though to ask of it mercy. But the stone passed slowly on, heavy and without thought. It is in the wall today, heavy and without thought. Some say that is a temple, others say there is God in it. But no God replies, and the stone is in the wall heavy without thought. The singing mouse came and sat nearby. Undoubtedly the room was dingy to the last degree. The dust lay thick upon the corner of the table. It crusted at the window-edge, and hung upon the shallow wall. What was the use, things being as they were, to disturb the dust?  It was very fit. But the singing mouse came and sat nearby. I could hear it patter among the dead leaves of the flowers that lay upon the table. I turned my head, and saw it sitting close by my fallen hand. Its tiny paws were waving. I could see its breast, for which a rose leaf would have been a giant buckler, pulsing and beating above its throbbing heart. Its eyes were shining. A rhythm came into the swing of the pink-tinted paws, and then so high and thin and sweet, that at first I looked above to trace the sound. There came the singing of the singing mouse.  I heard that sweet sound of the woods, the tinkle of falling water, which is so full of change. Now keen, clear, and metallically musical, now soft, slurred, and full of sleep. I could not see the little stream, but knew it ran down there beneath the talking pines. But very well, one could see the hill, and the small white house had stood among the trees. The white house was gone now, though the grass pressed down by the blankets had not yet fully arisen. The smoke of the campfire still wavered up. It followed one with long, outreaching arms of vapor. With its fingers it beckoned, and begged for its old companions yet a while. And it never one look back at the smoke of the campfire that one leaves. Always the heart of the fire will stir at this time of farting. A little blaze will burst out among the embers, and the smoke will reach out and beckon one to stay. It is very hard to leave such a fire. Certainly there must be strange things, of which we know but little. Surely there was a figure in the wreath of smoke. I could see the drapery shape itself about a form. I could see the outstretched arms. I could see the face, the gravely smiling lips. There are many things in the land of the singing mouse murmured my small magician. It is only there that one sees clearly, so I looked and listened to the figure which was in the smoke of this little fire. Believe me, said the figure in the smoke. The ashes and the dust are not so bitter as you think them. The tears rain on them, and they go back into the earth and are born again. Look around you, and here you may look unhindered by any confining walls. Do you not see the flowers smiling bravely? Yet every blossom is a tear. Do you not see the strong forest trees? Yet every tree grows on the ashes of the past. We know not what you mean by grief. With us all things point to hope. I have swam above a thousand forests. Ask this forest, the youngest of them all, whether it whispers of dread and of grief, rather it whispers of wonder and of joy. Come to it, and it may tell you of its comfort. Turn your eyes up to the blue sky and put your hands out upon this grass, which is but dust renewed, and at your eyes and at your fingertips you shall drink peace and knowledge. The shape of a room and of a grave is square and cruel, but the shape of the earth and of the great sky is that of the perpetual circle, and it is kind. Come to these, come to me. I will wave my hands above you, and you shall sleep. When you awaken, the flowers will be blooming, and upon the lid of each you shall see the tear, but upon the lips of each shall rest a smile. So now the figure in the smoke waved and nodded and smiled and beckoned. Until I said to the singing mouse, it seems scarce like things we auditorily know. Lie down and sleep, said the singing mouse. So I lay down and slept, and when I awoke, there were some small flowers not far away, and when I looked, I saw it was as had been said. Each flower had a tiny tear hidden away beneath its lid, but upon the lips of each they rested a brave smile, and from among the flowers there rose a sweet odor. This, said the singing mouse, when it saw me note the fragrance, this is a memory. It belongs to you. See how soft and sweet it is. Once knew a man, said the singing mouse, who had seen the mountains in the wintertime when they were covered deep in snow. It is the belief of most men that the mountains are then asleep, but this man said that they are not asleep, but that they have only drawn over the heads the white council robes, for then they are sitting in council. Now the mountains are very old and wise. This man told me he heard strange sounds coming from under the council robes of the mountains then, voices not distinctly heard, but wonderful and strong, and of a sort to make one fear. This man told me that once he heard the mountains tell of a time when they ate up the plains. Once man was at well of the plains, saying the mountains in a great song, and strove, never he lifted up the eye, but at his feet, at his feet, there he still gazed down. The clouds bore not up his gaze, neither did the hills comfort him. Things falls of no worth, these men soared and prized. Though we whispered to him, still he made deaf his ear. Then we, the mountains, we, the strong, the just, the wise, we rose, we set together our shoulders and so marched on. Thus we ate up the plain. Now we stand where once man was, for man lifted not up his eyes. Therefore now let man look up, let him not make small his gaze. We, the strong, we, the just, the wise, we shall eat up the plain. For on our brows sits the light, about our heads is the calm. That which is high shall in the days prevail. We, the strong, the just, the wise, this we have said. These men told me that he could not hear all the song that the mountains chanted, nor all they whispered among themselves, but he thought they said that they had swallowed up and consumed one race of beings who became fixed only upon the winning of what they called wealth and had crushed out this wealth and burned up their precious things. These may be true, for today men visit the mountains to dig their for wealth, and this which they call gold is found much scattered, as though it had been crumbled and burned and blown wide over the earth upon the four winds. For these reasons this man thought that the mountains had once eaten up the plains and that perhaps at some time they might do this again. Once, said the singing-mouse, I knew a man who found a little dog starved beneath a building where it had been left. He took it and fed it, and each time he held out his hand to give it food it bit his hand, knowing not that he was its friend. Many times he fed it and always it bit his hand. It was a long time before it learned that the man was its friend. It was but a savage. He fed it patiently and so after a time the dog bit him no more, having learned that he was its friend. When it had ceased to be savage it loved him. The man gave it neither blow nor unkindness and fed it, knowing that he was older and more wise and that in time it might love him. So at last it did and this may often happen for those who wait, large and kind and patient and so often friends are made. The little room was resplendent one night with a fire which flamed and flickered gloriously. It set in motion many shadows which had their home in the corners of the walls, and bade them cease their sulleness and come forth to dance in the riot of the hour. And so each shadow found its partner in a ray of firelight and there they danced.  They crossed the grinning skull of the gray wolf. They softened the eyes of the antelope's head and made dark lines behind the long-tined antlers of the elk and of the deer. They brought forth to view an alternate eclipse and definition the great grim bear's head which hung above the mantle. Every trophy gathered in years of the chase, once perhaps prized, now perhaps forgotten, was brought into evidence, for one escaped noting each one and giving to each for this one night more the story which belonged to it. I sat and looked upon them all and so there passed a panorama of the years. There, thought I, is the stag which once fell far in the pine woods of the north. This antelope takes me back to the hard white plains. These huge antlers could grow only amid the forests of the Rockies. That wolf. How many of the hounds he mangled, I remember. And the giant bear. It was a good fight he made. Perhaps dangerous. Had the old rifle there been less sure. Yes, yes, of course, I could recall each incident. Of course they all were thrilling, exciting, delightful, glorious, all those things. Of course the heart must have leapt in those days. The blood must have surged in those moments. The pulse must have grown hard. The mouth must have been dry with the ardour of the chase at those times. But now? But why? Does the heart leap to night? Do the veins fill with the rush of the blood, tumultuous in the joy of stimulus or danger? Why does not the old eagerness come back? Which of these trophies is the one to bring this back again? To which of these grim, silent heads belongs the keenest story? I know, said the singing-mouse, which unknown to me had come and placed itself upon the table. I know. And it climbed upon my arm which lay across the table. The fire shone fair upon its little form, so that in silhouette its outline was delicate and keen as an image cut from the fiery heart of a noble opal stone. And what is it that you know, I asked. Maker of dreams, tell me what you know tonight. The singing-mouse balanced and moved itself in harmony with the beat of the fire's rays. I looked at it so closely that a dream came upon my eyes, so that the voice of the singing-mouse sounded far away and faint, though it was still clear and resonant in its own peculiar way, and very fine and sweet. I will tell you which trophy you most prize, it said. I will show you your Iliad of the chase. Do you not remember? Do you not see this, this most eventful hunting of all your life? And so I gazed where the singing-mouse pointed, quite beyond the dusty walls. And there I saw, as it had said, I heard not the thunder of the hoofs of Buffalo, nor the faint crack of the twig beneath the panther's foot. I saw not the lurching gallop of the long-jawed wolf, nor the high elastic bounding of the deer. The level-swinging speed of the antelope, the slinking of the lynx, the crashing flight of the wapiti, know it was none of these that came to mind, nor did the mountains, nor the plains, nor the wilderness of the pines. But when the singing-mouse whispered, Do you see? I murmured and replied, I see it all again. I saw the small, low hills, well covered with short oaks and hazel bushes, which rolled on away from the village, far out, almost to the delectable mountains, which are well known to be upon the edge of the world. Through these low hills a winding road led on, a road whose end no man had ever reached, but which went to places where no doubt many wonders were, perhaps even to the delectable mountains. For so a wise man once had said, his words harkened to with awe. This was a pleasant road, lined with brave sumacs, with bushes of the wild blackberry, and with small hazel trees, which soon would offer fruit for the regular harvest of the fall, this same to be spread for drying on the woodshed roof. It was perhaps wise curiosity as to the crop of nuts which had brought thus far from home these two figures. An enormous distance, perhaps at least a mile beyond what here to fore had been the utmost limit of their wanderings. It was not, perhaps, safe to venture so far. There were known to be strange creatures in these woods. One knew not what. It was therefore well that the younger boy should clasp tightly the hand of the older, him who bore with such confidence the bow and arrows, potent weapons of those days gone by. It was half with fear and half with curiosity that these two wandered on along this mysterious road through this wild and unknown wilderness so far from any habitation of mankind. The zeal of the explorer held them fast. They scarce dared fair farther on, but yet would not turn back. The noises of the woods thrilled them. The sudden clanging note of the jay nearby caused them to stop, harden mouth for the moment. Strange rustlings in the leaves made them cross the road and step more quickly. Yet the cawing of a crow across the woods seemed friendly, and a small brown bird which hopped ahead along the road was intimate and kind, and thus touched the founts of bravery in the two venturous hearts. Certainly they would go on. It was no matter about the sun. This was the valley of Agilan, perhaps, of which one had heard in the class at Sabbath School, and surely this was a good droning yellow-bodied bee. Where did the bees go to when they rose up straight into the air? And this little mouse, what became of it in winter? And ah, what was that? That awful burst of sound. Clutch closer, little brother, though both be pale. How should either of you yet know the thunderous flight of the wild grouse, this great bird which whirled away through the brown leaves of the oaks? Father must be asked about this tremendous startling bird. Meantime the heart having begun to beat again, let the two adventurers press yet a little farther on. And so with fears and tremblings, with doubts and joys, through briars and flowers, through hindrances and recompenses, along this crooked, winding, unknown road which led on out into the unknown they wandered, as in life we all are wandering today. But hush, listen, what is it this sound approaching coming directly toward the road? Surely it must be the footfall of some large animal, this cadence rustling on the leaves. It comes, it will cross near. There it has turned, it is near the road. Look, there it is, a great animal, half the length of one's arm, with bushy, long red tail arched high for easier running, its grayish coat showing in the bars of sunlight, its eyes bright and black and keen. Had it not been said there were wild animals in these woods. Each heart now thumped hard with the surging blood it bore, but it was now the blood of hunters and not of boys. Fear vanished at the sight of the quarry, and the only thought remaining was that of battle and of victory. Well, for the animal that it ran, ill for it that it ran down the road and not back into the cover, the bow twang'd, the arrow flew, blunt but keenly sped. Down went the smitten prey, pay on, forward, victory. But, oh, the creature rallies, recovers, it gathers its forces, it flies, pursuit then, but pursuit apparently useless, for the animal has found refuge deep in this hollow stump, beyond the reach of longest mortal arm. Russell now ye leaves and threaten now all ye bows with menacing, roar, grouse, and clamor on, all ye jangling jays. No longer can ye strike terror into these two souls, small though they be. The heart of the hunter has now been born for each. Fear and defeat are known no longer in the compass of their thoughts. Follow, follow, follow. So spake the good old savagery of the natural man. Better for this creature had it never disturbed these two with its footfalls approaching among the leaves. Out of its refuge now must it come. Ye, though one lost a thousand suppers that night, and though a thousand stones lay waiting in the dark along the road to hurt bare, unprotected toes. The sun forgot its part and sank red, though reluctant beyond the delectable mountains. Thou, moon, this is Ajalan. Be kindly, for by moonlight one still may labor, and here is labor to be done. Every blade in the barlow knives is broken. The hole in the stump yields not to slashings, nor to attempts to pry it open. The prey is still unreached. What is to be done? The elder hunter bethinks him of a solution for this problem. The broken blade will do to gnaw off this bow, and it will serve to make a split in the end of it. And if one be fortunate, and if this split bestride the tail of the concealed animal, and if the stick be twisted, I've got him!" cried this philosopher for his Eureka. And then there was twisting and pulling, and scratching and squeaking, and bitten fingers and tears. But after all was over there lay the squirrel vanquished at the feet of these young barbarians who had wandered out from home into the unknown lands of earth. Cruel barbarians, thoughtless, relentless, but how much has the world changed? The moon was over Ajalan when these two hunters, after all the perils of a long black road, marched up into the dooryard, bearing on a pole between them their quarry, well suspended by the gambrels. My boys, I feared that you were lost, exclaims the tearful mother who stands waiting in the door. But the silent father, standing back of her in the glow of the lamplight, sees what the pole is bearing, and in his eye there is a smile. After that, motherly reproach, fatherly inquiry, plenteous bread and milk, many eager explanations, and much descriptive narratives simultaneously uttered my two mouths, eager both to eat and to talk. I see it all, I said to the singing-mouse. It all comes back again. No chase was ever or will ever be so great as this one. Back there, near the delectable mountains, in those days gone by, those incomparable days of youth, I thank you, singing-mouse. But I beg you, do not go for yet a time.  End of chapter 14 Recording by Morgan Schlicker Chapter 15 of the Singing-mouse Stories This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Recording by Philip Griffiths The Singing-mouse Stories by Emerson Hoff Chapter 15 The Passing of Men One night the moon was shining brightly upon the curtain, which had been drawn tight across the window. Within the room the light was dim, so that there could be seen clearly the pictures which the moon was drawing on the curtain, figures which marched, advanced, receded. One might almost have thought these the shadows had come moving bows, had one not known the ways the moon has at certain times. It chanced that high up in the curtain there was a tiny hole, and through this opening the moonlight streamed, falling upon the table in a small silvery ellipse of a size which one might cover ten times with one's hand. It was natural that in this little well of pale and dreamlike radiance the Singing-mouse should find it fit to manifest itself. I knew not when it came, but as I looked the spot had found a tenant. The small transparent pools of the Singing-mouse displayed no shadow as they waved and swung across this pencil of the pale mysterious light. Yet its eyes shone opaline and brilliant as it sat, so that I could hardly gaze without a shiver of surprise akin to fear, fascinated as though I looked upon a thing unreal. Thus surrounded, almost one might say, thus penetrated by the translucent shaft of radiance which came through the window, the Singing-mouse told me of the figures on the curtain which now began to have more distinct semblances. Do you see the figures there? said the Singing-mouse. Do you see the marching men? Have you never heard the hoofs ring on the roof when the wind blows high? Have you not seen their ranks sweep, swift across the sky when storms arise? Have you never seen them marching through the long aisles of the wood at night? These are the warriors of the past. Now Earth has always loved the warriors. I looked, and indeed it was the truth there was a panorama on the curtain. History had unrolled her scroll, the warriors of the nations and the times were passing. I saw the men of Babylon and those who came out of Egypt. Dark were these of hair and visage, and their arms were the ancient bow and spear. And there were those who rode light and cast back their rapid archery. These faded, and in their stead, marched men close-knit in solid phalanx with long spears offering impenetrable front. In turn these passed away, and there came men with haughty brow who bore short spears and swords. Nearby these were wild, huge men of yellow hair whose shields were leather and whose swords were broad and long. And as I gazed at all of these, my blood thrilling strangely at the sight, the figures blended and formed into a splendid procession of a martial day gone by. I saw them, a long stream of mounted men who rode in helmet and caress and bore each aloft a long-beam spear. In front rode one whose mean was high and stern and who might well have been commander. High aloft he tossed his great sword as he rode and sang the time a song of war. And as he sang, the thousands of deep throats behind him made chorus terrible but stirring in its chesty melody. For ictus to the song each warrior smiting sword on shield in a mighty unison, whose highs sonorous nape thrilled like the voice of actual war. Steady the strong eyes gleamed out and onward as they rode. From the steel-clad breast of each there shone forward a glancing ray of light as though it came direct from the heart, untamed even by a thousand years of death. My heart leaped to see them ride so straight and stern and fearless, so goodly, so glorious to look upon. Came the rattle of chain, the clang of arms, the jangle of belt and spur, and still the brave procession passed in tens, in hundreds, in thousands in a long wave of stately men whose eyes shone each in all the bold delight of war. Stooped front, hooked hand and avaricious eye, these were as absent as the glow of gold or silver, it was the glorious age of steel. Still on they passed, always arising the horse-swell of the fighter's chorus. I heard the rumble of the many hooves, thrilling even the impassive earth. The spear-point shone, the harness rattled, the penance fluttered stiffly in the breeze. And then afar I heard a sweet, compelling melody, the invitation of the bugle, that dearest mistress of the heart of man. My blood leaped, I started up, I started forward. The sweep of the ranks drew me on and in irresistibly. I would have raised my voice. I sought to stay, if for but one instant this army of brave men, this panorama of exalted war, this incomparable pageant of a day gone by. It was the singing-mouse that checked me, for I heard its sigh. Alas! And yet again the scene was changed. Across the view streamed yet a long line of warriors. The hair of these did not float yellow from beneath loose and cask. Nor indeed did these now alt of armor, nor did they march with banners beckoning, nor to the wooing of the trumpet's voice. The skins of these were red and their hair was rave and black. Arms they had and horses, they rode the one, and ill-couperies and the other. Leather and wood and flint and sinew served them from material. Ill-armed they were, but as they rode with naked breasts and painted faces, and tall feathers nodded in their plaited hair, out of the eye of each there shone the soul of the fighting man, the warrior, beloved since ever the earth began. Not less than the men of Babylon were these, nor than they of the ancient bow and spear, nor than they of the steel-clad breast. And as I saw them naked, clad only in the armor of a man's fearlessness, the word of commendation was as ready as that of pity. They are late singing-mouse, said I, late in the day of war. Yes, said the singing-mouse with sadness, they are late and they must pass away, but they are warriors of proof as much as any of those who have passed. Did you not see the melancholy of each face as it looked forward? Their fate was known, yet they rode forward to meet it fearlessly, as brave as any fighting men of all the years. In time they too shall have their story, and with the other warriors of the earth shall march again upon the page of history. As I looked the figures of these men grew dimmer, the tinkling of beaded garments and the shuffling of the ponies' hooves became less and less distinct, and the dust-clad of their travelling became fainter and fainter and finally faded and melted away. The curtain was bare. I heard the sighing of the wind. The recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Reading by Joseph Eric. The Singing Mouse Stories by Emerson Ho. Chapter 16 The House of Truth One morning I lay upon my bed in the little room which I call my home. Now among the eaves opposite to my window there are many sparrows which have also made their homes. In the morning before the sun has arisen and at the time when the dawn is making the city grey and leaden in colour instead of somber and black these sparrows begin to chatter and chirp and sing in discordant notes and by this I know the day has come. Upon this morning it seemed to me the sparrows chattered with an unusual commotion and as I listened I heard from another window near mine the voice of grief and lamentation. Then I knew that one who had long been sick had passed away. As the grey morning came on this spirit, this spark of life had gone out from its accustomed place. As the day came on the sounds of lamentation arose. The friends of that one wept so I asked the sparrows and the sun and the grey sky why these friends wept? What is grief? I asked them. Why should these weep? What has happened when one dies? Where has the spark of life gone? Did it fall to these sodden pavements forever done? Or did it go up to meet the kiss of the rising sun? And the sparrows which fall to the ground answered not. The sun rose calm and passionless but dumb. The sky folded in large but inscrutable. Nonetheless arose the voice of lamentation and of woe. I ask you singing mouse said I one night as we sat alone what is the truth? How do we reach it? How shall we know it? Tell me of the spark that has gone out. Tell me what is life and where does it go? There are many words. Tell me what is the truth? The singing mouse gazed at me in its way of pity so I knew I had asked that which could not be. Yet even as I saw this look up here it changed and vanished. And as the singing mouse waved its tiny paw I forbore reflection and looked only on the scene which now was spread before me. It seemed a picture of actual colors and I could see it plainly. I saw a youth who stood with one older and a foster garb. By the vestments of this older man I knew he was one of those who teach people in spiritual things. To him the young man had come in anguish of heart. Then the older man of priestly garb thought the young man in the teachings that had come down to him. But the youth bowed his head in trouble nor was the cloud cleared upon his heart. I heard him murmur. Alas! What is the truth? So I saw this same youth pass on in various stages of this picture. And before him I saw drawn as though in another picture a panorama of edifices and institutions of religions of all lands. But the years passed and the panorama of beliefs swept by and no one could tell this man what was the truth. After this young man had seized to query and had closed his books he one day entered alone into one of the great edifices built for the sake of that which he could not understand. In the picture I could see all this. I saw the young man cast himself face down among the cushions of a seat and there he lay and listened to the music. This too I could hear. I could hear the appeal of the organ arise like voices of the spirits going up, up, whispering, appealing, promising, assuring. Then, for I could see and hear with him there came to that young man when he seized to seek the very exaltation he had longed to know. Ah! Yes, singing mouse, I said. It was very beautiful but music is not final. Music is not the truth. Tell me of these things. The singing mouse again seemed to hesitate. It may be said the singing mouse slowly that the truth will never be found between the covers of any book no matter how wise. It may be that it never will be found by anyone who search for it always within walls built by human hands. It may be that no man can convey to another that which is truth to him. It may be that the truth can never be grasped, never be weighed or formulated. The ways of nature are always the same but nature does not ask exactness of form. Why then shall we ask exactness of faith? The true faith is nothing final. Not more than our final, the carved stones of the church which offers it so strenuously. The stones crumble and decay but new churches arise, new faiths will rise but were not all well. At these things I wondered and over them I thought for a time but yet I did not understand all that the singing mouse had said. As if it knew my thought the singing mouse said to me your vision is too narrow. You seek the great truths in small places and wonder that you do not find them. Come with me. The singing mouse waved its hand and was its want and as in a dream and as though I were now the young man whom we had lately seen I was transported by what means I could not tell into a place far distant. Speaking I scarce knew of what. Again there was a church or a cathedral. I could see the rafters as I lay. I could hear the solemn and exalted peel of the organ. I could hear voices that sang up and up thrilling, compelling. The sense of the confinement of the building seized. Insensibly I seemed to see the hewn stones of the walls assume their primeval an untouched state beneath the grasses of the hills. I could feel the rafters vanishing and going back into the bodies of the orcs in which they originally grew. The voice of the organ remained with me but it might have been the roll of the waves upon the shore. I was in the temple. In the temple one needs not seek for names. It was night. I lay upon a bank of sweet smelling grasses and about me were the great orcs. The organ or the waves spoke on. I looked up, up into the great circle of the sky so far so blue so kind in its bending over so pitting it seemed to me yet so high in its up-reaching I looked upon the glorious pageant of the stars. That star thought I shone over the grave of some ancestor of mine back in the unmirrored past some father of some father of mine. He's gone like a fly. He's dust. I may be lying on his grave soon like a fly. I too shall be dead, gone. Turned into dust. But the star will still shine on small as that father's dust may be that dust still lives. It is about me. This grass, these trees may hold it. He has lived again in the cycle of natural forces. My dust, when I'm dead will in turn make part of this world one of an unknown sea of stars. Small then as I am I am kin to that star. The stars go on. Nature goes on. Then shall man, shall I? Ah! said the singing mouse. Its voice sounding. I knew not whence from this place can you see. So now I thought I began to see what I had not seen before. And since this was in the land of the singing mouse I sought to find no name for what I saw nor tried to measure it. What one man sees is not what another sees. Shall one claim wisdom beyond his neighbor? Are not the stars his also? And the trees his to talk with him? Are not the doors always open? Does not the music of the organ ever roll? Do not the voices always rise? Had it not been for the singing mouse I should not have thought these things. All LibriVox recordings are in the public domain. For more information or to volunteer please visit LibriVox.org Rating by Bologna Times. The Singing Mouse Stories by Emerson Ho Chapter 17 One day there was a white frost that fell upon the city, lasting for many hours so that a strange thing happened at which men wondered very much. The city put aside its colors of black and brown and gray and dressed itself in silvery white. No stone nor brick was seen except in this silver and frosty color. All the spires were glittering in silver and all the columns bore traceries as though the hands of spirits had labored long and delicately and had seen their tender fretwork frozen softly but forever into silver. The gross city had put aside corporeal things and for once its spirit shone fair and radiant so that men said no such thing had ever been before. That evening the frost still remained and as the night came on a mist fell upon the city. From the windows men looked out and lo the beautiful city so made spiritual was vanishing one by one the great buildings, the tall spires, the lofty columns had faded into a white dream dimmer, fainter, less and less perceptible seen through a gentle envelope of whitening haze. This thing was of a sort almost to make one tremble as he looked upon it for the city which had been silver had turned to mist and the mist seemed fair to turn into a dream. There are those who say it did become a dream and afterward descended for wanderers in desert countries tell that at times they have seen some far city of dreams alluringly beautiful but evanescent, intangible, unattainable, trembling and floating upon the wavering air. Now when I saw the city thus fade away and disappear I sat down at my table and as many men did that night I wondered much at what I had seen for surely the soul of the city had arisen. Then the singing mouse came and gazed into my face. What you have seen is true said the singing mouse. There is no city now. It is gone. You have seen it disappear. Its soul has arisen. This does not often happen yet it can be for even the city has a soul if you can find it. But if I say the city has gone I mean only that it has left the place where once it was that which once was is always corporate or not corporate. We are only when we ask to see all with our eyes to balance all within our hands. Come with me and I will show you where the city went. So now the singing mouse waved its hands and I saw though I knew not where I looked I saw a country where the trees grew big and where the wildfowl came it was where the trees had never been felled nor had the stones ever been hewn. The sky was blue and the water was blue except where it played and laughed and there it was white. There was a small house of a sort one has never seen for none in the cities is like it. The blue smoke curling from the chimney made none the less a home. I hardly knew what time or place we had come upon for the singing mouse whose voice seemed high and exalted spoke as though much was in the past. This is a home said the singing mouse. Once there were no homes in those days there was only one fire and it was red by this man sat he sought not to see the man sat at night and looked up at the heavens seeking to know what the stars were saying. He besought the stars praying to them and asking them to listen to the voice of the water and to the voice of the oaks and to the whispers of the grasses and to tell him why the fire of earth was red while the fire of the stars was white. Now while this man besought the stars to him a strange thing happened. As he looked up he saw falling from the heavens above him a ray of the white light of the stars. It fell near to him and lay shining like a jewel in the grass. To this the man ran at once gladly and took up the white light and put it in his bosom that the winds might not harm it. Always this man kept the white light in his bosom after that. And by its light he saw many things which till that time men had never known. This man found that this new light with the red light that had been known fell all his house with a great radiance so that small stripes were not so many and so that life became plain and sweet. This then that you see it continued slowly. The large trees and the green grass and the blue sky and the smiling waters all this is wealth. Wealth not corporate wealth valuable wealth that belongs to every man ever born upon the earth and which cannot of right ever be taken away from him. Sure of that he is poor indeed though not so poor as he who sure him. Unsure of this he is rich. In our land our hearts ache to see these terms misused and that called wealth which is so far from worth the having.  Then as I looked there stepped from the house or one whom I took to be a man. This man stood in the cool fresh morning and gazed at the sun now rising above the tops of the great trees. He smiled gently and taking in each hand a little water from a tiny stream that flowed nearby he raised his hands and still smiling offered tribute of the water to the sun. I saw the water falling down from his hands and a small stream of silver drops shining brightly. It was the way of the land the singing mouse said for they thought that as the water came from the sky and returned to it so did man and the thoughts of man and the fruits of his progress never to be destroyed. At all this I looked almost in fear for the thought came that perhaps this was not man as we knew him but the successor of man. Where is the land? I asked of the singing mouse and what is this time upon which we have come? The singing mouse looked at the green trees and at the kind sun and at the blue sky and the pleasant waters and it said to me slowly there was once a city where these trees now stand. In the