What's up everybody? We got an experiment for you guys today. We are going to react to some of the music industry clips from around the interweb. And we wanna know what y'all think as well. So I'm gonna give what I think. J'Corey's gonna give what he thinks, but I wanna know what y'all think on top of it. The first clip here, Cameron said, he got fleeced by his execs. They came for his bag up under his nose and he had no idea what's happening. But let's hear him talk about it. And I'm at Epic. I'm like, it ain't seeming right. I ain't doing this. So it was a female there who took a liking to me and she really started teaching me the game. Like, yo, this your marketing budget. It don't seem like doing marketing, but the head of marketing just bought the new Lexus. This your radio budget. You ain't getting no spins, but the head of radio just went on a vacation in the Bahamas with his whole family. This is like- Hold up. You don't have any marketing going on for your project. And then the head of marketing is out here with a new whip. The radio guy isn't doing his job. We're not talking about adding extra money on top. I've heard a lot of like, all right, yeah, we're gonna charge extra for the studio time and things like that.  You ain't really finessing me.   No, you just scamming me at that point. Like you're literally not putting the money where it's supposed to go. That's what he's implying right here in this clip, which is, which is wild. That should have contractual reprimand that it, that's able to happen from that. You would think, man. You would think. Well, it's also different times. You would think. So this whole family, this is like vacation money. If you're 11,000 out your budget, I don't see where they're 11,000 going. Marketing, 22,000 out the budget. Where they marketing? So I'm learning now. I'm like, yo, is this playing with me?  All right, and in this next clip, we got Wayno. If you don't know who that is, he's an A&R type individual saying that music does not have to have substance. Let's hear his point. When people talk about hip hop and they talk about like substance and all that, every song is not about something. I love Missy Elliott growing up. I can't tell you what a lot of her songs is about. You know what I mean?  Like I can't tell you what them songs didn't have necessarily substance to me. They just was like a dope beat, some dope rhymes and they felt good as a kid. We could dance to them. We could have fun to it. Busta Rhymes. His honesty as an artist is making club bangers. A$AP Ferg is like that. Like I'm not going to listen to A$AP Ferg to hear like an in-depth record about his life. You know what I mean? I want to hit rock with the mob. I'm gonna do a lot. What you think? I agree, bro. Everything doesn't have to be serious. You know what I'm saying? It's music, bro. Like we as fans deserve, allowed to even have music that doesn't always have a message or preach. Sometimes I don't want to think. That's the reality of it. So I agree, 100%. There's a space and a place for it all. Everybody ain't intellectual all the time. I don't wake up, you know what I'm saying? Thinking deep, deep thoughts. I don't think. No, I agree because obviously we gotta escape sometimes. Sometimes people go to music for an escape and that means not thinking about what they typically go through. I don't want to be super conscious or I don't want to deal with even reality. I'm just trying to express and be free in the same way artists want to express and be free. When you do that in this way, it gives people the vehicle to do it for themselves. So yeah, that's exactly what I think. Yeah, and it makes us appreciate those that do it even more. Like it takes me hearing a bad voice to appreciate a good voice, you know what I'm saying? It takes me hearing a non-barred up individual to appreciate the barred up individual. So you know, it's a yin and yang relationship and rappers especially need to understand that the lyrical rapper needs and the lyrical rapper to survive and vice versa. You know what I'm saying? Y'all need each other. Facts, facts. Now, in other news, we got Daniels Wall interviewing Ryan Teder who's a really dope artist and a dope music mind. He's giving game on why artists actually still care about the radio still so much today. You catch a hit on radio and will play it twice as much as they played it. To give you an example, I apologize. It broke the record for the most spins in one week in US history and then Bleeding Love broke that record like two months later. When it broke it, it got played 10,993 times in one week. That was the all-time record. Lizzo, about damn time, 19,000 spins in one week. On the radio? On the radio, wow. And that's still the highest, the way you make most of our money because streaming doesn't still pay enough for writers. So radio is still like the end game.  For sure. But it pays a thousand times more than streaming or sales. So is that from performance royalty? Performance royalty. So all of us are sitting around chasing that elusive radio. All right, so when I hear that, I hear a couple of things. Number one, it's crazy that radio makes that much more money than streaming. And I really understand why artists are like, yo man, this ain't adding up. So it also makes and makes sense though, why the radio is still relevant today because you hear these bigger artists that are already used to making a certain amount of money and where are you going to find the incentive? It's usually going to be, right? The human behavior is going to be usually aligned with the incentive of money in cases like this, right? So I was like, yeah, okay, I hear that streaming stuff. It's cool. However, I need to figure out how to get one of these because that's where the real bank is made. I'm not really getting much from over there. So it starts to make a lot of the moves that I see or some of the, even the arguments that I hear about in the music industry make a lot more sense. Yeah, definitely. Like streaming is looked at as the discovery factor. You know what I'm saying? But it's like, all right, this is going to get you in the game, but the game is over here for real, for real. Right. The most surprising thing to me was how little of radio spins it takes to hit the things that he talked about. He's talking about like 10,000, 19,000. I don't know why I thought it took like hundreds of thousands of spins to make a hit song. Maybe streaming is conditioning me to think that way. I'm just used to seeing like massive numbers or something, but- Well, hold up, we'll replay it. Hold up once again. To give you an example, I apologize. It broke the record for the most spins in one week. That amount of spins per week, though. But it's still correct. Even the other one, he said the biggest one is the Lizzo song that 19,000 a week. So that's only what, 76,000 spins in a month? I don't know why I thought it took like hundreds of thousands. You know what it is? It's because you're used to streaming formula. And streaming is a one-to-one scenario. When the radio plays, it's a one-to-many scenario. That's what it is. So one spins probably like a couple of tens of thousands of people, possibly coming to market. Exactly, so the limit of the market is going out to multiple people. And obviously, there's a finite amount of stations, too. So it can only be with so many. Radio's definitely a different game. We still need to get a straighter radio person here. But next clip, Kingpin from the Cheat Code podcast is a music industry mover and shaker. And he drops some gems on his personal mentality of how he's been able to navigate the music industry and continue to level up. You don't have the money to consistently commit to ads? Stop it, you're in yourself.  And that's not how it goes. It's not how it goes. It's supposed to look like it may dip down. And when it dips down, do you know what you do, Ferrari? You drop a record. You drop a record because whenever there's a dip, that means people aren't paying attention no more. It's the stock market. It's watching it. Gotta look at it every day. You don't listen to your own music every day. Let alone look at the analytics of it, but it's the label's fault. It's the CEO's fault. It's the manager's fault. What'd you think? I agree. I agree. Because, so there's a part of me that understands you know, building momentum. And I think it gets talked a lot about in the cheap ad strategy, right? Like, hey, you just ran $2 a day and you'll build momentum up until the point where you feel like you can do $100 a day and then you can just scale it. So I get it from a hypothetical standpoint, but it very rarely works that way. You know what I'm saying? Like usually, usually not in a way where it makes sense to spend the money because I would much rather, so for example, like they ever been artists who would be like, hey, I have like $200 a month. You know what I'm saying? Maybe for like this five or six months and then after that I could do like a thousand a month or something, right? So now I'm like, okay, it's a 200 a month. It's like 500 months, it's $1,000. And so you really got like nine, 10K. You'd be better off figuring out how to save that $1,000 that you have for the period where you also have the rest of that money to spend, right?  And like that's my thing is like, if you're gonna have like a budget, like have a solid budget, like this whole like nickel and diamond thing where ads very rarely like makes an impact. Like I'm gonna spend $10 a year, $20 there. So I know ads do the best when they have been running for a long time and spent a decent amount of money, probably really at least like two, three months, you know what I'm saying? Into maybe a couple of bands. And that's on the low end. Like you want a low end good ad, you talking two, three months, a couple thousand dollars. Like two, three months at a dollar a day and 90 bucks, bro. And it might open your eyes to what the possibilities could be with ads.  But then beyond that, it's not really doing much. But I'll say that yes, it's worth testing your ads at low cost, but at some point you're not gonna be able to run those numbers up if you aren't able to sustain higher levels of money. A test is a test for a reason, right? You're testing to see if you can move on to the next point. If you can't move on to that next point and continue to sustain it for a period of time or like really put a lot of budget behind it, then you're not gonna be expected to see the big numbers. Yeah, there's nothing wrong with that. Like I said, thankfully there is content and you can get very, very far without spending any ad budget. Like you can literally still build yourself and build momentum without spending ad money and put yourself in a position to where when you finally have the money, it's gonna work out great, right?   So yeah, man, but I'm glad somebody said it, bro. I ain't know how we was gonna work it into our show, but I appreciate you route juggernaut for opening us that, that's talking point. Man, that's a fact. So that's it for this clip. Just wanted to do a couple of thoughts out there. You heard what you Corey think, you heard what I think about these clips, but we want to know what you think in the comments and this format as a whole. It's rough, but we're gonna continue to build on it. I'm Brian Mancheon. I'm Cora, and we out. Peace. Hey, if you like this clip and your artist is looking to grow your career or a manager or a label to have artists that you're working with, we have free content and courses at nolabelsnecessary.com, where we break down using some of our real case studies. For instance, we took an artist from zero to over one million streams on his very first song using a special content rollout method and we break down step by step everything that we did and how you can use it for yourself. Check out nolabelsnecessary.com. If you'd like to get access to that, ask us questions directly and see how we help artists grow to millions of streams from ground zero. Again, there's nolabelsnecessary.com and if you're watching this on YouTube, there should be a link in the description below. See you next video.


So, welcome to the 41st lecture on cryogenic engineering under the NPTEL program. We were talking about instrumentation in cryogenics and in the earlier lecture we were talking about the sensors for temperature measurement at cryogenic temperature levels. And in the earlier lecture we have seen non-metallic sensors like silicon diodes, cernox, ruthenium oxide. We have seen in detail how do they function, how does silicon diodes function, how does cernox function, what are the advantages and disadvantages of this various sensors are. So, we found that silicon diodes have negligible I square R losses because they got a 10 micro amp current flowing through it. Cernox RTDs offer high response time and have low magnetic field induced error. So, whenever there magnetic field, cernox will be preferred. So, the sensors used for liquid level also, when we saw the liquid level sensors to monitor the cryogen level, we saw the principles on which deep stick hydrostatic gauge, electric resistance, capacitors gauge, thermodynamic gauge and superconducting liquid helium gauge, how do they function, how do they represent, how do they indicate the cryogen level or the liquid level. Now, going ahead from temperature and cryogen levels, in this lecture we are going to talk about pressure measurement. So, pressure measurement is a very important task in cryogenic engineering. However, we are not talking about positive pressure, but we are talking about vacuum pressure that is negative pressures. And then we will conclude this particular topic of instrumentation in cryogenics. So, there are various thermo physical properties that are measured or monitored in cryogenics and they are, we know, temperature, liquid level, pressure, mass flow rate, viscosity and density, electric and thermal conductivity, out of which we have said that we would see temperature, liquid level and pressure in details while others because these are the three which are normally used in all cryogenic experiments. So, the first three are going to be dealt, out of which we have already dealt with temperature and liquid level and in this particular lecture we are going to talk about pressure. So, this particular lecture is going to be on pressure measurement in cryogenic engineering. We know that cryogenic vessels are insulated close containers. Whenever I keep cryogen, we know that it has to be well insulated, it has to be absolutely close so that the heat radiations or any other radiations will not come over there. If there is not any convection, the heat in licks will be as in as minimum as possible so that the boil off is kept minimum. Besides temperature and liquid level, pressure is also a vital aspect in cryogenic engineering. The pressure measurement is needed to check whether the level of vacuum is maintained because we have seen that vacuum is used everywhere and therefore, vacuum monitoring is very very important and therefore, pressure measurement is required to see if the level of vacuum is retained all through. If there is any leakage, vacuum will be broken and no experiments can be conducted in cryogen. It is because the moisture will come inside, all kinds of losses will happen and therefore, the experiments will not be able to be carried out. Also we measure pressure to monitor the pressure rise inside a container as there is a continuous heat in licks. So, if the boil off increases, the heat in licks increase, the pressure will rise in the container and that also can be monitored if we found that this is the important parameter to be monitored. However, there is normally a safety valve which will open if the pressure exceeds a particular predetermined value. So, this can be normally taken care of while this is the most important thing to be monitored. Pressure measurement in cryogenics deals with both pressure above atmosphere and pressures below atmosphere which is vacuum which is what we were talking about. Cryogenic insulation topic we have seen that cryogenics and vacuum go hand in hand. So, wherever cryogenic experiments are done, we have seen that most of the cases will have vacuum around it. Every cryogenic equipment therefore, needs a vacuum gauge for pressure measurement. So, wherever a vacuum comes, we will talk about the order of vacuum. What kind of vacuum are you talking about? Minus 2, minus 5, minus 10 and therefore, it need to be monitored and therefore, vacuum gauge is very very important. So, every cryogenic, most of the cryogenic experiments will need to have a vacuum gauge with it. Basically, it will come with a vacuum equipment also. A rotary pump or a diffusion pump or a cryo pump, they will have the vacuum gauges. A vacuum gauge, vacuum pump, vacuum device is an integral part of a cryogenic experiment and therefore, it is very important to understand how does a vacuum gauge function. What kind of vacuum gauge should I purchase for my system? All right, how costly it is? Is it required in this particular application? What kind of vacuum gauge? What principle of working should be there? All these things have to be monitored to select a particular vacuum gauge. Various vacuum gauges and their working principle therefore, are discussed in this topic because vacuum gauge becomes very important device to be used in the cryogenic instrumentation and therefore, in this particular chapter, in this particular lecture, we will discuss various vacuum gauges and their working principles so that you understand which vacuum gauge we should select for our particular application. As seen in the earlier lecture, the levels of the vacuum ranges from atmosphere to 10 to the power minus 12 millibar or less. For different levels of vacuum, we have different gauges working on different principles. This is the most important thing. If you have got a level up to minus 2 or minus 3 or minus 4, I can have a particular gauge. If I am talking between minus 4 and minus 6, I have got a other principle or vacuum gauge working in that on a different principle and if I want to major vacuum of very low grade that means minus 9, minus 10, minus 11, etcetera, then I have to have a different kind of a vacuum gauge and therefore, it is very important to know on what principle these vacuum gauges work. For example, up to a particular level of vacuum, thermal conductivity gauges can be used. So, up to minus 3, I will say thermal conductivity gauge can be used. Therefore, the choice of a gauge for a particular application or for a particular vacuum level is an important aspect. If I want to go up to minus 9, I should use an ionization gauge and therefore, principle of the working of that particular vacuum gauge is different than as compared to the principle on which thermal conductivity gauge works and this is very important. So, different pressure vacuum gauges which could be used are hydrostatic gauge which is a Macleod gauge which is the most primary gauge to measure a vacuum, diaphragm gauge, we can have a mechanical gauge or electrical gauge also, we have got a thermal conductivity gauge as I just mentioned earlier and then we have got a thermocouple gauge. These two are normally would be used up to minus 3 or minus 4 levels of vacuum, then we have got an ionization gauge and under ionization gauge, we have got a thermionic ionization gauge and we have got a cold cathode gauge. Now, all these gauges are actually representative of various other gauges actually, there are various other gauges are also used, but most of them would work on a principle similar to this. So, in minus 3, minus 4, I will have something similar to this. In very very low vacuum or very low vacuum gauges, it have a principle would almost kind of similar to you know these principles alright and therefore, they will have some minor advantages and disadvantages related to vacuum, the process, life and the accuracy. Now, let us see one by one on what principles these gauges work. Hydrostatic gauge is one of the oldest type of vacuum gauges, it is also called as Macleod gauge. The schematic of this gauge is as shown in the figure and it works on the principle of simple Boyle's law. Boyle's law P v is equal to constant, P 1 v 1 is equal to P 2 v 2, temperature remaining constant alright. So, this is what everybody knows. Now, this is schematic on which the Macleod gauge works and we can see the schematic as well as we try to understand the schematic as well as try to understand the principle on which this particular gauge works. The gauge consists of a glass U tube which is what you see here alright, whose left arm has a spherical bulb of a known volume.  The right arm is branched into a capillary tube. So, the right arm and then is one more branch which is a capillary tube over here and this again joins back the main arm. So, right arm is branched into a capillary tube to monitor the minute changes in pressure. The capillary is marked with a zero tolerance, zero reference point ok, you got a zero reference point over here. It culminates back into the right arm as shown here. So, this capillary again culminates into the right arm as shown alright. Now, this reference point, zero reference point also actually is in line with the top of this arm. So, this is always what we call as zero reference point. Now, the lower end of U tube is connected to a mercury reservoir equipped with a piston. So, this lower end will have mercury and this is connected to some kind of reservoir where the piston moves up and down. So, that this piston motion up and down will control the motion of the mercury in and out of this device or this gauge. This is actually our gauge while this piston will basically see that mercury is going up or down. So, that with the motion of this piston you can monitor the filling and emptying of this U tube. Initially, the apparatus is filled with mercury up to the indicated level. So, we can see that you got a mercury up to this point before the branching happens. So, now I see that the mercury has come up to this and I will adjust this by pushing this piston up and down. So, the mercury has been filled up to this point and the pressure working volume of which the pressure has to be measured of which the vacuum has to be measured is connected to this place. So, my experimental device or whatever the cryogenic volume on which experiments are being carried out in which I want to have vacuum, this volume is connected to this place. So, let us say we want to measure this P1 value. Let the vacuum pressure to be measured is P1. It is applied on the right arm as shown in the figure. Now, this pressure sees entire volume over here and therefore, the entire volume here is at pressure of P1 which is a vacuum pressure actually. In this situation, the pressure at any point in the system is P1. Now, with the application of piston load, when the piston is moved down, mercury now will move up. With the application of the piston load, the mercury level in the apparatus rises and we are bringing up from here to here first just to understand that now the gas in this region is now detached from right arm alright. So, there is a gas depending on whatever vacuum level we have. This is the volume of the gas which is fixed alright. We know this volume very well. I know the volume of this, I know the volume of this, I know the volume here and I know that now some volume has got trapped which cannot be now seen from this side alright. So, when the mercury crosses the junction, when the mercury has crossed this junction, a known volume of gas is trapped inside the bulb and the tube. So, this much volume which is the volume of this tube plus this tube plus the entire bulb, I know a known volume has been trapped now in this case. Let this volume of the gas be V1 as shown in the figure. So, now here we have got a pressure of P1 and we have got a volume of V1 because P1 was initially maintained. We just came up and we know that there is a volume of V1 over here and we know that P1 V1 is the volume, pressure and volume respectively that is going to be here. Therefore, initial condition now is going to be pressure at P1 volume at V1 alright. I am sure you are clear about this. With the further application of piston load now, the mercury rises to fill up both the arms. Now, I will press this down and the mercury will come here, the mercury will come here. The load is applied until the mercury level in the capillary tube reaches the 0 reference point. I will go on pressing this piston till the point that this mercury goes up and occupies position up to this alright. Depending on the vacuum level over here, depending on the whatever load I give, I will ensure that the piston is pressed to such an extent that the mercury will come here and stop at this particular point. My 0 reference point as soon as mercury comes up to 0 reference point, I will stop pushing this piston down. So, the load is applied until the mercury level in the capillary tube reaches the 0 reference point. Let us see what happens now alright. So, now I have reached up to this point and I am stopping the motion of this, the pushing of this piston. Now, what has happened? Whatever volume was there P1 and V1, now this gas which was previously over here is getting compressed to some pressure over here and some volume over here. I will know this pressure, I will know this volume and now I will do further calculations. The mercury levels in the arms are adjusted to suit to the applied vacuum in the right arm compressed gas in the left arm. So, I will do this motion in such a way that I have some significant volume over here and in this arm and also I ensure that applied vacuum is taken care of. So, I can do this piston movement in such a way that these things get adjusted. In this condition the volume of the gas in the left arm is read directly from the available scale. So, now I have got some scale over here which tells me that the volume of the gas in this left arm has an height of h and I know the area over here. So, I can calculate the volume of the gas that is being trapped over here. So, there will be a scale over here which can be directly read the value of h can directly be read from that and one can compute the volume therefore, that is the difference in the mercury levels in capillary and left arm represents volume and pressure of the gas in the left arm. The difference in the mercury levels in the capillary and left arm represents volume and pressure of the gas in the left arm. So, I can calculate the pressure at this point which is going to be pressure at this point and which is equal to p 1 plus corresponding to the height of this. This is my new pressure now because this is exposed to pressure p 1. The pressure at this point will be p 1 plus the pressure corresponding to height h and the volume I know because I know the cross section area of this I know the height of this. So, I know both pressure and volume associated with this volume in this left arm alright. And I know now in p 1 v 1 is equal to p 2 v 2 and I can do further calculations. Let a be the cross section area of the tube we have final condition as pressure at this point is going to be p 1 plus h equivalent and volume is going to be a into h alright. These are my final conditions of pressure and volume respectively.   Simple algebraic thing rearing in the above terms we have p 1 is equal to a h square divided by v 1 minus a h and this a h term is very very small as compared to volume v 1 because v 1 is a very very big volume alright. The term a h being very small as compared to v 1 is neglected and therefore we have I will take neglect this and therefore p 1 is equal to a h square upon v 1 and therefore we can say now the pressure p 1 which we wanted to measure is a function of h square and I can do a calibration accordingly and I can compute the value of p 1 therefore. So, directly as soon as this is connected I can adjust these things have the value of h and now h is going to be representative of the pressure we are talking about because a is known to me v 1 is known to me there are constant basically alright. So, pressure can be rate directly as a function of now h square and this is the way the pressure in the basic principle using this basic principle can be read by using a simple Boyle's law but then we have to see that the gas obeys Boyle's law. The advantages are the gauge reading is independent of the gas whatever gas I use I do not have to bother about it I can get the pressure reading done it serves as a reference standard to calibrate other low pressure gauges I can use this technique to calibrate other sensors also and there is no need for any zero error corrections there is nothing called a zero error connections everything we are doing by pushing the piston up and down I do all the measurements. The disadvantages are the gas should obey the Boyle's law as I said which is important that means the gas should be a ideal gas and it does not give a continuous output. So, whenever I want to measure I will do the piston up and down and therefore I will not get a continuous reading if the if the vacuum breaks I will not get a knowledge about this because every time I will have to measure the vacuum whenever I want to. There are some disadvantages of this particular McLeod gauge ok coming from McLeod gauge now let us see other gauges also for example we have got a diaphragm gauge the schematic of a diaphragm gauge is as shown in the figure. So, we got a diaphragm which is shown over here we got a working space here and we got a vacuum to be measured alright and we got a p reference point over here and some signal at this point. So, it consists of a low stiffness corrugated Teflon diaphragm which is my diaphragm over here on the left side of the diaphragm a reference pressure p reference is maintained. So, I got a some reference pressure on this side and I got some vacuum or some pressure which is to be measured on the right side of this diaphragm on the right side the diaphragm is exposed to the test pressure alright. So, the test pressure is the one which we want to measure in this device a deflection is caused by a pressure difference across the corrugated diaphragm that means you will have some pressure difference between the pressure to be measured and a reference pressure on this side depending on this pressure difference this corrugated diaphragm will go up or down it will come on this side it will come on that side depending on who is higher. Now, this deflection of the diaphragm actually is getting calibrated it will send a signal to over measuring device and that is a simple principle of a diaphragm gauge this pressure signal or the deflection is amplified either by mechanical or electrical arrangement to read the pressure directly. So, simple diaphragm motion is going to be amplified and it will be fed to some kind of a signal which could be mechanical signal or electrical signal and this is a simple principle of diaphragm gauge. The amount of diaphragms deflection decides the accuracy and sensitivity of the gauge. So, how much deflection occurs will show the sensitivity of the device. So, if you got a mechanical arrangement to see the motion of this diaphragm you can have some gear arrangement you can have some needle and thing like that and that can be used in a mechanical diaphragm gauge the diaphragms deflection is magnified to a mechanical pointer and a scale assembly. The scale is directly calibrated in terms of pressure for direct reading the operating range of this gauge is going to be from 1000 to 1 millibar with a good accuracy alright. Instead of mechanical I can have some electrical signal coming out of it. So, in this case I got a different arrangement over here on the left side of the diaphragm alright. So, here the schematic of a capacitance diaphragm gauge is as shown. So, whenever I got an electrical signal I want I can use a capacitance diaphragm gauge. So, depending on the motion of the diaphragm the capacitance on the left side will change which will be representative or which will be calibrated to tell me what the pressure is there on the right side. So, it consists of two capacitance electrodes in the form of concentric circular disc D which is what you see alright there are discs D and A also circular annulus A. So, we got two discs when it D and annulus A alright. These two electrodes are deposited on a ceramic substrate S and you can see there is a S ceramic on which these two capacitance electrodes are placed alright. These two electrodes are placed in the close vicinity of an inconal diaphragm. So, you got a diaphragm which is this and it is connected to this now. The circular annulus capacitor is grounded at G and this is going to be grounded at G. The whole assembly is connected to an AC electrical bridge in which a change in capacitance is calibrated directly in terms of pressure. So, whenever there is a motion of diaphragm the capacitance change would happen over here and this capacitance change is going to be connected to a AC electrical bridge and whatever changes happen in the capacitance depending on the pressure change on right side it will be shown up over there or this capacitance change directly can be calibrated in terms of vacuum pressure and that is a simple principle of electric diaphragm gauge. Therefore, in an electrical diaphragm gauge the deflection is fed to a movable capacitance assembly. These gauges are more reliable and accurate as compared to the earlier design. There did not be any in you know mechanical assembly there is not be any gearing mechanism and thing like that it is just the capacitance change which may be amplified and fed to a signal and directly the reading of the vacuum on this side can be taken using this electrical diaphragm gauge. It is important to note that the accuracy and sensitivity of the gauge is independent of the composition of the gas alright. So, basically this assembly does not see the gas the gas pressure just you know presses this in conal or in conal motion is occurring only with the gas that is it the composition of the gas does not come into picture. Now, let us come to the other aspect which is thermal conductivity gauge and this is quite commonly used gauge thermal conductivity gauge. Now, it is based on a simple principle that this figure shows what is this figure show it shows the figure shows the variation of thermal conductivity of a gas with residual gas pressure of N2. So, we have got a gas pressure given over here and this gas pressure and thermal conductivity of the gas the variation of the thermal conductivity of the gas with this gas pressure acts as a principle on which this particular thermal conductivity gauge works. The x axis denotes pressure in tor and y axis denotes logarithm of thermal conductivity alright. So, this these are logarithmic scale of thermal conductivity of the gas while the x axis gives the pressure. So, you can see the pressure in tor minus 1 minus 3 minus 5 etcetera. Now, what you can see from here when you got a pressure range of 10 to 10 to the power minus 3 the variation of the conductivity is almost linear approximately linear while above that it is flattened and below that also it hardly show any change. But when it goes from 10 to 10 to the power minus 3 this variation is quite linear approximately from the figure it is clear that for the pressure between 10 to 10 to the power minus 2 tor the thermal conductivity decreases that is a and this decreases approximately linear for the pressure range for this pressure range this decreases approximately linear. So, what is linear the variation in conductivity the conductivity varies linearly for this particular pressure range and therefore, this conductivity change can be considered to calibrate the pressure. So, whenever the conductivity change the q conduction will change and therefore, that q conduction will be indicative of the pressure during this pressure range that is k gas is directly proportional to the pressure in this range. Once you say k gas the heat conducted by that gas is a function of k gas and therefore, the q conduction through the gas is directly proportional to the gas pressure in this range. So, if I calculate q conduction if I got some representative value of q conduction I can relate q conduction to the pressure of the gas. Pirani gauge works on this above principle and therefore, pirani gauge always works on thermal conductivity and very commonly its pirani gauge is used up to 10 to the power minus 3 tor pressure measurement alright. So, thermal conductivity gauge also is called as pirani gauge. In this gauge a tungsten filament is placed inside the residual gas of which the vacuum level is to be measured. Now, how does it function? So, we got a tungsten filament which is placed in the gas and this is residual gas in around this pressure range 10 to 10 to the power minus 3 tor. So, you can see this is a filament in this and I got a gas around this of which I want to measure the pressure and this tungsten filament is fed some current and therefore, it will get heated now. It is heated to a high temperature by passing an electric current. So, I will pass some electric current through this and I got a gas around this because of which heat transfer will happen. Now, depending on whatever I am doing heating the gas will try to cool it and amount of q that is going to be conducted is going to be a function of k of gas or thermal conductivity of gas. And we know that in a given pressure range the thermal conductivity is a function of that pressure range. So, if I could get the temperature over here or if I can have some representation of this q conduction this temperature also will change the resistance of this filament alright. So, change in the resistance of this filament is representative of q conduction which is representative of the temperature at this point. So, it is heated to a high temperature by passing an electric current the temperature of filament thereby its resistance changes with q conduction. So, whatever q conduction happens over here will change the temperature and thereby the resistance of this particular filament. Now, if I put this particular element in a Wheatstone circuit alright some imbalance will get created because of the change of resistance of this and this will be indication of the pressure at this point. The q conduction is a function of k gas which directly represents the pressure. So, ultimately the change in the resistance of this filament would represent the change in pressure alright. This filament is connected to one of the arms of the Wheatstone bridge as shown in the figure. So, now I can put this filament and this resistance in the Wheatstone bridge and I have got some voltage and I can see the imbalance d because of the change of resistance over here which will happen because of the change of pressure in the residual gas around here. With the change in the resistance the equilibrium of the bridge is disturbed at d which is directly calibrated in terms of pressure. The bridge can either be a constant voltage type and a constant current type. So, you can have a constant voltage or constant current over here and this is the principle on which thermal conductivity gauge works very commonly used Piranha gauge works on this principle. Similarly, now instead of monitoring the resistance over there I can monitor directly temperature and that is called as thermocouple gauge. This is also very commonly used basic principle as same, but instead of having Wheatstone bridge instead of monitoring resistance I can directly measure the temperature by putting a thermocouple there and this temperature would indicate me the pressure because q conduction will change temperature just measure the temperature and get the value of pressure. The thermocouple gauge functions on the same principle as that of Piranha gauge that is the effect of residual gas in cooling a heated filament this is what exactly we are talking about. The change in the temperature of the filament due to the change in the surrounding gas pressure is measured directly by a very fine thermocouple. So, what we were doing in Piranha gauge change in the pressure would change in the temperature change in the temperature would change the resistance of the filament and this resistance change will be captured by the Wheatstone bridge. Now here I am not going up to resistance I will just monitor the temperature by putting a fine thermocouple over there and this temperature change or a thermocouple temperature will tell me what is the pressure over there. The thermocouple is attached to the center of the filament which represents an average value of the temperature. This thermocouple voltage is magnified and it is calibrated to denote the pressure reading. So, whatever temperature I see because of thermocouple it can be magnified and you can see the pressure reading directly. The operating range of this gauge of this Piranha gauge as well as thermocouple gauge is between 5 to 10 to the power minus 3 millibar. The application of thermal conductivity gauge are widely found in rotary and software. Most of the pumps will have Piranha gauge or thermal conductivity gauge. This is widely used up to 10 to the power minus 3 millibar. In these pumps these gauges are used for continuous monitoring of backing line pressure. They are commonly used continuously used. The advantages of these gauges are a fast response time offered by these gauges. They offer an appropriate solution in case of control application because in the fast response you can take corrective action immediately looking at these gauges and therefore they are always used in some control applications. These gauges are often preferred due to their robustness. There are low cost devices also as compared to other gauges. So, after Piranha gauge, thermocouple gauge let us see thermionic ionization gauge. The principle on which it works. In a thermionic ionization gauge, the residual gas molecules are ionized using an electron beam. Simple principle. Ionization. So, you have a simple principle of A. In the above reaction we see that A is a gas molecule.  So, you can see that as soon as the electrons are bombarded on this gas molecule, you got ionized current. You got A plus and 2 E minus. So, we can see that some ionization current will getting generated as soon as the gas molecule A is bombarded with some electrons and this is a simple principle of thermionic ionization gauge.  Well, 2 E minus are the electrons in the electric circuit. This reaction produces two different types of current. They are I plus and I minus. Both will be called as ionic current and this is a simple principle. What we are doing basically is bombarding electrons on the residual gas molecules and producing this current. When we measure this current, this current indicates the amount of molecules were there that means the level of vacuum. This current will actually be indicating the level of molecules or the pressures over there. And this is the principle of thermionic ionization gauge. So, ionization gauges for the measurement of vacuum pressure, there are two types of ionization gauges. They are thermionic ionization gauge and cold cathode gauge. Both based on the principle, how are these electrons produced? All right. So, here we heat them and produce electrons. Here we have got a high potential across cathode and anode and electrons gets produced. These gauges operate accurately up to very low pressures. Typically, in the order of minus 3 to minus 10 millibars. So, these are gauges which are used for very low pressures, for very low vacuum up to minus 10 millibars. Well, earlier one which we have seen, they were up to minus 3 millibars. So, the principle of its working, this is thermionic ionization gauge. The schematic of a thermionic ionization gauge is as shown in the figure. It consists of, as you can see here, a filament, grid and collector. Three elements. It consists of thermionic filament F, cylindrical open mesh grid G. So, you can see a grid over here which has mesh kind of thing. So, it has got some porosity associated with it. And then what we have is an ion collector C, all right. And the working gas, the residual gas will be around over here. So, what's happening? The thermionic filament F emits the electrons to ionize the residual gas. When heated, the thermionic filament F will produce the electrons and these electrons will travel from here to here and they will ionize the gas around here. The mesh grid G traps the electron to measure the electron currents. This grid actually ultimately will trap all the electrons coming on it and this will measure the electronic current. The filament is charged with the positive potential of plus 30 volt. The grid is maintained at a high voltage which is 180 volt over here. This large positive potential difference is required to accelerate the electrons in least possible time, all right. So, the high voltage over here and therefore, the electrons will come over here in as fast as possible. The ion collector C is earthed in order to maintain a zero potential while this is at zero potential, all right. So, high potential in between, you got some potential at filament F and this is earth at zero potential. Now, the electrons are emitted from F after heating and are accelerated towards the grid. So, this electrons which will get accelerated towards the grid and you can see this grid is a mesh kind of form. The majority of electrons strike the grid. However, a few of the electrons move beyond the grid now, some electron will come out of it and due to and how do they come out because of the porosity, due to the porosity of the grid and high velocity of the electrons. The electrons come out very fast and because of the porosity, they will come out of this grid also and they go beyond it. These electrons enter a region of decelerating field. Once it comes out, you got a high potential here and a zero potential on the collector side and therefore, they will get decelerated and their motions will come very, very slow. Now, the velocity will decrease further. These electrons enter a region of decelerating field in between the mesh grid G and the collector C. They oscillate back and forth. Now, here these electrons will go back and forth because of the decelerating field. It will not have any particular direction as such and therefore, they will spend most of their time in this region between the collector and the grid. During this phase, the electrons have a maximum probability to hit the residual gas molecules which produces ionic current. So, if you remember the first slide, when we talked about thermionic ionic gauge, A will be over here. Gas molecules A will be over here. The electrons will come and strike and we are basically increasing the probability of hitting these electrons, hitting these molecules by these electrons which are now decelerating field and therefore, they will spend more time over here and therefore, there will be high probability that these electrons will strike these molecules and ionize them. This ionization current represents the ions in residual gas. So, when electrons strike the molecules, ions will get formed and therefore, ionization current will get formed and these ions will ultimately come on the grid over here alright and therefore, that will measure this ions. E also will come on this grid G and this will be indicative of the ionic current which will talk about the pressure of the gas in this particular area. This ionization current represents the ions in the residual gas. This is directly calibrated to read the gas pressure alright. So, ionization current is going to be indicative of the gas pressure over here. These gauges are used from 10 to the power minus 3 to 2 to the power minus 7 billy bar thermionic ionization gauges. The advantages of these gauges are it offers a high reliability and azoop operation, very simple. It can be easily degassed by electron bombardment. So, the gas is going to come on this and get stored on this and this gas can be taken care of. It can just remove this gas so that, this is ready to the face next bombardment by you know just have power 35 watt, heat it and the gas will be released basically. All the gas which is captured over here can get released out of the it will get clean. It can get easily degassed. These gauges offer a linear calibration current and pressure. So, ionization current is going to be linearly linear variation with the pressure and again therefore, the calibration becomes very very simple and this is the principle on which thermionic ionization gauge works. The disadvantages of this gauge are the use of hot filament. This filament is going to be hot because when it is hot then only it will release electrons. The use of hot filament increases the risk of burning out. Sometimes it can get burnt out especially when it is exposed to atmospheric air and you got the oxygen over there and you can have some burning of this filament also. So, normally this will be used in a molecular region from minus 3 to minus 8, minus 3 to minus 7 millibar, but by mistake if it gets exposed to atmospheric condition that means you start right from the beginning this gauge. This gauge cannot be used from room temperature or from ambient pressure, but if it happens somebody just press this button the filament can get burnt because it will be surrounded by all oxygen high density gas. The use of hot filament increases the risk of burning out when exposed to atmospheric air. So, once the filament is gone you cannot work, you cannot use this particular gauge you have to replace this filament. So, many times this gauge will come with extra filament also, but this is a very costly element and therefore, working with these gauges should be very very carefully handled alright. As a result an extra filament is provided as a standby, but then it costs alright, so thermionic ionization gauge always has these problems. One has to be really expert to handle these gauges. The chemical reaction within the residual gas at high temperatures produces undesirable gases because of the generation of high temperature sometimes there could be some reaction also between the residual gases and that also should be avoided. So, there are some risks associated with this usage of this thermionic ionization gauge. Now, let us come to the next one which is cold cathode ionization gauge. As the name suggests it is cold, but the earlier one what we talked about is hot and therefore, we had some problem. So, all these problems can be taken care of if we go with cold cathode ionization gauge and this is normally used as a very powerful gauge called penning gauge alright. So, penning gauge works on this principle. As mentioned in the earlier slide the thermionic gauges exhibit a risk of burning out of hot filament. This led to the development of cold cathode ionization gauges. These are also called as penning gauges which are widely used at very low pressure. So, every device which wants to have a pressure of minus 6 to minus 7 will have a pirani gauge and penning gauge as combination pirani-penning. So, pirani will measure the pressure up to minus 3, well from minus 3 to minus 7 pirani will not be used now and penning gauge will be used and this is generally observed two gauges that will come on every machine, every vacuum equipment. Okay, let us see how it works. The schematic of a penning gauge is as shown in the figure. So, the schematic you can see that it has got a cathode and therefore, it has to have some anode also. It consists of anode ring as shown over here. So, this is the anode ring, a circular anode ring, it is placed between the two symmetrical cathode plates. So, you got a cathode plate top and bottom and in between anode. The cathode plates are grounded at G, you can see grounding at point G. So, you got a positive, negative and grounding at G here. The anode is charged with a potential difference of 2 kilo volt. The high potential between cathode and anode, anode has 2 kilo volt potential difference here. Now, in this now, so you got an electrical field which is coming over here. In addition to that, what we have is a magnetic field. An actual magnetic field of about 0.05 tesla is maintained across the entire setup. Alright, so we got a magnet on this side, magnet on this side, we got a magnetic field at perpendicular direction to this. So, you got an electric field, you got a magnetic field and therefore, the motion of electrons is going to be subjected to electrical field and magnetic field also. Very often, a permanent magnets are used to provide this field. The combined crossed electric and magnetic field produces an increased length of travel of electrons. So, when operation starts, the cathode will release electrons and they will go to anode. But because of this magnetic field, they will take a large time, a very long time, they will take a long time to reach from cathode to anode from other side, alright. And this increases the probability of hitting the electron as we saw in earlier case. This increases the probability of ionization. You got a working gas of which you want to measure. The pressure would be here and what we want to do basically here is to see that the electrons going from cathode to anode because of high potential between them will hit these molecules and we want to increase the probability of hitting these molecules because of application of magnetic field. Because the electrons are moving in a magnetic field, they will go in a very spiral way. They will go up and down spiral way. They will take a very long time to reach from cathode to anode. This will increase the probability of electrons hitting the working gas molecules. This increases the probability of ionization. The electrons are finally collected and anode, alright. So, cathode electrons get released, they will go to anode. Because of magnetic field around there, they will take a long time to reach anode and during this travel from cathode to anode, they will hit the molecules and thereby the electrons will finally be reaching up to this and they will ensure that each electron hits the molecule. This ionization current represents the ions in the residual gas. This is directly calibrated to read the gas pressure. So, once the ionization current reaches over here, it is representative of the pressure of the residual gas over here. This is the principle on which the cold cathode ionization gauge works or the pirani or the painting gauge works. This gauge is widely used for many scientific applications in the range of minus 3 to minus 7 millibar. The advantages of these gauges are, it is very robust, no thermionic filament. The biggest advantage of this is there is no filament, there is no heating of filament and therefore, there is no filament cannot be, did not be sacrificed, did not be burnt basically, alright. So, you got a simple cathode and anode, no thermal radiation, no heating business involved over here. The disadvantage of this gauge is, it is normally less accurate than the thermionic gauge. So, if this is tolerable to you, then it is ok. If you want a very accurate vacuum measurement to be done, in that case, you will have to go over a thermionic gauge in that principle. So, after understanding how the cold cathode ionization gauge works or how does a painting gauge work, I just want to show you how does it work basically and whatever we have just learnt, you can see in actual case. So, this is how a painting gauge looks like and this I would connect, this portion I would correct in a line of which I want to measure the pressure. So, if I want to measure the pressure up to minus 6 millibar, minus 7 millibar, this element or this is the painting gauge or this is the head of the vacuum gauge is going to be connected over there and this will be sensed in what we have an arrangement for cathode and anode here. So, here if you can see, you can see at the center there is anode and on the other sides, we have got a cathode. I do not know whether you can see, but please try to imagine that you got a cathode over other side to which the voltage is given from this side. So, the voltage is given over here while the anode is going to come at the center and the ionic current is going to be measured from here and connected to the gauge. So, this is basically kind of a head and you can have some gauge where this ionic current which is going to come at anode is going to be measured. Also, what you see from other side is the magnet, you have got a permanent magnet over here. So, you can see the magnet, you can see the cathode, the cold cathode and what you see in the middle is the anode and you got a high voltage which is supplied to the cathode from this side. So, whenever the electrons get released from cathode to anode, the residual gas will come in between and it will get ionized and this ionization current is going to be fed to the gauge over here which is calibrated as a function of this residual gas pressure. Now, these electrons when they leave from cathode and go up to anode, they will take lot of time because of this magnetic field. They will not go straight from cathode to anode, but they will go in a spiral way. They will take lot of time because of magnetic field over there. This magnetic field is therefore responsible for that. This electron while traveling from cathode to anode will ionize the gas molecule and depending on this ionization current getting produced because of this heating of electron to the molecule, ionization current will be there and this ionization current will be fed to the gauge which is going to be calibrated in order that we know what is the residual gas pressure over here and this is the way the pinning gauge works. This is the way the cold cathode ionization gauge works. The conclusions that could be drawn from the entire topic of instrumentation in cryogenics there is a need to monitor various properties like pressure, temperature, liquid level etc. for safe operation. Thermocouple works on Siebeck effect, this is what we saw. We have seen PT100, PT1000 are some of the commonly used RTDs in cryogenics. So we have seen thermocouples and RTDs that are normally used up to 30 to 40 Kelvin from room temperature to 30 to 40 Kelvin temperatures. Some of the commonly used non-metallic sensors are silicon-diode, Sarnox, ruthenium oxide. So for lower temperatures now below 30 to 40 Kelvin to have a very good measurement these are the sensors that could be used which are silicon-diode, Sarnox and ruthenium oxide. The sensors used to monitor liquid level are dipstick, hydrostatic gauge, electric resistance, capacitance level gauge, thermodynamic level gauge and superconducting liquid helium level gauge. We have seen how these level gauges work, we have seen the principles of their working. And in this particular lecture we have seen different pressure oblique vacuum gauges used and we have seen the principles of working of McLeod gauge, diaphragm gauge, thermal conductivity gauge, thermocouple gauge, thermionic ionization gauge and cold cathode gauge of which as I told you the thermal conductivity gauge is called as pirani gauge normally and cold cathode gauge is normally referred to as pinning gauge and these are normally used to measure the vacuum up to minus 7 between minus 3 to minus 7 millibar while thermocouple gauge and thermal conductivity gauge will be used up to minus 3 vacuum. So up to minus 3 we can use thermal conductivity as well as thermocouple gauge while cold cathode gauge and thermionic ionization gauge could be used up to minus 7 millibar. Pirani and pinning gauges are used for higher vacuum levels, for less vacuum levels other gauges are used. Thank you.


Hey, hi there YouTube Right, I've been playing around this this tube Circuit again This has I've derived this from a headphone circuit Now when I plug in my zen eyes is here This circuit kicks ass Okay, it does it's is what is it in actual fact the way it's set up now. It's way too loud And I'm glad there's all these like current game controls here so I can actually I can turn it down But I've got it turned up For now because I want to give the demonstration through my speakers Because before when I set this up It didn't work very well through my speakers at all You turn up to give any sort of like volume and it was just rubbish now on my I've got it driving up my laptop here because I'm using my camera Because it's got a baddest It's just it's just got a better sound pickup than what the little Microsoft camera has and it it gives a better Quality resolution as you can see you sort of focus in on things and It may not be that good, but it's better in the other one anyway So I've made a few differences long and the main differences are is I'm using IRF 630s instead of the IRF 510s 610s that it shows on the circuit and As you can see there on the right is the IRF 630 the left one is the LM 317 and it's in configuration as a as a adjustable current control And that's also the same on the left hand channel here, of course as you can see I All of the capacitors in Nishikon I put 470s in on the gain which is these wires are color-coded so the orange is the The the cathode the green is the grid the black is the anode the two browns at the back here are The heaters and this white one here is a center tap for the heating. It's running off 12 volts 11.9 and The 680s here on the output which is coming directly off the Well basically it's coming off the input of the LM 317 Okay, and so they've all been changed pretty much from the spec. I'm using AX 12 AX7 rather than the 12 AU7 Yeah, I suppose so, you know pretty much evidence is normal, you know as per the spec on the On the thing with you now Let me just pull that back up on the screen because I've seen this circuit a few places now And if you see my other video where it's not working very well at all out the screen because you'll see that the circuit Actually came from somewhere else in here It's from this Tiger X X-FI So I don't really know and I've seen it somewhere else as well, but I can't I haven't actually got that image to show you But it's one of those there's so many now I've seen this one particular author of websites who says he's a Professional blogger. He's just blogging this stuff all over the place and putting his name on it as well It's starting to come a little bit, you know, but let's not get into that So yeah, I suppose you want to have a little a little listen to it Yeah, so I'm gonna pull back here a little tiny bit so you get a bit of benefit the speakers And I'll just hit the Play on the track now these are just like MP3 tracks are low quality Unfortunately, I don't have anything high quality on that chip. It's all just It's downloaded music from I think Jemendo. Is it the you can get creative common license and that's what this is It's the low quality stuff creative commons just for you know, I'm not trying to make any money up any of this So, you know, it's all good I don't play sorry I'd like to pay to play more of that I can't because I don't want anyone to get upset and get a couple of my nurses Oh So I don't want to get into any trouble and hopefully I'll put all the names of the artists and such in there in the description Usual so I'm quite tough with that. I was really looking for a A stereo preamp circuit I couldn't find one that I could actually I Spent between 15 and 16 hours yesterday I'm trying to build Emulate other people's circuits and I couldn't go into work So I resorted back to this one and I thought it could be the tube I'd naked it because I'd tried all sorts of components in different ways of setting it up positive bias negative bias And come the end of the day I was losing I was I was almost losing my coordination So I had to call it an evening and Today I thought well, so I'm gonna do I'm gonna use this tube just to make sure it's working I'm gonna set it back up on the board. I start thinking maybe the board had problems I don't you can see the red bits on the board and there's red bits down by that MOSFET as well There the areas that don't actually work where you can't plug anything in or you don't get conductivity off the board So I did a lot of checks on that earlier before I started building just mark up. So I didn't plug into them is and it was false So I thought I will build the headphone circuit with modifications Because of course when I tried the headphones said before yeah for the headphones. It was great I did have to hear some stuff, but I've made a mistake And but it was no good trying to get it to current speakers With these slight minor mods and the search I managed to get it so it's plenty loud enough out of speakers and It's and it does sound good and there's no hiss. No, no, no, no, nothing. It's it's nice It is nice so even though I couldn't get to those other circuits working I hope the two chaps I spoke to On YouTube about their circuits. I hope they do get back to me Because I wouldn't mind being able to make those circuits work because I'm sure that they're gonna work really really fine and I will And I certainly give it a go because I just want as much experience building these things as possible, of course Because that's how we learn isn't it? So anyway, if you got this far I Hope you've been impressed with you know the changes I've made especially if you watch the other video of me making this and How it didn't sound very good at all Going through the speakers and that's you know, that's what I've been trying to get I don't need to blast out music. I want to blast now. I'll put the name 70 and 75s on because they do rock But for this it does have a different sound. There is a warmer thing to it And that probably is when I get my rival it'll be here tomorrow Yeah And then I want to have to use this thing over here and of course the right I've got the FFT which are like easy to use you can put on the back of the screen and have your waveforms on the front I will do some some power testing on it and we'll see what we got Yeah, so I Hope you enjoyed this my little demonstration of my I'm not gonna say it's my circuit. I have made some changes, but I've not made enough change to say it's mine at all because I've just built it off you know the The one that's on the internet there But I would like to be able to build my own idea you have I think you can see that little on there When there we go, there's a very basic circuit I might even put the not put the values in because I've not made the circuit yet to my own values there I'm sure it won't be too long. I'm hoping it won't be too long before I'm doing that sort of thing So if you like this Give us a thumbs up if you don't like it. Don't just drag a thumbs down in there Give me some feedback. Give me some feedback. Maybe you've got some hints of tips and pointers that you Pretty sure I could make it better or You know and yeah, and I'll speak to you soon Bye While you're waiting your hands


If you've got a Facebook group and you're looking to convert more of those free members in your Facebook group into ambassadors that go and tell everybody about what you're doing and also clients, because let's face it, the point of you growing a group and delivering value is because you want to move them from stranger to friend, friend to ambassador or customer, ideally both. So if that's what you're looking to do, keep watching. One of the ways I recommend that you build long lasting ambassador style relationships with the people that you are integrating into your communities and you're building groups, you're creating brand through building your tribe. And to do that, I think the best way is to really make it a personal experience. So I want to show you one of the things that I do when people request to join the One Drop Movement group so that you can also start implementing this with your new members, especially for people that you don't know, but it also goes for people that you do know because it can be complacent of you to assume that just because you know somebody that's requesting to join your group that you know all about them, I think it's a really good idea for you to still reach out and ask them how you can be of even greater support. So I just want to take you inside the One Drop Movement group. I've got somebody that's requested to join today. As you can see on the left hand side, it says member requests one new today. If you're on your mobile device, you'll see it usually appears up the top here and there'll be a little shield up there that has a number next to it of the amount of people who have requested to join your group. So in my case, if it was on my mobile, this would say one, a little one next to the shield. But I'm on my laptop as I'm sharing this with you. So what I'm going to do is I'm going to click on member requests. And you can see that I've got this message from Tom who has requested to join the group. Now, based on the membership questions that I've asked, I've said to join this global community and take part in all the challenges and everything inside, please pop your email here and I'll send you my free downloadable workbook on the five most important steps you can take to start building your movement. So I get most of the people that request to join the group give me their email address and it is a proper email address, not a one, two, three Mickey Mouse type email address. But also quite a high percentage of people they give me their phone number as well.  Yes, I could. Would that detract from the personal experience? Yes, it would. This gives me an opportunity to get their permission. This is permission marketing, permission based marketing and visibility, okay? So what I'm gonna do based on the questions that I've asked and I also find out who it is that got them to join the group. In this case, who invited you to join the group? I want more information about being a public speaking authority. They haven't said that. So maybe they've seen me speaking somewhere or they've seen me show up in a public speaking community or something like that. Cause obviously they're being very specific about public speaking here. So the first thing you wanna do is copy and paste all of the details that that person has given you and put it either in a note. So you've got it separate and you've kept it and you're not gonna lose it or ideally put it straight into your CRM, your customer relationship management system. I use Katra. You might use something else but I use Katra so that I can copy and paste all the details out or actually my VA, my team usually do this. They copy and paste the details out. They put it into Katra as soon as they put that person's information in there and they tag that person for the sequence that has the email that goes out to them that sends them the freebie that I've said that they're gonna get by signing up. So that is all taken care of. So that's all been set up in the back end. If you don't have any of that, don't worry because you can still do it manually for now until you start bringing in income. Say you're just starting out and you haven't got any clients yet and this is a process that you're just going through maybe you have a few clients but it's not really paying you and you wanna start really creating a good cash flow for your business. Well, you can use this strategy that I'm showing you to do that. Start building those relationships with friends and turning those friends into clients. What you can do is just copy and paste it into an Excel spreadsheet or something like that for now so that you're at least keeping all of the control over the relationships with those people that are requesting to join your group. Otherwise, Facebook own all those people in your group. Well, what happens if something happens to your Facebook account?  So make sure that before you accept them, before you approve, the very first thing you wanna do is collect their email and if they've put their phone number there, collect all of that out, whatever they've told you about their business or their life and their answers, you copy all of that out so that you've got that separately and then we're gonna carry on with the next thing. I've got a little template which I've set up in my notes file and I've already edited it for Tom and then I thought, oh, I could create a video of showing you how I do it. So this is the message I'm gonna send to Tom. So ultimately, here's what I'm gonna do. I'm going to copy this message and all I do is change the name of the person at the top there and if they've left me anything that tells me what they're interested in, I update that there. But this bit usually always stays the same and unless they put something specific in here, I do like to personalize it. But I can tell you, I get so many people that even if they don't sign up to any of my programs, when I reach out to them and say, hey, I've got a book that I'm promoting or I've got this program that I'm just about to launch, would you please share it with people for me? They go share it. So even if they've never bought anything from me, they've now become an ambassador. So before I accept and approve Tom's request, because bearing in mind, as soon as I press approve, all of this information is gonna go. So the first thing I'm gonna do is I'm gonna add friend. So I'm gonna send him a friend request. I'm then gonna click on the message button and I'm gonna copy and paste that message in there. So this is gonna go to him. Now, the challenge is because we are not friends yet unless he accepts my friend request, he's not going to see that message. It's gonna go into his other messages box, which hardly anybody sees. So what I'm gonna do now is I'm going to approve Tom, Tom Covington, so I must remember his name. And then I'm gonna write a little post and welcome him to the group. So you see, right in the middle of me sending this message to him, he's actually responded to me. Hi, Sammy, I'll definitely book some time. Thanks for connecting. You can learn a little bit more about me here, which is brilliant, right? So he's already connected with me. I've only just accepted him. I'm now gonna put a congratulations in here. I'll put a PS. I just popped you a personal message on Messenger. So I'll see you there too. Yeah, so I'm just putting something really positive here. Okay, I'm just gonna go get the image that I've created to welcome him in. All right, so now we've got a message. We've sent him a message personally. He's already responded. I'm still gonna put this in here anyway. I'm gonna tag him in and click done. And that's gonna welcome Tom to the team. So that's gonna create a post. He's now gonna get a notification in his Facebook notifications up here saying that Sammy Garrity has just mentioned you in the group. So he's now gonna get that. If he hadn't seen this already, then he would be seeing it in the group. He'd see it there. The one last thing I'm gonna do is I'm gonna go into the community and let everybody know. Hi guys and girls, please go into the one drop community. And introduce yourselves on the post I just put into the group to welcome Tom. Who is a new member. This is a great opportunity to connect and collaborate with him. And also to remind everyone in the group who you are and what you do. All right, so I'm now gonna post that. So now I've welcomed him into the group. I've sent him a personal message. I've gone into the rest of the community and asked them to go and comment on the post so that everyone can come and welcome Tom in. So he gets a sense of what it's like to be in the community. And usually I would just leave it at that until Tom came back to me. I'd wait a couple of days. I'd maybe send another little message. Hey Tom, just checking that you've seen my message above. How can I help you? And I'd maybe do that a couple of times. Also, I would add his email and contact details then to my cartra system. So because he's mentioned public speaking specifically I would put that in the note with my cartra CRM contact or if he'd said who invited him. I put that in there as well. So I can also see who it is that's instigated that relationship. So I collect as much information as I can about that person so that I can continue that journey of turning him from a stranger into an ambassador. I've never met this guy before. I don't know his name. This is an opportunity to have him be a much bigger part of the community. And if I can help him to make some ripples then maybe he'll go and make some bigger ripples in my direction when I also need some support as well in return. So really this is what we're out to do. It's not about the whole making money thing. And as a result of being super helpful and super supportive, you just never know what's gonna come of it and usually a lot more money comes from it because you didn't sit out with that intention. So just letting you know that's how I build my community. I strongly encourage you to do the same. You know, at first you'll be doing it yourself. Eventually you'll be giving it to an admin person but just things like going back and copying this and then putting it in here. So next time I don't have to do this personally. It's all just in there. All right, so there you go. Good luck growing your community. If you've got any questions, let me know.


Hi folks, I'm Mike and I hope you're well. Gain staging. This is a term you'll see around an awful lot. I've made a couple of videos about it and it's definitely a process which I recommend in your productions. However, you will see posts and videos from other people saying they don't believe in it. They think it's completely unnecessary in the digital realm. They think it's a complete waste of time. But normally as I dig into these opinions, I find that those people's definition of gain staging is a little different from mine and other people's. In fact, I think they often are gain staging, even though they don't actually call it that. More on that later. But first of all, I'd like to thank the sponsor of this video, DistroKid. If you follow the VIP discount link in the description down below, you'll get 7% off an already amazing price to distribute your music to all of the major platforms. So before we talk about what gain staging is, I think we first need to define what a gain stage is. A gain stage is any point in the production where you can control gain. So for example, when you first start off by plugging a microphone into your audio interface, you normally set a level using a gain control. This is a gain stage, a place where you can control gain. There may be other hardware which you're using where you can control gain as well. But for most of us, the other stages or the other gain stages are within the door itself. So let's take a look at that. In this particular project, we can see at the top of this channel here, there's actually a control for gain. Okay, so this is a gain stage. If we move down and look at there's a couple of plugins here, let's open one of them. The first one here, we can actually control gain with these two controls, an input control and an output control. So this is a gain stage. Now it's not always that obvious. If we close this plugin and look at the next plugin down, you may not think you're controlling gain here, but with this EQ you actually are.  Normally, this has got a gain control here to increase or decrease the gain for that group of frequencies or that frequency range. Okay, so sometimes you're not aware that you're affecting gain, but you are. Okay, moving on from there, another typical example is where with this channel, I've done a send to a bus. Okay, and I've got control over the level, the signal that I send to that bus. I would call this a gain stage. I can control the gain with this level control here. Now, as we look further down the chain, we normally always have a fader on the channel. Now, this is arguably not a gain control. There's a little bit of a difference between gain and volume, which I'm actually going to discuss later. But I kind of think of this as a gain stage, especially if this channel is then going off to a bus, which these two piano channels we can see here next to each other are, they're both going off to this piano bus, okay, which is all the way over here. Now at the top of that bus, we have a gain control. Okay, so there's another gain stage. However, the signal going into this bus is also affected by the faders back on these two piano channels. So in this sense, I think of this as a gain stage. Okay, so really that just continues through all the different routing and buses that you may have with all of their effects and sends within the project all the way through to what is normally the final bus, the master bus. So all of these points where we can adjust gain are called gain stages. So gain staging is simply the process of managing all of the gain stages within a project for the purpose of maintaining a healthy signal. Now we've got a new term to define. What is a healthy signal? Actually, whether we're recording in either the analog or the digital world, when we're talking about a healthy signal, we're primarily concerned with two extremes. First of all, with low level recordings, we're concerned with something called the noise floor. We're going to talk about that in a moment. In terms of high level recordings or hot signals, as we sometimes call them, we're concerned with clipping. However, when we are talking about either the analog or the digital world, these two extremes have quite different considerations. Let's start off by talking about the noise floor. So the noise floor is created by unwanted noise, which is there in the signal as a byproduct of the equipment or the processes we are using. Let's say, for example, a signal has some noise down here, and we record our vocal just above it here. Okay, that's going to be a quiet vocal. Later on, when we decide we want to increase the volume of that vocal, we turn it up. We are going to be turning up the noise, which is baked into that signal along with it. And we're going to make the noise even louder. Usually, that's very undesirable. So what we try to do is create a big gap between that vocal, or whatever it is we're recording, and the noise floor so that when we have to turn the vocal up, we are increasing the noise floor, but only by a little bit, we're probably still not going to notice it. Now, this is especially true in the analog recording process, where there may be lots of equipment involved. There's cables involved, which can involve interference. There's actual sort of hums and things and hisses within the equipment itself, whether it's tape or whether it's things like hardware compressors, etc. You get the idea in the analog world, there's far more potential for noise or unwanted noise. Now, I've heard it said occasionally that there basically is no noise floor in digital recording. That's almost true, but really not quite true. The only time where I believe that's really true is when you've entirely generated the sound digitally. So for example, perhaps in your door, you've got a virtual synthesizer, you've generated some sound, and there's just no noise in there. But that's the only circumstances I can think of where that's true. Whenever we're actually recording some real world thing, though, either using a microphone or with a synthesizer via cables or with a guitar via cables, etc., we may be using preamps, we may be using some outboard gear, then we're going to have some noise in the signal. However, it is true to say as a generalization, normally in the process of digital recording, we do introduce a lot less noise than we used to with analog recording. So we can afford for that vocal to be a little closer to the noise floor than it was previously when we recorded only in analog. But why would we want to do that? Well, that's mainly when we're concerned with clipping. In analog recording, usually people wanted to get that signal as far away from the noise floor as possible, so they recorded pretty loud. Now they happen to discover as well that as the signal started to distort when clipping occurred, the sound that they got wasn't actually that bad. Sometimes it was quite desirable, there was a sort of a pleasant effect with it. However, with digital recording when clipping occurs, when the signal gets too loud, it's hardly ever regarded as desirable. Let's have a listen. I've recorded this guitar here, and I've processed it digitally just to make sure it's clipping. Big time, okay? So let's have a listen to it. It's just brittle and edgy and just not nice, okay? Now the interesting thing is, even if I try and compensate for this by turning the volume down using the fader, actually let's just talk about that for a moment. When we're talking about volume as opposed to gain, volume is really more about the output level, what you actually hear. So what you're going to hear in a moment is, I can actually make this guitar quieter by turning the volume down with the fader. But all I'm actually doing is maintaining the sound characteristics, a clipped signal just quieter. Have a listen. And this is really important because it demonstrates that at a certain point we can't actually get rid of digital clipping or clipping just by turning volume down and compensating for it at the end of the train. Now in this case, this was, this is actually baked into the waveform as we can see here. But even if the clipping had been caused, because of my settings somewhere in one of the plug-ins for example, with every gain stage process after that, whether it's another plug-in, whether it's a send or whether it's indeed the fader, we can't get rid of that clipping which is occurring. We'll just simply be making the clipping quieter, okay? So that's why for me, gain staging, maintaining a healthy level throughout the whole process is really important. Okay, I need to address this, but I don't want to get into the weeds of it too much. I don't want to get too technical. But some people definitely will point out that with modern doors, because we are processing sound, perhaps a 32-bit floating point processing, that there's no perceivable clipping which occurs. That is true. Let's talk about that. These different bit depths that we record at 16, 24, 32 floating point have very different capabilities in terms of dynamic range, okay? So the point where we have worked between our noise floor and the point where we start clipping. It's probably true to say that with 32-bit floating point processing, what's not probably, I mean, it's really true to say that you just can't get it to clip. You may have noticed in your door that even though your meters are showing, you know, your signal going right into the red by a long way that you can't hear that awful clipping that we listened to earlier. And this is one of the main sort of arguments gain staging against its necessity, I guess. And I think it's a pretty valid point, actually, in terms of thinking about clipping. However, there's some things you should be aware of, at least one main thing you should be aware of. Just because your door is capable of processing audio at that bit depth doesn't mean that the plugins, especially older plugins, are actually going to be able to handle or process things in the same way. So you may still get some clipping occurring within plugins, it's definitely something you should be aware of. For me, there's a few key gain stages which are pretty important. First of all, probably the most important is the actual input stage where you're actually recording something with your audio interface and you're setting the gain there. If you get unpleasant clipping at that stage, it's baked into the recording and you can't get rid of it. So this is an actual key stage for gain staging. The other point which is pretty important to me is after I've used a plugin, okay, that's something called level matching. I generally want the level to be roughly the same on the output as it was on the input so that I can know that the plugin is doing its work and improving things in some way, not just making it louder and also to make sure that there's an appropriate level as we go into the next plugin. Now finally, a really important stage for me is the actual master bus. Now, there's a lot of talk about levels for this specific levels where people like to have their master bus peaking. I'd say the most important thing is it's not clipping. But for me personally, I like to have a little bit of wiggle room for mastering so I roughly aim for a peak of around about minus six decibels for some other people, it's minus three. The most important thing is it's below zero. If it's exported and it's below zero and you want to create some wiggle room, you can always just turn it down a little bit at the beginning of the mastering process.  When I do release my music, I do it through our sponsor DistroKid. They make the process super easy. You just upload your track, you upload some artwork, fill in a really simple form and they do the rest for you. They get it out to all of the major platforms including Spotify, Apple Music, Amazon, etc. etc. Super easy. If you want to release your music, follow the link for that in the description down below. Now, if I'm guilty of anything in my previous videos about gain staging, it's giving the impression that gain staging is this kind of mammoth task which all needs to be done in one hit before you start mixing. I hope I've put this across in some of my other videos, but it's not really true. It's definitely something I would check before I start the mixing stage because I don't really see the point in trying to mix when you're not at optimal levels with your tracks to begin with. However, it really results in me sort of sitting down for an hour before I start mixing and going, right, let's do some gain staging and going through that sort of process because it just sort of happens along the way. To be honest with you, obviously it happens at the beginning with the actual tracking or recording process and it'll happen along the way as I use plug-ins or create busses etc. So it's not this big long sort of boring task that you need to do all in one hit before you start mixing. So I apologize for that. Now, whilst I certainly don't believe in rigid numbers for levels that you might aim for in gain staging, if you do want a little bit of guidance with that or some temporary targets that you can make use of until you find your own, you may want to watch a more detailed video about gain staging which I've made. You can watch it right here. Remember, they're just guides.


Topps City in Latin America with the highest demand for English language teachers, Bogota. Colombia is a relatively fresh destination on the EFL teaching market, making it a great place to start an exciting career. Bogota, the capital city, has the highest demand for teachers, primarily at private language institutes. However the Colombian Ministry of Education, has now also started recruiting more and more foreign teachers into public schools. Bogota is a bustling high-altitude capital, which might take some getting used to for some. La Condalaria is the city's cobblestone center, featuring a range of colonial-era landmarks, including the Teatro Colón and the 17th-century Iglesia de San Francisco. Art lovers can also find a rich diversity in Bogota, especially at the Museo Botero and the Museo del Oro. Thanks so much for watching! We are ITTT, the leading provider for TEFL and TESOL training courses. If you like this video, please subscribe by clicking the button down here and click on any of the videos here on the left for more interesting teaching tips for getting certified to teach English abroad and online.