Lux presents Hollywood. The Lux Radio Theatre brings you Claudette Colbert and Van Heflin in Tomorrow is Forever. Ladies and gentlemen, your producer, Mr. William Keely. Greetings from Hollywood, ladies and gentlemen. One year ago this coming Wednesday, America and the freedom-loving people of the world celebrated VE Day, the first steps in the conquest of oppression. I think we realize then, as now we know so clearly, that the aftermath of war is marked with difficult readjustment and unusual problems. And I know of no problem more unusual and challenging, more fraught with emotional suspense than that which forms the theme of international pictures current hit Tomorrow is Forever. Starting Claudette Colbert and Van Heflin, Claudette appearing in the role that she created so superbly on the screen. On this anniversary of freedom, I'd like to read you a letter from a native of one of the liberated countries. She writes, My beloved Denmark was set free last year and contact by mail was re-established. I at once began to send packages home to my relatives. Things they hadn't seen during those five dark years of occupation. And of course in all those packages, 56 to date, we put Lux toilet soap. I wish you could see the letters of thanks that we received. You'd realize how much it means to those good people of Denmark to receive your fine product. And when I go back home for a visit next month, I shall have to make room in my baggage for Lux toilet soap. We sincerely appreciate this friendly letter. Here's the first act of Tomorrow is Forever. Starting Claudette Colbert as Elizabeth and Van Heflin as John, later known as Kessler. With Richard Long in his original screen role as Drew, Natalie Wood as Margaret and Gail Gordon as Larry. December 1918, a few weeks after the Armistice, at a comfortable little home on George Street in suburban Baltimore, Mrs. John McDonald has just received a call. You've done so much already, Mr. Hamilton, but there's nothing anyone can do. Just don't think of coming back to the office until you really want to. Thank you. I'll be back Monday. It doesn't seem possible. When did the telegram come? Yesterday from the War Department. But you mustn't give up hope. There might have been a mistake. Sometimes... My husband was killed in action November the 5th. He didn't have to go. He didn't have to. He volunteered. I did too, but they wouldn't have me. I know just how he felt. Do you? And how do I feel? How do I feel now? Elizabeth, please. He promised to come back. He promised to come back. And now he's dead. Elizabeth... Elizabeth... Lieutenant, are you awake? Huh? Lieutenant. What do you want?  Leans. What is your name? You had me moved. Where am I now? The hospital, Lieutenant, near Berlin. I heard what they said, and you see, I understand German. My case is hopeless. I don't agree with them. You've no right to let me live. Dark could be so easy, a drug, anything. Lieutenant, the war is over now. Why can't you tell us now who you are? I want to die. Elizabeth. Elizabeth. Is she your wife? Don't you want to let her know you are alive? I want no one to know anything. When you were picked up on the battlefield, there was nothing on you but that one letter from Elizabeth. Nothing. Undoubtedly you have been officially reported as dead. You call this being alive? If you had lost your arm, even if there had been blindness, we could do so much for you. Life can still be good. Yes, I have my eyes, but no face. Don't you think I know I have no face? There is such a thing as plastic surgery, and your leg will mend, but we cannot give you your name. Give me any name you like. You realize your wife has almost certainly been informed that you are dead? She's young and no children. Nothing to hold her to mean nothing, only pity. There is much more than pity. And that letter is a great love and a great need. Doctor, I'll make a bargain with you. Do with me whatever you want. I'll submit to any kind of experiment, be any kind of guinea pig you like. Only don't ask me questions, and don't try to find Elizabeth. I can try to heal you, but only she can make you whole. All right, then remember this.  I'm dead. As far as she's concerned, I'm dead. Well Aunt Jessie, how's Elizabeth? Did Dr. Jameson? She's still upstairs. Larry, this girl, this Mrs. McDonald, she works at the club. Yes, yes, I told you. But if she's suddenly taken ill, as you say, why didn't she go to her own home? Because she's all alone. Where's her husband? Killed in France, just a few days before the armistice. Larry, Dr. Jameson says she's going to have a baby. I see. Aunt Jessie, I want to do anything we can for that girl. Do you think we could keep her here until after the baby? She has no one. Doesn't seem right to make her face this alone. Of course. You're right, Larry. This is a big house. And she seems like such a nice girl. Yes, she is, Aunt Jessie. She's wonderful. I have absolutely no right to be here and you know it. It's been weeks now.  I could cry. Did you ever stop to think that maybe I'm being selfish?  Well, like going to the post office and picking up packages for you? Packages? Here, I'll open it with... Elizabeth, I'm terribly sorry. I didn't think to look. His things? From the War Department. I should have known. No. Open it, Larry. It's all right. Let him. Some letters I sent him. Lieutenant John A. McDonald. The A was for Andrew. And this... Cigarette cave. I gave him this that night in August before he sailed. We'd been a week together in New York. We used to sit and look out over the lights of the city and plan for the future. Now there's no future to plan. Yes, there is, Elizabeth. Not for John.  That's what frightens me. If anything should happen, it isn't just another baby being born. It's John. John going on. If I lost the baby, it would be John dying all over again. You won't lose him, Elizabeth. You're going to have a fine baby. And you're going to be happy again. Larry, I... You know what made me notice you at the office?  It would be nice to see you smiling again. A fine thing. I rushed home from the office early with the biggest teddy bear in Baltimore. And this is the thanks I get. All right, Paula. Oh, he simply has no manners at all, Larry. I'll have to say thank you for him. Thank you for so many things. Are you starting to get serious again? Don't you think it's time I did? I'll be going home in a few days. Home? I, um... I had an idea about that. Elizabeth, I think you should sell that house on George Street. Sell it? You can't go back. I'll admit I've been dreading it a little. Is that being a coward? No, I don't think so. Look, I've got a house in mind for you. It's an old house, a happy house. It would be a fine place for a little boy to grow up in. And Jesse thinks so too. Larry, you're talking about your house. Yours too, if you'll have it, Elizabeth. No, you was pretending I didn't know that someday you'd be saying this. Larry, for the short year that John and I were married, I was unbelievably happy. If John had lived, I might have been disillusioned, but he didn't. Larry, I'll never love anyone the way I love John. You haven't said whether or not you were married. But I want you to be sure... Elizabeth, look, the baby. I believe that boy's got a tooth. Oh, no! Well, look! Well, let me see. What? John and... So you have... Oh. Larry, what would you think of calling him Drew? Drew what, Elizabeth? Drew Hamilton. Thank you, darling. Thank you. Well, young men, just look at that birthday cake. Five candles. Drew, darling, you don't eat the cake first.  That's it. Blow! Baby brother, Drew. His name is Brian. What do you think of that? A baby brother. It just doesn't seem possible, does it, Larry? Drew, almost out of college. And Brian, halfway through high school. Can it be that I'm growing old? Oh, just distinguished-looking, darling. Judge is angry. Hello, Aunt Jersey. Drew wanted a game of golf. Hi, Aunt Jessie. Golf in this heat? I know, I know. I'm a sucker. Where's Elizabeth? Telephone. It's Mr. Norton from Washington. I think he wants to talk to you. Norton, eh? Hey, Dad, we have a game of golf. He called twice. For dinner. Important, I suppose. Sorry, Brian, but I do have to take care of business once in a while. Mr. Norton, what? Anything wrong, darling? He didn't tell you? No. It looks as if Germany's going to invade Poland at any minute. Larry, you don't... It doesn't mean more for us, does it? Maybe not. Oh, Drew. Yes, Dad? It's six o'clock. See if we can get the news. Let's see what the radio has to say. But it couldn't be war, Larry. One thing's certain. If it is, it's going to seem much closer this time. But it isn't war. Why do you keep saying that? Hurry up, Dad. It's on. Up for an invasion that may come at any moment. Preparations are complete. An invasion awaits only for the order to march. Once again, Germany threatens the world. Boy, this is it. What's the matter with everybody? Nothing, Brian. Nothing doesn't matter. Oh, Larry. Yes, dear? I've been thinking, why don't you take the day off tomorrow? We could all go on a date. Oh, I wish I could, darling, but Kessler's arriving tomorrow from London. Kessler? I told you, dear, that chemist. They say he's practically a genius. I should be at the plant to meet him. Oh, yes, darling, of course. Well, come along, everybody. I'm sure dinner's ready. Yes? I'm from the immigration office. Your papers, please? Oh, yes, of course. Now, let's see. Eric Kessler, chemist, born in Vienna, and daughter Margaret. Yeah, dear, little girl here. You're entering the country as a specialist. You're staying in New York? No, no, no. I go stay on to Baltimore to the Hamilton Chemical Works. They say they've got a lot of work to do. They've got a lot of work to do. They've got a lot of work to do. They've got a lot of work to do. They've got a lot of chemical works. There's a letter with the visa. Oh, yes. How about your help, Mr. Kessler? My help? I understand there was a delay before you were permitted to leave England. Well, my help is not the best. No, but... I just want to assure you that our doctor here says there's no cause to detain you. Oh, I'm sorry. Quite all right. You may leave any time you wish. Thank you very much. Well, Margaret? Father? No, no, not father. Father. Father. That's splendid. Come on now. We find a train. A train to Baltimore. Come on, Father. Perhaps we should not stay here. He said we would make our home here. Maybe better to go. There are other cities to find cities. Father, this is George Street. How did you know that? He said George Street on the sign at the corner. Oh, yes, yes.  Are they going to visit somebody here? No, Margaret. There's nobody loose here anymore. An empty house. Just an old empty house. Father, a man is coming in a uniform. Is he a soldier? Oh, just a postman, Margaret.  You must lose those fears. Postman, please. Yes? Uh, this house, please. Could you tell me how long has that been vacant? Oh, nobody's lived here for two or three years. Uh, do you know who had that before? Some Italian family with lots of kids. Guess it got too small for them. Yeah, thank you very much. Shall we go away from Baltimore soon, Father? No. No, I don't think we need to leave now, Margaret. We find a taxi cab in the hotel. And then I... I must see Mr. Hammond. I gave it to Aunt Jessie. Say, what's going on around here? A party. Some of Drew's friends are staying for supper. Oh, I invited a guest, too. Who did? Our new chemist, Kessler. Oh, who went from England? Yeah. Rightfully British? Rightfully Austrian. Oh. I wouldn't have asked him except his reports finished. I have to see it. By the way, dear, he's pretty badly crippled. An accident? The last war. Was he in the German army? Austrian. They both fought against us. Oh, he's a very decent fellow, Liz. He must have got it pretty badly. He wears a beard but his face underneath. Nothing but scars. Well, don't worry, darling. I'll be very nice to you, Mr. Kessler. Thank you, Liz. I'll take your hat, Mr. Kessler. Uh, if you care to wait here, sir, I'm sure Mr. Hamilton will... Oh, Ben! Mr. Kessler, is something wrong, sir? No. No, no, no, nothing. Ben, did someone just... Oh. This gentleman is seeing Mr. Hamilton, ma'am. Mr. Kessler? Yeah. You... Please, you must excuse me for staring at you. My eye's there. I'm Mrs. Hamilton. How do you do? How do you do? I'm glad you could come. Mr. Kessler was... No, it's just the heat. Quite the heart in this city. All right. Thank you. Well, here you are. Good morning. This is the celebrated Mr. Kessler. I just introduced myself, Larry. We're having drinks in the patio. I'll go check up on the youngsters and join you later. Mr. Hamilton, may I report this in the envelope? Oh, fine. You have guests. I should not stay here. Oh, nonsense. Besides, I want you to meet my boys. And just wait till you taste one of Ben's mint juleps.  More coffee? Well, if you please do. Mother and Dad deserted you. Oh, I'm afraid I deserted them. I just thought I'd stretch these crippled legs of mine. Tell me something. You are going to college? The University of Maryland. Family's always gone there. Besides, it's close to home. I... I'm looking at you and thinking what a wonderful thing it is having some. Blue. Blue, who's he looking for you? He wants to dance. Oh, thanks, Aunt Jessie. Would you excuse me, Mr. Kessler? Do. Is... Is that a family name? Oh, it's really John Andrew. They call me Drew for short. I'll see you later, Mr. Kessler. John. John Andrew. Were they left you all alone with the Kessler? I... I have been talking to your son. I never really thought that you had such a grown-up boy. Europeans all feel they have to flatter American women. We're supposed to have a youth complex, aren't we?  You know, I... I can't get over the feeling that I'm in a dream. Music, gay young people, it makes Europe seem very far away. It is far away. Europe and its wars and its problems, we must keep them far away. Let's hope you can. You don't sound encouraging. Perhaps I've seen too much. Well, you were very fortunate to get out when you did. Did you bring your wife with you? No, no, I had my wife. There's only Margaret, there's a little girl. Oh, we must bring her out the next time you come. We'd love to have her. Oh, you're very kind. If you'll excuse me, I... I think Mr. Hamilton will be looking for me about an outing with Court. Eric Kessler. I had Ben driving back town. Oh. He asked me to say good night for him. Oh, he wasn't so bad, was he? Larry, all night long, I've... I've had the strangest feeling. What? I don't know. It started when he came. I was coming down the stairs. I saw him standing there in the hall. It was just like... Well, it is. Like what? I don't know. See, the kids are still dancing out there. Let's show them we can still get around too. Elizabeth? Hmm? Oh, of course, darling. In just a moment, we'll continue with the second act of Tomorrow is Forever, with Claudette Colbert and Van Heflin. As a producer and director, I know how very important are the thousands of letters you write to your favorite stars. We want to make pictures you'll enjoy and are always eager to hear your preferences and suggestions. Tonight, we want you to meet attractive Elsie Sullivan from Metro Golden Mayor's Fan Mail Department. Tell us about your work, Elsie. Well, Mr. Keely, I'm one of the people who help Lana Turner answer the thousands of letters she receives every week. You know, she's as loyal to her fans as they are to her. What do Lana's fans usually write about? Right now, they're excited about her role in her current MGM picture. The Postman always brings twice. They're awfully enthusiastic about John Garfield, and those who have seen her in the picture compliment her on her fine dramatic performance. No wonder people are eager to see how James Cain's thrilling book, The Postman Always Rings Twice, has been brought to the screen. Another thing Lana's fans infuse about is her beauty and her glamorous complexion. And you know, Mr. Keely, like so many other Hollywood stars, Lana Turner uses luxe toilet soap very faithfully. I'm sure John Kennedy will like to hear you say that. We're very proud of that luxe complexion of hers. She's found daily luxe toilet soap facials a beauty care that really works. Recent tests by skin specialists prove that regular luxe soap facials do work. Actually, three out of four complexions become lovelier in a short time. Here's the simple, effective care lovely stars use every day. Smooth the creamy, active lather well in, rinse with warm water, splash on cold, pat gently with a soft towel to dry. Leave skin feeling softer and smoother. No wonder nine out of ten Hollywood stars say they never neglect their daily luxe soap complexion care. Why don't you try it? Luxe toilet soap is made only of the finest ingredients. You will find it a real beauty soap, ripe for delicate skin. Thrifty to use too. Each hard milled cake lasts and lasts. Why not put luxe toilet soap on your shopping list tomorrow? Here's Mr. Keely back at the microphone. Act two of Tomorrow is Forever, starring Claudette Colbert as Elizabeth and Van Heflin as Kessler, with Richard Long as Drew and Natalie Wood as Margaret. After 20 years, John McDonald has seen his wife again, a wife who no longer knows him, for he's now Eric Kessler, a man with a misshapen body all before his time. Back in his apartment, Kessler limps directly to his desk and removes a worn and much-read letter. A letter dated October 1918. I... I tried to make my letters full and satisfying, darling. And yet I want to say... I'll save the really important things till you're safely home again. I do my best with that, and I'll save you very selfishly. I saved something especially for people when we're together. It's really John Andrew. They call me through for sure. My son. He is my son. My son. Oh, Margaret, you... You aren't in bed yet? I could not sleep, Father. Did you and Mrs. Mills have a good time? It was very enjoyable. I liked Mrs. Mills, Father. Mrs. Mills came to live with us. She's a fine housekeeper. Did you have a next-level time, too? Yes, very. They tell me next time I must bring you along. All right, now run along to bed. Be medicine. I'll get you some water. I am not going to take my medicine. You will not get well unless you do. Well, I'll take it later then. You... You are almost like my real father. And I love you. Margaret. More coffee, Elizabeth? Well, thanks, dear. The doctor absolutely forbids it. So I'll take half a cup. By the way, Larry, how was you, Mr. Kester, getting on? Oh, he seems all right. Just tired out, I guess. I thought of asking him down tomorrow, Elizabeth. It's Saturday. A little change will do him good.  She might enjoy the swimming pool. Well, what's the matter with your elders this morning? Drew, we'll look at him miles away. Hey, wake up. Well, you've already touched your breakfast, Drew. What's the matter? Well, there is something on my mind. I think I know what it is. So do I. Oh, that's true.  It isn't, Judy, mother. It isn't anyone. It's... Well, I want to join the RAF. What? The Royal Air Force. You join up in Canada. Get your training there. Oh, please, Drew. Who put this insane idea into your head? If it's Pudge Davis... It isn't his idea. It's mine. You want to be a hero, don't you? Do you know what happens to heroes?  Maggie, I won't go through with this. I can't... I remember the last war, Drew. I know something about it. I've got to be getting to the plan. Suppose we talk about it tonight. We won't talk about it ever. We are, Dan. Goodbye, mother. Aunt Jethy. Oh, wait a second, Drew. Doesn't that's what I'd like to say? I won't let him go, Larry. Darling, you're upset. Later on, when you feel better... I'll never feel different. They know about this. Darling, no father or mother likes to see his son go to war. But they hide their feelings when he does go. But there's no war he hasn't been called. You can't ask me to give him up. I don't want him to go any more than you do. But in April, he'll be 21. Then he won't have to ask our permission. If anything happened to Drew, it would be John dying all over again. After all these years? Oh, darling, no. I had forgotten it. You did that for me. But it mustn't happen to Drew. I couldn't live through it. Darling, he hasn't gone yet and nothing has happened to him. Larry, help me. Help me, darling. Talk to him. Try to make him understand. I wish I could. I don't want that to be the last thing I can do for you. I'll try, Elizabeth. Thank you, darling.   It's, uh, it's calculus, Mr. Kessler. Oh, where's Margaret? Well, your brother's teaching at the pit horse. You see, she's quite overcome. Um, Mr. Kessler, what do you think about the war? The war? Well, since you've just come from Europe. What do you think? For one thing, that it isn't a phony war. I think Germany means to swallow up all of Europe. Yeah, but not America. That's where you're wrong. Germany means to feel on the whole world. She's, she's trying to... I'm boring you. That's the last thing you could ever do. But, you guy, I'm not an authority. What does your father think about all this? Oh, we, we started to talk about it yesterday. I guess we didn't get very far. But, uh, I know how much I can do for you. But I, I know how mother feels. Any talk of war upsets her terribly. I wish I was sure I knew what the war's all about. Well, it's about what the Nazis call the new order. Superman and slave people. The dark ages. But you can't do that to people now. They won't take it. There's your answer. And there's your war. Yeah. Yeah, I suppose you're right. It's as simple as all that. Hello? Mr. Pudge on the phone, sir.  Thanks. Pudge. You don't say. Petunia and Kristen's mom. Brian Carter. Oh, Drew. That phone call before. What was it, dear? Oh, nothing. That doesn't tell us very much, does it? All right then. It was Pudge. He's, he's going to join up as folks are letting him go. The RAF in Canada. Well, I don't see why you couldn't tell your mother that. Because he wants to go too, Aunt Jessie. That's why. You, you want to join the RAF? But America's not at war. Do you think we won't be? That's what Mr. Kessler and I were talking about, weren't we? Well, not exactly. No, ideas, Mary. I, I think you should explain to your parents. I, I made no effort to influence. Drew, Mr. Kessler is a European. This is a European war. The country is in vile. He didn't expect you to apply his views to us. No matter how sympathetic you may be. Please, mother. When a new world is being born, nothing can stop it. And that's what's happening. A new world is being born. You've got to make up your mind. Do you, you want to help it along or hold it back? I've made up my mind. Excuse me, please. May I be excused, your mother? No, you may not. We, we had a guest, Brian, and I'm sure Margaret would like some more ice cream, wouldn't you, dear? All little girls like ice cream. Particularly pink ice cream. When I was a little girl, Margaret, I... Uh, Milibus, the children don't have to wait for coffee, do they? I know. Well then, come on, Brian. Let's take Margaret to the playroom.  Well, everybody just trying to change the subject. After all, mother, Drew's old enough to make up his own mind.  I can't help it. Not with this thing about Drew hanging over me. Oh, please, dear. Maybe Mr. Kessler thinks this war is a noble struggle for a better world. But I can't see it that way. I can't see it in terms of anything but my son. Don't you think I feel that way, too? No, I don't. I don't think you do. Do you know why? Because Drew isn't your son. And if he were you, you'd feel the same as I do. He is my son, Elizabeth. From the moment he was born, he's been my son. And you're able to let him go? I'd let him do whatever seems best to him. Go or stay. Perhaps we'd better talk about this later. That's not what he wanted to say. I'm sorry. Please, but I don't want you to misjudge my wife. Am I right, Mr. Hammond? Couldn't a boy do this, not know you are not his father? Yes. When Elizabeth's husband was killed, she was all alone. If I and Jesse and I, together, we tried to help her through a pretty tough time. I fell in love with her. I was determined to protect her always. It seems I've failed in giving her devotion and love. To boy, too. But I can't be the one to send him to war. Elizabeth must do that. Yes. Oh, Dad. Yes, Drew? Where's Mother? In the house, I think. Well, I want to apologize. I'm sorry. I'm sorry, too. Mr. Kesser, don't get me wrong, please. Mother's been perfectly swell about everything else. It's just this fixation that if I ever put on a uniform, I'm good as dead. No, I understand it very well. I think I've seen that. Oh, Mrs. Hammett? I was just looking for the children. Could you spare me a minute? Yes, of course. There's something I must tell you because, unfortunately, you seem to have made yourself a part of what's really a family affair. Oh, I'm very sorry. Now that you know that I was married before, that my husband was killed in the last war, you should understand how I feel. It's as though something was saying, we'll give you a little rest between blows, but only enough to make very sure that you're conscious and able to feel the next one. We won't start another war until your son is just old enough to be killed. That should happen, it isn't it? I wish I could have you. Oh, Margaret! Margaret, where is she? I'm tired! Well, it's just my toy gun, Mother. I thought you'd like to see all the words. Oh, child, I'm to the dead. Margaret, I'll take you there. There, there now, dear. What is it, Mrs. Hammett? What happened? Please, please, it should be all right. You've done it.  I'm tired, I'm tired. Father, I thought you were her father. No, no. Brian, may I see that gun, please? Look, darling, it's nothing but a toy. If you could take it, it makes an explosion. You didn't expect it, that's all. That's why you're fighting. It's very heavy, it's very heavy. Margaret, Mother, please. It's nothing about blood. She remembers the cycle of blood. Surely she didn't see it. Yes, yes, she did. Margaret's father was a very great doctor. He saved my life during the last war, even though I had no wish to live. He was more than a great doctor, he was a great man. And while Margaret must call me her father, because that's the only way I could get her out of Austria, she must never forget that he was her father. That is something to be very proud of. I never do forget. When the Nazis came, they found him a very stubborn man. Dr. Ludwig believed that when you call to find a man's wounds, you don't let him bleed while you question his political beliefs. They kill him for that? Yes, they do for that and his wife, because she tried to save him. But when a man dies, his life goes on if he has a child. Margaret must carry on and never, never be afraid of anything. I'm very sorry. I made a disturbance. I apologize. We've already forgotten it, dear. So must you. No, I think it would be best if we start for home. But it's early. If someone will please get Margaret's things. I'll get them. Well, not that way, too. I know where they are. You must leave. Yeah, I think it's better. Well, I'll get the car. Mr. Kessler, I'm terribly sorry. About Margaret? It's shocking to know that a child has suffered so. I'm sorry I was rude before. I was going to ask you not to come again. I'm terribly sorry. No, no, no, no. It's just as good that I don't please. I understand that. Well, that's very generous of you. Goodbye, Mr. Kessler. Won't you shake hands? Yes, of course. Goodbye. Goodbye, Mr. Kessler. Elizabeth. Elizabeth? Yes, Aunt Jessie. What are you looking at out of the window? The tree's on the hill. I'm beginning to turn it. It's warm for October. John loved this time of the year. We used to take long walks in the woods. I can still feel the leaves crunching under our feet and smell that smoky things that hung over everything. What makes you suddenly start to talk about John? I don't know. Perhaps it's an anniversary of some sort. No. No, it isn't. Don't care. We have no unusually strong hands. Who? Mr. Kessler. I can still feel his grasp. We pause now for station identification. This is CBS, the Columbia Broadcasting System. In a few moments, we'll return with a third act that tomorrow is forever, starring Claudette Colbert and Van Heflin. And now, here's our Hollywood reporter, Libby Collins. Looking a little dreamy, I'd say. What is it, Libby? Bring fever? Not exactly, Mr. Kessler. I'm still thinking of a movie I saw today, RKO's new picture from this day forward, starring Joan Fontaine and Mark Stevens. It's such a human tender story. It seemed absolutely real to me. Oh, from this day forward, that's the picture about the trials and tribulations of a young married couple. Yes. And Joan Fontaine plays just an average girl faced with everyday problems. A change from her usual type of role. Knowing Joan, I am sure she plays the part with far above average dramatic ability. Yes, you can always count on Joan for that. As if it weren't enough just to look at her. She really is exquisitely lovely. I should say she is. She has such a charming voice, and what an expressive, beautiful face. Joan Fontaine's one of my favorite actresses. And Mr. Kennedy, that conflection of hers. What a perfect example of what we mean when we say a lovely luxe confection. Maybe we aren't proud that Joan Fontaine has been a luxe girl for years. To quote Joan herself, luxe-oak facial leaves skin softer, smoother. A quick, easy confection care that really works. We appreciate a tribute like that from beautiful Joan Fontaine. Women everywhere find that screen stars are right. Daily active leather facials with luxe toilet soap give skin fresh new beauty. And like the Hollywood stars, they use this gentle complexion soap as a bath soap too. Here's what they say. A luxe soap beauty bath leaves skin fresh and sweet. Makes dating assure. I love the delicate perfume that creamy leather leaves on my skin. Why not get some of Hollywood's own beauty soap tomorrow? This fine white soap can be used down to the last thin sliver, so please don't waste it. In these days of shortages, it's important to make each cake of luxe-oilet soap last as long as possible. And now, Mr. Keely returns to the microphone. Here's the final act of tomorrow is forever, starring Claudette Colbert as Elizabeth and Van Heflin as Kessler, with Richard Long as Drew and Natalie Wood as Margaret. Six weeks have passed. On a bleak December afternoon, Elizabeth sits in her room in her hand-lossen pictures, snapshots of 20 years ago. December 15th, 19th, 2020. Jesse! Yes, dear? Aunt Jesse, I'm taking the car. I'm going out. A half hour has passed.  As in a daze, she lingers on the wrong steps of the porch and word-spoken, long ago, seems suddenly spoken for the first time. Yes, John. Mr. Kessler. Yes, I'm all right, then. I... I was passing. I thought that was you. I used to live in this house. Oh. With John. This is where we came after we were married. This is where we said goodbye, where I got the telegram telling me he was dead. Oh, I'm sorry. I didn't mean to intrude. You... you come here often? This is the first time I've seen this house since I left it in 1918. Why are you here? I was only passing from the public library. I saw you here. Is this some occasion? Oh, yes, this is an occasion. December 20th. This is our wedding anniversary. It's a long time to remember. That means nothing to you? December 20th? No. No, I shouldn't. He said he'd come back. He said I'll come back. I promise you I'll come back. They all say that some of them could not keep their promise.  Suppose all these years he's been alive but not wanting to come back to me because of something that happened, some wound, some dreadful heart-breaking wound that made him ashamed to show himself to me. Well, that would have been so wrong of him, you know, so cruel. You torture yourself so quietly. Suppose he were still alive. Suppose incredibly as it would be, he would choose for whatever foolish reason not to come back. You haven't suffered all these years. You've been happy. Yes, I've been happy. You have a husband and two fine sons. You have a good life and you should keep it so. You don't think I should tell Drew that Larry is not his father? No, I do not. You don't think he should know? Would you want him to lose his father twice?  What is the good in that? You said you were at the library. Yeah. Why didn't you use the library at the plant? Let me see that book. Is this Hamilton? Yes, I'm right. It says property of the Hamilton chemical works. You weren't at the public library. You lied to me. You're charming, Donald. I am Eric Kessler, an Austrian chemist. All my life I have worked at my profession except for a few years when I was a soldier. I have good reasons to remember those years. So about it. I have told you who I am. There's no need for you to hide further. Good day, Mrs. Hampton. Good day, Mr. Kessler. Mr. Hampton left word there with some papers for me on the desk. Go right in, Mr. Kessler. His son's in there too. Oh, oh, Drew? Hello, Mr. Kessler. Just leaving a note for Dad. Oh, he'll be back tomorrow, possibly tonight. Say, you look all in. Of course, perhaps. Are you getting on with your car keys? Oh, much better. You see, in order to fly, you have to fly? You haven't set in that business yet? No. No, but soon. Well, take care of yourself. Huh? If I do? Oh, that note on Dad's desk. You sure he gets it, will you? Yes. We'll be straightening out the formula tomorrow, Mr. Kessler. It's nearly midnight. Ah, let me see that text. But you're not well.  Oh, wait a minute. Telephone, sir. It's Mrs. Hampton. Mrs. Hampton? Oh. Hello? Yes. There's no way of knowing where he is in Washington, Mrs. Hampton. But, Drew? Well, yes, late this afternoon. Naturally, you're worried. Perhaps I could find out where he's gone. I will immediately. Good night, Mr. Hampton. Hello, Drew. Mr. Kessler. What are you doing at the station? That's just what I was going to ask you. Excuse me a second, fellas. I'm, uh, I'm seeing some friends off. You're going with them to Canada. Yes. You're not going to try and talk me out of it. That's why I'm here. Well, save your breath, Mr. Kessler. Say, how did you know I'd be here? You left a note. That letter was for my father. Yes. I know, but I had to find out where he'd gone. Why? What business is it of yours?  I know, Mother. This is the only way to handle this. You'll get over. We're getting on now, Drew.  Well, I'll take that, please, Stu. It's not going. Now look, Mr. Kessler. I'd like to have that ticket. See you at the gate, Drew. I said I want my ticket. You could take it for me, but I don't think you will. All right? All right, I'll go without a ticket. Stu, no. If you get, you're still underage. You could be stopped legally. I don't want to call that policeman over here. What? April! Sorry, fellas, but my nursemaids come to take me home. I'll see you in April. All right, General. Satisfied? Yeah. And where do we go now? Where you belong. Home. Hello, Aunt Jessie. Drew, your mother's been so anxious. Good evening, Mr. Kessler. Ms. Hammond. She's upstairs now, trying to reach your father.  Elizabeth will want to see you and thank you. Oh, no, it's very late, and I'm tired. What? Not coming up to make you report? All right, thank you. All right, enough to do that yourself. All right, Mr. Kessler, you're ill. Drew, take Mr. Kessler's fire. No, please, it's nothing. Please, it's nothing at all.  And tell her Mr. Kessler's here. Here. Here, Mr. Kessler. Drink this. Thank you very much. Can I call a taxi cab, please? Taxi cab, you're taking off that wet coat and you're going to rest. I insist. Mr. Kessler. Oh, Elizabeth, Mr. Kessler was going away without seeing you, but I made him stay because he looks so ill. You can see for yourself. I have some things here I want you to look at. Elizabeth, that box. Those things, they have John. Perhaps you can identify them, Mr. Kessler. The cigarette case, for instance. Read the inscription. Read it. To John from Elizabeth. With all my love. Do you remember? Mr. Kessler, all this worrying over Drew, it's got a thoughts traveling back. Elizabeth, put those things away. Do you remember? How could he remember anything about a man he never knew? Oh, but he knew John. I can't say. In the war we took many prisoners. He knew him very well. He killed him. Elizabeth. A soldier fires a bullet. Who can say what mark it finds? I think you're being most inconsiderate, Elizabeth. Mr.  Why don't you thank him and let him go home and get to bed? That's where we all ought to be. No, not yet. Well, I'm going. And I'm taking this box. Good night, Mr. Kessler. Is there anything I can do for you? No. No, thank you very much. Elizabeth, I think you're being positively morbid. There's a picture in this cigarette case. Look at it. It's very beautiful. That's what you said when I gave it to you. If you want to believe that I am John McDonald, you can persuade yourself that I am. Please. Please, won't you tell me the truth? This is the truth. You can stop living in the present if you want to and reach back for the past, but you'll never get back what you lost. You'll only lose what you have. Why didn't you come back? You promised you would. Why didn't you tell me? Was it because you'd been hurt so terribly because you were afraid that I'd turn from you? Didn't you know how I needed you, what had happened as long as you were alive? John, don't you remember how I loved you?  There was no one in the whole world but us. It's a wonderful thing to have been loved so much and then so, so remembered.    Say it. Do you think any man in his senses would want to give back this shattered body to a woman in this story that memories of 20 years? If I were your husband and if I had come back, that is what I would say to you. John. I am not John. But please, I will tell you why you want me to be John.  And now your boy, like their father before him, wants to go off the war. And you're terrified. It is not John you long for. No, you want the bright, careless youth he stood for in your mind. I come into your life, a survivor of the war, a man who may still be alive because John died.  You see, you will not even let your son escape from the dead. You will not set him free because you yourself are not free. Your chain to the past and the past is beyond our reach. We must learn to forget that. You and I, everyone, we must live for tomorrow because tomorrow is forever. Thank you. There is the man you're waiting for, Mrs. Hamilton. No other man is your husband. I'm here, Larry. Hello, darling. I finished up in Washington sooner than I could. Kessler. Mr. Hamilton. Nothing wrong, is there? No, no, nothing. It's about your son, Drew. Drew, he's not hurt. No, he's upstairs. I'm going up to him now. Mr. Kessler will tell you what happened.  It's nothing. Good night, Mrs. Hamilton. I know it's late, but tell me, Drew. Well, he tried a little experiment. He thought instead of waiting until April, he would declare himself of age tonight. That's all there was to it. Good night. Oh, it's pouring out, Kessler. Won't you let me go? No, no, no. A little walkin' ain't it? Do you know how? Are you all right? Oh, yes, not, Jesse. What's that in your hand? A cigarette case. It belongs in that box, not Jesse. He'd disappear. And now I have something to say to Drew. Drew? Come in. Oh, well, go ahead, Mother. I guess I've earned a balling out. Darling, if you take the early morning plane, you can catch up with Pudge in New York. What? Mother, you mean... you mean you're really going to let me go? Is that the bag you brought home? Oh, really, Drew?  Mother, there's no law against my saying. You're pretty swell, is there? I can't take credit for this, darling. It's Mr. Kessler. Kessler? Yes. He made me see a lot of things. Oh, gosh, Mother. After the way I talked to him. Oh, Drew. But I thought he was butting in. I didn't know that... Oh, look, Mother, you will explain. You'll know what to say, won't you? Yes, darling. I'll know what to say. I'll see him tomorrow morning, as soon as we put you on the plane. But if he wanted me to go, I don't see why he brought me home. He brought you home so that I wouldn't let you go. Good night, darling. Hello? Hamilton resident? Mrs. Hamilton, please. I'm sorry, ma'am. Miss Hamilton's gone to the airport. Who shall I say is calling? I'm Mr. Kessler's housekeeper. Tell her... Tell her that... No. Never mind. I... I'll call Victor. I'll get you home early this morning, but they said you'd gone to the airport. But only last night, Mr. Kessler. When did it happen? Who are you? Mrs. Millsman, his housekeeper. I look after the little girl. Oh, it isn't possible. He... He must have died shortly after he returned home. I... I found him here on the floor this morning. There was something next to him. Ashes. As if he'd burned something. A letter. A letter. Oh, Margaret. Margaret, darling. Everyone who'd been honest to me died. Oh, my baby. You're poor, darling. How... How did you get here so soon? You knew I was coming? He said if anything ever happened, he would come. Yes, darling. Yes. Come. Mrs. Mills will help us. Come with me. Calm down, darling. We're going home. Now that Tomorrow is Forever joins our list of happy yesterdays, here are the stars who made the play so vivid and experienced. Claudette Colbert and Van Heflin. Thank you, Bill. I'm so happy that our cast included Richard Long and six-year-old Natalie Woods. They were splendid in the picture. Especially when you consider that it was the first screen appearance for both of them. And their first appearance on our stage tonight. Claudette, I understand that you're especially interested in the current drive for student nurses for our hospitals. Indeed I am, Bill. Two out of three hospitals throughout the country are without sufficient nursing care. And the only way they can fill this gap is through more and more young women taking up careers in nursing. Well, what's happened to all the Army and Navy nurses who should be returning to the hospitals about now? They still can't handle the number of patients that they have at present. And nursing is a career that has dignity, finds social standing, and good salaries. I know that in the service here and overseas the nurses did a great job. Well, I agree with that. They set a high standard for the women of America. Bill, what have you scheduled for Luxe next Monday night? Well, I'd be glad to tell you in return for the answer to a question, Claudette. Oh. Now, if that's the question about my complexion, Bill, the answer is yes. I've been a faithful user of Luxe toilets over years. And with that complexion, that's quite a compliment for Luxe. Indeed it is. And here's the news for next week. We're inviting our audience to chuckle and relax with one of the screen's most entertaining comedies, Pardon My Path, starring in one of his most amusing roles to date, that amiable gentleman of laughter, Fred McMurray. Fred appears co-starred with Marguerite Chapman, also from the screen cast in a rollicking story of mistaken identity with an equal mixture of suspense and action and romance. Well, that sounds like a great treat for your listeners, Bill. Good night. Good night. And all our thanks to both of you. Our sponsors, the makers of Luxe toilet soap, join me in inviting you to be with us again next Monday evening, when the Luxe Radio Theatre brings you Fred McMurray and Marguerite Chapman in Pardon My Path. This is William Keely, saying good night to you from Hollywood. This week commemorates four years of service on the part of Hollywood stars and studios in contributing their time and talent to shortwave broadcasts to our men and women overseas. And with the cooperation of the entire motion picture industry, Hollywood stars have pledged their continued free appearances on broadcasts to Army and Navy personnel as well as to veterans in hospitals throughout America. Claudette Colbert will soon be seen in the RKO picture without reservations. Van Heflin appeared through the courtesy of Metro-Golden-Mayer, producers of A.J. Cronin's The Green Years. Richard Long will soon be seen in the international RKO release, The Stranger. This program is broadcast to our men in uniform overseas through cooperation with the Armed Forces Radio Service. Our music was directed by Louis Silberts. And this is your announcer, John Milton Kennedy, reminding you to tune in again next Monday night to hear Pardon My Path with Fred McMurray and Marguerite Chapman. The Sprye Treat of the Week. Sprye Chocolate Nugget Cake, clip Sprye's miracle recipe for this rich chocolatey cake from the May issue of Good Housekeeping. Make it quickly, easily with sensational new Sprye with Cake Improver. For all you bake and fry, rely on Sprye. Be sure to listen in next Monday night to the Lux Radio Theatre presentation of Pardon My Path with Fred McMurray and Marguerite Chapman. And why not tune in a half...


So here we are next to a rainy river our natural environment for working on code Yeah, and this one's gonna be on DevTools. So it's DevTools rain and boats. Nothing synthetic about this in the slightest Right, so today we're talking about responsive toolbar now for a while in DevTools We've had device mode which has been useful for like building responsive sites This is sort of an evolution of that tooling So some of the new things we've added our support for this little toolbar that lets you toggle between like different mobile sizes Like medium large tablet desktop, but we've also improved at device emulation So if we switch over to Nexus 5x for example, you now get a little bit of device artwork from Android showing on the top and the bottom Yeah, and then they've added an extra little drop down where you can then say you want portrait with a navigation bar Which is like Chrome's URL bar, but you can also do portrait and landscape with keyboard as well Which is kind of nice, especially if you're doing like form input just to see how it renders Nice little step up as well. That's kind of cool You also have a drop down for being able to say, you know How much of the viewport you want to occupy for your actual device preview and we've got this little menu with a few extra options in here So one of the things that you might have tried out before is the show media queries Option super useful it basically like parses out the media queries in your page And you can just see what your page looks like at different different media query breakpoints I already have some beef with this because if you try and use it as is After you've selected a device it doesn't nothing But if you go to the responsive mode and drop down and then click on it, then it starts working. What are you talking about Matt? It's all perfect. It's all perfect. No, it needs an issue. Okay, you file a bug on that Other things that we include in here include Show device pixel ratio so you can switch up your device pixel ratio settings Another thing that I usually have on is network throttling So if you're building to be resilient against like really flaky network conditions or li-fi or anything like that Network throttling can be useful to toggle on Usually you can have on like a good like 3g or 2g setting and that just means that when you're loading up your page We're gonna throttle that connection and it'll show up It'll load up a little bit more slowly and it's kind of nice just having that there because otherwise You bury it in the network thing. It's way too easy to leave it on some random setting start looking at the elements fixing other problems It's nice just having it constantly there in the responsive mode You can also like let's say you're building an app like a progressive web application and you've got service worker support You can also switch on offline to try out your service worker and just make sure it's working well offline It would be great. There's just like one button like disable internet. Yeah, just it's just the airplane icon That's what you need done Folks we're asking about ruler support. So we've got a show rulers option there wasn't there before it's now back You can check that out for you like rulers Some of the newer stuff that we've been playing with are the ability to trigger add to home screen So let's say you wanted to emulate your application manifest experience You can click trigger add to home screen. It'll bring up this message at the very top That says, you know add this site to your shelf to use at any time You can click add and it'll bring up a little prompt that says okay Well, what do you want to customize the name of this thing too and the idea behind this is that it's supposed to Like just emulate the add to home screen experience you get on Android Yeah, and it's kind of annoying because before you'd have to do it on your phone You need something to download the manifest file and normally the reason you'd want to do that is because if there's a problem in your manifest file And Chrome wasn't happy it wouldn't pass it and it's just tricky to debug so having this like Hard way of just saying go and download it and pass it is Insanely helpful when you just do it as a reminder We also have another little panel called sensors which lets you go and emulate different sensors So like you can emulate geolocation coordinates device orientation And you can decide whether or not you want to emulate touch based on your device or whether you want to do force touch force enabled Yeah, that's about it for the responsive toolbar and the new device mode. Yeah


Ferulic acid, FA, is a natural phenolic phytochemical found in seeds and leaves that provides rigidity to the cell wall and forms other important organic compounds. It exhibits various biological activities such as antioxidant, anti-inflammatory, antimicrobial, and anticarcinogenic effects, among others. This article was authored by Nuresh Kumar and Vikas Prudhi.


What's up, everyone? It's your girl Kenzie here from Leighton Sports Cards, and I'm ripping a personal for Eric W. We've got a 2022 Panini Donress Optic UFC Hobby Box. All right, best of luck, Eric. Here we go. We do carry hockey. I think the only thing we have hockey right now is going to be update series. And that, I believe, is a ship it only option. Yeah, we don't have any available for rip it right now. Statio, unfortunately. I'm excited for this. Good luck, Eric. Thanks for your order. I'm looking forward to ripping one of these. Bullet of Shevchenko. I met her at the Panini Party. Really? Yeah, she's so pretty. She's so tiny, but let me tell you.  Oh, yeah. Like, it's crazy. Nice Nigerian nightmare. Usman. That's cool. Do you have Nickname's auto? Also known as. Let's see. It looks like we have our auto. Got the Dominators of Inganu. Oh, 46 of 49. It is a Rated Rookie Blue of MoMovsa. I have a lot. I believe. Nice Rated Rookie on the blue. I like the blue. That's sharp. To 49. That is, let's see, he is a featherweight. Featherweight. Maybe up and coming Friday there. Featherweight. Yeah. Oh, no. Andre doesn't have. I feel like she had dreads at one point. I'm trying to think who you were thinking of. We've got red of Tito Ortiz on the light heavyweight. Red that is 183 of 199. She had like green. She had like color in her hair. She had like dreads, but there was like color. Not this one. Vera. My house Brock Lesnar.  I might have to buy me a box of this. Man, just look at how ripped he is. Like that's a bad dude. Brock Lesnar. Oh, yeah. That's a bad man. Rated Rookie of Mourno. I love heavyweights. Strong heavyweights. Yeah. That's some power. That's some power being around. Oh, for sure. We've got a my house Patty Pimbalet. Nice. That is seven out of 99. Patty the baddie. Nice numbered Patty there for you, Eric. That red color matches. It is. It matches his shorts. I don't know what to call those. His shorts. It's tights. It's tights. It has underwear. We've got Hollow Rated Rookie of Lee Gingley. Gilling. Gingley Young. I like Giorgio Malley a lot too. Yeah. Giorgio Malley or Sean O'Malley. Sean O'Malley, sorry. Aspenal, I was about to say. Coleman on the hollow. Oh my gosh. You know who Giorgio Malley is? Giorgio. You watched Grey's Anatomy? I love it. There he is. Sean O'Malley right there. Kabebe, Holly Holm, Izzy Stargazing. I love that show. Rose always like, I should stuff like this. I'm like, what do you mean? Oasis of the Octagon, Megan, Olivia, all of you. Broadcaster and Hollow of Shogun Rua. I love it. Ferguson. Like why did I just say Giorgio Malley? I don't know. A figure. My mom, my sister's been watching it. She's like, she only has some on the TV. Yep. See, we got Blue of Jan Blasovic. Blasovic. Sugar George. Three of 99, 007. I know, right? Why did he have to die, man? I loved him. We've got My House, Charles Oliveira. My favorite character by far in that show was Santos Dawson, Hollow of Vieira. What's her name's man that she pulled the plug on? Danny? Yes. Yeah. Oh my gosh, I love Danny. My House. Rose. Thug Rose, my girl. I'm going to see her fight again. Right now, Murphy. Hollow Barak Lester. Nice one there. Shanko, 80, Costa. Nice. Izzy Adesanya on the Dominator's Hollow. A couple packs left. Let's see another number card. And we see one. Nice one too. Dillishaw. We've got Black Velocity of Max Holloway. There you go, Eric. Nice one there. Wow. 14 of 39. Black Pandora, sweet. This means Black Velocity. I like the Pandora too, though. Man, he got messed up by, who was it? Was it Volk that he last fought that like literally his eyebrow was like in two. It was crazy. And last one here, we have a Glover to share on the Stargazing. All right, Eric, that'll do it for your box. Thanks again. That was a fun rip and we'll get these right out to you.


Many people enjoy listening to the early morning melodies of songbirds. Have you ever been dazzled watching bats in the evening sky as they search for food? Wildlife endlessly amaze people. However, our winged friends and other wildlife species can be vulnerable to human activities such as the installation of water developments. Wildlife will drink or bathe in water developments. Their safety can be jeopardized when there is no method to escape or the water is low. Land managers have recognized the need to install reliable wildlife escape ramps. A few considerations for building and installing inexpensive escape ramps include Extending ramps to the wall of the trough to enable animals swimming around to find the ramp Extend ramps to the floor to allow animals access to the ramp when water levels are low Secure ramps to the rim of the trough Ramps should have a slope no greater than 45 degrees to allow animals to climb out with relative ease And install a ramp every 20 linear feet along the perimeter To learn more about wildlife escape ramps and considerations when building and installing them Contact your local extension office From the University of Wyoming Extension, I'm Wendy Kelly, Exploring the Nature of Wyoming


Oh, that's unfortunate. You know what? I'm just gonna make a read. Shocking speed. What? It's away. Oh, go get it in the back. How's it going, everybody?  Just like last time I put out a post on Twitter asking people if they were around for games, a lot of people responded. So we just picked a lobby, went to it, and now we have the entire arena match basically filled up at this point. It is absolutely wild. This time to differentiate this public lobby video from the last couple we did, I thought it would be a fun idea to play whoever my opponents team was on the previous round. So basically the way it works is I will pick my main team and then in my first match, I will pick my opponent's team for the next game after that and so on and so forth. That about sums up everything I wanted to say about the arena matches before heading into them. But really quickly before getting into it, I do want to shout out our sponsor for today's video, Raid Shadow Legends. If you weren't already aware, Raid Shadow Legends is a dark turn-based RPG that features a wealth of different champions to pick and choose from and later customize. Each and every single one of these champions has an insane amount of work put into both their model and special moves, which both go a long way in making sure that the combat stays fast and fun to watch. And those are just really a few reasons of many that I'm so excited that Raid Shadow Legends is now available on both your mobile devices and your desktops and with the added bonus of cross-play between the two platforms. If you're just looking to get started in Raid Shadow Legends, right now is actually a great time because you can claim free champions and more with Amazon Prime. Log in to Raid Shadow Legends and sign up before January 12th to claim 2 million silver and 700 energy. Future drops will run through April and include champions like Whisper and Vala along with free shards, XP boosts, legendary artifacts, potions and everything else you need to take on your rival summoners. Claim your loot today for Amazon Prime members only. To claim this loot, just install Raid from the links below and follow the instructions inside the game. Go to the video description, click on the special links and if you're a new player, you will get an additional 100,000 silver, 2 clan boss keys, 10 mystery shards and an additional free champion, a judicator. All of this treasure will be waiting for you here. Thank you once again to Raid Shadow Legends for sponsoring bigger videos like this, I greatly appreciate it. And I sincerely hope that if you try the game, you thoroughly enjoy it. But now let's get back into those arena matches. The question is, can Krillin stand up to the team, dude? Let's back it up, throw out a beam assist. I'm a Yomchi in. Oh, the Yomchi assist is always perfect. Now granted, they say, oh, I ran out of jumps.  Never mind, I shouldn't have, I should have kept blocking when I threw out that key blast. I knew that. He's swinging. Oh, the down heavy range is not immaculate by any, by any meaning of the word. Hey, come on now. I know you guys, the good thing about these videos is that I know these people watch my videos. So I know that they're going to try to drag and rush me. Now granted, they're doing it because I can't take them. So I don't know if it's really that good of a thing, but we're just going to, we're just going to be on the lookout. We're going to try to take 100% of dragon rushes, whether or not that's going to be possible. I can only hope it's all didn't hold the buttons. I think he might have gone for a guard cancel. Didn't work out though, because I was really clicking them loosely, leaving a lot of space in between. Back it up. I'm going with the Archie, did jump. All right, we need to get Krillin out here. His assist is not looking too nice right now. Got hit by a beam. Oh, you're dropping it. Oh, calm down, you'll calm down, Vanish. Hold this. Oh, Krillin's not tall. That sucked. Krillin wasn't tall enough to confirm there with the standing yell, and also didn't have long enough arms to actually hit with the dragon, not dragon rush down heavy, sorry. Are you going to drag rush me again?  That really the best analytics here. Super dash. Oh, what are you doing? 6-M. Where's Yamcha? Is my button's broken or is Yamcha just not listening? Not hitting the call, Yamcha? Where was the man? My dude was slacking on the job. OK, Yamcha, I see you. Hold on, we still got him, though. There we go, Yamcha. That's what I like to see there. And another down heavy. This is the power of being six foot tall. I actually don't know how tall Goku is canonically, but that didn't kill. Oh, I think it would have. I think it had one more tick left. But we're in a good position to win this game. We're going to start off with a beam. Oh, check that. Block it. Negative on block, huh? Let's go. When is he going to spark? I'm trying to get one last good read-in. Is it right here? Oh, your boy still has the reads. Down heavy again. Is this going to be death, though? Ah, that wasn't death. I should have done a cooler combo. Could have blocked it. What's the mix? What's the mix? What's the mix? Oh, I thought Fanek. I thought it was definite Fanek. EX Afterimage scaring me since 2001 in this game for about 18? Yep, sounds about right. This is level three. What's the Goku-Rose level three Okie looking like? I actually do not know. Is it good enough to stop a random level three? I didn't think so. I did not think so. There are many things that are good against that. All right, so let's remember his team, because we do have to play it. OK, interesting. This is a rare zero bar connection.  All right, let's go. Vegito in the flesh. What are we looking at? Only four for it. That's a zero bar connection. Oh, there's two of it. That wasn't me. I'm the Vegito in the black. All right, this is confusing. All right, we're in there. This is not optimal. Vegito fans are really shaking their heads right now. Vegito fans are not liking that. Getting a hit in the corner and not capitalizing? In what world is that the Vegito way? I was trying to do shields up. I didn't necessarily work out like I'm not the 100% tech rate already. It's already down the drain. Getting tossed, that's fine. He is down. I stood up. I stood up because I saw the assist. I thought he was going to go overhead. Is Vegito already dead to lead? Six bars built, so he is dead. It's just a matter of how dead. It's going to take two bars. Let's go. That's a win in my book, baby. Two bars down, that's called a win. Let's see how much we can get done with two beam assist and a sparking advantage. Beam assist come out. Let's go. Jump, catch the tech. Oh, you're done now. Welcome to the corner. I'm going for it all. Combos. I hate myself. We're back at it. Oh, oh yeah? No down heavy. That was air tight. I could not fit one in there. Got counter hit by the super dash. Oh yeah, but what about this panic vanish? No, I'm taking that. You were a bit above the ground. I get to mash. Two bars should hopefully kill here. Get all the damage in. Oh yeah, that damage is going to ride us all the way to the finals. We're looking real good, honestly. The disadvantage of losing that character so early was definitely bad. Don't get me wrong, but down heavy slicer. For the corner carry, it's Goku Black. Got a little bit of a dragon rush ourselves. I am so dumb. Oh, that actually killed. Wow, I meant to do the orb super. I always get those two confused in the air for some reason. Gojira, what's the move? No super dash, huh? Let's go. That was not supposed to be a standing heavy. I could have jumped. I thought I could mash there. That's fine. We'll take a hit. He probably will go into a level two. No, OK, well, it would have been. I'll eat it. You've got to watch the legs. This is missing. No, my OK. My sliding knockdown mix. D.P. I kind of forgot Gojira had one of those, to be honest. Oh, I couldn't do so much. He's going to block. He had to block it in the air, baby. Let's go. Now, this is unfortunate because in my past, we have to play as team. That was the self-made rule. But what was his team? It was Gojira, Vegeta, and Super Saiyan Goku, right?  It just confuses me, man. I can't do it. OK, so far, Vegeta has been a very popular character. He is in two out of, what, three teams so far? And the first one was just my main team. Make me get serious here. I believe this guy is playing a Bardock, DBS Broly, and Gojira, though. So that is a team that I'm looking forward to playing, actually. Oh, block that. He actually hit my legs, dude. I'm sticking about to try to get some Ls going. That was sick. Gojira with a knockback and Vegeta with a set up. You're going to respect me. Get that damage. Not as much meter build as the old Gojira, Vegeta, but I completely whipped it, dude. I didn't think he'd be able to get a tag out that fast. Is he going to snap me? All right, that was probably for the best he didn't snap me.  I don't think he has any options against this. We still have Super Dash available to us. Back up. Keep the beams of coming. I don't want to see this man in. Oh, I don't want to see him in neutral. I don't even want to know he exists. Knee, knee, leg. Oh, never mind. We didn't even get to the second step. All right. Oh, we could actually. Enemy spotted. Don't worry, everybody. I also see what you guys see. Oh, yeah? Let me get back up to you real quick. All right, that's fine. Letting him live is actually very beneficial to us right now. We're going to go for it all. Let's go. Oh, no. All right, block that.  That's for the best. It's for the best. I got to build a bar if we're going to hit this. Ah! Now, nobody says that Broly has to be in the highest of hells when we do this. No reads, no help. Vegito is out of here. But let's be honest, never mind. Maybe Vegito is the one we need. He's going to DP. No. There it is. Blow this world away. Blow it away, Vegito. No! What in the world? He wasn't close enough to death. Oh, the world didn't go away. The dramatic finish stream is dead. Man, get your, how disappointing. How disappointing. Oh, the final Kamehameha just couldn't do it. Oh, that's sad. But now we get to play that amazing team. So let's definitely try that. Probably the team I've been most excited to play so far, just because it's got all the classics. Oh, not the doubles. OK, Vegito rolled out. It's got the classics. It's got the two hot DLC characters. Let me just block string this, dude. All right, didn't feel like blocking that last one. I can understand. Oh, what are you doing? Clicking buttons. Not on Bardock's time. Down we go. We got two assist up. That means we get, oh, I can't believe he downed heavy. That was a read. I jumped up and clicked a button. He was right there to down heavy. We get snapped. No snap. Level what? I'm about to down take a map. Yeah, normally you do want to take the oaky there, just because any bit of sliding you can get is always going to be a little bit better. I'm just going to level three with Bardock, even though I should have done it with Broly. Let's just see what we can get done. I'm thinking a nice low meaty will probably get the job done, though. Just hit him as soon as he wakes up. Yep. It also got a bit of lag there, but we'll take it. Bardock is here. Oh, he's got the correct Gohan color reads. Oh, whoa.  Oh, you're trying to Bardock. I deserve it. We live? I didn't deserve to live. Wow. The lag actually helped me confirm that so good. I don't think in a real match, I don't think I would have been able to confirm that, like a real. That was Bardock. That might be the most Bardock thing I've ever seen. Oh, my god.  I just juggled the man from the front of my head to the back into the corner. And now we get Broly reads. What do you guys think he's going to do? Is he going to jump? Ah, it would have been great. Meterless. I'm doing it meterless. The overhead still hits, though. But the meterless could have been so nice. It's such a good piece of rolly tech to have that, unfortunately, is pretty hard to do. No, I'm actually not unfortunate. It's pretty hard to do, which is very rare for Dragon Ball fighters, when something that is pretty necessary if you want to get good with the character is hard to do, or decent with the character, I should say. That's really rare in this game. Boom, knock him down. Jumps? No jumps. Jumps? We got jumps. Yeah, I wasn't confirming off that. Another grab. Broly is just not liking it today. Let me get another grab. You got jumps?  I don't know what to say. Tag me out. No tags. I'm a down tech here. Armor, assist. Not going to work out. We could probably just get crazy with this one. What's the read? All right, we'll take it. We'll take it with the vanish. Oh, I didn't even look at that. I don't remember the team. All right, I don't know what happened to my brain there, but I completely forgot what team that person was playing. I'm very sorry to whoever that was. I would have loved to play your team. I'm just massively dumb. When I play Bardock, the only thing in my mind is a single square button. You have to understand. But this one I'll try to remember, Vigito, Gogeta, and Yamcha. All right, we're going to have to take this where we can get it, dude. One, two. Ah, that was so slow. No, and it was so slow in recovery that I couldn't even down heavy.  Let's go. All right, let's mess up his plan. Let's force him to play a bit of Yamcha.  Overhead.  We're going to get a bit of sliding here. OK, again, still super annoying. I get hit by that all of the time. Nicely done. Boom, this combo's. I love that that combo's into supers, man. Such a good finishing tool. Level three, I probably could have done it with. I don't know if I would have been able to do it with two level ones, maybe I would have been sick to try actually. I kind of regret it looking back. Oh, OK, it was in double Sunday. Bardock, thank you for staying firmly planted on the ground, man. You are a hero for that. Am I getting snapped though? No, no snap. DP reads, man, kept it safe by blocking. I can respect it. Vanishing as well. He's probably just showing off the Gogeta.  I'm very surprised that wasn't read as well. Take it. Level three, had to throw in the assisted there just to get a piece of damage. But now the armor is off, the damage boost is here, and it's actually a real damage boost. Oh, wait, I completely did the combo wrong. Where was my key blast? Did I not? Oh, there it is. Did I not do the key blast at all? Wow, I'm really dumb.  No, it doesn't have. Why doesn't that move have the vanished property thing? It's fine. Let's try this combo. I should. That's a combo you have to practice. I watched the combo, not the double Sunday Gogeta, no. Oh, he didn't capitalize. Instead, he didn't even go for the snap. Let's go. That's fine. I'll eat that. Coming down. Oh, let's go. Coming down. One, two, three, four. Such a good grub. I'm so bad at this game. I still got one more in the tank. I still always got another bar in the tank to make it fast. And we get another win. OK, let me look at this team. Vigito, Gogeta, Yamcha, that was the exact order. That's definitely not us with the bandana. We are not rocking Bardock this time. But we are rocking Vigito and Gogeta again. Now that, oh, we actually get a hit. And I 6-M'd. Wow, that was bad. But I did it again. Impossible. My fingers are just not meant to play fighting games today, down tech. We take those. We don't take those. Vanish, we're in there. 6-M, I meant to do that one. Let's go. Not usually something people get hyped up about. But I, for sure, will spend the Vanish. Definitely want to make sure you're getting corner with Gogeta as much as possible. It adds the pressure on. And I know I just said what I said. And I dropped the combo as well. Do we still want Bardock out? Or am I confident that I can take this at this point? I'm going to say I'm confident. Well, at this point, it's too late anyway. We're in there. I'm just going to keep it on the ground. Didn't work. All right, I'm not confident about this one. Too much health. Get it out of my face. Don't level 3 in the air. I appreciate it. I appreciate you not doing it. I appreciate you not level 3. Because I was definitely going to mash all the way home. Snowman kid sliding back in. Is he going to mash? Shields up. Work. Doesn't work against supers, unfortunately, Vegeta. Then there are some weak shields. Let's go. There's a spark. Was that a read? Open up. Oh, that was nice. Oh, that's unfortunate. You know what? I'm just going to make a read. Shocking speed. Bombs away. Oh, with the coverage. I was just going to be throwing key. I definitely was getting hit, by the way. That was not blocking. Sparking, there it is. Defense. Watch out for a dragon rush. I'll get hit by that every day, honestly. OK, I'll take auto. Take auto, definitely. Let's go grab them. I'm going in. Return fired. Got them. All right, what was the steam? Bardock, Android 17, and Videl. I can do that. Boom. I'm going to pose with the Vigito thumbs up, and let's move on to the next one. Super Saiyan 3 ascend, red bar. Let's give it a shot, bro. The zero bar connection was surprisingly decent, so. Again, just four frames. I've been very surprised with the connections, honestly. Block all of this. I got to remember, this is not the usual team. He's rocking the same Vigito double beam shell as well. This is a very popular team, which is surprising, because when those characters are coming out, I got a lot of comments on YouTube like, why would he ask for these? Vigito, very clearly, super popular. Also, I'm getting combat right now. This is probably the most intense version of a fight. I was mashing. I'm going with Videl. Down call, Gohan. All right, we got to rock in with 17 then. I'm going to settle for sliding in the corner, I think. Sliding in the corner is the best we can hope for. What's this player looking like? He just mashed him when he got down to the ground. Did he even back dash? I don't even know. I could have down heavy looking back. We'll hold this. Never mind, we're going to hold this in a hard down tech. I'll keep it. I think I might spark here, actually. Oh, he read it. He knows I like early sparks. Again, I got to remember that the draft stock on me is like, everybody got the draft papers, dude. They know I like early sparky kit tech. All right, couple of reflexes, but we're still going to keep rolling here. You know what, hold on, hold on. What, what, let me just, let me level three him back. Is he going to early spark is the question. And I think the answer is probably no. Yep, I knew it. He was the, I'm trying to think of like how somebody facing me would think. Like I'm not going to waste early sparking. You got to be kidding me, 17. You fired at the wrong way. Oh, but bro, I've never been hurt like this before. Did he, what, which way do I block? What, what, he may, what, what, what, what the, I've never seen that. I've never seen that. I play this game a lot. I have never seen that. I have never seen that before in my life. I'm so scared. I'm so frightened. I'm a bar doc player. First things first, baby. Oh, stop that. You tech dragon rushes. Okay, but that's fine. That it could have been way, way, way, way worse. 17 would be dead right now, by the way. But because we let him heal up, he's looking decent. Okay, block all that. Oh, I wasn't fast enough to get the jumps. Unfortunate Goku Black putting on a show. One, two, that reflect really got me good. I went in for those ankles. I should have seen it coming. Level three, hard knock. You know what we could do? Is this gonna build up three bars? Is it? Come on, give it to me. Give me three bars.  Oh, come on, I did it.  Did I? I actually don't know. I think so. That's not what I wanted. Two beams. That was, that was good. That was good. I didn't expect the double beam. That was one beam, assist beam, and then he hit me with the second one. I did not see it coming. I didn't even see your arms. And we're dead. Oh, that's, yeah, and don't get him framed. Let's go. He's gonna think I'm lying, switching boys. Let's go frame, oh, that was hype. If you were like, oh, come on, bro. That was so cheap, but I literally asked for it to happen and it happened. I'm not gonna not get hyped over it. Let's go. I'm winning this game, baby. He's frazzled. He's like, did Dr. Goku just let him switch me? And you're dead, right? I did. Woo, let's get it. Relax, switch it tonight. I am loving, I'm just gonna be so, listen, Super Saiyan 3 Ascend, if you're watching this video to see what happened, you absolutely beat me, man. Oh, you still beat me. I was talking like I was gonna win, but you beat me, bro. You beat me a long time before that. I just want you to know, I'm not pretending like I shouldn't have been dead there, but it was just too funny, dude. All right, Vigino blue. Yeah, right, I played this team. If I still haven't saved, probably. So we strapped on the Vigino 2 Beam assist team and this is definitely, I think the last match of this video. It's been a lot of fun so far and I definitely wish I could do more matches, but unfortunately, I just gotta cut it here due to time reasons, but it's been so much fun, dude. Now let's roll into it, see if we could get one last W with this team. Beam assist, not gonna help out here. Beals, oh, oh, that didn't work. A double Sunday. I am so bad. I'm so bad. Mostly I'm sad. Mostly I'm sad I couldn't do it. Whoa, cool your jets, bro. Beating up on an assist like that. There are rules against that. That was unfortunate, but throw them back. Nice, three bars as well. Three bars of pop, pretty much even bars. Okay, let's get it. Don't clash with the, he beat Vigino in his own game. No, Andy reset me, but he dropped it. Let's go. I was supposed to be a super jump jab, not whatever that was. Just what did I even do? Jump and then instantly quarter circle forward. Oh, I got the, didn't think he would jail me with that. Man was like, all right, so you think you could press buttons, huh? Let's test that theory.  I'm gonna go for it. Let's go for style points, baby. I'll eat it. I'll take that. I'll take all of it.  Let me get this level three. Level three. We've already shown the Goku. We've seen the Goku black oaky before, but how about I do my own little variation of it? I'm gonna go for what we call the double Sunday maneuver. Nevermind. We're good. Moving on to the next character. Has he already sparked? The answer is no. So this is a level three Goji to spark. I'm just gonna down heavy. I'm just gonna down heavy. Two, one, two, three. Spend that. I gotta stop teleporting around like it means something. All right, drag out this combo. Make sure that sparking timer feels it. That was crazy. Where's the, oh, does the orb go away? I don't, I didn't know that. Are you gonna try to command grab me? He was, he was gonna try to command grab me. It's something about how slow he did it. It was very funny. Just, yeah, you know what? I will, I'm gonna, oh, I'm just gonna map. It's over. What a way to end it with just the straight auto combo, bro. That was great. But that's gonna go ahead and do it for this video. Thank you all so much for coming out to play. And again, special thanks to Raid Shadow Legends for sponsoring the bigger videos like this, as they're always a lot of fun to do. And hopefully we'll get to do more of them in the future. If you enjoyed this video, though, make sure to go down below and let me know your favorite moment. And while you're down there, hit the like button and subscribe if you enjoy the content on this channel. You can also check out more of my videos right now on your screen, if any of those catch your eye. Other than that, I haven't got to do it. Thanks again for making it to the end. And I will see you in the next one.


Hello! Welcome to this video on the language of art. Like other fields of study, the arts have their own specialized vocabulary. The artist's distinctive use of the vocabulary of formal elements, materials and techniques, composition, together with the various contexts of the production of art contribute to the meaning of the work. Although these aspects are discussed in separate modules in the arts one syllabus to help focus the discussion, in practice they are not isolated but are dynamically interrelated thereby producing a complex structure. Many general education courses into arts include the visual arts such as painting and sculpture as well as music. However, do note that such dynamics among elements, medium, technique and context in the production of meaning also hold true for sculpture, cinema, theater, dance, as well as the traditional arts. In visual art and architecture, the term form refers to its purely visual components such as line, shape, color, light, texture and space. These components are known as formal elements. They are like building blocks used to create an artwork. Formal analysis thus is the visual analysis of artistic form. The emphasis on the formal elements rather than the subject and context of an artwork is formalism. On the other hand, style is the particular manner of expression typical of a certain artist or of a school or period. It is the combination of form and composition that makes a work distinctive. There are different kinds of style in art history. Period style is the characteristic traits of works of a particular historical era such as the high renaissance. Regional style is the style of a specific geographical area like the art of ancient Egypt. Personal style is the distinctive manner an individual artist produces an object. Stylistic analysis helps us recognize individual artists' places and times. Furthermore, in relation to subject matter, styles may be either representational or abstract. Representational styles have a subject matter recognizable from the world of people and nature. Figurative images may vary from photographic likeness to extreme distortions but all are considered representational provided the subject matter is identifiable. In contrast, abstract or non-figurative styles make no reference to the natural world but focus instead on formal elements. Its subject is the artwork itself, its lines, colors, shapes and textures, among others. Note however that even for works with no recognizable subject matter all have expressive content or meaning because they convey ideas, feelings and values of the artist, patrons and viewers. Content includes subject matter but may also derive, among others, from the visual or oral form as well as the socio-political context in which the work was created. To reinforce the ideas on forms and styles it is instructive to do activities or assignments. A suggested exercise is to look for your celebrity lookalike.  You may cosplay and or edit your picture and or edit the picture of your lookalike to enhance the similarity. The following are examples. Then present your work in class. Grade your work and the works of your classmates based on the style of naturalism. The more accurate the representation, the higher the grade. You may use the following guide. How does it feel to grade and be graded solely on imitation? What artistic values or concepts are de-emphasized in imitation? The exercise provides students first-hand experience in the production of a naturalistic work which is one of the dominant styles in art. It allows them to consider closely how different elements of art like lines, shapes and colors contribute to the construction of an image. At the same time, including a self-assessment and peer reviews of their works facilitate reflection on the expressive limits of naturalism which is one reason why other artists prefer different styles. Although there are many forms and styles what is important is their ability to express certain values or concepts that are integral part of the work's meaning. To reiterate, art is a language. The visual arts, like painting and sculpture as well as the literary, the performative and the media arts are all forms of expression. They are ways of getting an idea across. The painter and art lecturer Fernando Zabel once remarked, much of our trouble with paintings is that we expect them to communicate to us when we don't understand the vocabulary used. That is like a person who dislikes English poetry when he doesn't understand English. There is more to seeing than just looking. Give a picture a chance rather than a glance. Hence, to understand and appreciate an artwork its various aspects must be considered. These include its forms and styles as well as medium and techniques, organization and context. This part of the video deals with the different materials and techniques used by artists to produce a work that conveys an idea or feeling. It is necessary to be sensitive to medium and methods because these form part of the meaning of the work. Generally, material or medium is the physical substance from which a work is made. Artists express feelings and ideas not only through the subject matter of their work but also through the materials or medium that they use. Painters typically use oil, acrylic, watercolor as well as tempera, ink and pastel which they apply on a two-dimensional or flat surface such as canvas, paper, wood or wall. Sculptors shape clay, glass, metal, stone or wood into three-dimensional forms. Musicians use voices and instruments while dancers use body movements. Writers use words. Theater artists integrate visual and musical elements and dance in their performances. Architects use rock, organic materials, metal, synthetic materials and high-breed materials. It is important to note that material is not merely incidental to the work. The artist's choice of medium affects expressive content. It is part of the meaning of the work. Architectural materials, for instance, also signify character and social values. For many people, stone connotes strength, marble permanence, wood warmth, brick practicality and metal impersonality. As an activity, try to differentiate JAW angks drawing from Eugene Delacros' painting of the violinist Nicolo Pagagnini. Identify the different medium and techniques used by both artists. Note how these contributed to the differences in meaning of the works even though both artists depicted the same subject. The medium or material of a work forms part of its meaning. Differences in medium result in differences in meaning. Angks, precise and accurate graphite and chalk drawing presents Pagagnini formally and objectively as a rational man. On the other hand, Delacros' more colorful and fluid oil painting portrays him as passionate, frenzik even. Technique is the manner or method by which artists manipulate the aforementioned materials to further express their feelings and ideas. In the previous example, notice how Delacros' rough brush strokes heightened the raw emotion of Pagagnini's performance. Painters, however, do not always apply pigments with a brush or palette knife. In a frappage technique, artists rub lead, or charcoal, over a piece placed on a granular surface to obtain textural effects. For a soft ethereal effect, a spray gun is sometimes used. In graphic arts such as printmaking, there are four traditional techniques or engraving processes, namely relief, intaglio, surface or planographic methods, and serigraphy or silk screen. Printmakers are particular about the medium and engraving techniques because these have specific effects and meaning. In architecture, methods or systems of architectural constructions include lashed construction, post and lintel construction, arch and vault construction, skeleton construction, and cantilever construction. To demonstrate how different techniques convey different meanings, compare and contrast this time two or more versions of the same song. A popular song with numerous covers is I Will Always Love You. For select performances by various artists of the aforementioned song, visit the following links. Is the cover necessarily inferior? How did the difference in technique that is how the song was performed influence your reception of a particular version of a song? To summarize, whatever the medium or technique, it is important to ask how these form part of the meaning of the work. Art is a language. We have shown that formal elements as well as materials and techniques are like letters and words. Or the organization of elements and materials then is like visual or oral grammar. Adding the principles of art or design to the element, materials and technique is akin to applying the rules of grammar on words. Balance, proportion, rhythm, unity in variety, emphasis and movement are some of the means an artist uses to organize elements within an artwork. Composition is the organization or arrangement of formal elements in an artwork. For instance, shapes and colors may be repeated or varied, as well as balanced symmetrically or asymmetrically. The objectives of the artist in the context of time and place the work was produced determine such artistic choices. Artist from various cultures and periods have devised different ways to create illusions of recession into space on a flat surface. Systems of perspectives have been used in some European art. On the other hand, recession is avoided in other cultures to emphasize surface rather than space. In the visual arts, movement is the flow the viewer's eyes take through the work of art. It can be directed along lines, shapes and colors within the work. The use of recurring elements creates a sense of action or motion. Works with a strong sense of movement like Carlos Francisco's Filipino Struggles Through History and Eugene de la Cross Liberty Guiding the People heightened the revolutionary theme. In his metamatic sculpture, Swiss artist Jean Tingli made movement the entire meaning of the work. Dance is the quintessential art of movement. Movements of the head, arms, fingers, torso, legs and feet in indigenous and traditional dances convey social values like harmony between community and nature. Movement is likewise important in theater and cinema. Theater has a direct live performer or agents relationship which creates a dynamic or agents participation. Cinema, consisting of moving images projected onto a screen, has three interrelated modes of movement actors, camera and film editing and syntax. As an exercise, read the following poem. How does its composition and movement shape its meaning? Discuss how the reverse poem sound pessimistic or negative when read in one direction, forwards, top to bottom. To conclude, in the language of art, artists organize elements and materials to communicate visually, verbally and kinesthetically. I hope this video was helpful in demonstrating the language of art in its various aspects of form, styles, materials, techniques and composition. These aspects are not incidental to the work of the artist. But are integral part of its meaning. Studying the language of art helps in its understanding and appreciation.