Suspense, the video's outstanding Peter of Thrills brings you an hour, a full 60 minutes of suspense. Tonight, a banner presentation of Emily and William's classic, Night Must Fall, directed by Anton M. Leader and produced by Robert Montgomery. Our stars, Mr. Montgomery and Dame Mae Whitty with Heather Angel, Richard May and Matthew Bolton, in Night Must Fall. This is Robert Montgomery. I cannot introduce Night Must Fall. I have no words in prologue. So surely do I feel that the play is the thing. But I can introduce, with great anticipation and pride, the performance of Dame Mae Whitty as Mrs. Bramson, Heather Angel as Olivia Grain, Richard Ney as Hubert Lowry, and Matthew Bolton as Inspector Bellsize. It is our particular pride that both Dame Mae Whitty and Matthew Bolton are playing the roles they created in the original stage play in London. And I, I will play Danny. With these performances, and with Night Must Fall, we again hope to keep you in suspense. It is a smallish place, a typical English country cottage, rambling and comfortable, with roses climbing upon the walls and the fences. Surrounding it on every side stands the dark bulk of the forest. The massive trees, close packed, their interlacing canopies shadowing the undergrowth below. It is an out-of-the-way place, far from the nearest village, a mile or more from the nearest neighbor, a proper place for a murder, you might say. Usually the forest quiet is undisturbed, but today one might hear a few scattered shouts see strange men in uncomfortable city clothes poking about through the brush, searching. And in the Bramsen Cottage, door of the maid is receiving a visitor in the kitchen.  I've been half off me rocker, what with that old witch in there sighing all those terrible things about you and me. The police turning the place upside down and asking all kinds of questions. Oh Danny. Here, here, here, here's Danny now. What's all around? What police? You mean you haven't heard? Mrs. Chelfon, a woman from the tall bosses disappeared. Nobody knows what's become of her. Oh that? And there's even a man from Scotland Yard. Scotland Yard? That is gratifying. Gratifying? Well I mean there being Johnny on the spot like that. Shows we're getting our tax money's worth. No. What's the matter with the old girl? Oh Danny, she knows about us and she says if you don't marry me, she'll give me the sake. Oh Danny, you will. You will won't you? If you don't... No I've about it. Always had the very same thing in mind myself. Oh Danny. I expect she wants to talk to me. Where is it? Through there? Oh, you can't go in now. She's got people with her. The Scotland Yard men. Oh I can look can't I? Danny be careful. She hears you. Cat can look at a king you know. So that's Mrs. Bramson there. They say she don't have half a bit topped away. Oh she's rich and all but try to get out of it. Who's the girl? With the spectacles? Oh that's her niece, Miss Grine. Miss Olivia Grine. Poor sir. And the chap with her I suppose? Mr. Loret. He wants to marry her. I don't think she wants to. Not really. Well now if you see anything unusual or anybody strange wandering in the woods our men are stationed nearby and just let them know. Good morning Mrs. Bramson. Who's that? Just left. The detective. Scotland Yard. We sure had a better look at him. Never seen anyone from Scotland Yard before. Dora? Is that your young man I guess? Talking about that. No mum. That is... Yes mum.  Yes mum. Go on. Nothing ventured. Nothing gained as they say. Well... Morning all.  That's me. Silly name isn't it? What's your real name? Dan. Just call me Dan. You smoke I see. Yes. Oh I am sorry. I always forget my manners with a cigarette when I'm in company. I am sorry. You know my maid, Dora Parko I believe. Well we have met yes. You walked out to that last August bank holiday. Yes. Excuse me smiling but it sounds funny when you put it like that doesn't it?  Oh I am. I've thought about it a good bit since I can tell you. You work at the tall boys don't you? Yes miss. 24 hours a day miss. Oh well then perhaps you can tell us something about that female who's been murdered. Well... Well can you tell us? You know there's a Mrs. Chalfon staying at the tall boys who went off one day. Yes. Well nobody's seen her since. I know. What's she like? But I thought you said or somebody said something about to murder. Well we don't know of course. But there might have been. Mightn't there. Oh yes there might have been yes. Have you ever seen her? Oh yes I used to take cigarettes and drinks up to her. What's she like? What's she like? She's on the tall side. Thin ankles with one of them bracelets on one of them. Fair hair and... Well go on. Thin eyebrows with white marks where he was pulled out to be in the fashion you know. Her mouth a bit thin as well with red stuff painted around it you can rub it off I suppose. Her neck rather thick laughs a bit loud and then it stops. She's very lively. You can't say I don't keep my eye skin can you? Jove I should say you do. A living portrait if ever there was one. Now uh... Weren't you going for a walk? So I was by Jove. Well I'll just charge off. Goodbye. Goodbye Hubert. You're a very observant young man. The ladies you know. I'm not so observant that Dora might be in the flummox she is now. That's true ma'am. You don't sound very repentant. Well what's done's done's my motto isn't it? Or you'll even miss. If you don't mind. She'd be a nice bit of ace for next summer wouldn't she? You're a proper one to talk about next summer. When Dora will be... Well what is it now? Oh Mrs. Branson. The butcher wants paying. And he says there's men ferretting at the bottom of the garden looking for that Mrs. Chalfont. And do you know about it? Not long. Not amongst my Pampas grass. Olivia? Olivia! Oh that girl's never there. Here you. Come on in my garden you. You come out of my garden. You're the cook I suppose. Why I'll never know. Won't let me pay the butcher so I won't know where she keeps her purse. But I do know. So put that in your pipe and smoke it. They do say down at the tall boys that she's got enough inside of her purse too. Well nobody's seen it open. If you have a peep inside young fella you'll go down in history. That's what you'll do. Oh something's falling over. Auntie did you... Oh. Hello Miss. Did Mrs. Branson call me do you know? I'm sorry. I don't know your name. Oh. There is not much doing around here for a girl is there? I'm not a snob. But in case you ever call here again I'd like to point out that though I'm employed by my aunt I'm not quite in Dora's position. Oh I hope not. Though I'll be putting it all right for Dora. I'm going to marry her and I... I don't believe you. You don't like me do you? No. Everybody else does? Your eyes are set quite wide apart. Your hands are quite good. I don't really know what's wrong with you. You know I've been looking at you too. You're lonely aren't you? You know I... I'm sorry. It's a waste of time you're doing your stuff with me. I'm not the type. Are you playing up to Mrs. Bramson? Playing up? You stand a pretty poor chance there you know. What do you bet? They say they've got permits to look for that silly woman. Who would they I'd like to know? If there's anything I hated these men who think they've got authority. I don't think they're quite as bad as men who think they've got charm. What do you mean by that? Well it's no good thinking. She's got any is it? Now young man. What about Dora? Wait a minute, wait a minute. Are you sure you're comfortable like that? Don't you think Mrs. Bramson you ought to be facing a wee bit more this side? They're towards the sun more now. You're looking pale you know. Pale? Did you say pale? Washed out. The minute I saw you just now I said to myself now there is a lady that's got a lot to contend with. Well I have. Nobody knows it better than I do. Oh no I'm sure. Oh it must be terrible to watch everybody else striding up and down enjoying everything and to see everybody tasting the fruit and... Oh I am sorry. I shouldn't have ought to say that. But it's true. As true as you're my witness. Do you mind if I ask you what your ailments are?  Thank you ma'am. Well, I have the most terrible palpitations. Palpitations? But the way you get about. Oh. What a pretty bad thing to have you know. Do you know that nine women out of ten in your position to be just sitting down and giving way? Would they? Yes they would. I've known people with palpitations. Somebody very close to me. They're dead now. Oh. My mother is a matter of fact. I can just remember her. Oh. As a matter of fact. Yes. Oh no it's a daft thing. Come along now out with each other. Well it's only fancy I suppose, but you remind me a bit of her. Of your mother? Oh. Have you got a son? I haven't anybody at all. She had the same eyes. Very wide apart as you. And the same very good hands. And the same palpitations. And the same palpitations. You don't mind my talking about your health do you? No. You know you ought to get used to letting other people do things for you. Yes. Yes.  I've taken the liking to you. That's very kind of you Mrs. Bramson. Aunty shall I pack these books for the post now? I'll post them for you. Oh. With pleasure. Have you got to go back? No. Well no not really. This is my half day. Stay to lunch. Well I don't like to impose myself. In the kitchen of course. Oh I know. Well let's pledge your food. Stay to lunch. Well I don't know. All right. So long as you let me help a bit this morning. Don't you want some string for this? Where's it kept? Oh that woman knows. In the kitchen somewhere. Through here. Yes that's right. What did she say? Say? About us. That's all right. I told her I'm going to marry you. Oh Dan. Here here here. Now I'm on an errand for the old girl. I want a bit of string. Oh yes. Right here in the jar. An errand for Mrs. Bramson. That's right. Aha. This will do.  And why not? Here's something in the paper. Keeper in the Sheppley Woods. Was closely questioned. But he had heard nothing beyond a woman's voice in the woods. And a man's voice probably with her. Rubbish. The whole business. You. Dan. Whatever your name is. Are those men still rummaging in my garden? They're out there poking about right enough. I must go this minute and have a look at my pampas grass. And if they've damaged it. I'll bring an action. Have your package ready in half a shake now, Miss. Thank you. What's that you're whistling? I don't know some song I picked up. Mighty Like a Rose I think they call it. Do you know what it says here in the paper? About what? The murder. Oh. You're sure of that now, are you? It says a keeper heard a woman's voice in the woods. On the afternoon in question and a man's voice. Probably with her singing Mighty Like a Rose. Is that a fact now? Popular song that one. Pretty too. Pretty little fella. Everybody knows. Don't know what to call me. But I'm mighty like a rose. I'm sorry is my cigarette worrying you? Not at all. I like it. I can never make this horrid game come out. Look. The red nine on the black ten. Don't interfere. I saw that. Now I wonder. No, no, no, no. The other one, the other one, the other one. Oh, yes, dear. Of course. I am sorry. My cigarette bothered you. No, dear. No. Oh, I'm sick of solitaire. I want to be red, too. Right away. Now let's see what we have. Ah. You old fashioned child. What? It's East Lynn. It's your favorite book, isn't it? Oh. Well, yes, dear. So it is. Go on. You old fashioned child retorted Mrs. Vane. Why did you not put on your diamonds? I did put on my diamonds. Stemward Lady Isabel. But I took them off again. What on earth for? That's the other lady speaking there. Yes, dear. What on earth for? I did not like to be too fine answered, Lady Isabel, with a laugh. Good, isn't it? Oh, yes, realistic. Ah, time for your medicine. Oh, Danny, you always remember. Hello, hello, hello, everyone. Any news? Hello, Hubert. News? About what? Why about the m- That is the missing woman. What else?  They haven't found anything, of course. Well, a lot of nonsense. Well, where there's life, there's hope. What? Ah, Mrs. Bramson, time for your walk. Oh, yes, dear. Have you got my pills? Got them in my pockets. And my chocolates? Got them in my pocket, too. Here's your hat now, and I carry your rug on my shoulder. See you later. Be good. Right, you all. Mind you take good care of her. Hubert. Yes? What do you think of them? Granny's white-haired boy, you mean? He's all right, I suppose. He's made quite a hit with her. Yes, hasn't he? And in such a short time. Something I haven't been able to manage in a year. Yes. It was just two weeks ago today, he moved in, bag and baggage. He came the afternoon after... that woman disappeared. Quite so, that's right. Hubert. Hmm? Have you noticed how he acts as if he doesn't care toughens, but all the time he's watching to see what we're thinking of him? Yes, I've thought of that. It's his incredible vanity. They always have it. Who? Murderers. Good heavens, Elida. Do you mean this woman they're looking for? Yes. But why? Oh, it's incredible. I say... Hubert, I'm going to look through his things. Right now, will you? While they're out. I say now. That's a bit thick, spying. We may never have another chance. Please, will you help me? But, well, I suppose... Come on. Wasn't there another one? Oh, yes. This hat box. Old-fashioned, isn't it? A bit heavy, too. I suppose there's something inside it. It's locked. Damn! But I've got the key somewhere about, if you... Oh, no, no, no. We were just... Could I have my wallet back, please? It's the only one I got. Oh, yes, of course. Thank you very much. Not at all. Did you see the picture of me when I was a little fella? Yes, it's very jolly. Did you? It was on the inside of my wallet. Oh. Was it? Yes, but I should be keeping my money. Only any bit of money I have, I always keep on me. Safer, don't you think? Yes. I only keep one ten-barb note in there at this wallet for emergencies. Oh, that's funny. It's gone. I expect I dropped it somewhere. What did you think of the letter? Letter? You got it in your hand. Oh, well, I didn't. It means well, does little, but we had a row. She would spy on me. And if there's anything I hate, it's a spy. Don't you agree? Yes. I'd soon have had anything than a spy. Bar a murderer, of course. What? What did you say? I said, bar a murderer, of course. Talking of murder? Do you know anything about Mrs. Chalfont's whereabouts at the moment? I've got nothing to go on, but I think she's been murdered. Oh, you do? Yes, I do. Why? They say she had several chaps on a string. And there was one fella, a London chap, a bachelor, very citified with a fair moustache. What are you looking at me for? You wasn't around these parts the day she bunked was you? Yes, I was, as a matter of fact. Uh-huh. What in heaven's name are you getting at? Well, if the shoe fits, eh? Uh, I'm going out for a breath of air a little bit. I'm sorry. I really am about going through your things. Sorry you were caught out at your meeting. Did you do it? You know, you wouldn't be bad looking without them glasses. It doesn't interest me very much what I look like. Don't you believe it? You're very conceited, aren't you? Yes. And you're acting all the time, aren't you? Acting? Acting what? Look at the way I can look you in the eyes. I'll stay you out. I have a theory. It's the criminals who can look you in the eyes. They're the only honest people who blush and look away. Oh. It's a very blank look, though, isn't it? Is it?  Yes. And what do you like when you're not acting? I don't know. It's so long since I stopped. But when you're alone... Then I act more than ever I do. Why? I don't know because I like it, okay? Now, what do you say if I ask a question or two for a change? Just for a change. Why can't you take a bit of an interest in some other body but me? I'm not interested in you. But you don't talk. That's bound to make people wonder. I can talk a lot sometimes. A drop of drink makes a power of difference to me. You'll be surprised. I wonder if I would. I know you would. I think I can diagnose you all right. Carry on. You haven't any feelings at all. But you live in a world of your own. A world of your own imagination. I don't understand you so very well. Not being so very literary? You follow me perfectly well.  I don't know what to think now. I suppose not. Disappointed? What on earth do you mean? Disappointed? Yes. I suppose I am. Why? Oh, I don't know. Because nothing has ever happened to me. It's a dull day and it's the depth of the country. I don't know. What is it? I think it's in the rubbish bin. Well, there's something sticking out. What is it? A hand. Somebody's hand. I'm as great as somebody's hand. They found her. Yes. Where are you going? To have a look. In tonight's full hour of suspense, Mr. Robert Montgomery stars as Danny with Dame May Whitty, Richard Ney, Heather Angel, and Matthew Bolton in Night Must Fall. Tonight study in suspense. In just a moment, we will return with Act Two of Suspense. This is CBS, the Columbia Broadcasting System. And now, back to our Hollywood soundstage and Act Two of Night Must Fall, starring Robert Montgomery, Dame May Whitty, Heather Angel, Richard Ney, and featuring Matthew Bolton in a narrative well calculated to keep you in suspense. The forest around Mrs. Bramson's cottage had always been quiet and peaceful until the day they found the body. From that day on, there was no more quiet. There were policemen in questions. There were busloads of sightseers and newspaper men and photographers. Suddenly, the little rose-covered cottage was a focus of national curiosity. And the people who lived there basked in the reflected glory. You are the one. Back home again, I put your gloves away. I feel dead. And no wonder, talking to all those people, getting your picture took 15, 16 times again. How about any more buses today? Oh, it's you, Olivia. Hello, Auntie. And Mr. Bramson? I feel dead.  You look as pretty as a picture. Strawberries and cream in your face are not a day over 40. And when I've made you a nice cup of tea, you'll be 25 in the sun and 18 with your back to the light so you can think yourself lucky. You caution. You'll be the death of me. And now would you like a drop of in your tea? Gin, whiskey, liquor, brandy, or a nice dollop of Sailor's rum? Just listen to him. Now, don't you make me laugh, dear. Because, you know, there's always my heart. You've lost your heart. You know you have. To the little fellow who pushes your pram, you know you have. It's wicked to laugh, dear, with this thing all around us. Ah, yes. I forgot. Wonder if they'll ever nab him. What do you mean? The fellow did it. Wonder what he's doing now. I wonder.  Cut clean off. At one stroke, they say. Stop it. Well, no need to jump down the poor boy's throat. Merely the fact. Cut off at one stroke. I suppose you won't state a T, Mr. No, no, thank you. I think I'll go off before it's dark. Goodbye, Mrs. Bramson. Goodbye, Mr. Dan, Dan, Mr. Dan. Goodbye, Olivia. Goodbye, Hubert. I'm sorry. Can't be helped. Good night. I'll see you to the door. What's he so solemn about? Olivia's decided not to marry him. Silly girl. Made up her mind a bit, doesn't sudden, didn't she? Oh, I don't know what's got into the girl. This last week or so, she's been touchy as a cat with kittens. Maybe she's lost her heart to someone too, eh? Tell me. Have any more of those terrible people called reporters, police? There's a definite fallen off in attendance today. It's Sunday, I expect. Just don't talk like that, dear. Okay, Mum.   Well, if you're very good, I might let you call me Mother. Okay, Mother.  I want to be read, too, now. Your servant, Mother of Mine. What'll you have? Now, let's see. There's the Channings and Red Court Farm. Now, I'm tired of them. Well, uh... Oh, what about the Bible? The Bible? Sunday, you know. Oh, well, all right, dear. Makes a nice change. Not that I don't often dip into it. I'm sure you do. Now, where'll I read? All at random's nice, don't you think, dear? At random? Yes. I... Auntie, the paper boy's at the back door. He says your picture's in the news of the world again. Oh? He says he won't leave the paper until he's been paid. He says he hasn't been paid for a month. Hasn't been paid? Is he mad? Are you mad? Why don't you be? Because you don't give me the money to do it with. Well, uh... Oh, well, wheel me over to that cupboard. Right you are. Auntie, well, what? What don't you think? I mean, wouldn't... Danny? Huh. Well, he knows where I keep my money, don't you, dear? Since you told me, of course. Of course. Well, now, here's the key. Hi. Wait till I get it from around my neck. Now, help me with it. All right, you are, dear. There you are. Well, Olivia, what are you staring at? Isn't that rather a lot of money to have in the house? Put not your trust in banks, as my motto. And always will be. And so write, so write. But there's hundreds of pounds.  Here, go and get the paper. Yes, Auntie. And hurry back. Now, lock the box up and put it back. There's a dear. Right. What were those sort of coloured folders? Looked like somebody's will or something. Nothing you'd understand about, dear. Where is that girl with the paper? Here you are, Auntie. Thank you, Miss. I'll find the place for you. There you are. No mother of mine. Oh, look. All page. Headlines and all. Oh, yes. The victim's past. Right. With another picture of me underneath. Ah. Oh. Taken at hundreds a year before the war really. Oh. The bungalow of death. Fiendish murderer still at large. The enigma of the missing head. Oh, this prince too small. Shall I read it to you? Yes, dear. Do. The murderer committed the crime in the forest. He buried the body shallow in the open pit, cunningly chanceing it being filled, which it was the next day, the 11th, that was the day before I come here. So it was. The head was severed by a skilled person, possibly a butcher. The murderer... What's the matter? Can you hear something? Got it was Sunday. They're going to church in the villages. All got up on their Sunday best, with the prayer books, and the organ playing, and the window was shining. Shining on holy things, because holy things isn't afraid of the daylight. And Danny, what? It's all the time that daylight's moving over the floor, and by the end of the sermon, the air and the church is turning gray. And people isn't able to think of holy things so much and no more. Only of the terrible things that's going on outside, that everybody's reading about in the papers, because they know that though it's still daylight, and everything's ordinary and quiet, today will be the same as all the other days, and come to an end. And it'll be night. I forgot it was Sunday. Good gracious. What's come over you, Danny? I speak if I like anything when I'm roused. I used to go to Sunday school, see, and the thoughts sort of pop into my head, like as if I was reading them off a book. You should have been a preacher, you should. Well, I want to lie down now. Anything you say, mother of mine. No, no, no, you pushed me about enough for one day. You might try to cheer Olivia up a bit, though, but the look of her, she needs it. Only too happy to try them? That is, if you like me too, Miss Olivia? You've been drinking, haven't you? You don't miss much, do you? No. I've had a drink, and I feel fine. You wouldn't like another dose of reading, would you? I prefer talking. Carry on? Asking questions. Carry on?  Are you sure you weren't a butcher? Ah, talking's daft. Doing's the thing. You can talk, too. Yes. Did you hear me just now? She's right, you know. I should have been a preacher. I remember when I was a kid, sitting in Sunday school, catching my mother's eye where she was sitting by the door, and she pointed to the pulpit, and then to me, as if to say, that's the place for you. I never forgot that. I don't believe a word of it. Neither do I, but it sounds wonderful, doesn't it? I never saw my mum, and I never had a dad. And the first thing I remember is the Cardiff Ducks. And you're the first woman I ever told that to. So you can compliment yourself. Or the drink. I think it's the drink. You do live in your imagination, don't you? Yes. It's the only way to bear with the awful things you have to do. What awful things? Well, you... I haven't had as much to drink as all that. You haven't a very high opinion of women, have you? Women don't have to drink. We drunk to talk. You don't talk that much, though. Fair play.  You know, this isn't the life for you. What is there to it? Tell me that. What is there to it? Yes. Getting up at seven. Having breakfast with a vixenish old woman and spending the rest of the day with her in a dreary house in the middle of a wood. Going to bed at eleven. I'm plain. I haven't got any money. I'm shy. And I haven't got any friends. Don't you like the old lady? I could kill her. Oh, no, you couldn't. Not many people have it in them to kill people. Oh, no. And what was your life at the tour, boys? My life? Well, the day didn't start so good. With a lot of stuck-up boots to clean. And a lot of silly high heels all along the passage waiting for a polish. Oh, there's orders, orders, orders. Go here, do this, do that. Open the door for me, get a move on. Waiter, Matisse, stone cold. I'm not a waiter. I'm a millionaire. And everybody's under me. And just when I think I've got a bit of peace, there's somebody lockin' the bedroom door, won't let me out. Talk, talk, talk. Won't fork out with no more money. At me, at me, at me, calls me everything. Lies in the floor and screams and screams and nothing keeps that mouth shut only. It's leaning out of the window and the leaves is off the cheese. Oh, Lord, I wish I could hear a bit of music. And I do inside of myself. And I have a drop of drink and everything's fine. And when is the night? Gone. I'm too fly-floor for you, aren't I? You'd like to know, wouldn't you? Why would you like to know?  Don't. I'm frightened of you. Why? How do you know I lie awake at night? Shall I tell you why? Because you're awake yourself. You can't sleep, can you? You can't sleep. There's one thing that keeps you awake, isn't there? One thing you've pushed into the back of your mind and you can't do any more about it and you never will. And you know what it is? It's a little thing. A box. Only a box, but it's rather heavy. It's the only thing that keeps me awake, mind you. The only thing. But I don't know what to do. You see, nothing worries me. Nothing in the world.  I don't know what to do. I don't know what to do. Don't. There's someone at the door. Anybody's there, I'll deal with them. I'll manage them myself. You'll watch. How's things? Not so bad, Mr. Inspector. Good afternoon, Miss Grain. How do you do? If you'll excuse me, I... Of course.  Yes, sir, bearing up, you know. We haven't scared you all out of the house yet, I see. Oh, no fear, sir. No more news to me, I suppose. No, sir. Ah, too bad, too bad. Do you mind if I sit down? Please do, sir. Would you like to see Mrs. Bramson, sir? Oh, plenty of time for that. How's she bearing up? Well, it's been a bit of a shock for her. Them finding the remains of the lady at the bottom of the garden, you know. Why didn't you sleep in your bed on the night of the 10th? What did you say? Why didn't you sleep in your bed on the night of the murder? I did. Oh, no, you didn't. Yes, I did. Oh, oh, for except about half an hour, that's right. I couldn't sleep for a taffy and I went up on the fire, escaped, and... Oh, what time was that? All about what I... You know how it is. When you wake up in the middle of the night, you don't know what time it is. Why didn't you tell us you were on intimate terms with the deceased woman? Intimate terms? Now come along, old chap. She was seen by two of the maids talking to you in the shrubbery. Well? Sir, it's been on my conscience ever since. So you were, eh? Oh, no, sir, not that. I avoided her ever after the day she stopped me, sir. When they asked me about her, I got frightened to tell about her stopping me. But now you know about her, sir. It's a weight off from the mind you wouldn't believe. As a matter of fact, sir, it was the disgust like I'm nearly getting mixed up with her that was keeping me awake at night. I see. Ha!  Am I, sir? Yes. Well, that'll be all for today. I'll let you off just this once. I am that relieved, sir. But don't. Well, there's just one thing. If you don't mind, I'll have a quick look through your luggage. Just a matter of form. Oh, yes. Well, where do you hang out? Right in there, sir. First door. Her face and... First door face. You can't miss it? I'll find it. It's open, I think. You can't miss it? You can't miss it? You can't miss it? You can't miss it? You can't miss it? This hat box is locked. Have you got the key? It isn't mine. Not yours? No. Whose is it, then? I don't know. It isn't mine. Oh, I... I'm sorry. I thought... Who are you, Inspector? What are you doing with my box? Your box? Yes. It's got all my letters in it. But I've found it. Oh. Dan's room used to be the box room. Oh, I see. I'll keep it in my wardrobe. It'll be safer there. If you'll give it to me, please. Of course. Thank you. I'm pretty sorry, Miss. I'm afraid I've offended her. She'll be all right, sir. Well, young fellow, I must be off. You might tell the old lady I popped in, will you? Tell her I hope she's better. Thank you, sir. Good day, sir. Good day. Good day, sir. Good. Welcome back to the land of the living. Oh, Danny. I thought the murderer had got you. I'll never come over here. I don't know. I felt sick, I think. Waiting hand and foot on Madame Crocodile. Enough to wear King Kong out. Here, have a sip of this. Thank you. Is that bitter? Yes. But clear as the brain, no end. Fainting, indeed, is the proper girl's trick. I'm ashamed of myself. Where's Miss Olivia? Gone somewhere for the night. Gone? For the night? Said she was frightened. Just a good excuse to get away from the old dragon, if you ask me. Did she say why she was frightened? Not her. Not Miss High and Mighty. I've got my own ideas about where she was going. Let Mr. Ubert... Oh, never you mind about her and Mr. Ubert. Maybe the poor thing was frightened. She tried to get the old lady to leave with her, didn't she? Well... Not that she'd ever bunch. Oh, we've got to get on of her to get through the woods before it's too dark. Well, come along then. I'd come with you only. I'm going the other direction. Paley Hillway. You going out? Yes, I feel a bit funny. But you can't leave her here by herself. Oh, now she'll scream the place down. I asked her a while back and she didn't seem to mind. You know what she is. She said, do me good. Won't hear of me staying. It's no good arguing with her. No good arguing with her, don't on now. You have a nice long walk while you get the chance. You whitener too much. Well, you better draw the curtains. Ain't it dark out? You've got the torch, Dora. OK, honey. Good night, Dan. If you aren't coming our way. See you in the morning. Good night. OK. Good night. Good night here. Good night there. Anyone who sings a night before judgment day. What's the matter with... talking to myself? Wish people wouldn't walk out of rooms and leave me high and dry. Don't like it. Tell my chocolates. That girl's been at them again. What's that? Oh, Lord. Danny. Danny. It must have been an owl. Oh, thank heaven. Danny. What's that boy doing in the kitchen? Danny. I've got the jitters. I've got the jitters. I've got the jitters, Danny. They've all gone. They've left me here alone. Oh, Lord, help a poor old woman. Danny. Danny, where are you? Danny. Lord, help me. Help me. As we forgive... It's all right. It's only Danny. It's only Danny. Oh, Danny. Danny, I'll never forgive you. Here, have a drop of this. I can't take it. Here, have a drop of it. Come on. That's better. That's better. I am sorry, really. You see, they wanted me to see them from the main path past the rubbish heap in case they were frightened. Now, that's better, isn't it? Oh, Danny. Danny, dear. That's it. That's it. Oh, Danny. When I saw your face. I'll bet you wasn't half-glad, huh? You're the only one that understands me, Danny. That's what you are. That's right.  Yes. That was a beautiful thought. Yes.  That's right. That's right. I'll never forget it. No. Not as long as ever I live. I want a chocolate now. Right, you are. I try now.  Here's one straight away.  Open your mouth. Oh, Danny. Hi. You're the only one. Hi. Oh, strong hands you have. You're not a pet. My little chubby face.  My Danny. I'm in a draft. I've got to take care of myself, haven't I? Oh, you have? I want to be red, too, now. OK. What do you have? The old East Lynn? No. No, I don't feel like anything sentimental tonight. What do you have, then? Well, I think I'd like the Bible. You were going to read from it this morning. It's right here now. It's Sunday. Isn't that nice? All the aches and pains go out for once. Pretty peaceful. Blessed is the man that walketh not in the council of the ungodly, nor standeth not in the way of sinners, nor sitteth in the seat of the scornful. You read so nicely, Danny. Very kind of you, my lady. But his delight is in the law of the Lord. And in his law doth he meditate day and night. Shh. What? What's that? Hear something? Yes, sir. Sort of? Thumping noise. Why, Danny, it's you. Me? It's your heart beating. Oh, God. Are you all right, dear? Fine, fine. I've been running along the path, see. I've been out of trainin', I suppose. When I was at sea, I never missed a day runnin' around the decks, of course. Of course. I remember those mornings on some sea, very misty place it is, with the sun-like breathin' silver where he's comin' up across the water, and only me about, and nothin' else. And the sun, just me, and the sun. There's no sun now, dear. It's night. It's night now. The ungodly are not so, but are like the chaff which the wind driveeth away. I think I'll go to bye-bye's and have the rest tomorrow, shall we? Help me, dear. Help me. You know what I am. Yes, wait a minute. Wait a minute. I've only got two more verses. Oh, hurry up, dear. I don't want to wake up in the morning with a nasty cold. Therefore the ungodly shall not stand in the way of judgment, nor sin is in the congregation of the righteous, for the Lord knoweth the way of the righteous, but the way of the ungodly shall perish. That's the end. Good. Oh, well, it's been a long day. Are you quite comfortable? Bit a kick. Glad to go to bed. I hope that woman's put my bottle in. Bet she has. You sure you're comfortable? Wouldn't you like this cushion back of your head? No, dear, just wheel me. I think you'll be more comfortable with the cushion. My pretty little fella. Everybody knows. Don't know what to call me.  Smiling like that. You look so kind. So kind. What are you going to do with that cushion? Danny. You'll be put to some proper use. Kerosene. Kerosene. I'll have a proper bonfire. Get hold of yourself, Dan. Is somebody there? Behind the curtain? It's you. I've never seen a dead body before. A time through the window. Nearly fell over it. Like a sack of potatoes or something. I thought it was at first. That's murder. But it's so ordinary. I came back expecting... I don't know.  You might have been tidying up the room for the night. It's so ordinary. Why don't you say something? I thought you was going to spend the night in town. I was. Why'd you come back? To find you out. You've kept me guessing for a fortnight, guessing hard. I very nearly knew all the time, but not quite. And now I do know. Why are you so keen on finding me out? A very sane, decent-minded human being would want... Would want to have you arrested for the monster that you are. Why did you come back? I told you. You didn't keep any money anywhere else, did you? I've read a lot about evil. I never expected to come across it in real life. You shouldn't read so much. I never got through a book yet. But I'll read you all right.  There's such a secret part inside of you.   You feel as light as air, same as I feel sometimes. Why? This is my big chance. You're the one I can tell about myself.  I want to tell them how clever I am for a change. Money I've got to have, and people doing what they're told, and me telling them what to do it. There was a woman at the Tall Boys, wasn't there? She wouldn't be told, would she? She never knew it was me she was dealing with. Me? She was a chronically invalid, this old girl who's been treating me like a son. She's been more used to me tonight than she's been to any other body in her whole life. Stupid. That's what people are. Stupid. You said just now, murder's ordinary. Well, it isn't ordinary at all, see. And I'm not an ordinary chap. There's one big difference between me and the other fellas that try this game. I'll never be found out, because I don't care that. A world's got to be fear from me. That's me. But you can't wait, can you? What do you mean? Well, when I say I'll never be found out, what I mean is, no living soul will ever be able to tell any other living soul about me. Can you think of anybody who can go tomorrow and tell the police the fire at Forest Corner wasn't an accident at all? I... I can. No, you can't. Why can't I? I'm not against a very serious problem I am. But the answer to it is simple as pie to a fella like me. Simple as pie. She isn't going to be the only one found tomorrow in the fire at Forest Corner. Aren't you frightened?  Don't you think I'll do it? I know you will. I just can't realize it.  That's what I am, see. I can do anything and I do it. I... What's that light in there? What light? There's somebody in this room holding a flashlight. It can't be in this room. It must be a light in the wood. It can't be. Look, there. The window. Somebody's watching the bungalow. Nobody's watching. I am the one that watches. They've got no call to watch me. I'll go out and tell them that and all. I am the one who watches! Behind them trees. Hundreds of eyes back of each tree. Thousands of eyes. The world's on the track. What's that? What's that noise? Like a big wall falling over into the sea. They mustn't come in. You're looking at me as if you've never seen me before. I never have. Nobody has. You've stopped acting at last. You're real. Frightened. Like a child. They mustn't come in. Everything's slipping away. Can't you feel it? Startin' slowin' than hundreds of miles an hour. I'm goin' backwards. And there's a wind in my ears, a terrible blowin' wind. Everything's goin' past me like calligraph poles. All the things I've ever seen. Faster and faster. Backwards to the day I was born. I can see it! That was the day I was born. It's all right.  I'll tell them. I'll tell them I made you do it. I'll tell lies. I'll tell... I'm sorry to pop back like this. Well, everything looks all right here. I'll tell you, we did hear her. Plain as plain. And we'd gone near a quarter of a mile. Plain as plain? Made my blood run cold. Danny, she screamed. Danny, where are you? Well, we'll soon find out. Now then. Oh, hello, Dan. Hello, sir. Second time today, eh? That's right, sir. How's the old lady? Oh, not so bad. Thanks, Inspector. She's gone to bed. She said she didn't want to be disturbed. I love kerosene. You know what she's like, Inspector? Very nervy these days. I'll just take a look in the bedroom, if you don't mind. I don't sooner get around the car and then she screamed for me. Danny, Danny, Danny, she screamed. Danny, she calls me. That's her pet name for Dan. That is, I... She's not there. I... I'll take a look in the sunroom. Yeah. I told her so then. I said it's dangerous. That's what it is. Haven't so much kerosene in the house. That kerosene. She shouldn't have had so much kerosene in the house. Well, now... Miss Grain, what are you doing here, may I ask? Inspector, I'm concerned... It's all right. I'm the fella. Anything I'm concerned in, I'd run all by myself. If there's going to be any questions on a public platform to answer, I'm going to do it by myself. Or not at all. I'll manage myself all right. I get you. You're like a bit of a limelight, eh? Well... Well, let's have a look at your hands, old boy, will ya? Sure. Handscuffs! You'd better come along quietly. What's he doing? He's... looking at himself... in the mirror. This is the real thing, my boy. Acton. That's what she said, wasn't it? She was right, you know. I've been playing up to you, haven't I? I showed you a trick or two, didn't I? But this is the real thing. Come along, will ya? Just come in. Do you have a cigarette? Sure. You know it's a funny thing. I want something now I've never wanted before in my whole life. A long walk. All by myself. Contrary, isn't it? You coming? But they'll get their money's worth at the trial. I'll hang in the end. They'll get their money's worth at the trial. You wait. You just wait and see. This is Robert Montgomery again. With very grateful thanks to you, Dame May Whitty, Heather Angel, Richard Naye, and Matthew Bolton for your superb performances in Night Must Fall. We all count your appearances here a distinct compliment. It was, of course, a great personal thrill to join you for tonight's play. Good night and thank you. Mr. Montgomery may soon be seen in the Universal International Production, The Saxon Charm. Dame May Whitty's current picture is Columbia's Sign of the Ram. Heather Angel may soon be seen in Universal International's The Saxon Charm. Richard Naye's next picture is John of Lorraine. Night Must Fall by Amalyn Williams was adapted from the stage play by Robert L. Richards, was directed by Anton M. Lieder and produced by Robert Montgomery. Ludgloskin is our musical director and conductor and Lucian Moroak composes the original scores. Next week, here Dorothy Sayers' suspicion on radio's outstanding theatre of thrill. Suspense! Be sure to hear the new Shorty Bell Show starring Mickey Rooney tomorrow Sunday night at 9.30 p.m. Eastern Standard Time over most of these stations. This is CBS, the Columbia Broadcasting System.


From the CUBE Studios in Palo Alto in Boston, connecting with thought leaders all around the world, this is a CUBE Conversation. Hello and welcome to the 2021 AWS Global Public Sector Partner Awards. I'm your host, Natalie Erlich. Today we're going to highlight the most valuable Amazon Connect deployment. And we are now joined by Steve Kerful, Adult Social Care Expert, PA Consulting Group and Graham Allen, the Director of Adults Health and Care at Hampshire County Council. Welcome gentlemen to today's session. Thank you very much, Steve and Natalie. Well, by now we're all really familiar with the call to shelter in place and how it especially affected the most vulnerable of people. Give us some experience or some insight on your experience with that, especially in light of some of the technology that was deployed. Let's start with you, Graham. Yeah, thank you. So just by way of context, Hampshire County Council is one of the largest areas of local government in England. So we have a population of 1.4 million people. And when lockdown was imposed by the national government in England on the 23rd of March, 2020, shortly thereafter, the evidence in terms of vulnerabilities around COVID-19 strongly identified that people with a range of clinical conditions were most vulnerable and needed to shield and self-isolate. For the size of our population, we quickly were advised that roughly some 30,000 people in the initial cuts because of clinical vulnerabilities needed to shield, self-isolate, and receive a variety of support. Shortly after that, through the summer of 2020, that number increased to some 50,000. And then by January of this year, that number further increased based on the scientific and medical evidence to 83,000 people in total. So that represented a huge challenge for us in terms of offering support, being able to make sure that not only practical tasks related to obtaining shopping, food, and so on and so forth, but also medications, but also the real risks of self-isolation. Many of the people that we were needing support weren't either too known to us as a social care provider. They were being advised through clinical medical evidence and needs. And many of those people lived alone. So the real risk of self-isolation, not seeing anyone potentially for an extended period of time. And the risks of their wellbeing were something very significant to us. So we needed very rapidly to develop a solution in terms of making contact and being able to offer that support. Yeah, and I'd love it now to get your take, Steve, on how PA Consulting Group helped deliver on that call and that need. Sure. So we have an existing relationship with Graham and the council. We've been working together for a number of years delivering care technology solutions to service users around the county. We were obviously aware there was a major issue as COVID and lockdown began. So we sat down with Graham and his colleagues to ask what we could do to help. We used our relationship with AWS and our knowledge of the Connect platform to suggest a mechanism for making outbound calls really at scale. And that was the beginning of the process. We were very quickly in a position where we were able to actually get that service running live. In fact, we had a working prototype within four days and a live service in seven days. And from that point on, of those many thousands of people that Graham's alluded to, we were calling up to two and a half thousand a day to ask them, did they need any help? Were they okay? If they did need help, if they responded yes to that question, we were then able to put them through to a conventional call handler in a call center where a conversation could take place about what their needs were. And as Graham said, in many cases, that was people who couldn't get out to get food shopping, people who were running short of clinical medical supplies, people who needed actually some interesting things. Pet care came up quite often, people who couldn't leave the home and look after their dog. They just needed some help locally. So we had to integrate with local voluntary services to get those kinds of results and support delivered to them across the whole of Hampshire and ultimately throughout the whole of the COVID experience. So coming right up until, until March of this year. Right, well, as the COVID pandemic progressed and evolved in different stages with variants and a variety of different issues that came up over the last year. So, how did the technology develop? How did the relationship develop? And, you know, tell us about that process that you had with each other. So the base service remained very consistent. That different points in the year when there were different issues that maybe needed to be communicated to the service users we were calling, we would change and update the script. We would improve the logistics of the service, make it simpler for colleagues in the council to get the data into the system to make the calls. And basically we did that through a constant series of meetings, checkpoints, staying in touch and really treating this as a very collaborative exercise. So I think for all of us, COVID was a constant stream of surprises. Nobody could really predict what was gonna happen in a week or a month.  And I think that's where our preferred way of working and that of AWS and the Hampshire team we were working with, we really were able to do something that was special and very fleet of foot and responsive to needs. Right, and I'd also love to get Graham's insight on this as well. What kind of results have you seen? Do you have any statistics on the impact that it made on people? Did you receive any qualitative feedback from the people that used the service? Yeah, no, absolutely we did. And one of the things we were very conscious of from day one was using a system which may have been unfamiliar to people in the first instance in terms of receiving calls. The fact that we were able to use human voice within the call technology, I think really, really assisted. We also did a huge amount of work within Hampshire County Council. Clearly in terms of the work we do day in day out we're well known to our local population. We have a huge range of different responsibilities ranging from maintenance of the roads through to the provision of local services like libraries and so on and so forth and also social care support. So we were able to use all of that to coalesce as Steve has said through working very collaboratively together with a trusted brand, Hampshire County Council working with new technology. And the feedback that we received was both very much data driven in real time in terms of successful calls and also those going through to call handlers and then the outcomes being delivered through those call handlers to live services out and about around the county but also that qualitative impact that we had. So across Hampshire County Council we have some 76 elected members. Believe me, they were very active. They were very interested in the work that we were doing in supporting our most vulnerable residents and they were receiving literally dozens of phone calls as a thank you by way of congratulating but as I say thanking us and our partners PA, our district council partners and also the voluntary community sector in terms of the very real support that was being offered to residents. So we had a very fully resolved picture of precisely what was happening literally minute by minute on a live dashboard in terms of outgoing calls calls going through the call handlers and then successful call completion in terms of the outcomes that were being delivered on the ground around the county of Hampshire. So a phenomenally successful approach, well appreciated and well, I think applauded by all those receiving calls. Terrific insight. Well, Steve, I'd love to hear from you more about the technology and how you put the focus on the patient, on the person really made it more people focused and obviously that's so critical in such a time of need. Yeah, you're absolutely right, Natalie. We, I think what we were able to do because myself and my immediate team have worked with Hampshire and other local authorities on the social care side for so long. We understood the need to be very person focused. I think sometimes with technology it comes in with a particular way of operating that isn't necessarily sensitive to the audience and we knew we had to get this right from day one. So Graham's already mentioned the use of human voice in voicing the bot call and that was very important. We selected a voice actress who had a very reassuring, clear tone, recognising that many of the individuals we were calling would have been older people, maybe a little hard of hearing. We needed to have the volume in the call. Simple things like this were very important. And one of the debates I remember having very early on was the choices to whether the response that somebody would give to the question, do you need this or that? Could be by pressing a digit on the phone. And we understood that again, because potentially of frailty, maybe a little lack of dexterity among some of the people we'd be calling, that might be a bit awkward for them to take the phone away from their face and find the button and press the button in time. So we pursued the idea of an oral response. So if you want this, say yes. If you don't want it, say no. And those kinds of small choices around how the technology was deployed, I think made a really big difference in terms of acceptance and adoption and success in the way the service ran. Terrific. Well, Graham, I'd like to shift it to you. Could you give us some insight on the lessons that you learned as a result of this pandemic and also trying to move quickly to help people in your community? Yeah, I think the lessons and some of the lessons that we've again learned through our response to the pandemic are lessons that to a degree of traveled with us over a number of years in terms of the way that we've used technology over a period working with PA, which is being outcome focused. It's sometimes very easy to get caught up in a brilliant new piece of technology. But as Steve has just said, if it's not meeting the need, if we're not thinking about that human perspective and thinking about the humanity and the outcomes that we're seeking to deliver, then to some degree it's going to fail. And this most certainly did not fail in any way, shape or form because of the thoughtfulness that was brought forward. I think what we learned from it is how we can apply that as we go forward to the kinds of work that we do. So as I've already said, we've got a large population, 1.4 million people. We are moving from some really quite traditional ways of responding to that population accelerated through our response to COVID through using AI technologies. Thinking about how we embed that more general service offer, not only in terms of supporting people with social care needs, but that interface between ourselves and colleagues within the health sector, the NHS, to make sure that we're thinking about outcomes and becoming much more intuitive in terms of how we can engage with our population. It's also, I think about thinking across wider sectors in terms of meeting people's needs. One of the, I think probably unrealized things pre-COVID was that actually using virtual platforms of various kinds of actually increased engagement with people. We've always thought in very traditional ways in order to properly support our population, we must go out and meet them face to face. What COVID has taught us is actually for many people, the virtual world connecting online, having a variety of different technologies made available to support them in their daily living is something that they've absolutely welcomed and actually feel much safer through being able to do. The access is much more instant. You're not waiting for somebody to call.  So I think there's a whole range of opportunities that we've learned, some of which we're already embedding into our usual practice, if I can describe anything over the last 15 months as usual, but we're taking it forward and we hope to expand upon that at scale and at pace. Yeah, that's a really excellent point about the rise of hybrid care, both in the virtual and physical world. What can we expect to see now moving forward, like to shift over to our other guest? What do you see next for technology as a result of the pandemic? Well, there's certainly been an uptick in the extent to which people are comfortable using these technologies. And again, if you think about the kind of target group that Graham and his colleagues in the social care world are dealing with, these are often older people, people with perhaps mobility issues, people with access issues when it comes to getting into their GP or getting into hospital services. The ability for those services to go out to them and interact with them in a much more immediate way, in a way that isn't as intrusive, it isn't as time consuming. It doesn't involve leaving the house and finding ways on public transport to get to see a person who you're gonna see for five minutes in an unfamiliar building. I think that, in a sense, COVID has accelerated the acceptance that that's actually pretty good for some people. It won't suit everybody and it doesn't work in every context. But I think where it's really worked well and Wax is a great example of that is in triaging and prioritizing. Ultimately, the kinds of resources Graham's talked about that people need to access, the GPs and the nurses and the care professionals are in short supply. Demand will outstrip supply. Therefore, being able to triage and prioritize in that first interaction using a technology route enables you to ensure you're focusing your efforts on those who've got the most urgent or the greatest need. So it's a kind of win all around. I think there's definitely been a sea change and it's hard to see people going back just as the debate about, will everybody eventually go back to offices having spent a year working at home? I think the answer's invariably going to be, no, some will, but many won't. And it's the same with technology. Some will continue to interact through a technology channel. They won't go back to the face-to-face option that they had previously. Terrific. Well, thank you both very much. Steve Careful, PA Consulting Group and Graham Allen, Hampshire County Council really appreciate your insights on how this important technology helped people who are suffering in the midst of the pandemic. Thank you. You're welcome. Thank you. Well, that's all for this session. Thank you so much for watching.


Tastes like Troy Baker Hey guys, I'll admit I have a problem. I really enjoy found footage films I enjoy them far more than I should did I like the paranormal activity movies? I like the first two.  I'll yeah, I'll still watch them. I watched there was one called in area 407 or something that had Dinosaurs terribly rendered it was an area where the people playing crash anyways That was a really bad movie the one I'm talking about right now is the Phoenix incident and really it is a failed idea That was really cool. The whole point of the Phoenix incident is what happened back in 1997 when those Seven lights or whatever were seen above the Phoenix the city of Phoenix and people like oh What this movie talks about is for guys who disappeared during that time And I don't know whether to say it's a really ambitious idea or it's Incredibly Incredibly insensitive. I haven't really looked into it as much about the four missing people I do know about the lights But the whole point of the story is about what happened to these four guys who disappeared during the incident and They cover up behind the lights and what happened to these guys So first off I'll say I don't remember any of the four dudes The only one who I remember is one of them was Troy Baker Troy Baker school He's kind of a douchey musician dude in this movie Unfortunately to be honest besides Troy Baker, you really will not remember anyone from this film You won't remember any of the four main characters. They're totally indispensable They keep on cutting back to the footage of the guys who for some reason even though it's 1997 have cameras that are about this small that have widescreen capability and Then another thing that's really stupid about this film is that it starts off with boob tube screen and grainy footage and then Slowly throughout the movie the footage gets better and better So it's like okay either way what you'll really be interested in is this mockumentary side of the film that talks about with Generals talks with the parents of the situation and shows footage from military sources from jets There's a part where you sexy or flying with the jets that are Encountering the invaders that part is really cool That part was interesting. It's then when stuff hits the ground and the four guys hit get involved that it just turns Stupid it just goes really By like bare bones slash your flick really silly has absolutely no point to it.  This is really boring again What you get at the beginning of the film is a very interesting idea of taking a real incident and turning it into a mockumentary It's kind of like what they did with devil's past which I really enjoyed and because of what it was talking about So this film tries to do a similar sort of thing a little bit more in a mockumentary sort of way This devil's past did but the fact that he keeps on relating to these four guys is pointless because one you can spend so little time with them You don't care and two. They're so generic. You don't care about what happens to them So Phoenix incident is an interesting concept. It's not good. It's not memorable There's one part I will remember from it Which is just this jet fighter scene which actually I thought was pretty good considering the film's budget But otherwise it's a failed opportunity at something that could have been really cool So in the end I'm gonna get the Phoenix incident a 2 out of 7. I honestly I thought it was a really interesting idea for the first 30 minutes, and it just turns to poop. Anyway guys, that's the That's all from me. I'll see you guys later


We're here at the ITU studio in Geneva and I'm very pleased to be joined by Mr. Malcolm Turnbull, who is Minister for Communications for Australia. Minister, thank you very much for doing this today. Great to be with you. I'd like to start off by talking about broadband. Australia is currently implementing a large scale broadband network and it's been very proactive about promoting the benefits of high speed networks. Why do you believe that such a large investment in broadband technology is important for Australia? Well, connectivity is absolutely vital. The benefits of the digital age are only available if everybody is connected and that's obviously an expensive job. To be quite frank with you, the previous government, which we were elected last September, the previous government was committed as to spending much more than they needed to and I wouldn't necessarily recommend the Australian model of the government actually building the broadband network to other countries, but the principle of ubiquitous, affordable broadband is absolutely critical for all countries and the change of policies since I became the minister has been to continue with the broadband rollout, but to seek to do so in a more cost-effective manner so that people are connected sooner and that they are connected more affordably. The biggest barrier to internet access is not technology, it is really income and so if we want to get the benefits of broadband, particularly around the world and countries that aren't as wealthy as Australia, we've got to use technologies that make it affordable and focus on the service outcome, the connectivity that you require rather than becoming fixated on one particular technology platform. Now as we know Australia is a large and geographically diverse continent, it could be so that it faces a lot of the same challenges in connecting its population to broadband nations as in the developing world. Can poorer countries learn from your experience and are you actively sharing your expertise with neighbouring nations? Well we're certainly seeking to do that and I know the ITU in particular has had some case studies on the Australian experience and I'd welcome that and I think the approach that we are taking now is very relevant to developing countries because the approach that we're taking is what we call technology agnostic or a multi-technology model so that we look at a particular area, look at what legacy assets are available in terms of copper or HFC or indeed conduit and whatever's available and then say what is the fastest in terms of time of construction, cheapest and hence most affordable way of ensuring that the people in this area get connected and that that is the critical thing because I think a lot of countries will come under pressure from particularly from vendors who will want to push the shiniest most expensive technology on them and there'll be a tendency to always go for what is seen as the perfect technological solution. The critical thing is the outcome you know we should always remain in terms of telecom focused on the prize. What is the prize people being able to connect at speeds and with capacity and functionality that enables them to do all the things they need to do and want to do and but above all it has to be affordable. There is no point having a Rolls-Royce product, a Rolls-Royce network that people can't afford. Now Australia has been an active campaign of a free and open internet and the importance of the multi-stakeholder process. What's your impression of the current state of the debate and following I mean the global net mungle conference in Brazil a couple of weeks ago for example that raised a number of issues? I thought that was a very promising outcome I think there is there is not unanimity of course but there is very broad support of the multi-stakeholder approach and we have to recognize that the the internet this extraordinary piece of infrastructure the most important piece of infrastructure ever built has been built largely without the involvement of governments you know the United States involvement in the naming and numbering function has been largely a reserve power I've often described the role of the Department of Commerce as being a little like the way the House of Lords has described in the Gilbert and Sullivan opera Iolanti as having done nothing in particular but done it very well and the United States should be credited for saying well the I can the internet since the community of the internet has grown up and doesn't need our reserve power anymore I think there's great very commendable that America is doing that but what we have to do now of course is to ensure that everyone is satisfied that the ongoing governance is meeting everybody's requirements but we have to remember that this remarkable piece of infrastructure has not been built by governments it has been built by the civil broader civil society you know technology companies and citizens scientists academics it's a remarkable accomplishment talking about accomplishments ITU is celebrating its 150th anniversary in 2015 I wanted to ask you finally what for you is the value of ITU the ITU is at the very heart of what it is to be human there is nothing more human than engaging than speaking we are social animals connecting you know think about all of the characteristics of of our species and what is what can be more important than the fact that we are social animals we are all we love to talk to gossip to argue we love to be together we flock together and the ITU has been at the center of ensuring that we as technology is developed we have been able to do that across wider and right wider distances across all countries across all income groups all demographies and so I would say the ITU is it the heart of humanity Minister Malcolm Turnbull thank you very much in deeping with the city thank you it's been a great pleasure


My goal is to make the cut That's always been my goal, and I think and I know if they play as good as they can we'll make the cut We're going there before freshman. They've never been there. That's going to be tough We've never solved it. We've never played on the course My freshman who is our number one Andrew Wally. He's played it before because he's from Florida So that's a big advantage for us Austin's been there before so he'll know what to expect tell them but then play the course Andrews played it before Austin hasn't so I got to rely on both of them Because it is it's different in the fall. We played 11 rounds of golf. We played three or four two-day rounds Going into Virginia and we scored under 300 about four or five times. So I knew we could do it The most important has to be competitive You want to be competitive? You want to go down there and show them that Stevenson University? Golf is a viable program because we're not that we're not that much known, you know So that's important for us without a doubt. I was very proud When I heard we won and you know, you know, I don't use my computer and my phone But I heard it on the last after the last boy finished. I was very very proud They played outstanding. They came back with lower scores and their freshman But I knew what they could do because I recruited them They they keep score whole by whole you can follow us on your computer and everything And if you can that would be great


Forests are and will remain one of the major sources of livelihoods to the majority of the people to maximise the benefits of forests and trees and to accelerate the restoration of the huge chunks of forests degraded over the past several decades there is need for greater inclusion and participation of the forest dependent communities in the management of the forests this probably explains why over the past 25 years there is growing commitment in many countries the world over to set up laws and policies to give communities more control and ownership over forests Uganda is actively pursuing the sustainable development agenda but like in many patriarchal societies the women still need the consent of their husbands to plant and own forests it is on this premise that the Centre for International Forestry Research with funds from the Austrian Development Agency partnered with Macquarie University, the Association of Uganda Professional Women in Agriculture and Environment and the local communities to pilot a five-year gender, tenure and community forestry project the purpose was to explore ways in which to increase the participation of women in the management of forests and forestry resources Macquarie University's School of Forestry, Environment and Geographical Sciences coordinated the project in Uganda and identified the key factors constraining women's rights and participation in decision making and benefits in the management of forestry resources the Association of Uganda Professional Women in Agriculture and Environment, AUPE, introduced the adaptive collaborative management strategy ACM to encourage the community members to self-reflectively identify the problems which affect them take collective and collaborative actions to resolve them, monitor and reflect on the outcomes participate fully in the discussions and leadership of their respective groups identify and tap into linkages with external actors and to learn from their choices AUPE supported them to use the participatory rural appraisal the responses from all the groups were then merged into one comprehensive vision statement and a five-year community action plan trained ACM facilitators guided the process from the start, encouraging participation, monitoring, organizing meetings, prompting discussions and catalyzing linkages the women have been able to build their communication skills to support the much needed joint learning among participants as well as building their negotiation skills to resolve the conflict in their midst using peaceful means it also came out prominently that involving the male partners was necessary so that they can be more supportive of their spouses to own the trees, forests and forestry products and finally the communities have been able to create linkages to get services from actors external to the group this results therefore suggests that in ACM lies the answers to empower women to get their tenure rights so that they can participate in decision making and the overall management of forestry resources


Welcome to Amsterdam and KubeCon CloudNativeCon 2023. Join John Furrier, Savannah Peterson, Rob Streche, and UPSCOT. As the Cube covers the largest conference on Kubernetes, CloudNative, and open source technologies together with developers, engineers, and IT leaders from around the globe. Live coverage of KubeCon CloudNativeCon 2023 is made possible by the support of Red Hat, the CNCF, and its ecosystem partners. Here I'm John Furrier for our day two wrap-up swag review. Of course, I'm joined by my esteemed host this week, Rob Streche, Savannah Peterson, who will be doing all the swag review presentation, and UPSCOT, our guest analysts on the Cube. Two analysts, two hosts, swag review, Savannah. It's going to be a wonderful close. Take it away. This is our favorite segment. Just in context, last Detroit KubeCon, we did a swag review. Savannah's brilliant idea. It was the hottest, largest viewing segment ever. And then it got competitive. The knives came out. Really competitive. We did a day one, which was brilliant, and then walking through. So we're going to double down on this. It's a fan favorite. For sure. And then we're going to start having Editor's Choice Awards. Oh, yeah. And trophies down, anyway. We're going to be doing cube events about swag in the future. It'll be great. Just to set the stage a little bit, and the reason that it matters to me, and I was grateful that you let us kick it off in Detroit at KubeCon is you have to stand out. We're on a shelf floor with 10,000 people and lots of different booths, lots of similar words on some of those booths. And if you're going to stand out in a track to tension, you really got to make sure you're doing something different, which is why I was really impressed. So just real quick shout out to Frank Fay and his family, Jocelyn and Mari. They have been working hard. Frank's on our sales team. They've been working super hard all week to find the best swag, leveraging that. I think there's a little bit in it for them, sometimes when they do it. But I was extremely impressed day one when Frank came and showed me something that I have actually never seen as swag. Now, y'all have been to thousands of events and I have never seen this as swag. This is the replicated apron. I was originally just gonna wear this and nothing else for the segment, but I thought that might be a little inappropriate. But as you can tell, it's really nice material. It's leather, it's super fancy. They very much curated VIP bags for their community. Just lay that out for everybody. I gotta say it's nice. And with it, they brought some coffee. Now I like this because these are two really practical things. I don't like saying stuff that's gonna go into the landfill. You know I'm passionate about sustainable swag. And so these are two things that I would use. So this is actually my personal stash kit. This isn't even just our props for the day. On the same theme as the morning. It's interesting here. We're here in Amsterdam. It's a city known for having a lot of fun. We'll put it that way. And you can tell that the vendors really localized some of what they did to that kind of culture. So beyond the coffee, we've also got this D2 IQ hangover kit complete with little eye mask, which as a lady on cam, let me tell you, I'm gonna be using this baby tomorrow. As well as a hydration tab, cement us. It's a whole shebang that also not only complements the electronics bag for you at the show, but it also comes with a sweatshirt for those dark and cozy moments in the morning after. I was actually wearing this sweatshirt this morning when I went and saw Leonard who runs production. He can attest he's giving me the nod back there behind the camera. And nice and cozy, always great to get a high quality swag. And just in case you forgot where you are when you wake up in the morning, at least the title's right here. You've got that going for us. Were you wearing pants with that? I chose to wear pants up to breakfast only because I thought we might see guests. Had it just been me here in Amsterdam, who knows if I would have had anything on really, John, I would have just been wearing the apron. Let's just go ahead and run with that. Actually, speaking of localized. I was to say the leather straps go for you. It works, leather works for me. I've got no qualms about that. Now this is, I want to know what this is. Yeah, tell me. Why don't you play with it and tell me what you think it is. So I always love when something's local and this is a really good example. I know, okay, I got it, this is a bike tool. Yeah, it's a multi-tool. Everything you need to fix your bike. How cool is that? We had Liz who rode all the way from London here, which is crazy, lots of bicycles outside. I was gonna hit by one. I was just gonna say I've been dodging them, sometimes inebriated, not exactly the best play. But this is a really thoughtful piece of swag by Intel, super useful. The type of thing that someone's not just gonna go put on their desk and collect dust, but actually throw into their bag and use. I know, it's pretty sweet. I might have to go get one myself. I know, I had the exact same thought. On the note of quality. So Kassen by Beam always does a really good job. But they had the massage gun that actually won our contest at AWS. And they had some really nice car heart beanies, which are also localized when we were in Detroit, which is rad.  Stirrable, it's great. I actually took it out last night. It's the tool that I'm using here at the show, which is just really thoughtful. We're gonna have those guys on the show actually tomorrow morning, which will be super fun. Moving on down the line, we know there are always shirts at trade shows. I am real picky. In fact, we had some folks come over here and try and tell me they had the best shirt at the show. They don't have the best shirt at the show. If I'm caught on the shots, it's gotta be pretty innovative. It's gotta be pretty clever. I know that John and I are big top gun fans. So we've got this top frog shirt from JFrog, which is quite clever. I actually watched Maverick on the plane here, so really nice clothes. I noticed the tagline, secure the need for speed. And of course, speed and scalability, you've been talking about this all week. It's one of the hottest topics at the show here. The only thing that it doesn't have is AI. Right?  There's always next year. Next year, yeah. There's not as innovative a picture. There's room for improvement. Well, they can layer on. They can layer on with that. They're gonna bolt on some AI. What else you got? So I'm gonna actually, so the yin and the yang of dev and ops, we got dog and cats, which I thought was very clever. This is Dell. This is Dell and to go along, I'm just gonna use myself as a hanger, to go along with the dog and cat yin and yang. They also have a pooping dog, a stress ball and a puking cat, which is great. Bonus points to Dell. I just wanna shout this out. A lot of times people will do swag that isn't branded. Now there's such a missed opportunity there. I think high quality swag with intent, it's definitely the way to go. But beyond that, why not remind people that it's made by, or that it was given away by Dell? Pay attention to details is super important. Detail, detail, detail, man. It's all in the details. And people like me love to see that you thought about it. It's all about being a little more intentional. You guys, all right, you dog or cat person?  Dog person.  Dog person. I go both ways. You would, John Furrier. You would. Oh no. What is Amsterdam, so. Hey, I'm the last to judge. That's for sure. And last on our t-shirts, just because I thought it was funny and we're always playing buzzword bingo here on theCUBE. Don't touch my ammel. That's good. Gotta love the yammel joke. Got it, got it. There is a really small sector of the population that would actually understand what this means, but pretty much everyone in this room does. Which is really, which is really saying something. That's a good inside baseball joke right there. Yeah, very good inside baseball. We had our youngest guest potentially ever on theCUBE this week. And I also met a founder who was really interesting. It hasn't been a guest yet, but hopefully we can recruit him. He's founded five different companies in the Kubernetes space. He's actually the CEO of five different companies. And his PR gal, Tina. Tina, shout out to Tina. Promise to give you a little love. Created a whole bunch of different CUBE. So these are each for different companies. But as Cassandra was saying, she looks for the best plushies. I hope she finds her way to this little squadron of toys. We have four of the five. I'm not sure what happened to that. I don't think the fifth company is here. But yeah, I guess if we all want to identify as a square plushie, we can have one. I'll take the test cube any day. Yeah, yes. It's a nice little moment for us. We gotta tell that guy to stop starting companies. I mean, I mean. I have a point. Do you stop? Sixth and? Talk about people talk about like Jack or Elon with balancing multiple companies. Five, I legitimately cannot even imagine having five different companies. We are in the land. Oh, actually, no, I'm just gonna start this back. Our hotel has some of the nicest waffle situation I have ever seen. The waffle bar is absolutely unbelievable. I realize certain waffles are considered Belgian, but there are a lot of waffle giveaways. This was even in our lunch today, I think, is where this came from. And then of course, if you know anything about the Dutch, you know about the Stroopwafel. This has become very modernized by the airlines in the US. But the Stroopwafel is a Dutch classic and a true delicacy.  Feel free to start eating those. Breaking. This made me really excited for a couple different reasons. One, because I love that people are starting to get so excited about the segment that they're just bringing their swag over to try and pitch us to get a feature. But anytime you combine two fun words, I'm really into it. So these are Space Beaver socks. That's probably the only time John's gonna let me say beaver on camera. So we're just gonna hold this for a second and let you all enjoy it. Everyone loves space. And everyone loves space. Although RIP Starship, it blew up today. Really sorry if you're a space fan. Super sad day for space. Thankfully, I think everybody was safe, but still a big moment in that world. Okay, so I'm gonna ask for your help here, Rob. There we go. Not more talking. Actually, I have to almost like stand up so you can still see me.  And I'm not sure exactly what the crossover is between the Dev community, the open source community and Legos. But every show we go to, there's a whole bunch of Lego sets. Although this one I'm told is limited production, limited edition, it's selling out. It's obviously massive. This thing is easily the size of my body. This is from our friends over at IBM who were just on the last segment. They are raffling this off in addition to, I'm just gonna set this down so we actually have a little life in room, in addition to perhaps the priciest giveaway on the show floor. See. Yeah, a little Oculus action. They're giving away one of these every 15 minutes? Every 15 minutes and Legos as second prize every 15 minutes. Yeah, and you've got to be in the booth. These types of activations where you not only need to participate or play a game, but actually show back up and continue to interact with the brand. I think it's super smart. Are the space beavers in there? I don't know. Maybe we should make a space beaver game. And are they stuffed or not? That is a matter of interpretation. I haven't seen the plushy space beavers. But I am here for it. Whatever happens next, never know where you're gonna get on the cube, folks. Metaverse, anything's possible. Yeah, you never know. All right, and last, but definitely not least, if you know me at all, you know I love a good prop and I particularly love a good conference hat. You may have seen my cowboy hat. You may have seen the bucket hat. We do a lot, but the cloud champs hat is really great. I managed to get a matching one. Actually, four of us have a matching one. We've got a prod team situation going on. Noah and I have matching caps so that we can look really cool. But the thought of being a cloud champ just really did it for me.  Look at that. I feel like a cloud champ here. I'm surrounded by cloud champs. There's a lot of cloud, wow, I, woo. Let's get those words coming out of my mouth properly. A lot of cloud champs all over the floor. This is really a celebration of cloud champs. I'm just happy to have the right hat on. Pick the right team. Great hat, looks good on you. Thank you. Thank you, blue's one of my colors. They're all right. So that is the end of my segment. I'm calling the winner. It sounds silly and this is such a dark horse and unexpected. I have seen Oculus has given away. I have seen Legos. I have seen socks and t-shirts. I have never seen a quality apron and I feel great about it. And I like the implication of makers and doing and I don't know, maybe let's get all and get all these developers in the kitchen after they're done building things. I think it's a good call. I think the originality is great. I think the IBM high quality valuable gift is a good. Good intent for sure. Good intent and it's immediate satisfaction but the durability of the mind share of that is original and sticky. It's sticky and it's easy to pack home which is another thing that people think about. As a Dutch guy, I have to say this love waffle. Yeah, oh yeah. Love waffle, it's great. It's easy, it's delicious. And no one's mad about a soup waffle. And I don't have to bring any home because I'll eat it before that. There you go. Nothing extra to pack. Savannah, great job guys, great job today. Day two, killing it, crushing it. We're champs. You guys are champs. You got cube champs, cube club champs. All right, it gets a little chewy when you say it a few times. Tomorrow we have a half day, we're closing down at I think two o'clock at 2.30. Great day wall-to-wall coverage. Great, great segments today, great job. Everyone's phenomenal. We saw a lot of adversity today on the stage. Day two is a wrap. Thanks so much, great job. Swag is here, swag review. And we have a winner. Stay tuned for more tomorrow, we'll be back. We'll see you then.


Okay, so technically speaking, I shouldn't be talking about this because, I mean, you know, we are working on like KDE Plasma 6 and the new releases of KDE frameworks. And this one is a feature that's in KDE Plasma 6. And I built it like I worked on this for years for it to be on KDE Plasma 6. But recently, I was actually able to backport it to KDE Plasma 5. And I'm just so excited. I mean, technically speaking, yeah, I shouldn't be talking about this, but whatever. Let me show you what it is. Okay, so this feature, this feature is what I call the scotch, which is written as KNOTCH. And it's an applet. So we can actually just go into right click add widgets and add it. And as I said, KN, this one. And we can just add it to whatever panel on whatever computer. And it will just fit whatever panel you put it to. And just like this, I mean, to fully understand what this does, let's actually center it. So let's add a couple of spacers like this and like this. And now it should be clear. It's the scotch. And of course, I mean, this is KDE. So this is like the most customizable things ever. You can just go into right click, configure this scotch. And you've got basically everything you might need. So if you want it smaller, then, I mean, whatever fits you, smaller is fine too, but also bigger. I mean, it really depends on what feels right to your device. Because I mean, what's the point of this? This makes you whatever device you're using feel just so much more expensive. Like, just look at this. Just by doing this, I increase the value of this product, which is a dial in this case, by 300 years, at least. And I mean, isn't that amazing? And of course, it's not just customizable in its size and appearance. I mean, we can use whatever like touch to resize it. That's actually to move it. And this is to resize it, as you can see. And I mean, what else? We can add more than one.  So this scotch, let's add another one. And of course, each one is independent, which means that each one you can choose how it should look. And they are all different. So just like this, really. I mean, if this is not amazing, I don't know what is. So if you were looking for forward to KD Plasma 6, now you know what the biggest feature is. And if you want to try this out, well, you can find it now on the KD Store. And by the way, I don't want to put out too much, but I've also sent this to another developer and he's doing some very interesting stuff with it. And you'll see later. So stay tuned. Of course, this also works if you like move the panel. Now you've got the sideways scotch, which is, I mean, so yeah, probably you should now go check out KDE official accounts and check out there if anything new comes up, because it's going to be worth it. I mean, just just look at that.


Hey there friends, thanks for checking in today. We're looking at the Zedith ZF 5 It's an HK MP5 clone without the price a lot of people said, you know, I'd love to have that MP5 It looks awesome, but the thing that has kept them away from it is the cost. It is very expensive This is a copy. It's a clone and they did a great job nine millimeter semi-auto MP5 clone made by Zedith firearms called the ZF 5 and It can be purchased for under two grand. You can see it's a very clean Look to it. It offers a lot in the case. We're going to get into that It is a side charger, which is super cool Just hit that charging lever down and that will charge around comes with this sling. We're gonna talk about that Let's take a few shots here. All right Very nice firearm for an affordable price When I took it to the range the first time I shot this thing is not super heavy. It is extremely short It offers a lot. I know I keep saying that but I'm going to get it over to the table now And we're gonna talk about that and you will see what I mean Zedith gives you the nicest case you could ever ask for check that out. It is heavy duty heavy padded very Strong I kept this buckle fast and you see you push this Button right there to release it buckles all throughout it has a carry handle right there You could roll it like a suitcase Because it has those wheels right there really amazing and then the the padding is pretty awesome They give you the paperwork Three mags a cleaning kit the firearm. There's your lock It is a firearm worthy of a case like this I just have never seen anything this nice in this heavy duty in any Firearm that I've ever owned and if you want to just carry it normally there's a pretty heavy-duty carry handle So let's get into it. Here's a closer look at the ZF5 the American made ZF5 I mentioned it came with a two-point sling here. It is it is made by Zenith I know a lot of people would run a single point. I like this because when I Fire I grip around like this to grab the handguard standard grip right there. Not much texture to it Oversized selector switch right the thumb safety oversized and then the mag release is right here Okay, you just slide it here rip that mag out. It is a tight fit and for those who like a traditional mag release That is on the right side the reach for the finger is a lot Okay, or fire I should say so it's it's you have to go a bit to do that So I think it's just easier to go that route You can take a look at the handguard. It is Polymer alright that can easily be switched out and then a side charger and that's cool Okay unload and everything just hit that and you charge the the firearm Has a hooded front sight in case you don't want to run an optic and then the rear has this site here. You can change the witness hole However you want okay different sizes, but if you run an optic, it's no big deal No, I did put a vortex spitfire on there. It's a little large for this firearm I'm gonna put something a little smaller, but that's what I had to run the Rail you can install they give you that a little more difficult than I thought but once I have it It's very stable. And so that's certainly a nice touch 8.9 inch barrel and it is a roller delayed blowback system, which really softens the shot now You may say nine millimeters a soft shot. Anyways, this is even softer So I took it to a gunsmith to check it out. I want to know what makes this type of blowback system different he explained it to me it made perfect sense. I'm going to Cut that in very shortly. This is a three lug flash hider All right, you can see it opens up right there And it is a threaded barrel so you could run a can if you want or you could install this flash hider It doesn't matter. It's it's pretty cool. Here's a look at the other side All right, it is very clean very well built It's refined. It's got a nice look to it easy disassemble and When shooting, you know, it's like anything else when you when you get your optic sighted in You're going to shoot as well as you pull the trigger now. Speaking of the trigger. It is a heavy trigger All right, we see it unloaded here right around eight pounds and move that down right around an eight pound Trigger with the reset right there. It works. It works. Just fine I don't have a problem with it a lot of times with some long guns This is not a long gun, but you know people like those real short triggers But when I fire this it doesn't feel like an eight pound trigger, but I mentioned the roller delayed blowback system I want to show you that because that would make that is what makes this such a soft shooting firearm This is the delayed roller blowback system. So this is your spring tent your spring on here So this push attention forward on this so when this is locked up you have a cartridge in here You pull the trigger it goes bang and it pushes the system rearward and it takes the tension off of here And these can come in and the system can come back and pulls that back Your cartridge is on the ejector there or extractor and ejects and then it feeds up and cycles But that's how those delayed rollers work See when it's pushed forward it forces them out on the on that piece in there Let me show you real quick See the tapered bit there Yeah, so that's what actually rates the timing on the walls See it forces the rollers out once in there Loading a mag with the ZF-5 is much like a rifle mag. Just push it in there just like that All right, you can see it's a double stack right there And they gave you three of them which is certainly a nice touch But all you do is push it in it's cold in Michigan I wear gloves and it would certainly work no problem with that oversized trigger guard Also, the mag release is super cool. Just run your hand down like that to hit that lever to release the mag The mag well is tight though. So maybe once the mags get worn down a little bit from In and out that it'll be a little bit easier The overall length of this firearm is very short All right, I'm gonna measure it and put some Text down below because I am at the range. There's a closer look at the grip rather smooth some grip tape Additional stippling on the grip tape would be nice, but overall a decent feel to it I like the the way the charging handle works You slap that down and charges around that is the benefit The other thing is that it doesn't lock the bolt open because in order to do that It needs to be pulled up and then towards the center because it has that cutout right there That will hold the bolt and and the charging handle when locked back Here's a closer look at the rear rotary drum. All right has different size holes there So you can choose whatever aperture you want. You don't need to run an optic It's easier to run an optic, but you can see the hooded front sight All right, so when I first got it, I ran it without an optic. It was completely fine But like I said, it's easier to run an optic. So that's what I went with. So there it is the Zenith ZF5 HK MP5 copy American main and under two grand. Yeah, if you like videos like this Please subscribe and share I always appreciate thumbs up button. Thanks for watching and you guys be safe