60 minutes. That is all we have left with Jujutsu Kaisen for the season. Ladies and gentlemen, welcome back to the channel. My name is Jagd the Boss. We have metamorphosis today, and I am very worried because in the end of the last one, like I said, I feel like either Toto or Mahito dies here. Because if anything, the time to stop this battle would have been last episode when they had that sort of face-off. And we've seen so many of our beloved characters die off already, Nanami, Nobita, that I wouldn't be shocked for another one to go. And I think Toto would be the one I would be probably most distraught over, although Nanami and Nobita were already in probably like my top 10 favorite characters. So I'm already bleeding, bro. I'm gonna stop wasting time. If you knew this, you know, make sure you drop a sub so you don't miss any of the reactions. And let's get into it. Jesus man, oh my god, so loud. Oh my god, so loud. Oh my god, I can't hear anything. Oh my, they're not wasting time either, bro. What?! He splooged all over Shibuya! Oh dude, someone's dying today.  Oh no, he's holding him still! Wookie Wookie never gets hold, man. Eugh, that looks so gross! He's just bouncing around. An amalgamation. I'm gonna pretend like I know what that means. Whoa! It's like, it looks stronger. You just tell it is. Oh my god. They're still dealing with this disgusting creature. Dude, it's so gas, man. Distribution is like two to eight. Is that much weaker? Hey, this is not the full Mahito. He's like talking to himself. Oh! Come on, Toto! You're so much better. You got a clothes hanger? Oh, just imbued it? That is so gas! Oh, he crushed it. Wait. No, wait, Mahito. I think Mahito took his power back. Oh, it blew his whole load. Oh my goodness. No, that's why. Dude, what is this fixation on his necklace? Where did his necklace even come from? Has he always worn it? He just kissed it. He's bad. He's bad. Disposed of you. He's getting a true 1v1 with Yuji. The gorilla. Man, I kind of like them as a duo, though. Like, especially with Wookie Wookie, but he's making him not crutch on it. You got this, Yuji. Dude, that scar. I feel like that scar is going to be permanent. That's a deep cut. He's just standing there, missing Lee. He's just grabbing him. Protect your soul, Yuji. Oh, what? Oh, Toto's back. Let's go. He's already beat him. Interesting to actually see Mahito Mahito long. Let's go, Joe. Oh, no. Oh, no. 0.2 second domain? No! Protect himself. Oh, the symbol domain. We learned about that. And even he's going in. How? Oh, oh, shoot. Oh, shoot. Oh, shoot. Wait, Mahito got a while for this.  Tatsukada. He's targeting Toto. Oh, my God. Oh, my God. No, no. He just cut his arm off. Wait, he can't boogie-woogie. Oh, my gosh. Oh, no. Oh, no. Oh, my goodness. It looks like a hole in his stomach, bro.  Clap with your- No. What is the significance of the necklace, man? There is no way. It's so funny. He's had a picture of Yuji around his neck this entire time. Okay, so this is all on his imagination. So what's happening in real life?  He clapped his hand. S**t, Mahito's hand. Oh, he's out. He's passing out. Don't die, bro.  Nah, yeah, Toto does not die. Oh, my gosh, but he lost an arm. What? He's awakening. Oh, no. He's transfiguring himself. What is that? Final form, Mahito. Oh, whose birthday is it? Is it Yuji's? He kind of for a second looked like a greed. Greed's form in a full metal low key. I honestly don't know how much Yuji has in the tank though. Oh, here we go. Oh, he snapped it. Wait, what? Dude, Mahito looks sick. Oh, my, it's something metal on metal. Oh, my gosh. You saw his whole body rattle. If I could second those effects. How much blood has Yuji spilled this arc, man? Oh, shoot. Oh, shoot. Yuji's matching up though. He can't pierce his defense. Oh, my gosh. Wait, where did the water go? Sukuna? It's like an O or nothing hit. Bro, his cheek. Oh, my gosh. No sorcerer that can unleash Blackpush. I will. What? What? Oh, he's still recovering from that on the end of your rope. Oh, no, the complete opposite. He's doing right to him. Why would he though? If he thinks current usually can. Mahito's crazy. They pierced. Oh, wait. No, he brought his armor down. Oh, no. Boy, use his time skip. Oh, Mahito's panicking. Oh, no. He's warm. Is that your regular? No, he's done, bro. He's done. Trying to make himself throw up. He has nothing. He's done. Is he saying he's the same because he has Sukuna in him or the curses and humans are the same? They'll find you. Oh, my God. Yo, we're entering dark Yuji arc, man. He's scaring him. Bro, this is the end of Mahito. The wolves chasing the little rabbits. Oh, my God. That is metal. He's like, you can run. Bro. Does he feel like Yuji? It feels like Sukuna. He can thrash and plead. Is that Toto? Wait, what? He's here. He's actually here. No. Oh, there's no way. Yuji takes his time so now Mahito lives. I mean, technically he hasn't lived yet, but what reason would geto have for Mahito to die? That would just be like losing a random pawn that you need. Also, wait, what happened to Meimei? We never even saw what happened. They were about a fight, weren't they? Or she exercised that curse or I guess got out of that domain and then was headed for him, right? That was the last we saw. What happened? But did he just leave to come see what was going on up on the survey? He's like, wow, it's getting kind of loud up there. That was insanity though. That fight was insanity. Bro, there's only 40 minutes left. How are we gonna wrap this season up? Either way, it's going down as one of the greatest seasons of anime I have ever seen. And I think a lot of people would agree. Whether or not you've seen a ton, this is just peak, man. Every single episode is just filled to the brim with just the most insane choreography, imagery, character development, everything. And it still isn't over. Like I feel blessed to be watching this weekly, honestly. I can literally see five, 10 years from now going, man, I remember watching Shibuya arc, like the Shibuya incident as it aired. It was crazy. I see myself saying that. You guys, that's been my reaction today. I hope you did enjoy it. I will see you again next time because we are because we're closing some of this out. And I'll catch you then. Peace, peace.


So I just want to apologize in advance if I check my phone a few times, my old yellow lab, just a 12 raw chicken wings hole. So anyway, I'm going to have to just check a few times to make it off to the emergency vet. Very exciting. No, no, it'll be fine. I'm sure it'll be fine. But how do you eat 12 raw? I do it so fast. How do they do that? It's so wild, right? Anyway, so I just want to say, if I look at my phone, that's why. So what we want to do is get some feedback from you all. Obviously, we're going to take notice about the suggestions you have for how we're all going to stay connected. Then we're going to do some wrap up, and then we're done. So I appreciate that we hang in for just a little bit longer. OK, so and I'm going to, I had another microphone. Yes, I do. It's sort of like active to be handing the mics. I like the energy of that. So anybody, any group want to start with the, I think maybe each group should try to report back if you have something. And so maybe group A. Yeah, let's do it. You're not A. Oh, I thought you were A. Group A. Yeah? Group C is ready to go? Yes, I guess I'm ready to go. We had a great conversation, really rich and full of ideas. And there were prompt questions, but I don't have those memorized, so I'll just go. How can we work together? And what would we do together that we couldn't do apart? OK, so we had the normal list of conference calls, Google Hangouts, TCG, of course. We thought, well, why not find a way to get together and just have a party to Nathan's point? Like, sometimes you just have to get together and have a good conversation. It doesn't have to be about the work. It's just about good conversation. And like last night at the restaurant, there was such great energy in the room. And I'm sure, I know we were talking about baseball, but it was a great night. Wanting to see more sharing of scripts in production across the cohort, organizations being willing to welcome playwrights from across the cohort to have readings in different theaters across the country so that we can engage different demographics with the work, this was a very specific question, but can the cohort commit to reading at least one other playwright's work over the course of the residency? What are the avenues for playwrights to get the work out and how can we as a cohort help those playwrights? I think we talked about that earlier. It was interesting, the playwrights were all in agreement that there hasn't been any time really, other than I think the sharing of the works in progress, for them to talk about their work specifically, what their perspective on their work is. So are there opportunities to either, you know, by these Google Hangouts or TCG conferences, are there ways to have conversations with specific parameters around aesthetics, around process, around the audience we're trying to reach so we can get to know each other's work better? Or is it a speed dating approach? Do we all share five minutes on that same perspective and then, you know, see where the conversation goes? Can artists in the cohort do intensive workshops where other artists' organizations participate and be welcomed into that individual artist's process? Doing good so far, guys? Yeah, okay. Yeah, so Louis had some great comments. We need to understand each other's artistry and perspective in order to know how to go deeper. So if we are interested in each other's, we're only going to know if we're interested in each other's work if we know how we work, why we do the work. And not to get bogged down in the quorum, right? If only six folks can get together in a region, that might be good enough, right? We don't all have to always be together when these things happen. Ralph, great comment. We are the face of American theater in order for the field to understand where we can go. We were talking about this, of course, earlier. The impact that we as a cohort can have on the direction the field is moving. No one artist or organization can achieve that on their own. So we really do have to see each other as resources, as allies. But it comes back to how well we know each other and how willing we are to be curious about each other's work. That's great. Thank you, Tom. That's great. Yeah, really, really good. Madeline. These are from group D. We talked a little bit about exchanges, informal exchanges, going to visit each other. I like to watch other people make work that I'm not necessarily personally involved in.  And I would love to see at the same play a couple of nights in a row and see with different audiences. So that's just like a personal thing that's interesting to me and that assaults my own process in an indirect way. And it would be really interesting for me to go and do it, let's say, in Minneapolis or someplace else. So we talked about thinking about having just a sense of hospitality towards one another for that kind of thing. And I think to that end also, sometimes theaters have artist housing that lies fallow for periods of time. Maybe there would be a way that theaters could share that information in case somebody wanted to go and use some of their funds to have a very informal writing retreat at someone else's house, you know what I mean, in someone else's artist housing. From the cohort there, there'd be an opportunity to like, hey, have a dinner, or what should I see tonight? Do you have something at your place or something else you know I should see so that we build that even more informal sense of community where those conversations of depth can happen that you guys were talking about as well. I mean, this needn't be a formalized thing, but just sort of like a sense that we're down with that kind of checking in with each other. I had felt very inspired in the small group of playwrights only by the sense that we're basically on the verge of leaping to our feet and creating some kind of manifesto. And I wondered if it's not, speaking to the question of what can we do together that we can't do alone, if it isn't worth thinking about some kind of semi-structured maybe hour, hour and 15 minute thought experiment activity the next time we meet together in which we do some kind of utopia game or play some kind of manifesto game which we could do some preliminary work before we get there. Kira was saying it's sometimes good to revise those things. Some people are more manifesto-y than others. Maybe it doesn't have to be compulsory, but it seemed like we were about to do that just organically anyway. And that thinking of the Kilroy's List as maybe a model of a recent example of just a document, a piece of text that all the same has a catalytic effect on the practice, that there might be a way to create a sense of an ideal theater or an ideal theater ecology that we can sign on and use in some way. And then we talked about maybe doing that twice, so doing it more once towards the beginning of the residency and then maybe again towards the ending of the cohort just to see what the space is in between the two. You know, I think of the Latino theater commons as a kind of manifesto, so I feel like it's not, you know, it's not outside of the range of possibility to do that. Yes. And we talked about a listserv. Like a very simple Yahoo group where people want to shout out a question or start a conversation that can happen in a really, it doesn't have to be a special... It's not on Facebook. Right, something that's public and not, and yet only within this group. Great. Great, great, great. Yes, great. Who else? What we can do as a group, I mean, that we couldn't do in our individual theaters and so one example that I was giving was that I've been doing a free ticket program where it's rush tickets for unsold seats. Every night we all have a few unsold seats, right? So I have a policy where anybody who comes with a student ID can see a show for free. But strangely, it's not gaining the traction that I thought we'll fill the theater every night then with students who can't afford, but we still haven't been able to, like, succeed at that even in my little theater. But I wonder if there's a way that there's... More people are signing on for something like that because everyone has those seats. Would we actually get a student movement kind of in interest in going to the work, if it's at more places? For example, Susan Birdfield from New Georgia started this Friday afternoon matinees for professionals and then they've been catching on so that at three or four o'clock in the afternoon on Friday, professionals are going to see a special matinee performance and that's a way to create dialogue in the community about the work that New Georgia's is doing and then a lot of other people have started to do them now so that more people are doing that on Friday afternoons going to see work and then talking about it after. Two examples? That's great. Other groups, other people. Yes, Aditi. Hi, we're groupie. Oh, God, that was loud. We were pretty concrete and we followed the script. How would you like to be connected as a group? We would love a contact list, which I think is already something that happens. And we're really interested in a quarterly email of upcoming playwright openings, readings, anything that's open for us to visit. We'd love to know if something's around the corner. We'd love to be able to plan ahead and say, oh, so I'm going to Minneapolis anyway. I should go when I can catch Kira's show. So that would be awesome. There was, I'm going to say this out loud, we don't want to make anyone recreate the wheel though, so if it's something that is already being served by one of the various other, like MPX, if there's something that's being served by others, we love the idea of wrapping them into the commons rather than duplicating work. How can we share work? Our group really would love to do yearly meetings rather than 18 months. We like summer better. We love the idea of the sharing of excerpts and, in addition, getting one full piece felt so satisfying. So there was conversation about one day of conversation and one day of sharings. We had conversations about the possibility of if that's onerous to keep coming to Boston or if, you know, it's more fun to do something else. We talked about possibly trying to piggyback it on to TCG sometime so that, you know, that would possibly make it one trip for people rather than more. Or piggybacking onto a playwright production if it's possible to plan ahead like that and then that could be the full piece that we catch. Thought that would be kind of fun. What could we do together that we can't do separately? I'm editing right now in my head. Shared development and production was the thing that largely came up there. Again, we also wanted to say if we are only going to meet one more time in the middle of our residency, our preference would be for earlier rather than later. So it's at the one-year mark rather than the two-year mark so we can implement learning for more years after having gathered. Did I get everything, Groupie? Great. Who else? Other group. Yes. Group A. None of us from Group A is spoken, so I'll just try to represent. And say actually that I think we said a lot of what has been said.  And I spoke about this. Our theatre had been part of another Mellon grant, The Launching New Plays, in which we were a theatre of four theatres that did a production of the same playwrights play around the country. And what was required, which I thought was going to be difficult and onerous, but it actually ended up being really fantastic and worth every minute of it, was that all of us had to go to and meet together in the other cities where the play was happening at the same time. And that was, I mean, we talked about wanting to do that, but I felt like I know myself without the requirement or somebody organizing it in some way, it's not going to happen. And maybe we said too, maybe if only eight of us can manage to do it, but try to get as much of that kind of thing happening. Because I felt like I learned so much more, not even just about the play and the aesthetics, but just other things in the many conversations we had over the course of that time that we did that. And then we also talked about the fact that this is a kind of collective voice for the whole of the American theater and that this remaking of models of how the theater works is something that we might be able to have larger impact on. We don't know exactly how. And just thinking about what that means, this remaking of the model and how to return to the artist at the center of the institution in some ways and how other artists might be that and how that could and should work in other ways like what Chris had brought up before about making residencies with other artists at the center of the theater. Great. I think that's it. Group A and more. Great. Susan, do you have anything over there? I always want to make sure you're... Anything? I'm good. Thank you. All right, great. Just, you know, don't want to be lost on Skype. Other report out? I just want to make a plea for the party and even if it's going to see a show and having a party but I'm all about the party. I am stunned. I am stunned. The... Susan. Your question about building cohesion in the... Beyond the network and... I'm sorry, I'm tired. Building this network more strongly and meeting more regularly. Just let me to wonder should we be having board members in this cohort in any way or in some kind of meeting and whether that would be helpful to building a sense of the responsibility that David talked about this morning and I'd love to get some feedback on that. So are you saying board members from the theaters are representative theaters in the meetings here? Well, I couldn't speak for everyone. I think that that would be really helpful. I think as we continue to have conversations about EDI it starts from the top down and so many of us are still... I wouldn't say my theater but I know a lot of the larger institutions still have a very homogenous board structure even though the playwrights in this room are very diverse and so I think a lot of the conversations that we've started here I think it would be most helpful for board members to at least not being part of the whole conversation but when it's important to come into the room and participate as well. That's my thought and other playwrights might have something else to say. I'm speaking to what I was saying but I think actually that would have been really great in this launching new place thing where we all traveled around to the theater. It would have been fantastic if there would have been a place for the board folks to interact with and learn from what all this meant. That would have... I feel like I'm just imagining my board members in this room right now and not thinking that would be so great. This. But going the other way actually and coming to them that could be really productive actually. Going to them? I'm now obsessed with what I want to have happen which is that we all travel around the country and see each other's work together as a group and then do things there together as a group. One of the great things I would love to be doing there is having those board members meet us and understand what we're doing together. I would want my board to do that. Yeah. And structure how that happens from our point of view. According back for Group B travel funds was one of the things that we talked about in terms of having the ability to go see the work. We didn't go as far as making it all do it at the same time which coordinating 32 schedules that would be a lot of fun. But we also talked about a lot of the other things that have been mentioned the newsletter, a Facebook group, an e-list to communicate with each other. Dropbox. Yeah, so we talked about having access to each other's work actually to be able to read the work. So even if we had a Dropbox because the playwrights don't want to share the work publicly yet but it would just be for this cohort of people and we could all just check in anytime we want and see how works coming along that's shared on there. And then also using the stuff that's already there repeating stuff that already exists for stuff that's ready to be seen everybody uploading to the National New Play Network the Play Exchange there and it could be tagged like the Mellon Group and then you could easily find the 18 writers that way and access the work that they want public. So what else did we talk about guys? We also talked about how we might use our resources for when folks are in town. So for instance teaching at DePaul University if a playwright has a production town and happens to be in town call me and I'll bring you to my class and how can we do that for each other because we are nomadic and we end up in each other cities and sometimes we're in the hotel room like well what do we do tonight? But how does that become a more formalized thing where we're visiting each other and actually beyond the connections to the theaters but also our other resources in our home communities. And the integration of technology just different ways that people are integrating technology within the shows themselves but then also is there ways that that creates connectivity amongst us as a cohort. That's great. Other... One of the thoughts I was having was what would it be if at the six year mark for the first cohort and the three year mark that this group put on a national convening and we invited board members and community people and other... If we put on a convening that was sharing these kind of best practices and so anyway just a thought that that could be a powerful way to make this... to think about how this is a model and how we would share that model. And I know the Hall around staff is really enthusiastic about a thought of another convening right now I think is a really... Yeah, yeah, yeah, but just a thought of it. So, other... Anything else before we move into the wrap up? Great. So, oh yeah, go ahead, Carlos. And this is related to something Madeline said but we talked also about how so many artistic directors are directors or administrators and that this is really an opportunity as a collective of writers to take an artistic leadership role in the direction of not only the theaters that we're working with but the overall American theater and how we might forward that. Great. So, in moving into the wrap up phase what I thought I would do is first what I'd like to do is have it be kind of two parts. One is I'd like to hand it over to Mellon with a couple things that they... various folks in the Mellon staff want to say and then hear some... any final thoughts from you all and then that with them will be done. So, I know Katie... Oh, there. After you want to... Yeah, okay, I'll... Susan, Ella, Hannah, any final... I just want to make sure you guys have a chance at any thoughts that you have.


Hello, my name is Sofia Santi and I'm a Generation Change Fellow from Venezuela. I'm also the co-chair of the Youth Advisory Council at the United States Institute of Peace. The COVID-19 pandemic has challenged efforts to mitigate gender violence. So on August 4th, we're pleased to present our first youth talk series event called Addressing Gender-Based Violence in the Post-Covid World. With Generation Change Fellows from Venezuela, Morocco, South Sudan and Afghanistan, we seek to review and discuss how gender violence has changed and how it affects different genders and regions from vulnerable communities to showcasing successful youth strategies on the topic. We look forward to digging deeper into this new global challenge regarding peace and security, so we invite you to follow us on our social media using the hashtag USIPyouthtalks.


What's up everybody JC from Jasper's case breaks calm. We just sold out fantasy sports breaks football six box Case break random teams number eight. So again guys, this is a repack product from fantasy sports Remember two hits and two football packs per box. So it's a high risk. How reward type of break guys 32 spots all teams in and as it says a little quick little intro bio to it That combines the hits of current rookies and stars with hits of the past rookies veterans and Hall of Famers Each box of fantasy sports Breaks contains two hits the hits are either enclose an ultra pole one touch or have been slapped and already graded The boxes also contain two packs the packs are from previous products that have released for them that particular sport and can Be current or from past years and it could be from a variety of different manufacturers depending on the year So here you go guys, here's a dice roller. Here's a list of customer names and The teams and we're all teams in roll it. We got ourselves a one and a two three times. Good luck one two Just like that one or two three times Kevin down to Benjamin All right three times her one two three Steelers down to the ego. So again guys I mean, I would assume that there's at some type of sell sheet or not, but This every team I'm sure has value because it could be from any year or any product, of course So Kevin you have the Steelers Scott with the Patriots Michael with the Jaguars Gregor with the Chargers Victor with the bangles Josh Crews of the Vikings Chris with the Washington football team Jimmy with the Chiefs Jason with the rounds dealing with the Cardinals Mike Dolphins Kevin with the Cowboys Danny with the Texans Oliver with the Browns came with the Lions Edwin with the Panthers Benjamin with the Broncos Jason with the Bears Matt with the Colts Christopher with the Falcons Nicola with the Saints Scott with the Seahawks Karen with the Bills will the Titans Trevor with the Jets Benjamin with the Raiders came with the 49ers or sorry Ravens Chris with the Packers Michael Gallucci with the Bucks Kevin with the 49ers Benjamin Johnson with the Giants and Benjamin S with the Eagles and Benjamin as you have the Raiders I didn't realize those two Benjamins here Benjamin Johnson with the Broncos So again, I'll give you a quick trade a window Oh, this should be Gregory for the most part there should be 20-20 products in here, but it could be honest anything That is true Jordan, but but isn't there an extra still an extra team on the West compared to the East wasn't there 17 and 17 and 15 over here wasn't it wasn't that the case or am I tripping on right now again? I can't say for sure. It should have 20-20 rookies in it, but I know this is from one of the most recent recent ones series seven. So So that's why I mean I can't say specifically it could be But yeah, this wasn't like made in 2019, I don't believe this was made this year nice. That's right Pacific over here Yeah, perfect. Yeah. Yeah, I know 22. I know this one was definitely This year's one so So yeah, if that it does have 20-20 rookies, then you could think about Herber you think about to you could think about of course Burl, I mean it could have 19 rookies. So of course Cardinals can be a really big team Seahawks with DK Metcalf So that's the thing Jordan. So that's what I'm saying So that means that if the cracking come over here to the West, which they will it'd be 1715, right? So they would have to probably Yeah, definitely maybe move Arizona to the center if they did But I would assume that they would move some of the central teams to the West to the East actually Some of those ones that are kind of on the border, right? All right, just text a nick about that cool. Yo So do you want to do charges for Browns or or? Or we're good guys Good you guys are good in Gregory. So you confirm charges for Browns. All right, cool. Try when I close them confirm So yeah guys, I mean honestly like I said this should have 20-20 rookies in here But it could have rookies from 2018 17.  Hopefully the trade happens where you guys bulk it hits All right, cool. They guys show in the clothes Yeah, guys, I was just texting Nick remember four o'clock is the deadline for that 10% off of series one hockey And that last hanger that we have for the 21 team R&B So here you go guys series seven Fantasy sports So we have one tray guys Gregory now as the Browns Oliver with the chargers number two packs and two hits per box so There is what six boxes I believe in here Potentially up to 12 hits and 12 packs So the odds of you going hit list is pretty high, but of course high risk high reward, right? of course Probably more more most likely more Double maybe the spot press right when it comes to the hits. Oh, let's say we have some mosaic packs Which is always good right mosaic can always be heat hiding in there Let's put those cards up there and then a 2014 prestige Johnny Manziel On the cover. I got Marlon Brown Danny Trevath in no Sean more man. No Sean Moreno, man. I do the stud But a little rookie of all Delbeck and junior for the Giants Zach Maddenberger Matthew Stafford Mike Glennon and Michael Crabtree All right, that was a fun packed trip Who is this fast break edition nice little Michael Irving disco and a Joe borough rookie I go bangles Victor with that one Okay Now let's go to first car And it is Patrick Willis rookie phenoms was good to do was a stud Two-color patch and autograph Number to 25 for the 49ers and Kevin Patrick Willis this should be a Hall of Famer or no, how do I just say sorry? You know what I mean and rendez-barber Aurora Gold out of ten six out of ten For the Bucks going to my googaloochee So these are some old-school players are here. I feel like we have a grader card in here Looks like we have a PSA grader card Score football in the front and strata on the back. I think you guys not to look right All right, let's go score football first So let's get into this is all base right here And we got Taylor Luan Who we got one? Autograph there. That's gonna go to the Denver Broncos like to call Mel Bordeaux very nice Very nice Chris Jones Maurice Jones drew Matt Ryan Brandon Coleman rookie James White rookie and Kadeem Carey Okay, let's go with the first actually this is two graded cards first one is a BGS nine Donner's optic rated rookie of Christian McCaffrey There you go CMC Panthers Edwin hack and here we go trade mojo 2018 Panini XR extreme rookies blue Baker Mayfield and it is a PSA 10 37 out of 49 there you go trade mojo striking Gregory and now has the Browns Ryan Go on man. Let's go with you How was it saving the life saving the world today? Ready for turkey? All right, 2012 SP authentic And a vacation. I know man. I need a vacation man and vacation like I don't even know when it was the last time 2019 Donner's rate or sorry Donner's optic. We got a hollow Aaron Donald and Mike Edwards All right. The first one we got is Pen pals Jay Hart Jordan love for the Packers There you go very nice Packers is going to Chris parent and we got a graded drew lock, which is a BGS nine mint Denver Broncos going to Benjamin and that is Benjamin Johnson Our next one guys Looks like a pack of legacy and 2006 legends football Let's go with the legends football Again, this will probably go by college rules if there's any autographs All the cards are kind of stuck together Terry Mac half that DK's that Steve the Berg Ron mix Legacy now that is DK's. That's cool. Joe Burrow rookie under the lights Polk Matt Anthony Gordon And the first one we got here is Lamar Jackson relic which probably is a rookie relic. I'm assuming yep 49 out of a hundred for the Baltimore Ravens going to Kim and the next one is a drew breeze 13 out of 25 autograph for the Saints. This is out of I think Valorians, right or Forget what the V is for I don't think it's actually valiant though something else trying to think about it This is the last year. They made pops products to Valor. There you go. Thank you Jordan Yeah 2015 guys they unloaded so many products tops did those last year. They have the football license and I Remember there was just bonker products It was so good Supreme football is like the craziest one that year. All right same to that one. That was Nick Koba, which is last spot mojo Nice did it sell out sweet We'll do that Probably after this as I go through orders 2015 tops Chrome with a 2020 certified. Let's go 2020 certified Trayvon Dix and Ed Reed Chrome 2015 Calvin Johnson A Doreal Beckham June Doreal Green Beckham. Sorry. Trey Waynes Ricky and we were we ripped so much that 2015 top Back in the day First of we got is Bob Lily looks like a mosaic choice autograph Cowboys it's going to Kevin and You get a Drew Brees now we get a big Ben Two out of ten dominators looks like from Donner's 2020 or 2019 Donner's Wow It's up to hit out of ten big Ben Roffless Burger Steelers also going to Kevin. I was your boxer there Kev. There you go, man All right, and the last one guys contenders draft picks and 2016 playoff contenders thousand and six actually. Wow $2,000 made on purpose you get 2020 and then you get 26 2006 Who's a rookie 2006 Teddy Bruce key Andre Johnson Joey Gala Just some base cards, but it could have been crazy heat though And I believe these packs actually have one autograph per pack, right? Wow Out of a pack look at that 12 out of 23 Justin Jefferson cracked eyes game day ticket There you go, not too shabby there for the Vikings Josh Bruce Not bad 12 out of 23 cracked eyes All right, let's go to two hits guys. Good luck We got a candy Gal day radiant rookies patch autos for the Detroit Lions out of two ninety nine Lions that is going to Kim And the last one here is Josh Jacobs for the raiders 14 out of 49 gridiron Kings Autograph and that is a rookie Raiders Benjamin s And just like that guys there you go, that was the break so here were some of the penalty cards That will be top loading for you guys some rookie some autos and stuff And then here were the hits from the boxes Josh Jacobs and you all they would pull that out of a pack Actually, big Ben Bob Lily Drew Brees a Mar Jackson relic You got a couple graded cars your log bjs 9 Jordan Love Pen pals Baker Mayfield Christian McCaffrey graded card rendez-barber to 10 and Patrick Willis The 25 that's a rookie as well. So appreciate it guys. This is the only case. I think we had so if we do get more We'll post it up Jasper's case breaks calm


An international Olympic Committee member from South Korea has tested positive for COVID-19 upon arrival in Tokyo on Saturday. Ryu Sung-min became the first IOC official to contract the virus ahead of the opening ceremony of the delayed Olympic Games. In a now deleted Facebook post, Ryu, a table tennis Olympic gold medalist, said he was tested negative twice prior to departure and had received two doses of vaccines. Earlier on Saturday, Tokyo Olympics organizers reported the face case of COVID-19 at the athletes village, along with 14 other new cases connected to the games that begin next week. A raising fresh doubt over promises of a safe and secure event. So you get notified about fresh news updates.