If you grew up in the early 90s and loved watching Disney Classic Sport films, odds are you cherish the Mighty Ducks trilogy. In fact, the Mighty Duck trilogy's commercial success paved the way for an animated series, theme park, and hotel attractions, even a national hockey league franchise. With the reboot release on March 26th, you gotta wonder, where did they film all of this? Are these arenas and places real? Today we're gonna take a deep dive into the main locations of the new Mighty Ducks film Game Changers. The Mighty Ducks film franchise begins with a Minneapolis-based attorney, Gordon Bombay, who was pulled over for drunk driving and sentenced to 500 hours of community service, coaching youth hockey. Bombay meets the District 5 Pee Wee Hockey team, known as Prenial Losers, who finish at the bottom of the league standings year after year. The players learn Bombay was once a player for the Hawks, a team in the same league, but left hockey because of a failed attempt at a penalty shot at the end of regulation, causing them to lose in overtime, and costing them a Pee Wee Championship. With the help of Coach Bombay, the players learn the fundamentals of the sport. Soon enough, the District 5 team, now christened the Ducks, start winning games and managed to make the playoffs, reaching the finals. Bombay faces the Hawks, the team he grew up playing for. Fittingly, the Ducks win the title game on a penalty shot by Bombay's protégé, Charlie Conway. This 1992 call classic led to two more films being released in 1994 and 1996. In case you didn't know, the new Mighty Ducks Game Changers film was filmed in Vancouver and the surrounding areas, and it definitely had a ton of memorable locations. So where do the Mighty Ducks play? What other locations are included? We'll take a look at the filming locations of Mighty Ducks Game Changers. Hey guys, it's Cara the Vampire Slayer here for you on Famous Entertainment, and today we're trying something a little different. We're going to check out a brand new movie, well the most recent version of it that is Disney's Mighty Ducks Game Changers, and we're going to break down the film locations. We'll see which of your favorite spots from the film actually exists in Vancouver, which don't and more. Be sure to hit that subscribe button to ring that bell, and follow me over on Instagram to chat. Now let's get into this video. Filming was originally scheduled to begin on February 18, 2020 and wrap up on June 11, 2020. After filming was underway in early 2020, as planned, the pandemic caused production to shut down temporarily. Filming resumed in September 2020 and was wrapped up in December 2020. The Mighty Ducks Game Changers, like other films in the franchise, is set in Minnesota, which is famously known as a hockey crazy state. However, the series is actually filmed in British Columbia, Canada on location in Sets. Vancouver is the primary filming location of the series and like most cities in Canada, Vancouver has hockey engraved in its culture as an extremely popular sport in the city. Likewise it has become a popular hub for film and television production since the beginning of the century. Let's be honest, Vancouver is known in the entertainment industry as Hollywood North for a reason. The series is filmed partially on location in Vancouver and on Sets built to resemble Minnesota. Most of the ice hockey scenes take place at the P&E Agradome, a sports arena located on Hastings Street in Vancouver. Established in 1963, the area is used for many indoor sporting events. It's not as big as a major arena as it can only hold about 5,000 fans maximum and it is most notably used by the World Wrestling Entertainment, WWE, for shows of its NXT brand. This arena is no stranger to hosting filming locations for iconic sports movies as the venue played the Soviet arena in the fight between Rocky Balboa and Ivan Drago in the movie Rocky Four. The location was also portrayed by another Disney hockey movie as it served as the Olympic Center in Lake Plaston, New York for the film Miracle. The P&E has also appeared in films such as Slap Shot 2 and hometown kid Ryan Reynolds Deadpool. The P&E Agradome has also hosted concerts by some of the world's biggest rock acts on their early tours. Some of these include the Rolling Stones in 1965, Bob Dylan in 1966, The Who in 1967 and Led Zeppelin twice in 1969 as well as much more. So even though the arena is pretty small compared to world-class arenas like Madison Square Garden, it still hosted some pretty cool films and musicians. When filming resumed on February 18th, a notice of filming permits circulated around the internet showing that 100 Powell Street, home to the famous warehouse studio, was a primary location for the Mighty Ducks Game Changer series. With many temporary no-stopping zones posted, it appears the Mighty Ducks made good use of Gastown. One exterior scene showed a car pulling up to the Corrupt Building and the character exits the vehicle walking to the back entrance of 100 Powell Street. What you may not know is that Warehouse Studios is a multimedia recording facility and photography studio in Gastown, Vancouver's trendiest spot owned by Canadian musician Brian Adams. Since in 1886 is a supply warehouse and wholesale grocer, it was later made into service as City Hall, jail and morgue after the great fire of that same year devastated Vancouver. Saved from the flames and with a future as a parking lot in 1988, the Oppenheimer building was restored, structurally upgraded and reborn as the warehouse studio in 1997. Adams was sure to maintain the building's character and charm by preserving the original brick and beam construction, the project took nearly a decade to complete. In 1998, the warehouse studio received a City of Vancouver Heritage Award for Outstanding Restoration of a Historic Building. While he was on tour, Adams would allow other bands to record and mix there and some of the notable musicians that did would astound you. We're talking ACDC, Billy Joel, Metallica and Van Halen just to name a few. The warehouse studio offers a wide range of services, film and recording equipment and features four different studios for photography and film. The three-floor building has a massive main studio on the second floor and a mixing suite on the third. There are two lounge kitchens for bands to unwind, not to mention plenty of natural light streaming through the large windows. The spacious film and photography studio is over 1800 square feet and boasts 25-foot ceilings filled with natural light from our west-facing windows with showers. In addition, the studio features two more rooms for hair, makeup and wardrobe and comes complete with a walk-in shower and an additional full-size kitchen. Next, located to the east of Vancouver, Burnaby is the secondary filming location of the series. A few sequences seen in the show's first season were filmed in the city, which lies within the Metro Vancouver Regional District region. Its proximity to Vancouver makes it a great choice for shooting scenes that couldn't be otherwise filmed in the former city. In fact, Burnaby is no stranger to appearing in film and television as it has hosted popular productions such as Supernatural and Man of Steel, which have also been filmed in the city. It has been reported that all three Abbotsford hockey rinks were used during shooting, including the Abbotsford Centre, the Ringsat Summit Centre and the Abbotsford Ice Rink. Needless to say, it appears the series will have no shortage of ice hockey scenes. So of course there were more notable spots in the upcoming Mighty Ducks Game Changer series, but this time it was filmed in North Vancouver, Canada, also known as Hollywood North. What did you guys think? What did you think of the locations and will you be watching the new Mighty Ducks? It's fascinating that a small dinky arena in Vancouver has had so much history. I mean we're talking about Rocky, Deadpool and now Disney. Not to mention all those big musicians who had toured here before they made it. And how about Brian Adams recording studio? Didn't realize so many musicians recorded there too. Not to mention all of the films. This is a newer series so if you'd like to be sure to let me know what other films we should cover whether they're classics or brand new ones. Thanks for watching. Don't forget to follow me on Instagram to chat and I will see you all in the next video. Bye!


channel for physics please subscribe my channel when we heard the word solid two words come in the mind liquid and gas yes the states of matter solid liquid gas let's talk about the molecule of solid liquid gas if we start the raising temperature of a solid the intermolecular distance of solid is going to be increased resulting the molecule is start away from each other and it turns to a liquid if we increase the temperature more they turns into a gas in other hand if we start decreasing the temperature what will happen the molecule is start returning to itself and they turns into liquid and finally if we still decrease the temperature what will happen they will turn into a solid the intermolecular distance is now going to be decrease decreased and they come in a proper shape let's talk about the liquid in liquid molecules are slightly far away from each other if we increase temperature that they got high kinetic energy they start leaving surface and turns into gas in other hand if we start decreasing temperature what will happen the molecules start coming closer closer the turns into a liquid and finally the intermolecular distance is going to be more decreased and the turns into a solid gas molecules they are a free moving each other if we increase temperature the pressure on the wall is going to be increased in other hand if we start decreasing temperature let's say start decreasing temperature what will happen the pressure of inside is become less the molecules are not describing much on the wall of the container let's discuss the change in its state let's talk about melting you can see in this picture that we have a solid here and you can see the graph during the melting process you can observe the temperature is remain constant it is at 0 degree Celsius until the whole solid is converted into liquid even the temperature will remain same but after conversion it started gaining kinetic energy and the temperature is going to be increased look at the graph look at the vibration of the particles how they are moving and colliding each other if in case if we convert liquid into gas or we'll try something else instead of melting we will try a boiling or evaporation let's take a liquid and you know the solid we have finished let's talk about gas let's say liquid liquid less better liquid to gas what will happen in case of liquid to gas you can observe in case of liquid to gas what will happen this the liquid is here the particles are gaining kinetic energy and we are providing them temperature what happened during this process and during the process it's called vaporization the all liquid particles are converted into gas particles and they are leaving the surface very quickly this is because we provided extra temperature but still you can see the total temperature of the boiling point which remain constant during the whole process of conversion from liquid to gas the remit temperature is remain 100 degree Celsius let's talk about gas gas to solid what will happen gas particles are we have put a place one lid on that so gas particles cannot leave them quickly and this is now condensing in the condensing is a reverse process in which gas poly molecules are going to be converted coming near to each other the intermolecular distance are less and they become liquid this is you can see in the graph the graph is now coming to decline it's coming back to be zero degree Celsius same as like but it was increasing before now it's decreasing and become a constant at zero point now it's start freezing during freezing also the temperature will remain constant let's summarize the properties of solid liquid and gas solid as a particular shape particular volume the molecules are tightly packed together they have a less intermolecular distance between them in liquids the molecules are slight apart from each other they can flow and overlap on each other they are not vibrating in a fixed position whereas if we talk about the gas particles they are freely move particles they are moving apart from each other they are moving randomly on any direction they diffuse easily from one place to another place you cannot hold it without a proper lid


Testing one, test one, two, test, test, test. Well, with that musical introduction, welcome to the eight o'clock service. So that says on my dashboard clock in the car. Welcome to another wonderful Sunday here at First Unitarian Society, where independent thinkers gather in a safe, nurturing environment to explore issues of social, spiritual, and ethical significance as we try to make a difference in this world. I'm Steve Goldberg, a proud, sleep-deprived, ruggedly handsome member of this congregation. And I extend a special and warm welcome to any guests, visitors, or newcomers. This is your first time at First Unitarian Society. I think you'll find that it's a very special place. And if you'd like to learn more about our special buildings, we'll be conducting a guided tour after the service. Just meet over here by the windows and we'll take care of you. And speaking of taking care of each other, this is the perfect time to avoid the scorn of your neighbors by silencing your electronic devices that you just won't need for the next hour or so. And while you're taking care of that simple but important task, let me invite you to sit back and enjoy today's service. I know you'll find that it will touch your heart, stir your spirit, and trigger one or two new thoughts. We're glad you're here. And now please join in a moment of centering silence so we can be fully present with each other this morning. And please remain seated for our in-gathering hymn, which will be led by Drew. Good morning. Hymn number 1058, Be Ours a Religion. We'll sing it twice through together. Be Ours a Religion, which like sunshine goes everywhere. It's temple, all space. It's shrine, the good heart. It's creed, all truth. It's ritual works of love. One more time. Be Ours a Religion, which like sunshine goes everywhere. It's temple, all space. It's shrine, the good heart. It's creed, all truth. It's ritual works of love. In a moment, Karin and I will share the opening words.  To prepare yourself for that, please take out the gray hymnal and turn to number 448. 448, that will be our chalice lighting. You'll need it in just a moment. Our opening words are combining the thoughts of Mark Morrison, Reed and Libby Stoddard. I will be reading the words of Libby Stoddard, and Karin will be reading Mark Morrison, Reed. We have come into this room of hope, where our hearts and minds are open to the future. The central task of the religious community is to unveil the bonds that binds each to all. There is a connection, a relationship discovered amid the particulars of our own lives, and the lives of others. Once felt, it inspires us to act for justice. We have come into this room of justice, where we set aside our fear to name freely every oppression. It is the church that assures us that we are not struggling for justice on our own, but as members of a larger community. We have come into this room of love, where we know no lives are insignificant. The religious community is essential, for alone our vision is too narrow to see all that must be seen, and our strength too limited to do all that must be done. We have come into this room of song, where we unite our voices in the somber and beautiful melodies of life. Together, our vision widens, and our strength is renewed. I invite you to rise in all the ways that you do. As we spark the flame of our chalice, we will read together number 448 by Christine Robinson. As together we say, we gather this hour as people of faith with joys and sorrows, gifts and needs. We light this beacon of hope, sign of our quest for truth and meaning, in celebration of the life we share together. May we take a moment to share a friendly greeting with each other. Hello, cold hand. Hello. Good to see you. Good to see you. It's me. Thank you. The young and young at heart can come forward for a story. To see you all. Hello. Hello, hello, hello. We have some stuffies with us this morning. I love your stuffie. Hello. I see teddy bear and a moose and a pig. Very special pig. Yes. Well, that kind of fits in with our story today, yes. So today we are looking at a very big idea, the idea of justice. The way that we treat each other fairly and help the world be a kinder place to each other. And the way that happens is sometimes not a very easy pathway. And so this story is one story of how a group came to a place of justice. And it is called click, clack, moo, cows, that type. I don't see a cow here today, but I do see a moose. Oh, excellent. So Farmer Brown has a problem. His cows like to type. All day long, he hears click, clack, moo, click, clack, moo, clickety, clack, moo. At first, he couldn't believe his ears. Cows that type impossible. Click, clack, moo, click, clack, moo, clickety, clack, moo. Then he couldn't believe his eyes. Dear Farmer Brown, the barn is very cold at night. We like some electric blankets. Sincerely, the cows. Electric blankets. It was bad enough the cows had found the old typewriter in the barn. Now they wanted electric blankets. No way, said the Farmer Brown. No electric blankets. So the cows went on strike. They left a note on the barn door. Sorry, we are closed. No milk today. No milk today, cried Farmer Brown in the background. He heard the cows busy at work. Click, clack, moo, click, clack, moo, clickety, clack, moo. Exactly. Oh, I forgot to show you that picture. Got ahead of myself. The next day, he got another note. Dear Farmer Brown, the hens are cold too. They like electric blankets. Sincerely, the cows. There are a lot of electric blankets are going to be needed. The cows were growing impatient with a farmer. They left a new note on the barn door. Closed. No milk. No eggs. No eggs, cried Farmer Brown in the background as he heard them. Click, clack, moo, click, clack, moo, clickety, clack, moo. Cows that type hens on strike, whoever heard of such a thing. How can I run a farm with no milk and no eggs? Farmer Brown was so furious. Farmer Brown got out his own typewriter. Dear cows and hens, there will be no electric blankets. You are cows and hens. I demand milk and eggs. Sincerely, Farmer Brown. I wonder how that's going to go. Duck was a neutral party. So he brought the ultimatum to the cows. The cows held an emergency meeting. All the animals gathered around the barn to snoop. But none of them could understand moo. All night long, Farmer Brown waited for an answer. Duck knocked on the door early the next morning. He handed Farmer Brown a note. The note said, dear Farmer Brown, we will exchange our typewriter for electric blankets. Leave them outside the barn door, and we will send Duck over with the typewriter. Sincerely, the cows. Again. Farmer Brown decided this was a good deal. He left the blankets next to the barn door and waited for Duck to come home with the typewriter. Uh-oh. Well, the next morning he got a note. Dear Farmer Brown, the pond is quite boring. We'd like a diving board. Sincerely, the ducks. Click, clack, quack. Click, clack, quack. Quick, click, clack, quack. Clickety-clack, quack, and what happened? They got a diving board. So let's think about the characters and what was going on for them. So what was going on for the cows and the hens? What was going on in their life? Yeah, what were the cows and the hens? They wanted electric blankets. They were very cold in the barn. So they made their needs known to the farmer. And so what about Farmer Brown? What did Farmer Brown do at first when he got the notes? He was very angry. Farmer Brown did not want to give electric blankets. He was not happy about that. And so what about the duck? What was the duck's role in all this? He was sort of like the messenger, the postman, yes. They described him as neutral, although I'm not sure how neutral in the middle he was. And he wanted a diving board. Eventually they wanted a diving board. So at first, the farmer is really angry about the demands that are made of him. What changes in the story? There are changes actually that happen with many of the characters. What happens to Farmer Brown as he continues to receive these notes? Does he stay mad or does something else happen? Yeah. He stays mad at first. He stays mad for a little bit. But then what happened? Then what happened right as he kept receiving these requests? He's like, okay. At some point he began to give in a little bit, right. He thought maybe that's not a bad solution. Right. In order for me to get some of what I need, I'm willing to give up some of what at first I wasn't willing to do. And so what happens when he gives in? The ducks use the typewriter to make their own message. Yes, indeed. So the story moves on. But what happens this time when the ducks make a request of the farmer? They want a diving board and what happens when they request that? They got one. They got one. And so sometimes when you're in community, you can each hold on to what you want so tightly that you can't get anywhere. You're really stuck. But if people are willing to think about what they really want and everyone is willing to give up something so that everyone can get some of what they want, sometimes we can move forward. So this story talks about the importance of not only letting your needs be known, but also being willing to give and take together so that everyone can get some of what they want. It reminds me of when we have stuffies that we want to hold on to. Yes. We want to play with them too. And sometimes we take turns. We don't get to keep our stuffie all to ourselves. No. But we get to share it and then we get to bring it back home. Exactly. So there's some ways that we get to share the things we have in order to all get what we want, at least a little bit. Right. Give and take all the time. So, yeah. Stuffies and other people and friends and it's a kind of a complicated thing to think about, yeah. So as you think about how you are in your classrooms, think about the ways that you sometimes give and take with each other so that you can be more peaceful with each other in the classroom. And so we will look forward to hearing about what happens in your class and we'll send you off to your classroom by singing together and hope that you have fun. We'll hear from you soon about what happens. We're going to sing hymns number 2, 11 and 2, 12. We'll sing the first verse of each and then we'll go back to 2, 11 and sing the fourth verse. I'll shout it out while we sing. Let's rise in all the ways that we do. We are climbing Jacob's ladder. We are climbing Jacob's ladder. We are climbing Jacob's ladder. We are climbing first verse of the next hymn. We are dancing Sarah's circle. We are dancing Sarah's circle. We are dancing Sarah's circle. Sisters, brothers. Back to the other page, verse 4. Though the road is steep and rugged. Though the road is steep and rugged. Though the road is steep and rugged. You may be seated. We have a very robust community out there online of Unitarian Universalists who share their thoughts with each other in various blogs. And so the reading is taken from one of those blogs that actually is shared on a Unitarian Universalist congregation's website. And it is taken from the reflections of Bob Patrick. Without my teachers or me knowing it, I am fairly sure that my first encounter with any broad or deep understanding of justice in this life came in these familiar terms when I was a child. Do unto others as you would have them do unto you. This proverbial wisdom is found in so many words in a variety of religious and philosophical traditions. It was taught to me as quote, the golden rule. By calling it such, I understood that it was supposed to count before anything else. The golden rule certainly embodies what later I came to know in modern literature as relational justice. Relational justice is defined in published research as the justice produced through cooperative behavior, agreement, negotiation, and dialogue among actors in a post-conflict situation. A review of the literature on relational justice demonstrated work using this concept of relational justice in 30 different fields of inquiry, from behavioral sciences to criminology to law to philosophy. What strikes me about justice as a relational work between human beings is that it allows neither the idea of justice nor one considering justice as isolated from the rest of life. When justice becomes relational, it inherently must become a conversation. In my own experience, this conversation begins within myself. How would I want to treat others? How would I want them to treat me in this situation? What do I know about the other person in this situation? What do the other persons want or need to survive or thrive in this situation? What role do I or my community or my culture play in this surviving and thriving? In some form or another, relational justice brings me to a certain moment when I must consider how extending myself to the other person requires something of me. So much of me that I am changed. I wonder, can I go that far? Do I want to be changed? I often feel that extending myself for the other is going to change me a lot. On some level, relational justice shows me that I am not a separate self. None of us are. We are connected, and the injustice at stake threatens that interconnection. Here ends the reading. Chapter one. Liz could hardly believe that she was calm as she was, and she was hardly calm, but it was her turn to pull forward, and so she took a deep breath and told herself, this is important. But paradoxically, at the same time, she almost wanted to chuckle to herself at the absurdity of such a by-the-rules person in this situation. But stronger still was her love of people. It was that love that had called and led her to be a teacher, but she would have rarely in the past named herself to be political, much less an activist. These thoughts mulled around as she pulled up to the border crossing at the Peace Arch Park, a park distinguished by being half in the United States and half in Canada, and she would soon enter into British Columbia. The border guard wished her a good morning, asked her name and citizenship and the purpose of her visit, and she answered him cheerfully as they were on their way to a church picnic. The border guard looked in the back seat and said, and who do we have here? Liz smiled broadly and said with deep sincerity, these are my sons. The border guard looked puzzled for a moment, looked at Liz and her Volvo, and said, have fun. This was the summer back in the heart of the Vietnam War, and Liz, a young mother, had found herself wanting to find some way to protest the war. And when a conscientious objector had spoken at her church, she had been taken with his story and his courage. She invited him to lunch immediately after the service and asked him to tell her more of the story. This led her to begin volunteering with the American Friends Service Committee, and she got to know more and more of the young men who were conscientious objectors and soon discovered that young men with less privilege, especially non-white or poor men, were often imprisoned rather than granted conscientious objector status. She grew to know these young men and so a thoroughly respectable middle-class law-abiding citizen had just smuggled two conscientious objectors across the border because they had been denied their status. Phillip, who was clearly a different ethnic persuasion from Liz and Matthew, who was African-American, she imagined that the border guard assumed that they were adopted. But the trio was going to a picnic. They met up with the members of the Unitarian Universalist Congregation from the Vancouver, British Columbia area. They're in the peace park for a picnic. They enjoyed the food, the good company, the beauty of the park, and then they went their separate ways, each back to their homes, except that Matthew and Phillip left with the members of the Canadian Congregation to begin a new life in Canada. What had once been a very abstract issue to Liz was now very personal and powerful because she had learned about the lives behind this big story. She had explored with them every option and discovered how difficult it must be for them to decide what to do. And so, as these two young men turned to say goodbye, she realized that she really did think of them in a sincere way, at least in some way, as her sons. She began to cry as she wished them a good life, knowing that what they had ahead of them she could not even imagine. And in this way, a few Unitarian Universalists in the Pacific Northwest and in Canada for what would be known as the Underground Railroad of the Vietnam War, for Liz, and for so many others, they were changed by knowing the lives and the stories of these young men. And it led them on a journey to being activists in ways that they never imagined. For all of us, and for us all, the ways that we understand the many layers on our pathway to do the right thing does not form overnight. We journey to new places and how we see each other in the world, and in this life-giving, difficult, joyous, and heartbreaking at all the same time journey, we find new things out about the world and ourselves. And it is an ongoing conversation in our lives and ultimately with the world. And it is an ever-changing relationship with all of those things. The thing is, justice is relational. And it is more than a concept. And relationship has, again and again, been one of the strongest common denominators in someone's journey to deeper justice. We do it because we love our children. We do it because we love the gift of this planet. And very often, we do extraordinary things, at least in our own sense of what we believed at one point possible, because we have come to know the story of lives of human beings that have been changed and hurt by injustice. And that deepening relationship with their story and with that person calls us on the journey to justice to connect. Chapter 2. The journey to justice is also relational and how it weaves various strands into one larger strand. Well over a decade ago, progressive thinkers in both the business world and socially justice-minded folk were troubled by the tensions they experienced between the various camps of social activism. They posited that rather than separate truths to look for some deeper relationships beneath the various strands of justice-making. And as they explored, they noted over and over again on a global scale that transcended cultural differences and gross national product, but even within the most resource-laden countries, people in communities with the least privilege experienced struggles with access to ample economic resource, they were often denied basic equity as human beings, and very often they lived in areas that lacked in natural resources such as water or fertile land and in environments that had been destroyed by the shipping of waste products to their areas. These visionary thinkers in their exploration maintained that the health of the world, the strength of economic progress, the success of justice work could not progress without a deeper relationship between the human rights realm concerning itself with various conditions of human beings in various ways. Or without economic justice and its attention to the distribution of resources and power, or third, the ecological justice process that worked to restore the planet and its resources. Connected by many names and theories like the triple bottom line or the three pillars theory, but holding together these various concepts of sustainability and eventually contributing to our understanding of intersectionality in justice work and beyond, these ideas speak to a different way of thinking about how we work together for justice. These ideas have been around for a very long time and yet I believe we can do more in letting those ideas help us see the deep relationships in how we are called to do justice work. Sometimes the journey to justice can invite us to claim a larger sense of relationship that breaks down the silos of activism and asks us to see the interconnected importance of our peace and justice work. The more integrated understanding draws together what might be considered a competition for our energies to become a thoughtful and connective collaboration. If the journey to justice calls us to relational truths, and I believe it does, these truths ask us to learn from the connections we foster, especially those that teach us something meaningful and transformative and call us to act in surprising ways for justice. And if the very nature of the world is relational and it is, it asks us to understand that journey to justice as a braided reality in which we work within the deep connections of economic, human rights, and ecological justice. And all of them are needed for us to be transformed and whole in our world. Chapter 3, the final chapter. The journey to justice calls us to a relational power and very often into deeper community. Communities I would argue like First Unitarian Society. It calls us into community and how we are in relationship with the larger understanding of connection in our justice work. And in that larger connection it is just as important how we relate with integrity with each other in this congregation and how we practice generosity and compassion with each other and how we work together in sharing authority and power and being at the table in hard conversations. A few months ago, I presented to you some of the ideas that I had discovered in my anti-oppression work and around dismantling white supremacy that had called me to see how damaging the culture around that is for the diversity of our congregations but also in attracting younger and more sensitized folks of all kinds and in just allowing us to encounter the deeper truths of who we are. The list includes things like perfectionism, sense of urgency, defensiveness, worship of the written word, that there's only one right way, paternalism. A list of characteristics that are shared by a culture and often are very much at work in our congregations. But I think in particular, some of them are especially hard for us. Things like perfectionism, paternalism, fear of open conflict, and the right of comfort. These are often especially significant places of struggle. In the relational journey of justice, recently I've been taken with the writing of Unitarian Universalist minister, Nancy McDonald Ladd, who explores how our journey to justice and our work to dismantle white supremacy asks us to consider new relational truths. Quote, she tells us, nothing we do will be perfect and it will not always or even very often feel good to be in the trenches fighting to dissenter white normative culture in our congregations and in the world. We are not, she continues, going to have a perfect strategy and the strategy we ultimately follow cannot be a strategy that the white people among us, speaking with the authority we have come to expect in white center institutions, have contrived to build. We can't do this work alone. And so she believes that we must repeatedly preach these words to each other. How perfectionism and the expectation of perfectionism, how the difficulty to be in hard conversations, how hard it is for us to be uncomfortable, these will stop us from doing the work that we must do. Because again and again what happens is if we live in those illusory truths believing in some way that we are perfect, believing that we really have a choice to avoid difficult conversations or discomfort, when those things come our way and they will, they leave us feeling very fragile. And often when we are fragile we become angry and defensive and the entire process of justice breaks down. We have to find a new way of understanding ourselves and how we relate to each other that is stronger than those old norms. There are many different examples. One that I will give you just because I think it speaks to a particular viewpoint that many of us would find interesting is from Anthony B. Penn. In his view, there is no human being that is not first and foremost inside a body responding to other bodies and through that relationship we move into mutuality. He writes in his book The End of God Talk an African-American humanist theology quote, humans as embodied selves will and are flawed, but this does not constitute the grounds for a basic need for ontological reconstruction. The goal of this theological anthropology is to speak of humans in ways that not only affirm perceptions of experience but change the ways in which particular categories of embodied selves such as African-American embodied selves are viewed and processed. The thing is in this non-theistic approach Penn does not say that because we are trapped and folded in our humanness that we are intrinsically broken. No, he teaches that by being inherently embodied we are called into a certain kind of relationship. He writes, the ways we view and engage with various categories of those fragile, beautiful, sensuous and breakable human bodies constitute the mechanism of either inclusion or destruction. Mutuality is a given. Perfection is nonsense. And so the only motion we can choose are motions toward mutual inclusion or mutual destruction. And so we must steep ourselves in ideas that bring us beyond fragility and our privilege. Our journeys to justice as members of communities and individuals include things that will ask much of us but it will give much in turn. It asks us to step outside of our typical circles and meet new people and encounter new stories and much of what we hear will not be easy but it will invite us to a greater and deeper experience of relationship and love. Our journeys to justice will ask us to move beyond our siloed understandings of justice work which will challenge us and invite more people to the table and make our journey longer and more complex. But the good news is that it will serve the truth of our interdependence with greater integrity and strength. And finally, the journey towards justice will implore us to be in community for both its support and its challenge and in looking at new ideas as hard as it is and in living new truths as arduous as that is we will do it imperfectly but as we continue together talking together acting for compassion we will create new ways of being. Saying engaged in uncomfortable conversations is the first step for creating this new way of being together forming the future of our faith. In our journeys we will find connections in our connections we will find truth and strength and encountering truth and living strength may we find a bold in transforming love. Amen. And blessed be. Each week we have the opportunity to tap into those connections of generosity and abundance so appropriately today's outreach offering is going to the Wisconsin Network for Peace, Justice and Sustainability to further our collective journey to justice. We will receive today's offering. The translation of what we'll be singing is where charity and love are God is there also. His love has gathered us into one let us rejoice and be pleased let us fear, let us love the living God and may we love each other with a sincere heart. So thanks for your generosity in our offering and speaking of generosity in addition to generosity of the financial kind we have generosity of the volunteer kind that we would like to acknowledge this morning. I'm talking about the people who help these services run smoothly including Ann Smiley who has served our lay minister and who also donated the flowers that you see behind me in honor of her impending grandmothership she's about to become a grandma so thank you Ann. David Bryles for Operating the Sound System our ushers Brian Channis, Mike Locey and Dan Bradley our coffee is being prepared by Sandra Plisch John McGevna is going to man the information table excuse me and John Powell is our tour guide for those interested in learning more about our buildings. The Offertory continued on our theme of Journey to Justice in this case ecological or environmental justice as does the announcement I'm about to share with you you may have heard about the youth climate strike which is going to take place this Friday, March 15 as students throughout the world walk out of their classes and strike for climate action. The march to the capital will begin at East High School 11.30 in the morning on Friday and the rally at the capital will take place at 12.30 p.m. If you're interested in helping with this you can check with our social justice coordinator Tim Corden who will be here during the fellowship hour to answer your questions about how you can help including setting up the rally at the capital at 10 o'clock Friday morning so this is an example of things that we are able to do at First Unitarian Society in our collective journey to justice and the reason we are able to do these things is because of you and your stewardship of this organization remember stewardship is collective responsibility for something larger than ourselves and that's what we do at FUS that's who we are we are about stewardship so as chair of the stewardship campaign it's my pleasure to tell you how we're doing so far we're one third of the way there because of generous support from 145 people so far we have pledges totaling more than half a million dollars our goal is 1.5 million and we're going to reach that goal and we're going to celebrate on April 5 bless you April 5 Friday evening and there are only 26 days left until that magic day of April 5 but one third of the people who have pledged so far have become sustaining members sustaining stewards by committing to multi-year pledges and one fourth of our pledgers so far have increased their commitment above last year's level so we're doing a really good job of springing forward in the spirit of daylight saving time on this stewardship campaign we're not just going to celebrate on April 5 as we complete a successful campaign we're going to celebrate every week by recognizing one donor at each service who has pledged in this stewardship campaign and the prize is a $25 gift card to food fight restaurants and today's winner if I draw the name out of the envelope Len and Jen Berry Len, Jen here's Len, thank you Len so as Len and his family decide which food fight restaurant they're going to use that gift card for you can take some comfort in the fact that while Len and his family won the prize this week we are all winners because we are all able to do things such as our social justice and environmental justice programs our music programming the programs for families so that families can thrive here the religious education and youth programming our music program becoming a tool of our community outreach process and so many other things as part of this commitment to stewardship your gift of any size makes a difference so I mentioned that we've raised half a million dollars so far that doesn't mean that everybody has to contribute to have a huge level we can take gifts of any level so that we collectively take responsibility for this organization we call First Unitarian Society if you have questions about your pledge Florence and Cheryl are at the back of the room we have comments to answer any questions you might have about your pledge as together we spring forward in our stewardship of First Unitarian Society so endeth the announcements before we move forward into our day we'll take just a moment to remember that we gather every week as a community in the midst of deep joys and sorrows and so it's important for us to remember the ways that we are deeply connected and to share with each other as we can and so we remember today that Sparrow Senty is in Meritor Hospital and that she and Al are doing okay we also share the news with heavy hearts of the passing of Terry Millar who died either yesterday or the day before we're still getting news he was abroad Terry was a bright light in our community with a brilliant mind and a compassionate heart so we send our love to his wife Susan their children and family we hold all the joys and sorrows that are present and in our community that are still too tender to share we remember that we are part of the web of life that makes us one with each other and with the universe may we be grateful for that miracle and the love and life that we share as we remember and love so may it be I invite us to rise in all the ways that we do as we join in our closing hymn hymn number 168 we'll sing the first and last verses only one more step we will take one more step till there is peace for us and everyone will take one more step verse 4 one more song we will sing one more song till every song is sung by everyone we'll take one more song as we prepare to leave this morning may we be reminded of all of the truths of our journey to justice the ways that relationship will change us will deepen our lives will teach us about the power of love as we extinguish this chalice we do not extinguish the wisdom that we share we do not extinguish the power of the call of our justice making we do not extinguish the warmth of love and community these remain until we gather in this place again I invite us before we move on into our day to take our seats one more time and receive the gift of music together


My name is Codex, this is Don't Flop Oz. This has been a crazy, crazy night. Make some noise if you enjoyed it this far, yeah? Yeah!  Shout out to the homies, Irv, Bagnall, Briggs, and the rest of the team, man. Tell us, D-Roy. Shout out to our sponsors, V-Sig clothing, Oz Hip-Hop Shop, Kamora clothing, Concrete Jungle. Who the fuck's ready, man? Yeah! We got potentially one of the best Oz-Vest-Oz classics here.  Let's get going on into it. Yeah! Got a lot on my right introduction. Self-homing, man.  Melvin wants to deal you messing with me, or what? Yeah! Oh, Treesy, man. Melvin, what's up? Yeah! Daddy's home, baby. You're going to get BK Ultra to go in first? Let's go.  All right, let's make some noise. Yeah!  Can you define that a bit? I mean, I don't think I really find that legit. He says his knife hand is quick, and he might shank your ribs because he acts tough and packs drugs. This blind man's a pimp. What it looked like, chug night. He's a motherfucking kingpin. He's let that sink in. But you don't think that he runs drugs just because highs and burgs, eyes could work. That'll make him mad and break him bad. No one minds berserk as blinds and burgs. For some strange reason, I just don't think that'll happen, mate.  Buddy's gun bars? All facts, just ask him.  Like Big T, bit disturbed. His gun spit's like, oh, wow!  You really write those words inside the mind of my opponent. Let me try those verses. Got a sniper rifle, neck shot, so your pipe go burst.  Psyche don't work. Poor burner on the stove. What you turning in the dope? Got a burner in the holster and a burner for a phone.  I mean, you walked right into that one like you're furniture at home. So if you're pushing keys and shooting, then it's PC games. Look, I know you're going to bash me when you see me, mate. We'll get it popping on screen like these with 3D shades because this can fly for no reason. TG Dave. You're supporting Perp in Snow Town. When you play at those gigs, the king's landing. I'm a mountain. Make you pay with both fists. To hide the body, you can end the same the show did. Dragon blood in snow like the Game of Thrones twist. Rewind that right now. Even he like that. That was dope. The wraps that I'm quoting rip your abdomen open.  I'm coming. A shit's like a shiv right from your wind pipe to the gullet. I'm spilling testine. So let's find if they fit nice in a bucket because now ultrasound show you the inside of his stomach.  I said no. I want the next challenger. You're not the best battler. Talking about breaking bad when you've got the math, I have a bra. I swore he known for getting stuck into that rock like Excalibur. I said this nerd is corny.  At first I swore he'd work with Stormzy. But since you like to hang online, I'm gonna air out your dirty laundry. Think Isaac Newton. I'm not due to hold it down.   Surprised no one told this clown.  I could tell by ultrasound, I mean. As far as suspected names in the Austin, homie, minus, anonymous. So this guy is the opposite. You were trolled with no names. So it's only right when you go online, you're anonymous because the harsh fact is you and your boys are rappers. So I love badges because I think it's hilarious.  I mean, imagine if he acted in person how he did online. I'd say this dude's a joke.   This dude just heard that line. I got confused at first. Like you can't do a YouTube search. I know, I just said that to get under this loser's nose. Dude, you are my respect. Do something somewhere besides the net.  You'll have cyber sex. As far as the troll should, he's a genius though. But when you call yourself a rapper in your morning, for that it doesn't seem as dope. And when you haven't got to bar anyone in the sink and quote, it means that homie you need to focus. That's when the memes you posted, more on the schemes you wrote. Cause if you did that against grills, maybe that wouldn't have been those chokes.   You just go down and blow it out. I feel at home on stage, you a trespasser.    You could get modern. They illustrate a picture of that like a sketch artist. I said it's not you, it's me like an ex-partner. He said he want to earn a title like Eskada. But take away what he write, there's nothing left though. I said it's not you, it's me like an ex-partner. He said he want to earn a title like Eskada. But take away what he write, there's nothing left though. You can't cut it off the head, I'm the best barber. They just gon' watch as you got slaughtered at West Park Point.  I mean, I mean no personality, how am I going to rip him? I even got to come out with fake personals or drop a diss that's not specific.  Cause that chick is one of those thotty bitches. Brain's so good, she could've got a business degree in college with up a lot of scholarship and study politics and quantum physics. So you want a diss since you battled with Touche.  And I threw all this time, I know you got a lot of written.  He's right. I am anonymous. I wrote the messaging, coded letters. So if you don't think I'm dope, just let it go. You're not supposed to get it.  So don't expect it. Oh, you're the greatest of all time. Well, trolls ain't goats for breakfast. Kinda cocky, but I am godly.  I gotta fight him off me. So for you, any pleb who said I'm dead. Well, how can Ryan stop me? You're crazy.  Ryan Gosling. Goose, baby. Ryan Gosling. What, I gotta put it in Braille or something? I'll deliver liver shots until they fail to function. That stale discussion. Now who's the best to go at it? Now the top five is not nice. There's no manners. Yet he's addressed as a president when he enters my residence. Mr. Hammers teach Mr. Manners some lessons in etiquette. You're the best rapper from Port Lincoln. There's no debate, but know your place. You're in Melbourne. If you show to play, then the head of Lincoln blown away. You've been gassed up for too long. It's messing with your mind. No longer questioning the hype, but just address it and you'll find it. It's depressing. But your eyes have you progressing on the grind. Because what it looked like is the guy is only mentioned because he's blind. It's like gun control after Sandy Hook when I'm referencing this guy. Because it was tragic when your pupils died but a blessing in disguise.  Go! Maybe you don't want bars. Really just want blind jokes. It says we do that every battle. The truth is that this guy knows there are gaps in our rhymes. There's no facts we can find.  But he called me up last week like, I need someone to confide in. Look, when you post a meme, can you just call me and describe it? Yeah, the pornist of your side, it isn't. Awkward in the slightest, bro. You couldn't see it coming at an orgy with a sidekick. When I leave tonight and back out over manners in his guide dog, I'll just tell the coppers he was standing in my blind spot. Hashtag lab lives matter.   Early people who exploit that of my opponents. A son you taking apart in as well. All I do is rebuttal it. Never used it as a whack.  You should understand the concept of playing the cards that you dealt, but if you played them cards right, you won't end up getting three o's to watch this ultra guy roll and die. No references to seal. I could go getting in the beast mode dead and where the free flow are killing. Where the pen, joy, passion, casino.  He said he grinded poker tables to pay the lawyer fees and build his loot up.  You should probably yell your whole next round because this made you annoyed.  It's harder to chill out with the aggression, but this guy won't hear of it. But a joke could put a smile on their face and have them in stitches. Why so serious?  You ain't so competitive, but I understand what it's about. He thinks that helps him connect with these fans because he's loud, think design of life. You just playing panda to the crowd, I mean. Panda, panda, panda, panda. You a battle-wrapping poker player acting and having died and that's why basketball's compared you to the Soros.  You want to troll that daylight with us, sweet. I'm the MC, your idols go beat by.  You think this battle's inspiring me? Why? When I've already bodied the battle as you aspire to be like.  If you got head-bumped by grills and even I'm pretty swung on this guy.    The way you turned your back on the scene reminded me of a fairy tale we learned. I thought trolls lived under bridges. You seem more intent on burning yours but look look look I was going to do some name flips but I thought that's past lame till I realized brah. Kane is your last name. So I was going to do some coke references until this bar came. Got your boys helping me write this so I guess you really are Kane but look they asked why this battle was happening and if I'm being honest bro Kodak says I don't get no more international unless the two of us put on a show. So when you said that line about me not slanging Kane because I used one to navigate I think that comments dope because this battle is basically me using Kane to get me where I want to go.  Yeah I'm done bro. Give it up one more time. My sons are well looked after that's an angle you'll regret now. Bro I gave Kodak's 2K just to fly the main events out.   We hang out a bit but if you think we're mates you got me labeled wrong I only drive you around so I can park in the disabled spot. For real. If ever you me and my guys kick it the whole time we hold signs that say nice eyes dickhead but what he lacks insight he makes up for in business smarts just disregard the fact that every deal he did he missed the mark because you started LMR and the other owner stripped your half was that cypher with you spit and bars the reason for the drift apart like LMR for your homie we LMR to the LMR and steady bring like LMR's in this what does LMR mean?


I'm like air How convenient Whatever happened to the big shield sword combo thing you had there they are the charge blade. Hey So he's gonna help me I'm still gonna play the charge blade, but I'm taking a the thing with the charge blade is that I'm not good enough with it yet I Gotta get better with it and also I got to get better gear And so that's that's my primary motivation for working on a solo build It's so that can gear up without having to depend on others Well, I got a better word. I need to eat But charge blade is so fun well my gear is When I say gear, I mainly talk about decorations and augmentations which are like Some of the higher-level stuff. I got a voucher. Nice I'm talking about like the augmentations and decorations. I have like no decorations at all. So it's and Those are the hardest things if you ask me Decorations are the hardest things to farm in this game. They're harder than gyms They're hard in the rear drop. They just don't drop this Where you guys at? It's buff you guys real quick My last mega armor skin. I think I probably wasted that We're gonna life powder and keep you guys buffed Yeah, I got to get the height. I got to get the higher level temper stuff bump Buy them Well, I don't want to mount them, but okay. I guess the fastest I can kill them the better.  It's a DLC costs about two bucks Jerk, why'd you move? This is gonna burn? So I got range, but when I Here's the thing when I I'm gonna pop this potion, right? Oh some by each other.  I want this bug. Okay happen Palico. Where's you over there fighting hammer time? No, that feels good do it again Yeah, it doesn't see when I heal it doesn't heal the night guy So maybe I'm doing this range thing wrong. I don't understand. What the heck? What are you two doing here? Ooh, what are you doing here? Oh? the pain the burning They're keeping aggro a lot better Notice I never sharpened my hammer. It's a boy Yeah, so I beat up the the one that wasn't hurt. So that one's over there tired All right. Well What's mean I'm doing decent damage them What's this? Tart or bum bum bum bum bum Jungle Queen, thanks for the host and he's going that way my delicious vitality mantle has worn off Chatterushki's stick them. Ha ha ha stick them Oh M a G GG this dude is so annoying For someone tired you sure are moving around a lot All right, you want to fight here? I can do a lot of sliding here. I like this area Watch what this watch this here. Go here. Go. You're ready.  Oh, he's got a bruise Up he see smashing the Jay Leno uppercut uppercut Frank is doing here Frank. I'm not buffing enough That's not gonna help you. I don't think I Do have life powder though. Did it go off? No, I did got you got you Got you stop hit me now. I'm trying to buff my Palico's Stop.  I'm going over here. I feel better now Man, it's like killing him for nothing. I haven't seen that in a while chat hit him in the half-two brain noggin pancreas the buttocks Okay I'm do look. I'm long time Do it again chat. I bet I hurt your left leg He should be good in limping now. So we're gonna know God dang it.  I like you your chin was hovering over it. It should have shocked the chin, right? Right chat. I'm thinking so You hate to see it chat Look at that neck look at that delicious neck All right, so meow meow look tough cocktails at level three now and getting higher We're getting better with these dudes Gaki like a shell shock is now available. See this is the kind of stuff I want it So now I have those abilities I can use I could spam their cooldowns and and Be all like hey man. All right, we gotta get a new session cuz that one fell failed So let me update the session command. There we go new session There's some really funny end hunt screens. You can get with that wiggle around Best helmet a chat, okay That went pretty well. I did better Let's repeat that. I'm just gonna do that until I level up my gadgets My my proficiency with the dudes Roll in with the Uruguayan Eastern camp I Gotta start using these cuz they're filling up. I love how the hat's going on that screen But it's back there That wiggle helmet I guess I guess it keeps falling off. I have to put it back on that's gotta be it Good evening seroms s'mores of smorrington smart Yes, I am doing solo builds And I'm going to hire me a little dude I'm not filling any levels of hype about anything. You're getting old man. No hype at all, huh? none None Not even for destiny Talk to him. Yes, you're coming with me. You just don't know it yet. Whoo. Let's go. I am way up here in chat Why is there no hype way? I just left here. What am I doing? Oh, they're here. Okay. I don't know Don't know why did that? Okay, you lied you are hyped What do you hype for specifically I Mean, it's like 10,000 games coming out There's a raid today for wow. Oh my gosh. I Need to poop one of these Poop them Pikachu.  I should have fought you. I Apologize for my poopage. Oh Spider-man. Oh my gosh, Spider-man Spider-man Spider-man Attack one of these Spider-man Spider-man Do it.  It's a lot of new stuff, man Are you kidding me? Are they fighting each other? No, they're not fighting each other Go, why did you poop me?  I had no idea he could dig. I'm gonna spend the whole time chasing these fools Okay, I messed it up. Let's try the game All right, we're over here Wait, don't move. Don't move setting this up setting this up. All right. Here we go. Yeah Scooby-Doo Palakos do your thing. I didn't buff you at all Oh All right, let's give you some hardening powder Wow, I'm the one this stuff. All right, you're both hard And now we're gonna do this guy I'm upset with everybody. All right, here we go Great. Yeah, Battlefield 5 beta. Yes That's it. That's Thursday, right?   Where's the skill? I Thought I could do his skill. I don't see it. Oh, you wouldn't mind an outcrop All right, you guys are supposed to be fighting him.  I'm drinking this was taken a lot longer to kill than the other one did Probably because of the spots. I'm choosing to fight a man. Oh, this is an event quest Okay, miss. He leaves again chat Where's this poopy? It's gotta be poop because the other guy left No, I got a mark. No, that almost got me. Oh, that almost got Bum bum bum bum bum bum up to one. Oh, he's dead. I think I only have a few trink bombs left up to her for All right, this time we're gonna put this in the place. That's gonna hurt a mic, right?


Hello, this is Christian. This is part six of the project tutorial. In this video, we're going to look at some of the blade directives. I'm not going to be able to cover all of them, but I think these are the ones that you might run into quite a lot as you start coding. So the first row, you might be seeing most of them. Maybe the one that you haven't seen is the PHP directive. We'll take a look at that. The if statements switch to four loops, a couple of them, and a loop variable, which is part of the for each loop and for else loop as well. And finally, we'll take a look at the blade comments. Okay, so let's go back to our IDE and start coding. Now, first and foremost, I want you to install two very nice extensions if you don't have them already. So if you click on extension and just search for Laravel blade formatter and a Laravel blade snippets, the snippets here does really nice syntax highlighting and then the formatter here allows you to format your code, okay, which I find is sometimes really useful. So again, thanks big props to these people who provide these free open source extensions. Pretty awesome. All right, so with that said, let's go ahead and go into our Laravel project. I'm going to go through the command terminal, control J takes you there. Make sure you navigate to your project in here and let's run the app. Party time served. Again, port number default is 8,000. If you want to change it to a different port, just type the afterward serve type to flag dash dash port equals and then give it a port number and you run a different port number. So that's that one there. And I'm going to go and run my app. I pull out the corner here so we can see as we go. And there it is. All right, so we're good to go. And I'm going to go back here and close my terminal here for now. Now, before I do anything else, I want to go into the routes and make a copy of my web PHP here just in case. So control C, control V. I'm not going to use this copy. I use it as a backup. But in here, I'm going to clean this up a little bit because I have a lot of, well, maybe in a minute. Okay, so first, let's go into the view called the layouts here. Okay, we've seen it before. You see where you can use the yield to allow another template to inject data into this state template. Okay, that's what it's used for. The yield is for injecting data into, including is also injecting data by you inject data instantly. Okay, automatically, as for as a yield, that means that you only load the content when you visit that view. Okay, so you've seen this before. And then, so let's not go to the... I'm going to create a demo template for now so we can play with this. So I'm going to go to the abuse folder here or click anywhere in here and just type in here and type in a new blade called demo.php. Okay, I'll leave it blank for now. At the same time, I'm going to go to the web page and create a new route. I will use this one and I will just turn this off. So control question to get that off. And I'm going to go to the demo and load the demo route. And title will be just demo, it's okay. Okay, so that's ready to go and we're good. And then go to the browser and navigate to that demo page. Okay, so you should see a blank site here. As you can see, it's empty. All right, I'm going to close over here now and just focus on this blade demo page here. So remember the first one is the extends directive. Notice that if it's a blade file, you don't have to put the PHP code up here. Usually you would do that to run a PHP code. So if it's a blade file, do not put PHP syntax up there and do it this way. If you do that, you get an error, right? It doesn't mean that you can't put PHP code. Of course you can't. If you do that, just make sure that you close that tag and whatever goes inside here is PHP syntax. Okay, so this is a blade syntax. At the very top, we want to extend the layout.master blade. Okay, so now that includes that, if you just run that right now and go back to the browser, not that one, we already seen that. So if you refresh it, you're going to see that one here. Okay, let me close this one here. I'm going to go back in here and let me also do every size of my screen. I want to make sure we have, where is it at? Like that. Okay, here we go. All right, so now here is the output of that. This is overlapping because we have this screen size shrink, but don't pay attention to this one. It's just in the white box here. So this is the master page. We include that already. And then the content goes in here, right? So that is where we include the section. And then the section name is called content. Now the section here, if you include content, it's basically a lot of content to be injected into the master template, then you want to put your code inside here and between the end section, section, like that, okay? So whatever you go, you put in here will be injected into that, the content, right? So you put it high. If you go over there and refresh it, you can see high right there on the screen, right here, right timing, all right? So that's that. And of course, the title, as you can see is the sound page. If you remember, we did find the previous videos. You can put a section here and then the title is like that. Remember, we pass a title variable to this template as well. It's called title. Now notice I did not include the end section for this one here because the second parameter is the actual value for this. So it's like a key value pair, right? So if you refresh it, it's going to change that to the demo link.  So you can do something like that. Close that one there and then down here, end your section, right? Oops, I think I have to end it. If you don't end it, it's going to, your section is going to bleed over to the next section. And then here you will echo this out by interpolating that title to the page. So as you can see, if I do that, it should still work just fine, okay? Just to make sure it does work, I can put here title plus something. So the concatenator, that is still like PHP, title plus a string, put some kind of like hello again, just so you can see on the tab, okay? That's how you do it. So put it again, you know, if it's just a title, then you will basically just do like I did earlier. And the same goes for the body of your content. If you put like your content right in here like this, the only thing is that if I do something like that, then I'm going to see only just text. It's not going to be interpolated as, you know, HTML or things like that. You see right here is really tiny. If I try to put like an H1, okay? It's not going to behave that way because this is just plain text. And you may be thinking, well, because I'm putting this single quote as a poster double quotes, it doesn't matter. It's still going to be string. I'm sure there are ways around it, but I mean, why would you want to do this? You know, if you want to put your template, just don't do it here. Okay, so therefore you put it inside the section of the body down here and in this section, you can do that. You can also put like stop. If that's, I think that you can do that too. Probably the older version. Okay, so that is where our content is going to be. We're going to put a main tag just so that it looks nice. If you notice that, when I take the main, it doesn't really close it for me. And I find this to be very annoying. So usually to make it faster, you just type main and then hit enter. Okay. And then the HTML will kick in and it will auto close that for you. And then inside here, I'm going to put like a hello here just to make sure that it loads nicely over here and we refresh it. And okay, a little bit better, right? Okay. So now let's get to this stuff in here. So inside here, I'm going to do all the code inside here. I'm going to create a, I want to use the, oh, one more thing, right? So extends here. This is the layout. If you happen to do this twice like that or even like down here at the bottom, it doesn't matter. You're what you're going to get is really three copies of the layout. You can see here is one here, one here, one here, right? So it's not going to crash or break your page. You're just going to load that message page three times and then it will appear, whatever you put here will show up in those three places, okay? So I'm not sure if I'm going to use that, but you can. It's kind of weird. So don't overdo it. It's just something you can. And I mean, it shouldn't be, you should do it, okay? All right. So now let's go and put a PHP variable. Now inside the Blaze syntax, you can't create variables without going to PHP mode. If there's another way, I'm not aware of it.  That's fine. Or you can also use the add PHP directive and close that for you as well. So make sure it's a single app and not as 2% has different meaning. So either way. So for example, I'd go here and type in a variable called cat is equal to now, right? And then here I can put here dog is equal to, okay? And they are fine. I can X, show them out here, cat. And then concatenate with that space and then concatenate that with the dog. Fresh that, and you will see now in the wolf over here, right? So either one is fine, whichever is convenient for you. But for my demo, I'm going to try to use just the Blaze syntax, okay? So I'm going to delete this. And also while we're here, when you're trying to interpolate data here, whatever goes inside here is an expression. So as you can see, an expression is anything that you type that is usually a return some value or some data to the view, right? So like a function call. If you happen to have a function, you can call it in here. That's fine too.  And then the cat will actually mail. So let's go here like that and I'll put here return, return cat, return now, right? So I call the cat function here, cat function and I put exclamation mark here and you will see that that's how it works too, okay? So either way, when you do this way, if you try to include like cat and dog like that, it should error out because you can't put two variables in here for doing that kind of thing. If you put a comma, then I think you're gonna get only the first operation, the second whatever it is after that will be ignored by the blade engine. If you put a plus then of course, you were expecting to do some type of math operation and in this case, it failed because you can't do strings but you can certainly do these operations in here and sort of cat, you can do like two plus three and now I get an expression. So that's kind of cool for that. All right, so now let's go and create a variable. I'm gonna create one here that says numbers is equal to a array of 12, 34 and the device, okay? Now inside here, I'm going to use the if directive. Before I do that though, let's talk about comment first because I use that quite extensively here. So commenting in blade, the easiest way to do that is if you're using Visual Studio Code, I think most IDE, this almost kind of universal as well, not all of them of course. If you press the control and the forward slash would control the question mark, it's gonna enter you this symbol, it says syntax. This is blade comment, okay? So if you put here comment of blade, this is different than if you were to do a HTML comment. Okay, they're both comments. The only thing is that if you render this to the view over here, okay? If you go and click and show the source of view, you're not going to see the blade comment as you see here, right? I see the HTML comment, but the blade is not being rendered to the view. So this is very similar to a razor syntax and razor comments and the .NET framework. Cool, huh? Right, I just wanna show you that one there, but either one of those will be fine. There is a difference between the two. If you put like blade content inside your HTML comment, I believe you'll be ignored. So usually if you do this, right? And if I go out, you know, numbers of one, okay? You notice that if it's an HTML, it will be ignored if we just span it, okay? And be fresh on the browser. You will see that they're wrong. Oh, let's see. I thought it would not be. As you can see, yeah, it will render the content anyways, but of course it will comment it out, but it will render a result here. You will see the result if it's commented out. As opposed to if I put this inside the blade comment like this, then that is completely not visible. You can see here, okay? So that's again, something you wanna watch out for. It doesn't mean it doesn't show up. Your code is not hidden. I mean, the result is. Okay, so that's the comment. Right, so now let's do some, you know, flow control flows. The first one is the if statement. So it looks very similar to the regular PHP if statements, almost exactly the same, except you're placing the curly braces with the word in different else and things like that. Okay, so start with if, if something is true and the condition here, I'm gonna say if the numbers of let's say zero is, you know, less than the numbers one, if that is true, then I'm going to print something else, say true. Okay, and then end if you have to end this here. Okay, and in this case, I'm expected to be true. So you see the word true printed on the view over here. Okay, so nothing fancy here. If you don't do this, if you happen to put like do that, then you're gonna get a one is set up to work true because it's now interpolated, we evaluate it, right? If you put false, then you're not gonna get anything because false in PHP is like a null value, so you can't see it. Okay, so if you just print the actual content, put true here or false, whatever it is. So that's the basic, very simple, if and else, I'm if block, let's do what the if and else. So let's put an HR here. It didn't work for me this time. What's going on? Okay, so notice I did not, it's not nicely formatted. If you do something like that, sort of ugly. And if you don't have the extension I mentioned earlier, the formatted install, then you're not gonna see this format document here. Okay, if you right click on it, you click form a document, then it will format that for you beautifully. So that's what I want to show you earlier. Okay, so the next one here is the if and else. So let's copy this and I'll put it right down here. Save us time. I will say something like, if the first number is, you know, let's change this. If it's greater than the second number, then we will, I guess we'll print the second number, right? Maybe numbers of the first number, we'll print the first number, if it's larger else, then you put here again, the add symbol followed by else, and then whatever goes in here.  Too many. Okay, so else goes in here, and then whatever it is, you put right in here. Maybe I just put here, I don't know, none or something. Okay, so run and you should get a none because indeed it is not true. If you change it the way around, yeah, I'm going to get a true because the second number isn't the larger, right? So that's the if and else block. The next one is the if and else and else if. So let's put something here. Okay, now my everything is gone. One thing is sacrifice for another thing, okay? All right, so now let's say I want to find the largest number in here, right? Remember, you can do that using just if else. So how do you do that? And you can say if the first number, usually this way, the first number is greater than the second number, right? That is true, and I'll put it out of here, okay? So else and then kind of in here, you put the end if. Just so I don't lose track. So that is true, then I can check this next number. This is a nested if, else here, if the numbers of the first number is also larger than numbers of the second or last, right? If that is true, then indeed, the largest number I'm going to print it out is the numbers of the zero. If that is not true, then it must be the last one, right? So we'll put here, I'm going to copy this, just make it faster for me to type else, and then we close it down here and if. Okay, this is our nested if and else. So if this is true, then this is the larger number, otherwise this larger number will be the second position, which is a third index. Okay, if that's not true, then else would be else if, like that. Okay, do another condition, and I'm going to copy this again, just to save some typing. So notice I have to include the word else if together. If you separate them out like this, it will not work. Okay, it has to be glued together like this, but in regular standard PHP, you don't have to put this together, it works both ways. Okay, so if the first number is that, and if it's the second number, it's in the larger than the third number, then we can say that the largest number is indeed the second number, right? And the one else, this is the final else, and the mark number must be that third number, which is index three. Okay, there's a lot of if and else here. If and else and else, if. Okay, so if that's correct, I think it is, we'll figure it out. And it should put in the largest number in this case would be 55, okay? So if I change it around, let's say let's collapse these up here. If I change it to be 112, I should get 112 to be the largest right here. If I change that to be 344, I'm going to get 344 here, all right? And if you look at this, it looks exactly like the if and else, if and PHP. Okay, only thing is that instead of the end if, you put the curly brace instead, right? Or if it's just one statement, you can ignore the end if completely, just if this is true, if else, and then I'll save, okay? So that's something that you want to think about. Should I go with this play directive or should I use the PHP code either way? Okay, so now, I think that's enough for this one here. I'll do the switch in a little bit later, but we'll do that inside the loop makes more sense. So now let's talk about loops in here. So put a comment here, say loops, okay? So the loops, I put an HR here as well. Now I lost that HTML thing. Okay, so for the loops, we'll look at the first one first, which is the for loop. This one here is just like your regular for loop, followed by something like this. So you is equal to zero. Let's say I want to print all the numbers. You know, let's do some last, add some data up here, something a little bit more interesting. So let's put here, put a constant data, one array of some numbers. So we put here a, very simple, it's an array of data. Now, down here, then I'm going to loop until the I exceeds the size count of the data, right, and then I plus plus. So notice here, I'm using the regular count function in PHP. You can use that, we can use the size of, it's fine too, either way, I'll use the count for now. But it only works if you put inside a conditional. If you try to use that outside here, if you print it out, it's not going to work as far as I know, okay. So what I'm saying is that if you go here, if you try to do like that, right, it's not going to, it's not going to work. And there's an error, okay. So it has to be inside only the conditions as far as I know. Okay, so now we have that one there, and then we're going to go ahead and run something here. Make sure you do the end for, okay. So I'm going to do that and maybe just print out some numbers, data of I, right, very simple. And it should print that out for you on the screen right here, ABC, that's what we have. Okay, so that's that. Now, what if we modify the data a little bit and include something like, I don't know, let's do something a little bit better and let's see, let's call it, I'll make a new one. Cost data two is equal to, you know, a, use the same thing, but a map to, you know, Apple, maybe maps to, I don't know, let me take some C maps to, okay. So we'll have the key value pair, which is an associated array, same thing as these, these are index of zero, right? You remember, same idea, but data two has that. And then now when I access my for loop down here, I'm gonna use a different for loop. This is gonna be the for, the for each loop is quite useful in this case. So here you can use this for each loop too, but I'm gonna use something a little bit more meaningful here. So for each here takes the same format as in PHP, for each data, so-called data two as, and you can take the key value pair, I'm gonna do both. So it takes as the key, if you remember the syntax, key and value, and again, make sure you end for each. So if you wanna print the key, you print the K, the value is the V, right? And then we can do something like, you can print the key here, and then follow by maybe the value, right? So just to show that it works, I'm going to refresh it here. So you can see, oops, I did a mistake somewhere here. I gotta close something up here. Unexpected equal, okay, so right here, forgot my arrow, right, so here you go again. You can see the key value pair, right? So the key is A and B and C and so forth here, right? I could do this totally, right? Using separate like that, or I remember I showed you, you could also do this, concatenate that with the concatenator like that. It's the same thing, I get the same result as you can see over here, right? All right, so that is how you get a key value pair. Now, with this for each loop here, you can also have another variable called loop. If you want to find the index, or the index will be like the key in this case. You can use that in loop variable. So here, if I go and put here, just so we can see, I put a VR here, so for now, and if you type in loop, it's a variable. And the loop here is an object that takes some of properties. And one of its properties is like the count, for example, if you do a count, then it will tell you how many items in your list. As you can see, I print it every time. So you lose that three times, but total count is three, right? Three here, because I have three in the elements here. Right, this count is very similar to the count function up here. I can also print some conditional as well. Like if this is the first one or not, okay? It's a Boolean value if it's true or false. So you're not gonna see anything here because it's just say one. If it is indeed the first, the first one, it put a one here, a little bit hard to see, but let me do this. If it's the first one, then you put something here. You put one, four, true, zero, four, false, okay? So if you do that, you can see a one after the apple because that is the first item, okay? And if you do the same thing, even though I put a separate line, you can still see, it's just a print on the same line because only one or the other would be true. If this is the last one, then put something there as well. You can see that now the one goes in the apple and the one goes in the cake, okay? And this is not really so useful, but you can do something like, well, if, right? If the loop, loop is first, if that is true, then put a star, one, and then we'll close the if, right? So the same idea. If the loop is last, then you put, you know, last year. I don't know, first, last, and then, so this way, it makes a bit more sense because you see some things in here. You can also check for even odd or things like that. And, okay, so those are useful variables you can use to check in here. It only applies to the for each and for else loop. Okay, so let's look at the for else. The for else is kind of similar to handlebars. If you never use handlebars before or I think, is it express a ginger template? I don't remember. Let's take a look at what the for else is. So for else, the syntax is the same as you can see here. Okay, collection here would be the data two and item is just again, key value. If you don't care about the key and sort of print the item itself, which is the value, then I will print the value out, item out. Okay, if it's empty, then you put here no content. Something like that, right? So this only runs if the data is empty. So in this case, it's not, I'm gonna see the same content being printed down here. Oops, data two as, oh, too many assembles. Right, get that every time. So, what else? Oh, data is a constant, sorry. Right, so you can see the apple, baking cake, right? You print those out because it's not empty. If I go up here and let's say I'm gonna change that to another constant called data three, it's a blank array, right? So it's empty. Now in my code down here, I'm gonna change that to say data three and because it's empty, you're gonna see the message no content. So that's what this is for. It's like the else clause. If there's no content and the loop. So kind of handy sometimes. But again, in here, you can also get the four as well. So again, if I can go here, I put just this code in here and right in here. If it's the last one, then put the last over here next to the word and maybe we'll put here a little VR just so we can see. Okay, so you will only put the thing next to the last and put here back to the data two and here we go. So as you can see, here it is. So applies to both the four else and for each loop. All right, so what the last thing we'll talk about here is the while loop. This one here is a little bit tricky. Remember the while loop in order for this to work, right? To look at the item, you will have to find the index. That means you have to declare the index outside of the while loop. So you have to do that by using either the PHP syntax like the PHP raw like that, which is okay. And I'll use a variable called J starting at zero, okay? And it will close the end PHP. You have to define that first before you can use it. And then in the while loop, you put here while the J is less than the count of the data and using constant. So I'll make sure I wanna make sure I don't do that externally. Let's go with the data for the regular data. Okay, and then you put here again in the while. And in here, then, so the data is just an array, right? A, B, and C, okay? So we can print the data of J just like that. And then don't forget to recommend your J. Excuse me. I think you can also do writing here if you want to. We'll see if this works. And I can increment J every time and then we'll run. And here we go, A, B, and C. If you don't increment this J like that, if you've got to do that, you're gonna get an error. And as you'll see, it will keep spinning until you run out of resources and you crash your page. Okay, so don't always remember to do that. Either do writing here. If you don't do it in here, or let me close this, stop this, then you have to do outside or afterwards. Now you don't wanna do this, right? J plus plus, you can if you want to, but that has its side effects. That means it's gonna print out your variable every time in there as well, which you don't wanna do. So just for incrementing your data, again, you will have to go back to the PHP mode and do that just for that, you know, right? Just for that. And you can see how tedious this actually gets instead of doing this, I would just put right in here. And it will still work. So save you a line of code and make sure code a little bit sweet. Okay, so this variable here, J, you have to declare in here. Of course, you don't have to do this if you pass it through your view function. So out here on the view function, when I create the demo here, I can pass in here, you know, the other variable. So review, let me go back and use the right method here. Okay, so I can pass the second parameter called J and that J points to zero, start at zero. So because the variable exists here, I can then go ahead and just access the J right away. I don't need this. So again, comment it out. So that should not be included in there. And my coaches still work because the J has been passed to the variable here. So the title, did I do something wrong? Okay, let's try again, I probably missed something. Error, yep, just make sure you do all this correctly. And then, as you can see, it prints out just fine. If you want to start from a different number, then you put here, you know, try a one. Now I'm gonna skip the first one and only get B and C. Okay, so either way, that's how you do it. Just make sure you do that in there. I think that pretty much covers everything here. The only thing I haven't done is the switch case. Now the switch, you can do right in here. I'll show you so that, just like the if block, switch case, same thing. So I want to say something like switch the data of, of J, right? Switch the data of J. Make sure you put it and switch down here. If it's the case of something, you put a function in here. You pass it a case function as opposed to just a variable. If it's an A, then again, assemble, that's the case. Then you don't have to put any of that. That means if that is K is true, then go ahead and maybe I'll print out, I don't know, print out just the data of J, okay? J and then make sure you break it, okay? After that, you want to break it. So again, break out of that. If you don't do that, it's gonna bleed to the next case. So I'm gonna copy this here again, put it right here. Okay, it's a different case. And then the last one here is the default. So again, it will be default. And then the default will print some message here. We don't need to break, just say, I don't know, done, okay? And as you can see, highlight it, format it. Makes it nice for you. Case one, and then this is case B, okay?  Go back to zero, start from zero.  Did I do something incorrectly in here? Oh, because I commented out, I mean, I incremented it first. So let's remove that. What should I do this? Okay, let's do it on the bottom. The reason why it runs right here, because I incremented the J first. So on the last round, it's gonna go to J three, which I don't have, that's where it crashes here, okay? So you can see they print the A and A, because it's A. And the ABC here is printed twice down here. So if I turn this off, it should only print once, okay? Oh, loop. This is why I don't like about this one here. So let's do this again. Let's do the plus, plus after we print out. Here or here? Nope, it's not gonna work, right? So I have to go back in here, no, no choice in this case. J plus plus, yeah, this is so unusual in this case. All right, so here we go. And not the smiley, but okay, so here AB and done, because we found only two matches, A and B. We ignore that C, so C is now default done, okay? So if you want to print both together, then this is the case then, this is what's called an OR, right? So I can ignore this part and then just do that. And that is the OR case, A or B. And then we'll print that anyway, just get the same result down here, okay? So that's the switch case, nothing very fancy here. Again, it's the same standard as the regular switch statements and I think that should be done. Now, lastly, I wanna do another one just to show you the include here. If we remember, we add the include inside the statements. So as your code goes really, really, really big and really bloated, you can move things out to a different template, okay? So let me maximize this code here or something really quick. Let's say in my views, I'm gonna create another one here called includes, instead of includes, I have another layout called task.play.php, right? So I go back to my demo template, I'd say that, you know what, a lot of these code here are a lot. So I'm gonna move everything, for example, move everything here to the end of that, cut it out and put into the task here is a play template, right? So we can save this play template here and then I'm gonna include it right in here. So include the play template coming from the includes folder called task, okay? And now my code is cleaner because I break it up into different sections. So if you can do that, you can move it out to different multiple sections as well and that should still work. So as you can see, if I refresh the page, everything should still stick as before and just to show that does work, let me go ahead and add another variable here to the D, right? And it should still work just fine, not this one. And here we go, okay? So done, done because two, C and D do not match. All right, so these are the directives I wanted to cover for this video and there are a lot more. If you go to the data documentation on the site, you can learn a little bit more into others. There's a, on the last statement, there's a empty, there's an authentication and many others as well. Okay, well, thanks for watching. Any questions, please put in the comment and I will see you in the next video.