Lux presents Hollywood. The radio theater brings you Olivia DeHavilland, Don Amici, and Dick Foran in Guest Wife. Ladies and gentlemen, your producer, Mr. William Keely. Greetings from Hollywood, ladies and gentlemen. I'd like to take this chance to thank you for your many letters and communications since becoming producer of this theater. I wish that time would allow me to answer each one personally, but be assured that your advice and your suggestions are appreciated and will help us greatly in our choice of plays and stars. Among the requests we've had, many have been for Sam Wood's comedy success, Guest Wife, produced by Jack 8 Skirball, and presented on this stage tonight with Don Amici and the role he played so engagingly on the screen. Co-starred with Don is the versatile Olivia DeHavilland, a long time favorite of this theater and incidentally of mine. Also, Dick Foran from the original screencast. Here's the first act of Guest Wife, starting Olivia DeHavilland as Mary, Don Amici as Joe, and Dick Foran as Chris. There's probably no happier married couple in the world than Mr. and Mrs. Christopher Price of Ketooson, Ohio. Well, why shouldn't they be happy? They're young, handsome, intelligent, and on this particular night, they're especially happy. In just 40 minutes, they're boarding the train for New York for two wonderful weeks, a second honeymoon. Yes? Oh, Chris, do you want to take this suit along? Well, if there's room, honey. Oh, say, you haven't heard the front doorbell, have you? Doorbell? Why? Well, just before I left the bank, Western Union called. It was so late, I told them to send the telegram here. It couldn't be anything important. Chris, maybe it was important. Darling, telegrams aren't always bad news. The last one was? What last one? Concentrate on that empty corner in the living room. Oh, that wasn't a telegram. It was a cablegram. Well, whatever it was, it was from Bad News Parker. Well, what would you do when your best friend cables that he's in jail in a foreign country? You didn't have to send him $1,000 that would have bought our baby grand piano. Oh, gee, honey.  You mean the way we sat on the pier in Lake Michigan and spent our honeymoon watching the seagulls? Oh, now, darling. Just because Joe stole the boat you'd chartered to go chasing gangsters? But he caught them. Yes, sir. That story was responsible for making him a foreign correspondent. And look at him today. His pictures on your desk. You look at him. Yeah, to Chris. The best pal a man ever had. Nevertheless. Honey, now look. Stop worrying about Joe. Do you know where he is right now? In India. Maybe he's run out of curry. Chris, how much time have we? Plenty of time. I'll get it. Either our cab's early or that telegram. What was it, dear? Western Union. See, just a plain old telegram. Go on, open it. I've got that awful feeling you open it. All right, I will. Ten to one, it's about Taylor's loan at the bank. If you ask me... Go on, dear. Mary, it is from Joe. It can't be. He's in India. Listen to this. Arriving 8.30 tonight. Can't wait to meet Mary. Important. Isn't that swell? He's coming here. I think it's awful. Oh, now, Mary, just wait till you meet him. I'll wait till it's time to catch the 9-2 for New York. Joe Parker or no, Joe Parker, I'm going and I'd love to have you along. Oh, Chris, fun's fun, but it's almost 8.30 now. Don't worry. We'll wait 15 minutes and not a second more. Good. Now let's finish packing. Oh, look. Do you like it? Huh? Do I like what? This. Find your hat, Chris. Your new hat? Oh, no, Mary. No. Well, what's the matter with it? It looks like a lamb chop. Honey, what if Joe's a little late? Just pin a note around the door.  We could leave in the morning. Tonight. Oh, yes, ma'am. What a hat. My woman insist. Chris! Joe! Just open the door and barge in, Parker. Chris, let me get a look at you. Boy, am I glad to see you. Hey, nice. But I thought you were in India. That was last Thursday. Oh, here she comes. Sweetheart, this is Joe. I suspected that. Mary, Mary, Atlas.  That's about the prettiest hat I've ever seen. Oh. And look, you got shoes on. Oh, you don't know how good it is to be back in a country where women wear shoes. Well, it's a little late, but I guess the guy's entitled to kiss the bride, eh? Well, I don't know, Joe. Mary never quite forgave me for not showing up at our wedding. Ah, yes, I know. Unforgivable. Especially when I think of all those lonely hours Mary's brightening for me. Hmm? You know, Chris, she's the picture. That picture you sent me. Oh, yes, darling. I sent him one of your pictures. You know, that hat really gets me. Say, Mary, how did he ever get you to marry him, you lucky, lucky guy, you? Well, it's 18 minutes to nine. We're supposed to catch a train. You see, we're going to New York. Yeah, make yourself at home, Joe. We'll be back in two weeks. Do that. Here's our cab, Chris. Goodbye, Joe.  Oh, forget it, forget it. I'll ride down the station with you. Chris, I'll grip. I'll get him. Joe. Yeah. It's really very sweet of you, but why bother going to the station? Why don't you just make yourself comfortable? Oh, I insist on going. Besides, I wouldn't think of imposing on your hospitality. Hey, wait a minute. I got a great idea. Oh, no, no. Joe, why don't you come with us? Well, that's a wonderful idea. It is? Except I can't possibly go to New York with you.  Take the grips, Chris. I'll lock the door. Outside, everybody, outside.  Oh, that's a long and bitter story, Chris. I'll tell you on the way to the station. All right, Joe, start explaining. Well, I've been in lots of jams, but nothing like this before. And it all started as a kibble. A what? A kibble. That's the word, Chris, and I made up in college.  But if I confirm it, I'm kibbling you. Now, this time, I kibble myself a wife. Oh, great. You see, all I wanted was a few days off, but I just had a few days off, so I had to think up something pretty good. I kibble the boss, I got married. Married? Yeah. He not only gives me a vacation, he makes me far Eastern manager for a wedding present. This kibble racket pays off. Only sometimes it backfires. The boss, that's Mr. Wuer, starts writing letters to my wife, so she had to answer them. Naturally. He answered them. He bought us a house in New Delhi. More letters back and forth. He sent us presents.  But I only had. Can't you see the mess I'm in now? Look at this kibble he sent me. Give it to Chris. I never touched them. Report immediately, New York. Bring Mrs. Parker. Important she be here. Hey, T-worth, you're not worried about this. Well, of course. Ah, it's simple.  No, no. Unfortunately, I sent the boss a picture of my wife. Chris, I thought you said this man was smart. Well, if it's somebody you know, maybe she'll... I don't think so, Chris. Chris, I've got that horrible feeling again. I'll roll down the window, honey. Joe, this girl. Does Chris know her too? As a matter of fact, yes, he does. I think I know her too. Hey, I get it. The girl is married. You sent Mary's picture to your boss.  All you have to do, Mary, is pop into the office with Joe and meet the boss, your Mrs. Parker. Then you pop right back to me and your Mrs. Price. Easy as that. Sure, it'll be alike like some of the stuff we used to pull before we were married when we were young. You mean way back before we lost our sense of humor. She's gonna do it, Joe.  Oh, don't thank me. Why, you've given me a chance to recap to my youth.   Well, just you remember that. Oh, I will, Mary. I will. Watch your step. Get on the train, please. Watch your step. We better get on, Mary. Chris will be here in a second. He's just getting my ticket. Well, all right. Chris, hurry up. Woman's space, please. Here. Well, there'll be one more. My husband. You better get aboard, lady. We're running late. Chris! Oh, Mary, my wallet. I gave it to you with a ticket. I haven't got any money. Oh, come on. Get aboard. Chris will pay the conductor. He can't get on. There are no accommodations left. We're booked solids. Stop the train, Joe.  Mary, this whole floor. How do you walk off us? Well, I still think I should have gone straight to the hotel. I'll have you in and out of here in two minutes. Just smile sweetly at Mr. Worth.  Well, here we go. Reception like this all this isn't for us, is it? Yes, Joe. I'm afraid it is. We're porters and camera men. Well, I better tell Mr. Worth you're here. Well, how'd you like India, Mrs. Parker? Oh, she just loved India. Oh, yes. There's the curry and kibbles I'm crazy about. Joe, my boy. Joe, Mr. Worth. Hello, Joe. Hello, Mary.  Oh, I certainly wish you would. It's my name. Now, Mrs. Parker, if you'll just stand right there, please, and Joe, that's it. I just want to take a couple of pictures. Pictures for what? My boy may introduce President Reed of Paulson University. President Reed has something to tell you. I won't stand on ceremony, Mr. Parker. On behalf of Paulson University and in recognition of your distinguished performance as a foreign correspondent, I award you this year's Paulson Prize for Journalism. One thousand dollars in cash, which I dare say I'd better hand to Mrs. Parker. Joe, my boy, I think that's wonderful. I assure you, I never expected anything like this, and I'm sure Mrs. Parker didn't either. I'll cherish this award as long as I live, and as for that thousand dollars, I hope Mrs. Parker's going to give it to me. Oh, no, gentlemen. I think I'll use this money for something I've wanted for a long, long time. Well, if that's all you want of Mrs. Parker, she'll be in my office. Come in, Joe, after you've said hello to everybody. Sit down, my dear, sit down. Thank you, Mr. Worth. Look, on the table there. Why? Why, it's my picture, isn't it? Yes. Remember what you wrote on it. Do I remember? To the boss, our friend and guardian angel who has been more than a father to both of us. Oh, you don't know what that means to me, Mary. Well, I must confess, Joe had something to do with it. And your letters. Letters? Especially that one from Punjab, Tony. Oh. Oh, yes. It's a beautiful spot. Really? From your letters, it sounded wretched. It did? But I suppose any place is beautiful, and one has just been snatched back from the grave. I kept all your letters, Mary. But that one, well, I was tempted to publish it. It's such a perfect story of what marriage really means.  Joe should hear this letter. I'll go call him. Oh, Joe, Joe, come in. There's something I want to read to you. This letter. What letter? Oh, oh, well, that's one of Mary's letters, isn't it? From India. Just listen to this. Here, my dear, you read it. We are here in the Punjab townhead. It's a frightful place. But as I lie in this native hut, I am the happiest woman in the world. Joe alone has nursed me for three long weeks. He has shielded me with his body against the monsoon. And night and day has fought for life to stay within me when so often it seemed to be slipping away. Oh, just think, Mary. I might never have met you.  In the darkest hours, his voice kept begging me not to go, and his big brown eyes, looking down at mine, made me want to live. And now, as my strength returns, I know we have something that binds us close together than ever before. And this I wanted to share with you, Mr. Worth, our dearest friend. To me? To me, that led her as a classic. Mary, you don't realize what a close call that was. I don't think I ever will. And now, if you don't mind, Mr. Worth, I'd like to go to the hotel. Oh, but we're due at the university for lunch. Oh, Dennis, what time is that luncheon? 1.45.80. And Mr. Parker's talked to the School of Journalism. Long? Is it three? Followed by the cocktail party here for all members of the staff. Oh, Mary, my dear, what is it? It's Christmas. What about Christmas? Oh, that's Christmas shopping. Oh, she's just dying to get in the stores, aren't you, dear? Joe Parker, if you don't. Now, darling, it's only for the rest of the day. Remember, tomorrow's another day. It's another day. That's just what I'm afraid of. Oh, well, let's go to the luncheon.  And Mr. Arnold, say this is mighty nice of you. Chris, we have to talk to him. Oh, but Mr. Arnold, the train's ready to leave. I'm going to leave without you. Hey, but I missed my train last night. My wife is with me. Step over here. Well, we won't be seeing. But my train, will you kindly take a look at this? You get me off the train to look at a newspaper? We had a sudden visit from the bank examiners. Bank examiners? What that's got to do with a morning paper? Am I going to New York? Look, just look at this picture. But it's Mary, Mary and Joe. Mr. and Mrs. Joseph Parker arrived in New York today. Mrs. Mr. Parker was awarded the Pulse and Prize for Journalism and Mrs. Parker was present at the ceremony. Price, a man who'd live with another man's wife, might steal another man's money. At least that's what the bank examiners think. She's my wife. Then what's she doing in New York with her other husband? They're spelliest Joe Parker. We can read. He's my best friend. But that's Mary in the paper. And the paper says that she... What'll I do? She's expecting me on the train that just left. There's just one thing I can suggest. Let the bank examiners finish their report. There isn't anything wrong, of course. Not with my account. Good. We should be able to calm everybody down by tonight. Oh, say, this is a terrible mix-up. It was all just a kibble. Kibble? Oh, never mind. Look, do you mind if I telephone New York? Do it from the bank. We've got to get back there. 209, 211. Well, this is it, Mr. Worth. My hotel room. Our hotel room. Won't you come in, Chief? Well, just for a minute, perhaps. I'm sorry, but I... I think I'm on the verge of collapse. Oh, it must have been a very trying day for you. Well, thank you for showing me New York, Mr. Worth. And if you're in the neighborhood sometime, I... You just rest, Mary. I'll get the phone. Hello? Well, Chris! Chris! Where are you? Well, what are you doing in Catooson? Give me that phone. Hello? Chris is still in Catooson. He is? I thought you were on the train. He's our closest friend, Mr. Worth. He promised to meet us here. Oh, that's nice. Well, I don't care. This is supposed to be our second meeting. I'll handle old Chris, honey. Oh, for heaven's sake. Hello? Chris, Mr. Worth is here. You know my boss? Yes, he's right here now. Hmm? Oh, okay. He wants you again, Mary. What? But we haven't been in the hotel all day. Try to get us on the phone all day. You don't say. I knew it would turn out like this the minute that telegram came. But why can't you explain it to me? Oh, this is terrible. I don't think you want to come. Oh, all right, then. I'm so unhappy I can't talk anymore. Give me a whack at it. Now, Chris, you see what happens when you don't show up? What? Take her dancing. Kiss her goodnight for you. I don't think she'd like that, Chris. I'll do what I can. So long, old man. I'm so mad I could cry. Mary dear, you are crying. Yes, yes, boss. You see, it's been like this ever since that time of Punjab time. Whenever Mary is disappointed, she gets hysterical. Poor kid, it hasn't been easy. Well, under the circumstances, I think I'd better just run along. Yeah, perhaps that would be better. Take good care of her son. Good night. Good night, Mr. Worthy. Mary. Go away. There was a fire ax here. I'd heave it at you. Now, Chris must have had a good reason for missing that train.  Then when Chris gets here, tomorrow probably you'll know all the spots to him. How about it, huh? No. Oh, now, Mary, come on. We can have a lot of laughs. No. Wait a minute. I will go. Well, now that's better. Who does he think he is? On our first honeymoon, we sat on a pier in Lake Michigan. No.  Did you ask me out for the evening? I certainly did. Okay, brother, you've got yourself a date. Hours later, and in one of New York's more exclusive nightclubs, Joe Parker gazes across the table with complete satisfaction. The deception of Mr. Worth, his employer, has been thus far eminently successful. And the lady largely responsible suddenly has become exceedingly amiable. Well, now isn't this nice? Very nice. Thank you. You're feeling better, aren't you? Better? You know about this whole business, about me.  Oh. Don't look so hurt. You are. I know. I just thought that... But I've forgiven you? Well, maybe I have. Well, thank you, Mary. You see, Chris phoned me again. He explained why he was delayed, and, well, he'll be here tomorrow afternoon. Oh, good. Fine.  Oh, yes. Thank you.  Just a few turnip greens. Why haven't I had an orchid since I got married? You mean, Chris doesn't... I mean, the wives of small-town bankers don't wear orchids. It makes the depositors nervous. Well, I'm glad to hear it's not Chris's fault. He turned out to be that kind of a heel. I'd say it's a good thing you left him. What? Uh, joke. Just a joke. Well, that's strength of the grandest guy in the world. My husband. To Chris. You know, I've been wondering how you'd feel if I went around introducing you as Mr. Price. I'd feel like a very lucky guy. Mm-hmm. Chris told me you had a good line. Chris is part of the best line I ever had. Mm-hmm. At college, football. How'd you think I ever made two touchdowns against Notre Dame? You probably talked your way down the field. Oh, no. No, it was Chris. Took out their end-to-backs and a safety man. But he never made a touchdown. No, that's the fate of the linesman. Do all the work and the glory goes to the ball carrier. If I were Chris, I'd want to carry the ball once in a while. Well, he got you, lady. And I'd say that's a pretty good ball, Toten. By the way, how did Mr. Worth ever let you get away tonight? Oh, he called back. I wanted to show you were all right. And I told him you were resting comfortably. I'm resting beautifully. That's the trouble I'd like to dance. Oh, well, let's only please make allowances. Arthur Murray hasn't got a branch in Punjab time yet. Or in Quitoos in Ohio. Well, what have we got to do? Mm-mm. I'm too comfortable. But the horse is tired, Mary. Well, well, good night, Joe. And I had a wonderful time and thank you very much. You are very welcome. Oh, there's no need to go in with me. You've just run along to your hotel. But this is my hotel. Oh, small world, isn't it? So I'll see you to your room. And? And then go out again. I've got a lot of friends in the morning papers. They ought to be dropping into Lindy's just about this time. I'm sorry. I guess I shouldn't be so suspicious. I don't know why it's so hard to convince people. I'm really a perfect gentleman. I guess it's just those big ears, Grandma. Good night. But can I... Good night, Mary. Call the desk for me, Harry. Yes, Mr. Parker. I said, did anybody come in a hotel looking for you this afternoon when you was here in the bar? Thank you. How about a Marchini, Harry? Yes, sir. And bring the drink to the table, Harry, will you? I want to make a phone call. Hello, Blanche. Yes. Sweetheart, how are you? Joe Parker. Oh! Joe Parker. Reversal, nothing serious.  I'd try it, Mr. Parker. Harry, can you make it a little drier, please? I'll do it all over again. What do I care? It ain't my liquor. Okay. Hello. Hello, Jimmy. How are you, darling? Joe Parker. Tell me, what are you doing, huh? Who's the lucky man? Hi, Mr. Parker. Oh, little girl. Is it good and dry? The bartender.  Bye. Bye, Jim. You want I should try for you, Mr. Parker? I hate to see you sitting here all alone, a solitary drinker. Well, now, that's a good idea. Harry, here. Here's Nickel. The name is Susan Gardner, and she's in the phone book. Yes, sir. Tell her to come right down and not to worry about any pictures she may have seen in the newspapers. Sure, sure. What a carry. No! Chris! Chris! Am I glad you showed up? How'd you get here so soon? Got a plane. Say, where's Mary? She's in the beauty parlor. Come on, come on. Sit down. Tell me all about Mary.  Hey, what happened to you and Caduce? Didn't Mary tell you? Oh, she said something about something about the bank. Yeah, but everything's all leveled off. Say, how do you like me and my wife's husband? Oh, Mary is great, but I'll be glad to give her back to you. How are we doing, Harry? Everything's fixed. She's coming right down. Who's coming right down? Fine work, Harry. That is fine. Oh, a very delectable dish. Her name is Mary. Who? Yeah, turn around. Her wife has just come in. Darling!  Darling, you must have flown here. Matter of fact, that's just what I did. And here I've been stalling at the hairdress's. Oh, honey. I think maybe Joe'd like to shake us off. He's waiting for somebody. Mr. Worth. Ah, Susie. Say, Chris, I have a room upstairs in your name right across the hall. Yeah, I know. My bag's up there. Joe, who's Susie? Oh, very special. Very special. Look, Mary, if I have any trouble selling Susie a load of clams, may I count on your cooperation? Oh, I'll be delighted to cooperate up. Chris, now stop! But I missed you, honey.  Afternoon, Paul. Afternoon, Mrs. Parker. Good afternoon. Is he seeing you, Harry? Yes, sir, Mr. Mills. Hey, who in the world was that? I haven't the slightest idea. Oh, just a house detective. He's always buzzing in and out of here. Chris, we're going to get all dressed up and do the town. I know all the places to take you. Oh, swell. I'll take my bags out of your room, Joe, and send a key down to the desk. And if you need any help with Susie, just holler. Oh, I will. I will. I just hope I don't hear you. Goodbye now. Picture all over the paper. You and Joe just as big as life. You mean everybody in cateaus and nose? Oh, no, honey. Oh, man, Evans bought up all the papers. But the bank examiners? They're very happy to report that your husband's bank is in excellent condition. And now, if you don't mind... How am I ever going to finish dressing if you won't? Who can that be? Oh, just the bellboy for Joe's key. Well, go give it to him, darling. Coming, my good man. Coming. Oh, you're not a bellboy, are you? I am Arthur Truesdale Worth. Oh, Joe's boss? Well, he isn't here right now. He isn't? I don't even know when he'll be back, Mr. Worth. I'll wait, thank you. Well, you must be that friend of his, eh? Who is it, dear? Oh, excuse me a minute, Mr. Worth. Hey, Mary. Mary, it's him, Joe's boss. Did he go?  Oh, look at you, look. What's the matter? Lipstick all over your face. Oh, no wonder. He probably thinks that you and I were... Yeah, I'll wipe it off. Think of losing your reputation by kissing your own husband. Young man! Tell him I have a headache or something. But Mary, I just can't toss Arthur Truesdale Worth out on his ear.  I'm tired of jokes. Just get rid of him. I'll get rid of him, but we don't want to get Joe in a jam. Joe, Joe, Joe. Let's just think about us. Now send him away. Coming, Mr. Worth, coming. Well, Mary's in the bedroom. Mr. Worth, she has a headache. Oh, oh, I'm sorry. A little bit too much excitement, I guess. He's lived in some money-exciting places since her marriage. Yes, that's right. Lived there happily with her husband. Of course, Mr. Worth. As his best friend, you undoubtedly know that. Oh, indeed I do. My dear friendship, young man, is based on decency and loyalty. Oh, you're absolutely right, sir. A man envies his friend nothing, nor does he covet. You've read the Ten Commandments, I suppose. Oh, yes. Well, I guess we'd better run along. Let her get some sleep. I think that's a good idea. But aren't you forgetting something? I am. That's your bag, isn't it? Oh, so it is. Thanks. We're leaving now, Mary. Goodbye. You know, young man, I'd like to get better acquainted with you. Oh, thank you. Thank you. But there must be some better places for that than right here in the doorway. Why don't you run down to my place on Long Island tonight? Oh, but I couldn't tonight. I have a big date. Too bad. Well, goodbye. I'll tell Joe you were here. Why? I've decided to stay here for a while. I'm not going to leave that poor girl alone in there. Good afternoon, Mr. Price. Did you get rid of them? Yes, I did, my dear. Oh. I'll just wait here for Joe. Try to sleep, Mary. Oh, how do you feel? Oh. Waiting for the elevator, Mr. Price? Well, what about it? Now, now, son, I've seen a lot of things after 20 years as a hotel detective. Huh? Take my tip. Don't start stealing other men's wives. But I could... It'll only bring you to ruination and disgrace. You're all wrote up now, but someday you'll thank me for this advice. Who knows? You might even check in with your own little wife.  Women won't worry you over there, son. What's over there? YMCA. Good luck. Susie, honey, if you don't trust me, why did you come down here? I don't know why, Joe. I should have had more sense. You've got a wife. Your pictures were in the papers. Susie, I just told you. It was a marriage of convenience.  The man she'd come to marry was my best friend. He died in my arms. Get her back to the States, he said. Get her back before it's too late. Well, there was only one way I could get her back. But in a day or two, it'll all be arranged. She'll be free, and I'll be... Who's hissing me? Oh, here she is now. Excuse me just a second, will you? I should say not. Hey, Mary, you're just in time. For what? That's Susie over there. Oh, how nice. I need your help. She thinks maybe I'm not telling the truth. Imagine that. Just you leave us alone for a few minutes. You'll fix it. I'll do my best. Oh, thanks, Mary.  Yes? I'm Mrs. Parker, Susie. Joe will be right back. Joe and I are old friends. Yes, he told me. You don't seem very happy, Mrs. Parker. Oh, I'm all right. As long as Joe's happy. What else matters? Oh, I'm sorry. I thought everything was over between you two. Oh, it is.  That her whole life is a broken bubble. That heel. Oh, no, you mustn't blame him.  I'll go back up to my room. I don't want him to see me like this.  Goodbye. Goodbye, Susie. Well, Susie, isn't she swell? She certainly is. Ah, yes. But you're even 10 degrees lower than I thought you were. Susie. That girl's so in love with you, she can't see straight. What? And if you think I'm going to have anything to do with breaking her heart, you're crazy. You better go find her and try to be a gentleman for once in your life. You better go find her right now. I had Mr. Worth's in there, and I don't want him to hear me sneaking back in my room.  I don't know, Joe. Mr. Worth is in there. How can you sneak in without him? There are two doors, silly. One to the living room and one to the bedroom. He's in the living room. Oh. Oh. Now, wait a minute. Well?  Why did you do that to Susie just now? Why? I just don't know, Joe. I guess it was just, well, seeing you with another woman. Mary, you can't be serious. Oh, Joe, I just don't know. I just don't know anything anymore. You better go in there and see Mr. Worth. Mary. Coming out there in the hall? Oh, hello, Mr. Worth. Mary has a terrible headache, Joe. She's in there lying down. Mary has a headache. Oh, hello, dear. Mr. Worth, my headache's all gone. Darling, aren't you going to kiss me? Huh?  I feel just as if he's one of a family. Well, that's the way I want you to feel, Mary. Uh, where's Chris? He left. He had a date. A date? And I've come to take you down to my country place, children, for the weekend. Oh, I'd love to, boss, but I can't... Oh, but we'd love to, Mr. Worth. Oh, no! Not if... Mary, this is supposed to be a sort of a second honeymoon for you. It's a beautiful place to be alone out there. And, Joe, we won't tell a soul where we are. Oh, no, wait, Mary! Don't! Darling, you simply must stop thinking about me all the time. Of course we'll go.  Hurry, Joe. Hurry. This is CBS. They columned via broadcasting system. We continue with the third act of guest wife, starring Olivia de Havilland as Mary, Donna Michi as Joe, and Dick Ferran as Chris. It is an innocent kibble. Now finds Joe Parker being whisked to Long Island with an overly paternal boss and his best friend's wife. And a guy named Joe would very much like to cut his throat. Meanwhile, Chris has eluded the hotel detective long enough to dash to the telephone in the lobby. And on the joining phone is Joe's girlfriend, Susie. Uh, Mrs. Price, please. Uh, I mean Mrs. Joseph Parker, please, at 2-11. Mrs. Joseph Parker, please. What? But she must be up there. No, never mind. No, no message, thank you. She must be out. Poor girl. Who, Mary? Do you know her well? Her husband. Her husband's best friend. Then you must know how she needs help right now. I just met her. I had a date with her husband. Oh, then you're Susie. Joe told me about you. He said Mary wouldn't mind us going out. But she did mind. Oh, you're mistaken about that, Susie. No woman ever mistakes the look that comes into the eyes of another woman when she talks about the man she loves. It's such a tragedy. She's really so in love with him. She looked just like a bride talking about her new husband. What's that? As if she'd just become aware how wonderful it is. Why, she's so in love with Joe Parker. Oh, Susie, Susie. I'm the guy she's in love with. You? Yeah. Sorry, I didn't know. Well, maybe you'll make her forget him. Oh, please, don't worry about that. Just remember, it's awfully hard for a girl to forget a man like Joe. Goodbye. Hey, hey, that's me. Who wants me? My wife? Where did she go? I'm sorry, sir, but I didn't read the note. What note? Mr. Parker left this for you while they were dragging him out. Dragging him out? Who was dragging him out? Oh, some old duck and a beautiful doll. He just kept muttering, No, I don't want to go. Give me that note. Yes, sir. Mary and I got barreled in, at least I did. We'll be at worse home on Long Island. And if you can't, just trust me, Joe. Oh, and this will be your room, children. Oh, thank you, Mr. Worth. Isn't it lovely, Joe? Yes, dear. Boss, I was intending to work after dinner. I thought maybe you might give me a smaller room, so I won't disturb Mary. Oh, nonsense, nobody's going to work. Oh, darling, look, a balcony and a fall moon. It's like the moon in Punjab, the night I found I was going to live. Isn't it, dear? I'll just run along and leave you two together. See you at dinner. Oh, I'm so glad we're here together. Listen to the crickets. Don't they sound happy? They sound awful, and you can save all that stuff because Mr. Worth is gone. Is he? I'd forgotten he was even here. What? Mary, what's come over you? I don't know. Look, I know you held my hand in the car just to impress Mr. Worth. Oh, of course, Joe. The consequences of being nice were just part of your desire to help me. Joe. What? You're nice. Now, wait a minute, Mary. You know, if you really knew me, you wouldn't like me at all. Oh, how can you say that? Why, I'm shipless and fickle, and I'm always in hot. And as a matter of fact, nice people say I'm a louse. That's what makes you so attractive. No, Mary, no. Don't talk like that. You're exciting, Joe. You're different. But Chris is my best friend, Mary. I'd do anything in the world for him. And so would he, to make us happy. But Mary, I'm happy right now. Look at me. Don't I look happy? You'd better change for dinner, Joe. I'm not going to change. I'm going downstairs right now. I'll teach him. I'll teach him how to play kibble. Something troubling you? Oh, not a thing. Not a care in the world. Joe, you and Mary haven't been having a little tiff, have you? Oh, no. Uh, you've noticed, huh? Well, it's just a little flare-up, boss. You know, sometimes she gets carried away with an idea about something or somebody. It passes just as quickly as it comes. At least it always has, I hope. Joe Boy, you've got something fine in your marriage. Don't let anything or anybody spoil it for you. Oh, no, boss, no. Pardon me, Mr. Worth. Mr. Price is here, sir. Christopher Price. Chris? Why, that's wonderful. I didn't know he was coming. Neither did I. Well, show him in, Clinton. This way, sir. Hello, Mr. Worth. I had a change of plan. I could make it after all. How are you, Joe? Oh, much better, Chris. Much better. What happened to your date tonight, Mr. Price? She went out of town. Well, look who's coming. Mary. Well, how are you, Christopher? Joe's notin' came right out. I thought it might be nice to leave Word where you could find us. Oh. Come inside, my dear. I'm going to let you help me mix the cup. Oh, I'll be glad to. I'll be right back, dear. Take your time. Oh. I'm sorry. I think you're pretty clever, don't you, Joe? Well, how do you... How do you mean? You don't fool me for a minute. Fool you? Oh, no, no, Chris. Listen, I... You and Mary.  I'm surprised Old Man Worth hasn't come on. Come on, play up to her. Oh. Do you know what Susie told me? Susie... Look, Chris, you mustn't pay any attention to what Susie's... Susie's a... Ah, romantic, dope.  Joe, she met you. She thought that you and Mary... Yes, me. I'm going inside. I'm going to drink right away. Exactly 20 seconds to 11 o'clock. Anyone like to hear the news on the radio? Oh, not I, Mr. Worth. It would only bring me back to the realities of the world again. I guess you think I'm silly about all this, but it's just like a dream to me. A nightmare. You know, Mr. Worth, Chris used to be my best beau before Joe came along. You don't say. I never said I'd let you get away from me. But you warned me. You said when Joe looked at a woman, that was the end of everything or the beginning. Boss, do you think I could have a little cup of coffee? Why, certainly. Let's go into the study, shall we? You know Joe, it's a funny thing about... Keep it up, honey. You're doing great. I just hope Joe appreciates it. Oh, I'm sure he does. Say, look, after we go upstairs, I'll slip into your room. Oh, I don't think you'd better, dear.  Oh, none for me, Mr. Worth. I think I'll just run along. Good night. Good night, my dear. We'll all be turning in in a minute. Yeah, I think I'll amble along, too. Good night, Mr. Worth. Wait a minute. You're going to have a cup of coffee with Joe and me. And then I'll show you to your room. Oh, well, that'll be nice. Well, good night, Mary. Your room, Joe. Careful. When you go in now, Mary might be asleep. Yeah, she might be asleep. Well, go in and don't stand there. Yes, sir. Yes, sir. I'm not asleep, Joe. That's too bad. Look, our lovely moon has disappeared. I wish I could, too. Joe, I've been sitting here on the balcony ever since I came upstairs. Well, I hope you enjoy it. I came here for my toothbrush, and now that I found my toothbrush, I'm going to Chris's room. I'm going to stay here. You what? On the balcony, just so the servants won't think it's odd. And what did Chris say? Oh, he seemed to think it was a fine idea. He did? Well, I'm having a little talk with Chris right now. I'm going, too. We might as well be together when I tell him. Tell him what? How I feel about us. He trusts me, Joe. I can't be dishonest with him. Uh, what are you talking about? I have to do it, Joe. We'll have to face it sooner or later, and it'll be easier facing it together, darling. So, come on. No. Then I'll go and talk to him alone. Mary, this is insanity. I'm going now, Joe. I may not have the courage to do it tomorrow. Mary, you are not going to do this. Yes, I am. There. I've locked the door. You can't go. I didn't ask to fall in love with you.  Oh, you're so loyal to Chris. Everything he said you were a real friend. Mary, it is not loyalty. I am not, will not, and never could be in love with you. Oh, not now, I know, but after my divorce. Even if you didn't love Chris, if I didn't know him, I still couldn't be in love with you. Oh. Mary, I'm sorry I had to be so rough, but I just had to make you realize how unthinkable this is. Tomorrow you'll laugh about this. Tomorrow. Tomorrow's a long way off. Sometimes. What are you doing? I'm writing a note. Bye, Joe. I'll, uh, I'll see you in the morning. I won't be here in the morning. This note will explain everything. Oh, no. No, I'm not going. I'm not going to leave you. Oh, Joe, say that again. Say what? That you're not going to leave me. Oh, Mary. Mary, this is madness. I know it and I can't fight it. Well, now, that's done. Mary, I'm not going to give you this key. I don't need it. I'll just go out along the balcony. All the rooms connect with the balcony. Oh, no, you don't. There. I've got the key to the balcony doors, too. I'll get in the room, Mary Price. Yes, Joe. And sleep if your conscience will allow it. I'm spending the night on the balcony with both these keys. Joe, I'm afraid it's going to rain. Well, let it rain. Good night. Good night, Joe, dear. Oh, paste the floor all night, Mr. Price. Oh, Mr. Worth. I always exercise before I go to bed. You know, some people do knee bends. I just go for a walk. In your room? Surely. Do you happen to have the right time? You were correct before. It still is almost one o'clock. Good night. Ten minutes to two. Ten minutes to two. Something's wrong somewhere. And, brother, I'm going to find out right away. Oh, Mr. Price, sir. What are you doing? Clinton spying on me? Oh, no, sir. The storm. I was just closing the hall window. A likely story. Anything you want. Yes. I want my wife. And by George, I'm going to get her. Oh, Mr. Price, sir. Ah, go peel her radish. Oh, Mr. Worth. Mr. Worth. Oh, my goodness, Mr. Worth. Well, there's something I can do about that, too. One, two. Oh, dear. Why didn't you knock? Where is he, honey? Where is that rat? What's the matter? You snake. What do you think's the matter? All the time. Out on the balcony. Locking my wife in here. What did you say? Out on the balcony, huh? Well, then why aren't you wet? I was undercover. You're out in the open now, Parker. Chris, don't you believe me? I crawl under the lounge hot. Chris, look. No, you look. What? Try this for size. Joe, boy. Joe. It means I'm getting out of here and she's going with me. You bet I am, darling. Mary.  You can't get away with it. Yeah, you just try and stop us. I knew the minute I saw you. I didn't like you. I wasn't crazy about you either. Come on, honey. Oh, Mr. Worth. Oh, and happy kibling. Joe, boy, speak to me, Joe. Hello, boss.  The fools who stole in my car, I'll call the police. No, no. No, don't, boss. Just let them go. Maybe, maybe she'll be happier now. Joe, you're too noble hearted. You've been blind. I knew that fella meant no good. Funny, I just remembered something. It happened in Punjab, Tanheet when she was delirious. She murmured his name. She? She did? I wondered why, but now I know. Send me back to the Far East boss where I can forget. Send me back to my work. Yes, Joe. Yes. Didn't she leave any word for me? Just goodbye, Joe, and happy kibling. And what? Happy kibling, whatever that means. Oh, no. Joe, boy. Joe. Joe. You don't know what you've done. I finally made you carry the ball. You made me lose faith. What did you say? I finally made you carry the ball. Carry the ball? Why, you little... I was so tired of being Mrs. Kibble and I wanted so much to be Mrs. Price. Mrs. Kibble? Why do I have to ring your neck? Thanks, darling. But I don't think you will when I tell you the good news. What good news? But I was trying to tell you in Kittusen at the station, Chris, is finally going to be a little addition in our house. Darling, that's wonderful. Oh. What's the matter, dear? Well, do you think we can afford one? We can now, dear. There's $1,000 in my purse. $1,000? Joe won the Paulson Prize, remember, except I got the money. Oh, that's wonderful, wonderful. Say, when it comes, we can shove it right up against the wall by the fireplace. Chris. And you'll have to go over it every day and keep it nice and polished, huh? Darling, I have a slight suspicion we're not thinking of the same thing. You mean we're not going to have a baby grand? No. Oh. But I hope it's going to be a grand baby. Mary. A producer in a moment. Here's Mr. Keely with our stars. Having settled their marital complications, here are Mary, Joe, and Chris in real life, as Olivia de Havilland, Don Amici, and for the first time in this theater, Dick Ferrand. I must say, Olivia, you're looking very lovely with that suntan. Well, Bill, I've spent the last ten days sunbathing and resting up. Well, we don't begrudge the rest, Olivia, but isn't it time we had another picture from you? Well, that's why I've been relaxing. I've just finished making a picture call to reach his own for power mount. And I've seen you on the lot at Universal, Don. Inventing something for us on the screen again? Yes, I'm back at it now, Bill. Not a atomic energy this time. Oh, no, no. My next picture's laid some time ago when there were no telephones, no electric lights, no automobiles, no radios, no airplanes. What an age for an Amici. And what do you invent, Don? Well, my first invention is a device. Say, that reminds me of a spaghetti fork I invented once. You turn a crank on the handle and it winds the spaghetti up just like on a reel. Where'd you get the idea for your spaghetti fork, Bill? Out of my noodle. I see. Well, Don, what else do you invent? Well, as the story unfolds, I perfect in you. You know, that reminds me of the invention I once thought of, an electric iron to iron out the squares and waffles. What else do you do in the picture, Don? Well, in the field of chronology, I did that. Chronology? Say, you ought to see the alarm clock that I invented once. It rings an hour later than the time you set it for. You know, for people who want to sleep late. Well, Don, your picture certainly sounds great. What's the title? If I start out, do you think I'll make it? It looks like a fast track. Well, it's called Genius in the Family, produced by Jack Skirball and Bruce Manning Productions. And it's about a man. It's a great theme, Don. And now I know you're anxious to hear what we're presenting in this theater next week. It's the appealing story of... Sounds fascinating, Bill. Good night. Now, wait a minute, Don. Maybe we can strike a bargain here. You tell us one thing you invent in your next picture, and we'll call it the truth. Okay, Bill. I invented a machine gun, but I didn't know why until tonight. It's to mow down people who interrupt you. Now, what's your play for next week, Bill? Next Monday night, we're bringing back Jimmy Stewart with Marsha Hunt in David O. Selznick's screen hit made for each other. It's the touching story of a young married couple who face their problems with courage and humor. Two average Americans played by two talented engaging stars. And Jimmy and Marsha were made for each other in those parts, too, Bill. Good night. Good night. You've given us a most pleasant visit. May I leave you with this seasonal reminder. A menace at home and not dispelled by victory is tuberculosis. Help fight this dread disease by Christmas seals generously so that you can share with a national tuberculosis association in stamping out this constant threat. Buy Christmas seals. Use them on all your Christmas mail. Our sponsors, the makers of Lux Flakes, join me in inviting you to be with us again next Monday evening when the Lux Radio Theatre presents Jimmy Stewart and Marsha Hunt in Made for Each Other. This is William Keely saying good night to you from Hollywood.


Hello, initially I would like to thank the organizers for the opportunity to participate in this conference. I'm Ana Paula Alves and I will talk about the risks of the 50th generation telecommunications networks, known as 5G. First, I will talk about the technical characteristics and the benefits of 5G. Then, based on the report named European Union Coordinated Risk Assessment of the Site Security of 5G Networks Report, published in October last year, I will indicate which are the main risks that have been identified and the measures to mitigate it. From a technological perspective, 5G will make use of several new technical features compared to the current situation in existing networks. First, there will be a major shift from traditional network as functions will no longer be built on specialized hardware and software, but instead will take place only on software. Second, there will be a network slicing that will make it possible to support a high degree of separation between different services on the same physical network. Third, there will be an enhanced functionality at the edge of the network and it will be less centralized than previous generations. Thanks to these technical characteristics, 5G is said to be a hundred times faster than existing 4G networks. With speeds as fast as 10 gigabytes per second, it is expected to provide ultra-high bandwidth and low latency connectivity, not only to individual users but also to connected objects. Additionally, 5G will serve a wide range of applications and sectors, including the maintenance and operation of vital societal and economic functions, such as energy, transport, banking, health and industrial control systems. However, the sociologists that study risk societies like Erich Beck talk about the ignorance of the unknown and that we are experiencing the irony of having an advanced technical scientific society that many times it has to deal with the incalculable and the unpredictable. We will talk about the main 5G known risks, separated according to the type of threats, authorship and vulnerability. First, the threats. Like any digital network, 5G can be associated with several generic technical threats. Although many of these threats are not specific to 5G, their number and significance are likely to increase within 5G, due to the increased level of technical complexity and the future greater dependency of economies and societies on this network. For example, in the area of health, currently surgical robots are not used for high-risk surgeries because the 4G network does not have the technical capacity. The 5G will be able to do so. Nonetheless, if during the surgery any of the threats mentioned has happened, the surgery will be stopped abruptly, which can lead to the death of a patient. Another example are autonomous vehicles. Driverless trucks in Sweden already operate on predefined roads between warehouses. They currently use the 4G and occasionally experience problems with the speed and latency of this current network. When this happens, a human from a remote operation center takes over and stops the trucks, avoiding collision. With 5G network, the auto industry intends to generalize the use of autonomous vehicles in all directions. If damage is caused to the network, there will certainly be a major accident between vehicles. Second, threat actors. The relevance of threat actors in the 5G context is considered by combining two parameters. First, the estimation of their capabilities that is their resources, and their intention to perform or attempt attacks against 5G networks that is their motivation. The various actors identified are accidental actors due to human error, natural phenomena, or system failures, hacker or activist groups, organized crime groups, and state actors or state-backed actors, which the motivations are primarily political. Third, vulnerability. Since 5G networks will be largely software-based, major security flaws can facilitate the insertion of intentional backdoors into products, facilitating malicious actions such as espionage. It's important to remember that the telecom equipment and software market is characterized by a reduced number of global suppliers, capable of providing the necessary technology to large telecom operators. The main suppliers are Huawei, Ericsson and Nokia. Other vendors include ZTE, Samsung and Cisco. But only two of these suppliers are based in the European Union. That's Ericsson and Nokia. Therefore, the European Union has long been concerned about the increase in 30-part technology suppliers. In several opinions and reports issued approximately 10 years ago, when the novelty was still cloud computing, there was a red concern about the fact that Europe's information and communication technology industry is dominated by American and Asian companies. Meredith in mind, the Commission is developing a strategy to reduce Europe's dependency on foreign technologies. This strategy reiterated that all entities providing equipment or services in the European Union, regardless of their country of origin, must comply with your fundamental rights, including the legal framework on privacy, data protection and cybersecurity. To do so, member states agreed to, first, reinforce security requirements. Second, assess supplier risk profiles. Third, apply relevant restrictions to suppliers considered to be of high risk and have strategies to guarantee the diversification of suppliers. Specifically in the UK, the Chinese company Huawei will be able to participate in the installation of 5G network, but with restrictions from a high-risk supplier. So, they will not supply safety parts that equip the central core of the new network and it will only be able to sell up to 35% of the material that constitutes the periphery of the network. Also, it will be excluded from areas close to military bases or nuclear installations. To finish, I would like to talk about global risks mitigation. Following Yurich Beck's classification, the risks on 5G are not traditional risks nor risks of human development, but they are new risks. The new risks are also based on human decisions or conducts. But if fair from them, because they are not individually bearable, they are socialized and have potential to cause catastrophes or major accidents. Besides that, 5G risks have a global dimension not limited to one geographical location or space and because of that, they have incalculable and no compensable consequences. Therefore, the mitigation of the 5G global risks depends on a performance that follows the precautionary approach and looks for an approximation with the current notion of good governance, namely transparency, openness, participation, effectiveness, coherence and their responsibility logic. This mitigation also needs a collective multilevel and coordinated action between various international actors, which goes to encounter of the Lisbon Treat. Since its signature in 2007, civil protection is increasingly moving out of a national orbit to take on supranational controls. Also, it is stressing the importance of cooperation between the member states in order to enhance the effectiveness of disaster prevention systems. Specifically, in the case of 5G, lots of institutions of European Union are involved, like the Commission, the Parliament, the Council, the Agency for Cybersecurity and the body of European Regulators for Electronic Communications. Also, are involved in the member states and their institutions related to telecom and cybersecurity and global institutions like the International Telecommunication Union of the United Nations. So, to finish, I would like to reinforce that today there is no longer any possibility for action at the international level from state to state. The classic concept of nation-state governance is being surpassed by a new concept of global governance. Thank you for your attention.


Boom, can we see the Key Black? You know what, why not go ahead and mix them right away? If you've been watching the channel, you already know the Genem mix. We literally just teleport behind them and mash. Ha, ha, ha! How's it going, everybody? Dottodoy here back with another round of Dragon Ball FighterZ Rank Matches. And this time, we are playing another suggested team, aka Team Swords. So that's Genemba, Goku Black, and Trunks. Yeah, I think Goku Black was a bit of a stretch. Unfortunately, I don't think we're getting taping on any time soon. So, you know, it now seems like a pretty good time to try out this team. We also have, I also changed up the order a little, just to have Genemba up on point, because it's been a little while since I played him, so I might as well try to maximize the time. And instantly, oh, he blocked it. Wow, people really have the nerve to be blocking my, my day one get, oh no! I'll take it. I will take this. Couple of Key Blast, a foot to the face, and we are back down for the mix. Nevermind, the Fram's got a little buck wild there. I actually don't think that was, I think I missed time that in anyway. Ha ha ha! Oh!  Boom, can we see the Key Blast? You know what, why not go ahead and mix him right away? If you've been watching the channel, you already know the Genemba mix, we literally just teleport behind them and match. Ha ha ha! Oh, come on, dude! Oh, I tried doing the Key Blast. I did a couple down legs, and I was like, all right, now I'm gonna try to mix it up with the Key Blast. Unfortunately, I'm a down tech reflect. Yep. Switch! Oh, that was hot! And we get Vegeta back! All right, now, is this guy a DP kind of man? Because honestly, I jump and block. No, he back dashed him. That was interesting. The weather here is a bit unstable. We do have a beam of, down heavies! That was a great use of the 18 assist. Absorb the down heavy, and Vegeta was just free to punish. Beautiful stuff, honestly. Special beam. Okay, 18's gonna come out. Honestly, I think I take my leave here, though. Oh, come on. You gotta let me, you gotta let me get a hit in. Even since we out. Oh, no, I dropped it. Come on, grab, let's go! I'm not even playing around. Oh, I didn't have a smash. I'm really dumb. I vanished, didn't I? I, sorry, I just can't keep up, did it? Raw down H! What are you doing to me? I down tech here for sure. The genius, I've never, I did not expect the 17 to whiff, and then him just go into a drag arrest. I thought he would panic, maybe try a 2L or something, or an overhead. Wow, he really has a lead here. I did not. Healing in Dragon Ball Fighters is really important. All right, I've tried to one too many gimmicks. Hopefully a level three wouldn't have killed there, because I'll feel like a real, I'm just, okay, now we level three. What's the go-to black mix? I actually don't know it. I don't practice a lot of go-to black, so if you're a go-to black player, just think it really hard and I'm doing 2M. Oh, no. I'm doing it again. No, okay, no punish. Forgot they had sparking there for a split second, and we got 6M. All right, it's time to spark in retaliation. No, why the frames? Oh my, my juvenile spark was stopped so young. I'm gonna do it again. Yeah, I'm gonna just keep doing it. That's our turn. 6M, we got those two. Back dash, super dash.  I should have, nice DP. I should have extended it with the light special move. I never, I didn't think about it. Trunks, where you at? All right, do we trust Zamasu in the clutch? I think we do. No, even the beam portion of the move didn't hit. Oh, so hot. Go-to black special is actually his best tool, and that's not even me hyping up the move. It just really is his best part. And I think go-to black players agree with that. I don't know if they, you know, go-to black players probably do. I mean, you kind of have to. What other tool would be his best? Gotta say, the weather in here is, it's hot. Dude, it's real hot. Two frames down tech. He hid the dragon rush. Come on, dude, you know I have color coordination problems. Why would you embarrass me on YouTube like this? Why would you embarrass me? Oh, but, oh, and you did embarrass me. But for why, though? Why would you embarrass me? All right, all right, that game we let the health difference get away from us. Yikes, we are really low, Rose. I gotta get back on the main team, hold up. Jokes aside, though, we have to make it through this video with this team. I've never switched teams midway through. Oh, why didn't I? You know what, we're just gonna move up. Sweater weather. Either that or my screen is lagging. Because every time I look up, it says three. I don't know, he did it again. You know I have color coordination problems. At this point, I think I'm gonna have to contact Arksis about this. That one, that one was all him, though. That one was good.   Is it my screen lagging? Every time I look up, it says three frames.  Down tech. Oh, that's a nice punish. And we're not even gonna let him heal, baby. And he didn't DP last time. He didn't level three either. Yeah, let's go, dude. I don't care. I don't care, honestly. Honestly, no tech. I gotta just keep the confidence going. Yeah, I dropped it, but it's still killed. So, you know, at least it was a drop with a little bit of passion behind. A little bit of season. Trunks assist, still grew. Sick. That was sick. I'll give it up. Ha ha. So, 18 can actually cancel barrier out into her level one. It's just a weird thing she can do. I don't think it's too useful most of the time. But in very specific circumstances, it's real nice. Oh, we jump in.  I always forget this heavy is some garbage. Oh, no. Yeah, I don't really like Jin of his jumping heavy. When I first played him, I was like, you know, maybe situational? Nah, I just, I don't like it anymore. We moved on. People change. Ooh, but this pic low is not going to get the chance to change. Almost got three bars there, actually. I probably should have done some special shenanigans to try to get that up. Oh, that almost killed you.  But I like doing it just for the cloud. Just to shock people. It is six frames. All right, I caught it. I caught it in the act. My screen is not lagging. Seven frames. Wow, eight frames. Yikes. Have I really been missing that this whole 2M?  What the? Come on, 17 frames on the game winning combo? I don't think so, buddy. Boo. That was an unfortunate issue, but I'm glad we were able to piece our way through it. Oh, man. We're playing so late, too. There's probably nobody else on. I'll hit rematch if they hit rematch. All right, all right, all right. We're gone. You know, the 18 frames was a rare auditing. I didn't react in time. Oh, I could have definitely blocked that. Not me as a person. Oh! Unfortunately due to some unforeseen me sucking. Wow. OK. I wanted to try it there. I'm not really, I don't know too much about Trunks' assist, but if, where's the DP? Oh, I'll take it. Do that, do a little bit of this. Uh, give, give, give, give, yep. Oh, that was supposed to be a quarter circle forward special. I just did not do the input correctly. That is crazy. I'm going to switch out. They didn't even do it right that time. Drop it. Oh, do you remember died so early?  I just missed the tech. I saw the drag rush. It wasn't fast enough. Oh, what? I clicked pause there, by the way. I don't know why I did that. I'm definitely not playing local. I'm convinced that he is just good at that now. I thought the first time he was mashing vanish. OK. I don't know what to believe anymore to him. I think he thought I was going to try a mix again, but nah, I'm just doing the normal block strings now. Not trying to get too fancy. I do need Goku black out of here though. Not obvious. OK, maybe it was a little obvious. I'm going to get switched out now. Unfortunate. Oh, what? I'm taking him to the corner.  I got to do it twice.  For me and Zamasu to you, let's go. That was nice. I see what Goku black players see do. I was just mashing that heavy. I was like, let me just do this. That's another. What? What? What did he do? What move was that that flung him out of the corner like that? Was that just a tech and I'm seeing things? That was sick. Oh, that was a nice space. That was nice spacing on the light. I'm just going to pop it. No, dude. No, no, no. Even the overhead?  Wow. OK. No, dude. Come on. Why is it always in the clutch? No. All right, well, clearly the frame is affecting us both because I should have gotten punished six ways the Sunday off that one. Why is it always in the clutch? Is the router just like, no, no more. Is that weight? That's 2-1, right? 2-1, yep, 2-1. All right, I just remembered. Sick. I'll give it up. Damn, Trunks assist.  Did we get knocked down? Yes, we do. Oh, I could have side switched. Again, nice use of the barrier in the corner there. I tried to do something unsafe. I up tech. I should have probably down tech. Reflect, reflect, reflect. Get that off of me. Forgot it. Forgot what Jinnabus assist did. He didn't have any bar, so that was probably the time for me to try to mix. Card cancel, OK. So he likes that option too, eh? Beautiful. I love to see it. All right, just some fundamentals here. Not really doing. I really wanted to. I really wanted to level three right there. I do not need all seven of these bars. A level three would have been perfectly fine. OK. Hey, at least we get to do the Jinnabu mix-up, baby. You know the one. Only this time. No, I'm still going behind. God. I tried the audible mix-up. I tried it. No, that's not how that works. See, that time it wasn't for the cloud, though. That felt so nice. I kind of liked it. I love this team, actually. Wait a minute. Wait a minute. And there's the level one that was pretty good. There really wasn't another option there.  You got to keep blocking, dude. OK, well, let's go. I'm kind of hoping one bar kills here. Does that even work now? Yeah, that was classic. I have not played this team ever. It's OK. It's OK. I kind of expect that to happen at least once per video when I try something out like this. Oh, that was obvious. That was obvious. I was going to superdash there. Oh, the jump was too much. What a mistake. And that ended up costing Goku Black everything. Sorry, Goku Black, but you're being controlled by me right now. I couldn't confirm. I couldn't confirm it. Uh-oh. Don't snap me out. Come on, let's keep trunks in. Thank you. Whoa. I don't know about all this. Oh, forward. Wow. I forward dash and got it. OK, please. I'm not trying to go 2-0. I need 2-2. Come on, Janemba. OK, Janemba. It's not possible to do the mix-up from here. No, dude, come on. OK, I don't know if it lagged there or what. But that felt weird. That's OK. That's OK. We're almost in win territory. He thought we were going to do that. Please. Yes, Savage skewered that man. 6M, it didn't work out. 6M. No. No, no, no, no, no. I tried it, dude. I tried it. Oh, no. No, no, I tried something. I tried to get a little risky. 2-2 for the risk. Understandable, but disappointing. Understandable, but disappointing. I feel like you could use that to describe a lot, a lot of stuff that happens. Fine. Mix-up, elbow. Oh, you true. That one I wouldn't have been so happy about. No, no, you can definitely stay there. No, the barrier. Oh, I mean, great use of it again. But we almost had Piccolo there.  Guys, I don't like using that either. DP, OK, OK. It can't kill, so I'm not too worried about it. Oh, but this can. This can, and that is not good. Oh, dude, you really have to switch your characters out, man. That's me talking to me. It just sucks so bad to lose a character like that. That was Piccolo. That was Piccolo range. Dude, the Piccolo range was crazy there. I'm still hung up on it. Wow, I didn't even get this down tech there. No switch. Switch, oh, even that was a bad time to switch, though. Wow, that was nice. Oh, dude, this is a bad last game. This is one of those times we did. OK, wait, hold on. Don't talk to me. Not yet, anyway. Out of that drop is what I want to know. Oh, no. Oh, no, dude. I refuse to believe that that happened. Oh, we lost Goku Black for no reason. Oh, no. Oh, no, no. All right, well, I mean, Team Sword shrunks is basically the only one with a sword constantly on its person. This is basically a Carribo of my deck, per se. Stop with the five frames. Come on with the five frames every time I need a hard knockdown. Yo, how unfortunate could it be? How unfortunate could it be? Oh, please, just some damage. Just some damage, hold the lag. Thank you. All right, nice. We're in it. We're back in it. Dude, every time with that. Overhead connects. OK, we're out. We're outsparking. We are down to three bars. We can only get one heavy. DP, I was worried about it. I tried to stall out as much as possible.  No, no, no. Oh, we blocked that, actually. That was not skill, by the way. I was blocking the wrong way. It won't kill yet, but the next hit definitely will. That's what I'm more worried about. Well, the next hit had to be a specific hit. You know what I'm talking about? Oh, we're in the corner. That's a knockout. We're down to the last character. Oh my god, I swear I thought it was going to lag again. I panicked. See, now the lag is in my head. Now I got input delay in the brain, dude. Oh, disappointment, dude. Oh, I was feeling something there. All right, well, that's going to be the rank set. Hopefully you guys enjoyed it. Hopefully the guy that suggested the team enjoyed it. Sorry we couldn't pull through. Oh, yikes, dude. I thought we had something there with trunks at the end. Other than that, though, if you enjoyed the video, make sure to go down below, leave a like and subscribe to the channel. Really helps it out. Also, let me know you want to keep seeing these videos coming.  Make sure to check those out. Fighting games and Dragon Ball fighters, all the like. Once again, I have been Dr. Doya. Thank you so much for watching this video and I will see you in the next one.


It is now time for some Python on hardware Blink-a-blink-a-blink-a big news we have Circuit Python 5 which is out and it also means we are now up to 116 boards here's a preview of some of them circuit Python 5. What are some highlights? I'm glad you asked well first off. Yes, we added a ton more new boards We really strengthened our nrf 52 support Bluetooth was almost completely reworked. It's not better than ever We added IMX support for the IMX RT 10 10 series So all the NXP chips are starting to go in they're starting to come in slowly But so they do work people have a teensy for please try it out. You can Install circuit Python on it. So that's new in 5.0. We also added some more. We added STM 32 Support so STM 32 f4 series chip, which are very popular with makers Very popular in industry as well. So if you have boards that use those chips you can add those Intent and we also sped up a lot of stuff. We improved display IO quite a bit. I think some memory management some back and you know Speed ups and behind the scenes with how we manage interrupts. So you should see better performance It's a really solid release and a lot of improvements. So I definitely recommend people update to 5 Okay new boards the nano 33 that's from Arduino is Supported by circuit Python now the circuit brains basic and deluxe the feather m7 You already mentioned this in the spark fun CMD 51 thing plus Yeah, we tested a bunch of new boards and more coming in like every single week. Okay. We also have our new project This is pilot on it's an open-source bike computer easiest best way for you to learn all about Bluetooth and do things like heart rate and miles per hour and Cadence cadence and you also get music So it's a demo of like if you have four Bluetooth devices you can connect to all them at once very powerful Bluetooth demo. Okay Here's a couple other Shots Open hardware summit is coming up. The badges are completed. We saw some photos online We'll do an update on our blog, but here is one from drew. This is it working with All sorts of things so you've got humidity pressure altitude temperature All sorts of different sensor information they get in it's also wearable and of course it runs and all these drivers are ready to go It's so easy. Yeah, okay The new board that we wanted to get out is out. It's sold out instantly. It's probably gonna be a top seller It is the feather nrf 52 840 Blue fruit sense so you can check that out sign up. We'll have more in stock very very soon Yes, they went fast, but they are going to be very popular. I think so we'll be making tons soon Okay, Python slizzers over to Android. There is a Python for Android application that you can try out. This is from the folks over at Pi beware and also I think the Python Foundation helped fund this so if you wanted to do Python on Android You can check out there The article that we mentioned last week in hackspace is now online. It's by drew. It's called Python on hardware the future is serpentine and It is I think gonna be one of the articles that people refer back to and say I remember when I heard about Python on hardware I read it in hackspace or whatever and now everything has Python on it. So check that out. It's online. We link to it the PDF is available the whole issue, but then sometimes they also post up articles Okay, this is kind of neat. This is from Matt Matt posted this up The tinker squad decided to teach kids Python and you can see they were using move They were using circuit playground and they were using circuit playground express. So this is sound and Python all working together and if these kids can do Python on hardware you What I like is you can see everybody has different Color LEDs on their circuit playground, which means each person was able to customize the code They're not just following the instructions and like pasting in the default They're then changing it to customize it. So like the girl has the pink mattress or sweater Next up if you posted up is doing a new potential project. It's called Well, it's called the big It's called the big honkin buck button. Yeah, and will it run circuit Python? Yes for easy hacking so if you want this check out the Twitter link and Let you know that this is a project you would like to see it's a module. It's a synth. You press the button and it makes a sound Peak mom is working on getting clue to work with the bright wearables line of wearables So you can see it here. It's sound reactive the screen works Plugs in since the micro bit compatible as far as the connector you can do things like testing voice activation Play things on the screen and more Testing testing speaking of compatibility. We got the little plan box from Japan working with the clue So it was made for micro bit, but since the clue is in micro bit format We can use circuit Python to control this cute little humanoid robot. We'll show a longer video later on show Some Bluetooth controlled psychic paper this shows, you know, if you're a doctor who fan, you know all about this this is a doctor and then the Text shows up as a different doctor and yes, they're regenerating. Yep It's important if you're if you have multiple different physical and Ken, you know instantiations You have to have a flexible ID card. Yep. Oh, you don't get stuck Here is circuit playground Cricket and circuit Python all working together for this very cool blue fruit cricket robot Effective Quick note, I can just post it up. We are still on for Python. It's in April unknown For everyone how COVID is going to affect more events, but since it's out in April They've been working with the folks in Pittsburgh so far so good Do check out the Python blog look at their posts. I have to hand it to Python They are excellent about giving information to all the attendees the sponsors and everyone if all events did that I think there'd be some less less uncertainty in chaos. So good work. I con. Thanks for keeping everyone updated Todd went to an event and this is a like massive neo trellis using circuit Python and controlling this tower of Neopixels This one I have to post a little bit more. Someone made their own circuit Python VS code extension Yeah, and so it's in you can you can just download and use it right away I'll link to it. There's a there's an update, but you can check this out We link to it in the newsletter and our site. This is a cool little board. It's called the commander It's a 16 megabyte flash sd accelerometer for about 9 led a little device that runs circuit Python You know place keystrokes off the sd card. Yeah, I thought it was interesting It's like it's it's you know, there's hid built into circuit Python So it's very easy to read files of an sd card and then immediately type them out It's actually like a 50 line code project So I think this could be for like automating certain events if you want to plug it in and then say like okay I want to install Software set up a Chromebook or something people use things like this to do that automatic scripting tools. Okay quick feather This is the quick logic EOS s3 open hardware of Alboard. This is from the quick logic Corp It's an FPGA that was spotted at a better world by Drew. It had a cortex m4 microcontroller runs effort in feather format Check this out. It'll be coming out soon and also check out awesome dash feather on github You just search for that. There's also a horse named awesome feather No relation to our awesome feather list, but it is kind of cool. Should we call quick feather? Yeah, the coolest horse. Okay. This is neat This is a ritual mask of predator. So they use this is what it is So they made this on their own and it uses the monster mask or the hollowing I Inside of there so you can see Okay, great Next up. There was a really good article about Python as a programming language cool thing is It's now number two Python wasn't singled out in these rankings from Redmunk That often because it just keeps growing and it's steady and this time it's a little different for this quarter It spent four years in fourth place and then it jumped up to third place three years ago until this month For the first time in history of these rankings, which began in 2012 There is a non Java or JavaScript entry in the number two slot that is Python So it was JavaScript and Java. Yeah, then Python then like looks like C++ C CSS Yep, okay. See rust catching up there. Okay. Go rust and lost up if you want to celebrate Women's history month and women's history day. There is a really cool Workshop that the Beirut digital district is doing and it's part of the Beirut hack space and You can if you happen to be in the area you're there, but you can also probably catch it online We linked to that and more and that is Python on Harvard this week All right, okay