Another episode of RAPT! I had this series ongoing in December and I really enjoyed doing it. It helps me read more because it's only one book for a vlog so it doesn't feel very intimidating. And I basically made a decision that at least for the first couple months of the year, at least for the first half of the year, we're going to continue the series.  So we're going to keep doing it once a month and this was actually supposed to be happening later in January, like towards the end of January. But like I am struggling, struggling to read. This is exactly what I was afraid of. Like it's just not happening for me at the start of the year. I'm like four books behind schedule. Like it's not good, like it needs to change. So I thought I would bump this up because you love it, I love it, we all love it. And let's read a book. Let's pick a book and wrap it and read it, okay? So these are still all 2021 new releases that I haven't read. I feel like when we first did it, we were unwrapping a lot of hardbacks. I'm feeling like a paperback today. And I'm also feeling like green. What is she green? Well, Taymar, have you ever watched the show? We're gonna, okay, what green paperbacks? This one or this one? I hate it.  I feel so nervous. Okay, I'm gonna go with this one because this one's quite short. And so I feel like we may not have like much to talk about in a vlog. So this one's a bit longer.  So let's go with this one, okay? Can you see what it is? Yeah. Oh my god. Okay, so we've got The Appeal by Janice Hallett, which is one of the books I was most excited to read in general this year, like to get to this year. I am so, so excited for this. So if you don't know, this is a murder mystery in this quaint English town, but it's told entirely through emails and texts and letters and stuff like that. So the whole book is told through emails, etc. So I feel like this is actually the perfect thing for me right now because I feel like it will probably get me out of my kind of slump that I've had at the start of the year quite quickly. And oh my god, I am feel blessed. Wrapped up is really kind to me. I feel like wrapped up just like gets me. Like also Janice Hallett's next one is coming out, like I think the next couple months. So I'm glad I'm going to get to read this, figure out if I like her stuff, and then I can keep reading her stuff if I do. Oh my god. Okay, I'm going to go to the gym now, and then I will come back and hopefully start reading this this evening. Okay, so before we get into it, I just need to clear the room, you know, I need to get something off my chest. So obviously you saw me unwrap this, okay? But I since went and I bought this. So I never do this, okay? I just want to say like I never buy another edition of a book even before I read it, right?  So I went and I bought the hardcover. This didn't exist when I bought this, otherwise I would have never bought this. I love hardbacks more. This is like kind of clothy. I just love it. I just absolutely love it. It brings me so much more joy. I didn't spend any money on it because I had Waterstones credit, so I didn't even spend any money, and I got this for half price anyway. So really, I've spent less buying these two books than this cost normally. So I don't want to hear any critiques. I don't want to hear any critiques. I don't want to hear anything. It's a haters. I'm not your enemy. I'm your hero. You know, share up. You should be happy I'm here. But now I'm going to survive this morning so now I'm going to be reading from this one. Let's chat about this. So the appeal we are in, this quaint English town, very ectocristy, and we're actually following this group of people which is like an adult's amateur drama society where they put on shows. And I actually, what honestly is so fun for me to read is when I was a kid, I was in the kid's version of an adult's theatre society like this. That's what I went to, to go act. And so I remember the kinds of people you would get in these groups. There's often more elderly people and you often have a lot of families in it like parents and children. And that's what this is like. So like I'm like, just tell us how it lived near me. Like, is this based off of what I know? It's a conspiracy theory that I'm actually interested in. Or is this just a very like common occurrence? So it's making it really fun for me to read because I'm like, I know these people. When there's like a meddling, like like an uptight person, I know who that is. When there's a family situation and how that makes it a bit awkward for everyone else. Like, I know this. I've lived this. So that's really fun for me to read. And it is told entirely through most the emails. There's a few text messages. I feel like some of the characters, I'm like, you wouldn't be emailing each other. Like the younger characters, I'm like, why are we doing emails here? Like that doesn't really make sense to me, but like I'll take it, we'll go along with it, whatever. I'm a hundred pages in. So I feel like it's taken me up until now, recently, to like get a hold of what's happening and to kind of understand everything. It definitely took me a while to like understand all the different characters we've got going on. It reads very fast. So it's not like a hundred pages of a normal book.  Like a traditionally written book. Do you know what I mean? It's very different. It's like a much faster pace reading experience having to read between the lines a lot. But I'm really enjoying it. I'm loving the setting. Like I said, the characters, we've got a very big cast of characters, but it's super interesting. And we are kind of reading from the perspective of these two detectives who are going through this with us and trying to figure it out. Now, I only have some theories as to what's going on, but I feel like those theories are going to get solved pretty quickly and we're going to constantly kind of have new mysteries going on throughout it. We don't even know what the case or what the death, I assume there's a death involved in this, like who that is or what's happened. We don't know any of that. We've really started from the beginning. And so we're kind of going through the before. Do you know what I mean? It's not like a normal mystery where like the murders happened and the rest of the book is trying to solve it. This is like leading up to the murder, which I actually really enjoy. I've read a few books I've done that and I've always really enjoyed them. So I'm really enjoying it so far. I can't tell yet if it's going to be like a four or a five. It's kind of feeling like a four at the moment. But like I said, we're very much the beginning so it could really go anywhere. And I'm really enjoying the kind of unique sense of storytelling. So yeah, all I've got to do today is really read this book. So I'm just going to go ahead and chill out and read some of this. Okay. So it's much later. I've been for a run. So excuse the hair. That's just like, I don't even know what it's looking like on camera. Whoa. So I realized when I last checked in with you, I did not tell you the plot of this. I just neglected to tell you the plot. So basically the granddaughter of the kind of heads of the drama group, I think she's got a rare form of cancer. She's only two years old. And so they basically launched an appeal to raise £250,000 for her to get this drug treatment that is not approved on the NHS yet but like is being sold as the cure for her basically. From the beginning, I was like, I don't trust these bitches. Like her family, you know, like the adults. Because it's obvious they're the head hornchos. They are the head hornchos. Like they control the beating heart of the socializing in this tight-knit community. Do you know what I mean? Like they're the rich bitches. So first of all, I'm like, there's a weird power dynamic here.  That hasn't really been covered yet that much. But I'm like, you have money. Like I don't trust you. But I feel like in this book, something that's doing really well is making us not trust everyone. Like there's a big character list. And I could go down almost everyone and be like, here's why I don't trust this person. But I kind of want to get into all of them. I was here like 10 years. And one of the main characters of following is this strange character called Izzy who is like obsessed, like obsessed with this other character called Sam. His thing. Reading from Izzy's perspective a lot, she writes, this girl writes a lot of emails and she's annoying. Like it's annoying to read. Like it's not, I'm like, after page 100, I was like, I get the point. You know what I mean? I was like, I understand. Like she's annoying, but like I don't need to read it over and over again. It's not like a five star for me right now. It's probably about a four. It's strange, right? I almost think I need to read Janice Hallett's next book to kind of get used to this style where other books I've read have been mixed media but haven't been solely like one form of media pretty much. Other books say The Good Girls Guide to Murder has mixed media elements interspersed. Well, the Illuminae series has mixed media but it's a lot of different forms of mixed media, right? Whereas this is all emails. It's just email after email after email with occasional text messages sewn in but they're not that different to the emails. And like constantly read, all I'm reading is people's email tone. Do you know what I mean? Like you write emails in a different tone to that you speak or to you text or you whatever, you know? And it's a bit like, it's a lot. You know, like I wish this could have been not just emails, which I'm intrigued as to whether Janice Hallett's next one is only emails or if maybe it has other mixed media because that's what I feel like this is crying out for.  There's been like one or two police reports maybe but that has literally been it. One or two newspaper articles but like when I'm talking, I want a variety. I think like every other, you know, everything should be different. You're constantly going into different forms of mixed media if your whole book is going to be mixed media. And so it's getting a little bit like a lot. Like it's getting a little bit like, okay, like constantly reading in people's email tone of voice that they use is strange. This is not for me. No, I don't know. And I don't know if I love that element of it but I will say I love how this book is really keeping you on your toes because you don't have like a detective or a narrator to kind of affirm things you find out. You kind of have to find like clues out.  You're kind of like having to do that for yourself which is a very interesting reading experience as well. So I am enjoying it but it's just like the emails are a lot. Like I wish there was some stuff that weren't emails. And I'm kind of ready for the murder to happen. You know right from the beginning it's in the kind of synopsis that a murder is going to happen. And I'm like, girlies the tension is rising. Let's get a killing because it feels like we just need something to move the story on a bit. It's not a five star which I feel like I'm a bit disappointed that it's not. I feel like maybe you can tell in my demeanour because I wanted this to be an all-time favourite and it could be. Like it could turn it around in this last bit and just go absolutely apeshit but I'm still really enjoying it. So I feel like me sounding disappointed doesn't do it justice because I still aren't having a great time reading it. I just wanted it to be like an all-time favourite if that makes sense. If I speak I am in big trouble. In big trouble. So disappointed. I'm just gonna throw it out there. I'm just gonna say it. I'm just gonna say it. 3.5 stars. It's not the vibe. Stop! I'm giving it 3.5 stars. Okay? 3.5. For me I think in the end the repetitiveness of the emails it got a bit old for me. And the structure of the story actually didn't work for me. You know the murder happens at probably the 75% mark and then we suddenly stop having emails and we get into this really long document that the two like detectives or are they lawyers? I don't even know. Yes these two law students are writing to try and like propose what they think happened. And so then that is repetitive and then like I feel like at no stage in the book was there enough variation. There was like clear blocks in like what was being written. Do you know what I mean? But like I feel like everything should have been mixed together a bit more. Like something that I feel like the guest list for example did so well. In one perspective or in the past following up to the day of the wedding when there is a death. And then in the other perspective you're in the night of the wedding trying to figure out what's going on. And that worked so well because you are leading up to the death, the murder like we are in this one. But you're also in the present sometimes. I just feel like this book was a bit too... It felt a bit stagnant. It felt a bit stuck in itself at points to me. And that's the truth. But I will say I really loved the experience of reading it. Like I read this so fast you could not pry it off my hands. I was flying through it and I still had a great time reading it. But I don't come out of it going oh I really loved that or I really really enjoyed it and I can't see many flaws with it. Like there are some flaws for me so that's why it's a 3.5. But funny enough like I am really excited like really really excited to read the author's next book which has just come out which I think is more to do with codes and stuff like that. I think before I buy it I may go have a look at it in person and see kind of what the layout on the inside is like because it just felt like it needed a bit more variation throughout for me. I will say I also think I thought the the resolution to the murder was a good one. It was one that felt satisfying. Yeah I don't know I feel like this had a lot of possibility but it just didn't quite hit the mark. And I don't think this is a good place to start with murder mysteries if you haven't read a lot of them because the structure is a little bit confusing like the kind of getting all of these emails and leading up to the death but the death taking like 75% to happen it's I don't think it's conducive to like starting with murder mysteries but a lot of people have loved this this has been super successful but for me it just it just missed the mark. I feel like I am becoming a little more picky with murder mysteries though perhaps if I had read this when I was a bit of a bit of a newbie to the genre to the you know the idea of that of those books I would have enjoyed it more but I feel like I've just seen this done better and I also felt like some of the tropes and some of the reveals were a little bit like stereotypical were a little bit like I've seen this story before which whereas with my murder mysteries I know it's really hard but I want the reveals to be something a little bit new so yeah I really enjoyed reading it I'm really excited to read the author's next book but I was still disappointed and I did still feel a little bit let down by the book so listen was a little bit of sad because this was like a beyond a five star prediction for me I'm still glad I got this edition because I love it so much more and I really like I'm gonna it's gonna bring me joy seeing this on my shelves regardless but but yeah I don't know I'm really sad because this was like beyond a five star prediction for me it was like a ten star prediction and it wasn't that but it's okay listen like I said I'm gonna continue reading anything there's author rights because it's still it's really hard to find modern murder mysteries do you know what I mean so yeah that's where we're ending it I'm sorry guys if you wanted better from me but that's what we're getting um if you've gone to the end leave a red heart emoji because I love this edition so leave a red heart emoji if you've gone to the end let me know if you thought of this if you read it I know a lot of you have read it like from not my recommendation but from me talking about it and a lot of you've been commenting recently like some of you saying you loved it some of you saying you found it a bit disappointing so I'd love to know what you thought if you read it especially in response to what I've said and thank you so much for watching and I'll see you very soon in another video bye


Argentinian Grand Master Fernando Peralta held top seed Mamediaro Chakriar to a draw in round five of the Gibraltar Masters. He joins us in our studio. Fernando in the last three rounds draws against Iváncha, Leif Angliem and Chakriar. Solid results against the top seeds. Yes, yes, I'm very happy. It's a very strong tournament for me and I'm happy that I'm not losing all games against these people. And it's your third time here? Yes, it's my third time, yes, and I really enjoy it. Great, and tell us about today's game. It was a quick draw. Were you happy with the result of the game? Of course, I'm very happy with the result. If I have to tell you about the game, I don't know really what happened because he made a novelty, I think. And I don't know if all the game there was a preparation by his side. I have no idea. He spent more than an hour in the game, but he finished the game with plus time in his clock. So he had more time than he started with? Maybe the same because he was walking. Playing very fast. What about you? Which moment were you surprised? Okay, this is not a very normal move and I have already played last year and in this position, last year, I played H4 against Artemia. In Gibraltar? In Gibraltar also, yes. But the computer says that black is more or less okay after F6 or maybe taken and then F6. So you mean this happened against Artemia last year in Gibraltar and black sort of time here. So you had an idea about playing night F4. Yes, that is supposed to avoid F6 but something went wrong because he played anyway and I don't know what my computer said about this. I couldn't remember. So you were on your own now, on the board? Yes, yes. Trying to figure out what to play and calculating this sacrifice that happened in the game. Yeah, this position I want to talk about night G6. Is this a team or an idea that you had from before or was it purely over the board inspiration? No, no, it was over the board decision. I think I had two positions to decide. One was to take on F6 and probably to take on C5 and the other one was this. I couldn't find another good option and I wasn't sure about the common. I was very afraid because he was bleaching every moment. Yeah, and he was playing very fast, yeah? So and in this position after root F7, do you think this was for black to repeat here? Is that the only option? No, I had no idea. In this position I was analyzing B6 and other moves but it seems to me that I wasn't risking too much because I just sacrificed a little material and in some lines I have a strong attack or maybe end games. And a lot of pawns in the end game. Yes, yes, but I was analyzing B6 and F4 or root D8 and root D1. Yes, and I had no idea actually. A mess but you felt that you had enough play here. It looks like you've got, maybe in some positions it might be root for two pieces but you've got a few extra pawns as well and a lot of play. Yes, yes, I think, yes, this is the key. Also in this position another option was to take on C5 and transport to some end games with some pawns but I think his pieces were very strong so I decided to play for an attack with the E5. But of course it's not enough to gain advantage because I think this move was a draw. Were you surprised with this decision of Shakira to repeat her? I don't know what to say because I wasn't sure about the evaluation of the position in general but it was not the option that I was afraid of. Right, to play on, yeah. Well that's the way to do it and how do you feel about going into the second half of the tournament we're halfway through? I feel very confident but I need to rest because it's a very strong, a very long tournament. Long tournament but it's also good that you finished early today so you can have some rest and we wish you all the best with the remaining games. Thank you very much.


My name is Mark Hansken. I'm a social scientist working at the Center for Tropical Medicine in Global Health in Oxford. But my position is also shared with the Said Business School in Oxford. When it comes to antibiotic use and the behaviour of people in rural Thailand and Laos, I think the biggest challenge is really that we don't understand it well enough. We have a vague notion of what we should do to improve behaviour using communication and education, but there are so many other factors, structural factors like poverty, histories that people have, cultural histories that drive behaviour in a particular way. What do people do when they are sick? What meaning do they attribute to medicines, for instance? What means good care for them? So there are many questions that are really worth answering because it influences so much what we should do and what we can do and what we cannot do to improve behaviour. In rural Thailand and Laos, we carry out the survey to understand health behaviours more generally, the broader pathways that people go through when they are sick, what kinds of public healthcare providers, what kinds of private healthcare providers and informal healthcare providers do they access? What kinds of medicine do they use? How do they even think about medicine and antibiotics? Do they have an understanding of what antibiotics are? Have they heard of drug resistance and what does it mean to them? But also, how does information spread, for instance, in communities? So we don't only have representative surveys, but we also have social network surveys. So we can apply some quite interesting social science research methods to understand and inform something that's quite interesting for the medical sciences. There's a very long tradition of social sciences in medicine, but a communication with the medical sciences. I think that's what's now changing. And I think that's the most important development that we see at the moment, this cross-disciplinary fertilisation that hasn't been done so well in the past. Before we were separate camps, now we're talking more to each other and I think that's where a lot of inspiration comes from and a lot of new impetus for research and also new solutions, solutions beyond healthcare. The practical applications of the work that I do relate, for instance, to a recent study that we had in diagnostic testing. So we contributed to a clinical trial on a diagnostic test, a fingerprint test to help healthcare workers, nurses, basically, and Thailand, Myanmar to prescribe antibiotics better. What we did as social researchers was to contextualise this whole intervention. We could contribute a better understanding of what happens when you introduce this test, how does it change the relationship between nurses and patients, who do you reach, whom do you not reach. Nurses often have already some kind of solution, some kind of tactic and strategy to prescribe or not to prescribe an antibiotic. So this is new test, change the existing behaviours. We social researchers, we have the tools, the techniques and the theories available to answer these questions and that can ultimately make interventions more effective, maybe locally more appropriate, and it can also help us understand what happens during an intervention. Social research complements clinical research rather well, I'd say. Before a clinical trial, for instance, we can help understand the context from a patient perspective, for instance, where to intervene, what is the behaviours that we need to change if we want to change them. In our specific case in a clinical trial about antibiotic use, you cannot simply ask the patient, did you take an antibiotic or not, because they would not understand the question, because they might not know what an antibiotic is. Rather, one would have to ask, for instance, in Thailand, did you take an anti-inflammatory drug? We can help inform these questions. What is more is that by doing population-level research, starting with a general population rather than patients specifically, we can give a broad understanding of the diversity of healthcare behaviours that people have. So if there is, for instance, a clinical trial focusing on, say, primary care in the public sector, then our population-level perspective can help to put this clinical trial into perspective and see on the population level what's the impact, who might be left out, what might be the equity implications, is it fair to do this, and what might we have to do in order to reach, for instance, the poorest of the poor, who might be excluded from the primary care level.


you to enjoy life, life with Luigi, a new comedy show created by Cy Howard and starring that celebrated actor, Mr. J. Carol Lash, with Alan Reed as the swelling. Luigi Vasco left Italy to start his new life in America. He promised his mother that he would write and tell her about his adventures. So now let's read Luigi's letter as he writes to Mama Vasco in Italy. Dear Mamma Mia, it's now Christmas shopping season and all the good Americans that they move out of their houses and they start to live in one big place, the department of stores. Mamma Mia, you should have seen the crowds. Yesterday I went to Sears of Rosebuck. I went there to buy a two cents washer for my sink, which is a leaking.  Finally I'm going to come home with the two cents of washer for a sink, which the clerk is a gift-wrapped, tied with a pink ribbon, and a stamp that don't open up before Christmas. Why does it turn out nice anyway? This Christmas, even my sinkers are going to be surprised with a present. Mamma Mia, yesterday I'm going to send you a Christmas present, a bread toaster. This is a wonderful American intervention, but it's a one-a-thing I'm a one-a-you-about. Don't try to stuff it in the whole of bread at the one time. Put in just one slice of bread, and don't do nothing until you see the smoker come out.  This is a taste almost as good as a plain bread that's a stale. For a Christmas of time, Mamma, everybody's got a list with their friends' name on it. I'm going to have to mine it too. Everybody's name is on it, except for my countryman, Pasquale, because for him I'm going to something extra special. All year long I'm going to put away a dollar a weekend on my banks at Christmas, a club. Till now I'm going to fit for the dollars, just for this big surprise for Pasquale.  But are you? Are you what I'm going to tell them, Mamma Mia? You see, everybody is to get to somebody, so here comes Pasquale. He's in my store now. I'm going to write to you more later. Luigi, my friend. Hello, hello. Hello, Pasquale. Merry Christmas. Hello, Pasquale. Merry Christmas.  Luigi, I know you short of money, so don't get me nothing that you can't pay out in the twelve easy installments. All right, Pasquale. Pasquale, you finished with your Christmas shop and you got it? Luigi, how would you like to see television every night the next year? Oh, Pasquale, you shouldn't. Don't worry, I didn't. Well, what are you talking? I'm already teasing you, Luigi. I'm going to buy you a big, beautiful television set. Oh, Pasquale, you're wonderful.  No. This is going to have a sixteen-inch screen. Is it going to keep out all of the flies? Oh, thank you, Pasquale. Also, at this set, is it going to have a hundred-foot electric cord? Yeah, but Pasquale, I'm going to get a little room. I need a hundred-foot electric cord at the reach of the socket.  You're going to plug in the cord either you store, but the television set is going to play in my daughter Rosa's room. Pasquale, you mean every time I'm going to want to watch you the television set, I'm going to have to do it to what do you, daughter? That's all right. Do you lucky pups of you? Pasquale, if you don't mind, I'm going to rather listen to my radio. That's the matter. Don't you think there's enough to see on the television? I want to shoot, Pasquale. But what are your daughter, Rosa, in the room, or who's going to be able to see it? Oh, Luigi, will you stop with the fact of talk? So what if my Ray Rose is away 250 pounds? That's not so big. It's all the way you look at it. Pasquale, if you don't mind, I'm rather not to look. Luigi, why don't you think about it? It'd be fair. Remember, there's two sides to everything. Yeah, but there's eight the sides of two rows. I'm so mad. Remind me, after you give me my Christmas present, I never should have spoken to you again. All right, all right, Pasquale. Now, if you don't mind, I'm going to go to my night to school at class. All right, go, go, go, Luigi.  My waist is 56 and my neck size is 19. All right, Pasquale, goodbye. I'm going to see you later. Yeah, that little pumpkin ahead. Well, he's going to get the money to buy the good presents anyway. He's always got to come up to me for money. I'm his private little marshal of plan. Hey, what's the issue? There's a left behind little envelope. I'm in no like of the peak, but if the inside of the envelope wants the peak on me. Hey, what's the issue? $50. Oh, he's going to do something behind my back. Let's see what is right on this paper. Christmas list. Well, my name must be on the top. The Spaulding. Schulz, Horowitz, Olsen. Must be saving me for the last. Male man, Rosa, Winder cleaner, officer Flanagan, Tommy, the news boy, Jake the Pickler man. He left me out. $50. He's a hit away from me and he's left me out to me. He's a guardian in America. When he's coming here from Italy, I'm going to give him his first pair of shoes. He's the first to haircut. He's the first to comic book. And when he said no, could have read it. I was a helper mouth. I was to get somebody to read it to it. No prisoner for Pasquale. I'm going to show him this list. This money, I ain't going to keep it. I just going to hold it for him till Christmas. 1999. All right, class, class, quiet, please. I'll call the roll. Mr. Basko. Here. Mr. Horowitz. Mr. Olsen. Yes. Mr. Schultz. Mr. Schultz. Is that supposed to be St. Nicholas calling his reindeer? It ain't Frankie Lane calling his mule reindeer. Mr. Schultz, no more singing and stop cracking your belt. All right. Down, Mr. Schultz. It's just a Christmas spirit. Here's a little present I brought for you. Well, thank you, Mr. Schultz. Mr. Schultz, I brought you something too. And here's my gift to Mr. Schultz. I brought you something also.  It's wonderful. I can't find the words. Who cares, as long as you don't find the price tag? Schultz, Horowitz Olsen.  Thank you, Luigi. Oh, that's wonderful. Fellas, fellas, should I do it to him now? Sure, go ahead. Go ahead. Luigi, we got together yesterday after class. Well, we all talked about you and what a nice fellow you was. Well, we shipped in, and here's your Christmas present. And that's all. Merry Christmas, Mr. Baskoff. Oh, friends, what a wonderful present. This is the most beautiful fountain of pen I've ever owned. Is it the only fountain of pen I've ever owned? Come on, Mamma Mia. A gold tupper with a beautiful inner side. Luigi, go ahead. Read the inscription that we wrote to you on the pen. Yo ho, Luigi. And it comes straight from the heart. All right. I'm ready. Forty and a character gold filled. Luigi, you're reading the point. Here, I'm the cap, you are. Oh, with a sincere friendship. Christmas of 1949. Oh, class, this is beautiful. And I can't think of any other words that you could have added. More words. If we added any more words, we'd have you had ended up with two fountain pen. Luigi, we're glad you like it. It was just a slight return for the presents you got us. Luigi, what did you get for Pascale? Huh? Oh, well, for Pascale, I'm getting something extra special.  He's a watch over me all of the time. So I'm getting him a big surprise. A wallet? A watch? A necktie? No, class, it wasn't none of those things. It's a surprise that... Well, give us a hint already. Well, is it something that Pascale's not going to touch, smell, or feel? He's not going to keep it, but once he's got it, he's not going to change it. Stop, Luigi, you're getting us all for shimmel.  Yeah, what are you going to give Pascale? Well, yesterday I went to the bank, took out the money, and I'm going to send it to myself. What time can it get to Pascale? It's different. Something that nobody has ever given anybody before. Aha, so you're getting him a shrunken mummy head. Mr. Schultz, will you please stop interrupting and let Mr. Basko finish? Well, anyway, I'm a talk of this money, and I'm a... I'm a mummy. Well, is something wrong, Mr. Basko? Well, Pascale's a Christmas of money. It's a... it's a missing.  Your entire thing for you might have left it. No, no, I'm a left at an up-place, I'm lost it. It's terrible. Please, please, Mr. Basko, excuse me, I've got to go look for it. Oh, certainly, Mr. Basko. Luigi, don't take it so hard. Schmei, it's only money. It's only lost it. What are you going to do? Jump off the bridge? How much money did you lose? $50. $50? Luigi, move over and I'll jump off with you. Mr. Basko's adventures in Chicago, we turn to page two of his letter to his mother in Italy. And so, mummy, is it no use even to tell you what wonderful present I was going to get for Pascale, because I was a loss of the $50, I was a saver for it. All night long, I'm looking at streets with my search light. No money, and it cost me 20 cents for batteries. All of a sudden, in my house, I'm a look all over, under my rug, into the flower pot, into the chandelier. All I'm gonna find is a dust in the flower pot, in the chandelier, and a no lamp, but the one that's in the work. All of a sudden, I'm gonna push away all the furniture, sweep up all of the floors, dust under the couch and at the bed. I'm gonna find the money, mummy, but today I'm gonna get the cleanest room in Chicago. Mummy, I'm gonna know how to look at a Pascale. Right now, I'm gonna see him looking through the window. He don't see me, but I'm gonna see him. He's talking to Rosa, and he's looking very mad. I'm gonna just imagine what he's saying at the heart about to me. Rosa, stop eating for a minute. I want to talk to you. All right, Papa. Rosa, who's the best friend that Luigi ever had? You, Papa. And who's that treated him better, fairer than anybody in this country? You, Papa. And who's the turn outer to be a rotten, ungrateful jackass? You, Papa. I'ma send you to college.   From now on, we're true with Luigi. Don't ever associate with him. Don't go near him. Don't ever let me see you thinking about him. Not even a doctor. He's a come back to you when he's a hens in his knees. What would you say to him? I'ma so mad on him he's never going to get back as a $50. Some Christmas list these I had, presents for everybody, even Jake and a Pickleman. But for me, nothing. It's not the presents so much. I wouldn't care if he was to give me a cheap $0.29 necktie. Same one I gave him last year.  Papa, have you got a will? No, but I'm going to make one out just so I can cut him out. Impossible I've been a hintin' since the Thanksgiving. But God, huh? Rosa, mind the stall. I'm going to talk with that little pup squeaky. Better have a good reason why he left me out of his Christmas list. I'm going to break his neck. Luigi, my friend. Hello, Luigi. Hello, Pasquale. Merry Christmas. That all depends. What do you look so sad about? You did something you're sorry for, maybe? Pasquale, I'ma lost a little white envelope. Maybe you was a funder. Absolutely not. And I can approve it with a six of witnesses. I'ma believe you, Pasquale. Luigi. What, Pasquale? You didn't forget anything lately, did you? Well, you know it's a season now for Santa Claus.  Pasquale, I'm sorry, but... Down the bottom in our butts. Luigi, all year long you've been crying about that broken down old radio you got that's always a blow in the tubes. So yesterday I went out and bought you something. And no radio? No, three new tubes. That was it going to be your present, including a few other things I was going to get you. But now you could have forget them. Pasquale, please listen.  Pasquale, I'ma... I'ma didn't forget you. Huh? You got something for me, Luigi? Are you saving for surprise, eh, Luigi? Pasquale, here's to your present and a Merry Christmas. Merry Christmas, Luigi. What a beautiful fountain of pen. Look, a gold cap, a 14 of carats appointed. That's right. There was a writing on it with a sincere friendship Christmas of 1949.  That's all right, Pasquale. As long as you're happy enough. That's true, I'm a very happy. Now you did me a favor, I'm going to do you a favor. Pasquale, please, no roses. It's not the roses, it's something else. Luigi, when you left the store yesterday, I was a stand-in there, and suddenly, Luigi, my fellow boobler... No, hello, Shulshen. Smile, Luigi, a Merry Christmas to everybody. Even you, Pasquale. Merry Christmas to Mr. Delicatessen Man. Luigi, I never got the chance to really thank you for that little wallet you gave me for a present. That's all right, Shulshen. Use it in a good health. Oh, thank you. I love that little secret compartment inside where you can hide the money. You know, it's really very tricky. It took my wife ten minutes to find it. Everybody, we like me almost laughing. My rheumatism is killing me. Anyway, Luigi, thanks for the wallet, and it's too bad that you didn't find it. I should say, I'm going to talk to you. I'm not just a second, Luigi. Pasquale, it's too bad that Luigi couldn't get you a present this year. What are you talking about? Luigi would never forget his best friend, Pasquale. Pasquale. Look at Shulshen. Pasquale. He never did this to me. Pasquale. That's a very suspicious present. He will end up the same fountain pens he class gave you, Luigi. Yeah, that's the right issue, sir.  There's so much I'm moving out, and I've got the same kind of water for Pasquale. Uh-huh. And where's yours, Luigi? Well, what is it? If you're not Shulshen on your way home from school, I'm lost to money. Oh, you did, huh? Uh-huh. Then tell me, Luigi, how could you buy Pasquale a fountain pen if you lost the $50? Luigi, you mean that you couldn't have bought me a present when you lost the money, so you gave me the fountain and pen the classes he gave you? Is that what you mean, Luigi? I'm a... Merry Christmas, Pasquale. Luigi. Luigi, why didn't you tell him why you didn't give him a present? Pasquale, did you know that this little rena schnitzel here, he's been saving a dollar a week from his lunches and coffers just so he could prepare a big surprise for you? Luigi, you was gonna spend all of the $50 out of me? What could you buy? Suit, coat, shoes, a dowry payment at an automobile? No, Pasquale, was there nothing like that? Was there nothing you could wear or eat or play with? Was there something for the heart? Well, what tell us already? Well, to me... to me, Christmas is not for just the given things. It's for the spirit, peace on earth to go to will towards the man. Pasquale, if what I was gonna give you would've made you feel it that way, it would've been a really Christmas present. Well, Luigi, where is it this present? Maybe if for you it was suddenly to find the money, you could still buy it. No, Pasquale, it's not in the store. You see, I was a went to the church and I said to Faracani, Faracani, I'm gonna be glad to give it a church of $50 if on a Christmas night, you little boys acquire with their beautiful voices, there was it to come and sing out to side of Pasquale's store.  Ah, Luigi, only you could think of a thing like that. Yeah, but what's the use? I was supposed to be there this morning, but I didn't have the money. I'm a side of Pasquale. Hey, Pasquale, where are you going?  What?  You see, I was the one... Luigi, what's that? Hey, Pasquale, that's the choir. There was it come anyway. Look, there's a Faracani. Open the doors and let's hear it. Yeah, listen. Oh, it's wonderful.   Luigi, the church never asks for money in advance. I'd have answered but a father I'm gonna get the nothing.  Luigi, look under the table. That's an envelope. Hey, it's looking like a my envelope. I'm looking inside. Yeah, there's a money inside of my money. 10, 20, 30, 40, 50, 60, 70, 80, 90, 100. You see, Luigi, you found your money after all. Yeah, but a father, how is it possible? It was only fifth of the Indian envelope and now it's 100. Luigi, it's a Christmas of time. A miracle it can happen. Yeah, Pasquale, I wonder who's made it a miracle. And Pasquale has got his Christmas present after all. And I'm a finisher this letter to you who to my brand-new fountain of pen. Pasquale has wanted to write to some extra words on it like you best friend of Pasquale, but he should see the letter. So he's a now pen on a pencil set. Mamma mia. Maybe you was thinking to yourself how much you're good was a my present to have on a Pasquale. Well, I'ma tell you. After everybody's went away, the father, the choir, Schultz, I'ma look at the empty envelope and I'ma say to Pasquale, Pasquale, you made it a miracle. And Pasquale's a said to me, No, Luigi, you did it. It's a fake miracle to make a miracle. Merry Christmas, Mamma mia. To Uncle Pedro, the goat, everybody in our little town, but most especially to you. You're lovin' a Santa Luigi Pasquale, the immigrant. I'm over most of these stations when Luigi Pasquale writes another letter to his mama Pasquale describing his adventures in America. Wife with Luigi is a Psy Howard production and is written by Mack Benoth and Lou Derman and directed by Mack Benoth. J. Carol Nash is starred as Luigi Pasquale with Alan Reed as Pasquale, Hans Conrad Schultz, Jody Gilbert as Rosa, Mary Ship as Miss Balding, Joe Forte as Horowitz, Ken Peters as Olsen. Music is under the direction of Lud Blusken. It's Ethel of the Barrymore's and Bing of the Crosby's who are teaming up to bring you a merry half hour on CBS Tomorrow Night. Yes, on CBS's Wednesday Night Bing Crosby Show, you'll hear Ethel Barrymore bringing her great talents to a special Christmas story Bing will sing Silent Night at Desta Fidelis and White Christmas among his songs. The Bing Crosby Show is heard every Wednesday night on most of these same CBS stations. Bob Stevenson's station. Now stay tuned for a state as well as immediately on CBS, the Columbia Broadcast Incident.


We've got a fun treat for you on TheLatinosLat.com. New articles all the time, including one by Alfredo Galindo. We go to it right now in regards to Guillermo del Toro's Frankenstein. Yes, it's happening, everybody, and it's in production. According to Alfredo Galindo, superstar, new superstar Jacob Elordi, baptized a nominee for his work in Salpern, posted an image in makeup of the story's monster. Let's look at this. How cool is this guys? Wow. Now, I got to tell you guys right now, I have yet to see a Jacob film. I think I'm going to see Priscilla, where he plays Elvis Presley. I've not seen Salpern. I don't know this gentleman's work, but what I do know is that he is the kind of this new generation of young leading men that are super hot. Chalamet, Holland, but you got Mr. You got the beefcake here, the handsome rugged man, Jacob Elordi. So, yeah, there's the image and Alfredo continues to say. Currently in production in Toronto, Ontario, Canada. It also stars Mia got Oscar Isaac as Dr. Frankenstein, and two time Academy Award winner Christoph Walsh as Dr. Pretoria's. And I did not know this. Here's the information you need to know guys who wishes to continue the experiment started by Dr. Frankenstein 40 years after the story's main event. 40 years later. So we're going to see probably an Oscar Isaac's character as Dr. Frankenstein and some sort of flashbacks. And it's curious to see as Jacob's character, the monster, how that's that new iteration of the monster is going to be 40 years, 40 years later with Christoph Walsh, Mia got what a great cast. This is a cast of heavyweights. And with the heavyweight, you know, no disrespect Guillermo in your talent in your talent, Guillermo del Toro. So we're excited here for that. And I am happy to see that Oscar Isaac is in the cast as well as Christoph Walsh. But Jacob is the new man. He's playing the monster, which I think is interesting because going away from his looks, this is pure Hollywood magic here in regards to let me just, you know, get a step away from all the good looks, good looking roles, and let me hit this monster. Let's let's do the monster man. So yeah, what do you guys think here at the slant? We'll keep you guys posted wherever you're at. Keep that slant worth it. Gracias.


This is your FBI. This is your FBI, an official broadcast from the files of the Federal Bureau of Investigation, presented as a public service by the Equitable Life Assurance Society of the United States. To your FBI, you look for national security, and to the Equitable Society for Financial Security. These two great institutions are dedicated to the protection of you, your home, and your country. Tonight, the story of a crime against our fighting men. War fraud. In every war, there are two battlefields. One where guns are fired and one where guns are made. We have been victorious on this second battlefield. We have been winning in our factories, our plants, and all our arsenals of supply. But there have been a few men who have fought the war of supply, not for us, but for the enemy. Because to these men, war has meant only one thing, a chance to make money. They have been caught. Sooner or later, these men are caught by the FBI. Because the workers and their plants are also working for this country. In one case, a war profiteer was caught because of a worker who was only a cleaning woman. A middle-aged woman who swept the floors in a plant which manufactured hand grenades for the government. Well, where are you dumping that stuff? In the trash barrel. Oh, that doesn't go in the trash barrel. But it's just the sweepers from the floor. I know, but... It's trash. Trash goes in the trash barrel. What's your name? Anna Waco. What's yours? Rockland. Oh, Mr. Rockland. Oh, I'm sorry. That's all right, Mrs. Waco. How long have you been working here? Three months, sir. Surely you know by now that any sweepings with powder in them go in that box over there. But this powder isn't good for anything, Mr. Rockland. It's all mixed with dirt and shades. Mrs. Waco, this is my plan. I'm manufacturing hand grenades for our government. One of the duties to anyone working for the government is to conserve material. But this powder... Will you let us worry about it? We have ways of sifting the powder from the dirt. We must conserve. Well, I've got two sons over there, and I'd hate for them to get a hand grenade with powder like this. Mrs. Waco, any sweepings from the floor which have powder in them are to be dumped in that box. Yes, sir. After all, there's a war on you know. The war that is being fought on the second battlefield, the war fought in the factory is a vitally important one. An industry and labor have been fighting it triumphantly. Soon after Pearl Harbor, however, the attorney general of this country realized that there would be a few dollar patriots to blot the record. A greedy few who would try to make huge profits at the expense of the government. And so a war fraud's unit of the Department of Justice was created. And to the FBI went the job of cracking down the criminals involved. That's why when Mrs. Waco became suspicious of the Rockland powder company, she went to the offices of the FBI. Maybe has got a way of getting the dirt out of the powder, but there are other funny things too. Like what, Mrs. Waco? Well, I... Don't be afraid, please. Anything you say is just between us. The FBI will never do anything to endanger your position. Oh, I'm not afraid, Mr. Daly. Not for myself, anyway. Who then? My daughter-in-law. She works in the plant on the assembly line, putting in the powder charges. But they don't care how much powder goes in. Who doesn't care? Mr. Rockland or one of his sons. How many sons does he have? Four. And they're all nasty boys. One of them's Ruth's foreman. And he just keeps saying, hurry up, speed it up. He doesn't care if the grenades are any good. He just cares if they're getting out a lot of them. Mrs. Waco, you must know the government has inspectors checking those grenades before they leave the plant. Sure, I know. Well, if the grenades don't come up to specifications, they're not any good. Those inspectors are going to reject them. I know. What happens to them after the inspectors turn them down? What do you mean? Mr. Daly, those Rocklands are just out to make all the money they can. They wouldn't be in such a hurry to turn out bad grenades unless they had some way of using them. Well, what way? I don't know, sir. But they're always talking and talking about conserving material. Yes. Well, good or bad material, I'll bet they've got some way of getting those rejected grenades out of that plant. Special agents were sent out to check the Rockland powder company to delve into the past of Andrew Rockland and his four sons to interview the government inspectors who examined the hand grenades made at the Rockland plant. From the inspector's FBI agents found that each day a large number of grenades did not come up to government specifications and had to be rejected. These faulty grenades were supposed to be sent back and fixed. But whether they were or not, the inspectors didn't know. They had no way of knowing. But the FBI had a way of finding out. The inspectors were asked to mark a small red X on each rejected grenade. And then after a few days, a case of hand grenades made by the Rockland company was given microscopic examination. Hello, Bill. Oh, hello, Mr. Daly. What's new? You mean have we heard anything from your hand grenades yet? The answer is yes. Fine. Not so fine. What do you mean? How much do you know about specifications for hand grenades, Mr. Daly? I've learned a lot in the last few days. Well, it seems that each of these grenades is supposed to have four individual powder charges. Otherwise, it won't go off correctly. That's right. Now, here. Look at a cross-section drawing of this one grenade. All right. You see? Yes. That's only got one charge. If a soldier tried to use that grenade to save his life, well... No. You've owned 22 like this one, Mr. Daly. How many were examined altogether? 136. Now, here. 54 with only two charges. 37 with only three charges. Now, to the whole lot, exactly 25 that met with specifications. Wow. That's not all. Not all? No. To be really efficient, the powder charges have to be compressed into the grenade under a pressure of from 5 to 6,000 pounds. That means using a machine press? Yes. Some of these were made with a hand press. You know something? What? The powder in every one of these grenades made with a hand press is full of dirt and shavings. Almost as if... The powder had been swept up from the floor. Yes. Bill, let me see one of those grenades. Hmm. Yeah. What are you looking for?  What? The fourly ones made with a machine press, they all have the red X on them. The others, the ones with the dirty powder and made with a hand press, they don't have any mark on them at all. A special agent of the FBI can get into a war plant by showing his credentials. Entrance, however, is not assurance that he'll be able to see what he's looking for. That he'll be able to see how fourly grenades are packed and shipped out anyway. How other fourly grenades can be made with hand presses and dirty powder can be packed and shipped without ever being inspected, without ever being seen. The special agent who visited the Rockland powder company had no trouble getting in. He showed his credentials, he waited a few minutes, and then a young man appeared. Mr. Daly. Yes. I'm Fred Rockland. Oh, how do you do? Hire. My father's waiting inside for you. Oh, that's fine. Just a few steps down this hall. Just testing the burglar alarm, I guess. Oh. This way. Thanks. Oh, Dad. Yes. You'll take care of you, Mr. Rockland. Thanks. So long. So long. Hello, Mr. Rockland. How do you do, sir? You're from the FBI? That's right. Well, glad to be of any help I can to a representative of our government. That's nice of you. Anything in particular that you want to see, Mr. Daly? No. No, I don't believe so. Just want a general look around, huh? Yes. Well, this building you're in now is just one of the places where we assemble the grenades. How many buildings do you have in all, Mr. Rockland? We have five. Do you want to go through all of them? If it's not too much trouble. Oh, no trouble at all. Glad to do it. That's nicer. I just wondered if there was anything particular you were looking for. No. No, nothing. I realize you boys have to be a little close-mouthed about your business. Just a routine look around, Mr. Rockland. I see. Well, if you were... Are those people over there, government inspectors? Yes. That's a pretty routine job on our plant, I am glad to say. This way, Mr. Daly. Five buildings made up the Rockland powder company. The owner himself took the special agent of the FBI on a tour of all five. The agent could not have seen or hear or find anything to indicate that Andrew Rockland was deliberately trying to perpetrate a war fraud against the government of the United States. On the surface, everything was in order. Everything was up to standard, except that every time the agent approached a new building, an alarm bell rang. I suppose this is the last building? Yes. You've seen them all now. Well, I must say it seems to be a fine place. Thank you. We think it is. Well, we're all pretty proud of our little contribution to the war. I'm sure you are. Tell me something. If one or two of the grenades happen to be faulty, what happens to them? Oh, they're set aside and remain. I see. I noticed that you have special boxes set aside for the rejects. Naturally. We don't want them to get mixed up with the others. Naturally. I was just... We can get out this way. Thanks. After you say. Thank you. Very nice of you to show me around, Mr. Rockland. Oh, not at all. I'm always glad to be of service to my government or any... What's the matter? Didn't you say you had five buildings? Yes. Well, isn't that small one over there? Oh, that one, that one isn't used. I see. That's where I originally started my plan. But it's too old to be good for anything now. You suppose I could see it? Certainly. Some other time. For as long as I'm here now, I might as well... I'm afraid not, Mr. Davies. I do have a business to run, you know. I can't spare any more time. Well, perhaps someone else could take care of... I don't think so. We all work very hard here. There's a war on, you know. Yes. Of course, I couldn't go through it myself. No. No, I think you'd have a little difficulty in doing that. The Dyson. We momentarily close the Federal Bureau of Investigation file on war frauds. We'll return to this case in just a moment. At the end of tonight's broadcast, let's suppose that you open your evening paper and turn to the stock market quotations. The name equitable is fresh in your mind, so you decide to find out what the equitable stock is selling for. You look under the E's, but the name equitable life assurance society of the United States is not there. Why? Well, it's not there for a very good reason. There is no such thing as equitable stock. You can't buy it because it doesn't exist. This society is owned entirely by its policy holders, not by stock holders. And therefore, in the very truest sense of the word, the equitable is a society in which all the funds are put to work for the benefit of all the members. Furthermore, the dollars entrusted to the society are employed in ways that benefit the entire nation. They're invested in war bonds and American industry. They promote the business of farming, and they encourage home ownership. By serving its members, the equitable serves America. And now, back to the file on Andrew Rockland, war profiteer. Agents of the FBI don't force their way into private property. Neither into a house nor into a building, nor even into a war plant where they are fairly certain criminals are working, and working overtime. In the Rockland case, special agents attempted to get into the plant by working there as employees. The plant, however, suddenly announced that even though it was speeding up production, it was not hiring any more workers. That was also an announcement that Andrew Rockland was on guard. The FBI had no actual proof, no conclusive evidence that Rockland and his four sons were deliberately defrauding the government. They needed proof, and they knew it must be within that plant. They knew that somehow they had to get into that single unused building. But how? Yes, I'm Harvey Berkeley. Oh, how do you do, sir? Well, the boys over at the American Legion said you wanted to see me tonight. Yes, have a chair. Thanks. I was glad to sit after all the walking I'd done. Mr. Berkeley, I wanted to see you because, frankly, we need your help. You need my help? The FBI needs my help? Yes. What will I tell my wife?  Oh, sure, sure, but why me? We want to get into the Rockland powder plant. Oh. We need an employee to help us. Someone who's patriotic and can be trusted to keep quiet. We checked with the Legion and got your name. Did you check on me? We're satisfied. Well, name it, and if I can do it, no questions asked. Thanks. You're the safety engineer at the plant. That's my title. Just what do you do? Oh, pretty much what I think has to be done to keep the plant safe. You can get into all parts of it at any time. Sure. Can you get me in?  Yes. Sure. What about the guards at the gate? Well, if you wear old working clothes, I can take you in with me. How? Well, I'm allowed to take on an extra man if I think I need one for special precautions. Mr. Berkeley. Yeah? Would too much snow on the roofs of the plant buildings be considered a reason for special precautions? Why, sure. It gets too heavy. There might be damage. Why? I was thinking. You might say you needed me to help shovel snow from the roofs. There's a lot of it now. Well, I could figure out an easier way. Let's work for you. I'd rather do it that way. I'd like to shovel snow off the roof of that unused old building. Oh. You see, I want to get into that building. And I think the roof's probably the best way. At 11.30 the next morning, Harvey Berkeley and a rather dirty-looking helper climbed a ladder to the snow-covered roof of the old unused building in the grounds of the Rockland powder company. The guards saw them, watched them shovel snow for a few minutes and then forgot about them. At noon, Harvey Berkeley and his helper quit for lunch and left the roof of the building. Not by the ladder, however, but by a trap door that took them inside. Sure is dirty in here. Yeah, this is just an old log, Mr. Daily. It hasn't been used for years, far as I know. No. It's not around, but cobwebs. What's downstairs? Your guess is as good as mine. Let's take a look. I don't know how we're going to get down there. The door's all boarded up. Oh, I don't want to get down there. What? I just want to be able to see down there. Got your hammer? Yeah. Here. Thanks. What are you going to do? Pry up those boards? Yes. They're loose enough. I don't know what you're up to, Mr. Daily, but you sure seem to pick the hard way of doing it. Oh, no. This isn't easy, White. Get a good view of the place, all right? What are all those crates? Oh, I don't know. But the Rocklins have so to use this as a general junk storehouse ever since the new buildings were put up. You see that machinery right below us? Yes. Well, they're the old hand presses they used to use in the beginning. They're no good now, so they just storm here. I don't think they're just stored. What do you mean? Take a good look around this loft. Then look down there. Okay. See any difference? Well, it looks cleaner down there. A lot cleaner. No cobwebs, no dust, no boards over the door. That's not a storehouse down there, Berkeley. That's a little factory. But who uses it? I don't know, but I'm going to wait here till I find out. What happens when you do? Wait and see. For almost 10 hours, Special Agent Daily sat quietly and alone in the dusty loft of the unused building. For almost 10 hours, he waited. For almost 10 hours, he crouched by the loosened floorboards waiting for someone to enter the room below. Waiting to see if his suspicions were right. Waiting for proof that men worked in that room below to defraud the government of the United... Berkeley? Is that you, Berkeley? Darken here. Hurt yourself? Yeah. Anybody see you come up? No, but I had a way till the guards got out of the way. Here. What's this? Some sandwiches. Oh, thanks. You pick up that box for me? Yeah. What's in it? Who's down there? Wait till they turn on the... It's old man Rockland. Those are his sons? Yeah. What have they got in that big box? Haven't you ever seen it before? It looks... Hey. That's the box they use for powder sweepers from the floor. What the devil in it? Look. I'm making grenades with that lousy powder on the old hand presses. Why those... Do you know what's in the other crate they're bringing in now? Look like grenades from here. What floor? Those are the rejected grenades, Berkeley. We have that box you picked up for me. Here. Thank you. What are they going to do with rejected grenades? Hey, is that a camera you thought? Yes. 16 millimeter movie camera. You're not going to take it? Yes. I'm going to photograph Mr. Rockland and his four sons at work cheating the government. I've got plenty to take pictures of down there. I'm glad the hand presses are right underneath. With Mr. Andrew Rockland working them and giving me a nut. Hockland's looking right up here. Probably heard the camera. Turn it off. No. He probably isn't sure what the sound is. If I turn it off, he'll know what's coming from up here. We've got to leave it out and take a chance. It sounds so loud. He's calling one of his sons over. Mr. Daly, if they... Too late now. Mr. Daly there. I'm back on the hand presses again. I don't for sure he spotted us. The son probably told the old man he was hearing things. That's a break. It sure is. Now we're really in business. Say, these are pretty darn fine pictures, Daly. Thanks. There's a shot coming up. There. Two of the patriotic Rockland family packing rejected hand grenades for shipment. Look at the old man telling him to work fast. Oh, he cracks a whip over them. How long do they keep it up? Till three in the morning. My film ran out before then. No, that doesn't matter. You've got enough proof here for any jury. That's all. That's plenty.  What gets me is that a few men like that can hurt the reputations of other patriotic businessmen. Yeah. Just as one strike gives all labor a black eye. They've both been doing an A1 job in this war. Well, I'll leave the film with you. Where are you going? Wind up the case. I've got orders to pick up Mr. Andrew Rockland personally. Like many criminals, Andrew Rockland posed as an ardent patriot. And part of that bogus patriotism was not driving a car to work even though he could afford one. In the evenings, Andrew Rockland drove a car to parties into the movies. During the day when he was a loyal, hard-working businessman, he took the interurban train from his house to his factory and from his factory to his house. At 5.35 one afternoon, Andrew Rockland stood on the interurban railway station platform, waiting as usual, for the train that would take him home after his day's work had ended and before his night's work began. Dad! Freddie! I thought I told you the same. I'm glad I found you. What's the matter? I was afraid you'd let me. It's for heaven's sake. What's got into you? Dad, they're after us. Who? The FBI. What? They're at the plant now. Oh, nonsense. They can't get in if I let them in. They don't want to get in. I'm trying to tell you, Dad, they don't have to get in. Freddie, will you make some sense? They've got words for all of us. They've arrested Pete and Tom and John. Calm down. Calm down. I ducked out the back. They're looking for you, too. Well, let them find me.  Yes, yes, I understand. But so what? There isn't anything they can prove. Not one single solitary thing. And until they get in the old building... They've been in the old building. What do you mean? Last night, one of them was up in the loft, watching us while we worked. Oh, let him try to prove it. But he wasn't alone. I don't care how many... Dad, will you listen? We had a camera with them. A movie camera. They've got pictures of us working. Freddie. It's true. I heard them telling Pete. A camera. Yeah. Yeah, a movie camera. Dad, what are we going to do? A camera. Where can we go? They've got us dead to rights. In every war, there are two battle reels. One where guns are fired and one where guns are made. We have been victorious in this second battle front. Industry and labor have been winning the battle between our factories and in our plants. There have been a few men, a few greedy men, few criminal men who have cried to defraud the government in order to make enormous profits. These men have been caught by the FBI. And if there are any others, they too will be caught by the FBI. Because none of them can run a factory single-handed. They need to have people working for them and with them. People who know that working in a factory today is fighting a war. People who are fighting the war, not because they want to make money, but because they want to win a new world for themselves and all those who will come after them. We'll hear about the file on next week's case in just a moment. Since V.E. Day, the members of the Equitable Life Assurance Society of the United States along with their fellow citizens have been filled with conflicting emotions. We're tempted to rejoice because complete success has at last crowned our military efforts in Europe. But our deep satisfaction in this victory is tempered when we remember the gold stars in the windows of so many American homes. When we remember the boys who still faced death in the far Pacific. We honor the fighting men whose courage and steadfastness have made possible one of the greatest military achievements in American history. But our hearts go out to the parents of those American boys who will not return to the homes they died to defend. So we believe that this is a time for prayer. It's a time to stay on the job, to resolve that we will not relax our efforts until final victory in the Pacific is ours. To that ardently desired end, the Equitable Society speaking for its management, its employees and its 3,200,000 members pledges its unswerving and untiring support. Next week, a crime against society, grand larceny. Used in tonight's broadcast are taken from the files of the Federal Bureau of Investigation. However, all names used are fictitious. Any similarity thereof to the names of persons living or dead is accidental. In tonight's case, Andrew Rockland was played by Jack McFryde. The music was composed and directed by Van Cleave. The author was Lawrence MacArthur, and your narrator was Frank Lovejoy. This is your FBI is a Jerry Divine production. Now this is Carl Frank speaking for the Equitable Life Assurance Society of the United States and inviting you to tune in again next week at the same time, for this is your FBI. This is the Blue Network of the American Broadcasting Company.


I joined the federal bipartisan bring Julian Assange home parliamentary group due to my ongoing concerns about the treatment he has endured over the past decade. There may be a range of views about the actions of Mr Assange and WikiLeaks, which can be debated, but at the end of the day it's not the point. When an Australian is in trouble overseas, whatever the reason may be, it is the duty of our government to help them. It is not for us to sit in judgment. This is a question of mercy and compassion for an Australian citizen who has endured inhumane conditions and has suffered significant mental and physical challenges as a result of his ongoing incarceration due to this protracted battle. He has not been convicted of a crime, but has already served a lengthy sentence. I echo the words of fellow parliamentary group member Labor MP Julian Hill who has said there can never be a legal solution to this case. It is inherently political. We have previously managed to secure the safe return of Australian citizens under difficult diplomatic circumstances and we have a responsibility to do the same for Mr Assange. I called on the previous government to bring Mr Assange home and I call on the new government to do the same.


Welcome back folks, Dow. Dow Industries right now are down 890. You get the Mazdaq off 219. S&Ps are off 90. I guess today, folks, is Boba Karasik. Boba is the co-owner and CEO of Paradise Advertising. Great to have you on TFNN, Boba. Thank you so much for having me today. So, I was just telling you this story, and folks, okay, the bottom line is that this is a funny story, actually, okay? Because when we had the radio station up in Boston, my neighbor, so this is going back to him. My God, I think it's 1989 or something. My next-door neighbor said, I feel so sorry for you because you don't even realize what you're getting into that no one buys advertising. You have to sell advertising, right? That's right. So, you've been very successful. Paradise Advertising is downtown St. Pete, but you have quite a reach, don't you? We do. We do. We're based in downtown St. Pete. We have staff, luckily with COVID, we've been able to expand our team and have them work remote. So, we have 40 team members and we're growing. We'll be at 45 by the end of the summer. Congratulations. But our headquarters and the lion's share of our team, 80% of our team is in downtown St. Pete, which we've been since 2002, and the rest of our team is scattered throughout the state. That's awesome. So, when clients are looking for something, what are they looking for? I mean, we know that everyone's looking for business, but what exactly are they looking for? Meaning, digital versus touching versus, well, I guess, versus branding versus selling. So, it's all tied in, right? One doesn't really mix without the other. If your brand is broken, you could throw all of the money that you want and you're advertising and it's not going to work. And conversely, you could have a great brand and your strategies or your tactical executions across platform isn't going to work. Clients are looking for solutions. Now, more than ever, they really need to understand what is going to move my business and my needle forward or move my brand forward. And that's what we do. Every client is approached independently and different. Every solution is different. Every opportunity and business challenge is different from every client. And so, you and your team, of course, you've got to get really creative, but it must be kind of cool for all these different clients, meaning for your team as to how you have to think that through in order to get them business. Yes, how we get business. Years ago, even last year, pre-pandemic, you would think, here's the annual plan. Here's how we would look. We would chunk it out in little sprints. Now, we're planning 10 days, 12 days, 14 days at a time. Wow, that's pretty cool. Literally, we're in many, many, many sprints. It's not a marathon. It's made up of 100-meter dash sprints these days. And when folks, like if you took your corporate clients, what is the mix that people just want to do a brand versus really get product sold? Well, it's a great question, but it's always both. If you are not constantly always evolving your brand and innovating your messaging and creating different ways to attract, engage, and motivate your consumers to move your business forward, we're not doing our job. So clients may come in needs versus wants. They might say they need this or they want this, but they really might need this. We're going to make sure that we continue to evolve their brand, make it true and authentic to the consumer, new or existing, and then marry in all of those integrated marketing tactics along the way. You have to do both, always. You know what's pretty cool is that you almost sound like a business consultant. Right now, it's just cool. That's right. It's really cool. Because just the question that I asked you was very naive, basically. Do you know what I mean? Because I understand what you're saying. No, it's really cool, meaning that I could picture even myself coming in and saying, listen, I understand what you're saying, but maybe you should look at this, which is really cool. Yes, we don't look at ourselves as an agency or even a marketing firm. We are truly business growth strategists. Right. We build brands, move businesses forward, and drive bottom lines. And maybe that's why you're growing so much, right? Knock on wood. We have a great team. I stand on the shoulders of so many giants at our team. They're the ones that are the brilliant category experts that do all of the heavy lifting. And how did you get into this business? You know, I actually wasn't into marketing at all until I came back for graduate school at USF and went into their mass communications department. And I had an internship with a gentleman who founded Paradise, oddly enough, at a different agency. And he was the one that just pulled me into the business, got me hooked on being a marketing leader. And all these years later, three and a half, four years ago now we acquired the agency from him. So, you know, I'm passionate about people and I love building community, impacting communities. It's very purpose driven. So my career has been a meandering path to get where I'm at and I wouldn't change a thing. And that's how I think most of us are, which is really cool, because that gives you the experience to be where you are right now. So, when we're looking, are there different, like between finance, between retail, what is, is there a bulkier business that you just spread right out? Great question. About 80% of our clients are in travel, tourism, hospitality, right? So, and that's always, that was how the company was founded. And that's always going to be what we call our bread and butter. Okay, cool. However, because of my network and my husband's network and many of our other, you know, new business opportunities, we're going after, we just, we work in healthcare. We have two healthcare clients, hospital and fertility. We have worked with consumer package goods, retail and other channel marketing opportunities. And, you know, we're just nonprofits. You know, we're just, we're very fortunate that our team, whether we sell tennis shoes, tacos or tourism, it doesn't matter. We, we are applicable and we move brands and businesses forward. Well, you have a great name. And, and I'm not, I'm not saying that just because you're here.  But I've watched your brand, right? I says, well, how'd they get so big so quick? Because you guys really did, you know what I mean? I understand you bought it off the other guy four years ago. But you still accelerated up. I mean, and it's very tough to do. This is a very tough business. I mean, because you're going against, what, those guys from London, they bought everything.  I'm dealing, you're dealing with like companies that have billions of dollars. So you, it's pretty cool, man. We're very, we're very cool. And I also think, you know, running a small business, right? And you think 40 people is not so small. But in the, compared to the big boys, it is, we're more, we're less like a cruise ship, we're more like a cutter. Nice. So we're moving quick. That's good. And we can adapt and change. And there's just, we get from point A to point B pretty quick with our client campaigns. Well, I can patch it. 10 to 12 days to change gears is great. I mean, because I can tell you from dealing with just the larger clients we have, we're talking three months. I mean, we get everything that far ahead. You know what I'm saying? But that's really cool, man. Because that's what it takes. It seems that's what it takes digitally. I mean, things are just like this, right? That's right. And especially in the pandemic, and we're not out of the pandemic, so we're constantly evolving and changing our messaging, the narratives, the strategy, the targeting, the retargeting, all of that. And our team is just, they're smart, they're data-led, research-led. And you follow the data. And as we say, data is dollars, as you know. The data is the big deal. That's right. There's no doubt. That's right. You're getting into the... Well, the travel's coming back. Thank God the travel's coming back, right? Because there are so many people employed in travel. And so many small businesses employed in travel, right? That's right. I mean, there's a huge amount of small businesses that make a good living, whether it's safaris, whether it's, you know, around here in Florida, it's great. I mean, I'm going to Crystal River for the week next week. Do you know what I mean? Good. I mean, it's like... And it's right next to us, folks, okay? And it's totally right next to us. Well, listen, folks, okay? You need some help in advertising. And this would be no matter where you are in the country, really, right? Our clients are all over the country. Totally, okay? Yep. So come over to Paradise... I said Paradise.com. I'm sorry. Paradiseadv.com. ADV. See, I'm going to go to the eye doctor next. It's Paradiseadv.com, okay? Bottom line, you can give Barbara a call. She'll set up her team, get you going, and I can tell you folks from down here, it's the first time I met her, but I watched this company grow, and it really did grow exponentially. Thank you so much. Congratulations. Great community. Appreciate you coming on. Look forward to having you again. Likewise. Thanks for having me. Thank you, Barbara. Thank you so much. Stay right there, folks, so come right back.


One of the most broken fighting game characters of all time was U.I. Goku and Dragon Ball Fighters. So what if I told you a group of fans made a mod where every character is even more broken in Dragon Ball Fighters and they decided to give U.I. Goku a stand? Yes! This is truly Goku's bizarre adventure as this stand is fully capable of fighting on its own separately from you meaning U.I. Goku is always fighting 2v1. This special is so busted that I decided to come back to Dragon Ball Fighters Rainbow Edition just to see how broken Ultra Instinct Goku really is. Let me explain in detail just how broken this move is. So obviously with Goku, I mean they had to just go ahead and make all of his moves better so when you hit medium you'll actually just cartoonishly stretch into a giant version of yourself because why not? This is normal go- Yeah, it's uh, that's just U.I. Goku for ya. So obviously U.I. Goku can even flex harder in Rainbow Edition. I let me hit level 3 and then just, you know what? No, I just want to drop that combo actually. I don't want to talk to him anymore. You can even pose? Look at me standing in my level 3 super just to hit him again. It doesn't actually connect. You have to do it a little better than that. But that could technically work maybe. But really with U.I. Goku the thing that made him so crazy in this mod and definitely my favorite character in all of the Rainbow Edition is this little super right here. A clone of U.I. Goku, a stand of him even that has different commands depending on what button you click to use him. So if I hit light with him, he'll attack from the front with a double dash, fully autonomous. If I hit medium, he'll attack from behind with an array of punches. Heavy, he'll just full on blast the guy like that. Special, he'll just do his level 1 super for free. Yeah. And by the way, all of these things can be comboed with me. So here's my level 1 and his level 1. Actually insane. So if you just want to hit him with an array of attacks like this, you definitely can. So I'm going to try to go through Arcade mode today with just U.I. Goku. I'll have a team behind him, of course, as well. But really, it's just going to be U.I. Goku, I think. All right, we're entering stage one of Arcade mode. We've got five stages to go through here. Will U.I. Goku be enough? I also brought two CSS. I had to tell him, listen, I don't plan on using them, but if the going gets tough, I'm going to start cheating. Pose on him, U.I. Goku. Oh, breathe in a whole galaxy worth of air. Oh, you know that's fresh. I don't even know if it's just Ultra Instinct. This about to be cheap. Also, my auto combos are overhead. It doesn't really matter because look at the way I cartoonishly stretch on him. Me, me, me, me, me.  Hello, my honey. How did he block all of that? Open up trunks. Hey, it's me, Goku. Hey, it's me, Goku. All right, you're taking too long. Clone! How? Yeah, he had to get opened up eventually. All right, I triggered a cutscene which made my clone go away, but that's fine. We can just call him back out. What? Fatal air of the game? Cri- He's too good. He's too good. Goku broke the game. I'll be right back. Okay, now the awkward walk back to arcade mode here. No, I'm using a broken character, but I don't know why I had to do that to me. You got lucky last time, trunks. You're not going to escape this time. I'm about to stretch all of it.  He did the Kamma Breaker. He did the Kamma Breaker like I care. You want to go Kamma with this guy? There we go. There we go. Let's go. Let's go. That's sick. Pose on him. Pose on him. Pose on him, Goku. There we go. Look at us. The double stand. That is so sick. This move is crazy cool. I don't know why this isn't an official move in the game. Counter super. I'm sorry. Counter super. I'm sorry. Where do you think you're going? And you know what? That was all. He'd know what he just broke it. He just combo broke my super just to get hit by it again. Bro is in shambles. Cancel it. Cancel my own super just to flex on him again. I canceled my own super just to flex on him again. And you know what? I'm not above doing it thrice. If it was so nice, I did it twice. Why would I not just do it three times? Why would I not just do it three times? I'm UI Goku. I can't do it three times. I see why I see why I wouldn't. Counter super. Counter super. And just like I thought. Oh, and I back dash cancel out of it. Oh, you know what? I can actually counter super and catch him. Watch this. I'm going to back dash and catch him. Tell me this isn't going to be sick. Back dash. Oh, I missed him. Go ahead. I'll throw him up in the air again. Oh, sorry. Go on. Block this. And he didn't. So you know what? I'll just cancel it for him. It's all jokes. Go on. It's all jokes up and the game crashed. Okay. So at least I got to realize that I use the wrong Broly, but I think right now all I need to do is just win before the game can crash with UI Goku. That shouldn't be too much. What is that? What is it? Boom. That's actually unblockable in this mod, by the way. They had to make that move even better than it was. Don't run trunks. Don't make it any harder than it has to be, son. Oh, look at the Zamasu CS-ist, by the way. He sets up Blades of Judgment with the CS-ist. This mod is crazy. Don't let anybody take- Oh! Oh, the key blocks there's so much damage. That is so cheap. No scaling on that? Why not? That's doing like tens of thousands of damage for no reason. Anyway, Gohan, I really don't want to talk to you right now.  Don't try to cancel the combo. That's embarrassing. Oh, look at this loop. I'm using my stand power to keep him in the co- Oh, my gosh. I'm using my stand ability to keep him locked in there so I can just use my normal one. Hurry. If we can beat this, we can get past stage one. Oh, no, no, no. Don't hit me. Don't hit me. Don't hit me. Damn. And another level three. And, okay. He hit me with two level threes just to cancel both of them. I don't understand. No way he hit me. Clone. Let's go. Oh, he hit me again. Oh, my clone got destroyed again. Counter-super. Where are you going? Clone again. And my clone keeps getting hit. Wait, my clone's still here. Oh, lock him away. No. This is my eighth time reloading it to the same arcade mode lobby and I'm going to just speedrun. I'm not going to do any flexing. I randomized my whole team. All I'm going to do is speedrun this. I will keyblast cannon all three of these bots if I have to. All right, Trunks. No funny business this time. Oh, Trunks, stop. You're going to crash the game. Trunks, you're going to crash the game doing all this. I'm just chasing him up. I keep jumping with him. This is broken.  All right, come on. Come on, Trunks. We're going to school. He can't block it. I'm just going to keyblast him. My game needs this. I need at least one round of rest. Trunks, open up. I'm punching the hit. There we go. There we go. See, my game won't crash. If all I do is spam the same move, my game loads that in. All right. Now, Gohan, I'm going to do the same thing to you. Don't cry about it. Don't complain. Just let it happen. All right, I'm just going to run in on him. Gohan. It's unblockable, Gohan. I told you. I told you not to do it. Oh, counter super. I'm different into a level three. I'm just that different. And I can't sell my own level three just to look cool. Auto cop. Damn, your Goku did not care about that berry at all. 18s at barracks. Never mind. I'm out. You know what? Let me see what Shenron's up to. Can I see what Shenron's up to? Can I just see what Shenron's up to real quick? I just want to introduce, where did my, how do I go into my auto combo? My auto combo won't go. Goku won't auto combo. All right. You know what? I'm debating it with every super God in the book. Sorry. Yeah, to see that. I reflect those. I can't believe you even thought that would work. We're almost around one without the game crashing. This is it. This is it. Should I use my clones for the finishing blow? Never mind. I already won. Game one on the arcade mode goes to UI Goku after many, many resets. I back dash out of my own cutscene. That would be sick. I want to back dash out of my own cutscene so bad. You're just as strong as ever, Vegeta. Vegeta didn't even touch the field. Oh, we're going up against yet another Gohan, huh? I forgot that I stretch out like that when I did that move. Unblockable, by the way. Don't run. Oh, 2H was missed. 2H was not a miss that time. You know what? It didn't crash my game the first time. So I guess I'm just going to have to bring out my stand. My stand is the most broken ability in the world. Oh, I got hit. I got hit. I got hit. I'm going to bring back my stand again. I dodged that. I dodged that. Yeah, I'm literally behind him. Nothing personal, kid. Classic anime. Also, I'm getting killed. I think I broke the combo. You know what I really want to do? I want to do my stand super again. Oh, just me and my clone doing kamehamehas together. Just me and the bros doing kamehamehas. Oh, just me and the club. Damn, look at us go. That was disgusting. That was actually disgusting. Look at these long legs. Damn, do those legs go all the way up? Uh-oh, I'm dead. And the game crashed again. I have no data on this arcade mode because I can't beat it. I just need to beat it once, please. All right, U.I. Goku, we have one job and one job only. Play good while not breaking the game. Oh, that was sick. Okay, nope. Just break out of that. I don't know what it is about U.I. Goku. It has to just be that insanely overpowered clone. Oh, did you see how fastly I walked? Fastly? How quick I was able to walk away out of that. Just thanks to the high walk speed. I'll land a Dragon Rush or 2-1. I'll back him into the corner. See what I can't get away with here. Oh, don't even try it. I'm a level three. I'm a level three just to say I did. Me, me, me, me, me, me, me, me. And then, you know what? Throw him into level one as well. Yeah, go, go. Oh, that looks sick. That was sick. You know what? I, this wasn't a part of the, this wasn't a part of the, oh, and there I got hit by what? Level three from Trunks at level one from 18. What's happening? Please stop. Stop. Where am I? Oh, I was, I, what, what, who am I fighting? Get down here, 18. 18, you're going to break my game again. I need you to get down here. Stop, stop right there. Oh, the level five. I'm going to cancel level five. Chila, you better call them Dragon Balls. Watch this. Watch this level five cancel. Oh, I cancel it. Just kidding. Damn, oh my God. I'm carrying her on the whole lava stage with me. Oh, damn. Here goes again. The lava stage is gone. Uh, just kidding. Just kidding. Cancel it, cancel it, cancel it. Up, now I'm Uaigoku again. Do you know the game can handle all this but can't handle my clone? That's because the moves busted. Yep. Don't mind me. Just doing my favorite technique again. I'm trying to beat this arcade mode real quick. 18 has almost been dealt with and I think I'm just going to spam level ones. Why not? Oh, I just canceled my own level one. Oh, it dropped. Oh, I missed again. Whoa, whoa, whoa, whoa, stop. Ha, ha, ha, ha. Back up into air palm, friction fist. It's just that easy. Up, up, up, go. Get off me. Get off me. I was just trying to use my heavy. Stop. Oh, there it goes. Damn, I was just trying to cancel my heavy. Stop, stop. Oh, look at the hitbox on that, that jumping hit. Okay. Don't do a level three. Go on. Just, just cancel it. Thanks, man. Appreciate you. Now that move is busted and does a lot of damage. That's the new speedrun move. We found it. We found the new speedrun move. I'm going to start off and there it is folks. That is the strongest move in the game. Let's go. Moving on to stage two and my game is still in working order. Next time the game crashes, the video just ends, but I won't let it happen. I'm going to use my clone so sparingly, you're going to forget that I was even talking about it. Just remember, I know the move is good, but resist using the clone. Resist using the clone. The game doesn't need any more reason to break.  Look at the damage. What is that damage? I might actually be able to speedrun arcade mode. Damn. He just died. He just melts. No wonder the clone breaks the game. The clone does that move all the time. Oh, he almost died. He almost died. He better save those combo breakers. He better save those combo breakers when I'm done with them. Don't get hit by this trunk. Drunks, don't get hit by it. It'll be nobody your fault. Oh, he's actually not. He's actually taken my advice too well. And there it is folks. There it is. He made the mistake of getting hit by UI Goku and Rainbow Mod. He's dead. Don't ever get hit by that move ever again. What? He just broke my... He still got hit. He broke the combo, but he couldn't break away from his fate. Done. He's actually just done. Sit him on the ground. Let him know. Thanks a lot, Master Roshi. He didn't do anything. Master Roshi did nothing that entire game. How was that just in A? Oh my God, I punched him one time and he broke the combo. Okay, I'm not going to lie. I'm going to spam the move again. But this time I am going to use... I'm going to use the clone. Okay, I miss it. But I'm just going to trust that the game won't break. The mod will hold out. I'm sorry it had to happen so, but... It's so easy. It's so easy. But now, I'm going to summon the clone. We're going to do it twice as fast. Go! I lost my clone immediately. Goddamn. Every time I use the clone, the game breaks a little bit more. So I have to be careful. But I am going to do it again. Nope, I messed up. All right, we hit this. So I'm going to save the clone for 16. Never mind. I dropped the combo. I'm going into the clone. I just... What the... What the... Oh my God. And there... I knew it. I knew... As soon as I did that beam and cancel it, I knew I was crashing the game. Damn it. UI Goku is too strong and rainbow mod. Well, uh... I guess this means only one thing. I couldn't beat Arcade Mode with UI Goku. It was too hard. The game won this time, but I will be back if you guys want more mod videos and Dragon Ball fighters. Just make sure to subscribe, hit the like button, stick around, and I will see you in the next video.