We're here folks finally after eight months 21 or 22 episodes tons of voting tons of comics feuded the final episode four movies go into the ring Iron Man Captain America Civil War Spider-Man 2 and a final movie that I can't remember The Dark Knight how do I forget because this isn't scripted that's right as a bonus and we've done some fun things during the comic book bracket keep in mind we've done some fun things I've fought future and past versions of myself we brought back the rose colored glasses feature we brought back the pun counter I traveled back to the past so I didn't have to reshoot an episode and feud the fantastic four movies again because they suck and what are we doing for the final we're doing a live off the cuff episode unedited of movie feuds I hope to hell this works out let's roll the intro on the TV because we're not cutting away from me baby way off on my time I'm gonna say the round is starting now I hope that syncs up with the TV if it doesn't I don't care this is this is live this is real time so the cast where do we begin spider-man 2 has Tobes my Toby McGuire my my beautiful precious Toby RIP we'll never see you a spider-man again unfortunately is he's the superior one in my book we'll see how Holland does but Garfield can just go away I like the I like the kid but but come on Toby he's the real deal who else do we have in this J Jonah Jameson played perfectly by the actor that also has a name and initial and another last name and I forgot it so I'm just gonna move on we have the redhead see what happens when I go off the cuff I don't have the names that I have to look down on the script Kirsten Dunst she's whiny yeah she gets in trouble a lot yes but I still liked her I still liked her a lot she was easy on the eyes she's a very good actress believe it or not even though these the spider-man Sam Raimi films are kind of cheesy tongue-in-cheek but it's intentional and she really works and it's believable chemistry I thought that the Garfield movie with Emma Stone Emma Stone is a national treasure don't get me wrong but their relationship just didn't feel real to me it felt real with the Raimi films let's move on to the dark night we'll go back to villains at the end that's what I usually do I'm gonna slow down I'm gonna take a breath I take a beat I mean I feel like I'm just racing through this and this is the final final comic book movie bracket episode dark night I mean the the superior standout is Heath Ledger of course as the Joker you know there's gonna be the people the haters or the people that are like he's overrated he died that's why he's a big deal I beg to differ go back and watch the dark night right now his performance is incredible it is up there amongst the best hop tier villains of all time I can't I can't even put more than four or five in front of him if even that I mean Hans Gruber always jumps out right away to me Dr. Evil from Austin Powers is a favorite of mine because he's just characters that stand out no he wasn't really the traditional Joker of what you think Looney off the wall but he made it his own and it really worked Batman Christian Bale has never been my favorite that's always gonna be the thing that makes me look back on the dark night and go everything is so good except for Christian Bale I just can't get past his ridiculous voice Lucius where is she where's Rachel and his mouth's always open because he couldn't breathe through the nose holes and ever get a Batman suit right Michael Keaton couldn't turn his neck so he had to go like this I don't know and don't even get me started on Affleck's spatsuit it's ridiculous it's just absurd and my voice cracked a little bit not gonna get water now I'm gonna keep going I'm gonna press through this two face by Eckhart Alan Eckhart is that right something that guy is weird because he's a good actor but he's also in a lot of B movies so I don't really know where to place him in this he does really well it's a shame that and I always go back to this as a hang up to for the dark night it's it builds the character so well from Harvey Dent to two face it's such a shame to see that character arc just get wasted in the final act he just turned into two face give him another film you know bring him into the third one in dark night rises I just thought that was a wasted opportunity for a brilliant performance and a great character my brushing bled blind see unscripted my my brushing my blushing bride Katie Holmes nowhere to be found in the sequel did they ever really say what happened there either some people said it was a conflict of interest for Katie she had other things going on some people say that she wasn't asked back Nolan didn't like her regardless it always it always is jarring when you change characters mid trilogy I didn't like when they did that with Rhodes character and Iron Man 2 and the the sequels although I love Don Cheadle it's still weird you get that you get that mix of characters and I just doesn't feel right to me doesn't feel good in my tummy what else you know Dark Knight's got a superior cast they got so many good actors Morgan Freeman the English guy who's in every Christopher Nolan film I'm on the spot so I can't think of his name maybe it'll come back to me he's the butler he's Alfred Michael Cain god damn it Michael Cain we're moving on what's next Iron Man we have Robert Downey Jr. who basically brought comics out of the ashes and into the real time blockbuster spectacles that make billions of dollars I credit X men for really doing it well and really giving them the prestige there and then Spider-Man of course came and really blew things up people will go back and say Blade started it let's not do that okay Blade was a great movie Wesley Snipes was awesome but that didn't tell people this is a comic book movie let's get really excited about comic book movies no it didn't tell studios that either X-Men and mainly Spider-Man I think was the real wake-up call but Robert Downey not only continued that trend but he made it so that Marvel was just a giant monopoly in the industry basically if it's a Marvel movie it's gonna make a lot of money and people are gonna see it and that's mainly because of Robert Downey's performance as Iron Man then we have Pepper Potts and I don't care I never went with what if Paltrow is okay if she's not my favorite like I said you have Rhodes the Rhodes War Machine Iron Patriot Rody Rowdy I can't remember the the initial actor's name but he couldn't come back because he asked for the same amount of money as Robert Downey I believe that's what the the articles have said to me so I believe that because I believe everything I read on the internet who else is in this I'm taking another drink of water find a little bit of a cold to I'm just I'm just talking fast and loose no editing unscripted this is real time this is what people have asked for in the past like just talk off the cuff Adam what could possibly go wrong well I don't do jump cuts that's not my thing I won't do it I refuse so if things go wrong they're just gonna be put in I'm not cutting away either because I want I want you to know that this is real time there's no cuts although side note my camera it's digital recording of course so after every 30 minutes there was a slight little hiccup when it switches over to the next 30 I don't know what it's doing it only captures 30 at a time then it does something magically internally but all I know is when I edit I will see that frame shift and it'll just be like like a little jump so you might see that little jump somewhere in here and you go all he edited that no I didn't Cameron that's just what happened to the digital footage because this camera is not very nice Cameron anyway back to Iron Man the villain comes in in the third act I'm not a big fan of that hole the third act of Iron Man is where things kind of go a little too cliched superhero I thought the first two really built but that's for story we'll get there I don't everybody else I want to talk about Iron Man let's go with what's the final we always civil war Jesus Christ this is already running long what do we write 11 minutes Jesus fuck no it can't be that long hmm I'm fighting a cold I don't I only want to do this there's too many people to name off you have Scarlett Johansson Scarlett Johansson I can't even there's just too many I'm gonna stop there Robert Downey the Chris Hemsworth no Hemsworth's not in that one Thor's not there Captain America Chris Evans there's too many Chris's in the Marvel industry Don Cheadle fuck there's just too many okay we have Ant-Man in there we have Black Panthers in the mix now Spider-Man cameo there's just so many favorites up on the screen clashing swords clashing shields nobody has a sword but someone should it's it's quite a sight to see my one of my other brides Black Widow she's in full form there she's in full dick throbbing mode with her short skirt and her magic and her tricks I like all of it I like everything shit that she's doing visions there I don't have anything else to say let's move to a round two story that goes up on the TV next to me back back cracked you probably can't hear that but it it felt pretty good story where do we begin the Civil War or Civil War I've joked many times how it should be a should have been called a civil dispute or a small hang-up a little misunderstanding because it's just not the scale of a war when you have a war in the title you expect something huge not a fight at the airport that's that's what it is it's the Muslim ban it's a fight at the airport and it needed to go bigger than that it needed to go global for a war but but it was a it was a good premise I believed it I guess I believed the misunderstanding I just wish it wasn't called Civil War I get that they're playing out the comics and whatnot but I expected like a two-movie featurette somehow it goes into space or shits blowing up in another country and you know there's guys fighting over there there's guys fighting over here and everything's just coming to a head and there's just hundreds of superheroes that are in the mix but we did get Black Panther he was well introduced I like that the villain was downplayed and he was a more of a puppet master who got Stark and Captain America fighting against each other Bucky was fun to see back as a winter soldier there's a lot happening it's it's it's a big film yet it's it's it's not you know it's two and a half hours there's a lot going on but it's all still kind of very contained I really liked Captain America in this one I loved how he went rogue and he's doing his own thing and when the film ends you still get this kind of sour note the sour taste because him and him and Tony Stark get each other but they're not on the same page and I'm excited to see where that where that goes from here I still think they should have killed war machine that was a there's just no stakes and that's that's the big problem with Civil War and that's where the Dark Knight really shines because there are stakes and I mean they fucking kill key characters you know Rachel dies which once again like I knew Katie Holmes from the first one seen or die in this one I was still getting adjusted to the character switch but I was also it was it was ballsy of them to do it I did not expect them to do it usually Batman can figure out a way to save both people save the day make everybody happy but not here it was it was grounded it was gritty it was real and it was it was just a treat it's a little long little long for me Christopher Nolan's movies are though it's I guess it's very hard for him to make a movie under two and two hours and some change and I'd like to see a nice hour 45 minute film from him that's just a hang up I have with the director he's still brilliant what else Iron Man it started at all for Marvel I liked that it was very very smart and it was different you know he goes to the caves he has to build a suit it's not really and I like that he introduced to everybody in the world he's like I'm Iron Man fuck you I'm not keeping this a secret this is who I am you know you see so many of these superhero movies where there's they're keeping quiet they tell one person and by the third movie maybe three people know and all I can't relate to that at all all I'm thinking is if I can fly or if I can punch someone through six buildings I'm gonna tell everybody I know so I guess that's why I'm not a superhero that's not why I don't have that power because you have to have you know responsibility when you get that great power Spider-Man taught me that and Spider-Man I guess that's a segue because I love the story of Spider-Man in Spider-Man 1 but we're debating Spider-Man 2 which isn't as good if you ask me but you didn't you voted for Spider-Man 2 so we're going there Spider-Man 2 still considered one of the best superhero movies of all time that's why it's on this list and for good reason you have Dr. Octopus who also awesome villain up there in the top 10 for me maybe top 20 maybe I'm being generous because I'm on I'm in real time I'm spinning a bunch of bullshit out of my ass he is great though and I like that him and Peter Parker are friends they have a connection they're both brilliant minds and I like how at the end there isn't even a big battle it's more of a realization the chip gets fried he's there a weathered man disheveled lost everything everything is literally collapsing around him physically and mentally up here so he takes one for the team he ends it and and it has one of the best acting moments in any superhero movie and that's from Kirsten Dunst the moment she realizes that Spider-Man is Peter fucking Parker the look in her eyes the face that she gives is brilliant acting go back and watch it if you don't believe me it blows so many other moments out of the just out of the water it's it's fantastic I'm gonna move on to action effects I feel like this is just going just ridiculously long yeah 18 minutes wow 18 minutes I don't know actually it's it's less than that it's probably more like 14 minutes because I did record and test my audio and do a bunch of stuff so this it's probably more like 14 right now either way it's getting very long not action effects we it's action or effects in music bring that up on the TV effects in music and we're taking another drink of water hmm that's just disgusting it's just a lot of phlegm a lot of a lot of bad stuff in my system right now we get done with this and find out my audio in fact didn't work and this whole thing is for nothing hmm effects in music this is gonna be a quick one because I don't remember the composer's names on a lot of these movies I know that Danny Elfman did spider-man it's still probably top five best comic book superhero movie score ever Batman from back in the day the Michael Keaton films amazing but the Danny Elfman score is that's just a treat the opera song music flying around the city is very patriotic we get some nickel back in there at some point just to make that score even cooler maybe that wasn't a good example Chad Kroger is a Canadian treasure though let's not let's not move past that let's not ignore that Hans Zimmer dark night a lot of booming thunderous low noises that rise up to peaks I criticize Marvel films a lot for the music because I look at movies like spider-man and pretty much every Batman movie score which is always amazing and I think do that Marvel why aren't you doing that and Marvel does have good songs good music but they're not great they may be great later when you listen to them you know at your desk or in the car or whatever you kids do but when you're masturbating but they don't sound great in the movie when I watch spider-man I'm just instantly my ears are just loving the taste of that sound as he's swinging around kicking ass but in Marvel everything's so drowned out the music so drowned out because there's so much happening in the foreground you don't get to really appreciate it I look back in movies like Jurassic Park Jaws Star Wars those music help tell the story and I just don't see that in Marvel which is would also missing an Iron Man and even Civil War Iron Man does have AC DC so that helps a lot what else I'm like kind of bringing up a burp clear my throat I don't know is why did I do it this way is it lazier to unscripted absolutely I guess I answered my own question thought it'd be fun too but here we are as far as effects go spider-man has a very comical feel I think it works extremely well the first one or the second one maybe less corny can't be the first but it still has definitely has its moments I like even the horror aspect of it that Raimi throws in where the machines are killing people in the hospital it's very dark can we talk about the the biggest moment and probably any superhero film which is spider-man kicking the shit out Dr. Octopus exchanging blows on the subway station as it's flying down the city my favorite is when he jumps off of it he shoots a webby skateboarding for a second on the ground goes back up there's moments like that sprinkled throughout but that moment that three or four minute action segment is phenomenal and then it ends with him pulling up the windows of the buildings as he stopped being in the train and everybody lifts him up hoists him in the air their hero and just gives him his mask and lets him go on they get it city's behind him so my team Toby all the day all the day all the day damn it Adam stupid Dark Knight's practical effects it's a practical movie I mean as practical as you get when a man dresses up as a batch and fights crime they flip semis over in real life for real for realsies he drives that awesome motorcycle thing the bat pod but but but but but I mean this is running long can I just be done we know these movies okay we know them I've already talked about them why are you making me redo this again you're just gonna vote anyways half you aren't even gonna watch this why would you you know what you you know what you like I don't need to tell you what you like sorry for getting upset I mean I have two things left civil war let's be honest the air the airport scene is the movie there's other moments you know and when Tony Stark fights fuckhead at the end when they go shield to blasters what why am I forgetting Captain America's real name the hell is it Stevens even Stevens Stewie I don't know Steve Stevens I think or something with the s Samson Swanson Slappy Samsonite that airport scene though it's like seven or eight minutes long maybe it's longer I don't know it goes on for a long time and it is oh man I love it love everything about it I'm excited for the next Marvel films when they fight in space for with the Guardians of the Galaxy and the Infinity Wars or whatever the hell that's gonna be called Infinity Wars Infinity dispute it's gonna take place in a schoolyard with all these people and it's gonna be over in 20 minutes the fight will that'll be Infinity Wars part one and two if it's even still a part one and two I'm rambling now last movie Iron Man not not the greatest in action there's some cool parts like when he shoots the you know the tank and he walks away and it's all badass the final fight though I'm not a fan of it that's where the movie loses me the of the bad guy has this giant rocket ship suit that he just constructs overnight and he knows how to fly and control better than Downey to then start no no no believability lost let's conclude conclusion comes up you know I'm going like this but I actually think because it's mirrored the TV when I go like this the TV is gonna be on the right side so I'm actually I've been pointing to the wrong the wrong way the whole time my god this is a fucking disaster in conclusion if I had to pick a winner myself which I do by law is my channel is my show I have to put my money where my mouth is that is really tough I'm not gonna say Iron Man that's out not gonna say Civil War either it's it's fun it's fine I wasn't blown away like a lot of others were I think it's a it's a nice film it's really it really comes down to Spider-Man 2 and the Dark Knight for me at the end of the day Spider-Man 2 is a better superhero movie I think it just it's just more superhero-y you know Batman is a brilliant crime drama action movie that happens to have Batman in it I think the movie could have got away with just being a normal film with a crazy guy that was like the Joker but it's man never thought it would be so hard to pick a fucking winner I gotta go Dark Knight I just have to I I like Spider-Man 2 a lot it is it definitely deserves to be up here real talk if I had my way it would have been X2 up on this board or Days of Future Past you can laugh all you want but I'm an X-Men fan and I think X2 and Days of Future Past are brilliant comic book movies I think I take X2 over Days of Future Past honestly because I just can't stand mystique in Scar Joe form not Scar Joe not Scar Joe I'm sorry I apologize Scarlett Johansson at you the other the other abbreviated actress she's just so down-to-earth and edgy and I don't need to listen to no man the hell's her name Jennifer Lawrence Jay Law I got there how many mistakes that I make this episode someone keep count please and then let me know in the comments if you're still here and watching all right I've given you my piece Dark Knight's my winner now we want to hear from you comment vote subscribe for your favorite comic book movie of all time and I'll tally him up baby and I'll let you know the results in a week or so maybe two weeks we'll see how I'm feeling all right thanks for watching and hanging out with me and remember this is more than just reviews this is movie feuds wow oh my god 27 minutes maybe it's only 20 when it's all said and done Jesus


to me speaking. So I literally just finished the page that you're about to see and realized there's some footage missing because I forgot to turn the camera on. So I'm going to do my best to show you what I did with what little bit of footage I do have. However, I thought you deserved a little bit of an explanation here at the start. So I broke out some more inks that I've had in my stash for ever. This particular one being some Sumi ink. I got out a couple of round brushes, a big one and a small one. One second. These. And I decided to try messily painting a face on the page with absolutely no plan. I have a sort of a reference photo to my left, which you can't really see on camera, which is fine because it really was just to suggest shade and light. And the painting came out completely different than the reference photo, which I'm actually okay with because I love the way this came out. And I just loosely held the brushes by their tip. I didn't have a good grip on them. And I swirled them around the page, trying to suggest the shapes of the face on the page.   And so we'll take it from there and I'll show you a little bit of footage I have. Play, explore, be free with your art, make a mess. Don't be afraid to make mistakes. And yeah, have fun while you're doing it. All right, here we go.


So hello everybody This is about proofs of work for blockchain protocols. Oh So my name is Juan Graham in the process of moving to Texas A&M And this is John work with Aguilos Kiyas and your ghost by nacho tacos So I mentioned I'm moving to Texas And it turns out that your girls is from Sparta in case you didn't Know so don't mess with us Except except that Aguilos is originally from Athens Where all the you know artists? Philosophers sculptors Are but that's okay all right, so We're talking about proofs of work It's a very powerful notion introduced by Dorgna or a while back and It's been also called moderately hard functions cryptographic puzzles, but it can be formalized as a Predicate to argue and pray to or more argument predicate one of which is the useful stuff Come on Okay, there's a useful stuff that you would like to prove something about and the second one is a You know witness, which typically will take a long time to find Okay, so this search is takes a long time. It's exhaustive search for example and Verification is easy. So that's an abstract view of proofs of work And it turns out that it's being used in the original formulation by no for spam mitigation There's also an important formulation again for again civil attacks. That's a civil up there and this is important in my From my point of view because this is one of the first. This is pre Bitcoin one of the first solutions That's suggested to use proofs of work to tame the computational power of the adversary Okay, and some other applications But arguably the most impactful current application is in the design of blockchain protocols such as Bitcoin Also after actually represented like this where the proof of work is a tool to chain You know blocks and here you have a condensed history some new stuff Some witness and you have to hash all this To make it smaller than some target difficulty value Okay, and in Bitcoin this works something like this all right, so as It was mentioned by Christian before there's a fundamental tool in what is called permission less Blockchain protocols and the intuition is that this tool, you know slows down everybody gives a chance to everybody to you know Install useful stuff in the ledger in the blockchain Okay, this has been formalized This is this has been analyzed by a few works Except that the proofs were done in the you know random oracle model in a direct way what we do in this work is Formulate this power primitive that implies, you know the security of Bitcoin in the standard model and This is a little bit of a too much but essentially we have you know In some sense is primitive resembles and non-interactive proof system and also a signature and you have some Prover and a prove and a verify algorithm Notice that the prove it works on a message the stuff you want to prove something about and some randomness some key Okay, and you you have the expected properties that you might have like completeness and T Verifiability meaning that can be verified in short in a short time But these other mouthful properties have to do with Okay, I'm more to such a resistance meaning that you have a bunch of proof that should not help the other side to produce produce faster And also what you need for blockchains is some rate of success by honest parties and then store All right, so we do that and then we show that Bitcoin implementation You know Realizes this definition and we show another you know the bit going back on protocol with the security reduces to power And this is in the imprint


Now, as gunshots echo across the windswept snow-covered reaches of the Wild Northwest, Quakerpuff wheat and Quakerpuff rice, the breakfast cereals shot from guns, present the challenge of the Yukon. It's Yukon King, swift as the strongest lead dog of the Northwest, placing the trail for Sergeant Preston of the Northwest modern police in his relentless pursuit of lawbreakers. Gold, gold discovered in the Yukon, a stampede to the Klondike in the wild race for riches, back to the days of the Gold Rush, with Quakerpuff wheat and Quakerpuff rice bringing you the adventures of Sergeant Preston and his Wonder Dog Yukon King as they meet the challenge of the Yukon. Say, are you game for a dare? Then tomorrow morning, try a breakfast of Quakerpuff rice or Quakerpuff wheat topped with milk and fruit. Boy, I just dare you to say it doesn't hit the spot. These ready-to-serve king-sized kernels of premium wheat or rice are shot from guns. Yes, Quakerpuff rice and Quakerpuff wheat are actually exploded up to eight times normal size. That's why they're so crisp, tender, delicious. Tomorrow, just you try this breakfast treat, Quakerpuff rice or Quakerpuff wheat. It was summer in the Yukon. Old Hank Miller, owner of the Selkirk mining company, sat in the living room of his home outside of Selkirk with his foot propped up on a footstool. He was talking to Dave Small, cafe owner and part-time lawyer in Selkirk. I asked you to come here, Dave, because I got a legal job for you to do. I want you to fix up a will for me. A will? Just because you got rheumatism in your leg don't mean you're going to pass on. Oh, I don't aim to pass on yet, Dave. I just want to get this will business settled before my son gets here.  That's right. I didn't know you had a son. Are any other relatives for that matter, Hank? Surprise, eh? So will a lot of others be. Where's this son you speak of? Well, he's been back east in the States. Fact is, I haven't laid eyes on him since he was a baby. Well, what do you know? How'd that happen? Eh, let's see now. It was almost 22 years ago that I said goodbye to my wife and newborn son. Went west to make my way. Mamey died and the boy was raised by her maw. I expect he's quite a man now, Dave. Have you kept in touch with him, Hank? Well, now off and on. I've been writing back and forth. Of course, most of the letters came from Mamey's maw, that boy's grandmother, you know. Oh, I see. Seems like the grandmother died not so long ago. George wrote me about it. That came yesterday. Eh, it's right on the table. Read it if you like, Dave. Mm-hmm. Now that grandma's gone, I have no one but you, Dad. I wanted to join you long ago, but couldn't leave her alone. The old lady was alien and couldn't tell. Mm-hmm, I see. Read the rest of it, Dave. That's the best part. I'm coming out now to be with you and to help you run the mining company. Yeah. Found out I can get a boat from Seattle. It'll arrive there the middle of July. Well, say, Hank, the boat he means must be the one that gets in day after tomorrow. Yeah, that's what I figured. I guess this bum leg will keep me from meeting him at the boat landing. I'll have to send one of the men into Selkirk to bring George out here. I suppose he sends you a tin type of himself so you'll know what he looks like. No, he didn't, Dave. Now I never got around to sending him a picture either. You know how it is. Yes, yes. Well, say, since I'm right there in town, why not let me meet your son? How are you going to know him? Oh, I can go aboard, find out from the captain. Oh, there's no use going to all that trouble, Dave. One of my men... Well, that's no trouble at all. Have to come out anyway to bring a regular form so the will you want made. That's so. Well, it's mighty nice of you. It'll save one of the men the trip. All right, it's all settled then. I'll be getting back to town now. I'll be looking for you and my son day after tomorrow. We'll come on out here right from the boat. So long, Hank. Bye, Dave, and thanks a lot. The following afternoon, Dave Small looked up as one of his men at the café and at his office. Well, Jake was on your mind. There's a young fella just coming to the café asking for a job, boys. It's a card shark. Just come over the trail from Whitehorse. I don't think we need anyone else, Jake. It's a good looking fella. It'd be good to have around the gaming room, seems to me, boys. No, I've got... Wait a minute. Maybe I could use them at that. Haven't come in here. All right. Hey fella, come in here a minute. Boss willing to take me on? He wants to talk to you. Come on. I hear you want to work for me. That's right. I'm sort of handy with cards. Thought you might have a place here. Have any friends here? No, I just got in. Worked my way up on a scowl that came from Whitehorse going on through to Dawson. I see. Then there's no one in town who knows you. No. My name is Joe Weeks. How old are you? Twenty-two. I worked my way west three years ago from Chicago then came up here. I thought you were from somewhere in the east.  If you're willing to play along. Sure. Why not? What's the deal?  Change my name? That's right. Instead of Joe Weeks, you'll be known as George Miller, son of Hank Miller, owner of the South Kirk Mining Company. One of the wealthiest men around here. The next day, Sergeant Preston of the Northwest Mounted Police stood with his great dog, King, on the boat landing at Selkirk, watching as the passengers disembarked from the boat. Suddenly, Sergeant Preston spoke to King. What is Corporal Harding now, King? Hello, Corporal. Over here. Hi there, Sergeant. Well, hello there, King. It's good to see both of you again. How's the trip from Dawson City? Fine. A good company, too. Young Easterner from the States is coming here to join his father. He'll be meeting for the first time in 20 years, he told me. Father left the East when the chap was a baby. Maybe you know the father, Hank Miller. Lives outside of town. Hank Miller? Well, yes, I've heard of him. He's the head of the South Kirk Mining Company. The father couldn't come in to meet you, George, so I'll take you out. No, that's nice of you. Sorry that Dad led up with a moment. There he goes now. That's young Miller. I see. I didn't get a look at the man with him. Probably one of his father's men. Well, come on to my cabin, Corporal. We'll discuss our business there. Come along, King. A short time later in Dave Small's office, George Miller finished talking about himself. And I guess that's about all there is to tell about my life in the East, Mr. Small. I hope you don't think I'm being too inquisitive and asking about you this way, George. Being one of your father's friends, I'm greatly interested. Not at all. Yeah, and I guess everything's under control here. Had to stop by to pick up some papers your father wanted me to bring out. Come on, I have a couple of horses waiting out there. Sure, anxious to get out of there. See, Dad. I know just how you feel. There's much of a ride. We'll be there before you know it. Let's go. Sergeant Preston's cabin in Selkirk was on the edge of town along the trail that led to the Selkirk Mining Company mine and the home of Hank Miller. It was King who called attention to the fact that someone was riding along the trail. I'm out of King. Running to the door. Yes, someone's riding along the trail outside. Two riders on the trail. I can see them from this window. Oh, yeah. That's the same fellow who got off the boat. Young Miller. The other one's a cafe owner. I recognize him now. A chap with the name of Dave Small. Guess he's taking Miller out to his father's, please. I like George Miller. Nice, clean cut chap. He asked me to stop by and meet his father before I left Selkirk. Well, that'll be easy, Corporal. The trail to Beaver Dam that you'll be taking tonight goes right past to Miller, please. Why not stop in then? Good idea. I'll do it.  Well, shall we start getting my grub together for the trip, Sergeant? That's a good idea. You'll be back here in five days or you won't have too much to carry. Come on, I'll help you get it packed. Meantime, George Miller and Dave Small rode some distance up the trail toward the Miller place. Gonna have to get used to calling this country my home, Mr. Small. Gonna be strange calling someone dad, too. You'll soon get used to it. I would... Hey, two riders coming along that fork to the left riding pretty fast, too. Hey, their package is covering part of their faces. Maybe they're going to... We better stop. Hold it! Hold it! Hold it! Hold it! What's the meaning of this? Never mind the questions, Mr. We got you covered. You don't want to get a slug of lead to us, we say. This is a hold up. We don't have anything worth taking. I don't see why you...  I'll see you here. This is enough. You got nothing to worry about, you see. I'm taking this other fellow with me. I won't go anywhere with you. Careful, George. They have George. Sure, and we'll use them, too. Weeks, you ride up the trail with that old cop. Young guy's going to ride back along the branch trail with me. What's this all about? Never mind. I'll get going, you two. All right. Come on, Mr. And don't forget I've got this gun held on you. I guess there's nothing else to do right now. Get up there!  All right, fella. Now, you and I are riding on that branch trail. Get going if you know what's good for you.   Get up there! Well, weeks we put that over. There's the miller place just ahead. Sure looks like a prosperous man lives in that place. Hank Miller's wealthy, like I told you. Now, make sure you get everything straight before we get there. I think I got everything straight. I even memorized that note you stole from the old man. Good, good. Remember the facts I found out from young Miller about himself.  I'm beginning to feel that I am George Miller. How long do I have to keep up the axe form? Once that will is signed, I have a feeling the old man will meet with an accident or some kind. Jake will take care of the real George Miller. Then what? Then you as heir to the miller holdings will sell out to me at my price and leave the territory with a nice, tidy sum for your trouble. I didn't figure on tying in with any killing. But you're in too deep to back out weeks and don't go getting cold feet. All you have to do is play the part well. If you don't, well, there might be another killing you didn't figure on. Now we go in so you can meet your long lost father. Get up there!  We'll continue our story in just a moment. Boy, wouldn't it be something if any time you like you could make a wish and have it come true quick as a flash? I can do it. You? Hey, where'd you come from? I can make anything you want come true. Right now, too. Who are you?  What with your turban and pointed shoes? My name is Aladdin. Aladdin? Oh, but I suppose that's your magic lamp you're carrying. That's right.  Try it. Well, let's see. Okay, I'd like your genie of the lamp to produce a table set up with the keenest tasting breakfast there is. Man alive! That's terrific, Aladdin. Look at that. A table's appeared from nowhere. On it are two bowls. One brim full of Quakerpuff wheat, the other of Quakerpuff rice. One is for you and one is for me. Take your choice. Boy, there's milk and sugar on them and sliced bananas, too. Oh, but look. How'd your genie of the lamp know that wheat or rice shot from guns makes the tastiest breakfast ever? He's the smartest genie in the whole world. I'll say he is. And say Aladdin, pardon me a moment. I'd like to pass on a tip to all the fellas and girls listening. If you're wishing for a breakfast that's got them all beat for tasting swell, tomorrow morning eat Quakerpuff wheat or Quakerpuff rice topped with milk or cream and fruit. These giant king-size grains are shot from guns to make them bigger and better tasting. Yes, they're exploded up to eight times normal size to make them crisp and tender. Wheat or rice shot from guns is nourishing, too. Furnishes extra food values of restored natural grain amounts of vitamin B1, niacin and dion. Quakerpuff wheat and Quakerpuff rice are never sold in bags or bulk. Ask mom right now to order these famous big red and blue Quaker packages. Look for the smiling Quakerman on the front. He's your guarantee that you're getting the original, the one and only Quakerpuff rice and Quakerpuff wheat. Now to continue our story. About an hour after the corporal left Sergeant Preston's cabin to go to Beaver Dam with the intention of stopping to see George Miller, Preston was surprised to hear hoof beats stopping outside. Well, sounds like the corporal coming back, King. Corporal, what brings you back? Forget something? No, I didn't. There's something I don't understand. I wanted you to know about it. What's that? Well, I dropped by to see young Miller. A young fellow opened the door. I asked for George Miller. Go on. He said he was George Miller, and that he'd arrived that day. That's strange. Yes. I didn't know what to say, so I excused myself and left. Maybe the fellow you met on the boat wasn't George Miller after all. It's possible, but we saw that cafe on a meeting at the boat and called him George, then they rode past here this afternoon together. I'm wondering what happened to the other chap, the one I met. Maybe we can find out. How? With King. They can follow the tracks they made when they passed here this afternoon. Say, that's an idea. I'm sure curious about all this. So am I. I'll get my hat. Yes, King. You can come along. All right, let's go, Corporal. My horse is still saddled. There are the tracks they made. I'll tighten this cinch. Easy, fellow. Easy enough. Here, King. Follow them, King. Find them, boy. King has a sad, steady fillet. Let's go, Corporal. Get up there. Yep, yep. I was running around in circles. Yes, two men snubbed here, see. They were joined by two others who came along the branch trail and they rode on. Why doesn't King follow along the trail if they both row down? I don't know. Oh, I'm getting to see why King's confused. Why? The two men who passed my cabin must have separated. Notice how King runs up the trail a bit and doubles back to the branch trail? Say, that could be it. I think we'll follow the track and go along the branch trail and see where they lead. Go that way, fellow. That way. Get up there. Yes, yes. Sergeant Preston and the Corporal followed King for some distance along the narrow branch trail. Finally, as they rounded a bend, Sergeant Preston pulled up and called out to King. Oh, there. King's quiet fellow. Why have we stopped here? Look over there to the left. No cabin well off the trail. Yes. All right, over there and see what's inside.  Come on up. Look, someone's opened the door, Sergeant. Yes, and he has a rifle. I'll talk to him from here over.  Two horses heads at the back of the cabin, Sergeant. Oh, no, he's lying. They won't hesitate to use that rifle, I'm sure. You've got two rights coming here like I said. Maybe if we separated one going to the left. No, I've got one of us before we got close enough to use our revolvers. King. King, fellow.  He sees King. The scrubs are enough to give King cover. Watch him. As the two Maudis sat facing the threatening rifle and the hands of Jake, King, seeming to know what was expected of him, crouched low, and then, hidden by the scrub growth, crept silently off to one side, gradually circling around until he appeared to the side of the cabin out of Jake's sight. Sergeant Preston watched his King move slowly forward. Watch King Gorgon be ready. I said to get him. As Jake moved away from the cabin a bit and took aim at the two Maudis, the great dog King, moving like a streak of lightning, moved around the edge of the cabin and leaped. Help, help, get him up. Get him up, get him up on the area. Oh, no, don't get him up. He's sitting, fellas. Hey, don't. He's sneaked up by me. Keep him away. Watch him, King. Get his rifle, Corporal. Someone on that bunk over there. Just a minute, now loosen that gag. There. Now to cut these cords on your ankles and wrists. Uniform. You must be a Maudi. I've heard of them in the States. Met one, too. There you are. Who are you? My name's George Miller. Mr. Small and I were held up on the trail. I was brought here. The other band had went with Mr. Small. I see. King's watching that fella outside. Corporal, gosh, I'm so glad to see you, Sergeant. This is a man I met on the boat, George Miller. He told me that you say there's already a George Miller at the Miller Place, Corporal. There can't be. I was to arrive home today. Mr. Small was taking me out to meet my father for the first time. Corporal told me about that. What did the other hold up man look like, you know? Well, my age. Black hair, sort of wavy. Didn't wear a hat. Had dark eyes, too. Couldn't tell much more he wore a handkerchief over his mouth. That fits the description of the one who answered the door at the Miller Place and said he was George Miller. That's not true. I'm George Miller. We believe you're George, and I begin to see the whole thing. It wasn't any ordinary hold up a while ago. I have reason to believe your father's going to have trouble, too. We'll have to work fast. We're going to help you and him. Corporal, take that man outside back to town, will you? Yes, Sergeant. King and I will go with George to his father's place and straighten this thing out. Let's get going. Meantime, back at the Miller Place, weeks with Dave Small's help had been getting acquainted with his so-called father. Your father certainly gave us a fine dinner, George. Yes, he certainly did, Mr. Small.  Well, I had a cook-up special for you, son. Say, I've been thinking about that fella that came to the door before supper. You say he wore a police uniform? Yes. He was one of those motties you have up here. I can't understand why he asked if I lived here. That's just what I've been wondering. Oh, that! I told the motties in town to be on the lookout in case I missed George at the boat. A mighty efficient, I can tell you. Oh, I guess that was it. He was checking up. Mighty nice of him to come way out here. You should have asked him in the supper, George. I didn't think of it. He sort of took me by surprise. Yes, I can understand that. You're fortunate to have such a nice young fella for a son, Hank. Yes, I guess I am at that. Oh, did you bring over that paper you were going to fix up for me, Dave? I sure did. Got it right here in my pocket. You want to look it over? Yeah. Well, I guess that's what I asked for, all right? But there's one thing I forgot to have put in this wheel. What's that? I wanted to leave everything to George right enough, but... That's the way I have it drawn out. Sure. But I want to write in a condition to the wheels, Dave. A condition? Well, I worked hard to form that mining company. I wanted to stay in the family. I hoped for George to get married and to pass it along to his son when he has one someday. That's why I want you to say in this wheel that George isn't to sell or trade off any part of the company. While George and I was alone here when you left us to sort of get acquainted before supper, I told him about how much I thought of the company and all. And you mean he won't get the inheritance unless he agrees to that condition? Yes. I know George won't mind at all, will you, son? Well, uh... Now, wait a minute. I bet he put that idea in your head when you had that talk. After making a deal with me, he's planning to double-cross me. This is the first time I've heard about it. Yeah, just a minute, Small. What's that about George making a deal with you? Do you mean to say that I don't pay any attention to him, Father? Oh, forget me, huh? How you listen to me, Weeks, I'll let you... Hold on. Maybe you take me for an old fool, but I'm beginning to see things right. You just made a slip, Small, and calling him Weeks. I'm thinking he isn't my boy at all. You're right, he isn't.  Why, you, not put up that gun, Weeks. Put it up! We can still make this work out if we pull together. Not if you gave away our plan. Oh, I'm right. You were planning to trick me. You had the sneak poses, my son.  You sign that wheel, Miller, just as it is, right now. I wouldn't do any good now that I know he isn't George. When George does get hit, you... He won't, so forget it. Here's a pen, sign that paper. No, after I signed it, you'd kill me off, I guess. I'm not signing that. I thought that slick on refeller couldn't be my boy. I said sign that paper. Oh, scaring me with a gun, huh? If you want to kill me, at least you won't have that paper signed. Go ahead and shoot. Go ahead, like he says, Small. I'm as good at faking signatures as I am at playing cards. I'll sign it myself. We'll find a copy of his signature in that desk over there. A forge or two, huh? Well, you won't get away with it. I'll tear up this... No, you won't give me that! No! I didn't have this bum leg, Dave, Small. I'd lick you for that, old as I am. Shoot him, Small, and tie me up and get out of here. If anyone comes to the mine to investigate this shot, I'll say someone murdered my father. All right, Hank Miller. This is it. No, you don't. Oh, my, really? Come here. The old man's in front of me, Marty. Drop your gun, or I'll put a bullet in him. As Joe Weeks stood looking at Sergeant Preston, he failed to see the big gray shadow that streaked through the open door and headed his way. With a snarling line, he became four weeks to the floor. Help, get away!  Okay, easy for us. Now, that dog... I still had my gun. I'd kill him, the old man, too. I heard all I can take from you. Oh, are you dirty? I'll show you! This will show you! Donna, I had enough. No more for sure. Good hitting, young fella. Yes, sir.   I guess they already did away with my... my boy, George, who was to come to live with me. Why don't you take a good look at this young fella, Mr. Miller? Do you mean that he... he's... Hello, Dad. Yes, this is George Miller, your son. My... my boy. Say now, you're the image of me when I was your age. And your fight just as good, too. Oh, I suspected that slinky galoot wasn't a Miller. That's why I suggested putting a condition in my will, just to see what they'd say. Dad, Preston and King, along with another Marry, saved me. Oh, it sure is good to have someone calling me Dad. Yeah. Well, thanks a lot, Sergeant. Thanks a lot to that fine doggy, yours, too. Yes, sir. He looks pleased as all get-outs sitting there, seeming to understand everything we're saying. I guess he does, Mr. Malone. We can all say that thanks to King, this case is closed. In just a moment, Sergeant Preston will give you a preview of Friday's adventure. Fellows and girls, remember, your grocer now has special new model farm packages of Quaker Puff Wheat and Quaker Puff Rice. Yes, the famous breakfast cereal shot from guns now come on eight different exciting new packages. And on a single package, you get as many as six different models of farm buildings and farm animals. These models are yours at no extra cost. There's no waiting, so shake a leg, get in on the fun, start building yourself a swell model farm proto. Remember, you can now get 46 keen detail scale models on packages of Quaker Puff Wheat and Quaker Puff Rice. They're yours at no extra cost. Yes, they're yours for the asking when you ask for Quaker Puff Wheat and Quaker Puff Rice. These radio dramas, a feature of the challenge of the Yukon Incorporated, are created and produced by George W. Trendall, directed by Fred Flower Day and edited by Fran Stryker. The part of Sergeant Preston is played by Paul Sutton. They are brought to you every Monday, Wednesday and Friday at the same time by Quaker Puff Wheat and Quaker Puff Rice, the breakfast cereal shot from guns. Listen, Friday, when Sergeant Preston and Yukon King meet the challenge of the Yukon in the case of Grisly Grayson. Grisly Grayson was a notorious criminal. King and I found him dead on the floor of a canyon. I was due for a big surprise when I brought in Grayson's body. I was met by a constable who told me Grisly Grayson was in jail and very much alive. This led to one of the most amazing adventures King and I have ever had. Be sure to hear this exciting adventure Friday. For a delicious hot breakfast, eat Quaker Oats. The giant of the cereals is Quaker Oats. Yes, the giant of the cereals is Quaker Oats. Delicious, nutritious, makes you feel ambitious. The giant of the cereals is Quaker Oats. Say, boys and girls, do you want to be a star someday in sports and activities? Then start on good Quaker Oats breakfast tomorrow because nourishing oatmeal gives you more growth and endurance than any other whole grain cereal. Still less than one penny is serving. Quaker and Mother's Oats are the same. This is J. Michael wishing you good bye, good luck, and good health from Quaker Puff Wheat and Quaker Puff Rice. So long. This is ABC, the American Broadcasting Company.


QuickBooks Online 2023. Progress invoicing example number two. Revenue recognition for month number two. Get ready to earn the skills needed to boost your bank books on up with QuickBooks Online 2023. Here we are in our QuickBooks Online test company file. We started up in a prior presentation noting that we're currently in the accounting view as opposed to the business view you can toggle between the two views by going to the cog up top. Switch the view down below. We're going to now duplicate some tabs to put reports in like we do every time. Right click in the tab up top to duplicate it. Right click in the tab up top to duplicate it. Back to the tab to the middle. Reports on the left. We want to open up that balance sheet report. Going to tab to the right as that's thinking even though it's done thinking reports down on the left hand side. This time the profit and loss report closing up the hand buggy changing the range from 010125. Let's go to 0606325 and I want to see this one on a month by month side by side. Let's run it. There we have it. We recorded some of the cost of goods sold support accounting instruction by clicking the link below giving you a free month membership to all of the content on our website broken out by category further broken out by course. Each course then organized in a logical reasonable fashion making it much more easy to find what you need than can be done on a YouTube page. We also include added resources such as Excel practice problems, PDF files and more like QuickBooks backup files when applicable. So once again click the link below for a free month membership to our website and all the content on it. Last time let's go to the tab to the middle close up the hand buggy change the range 010125 to 06325. I want to see this one by classes classes because it's a classy report. There are a lot of classes a lot of class going on here. Alright in any case we're going to go to the first tab now then we're going to go down to the to the projects on the left hand side we're currently working on project number two and let's recap our process by going to our excel worksheet so we can see it in like a transparent format and then we'll record it over here in the QuickBooks. So we did an estimate and we recorded the estimate no financial transaction happens with the estimate but we then came up with a billing structure and we build them for the $10,000 which was a deposit but we didn't actually record revenue related to the $10,000 because we're trying to recognize revenue in relation as as the job goes and and somewhat like a complete percentage of completion kind of concept. So then we said that we're going to record actual costs that happened with like an expense form so we actually paid for materials labor and overhead for $1318 which we categorized into cost of goods sold because it's going to be into this basically project that we're going to be having and so we have recorded thus far the the accounts receivable for the deposit and then we we got the deposit in the checking account and decreased the accounts receivable and then we have the expense for the cost of goods sold and and the checking account went down. So now we want to recognize the revenue not in relate not on a cash based system but in relation to the expenses. So if I so one way we can do that as I could say okay here's the total expenses that we have the percent of completion of the job if we think the job is still going to cost us a total of $76,923 is that $1318 we've spent thus far over the $76,923 which gives us a 16.92342 percent complete and then if I think I'm going to get revenue of 100,000 then the revenue in relation to the 16 would simply be the 100,000 times that 16,9234 and so on. So we're going to think that revenue should be recognized matching out in this same time period for for that 16,923 so from a journal entry standpoint that's quite easy so I could say okay well that makes sense I'm going to say that that's going to be 228 it's not so easy when we get to quick books we have to kind of think about how we're going to do that but journal entry format we're just going to say all right that's going to be revenue I'm going to put the revenue on top because that's the first thing like I think about it's like we needed to recognize revenue that's the whole point even though it's a credit on top I'm going to say there's the credit to revenue and then the other side I'm going to put into what we're going to call this work in progress account so work in progress account negative this item notice where it's not going to go is that we're not going to put it into accounts receivable we're going to create this account of the work in process type of account which you can think of as kind of like an inventory type of account so now we've got the work in process and this billions account that we have to basically track in our system all right if I record this I'm going to say all right in our eight our eight we're going to say that is going to be 16 000 increasing in the credit direction puts us out of balance until we finish it off in our five by saying this is going to be equal to the 16 923 back in balance indicated by the green zeros and we have our revenue recognized at the 16 923 this is actually net income because because the credits are good on the uh on the income statements that's like a good number that's our income uh number okay maybe we can add some conditional formatting down here just to make that more clear I'm going to format this make it look a little bit more fancy I'm not going to make it red for the negative numbers and then I'm going to say that we want to say conditional formatting and if this thing is greater than zero if it's greater than zero we want it to be red but if this thing is less than zero less than zero we want it to be green because it's good boom so there we have it so if this went if this went negative or if this went positive it actually turns red oh the fanciness it was too much green okay anyways enough of that let's go back on over and do this in quickbooks it becomes a little bit difficult to do in quickbooks because I don't want to do it with just a journal entry because I'd like to do it in a format where it's going to be showing up on the projects I want to use the forms when I can and so that the transactions will also be showing if I go to the sales item and the customers over here so and customer number two so I can see like the the items that are happening here so usually we record revenue with an invoice so I'm going to make an invoice that I don't plan on giving to the client it's going to be an internal invoice just so I can record this revenue recognition so I'm going to say all right invoice and let's do it for this is going to be for the second project and notice I can pull in now I don't want to pull in from the estimate this time but instead and we could by the way you could come up with a system to pull in from the estimate and then and then think about the percentage of completion or something like that you can you could come up with an idea of that but I've been I'm using the estimate in order to follow along with my actual billing schedule to send it out to the clients so I'm not going to use that instead I'm going to pull in the billable items which I I put in with a 30 a billable item with a 30 markup so let's just read let's just remember that for a second before I record it do you want to leave I want to leave I want to leave okay let me out let me out so then if I go into the projects over here in project number two in the costs of goods sold we've got our expenses so when I recorded these expenses we we turned on the billable items and then we said we wanted a 30 markup so this is what it cost us and then we did the 30 markup which is basically the same calculation that we did over here because because our our markup is based on a 30 markup so if I was to increase each of these line items you know by 30 percent then it's going to get me to that to that 16 9 23 as well so that's where we should be at so I'm going to say all right let's go back on over after the recap the cap has been read so there's the recap and let's go back to our projects so I'm kind of moving around all over all right and then I'm going to say new invoice new invoice project number two pulling in the billable items but not the invoice not the estimate closing up this thing so it's not in the way all right this is as of uh o 228 movie b to the n bn in other words and down here it pulls in the information so here's the materials when we use the billable items it pulls them in at the rate and then it creates this this other markup account which is a little annoying because now you've got this separate account for markups that's going to be recording but this material thing is the item so this is going to be reporting based on the the uh item as opposed to just going into a billable like revenue account so that's nice but this is going to go into a markup account so so and if you don't like the markup account then you can not use the markup and then you then you can manually put in the amounts that are being charged or you can put in the cost and then have a markup account that you assign you know down below however you want to structure the invoice but this is one way to structure it and the total adds up to the 16 923 40 which is great because that's the revenue that we want to recognize for this month but we don't we don't want the other side go into accounts receivable because i'm not trying to invoice based on when we do the work i'm trying to invoice sending the invoice to the client meaning i want to bill the client based on the schedule we came up to before so we have this two kind of phase thing of we're using the invoices according to the billing structure to send to the client and this invoice is just to record the revenue and i want the other side to go to to to a work in progress account so what i can do down here is i can just say okay the invoice is going to increase accounts receivable these are all going to go to income accounts would be the general idea and then i want but i want to zero this back out which means i'm going to reduce the amount that's going to accounts receivable and instead put it into our work in progress account okay let's see all you all we have to do that sounds complicated but all we have to do is say add an item here i'm going to make it either non-inventory or service let's just say service item it's going to be work in progress you're a work in progress i know i've been in progress for some time now i don't think i'm ever going to be out of the in progress stage whatever and then the account that it's going to go to is going to be up here and then we're going to say this will be what do we want an other current asset account let's say other current assets and then it's kind of like an inventory account but i don't want to record it as an inventory account here because when i do sometimes the quick books won't let me do some stuff to the inventory account because they think i'm going to track inventory in it so don't do that so i'm just going to put some generic other current asset and then call it work in progress all right so then we're going to say save it and so okay so now work in progress and i'm just going to say this is going to be negative of the total so just to zero it back down 16 9 23.4 and so this is going to go to job number two so now we have nothing it's the invoice increases accounts receivable but there's nothing going to increase accounts receivable because it's zero instead it's going to increase the revenue accounts based on these items and the other side is going to be going to this work in progress account that's the plan all right all right let's do it then let's do it enter and uh and then if i go back on over here we can say all right let's see what happened k pos o k pos o we got the work in progress account that shows up that looks movie b to the end so there we have that and then the other side is going to revenue income statement account so if i run the income statement now we've got the so notice that put it into a markup account and then the sale of product product so because the sale of product is what we we assign the items to but it comes out to a total of 16 9 23.40 which is what we want which matches out to the 13 18 in the same month that we wanted to be matching out with right so that this is the revenue that we're going to assign to that basically you know the related the related costs and and then we've got our work in progress account here and our billings account which will ultimately uh have to zero out they'll match each other in essence and zero them out at the end of the project now it's very nice again that the classes break out these two work in process and billings account because if i was to say this is for the full year 12 3125 then it's nice to be able to to say okay this is the work in process that's being allocated to this this job and so the and so then i can see what's being allocated i could also do that by going into the work in process account and sorting in here by customer so then if there were multiple jobs in here and whatnot i could sort it by customer and i can get my my totals that way as well but i think that redundant so you don't really need the classes because you can do it that way but i think the redundancy is nice and the fact that the classes can break out in that way is good if i go to the tab to the right i'm going to duplicate this one and just show this in terms of classes so if i go from oh one to uh 12 3125 and i want to see it in terms of classes run it so now you've got the class tracking for you know class one and class two and there's the total for the year which is very nice because again that's a little bit more robust than the than some of the project reports sometimes and you and the project reports don't have oftentimes the balance sheet you know capacity over here now also if i go back to the first tab and i look at this from my sales page and my customers and i go to customer number two it gets a little bit confusing because you've got these uh invoice that was generated but notice the invoice is basically marked off as paid you might put in the memo that this is like an internal uh invoice but you can kind of tell because it has a zero balance anyways so so it doesn't really mess up the internal bookkeeping as much and it doesn't like show up as open that you need to send it out you might say this is internal or something like that and save it and close it and you know then you've got it like in the memo here that this is like a revenue recognition uh invoice so that is that one and then uh we'll continue on with this process next time and we'll do that we'll do that for the next couple months and then we'll see how what what happens with that working process account and the billings account you know at the end of this whole process


Today we are going to discuss how to engage learners at a distance through interactive webinars. First, it's always best practice to provide a framework to let your learners know what to expect and to help them focus on your core message. You can do this by providing an agenda, goals, or outcomes for your session. Once the goals are introduced, it's good practice to get a sense of who's in the room. This is also an opportunity to engage your learners as active participants in the learning process. One way to do this is to ask a question that's based on the learner's personal experiences. Participants tend to become more invested as they share their diverse perspectives and viewpoints. Getting your learners to share their personal experiences also stimulates thinking. It's also good practice to get your respondents interacting. There are many ways to do this in a webinar. They can come up with video and raise their hands, post comments in the chat, raise their hands using the built-in participant controls, unmute and audibly answer the question, or you could even build your question into the session through the polling function in Zoom. A nice feature of the polling function is that you can make the results of the poll visible to your audience, catching your learner's attention with both visual and auditory stimuli. It's also important to use silence effectively when engaging an audience. When you pose a question, your learners need time to consider the question or to collect their thoughts. Then they may wish to utilize the chat function to respond and typing takes time. So make sure to accommodate this by waiting. Count to ten if it helps you with pacing. I like to wait until at least half of my participants have contributed before speaking again. If you go to the Zoom website, there are several resources available that walk you through how to use the interface. This slide depicts a snapshot of what you can expect to see from the participant perspective. Once you've scheduled or started a Zoom session, your learners can connect by clicking on a link that you've shared via email, posted to a learning management system, or shared in a calendar invitation. The first time someone connects to a Zoom session, the presenter can help learners get comfortable in the environment by reminding them how to use the major participant controls, like the chat function and raising hands. To keep your learners engaged, it's important to ask questions often and break the session into digestible chunks. Consider a YouTube video, TV show, or movie that holds your interest. Depending on the video, maybe you can watch for four minutes or so with total focus. Or maybe ten minutes is your cap before you start to zone out. Your learners face this attention challenge as well. I like to break up my webinars every ten to fifteen minutes with opportunities for questions, a discussion, breakout sessions, or an activity to get my learners actively thinking and doing. There are a number of tools that are interactive that can help support your teaching. Poll Everywhere and SoccerTube are two of my favorites. At this point in the webinar, I might invite learners to submit the first words that come to their mind when they think about a bad webinar. What you see on the screen is a snapshot of Poll Everywhere's word cloud function, where participants have submitted their thoughts.  As you see, good webinars can go bad when there's poor pacing, bad information design, technical challenges, and a lack of audience engagement. It's also important to acknowledge that your learners have something to add to the conversation. Asking learners to share their experiences and perceptions allows you to communicate that you acknowledge and value your learners as individuals. Asking questions and encouraging discussion among your learners early in the session also provides an opportunity to identify where your learners may have gaps in their understanding. And it helps to build community by facilitating student-to-student interaction as well as student-to-instructor interaction. I like to do this by posing a question verbally or on a slide, then setting up breakout rooms for my learners to discuss their ideas in small groups. I set a timer for three to five minutes and asked students to discuss the prompt together in groups of about two to four, and then post a few ideas to share with the group to an interactive whiteboard. When I close breakout rooms and all learners return to the main session, they all continue the discussion. We know that different learners have different learning preferences, and so what engages one learner might not work for another. Learners might try a number of different strategies to keep their learners' interest. One strategy is to tell a story or anecdote that appeals to your audience's interest. Another strategy is to use technology to your advantage by meeting learners where they are. Polling apps and activities on smartphones can be leveraged depending on what's most appropriate for your learning objectives, your content, and your learners' needs. As learners interact in breakout groups, I may stay in the main session and follow the progress on a live interactive collaboration board like Padlet. I might share the link to the interactive board prior to the web session through the Learning Management System or LMS, through email or on a slide or in the chat during the live webinar session. Once all breakout rooms have closed, I like to change what I'm sharing on my screen and begin sharing the live interactive board in real time. Because learners can see and interact with the content, we are now facilitating the learner-to-content interaction. This is also a good opportunity to pause for questions, especially if you see something posted on the interactive board or if you heard something in the discussion that caught your attention or picked your curiosity. Keep in mind that when it comes to calling for questions, you may have someone in the session who is attending for the sake of asking one big burning question. If you don't offer the opportunity for that learner and other learners to ask such questions, you may be unintentionally turning off your audience. Don't just save Q&A for the end. That's not very engaging. Now let's shift to the webinar presentation itself. Take a moment and make some observations about this slide. Put yourself in the learner's place. What do you see? Can you read everything that is intended to be read? Is this image helping you to learn something? How could this slide be improved for better clarity and learning? You might have said that there's too much on this slide that it's too busy and too colorful.  So it becomes difficult to focus. When it comes to information design, there's a wealth of literature out there that can teach you how to make engaging and accessible presentations. Best practices include presenting information starting from more general concepts to more specific ones and utilizing both visual and verbal cues with simple designs that avoid cognitive overload with overly complex images that divert the learner's attention. How about this slide? Again, put yourself in the learner's place. What do you see? Can you read everything? Everything that's intended to be read? Is this image helping you learn something? How could this slide be improved for better clarity and learning? You probably notice that the author of this slide has used contrasting text colors to draw the learner's attention, but the text is a little bit tricky to read over the busy background. If your goal is to present new information, then both the images and the text need to be accessible to the audience. If you were to modify this slide to increase visibility, then we might consider removing the text altogether, just allowing the full screen image to speak for itself. We might say the comments you see in yellow instead of posting them on the slide, or we might put the text next to the image so that both the text and the image can be viewed without obstruction or loss of meaning. Presentations in themselves can be used as a tool for interaction. Take this slide, for example. While the image is filled with colors, words, and symbols, it might not make a great slide to present an audience with new information using laptops or projectors. However, this image can still be used as an effective teaching tool in a different way. Jason Lineberger, one of our instructors, uses this image in a Google Slides presentation that he shares with his students in 21st-century media studies. He provides the thought bubbles and call-out boxes for students on the slide to copy, paste, and use as they take a moment to observe what they notice in the image. Students take time to digest the image in smaller parts as they independently focus on the pieces that draw their attention. He uses this as a tool to facilitate discussion and engage his learners. The image itself isn't the most important piece of the presentation, but rather the dialogue and learning that it stimulates is what matters. How about this slide? Is the image clear? Do you know what you are looking at? As the learner, you should be able to clearly make out what's in the image and read the text without issue. Webinars can be challenging for learners who are unfamiliar with the expectations and functions of virtual meeting and webinar tools. It's important to set standards and expectations up front in order to promote a positive learning environment. Though you can easily set up a web conference with just a click of a few buttons, leading or facilitating exceptional webinars is a finely tuned skill. Like any skill, it takes time and practice to master. Technical issues are among the most common pain points when it comes to engaging learners at a distance. Unfortunately, we can't always anticipate when issues are going to arise with technology. However, when challenges do present themselves, the best thing you can do is to be patient and have a backup plan. For example, if a learner's microphone is not functional, you might ask them to put questions or comments into the chat. Your learners will be connecting for the webinar from Macs, PCs, tablets, smartphones, and teleconferencing suites. It's a lot to expect any teacher to be able to troubleshoot the range of possible issues that may come up as learners navigate these environments. I like to encourage my learners to test out the functions and tools in Zoom prior to joining the scheduled webinar session so that they can become familiar with the technology before the session goes live. I also direct learners to tutorials that can help them solve technical challenges without my assistance. When this fails, I host one-on-one sessions to help learners navigate meeting controls, and I make verbal suggestions during the live session or provide technical assistance through the chat function when audio is challenging. I also like to solicit suggestions from other webinar participants so that the learners can help solve one another's challenges. Soliciting input from the learners also helps to encourage learner-to-learner dialogue, and it communicates a sense of value for the learners' experience and contributions in the shared learning space. Managing distractions in the learning environment is another common issue we come across in teaching over videoconferencing. Learners join the live session from home and may be contending with noise from siblings or family events or pets or the weather or conflicts with other scheduled events. This is all on top of the web conferencing technology itself, which can be a distraction for users who are experiencing a live session for the first time. I encourage learners to find a quiet place in the home, library, at a friend's house, in a conference room, or even in a parked car if that will allow the headspace they need in order to pay attention to the live session. Keeping the learners' attention is perhaps the most common concern. It's difficult for anyone to sit through an hour-long web session that doesn't draw them in. I encourage you to brainstorm with your peers about how you can leverage the technology, classroom management strategies, and pedagogy to keep your audience's attention. In some cases, a tool like Zoom doesn't just replace traditional classroom interaction, but can significantly improve it. For example, you might consider taking virtual field trips using the web conferencing platform with learners in multiple locations. One of my favorite features is the whiteboard in Zoom, which can be shared with the entire group of participants or in breakout groups for live collaboration, like when students work on a math problem on a dry erase board in a live classroom. Encouraging learners to share their screens when sharing ideas or making presentations or inviting guest speakers or panelists may also help keep your audience's attention. As far as the technology itself is concerned, make sure to set the tone for your interactions upfront. For example, you might encourage learners to use the chat often to encourage scholarly discourse or have learners turn their webcam on for the duration of the session. You might expect participants to have their microphones open during the whole session, or you might only want microphones live during specific points of the session. Whatever you expect of your learner, make that clear from the beginning and don't assume everyone is on the same page. And don't hesitate to remind learners of the expectations for interactions as needed. Towards the end of the webinar, it's a good practice to gauge your audience and identify learning gains and struggles. I call this my wrapper. Wrappers can help you to leave a lasting impression on your audience. Your wrapper can be something silly like the meme you see here, something more contemplative, like posing a question for reflection or capturing responses for a formative assessment. I like to use virtual tools like dot storming, Kahoot, or Padlet to collect responses so that I can reflect on them later and make a plan for improvement. If you're using a virtual tool, make sure to check the links to ensure the resources are functional and visible to your participants, especially if you are reusing existing resources. Here are some of the key takeaways from this video. Thanks for watching.


Hold on. Is the audio working? Same here. You guys should hear. Okay. All right, just checking on YouTube. I hope everybody can hear loud and clear. Hey, girl, could you hear? Looks like I just had it kind of muted off. Hold on. Let me just check something. Oh, good. All right. Good. They hear it now. All right. Perfect. All right. So anyway, let's get back to some of the stocks that are making some big moves this morning. We talked about, listen, I'm still gonna keep an eye on the block chains, keep an eye on the cryptos. And you know what? With the bank stocks, like you see what's happening right now with PACW, really taking a hit. Obviously, the blockchain stocks are obviously gonna do pretty well. So I'm gonna put the riot back on our watch list. So we got R-I-O-T, we got Coin, and we got Mara. All right. Okay. Keep an eye on those. All right. Now, obviously, the big news right now, obviously, you could see what happened in the after hours with GameStop. You could see it was obviously an earnings play because it happened right afterwards. It's still pushing up pretty high. So GameStop is on our watch list. Now, with GameStop, you're probably gonna have AMC that's making a big move that's gonna follow along with it because they're mean stocks. Those are the mean stocks that we were trading. And you could see AMC, obviously, kind of benefiting from it. Just be very careful of the stock. It is very volatile. Don't think this is like a long-term play. People got crushed on this stock. Destroyed. So just you got to know how to day trade them. They do move pretty good. And what's nice about them, which I'm gonna show you right here, they do have really, really nice level four quotes. So you can see we're looking at GameStop right now. Hey, you got a couple of big buyers out here, $10,000, $10,000, really kind of holding up pretty strong at these support levels at this $2650. So just keep an eye on it. There are good level four quotes on this stock right here. All right, Carvana, like I said, where'd it go? Oops, there we go. So Carvana just had a big, big run up, came back down. That's moving really well too. Wow, this list is pretty damn big.  Which one we want this one? That's why it's nice when you're in the cyber group room. If you guys find something and we're stuck in something else, remember, let's all try to focus on, if you're on a stock, just let us know what you see. That's the whole idea. We had to train you so we can all learn how to train together. But that one, we're going to keep an eye on it too. You know, this stock moved pretty nice this morning. And it's got some great volume, 4.8 million shares. Let me bring up ETNB. But it came back down. It went all the way to 17 down to 14. Now I can tell you this, this thing is probably a category four. I mean, you can see the price levels, the tier size on the stock, a lot of hundred trades. So it's going to probably be an extremely volatile stock. I'll be really careful of this stock right here. I don't like level four. Looks a lot, very, you know, looks like it's all over the place. Very small tier sizes. Listen, it's got, it's up 39%. I'm just not a big fan of it because I think it's going to be a little volatile. Something a little bit more controllable, JAN. JAN looks a lot better. Very cheap stock, $1.40. Got some good volatility. Probably has some good price levels on it too, on level four. Let me just X out of some of these things right here. I got too many level fours up and running. What we got here in JAN. Yeah, JAN's got, JAN's got a couple big buyers right around. There was a big seller at $165. It looks like it hit it and it came right back down. It looks like, so when it had that nice little run up here is what I'm basically looking right here. See that high right there? You don't, you see that. See a lot of these is what people will realize on level four.   See him right there? You got a little buyer right here, right around 126.  All right. Anything else out there? I would say no. Okay. I'll list as long as, oh, Sulfi's moving. There we go. Sulfi's a nice stock. Just started making a big move right now. Mark says ENTB. Yeah, it's moving again. I want it on a downside probably. But Sulfi's a nice stock. We trade this stock a few times. Good little movement stock. You remember we trade the stock out of $4. It ran to about eight. It was a nice little day trade, good swing trade. Yep. I think a lot of you here did really well. Oh, look what's moving too. DWAC is the Trump stock. That's the Twitter stock. So listen, a lot of you here are hearing the news about that here in New York, the DA is looking to indict our previous President Trump. Now listen, not to get political here, but he does own a stock and that could make the stock very, very volatile. And we'll know on the good side or the bad side. So right now, we haven't heard anything that's what's going to be happening.  He'll talk about it. And like I said, if that thing starts picking up steam, remember one thing, bad publicity is actually good publicity. There's an old saying they say that. So if something does bad happen, this stock could be watched. We'll keep it on our radar and it will come up. All right. So anything else? No, he didn't get indicted yet. He didn't get indicted yet. But we'll find out because this stock will move and it will come up here. So we'll keep our eyes on that too. All right, guys, listen, good luck, everyone. Don't forget phase one today in class. We'll start that 1030. If you're watching on any social media on YouTube, Facebook, on the top left-hand corner, we've got a free workshop that's starting this week. Click on it. If you have your phone with you, just take it right there and just click on it. You can just right there on that little scanner and you'll be happy to join us. And we're going to have that event tomorrow. In the meantime, we'll be back here at 2.30. So if you came in late, we'll see you back then. In meantime, cyber traders, if you see something, you say something, all right? We'll see you back here at, like I said, we'll start commentary in the trading room right at 9.30. All right? Good luck, everybody. Happy trading and be safe.