Thank you. I would like to begin by thanking the organizers for giving me the opportunity to talk today and of course, collecting us all of here for this wonderful school and workshop. So today I'll be talking about local homology of invariant rings. This is actually a joint work with Jack Jeffries and Anne Ruxing. This is when I was at the University of Utah on an awful bright narrow post-doctoral fellowship. So thanks to Mandira. She has set up a few things for me so that I can brush with them quickly and we can get in track. So for me, things will be a little restrictive in the sense that my ring will be a polynomial ring to begin with. In particular, it's a polynomial ring over a field k and it has dimension d. This means I'm talking about the number of indeterminates. The action that we'll be talking about of the group today over here will be a finite subgroup of gl sub dfk. The action that we are looking for is also a little specific in the sense that we are looking for a linear action of this group on the polynomial ring r. In particular, if you want to understand this in terms of ring homophisms, it's a degree preserving key algebra, automorphism. So once we have this set up, we can talk about the elements of the ring which are invariant under this group action and this is precisely what we call as, collection of all these elements is what we call as the ring of invariance of this group and we denote this by r top g. So once we have this set up, just to give you a quick example of how and what things happens. So let's start with a tiny example so that we can see things clearly. It's a small two cross two matrix sigma and it's acting on a polynomial ring in two variables. In particular, it is doing what? It is just permuting the variables. So once the permutation happens, it's easy to check that x plus y and xy are two obvious elements which remain invariant under this group action and one can prove that the invariant ring is actually the algebra generated by these two elements and in particular, it is a polynomial ring and we can do this in a little more generality in the sense that if we have a polynomial ring in d variables and we have the permutation group sd acting on the polynomial ring, of course again, sd acts by permuting the variables. So in this case, rg is the polynomial ring generated by the elementary symmetric polynomials in the determinants. This is actually one of the classical examples and one of the motivating examples to find more examples where the invariant ring turns out to be a polynomial ring. If not a polynomial ring, what are the other special properties that we can look for will be a question. So in particular, if it's not a polynomial ring, the next obvious characterization that at least I would want to look at in a polynomial, in an invariant ring is if that ring is cone Macaulay or not. So and of course, this is one of the basic questions that one asks in invariant theory of rings is can we have some kind of a bridge between the properties of the group and the properties of the invariant ring to understand each other. Just a quick redefinition of things because Mandir did introduce it. An element of the group is called a soda reflection if it fixes the co-dimension one space. In particular, if you are representing this element of group by a matrix and i is the identity matrix, then what we are really asking for is that the rank of the difference of these two matrices should be less than equal to one. So once we have this, let's look at some classical results where we do have some answers. And when I mean classical results, invariant theory was actually developed over complex numbers. So there are many results which fall into the case of the non-modular category. In particular, where the order of the group was invertible in the field K. And two main and classical results in this field in the non-modular setup are by Sheffield, Todd, Chivalier and Seher where they give a characterization of RG being a polynomial ring. This is if and only if G is generated by soda reflections. The other classic result to characterize the Coen-Makalli properties by Eger and Hochster, they prove that in non-modular case, whatever is happening in the given setup invariant ring will always turn out to be Coen-Makalli. And in the modular case, when the characteristic divides the order of the group as expected, many things fall out and so does these two theorems. I'll quickly state them. So Seher proved that RG being polynomial ring in this setup does imply that the group is generated by soda reflections, but the converse is not true. This example quickly is given by Nakajima in 1979. The characteristic of the field is P, order of the group is P cubed. So we are in the modular setup, G is generated by soda reflections, but Nakajima was able to show that RG is not a polynomial ring. The other result about the Coen-Makalli property, Eger and Hochster showed that RG was Coen-Makalli in the non-modular setup, but in the modular case, this is a very simple example. This is three copies of S2 acting on polynomial ring in six variables. What it does is the following. It just permutes the XIs with the YIs. With just the simple action of three copies of S2 acting on a polynomial ring in six variables, one can check that RG is not a Coen-Makalli ring. So just to give you an insight, there are many things which fall out in the modular case, and that's why this case is more interesting to look at. So our results over here, our project over here was to look at a few more other properties and things, and we kind of concentrated on local homology modules because these modules themselves also preserve a lot more properties of rings. So just to give you a quick insight, if you are not familiar with local homology modules, is the following. Of course, the main target will be the topmost, the topmost local homology module, which is HD of R plus R. Of course, my support is the irrelevant ideal, or the maximal homogenous ideal. This can be seen as a case span of elements of other fractions, if you can say fractions, or cosets of the form one over X1 to the A1, so on, XT to the AD, where the powers are all positive, and one important invariant that we'll be looking for is the A invariant. So what really happens over here is the following. The ring to begin with was a graded ring, in particular, the top local homology module will be a graded module, and this means we can talk about the graded components, in particular, the highest non-zero graded component of this module. And this degree is what we call as the A invariant, or the A invariant. So once we have this set up that, we have a group action on the ring, and we also have R plus to be a G stable ideal, which happens in the case of our Lamel ring. The action of the group extends to the action on the top local homology module, or the local homology modules themselves. So once we have this, of course, we'll go back to the non-modular case and see, do we have a result over there? Yes, we do, because of the Reynolds operator, we have that RG is the direct demand of the ring R, and in particular, one can prove that in the non-modular case, if we look at the fixed points of the action on the top local homology module, which is, sorry, which is the first thing here, this is actually equal or rather isomorphic to the top local homology module of RG. So the obvious question is, does it happen in the modular case? And as expected, as we saw before, things don't happen as we expect them to be. So just a quick example, if we have A3, the alternating group in three variables, acting on polynomial ring in three variables, the characteristic is three. And I'm denoting delta, which is a so-called discriminant, by x square y plus y square z plus x z square. Once we have this set up, one can check that the ring of invariance, RG, is actually this quotient ring, where the sigmas are the elementary symmetric polynomials, delta is the discriminant, and it's a color ring. And one can check that once we look at this element, it's an element of a degree minus three in the top local homology module of RG. One can check that this is a non-zero element in this local homology module. But once we look at the same element, it's a midge in H3M of R, the top local homology module of the ring. This element turns out to be zero. In particular, delta can be written as an alina combination of the sigmas. So this means whatever result we were looking at in the non-modular setup doesn't follow through. So the next question will be, can we have some kind of isomorphism, some kind of R-module maps between these two objects, which behave nicely? And this is what led us to the following result. So our setup, as usual, is as it was in the beginning. G is a finite group. It's acting linearly on the polynomial ring over a field in D number of variables. And we are also assuming the group does not have any pseudo-reflections. Once we have the setup, we prove that the following complex of RG modules is actually exact. So what really happens in this complex? We have a surjection at the right most end. This is via the transfer map. This is just the elements going to the sum of their orbits. And the first map is the sigma map, which is basically summation over one minus g where g varies over the elements of the group. One quick observation here, instead of having g varying over all the elements of the group, one can also restrict to the generators of the group. So this is a little complex in the sense that the proof requires a lot many things. So instead of looking at the proof of this result, I thought let's look at the consequences because even they are equally interesting. So once we have this complex of RG modules, which turns out to be exact once we do not have pseudo-reflections, we do get interesting results about the A and variance and how they can characterize a few more other things. But once you look at the statement, one obvious question will be, why do you need this assumption on lack of pseudo-reflections? Can we really drop this off? So just to give you a quick example, we cannot drop the assumption on absence of pseudo-reflections. So let's quickly look at that. So we have a group generated by one, two, acting on F2XY. This is of course just permitting the variables. We look at this element in the minus two graded component of H2 of R, which is X over sigma one, sigma two. Then one can check that once we look at the right hand side here, the transfer map, this element goes to zero. In particular, it's in the kernel of the transfer map, but one can check that this element is not in the image of the map sigma. In particular, the exactness at the middle stage fails when we have pseudo-reflections. So once we have this, let's look at the consequences. The main result is the following. Once we have the finite group acting linearly on the polynomial ring, the A invariant of the invariant ring is equal to the A invariant of the ring if and only if she has no pseudo-reflections and it is a sub-group of the special linear group. And once we, and of course, yeah, one interesting result which also was required in proving theorem A is this lemma, where we look at sub-groups of the group G because the sub-group will also put an action on the ring, but we wanted to see if we can compare the A invariants of RG and RH. And there are some results in the past. I guess one is in the thesis of Jack Jeffries that he proves this result, but it is in a very specific case, but we were able to prove this in generality that if we have any finite sub-group acting in our setup and we take any H sub-group of G, then the A invariant of RH will only increase. It will always be the bigger than or equal to A invariant of RG. So that was one interesting lemma and an interesting result in itself that we saw. The other interesting result to come back to is this, because we are now comparing the ranks of the local homology modules that is coming back to the question that I started with. If we have a finite cyclic group with no pseudo-reflections, then we compared the Hilbert series of top local homology module of RG and the fixed points of the top local homology module of R, and we were able to prove that if we have no pseudo-reflections, the group is cyclic group, then the Hilbert series of these two modules, they go inside. This is kind of direct consequence of the exactness of the complex we saw in the last page. But again, what happens if we do not have the cyclic nature of the group in the last result? So we wanted here the group to be a finite cyclic group with no pseudo-reflections. We have already seen that we cannot drop pseudo-reflection part, but can we drop the cyclic nature of the group? Just a quick example that it may not be possible at least without any extra assumptions. This is the representation of a client for group over F2 and that's the representation that we are looking at. These two are the elements which generate it. One can clearly see that there are no pseudo-reflections here because minus the identity rank will be two. So there are no pseudo-reflections here. We have two generators, so it's not cyclic. The action is actually on polynomial in six variables. It's a six cross six matrix. One can check that once we look at the minus seventh graded pieces of the respective local homology modules and the fixed points, their ranks differ. So in particular, the cyclic nature of the group could not be dropped in the last result that we saw. So yeah, that's it. This is actually an ongoing project. So this is what we have till now, but we are still looking at a few more questions and a few more ways to generalize more things. So if you have any questions, please do let me know later. So that we can work on them. Thank you.


Chef Shea Bear here today. We're gonna do something a little different stay tuned I'll show you what it is you may or may not know I'm not really a chef I'm a mechanic but I do know how to cook a little I do know the basics of culinary arts and cooking and stuff like that but my heart is in gasoline and oil so I seen this recipe I guess it's going around on TikTok but I got this recipe from a channel called my virgin kitchen with Barry Lewis and he did it and looked pretty good and I told monkey we should try that sometimes she said yeah like right now so it is noon so I'm gonna make her lunch breakfast lunch whatever so anyway so this is not my recipe something I got off the internet so we're gonna start out with three eggs I get the shell in there and make it a little crunchier you know up monkeys mom behind me laughing so if you hear something in the background it's just the peanut gallery so he used three eggs and he whisked them up but my whisk is pretty well shot so I'm just using a fork it's gonna be something like an omelet okay a bit of pepper in here a secret ingredient right there which is not so secret anymore just a dash of that now you can you know put whatever you want in it you don't have to put anything in it if you don't want to so get this ready now we're gonna turn get the pan hot just a little bit of butter doesn't take a whole lot apparently like I said never done this this one before but it looked good I'm gonna give it a try let's let this get melted down and I'll be back with you okay so you want to get this butter nice and warm till it just starts bubbling up like that we're gonna take our egg mixture here and dump that in we're gonna take two pieces of bread we'll set this down in here we'll let it soak up a second flip it over like that we're gonna let this cook for a minute we want to get it to where it's flippable now he did say you know some of its trial and error but we're gonna do this together so we're gonna let this get a little more done on here and then we're gonna flip it over okay so now you see it's all moving around pretty good the tricky part is you want to try to flip this all together sometimes if your egg covers at all just try to remember where your bread is well we've got some ham here and put some ham on this for her again just use whatever you want I'd like to try it with bacon sometime I think that would be good way you think well bacon would be good yes oh yeah me and mom love bacon so does Bruno we all share our bacon with Bruno so we're gonna put this on here now we're gonna add some cheese whatever cheese you like I'm gonna use this Mexican style blend okay got it open some of this some of this cheese on top here now if it was mine I would put hot sauce in it so now what we're gonna do is we're gonna take the sides which you have left over on the sides there or cut it off and put it up on there whatever you prefer flip that like that you know what I'm just gonna cut it off like that now we're gonna take this flip that over just like that big old sandwich now I'm gonna let that cook just for a minute so the cheese will melt on there and the ham will get nice and warm and that's pretty much it but like I said it's gonna take a minute to now that's that's a hell of a sandwich there all right so what we're gonna do now so I'm gonna go ahead and let that let the cheese melt and the ham get warm and then we'll take it off in here we'll put it on a plate and we'll have monkey give it a shot see what she thinks of it hang tight okay guys so here we go we've got the looks like the cheese is melted nicely so we're gonna put this onto this plate right here now I'm gonna cut it in a diagonal and let's see if we got the cheese to melt nice we're nice that's a sandwich now we're gonna get monkey out here to give this a shot and see what she thinks of it hang tight okay hi monkey hi okay there's your show them your little sandwich there okay pick pick one open that's pretty good babe the whole sandwich isn't it show the camera I saw that and that was like yeah he can make me this and I did and he did so they can give it a shot see what you think of it cheese melted good yeah ham's nice and hot very good okay so there you guys go okay so good I got this recipe I guess going around on tiktok I don't know who originally uploaded that but I got it from Barry Williams his channel name is my virgin kitchen he he does some awesome stuff it's a little irritating once in a while it's a throne shit and catching and all that but anyway I do like his his recipe some of his recipes and so there you go you like a monk good all right so thanks for watching that chef Shaber and I don't know what it's called sandwich thing very nice good you could have that anytime yeah yeah well like I told them it's well it's now actually I said it was noon and it's what 12 24 right now so with moving the camera around and stuff 24 minutes so you're looking at maybe yeah you know 15 20 minutes just start to finish just doing it they're begging quick and easy very good thanks for watching guys month yeah bye y'all she better admit the main legend gone for now bye bye guys and take care


Oh, I got AM840 here. So a couple of Orthodox Jewish friends who are attorneys and when they graduated from law school, they went looking for a job. And one guy went to, and they both went to their interviews wearing their yarmulke. Okay, so these guys would normally wear a yarmulke, a kippah head covering. And they both started out going to their interviews always wearing a yarmulke. And they both just kept not getting hired. And so eventually both of them decided to stop wearing their yarmulkes. And so one friend, he stopped wearing his yarmulke and then he immediately got hired. Another friend, he finally abandoned wearing a yarmulke, went to an interview, and the interviewer said to him, where's your yarmulke? And the interviewer said, look, I made this appointment and I was considering hiring you because I thought you stood for something and you know, I heard about you wearing a yarmulke and that's why I was interested in hiring you. And now where the heck is your yarmulke? So I know I also went through a phase where I was looking for a job. And I was wearing my yarmulke to my job interviews and I just wasn't getting hired. So so eventually I thought, ah, it might have something to do with with my yarmulke. I'm going to start wearing a yarmulke. And then the next interview I went to after I stopped wearing a yarmulke, the employer said, where's your yarmulke? He heard where I lived and he thought that I'd be an orthodox Jew. And so he was surprised that I didn't wear one. So anyway, there's an impeachment trial for Donald Trump going on. And David Shown, one of the defense lawyers for former president Donald Trump, there's video and pictures of him covering his head while he's taking a sip of water and has kind of become a meme, has been much discussed on social media, like, you know, what the heck is is happening here. So this is about four minutes into an impassioned argument that Donald Trump, his impeachment trial is unconstitutional, his attorney David Shown paused to take a sip of water. And then with each gulp, he placed his right hand on his head as he tipped his chin back to take a drink. So he put it, come on, come on YouTube. So where are we losing connection here? Not cool. Okay, do we have a connection once again? Okay. So he was putting David Trump's attorney David Shown was putting his hand on his head each time he'd take a gulp. So this is very different than a hand on the back of his head. He wasn't going, okay, he was just putting his hand. Okay, so let's not let's not get these let's not get these gestures misunderstood here.  And what's going on is that for Orthodox Jews, there's, there's a widespread belief, which may or may not be based in text, that you should not eat or drink with a bare head. And so either the head either the hand on the head either substitutes for yarmulke or it's a habit for just trying to keep your yarmulke on there. So there's been a lot of intrigue, debate and mockery on social media. And David Shown hasn't given a public explanation. But David Shown is an Orthodox Jew. He's the one who requested the impeachment trial not be held on the Sabbath because he could not be present. Then he later rescinded that request because there are other attorneys who can take his place if the impeachment trial goes to the Sabbath. So representatives of his law firm did not respond to email questions. But David Shown told reporters Tuesday he wasn't sure if it was appropriate to wear a kippah in Congress, and he didn't want to offend anybody. So Congress permits religious head coverings, but people often stare if you wear a kippah and can create awkwardness. Joseph Lieberman was an Orthodox Jew. He, he generally did not wear a yarmulke on the Senate floor. So head coverings Jewish head coverings have sometimes been an issue in public or official settings. Many attorneys remove their kippahs before entering a courtroom. Some worry that a judge will think differently of them or a jury will think differently of them if they wear a kippah. And many just want to avoid anything that might distract from the hearing topic. So the possibilities is he was either subconsciously holding the spot where a kippah would normally slip, or he was saying a prayer before drinking, or he was substituting his hand for his yarmulke. So it's typical for traditional Jews to say a blessing before eating or drinking. So it's the share call of blessing that Orthodox Jews say before drinking water or fruit juice or soda pop. Now whether one's own hand can substitute for a kippah is a matter of debate among Jews, but some believe it's an appropriate symbolic gesture as a last resort. So the gesture looks weird, but it's an understandable habit because from a Jewish perspective eating and drinking is a holy act, and it should only occur with a covered head. And it usually takes the form of a covering your head usually takes a form of a yarmulke, but if you don't have one then Jews often reflexively use their hands as if they're not wearing a kippah. So sometimes what people actually do is as important as what the tradition might explicitly demand of them. Now as a Talmudic quality right to this impeachment hearing with Jewish lawyers on each side the impeachment trial feels Talmudic, this is the Jewish forward. So interpreting the constitution requires as much philosophical argument as law and there are different schools of thought on how to approach the text. So representative Jamie Raskin is arguing for impeachment. David Shown is defending Trump both both Jewish. So Michael Brod is a professor of law at Emory University and he is a Rabbi, Orthodox Rabbi, says that interpreting constitutional clauses about impeachment free speech requires a four-pronged approach. So what does the text say? What's the precedent? What's the logic? And what are the needs of the times? So Michael Brod is on the left. So Judaism is an action-focused religion. It's a law-focused religion. Christianity is much more focused on what you should believe. Judaism more focused on what you should do. Christianity is more focused on dogma. Judaism is more focused on deed. So it would make sense that Jews would excel at law, interpretation of law, and getting around legal boundaries. In addition to Jews tending to have a relatively high average verbal IQ, but also you'd expect them to be particularly skilled with legal reasoning. So the text is only one part of what comes into play here. You also want other precedents, logic, and the needs of the time. And this is similar to a rabbinic framework for interpreting text, which was known by the acronym Pardes. So Pardes means orchard in Hebrew. It uses a metaphor for the wealth of knowledge that can be found in the study of Torah. Don't you want to learn Torah with me and learn love in this school here, this online yeshiva of radical love and inclusion, guys? So Pashat means the simple straightforward literal meaning of a text. Ramesh refers to the allegorical meaning of words. Drush refers to comparing the text to other texts. And then soed means secret. This refers to the esoteric interpretation of text. So these are four traditional Jewish ways of interpreting text. So it's not a perfect fit for Michael Broglie's framework for approaching the Constitution, but it's similar. I mean, we don't typically look to the US Constitution for esoteric secrets, but the goals of the rabbinic interpretation or American legal interpretation are the same, to understand the meaning behind words of an often ambiguous text and to apply them today. So you can hold that every word of the Torah is divine came from God, but you still have to apply that eternal framework to ever changing circumstances today. So you can have great veneration for what the founders wrote in the US Constitution, but you still have to apply that, which was written 240 years ago or 250 years ago to what's happening today. So there are two constitutional questions at hand in this impeachment trial. First, where the definition of impeachment includes a president who's already left office and the Senate affirmed that it did on Tuesday. And second, where the Trump's remarks, telling his supporters to fight like hell hours before the cap, the attack on the Capitol were the of impeachment. So the arguments are like nitpicking the constitutional language in a particularly Talmudic way. So David Shown brought up the constitutional principles that do process and he quibbled over the article used to describe president in the Constitution description. So the passage reads the president instead of a president. And David Shown then argued from that that it only refers to the sitting president. Then it represented Raskin's arguments emphasize precedent that allowing Trump to avoid impeachment will create a January exemption, allowing future presidents near the end of their term to do virtually anything without repercussions. Then Wednesday's arguments took on free speech protections under the First Amendment. So Raskin argues that the former president Trump is is not a private citizen. Thus, his speech is not protected in the same way. And he argued that Trump's speech incited violence that it was the equivalent of shouting fire in a crowded building. And to do that is not protected speech.


Well, good afternoon everybody. I think we'll just get started. Thanks. Thank you for coming to the session As you might know, it's the it's the last day of the conference Thanks for sticking it out for so long here in Bern. We have a dense-ish program although not as dense as it might have been So let's just start The reason why we wanted to do this session is that we kind of perceive a possible lag between Or a disconnect between research on one hand and how the Roman period is communicated or presented on the other and Sometimes it's got some very large. Sometimes it feels not so large and with this introduction, we'd just like to give you a few of ideas about What how we perceive this gap and them all I just give the speakers the floor because they have their familiar case studies so The aim of this session and this picture has been shown many times at this this year's EAA The main aim of this session is from especially from a European perspective to see if and why there are differences in certain approaches of how The Roman Empire or Roman archaeology is perceived in society So not our perception of scientists or academic flaws are in the broader in the broader society I'm just a kick off and I'm standing in front of the screen Just a kick off We've just juxtaposed to to pictures here from different periods from the from the recent past and your own no asterisks on one hand and even though it was satire or Conceived as a cartoon as a comic In the late 50s, I think when it when it started when it was written and It's still it still seems very much of its time The word occupation is actually mentioned in every asterisks occupying every asterisks book you're open and The general mood of the Gaulish villages is one of resistance. It's one of resistance But it's also one of what we should be so they're having a great time have a lot of parties But the same time they're they are trying to you know fend off fend off an enemy So it's almost a kind of a cold war mentality I still think in these in these asterisks books and this picture is being reproduced Long into the 21st century now. I'm not too sure if it's still you know relevant society has changed and in contrast to this picture In contrast to astra if you have a picture from the BBC and I know that people from Britain will know this this cartoon very well But there are people in this room who may not have picked up on this on the controversy with with this cartoon and this cartoon is actually was Uploaded onto the BBC home page as part of its education service as part of that to understand their own Empire better And it is depicting a commander and that's tea I think it's important that we know that he's a high-ranking officer from Hadrian's wall with his family And if you're interested, I've got another link there. You can't watch it in Switzerland. You have to hack the iPlayer Get back to me And there was a huge controversy in England that you might not be aware of but that people was up in arms Unsurprisingly, but still very disappointing like that. This wasn't What the Roman army should be but of course we know that the Roman army was highly mobile especially in the in the high ranks Traveled all across the Empire, North Africa or the Eastern provinces But I think this kind of discussions are important because for us They are kind of a wake-up call and we do sometimes forget that our research even when it gets published and we think lots of people are looking at on academia or on all the web pages then When it doesn't mean that the public are really taking taking note of it And I'm also one of the questions that we've also talking about last night is and you know a little group is whether you know Whether the public or society how they feel about these paradigm shifts which are constantly happening, you know The honor wasn't like this. It's like this. It wasn't like this. It's like this and the goalposts are changing Quite rapidly at least once a generation, which is great for science, but sometimes it can be confusing That's something we can also talk about So that's the Roman side, but it's not just the Romans which are being sometimes this is a very stereotypical Presentation of the memory. I don't know. I've seen Pompeii the film twice. Don't ask me why Once I was in a plane and once it was a kind of a bet and then I gave a talk a couple of years ago in Switzerland about The movie the eagle and what's interesting that they're both the most possible play with Roman Britain. It's both about Roman Britain The gladiator the Britain the british gladiator and Pompeii has a special power And you can speak to horses So it's very and that's what that's why you can scare of certain situations And also in the eagle when the the two the two legionaries go north of Patrons more than I'm well mentioned in the movie when they go north But then the further north they go the more barbaric and more natural more nature orientated the people become and Obviously these are Roman these are stereotypes which were mentioned in Roman sources But they're being very uncritically projected into 20% in movies and we just have to be aware what's going on I mean they can do what they want, but we just have to know well what what are the archaeological facts? What are the ancient historical facts behind these behind these movies? And that's we'll come to it in a minute and we do see that watching TV and watching movies is one of the way people or the general public actually access the past so I just wanted to Crack on a little bit and you probably know all of the survey It was carried out in 2017 about Europeans in the archaeology and it's a really interesting survey This is just to remind you about the facts and figures Picked out a couple 86% consider having archaeological remains it's advanced for a turn and that's that's really great And so a high number but on the other hand only 11% Think the archaeology helps to understand the present so this seems to be also there a bit of a disconnect Yes, we like archaeology. It's great. But what's it actually doing? And as I just said before with the movies and films a lot of people seem to get that information about the past or the Specific case the Roman past by watching a documentary Film about archaeology at something you have to bear in mind how we want to communicate our results to a bright to our other audience When we were preparing the session last night quickly We just wanted to go through the questions that we had again and the first question is You know who cares about the Roman past anyway society's changing what role can Roman archaeology play in the society in quantitative and structural demographic vision There's a lot happening what strategies might Roman archaeology develop to include all strata the population and it's great that almost all Presentations we're going to have are really a tag these questions So I think I think it's great that we can actually use these questions or you people have you have used these questions And we can then compare them from fast And the other one is how is Roman archaeology taken at grass at level what are the key issues that fall under the remit of local museums Archaeological parks heritage agencies and a large number of non-academics engaging in Roman archaeology now. We're fully aware that You know we're a lot of everybody's from is an academic the general public is not really represented So we are in a kind of filter bubble, but we have to recognize this filter bubble as well If you really want to further How Roman archaeology is perceived now, um, that's a quick bit of um Organizational much a Chatsky and wrote me an email last night. He unfortunately can't make it. So Let's say we're gonna go through Christina will do the transition between the talks We won't have a discussion after each talk because it's a quite small session So we've got the discussion around 1717 45. We'll have a discussion And then we'll see where we go after that So Let's go upload the first paper and I could feel presented quickly the first presenter


this is Amit Dan of amitdan.com. You're watching one of my Malaysia travel videos and today I'm taking you to the KL Tower or the Kuala Lumpur Tower in Malaysia Kuala Lumpur. My happy Kuala Lumpur tour was only three hours and I didn't have any repeats from my discovery amazing Kuala Lumpur city tour which I had the day before. This time I had two female companions from the USA and we were three people in one car. I took some pictures on my way in front of the Petronas Tower which once used to be the tallest building in the world from 1998 to 2004. I also visited the Kwan Thai temple Sri Mahamari Man Temple, KLCC Park, the Kuala Lumpur Tower or KL Tower and much more. The Kuala Lumpur Tower is 420 meters tall and it gave me an opportunity to experience aerial views of greater Malaysia. The Kuala Lumpur Tower is located within the Bukit Nanas Forest Reserve making it the only tower in the world located inside a forest. After finishing the trip I was back in my hotel by two o'clock and then I went to the mall in the same building for lunch and evening coffee. I spent some time taking pictures of the hotel and swimming pool which was pretty nice which you'll find under my Kuala Lumpur travel video playlist. So tomorrow I'll be heading to Toronto and my flight will look Kuala Lumpur in the morning and this is going to be our business class trip which will have three different flights and you'll see all flight reviews in upcoming posts. Thank you for watching this video. Forget about subscribing to this channel. Forget about liking this video. There'll be more videos coming up so I'll see you shortly. Thank you.


Broadway's My Beat, from Times Square to Columbus Circle, the gaudiest, the most violent, the lonesomeest mile in the world. Broadway's My Beat, with Larry Thor as Detective Danny Clover. Broadway, it's the glittering center of a glittering universe that's propped against the shadows, and it's desolation, a gaudy room with a lyre in its teeth. The lyre is in gorgeous technicolor, the screaming of trumpets and the dancing on the streets, and there's silence, too. So still, so empty, you can hear a tear drop. Whatever it is, it's Broadway. My Beat. After midnight, Broadway is a place that pulls up stakes. Wives lead husbands home to their cages. Bartenders sweep up the sawdust in a few drunken clowns. A tired voice invites you to a sideshow. And you keep walking, and then a voice calls your name. Hey, Danny! Wait a minute, Danny! Danny! And it's the voice of Maxie Stern, manager of the most colossal, most stupendous, most nothing movie crib on Broadway. Danny, come quick, huh? Real quick. Hi, Maxie. Hi, Danny. Come quick, please, huh? What's the matter? Somebody doesn't like the picture? Worse than that. He's sitting in a loge, and he won't go home, and the picture is long since over. Maybe he's waiting for the prices to change. I don't think so, Danny. No? No, I think the gentleman who was occupying my loge is dead. Come quick, huh, Maxie? Yeah, the way we discovered him, Danny, is one of my charwoman who sweeps out the dump, the theater, was sweeping out the loges of this gentleman she camped lightly, but so she calls a private. Huh? An asher who's at the bottom of the rung of success. The private calls a corporal. Corporal calls a nuts. Finally it gets to the head asher, and he calls me. And I verify the opinion that the loge said he's dead. But this I have to have official, so I called you. Where is he? Up these Persian carpeted stairs, Danny. $30 a square yard. Wait, Danny. Danny, I'm out of breath. Where is he? In here. Through this renaissance door that opens out onto a luxurious loge. Hi, Danny. I'm glad Maxie found you. Danny, I took the liberty of first calling our house doctor, Dr. Jeffrey Conner, the house doctor. Oh, it's all right, Maxie. Why are you glad Maxie found me, Doc? Because this man's been poisoned. Oh? Dilated pupils, tinge of blue on his lips, all the usual symptoms. Suicide, maybe? Maybe. But I hardly think so. People don't take poison and go to a movie. Not this poison. The pain is excruciating. How long has he been dead? I'd say an hour, maybe two. Well, he must have cried out. He must have made... The picture's hilarious, rib-tickling. It's a comedy, Danny. Maybe the other schmose in the loge thought he was laughing. Some people laugh and such away, you know. Yeah. I see who he is. Wallet, name stamped in gold, Sherman Gates. Cigarettes, hotel key, Carnegie Hotel. And his umbrella, Danny. Lying wet on the carpet. A man commit suicide in the loge, Danny? Suicide or murder, I had to know which. So I had a call to make. The Carnegie Hotel on 2nd Avenue was an institution that had never received an endowment. But its educational possibilities were infinite. The signs walking up the steps from the street made you know that. You could hold a seance with Madame Astarte, 7th daughter of the moon. You could buy magic tricks from Professor Novotny. When that was over, you could buy a Swedish massage from a brother and sister team. At the top of the steps was a man seated behind a cage. He was looking down at a glossy magazine. I looked down at him. He kept looking and I kept looking. I got tired first, so I rang the bell on his desk. I heard you when you hit the third step coming upstairs. That's a loose one. And why don't you pay attention to me? Pay attention to something else right now, Mac. You won't see. See what? This magazine. Get it every month. Here, look. Picture of Phyllis in again this month. Wearing a hat. The first time I ever saw her wearing a hat. Last month it was stocking. Cute, huh? All I want is some information. About Phyllis? Oh. Oh, I can't do that. I wish I could. But we can both dream, can't we? Information about a guest, Sherman Gates. You got the information. He was a guest. He's dead. People die. Say, who are you that wants to know what you want to know? I'm Danny Clover. Police. Oh, so I'm Lee Crandall. Clerk. So? So what about Sherman Gates? He was a guest. Two guests that had room 12 down the hall. He made a couple phone calls early in the day through my switchboard. Went out, didn't come back. Putting two and two together. I'd say the latter was because he's dead. Am I helping? What about the two phone calls? I'm being a citizen like, oh, get out. I got them right here. Right here someplace. Yeah. Yeah, here they are. Thanks. Don't mind if I use your phone, citizen? No, you don't. Not for a dime. I don't. Danny Clover, I want you to check two phone numbers for me to tag me. Here are the numbers. Give me the names and addresses to go with them. Yes, Danny. Plaza 79970. And Regent, Regent 41098. You got that? Yeah, I got it. Good. I'll call you back. Here's your dime. Thanks. Now I guess you want to look at Mr. Gates' room, huh? Yeah, I want to do that. When you're finished, I got something to show you. More art studies at Phyllis? Uh-uh. Broken down dentist once left a stack of National Geographic here. Maybe a guy like you gets his kicks from stuff like that. It made him happy to say that. And he was being a good citizen, so I let him be happy. The room of Sherman Gates, guest, deceased, revealed a bed and a table, beat up, broken down. Not much else. Mr. Gates' other suit and a change of underwear. I leaped through the National Geographic's to give to Taglia time to check on the phone numbers. I learned little-known facts about the pick-me-people of Mozambique, then called headquarters. Two phone numbers. One listed to Irene Vincent in the East Sixties. The other, a photographer's shop on 10th Avenue. It was midnight and neither place answered my call, so I waited until the next morning. Called in person. Something I can do for you? Yeah, there is. I want to ask you a few questions. Oh, good. About a camera? This one takes wonderful pictures of the whole family. I don't have a family. Questions about a photographer. Oh. Well, we've got some wonderful brochures here. The tricks of all great photographers. Weegee, Lou, Jacobs, Junior, Steichen... Not about them. About Sherman Gates. Gates. Gates. Gates. Don't know him. If he were a photographer of note, I'm sure I'd know him. This photographer was also a customer. Try that. Gates, huh? Gates. Sherman Gates. Sherman Gates.  He called you yesterday. Gates.  Gates, of course! He called me yesterday. Maybe you'll have a better memory if I tell you I'm from the police, Mr. Quimby. Join us, Quimby. There's nothing wrong with my memory. I just told you, Mr. Gates called me yesterday afternoon. What did he call about? About the usual thing. Like, where his picture's ready? And were they? No. What did you tell him? I told him no. I mean, when did you say his pictures would be ready? Today, this morning. Now? Now. Get them. I'm calling for them. It's irregular, you know? I know. Get them. Why does Mr. Gates call for them himself? He's dead. Now get them. Of course, they're right here. In this drawer. Here they are. In this envelope. Yeah, thanks. Yeah. How do you know? Cats. Pictures of cats. Aren't they life-like? So real. Yeah, pussy-pussy-pussy. I'd never heard a man say that to a picture of a cat before, so I tiptoed out, pointed myself to East 60th Street, and took off. Irene Vincent's apartment house was fashionable. It had a fashionable doorman, a cutrate in dawn pink, standing under a fashionable moss-green canopy.  Took them over to a lavender phone, spoke them in a shocked voice, arranged me in an elevator, pushed a button, and washed his hands of me on the 10th floor. I lit a cigarette and saw Irene Vincent waiting for me in her doorway. She didn't leave much breath for smoking. Come in, Danny Clover. Yeah, thanks. He is frightful, isn't he? Who? The doorman.  If you say so.  And why are you calling on me? A man named Sherman Gates. You know him? If you say so. He called you yesterday from the Carnegie Hotel. So he did. He died last night in a movie. So he did. I read it in the paper. They say if I'd be suicide. What do you say, Miss Vincent? Oh, I don't think so. Sherman wouldn't commit suicide not that way. Tell me about Sherman, Miss Vincent. Oh, Sherman was 100% Danny. All boy, all star. High school track, B Club cheerleader, a devil with the girls. I was in love with Sherman once. 100%. When was that? Too long ago, when I was a little girl in Iowa.  And he called you yesterday? Why? He wanted to date. The flame was flickering, he said. That's the way Sherman talked. You gave him the date? Of course. It flatters a girl, Danny, when an old love comes out of Iowa and asks for a date. Where'd you go? What did you do? In detail. Mm-hmm. In detail, we went to Genos, had a few drinks, left Genos, had an argument. Oh, that should interest you, Danny. It does. Well, it was about a cat. A cat rubbed itself against the leg of Sherman's tuxedo and Sherman kicked the cat in the face. So we argued. And? So I took a cab home, threw my umbrella in the tub to dry off, took my clothes off, got into... Oh, Irene, the drinks are ready.  Oh, I think so, Joseph. Danny, this is my fiancée, Joseph Dorcas. Danny Clover. How do you do? Mr. Dorcas, I... I think he's dropping, Mr. Clover. You'll want to know if I knew of Irene's going out with Sherman Gates. Oh, I hadn't part of it, but it'll do. I knew about it, Mr. Clover. Irene has full personal freedom until we're married. You've read of our marriage? Uh, I'm afraid not. It's been in all the columns. A winter romance, they call it. That is my part of it. Nice phrase, isn't it?   You see why I love her, Mr. Clover. And in two weeks she'll be mine. And then, Irene, no more chance to Iowa to see your mother. No more evenings with callow youths like this Gates fellow. No more. Hey, darling, you're embarrassing Danny Clover. They clenched. And I got out of there. I checked in at headquarters, grabbed a cup of coffee, and then went back to a man named Quimby, who had pictures of cats for a dead man who hated cats. Oh, I see you're back. You remember me, huh? Of course. You said you were a policeman. You told me that this morning. Right, I'm a policeman, and I'm still working. I got some new questions to ask you, Mr. Quimby. Please ask them in a hurry. I got some pictures in the tank. This won't take long. Those pictures you gave me this morning. Mr. Gates' pictures? Those. Are you sure there were the pictures he left to be developed? Am I sure? What do you mean, am I sure?  Of course I am. Now, if you'll pardon me. One more thing. Please, those pictures in the tank, they'll spoil. All right, but hurry up back. I'll only be a minute. Just look around. Quimby, what happened? He really did try to tell me what happened, but he couldn't. He'd never be able to. I hurried over to the open door which led to the alley. Empty. The sound of a car starting off, a car driven by a killer, suddenly made the whole place empty. Empty except for one thing. One single and shining fact. The dead man in the loads wasn't a suicide. He'd been murdered. Now, he had company. You are listening to Broadway's My Beat, starring Larry Thor as Detective Danny Clover. A whale of a Christmas present for a few moments brain scratching. Could be, there's $54,000 in the Sing It Again jackpot now. $25,000 of it in cold hard cash, and the rest in wonderful prizes. Sing It Again is heard for a full hour every Saturday night on most of the same CDS stations. In the afternoon, Broadway is a place of regret. It's the interval between the flirty lunch hour and quitting time, the longest five hours in the world, and it happens five days a week. It's also the time to dust the coconut husks at papaya stands, to dodge the cloak and suitor for whom nothing exists except the clothing rack he's pushing, and it's the time for window shopping. For me, it was a time for homework, and headquarters is where I studied. There's a sergeant there who helps me. His name is Tartaglia, and he tries real hard, or as he puts it, I try real hard, Danny. I know you do, Tartaglia. So tell me what you found on Junius Quimby. Oh, that little photographer was a naughty boy, Danny, with a record, not a long one, but naughty. Pictures, huh? Photographs. Pictures, Danny, photographs. That all? Yeah. Oh, wait a minute, I almost forgot, Danny. There's a guy outside to see you. Joseph Dorcas says he's the fiance of one Miss Irene Vincent. I'll show him in, Tartaglia. Yeah. Go right in, Mr. Dorcas. Thank you, thank you. Hello, Mr. Clover. I hope you're not too busy to see me. Not at all. Sit down, Mr. Dorcas. Thank you, thank you. Mr. Clover, I'll come right to the point. I'm a very rich man. I'm happy for you, Mr. Dorcas. It's a fact that doesn't need a comment, Mr. Clover. I only tell you that because, well, you should know it. I'm in a position to buy off any trouble that Irene may be in. Your fiance's in trouble? Yes. She just came back from a vacation with her mother in Iowa. And since she's back, she's being blackmailed. That'd fit. I don't know how exactly, but it would fit. I can't guess what you have in mind, but I think I can help you. Well, frankly, Mr. Dorcas, I could use a little help. What have you got to offer? Some pertinent facts. Good. What are they? Well, the day before yesterday, a man called her. Said he had some information that he was going to take to me. He was going to take it to me unless Irene paid him $20,000. What kind of information? Mr. Clover, Irene swears to me she doesn't know. She got a phone call from a man. The man set up a meeting place, but the man never showed up. Go on. Yesterday the same thing. Another phone call. Another man. And this man didn't show up either. What else? About an hour ago, one more phone call. Still another voice. This time the man told Irene to meet him at one o'clock tomorrow morning at the 23rd Street Docks Hudson River. Was that all he said? No, no. He mentioned the names of Junius Quimby and Sherman Gates. Oh? He told Irene that what happened to them would happen to her if she didn't appear with the money. Does that suggest anything to you, Mr. Clover? Yeah, it does. It suggests this third caller is our killer.  Some piece of information that belonged to three men now belongs to only one, the killer. Well, what shall we do, Mr. Clover? We'll do this. Tell Irene to get the money and meet the man. Yes, but... Don't worry. I'll be there. Tell her I'll be in the doorway at the Port Agent's shack. Tell her to walk past me so I'll know she's there. But above all, tell her not to talk to me. Got that? Of course, Mr. Clover. I have it exactly. At midnight, the 23rd Street Dock is an island torn out of limbo. The mist, the vapors rising out of the Dark River, the sob of distant turbines, the almost silent hiss of the sea. It's all there. And you stand in dark space at the edge of a universe, and wait, and hope you're doing the right thing.  It's a simple sound. The sound of a woman's heels and wood. So you're back, and you remember why you're there. Danny. Danny Clover, are you there? I told you don't talk to me. Keep walking. But I'm frightened. Danny Clover, 100% frightened.  Yes, Danny. And remember, talk to him as if you were alone. No loud crying, no hysterics, nothing. Understand? Now, keep walking. Yes, Danny Clover. Here goes a pretty girl.  Why? Because I'm a girl, and girls are unstable. Yeah. Are you hurt, Danny? Did he shoot you? No. But there's blood on the ground. See, Danny Clover? Danny Clover saw the blood on the ground.  Danny Clover went back to headquarters. By two o'clock, the orders were out for every drugstore, every hospital, every doctor to be on the lookout for a wounded man. Then Danny Clover curled up in his swivel chair and fell asleep. Of course I'm decent. What are you talking about? There's a lady out here to see you, Danny, from the Salvation Army, with a drum and a cymbal and a tambourine. What? Yeah, she says she knows you have something important to tell you. Well, sure-in, Targon, sergeant, sure-in. Yeah. I didn't miss, uh, just, uh, ma'am. Oh, it's a glorious, glorious morning, isn't it? Glorious, Opal. How are you? Glorious. Why don't you put the drum down? Don't take me a help, Opal. Oh, sure, sure. Allow me, Miss Opal. Thank you. Targon said you had something important to tell me. Well, it may be. I don't know. It just may be important, and then again it may not. Strange the way things are one way or another, isn't it, Danny? Tell me anyway, Opal. Well, last night at the mission, it was my tour of duty. You know, helping the poor wandering souls... What happened at the mission, Opal? Well, about three o'clock in the morning, this man came in with a terrible wound in his shoulder. Oh, a terrible wound. I dressed up... Where is he now? Well, back at his hotel, I suppose. The Carnegie Hotel. You see, Mr. Crandall's one of our steadies. But, Danny, where are you going? I haven't finished. Ah, citizen, it's me. Come to tell me I'm not much of a citizen no more, huh? A real bad one. A wounded one, too. Your shoulder hurt? Some. If I make an effort, it'll still operate. Don't try. I'm booking you. We'll take fine care of your shoulder. I missed everything, didn't I? Missed it all up. Amateurs ought to play that game and make some gun happy. Uh-huh. Yeah. I turned all of Phyllis' pictures to the wall. She isn't proud of me. She looks sad. Even the one in stockings. Tough. You ready? Sure. Can I figure on how long the rap is? Figure on all the time there is left in the world, so you won't be disappointed.  Killed two men? What are you talking about? Sherman Gates, one man. Junius Quimby, one man. Wait a minute. Two men? Wait a minute. You're talking too fast. Words are going by me. I think I hear, but I don't know what they mean. Let's go, Lee.  I lost it. That's all. You're talking for the record now, Lee. Sure I am, and this is the record. A letter comes for guest Sherman Gates after he's deceased. I open it, pictures in it. Blackmail pictures to a guy with brains. More brains than me. So you're called Irene Vincent. Sure, her picture's been all over the paper on account of her marrying that millionaire. Sure I called her. Where are the pictures? Right in my back pocket. They never left that. I'll take them. Well, yeah. Thanks. You can't book me for murder. You can't... Here's a dime, citizen. I got to call headquarters. We're going for a ride. You, me, and the pictures. You're sent for me, Danny. I was just on my way to home. My phone, Mrs. Tartagli... It was a little early, isn't it, Sergeant? Well, I'll walk with the rain and all by the time I get through the traffic. I'll take off that slicker and stick around a while. I want you to look at a picture. Okay, Danny. Well, where's the picture, huh, Danny? Here. What do you see, Tartagli? Well, I see a gorgeous dame in a swimming suit by the name Irene Vincent. I see a guy also in a swimming suit by the name Sherman Gates Deceased. And they're leaning up against the new Nash. Looks like the 1950 model. Did I see everything, Danny? Where are they? To me, it looks like Miami. I've never been to Miami, but to me, it looks like Miami. Palm trees, oceans, swimming suits. Yeah. Neat piece of blackmail. This is the blackmail to be in Miami in the winter? You can go home now, Tartagli. Oh, thanks, Danny. Thanks. It's because of the rain I'm leaving now. What do you got there? The umbrella. Umbrella? Yeah, sure, an umbrella, Danny. It's raining outside. Cat and dollar. Umbrella. Go home, Tartagli, and tell Mrs. Tartagli that today you did real good. I want to apologize for Irene's not being here, Mr. Clover. Oh, that's okay. You're here. After all, Irene and I are engaged. And the fact that you found me in her apartment shouldn't cause you to lift an eyebrow. Not the nearest wisp of an eyebrow. Maybe you'll react, Mr. Dorcas. I know why Irene was being blackmailed. Good for you. So you found the blackmailer. You understand, whatever Irene did before we're married doesn't concern me. Oh? That was a part of her life that I didn't belong in. It was hers under whatever circumstance she wanted. What if it happened three weeks ago? Impossible. Look at this picture, Mr. Dorcas. Does it tweak you? I... Irene. Irene, come in here. Well, you mean you've been out-clevering me. Irene's been listening all the time. I'm mine. I don't like to subject my fiancé to the police. Now, well, come here, Irene. Yes? What is it? A picture. I want you to look at it. Were you in Iowa three weeks ago, Irene? I told you I was, dear. That means I was. Irene, you're not looking at the picture. I'm looking. I was making three years ago in Miami before I met Mr. Dorcas. You're lying, dear. You're doing just that, Irene. They didn't have 1950 cars three years ago. They had them just about three weeks ago. Irene. So I went to Miami. So what? So what if I did? Irene, tell us. Tell us what happened the night Sherman Gates died. I've already done that a hundred percent. The part after you left him. Do it again. All right, I will. I came home in a cab undressed, went to bed. Happy? The part about the umbrella. What did you do with it? Threw it in the bathtub. Happy? Yeah, but you're not. A guy comes to call for you to take you out for an evening. He brings an umbrella like a hundred percent, gentlemen. I know because it was found with his dead body. Poor him. So? So you carried an umbrella, too. When a gentleman carries an umbrella on a date a girl never does. But you did. You know why, too. Throw him out of here, dear. No, no. I don't want to do that. Because you knew you were coming home alone, Irene. So you poisoned his drink and left him. That took care of Black Miller number one. You mean Irene killed someone else? Did you, Irene? You're both crazy. Ah, you killed Quimby, too. The nasty little photographer who developed a few extra Black male pictures for himself and wanted in on the Black male. Poor Irene. You're crazy. But still another man got in on the Black male. A hotel clerk who opened Sherman Gates' mail and figured you'd been cheating almost up to the altar. Don't listen to him. Don't listen to him. So you dreamed up a story, Irene, and told it to Mr. Darkus here. A story that made the hotel clerk look like he murdered the other two. He didn't. You did. Irene. Irene, put down that gun. Get out of the way. I'll kill him. Irene, don't. Irene.   I'll take that gun. I said, give me that gun. That's better. Irene, I... She looked at him, then fell suddenly to the floor, took Darkus' head in her arms and swayed back and forth. Back and forth.  And it was hard to believe she was a murderer. But you knew better, so you called headquarters and they sent an ambulance and a couple of burly cops. She was 100% with them, so they gave her the best seat in the paddy wagon. Broadway looks clean. It's been washed by the rain. It smells good and everything looks sharp. Sharp like a knife at your heart. And you walk against it and it plunges deeper and deeper and deeper. And finally, there's no pain. It's Broadway, the gaudiest, the most violent, the lonesomeest mile in the world. It weighs my beat, stars Larry Thor as Detective Danny Clover and is written by Morton Fine and David Friedkin. The musical score was composed by Alexander Courage and conducted by Wilbur Hatch and the program was produced and directed by Elliot Lewis. The cast tonight included Charles Calvert, Joe Forte, Paul Duboff, Junius Matthews, Mary Jane Croft, Herbert Rawlinson and Joyce McCluskey. One step to curing a disease is recognizing it and treating it. Hate is a disease. It's recognized as such by patriotic citizens who refuse to spread the doctrine of hate by speaking against a fellow American because of his race, color or religious greed. The treatment to cure the disease of hate is to accept or reject people on their individual worth and to speak up wherever you are against prejudice and for understanding. Stay tuned now for Sing It Again which follows immediately over most of these same CBS stations. This is CBS where you'll find Broadway is my beat every Saturday night, the Columbia Broadcasting System. Thank you for watching.


We're gonna be going kayak fishing as you guys know in one of the last kayak episodes We got a really big fish and I've catching the PB on the kayak my PB before was four pounds and that fish Summer close to eight pounds. We didn't have a scale, but today we have it We're about to be going out on this beautiful lake dropping the kayaks in and trying to catch some good fish We have an Allen Bob's kayak out here today, and then we have my kayak over here there So both bona fides We're gonna go ahead and get them off the trailer rig a few poles up and Try to just catch some big fish I'm really excited about today because it's just beautiful last couple of days It was raining is a little nasty outside a little chilly and today. It's like bluebirds guys. It just feels amazing It's gonna be getting up to 70 degrees today got Cody behind the camera We're ready to make it happen today But if you guys are new to the channel hit that subscribe button hit the notification bell Also hit the like button if you guys have been enjoying the content If you guys didn't know hitting the like button really helps out the videos if you guys want to support your boy I really appreciate it also drop some comments down below And if you guys want to see the kayak videos let your boy know because I kind of want to get into it some more Take the kayak to some different places go travel with them and just all on out film some cool kayak videos I was driving down the road. It's about a 20 minute drive from my house. Not too far You know I have Allen Bob's kayak. I have my kayak, but look at this Allen Bob's Hattle like fell off during the drive and it just got wedged right here. Look at this You can't move anywhere. Thank God that this thing did not fall off on the highway because Allen Bob probably would have killed me wait Wait a second Cody. This isn't Allen Bob's. There's already two look. This is Alan's and then we have mine This is the one that I had at a third kayak up here. I took off this morning This is Delton's delton would have killed me. Oh my gosh All right, that's just mind blowing me for a second. I thought this was Allen Bob's and this is the third We just have an extra paddle in around All right time to get the kayaks in the water. I'm excited about today Here we go Well, we forgot our fishing poles. I think it's the most important thing today rather than the camera Just make sure I don't fall in here Okay, we're good How on the heck Do I forget my fishing rods out of everything like really we got the poles and I brought a lot today I brought five with me. All right. I think I might start in on this side since we didn't fish it last time All right, so it's time to rig up a rod real quick. I Brought five with me might be a little too much But we got this combo right here custom pro on a Mach 2 We have this red eyeshadow right here and this is the one we've been catching a lot of fish on but I'm gonna cut it off. I might tie it on I was thinking about throwing it Which I think we can catch some fish, but at the same time I really want to rig up one of these Rage crawls and this is what we caught the big fish on in the last kayak video. So I don't mind cutting this off Tying on an old rage curl one fourth ounce of bullet weight Three extra Y gap hook Put the weight on first tie this extra Y gap With a uni knot Just like that now we're gonna take these rage crawls and this is in summer crawl Exactly what I caught that PB kayak PB on there we go Just like that There is no way I got one First cast Oh my god, I think my phone almost fell in it as a pliers That was really first cast. I just decided to throw off on the edge of that grass And look at that What am I doing? Pay attention to Cody. I think he has one. Does he have one? No, he missed one Look at that. That's an easy two pounder Got fat that or long that fish is really long and got a little Gut to him right there. I Cannot believe that first cast. This is exactly what happened the last time we came out here We caught one on the first cast then we didn't catch one for a while But hopefully we can keep the momentum rolling about a solid pound and a half her right there I don't know. She's exactly to a beautiful markings on these fish in this clear water. Let's get her back in What a way To start the day Thank you, baby. There she goes What a way to start the video. How do you move the boat?  That is awesome I'm telling you. I think it's a summer crawl I might need to go toss Cody a few of these because he's gonna be fishing around this morning They just catch them. I don't understand this color especially in clear water. Oh, baby Wait, dude, it looks like there's almost a bed there Yeah, bro, I might have caught that fish off bed Like actually I'm gonna throw another cast there. Yeah, that was definitely in the mail Wow, dude, there's no way If we catch one bigger than that right here that fish was definitely on bed, which is crazy I think they're starting to push up early this year But I was like sitting down when I made that cast now I'll stand up There's like this bed that's right off the end of this point.  It gets pretty deep out on this side. That's what I wanted to start in this Side over here.  Oh my god first cast First cast dude.  Oh, it's a freaking good one Let's go right out here in the middle. I might wear the big so look at that. That's a biggin.   That is a solid look at that fish. Oh my god. Are you kidding me?  We got this natural color Like a sexy shag color with a little bit of purple.  That's a freaking that's a good fish There we go guys second fish of the day and that is a solid three number. That is a good fish right there We're gonna get a weight on her She's got a little bit of dookie coming out of her booty, but that's a good fish right there thick and healthy Just picked up that jerk bait and I was like, you know what we're gonna try out here in the middle And I'm not even kidding first cast we land this girl as bigger ones might be pushed off on that deeper grass Got her zeroed out exactly what I thought It's a little shy Three pounds six ounces almost three pounds seven ounces. So almost a three and a half pounder three pounds eight ounce to be three and a half Little bit shy of it, but that is a good bass right there Respectable fish right down the jerk bait Let's go ahead and get her back in the water and start making some more cast out deep because that might be where these Big girls are sitting this morning Let's get that girl back in the water.   I Wonder if that's where the big ones sit off. I just wonder if there's more down there I swear I just saw one swim down after my big could be wrong, but and I was right Picked up so weird That's my bait all up. Look at that He was swimming after me. I thought I saw one dive down at my bait and it felt like one slapped it Just wasn't eating it all the way. I was correct on that one Was about to say I don't know if I'm going crazy or not super deep should be one.  He's gonna eat me. He's gonna eat me. He's about to eat it. Oh my god He almost ate it That's his bed that fishes on bed right there. They're not locked. I can't see him anymore He's got a slight ripple. I can't believe that. He was so close to eating that bait. He just hammered me right there I'm no idea why I didn't eat it, but he could be on bed right there He's kind of slapped his sideways once my crawl.  That fish is probably three pounds This is crazy. I wish you guys could see this. I don't know if you can see it exactly I'm gonna keep my bait on this bed until this fish like shows back up Because I really think I can catch him.  He's about to eat it right here. He's literally has his nose on it. Please eat it You guys have no idea. He's nose down Eat it, please if you guys saw this Please eat it He's getting closer I think he's about to eat it. He's so close. Gosh, he's a good one, too I think he's like three three and a half pounds. I'm bound and determined to catch this fish now I'm gonna keep that bait right in the middle of his bed. Oh My god, he's eyeballing it What if I try the chatter bait on there? I have to change my battery out that fish is looking right at my chatter bait She's so finicky This fish are in that weird stage right now It's gonna be some of the hardest fish to catch. I'll just hit her with it and make her mad He's not gonna eat. Oh, he just oh, he just ate it didn't yeah There he is Oh, it's a good one too. Look at that. It's the three pounder. Fat as can be We've been waiting so long for this bite Oh, yeah Look how pretty that fish is in the water Nice That's a solid two number.  It's crazy how healthy these fish have gotten this lake right here Like I said, we fished as many of years before and there's a lot of smaller bass But right now all these big girls are pushed up shallow and they're starting to push up getting ready to bed and spawn They're just so thick and healthy and the colors on that fish right there Are just amazing It's been a while since I've had a bite, but we we made it work. That's fish number three of the day We've had some good ones too. It's a solid two pounder There she goes Oh my gosh I got him He feels big I don't know Oh, yeah, it's a good one Yeah, it's a good one. I mean, where did all these good fish come from? Oh, yeah, not a bad one at all It's a two number.  I should have thrown it more earlier Right out here in the middle Look at that. That's a high two pounder Look at that fish That's a beautiful one right there. Yeah, that's a two number.  She's bluebird skies got that natural color Little bit of wind coming back in here, but some of these bigger bass that are pushed offshore They're definitely eating that jerk bait. They're wanting something to react to one thing. I noticed on this fish It's got like this cut Right here on top of his head, which is very interesting a beautiful fish. That's our fourth one of the day We're putting together a really good bag out here on the yaks Old strike king jerk bait getting it done Another another good bass Got fish on bad right there. Oh, he's running away. He saw me I was about to say I just released that fish. I was gonna pick up this crawl and just flip it in front of that Dude, he almost ate it right there. He He's gonna eat it. What in the world just happened, dude He went after my bait right there. I actually he was about to eat it Whoa, I hope the gopher saw that I just thought he was gonna eat it right there. I can't believe That fish was triggered But those ones that are roaming out in the middle.  That's a big one, dude.  There's pretty colors on these bass. Look at that.    We didn't get done chances actually coming out with this boat right now We're going to be punching all the grass around the lake So stay tuned for that video be subscribed to the channel hit the notification bell And hit the like button if you guys have been enjoying the content, but I love you so much


Got fish. Old bass. You can eat them. What's going on guys? Welcome to another video. In this video I actually went out with Georgia Giants, Georgia Outdoors, Fishin' with Norm and Dr. OG. I'll leave all their links below guys. Go ahead and go check out their channels. They're posting bass fishing content as well. You guys probably already know who Fishin' with Norm is because I featured him previously in another episode. And we went out to some golf course ponds. The weather was pretty hectic guys. It was pretty crazy. I decided to use this $1 popper. So this is going to be the $1 popper challenge. $1 topwater challenge that we're going to be doing in this video. I do apologize for a little bit of the audio in the beginning of the video. It is a little bad just because the rain really muffled the mic or something and the audio wasn't coming through perfect. But later on in the video, I'll show the times right after this clip is when the audio will clear it. But I hope you guys enjoy it. Be sure to smash that like button. Hope you enjoy this video. We're going to get hit hard in a minute. You got him? Is he a big one? Oh my God. It's the angle. Listen, it's the angle. You got him. Look at the color on him bro. Dude, I'm telling you the other one happened to be bigger. Dude, the other one looked big. There you go. All right guys, just caught one off this point. I didn't have my GoPro on because it's been raining real hard and mine does not have a waterproof housing on it. So Norm actually captured the footage. But I caught this thing. I threw it right off this point. Popping this little pop bar. This is actually the one from the $1 Walmart dollar challenge that I filmed recently. Absolutely hammered it. I thought he was going to be a really big one honestly. But I'll take them for the first fish of the day. God, there should be a fish right there. Just like that. Oh my God. He like got behind the pipe and I got hung on the tree. Oh my God. Bro, what? Dude, that's a good one bro. Look at that. I thought he's a solid three. I thought he was bigger than that dude. That sound was insane. Oh God. That's a big one bro. Hey, yeah. There you go. That was awesome. What is that? I'll hold on to your back. I got you both. He's been in the water the whole time. As the cars go by. Dude, this thing has been sitting out there for literally probably two minutes while I was holding it in. I twisted it one time and it just eats it. Here Norm, you want a thumbnail? Catfish. Old bass. There's no way you got it. That was probably the craziest catch I've ever seen. That's a good one. Yeah, that's a good one bro. You want to walk him over there? Dude, his rod literally went like this. Like this, between his legs and came up and somehow he didn't knock it in the water. Water should get some water coming through this pipe. Should definitely replenish. I mean, he caught a good one on it. Not too long ago. There's water moving like that. Usually you have multiple fish pull up on it. Yeah, it's not just one and done. Like that. Just like that. Spots like that where there's water moving. These fish are definitely going to pull up. Pretty little guy. Like if you grab him right here. Oh my God. How big is he bro? Yeah, he sounded like about an eight pounder.  This is the worst guy. Look at that guys. Pretty little fish. Pretty fish. That's just an old thick one right there. Nothing wrong with that one. That was the best fish release ever. We're working it fast that time. Little guy guys. Still on the little popper. Oh my God. Dude, I was going to have a breach down and just rinse my hand off a frog just because... Yeah, look at him. He's very ballsy right back at it. Here. On the frog out there? You were all the way out there? Oh my God. I thought he was big for a minute. Talk about eating it guys. Well, I just got a hook in the hand. That was close. That's a good one. Oh, I know he's not. You got one too? Got all these guys there just killing this popper. I thought I had about a three pounder. Oh, triple? I actually got him a little thickness on his belly right there. This is crazy bro. Look at that. I've never seen the fishing out here like this. The rain. The rain. Turn him on. It's crazy. Thank you. I let this girl go guys. Really? Dude, that looks dang good right now. What's your YouTube? There you go. Go give them a subscribe guys. Look at that. How many you got? You're pushing 100. Get him to a minimum of 200 guys. Bro, what the heck man? I thought I had about a 10 pounder on for a minute there. He hit it like he was about 10 pounds man. I'm about to hook one. I have no idea how I'm going to get him up on the bank. Just like that. Exactly what I was talking about. Check out everyone's channels below. Be sure to go give them a subscribe as well. And stay tuned for some more video guys. I hope you guys enjoyed this $1 topwater or slash $1 popper challenge here on my channel. I'm going to be having a $1 spinnerbait challenge coming up very very soon. So stay tuned for that one. Thank you guys so much for the support. And I'll catch you guys in the next episode. Bye.