Alright, so this video is very, very, very much so well overdue, but I wanted to do this still regardless. Back when I reviewed the monster at the end of the book for season 4, I asked you guys to give me your thoughts about Chuck as a character and just kind of his effect on the show as well as whether you got the impression that he was gone from this episode and just how things traversed into the season 15 finale and everything. Just curious of what you guys thought. So I said, give me your guys's comments and admittedly this is when did this video come out? Ooh, April. Well, July is the time of recording this, so only three months. Okay, let's get on with it. So Rob Hanna started off with, as for Chuck, I'm trying to think back as to when I first saw the episode. I just kind of figured he was a prophet who was receiving revelations from God without directly talking with him. And that's kind of what we got. That was basically what we saw from the character, how he would turn the verse into what he would become. It's definitely, it's a little bit different from what we got obviously in the end, but at this point, that's basically what we were given. That's the nitty gritty of it. Look how they massacred my boy. Chuck deserved better, Gabriel and Michael too. Gabriel most definitely just should have been dead. Michael is the one who actually just got completely screwed over. I can't believe they did that to Adam and Michael. And saying with Chuck, I don't know, it's still a very odd sort of situation, but the next comment here actually kind of has a bit of my own thoughts on the character as well. In regards to Chuck, to me, he's one of the best and most likable characters in the show. When I first saw this episode, I didn't see him as God. In Swan Song, I just thought it founded weird that he disappeared. It wasn't until the 200th episode that I made the connection and accepted him as God, which is why Don't Call Me Shirley is my seventh favorite episode in the series just because of that reveal alone. After this, I rewatched the show and honestly, you can see it. Whether it was intentional or not, Chuck was God. He's a loving creator who, even though was disappointed by his creations, still wanted to help them without compromising their free will. That's why he was helping from the background in situations like The Apocalypse by urging Sam to give up his addiction in a subtle way. I mean, think about it, would a hack drunk writer become wise all of a sudden, or would you see it as a father giving advice to his children? That's why I love Chuck so much, because he is not the God we expected. He's bitter, he's sad, he has made mistakes. He doesn't know how to make up to his children, and that's why he's on the run. As much as he is disappointed in them, he is more disappointed in himself for not handling the situation with Lucifer and Amara in the best way. The backstories work so well with Dean when Dean helped him reunite with Amara, showing that even creators can get help from time to time. In a few episodes, Kripke and Jeremy Carver gave this character so much relatability, this is why I don't consider what Dab did as canon. He took all of that complexity and threw it out the window. I really wish Jeremy Carver had produced his version of season 11 finale, because I know for a fact it was his plan to end it there. I didn't really kind of accept the character as God until that 200th episode was a pretty good cameo from him. It did spurn the idea of what he might be, as well as, I don't know, I've never, it was at that point I was like, okay, I think they're going the God route. But I could actually take him as this mystery figure as well. Like I say in my review of the episode, I like the idea of him being kind of this unknown figure, and once we get to Swan Song, you'll also see just this idea that he's not fully answered, that Stephen King element of leaving it up to interpretation are just not fully giving you the answers, because sometimes answers just don't work out well. It worked out for the most part when he was revealed as God, but then they took that answer and they took it way too far. I liked how he kind of just exited in season 11. I was like, that's it, we're never seeing them again. That's the best way to kind of take all of the future issues that they're going to go up against and be like, well, they don't have God in their back pocket anymore. And I do like what Nikos is saying here in terms of the disappointment and the relatability and the fault, the issues, the not-perfectness of the God Chuck character. I kind of am admittedly very curious as to what Jeremy Carver would have done because he was basically setting up season 11 to be the finale, but then when CW renewed it, he basically daked right at that.  Chuck was never meant to be God. Kripke said, Chuck was a prophet through the first half of season five. I'm sure phrase that way, not to commit to the idea, suggested in Swanson while the debate was going on. In any case, I loved Prophet Chuck, season 11 God Chuck. I hated Andrew Dent for destroying both Chuck and Sam and Dee. Yeah, even when, like I said, most of the time when you get an answer in media, sometimes it lets people down, but they were able to make it work for the most part. But then they decided to add too many reveals, too many kind of things about what the Chuck character was. And I could have maybe believed Chuck turning into a villain, but you needed more than 20 minutes. Heck, you had 15 minutes. That's not how it works. I understand that's how supernatural has worked in terms of developing characters. I would have more so just had him appear at the end of season 15, or season 14, and then the things turned into what they do in season 14. But then you wouldn't have had that, oh, this is the end of the world thing. But even then that didn't matter. It was all solved in three episodes. So what really should have happened is that they should have built this character up instead of wasting so much time that they did. And you can't say that they didn't have time or room to do that with season 14, considering it was starting to become so middling in terms of how many episodes were actually story related episodes. Something I have noticed so much through reviewing season five is that technically on a grand total of three episodes of this whole season are not story related at all. Even then one of them technically is still, but two two episodes have so little meaning to the even then they still have development with the characters. But in terms of the narrative, it's their filler episodes, technically speaking, but season 14, 13, and even 15 were absolutely chock full of them. And that kind of like it gives me that I feel that's a very valid excuse or to be upset with the Chuck change is that they had the time to properly do that. And maybe it could have been believable if they had done it correctly. But you can't just throw this character in and expect everyone to believe it. I don't know how people did. I was absolutely bamboozled at how many people thought it was like, this has been what it's been all this whole time. It's like, no, it's not. What Kool-Aid are you drinking? Anyway, so that's enough of a tangent on that one. I enjoyed Chuck's bumbling profit character in season four. I always prefer the concept that season four was really Chuck the prophet and God didn't use him as a vessel until swan song, though that may be wishful thinking on my part. Season 11 and Chuck seemed to fit in well with the story by having Chuck be a god that just lets things play out and didn't interfere. So naturally, I was not a fan of the season 14-15 retcon that Chuck was orchestrating the story all along.  I swear that was purely just a means of putting him in the episode just so they could do a send off to Kevin. A complete retcon of the beautiful moment in season 11-21 that is now horrifying to watch. Dab and Buck Lemming writing duo destroyed many of the things I loved about this show. Yeah, the Buck Lemming, if there was a writer that was as bad as Dab, it was that one. I don't know how a lot of the scripts got approved, especially for the final season. A lot of the episodes in the final season weren't even written by writers who had been with the show. So many had left.  Ben Edlin is probably one of the most underrated people of the show. I honestly kind of forgot about him and I've only just been reminded of him, especially in the latter seasons of the earlier latter seasons. But he honestly was one of the last vestiges of the show. And when clearly he did not take on the showrunner duties, which I don't understand why. I think it's maybe because Andrew Dab was willing to go along with whatever Robert Singer wanted, rather than what Ben was willing to do. Maybe Ben wanted to do a little bit more creativity, but I don't know. That or there might have been some interference or some ill will with him. I don't really know, honestly. But I always feel that Ben, if Ben had been the showrunner for the final portion of the show, we most likely would have gotten something far better. Truck should have stayed a profit and a mystery. Now, honestly, I actually can somewhat agree with you on this point. Part of me, a very large part of me, wishes that this had been the fact because what they did to the character and later on, obviously, like I said, it worked when most cases would probably have it not work in terms of revealing a character of this pedigree. But it was okay. But then when they tried to change it again and again and again, it just was too much. It was too much change and you didn't give enough work to do that. So that's why I've always, as I always felt that this was, I would have been fine with him being unknown. I would have been fine with that. Oh, we got a big one from Holly M here. Okay, buckle up. I think the twist at the end of season 14 was a really rare, good idea from the writers. It was not foreshadowed at all, like you said, but it made for a decent amount of sense. Chuck, AKA God himself, seemed like a very fitting final villain. And this twist, if followed through properly, it wasn't, could have been really contextualized, everything that came before rather than retconning.  I was wrong. Yes. Again, that's my point too. I think that this could have maybe worked. It wouldn't have been the greatest, but any sort of buildup could have been done a lot better. The foreshadowing, I feel, is, that was his biggest issue. I feel that the foreshadowing just made no sense. And even then, they didn't follow up with anything afterwards.  Chuck wasn't a powerful, Chuck wasn't an all-powerful God at all.  But they had to endlessly justify why he couldn't do that. He's off-world, so he can't see them.  He's all-powerful and created everything. Why can't he see them? Amara is dampening his powers.  They are equals.  He wanted to torture Sam and Dean.  He is God. He didn't need to let them be to mess with them, at least not for long. This was very disappointing. Secondly, they made his character a whiny brat, exactly, rather than an all-powerful being that is older than time itself.  I wasn't scared of him at all. There were few moments where he was somewhat intimidating, but that was just the cast acting their hearts out, trying to save the shitty script they had been given. This is my last complaint, which deals loosely with Chuck but doing his character right would have fixed it. Season 15 should have been absolutely batshit crazy. New realities. Sam, Dean, and Cass being unsure what's real and what's not.  That was crazy and had so much hype. Friends coming back. Friends disappearing. General population becoming aware of the supernatural monsters and ghosts and demons unleashed globally, rather than just one ass random town, exploring the empty, bringing back old enemies like Alastair. Although I don't think the writing staff could have pulled this character off. I can think of more, but those are just off the top of my head. My point is that they should have us, the audience, be questioning everything, just as much as Sam and Dean would after the entire world is rocked by the reveal at the end of season 14. For this very reason, I only liked episodes 4 and 5 of this season. I think I still prefer the season 11 characterization of Chuck though.  The father who had to step back to let his child grow up, plus it had so much connection to Sam and Dean's relationship with their own father. You kind of nailed it on the head. There were so many ideas that they had that they could have done with Chuck, with God, with the whole idea of the entirety of reality just breaking down, but they made it so menial. I really think they just didn't have the money. I have an idea that they didn't have the money to do it because watching season 5, the budget is so high in so many episodes.  They had all of this opportunity, and I don't know if they had the budget to do so, they just didn't want to do so, but I admit there's a lot of missed opportunities that they could have done with Chuck, and just the whole idea of what could have happened with all the characters, and just the world in general is supernatural. You bring up a lot of really good points, Ollie. What about the part where Chuck says he's God in this episode and admittedly is toying with their lives for his own entertainment? He was doing that jokingly. Yeah, I'm playing sight. I kind of don't really get where the comment's coming here, but I feel that that was just like a very lame excuse. I actually liked Chuck in season 4. I don't think he was supposed to be God. Sad that in season 14-15 they made him a villain. He was not a good villain, and the whole Lilith thing, disgusting. No, it was like the Lilith reveal thing was purely for... bring back entertainment value. The longest time I tried disputing that God in supernatural would have been sacred, wouldn't be sacrilegious, and that's why there's no way it could be Chuck. To me, Chuck was always a creep. Not now that I'm older, I'm looking at the show retrospectively. I dig deeper into the details. Rob Benedict at a convention specifically tells the audience attending that Kripke told him that he is God by swan song. In season 10 it was more clear that he was God because it was weird that he would show up to a musical based on Sam and Dean's life out of the blue. When season 11 came, it just infuriated me how Chuck is supposedly this malevolent being, and yet he was neglectful of his creations on purpose. Just a really frustrating overall reason why there is evil on earth is because Chuck preferred entertaining himself. At the end of season 12 comic convention, I knew that for a fact they were going to make him a big bad at the end of the show because the writers themselves said, you can't get bigger than God. And knowing that the Winchesters fight everything opposed to them, I knew eventually that would come down to defeating God. Because I don't like Chuck a lot, I just wanted him to end, and I really glad Jack did. I see where you're coming from in terms of what happened with him going into season 12. And I don't know, Rob says that about season, about Swan Song, and maybe that might be true, but again, that's a whole mystery and that whole unknown factor of how his character exits at the end of season five is what made that character work. I think I like that he was hands off. That's what made sense to me, and he would only come back in the sense of the literally universe being destroyed, which was Amara. So that's why it worked in season 11, but then everything that happened afterwards was just kind of silly in my opinion. I'm pretty sure Chuck was not intended to be God in this episode, but I think later on he was. I mean, the latter episodes in this season Raphael attacks Chuck and Castiel. Chuck comes out unscathed and Castiel is brought back relatively soon afterward. The whole Winchester being saved by being on a plane. I think the whole point is that God was already involved in the story and that person was playing as Chuck. I think the main problem with introducing him as a character, I remember Kripke saying he felt like at the end of season five would be. Chuck was the writer so Kripke was using him metaphorically to be him like later on we see in the convention episode. He was hands off and just let things play out. He set up the story. It was up to everyone else in how it played out. In season 11, Chuck was the same way. He was hands off until the story then directly involved him. He didn't care to be involved. He made his creations, but didn't feel the need to be hands on. In season 14 and 15, Dabry wrote the character into one that was obsessed with being in control of everything. Even the actor who played him didn't understand the change and he comments on it at San Diego Comic Con. The change didn't make sense to much of the audience and really not even the actor that played him. I didn't know that. That's cool. I did not know that about Rob. To be honest, it doesn't. It's very void of logic and consistency with the character so I can understand why he would be confused with that. If Chuck wasn't supposed to be God, why did he disappear at the end of season five? I don't know if that was ever explained in season six or onwards. No, it's that kind of ambiguity. That's what I liked about him. That's why I said earlier is that he just disappears and you're kind of left wondering what it is, that whole Stephen King mystery element. I apologize if I mentioned that a couple of times, but I think it's a pretty good representation or good comparison. And finally, the last one here. I hate that the writers made Chuck out to be God. I would have much rather had God never been revealed. Part of me also kind of agrees with that. If season 11 had been the end of the show, totally fine. Because I feel that that was the good place to end it. That's where Carver was trying to end it, but the boys just didn't want the show to end. They just wanted to keep going. They wanted to keep making money. They wanted to keep working on the show. So yeah, there is that issue that they ran into and I think that's kind of the, they either, to quote Batman, it was either a situation of they would live long enough to see themselves become the villain or die a hero. And they went with living long enough to see themselves become a villain. But thank you guys for all of these comments. It's cool to read them. Apologies for taking so long to get around to them. I liked getting to go through these and seeing your guys' interpretations and what you thought about the character because it's still something that's talked about, even though Supernatural has been over for over a year now, almost. It's still a very debated thing, but I find that a lot of people have kind of come around ever since season 15 ended. They're thinking that the whole Chuck villain idea was not that great. I really got to go through season 15 finale reviews again.  But anyway, guys, thank you so much for your comments. Again, apologies for getting to this so late. I hope you enjoyed the video. If you did, leave a like. And if you're interested in more, subscribe. Otherwise, I hope you guys are enjoying the season 5 reviews and I hope you guys are getting ready for the swan song review because that's going to be a fun one. Anyways, that's all from me, guys. See you guys next time.


Hey, welcome back to my YouTube channel. Travel is opening up to New Zealand and if you're even considering coming to New Zealand, you definitely should. And so this video is going to go through some of the things that I think Americans need to know before they come to New Zealand, some insider tips for you today. And if you don't know who I am, we are a family of six that have moved to New Zealand from the U.S. and kind of share our journey. If you want to reach out to me, KiwiAmericans.com on my website. I do have services where I can help people if they're traveling here or moving here. I'd like to hear from you. I'm here to help you on everything you need to know about New Zealand. You're not going to want to miss this video. Here we go. Okay, number one. The phrase that you're probably going to hear the second you get off the plane that's going to be like, what is sweet as sweet as? It means like you order something and they'll say sweet as they say it after a lot of things. And it's just really noticeable. It's like probably the first thing that I noticed when I got off the plane. And they actually add as to a lot of words. So don't be surprised about that. But sweet as is the most common and it just it's just like, okay, cool, awesome.  So just be aware of the sweet as with one s. Number two. After you've been in New Zealand for a while, you will notice that the Kiwis are very, very good at saying no in a very non-confrontational, almost laid-back way. They'll say, yeah, no. When they, when they mean no, they're like, yeah, no. You know, like that. But it's real casual. It just makes you, it's not like that harsh no, right? But if they say, yeah, no, yeah, that means yes. So make sure you listen for it because it, you know, if you didn't catch the last, yeah, you might think they said no. Anyway, yeah, no, no, yeah, no, yeah. It means yes. Okay, this is gonna be a huge tip for you. Also, they have a great way of saying clearly what they think about a situation. They use the phrase, I can't be bothered. Another way to say no in a, I like it because it actually communicates more. It actually, it's not that I'm not willing to do it. I just don't really want to. It's saying more than just no. It's saying, I actually don't really want to do it. And it's not necessarily said to you directly. It's what they'll say to other people or whatever. Yeah, I can't be bothered with that. I love that phrase. You're gonna love this phrase. Now number three, when you travel to New Zealand and hopefully when you get here, you're planning lots of travel, lots of driving around and seeing this beautiful, beautiful country. But know this, the best things in New Zealand are at the end of a gravel road. That's true. If you are on a map and you're going to a particular destination and you're driving on a road and then it turns to gravel, you're in the right place. You're about to find something amazing because all of the best stuff. It's like, it's like, you get to a point where you feel like maybe we're in the wrong place. You've been driving on the gravel for a while. And you're like, this can't be right. It is right. Keep going. It'll be amazing and you won't regret it. Number four, this is an insider tip that took me a while to figure out. But when people are talking about their boyfriend or girlfriend, their spouse, their fiance, they'll use the word partner. So partner means all of that. So you actually don't know if they're in a serious relationship in a marriage. You actually have no idea because they'll just say partner because they feel it encompasses all types of relationships. But based on that, it's also something to note that you'll find that people, it's not uncommon for people to just actually not be married. They have a law here where you can have a de facto relationship after you've been living together for three years, which gives you all of the same legal and then rights like a marriage would without being married. So you'll actually find families where even the grandparents are married and like the whole aunts and uncles and nobody's married. And so it's like, you don't really know that because they're always talking about them as a partner. And so this was like, you kind of assume that people that have been together for 50 years or whatever are married, not necessarily insider tip of the day. Number five, if someone says you're an egg, it's not a compliment. Okay, it's like you're not the brightest. Okay. Also, if someone says, Hey, can I shout you a coffee? They're not actually going to yell at you. It's going to be fine. Shouting you a coffee means I'm going to pay for it. I'm going to get by it for you or whatever drink that you want. So if someone says, Hey, I'm going to show you a coffee. You're going to take them up on that. In number six, now you probably already know that you drive on the left side of the road when you come to New Zealand and most people are very scared about that. In fact, that was probably my biggest fear coming here. But just know that it wasn't that hard. Honestly, I learned very quickly. They don't drive too fast here. The roundabouts really help. You'll be fine. But insider tip, you know how in the states you can take a right on red? Maybe not in all states, but most of the time, right on red, you can't take a left on a red. So you can't take a left on a red. So just know that because a couple of times I kind of pulled out. So insider tip and driving on the left side of the road. Well, I hope you enjoyed the video today. Please comment below any of your other insider tips. I didn't cover everything because I'm not trying to make this video forever long. But comment below what you think you would like to share to people traveling or moving or visiting New Zealand just so they know. So they get the insider tips. I would love for you to do that and I will see you guys next week.


Hello and welcome to the session. In this session we will discuss a question which says that considering the following stem and leaf plot which shows the ages in years of 45 years' presence at the time of innovation and here the stems are given as 4, 5 and 6 and the corresponding leaves for the stem 4 are 2, 3, 6, 6, 7, 7, 8, 9 and 9 and the corresponding leaves for the stem 5 are given as 0, 0, 1, 1, 1, 1 2, 2, 4, 4, 4, 5, 5, 5, 5 7, 7, 7, 7, 7 and 8 and the corresponding leaves of 6 are that is the corresponding leaves for the stem 6 are 0, 1, 1, 1, 2, 4, 4, 5, 8 and 9 Now answer the following questions First one is what is the youngest age at which a president was inaugurated? Second part, what is the oldest age at which the president was inaugurated? Third part, the age in which maximum number of US presidents were inaugurated and fourth part is what is the range of the ages of 44 US presidents? Now before starting the solution of this question we should know a result and that was the stem and leaf plot Now the stem and leaf plot is constructed by separating the digits of each number into two groups, one as a stem and the other as, now after separating the data, the left most digit is termed as a stem, the right most digit is termed as a leaf. Now consider 45 as one of the numbers then 4 is the stem and 5 is the leaf Now this result will work out as a key idea for solving out the given question and now we will start with the solution Now in the question the ages of 45 US presidents at the time of inauguration is given Now here if we combine the leaf and stem digits we will get the ages Now the key idea we will use the concept of stem and leaf plot Now in the first row the stem is 4 and its corresponding first leaf is the age is 42 on combining the second third fourth fifth ninth leaf we will get the other ages also So in the first row on combining the corresponding leaves with the stem we get the ages as 42 43 46 46 47 47 40 age 49 Similarly in the second row the ages can be read as 50 51 51 51 51 52 52 54 54 54 54 54 also the ages Now in the third row the stem is 6 and the corresponding leaves are 0 1 1 1 2 4 4 5 8 9 So the ages can be read as 61 61 61 62 64 64 68 we have read all the ages from the stem and leaf plot Now in the first part we have to find that what is the youngest age at which a president was inaugurated Now here we can see that among all the stems the smallest digit is 4 So we will find the corresponding smallest leaf for the stem that we will get the youngest age at which a president was inaugurated So here the youngest age will be 42 So for the first part the youngest age at which a president was inaugurated is 42 Now in the second part we have to find that what is the oldest age at which the president was inaugurated Now in the third row we have the largest digit that is 6 which is the largest stem and corresponding to that we have the following ages Among all these ages we can see that the oldest age is 69 So the oldest age at which a president was inaugurated is 69 Now in the third part we have to find the age in which the maximum number of U.S. presidents were inaugurated Now from the stem of leaf plot you can see that the leaf 4 is coming the maximum in number out of all Now here you can see that 4 is the leaf with the stem 5 and also it is the leaf with the stem 6 but the maximum number of times it is coming with the stem 5 that is 4 is coming with the leaf with the stem 5 So we can write that the leaf 4 is coming with the stem 5 which is the maximum number of U.S. presidents were inaugurated but we have to find what is the range of the ages of 44 U.S. presidents Now the ages of the presidents are from 42 to 69 minus 42 that is the highest age minus the lowest which is equal to 27 So this is the solution of the given question and if you all have enjoyed the session


The equipment comes from one large box. You have to unpack them by removing one by one. You start with removing the box that contains the monitor. After removing the monitor you have to connect the base first. After that you now can connect the monitor. To connect the lactose-can to monitor, you start by connecting the signal cable to your monitor. wa kwa wa kwa wa na kwa wa connecti these HDMI port of the Lactoscan. Taka the wireless keyboard and mouse to connect them you'll use the dangle that has a USB head and then you connect it to one of the USB port on the Lactoscan. Now, to connect the vortex it has its own charger, so you'll just connection it to the Lactose has three USB ports, meaning you can use a flash drive to collect your data after analysis.


Bites here. Oh, that's a big and dude bro, please be a four-five powder Yo, what's poppin people welcome back to another video listen We got a lake linear video for you guys a lot of people have been asking about it And I'm like man, I'm ready to get on the boat got my boy Brad in the back Brad on the track Brad in the back and uh water There's something that we're both wearing right now these big bass energy hats finally dropped on my website So if you guys want to check them out you can I'll drop the link down below Also, if you want to check out the big bass energy hoodies copy one while you can and by the way We only got a couple of these left I did make an Instagram post so if you guys want to have a more updates when new merch and everything drops Go ahead and follow me on Instagram. I'll pop that up on the screen But yeah, thank you guys so much for the support for everyone That's actually copped one of the big bass energy hats our first order is almost out of stock And that's just amazing to see and I'll keep you guys updated when we get some more hats in But a couple hours after this video is posted the hats are probably gonna be gone So get them while you can kick in their bass calm But today we're gonna be swimbait fishing and topwater fishing on Lake Lanier for some giant spotted bass It's been a while since we filmed a Lake Lanier episode. It's just been forever since I've been out here This is some of the most fun. I have fishing obviously if you guys don't know this was my home lake this is where I grew up fishing and Fishing for some giant fat spotted bass and Brad has been wanting to go for so long So we're finally making it happen today. So Brad, uh, what what happened this morning, bro? I got in the water So I didn't I had a big no for a hoodie if you if you look. Oh, did you hear that Brad? Look at that, Brad? I'm pretty we keep talking Have his head's wet. He had a long story. You had to grab the strap and one strap is off But anyways, we just saw a fish school. We're gonna hop right into this one If you're new to the channel hit that subscribe button hit the notification bell Also hit the like button if you like the video Because subscribe to Brad's channel by the way BDR fishing and uh, we're gonna hop into this one. Let's get it All right guys, we are about to get it started right here. I just rigged up two rods That's literally all I have today because listen if it's gonna happen. That's what they're gonna be biting So I'm gonna show you guys real quick. By the way, just ignore my combos right now I know they look all types of weird. I traveled out of town. I didn't have everything I needed and just This is the Christmas edition This is the Halloween edition so We're looking a little weird today, but um on this one This is my Brady combo box smash on a Mach 2 and we have a gunfish and chrome as a walking bait and This one we had the new Speedwake by six cents and this isn't that great looking natural color I'm telling you if these spots are biting today. This is gonna be a killer bait By the way, I got this in my super six box You guys want to get a discount on the super six I'll pop my code up on the screen if you guys don't know what the super six is It's a monthly subscription box with all premium baits in it I didn't bring the box out, but I did get it out of there right before I came out So if you guys would like check it out down below Also, if you'd like to just get 10% off on any other baits, I'll pop the code up on my screen as well Are you ready Brad? You guess so it's been a long day Brad Brad's been in class. So we're gonna go ahead and get this started We're gonna be chucking around the top order a good bit and if they're not wanting to come up for that I won't be throwing that swim bait So let's go ahead and get started get on our first spot and hopefully just catch some mega spots today guys I'm excited about it hit that freaking like button. It's gonna be an amazing episode and we're about to kill it I already see bait on fish chasing bait. Holy smokes On my side scan Right to our right about 15 foot to our right. We got some two toes That's our left boy.  Oh Right there. You see that?  How do you miss it? He missed it like three times Well the first spot already got some top order It's a good little son. That was actually you see that last bite. That was about a three and a half pounder I'll take a three and a half Just hit me again. Yeah, they're not like coming out for it. I Cannot believe that fish didn't commit right there. I thought we better have one right away I'm like all right. So me and Bradley are on a tight time crunch today.  So We we got a few hours to work today. So We are pretty much going to be covering some water really fast today We already fish this spot longer than I want to fish it. Hey, sir.  I don't see one bet they eat this This spot would be good for this person Little win that there's got all that bait on the sides. Oh Bradley you gotta calm down. I was about a five pound And you gotta let You got a lot of meat never witness anything you got a lot of meat Don't don't stop walking it until you till they actually Till they actually got it. Trust me. I'm probably gonna do it on my first couple too. That was about a five pounder When I glance back, I saw half of his tail out We sneezed the monkey offer by this where Quavo caught his catfish Where they just want that swim bait Why did he not eat it tell me why he didn't eat it They should eat the crumb today, but when they when they're missing it like that the rule and thumb is to switch your color, but Like that fish should have ate it. I mean that fish went airborne What is going on dude? All right guys? I've had so many bites and they're just not committing. I mean we've had around 10 bites today and they're just not Eating it correctly. I'm gonna try something totally different So this is the bait. This is actually a saltwater bait huge wait till you see how I'm gonna work this So the plan with this we haven't really seen any schooling action We've seen a couple fish come up, but we haven't seen anything crazy Just fish coming up and hitting our baits for the most part and fish boiling and on some baitfish We haven't seen really any like hardcore schooling action. So I like to fish this when somebody's with me I don't usually catch a ton of fish on it just because it's obnoxious What you're gonna see in a second that this bait is great for calling up the fish to the top of the water column And firing them up.   There's a dang fluke in there I was like your rods don't get taken out of your hand and Sure enough. I mean Really, I saw your line All right, Bradley, I'm gonna do it dude. I don't think there's I think that tells us everything All right, so we're gonna switch up to this fluke They're just not eating the swim bait in top order We're gonna put a fluke on Bradley has a pearl white on and then I have this one called Glimmer blue It's not the disco, but we're gonna put this fluke on hopefully just start smacking them We got to adjust and we were really one. We're really stubborn on that swim bait top order bite Just because I mean that's that's prime content guys I think I could have caught him Yeah, oh My god, dude Throw that fluke in there There's a lot of fish here. Oh, yes, Brad. Oh, it's a biggin. It's a biggin, dude You want me to get that net for you? Yeah, it's gonna be safe Good job, Brad Good job, Brad. Oh, yeah, it's a good little one. That's a monkey off guys. It's about two two and a half pounder That's a good one. Is there a fatty, Brad?  Good job This was a gut instinct to come here, dude. I'll turn to your last second. All right guys Just call this spot right here I'm doing a quarter. I'd say shouldn't there stomach me. Look at the look Slabs on the top water. I'm excited. Maybe we'll get a couple more Put this one in the well. We're gonna keep our vests for today or four or five We can come upward. That's a fatty man. Good job. Finally got it. We after like what how many bites on that top water? 10 15 these fish are everywhere. We've had a lot of bites here. So let's uh, let's keep fishing. Get back in there I'm waiting on it. I know it's gonna happen today. I got about two and a half hours to make it happen We'll know what make it happen. Got him He's on there. What are you doing? He hit me twice and didn't eat it. They even move it No, he's on that He's tiny he's fat though. No one's hooked up on a don't know a spot Look at that boys first fish today for me says to fish over all he hit that thing like three different times If I had to guess there's probably Multiple fish, but look at that. Uh, this is the one thing that I love about the spots guys Look how beautiful those fish are. I mean look at the markings on them. They're just pretty fish Fat belly even on that small fish one thing to think about about the spots I want you to show that to him. See that Mm-hmm spot on his tongue and have you ever felt that no feel that brother. Oh See doesn't it feel like a tooth? Yeah, it's like a it feels the same as their lip It's like sandpaper. It's the best way to describe it. That's a pretty little spot.  You want to get him back and get him back in the water Look at that belly on that thing man. That's why I love fall-efficient catching that fat. You can't beat it But let's go ahead and get back in there Thank the lord first cast on this spot Think it's a good one too. Oh, there's one behind you behind you. Oh, dude. You reeled it away from one I don't want to net. Oh, that's a good one That's a good one. That's three pounder. You actually had one behind when you were reeling it in there's a fish Literally right behind your flute. That's a good one. It's a good spot. Look at that boys Show them that fish These saltwater hooks They don't play around that right there guys and the ones that we want That's almost a three pound spot right there.  They've been eating bait We just hit this one spot by the main lake.  I haven't been spot fishing in a while The beautiful spot right there on that big chug bug that saltwater bait I was talking about calling those fish up first cast out there ripping it Started hitting it Bradley started reeling in his fluke to grab the camera And there was literally a bass right behind it.  See if we can catch some more. You got a heads up penny just sitting right there Literally there's a heads up penny just chilling. Oh, thank the lord, man. Let's go guys Just pulled up on this spot. I was just thinking to myself. I said, I'm gonna try it We're right next to it Sure enough first cast slamming that chug bug and the bite's been so slow. It's like We did have that morning bite, but they weren't committing We got into the afternoon right here The bite just cut off completely the fluke bite everything cut off We pulled up to this spot and it's good and that boat going through right there. Remember how we talked about it That's gonna help and uh, what I mean by that It's gonna stir up the bait fish That boat's not really running but then again that water could move up a little bit I cannot believe there's a fish behind your fluke dude. That just I was unfortunate I might need to throw them flukes out there. I don't know if they Oh, let's go brad. Let's go brad. You need the net or you're good Let's go brad. He ain't fighting at all. Is he? Hey little guy Oh, it's a largemouth. Yo, get him in here Dude, I can't believe you just got a largemouth That's insane, bro. I can see you got a largey in 30 foot of water on the top water But that's crazy, brad got you a largey You okay, maybe careful All right, we're gonna throw that fluke out there See if we can get us another one, man I'd love to catch more than two fish on this one spot. That'd be awesome We might let it sit for a second. Go try a couple more though. You don't have much time All right, I got it. You got her. I got it. Let me see you got you a dang large I can't believe it. All right guys, no one said he's only caught like five of these That's crazy, bro. I got me a largey That was awesome.  It's her There you go, brad not what you come to linear for but you're on the track brad's on the track Brad, we're gonna we're gonna stay here for another three minutes max and if they're not But then again, they got just blew through look at this Perfect. You got that water pushing up in here You might fire these fish back up Every hook was stuck in that fish It was kind of dangerous. He barely hit it too. I know. Oh, dude, that's a huge spot. Did you see him come out of the water? Throw in there brad. I stuck him barely. I don't know if he's on bite it Oh, dude, that was about a four pounder brad Did you see him come out of the water? Yeah, that was about a four pound spot Dude, there are stacks here, man Dude, I paused it. Are you kidding me? Is there one on you?  Was there one behind you really? This fish is mean boys That was a mean one. Look at that Right there Got us an old spot of Potamus. We've had better luck on this spot than we've had all day The fish seem to be committing right here, which is awesome. They're eating this chuck. Look at that brad. I thought you said one Little small fish for that chug bug, ain't it? You hit you? Dude, what in the world? There's a lot of fish here guys.  Beautiful. Let's get her back in All I got to say guys is wow man. It's been a tough day Pulled up on this spot and the fish were just munching man. They're just munching We had all this boat traffic going by pushing all the bait fish in here and we've been catching them right now I'm hoping we're gonna catch a couple more before we leave today But man, what a good time. That's why you never give up. That's why you keep on fishing no matter What happens? Me and Bradley thought that we were going in today with a with a rough one I'm not gonna lie. We thought we were going in. I was like, I can't believe it man Came back to my home body of water was having a rough time More importantly, I mean the fishes weren't eating our baits We had a ton of bites all the spots that we hit had fish on them They were just not committing even on the flu queer missing a ton of fish, which was just awkward Yeah, it was just it was weird and we kept her positivity high kept trying out some new stuff We came in here Brad remember when we came in here were like we it could still happen We literally said that before we hit that spot before this one and it ended up happening So it's the best feeling in the world. Why is that got that big bass energy, man? So go copy yourself a big bass energy hat down below. Let's keep on fishing. Let's see if we're gonna catch some more Thank you guys so much for the support. Let's make it happen. We're just fishing this little hump right here guys and The difference between this spot and a lot of spots that we fished today Is this spot's got a lot of moving water pushing in there And that's a key player for these bait fish and to turn these fish on and the bait that i'm throwing Is going to fire these fish up. It's got it's very aggressive if I throw it right here You guys can tell look how much water this thing's kicking out This is a salt water lure if you guys didn't know that i'm fishing for spotted bass for It's calling those big girls up.  I was clicking the button I wasn't even moving my bait and that fish came up and ate it I might tell us something too these fish might be a A tad bit slower than we think So I might need to slow slow the poppiness down on this but these fish keep on Feeding right here, which you don't see too often But the reason being is because all all this water being pushed. There's all these yachts going by behind us and I Pushing all this water in here at stirring up the bait fish This bass are active feeding on these herring. They seem to keep biting So we're gonna throw here another five minutes each fish will add five minutes on to it if they're gonna keep biting But if they're not biting, we're gonna move to another spot We'll come back here and see if it's replenished And I keep trying to catch these big fish because there's some big ones out here Like I said, I had that four pounder blow up and then we caught that one that was about three pounds earlier. So Let's keep on casting I wasn't even going to hit this spot Bradley The only reason I hit it is because it was right next to that one. You what? What's up? Oh That's no we came off Dude, they're here Brad. They're here That was a big one. Why are the big ones missing it? God I'm not doing different. I'm throwing this honking chug buck Because you notice the water's crazy over here. It's not calm how it's been everywhere else. That was a big fish It's like that. You throw me on a honker chug buck is getting it done. We've had so many bites here Nice. Oh, that's a big one, dude I don't I don't see him, but he feels freaking huge unless I have him hooked weird Even that No, not really You see that? Yeah, I saw it. Look at his belly, bro Some of the fattest fish You'll ever catch and this is the most fun bite You can ever get on and they are smoking this chug buck the cast before I actually had one hammer it I'm not gonna lie, man. I I haven't fished a spot on linear where it just keeps repunishing a little bit in a long time Look at that belly. That's just unnatural Spot opotamus, baby. That's a good fish Small mouth fat belly Beautiful markings. Let's get back in there Let me put him on this side Let's go guys. Let's go. I thought he was big Bradley I think it was the way I had him hooked.  He's a two number. I don't know if you guys saw that As I was flipping that fish in the boat, he spit up a huge herring These fish are feeding man I don't know what we just did right here We caught it at the right time Through that cast before had a big one come up and then that one just Destroyed it and listen, man. I'm not gonna stop casting They don't keep biting I'm gonna keep giving it to them throwing that fluke is your best bet right now I'm just letting it sink Alright guys, I'm gonna switch off to the fluke for the last few minutes of the day In hopes of getting an absolute head There he is, got him! Began Good call right there. You need the net or are you good? Nice one Is this one?  Oh yeah First cast on the fluke Guys, this is some of the brush that we were throwing at earlier when we initially first pulled up on this spot We caught about three of the fish off this pile the rest of them were up on this hump Just some to think about that's what we're fishing right there If you come to linear, this is a brush pile fishery. Let me tell you My GoPro is off. You threw a little to the right Brad. Oh, do no! Brad, Brad, Brad, Brad Brad! My bag guys! There's such a big fish Please eat this. Come on. Let's double up right here, Brad. This is it. This is it, Brad We're just not gonna talk about that Did you see that fish dive on this bait? I called him up. That's what it was. You don't see that?  Oh my god! That's a huge one Oh my god! Get the net! Did you see that? Bro, please be a four or five pounder It's not a largey. Are you sure? Bro, this thing is massive. It's not a largey I'm freaking out, dawg. This thing's long Don't don't lose it. It's a good one, dude. Oh, oh good.  Oh, I got the big bass interview If you don't have some, go cop some because you want to know what got this fish Last 30 seconds of the day. 5% battery. We got it done. Shug bug, big bass, center jail light. Thank y'all Had a great time. Let's go. Brad, what what do you got to say? I'm out. Bro, I just did it. I got this donkey. Five seconds left on my card Batteries dead. Last cast before class. All right. He's not four pounds, but he's a solid three number You got look at these guys. We got to get a good. Oh, yeah On them spotted bass Man, you're hyper, Brad. Yeah, that pumped you up last second, didn't it? That was a good bite. You almost had two of them How do you quit fishing in this? Like I I know you got to but it's hard not to you know what I mean Part two, baby.  I'm not gonna lie But you don't want to know what made it through the day I'm not even gonna cap cap my head high got a good guide with me. Not even a guide Good angler out here But I had this big bass energy got me this new fresh hat From my boy just because you got to keep it got to give that big bass energy to keep your momentum high And just throw these big boy baits because you never know like Literally, would you have thought know what I caught a fish on this? Let's actually like sit there and think about this That no that just doesn't happen. I told you a lot of stories, but I don't know if you're believing man I was like, oh, he's like, yeah, we're gonna go out there.  I'm like, all right Literally comes out here Wax him last five minutes before I have to go to class So let's get it. Had a good day. Appreciate Noah taking me out here on his home body Finally got to see the lake master


See people all day long about their christians, I can give you a christian if you're not able to forgive a person that did wrong to you. When you get an example of what true Christianity looks like, what a person who has really understood what it's like to be forgiven by God, someone who can look back on their life and see their sins, and then forgive someone who has also done something vile. And I mean in a vile way to the utmost. Here's a father whose daughter was not only murdered by this man but she was raped, strangled by this man and then thrown into the bay. It took him six years for this whole thing of justice to come about. But this father says what many Christians I would imagine probably would not be able to say.   Because the journey you got ahead of you gonna need God. I forgive you. I ain't got no where towards you bro. Abraham was willing to sacrifice his child. I sacrificed mine. I was you. I once was you. And then out of these same courtrooms, I was a master. I'm pretty sure they don't told you about me. I know why you don't want to see it bro. You took something from me, you can't give it. I don't want no revenge. I gave it to my God. The same God that you play with, I gave it to him. And he took that person from me. That I couldn't deal with myself. A lot of people would have suffered if I would have dealt with him. But if I didn't took six years man, for you to be a man in the middle of what you done wrong. All these people you ever met. I don't cause to through the clock in the morning man. I got to get on my bed and go console her up. Go get her from the grave site, four o'clock in the morning.  That's the one you got to have to forgive me. Let me tell you one thing about her bro. It's hard for her to forgive. I've been dealing with her the last 17 years. And I'm still asking her for forgiveness. But, I forgive you bro. That's how strong my God is.  You're my brother. You made a mistake. But you got time. You got time to get right with God bro. Like I said, I once was you. I was a monster.  So, my God can change me to make me a better man. I do that. I celebrate the day. I said 2013, 2007. I've been out three years. They told me I'd never stay out three years and make it on these streets. I don't know how about been out three years. Started my own business. For the start of another business. For the go to school to be a law clerk. So, if it took me to sacrifice and lose my child. Because the last day my baby said to me when I talked to her. She said, Dad, I'm going to pray for you. And I said and I wondered. What kind of father am I? If my child says she's going to pray for me. I should be praying for her. I should be here to protect her. But I wasn't. That's what I deal with. And I'm pretty sure you know. I'd be the cold after me. I wasn't there for my baby. I was going to make sure I'm there for my other ones. Like I said bro. Don't play with God, bro. Ask them for forgiveness. You did wrong. Your mistake is just worse than others. When you get by the OCR, you get on your knees.  And you ask for forgiveness. Because I give you mine.  I love you.  But don't play with it. But if you play with it.  You take that bow that people give you. And you ask. To make you a better man. Don't look at this as your life being over. That 15 years mandatory. 12, 24, 2000, 24, I'm still supposed to be in prison. He freed me and released me. He brought me home. He can do the same for you. Like I said, I'm not like everybody else. I've been where you've been. Still supposed to be where you've been. But he set me free. That's what I do for you. He may not release you physically. Spiritually. In this, he makes a statement about him being free. Not necessarily free physically, but free spiritually. And what he's really making us think about is when Jesus says, Whom the Son says free, that person will be free indeed. Maybe not on this side of attorney, but going forward. And here is a man who's offering him salvation, offering him what true deliverance looks like. What freedom in the Lord looks like, even in spite of his vile crimes. How hard is it? How hard is it for us to watch it and even hold back the tears looking at this father's pain? But what he's done is he's actually demonstrating what true Godliness in a person is. The ability to forgive, even though the person obviously does not deserve forgiveness. Obviously, even in spite of the fact that this person hasn't even asked for forgiveness, I'll do to you what God did for me. I'm coming to you. I'm giving you my forgiveness, bro. I love you. I think we should see more examples of a man showing true Godly forgiveness. Amen.


Hello. Hi. Hi, guys. So, I'm Luca, and here's Nicolas. And we are working on this TV series for RAI. It's the Italian television. And it's a series for kids. So let's see the first video. It's a TV-admitted series, 13 episodes for two minutes. And it's a small target for two years ago. Two years ago. And we are two different formats to give to our client. Flats and VoA also. So we are trying, because I'm the pipeline director and technical director, to combine a great production with a small budget. So let's go. We are light and color, and we are in Rome. And this is a frame. We work, obviously, with Blender. And we are trying to match the 3D with flat draw. So who we are? Nicolas, come here. Now, we work in Rome. We are a great studio in the center of Rome. And these are our work, always with Blender. Utopia, it's a film that was in cinema. We made 12 minutes in CGI. And like a game movie inside the film. This one is a short movie made in Blender, with a cut-out style. With migrants team. And about, sorry, in a building where there are different culture. And with the music, there are good duration. And the author of this series, Giudan Nido, is Anna Giudicicic-Dato. And she wrote this series. This is the screenplay in Italian, of course. And nothing. Nicolas, I want to say about the team. Hi guys, I'm Nicolas. I'm from Argentina, and I live in Italy. I work remotely. They are the lucky guys who live in Rome, in the most beautiful city ever. So look at those happy faces, because they really live in Rome. I work remotely. So we have Umberto, who is the supervisor. He's a super awesome animator, really. Stefania, super awesome animator as well. Fabio, who is the brother of Colin Levy, because he literally looks like Colin Levy, but he's not the art director. Guys, if you are watching, because they told me that we are watching. So, ciao Francesco, ciao Stefania, Umberto, Fabio, Catalina. Okay, that's all. I did rigs and animation. I'll talk about that later, because it could be a little bit annoying, so I would try to not do it. Then we have the musician, the author, that's it. This is an early test. I came to the production afterwards. I didn't do this. Luca did the model. It was the first trailer. The first plot. It was the first trailer. The story is, Lidlberg is too afraid to go out of the net. He doesn't know how to fly, so he never goes out, and his family tries to convince him to fly, and that's the story. It's all about it. All about those things. Now, we have some concept art. Okay. As a responsible of pipeline and modeling, I try to combine the draw of the art director with a 3D ACCI movie. So, we start, of course, by drawing, and he is the art director, Fabio, Colin Levi-Sosia, and nothing. This is the environment, so the mode of the series, of course, for kids. And it was so difficult to translate this style in an ACCI movie. So, we tried to combine and tried to make a lot of tests. So, these are the poses and the shape of the main character, Tino. And, of course, there are a lot of different shapes. Also, in the rig, there are a lot of work to do. And things to do, and things not to do in animation. And also in the rig, in the alley. And also, this one is the parrot, who's like the mentor of the movie. And nothing. After the screenwriter, the screenplay, we made with Fabio the storyboard. And the difficult thing was, and this, because we are now also producing this series, is to combine the flat version and the VR-flat version. So, when we are making the layout, the layout file, we have to find this file. So, modeling. This is Tino, the main character. Mother of Tino. And Fabio gave us some advice also for animator. And these are the turnaround modeling of the character. So, the brother, the parrots. At the end, we didn't use the texture for character. And this one is Tino. We make up the animation test, Nicholas. Okay. I'm one of the animators. I'm the rigger and one of the animators. So, these are our early tests. Here we were trying to find the personality of them, because they all find model and picture, it's all awesome. The act director was really precise about how they had to walk, how they had to fly, what about the takeoff, what about the landing. So, the awesome animators at Rome were... I'm sorry, did the early test. I came after that. I didn't do these animations. After the first trailer, we had to redo all from scratch.  And I had to do the rigs one by one from scratch. I'll talk a little bit about that. This is a standard flight, with a little bit of overlap in the wings. Yeah, he's taking off. Okay. This is some jumps and ways of closing the eyes and eyelashes and all those things. I don't have a laser here. We had to do some overlaps in the tail and the hair as well, to make it more organic, of course. Okay, she's singing. We're going to see that later, better. The mouth changed, it shaped into a trumpet because they sing. That was very tricky to do in the rigging phase. I'll show you later. His brother, okay. Her brother are trying to tell him, come on, come on, let's go, fly, fly. These are his brothers as well. Little brother. Okay. Yeah, these are not renders, of course. These are open gel, play blast test. Early test. Okay, I'm sorry. Okay. Rig, now. And that guy, animator and rigger. The rigs, I will try not to annoy you because this could be very technical things. I start with Tino. We have some special requests in the fit. We have, okay, full roll. The ankle has to point towards the body all the time. The knee has to be very flexible. The knee has to point where the pole is. This is always painting. I'm not using Bendy bones here. The FK, I'm sorry, the IK has two special options that are a follow body and a stretch. The stretch on and off, like the rigify one. But then we have the follow body one. Because when he flies, it comes handy for the animator to have the fit following the body. We have to counter animate or animate twice. Here we have an FK system, but it's an advanced FK because we still have the stretch, the stretchy option, and the knee, which is very flexible. So it was really hard to achieve this kind of thing. This is all I'm trying to find a pose for the flight. This is the FK method. So the animator can switch on and off IK FK as he wants. The tail has an overlap system automatically. So you have with two controls, you can move the entire body. So you can go down and you can make the tail follow the body on and off. It's an isolate rotation, basically. So with two main controls, you can achieve almost every position you want. Then you still have the control's head next. The tail has the same thing. You can do things like that for a quick posing of flight. It doesn't give us a right overlap. You have to do it by hand. The rigs are very flexible. We have the bone disconnected. Achieving those kind of things is not so hard. The face was very tricky. Maybe it was the most difficult part to do, because I'm using shape keys, and that's fine. But we're going to see in a bit that kind of constraint was really hard to do. The mouth is flexible as well. You can achieve almost every position. But now you're going to see the trumpet, the little trumpet, when the mouth changes shape, because he sings in some moments. I'm using two shapes here. Okay, this is a shape here. Two shapes, animating the visibility with mask modifiers and drivers. So at the center point, he starts to sing, and the trumpet changes shape as well. These kind of constraints are very weird. To pose space, to local with barn. This was really difficult, but gave us a lot of more flexibility doing location rotation and scaling as well. This is too tricky, so I'm not going to explain in detail now, because I could talk one hour just for this. But you can do almost whatever. I think we have the... The hair has to point every time towards the camera. So I put a bone with a constraint. The bone is always near to the camera, so it's always facing pointing to the camera. You still can animate it on top of that, of course. I think we have squash and stretch, the very first principle of animation. This is all shape keys. This is the fun part. The art director asked me to put some drawings when he closed the eyes, some different drawings. So I made a panel, I dedicated the panel for the animators. Then he made a graph of the given bone, put it up, and that specific draw appears just when he closed the eyes. It was really hard to do with drivers, because he has two eyes, of course, and the correct drawing has to appear just when the eyelid is touched, and not before. Thanks to Gustav Wilson and his awesome training series about drivers, using some tricky maps, the things, very complicated. Not that hard, but not that easy. So the animator has to have the possibility of doing whatever he wants in a given moment, as you can see now, and with all the shape keys working as well at the same time. It was hard. It really was hard. But it was very fun to do this. The most fun part was this one. Yeah, just in the rig. His drawings. I think, yeah, he knows over. Now we have the mother. I have two challenges here, because the rig is basically the same, but the neck place has to follow the neck and the hips as well. So I have four bones in the background here, and as an Israel rotation, I have follow neck on and off. So the animator doesn't have to counter-animate any time, because the necklace, you can adjust it at any given moment. Here, the eyelashes. That was the very, very difficult part. I'm not kidding. I'm using 150 constraints. 150 constraints. 150 constraints! I'm really doing it, because the eyelashes are separate meshes. But the eye is controlled by the shape key. So I literally got mad about it. Each bone has like 30 constraints. That was really hard to do, but it works. So the animator doesn't have to animate on top of the eyelid any time. You can do it if you want, but you don't need it. The father. The father was fun as well, because his eyes are on top of the eyeglasses. So I'm using bullions here. I'm not using the shape keys. Bullions are working really, really nice in the 2.8. And we have a special level of hierarchy here. Sorry, because you can move the entire body, the head, the neck, the head, the eyeglasses, the eyes, and bullions. You can scale it, rotate it and so forth. And the bullions are still working properly. I really like this part, because it was really fun to do. A lot of trial and errors, of course. But it works. The drawings are not like before, because the eye, I don't have an eyelid, so I had to put the shape key towards the drawing. Sorry about my voice. Okay, that was for the father. His brother has this hair, this stuff, and I built an automatic overlap system, because 12 control bones are too much to animate. We have very little time to do. So moving that slider gives you an automatic overlap. And every time that bone reaches a line, the whole bones are getting back to the initial position. So you don't have to counteranimate that. You can still animate on top of that, of course, but just moving that slide, that bone, you get an automatic overlap system. How does this work? This is a little demonstration. I'm using action constraint. First, I built an animation with a nice overlap. You can see all the key frames here. When you're happy with your animation, you add another bone, one more bone, and put an action constraint on each bone. Put in that animation. Then here I have an overlap amplitude with drivers. Tricking that overlap amplitude gives you more overlap or less overlap. So I'm turning it down here, and the overlap now is less, even less, almost like it's appearing. This is a very interesting way of having an overlap for free. You do it once at the beginning of your animation, and then the animator has not to tweak 12 bones because there are 12. You can still animate on top of that, because with action constraint you can do it easily. Okay, I think that's it. Luca, Marco? For the renders, we reached the core width. Marco, can you reach us, please? Marco from Core Width. Thanks, Nicolas. Yeah, the technical note about rendering, just very quick. At Core Width, we always want to give a powerful tool to creators like Nicolas and Luca to achieve their result with the least number of clicks possible and destruction possible. So what we did with their project for Judal Nido was to have one of our tools embed in Blender with just one button to send all the renderings automatically so that you don't have to be distracted from the project with all the texture packed by them or automatically by the software. And we ran their frames over 500 GPUs simultaneously, and I think we achieved 1,200 frames in four hours. That was the timing, more or less, yeah. So that was our ultimate goal and we worked hard to provide those kind of tools to have literally just one click and the things goes along and those guys were able to see the result immediately. And I hope we achieved that. Thank you so much. Okay, that's it. We thank you all. Thank you so much for coming. Thank you. Bye.


SCP-001 is the projectile which killed US President John F. Kennedy, fired by an unidentifiable number of assailants acting simultaneously, as part of one or more conspiracies. Upon impact, human perception began falling out of sync with objective reality at an individual level. The events surrounding SCP-001's trajectory are designated as Incident 001 Gamma.  It is possible that the current formation of reality exists as a result of a VK-class reality restructuring scenario.