Yn yr hunrth gwrthwyl, y dyfodol o'r wyf ach소�. Yn yr hyn, dwi'n cael ei wneud i'r cyffredig, ydych chiwn eich cyfweld? Yn yr hyn mae'r cyffredig? Yn ym 不yn i ddim yn hyd? Ond dwi'n gweinydd ym chi'n hyn. Allan, ganogi'r dyfodol i chi – gれたwch chi'n ei chi. Ida hwnnagy'n gandallol o gwestiynau. mae'n amser ei dwur. Any questions? Yes sir. The orange is...were you listening? The orange is your breakfast. What the orange symbolises is the juice that comes out the orange. And you have emotions, right? But an orange is an orange. You can be whatever fruit you want to be. That sounds a bit kinky. Okay. What's the difference between charisma and enthusiasm? I think enthusiasm is reveling in the challenge, I'm thinking you're going to apply your skill to something. You can be enthusiastic picking up a shelf, you can be enthusiastic digging a hole. Charisma is about interacting with people, about being emotionally contagious. Now enthusiasm does create emotions in yourself and they do rub off. But for me my overall look at charisma is, well there's actually seven parts. Isn't that always convenient and always seven? But it's your belief, your attitude to life, your spontaneity, that's not running out of things to say. Your charm which is how you make people feel in your presence, your actual presence. Also your ability to connect to people and lastly your conversation skills in terms of rhetoric. So your ability to influence as you speak. So I hope that helps. So for me enthusiasm is more about if you're going to jump into something. So if I see that situation where, oh god there's somebody I can go and talk to. Yep let's give it a go. Of course that's going to carry off some emotion as I go in. Yes sir. Okay excellent question so you're saying how can you start getting evidence for yourself that you're awesome rather than waiting for the world to tell you that you're awesome. Again it comes down to how you look at the world. If you want to do it straight away it's looking for the best in everything. So in the situation I gave in the talk where the Ferrari's pulling along, our perspective generally is who's this guy who's just cut in front of everyone and now he's using the space of the ambulance. But if we can be objective and say we know what from another perspective it could be that that guy is just in a mad rush and you know there's no problem at all. So a way I look at it is this. Negative emotions are great. Everyone says oh I'll be positive. Yeah positive emotions are awesome as well but you're born with negative emotions for a reason. For starters it's where all humour comes from. You know if we had no negative emotions comedy would be boring as. The trick though is to turn the negative stuff when it happens into a positive. The way I love doing that is playing that game from the Pollyanna book. It's just thinking that's great because for example I step outside and it starts pouring with rain. Oh that's great I could do with a shower. I haven't had one for a few days. Or let's say something more extreme happens. Let's say I'm unfortunate enough to get my leg blown off. Could happen. Hopefully not on this stage it would be a bit of a death trap if it would. But let's say I lose my leg and I hope I do keep it. But if it disappears oh well at least my trousers last twice as long now.  I just need to lose this for a hook. So it's how I interpret the world that keeps me upbeat and happy. It's nice when the world pats us on the back. It is. But that's all fickle. We can have a really nice sports car but then that can be taken away from us. We can have lots of money in the bank and that can disappear. The only thing you have any consistency over is your reaction. So focus on how you're reacting to the world when it gives you stimulus.   When you feel that emotion how are you going to deal with it? How are you going to make that emotion as happy as possible? Can you turn it into a game? Can it be fun? Do you know what? I'm late for this meeting but check me out. Do me own thing. Turn it up the radio.  There's nothing you can do about it. All fear exists in the future. Stuff that hasn't happened yet. All sadness exists in the past. And all happiness exists right now in this moment. And that's the only thing you own is just the moment. Being aware of everything that's going on and enjoying every damn minute of it. You'll know if you can do that or not. If you can enjoy the moment. Go somewhere that's completely boring.  And if you can be happy on your own in that room then you've cracked it, you've mastered it. Now that I think about it a lot of insane people get put in four walls. Wait a minute there's a bit of correlation. Yes. The classic kind of charismatic bad boy type character with being a new reactive and that kind of thing. Sure.  Is that person making the person he's speaking to fill in a motion? And two, is he dealing with the emotions as they come towards him? And I think the answer in both cases is yes. For example, he knows who he is in the world.  He's just himself. My intention is to always try and leave people better off than you meet them. But he goes in, chats to somebody, gives the girl butterflies maybe. And then she gives him a slap, I don't know. She's just unreactive to it. So he's deciding how he's going to filter the emotions when they get given to him. Yes, sir. Do you mention your Burt Galear on what it called and where can you get it from? Okay. I'm a terrible marketer. So if I was better, I'd be selling that and going, and you can buy my 89 DVD set. But my book is free. And it's from my website, yourcharismcoach.com. And that will tell you all the techniques that I used to become a better conversationist. But the emotions are everything. Conversation and the ability to talk to people. It's a bit like a water slide. The flume allows the water to go down. The slide, right? And that's the conversation. The water itself is the emotion.  Or if you've got the water and no slide, that's called a waterfall. So the ability to connect to people, you need the conversation to a point because it allows you that channel of communication. The emotion you then put down it is everything. Fill that emotion yourself first. So, guys, it's been an absolute pleasure. Thank you very much.


Just to get it out of the way when you talk about maintenance on ships that's actually deferred maintenance which presumably at some point to maintain readiness you would have to spend down the road right? That's exactly right. I mean there is a it's like it's like with your car you can defer maintenance to to a certain point but the longer you put it off the more maintenance you're going to have to do eventually and the more it's going to cost you eventually not to mention that the vehicle itself becomes a little less reliable and a little less usable. It's no different with ships so in canceling these maintenance periods we're going to have to get that maintenance done at some point in the future and that in itself is going to affect the operating schedule of that ship and that crew and it so it affects readiness further on down the line in ways that that we can't even fully predict right now.


Hi everybody, my name is Gregory. I work at the Portola Branch and I'm here to talk today about the book Ursula K. Le Guin's book The Left Hand of Darkness. Ursula K. Le Guin's The Left Hand of Darkness. This book is pretty amazing because, you know, it was written about in almost 45 years ago in 1969. It's a lot to kind of wrap your brain around. Sexuality is completely different from what it is today. Without giving too much away, there's no men or women on this planet. There's people of only one gender. An earthling kind of from our planet goes to this place, Gethin. He's trying to get them to join a federal planet, some very utopian sounding experiment. His main contact is this character named Estravin, who gets exiled from his own country, I guess his or her. And then there's all these different kind of fairy tales, like folk tales from the planet, which just give you a lot of texture for the book. So Ursula K. Le Guin's science fiction isn't so much about like ray guns and different kinds of technology, which is also a very cool kind of science fiction, but it's very sociopolitical and kind of like just mind experiments around how people might be different if their sexuality was completely different and kind of power relationships between people, attraction between people, how would that work out? I recommend it. I recommend it. It's a very satisfying read and I hope you try it out. There is attraction in the book, but you have to really like look for it and you will find it at some point.


Craft presents the Great Gilder Sleeve. Hee hee hee hee. Craft cheese company also bring you the Craft Music Hall every Thursday night. Present each week at this time Harold Perry as The Great Gilder Sleeve, written by John Whedon and Sam Moore. We'll hear from the Great Gilder Sleeve in just a moment. Nowadays society gives you the green light when you tip your plate of soup or mop up gravy with a dab of bread or leave your plate clean as a whistle. We war-time Americans have gladly discarded many wasteful rules of etiquette to make food fight for freedom. The all-important rule these days is waste no food, eat every scrap. Of course one way to be sure that all the food you serve gets eaten is presented in tempting, appetizing ways. And I do know this. You'll enjoy bread rolls and muffins down to the very last crumb when they're spread with delicious parquet margarine. Ah yes ma'am, parquet's delicate flavor really satisfies. Adds to your enjoyment of many fine foods. And since parquet margarine is so very high in energy value it's really a wonderful aid to good family nutrition. Remember too that each pound of parquet contains 9,000 units of important vitamin A. So get the nutritious spread that's known far and wide for its truly fine flavor. By parquet that's P-A-R-K-A-Y. Parquet margarine made by Craft. Let's see what goes on at the home of the great Doc Morton P. Gildersleeve. It's Saturday evening, the day before Halloween, and his niece is giving a dance. All afternoon he's been rolling up carpets, putting extra leaves in the dining room table, carrying out furniture and carrying it in again. But now that the heavy work is done, he finds himself brushed aside. After an early makeshift supper, he wanders for longly out of the kitchen to watch last-minute preparations there. Oh, what are you making there, Brady? Frosting? Say, that looks mighty good. You mind if I just... Mr. Gildersleeve, a man can lose a finger that way. It's wonderful, though, Bertie. Say, don't you think you've beaten that about enough? Ain't sure if it's stiff enough. Oh, well, I'll just see. Mr. Gildersleeve, really?  Who wants it in his eye? You'd like to put a little on a piece of bread now. Mr. Gildersleeve, go out and play. Bertie, don't you think it's about time we take another peek at that cake? Cake? I'll do it. Stay away from that oven. Oh, oh, excuse me, Mr. Gildersleeve. But you want that cake to fall? I was just trying to help. Run along, Uncle Mord. I'll look at the cake, Bertie. You either. What? If some of the people don't get out of this kitchen, I'm gonna go clean out of my... All the rest of them. Yeah. One-minute picks a party. You got to give me a chance. I ain't no Superman. No Saul. I gots two hands. Painter come in here. Come on, Marjorieve. I think Bertie wants to be alone. Let's go in the other room. After you. Oh, Lee Roy for heaven's sake. I am Frankenstein the Wolfman. I eat up... Take off that mask. It's only me, Uncle. Did I scare you? Yes. I don't know how you expect to scare anybody. You've been going around that rig, scaring people for a week. Oh, I'm just practicing being horrible. You don't need any practice. Now, Uncle Mord, you make him promise to keep away from my party. I just know he's going to... Oh, that's probably for me. Don't worry, Glamour Puss. I wouldn't be caught dead at your party. Oh, it's me. Let her alone, Lee Roy. I don't know what kind of a Halloween party this is anyway. No games, no pumpkins. What did you used to do on Halloween, Uncle? Oh, we did a lot of things, my boy. Made jack-o'-lanterns, bobbed for apples. Pretty corny. What else? Well, uh... We had one little trick. Yeah? What was it? Well, we used to take two buckets of water. Yeah? And when it got dark, we'd put them on each side of somebody's front walk, and we'd tie them together with a piece of cord across the walk, and then when somebody came along, well, you could imagine. Hey, that's great! Uh... It was a very thoughtless, wicked thing to do, Lee Roy. I hope you will never do anything like that. Are you kidding? I mean it. Somebody might trip and hurt themselves badly. Remember that? Yes, sir. There's one other thing to remember. What's that? You can only fill the buckets halfway. It won't work if they're full. Well, get off it! I'll go... So much for Lester. Wally, huh? Well, a kid himself. Hiya, Junior. What are you supposed to be? Frankenstein. Oh, blow me down. Talk to Wally, will you? I'll be right down, Wally. I've got to run up and put on some lipstick. Of course! Coming right up. Take these records with you, son, and don't drop them. Got a couple of real oldies there. Red nickels. Gosh. Uh... Mr. Hoff, my name is Gildersleeve. I'm Archry's uncle. Oh, hi. I've heard a lot about you. I've heard a lot about you, too. Favorable, I trust. Anybody, too, than tune his so-called piano lately? Young man, that's a wimbley. You may have boogied bass now, like you showed me. Look! Hey, that's not it. Look out! I didn't do it right. Let me just... Look out! Let me get it. You like music, Mr. Gildersleeve? I like music, yes. Mr. Hoff, would you mind telling me something? Not at all. Shoot. That sweatshirt you're wearing, is that customary these days at dances, I mean? In my day, we wore tuxedos, and we didn't wrestle. We danced. Oh, my... Yes, yes, I guess it is. Well, don't stop, boy!  What'll it be, gorgeous? Oh, anything at all, and it gives. The party's dying, and it hasn't even started. I'm going to be rushing you, but the gang will be here any minute. I can take a hint. We'll take Leroy with you. Why don't you see if Mrs. Ransom's doing anything tonight? Maybe I will, and maybe I won't. It's my joy beyond me fine. Oh, brother, even in my... Come on, Frankenstein. This is no place for us. Swell piano player, Runk. You stick to Bach. That sounds like piggy. Hello, Runk. Wait a minute. Yeah? I won't ask you to keep out of mischief, Leroy. Just keep out of jail. Never mind. Run along. Hey! Nobody's going to tell me what I'm going to do, but I want to call on Leroy. I will, and if I don't, I won't. Just hope she's in, that's all. Yeah, but it's Halloween, Leroy. No, it's not. Tomorrow's Halloween. I know, but they're celebrating it tonight. What are you doing, Leroy? Well, I had this date for tonight, but at the last minute, I was unable to go on a can of a headache. Oh, that's too bad. Yeah. Well, perhaps some other time. Oh, I feel much better now. Oh, you do? Isn't that lucky. Will you go to the movies with me? Well, I'm just scared to death of ghosts and witches and all. Oh, don't worry. I'll be with you. I promise you stay close to me and protect me. I'd like to see the ghost as you get between us. He says they'll be waiting, Swarke Martin. How many, please? How long will we have to wait, miss? The next complete showing will begin at 9.53. How many, please? 9.53. That's half an hour, Leroy. Do you want to wait? I don't know. What do you think? I don't know. What do you think? Oh, make up your mind. Oh! Stepping to one side, please. Keeping the line moving, please. Shutting the mouth, please. Swar! Swarke Martin. Well, they can't push me around. Evidently, our patronage is not wanted here, Leroy. Let's go somewhere else. I'm gonna feel so proud. Why don't these people stay home nice? Well, I suppose we could at least drop in here and get a soda. Would you like a soda? I don't know. Would you? I don't know. Would you? It's more like it. That's the first real sign of Halloween. Oh! What's that thing he's swinging around? Oh, that's a sock filled with flower. We used to have more fun with those. Oh, he isn't gonna hit somebody with it. What do you think it's for? Hello there, Sonny. What's your name? Ha! Oh, cap got your tongue, huh? You're not piggy banks, are you?  Yes. Careful now. Careful how you swing that. I'll tell you what. If you go away, I'll give you a nickel. Listen, if you hit anybody, look out now. If you're piggy banks, I'll tell you a mother. Did you hear what I said? If you come near me with that, I'll... Ha!  Ha! Ha! Ha! No, Frogmore. Well, I think you might show a little more consideration. They love them. Oh, but you like... Oh, good evening, Mr. Peavey. And Mr. Guilherty. Well, has it been snowing out? No, it hasn't been snowing. A lady here would like a soda. Well, aren't you gonna have anything, Frogmore? I got something. Oh. Well, if you're not going to have anything, I'm not going to have anything. All right. Soda for me too. Chocolate. Chocolate and Jambi. Have you been, Mr. Peavey? Oh, just fine, Mr. Ransom. Just fine. You two been out doing the town? Well, if you'd call it that, Halloween isn't what it used to be, Pee-Vee. No, Mr. Gilders, David, isn't it? Maybe it's just as well. Why? Well, I remember one Halloween. Harry, it's a lucky thing we didn't all land in jail. Well, what did you do, Mr. Pee-Vee?  I remember it was a dark night like this one night. It was out at old Mr. Satcher's house, probably old fellow. Maybe you remember the house, Mr. Gilders. Oh, yes, I remember. Well, we'd planned this thing for weeks, and it was dark, as I say, so we appointed one boy as a lookout, and then we hid in the bushes till the coast was clear. Oh, yeah? Go on. Then when we got to signal, we sneaked across the lawn. Yeah?  Uh-huh. Crawled on our hands and knees across the porch. Yeah? And stuck a pin in his doorbell. Pee-Vee, you did it. Yes, sir. Now, I want to tell you, I got out of there, just fashioned my legs. You carry me. Pee-Vee, I wouldn't have believed it if you hadn't told me yourself. Well, I'll be honest with you, Mr. Gilders. I didn't actually stick the pin in the bell myself. Oh. I stayed behind in the bushes. But if they ever found out that that pin came out of my lapel... It sure came out of my lapel. It's rock mountain. You know what I think. Know what? I think we ought to have a Halloween party. An old-fashioned one where you bob for apples and stick pins and things. But it's too lately. Oh, no, it's not. Tomorrow's Halloween, really. We could have it at your house. But, Leela...  Now, who we have?  Well, I'm afraid I wouldn't be able to, Mrs. Ransom. You see, Mrs. Pee-Vee gets a little nervous around Halloween, so I usually stick pretty close to home till it blows over. Oh, too bad. Well, there's Judge Hooker. We'll have to have the judge. Yeah, for laughs. Now, who else? Well, we ought to have another girl. Oh, do you think we need to? For the judge. You know, the old goat likes to think he's Sir Walter Raleigh. Oh, well, who can we get? I don't seem to know many women somehow. Well, there's a Miss Goodwin, I think her name is. Goodwin? I don't seem to recall. I only know her slightly. Well, how does it happen? I've never heard you mention her before. Well, I say I know her. I've met her. That's all. She's the principal of the school. Oh, a school teacher. Yeah, a school teacher. Well, that sounds perfect for the judge. Yeah.  Oh, yes. She's perfect for the judge. Yes. Perfect for the judge. She can't be that perfect. Well, I wouldn't say that. I wouldn't say that. I'd say that she was... Thanks for the sodas, Pee-Vee. You've got to be running along. Oh, but Shrock won't love hardly finished. You've got to get going before the crowd gets out of the movie. Oh, grace is how you rush a goat. Oh, forgot to pay. Pee-Vee, didn't anybody ever tell you you talk too much? Oh, I know. Well, consider yourself told. Good night, Pee-Vee. A great gilder sleeve will be with us again in just a few seconds. These days, everyone's interested in good, satisfying food. And everyone knows that flavor is mighty important. Yes, it's flavor that makes us enjoy the foods we eat. It's flavor that tempts hungry appetites. That's why Kraft, the maker of parquet margarine, is so particular about fine flavor in this delicious spread for bread. Parquet's flavor is something you'll want to tell your friends about. It's so delicate and appetizing. The margarine that tastes so good. And right along with its tempting flavor, parquet margarine is wonderfully nutritious, too. It's one of the best energy foods you can serve your family. And while we're on the subject of good nutrition, remember that every single pound of parquet contains 9,000 units of important vitamin A. Parquet is a quality margarine that bears the seal of acceptance of the council on foods and nutrition of the American Medical Association. So for flavor to satisfy your family and for the kind of nourishment they need, serve parquet every day. Ask your dealer for parquet. That's P-A-R-K-A-Y. Parquet margarine made by Kraft. The great dealer's leave is ready for it to come what may. Lee Roy's car to pumpkin, and Birdie has prepared some refreshments. Don't they teach you any poetry in school these days, Lee Roy? Oh, sure. I woke up in the morning and looked upon the... Well, you didn't learn that poem in school. Oh, I did, too. Piggy taught it to me during geography. Yes. By George, I'm going to ask your teacher to change your seat. I can see Piggy's a bad influence on you. I doubt if Lee Roy's doing Piggy any good, either. Oh, is that so? Who asked you to put in your two cents? Well, you're certainly just as bad as Piggy.  Lee Roy? She has not. I'm expecting guests here any minute. Do you think I want them to walk into this kind of a cat and dog fight? Well, he's out of this. Stop it. They're all finished. I'll not have this kind of goings on. Lee Roy, where are you going? Out on the porch. What for? Well, that's all right then. It's a very good idea. Make a cheery welcome for my guests. Well, what are your plans, Marjorie?  Oh, gee, do I have to? Certainly not, my dear. What were you thinking of doing this evening? Well, I and I were going down to Brownie's beenery for a while. Some of the gang's going to be there. Well, I certainly dislike that boy. Oh, he grows on you, Uncle Moore. Well, George, you won't get a chance to grow on me. Well, I'll have a real Halloween anyway. I'll see how Lee Roy's coming with the jack-o'-lantern. Ah, real Halloween air. Gosh, dark as a pants pocket out here. Where is that kid? Oh, I didn't see you, Lee Roy. Can't find it. How many times have I told you it's not funny to scare people? I wasn't trying to scare you. You called me and I answered. All right, but be careful. Why haven't you lit the jack-o'-lantern? The wind keeps blowing out the matches. Nonsense. There's no wind at all tonight. It comes in puffs. Well, give me those matches and I'll show you how a woodsman lights a fire. Where's the woodsman? Just watch me. OK. Say, isn't this Judge Hooker coming? Where? I don't see anybody. Oh, well, it may be at that. Hello, Judge. Hi, Gilly. Yeah, trust him to get here first. Hi, Judge. Hello, Lee Roy. I am Jack Morton, happy Halloween. Am I the first one? Oh, no. Hoppersleeve, what's the idea? It wasn't my idea, Judge, but anyway, happy Halloween. Here by the fire, Judge, and you'll be dry in no time. Dog gone, that kid. Now, Judge, boys will be boys. Well, I wouldn't be surprised if you put him up to it. Why, Horace? You laughed. Well, I couldn't help it. I'm always laughing. Now, cheer up, Judge. Well, maybe that's my girl. Your girl? Miss Goodwin. What makes you think she's your girl? All right, I'm easy to please. I'll take Leela. Oh, no, you won't. Leela's my girl, you old goat. I'd rather be a goat than a hog. He's burning. Yeah, they're still pink at that. Let me take your coat. Oh, thank you. My other hat looks lovely. I think Halloween decorations are so exciting, don't you? I certainly do. Oh, good evening, Horace. Good evening, Leela. What a wonderful idea, coming in your old clothes. I just love old clothes parties. This is my new suit, Leela, or it was when I left home. Well, what happened? Gildersleeve's little nephew played a Halloween prank that soaked me to the skin. Oh, how awful. That doesn't sound like Leroy's rock marten. It's my idea of Leroy. Oh, miss, either judge might have caught in a moan. Oh, don't worry about me, Leela. I'm a pretty tough oldster. Oh, well, let's forget all about it and have a nice Halloween. Where's your lady friend, Horace? Miss Goodwin? Oh, she's not my lady friend. Not according to... No, Horace, can't you take a joke? Seems to me I'm being asked to take a good many this evening. That must be Miss Goodwin now, judge. Why don't you go and let her in? Well, thank you. What did Horace mean about her not being his lady friend, Trock Marten? Oh, nothing. Just as peculiar. A sense of humor. Ah. Ah, good evening, Miss Goodwin. Good evening, Dr. Walker. It's so nice to see you again. Permit me to take your rat. Trock Marten? Yes, Leela? I thought you said she was a schoolteacher. She is, Leela. Well, she dresses like the schoolteacher in Esquire. No, Leela. Here we are. Mrs. Ransom, may I present Miss Goodwin? How do you do? It's so nice to meet you. Good evening, Trock Marten. Wow. Hello, Eve. Wow. Why didn't you tell me, Miss Goodwin, and you were such old friends, Trock Marten? Well, who... Since he's been on the school board, we've seen a good deal of each other, Mrs. Ransom. Ah, she. Well, as fun as a Halloween party is there. Or is there? Take me, crapple-bobbing judge. You have to follow the apple right down to the bottom and get your teeth in it. Oh, I could never do that. I'd ruin my hair. I wouldn't mind. Let me try it. Wow! Uh, yes. I'll show you, Eve. Stand back, everybody. Wait a minute, Gilly. Wait a minute. Ladies, it's a death-defying exhibition by Trock Marten P. Gilder-Sleeve. Diving into one foot of water from the stupendous height of six inches. Live in Bob Hope. Well, I wouldn't go so far as to say that. Neither would I. Look, I'll show you now how to get the apple. How you doing, Gilly? Don't worry about it, Mrs. Ransom. He has wonderful breath control. Wow! Ghost stories. Oh, that's a wonderful idea, Eve. I know a real thriller. Ghost stories never scare me. Well, it'll scare you if we turn off the lights. Turn off the lights when you judge. All right. There. I'm still not a bit scared. You will be. Once there was an old haunted house way out on the edge of a swamp. Yee-yee-yee-yee. There was a ghost in the house who was trying to find his murdered wife, and he used to go through the house every night at midnight saying, Ooh-ooh-ooh-ooh. Ooh, I'm frightened already. Yeah, I'm a little nervous myself. Oh, phew. Well, one night some hunters were passing near the house when it got real dark, and not knowing the reputation of the place, they decided to spend the night there. So they went up to the door, and just then... Old Throckmorton, this is silly. I think it's fine. I know a game that's lots more fun in the dark than telling ghost stories. Uh, oh? Well, what is it, Lila? Sardines. I never heard of it. Never heard of sardines? No. Oh, well, the way you played, one person hides in the dark, and then all the others try to find him. Or her. And when you find the person, you don't say anything. You just find as close to him as you possibly can till all the others find you. That's sardines. Oh, well, I can see it's got possibilities. Yeah, let's try it. Miss Goodwin, why don't you be the first to hide? Well, Horace, I'll suggest to the gang. You can hide next. Yeah, very fair, Judge. Go ahead and hide, Eve, while I count 50. Well, I don't know any places, but oh, all right. All right. What do you think of mine? 45, 46, 47, 48, 49, 50. All right, Eve, here we come. Who left that chair there? The judge is having a little trouble, too, I can see. What's this? Mouth-thrump, Morton. Who is it? You ought to know. What am I supposed to do now? Stand close to me. Can't stand any closer, can I? What's going on here, anyhow? Hey, no fair turning on the lights. It's rock, Morton. No, Leela. Well, if I'd known there were this kind of people in the game, I never would have suggested it. Mrs. Ransom. Don't you try to shush me. I wonder if you'd mind taking me home, Judge. But, Eve, the party's just begun. Well, as far as I'm concerned, it's all up to you. Please, Eve, please, Leela. Oh, who invented Halloween, anyway. You don't understand. I understand very well. But they've all gone. Leela, I want to explain. There's nothing to explain. I turn the lights on and I find you pawing that schoolteacher. Leela, if you could just listen. Let go of my arm, please, Thrope Morton. Will you open the door for me? Thank you. Now, do you want me to walk home by myself? I'll take you if you're really determined. Leela. Schoolteacher. She must be a fine schoolteacher. Well, she is. Oh, that's right. Stick up for her. I'm not sticking up for her. She didn't do anything. I, I thought she was you. Thrope Morton, that's a ridiculous, barefaced fib. She's went Chanel number five, and I always use shalla more. Well. Leela, I don't know one perfume from another. To me, they both smell good. I don't care to hear any more, Thrope Morton. Oh! Will I get my hands on Leeroy? Don't blame Leeroy, Gildy. Happy. This is Captain Carpenter speaking for the craft cheese company. I'm inviting you to be with us again next week for the further adventures of the Great Gilders League. This year, thousands of women all over the country are discovering what a special help with wartime meals is the product called craft dinner. A box of craft dinner gives them enough delicious macaroni and cheese for four people at only a few cents a serving. They get two boxes of craft dinner for only one single ration point. And with craft dinner, they cook that delicious main dish in just seven minutes. In every craft dinner box, there's a special macaroni that cooks fluffy tender in boiling water and an envelope of craft grated. With this handy craft grated, you whisk cheese goodness through and through the fluffy macaroni in a jiffy. A very smart trick is to shape the hot craft dinner in a ring mold for a minute or two, unmold on a platter, and serve with cream vegetables or fish or a little meat. But just as is, craft dinner gives you a mighty fine main dish. Try this seven minute macaroni and cheese soon. At your food store beyond the alert for point saving craft dinner. This is the National Broadcasting Company.


What's going on everybody? This is Justin Henry here with the Fandall Hurry Up talking the latest NFL trade. Commander Carson is headed to Washington. I know we're gonna be hearing all about Commander Carson here for the foreseeable future, but the Washington commanders have acquired Carson Wentz in a deal with the Indianapolis Colts.  So I wanna talk about that. For Carson Wentz, there's a lot here. He's had a time in Philly where he put up some MVP numbers. He was hurt. He went to Indianapolis Colts. They thought he would be able to be the starter for the foreseeable future. And he wasn't. Just wasn't a good fit there. So now he's headed to Washington. Brand new brand. The commanders are coming in and taking kind of a new identity. And Commander Carson is now here to lead this offense. And I think for Carson Wentz, this is a good fit. Give him a capable back. And Antonio Gibson some receiving threats when you're talking about Terry McClurrin and you're talking about Logan Thomas. And I'm sure they're gonna add another receiver too. You have Curtis Samuel playing that flexible, wide receiver running back type position. So the weapons are there for Carson Wentz as they were in Indianapolis. But this feels like it has a different type of field. They're gonna rely more on Carson Wentz instead of the offense being primarily where it was for the Colts. It was just on Jonathan Taylor. So I think Carson Wentz was dealing with the injury last year. Obviously didn't have the season that he wanted to have and missed the playoffs. But I think fantasy wise, this is an opportunity for Carson Wentz to show that he's still a viable QB2 in this type of offense. And I think he will prove that heading into this next season. For the commanders, you're gonna be looking at a couple of different values here. We're gonna look at Terry McClurrin first. And Terry McClurrin, he had that wide receiver one upside I think with Carson Wentz. You're gonna see that dialed back just a little bit. He's not necessarily the gunslinger that Ryan Fitzpatrick or Taylor Heineck he is. And he's gonna be a little bit more conservative with his passing attack. So Terry McClurrin, I think you'll be able to see him still have a wide receiver, two-ish type of range, but not that wide receiver one upside that we were hoping for. He's such a great receiver. So you hope he does continue to build on that. And for Antonio Gibson, this seems like the perfect type of fit. Carson Wentz does like to rely on the running game. And this offense is going to be using him heavily. Also as a past catching threat, Carson Wentz does like to check down to his receivers that time. So it seems like a very good play for Antonio Gibson. We also look at Logan Thomas. You'll see him still in that low end, tight in one conversation. I don't really see that changing a whole lot. But I do expect Curtis Samuel will be a little bit more involved in this attack as well. But I think all arrows are pointing up for commanders, offensive weapons outside of Terry McClurrin, who I feel like will have a safer floor, but maybe not the upside you hoped for. And for the Indianapolis Colts, this is obviously a rebuilding type of move when it comes to this passing attack. It depends on what they do.  Are they gonna trade for a Jimmy Garoppolo type and try to make the playoffs? I think the latter is going to happen. I do think that they go make a move for Jimmy Garoppolo or some type of veteran QV that can come in and have a better impact on the passing game and make this attack a little bit more balanced. Where that will hurt is Jonathan Taylor. I don't expect him to put up the same MVP type numbers that he did last year, not saying he won't still be a top five running back top three option. But I do think there'll be a little bit of a drop off as this game will be a little bit more of a game management or pass balance type of attack. And then you can see with Michael Pittman, I do expect his numbers to go up as well. Be a little bit more consistent in the offense, depending on the quarterback they bring in. If it is a Jimmy Garoppolo, I do think that Michael Pittman's value will be a little bit more solidified than it was this year. It all depends on this scenario, but I do think the Colts attack is going to be a little bit more balanced than we had seen with Carson Wentz. And that's their hope in trying to make the playoffs. The offense in line is good, the defense is good, the run game is good. All they need is somebody who can manage the field. Jimmy G would be a perfect fit for the Colts.


Now, the Roma Wine Company of Fresno, California presents... Night Roma Wines bring you the suspenseful play called Heart's Desire starring Lloyd Nolan. Suspense is presented for your enjoyment by Roma Wines. That's R-O-M-A. Roma Wines. Those excellent California wines that can add so much pleasantness to the way you live. To your happiness and entertaining guests. To your enjoyment of everyday meals. Yes, right now the glass pool would be very pleasant. As Roma Wines bring you a remarkable tale of suspense. And with a tale called Heart's Desire, and with a performance of Lloyd Nolan as Henry Doyle, Roma Wines again hope indeed to keep you in suspense. York City Dock, cutting out into the Hudson River. A place deserted now this night because the hour is late. Until a man is seen moving down the dock towards the river. Moving with a curiously groping, stumbling aimless walk. And then there is a woman moving out of the shadows. A woman who is a little overdressed, with a little too much makeup, sidling over to where the man must cross her path. Hello there. What? I said hello. What's your name? Lucille. What's your last name?  What's your last name? Tell me. Stop, you're hitting me. Tell me. Carmichael, Lucille Carmichael. Oh, no. What's the idea? That hurt. Oh, I'm sorry. It doesn't matter with you anyway. Hey, are you in trouble? No, yes. What is it? Were you looking for somebody? Is somebody lost? Yes, I'm looking for someone. Someone you love? Yes, someone that's my whole life. You want to tell me about it? It helps sometimes. What? Well, you don't have to if you don't want to. Yes, they say that a man can remember his whole life of his drowning. You didn't come here to... No, no, I came down here. I don't know why to think to remember it. But if I do tell you, maybe it'll come back like the drowning man. If I could start from the beginning, the very beginning, what was the beginning? My childhood. My father and mother were immigrants. Very poor people. I was hungry ever since I could remember. My mother was a scrub woman in a big office building. Sometimes she'd take me with her at night and I'd see those big, beautiful offices and the important people were working all day long. My father didn't work. Oh, a few days sometimes that was all. And always at home there were quarrels, terrible quarrels about money.  My mother and father fighting, I couldn't stand it. And I'd run out and go and walk on the streets, walk through the fashionable neighborhoods, watch the fine people, gaze through the great shop windows and all the beautiful things that were to buy. Above all, I'd come down to the docks near where I live and watch all the gay and happy people sailing on the great ocean line as the wonderful, distant places. Oh, that was the best of all. That was when I knew most clearly that someday I'd grow up and live like those fine people. So I didn't have to think or worry about anything ever anymore. Even when they died, my mother and then my father, it was nothing. To me they hadn't really existed at all for a long while. Only then I knew I must find some kind of work to do. So I went to the bank in a fine, big building where I always knew I would go. I told them I was ready to go to work there. And they hired me. And after a few days I decided that I should tell them what I had in mind. So I went to see the president of the bank. I was just 19 years old. I'm Henry Doyle. Oh, oh yes. Well, Henry's a little unusual for one of our messengers to insist upon seeing the president of the bank personally. But since you're new here... Oh, no, listen. That's the Aquitania. Oh, is it? Yes. She's sailing this morning. I know when all the big ships sail. Uh, Mr. Frazel, when I go abroad, would you advise I take the Aquitania? Well, he's a very nice ship. Yes, I think she'd be best. Henry, you may not believe it, but the bank president is a fairly busy man. That's why I came here to talk to you about my plans. Plan? Yes, you see, I plan to be president of the bank some day myself. You what? Oh, not right away, of course, but some day. And I thought I ought to tell you. Well, Henry, that's a very laudable ambition. And there's no reason if you work hard to vote yourself wholeheartedly to the interests of the bank why you shouldn't be president some day. Or anything else your heart desires. Well, you really think that, Mr. Frazel? Of course I do. Remember, Henry, there's always room at the top. Oh, I'm very glad to hear you say so, because that's just what I've always thought myself. And that's what I was, a messenger. First, I was only an ordinary messenger, but then, later, as they came to trust me more and more, they gave me more and more important things to do. Till at last, I did only the very confidential things, the most important things of all. One hundred, nine hundred, one thousand, and one hundred more is twenty one thousand one hundred. Would you sign for it, please, Henry? Oh, yes. Gee, Henry, doesn't it worry you sometimes carrying all that money around? Like this? Some day I'll have more than this, much more someday when my ship comes in. And so I was happy. All day long, I saw only the kind of people, my kind of people, the fine, important people that I admired, the kind that someday I was going to be. Oh, I was happy. Until something happened. Something that happened in a single day and that changed my whole life, changed everything. Henry Doyle, sir. Oh, yes, yes, Henry, come here, come here. Thank you. I think you know everyone here, don't you, Henry? Oh, yes, yes, I do, how do you do? Henry, the reason I've sent for you is because we have an old custom here, we have tried to show our appreciation to those members of our little family whom we feel have given loyal and devoted service to the 42nd Street Bank. And so it gives me great pleasure to present you with this gold watch bearing your name in token of your splendid and outstanding record since the day you joined us, 20 years ago today. Ha, ha, ha, ha. What? Well, take it, Henry. 20, 20 years. Yes. And in all that 20 years, gentlemen, Henry never once was absent and never once was late. Henry, congratulations. Thank you, sir. What about us, please? Well, Henry, what do you say? 20 years. 20 years. One thousand and one and two, 51,200. Will you sign for it, please, Henry? Yes. So what's the matter with you today, Henry?  What? I said you act like you're walking around in a dream. For 20 years, I've been walking around in a dream. For 20 years. That day, for the first time in 20 years, I did not go directly to the place the bank had sent me. Instead, I wandered through the city to look again at the things I dreamed of in my childhood. The beautiful store windows, the elegant, well-dressed people, and the great ocean liners waiting to sail for enchanted, far-off places. Things that I knew now could never, never be for me. Because, suddenly, I'd grown up. I was a man. A man going into middle age and a childhood dream had passed me by. These things that I thought, and many other things, quite different things. And then that afternoon, I was sitting on a little, in a little park, wondering what was the best thing to do next. Then I saw a policeman coming toward me, and all at once I knew it would be very simple. Officer? Officer? Yeah? I want to be arrested. You know what? Yes, I do. You see, I'm a messenger for the 42nd Street Bank. So what? I... I've just lost $50,000. Our Suspends Roma Wines are bringing you a star, Mr. Lloyd Nolan, who you've heard in the first act of Heart's Desire, a radio play by Robert Richards and Arthur Lawrence, which is Roma Wines' presentation tonight of Suspends. Between the acts of suspense, this is Truman Bradley for Roma Wines. The name Elsa Maxwell stands for Gracious Hospitality, and here is the time with suggestion from Miss Maxwell. Planning even a simple dinner nowadays calls for real imagination. But there is a simple, inexpensive way to dress up ordinary foods and make them tempting. Dined by candlelight, if possible. And most important, serve golden Roma sautern well-chilled with the meal. The soft light and the bright golden glory of delicate Roma sautern greatly heightens your pleasure. That is truly an appealing idea. And as Miss Maxwell suggests, delicious Roma California sautern, a wine grower's masterpiece, is the subtle note that tones up the occasion. You'll enjoy its freshness of bouquet and the superbly delicate flavor. And like all Roma Wines, it possesses unvarying goodness. The goodness of selected grapes picked at their best in California's choicest vineyards brought to fullest flavor by the ancient skill of Roma's famed wineries. Serve Roma Wines regularly. They are quite inexpensive. Remember, more Americans enjoy Roma than any other wine. R-O-M-A Roma Wines. And now Roma Wines bring back to our sound stage Mr. Lloyd Nolan, who in the character of Henry Doyle continues a narrative well-calculated to keep you in suspense. Twenty years. Twenty years of being a messenger for the 42nd Street Bank and with such a fine record as I had and then suddenly to lose $50,000, they couldn't believe it. They didn't know what to believe. They kept asking me and asking me. And I kept saying the same thing that I'd fallen asleep on the park bench and that when I woke up the satchel was gone. And then came the trial. They were all so nice, all my witnesses.  Henry Doyle, in view of the fact that the money in question has never been found, the jury finds itself in more than reasonable doubt of your innocence of complicity to the crime theft and therefore finds you guilty adding however strong recommendation for leniency. That is also my inclination particularly in view of all testimony here as to your exemplary record in the past. With this in mind, it is nevertheless my necessary duty to sentence you to four years in the state penitentiary. Fifteen minutes. Lights out. Lights out. Lights out. Sleep. How can you sleep behind bars? I like it when it's time to go to sleep. Yeah? Yeah. Don't you sleep kind of restless, Henry? Oh, no. I sleep very well. Henry I don't think you ever told me what you're in here for. For losing some money. Yeah? How much? Fifty thousand dollars. And you just you just lost it, huh? Yeah. What did they give you? Four years. Shit, it's tough. You know, I'll be out another year myself. Oh, I don't mind. You don't. Four years isn't long to wait. Why should I mind? Oh, I didn't mind because almost every night I dream. I dream of the things that I'd done that day when I left the bank for the last time. Things I'd never told anyone. How I'd go into the stationery store and bought a heavy brown envelope. How I'd thrown the empty satchel away in a vacant lot. How I'd sealed the brown envelope with red sealing wax. How I'd go into the little corn shop down by the waterfront with a wide dirty window. Three crooked steps leading to the door. A little bell hanging from the door with a clock's ten or twenty clock ticking time away. The old man in pink shirts leaves and sat behind the wicked. You, uh... You... you want something? Uh, you the pawnbroker? Uh, that's right. Well, I'm going away for a long time and I'd like to leave a package. Okay. I'm taking a trip around the world and I may be away for several years. Oh, well. Don't worry, it's perfectly safe here. When you come back, it'll be just as you left it. With the seal unbroken. Well, thank you. I'll have the receipt for you in a minute. I'll see. Sure. Don't you want one? No, I might lose it. I'm going away for you. Then are you going to claim the package? Well, I... I could just take your name. Oh, yes, that's the best way. I'll leave my name and, uh, you can make some kind of a note on the envelope that it's only to be given to me. Okay, let's have it. What's your name? Oh, uh, my name. Well, uh... The receipt. My name. It don't have to be all right, name. It don't even have to be a name. Just write something on this so you can identify the package. Oh, oh, yes. Yes. Yes, I... I'll just write something. Something that I can remember. And always then, just as I was about to write, I'd wake up or it was a wonderful dream. Even better than the ones I used to have because this dream was real. And then one night, there in my cell, something happened. I was asleep. I was dreaming again. The same dream. Your name? Oh, my name. Well, it's... same my name. It... It don't have to be all right, name. It don't even have to be a name. Just write something on this so you can identify the package. Oh, yes. Uh, let me see. Uh... Let me see. Yes. Yes. I'll just write something. Henry. What was the name, Henry? What did you write? What was the name? What was the name? For a moment, I lay out a leaf frozen with fear. I was awake. But I'd been sleeping, dreaming, talking. And he'd heard. He knew. Everything. Everything but the name. The name. What was the name, Henry? Uh... What? It was kind of tossing around in your sleep today. I came over to see what was the matter. Oh, what's that? I guess you was kind of having a nightmare. Nightmare? Yes, it was a nightmare. While I was afraid even to sleep, the fear I'd say out loud what I'd written on that envelope and he'd hear. And then all that I'd planned for would be gone. I knew I must force it all from my mind as I had done with unpleasant memories when I was a child. I spoke less and less. Last I didn't even speak at all. The last two years, I didn't speak at all. Even when the warden called me to his office to tell me I was once again a free man. I didn't answer. I didn't speak at all. The last three of everything. I can hardly wait for the train to carry me back to New York. And then the pawn shop. He has the same dirty window, the same crooked steps, the same tinkly bells, all those clocks, clocks taking time. The clocks, my dream was about to come true. And then my heart always stopped beating. A man. That man behind the iron wicket. It wasn't the same man. Okay, well, you heard. You're not the pawn-broker. No. But he's an old man. He wore pink shirtsleeves and... He's dead. What? He's talking about my father. He died three years ago. Dad? Son? Then you're carrying on the business. Look, I... I left the package here four years ago. I told your father that... Got the receipt? No, I didn't take one. No, but we don't... I tell you, I didn't take one. See, I was going away on a dangerous trip. I was afraid I'd lose it.  He wrote a note on the package. What was the package like? It was a brown envelope, but so big and sealed with red wax. Oh, yeah, I remember seeing that. Your father said it wouldn't have any trouble. I just have to mention the name. That's what it says here on the envelope. That's good. Can I have it, please? Sure, just give me the name. Of course. The name... The names. Funny isn't it? That's not my mind for a minute. I just can't remember the name. You're sure this is your envelope? Of course it is. I told you what it looked like, didn't I? I described it perfectly, didn't I? White, brown envelopes, sealed with red wax. Look! What about the name? I mean, what's written here? Listen, you must know... It's mine. You must know that envelope belongs to me. You must give it to me. Oh, I must, must I? What's in it? What's the difference that it might not make? If you know so much about it, you ought to know what's in it. Now, listen. That's my envelope. Give it to me. Look, bud. Don't tell me what to do. The note here says not to give it anybody unless the name is presented. Now, what's the name? It's... So long. No name. No envelope. I'll remember it in just a second, please. What if I go outside? Maybe the air will help. Wait, wait. Please, will you... Alright. But I'll be back. I'll be back. That's my package. I'll remember and I'll be back. I'll be back! I wandered through the streets.  Trying to remember. While I was in prison, I forgot that. I'd made myself forget it. Now I couldn't remember. Names raced through my mind. But none of them were right. I mean, I keep it names in the street. Or in the shops. Anywhere I can see them. Names. Names. Names. Names. Names. Names. Names. Names. Names. Names. Names. Names. Names. Names. What did you say your name was? Lucille. Lucille Carmichael. No, I can't remember. Gee, Henry. I feel sorry for you. I should. You've been swell with it. It's no use. Try again, Henry. Try to think back. I can't. Maybe it wasn't the name at all, see? What were you thinking about when you wrote in the package? I don't. You must have been thinking about something. I... I was thinking about everything I always wanted to do the things I was going to buy, places I was going to go. That was it mostly the places I was going to go. All over the world. Just wandering everywhere I wanted. Just wandering to my heart. What is it, Henry? That's Henry. That's what I wrote on the package, I remember. I can get it. It's my money, $50,000. Henry, wait! Wait! I'm going to get my money.  It's too late. I'll wake him up. Then you'll be suspicious. Henry, wait. How can I be calm? Just sit down here. For a minute, come on. Look down at the water. That'll help you to get calm. See? The water is so calm. I don't want to look at the water. Can you swim? No, I can't. What's the difference? What are you doing? No! No! And that is the end of the story. Of Henry's story. But you might have suspected that it was not quite the end of the story. If you had seen a little item in the newspaper two weeks later under shipping news I will read it to you. Miss Lucille Carmichael who recently came into an inheritance from a long lost relative has engaged the royal suite of the Aquitania and is sailing for Europe tomorrow. Her stay abroad will be over.  Before Mr. Nolan returns to the microphone let me say a word for Roma Wines the sponsor of Suspense. Genuine cordiality and simplicity have made Miss Elsa Maxwell's hospitality famous the world over. She often says there's no better or simpler hospitality than a glass of distinguished Roma Wines. I suggest Roma Toquette a delightful wine for any time or any place. Serve with coffee or dessert as a delightful finishing touch to your meals or set out Roma California Toquette with fruit or nuts or any snack when friends drop in. That's a worthwhile suggestion. Try Roma Toquette a velvety flame bright wine moderately sweet, light yet delightfully rich in flavor. Always depend on Roma Wines to be delicious. Always unvaryingly fine in quality. And the next time you use vermouth sweet or dry, use Roma Vermouth. Zestful herb flavored blended and meled with all the traditional skill of Roma Wineries. Yet it's surprisingly low priced. So try Roma Vermouth soon. This is Lloyd Nolan back from a watery grave just long enough to tell you how much I've enjoyed this most admirable program suspense. Mr. Spear has asked me to pass along to you the word that next through at Thursday pardon me. Your stars will be two of Hollywood's favorite people Miss Nancy Kelly and Mr. Helmut Dantin. I'll be listening I know you will too. Good night. Suspense is produced edited and directed by William Spear. Lloyd Nolan will soon be seen in the picture Captain Eddie produced by 20th Century Fox who are now celebrating their 30th anniversary. Don't forget next Thursday same time Nancy Kelly and Helmut Dantin will be your stars of suspense. Presented by Roma Wines R-O-M-A made in California for enjoyment throughout the world. This is CBS Columbia Broadcasting System


Hello everyone, today Jonathan is asking, our site is changing servers and I've had this go disastrously in the past. What do I need to do to ensure that SEO is preserved?  Wait, don't do that yet. You should wait with turning things off with a server move. Anyway, it's a big event and it's scary to think that you might have forgotten something. In general though, server migrations where you're just moving from one server to another while keeping everything else the same are pretty uneventful for Google systems. The important part is really that everything else stays the same. The URLs stay the same, the content stays the same, the CMS stays the same. It's all the same website, just hosted on a different IP address. The only common issue that can come up with a server migration like that is that Googlebot will readjust how frequently it crawls from your website. Our systems do that automatically. The goal is to avoid causing problems on your server through too much crawling. So when we recognize that your server has changed, our systems will generally throttle back, make sure that your new server can cope with the extra work of Googlebot crawling, and then over time will increase the speed again to a rate that works well for your server and that helps us to keep your website fresh in the search results. As I mentioned, this is a fully automated process, so you don't need to do anything special here. By the way, we have a fairly comprehensive guide on server migration should you be curious about some of those extra details. I added a link to that in the description below. And if there are any other questions you have in mind about this, feel free to reach out to the folks in our Webmaster Help forums who have seen lots of migrations over the years. I'll add a link to the forums here too. I hope you found this video useful and insightful.


Well, thank you for your nice invitation David Here to Cambridge. It's a great pleasure to be here. It's a great privilege to speak to you For data commissioner in Germany, it's always a great thing just to to Go elsewhere and and and try to push the idea of data protection Throughout Europe Well, I want to give you a legal assessment about the problem of the applicability of national data protection law as you see there's a structure of my essay and it Is able perhaps it helps you to to get a notion about the A short lecture It's a question for which Goes on another level. I think we we we heard about just Implication of the Google Spain a decision for for search engines But now we are on the point where we go on another level where we Can see what great impact This decision has for all kinds of platforms and the internet for all kinds of services But as the time is precious, let us begin introduction Historical judgment under two aspects Without exaggeration one can call the decision of the European Court of Justice in the case of Google Spain historical This applies at least for the central part of the verdict the judicial Derivation of the so-called right to be forgotten better called right to be delisted or right not to be found so easily The ruling brought the shocking evidence for Google and other companies that from this point on They were seen as responsible data controllers by operating internet search engines They also had to realize That they can't escape European data protection provisions even if they are settled outside the EU But have an establishment in at least one of the member states The ruling of the Court of Justice therefore not only bolsters the privacy rights of people affected by heteronomous use of the data on the internet it also clarifies the scope of Applicable national data protection law and helps to safeguard the data protection rights vice versa Parties which play on grounds where data protection normally is an alien concept Content and range of the decision the Decision of the European Court Includes that national data protection law is applicable if the activity of an establishment in the specific member state is Economically linked to the controller this applies Even in cases where the regional establishment in the member states itself has no active part in Processing personal data of the users of an internet service It is sufficient if the activity of that establishment fosters economically the data processing of the holding company Now there is a short way from the Google case to another global service provider Which has its German establishment in the state of Hamburg, you know from which kind of service I'm speaking it's biggest social network Facebook That in the past has given several reasons for taking the data use policy under close Chutini to the data protection authority of Hamburg Some examples the first such reason was the friend finder an aggressive Advertising strategy of Facebook to increase the number of their users The second one another Similar case is this face recognition technology Facebook users to suggest Whom to tag on photos uploaded by users to the network This was introduced without asking the data subject affected for the informed concept After we opened an administrative Proceeding against Facebook. They decided to discontinue the features throughout Europe Currently a change of the data use policy of Facebook effective on January of end of January 2015 led to new investigations not only by the handle PPA, but as well as in the Netherlands and Belgium and we know it since last week also in France and Spain The announcement that Facebook may share information about from their users Within the Facebook family for more or less undefined purposes is at least disturbing Legal ground for transferring data between these different companies cannot be seen Facebook therefore must clearly commit that there will be no unauthorized exchange of data especially Keeping in mind the weak privacy standards of the US companies in the hand of Facebook such as WhatsApp or Instagram one can Count here also one can refer also to the network Edward advertising at word Atlas Facebook argues for quite long time that for European users the responsible controller It is not Facebook Inc. Located in California, but rather Facebook limited in Ireland From that they come to the conclusion That the Irish data protection commissioner would be the only competent DPA Despite this position Facebook in the past was willing to answer our questions more or less to our satisfaction Not so now Facebook refused to give answers to our questions concerning the new data use policy They recurred to the argumentation of missing competence and non applicability of German data protection law our legal position Until now the competence issue in Germany has not been solved There are two dissenting court decisions in Germany the administrative court of Schleswig-Holstein in 2013 denied the applicability of German data protection law on the other hand the Kammergericht in January 2014 the Berlin Court of Appeal For private law argued that the national data protection provisions are applicable for Facebook consider considering the current decision of the European Court the key question of ethical law under the framework of the data protection directive must be addressed new The central provision applied in the Google Spain decision concerning applicability of national laws article 4 1 a The article provides that each member state shall apply the national provisions where the Processing is carried out in the context of the activities of an establishment of the controller on the territory of the member states member state when the same controller is established on the territory of several member states He must take the necessary measures to ensure that each of these Establishment complies with the obligations laid down by the national law applicable The clear notion of article 4 1 a to estimate the extent of The application of the national data protection law One has to analyze the key term establishment and scope the relevant activity The court refers to a recital 19 of the directive which states that Establishment on the territory of a member state Implies the effective and real exercise of activity through stable our Arrangements and that the legal form of such an establishment whether simply branch or subsidiary with a legal personality Is not the determined mining factor The court of justice makes it clear that this does not require The processing of personal data in question to be carried out by the establishment concerned But only that it be carried out in the context of activities of these of this Establishment in the case of Google search engine It is sufficient that the establishment promotes and serves advertising space Making the service more profitable The court of justice explicitly Develops its wide interpretation on the background of the processing of data Which is operated by an undertaking that has its seat in a third state But has an establishment in a member state now What does this mean for those cases in which the controller claims to operate not in a third state? but in a member state of the The multiplication of different national regulations is Anticipated by the data protection directive. It states that each controller has to ensure that the national Regulations have in each case be followed Recital 19 of the data protection directive addresses this issue Quotation when a single controller is established on the territory of several member states Particularly by means of subsidiaries He must ensure in order to avoid any Circumvention of national rules that each of the establishments fulfills the obligation imposed by the national law applicable to its activities The decision of the court of justice therefore This is my opinion is also valid for controllers which operate in the EU with an establishment By contrast Facebook, which has its main European establishment in Ireland argues that the directive would aim to ensure a common level of privacy protection standards within the EU and harmonize Data protection laws to establish a consistent internal market for internet services The data protection directive in order to ease the flow of personal data aims indeed for an equivalent level of protection of rights and freedom of Individuals with regard to the processing of such data in all member states. This is recital eight It is clear that the interpretation of the terms establishment by the court of justice Intends to counteract controllers trying to escaping the obligation obligations and guarantees of the data protection directive and safeguards the Effective and complete protection of fundamental rights and freedoms of national natural persons an Interpretation of the scope of applicable law must therefore consider that with directive nine five four six the European Legislator sought to prevent individuals being deprived of the protection Guaranteed by the directive and that protection from being circumvented Quotation from European court Even if one follows the argument of Facebook on the harmonizing impact of the directive The wide interpretation of the term establishment by the court must therefore be also relevant for the data controller in member states where the Implementation of the directive itself is deficient or and the enforcement of national data protection is Not at least much less effective than in other member states or at least much less effective than under the state As a result the controller whose strategy is to seek for lower levels of data protection in third states as well as in the EU Must at least face the situation that he is obliged to the relevant and valid data protection Standards of a member states where its own branches or establishments are running in office I come to point for implementation and law enforcement in Ireland Whether these requirements for the application of the principles of the Google decision are fulfilled in the case of Facebook limited in Ireland Must be examined in depth Here is not the place and the time for a final evaluation But let me in short provide an ignition assessment as an example I will pick the enforcement of proper consent as a legal ground for processing data As mentioned before Facebook in 2011 implemented automatic face recognition to identify people and uploaded photos and attribute attribute these to the users in question Facebook itself when introducing this function had no inform not informed the users that their faces would be biometrical evaluated Under the pressure of growing resistance especially among consumer and data protection authorities Facebook prominently pointed the user to the facial recognition function and the possibility of deactivating it Facebook was of the opinion that it had therewith done all that had been necessary to obtain the consent of those affected True to the motto if you don't deactivate then you concept The user's reaction not to deactivate the facial recognition function was regarded as a concept We clearly pointed out That the failure to perform an action deactivating may not be interpreted as consent on the part of the users Consent from those affected is required by European as well as data protection law an M Biggius concept this view was by the way Repeatedly communicated by the article 29 data protection group in its opinions on the processing of biometric data and the requirements for valid concept that opinion Was not shared by our colleagues in Ireland in their first audit Facebook Ireland the first audit report They accepted Facebook's argumentation that users give their consent to all of the network's condition of use Including the guideline on data usage and that this provides the Substantive legitimation to the collection of users biometrical face profiles quotation Facebook Ireland audit report from 2011 our consideration of the issue this issue must also have regard to case law in Ireland Regarding the use of biometrics This case law has not considered that the procession of biometric data requires explicit consent Further quotation for the reasons outlined above Further notification in relation to the current deployment of the feature is not strictly legally necessary under Irish law This opinion Ignores that with the opt-out Feature Facebook does not fulfill the requirements of the EU data protection directive Article 2 he provides that the data subjects consent shall mean any freely given specific and informed Indication of his wishes by which the data subject signifies his agreement to personal data relating to him being processed the EU article 29 group adopted an Opinion in 2012 on facial recognition in online and mobile services and approves that a quotation In this context consent for enrollment cannot be derived from the general users acceptance of the overall terms and conditions of the underlying service Unless the primary aim of the service is expected to involve facial recognition recognition It took quite some time for Facebook to accept this legal opinion only after opening administrative proceedings Facebook took the the possibility and Close down the facial recognition function in Europe the function or facial recognition was discontinued and the biometric data were deleted this example Shows and demonstrates one of the differences between the Irish data protection act and the EU directive Deviation from settings of the EU directive the Irish Irish data protection act has no binding legal definition of the term consent This proves a deficient Implementation of the directive and documents a gap between the provision of the EU directive and the Irish data protection act This gap should have been closed by interpretation of the legal term consent by the Irish the data protection Authority in the light of the European directive Referring of an Irish case law certainly in my opinion is inappropriate The question of pre and explicit consent is crucial for the Evaluation of the data use policy of Facebook which became effective just in in January 2015 has Facebook by issuing the new privacy policy acquire consent of their users that Legitimates the processing and transfer of data from a European perspective. This is more than doubtful I came I come to the conclusion The EU general data protection regulation is discussed on the EU and on the member state level since 2012 it aims for current structures and future data protection law not only for privacy rights But also towards a homogenous procedure of co-operation and law enforcement between different national supervisory authorities The principle of the one-stop shop should accomplish that only one data protection authority is competent for a data controller throughout the Against the background of the bath. It is not it is of great importance that the exclusive supervisory Responsibility of the authority at the location of the headquarters of the data controller must not lead to a forum shopping of A major internet company Otherwise, we might face a race to the bottom and protecting the privacy in the EU The general regulation therefore has to find clear and transparent procedures which provide effective provisions for the law enforcement Regulation should therefore be given to the question of arming those supervisory authorities with particularly rights for the case of the leading authority should remain inactive That last view on the consent view on the actual proposal of the Council of the European Union raises doubts whether the procedure of the one-stop shop will be effective enough for law enforcement regarding also the Consent proposals of the council in chapter two of the general data protection It falls back not only beyond the proposal of the Commission But also behind the EU directive itself instead of an explicit consent Required by the proposal of the Commission Mere unambiguity Shelby is sufficient that would open the way to opt-out solutions Which in fact are incompatible to the right to informal self-determination of the individual user The central requirement for the ongoing debate on the data protection regulation is to implement a definition Which states that consent of the users always have to be given explicitly The data protection regulation must learn from the process of the European DPA to enforce the fundamental rights to privacy especially against the data use policy of Global players like Google and Facebook. Thank you for your attention