Tom O'Brien, I'm O'Brien of TFNN. We got five days a week. We go seven hours a day. We go 24 hours a day in the internet at TFNN.com. Always remember, folks, whatever you think about, you bring about whatever. You focus on growth, hope everyone's having a great day, safe day. Let's make it a great night, folks. Happy Cinco de Mayo. To begin, a great relationship, know what you want. Know what the needs of your body and what the needs of your mind would fit well with you. There are millions of men and women. Some of them will make a good match and others won't. The two years only need to be like a key in a lock, a match that works. Market wise, let's take a look at it out here. We have the Dow Industries up 143. Nasdaq is down 17. S&P's up nine. Gold contract up $8.70, trade in 17.84 notes. You got silver flat, $26.50 an ounce, light sweet crude off 26 cents, $65.44 a barrel, notes and bonds. Ten year note, up five ticks. 132.19, the 30 year up eight at 158.08 and King dollar. King dollar's up 26 ticks, trade in 91.314. Yours at 119. Yen's at 109. And the British pound is at 139 to one US dollar. iPhone number's<PHONE_NUMBER>, give us a call, folks. One note's going on in your world. In the world of the S&Ps, let's take a look at it. What do you have? Well, you're setting up a small ABC structure on the way down. That's how this baby looks to me at this particular point. So, what do you have in the S&P out here today? Bottom line, that's what we did. But you get down hard yesterday, big volume. Did 101 million shares. You'll only come in to 81. You're popping up today with 40. Bottom line, this thing's gonna be right back down into the lows of yesterday. That's on the spy. We take a look at the Dow Industries. The Dow Industries are just hanging at all time highs. And this is where folks, is that you're going to see the aspect of different indices topping at different times. The reason I'm saying that is that the Dow Industries has hit an all time high out here today, 34,000, 039. We're at 34,267 right now. And if you close now, watch how subtle this is gonna be. If you close under 256, which of course is only eight points away, that's gonna be a failure on price and volume as you hit highs. And the X100 hold different animal. And the X100 looks to me that you know, you got a short-term top that's in. You came down hard. Nasdaq's having a hard time holding any type of price at all. Bottom line, Q's got the 330, 314. It was a gift this morning, no doubt. You're at 329, 51. You're gonna see this high volume low from yesterday get tested. R, it's an ABC structure on the way down. This is a classic slow roll to the downside folks. That's how this baby is shaking out. Yesterday what we did, we did 65 million shares on the way down. You've done 34 million thus far. Bottom line, it wants lower price. If we go to the IWM and we look at the small caps, same type of set up inside the small caps, came down hard yesterday. You're down 95 cents. Gold, gold contract not only held price, it wants higher price. This thing wants the bus top side. What we have inside the gold contract is this. Yesterday, what you did is this. We got to a higher high, had huge volume, and then gave it up on price. What yesterday what you did is this. You get the 1799, 50. You basically closed the session out at 1769. When you look at this volume though, it did 247,000 contracts. Well, the 247,000 contracts was going into 163. This thing wants to blow away this B point, and I suspect what you have out here today is that we rejected lower price at 1769. You're at 1784. This thing is building cause to blow away this swing point. So it's going to be pretty intense, watching this whole thing shake out. We got to take a look at the silver contract, what you have with silver. Silver wants 30 bucks. Right now, what we had with silver yesterday, same set up, silver, much higher price, had the volume behind the move, and what we have out here today is that we rejected lower price at the 26, 27. What's sticking out like a sore thumb is $30.04. Notes and bonds, no doubt, some of the most intriguing ones, not only looking at but understanding where we are inside the marketplace. So picture, so the treasury is coming out. They're going to push a huge amount of notes out and bonds out. That being said, guess what? They're still buying them hand over fist. This note and bond market, right now you're up five ticks on the 30 year, and what the 30 year did yesterday also is come into a swing point, had monster volume coming into the swing point, this thing's going to blow away the swing. Yesterday we did 1.9 million contracts, folks, coming into the swing. The last swing out, they had 1.4. That's saying it's going to blow by the swing. My take is that you're going to see the 10 year get up to the 135, and right now you're at 132. Percentage-wise out here on the 10 year, you're at 1.57, and it has been going down versus going up. We look at King-Dollar, King-Dollar's are tossed up right now. We'll see whether King-Dollar can basically get a bounce going. What has happened thus far is this. King-Dollar traded up to 91.436 today, at 91.317, and you're hanging up there, okay? The bottom line is that King-Dollar can get a bounce up to the 91.764. That'd be pretty easy to do, actually. All that would be is that, well actually, let's look at it, percent Fibonacci-wise as to what, whoops, there we go, as to what that would be. So, come on, baby, where are you? King-Dollar, DXY, it's trying to hide. See, it doesn't, it basically, okay, so let's see what we have here. Because this has been a straight line move down, so if we take a look at it, good old King-Dollar. Okay, so right now, you're not even at the .382 retracement, a .382 retracement will get us up to 91.596. Bottom line, you still get, it's very weak, that's the real bottom line. Some, oh, Peloton, P-T-O-N, Peloton, folks, if you wanna see a monster ABC structure on the way down, bottom line, you have one.  Already has, it really has got smoked, it's trading at 83 and it's off 171. That said, though, guess what, it's a 75.8B. It's a 75.8B that's gonna put it at $50. Right now, you're at 8307, so you're talking something that's pretty intense. When we get over it, when you take a look at where the $45 level is, that's where it looks like it's going to be. Peloton, big problems, man. Stay right there, folks, and they had a recall. They had a recall of hundreds of thousands of machines. Dow Industries right now, up 131, ASIC down 33, S&P's up six and a half. Stay right there, folks, come right back.


Thank you everyone and good afternoon, Commissioner Rodriguez, Captain Merchant from the Coast Guard, Borough President Fisela, Assemblymember Cusick, District Attorney Nick Mann, and all of the and of course Bishop O'Hara and Bishop Byrne. Thank you for being here as well as our distinguished leaders and on to guests. Thank you and welcome to the Staten Island for the commissioning of the Dorothy Day ferry boat, which is the third ferry boat of the island. What a beautiful day for commissioning, okay, great. First a couple of housekeeping items, the commissioning and the boat tour, a limited boat tour will follow the ceremony. Just also a quick reminder, the Dorothy Day is not in service yet, so if you're traveling to Manhattan, of course you need to disembark. You won't be going anywhere on that ferry. So to begin our program, I am thrilled to welcome DOT's own Bernadette Harrell to lead us with the National Anthem, Bernadette. Please stand. Please stand. Yes. Oh, say can you see by the dawn's early, what's so last gleaming, whose broad stripes and bright stars through this fire were so streaming, a still day spangled banner. Wow, was that beautiful? Thank you, Bernadette. Some of you have been here for the previous two ceremonies we had in the past year. Just over a year ago, we honored Staff Sergeant Michael H. Hollis with the first boat. Michael was a war hero from Newdorp, who gave his life in 2013, saving a fellow soldier in Afghanistan. We are very honored to have Michael's parents here, Bob and Linda Hollis. So please, will you stand so we can acknowledge you? In February of this year, for the first time, the Staten Island ferry honored the history of African Americans on the island, as Mayor Adams joins us to commission the Sandy Ground. The boat was named for one of the first free Black settlements in the country here on Staten Island's own South Shore, which was also a stop on the Underground Railroad. I understand that we are honored to have Julie Moody-Lewis here today from the Sandy Ground Historical Society. I don't see Julie, but we'll give a round of applause for the Sandy Ground. Those two beautiful boats are now out in the water and are really serving thousands of Staten Island passengers a day. So now today we stand beside the third and final new ferry boat, the Dorothy Day. Dorothy Day was also someone who the South Shore called her their very own and who has become a legendary figure known worldwide. But for those who don't know the history, let me quickly explain why Dorothy Day was one of the great Americans of the 20th century. Convert to Catholicism, Dorothy Day was the founder of the Catholic worker movement during the Great Depression. The Catholic worker to this day fights for the poor and hungry of our city. I know we have folks here from the Catholic worker movement. So if you please stand so we can acknowledge you. In fact, just this morning, some of these folks suspense meals at a soup kitchen in the Lower East Side, which is amongst the many houses of hospitality that the Catholic worker movement still operates. So thank you. Dorothy Day was an incredible and prolific writer. She edited a daily newspaper, authored seven books, and even for a while wrote a gardening column in our very own Staten Island advance. We're lucky to have summer for beautiful journal writing on the last page of the program. So if you look here, you'll be able to see that. She was also a brave activist for peace and human rights, unafraid to be arrested at protest. In fact, she was jailed eight separate times over her life. But finally, and most importantly, Dorothy Day was a humble woman of God who attended Mass daily. She was called on to the to the practice of works of mercy. And she did that work for justice and peace. She believed in the God given dignity of us all. And she saw Christ in the least among us. And because of all that good work, never mind all that divine inspiration. God willing, Dorothy Day may someday someday be Saint Dorothy Day. Yeah. Hey. Now, to our first speaker, offering a welcome. As we planned the ceremony, we knew it would be in November. And we were thrilled to learn that it was just around the time of Dorothy Day's birthday. Yes, and not just any birthday next Tuesday, November 8th, will be the one hundred and twenty fifth anniversary of her birth. There's even a special word for the one hundred and twenty fifth anniversary is called Quas Quincentennial. And I will not ask anyone up here to repeat that word. Believe me, I have enough sympathy. I won't ask you to repeat that. And with that, I am so pleased to bring you New York City's commissioner of the Department of Transportation, my boss, Edana Rodriguez, Commissioner Rodriguez strongly supports the operations of the Staten Island Ferry, getting this eighty five million dollar ferry into the harbor is just a small part of that work. The commissioner will later present the plaque honoring Dorothy Day. But for now, we'd love to hear from him. So commissioner, please come in. Let's give Rosanna another big round of applause. Right. She is the best commissioner, right? That I have and I don't say in each world. So it's the best one that we have, you know, like I think that I want everyone to. Think on what we are today as a nation and know that sometime we celebrate what other people have done it. But, you know, there's so many history stories that we have in our faces in our family. And I feel that as we're going to be celebrating, you know, someone that find a way of how to make her own contribution, we all have the opportunity to keep fighting on her legacy.  You know, we know most of us have taken a lot of pages to the left, right? And we know so many places full of history knowing who they are for five thousand years for four thousand years, right? And we also, we know that a few decades ago, you know, centuries ago, Irish, Italians, Jewish, women, Latino, black, right? We all been discriminated. So in twenty twenty two, it's not enough for us to say we are putting the name on the this great leader. At this moment, we have to think about it. What is how we're going to be living our life? You know, what is the legacy that we will leave when we're gone? And for me, I said before, only New York City, someone that, as I told my team, my cabinet meeting, many of them, the great men and women that I have or any agency may have, right? I believe Iraq, Colombia, NYU, you know, CUNY, Naime, MIT. And here's the result of CUNY, right? And the kid that came here to wash dishes. And now the story of many of those who are professionals that have a father or grandfather who had a story that I have. So there's a lot, right? You can be part of a successful family, but it was a grandmother or granddad that worked hard that came here, escaping, you know, different things that was going on in different parts of the world. And we have shown that only New York City, as your family, as my family, that came here at the age of 18 to wash dishes, our old Henry restaurant. And my second job was working in the cafeteria at the 40th floor, 55 Waters Street, where now I lead the largest transportation department in the whole country. So if we had done it, as I told the bishop, I'm the result of Catholic Church. You know, my youngest brother is doing great job right now. Captain for JetBlue, director of governmental relations for Tandy, Napoli. I prepared them for them to do the first communion. But as I did it, it was my oldest sister who graduated in 1977 following the same idea of authority knowing that there's a way of how we find God is fighting to make our neighborhood better for the present and the future generation. So that's that's the way on how we need to celebrate it. You know, at this moment in our nation or so much hate coming in different direction, there's a lot of work that we got to do. We don't go backward. We can disagree, but respectfully. We can have different opinions. And in the difference, we had a strength. And we had to celebrate that. And I hope again that again, as we go into this important ceremony, we'll leave this moment. No, and that is not enough to do this event. Let's leave this place committed that we will continue making New York City the best city, a city full of opportunity for everyone. So let's show the love to each other and let's be sure that regardless where the hate comes from, that we push them back. And we move this nation and we move the city to a better place for us and for the future generation. On behalf of Mayor Eric Adams, you know, I want to acknowledge all the honorary guests here.  You know, Rosanne said getting three new ferries built and operating is a task for hundreds of people. I want to acknowledge first all of the people of the Eastern Shipbuilding. They did it. And they built it. They both at the time where they had to deal with Kobe, they had to deal with Hurricane Fi, Karagori, Michael and regardless of all those challenges, they got it done. So thank you for your contribution for all to have this ferry. By securing hundreds of millions of dollars in fund to build this new boat, take a vision or a measure, take a commitment or a lot of great men and women that we have a D.O.T. And I want to acknowledge Elizabeth Franklin, Joges Sanvi, who work in the Grand Team, you know, Joey Barre-Haring, who used to be our Deputy Commissioner, Paulie Tromber, my previous commissioner. Now now we say the Deputy Secretary of Transportation in D.C. She also made great contribution. I understand also we have guests from the U.S. D.O.T. here, Steven Gouldman and Robert A. Ford from the Federal Transit Administration above here. So thank you, Steven Boeb, not only for how much you support in this, but also on how you keep supporting New York City D.O.T. to continue getting all the federal grants that we need. The elected officials. The elected officials also have a big time, you know, Majority Leader Schumer, Senator Gillibrand. And I also want to acknowledge, you know, the former Major and a building velocity also in his administration for helping us to bring all those resources here. And of course, I want to thank the staff at D.O.T., you know, like this is the largest transportation system in the whole nation, right? And and and only, you know, having great leadership in the agency, allow commissioners to go out and be in ribbon cutting and go through meeting because we are the great team. So they are D.O.T. As you know, I have, you know, a great chief star, Ryan Lynch, you know, Margaret Fugioni, further commission of Polo Chor, you know, Julie Beryl, who is also in charge of many divisions, but they're pressing in everyone, the men and women, you know, who work so hard. They're the one and among the group I want to acknowledge. People say, do you take a lot of pressure because I used to be a council member for two years before being a commissioner? And I say, I don't take so much pressure because when it comes to starting Alan Ferry, I had John Garbrey. So thank you, John, for being, you know, the leaders and running our ferry. So that that's what it takes, you know, for a leader to be sure that we are surrounded with great group of individuals.  It was no easy right for her. It is more easy now. He decades later that we celebrate, but we know that someone like her during her time to do the job that she did, not only a great journalist, but also someone who find a way as many of the leaders in the Catholic Church does is about going outside, you know, the temple, the churches to help those individuals, the homeless, you know, those that doesn't have any resources, it takes a different way of how we find a way on how to find Jesus. So she was a leader in her time at the time that I know that she was pushed back for by by so many other people, but she never gave up. And because of the hard work, we have built the society that we have today. A society that is not perfect, but a society that has made a lot of advancement and we all celebrate and benefit from that. As someone that has been arrested, myself, you know, in many occasions, all of them, all of them peacefully, you know, like never breaking the law. And I can say that I identified with all the arrests that, you know, a Dorothy did it went through because she always, you know, fought for the good cause. And, you know, I believe in in the code in the fight that she did, learned that Dorothy Day was nearly 80 years old when she was arrested for the eighth and final time. She was arrested in California with the farm workers. You know, not here in New York City. Yes, to the West, you know, together with the great Latino leader, Cesar Chavez, you know, defending the farm workers. And she did it at that time. Still, we had to do a lot of work to do to defend the farm workers in Austin, New York, so and the cause continue being the same. And it's not easy to hand cover grandmother, right? But she had the strength and the dedication to move forward. But as Dorothy herself believed her faith inspired her to afflict the comfortable and comfort, the afflicted. You know, that's that's that's what it is. You know, let's be sure that we are there supporting. You know, we have a lot of immigrants. They come from Ukraine. They come from Latin America. They need our help and we should be there ready to support it. If we want to recognize and celebrate Dorothy Day. She became best known for social justice campaigns in the fans of the poor for shaking hungry and homeless. She exposed nonviolence and hospitality for the poor. Her fight for human rights and workers' rights are especially relevant today as we are celebrating this moment when the labor movement is showing new power and signs of growth. And I will be remiss here if I did not mention and honor the OTS on union workforce. My agency is in fact powered by unionized employees across the agency. Paving roads, maintenance bridges and repair sidewalks. This coming Sunday, John, we have to be here in the city. Being sure that we're taking care of 25 individuals taking the ferry early in the morning from Manhattan to a starting island to start running the marathon. Fifteen thousand running will be in New York City. And that's going to be a great day for all of us. However, today is the day we must thank the incredible workers on the starting island ferry who I know have faced serious challenges through the pandemic. Can we please give them a big round of applause? And maybe on your trip back, those of us who have to go back to Manhattan, we all can honor Dorothy Day's experience by offering those workers a personal word of thank you for the great job that they do. Hoy, nosotros estamos aquí un día muy importante celebrando a una persona, una leader, Dorothy Day, que hizo sus contribuciones buscando a Cristo, practicando su religión, dedicándose a trabajar para que la sociedad sea lugares de buenas oportunidades para todos, especialmente para la persona más pobres. Thank you. Thank you, Commissioner. I am now happy to bring up the Borough President of Staten Island, Vito Ficella. The Borough President has always been an advocate for the operations of this ferry, which is the lifeline, really, of our borough. He showed that leadership during his time in the halls of the city council and the halls of Congress. It's my pleasure to bring up Mr. Borough President. Thank you. Thank you, Ro. Hello, everybody. Thank you all for coming out and Commissioner Rodriguez, thank you for those words. And you talked about disagreements, but I think we're all in agreement. You're right. We do have the best borough commissioner in Ro, Carolina. Thank you. And her team, they're wonderful to work with. And it's all about doing the right thing for the people of Staten Island, which really is what today is all about as well, right? We're here to honor Dorothy Day. But we've got to remember what's behind us is it's a lifeline for thousands of people a day who find their way to Manhattan for whatever reason. Most of them are people who go to work and earning a living and then coming back to their families here. And we also know it's an iconic symbol around the world. Staten Island ferry. If you ever take it, you always know coming back from Manhattan. Don't sit on the outside because that's where all the tourists sit as they take a photo of Ellis Island and the Statue of Liberty. And that's a wonderful thing, right? So thank you all. As I walked up on the stage here, I saw Bishop Byrne and Bishop O'Hara. And I said, we have two bishops. I'll be the pawn in this game. So thank you all for coming out. And Commissioner Rodriguez, I was listening to your words and you're right. We're here to dedicate a new ferry.  And we also have to remember that safety is an issue as well. So we thank the Coast Guard, the men and women of Coast Guard are here who keep us safe on the seas. But we also know what's behind me is the backdrop of the United States American flag.  So I hope in your words that we may disagree from time to time, but we put all of those differences aside for the common good. And in a way, Dorothy Day was about that, right? She talked about the dignity of every life, talked about hope and gratitude. And the little way of love was her words, the little way of love. And wouldn't it the world be a much better place if more people exercise that little, little thing about a little way of love, making your neighbor a little more happy, making somebody who needs help a little, given the food they need, the shelter they may need. And I think that's what was was emblematic of her life and her legacy. 125 years ago from her birth. And finally, this, as you mentioned, was is the last of this series of boats, right? And there is a common denominator among those three. Sandy ground, as Ro mentioned, was a stop on the Underground Railroad. It was a way to give people who were freeing, fleeing slavery a chance of freedom. And they were those people who dedicated their lives then of sacrifice and service to help those in need. And Bob and Linda Hollis, who are here today, would acknowledge rightfully as well earlier, gave their son to us of sacrifice and service, young Michael Hollis. And he will never be forgotten. And in a very similar way, Dorothy Day did the same thing. Sacrifice and service. And the more we remember what those two things are, the better we will be and the better this country will be. So thank you very much. Thank you, Mr. President. And I'd also like to mention something I found out today that Michael Hollis and Dorothy Day are both buried in Resurrection Cemetery. So that's something to be said. Yes. Thank you, Mr. President, the Archbishop of the Archdiocese of New York, Timothy Cardinal Dolan sends his regrets today. Cardinal Dolan has spoken eloquently for Dorothy Day's case for canonization. I know we have several guests from the Archdiocese with us today. So can those folks please stand and be acknowledged? Those from the Archdiocese, Joe, there you go. Here we go. Thank you. Thank you very much. And today in the Eminence, in his Eminence of Steed, we are pleased to bring up Bishop O'Hara to say a few words. Have we ever stopped to reflect on how our Staten Island ferries bring us all together? Folks from all walks of life, of every ethnicity and faith tradition. The young with their dreams for the future. Those in the fullness of years graced with lifelong experiences beyond measure. The successful, the struggling, white collar, blue collar, those on top of the world, those just trying to get by. Those who are poor, forgotten, lonely, those whom our society has ignored, marginalized, cast aside. A wounded humanity. Successes and failures. Sometimes triumphant, sometimes tragic, all in one place. On one vessel, moving forward, striving to move on and yet begin again. A common humanity, each with their own story. Not merely crossing New York Harbor, but also navigating the treacherous currents, never changing tides of life. How appropriate that this splendid vessel will enshrine the name of Dorothy Day, a woman ahead of her time, a woman of vision, a vision that extended well beyond the confines of the borough she called home. Ever dedicated to building bridges of communication, bringing people together, tirelessly working for social and economic justice, speaking truth to power, disturbing the comfortable and comforting the disturbed. Dorothy Day recognized the sacredness, radiance and goodness of every human person created in the divine image from the powerful moment when the spark of life ignites, begins to the moment of natural death. Oh, how she celebrated the preciousness of life. How she labored to ensure that every person's worth and dignity would be recognized and celebrated, that there would be a place at the table for all who share a common humanity. She recognized the presence of Christ in every single person. She saw every person as a brother or a sister. Well, may her witness an example inspire us to be stepping stones rather than stumbling blocks that we might strive as she did to meet the challenges of our times, to bring people together, to celebrate the greatness of our common humanity and to embrace as she did the sacredness and dignity of every human being, to celebrate the great gift of life. This vessel bearing her name reminds us. Of the values and principles that were anchored in the deep recesses of our heart and soul, may the prophetic witness of Dorothy Day, whose voice and example has spread from Staten Island to the four corners of our world, resonate in our hearts and souls this day and always. Dorothy Day, servant of God, a Staten Islander, a prophet for our times. Thank you, Bishop. That was magnificent. I'd like to at this point ask Commissioner Rodriguez to please come back to the podium to present the plaque. So. Dorothy Day, November 8, 1897, November 29, 1980. Dorothy Day was a journalist and radical convert to Catholicism. They co-founded the Catholic Workers Movement and spent 50 years caring for New York City's poor and homeless. During the Cold War, she spoke out against preparation for nuclear war by leading protests during air raid drills. Nameless servants of God by Catholic Church, they was praised by Pope Francis in his 2015 speech to the US Congress for her social activism, her passion for justice and for the cause of the oppressed. A frequent traveler on the Staten Island ferry from the 1920s through 1970s, she loved Staten Island and her south shore cutter retreat. This ferry boat proudly sheer her name and was dedicated to her memory on November 4, 2022. Thank you, Commissioner. Now I'm musical interlude. I am pleased to bring up Anthony Donovan and a group of musicians, some from the Catholic Worker Movement, for short musical interlude. And we heard them practicing. They're fantastic. Anthony was a crucial member of our ceremony planning committee. While they sit up, can I have can I ask other members of the event planning committee to please stand up today? The ceremony, the plaque, the beautiful program would not have been possible with them all. So thank you to everyone on our committee. Now back to Anthony. He told us he had a band inspired, but what is perhaps Dorothy Day's most famous quote? Just to be clear, when I started, I should have mentioned that Dorothy Day was a woman who broke no foolishness, spoke her mind and did so very directly, kind of reminds me of myself. As she once said, and I quote, our problem stem from our acceptance of this filthy rotten system. Well, Anthony is joined here today with at least a couple of the members of the filthy rotten system band. Anthony, the stage is yours. Thank you so much. All right. So thank you all very much for being here. It's an honor. And Chris Brown would a great job pulling us all together and all the DOT really. So the leader of the filthy rotten system band is Bud Courtney, who's getting his guitar together. That's as far as it goes. And we're joined by Janine Otis of St. Mark's Church, the musical director and Amanda Deliocio of the Catholic Worker. Master console has to console. We say that we stand better when you sing. So if you recognize this song, please sing along. Sing it in the morning. I'd sing it in the I'd sing out. I'd sing out if I had a ferry. I'd ride it in the morning. I'd ride it in the. It's the ferry of justice. It's the ferry of free. Thank you so much to the filthy rotten system band. Finally, it is my honor to bring you Martha Hennessey, Dorothy Day's granddaughter. You actually have a picture of Martha in your program on page two. If you squint a little bit, you will see her right there. Holding a book in her hand called The Mrs. Ladybug. So yep, that's Martha. So Martha has continued her grandmother's proud legacy of activism. And we are so pleased to have her here today representing Dorothy Day's entire family. So Martha, please come up to the podium. Thank you. Thank you all for being here. A beautiful day. Beautiful day. Thank you for that song. Thank you all for all the hard work you've done to put this together. I understand it's quite a feat of organizational skills. Well, Dorothy Day is famous. Pope Francis told the US Congress that along with Abe Lincoln and Dr. King and the monk Thomas Merton that my grandmother serves as a true model for faithful American Christians. Last December, Cardinal Dolan and the Guild with the help of hundreds of volunteers and the support of Catholic workers in over 100 communities across the United States and around the world sent off a mountain of evidence that supports her sainthood. And here in New York, people agree that Dorothy Day's life of practicing the gospel teachings just might balance out our multitude of sins. And now we join here from across New York to dedicate a ferry boat that carries people on the same route as Dorothy took countless times between the Manhattan House of Hospitality and Soup Kitchen and her beloved cottage on Staten Island. My daughter remembers her first ride on the Staten Island ferry, her sense of joy, the freeness and the delight of this city set in glorious nature. Today is cause for celebration and all of us who love Dorothy are grateful. She would probably have something to say about resource allocation, but I think she would be pleased and that being for one very big reason. She was born in Brooklyn and she returned to New York in 1917. She loved New York. She loved our city's homeless, poor and thrown away people. And she loved the women and men who came to help at the Catholic worker. Some for a few days and some for a lifetime. She loved her many friends on various New York margins, many who shared her dreams and disappointments. Dorothy was a New Yorker and this was her city. When she was young, she loved its bars and theaters. She always loved its opera and bookstores and feisty labor unions and city squares where her co-worker Peter Moran could join other dissenters in inspiring the rest of us. And she loved out of the way churches and the quiet strangers who worshipped with her. And yes, she loved Staten Island where she spent happy days with the man she loved, where they conceived a child and at considerable sacrifice found her way into the church. She is now buried on Staten Island. It was love like that for humanity and for God who made and loved us that inspired her vocation. The practice of the work of mercy, her journalism to expose poverty and injustice, the formation of community in city and countryside, trying to build a new society in which it is easier to live and through her nonviolent civil resistance to war, the most destructive abandonment of love. Dorothy Day's love for New York embraced those she met each day and poured forth to all people everywhere, especially those who suffer and are thus closest to our loving God. Be assured today that her radical challenges to both church and state, her intense determination to resist so many of our unjust practices, they all arose from love, including love for New York and its people and the city's rivers and seas and skies and indeed the ferry and most of all from her love for her neighbors, which includes all of us. It is no small thing to know that here today, the city Dorothy Day loved says, at least for a moment, Dorothy, we love you back. Thank you. Thank you, Martha. That was beautiful. And I think we saw today that New York City indeed did love and still loves Dorothy Day. Finally, Bishop Peter Byrne. I know Bishop Byrne ministers to some of the people on Staten Island, who are the poorest of our borough, and he is with us today to close our ceremony with the blessing for this ferry. So may I ask Bishop Byrne to please come to the podium. In the name of the Father and the Son and of the Holy Spirit. May the Lord Jesus who calm the seas guide and protect always all those who work on and ride this ferry. May he give us all protection and strength. May he may the prayers of Mary, the star of the sea and Dorothy Day and all the saints guide us at last to the peace of our eternal harbor. And may God, the Almighty Father, may we God, the Father, the Son and the Holy Spirit bless this ferry and all those who ride it now and forever. Amen. Thank you, Bishop Byrne. This concludes our ceremony. The folks on stage can start to make their way to the boat. I would like to ask everyone in the audience to please wait a couple of moments. You will follow them, but please remain off the boat until the honored guests unveil the Dorothy Day sign sections of the boat will then be open to tour. And we will have Martha Hennessey smash a bottle of bubbly at this time. I'd like to ask Bernadette to please sing us out. Thank you all for being here. It was my great honor to host us. Thank you.


What's up, everyone? It's your girl Kenzie here from latent sports cards, and I'm repping a personal for dandy L We've got another 2022 top stadium club chrome baseball. Good luck Teal and orange nice What the Teals are out of 40 49, right? I think some pretty low-numbered ones then huh? Good luck candy Nice. Yeah Yeah, go for the rainbow now John crook on the Refractor right steam in the future Austin Riley Rivera is what you've got to get the mojo to 25 Gold to 10 and then what black? And then obviously the higher numbered ones beam team rookie wonder Franco Maddox Arias Hendrix Nemo big poppy. We got destiny refractor Bobby with junior That's nice you PK. I think there's some random pack styles that are up Currently well, but shut gold schmidt for a WWE trophy hunter of Aaron judge Bagwell Contreras Lattie Woodruff. We've got gold Frankie Montas that one is 33 out of 50 On the gold got refractor rookie Otto a Josh Winder for the twins Alonso and Drew Ellis rookie Zunia curvy trophy hunter Bryce Harper Manoa, we've got Trevor story refractor Merrick field Palmer Justin Turner Forte's Winfield team of the future refractor Sean Murphy Seen on my Tina's yo, I'm on kata. We've got wave refractor of Lamont a way junior for the Giants Carlson and Mackenzie Gore rookie Wisdom devours team of the future rookie refractor Hunter Green Darvish Castillo and Dela Cruz Melendez we got a torque rookie base We dream Martinez blue is gonna be Frank Robinson 175 of 199 Orioles Ben and Tendi and Manny Machado father O'Neal Jackson beam team Shohei Otani angels Dale Murphy Andrew Jones your dawn Alvarez Lopez Garacol J. Ram got trophy hunter of Max Scherzer The ran and a Jeremy pen your rookie base. Thanks. We ended there. All right, Danny That will do it for your box. Thanks again for hopping back in we'll get these right out to you


Dwi'n du'r rhaid o'r hollien i ddod Ieithio ddod o geoarchialoedd Dwi'n ddod o'r hollien i ddod Ieithio dyna ar y cyfnod a ddod y gallwn ei bwysig Ac mae'r hollien i ddod o cael ei ddod A ddod o'r hollien i ddod Yna ddod i ddod i ddod Mae'r hollien i ddod Mae'r hollien i ddod when I presented all the data from the two sites in Ahus, and he asked, can you identify if there is geoarchaeological signature that sort of defines what is urbanism. So I thought I would use this to sort of theme the data from the two sites. Rwy'n cyfnodd yma, rwy'n cyfnodd, ym Riga, yma'r capital modern y Llatwy, ac yn ym Mhysgol Unesgo, ym Rhysgol, a'r Rhysgol Rhysgol yn y UK. Rwy'n cyfnodd yma, mae'r cyfnodd yn y fronteas, sy'n cyfnodd yma, sy'n cyfnodd yn y cyfnodd, ..a dynamic zones of mobility and acculturation. They allow us to examine the catalyst for urban development. The geoarchaeology in particular helps us to understand how the cities develop in frontier zones. To what extent the structuring and the range of activities that take place in towns are an expression of a controlled process of urbanisation. What do these two sites have in common? We have one site that's a really bustling modern city, a UNESCO World Heritage Site. And then we have another that is just sort of doesn't exist anymore and is in a field in Berkshire. Well, both have Iron Age origins. They both have an Iron Age settlement below. Silchester was on the frontier of the Roman Empire in the southeast corner of Britain. The establishment of Riga is synonymous with the Livonian Crusades in the Baltic. There are some differences. Silchester was abandoned and is now a sort of what we call a greenfield site. Riga is a major urban centre. The way the data has been acquired is also quite different. Silchester was a research excavation run by the University of Reading and also a field school. Whereas the excavations in Riga were carried out by a commercial company ahead of development. So, just to show where Silchester is. The excavations at Silchester have allowed the town to be studied from beginning to end, providing a snapshot. Of town life from the late Iron Age period all the way through to the early medieval period. At the Iron Age town was the political territory of the Atribatis tribe. In about AD 44, we have the conquest of Britain in AD 43, but from about AD 44 onwards. You see signs of a military presence, but there's no military buildings, just artefacts. We then see a sort of programme of road building. So, we have roads built across Iron Age buildings and then there is a sort of first major phase of buildings from the Roman period. However, these buildings, they don't conform to the Roman street grid. So, it's a bit sort of anarchic. They sort of keep the Iron Age orientation. And then, it's not until the third century AD where you have a second major phase of buildings that the buildings are then aligned to the Roman street grid. Fifth century, the formal administration of Rome ceases. And this sort of town sort of falls into decline. We have dark earth deposits forming and buildings sort of robbed away, this sort of thing. And at that point, the town sort of falls on another frontier. So, it's a frontier town. It's beginning and it's end. So, it falls on the early medieval Wandsdike frontier. So, you have Wessex at the south and Mercia to the north. This just shows where the excavations took place. So, there have been excavations in Insela 9 at the top. These went on for several years between 1997 and 2014. And then there have been more recent excavations in Insela 3. So, the excavations in Insela 9, they started in 1997, I suppose, when geoarchaeology wasn't really routinely applied. I did my PhD research and it sort of wasn't really until then that we started doing techniques such as micromorphology, for example, and geochemical analysis. On sediments. So, this one meant that we sort of missed the later phase of the town in terms of the sampling. However, we've managed to sort of get it in Insela 3, which is not very far away. So, this has allowed us to look at the dark earth deposits and the later occupation. So, the other site that I'm going to talk about is here. And this fits within the framework of the Livonian Crusade. So, between 1198 and 1290, Enriga itself is founded in 1201. So, if I go back and start with Silchester, sorry about all the text, the geoarchaeological data from sort of internal spaces at both sites has allowed the spatial organisation of activities to be studied, both spatially and chronologically, at high resolution to sort of look how the inhabitants' lives changed as a result of political change. And the geoarchaeology has been instrumental in both sites in looking at resistance to change and the retention of traditions harking back to the Iron Age, for example. So, at Silchester, we were able to look at urban life from the opidum through to the abandonment. And the geoarchaeology from the Iron Age period is actually really boring. I've looked at the geoarchaeology from the pits and there's just nothing in them, just like gravel. There's no bone, there's no ash, there's no bits of pottery, there's larger sort of fragments of pottery, so where something's been smashed and thrown in. But in terms of the micro refuse, there's just nothing there, probably because there's not really any people there. So, it's quite quiet at this point. This sort of gradually changes through time, so I've just finished some work on what we call period one, which is just around the conquest time, just before conquest. And you still have these sort of buildings with central halls, like you have in the Iron Age. It's very sort of domestic in their use, very multifunctional spaces, so everything going on in that building around the hall. And we have the use of mats as well, which is nice, because it's not something you see in the later phases. So after conquest, this sort of tradition persists with these activities around the central hall. And then there's a gradual move away from this Iron Age tradition, with separate rooms added, and the separation of space, so different buildings used for different activities. So these are some of the buildings from what we call period two, period three. So around 70 to 150 AD. And the ones that I've circled are the most interesting buildings. The red dots within them are the hearts. So you can see the one at the top, which is called ERTV one. That started off as a single room structure. With all the sort of activities taking place. The grand patch of room two, that is lots of trampled material. So that's where the doorway was, which wasn't visible from the superstructure. Even though you can sort of see it's cut, that was actually Victorian trench, where the Victorian excavators had just truncated it. That wasn't actually the doorway. The doorway was identified using micro stratigraphy. So we have this sort of single room structure. The activities taking place around the half. And then a new sort of room one is added at a later date. ERTV eight you can see here. Again that's quite a dynamic structure that also started off as a single room. And it has a post hole structure and earlier iron age structure below it. And all these buildings start in a similar way. You can see here we have a round house. Still into the Roman period. So this is the annex here. And this is the section through the profile of the annex. And here you can see this is an opus signina floor. Opus signina in the rest of the empire is just like a sort of bog standard mortar. It's nothing particularly special. It's used in walls. It's just a functional material. But here it's used in this sort of building on the fringes of the empire. It's seen as quite special and it's used as the floor. And it's kept very clean during its use. So there's no buildup of refuse between this deposit here and this earthen floor that's used as a replastering afterwards. This then sort of falls out of use. So starting off having this nice sort of opus signina floor then going to have this earthen floor. It then has this big dump of recycled floor, latrine waste, bits of tile. Just used as a levelling deposit and this covers the sort of beam slot here. So very much a complete change in use for this building. It has bits of phosphatised bone, all sorts of stuff in it. So it's no longer the nice clean annex that it once was. You can see the outline. This is the outline of ERTB1 here. The main focus of the habitation has now shifted here. These are the floors of the new building. Overlying what was once ERTB1 is just loads of trampled done. So it's now used as an area where animals are kept. It has all these laminated clay coatings which being able to look at these on an open area excavation has been quite handy because they can be quite hard to understand their origin and difficult to interpret. But being able to look at them spatially, I've sort of tentatively been able to look at open spaces or semi open spaces that might exist. So where you have sort of clear floors, internal spaces, you don't tend to get where you don't get these sort of micro laminated clay coatings. However, in this space here, with all this latrine waste and trampled material, where it's a bit more sort of open, I've started to get these micro laminated clay coatings which led me to the interpretation that this is not a roof space or a semi open space for example. So we've also looked at the XRF geochemical data. This has been plotted spatially. So you see the alignment of the buildings here. This is the grid site. So this building is ERTV1 at the top. This one here is ERTV8 at the bottom right. This is copper to zinc, lead, strontium, phosphate and calcium. So you can see there's quite a lot of variation between the buildings and this is after the conquest period. This is where you start to see the separation in the use of space. So yellow is low and then the sort of darker black colours are high. So this one here, for example, this is over 1000 ppm of copper in that building. So this is sort of what we would say is half the red dots are half. So we have some sort of metal working taking place, copper alloy metal working taking place on that part. We've also got high zinc. And this building, you can see the phosphates. This is a really quite a dirty unclean building particularly compared to some of the other buildings and you can see it here and all the sort of geochemical signatures. You've got the phosphates appearing in that building there which are probably leached through the profile because you have the later stabling deposits directly over it and I think they've washed through the profile. But these sort of differences in the buildings are also visible in the micromorphology. So the micromorphology from ELTB8 is just packed full of dump deposits. There's just dumps on top of each other, rake-out material from the haws left around them. So it wasn't a clean building unlike some of the others, particularly ELTB1. So moving across Europe to the excavations of Riga, these were carried out by a commercial company. The people who took the samples have never taken any environmental samples before. However, they did a very good job and they sampled absolutely everything. So we arrived to work one day and opened the office door and there was a mound of wall of soil waiting for us that had just been piled in its bags in the office. So, and they also collected micromorphology samples, which I still have to look at. However, we have processed the geochemical data and there's been lots of archaeological data collected as well from the site and Zuwark data as well. So this is the plan of the Mogmatel and the yellow circle. It represents where the former liver village was. This is the Iron Age settlement. And this is incorporated into the modern town and that's where the excavations took place. And the excavations took place between 2011 and 2012. And the archaeology was absolutely fantastic. There are loads of superimposed buildings on top of each other, timber-framed, we had latrines, really fantastic preservation of the stratigraphy. The building techniques were also indicative of indigenous techniques from the live village and there was a virtual absence of imported material culture which sort of strongly suggests that this was the area of the live village. So these buildings here, these are, Building 17 is the earliest building that we have dated in Riga. So this is dated to 1209 and Riga was founded in 1201. And what these results show are a very sort of separate use of space between buildings. So Building 15, these are the geochemical results. You can see we've got very high concentrations of lead, copper, so PB is the lead and that's sort of over 3,000 times the background geology so around the site, which is pretty high. It's also 120 times the average for the site. So I took an average across the site as well just because I wanted to see what it was like anyway. It's across the site and I also looked in relation to the background. Copper was also enriched but not as much as lead. So I also, once I got the XRF results, I wanted to put them through the ICP to look for things like tin, silver and gold. I found silver in this building. This is around 47 times the background. So these are deposits around hearts which again shows some sort of lead alloy working. Just outside of this area here, we had a big dump of burnt bone but burnt bone and it's calcine bone but of strange parts of the animals. So like their horns and hoofs and from arthritic animals as well. So the parts that you don't really want. So the old animals and arthritic animals use this fuel. So probably to get the high temperatures required for metalworking. So we have the high levels in the building and then the sort of dump of fuel outside. And there's also a comparison of this from around the Novgorod area as well. In comparison, the other buildings are pretty sterile in terms of their geochemical enrichment. There's not much going on in those at all. No significant geochemical enrichments. These two buildings overlie the ones that I've just shown. This theme of clean buildings and sort of dirty spaces sort of persists through time. It's just a position of the two buildings next to each other. So we have lead also very high. 1,000 times the background around that half. The half is in the middle here. And I then looked in the ICP at the ICP results and we had tin that was over 2,000 times the background. So some sort of pewter working taking place on this half. And I've done some experimental work looking at the geochemistry signatures in sort of experimental buildings in the UK. And what you find is in the primary place of metalworking the soil residues of the elements are very high but this signature drops off very quickly. So even within a couple of metres away from that initial point of metalworking you no longer get these significant enrichments. They're a bit rich, perhaps 10, 20 times the background but nothing like the primary place. And also this was a very dynamic space, a dirty space as well. We have loads of fish bones, fish processing waste and huge dumps of animal bone outside the building which suggests that there was sort of butchery going on. Live animals were slaughtered. And we also have the handling of raw fish within this building as well, this tapeworm evidence. So back to the initial question to sort of sum up is an urban geoarcheological signature. Well, I think there are various factors to consider with this. I think it depends if it's a Roman or medieval town. The Roman geochemical data, the enrichments from Silchester they're nothing compared to what we're getting from Riga sort of throughout both from the sort of early period and the later period. Even when we're getting metal working around hards the enrichments are nothing like this and the general sort of enrichments across the site are nothing like what we find at Riga. So there's probably a difference between whether it's a founded Roman town or a medieval town in terms of the activities that are taking place. It probably depends on the status of the settlement and the range of activities that take place. The size of the settlement and the concentration of the population within it as well. So how packed in everyone is living where the refuse is thrown for example. So I think that's all I have to say. Thank you.


Hello everybody! Today I am building Messerschmitt PF109-F4 with the Z-camouflage. Photo edge parts are included in the kit and I glue them with a super glue. I apply thick glue's varnish into the dashboard holes with a brush. It should create a thin transparent membrane. I glue the individual photo edge parts together with a PVA glue. The interior is painted with German RLM66 color. I mix the light gray shade from two colors and highlight all the details. I spray the whole cockpit with Mr. Color SuperClean 3 varnish. Then I apply the washes after the varnish dries up. Photo etched CD belts are included in the kit. I am using Tamiya height finish pointed brush to paint all small details. And here is the finished cockpit. Despite the fact that the model is very detailed I must use patty here and here too. I cover the bones with surfacer 1000. It will help me to find all impurities. Now I start painting the aircraft. The RLM78 color is mixed from several shades but you can simply use Mr. Color H418. If you would like to know I am using airbrush Harder und Schnüttbeck Infinity with 0.15 mm nozzle and with air pressure of 20 psi. The paint is diluted with Mr. Color leveling thinner. I put a few drops of black paint to RLM78 and with this dark shade I create the post shading. I cover the model's surface with Tamiya masking tape and with this removable patty. I do not have RLM79 sand color so I must mix my own shade from several other colors. Yeah sure several. Next time I will probably buy the original Mr. Color H66. It would be much easier. Again I create the highlights and post shading lighter and darker shades. I spray the whole model with super clear varnish. When the varnish dries up I add the waterslide decals and use Mr. Color Softer to set them properly. I spray the model with another layer of varnish. I mix my own wash from X20 thinner and Umpton oil paints. Now I simply wash out the excess wash with dry paper towel. I will try to make additional shading only with a paintbrush and oil paints. This technique is perfect if you do not have an airbrush. Now I can simply blur oil paint with a dry cotton swab. The wheels are dusted with dry pigments from the mick production and fixed the pigment fixer. I make small effect with dark gray color. This ultra thin fiber is made by Ushi van der Osten and it is perfect for antenna wire. I cut out the plastic position lights and create my own ones from transparent epoxy putty. In the end I imitate some scratches with aluminum color and with this step the model is finished. Thank you if you have watched up to this moment I would like to just say a few words in conclusion. The camouflage in the instruction manual is slightly different. Although the original photos looked exactly as the picture from adult. The tarry German cross on the wing seems very strange to me and I simply missed the classic wide wing tips. Instead I follow the scam from the kit in 125 scale made by Trumpeter. Even if my model doesn't reflect the reality to all the details I enjoy building it very much. And I hope you like it too. Thanks for watching and have a nice day.


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I have a very lovely beloved  對啊 Ordered love ++++++ ゚ ゚ ゚ ゚ ゚ ゚ ゚ ゚ ゚  ゚ ゚ ゚ ゚ ゚ ゚ ゚  pottery ゚ ゚ ゚ ゚ ゚ ゚ ゚ ゚ ゚ � here is behind. యెనోల during the agri ring, സ doubts so. గార్ధె now pull Jahal one by two to dead. వల్ 주고 fingerprints! లో� myself in my house. స౩తి are cro-ins, ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ ौ  Bhagheel the number.. He is the failure of the law the day after. The law says... I go дум size 3 and better to get a lover. The he was not saying that the rules study the law. I am dreaming to someone.. One kid under the house... I never have family. Then I had to ask the celebrating teacher. When I was inthose condition.. డార్త్టాకిచించ్కిdocింపించిస్ దించాచ్యలిూ Consumer గ Naturally ineffective x౳వి bottomనెతోత్iele మౙమ౯లైటైట్ు మ్రోను ourt DEINOS gentlemen song पापने पती जीजे ली ने ब अगत था। से दे भाशा दी। थो � Turtle Labوरintroduction क्याकि था। क् personnage का उईटाअ में किंथाई अगत आपना परती क् siinä दाईिये नों ऐगमाशा विय�ex tohtlut यप था� lockhumawar minha's socks നി ധ� aumentar എസേയു ദ്ര്ര്ര്ര്ര്യ്ചി മ൉ര്ട്യ്ട്ച്യ്ച്്്്. നാര്ഞേയെ ന് necesario�്ര്ര്്് ന്രറി ന്ട്യ്്ച്. तो ही उस्टो पहला � bachelor combined । म relentless । � now.. मैं भीना नधे... एप मन niego पहल न doll rasp paints । मैं... मैं बांफन गंफण ता. तो उपPs pinbashkar Expect the money you need to pay after being fired from your client. नम चा inom पै them stride. शान पकील का रहे है ना जास दवी पाहे.. पाहे 묘बाग mosquitoesा। నీలెస౉ కాద́ర్య insightful ట్రు ఌ౟ిలెనౕలీ ప్టంర Word Tinder hilft. ప్టంరిగారార Darknessette ఆదిభాలీ నైఎకికిని. ۖ Pixar ۶ reposities were released for 62 months ۶ Maidams embarrassing ۶ Paragal  experientsFace ۶ The comeback ofgravity ۶ Tancha Pritishami Ṭ�好ṁ Ṭᷜᷗ᷀᷀᷆᷍ Ṭ᷏᷆ Ṭ᷎ᷔ᷋᷀᷋ Ṭᷔ᷅᷈ Ḧ᷅᷆ Ḧ᷂᷅, Ṭ᷅᷅᷄᷆ Ṭ᷎᷅᷄᷄᷁, Ṭᷜ᷆᷅, Ṭ᷅᷆᷆ Ṭ᷅᷀᷅, Ṭ᷅᷆᷅, Ṭ᷅᷅᷅, Ṭ᷅᷅᷅ ᷜ᷀᷆, Ṭ᷅᷆᷄᷆, ఱోత౉దరిందినో సోతాచిసాస్రి న౜దాత౸్చివపెరి. పోచరిందోతైటిగా. හි෋ස හි දොකුජොීවෙු ඇතාව ගන්ඪී෉යිත් වනුළු හ różne�ෙශ් අවල්ණපා will the bridegsmun in a row to get whatever she says! öllig reichen zeniu ADAS న౻తార్న నంత్నొ న౻ల్పి. న౻రయ్న్ న౻న్నని. చోగోచో కోచని నిముర్. థన్చరడి వన్తాని. పకే నిిస్చయతో చనమ్లు. వాతనినిని వాతిని, వాతిన౿ మెండితెసారిందినేలా. మాతురనించేరినీంచినిస్ర్తర్నిల్నలి దితినీలిల్నకిని కికిహంచిలా. konst happenged I said I couldn't even call the lawyer. My lawyer arrested meful, Without the job, I couldn't even talk to had someone else instead. He didn't even consider us. He said I was left outside his family he didn't care about my 부�ard up to ho我的社 too. I never had any external argument about my family. These were all came about ten years ago. Actually he says many, many years in my family. बाखी एक पवार brother manpur kaira ek hi 8 das Didn Prbhoj has told us you came here? मैं आमैं आप दोमाी मैं हे पढ़्ना substances jane. oscill jane मैं आमें 2 मीं और भीने पयला आइ लाए लाए �硃ई Ji kAbhik मैं आocus Main Omini greete pala na rata नान बी आपक nashakadis.. kadhi I got my father's son Islam आमे आबकी और बाग्ा्र J e mian karbgot and son's team तालकठा लाजवना कि मैंसा गी ताई ने की र pourtant राने काया कोचा segundo का Adventure उनिक सापके र Aur  NXT ौ  NXT ौ  NXT ौ  xtonौ Té — biomass ॉ  NXT z素  HARR Vivee jou amount nему bh magical The Giderin ? ? ? ? ? ? ? ? �員 gewoon ব가 cosmic র൉ 임 ੋ wrench ୲༂�istent র� وہ রੰcasting র� sleevesu র� holog Ŕ র຀� Druckaühr Jung  кни missed Так , mezhen my family also missed  ё journalism here she said .  fooled her husband ,  headline or wrong cü truthful fort so she did it  WordPress it this to me irrel andlü  Sexual satierte  coding d heerte that old الل 《 lontic newspaper》 �로  IX Nye kle sequences  condemd when six months and right at home  homework actions éra अंदे link भड़ा ओए ठमidamente भड़ लग practically भढirteen mars,�पाक ब कढ�oya, लअए मेई भढ़ने ना, और जे ऱादवहा ऱी लें गे, ना ड़ी, मेई मेंग़ी युद ही नकरalogो है, तोसी थी बढ़ाअresident 사�ग कि अआपनु क्यों न ग wishing और league दाबो ज Allahu Besh bro, how I became the father properly the landlord since I had left, so I got a casu so if I was a girl in this, what would have been seconds for me, in the past few months, haven't I calls an apartment in any of my versions who were going, before 2 months I have been giving every two months empty你 כל quiet concerning shits and I often get intoxicated and some people get intoxicated by ppl in this culture and they invite me to drink and I get very irritated they keep making me spit here. have thoseить �oy ੩raszam ਲੱ੃ ੩ ੱੁ੠igare ੱ੝ੱ੃ ੭੺ੇ੻੉੉ ੨੼� sat ng lush correlates ੸ਜ਼ੂ卖੎耶 ੾ੲੋ੆ you Elizabeth తbelievable. న solve love to mia my ancestors. త셔ifiers రి న డమరి టిడి మాతని. న knew you. Many hope my ancestors come. న like you'll attend in but I'm considered very lovely if anything but I don't like anyone but if it's just a show and the kid in my school does not like sharing with him and that's the only way to help me and what given the உC Advice都有거 Лegal because I'm in a position where I am aafter this entire world was insulted he lived for 3 lives ......... ....... ........ ...... Ṭ queryock Ṭ queryock  utilities ah Ṣee ni hai sze kharki Ṣe speakers ke Ṣe mein signals Ṣeγα da dheари loka buسم Ṣe ve torn exponential Ṣeost躲 unhealthy ṢeWorldawhake elementary school Ṣak to. Ṣeke bo Produced the website Ṣe phanske on epismitis ওআট standalone খলন�raction ষিি�站 ঎ষি অআখক���� Saul��� ইజা���జ , কাখন� র� alumāńiteṏ চার সুববব �чес কী � spans�� souha�hésitezజ াসুবব আএజা�éo�� Davidson � dij� rebuiltజ মর� Admam ী ই� chestsdaysηνল্ ক Content ক� rpmāṅ কু�� ������� abst Lima ব খাజ appear సుసినీ ధర nostalgiaతేతేరారిFreelynటిసా నాసితిని theoనానంచ౿.  CHEERING మాడ్లతారు సిలులోన కిరారున్. అతిస్వింటర్లికివారున్. అత్వింటింటానింటారు. వానులావౕనికింటరున్. వాఫత్షాన్త్విను.


Cardiovascular diseases are the leading cause of morbidity and mortality in the United States. Cardiac tissue engineering is a direction in regenerative medicine that aims to repair various heart defects with the long-term goal of artificially rebuilding a full-scale organ that matches its native structure and function. Three-dimensional 3D bioprinting offers promising applications through its layer-by-layer biomaterial deposition using different techniques and bioinks. In this review, we will introduce cardiac tissue engineering, 3D bioprinting processes, bioprinting techniques, bio-ing materials, areas of limitation, and the latest applications of this technology, alongside its future directions for further innovation. This article was authored by Catherine A. Wu, UNJJU, and Y. Joseph Wu.


Ahoy, ahoy, and welcome to the channel. I'm Dr. Sumerian, not a real doctor, and today we are going to talk about critique on the SCP Wiki. That's right, sometimes we still do content about writing on this channel. And today we're going to use the extremely good and official guide to being a sh** critiquer by Rounder House as our, let's say, roadmap to how not to give critique. I've done videos before on how not to give critique on the SCP Wiki, and let's talk for just a second about what critique is meant to do. So critique is meant to help an author who is seeking feedback improve their writing in general. Remember that the SCP Wiki is a collection of amateur authors, most of which are really trying hard to become better at their craft. So what we do is we have a big collection of people who come together and you can pick and choose a little bit from here and there and everywhere to try and get people's advice on how to improve your writing based on the stuff that, say, someone else is doing correctly that they understand and that they can help you with. Well, Rounder House went over a collection of what I like to call faux pas, but he treated it as basically a guide on how to do it the right way. And by do it the right way, he meant do it the wrong way. It's a lot of fun, but I'm not going to like grab all like read directly from his guide and then parrot it out to you, but I am going to go over some of the major points. So there are really five, five major points here. The first point is talk down to the author. A lot of people, when they give critique, forget the fact that there's another person on the other end of it, or they get into this mode where they think that the SCP Wiki is all about being as mean as possible to the person that they're trying to give critique to. This is a problem because what it does is it limits the ability of the person you're speaking to to fundamentally respond in a way that actually allows them to improve when you attack a person, not their work. What you're doing is you're making it so that they their focus changes and they're no longer thinking about improving the work necessarily either defending themselves or trying to improve themselves, which is not your job. You're not a life coach. You're none of you're not any of those things. Don't attack. So and we've got some information here on what what you on the phrasings you can use so you can say you didn't enjoy an article. And if somebody gets offended at that, that's really on their own sense. But if you tell them it was a disappointing article, you're making like you're attaching emotional baggage to it. He also uses the example of I feel like you could have put more effort into this part, which there's no easy way to say some things. But there are ways to soften the blow. But the blunt version of that is this article is lazy and there was a lack of effort from the author. Or I didn't find it funny as opposed to something like it says here. This article didn't get a single lap out of me, but I don't think that's harsh enough, something like there is no one in the world who would find this funny. What is wrong with you?  Or this feels mean spirited. Which is an objective kind of like, well, not an objective, it's always subjective feels as that's raised a point of mind feels. It's a subjective evaluation, but it is one that can give the author an opportunity to actually examine their work or just it's straight up insulting them for being mean spirited. So the important part is don't assume that the author that you're giving critique to knows already what they've done wrong and just needs you to confirm it. They're asking for critique because they think they put out good work. If they haven't deal with that. And also this covers the important parts here. The difference between assuming that what you say is absolute fact or opinion, what you're saying is still opinion. And what you're saying is not necessarily even correct in and of itself. It's just your take on the article. Not and then a lot of and sometimes people will fall into this trap. Even when they're experienced critiquers, where they just assume that what they're saying is absolutely 100 percent correct. It's not always the second thing that a lot of people do that's incorrect or what's the best way to put this that can be problematic is to never acknowledge that any parts of the article you read were good. Even if there are parts that you liked, if you individually only focus in on the stuff you didn't like, you are doing both the disservice to the author and to yourself. First of all, because you're basically sitting yourself up to not be able to enjoy things. And secondly, you're not helping the author because they don't know which parts necessarily need to be fixed or left alone. What works is just as important as what doesn't work when you're giving critique because if a whole section of the article sucks, which we're going to talk about this in more declarative terms right now, because we're not talking about anything specific. We're not trying to communicate with another human being. If an article sucks, parts of it suck, let's say, but parts of it are good. You need to give the author somewhere to go. You can't just say this whole thing is bad. Go home. You can say this part this part worked for me. This part could be developed more maybe if you wanted to.  And then they have a sort of a roadmap in ways to improve. But if you say all of it sucked, where do they fix it? You can't that's the end of the sentence. The next one is something that I've been guilty of myself from time to time. And it's also something that I think you can. What's the word? You can still do if you do it in the sense of this is just a suggestion, because a lot of people will come to you for critique and not, especially established authors will come to you for critique and assume that what you're saying is absolute truth. So you have to couch it in the idea of this is how I would do it. It's just a suggestion. Maybe you can use elements from the approach that I'm suggesting to fix it in a way that in the version that you want to write. But the issue is suggesting that they do something completely different than what they've currently done. This can help people. If you run into someone who is frustrated beyond belief because they cannot figure out an approach, offering them an approach is fine. However, if they actually know exactly what they want to do and you do that, then you are failing them as a critiquer because what the information that the help you're giving them won't help them. They already understand what approach they want to take. They have settled on it. They want to write this particular kind of article. And you can do this as a suggestion, but never tell them that this is the way they absolutely must do it. Next up is essentially coming into it with preconceived notions of what you think an article is or is going to be or should be. A lot of this is going into an article with an idea that you're just not going to enjoy it. Articles are meant to be entertainment. That's what writing generally is almost invariably. I should say that's what creative writing generally is supposed to be. So if you go into it with the idea that you're absolutely not going to enjoy it, then you have legitimately. What's the word I'm looking for? You're done yourself and the author of this service because there's no point where you're going to go through it. You're going to you're going to find faults. There's always going to be faults in everything. And then you're going to use those faults to justify your original assumption.  I can't read any further and you stop. But if you'd gone into it with no expectations, that pacing issue may have cleared itself up or it may just be a temporary departure and you can say in your critique that paragraph three was a little paced a little slowly. But otherwise, I enjoyed the article and give the other critique that you're going to give or go into it, like I said, with the expectation that it's a bad article hit paragraph three and just go, I'm not going any further. This is a bad article and that's your response. That's bad critique. And that's you screwing up, honestly. Finally, there's the one of the worst forms of critique. They did that you what you have. You have to say something. What you have to say is the most important thing that this person is going to hear all day, but you don't have anything to say.  Or I don't like the theme minus one. You know, the idea that you have to throw something on there to justify why you didn't like it like you didn't like it so much, but you don't have any good reasons for it. But you got to leave a comment. You don't got to leave a comment. There's a lot of authors out there who like kind of feel bad whenever anyone leaves a minus one to the article, they grade it poorly. And then they, you know, don't comment as to why it's like, how can I fix it? But sometimes people are just, you just don't like an article and that's fine. You don't have to leave a comment explaining, hey, I just didn't like your article. Period. So those are the essentially the five different kinds of bad critique, not the five different kind. They're probably plenty more. But those are, I'd say, five of the most common types of bad critique as outlined by the rounderhouse critique guide. All the world is it called exactly again?  I think you should go under the wiki and give this a read. There'll be a link in the description below. A roundhouse is a fantastic author with a terrible author page. And yeah, give him a give him a look. Thank you very much for watching. If you enjoyed the video, scroll down, hit the subscribe button and then hit the notification bell next to that. And if you want to support the channel even further, and I'm talking to you, Carl, head on over to patreon.com. Ford slash D. Cimmerian and pledge at any level like everybody here on the screen already has, including Dr. J. Redacted and Sinjeriki, who both pledged at $100 and Morgan, who has pledged at $40. It is nice to know that I'm not alone out here and I will see you all again on Thursday.


Exciting news, Khan Academy is hiring for the position of biology content lead, someone who can help us create awesome biology courses for classes 10 to 12 and need-going students. So what are you waiting for? Hi, I'm Ram and I make physics content at Khan Academy. I love Khan Academy because the experience of working with Khan is immensely gratifying. Because A, the content that I create, it reaches millions of kids, yes millions. And I get very emotional when I get to hear that their lives changed and improved because of the work that I did, it's very satisfying. And B, I get to work with the best creators around the world, people who can help me learn and improve. Over the past few years, I have learned a lot about pedagogy and video creation and many other skills. So in summary, at Khan Academy, I get to pursue my passion of teaching while learning and improving myself, that's a dream come true, right? And I also resonate a lot with Khan Academy's mission. Let's hear that from the founder himself. Hi, I'm Sal Khan, founder of the Khan Academy. As you might know, Khan Academy were not for profit with the mission of providing a free world-class education for anyone anywhere. And to us, that means that if you are a villager someplace and you don't have access to a formal school, then you might be able to access a low-cost smartphone and then be able to self-educate yourself and one day prove what you know so that you could get a job or go to higher education. But ideally, you're using Khan Academy in conjunction with a classroom where the classroom can allow students to learn and work at their own pace, give data to teachers, free up class time for more open-ended projects or peer-to-peer learning or a Socratic dialogue. And so we have a call-out for the talent, the teaching talent in India to work with us. So yes, if you are someone or if you know someone who has the command of biology and a passion to teach millions of kids, then do suggest them to join our team. Go to KhanAcademy.org slash careers page and apply for the position of biology content lead. I hope to see you soon over here.