Mr. District Attorney, Champion of the People, Defender of Truth, guarding of our fundamental rights to life, liberty, and the pursuit of happiness. Mr. District Attorney is brought to you by Vitalis, V-I-T-A-L-I-S. Vitalis, the famous preparation that keeps your hair well groomed and used with a speedy 60-second workout, helps you to keep your hair. Through the cues of crime, but to defend with equal vigor the rights and privileges of all its citizens. Our case tonight opens at the dairy farm of Samuel Putnam, a resident of one of the rural sections of your District Attorney's county. Mr. Putnam and his 15-year-old son, Billy, are working in their barnyard. Their chores are interrupted as the car renders the yard, and a man hails them from the driver's seat. Hello there! Yeah? Are you Mr. Putnam? That's right. Oh, very well. Who's that pop? I don't know. I never see him before. Nice looking car. Yeah. How do you do, Mr. Putnam? How do you do, sir? My name is Grant, sir. George Grant. I see. I wonder if I could have a few minutes of your time, sir. Well, if you're selling something, Mr. Grant, I can tell you right now. Quite the contrary, Mr. Putnam. Quite the contrary. I'm here to buy. How do you mean? Tell me, how many cows do you have here on your farm? About 60 head. 60, eh? Well, sir, I'm prepared to take them off your hands. Where'd you ever get the idea I wanted to sell? That's what your neighbors are doing. Pop, does he mean everyone's selling their cows? That's right, young man. Well, what's the purpose of all this? Haven't you heard of the meat shortage, sir? Yeah. Folks in the city need meat very badly. Oh, sure, yes, but this is dairy country. None of us has beef cattle. We all have milk cows. Well, they're beef, too. Sure, sure. But supplying them folks in the city with milk is a lot more important than giving them beef. Oh, look, Mr. Putnam, you farmers had better face the facts. There's a war on. That means a shortage of manpower needed to help run your farms. Well, me and my boy here can manage all right. Sure, we can. Yeah, and so can most of the other fellas around here if they just put their minds to it. Now listen, Mr. Putnam. No, you do the listening for change. You're coming up here to buy our stock is a pretty serious affair. How? Well, if my neighbors sell the cows to you, they're just killing off their only means of livelihood. Ordinarily now, I wouldn't pay no attention to their short-sightedness. But this very war that you speak of, that makes it more important than ever that we keep on producing milk. Is that so? Yes, sir. Youngsters and mothers down there in the city, they need all we can give them. I've got a little influence in this community, Mr. Grant. Really? Yeah.  Look, Mr. Putnam, I never get along very well with people who meddle in my affairs. You don't. You'd better lay off those other farmers. Listen, are you threatening me? No, just giving you some good advice. I came up here to buy beef, and you or anybody else had better not try to stop me. Oh, Chief. Yes, Mr. Putnam? Do you know where Harrington could be? I haven't had any word from him all day. Well, I can explain that. He's doing a special job for the mayor's office. Oh, I see. Yes, his honor is trying to put a check on some of the black market activities that have been overrunning our town. Oh, how? Well, he has men stationed on all roads leading into the city. What for? They're stopping trucks to see if they're carrying any meat that hasn't been tagged with a government-inspected stamp. Oh. If this stamp is missing, the men have orders to confiscate the meat. Well, that's a good idea. Yes, now if we can only enforce it. Excuse me, Chief. Yes, come in, Harrington. Thanks. How are things on the black market? Very good, Miss Miller. In fact, almost too good. Yes, what happened? Well, I was checking trucks that came off the ferry, and believe me, Chief, business was terrific. You found a lot of illegal meat? Oh, about six truckloads. And don't forget that was only my score. That half a dozen other inspectors working today too. Yes, I know.  Yes? That job was just like old home week. What do you mean? Well, you'd have thought I was spending the day down at the police lineup. The guys who were driving those trucks took me right back to prohibition days. They were all acquaintances of ours. Every one of them. The only switch was they were driving meat instead of beer. Who were they, Harrington? Well, every one I, Peg, used to work for Mike Sutter's old mob. Mike Sutter? Yeah. I asked some of them if Mike was operating this racket, and they all claimed I'm here. Well, it's pretty safe to guess that he is. Well, here's one angle I did get out of him, Chief. Yes, what's that? Well, all of the trucks came from in and around Centerville. Centerville? Yeah. Well, that's dairy country. Sure. Yeah, I don't like the sound of that. Hmm? It means this beef must come from slaughtered milk cows. Hey, hey, I guess that's so. Well, Chief, won't that have an effect on milk production? Yes, it will very indefinitely. Well, isn't there anything we can do about it? I believe there is. What, Chief? I think we can carry the mayor's campaign one step further. How? By checking this racket at its source. We're going to pay a little visit to the farmers of Centerville. What are you doing in town? I came in to see you. Yeah? Yeah. Looks like we're in a little trouble. You mean the trucks? Well, that's just the mayor trying to grab a headline. I put him out of peace to work. We'll get the meat back. You think so? Sure. Same thing happened out west. The operators got their meat back before the headlines even got cold. Well, those things are going up in the country. Well, that's what I come into the office to talk to you about. What's the matter? Is something wrong? Is he truthful with you? Yes. Well, what is it? Well, a lot of the farmers have canceled out on me. Well, how do you mean? They changed their minds about selling their cows. Well, how come? There's one man who's responsible for the whole thing. Oh, yeah? He's called several meetings and influenced them to hold on to their stock. Who is this guy? A man named Putnam. What's his angle? Is he moving in on us?  Patriotic? He feels that milk is more important than beef. He's got the others taken the same way now. Did you talk to him? Sure, but he just won't listen to reason. Reason? Now, listen, Grant, you never get nothing with that stuff. I know, but... This guy has really jammed up the work, Sam. Yeah. Well, it looks like maybe it's time for me to take over. What do you mean?  I figured that would work a lot better than muscle. Yes? But the collar's no good on a deal like this. Your Putnam guy needs a different treatment. Oh, now, look, you're not going to use any violence. Remember, you promised me when I came into work for you there'd be no rough stuff. Who said anything about rough stuff? But you, this old farmer, just needs a lesson, that's all. And we can give it to him without our ever seeing the guy. Sir, I'll call him over, Chief. Hey, son! Yes, sir? Is this the Putnam farm? Yes, sir, that's right. Is Mr. Putnam around? No, sir, he's gone into the village. Are you his son? Yes, sir, my name's Billy. Golly, ain't you the district attorney? That's right. Gee, I'd know you in a minute.  Really? Sure. My brother took a lot of pictures of you when you made that speech in Centerville last year. Remember? Oh, yes, yes, of course. My brother was a photographer on the Centerville Herald. He's in the signal corps now. He takes pictures for them, too. Oh, I see. That's what I'm going to do when I'm old enough. Go in the signal corps and take pictures. Well, that's fine, Billy, but just remember that working on a farm is very important, too, right now. Oh, sure. Yeah. When do you expect your father back from the village, son? Oh, he'll be gone most of the day. You see, we've had some trouble here at the farm. Trouble of what? I saw it. Five of our cows died last night.  Pop thinks there was something funny about it. Yeah? He had Dr. Thomas the vet out here this morning. Dr. Thomas thinks they was poisoned. I see. Pop has gone into the high school laboratory. They're going to analyze stuff for him and make sure. Billy, your father has been active in trying to organize the farmers around here against selling their livestock, hasn't he? Yes, sir. Chief, do you think this poisoning was done to get him to lay off? It could have been. Yeah, sounds like something Mike Sutter might do. Yes, but the description that the other farmers gave us is a man who tried to buy their cows doesn't sound like Sutter. Well, he probably has a frontman working for him. Yeah. He's always been a smart operator. If the cows were poisoned, you sure could find out who'd done it. Couldn't you, Mr. District Attorney? Well, I could certainly try, Billy. I think we'd better be moving, Chief. We're going to cover the rest of this territory. Yes, you're right, Henry. What shall I tell my pop? Well, just say that we were here to see him and we'll come out again to the morning. So, boss, so, that's the girl. That's you, Billy. I got a pail of water once this evening, son, but if you want to... Good evening, Mr. Putnam. Huh? Remember me? Grant is the name. Oh, yeah. Yes, I'd like you to meet an associate of mine, Mr. Sutter. How are you? What'd you come here for? Just dropped in to see you. Yeah? I wondered if you'd change your mind about selling your cows. No, sir.  Yes, we understand you lost some of your livestock. That's right. Too bad. What happened to him? I was just wondering whether you fellas couldn't answer that. Why? Them cows was poisoned. Is that a fact?  Well, I sort of have an idea. Really? Yeah. I got to thinking that if somebody wanted to show the other farmers hereabouts that he didn't pay to interfere with certain transactions, well, killing off my cows might be a good way of doing it.  I am. Well, you make us sound like very desperate characters. I imagine that's what you think you are. Well, that's hardly the answer. Wait a minute, Grant. Quit kicking the words around. The old guy knows what goes on. You mean to say that you're admitting that you did poison my cows? Sure. That's only the beginning, Mr. Is that so? Yeah. We got a nice touch working here.  How do you intend to stop me? We'll kill every cow you get in this barn if we have to. I wouldn't advise that. Now, listen. We're running this show. You do as we tell you. Do what? Get to them other farmers. Tell them you was wrong about not selling that beef. Not a chance, Mr. Hey. You can't pull any of your cheap gangster stuff on me. Them farmers are keeping the cows. Yeah. Yeah. And furthermore, I'm having you both arrested for what you've already done to me. You talk real big. This is more than talk. Yeah. I happen to know that the district attorney is in Sandoval right now.  Wait a minute. You stay right here. Let go of my arm. I'll take it easy, mind. This guy ain't calling no district attorney. Oh, ain't I though? Come back here. Oh, no. Mike, why did you do that? The old bum had it coming to him. He's bleeding badly. So what? I think he's dead.  Pop. Pop. That's his kid. Yeah. He may have someone with him. We better get out of here quick. Pop, what's the matter? Yeah, that door. There may be another way out. Come on, Mike. Okay. Okay. Pop. Yeah, this is okay. The car's right outside. Come on. Right. The kid didn't get in there in time to see us, huh? All right. Quit worrying. Yeah. All right. Get in quick. You better drive, Mike. I'm too jittery. Sure, sure. That's the way out. Around the front of the barn. Okay. No, Mike, I never thought you'd... Stop. Stop not for you. The kid. Yeah. He's running for the car. I know. Stop. Hey, look out, Mike.  You'll hit him. That's what I was trying to do. Our case tonight makes very clear one reason we should all help stamp out black markets. Your district attorney has an idea of what's behind this brutal crime, but securing proof is another matter, as we'll learn in just a moment. Right now, word to the men. Do you know that you can have a smooth, close shave and, at the same time, have the cool, refreshed feeling on your face that every man likes to have when he's through shaving? Yes. You can have both benefits with ingrams. Again, G-R-A-M-S, Ingram Shaving Cream.  And in addition, you get a cool shave with ingrams, because ingrams is made to be cool, made to leave your face feeling delightfully fresh and invigorated when shaving is over.  It's ingrams. Ingram Shaving Cream. Back to Mr. Destric Attorney. Boss Chief. Well, maybe they're down in the barn. Yeah, okay. We'll take a look down there. Ah, you know, it's mornings like this that make you wish you lived in the country. Yeah, this is swell. I'll say. Say, Harrington, have you any idea where Mike Sutter makes his headquarters? Sure, I have, Chief. I think I could put my hands on him any time we want him. Good. The Chief, I wonder where he ever got the idea. Hey, hey, hey. Wait a minute. Hey, look right there beside the road. That grass is covered with blood. Yes. Well, what in the world? Yeah, trails on up the road. You see? Yes, in the direction of the barn. Yeah. Do you suppose it could be some animal? Well, I don't know. I think we should find out. It's easy to follow, all right. Whoever or whatever it was seemed to have fallen down right here. Men got up again. Yeah, that's right. And then the trail leads right into the barn. I don't like the looks of this. Neither do I, Harrington. Come on, let's go into the barn.  Yes, sir. Hey. Look, the lights are still on at the place. Oh, so it's... Oh, look! Holy... It's the mother body, Chief. Yeah, don't come any closer, Miss Miller. Harder, Chief. Well, the old man is dead. Huh? Hey. Hey, that must be the kid's father. Oh, Chief. Two bullet wounds in the head. What about the boy? I'm just looking. I'm afraid no other... Hold on. I seem to feel a faint pulse, Chief. Here? Yes. Yes, the boy is definitely alive. Good. Chief, is there anything I can do? There's something we've all got to do. Get this boy to a hospital at once. And there's none in center field. I know we'll have to take him into town. Here, give me a hand, Harrington. Right. And Miss Miller, bring the car down here. Sure, Chief. I don't want to save this youngster. We've really got to make time.  I just got the afternoon papers. They got the whole story. About the father? Yeah, look here. The kid didn't die. So what? He may identify us. Is that what it says in the story? No, according to this, he's still unconscious, very close to death. Then what are you worried about? Well, I guess... Now, look, you said yourself last night that the kid never seen us when we did it. Huh? He didn't even know we were in the barn. I know, but... Then even if he lives, what have they got on us? The boy might have seen the license plates or the tire marks might even be traced. And that makes it tough on somebody else, not us. Why? That was a stolen car yet, chump. Well, the boy's picked it up for me before we went after the sticks. Oh, I see. Now listen, Grant. I'm going to get awful fed up on this crybaby routine of yours. Well, I can't help being concerned. Let that be my department. Well, the only thing we got to do now is to let this thing cool off for a few days before we start operating again. You mean you're going to continue this thing? Why not? It's better set up now than it ever was. How?  I guarantee we won't have to poison no more cars to get them guys in line. Oh, but Mike, it'll be much too dangerous to operate up there again. I for one to one any part of it. No. I should say not. Oh, look, chump, you're in this thing whether you want any part of it or not.  Yes? You and me are going to go over the books this afternoon and figure just how many cows is left up there to grab. I'm over here, Miss Miller. Oh. Did you call the office? Yep. No messages. Is the boy still in the operating room? Yeah, yeah. The chief's in there with him. Oh, I do hope they can save him. It's going to be a tough fight. That kid took plenty. He's been in there over two hours now. Yeah, I know. It was my own kid. I couldn't feel any worse. Yes, I know. Harrington, do you think Sutter was behind this thing? Sure, he was the dirty punk. But how are we ever going to be able to prove it? We got to, Miss Miller. But there wasn't a clue even. I know our only hope is this kid. If he pulls through and can talk, we may get some... Oh, I wish that... Here's the chief. Oh. How is he? Well, he's still alive. Oh, good. Has he got a chance? We don't know yet. Is there anything I can do? Yes, Miss Miller. They're taking the boy up to one of the hospital rooms. Yes. I want you to go up there and stay with him. I'll join you up there as soon as I talk to Harrington. Yes, sir. He's on the fifth floor. Right, I'll find him. What have you got for me, chief? I want you to pick up Mike Sutter and take him to my office. Oh, chief, believe me. This'll be a pleasure. Come here. Look, the boy's moving his hand. Do you think we should call a nurse? Oh, she'll be right back. Do you suppose he's coming around? I don't know. Well, what should we do? Nothing. Just watch and wait. Oh. Did you hear that? Yes. Yes, he seems to be regaining consciousness. Bob. What happened, Bob? It's all right, son. It's all right. Just take it easy. Bob's been hurt. Don't try to raise your head, Billy. What? Where am I? You're all right, Billy. And just try not to talk too much. Yeah, yeah. Billy, you recognize me? Sure. District attorney. That's right. Now, can you understand what I'm saying? Sure. Good. Now, listen carefully, Billy. Can you tell me what happened to your father? To... To Bob? Yes. Yes, you were Bob. What happened to him? I... I don't know. Billy, I gotta get back to the barn, though. Back to the barn. Easy, son. Easy. The door. The side door of the barn. District attorney will get you. He knows. He's delirious, too. Yes, yes. Signal core. Side door barn. Billy, please. Signal core. Side door barn. Chief, I think he's trying to tell us something. Madam, I think he has. This is all a great mystery to me. How's that, Miss Madam? In this place, we come all the way out here to Putnam's barn just because of a little boy's delirious talk. Yes, that's quite true. Then the first thing you do when we get here is pick up a broken piece of string and wander around with it. Well, I admit that... just a minute. Do you see something, Chief? Yes. I'll get this box over here to stand on. Oh, can I help you? Oh, that's all this crossbeam. You have to find what I've been looking for. Oh, that's wonderful, Chief. Is it a definite clue? I have a feeling it can break the whole case for us. Oh, good. Come on, Miss Madam. What to now? Back to the city. We've a lot of work to do. Copper. Yeah? How much longer do we have to hang around this mousetrap? Until a district attorney gets here and, brother, that may be a long time. I hope you know that you're violating our rights as citizens by detaining us here. No kidding. What about the rights you violated, Mr. Grant, when you guys knocked off that old man? Ah, listen, are you digging that one up again? Sure, Sutter. I'm just keeping in practice for the time when I really go to work on you. You ain't never going to get a chance to work on me. Don't be too sure. Look, we don't know nothing about that old bomber. Ah! Oh, hi, Chief. Oh, hi. Did Miss Miller get here yet? No, but I got some customers for you. Sure. This here is Mike Sutter. He knows me. And this added attraction is Sutter's front man, the one he used on the farmers. I see. He was in Sutter's office, so I brought him along. I demand to know why we're being held here, sir. I hasn't, Mr. Hang, been explained that to you. I did, Chief. But we know absolutely nothing about the death of that man in the country. I'm inclined to think otherwise. Ah, look, DA, I can tell you right now. You're wasting your time on this. I don't think so. What does he mean? What happened to that old man and his son was one of the most vicious crimes I've ever encountered. Listen, save the speeches, DA. What evidence have you got on this? Excuse me, Chief. Yes, come in, Miss Miller. This may be the answer to your question, Sutter. Here's the envelope. Thank you, Miss Miller. What do you got there, Chief? It's the evidence we've been waiting for. Huh? Definite proof of who killed Mr. Putnam here. Errington, you may arrest these two men on the charge of murder. Your district attorney will be back in just a moment to explain what he learned from Billy Putnam's delirious cries that led him back to the farm and clinched his case. First, though, here's the fact about Vitalis you'll be glad to know. While wartime Vitalis is manufactured under government restrictions that affect most products during these times of war, Vitalis and the 62nd Workout gives you the same three benefits that you and thousands of other men have always enjoyed with Vitalis. And here they are. First, Vitalis gives you really well-groomed hair. Keeps your hair in place in a natural, masculine way. With Vitalis, your hair doesn't have that obnoxious, plastered-down, patent-leather shine. Second, Vitalis and the 62nd Workout helps route unsightly and often embarrassing loose dandruff. Third and very important, Vitalis and massage helps prevent excessive falling hair. It stimulates circulation, you see. Loosens up your tight, dry scalp. So Vitalis and massage helps you keep your hair. And since wartime restrictions affect the amount of Vitalis we can make, please be patient if your drug is doesn't always have it. We will continue to keep him as well-supplied as possible. And please remember, wartime Vitalis gives you the same three benefits you've always enjoyed.  That's V-I-T-A-L-I-S. Vitalis. Now, here is your district attorney. Well, ladies and gentlemen, the evidence that solved tonight's case was given to us by a very alert and courageous young man, Billy Putnam. It was his timely thinking that enabled us to try and convict Mike Sutter and his accomplice grant on the charge of first-degree murder.  Chief, don't you think you ought to tell the folks just what that evidence was? Yes, Miss Putnam. I learned about it in young Billy's hospital room. In his delirious ravings, Billy repeated two important things. Side door of the barn and signal core. I remember the side door of the barn but the signal core reference eluded me until I suddenly recalled our first conversation with the boy. You mean about his brother being a photographer in the signal core? Yes, Harrington. I took the chance that this meant he had some camera arrangement hooked to that side door. Which he did? Yes. The boy had rigged it up the day after the cows were poisoned. He hoped to get a picture of anyone who might attempt it again. And he sure got a mighty important one. Grant and Sutter leaving the place with the old man dead on the floor. Chief, I'm sure that everyone will be glad to know that Billy has fully recovered from his ordeal. Yes, Miss Putnam. And we're seeing to it personally that he gets a good home until he's old enough to realize his ambition to join his brother in the Army signal core. Good. Now, what about next week, Chief? Well, it's a case I believe every one of our listeners will find very interesting and exciting. The case of the weekend murders. And so, friends, join us again next Wednesday and until then, thank you and good night. The names of all characters in the night's dramatization are fictitious and interasemblance to names of living persons or actual places is purely coincidental. J. Justin was featured in the title role. Len Doyle is Harrington. Vicky Bola is Miss Miller. The music was under the direction of Peter Van Steeden and the author was Jerry Devine. Mr. District Attorney is brought to you by the Bristol Myers Company. Makers of Vitalis. Used by more men to keep their hair well groomed than any other preparation of its kind. Now, just think of the word vital and add I-S. Vitalis. Vitalis for your hair.


We now have 17 counties with complete police participation in carrying naloxone in Pennsylvania. This is really encouraging and a key component of our statewide fight against the opioid epidemic. The folks who have the naloxone are not just reviving these victims of substance use disorder. They're also doing their level best to get these folks into treatment. Law enforcement officials, this was not really their fight. They inherited this from us. They made it their fight and for that we owe them a great debt of gratitude. All the work continues again. I just want to say how proud I am to be able to take this moment to recognize the great work our law enforcement agencies are doing to help. They're front and center in this crisis and that's really important.


Oh boy, did I really make this subscriber mad. What is up everybody? This is Chris from the Rewired Soul, where we talk about the problem, but focus on the solution. And if you're new to my channel, my channel is all about mental health. And typically what I do is pull different topics from the YouTube community to try to teach you how to improve your mental and emotional wellbeing. So if you're into that stuff, make sure you subscribe and ring that notification bell. And by the way, did you know, did you know that Rewire Your Anger is now available over on Audible? So if you want to, if you've been waiting for it to go up on Audible, it's there for you now. So go check it out. I think it's like less than $5, alright? So anyways, go check it out if anger is something that you struggle with. Rewire Your Anxiety should be coming, hopefully in the next couple weeks or so. Alright, but yeah, anyways, I stumbled across a video by one of my subscribers, by one of my own Rewired Soldiers.  I'm like, oh my God, this is Elsie. I ain't no Elsie. What is this? Why is she so mad at me? And I'm like watching it and like, and like I'm getting upset on all these other things. And then I stayed and watched it. I'm just like, oh, okay. But anyways, anyways, I wanted to talk about, you know, tough love, accountability, all sorts of things. But anyways, like, I'm not the right person to talk about that. Why don't I have Elsie come in and explain why she got so pissed off at me? Hey there, Elsie W here. Thank you, Chris and all you Rewired Soldiers for allowing me to join you for a few minutes. I've had my channel for nearly six years now and in all this time after years of coming up with tons of video ideas that I wanted to make, I didn't put out a single one until a few weeks ago. And you might be wondering, what was it that finally motivated me to get over my issues with self-down and perfectionism and procrastination and my intense anxiety and low self-esteem? What was it that finally pushed me to complete and upload my very first YouTube video? I'll tell you.  And don't get me wrong, I've been watching the Rewired Soul since about September of last year and I even joined the Facebook support group a little while after that. I found Chris's videos and started binging on them at the lowest point I have ever been in in a very long line of low points. And I distinctly remember watching the video that he made about losing his job just a few weeks after I had lost my third job in less than six months. And he wasn't prettier than me. He wasn't living fancier than me. He wasn't even really more qualified to speak about serious mental health issues than I am right now. And I actually found that kind of comforting because when I couldn't think of a single positive, healthy line of thought, I could just redirect my attention to this regular guy who was doing the same thing as me, trying to dig himself out of his own hole and turn his life around to change his mental health and his well-being every way that he could.  And even though I love his channel and respect his hustle, earlier this year in January, he put out a video titled The YouTuber Burnout Myth. And it got under my skin in ways that I haven't felt since I was being coached in youth sports. I got fired up. I was mad. He click-baited me into watching this video and wasn't even talking about how burnout really feels. He wasn't even talking about other YouTubers or fans.  And then he's calling out these other YouTubers for making excuses and brainwashing their fans into co-signing their laziness. And he wasn't just calling them out. He was calling me out. And I about lost my mind when I got to the part of the video where he said, if you spend 40 hours a week working on videos, there's really no fathomable excuse that you can't put out at least one video a week. And I'll be real with you. Since I was a child, defiance has been one of the strongest motivators for me. I will move mountains if it means proving someone wrong. And maybe that says something about me that I should spend a little bit more time reflecting on, but we're gonna save that for another video. Bottom line, I wanted to call Chris out for being lazy too. I wanted to pull a booty on the rewired soul and use his own format to do it. I actually took a lot of inspiration from that video that he made, why I hate tea spill. But even just from that connection in my mind, when I first watched this video that pissed me off so much, I realized that my feelings were rooted in some issues that I need to work on for myself as well. I have insecurities, I have sensitivity about burnout from my experience with it last year. And the only reason I could even recognize that was because of the months I had spent watching his videos tell me more about myself using a bunch of YouTubers I'd never even heard about before and showing me that not only could he relate at some point in his life to the problematic behaviors that they had, but there was a reason I could relate to that too and that it didn't have to just stay that way, that we can change and we can get better. And if he could do it, I could do it. So if you wanna know the full story on what I learned about myself from that whole process, you are absolutely welcome to come check out my channel. I only have a few videos so far and I've already gotten a ton of comments from other rewired soldiers who have been doing the exact same thing as me putting off things that they know are good for them or that will make them happy for no good reason. And so I really hope that all of you who can relate to that will take this opportunity to turn that around right now and just embrace the solution. I know that sometimes it's more comfortable to sit in the problem but you're just gonna waste yourself there. There's so much that you can gain and so much that you can give by just putting yourself out there. So I strongly encourage that and also Chris, thank you so much for pissing me off because otherwise I probably never would have done this thing that I've been dying to do for years now and I'm having so much more fun than I ever could have imagined. So thank you all and I'll see you around. Booyah! And that's LCW for ya. By the way, I've never told LC this but I love how her name just kind of rolls off the tongue LCW. LCW, say it with me. LCW. But anyways, I am so, so, so, so proud of LC like please, please, please go check out her channel, go subscribe to it. Like I can relate to, I can relate so much to everything that she's talking about in her videos and everything. Just the perfectionism, just holding ourselves back, just not doing something out of fear and all sorts of things. And like she said, like she connected with me on like the job loss and all of that and that fear that comes along with it. Like I am a recovering drug addict and alcoholic. I have been fired so many times and just working at a job, I constantly had this like, this anxiety of getting fired like every minute, right? Like every time like the boss is like, hey, can we talk or whatever? I'm like, oh my God, what do I do? What do I do? What do I do, right? And it kind of puts you into this freeze mode, right?  And a lot of us just freeze and we don't do anything, right? But anyways, like Elsie's only made a few videos, but like I keep commenting cause I can already see her getting more confident and getting better at it. And it's absolutely amazing. But the last thing I wanna talk about is kind of tough love and calling us out. Like not all of us are wired this way. Not all of us are wired this way.  And like I can absolutely relate to that. Like you guys, one of my secrets to recovery that doesn't work for everybody, but it worked for me, one of the reasons that I am still sober over six and a half years later is because of all the people who didn't think I can do it, right? Like I had this weird thing in me, maybe it's, you know, competitiveness, maybe it's like part of that defiance that Elsie was talking about. But when people tell me that I can't do something, it is just this fuel to make stuff happen, right? So like, if, like that's something that I talk about a little bit and rewire your anger as well, right? Like take that anger and channel it into something good. You know what I mean? And I've turned it into, you know, not only a way to better myself, but also to better like the message I give, the way I grow this channel, like despite what people say, like I'm always trying to reach a larger audience because I wanna help as many people as possible. And like, I originally just put a lot of hustle and hard work into this channel because there were a lot of people who didn't think this channel was gonna go anywhere. You know what I'm saying? So if you could tap into that like Elsie did or like I do, like use that as a fuel to get better, right? Like because we have two options. When people are saying these things to us, we either prove them right or we prove them wrong. And what I like to do, what I like to do is prove them wrong, all right? But anyways, this is actually, this is actually the start of a brand new series because the rewired soldier was never, the rewired soul rather was never meant to be about me. There's a reason why my channel isn't just called Chris. You know what I mean? Like it is about all of us, okay? Because like I learned a long time ago that us sharing our stories helps other people. So I had Elsie come over to do this first video but I want to get all of you involved as well. So I've set up an email, it's rewiredsoldieratgmail.com. It'll be linked down in the description, down in the pinned comment. If you have taken anything from any of my videos like if you learned something that made you like go out and do something to better your mental health, whether it's going to therapy, starting to meditate, starting to journal, getting involved in the Facebook group or the Discord server, just send me an email, tell the story, right? Or you can do like Elsie did and send me a video clip and I will be doing this at least once a week because I want to put a spotlight back on all of you because like no matter what I do on this end of the camera, it's all of you out there who are actually doing the work. You know what I mean? Like it's something that my mentors and sponsor told me. Like they weren't doing anything. It was me who had to put in the work. So now I am telling all of you that as well and I want to share these stories with other people so maybe they have some hope to change their mental health situation, all right? So again, thank you so much Elsie for coming over and doing that guest clip. Go subscribe to Elsie. I'm going to link it down below in the description and in the pinned comment. It'll also be linked in the end screen. Go check her out on her journey. It is absolutely phenomenal, all right? But anyways, that's all I got for this video. If you liked this video, please give it a thumbs up. If you're new, make sure you subscribe and ring that notification bell. And a huge, huge thank you to everybody supporting the channel over on Patreon. You are all amazing and just like I promised, boom. Right there, there is Elsie's link to her channel. Go check it out and go subscribe. All right, thanks again for watching. I'll see you next time.


Today we want to see video signal transmission for monochrome TV. Learning outcome of this topic is at the end of this section student will be able to explain the concept of video signal transmission for monochrome TV. The contents of these topics are first we want to see introduction. In most of the television system before the transmission we require two modulation signal one is amplitude modulation and second one is frequency modulation. Amplitude modulation is used for transmission of a picture signal and the frequency modulation is used to transmit the sound signal. The channel bandwidth is determined by the highest video frequency required for proper picture reception and maximum sound carrier frequency deviation permitted in a TV system means total channel bandwidth is calculated on video frequency and the sound carrier frequency. The bandwidth of the channel is summation of highest video frequency and maximum sound carrier frequency. Now need for modulation. We want to recall here what is the means of a modulation. You pause the video and think on what is the means of modulation. Okay modulation means message signal whichever we transmit the signal that contains the message that is called as modulation. It is impossible to transmit a signal by itself that's why we require modulation. Difficulty in the use of unmodulated wave is the need for long antennas for efficient radiation and reception. For example a quarter wavelength antenna for the transmitting frequency of 15 kHz would be 5000 meters long. Now can you imagine for transmission of a 15 kHz we require 5000 meters long vertical antenna means near approximately 5 kms this is unthinkable and in fact impracticable. That's why without modulation we cannot transmit the signal for that one we require modulation. Both picture and sound signals from different stations are connected within the same range of frequencies therefore radiation from different stations would be hopelessly and inextricably mixed up and it would be impossible to separate one from the other at the receiving end. That's why this is another reason why we require the modulation. In order to able to separate it is necessary to translate them all to different portions of the electromagnetic spectrum depending on the carrier frequency assigned to each station. Now we see amplitude modulation. Now the first equation that is E c is equal to E c cos omega ct is the equation for carrier wave modulation and for second equation that is modulating signal that is E m cos omega mt is the equation for modulating signal. Now the equation of the modulation wave is E is equal to A cos omega ct where A is equal to E c plus k E m cos omega mt. E c means carrier wave and E m means modulation wave where k is a constant of the modulator. Now the figure one shows the unmodulated carrier wave means here the message signal is not present here only the carrier signal is present this is a graph is drawn E c versus time carrier wave versus time and this carrier is shown with the help of E c equal to E c cos omega ct. Now figure two shows the modulation signal. Modulation signal is drawn E m E m means modulation is graph is drawn E m versus time. This signal is called as message signal and this is represented by with the help of equation E m is equal to E m cos omega mt. Now the figure three shows the modulated wave means here figure three is a combination of a figure one and figure two that is unmodulating signal and the modulated signal this is shown as this is the message signal this message signal and this one is inner bracket is shown as the carrier signal and this is a combination of a both message signal and the carrier signal and when this both the common the equation become as E c plus E m cos omega mt and minus E c plus E m cos omega mt this graph is drawn carrier versus the time this is a modulation wave. Now the frequency spectrum of this E m amplitude wave is the FC is the carrier wave at the right hand side is shown as the fm and this is upper side band frequency is located at FC plus fm for the left hand side that is a LSB lower side band and it is located at the FC minus fm frequency and this is a graph is of frequency spectrum of A m wave. Now E is equal to E c plus K E m cos omega mt into cos omega ct. Now we separate this above equation simplified with the above equation they become as E is equal to E c 1 plus E m cos omega mt into cos omega ct where M is a modulation index is equal to K into E m by E c at K E m is equal to E c then at that time modulation index become 1 and the corresponding depth of modulation is then termed as 100 percent. Therefore the above equation becomes now E is equal to E c cos omega ct plus M E c by 2 cos omega c minus omega mt minus M E c by 2 cos omega c plus omega m into t. Now channel bandwidth in the 625 line TV system the frequency component present in the video signal from DC to 5 MHz a double sideband A m transmission would occupy a total bandwidth of 5 MHz for upper band bandwidth and for the 5 MHz for the lower bandwidth therefore total becomes 10 MHz. The actual band space allocated to the television channel would have to be still greater because with the practical filter characteristics it is not possible to terminate the bandwidth of the signal abruptly at the edge of the sidebands therefore an attenuation slope of 0.5 MHz is provided at each edge of the two sidebands therefore 0.5 MHz for the right hand side and 0.5 MHz for the left hand side means 0.5 MHz for upper sideband and 0.5 MHz for the lower sideband then total becomes 1 MHz is required for the total band space. Television channel it has its associated with first is a frequency modulated FM signal that carries the sound signal the carrier frequency require 5.5 MHz of the picture signal the small guard band if we require 0.25 MHz so that total practical figure of this channel bandwidth would be 11.25 MHz means 5.5 MHz for the upper sideband 5.5 MHz for the lower sideband that becomes 11 MHz and the remaining guard band we require for that one is 0.25 MHz then total bandwidth channel bandwidth would require 11.25 MHz. Now this is a diagram shows total channel bandwidth using double sideband picture signal here the graph is drawn amplitude versus frequency relative to picture carrier now if you observe this diagram P indicates the picture and S indicates the sound carrier now in this graph if you know the graph upper sideband USB is from 0 to 5.5 and the lower sideband is from 0 to 5.5 then it become total 11 MHz and the remaining 5.5 to 5.75 that is 0.25 MHz that is the guard band this total bandwidth is required for the 11 MHz such but such a bandwidth is too large that limits the number of channels in a given high frequency spectrum allocated for 3B transmission therefore to ensure spectrum conservation some saving in the bandwidth allotted to each channel is desirable for the transmission of a that signal it require 11 MHz but that is a very huge that's why for minimization of that bandwidth we go for next modulation that is single sideband transmission now SSB now equation 2 which we derived in the previous slide that reveals that the carrier component conveys no information because the information is present only at the message signal carrier is contains no message in that equation 2 because its amplitude and frequency remain constant no matter carrier frequency is necessary at the receiver for recovering the modulating frequency FM now upper sideband equation is FC plus FM minus FC and the lower sideband equation is FC minus FC minus FM in transmission the carrier frequency is radiated along with the sideband component in all radio broadcast and TV system results in simpler transmitting equipment needs diode detector at the receiver for recovering the modulation components without an undue distortion from the equation 2 we conclude the three things first two sidebands are images of each other second one is each one is equally affected by changes in the modulating voltage amplitude via the component MEC by 2 now third one is any changes in the frequency of the modulating signal results in identical changes in the band spread of the two sidebands therefore we require from this statement only one sideband therefore all information can be conveyed by the use of one sideband only and it's result in saving of 5 megahertz per channel because we are not using the second channel and it saves the 5 megahertz channel the magnitude of the detector signal in the receiver will be just half of that obtained when both the sideband are transmitted the references for this topic is thank you


Alright, so the Italian Open starts next week. It's a massive tournament. A massive clay court event. The last chance for a lot of players to get a warm-up for the French Open, which is coming up in a couple of weeks. A lot of players are playing, but let's see who's not playing with the withdrawals. Alright, so a couple withdrawals, a couple of big names not playing on the men's side. We have Baratini. He's pulled out. Taylor Fritz has also pulled out. Denim Evredevs pulled out. Montfist is not playing and also Moussetti has pulled out at the last minute. So five names not playing. Some big names there that won't be playing in Rome. Alright, Djokovic gets a buy in the first round. Top eight seeds get a buy in the first round. Healerweight the winner of Harris versus Karrasov. We're going out in the first round. Then we've got a qualifier versus Chorich. Winner of that match takes on either Stan Vavrenka or Riley O'Pelka. The 14th seed, Stan versus O'Pelka. That is epic. They played in Wimbledon about three years ago. So that could be fun. Then we've got Schwarzman taking on Ketch Menovic. Ooh, the number 12, Schwarzman. Ketch Menovic, that's dangerous for Schwarzman. Winner of that will play the public or a qualifier. Then we've got Fakina taking on Vashka. Winner of that match takes on FAA, the number eight seed. Ojaliasim. So this is interesting. I mean, you've got Fakina, Ketch Menovic, a couple of unseeded players. FAA, who's playing obviously this week, playing well here in Madrid. Schwarzman's a good clay quarter. We'll see what happens. This next section of the draw we've got Nadal gets a buy in the first round. He takes on either a qualifier or Isna in the second round. Then we've got Priscillazvili taking on Evans. Winner of that match takes on either Senego or the number 13 seed, Shapovalov. So Shapo and Rafa could be meeting early in the tournament in the third round. So that's very tough for Rafa. Then you've got Hercatch taking on Goffan, the number 11 seed. Hercatch. Winner of that match takes on either Brooksby or Caballi in the second round. Then we've got Korda taking on Van Zanschup. Winner of that match takes on the number five seed, Casparud in the second round. I've got to be honest, Rafa's got a very nice draw. That part of the draw, I mean Hercatch obviously dangerous, Shapo dangerous, but Rafa can beat all those players. It's not like this week where he had nightmares. He can beat pretty much all those guys. Let's go to the bottom half of the draw. Now we've got Rublev. He gets a buy in the first round. He'll take on either Crayonovic or Tiafo in the second round. We're going at it in that first round. Then we've got Fanini takes on team. That is one of the best first round matches going around. But Nene team, we've got to watch that one. Winner of that match takes on either Martinez or the number 10 seed, Sina in the second round. Then we've got Karinia Buster, the 15th seed taking on Delbonnes. Winner of that match takes on either Hashinov or a qualifier. Then we've got Demetrop taking on Aqualli. Winner of that match takes on the number four seed, Stevonovic Sidzeypass. Now Demetrop Sidzeypass already played this week and it was pretty one-sided. So Dimmy getting a tough draw. Bottom section of the draw now, the bottom quarter. We've got Alcares. He waits for the number seven seed. He gets a buy in the first round. He'll take on either Garen or Pacerro in the second round. Then we've got Chilich versus Anoldi. Winner of that match takes on either Nardi or the number nine seed, Nori in the second round. So Nori Alcares, they could play again. They had a pretty good match this week. So they could be playing again in the third round. Then he got Patistera Guru, the number 16 seed taking on Diminal. That's a fun match. That could go three hours. Winner of that match takes on either Ramos-Fernoles or Tommy Paul. Then we've got two qualifiers going at it. The winner of that qualifier battle will take on the number two seed, Alexander Zverev in the second round. I feel the bottom half of the draw is the worst. I think the bottom half is much harder than in Madrid. Madrid, the bottom half is the easier half. I feel like the bottom half in this one is much tougher with Alcares and Sidzeypass. Zverev, Rublev, Sinner, team. There's a lot of good players. Nori, there's a lot of really tough players down the bottom half.  I think they've got the easy one up the top. So who's going to win? Who's going to win? Let me know in the chat. Let me know in the description or the comments below. Who do you think is going to win this one? I mean, Rafa and Noley have good draws. I think a goat is going to win. I think it's going to be Rafa or maybe Nadal. Oh, sorry, Rafa or Noley. I think Noley or Nadal. So let me know though. Who do you think is going to win that one? It's going to be fun. We're going to watch a hell of a lot of it. So we're going to be watching Rome next week full on.


from Nice, France. It's theCUBE, covering dotnext conference 2017 Europe. Brought to you by Nutanix. Hi, I'm Stu Miniman and we're here at the Nutanix dotnext conference in lovely Nice, France. We're inside the Acropolis Conference Center and happy to have me wrap up the show coverage as Adrian Bridgewater, who is a freelance contributor with publications such as Forbes and Computer Weekly. Adrian, thanks so much for joining us. Thanks Stu, thanks for having me on the show. All right, so Nutanix keeps calm inside the Cloud Tornado. I mean, you know, I love a little bit cheeky, but Nutanix Calm, of course, is their product there, but a lot going on, a lot of churn in the industry. It's the headline that you put on Forbes from the show here. Yes, thanks for your reading. Yeah. So how's the show been for you? It's been good. I mean, the company's gone from strength to strength. We all know that. It's been a really sort of slick operation. You know, we come to a lot of these events and you expect some tangible news and some opportunity to actually meet with the C-suite guys, and we've had that. So it's, you know, no complaints overall. It's been a good event. Yeah, absolutely. Definitely approachable. The Nutanix team does well with the press and the analysts to kind of pull us in, let us understand, because a lot of this area, I tell you, like hyper-converged infrastructure was not something that was readily accessible that most people knew. So they know they have to do some work and even kind of enterprise cloud that they push out there. A lot of it, their messaging's a little ahead of where most of the market is. What's your experience been with them? Well, I think, as I was kind of trying to say beforehand, DuRage and team have taken a really very hands-on approach with the press. He came with, you know, two or three of them and came over to London good four or five years ago. Was it five years ago or four years ago? And kind of went around the table saying, does anybody, who knows Nutanix? And there was about 10 press who did come out for that lunch. And there were a lot of kind of like, you know, fumbling, shuffled looks and, you know, he really didn't get a clear idea. I think people know Nutanix now. They have an idea of hyper-convergence.  So, yeah, I think he's kind of democratizing or the team are democratizing their actual technology proposition. I think people are, you know, really starting to understand where they sit in the cloud market.  And they're talking about multi-cloud and they talked about edge computing some today and some of the future technologies. Do they get ahead of themselves in the marketing too much or are they doing a good job of kind of giving a full vision thought leadership? I think, always they're difficult to be, difficulty within internally in Nutanix is that they really understand the cloud model and so whether they've got ahead of themselves, I'm not sure, the customers are only really getting to the verge of going cloud native with a lot of their applications and that's one of the things I've been looking at a lot recently. So it's kind of like, if that's the point that companies are at on the hype cycle, then it's kind of what do they need to do to get that happening in their organizations? And it's probably now the point where they're starting to ask, well, at what point would we use Nutanix in a total implementation? So it's, I don't think they're ahead of themselves. I think they're obviously of the time and of the place because we're all focusing on them and people are starting to understand what cloud computing means. Yeah, absolutely. And something we've seen at Wikibon from our research standpoint is there's still a large legacy base out there and how much of that is going to convert into what we've been trying to call for years, private cloud. We put out some definitions about two years ago and said true private cloud because just virtualizing isn't enough, a little bit of orchestration isn't enough. But there is in that multi-cloud world, Nutanix is going to say we're not just for the data center in that piece, we're going to play and reach out to some of the public cloud, we're going to live in this world. So yeah. Isn't there, I think there's almost a confusion between what is private cloud and what is public cloud? And because we're almost getting vendors selling public cloud as private cloud, I really don't think anyone's got their head around what the industry's trying to do with it.  I want the operational experience of the public cloud. That being said, nobody's keeping up with Amazon. Three features a day, they're massive scale. Yeah, Microsoft and Google, I'm not discounting them. Even Alibaba's there, some others like Oracle and IBM have public cloud services, but you're never going to have the amount of services and access to that in the private cloud. But that's not necessarily what I need to, but I need to be able to respond to the business agility is the thing that they have. I need to be able to, what Nutanix has delivered really well is, I can start small and I can expand in incremental pieces as opposed to kind of the monolithic infrastructure that we used to spend 18 months building. So that's kind of where we say. Don't you think it's the services elements that are falling into the toolkits that we're seeing Nutanix develop? Most of the announcements at the show have been related to incremental service elements. So it's kind of, what do I, I've got my cloud computing infrastructure, I'm starting to build cloud native applications within the business. What's my DevOps offering like? What's my infrastructure management to, things, the prism user management in this space, all of the sort of elements in that, everything's starting to just get more finessed and more sophisticated. Spot on, Adrienne, absolutely. As calm is really going to be that platform that's going to allow them to deliver those services to where the customers need it. And even the naming of this, it's like, oh, they're object service. Oh, look at it, it's OSS. Oh, the compute thing, it's AC2. You know, sounds very AWS-like and how they name things as opposed to, you think AHV reminded me a little bit more of following the VMware type of model. So absolutely, you know, Amazon, a bar that many companies and industries are following if Nutanix wants to become an iconic software company. I'd love your commentary on that. You know, looking after Amazon and what they're doing is not a bad model to follow. Yeah. No, I think it's interesting to look at where they've come from in terms of what they used to describe themselves as, which was the hyperconvergence company. And they're not that now. They're the enterprise cloud company. And I think we all, I think it was the Vienna conference. So it was the European leg, which this is, this time of last year, that they changed the tagline. So you sort of walk into the convention center and suddenly, you know, why aren't you the hyperconvergence company now? So it was kind of that proposition that they were going to be a broader platform play, which is the whole one OS, one click, one cloud. That's how they're taking a bigger proposition to market now, don't you think? Absolutely, and the term I heard that I kind of latched onto that was that iconic software company. And all indications are they'll be 100% of software company relatively soon. That means that it's not, oh, well, I'll buy the super micro appliance from Nutanix. Well, how will that change the go to market? Sudeesh on the interview said, we're re-changing how we think our sales structure and everything like that because they've got their OEMs of course offer that full, fully integrated solutions. They're still going to do all the testing and make sure that everything goes out, but it will change a little bit. The revenue, I actually had the Chief Revenue Officer on and he talked about, he's like, hey, software's got pretty good margins, right? And it's like, yeah, well, okay. So margins will go up as a percentage standpoint, but overall revenue as a public company will see how they thread that needle. I think they've got a nice window here because they just restated all of their software revenue that they had had from their OEMs. They used to take it kind of over, I believe a three year chunk and now they're putting it there. So they've got this opportunity to hit right around a billion dollars, change themselves and truly be a software company and consider it a software company and measure it a software company by Wall Street. Is that something that you think outside of the Wall Street people and the impacts on the channel and sales? I think it was surprising to have to hear the guys try and justify themselves as a software company. I mean, because I think that's what we've perceived them to be anyway. And then of course every business is a software, every company is a software company. Even a bakery from literally every industry vertical or every firm, every customer is having to redefine itself as a software company. So I don't think it was, I don't think, I just, even for Dirage to say that cloud is digital, I think we assumed so much of that and I don't know why, they're kind of going back to basics with some of this stuff, which is, but that's fine. I think there's a lot of clarification that needs to be done to explain what these technologies are supposed to mean to customers. All right, Adrian, meetings, you talked to executives, probably got some sessions, maybe talked to some customers. Key takeaways that you had from the show, any new things you learned that you didn't know coming in? I really, my key takeaway is as the toolkit has expanded, and the question I think I posed to Siddish was what are you going to add next? And there was no sort of defined component. It seems to be quite a complete go-to-market proposition, so I think that their total house, their shop is looking fairly complete, so it's validated, I think. That's their market proposition. It's not a term they use, but I think that they've got the credibility and the validation for what they're trying to get a market with. Yeah, so it seems Nutanix known a little bit more in Europe now, how they do an overall in your opinion? In terms of their recognition amongst the customer base. I think they're on the up and up, aren't they? They're getting the recognition amongst the press. They're certainly, the customers here seem very happy. They're getting, they've got the blue-chip clients that they want to use as use cases. So yeah, across Europe, it's good that they're moving locations for this conference. We were in Vienna, we're now in France. I'm not sure where next year is. They're making the spread and their footprint substantial. Yeah, any favorite spot for a sub-5,000 person event? For next year? Yeah. Italy, I think, yeah. Something like Milano? Yeah, but yeah, some were warmer south, I think. All right, well, yeah, I've heard they're actually not announcing the location this week. They have narrowed it down. They're definitely committed to doing the European show, but definitely look forward to seeing where they go from here. Adrian, want to give you the last words? Any final things? What are you working on outside of Nutanix? Things that your audience and readership are mostly interested in? I think what I'm generally working on is day-to-day reporting on my beat as a journalist. There's always been, well, three words, really, software application development. But a lot of the time I'm writing for people that aren't actually developers. So it's kind of just explaining what the mechanics of software operations, what they are, what these things do, because 10 years ago, people didn't know what an app was, but the iPad arrived and we've started to understand so much more of what goes on inside the machines we're using. So I'm just trying to explain what the developers are using and how that's actually impacting the way the consumers use every day. That's what I do. All right, well, Adrian Bridgewater, appreciate you taking some of your words and bringing them out to the video for our audience here and appreciate you helping me wrap up. Two days of coverage, wall-to-wall. Heck, they're tearing this place down and we were still going strong here. So thank you so much. I'm Stu Miniman for the whole team here at SiliconANGLE and beyond. Appreciate you joining us. Be sure to check out all of our coverage, siliconangle.com for the written word, thecube.net for the videos, wikibon.com for the research. Wrapping up, final word, Stu Miniman. Thank you so much for watching theCUBE.


Hey guys, what's up? My name is Michael. I'm with Dustin and we're in Cabo San Lucas, Mexico and We wanted to cut a quick video because we know you watched the campfire video saw some information Maybe saw a Facebook live.  I don't know what you know so far, but we wanted to kind of create a chapter too Hey, it sounds intriguing. Maybe you've tasted it. Maybe you haven't doesn't matter We wanted to give you a little bit more information. We wanted to kind of give you the okay What's next? What can I do with it? I kind of haven't I've maybe have an idea of a little bit of what it is Maybe you want to know how does it work? What can I expect and then how can I participate in that and we're just going to play a little bit of a pitch and catch To create some kind of options or some clarity of okay What can I do with this if that's cool? We're gonna try to do it in six minutes. Think we can do it I will get close. We'll get close. You're gonna love it though. It's gonna be good information So when I got started in this I knew I wanted to feel better. I also knew I wanted to change my life I also knew I wanted to change other people's lives. So as you watch this Drinking ketones is one of our main main outcomes. Make sure you drink ketones every day.  My next goal is that you drink them for free You never pay for them ever again. We'll talk to you about how to do that if you want free ones keep watching Our next goal from that is if you want to help other people keep watching if you want to make some money and Start paying some of your bills in your lifestyle. Keep watching if you want to change your whole frigging life Keep watching keep watching, but we don't care which of those things you're into They're all possible. They're all available. 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With action and suspense out of the Old West comes the most famous hero of them all, Huffleong Cassidy, starring William Boyd. The Ring of the Silver Spurs heralds the most amazing man ever to ride the prairies of the early West. Huffleong Cassidy, the same hoppy you cheer in motion pictures and the same California you've laughed at a million times. Raw courage and quick shooting have built a legend around this famous hero. Huffleong is a name to be feared, respected and admired for this great cowboy rides the trails of adventure and excitement. William Boyd as Huffleong Cassidy and then declined as California. Here's Huffle now with another new story. This one we call the Wastrels of Juarez. It began one day when California and I rode into town from the bar twenty. We'd come in because of a shortage of flour and bacon at the ranch but when we saw the crowd in front of the bank, grim faced, milling around like steers in a draw, we forgot all about food for the moment. Something going on here, Hoppy. Something kind of peculiar. Yeah, there's Jed Kramer.  Who, boy? Who? What you got here, Jed? Trouble? Yeah, that's exactly what we've got. You've got it too. If your money's in this bank, it's gone broke. I think we better get down, California. You're not serious about the bank, are you, Jed? Sure I'm serious. The place is closed up, ain't it? But it's Saturday afternoon. The bank has a right to be closed. Who started this rumor anyway? But if it's such a rumor, why don't John Newcombe show himself and deny it? Just a minute, just a minute, man. John hasn't been feeling well lately. You all know that. You should know something else too. This bank has never let you down in twenty-five years and neither has John Newcombe. Why don't you forget this nonsense? You've all got things to do.  You still feel worried next week? Come in and talk to John about it. How do we know that's such a good idea? If this bank is gone bust... Oh, but it hasn't gone bust. You know me? You know I wouldn't give you a false argument. I'm sure the bank won't go bust. Okay, Hoppy. We'll forget it for now. But I hope you're right about it. Come on, everybody. Let's go on getting about our business. Oh, boy. For a second or so, I thought there was going to be trouble. I thought maybe... Hey, California. Psst. Over here, Hoppy. This side of the bank. What are you doing over here? Why all the secrets?  Mr. Newcombe, he wants to talk to you. I want to talk to you and I want to thank you, Hoppy. You've given us a chance to breathe freely for the moment. Come in, will you? How did a rumor like this ever get started, John? It's something that could cause a lot of trouble. Yes, but I'm afraid we're going to have to face that fact. What do you mean? Hoppy, much as I hate to admit it, we're unable to meet our obligations. To put it bluntly, the bank is broke. To hop along Cassidy and our story, the Wastrels of Juarez. Arriving in town from the bar 20, Hoppy and California find an angry crowd drilling before the locked doors of the bank. Rumor has it that the bank has failed, but Hoppy, challenging the rumor, learns from John Newcombe, the bank's president, that it's true. The bank is totally without funds. But, John, that means practically everyone in town is ruined. Yes, I know. There'll be foreclosures all over the area. People trying to raise cash by turning against their neighbors. I've seen it happen before. But why, John, it can't be that you... No, Hoppy. It's something I had no control over. Our cash here absconded with more than $50,000. Practically our total assets. Louis Kane? You're not being serious, John. Louis Kane and a new teller we had, Ned Clayton. I don't think you've met him. When did you find out? They left this morning. I'm told they took the stage to rock city and then headed southwest on horseback. Southwest? Well, that'll take them to El Paso, maybe across the border. Yes, and you know what that means. There isn't a law enforcement officer anywhere who could do anything about it. Someone has to do something about it. There are kids in this town who'll go without food if we... Well, John, I'm going after them. I've been hoping you'd say that, Hoppy. You better keep it a thin hope, Mr. Newcombe. If them collars get across the border, then there ain't much anyone can do about it. This teller of yours, John, what does he look like? Big man, blonde. I wish we had a photograph, but we don't. Well, we know what Lewis Cain looks like, anyway. We'll move out right now. You'll tell him at the bar, 20, won't you? I'll tell him. And to Hoppy. Yes, John? Tuesday is a holiday. Legitimately, I can keep the bank closed over Monday as well. And then there's some money of my own I can transfer into bank funds for the rest of the week. But after that, if you're not back... I understand, John. We have to be back with that money by a week from this Monday. This, uh, El Paso, huh? It's a mighty big town. Too darn big for all the walking I've been doing. No luck, California? No luck at all. Nobody seems to know nothing about Cain or that Clayton fella. I'm beginning to think they never come to you. I've drawn nothing but blanks myself. Mr. Newcombe said that Clayton fella was a blonde. Maybe we ought to just start looking for yellow-haired six-footers. Well, there's one sitting over there. Somehow he doesn't have the look of a bank teller. Not the way he's wearing that six-gun. Uh, Hoppy, you're being flagged. The bartender. He's waving at you. The bartender? Good. I was talking to him a little while ago about Cain. Maybe he remembers something he forgot to tell me. Let's hear what he has to say. Know something, Hoppy? We're being given the eye by that blonde fellow with a gun. That's a hopeful sign. Maybe we'll scare up something yet. I'd like another Sarsaparilla bartender. Sarsaparilla, coming up. How about your friend? Oh, I'll take some of that cactus chloroform. Uh, my partner says he thought he saw you motioned to me. Yeah. I got to thinking about them fellas you're looking for. My memory got to speeding up a little. There's another gold piece. Maybe that'll speed it up even more. Well, there was a couple of fellas in here who might be your men yesterday. Yeah? I couldn't say if one of them was a blonde, though. They both kept their hats on. The older one kept squirming around on his feet like he'd been doing a lot of riding. He wasn't used to it. Neither of them said much. But they asked me if I knew a good place to stay in Juarez. Across the border. I've been afraid of that. Did you tell them about a place in Juarez? Well, I told them about the Guadalajara. Guadalajara, huh? Yeah, yeah. Juarez is the toughest town in North America. And Guadalajara is the toughest place in Juarez. Ah, so I've heard. Upstairs, they've got rooms in there pretty clean. And I might say... You might say what, Joey? Oh, it's you, Harlech. Yeah, what were you gonna say, Joey? Nothing much, Harlech. Honest, I...  Yeah, but I never mean no harm, Harlech. I, excuse me, got a customer down here. What's your handle, Mr. Cassidy. Hop along, Cassidy. Ah, I've heard of you. My name is Harlech. Yeah, I've heard of you, too. From the Grass County Range War. You and your partner were looking me over a minute ago. Why? Color of your hair caused that. Lons are kind of rare down in this country. Joey. Yeah, yeah, what do you want, Harlech? Come back here. I, I, I gotta clean the dust off these bottles, Harlech. Better come back, Joey. Harlech, you always get me wrong. I, I didn't mean nothing. I was just... Give me that bottle. But, but, but this ain't your brand, is it, Harlech? I said, give me the bottle. All right, here. Ah, bend your head this way a little. Harlech, no, no, not with that bottle. It could kill me. I said, bend over. Better put the bottle down, Harlech. I'll show you where I'm gonna put your bottle. I'm gonna put it... Harlech, no! I'm sorry, Harlech. And I couldn't just stand here and watch you hit him. Fast man with a gun, ain't you? Real fast man. Shooting a bottle out of a man's hand. How much to that? No, of course not. And I said I was sorry. I'm pretty fast with a gun myself. I've heard you are. Well, you might keep it in mind.  Because I'll be in Juarez, Cassidy. Waiting for you. This place is in the toughest town in North America. Oh, it looks like it and sounds like it. Well, what are we gonna do now that we're here? Circulate around, will you? See what you can pick up in the way of information. Right, Hoppy. But I'd like to say something first. If you sit down at any of these tables, make sure you pick yourself a chair with its back to a wall. Exactly. Oh, it drinks asperilla. Makes a man wonder why he'd ever come to a place like the Guadalajara. Maybe I enjoy the sweet, fresh air that swirls around here. Well, every man of his own taste. Fellin' next to you is Jim Boyne, an hombre with no visible means of support. If you look good, you'll see he's a blind like me. I've already noticed that. The lad shufflin' is Clyde Marple, a medicine salesman down seein' the sights. The way his luck's been runnin', he'd probably like to deal him off the bottom. But he ain't that good with the cards. You can see he's a blind like me, too. That's mean half a long casualty. Hiya, casualty. Nice to know you, gentlemen. Harnick, your disposition seems to have improved since we met in El Paso. I can't help wondering why. Well, maybe it's cause I found out why you're so interested in hombres with blind hair. What's there, let's talk about blinds. Well, take a look around, Marple. See any other light-haired men in this place? Where all there is. I know, I... I look real careful. Why would you be so interested in lookin'? I was lookin' cause I knew Cassidy was lookin'. He wants to find a fair-haired hombre real bad. Why? Why don't you ask him, Marple? Maybe he'll tell us. Why do you concern yourself in this, Harnick? Maybe I'm the fair-haired hombre you're lookin' for. Yeah, maybe you are, but... Up here, can you break away for a... Sure, a few gentlemen will excuse me. Sure, sure, will, Cassidy. But come back, won't you? We'd like to see you again. Find out something, California? I think I found out about Cain. He's here in one of the rooms upstairs, the one at the street end of the hall on the left. He could be there right now. Good, let's go and see. You better wait out here and keep me covered just in case. All right, come in. I'll be right here, Hoppy. Well, looks as though you're all ready for trouble, Cain. I heard you were in town looking for his Cassidy. No, don't come any closer, or I'll pull this trigger. You don't need that gun, Cain, not with me. You're not going to take me back, Cassidy. I've got a man who'll stop you from doin' that. Clayton? No, not Clayton. This man's going to see me safely through to Mexico City. Then it's Europe and a life of ease. Sure you don't mean a life of being scared and sorry and repentant. Does Clayton know about your new partner? Well, what difference does that make? You're not very sure of yourself, are you, Cain? You're not sure of Clayton. Maybe Clayton and your new partner are working together against you. You're just talkin'. Ah, you hope I'm just talkin'. Why don't you give this up, Cain? The folks back home don't know what you've done, not yet. I'll give you my word that they won't know. You'll turn back that money. Well... The bank needs that money. The whole town needs it. You'll go back with me voluntarily. I wouldn't be surprised with what you could have your job back again. My job? You honestly think that? Wasn't such a bad job, was it, Cain? No, it was a good job. A respectable job.  Everyone makes a mistake once in a while. They don't always matter if you correct them right away. You really think it would be all right if I went back? We can saddle up in a few minutes. We can go right now. Well, I'll have to get the money. Clayton and I, we hit it. I'm glad you came, Cassidy. Come, we'll go and get the money. And then we... Cain! That charge! He caught Cain, huh? Is he dead, Hoppy? Hardly knew what hit him. And there are the money. Did he tell you where it is? No. And the only person who knows is that teller Clayton. Now back to Hop along Cassidy and our story. The Wastrels of Juarez. Hoppy has crossed the border into Juarez. Searching for $50,000 in bezel from the bank in his hometown. He has only a short time in which to find the money and return it. If he fails, the bank will be forced to close its doors for good. Bringing ruin to most of the town's population. Only two men had knowledge of where the money is hidden. And now one of these men is dead. Whee! I'm glad that's done. Hot work. Burying a man in this country. Yeah, but I think Lewis can't have thanked us for it if he could. A man running away with money at his age. Plum foolish if you ask me. I don't think Cain would have taken the money if it hadn't been for Clayton. That bank teller. We talk about him. We don't even know what he looks like. Except that he's blonde. So is Harlec blonde. And that Marple fella. And the one called Boyne. One of them has to be Clayton. We've got to find out which one before it's too late. And the best place to do that is back at the Guadalajara. And something tells me it's gonna lead to trouble. Five minutes you said. You've been in that office a half hour. Little business deal I had to make. Business? In a place like this? What kind of... Hey, hey, your guns. Where are they? That was the business. We came away from home a little suddenly without too much cash.  That's like signing up for suicide. Here, you better wear mine. No, I'll be all right. I hope you're right. But there's that fella Harlec to worry about. And here he comes now. You got him, didn't you, Cassidy? You caught up with him and you plugged him. If you're talking about Cain Harlec, I had nothing to do with his death. I'm talking about Cain and I think you had everything to do with his death. You were looking for him, weren't you? That doesn't mean I killed him. It does tell me, Cassidy, you wanted that money Cain had with him and I'm saying you got it. How did you know about the money? No more res knows about it. And I'm still saying you got it. You're working yourself into a raid, Harlec. Why? For two reasons, Cassidy. Because you killed Cain and because I don't like him.  Better let me take him on, eh? Oh, just sit tight. I'm waiting for you to make a play. No, hold it, hold it, Harlec. A hoppy ain't wearing guns. Oh, we ain't. Well, now that's just too... You did that with my gun, right? You do it from my whole skin. You'd have killed me, wouldn't you, Harlec? You were gonna draw him when you knew I wasn't wearing guns. Now, better leave yours on the floor. I'll give it back to you later when I think you've cooled down. All right, Cassidy, but this makes it twice you've bought me. The odds are all against you doing it the third time. He's a bad one, hoppy. The kind that'll drag gulcher if he gets the chance. And he knows about the money. I'll bet his name ain't Harlec at all. I'll bet he's Clayton. He could be. Or he could be the man who was gonna help Cain get into Mexico City, I don't know. And I can't afford to make a mistake. We just have to wait. And we have to watch all three of the blondes until the one who's Clayton gives himself away. Suppose they all decide to leave town before we find out anything? Suppose they all go separate? Let's not think about that. Let's just think about you getting back into a card game with them. That's when they'll talk. That's when the right one might make the wrong move. Cards, cards. That's all I've ever done since I come down here. Makes me feel like a waste truck. Right now it seems to be paying off for you. You've got most of the money on the table. You and this California, huh? And it's the truth. Well, this is gonna be my last day in Juarez. This evening I'm crossing the border into El Paso. Well, maybe I'll go along with you. I'm getting kinda tired of this place. Born said easily even, too. Let me have three cards, Marble. And let's not mix them up too much. Three cards. How about you, California? Er, I'm standing pat, just like my neighbor. And if you're born in California, stand pat, which means they could have a lot of stuff, or they could be bluffing. A lot of people drive bluffing around here. But you never bluff. Is that it, Harlech? That's right, Cassidy. I never bluff. All right, California, what are you gonna say? Well, I'll bet ten. Let's see now, California bets ten, and Boyne stays with it, which means they ain't bluffing. Well, I think I'll stick around, too. And I'll raise it five. It's your turn, Marble. What are you gonna say about all this? Well, I don't have much left. Win or lose, this is gonna be my last hand, but I'd like to see what all you fellas are crowing about. So I'll call you. Okay, let's see. California's got a full house, ladies, high. Boyne has a full house, too, but not that rich.  Well, it's like this. My tens might not be as glamorous as your queen's, California, but I've got four of them. I'll say that's good enough to take everything on the table. Well, well, first decent hand I've had all evening. Come to daddy. That'll set you up for a few more rounds, Marble. No, not me.  I've got to get back to selling medicine. And I'm going tonight while it's cool. Not a bad pot, Marble. How much you got there? Well, let's see. It's 10, 20, 40, 60, 80, 90, and five. Ninety-five rounds shining silver. You did all right. So that's all for the game, huh? Well, let's push over to the bar for drinks. Ed Hoppe, they're all even warriors. Yeah, I heard it. And one of them's got that money. We can be sure of that. Which one? If they scatter, we ain't got a chance in the world to find it. We still got a chance. A good chance. Because this card game just showed which one of them is Clayton the bank teller. It's almost two in the morning. I've been failing a man. Without your guns? You should have waited for me. I bought them back with my winnings. Here they are. Good. Maybe I better strap them on right now. I might be needing them. Who you been trailing? You'll see for yourself in a minute. But we won't have to be quiet about it. Come on. All right, but it's locked. You ain't gonna be able to get in. I'll get in. Watch out. Don't try anything, Marble. Maybe I should say Clayton. Hoppe, the money. It's on the table. Bank wrappings still around it. Get away with this, Cassidy. I've got Hollick in it with me now. And Hollick has his men here.  Maybe not, Clayton. But we're gonna make a try for it. Scoop up the money, California. Get in at that baggy head there. Why, you... Hey, what's going on up there? Hollick, it's Cassidy. He's taking the money. Come on, California. Let's get moving. I never forget it was him. At least there wasn't so much moonlight. The money safe.  Whoa, boy. Now, hold it. Hoppe. What's the matter?  Hollick and his gang. Can we go south? No, they'd get us for sure that way. We'll have to run their gauntlet. Maybe we can get by before they saddle up. Right with me, Hoppe. Let's go. Yippee! Get it going! Two hop along, Cassidy. Hoppe, I can't believe it. I can't believe you're back. Look at that clock. It's 20 minutes past opening time. I was just about ready to go outside until everybody at the cattleman's bank had gone broke. Uh, I guess I'm a little late, John. I'm sorry. Late?  Here, John, you'd better get this in the safe. Thanks. It's all there for $300. I guess Clayton used that up gambling. Too bad. And then there's another $5 you'll have to send to the Guadalajara Bar in Juarez for a door lock I had to shatter with a bullet. I'll be very happy to, Cassidy. Oh, Hanson, open up the doors. And you can tell everybody that this bank is doing business as usual. Hoppe, you've saved the future of this town. Come into my office. You're going to have to tell me all about it. Yeah, but first she's got to tell me something, Mr. Newcomb. Something he's been holding out on me all the way back here. I don't see why I need to tell you anything, California. You were there with me the whole time. Nah, Hoppe, enough snuff. If you don't tell me how you knew that Marplefellow was really Clayton, I'll, uh, I'll, uh... Well, I'll start drinking chasperilla. You were there at that card game. You saw everything that went on just as well as I did. Hoppe, what a... Well, all right. Yes, I'll have to tell you, it was those coins, all the silver dollars that Marple raked in with that big party one. Yeah, yeah, I remember the silver dollars. Uh, there was 95 of them. I even watched Marple stack them. But they... All right. There it was. There what was? Marple was no professional gambler. Remember? He claimed to be a medicine salesman. But he stacked those coins quick and true without even taking time to count them. He was able to do that because he was used to stacking coins. As a bank teller has to be. Well, well, I'll be doggone. Ha-ha! You know, maybe I ought to start drinking chasperilla. Maybe that's stuff that makes you a gold-arned smart. Ha-ha-ha! Well, Hoppe and California bring an end to the Wastrels of Juarez and all because of Hoppe's alert observation observation and some silver dollars on their next venture they go on one of the toughest and roughest drives of their career it's called gambler's luck try to be with us off along Cassidy starring William Poid is transcribed and produced in the West by Walter White jr. Wastroves of Juarez was written by Buckley Angel with original music under the personal direction of Albert Placer all stories are based upon the characters created by Clarence E. this is a Commodore production