Welcome to another episode of In the Zone. We are honored today to have one of the critical players for the Boston Celtics, Marcus Morris. He's joining us in the zone. Marcus, man, thanks for joining us today. How are you doing? I'm good, man, just working real hard, man. Thanks for inviting me on, man. No, man. You were one of the major figures in the post-season. I got to tell you, just real right off the bat, I love the emotion that you brought to the playoff, particularly against Cleveland, yelling after plays and getting into Tristan Thompson's face. And where did that? I mean, you've been firing your whole career, but where did that come from? And why were you so hyped and emotional in that series against Cleveland? I think the atmosphere, the importance of the game, I think that brought that type of emotion out of me. Boston has great fans, the way they showed their support to what the playoffs throughout the season. I think that's what really brought that extra, the little extra screaming and that extra attitude to the game. When you look back, I mean, I don't know if you saw it on film. What did you think when you saw it on film? Which one? Say it again. What did you think when you saw yourself on film doing that? Man, it was kind of funny because outside of the game and outside of playing basketball, I'm a laid-back quiet dude. So doing that, it was kind of funny, man. It was a little different, but the fans embraced it. They loved before it, and I wouldn't take it back. I wouldn't change anything. Yeah, yeah. Now, take it back. I was going to bring that up. Take us back to game seven against Cleveland. Does that game still bother you? Game seven versus Cleveland, it was hype, man. Being in that type of atmosphere, being in that type of game was such important, man. It was a different level that I have never experienced yet being in the NBA. At first, it was a little nerve-racking, but my job was to fill a brand as best as I possibly could. That's all my focus was on the entire series. They got the win, but I definitely think that they knew they had to give everything they had. They had to play as well as they could to beat us. I felt like I thought they would win the series, but I remember saying on the air, I thought you guys would give Golden State a better series. I thought you had match-ups that fit that series better. What do you think would have happened if you guys had been able to get past Cleveland? How do you think things would have went against the Warriors? No, I definitely, and there's no knock to Cleveland, but I definitely think we would have put up a better fight. We definitely would have not got swept. And that's for sure. Cleveland, the first two games, they were really critical. That first game, I know that they thought they had one, which was a tough way to lose. But I just thought our match-up was a lot better. As far as the four guys, they just could put the ball in their hands and create their own shots. Cleveland, everything went through LeBron. And the other guys didn't really have as good of a series as they wanted to. I know definitely in the championship, they didn't play as well as they wanted to. But I definitely thought we just have more match-up problems. And I think that's what got us to that point in the playoffs, because when we matched up against Milwaukee and the Sixers, they had one or two guys that maybe that can get theirself a shot. We had maybe five, six. And that's tough to match up with. There's talk. I mean, Kawhi Leonard is on the trade market. Well, I wouldn't say on the trade market. But he wants the trade. And Boston's been one of the places mentioned. Would you like to see you guys just come back intact, obviously, with a healthy Gordon Hayward and Kyrie Irving? Or would you like to see some type of move where you can get a guy like Kawhi? With many teams of Ceases and you only get this guy for one year. I don't know how that holds up along with it. But like I said, Kawhi is a great player in this league. And he's a tough piece. In my opinion, top 10 in this league. So I mean, that's just tough to pass up. How good do you think you guys will be? Let's say you come back as you are with a healthy Kyrie and Gordon Hayward. How good do you think, like, how far would you expect to go if you're all healthy next year? Oh, man, good coach. So he would figure out how to implement everybody and keep everybody happy. But at the end of the day, with that team, I think structurally, you maybe add another center if we don't sign Aaron Baines back with the way it's going to be tough to beat us. There was a lot of talk when Kyrie wasn't on the bench for game seven. Some people frowned on that. What were the players' thoughts about that? We never really talked about it. Kyle, I've been around him. This is my first year around him. He's a good dude. He's a great teammate. I know him. He could have been there. He would have been there. Really focused on who's sitting on the bench. And who's not. This is the biggest game of all of our careers. So I don't think that was a big major. Obviously, everybody's looking at free agency. Where will LeBron go? Paul, George, guys like that. Are you as into it as the fans? I mean, everybody seems to be on the edge of their seats.  One thing I can say, man, and that's what I'm watching to see if he does leave, Boston will own the East. And that's just what it is. If he stays on the East, then we still have to leave. He goes to the West. Now, a lot of people talking about MVD and Joel MVD and Vincent and Philly, y'all wouldn't be. I mean, obviously, you give them their respect, but you really wouldn't be too worried about them. You feel like y'all would just have it. Y'all would have the East. Yeah, man. We have, like I said, man, we have a lot around the league. A team like ours think we might be more deep than they are. If we brung back the exact players that we have now, because now you have, you know, you put card read back out there. You know, do anybody has. Or you want him in the East so you can beat him. Man, at this point, man, you know, if he stays in Cleveland and they don't get anybody, we definitely won't lose to them again. I'd like to see them again and be able to redeem ourselves for another year under our belt and go to the state. I wouldn't mind seeing them. Now, there was, you know, I don't know how realistic it is, but there was some talk about maybe the brand going to the Celtics. What are your thoughts on that? Would you be in favor of something like that? We clashed up against them. I want to go against them again, man. I can't. Yeah, well, so what's your thought? I mean, obviously, you got a lot of guys trying to team up and make, quote, unquote, super teams. What's your feeling on that? You know, a lot of old school cats criticize it and say, man, compete. You know, what's your thought on kind of these new, new fangirls, super teams? I mean, that's just the way the league's going right now. You know, you've got Golden State and it's all super teams, or we just continue to let Golden State get to where they're going every year. That's just it.  And I mean, what can you do about it? But get somebody, get a team that's just as good and go against them, you know? Or just like at this point, there's no other choice but to get other teams to beat those guys. When you look at Al Horford, Gordon Hayward, Kyrie Irving, three All-Stars. You know, you and Rogier, that's great depth. You know, Tatum, Jason Tatum, looks like he's got a great future, Jaylen Brown.  You know, with the emergence of the younger guys, I definitely do, man. They, you know, the way they open up the league, I plan as well as they did when Kyre and just having that super team, you know, with another year and the work ethic that those guys have, you know, and the coach that we had, we're just about right there. We're back in, it will be, you know, that will be exciting to see how that goes.  I'm back and, you know, he plays his normal stuff, man. I feel like it's hard to beat us. It'd be really tough to beat us. You've guarded and played against, you know, the best wing players in the league. How good can Jason Tatum be?  You know, like what, maybe if there's a player, like, can he get to a KD level? Can he get to a, you know, Kawhi level? Or what, you know, how good can he be? I think it's going to be really, really, I think is that, you know, KD had the ball. I think that could be the difference of how fast, the way KD developed was from day one, it was KD and everybody else got in line, you know what I mean? And that's the only, I think his development might be just a tad bit slower, but I think he wins more early on, you know, things like that. You've played, like I said, you've guarded KD, Kawhi, LeBron, Anthony Davis, all these great wing players. People refer to LeBron as the best player in the world. From your experiences of guarding all these guys, do you, is that how you feel? And that's not not KD, he's a great player. You know what I mean? You got Klay and Steph, his percentages are going to go sky high because now you have to guard those guys. The lane becomes very wide open, you know what I mean? And doing what LeBron did this year was definitely special, man, because, hey, you know, we gon' call it speed or speed. The guys around him didn't play well. He literally carried you through, you know, KD is a scorer, he can get it done. His defense has got a lot better efficiency, he's rebounded, he's scoring, you know. So I'm gonna ask you for your honest opinion. If you were in LeBron's shoes, where would you go this summer? If I was in LeBron's shoes, I would stay home, man. Really? If I would stay home, and I'm not saying that because, you know, that's what I want them to do, but get some guys over there.  It's intriguing, man, that what you can do in LA and have the magic and things like that, that's definitely intriguing. So that's hard to play. At the end of the day, man, that's just like if I was in Philly, I would stay home. That's interesting, that's interesting. Now, of course you got a twin brother, Marquise, who plays in the league as well. Ironically, y'all have the same scoring average for your careers, 11 points a game. He's a few decimal points ahead of you, but it's basically 11 points for each of you. You know, I got twin girls. They're identical twins like you guys. And I have not seen, I mean, they're close. They're really close. But you know, I haven't seen, you know how they talk about twins having this extra connection and all that, you know? I haven't really seen that with them. But, Dave, you and Marquise, do you guys have that, have a kind of extraordinary connection you feel like? Yeah, for sure, man, because you know, I think it starts at a younger age. When we were younger, we did everything together. It was, you know what I mean? My mom, growing up, she made sure that we were like really close. And then that led into the sports. So when we played sports, it was always receiver, quarterback, small four, power forward. So everything was done together. So our minds kind of were connected. It's kind of funny saying it, but we're like connected. Like even when we play now, it's like if we were on the same team, I can make a pass. And I know for sure that he won't get it. And we will be upset at each other if he didn't. You know what I mean? I didn't. You know, and that's just something with twins.  I was just about to say that.  You know what I mean? Rather we're playing on different teams. It would get there together. And that, you know, from a young age we pushed each other with making sure that we both got there and that we both were solid in the league. How competitive are you guys? Because my twin girls are very competitive with each other. You know, for us, it's more like, we're competitive at like, like video games and things like that. But other than that, you know, we're not really competitive, man. We just, you know, we want each other to be the best that we can be, you know what I mean? Together. So like even during throughout the season, like we're constantly like, I watch every game that he play almost. If I'm not playing, I watch them all. I send them little tips, even if it's the first or the second, you know, game of the season, we want what's best for each other and we continue to push each other to get better, you know? So we're not really competitive, man.  I was like, man, I've never been like that. Never been that way. Now, did y'all used to play one-on-one growing up? Yeah, I mean, a little bit, but we had an older brother and I have a few older brothers, we used to just play two-on-one against him. Oh, we never sure we were able to dunk. And then once we became able to dunk, it was like, all right, we played two-on-two against anybody, but there's not too much one-on-one. We might play one-on-one now, but it's just, it's through the emotions of just figuring out little things, trying to tweak little things about each other game. Yeah, you ain't really going at it like to beat each other so much. Yeah, yeah, man, I know it sounded a little crazy, but that's just how we are, man.  And, you know, I think that's what got us to the point we're at today, you know what I mean? Having somebody like that that's actually in the same position you were in to push you as hard as they can, you know what I mean? To help you as much as they can. And I think that, you know, if everybody had that, the world would be a better place, man. And that's just real. No, that's true, that's true. Now let me ask you this, there was, I'm sure you're aware of this. Back in the 2017 playoffs, there was this conspiracy theory going around that you had actually played for Mark Heath. He was out with the Wizards with an ankle injury. Now we know it wasn't true, but do you think y'all ever could pull anything like that off? No, just in a subtle fact that like Heath is a traditional foreman, you know, and I've played the three for the past three, four years in the NBA. So I think if it'll be, you can just see it if I just start dribbling the ball or bringing it up because Keith don't do that, you know what I mean?  And he jumps higher than me. There's little things that you would be able to see him like, damn, I've never seen that before. Right, right.     Yep, yep, I'll see you. Last question. Growing up, did you guys ever pull tricks like that? I mean, like data girls are different guys, you know what I mean? Or in class or with teachers or anything like that? Oh, come on, man. I can't tell you everything, but we, we might be the best twins in the world, man. Like we, we didn't, man, we didn't, we didn't switch classes. We didn't took tricks for each other. We didn't do a lot of stuff that, you know, we got to go to the grave with. Well, yo, man, I appreciate the time Marcus. You had a great year specifically in the playoffs. And man, I'm looking forward to seeing what y'all do next year, whether LeBron's in the East or not. No doubt, man. I thank you for having me. You got to come back and I'll let me after all this going on.  Everything's up in the air.  You know, I love it there. But, you know, at the end of the day, it's a business. You know, they're looking to get new guys and shuffle the deck. So, you know, I don't really know where I'm going to be.  No, I'm not, you know, for me, I'm not worried, man. You know, a piece like me, I think anybody in the league can use. You know what I mean? God, I can start God. I can come off the bench and give you buckets and defend the toughest guy and be a tough part of your team and bring the energy and bring that toughness that every team has to have to win a championship. I don't care how it goes. You've got to have some tough SOBs on your team to win, man. And that's just what it is. So, at the end of the day, you know, I think my volume in the league is very high because it's so much stuff I bring.  No doubt, no doubt. Let me ask you one more thing because your coach, you've mentioned Brad Stevens a few times and obviously he's a tremendous coach. Can you give me one story about why he's such a good coach? You know, it's more, it's not just a story. It's just the way he says things before it happens. I could tell you about that Sixers in the regulation. It might have been over time in the playoffs when I made the pass to Al Horford. Yeah. The way he drew up the play and the first time I think when he drew the play up, it was just a decoy just to see what they were going to guard. You know, he knew that play wasn't going to work. He knew it wasn't going to work the first time, you know, and then the second time he wrote it out exactly how he was going to play and he told me exactly what was going to happen and exactly those things happen. You know what I mean? And that was multiple times throughout the year that that happened and I've never played for a coach that can kind of see everything before it happens. You know what I mean? You know what players do. You know what I mean? From what I've noticed, he does that so well and he comes up with schemes so well and he's just his attention to details. It's like slim to none, man. You know, even when we practice, we don't really even practice. We go over those small details and we go over, go over, go over and then in the game, that's all you need to win. So does that give you, like when you go into a series, were you guys going in like, man, we know we got a big advantage on the bench, coaching-wise? Like does that give you extra confidence? Oh, for sure. For sure, man. That's going into almost all the series, you know, and all the coaches in the NBA are very good coaches with Brad Stevens. You know, he's like a professor that knows everything. You know what I mean? He brings that to basketball. He knows the game so well that he just sees it before it happens. You know what I mean? He sees it and he knows what we need to get better at going into certain games and that's what we work on.  We don't waste no time in the gym going over, you know, stuff that doesn't really matter. Good stuff. Good stuff. Well, Marcus, I know you're about to go work out and I'll be in touch, man. I'll hit you after some of these free agent moves are made. No doubt, man. I love to get back on here, Chris. All right, Brad. Thanks, man. All right. Appreciate it.


What would be your advice to people to become a better conversationalist? Well, the first thing you have to do is you have to help them understand that it's not about selling a piece of property, right, because so many of us are so many newer agents and people that are having trouble with the conversations or scared to make calls or whatever it is, they're looking at it completely. They're wrong, right? They're viewing the activity as the end goal to close a deal. And really the end goal should be just to create a friendship, right? When you take the transaction out of the equation, it should take just about all the pressure off, right, and then allow you to open up. If you ask a buyer or seller at the end of the deal how they pick their agent, the most common answer is going to be they had a friend in the business, right? And that's becoming more and more of a trend because when digital came out for a while it was so, you know, more than half of our buyers found their agent online. But after we've went through a large cycle of that, I think buyers have went back towards somebody they already know and have a relationship with because they've had bad experiences with just picking any agent online. And so they're going with people who are either recommended to them or somebody that they know or already did a deal with and have some experience with. So it's actually trending towards relationships and who actually has built their brand with that person more and more and more every day. Personal brand is becoming more and more equitable, you know, in the industry. But when you take the transaction out and you make it about just having a just conversation with the end goal not to necessarily do a deal, you know, but just to find out more about them, how they're doing, what's going on with them, if they have an agent they would work with, if they were to do something, is there anything I can do to help you today? You know, or your house, it came off the market and expired. Whatever happened with that, what can I do to help?  Would you consider moving? Do you know anybody that wants to buy or sell? If not, then what if I could get you top dollar? Would you do it then? It's like this high pressure and it puts most of the industry who gets exposed to that early in their career in a really bad spot because they think this is how the business is done. And it's not who they are as people. And so I'm trying to teach the real estate community how to communicate who they are as a person, that they care about people, that they want the best, that they're honest, dependable, hard working.   Right? That's what I'm here for is to see if you want to sell so I can list your property and or help you buy something so I can make a commission. And we need to reverse that. We need to let the prospect know that, Hey, we don't, we're not here to do a deal. We're here to see if there's something I could do to help you. Right? And so that's what I'm trying to do is reverse the entire mindset of the industry towards what can the agents do for the prospects, not what the prospects can do for the agents. And if you stand behind the confidence that you are genuinely there to help people and not just to try to do a deal, then that should really erase a lot of the fear and a lot of the negative thoughts you have about communicating. Here's what I would say. If this prospect was your mother or your dad or your brother or cousin or uncle, how would you talk to them? And if you may take a mental snapshot and start trying to emulate that same feeling with your prospects and you give the vibe that you're treating them like you would your mom, dad, brother, cousin, they feel that same love and energy, then they're going to give it right back to you. And now we're heading in the right direction. Your business and your brand from working with the consumer to now even coaching and working with agents seems to come from a place of contribution. Like if I had to, like, boil your whole brand down to one word, I would say contribution. It doesn't seem like you ever ask anyone for something until you contribute something to them. So let me ask you this, is that like intentional? Is that like some Jedi mind trickery, reverse psychology? Or is that really who Ricky is? It's really who Ricky is because here's the thing. I help people that have no opportunity at all to help me, right? Like there's agents that I talk to that have no, there's no way in the world that they can help me in any kind of way. They're not going to join my team or they're already on a team or they just tell me straight up or whatever. And I'll still spend 30, 45 minutes with them trying to coach them and help them, right? And so when the relationships over transaction movement that I've started is, is not about helping people who only helping people who can help you and your business, right? Like it's not about only helping people who can buy property from you or only helping agents who can join your team or only helping people because they have, there's something connected where they could actually, you could benefit from, right? It's about helping people regardless. If they can help you or not, right? Helping everyone regardless. That's where you go to the next level of this and really start to see your business really explode, you know, because there's levels to this, right? So like the reason why I lost everything in the beginning of my career is because I focused on solely the transaction and it took me having to lose everything and go through that to realize it's about people. So when I got back in the business, I was still like 50-50 trying to help people 50% and trying to just close deals. The other half, you can't just go cold turkey and then over time that moved to 60-40, right? And then the 70-30 and then 80-20 over the years. And then by the time I started coaching, I was probably 90-10 or even 95-5 just purely just trying to help without expecting anything, still trying to close the deal a really small percentage of the time when I felt like the moment was right to try to close the deal.  I think I could probably, there's a chance, I could probably be making, I don't know this, but I could probably be making more money if I would just focus on the money part of this, you know. However, I feel like I'm giving up money now possibly spending time with people who can't help me and I feel like that's an investment towards an even bigger situation later. Now I know that's coming right back to saying, oh, well now you're helping people because there's a bigger payoff later, but this is legacy, right? The bigger payoff later for me doesn't have to be monetary, right? It could be literally the fact that after I'm dead and gone, agents are still reaping the benefits of my content and my philosophies and so on and so forth.


Lux presents Hollywood. Lever Brothers Company, the makers of Lux Flakes, bring you the Lux Radio Theatre, starring Walter Houston and Blythe and Vincent Price in Another Part of the Forest. Ladies and gentlemen, your producer, Mr. William Keeling. Greetings from Hollywood, ladies and gentlemen. In tonight's play, Another Part of the Forest, you may have a strange feeling that you've met the principal characters before. If so, it was in the Little Foxes, as both plays were written by Lillian Hellman. They were hits on Broadway and, later, successful on the screen. In Another Part of the Forest, Miss Hellman begins the story of her famous Hubbard family, one generation before the time of the Little Foxes, and exposes the roots of conflict and hate that resulted in their later savagery. Walter Houston heads our cast tonight as the father of this remarkable family, with Vincent Price as one of his sons and Anne Blythe as his daughter. The same part Anne played in the Universal International Success. The time of the story is 1880, when the Surrey with the fringe on top dashed by Grace By Ladies wearing the then new look. There were no automobiles, no radios, and no Lux Flakes. How different things are now. The carriage is a museum piece, you're listening to the Lux Radio Theatre on the radio, and the now new look looks new longer with Lux Flakes. It's curtain time for Another Part of the Forest, starring Walter Houston as Marcus Hubbard, Anne Blythe as Regina, and Vincent Price as Ben. It's a spring morning in a little southern town some 70 years ago. At the edge of Lyonet Plantation, John Bagdre has a visitor. But you shouldn't have come here, Regina. What if your father should find out? Papa won't find out. Besides, if I didn't come here, I'd never see you, would I? How were the ceremonies this morning? Did you make a speech? You know what Confederate Day is like, Regina. Papa says it's a waste of time. He says the war ended 15 years ago. Some people don't find it so easy to forget. Like you, John? Maybe. Or like old Colonel Asham. His whole speech this morning was about the massacre. Those 27 men from Bowdoin killed in camp while they slept. You think they'd let them rest in peace instead of fretting about it all these years? It's not that they were killed. It's how they were killed. Someone right here in Bowdoin betrayed them, took money from the Yankees and led them to the camp. Seems to me you're trying awful hard to avoid the subject. What subject? Well, maybe you forgot you were supposed to meet me last night. I couldn't, Regina. I couldn't leave Aunt Clara and Cousin Booty. After supper, they wanted to sit out and talk. Not meeting me because of those two dried up mummies. Why, it's just insulting. I've been living off them ever since the war's the least I could do. I got a good mind to tell them that the war's over. The old times are finished and so are they. Why, my Papa could buy and sell lionette plantation on the same morning. It's cotton and it's women with it. I wouldn't like to hear anybody talk that weird. Oh, I'm sorry, darling. I'm just mad about last night because I had something special to tell you. I've got a wonderful plan for us, John, and I've got Papa almost ready for it. I want you to meet him. I know your Papa, honey. From the store. And your brother, Ben and Oscar. But Papa's so different at home. Or you will come say yes, darling. Please. Oh, please. I always do, don't I? No matter what I want or think, I always do. Yes, darling.  Hello, Papa. The thing was on time, Benjamin. Yes, on time. Yeah, well, all the customers, Papa, never seen the store so empty. Oh, yes, but it's Confederate Day, isn't it? Did you ever run my store, Benjamin, as I see fit holiday or no holiday? Of course, Papa. But I don't think folks will love you for it. How are things in Mobile? I was only there for 24 hours. You ordered me back. Did I? What for, I wonder. I went to Mobile, Papa, because Horace Giddens said he could get me a few shares of Birmingham Coal. I wanted to invest $2,000. Why? Because $2,000 will make $50,000 someday. But what if the company can't sell their Coal? What if the people you're lending money to can't sell their Coal? And I'll have their land. It's kind of pleasant living on a plantation. Plantation like, well, like Lionette. Would you like to live in a coal mine? Well, I couldn't raise the money anyway. I suppose you haven't changed your mind about lending it to me? Lionette was a beautiful house, very gracious, very well conceived. No, Benjamin, I'd rather hold my money for the day the bag trees come for the loan on Lionette. Then you'll hold it a mighty long time, Papa, the bag trees that sooner starve. Why didn't you ask Giddens to lend you the money, Ben? I thought he was so fond of you. He was fond of the whole family, especially Regina. But unfortunately, my dear sister is not very encouraged. Now, you're getting dull, Ben. I'd hope you went to Mobile to see a lady. Pick up your bag, time of getting home for lunch. I'm so glad you're home, Ben. I miss you when you're gone. Thank you, Mama. Oscar, where were you this morning? Me, Papa? Don't you remember? I was out trying to make collections. Oscar, boy, when you tell a lie, at least respect my intelligence and lie more convincingly. Oscar can't help it, Papa. He's just got the kind of face that shows everything.  Please, children. You're at the memorial grounds, Oscar. Yes, Papa. It's delicious. Evinia, where's the salt? You know, Marcus. No, I don't know. Where's the salt? It's Confederate Day, Papa. Mama never eats salt on Confederate Day. Carly? Yes, Mr. Hubbard?  Yes, I-I've not forgotten. No, you didn't forget it. Mrs. Hubbard told you to keep it off the table. Evinia, if you insist on acting crazy, that's your privilege. But I won't salt on my table today and every day. Thank you, Carly. That's some salt, Regina. Thank you, Papa. Salt Oscar? Yes, sir. Pass it to your brother. Tastes fine to me as it is, Papa. Did you hear about the bag trees, Papa? They're getting a loan on line at Plantation. Whom? Who'd loan them money? Sam Taylor, that's who.  Well, Papa, it looks like the bag trees can keep their gracious home without even starving. Oh, I'm so glad for them, Marcus. They've had such a hard time. How does that concern you? Well, it doesn't really, Marcus. I only... Mrs. Regina, here's Jake with your boxes. Bring them here, Jake. What? Pretty boxes. What's in them? Dresses, silly. Five boxes of dresses.  I'm going to wear them for you, darling. Oh, they're charming, Papa. Wait till you see them. I'll help you try them on right after lunch, dear. Well, Papa and I are going for a walk after lunch, aren't we, darling? How much did that cost, Regina? I don't know. I didn't even ask. Bitch, people up north don't act that way. They watch their money from their father's money. Oh, what do you know about it? Just the other day, those people in Chicago gave their daughter a $50,000 check for a trousseau. A trousseau? Oh, is that what you've been buying, honey? Well, that reminds me, Regina, I asked Horace Giddens to Papa's music evening tomorrow night. You didn't. You're 20 years old, honey. You ought to be settling down. You've been worrying us. Sashayin' around is open at some point.  Oscar's right. Isn't that so, Mama? Regina? What's this all about? I'm sure I don't know, Papa. Nothing at all. Well, if you think it's nothing at all of it.  Shut! Oh, I must be always fighting like this. What can't we have peace in our home? The way your family should. Today of all days. Stop crying over your food, Divinie. If you want it to remain unsolid. Look what Coralie's bringing in. It's a cake, a birthday cake. Birthday cake? What? Why, yes, Mama. It's your birthday. Happy birthday, Miss Divinie. Oh, thank you, Coralie. Well, thank you, Jake. Congratulations, Divinie. Thank you, Mama. Happy birthday, Mama. Thank you, children. There's hoping a wedding cake will be next. What's that? Oh, nothing, Papa. Just talking. Talking nonsense, like always. Why? You can't have a wedding without a cake, honey. You know that. A cake and a true soul. I don't know what all this talks about. Spoiling Papa's day. Come on, darling. Let's take a nice, long walk, just you and me. We haven't done that for a long time. No, not for a long time. Something amuses you, Ben? Oh, no, Papa. Telegraph Horace Giddens, your sister, does not wish to see him here tomorrow night. I'll bring my Aristotle, Regina. You'll read in English and I'll follow you in Greek. Marcus, but it's my birthday. And you promised... I promised what? The money, Marcus. You promised to give me the money. To build the hospital. You promised last year on my birthday too. But we've waited too long as it is. Another day, my dear. That's what you said last year and the year before that. You said you were too busy. I'm still busy. Never gonna learn, Ben. Been living with Papa for 31 years and never gonna learn. Learn what, honey? You got a few dollars to lend me. You want some money, Oscar? Just tell Papa Ben don't want you to have it and you'll get it. Think so? Don't you know that Papa always does whatever you're telling not to do? Unless, of course, I tell him to do it. You must give me a nice long lecture on Papa, Regina. Why he's so good to you and how you've managed and so on. I'm busy now taking him on a walk. And I'll be busy when I get there. I'm going away, Ben. I'm going to Chicago and once I get there... He's consented to the trip? He will. By the time we're back from our walk.  And you'll never get away from Papa.  I'll make out. I always have. Not unless you take my advice. Horace Gittins is in love with you. Want me to marry money for you, darling? Of course I want you to marry money. Why don't you take it up with Papa? I wouldn't like to be in the house the day you do it. Or the day he hears the gossip about you and, uh, John Baggley?  Baggley going to be in Chicago too? Look, Ben, don't start anything. I'll get you in trouble if you do. Real bad trouble. You know I'm going for a walk, Oscar. Well, what do you want? Would you like to borrow a good book? A book? I didn't suppose so.  Well, I would, Papa. Only Ben keeps me so busy at the store. There's time outside the store if you weren't the laziest man in town. Well, Ben, don't read me, sir.   Never let me do what I want. Now all I wanted was five dollars. Five measly old dollars. Maybe Ben didn't have it. Papa, please, I gotta go out tonight. I gave my word of honor as a gentleman. Are you a gentleman, Oscar? Yes, sir. I mean... Oscar, this news about Sam Taylor. Has he already given the money to the bag trees? I don't think so, Papa. I don't know. I kind of overheard him at the ceremonies this morning, but they wouldn't let me stay. They told me to get away. But they didn't object to Taylor's presence? That's what I told them, Papa. I said it's a...  Oh, I'm not finished with Taylor. Not by a long shot. I got a good mind to pay him a visit, carrying a gun. Spoken like a true gentleman, Oscar. Well, I see an old carpet bagger coming down here. I mean to do something about it. Don't want to watch your business. Oh, here, here's twenty dollars. Wee! Papa, thank you. And should you see Mr. Taylor, try to remember that though ignorance becomes a southern gentleman, cowardice does not. Yes, sir, Papa. I'll remember. Bear? Is that you, Ben? Where you going? I'm going to the store, Mama. You made me very happy, dear, coming home for my birthday. Huh? Oh, uh, yes, Mama. I'm sorry about the fussin' at lunch. About the salt, I mean. But there's got to be one little thing you'll want to do that nobody keeps ya from. Why did you pick this day, Mama, because it's your birthday or because it's Confederate Day? I don't like to talk about it, Ben. Why? Everybody knows Papa made all his money sellin' salt during the war. But they don't know it was my fault. All people would die in for salt, Ben. I thought it'd be a kindness for him to run the blockade. Only I didn't think he'd be charging eight dollars a bag for it.  Making money out of other people's misery. When I found out I... I wanted to leave him. I was so ashamed. Oh, why didn't you, Mama? Marriage is a pledge, Ben. A Christian woman has a duty to that promise. Yeah, a woman has a duty to other things, too. That's right. To her conscience. That's why he's got to give me the money to build the hospital. He don't want any of us to have money, Mama. At least of all for a hospital. Well, but he does. He knows I have to. Before this day's over, he'll come and give me the money. Yes, Mama. He'll come. He'll come to tell you you're going to Chicago with Regina. Regina's going to Chicago? Not if you refuse to go with her. They have good doctors in Chicago, Mama. Ben, what are you talking about? Well, if somebody were to tell a doctor that a person was acting funny was frightened all the time, had crying spells for no reason, strange quirks like not using salt on a certain day. Ben, but I have reasons. Good reasons. And it's not just making money out of salt. I could tell the doctor how... What, Mama? Because there's plenty Regina can tell you. But if you say no, Mama, they can't make you go. What would you tell the doctor? Nothing, Ben. Nothing. Shall we keep reading, Papa? In the next chapter, Aristotle outlines the nature of happiness and family. Happiness, family. I haven't been richly blessed with either. Ben's a penny-grubbing trickster. Oscar's a proud literate. Strange, Regina. You turned out to be my own miss son. Someday I'd like to take you to Greece. Greece, Papa? Yes, you might even settle down there. Think of it. To read Aristotle in the shadow of the Parthenon. Wouldn't you like to go? I don't know, Papa. I'm afraid I might get homesick. Homesick? Or a collection of yokels held together by a few strands of cotton and a common defeat? It's the only place I know I've never been farther away than Mobile. You'd rather stare where you can be near, uh, Horace Giddens. That's what you mean, isn't it? You know better than that, Papa. Ben thinks up one of his schemes to annoy you and Oscar Charms in like he always does. Well, it was such a nice afternoon and now you've spoiled it all. I'm sorry, darling. Of course I could try if you want me to. Try what? Going on a trip. Maybe I might like it after all. And where would you like to go? I didn't say I would like to go. I said I could try. Mobile? Papa, you're awful. You started this conversation. Wasn't even thinking about going away. Where would you want to go? Answer me, Regina. I don't want to go. I told you I'd much rather stay here. I want you to go. All right, Papa. Where to? That's what you're going to tell me. Some place up north? Oh, of course. You'll love the north. Philadelphia for music, New York for the theater, Boston for literature, which shall it be? Whatever you say, Papa. Of course they do make beautiful dresses in Chicago. John, darling, I couldn't wait to see you to tell you the wonderful news so I'm sending this note over with Jake. I've arranged everything. I talked Poplin to let me go to Chicago. You'll come with me and we'll be married there. When Papa finds out he'll have a fit of course. Here's Act Two of another part of the forest starring Walter Euston as Marcus, Vincent Price as Ben, and Anne Blythe as Regina. It's the following morning. Marcus Hubbard has just joined his two sons at breakfast when an unexpected visitor enters the dining room. Come in, Colonel Isham. You're up early just to talk about cotton. I'm here about your son, Oscar. Me, Colonel Isham? But what did I do? Carly, coffee for Colonel Isham. No, thank you. People like you don't drink coffee with people like me. I've had my coffee. Then you'll come again when you haven't had it. I'm here to talk to you of your own good. There's one thing I've never liked, Colonel. It's conversation for my own good. The last night Sam Taylor was badly beaten up.  Eight people identified Oscar as one of the night writers. Me? Me? But I... There's not a man in these parts who wouldn't enjoy swinging up a Hubbard.  Oscar, it seems that Colonel Isham wants to save you from a lynching party. Should I thank him? Yes, sir, Papa. Thank you very much, Colonel Isham. Lynching? This affairs a disgrace to the entire south. But Papa... Your son also rode down dead Philips, who tried to help Mr. Taylor. Philips won't be able to work for weeks. I wasn't riding with the clan boys, honest. I was thinking about it, but... He couldn't have been with some colonel. Come here, Ben. What makes you so sure? Oscar was here with me all evening. He was reading a book. You would go against eight people who recognized him? Why, Oscar looks like anybody. Colonel, I'm giving you $500. Please use the money to help Jed Philips. We can take care of Philips ourselves. Can you? I doubt it. Learn to be poor, Colonel. It has more dignity. And when you see Taylor... Mr. Taylor left the county. He's not coming back. And when you write to him, tell him that Marcus Hubbard warned you 15 years ago you were fools to let clansmen ride around carrying whips.  Good day, Mr. Hubbard. It's too bad about Taylor, ain't it, Papa?  I wasn't lying to Ashton for Oscar's sake. This is a mighty big temptation to a man earning $20 a week. And all I pay you? No, well, you'll be better off when I... When you were... What, Papa? When and if I die. But I may not die. And you know... Papa, are you busy, Papa? Wouldn't you like to talk to me or something? I never wanted to talk to you, Oscar boy. Now get out of my office and wait on the customers. Ben's waiting on customers, Papa. The $20 you gave me yesterday, I'll put it to good use, Papa. You mean the little salary advance? We sure ran tail out of town. That's what you wanted, wasn't it, Papa? Oscar, how much are you drawing here? $16 a week. Hereafter, $5 will go to repay me for the $500 I gave Ashton, who so graciously saved you from a rope. You'll draw $11. Papa, you can't! $11 a week! Well, it could be worth, Oscar. It'll only take you 100 weeks to make it out.  Papa, you told me yourself that... $104, Oscar, including the $20. Good morning, gentlemen. Papa's show is hard on me. It's unnatural. Why, if it's strange to come in, he thinks Papa didn't like me, his own son. Why did you beat up Taylor? Did Papa tell you to? He even gave me $20.  Ben, I can't live on $11 a week. I want to get married. Oh, yeah, that cooch dancer from the Cairo Gardens Cafe. She's a very wonderful person. I'm deeply and sincerely in love.  It'll make you... Well, Miss Bagtree, Miss Birdie. Oh, don't take too much of this, Benjamin. Mom and cousin John knew I was... They just about died. Well, what can I do for you, Miss Birdie? Well, I really came to see your father, but I'm glad you're the one. Well, we've tried very hard, and Mr. Taylor finally said he would do it, but, well, he's gone now. Well, the truth is, we can't support our people. Larnette, we just can't.  Would you lend us money on our land or a cotton? Well, now there's that something to think about. I just have nothing to tell Mom about, Mr. Taylor. What, well, she said all day yesterday planning how she was going to pay off our people and give cousin John the car fare. Car fare? John wants to go away. Oh, to Chicago, perhaps? Oh, no, he wants to go back to war. He's so unhappy here. I see, and where will Captain Bagtree find a war? Oh, there's something going on in Brazil, John says. Uh, how much of a loan were you thinking about, Miss Birdie? $5,000. I guess I was just foolish about that. $5,000. You know, tonight is Papa's music evening. He's always in a good humor after his music. Why don't you come? You and Captain John. Well, I'd be most pleased to come. Just one thing, Miss Birdie, leave everything to me. Don't even mention the loan to Papa. Can you remember them? Oh, yes, Mr. Ben, I'll remember. Oh, Ben, what is it? You're practicing, Papa? Well, your musicians have arrived. What time you plan to start your music? Well, if they're here, we'll start now. Uh, Papa, I just wanted to tell you I invited Miss Birdie and Captain Bagtree. But Bagtree? I thought you'd enjoy having quality folks here. They've come to beg a favor of you. You, you teasing me? I promised Birdie. Now that Taylor's been persuaded to leave town, she wants us to lend her money on the cotton. With lioness collateral? Of course. But her mother don't know and she mustn't find out. Oh, what kind of nonsense? The girl don't own the place? Maybe it's not nonsense. Take a note from her, Pumble. When her mother dies, she'll be the one of us.  Oh, forgive me, Papa. I keep forgetting how that word disturbs you. It's the thing you've been waiting for, Papa. The Bagtree's coming for a loan. Oh, Regina, you have been listening, honey? Of course, I don't know anything about business, Papa, but it would be nice to have a few people here to listen to your music. Bagtree's in this house, begging? How much does Miss Birdie want? Seven thousand dollars. On lioness, seven thousand?  Most girls are, Papa. Oh, uh, no offense, Regina, honey. Come, Regina. You're not going to start the concert, Papa. Not before they arrive. Why not? Now we don't want them to think we're impolite. For seven thousand dollars, they'll think we're most polite. Well, I'd better see to the refreshments, Papa. Mama's ailing. Just like her to take sick when company's coming. What do you want, Oscar? I've got to talk to Papa. Please, Papa, I'm in trouble, Papa. Hi, Oscar. They still want to hang you? Papa, I'm in love, deeply and sincerely in love. But then he keeps talking her down. Then don't want me to be happy. Your own brother. Of course she is of the lower classes. A ballet dancer at the Cairo Garden. A what dancer? A can-can. She's a wonderful girl, Papa. Could I go fetch her here? Could I, Papa, now? What is this? A night at the circus? Please, Papa, this ain't asking too much. That's what I've done to you. What have you done? Nothing, Papa, nothing. But it might amuse you to have a member of the lower classes mix him with the gentry. And it'd make Ben awful mad. Go on, Kelly. Oh, sweet Papa, thank you. You're right, Oscar. What did you say? I said I'm on a special arrest. I'm bringing her here. You can't. You wouldn't dare. Wouldn't I? Will you just ask Papa? Stop him, Ben. What do you want me to do? Shoot him? I had trees. They'll think we meant to do it. Plan to insult them. One of these days you're going to learn about Papa Regina. Maybe tonight when he sees you with John. If you dare say anything to Papa about John... Don't threaten me, Regina. I'm sick of that. You'll be much sick of them if I... Oh, Ben, don't. I'm in love with him. But he's not in love with you. Boris Giddens is. Why don't you marry money yourself? Nobody ever asked me. Oh, why, Ben. Any rich girl would be only too happy to have a bookkeeper as good as you. Why, thank you, honey. You're welcome, honey. Papa won't like this, John. Dragging me out in the porch, darling, and while he's playing, too. I have to speak with you, Regina. Better note that you sent me yesterday. I'm so happy, honey. Just think we can... I can't go to Chicago. You mean... you don't want to marry me? No, no I don't, Regina. I never said I did. John, come to Chicago with me. I've never pleaded for anything in my life before. I might hold it against you. But I'm no good for you, Regina.  I'll be in Brazil. Brazil? British is getting some money. I'll be able to leave right away. Where's Miss Birdie getting this money? I don't know, she won't tell me, but she says she'll have $5,000. $5,000? I see. We'll talk about it tomorrow. I love you now. Now go on in. You don't like this punch, Oscar? It don't mean anything.  That might make it mean a little more. Thank you. Papa, my friend's here now. Can you meet her? I'll meet her. This is Miss Sinsey, Papa. How do you do? Finally, thank you. Lorette just loves music. Don't you, Lorette? Yes, indeed. I had an uncle who played. He taught me to love music. Did he play the violin too, like Papa? No, Oscar. What did he play? He had a little drum. He loved Mozart. You told me, remember? Yeah, he sure did. Miss Sinsey pleases me. Oh, allow me, Miss Bagtree and Captain Bagtree. This is Miss Sinsey, whose uncle played Mozart on a little drum. Yes. Yes, we've already met. Captain, I recollect a few years back you went to Europe. Yes, I did. Then perhaps you'd advise us. My daughter and I are planning a trip abroad. I'd like to, sir, but I don't remember Europe very well. Well, now, what does stay in your memory, Captain Bagtree? Anything at all? The war, sir. Oh, you were happy in the war. Were you? Yes, sir. I thought we would win. I never did. Never. From the first foolish talk to the last foolish day. Why, why, John wants to go to war right now. They've been looking for Confederate officers in Brazil, so John will have a chance to fight again for his idea. Now, why don't you choose the other side? Every man needs, uh, well, he needs to win once in his life. I don't like that way of saying it, Miss Talbot.  It was a backward world getting in the way of victory. Apollon, you still don't realize it. Papa, I didn't bring John here to listen to you be insulting. You brought him here? Show your guest to the dining room, Regina. Maybe he's hungry. I've been waiting for you to join our guests, Regina. Have you proper? Do you prefer to stand here on the veranda? It's fixing up to st- Let's see how I wish you would play with this man. Why, Oscar is pretty.  Well, for God's sake. And here, Miss Cynthia, another class of fun. You should think the way of stuff.  Oscar says he wants to marry little old Lorette. Indeed. I'm told you work for a living, Miss Cynthia. That's fortunate. Oscar is not a rich man. He's a rich-ass, goody-bid, on that plain salary you pay him. But that's out of your sure-to-repent help, is Oscar says. After all, when you die, you're gonna leave it to him anyway. So why not now, Oscar says? How's he just talking? Oscar has a tendency to lie. He steals a little, too. But if you want him, Miss Cynthia, do have him. Come on, no, then. I'll settle this later. Papa's talking about his own son. Well, no animal would talk about his son that way. Honey, please. I've been hearing tales about since the devil's born, Mr. Lorette.  Honey. I'm not the more of a one-man time for you. And you making that tinfoil give you all that goose, you know. Oscar, take this girl out of here and come back quickly. Yes, Papa. You're welcome, Mr. Lorette. More punty than anyone, and bandwidth, Captain Banter. I think we'll be leaving now. Good night. Good night, Regina. John, I... Good night, Mr. Hubbard. Good night, Captain Banter.  Came to beg a favor? From you? John, stop it. Wait for me in the couch. Yes, please. I'm sorry, Mr. Hubbard. I was so hoping we could all be nice friends. Your mother hasn't owed to me in 15 years, but she wished to be my nice friend now. I bad news for you, Ms. Birdie. I've decided not to make the loan. What? Well, Papa, you said yourself, please come another night, Ms. Birdie. Just for the music. Without a motive. But I'll do anything, Mr. Hubbard. We have a little silver list. Good night. Please, please, spare us both. Thank you, Mr. Banter. I know you're actually business friends. Papa. What is it, honey? I didn't intend for you to insult the bag keys and make enemies of them. The bag keys have been my enemies for years. Why should that suddenly disturb you? Well, I'm yours, Ban. Enjoy yourself. For the moment. Trying to ruin my life, are you, Ban? Pour a liquor down, and getting a drunk is perfect. But you come on outside and fight it out like a man.  Somebody's laughing at Papa.  Now, that's what he wanted you to do. Joke's kind of on you.  He's very involved with $7,000 for me, and you keep $2,000 and take your chances on nobody finding out.   What a night. Ben, you're a click in my store, but if you anger me once more, there won't be any job there. Is that clear? Very clear. Papa, you wouldn't condemn a woman just because she has to earn a living by the sweat of a brow. No, no, Oscar boy. So, if you want to go away with this 10-10 girl, what's detaining you? Your permission, sir. Fuck's sent. Do you mean money? We're just alone, Papa. If you could go to New Orleans. How much? Well, $10,000 would stop me off fine, Papa. There'll be $1,000 for you on the breakfast table. Get on an early plane. Send a Christmas message each year to an aging parent who now wishes you to stop talking. You better start packing, Oscar.  Goodness, what $1,000 won't do. And if you're not there... Put that gun away. Get out of this room. Yes, Papa. And I'll see you at the station. You've always been frightened of guns, Papa. In a particular reason, you're wearing Miss Him Benjamin. Why don't you stop at both of them? You can do all the squabbling you want to after Mama and I leave for Chicago. It'll be lonely here without you. I don't know. Maybe I'll go along. Go along? Don't you want me to? Of course, Papa. Only I didn't... Oh, you didn't plan on such a crowded honeymoon. Don't look so surprised, Papa. You guessed about Bag Tree an hour ago. Of course, I don't think he wants to marry her, but he's a weak man in Regina. Papa, Papa, don't you see what Ben is up to? He wants to marry me off to Harris Giddens, and he's mad because I... Papa, what's the matter? You look so bad. Yeah, you do look bad, Papa.  Tell him... Ben! I'll never forget that, Papa, not as long as I live. That's your things and go and be sure you go far. Get yourself a modest job somewhere, anywhere you are, and I'll see to it that you never get anything better. Yes, Papa. I'm sure you'd try. You and Bag Tree. How could you? I'm in love with him, Papa, and I want to marry him. Oh, no, don't take on, so you just let me go away as we planned. After a while, John and I'll come home and we'll live right here.  You think I'd stay in this house? Otherwise, I'll go away, and you'll never see me again. I don't think you could stand that. You must have known I'd marry someday, Papa. Maybe next year, and then I'll make that trip to Greece, just the two of us. Now it's all settled. Kiss me good night, doll. Papa! What is it, Lavinia? Grading up there in your night clothes? What is it? Marcus, I'm sorry. Oscar and Ben, leave them by our home. Go back to bed, Lavinia. We'll be the talk of your father. Don't let him do this, please. We'll be leaving for Chicago, Mama, sooner than I thought. No, Regina, I don't want to go. We'll start getting ready first thing in the morning. The curtain rises on the third act of another part of the process, starring Walter Euston as Marcus, and Blight as Regina, and Vincent Price as Ben. It's before breakfast the next morning. Ben is getting ready to leave home, while Lavinia pleads with Marcus to change his mind. But he's your son, Marcus. Your parents sent Ben away. Leave me alone, Lavinia. I don't feel well. If you let Ben stay out doing anything, I'll go to Chicago. Of course you'll go to Chicago. It isn't easy to live with you, Lavinia. It really isn't. I know. For a long time now, I've felt this fear, will it? It made me feel like I was sinning.  That's why they're hostile.  I don't like that, Marcus. It frightens me in your nose. I'm ready to leave, Mama. Marcus, tell him to stay. It's a sin, Marcus. It's a terrible sin. The Lord will destroy this place with brimstone and fire. Yes, you may live in here, but I'm not fretting on it. I've got it heavily insured. I must get out of this house. Get out then, Mama, but don't look back or you'll turn into a pillar of salt and he'll sell you $8 a pound. I never did look back. For 16 years, I forced myself never to look back. Look back at what, Mama? Marcus, will you let them stay? Well, I'll give them. All right. I'll tell you then. Yeah? It was my birthday. Your father'd been gone on one of his salt-running tricks. Yes, Mama? He'd promised to be back for my birthday and I was afraid something had happened to him. I knew he had no pairs for the Yankee line so that night... Not the night of the massacre, Mama? Yes, sir. I walked to the memorial ground. Did you find no memorial grounds then, Mama? No. Just a town on the hill. Didn't the sentry stop you? Lenny, I go to your room. I saw no sentries. Only the Yankee soldiers sneaking down the hill. Yankee soldiers? Who was with them, Mama? Who? I'm standing here listening to this foolishness. I'll tell you why, because you're afraid. I had a bungler who tried to steal $2,000 from me or a crazy woman who dreamed she saw something one night 16 years ago. You better get ready, Mama. We'll call on Colonel Isham, who's son was killed that night and John Badtreeb will remember his twin brother and the mercies who lost their oldest son and we don't have to go any further, Papa. It'll be the biggest, happiest lynching in the history of Bowdoin County. I don't believe in lynching. You leave that to me, Mama. No, then I don't. You're losing your witness, Benjamin.  No, Mama. Our son is saved.  Your hospital, Marcus? To make up for all those poor boys who died that night, of course. Let's go to my library, Lavinia, and start making plans. All right, Mama. You talk to Papa and I'll talk to Colonel Isham. He'd be only too glad to ask you if I'm telling the truth. No, then. I won't have anything to do with a lynch. But would you lie, Mama? Would you tell him I? Answer him, Lavinia. There'll be no lynching, Marcus. I'll plead for your life with all my heart. Give me few, Papa. I'll plead for you just as hard as I know how. Better than that, I'll come by tomorrow morning and cut you down from the tree.  How did the Greeks bury fathers who were murdered? Tell me, Papa, and I'll see to it. Benjamin, don't talk that way. You gave him the right to talk that way. You did live in here. It's on your soul. No, Marcus. All I want is for Ben to stay. I'm even ready to go to Chicago and see your doctor. What doctor? Well, whether Dr. Ben said you wanted to examine him.  Really? You're ready, Papa? For what? To write a slip of paper saying you sell me the store for one dollar. There's a pen on the table.  I leave you your proper share in my will. It might even increase if you behave. You're making fun of me again, Papa. I mean what I'm saying and you know I do. And it's the last time I'll say it. All right, all right. Take half. Take half of everything. Stop bargaining. I want everything you've got. Is that clear? When you've got it and write and bring it to me. What, are you waiting for something, Papa? Well, I'll tell you the truth. I'm trying to think of some way out. A way out? Well, I consider you a very lucky man.  You'll give me enough for a clean bed. Well, of course, you're my father. You'll find me at your desk, Papa. Counting cash on hand. Jake, Jake, come here. Take this envelope over to Lionette. It's five thousand dollars in it. Take it to Miss Birdie and tell her to forget about last night. Yes. And tell her that I wish Captain Baxter the best of luck in Brazil. Yes, sir. Oh, and tell Corley to set my breakfast plate at the head of the table. Oh, look, what is it then? That's where you pop? I'll say it again, Jake. At the head of the table. Papa, where are you? Papa! My goodness, Oscar, I'm trying to eat breakfast. Papa isn't here. Well, if he isn't here, we must be upstairs. Well, no, that's waiting for me at the railroad station. Papa! I was hoping you'd be gone by now, Oscar boy. The thousand dollars on the table. He promised that it ain't here. I even crawled under the table. Maybe you better go cross some more. Well, good morning, Regina. Oh, good morning, Oscar. Where do you think you're sitting? Right here, honey, at the head of the table. That's Papa's chair. Hmm, we'll be sitting next to each other, and I'll be able to keep mine. Regina, help me! Papa! Papa, the money's not fair! Papa, please answer! What do you mean, Papa? Speak up. Oh, he's just late. The money, you forgot to leave it. Yeah, you're screaming, Oscar, and a voice injured at your age is possibly never recovered. The money isn't there because I didn't put it there. Would you like to give him an explanation, Ben? Or will I? I am eaten. Oscar, I assure you that I am most sorry for many reasons. None of them having anything to do with you. Oh, what's all that mean, that you're not giving me the money? It means exactly that. It means that Papa has found a new way of postponing for a few minutes an unpleasant writing job. Where would you prefer me to have my breakfast, to tray in my room, or here, or anywhere you like, Papa, after you finish writing? My house is your house. There isn't any chance I could get on a train without you interfering with me. Papa, what's the matter with you? Ask Ben. He's changed. Do you think it's aged? Who do you think you are? A man who believes you've handled yourself very badly. For shame, Regina, you're beautiful, smart. You could have made a brilliant life. Instead of 20, you have to start picking up pieces. I like the pieces, and I'm off to pick them up right now in Chicago. No, honey. Right here in Bowden because you're not going to Chicago. What are you talking about? Papa hasn't got any money anymore. No money at all. He's given it all to me. To you? What makes you think he's given it to you? Well, I'm the oldest son. Isn't that the way with ancient kings? Papa? Papa, where are you? You're starting to sound like Oscar, honey. But she talked to Papa. Maybe he can quote an appropriate line from Aristotle. Oh, come on in, Mama. Sit down. Carly just brought in some fresh coffee. I just come to say goodbye, then. I have to go away. What for? I can't lie about your father, but I want no part of a lynchman. Oh, that part has been canceled, Mama. Papa's examined his conscience and repented. See, you can stay. Mm-hmm. Papa's decided to retire. He's transferring the business to me. Oh, that's a great trust, then. It's simple, Mama, but if you put it to good, you... Oh, I will, Mama. Don't you worry about that. Ben, what have you been doing to Papa? A great deal. Do you believe me now, honey? You can't stop John and me. Certainly not. Marion, people in love should be poor. Ben, what happened? Papa didn't tell you? I'll find out. And the day I do, I'll pay you back so you'll never forget it. Why, Oscar, what's the matter with you? He didn't wait. Loretta's gone to New Orleans without me. I beg your pardon. Do you feel anything, silly? Oh, you go ahead and laugh. I laughed too, Regina, when I saw your true love looking like a statue of Napoleon off to the wars on the same train. So you arranged that, too? That's enough.  I don't want to hear any more about it. Who don't want? I'll tell you.  And you, early mature and flower, you can go any place you want. See what it's like to be without Papa's money. Oh, of course you both can stay. You and your great plan, Regina. Papa was the only person who didn't know about you and John Bagtree. Papa and Horace didn't. Oh, Oscar, get me a pen and tape. I have an errand for you. You don't have to get married, Regina. Just because he tells you to. He can go away and I can start again, just as I started once before. When you did whatever Ben made you do. Did you realize what you were doing to me? Did you care, Papa? I cared very much. And what good did that do? Here's your bill of sale, Ben. And thank you, Papa. And here's your dollar. Can an ink, Ben? Oscar, I want you to take two thousand dollars to Horace Giddens with his note I'm going to write. And tell him Regina will be very happy to see him. Ben, it's been about the money for the hospital. Not right now, Mama. But Ben, you said... Sit down, Mama. You haven't had your coffee. No, Ben. Thank you, but I'm leaving. I'm going back home, back to Pineywood. Oh, you don't mean that, Mama. How can we get along without you? I don't know. Deep down, I guess maybe I don't care. No, I just want to go out and get a breath of air.  You're tired. No, I'm not tired. And I'm not afraid. But, Mama, everything's going to be fine now. We're going to have big money. Oscar, Regina, even Papa. I know what's best for all of them. And for you too, Mama. Well, someday we might even build you a hospital. No, Ben. You'll always be busy. You'll have to be busy because of a lonely man. An empty man. It seems funny to say, but... I don't like you, Benjamin. I don't like any of my children. I just feel sorry for them. Oh, don't take it so hard, Ben, honey. Whenever you're lonely, you can come and have dinner with us. With Horace and me. If any of you are awake, I... She's gone, Papa. Yes, I... I do believe she's gone. Regina, honey, pour me a cup of coffee. Carly, we need some more coffee. No, pour what's in the pot, honey. Papa, it's just enough for one. And Ben's cupped again. Before our stars return for their curtain calls, here's Libby Collins with some important shopping news for the ladies. Walter, we don't see much of you around Hollywood these days. Well, Bill, whenever I finish a picture, I go right up north to my ranch. You've got some cattle up there. I like to keep an eye on them. With a price to meet what it is, you should sit up nice with them. I imagine raising cattle must be lots of fun this season. Oh, I don't know, man. Just one big beef after another. Oh! Now, Walter. And what have you been doing to keep busy this summer? Well, let me see. On the hottest day of the heat wave last week, I was celebrating Christmas. You mean a Christmas tree and a turkey dinner with all the trimmings? All of it, Hinton. A magazine wanted some Christmas pictures for the Christmas issue that goes to press right away. And next December, they'll probably want a picture of you hunting Easter eggs. What next week's play going to be, Bill? Well, Vincent, next week's attraction is the kind that can only happen once a year. Because it's the picture that won the Academy Award as the best picture of the year. Daryl Evzanik Productions, gentlemen's agreement. And the stars, Gregory Peck and Anne Baxter. This 20th Century Fox picture is one of the most important events of our season. And we've been planning on it for months. So I hope you'll join us next Monday night for gentlemen's agreement with Gregory Peck in his finest role. None of us will miss that one, Bill. Good night. Good night. Good night and many thanks for tonight. Leave our brother's company, the makers of Lux Flakes, join me in inviting you to be with us again next Monday evening when the Lux Radio Theatre presents Gregory Peck and Anne Baxter in gentlemen's agreement. This is William Keely saying good night to you from Hollywood.


Aaron Cole really settled in in those middle innings. What was he doing that allowed him to be so effective in the middle innings? I just thought he got really in tune with his delivery and on a really good page and rhythm with with Gary and I just thought he started really executing his pitches really well. You know, I think it was a little more challenging on opening night as well as he did tonight. I felt like he really got locked in there. I mean, the slider was really good. He mixed in some good curveballs. There are reasons some change ups mixed in there, but I felt like he really started to throw it where and how he wanted to, especially in those middle innings. It seemed like after that first inning, he was pretty upset when he went back to the dugout. He seemed frustrated. What did he say when he went back to the dugout there? He didn't really say much other than obviously a little bit frustrated coming in, but he locked it in real quick. And then did you think fatigue was a factor at all in that seventh inning, I believe it was? I don't know.   So I don't know, you know, first time up over 100, you know, there might be something there, but I thought by and large, he threw the ball really, really well.  Yeah, I mean, a lot of good advance from him. Good to see. Yeah, I mean, he was obviously really good. He was, he was a great player and he kept piling on. Hey, Aaron. Aaron just seemed like very much like a business as usual, like all the changes didn't particularly affect you guys. Is that what you felt out there? It did. I thought our mindset was really good. I thought it was really good that we got in at a decent hour last night and were able to go through that. If you worry about rust after a couple of days, I felt like our guys were good to go from the start. You know, I thought last night getting here at a decent hour and being able to go through that was important. Thank you. Aaron, I know it's only been two regular season starts and you had spring with Garrett, but the cameras caught him there and the dugout immediately going after his game there on that lineup card and then like shaking his head. I don't know if he's even emotional. He is. I guess I mean, what has stood out to you with the way he is like comportment during a game? Yeah. He does a really good job of balancing. A real intensity. With, you know, being able to. Keep himself under control. He's very approachable throughout the game.  And, you know, I think he likes the dialogue that he has with coach and so. You know, I always think it's important for starting pitchers. It's tough sometimes to be, you know, wired tight and intense and everything. He does a really good job of striking that balance of intensity for really understanding what he wants to do.  Aaron, just a couple of moves you made Hicks. Is that just the heat or is there anything going on with him? Yeah, just getting them out of there. Just, you know, again, trying to build guys up and, you know, obviously Aaron coming back from the injury and in a stretch now where we're starting, you know, maybe 13 games here in a row. You know, just trying to pick spots and understanding that you got a deep bench and not only a deep bench, but a deep bench of really good players over there that you can run in there. So a chance to get him off his feet the last couple of weeks. And just what would have you seen so far from Gary at the plate? I know we talked a lot about his defense and spring training, but just, you know, a few games, but it's 0 for 12 now. Anything there? Yeah. I actually thought his first couple of bats were a little bit better tonight, where he did a little bit better of being calm and controlling the zone a little bit better. I thought there were a couple of calls that probably didn't go his way, especially at first and that.  You know, I think when he's really in the ground and controlling things, then he should take off.


Hey y'all, welcome to what Chelsea eats. Thank you so much for joining me today. I am coming to you from my My bonus room, I guess that's what you wouldn't call it That's where my sauna is lots of you asked me about my sauna and what my sauna routine is and I will be sharing on that with you soon but I wanted to come quickly because I Started shopping at a new grocery store. It's called Wegmans. Some of you have Wegmans in your area And I just want to say I've only been there three times the first time There were so many people in there because it was the grand opening that I just couldn't handle it I walked in the store my husband and I looked at the vegetable section. We were running into each each other To for and running into all the people in the store. So we said, you know what? We'll come back so a couple of leaks have gone by since then and We ended up going yesterday And I wish I would have thought about doing a grocery haul yesterday But I didn't think about it yesterday was Sunday But then this morning I woke up or last night before I went to bed I decided that I was gonna be doing a lot of juicing this week So I said I needed a few more things So I want to show you what I actually got from Wegmans to add to what I had already Gotten from the store yesterday for my juicing But before I go into that, I want to just say I spent about Probably 38 dollars for everything that I bought which I thought was a great deal a great deal for fruits and vegetables for juicing Also, I don't buy all organic all of the time I do the best that I can some of you are diehard organic fans The only thing I would say is when I don't buy organic I just try to buy the food from the best types of grocery stores that I can And I just wash my fruits and vegetables and if they have any waxy build-up on on them I'll either peel the skin off or I won't buy them So that's really the guidelines that I use for when I buy groceries We have to be realistic with that because not everyone can afford all organic And whether or not I can afford to buy or all organic or not Sometimes I'm just not willing to spend the money on some of the organic produce That's in the markets because I just think they're just charging way too much money for it So I'm excited about Wegmans. It looks like a really great grocery store It is so big that I haven't even really been able to go throughout the whole store to see what they have available But I do want to show you what I brought back from the store this morning So you can see what I will be using in some of my juices You won't see everything that I'll be using in my for my juices because I've already put away all the things that I Bought yesterday, and I'm not gonna go into it But I will see show you my haul from this morning But if you like this video, please give it a thumbs up share it with a friend also in the comment section You tell me where you shop. Have you ever shopped at Wegmans before? Is there a particular grocery store that you like to frequent as well as I would love to know What types of videos you want to see coming up, but thanks for joining me and let's go down to the kitchen Okay, so first I'm going to start off with these Bartlett Pearl pears This is a pretty big bag of pears. I like to put pears and juices They are a nice switch up from having apples Next I've got two bags of ginger apples, and I have never tasted ginger apples before and to be honest with you The only reason I bought ginger apples is because they were the cheapest I think they were like a they were on sale for $2.99 for a bag So I bought two bags of those Next I've got two pineapples and these pineapples were $2.99 each I'm going to peel them and I'm going to run them through my juicer with some green vegetables I'm not sure what I'm going to use but probably something like celery or Cucumbers or something like that next I got bay leaf and chunk of ginger This is about a pound of ginger and they had ginger on sale for $2.99 a pound, and I thought that was a really good Good deal for this ginger and it smells good and it's nice and firm. So it's really good quality next I got a melon I love juicing melons I can get melons year-round in North Carolina and some people are like you shouldn't eat out of season Whatever I like melon juice year-round I get of course better benefits from melons when I buy them in the summer whenever they're in season But I still get good quality benefits from eating and especially juicing melons I don't really eat melons in the winter and fall winter in spring months. I usually juice them And when I juice that juice, I get wonderful benefits from them Next is clementines. I was trying to find oranges, but they didn't really have any oranges that I really wanted So I'm going to use these oranges or these clementines. I'm going to juice these with this This these carrots so it looks like I got okay So there's a five pound bag back there and then two four six or eleven pounds of carrots I'm going to juice them with the the clementines. I was looking for Valencia oranges, but I wasn't able to get them And here I have some celery. I already had like three heads of celery in my refrigerator, but I bought three more and That's what I'll be using for my juices The next thing that I like is the cabbage. This is a big huge head of cabbage that I got Here and I have a juice recipe for and it moves estrogen out of your system I'm going to link it here in the cards and down below in the description box for this recipe for the juice recipe for the Estrogen mover juice recipe. It's an awesome recipe if you're struggling with estrogen dominance issues and if you have a female reproductive issue you definitely have a Estrogen dominance problem, so I just wanted to share that all I'll share that with you, but this is my haul I think I spent about thirty eight dollars on this so If you have been to wagmons, please let me know I'm going to be shopping there more and more So I'm sure there will be some more grocery hauls coming up So you can see what I actually got and like I said, this isn't everything that I'll be juicing But this is what I will be adding to what I already have in my refrigerator for my juicing this week And I just want to share with you the things I got from wagmons this morning So if you like this video, please give it a thumbs up share it with a friend Don't forget to subscribe and thanks so much for joining me And if no one told you that they love you today Chelsea in North Carolina loves you very much. Take care


I promise to protect our sacred connection to the land and Mother Earth and Peek-a-Kook trophy. We take it back. I promise to protect. I promise to protect. I promise to protect. I promise to protect. I promise to protect the homeland on Turtle Island. The borough of Queens. Pine Ridge Indian Reservation. Chicago, Illinois. The land where our ancestors once stood. The Pacific Northwest. Massachusetts. Colorado Springs. My land and water and culture. I promise to protect my own community from the toxic fossil fuel industry. From the kids on pipelines. I'm fracking. More dangerous pipelines. Parsons tankers from the Trans Mountain Pipeline. From the fossil fuel industries to greed. I promise to protect my grandson and future generations. They'll check these shock-oing people. All my kin and all my relatives. Indigenous women, frontline communities. Young people. POC Native Organizers. My community, my family. Seven generations that are in the process of coming. We're going to unite together. Native and non-native. We are building a movement that is deeply rooted in respect for Mother Earth. Nothing can beat that.


Welcome to the fifth meeting in 2024 of the Delegated Powers and Law Reform Committee. I'd like to remind everyone to please switch off or put the silent, the mobile phones or other electronic devices. The first item of business is a declaration of interests in accordance with section 3 of the Court of Conduct. I invite the FOISO childry MSP to declare any interests relevant to the remit of the committee. Thank you very much. Good morning to everyone. No, I don't have any interests. Thank you and I'd like to welcome FOISO to the committee. Before we move on to the next item on the agenda, I'd like to take the opportunity on behalf of the committee to thank Colin Smyth MSP for his work and contribution to the committee over the last number of months, and I'd like to wish him well for the future. The next item of business is to decide whether to take item 6 and 7 in private. Is the committee content to these items in private? On the agenda item number 3, we are considering instruments subject to the affirmative procedure. No points have been raised on the draft cost of living, tenant protection, Scotland Act 2022, expiry of section 10, extension regulations 2024, the draft rent adjudication temporary modifications, Scotland regulations 2024, the draft national bus travel concession schemes, miscellaneous amendment Scotland order 2024, the draft social security uprating miscellaneous amendments Scotland regulations 2024, the draft social security uprating Scotland order 2024, and the draft local authority capital finance accounting Scotland amendment regulations 2024. Is the committee content with these instruments? On the agenda item number 4, we are considering instruments subject to the negative procedure. No points have been raised on SSIs 2024, 19, 21, 22, 23, 24 and 25. Is the committee content with these instruments? Under agenda item number 5, we are considering an instrument not subject to any parliamentary procedure. No points have been raised on SSIs 2024, 20. Is the committee content with this instrument? Thank you. With that, I'll move the committee into private.


Welcome to another video on my channel. Today I will be showing you how to capture awesome video by just using an iPhone. Hit that intro! Nowadays the chances are high that the phone you carry with you records video. I'm using an iPhone X that can record up to 4k 60 frames per second or 1080p 240 frames per second. I prefer to record in a 4k 60 frames per second because 4k gives me sharper image that allows me to crop in when I want to adjust the framing and 60 frames per second is enough for me to give it a nice slow motion look when played back on a 24 frames per second timeline and adding some image stabilization in Final Cut Pro will make it even smoother. Last week in my video I talked about that gear does not matter so today I thought I would challenge myself but also prove to you that even with a smartphone or iPhone you can achieve a great look. So with no further ado let me show you my process of how I do it. Alright let's first set the settings on the iPhone so we can record in 4k 60 frames per second and if you don't have 4k 60 frames per second then choose 1080p 60 frames per second. The important thing is that you shoot slow motion so you can slow it down in post-production to give it that slow motion look when adding stabilization it gives you even a smoother looking footage and because we're shooting handheld everything it can be challenging to keep your hands steady. So what you want to do is go to settings then select camera and here select record video and you have the different options and I chose 4k at 60 frames per second. So the next thing I do is I think about the location so I chose to be here it's a forest and there are a lot of interesting stuff happening as well. So the time of day we have is 12 p.m. usually I avoid shooting during midday because the sun is at its highest point and you get that harsh light on your face but because it's cloudy the clouds function as a huge diffuser softening that light so we can definitely work with that. I think this would be a great opening shot for the video I'm gonna make a revealing shot so what I really like are those leaves flowing on the river so I will also take a shot of that. There's a swan behind my back and I'm gonna try to take a video of that nice looking swan. It's a dog over there. Did you see that? I just got a really nice shot that's gonna look really nice. So in this shot I will record my dirty shoes walking through these beautiful leaves. So next what I want to do is take a close-up of those leaves and the nice part about it is that the sun is behind illuminating it from the back and I just love lighting subjects when the light is in the back. You'll see what I mean. So I picked this bridge because it shows the leading lines focuses the attention of the viewer towards the subject. I placed my iPhone on top of the tripod just to get a still shot of myself walking across the bridge and hopefully some leaves will fall off the trees to give that epic cinematic look. Alright so we are done recording our video. We're gonna head back to my office and import everything into Final Cut Pro X. Sorry about that. I actually decided to edit the video first so that I can show you the steps behind my editing process. So what I first did is I airdrop all of my footage from my iPhone into my computer to a project folder and imported all of the clips into Final Cut Pro X. Now a quick tip because everything is shot in 4k 60 frames per second my computer has a hard time editing it. So what I do is I create a new project that is set to 1080p 60 frames per second. After the edit I change the project settings to 4k 60 frames per second and export it in that format. The next thing I do is I select the best portion of the clip and set an in and out point and drop it into the timeline. I then slow each clip down to around 50%. Even though slowing the clip down makes the footage look smoother additionally adding stabilization will increase the smoothness of the clip. I then reorganize all of the clips so that it tells some kind of a story. For example I knew that the revealing shot would be my opening shot so I placed that at the beginning of the timeline.  I already selected the music that would fit the mood of the story. Music is one of the most important thing to consider because it enhances the story you are telling and makes it easier at least for me to edit. So I dropped the music into the timeline and shortened it to fit it to the length of the video clip. Now I also added sound effects that sets the tone of the entire video that pulls the viewer in. Now as I said earlier because we shot in 4k it gives me the ability to crop in without losing much detail if exported in 1080p. Now I want this clip to export in 4k so I have to be careful to crop in not too much. In this case the reason I want to crop in is to adjust the framing of the video to give it a nice composition. You want to make sure you compose your shot also before editing meaning during the shoot. After that I color correct all of the footage. I added a lot to the adjustment layer to give it a nice overall look. To make it even look more cinematic I added a letterbox to the whole video as well as some tiles and voila we are done. Once again I want to thank you guys so much for watching. If you enjoyed this type of video please leave a like and let me know in the comment section below. If you haven't subscribed yet please do so and I can't wait to see you in the next video. So I think that went quite well.


We are back in the scary elevator Oh my god, and we got the new killer rod, which is from ice cream. Yo, he's like pulling Brian.  Do you guys hear his cream? Geez. Oh, let's go inside the ice cream. Oh, is he coming in here? Dude, he is on top of the ice cream truck smacking people silly. Oh It's like he's stuck. All right, let's try to go up here. Oh And that did not end too well for us and as you guys can see I am dressed as Ronald And guys before we get more into this video I do have my new merch shirt out. Oh, you can't see it because he's blocking me This is one of my new shirts and I have another red one if you guys buy my merch and you take a screenshot of it And you like tag me on Instagram Twitter or whatever social media I will give you guys a shout out in my next video. All right, so we got a jigsaw here Let's go this way round it. Oh, dude. We just died to a strap Okay, so we cannot believe any of those exit signs there because I think they all lead you to traps no matter what What a trickster man. All right, so the newest floor is the ice cream floor as we just witnessed it Oh leather face. Hey, we haven't gotten leather facing quite some time. Let's go check them out. Oh My god. Oh, it's still the same old floor the same old leather face, huh? Oh Why is he on the ground? Yo, it seems like we caught him at the wrong time. Oh, okay now He is up and about chasing people. All right. Let's go over here.  I'm Ronald thug Donald.  I Will take you on Actually never mind because look at what this guy can do. Oh my god Yeah, pretty gory, right?  I don't think he even chills at all man. This guy is insane And we got the whole yeet squad here and we got the infamous captain Spinks with here today Shout out to Captain Spinks Stop Matt and the whole yeet squad. All right, so what is this? Oh, SCP 96 the shy guy. Oh and there he comes That guy always wakes up on the bad side of bed man. I swear. Oh, oh we got it's a p87 here That's cool shirt Brian. You're always rocking that shirt All right, let's go check out my boy right here skinny boy legend. Oh, oh my god. Okay. He is not happy to see us at all My god, there you go axle. That's what I'm talking about. He's training them in circles Anybody ever tell that guy to take a chill pill at all like seriously dude. Come on He's always running around mad screaming and smacking people left and right like they deserve it But I mean, oh well, we got the ice cream floor again. It's kind of strange Now we're getting the new floor at the second time and what recording it's almost like a miracle Hey, oh What what are you doing? Why is doing the Naruto run? Oh My god, you guys hear the screams Yo, all right, let's go check out. Oh, let's go look for the badge. Actually, how can I forget? Where is the badge? He might be back here and here is the badge Sweet. Okay, we didn't get a bad for it. I think he had this floor before didn't he? If I recall if I'm not mistaken. I think he used to have this door and he brought it back And how what do you guys think of my Ronald thug Donald's outfit, man? I think it looks pretty spot-on I should probably just add like a thug face or like an anger face so I can look more thuggish We got a handsome fella back there That floor is always funny. I mean that face Oh, it's my twin Donald Man, let's go say what's up to him. Hey my boy. Oh, man. Oh My god, I'm kind of missing that clown face that clown face would be awesome if they have I think they do Have it right. Hey put that big Mac down man. That is not a weapon My god. Oh, yeah, I forgot they have like oh, no, no, no Dude that was so close wait wasn't there an escape door here before? Oh, no wait, that is the creepy elevator I always mix up the elevators. I Feel like all the elevator guys should combine and make one like one mega super creepy scary Mega spooky elevator man. That would be epic. They all worked out one together. It would like Be the best elevator man. Okay. Who was it? Oh? Freddy Krueger Man Freddy Krueger's old juice man. That boy is all the crusty Like this is switch them up my god. Oh My god, he's chasing us. I'm sorry man. I didn't mean to say those things about you My god, all right. Oh, let's go for the hatch Let's try to get our points up not our deaths man because we have plenty of deaths already But as you can see I am close to dying Okay, six seconds. Can we make it? Yes. Can we make it one more time? I don't think so No, we did not make it All right, whatever man. We got plenty of points. How many points do I have? I have no How do you check the leaderboard there you go, I have 11,000 points. Oh, I'm first place Wow, that's a first nine reverse. I'm pretty impressed with myself, man. Oh survive Oh, it's one of these three three four treehouse floors. Oh my god Okay, let's go over here. No my coin. Oh, it's Jason. All right, let's go down here.  Yes, he ran away. Oh, but Danny lover did not make it Well rest in peace to Danny lover I like this kitty song now. Oh, sorry guys. I just like it up in here today like a thousand times I was about to get lit to it myself. Oh, no the saxophone the spam get away, please. You're gonna make my ears bleed, buddy. Oh And we got a classic floor gets 666 Man, this boy has been the same forever, too. It's a tiny member when I started playing this carry elevator. Oh No, he's coming. Why won't the hatch open? Dude, it's not opening you slashing everyone. There you go. Come on. Oh, no, dude. It was way too many of us. It wasn't teleporting us. Oh My god, check your cheese for my birthday. Is it check your cheese going bankrupt? I mean that's what I had last heard which is kind of sad because check your cheese man. Come on How can you let that go bankrupt like all those childhood memories just like what's got toys or us But I think they actually revive toys right guys I think last time there was only like a few stores like very minimal up in now because they were going bankrupt as well Oh, oh my god, we got suicide Squidward here. Mr. Squidward what happened? That boy drank some rotten milk spoiled milk and that's what happened to a man. He turned insane. Oh No, he keeps appearing and disappearing and he gets closer every time. Yo Oh Squidward what happened to you Squidward? Oh My god, okay Come on super poopy. Why'd you walk up to him? Now super super brigh What is wrong with these guys? It's like they got his death wish or something man Why would you walk up to suicide Squidward knowing that that boy will take your soul? You gotta be crazy. Does he have a tire on his back? Is that like a tire? No, it's a shield. That's pretty cool shield. Oh, I think that's part of the new event that's going on. Oh my god Where is he at? Okay, mr. Leatherface. Oh Wait, I hear him. Oh what he just appeared out of nowhere. Oh my god, red bendy. Oh All right. Nope. Okay. Now.  All right. Um, oh My god, this guy's just gonna spam the saxophone Let's see who we got here and see ISM man. That seems familiar for some reason. Okay. Um, smile.  Oh my god, this guy's pretty OP It might be like the most OP killer in the scary elevator Because he does jump everywhere. Oh, no, he jumps everywhere.  We're clown brothers Do you not see my clown outfit, man? All right, let's go over here back in the elevator All right, so so far we got to the rod floor twice So I mean that's pretty much it. We got the new floor. Let's see. What is this? Oh, it's Sonic EXC. Oh Sonic oh, here's a badge.  I Just jumped down I had no clue. He was right there. Oh, like somebody burnt tire here.  It looks like your leads up. It burns more when you walk on it. Yo, that's pretty cool No, it leads you towards the killer's new river killers. Hey, why is there a box here? Get that box out of here Just equipped it and then equipped it Did they add that to the store? That's pretty awesome. I might have to buy that sometimes All right basements. Oh This cannot be good. I mean we're going to a basement, right? Oh This is the dead by daylight floor. It's got to be Michael Myers. Oh My god, wait, did they make him faster? Oh my god, that boy's got some quick feet now. Oh My god, all right, we got to be careful with Michael now It seems like now he can be an issue because it seems like they Actually moved his feet up a little more than he used to have it before. Oh My god, yo, all right. Oh, oh, yeah Yesterday I actually placed him dead by daylight and they actually had the pyramid head update from Silent Hill That was pretty neat. Even though I did not get to see the killer himself yet I can't wait to see him Because I know it's gonna be pretty epic. Oh Super poopies moonwalking across the sky. I mean over the elevator That's a paranormal activity stuff, man. Hey, we're going to granny's house Do you want to play hide and seek? I kind of misplained granny, man I'm not gonna lie especially that granny tool that I had that I played from that guy that made it himself No, we're slender man and slenderina came out. Oh, we're stuck out here. Come on Granny, this is not cool. All right, you guys. Well, this was a scary elevator update as we can see Rod was a newest killer Well dishing actually think they brought him back unless they it was from the creepy elevator. I'm not sure man I'm always mixing them up It's not my father kind of similar sometimes Broken down and whatever man, but you guys what if you guys enjoyed the video make sure to slap the like button If you're new to the channel make sure to subscribe and turn down the notification bell on and I will see you guys in the next one Bye