Teaching. It's frustrating, exhausting and a whole lot of kid wrangling. It's also rewarding, eye-opening and will give you more patience than you ever thought possible. I had no idea how much went into this job. One day when I'm in Forbes 30 under 30, I'm going to personally send a Tower of Ferrero Rocher to every teacher in the world. This job is a huge responsibility and it's more difficult than I ever imagined. I urge everyone to dip a toe into the teaching world at least once. I've taught English and South Korea for two years now in both the open countryside and bustling city. It may not seem like there is too much of a difference, but there are a few things to keep in mind before deciding whether to teach in a rural or urban area. One. Student body size teaching in city schools is like teaching an entire village of aliens all at once. It's a lot more difficult to manage that many kids all at once, but it also gives a lot more opportunities to play games that don't work in smaller classes. Ever tried to play Four Corners with four kids? It's a certified snooze fest with no alarm clock in sight. Get a big open room with 25 kids and it's the best game in the world. Another thing is each grade could have 4 to 5 classes with 20 to 25 students in each class. This means 80 to 100 students per grade. I teach grades 4, 5 and 6, which means I teach 300 kids. 300. Just imagine 600 I staring up at you expecting all the answers. Two. Private institutions galore academies, hagwins, private tutoring. Whatever you want to call it, it's rampant in big cities. Almost every kid goes to one, whether it's for English, math, science, knitting, basket weaving or logging. You name it, it's there. In big cities, all my students go to at least one academy every day. Three. Varying English level students tend to be higher level English speakers, which makes teaching, communication, planning, and the overall kid-rangling experience a million times more fun. That being said, teaching in a bigger class means some of the lower level munch can slip through the cracks like that long lost favored pencil behind the desk. It's always something I have to keep in mind while teaching so that I can accommodate activities. Like writing the English pronunciation in Korean. That way, everyone is learning and no one is left out like I was at my old high school dances. Four. Student life I'll be honest, students are a lot more stressed in the city. There's bigger pressure for top grades, more competition between students and generally, they're more exhausted. Make lessons more exciting and active to keep them interested and stop them from dozing off like they're watching an episode of Ghost Whisperer. Have them stretch before class, play TAPR games, solve a warm-up riddle, go for a run around the city, lasso a stray cat, electrocute them, whatever shocks them awake. Five. Scheduled gymnastics schedules are held tight and everything is mapped out to a T. In a school with 3,000 people, timing is everything and if things are not orderly you could end up with 3,000 students lost in the hallways wandering around, playing pin the students with the world's largest safety pin. Nothing usually changes last minute and most plans are as solid as carbon under pressure. My school has moved classes around maybe once in the past six months. I never have to worry about walking into school only to find out I'm teaching grade 4, grade 5 and a rocket building class. Six. Outdoor kids spotting. I see some of my students, old and new, outside of school at least once a week. In grocery stores, in markets, on the street, at the bus stop, under a park bench. It gives me a chance to meet their parents and get to know them on a more personal level. Not gonna lie, it's also a great opening for class when all the other students are curious George-ing over where we saw each other. Seven. Community involvement since at such a big school, the only people I really talk to are my co-teachers, students and the scary looking puppets I use for teaching. Once a month, there is a mandatory school dinner and it's one of the best no-bucks spent hearty meals I get for the month. It's also nice to see the other teachers in a more casual setting instead of the super professional, suit-clad school setting. Eight. Busy bee since there are so many students in little involvement, you're not as busy. There's a lot of time for lesson planning, online courses, suit-o-coo and cross-stitching. This is never a bad thing and my cross-stitching skills could definitely do with some practice. Nine. Getting to know your kids can you imagine memorizing 300 names? And in a foreign language. Sometimes the name is different by one sound like Yoon Jial and Yoon Kyler Minjoo and Minji. If I had one pasta noodle for every time I've messed up a name, there would be enough for a lifetime supply of spaghetti bolognese. One trick I've learned is to have the students write their name on a cue card, laminated and have them raise their hands with it. Easy PC, all the names almost kind of sort of sometimes learned. Rural teaching. One. Student body size. Schools are much smaller in rural areas, which means class sizes are also tiny. There's typically one class for each grade and each class in itself has a small number of students. My grade 3 class had 15 students and my grade 5 class had 4 students. The entire school had 80 students.  Two. Private institutions galore instead of academies, students tend to go to free after school classes for music, English, robotics, or raft building. That's not to say students don't go to academies but they can be too far to expensive or there is no transportation. While teaching in a rural town, there was only one bus that came every 30 to 45 minutes and stopped running at 5 p.m. Unless the students have a parent to drive them or spaceship, it's almost impossible to attend an academy. Three. Varying English levels students don't always have accessibility to academies or the same level of motivation to learn English as the city kids. They could be more low level if not zero level students. That doesn't mean all rural students are low level. I've had a few students that I can hold a full conversation with. As a rural teacher, you need different activities that aren't too easy for high level students or too difficult for low level students. That being said, small class sizes means students don't fall through the cracks easily, it's as easy as spotting a cow in the middle of traffic. Four. Student life imagine the country. Large plots of land, cows, tractors, lemonade. The pace of life is slower and more relaxed. That's exactly how the kids act.  That being said, because it's of small class, plan more activities outside. I've done science experiments, gardening and even practiced a Bollywood dance for a school talent show. Keep things diverse, kids love being outside, so take advantage of the small class size and teach or do activities outdoors. Five. Flexibility and last minute changes things are always changing in rural schools. Classes, events, field trips, pinata parties, something new is always popping up. If you like routines, this isn't so great. It can be stressful, frustrating and confusing. I've walked into school for a 9am class only to find out everyone's away for an overnight trip and there aren't any classes for two days. It's annoying sometimes but use the time to plan an award winning lesson for when the kids come back. Six. Outdoor kids spotting the town I lived in had a population of myself, my neighbors and three stray cats. By that I mean it was really small. It was rare to see any of my students outside of school and it was always a welcome surprise if I did. Seven. Community involvement there's always something going on. Sports days, talent shows, lantern festivals, hiking trips, swimming classes, birthday parties, cooking classes or boar hunting. I used to walk into the school and find the students doing crazy things like grilling pancakes with edible flowers or making songpyeon, a Korean rice cake sweet. As a foreign teacher, the staff and students love it when you join in and some of my best memories don't even include English class. Eight. Busy bee with all the events happening eight days a week, there's always something to keep you occupied. Whether it's helping out with setting up for the talent show or making paper crane garlands with the kids. Nine. Getting to know your kids' small school, small class sizes. It's easy to memorize names when there are only five students in grade one and ten students in grade six. One tip is to read their names off the attendance sheet at the beginning of class. The kids get a kick out of you reading their names and trying to pronounce it correctly and they love correcting you and laughing at you. Ten. Cultural excursions There are cultural excursions or activities going on at school all the time. A hiking trip, overnight trip to Planet X, gardening at school, camping trips. Keep that in mind because excursions tend to pop up at the last minute and the teaching schedule could change at any given moment. Are you ready to teach English in South Korea? Each one of these experiences is unique and as always there is something to learn from everything. If you can, do both or choose what works for you or one that scares you. Teaching in Korea is one of the best experiences I've had and it's something everyone should try at least once. Apply now for your TEFL TESOL certification course and start teaching in a matter of months or join our combined course with ten days teaching practice in Seoul South Korea. Speak with an ITTT advisor today to put together your personal plan for teaching English abroad. Send us an email or call us toll free at 1-800-490-0531 to speak with an ITTT advisor today.


Harden me while I make things perfect for you guys Well perfect as I can Harden the mess I've been doing all the things all day So anyways how are y'all Having an awesome day a super hope so I Have been doing inventory today because I just got just resin in yes Heard me right. I finally got some just resin stuck in titanium white is in stock and all of your other favorites, so Just so you know Yeah, so let's get started I did this Piece earlier today, and I thought it was super cool I'm doing a video on it. So I have no fear. I will be doing a video a Time-lapse video on that one all right What's up everyone? Sorry about the shaking If you're interested in this tumbler Spinner I got it on Amazon Shocker Pretty cool because you can break it down so that the size that you're Tumbling I guess is Changeable So I don't know if you guys have done tumblers before but in case you haven't I'm gonna go over some of the basics. It's a great Gift idea and since Christmas is coming up and there's family stuff happening. I figured Why not do something that's a very Family-oriented, you know, I turn a light on Hello, hello everybody, thank you so much for coming in and seeing what I'm up to and My little shop So if you've never done tumblers before We always tape the edges So that nothing that is on your body or in your body Comes in contact with resin Yes, I know that some people say that it is FDA food compliant after a Full 30-day cure Some people disagree. I am not a scientist nor a physician. So I'm of the idea better safe than sorry So I'm better safe than sorry-ing Oh Pro tip I always fold under my the end of my tape so that I have a little tab to pull on when I take this tape off so Did you all look great today? I hope you did We did because we got inventory in I got Three and a half cases of just resin no just resin resin yet. I know I'm sorry Soon I'm assured and so You guys have colors that you've been waiting on from me Then get in while getting's good. I already have a re-up order put in though So that the time between orders isn't quite so Long Super apologize for that, but thank you guys for sticking around with me so The resin I'm going to use today is stone coat art coat Um For a lot of reasons the least of which being I don't know if I'm going to leave some white visible And just in case I decide to I want something that will Protect my white color And stone coat art coat has a whole bunch of hauls and other uv Resistant-ness in it All right now I just stuck my finger in some old resin. That's awesome. So Let me take you guys down for just a quick second and show you The this Some of my blue traveled, but I'll patch that up, but you remember not too long ago show you how to make Um bubbles with some mod podge This is what you can do with that Finally, you can make a tumbler with Seafoam bubbles And so I am doing a video on that currently Nope There we go And it should be done tomorrow whenever this piece is done curing I'll be able to post it So Yeah, here's how we're gonna do I want to do one of these with some I hope you're not getting tired of foils because I'm not I'm going to put this under um Some tints from color obsession Okay That was silly of me to take it off the this I didn't mean to just carefully. Please don't make me undo it all There we go That fit is not quite as snug as I would like but It'll be fine When your foam piece is this loose You just have to make sure that when you put it on the spinner That it's not leaning this way or the other way All right So Give up. All right Let's start with some this I need a trash brush I'm really good at trashing brushes So there should be a lot of them about but I guess I've already Trashed them to the point of no return and they have Left me so I'm going to get a foam brush. All right. I'm not going to take it off again because It did not turn out in my favor Last time I'm going to zoom you guys in on the one I'm working on Without too much movement All right, so I'm just starting at the bottom And kind of a rough brushing This adhesive on the adhesive and the foils I'm using today are from artistic painting studio And I'm told my link isn't working down in the description box. So I will fix that for you guys This is going to be hard to tell if it's like dry or not since It's on white so I'm just Sporadically putting this foil adhesive down In different areas So that there's kind of like what we did on yesterday's live Just patches of The foil. I don't want full coverage However, I may have inadvertently Done full coverage. We'll find out together in a little bit What's up? What's up everybody? I hope you are still doing great tink I have adult great juice with me today All right. Well that one is Drying a bit. Let's work on this one. Awesome of my bubbles from doing this is left in my spoon How fun? I wonder if I could peel these off that if I did jewelry or a bezels or whatever I would use that but I don't All right, this guy What are we going to do to that guy? I might actually Also add foils to this one, but I think I'm going to add cheetah foil this one Double tink. So glad I'm not that's not see this is my bubble foam blend I'm gonna get that off of my this I don't know if they mix well so now I'm gonna do just like the other one And I think on this one I'm gonna do kind of like a peeky boo Peeky boo. I don't think that's accurate peekaboo kind of look with the foils You'll know what I'm talking about when I do it Now you don't want to put this adhesive on too thick because It'll just take longer to dry, but you don't want to put it on too thin either because It's too thin and then it just isn't going to accept the Foils that well I learned that the hard way Just trust me Now there's not a whole lot to look at with this part, but I'm literally Five seconds from being done with this bit Thank you guys all so much for coming in I'm gonna assume that everybody else isn't here right now because they are Shopping in the ATD store because we just got a restock That's what I'm gonna tell myself. Okay So we need this stuff to dry So I'm gonna use a low heat or no heat really to just I should have done this part before the live, but I've been doing inventory It's getting sticky already G look it's almost like coming up with my finger just for good measure See there's almost no heat to it I'm gonna have to use the fact that once the stuff is dry to attack It's not really shiny anymore and that's gonna be I guess my measure For when it's ready is this just not gonna be shiny anymore You know what I can do while that is drying is mix up some color I'm going to well actually made too much resin for Just two tumblers, but Is what it is The first one I'm gonna do is going to be I went ahead and mix this resin so you guys don't have to sit and watch and wait. What's up, Emma? I think I'm gonna do some white as well Good luck, Joe Oh, you have another eye surgery Well for real good luck I know it's gonna be amazing I'm still mad about the foil demo. Yes. Yes. I did go buy some aka more than I should Jenny well if you see some that you Don't want That come to you. I will gladly hold them for you. So I'm gonna use purple topaz I Don't want this to be super dark So I'm doing just two drops at a time And I'm also using aqua And I'm gonna put a little bit of the shooting star aka milky way in So that the piece has a little bit of sparkle to it because a little bit of sparkle never hurt nobody And you can fight me on that So these tints are translucent. They will never be opaque no matter how much of them you use and You can build the color to be darker or lighter depending on how much of the product you decide to use Do it at purple topaz is I actually think I want to make that aqua a little bit more blue. So I'm going to put a drop of bondi in there I expect to have my color obsession Pigments in very soon Oh and so You'll be able to get those On my website soon But the purple topaz and aqua are both in stock right now as we speak at least as of posting the video I'm going to use some titanium white For a bit of color balance and this I have 80 units in stock while that sounds like a lot They will only be in stock for The week but I already have some more on order but still Can we get a link for the tumbler thingy? Yes, you sure can Give me a moment and I will add it to the description box Okay, let me take my gloves off. Okay Feel sticky to me. I don't know what this color is called Actually, yeah, I don't have no idea and I'm not even sure which way it's It's supposed to be used because it's just pretty on both sides. Okay, we figured it out So I'm going to stop my that from swirling anymore And we're just going to go for it No I got to be careful because They're sticky on my everything All right, I'm going to use my vinyl squeegee fun fact This is called a squeegee and I didn't know but it is And just press this down All the way around It's not going to go all the way around But that's fine. I'm just going to pick it up and adjust it as we go Started taking my this off with it and that is unacceptable. So we got to put that back down Awesome. So it's looking exactly like I wanted it to very broken kind of a shattered Sorry for that movement This is just going to be a great kind of underpainting for the tints that we just made up Try not to peel off My tape again just filling in some patches that Still have some sticky showing I think we pretty much got it all I hope you guys are enjoying all these foils. I'm using lately because I am having such a great time Exploring what these foils can bring to my artwork my tumblers my countertops basically everything that we do in house here um Can be kind of added to with These foils, which is amazing I have loved learning these It's a little bit of a learning curve, but hopefully I am Picking up all this black on that so you guys don't have to All right, this is where we're at That looks fun. Let me bring you guys in for a close-up And turn it on because it'll look more fun that way Now that one would also have looked really cool if it was um solid as well, but So we're gonna go ahead and do this one and let my other foil adhesive set a little bit longer sticky does get everywhere, but that's the nature of the sticky A sticky on my everything. I listen it. It just is so It just is okay Love it. Love it. I think Let's just go for it, you know When you do a tumbler because of the nature of a tumbler and the fact that it tumbles um Your colors are gonna ultimately kind of move and Mix with each other So make sure when you do a tumbler if you do a tumbler they're using colors that should they mix together they're gonna make An awesome color and not a gross color. For example, I would never do like a purple and a gold because If those two colors were to mix they would make a not very pretty secondary color So just be mindful of that these colors when they mix it's just gonna make a darker more awesome purple So it's fine A lot of people will put like a A tray or something under The piece to catch all of this runoff Totally can do that A great idea I personally Just don't have that big of a market for trays and things of that nature. So I'm not gonna do that, but it's definitely a viable option Now i'm just making sure there's no dry bits Trying not to mix the colors, but they're gonna end up mixing on their own anyways, so It's futile to Try to keep them from mixing. I think I use the word right All right, I think we have all of The open areas covered So now the question is should I incorporate some white or Nah, what do you guys think? So you can pick up resin from the fallout if your surface is clean Mine is Probably clean because it's a new-ish piece of paper, but just Be wary of that Oh, we had a troll We haven't had one in a while all right Well, sorry grandma Not my grandma if you guys didn't see been good But that was a screen name You think thin white lines I can't guarantee that they're gonna stay thin white lines, but Let's see what it'll do Okay, why am I nervous? Okay, that wasn't thin So since I don't know what a thin white line looks like I'm just gonna make it Thinner these lines will not stay straight they're gonna end up kind of Moving In and around each other kind of swirling much like this guy over here, which is fine I'm interested to see what it looks like because I already know how awesome it looks when The whites that we use kind of roll under the tints that we use So this is gonna end up looking super rad I just don't know to what level rad it's gonna look all right Thank you mods. You guys are amazing Oh, yeah, I could have put a coaster under it. Maybe we'll do a coaster under the next one So practically wibby wobbly Timy wimey stuff Yeah exactly Tink. All right Let's see Well, we're gonna do I think I'm gonna use this kind of Damascus Esk print Again, I don't know what these colors are called On the website, but it looks like Damascus. Yeah, I think pretty sure. I don't know Let's move the resin I'm gonna fold up My sticky is everywhere well We are so glad you are here first time watching an all Don't know how smooth this is gonna lay out because it's already folding anytime you use A foil on something that's not exactly round You run the risk of some folds And that's okay So what do you guys think do you think this one's gonna look pretty cool or kind of silly? I know. I think this one's a pretty cool one Bye sue Have a great show. Okay, just one more Sorry if I'm shaking the camera one more pass With our squeegee and then we'll peel it off and see what we got Hopefully something cool. I didn't check to see how sticky it was or wasn't before This moment. So I'm nervous I think it's gonna be cool. Okay ready So I feel like this would have been a cool one to have not the different kind of brushed look Because it would have been I just stuck my whole hand Where's my this? I know it's around here somewhere Did it melt in already? That's convenient. Yeah, there's no sticky there or there This definitely may have been a cooler one for full coverage Oh, well, thank you sherry. I hope that you love these foils the way we do I think I feel like I shouldn't use color on this one because it'll Because of the kind of copper undertones in it. I'm gonna save the rest of that one Should I brush over it and put another bit of foil in the open areas? What do you guys think? That's true Emma, but she did have um, doctor's appointment today. So she's probably a bit sleepy Hi my bobo Can I sneak past you? That's my good boy Okay Should I do the same foil? The foil we used on the first one Or a different foil by the way This is what the first one doing wait. There we go. Vamp is there Thank you, vamp. Go back to bed. We all love you get some rest Okay, so which foil should I use the same kind the one we used on this one? Looks like this or a different one all together Either way, I'm gonna go ahead and start adding the foil adhesive Ooh, it would add 3d effects. This is true very true Oh, wow, joe. That's a lot of pt. All right, so let's be specific with where we're putting this foil batch Nope, this adhesive batch We got some there JJ I did not know What that abbreviation was for but I was like JMT. Oh just my juice. I get it. I get it Make sense So the issue with using the same foil which I will do if that's what you guys want to do is that because it's such The issue with using the same foil Is that because the pattern is so distinct there's Lines that line up specifically I don't know if it'll just muddle things If I use the same pattern Or the same foil because the patterns aren't gonna line up Or what? You know what I mean jelly beans Yeah, my phone just told me I was at 10 percent. My bad. My bad for the freeze So I remember you would what? Would different foil or Or what I know it looks kind of frozen now, but okay, let me just make this spin so that It doesn't look frozen Lisa, how are you doing miss ma'am roll tide roll tide? Hope you're good Okay, so I got different foil. That's the only Response I've gotten from y'all Okay, I have one same foil and one different foil But you guys understand what I'm saying about the this not lining up All of that pattern two same three same All right, y'all have till I'm done drawing this piece To decide if same or different foil Four same and one different five same and one one color foil. I think a one color foil would look good too, but Majority is gonna rule this one. So if you want one way or the other type your vote in Add more gold to it. I can add some gold into the um Maybe into their resin Different okay six same three difference four difference up Six same four difference Maybe I'll do both the same and different Maybe I'll do up like a color pop and then also The same foil. So what do we got for color pop? This looks like a color This I've just now decided that I need a way to organize my foils. I never thought I'd have to organize Sheets of foil, but I'm pretty pumped about it because They are awesome Okay, I got a pretty awesome color pop ooh Okay, I have a lime green And also this chameleony one So which do you guys think the lime green or the chameleony one? These tumblers are metal. Yes Check in on our first guy looking pretty cool. Oh my goodness. It's almost the same Two limes in one chameleon. What's up jackie Go crazy. Okay. So let me go get the lime and I go crazy still I haven't used okay Well, that doesn't say much to say that I haven't used much of the solid color ones Doesn't really say much because I haven't used much of anything If tutor was here, he'd be like lime a lime all day tutor loves him some blue yellow and bright Like colors like green Whoops. I just cut a rose gold too also Ooh, okay. I'm gonna have to cut some more of this. I think Let's just kind of like patch some in. Yeah I think this is gonna look really cool You guys have the best ideas Oh my goodness that worked To like just do a line See just pulled off that line right there Me too. I just done getting a little bit more hold on Dan in the house. What's up with the Joey is in there living his best life. I don't know if you guys can hear him Okay, you guys have the best ideas. I am no longer ever again going to do anything without consulting a fan On color stuck on there the wrong way. That's not helpful We're just gonna do this until We can't anymore and then we're gonna add The same foil down and just fill in whatever areas we didn't get with the green Yeah, yeah cool first foil I'm gonna cut this so I can control it better Calm down big boy. So let's just do this all the way around. Here we go. And then we'll just Hi gail How have you been? I hope you are good Yeah, the line was a great idea. You guys win on that one for sure For sure for sure for sure for sure I don't know if this added anything I don't know if it kind of did Anything or nothing. So either way loving how it's looking feel some sticky leftover, but Digging it. Okay so I maybe we don't add color to that one because We just did, you know If we added some of the colors we mixed up, it's not really gonna do anything Gonna have to use that phrase JJ. What? Toxic Tamascus toxic Damascus is forever now what that's called And I'm here for it. So let's mix some Resin into nope some milky way into our resin because You can't have Awesome without a little bit of sparkle. I don't think Toxic Damascus A little bit of sparkle Because reasons All right, let's do this So I'm gonna just kind of ohy He is having allergies from seasonal changes And our vet told us he has a minor collapsing trachea. It's part of the breed But because of that his allergies are um aggravated More easily than it would otherwise. So if you hear him coughing He's fine. He's on meds for his allergies He said it might get worse when the seasons change and different pollen is in the air And honestly he hasn't coughed in a while BAM Be come see my toxic Damascus JJ named it We're gonna hit it with some heat not a lot because if you do it's gonna make Your resin run and the idea is to keep your resin on the piece But we go lay down big boy Okay, let's zoom you out We can see all the pieces Yeah, allergies stink even for fur babies. It's true Very halloweeny Yeah, you see that. Yay toxic Damascus Yay toxic Damascus Bowie Let's lay down big boy So let's look at all of the ones we've done. Sorry about my palm up close This was the first one. You can see that the white is very traveling Very traveling Words what do you guys think should we add anything to this some darker blue or darker purple?  What's up? This one we did not do on the live, but I will be doing a video on how to do textured Ocean waves And then our toxic Damascus Which turned out to be one of my favorites if we're honest right now because how rad does that look? Super rad I may keep that one. I'm just playing with Bobo to keep him Oh distracted from This little big boy cough so What do you guys think mo purple if every if anything the first one you made is my favorite by far This one This purple and aqua Will those be dishwasher safe? They will Purple's my color. Listen. Purple's my jam. I know it's your first live, but in case you didn't know Purple's my um favorite color So If you guys think that these are good to go Then i'm gonna say they're good to go You have Another couple seconds to tell me if you think any of them should be adjusted it anyway i'm gonna go ahead and add the um something the tumblr turner To our amazon real quick while y'all are deciding While that's loading. What do you guys think of my? Pumpkin geode that we also did this week. They look geody to look pumpkin-y Super easy to make Love it. Love it. Hi big boy.  Well, you're being real bossy so add to list Okay, I have added it to Our influencer list. So if you look under This video down in the description box, you'll see okay big boy You'll see all the things that we use on this channel that I don't carry in my shop Joe Talked it toxic me something dark um It could use something dark. I'm gonna leave it light on this layer And we'll add something dark Maybe purple in the toxic Damascus. So if I could keep the purple vertical like the Green is doing and the Bowie come here you want to come up say hi come here Come here If I could keep the astriations vertical Then I would I would totally do it if I could keep the striations vertical, but since I can't It's something I'll have to add in post Like after the resin is cured But we're gonna say hi hold on You could say hi Okay In case you guys haven't seen my big boy. He looks like this Bowie, they can't see your face if you're giving me a puppy kiss.  We've missed you Your website's gonna bankrupt me once I allow myself to get started shopping I sent out a lot of really good sales. So okay Bowie So maybe Okay, okay Maybe not too broke Thank you. This is my big boy.  Emma Thank you guys. Thank you. Thank you. Thank you. Okay. Okay, Bowie. That's enough Uh a foil is what I was thinking. Yeah Um, so maybe I'll add some purple foil striations on the next layer No, he is definitely A licky kind of puppy. So I'm gonna take this Tape off The cool thing about okay, so I just added this six tumbler turner to my description box under this video Uh the amazon link will take you to everything that we don't sell on our site, but use on our channel and Um One of the cool things about this on top of the fact that it sticks I can control each and every one of these with its own on off switch and I can reverse it So on this one, I need it to go the other way so I can Take the tape off see how the tape is this way. I want to I want it to go the other way So I can turn it off and back on and it'll go the other way which doesn't seem like it would be That big of a deal, but When you want to take tape off the easy way without stopping your tumblers that Is a time saver and Anytime there's a time saver. I'm a happy camper Yes, it is a very serious turner. I I got this for when we were Doing tumblers for our wedding. We did 72 tumblers For the guests at our wedding But it was worth it because it saved me a lot of time anyways, you guys I have to jet and I hope you enjoyed this video Uh subscribe to my channel if you want to see more resiny or artsy things I'll have this video posted tomorrow or the next day of how I did My frothy textured Look at the texture of my my ocean wave. Oh, I'm gonna have to touch that up But look at my frothy ocean waves. Yay Um tomorrow the next day anyways I hope you guys have an awesome day and we'll see you guys tomorrow You can find these pigments that I use on my website artist tilde dot com. Thank you jessica It was the best day anyways um So, yeah Thank you guys for showing up and seeing what we're up to today all of my new subscribers and old subscribers You guys mean the world to us Have an awesome evening and we'll see you guys tomorrow. Be kind of one another because you never know what someone's going through I always remember we do the test Because we do the test So you don't have to and we'll see you guys next time. Bye


It's rape.  It's disgusting. It doesn't turn me on. I'm trying to stop it. Jerry, how you going mate? What milk do you got in there? Oh no, Starbucks. Is this dairy milk? Yeah. Did you read the sign? Yeah, yeah. They're against milk. It says dairy is the rape industry. Proved me wrong. What do you mean by that? Okay, here. This here is an electro-ajaculator. They hold a bull down in a rack so they can't move and they stick this in their bum to send an electric pulse into them. See, it's trying to escape there. What's the idea of that? It makes them ejaculate so they can take their semen from them. Okay, and what's it have to do with the milk? Okay, so the next scene here, they have a female animal. What they do is they put their hand inside of a rectum basically. So they can hold the cervix here and then they put a prepared bullet. That's where the semen goes. Into her vagina. So what's it have to do with the milk? Cows have to be pregnant to produce milk. So they need to have a baby. Okay, so they get them pregnant. That's the whole idea of how you could produce the milk. They have the baby after a nine month pregnancy? Okay, I love cheese. What's the alternative? How could we have cheese without the milk? That was quick. No argument. So what happens to the calves? The male calves will be bulk-gundered in the head sometimes on their first day of life. They won't produce milk. Dairy industry don't want them. They sometimes grow them for beef. The cow, once she stops producing milk, she gets turned into burgers and killed. Okay, that's what happens to her after about five or six cycles. Well, I don't eat beef, so I'm on board with that. Okay, so alternatives are any of the plant milks. Soya, rice, oat milk, almond milk, cashew milk. The cheeses, all the vegan cheeses, plant-based cheeses. How does it taste, pretty much the same? If you find the right one. Like, I'm not going to say they taste exactly the same. You go from some Stilton cheese and try to find a vegan version. But they're pretty good. They're pretty good.  But yeah, you'll avoid this. Yeah, sounds good. Why does it taste like cheese? I don't want to give up cheese. The first one I tasted, I was like, ooh, I don't know. But then you moved through. But let's just say you didn't like the taste of the vegan cheeses. Would you continue to pay for this to happen? Would they still buy cheese? Yeah.  You'd say the taste of cheese outweighs this suffering and death? Well, you know, I'm not any suffering, any death or anything like that. But maybe they could find a nicer way to do it. How do you do this nicely, do you think? I don't know. I know. But if you could make vegan cheese, then perhaps you could find a way to better impregnate a cow. Yeah. Because they're not consenting, they're exploiting these animals and they're killing them. So this is all part of the process? I'm not up to killing anything. They have to. Yeah.  No, but they have to kill them at the end of the process to let the new cows come in. Otherwise they're just going to have billions of cows. Well, but... Because they keep breeding them and breeding them and breeding them and breeding them.  Well, it would be nice if you could put them somewhere out to pasture and let them live a natural life and die naturally. That would be more humane, I would think. Yeah, but then we couldn't possibly do that. It's just impossible. We don't have the resources to look after 100 billion cows. There's 70 billion land animals on Earth right now that we are using to exploit and kill and consume. There's only 7 billion humans. Yeah, there must be some form of something they could contribute. Fertilizer, whatever it happens to be. There's not enough land or food or water to feed all these animals, you know what I mean? There's a lot of land out there. There's a lot of land. Yeah, but grazing animals are taking up most of the Earth's land already. So if we didn't kill them on top of that, and we're killing them, but if we didn't kill them on top of that, then it would just... It would just spiral out of control. There's no possible mathematical way to produce all of these animals and let them live out their lives, just for milk. So you're saying that it's...   Well, the thing is, these animals outnumber us by 10 times. So if we stopped mass breeding animals for milk and eggs and meat, then that number would dwindle down, and then we'd have more than enough, you know, population growth space. We have more than enough food. Do you know how much food and water these animals need for the dairy and for the, you know, they've been fed tons and tons of grain and water? We could use that grain to feed the starving people on Earth. But even though you say your favorite cheese, that vegan cheese didn't taste like your favorite cheese, right? You would still support this industry because you couldn't give up your favorite cheese? I don't support any suffering, put it that way. But if there's cheese in the store and they don't find a solution, you're saying, yeah, you're saying that if nobody did it, they wouldn't have the cheese in the store. So industry works. Drug dealers don't sell heroin unless people buy it, you know? And if you stop buying the cheese, these animals stop being exploited and killed, yeah? Yeah, you got a point there. If enough of us boycott, I mean, dairy industry is already looking a little bit because people are finding alternatives and finding out about this, and the alternatives are pretty good, you know? I think you got to start developing a good tasting cheese that's done from plants or whatever you do, lassoia, whatever. Where are you from, America? New Jersey, yeah. New Jersey. America's got, I'd say there's probably more options in America for vegan cheese. So what I would suggest is if you try one, don't let that be the end. There's about 30, 40 different types, and they're easy to find. Whole foods has got a bunch, but find the one you like. Right. And just know that, okay, when I buy this cheese, it's just plants.  Well, thanks for your concern. That was talkative, Jerry. You're a good man. Thanks, brother. Okay, thank you. That's me. And Starbucks, do soya milk, almond milk, oat milk. The only thing is that some of them has a lot of sugar. And I'm a tech too, diabetic, so I don't know if the soy, the other ones are less sugar.  Yeah, this is dairy. Yeah, full, it's got lactose and saturated fat. Yeah, it has sugar also. Yeah. You should check out Dr. Neil Barnard, reverse diabetes. Okay. With a plant-based diet. Yeah. Saturated, yeah. Dr. Neil Barnard. Okay. Yeah, check him out.  Yeah, thanks for the advice. Take care, brother. Thank you. Watch him all the time, man. Hey, brother, how are you? Good job. It's good to see you. This is it. Yeah, yeah. Hey, brother, how are you? Is this applied to camels as well? Like, you know, when they milk cow, camels and what's just the camels? Oh, the camel dairy. Well, first of all... I've got reindeers and stuff. Well, let's talk about the sign. What do you think about the sign? Do you agree or disagree with what's on the sign? I don't agree with it at all. You don't agree that it's right? No. Okay. Well, let me show you... It's got something to do with some sexual things, isn't it? Well, let's have a look. Do you think they're sexually abused in the town? Well, let's have a look. Okay.   I mean, doctors consenting... She's consenting... Adult humans are consenting when they have these procedures done. Yeah. Yeah. Where is the consent from the male animal that has this done to him? What about other... Do you know what he's doing here? Yeah, I know. They get this sperm. All right? How did they do that? They let you through the anus. Okay. So what's your aim? Is it to shut down the whole cattle industry? What is your aim? You tell me. Are you a farmer? Are you a dairy farmer? I was brought up on a farm here. Dairy farm? No, sheep. Okay. Sheep and horses. Well, they... What is your aim?  I don't want to go there just yet. I just want to... I don't want to go there right now, mate. I just want to come up to you. But why do you want to shut it down? Do you want to shut down the coal industry as well? I want to shut down animal exploitation. I think it's unjustified and cruel. Do you want to shut that down as well? Animal slavery and exploitation and killing. What about the Eskimos killing seals and that? Is that okay? Well, how does that justify the dairy industry? They're in a survival situation. What about Lapland is farming reindeer? Is that okay with you? Animal exploitation...  What about dog breeding and stuff like that? That's what a vegan is. You're naming all the things veganism opposes.  Well, that's a different issue to this because this is obviously for milk. Dogs also have those things shoved up, their blemins and vaginas and arses and that. Yeah, I don't agree with breeding animals. What is your aim?  A vegan world. Are you sponsored by George Soros or the global elitist or blemins, I don't know, Rockefellers or the Rothschilds? Who sponsors you? I'm not an industry like dairy is. They're the industry. Why do you want to do this? Why do you want to do this? I'm an animal rights activist. Okay, so what about animals such as... Well, why aren't we talking about dairy? Let's talk about dairy. This is a dairy event. Okay, let's talk about that. My aim is to stop the rape, the torture, the kidnap and the killing. Okay, what about the hell-hell killing of cattle in Muslim countries? See, now you're going halau. Let's talk about dairy. Let's get dairy... I've done plenty of halau outreach. I've seen it. I've been in a slaughterhouse myself. I'm an electrician. I've seen it do the silly thing with the other tribes. Yeah, I'm opposed to that as well. Why don't we have this instead of the dairy industry? Have you seen where they go? Why don't you attack the hell-hell industry? I can. But why can't I attack this too?  I'm going to see another sign here, attacking the hell-hell industry. Hey, I'm against animals being exploited and murdered no matter how they do it. I'll accept your argument if you put another sign here saying we are against hell-hell killing. Because is that... Non, do you go up to people who are against child abuse and go, hey, you should be talking about a halau killing in this issue and the women's rights issue. I'm talking about dairy today. Why, Sally, you've picked on the dairy industry? Because dairy is one of the most abusive and cruel industries on Earth.  Yes. Is that acceptable to you? There's a video of me in a halau slaughterhouse. Do you think that should be stopped? Yes. So, tomorrow can we see a sign here saying... Have you seen where dairy cows go? I know. Where do they go? They go to abattoirs. Okay. And what happens to their head? Well, they get murdered. They get bullet through their brain. Okay. So why aren't you opposed to this as well? Well, why aren't you opposed to hell-hell? I am. I am. Why are you so selective? Listen to me, I'm opposed to halau. You don't care about the camels getting tortured in Saudi Arabia? Yes, I do. I do. But why are you solely picking on the dairy industry of Australia? I'm a vegan activist, vegan animal rights activist. I'm opposed to all animal exploitation and all these things that you're pulling out of the air. I'm opposed to them as well. Well, why don't we see the whole lot of the signs here? Because today I'm doing dairy. Let's see. I've never seen any other sign that you'd have for... You don't agree with this, but you said they're murdered. Killing seals or anything. I'm against hunting seals as well. So what are the Eskimos meant to eat? Living. They're in a different situation to you.  I do. How do you justify that? They're justifying survival. How do you justify eating dairy? Survival, of course. You need dairy to survive here right now in Melbourne? What do you do? You need dairy to survive? I've been eating dairy in six years. Come on, mate. You need dairy to survive like an Eskimo needs to hunt? Weird. I want to see a sign here with halau. No, Andy, halau. How am I weird? This is weird. It's shoving your fist in a... Because you're so gutless. You're so gutless. You don't want to tackle anything else that's not politically correct. You haven't been to my channel. You haven't been to my channel. You haven't been to my channel.  It doesn't turn me on. It doesn't turn you on, mate, but it doesn't turn me on. It doesn't turn me on. I'm trying to stop it. Okay. So that's a disgrace. How am I wackers? Bloody vile. How am I wackers? That's fine to you anyway. Black George Soros. No. Animal rights people. People who care about animals.


It's Digital Women's Archive North and I'm going to keep quite on script to try to get through all my thoughts really First really excited to be on this panel I think it's got some really interesting content Digital Women's Archive North is an arts and heritage organisation Delivering a programme of community based projects and research relating to gender including culture heritage, spaces, equality, social participation and wellbeing Dwann, na nhw'n gwaith, dylun o'i history bwysig a'r hollwaith ac yn gallu ymgranteiliaeth ddiolchol. Hawn mae'n brif posiwyr ffeministol, o bobl gwisig scheduled ac digital, i ddim o'r bobl gwisig yw Mae'n mynd i'n mynd yma yn gyfnodigwydol, o'i gweithio ffemnigais argyffredig a gyrdd hynfi. Fel wnaeth wedi'r proses ymgyrchu i bach o'r ffraith digital gweithlentl, sy'n cydweithio newid yma ar gyfer cyfrifol arwirio celfwyr ac digital.  Fod ar gyfer ddechrau a'r fersiwyd gan ddiweddol, oeson yn gweithgwrs yng ngyd-gwil. ... Folks, I have to correlate with what I'm saying. They're just interesting images. A lot of them actually are taken from the Working Class Movement Library and also snippets from... ... Manifesto from Feminist Archiving, which I'll come on to in a minute. I'll just be randomly clicking through stuff. The archives involved in this particular project of building a digital women's archive... ... North include the Corp College Archives, the Working Class Movement Library... ... the Pankhurst Centre, Archives Plus, the Race Relations Centre, Feminist Web's archive, People's History Museum, the RNCM Archive, the Victoria Baths Archive and the Museum of Transport Greater Manchester Archive. Community workshops form a significant part of the research process. We aim to ensure collaborative and co-designing of the archive. We want to explore how women as collectives and individuals can potentially use the archive, how they would like it to function as a digital women's space for collecting and showcasing women's heritage, culture and creativity. How the archive can support women's campaigns and activism. Outputs from the research phase will include a series of co-created prototypes, ascetic, immersive and interactive, we hope. Offering some ideas into how a model of material feminist archiving can offer solutions for digital feminist archiving and feminist organising more widely. Before continuing with the digital discussions, I'd like to take a few steps back to explain how we got to this point, which has really been about developing an underpinning model of feminist archiving which sits within a wider context of feminist activism and organising. The Digital Women's Archive North first developed to address the welfare of women and girls from the perspective of a socially engaged heritage practice responsive to key issues of hidden histories, women's education, violence and abuse and skills development. The aim of DWAN is to create a model of feminist archiving that crosses between both welfare and heritage sectors with the aims to offer inspirational stories and locking examples of radical women doing extraordinary things to support literacy and education via the curatorial processes, offer opportunities for digital skilling and encouraging more women to enter the sector via heritage and archives, enable connectivity, collaboration and communication between and with other women. This year we publish our first draft of a manifesto for feminist archiving or disruption in feminist review. The manifesto is a creative and playful document and reimagines the archival process as we suggest women and men use the outline to begin rethinking their interactions with the archive and their input in for creating a new. It is neither definitive nor exhaustive and should be unpicked and rewoven by its user. The manifesto suggests three particular methodological approaches for feminist archiving. The first is intervention, a process of generating new practices and approaches for intervention with existing archival material. Intervention methods are specifically concerned with access and interpretation. The second method is living, approaches of specifically connecting archive material with contemporary political and activist contexts. The living archive is one played out through the body and particularly concerned with individual engagement and voice. And the third method is the reimagined, a reuse and recycling of the archive material to recreate new archival forms. The reimagined is concerned with creating new processes and archival structures. The manifesto calls for an active relationship with the archive, one that conceptually and physically rethinks best practice for managing and creating collections. The manifesto identifies five possible intervention points through selection, type, facilitation, storage and time and access. Documenting and collecting is a significant part of feminist archiving, but additional processes of rethinking access, interpretation, uses and creation of new structures are facets that will ensure a wider relevance in application. In feminist archiving there are fundamental concepts that demand engagement. The first is the issue of how physical space and content of the archive is negotiated. The second is the issue of how materiality itself, the notion of how we perceive heritage. The manifesto offers a response to space and heritage that is consistent with Dorian Massey's position as a feminist geographer. The materiality and space is relational, active and living. Space and heritage are messy, unfinished processes of stories so far and performative meaning making. The methods of disruption playfully suggested by the manifesto encourage participants to take ownership of archival processes, to take ownership of how content evolves, how space is negotiated, how time is perceived and how heritage is performed. Feminist archiving then can support education, skilling and empowerment of women through ensuring a participatory and creative role in developing what archives and should be. Notably, women and girls' ownership of time, space and content is relevant outside the archival context. It is a process of building self-confidence and self-belief in an ability to shape and participate the socio-political processes that supposedly represent you and structure your everyday experience. Feminist archiving is not an isolated process and should result in evidence change to both infrastructure and wider collaborations. The archivist, if still considered in the singular, becomes a creative facilitator and storyteller rather than a gatekeeper. Participants, traditionally termed users, become empowered as creators of knowledge, not just passive receptors of existing practice. The methodologies that fall under intervention, living and reimagined should facilitate new dialogues and should shape different participatory structures. Feminist archiving then is perhaps logically close to community social and youth work than it is to traditional archival practice. Feminist youth work strategies such as self-organising, collective actions, connectivity, participation, negotiation, the right to autonomy should underpin feminist archiving. Likewise, feminist archiving draws on the processes of socially engaged arts practice such as storytelling and conversation, sharing via action and emancipation. Feminist archiving wishing to impact socially also emerges from collaborative practice between different perspectives and sectors outside the heritage sector and embraces cultural practitioners and charity and public-oriented services. Feminist archiving is a practice for evidencing absent or marginalised histories, production and participation is, of course, not new. Scholars such as Kate Eichhorn in the Archival Turn in Feminism in 2013 and feminist art historian and curator, Emilian Jones, extensively explore this area. Feminist individuals, a collective since the 1960s and 70s, have actively employed feminist archiving along accompanying discourses around rights and equality, in the gaps in history and ensuring that her stories are actively collected or rediscovered. Feminist archiving can be traced back further to collections we now describe to the feminist archival canon, emerging from social context where feminism and women's rights were low on the political agenda. Early examples of feminist archiving include the World Centre for Women's Archives 1935-1940 in New York and the International Archives for the Women's Movement in Amsterdam again 1935-1940. Both were founded to ensure the evidencing of their country's women's movements. Both organisations were established during a period of social, political and economic struggle and heightened militarism, as well as a period marked by a sharp decline in feminist activism. Historically, then, it seems that our turn to feminist archiving is strongest during these moments of struggle when a form of creative feminist activism is required to counter oppression. So, Dwan is interested in the practical application of feminist archiving in supporting social action against injustice and inequality. For Dwan, feminist archiving is a circular process of creating the society we want to be evidenced. Feminist archiving should thus be responsive to the continued challenges faced by girls and women, as highlighted by recent reports by the Children's Society, Plan International, Frida, the Young Feminist Fund and Association for Women's Rights and Development and the UK's own Violence Against Women and Girls Strategy 2016-2020. Plan International states on its global girls campaign website that girls continue to be the single most excluded group in the world. They face discrimination abuse simply for being young and female. Girls and young women are often denied their right to education, to engage actively and equally in society, to take important decisions about their futures and bodies, to injustice and equal opportunities and to protection from gender-based violence. It is noted by the UN's Sustainable Development Goals that ending gender violence, ensuring gender equality, enabling the participation of girls, women in education and political processes is crucial for sustainable economic growth and development. Notably, there are considerable overlaps between the objectives and challenges of feminist archiving and feminist organising more widely. It is in these intersections between theory and practice, heritage and the contemporary that feminist archiving can play a valuable role in generating a set of tools for women and girls. This is where we see the potential for grassroots cyberfeminist digital heritage and archiving as a form of activism, enabling girls and women's creative and cultural resistance and connectivity through data and content curation. For example, as a technology of non-violence, we propose that digital women's archives have the potential to educate, empower and skill women for challenging the threats of violence. Archiving is a process of shaping knowledge and knowledge has the power to transform. By empowering individuals and groups to shape their presence in cultural heritage, women and girls can create a global, visible cultural resistance to the eradication or marginalisation of their stories and experiences. Just one of the many ways girls and women are subjected to violence within oppressive societies. Additionally, cyberfeminist archives can offer educational spaces that offer up women's diverse heritage and histories whilst also enabling new voices and experiences to be evidence and sectors to connect. For example, the recent report from the Children's Society in 2016 demonstrated the increasing need to review pedagogical practice in supporting girls in schools to engage with issues of identity, self-worth and sexual knowledge. According to the report, girls aged 10 to 15 years are becoming increasingly unhappy in the UK, and the education sector needs to look to best practice outside its profession to youth, arts and heritage sectors for new ways to support young people with these complex issues. So to conclude then, feminist archiving, both cyber and material, encourages the archive to live as a relational space of stories so far. Archiving is not a passive inherent process. To that end, feminist archiving can position itself as a model for ensuring future representation is actively shaped through present socio-political action that feeds back into the archive, both conceptually and physically. Likewise, uses of existing archives should respond to the activists called to develop creative methods for challenging inequality and discrimination. Building on the initial ambitions of the first international archives for the women's movement by Rosa Mannis in Amsterdam, 1935, digital technologies offer potential for a cyber feminist archive to empower groups to connect, collaborate and communicate across geographical boundaries and barriers. We strive towards a utopian version of technology that can enable agency and support migrants, refugees and internationally displaced persons who lack the basics of safety and security for self-organising. Primarily we hope a digital women's archive can respond to the call to action by the Young Feminist Fund and Association for Women's Rights and Development as they say for the global community to work together to create new spaces, new conversations and a new world for young feminists everywhere. Thank you.


studying here is my biggest achievement so far. My dad told me, when they all go over there, Tilburg University is not for babies. That's why he told me. I said, really? He said, yes. And when I came the first few weeks during the pre-master's, there was part in the statistics that was a little bit difficult for me. And there were times I was like, used to cry. I said, dad, why didn't you tell me this? How difficult it was? He said, I used to tell you, but you didn't listen. I've always been motivated to be at my best so that those that are looking up to me can be inspired to do the same. Looking at everything that I've learned here so far, I have actually big dreams, not one. I have big dreams and one of my dreams is going back to teaching. I want to open a consultancy firm. I'm a motivational speaker. I have my YouTube channel and I want to engage into a really big motivational platform where I have produced videos, motivational. I want to be like Oprah Winfrey, like these kinds of people. Yeah, there are so many ways we need to really develop and see coming here has changed my mind and perspective a lot of things that I think I need to share. Maybe if I go on talk show and host some programs, maybe I can share some of these things when I go back home. I'm not gonna really be your hairstylist again, but I want to open a big, like a really classical hair salon and I want to implore people, I want to implore young women to make use of themselves. This is an opportunity that many, many, a lot of people don't have. A lot of people don't have. Being able to come here to study, being able to show that my responsibilities bring my tuition and other expenses, that is a lot. And I would say that this has not, what they have done hasn't only been done for me alone. What they are doing, they are helping to develop my country because every single person that come here to learn and goes back, they are going back to impact. And whatever impact is being made, whatever development that will be made, it will be because of them. So they should know that they are changing the lives of a lot of people, including mine.


The Ministry of Solid Minerals Development says it will work with state governors to harness mineral resources for maximum social economic development of the country. The Minister of Solid Minerals Development, Delia Laque, gave this assurance when the governor of Nassarawa State, Abdulai Suley, paid him a curtsy visit in his office at the ministry's headquarters in a border in Thirsty. Laque said the ministry was determined and committed to harnessing the nation's mineral resources, emphasizing that Nassarawa State and other endowed states across the country will soon witness rapid development that will enhance the living standards of the citizenry. A lot of very high-grade quality minerals have been discovered in Nassarawa. Nassarawa State is very significant in terms of development of the mineral sector in Nigeria, and Nigeria is very happy at that. Nassarawa State and the rest of the mineral areas of Nigeria will witness very, very swell development very shortly, and we are putting the issues together, we are putting the mechanisms together, we are crossing the T's and doting the I's to make sure that Nigeria as a nation derives maximum benefit from this God-given gift of minerals that are in abundance. Hello, hope you enjoyed the news. Please do subscribe to our YouTube channel and don't forget to hit the notification button so you get notified about fresh news updates.


If someone is resentful, angry or irritable, it's not your job to manage their mood. Allow people to have their moods and allow those moods to have nothing to do with you.