Suspense radio's outstanding theater of thrills bring you an hour a full 60 minutes of suspense Directed by Anton M. Lida and produced by Robert Montgomery Tonight two great suspense dramas John Collier's wet Saturday and WF Harvey's August heat Performed by two distinguished casts of radio actors two complete stories joined in one hour of suspense This is Robert Montgomery with a forecast a weather forecast if you doubt my Qualifications as a meteorologist. I don't blame you. I have none But I do have more specific information than the chap in Walt Mason's poem the statesman Perhaps you remember the statesman throws his shoulders back and straightens out his tie and says my friends Unless it rains the weather will be dry Yes, I can do much better than that even with the same elements rain and dry weather I can improve on that forecast For the next hour I predict rain Followed by a sudden hot spell further and you can check me on this I predict that the rain will fall in the first half of the hour and that the second half will be given over exclusively to heat I Guess you could say I predict weather in two acts Unusual weather to a unique combination of wet Saturday and August heat Each of these dramas is set in England each is complete in itself and each is conditioned by its own weather and by its own suspense Because these plays exemplify two classic studies in radio suspense drama We have selected established radio stars to interpret them Dennis Hoey as mr. Princey in wet Saturday and Barry Kroger as James Clarence with and croft in August heat with supporting casts of distinguished radio players Next week when we present the suspense version of the screen drama night must fall We shall feature a cast of motion picture actors as Danny I will be joined by Dame May Whitty in her original role of mrs. Brampton together with Heather Angel and Richard Nay, but now to the first half of our show and my prediction for rain With the performance of Dennis Hoey as mr. Princey and with John Collier's English classic wet Saturday We again hope to keep you in Suspense on this rainy afternoon We should like you to meet the Princey family and their visitor They are of course at home Mrs. Princey daughter mellison George the son and air sprawled on a couch and finally mr. Princey biting on a dry pipe Their living room is dull and overstuffed Rain beats at the windows. They are any middle-class family at home on a wet day except for one small item as You sit with them in the living room. You can see through the door to the Sun porch a pair of man's feet Encased in black boots They look like the feet of a curate There is a tenseness in the room The air is charged with excitement But the feet are very still don't keep staring at them Listen to me all of you Don't you see they'd hang her. That's what they do. They'd hang her Or fully catastrophic a supposedly sweet gentle intelligent girl Respected loved by the whole village doing a thing like this think of the publicity of the disgrace You think I'm going to resign from the bench the vestry sell out living some foggy hotel abroad. Oh, no Anymore and you have been Be quiet Be so bad if it were you George everybody in the village knows you're not responsible George Get off that couch sit up on your spine Might be a little use here if you could think oh, but I say governor. This isn't my As long as I can remember George, you've been a trial and a tribulation You've got a standard my dear keep that hysterical note out of your voice.   I'm asking you to think You'd have had to hit the side several times 30 or 40 feet And at all the correct angles We'll have to go over it all again Millicent we must go Face facts made it with him lying there still use pretending it's a pity they might Oh stop that shaking stop it here. You must stop it.  Yes You Who knew you were in love with this wretched?  Yes, you were putting the croaky set in its box Yes, it was starting to rain I was carrying the balls in the mallets into the Sun porch the box was there You heard someone into the garden gate and come across the yard. Yes. Could you see who it was? Not at first. I was going into the Sun porch I threw down all the mallets, but the red one and turned around it was with us. Yes, so you called him Yes, loudly Did you call him loudly? Could anyone have heard? No father. I'm sure not. I Didn't really call him. I just spoke his name He saw me when I went to the door. He just waved his hand and came over. How can I find out whether there was anyone about? Whether he could have been saying I'm sure not father. I'm I'm quite sure right So you went on to the Sun porch. Yes, it was raining hot then What did he say? He said Hello Millie and excuse is coming in the back way, but it's set out to walk over to Leiston Yes, and he said passing the park He's seen the house and suddenly thought of me and he thought he'd just look in for a minute Get something he wanted to tell me He said he was so happy and he wanted me to share it It heard from the bishop that he was to have a vicarage and it wasn't only that it meant that he could marry and And he began to stutter and get all confused and of course I thought he meant me Don't tell me what you thought tell me exactly what he said and nothing else Stop crying it's a luxury you can no longer afford. Tell me what happened He said No He said it it wasn't me. It's Ella bragged and davis Sorry and all that And then he went to go and then I went mad He turned his back I had the red mallet of the croquet set in my hand. I've forgotten to drop it when he came in. I I I went Did you shout or scream I mean as you hit him? No, no, I'm sure I didn't did he come on speak up No father and then I threw it down. I came straight in here. I went to look for mother That's all my poor friend. You're sure no one else was about. No. No one.  I had no idea Keep quiet I'm thinking You'll see george. He probably told people he was going to leiston Certainly no one knows he came here But he didn't decide until he crossed the park.  Who'd kill with us? When I would With pleasure How to do Mrs. Brinsley? Captain Smollett Captain Smollett Well, well, oh sit down pray. Mustn't get up for me, Mrs. Brinsley. You are the menacing My word just being neighborly on a bad day I wanted to ask you about those darglia buds, Brinsley Took a shortcut on account of the rain and walked right in knew you wouldn't mind He hurt you father. Dear, we can all have our little jokes.  I shall be most properly laughed at Why? Um, where should you be laughed at Smollett? Oh Had a shot in that direction myself Ha ha She half said yes to him. Haven't you heard? She told most people Now to look as though I got turned down for a white rat and a dog collar too bad Oh well Fortune of war Yes as fortune of war Odd how it happens isn't it Sit down Smollett mother Millison console captain Smollett with your best night conversation George and I have something to look at outside just reading a bad very bad. Come on. Come on. Come on. Come on Just make yourself at home Smollett make yourself at home Uh a cigarette captain Smollett. Oh, thank you. Thank you Last you did not are going out. It's uh, something about the old well Just off the sun porch door, you know This terrible sudden weather seemed to have loosened some of the stones too bad dash too bad As far as the tennis and croquette I mean a day like this Doesn't it? Yes, it does.  It was so damp. We thought it would be cozy to light it Thank you. I'm quite comfortable. I I hope you don't feel too bad about Ella bragged and davis. Well Can't always win in our Can't understand though what you women see in these bloodless clerics. Oh, I always thought mr. Withers was Is a very charming man. Oh, yeah, it's quite agreeing But why should anyone want to marry him? You wouldn't want to marry him. Would you mini not now?  Oh don't mind this old double barrel shotgun. I've been working on it Smollett, um May I have your attention for a minute? There's something on the sun porch. I like to show you I am yes That's of course small it George and I went out to see if we could shoot some rats Which have been driven out of the old well with the high water Free they might get into the house from now now You must listen to me very carefully Very carefully for you will be shot by accident um I'm saying Oh, what's gotten into Well, you heard me ask as you came in who would kill withers You also heard Millicent make a comment an unguarded comment.  Millicent Good Lord Yes, it's a mess And of course you would have remembered and um Guest Maybe Yes Yes, I suppose I shouldn't Therefore you constitute a problem. That's what um Why did she kill him if one of those disgusting things, you know pityable too She deluded herself that he was in love with her good heavens Mini Yes, of course I see him He told her about the davis girl Ella brandon davis I understand I know wish as you will comprehend that you should be proved either a lunatic or a murderous I could hardly go on living here after that besides i'm I'm rather fond of mini Right on the other hand You know about it. Yes, I see that um Makes me a problem.  Yes But not if there was any sort of suspicion any questioning You would be afraid of being an accessory Uh, I don't know I do What are we going to do? Well I can't see anything else you would um Never be full enough to do me in Can't get rid of two corpses. You know, I regard that as a better risk than the other Could be an accident, you know or you and withers could both disappear There are possibilities in that oh see here you can't I can But there may be a way out There is small it You gave it to me yourself. All right I did You said you would kill withers You have a motive. Oh look here. I was joking small it. I can't trust you You must trust me Else I will kill you now in the next minute I mean that You can choose between dying and living Oh gone There's the old well just outside the sun's porch door That's what I'm going to put withers. No one outside knows he's come up here this afternoon No one will ever look in there for him unless you tell them now You must give me evidence That you have murdered withers.  I see What evidence gorge hit him in the face sure Captain you should be more careful. Look what your teeth did to my knuckle again gorge. Okay I'm sorry small it but There must be traces of a struggle between you and withers Then it will not be altogether safe for you to go to the police George get the crook a mallet take your handkerchief to it.  Good lord. Yes messy Now you small it You've just got to drag him through the door And dump him in the old well just beyond the door. Okay. I won't touch. I All right stand aside out of range. You're at any place where I want this shot to go only one place Oh Wait a minute. I That's better.  You've seen a dead man before drag him Drag him I'll just hold the gun here to make sure everything goes all right Come away from the window, dear. Don't look Captain small it oh your father is a very resourceful man I'm sure what he's doing is the captain. I I can't oh you must Dear father There's enough trouble around here without your blubbering.  Everything is Remember no one knows that with us came here Everyone thinks he walked over to leisden. That's five miles of country to search. They'll never look in our well Do you see how safe it is? Uh, I guess uh good heavens man. You're dripping wet. Why didn't you slip on your raincoat? Tea ready my dear in just a minute dear Oh Exactly what you need small it a cup of tea best thing in the world of water for cold Sit down won't you sit down? Oh, don't mind getting the chair wet. Thank you. Uh, cigarette help yourself I stick to my pipe Funny how you get attached to them.  Oh wow. Oh dreadful. Here Bridget here. Give the captain this cup. Uh, no, thank you I Think I'll be running along if you don't mind why captain small it without any tea if you don't mind mrs. Prince air if I could just have my raincoat. Oh, I'll get it for you. This is very distressing small it Very as well. I'll be all right present. I'm sure You ask I have let me have Thank you Young man there Better go out the front way small it walk his drive. Let me hold the door for you dear And don't worry old fellow Don't worry at all No, I won't Nothing serious. I imagine a little rest and you'll be as right as rain By the way medicine you're not looking any too. We're not well at all I'm sure it was the croquet court Being outdoors and weather like this is is simply foolhardy The major's right mithy. You saw what happened to captain smaller Come along dear. I shall give you a hot foot bath and put you to bed A couple of days in bed Get plenty of rest me listen and don't worry about a thing. That's the best cure I guess I'll have a little rest too governor. It's a fine afternoon from there. Indeed it is sir. Indeed it is Well, enjoy yourselves. See you later Now see you all later Your number please. Oh, uh, would you give me the police station police station right away, sir? No Please Oh, hello sergeant. This is princy of abbots road. I believe you know me indeed. I do mr. Princey Um sergeant a rather horrible thing has just occurred Quite extraordinary Murder in fact I'm afraid it looks rather bad for Well, uh for a close friend of ours. Unfortunately, we saw him do it. I uh I think you'd better send someone over right away. Our man should be there right about now mr. Princey Uh I beg your pardon.  I just rang him. Uh seems captain smollett was with him Captain Smollett he reported some rather queer goings on at your place, but I certainly didn't understand it was murder Now, uh, just don't touch anything mr. Princey and don't worry. Don't worry at all No I won't sergeant Thank you. Where are you going right here and stop shouting? We have some visitors governor. Yes, I can see that Well, constable, uh Good afternoon, mr. Princey and smollett.  Princey I just had a look at what's in your well Not a pretty sight there not pretty at all. Yes, constable captain smollett was thorough if nothing else You saw him when he did it sir out in the bank. Oh quite. We were just returning from a walk Smollett evidently had been laying for the curate hiding out there in those bushes by the road I imagine he was never inside this house. No never never And you say captain I say that while I was inside this house a guest of the family I was coerced into dragging the curate's body outside and dumping it into the world Well, there we are. No not entirely constable I'll just remove my raincoat and um Demonstrate how damp I got my clothes when I went outside without it Oh, that's interesting, isn't it? It's quite Undoubtedly removed his coat at some point between here and your post I might as well tell you that his weapon a red croquet mallet is out by the side of the house I shouldn't be at all surprised, but You might find his fingerprints all over it all over the end of the mallet constable the end that mashed wither's head But the end I'd have to grasp in order to do the mashing Kavana, uh, that's a decent try smollett, but it won't work There's be there must be other evidences constable You undoubtedly find them when you examine the body he means my hair under withers fingernails Well, son, you know, I happen to notice something when young jorbs there open the door for them If you look carefully I believe you'll find a few of my precious hairs under his nails too. No water you try to suggest Constable this is not a waste of time So far as violence struggle between smollett and withers is concerned Smollett's face speaks for itself quite eloquently, I believe. Oh, yes, but no more eloquently than your son's knuckle As you see constable look here A fresh abrasion He did that on my teeth Or um, did a what I say or did he You know, he might have done that on wither's teeth I see what you mean, but I didn't cover it. He said that I keep still you nitwit We think As a matter of fact, George The more I think of it the more I'm convinced it was your voice.   Smollett very well, prince If he didn't do it Who did that's what I'd like to know. How about it mr. Princey that? That is a sticker, all right George my boy It looks like you're elected Elected what do you mean? I didn't do why I never keep your mouth shut. I want I'm not going to take the blame for her Millie did it. She did it with that mallet. I saw her do it prove that Well, yes her fingerprints on the mallet on the handle why George Don't you remember when you made me touch the mallet when you picked it up with your handkerchief George I'm sure you wiped that handle clean Oh, well I could hardly expect you to remember that if you um Can't even remember killing the carrot Governor I told you to keep still george. I'm thinking Governor, you're not going to stand there and let him say As long as I can remember george you've been a trial and a tribulation to me Oh You shouldn't have done it george. You really shouldn't have done it Now let's all have a cup of tea nothing like it in weather like this So ends wet saturday the first of two half hour stories combining dramatic weather And dramatic suspense Our thanks to denis hoey for an excellent performance And to harold medford who adapted john collier's story True to our prediction. We will return in a moment with august heat A second study in suspense This is cbs the columbia broadcasting system And now back to our hollywood soundstage and to our producer mr. robert montgomery The rains of wet saturday are gone In their stead a blazing sun burns down on the damp earth of the english countryside Steaming the atmosphere with a heat that's humid and smothering Like a tight outer garment Like a shroud which cannot be loosed and cast aside such a heat weighs upon your entire being and saps from you the last strength of hope and freedom This is the setting for the companion piece to our first drama wet saturday This then is august heat The second of two suspense dramas complete in this hour And now with the performance of berik roger as james clarence within croft And the reappearance of denis hoye as the man And with wf harvey's august heat We promise a narrative well calculated to keep you in Suspense Fennestown road Clapham august 20 what i believe To be the most Remarkable day In my life Till Fresh as clearly As possible let me say at the outset that my name is james clarence within croft You must remember that in order to have the full implication of my story James clarence within croft I'm 35 years old in perfect health never having known a day's illness By profession I'm an artist Not a very successful one, but I earn enough money by my black and white work to satisfy my necessary ones My only near relative sister died five years ago So that there is no one in particular to whom I address this manuscript Only you Who might by chance Read it someday For because of the peculiar circumstance about which you will soon hear I have the strong premonition that I shall never live to tell anyone about it I breakfasted this morning at nine at the usual time It was no different from any other morning and after glancing through the morning paper I lighted my pipe and I proceeded to let my mind wonder In the hope that I might chance upon some subject for my pencil The room though door and window were open was oppressively hot And I just made up my mind that the coolest and most comfortable place in the neighborhood would be the deep end of the public swimming bath when I was suddenly shaken A feeling swept over me such as I'd never experienced before I attempted to rise to my feet It's not how it seemed as though I'd suddenly been fastened to my chair I handed it out in an effort to brace myself and then Before I knew what I was doing My pencil was in my hand and I began to draw It was as though someone had taken my hand and was moving it across the paper swiftly in bold strokes and then I seemed to take over My hand under its own power began to draw So intent was I on the sketch Which began to appear before me I soon forgot the oppressive heat The roughness of the table Everything was forgotten This frantic feeling The sketch must be finished As soon as possible. No idea how long I worked Until I heard the clock of st. Jude's in the distance. It was four o'clock And I had started just after breakfast Now for the first time since I'd begun I actually seemed to see what I'd been sketching I was surprised The final result was I felt sure the best thing I had ever done It showed a criminal in the dark immediately after the judge had pronounced sentence The man was fat enormously fat The flesh hung and rolled about his chin They creased his huge stumpy neck He was clean shaven Perhaps I should say a few days before he must have been clean shaven And he was almost bald He stood there before the judge His short clumsy fingers clasping the rail Looking straight in front of him The feeling that his expression conveyed Was not so much one of horror It's of utter absolute There seemed nothing in the man strong enough to sustain that mountain of flesh And then I saw that the sketch was not complete For the man's other hand Seemed to be clutching an instrument of some kind or weapon But had not been completed I had made this sketch Yet I had no recollection of what I'd intended the man to carry in his other hand Put my pencil again And I attempted to fill in the fuzzy outline It was useless It was as though my fingers had suddenly turned to lead I sat down I felt the moisture slowly forming on my forehead And I was conscious of the oppressive heat again And then I knew that there would be no finishing of the sketch At any rate not for the moment So I rolled up the sketch And without quite knowing why I placed it in my pocket In spite of my peculiar inspiration I was filled with the rare sense of happiness Which the knowledge of a good thing well done gives I believe that I set out with the idea of calling upon Trenton For I remember walking along Litton Street And turning to the right along Gilchrist Road The bottom of the hill where the men were at work on the new tram lines From there onward I have only the vaguest recollection of where I went Through parks along crowded streets Always fully conscious of the awful heat Came up from the dusty asphalt pavement as an almost palpable wave And I remember too The hollow sound of my footsteps as I moved along Although walking aimlessly I somehow knew that there was a goal Uh something to which I was drawn I longed for the thunder promised by the great banks of copper colored clouds that hung low over the western sky I must have walked five or six miles I really no idea how far I walked When a small boy roused me from my reverie Oh 20 minutes to seven Yes When he left me I began to take stock of my bearings I found myself standing before a gate It led into a yard bordered by a strip of thirsty earth There were flowers Purple stock and scarlet uranium And great numbers of bees droned over them I stood looking down at them a moment Then for some reason I looked up Over the entrance to the place There was a board with the inscription Charles Atkinson monumental mason worker In english and italian marble From the yard itself came a cherry whistle The noise of hammer blows And the cold sound of steel meeting stone A sudden impulse made me enter And I went in the direction of the noise There was a man sitting with his back towards me He was busy at work on a slab of curiously veined marble He was not conscious of my presence as I stood there watching him for some time Then without turning His hammer stopped in midair as he was about to bring it down on his chisel He looked up and then he held his position a moment before turning But I knew that he was aware of my presence And when he turned I saw his face It was Although I had never seen him before It was the face of the man I'd been drawing It was the face of the man whose sketch was in my pocket He sat there on his low stool huge in elephantine The sweat pouring from his scalp not speaking Then he took a red silk handkerchief and he mopped his bra Although this face that looked up at me was the same as my sketch The expression was absolutely different And suddenly the puzzled expression left his face And he smiled as if we were old friends And he walked over and he took my hand Good day, sir Good day, uh, I'm sorry to intrude Not at all Everything's hot and glaring outside This seems as an oasis in the wilderness No, I don't know about the oasis, but it certainly is hot Take a seat, sir He pointed to the end of the gravestone on which he was at work And I sat down Very hot That's a beautiful piece of stone you've got hold of there Yeah, you know, wait, it is The surface here is as fine as anything you could wish But there's a big flaw at the back though I don't expect you to ever notice it I shouldn't think so Nah, I could never really make a good job of a bit of marvel like this Be all right in the summer right now I wouldn't mind a blasted eat But wait till the winter comes Winter? Yes, there's nothing like a bit of frost to find out the weak points in stone And gravestone, you see Oh, I see Then what's this one for? You'd hardly believe me if I was to tell you it's for exhibition But it's the truth Artists have exhibitions so do grocers and butchers Well, we as them do All the latest little headstones, you know He went on to talk of marbles Which sort of marble best withstood wind and rain And which were easiest to work Then of his garden and new sort of carnation he'd bought At the end of every other minute he would drop his tools Wipe his shining head He's not responsible for what he does in this heat I said little for I felt uneasy There was something unnatural, uncanny in all of this The feeling that I'd experienced it all before Exactly as I was experiencing it now The oppressive heat The fragrance of the purple stalk in the air The conversation about the marble The flowers Everything as though I'd experienced it before And yet I knew that I'd never even been in this section of the town before I tried to persuade myself that at least I'd seen him before That his face unknown to me had found a place in some out of the way corner of my memory But I knew that I was practicing little more than a plausible piece of self-deception As I sat there quietly watching him He looked up at me And he said What do you think of that? He said it with an air of evident pride of a job well done I could sense that he was experiencing the same feeling I had experienced when I'd finished my sketch Then he got up with a sigh of relief What ain't it? I was seated in such a position that I was unable to see his work And for some reason I didn't move Suddenly he began to read what he'd carved on the tombstone He spoke deliberately and with a flat voice In the midst of life we are in death Born January 18th 1912 I looked up with a start This man had read my exact birth date He passed away very suddenly on August 20th 1947 That's today I usually use the present date on these exhibition stands But you usually put a name on them too? Yes Sacred to the memory of James Clarence Wivencroft The sound of birds and crickets seemed loud in my ears As we stood there looking at each other Saying nothing And then he mopped his brow again I was finally able to speak Well, where did you see that name? Oh, I didn't see it anywhere I just wanted some name and I put down the first one that came into me yet It's a strange coincidence But it happens to be mine It's your name Your James Clarence Wivencroft Yes Whoa, and the dates? I can only answer for the birth date It's correct It's a run-go I made a sketch this morning Of you Of me? What, you've never seen me before? No Oh I took my sketch from my pocket and I showed it to him As he looked the expression on his face altered Until it became more and more like that of the man I had drawn It was only the day before yesterday And I told Mariah there was no such things as ghosts Neither of us had seen a ghost But I knew what he meant Then I spoke to him You probably heard my name someplace Yes, you must have seen me somewhere and forgotten, yes Yes Well, you were, uh, uh, clackton on C, uh, last, uh, July? No, I've never been to clackton in my life Then we were silent for some time again And we stood there looking at one another And at the two dates on the gravestone And the birth one was right And the other was today Coming shy to have some supper His wife was a strange little woman Who was pallid with the look of those who lived their lives indoors Her husband introduced me as a friend of his who was an artist And informed her that I was staying to supper I spoke making some comment that I hoped I would not be an intrusion And she looked up at me, she said You have a pleasing voice, Mr. Widencroft And you're welcome in my own I'm sorry Charles has not brought you here before A little was said during the meal And after the sardines and watercress had been removed She walked over to a cupboard And she took down a thin black book And as she handed it to me, she spoke Would you read aloud, Mr. Widencroft? Puzzled, I looked down at the book which she'd opened and placed before me It was a very tiny book The Prophet, it was called By an author unknown to me with this strange eastern name Khalil Gibran And my eyes fell across the page And suddenly I was reading aloud as she'd asked me to Then Al-Mitra spoke saying We would ask now of death And he said You would know the secret of death But how shall you find it unless you seek it in the heart of life The owl whose nightbound eyes are blind unto the day Cannot unveil the mystery of light If you would indeed behold the spirit of death Open your heart wide unto the body of life For life and death are one Even as the river and the sea are one In the depth of your hopes and desires Lies your silent knowledge of the beyond And like seeds dreaming beneath the snow Your heart dreams of spring Trust the dreams For in them is hidden the gate to eternity Your fear of death is but the trembling of the shepherd When he stands before the king whose hand is to be laid upon him in honor Is the shepherd not joyful beneath his trembling That he shall wear the mark of the king Yet, is he not more mindful of his trembling For what is it to die but to stand naked in the wind And to melt into the sun And what is it to cease breathing But to free the breath from its restless tides That it may rise and expand and seek God unencumbered Only when you drink from the river of silence Shall you indeed sing And when you have reached the mountaintop Then you shall begin to climb And when the earth shall claim your limbs Then shall you truly dance Mr. Atkinson had gone But his wife stood before me And as she took the book, she spoke Oh, thank you Then I went outside And I found Atkinson sitting on the gravestone and smoking He looked up at me The man's not responsible for what he might do in this each She never asked anyone to read aloud before And then we talked about the sketch again He looked at it The likeness is me, all right On trial You must excuse my asking But do you know of anything you've done For which you could be put on trial Dear, I've done nothing Not yet He got up, fetched a can from the porch And he began to water the flowers Twice a day regular in the odd weather And then he sometimes gets the better of the delicate ones And ferns good, or they could never stand it Where do you live? I told him my address He would take an hour's quick walk to get back home And then he stopped watering And he faced me squarely It's like this We look at the matter straight If you go on tonight You take your chance of accidents A cart may run over you And there's always banana skins and orange peels To say nothing of falling ladders He spoke of the improbability With an intense seriousness That would have been laughable six hours before But I did not laugh The best thing we can do is for you to stay here till 12 o'clock And it'll be tomorrow, you see We'll go upstairs and smoke It may be cool out in shard To my surprise, I agreed Our sitting in a long, low room Beneath Kinson Has sent his wife to bed He himself is busy Sharpening some tools at a little oil stone Smoking one of my cigars The wife, the wife And as I look at my sketch before me I suddenly see the fuzzy outline of what the man in the picture holds in his hands While I had not been able to sketch it before I am able to do so now It is a chisel It is stained with dark liquid The sketch is completed now The air seems charged with thunder And I hear it in the distance It is ominous But it carries the hope of rain Perhaps this damnable heat will be broken soon And the day will soon be over It is close to 12 In seconds The day will be over I am writing this at a shaky table Before the open window The leg is cracked And Atkinson, who seems a handyman With his tools Is going to mend it As soon as he has finished putting An edge on his chisel It is over I shall hold the heat This heat is enough to send a man-man This is Robert Montgomery again With thanks to Barry Kroger And Dennis Hoey for superb performances In August heat And to Mel Dinelli who adopted WF Harvey's story Our appreciation and our applause too Goes to the cast of both plays Who made our weather experiments so very successful Next week we'll turn a full hour's attention again To the English scene And to Emlyn Williams' great play Night must fall You'll meet Mrs. Bramson, Olivia Grain And Hubert Lorre And you'll meet Danny Danny with the quick smile Happy, cheerful Danny Whose appearance is as pleasant as the melody That's always with him Mighty like a rose That's Danny Yes, that's Danny Next week with Dame May Whitty, Heather Angel Richard May and myself And with night must fall We'll again hope to keep you in suspense Good night Mr. Montgomery may currently be seen In the Universal International Production Ride the Pink Horse Wet Saturday by John Collier Was adapted for suspense by Harold Medford August Heat by WF Harvey Was adapted for suspense by Mel Dinelli Both were directed by Anton M. Lieder And produced by Robert Montgomery Lud Gloskin is our musical director and conductor And Lucien Morrowek composes the original scores Next week here Night must fall Starring Robert Montgomery with Dame May Whitty Heather Angel and Richard May On radio's outstanding theater of thrills One hour of Suspense Dame, you won't want to miss That's Report Card The next production of the famed CBS Documentary Unit Overcrowded schools Out of date equipment And a shortage of trained teachers All of these are contributing to a breakdown In American education For a dramatic report Here Report Card Wednesday March 24th Over many of these stations This is CBS Where 99 million people gather every week The Columbia Broadcasting System


How's it going creatives? So as a video maker choosing the right music for your video is the ultimate key to convey the right message to your Viewers, that's why it's important to choose the right track for your videos to really evoke those emotions in your audience Now I know that picking the right music can be very challenging That's why I created this video on how to find the best music for your content with that said I have five easy tips prepared for you that you can follow Oh, and by the way, if you stick till the end of this video I will show you two great sites where you can download free music for your YouTube videos So with no further ado, let's get into the video Starting with tip number one is keep the background music in the background Now I mostly create educational content on my channel where there is a lot of explaining involved Having loud music in the background will distract the audience That is why I keep the background music as low as possible so that people can focus on what I'm saying They say that the most successful background music is the music that you can't even hear And I find that most of the time to be true I made the mistake of having the volume in the background too loud and people started to complain When choosing the right background music, I generally avoid songs with human voices because it makes it hard to follow the video I usually go for instrumental music that subtly conveys the emotion of the video Oh Moving on to tip number two is define the mood of your video Video is all about feelings and you want to make sure that you evoke the right emotions at the right time in your audience So think about the mood of your video Is the story you're telling happy or sad? Is there a lot of action involved where you want the audience to feel a tense emotion and excited? Really think about what the audience should feel at that moment music can be very powerful even more powerful than what is shown You probably heard the phrase that sound is half the picture and if you remove the audio from the video like in this example It just doesn't make it so engaging anymore think about your favorite movie clip and completely remove the audio How would that feel not so impactful, right? So really think about how your audience should feel when they watch your videos another great thing I want to add on here is if you noticed I like using electronic and pop music tracks for my videos like this one Because those are songs that the majority of my audience which the age lays between 18 and 35 will more likely enjoy So in other words you could say that the audio choice should also be a reflection of your intended audience Tip number three is the pace of the music You know by now that certain kinds of music can change your audience's mood and the pace of the music is one of them Obviously, you want the tempo of the music to match with your video So if you have a fast cut in your video, you would more likely choose a song with a fast pace that will excite the viewer In the other hand if your video has a slow pace slower music with lower pitch would make more sense And will make the viewers feel more sadder For my videos depending on the story I usually like choosing energetic music that the scans and therefore Motivates and inspires viewers to act to go out and film because that is what my channel is about helping inspiring others to Create you also want to think about crescendos and pauses for example If the music reaches a high peak and pauses afterwards, this will be a great scene for a big reveal in your story You're too late So as you can see there are a lot of ways to influence your audience with music tip number four is to create the video first And then choose the music Afterwards now some people like to choose their songs first and then create the video I sometimes do that too Especially when I'm shooting travel videos to get a sense of how the video should feel like now in most cases my tutorials here on YouTube I usually shoot the video first Import it into timeline and then start with the video editing process after I've added the video I then choose the music to match the mood of my video which I personally think is way more easier Now here's a pro tip for you guys a great way to find music even quicker is to split your screen up and test Different songs out in one window you have the video playing without music and in the other you're testing out different songs With this method you will find the perfect music in no time This will lead us to our last tip which is tip number five finding your music now I like using art list which I think is the best place to find original music for an affordable price You can use the song you've downloaded in any of your videos whether it's for YouTube social media or commercial videos You're also able to use the same song for multiple projects either for yourself or for your client The great thing about art list is that you can choose from different genre and moods which makes searching for music really easy So for example in the mood section they range from uplifting to scary and dark They also have a video theme filter where you can choose a song depending on the type of video you've created So for example, if it's a wedding video, you can choose wedding and if it's a travel video You would obviously choose travel. This works best if you combine it with the mood filter Then there's also genre where I like to pick electronic and pop music now We talked about the pace of the music You also have the ability to select the tempo and match it with the pace of the video Which I think is really useful now I have been using art list for over a year now And I can tell you from my experience that I have been very happy with their service now for those of you that Want to use music for free meaning that you don't have to pay money in order to use the song I have two great sites that I recommend now before we get into it You have to know that if you are planning on sharing videos on YouTube or any other platform The song you pick should be royalty free or no copyright music because you really want to avoid copyright issues And here's why reason number one that your video could be removed reason number two is that you won't be able to monetize your video And reason number three if you keep doing that repeatedly your account might get shut down So in order to avoid these problems my first recommendation is YouTube audio library That is where I first started out if you're logged into your YouTube studio. You can go to audio library They have a bunch of tracks to choose from and you can sort the tracks by genre mood as well They also have a bunch of sound effects that you can choose from which is really great, too Now they don't have the best music But the great thing is that you can monetize your videos with their songs if you're planning on earning money through YouTube ads Now do some searching and you will certainly find a song that you will like now the second side You can download music from that is free to use is the YouTube channel. No copyright sound They provide free music for content creators and they work with different artists around the world Representing genre from house electro pop and many more They have a lot of great music and different playlists that make it easy to choose music from now Keep in mind that most of these songs require you to credit the artist if you plan on Uploading videos on YouTube. The way you would do it is copy and paste the information that is in the song's video description To your YouTube videos description make sure to check each information Individually so that you don't have to encounter any issues also read the term of use most of the songs are not eligible for Commercial use to download the music. They usually have a download link in the video description If not, you can use sites like YouTube to mp3 converter to download the song I will leave a link in the video description for that as well. So these are the two sites I think are the best for getting free music and using it in your videos I can tell you from experience that it takes practice finding the right music And you really have to train your ears to feel if the music fits in your video But if you follow these steps then finding music will be much easier I hope this video was helpful If so leave a comment in the video description below and let me know Subscribe to my channel so that I can keep pushing more awesome videos for you guys Follow me at bennett grazer and if you want to learn more about filmmaking I got you covered go check out these two videos right here That will help you instantly grow your filmmaking skills until then have a great day stay creative And I will see you in the next video


From VOA Learning English, this is the Health Report. Scientists are working on ways to stop a disease that threatens one-fifth of the world's population. Over 120 million people are infected with lymphatic filariasis, also known as elephantiasis. The disease is found mainly in Southeast Asia and Africa. It affects the lymphatic system, which is a major part of the body's natural defenses for fighting disease. Elephantiasis can cause swelling or enlargement of skin and tissue. The cause is a tiny worm that enters and lives in lymphatic tubes for six to eight years. Scientists say they have been able to demonstrate that the most common cause of elephantiasis can be stopped. They are urging those at risk to sleep under nets treated with chemicals that kill a common insect. Lisa Reimer teaches at the Liverpool School of Tropical Medicine. She formerly served in Papua New Guinea as part of a team studying the disease. The team involved researchers from Papua New Guinea, Britain, Australia, and the United States. Dr. Reimer says she was surprised at how effective anti-malaria bed nets covered with insecticide could be at fighting the disease. Doctors normally use drugs to fight the disease. Lisa Reimer says doctors in Papua New Guinea gave the drugs to people in five villages. She says this treatment nearly ended the threat from the worm to humans. But the drugs did not stop the threat from mosquitoes. The treated nets block female mosquitoes from securing blood, which they need to reproduce. The World Health Organization has set a goal of stopping lymphatic filariasis as a public health problem by the year 2020. For VOA Learning English, I'm Alex Villareal.


Hello everyone, I am Chef Shrigula Chatterjee and I am here to make a fun and easy millet recipe. If you are planning a menu and wish to create something that is delicious and healthy, this is the recipe for you. I am using only 5 ingredients to make these gorgeous pistachio and millet bliss balls that will not take more than 10 minutes to prepare. I love these little bites because they are fast, easy, only require a few ingredients and are completely fruit sweetened. The addition of millet makes these little nibbles entirely healthy and easy to digest. Happy cooking!


We've been coming this direction since I was in college. If you look at all the layers of ideas starting with existentialism, this is bound to where we're gonna end up as long as colleges and universities, they all embraced it early.  And it should be a wake-up call to every monotheist, one law, one truth, one absolute, one creator. The natural law based upon God's law that Thomas Kwanis talked about, that's what at the bottom, this attack is about that. Break up the world into individual monads of individual autonomy, so everybody has their own truth.


First question. Andrea. And this is for Tony. So I made a presentation in Santiago, in Sao Paulo, saying that inequality in Brazil was falling. And the guy, Giuseppe Verdi from Brazil, not from Parma, from Busseto, basically he said, are you counting the asset held abroad by the Brazilian? He said, no, there is no way to do that. But to say how large they are. And this gentleman, Giuseppe Verdi, said a huge amount, which would affect the distribution of assets and income. So now the correction, which is being done by Alvaredo, Sais and so on and so forth, they're correct for non-compliance with tax return. So you combine the tax evasion, I mean the declaration of the rich, which are missing from the surveys, but not the asset held abroad. And so the question is, how large is it? And would it alter your own picture? Now the second one is a comment. Now you mentioned that this very interesting picture that inequality in income can go up, but inequality in asset can go down. And from what I remember, because Lis, I think when Lis was in Luxembourg, there was a big wave of wealth surveys, including Italy, Germany, France, the Netherlands and so on and so forth. And I expected what you said, that the main component of the assets is stocks and bonds and all that. And this was true in the US and a little bit in the UK. But in all the other countries, 60 to 70% of the assets are buildings. So now what happens during a recession is basically the value of these assets or real estate basically collapses. And in a way, if I were to create a new measure of welfare, which combines inequality in income and inequality in asset, and well, you may come to the conclusion that human well-being is improving because the asset inequality is falling, which is not true, because it's not a distribution of the real asset, but the mark-to-market approach which is used to price them. That is the... So I think that this is quite an important issue because in the ECB, the European Central Bank data, which are updated, they basically show that when there is growth, the value of the real estate goes up and when there is a recession, the value of the real estate goes down. So I wonder how all this would affect your own conclusions, which are very interesting. Thank you. Another question. I have a comment for Martin. I am a great fan of relative deprivation and those type of measures. And if you use another definition, the Yitzaki way of measuring relative deprivation directly from the Ransiment's book, then you end up showing that at an aggregate level, relative deprivation is equal to the Gini coefficient. So you can say that what holds for the Gini holds for relative deprivation, and you don't need to say that you have to... So there can be a negative effect for comparisons with others. It doesn't have to be necessarily positive. And also with a negative, you can say that inequality went down, I think. So this is just a comment for all of you that so much of analysis of inequality happens at the country level, but a looming issue for us is about inequality at the regional or subnational level. And I'd love to hear about efforts to compile data to make that, you know, more possible. Yeah, hi. A question for Janet. I was just curious to see if you had emphasized everywhere that you were measuring inequality for non-elderly households and you separated them out. I mean, I find that a little bit unusual. I haven't done that myself, so I'd be interested to know just what does that imply in terms of all the things that you were saying about trends and levels and comparisons and so on. After all, in Europe, and I guess many of the rich countries, the elderly are a growing segment of the overall population, so it seems incomplete not to include them into the analysis. Thank you. Thank you. So would you please take them in that order? Tony and Martin, then Janet, and Carlos, perhaps you could take the third and Janet the fourth. Thank you. I'll just, perhaps responding to Andrea's comments. Yeah. Let me just say one thing is about what is the overall share of financial and non-financial wealth in the total wealth? Roughly speaking, it's about 50%, and has been. It trended towards non-financial assets in the first eight years of the century, and then since the crisis, it's gone back financial assets are growing faster, but they're roughly 50-50, but there's quite a lot of variation between countries. Usually in developing countries, or emerging markets, there's more real assets, as you can imagine, and then the richer countries tend to have more financial assets. And that does affect, the composition effects are quite important, and certainly when asset prices are changing. I think the other interesting point you make is, is all this just a change in the price of assets, or is it really something else? The trouble is, of course, you could say, alright, we've got our houses, we're not selling them, we're just, the price has gone up, we're lucky, but we're not really 10% wealthier, because we're still living in the house, and for us it's the same sort of asset that we had before. Of course, you can maintain that. I don't know, as a researcher, what one could do about that. You could just somehow, I suppose, in principle freeze these things, but of course we don't have, we don't have access to the data. We do what we can to sort of, with the data that we can access, but I don't even know really what sort of question you would be answering. In the short term, it is true, some of this wealth inequality may be, if there's an increase, simply because, Microsoft shares have gone up, and Bill Gates is richer, as if you look at the Forbes, of course, website, they actually have, they tell you each day whether someone's wealthier or not wealthier, and how much, you know, they've lost, you know, 10 million dollars today, because their wealth has gone down, but it's not a loss of wealth in the way that we normally think about it. So there is, if you like, temporal or some sort of temporary changes I don't quite know how much one could really, it's a huge amount of work to sort of identify that, and I'm not sure, frankly, whether it's going to be worth it, because if it is temporary, you'd expect it to adjust again sometime later. As regards income, I think there is a problem, and of course a lot of, with the wealth side, we know that there's a lot of missing wealth from the top of the wealth distribution. There's all issues about whether or not, what you do about all these people that keep their wealth in sure holdings in various offshore countries. Hopefully, we try and do this because we base our estimates on balance sheet data and we hope that the country agencies have some sort of way of guessing how much is held in these remote tax evasive places. For incomes, it is really very difficult to, we're in the process of trying to match the raw, weed survey data with the sort of top incomes database, but it's a non-trivial exercise for a number of reasons, and it happens actually to be easier to do that for wealth than it does for income. So all I can say is it's going to be a sort of tentative estimates, suggestive estimates, rather than I think very hard conclusive evidence that you can really be sure of. Can she just question about Shlomo Yitsaki's rising deprivation measure? It's really a bit obscure in the literature. I have a clever paper, but it doesn't really mesh with anything else. Sorry? Oh, sorry. The Shlomo Yitsaki approach to relative deprivation exists in the literature. It's sort of pretty much on its own. Everybody else has taken a different approach, including in sociology and as well as economics. So it really sort of sits there. I haven't taken that approach. I've taken an approach which it fits as much more mainstream within the literature as I see it, but it also allows me to encompass the relative deprivation approach within an approach which puts positive weight on national income. I'm trying to encompass that. I want relative deprivation as one extreme in a view that says that there's some generalized external effect of living in a richer country on your economic welfare. So I need an approach which allows that encompassing. I don't, as a recall from the Yitsaki paper, I don't see how you do that. But that's my only answer. It's really, it sits there in the literature, but it's sort of very different and doesn't work with what I want to do in my paper. Shareen's question about subnational. Yeah, there's a lot of work on subnational, not at the level of these kinds of studies in the literature, but I've done a lot of stuff on subnational in China, India, Indonesia, elsewhere, and others, many others too, people in this room. It's there. We're not yet at a point where we've got a comprehensive global picture of inequality and poverty built up from subnational data sets. It's not there. We will be there at some point. We're there for urban rural splits and we're there for subnational in a number of countries, including those I mentioned, but on a comprehensive basis it's not ready. It will happen, but not now. Well, I guess I fully agree that the geographical dimension of inequality is one of the most important, especially in developing countries in large countries like India or China, where they explain a lot, not only of the level of inequality in one given moment, but also somehow the trends over time. But unfortunately, I don't think there are databases that allow you to have a global perspective on that. You can have, I mean, when you have access to micro data, of course you can analyze the geographical dimension by regions, provinces, et cetera. In some cases, like China, it's difficult because sometimes the data you have will not have information for all provinces, for example, but for large geographical regions, at least you will have. For example, in the case of the WID, we have information for rural and urban, which is also a geographical dimension that is important in terms, again, of between group inequalities, but also on the evolution, the trends within each of these areas. But yeah, I fully agree that somehow, especially when it comes to large countries where a region can be larger than some of the most important countries that you find in Europe or in other areas, that should be taken into account as far as possible. Yes. Actually, I just want to say briefly, Andrea, your question just about the Luxembourg wealth, the data that we have at LIS, the wealth data. Many, many papers are disaggregating into the form of the wealth. I think for exactly the reason you said that housing prices are very complicated. So we have in almost every case, we can identify financial versus non-financial wealth, and the non-financial is even separated into housing investment versus residential housing. There's also the question of the debt on the housing because two people can have a house presumably of the same value, and one who owns 90% of it and the other less, and we have all these cases in the U.S. where the value of the mortgage is greater than the value of the house.  The subnational, I think, Carlos said that already, there are some actually very nice list papers looking across the U.S. states, the German lender, the Canadian provinces, and what some people have done is also create some regions. So I remember a paper done a few years ago combining Luxembourg with the Belgian, French, and German neighboring regions, given that it's obviously an economic zone. But micro data, usually these papers are not at all theoretical, so they're somewhat lacking. Anyway, Pete, let me come to your question about the elderly, and you asked that, right? I'm trying to see over there. Actually, I did a research brief last year with a couple of years ago with Bronco Milanovic, called What Happens to the Story when you take out the elderly? I think that's literally the title. And actually, it's really important, so let me linger on it for just one second. I don't mean at all that we're not interested in elderly economic well-being, but this pre-versus post-story is completely different across countries if you disaggregate elderly and non-elderly. And the reason that we realize this, and I have to say perhaps immodestly, I think that was missed in the literature for a really long time, but we kept seeing the same thing, which is that market income inequality in the U.S. was not especially high, so it looked as if the disposable income inequality was high only because of meager redistribution, but everybody kept pointing out to us that seemed so odd, given that we have such huge wage dispersion in the U.S., the highest in the OECD of earnings dispersion, how come household market income inequality wasn't especially unequal? When you pull out the elderly, the story shifted exactly in that direction, and it's partly because the retirement ages are so different. So your 63-year-old American has positive earnings where your 63-year-old suite has zero earnings, say, and is a pensioner. So in a sense, it was distorting market income inequality in countries with earlier retirement ages and telling a story that made almost no sense. And so when we did it cutting at 65 and 60 and earlier, and when we sort of straightened out the variability in the retirement ages, and the fact, I mean, pension systems are, of course, by definition, are redistributional. U.S. market income inequality in terms of cross-national ranking soared, and then the story made much more sense and looked exactly like the OECD ranking of earnings inequality. So again, that's the story, is that if you've got the elderly in there, you're going to exaggerate the market income inequality in very pension-generous states with early retirement ages. So I think study the elderly, of course, but treat them, I would just make an age cut early and then put it back together. No further questions? Then I'll abuse the chair by making a comment. Karczak Barsou invited us this morning to think about history. So I'm reminded of Nick Kraft's work on the evolution of national income and life expectancy in northern Europe in the 19th century. And what happened at that time, of course, was that European meaning comes, rose began to rise steadily and they didn't rise in the south. And the other thing was that life expectation mortality fell and life expectation rose in Europe. So if you're of the opinion that if life is getting slowly better or moderately quickly better and you're living longer, then that's better still as it were. That's a reinforcement. And now if we go to 1950 look at the evolution of GNP ahead and life expectation in north and south, what do we see? Well, income ahead has grown more rapidly in the south but there's been a startling improvement in longevity in the south much more strongly than in Europe. And this suggests that global inequality if rising is mitigated to some extent by this effect. I don't know whether any member of the panel would like to respond to that. I guess I would just simply say I've heard Angus Deaton of course speak and I'm not sure he would put it the way you've said it that the changing longevity was mitigating the inequality but that both are happening at the same time of the floor under many morbidity and mortality statistics is rising while income inequality is also rising that they're both happening side by side. Isn't that the thesis of his book The Great Escape? Is that what it's called? I think so. There is a literature on this of course and it's all about how you aggregate income with life expectancy and a series of papers and look at where you have a generalized welfare metric incorporating the length of life as well as average income in an obvious way. I can bunch of papers but you can do that. You can make me a desert. Thank you. We are now indebted to our panel for splendid presentations. Let's give them a round of applause.


I thought Sneaker World was very boring. It was like the same drops growing up. There was a lack of community. It was really just about who had the hottest shoe, but not really about what does that mean and to be in a niche community. For me, it was that and it was also just lights. Lights are such an amazing way to bring people together. When I was in high school, I just took some Nike Air Forces tapes and LED lights around them were in my hometown. I had like 20 people want to be my friend that night. You know, stopped me at a bar, stopped me on the street and I was like, wow, lights really have possibility to bring people together and what other way to do this footwear. So I ended up dropping out of university after my sophomore year. I was naive, but I just jumped into it. Yeah, you found your passion.


Don't tell me you don't have time for the Word of God if you're on YouTube for hours a day.  Don't say there's no time to worship if you scroll through social media for large chunks of time. When you live without prayer and the Word, you're telling the Holy Spirit, I can live in my own strength. Let's throw off laziness and be done with spiritual procrastination. This isn't a message of condemnation, God loves you too much to leave you in your compromise. Don't worry about perfection, just progress. Make the commitment to enact spiritual discipline today. Pray and read the Bible every day. If you'll make that commitment, let me know in the comment section.


How's it going everybody dachodoy here back with some more dragon ball fighters online matches only this time we are once again doing an open community arena lobby where we just go in the arena and play whoever the game matches us up with. Now the way we did it this time was extremely similar to the way we did it last time I posted on twitter that I'd be doing an arena lobby, made sure to find an empty one so that as many people as possible could join, and then we let the arena settle it from there. I think enough of you came through that we were able to fill up the arena so games were going pretty quickly and I also decided by looking at the comments for the last video that you guys really liked the format of when I play somebody, win or lose it doesn't matter in the next game I'll play their team. I agree with you guys it does bring a lot of character variety to these videos so if you're still cool with that idea definitely let me know down below but I really did love doing it it brought a lot of variety just like last time. Really quickly before we hop into the matches it would be remiss of me not to mention our sponsor for today's video Raid Shadow Legends. If you haven't already heard by now Raid Shadow Legends is a turn based RPG done right. It features a variety of game modes including PvP and single player based story missions much like the ones you see me playing here on screen but there is also a wealth of other different game modes that the game has to offer. If you were to ask me the one thing that stands out about Raid to me the most it would probably be the detail you can find on some of the character designs in this game and when you consider that there's more than 400 of these champions to collect and personally customize it gets a little ridiculous. And of course while that's the best part of playing the game to me personally the best part about Raid Shadow Legends is that it's entirely free to play. This means you can give it a shot right away on your preferred device between both mobile and your desktop. So if you're interested in the game definitely make sure to go down to the video description click on the special links and if you're a new player you will get 100,000 silver plus a free champion Death Chanter. All of that treasure you will see will be waiting for you right here once you get into the game. I seriously hope that if you try out the game you really do enjoy and once again thank you to Raid Shadow Legends for sponsoring bigger videos like this. I really do appreciate it. Now we can go ahead and get back into these matches. Of course we had to start off with the main team of Krillin just to keep things traditional the Kame team and he's got a nice broly color on color too I believe the Perrigus reference won't help too much against Superdash Yomchisus but what can I say dude it's the oh never mind. Oh early it's early in the morning. First games and oh no he mixed himself. He stomped his way into a mix up damn. You hate to see it. That time we are not going to drop. I'm going to hold.  All right and we are back on top. I think I'm just let's just keep Krillin out. It's going to be a little more pricey. Did I actually spend three bars or was that just two? And that was three bars. Maybe that wasn't the six frames. Oh slow it down. All right. Never mind speed it up. Oh no this looks bad. Six frames in neutral with three frames for my combo. Hell yeah. Hit the lag switch deck. Dato. Oh let me get that. Wait are we we've gotten hit though. All right are we going to start things off with a little bit of a perfect. I think we've gotten hit. Hold on. Let me jump back just in case he bar locks. Can't afford to get hit by anything. If we get started off with a perfect that would be sweet nine frames. Hold on. Hold on to your horses. No. Oh that doesn't count as hit. I'm going in. It's really working out. Oh man. Just going at rapid pace. I'm going to go for a two and he's going to level three. He didn't get off me. Oh we're still kicking. I think is that enough. Oh let's go. No. Six and no. Oh we're still alive. Oh is that it. That's not a perfect it would have said it already. We got hit somewhere. Man I was that got really tense for me even though we had full health just because I really wanted to see if we could do it. Oh that was sick. It's crazy how much just GT Goku alone makes this team look a lot more scary than the Krillin edition but I have faith in Broly dude. The Broly version of the let's go. Oh you would have thought you shouldn't have been worried about me. You should have been worried about Bardock. All right get the threat. I didn't mean to do that. I that was just me. I got a little too much a little too saucy. We're just going to go for sliding I guess. Actually can I get three bars? Hold on. Let me see something real quick. All right. Oh I hit him. Resets. All right catch him. Did not get that other third super to land but whatever we still got a fast command grab. Defense overhead. Hold the defense. Ah I can't take. Another yeah I said this in the last video I did like this but the scouting report you guys have on me is crazy. These matches like you'll oh oh he had so little help for the double Sunday but yeah usually in these matches I get I get thrown a lot of dragon rushes my way because they know exactly what's coming. They know if they hit those buns I ain't taking it which is you know fair enough I won't let me pop up. Pop up get the grabby mistimed the down heavy which I can relate to unfortunately. Hit him is going to tech up. He techs up. Oh okay hold on what's the option for me reflect. Reflect again no Yamcha range will not reach. Gale claws I'm okay yep we're going to get out of that. That's fine hold on hold on. He's going to super dash. Let's go guard cancel. Yamcha has to really commit. When Yamcha does any button he commits. You've probably heard me say that if you oh. If you've watched some of my other videos where I play Yamcha it's probably one of his biggest biggest biggest weaknesses. Just his buttons take a long time most of them anyway. So that was a very slow assist.  Oh I'm not going to be able to get out of here but base Goku is going to be able to get a little bit of a spirit bomb rush. That's fine kill me if you have to I've already won. He's got a level one. That's enough damn. I don't even I should have I should have gone for only a two charge. See what we can take care of here. That was this heartening. Oh I had the correct read but I was too fast. Okay hold on. He does have he does have sparking so let me calm down. I don't want to accidentally mash my way into an early grave. He sucked me bro. I don't know where that came from. All right that's good enough. Good enough for me. How much damage can we get from this? Not enough. All right here's the part where we read sparking. How does Broly read sparking though? This is going to be tough. This is going to be tough. This is going to be tough. This is going to be tough. Watch the sauce.  All right oh he got in. Do the level one Broly. Do the invincible one. I lost the bar. I didn't do the invincible one clearly. Oh I got hit with another 2M. He's dropping it. Dropping it like crazy. Oh he accidentally saw. Oh he's dropping like crazy. He knows he could win but he's just the panic. Let's go. Come here. Do I make a reader? Do I stay safe? Reads. Guard cancel one more time just to keep Broly alive. Super dash. Goodbye. I am well aware of the unfortunate sparking timer running out. I don't think it would have helped him there but we got away with the win. A chaotic one but a win. OK we are now running the normal shell with GT Goku in the back you'll probably see him down there before it gets cut off by the camera but normally I would probably run GT Goku up on point just because that's how I would normally run the shell but you know just for keeping it just as the other guy had it. Uh oh. Oh that kind of sucked for that guy. I'm not going to lie. I have no idea how I got out of the corner there. Whoa. Did he just jump up in light? I didn't know that was an option. I don't even know if he knew it was an option. All right we're going to let's get Vegeta in here for the mix. All right keep locking, keep locking. Should have done the down heavy but I low key kind of panicked.  I was trying to stop the jump up that time just in case he went for it again. What's Yamcha level three? Probably the best level three we have in the corner. GT Goku would have swapped sides. All right I'm just going to 2M. Let's keep it classic. Ayy. Dude Yamcha's level three. I hope they don't, you know what? In season three don't even touch Yamcha. He's fine. Yamcha will be, oh Yamcha. Okay Arxist turn off the video. I promise Yamcha doesn't need to be nerfed. That hitbox was really cool. Behind the back? Oh nice guard cancel. Ah I shouldn't have done the heavy version. At least we didn't get stuck in the corner but yeah that was probably a big mistake. Oh no I got a block. I'm holding this. Back dash? Okay he still wants to put on it. Still want it to put on a decent bit of pressure that I can respect it. If he could just go back down so I could get somebody else out. Oh up take into dragon rush. I am not taking any of those especially. I don't pay attention when I up take. Block. I was holding down the buttons. Man I was, that was not heads up fighters. Ooh I tried mashing that. I thought it would work. Hopefully he doesn't level three. Okay wait. Yay I'll take this. Don't do it. Oh my goodness. Okay we've just from, it's been five seconds and the game has gotten out of control. The game has rapidly deteriorated for me. I got a little lazy with Yamcha apparently. I might not have been holding down the buttons firmly. Got a blue combo to dead and then Bardock just took it away from there. That was a pretty lazy beam as well. I mean we need a, hold on can we just, can we bump up the production quality? Oh my God we're not, oh my God. I literally covered my face with my hands because he should have comboed that but I got reset. Oh no wait.  I just have been playing very lazy. And now we need to get up off the ground. Okay he tried to like it. I'm down heavy. This was the laziest game of fighters I ever played. Are we gonna live? No we gotta bar, that's it.  Holy moly. That was a disgrace of a game. I'm waiting for Dota.  I will not make the same mistake twice. I made the same mistake twice. Oh okay hold on. Let me think, I wanna think. I wanna think for once.  This thing that you guys have instead of a square button in your hearts. All right let's go. All right we're gonna have to EX this just for the corner carry. Which it does a lot of. Hold on you might, you mind if I after image? No. Let me get this dragon rush in there real quick. I always gotta hype myself up for dragon rushes just because if it lands I wanna get hyped up. Spark early. I kinda respected me there with the hold. I'm gonna go six in here. Yeah I kinda let that one slide low key. All right we're gonna get away though. Followed up by the buttons of a lifetime EX. Ooh. Oh come on. I played really badly there but I'll also kinda, I don't know it says two frames. This kinda feels a little weird in places. It doesn't feel bad but it does feel a little weird. Uh Bardock where we at? Oh don't even try another fake stuff I'm out. Meadies. I struggle with them. I just went for the toes. Okay let's go hit in the optimal B&B mid screen. I can respect it but what I can't, what I can't respect is you not having vegeto. All right he knew I'd go for it. It's my bread and butter. It does seem to know I have to spark here though. Come on. Unfortunate positioning. Don't snap in Goku but how rude. All right we playing rude? Let's play rude. Let's play rude. Let's both be a little bit disrespectful. This kill? Oh my goodness. All right well we just exchanged raw level three business cards. Please don't hit me.  Wow that hit. I can't do anything off of that. I thought I had a bar. Get booball. Oh I got a switch that's fine. That's not fine but you know I didn't want vegeto to take that. Beam assist is gonna miss. Okay. I'm a little too close to the corner. Assist not up. Raw tag is not gonna come out that. You know what Bardock actually lives this way. All right let me down take buttons real quick. Oh come on. Okay this is fine. Beam assist in the back. Down heavy doesn't come out. Oh no. Okay hold on. Now this game got really hard all of a sudden. Look for the super dash. I think one will come. There it is. Get out of here. Wow it actually, it actually canceled the auto. I wanted that full auto ride. That's fine. Down heavy. No wow okay. Okay we gotta just keep switching him dude. Oh my goodness. All right listen listen listen listen don't do this. Oh I think that's the only thing you could combo with after candy beam without an assist or spark. Is that the only thing, can you, you can't do any level ones from it. Basically what I'm saying is we're gonna lose this game. There's no way we win this now. Not with my knowledge of Goku black if it, that means anything. What's the play? Okay hold on hold on. Let me not give up on myself just yet. Ah that was pointless. Probably could have just done a level one. Oh it's Goku versus Goku for the finale. Oh it's been, it's way too close. I need to hit him twice I think. Let's play it nice and slow. Anybody else noticing how I'm not playing it slow? Oh my goodness. Kill them. Oh I could have killed, wait wait wait wait wait. Oh I thought he would drop it. I could have killed him. What a drop. The Goku black inexperience really showing its true colors here. But you know what I honestly don't mind losing that last match because this team is kind of nice. At least if you're going to beat me at least I get to use this sweet team with a little bit of Kid Buu action. All right I did the little side switch there just to get corner. I was like wait I don't know any side switch combos with Vegeta let me just do it the old natural way. Wow I'm really losing it with these buttons. At least we get to keep corner off of this. I will switch though kind of I just won't be missing. Oh early spark just to escape Kid Buu. Okay I mean I've done it once or twice myself. How do you do that with Vegeta? Do you just need a key blast? That's probably what you need. Oh no thank you no more of that. No more dragon rushes please. I can't take anymore at this time. Oh man man we are playing really aggressive. I knew it was going to get us hit. That's why I was about to start saying it. He's going to reflect here. Yup. You know what hold on let's let's hit the optimal stuff. Maybe we can kill.  Nope. Nope but it doesn't matter we do get the secondary hit. Going optimal there was a bit of a risk. It's been a while since I've actually practiced it with Goku or done it in a real match. I'm going to switch here. I'm going to switch just to keep it fresh and Goku. Come here. Oh it was too too many. I thought he'd let me do one more round of lights and then I would go into something else. I can't resist going after those level three. Why? Wait why did that not hit? That was it too slow? Super Dash?  No Super Dash. I'm playing too slow. Hold on let me pick up the pace. Let me pick up the pace a little. I want to go I want to get aggressive. Down heavy. I'm sorry I'm sorry. Wait wait wait. He read it. Okay this guy is trying to adapt to the patterns.  Okay hold on let my limited kid boot knowledge help me out here. It didn't help. It didn't help.  It's been way too long since I played kid boot.  Nevermind kid boot is not going to help. Oh too high oh I kid boot balled my way into a beating. Damn that normal is so good though. I love that. You know what I want to say I want to learn kid boot but let's be honest I think kid boot is going to get nerfed. I think kid boot is going to get nerfed for sure. And I said that I said that last patch or the patch before that. But I just feels like he will. A little early on that one. Going to get him stuffed with kid boot assist and right now it's looking like we should have a very good chance of winning this. I just realized if he was playing Goku we might have had a chance for a dramatic finish. Oh no. No. Finally we didn't even take it but at least we wait is this going to hit. All right it does hit. Wow who would have thought I'd actually punish Okay I think we are heading into one of our last matches here. I'm going to do one more match after this if we can but if this is where it ends this is a good enough team to go out with another round with Bardock Goku GT and Super Saiyan Goku. And we are going up against both fusions on the dramatic finish map. Unfortunately we were not playing Broly so we can't get dramatic. I'm not like we could hit one we just get hit with one if anything but looks like it's not going to happen this time around Goku GT assist actually works. Down heavy oh we're going to take both. You know what any blue health is good blue health baby let me go ahead and I'm not hitting that. I was not hitting anything in that weather weather. Oh we made the subtle back walk. He said actually Bardock I don't want to get too close. I don't want to get too close to you. Bad switch I should have blocked it and then tagged but you know me I love holding down the rock Bardock. No. All right hold on that's fine take the low if anything take the low team. I should really hold down heavy there I'm going to spark. Let's spark see if we can get anything going. Shoulda let it rip all three L's never hold back. Kamehameha he's got to go out into two level ones even then it might it might not be enough not with sparking it's not. All right we just got to get out of there.  Assistant throw him back. Keep him in the corner. Wow he really woke up with buns that's fine. Whoa whoa whoa whoa whoa whoa why am I going like this there. There was no point to doing that I just and that's what made me drop the cow. I was like why am I going to waste the bar like this I could have just got it. No bar kill but you know it was too late.  Hit a Vegeta with shields up. Damn that sucked. Okay no hit no buns. Okay we jumped out luckily get off the boy. We're neutral oh all right get him. Six M that's fine. Go Gujiti click it buns back at it again. Damn I knew I didn't have enough for the spirit bomb but I thought I'd go for a little something something. Unfortunately dropped it who's he tagging into Bardock makes sense he's practically dead. Oh my double Sunday. And I know exactly how I want to end this. I call this the Bardock surprise. Oh God don't you think I've given up on my Bardock dream. My Bardocking stars. I was flying across the screen. There's no way that blue connection bar is real. Is that who we're going for with the final match. There's no way I've never seen a real blue connection bar. Show me 10 frames.  One frame delay it was real. This guy is my next door neighbor. And I messed up I'm so impressed. Wait wait wait wait did I just see that correctly. This is the best game of Dragon Ball fighters I've ever played. I'm having so much fun. And we haven't even started playing yet. Six in. All right let's see if we can do this. I don't know if I want to go. Yeah this should still kill. Oh the Yamcha seat. That's what I meant when I said I don't know if I want to go for the full version because Yamcha sits would have to mess it up somewhere. And it turned out it did. Down to me. Oh this guy is having not a great time with hitboxes. Oh well neither am I. That was a joke. I'm having a great time with hitboxes. This is a real blue connection I'm not only shocked. I'm grateful. Let me see if I can just I'm not gonna have enough time. Think of all the offline only combos I could do. Think of all the insane. I could probably go true BNB Broly. Whoa that was sick. Dude I'm not even kidding. This is basically playing offline. I literally noticed no difference. I'm actually low key kind of scared. I've never had this good connect to any delay based net fighting game ever ever. By the way that's why I'm kind of losing it right now. Not even just fighters ever in my life with delay based net code. What a final game. I'm not even talking about the game just the internet connection. He's gonna level three. Anybody that lives close to me must be infected by the same thing I am. The need to wake up invincible move. And I was correct. Must be something in the water around here.   He's still fighting. He still wants to win. What am I doing. That was not supposed to be an elbow charge. I've lost it. Don't do that. Wait level one that's not gonna kill. Okay that will I didn't block. I tried jumping. Do I start with an EX Galeclaw? Am I that much of a man to run up Galeclaw? I wasted three bars. I wasted three bars trying to get the outcome I wanted. I am the only one who knows what it's like to lose. Low key this might be a Vegeta comeback if we don't get our act together. Did I get this? Nope that's it's not gonna happen. Not in the cut. Did it ever move from one frame? I know I talked about it a lot but did it ever even flinch? That what a beautiful sight. I will not forget this King of Demons. I will not forget this game. All right that's gonna do it for this community ring lobby video. Thank you guys so much. Sorry if my level of play was a little lower than usual. I don't know what it is. I didn't warm up before we played. Maybe that was it but I usually never warm up. But today it just feels like I was all over the place. Hopefully you still managed to enjoy the video if you did definitely make sure to go down below and let me know. While you're down there you can leave a like and subscribe to the channel that really helps it out and you can also check out some older videos that will be on your screen right now and thank you again to Raid Shadow Legends for sponsoring bigger videos like this as always. No joke this is coming up to an hour of recording time and that's just recording time. I appreciate you guys so so much at this point by the time you're seeing this video season three of Fighters is probably almost upon us and I'm in the middle of moving right now so it's kind of all over the place for me but one thing that's constant in my life is making these videos is the most fun I've ever had and really I have you guys to thank for that. So thanks once again and I will see you in the next one.


अपका इंट्रस्ट्ट इक्पेश्ट तो तीःए आपको एक मैएर लेतिया या इंटिकेटर की वलिव आती है और उस अचर उप पस्टिप नमबर है, ख़ोल नमबर है गरिटर दें वान है तो इसका मैंबिल्डिया है, छए आपको इतने गुनन आपके पैसे है, तेक्स जि how much interest you have to pay TIE or times interest earn earning is also termed as the interest coverage ratio so this is another term which is used for this now as I mentioned earlier when your EBIT i.e. earnings before interest and taxes value is greater than interest expenses so your TIA number will be a number greater than 0 1, 2, 3 or any number you have so this means that you can bear the interest expenses and for example and if this number is less it means you don't have money to pay interest if we look at the earnings before interest and taxes to further explain this I am using an example suppose we are having a company XYZ which has 10 million dollars he has bought 4% debt outstanding 4% debt for 10 million and 10 million has common stock so the company is thinking that we should take some more loan but to take that loan we will have to bear more expenses in the form of interest so he wants to calculate his EBIT he wants to calculate his interest expenses so that he can figure out what is the capacity to give interest to him now the interest that is the debt of 10 million the interest on that that is 4% now to further expand he wants the loan and the debt so he found out cost of capital for issuing more debt is an annual interest rate of 6% so he wants money according to the market he can get it at 6% the shareholders they expect that we will get dividend from the company that is 8% plus some growth in the value of the stock so if we are assuming that all these things are happening with XYZ company now additional debt is going to be issued of 10 million so he is already giving 4% on 10 million he will have to give 6% on 10 million so what have we done we have multiplied 4% to 10 million 6% to 10 million the extra debt generated we have multiplied and you have accumulated the total value that is 1 million dollars annual so now with this information you have to pay and your EBIT that is assumed to be 3 million dollars so now we have seen the value of TI ratio so what have we done we will have the EBIT in the numerator and interest expense in the denominator so by putting these numbers which we have calculated EBIT is 3 interest expense is 1 million EBIT is 3 million so you calculate this ratio this means XYZ company has annual interest expense to pay the amount of money that they need more than 3 times they already have 3 times of money so this TI ratio tells us how many times you have extra money or you don't have so in both cases you will be able to calculate the value by calculating the TI ratio