आपा व्ला अटरस्छ्य योगा दिवस जच्यो work-just-yoga-day is like just gone वी आबिइ बिुगा के प्रती। as the age and health condition which is now पुरा विश्व एक योगा के प्रिवर्तिध हो गा। as the age and health condition which has been changed completely as a yoga community पूरी द्दर्ती माता जैसे योगा के लिए एक प्लेट्फाम बन गए है। और व्यक्ती की समस्त्री तक की यात्रा का एक आदार बन गए है। आब लोग योगा को स्रब आरोग्या नहीं एक वलनेस के लिए महतोपुन जीवन का अंग मानने लगे है। तब मेरी विश्व फर के योगा प्रेमियों को बहत बस शुभ्काँना है। और मदे विस्वास है के पूरा विश्व इस योगा अंदोलन के साथ जुडता चला जाएगा वलनेस के और अगे बरता चला जाएगा अब विक्टि और समस्ति का योग मिलन सुनिस्षित हो जाएगा योग के वल वियायाम नहीं है योग एक तनाव गरस्त विक्टि का तनाव वापस लेटा है दूर कर के उसे तनाव रहित बनाता है योग अशांत मन को शांट करता है योग अशान्त मन को शान्त करता है इसलि आईए, हम सब योग को अपनाए अपना मन भी शान्त करें और विश्व शान्ती के मार्ग पर आगे बरहें योग भारत की सान्सक्रितिच भी रासत है आज योग प�रे विष्यो में फेल रहा है अब इसके विस्टार के पिछे अने एक योग कुरुं का योग डान रहा है योग के दवारा पूरे विष्यो में लोग आरोग के वर्दद और रोग निदान का लाब उता रहे है विष्व योग निवस के सफल आयोजन हे तु मेरी शुबकाम नहीं असी को मुझा अग्स्पन्सियों डिस ता मरभिजो सा अक्तिविडाग लोग किसिस्टें दिखरेंटे से स्कुलग़ा योगा विस्टा सिखिसते है गाना जोगा बाकती जोगा करमा जोगा पातन जा़ा जोगा डाश्था जोगा कुन्दालिनी जोगा, दियाना जोगा, मंत्रा जोगा, लाया जोगा, जोगा जाईनिस्टा, जोगा भूदिस्टा, एक्छेतेडा. काद स्कौला दिने सु प्रुप्यों वोखे इसुस प्रक्टिकास, के जेवागा लोस अब्जेतिवो सुल्तिमोस दे जोगा. एक्छेतेडा जोगा वोगे लगा जोगा आपुप्रादिकागा, जामा, निमा, आश्णा, प्राडा इजमा, प्रत्या टीया राड, दाजाला ना, दीयाना, समादि, बनधा स्वूद्राष, शात करमाष, जुगता भूद्रा, मान्ध्रा जापा, इजुक्ता खर्मा, during the yogic practices, the following instructions must be followed. Before the practice, the yogic practice must be carried out in a serene atmosphere and in silence with a relaxed mind and body. It must be carried out with the empty stomach or light. If you feel weak, take a little honey and release it into the water. It is preferable to wear light and comfortable clothes to facilitate body movements. If you suffer from any disease, pain or heart problems of chronic character, you must consult your doctor of yoga before practicing it. During the practice, the practice sessions must start with a prayer or invocation, since this creates a favorable environment to relax the mind. The yoga practices must be carried out in a relaxed manner, being aware of the body and the breathing. Do not contain the breathing unless it is indicated like this. Do not keep the body in tension nor do brusque movements. Adapte the way to perform the exercises at your own capacity. The session must end with a deep silence or mantra shantipat. Do not eat or bathe until 20-30 minutes after the practice. Welcome to the world of yoga. Welcome to the world of wisdom, which is so relevant and beneficial today as it was thousands of years ago. Welcome to the world of yoga. We will start the Sahana of yoga with the chalana kriyas or extension exercises to increase microcirculation. Exercise of neck, flex the neck forward and backward. We place ourselves in posture of alertness. We slowly separate the feet and place the arms on the waist. We exhale and tilt the head forward slowly trying to touch the chest with the chin. We inhale and tilt the head back without forcing and return with an inhalation. We tilt the neck to the right and left. We exhale and tilt the head slowly to the right. We bring the ear as close to the shoulder as possible. We inhale and take the head to the initial position. We exhale and tilt the head to the left. We inhale and return to the initial position. We turn to the right and left. We exhale and turn the head carefully to the right in such a way that the chin is aligned with the shoulder. We inhale and take the head to the initial position. We exhale and turn the head to the left. We inhale and return to the initial position. We tilt the head forward trying to touch the chest with the chin. We inhale and return to the initial position. We exhale and turn the head forward slowly trying to touch the chest with the chin. We exhale and turn the head forward trying to touch the chest with the chin. We feel the stretching around the neck, the warming of the joints and muscles of the neck and the release of tension in this area. People with neck pain and spondylosis must do the exercise carefully. We put the legs together and the straight body with the arms on the sides. We inhale and lift the arms to the sides up to the head with the palms out. We exhale and lower them in the same way. The arms must not touch the head when going up nor the muscles when going down. The palms must be open with the fingers together. Rotation of shoulders. We exhale and lift the arms. We place the fingers of the left hand on the left shoulder and the fingers of the right hand on the right shoulder. Rotation complete of both elbows describing a circle. We try to touch the elbows in front of the chest in the movement towards the front and the ears when going up. We stretch the arms back in the movement of the back and touch the sides of the trunk when going down. We do the same in the opposite direction of the eyes of the watch and repeat 5 times. This child contributes to the health of the bones, muscles and nerves of the shoulder area. It is also beneficial for the spondylitis cervical and the rigidity of the shoulders. Rotation of torso. We separate the legs about 60 cm. We lift the arms to the height of the chest with the palms facing forward. We exhale. We turn the body towards the right side in such a way that the left palm touches the right shoulder. We return with an inhalation. We repeat. Go slowly, following the breathing. This exercise should not be done if it is necessary to transfer vertebrates and viscals during the menstruation. We relax in a tight posture. Move the knees. We turn the body towards the left side in such a way that the right palm touches the left shoulder. We return with an inhalation. Move the knees. We inhale. We lift the arms to the height of the shoulders. We exhale. We press the knees and we put ourselves on the knees. We inhale and we stretch the body. We repeat 2 times. This exercise strengthens the joints of the knees and the hip. We do not do it if it is necessary to stretch the body. We exhale while we lower our hands. We now move on to yoga sasanas. Tadasana. Tada means palm. We separate the feet 5 cm. We cross the fingers of the hands and turn the wrists towards the outside. We inhale. We lift the arms up and place them in line with the shoulders. We lift the heels of the floor and keep the balance on the tips of the feet. We stay in this position for 10-15 seconds. This asana provides stability to the body, relieves the congestion of the rakeid nerves and corrects the bad posture. We lower the heels while exhaling. We separate the hands and place the arms in parallel towards the torso. We return to the rakeid position. We separate the feet 5 cm. We look at the center point in front. We exhale, we stretch the right leg and place the foot inside the left thigh. The heel must touch the perineum. We inhale, we stretch the arms up. And we join the palms. We remain in this position for 10-15 seconds and we breathe normally. This exercise improves the neuro-muscular coordination, the resistance and the attention. We should not do it if it is arthritis or obesity. We exhale and lower the arms and the right foot. We repeat asana. We lower the left leg and place the foot inside the right thigh. The heel must touch the perineum. We inhale. We stretch the arms up. And we join the palms. We relax. Pad hasta asana. Padha means foot. And hasta means hand. We inhale slowly and raise the arms. We stretch the body from the waist. We exhale and lean forward until the palm is completely supported on the floor. We remain in this position for 10-30 seconds. People with rigid back must flex them according to their flexibility. Now we inhale. We raise slowly the vertical position and stretch the arms above the head. We exhale and return slowly to the initial position in reverse order. We relax. Ardha chakrasana. We hold the back of the waist. We exhale. We put the head back, we stretch the muscles of the neck and we lean back from the lumbar area. We relax, breathing normally. We remain in this position for 10-30 seconds. Ardha chakrasana. We flex the vertebral column and strengthen the ribs. We also improve the respiratory capacity. We inhale. We raise slowly and relax. If we suffer from hypertension, we take care of our flexions. Trikona asana. Trikona means triangle. We prepare the feet until a comfortable distance. Slowly, we raise the arms to the sides until they are horizontal. We exhale. We lean slowly towards the right side and place the right hand just behind the right foot. The left arm is straight up, aligned with the right arm. We remain in this position for 10-30 seconds, breathing normally. This posture prevents the flat feet, the muscles and the waist, and gives flexibility to the vertebral column. While we inhale, we raise slowly. We repeat with the left side. Avoid this posture if you suffer from osteoarthritis, as well as after an abdominal surgery. Don't force beyond your capabilities. Bhadrasana. Now we prepare for the sitting posture. Bhadrasana. Bhadra means firm. We sit down with our legs stretched forward. We place our hands next to our hips. This is Dandasana. Next, we put our feet together. We exhale and put our hands under the feet. We bring the heels as close as possible to the perineal region. This is the final position. We keep it for a few seconds. Bhadrasana maintains the firm body and balance the mind. Now we stretch our legs and move on to Virramasana. Avoid this exercise if you suffer from osteoarthritis. Bhadrasana. We place ourselves in Dandasana. We bend our knees and sit on the heels. The muscles stay together and the thick fingers of the feet touch each other. We place our hands on the knees. The head and the back must be straight. This is Bhadrasana. Ardaustrasana. We sit in Bhadrasana. We sit on the knees. We place our hands on the waist with our fingers down. We keep our elbows and shoulders parallel. We tilt our head back. And we stretch the muscles of the neck. And we flex the torso back as much as possible. We relax while we exhale. We remain in the posture of 10 to 30 seconds breathing normally. It helps strengthen the muscles of the back and the neck. In addition to relieving the stretching and pain of the back. We return with an inhalation. We sit in Bhadrasana. We relax. Now we perform the complete version of Ustrasana. We sit in Bhadrasana. On the knees, with the muscles and the feet together. We continue on the knees, separating only a few centimeters from the knees and the feet. While we inhale, we flex our back. We place the palm on the right heel. And the left palm on the left heel. Don't force the neck when flexing back. Ustrasana is extraordinarily useful for visual defects. It helps relieve the pain of the back and neck. As well as reduce the fat of the abdomen and the hips. People who suffer from hypertension, cardiopathy or hernia shouldn't practice this exercise. We return with an inhalation. And we sit in Bhadrasana. We relax. We sit in Bhadrasana. We sit in Bhadrasana. We separate the knees well. The fingers of the feet touch each other. We place the palms between the knees. We exhale and stretch our arms to the maximum. We tilt forward and support the chin on the floor. We keep our arms in parallel. We look forward and keep our posture. This posture helps reduce the stress and the air.  We exhale and return to Bhadrasana. We stretch our legs and return to Virramasana. People who suffer from osteoarthritis should practice the exercise carefully. Uttam Mandukasana. The final posture of Uttam Mandukasana is similar to a Rana Ergida. And from there you take a name. We sit in Bhadrasana. We separate the knees well. Leaving the fingers of the feet together. We inhale. We raise both arms. And we cross them behind the head. We place each hand on the opposite shoulder. We keep the shoulders and neck straight. We keep the posture for a while. This Aasana relieves the back pain and the cervical. It improves the diaphragmatic movements and pulmonary capacity. People with deep knee surgery should not perform this exercise. While we take the posture slowly, we raise the arms with an inhalation and put the knees together in the initial position. Bhadrasana. Bhadra means twisted. We bend the right knee and place the right foot next to the left knee. We pass the left arm over the right knee and place the palm next to the right foot. We exhale. We turn the torso and neck to the right. We remain comfortable in the posture. We turn the head to the initial position. We remove the hands with an exhalation. We stretch the legs. We return to Bhadra Masana and we relax. This Aasana increases the flexibility of the spine. It helps to overcome constipation and dyspepsia. It also contributes to the treatment of diabetes. We repeat the same with the other side. We turn the head to the initial position. We remove the hands with an exhalation. We stretch the legs. We return and we relax in Bhadra Masana. Makarasana. Makara means twisted. We bend the right knee with the feet wide apart and pointing outward. We support the head over the hands and we relax. This is Makarasana. This Aasana is practiced to relax in all the prone positions. It strengthens the relaxation of the lumbar area. Bhujangasana. Now we prepare for the prone positions. Bhujangasana. Bhujang means snake or snake. We bend the right knee. We support the head over the hands and we relax the body. Now we join the legs and we stretch the arms. We keep the front on the ground. We place the palms on both sides of the chest and we lift the elbows. We inhale. We lift the chin and chest up to the region of the spine. This is Bhujangasana. This Aasana is ideal to relieve stress. It also relieves back pain and bronchial problems. We exhale. We support the front on the ground and we stretch the arms. We stretch the legs. We lift the palms. We support the head over them and we relax. This Aasana. This Aasana means the neck. We bend the right knee. We join the legs. We support the chin on the ground. We place the palms on both sides of the body with the palms up. We inhale. We lift the legs of the ground all we can without bending the knees. We stretch the arms and legs well to facilitate the elevation of the body. We remain comfortable in this posture. This Aasana helps to relieve stress and bronchial problems. We tone the muscles of the hip. Now we exhale. We lower the legs on the ground. We remove the arms and we rest on the ground. Avoid this posture if you suffer from cardiopathy. Be your bandana. Now we move on to the supine positions. Be your bandana. Be your bandana. It means the formation of a bridge. We join the legs and place the arms on both sides of the body. We flex the knees and we take the heels to the knees. We hold the ankles firmly. We inhale. We lift slowly the knees and the torso all we can to form a bridge. We maintain posture without forcing. This is the final position. This Aasana relieves depression and anxiety. We strengthen the muscles of the lumbar area. Now we exhale. We slowly return to the initial position and we relax.  It is important that women in advanced state of gestation do not practice this Aasana. Uttana padhasana posture with raised feet. In this Aasana the legs are raised in supine position hence its name. We fall on the ground comfortably with the legs stretched. We place the hands on the sides. While we inhale we lift slowly the legs without flexing the knees and we put them on a 30 degree angle. We maintain this posture breathing normally. We exhale and we slowly lower the legs until we place them on the ground. We balance the center umbilical. Navi Manipura Chakra. Ardha Jalasana. Middle Aasana posture. It is known as Ardha Jalasana because in its final posture the body takes the form of an Indian Aasana. We place in supine posture with the hands next to the muscles and the palms supported on the ground. We lift the legs together slowly without flexing the knees. First we lift the legs up to a 30 degree angle and then up to a 60 degree angle. Now we lift the legs up to a 90 degree angle. This is the final posture of Ardha Jalasana. The body should be straight from the hip to the shoulder. Then we lower the legs slowly down to the ground without lifting the head. This exercise is very beneficial for those who suffer from hypertension but it must be practiced with caution. People with sacral umbilical pain in the lower part of the back should not perform it with the legs together. Pavan Muktasana We flex the knees and we take the muscles to the chest. We cross the fingers and we grab the pants under the knee. We lift the head and the shoulders and we try to touch the knees with the chin. This is Pavan Muktasana. Eliminate the stretching. Alive the flatulence and tone the muscles of the back and the raki nerves. We put the head back. We exhale. We stretch the legs and we relax. Avoid this exercise in case of abdominal injuries, hernia, sciatica and during the pregnancy. Shavasana Shava means corpse. This asana goes to complete relaxation. We sink our mouths up with the arms and legs slowly separated. The palms up. The eyes closed. We relax the whole body consciously. We take awareness of the natural breathing and let it be rhythmic and slow. We remain in this position until we feel renewed and relaxed. This asana helps to relieve all types of tensions and provides rest for the body and mind. It contributes greatly to alleviate stress and its consequences. Kapalabhajati stimulates the respiratory centers of the frontal locus of the brain. We sit in any position of meditation. We close our eyes and relax the whole body. With a deep inhalation we expand the chest. We expel the air with strong contractions of the abdominal muscles. We continue with active exhalations and passive inhalations. Then we breathe deeply. We exhale slowly and we relax. This is a round of Kapalabhajati. Each round must follow a deep breath. Now we do two more rounds. Kapalabhajati purifies the frontal nostrils and helps to overcome tussies. It is useful to treat colds, rhinitis, sinusitis, asthma and bronchial infections. Avoid this exercise and suffer heart problems and hypertension, vertigo, migraine, derame, hernia and gastric ulcers. Pranayama Nadi Shonada or Anuloma Viloma Pranayama consist of alternating breathing between the nostrils left and right. We sit in a position of meditation. We keep the spine straight and the head held with our eyes closed. We relax the whole body with deep breaths. We place the left palm on the left knee in Janamudra. The right hand must be in Nasika Granbudra. We place the right thumb in the right nostril. We breathe through the left nostril. Then we close the left nostril and exhale through the right. Then we inhale through the right nostril. We close the right nostril and exhale through the left. This consists of Nadi Shonada or Anuloma Viloma Pranayama. We do another five rounds. For the beginners the duration of the inhalation and the exhalation must be the same. Little by little we make the proportion between inhalation and exhalation be one or two. The breathing must be slow, constant and controlled. The main objective of this Pranayama is purifying the main energy channels. This nourishes the whole body, produces oxygen and helps to improve concentration. It increases vitality and decreases stress and anxiety levels. It also relieves the trastorns. Shitali Pranayama Sheet means fresh. It also means blind and dispassionated. As its name indicates this Pranayama refreshes the system mind and body. We sit in Padmasana or another sitting posture comfortable. We place our hands on the knees in Janamudra or Anjali Mudra. We bend the tongue from the sides to form a kind of tube. We inhale through the tongue in the shape of a tube with air lungs up to its maximum capacity and close the mouth. Then we exhale slowly through the nose. Shitali Pranayama purifies the blood. It exerts a refreshing effect on the body. It is beneficial for the people who suffer from hypertension. It calms the thirst and hunger. It relieves indigestion and the trastorns caused by the flames and hemorrhoids. It is beneficial for the skin and the eyes. People who suffer from cold cough or amygdalitis should not perform this Pranayama. Brahmari Pranayama Brahmara means black sheep. During the exhalation of this Pranayama the sound produced seems to be the sound of a black sheep. We perform a deep inhalation through the two nasal holes. We exhale slowly in a controlled way producing a heavy sound constant like the sound of a black sheep. This is a round of Brahmari. We repeat twice. It is very relaxing and it has been proven that it contributes to relieve the related trastorns with stress. Now we do Brahmari with Shank Mukhi Mudra. We cover our ears with the pulgares. We place the index on the eyes the middle fingers on the nasal holes and the ring fingers and cheeks on the lips. We open the nose and inhale through the two nasal holes. We exhale slowly in a controlled way producing a heavy sound like the sound of a black sheep. It is a Pranayama useful preparatory for concentration and meditation. Diana. Now we prepare for Diana. Diana or meditation is a continuous contemplation act. We sit in any position of meditation. We keep our back comfortably seated. We remain in Yana Mudra. We place the palms up on the muscles. The arms and shoulders must be distended and relaxed. The eyes remain closed and the face slightly up. It is not necessary that we concentrate. We simply relax in the interception and we are aware of our breathing. Diana calms down and so comes the mind. Increases concentration, memory, clarity of thought and willpower. Rejuvenates the whole body and mind and provides an adequate rest. Helps to develop positive emotions. Meditation leads to self-awareness. We are still in this state of Diana. Now we perform the Sankalpa.  Peaceful full of joy and love. With each of my actions I will try to create an atmosphere of peace and love around me. I try to eliminate the limitations of my present and include the whole world as my own. I recognize the affinity between my life and all the other lives. I recognize the unity of everything that exists. We finish the yoga practice session with Shantipa universal prayer.


Welcome back to Kids Fun Science. My name is Ken. Today's experiment is how to make a climbing spider. What you need for the experiment is a metal hanger, scissors, glue gun, string, straw, and a paper cut out of a spider. So the setup is to take the straw and cut it in about three and a half to four centimeters long. Make two pieces up there. So we'll cut these here and we'll measure it up. And it should be anywhere from three and a half to four centimeters. Pretty good right there. And then we're going to take the paper cut out we did. We did a spider here. It could be any size you want. I just drew a little spider. We're going to take a glue gun or you can take any kind of glue. A glue gun seems like it dries a little quicker and put it on the back where it's going straight up and down on the spider there. As you can see here, so you do each one and put it up and then let that dry. It only takes a couple seconds and it should look something like that. There's no exact distance it should be.  These are going to be your little handles that you're going to put in. Now you take the string that you measured ahead of time that goes up from the bottom of the spider up the first one and down the other straw coming right there just like this. And the string has to be at least 12 feet long if you're going to go all the way to the door. So you want to pre-measure your string and your doorway with your hanger that will show you how to set that up next. So now you have that set up. Now we're going to put the handles on. So take one of the two pieces here as you see that were the two centimeters, two and a half centimeters and we're going to tie them on each end of the string. So do a couple not, you know, like a double knot there and then you're going to cut off the excess of that. And then you're going to repeat the same exact process with the other two, two and a half centimeter straw. And then you have like little handles to hold on to to help raise your spider up. So you've got a regular hanger here. I just bent it a little bit and then put it over the doorway right there for that. And then what we're going to do, take the top part of the loop of the spider without tying all the loops around it and just put it over so it's right there. Hook it on the door and then your spider should be hanging down from there. So the spiders here, you've got your two end pieces and to make them climb, you're just going to grab each piece and you're going to pull one at a time pulling out and your spider is going to climb all the way to the top and to release them because these frictions hold them together right now. You should just let go of it and your spider comes down and then you can make the journey once again just pulling out a little bit and release and there goes your spider. So here it goes up and pull out and up one at a time. Your spider goes all the way up. I hope you enjoyed this experiment. If you did remember to click thumbs up and to subscribe. Thanks for watching.


I'm just gonna start an intro, I guess. Welcome to Res... No. Final Destination. Welcome to Resident Destination to... Resident Destination. Final Evil. So as you guys saw, death wasn't quite finished in that previous movie.  So who's next? So obviously, this movie's gonna open with the rest of that storyline. Because what else could it be? I don't believe you. All I remember when it came out was just like, they made another one. Sweet. I'll go see that. I want to see more people die. Yay. People come to see at this point instead of it. Like, if anyone's like, oh, it's the character work that gets it for me, he's like, uh-huh. Okay. So you'd imagine that maybe we have to crank it up a bit. Maybe not. Maybe there's gonna be some changes. Maybe they'll add some stuff. Take some stuff away. Who knows if we'll see returning characters or not. Maybe death will get some more lore, as was alluded to. But are you guys excited? No. Very. I didn't. LUMBO. No need to waste any time. Is everyone ready? Yeah. Thank you. Hello. I'm ready. One. Go. Am I the only one drinking? No. I've been drinking all the time. I've been drinking all the time. No, you say that. I'll start. So this is from the director of Snakes on a Plane. Oh my god. Give it up for David R. Ellis. I have never seen Snakes on a Plane. Actually, on a Plane is a trip.  You can hardly see it. But the button the guy presses on the microwave is just labeled snake. Oh, that's great. That was like the first movie that got big from like meming the trailer. Yeah. That was like the first one. Well, apparently there were reshoots to make it more meme-y like people would do with the trailer. Oh, yeah. I have had it with these monkey fighting snakes on this Monday to Friday Plane. Yeah. Samuel's not saying motherfucker enough. Tomorrow marks the one year anniversary since the lay air flight 180 exploded and crashed shortly after takeoff. That was right next to an eye. It's dangerous. I'm glad that the film is recognizing that people would be like, this is weird. Now to some, these deaths are just tragic coincidences. But to others, they're an indication that there are more sinister events taking place. Oh, they gave him a bite. Scary. And a camel toe.  I believe that there's a sort of force and it determines when we live and die. Well, I prefer to call it death itself. Is it like that?  When Alex Browning got off that plane, he basically screwed up death's plan. Wow, this guy just knows all of it, huh? Did he watch the movie? Yeah. He knows the whole plot. He watched it. If someone on TV said he's screwing up death's plan, we'd all be like, ah, okay. Michael Bolton is the production designer. Captain Jack, Johnny Depp. Mere coincidence would have one or two of these kids die, but not all of them. I mean, there are weird coincidences like this. There are people that survive one disaster and then get caught in another. Death, death. The only way to survive is to look beneath the visible world. What? Today may be your day to die. That doesn't make sense. Look beneath the visible world. Okay. Where's the TV remote, honey? Why would you say it that way? Just underneath the visible world. It dropped it there. Look at what's not visible. There is no way to survive. Why would you phrase it that way? You're just being rude. Who left this cheery guy on our programs? Kimberly, are you sure you've got everything? Credit card, cell phone, AAA card? Condoms, whips, chains. Help me open whips and chains. Whips and chains. Oh, nice. I'm glad you're wearing chains. I mean condoms. I mean, you're giving the people who will wear condoms. You know what, you just have a great time at Daytona. Can we go get the guys? I'm getting horny.  This is my horror movie opening dialogue. I wish to have sex. Calm down on the whore, please. Sex, sex, sex. Hello, I'm Kimberly, and I'm the whore.   Oh, no. Someone's on the blob. A thought bubble. The car's got a period. Go investigate that. That's weird. You should call them. Be like, hey, you got period blood in the car. Someone lose a leg? I don't know. A lot of blood here. I spilled cranberry juice where you parked your car.  Her life is miserable. Laugh in her misfortune. Laugh.  A little obvious song choice there. Death. You know the deaths of the backseat giggle in when they put that song on. Tee hee. Five, five, five fake phone number. Well, in Squid Game, they put a real number, and the guy is in hell. Yeah. Hey, Kimberly. It's dad. Listen, your car is leaking transmission fluid. Oh my God. Yeah. People. What you do? Dude, look at those jetties. Shit. Fuck, man.  Pull in the right lane now. Just drive like a normal person. Loud. Just act normal. Dude. Listen.  Be cool. You can just stop. Be cool. Hey, I think we better pull over and check the car. The car is going to be fine. You're going to be fine because we check things when there are warnings. That's why we're going to be... Oh no, a pregnant one. Oh. Delacal. Look at that guy. Literally drinking and driving. Drink response. Oh. Yeah, that's real responsible. Dial. Thank you. Oh, you weren't buckled before.  He's like, oh yes. Before I roll the beam out of my brother's eye. Ah, full boating.  He did it. It's death. There he is. There he is. Kill him. Kill him. Oh, look at this guy.  It's Chris Angel. Get over here.  Dude, there are so many conversations happening on this road. It's a very social highway. A social highway. Everybody's talking to each other. That's a call. Wow. That's fine. You deserve to get your leg burnt. I'm sorry. That's just... Put a lid on that thing. Yeah. Yeah, that was the coffee vision of a woman. Evil, the guy at the beginning who got his coffee spilled. He didn't have a lid on it. Really? Why are people... What are you doing there? Social highway, bro. What is this road, dude? Social highway, bro. It's called America.  Are you holding here? We're introducing all of these characters on this freeway. They're all doing very character-specific things.  All of these things? No. The electric fire again. Hold on. Uh-oh. That's probably bad. Oh. It's one of the best shots. You look pretty good in vid as actually what it came out of. Yeah. Oh, good. Whoa. No. Oh. Oh. Wow, this went from 0 to 11 real quick. What is this? It's a different car. The coke made him extra flammable. The water bottle stopped the brakes. Oh, God, that's happened to me before with the water bottle. I like you said water. Oh, his coming out. Oh, Jesus. Oh, everyone's exploding.  I think it may have. It's definitely got a bigger budget. This is actually good for 2003?  I don't know.   There's some CGI here. Oh, all these stuck seat belts. Yeah, death really cheating with that one as far as I'm concerned.  Who's driving that? Who's driving that? Everything. The T1000. I want to see the log death again, the first one with the cop. There's going to be a huge accident. We're all going to die. I just saw it. At least for her premonition, though.   She was having an elaborate hallucination. While she was driving, she was just hallucinating all this or what? Are we supposed to believe she- Time stopped. She braked here and then she- Yeah, it all happened not in real time. It went boom.   I don't know. I don't know. I don't know. I don't know. I don't know.   I'm protesting. It's kind of different hallucination. I need to take a nap. At least just pull over to the side of there. Like, what are you doing just preventing those people from going? Well, in fairness. Like, everyone behind you was the person in the light. How do you- Are you aware of, like, where everyone else that died in the hallucination was in relevance to where you are right now? I mean, she's- I don't understand- You're preventing all of them from going. Show me that, yeah, this is better than not doing it, right? Yeah. How does she know that they're all back there is what I'm saying? Well, but some of them might be. They're doing something. It's better than not doing it. Yeah, some people, I guess. Okay. What's going on here? I think there's going to be a huge pile up. Very far down the road and we should not be able to see it. How are we far down the road? It would be just no weird near vision. You'll hear about it on the news later. Yeah. She's preventing these people.  Instead of just- Right. People being saved. Yeah, but again, why not? The truck is going to kill everybody. That truck cut up real fast to them in the other version then. Like, calm down. Why would you listen to me?  What did that happen? No. So that timing doesn't make any sense at all. Yeah, I know. That was completely off. It was the same as in the first one. Yeah, but in the first movie, at the first movie, it doesn't make much of a difference. Yeah. Because they're on the plane or they're off the plane. Here it's like, this just doesn't make any sense at all. Yeah. Yeah, and she's worse.  Exactly. In flight.  Out of that car in the road. That car wasn't in the road. That car had to be out. You're right. Somebody spiked the water and all the truckers are going crazy. Oh my God.  Damn, this is pretty intense. Shit. Yeah, friendos are just dead-o. Anyway. All of them are scared as you can imagine. Scared. Yesterday, the kid wins the lotto.  For a second, I thought he was the guy, wreck-and-ralf guy, but he's not. John C. Riley? Yeah, that's his name. That's definitely not John C. Is it his hair that made you think, I think we're thinking that as well. I was thinking that as well. He looked like him and I'm like, no, that's not wreck-and-ralf. That's like, okay. This is a picture of actually wreck-and-ralf.  There's not so many times we've been together. I need to get to class.  Thank you, Eugene. I'm on to you. The plain one, I can see the connection easily. This one is like, could she really have caused all of that? It's like, it's confusing. I don't see how she caused it. That's the thing. Yeah, that's one of those weird-ass how-did-you-know kind of thing. Yeah. It was because you pulled over and caused a scene that it distracted the truck drivers for a long time. My logs. My logs. They're dislodged because I was distracted by you. My logs. My logs. My logs. Yeah, that's right. Why can't I hold all these logs? Why can't I?  Look at him. I know. I know this sounds crazy, but you guys all heard about Flight 180, right? My premonition was just like his. Some people even said that death itself was stalking them. This film is like, we want to fast-forward to knowing all the stuff our characters knew in the first one. Yeah. Which is kind of annoying because... I feel like that's kind of what they did with that one guy in the morgue. Well, sure. But we had a good 40, 50 minutes before we got to that scene. We skipped all that. I did wonder when watching it the first time, how the characters were going to figure it out. It was like, oh, they just got told by a guy who's a morgue guy. But who is that guy?  It's so absurd.  But if I was never meant to pull over, we all should have died in that part of life. Which means death could be coming for us. Oh, baby. It's hard to hear your slut friend died. Dad, why do you have to put slut before that every time you talk about it? What? Your slut friend?  I'm just saying, your slut friend died. I'm not insulting her. That's how she induced herself to me. That's how she made a collar. She died how she lived. Corny. Did mom ever have any visions or premonitions? This is a really bad feeling. It's not over yet. This is a very woody bruise. Yeah, I was going to say it's so orange. It's going to be that one. It's just, yeah. It would if this was a very woody bruise.  It would. It would like to have splinters later on in the movie. Yeah, baby. Oh, it represents life. Be careful. It's right at the top. Oh, it's an iMac.   I don't remember that iMac. It's a bad neighborhood. He's just got spaghetti sticking a pan on his table. What are you doing? Oh, well, no. Oh, there it goes. Why would you do that? Why did you make that spaghetti earlier? Getty is what they had in Canon. Okay, it was my shirt on. Oh, nicely. Yeah. Hey, E. Hey. Do you think you're going to be killed by Hayes? No, it's not Corona. Honestly, this won't even be death. It's not even going to be death. You'll just end up dying. What did he do? Why are you doing this? Why are you doing this? The wind. There'll be olive oil everywhere. It's not that hot. He's really bad. That's meaningful. Probably. Hey, eye. It's going to step in the eye. It's going to step in the eye. Yeah. Oh, no. Magnet. Magnet. Oh, no. What's your problem? This is offensive. Just wanted to say goodbye. Bye. Bye. Ah, that's the little grinder thing, right? Yeah. Dispose all. A Garberator? Well, because we don't have those. Oh. I can't believe he completely forgot about his shattering microwave spocking and exploding. Like, you fucking.  I can't believe he completely forgot about his shattering microwave spocking and exploding. Like, you fucking.  Dude, death is standing in the room right now. Just being like, wow, I didn't have to do anything. He's just watching this. The reason why this guy's saying it. The reason soap to try and get it out. It got in. He's totally killed himself. That's all this is. What are you doing? What are you doing? What are you doing? You're making everything worse. Excellent. I don't know. You're melting the fire. What's such irony? Oh, ironic.  Here we go. And it's how you had one. That was in reach of you the whole time. This music is not great. Yeah. I don't know what to do. Oh, rip. Oh, you got it.  That's not fair. Break it with your glass is not impenetrable. Use your noodles. Yeah. You could use the fire extinguisher again. Thank you. How many attempts are there here? This is all one attempt. Again, I don't think any of this is death. I think death is laughing. Whoa. Whoa. Super Smash Brothers and the AI level is one. You might have killed someone else at this point. Yeah. Oh, it's one of them bouncy ladders. Bouncy.  Oh, Spaghetti-o. Oisted by my own Patard. Oh, he's fine.  Now, roll away. Jesus Christ. Ow. Oh, did that happen? That had that much momentum, but I know. Wow. It's a very heavy ladder. Gotta carry people. He should be blind in one eye. Then he's got very weak eyes. Very weak eyes. Maybe. Again. They hit. Three after the bus accident. A nice shot before the coroner arrives. Are we to believe that death is like influencing him to do things like throw spaghetti at the window? Dude. Like, what's going on there? Sean William Scott's one said, decapitated by a train. What? Can you imagine the imagery and trade flag at you in the crypto channel? Oh, so main character dead. He was killed by a falling brick. A falling brick. So we died in between movies. He did in movies. Yeah, which is lame. A real off-screen game. That is lame. Yeah. Because I liked him. Very ceremonious. Kind of. I liked him. He was trying hard to save his friends. Accident took the life of a lot of winners. Everybody's apartment is horrendous. So wait, he was one of the lost people to die originally. Yeah. So it seems like the order is different. But then why wouldn't a lady who scored die first? Yeah, because she was the last one, if we were to believe there's an order like that. Investigators believe Lewis died instantly. Technically, Lewis died instantly. But it was a long way to that instantly. So just so we're clear. She got to be used to that, though. Blast. Oh, my God. God, man. Oh, man. That is cool. Oh, that's cringey. Oh. I got it.  Let me grab those tits. Do you think Apple paid these guys money for this movie? To an institution.  Yeah, padded room. Oh, they're on Long Island again. Oh, the things. Wait, really? Is there something in Long Island that lets you predict your own death? It looks pretty neat. I don't know what's going on. There must be something in the water. Am I right? At the request of the patient, you'll relinquish any sharp objects. Safety pins. Bobby pins. Your necklace. Well, wait, wait, wait. How come they're called safety pins and I still have to give them up? They're safe. They won't say. That's the thing. They're not safe. There's no way I'm going to remember all of these. Yeah, just go in naked. It's better for everybody. Actually, yeah, please do. I feel like, you know, at this point, like, yeah, why live padded room forever? Why? Well, you could. It's going to depend on the person. Maybe they're like, I'm going to beat death my way. Oh, we were talking about the movie. Okay. Wait. If I'm going out, I'm going out like, Nikikado Avocado, okay? Oh, no. You sure about that? Yeah. What do you really want to? Slow. That's a really slow one. Clear rivers. Don't come any closer how you think death is after you. Maybe if you're real lucky, you'll wind up in here with me. What if the other people are in danger too? If you put them on the list, they're already dead. What list? Death's list. Death's list? Oh, my God. What did she say if you put them on the list?  But my friends died last in my premonition. Dead last. Oh, so they're not getting killed in reverse order. I'm already out of here. No, they are. Yeah, reverse order. Right. Don't worry. You'll be the last to go. Don't worry. Once the others are dead, it'll come back for you. Lol. Thanks. Don't worry. Okay, person. You feel that don't worry with the appropriate words to put in front of that. She's like, you want to die, right? Don't worry. Death's coming back. In my premonition that Nora woman and her kid died, then Evan, then me and my friends. Death's design. Literally just one piece of paper that says death's design with three exclamation points. What does that tell? Why did you write that? What does that mean? Engages for cats. I don't know. See, Adam, it's for us. What does that give us?  It's death's design. Watch out for the sides. What? That's useful. Have you ever seen anything creepy or ominous and in-your-face irony kind of thing? See, this is, yeah, this is the whole trying to make people in real life go, ooh. He thought it's an arms on the ceiling. You got to help me. I don't have to do anything. But you beat it. Take a look around. What did I beat, Kimberly? It would be really ugly.  Yeah. Yeah. Does she get a TV inside her padded room? What was that? She doesn't have a TV.  Yeah. That's weird. Yeah. Yeah.   Yeah. Padded room. Yeah. Why do you have a padded room with a television? It's a padded television. The screen is bouncing. The screen is a native con. Why do you get that?  Wait, where did the TV go? Just so she can flip her off at the end. Is that the only reason I think that's it. I've been getting calls all morning from everyone who was on the on-ramp. We're meeting tonight at my apartment.   Oh my God.  Did you see that? See what? Pigeons. If Clear's right about the order then Nora and Tim are going to be attacked by pigeons. I'm not following. What? That's what I'm gonna do. That's a weird thing to say. I would be like, look, I trust you because you're really hot but people won't, okay?  Making people scared of the dentist. Oh no. Oh and that looks safe. What was going on there? They're constructing it. Come on, fish friends help him just like in Finding Nemo. Maybe they put him on. Oh, gee. That's not good. Nemo's Revenge.  Yeah. It's a classic.  You know what? If it makes people safer in general, maybe these movies were a really great show. Did it smash?  How is that pigeon okay? Thank God the pigeon's all right. That pigeon's a matter of steel. It is weird. It has the most common theory on the pigeon that just broke your window. Oh, God. Oh, thanks. Geez. Oh, Jim. Oh, God. It would be funny if the dentist also had Parkinson's. Maybe the pigeons. Oh my God. Just add one more layer. Tim, you'll be awake a little groggy, but you're not going to be able to move much.  Are you kidding me? He's like, we've got to do general now. New pigeons flew to the window. We have to change the procedure. The pigeons are angry about the anesthetic. Wait, he's not even under yet. Oh, no. What do I think? Okay, great. Thanks. The cleaning lady said they're at the Alice medical complex just on the 14th. Damn it anyway. Wait, what happened? Hold on. See, that was an attempt. That was an attempt, right? Yeah. That was an attempt. That has to be. Actually broke through.  The birds are in on it. Wait, the birds are good guys, right? You've got to keep counting each individual thing you could kill a person as a whole attempt. The attempts clearly... Okay, wait. Each attempt clearly takes the form of like several death threats. Oh, it's just nitrous. Any intention on the individual to save themselves I think doesn't count. It has to be someone saving them. Yeah. For it to end. Well, so far not a bad way to go. Oh. Oops. Lol. Oh, now I can breathe. That's a great face. I like that.  What did he say about your tooth? I can't remember. Pigeons. The pigeons. The pigeons. What are you doing? I like pigeons. No, the pigeons were on your side.   What? Awesome. Oh. There's some great actual effectiveness. No. So we are... No. We don't care about attempts at all now. Yeah. Whatever. Well, like I said, we have to move to the next like good faith assumption. It doesn't count if you save yourself. It has to be someone saving you. But he got saved by the person who took the fish out of his mouth. Oh. We're still trying to figure out how... I was supposed to say, are we supposed to assume everything that happened in the office was just a coincidence that wasn't death? But like... Yeah. Like what the fuck? Exactly. That doesn't make any sense. Coincidence. Well, I mean, yeah. I don't get it. I don't understand how this works. Think about that. So we're meant to assume that the only thing death did was, hey, one of the pigeons distracted that guy and it dropped on him. So the coincidences are this fish tank starts leaking water onto a shittily plugged in plug and then the nitrous just went to nothing and birds were flying into the glass to distract the doctor to leave. All of that was nothing, yeah.  Maybe death. Well, probably. Because she's in a separate queue, right? She's just number one because she's the only one left in her queue. Yeah. But I was going to say like maybe death, all he actually did was make the kid angry at pigeons.  He was like, you know what? I'm going to run into him now. I wouldn't have before, but, you know. And inconvenience these pigeons for almost a while. Yeah. And then they'll inconvenience him forever. What's this guy going to help us anyway? He seemed to know a hell of a lot more about death than he ever told us. Why shouldn't we knock first? He probably already knows we're coming. I like that he loses a spooky cave. Oh, is this where Tony Todd works? I mean, I feel like that was clear at this point. Yay. That's Evan Lewis. You can't cheat death. There are no escapes.  Alex and I cheated death not once, but dozens of times. I don't know it. No. No. Math. Why not? They're dead. He's going to do it.  Tony Todd's always stroking away with it. Tell me when it's done. Tell me when it's done. The first one's done. I think he has two. Yes. Yes. Yes.  Show that. Please. He'll touch me. He's in the two times. He sort of smiled twice. If you know anything that could help us. I know of many things that can help you. I just didn't tell Ali Larder in the first video. Did you hear that? Only new life can defeat death.  The introduction of life that was not meant to be, Kimberly. How do you know my name? How do you know my name? Maybe you guys are his death. Well, so I'm pretty sure that was a popular fan theory. Unfortunately, Tony Todd I don't think is in 3405 now. He's... What? Well, I don't remember him being in any of the other ones and I remember being annoyed at that. I think he's in one other one. Well. Like the last one. Oh, that could make sense. That's the one I don't think I've seen. I'm pretty sure it was a... fans of these films were like Tony Todd is death. What are you thinking?  Biatch? Got her! You got her, man! Whoa! We're gonna go until next... Ah, now she's getting triggered. Biatch? Biatch? Biatch? Oh, no! You just triggered her! So, this is like getting to Until Dawn. Yeah. Did this inspire Until Dawn? That could make sense. I wonder. Until Dawn was inspired by like 20 different horror franchises at the same time. Oh, God, it's dangerous day. Well, but the main... It's a dangerous day. They did a lot of that whole like premonition stuff. Yeah, I know. You have to tell us what did you see? Kimberly, look at me. You have to tell us what did you see? I know. Give me a second. I'm very angry. I'm joking. Can you please? It's funny that she needs someone else to be psychic still. She can't even pretend like she was partially psychic like the other movie. I was driving a white van and I was like crashing into a lake and I drowned. You're drunk. You're drunk. It's pretty obvious. We have to drain all of the lakes in the United States. I'll phone the president. Remember the on ramp? There was a pregnant woman in a white delivery van. He said only new life can defeat death.   It's for the best. If she gives birth to a baby that would have died in that car crash. We have to find her with the warning about the lake so she can stay alive long enough to have the baby. Next in line is the mom of the son, right? Should be. Yeah. Hey, look, that makes sense that that's how they could find her.  It's amazing. It's a great photo. Bad photo. She's about to throw up and then they took a picture.  Just powered up all the time. Hey, hold the door. Hey, let go of my shoe. So elevators do not do that. They don't. No, they don't. Is that dog shit, dude? Why? Why don't you do that? Because he's on drugs. Oh, you got something on there. I can get it for you. It's all right. Kiss. Kiss. There's some sexual tension right now. Just look. I'll let me do it. What? Hey. What's going on, bro? A glass bottle for milk? Wow. You can avoid branding that way. It's probably whether in more movies than real life. That is true, yeah. If what you're saying is true, that means I'm next. Nobody has to be next. That's the point. Nobody has to die ever. We can save us. They all be immortal angels. People rule the world and all the cosmos.  You'll get them eventually. Yeah.  Geez. Oh, Ryan. That was like three scenes ago. Oh my God. Bringing down the move. Just because Kimberley has these visions, it doesn't mean that we're not all capable of seeing signs to some extent.  I don't believe anything you're saying, but I showed up here anyway. Oh, yeah. I feel like this is still pretty reasonable as a position to have. Wow. That was unfortunate.  She's seen that coming. I should have seen that coming. She's seen that coming. She'll never admit that she's just not psychic. I was about to say right. You know there's the whole worry of whoever's next is dangerous to be next to them because you could get killed too or whatever. She's got it constantly. Death is just throwing a minigun at her in terms of just trying. This vehicle's been reported stolen. Wow. Ow. My eyes. Ow. My eyes. Good job. Wow. That was top notch. Look at her still crying. You can get a new son. Make another.  Like look, the only person who survived from the last movie is the one who tried to save the dog. That's true. That's a secret. If it is my time to go and be in heaven with my family, I can accept that. I have a funeral to plan.   All right. I'll be sure to carve that into your tombstone. What? You're under arrest. Even if you don't believe, give this to Nora. Surely death could just turn the phones off but will. Yeah. That's cheating. That's the thing right. I was thinking to myself like that's cheating but it's like what is the line for death?  Anything. I'm just going to make a chain break. Like that takes a lot of force. Yeah. You could say that's cheating. Anything that isn't really obvious to show on film is cheating. Sharp objects and bowling ball. This guy could just OD at any moment. Oh my God. Hey, look at me. I'm hook man. I just have one son. Wait a minute. Oh, they're like. I'm a hooker. I wonder what that's foreshadowing. I'm just like, now I'm taking a different lift away. Lots of prosthetic hands.  Who the fuck's giving you these clues? Yeah. Why would death do that? Can death not control the signs? Or is it death and he's just like he he he. Death does the tricks and then God gives the signs and they're just having a back up. Why? Anybody can see it coming if you're my man. Okay. So he's just a serial killer then, right? All right. That's the sign. He's just a regular old man. Leave him alone. He's just having a sniff.   And if you didn't call it, this wouldn't have happened. Is it safe to assume death is giving the hints?  Oh my God. Oh no. Short out.  You know if your head is jammed to the point where it's being dragged up by your whole body? Could that, that could already have killed it, right? Yeah. You know what I mean?  Jesus. Yeah, man. If you hadn't sniffed her, you freak. This is your fault. See, but even then, I don't know what it would take to convince me, but even then I feel like death is doing it.  And Isabella's being held at the Greenwood Lake Sheriff's Station. Oh my God. Another trope.  I know. Immediately. This is a little sad.  Thank you. Calm down. Thank you for it. Give me the gun. Give me the gun, Eugene. No. No, Eugene, don't do it. Don't do it. I don't know. This scene feels infinitely funny to me because his name is Eugene. No. Give me the gun, Eugene. Is it all going to be Duds? No, it's not his turn. Oh. Right? That's what they're going to say. I don't remember. He even addressed the suicide thing. You could literally jump off a building. No, no, no. It's funny. You can make so much money. You're missing the funny. You're missing the funny. No, they were Duds. That's the point. They were all active.    What do you mean? You've got so many options. That's so funny. He comes in as David Blaine. You could capitalize off of this so hard. Yeah, immediately get your career going as soon as you can. You've got to go, go, go, go. Put the next person in line before you in the padded room like Ali Larder was.   Can you stop pointing it at the whole officer? Wow, yeah. It is funny how in traditional sequel style they're trying to retroactively explain like, oh yeah, here's everything that people were thinking in the first movie, like the questions we had. So we're going to have definitive answers, but it's like, yeah, maybe there's some things you shouldn't answer because it does make it kind of silly. Oh my God. What now? My water just broke. You can't do this to me. I'm not here.  Take her to a hospital. What is she going to do? Steal a car in her condition? I'm very confused why he's just not doing that. There's got to be some protocol. I guess he's called an ambulance and get them to come here. You could deliver a baby in a jail cell with medical personnel. Yeah, but she said she didn't want that, okay? Respect. Yeah, well, she doesn't have rights right now. Oh my God. It's not the first time I cheated there. They're all going to give a story over this. Last year my partner and I were heading out when a call came in about a train wreck. That call had come in just 10 seconds later. I'd be dead too.  Yes. Because then why?   Yeah, and then you just had like an X amount of years buffer period until the car crash.  Yeah. Okay, so last May I'm supposed to go and stay at this cheesy little bed and breakfast. All the guests suffocated during the night. The bus I was on splattered some girl all over the road. Is the idea meant to be that this caused this? It spiraled out of control. Yeah, the bus I was supposed to do this to have an event instead. Well, it's just more cause and effect, yeah. I like how I say that. It's like this film makes sense. Do you guys remember that theater in Paris that collapsed last year and killed everybody inside? Blind tickets to go. Out of nowhere it just gets whacked by this falling sigh.  It almost sounds like it's saying that is true, yeah. Death in an attempt to autocorrect has caused more people to not die. Yeah, he's like punk. One day he took six months to put the paperwork. Yeah, he's gonna get it all right. I was thinking about it. I got caught up watching this news report about some kid that committed suicide.   That's not even a good way.  Yeah, kind of.  Oh, are they saying that she would have died too? Yeah, like it doesn't matter. But how else do you fill up time for this movie? In the previous one it was boring too. We mentioned this. They talk now. If you had never gotten off the plane, we wouldn't be alive in the first place. Oh, it's backwards because it owes them all kills from before. I don't know if that makes sense, but okay. I don't see how it makes any more sense than just doing it the same way you did the first time. Yeah, because they were all apart of different bubbles. The bubble theory doesn't even work anymore. Wow. See, Death can do that.  Hey! You're trying to break.  Wait, what just happened there? No, I want to keep driving. You're not going to make breaks where you're from, lady? Didn't long ago cause of any breaks? You're supposed to drive into it.  That was darling.  Eugene. Wow, I remember this. Wait, what happened to Eugene? What happened to him? They're all very clumsy. No, it's not going to wait. I got to go help these people. Do you want to deliver this, baby? Bruh.  You want them to die? Oh, there's someone there, I guess. Ehh, colon ambulance. You're low. You're low to call 911. Stop yelling. Women am I right? What happened to you? Tell me what happened to Eugene. I must know. Easy, I think he has a collapsed lung. Everyone okay? Collapsed lung? What? How? What happened to him? Hi! Are you okay? Why do all your things explode? We're going to get you to the hospital. There you go. Be careful with that. Oh, and look out for potholes and puddles. So you can't come in, miss. Watch out for power lines. Don't hit power lines. You're not crazy. Watch it. Where were those people driving? Were they just going to run them over? Yeah. I think it's one of those ways where the shot is cheated to make it look like he pulled them out of the way. Also, doing that, you should let him know he's now in a death cycle. Just saying. Potentially. Oh, yeah. You know what, just don't save people.  We're not complaining. Everyone's so clumsy. Super clumsy.   So the gas is going down this thing. How did death control that?   Yeah, we saw him doing the fist one. He's definitely a waterbender. Every time someone cheats death, it's a part of death's plan. He's like, I'm dead. You got to deal with it. You're going to die after me, right? Yeah, I guess so. Why don't you take these? He's got all of his coke in it. He just doesn't want to get arrested. And if I die, if you throw it on my drugs and anything that's going to break my mom's heart. He winds up being like the sweetest character.  Right. I can tell just by the way the scene is like shot and presented that they're not going to do anything dangerous here.  How long has this broken? Now the music is dead. It's danger time. Now something dangerous can happen. The music tells you what to feel. Could you be a little quieter with that thing, please? I'll just put it on quiet mode. Oh yeah, turn the volume down.  What are you doing? What are you doing? What are you doing? Um, okay. Wow, that came out of nowhere. Shit. Ooh, the germs. Oh, we're getting a double kill. Yeah, there it is. Now the news fan's going to explode. Yep. Very cool. Yeah. What? I don't brag.  This one has a great special effect. The most minimal reaction to that I've ever seen. Oh no. Those were really good special effects. Yeah, they look great. The deaths are kind of satisfying. That's totally where this is going, you know? Like as a series. It's like, I want to just see the cool death style. Also, they just did a double kill just like that. Yep. Two characters down. When I move, you move. Just like that. When I move, you move. Just like that. I was in a hospital. They were screaming. And a nurse was trying to choke me.  The nurse was choking me. I think a nurse named Collargy was going to try and kill Isabella. I don't believe you. I don't believe that a nurse was just trying to choke me. You think the nurse is going to kill her? The nurse was choking me and calling me a slut. Did you know there was a man with hooks? Yeah, they haven't actually reconciled that at all. The man with hooks, too.  Yeah, just don't do anything. Oh, come on. We're just going in a straight up mega telekinesis. Yeah. Oh, okay. I'm confused. This is all of the first movie. Did you miss it? Yeah, it seems to be even bolder about it, I guess. They closed a lot of doors in the first one. They're just leaning into the cheesiness of it. I think so, yeah. The camera angles are more of it. I don't know if this is self-aware cheese. This is very 2003, you know? Oh, no, I think they think it's cool. This is just what people accepted at the time. I think they think it's cool. Like, look at the deaths in the room with him. Get Dr. Collargeon up here now! You know what? I'm just going to wait outside, because I'm really just kind of even away here. Don't you dare! Why did she want him here? I don't know. She's imprinted on him. However long death takes to kill him, it's probably going to be just not fast enough for them to save him or just enough to save him, right?  It's like, we know you can do that faster. Why are you taking so long? Do you know what I mean? The whole plan death there was just to unplug something. It's like, why don't you just do that then? Dr. Collargeon! Dr. Collargeon!  They haven't thought that there could be anything else to it. The man with hooks thing should have clued them in. Clues are not necessarily... Well, I don't know if they ever realized that they were responsible. Well, they never discussed it. Yeah, the black guy just didn't tell them. They should have talked about that afterwards. Because they should have said, but the clue, we told you the clue, what happened? It's so funny to me that... Oh, yay!  I don't know, where did you define the life? Death's plan, man. So this movie is taking a hard stance on when life begins. It's like right outside the book. Yeah, that was a good point. Because it wasn't a life before, according to this film. What I find funny about this is that they've not confirmed anything, those characters. Look how happy they are. It's like, you've confirmed nothing. Tony Todd said that maybe something could happen. Yeah, you're making a jump here. And then like, why is Alli lots of happy?    So why would death give her this clue now? Well, that's the thing, who the fuck's giving these clues? Yeah, death isn't giving these to her. That's what the script is. I don't think Isabella was ever supposed to die in that pile-up. Try to remember. Thank you, I will try to remember. She just like, purposefully re-watched a vision. Yeah.  It's rewind time. Bloody hands.  Hygiene. Hygiene. Fire. Wow. Yep, Alli Loser is out of the show. Not every a special effect in this film. Yeah, that didn't look very good. It kind of looked the same effect.  I know. That feels like it should be. It's a very combustible universe. Bloody hands. It's me. The premonitions are about me. What? Ah, you see. It's funny how she has to logic her way through this, even though nothing makes sense for you. What? She's not really much of a main character to be honest. She's one of the most forgettable people in the entire movie, and somehow she's the main character. New life. Oh, look at that. I know what I have to do to save us. I have to die. That's crazy. No, just die for like a little bit. You can't give up now. We have to fight this thing. Get collagian.  What? Do you think death isn't going to hear you? No. That's quite funny to think about that. She's whispering some death, doesn't he? What was that? Sorry, what was that? Can you not get out? Oh, it doesn't work. The door just moves. Oh, no. Electricity and shut. She just drives it off the pier. That's what she saw in the vision. Why do you need a vehicle to do this? Why do you need a vision to do this? Sploosh. Well, I'm assuming you may have pieced together the idea here, right? Like, if she gets revived, that's the new life. Yeah, she's, I guess, read that and pieced together. I don't know why she followed the exact... Oh, that was a bad dive. That wasn't even a... That was a belly flop almost, yeah. Yeah, you like laid it on the stomach. What I want to highlight here is two things. One, she could have explained this to him. He might very well have been like, I understand. Two, this is not a good way to do this. Because, like... Very elaborate. Right next to the hospital, right? We can just drown you quickly in a bucket or something. Give me that anesthetic or something that gives you...  Yeah, and what if the cop was like, oh, I trust her. She knows what she's doing.  Maybe give me the gun it's for her, you know? Yeah, absolutely. You put the gun right up to the glass and pull the trigger. Yeah. Doesn't that work underwater? They will for a little bit. Bullets slow down appreciably underwater, but straight out of the barrel, I would have... Yeah, it'll have an effing energy once it leaves the barrel. What was that highlight reel for? I don't know what that was about.  Oh, it's the choking machine. Or it does count. She's choking me. Come a largee and... A largee has had a rough day.   First the explosion and this crazy suicidal person. Clear. She's back. Welcome back. We lost you for a minute there.  We have no idea if that's done anything, but hey. Death's goal isn't to end your life. It's to just make your heart stop for a bit. The funny thing for me here is the lack of camera angles and music is the only reason we know they're safe. I know. It's a very transparent and manipulative presentation. They did that in the last one as well. Lighting! Yeah, the sun is coming. There we go, we did it. We're outside now. What is the point of that red light? Okay, that's the... It's the big ol' sun. It's the clue you in that thing. The sun has gone red in the middle of the day. Blood has been spilled this day.  Yeah, Brian. Oh, hey. Careful, those things are dangerous. How are you trying to eat that? Yeah, what were you doing? This is the weirdest way to do it. Trust me, I think I've been through a closer call. Yeah, me too. Brian was almost hit by that news van that day in the field and your friend Rory, he pulled him back at the last second. Oh! So this film's messages don't save people's lives. Saved his life. Boy, that was lucky.  Pretty good. No, I'll be honest with you. Oh no. Oh no. This is the one scene in the movie where I was like, are they self-aware?   Yep. I find it all very bizarre. And I think that they're getting lost in their own rules at this point to trying to establish like... I honestly don't think they even know. The problem is that they need to fill like an hour and a half run time. Yeah.  And because you have to find the sequel steps for by adding all these new rules. Well one of the things they did as well was more people. So they had more deaths to do, I think. And that's just like, that seems like the obvious, I guess. There were some satisfying deaths in this one though. Yes. And I really love the opening car crash, yeah. I love that. And it's probably like the most personally relatable and like realistic. Driving is like one of the most dangerous things people do in their day-to-day life. You know? I don't know, watch the bad movies.  In between the two recordings, one for P, I was thinking like, hmm, am I just going to go into my room and be like, oh, there's so many things in here that could kill me. Yeah, we're going to be paranoid now. I had the opposite effect. I was like, no, it just made me realize how hard they had to work to make like the deaths happen.  Right, yeah. I'm firing a shot into her neck that forced her into the other room that pulled a towel on some knives and then a chair fell on the knife. You know what, I feel safer, honestly.  Let's be honest. Anything around me could just explode at any given moment.  Oh, careful. He doesn't like it when you say that. So better or worse than the first one? I think it's worse. I liked the opening, but I thought it was worse. It was more boring. I way prefer the deaths and the production of it, but the script seems worse. Yeah, but those scripts are so bad. Like, it's difficult for me to call this one worse. I think it's worse. I think it's about the same. All things considered. The rules get way more confused and muddled and I don't think the characters are strong. The plot's worse. But do we watch this for the plot? Well, I mean, it still relies upon the plot to the point where you get out of it. I guess I feel like the first one is a lot more novel and it's like actually trying to do something with this concept. The deaths stuck in the first one. I mean, more so that like the first movie was trying to explore this concept. I mean, it still didn't do it well. Like the first movie survives because it was the first one to do this concept in that way, right? It didn't do it well. There was more character in the first one. I feel like those characters were more clearly defined than in this one. I think all the characters sucked in both movies. I'm not sure. I agree. Because I'm remembering that one moment with Druggie Guy, where he cares about how his mum will think of him after he's gone, which meant a little bit more than I thought at first because that means he's come to terms with the fact that he's probably going to die, which made it even sadder. So that's something. Eugene, you know, I appreciate Guy being like, I got my own goddamn free will, even though it's pretty quick. I don't know which one has the better character work. I don't know. The first one had better characters, but this one had better deaths. Yeah. What do I want out of the movie? What do I remember from the films? I got it for like two years. What am I thinking about? I'm thinking about the opening car crash scene and the dude throwing spaghetti at the window. I guess the problem is later on, they get like really crazy with the deaths. I don't know how much that's worth to me though. There's a personal relatability to a gigantic car accident on the highway.   That's fine. You might think of this movie, right? Yeah, but like, so compare this to Jaws. It's like, well, they've both done the same thing, really. They made people afraid of a thing. It's like, okay, that's relatable. It's like this, I don't know. Relatability.  No, but it made people afraid of the water. No, I know that it made people afraid. What I'm saying is that the fear is more rational in this film. I don't know what that's with. And that's why it gets me. Yeah, what does that like, okay, so a horror film, does it need to have Q and still a rational? No, but if I'm speaking as an individual, I'm more afraid of rational fears than I am irrational fears. So that's why it's good to me. I mean, I guess I can appreciate that in the sense that like, for instance, science fiction horror stuff kind of, I feel like is more effective for me then. Yeah, I was going to say, I think some of the stuff that scares me the most is non-realistic or grounded or stuff that's... Non-realistic doesn't necessarily mean non-rational, though. So what I was getting at was more so that like, I can be scared by the idea of some crazy alien because it's like, well, maybe...  I know ghosts aren't real. Yeah, exactly, exactly. Yeah, and I was going to say but I could make that argument for Final Destination. I'd be like, this is absurd.  The imagery of the car crash is irrelevant to whether or not there's a personified death, though. Is it? Right?   Interesting. Yeah, it's not quite how stuff sort of gets to me.  Like, damn. It reminds me of that horrible death, you know? Yeah. I don't know if I would call any of the other, like, elaborate deaths in any of the films that we've seen so far. I don't know if I would call any of them realistic except for that opening scene in the second one. Well, you said that it wasn't realistic for the plane just because it's unlikely. No, in terms of how it could, like, if you're going to die in a plane crash, it's going to be boom all of you at once. The way that it was handled, it was kind of like cheeseball sort of thing. Right. Well, I think a lot of the framing of the first catastrophe in this final destination movie is the fact that, like, if you zoomed out on everything, you would be just shocked at why people aren't breaking behind it. Yeah. You're not dying. They even showed us one of them couldn't break because of a water ball, but the rest of them just kept on going for reasons. They showed, like, the pilot was already huge and then, like, trucks drive through smoke and they just don't stop. That truck driving through the plane was weird. I'll agree. So you're saying you don't relate to driving your car onto a train track and then getting locked inside your car? See, that to me seems like another example of death cheating, but I'm not even sure what I think death cheating and not cheating really is. It's an incredibly inconsistent movie with no real rules. The whole movie centers around a bunch of characters who are trying to circumvent rules. You just don't have rules. Then it's like, I can't get connected to anything that they're trying to do, which is what a film is. You have to pretend to have a story. Well, yeah. And honestly, I think that as a result of the ineptitude, because there's a lot of that, it just gets to the point where it's like, you're all here just to watch the elaborate way we kill a person, right? And you're like, yeah, I guess I am. Yeah. That's what I'm here for. That's why you can only make so many of these probably if you're never going to expand on what story you want to tell, other than there's a big thing. They survive it and then they all die one by one. You might even be better off not having an order at all, honestly. Maybe, yeah.  Oh, see, we were caused by this. So it goes backwards. So I close the loop. I don't know how that makes any sense at all. Well, and also, you telling me that these people have never come close to death in their entire lives with someone doing something to put it out of there. Even when they were like a baby or like medicine that they've had, you know what I mean? Like, does this count or does it not? I would have died without surgery when I was a baby. Does that count? That's what I'm saying. I would have died if my mom swallowed me instead.  You cheated death? Yeah. This is our cheat death by eating his nuggies and stuff. You're getting death by not watching your video.   They don't know. I don't think they wanted people to think too deeply into it. Nope. Yeah, it's like they're kind of doing it both. Like, don't think about the rules, but here are the rules. Yeah, you kind of can't do that. You got to pick one, you know? Also, I'm pretty sure, I don't know if we ever get an answer on where the visions come from. I guess we just have to not do anything about it. Well, so this is the problem. It's worse than us being like, oh, maybe it's a God. Maybe it's a happy fit. The hook thing ruined everything. Yeah, what was that?  They were like, oh, they got the wrong idea. Or was it death being like, is it padding? Because they need things to do. Like, you know. They need a plot, yeah. If you think of all, what is the totality of things that happen in file destination movies?  Traveling in cars. And then clues, fake outs and clues. That's like it. Are we a little bit tied on this in terms of is one or two better? I prefer one is what I would say. I prefer one, I think. It's because I, well. Yeah, me too. I prefer one because it feels quaint almost. Like the novelty of it. Exactly. You had an idea that was pretty cool. You didn't do a whole lot with it, but you kind of tried. I don't feel like the second one expanded on that in any real positive way. I find the second one a bit sillier. There is an entertainment factor that comes with that, I suppose. I would rate them both the same, but I prefer the second film because there are moments that stick out from the second film and are ingrained in my mind in ways that the first film will never do. I'll tell you what. It's just funny how things have evolved because I remember particularly my two of my sisters when we first watched this movie. The one where he died in the bath in the first film that like partially scarred one of them, I think. We were sort of taken out almost immediately just by like the nature of all of it and just I wasn't convinced that there weren't ways he could have saved himself, you know, just stuff like that.   And like the car crash, it seemed like they had the least amount of control in that scenario in like they didn't have to try to die in those, you know? That's a well-constructed sequence in terms of getting that feeling that it's going for. Yeah. I don't know if does anyone here feel that the airplane was better because I don't either. I prefer the airplane. I prefer the airplane.  So the reason why I like the car crash more is how dynamic it all feels in terms of so many different things are happening. That too. The airplane was kind of, it felt more so like an and then in terms of just, oh, the side of the plane's coming off.  Why? Oh, okay. I guess, oh, that's an interesting thing to think about. Yeah, like the order, you may have convinced me because the order is not, it's not appreciable in the plane. Like the order is something that they have to relay to you through a newsreel because there's no way that you could have figured that out on your own. Yeah. Anyone else want to say anything before we say goodbye to the wonderful people at home? No. By Zynga. No. Wear your seat belts. Yeah. Yeah. You cross the street.  Doesn't rip off tires at will. This is like, he just does stuff. At least they can work for it. Yeah. I cannot. Yeah, that's my advice for life. Do not throw spaghetti out your window.  What did you learn? Don't waste it. Don't waste it. Get rid of airbags, all right? Airbags to seat belts. Airbags to seat belts.   They did that on purpose, didn't they? They did that on purpose. Those fuckers. Is this the final destination agenda? Yeah. I don't trust it anymore. Okay. Goodbye, everybody. Goodbye. Goodbye. Bye. What did you bring me?


I'm just going to smile for about five minutes. I cannot think of a better way to end this incredible day than by swearing in our next chief of naval operations. You're here. I'm going to get through this. Actually, the individual who, quite frankly, has the first responsibility in the many steps that takes place in nominating both our three and our four-star admirals. I take this responsibility probably more seriously than anything else that I do as Secretary of the Navy. Because I know, be to pick the very best admirals and generals in our United States Navy Marine Corps that will far outlive anything that I do at the time that I'm Secretary of the Navy. So this is extremely important for me. And I am so proud that I came out of that process with the strongest of convictions to nominate this woman to be our next chief of naval operations. Because she has absolutely all of the operational experience, the vision, the strategy. And perhaps where I believe to be perhaps even the most important characteristics of a good leader is the inspiration to truly touch the hearts of the thousands and millions of men and women that show cross paths with and her tenure as COO to make our Navy, our nation, that much stronger. So before she changes her mind in any way, close the door. And please rise. And Admiral, please raise your right hand and repeat after me. I say your name. I, Lisa, Maureen, Brian, Kenny. Do solemnly swear that I will support and defend the Constitution of the United States against all enemies, foreign and domestic. I will bear true faith and allegiance to the same. And I take this obligation freely without any mental reservation for purpose of evasion. And that I will well and faithfully execute the duties of the office upon which I'm about to enter. Execute the duties of the office upon which I'm about to enter. So help me God. Congratulations. Everyone, sit down for a moment. And thank you very much, everyone, for being here today to celebrate this day with me, with the Secretary and with my family. Mr. Secretary, let me first thank you and thank the President and the Secretary of Defense for your confidence in me, for the opportunity to lead the world's greatest and most powerful Navy that provides options every single day to our nation's leaders. And for me, this is a great day for my family. Let me say thank you very much. I have my family that is here, Jim and Isabel. Thank you for your inspiration every day. I have my brother who is representing my family that's there somewhere on FaceTime, who has supported me for so many years. And I always say that families are the glue that holds our Navy together. And I know in my case, that glue is extra strong. And it is what inspires me and it supports me every day. And I couldn't do what I do every day without you.  But I would just like to offer it one more time. You know, I joined the Navy for free college. I'm a Northwestern ROTC student. It was going to be four years and go on and find something else to do. And what I stayed for was those teams. I stayed for the mission. I stayed for what it is that we get to do for our nation every day as part of those great teams.  It's going to be Maine to Florida. You know what's going to happen at every exit. But our life really is more like the Potomac. It's windy. It has lots of turns. It has rough spots. It has eddies where you get stuck. But if you know what you want to do and you have your eyes open to all the possibilities that come from those twists and turns and eddies, then you can achieve all those things that you want to do in your own life. So as I have this incredible opportunity, Mr. Secretary, to lead the world's greatest Navy, let me say I am proud to serve alongside each and every one of you and the sailors and the Marines and the joint force that you represent. There is nothing that we can't do together. So I am proud to see you in action. I send a shout out to all our sailors that are standing in the watch today, keeping us safe, deterring our adversaries so we can be here and have this celebration today.


God has been creating me in my ministry, which has been somewhat of a late-comer, a late-bloomer, because I didn't accept a call until I was beyond six careers. And so the Lord has used me as a change agent in many ways to go and minister to the poor, to help those who are lost, to bring to the fold life, renewed life. And so over these past years that I've been serving, I've had the opportunity to serve in the urban community, at the same time serve in cross-cultural appointments, where I've had a vision that all of God's people should indeed be together as one. I'm often reminded of the Pentecost and how all of God's people came together and spoke many languages and all understood one another because of the Holy Spirit. And so my hope for this time and throughout my journey is that this will come to fruition here on earth. One of the ways that God has been creating over the course of my ministry has been admissions. Although I have long had a passion for prison ministry and ministries for the homeless, being ordained has given me ways to live into those and other mission opportunities. I've been blessed to be part of Kairos outside, a ministry for women who have a love point in prison or who have themselves been in prison. And then through the dedicated work of Reverend Holly Bandell and Lady to Craig Jacobs, First Plano is a member of Family Promise in Collin County. And I've been privileged to spend the night on many of our rotations with these families and see both their ordinariness, any of us might be in their shoes, and also their extraordinary dedication and flexibility as they get back on their feet. We and I have been blessed through these and other outreach opportunities that enable us to see the world beyond us and attend to the needs of those who are hurting, whether physically, mentally, emotionally, or spiritually. After graduating from seminary and doing an internship and spending three years as an associate pastor, I thought that I was really ready and knew everything there was to know about being a pastor. When I arrived in Maybank, my first pastorate, it took less than 48 hours for me to realize that I didn't know come from Sycambe. Over the next 40 years, God used countless laypeople in each of the churches where I served to show me how to live as a Christian and then how also to be a caring pastor. So my advice to any of you who are beginning your ministry, watch, listen, and learn from the laypeople in each of the churches you serve. After about six months of phone calls to Bill Crouch back in 1994, 1995, asking him if he had a church that I could be assigned to, he told me he did. It was a church of misfits, he said, you'll fit right in. And it was that kind of church, Richland United Methodist Church, but gloriously so. During eight years there at what became Cornerstone, we sold two church campuses and built a new church at a third location. And for one who was most happy walking amongst the wildflower fields, now I finish in Mesquite, a community, a microcosm of America itself, undergoing rapid demographic and cultural change, frustrating and fascinating both because God is in that change, just as God is in each of us and in the spaces between us. That knowledge affects the way that I see everything and everyone. The light is in all things, all people. God's been creating in me ministry from the very beginning, sending me wonderful people, laity, clergy friends, like Roger Morris who was a large German in my first church, always sat on the third row in front of the pulpit and fell asleep every Sunday, my first year in preaching. And I was determined, I was determined to keep him awake and by the end of the second year I was doing that. But other wonderful people, laity, clergy friends like Jordan Groom's mentors like Ted Dotts have been sent by God to help shape me in the ministry that I do. And I continue with that, paying that forward as a part of the life that I live in ministry. The people of God, the people of God, we come in with our little bit of knowledge thinking we're going to show them the way of faith and the truth of the matter is that they show us again and again and again. So I have seen God working repeatedly and consistently and continuously through the lives of the people that I have been blessed to call to serve for churches over 20 years and God has never failed to teach me through them what a life of following Christ is like. Well when you ask about how God's been creating in me in my ministry, I have to say God had to start with raw material. It was 51 years ago when I was a junior in high school that I began to serve my first church. And then over the next two or three years I served several other small rural churches and I was never happier in that setting. And then I moved to the big city of Dallas to go to seminary and that's when God opened my eyes to the plight of poverty and people who lived in marginalized communities. So I had the joy of working in what was then called the East Dallas Cooperative Parish with John Thornberg and Bill Bryan and others and it was just such a great time. Then I went from there to an affluent growing suburb of Flower Mound and to Pastor Treach and I was there for almost 18 years and then I went from there on to the conference office to become a bureaucrat for Jesus and help start new churches in the North Texas Conference and help with revitalization. So I guess when I look back I realize I didn't know what the heck I was supposed to do any place I went to do it. It just took God's creativity and a lot of loving lay people and the churches who helped shape me and mold me and raise me up and be patient with me and forgive me for all the mess ups that I made as their pastor. God has been creating in my ministry even before my birth by sending a young pastor Reverend H. Grady made to his very first church College Mount in 1916. Years later in the neighborhood I grew up in a family invited me to go to church.  That family was the grandson of H. Grady May. Now there have been other people in my ministry that have greatly affected me like John Poe Hensley, Fred Durham and Reverend Linwood John Roberson. He had a vision of 12 youth who would be called into the ministry. I was one of the first of those 12. Later on it was Dr. Gordon Cassad of Walnut Hill United Methodist Church who put me back on the road of licensed ministry. I'm ending my ministry with that same church that H. Grady May began his ministry College Mount United Methodist Church. After 29 years I indeed believe God has called me into such a great ministry of touching people's lives and their touching mind in so many ways. It's a very odd thing to find oneself standing at that strange place where active ministry meets the retired relationship. So now as I look back at the diversity of the settings and the unique challenges and opportunities of those places to which I have been appointed. And those communities to which my family has lovingly gone. I can only praise God with a heart of deep gratitude and with a profound hope that I have not only heard but also tried faithfully to live into my understanding of ministry as loving God by loving others in God's name. As doing justice, loving kindness, and walking humbly with God, God's presence with me and gifts to me have changed my life in ways beyond my ability to name or number. But I do know that the change has been transformative. As a kid from a small town on the western edge of the conference has now spent his entire adult life 47 years under appointment by the North Texas Conference. To places we once called foreign but learned to love as home. To settings in all four districts of the annual conference and even on the conference staff and in the Episcopal office. So to the question then of how God has been creating in me over the course of my ministry. I think I simply want to say that God has been creating in me a wideness for God's mercy and that in whatever small ways I have been privileged to share that good news with others. In my ministry, I have learned several things. I need to say I am learning several things because you never quit learning, hopefully you never quit learning. But God has been teaching me that whenever something really seems to be a tragic thing happening, something unexpected and looks like it's going to be just a complete disaster, don't panic. Just wait and start looking because something wonderful is about to happen. And God's going to do the most amazing kind of things and there's going to be transformation in the situation. And in me this is a wonderful lesson that applies everywhere and every part of your life and every part of your ministry because God is the one that does the transformation. God used some very lonely decision points when I had to decide which way to go so often I'd be in prayer and God would be nowhere nearby. And I found if I took the world denying path, God would meet me around the corner and lead me into great life and great ministry. So I found out that God was creating me by a call that was a yes after a yes after a yes. And that still continues. One of the biggest yeses was in 1983 because of reading Luke's Gospel and Sojourner's Magazine and also wanting to be an urban person and realizing that being an easy middle class person in America was not the Gospel life for me. I asked for an inner-city church and the district superintendent said he could still hear my feet on the stairs when that appointment was made. I didn't even make it to my car. That was a big change. And through all of this creating of God and active God in my call and ministry, I've been trying to answer the question we ask all those interns at the end of their evaluation. What is your theology of ministry? I had to make up a word to make mine. As a minister, I'm the storykeeper. I don't live the strongest discipleship story, but I'm near the lay people who do. And the theological education, which belongs not to me, but to the church, helps me polish their story of faith and then link it to the old, old story, especially in communion. So I'm the storykeeper. My ministry has been a journey of self-discovery, some of that through introspection, some of it in connection with others, and most of it in the context of work in the local church. I've come to know myself better, what my gifts and graces are and have grown in my relationship with God. And for me, that is all a part of growing into the new creation. God is creating within me and leading me toward. A certain and much utilized prayer of confession in our worship around these parts when taken out of confessional language and used for in positive, more positive language would say something like this, let us love and let us love and do our God's will, let us receive and live out of our Christ's law of grace, and let us hear and respond to the cry of the needy. And I think expressed like that, that sets the stage for any consideration I do about what, how God over these years has been creating new things in me, kingdom things in me. And I think the word or the idea I would use is that God's great work, I think in that in my life and in ministry, has been becoming more and more a builder of bridges and less and less an erector of walls.