Hi everybody it's Sam at Mixed Up Crowd thank you for watching my tutorial today I'm going to be showing you how to make this very easy triple pocket card. The inspiration for this actually came from my purse, my own purse when I was putting my cards away and I just like the way that they all stack and I have done a little wallet like this before and I thought it looked quite nice on the front of a card and I think I have similar I've got like pocket cards and things like that so whatever I find I'll link up here for you but it's really really pretty like I said very straightforward just these three nice sized pockets. The idea for this one is because I'm using the Secret Garden collection by Dovecraft it's got that garden obviously feel to it and I thought that in the middle pocket you could put a bag or a packet of seeds maybe or something garden related so there is that other pocket there. This one here has a gift card on I've just put this special friend card which I always use as the kind of my example but I've just put a couple of glue dots underneath it so I can easily peel that off and then I'll keep it plain until I need to use it but it's really nice to just pop any kind of gift card on there you could have maybe a little coffee shop voucher card on there and then this here is a bookmark and I've popped the words or the word relax on that one there which I thought was really I really wanted to put read and relax but it wouldn't all fit with these particular alphabet stickers that I've got but just the little detail there as well this is all from the same collection you've got happy days on that piece there and then you open it up and it's a normal card so this one says wishing you a day of happiness and it stands up nicely so it's like a gift in a card so it's like a all-in-one which I really like as well so yeah let me show you how to make it. Okay so these are all the pieces that you'll see me use it's the secret garden collection I've used lots and lots of product already for numerous projects I absolutely adore this collection and I'll share my secret garden playlist up here so you can see all the other things that I've made but today I'm going to use the bird because I've used the Wellington boot there because I've got the Wellington boot and the paper there and the paper I'm using today is going to have the bird in it so that's the boots you don't get that many in a pack you get six but I had two packs I've just put them all into one I'm using the paper flowers the ribbon these are the toppers these are dovecraft toppers you get the gold or the silver with the happy birthday then I've got these dovecraft doilies I'll mix all my doilies in there there's some pink ones as well that's the stump set which I know tons of you have it's a really handy one and it's very very cheap so again all the links to this will be below that's the charms they're lovely quite heavy metal ones so they're get used again I've just got this we are memory keepers old bakers twine but I'm using the purple there this is the simply creative alphabet and number stickers they all fall off but I do keep them all in there and they're easy they're not that sticky so they don't obviously ruin so that's all of the collection and that's the paper pack there so it's the eight by eight that I'm using today so I've gone ahead and cut everything down I've just got one of the birds out there and then I've got this lovely trim here that I've put on the top of each of my pocket my pockets and this is from the bright rosa geometric edge builder and it's this one here it's a really nice one I've got some tutorials coming up with the this three of these edge builder piece I can't even get my words out there's three sets of these within the bright rosa collection and I'm going to be doing a tutorial showing you all different ones so they're really handy so that's the one there okay so it's working on a five by seven card base so I've already got a pre-made card here if you don't have five by seven pre-made you just need a piece of 10 by seven and along the 10 inch side you want to score a five okay so that's all ready to go and then I've got my piece for the inside and this is a four and three quarters and it's by six and three quarters and then this on top is four and half by six and a half and I've stamped it so that's ready to stick inside when I get to that bit and then on the front again all very very easy you want a piece of pattern paper that's the exact same size as your card base so this is a piece of five by seven and it's going to stick right over the top so this is easy to adapt to any size card that you want so this is what I mean I've got the birds in this one then for my three pockets I have a piece of five all of them are the same width it's all the width of the card okay so that one is five by five this one is five sorry then this one is five by four and then this one is five by three and you'll see when they stick when they lay over the top of each other you get these pockets like oh there we go get them straight they look cute and I love the shine so what I've used is the because if you look closely I've actually kind of paper pieced so I've die cut it in white and then I die cut it again in the silver and then I was able to piece all these pieces in there so the silver one that I die cut I then used on this one okay and then the white pieces I put into this one so I didn't waste anything but it just shows you the two really nice effects that you can get if you want to kind of fill those pieces back in again so they're all ready to stick down then for the bookmark this is optional this is a piece of two by six this is a piece of one and three quarter by five and seven eighths and this is a piece of one and a half by five and a quarter okay but sorry five and three quarters or just drop down there by one eighth of an inch now the reason I've done these sizes because I'm using my tag punch is the hunky dory tag punch because it gives you a really nice finish here so that's how I got that nice top okay so again I just wanted to show you lots of ways to use this I've made a really nice mini album and so many of you've been using that you've been or making it you've shared it on mixed up crafters you've sent me emails and private messages with the little albums that you've been making so it's a really useful tool but also you can use it for this to make bookmarks and obviously for what it's intended to make tags and then this here is just what you need to make your little gift card holder all right this piece here and I've got two pieces of pattern paper exactly the same size which is two and three quarters by four I'm going to sandwich them together okay just so it looks nice on both sides you don't have to and I've got this white piece here which is two and a half by three and three quarters that's going to stick over there and then I did use my corner punch here just to round off the edges again you don't have to do that okay so first of all I'm going to stick my inside or insert in there and I'm going to stick the main sheet on the top okay so that's that but done then start with your largest pocket and you just want to do a thin bead of glue I'm using wet glue usually or liquid glue usually I say to use thin double-sided tape but because I'm not popping in say I'm not doing a mini album therefore what's going in the pockets is actually very small so even if your glue oozes over more you're still going to fit these things in the pocket so if you are putting something larger in then I would say use a thin maybe quarter of an inch double-sided tape like the thin red tapes that I use here you know and that way you know none of the glue is going to go any further than obviously what you've covered but because I've only got that thin bookmark and things going in here it doesn't matter if that glue does cover a bit more then get your next size down and do the same so you're just doing the three sides not the top and then the last one again this glue here is the dorm bibi very fine precision glue I will link it below because many of you are asking okay so how quick was that so now we've got our three pockets next I'm going to sandwich these two pieces for my gift card together and stick that what I will do is stick these together first and then if you round off the corners because it's easier to do when you stuck both together than do them separately so I'm just going to stick those there and then I can just go around here we go and now that's ready for your gift card to go on like I said add a couple of glue dots and that will sit in perfectly so that one's going to go there then I've got my bookmark so the largest piece with the punch I'm going to sit within that two push it right in and you'll get a really nice finish on the top now this one I've done two one and three quarters now there isn't a one and three quarter section but what I do is I just pop it in so it gets nice and flat with the the back piece here which you can't see and just make sure you've got equal kind of you know side there and that way you know that you've got it nice and even and then that one will sit perfectly over the top but it will have this border either side which I just thought was nice I'm using this beautiful this is the dovecraft glimmer card and it's beautiful and then this one will fit in the one and a half section so that one can go right in so and again just do that you'll get the same nice finish and you'll get that lovely frame and because of how I cut it in terms of the length you've got that border around the bottom as well so now I'm going to stick those all together okay and that's the bookmark ready and that will go in the top pocket like so so there is the kind of basics done now it's all down to decorating which obviously it needs so I have these are going to go on the top of the bookmark and I'm going to do might do read on this one maybe just so they are a little bit different and yeah basically I'm just going to copy what I've done for this one because I really do like it so I'm going to leave that one to the side I'm going to pop the video on high speed and you can watch me put it all together that's the finished card so I've done all the same kind of embellishments as that one all that's missing is the gift cards for these here now you can have multiple of these as well so if you like to give someone a few gift cards with maybe smaller denominations on because it's quite popular now to give like coffee shop gift cards and you can put like as little as a few pound on those these are nice also maybe for like work colleagues because you could have multiple kind of gift cards on here but like I said I think the pack of seeds is a really nice little thing to do you could also put a little face pack in there maybe some other kinds of sachets some tea bags this is such a nice thing so if you do send kind of pocket mail like friend mail and things like that then I think this would be a nice little thing to do because it does have that card all in one so there is the inside and I've just finished it with the little bird puffy sticker there so I think they're really really cute I've really enjoyed these again it's a perfect kind of card style to show off this collection because there's so much you know that comes with it which you've seen there and I just absolutely love making it because it is a joy to see it all kind of come together so yeah I hope you've enjoyed this pretty quick tutorial and yeah you give it a go so thank you for watching please give me a thumbs up if you have enjoyed today and subscribe to my channel so you get to see more thanks for watching bye


Welcome to my Tantric Winter Meditation Journey. Talking about Tantric Meditation, there is in Tantra a Rahasya Vidhi where we meditate on a combination of wine and sexual fluids. But I want to explain this one to you properly because you know in Tantra nothing is as it seems and things have to be understood very carefully. So in Tantra as in any other philosophy we meditate on the concept of bliss of Ananda. The only difference is that we believe that this concept of bliss has to be very personal to you. It has to be within your own experience because if you meditate on something that is really far away like some complicated theory of moksha that even you don't understand then the meditation is not going to be very effective. There's too much distance between you and there are too many things that can get in the middle and distract you. So your concept of bliss has to be up close and personal because remember you cannot borrow enlightenment. It has to be within your own experience.  So the wine is seen as the cause of bliss and the sexual fluids as the effects of bliss. The outer and inner essence of Lord Shiva. When they're placed together in a cup they become the physical manifestation of bliss. Something that the sadhak, that the practitioner can tangibly focus on. And the important thing to remember is this is not an orgy. Quite the opposite actually because this meditation can only be done under the very strict guidance of your teacher your guru and it is so calm it is so controlled that even the wine that is used in this meditation is chosen according to the shakti that will be generated. So in tantra we have three types of wine that we use for meditations. There is wheat wine which is female in nature. There is molasses which is masculine and there is honey wine which is gender neutral. It's nipunsak. So the wine for the meditation is chosen according to the shakti that is to be generated. The sexual fluids are placed inside the cup in the form of a tilak. Ritually. They're not sprayed in, they're not dropped in. And you know what they say will defile this meditation? What will make this meditation unclean? If the sadhak has any kind of doubt in his mind, if he has any kind of hesitation in his mind, if he cannot be part of it fully and personally through his own experience, that will make this meditation unclean. So what should all this mean in terms of you and your meditation? There have been a lot of questions asking what to focus on when we meditate. I want you to pick something from your life, from your personal experience, something that gives you great contentment. It doesn't matter what it is, whether it is of a sexual nature, whether it is of a material nature, none of that matters. Just make sure it is a personal experience and something that gives you great contentment. And this is what we are going to focus on.  And I'll tell you what, every time you do this, you will come out of it feeling far more alive, far more energetic than you ever have before. Remember to like, comment, subscribe. See you in the next one.


Broadway's My Beat, from Times Square to Columbus Circle, the gaudiest, the most violent, the lonesomeest mile in the world. My Beat with Larry Thor as Detective Danny Clover. It's a time and a place and a state of mind where you bang your head against a wall so the lights will be brighter, the noise is louder. Thereby furnishing proof that you're enjoying yourself. And at holiday season you bang your head harder and conjure up visions, the new year, the new promises, the golden girl who will smile to you from the crowd and beckon. It could happen. It's Broadway, My Beat. There's a place on Broadway at Nudge's on the Columbus Circle and calls itself the Dover Hotel, then retires into its own fated respectability. At eight o'clock in the cold, weekday morning, Broadway walks past it on its way to work. So was I when a man darted out of its doorway, saw me, darted some more and tugged at my sleeve. He said he knew me, knew I was a policeman and that's what he needed. So then we were in an elevator and he said his name was...what did you say your name was? Box, Louis Box. Well, just what seems to be your trouble, Mr. Box? I said to myself, I said, Mr. Box, there's trouble in room 812. Big trouble. Oh, very big, Mr. Clover. He won't answer. He won't let Mr. Box in. He won't? Who won't? Who won't, Mr. Box? The guest in 812, right this way, Mr. Clover, right down the hall. Every time I open the door, he throws a bottle at Mr. Box's head. Does he hit Mr. Box? Three times, here and here and here. This is in room. Mr. Box will unlock the door for you. Now you'll go back to your desk and Mr. Clover will go in. Very well, but just be careful of those bottles. He always aims at Mr. Box's head. Yeah, don't worry. All right, you. Hey, what are you... Put down that bottle. I said put it down. That's better. Now tell me, it's so funny. It's funny, Mr. Box. It's the funniest thing. Look, it's all here in this paper. Go ahead, Mr. Read it for yourself. Yeah. Hey, this paper's two days old. Sure, sure it is. I got it two days ago. Go ahead, read that obituary right where I'm pointing. John Lomax, victim of hit-and-run accident, was buried today at the Queen's Cemetery. He was survived by his wife, Martha Lomax. God, the Lomax of 36 dogs he plays. I called for a drink. I'm Lomax, Mr. I'm John Lomax. Huh? Sure, sure, and Martha's my wife. Look, I'll tell you about it. I'm looking. Tell me. Four nights ago. Yeah, it was four nights ago when whoever was supposed to be me was hit-and-run. I went to a Turkish bath, you know. So you had a bath, so?  But I was too smart for them. Yeah, you sure were. How were you too smart for them? I had some money rolled up in my shirt sleeves. Trick I learned in the Navy. Enough to pay for booze in this crummy room. I caused for another drink on them. How long have you been here? Since then. I saw the papers I've been laughing ever since.  I'll tell you why. Tell me. I think my wife is happy I'm dead. Yeah. Yeah, she is. Mr. Lomax. Hey. Hey, Mr. Lomax.  And having so arranged itself, Mr. Lomax proceeded to fall flat on same. John Lomax had been hilarious because another man died bearing his name and identity. So much happiness over the dead makes me curious. So I went out to the home of John Lomax in Queens. It was like every other home on the block. Even the cracks in the stucco were identically placed. But what made the Lomax home different was it had a different number over its doorbell. Yes. Mrs. Lomax. Mrs. John Lomax. Yes. I'm Danny Clover of the police, Mrs. Lomax. Police? Don't be frightened, Mrs. Lomax. Well, come in, Mr. Clover. Please, come in. Thank you. Oh, I'd pick up these things. Woman's pajamas look so lost just lying on a chair. Here, sit here, Mr. Clover. Thanks. It's about your husband, Mrs. Lomax. What? When did you see him last? Forgive me, Mr. Clover, but I don't quite understand what you're driving at. My husband is dead. We buried him two days ago. Oh, I'm sorry, Mrs. Lomax. I'm sorry. It's just that... Well, how are you sure it was your husband who died? What? Oh. You mean because he was so badly smashed up in the accident. I knew him because it was his wallet they found on the dead man. And John's overcoat. Maybe that wasn't enough. Maybe it was someone else. It wasn't. I know because there was a card in the coat advertising the bag-dead bads. John always went there for days on end instead of home. What did your husband look like, Mrs. Lomax? Do you have a picture of him I could see? I'm afraid not. After the funeral, I tore up every picture of John and of John and me that was in the house. John was dead. And it was done. Can you understand that? Will you describe him to me? I mean a physical description. Coloring, weight. John was 5'11". He had a punch. I mean, he weighed about 180 pounds. He was overweight. He had thin, sandy hair and kind of faded blue eyes. And a kind of funny, loose face. That's...that's...what? Mrs. Lomax, there's something... I got the papers. You miss me, doll? Oh, who? Paul. Paul. This is Mr. Danny Clover of the police department. He was asking about John. What do you want to know about John Lomax and why? Mrs. Lomax, you haven't introduced me to your friend. Oh, how silly of me. I was so flustered when Paul just walked in without knocking or anything. You gave me the key so I could run out for the papers. Remember, doll? Oh, of course. I thought it would be simpler that way. This is Paul Rand, Mr. Clover. A very talented pianist. A sort of protege of John and me. Of you, doll. I'm sorry I haven't the mood to play something for you, Mr. Clover. So you'll tell me instead what there is about John Lomax you're bothering Martha about. I'll tell you, protege. There's a drunk in the Dober Hotel who says he's John Lomax and he says John Lomax is not dead.  You think maybe he's lying? Oh, of course he's lying. My husband is dead. Isn't he, Paul? Yeah, sure, doll. Dead. What are you building, policeman? Who are you going to believe, a drunk or a widow? Get out of here. Leave her alone. The look on their faces was like a motion picture you'll watch where suddenly the action is frozen and still. A boy, maybe 24, with an animal's hard grace, the lips drawn tight away from his teeth, the eyes wary and stagnant and the woman more mature, gentler, almost pretty but in her eyes, nothing, nothing she wants you to see. A telephone directory gives you the address of the Baghdad Baal so you go there because you have to sweat out some questions on a man who says he's John Lomax and not deceased. You walk up three flights of a dank building on 9th Avenue and there's a danked car that says Baghdad Baal's Ephraim Sabo Proprietor, Waldo Toklis Proprietor. You walk in, ask for Ephraim or Waldo of a receptionist who's beating her eyelashes and she winks you back to the steam room. Hey, Ephraim. Hey, Waldo. Maybe you better come out. It's the police, Ephraim. Or is it Waldo? Put on a towel and come out. Well, you come to the right place. Nothing like Baghdad Baal's to draw out of a man what's bothering him. I bet. Ephraim, you know a man named John Lomax? No, I'm well. John Lomax used to come here every weekend like for his pores to feel good. Hasn't been here lately, though. Maybe because you rolled him, stole his overcoat and wallet. You from the police, you say? That's what I said. Yeah, we rolled him, stole those things. But then Waldo stole them from me. Your partner? Where is he? Disappeared. Walked out of here with Mr. Lomax Belongans. Which belonged to me by squatters' rights? He disappeared. How long has he been gone? Four or five days. For all I care, he could have dropped dead because he sinned against me. I got news for you, Ephraim. He may have done just that. Waldo, dropped dead? When? Four or five days ago, maybe. Hit and run, maybe. You mean Waldo was in an accident? Maybe. Why didn't I know about it? I'm all he's got. Because he sinned and stole another man's overcoat and wallet. So he was buried under an assumed name, maybe. John Lomax, maybe. Maybe, maybe, maybe. Maybe you ain't sure. Maybe I ain't. I'm sure of one thing. You sin, too. Ephraim. Uh-huh. Change that towel for something more formal. We're going for a ride. You're coming in late this morning. It's 11.30 in the AM. Oh, come in here to tag me. Yeah, Danny.  Yeah, sure, sure. Oh, what's up, Danny? A riddle is up. A guy is killed in a hit-and-run accident. Identified as John Lomax. Buried as John Lomax. Now I'm not sure he's John Lomax. Hey, that's a good riddle. It gets better. There's a guy sleeping it off at the Dover Hotel who says he's John Lomax. He does? Who? Who does Danny? Tagly, you know what I'd do if I were Sergeant? Oh, yeah, Danny, sure. If you were a sergeant, you would send an order for the exhumation of the body of the first mentioned Lomax. Uh, the dead Lomax. Yeah, that's exactly what I'd do. Do it. Yeah, sure, Danny, sure. Uh, what are you going to do on account of you're a lieutenant?  I want to introduce him to a woman who calls herself his widow. So I said to myself, I said, Mr. Box, this man has indeed some pride left after all. Yeah, what made Mr. Box say that? Of course, the guest in 812 took a shower a few minutes ago. That's a good sign on New Year's Eve. Mr. Box is happy for him. I'll take the elevator back down, Mr. Box. I'll find my way to 812 myself. Mr. Lomax. Come on, Lomax. Open the door. Lomax. Dan, I've got a key. You caught Mr. Box? Give me your pass key. You what? Give me the key. Of course, here you are. Oh, wait for Mr. Box. Lomax. Lomax, it's Danny Clover. Did he do it, Mr. Clover? Did he turn over a new leaf? My goodness, what's that far escape winner doing open? Letting in that cold. Winner. Mr. Box, now you can say to yourself, you can say, a murderer threw a man out of a window in my hotel. This is my beat starring Larry Thor as Detective Danny Clover. $53,000 in cold hard cash and wonderful prizes. What a wonderful ending that would be to the old year. Well, Sing It Again is coming along with all that in the jackpot tonight, and some smart CBS listener can knock it off by solving the phantom voice riddle. Sing It Again is heard on most of these same CBS stations. So a $53,000 Happy New Year, maybe. Happy New Year anyway, for Sing It Again is heard every Saturday night. On the happy holidays, Broadway wears the happy clothes, complete with happy masks. The wooden barriers are up on the shop windows, and Broadway's herd stampede's down the long alley. The dust it raises is confetti. Whirlwinds of confetti, bursts of confetti that explode and play like marvelous fountains. The jewels of light they reflect is the light of neon and masters. There's a Mazda at police headquarters, too. It casts a veil of yellow light and it hangs in the long, concrete hallway that leads to the morgue. When the sergeant speaks, it makes a cold echo. Now, Danny. Okay, Tatuglia. Ephraim. My, my, that's neat. But you something like that, none of Baghdad baths. Slide them in and slide them out when they're done. Shouldn't make no quips in here, should I? Who is this man, Ephraim? That's a little hard to tell. Could be John Lomax. Same who used to habituate my sweat baths. Same Ian Waldo stole from. Same John Lomax who'd drink more so he could perspire more. Could be.  Take Ephraim out of here, Tatuglia, and send Mrs. Lomax in. Yeah, Danny, sure. Come on, Ephraim. Hey, look. Did you say that these baths are really quick with the system? Ain't nothing like them, kiddo. Why did you have me brought here, Mr. Clover? I want you to identify a man. A man who was murdered.  Is that, is that the man? You tell me, Mrs. Lomax. I never saw him before in my life. There is a kind of resemblance, but I never saw him. I don't, I don't understand why you want to torture me, Mr. Clover. You say this man is not your husband. No, no. Please, Mr. Clover, please take me out of here. All right. Mrs. Lomax, did your husband carry insurance? Is that going to help you find out who ran down my husband? Maybe, I don't know. My lawyer is handling all that. Harold Quillen in the craft building. He is a lawyer. He answers rude questions. Why don't you ask them of him? Yeah, I'll do that, Mrs. Lomax. You can go home now. It didn't work well. Her casual way of considering the insurance, for example. Things like insurance need worrying about. How else can a helpless widow buy her daily needs, whatever were her daily needs? That's why I'm a policeman. I can't get my mind off details like that. They tweak me and I need to know answers. So I went to the lawyer named Harold Quillen and asked for some cooperation. Why don't you stop bothering that poor woman, Mr. Clover? Well, I'm not bothering her, Mr. Quillen. It's you. As far as I can see, we're just chatting. Isn't that what we're doing? Well, isn't that what we're doing? Answer me. Oh, does my rocking in this swivel chair annoy you? I find it restful. Rhythmic. Restful. When was the last time you were disbarred for non-cooperation, Quillen? Calm now. Look, friend. I know it's your job to protect your client. That's my job, too. To protect Mrs. John Lomax, and she needs protecting.  You, me, everybody. But I don't see... And since Mrs. John Lomax is pretty close to what's a murder, my nasty little mind makes her pretty close to being a murderer. How much insurance did her husband carry? $50,000. For accidental death? I was just coming to that. Double indemnity for accidental death. As a corpse, Mr. Lomax is worth exactly $100,000. A man who is not loved gets killed, and it pays double who is loved one. And $100,000 can buy a lot of things. Can buy back the lost years. A woman can buy them back by getting herself a protege, a boy who can do things with a piano. A boy who can make a woman remember she was once a girl. What all that money bought me was a trip back to Queens to a house like all other houses on the block, even to not having a morning reef on its door. But from this particular house came the sound of big music. Oh, it's the police again.  Ever in that line of work, Mr. Clover? Mrs. Lomax, I want to talk to her. What about? You can tell me, I'm her friend. I get her the morning papers, remember? So talk to me. Mrs. Lomax.  Come again some other day. Mrs. Lomax. Mrs. Lomax is not in, Mr. Clover. Sorry, Mr. Clover. Oh, I changed my mind. I'll talk to you, Paul. I came all the way out here so I might as well talk to somebody. Come in. Come in, Mr. Clover. Thanks. You sure you were never a salesman? That foot in the door gimmick, very professional. Yeah, I studied. I told you she's not home, but you don't have to believe that if you don't want to, like you're not believing it now. Look in this closet, policeman. Maybe I'm lying. Maybe she's in here, huh? No. Not in here. Tell me about Martha and you, Paul. Gladly. Can I tell you the music? I feel better with music. It makes me polite. It makes you polite. The romance of Paul and Martha. That's music, like this. The big musical romance. When did it begin?  I'm a square, Paul. I don't understand big talk like that. What month, what year? That's what I understand. The month? May. What else? Merry, merry month. The year? 1949. Hey, is it still 1949, policeman? Her husband. When did she tell you about him? His husband, Paul? Martha told me he existed, but I never had the pleasure of making his acquaintance. Charming setup, huh? You never met your patron? No. Oh, pity. I was gonna be so brave and noble and 100% fellow when I met him. I can tell you're a prince. Oh, sure, sure. That's what Martha calls me sometimes. Sometimes. Yeah, I was gonna tell the old John boy the deluded husband who it was was deluding him. Yeah, but you never got the chance. No. The dope gets himself killed in an accident before I can release him. Yeah. Thanks, Paul, for the music. For just being you. You know the way out, huh? Oh, maybe a motive, just maybe. See you. Hey, wait, wait. Wait a minute, Danny. Don't you want the report on the exhumation? Yeah, tell it to me. Well, the prince checked with those that are on file on an application for a permit for the Baghdad Beds, made out to one Waldo Tockless. Yeah, the drunk was right. Yeah. Oh, Danny, you got a visitor in your office. Oh, who? Mrs. Lomax. Well, ain't you surprised, Danny? Uh-uh. I'm not surprised at all. Hello, Mr. Clover. Mrs. Lomax. You know Mrs. Lomax, I was just telling Sergeant to tag you. I was just telling him I'm not surprised at all. About what? Your being here.  You didn't mean what you just said. That's cruel.  I can even attend it to the death of Waldo Tockless. Who? Waldo Tockless. A petty thief who also ran a Turkish bath. It goes like this, Mrs. Lomax. Waldo stole your husband's coat and wallet. In the dark he was run down by a hit-and-run driver, by someone who thought it was your husband, someone who wanted your husband dead. No. No, it wasn't like that. Not like that. That's why I came here to tell you. I'm frightened, Mr. Clover. Frightened. Your upper lip didn't even quiver down there in the morning. Why didn't you tell me then? That was your husband, wasn't it? The dead man downstairs. Why didn't you tell me then? Frightened. Don't you see? Of whom? Me? Sergeant Otaglia? Your conscience? The pianist? Paul Rand? Which? Paul. I just looked around the room. He's not here. Tell me all about Paul Rand. Paul killed Waldo Tockless. Ran over him from the way Tockless was dressed. He thought it was my husband. Did he say pardon me after he killed him? Stop it! Stop it! He didn't know. Not until you told him my husband was alive at that hotel. So Paul went there and killed my husband. You sound glad. Cold.  My husband was a heel. But I didn't kill him. I didn't. I thought it really was an accident until Paul told me what he'd done. Oh, Paul. Paul! Start with Paul and go on from there. Yes, he's a killer. He enjoys killing. I'm frightened.  He enjoys it. If he knew I were here, he'd... Maybe he would. I think we'll go ask him. Paul.  You'll notice company. Me. Oh, it's you again, Claude. Don't bite your lip. You're dreaming this whole thing. Paul, I... Oh, Paul. Come on, doll. What are you trying to say? This. I made an honest effort to say you're a killer. That's what, huh? Yeah. I'm piecing it all together and I come up with this. You killed Waldo Toclas, mistake. You killed John Lomax, no mistake. Reason, a widow with a hundred grand reason for you to be a killer. Right. What you're saying goes as rain. Martha probably said I didn't mind it either, huh? Something like that. That's why I can get dreamy about pointing this gun at you. You don't have to. I'm not finished talking. You're finished. Unless your next sentence starts with a prayer, you're just about done. I'd point that gun at Martha to be smarter. Rush me, Claude.  Yeah. Yeah, exactly that. Yeah! Woman, you're crazy. That's good. Paul's dead. That's good. He needed to be dead. Yeah, give me that gun, Mrs. Lomax. Oh, here. Take it. I'm afraid of it. I don't know where I got the courage to pull the trigger. Emotions, Mrs. Lomax. Sometimes they get the better of us and they make us pull the trigger one way or another. You want to thank me, I know, but they won't. All right, I won't. I wasn't going to. You weren't for saving your life? Did you do that? If you did, that's what you were thinking about when you had emotions. Thanks. But I shot him because... Because... Why? Don't you see? Of course you do.  That's your version. I've got one.  Paul's dead, you know. He'll stay that way. Don't be frightened, not of Paul. Of me. Of you? Because you gave it all away. The way what? What are you saying? About Paul, the promises you must have made to him for killing your husband. Whatever kind of love you promised him, whatever share of $100,000, things like that. You knew all the time. Honestly, when I found out the man you identified as your husband was Waldo Toclas, when Paul told me he never met your husband... But he didn't. Of course he didn't.  That would include the coat he was wearing. It was like that, Mrs. Lornax. Yes. Look. Hey, get away from that door. Don't worry, I'm not going to run away. It's the new year, Mr. Clover. It's a time for wishing good things. Some people do. You want to know my wish, Mr. Clover? It won't come true if you tell me. I know it won't anyhow. But it's this. I wish there was some way. Some way, Mr. Clover. It would make my new year a happy one. If there was some way I could kill you. His laughter and crowd and holiday and swirl. The fine thing that glanced in the words. A happy new year. It means it. The avenue means it with its heart. It happens once a year on Broadway. The godliest, the most violent. The lonesomeest mile in the world. Broadway. My Beat. Stars Larry Thor as Detective Danny Clover and is written by Morton Fine and David Friedkin. The musical score was arranged by Alexander Courage and conducted by Wilbur Hatch, and our pianist was Sam Furman. The program was produced and directed by Elliot Lewis. The cast tonight included Charles Calvert, Jeanette Nolan, J. Novello, Leo Penn, Fred Howard, Bob Bruce, and Barton Yarborough. Now stay tuned for Sing It Again, which follows immediately on most of these same CBS stations. Joe Walter speaking. This is CBS, where you'll find Broadway's My Beat every Saturday night, the Columbia Broadcasting System.


Abstract di-tepine synthase-vena is responsible for assembling Venezueline with a unique 5-5-6-7 tetracyclic skeleton from geronil-geronil pyrophosphate. It also accepts geronil-pyrophosphate and pharnasyl-pyrophosphate as alternative substrates. The crystal structures of vena in both apo-form and holo-form in complex, with a trinuclear magnesium cluster and pyrophosphate group have been reported. Functional and structural investigations on the atypical 115-DSFVSD120 motif of vena, versus the canonical aspirate motif of DDXXXDE, revealed that the absence second-asp of canonical motif is functionally replaced by Ser116 and GLN83. Multiscale computational simulations and structure-directed mutagenesis provided significant mechanistic insights into the substrate selectivity and catalytic promiscuity of vena. Furthermore, vena was semi-rationally engineered into a cester-terpene synthase to recognize the larger substrate geronil-pharnasyl pyrophosphate. This article was authored by Zhong Li, Lilan Zhong, Kang Wei Shu, and others. We are article.tv, links in the description below.