5 signs you are being gang stalked. You are watching this video because you believe you are being followed stalked and harassed by a large number of people. Most stalking occurs between people who know each other. 4 out of 5 stalking victims are women. Stalking involves a persistent course of behaviour and conduct while they are constantly trying to manage and direct you against your will while they are monitoring and supervising you and trying to lead or guide you into a particular place which will be unfavourable for you. So in a lot of ways they are trying to set you up. They are deliberately making arrangements to make an innocent person appear guilty of something. They are fabricating evidence against you. They are falsely incriminating you. They are trying to frame you because they want to entrap you. They want to trick you into committing a crime in order to secure their prosecution. What drew them to you is your good qualities. That is what made you stand out amongst the crowd. Otherwise they would never have noticed you. You would have become lost in this endless sea of people. Because you have to remember that there are billions of people in this world and there are potentially millions or billions of other people who have done far worse things than what you are meant to have done. Because that is typically the underlying support and foundation for their ideas, arguments and process. It is that you are bad, crazy or wrong. Something is not right with you and you need to be taught a lesson. Or you need to be under constant surveillance because you are meant to be a very dangerous person. Which doesn't add up. It doesn't make any sense. Because if you were so bad the last thing they would do is try to provoke you. Which confirms the reality that they would never target a dangerous person. They would never willingly put themselves in a situation where they would be at risk of danger or harm. Which is why they are covert. They are cowards. So they target people who are innocent and naive. People who lack wisdom, experience and knowledge. People who can't even see that there is nothing actually wrong with them. People who will question themselves. People who won't fight back because they are looking for an easy target. But also someone that they are secretly envious and jealous of. Someone who they can control. In some situations they may have believed that something was not right about you. But then they got more than what they bargained for. They got something different than what they expected. They thought that they were targeting someone who is beneath them. Someone who is worse than them. And then they later discovered that they were dealing with someone who is a better person than they will ever be. Which triggered them to reflect on their own insecurities. And made them become even more aggressive towards you. You will know when people are thinking in this way about you. Because they will instantly become very competitive and they will try to target your self esteem. So this is typically how it happens. This is why these types of people will target you. And you need to recognize that it actually has very little to do with you. It stems from their own insecurities and deficiencies. Their lack of love and care for themselves.  But they never actually take the time to do what needs to be done. To make themselves and their community a better place. Instead they choose to focus on you because it's easier for them. They don't want to do the work. They'd rather just point the finger and blame you as a distraction from the consequences of their own behavior. Without being said you are five signs that you are being gangstalked. One, you will experience constant irritation and annoyance. Gangstalkers will find and identify you with great accuracy and precision. They will detect and locate you. They will distinguish you from other people.  But it actually has very little to do with what they've led you to believe. They're actually very envious and jealous of you. And they understand that you are a person who cares about their image and appearance. So they have to go against it. They have to go in the opposite direction. To target your sense of pride and your consciousness of your own dignity because that's one of the main things that irritates them the most. They're trying to see you as this bad, crazy, dangerous person. And yet many of you don't even see yourselves in that way. You may see yourself as someone who is very innocent and harmless. Someone who just wants to keep the peace and get along. And your reality and sense of self is very strong. So they have to try to break you and deny you of the things that you need. The things that would otherwise strengthen and confirm the person that you actually are. Which is why they will intentionally deny you of any peace or solitude. Because that is what makes you. It's what reinforces your character and identity. But at the same time they will also deny you of any real social interaction because that validates you as well. When people confirm that you are who you say you are. The reality is that when people are unable to experience that for a long period of time. In time they may even begin to reject themselves.  Unless they have a very strong sense of self. Or they have some other source of validation. Which is causing them to continue on this course. Even while their entire community is telling them that something they're not. Because the reality is that if you're told that you are something for a long enough amount of time. You will eventually become that. You will eventually break down and begin to accept another person's reality as your own. Unless there is a superior force or authority. That is causing you to believe something different. Because what this all comes down to is your beliefs about yourself. They want you to change how you see yourself. Which is why you will experience constant irritation and annoyance. Because you just want to be you.  Because you're to find the odds. And you're causing their reality to crumble. You're making them look bad and they feel bad because of it.  So that you begin to accept their reality as your own. And then they can feel more comfortable around you. They can feel more comfortable by making you uncomfortable. Which is why you may notice that whenever you feel unease or awkwardness. They actually enjoy it. They want you to feel confused. They want you to second guess yourself. They want you to doubt your own reality. Your own memory, perception and sanity. Because then they can tell you what is right or wrong. When in fact you already knew what is right or wrong all along. And they already know that if you were given the opportunity. You would destroy them with logic and rationality. Which is why they have to keep everything under wraps. Because yes they already know that they're wrong. And they already know that what they're doing is wrong. They may see themselves as victims. But they also know that the end does not justify the means. They know that their decisions, actions and ideas are not reasonable or necessary. But they have an inability to regulate their own emotions. And they also have a lot of skeletons in their closet. So they have no other choice but to continue with this course of action. Two, online harassment. If you are being gang stalked you will experience online harassment. Which is the use of information and communication technologies by a group to rapidly cause harm to you. To bully, threaten or maliciously embarrass you. This may also include unwanted or unwelcome sexual advances. Expressions of romantic or sexual interest that are unreciprocated and pleasant and offensive. Even after you have already made it clear to them that you do not desire any further contact or engagement. But they will still proceed and push past any clear signs of avoidance or rejection. Because they have these fantasies inside their minds. And you are unknowingly playing a role in this fantasy. Even without any active participation or involvement. Because they need the fantasy to continue. They can't live without it. They depend on it for their sanity and sense of self. It makes them feel sane and normal as long as they can get you to react or respond.  And they will zone in on anything that you post. If they have access to you in person, they will monitor your facial expressions, body language and tone of voice. They will micromanage you. In the hopes that they will find even a morsel of interest. To tell them that they're still relevant and important. Because they want you to show signs of interest. They want you to be involved. They will reduce and condense you. And control every part of you however small. In the hopes that they will be able to squeeze something out of you. So that they can eventually mold you into who they want you to be for them. Even while in this entire process. You may actually feel very uncomfortable about it. To the point where you become disagreeable. You become tense, edgy and restless because you don't want it. So it will begin to worry you. Because this will only make them even more interested in you. To whether highlighting everything about you. They're paying special attention to you. Because they just can't accept that you don't want them. And you don't stand for what they stand for. You may desire those same advances from someone else. But just not from them. And they can't accept that because they're only thinking about themselves. They're not looking to share an interaction or reciprocate anything back to you. So it's never going to be something that you want. Unless they're able to trick you. Which is why they invest so much of their time into studying you. Because they already understand that it's the only way they're going to have a way in. By misleading you. And making you believe there's something that they're not. But if you catch on it will make you very uncomfortable. And you will do everything in your power to try to resist them. Because you already know it's not going to make your life better.  You know that if you give them power and control of your life it's going to be very unfavorable for you. And you may have learned that based on something you've experienced with them. Or from something you experienced in the past. But you already know it's not going to do you any good. So whenever you're around them you will still resist it. Even though at times it may be tempting. Even though they may have broken you down. And you may react differently to how you used to. In the back of your mind. You know you don't really want it. Because you know that it's unwise. And they know it. They sense it. Which is why the show must go on. Because they just can't accept that you're never going to give in.  You're always going to desire something real. And even though you may accept certain things at times. You're never going to feel fulfilled. You're always going to want something different or something more. Until you finally get what you want. But until that point you're never going to conform. At least not on your own will. Because you understand that you came here with a purpose. You understand that there is a deeper meaning to your life. You came here to make things better. To provide value to the world. And until you feel like you're doing that you're always going to feel uncomfortable. You're always going to feel triggered. Especially by things that you never even noticed before. Things that don't serve you. Three. Repetition. Gangstokers will repeat the same things again and again. So you will experience the recurrence of certain actions or events. Because they're trying to program you. They're trying to prevent you from achieving something that they're never going to achieve. So they will repeat the same things again and again. Things that are different to what is usual or expected. Things that are strange, weird and sometimes funny. But it won't always be done directly to you.  And you won't always notice it. But eventually you will recognize the pattern of behavior. They will do the same things at certain times. And you may not always be able to understand it. Because sometimes it may not mean anything to you. It may be something that's more important to them than it is to you. So at times you may overlook it. But even if you do this group of gangstokers will be reacting to it. And it will be doing something for them. It will be causing them to operate at the same time or rate. It will be causing them to have the same opinion about something. Because it's a team effort. They're working together in a cohesive fashion towards a common goal. So they will emerge and suddenly reveal their opinions at the same time. Like they're on a mission. They're undertaking a task that they consider to be a very important duty. To the point where they become oblivious of anything else around them. And they will all appear to act very similar. In a way that they may be unlike how they normally are. But there was a time when they didn't care about anything that you were doing. They were never concerned about it. It never bothered or interested them. But now they're acting in a way that they wouldn't normally act. Four. You recognize sudden and unexpected pauses. You may be experiencing a lot of gangstoken activity. But then all of a sudden it will all come to an abrupt stop. And it will happen in a planned way at exact times. And this may irritate you as well because you know that it isn't real. You know that it's only a matter of time until it comes back. And you're just waiting for the other shoe to drop.  Because while at times they may want to give you a moment of peace and tranquility. Just so they can hide you up and then pull you back down again. But that is a result they're never going to get. Because by this point, you've learned to always wait for something inevitable. You're waiting for it to be taken away from you. Or for it to be destroyed. So you're never going to experience a moment of complete satisfaction as long as you're around them. You're always going to be waiting for the other shoe to drop. You're always going to be waiting for something else to happen. Which puts them at a huge disadvantage. And it makes it very difficult for them to control you. But they will still try to make you as nervous, worried and irritated as possible. Just so they can pull away and leave you by yourself. So that they can feel like it's all on you. And you have these issues which have nothing to do with them. Because they never look back at their actions which cause you to behave in certain ways. Instead they put the onus on you. Which also puts them at a huge disadvantage. Because many of you will take it upon yourselves to clean up their mess. And by doing that you're taking your power back again. Five. They will pose as someone they're not. They will take on a false identity. They may even try to impersonate someone else.  To make you believe they're about something they're actually not. And it will seem very suspicious. Because it will be something that you experience a lot more than you ever did before. So it'll cause you to have the idea that there's someone questionable, dishonest or dangerous. As though they tailor made this character just to get your attention. Without showing you who they really are. Because they already know you don't want to see that. If they expose themselves from the very beginning you would run a mile and they know it.  And randomly approach you in person or follow you on social media. Because what they really want is to be able to talk to you in a way. As if you don't know them. They want to recreate a first impression. That moment when you first form a mental image of a person. Because they understand that it's very powerful. But by doing that it actually sets them up for failure. Because it's also what initiates the inevitable ghosting or discard. They can't be around you for long periods of time. Because they know that time will expose them. Time will reveal to you exactly who you are. And then you will end up being the one who rejects them. Which is the last thing they want. Nothing hurts these people more than rejection. Which is why they set it up in a way where you can't reject them. Because they're always watching you. They're always spying on you. And there's very little you can do about it. Which is exactly what they want. Because they understand that they have no choice but to force you. They have to make you participate in it against your will. Because they already know that given the choice you would reject it. And you would go your own way. Which really is the whole purpose of the gangstalking. It's to make you do something you don't want to do. They mistreat you because you don't want them. You don't support their ideas or ideals. So whenever you feel compelled to do things that you wouldn't normally do. That is a clear sign that you are being gangstalked. And when that happens you just need to take a step back to examine the situation.  Because only you have the answer to that. No one else can tell you. Although they can try. But you need to figure things out on your own. Because that is the only way that you will become the person that you're supposed to be. Thank you for watching. 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A fiery horse with a speed of light, a cloud of dust, and a hearty high old silver, the Lone Ranger. With his faithful Indian companion, Tonto, the masked rider of the plains led the fight for law and order in the early western United States. The stories of his strength and courage, his daring and resourcefulness have come down to us through the generations, and nowhere in the pages of history can one find a greater champion of justice. Return with us now to those thrilling days of yesteryear. From out of the past come the thundering hoofbeats of the great horse Silver, the Lone Ranger rides again. Come on, Silver, we're heading for Tomahawk Basin. I'm Silver! As the Lone Ranger and Tonto rode over the rim of the great Tomahawk Basin, they saw thousands of Texas longhorned steers milling in the plains below. All along the lowlands, cow-punchers hazed the cattle with a dozen different brands. Chuck wagons and campfires dotted the edge of the herd, and the milling hooves raised yellow dust that hung like a cloud over the land. Well, this is Tomahawk Basin, Tonto, home of the man we're after. Ah, that man named Steel. Benjamin Steel, cattleman and leader of the Black Arrow. The Black Arrow all broken up now, Kimusubby. Nothing left to gang. The legion of the Black Arrow is smashed, Tonto. The five leaders are not put in jail because proof of their guilt was lacking. That's why we're here. We put Benjamin Steel in jail? Won't be easy with the power in the cattle country. His cattle graze over more land than the eye can see. He's got ranches and men scattered all over the west. You and I have a good idea how he got to be so powerful. With guns and shooting? Yes. But Benjamin Steel is crafty. He covers up his tracks too well. He controls too many people. Knows he cheats are afraid to open their mouths against him. You think maybe him here in Basin for Roundup? His brand is the Tomahawk brand, Tonto. Some of those cattle down below must be his. Maybe others, too. Yes. You know at Roundup like this, all the ranches work together. Then they go through and pick out their own brand. Kimusavi, what's that? Right below us, Tonto. A man on black horse. He'll look plenty mad. It's ranged up against three riders. Tonto, it looks like trouble brewing. And what we do? Pretty soon they use guns. Follow me, Kimusavi. We'll break up that quarrel and ask questions afterwards. Get amongst the cows! Well, then I'm warning you to sling a diamond hitch on your tongue. Any more loose talking like that and you'll get daylight through your metal. I want my cattle, Pharaoh. Take them and you're welcome. But don't go cutting out no steers wearing the Tomahawk brand.  Olden, this steer is wearing the Tomahawk brand?   The last time I said eyes in that steering wore the Bari brand. I'm resilient for trouble, Pharaoh. Let the six-eaters do the talking. You hear that, Olden? You better van moose before it's too late. When I go, that steer goes with me. Who chains that brand? There's nobody chains that brand. Are you calling me a cattle thief? I'm just asking who chains that brand. Say that once more. Now, there's three of you against just me, Pharaoh. But no sneaking coyotes gonna face me down.   Get him, Pharaoh. He knows. Slapped leather, Olden. What the... Whelp your horse. What in places?  No time to argue. Head for the hills. No, slap his horse.  Go on. You let loose in the rain. Come on. Come on. Come on. Jump that maverick, Pharaoh. That Omri wore a mask. Where am I instilled numb from his bullet hit my gun? He's a slick hand on the trigger. Now easy. It's all right. But, Pharaoh, I...  In the first place, her hands are still numb. We couldn't do no real shooting. And in the second place, Olden's got a fast horse, so are the mother two Omri's. There's no use chasing the wind. Besides, we got the cattle. That's what we was told to do. Olden won't be back in a hurry. Not the way he's traveling. Maybe so. They still don't like it. Blazers was that mask, Omri, anyhow. Despite Olden's protests, the Lone Ranger and Tonto urged him forward with a steady gullop that left Tomahawk base and far behind. The sun had set, and the early stars twinkled the darkening sky before the masked man threw up his hand and leaned back in the saddle. Denny's teddy boy moves to the left. Mister, you've been riding herd on me for two hours. But you were in front of me. And I never yet shot a man in the back. But now we're face to face. He must have been... I'll take that gun. Let's go out. That's better. Here, Tonto. Take care of this gun till we get better acquainted. Huh. Him mad like rooster. I don't know. You're friends. You're never wearing a mask. And I mistrust a mask on me like I mistrust a coil rattler. Well, bust my traces. What handle did you give that engine just now? What's that? That engine part. Did you name him Tonto? Ah, me Tonto. A mask man. Engine named Tonto.  You call him Silver. Mister, I'm plum disgusted with myself. If I hadn't been boiling mad at a note before this, you're the Lone Ranger. Yes. I was told all about you. I was told you might be around these parts. Not many people knew we were heading here. A woman did. Kimusabi. Did, uh, did you say a woman? Yeah, that's right. A couple of nights passed. I met her outside my line, Kamen. I didn't get a good look at her because it was dark. But somehow or other, I put a lot of trust in what she said. Go on. There wasn't much. She just told me to watch my step come round of time. And she also said that a mask man and a red skin might be shown up. And that mask man would be the Lone Ranger. Kimusabi. That mystery girl. What's that engine? It's a tanto and I came here because of a note left for us by that same girl. Oh. Well, mister, now that I'm cooled off a bit, I'm bound to admit you saved my life back there in the basin. Yeah, there was three against one. Yeah. Except for you, I'd be food for the buzzards by now. Some, uh, some trouble about cattle? Yeah, a gent named Pharaoh had his rope slung around one of my stairs. So I noticed. My brand's a bar A. My name's Alden. Jeff Alden. That's how come I put that brand on my stairs. An A with a bar sticking past it. Oh, that plenty easy to change the Tomahawk brand. Yes, engine, but I never figured it'd be any of that. Gosh, Benjamin Steele owns a Tomahawk. He's a mighty big man. He wouldn't rustle cattle. I'm not so sure of that, Alden. From what you say, it looks as if he has. Oh, no. Pharaoh done that. Pharaoh? The man I was fixing to trade bullets with when you rode in. He works for Steele. Looks to me like Pharaoh switched that brand of mine for his own sake. But wait, Alden. What can Pharaoh do with a Tomahawk brand that belongs to Steele? Pharaoh draws his pay in beef, mister. It'd be mighty easy for him to count extra that way. Seeing how big Steele's herd is, Steele will never miss him. Alden, suppose I told you you're mistaken. Huh? Suppose I told you Steele is the biggest cattle thief in the country. Would you believe me? You're joking. Am I? Benjamin Steele, a cattle thief? I don't believe it. No trouble. Nobody believe it. You're not serious, are you? But Tonto and I are here to prove. Well, I'll be. Gosh. Well, will you help us, Alden? Mister, you saved my hide. Whether I think you've got the right idea or not, there's just one answer. Of course I'm with you. Good. And the first thing you do is to make sure you've got your cattle.  Whether you behind me, I'll make Pharaoh turn them cows over plenty fast. I don't know why I'll leave you here. But you said that... I said we'd help you, but we'll have to do it our way.   Well, I... All right, mister, whatever you say. I'll be waiting. Good. Tonto and I don't know where we'll start, but... What in thunder? I came behind the trees. A shot. It came over that way. We was outlined clear against the sky. Follow me. We'll head in that direction with the trees to protect us. Alden, hold me one shot. Keep your eyes open, Tonto. Plenty dark. Hard to see. Whoa! Whoa! Mister, look what's underfoot. The rim of a canyon. Alden, that shot must have come from the other side. Tonto, see him. No, you stuttle. Hold to your gun. He's well out of revolver range. We can't catch up to him because the canyon's in the way. Did you hear him laugh? Who was that ombre? You didn't recognize that laugh? Not me. Did you? Tonto, not here at a fore. He's a stranger to us, Alden. But that laugh... Yeah, sounded just as mean in the ordinary as the howl of a mountain lion. Whoever that gen is, he's not apt to be pleasant company. Head for home, Alden. Kino, here's the headman. Adios to you. Get up, Blackie. Why puller shoot rifle? Him not try to hit us. It's too dark for that, Tonto. If you ask me, I think it was a warning to us. A warning to mind our own business. You know what that means. And only one puller do that. Yes, Tonto. I'm as certain as you are. That man was Benjamin Steele. When you laugh and you're Steele, when you laugh it makes me shiver to run up and down the spine. Nobody can beat Benjamin Steele, I'll breathe. You are very dangerous man, but his mask rider, he too is very dangerous. I'll whittle him down, I'll breathe. He's the one who sing a land to discover and defeat the black arrows in your... I'm the biggest cattleman in the west. Before I'm through, I'll control every longhorn that travels on four hooves. I hope so, Senor. I hope so. Now, last year, I've taken over more than 100,000 head of cattle, I've named. Yes, Senor. More the way you do it. What about the way I did it? Your rustled cattle, your borrowed ranches. You cut off the water and forced small cattle owners to sell out to you for your own price. So I have breathed. But there's one thing I've been mighty careful about. Which is, Senor? That I'm made certain there's nobody or nothing can point a finger at me and prove I've been crooked. But you have been crooked. I said prove it, breathed. There's a lot of difference between saying it and saying it. I skin mighty close to the law, but I play my cards real careful, Savim.  I hope you keep on being smart, yes? Rita, I'll tell you something. The lone ranger knows who I am and how I operate him. He came out here to get the goods on me. To put me behind bars, but he'll never do it, breathed. Never. Now, let's forget that. What about Jeff Orton's cattle? He made all the arrangements. See, Senor Steele, I give order as you direct to Faro. He will carry them out. Kino, then let's go. Senor! What determination broke that winner? There's no, Senor. Horses, somebody's been listening. Senor, look. Look what I find underneath the broken window. This bullet! Here, let me read. It's a silver bullet. That was a lone ranger. They look... Senor, this is not good. You laughed at the lone ranger before. You gave him the challenge. Now with this bullet, he returned the challenge. Yes, Breed. I reckon there's going to be more trouble than I figured on. There light and winter. That means Jeff Orton home, huh? We'll soon find out, Tano. Rainer. Very soon, Mr. Boyd. We'll talk to Alden. Tell him how we heard of Steele's rat's house before. What cat?  Alden, don't shoot. We're frightened. He'll still shoot. Time to see gunflies from corner porch. Follow me, Tano. Come on, Silver. Look out. You get him. Steady, Silver. I'll take that gun. What's the matter with you, Alden? Don't you... I should have waited. I should have waited till you were closer. I'm sorry. It's woman. You must be Mrs. Alden. We're your husband's friends, and he can vouch for us. Where is he? His horse came home an hour ago, but the saddle was empty. Something's happened to Jeff. Something terrible. The curtain falls on the first act of our Lone Ranger story. Before the next exciting scenes, please permit us to pause for just a few moments. Now to continue our story. Mrs. Alden, unnerved because her husband's horse returned to Riderless, fired her gun as the Lone Ranger and Tano rode up in the darkness. But the masked man quickly explained that he and Tano were Alden's friends. A short time later, they brought Alden's horse from the corral. He brings horse to Kimusami. There. You can see for yourself, masked man. Stirrups hanging loose. The rain's broken. I'd say he was dragged from his saddle. Huh? He must have met someone on the trail. He held onto the reins as he was pulled off. That's how the leather snapped. Maybe it was something else, mister. Maybe he got off himself. No. You haven't noticed a scratch on the saddle. Scratch? The mark of a spur is scraping on the saddle, leather. He got off himself. It has swung his leg clear. That's right. That might mean him dragged from saddle. It'll be done very soon, Mrs. Alden. I might be able to follow the trail and see where it happened. What? I'm afraid. Now you'll be safe. There's been things going on, mister. Our cattle's been disappearing. We got only half the herd left. Once our water was poisoned, one time there were shots fired through our window. I wanted Jeff to sell out the steel's tomahawk spread and leave this country, but Jeff wouldn't. He's mighty bullheaded. Sometimes bullheadedness is just another word for courage, Mrs. Alden. All I want is for Jeff to be safe. Tano. I want you to stay here with Mrs. Alden. Make sure nothing happens. Tanto, watch good. Steady, big fella. I'll be back as soon as I can.  Tanto, I wonder when the masked man comes back, will he have Jeff with him, or will he come alone? It's high noon, Tanto. You haven't had sense alone? Tanto, not hungry. I reckon I ain't hungry either. It's been hours. Let me wash the sunrise. Look, Ryder, come from north. Tanto, Tanto is... That lone ranger, that silver. Toy, toy! Injun, Injun, you've got good eyes. There's so much dust. Tell me, is the masked man alone had to got Jeff riding behind him? Well, him all alone. Hello, I need your help. Settle scout. Let me get him. Mr. You came back alone. What about Jeff? He's in trouble, Mrs. Alden. He's dead. No, he's not dead. I'm sure of that. But then what? He's not dead, but unless Tano and I can save him, he won't be alive very long. But masked man, I don't save him. Where is he? What happened to him? That's what we're going to find out, Mrs. Alden. I think he's been captured by outlaws. Ready, Tano? Huh? You ready? This way, then. We're heading north. Come on, silver! Outlaws! No! No! That's what you are. Outlaws. Born to a yellow-backed cattle rustlers and thieves. Only this time, I got you dead to rights. You don't say, Alden. If you didn't have me hog-tied and roped, I'd shoot. Never mind the talk, Alden. Won't do your liquor good. What are you waiting for?  If you don't keep quiet, that's what I will do. What's holding you back? Because I got orders, that's why. I got orders to make everything look as...  Never mind. You got orders from who? I said, never mind. You talk later on when the mask man catches up with you. Alden, I'm going to tell you something. There's a reason I ain't shooting you now. Yesterday, I would have, because you were to draw it first. It would have looked on the square. But if folks were to find you now with a bullet in you, it might look planned. So you're going to die a different way. You're not smart enough to figure that out for yourself. Who's given the orders? Why do you think that brand was changed yesterday? To get you riled up so you'd slap leather? Yeah, I reckon you would have beaten me to the draw. You've always been mighty slick with a six-shooter. Too slick for an honest man. Let me out of these ropes. Let me out now.  Where'd them cattle come from? Over the lip of the Aroya. That's rusty, hazing them along. Those steers look familiar. Yeah. Yeah, and take a look at that long horn leading the parade all in. Take a good look. Well, I'll be your first cousin to a coyote. That's the steer you missed branded yesterday. Yeah. Those are my cattle. What are they doing here? You let out in a hurry yesterday, autumn. I had Rusty do you a favor. Had him cut out your brand and bring him here. Thank you. Let him stand, Rusty. See now. Hold him up. Oh, sir, sir. What are you sneaking obrits up to? You got a horse for old and Rusty. Nice, gentle horse that he can ride with his arms tied. Yeah. What's going on? Keeno Alden, I reckon I might as well tell you now. We're going to move that herd down toward your ranch, going nice and easy, so as the darker the night, it'll cover the last half of the trip. You'll be in front on a horse with your arms tied good and tight. I don't savvy. When we get close enough, we're going to stampede those long horns, so they run right into your ranch house and trample it to Kinlan. What? But you won't see it, Alden, because we're going to take care of you first.  Right in front of the cattle. Smart ombre, huh, Rusty? Figured it out quick as a wink. Yeah, Alden, right in front of the cattle. They'll stampede right over you. Later on, when you found it looked like it was an accident. You can't get away with it. You can't. Don't keep looking around for help, neither. Covered up a trail, Savvy. Covered it up so nobody could find it. Get him up on the horse, Rusty. It's time to start moving. But Farrow was wrong. Although the trail had been covered with care, the men who searched for it had the keenest eyes in the west. Or even the best guide or the cleverest woodsman would have wandered in circles. But the danger in Tonto did not fail. Slowly but surely they followed the faint signs from the point where Alden had been yanked from his horse. Across rocky slopes, through clear rushing streams, dense strands of chaparral they went. Until just as the setting sun was casting long shadows toward the east, they came over the lip of the arroyos. King wassabi. Daddy Silver, steady boy. Yes, Tonto, campfire. Alden was kept prisoner here last night. And place empty now. Look at the signs, Tonto. He was put on the horse here. And different horse from first time. And they set out this way. Came down this slope and... Tonto, look. Heard a cattle move south. Alden went with them. A cattle not moved by themselves. Signed show they heard it long. Yes, quite a few hours ago. King wassabi. What is it? You look to south. There plenty dust way off. Cloud of dust. The cattle made that, Tonto. And what we do? Keep going. If we cover ground, we'll catch them soon after dark. Now we can travel. Come on, Silver! Easy, Silver. Easy. Slow down, Tonto. That's a herd. You're plenty dark. Must be the herd. All right, that's a singing rusty. All right. Listen, Tonto. That's a singing of butter. Everybody quiet. Pretty soon it'll come time to take care of Jeff Alden here. King wassabi. Tonto know that man. That man, Feral. He's got Jeff Alden there, Tonto. Oh, Silver. Oh, Silver. Oh, Silver. And what it mean? Take care of Jeff Alden. I don't know yet. Maybe we go and find out, huh? Yes, Tonto. We could do that. Even though we can't see how many men there are, we still could... Oh, wait. What matter? Our main job is to get Benjamin Steele. If we attack now, we may not find him there. We'll have to wait and see what they're planned to do. Maybe that's dangerous. And we'll have to chance it. Tonto, this herd is heading toward the upper end of Tonto Hall Basin. Alden ranch up there. I'm going to stay here and trail along with this herd. I'll keep well hidden. You right ahead. Get Mrs. Alden and have her get as many of the ranchers as she can rouse. Head north again until you meet the herd. Tonto Savvy. On your way. No, either the herd will cover Scouts Hoofbeats. Adios. Adios. Get him up, Scout. All right, Silver. That's the two of us now, boy. You've got to be ready. There's no telling when things will start to happen. Alden, I reckon we're getting pretty close to your ranch. Looks like a light up ahead. You can't go through with this. Barrow. Hey, Barrow. Rusty, I told you to talk soft. There's no time to waste, Barrow. I'm scouting up ahead. The whole posse of riders heading this way. Sad? Yeah. They'll be here in 10 minutes. We got a skedaddle. A skedaddle, nothing. We're going through with it. What, I tell you, Barrow. 10 minutes, huh? That's plenty of time. First, I'll take care of Alden. A gun for you. I'll catch him untie his ropes. Tino. The steers are close behind us. I'll head back to the rest of the man. Now, when you hear me fire a shot, then that Alden fall out of the saddle. Yeah. You'll be right in the path of the steers. Tino. And once we get the herd moving, those riders will be so all fired busy stopping the stampede from running over the ranch house that we'll get away in the dark.  I'm all set. Get up there.  Ropes untied. You won't be alive long, Alden. Just as soon as Farrell gets back to the herd. Don't move. Button, thunder. Your coverage, stand back. I'll take him across silver shoulders. Mask, man. Mask, man. Don't talk, Alden. What's that? Farrell's signal. Mask, man, that's Farrell's signal. He's stampeding the herd right this way. What's that? The herd. It's a stampede right over us. We'll have to ride for it. Straight ahead. Put your horse to the gallop. You'll never make it. Your horse is carrying doubles. Silver will make it. He's got two. Straight ahead. Here they come.  Get up there. Come on, Silver. Faster, boy. Faster. Injun, we've been riding for almost an hour now. Are you sure that herd was heading this way? Uh, I'm not sure. But as soon as we find it. Attention. That's of our cattle. They're shooting. I've heard. Then make them stampede. Silver. Get the low ranger. He must have me. No. There's no moment to lose. We've got a head of the stampede. Those cattle must be turned aside. You've got Rusty Marlowe with you. Rusty's an outlaw. We have to get the rest of them. And Mr. You've got Jeff. I see you've got Jeff. He's safe. Yes. Can you take care of him? I sure can. And I can take care of the skulk too. I've got a gun and I know how to use it. Good. All right, you men. Are you ready to follow me? Use your guns. Turn that herd first. Then capture the outlaws. Now, come on. Clashing ahead and skulk close behind him. The posse raced forward straight toward the pounding cattle. At a shout from the masked man, shots rang out over the heads of the bewildered steers. The leaders slowed down, turned and wheeled. Suddenly the whole herd milled into a circle. The stampede was over. Sweeping onward, their guns blazing. The posse closed in on the schemers before they could recover from their surprise. Don't shoot me. Don't shoot me. Don't shoot me. Don't shoot me. Don't shoot me. Don't shoot me. Don't shoot me. Don't shoot me. Don't shoot me. Don't shoot me. Don't shoot me. Well, you just about saved everything. Where's Faro? Faro? Why... why Faro's dead. What's that? Yes. Pete Haskins found him off to one side.  I see.foundo come with me. Ah, you smooth condor fella. Goodbye, Alden. Goodbye, mister, and thanks, edamind. Come on. Well, I reckon that's one more good turn the lone rangers down. He saved your cattle, Alden. Oh, sir! Or you have just heard as a copyrighted feature of the Lone Ranger Incorporated.


Good afternoon. I would like to call to order the July 2018 City of Columbia Planning Commission meeting. Before I go into any more details, I would also like to welcome two new members of our Commission who are guests today, Brian Dolphin and Issa Mandel. Welcome to the Planning Commission members, staff, and guests. I would like to ask everyone to turn their cell phones and PDAs to the silent or vibrate mode. The administrator will now proceed with a roll call. Mr. Tupper, Ms. Hartz, Mr. Cohn, Mr. Stigermeyer, and Ms. James, we have quorum. Thank you. A brief review of the meeting format. Applicants with requests before the Planning Commission are allotted a presentation time of 10 minutes. This time shall include, but is not limited to, an overview of the project, case history, and any pertinent meetings held regarding the request. This time also includes all persons presenting information on behalf of the applicant, such as attorneys, engineers, and architects. This time limit does not include any questions asked by Planning Commission or staff regarding requests. Presenters of the general public are given the opportunity to address their concerns in intervals of two minutes. The administrator has a timer and will make presenters aware of when their time has expired. The Planning Commission reserves the right to amend these procedures on a case-by-case basis. The Consent Agenda. The Planning Commission uses the Consent Agenda to approve noncontroversial or routine matters by a single motion or vote. Examples of such items include approval of site plans, annexations, and street names. If a member of the Planning Commission or the general public would like to discuss an item on the Consent Agenda, that item is removed from the Consent Agenda and considered during the regular meeting. The Planning Commission then approves the remaining Consent Agenda items. The administrator will now read the Consent Agenda. Good evening. Your Consent Agenda this evening consists of the approval of the June 4, 2018 minutes, as well as four annexations and comprehensive plan map amendments and zoning map amendments. Those consist of item number two, which is annexation of 2313 Apple Valley Road, as well as assigned land use classification and the zoning of the general residential district RG1. Item number three, which is the annexation of 2019 Joe Frazier Court, as well as assigned land use classification of Urban Edge Residential Large Lot and assigned zoning of a single family residential district RS2, as well as item number four, which is 125 Payton Road, which is an annexation and land use classification of industrial and the zoning of M1. Item number five is, as noted on the agenda, was withdrawn. And item number six, which is an annexation and assignment of the land use classification for Urban Edge Residential Small Lot UER1, as well as the zoning classification of the PUDR for the properties listed on the agenda. And staff request that you move item number seven under the regular agenda onto the Consent Agenda. So we would, if you would like, first a motion to move item seven onto the Consent Agenda and then a motion to approve the Consent Agenda this evening. Okay. Do any commission members or guests today wish to have any items on the Consent Agenda removed and placed on the regular agenda? If not, I'd like to have a motion to move from the regular agenda to the Consent Agenda, item number seven. Mr. Chairman, I'd like to make a motion that we move item number seven, street name request from the regular agenda to the Consent Agenda. I have a second. Second. All in favor signify by saying aye. Aye. Anyone oppose? Number seven has moved to the Consent Agenda. Now I would like to ask for a motion to approve the Consent Agenda. Mr. Chairman, I'd like to make a motion to approve the Consent Agenda. Second. All in favor signify by saying aye. Anyone oppose? Consent Agenda is approved. We will now proceed with the regular agenda and if anyone comes forward tonight to speak about this, please state your name clearly before speaking. For your regular agenda this evening, we have one item which is number eight on your agenda. It is a zoning map amendment for 2519, 2521, and 2523 Reed Street to rezone the property from residential general district RG2 to the commercial district C3 and staff's recommendation to the Planning Commission is a recommendation of denial for the rezoning from RG2 to C3 as the requested general commercial district does not fully align with the small scale commercial, although small scale commercial use is acknowledged within the urban core residential small lot UCR1 future land use designation. If you have any questions, Rachel and I are here as well as the applicant is here. Would the applicant like to come forward and speak? Good evening. We purchased this property in July of last year, 2017. We purchased it from the bank and we purchased it as a commercial property. They led us to believe that it was already zone C3. It had gone through a foreclosure. Their attorney, the bank's attorney, confirmed that it was a commercial property as well as our attorney. And the only reason that we found out that the issue, this property had an issue with zoning was because we have a tenant. He's a print company and literally when he wanted to go get his business license, that's when he found out that there was an issue as well as an address issue. So when we were sold the property, it was 2525 Reed Street. That's what we see on the county website as well. But when it came down to SCNG, they had three separate addresses, which are the addresses that you all have. And so what we're looking to do is just maintain our tenant, our investment. We've significantly improved the buildings in that area. And so we're looking for leniency as far as how we handle the zoning. Also, I think it's important that the history of this building that was built in 1950 and it never has been a residential building at all. As my son mentioned that we bought it under auspices that it was retail or commercial. The way destruction is built now, there's no way it should have been residential from the standpoint just construction itself. We have invested over $15,000 into the building already to break the front up and redid inside of this building. We have a tenant that's on hold now to occupy that building. So we gratefully request that you reconsider the rezoning that you have imposed at this point. So that's our status. We bought it in good faith. Have we known that this was the case? We probably wouldn't have purchased it from the bank. We purchased the building for $15,000 and we, like I said, we put $12,000 to $15,000 in it already. And it's just redid with finishing touches. When this issue came up, we had no notification otherwise. We want to be a good corporate citizen of Columbia. We want to do the right thing. So we hope that you will consider all the particulars in terms that it never was a residential.  So it's right at the back of a commercial building. We actually, our parking lot bumps up to that particular building. So it's on the tail end, if you will, of Reed Street. Did you have a due diligence period after you purchased the property to find all these things out? What we did, we went through the normal closing process, if you will, we purchased it from the bank. We retained an attorney and they did the closing. So to answer your question, we did not do any due diligence as it relates to zoning. Because we just assumed, looking at the structure itself, it was a commercial. And there was also at the time, it was occupied. There was a barbershop in there and then there was a small storefront church in there. Obviously, when we saw the condition of the building, we told them they wouldn't have to move because we had de-renovation and upgrades. So it was occupied when we purchased. So it wasn't a need to think that it was anything other than a commercial building. Did your attorney check the zoning? They pardoned. Did your attorney check the zoning? Evidently not. I can't answer that. Because I guess in just looking at the building, she didn't do that. But we didn't know anything about her doing her due due diligence from that perspective. It appears looking at an aerial that you've got a church across the street directly on Reed. And then to your, if you're looking at your building from Reed Street, what is the structure to the right at Reed and Harper? So if you were looking at that view right there and you went over that view, look to your plan east. What's now in red under C3? What is that building? Sit again, sir. The building in the area that's read to the right of your property. There appear to be two buildings. What are those? That's the structure owned by Benedict College. This is the structure owned by Benedict College. By Benedict. Yeah, that's the structure that's owned by Benedict College. And next to it is their business development center, which is on the corner of Toonach and Reed. Also, I would like to show some pictures of before and after of the work we've done. This is the building that we purchased. This is what we've done in terms of breaking it up and redoing it inside. Thank you. Any other questions for the applicant? Well, for staff, if we deny this, is there any other way that they can still keep it as a commercial? So they would need to rezone it. And if you look at the land use plan, it does call for small scale commercial mixed into the neighborhood. And so the C3 is our most intense commercial district. That district allows for, it has the longest list of the possibilities. And so Rachel and I have talked. I believe she's talked to the applicant that maybe a C2 would allow him to do the uses that he intends. But it would be sort of a step down. So it's similar to when we have a commercial corridor, we might actually put a multifamily behind it and then the residential. So you have the uses sort of gradually stepping down. If you went from the C3 to a C2 to the residential, you'd have less intensive uses potentially in the future directly adjacent to some of those residential uses that are surrounding there. But he's asking for the C3. So that would be if it went through the process and you recommended denial to council, council could approve it or they could deny it. And then if it was denied, he could come back and ask for a C2 or a C1 or some other type of use. If council does deny a rezoning request, they cannot come back for I think a 12 month period. So for the exact same thing. So if you really wanted that C3, you'd have to wait. If it was denied, you'd have to wait 12 months before reapplying for the C3. I have a question for the applicant, if I can. So you said that the property wasn't actually purchased in these addresses name? Say it again to the property. So you said the property was actually purchased as 2525 Reed Street. Okay, and so basically that zoning connected with that particular address was shown to be C3 when you purchased it. Okay, I just wanted to be clear on that because they didn't purchase the property in 2519 and 2521. It was a mix up an address is what I think he said. So that's what I'm saying like now. I'm looking at 2525 Reed is the same property. Would you consider deferring it and applying it as a C2 zoning that we could then maybe staff would consider that and recommend approval instead of where you have it now? What does that entail in terms of C2? What would we be able to do with the property if it's a C2? The difference between the two is that a lot of the uses they're considering are permitted outright in C3 whereas C2 requires some extra steps before the zoning appeals and there's some size limitations where the limitations that come with the C3 whereas C3 they're permitted outright. So wouldn't we be able to keep the tenant that we have? He runs a t-shirt shop. That's at the end of the day what we're trying to ascertain. I believe that would be a special exception. So it would just have to go to board zoning appeals. So I understand your pipe, believe me and I know you've put money into this but at the same time it's definitely his own RG3, RG2. RG2.  Right, we want to do the right thing but we want to be treated fair in terms of what we can do. The example of the t-shirt it sounds sort of crude but the gentleman has, it's a three store, three storefronts, he has a machine in one and has a nice, got plans for a nice display store on the other side. That's what we really need to make it work for us. And so is there any kind of latitude there in terms of getting that at the end? I mean what is, would that be in the criteria? I have a question for staff actually regarding this. Could they apply for C2? There's no C2 surrounding this parcel. Wouldn't it become a spot zoning issue? C3 is adjoining to the parcel so it would be a logical C3 zoning application but I don't see a C2 or C1 near two. Because it's touchy. And so they could go a C2 as well, a C3 even, okay. And I think just to add to that it's not so much staff is weighing on the use of the t-shirt printing business. It's that list that's in your report that allows for all those other uses and we know that they may have a lease for two years but then who is the lease in the next two years? And it's anyone in that particular list without any, so we're really trying to look from, when we make our recommendation, we're looking at a long-term perspective not that particular tenant. So I just wanna clarify that it has nothing to do with the specific tenant. It's more about looking for that long-term zoning that's gonna be on the property for a long period of time. According to this, it could be a bar, liquor store, pawn shop, I mean the list is quite extensive. I don't wanna say. Those are special exceptions. Learned it out. Rachel's microphone seemed to have died. So we're gonna get cozy and share this one. But yeah, those would not, the liquor store, the drinking establishment, all those, those aren't permitted out right now. And they're directly across my church and there's a variety of reasons that those don't make sense. This is less about being a neighborhood encroachment issue. This is more about the building that's been being used as a different use than it's been designed for. It's clearly a commercial structure. And there's nobody that was gonna occupy that as a residence. Okay, I think that makes sense. It's really about just getting the right zoning that coordinates with the commercial adjacent, the neighborhood next to it, and lets it have its economic vitality going forward as what it was built 50-some years ago as a commercial structure. In C2, it would probably qualify a T-shirt company for a special exception. Yes. We have to go to zoning appeals. Yeah, but it still gets them some. That would be a reasonable compromise. I think if we could get that. I mean, I think the long term of it is for us if we can get the tenant that we have on hand into it, three years ago, three years from now, five years, we know our parameters. And so we'll know that the classified is such that we would try to conform to that classification. But now we have to change their application here, or do they have to resubmit it for the next month's hearing? I think he needs to withdraw this one, submit. We still haven't done the legal ad for next month. So he could change or make a request on the current application to change it to the C2. He could appear at the beginning of the August agenda. And then if he wanted to file for the special exception, so it'd be early September, he can have everything wrapped up. That's up to you. Appreciate it. I think we can get there. It just puts us off in terms of, would you want all the above? But if that's what we have to do, I think we want to withdraw your application for this meeting and reapply it for the next meeting under C2. Or he could amend his application. Or we can amend. We'd have to rehear it. Right. The zoning public hearing wouldn't normally happen until September anyway. So July and August meetings go to city council in September. So he's really not losing, at this point, his final decision for city council would still be on the same date. September. Yeah. Yeah. Yes, sir. We would do that. Okay. So the applicant will withdraw his application as it's been submitted? He could amend it. Deferred. He could amend it. Yeah. And it will be presented at the beginning of the next meeting. Yes. In August. Correct. We need to make a motion. We don't need a motion on that, do we? No, I don't think you need to make a motion. You have no action that you need to take. There's no action. He's going to amend it. Right. He'll take an action in August. Okay. We'll see you back in August. Thank you all for your attention and time. I appreciate it. If there's no other business, I'd like to get a motion to adjourn. Mr. Chairman, I would like to make a motion to adjourn. I'll approve. And you want to pose. The meeting's adjourned. Yes.


Hello, and welcome to Release Date Rewind. My name is Marc J. Parker, and I am a film lover, filmmaker, film celebrator. And normally this is an audio podcast, wherever you get your podcasts on your favorite apps. But thanks to Portland Media Center, you are about to watch the video component of this show where I celebrate movie anniversaries with my friends. Each month I usually talk about two different movies that I love with different friends, and we talk about the making of the movies, trivia, any fun memories associated with them. So I hope you enjoy, because now it's time to rewind. When they hear over the radio that this lunatic killer has escaped from an insane asylum. That's not the way it goes. The boy goes for help, and the girl stays in the car, and she hears this scratching sound. No, he's been decapitated. No, he was gutted with a hook. Your recording in the spirit of Jennifer Love Hewitt is living right now between the three of us. What were you going to say, Tom? So I was going to say, I can't tell from the email exchanges that we've had so far prior to setting up this recording whether or not you are snarky about Jennifer Love Hewitt, but even though I'm a gay man, she is my like 12 year old crush, and I'm still like a die hard devotee as Marc can tell you. So carefully say about Jennifer Love Hewitt. Now it's so funny, because Tom loves Love, Jay Love Hewitt, Jennifer Love Hewitt, and then Kate, Kate loves SMG all the way. So it's so perfect that I have my two scream queens with me on this episode of Release Date Rewind, because we have our Jennifer Love Hewitt and our Sam Michelle Geller people. I'm in the middle. I love both. I do sway a little more to SMG, but Tom, you love SMG as well. Oh, I love her. I love her. I'm rooting for a huge comeback for her. Oh, right? Because I need to see her new Netflix movie. She's in Due Revenge, which I have to see. But then she's doing the new Teen Wolf show, which I'm kind of like, that's cool. I like that she's sticking with the dark, but I'm like Teen Wolf, I feel like we can get you something a little better. But whatever. But no, I love that I have you guys on. It's absolutely a stepping stone. And then Freddie Prince Jr. has said he's been wanting to do horror again. Ryan Philippi always pops up. I mean, this cast, luckily, is going to be in a Netflix Christmas movie. Who? Or Freddie? No, Freddie. SMG just posted the other day. She's like, you know, I love me holiday movies and I love them even more when my husband is in the miniature trailer. That's right. I did see that. Yeah. Their love story is an epic love story. I know. I would have never thought. Like. Yes. I know. It's funny because the two of them, as you guys know, barely they might say one line to each other in this whole movie, right? They barely even look at each other, but who would have thought that the two of them would be 20 years later, still going strong? I love it. I'm so, so happy. They are one of my all time. I know. They've been one of my all time favorite couples, but it actually just gets better and better that they still are together and that, like, Sarah Michelle Geller still loves Selma Blair. And like, I know they did a little Cruel Intentions reunion not long ago. Like, I just love all these hot, beautiful, awesome actors from like, our youth are still so close, you know? They grew up together. Like, so now they're, yeah. But it's so sweet because you know they're genuine. Like, not only did they grow up together, but like they obviously still love each other and that was real. We thought they were friends and they were. Yes. Oh, totally. Yeah. Okay, everyone. So obviously we've started recording. We are chatting about, I know what you did last summer and I have on the show tonight Tom Chuba in Connecticut and my buddy Kit Sheehan in LA were on different, we're all in different states, we're on different coasts. But my friends, happy spooky season. Happy October. Happy Halloween. This is the best time of year. Oh. Happy Halloween. Kids getting their props. I love it. I don't have any more than this. I'll see. I'll throw out. Me and Tom are wearing our, I know, it's Scream vs. I Know shirts that we got from this great designer on Instagram, Clark Felix. We're wearing your shirt. Kit is being Jennifer Love Hewitt 2.0. She's got her little cardigan. She's got her tank. I have sweat pants on. I'm in my. I really are giving JLH vibes. Thank you. Thank you. It's just like, I don't know. The hair length is perfect for J-Love. Yeah. Color everything. I should have, I could have committed to a very stringy bang, but I, so my dad used to tease me and call her stringy hair when I, but it's super funny that you said that. But that's so funny because that was only in this movie. Normally she's had like the best hair ever. She was literally supposed to be unwashed and depressed. Oh yeah. It took a while to make her look that, you know, sleepy. I just love that. That scene, that shot is so iconic how she just turns around. She's glaring at her roommate who, we'll get into the sequel. We'll get into the, at least the first sequel. I haven't seen All Always, No, I don't watch that. And I didn't watch the TV show, which was apparently God awful for Amazon Prime. One scenes in wonder. But I do believe, and I want to ask you guys real quick before we get into the real movie. Do you think her roommate in this original movie, who I think her name is like Deb or something? Yes. Something, right? Do we think that's actually Carla? That's actually Brandi from the sequel. We just didn't have Brandi in this one. Or do you think they are two separate friends from Kyle? No, I always thought they were two separate people. Okay. Yeah. What about you, Kip? I always thought they were two separate people, but you raised an interesting point because I always thought that like the, and I'm not, I don't know the executives of this movie. No, I don't. But I always felt like the executives didn't. They were just like, yeah, her black college friend. Oh, nice. We're like, we can get a famous black college friend. Oh, get the famous one. Totally. Totally. Yeah. I think they were just like, well, then whatever name. If you can't call it the same name, then like Carla or something. I don't. Yeah. Yeah. I'm just like, cause you know, this first one, I'm like, okay, yeah. But then with the sequel with Brandi, I'm like, okay, that was definitely Brandi. It just wasn't Brandi. Okay. Yes. I'm on to you, execs. Yeah. Are the execs the ones who are doing it, or are we supposed to think that Jennifer Love Hewitt's character just continually like fetishizes the black best friend and is like always thinking for one? Maybe. That would be a fact. First of all, Tom, I would never, I would never accuse even a character she played of doing such things. Second of all, I am sure it's not that well thought out. It is not a social commentary. It's just the executives feeling that way. Totally. I can agree. These movies do not think it through all the way. Even the reveal of the killer in this original 1997 film, which we'll get into in a bit, still up until recently, kind of was slightly confusing. Just the backstory, getting it all straight with his daughter and like, who's Billy Blue? Right? So we'll get into that. But up until a few years ago, I was still like, so is, does he also go by Billy Blue? Oh, that's someone else. Oh, that's a fake name. Up until moments ago.  I thought I did. I know it's 10 minutes, but yeah. And I had to literally what could be to be like, right. And the OK, because he's OK. Perfect. OK, got it. But it's you know, it's actually kind of complicated. And I feel like the movie does not have like the screen, the typical screen moment where there is a, you know, full on monologue of like explaining things. They just sort of say some quick sentences and then they're off running and you're like, OK, I think I'm following. But yeah, let's let's keep the mayhem going, right? So we'll we'll get into all of that. We are rewinding everyone. We are going back to October 17th, 1997, when I know what you did last summer came out wide in theaters in the U.S. and changed our lives. Now I saw this in theaters. Tom, did you? Yep, my dad took me an opening night, but you did. I was not allowed. Yeah, you weren't allowed.    Oh, I saw it on like the U.S.A. I saw it on the U.S.A. Well, oh, my God, the dubbing. Oh, God, OK, that's funny, because I even showed this at one of my Halloween parties. But that might have been before we knew each other, Kit. Yeah, because I didn't come till eighth grade, because you never had a Halloween party. Yeah, they were they were middle school only. They were a lot of work. They were a lot of fun, but they were a lot of work. And I was like, you know what, I'm 14. I'm tapping out. You guys have your own parties, but I remember one year I showed everyone because we would watch a scary movie. And of course, half the people there weren't even allowed. And like, I remember my parents got calls like, why is your son showing us whatever just be cool. So we we watched Scream one year. We watched I know we one year. And then I think we watched Blair Witch Project, the neck, the last year I did it. And then we would go trick or treating in my neighborhood and walk around town. And, you know, so anyway, that's so cool. Yeah, it was cool, but too much work. I was like, I'm going to be a guest at someone else's party. So this is what was going on in October 1997. You guys will love this because even though some of us don't love going to the movies anymore, we at least all used to. And I've seen movies in theaters with you both. The average movie ticket price back in October 1997 was $4 and fifty nine cents. Oh, my God. Can you. And now that was average. So we're all from Jersey. We're Jersey kids, Kit and I, South, Tom, a little bit more north. So we were near the cities. So I'm sure we didn't. Our tickets weren't that cheap at that, you know, time. Our tickets were probably like six. Yeah, six or seven. Pretty sure it was like five, seventy five or six.  But can you imagine for fifty nine to see this movie Broadway show for twenty? I have to tell you, in Connecticut, they're not that high. It depends if you're what they keep going, but I'm going to look. I feel like my agency is only like twelve dollars. Yeah, I mean, here in like Portsmouth and Southern Maine, it's not much. But L.A. is expensive in New York and L.A. It's like, yeah, it's it's twenty flat. I think it's 18 technically, but like with fees. And if you're getting it like a little bit ahead of time, it's like twenty one dollars. Right. And also it's a hundred.  Oh, just throw us a little bit. So that was the average movie price back then on the music side. Candle in the Wind, the 1997 re-recording by Elton John was the number one song at this time, and it was number one for weeks and weeks and weeks. This, if you guys remember, this was the tribute single to Princess Diana. Yep, he re-recorded this and global proceeds of the song went towards her charities because she had passed away. I think it was in late August, early September. It was very close to this, right? Yeah, I remember we were like in school and it was like, like it was like one of the first days of school. And I remember like the teachers were telling us. So I was like, whoa, you know. So yeah, so he had the number one song for a long time, like two months. Other music news, Janet Jackson had just released a week prior. She released her album, The Velvet Rope, which had some hit songs. We go deep and I loved that album. That was so cool. And Everclear, remember Everclear, they released their album so much for the Afterglow, which had, oh my gosh. Now I, yes, I was like, oh, I lost it. Yes, I love that song, right? Yes, that was one. And then father of mine. So that should jog your memory of what life was like at this time. On the TV side, Darman Greg was the hot news sitcom had just premiered. Seinfeld started airing its final season this this month, this fall and it was the number one show, of course, followed by ER. And do you guys remember it was about a week after this movie came out? Actually, it'll be 25 years ago tomorrow as of this recording. Do you guys remember the Kirsten Dunst? Steve Gutenberg TV movie, The Tower of Terror, which Tom was just in Disney. No, yeah, I did write it, I did write it. Do you remember it, Kit? I do remember it, yeah. Wow, you don't remember that, Tom? No, I don't think I saw or I must have seen parts. It was like Disney, it made it. It was it was Wonderful World of Disney, their Sunday Night Weekly movie. Yes. And so that was their Halloween movie. The Phantom Fan at the time. Oh, yes, totally, yeah. So this aired on ABC, Wonderful World of Disney. This was their little like Halloween movie, but it was the two of them. And it was a movie all about the Tower of Terror, obviously, to promote the ride. But yes, just had to throw that out there.  Yeah, I'm sure it's not good, but I loved it. I was like, oh, my God, my girl Kirsten Dunst is on the Tower of Terror.  I'm watching my movie. Speaking of movies, other popular movies at this time. And then we'll get into this movie. This came out the same day as The Devil's Advocate. Remember that one with Al Pacino and Keanu Reeves? It's kind of like sexy and like raunchy and like a little like dark. And like it is exactly what The Devil would look like. Yeah, he does do a good job. Very wealthy and light dude. Yeah, yeah, like lawyer. Yeah, totally. So Devil's Advocate, other popular movies, Kiss the Girls. So scary. Do you remember that one? Yep. So scary. That had just come out. That was number one. Yes. Oh, yeah. He's spooky and Ashley Judd. That movie, I might rewatch that again soon because that was free. Her name is Kate. This isn't how it works, Kate. That's her name. Nice, of course. I don't know why I brought that up. I have nothing to do with the name. Yeah, nothing. Yeah, that's not your name at all. And then also other movies, Seven Years in Tibet with Brad, Bright Blonde Hair, Soul Food and Boogie Nights had just come out. Those were all very popular movies at this time. Yeah, Boogie Nights. I was, yeah, Sturk Diggler. That, between Boogie Nights and I know what you did last summer, I'm just going to put it out there now. I definitely had, you know, a bit of an awakening. I think we all probably did. Also like the timing too. It was like primed to be like millennial children. Totally, 97. We were 10. Tom was maybe 11 because you're a year older, Tom, I think. You were born in 1986? Yeah, so you were 11. So we all were like on the cusp. Everyone loved those abs, yeah. Oh my God, the abs between Mark Wahlberg and then between Ryan and Freddie.  Yes, the boobs in this movie. My God, the racks on these actors. Yeah, they're beautiful, beautiful. Amazing performances. Yeah, I love that. So I'm going to throw it over to you both now. This will be fun. I'll start with ladies first. I'll start with Kit. So Kit, why don't you, in your own words, I'd love to hear from you both. Give a brief summary of this film. Of course we're going to spoil it, but for anyone out there who is cool with being spoiled, let's just kind of give a little log line, a little brief synopsis. We'll start with Kit.  This will be like a sort of acting exercise or something. I don't know, right? Should I, are we gonna, should I be describing the first half and then Tom is going to describe the second half? Oh, okay, I like that. Yeah, good. I like that, yeah. I like the second half and I needed to explain. I know what you did last summer takes place in a beautiful coastal town on the Eastern Mid-Atlantic shore, mildly Southern shore of North Carolina. And it happened at the opening night, the opening of the movie, it's the 4th of July, it's the evening and it's essentially the happiest times, like the best night of the lives of these four beautiful people who are all children, who are all seniors in high school, and who are all ostensibly best friends even though they are assholes to each other, like horrible, particularly my belief I had. Yes, Barry is such a jerk. Yes. Barry, what is going on at home, bud? I know. God damn, he is terrible, he's using alcohol.  I was trying, I was thinking of like an oyster pun of like, how do you say that they had a drunken car accident but it has to do with like, well. So instead of finding a pearl, they find. It was shell no, they'll make. Something fishy happens when they vehicularly manslaughter. They get stuck in the trap. I don't know, I'm making it worse. They can't get themselves out of this one. I don't know. They barely light up their pants to walk in the tide pools here. Now I'm like just diving in Oysterman's life. This is about fishermen. But in any event, they recklessly, they're driving a little drunk. The guy who was driving is not drunk but they are driving while teenagers, which is an I recall market, we were not safe when we were kids. There was a time we passed a cop and you, I think it was you and Alana were in the backseat of my mom's cabrio. Yeah, sitting on top, pulling a berry. Driving while white, the cop did not stop us.  We were lucky. We walked out. I remember that night very, it's so funny, I remember that night very well and I was embarrassed. I was like, oh my God, that was a cop and we are not in trouble. This is crazy. Because we were, we didn't have anything in our hands but we basically were Ryan Phillips on top of that cop. Yes, yes. And that, so there is an accident. They think they hit something in the road. It, they hope it's a deer. They find a boot.  The scary movie. Yes. I was constantly cracking up. The scary movie the entire time. Yes. Isn't it funny? Real quick, it's just funny how that movie is so, it just really stands the test of time. It's such a perfect spoof because rewatching the original movies that that movie spoofed, I think of those lines, right? Instantly. I literally conflated the part that it will probably be part of Tom's summary but the part where Sarah Michelle Geller is like witnessing, I always think it's Shannon Elizabeth, right? Yeah. Yeah, like it's like, they're killing him. Oh my God. She's amazing. Yeah, I forgot about that. I was like, where are they going to? Is that the, oh no, that's that's a spoof movie, a real movie. Oh, tell me, little Miss Pre-Law, what's the charge for Mad Slaughter? We make a pact right here. Now we take the Sargrave. But so they, they find they have hit and run a man. They begin to discuss, what are we going to do? Jonathan Galecki, before he was a billionaire, drives down the road and sees them. So they don't know, someone has maybe seen them. And they're like, we have to dump him because that's way better. And he'll be, the tides will take him out. We have to take this to our grave. He's not dead.  And then Ryan Felipe has to dive in, grab the crown. They think that he is dead. They think we're going to leave this in the summer and our lives are going to be fine. And Tom, take us from there. Perfect. Grab it, Tom. Hot potato. Wow, okay. All right, those are big shoes to fill. So I'm somebody of few words. So I'm going to try and embellish you. No, you should. You're not a man of few words. Maybe, maybe a little bit more reined in words, but you can talk, yeah, that's okay.  They go on, you know, just Jennifer Lefuge's character goes to college. Freddie Prince Jr.'s character stays in this sleepy little coastal town and he just picks up fishing, which I think is what his father did or something like that. I think so, yeah. Barry and Helen who are Ryan Philippine and Sarah Michelle Geller, they attempt to go to college and both of them fail miserably at it. They both end up back in the town as well. So they drifted apart as friends. And then Julie, Jennifer Lefuge, starts receiving notes that say, I know what you did last summer. For the last year, four friends have kept a secret. Are you on drugs? No. Well then what is wrong? I've had her off here. But not all secrets stay buried. Somebody sent this to me, oh my God. Someone knows. I know what you did last summer, ooh. That of course, sends her into a tizzy and she gets in touch with everybody again to say, hey, I think somebody knows what we did. Turns out somebody doesn't know what they did. It's that the guy is still alive and he starts hacking them off one by one. And I guess we won't tell who lives or who dies. Oh yeah, we can. We can spoil whatever you want.  I mean, like the sound of him getting hooked is like, I love the close up on his face, right? When that's happening and it's very, and she's like, like Kit was saying, she's screaming, that's a great scene, yeah.  So tradition is that she has to go and sit this final, this final pageant out of the Croker pageant, yeah. And they all have like the Croker pageant so long. They all have those ridiculous hats. So he gets hacked away while he's trying to protect. And by the way, I love in that scene, I always have thought it's so funny, Sarah Michelle Geller's such sass when he's up there and she has to be on stage and she's looking at the new women, you know, performing for the crowd. And there's that woman who looks way too old. Baby, look at me, yeah. Tom knows every song in this movie, by the way, Kit. We watched this together when he was visiting and I was high as a kite and he was making me cackle. He knew not, not only every line, every start of every song on the soundtrack, he knows every word and I was screaming with laughter. So of course he knows. Yeah, so like, yeah, when they're driving in Missy, oh, so like I forgot also this whole thing. So like Ellen and Julie try and drive out to this woman, Missy Egan, who they think might know some stuff. And as a brother of the, Yeah, she was great.   Yeah, she's a mystics, they say. Oh, she's a mystics.   Right? That was good, yeah.  Yeah, so anyway, so yeah, so they're trying to piece together all this stuff and figure out who is stalking them. That leads to Helen trying to keep the police try and take her home because she is obviously frazzled and hysterical. And while she's in the cop car, they of course come upon this fisherman. We forgot to mention that.  Think of it, you've got a slicker. Slicker, yeah, yeah. I know, it's so funny how they make Ray like the constant suspect. There are no other suspects but Ray. And I think that's, and that makes sense. And that was fun, obviously they wanted, and this was the same screenwriter as Scream, Kevin Williamson loved him. But like, it's funny because they want us so badly to keep thinking it's Ray, it's Freddie Prince Jr. And it's like, no. But then we kind of don't really get to know him that well. We know the other three well. We see them together a lot, especially the girls. But like, how do you describe Ray?  He's poor.  So, yeah, but he has a slicker and he has a, you know, he works with the fisherman and he has like a car, at least in the deleted, one of the deleted scenes that they cut, which I'm surprised because they, like I said, were hitting us over the head that he was a suspect. He has a car that has like a crab on it. Ooh, he's the one that put the body with the crabs, right? Which I love us. The crab, I know the crab body situation. Johnny Galecki with the crab. Oh, poor Johnny. Yeah, he's one of the people, which makes no sense by the way. Like, why? Well, originally he didn't die, but I love his death. Well, we'll talk about- The hook right in the right place.  Wow, that could have been way more tame, right? But it's also random. Like, what does the killer have against Max? Did he just leave the hook? No, it's not. They're like, oh God, he's like, cause he's stalking them, right? So he's like, I don't think they think it's Max.  They'll know it's not him then, like. Yeah, I think it just, it's a great shock for later on. You're probably right, kid. I think even though Max is so periphery, and for a little bit there, we think he is a suspect as well, right? He could be doing this, right? But I think it's all about that reveal of like, she's hearing the noise in her trunk, and she opens it, and I mean, those crabs are scary and gross, and they're all in an out of that shenanigans mouth. Yeah, right? But anyway, Tom. It's a miracle, it's a miracle that they're gone within three minutes. I know, yeah. Ryan Phillips doesn't even say, he's like, what did the crabs, like, skitter away with them or something? And I'm like, that is literally the only explanation. Literally.  Get it, get it out of there. They all just like ran to the sea with him. Yeah. Cause after me too, I got a letter. I got run over.  Ah! Julie gets a body in a trunk, and you get a letter, that's balanced. So Helen knows Barry's dead, she saw him get killed, the cop is trying to take her home, they stumble upon the fisherman, cop gets it, he's not very bright. And then it leads to what I think is one of the best chase scenes in all of horror history. Right up there with Laurie Stroden and Halloween 1978.  Of course you did, cause you love that movie as well, which we all do. But, you know, we already know from Scream, which came out just 10 months prior, that Kevin Williamson loves Halloween, right? Cause Halloween is literally in the movie Scream. And it's funny, on our latest rewatch of this, I, for the first time, which is funny, I was a late bloomer to this. I realized that, yeah, this movie is also such a great love letter to Halloween, in with the chase, and with something else, which I can't, oh, and then of course how the chase, she's, she can't get in. It's basically the same thing as the keys, right? Open the door. Elsa, Elsa, Elsa is Tommy, is little Tommy, Tommy, open the door, Elsa. So like that whole chase is such a beautiful and a great way, longer version of that Laurie Strode chase scene. I totally, yeah. Right? Yeah. And it's so much more elaborate. There's, there's going up in a, in a dumbwaiter, there's falling out. I mean, like, it's like the perfect. And then yeah, it's coming out the window. Yeah. And you think she's got it? Oh. You think you're like, oh, she made it. The tires. And then she's in that alleyway and she hears something and she turns around while a parade is going on.  The fisherman gets her. Somehow he's behind her, which, you know, he's not supernatural, but he almost is. Almost is. Yeah. But yeah, I've, I mean it changed, it changed stacks of tires to this day. This movie. Yes. Right? The analogy stacks of tires is like the same as seeing the logs on a highway. Oh, final destination too. Yes. Oh, totally. You're so right. You're like, oh. Yes. Thanks so much for watching. Next week will be part two of this discussion. And in the meantime, please follow Release Date Rewind on Instagram.


Pow what's up everybody once again it's brand man Sean and today I got to talk about the fact that it's a lot of you guys who are going to ruin your chances of ever making it if you don't get out of this mentality yeah and by the way at the end of this video I'm going to put a Kanye clip that goes along with what I'm saying that you'll probably be interested to see stop complaining about other rappers other artists musicians why this person shouldn't be making it why this person is better than that person it does zero to help you if anything you know it makes you look worse if you think about somebody who's had success like Pat Poole or Wile A although I've loved these guys music in the past they've made themselves unenduring to their people who are already fans by just spending so much time complaining as opposed to being grateful for their already winning spots but fuck that that's some surface level shit I'm actually gonna tell you why it actually makes no sense that people spend time complaining about other rappers artists etc using rap people don't want to hear about anything but the booty and sex and the drugs and bruh it's not true conscious rappers have been winning for a long time abstract rappers have been winning for a long time there's so many facets and if you look at the results they all can win especially today there's no excuse just because commercially one gets pushed more than the other and you might spend time around people who don't appreciate anything but the other it doesn't mean that there aren't people somewhere that exists that love other types of music so you can't really say that when you have people like commentants I live quietly and chance to rapper and hops in and so many other people who have won big without really spending time on those types of subjects even if it didn't exist or wasn't currently commercially popular then just do like Kanye West the biggest artist on earth who made the backpack conscious thing popular go back and listen to everything Kanye says about things he's done he's very very intentional about knowing and remembering that he came from the conscious hip hop rapper backpack society it's not really a society like formal group but you know what I mean and let's just say this is number two but most people consider real music the music that they like it's fine to love the music that you like but you can't say just because someone else has a certain type of music that they do that is not real music if you want to get real hip hop started completely as party music it wasn't this whole conscious thing it wasn't even about gangs all that stuff came later it started when people had get-togethers and then got into the dj and then the rapping started with the mc all that kind of stuff but it's there go see it but just in case you don't have your time to do some for real for real research here's a short little cheat sheet note what's one of the oldest popular hip hop songs you don't stop your rocket to ain't nobody life getting saved off that song ain't no struggle in them tunes get away from the real music mentality none of us are the final authority on what is real good bad any of that stuff you like what you like you stick in whatever lane you feel you want to be in and keep going from there music is not a zero some game think about the fact that if there's somebody that's really popping and you hate them for whatever reason you feel like it's not real music are they taken away from your success not at all maybe they're fans it sounds like wouldn't even be your fans so them winning is not keeping you down only thing is keeping you down is the fact that you can't realize that them winning has nothing to do with the fact that you can win i don't want to hear them excuse the game is hard enough without fake obstacle don't make shit hard on yourself cuz i remember will Smith saying that he goes heads down and he's running he's running and every once in a while he looks up and sees where he is you know what that is that's focused he's not worried about what other people are doing he's running as fast as he can getting what he can't done and then he stops and really sees what other people are doing and the way i think about that just for success in general but particularly in music since that's what we're talking about is you got the game and there's a lot of people who are moving and shaking then you got the bench and then you got the crowd now it doesn't mean that it's not okay to ever look at other people and see what they're up to but when i talk about artists what am i talking about i talk about how they're doing what they're doing so if you see somebody and even if you don't rock with what they're actually producing as a product but maybe you might see why is this person winning you study that and that's the only kind of information i put up why how people do what they do why they are winning but that's all that should matter to you that right there is called doing your homework because i think about being in the game being on the bench or being in the crowd if you're in the game that means you're moving shaking you're producing you're making the moves that you're making all of y'all should be spending most of your time there or trying to figure it out but then if you're on the bench you can spend a lot of time there because you're just watching the game and you're studying what's going on for when you get back in the game that's how you should be looking at other artists you're wasting time talking about who sucks and who doesn't that's what people in the crowd do you don't have time for that worry about yourself and your own success low-key this is why a lot of the rappers who are more street life driven are winning especially the ones who are for real for real from the streets why because they're conditioned to only pay attention to themselves when you're in the streets especially if you want to survive and thrive you don't really have time to spend time hating you have time only to see what the next move is because you've got to get things popping you don't have time for all that other stuff and if you listen to some of these interviews by like a 21 Savage or just some of these other artists who are for real from that and they get questions asked by these interviewers they'd be like well I don't really know about that I don't really know about that I don't even when young thug was asked about black rights and all that kind of stuff what do you think needs to be changed in the way black men are policed in america lead that up with the critics and the laws and all that old shit we having fun we iced out we having money is how we're doing i know that's a little extreme you might want to care about your race and all that kind of stuff but the fact is they're only paying attention to what moves them forward anybody outside their world they're not really concerned with it because it doesn't affect them and so many of them are focused on money but the things you have to do to get money is actually entertain actually engage create a fan base so in a weird twisted way oftentimes they're actually focused on the right things to have a better music career than a lot of the artists who are just saying hey this is my art because not everybody but a lot of people get distracted by my art's better than yours and my art's awesome world come to me when it's always about the people as self-centered as people try to make Kanye seem he's always talking about the people what he wants to do for the people get out of the audience quick spectating at least be on the bench some of you guys are in the nose bleed section because you spend that much time worried about why someone else shouldn't be winning so if this might be you in any kind of way just be aware of it so you can focus on the right thing and as I promise I'm gonna end with a clip of Kanye saying something relevant to this conversation particularly the whole real music so please share this if you think other people would be interested and hit that subscribe button as an artist that's what I would want to drop something that mix syncopation and rhythm with melody and was innovative you know I'm saying so it's like but a lot of people what happens especially with a lot of the hip-hop artists that get into the box of like this was the real hip-hop at this time and blah blah blah and we trying to save it and then all they raps be about how they trying to save hip-hop and stuff instead of just making good songs and stuff because they just get caught into it's like that one it's like a 35 to like 45 category 35 year old or 45 that a lot of them getting to that thing like I can't stand it no more tribe was the last real one yeah I feel like you're talking about us and it's like soldier boy aw man I ain't hip and I was like hi soldier boy now hip-hop he making beats 808 type beats Rick Rubin style dances how many hip-hop that's what hip-hop was we brought all these dances stable you would never see nobody get up and dance like big daddy cane or something like that no people