Objects from Tender Buttons This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org Read by Corey Samuel Tender Buttons by Gertrude Stein Objects A carafe that is a blind glass A kind in glass and a cousin A spectacle and nothing strange A single hurt colour And an arrangement in a system to pointing All this and not ordinary Not unordered in not resembling The difference is spreading Glazed glitter Nickel What is nickel? It is originally rid of a cover The change in that is that red weakens an hour The change has come There is no search But there is There is that hope and that interpretation And sometime, surely any is unwelcome Sometime there is breath and there will be a sinecure And charming, very charming is that clean and cleansing Certainly glittering is handsome and convincing There is no gratitude in mercy and in medicine There can be breakages in Japanese That is no programme That is no colour chosen It was chosen yesterday that showed spitting And perhaps washing and polishing It certainly showed no obligation And perhaps if borrowing is not natural There is some use in giving A substance in a cushion The change of colour is likely And a difference, a very little difference, is prepared Sugar is not a vegetable Callous is something that hardening leaves behind What will be soft if there is a genuine interest In there being present as many girls as men Does this change? It shows that dirt is clean when there is a volume A cushion has that cover Supposing you do not like to change Supposing it is very clean that there is no change in appearance Supposing that there is regularity and a costume Is that any the worse than an oyster and an exchange Come to season that is there any extreme use In feather and cotton Is there not much more joy in a table and more chairs And very likely roundness and a place to put them A circle of fine cardboard and a chance to see a tassel What is the use of a violent kind of delightfulness If there is no pleasure in not getting tired of it The question does not come before there is a quotation In any kind of place there is a top to covering And it is a pleasure at any rate There is some venturing in refusing to believe nonsense It shows what use there is in a whole piece If one uses it and it is extreme And very likely the little things could be dearer But in any case there is a bargain And if there is the best thing to do Is to take it away and wear it And then be reckless, be reckless And resolved on returning gratitude Light blue and the same red with purple makes a change It shows that there is no mistake Any pink shows that and very likely it is reasonable For a likely there should not be a finer fancy present Some increase means a calamity And this is the best preparation for three and more being together A little calm is so ordinary And in any case there is sweetness and some of that A seal and matches and a swan and ivy and a suit A closet A closet does not connect under the bed The band, if it is white and black The band has a green string A sight, a whole sight And a little groan grinding Makes a trimming such a sweet singing Trimming and a red thing, not a round thing But a white thing, a red thing and a white thing The disgrace is not in carelessness Nor even in sewing it comes out out of the way What is the sash like? The sash is not like anything mustard It is not like a same thing that has stripes It is not even more hurt than that It has a little top, a box Out of kindness comes redness And out of rudeness comes rapid same question Out of an eye comes research Out of selection comes painful cattle So then the order is that a white way of being round Is something suggesting a pin and is it disappointing? It is not. It is so rudimentary to be analysed And see a fine substance strangely It is so earnest to have a green point Not to red but to point again A piece of coffee More of double A place in no new table A single image is not splendour Dirty is yellow A sign of more in not mentioned A piece of coffee is not a detainer The resemblance to yellow is dirtier and distincter The clean mixture is whiter and not coal colour Never more coal colour than altogether The sight of a reason The same sight slighter The sight of a simpler negative answer The same sore sounder The intention to wishing The same splendour The same furniture The time to show a message is when too late And later there is no hanging in a blight A not torn rosewood colour If it is not dangerous then a pleasure And more than any other if it is cheap is not cheaper The amusing side is that the sooner there are no fewer The more certain it is the necessity dwindled Supposing that the case contained rosewood and a colour Supposing that there was no reason for a distress And more likely for a number Supposing that there was no astonishment Is it not necessary to mingle astonishment The settling of stationing cleaning is one way Not to shatter scatter and scattering The one way to use custom is to use soap And silk for cleaning The one way to see cotton is to have a design Concentrating the illusion and the illustration The perfect way is to accustomed the thing To have a lining and the shape of a ribbon And to be solid quite solid in standing And to use heaviness in mourning It is light enough in that It has that shape nicely Very nicely may not be exaggerating Very strongly may be sincerely fainting May be strangely flattering May not be strange in everything May not be strange too Dirt and not copper Dirt and not copper makes colour darker It makes the shape so heavy and makes no melody harder It makes mercy and relaxation And even a strength to spread a table fuller There are more places not empty They see cover Nothing elegant A charm, a single charm is doubtful If the red is rose and there is a gate surrounding it If inside is let in and their places change Then certainly something is upright It is earnest Mildred's umbrella A cause and no curve A cause and loud enough A cause and extra A loud clash and an extra wagon A sign of extra A sack, a small sack And an established colour and cunning A slender grey and no ribbon This means a loss, a great loss, a restitution A method of a cloak A single climb to a line A straight exchange to a cane A desperate adventure and courage and a clock All this which is a system Which has feeling, which has resignation and success All makes an attractive black silver A red stamp If lilies are lily-white If they exhaust noise and distance and even dust If they dusty will dirt a surface that has no extreme grace If they do this and it is not necessary It is not at all necessary if they do this They need a catalogue A box A large box is handily made of what is necessary to replace any substance Suppose an example is necessary The planer it is made the more reason there is For some outward recognition that there is a result A box is made sometimes And them to see, to see to it neatly And to have the holes stopped up makes it necessary to use paper A custom which is necessary when a box is used and taken Is that a large part of the time there are three which have different connections The one is on the table The two are on the table The three are on the table The one, one is the same length as is shown by the cover being longer The other is different there is more cover that shows it The other is different and that makes the corners have the same shade The eight are in singular arrangement to make four necessary Lax To have corners To be lighter than some weight To indicate a wedding journey To last brown and not curious To be wealthy Cigarettes are established by length and by doubling Left open To be left pounded To be left closed To be circulating in summer and winter And sick colour that is grey that is not dusty and red shows To be sure cigarettes do measure an empty length sooner than a choice in colour Winged To be winged means that white is yellow and pieces Pieces that are brown are dust colour if dust is washed off Then it is choice that is to say it is fitting cigarettes sooner than paper An increase Why is an increase idle? Why is silver cloister? Why is the spark brighter? If it is brighter is there any result? Hardly more than ever A plate An occasion for a plate An occasional resource is in buying and how soon does washing enable a selection of the same thing neater? If the party is small a clever song is in order Plates and a dinner set of coloured china Pack together a string and enough with it to protect the centre Cause a considerable haste and gather more as it is cooling Collect more trembling and not any even trembling Cause a whole thing to be a church A sad size, a size that is not sad is blue As every bit of blue is precocious A kind of green, a game in green and nothing flat, nothing quite flat and more round Nothing a particular colour strangely Nothing breaking the losing of no little piece A splendid address, a really splendid address is not shown by giving a flower freely It is not shown by a mark or by wetting Cut cut in white Cut in white so lately Cut more than any other and show it Show it in the stem and in starting and in evening coming complication A lamp is not the only sign of glass The lamp and the cake are not the only sign of stone The lamp and the cake and the cover are not the only necessity altogether A plan, a hearty plan, a compressed disease and no coffee Not even a card or a change to incline either way A plan that has that excess and that break is the one that shows filling A seltzer bottle Any neglect of many particles to a cracking Any neglect of this makes around it what is lead in colour and certainly discolour in silver The use of this is manifold Supposing a certain time selected is assured Suppose it is even necessary Suppose no other extract is permitted and no more handling is needed Suppose the rest of the message is mixed with a very long slender needle And even if it could be any black border Supposing all this altogether made a dress and suppose it was actual Suppose the mean way to state it was occasional If you suppose this in August and even more melodiously If you suppose this even in the necessary incident of there certainly being no middle in summer and winter Suppose this and an elegant settlement a very elegant settlement is more than of consequence It is not final and sufficient and substituted This which was so kindly a present was constant A long dress What is the current that makes machinery that makes it crackle What is the current that presents a long line and a necessary waste What is this current What is the wind What is it Where is the serene length It is there and a dark place is not a dark place Only a white and red are black Only a yellow and green are blue A pink is scarlet A bow is every colour A line distinguishes it A line just distinguishes it A red hat A dark grey A very dark grey A quite dark grey is monstrous ordinarily It is so monstrous because there is no red in it If red is in everything it is not necessary Is that not an argument for any use of it And even so is there any place that is better Is there any place that has so much stretched out A blue coat A blue coat is guided, guided away Guided and guided away That is the particular colour that is used for that length And not any width, not even more than a shadow A piano If the speed is open If the colour is careless If the selection of a strong scent is not awkward If the button holder is held by all the waving colour And there is no colour, not any colour If there is no dirt in a pin And there can be none scarcely If there is not then the place is the same as upstanding This is no dark custom And it even is not acted in any such a way That a restraint is not spread That is spread It shuts and it lifts and awkwardly Not awkwardly the centre is in standing A chair A widow in a wise veil And more garments shows that shadows are even It addresses no more It shadows the stage and learning A regular arrangement The severest and the most preserved Is that which has the arrangement Not more than always authorised A suitable establishment Well housed Practical Patient and staring A suitable bedding Very suitable And not more particularly than complaining Anything suitable is so necessary A fact is that when the direction is just like that No more, longer, sudden And at the same time not any sofa The main action is that without a blaming There is no custody Practice measurement Practice the sign that means That really means a necessary betrayal Ensuring that there is wearing Hope What is a spectacle? A spectacle is the resemblance Between the circular side place and nothing else Nothing else To choose it is ended It is actual and more than that It has it certainly has the same treat And a seat all that is practised And more easily, much more easily ordinarily Pick a barn, a whole barn And bend more slender accents Than have ever been necessary Shine in the darkness necessarily Actually not aching Actually not aching A stubborn bloom is so artificial And even more than that It is a spectacle It is a binding accident It is animosity and accentuation If the chance to dirty diminishing is necessary If it is why is there no complexion Why is there no rubbing Why is there no special protection A frightful release A bag which was left and not only taken But turned away was not found The place was shown to be very like the last time A piece was not exchanged Not a bit of it A piece was left over The rest was mismanaged A purse A purse was not green It was not straw colour It was hardly seen And it had a use, a long use And the chain The chain was never missing It was not misplaced It showed that it was open That is all that it showed A mounted umbrella What was the use of not leaving it there Where it would hang, what was the use If there was no chance of ever seeing it come there And show that it was handsome and right In the way that showed it The lesson is to learn that it does show it That it shows it and that nothing That there is nothing That there is no more to do about it And just so much more is there plenty of reason For making an exchange A cloth Enough cloth is plenty and more More is almost enough for that And besides, if there is no more spreading Is there plenty of room for it Any occasion shows the best way More An elegant use of foliage and grace And a little piece of white cloth and oil Wandering so winningly in several kinds of oceans Is the reason that makes red so regular and enthusiastic The reason that there is more snips Of the same shining, very coloured, rid of no round colour A new cup and saucer Enthusiastically hurting a clouded yellow bud and saucer Enthusiastically sows the bite in the ribbon Objects Within, within the cut and slender joint alone With sudden equals and no more than three Two in the centre make two one side If the elbow is long and it is filled So then the best example is altogether The kind of show is made by squeezing Eyeglasses A colour in shaving A saloon is well placed in the centre of an alley A cutlet A blind agitation is manly and uttermost Careless water No cup is broken in more places and mended That is to say a plate is broken And mending does do that it shows That culture is Japanese It shows the whole element of angels and orders It does more to choosing and it does more To that ministering counting It does, it does change in more water Supposing a single piece is a hair Supposing more of them are orderly Does that show that strength Does that show that joint Does that show that balloon famously Does it a paper A courteous occasion makes a paper show Such occasion and this makes readiness And eyesight and likeness and a stool A drawing The meaning of this is entirely and best to say the mark Best to say it best to show sudden places Best to make bitter Best to make the length tall and nothing broader Anything between the half Water reigning Water astonishing and difficult altogether Makes a meadow and a stroke Cold climate A season in yellow sold extra strings Makes lying places Malachite The sudden spoon is the same in no size The sudden spoon is the wound in the decision An umbrella Colouring high means that a strange reason Is in front, no more in front behind Not more in front in peace of the dot A petticoat A light white A disgrace An ink spot A rosy charm A waste A star glide A single frantic sullenness A single financial grass greediness Object that is in wood Hold the pine Hold the dark Hold in the rush Make the bottom A piece of crystal A change In a change that is remarkable There is no reason to say that there was a time A woollen object gilded A country climb is the best disgrace A couple of practices any of them in order Is so left, a time to eat A pleasant, simple, habitual And tyrannical and authorised and educated And resumed and articulate separation This is not tardy A little bit of a tumbler A shining indication of yellow Consists in there having been more of the same colour Than could have been expected When all four were bought This was the hope which made the six and the seven Have no use for any more places And this necessarily spread into nothing Spread into nothing A fire What was the use of a whole time To send and not send If there was to be the kind of thing That made that come in?  It does not so It means kind waivers And little chance to beside, beside rest A plane Suppose earrings That is one way to breed Breed that Oh, chance to say Oh, nice old pole Next best and nearest a pillar Chest not valuable Be papered Cover up, cover up the two With a little piece of string and hope Rose and green, green Please a plate Put a match to the seam And really then, really then Really then it is a remark That joins many, many lead games It is a sister and sister And a flower and a flower And a dog and a coloured sky A sky coloured grey And nearly that nearly that let Peeled pencil, choke Rub her coke It was black, black took Black ink, best wheel, bail, brown Excellent, not a hull house Not a pea soup No bill, no care No precise, no past pearl pearl goat This is the stress, Ada Ada, why Ada, why wow Wow stop touch Ada wow, Ada stop the muncher Muncher munchers A jack in kill her A jack in makes a meadowed king Makes a tulet End of objects Food from tender buttons This is a LibriVox recording All LibriVox recordings are in the public domain For more information or to volunteer Please visit LibriVox.org Read by Corey Samuel Tender buttons By Gertrude Stein Food Roast beef In the inside there is sleeping In the outside there is reddening In the morning there is meaning In the evening there is feeling In the evening there is feeling In feeling anything is resting In feeling anything is mounting In feeling there is resignation In feeling there is recognition In feeling there is recurrence And entirely mistaken there is pinching All the standards have steamers And all the curtains have bed linen And all the yellow has discrimination And all the circle has circling This makes sand. Very well. Certainly, the length is thinner, and the rest, the round rest, has a longer summer. To shine, why not shine, to shine, to station, to enlarge, to hurry the measure, all this means nothing if there is singing, if there is singing, then there is the resumption. The change, the dirt. Not to change dirt means that there is no beefstake, and not to have that is no obstruction. It is so easy to exchange meaning. It is so easy to see the difference. The difference is that a plain resource is not entangled with thickness, and it does not mean that thickness shows such cutting. It does mean that a meadow is useful, and a cow, absurd. It does not mean that there are tears. It does not mean that exudation is cumbersome. It means no more than a memory, a choice, and a re-establishment. It means more than any escape from a surrounding extra. All the time that there is use, there is use, and any time there is a surface, there is a surface, and every time there is an exception, there is an exception, and every time there is a division, there is a dividing. Any time there is a surface, there is a surface, and every time there is a suggestion, There is a suggestion, and every time there is silence, there is silence, and every time that is languid, there is that there then, and not oftener. Not always, not particular. Tender and changing, and external, and central, and surrounded, and singular, and simple, and the same, and the surface, and the circle, and the shine, and the sucker, and the white, and the same, and the better, and the red, and the same, and the centre, and the yellow, and the tender, and the better, and all together. Considering the circumstances, there is no occasion for a reduction. Considering that there is no peeling, there is no occasion for an obligation. Considering that there is no outrage, there is no necessity for any reparation. Considering that there is no particle, sodden, there is no occasion for deliberation. Considering everything, and which way the turn is tending. Considering everything, why is there no restraint? Everything everything what makes the place settle, and the plates distinguish some specialities. The whole thing is not understood, and this is not strange considering that there is no education. This is not strange, because having that certainly does show the difference in cutting. It shows that when there is turning there is no distress. In kind, in a control, in a period, in the alteration of pigeons, in kind cuts, in thick and thin spaces, in kind ham and different colours, the length of leaning a strong thing outside not to make a sound, but to suggest a crust. The principal taste is when there is a whole chance to be reasonable. This does not mean that there is overtaking. This means nothing precious. This means clearly that the chance to exercise is a social success. So then the sound is not obtrusive. As it is obtrusive, suppose it is. What is certainly the desertion is not a reduced description, a description is not a birthday. Lovely snipe, and tender turn, excellent vapour and slender butter, all the splinter and the trunk, all the poisonous darkening drunk, all the joy in weak success, all the joyful tenderness, all the section and the tea, all the stouter symmetry. Even the size that is small, inside the stern that is the middle, besides the remains that are preying, inside the between that is turning, all the region is measuring and melting is exaggerating. Rectangular ribbon does not mean that there is no eruption, it means that if there is no place to hold there is no place to spread. Kindness is not earnest, it is not assiduous it is not revered. Room to comb chickens and feathers and ripe purple, room to curve single plates and large sets and second silver, room to send everything away, room to save heat and distemper, room to search a light that is simpler, all room has no shadow. There is no use, there is no use at all in smell, in taste, in teeth, in toast, in anything, there is no use at all and the respect is mutual. Why should that which is uneven, that which is resumed, that which is tolerable, why should all this resemble a smell? A thing is there, it whistles, it is not narrower, why is there no obligation to stay away and yet courage, courage is everywhere and the best remains to stay? If there could be that which is contained in that which is felt there would be a chair where there are chairs and there would be no more denial about a clatter. A clatter is not a smell, all this is good. The Saturday evening, which is Sunday, is every weekday. What choice is there when there is a difference? A regulation is not active, Thirstiness is not equal division. Anyway, to be older and age-er is not a surfeit nor a suction, it is not dated and careful, it is not dirty. Any little thing is clean, rubbing is black. Why should ancient lambs be goats and young colts and never beef? Why should they? They should because there is so much difference in age. A sound, a whole sound is not separation, a whole sound is in an order. Suppose there is a pigeon, suppose there is. Looseness, why is there a shadow in the kitchen? There is a shadow in a kitchen because every little thing is bigger. The time when there are four choices and there are four choices in a difference. The time when there are four choices there is a kind and there is a kind. There is a kind, there is a kind. Supposing there is a bone, there is a bone. Supposing there are bones, there are bones. When there are bones there is no supposing there are bones. There are bones and there is that consuming. The kindly way to feel separating is to have a space between. This shows a likeness. Hope in gates, hope in spoons, hope in doors, hope in tables, no hope in daintiness and determination. Hope in dates. Tin is not a can and a stove is hardly. Tin is not necessary and neither is a stretcher. Tin is never narrow and thick. Colour is in coal. Coal is outlasting, roasting and a spoonful. A whole spoon that is full is not spilling. Coal, any coal, is copper. Claiming nothing, not claiming anything, not a claim in everything. Collecting claiming, all this makes a harmony. It even makes a succession. Sincerely gracious one morning, sincerely graciously trembling, sincere in graciously loping, all this makes a furnace and a blanket. All this shows quantity. Like an eye, not so much more, not any searching, no compliments. Please be the beef, please beef, pleasure is not wailing. Please beef, please be carved clear, please be a case of consideration. Search and neglect. A sale, any greatness is a stall and there is no memory, there is no clear collection. A satin sight, what is a trick? No trick is mountainous and the colour, all the rush is in the blood. Bargaining for a little, bargain for a touch, a liberty, an estrangement, a characteristic turkey. Please spice, please no name, place a whole weight, sink into a standard rising, raise a circle, choose a right around, make the resonance accounted and gather green any colour. To bury a slender chicken, to raise an old feather, to surround garland and to bake a pole splinter, to suggest a repose and to settle simply, to surrender one another, to succeed saving simpler, to satisfy a singularity and not to be blinder, to sugar nothing darker and to read redder, to have the colour better, to sort out dinner, to remain together, to surprise no sinner, to curve nothing sweeter, to continue thinner, to increase in resting recreation, to design string not dimmer. Cloudiness, what is cloudiness? Is it aligning? Is it a roll? Is it melting? The sooner there is jerking, the sooner freshness is tender, the sooner the round it is not round, the sooner it is withdrawn in cutting, the sooner the measure means service, the sooner there is chinking, the sooner there is sadder than salad, the sooner there is none do her, the sooner there is no choice, the sooner there is a gloom freer, the same sooner and more sooner, this is no error in hurry and in pressure and in opposition to consideration. A recital, what is a recital? It is an organ and use does not strengthen valour, it soothes medicine.  Pride, when is there perfect pretence? There is no more than yesterday and ordinary. A sentence of a vagueness that is violence is authority and a mission and stumbling and also certainly also a prison. Calmness, calm is beside the plate and in way in. There is no turn in terror, there is no volume in sound. There is coagulation in cold and there is none in prudence. Something is preserved and the evening is long and the colder spring has sudden shadows in a sun. All the stain is tender and lilacs, really lilacs, are disturbed. Why is the perfect re-establishment practised and prized? Why is it composed? The result, the pure result, is juice and size and baking and exhibition and nonchalance and sacrifice and volume and a section in division and the surrounding recognition and horticulture and no murmur. This is a result. There is no superposition and circumstance. There is hardness and a reason and the rest and remainder. There is no delight and no mathematics. Mutton, a letter which can wither, a learning which can suffer and an outrage which is simultaneous is principal. Student, students are merciful and recognised they choose something. Hate rests that is solid and sparse and all in a shape and largely very largely. Interleaved and successive and a sample of smell all this makes certainty a shade. Light curls, very light curls, have no more curliness than soup. This is not a subject. Change a single stream of denting and change it hurriedly. What does it express? It expresses nausea. Like a very strange likeness and pink, like that and not more like that than the same resemblance and not more like that than no middle space in cutting. An eyeglass. What is an eyeglass? It is water. A splendid specimen. What is it when it is little and tender so that there are parts? A centre can place and four are no more and two and two are not middle. Melting and not minding. Safety and powder. A particular recollection and a sincere solitude all this makes a shunning so thorough and so unrepeated and surely if there is anything left it is a bone. It is not solitary. Any space is not quiet. It is so likely to be shiny. Darkness, very dark darkness is sectional. There is a way to see in onion and surely very surely rhubarb and a tomato. Surely very surely there is that seeding.  Mud and water were not present and not any more of either. Silk and stockings were not present and not any more of either. A receptacle and a symbol and no monster were present and no more. This made a peace show and was it a kindness? It can be asked was it a kindness to have it warmer? Was it a kindness and does gliding mean more? Does it? Does it dirty a ceiling? It is not. Is it dainty? It is if prices are sweet. Is it lamentable? It is not if there is no undertaker. Is it curious? It is not when there is youth. All this makes a line. It even makes makes no more. All this makes cherries. The reason that there is a suggestion in vanity is due to this that there is a burst of mixed music. A temptation, any temptation is an exclamation if there are misdeeds and little bones. It is not astonishing that bones mingle as they vary not at all and in any case why is a bone outstanding? It is so because the circumstance that does not make a cake and character is so easily churned and cherished. Mouse and mountain and a quiver, a quaint statue and pain in an exterior and silence more silence louder shows salmon a mischief in tender. A cake, a real salve made of mutton and liquor, a specially retained rinsing and an established cork and blazing, this which resignation influences and restrains, restrains more altogether. A sign is a specimen spoken. A meal in mutton, mutton, why is lamb cheaper? It is cheaper because so little is more. Lecture, lecture and repeat instruction. Breakfast. A change, a final change includes potatoes. This is no authority for the abuse of cheese. What language can instruct any fellow? A shining breakfast, a breakfast shining, no dispute, no practice, nothing, nothing at all. A sudden slice changes the whole plate. It does so suddenly. An imitation, more imitation, imitation succeed imitations. Anything that is decent, anything that is present, a calm and a cook and more singularly still a shelter, all these show the need of clamour. What is the custom? The custom is in the centre. What is a loving tongue and pepper and more fish than there is when tears, many tears are necessary? The tongue and the salmon, there is not salmon when brown is a colour, there is salmon when there is no meaning to an early morning being pleasanter. There is no salmon, there are no tea cups, there are the same kind of mushes as are used as stomachers by the eating hopes that makes eggs delicious. Drink is likely to stir a certain respect for an egg cup and more watermelon than was ever eaten yesterday. Beer is neglected and coconut is famous. Coffee, all coffee and a sample of soup, all soup, these are the choice for baker. A white cup means a wedding. A wet cup means a vacation. A strong cup means a special regulation. A single cup means a capital arrangement between the drawer and the place that is open. A price, a price is not in language. It is not in custom. It is not in praise. A coloured loss. Why is there no leisure? If the persecution is so outrageous that nothing is solemn, is there any occasion for persuasion? A grey turn to a top and bottom. A silent pocketful of much heating. All-appliable succession of surrendering makes an ingenious joy. A breeze in a jar and even then silence. A special anticipation in a rack. A gurgle, a whole gurgle and more cheese than almost anything. Is this an astonishment? Does this incline more than the original division between a tray and a talking arrangement and even then a calling into another room gently with some chicken in any way? A bent way. That is a way to declare that the best is altogether. A bent way shows no result. It shows a slight restraint. It shows a necessity for retraction. Suspect a single buttered flower. Suspect it certainly. Suspect it and then glide. Does that not alter accounting? A hurt-mended stick. A hurt-mended cup. A hurt-mended article of exceptional relaxation and annoyance. A hurt-mended. Hurt and mended is so necessary that no mistake is intended. What is more likely than a roast? Nothing really, and yet it is never disappointed singularly. A steady cake. Any steady cake is perfect and not plain. Any steady cake has a mounting reason, and more than that it has singular crusts. A season of more is a season that is instead. A season of many is not more a season than most. Take no remedy lightly. Take no urging intently. Take no separation leniently. Beware of no lake and no larder. Burden the cracked wet soaking sack heavily. Burden it so that it is an institution in fright and in climate and in the best plan that there can be. An ordinary colour. A colour is that strange mixture which makes, which does make, which does not make a ripe juice, which does not make a mat. A work which is a winding, a real winding of the cloaking of a relaxing rescue. This, which is so cool, is not dusting. It is not dirtying and smelling. It could use white water. It could use more extraordinarily and in no solitude altogether. This, which is so not winsome and not widened and really not so dipped as dainty and really dainty. Very dainty. Ordinarily. Dainty. A dainty. Not in that dainty and dainty. If the time is determined, if it is determined, and there is reunion, there is reunion with that then outline, then there is, in that, a piercing shutter. All of a piercing shelter. All of a quite weather. All of a withered exterior. All of that in most violent likely. An excuse is not dreariness. A single plate is not butter. A single weight is not excitement. A solitary crumbling is not only marshal. A mixed protection. Very mixed, with the same actual intentional unstrangeness and riding, a single action cause necessarily is not more a sign than a minister. See to knife near a cage and very near a decision and more nearly a timely working cat and scissors. Does this temporarily and make no more mistake in standing?  Does this show in the house? Does it not show in the green that is not necessary for that colour? Does it not even show in the explanation and singularly not at all stationary? Sugar. A violent luck and a whole sample and even then quiet. Water is squeezing. Water is almost squeezing on lard. Water. Water is a mountain and it is selected and it is so practical that there is no use in money. A mind under is exact and so it is necessary to have a mouth and eyeglasses. A question of sudden rises and more time than awfulness is so easy and shady. There is precisely that noise. A peck, a small piece, not privately overseen. Not at all, not a slice. Not at all crestfallen and open. Not at all mounting and chaining and evenly sparsing. All the bidding comes to tea. A separation is not tightly in worsted and sauce. It is so kept well and sectionally. Put it in the stew. Put it to shame. A little slight shadow and a solid fine furnace. The teasing is tender and trying and thoughtful. The line which sets sprinkling to be a remedy is beside the best cold. A puzzle. A monster puzzle. A heavy choking. A neglected Tuesday. Wet crossing and a likeness. Any likeness. A likeness has blisters. It has that and teeth. It has the staggering blindly and a little green. Any little green is ordinary. One. Two and one. Two. Nine. Second and five and that. A blaze. A search in between. A cow. Only any wet place. Only this tune. Cut a gas jet uglier and then pierce. Pierce in between the next and negligence. Choose the rate to pay and pet-pet very much. A collection of all around. A signal poison. A lack of langer and more hurts at ease. A white bird. A coloured mine. A mixed orange. A dog. Cuddling comes in continuing a change. A piece of separate outstanding rushing is so blind with open delicacy. A canoe is orderly. A period is solemn. A cow is accepted. A nice old chain is widening. It is absent. It is laid by. Cranberries. Could there not be a sudden date? Could there not be in the present settlement of old age pensions? Could there not be by a witness? Could there be? Count the chain. Cut the grass. Silence the noon and murder flies. See the basting undip the chart. See the way the kinds are best seen from the rest. From that and untidy. Cut the whole space into twenty-four spaces and then and then is there a yellow colour. There is, but it is smelled. It is then put where it is and nothing stolen. A remarkable degree of red means that a remarkable exchange is made. Climbing altogether in, when there is a solid chance of soiling no more than a dirty thing, colouring all of it in, steadying, is jelly. Just as it is suffering, just as it is succeeded, just as it is moist, so is there no countering. Milk. A white egg and a coloured pan and a cabbage showing settlement. A constant increase. A cold in a nose. A single cold nose makes an excuse. Two more are necessary. All the goods are stolen. All the blisters are in the cup. Cooking. Cooking is the recognition between sudden and nearly sudden very little and all large holes. A real pint. One that is open and closed and in the middle is so bad. Tendercolds. Seen eye-holders. All work. The best of change. The meaning. The dark red. All this and bitten. Really bitten. Guessing again and golfing again and the best men. The very best men. Milk. Climb up in sight. Climb in the whole utter needles and a guess. A whole guess is hanging. Hanging, hanging. Eggs. Kind height. Kind in the right stomach with a little sudden mill. Cunning shawl. Cunning shawl to be steady. In white. In white handkerchiefs. With little dots in a white belt. All shadows are singular. They are singular and procured and relieved. No. That is not the cow's shame and a precocious sound. It is a bite. Cut up. Alone. The paved way which is harm. Harm is old boat and a likely dash. Apple. Apple plum. Carpet steak. Seed clam. Coloured wine. Calm scene. Cold cream. Best shake. Potato. Potato and no-no gold work with pet. A green scene is called bake and change suite is bready. A little piece. A little piece please. Cain again to the presupposed and ready eucalyptus tree. Count out sherry and ripe plates and little corners of a kind of ham. This is use. Tails. Cold pales. Cold with joy, no joy. A tiny seat that means meadows and a lapse of cuddles with cheese and nearly bats. All this went messed. The post placed a loud loose sprain. A rest is no better. It is better yet. All the time. Lunch. Luck in loose plaster makes holy gauge and nearly that. Nearly more states. More states come in town light kite. Blight not white. A little lunch is a break in skate. A little lunch so slimy. A west end of a board line is that which shows a battle beneath so that necessity is a silk underwear. That is best wet. It is so natural. And why is there flake? There is flake to explain exhaust. A real cold hen is nervous. Is nervous with a towel. With a spool. With real beads. It is mostly an extra soul. Nearly all that shaved. Shaved with an old mountain. More than that bees. More than that dinner.  That is to say the hearts of onions aim less. Cold coffee with a corn. A corn yellow and green mass is a gem. Cups. A single example of excellence is in the meat. A bent stick is surging and might all might is mental. A grand clothes is searching out a candle not that wheatly not that by more than an owl and a path. A ham is proud of coconut. A cup is neglected by being all in size. It is a handle and meadows and sugar any sugar.  It shows no shade. Income little woodcuts and blessing and nearly not that not with a wild bought in. Not at all so polite. Not nearly so behind. Cups crane in. They need a pet oyster. They need it so hoary and nearly choice. The best slam is utter. Nearly be freeze. Why is a cup a stir and a behave? Why is it so seen? A cup is readily shaded. It has in between no sense that is to say music, memory, musical memory. Peanuts blame. A half sand is holy and nearly. Rhubarb. Rhubarb is Susan. Not Susan. Not seat. In bunch. Toys. Not wild. And laughable. Not in little places. Not in neglect. And vegetable. Not in fold. Coal age. Not please. Single fish. Single fish. Single fish. Single fish. Eggplant. Single fish. Sight. A sweet wind and not less noisy than saddle and more plowing and nearly well painted by little things so. Please shade it a play. It is necessary and beside the large sort is puff. Every way Oakley, please prune it near. It is so found. It is not the same. Cake. Cake cast in went to be and needles. Wine needles are such. This is today. A can experiment is that which makes a town, makes a town dirty. It is little, please. We came back. To bore. Bore what? A must ash. Ash when there is tin. This meant cake. It was a sign. Another time there was extra hat pins sought long and this dark made a display. The result was yellow. A caution. Not a caution to be.  A blanket stretch a cloud. A shame. All that bakery can tease. All that is beginning and yesterday, yesterday we had it met. It means some change. No some day.  An ocean anywhere there. A bland and likely in the stream a recollection green land. Why white? Custard. Custard is this. It has aches. Akes when. Not to be. Not to be narrowly. This makes a whole little hill. It is better than a little thing that has mellow. Real mellow. It is better than lakes. Whole lakes. It is better than seeding. Potatoes. Real potatoes cut in between. Potatoes. In the preparation of cheese. In the preparation of crackers. In the preparation of butter. In it. Roast potatoes. Roast potatoes for. Asparagus. Asparagus in a lean in a lean too hot. This makes it art and it is wet wet weather wet weather wet. Butter. Boom in. Boom in. Butter. Leave a grain and show it. Show it. I spy. It is a need. It is a need that a flower a state flower. It is a need that a state rubber. It is a need that a state rubber is sweet and sight and a swelled stretch. It is a need. It is a need that state rubber. Wood a supply. Clean little. Keep a strange. A strange on it. Make a little white. No and not with pit. Pit on in within. End of summer. Little islets that have hammer and a check with stripes between a lounge in wit in arrested development. Sausages. Sausages in between a glass. There is reed butter. A loaf of it is managed. Wake a question. Eat an instant answer. A reason for bed is this. That a decline. Any decline is poison. Poison is a toe. A toe extractor. This means a solemn change. Hanging. No evil is wide. Any extra in leaf is so strange and singular a red breast. Celery. Celery tastes, tastes. Where in curled lashes and little bits and mostly in remains. A green acre is so selfish and so pure and so enlivened. Veal. Very well, very well. Washing is old. Washing is washing. Cold soup. Cold soup clear and particular and a principle, a principle question to put into. Vegetable. What is cut? What is cut by it? What is cut by it in? It was a crest, a crescent, a cross and an unequal scream. It was up slanting. It was radiant and reasonable with little inns and red. News. News capable of glies. Cut in shoes. Be like under pump of wide chalk. All this combing. Waylay vegetable. Leaves in grass and mow potatoes. Have a skip. Hurry you up, flutter. Suppose it is ex, a cake. Suppose it is new mercy and leave Charlotte and nervous bed-rows. Suppose it is meal. Suppose it is Sam. Cooking. Alas. Alas the pull. Alas the bell. Alas the coach in China. Alas the little put in leaf. Alas the wedding butter meat. Alas the receptacle. Alas the back shape of muscle. Muscle and soda. Chicken. Pheasant and chicken. Chicken is a peculiar third. Chicken. Alas a dirty word.    Alas a doubt in case of more go to say what it is crest. What is it? Mean. Potato. Loaves. Chicken.  Sticking with a chicken. Sticking in an extra succession. Sticking in. Chain boats. Chain boats are merry. A merry blue. Blue west. Carpet. Pastry. Cutting shade. Cool spades and little last beds. Make violet. Violet when. Cream. In a plank. In a play soul. In a heated red left tree there is shut in specks with salt beware. This makes an eddy. Necessary. Cream. Cream cut. Anywhere crumb. Left hop chambers. Cucumber. Not a razor less. Not a razor. Ridiculous pudding. Red and roulette put in. Rest in a slender go in selecting. Rest in. Rest in in white widening. Dinner. Not a little fit. Not a little fit sun sat in shed more mentally. Let us why. Let us why wait. Let us why winter chess. Let us why way. Only a moon to super. Only that in the cell never never be the coacups nice be. Shatter it they lay. Egg ear nuts. Look about. Shoulder. Let it strange. Sold in bell next herds. It was a time when in the acres in late there was a wheel that shot a burst of land and needless a niggers and a sample sample set of old Eden butterflies with spoons. All of it to be off lead and measure make it. Make it. Yet all the one in that we see where shall not it set with a left and more so. Yes there add when the longer not it shall the best in the way when all be with when shall not for there with see and chest how for another excellent and excellent and easy easy excellent and easy express E.C. All to be nice. All to be no so. All to be no so no so. All to be not a white old chat churner. Not to be any example of an edible apple in dining. Dining is West. Eating. Eat ting. Eating a grand old man said roof and never never re soluble burst. Not a near ring not a bewildered neck. Not really any such bay. Is it so a noise to be is it a least remain to rest. Is it a so old say to be. Is it a leading our bean. Is it so. Is it so. Is it so. Is it so is it so is it so. Eel us. Eel us with no no P no P cool. No P cool cooler.  Eating. He eat eating. He eat eating.  He eat eating.  Will leap beat. Willy well all. The rest rest oxen occasion occasion to be so purred so purred how. It was a ham. It was a square come well. It was a square remain. A square remain not it a bundle. Not it a bundle so is a grip. A grip to shed bay leave bay leave draft. Bay leave draw cider in low. Cider in low and George. George is a mass. Eating. It was a shame. It was a shame to stare to stare and double and relieve relieve be cut up show us by the elevation of it and out out more in the steady where the come and on and the all the shed and that. It was a garden and below's below's straight. It was a P. A P poor it in. It's not a succession. Not it a simple. Not it a so election. Election with. Salad. It is a winning cake. Source. What is bay laboured. What is all be section. What is no much. Source Sam in salmon. It was a peculiar bin a bin fond in beside. Orange. Why is a feel oyster and egg stir. Why is it orange centre. A show at tick and loosen loosen it so to speak sat. It was an extra leaker with a C. Spoon. It was an extra liquor with a C. Spoon. Orange. A type OO new new not no not Neela Neela of old show beefsteak neither neither oranges. Bill is all right. Orange in.  Cocoa and clear soup and oranges and oatmeal. Wist bottom. Wist clothes. Wist clothes. Woodling. Cocoa and clear soup and oranges and oatmeal. Pain soup. Suppose it is question. Suppose it is butter. Real is. Real is only. Only excrete. Only excrete a no since. A no. A no since. A no since when. A no since when since. A no since when since a no since when since. A no since. A no since when since. A no since. A no. A no since. A no since. A no since. Salad dressing and an artichoke. Please pale hot. Please cover rose. Please acre in the red stranger. Please butter all the beefsteak with regular feel faces. Salad dressing and an artichoke. It was please. It was please carriage cup in an ice cream. In an ice cream it was two bended, bended with scissors and all this time. A hole is inside a part. A part does go away. A hole is red leaf. No choice was where there was and a second and a second. A centre in a table. It was away a day. This made some sum. Suppose a cod liver. A cod liver is an oil. Suppose a cod liver oil is tunny. Suppose a cod liver oil tunny is pressed. Suppose a cod liver oil tunny pressed is china and secret with a bestow. A bestow read. A read to be a read to be. In a read to be. Next to me. Next to a folder. Next to a folder some waiter. Next to a folder some waiter and re-letter and read her. Read her with her for less. End of food. Rooms from tender buttons. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Read by Corey Samuel. Tender buttons by Gertrude Stein. Rooms. Act so that there is no use in a centre. A wide action is not a width. A preparation is given to the ones preparing. They do not eat who mentions silver and sweet. There was an occupation. A whole centre and a border make hanging a way of dressing. This which is not why there is a voice is the remains of an offering. There was no rental. So the tune which is there has a little piece to play. And the exercise is all there is of a fast. The tender and true that makes no width to hue is the time that there is questioned to adopt. To begin the placing there is no wagon. There is no change lighter. It was done. And then the spreading that was not accomplishing that needed standing and yet the time was not so difficult as they were not all in place. They had no change. They were not respected. They were that. They did it so much in the matter and this showed that settlement was not condensed. It was spread there. Any change was in the ends of the centre. A heap was heavy. There was no change. Burnt and behind and lifting a temporary stone and lifting more than a draw. The instance of there being more is an instance of more. The shadow is not shining in the way there is a black line. The truth has come. There is a disturbance. Trusting to a baker's boy meant that there would be very much exchanging and anyway what is the use of a covering to a door. There is a use. They are double. If the centre has the place then there is distribution. That is natural. There is a contradiction and naturally returning there comes to be both sides and the centre. That can be seen from the description. The author of all that is in there behind the door and that is entering in the morning. Explaining darkening and expecting relating is all of a piece. The stove is bigger. It was of a shape that made no audience bigger if the opening is assumed why should there not be kneeling. Any force which is bestowed on a floor shows rubbing. This is so nice and sweet and yet there comes the change. There comes the time to press more air. This does not mean the same as disappearance.  If it is difficult to do it one way there is no place of similar trouble. None. The whole arrangement is established. The end of which is that there is a suggestion. A suggestion that there can be a different whiteness to a wall. This was thought. A page to a corner means that the shame is no greater when the table is longer. A glass is of any height. It is higher. It is simpler and if it were placed there would not be any doubt. Something that is an erection is that which stands and feeds and silence is a tin which is swelling. This makes no diversion that is to say what can please exultation, that which is cooking. A shine is that which when covered changes permission. An enclosure blends with the same that is to say there is blending. A blend is that which holds no mice and this is not because of a floor it is because of nothing. It is not in a vision. A fact is that when the place was replaced all was left that was stored and all was retained that would not satisfy more than another. The question is this. Is it possible to suggest more to replace that thing? This question and this perfect denial does make the time change all the time. The sister was not a mister. Was this a surprise? It was. The conclusion came when there was no arrangement. All the time that there was a question there was a decision. Replacing a casual acquaintance with an ordinary daughter does not make a son. It happened in a way that the time was perfect and there was a growth of a whole dividing time so that where formerly there was no mistake there was no mistake now. For instance before when there was a separation there was waiting. Now when there is separation there is the division between intending and departing. This made no more mixture than there would be if there had been no change. A little sign of an entrance is the one that made it alike. If it was smaller it was not alike and it was so much smaller that a table was bigger. A table was much bigger. Very much bigger. Changing that made nothing bigger. It did not make anything bigger littler. It did not hinder wood from not being used as leather. And this was so charming. Harmony is so essential. Is there pleasure when there is a passage? There is when every room is open. Every room is open when there are not four. There were there and surely there were four. There were two together. There is no resemblance. A single speed. The reception of table linen. All the wonder of six little spoons. There is no exercise. The time came when there was a birthday. Every day was no excitement and a birthday was added. It was added on Monday. This made the memory clear. This which was a speech showed the chair in the middle where there was copper. A like and a snail. This means China men. It does there is no doubt that to be right is more than perfect. There is no doubt and glass is confusing. It confuses the substance which was of a colour. Then came the time for discrimination. It came then and it was never mentioned. It was so triumphant. It showed the whole head, then had a hole and should have had a hole. It showed the resemblance between silver. Startling a starving husband is not disagreeable. The reason nothing is hidden is that there is no suggestion of silence. No song is sad. A lesson is of consequence. Blind and weak and organised and worried and betrothed and resumed and also asked to a fast and always asked to consider and never startled and not at all bloated. This which is no rarer than frequently is not so astonishing when hair brushing is added. There is quiet. There certainly is. No eyeglass is rotten. No window is useless and yet if air will not come in there is a speech ready. There always is and there is no dimness. Not a bit of it. All along the tendency to deplore the absence of more has not been authorised. It comes to mean that with burning there is that pleasant state of stupefaction. Then there is a way of earning a living. Who is a man? A silence is not indicated by any motion. Less is indicated by emotion. More is not indicated it is enthralled. So sullen and so low. So much resignation. So much refusal and so much place for a lower and an upper. So much and yet more silence. Why is not sleeping a feet? Why is it not and when there is some discharge when? There never is. If comparing a piece that is a size that is recognised as not a size but a piece. Comparing a piece with what is not recognised but what is used as it is held by holding. Comparing these two comes to be repeated. Suppose they are put together. Suppose that there is an interruption. Supposing that beginning again they are not changed as to position. Suppose all this and suppose that any five two of whom are not separating. Suppose that the five are not consumed. Is there an exchange? Is there a resemblance to the sky which is admitted to be there and the stars which can be seen? Is there? That was a question. There was no certainty. Fitting a failing meant that any two were indifferent and yet they were all connecting that. They were all connecting that consideration. This did not determine rejoining a letter. This did not make letters smaller. It did. The stamp that is not only torn but also fitting is not any symbol. It suggests nothing. A sack that has no opening suggests more and the loss is not commensurate. The season gliding and the torn hangings receiving mending all this shows an example. It shows the force of sacrifice and likeness and disaster and a reason. The time when there is not the question is only seen when there is a shower. Any little thing is water. There was a whole collection made. A damp cloth, an oyster, a single mirror, a mannequin, a student, a silent star, a single spark, a little movement and the bed is made. This shows the disorder. It does. It shows more likeness than anything else. It shows the single mind that directs an apple. All the coats have a different shape. That does not mean that they differ in colour. It means a union between use and exercise and a horse. A plain hill. One is not that which is not white and red and green. A plain hill makes no sunshine. It shows that without a disturber. So the shape is there and the colour and the outline and the miserable centre. It is not very likely that there is a centre. A hill is a hill and no hill is contained in a pink tender descender. A can containing a curtain is a solid sentimental usage. The trouble in both eyes does not come from the same symmetrical carpet. It comes from there being no more disturbance than in little paper. This does show the teeth. It shows colour. A measure is that which put up so that it shows the length has a steel construction. Tidiness is not delicacy. It does not destroy the whole piece. Certainly not it has been measured and nothing has been cut off and even if that has been lost there is a name. No name is signed and left over. Not any space is fitted so that a moving about is plentiful. Why is there so much resignation in a package? Why is there rain? All the same the chances come. There is no bell to ring.  All this together makes a scene and supposing the question arises is hair curly. Is it dark and dusty? Supposing that question arises. Is brushing necessary? Is it? The whole special suddenness commences then. There is no delusion. A cape is a cover. A cape is not a cover in summer. A cape is a cover and the regulation is that there is no such weather. A cape is not always a cover. A cape is not a cover when there is another. There is always something in that thing in establishing a disposition to put wetting where it will not do more harm. There is always that disposition and in a way there is some use in not mentioning changing and in establishing the temperature. There is some use in it as establishing all that lives dimmer, freer and there is no dinner in the middle of anything. There is no such thing. Why is a pale white not paler than blue? Why is a connection made by a stove? Why is the example which is mentioned not shown to be the same? Why is there no adjustment between the place and the separate attention? Why is there a choice in gambling? Why is there no necessary dull stable? Why is there a single piece of any colour? Why is there that sensible silence? Why is there the resistance in a mixture? Why is there no poster? Why is there that in the window? Why is there no Suggester? Why is there no window? Why is there no Oyster closer? Why is there a circular diminisher? Why is there a bathour? Why is there no scraper? Why is there a bell-ringer? Why is there a duster? Why is there a section of a similar resemblance? Why is there that scissor? South. South which is a wind is not rain. Does silence choke speech or does it not? Lying in a conundrum. Lying so makes the springs restless. Lying so is a reduction.  Releasing the oldest auction that is the pleasing some still renewing. Giving it away. Not giving it away. Is there any difference? Giving it away. Not giving it away. Almost very likely there is no seduction. Almost very likely there is no stream. Certainly very likely the height is penetrated. Certainly, certainly the target is cleaned. Come to sit. Come to refuse. Come to surround. Come slowly and age is not lessening. The time which showed that was when there was no eclipse. All the time that resenting was removal all that time there was breath. No breath is shadowed. No breath is painstaking and yet certainly what could be the use of paper? Paper shows no disorder. It shows no desertion. Why is there a difference between one window and another? Why is there a difference? Because the curtain is shorter. There is no distaste in beefsteak or in plums or in gallons of milk-water. There is no defiance in original piling up over a roof. There is no daylight in the evening. There is none there empty. A tribune. A tribune does not mean paper. It means nothing more than cake. It means more sugar. It shows the state of lengthening any nose. The last spice is that which shows the whole evening spent in that sleep. It shows so that walking is an alleviation and yet this astonishes everybody the distance is so sprightly. In all the time there are three days. Those are not passed uselessly. Any little thing is a change that is if nothing is wasted in that cellar. All the rest of the chairs are established. A success. A success is all right when there are their rooms and no vacancies. A success is all right when there is a package. Success is all right anyway and any curtain is wholesale. A curtain diminishes and an ample space shows varnish. One taste, one tack. One taste, one bottle. One taste, one fish. One taste, one barometer. This shows no distinguishing sign when there is a store. Any smile is stern and any coat is a sample. Is there any use in changing more doors than there are committees? This question is so often asked that squares show that they are blotters. It is so very agreeable to hear a voice and to see all the signs of that expression. Cadences. Real cadences. Real cadences and a quiet colour. Careful and curved. Cake and sober. All accounts and mixture. A guess at anything is righteous. Should there be a call there would be a voice. A line in life. A single line and a stairway. A rigid cook. No cook and no equator. All the same there is higher than that another evasion. Did that mean shame? It meant memory. Looking into a place that was hanging and was visible. Looking into this place and seeing a chair. Did that mean relief? It did. It certainly did not cause constipation and yet there is a melody that has white for a tune when there is straw colour. This shows no face. Starlight. What is starlight? Starlight is a little light that is not always mentioned with the sun. It is mentioned with the moon and the sun. It is mixed up with the rest of the time. Why is the name changed? The name is changed because in the little space there is a tree. In some space there are no trees. In every space there is a hint of more. All this causes the decision. Why is there education? There is education because the two tables which are folding are not tied together with a ribbon. String is used and string being used there is a necessity for another one and another one not being used to hearing shows no ordinary use of any evening and yet there is no disgrace in looking. None at all. This came to separate when there was simple selection of an entire preoccupation. A curtain. A curtain which is fastened discloses morning. This does not mean sparrows or elocution or even a whole preparation. It means that there are ears and very often much more altogether. Climate. Climate is not southern. A little glass. A bright winter. A strange supper and elastic tumbler. All this shows that the back is furnished and red which is red is a dark colour. An example of this is fifteen years and a separation of regret. China is not down when there are plates. Lights are not ponderous and incalculable. Currants. Currants are not in the air and on the floor and in the door and behind it first. Currants do not show it plainer. This which is mastered has so thin a space to build it all that there is plenty of room and yet is it quarrelling? It is not and the insistence is marked. A change is in a current and there is no habitable exercise. A religion. Almost a religion. Any religion. A quintal in religion. A relying and a surface and a service in indecision and a creature and a question and a syllable in answer and more counting and no quarrel and a single scientific statement and no darkness and no question and an earned administration and a single set of sisters and an outline and no blisters and the section seeing yellow and the centre having spelling and no solitude and no quaintness and yet solid quite so solid and the single surface centred and the question in the placard and the singularity is there a singularity and the singularity? Why is there a question and the singularity? Why is the surface outrageous? Why is it beautiful? Why is it not when there is no doubt? Why is anything vacant? Why is not disturbing a centre no virtue? Why is it when it is and why is it when it is and there is no doubt? There is no doubt that the singularity shows. A climate. A single climate. All the time there is a single climate. Any time there is a doubt. Any time there is music that is the question more and more and there is no politeness. There is hardly any ordeal and certainly there is no tablecloth. This is a sound and obligingness. More obligingness leads to a harmony and hesitation. A lake.  Any water which is an ant and no burning. Not any burning. All this is sudden. A canister that is the remains of furniture and a looking-glass and a bedroom and a larger size. All the stand is shouted and what is ancient is practical.  Should it be so that yards are measured? Should it be so and there be a sin? Should it be so then certainly a room is big enough when it is so empty and the corners are gathered together? The change is mercenary that settles whitening the colouring and serving dishes where there is metal and making yellow any yellow every colour in a shade which is expressed in a tray. This is a monster and awkward, quite awkward, and the little design which is flowered which is not strange and yet has visible writing. This is not shown all the time but at once. After that it rests where it is and where it is in place. No change is not needed. That does show design. Excellent. More excellence is borrowing and slanting very slanting is light and secret and a recitation and emigration.  Very little cake is water. Very little cake has that escape. Sugar any sugar. Anger every anger. Lover sermon lover. Centre no distractor. All order is in a measure. Left over to be a lamp light. Left over in victory. Left over in saving. All this and negligence and bent wood and more even much more is not so exact as a pen and a turtle and even, certainly, and even a piece of the same experience as more. To consider a lecture. To consider it well is so anxious and so much a charity and really supposing there is grain and if a stubble every stubble is urgent will there not be a chance of legality. The sound is sickened and the prize is purchased and golden what is golden. A clergyman. A single tax. A currency and an inner chamber. Checking an emigration. Checking it by smiling and certainly by the same satisfactory stretch of hands that have more use for it than nothing and mildly not mildly a correction. Not mildly even a circumstance and a sweetness and a serenity. Powder that has no colour if it did have would it be white. A whole soldier. Any whole soldier has no more detail than any case of measles. A bridge. A very small bridge in a location and thunder. Any thunder. This is the capture of reversible sizing and more indeed more can be cautious. This which makes monotony careless makes it likely there is an exchange in principle and more than that. Change in organisation. This cloud does change with the movements of the moon and the narrow the quite narrow suggestion of the building. It does and then when it is settled and no sounds differ then comes the moment when cheerfulness is so assured that there is an occasion. A plain lap. Any plain lap shows that sign. It shows that there is not so much more extension as there would be if there were more choice in everything. And why complain of more? Why complain of very much more? Why complain at all when it is all arranged that has there is no more opportunity and no more appeal and not even any more clinching that certainly now some time has come? A window has another spelling. It has F all together. It lacks no more then and this is rain. This may even be something else. At any rate there is no dedication in splendour. There is a turn of the stranger. Catholic to be turned is to venture on youth and a section of debate. It even means that no class where each one over fifty is regular is so stationary that there are invitations. A curving example makes righteous fingernails. This is the only object in secretion and speech. To being the same four and no more than what taller. The rest had a big chair and a surveillance, a cold accumulation of nausea and even more than that they had a disappointment. Nothing aiming is a flower. If flowers are abundant than they are lilac. If they are not they are white in the centre. Dance a clean dream and an extravagant turn up. Secure the steady rights and translate more than translate the authority. Show the choice and make no more mistakes than yesterday. This means clearness. It means a regular notion of exercise. It means more than that. It means liking, counting. It means more than that. It does not mean exchanging a line. Why is there more craving than there is in a mountain? This does not seem strange to one. It does not seem strange to an echo and more surely is in there not being a habit. Why is there so much useless suffering? Why is there? Any wet weather means an open window. What is attaching eating? Anything that is violent and cooking and shows weather is the same in the end and why is there more use in something than in all that? The cases are made and books. Back books are used to secure tares and church. They are even used to exchange black slippers. They cannot be mended with wax. They show no need of any such occasion. A willow and no window. A wide place stranger. A wideness makes an active centre. The sight of no pussycat is so different that tobacco's own is whitened cream. A lilac. All a lilac. And no mention of butter. Not even bread and butter. No butter and no occasion. Not even a silent resemblance. Not more care than just enough haughty. A safe weight is that which when it pleases is hanging. A safer weight is one more naughty in a spectacle. The best game is that which is shiny and scratching. Please appease and a cracker and a wretched use of summer. Surprise. The only surprise has no occasion. It is an ingredient and the section the whole section is one season. A pecking which is petting and no worse than in the same morning is not the only way to be continuous often. A light in the moon the only light is on Sunday. What was the sensible decision? The sensible decision was that notwithstanding many declarations and more music. Not evenwithstanding the choice and a torch and a collection. Notwithstanding the celebrating hat and a vacation and even more noise than cutting. Notwithstanding Europe and Asia and being overbearing. Not evenwithstanding an elephant and a strict occasion. Not evenwithstanding more cultivation and some seasoning. Not evenwith drowning and with the ocean being encircling. Not evenwith more likeness and any cloud. Not evenwith terrific sacrifice of pedestrianism and a special resolution. Not even more likely to be pleasing. The care with which the rain is wrong and the green is wrong and the white is wrong. The care with which there is a chair and plenty of breathing. The care with which there is incredible justice and likeness. All this makes a magnificent asparagus and also a fountain. End of Rooms End of Tender Buttons by Gertrude Stein


It's my first day. Two bacon and eggs. Small fanta. This is hectic. Sausage McMuffin. Have a lovely day. Let's try a scar. Hurry up please. Is that one? And there's that one. All right. Four copies. How's that? Don't drink them all at once.


The Mekanon Gallery in the Watermark Arts Center is dedicated to displaying art created by Native Americans. Reporter Cheryl Moore tells us about the latest exhibit in this week's In Focus. My expressions are stories and that's usually where I pull my work from is my heritage again my Ojibwe heritage. Welcome to the latest exhibit in the Mekanon Gallery at the Watermark Arts Center. It's called Gide Badja Woman or We Tell Stories. The exhibit features mixed media prints and artwork created by two artists named Gordon Coons from the Lakkuture Reservation in Northern Wisconsin and Anna Johnson from the Turtle Mountains in North Dakota. I take a lot of inspiration from the Turtle Mountains because of the beauty and the trees and the nature and everything and my birch bark comes from there the stuff that I use in my collages comes from the Turtle Mountains. In this new exhibit in the Mekanon Gallery the artwork speaks for itself. Each painting tells the story of the artist's background, life, or aspirations. It's an image I did with 24 karat gold leaf representing the sun and I did the rest with sear smoke.  To make their artwork the artists pull from different materials such as fabric, newspaper clippings, flowers, twigs, and gold leaf. Both artists say being featured at the Watermark Art Center is something extraordinary. I live in Minneapolis and this is quite a fabulous star for the north. It's a great gallery. I hope everybody comes on and sees not only my work but Anna Johnson's some of her works. I don't have shows very often so it's a huge honor for me to be anywhere outside of where I'm from to have my artwork displayed. You can check out the exhibit at the Watermark until November 3rd. Reporting of Amidjou with this week's end focus, Sheramore Lakeland News. If you enjoyed this segment of Lakeland News, please consider making a tax deductible contribution to Lakeland PBS.


The bald eagle is the national bird of the United States of America and is often a symbol of pride and patriotism. Bald eagles are found throughout North America, from Alaskan, Canada to Northern Mexico. They were once an endangered species, but the population has since recovered. They are still protected and it is illegal to harm, possess or disturb the bird, nest or eggs. The coloring of the bald eagle makes them easy to identify. They are not actually bald, the name comes from the old meaning of white-headed. The mature birds, both male and female, are brown with white heads and tails and have a yellow hooked beak. The females are actually 25% larger than males. The juvenile birds are brown, speckled with white, and have a black beak until they reach sexual maturity at age 4 or 5. Bald eagles are one of the largest true raptors with wingspans up to 90 inches. Bald eagles are at the top of the food chain. They are opportunistic feeders and eat anything from fish and deer fawns to rabbits and ducks. They also scavenge carcasses in the winter. Bald eagles mate for life, but if one dies, the survivor chooses a new mate. The pair often returns to the same nest, which is usually in a large open tree. They also have a communal roost in the winter that they return to each year. From the University of Wyoming Extension, I'm Mae Smith, Exploring the Nature of Wyoming.


I believe the church is about to leap into a great dimension of demonstration of the power of signs, wonders and miracle. We're going to see that the dead awakened. We're going to see that blind see the death here. We're going to see the mute begin to speak. We're going to see signs, wonders and miracles and salvation like we've never seen before. Hello this is David Diga Hernandez and you are watching ETV interviews here on the encounter TV network. My guest right now, Robert Sanchez. Prophet Robert Sanchez is a uniquely anointed prophetic voice called to take the word of the Lord to the nations of the world. Many lives have been transformed by the pure and accurate words that he has faithfully delivered. With over 24 years of prophetic ministry experience, Robert Sanchez is a genuine prophet of God who ministers to God's people and disciples emerging prophets in their prophetic gifts. Robert my friend, welcome to encounter TV. It's a blessing to have you on now. You and I have known each other for well over a decade now and this is not the first time that you've been on encounter TV. In fact, you're probably our most prolific guest, but this is the first time you've ever been on this new set and I can't believe it's taken us this long, but welcome back. I'm so happy that you're sitting here with us.  I always tell people that when it comes to the prophetic, more important than accuracy is purity and there is definitely a purity on your life. I appreciate the integrity on your life. So it's great to have you on the broadcast here. Well, thank you, Diga. It is a privilege to be here on encounter TV. It's a beautiful set. I'm so excited for the opportunity to just sit here and fellowship with you in the audience. I really believe that God has been announcing words of the Lord from the heaven. I believe right now it is critical that we do not have an ear to hear what the earth is saying, but to hear what the heavens are saying. And that's what so many are doing right now. You know, sadly, and I'm not trying to be facetious or negative, but sadly my observation has been that oftentimes people who claim prophetic ability are actually just forecasting based upon the conditions in the earth. And so they'll look at like a trend, say in the medical realm or they'll look at a trend in the financial realm and then they'll start prophesying things according to that. And then they want to post it on the social media platform and then later on come back and say, look what I prophesied. But it's all seems to me to be of the flesh. And this is what I appreciate about you is you don't really look at the trends. Even when you're prophesying over people, you're not looking at the people. You actually look away from them when you prophesy, which is what I appreciate. You're not looking for cues and clues. But there's been a word on your mouth, a word in your spirit recently that you've been sharing concerning the times we're living in, you know, these times where there's this great shaking going on in the nations of the world. And God spoke to you about that. Yeah. Actually, Diga, the word shaking there is something that God placed in my heart. I'll just turn to scripture in the book of Haggai chapter two, verse number six and seven. It says, For thus says the Lord of hosts, once more, or in a little while, I'll shake the heavens and the earth, the sea and the dry land. I will shake all the nations and they will come to the desires of all nations. And I'll fill the temple with glory. I believe today that there is a shaking that is taking place in the earth. And when we hear the term shaking, we always think of it from a negative. But God has not called me to be a voice of destruction. He's called me to be a voice of edification, a voice that will challenge people to think in a different realm and to be lifted higher. And as I began to study the word to shake from the Hebrew perspective, it is powerful because it's a word called Roach. This term simply means to violently leap forward. I believe the earth is in a time of leaping forward. Remember when Elizabeth greets Mary for the very first time? The Bible says that Elizabeth's womb leapt and she and John, who was in her womb, were both filled with the Holy Spirit. I believe right now that the shaking is because God is trying to bring an infilling of the Holy Spirit. He's trying to cause the church's baby to leap. He's trying to rowash, to violently move us forward. See, when we think of a shaking, we always think of it leading to destruction, a demolishing of a thing. The shaking that I sense that God is doing in this hour is really causing us to leap forward into a new dimension. You know, I began to think of all the different shakings. And one thought that came to me was, remember Jarius? Jarius has a daughter. He's a synagogue leader, ruler. And the Bible says that his daughter was sick and she was about 12 years old. She is on her deathbed. No father would ever leave his dying daughter to go and worship. But Jarius knew that if he wanted an answer, he couldn't find it in himself. So what did he do? He ran across town. He falls at the feet of Jesus and he begins to worship. When he begins to worship, that's a Greek word, man, called prokunaos, which means to affectionately kiss the master's hand.  We would kiss him. We would encourage that son of a worshipper. The Lord will follow us. When Jarius falls at the feet of Jesus and worship, what happens is they send him a message saying, don't bother the teacher. Your daughter is dead. But Jarius had just asked Jesus to come to his house and Jesus said, yes, this is what I learned in this hour. The Lord will always follow the scent of a worshipper. The Lord will always follow those who are not afraid to kiss him or be intimate in this season. And when Jarius decides, excuse me, when Jesus decides to follow Jarius, what happens? He's met with all these negative people saying, she's dead. Jesus responds and says, she's not dead. She's only what? Sleeping. I believe the church has been sleeping for a long time. I believe that there is those that are truly been intimate with the Lord and the Lord is now bringing forth a travail. The church is about to experience the kiss of the Lord. He is about to speak in this hour and say to the immature, little one arise and we are about to stand up. All over we see different shakings and giant leaps and progressive forward. When we study this thought of leaping, when the Hebrew expression comes forth, it means to violently leap like an eagle jumping from its perch. It's not a small movement. It's a forceful movement, but then it also gives a picture of a bull rider, a man sitting on a bull. What's the desire of the bull to shake what is ever on its back off? I believe today what God is trying to do is he's trying to shake the burdens off the back of the people. He's given us this quiet, intimate moment. Now he's saying, you know what, this shaking that's taking place, I'm going to cause the church to move forward in a supernatural dimension in this next season. I so believe that and it's almost as if it's like, if God doesn't do this, people just become complacent and I've discovered that even about myself, I have the tendency, especially in good times, to just become complacent. We so often have the tendency to wander away from passion and wander away from devotion. And so what you're saying right now is that God is using these circumstances to cause the church as a whole to wake up and leap forward. Yeah. It's a giant progressive movement. What does that look like? You know what? I'm glad you asked. In the book of Acts, the 16th chapter, there is a story of Paul and Silas.  Paul finally gets tired of hearing her and what does he do? He rebukes the spirit, casts it out. The next thing that we see is Paul and Silas are beaten and thrown into prison. But the Bible says at midnight, Paul and Silas began to do something. They began to sing and worship the Lord. And right then something supernatural happens, an earthquake. I believe that we are in that in-between hour. The Bible says at midnight, midnight is not morning and it's not night, it's in-between. The church is in this in-between moment. It's about to give birth. It's about to come into the dawning of a brand new day. In that midnight hour, in that in-between moment, God begins to cause a stirring and a movement. Paul and Silas, in that midnight hour, they began to worship and what happened? The earth shook. And the moment it shook, out of worship, what happened? The prison doors opened. It didn't just open for them. It opened for all those who were bound. I believe in this hour what God is looking for is He's looking for a man or a woman that would be intimate enough to shake their families free, not just open prison doors. Let me say that one more time. I said, I believe that God is looking for a man or a woman that's willing to be intimate that would worship God to shake open the prison doors, not just for themselves, but for their families, for all that they've been praying, all that they've been believing God for. Because when Paul and Silas worshiped, not only did their stocks and bonds fall off, the prison doors opened, and it didn't just open for them. All the prisoners were now set free, but no one ran. And the Bible says something happened. It says that the guard pulls out his sword from the sheaf. Paul could hear the sound of the law of judgment that was going to come into this prison guard's life. He was going to fall on the sword, take his own life, and what happens? Paul says, do not harm yourself. We are all here. And then the Bible says something interesting. They called for the light. See, this was all seen. Paul saw this all in darkness. He heard it. He was able to respond and said, don't hurt yourself. And what ends up happening is powerful because not only did Paul get set free and Silas, but they went to the prison guard's house and they ministered salvation. I believe right now that God is trying to move the church forward to bring about mass salvation like we've never seen before. I believe that with all my heart. I know that this is the hour of the harvest. It's now. We're in it now, right? Absolutely. Now, now is the time. Now is the season. I believe today what God is trying to do is he's trying to tune the ears of his people, of his kingdom towards the heavens and get it out of the earth. If we start listening to everything that the world is saying, we're going to be filled with fear and chaos. But if we start listening to what the heavens are saying, we're going to begin to be filled with hope, love and joy. We're going to see that tomorrow is not growing darker for the church. It's growing brighter and brighter. The kingdom of God is not growing weaker. It's growing stronger and stronger. I sense in my spirit that God is trying to activate us to move forward. If he gave us the power to walk through the Dead Sea or the Red Sea, I believe today he's going to give us the power to cross over. There is nothing that can keep us back but accept how we think. What do you mean by that? Let me explain it like this. When we become overwhelmed with negativity, our ear begins to hear what the world is saying. We believe that we are going to encounter an Acts chapter 3 moment. Peter and John, they just came out of an upper room experience. They came down out of that upper room and they come down into the valley and they find a man who had been laying at a gate beautiful daily. The Bible says that when this man heard them coming, he stretched out his hand and he begged. Today, that's exactly what the church is doing. We are begging God for miracles. We're begging God for bread. We're begging God for provision. We are children of the Most High God. The righteous are not forsaken and they are not seen begging for bread. We don't need to beg God for anything. We just need to ask. And right there in that moment, Peter and John speak to this man and they say, silver and gold, we have none. But what we do have, I believe today what God is looking for is for the people that understand what they do have. We do have the power, the same power that raised Christ from the grave, lives, dwells and abides in us. If we could believe that that power is there, we can say to that man, we can say to those who are in firm rise up and walk. Peter and John took the man by the right hand, the right hand of blessing, the right hand of ministry, the right hand of power, and they grabbed him and what did they say? Rise up. Immediately this man not only rose up, what did he begin to do? He began to walk and leap and praise God. He began to leap. Leap means a giant move forward. Where did he leap? He went from being positioned outside a gate called beautiful. When we study the name beautiful, from the Greek perspective, it's so powerful because it means of the right time and of the right hour. He was sitting just outside the perfect moment. He needed somebody to help him stand up. He needed somebody to help him cross over. The moment he crossed over, he leaped into a whole other dimension. I believe the church is about to leap into a great dimension of demonstration of the power of signs, wonders and miracle. We're going to see that the dead awaken. We're going to see the blind see the deaf hear. We're going to see the mute begin to speak. We're going to see signs, wonders and miracles and salvation like we've never seen before. I believe it with all my heart. And I sense a real strong anointing on you right now. Look right into that camera and release the word of the Lord over the viewer, please. This is what I hear the heavens saying. This is an hour in which I will open your eyes and cause your heart to be filled with my glory. The Lord says, in this moment fear not the things that you've seen in darkness for out of darkness I reveal my glorious life for I hovered over darkness to create. The Lord says I'm about to create the greatest signs, wonders and miracles that the church has ever seen.  The Lord says I'll raise you up with power and authority to lay hands on those that are hurting and release them into my kingdom. The Lord says get ready for we will begin to see an expansion of the kingdom and a demonstration of power. The Lord says fear not the dark things for light trumps darkness every time I release you as a light into this world to bring forth my glory, says the spirit of the Lord. Is the Lord showing you anything specific about some of the viewers watching? You know I'm glad that you said that. I literally began to sense in my right knee that there is a place where somebody has really torn a meniscus and I heard the spirit of the Lord say I'm healing the meniscus, I'm healing the harm that has come to the right knee and I'm sending my glory even now. And I heard the Lord say there is a Tanya and I heard the Lord say Tanya I'm about to release my kingdom into you and I'm going to cause your heart that has been filled with sadness to overcome with joy. For the Lord says I've seen the tears in which you have wept over your family but Tanya hear me I am going to cause light and life to come to those in whom you've prayed over especially on your father's side of the family. I'm going to raise them up and show them the ways of my kingdom and bring forth life for this is my promise I will begin to move in signs wonders and miracles through you for them in this next season position your heart to see salvation come over your household says the spirit of the Lord. Well what's interesting is that sometimes people will ask well if the word wasn't live how would we know that the individual receiving it was the one who was supposed to receive it but just a quick testimony here I released a word of knowledge in a video that was posted maybe three years ago and last week we had someone who just so happened to stumble across the video just so happened to watch to that point and just so happened to be in that exact same situation wearing the exact same thing described in the video God is not limited by time so whoever Tanya is that word was for her and I want to thank you for releasing it now my friend we're running just a little short on time and that's okay I love that you you said I have no issue with that but I before we do go I do want to take a moment to share about all the wonderful things that the Lord is doing to your ministry and first and foremost if they want any information on your ministry they can go to prophetrobsanchez.com but what I really love I mean you got great media you have a YouTube channel here and if you're watching this on on YouTube right now then we're going to go ahead and put a link in the description if you're watching through any of the other platforms you'll have to go to our YouTube video to see that description link but Prophet Rob these schools that you're doing so classes tell me about those okay soar is an acronym that stands for Sears oracles anointed to roar I believe in raising up a company of people to minister prophetically I'm not just raising up a company of prophets I'm raising up the Bible says whoever desires to prophesy they have the the ability the Bible says out of all the gifts covered that you would prophesy I believe today what God wants to do is raise up a prophetic company of people because I'm a firm believer that one prophetic word at a time we can change the world and what we are doing is we are having what we call soar school and in this school we are training people how to give accurate prophetic words we're teaching them the difference between the spirit of prophecy the gift of prophecy the office of the prophet difference between dreams visions and and all these different you're covering it all yes and let me tell you something I love this man this man is my friend you know I'm very careful about the people I bring on the broadcast I'm very careful about ministries that I endorse you don't know how many requests this ministry gets for invites on the program or endorsements for their ministries and I'm telling you I recommend that you go to this these soar classes and that you connect with this minister you have events that take place all around the nation and you even travel outside of the nation but they can check out all of that you can see prophet robbs schedule you can connect with his media you can connect with the social media you can take a look at the books he has about all of those things can be found at prophet robb sanchez dot com my friend thank you so much for joining me I appreciate you and love you honor the gift on your life and that is it for this edition of eTV interviews here on the encounter TV network until next time remember nothing is impossible with God if you enjoyed this video and want to see more from encounter TV subscribe now we have hundreds of videos including worship clips and inspiring messages on topics like the Holy Spirit healing spiritual warfare prayer and more we also have footage of the power of the Holy Spirit at work in our miracle services that we host all around the world especially if you want to know more about and draw closer to the Holy Spirit this is a channel I know you'll love this is the Holy Spirit's channel encounter TV encounter the presence and power of the Holy Spirit thank you for watching Encounter TV don't forget to subscribe and click the notification bell also help us spread the gospel of Jesus Christ in the power of the Holy Spirit make a one-time donation or become a monthly supporter by clicking on the donate link now


Hello friends, and how are you all doing today? The question says evaluate the following here. We have cost 45 degrees upon secant 30 degrees plus co-secant 30 degrees Here We should be knowing three values. It is cost 45 degrees secant 30 degree and co-secant 30 degree So we have cost 45 degree as 1 by root 2 secant 30 degree as 2 by root 3 and co-secant 30 degree as root 3 So we have cost 45 degrees as 1 by root 2 secant 30 degree is 2 by root 3 and co-secant 30 degree is 2 sorry, I sorry caught one. So it is equal to 2 Now let us substitute its values. We have cost 45 degrees upon secant 30 degree plus co-secant 30 degrees It is equal to 1 by root 2 is getting divided by 2 by root 3 plus 2 It is further equal to 1 by root 2 divided by taking root 3 as the alpha m. We have I am taking 2 common We are left with 1 plus root 3 in the bracket Which is further equal to 1 by root 2 This by its recipe profile have a multiplication sign root 3 upon 2 bracket 1 plus root 3 Further it can be written as root 3 upon 2 root 3 and opening the brackets simultaneously plus 2 root 6. Now we cannot leave this as an answer because we need to rationalize the denominator So on rationalizing the denominator By its conjugate by the conjugate of the denominator we have Sorry, it was 2 root 2 over here. So here we have now 2 root 6 minus 2 root Now here 3 and 6 can be written as 6 can be written as 3 into 2 and we have 3 again divided by a plus b a minus b Property tells us to write it down as 2 root to the whole square that is a square minus b Square further equal to 2 root 6 minus This is a pair now taking 3 out. We have 6 root 2 divided by the square of 2 root 2 is 8 minus the square of 2 root 6 is 24 Taking 2 common we are left with root 6 minus 3 root 2 upon minus 16 Simplifying it and taking the minus sign common from the numerator Simplifying we have 3 root 2 minus root 6 upon 8 and this is the answer To the given question So if you understood the whole process of simplifying well Do rationalize the denominator and give your answer Where your denominator is rationalized? So hope you to see you next and have a nice day