Author's Introduction to Oscar Wilde, His Life and Confessions, by Frank Harris. I was advised on all hands not to write this book, and some English friends who have read it, urge me not to publish it. You will be accused of selecting the subject, they say, because sexual vision is the subject of the book. I was advised on all hands not to write this book, and some English friends who have You will be accused of selecting the subject, they say, because sexual viciousness appeals to you, and your method of treatment lays you open to attack. You criticise and condemn the English conception of justice, and English legal methods. You even question the impartiality of English judges, and throw an unpleasant light on English juries and the English public, all of which is not only unpopular, but will convince the unthinking that you are a presumptuous or at least an outlandish person with too good a conceit of himself, and altogether too free a tongue. I should be more than human, or less, if these arguments did not give me pause. I would do nothing willingly to alienate the few who are still friendly to me, but the motives driving me are too strong for such personal considerations. I might say with the Latin, known me to affer vidaterent dicta ferox, di meterent et jupiter hostis. Readers' translation from Virgil, your blazing words do not frighten me fierce in ears. The gods terrify me and my enemy jupiter. Even this would be only a part of the truth. Youth, it seems to me, should always be prudent, for youth has much to lose, but I am come to that time of life, when a man can afford to be bold, may even dare to be himself and write the best in him, heedless of knaves and fools, nor of anything this world may do. The voyage for me is almost over. I am in sight of port. Like a good shipman, I have already sent down the lofty spas and housed the captious canvas in preparation for the long anchorage. I have little now to fear. And the immortals are with me in my design. Greek tragedy treated of far more horrible and revolting themes, such as the banquet of thiestes, and Dante did not shrink from describing the unnatural meal of uglino. The best modern critics approve my choice. All depends on the subject, says Matthew Arnold, talking of great literature. Choose a fitting action, a great and significant action. Penetrate yourself with the feeling of the situation. This done everything else will follow, for expression is subordinate and secondary. Socrates was found guilty of corrupting the young, and was put to death for the offence. His accusation and punishment constitute surely a great and significant action, such as Matthew Arnold declared was a loan of the highest and most permanent literary value. The action involved in the rise and ruin of Oscar Wilde is of the same kind, and of enduring interest to humanity. Critics may say that Wilde is a smaller person than Socrates, less significant in many ways. But even if this were true, it would not alter the artist's position. The great portraits of the world are not of Napoleon or Dante. The differences between men are not important in comparison with their inherent likeness. To depict the mortal so that he takes on immortality, that is the task of the artist. There are special reasons to why I should handle this story. Oscar Wilde was a friend of mine for many years. I could not help prizing him to the very end. He was always to me a charming soul-animating influence. He was dreadfully punished by men utterly his inferiors, ruined, outlawed, persecuted till death itself came as a deliverance. His sentence impeaches his judges. The whole story is charged with tragic pathos and unforgettable lessons. I have waited for more than ten years, hoping that someone would write about him in this spirit and leave me free to do other things, but nothing such as I propose has yet appeared. Oscar Wilde was greater as a talker, in my opinion, than as a writer, and no fame is more quickly even-essent. If I do not tell his story and paint his portrait, it seems unlikely that anyone else will do it. British straight jury may accuse me of attacking morality. The accusation is worse than absurd. The very foundations of this old world are moral. The charred ember itself floats about in space, moves and has its being in obedience to inexorable law. The thinker may define morality. The reformer may try to bring our notions of it into nearer accord with the fact. Human love and pity may seek to soften its occasional injustices and mitigate its intolerable harshness. But that is all the freedom we mortals enjoy, all the breathing space allotted to us. In this book the reader will find the figure of the Prometheus artist, clamped, so to speak, with bands of steel, to the huge granitic cliff of English puritanism. No account was taken of his manifold virtues and graces. No credit given him for his extraordinary achievements. He was hounded out of life, because his sins were not the sins of the English middle class. The culprit was much nobler and better than his judges. Here are all the elements of pity and sorrow and fear that are required in great tragedy. The artist who finds in Oscar Wilde a great and provocative subject for his art needs no argument to justify his choice. If the picture is a great and living portrait, the moralist will be satisfied. The dark shadows must all be there, as well as the highlights, and the effect must be to increase our tolerance and intensify our pity. If on the other hand the portrait is ill-drawn or ill-painted, all the reasoning in the world and the praise of all the sycophants will not save the picture from contempt and the artist from censure. There is one measure by which intention, as apart from accomplishment, can be judged and won only. If you think the book well done, says Pascal, and on rereading find it strong, be assured that the man who wrote it wrote it on his knees. No book could have been written more reverently than this book of mine. Frank Harris, Neese, 1910 End of author's introduction. Recording by Martin Geeson in Hazelmere Surrey. Chapter 1 of Oscar Wilde, His Life and Confessions. This LibriVox recording is in the public domain. Recording by Martin Geeson. Oscar Wilde, His Life and Confessions. By Frank Harris. Chapter 1 Oscar's Father and Mother on Trial. On the 12th of December 1864 Dublin society was a buzz with excitement. A tidbit of scandal, which had long been rolled on the tongue in semi-privacy, was to be discussed in open court, and all women and the good many men were a gog with curiosity and expectation. The story itself was highly spiced, and all the actors in it well known. A famous doctor and occulist, recently knighted for his achievements, was the real defendant. He was married to a woman with a great literary reputation, as a poet and writer, who was idolised by the populace for her passionate advocacy of Ireland's claim to self-government. Speranza was regarded by the Irish people as a sort of Irish muse. The young lady bringing the action was the daughter of the Professor of Medical Juris Prudence at Trinity College, who was also the chief at Marsh's library. It was said that this Miss Travers, a pretty girl just out of her teens, had been seduced by Doctor Sir William Wilde, while under his care as a patient. Some went so far as to say that chloroform had been used, and that the girl had been violated. The doctor was represented as a sort of minotour. Lustful stories were invented, and repeated with breathless delight, on all faces the joy of malicious curiosity and envious denigration. The interest taken in the case was extraordinary, the excitement beyond comparison. The first talents of the bar were engaged on both sides. Sergeant Armstrong led for the plaintiff, helped by the famous Mr. Butt Cousy, and Mr. Heron Cousy, who were in turn backed by Mr. Hamill and Mr. Quinn. While Sergeant Sullivan was for the defendant, supported by Mr. Sidney Cousy, and Mr. Morris Cousy, and aided by Mr. John Curran and Mr. Purcell. The Court of Common Pleas was the stage, Chief Justice Monaghan presiding with a special jury. The trial was expected to last a week, and not only the court, but the approaches to it were crowded. To judge by the scandalous reports, the case should have been a criminal case, should have been conducted by the Attorney General against Sir William Wilde. But that was not the way it presented itself. The action was not even brought directly by Miss Travers, or by her father, Dr. Travers, against Sir William Wilde for rape, or criminal assault, or seduction. It was a civil action brought by Miss Travers, who claimed two thousand pounds damages, or a libel written by Lady Wilde to her father, Dr. Travers. The letter complained of ran as follows. Tower Bray, May 6th Sir, you may not be aware of the disreputable conduct of your daughter at Bray, where she consorts with all the low newspaper boys in the place, employing them to disseminate offensive placards in which my name is given, and also tracts in which she makes it appear that she has had an intrigue with Sir William Wilde. If she chooses to disgrace herself, it is not my affair, but as her object in insulting me is in the hope of extorting money, for which she has several times applied to Sir William Wilde with threats of more annoyance, if not given, I think it right to inform you, as no threat of additional insult shall ever extort money from our hands. The wages of disgrace she has so basely treated for and demanded shall never be given her. Jane F. Wilde to Dr. Travers The summons and plaint charged that this letter written to the father of the plaintiff by Lady Wilde was a libel reflecting on the character and chastity of Miss Travers, and as Lady Wilde was a married woman, her husband, Sir William Wilde, was joined in the action as a co-defendant for conformity. The defences set up were, first, a plea of no libel, secondly, that the letter did not bear the defamatory sense imputed by the plaint, thirdly, a denial of the publication, and fourthly, a plea of privilege. This last was evidently the real defence, and was grounded upon facts which afforded some justification of Lady Wilde's bitter letter. It was admitted that for a year or more Miss Travers had done her uttermost to annoy both Sir William Wilde and his wife in every possible way. The trouble began, the defence stated, by Miss Travers fancying that she was slighted by Lady Wilde. She thereupon published a scandalous pamphlet under the title of Florence Boyle Price, a warning by Speranza, with the evident intention of causing the public to believe that the booklet was the composition of Lady Wilde under the assumed name of Florence Boyle Price. In this pamphlet Miss Travers asserted that a person she called Dr. Quilp had made an attempt on her virtue. She put the charge mildly. It is sad, she wrote, to think that in the nineteenth century a lady must not venture into a physician's study without being accompanied by a bodyguard to protect her. Miss Travers admitted that Dr. Quilp was intended for Sir William Wilde. Indeed she identified Dr. Quilp with the newly made knight in a dozen different ways. She went so far as to describe his appearance.  The large protruding underlick was most unpleasant. But at the upper part of his face redeemed the lower part. The eyes were small and round, mean and prying in expression. There was no candour in the doctor's countenance where one looked for candour. Dr. Quilp's quarrel with his victim, it appeared, was that she was unnaturally passionless. The publication of such a pamphlet was calculated to injure both Sir William and Lady Wilde in public esteem, and Miss Travers was not content to let the matter rest there. She drew attention to the pamphlet by letters to the papers, and on one occasion when Sir William Wilde was giving a lecture to the Young Men's Christian Association at the Metropolitan Hall, she caused large placards to be exhibited in the neighbourhood, having upon them in large letters the words Sir William Wilde and Speranza. She employed one of the persons bearing a placard to go about ringing a large hand-bell which she herself had given to him for the purpose. She even published doggerel verses in the Dublin Weekly Advertiser, and signed them Speranza, which annoyed Lady Wilde intensely.  Some sport I'll have, or I'm blessed, I'll fry the wild breed in the west. Then you can call them fritters. She wrote letters to Saunders Newsletter, and even reviewed a book of Lady Wilde's entitled The First Temptation, and called it a blasphemous production. Moreover, when Lady Wilde was staying at Bray, Miss Travers sent boys to offer the pamphlet for sale to the servants in her house. In fine, Miss Travers showed a keen feminine ingenuity and pertinacity in persecution worthy of a noble emotive. But the defence did not rely on such annoyance as sufficient provocation for Lady Wilde's libelous letter. The plea went on to state that Miss Travers had applied to Sir William Wilde for money again and again, and accompanied these applications with threats of worse pen-pricks if the requests were not exceeded to. It was under these circumstances, according to Lady Wilde, that she wrote the letter complained of to Dr. Travers, and enclosed it in a sealed envelope. She wished to get Dr. Travers to use his parental influence to stop Miss Travers from further disgracing herself and insulting and annoying Sir William and Lady Wilde. The defence carried the war into the enemy's camp by thus suggesting that Miss Travers was blackmailing Sir William and Lady Wilde. The attack in the hands of Sergeant Armstrong was still more deadly and convincing. He rose early on the Monday afternoon and declared at the beginning that the case was so painful that he would have preferred not to have been engaged in it—a hip of critical statement which deceived no one, and was just as conventional false as his wig. But with this exception the story he told was extraordinarily clear and gripping. Some ten years before Miss Travers, then a young girl of nineteen, was suffering from partial deafness, and was recommended by her own doctor to go to Dr. Wilde, who was the chief oculist and orist in Dublin. Miss Travers went to Dr. Wilde, who treated her successfully. Dr. Wilde would accept no fees from her, stating at the outset that as she was the daughter of a brother physician he thought it an honour to be of use to her. Sergeant Armstrong assured his hearers that in spite of Miss Travers' beauty he believed at first Dr. Wilde took nothing but a benevolent interest in the girl. Even when his professional services ceased to be necessary, Dr. Wilde continued his friendship. He wrote Miss Travers innumerable letters. He advised her as to her reading, and sent her books and tickets for places of amusement. He even insisted that she should be better dressed, and pressed money upon her to buy bonnets and clothes, and frequently invited her to his house for dinners and parties. The friendship went on in this sentimental, kindly way for some five or six years, till 1860. The Wilde Sergeant knew enough about human nature to feel that it was necessary to discover some dramatic incident to change benevolent sympathy into passion, and he certainly found what he wanted. Miss Travers, it appeared, had been burnt low down on her neck when a child. The cicatris could still be seen, though it was gradually disappearing. When her ears were being examined by Dr. Wilde it was customary for her to kneel on a hassac before him, and he thus discovered this burn on her neck. After her hearing improved he still continued to examine the cicatris from time to time, pretending to note the speed with which it was disappearing. Some time in 60 or 61 Miss Travers had a corn on the sole of her foot which gave her some pain. Dr. Wilde did her the honour of pairing the corn with his own hands, and painting it with iodine. The cunning sergeant could not help saying, with some confusion, natural or assumed, that it would have been just as well, that at least there are men of such temperament that it would be dangerous to have such a manipulation going on. The spectators in the court smiled, feeling that in manipulation the sergeant had found the most neatly suggestive word. Naturally at this point sergeant Sullivan interfered in order to stem the rising tide of interest and to blunt the point of the accusation. So William Wilde, he said, was not the man to shrink from any investigation, but he was only in the case formally, and he could not meet the allegations which therefore were one-sided and unfair, and so forth and so on. After the necessary pause sergeant Armstrong plucked his wig straight and proceeded to read letters of Dr. Wilde to Miss Travers at this time, in which he tells her not to put too much iodine on her foot, but to rest it for a few days in a slipper and keep it in a horizontal position while reading a pleasant book. If she would send in he would try and send her one. I have now concluded the sergeant, like an actor carefully preparing his effect, traced this friendly intimacy down to a point where it begins to be dangerous. I do not wish to aggravate the gravity of the charge in the slightest by any rhetoric or by an unconscious overstatement. You shall therefore, gentlemen of the jury, hear from Miss Travers herself what took place between her and Dr. Wilde, and what she complains of. Miss Travers then went into the witness-box. Though thin and past her first youth, she was still pretty in a conventional way with regular features and dark eyes. She was examined by Mr. Butt, QC. After confirming point by point what sergeant Armstrong had said, she went on to tell the jury that in the summer of 62 she had thought of going to Australia, where her two brothers lived, who wanted it to come out to them. Dr. Wilde lent her forty pounds to go, but told her she must say it was twenty pounds or her father might think the sum too large. She missed the ship in London and came back. She was anxious to impress on the jury the fact that she had repaid Dr. Wilde, that she had always repaid whatever he had lent her. She went on to relate how one day Dr. Wilde had got her in a kneeling position at his feet when he took her in his arms, declaring that he would not let her go until she called him William. His travers refused to do this, and took umbrage at the embracing, and ceased to visit at his house. But Dr. Wilde protested extravagantly that he had meant nothing wrong, and begged her to forgive him, and gradually brought about a reconciliation, which was consummated by pressing invitations to parties, and by a loan of two or three pounds for a dress, which loan like the others had been carefully repaid. The excitement in the court was becoming breathless. It was felt that the details were cumulative. The doctor was besieging the fortress in proper form. The story of embracings, reconciliations and loans all prepared the public for the great scene. The girl went on, now answering questions, now telling bits of the story in her own way. Mr. Butt, the great advocate, taking care that it should all be consecutive and clear with the due crescendo of interest. In October 1862 it appeared Lady Wilde was not in the house at Marion Square, but was away at Bray, as one of the children had not been well, and she thought the sea-air would benefit him. Dr. Wilde was alone in the house. Miss Travers called, and was admitted into Dr. Wilde's study. He put her on her knees before him, and bared her neck, pretending to examine the burn. He fondled her too much, and pressed her to him. She took offence and tried to draw away. Somehow or other his hand got entangled in a chain at her neck. She called out to him, you are suffocating me, and tried to rise. But he cried out like a madman, I will, I want to, and pressed what seemed to be a handkerchief over her face. She declared that she lost consciousness. When she came to herself, she found Dr. Wilde frantically imploring her to come to her senses, while dabbing water on her face, and offering her wine to drink. If you don't drink, he cried, I'll pour it over you." For some time, she said, she scarcely realised where she was, or what had occurred, though she heard him talking. But gradually consciousness came back to her, and though she would not open her eyes, she understood what he was saying. He talked frantically. Do be reasonable and all will be right. I am in your power. Spare me, oh, spare me. Strike me if you like. I wish to God I could hate you, but I can't. I swore I would never touch your hand again. Listen to me, and do what I tell you. Have faith and confidence in me, and you may remedy the past, and go to Australia. Think of the talk this may give rise to. Keep up appearances for your own sake. He then took her upstairs to a bedroom, and made her drink some wine, and lie down for some time. She afterwards left the house. She hardly knew how. He accompanied her to the door, she thought, but could not be certain she was half dazed. The judge here interposed with the crucial question. Did you know that you had been violated? The audience waited breathlessly. After a short pause Miss Travers replied, Yes. And it was true. The worst was true. The audience, excited to the highest pitch, caught breath with malevolent delight. But the thrills were not exhausted. Miss Travers next told how in Dr. Wilde's study one evening she had been vexed at some slight, and at once took four penny-worths of Loddenham which she had bought. Dr. Wilde hurried her round to the house of Dr. Walsh, a physician in the neighbourhood who gave her an antidote. Dr. Wilde was dreadfully frightened lest something should get out. She admitted at once that she had sometimes asked Dr. Wilde for money. She thought nothing of it as she had again and again repaid him the moneys which he had lent her. Miss Travers' examination in chief had been intensely interesting. The fashionable ladies had heard all they had hoped to hear, and it was noticed that they were not so eager to get seats in the court from this time on, though the room was still crowded. The cross-examination of Miss Travers was at least as interesting to the student of human nature as the examination in chief had been. For in her story of what took place on that fourteenth of October, weaknesses and discrepancies of memory were discovered, and at length improbabilities and contradictions in the narrative itself. First of all it was elicited that she could not be certain of the day. It might have been the fifteenth or the sixteenth. It was Friday the fourteenth, she thought. It was a great event to her, the most awful event in her whole life, yet she could not remember the day for certain. Did you tell anyone of what had taken place? No. Not even your father. No. Why not? I did not wish to give him pain. But you went back to Dr Wilde's study after the awful assault. Yes. You went again and again, did you not? Yes. Did he ever attempt to repeat the offence? Yes. The audience was thunderstruck. The plot was deepening. Miss Travers went on to say that the doctor was rude to her again. She did not know his intention. He took hold of her and tried to fondle her, but she would not have it. After the second offence you went back. Yes. Did he ever repeat it again? Yes. Miss Travers said that once again Dr Wilde had been rude to her. Yet you returned again. Yes. And you took money from this man who had violated you against your will. Yes. You asked him for money. Yes. This is the first time you have told about this second and third assault, is it not? Yes, the witness admitted. So far all that Miss Travers had said hung together and seemed eminently credible. But when she was questioned about the chloroform and the handkerchief she became confused. At the outset she admitted that the handkerchief might have been a rag. She was not certain it was a rag. It was something she saw the doctor throw into the fire when she came to her senses. Had he kept it in his hands then all the time you were unconscious. I don't know. Just to show it to you. The witness was silent. When she was examined as to her knowledge of chloroform she broke down hopelessly. She did not know the smell of it, could not describe it, did not know whether it burnt or not, could not in fact swear that it was chloroform Dr Wilde had used, would not swear that it was anything, believed that it was chloroform or something like it because she lost consciousness. That was her only reason for saying that chloroform had been given to her. Again the judge interposed with the probing question. Did you say anything about chloroform in your pamphlet? No, the witness murmured. It was manifest that the strong current of feeling in favour of Miss Travert had begun to ebb. The story was a toothsome morsel still, but it was regretfully admitted that the charge of rape had not been pushed home. It was felt to be disappointing, too, that the chief prosecuting witness should have damaged her own case. It was now the turn of the defence, and some thought the pendulum might swing back again. Lady Wilde was called, and received an enthusiastic reception. The ordinary Irishman was willing to show at any time that he believed in his muse, and was prepared to do more than cheer for one who had fought with her pen for Ireland in the nation side-by-side with Tom Davis. Lady Wilde gave her evidence emphatically, but was too bitter to be a persuasive witness. It was tried to prove from her letter that she believed that Miss Travert's had had an intrigue with Sir William Wilde, but she would not have it. She did not for a moment believe in her husband's guilt. Miss Travert's wished to make it appear, she said, that she had an intrigue with Sir William Wilde, but in her opinion it was utterly untrue. Sir William Wilde was above suspicion. There was not a particle of truth in the accusation. Her husband would never so demean himself. Lady Wilde's disdainful speeches seemed to persuade the populace, but had small effect on the jury, and still less on the judge. When she was asked if she hated Miss Travert's, she replied that she did not hate any one, but she had to admit that she disliked Miss Travert's's methods of action. Why did you not answer Miss Travert's when she wrote telling you of your husband's attempt on her virtue? I took no interest in the matter, was the astounding reply. The defence made an even worse mistake than this. When the time came, Sir William Wilde was not called. In his speech for Miss Travert, Mr. Butt made the most of this omission. He declared that the refusal of Sir William Wilde to go into the witness-box was an admission of guilt. An admission that Miss Travert's story of her betrayal was true and could not be contradicted. But the refusal of Sir William Wilde to go into the box was not, he insisted, the worst point in the defence. He reminded the jury that he had asked Lady Wilde why she had not answered Miss Travert's when she wrote to her. He recalled Lady Wilde's reply. I took no interest in the matter. Every woman would be interested in such a thing, he declared, even a stranger, but Lady Wilde hated her husband's victim and took no interest in her seduction beyond writing a bitter, vindictive and libelous letter to the girl's father. The speech was regarded as a masterpiece, and enhanced the already great reputation of the man who was afterwards to become the home-rule leader. It only remained for the judge to sum up, for everyone was getting impatient to hear the verdict. Chief Justice Monaghan made a short, impartial speech, throwing the dry white light of truth upon the conflicting and passionate statements. First of all, he said, it was difficult to believe in the story of a rape, whether with or without chloroform. If the girl had been violated, she would be expected to cry out at the time, or at least to complain to her father as soon as she reached home. Had it been a criminal trial, he pointed out, no one would have believed this part of Miss Travis's story. When you find a girl does not cry out at the time and does not complain afterwards, and returns to the house to meet further rudeness, it must be presumed that she consented to the seduction. But was there a seduction? The girl asserted that there was guilty intimacy, and Sir William Wilde had not contradicted her. It was said that he was only formally a defendant. But he was the real defendant, and he could have gone into the box if he had liked, and given his version of what took place, and contradicted Miss Travis in whole or in part. It is for you, gentlemen of the jury, to draw your own conclusions from his omission to do what one would have thought would be an honourable man's first impulse and duty. Finally, it was for the jury to consider whether the letter was a libel, and if so, what the amount of damages should be. His lordship recalled the jury at Mr. But's request to say that in assessing damages they might also take into consideration the fact that the defence was practically a justification of the libel. The fair-mindedness of the judge was conspicuous from first to last, and was worthy of the high traditions of the Irish bench. After deliberating for a couple of hours, the jury brought in a verdict which had a certain humour in it. They awarded to Miss Travis a farthing damages, and intimated that the farthing should carry costs. In other words, they rated Miss Travis's virtue at the very lowest coin of the realm, while insisting that Sir William Wilde should pay a couple of thousands of pounds in costs for having seduced her. It was generally felt that the verdict did substantial justice, though the jury, led away by patriotic sympathy with Lady Wilde, the true esperanza, had been a little hard on Miss Travis. No one doubted that Sir William Wilde had seduced his patient. He had it appeared an unholy reputation, and the girl's admission that he had accused her of being unnaturally passionless was accepted as the true key of the enigma. This was why he had drawn away from the girl after seducing her, and it was not unnatural under the circumstances that she should become vindictive and revengeful. Such inferences as these I drew from the comments of the Irish papers at the time, but naturally I wished if possible to hear some trustworthy contemporary on the matter. Fortunately such testimony was forthcoming. A fellow of Trinity, who was then a young man, embodied the best opinion of the time in an excellent pithy letter. He wrote to me that the trial simply established, what everyone believed, that Sir William Wilde was a pithicoid person of extraordinary sensuality and cowardice, funking the witness-box left him without a defender, and that his wife was a high-falutin pretentious creature, whose pride was as extravagant as her reputation founded on second-rate verse-making. Even when a young woman she used to keep her rooms in Marion Square in semi-darkness, she laid the paint on too thick for any ordinary light, and she gave herself besides all manner of airs. This incisive judgment of an able and fairly impartial contemporary observer corroborates, I think, the inferences which one would naturally draw from the newspaper accounts of the trial. It seems to me that both combined to give a realistic photograph, so to speak, of Sir William and Lady Wilde. An artist, however, would lean to a more kindly picture. Trying to see the personages as they saw themselves, he would balance the doctor's excessive sensuality and lack of self-control by dwelling on the fact that his energy and perseverance and intimate adaptation to his surroundings had brought him, in middle age, to the chief place in his profession. And if Lady Wilde was abnormally vain, a verse-maker and not a poet, she was still a talented woman of considerable reading and manifold artistic sympathies. Such were the father and mother of Oscar Wilde. CHAPTER I. Oscar Wilde, his life and confessions, by Frank Harris. CHAPTER II. Oscar Wilde, his life and confessions. The Wilde's had three children, two sons and a daughter. The first son was born in 1852, a year after the marriage, and was christened after his father's death. The first son, Peter, was born in 1852, a year after the marriage, and was christened after his father's death. The first son was born in 1852, a year 1552, a year after the marriage, and was christened after his father, William Charles Kingsbury Wills. The second son was born two years later, in 1854, and the names given to him seemed to reveal the nationalist sympathies and pride of his mother. He was christened Oscar-Fingle Oflaherty Wills-Wild. But he appears to have suffered from the pompous string only in extreme youth. At school he concealed the Fingle. As a young man he found it advisable to omit the Oflaherty. In childhood and early boyhood Oscar was not considered as quick or engaging or handsome as his brother, Willie. Both boys had the benefit of the best schooling of the time. They were sent as boarders to the Portora School at Ennis-Killin, one of the four royal schools of Ireland. Oscar went to Portora in 1864 at the age of nine, a couple of years after his brother. He remained at the school for seven years, and left it on winning an exhibition for Trinity College Dublin when he was just seventeen. The facts hitherto collected and published about Oscar as a schoolboy are sadly meager and insignificant. Fortunately for my readers I have received from Sir Edward Sullivan, who was a contemporary of Oscar both at school and college, an exceedingly vivid and interesting pen-picture of the lad, one of those astounding masterpieces of portraiture only to be produced by the plastic sympathies of boyhood and the intimate intercourse of years lived in common. It is love alone which in later life can achieve such a miracle of representation. I am very glad to be allowed to publish this realistic miniature in the very words of the author. I first met Oscar Wilde in the early part of 1868 at Portora Royal School. He was thirteen or fourteen years of age. His long, straight, fair hair was a striking feature of his appearance. He was then, as he remained for some years after, extremely boyish in nature, but he mobile, almost restless when out of the schoolroom. Yet he took no part in the school games at any time. Now and then he would be seen in one of the school boats on Lochern, yet he was a poor hand at an ore. Even as a schoolboy he was an excellent talker, his descriptive power being far above the average, and his humorous exaggerations of school occurrences always highly amusing. A favourite place for the boys to sit and gossip in the late afternoon in wintertime was round a stove which stood in the Stone Hall. Here Oscar was at his best, although his brother Willie was perhaps in those days even better than he was at telling a story. Oscar would frequently vary the entertainment by giving us extremely quaint illustrations of holy people in stained-glass attitudes, his power of twisting his limbs into weird contortions being very great. I am told that Sir William Wilde, his father, possessed the same power. It was not to be thought, however, that there was any suggestion of irreverence in the exhibition. At one of these gatherings, about the year 1870, I remember a discussion taking place about an ecclesiastical prosecution that made a considerable stir at the time. Oscar was present and full of the mysterious nature of the court of arches. He told us there was nothing he would like better in afterlife than to be the hero of such a cause célèbre, than to go down to posterity as the defendant in such a case as Regina versus Wilde. At school he was almost always called Oscar, but he had a nickname Gray Crowe, which the boys would call him when they wished to annoy him, and which he resented greatly. It was derived in some mysterious way from the name of an island in the Upper Lochurn, with an easy reach of school by boat. It was some little time before he left Portora that the boys got to know of his full name, Oscar Fingle O'Flaherty Wills Wilde. Just at the close of his school career he won the Carpenter Greek Testament Prize, and on presentation day was called up to the dais by Dr. Steele by all his names. Much to Oscar's annoyance, for a great deal of schoolboy chaff followed. He was always generous, kindly, good-tempered. I remember he and myself were on one occasion mounted as opposing jockeys on the backs of two bigger boys in what we called a tournament, held in one of the classrooms. Oscar and his horse were thrown, and the result was a broken arm for Wilde. Knowing that it was an accident he did not let it make any difference in our friendship. He had, I think, no very special chums while at school. I was perhaps as friendly with him all through as anybody, though his junior in class by a year. Willie Wilde was never very familiar with him, treating him always in those days as a younger brother. When in the head class together we, with two other boys, were in the town of Ennis-Killin one afternoon, and formed part of an audience who were listening to a street orator. One of us, for the fun of the thing, got near the speaker, and with a stick knocked his hat off and then ran for home, followed by the other three. Several of the listeners resenting the impertinence gave chase, and Oscar, in his hurry, collided with an aged cripple and threw him down, a fact which was duly reported to the boys when we got safely back. Oscar was afterwards heard telling how he found his way barred by an angry giant, with whom he fought through many rounds, and whom he eventually left for dead in the road after accomplishing prodigies of valour on his redoubtable opponent. Romantic imagination was strong in him even in those schoolboy days, but there was always something in his telling of such a tale to suggest that he felt his hearers were not really being taken in. It was merely the romancing indulged in so humorously by the two principal male characters in the importance of being earnest. He never took any interest in mathematics, either at school or college. He laughed at science, and never had a good word for a mathematical or science master. But there was nothing spiteful or malignant in anything he said against them, or indeed against anybody. The romances that impressed him most when at school were Disraeli's novels. He spoke slightingly of Dickens as a novelist. The classics absorbed almost his whole attention in his later school days, and the flowing beauty of his oral translations in class, whether of Thucydides, Plato or Virgil, was a thing not easily to be forgotten. This photograph, so to speak, of Oscar as a schoolboy, is astonishingly clear and lifelike, but I have another portrait of him from another contemporary, who has since made for himself a high name as a scholar at Trinity, which, while confirming the general trays sketched by Sir Edward Sullivan, takes somewhat more notice of certain mental qualities which came later to the fruiting. This observer, who does not wish his name given, writes, Oscar had a pungent wit, and nearly all the nicknames in the school were given by him. He was very good on the literary side of scholarship, with a special leaning to poetry. We noticed that he always liked to have editions of the classics that were of stately size, with large print. He was more careful in his dress than any other boy. He was a wide reader, and read very fast indeed. How much he assimilated I could never make out. He was poor at music. We thought him a fair scholar, but nothing extraordinary. However, he startled everyone the last year at school in the classical medal examination, by walking easily away from us all in the viva voce of the Greek play, the Agamemnon. I may now try and accentuate a tray or two of these photographs, so to speak, and then realise the whole portrait by adding an account given to me by Oscar himself. The joy in humorous romancing, and the sweetness of temper recorded by Sir Edward Sullivan, were marked trays in Oscar's character all through his life. His care in dressing, too, and his delight in stately editions. His love of literature, with a special leaning to poetry, were all qualities which distinguished him to the end. From the last year of my school life at Portora, he said to me once, I had nothing like the reputation of my brother Willie. I read too many English novels, too much poetry, dreamed away too much time to master the school tasks. Knowledge came to me through pleasure, as it always comes, I imagine. I was nearly sixteen when the wonder and beauty of the old Greek life began to dawn upon me. Suddenly I seemed to see the white figures throwing purple shadows on the sun-baked palaestra, bands of nude youths and maidens, you remember Gucchi's words, moving against a background of deep blue as on the frieze of the Parthenon. I began to read Greek eagerly for love of it all, and the more I read, the more I was enthralled. Oh, what golden hours were for us as we sat together there, while the white vests of the chorus seemed to wave up a light air, while the cotherns trod majestic down the deep pyambic lines, and the rolling anapestics curled like vapour over shrines. The headmaster was always holding my brother Willie up to me as an example, but even he admitted that in my last year at Portora I had made astounding progress. I laid the foundation there of whatever classical scholarship I possess. It occurred to me once to ask Oscar in later years whether the boarding-school life of a great public school was not responsible for a good deal of sensual viciousness. Englishmen all say so, he replied, but it did not enter into my experience. I was very childish, Frank, a mere boy, till I was over sixteen. Of course I was sensual and curious as boys are, and had the usual boy imaginings, but I did not indulge in them excessively. At Portora nine out of ten boys only thought of football or cricket or rowing. Nearly every one went in for athletics, running and jumping and so forth. No one appeared to care for sex. We were healthy young barbarians, and that was all. Did you go in for games? I asked. No, Oscar replied, smiling, I never liked to kick or be kicked.  The question led to an intimate personal confession which may take its place here. It is strange you should have mentioned it, he said. There was one boy, and he added slowly, one peculiar incident. It occurred in my last year at Portora. The boy was a couple of years younger than I. We were great friends. We used to take long walks together, and I talked to him interminably. I told him what I should have done had I been Alexander, or how I'd have played King in Athens had I been Alcibiades. As early as I can remember I used to identify myself with every distinguished character I read about, but when I was fifteen or sixteen I noticed with some wonder that I could think of myself as Alcibiades or Sophocles more easily than as Alexander or Caesar. The life of books had begun to interest me more than real life. My friend had a wonderful gift for listening. I was so occupied with talking and telling about myself that I knew very little about him, curiously little when I come to think of it. But the last incident of my school life makes me think he was a sort of mute poet, and had much more in him than I imagined. It was just before I first heard that I had won an exhibition and was to go to Trinity. Dr. Steele had called me into his study to tell me the great news. He was very glad, he said, and insisted that it was all due to my last year's hard work. The hard work had been very interesting to me, or I would not have done much of it. The doctor wound up, I remember, by assuring me that if I went on studying as I had been studying during the last year, I might do as well as my brother Willie, and be as great an honour to the school and everybody connected with it as he had been. This made me smile, for though I liked Willie, and knew he was a fairly good scholar, I never for a moment regarded him as my equal in any intellectual field. He knew all about football and cricket, and studied the school books assiduously, whereas I read everything that pleased me, and in my own opinion always went about crowned. Here he laughed charmingly with amused deprecation of the conceit. It was only about the quality of the crown, Frank, that I was in any doubt. If I had been offered the triple tiara it would have appeared to me only the meat reward of my extraordinary merit. When I came out from the doctors I hurried to my friend to tell him all the wonderful news. To my surprise he was cold, and said a little bitterly, I thought. You seem glad to go. Glad to go, I cried, I should think I was, fancy going to Trinity College Dublin from this place, why I shall meet men and not boys. Of course I am glad, wild with delight, the first step to Oxford and fame.  His tone startled me.  I am always glad to be with you, but perhaps you will be coming up to Trinity too, won't you? I am afraid not, he said, but I shall come to Dublin frequently. Then we shall meet, I remarked, you must come and see me in my rooms. My father will give me a room to myself in our house, and you know Marion Square is the best part of Dublin. You must come and see me. He looked up at me with yearning, sad, regretful eyes. But the future was beckoning to me, and I could not help talking about it, for the golden key of Wonderland was in my hand, and I was wild with desires and hopes. My friend was very silent, I remember, and only interrupted me to ask. When do you go, Oscar?  Early to-morrow morning, I believe, the usual train. In the morning, just as I was starting for the station, having said good-bye to everyone, he came up to me very pale and strangely quiet. I'm coming with you to the station, Oscar," he said. The doctor gave me permission when I told him what friends we had been. I'm glad," I cried, my conscience pricking me that I had not thought of asking for his company. I'm very glad. My last hours at school will always be associated with you." He just glanced up at me, and the glance surprised me. It was like a dog looks at one. But my own hope soon took possession of me again, and I can only remember being vaguely surprised by the appeal in his regard. When I was settled in my seat in the train, he did not say good-bye and go and leave me to my dreams, but brought me papers and things and hung about. The guard came and said, Now, sir, if you are going. I liked the sir. To my surprise my friend jumped into the carriage and said, All right, guard, I'm not going, but I shall slip out as soon as you whistle. The guard touched his cap and went. I said something I don't know what. I was a little embarrassed.  Oh, yes, I replied, as soon as I get settled down, you know. There will be such a lot to do at first, and I am wild to see everything. I wonder how the professors will treat me. I do hope they will not be fools or prigs.  And so I went on merrily, when suddenly the whistle sounded, and a moment afterwards the train began to move. You must go now, I said to him.  Suddenly he turned to me and cried, Oh, Oscar! and before I knew what he was doing, he had caught my face in his hot hands and kissed me on the lips. The next moment he had slipped out of the door and was gone. I sat there all shaken. Suddenly I became aware of cold, sticky drops trickling down my face, his tears. They affected me strangely. As I wiped them off, I said to myself in a maze, This is love. This is what he meant. Love. I was trembling all over. For a long while I sat unable to think, all shaken with wonder and remorse. CHAPTER III TRINITY DOUBLIN MORDLIN OXFORD Oscar Wilde did well at school, but he did still better at college, where the competition was more severe. He entered Trinity on October the 19th, 1871, just three days after his seventeenth birthday. So Edward Sullivan writes me that when Oscar matriculated at Trinity he was already a thoroughly good classical scholar of a brilliant type, and he goes on to give an invaluable snapshot of him at this time, a likeness, in fact, the chief features of which grew more and more characteristic as the years went on. He had rooms in college at the north side of one of the older squares, known as Botany Bay. These rooms were exceedingly grimy and ill-kept. He never entertained there. On the rare occasions when visitors were admitted, an unfinished landscaping-oils was always on the easel, in a prominent place in his sitting-room. He would invariably refer to it, telling one in his humorously unconvincing way that he had just put in the butterfly. Those of us who had seen his work in the drawing class presided over by bully Wakeman at Portora were not likely to be deceived in the matter. His college life was mainly one of study. In addition to working for his classical examinations, he devoured with veracity all the best English writers. He was an intense admirer of Swinburne, and constantly reading his poems. John Addington Simon's works, too, on the Greek authors were perpetually in his hands. He never entertained any pronounced views on social, religious, or political questions while in college. He seemed to be altogether devoted to literary matters. He mixed freely at the same time in Dublin's society functions of all kinds, and was always a very vivacious and welcome guest at any house he cared to visit. All through his Dublin University days he was one of the purest-minded men that could be met with. He was not a card player, but would, on occasions, join in a game of limited loo at some man's He was also an extremely moderate drinker. He became a member of the junior debating society, the philosophical, but hardly ever took any part in their discussions. He read for the Barclay Medal which he afterwards gained, with an excellent but at the same time broken down classical scholar John Townsend Mills, and besides instruction he contrived to get a good deal of amusement out of his readings with this quaint teacher. He told me, for instance, that on one occasion he expressed his sympathy for Mills on seeing him come into his rooms wearing a tall hat completely covered in crepe. Mills, however, replied with a smile that no one was dead, it was only the evil condition of his hat that had made him assume so mournful a disguise. I have often thought that the incident was still fresh in Oscar Wilde's mind when he introduced John Worthing in the importance of being earnest in mourning for his fictitious brother. Shortly before he started on his first trip to Italy he came into my rooms in a very striking pair of trousers. I made some chuffing remark on them, but he begged me in the most serious style of which he was so excellent a master not to jest about them. They are my tracimene trousers, and I mean to wear them there. Already his humour was beginning to strike all his acquaintances, and what Sir Edward Sullivan here calls his pure-mindedness, or what I should rather call his peculiar refinement of nature. No one ever heard Oscar Wilde tell a suggestive story. Indeed, he always shrank from any gross or crude expression. Even his mouth was vowed always to pure beauty. The Trinity Don, whom I have already quoted about Oscar's school days, sends me a rather severe critical judgment of him as a student. There is some truth in it, however, for in part at least it was borne out and corroborated by Oscar's later achievement. It must be borne in mind that the Don was one of his competitors at Trinity and a successful one. Oscar's mind could not limit itself to college tasks and prescribed books. When Oscar came to college he did excellently during the first year. He was top of his class in classics, but he did not do so well in the long examinations for a classical scholarship in his second year. He was placed fifth, which was considered very good, but he was plainly not the man for the dolichos or long struggle, though first rate for a short examination. Oscar himself only completed these spirit photographs by what he told me of his life at Trinity. It was the fascination of Greek letters and the delight I took in Greek life and thought, he said to me once, which made me a scholar. I got my love of the Greek ideal and my intimate knowledge of the language at Trinity from Mahafi and Tyrol. They were Trinity to me. Mahafi was especially valuable to me at that time. Though not so good a scholar as Tyrol, he had been in Greece, had lived there, and saturated himself with Greek thought and Greek feeling. Besides, he took deliberately the artistic standpoint towards everything which was coming more and more to be my standpoint. He was a delightful talker, too, a really great talker in a certain way, an artist in vivid words and eloquent pauses. Tyrol, too, was very kind to me, intensely sympathetic and crammed with knowledge. If he had known less he would have been a poet. Learning is a sad handicap, Frank, an appalling handicap, and he laughed irresistibly. What were the students like in Dublin, I asked? Did you make friends with any of them? They were worse even than the boys at Portora, he replied. They thought of nothing but cricket and football, running and jumping, and they varied these intellectual exercises with bouts of fighting and drinking. If they had any soul, they diverted them with course amours among barmaids and women of the streets. They were simply awful. Sexual vice is even coarser and more loathsome in Ireland than it is in England. Lilies that fester smell far worse than weeds.  Their highest idea of humour was an obscene story. No, no, Tyrell and Mahaffey represent to me whatever was good in Trinity. In 1874 Oscar Wilde won the gold medal for Greek. The subject of the year was The Fragments of the Greek Comic Poets, as edited by Meinike. In this year too he won a classical scholarship, a demyship of the annual value of ninety-five pounds, which was tenable for five years, which enabled him to go to Oxford without throwing an undue strain on his father's means. He noticed with delight that his success was announced in the Oxford University Gazette of July the eleventh 1874. He entered Mordlin College, Oxford, on October the seventeenth, a day after his twentieth birthday. Just as he had been more successful at Trinity than at school, so he was destined to be far more successful and win a far greater reputation at Oxford than in Dublin. He had the advantage of going to Oxford a little later than most men, at twenty instead of eighteen, and thus was enabled to win high honours with comparative ease, while leading a life of cultured enjoyment. He was placed in the first class in moderations in 1876, and had even then managed to make himself talked about in the life of the place. The Trinity don whom I have already quoted, after admitting that there was not a breath against his character, either at school or Trinity, goes on to write that at Trinity he did not strike us as a very exceptional person, and yet there must have been some sharp eyes at Trinity, for our don adds with surprising divination. I fancy his rapid development took place after he went to Oxford, where he was able to specialise more, in fact where he could study what he most affected. It is, I feel, sure, from his Oxford life, more than from his life in Ireland, that one would be able to trace the good and bad features by which he afterwards attracted the attention of the world. In 1878 Oscar won a first class in greats. In this same Trinity term, 1878, he further distinguished himself by gaining the Newdigott Prize for English first, with his poem Rabenna, which he recited at the annual commemoration in the Sheldonian Theatre on June the 26th. His reciting of the poem was the literary event of the year in Oxford. There had been great curiosity about him. He was said to be the best talker of the day, and one of the ripest scholars. There were those in the university who predicted an astonishing future for him, and indeed all possibilities seemed within his reach. His verses were listened to, said the Oxford and Cambridge Undergraduate's journal, with rapt attention. It was just the sort of thing half poetry, half rhythmic rhetoric which was sure to reach the hearts and minds of youth. His voice, too, was of beautiful tenor quality, and exquisitely used. When he sat down, people crowded to praise him, and even men of great distinction in life flattered him with extravagant compliments. Strange to say, he used always to declare that his appearance about the same time as Prince Rupert at a fancy dress-ball, given by Mrs. George Murrell at Headington Hill Hall, afforded him a far more gratifying proof of the exceptional position he had won. Everyone came round me, Frank, and made me talk. I hardly danced at all. I went as Prince Rupert, and I talked as he charged, but with more success, for I turned all my foes into friends. I had the divinest evening. Oxford meant so much to me. I wish I could tell you all Oxford did for me. I was the happiest man in the world when I entered Maudlin for the first time.  Oxford, the home of lost causes and impossible ideals. Matthew Arnold's Oxford, with its dreaming spires and grey colleges, set in velvet lawns and hidden away among the trees, and about it the beautiful fields, all starred with cow slips and fritillaries, where the quiet river winds its way to London and the sea. The change, Frank, to me was astounding. Trinity was as barbarian as school, with coarseness super-added. If it had not been for two or three people, I should have been worse off at Trinity than at Portora. But Oxford, Oxford was paradise to me. My very soul seemed to expand within me to peace and joy. Oxford, the enchanted valley, holding in its flower-lit cup all the idealism of the middle ages. Oxford is the capital of romance, Frank, in its own way as memorable as Athens, and to me it was even more entrancing. In Oxford, as in Athens, the realities of sordid life were kept at a distance. No one seemed to know anything about money or care anything for it. Everywhere the aristocratic feeling. One must have money, but must not bother about it. And all the appurtenances of life were perfect. The food, the wine, the cigarettes. The common needs of life became artistic symbols, our clothes even won meaning and significance. It was at Oxford I first dressed in knee-bridges and silk stockings. I almost reformed fashion and made modern dress aesthetically beautiful. A second and greater reformation, Frank. What a pity it is that Luther knew nothing of dress, had no sense of the becoming. He had courage but no fineness of perception. I'm afraid his neckties would always have been quite shocking. And he laughed charmingly. What about the inside of the platter, Oscar? Oh, Frank, don't ask me. I don't know. There was no grossness, no coarseness, but all delicate delights. Fair passions and bountiful pitties and loves without pain. And he laughed mischievously at the misquotation. Loves, I questioned, and I thought he was a man who nodded his head smiling, but would not be drawn. All romantic and ideal affections. Every successive wave of youths from the public schools brought some chosen spirits. Perfectly wonderful persons, the most graceful and fascinating disciples that a poet could desire. And I preached the words of the old, ever-new gospel of individual revolt and individual perfection. I showed them that sin with its curiosities widened the horizons of life. Prejudices and prohibitions are mere walls to imprison the soul. Indulgence may hurt the body, Frank, but nothing except suffering hurts the spirit. It is self-denial and abstinence that maim and deform the soul. Then they knew you as a great talker, even at Oxford. I asked in some surprise. Frank! he cried reprovingly, laughing at the same time delightfully. I was a great talker at school. I did nothing at Trinity but talk. My reading was done at odd hours. I was the best talker ever seen in Oxford. And did you find any teacher there like Mahaffey? I asked any professor with a touch of the poet. He came to seriousness at once. There were two or three teachers, Frank, he replied, greater than Mahaffey, teachers of the world as well as of Oxford. There was Ruskin, for instance, who appealed to me intensely, a wonderful man and a most wonderful writer, a sort of exquisite romantic flower, like a violet filling the whole air with the ineffable perfume of life. Ruskin has always seemed to me the Plato of England, a prophet of the good and true and beautiful, who saw as Plato saw that the three are one perfect flower. But it was his prose I loved and not his piety. His sympathy with the poor bored me. The road he wanted us to build was tiresome. I could see nothing in poverty that appealed to me, nothing. I shrank away from it as from a degradation of the spirit. But his prose was lyrical and rose on broad wings into the blue. He was a great poet and teacher, Frank, and therefore of course a most preposterous professor. He bore due to death when he taught, but was an inspiration when he sang. Then there was Peter, Peter the Classic, Peter the Scholar, who had already written the greatest English prose. I think of page or two of the greatest prose in all literature. Peter meant everything to me. He taught me the highest form of art, the austerity of beauty. I came to my full growth with Peter. He was a sort of silent, sympathetic elder brother. Fortunately for me he could not talk at all, but he was an admirable listener, and I talked to him by the hour. I learned the instrument of speech with him, for I could see by his face when I had said anything extraordinary. He did not praise me, but quickened me astonishingly, forced me always to do better than my best. An intense vivifying influence, the influence of Greek art at its supremest. He was the gmalial then, I questioned, at whose feet you sat. Oh, no, Frank, he chided. Everyone sat at my feet even then. But Peter was a very great man. Dear Peter, I remember once talking to him when we were seated together on a bench under some trees in Oxford. I had been watching the students bathing in the river. The beautiful white figures, all grace and ease and virile strength. I had been pointing out how Christianity had flowered into romance, and how the crude hebraic materialism and all the later formalities of an established creed had fallen away from the tree of life and left us the exquisite ideals of the new paganism. The pale Christ had been outlived. His renunciations and his sympathies were mere weaknesses. We were moving to a synthesis of art where the enchanting perfume of romance should be wedded to the severe beauty of classic form. I really talked as if inspired, and when I paused, Peter, the stiff, quiet, silent Peter, suddenly slipped from his seat and knelt down by me and kissed my hand. I cried, You must not. You really must not. What would people think if they saw you? He got up with a white strained face. I had to," he muttered, glancing about him fearfully. I had to, once. I must warn my readers that this whole incident is ripened and set in a higher key of thought by the fact that Oscar told it more than ten years after it happened. End of chapter 3