Thank you everybody for coming to to the talk. Thank you Lyon for for the introduction As Liam mentioned, we are now at being work at the office of the of the CTO Which may surprise some of you being where has traditionally being an infrastructure company Pioneer some of the Foundations for you know, what is the cloud now with visualization, but it's not had traditionally rich developers and and that's part of what we're trying to to change from the inside a lot of people Believe at being where including ourselves that WebAssembly is the is the future of Infrastructure is gonna play like a big role and we're trying to to make or or or part on on making that happen It's a small team about five people It's only two of us here, but a lot of what you're gonna see today has been like a group effort As Liam mentioned we we have a background open source I was smiling through the previous presentation. I I contributed to to Mona about 20 years ago I was a module to connect Mona with Apache so you could run a speed on it You know back in 2002 or 2003 and in a way what we're gonna be Presenting today is is related to to to that both of us have background in what we call now cloud native with binami we created cloud images and Helm charts and and containers and if you take a look at what is the definition from the CNCF around cloud native it includes service meshes includes containers So, you know, it's microservices and if you ask me like a couple of years ago I will holohat really agree that if you're building like a modern application You're building a new application. Of course, you're gonna use containers Of course, you're gonna deploy these on on Kubernetes because that's that's the way forward But the more that we got into web assembly the more that we have been Looking at these and what's happening the more that I realized that it's one way of creating modern applications And that web assembly itself is opening a whole variety of new ways of Deploying and building and and creating modern applications The first one that is how ever the arena we got excited about web assembly is building desktop like applications and bringing functionality that used to be very compute intensive and Normally you will do in your own device. You can bring that to the browser and that can be Porting an existing code base like Google Earth or you can embrace these from up, you know The get-go kind of like what Figma Figma did right and hopefully that's also bringing This you know recent Figma successes are bringing more people to pay attention to kind of like the underlying technology That they used to to get to that point A lot of the companies here including, you know, wasn't cloud Fermion to worry tell they are pioneering a new way of doing things in in the edge around serverless and taking advantage of all the capabilities of what assembly in that regard that we have seen in the previous talks around isolation zero call starts and to kind of bring a different Flavor of serverless that doesn't necessarily need to use Containers or in many ways benefit from from not having that over here and finally there is also a new crop of Recall modern embedded applications and probably prime video and Disney plus are two of the examples These are streaming applications that need to run in a variety of devices that in a variety of different CPUs typically very constrained in many cases not even running Linux and they have been able to leverage web assembly to solve a lot of the portability problems or the Portability overhead without sacrificing performance and today we want to add a new category to to To that list and and kind of following in the on the footsteps of the previous percent that have talked about You know ways that you can bring Java developers or a way that you can take the don't let community You know forward to web assembly with place or we would love to bring Traditional web developers. There's developers that are building applications with PHP with Python with Ruby to the wall of what assembly and You know, why are we doing this as we mentioned as part of our mission at the end? Where is we want to? help onboard developers to the web assembly or kind of like increase them the footprint of developers that have access and and use web assembling on a date today and You know What a bigger community that you know people working with with PHP or working with with Python? And to do that we we need to be very conscious of what? You know was just discussed like a few minutes ago, which is the developer experience Ideally we want to do this without radically changing what we need to do what they need to do to kind of adopt this we want to in a way meet them where they are and Once they have experienced that once they they can take advantage of all the good things that web assembly Brings to them then we can kind of take them to the future and start using it in in other ways And that is something that we experience at a bit NAMI You know, we have millions or still has millions of users of the stacks that we provide and part of that is not that You know, we're doing anything, you know revolutionary Primarily what we're doing is we were packaging that for convenience We're packing that for ease of use and that has that kind of a quality of its own like the more Widely spread that your software is the more that you can bring that to people who you know Or may have trouble like getting it to to to the point of running But once it is running they can do a lot of things with it It unlocks and as a whole set of new use cases And you know potentially coming from a different perspective of The more sophisticated use cases that the people in this room are able to to achieve and that's kind of like why we decided to do this and how They would decide where to start we decided to take the most popular script and language at least for web development and And take the most popular application in this case is WordPress And I assume most of the people here are familiar with it. It's a content management system That runs 30 to 40 percent depending on which source you check of the web including high profile websites such as Disney or or the White House and That's not a type of that's not 30 or 40 percent of all the content management system It's not like 30 40 percent of all the websites right across all the sizes You know the top 10,000 at the top million is you know the percentage is fairly fairly consistent So if we get that working web assembly that means that you can you can get a lot of other things at working and Going back to meeting developers where they are Most of the people deploying PHP applications are doing so on top of the lamp stack Which was kind of like the first way of of the first wave of web development back in the in the 90s and You know create like an a standardized way of creating applications that you could easily deploy on different hosts because you could always kind of assume That you will have lamp and that is it's our cronin that is does stands for Linux my sequel Apache and mphp and in the spirit of you know meeting Making that transition seamless and not requiring little to no changes We leave Apache as it is you can assume that Apache is gonna be in any you know hosting service or any Linux distribution that you use We'll replace mod PHP, which is the module that enables PHP to interface with Apache and just kind of PHP has this concept of server API's or SAP's and And that PHP provide that we will replace that with mod web assembly or mod wasn't that Enables you to provide that interface instead of to to the PHP runtime to a web assembly runtime That in turn will run PHP because you still have PHP. The way that we did that is similar to how Chris Provided details of how they ported Python the path to do so It's very similar once you have compiled PHP to to wasi And we will be showing that later on all of that is is is now released and an open source You can run PHP inside mod wasn't inside inside Apache my sequel We will not touch we'll leave there for the purpose of the demos that you're gonna see today and kind of the initial work We have focus on sequel light, but the idea is in the very near future You will be also be able to run this with with PHP so in terms of whole mod wasn't works and I'm not gonna go into a lot of Detail we have some articles and describe these and some other presentations that That we have done that you can find online It's divided in in kind of like two pieces. There's the first piece which is mod wasn't This is a regular Apache module is breathing in C. He uses the Apache PR It's a very well-defined API that is used by you know, nearly everything in Apache is a module So if you you have a module that implements You know SSL TLS you have a module that implements session caching you have a module that that implements support for for you know PHP with mod PHP you have mod Python you have kind of like Different modules for integrating different runtimes or providing functionality in this case mod wasn't is an interface between Apache and a different module which Integrates is written in Rust and integrates the ability to You know instantiate WebAssembly modules to respond to requests and it kind of ask In between it takes the request from Apache processes then in a way that The WebAssembly runtime is gonna Understand and then take the output from that request send it back to Apache So it can send it back to the client or or or to the to the browser in in this particular First release that we're doing with this We use a was on time from the buy code alliance, which you know, you're all familiar with In terms of how this is implemented from the PHP perspective We you know, there is versions of PHP that work with in script and we have like a popular demo that we released a few months ago of showing WordPress running in the browser and using some of the functionality that is script and Provided in terms of simulating a lot of these You know different pieces that are missing from from kind of server side WebAssembly in this case We ported a subset of PHP to to wasi and instead of having to Compiling the PHP interpreter and tie that to much PHP. It's a laudable module So when the request comes to Apache, you know, there was some runtime realizes that that's like a PHP request has already loaded the the module you can preload that I start up time and then go interpret the PHP, you know index dot PHP or WordPress dot PHP take the result and Provide that back to Apache and this is very similar to how PHP works Currently again or go out here was not to to to be more efficient or to provide more functionality That mod PHP it was just too much what people are already have and in the spirit of having live demos I will leave you now with Raphael who is gonna be giving you a demo of how we have all of this working Thank you Okay, so let's see an example of how this works So the first thing that I'm going to load here My cursor yeah It's PHP info So this call is something you can write in your PHP program And when you call to this function this function basically prints some HTML code on the standard output And it's going to fill all the information about the PHP runtime Here is super small. Let me make that bigger and here you can see that the system We're not going to go through all configuration, but the system is wasn't 32 was see so this is what we were looking for And you can see that what we have ported We have built is 7333 at this time So this is for for the PHP version So let me show you the current status of the project so we have PHP 7333 as we have seen We have the PHP CLI that you can use to run scripts like PHP scripts Regularly like without any any changes. We also have the PHP CGI binary which is what interacts in this way as Daniel described before and what we have done Has been to build PHP with was ESDK nowadays was ESDK has Really good defaults. Let's say it's it's pretty easy In a in a general way to build programs with it And we have used the wassylipsy to provide the postings feelings for for it Okay, so what are the things that we had to emulate in this case? This is everything comes from from wassylipsy. There are some things that we could emulate with it You can you can see we have we have been all day talking about it. We don't have signals Also, we have some emulated looking for clocks get PID get PID doesn't make sense to be to have processes on web assembly So it returns a Fix go a fix number and that's it But so there are some things that can be emulated because in this case this part can be emulated and that's it But there are some things that we had to remove that we cannot emulate and for example in terms of PHP We have opcash opcash is some mechanism that PHP has inside or has Yeah on on its engine that whenever it reads through the PHP code it converts that into a bytecode and stores the bytecode in memory and so when you do Further requests or it is going to interpret the PHP file again. It doesn't need to start from scratch So it's it starts from what it already has in the bytecode So we have to strip that and as a result, of course things will be slower Even I mean even with the package we don't know but without it. It will be slower for sure So, yeah, this we have to remove things related to processes Like yeah, we we don't have this this concept as we were saying before anything that has to do with socket creation Or handling we don't have that thing again. So Yeah, then the send engine has some feature That uses set jump and long jump in order to implement Exceptional handling so the engine whenever it's it's Compiling the PHP code to bytecode it can raise acceptance So these PHP runtime has set jump and long job in order to implement this this mechanism to to be able to let's say To be able to Yeah, to be to be able to to get these these errors And report them back to the user also things regarding to new texas or certain file system functionality File system logs seeds of file logs change owner. You must things that we don't have but Despite we don't have all these things. We were able to build something as complete or not to build to use something as As complex as WordPress so we can we can still do something like that. So let me go through The demo of WordPress Okay, so we have an installation of WordPress. It's really simple. It just contains the basic installation so you can actually go and visit like the blog post is just you know the basic navigation that you can have on a Regular WordPress installation You have pages and yeah, all that works Also in terms of the of what we were saying about the CGI We have Script that implements or uses the features that will be in the in the in the end using CGI We have we can have a single for example psp script that I can show to you For example, this one is able to set the response code for example to am a teapot I can set the response headers It can read headers from the from the request that we are getting as an input and it can for example print to Jason Certain has for example the request to the request that we got and the headers that we have been collecting here before So we can try to trigger a request here and then you see for example We get from the cool directly the expected HTTP request We see that there are certain headers that are set by psp CGI itself There are others that are set by us and then yeah, just the body that we just That we just return from our script and Then we can of course do Like more complex requests. Let's say we can we can have something like query parameters Our own headers and everything gets filled into the web assembly module So you can see that here in the request. So Let me go back again Okay, so how does this plug into into Apache so with Apache we have So what you have to do is to load the module So Apache is aware of mod wasm and then you can see it on the location part This is some great. Maybe it's not very readable here What we are saying is just put in the root and what we are saying here is that from the root on in this case Then you can overwrite that afterwards if you want but for in this case from the root on what we are going to do is to add a handler For psp file extensions. We're going to use the wasm handler And so we what we can do is to configure in this case Mod wasm to say what is the root of the of web assembly? What is the module in this case is speech PCI? We can we can pre-open certain directories We can mount or not mount but yeah map directories into the web assembly runtime or set Certain environment variables Okay, so what are the advantages and trade-offs of of these approach? So first of all the upsides of running web applications With with wasm is security So we have the sandboxing feature of web assembly that already helps us with path traversals or buffer overflows We can also mix and match languages. So for example, we would have different endpoints that are served by different languages Depending on what you what is your back and breathing on even if it's a split it or whatever We can also even in this is a special case of the previous one We can mix and match runtime versions also certain paths can be run by page p7 others by page p8 for example And also isolation so improvements for for a traditional certain hosting implementations like what we were saying On the file system side it can it can help you also if we talk about the field Feature of wasm time for example, we are able to if we have noisy neighbors on our machine We can kind of control all these these execute execution time that we get with field And then in terms of extensibility within we can extend WordPress With wasm plugins and in terms of the external one if we want to port our program In in different steps from one language to another or just a part of it We can still do that because with web assembly as we have seen other in previous sessions We can do that step by step as we as we as we can or as we wish But there are there are also trade-offs We haven't measured it, but we know that the performance is so visually worse We have to check how how worse it is and we have to check what can we do to improve it and there's also missing functionality So we yeah, we have we know that we have feelings For for these things that are missing But you know there are some things that we cannot feel in any case, right? So there are certain calls that the PHP script might call But we don't have this implementation at all and it's like maybe this doesn't make sense To have on PHP itself like on the on the web assembly side of things Okay, so as far as the future we want to contribute dispatches upstream for PHP 7 and PHP 8 We also want to explore using wassics so that if you have heard the previous the previous Presentations is like it feels like there is a lot of people doing like parallel work And we are kind of doing the very similar work and maybe wassics For example could be something that if we agree as a community to to move on with it Might you know might improve all of us might might help all of us It also it's it can also run on serverless worker like environment So before we didn't really explore this that much but with the new way of doing things with web assembly We can have our repeats because deployed into serverless and see if that improves the the user experience for for our users And then for the future also PHP We have a synchify which is a method that we can use To to to implement certain features so with a synchify. We are able to Resume and pause Web assembly execution and so what we can wish to have alternate execution paths So for example, this is used for except for implementing exceptions And the idea would be that with a synchify We are able to implement the missing bits and pieces for set jump and long jump because in this case If we instrument the the binary and then we implement the right bits and pieces that we need with this instrumentation They we could implement something that that has or that implements the the Execution handling that we are waiting for and yeah, also fiber implementations for for pxp8 Could be of help and Then for mod was and what we want to do is to be able to load multiple web assembly modules So you can define as many as you want in your config also You might be a you might want to have different was enabled capabilities per module So one module might be able to access a certain directory other maybe not Also with the engine support. So right now we are on the support Was in time but in the future we we might support others because in the end The these engines might be more performant for certain operations And we may want to to use those engines or the user might want to use those engines for these specific things Also, yeah, we can run on Kubernetes environments with support for wasi as a key as for example this something we can also do Also, we could pull modules So instead of having to pre-fill or to to give or copy the the modules beforehand into the file system We could pull this from a server. I can be a it could be a registry It could be an HTTP server something that we can pull these modules from And also additional language framework support In theory if it's if it implement CGI we will be able to run it But we haven't tested it we have to try and see how it goes But yeah, this is part of the future that we want to to check also in terms of logging and debugging things that we to also invest time on it Okay So as the summary of this talk is first of all we have module wasm which enables Apache to Execute WebAssembly modules this already opens a big world because lots of things can be compiled into WebAssembly, right? So now we have Apache that enables all this world Then the second part is we have PHP which is ported to wasn't 32 wasi And then we have WordPress and other web apps that can run unmodified on the server side And then all the benefits of wasm now are available to all the developers So yeah, and the most important things about this in today I think is security because with this we have a more secure environment And we had a lot of deployments that we have seen WordPress 30 40 percent Many of these things will be secured by default or more secure by default without any change, right? So this is what we are expecting and this is what we will want to to tell the the world, right? So we want to gain all these developers So give it a try. We have wasm labs.dev. We have written The articles on how we have done this so provide feedback We are really open to to wherever you want to tell us Yeah, follow us on Twitter and yeah with that. Thank you. You have any questions?


Hey guys, this is Dan from Smoke Cartel, and today we're taking a look at something very, very special. This is the one and only Snoop Dogg's brand new line of premium glassware called Pounds. Snoop Dogg, as I'm sure many of you know, is a man who has somehow transcended the plane of existence we all inhabit into a much higher level of consciousness, and he's decided to share the gifts that he's been given in the form of these glass pieces with all of us. So there's a huge variety of pieces in the Pounds line, this is only a few of them, but they're all very aesthetically pleasing. You'll notice that the branding itself is very sleek and doesn't really look like anything else you've seen in the counter-pulture space, and that's done very intentionally. These pieces are designed to avoid some of the more common cliches of the industry. The concept of a stoner has taken on kind of a different shape these days. A lot of the old stereotypes are kind of getting thrown out, and these pieces are meant to reinforce the idea of the modern, contemporary, successful stoner. The engineering of the glass itself is very intricate. Each piece is designed to kind of make its own individual statement, I guess you could say. The whole idea of this line is to bring a level of luxury that you might not get unless you spent five times as much money on a piece and keep it within a budget that is more accessible. Each piece you'll see is decal'd with Snoop Dogg's very own signature. Snoop Dogg has very generously put a little piece of himself into all of these pieces, and I think we'd all be lucky to have a little slice of him in our collection.


Hello, my name is Emily. Thank you for joining me today for some gentle yoga. Today's yoga will be focusing on the hips. We'll be opening the hips and hopefully easing some tension throughout the hips in the lower back. Also today's yoga will be in a chair so I do recommend having a chair where you have a greater range of motion. Also while we're doing this you want to have both feet squarely on the ground and your knees in a 90 degree angle so perhaps that means coming forward in your chair just making sure that you're stable or it might mean rolling up a towel or a small blanket and putting it under your hips bringing your hips up and achieving that 90 degree angle. So before we get started it's important to note that this is your own practice so feel free to move in whatever feels best for your body. If something sounds like it doesn't it wouldn't be good for your body feel free to modify it or skip it all together. So let's get comfortable in our chairs. Feet are parallel, grounded on the floor, knees or shoulder width apart. Bring your attention into the room and now bring your attention to your breath. Let's inhale through the nose together looking the shoulders to get ears and exhaling. Inhale through the nose, exhale through the mouth. Now we'll move into some salutation to warm up. We'll inhale sweeping the hands up and on the exhale bringing the hands down, hinging up the hips, coming forward perhaps staying right here. If you'd like to take it a little further you can drop your hands towards the ground and bring your head down as far as what's feeling comfortable for you.  Let's inhale bring your hands up, exhale hinging up the hips, coming forward as far as what's comfortable for you.  Inhaling the head comes up, exhaling coming down. Let's inhale here.  So we'll inhale here, rolling shoulders back, hands coming towards the hips and then on the exhale hands come towards knees, bringing your back towards the back of the chair forming the seam of your body. Inhaling last one, inhaling coming to neutral position, exhaling right leg out. So perhaps you'd like to keep your toes on the ground or perhaps you'd like to lift your toes. We'll do whatever best for your body and let's make some big deep figure eights trying to get into your hip socket connecting with your breathing and let's relax that down and let's shake out our hips, bring the knees side to side. Inhale finding length through the spine, exhaling left leg comes out. So again perhaps your toes stay on the ground or perhaps they're up in the air. We're just trying for that figure eight motion getting into our hip socket and let's relax our foot down, feet are parallel on the floor, shaking out our knees from side to side. Now let's march our feet in place and we'll feel free to either march or heel toe your legs into goddess pose. So both legs are out to the side, right? We want to make sure we have about a 90 degree angle right here. We'll inhale and exhale here on the inhale bringing hands up into cactus pose and just picture sinking deeper and deeper into this pose. Let's slow for a little bit so we'll inhale dropping the elbow to our knee bring the arm up come into the corner of the room and then exhale inhale exhale last one inhale good now for the opposite side so we'll inhale dropping our elbow to our left knee right arm coming up and over then exhaling inhale last one let's toe heel our legs back together so that they're about shoulder width apart and let's just shake out our hips and our knees gently side to side and then coming into a neutral position we'll inhale extending through the spine and then exhale relaxing here so let's heel toe our legs back into the goddess position but this time we'll inhale and on the exhale straighten the leg perhaps you need to be more forward in your chair but making sure that you're stable we're moving into a warrior one this front leg well this is our front leg and we'll inhale here bringing our hands up and opening making sure your arms are about parallel to the ground finding some space between your shoulders and your ears we'll inhale exhale bringing the gaze over your fingers inhaling here now imagine there's a cord pulling each finger towards the opposite side of the wall we're engaged through the core and exhale relax let's straighten up that right leg ooh feel free to shake out if you need to all right inhaling finding some space and then exhaling straight in our left leg we'll inhale here bringing arms up and exhale arms coming over the right knee gaze comes over the fingers engaging through the core now imagine there's a cord pulling both fingers towards the opposite walls last inhale and exhale release we'll bring our knee up and then again feel free to shake your knees from side to side and feel free to march your knees back to the center or perhaps heel toe them back together knees are parallel shoulder width apart good let's inhale here to reset and then exhale lifting the right leg perhaps just bringing it over the left ankle if this feels good feel free to stay here looking for a stretch on the side if you'd like to take it a little deeper crossing the right ankle over the left knee we'll inhale here and then exhale finding a deeper stretch a little deeper let's inhale coming up and then exhale bringing your right leg down windshield wiping the legs out coming to center inhaling finding some length exhaling perhaps crossing your left ankle over your right ankle or break perhaps bringing in a little deeper with your left ankle place over your right knee whatever feels best for you we'll inhale finding some length and exhale finding that deeper expression on the inhale let's find some length in our spine and on the exhale release the legs and let's windshield light for them back and forth coming to a comfortable seated position let's bring our shoulders up to our ears inhaling through the nose and exhaling inhale floating the arms up bringing the hands together in the front of your heart may you move throughout this week with peace joy and ease namaste


Hey, what's going on? You know, it's a boy. Oh, we're back here. It's a wrapping it part 2015 We're here and the album of warrior Kensington garden has everybody make some noise. Let's go We're gonna get into one of the don't flop main channel batters of the day MC on my right-hand side You see them before make some noise for ambi. Let's go You know my left-hand side smashed his last batting down check that on the paper view if you ain't already we got JB Make some noise.  They want to be judge with three rounds first round on my man. I'm gonna be let's go Listen for legal reasons. I have to inform you this isn't a child versus a pregnant lady or we man versus Preston Lacey Damn right this ain't sloth from the goonies and opposite to me from that comedy movie is officer doofy For the next 10 minutes. I'm here to show you ambi 2.0 And that's my evil twin that resides in Salem's lot when them demons live if you've been reading scripts by Stephen King Let me tell you why he's the weakest link. He's the champion king of the runnels.    We're here to expose each other's weaknesses And that is factually his see how's he gonna go back to Mickey?   They're just gonna edit it out Apart from that I couldn't think of an intro so let's start those tattoos don't cover your stretch marks I'm not gonna lie this battle I was scavenging lines because you want a two-minute time limits So I'm having to write a lot of bars and my god there aren't enough angles to try Why do you want six minutes of material? You haven't been rapping for five? I Recreate agreeing those limits when we set the bow because it's hard to be creative when a sphere looks the same from every angle But then you try to sense to me that is not how this works, mate Do you want to stop your talking shit? Don't battle in the first place He said don't talk about family or online shit We both knew and I was all right with that because this new family has no use But let me flip that back why wouldn't person's beer go to so I can trust you and be about as far as I could throw you I didn't see what happens. I'm not Stevie Wonder.   I already told you those tattoos don't have an effect now I was like standing the flesh.  I mean Jesus Seriously, this one gave me sleep.  Let's use an apocalypse.      You just remind me a bit of illus. You're battling a self-righteous part with preachy songs Why were you spitting filler and I already I already dusted that crop This is just raking leaves first hit you walking with Jesus Spaceman three throwing haymakers with both hands make believe and we deck strokes now He's just fake and sweet snuck in here through agency KGB Wait of tea sitcom friends brought you to the main stage like Rachel green got gave crafty had Sounding boards like Fraser T and Jamie Blee's should have had the kid rock when you walked in like undertaker steam But you lost it's like crying for no reason K.E.B He wouldn't won the battle without Harry Baker scheme probably wouldn't be did that's a fact So please for fuck's sake stop crying over battle rap. Let's do it It's not that I don't like you but your BMI is higher than your IQ You step one foot in the grave if you trying to beat me other foot to Ray there.      I don't care But I figured and you didn't call me a call me a creative Ryan wanker. Yes, it's true So it's paid a lot of money to get called one something I thought he didn't but I would bet he used But anyway, let's go fast You know those phone calls when you're running late and really don't have the time Call calls selling bullshit trying to say you have to buy whatever tap They might be selling at the time and you think what cunt does this? Yep. That's the guy I didn't care for the job really. Well, you don't tell a marketing for 12 years still haven't killed yourself Looked in your recommendations got even more upset one of your clients said you bend over backwards for them. That's an unfortunate choice of words But I want to talk about your rap career and why you haven't got one Ask how you got a tryout and why did you want one truth is Adam started rapping and got a new best friend So figured you best step before you get left post you then went to get a tryout finds out We can use their reps make sure even though you lost they book you again She went even like rapping you wouldn't know where to start though. She's favorite rappers will are the Marlowe Still so crushing right seeing shuffle give Marlowe those lovesick eyes All you have is Maltese and sarcasm no bars or talent.


Modern tuning is just as much about managing the electrical sensors and modules in a car as it is about turning wrenches under the hood, which is perfectly represented by a product that Cobb released earlier in 2019 for the GTR known as the CAN gateway. This is a revolutionary item that further shrinks the gap between what can be accomplished on a stock ECU compared to an expensive standalone computer without sacrificing any of the comfort or legal-based functions for a street-driven car. The ability to add in custom features like flex fuel or fuel pressure monitoring that were not implemented by the OEM typically requires either running an aftermarket ECU or hijacking and sacrificing harness connections from other components on the engine. The CAN gateway directly accesses the controller area network that all of the vehicle's modules communicate on, allowing these custom features to join the party without taking anybody else's spot at the table. Aside from the cool new features, the game-changing benefit of this type of device is that it ensures the OEM functionality of the car as a whole while avoiding the practical or legal downsides often found in adding third-party modules and sensors to a street car. The best part is it doesn't have to be GTR specific. We plan to continue finding ways to make the Cobb CAN gateway applicable to other platforms that we support in the future.


Hi, it's Frigid. Welcome to above-life channel. The purpose here is to inspire your spirit and to fill you with hope today. I am so looking forward to doing this channel because it actually came to me on my way back from a trip that I was taking. I had the opportunity to watch a movie on the airplane and a movie that I wouldn't have probably normally watched and it was the movie about Judy Garland. And so in a way, I guess my trip inspired me to connect and do another channeling session with Judy Garland in the afterlife. So let's talk with her. Now Judy Garland also has a playlist here at above-life channel. So check it out. I've actually been to the museum, her hometown, and Grand Rapids, Minnesota. And so you can check out the video where I filmed that and shared that and also two additional like channeling that I have done with Judy Garland. I am going to utilize some of your questions to jump-start this session. So I'm going to grab my computer and read some of your questions that you have submitted for me to ask for Judy. For me to ask Judy. All right, so let's do that. I'm going to ask for Ms. Garland to please come to the stage. Ms. Garland, please come into the stage. Hi Judy. She says, hello darling. And she's like, oh, like kids, kind of a thing. Just like one little kids kind of thing. You feel different. She says, because I am different, because you are different. She says, because you are different. You definitely have a persona, a public persona that you can really channel yourself, like manage yourself. It feels like Judy. And over the course of the time that you and I have connected, I have felt different aspects of you and your personality. So I am hoping to be able to continue to build upon our connection, our relationship, and to share some with the viewers who are interested in finding out more about you, Judy, from your afterlife perspective.  Oh, sure. She says, oh, sure. All right. The first set of questions comes from Sherry. And I'm not sure where Sherry's from. Oh, from Canada. Sherry from Canada. All right. So Judy. Oh, this is perfect. I haven't actually read the questions. And I just read the first one. I'm like, yes, this is exactly the kind of thing that I want to know. Good job, Sherry, on your questions. All right, Judy. This is about the movie. The movie. I love it when the synchronicity lines up. Awesome. Okay. Okay. So the question from Sherry is, what are your thoughts of the recent Rene Zellweger portrayal of you and the Academy Award for that portrayal in 2020? So what do you think about the movie? I want to know that. But Sherry wants to know specifically about Rene Zellweger and how she portrayed you. How do you feel about that?  She did. Didn't she?  She did. She did. She did well is what she's saying.  Judy's like enthusiastic about it. Yeah. Yeah, like that kind of a thing. She says, I was impressed. I was impressed. You know, she didn't sing. And I wouldn't, I wouldn't expect an actor, actress to sing now in your generations. It's not a jack of all trades sort of, of a jack of all trades. Keep talking. Line of work. The line of work, back when I was creating movies, it was much more of a performance. And you had to be a singer and a dancer. And now it seems as though that has a bit gone by the wayside. And there's a bit more. There's a lot more things that are done behind the scenes or with, you know, special effects and things of that nature that, that enhances the performance. And so actors and actresses do not really have to be full bodied performers. And those are some things from the earlier days of Hollywood that have, have been lost. That's not to say that that is something that is necessarily a bad thing because it does put a lot of demands upon a person's body to be able to just keep going and keep, and to be able to, to, to do full out takes is something that is extremely exhausting. And maybe it is better now because an actor, actress, does not have to do all of the things. And it allows for maybe more balance or perhaps more perfectionism, which could lead to some challenges personally for those individuals who are playing those parts to be more hyper critical, hyper critical of their own subtle performances, the subtle parts of the performances where the general audience wouldn't notice, but the actor, actress taking the craft very, very seriously would and maybe even obsess about that. Did you do that? Did you obsess about, oh, yes, yes, I was always, I was always afraid to make a mistake. And mistakes were not acceptable because it meant more film. It was more expensive. So the more mistakes you made, the more expensive it was. And so there was a lot of pressure from others for waiting for you to get it right. And all of these people relied upon you in order to make their own living for their families. And that's a great deal of pressure on a person on one individual is a great deal of pressure. So what do you feel about Renee Zellberger specifically? So it says she did a bang up job, she did a good job. Do you feel that it was worthy of an Academy Award? And she says, all of the Academy Awards, I find it quite intriguing that from the afterlife, I have the opportunity to still be recognized in a way that is maybe even in a way of sorts posthumously. But I know my contributions and my worth, worthiness. Now, as I am now, and I have the ability to reflect and to see life in a whole new way and understand the many different parts and pieces of life, I am much more better able to receive the positive boost of energy from this movie, from this award. And it doesn't mean much to me, as I am not in need of anything like that, in a tangible sense, in a material way. But it pleases me that the actress who worked very hard to become me, the best way that she could, I'm pleased at that. I'm pleased with that. Is there someone else you would have picked for or chosen for the part that you would rather see for the part? I'm curious about that. Is there anybody else that you would rather? She's throwing me a young abbrunette. You know what it looks like? Ashley Judd. It kind of looks like Ashley Judd. I don't think she's, I don't think she comes at Ashley Judd would come across old enough. She looks so young to me. So, Judy, I have to tell you, okay, and you guys, you have to listen to it. So, Judy died when she was 47. It said that on the end of the movie. And I'm 47. I just turned 47 in February. And so, I'm like, ooh, maybe that's like a connection piece for us. For me to even think about my arm mortality and for life to be done. No, I can't even imagine. Like, Judy, your life, your body of work is so, it's like many lifetimes. It feels like you died when you were 90 or 95. Because there's so much music and performances and stage performances and dance and just, and film that you have such a body of work that so exceeds your years on earth. And she said, and that's not a good thing. I wouldn't brag about that. I wouldn't feel that that was something to boast about. It seems like a lot of hard work and a lot of suffering that created such a large amount or a volume of work in a short amount of time, which it does not seem fair, does it? It hardly seems fair, does it? No, it doesn't.  It's sort of the reason why many of us are like, I don't want to be famous. I don't want to be famous. None of us want to have that. Like it's not worth, fame is not worth that kind of pain. And so like your life is held up kind of like a, yeah, if you want to be famous, you have to go through a lot in order to be that. It's not worth it. It's how we see it. And I just have a different perspective of you and connecting with you as we've connected. Now this will be our third channeling session together.  And so I just have, I guess I have an appreciation for that. I just need to say that. All right, so let's ask more questions from Sherry. Oh, Judy, you passed, passed so young. Okay, I did not read these before. I just looked them up so that they'd be on my computer screen so I could make them really big. So I didn't have to wear my glasses while I'm channeling. Okay, but I didn't read them. So I love how they're in alignment, right? So the next question is you passed so young, Judy, I got the impression you were tired.  So the whole question here is the sole, dealing with sole contract or the assumption that some people assume, I think that you have an exit point, we will be incarnate, we decide when we're going to leave. That's not necessarily true, you guys. Everything's written in pencil in my experience. And life is not a detailed contract that our destinies are charted. We co-create that we might have an outline coming in with bullet points and then we fill in the text of that incredible paper of our lives. And so you have lots of opportunities and choices for exit points. So was this one of them? Yes. She says yes. If it wasn't, I would not have left. Now would I? Was it too soon? No, not too soon. No, no. Far, far, too long. She says far, far, too long. Too long. Too long here. So you had attempted suicide or had brushes with death. Yes, previously yes. And it looks like multiple times. And so Sherry says that she got the impression you were tired. Is that true? I was sad. I was very sad. And yes, I'm sure I was tired. But it was more that I didn't feel as though things could get better. Now whether that's true or not, that will not be known. Was it my time? I'm not in a position to say that it was. But clearly with a transition with leaving the body, there is a great deal of contemplation that goes along with that. And the very process of it, it's not as easy as one might think, wherein we are accountable for our own choices. And the manner of our transition is in part negotiable. And for me, there's no sense to look back. There's no sense in looking back on things. I feel as though I caused a great deal of suffering or pain in my life. I passed it on to my children. And because of that, life was quite intolerable at times. But I do not blame anyone for that. I do not blame the mother or the studios or the agents or the people who lived off my legacy, my legendary money, my reputation, my fame. I held a great deal of anger in my pain. And yet, pain was all I could remember. And it might be sad for me to say that to you, for you to hear that. But that is the reality for me. I would say that sadness, sadness is what I felt the most overwhelming sadness at that point. A deeper fate than loneliness, sadness that just couldn't be shaken. It always seemed to come back. Hawaii, guys. Another question. These are fabulous questions, by the way. Thank you, Sherri, from Canada. Lies that your daughter, one of your children, went on to have a fabulous and successful career. Do you cheer her on from spirit as well as your other children? Of course I do, darling. I have grandchildren, you know. I have grandchildren as well. I feel that as a parent, I did my best, but I fell short. And I know this. I know that. There is no loss of accountability for that. I, of course, wish the best for them, for my family. But it is hard. It is a struggle to be in the shadow of someone so famous. I can only imagine how challenging that would be for my children, my family, to always have comparison is extremely difficult. And you know, at times they compared me to my daughter, to Liza, Liza and I, more like sisters instead of mother-daughter. And in a way, I was frozen. In many ways, frozen.  And yet I bought into those myself to stay forever youthful, to have a career we had to be young and beautiful and not just talented. The men, of course, had it much easier than the women. And so my daughter was a bit of a competition or comparison for both of us. Neither one of us that was healthy, but we did the best we could with our relationship. And I wouldn't say it was great, but it was good, although dysfunctional as it may be. There was always love with me, from me to my children, although I couldn't necessarily express it in the way that I wanted to. And it may not have come across that I was loving. In fact, they may have felt me much more cold, especially than what was presented in the movie. It wasn't quite like that. It was much more received in a colder way, as though I was trying to protect them from me, from any harm that I could do to them. And yet, feeling incredibly lonely when I was separate from them. But that's how it had to be, to keep them safe and healthy. And it's difficult to really talk about that, that part of my life as a person. There's a lot of healing there. Okay, you guys, I can feel her so strong, like so strong, like right here, like right in front of me strong. And she's acknowledging healing and that healing is a process. It's not something that it's not as though she's like agonizing in the afterlife. There's no sense of that kind of feeling like that or being held back. But there's this almost like this. It looks like a cycle, like a circular spiral symbol and screen of healing, energy moving and flowing. And there's that. And so when you ask Sherry, are you asked about her family, her children specifically, that that's what that's what comes through. And that's what she projects here is the healing is happening. So with both of them, with all three of her kids and grandchildren and such, healing is happening. So she's acknowledging that and being part of that from the afterlife, she is definitely part of that. And it's very green, which is healing, energy connected to the heart space. That's how I see, sense and feel that. All right. Okay, so okay, we're getting up here in our timing. So let's jump on. There's other questions too. There's a couple more questions I'd like to get to. But let me let me just make sure I get Maya, Maya Martinez. Let's see. Maya, I don't know where you're from Maya. Oh, Long Beach, California. Hi, Maya from Long Beach, California. Judy, we have some questions from Maya. And one is let's see. What do you love most about your fans? Now I saw there's some parts in the movie that show a couple of your fans and how you like hanging out with them and that kind of thing. I'm sure it's just part of the movie script. But that feeling of they're just genuine love for you. So how do you feel? What do you what do you love most about your fans? Great question, Maya. Their commitment. They are committed, aren't they? They're so devoted. Aren't they devoted? I do feel that they've been misled. And if they are focusing on me as a child, there is so much more to my life, to my human existence than simply that and the body of work that I have. If they enjoy my music, they are the closest they will be to the truest form of me.  And I would, the response would be, I love their commitment. I love their love. That, it's pure. It's pure. It's pure. All right, great question. Out of all the movies you made, what was your favorite? She says it was not The Wizard of Oz. It was not. That might be the one, the most popular one, but it's not. I don't even know your movies. There's a movie, she's showing me a movie with, I think it's Mickey Rooney. No, there's an older man. Okay, an older man that's quite a bit taller than her? Is it like a Clark Gable or somebody? Or a Kerry Grant or somebody? I don't know who it is. I can't tell who that is. I don't see who that is. I'm kind of seeing the movie poster, but I can't see the words. It's like a farm situation or something. There's like a farm. I think it's a farm. There's two. I think there's two that are mixed together. So there's an older gentleman and there's her and then she just looks so young though. That's the hard thing. It's hard to take, it's hard to see her as like this beautiful leading lady like in Elizabeth Taylor type when she seems so young. Kerry Grant or Clark Gable is the vibe I get. I don't know for sure, but then I see Mickey Rooney too with her and I don't know what that's about. Like I said, I think they're mixing together and I can kind of see the text, but I can't quite make out the words great something or gait something or G something G on the poster and I don't know what this is. I much prefer music. She's saying I much prefer music. I much prefer music. I just like check her tablecloth like red and white check her tablecloth. I don't know what this is. You guys, I think there's two movies that she's showing me. I don't know what they are. Oh, I'm sorry. I can't get this. I just don't see her as a teenage heartthrob. I just don't, I don't know if they tried to present her as that and it didn't work out. So then they put her into something else. I see her super dramatic like really acting a lot. I don't know what these two are you guys. I don't know there's two but it's not the Wizard of Oz. Okay. There's one later like funny, not funny girl, that's not, but there's one later on to where she's much more mature and she's like it shows her as like a an actress that is like more mature and more in control of things, not so dramatic and overacting and that and it's like black and white. I don't know if the poster was black and white or she had black black on and I don't know what the deal is with the contrast but that I see that too. Is it great breakfast break? I don't know. I'm not sure what this is you guys. I can't, can't do this one. All right. So what's the next? Let's see. Let's ask this. Let's wrap on this question. This is a great question. All right. So have you reincarnated now and if so where and whom are you? No, she says no. No, no, no, no, no. She said I would not tell you. If I had I would not tell you because I don't feel that it would be something that would be fair to the individual or the person as I would become or welcome a new life. I am not currently reincarnated. No, it's not out of the question. No, something I have considered. You guys, it actually looks like, almost looks like she had an opportunity to but she said no. She declined. She's not intending to come back into the same family and would like an assignment that would be interesting for her. Would you like to sing again? I think that's a natural thing but as far as being famous I don't see that as part of a life plan that I would want to pursue. I don't think so. It might be lovely to be a famous writer or an author or that kind of a thing to be a creative as you would say but I don't have any specific plans to come back but that could change. Thank you. Awesome, you guys. Awesome. Gosh, I don't know what the movies are. I'm sorry. Go ahead and post below in the comments you guys. Fill it in viewers. That's what we do here at Above Life Channel. It's not all. Bridget doing everything. You guys can fill in the links in the comments below. What movies do you think that based on my weird descriptions of what I was seeing, the parts of what I was seeing, go ahead and fill those in the comments below because I'm curious now. I have no idea. So we'll see. We'll see what we come up with, right? All right, you guys. Thank you so much Ms. Judy Garland for being here for this third channeling session. We're actually recording this in March 2020. Thank you for being here at Above Life Channel. If your spirit is inspired make sure you click like and don't forget to subscribe to Above Life Channel so you never miss a new weekly channeling session. I appreciate it so much. Remember the purpose is always to inspire your spirit to fill you with hope because it's your life. It's your life. So live it. Just live it. Thanks for watching.