Ahoy, hoy, and welcome to a new feature. We're gonna call it How Would I Contain It? That's a good idea. I mean, we'll call it something else. How Would I Contain It is a pretty long, nah, it's not that long. SCP-076, yeah. How Would I Contain It, SCP-076. Today, we're going to examine SCP-076, also known as ABLE, or the Invulnerable Strong Rage Monster Man. And we will examine his containment procedures, examine his capabilities, and then take a sort of a real-life perspective on how containment of this particular object could be done to minimize the loss of life, because we'll talk about it a little bit. I've done a little bit of reading already, but I mean, I already know a little bit about this SCP, obviously. So the first thing we're going to do is we're going to read the containment procedures for ABLE. Containment area 25B is to be located 200 meters below sea level, tunneled out of solid bedrock in a seismologically stable area. Sole access to the containment facility is to be through a vertical elevator shaft separated every 50 meters with a reinforced blast door constructed of 20 centimeter thick material shielding. Elevator shaft shall be flooded with seawater when not in use. I could say a lot about the grammatical structure of that, but that's not the point of today's video. Containment area 25B is to be constructed with the following components, an outer security perimeter against outside threats staffed by security personnel trained in close quarters battle and counter intrusion tactics, an administrative and support area consisting of support facilities and living quarters for onsite personnel, a primary containment zone consisting of a seven meter cube encased in 1.5 meters of reinforced material. The primary containment zone is to be designed to be flooded and drained as needed and should remain filled with seawater unless access to contents is required. 150 meter killing corridor, which is to be the sole access to the primary containment zone from the administrative and support area including water power drainage and ventilation lines, the walls and floor of the corridor will be reinforced in a manner similar to the primary containment zone in the addition of an electrical deterrent system capable of delivering a 20 volt shock, I'm sorry, a 20,000 volt shock. A security station located at the entrance to the killing corridor is to be staffed with no fewer than three armed security personnel on watch at any point in time. Armament is to include, but not to be limited to at least one close-in weapons system on a pental mount with a clear sight, oh, sorry, a clear line of sight down the corridor with a plexiglass screen to protect the operator from thrown weapons. In the event of a full breach, all onsite staff are to proceed immediately to the closest security station for weapons and armor distribution. Staff will remain at alert condition one, no idea what alert condition one is in this context, you should probably tell us until SCP-076-2 is confirmed neutralized. Should 90 minutes pass after declaration of full breach without a stand down order being given by level four or higher personnel, final contingency measures will be activated flooding the entire facility in seawater and sealing off the access shaft for a minimum of 24 hours before retrieval is attempted. This will, by necessity, result in the tests of all onsite personnel. Now we're going to scroll down because the primary containment is surrounding SCP-076-2, not SCP-076-1, which is the coffin that the thing is. So we're gonna talk a little bit about what SCP-076-2 can do. So once SCP-076-2 reanimates, which happens occasionally, according to this, doesn't give you a time period, so it could be anywhere between regular, there could be regularity to it, air could be sporadic, who knows. Occasionally, the subject will attempt to leave SCP-076-1, that's its coffin. If successful, the subject will enter a trance state and seek out the nearest human being ignoring all other living things in the process. Upon coming into contact with living humans, SCP-076-2 will enter a rage state, like New Jersey, in which it attempts to engage and kill all human beings encountered. To date, only the subject's death has been shown to be effective in any of these RAM pages. Terminating SCP-076-2 is often problematic due to its significant physical abilities. Subject has superhuman strength and speed, and although not invulnerable, has shown a remarkable ability to ignore pain and shock, pressing on despite what would be debilitating wounds in normal humans. Prior encounters have shown the SCP-076-2 has the ability to, among other things, rip through a reinforced steel security door over the course of four minutes of sustained assault. I mean, that's impressive, that it can rip through the steel security door, but it took him four minutes, so that's okay. Clear over 64 meters of distance in under three seconds. It's really good. I don't know how fast that is, but that sounds quite quick. Take multiple 50 caliber BMG rounds to the head and survive for several minutes to continue killing, despite severe damage to the cerebellum. I get the inclination that would cause more than just problems to his cerebellum, but maybe it's not being clear here, but perhaps his head and or eyes and or the parts of his body that are needed to actually perceive his surroundings are also not destroyed by a 50 caliber BMG round to the head. That's one of those things, it's sort of a myth a lot of the times when the idea that you'll blow somebody's head off, but a 50 caliber, multiple 50 caliber BMG rounds to the head should probably leave not a lot behind much less. Not, it's not gonna do, it will do significant damage to the cerebellum, sure, but also do significant damage to everything else. Anyway, SWAT handgun and assault rifle caliber bullets out of the air with a length of steel rebar. That to me is more impressive than anything else on this thing, honestly. Survived for over one hour, deprived of oxygen before finally asphyxiating. SEP 076-2's most unusual ability is the ability to materialize bladed weapons out of nowhere. I don't really need to explain the black void in space and all this other stuff. It can get bladed weapons out of nowhere, that's what he can do. He has been killed, however, several times in various manners, through sustained fire for multiple heavy caliber machine guns through asphyxiation, although as we mentioned before, it takes at least an hour, crushed beneath a 13.6 metric ton piece of elevator equipment for use on SEP 076-1, which we'll get back to that in a second. Cremation through the use of a thermite TH-3 grenade placed directly inside SEP 076-2's open chest cavity. Kinda wanna know the story behind that one. During the worst breach today, containment area 25 was forced to detonate its on-site warhead as a last... Why? That was dumb. As a last attempt to contain SEP 076-2 while it was attempting escape, resulting in total destruction of the site and all on-site personnel, SEP 076-1's has survived. That's the coffin that he regenerates from. So, okay. We know that he's essentially, he's just super strong. I mean, this is no offense. He's like Wolverine mixed with a little bit of Spider-Man for the super strength. I mean, he's not, he's not like invulnerable. He just comes back once, you know, from... He comes back once killed and he's super strong. So yeah, we'll give him Spider-Man strength, Wolverine's regeneration and or toughness. Just crush him. It seems like the easiest option here. So you know where he's gonna come from. He's got his coffin at the center of your containment area. So, and he can cover quite a lot of space in a very short period of time. Just put it in, say, I don't know, it doesn't have to be a cylinder, but I like the idea of a cylinder more than anything else. Put him in the center of a cylinder with a donut sort of like metal press at the top and anytime he regenerates and starts heading out to try and break through the steel walls and or doors, you just whew, smash it. That's it. That was easy. Doesn't that seems like, yeah. Cause he automatically tries to seek out the nearest human being. There's gonna be steel walls and or doors that he's gonna take some time to get through. So just give him an obvious path.  Just have the ceiling of that corridor, smash him. Just here's him, here's the top of the corridor. He walks through, he comes through the door and then whew, he's dead, done. That's it. Wow, they overthought this. I feel like, I mean, if they didn't know from the beginning with, but he was crushed effectively and even if, for example, in this particular case, if for example, crushing him doesn't immediately kill him it at least immobilizes him until he dies. Yeah, that's it. Crap, I thought this was gonna be longer. Hold on. I really did, I thought this is going to be longer but that's a very simple solution to your problem. You don't need to put people at the end of a corridor with a gun. It's fun, it's neat and everything but it's unnecessary especially since he, you know, I mean guns work but they only, they don't work. There's no assured, like, oh my God. The addiction to bullets in this. We gotta do it with bullets, lots of bullets. Let's give ourselves more opportunities to do it with bullets. And then it's like, oh, oh, but the creator's like, oh, but bullets don't really work that well. So why is the SCP Foundation focusing on bullets? Anyway, crush him. It works. I feel like that could be, that could be a t-shirt of its own. Crush him, it works. It just works. Anyway. Yeah, that's it. Thank you very much for watching. I'm gonna do more videos like this where I examine SCPs, older SCPs of particular danger and talk about how the containment procedures are either overdoing it or underdoing it or just straight up wrong. You're wrong about SCP-076's containment procedures but I'm not gonna call it that, I don't think. That's funny, that's funny right there. The option is right there. It's actually included. Crushed beneath a 13.6 metric ton piece of elevator equipment and nobody's like, hey, why don't we just crush him?  Thank you very much for watching. If you enjoyed the video, hit the subscribe button and then hit the notification. And if you disagree with me, by the way, which I bet some of you do, go down into the comments and let me know how wrong I was. And then hit the subscribe button and the notification bell next to that so you're notified when I upload new videos. I'm talking directly to you, Carl, because I know what you did. Then head on over to patreon.com forward slash de-semerian and pledge at any level, like everybody here on the screen already has, including Dr. J. Redacted and Synderiki, who both pledged at $100 and Morgan, who's pledged at $40. It is nice to know that I'm not alone out here and I will see you all again on Tuesday. Took me a second to remember the day.


Ευχαριστώ για να σας παρακολουθούσατε. Σήμερα έχω το νέο μου, τα πιο καλύτερες πράγματα. Και θα παρακολουθώ με πολλές νέες πρόταξες. Πρώτας, θα ξεκινήσω με το πιο καλύτερο στάμψετο. Αυτό είναι το Polar Opposites. Και έρχεται με ένα κομμάτι από Polar Bears, όπως και πολλές άλλες πανγούινες, σε πολλές άλλες θέματα. Και θα σημαίνω να σημαίνω πολλές τους, επειδή πιστεύω να κάνω περισσότερα πράγματα. Η πράγματα που θα είμαι να κάνω, θα σημαίνω να αλλιώς θα είναι ένα σφιλό το πόνο για κρυσμά. Και εγώ θα μπορείς να χρησιμοποιώ, το ίδιο σαν για να παρακολουθώ το πόνο μέχρι στον γραμμό, αν θέλεις, depending upon which one of the penguins you choose to work with. Τώρα θα παρακολουθώ το πόνο που θα σημαίνω ένα σαφγούδι με ένα σαφγούδι μενάφτυρα, και ένα άλλο που σημαίνει ένα σαφγούδι. Θα θα αλλιώς θα παρακολουθώ όλα τα πιο κοντάρια σαφγούδια, κρύσμα σχολές, αλλά επίσης μπορεί να χρησιμοποιήσεις το ίδιο σχολείο με διαφορετικές σχολές και διαφορετικές πενκουίνες να το χρησιμοποιήσεις into a winter card. Είχα χρησιμοποιήσει το σχολείο μου by my favorite things to stamp everything which is alcohol marker friendly and these are small designs so there is not too much coloring included so this is a quick and easy project when it comes to coloring I'm using my three blends these are my go to alcohol markers lately just because I have all three shades of a color in one marker and I find it super convenient I did share a review on these markers and there is a new one which is similar but with a brass tip I like to use both of them depending on the area that I want to color so for example here I have very small areas so I prefer to work with a fine tip rather than with the brush I'm going to go with three of the penguins and I do have a touch of red or green on each and every one of them one of them has that sweater the other one has the scarf and for the third one I did color a little beanie that I'm going to stick on top of him I secure everything down with my washi tape just to make sure that nothing is going to move on me and I ran them through my mini die cutting machine this is by Altinew and it's really handy I'm going to pop everything out and I have all my focal points ready to go for my card base I'm going to use the stitch triple picaboo window and edge die set this is a die set that I absolutely love I have I have this for years and it is one of those dies that I grab again and again it gives you three little windows that you can nest different images inside and I think they make a great design for a card if you follow my channel I'm sure you have seen these used many many times before but remember you can always use your circle dies to create something similar Now I'm browsing through this new paper pad and I'm trying to decide which pattern paper I'm going to work with for my background I place my panel on top of the different designs and kind of auditioning and I finally decided to go with a blue one that has lots and lots of snowflakes all around I'm going to use my paper trimmer and I'm going to cut this one to be four and a quarter by five and a half This new paper pad is by my favorite things newest collection it's called Christmas cheer and it comes with 24 pages these are not double sided and you get every one of those designs twice I like the color combo because it's not traditional one you get mainly an aqua pink and light green color combo that works for traditional color combos as well since I'm working with that on this card That blue at the background gives something fresh on my card although I did use traditional red and green colors for the penguins and I absolutely love this die for the background just because it gives you those three windows that give you an area to tuck inside different die cuts in this case I'm going with the penguins but again remember that you can use it and tuck inside anything you like for example flowers for a birthday card For my sentiment I went with season's greetings I white embossed that on black cardstock and this sentiment actually comes from another stamp set from this latest release that I will be working with in the next card and if you want you can embarrass this design even more by adding little gems or new drops at the center of the snowflakes I decided to keep it simple For my next card I'm going to work with the flare of love stamp set again I'm going for a winter scene and this can easily be used as a holiday card or as a winter card I'm going to stamp the trees as well as the snowman I'm working on my misty again and I'm stamping with extreme black ink by my favorite things and I think my ink pad needs re-inking but that's the beauty of the misty you can stamp again and again So I'm going to bring in a very thin marker and I'm going to draw a line just because I want to color this tree as if it has snow on top I'm going to loosely draw a couple of lines along the trees the marker that I'm working with is going to dry permanent and it is alcohol marker friendly If you notice the design of the trees has a couple of lines so I'm going to switch to another marker which is even thinner and I'm going to draw a second line along the first ones that I did This is going to make it as if it was part of the actual original drawing this is something very simple to do and it takes your stamps into another level so you can use it completely different If you don't feel confident about your drawing skills although these are just some loosely lines then you can first use your pencil and once you're happy with it you can go over it with a black pen So here I brought my tree blends for you to see one next to the other these are the exact same color combo but I do have it in both the new and the older marker model So the older one is the black one that has the fine tip and the new one has the brass nib I am going to go with the fine tip for this one just because I'm going to work on a very small area and I prefer this one so that I don't go outside the lines By any means you don't need both of them I just happen to have them because the companies send many products to me and I think that this is a great opportunity to see the advantages and disadvantages And if you are in the market for tree blends then hopefully this is going to help you decide which ones you want to go with So you see here I used the cool grays and I did switch to the brass tip just because I was coloring in a bigger area and here I'm just using my blender I have this from my older Spectrum Noir so I didn't need to buy a new one So I kept the top white with a touch of gray on the sides as the shadow and this is going to be the snow for my trees While for the bottom I'm going with shades of green and the marker that I'm using here is the alpine green blend which is my favorite of the green markers And I get a lot of questions about the paper that I'm working with when I use alcohol markers, any kind of alcohol markers, any brand I always work on Nina Solar White And once I'm happy with the coloring I'm going to bring in the matching dies My favorite things dies always come connected so you need a little tool which is really handy to separate everything Then I'm going to secure them down with some water tape like I always do, run them through my die cutting machine And here is my snowman, the snowy trees as well as a snow bank Now it's just a matter of putting all these three die cuts together to create a little scene For my background I did use a pattern paper from the same paper pad that I used in the previous card The sentiment comes from the same stamp set and this is a card that has the exact same color combo as the first one Now let's move on to create a third card for today that is going to be super cute but in a completely non-traditional Christmas color combo This is the new Holiday Penguins stamp set from the latest release by my favorite things, absolutely adorable Again this month they came up with amazing and super cute designs I'm going to use one of these guys who is wearing antlers and little ornaments hanging from them And I'm going to bring in this pattern paper pad and I will use a color combo that I found here as my guide For coloring that little guy So I'm planning to use that pink one as my background but this is the one where I will get inspiration So I will mainly stay with aquas, pinks and magentas And with the magic of video editing here is how he looks now And I will do the same thing for the stamped Christmas tree So instead of using greens for the background I'm going with aquas And pinks for the ornaments Now I will use the pink one with the dots on top as my background However you could use the one with the lampoons but I feel like it is too busy and the images are not going to pop as much So all I'm going to do is to create kind of grounds for these two images And for that I use the fishtail flag This one is really handy and super adorable for stamping your sentiments And I like that it comes with three different sizes So even if it's very small font or a bigger one it would fit nicely I'm going to stick those fishtails, always offset them I'm going to have them underneath But you can easily have them popping at the top or on an angle They are really versatile And this is a dice set that's from a previous release But I find it really handy, it's one of those dice that you can use again and again So I'm going to add some foam squares at the back I'm going to pop it on top of my card And then on top I'm going to tack the tree and my penguin Also keep in mind that this Christmas tree does have a tree trunk But I just chopped it out because I didn't want to use it To finish it off I'm using my Nouveau shimmer pen to add just a little bit of shine on the ornaments And you can embellish your card even more by adding for example glossy accents on top of the ornaments to make them really shiny or even gems here and there So here are all the three cards that I made for today, super cute and adorable I had so much fun creating it at playing with stamps and eyes from the latest release by my favorite things Here are some close up photos on all the three cards that I made for today Just like always you will find links to everything I used down below in the description area I hope that you had fun today, that you got inspired and I hope you'll all have a lovely day


In research we are quite often interested in theory, and in quantitative research we use numbers to either develop or justify theory. To understand the relationship between theory and data we need to start by thinking or defining what we mean by the term theory, and we also need to understand a little bit of philosophy to know why and how, using numbers to justify theory, it's a justifiable way of doing research. So theory, first of all, it's an explanation, so theory is a statement about relationships and how, when and why those relationships occur. And it's different from description which just explains what happens without the why question. And typically when we write research papers it's easy to say what happens and how, but doing the justification, the why part of the theory, that's the hard part. So theory is, in Bakkar's presentation, it's presented as levels. So we have first, we have x, the theoretical concept here, and when we go from high level abstraction to lower level abstraction, we have construct which is kind of like a more refined version of a concept according to his definition, there are multiple definitions. And then we have some variables or events that we actually observe. Then we have relationships, so we make claims about these theoretical concepts, their relationships based on relationships between the observable variables. Then we have some kind of boundary conditions and assumptions that are required for this theory to hold. Or we could say that our theory of the CO-gender causing companies to be more profitable is constrained to only countries that are similar to Finland, for example. To understand the relationship between theory and data, let's look at the deep house paper. So deep house theory is an elaborate description of why firms that differentiate should be more profitable or why too much differentiation should lead to less profitability. And their data is from banks, they have 159 banks, they have written on assets as the dependent variable and then some of deviations of proportion of 11 asset categories. Basically what that means is that they calculated what kind of assets the banks held and then they compare how much different a particular bank was from the industry mean and that was their measure of strategic deviation. Then they found out the negative correlation. So how is the relationship, how does it work? Can we, based on this small correlation, come up with this elaborate theory of how the strategic deviation or differentiation is related to profitability? Or is it the other way around? Are we using this theory to come up with some kind of data that we use to justify the theory? The second option is correct. You cannot, based on this correlation only, come up with this kind of elaborate theory because the correlation only tells that there is a statistical association. It doesn't tell whether it's a causal association or not. And particularly it doesn't answer the important question of why these two variables are related. So theory typically needs to come from some place else than the numbers. To understand further the relationship in theory and data, we need to look a bit about the types of reasoning that we do in science. So inductive and deductive reasoning are the two most common forms of reasoning in science. This is a classical example of induction and deduction. So we have major premise, all men are mortal, minor premise, socrates is man, and then we have a conclusion that socrates is mortal. And deductive and inductive reasoning are referred to knowing two of these and then coming up with the third. So how do we infer from two of these to the third? In deductive reasoning we know that all men are mortal. We know that socrates is a man. And then we infer that because these two major premise and minor premise are correct, then socrates must be mortal. So if these two claims are true, then the conclusion also must be true. So deductive reasoning maintains the truth value. So if this is not true, then it also means that either one of these must be false. So for example, if we observe that socrates is a man, then we observe that socrates is not mortal, then our assumed rule that all men are mortal is incorrect. So we can clearly say that if socrates is a man, socrates is not mortal, then all men are not mortal. So we can rule out, we can refute claims using deductive reasoning by observing something that differs from the expected conclusion. Inductive reasoning works the other way around. So we observe that socrates is a man, we observe that socrates is mortal, and then we infer from that that all men are mortal. So we go from a specific case to a generalization. So that's inductive reasoning. Of course just by observing that one man is mortal doesn't mean that all men are mortal. So the problem induction is that even if we observe things a thousand times, we can't guarantee that we would observe the same thing in the one thousand and first case. For example, even if you have all the swans that you have seen in your life have been white this far, it doesn't mean that all swans are white. They are actually black swans in Australia. So inductive reasoning is not guaranteed to work. There is some debate in philosophy of science and history of philosophy of science about induction, but the general understanding is that inductive reasoning is useful, although it doesn't lead always to the correct conclusion. Then for completeness I'll also explain abductive reasoning. So abductive reasoning is the case that we know that socrates is mortal, we know that all men are mortal, and in abductive reasoning we infer the minor premise. So abductive reasoning is reasoning to the best explanation. So we are answering the question that we observe that socrates is mortal. Why could that be the case? So we infer that maybe socrates is a man. This is even weaker than induction and it's not very commonly used except for generating hypothesis in which everything is allowed basically, as I will explain in a few slides from now. So we'll be focusing on inductive and deductive reasoning and let's take a look at the diagram that I showed you in a few slides from before. We have different levels of abstraction. So we have theoretical concepts. We typically want to say something about these concepts and we can use the term construct to refer to a theoretical concept. Then we have propositions. So propositions are claims about the relationship between theoretical concepts. For example we can say that our company's CEO's tenure causes the profitability differences. Theoretical concept and then CEO gender is also a theoretical concept. And the relationship between these is proposition and the proposition is a part of a theory. It's kind of like a statement that summarizes the main claim of the theory. Then we have empirical concepts. So these are some things that we can actually directly measure and we have a hypothesis. So the idea is that if we have a theoretical concept and other theoretical concepts that are related, then we should have also some kind of measures of those theoretical concepts that are related according to a hypothesis. So we make a statistical hypothesis that we actually test. For example we could say that a doctor's assessment on the CEO gender, which is directly observable and return on assets from the profitability report to tax authorities, which is directly observable, are related if there is a relationship between the CEO gender and profitability. That is our hypothesis. Then we collect actual data. So we have actual observations from actual companies on things that we can observe and we test whether there is a statistical association. If there is a statistical association, then we can conclude hypothesis and propositional support. So how does induction and deduction work in this kind of framework? The idea of induction is that we go from a statistical association and we say that because two things are correlated, then there must be a theoretical relationship. So we observe a correlation between the CEO gender and profitability. So basically we infer that the CEO gender or gender difference is the cause of the profitability difference. So we go from a specific observation to a general theory. That's inductive reasoning in research context. Then in deductive reasoning we have a theoretical concept. We define that if these theoretical concepts are related, then also empirical concept should be related and then also measurement results should be related. If we observe that measurement result is not what we were expecting based on deduction, then the theoretical relationship is incorrect. So that's how deduction works. So we infer what we should observe and if we don't, then we say that the proposition is not correct. Of course there are many different ways how this can fail, but that's the dominant way of doing research is the deductive approach. So we go from theory to measurement results and then based on the measurement results we say something about the theory. So that's a general idea. So how is this justified and is it ever justifiable to do induction in quantitative research? Some people say that inductive reasoning is not justified, but it's not so straightforward. Let's take a look at the deep house paper again. So they have a proposition and the proposition that we'll be focusing is that moderate amounts of strategy similarity increases performance. Then they have a statistical hypothesis. The idea here is that if the theoretical proposition is correct, then we should observe that there is a curvilinear concave down or a u-shape. It first goes up and then goes down. Relationship means the data deviation and return on assets. So these are two variables that they can observe directly and this is used as a test for the proposition. And then we have finally the test with data. So they calculate, they have some data from call reports and then they calculate the data deviation. They run the regression model and the regression findings can be used to test the statistical hypothesis. And it was supported in the paper. Therefore they conclude that maybe the proposition is true as well. So the idea of proposition is that it's a theoretical claim. Then we have a statistical claim derived from the theoretical claim. And finally we have some calculations that actually tested the statistical hypothesis. Now the million dollar question is can we infer causal theory from a correlation? Let's take a look at some correlation examples to see why that could or could not be the case. So these are correlations from actual observed data. We can see that the correlation between U.S. spending on science, space and technology is correlated almost perfectly with suicide by hanging strangulation and suffocation on for a 10 year period. Can we make a claim that if U.S. increases spending then suicide and hanging will increase? Or can we say that U.S. should decrease science spending so that less people will make suicides? That's an implausible claim. So that's unlikely to be true. And the reason why there is a correlation is that there could be a common cause. For example it could be that the population is growing and when there is more population there is more tax dollars. There is more spending because there is more tax dollars and also because there is more people there is more suicides. Or this could be because of the state of the economy. Let's say that the economy is growing and both of these are growing as the economy grows or so forth. Or it could be just by chance only. 10 observations, 10 years is not that much. So if you have large data sets and you keep on data mining those data sets like these Tyler Wiggins we made these graphs did, you will find some large correlations. For example number of people who drowned by falling into a pool and films where Nicholas Cage was the star also correlated. So claiming causality from this correlation would be ridiculous. So can we ever make a claim based on a correlation? To understand we have to understand what is the hypothetical deductive method in science. The hypothetical deductive methods are differences between two contexts. First we have the context of discovery. How we come up with new theories and the context of discovery is how we generate theoretical hypothesis. So in hypothetical deductive method the starting point is the hypothesis. It's a guess of what the result could be. So it's a guess that maybe the US spending on space and science actually causes deaths by suffocation and hanging. So it's simply a guess and it doesn't really matter how we come up with a guess. Then we have the context of justification. So how do we justify this claim that US spending on space and science actually increases deaths by suffocation and hanging. In hypothetical deductive reasoning or research logic we apply deductive reasoning. So we assume that the hypothesis is true. Then we assume some other auxiliary hypothesis and then deduce what things we should observe if this main hypothesis and the auxiliary hypothesis are true. Then these observable consequences in a research paper are typically presented as statistical hypothesis. So whereas hypothetical deductive reasoning or the logic of hypothetical deductive research doesn't really say that the observable consequences must be presented as statistical hypothesis. That is how it's commonly done. So one a bit confusing thing here is that the hypothetical deductive method, the hypothesis is the theoretical claim. So that's a hypothesis we think it could be correct. But in practice when we apply hypothetical deductive reasoning we use the term hypothesis for the observable consequence. And that can cause some problem, some confusion. So we have a hypothesis that we should observe if the theory is correct and if some auxiliary hypothesis that we'll cover later are correct as well. Then we can test with data. So if our statistical hypothesis is not supported, we don't observe the predicted observation, then we infer that the theory or the actual initial hypothesis must have been incorrect. It's of course possible also that the auxiliary hypothesis, one of them is not correct. We don't know that we don't know which of the hypothesis is incorrect is referred to us under determination problem of science. But that's how we do. So we don't observe something we infer that the theory is probably incorrect. On the other hand, if we observe the deduced consequence of the theory, then we can claim that the theoretical proposition could be correct. We can't claim that it's definitely correct because deduction doesn't work that way. We can only refute theories, we can't support theories using deductive reasoning. The way the support for a theory comes is when it has been tested over and over and it has survived many severe tests, then we can say that if this theory can't be challenged, then it's probably true. So how it relates to the previous figure? So we have induction and we have deduction. We can actually apply inductive reasoning but only for the context of discovery. So we can make theoretical claims based on correlation. We can see that there is a correlation in the US spending on science and technology and then deaths by suicides and hanging. But we can't use the correlation that we used to make a claim. Initial guess or initial hypothesis, we can't use that to justify the claim. So of course where the initial theory comes from, it doesn't matter. What matters is whether we can justify the theory empirically. Inductive reasoning cannot really be used in the context of justification in quantitative research. It would be very unlikely that your observed correlation that you happen to observe actually fills the requirements that we need for making causal claims without it being a result from a research design that is specifically designed to do that. So deductive logic can be used to justify claims and inductive logic can be used to come up with the claims.  Unless it's a paper where you just present a claim. For example papers in the category of management review only present claims and no empirical evidence. Of course in the context of justification we have to have auxiliary hypothesis that are true as well. So here we would have to have the auxiliary hypothesis that this empirical concept, let's call it a return on assets data from the trade register and theoretical concept of performance. We have to have the assumption that this empirical concept is a valid measure of the theoretical concept and also that this measurement result here is reliable measure of this empirical concept. And that there are no other causes that cause this statistical association. So we have to have these many many different auxiliary hypothesis. If we don't observe something it could be that the initial proposition is incorrect or it could be that the auxiliary hypothesis is incorrect. We don't know which one it is. We conveniently assume that it's always the proposition but that's not always the case. So finally you can make claims based on statistics on correlation. So you can make a causal claim based on a correlation. But you cannot justify a causal claim only via correlation. So sometimes you find interesting correlations in your data then you start to think why there is a correlation. You come up with a theory that's completely okay as long as you don't present that correlation. That made you come up with a theory as an evidence for the justification of the theory. So you have to keep the context of discovery and the context of justification separately.


So, there's somebody mowing and stuff and I know I say this in every video but maybe you're new to this video but these vlogs are very casual so I'm not really controlling having the window open and the noises being made outside and stuff because I just want to kind of get on with my work and not have to worry about that but explain my work to you guys. So, if you're new here, hi I'm Steph, I'm the Average Artist, you've probably seen some of my videos by now hopefully and I do all sorts of different stuff but at the moment I'm working on a horror comic. If you haven't seen those videos previously, what we do is we grab a drink and we just chat about my work and you leave comments about your work and it's all very exciting. And the process so far is that I'm sort of on final pencils but if you haven't seen up to this point and you like to have something almost you draw and just chill listening to me talk whatever then go check this out, I'll leave a playlist up here probably. Hey guys, usually it's Monday morning I'd be working on my horror comic but today I thought I should address the fact that I put my patron on hold for a month so I could work on my horror comic but then I realised that that's a bit silly why don't I change the rewards up so that I can work on things as they come, you know different comics and different projects and kind of just changing my rewards to be less specific to the slice of life of comic because I felt although I love doing that, doing it indefinitely is probably not the best plan. I just ran out of steam a little bit on it and ideas became a bit drier and obviously I will revisit doing those comics it's just that I want to work on other stuff at the same time, my plan was always to make more graphic novels more well this horror comic is a good step forward towards that more books more stories more just changing the tears up to be more about at early access to comics and art stuff that I do like blog stuff and then all commissions and stuff like it's just all a bit of a process and I'm really worried to change it up because I've already got quite a few patrons so to change it up is quite scary because I think like maybe they might leave or I'm not sure so I'm just trying to figure it all out and so I'm just gonna do like little icons like this to go next to the tier rewards and then after this I'm gonna obviously work on my horror comic a bit more. Okay so I finished my patron stuff and it took all morning which is well not a shame because obviously I wanted to make it quite good but it just took a lot of time I did this last night and I'm absolutely appalled with it I was like what is this and then I tried to glue tracing paper down but I glued it down with this PVA glue and it just scrapped the whole page that's right scrapped and yeah so goodbye to that page I'm not using that now so it was probably quite nice to work on something a bit different these images for the reward tiers it was nice to get my brain away from the comic for a little bit but now it's time to get on with work. Experimenting with the tracing paper as I've always said that I wanted to do and it makes the lines kind of nice to work with but I think because of the pencil underneath it's kind of spreading the ink a lot more than I had hoped for. I think what I'm gonna do is just finish this page up with this style and then see how it looks like just complete a page and see if I like it and if I don't like it then I can find a different way to make it make the comic because I think I'm just I'm pretty I'm stuck on this stage I haven't moved forward for a while and obviously last week I had my friend visiting and stuff but also I think like I was putting it off because I felt stuck even though I've done all this work previously of the style you know I just feel like I would like that style more with the pencil and stuff so I feel really what do I want to do so instead of moving forward and trying different things out I just kind of paused and that's I guess it's a form of art block or just intimidation but I need to just back it up you know get on with it so we'll see how it goes and yeah I'm just gonna finish this page and I need to I realized I didn't pencil it all because I had an idea how I was gonna do it so I need to do finish that and get on with it you know just buck it up buck up my ideas as my dad would say buck up so yeah let's let's go I just glued this together using what's it called washi tape it's a paper with white paper so I can do my grunts underneath and yeah then I can just take this off if I don't like it but I mean it's gonna scan I'm gonna scan it digitally or anyway at the end so this is like quite a useful way to work on it okay I've been trying this out for a few hours and I just not sure if this is the right look now I'm psyching myself out because I just think it's kind of lost some of the charm that it had and I don't know I think I want to do the lines with that black pencil that I was talking about ages ago that gave me this kind of style and I think I prefer this to this a lot more do you see what I mean like the kind of character it has is changed and I think my favorite stuff that I've done is this kind of stuff with these colors and this pencils the pencil work so I think the tracing paper is just kind of led me down a path that I don't want to go down I'm still not sure so do you like all in white looking like that and I feel like she does not look the same do you know what I mean I put some color over her face here and I just don't like it and it was all in experiment and it's all gone wrong but this is the rough page and then this is the look that I wanted and it kind of looks very different I mean there's some things I like about this but I think I just went with a really really bad color scheme considering that all my color screen screams color schemes have been you know purples and blues that might be the downfall as well I really like this styles I don't know just a bit disappointed with the results of this one I'm gonna try it all again I think yeah gonna try this again and see see what happens I think that looks much nicer the learning quality I don't know what you guys think I think that looks way cooler so I'm gonna try with these guys and forget the tracing paper morning everybody I just updated my patreon page with some aspects of this process which I thought was quite exciting because I haven't done that in a while I know really liked sharing that stuff with people on my patreon and I did it all without any coffee I've just realized so I'm gonna eat a coffee and come right back okay and we're back so don't need this light box for what I'm planning to do this morning this is my you probably saw this yesterday but my crummy light box that has like one lamp working on this side and it's a bit broken down here and this lamp doesn't work and this lamp just it feels like an oven lamp it gets really hot so I'm like is this suppose is this the lamp that was supposed to use with this but it doesn't matter you know because we do what we can I'm just gonna get rid of this use my desk because this is horrible to work on as you can see yesterday I did a lot of work trying to figure out the style even though I know the style sort of I did a lot of processes in my sketchbook before of the style that I wanted and I was like yes this is definitely a style and I was excited about it and that was you know a plus I wanted that style and it was funny because I just I got sidetracked concepts were exciting me but then as I got down to it doing this tracing paper stuff with the inks and top and then I used pencils I think to be fair to this I used a very different color scheme than I had been planning all this time and it just turned me off I was just like no I can't do this this is gonna be awful it's gonna look terrible what have I done I don't know what I'm doing like you know standard everyday panic that we all have when working in creative field but then I just thought no you know what like go back to the beginning and try what you liked before which was this pencil which is just like this crappy pencil I found but it's very smooth and just a black pencil and I really like the line quality on this guy guy I always give pens and pencils genders doesn't make any sense at all and yeah so you can see the difference hopefully just looks nicer I think like the line quality everything I don't know I mean I don't mind this piece but it just didn't it didn't excite me I felt really all this is gonna be a struggle to finish where my whole mantra mantra mantra whatever has been to be excited by this project and find joy in what I'm doing and push forward in that sense so if I'm not enjoying it what's the point you know what I mean but you know what you really like to use in a pencil and then I'm gonna use the Copics on top so what I did instead of you know experimenting on this page I really liked turned out I'm gonna put that to the side and I scanned a couple of copies so I printed off two copies and because my printer is absolute garbage or maybe I just haven't aligned it properly probably probably the latter there but whatever I cut off some bits it doesn't really matter because these are just gonna be color tests and also I need to do a little color test with the actual pencil because I'm not sure if it smudges that's what we're gonna be doing today folks I hope so much fun we're not all of today but for this video yeah like I said I've got my patron page up now I'm gonna try and be more in depth on the patron page because obviously if you pay for reward then I'm gonna try and explain like my processes and breakdowns and stuff so I'm gonna be trying trying to post every other day I don't want to give myself a schedule because I gave myself a schedule before and it became very much too like not organic so if I say like oh I post every other day maybe every day maybe every two days like it gives me an opportunity to just explore different stuff for what I want to share with you guys this is the pencil so I'm just gonna go over this this one and then use Copics over the top and see if it smudges anything at all and I hope not yes the color scheme that I really liked where has it gone but I know I can't use that color scheme for every single page so I have to be very sorry like blues and purples that's what I'm saying here you know why I'm having this trouble now is because remember I want I wanted to do the color scheme color keys and I just I skipped that part basically so now I'm having trouble and it's the same old story of what I do where I just skip stuff because I can't be bothered and then I have this horrible struggle afterwards so just don't skip stuff in the process guys no matter how hard it is yeah this is the color scheme on I want pink and then I want the blue on top and then also I wanted there was another one I liked there have you gone so this is the Copic and pencil and I remember it works okay on this paper but maybe it does smudge a little bit but maybe on this paper it sludges more because this paper is more photo printer paper I use with this one I use the micron so I'm not sure if I should use micron for line and then add pencily stuff in you know what I mean it's all too up in the air right let's get going I'm gonna put this here for reference even though I know pink and blue that's not so hard is it ages coloring everything in with Copics though isn't it that's the probes I don't know if it's this Copic in particular but it's kind of smudging the line and that worries me it worries me a lot well my Copics are kind of stained which is embarrassing let's see yeah it kind of sludges it but do I mind that much does it look kind of cool let's just do a whole page and let's see how it turns out six of stains here great brilliant job thanks universe obviously I haven't done the backgrounds of these but I think what works quite well sometimes is an open background and just suggestions of a background and so your main focus is on the characters I think this looks quite cool to be honest I could really do if you got your help as well like everybody I know I'm not asking you to look at my patreon or anything if you don't want to but if you could just take a look at it no pressure or anything just to tell me if you like the kind of thing that I have all rewards on there because or any ideas that I might be might be a good idea that I'm missing because I really want to try and get some good rewards going and people excited about my work so if there's something that you see maybe I'm missing you could let me know because I don't know maybe I'm missing something that is stuck like so obvious and people are like you should put this as a reward and I just haven't really like this idea of like layering color and just hinting at things I don't know I think I want to keep these the characters in white I just think it looks cool maybe some shading I think that looks quite cool maybe I should do like some shadows behind them I did a live stream on Friday morning my time anyway it might not be morning for you but it went really well because I felt like I was really worried to do it and then I was just like just do it you know what I mean when you just like convince yourself to just go for something and it was really good I really enjoyed talking to everybody who joined I know everybody not everybody can join because everybody's into different time zones and whatnot so if you join then thanks very much and if you missed it it's still all my I'll keep all my live streams up but obviously people like to chat and live streams so if you're watching after the fact it can be a bit late but some people don't mind it because it's still me talking about processes so it's pretty much the same as this video just a live stream and we got in depth about some topics as well like book publishing and things like that that was pretty interesting it helped inspire me to chat a little bit more about other stuff that I know about or that I hope I know about anyway I never claimed to be an expert on these topics just doing my thing yeah I think that looks quite cool don't you think this is the style guys and very excited I think I do need to explore coloring them in though because and I do miss the pencils because the texture of the pencils is very nice as well the way that you've got to look at each panel is that their own little pieces of artwork and then you've also got to look at it as a whole as it was working with everything again it can be tough you got it you visualize everything before you do it the pencil does smudge a little bit as we've seen from this guy but it kind of adds something to it that could work you know so obviously this is just going to be a layering of colors and I think towards the end I might just make it darker and darker like as her mood changes camera died so as I was saying I'm pretty sick but not that bad it's just yes diet coke I know awful but it's not that bad I just feel quite tired and the heat here doesn't help and so I just continued working on this and I really I'm so getting excited about these colors because I think this is what I wanted and this before this was just not not what I wanted at all and look at the comparison like how much more engaging at these colors than that makes such a difference guys please don't skimp on your color work if you start doing a comic whilst I was waiting for my whilst I was waiting for my camera to upload this footage I uploaded this page this page to my patreon for free you can download it and have a go at coloring it yourself if you feel like it it might be quite a fun exercise for you guys and just yeah just you get it for visiting my patreon page it's there for free and just download it whatever I thought that would be a good incentive for you guys to just maybe go there and have a look as well and tell me what you think you don't have to though you can just download this page if you want because it'd be cool to see that so this is kind of a color color me in this style you know that hashtag that's going around draw this in your style there's a color me in your style you might like it I don't know yes I'm just gonna continue on doing this I really like the textures that happen with the pencils and stuff and I'm just sort of being quite loose with it really helps as well because I think before I was getting quite rigid because you know when you think oh this is the final page I need to have this done this done but then you become very rigid with your work and I think that was what was happening with me I was like this is the final page I have to make it look really good and then I realized I was just trying trying too hard whereas with this kind of style where I just go for it I think I really like it and it's just fun to do as well which was something I was missing before so I'm getting really invigorated and really excited about this which is so such a good feeling I also think that I haven't really been looking at a lot of inspiration recently which is such a deterrent because if you're not inspired then that can really it does make such a massive difference so looking at different inspirations and styles I think as well there can be a limit to it though as well because what I do anyway I get a little bit like oh I'm not good enough comparing myself to other artists but I think I've said this before where there'll always be someone who's better than you and there'll always be someone who's worse than you like it doesn't matter just create what you want to create and enjoy yourself and if anybody is sitting there going oh they're rubbish at drawing then that's just like that that's their problem you can draw whatever you want and just enjoy it don't do it for the wrong reasons because then you get bogged down in it. What do you think of these colorings? I think I'm not going to do any more because the more I do the more I get attached to this and this is just a practice piece so I'm gonna probably cut this out and stick it in my sketchbook so I can just look at it for reference and not lose it because sometimes I just lose newspapers and I don't like having like loose papers everywhere. This is the actual line work so I need to keep that secret somewhere. Secret? Keep it secret, keep it safe. That's embarrassing. Just for the sake of it I'm gonna try and do a different color scheme on this one because why not you know like let's explore every option that's always a good way to go and I think I'll probably do more pencil-y work on this one and see what it looks like. I'm currently watching Simon and Martina on YouTube they just have a vlog about food in Japan and stuff and I love food and I love Japan so it was always going to be a winning situation. I really like Holly Brown's vlogs as well because I really like that casualness that she has and I think it's quite rare to to have that. I'm not sure if I'm making any sense because a lot of people have casuals or logs put. I prefer like a lot of times people have vlog channels and then they have their main channels but I think I prefer a lot of the time people's vlog channels where they have a lot less subscribers and I don't know I just prefer like down to earth chatting about work. I think it gives us more of that inspiring like seeing people do stuff. It's almost like having a virtual studio team and that's something I really missed about my old job is that we we were on a big team of people. I was a graphic designer and we'd all work on projects together and comment on each other's work and we'd all learn off each other and things like that and you'd get along and you'd have laughs and things like that and that's something I really miss when like now that I'm working from home it's something that really gets to me sometimes because I'm like I wish I could just chat to people and joke around and I really miss my team sometimes even though it's been a year and a half it's kind of like get over it already but yeah you never knew. So it's nice to just I think YouTube it sounds really lame but YouTube gives us that chance to chat to people and be part of the community and things. I think I've probably said that a lot of times before but I've never said it in these vlogs it gives us chance to connect with each other and I think like a lot of you messaged me on Instagram and stuff and I chat to you on there and like chatting to you guys on live stream. Obviously I've been a bit awful with commenting back on some of the video comments but I promise I look at them and I really enjoy reading your comments and it spurs me on and I do want to you know take some time to comment back because the thing is when I comment on reply to stuff I really want to reply well if that makes sense I want to take time and an effort to respond to you guys so sometimes I just like feel a bit bogged down by that because I'm like I need to get a good response here. If that makes sense I hope that makes sense uh some like weird shadows going on here. I'm sorry I need like a bigger desk because all my stuff is just creating shadows across this. It's quite difficult to film and work because I make such a mess so I need to clear stuff. I'm using alcohol markers because I think I really like the way that they layer on top of each other and it gives such like a crisp kind of color. I don't know I like that kind of rigid boxiness of these if that makes sense the way I'm using them anyway. Sorry about the lighting I can't afford like a good light system yet but who knows maybe soon. YouTube still hasn't monetized me or anything just really feel like it's never gonna happen is it? Well I never know you never know. So if you like my stuff then help a brother out. That sounded so bad I'm so sorry. And um look at my Patreon page for rewards and stuff and hopefully that will give me more time to work on this comic and things like that. So let's just go crazy with the pencils. I am kind of liking this style as well now dammit. Which do you prefer the left one or the right one? I do think like I could add more pencil-y stuff to this. That's what I'm learning here because I'm really into like the whole idea of this being very textured or looking very textured. I think it adds like a depth to it and I really like the splodges of like random color as well. Yeah I think I prefer this one it's just I don't know. I haven't colored the car in it on this one obviously but maybe if I do some lines around the trees. I do want this to have a very loose vibe to it because I as I've said before I really like the way that that looks in comic books. And I'm a very I draw everything very rigidly so it would be great to be able to just do something a little bit different and aspire to create my style to be a bit more loose. Okay um I'm gonna finish the vlog here because otherwise it's going to be about five hours long and not everybody would like that especially not my computer. I probably maybe do a live stream on Friday morning my time which is European time and yeah so if you like this video then please comment down below or give me a thumbs up whatever the the cool kids are doing and let me know if you what color schemes you prefer. Again like I said I've got the this page up on my Patreon so you can print it out or color it digitally and have a go with that just for like fun and obviously I look at your suggestions too because why not. And you can help work on this comic with me which would be quite fun to see I don't know no pressure though or anything guys but yeah it's on my Patreon page and any advice you can give me about Patreon rewards would be very very very helpful and I really appreciate everybody's feedback so thanks a lot for watching and I will see you on Friday morning or next week. Sorry guys one more thing before I edit and upload the video I continued with that process yesterday or the pencils and the Copics and Pro markers and I finished two pages and I think they look really cool I obviously got to do the typography but I'm not sure if I should color them in or what I should do with them I like the way her hair looks here so I might do that for all of the panels but because I really like the way it looks now I'm really worried to like touch it again so opinions please but yeah these are the final you know what the pages will look like more or less so I'm pretty pleased. I think I came for a real break for yesterday so I'm really happy. Anyway, yes, back to the goodbyes, bye!


Hello, Oswaltysync here, and today I'm very excited to be sharing with you my second free patch pack for the Volgra FM, which is all focused around percussive sounds. So if you're just interested in getting the patches, they're down in the description in this video, and we'll get to demoing the sounds really, really soon. I just wanted to say a couple of words before we get on with that. The first is that I am distributing the patches in two different ways. The first is just a zip file full of MIDI SysX files, which you can just play into the Volgra FM to send the patches to it. But they are also being shared as Synthemata shareable patch links, which is probably the easiest way to get the patches onto the Volgra FM. If you're unfamiliar with Synthemata, it's my free browser-based editor for the Volgra FM. It's what I use to create all these patches. And if you haven't taken a look at it, I'll put a link to a video that's explaining what it's all about just up here. So a couple of words about the sounds themselves. So I've been very careful to call this a percussive patch sound rather than percussion or drums. And that's because I'm not necessarily in these patches trying to emulate a particular drum or percussive or percussion instrument, I should say. Rather, they are percussive style sounds. And in certain cases, for sure, they make good kick sounds or snare sounds or cymbal sounds or bell sounds or whatever. But that's not necessarily the what I was aiming for when I was creating any particular patch. Some of them are much more sort of abstract and weird and some of them are a bit more sort of conventional sounds. So all the patches are kind of designed to be very responsive to the velocity slider. So they're really, really fun to jam out on that. So I'll definitely showcase that during the demos. They also tend to take on quite different characteristics, depending on what octave we are in. So I'll definitely play with the transposed slider in the demos as well. A lot of them also sound really cool with the arpeggiator. So I might use that in some of the demos as well. Also, actually, for that matter, tweaking the modulator in carrier sort of master envelope controls can yield some really interesting results with these patches as well. I will stay away from those just in these demos just because going down a rabbit hole and we'll ever actually finish looking at all the sounds. So I think that's everything I wanted to say. Let's take a listen. OK, so that's the 12 patches in the patch pack. I hope you enjoyed the sounds there and I hope you enjoy using them. Remember, you can download them. The link is in the description of this video. If you enjoy the patches and if you enjoyed this video, please do give it the old thumbs up and make sure you're subscribing so you don't miss out on any more videos on the Volcker FM and synthesis in general. Just letting you know what's coming up on the channel. Well, I got the Volcker kick for Christmas, which you might have noticed.  So it'll be a bunch more from that. We'll be finishing off the Volcker FM understanding sound design. Got a few more episodes to get through on that. We'll be doing some more patches from scratch videos as well. I will also be doing some sort of sort of tutorial kind of demo things for the Volcker kick, showing how you can use it as essentially a lead mono synth really, not just for kicks, but also how to use it for kicks. I'm also building a new patch pack already for the Volcker FM. It is a kind of FM does analog kind of vibe. It's going to be sort of dirty, sort of squelchy kind of sounds, but sort of in that FM kind of vein. And I'm also planning on doing a sort of sort of mellow patches kind of pack as well. And we'll see, see if we can with that. Otherwise, thanks so much for checking the video out, guys. I really hope you can enjoy the patches and I will see you again soon. Bye.


Hello everybody, welcome to my channel, it's Iwa from Bohemian Crafting. I hope you are having amazing holidays, I hope you're spending this time with your loved ones, with your friends, with your family, and you do enjoy it. I'm coming today to share with you not Christmas theme journal, but winter theme journal. Not everybody are celebrating Christmas, so I thought I'm gonna use the papers from first edition, the collection Gilded Winter. Yes, Gilded Winter, it's old collection, so maybe it's not on the market anymore, but it's from first edition Gilded Winter, and it's so gorgeous collection, really beautiful soft paper, so with the winter theme, with the winter feeling, and I use that paper to make this multi-pocket winter journal itself. It has a leather cover, and I didn't do any closure, I wasn't sure what kind of closure I would like to have for this one, so I left it without closure. Hopefully new owner will add there something, what she will like, and it has many openings and many pockets. Every single page has pockets, so I'm gonna show you what I have created, so we do have many writing space and many opening spaces. We do have small pockets and places for journaling, for placing your pictures, for saving your ephemeras, and there is pocket here, and I've got that just simple writing spot, and there is also pocket on the top, and each of these pockets are holding my handmade decorated Christmas, or not Christmas, winter theme, wintery feeling packs. I use those paper dolls to decorate them, I used sparkle effect, I hope you can see my snowy effect in the background, and I did that embossed stomping, and all kind of things on these tags, and to make it proper winter, I add there snowflake punches, so that will be in these large pockets here. I'm gonna stand it up to make sure I can get in, and it does have my handmade handmade porcelain feeling mini tags. This is actually paper, and I just finished it with that glossy feeling, and the design I used here I created for my Patreons, so they can decorate their journals, so we are on the next page, and I do have opening here again with the writing spot, there is pocket here, and there is nice beautiful writing space here, again small mini pocket and tag, and again large people tag, with a small charm and decoration, and again we do have writing space, small hanging charm here, and writing space here, we do have writing space here, small pocket and another large tag, this time with this kill and a dog, and again I do have there so many effects in the background, that embossed stomping and that glittery effect, I hope you can see that glitter all over of these tags, because it makes that snowy sparkle, and it again has a pocket here, and again we have opening, so it's kind of repeating pocket here, nice beautiful space for writing here, here I do have old vintage ledger paper, and in that pocket here we have this one, and I really love how these tags turned out, I did enjoy it so much, I made tutorial for these tags, again on my Patreon these are mostly kind of like quick sharing what I'm doing, and it has pocket here, I just love these papers, they are so gorgeous, so this journal has lots of space for writing, it has a lot of space for saving ephemeras, I think it's good combination of space for saving your ephemeras, your pictures, something you love, you know, tickets from theater or from cinema or anything, now covid tests and stuff like that, passengers form, if you are traveling you know what we need now, that's PCR test, antigen test, passengers form, covid passport, everything like that, so you have to print it out, not just your flying, flying what is it, not boards, flying ticket, but also all this other stuff, and it needs a space to store, so in this journal you do have separate pocket for everything, and again pocket here, so every single page has a nice large pocket from the side and from the top as well, so it's really multi-pocket journal with beautiful space for writing, for journaling with so many pockets, and I left here those small tags to give future owner something to decorate the pages with, and again large pocket, and again a writing space and beautiful writing space, I love these papers they are just stunning, so this is kind of simple journal I think, it doesn't have any complicated openings, it's a kind of repeating process, but I think it makes it even more enjoyable that you don't have to think where else is some secret pocket, but you do have so many pockets, and they are in nice order, so you can manage and remember everything you've got in those pockets, look at that paper it's just gorgeous, and here on the end I've got pocket here with some envelopes, so that's my small leather journal with people tags, I had to make it and for this journal, because they are just beautiful those Tim Holtz paper dolls, this is my sharing for today, I hope you've got amazing day, thank you so so much for visiting me today, thank you so much for spending your time with me, have a beautiful time, take care about yourself and I will see you soon, bye


And it happened to be the type of voice I guess that really grows on to people. So if I had to say what my major contribution would be, my voice. I mean, I like it. I have a film that's made about you. So how do you feel about your representation in the film and just having the film made at all? Well, I'm absolutely flattered. So since you say that that is the highest form of flattery, it gets no higher than this. They did a great job as far as the casting and everything. You're actually portraying a real figure. So did that add any extra pressure for your role? Yes, all the pressure in the world. But she made it so smooth and comfortable. And at the end of the day, I found it very rewarding that she was there because I want to make sure I make her proud and do her justice. No matter what happens with this film, I just want to make sure that she's proud and that she's happy. And that was my main purpose. So having her there was great. And she had to do so much in a short amount of time and for her to go through it and succeed at it. You'll be hearing her from her again for sure. You know, every film, there's always obstacles and difficulties that you have to overcome. But with this particular film, it just felt right. Just the energy. Just everybody wanted to win. So it was amazing. It just becomes second nature the more you sort of immerse yourself into someone else. Knowing me and knowing my history knew that I come from the B-Boy era. So I grew up breakdancing in New York City. So it's an amazing opportunity to be part of something that is so close to my heart. And you mentioned your history of being a B-Boy. Do you think that the film does justice to that era? 100%.