The national broadcasting company presents Joel McCrae in Tales of the Texas Rangers Tonight transcribed from Hollywood another authentic reenactment of a case from the files of the Texas Rangers Tales of the Texas Rangers starring Joel McCrae as Ranger Jayce Pearson Texas more than 260,000 square miles and 50 men who make up the most famous and oldest law enforcement body in North America Files of the Texas Rangers come these stories based on fact only names dates and places are fictitious for obvious reasons The events themselves are a matter of record Case for tonight that trap. It is 1 10 a.m. May 17th, 1948 The highway across a barren and thinly populated portion of West Texas is deserted Except for a truck and trailer pushing steadily Westwood, Tordell Paso You sure were snoring I could barely hear the motor all over with our sleep since eight o'clock last night almost 1 a.m. Now How are we doing? It would be an El Paso by sex. We're right on schedule me to take the wheel. No, wait We gas up at Frito Junction. It's only another 50 miles. Okay Yeah, sure. We'll be glad to get home and see my wife You call the long distance when we stop for supper. Yeah, but I'm not an old-timer like you This is our first baby. We're expecting you already got four. Yeah, don't let me kid You feel the same way about all of them. No matter how many you have what are you hoping for? Oh, just a healthy kid I guess that's all Although I'd kind of like a little girl. You get one. You have a real picnic Girls are born smarter and we are my youngest one. She can work me over for anything She wants faster than a quarter horse and get more. You don't look like you're feeling any pain from it All right, it's a big kick get the things they want.  You want to kiss him? He kicks up his heels You get to be eight nine years old the closest you get to him is shaking hands. You know what I mean sure sure I guess we were the same with our folks Wouldn't trade him for anything no boys or girls And then your own blood you Well, you'll find out sims.  I've been worrying about mine already and she Hey Wow, whatever it isn't even here yet. I keep wondering if I'll be able to make it You know bring them up educate them help them to be somebody. Yeah, that's something else You'll worry about with each new one man. I'm so scared now I think I'll just settle for one kid and leave it at that That's what I said 12 years ago with our first but you'll change your mind. I guess so Mary says that she What's that ahead where oh Somebody waving a red Lantern we must be coming to that narrow bridge over Lanterns Creek He's supposed to be washed out again by a flash flood It could be although it don't look like there's been any rain here since we started the whole east four days ago Just the same they got it blocked. Yeah, look over. They put up a date to a sign Yeah, I probably wants us to go the left end of the old road No sign points to the right and the fellow with the lantern is waving us that way. Yeah, I guess he knows what he's doing Don't look like much of a road this way does it? Might a rough going. I hope this don't last to Hey, this ain't even a road.   I'll come with you You think they'd have a highway patrol car station there to Wait a minute, what's the matter by the road guy with the lamp is moving that detour sign get back in the truck quick What is it Grover? What's wrong?  Just keep Don't shoot anymore. Don't shoot. He's hurt. You can take you These of Warren Grover and Luther Sims were discovered and the sheriff notified he called for help from the Texas Rangers Ranger Jase Pearson was assigned Here the body Jase must have been dragged into the brush when the truck was stolen lucky thing Mr. Archer here found them mighty lucky could have been here for days. How'd you happen to come across a mr. Archer? Well, it weren't me one of my kids found them We pulled off the highway fixing to make camp for the night Boils gathered wood for the fire They're out of yelping come begging out of here like a scared jack rabbit make a habit of camping out at night with your family Your man can do about it when he ain't working And motels and braces cost money. Where do you come from? That parking saw way. We're heading for California my grittory workers, huh? You can talk to his family later if you want Jase I let Archer pull his car into a clearing up the highway about 200 yards the other side of the bridge He didn't want to keep the kids around here Hey, if you ain't got nothing else to ask me like to get back to my wife come shaky All right go ahead, but when you get to the car say put I ain't got no place special to go. Thank you You got a flashlight Jase mine's about to Peter out. Yeah There you give your batteries the rest you say they were doing El Paso at 6 this morning Yeah, yep was on schedule to until they got here I reckon made their supper stop on time last night the company checked back When'd you get the request to look for the truck got the description and license number early this afternoon when they was Overdue and nobody had heard from them company figured if they'd had a breakdown they'd have called in According to their schedule They should have reached this spot a little after midnight last night and whoever took that truck had plenty of time to get a long ways From here with it before sunup not much chance of anybody spotting them. That's right. We better take a look around I've been all over the ground between here in the highway, but I guess it won't hurt to look again Conditioned my light was in I might have missed something I Can show you where they were when they drop blood stains on the ground out here. Yeah, I saw him right where the truck was Stings aren't far from the tire marks. They're funny tires Yes, different pattern right smack down the center of well know those inside tracks were made by archers car when he drove in Covered part of the truck marks way this place is rutted. He'd fall right into the same track. Hmm. I didn't think of that Here's something. What is it cartridge shell look at it? 45 caliber army automatic Oh, and here's another one. Yeah, we won't have to wait for an autopsy to tell us what the murder weapon was Hey, I just thought of something what that 45 army automatic There's an army camp about 40 miles further on just just 10 miles this side of free tow junctions. I'm afraid that won't help us sheriff Number marking on these shells is a 17. That's the old 1917 ammunition series World War one No camp would be using ammo that old too bad I thought for a minute we might have a fast lead you arranged to have the bodies moved Yep, sent my deputy to town for an undertaker. Good. Let's walk out to archers car talk to his wife and kids There's one thing I don't understand base. Why did they pull their truck off the road a trucker riding alone? Might do it to grab some sleep, but not a scheduled rig with two drivers I can't figure that either Arches cars up this way other side of the bridge might as well leave your car right where it is not much of a walk Sure Hold it sheriff What is this mark just off the road shoulder here? Sort of a circle in the dirt. Yeah, whatever made the circle was wet and kind of oily What do you suppose me or it would make an oily round impression that size? Oh, I don't know unless maybe it was a lantern. That's what it was. All right, and here's something else Four small rectangular marks in the earth base of each mark about two by four You know, I can't figure that this somebody had a table out here. I don't think it was a table Another thing that would make four mark space like that's a wooden saw horse. See this bridge ever wash out sometimes when there's a flash flood Hey, I see what you're aiming at when there is a flood highway patrol sets up a detour sign Since traffic through that road over across the highway when that happened last oh not in a couple of months These marks aren't that old Somebody detoured that truck into the dead-end road on this side lantern and saw horse were setting here until they were moved Onto the road to set up a block. They must have had that particular truck pegged in Came through at a time when there isn't much traffic between the last down to the east and Frito junction. Come on Let's talk to Archer You got a list of the cargo the truck was carrying told my deputy to wire a request for it after we found the truck had been stolen It'll come through to my office. Good as we'll have to track this down through cargo I got a hunch that the truck has been emptied and ditched by now Archer didn't know any more need already told us and his wife and three pale undernourished kids couldn't add anything We waited until the bodies were picked up and then headed back for town The next morning there was a wire from the trucking company waiting at the sheriff's office a list of the missing trucks cargo Here's report on cargo. Jace valued at $39,000 and C Shipment of automobile radios, huh? That's a break. Why because they all have serial numbers There's a lot of work if they try and change the numbers and if they don't one of the sets will turn up sooner or later Yeah, but they didn't send the numbers through to us Jace just to set me a can model. I'm radioing my headquarters to get them. Come on Austin can contact the manufacturer and have him send a complete list of the cereals through and they can distribute the list to all law enforcement agencies on a Statewide bullet. You don't stand much chance of cracking this if we have to wait for a hot car radio to turn up Don't worry. We're not gonna wait. We've got plenty of other things to do. How many deputies you got handy three How about sending them back along the highway? We know where Grover and Sims made their supper stop I'd like to find out if they made any stops after that before they were killed good idea as a matter of fact Whoever stole the truck may have turned it around and headed back that way killers may have been spotted It's a chance on the other hand maybe our to send one man toward Frito Junction in El Paso Just in case the truck kept heading west never mind. I'll handle that part of it myself I'm heading for Frito Junction as soon as I can make that radio call I Put through a request for the serial numbers then headed for Frito Junction on the way I got a radio call from KTXA the missing truck had always made a regular stop at the mobile gas station in Frito Junction when I got to the station I sent for the man who'd been on duty tonight the truck was hijacked Yep, I was on duty not for last ranger, but Grover and Sims didn't stop here I know they didn't they never got this far what I want to know is did you see their truck the stations right at the Crossroads the truck came through with somebody else driving it There's a chance you might have seen it ranger I'd like to help you but well there ain't much business during the night Even though the boss does keep the place open isn't a combination of truckers I usually stretch out on a cot in the office if a truck stops I get up if it don't I just here go past Any other stations around here open at night nope the truck Grover and Sims were driving always stopped here, didn't it? Yep, company they drove for has a credit account here. They hauled between El Pas in Houston Well, their tanks are always just about dry when they hit here on the return hall from Houston I see you mean the truck would be too low on gas to go much further than this without filling up providing it came this way That's right. Thanks. That's a big help. You're welcome ranger. Wish I could help more Grover and Sims were pretty nice guys.  I might as well help him Hey, he's got the drive blocked. I'll ask in the back up so you can get your car and trailer out It's all right. He doesn't seem to want gas may want directions to someplace Yeah, but you have to pull around the back you're blocking a ranger's car That's okay Just want to make sure you're gonna help me doesn't seem to be much wrong with that motor There isn't anything wrong with it It's in top shape and what do you want to put it in the shop for got a new radio that you might be able to install it for You are listening to tales of the Texas Rangers starring Joel McCrae as Ranger Jayce Pearson We continue now with tonight's case the trap an authentic story from the files of the Texas Rangers a Soldier with a new car radio You didn't have to mean anything but it might the make-and-model of the city had matched what I was looking for I got the serial number from the carton it came in and phoned it through to the sheriff for a fast check against the Manufacturers list then I went into the shop to ask a few questions You have to drill holes for the antenna I guess unless you want to wear it in your hat I will it's like a good set. Yeah, pretty expensive Well, it told me it sells for about 85 bucks. What'd you pay for it? I didn't buy it. I made a deal for it sort of what kind of a deal What do you ask me that for ranger something wrong? I didn't say that I was just wondering what kind of a deal a fella could get on a car radio a man You got this from have any others he wanted to get rid of I don't think so. He just gave me this for a trade You know on what? Stopped my head that he needed Look my pass is only good for a couple hours. I didn't think it'd be this long Maybe a better let it go and I'll come back in next time on the town. Okay.  What's the camp number? I'll call your commanding officer. Well, what do you want to do that for? Yeah, what's matter Ranger? What is it? It's that radio Grover and Sims were hauling a truckload of auto radios when they were hijacked and killed What you telling me that radio stolen? No, I'm not not yet But I'm waiting for a check on the serial number and you're not leaving here until I get it Look, you got to believe me that guy gave me that set.  Well, I I can't tell you that Get me a trouble if this is one of the sets taken from two murdered truck drivers You'll be in plenty of trouble unless I know where and how you got it sounds like you better tell him soldier I Got the set in exchange for some gasoline gasoline, huh? I go ahead. Well, it was night for last Just after two o'clock. I just started guard duty at camp my post was long the fence by the motor pool from two to four Arranger, that's not long after the time you said Grover was never mind melligan. Go ahead. Well, I I heard this Car stopped near the fence.  No, no, I was a car So I walked over to the fence where it was parked. I sort of gave the challenge, you know as to it was and Man walked up Said he needed some guests and you gave it to him just like that No, no, no, he said he'd pay me for it. I told him it was against regulations and Then he said it wasn't for him said a couple of women were stranded down the highway in their car And then he said he give me a car radio. Oh Well, it seemed like a good deal. So I opened a pump and filled some cheap cans for him. How many gallons? 25 and you didn't think there was anything wrong with a trade like that an 85-dollar radio for 25 gallons of gas the guy was stuck and how could he be stuck? He was only 10 miles from the station and it's open all night Well, maybe he didn't know that knew it all right But he didn't want to bring a stolen truck into this station And he didn't want to get that much gas in cans from a place that might be checked look Ranger, please I I'm up for discharge in a couple of months. Our camp is being deactivated. I don't want to get in bad You should have thought of that before you started to ladle out government gasoline What kind of sidearmers do you carry at the camp when you do a guard trick? Regulation on me 45 any 1917 series ammo none that I ever saw Are you gonna give me a break? I'm not a judge. I can't give breaks.  How could I know it was stolen? Can you describe the man you got it from no it was too dark besides Besides there were two men one of them stayed in the car It'd help your case a lot if you could tell us what they looked like even what kind of a car they were driving Well, it was dark.  Well, yeah, yeah The fellow I gave the gas to he called the other one in the car and he said drive up closer. We're a sunny boy Sunny boy. That's not a name probably just a wisecracker nickname. I'm just telling you what I heard I'm trying to do everything I can to help you Thanks Hello, Sheriff Where you talked to the proprietor yourself Watson know if they had a hitchhiker with him any rider they might have picked up Sunny boy Talk to Watson again find out what he knows about sunny boy Jensen who he is and where he comes from and meet me back At your office. I'll get there as fast as I can roll The army camp was on my way So I took the soldier with me and turned him over to the camp authorities to be held I kept a lead foot on the gas pedal as I drove past the bridge in the side road where the truckers had been hijacked and slain It took me almost two hours to reach the county seat. The sheriff was standing in front of his office as I drove up Howdy, what'd you get something that might fit that Jensen's been traveling up and down this highway for years selling Electrical appliances to farmers and ranchers mostly men like that and have good market for car radios Once that shipment cooled off he could be our boy All right, you get any line on where he comes from works out of El Paso mostly But his home's a small ranch about a hundred and fifty miles southwest free tow Sonny boy Jensen can't be his real name No, it's bird from Jensen. They just call him Sonny boy Watson said he left the diner about five minutes after sims and Grover pulled out probably passed him on the highway Adam all staked out and set up that roadblock. You better climb in Going to El Paso now turns south out of Frito and head for Jensen's ranch I don't think he'd take that hot merchandise into El Paso Even if he got there before daylight, he'd run into some traffic and that's the trucking company's home base He'd be taking a chance on loading any place in the city. I see what you mean. You better check on him while we're rolling Unit 10 to KTXA unit 10 to KTXA This unit en route to Jensen ranch near County line 150 miles southwest of Frito Junction Request check on subject Bertram Jensen alias Sonny boy Jensen El Paso appliance dealer and owner of ranch this unit is headed toward Unit 10 clear I've been thinking Jase this couldn't have been a one-man job Jensen couldn't drive the truck and his car after the hijack wasn't a one-man job The soldier who gave him the gas they needed for the truck said there were two men in the car Two men with a bad murder rap hanging over them are Labeled to fight Jase and sure our sheriff better take the safety off your gun right now there mightn't be time later Unit 10 go ahead KTXA 10-4 unit 10 clear may answer a couple of our questions sheriff yep Where Jensen got that army 45 in the 1917 ammo series and to his partner was If you think he might have kept in touch with Dolph Mooney for almost 20 years There's an old saying sheriff about birds of a feather It was after dark when we reached the Jensen ranch when the door opened I knew it was Jensen There were little wrinkles under his eyes and his temples were gray But his face held a youthful softness as some faces do with a 16 or 60 It wasn't hard to understand why they called him Sonny boy Huh, but a long time since I've seen a ranger around here You uh looking for somebody sheriff and I heard you might be able to get us a bargain on a few things Sure What are you interested in automobile radios? Well, I got a few of my warehouse and I'll pass though. I thought you might have something around here No, I'm afraid not and maybe you know somebody who has No, I don't know many people. I live alone here. Don't see much of anybody at any company this evening No, two ash trays in this room don't agree with you They're smoldering butts in both of them So unless you smoke two cigarettes at a time and walk back and forth across the room to put them out, you haven't been alone Alright a neighbor's visited me. Is that a crime? No, where is he in the kitchen? Call him Don't go for him. Just call him from here Doc Hey doc Here anybody come in Jensen tells us you've been visiting him. Where are you from? From Borderville, well, that's about 50 miles from here. Yeah Jensen said you were a neighbor Well, that's right. Ain't it? This is don't mean much in Texas. Hey, I Just dropped in on Jensen unexpected Matter of fact, I just washed up fixing to start for home. Yeah, he just leaving.  Oh Before you open that I'd like to ask your friend a couple of questions Fifty miles is kind of a long walk, isn't it only way to leave this ranch should be in a car And if you've got one parked outside, we didn't notice it. I was gonna lend them mine. Oh, I see You said you dropped in unexpectedly How'd you get here without a car? Why?  Uh-huh If you got nothing else to ask me I I'd like to be going. Yeah, imagine you would but I'm not quite finished Maybe you know where I could get a bargain in an automobile radio Well, I don't know nothing about radios. It's too bad. I thought you might Alright Jensen give Ms. Cote By the way, either you're heard from Dolph Muni lately. Oh get out of here You got no right asking questions. You got no warrant.  I'll get him I can see your muni you better stop running before I fire no sense trying to get in that car. It's locked That was in the air muni the next won't be how about it? Just walk this way with your hands high I had to steal a radio, but I didn't do the killer. I didn't I was on the highway with the detour sign when Jensen shot him Don't tell me muni. He saved that for the court. Where are the radios in the barn hidden Bales Potter We ditched the truck in Amber Lake All right, let's go in and get sunny boy. You can make your statement at the sheriff's office Bertram Sonny boy Jensen and Dolph muni were found guilty of the hijack murder of truck drivers Warren Grover and Luther Sims Both were sentenced to death in the electric chair at Huntsville Penitentiary Each of the convicted men made an appeal for clemency and in January of 1949 the sentence of Dolph muni was commuted to life imprisonment But the petition of Sonny boy Jensen was denied and on the morning of February 19th 1949 he was executed And now here again is the star of our show Joel McCray folks We want to thank you for the wonderful letters You've been sending to us and the warm and friendly interest you've always shown toward our show a lot of you Have asked the question. What's the title of the theme music heard on tales of the Texas Rangers? The music you hear at the opening and closing of our show is the Texas Ranger song Written by Sam Coslow and Harry Bain and is arranged by Robert Armbruster the conductor of the NBC Orchestra We're glad to know that so many of you like it. We do too And so mr. Armbruster the Texas Ranger song if you please Joel McCray is currently seen starring in the Universal International Technicolor production Frenchy Tonight's cast included Tony Barrett, Whitfield Connor, Herb Ellis, Parley Bayer, Wilms Herbert, Paul Gaubeuf and Bill Conrad This story was transcribed and adapted by Joel mercott and the program was produced and directed by Stacey Keats Hal give me speaking Three times mean good times on NBC Next Sunday one week from today tales of the Texas Rangers will relinquish its broadcast time to enable you to hear One of the season's most dramatic events the theater guild on the air full hour and a half Production of Hamlet and make a note to be back with us for another exciting tales of the Texas Rangers two weeks from tonight Next week gets Hamlet in two weeks another tales of the Texas Rangers starring Joel McCray be sure to listen Now the 64 dollar question tomorrow hear the boston pops on NBC


What's up, guys? Welcome to SPM Buzz. My name is Liz Jackson and I'm hanging out with the big names in Nairobi and let them introduce themselves. Job Brandura, Founder and CEO, home to Fafo. Me, they know me. Eddie Boutita. Eddie Boutita. So these two, we are at the launch of the first physical store for home to Fafo. Nakuna story moja tam wapa zandani. Natukani wapa zandani natukatupige. Boutita, when was the first time you met this guy and what happened? No, nilikutana na hudi ake. So kuna kuna mstiana ko apa, nitiwa Jefferson Mox Pose. Kuna ma sayiflani anapita pita apa. Aitwa Maryse, ali kwa bestia ake, ali kwa bestia angupia.  Un kuatao na namuse na awodi ya um Muna shitu ka Kwa niw na juanna?  Apupole pole kelele kwa kwa kwa nza kukukative ya wa pia. Napatae tenez kumoja na nia. Tenez kau pidgei home peki. Onapke gadi cooperate. Kwa zima mungu a mihaza kwa wne ka niya. So from there we've been friends in terms of there was start up and I was also starting up a few things and I was to share a lot of info nga kwa kwa kwa kwa kwa kwa. Structure kampuni na ni ni. In fact, that system tumia, yende lini introducing kwa watu. So, later na kuja nambia. Eh, Buddha na yata na kuna kwen de haji wuku na kwanguku kuna ni umiza. So, tumia kwa na more of ane twaking relationship ane kipata idia ampia na ni yambia, mina mombia, apatuna structure iwi. Because at the end of the day, this thing is about a lot of people, COCCPK2. Tosa, mi nisha sema, vilen kutana na ekama na jweveli el kutana na mimi. Wacha twuske, iyo placement Buddha na sema na jwepe ane za kwen ane twicha wacha, ili change something. Ya, iyo placement yo time na jwea, we're not visible as a brand. So, yo time Buddha na kikuja kwa speciatun, do gata na kumu ga gwa upecha, ili kumikin gia uto ane ko yo room, ham to shei. Jwe machine ili kuwa po, udi kuwa po, jweo to, gweze machine uses so much heat.  So, Buddha kwa na kam kwa speciatun, ati kalisha na tumia ma staff. Then, ako openda wudifila niya gray, ikona yo the, ikona ili logo, ako nipenda. Ataf li li potia, ako ane takia inginet na kama iyo. Ili potia niya kenda na America. Ikona iwa sana. Then, at that time, we were supporting as a business. It did not ask, I want to what, I want to what. Because sometimes, we usually say, bede mimi na kuwa na iro liya, exposure comes in different ways. Right? So, watu se maga to expo, nini ati, payment comes in different ways. Whatse maga to exposure is not pay. It depends on how you interact with the person. So, kama mimi wil to interact na butita. No, you see, it's coming a long way. So, your time, butita, a kenda na yo, a lenda na America by the, tukanda, mostly we usually even sell majo. Yo placement iyo, kila mtaka kutimia TV, tumona butia, tumona butia, tumona butita. Then, you see now, no, when butita wanted to start SPM, tukaka chini, tukanda konger story. Aguza challenges. Tukanda. Ya. Apat, tukanda pombaka sanane. Tukanda kwa, kwa kwa karunke tukadogo? Tukanda, kwa kwa kwa late sanane. In fact, kianza project, za kwanza, zile, kama time tule, na takfanya makampa sa pombele. Awa na alifanya, branding ya, kampa seote from the first show. Ani kama, numisa kwa mese? Numisa kwa mese? Aikwana, aikwana, numisa kwa mese? Aikwana, numisa kwa mese? Aikwana, numisa kwa mese? Aikwana, atalipa badai, he will pay. That's what we lack in business. So, inna fama kani kanda stand stories, the credit. So, alikwa na lisezo kampa zediyo na print, waka nipeleka J-Quart, kwa sa buta na kumikakini nambia, kapu wangale, follows kama na ingia, tunangale ebi. Eee, that's our IG group. Our IG is totally organic. IG tuni organic. So, buta kwa nambia, kapu wane wini yuki tuna, inaenda. So, this guy... Ya lumna yo J-Quart, kama ewe, batia li kuwa serious. Kwa serious, suya li kuwa J-Quart, batia li J-Quart yasai, ili enyuna jo li kuwa serious. Yes. Eee. So, yotu kifaja J-Quart, nipo asana aende, awangale shefi jana wuko. Eee, tukona, storyflani aku jam pa wakaki jana ni. Buta, bai dekama kuna time, righta na faende J-Quart. Nisa, ikumile na time, kwa lalazimisha. Lalazimisha jju. Wala kwa lalazimisha jju. Wala kwa lalazimisha jju. Wala kwa lalazimisha jju. Wala kwa lalazimisha jju. Uuja ni kuwa tupe. Eee, eee, this is the space where we, tukona miki zohu di buti sa kwanava. So, tukona tukona tukona zia okondes na kujah? Zina kujah tawu. Inim, inim tagani. Inim tagani. Inim pipe plan. Pip plan, mukato kwa pipe plan na kina zi buru wa mahali. Eh, tukona buru. Eh, buru. Tukona buru tukina zi babadoga. Eee. So ni progress. Wasengi wata onasai. Omina loj, shop up atawu. First physical store nangia. Like inibrand. Ita nadi counties ingine. Uta kona yonakwa mahal. Nini kitu inanda kwa diverse kabisa. Nizi anafkiri ya. Ini shugulitu ya juzi. Eh, but nizi anajua from day one. This man, 28 years. Eight years. Ya, kwa zina na ii pitchende ya kwanza. Na inii, 5th June 2015. Na inii nupichi ya kwanza tuliposti ya home. Ah, krum, ase kuza Nairobi. Kwanza kutumavitu sa machinani. Kwanza kwa machinani kwanza wani anza kutia kizia wada. Uleja ma delivery kichu kwa nga. Usikua pa zina pela kwa. Sharton. Zina yanda. If you look at that journey, skumoja nabada corporate zika, inakujena se maniaje, tunapenda ii kuliti enu. Fanya ni the same thing ya kampuni. Eitu. Step by step. Corporate ni ni. B2B, B2C, kila mahalo. Kakuja kapata tiki fanya, the first corporate we did was Kok studio. Oh ya. We did not sleep for four days. Nilewa chachacha拿ya women, ma omoka. She was a big creature, k Yangon mujinkanda ni lawa. Nakako ka rumu36a nalati k tapwami, One thing you learned from that One thing you learn from that structures because We may be doing the same. But quality and structures are our goal Quality structures and structures are our corporate They have been cooperated as a company They have a structure and finance We are close to each other We will have a break We will create losses We will make a lot of expenditure We will still earn a lot Like, this guy got an accountant When he didn't need an accountant But you know, we had to. Atta, now we have one thing. Atta kama, since time ya kwa tiana advice. But one thing I think people need to do is get a legal team in place as soon as possible. Like my legal representatives yu kuapa ewi, boso a legal team yu kuapa ewi. Trust me, accountant na legal. That's not the most important thing. You never know when someone will try attack you. Ya, you need a legal team in place. Kus wok hanzo uta eka na my emotions. Mablu na eka nga po, na eka na emotions. Ya, yaa na emotions. So, msi li kwa na mbengizu vitu. Na zema, ee, aje sasa, inaweza aje. Na tata na una kibiasana. Importansi ni, kuna I think kuna cooperator li wa kinginaio. Na after po ina nidigikfanya vitu ka ho ditspia. Una una. So, na realizwa li kwa on the safe side. In terms of atta kampuni kita kuna wile pesa we me spendiwa. Ina una, ah vijana ko structure. And that's one thing na fili me said ya, home. Structures. Like home, home is saia atta sika, msi yamangiri kapuni ango. Ni lifestyle, ni brandia nye. Atta wile me packageiwa. Wadwa baingizu anadaku vango. There is a feeling, no na, there is a feeling. Atta yasa ina juna skia fiti me vango home. The first time. Welcome home. Welcome home. Welcome home. You see what I did there, welcome home. So, the the branding and the structures like home 254. I think vision ni kubu aftapa. I think vision ni kubu aftapa. This is just the beginning. But kwa nga lajumakama same number of years nyo zimefika apa. Then na jwekia na mbele trako na home 254 ita kwa trako na isho padi ele. Sindio. Because it is, yes ni home 254 siya ti. Lazimam Kenyavai. Ina identiti etu. Misia orte na zaiwa? The intention was to replace this. You see the way every Kenyan has this. Kenyan zote. Ki ovegas na yon ni ni ashgrei. Misia. 254. Ah, mazena ni dizi vituba. Jyoshanzaku jyoku na ka sense of. Nga liya quality. Ona mabitu. Kuna mba kama ni nio. Tango na eka nga apa. Ah, this is a new mazime. Misha ona? Buzitsa. Atatis kwa mbukomisha. Onona munya konele udi ya kuanza. Duhu ya apa? Huya ya apa huya? Zata kwa uskebi lazima 001. The first hood. That first bad hood. Iko mba gasai. Ani ni pa tia, kwa ni ka uzwa. No zili uzwa. Ni ni ni biwa. Ni ni biwa. Ni ni biwa. Iotungi, frame to your auction. Basu moja triza 10 bilion ukwa. Tse kwa saa, all and all. We are happy. That's why we are here today. Supporting. Mungwamsidee. From having a staff of just two. Ya. In fact wako ana lipa na ni kusaidia na ju. Tosa muna lipa na ni. Ni sini wote muna ona. Ya. Akuna do. To say they are over 50. Ya. They are over 50, close at 200. So a lot of people are depending on this brand. Ya. Anda say it kuwa pako na toko. Kwa faktori. Wako na faktori maze. Do you know that? Say utatu pelika ugo? Ya, tizia wapelika ugo. So you see, this is how to make the government. We told them that let us do this, awa indeleku kusuna. Because tomorrow we need to deliver. Ya. They are back to me. Like this boy is doing great. Ya. Bro, anda lea iwo. Namina, the reason mungu anaku bless ni una pati ya say chance. Ya. So aki kwambe aote. Wako saa. Ya. So is this store officially open? What one is that kum kusho? Ya, no, it's officially open. People can come in and shop and look at it. It's beautiful. Ya. Simple and elegant. Where is it located? Oh, it's located at Kolejawu. Just right opposite Nairobi University next to Shia Petro station. Ya. Alright guys, that was it from me and the CEO himself and the CEO Wanguapa. So make sure you come to home to Fife and get yourself a piece.


I'm Captain Tim Quass, commanding officer of the USNS Mercy's Medical Treatment Facility. We, alongside our military Seal of Command shipmates, concluded Mersex-22TAC-1, the first large-scale training evolution of the fiscal year. For three weeks, sailors and civilian mariners participated in fire drills, small boat and rescue craft operations, medical response training and flight operations to be ready, reliable and resilient for any future tasking. Mersex-22TAC-1 culminated in a ship-wide, all-hands mass casualty evolution where we trained to receive patients via small boats alongside as well as from NV-22 Bravo Ospreys on the flight deck. Mercy must always be in a five-day activation status and is our nation's premier afloat medical platform in the Pacific Ocean. We're always ready to steam to assist anywhere as a symbol of Navy medicine's global reach.


Ann Marie and her uncle were sitting and talking to one another and her uncle said, you are so brave. Ann Marie responded and said, yeah, but you know, when I got there, my friend wasn't there nor her family. There at the boat, I saw nothing. And her uncle responded and said, yeah, they were actually there. Ann Marie said, how? I didn't see anyone. Her uncle said, you know the boat, well right underneath the deck, there's a hidden compartment that you couldn't see. Ann Marie said, really? I didn't see anything. If you're curious to know what happens, go ahead and read.


I'm Joan Lippincott from the Coalition for Networked Information, one of the organizers of the conference. And Tom, I think we're going to just get right into it, okay? Okay. In my view, and I do have views about designing libraries, maybe too many, the truly important projects are where academic libraries have been redesigned or renovated, have derived great strength from the vision that underlies the design. What are the ways that the Taylor Family Digital Library reflects your fundamental vision of libraries? The first thing I'd say is that I see myself as a pragmatic visionary. I love great ideas, but I also think that we have to be committed to strategies that can realize those ideas. So importantly, it is to know your vision, but also to realize it. The Taylor Family Digital Library was designed to support continuing change. I had seen the rapid evolution of library services and our role, and knew that whatever we decided in 2007 was only going to be valid for 2007. So I've described this by saying you design for the library that you know now, you design for the library that you can imagine, and you design for the library that you cannot yet imagine. So what that means is that you actually have to build a fundamental infrastructure that will allow that building to evolve over time. And in the Taylor Family Digital Library, we did that by having raised flooring throughout the building, even in the museum. That was an 18-inch space that allowed us to put all of the electrical and networking under the floor. And so that allows us to have electrical outlets at every user seat in the building. And we also have over 50% demountable walls. Now, that doesn't mean they're easily moved. They're not on wheels. But they're not load bearing, so that in fact they really can be moved. And so you really could create a very different structure in this building. And I would expect that to be the case in 20 years, in 2038, that in fact that the building would be quite different and supporting services and users in a very different way. The other thing that we focused on from day one was on users, on students and scholars. And Scott Bennett, former university librarian at Yale, had just published a terrifically important study published by the Council for Libraries and Information Resources, clear in 2003, in which he studied the 10 years of library growth immediately before that time. And what he found that in spite of the ideas that were thrown out, that in fact most of that growth had been focused on responding to collection growth. So I had the good fortune of having a new provost right at that point in time. Alan Harrison arrived on campus almost simultaneously with me in 2006. So we came here to build this building. And he had just read Scott Bennett and was totally convinced. And so we were committed to making sure that collection growth never drove users out of the building. And in order to ensure that, we only installed space for 600,000 volumes in the building on day one with the understanding that we would never increase that. And that what was roughly two-thirds of the general collection that was in the main library at that point in time would move to our high-density storage facility which we were able to build at the very same time. I will say today there are fewer than 600,000 volumes in the building. Another focus was I had a strong belief in the convergence of knowledge and culture. So I believe that libraries, archives, museums play an integrated role in supporting knowledge and understanding of artistic and scientific achievements, but importantly of the human experience. And those three areas fill that role in different ways, but they actually work or such a rich combination together and that we should support that to the degree we could. At that point in time the University Art Museum reported to the position I held and but it hadn't really not at all been integrated in the library. So we actually designed the TFDL with a full functioning museum in the space and to offer students and scholars access to that broader cultural experience to make the museum part of the instructional and research program of the library and of the university, not just an exhibition space, but yet at the same time because it was a public exhibition space. It allowed us a new connection with the larger Calgary community. And the other really important thing from day one was the focus on knowledge creation. Information access is ubiquitous. It was then and it's even more so today. But it's what do we do to support the use of that information to create new knowledge. So we focused on technologies. We focused on collaborative spaces. We focused on expertise. And we also decided to invest in a 34.5 million pixel visualization studio which was a very unusual decision at that point in time. But in fact that visualization studio is actually provided the first blueprint for the evolution of our functional support for the way research is done today. And I refer to this as a new synthesis. And this is where digital content and the analytical tools that support the analysis, creation and dissemination of new knowledge are integrally related and that we have to consider that digital content and the analytical tools in combination. Excuse me. And I think that many people here are so interested in bringing faculty back into the library and that visualization studio at the outset was one of the most significant things for bringing faculty literally back into the library. It was terribly important in and of itself because one, there was actually not a 34.5 million pixel wall anywhere else on the campus. But it was particularly important for us because it brought people into the library from medicine. It brought people into the library from medieval studies. It brought people in from architecture. And it very quickly built links with our spatial and numeric data services where they were beginning to teach GIS to faculty and graduate students. And so that combination was just a, it was a fervent initial mix for us but it has evolved in such a, in a way that's absolutely essential today. Thank you. Tom, one of the lessons learned that we, the organizers along with Greg of the Designing Libraries Conference hope to impart to all of you is that design is never complete. And we've heard that mentioned in a number of the presentations. So even newly opened libraries, meaning entirely new libraries may need major or minor adjustments. What are some of the significant changes that have been made in the Taylor Family Digital Library since it opened? Well, there are many and probably some of them were corrections of thoughts that we had right off the bat. But the major changes have been substantial. And they're particularly meaningful. And the fact that we've been able to make them is terribly important. One of the important ones is the graduate research commons. So the building is a wonderful space for students but graduate students felt like we had not focused on them. So we have focused on them now and we have a space where they can actually book for a whole term, both a space and a locker where they can keep their materials and so forth and only graduate students can enter the room. We developed this in association with the Graduate Student Association and with the graduate studies faculty on campus. I heard the reference earlier to microforms. We have moved all of our microforms and the equipment with which it was once used out of the building to the High Density Library and turned that area into more student spaces and more technology spaces. We have created a, as you just heard, a virtual reality and a one-button studio space. A particularly important move was that we moved the Research Data Center which was in an adjacent building into the library. And the Research Data Center is an outpost for a federal program from Statistics Canada that has confidential information about the general public of Canada. And one has to go through a very serious vetting process to be able to use that material. But our open spatial numeric data services had compatible information and it's publicly available. And what we realized was that the people who were using the Statistics Canada information, there was this very closely interrelated data that they were not using. And in the workshops that it was introduced to them, they weren't hearing about all the kinds of data and they weren't getting the kind of GIS and other analytical approaches. And so we actually created a space in the library to move them into the building immediately adjacent to spatial numeric data services. In fact, to build a much closer relationship between those important areas of research support. We've created an auto-visual reformatting laboratory and as those who went out to the new high density library saw the other day, we're creating a audio visual reformatting laboratory there but we in fact first created one in the TFDL and started our work on the audio visual content of the Capital EMI Music Archive which had negotiated the gift from Universal Music officially announced in 2016 but which we had started in 2014. And we've had a good deal of support from the Andrew W. Mellon Foundation and the reason for that is one because of the nature of the collection that we hold of the audio materials, 13,000 files are actual master files and production masters not replicated anywhere else.  Well, just our collection has 40 different formats in it and rapidly those formats are becoming unusable and so the Mellon Foundation sees this as actually an international crisis is that our repositories are full of material that is increasingly unusable by the day so we are developing an industrial model that we hope can be broadly replicated for converting material, oh gosh, we buy conversion equipments on eBay all the time or wherever else we can find it to move from one format to another to create a body of material that can be preserved over time and not just preserved but actually be made broadly accessible because this material is really important. It's actually the record of the last half of the 20th century. In addition to that, you just heard a presentation about Labnext. Labnext was a very explicit outcome of the research project in identifying what today's researchers need and so whether it is a perfect instance and perhaps it isn't today and hopefully we'll change it tomorrow but it does respond to a vital need for multidisciplinary and interdisciplinarity today and those kinds of approaches to the grand challenges that society expects to see addressed in our universities. Thank you. Well, I think many people here are worried about putting in high-tech facilities that may be out of date in a few years. So what strategies have you used to get the funding? Are you reallocating some of the library budget? Are you getting funding from your VP for research or your provost or other places because a lot of your work say with the Mellon Foundation I don't believe supports the actual reconfiguration of facilities and may be incorrect there. You're actually absolutely correct. So we're very fortunate and there has been a program on campus supported by the Office of the Provost which is we call FARCAR which is Facilities and Classroom Improvement Fund and so we have been able to consistently apply to them for money to enhance particular areas for particularly vital purposes and so not as much as we would have wanted but about 50% of the lab next funding did come from those funds and a number of the other areas in the building have similarly benefited and then there's a while it hasn't dealt explicitly with research capabilities but we're very fortunate that the students union here at the University of Calgary is actually a very wealthy organization in part because they support conferences like this and so they have what they call quality money and so we have been able to go to them for particular enhancements particular technology enhancements that gave more support for high-end animation and desktop creation so we've been able to go there as well so I think we've been fortunate and we have been oh so canny and oh so desperate all at the same time but also so visibly successful with your programs and I think that's important too both for people who come into the library for people who participate and for the communications and outreach that you do well I think Christy Hurl's presentation gives you a good sense of how aggressive we are in trying to spread the work and with the changing nature of research it's a complex environment and before we started focusing on the multidisciplinary research needs of today I had a sense that faculty didn't come into the library from many disciplines and in the process of our investigations we found that yes indeed they did come into the library but they mostly went to spatial and numeric data services they went there they drew on the expertise they drew on the data and that in fact that we were essential in their work but they did not any longer take advantage of the traditional ways in which we have supported research and so they all knew Peter Peller who's the director of that program but the traditional liaison network was really not a point in the new research environment that they were establishing those connections So this meant a lot to you in terms of the evolving role of the research library I think it's major I referred to a new synthesis and as I explained I think that's the intersection of digital content and the analytical tools and that one is not useful without the other and as Christie referenced and showed you the diagram of the services that these scholars found most important going forward and they were areas in which we had strengths but some of them were being envisioned to be applied in different ways and I had a discussion with Brian Mormon who's an associate vice president research in the Faculty of Arts and I was talking to him about the traditional ways that we in the library had supported research and he turned to me and it was without criticism and without sarcasm and he just said it, he said but we don't do research like that anymore so that's my new mantra and I think it should be the mantra of everyone in the room I think some of you are very aware of it So what I would say about that is that as Christie described we're seeking to create a research platform and research platforms are not a new concept, they're certainly in the STEM areas there are those areas where you have a set of services that can be applied in multiple disciplinary focuses and so particularly in the neurosciences and looking at everything from pre-birth problems to issues through schizophrenia and so forth, depression and then those that go right out into end of life problems and what they have created is an analytical layer that can support the research at each end of that spectrum but by using the same functional capacity so that's what we are trying to do for a range of areas we're particularly focusing in areas where such research platforms don't exist I mean the great thing about libraries is that we're the neutral place and we'll support all of you and some people come to us to a greater degree because they don't have labs and that we can be their lab but we need economies of scale, we cannot respond to these researcher needs in one-offs we need really to create this band of services so how do I think that matters for research libraries right now? I mean this is not tomorrow, this is right now is they so need these capacities that in fact we may be the most logical place for them to receive this support but if we don't support it, they will go elsewhere to develop it because they cannot do without it so the Association of Research Libraries, pardon me, has certainly the membership many have recognized this and recently we created and I was fortunate to have been actively involved in the creation of new criteria for research libraries in the 21st century and these are to identify the elements necessary to success and in these new criteria which were adopted unanimously by the membership I mean unanimity and ARL, I mean where did that come from? but what they know is how important this is and that in fact that libraries need a new role in the research ecosystem and so several of the criteria specifically address the development of that new role so what will happen if we don't? our importance in that we will be great learning spaces but in fact the very same thing that those researchers need our undergraduates are needing also people are learning GIS at 19 years old and they're learning VR at 9 so we're just behind the line and so if we do not develop in this way our role in academic research will decline and our importance to our universities will be significantly diminished so I am curious what's your prediction? a percentage, a yes or no where do you think things are heading broadly? I think it's great that ARL defined this set of characteristics because it doesn't matter if you're in the organization or wanting to be or just not at all part of ARL you can still use those same criteria as guideposts for where you want your library to be headed but realistically speaking do you want to venture a guess for where things are heading? well first I want to agree with you that this is not about ARL libraries this is about all libraries particularly in Akading where research is a vital function I think we're significantly behind this change has been going on for some time it's not that we haven't recognized it but what's happened in research is with the turn to societal grand challenges this kind of multidisciplinary research Suzanne Goopy who spoke yesterday afternoon okay she's a cultural anthropologist she's in the faculty of nursing she's in the community health program which is over in medicine and she's producing results that are about changing the protocols and the bus transportation routes of the city of Calgary so this is where we are today this is what we all should be embracing and this is just this is what's happening and it's happening rapidly and so an English professor and a computer scientist are involved in a common analysis of 150 years of science fiction literature that's an everyday project today so if I look at proportionally how fast are we progressing it's not tremendous but on the other hand we are getting it but when I talk about our getting it and your question about money really speaks to this and I had a conversation with our colleague Greg Grashke from North Carolina State about the way we look at our collections budget as a budget to purchase and license content irrespective of the analytical tools that will be essential to use that content irrespective of the fact that over 50% of the material that people use is not what we purchase is not what we license and we have not embraced that world in thinking about how we manage our libraries and if we don't do that in spite of how damn smart we are we won't be able to achieve at a fast enough rate and the nature of research will have changed again in five years so we'll be a generation behind Tom for my final questions most of you will probably not be aware that many years ago Tom and I were colleagues at Cornell University Libraries and your role at that time which was a long time ago was in special collections and archives I find it fascinating that the span of what you've accomplished in your career is so much wider than that specialty and I think our audience would be very interested in your role in documenting underrepresented groups and in making special collections and archives a signature program of the 21st century library can you tell us a little bit about that please I'd love to I do think that as a great deal of the information that we have managed in the past becomes ubiquitous and that the collective collection and shared print and so forth how to hide each trust and so forth provides us access to a wealth of general collection materials at the same time rare and unique holdings are taking on a larger and larger importance and in a very different way than some of those reading rooms that we heard described earlier this morning and that they're just terrifically compelling in instruction and research I mentioned yesterday to some of the people touring the library about our Numismatics collection which is a very strong collection that's actually in our art museum but it could be in our special collections and it's such a powerful teaching tool so if you can put in the hand of a student a coin with the head of Cleopatra on it that was actually stamped by the Roman army when Mark Anthony was in North Africa what a view of society how does that move a student from what happened on Facebook yesterday to all the Facebook's of history it just introduces a tremendous impact on the mind that goes forward so that's what teaching and research with special collections can do but it also has a tremendous societal role so in the late 1980s at Cornell University I was responsible for leading the initiation of the human sexuality collection and the human sexuality collection was the first focused effort by any academic institution in the US certainly by any of the larger universities to focus on documenting the social and political life of gay and lesbian individuals and what I had seen over the years was how both our collecting and the way we describe and promoted the material had marginalized women had marginalized African Americans had marginalized indigenous peoples and we were going right on with that and that in fact we had to change course and that this was an opportunity to in fact broaden the evidence and the record of a substantial component of society and so when we did this no one else had done it it drew a lot of attention it it got a lot of attention it's the only time in my life that I received personal threats for my professional practice coming through the mail fortunately it was real mail not e-mail gosh would have hated that but this was also right at the time that the AIDS epidemic hit and it proved to be so important and I'm going to tell one story if I can get through it of a man from North Carolina who had grown up in a rural area of North Carolina had gone to New York City as a financial officer a stockbroker and also became very active in the arts community in New York City his finance his firm fired him when they became aware that he was a gay man and he contracted AIDS and he had to return to his home in North Carolina and after hearing about our collection he had a tremendous collection of art and records of his own experience as being how he was treated with AIDS which was horrifying in and of itself in the medical environment and so he contacted me and I had newly hired a curator for the collection and we flew down to probably to Raleigh we rented a car and we drove out into the countryside and we went to went to their home and he and his his sister was taking care of him and he had been living in a separate building on the property and so we went out to there where his collection was and his sister and I carried him over our shoulders there and we picked up the material and we boxed it up and we hauled it to the plane and we flew it back to Ithaca New York and we contacted his sister on Monday of the next week and and she told us that he had died and that he had stayed alive long enough for us to get his collection so that's what the archival role can mean to individuals but it is so powerful in the larger society and obviously has changed so much research and contributed to the elements of society today at the same time after coming here I have became a founding member on behalf of the University of Calgary of the Board of the Military Museums which is located near downtown Long Crow Child Trail it's one of the two military history museums in Canada and the University of Calgary has a library and an archives there and I was fortunate to be able to raise private money to actually establish an exhibition gallery there as well and so that collection is one of the great research collections from military history but for political history and social history but what we chose to approach in terms of documentation was a holistic approach so the impact of warfare on society and not just the formal military experience but in fact how has that impacted society how has that impacted civilian populations looking at the effect of terrorism looking at the effect of internal civil wars and and created such a rich experience for the public and for researchers and for students to be able to understand the role of the military history of our society and this is not political this is professional this is how we should be filling our professional role is by creating the records of important elements of society that might not be well documented or well understood or incorporated into the educational and research environment and at the same time that we think about particular parts of society we need to look at those parts of society that are also obvious but because they're also obvious we may not be we may not be pursuing them and that's the way I see the gift by Universal Music Canada of the Capital EMI Collection to the University of Calgary so this is a collection that is a miracle that it exists from 1949 to 2012 EMI became the major music industry giant worldwide and this collection was managed to survive through those years, through all the transitions in the music industry, through all the artists through all the AR people, through all the concerts through the business operations which were largely hidden and so a collection of 5,500 boxes, over 2 million items as I've mentioned over 40,000 audio and visual and video tapes the record Canadian artists like Anne Murray and Tom Cochran but also the original DAT tapes from the BBC sessions of The Beatles the original disc from which the rubber soul vinyl albums were pressed an album by David Boyd which was actually created in Quebec at a studio there that was never broadly distributed so really remarkable material but it's part of the culture, it's part of the social it's part of the political, it's part of the industrial, it's part of gender roles, it's part of fashion I would say that most of the people in the room have had some experience of the last half of the 20th century, what was more important across this spectrum of time than popular music so what does it tell us about our society and about the impact of popular music worldwide so we also need to seize those opportunities to document and provide understanding and accessibility for materials that are the ubiquitous aspects of society and once again in developing the new criteria for ARL this societal role is formally recognized for the first time yet in fact historically libraries, archives and museums have played this role over century after century after century in preserving whenever possible the record of diverse societies and I'll tell you from a personal point of view to have been able to enrich my career by involvement in playing this important societal role has just been wonderful I love it. Well at the beginning of the interview I talked about the importance of a vision for today's library you've just heard such a vision and the breadth of Tom's vision, his commitment to the 21st century libraries are truly remarkable thank you Tom.


The Equitable Life Assurance Society presents this is your FBI. This is your FBI. The official broadcast from the files of the Federal Bureau of Investigation. Presented transcribed as a public service by the Equitable Life Assurance Society of the United States and the Equitable Society's representative in your community. Did you ever stop to realize that you don't have to be rich to build sound plans for your future and the future of your family? The secret is in knowing how and this secret you can learn from a friendly helpful man who knows the answers to your problems. He is your local Equitable Society representative. He can show you how you can predict your future needs and plan to take care of your family no matter what happens. In about 14 minutes I want to tell you more about your local Equitable Society representative and how he can help you to enjoy the many advantages of membership in the Equitable Life Assurance Society of the United States. Tonight the subject of our FBI file armed robbery. It's title the 16 millimeter stick up. One of your FBI's most important jobs is the selection of recruits to be trained as special agents. The screening process to which all applicants are subjected is extremely exacting. Of the men desiring to become agents only a small proportion can meet the requirements. All FBI men must be in top physical condition. They must possess poise, tact, judgment and resourcefulness. Naturally, they must be men of character and integrity. They must be well educated and have a knowledge of legal procedures.  Adapt their knowledge to new situations. For no crime ever follows the same pattern. Each has tonight's case illustrates. Is a challenge for the men of your FBI. Tonight's FBI file opens in a car that is driving slowly through the factory district of a large eastern city. A man is seated behind the wheel. A girl is seated beside him reading the newspaper. Frank. Will we get to the track in time for the second trace? I don't know. There's a horse here called Paul's Dream. I gotta play him. It's a hunch. My sister used to go with a fellow named Paul. He was all the time having dreams. That sounds very scientific. What are you slowing down for? We're stopping here. What? I'm going to take your picture. What? Let's get out, Irene.  Yeah, I got my movie camera right here. But what about the track?  Oh, sure, but... Then just stand right over there by that lamppost. You did the silliest thing. It won't take long. Is it color film? Fix my makeup, anyway. No, don't bother. Okay. So, Frank, are you taking the picture from there? Yeah. Well, with that half-finished building in the background? And in front of something better now. Now, just stay right where you are. Can't think anything else. Now, you're doing us well. I'll just hold it there another few seconds. Well, Frank. Next week. I hope they turn out good. I got some news for you, honey. You're not even in them. Jack? I'm okay. Irene, what's with Frank? What's he doing? He's fixing something in the next room. What's the story? I thought he asked us here to talk about a job. He did. Well, where's the action? What? Okay. Me too, Frank. Yeah, come on. Irene.  Thanks. Hey, what goes in here? I want to show you guys something. Hey, what's that, then? A movie projector. What's it for? I'm going to show you some pictures. And what is this? I thought we came here to talk business. This is part of the business. Put the lights out, would you, Irene? Sure. Are these the ones you took last week, Frank? The ones I'm not in? Uh-huh. Let me give you a short run down here first, fellas. Now, this is a job I've been casing for the last four weeks. It's a payroll job. I want you to watch it very closely. Uh-huh. All right. Now, this first picture is an alleyway. The construction job on the right is a big factory that's being put up. Now, I took a picture of the alley because that's where we're going to park the getaway car. You'll be driving, Jack. Okay. All right. Now, this view is the whole building. Uh, you see that little shack there on the right? Uh-huh. That's where they handle the payroll.  Now, there's one guard on the job on payday, which is Friday. That line forms at 11.30 sharp. The guard starts at the shack and works down the line checking badges. I've gotten two badges. You'll be wearing one bill and I'll wear the other. Okay. All right. Now, next Friday we'll be at the head of that line. The whistle blows when they start paying off. Jack, when you hear the whistle, you move the car out of the alley and start slowly down the street. By that time, we'll be in the shack. You park behind that big pile of bricks there. That'll give us cover.  We'll hop out then and join you in the car. And that's the story. It sounds real good, Frank. It'll work. How big is the payroll? Around 30,000. I'll run it over again so you'll remember it good. Hey, wait! Look! There I am! I'm in the pituitary after all. This is okay, Frank. Right at the head of the line. I told you we would be. Only two guys in the shack. Yeah, I know. All right, you guys. Come ahead. Let's go. Okay. All right, you boys. Over here. Yes, sir. What's your name? Sheffield. Badge number? Never mind that. This is a sticker. Huh? Cover them, Bill. Right? All right, give me those envelopes. Come on. Slap them in the bag. Look here! How you doing? Okay. Anybody help outside yet? Not yet. All right, give me that bundle, too, mister. All right. Here. You nearly done? Yeah. This does it. All right, now listen to me, both of you guys. Keep your trap shut or we're out of here. Do you hear me? Okay. Let's go. Tyler Bricks, Bill. Is that the car there? Yeah. I'll cover the back. Okay. Here, Bill. Hold the money back there. Right. How much did you get? The works. Man, the payroll guy's just coming out in the street. Yeah, and even... Jack, look out for the cab.  Well, do something! Bring it! Stupid. You okay, Frank? Yeah. We've got to get out of the seat. Hey, wait, fellas. My leg. Hey, there's a cop on the corner there. Let's blow. Don't leave me, fellas. From the scene of the stick-up, at an FBI field office, special agent Jim Taylor is just giving a report on the staring job to a fellow agent. And it looked as if they're going to get away clean, Walt, until a cab accidentally cut in front of the getaway car. Two cars crashed. The stick-up men abandoned theirs and made a run for it. This was just a block from the scene of the stick-up? Yeah, that's right. What happened then, Jim? Well, there was a policeman on the corner. He called out to the men, ordered them to halt when they didn't be fired. Well, any results? Killed one of them. Believes he wounded another. The second man, however, still made a getaway along with the third. How about the money? Well, unfortunately, one of the two men who escaped still has it. Well, how do we come into the case, Jim? The car that was used had out-of-state license plates from Michigan. This gives us a basis to help the local authorities. Check-up showed that the car had been stolen, too. Oh, I see. The man who was killed was the driver. Any ident on him? I don't know, Walt. The body was taken in the morgue. I'm going down there now and pick up his fingerprints and check his effects. Oh, no. Just a minute. What happened? Let me sit down, huh? Where are they? Bill, where are they? We all scattered. We were all to meet back here. I don't think Jack's going to make it. Why not? He got shot. Bad. The last I've seen of me was sped out on the street. What about Frank? He got away okay. Well, did the job go bad? No, no. That worked okay. After we got the dope pulling away, we ran into a cab. Oh. Cops seen us when we made the break. He started shooting. Say, what's wrong with you? Help me get my coat off. I got hit, too. Where? Here, in the chest. Pull that sleeve, huh? Gee.  Yeah, kind of. We better call a doctor or something. No, no dice. Well, if you're bleeding like that, you got to... Help me, huh? Let me in a bedroom. Let me lay down a while. Sure, Bill. Now, here. Yeah. Now, you just leave knowing me. Are you okay? Yeah. Yeah, that's fine. What about the money? We got that okay. Has Frank got it? No. No, I took, I stashed it away. I didn't want to carry it around. How did you get here bleeding like that? That didn't start to get bad till just before I got here. Now, just let me lay down right here. Sure. There you are. I'll go get some towels and stuff and fix you up. Jim, did you go to the morgue? Just came from there, Walt. The police have been working there. Contacted the Michigan State Police. Gave them a complete description of the man who was killed. Mm-hmm. They seem to think it was a man named Jack Kingston. He had a long criminal record. I got a set of his fingerprints and sent them onto the Bureau in Washington. Well, did the Michigan police have any idea who Kingston's associates might be here? No. No, they didn't want their checking on that now. How about the pay master at the construction job? Was he able to identify the other two holed up men? He's down at headquarters now, looking over pictures. He didn't remember them too well though, so that may not lead to anything. Yeah, well, was there anything found on Kingston that might help? Well, the only thing that might be important is a note. I got an ear. Uh, go to Irene's apartment on 12th Street. Pick her up and have her bring her movie projector to my place. Any signature? No. A note's written on the back of an envelope which originally contained snapshots from the Argusy camera shop. Oh, I see. They're down on Grand Street. Yeah, yeah, I know. An envelope has a number on it. So I'm going to go over to the camera shop now and see if they have any record of the name of the person these pictures were developed for. Oh, yeah. Oh, sorry. Bill. Oh, boy. Booze suit? Are we wearing booze suits? Bill. Bill, don't try it now. Bill, listen. What? Don't you think we should get a doctor? Turn the boy up and down, up and down. Raise you to the corner. Bill, when you listen to me, you need a doctor real bad. Water. Give me some water, huh? Some water? I'm sure Bill's sure. Water. I'll be right back. I'm gonna let me all the guys off real personally. Who is it? Me, Frank. Oh, Frank, I'm so glad to see you. Anybody get here? Yeah, Bill. Where is he? He's in the bedroom. He's in bad shape, Frank. He got shot and he's bleeding real bad. Never mind that, that he bring the dough. No, he didn't. What happened to it? He said he stashed it away. He didn't want to carry it around. I gotta talk to him. I'll get him a glass of water. He's been saying right along how thirsty he was. What is this? Where did Bill stash the dough? I don't know. What didn't you ask him? No. You blubberhead. Who asked him yourself?  He's dead. In just a moment, to tonight's exciting case from the official files of your FBI. You've heard the old saw. Money is the root of all evil. Well, it isn't true. If you know how to use money wisely, it's good. For example, almost anybody with an average income can provide for the future security of his family. You don't have to be rich to make sure your wife and your children will be well fed, well housed and well clothed, until the youngest child has graduated from high school. To provide such protection on a small salary was the problem of Mr. Henry Trent, until he became a member of the Equitable Society. How did the Equitable solve your problem, Mr. Trent? I figured out that social security isn't enough to take care of a family. That worried me.  If something happened to me. That's the Equitable Family Security Plan. That's correct. So I called up our local Equitable man and the first thing he did was call and give me a chart. He showed how this chart helped me figure out how much more I'd need in addition to social security to protect my family. That's the famous fact-binding chart for fathers and mothers. The chart was a big help. And the bigger help was the friendly advice and counsel our Equitable man gave me. He's your as a fine man to do business with. He's reliable. Yes, Equitable representatives are reliable. You can count on them to be honest, helpful and friendly and to know the answers. They know insurance from A to Z. So if you have any insurance problems, consult your local Equitable representative. Ask him for your copy of the fact-binding chart for fathers and mothers. No charge or obligation. Simply consult your local telephone directory for the name of your local Equitable Society representative. You'll be glad you did. That's E-Q-U-I-T-A-B-O-E. The Equitable Life Assurance Society of the United States. And now back to tonight's FBI file, the 16-millimeter stick up. A taxicab makes a sudden left turn, an accident. The results, new leads for the FBI agents, new problems for the criminals to meet. Fortunately, these unexpected turns of fortune often upset the so-called perfectly planned crime. But as in tonight's case, they don't usually provide the complete solution. The answer lies in the agent's ability to take advantage of a break. For delays may be costly, both for the agents and the criminals. It is here that our men have the advantage. Not only do they have intensive training behind them, but also the vastness of your whole Federal Bureau of Investigation to give them the help they want, when and where they need it. Tonight's file continues at Frank Jessup's apartment. He is pacing the living room floor. A girl, Irene, sits dejectedly on the sofa. Weeks I spent on this job, weeks and what have I got to show for her to great big hunk of nothing? I'm sorry, Frank. You just had brains enough to ask the guy where he stashed the door. A five-year-old child would have done that. But you always told me not to ask questions.  I'm trying to think. Not having the dough ain't our only problem. What do you mean? Do they know you did the job?  He might be singing to the cops right now. That ain't all. We got a stiff in the bedroom, a dead body we got to get rid of. What do we do with him? Let me think.  I don't think I have any. Wait, I'll look in Bill's jacket. I gotta figure some way to blow town. Better get a hold of some cash in our hurry. There are no cigarettes in his pocket. Nothing but this claim check. What? This here. It's a baggage check. And let me see that. Sure. Here. It's from the railroad station. There's a timestamp on it. Hey, check something this afternoon. Honey, this is where he stashed the dough. Pick up that search warrant for me? Yeah, I have it right here. Let's go inside. Say, what's this all about, Jim? I went over to the camera shop, had them check the number on that envelope. Oh, got it. Camera shop said the films were left by a man named Jessup. He listed this address. We go up on flight. Okay. I arrived here. There was no answer. Jessup's apartment. Superintendent gave me a key. I've been waiting around for you with a warrant. Jessup was one of the stick-up men. According to the superintendent, he answers to his general description. Oh, it's his apartment right over here. Okay. Camera people said he was a regular customer and did a lot of work for him. Go ahead. Yeah, thanks. Well, let's take a look around, huh? Right. Hey, look here, Walt. What? Movie projector. Imagine it's the one that was mentioned in that note. Yeah. Old stack of movie film here, too. Jim, look at this. What is it? It's pretty well soaked with blood. Oh. There seems to be a bullet hole in it, too. Yeah. Well, let's search the rest of the rooms, huh? Okay. This appears to be... Hey. Yeah, I see him. Even from here, I'd say he was dead. Mm-hmm. Why do you think this is Jessup? No. No, he looks nothing like the descriptions. Must be the one who was wounded. We'd better call the police. Okay. Oh, Walt, suppose you were here for them, huh? I doubt that the money is here, but they can search for it. I'm going to take those rolls of film back to the office. Go on, Jim. Oh, watch it just in time. You want to snap off that line? Sure. I want you to see this reel. Okay. These pictures are where the stick-up took place. Well, you mean this is the way they cased the job? Evidently, yeah. That's the construction job there. Yeah. Pretty clever of them. Oh, by the way, there was no trace of the money at the apartment. I didn't think there would be. One of the men from Harmerside identified the body, though. Oh? The man named Bill Winfield. He was involved in another holdup several years ago. Mm-hmm. Well, say, is that all there is to this, Jim? The scene of the crime? No. Oh, there's something coming up right about now that should be very helpful. Well, here it is. Oh, the girl opening up her coat. Yeah. She has to be a friend of Jessup's. And having a blow-up made of her just might be something she's worrying. It'll give us a lead on where to pick her up. We find her, we might find Jessup. I'm over here. Okay. You got the money, huh? Yeah. I thought you said it was in the canvas bag. It was. Where'd you get that suitcase? I bought it in a luggage store. The canvas bag was a giveaway, so let's get going. Where? I got some tickets that were blowing out of here. No. Oh, Frank, we can't. Well, I got to go back to my apartment in fact. Uh-uh, no good. But I haven't got any clothes. I'll buy you some new ones. Look, I've got a mint coat there, and I'm not leaving it. Honey, we can't take the chance. Our mint coat's a mint coat. You can buy the tickets, take me home, and then we'll take the train. Well, I just got the enlargements on that girl. They lead to anything? Yeah, I found out she was the one who was mentioned in the note. Irene? That's right, she has a lapel pin on there. I, Ari, and E.C. Oh, yeah. I just found something else here too well, but I must say I'm a little puzzled by it. What is it? Well, as you can see, she's holding a coat open. You know how many times a woman has the names written on the inside lining? Yeah, well, there is something on the lining. But it isn't writing, it's several bars of music. Yeah, let me look at it. Yeah, take the magnifying glass. All right. You'll read music more? Yeah. Is there any melody there? Yeah, I see it goes, um... Well, that's the melody. Sounds familiar to do that again, wouldn't it? Hey, wait a minute. That's an old song called Sweet Lorraine. Well, her last name could be Lorraine. That note said she lived on 12th Street, so let's get busy. Aren't you finished packing yet? These are the last things. There. That's all. Well, close the bag and let's get out of here. Okay. All right, now come on. Oh, wait a minute. Oh, what now? My coat, I almost forgot. My coat. Well, hurry, will you? What time does the train leave? Uh, half an hour. There. Now I'm ready. Good. To ask, where are we going? West. Where west? California. Go ahead. Thanks. Just a minute. Are you Irene Lorraine? Yeah, why? Well, then you must be Frank Jessup. Who are you? Special agents of the FBI. Look out, Jim. Now when he comes, too, we'd like to talk to you both about some pictures. Jessup was convicted in a federal court for violation of the National Motor Vehicle Fat Act and sentenced to serve a five-year term. He was then turned over to the local authorities for prosecution on robbery charges. The conviction of the two criminals in tonight's case makes you stop and wonder why two such people never learned the futility of crime for profit.  And yet criminals will not learn. They continue to try to commit that perfect crime. But they will not succeed. So long as there are law enforcement agencies on the job. Agencies like your FBI. Who makes more money than you do? Well, he envies the man who makes more money than he does. The truth is, it isn't how much money you make, but how you handle it. Almost anyone with an average income can do this. He can own his own home free and clear. He can provide for his children's education. He can plan to retire with a comfortable income in his sixties. He can protect his family regardless of what happens to him. How? Ask your equitable representative for the answer. Consult your local telephone directory for the name of this friendly, helpful neighbor. Your local representative of the Equitable Life Assurance Society of the United States. Weak, we will dramatize another case from the files of the Federal Bureau of Investigation. It's subject, homicide, it's title, the Death Crows. The incidents used in tonight's Equitable Life Assurance Society's broadcast are adapted from the files of the Federal Bureau of Investigation. However, all names used are fictitious. And any similarity thereof to the names of places or persons living or dead is accidental. Tonight, the music was composed and conducted by Frederick Steiner. Your narrator was William Woodson and special agent Taylor was played by Stacey Harris. Others in the cast were Louis Alberti, Tony Caruso, Bill Conrad, Herb Ellis, Isabel Joule and Henry Morgan. This is your FBI is a Jerry Divine production. This is Larry Keating speaking for the Equitable Life Assurance Society of the United States and the Equitable Society's representative in your community. And inviting you to tune in again next week at the same time when the Equitable Life Assurance Society will bring you another thrilling transcribe story from the files of the Federal Bureau of Investigation. The Death Crows on This Is Your FBI. Program came to you from Hollywood. This is ABC Radio Network.


Thank you to that panel, fantastic discussion, thank you to all the presenters today and thank you everybody for spending the day with us, this thing needs to work. In 2011 my spouse Bethany got a fellowship at the Center for Advanced Study at Stanford and they gave me an office and it was really an opportunity for the year to sort of spend the time thinking about all these issues that we had been talking among colleagues in psychology, how is this playing out across other disciplines and so just getting to read the literature very widely about all these issues that we've been talking about today. And that year Bethany's best friend Sarah was diagnosed with a rare form of ovarian cancer and it was rare enough that her doctors didn't really know a lot about it and so she said I need to get my head around what this is. Her husband, Patrick, her husband started searching the literature and would call us and say I found this title, it sort of seems relevant, I can read the abstract, I'm not sure if it's relevant but it costs 40 bucks and I keep finding this ovarian, ovarian, I don't know how to even start to advocate for my own care, they're not academics, they don't have subscriptions. So we just said they'll just send us all the links, we'll get you the papers from the Stanford service and we'll just send you papers. And of course now I'm thinking, God, what will all the people do that don't have friends that are at an academic university, what are they doing to try to get access to advocate for their care in this context. And as I continued to get my head around what's happening in other parts of the literature, she's starting to get into clinical trials for different experimental therapies and I'm reading at the same time about the rate of non-reporting of clinical trials. Less than half of clinical trials, any outputs are reported after 24 months at that point in time. And then finding out that not only are the outputs not being reported at all, that outcomes are getting switched and those are getting reported. And so we don't even know if we can trust the literature itself. For Sarah, being in the trial has all kinds of impact, losing organs, incredibly painful side effects and she went into it because she wants some hope and she has some knowledge that if it doesn't help her, someone's going to get helped from that knowledge. Someone will benefit. But she died in 2017, the day before one of our SIFS meetings and just the presence of that group together put in sharper leaf the implications of pushing for open science. And I don't know if open science would have saved her, but I know that closed science didn't help her, provided no benefit to her that it was hard to access the literature, that outcomes were getting switched in trials that the research that she participated in as a participant with her body wasn't even getting reported in literature. She didn't benefit from that at all. So we may not be able to save her, but her kids, Ben and James, my kids, Haven and Joni, they might get cancer 40 years from now. We can save them. That's what open science can do. They start to close that OODA loop, make it tighter so that we can iterate faster and faster to get to the solutions that we need to solve the problems that we confront. And it's easy to feel the palpability of it when we talk about something like cancer or another disease. But those same considerations apply for any basic fundamental research that we do. We might be studying the thing that leads to the insight that is the most important idea of the next generation. We just don't know it yet. And so if it's worth spending our time doing it, we should be doing it well. And part of doing it well is a constant attention to how can we do it better. And if we're not trying to do it better, then we're not earning the trust that the public is investing in to try to help get the most out of science for what it's here for. We can't control whether the community trusts us, but we can control whether we are worthy of that trust. And that's what the broader project is, not just of open science, but the broader movement of how is it that we improve and embrace the ways that we can be more rigorous, more transparent, more reproducible. And what we've discussed today is that that engages the entire life cycle of the research. It's not just at one point in that process that we can say, if we open that up, it's all going to be fine. Because the elements of what makes research trustworthy is different depending on where it is in the life cycle. So for example, has the research been assessed is an element of trustworthiness. Has it gone through peer review? Has it been reproduced? Has it been robust? Has it been replicated? Most of that is in the latter stages to date of the research life cycle. Likewise, do the claims match the evidence? Do the researchers represent the uncertainty, identify their limitations, look for alternative explanations, advertise the constraints on what they know generalizes or doesn't? Does their conclusions align with evidence? That happens mostly at the end, but also in the process of actually producing and interpreting those findings. Is the research, can it be assessed at the openness of the data, the materials and the code? Just makes it possible to do that assessment in the first place. There's only three components of trustworthiness. There's also, does the research take into account relevant knowledge and perspectives? Is it grounded in the existing theory and evidence about that domain? Is it informed by the communities that are affected by it? Does it control bias with validated measures, winding, randomization, pre-registration? Both of these things are things that happen at the earlier stages of the research life cycle. And does it reduce error? Increasing sample size, providing reliable measures, power analysis, et cetera. And then, of course, the last is that our researchers accountable to the evidence as an element of trustworthiness. And that's relevant across the entire life cycle. So if we're not embracing the whole life cycle for how is it that we can improve openness, integrity and rigor, we're not going to solve those broader problems. But there's a lot that we can take stock of as going well and having moved in productive directions. So, for example, the open access movement has the most mature and most successful part of the open science movement. Our paper's really just available at all. This is showing the growth of open access papers with the only time that we can use a y-axis of the proportion of the entire literature because it's gotten so far ahead of nearly half of the literature is now openly accessible. Where 10 years ago, 12 years ago, when Sarah got her diagnosis, it was 20% of that literature. So that's a remarkable 30-year effort and success of advancing that. Likewise, preprints is moving to scale with that dramatic growth that Lisa opened with, change and diversifying across silos and expanding dramatically, 600,000 on the y-axis scale there. There are lots of ways we can look at acceleration of data, sharing data, materials and code. One simple way is just to look how many papers mention a generalist's repository in the paper, a very molar type of analysis. You can see the incredible growth at about one quarter of the scale of preprints by comparison. Papers mentioning preregistrations are a subset of that, a generalist's repository or registry, but also mentioning a preregistration at, also enjoying lots of growth over the last 10 years, but while it's scaling, the scale there, 10,000. Oh, it's the peak. And if we zoom in on that, we can see that the growth is happening, but also is diversified in each of these different behavioral domains or each of these types of open science actions. Some what's more popular in some communities than others. So this is just breaking out growth and preregistration and also mentioning OSF by different disciplinary areas. All of them are growing, but you can see social behavioral sciences wipes out the rest when you look at it at scale. But if we take that same data and look at it for when did it kind of start in that disciplinary area? Because when were there 40 papers in that field? Make that year one, all of them show more visible growth compared to where they began. It's just we're further along in the social behavioral sciences. That growth started in 2014. Life science is a couple of years later, and the other one's even more recently than that. So growth is happening, just takes time to spread. And of course those disciplines are themselves very different sizes overall. So what it means to scale in one discipline will peak out differently than another that is 10 times the size. And then finally, papers mentioning registered reports. Same trend. So with all of these, it can feel like the half dome hike in Yosemite. If you haven't done this, you have to do this at some point in your life because it's an amazing hike. But there's a point where you get up to vernal falls and you just feel like I've accomplished everything. Now you turn around and look down to the valley floor and it is so far away. I can't believe I got all the way up here. And then you look up to half dome and you say, oh my God, there's a long way to go. But we're on the trail and we are heading to the top of half dome. And that's really where we are with the advancement of open science. And the key challenge that's come up again and again today is that it's not just about the life cycle, it's also about the coordination problem. That we're not going to fix the research culture without aligning the various actors in the space to all be helping to push in the same direction. Because if we can't align those actors, there's no way to scale and sustain that type of change. And so the solution to that coordination problem is you. It is all of us individually and collectively aligning on what it is we're going to try to solve and then from the various vantage points that we have in this research ecosystem, figuring out how we can move our efforts together. Because if we don't align as a reform change agent community, there's no way that the mainstream is going to align to change without us. So we have to keep doing that work. So the biggest gratitude for us is just you doing the work that you're doing. And being part of this conversation and dialogue to figure out what is the change that we're trying to make and how can we try to make it. So let me just close with explicit thanks to those that are here, that are part of culture change organizations, that are making these efforts in all different parts of the research community every day, that societies, institutions, publisher representatives that are doing the same to inculcate some of these practices in how it is they decide to publish or reward or promote people from their institutions. Thank you for the federal agencies and those that are pushing on public policy reform in so many different ways that are trying to help promote the adoption of these at scale. There are many research champions that are the exemplars within their disciplinary community here today that are pointing the way to others to be able to do the same. Science journalists have played such an important role, Christie represented them in speaking for surfacing this and not just informing the general public, but science media also is a big part of the conversation among the science public, especially across our disciplinary silos. And they've played a huge role in that. The funders have been doing so many different things, so thank you to funders for starting to experiment with new models and new approaches, a particular call out to those that have likewise supported us in trying to advance our mission. And thanks, John and Laura, for making a big bet on us. We did not deserve it, but we're trying to earn it every day, so we appreciate that. It's like the second best thing that's ever happened to me. You know, right in between my two kids. So that was great. Our board members, thank you for your volunteerism, your advocacy for open science in your communities and then the advice and support for us in our work. And the team itself, I get credit for what everyone else on the team does. We have 50 people on our team that come from many different types of backgrounds, of work histories, of areas of training, of areas of interest, and we are all collectively aligned on the mission to increase openness, integrity and reproducibility of research. And you saw some of them appear. You saw the evidence of that effectiveness from Whitney and Ron and Doreen just running the meeting. And then there's everyone else that's in the audience and at home just continuing to do their work. So thank you to them and thank you for them for your support of us. So we're done. Thank you for the chat.