Autolight and its 96,000 dealers present suspense.  Starring Ms. Roslyn Russell. See, Harlow, I just saw one of those old-fashioned electric wattles. Old-fashioned? How about your car, Hab? My news is gasoline.  Well, no, electricity does. You bet it does, Hab, and it's all produced and stored right under the hood of your car. And that's where Autolight comes in, Hab, because Autolight designs and builds complete electrical systems used as original factory equipment on many leading makes of our finest cars. You mean Autolight makes generators, coils, and distributors, eh, Harlow? They sure do, Hab. With all the units and their thousands of component parts related by Autolight engineering design and Autolight manufacturing skill to give the smoothest performance money can buy. Sounds like a winning combination to me, Harlow. It is, Hab, believe me. So friends, take a tip from me and specify Autolight original factory parts when replacements are needed for your Autolight-equipped car. You'll find it pays because you're always right with Autolight. And now with when the bow breaks and the performance of Ms. Roslyn Russell, Autolight hopes once again to keep you in suspense. I remember when I was little. I remember you used to swing me in the garden and the big maple tree in a rusty squeak as I went up and down. Up and down. Grandfather, don't let me fall.  I'm afraid because I'm dying. Just the way you die, Grandfather. And why should I die? How did it all happen? This is it, baby. It looks very nice. Oh, oh, Harry, please be careful of my coat. You're dragging it there on the ground. I'm sorry you have hair. You hold it while I get the key out. I'll get the suitcases later. Now, wait a minute, baby. Let's do this right. Oh, Harry, put me down. People are watching. Now let them watch. We're married. You've done who you've got a lot to learn. All right, now put me down, Harry, please. Harry, I asked you to put me down. Will you please put me down? Baby, I'm sorry. You're sweet. I'm tired. I didn't mean to be angry. I'm tired, that's all. Yeah, sure, sure. Well, you like it? Oh, it's a very nice house, dear. I'm sure we'll be comfortable. Not bad for a short-order deal. Take a look around. Here, open this door. It's a closet. Yeah, it's not bad, eh? They're all like that lots of room. Living room, dining room through here, kitchen. Harry, please. Can I sit down for a minute? My head's splitting. Yeah, sure, baby, sure. On the sofa, eh? That's not bad, eh? Come on now. Off with the shoes.  Oh, thank you, dear. It all looks very nice. You must have spent a lot of money, though. Ah, money, nothing. Soon as the probate judge turns the real money loose, we'll get something that'll knock your eye out. I don't want to talk about that, Harry. I don't want to even think about it. Never again. No, of course not, baby. What's the matter with me? Of course you don't. I don't want to think about it, grandfather. But I have to talk about it to you. There'll be the lawyers to pay and the inheritance tax. I never realized how very much you were worth. But you never spoke much about money. It was always there ever since I can remember. Funny. I never thought about it until after you'd gone. Harry did, though. I lied to you about Harry. I'm sorry I didn't meet him the way I said I. I picked him up, grandfather, on the beach. I went looking for a man and I found him. The man you chose for me was so weak.  It wasn't respectable of a woman in her late 30s to do that, was it? I'm sorry. Well, honey, I guess you didn't know that I had a feel for interior decorating, did you? No. No, I didn't. Maybe when we get the dough I can... Oh, yeah. I'm sorry, baby. I was figuring maybe I'd go in the business. Harry, how did you know they'd let me go? How did you know all this wouldn't be wasted or... or maybe you'd be here with another girl? Only you. Besides, they couldn't have pinned it on you while I watched that jury. You're high class. They believed you. Yesterday. I didn't think I'd be married now and in a new house. I thought I... Oh, forget it. You've been acquitted and that's it from here on in... Harry! Baby, baby, you're jumpy. Yes, I'm jumpy. Harry! Relax. Married couples have callers. Probably the next-door neighbors. You stay right here. I'll get rid of them. Mr. Striker, fancy meeting you here. What do you want, Corcoran? He doesn't say glad to see. He doesn't say come in and have a drink. All he says is, what do you want, Corcoran? We're busy. No statements. No statements? You just got married, didn't you? You moved into a new house.  No statement? Your news! Harry, make him go away. Harry, please. Mrs. Striker, well, well, congratulations on all counts. Marriage, murder and money. All right, Corcoran, out. Are you kidding? You and Evie are good for five or six more front pages. You're my babies. My story of the year. I'm going to bounce you. You can beat me to it by walking out, but fast. Why don't you leave us alone? The trial is over. The state is finished with us. Why can't you be... Finished, Evie? You're acquitted if that's what you mean. You can never be tried again for the same murder. And please... It might amuse your readers to know, Mr. Corcoran, that I really did murder my grandfather. They can't touch you. I'm going to work you over, boy, so that you'll never chew a steak again. I would. Then get out. Okay, but first I came here to tell you something. Evie, go in the next room. No, no. What do you want, Mr. Corcoran? Oh, nothing much, Mrs. Striker.   No, no. Forget about us, please. Harry, give him some money. Tell him to stop. You couldn't pay me enough, Evie. The story of why you hold this guy's life in your hands is too good. What do you mean by that, Crack? I knew your wife would beat the case of him and I laid eyes on her, Harry. That holier-than-thou look, grandfather known by one and all to be a wretched old man, my asin as a lawyer... You've written about those things, Mr. Corcoran. Don't you think that after all the public... Wait a minute. I'm leading up to it. The cops, he showed your grandfather had a disease. It would have killed him anyway in a few more months. So, verdict... Why can't you understand that suicide? He knew he was going to die. I don't buy it. But I buy this. Harry, you were never brought to trial because they couldn't tie you into it. You had an alibi for the night the old man drank that poison. Yeah, I wasn't there. The DA knew that you're a photographer, among other things, and had access to cyanide, so you weren't tried for murder. She was. She can't be again, not for that one. Harry, I'm tired of this. Mr. Corcoran is trying to frighten us, that's all. Will you ask him to leave? Hold it, baby. Go on, Corcoran, get to the point. Sure. Like I say, you weren't indicted, but you could be if your wife talked. Talked? But there's nothing for me to talk about. What could I say? You could say that Harry got the cyanide for you and worked it out together to get the old man's money.  I won't listen, I won't! So long, Corcoran. Don't get sore. If you didn't do it, you haven't got to worry about Harry. But if you did, you'd better be nice to Mrs. Stryker, because maybe someday she'll get mad. And if she talks it, bye-bye, Harry. So long, Corcoran.  Remember, they can't touch you for it. When Harry came back from the door, I knew what he was thinking. But that horrible newspaper reporter had said he wouldn't look at me. He just went to a table and poured a drink. I was afraid of him. I wanted him to hold me and tell me it was all right, like you used to. But he didn't. And then I wanted to run away, anywhere, get on a boat, fly, never see Harry Stryker again. Run, run, run! Well, you're going, baby. I need some air. I thought I'd got you. Don't be silly. You don't want to go out there. Corcoran's probably still hanging around. Harry? What? What is it, Marcy? Harry, it's all right, isn't it? I mean, you don't believe what he said. No, of course not. He's a snooper. It wasn't the money, was it, Harry? You didn't want me just because of the money. I'm not pretty. I'm not clever. You don't love me, do you? Why should I attract a man like you? It wasn't the money, wasn't it? You're upset, baby. Look, go lie down. Well, it's okay. Everything's okay. Say it. Say you love me. You never have, please. Harry, look at me. Tell me, you think I'm pretty. Harry, say nice things to me. Tell me you love me. Harry, please. Your voice, Don Corcoran, is still outside. He's listening. That was it then. All the time. That's all you cared about the money. All I wanted was to love you and to have you. I'll get you a drink. No. No, no, no. I wish I were dead. I wish I'd told him the truth. I should have said I'm guilty. We're both guilty. Harry and I did it. We murdered him. We murdered grandfather. Baby, don't ever say that again. Not even to yourself. Don't even think it. When he finished what he had to say, he just looked at me. There was death in my new husband's eyes. Auto-light is bringing you Miss Rosalind Russell with Sheldon Leonard in When the Bow Breaks. Tonight's production in Radio's Outstanding Theatre of Thrill's Suspense. What are you doing? Oh, my Harlow. I was just proving to myself how important the auto-light electrical system is to my auto-light-equipped car. Well, it's the lifeline of your car, Hap. At auto-light designs and bills, complete electrical systems including the coil, distributor, generator, and starting motor for many leading makes of our finest cars. Auto-light electrical systems are built to give you the smoothest performance money can buy. I'm sure glad my car is auto-light-equipped. Right, Hap. So friends, because the electrical system of your car is so important to the smooth, efficient, and economical operation of your car, it will pay you to treat your car occasionally to a check-up. At your nearest authorized auto-light service station, whose name is listed in the classified section of your telephone book, or at the dealer who sells your make of car. In either place, or at the garage or repair shop displaying the auto-light original factory parts sign, you can be sure of getting auto-light original factory parts in case your auto-light-equipped car needs replacements. You'll find it pays because you're always right with auto-light. Auto-light brings back to our Hollywood soundstage Miss Rosalind Russell in Elliott Lewis' production of When the Bow Breaks. A tale well-calculated to keep you in suspense. I remember the scent of our garden. I remember when we used to swing me in the evening before supper and the honeysuckle. Sweet, drifting about us. We were happy, weren't we? Not like the sadness that came afterwards and the bitter taste that isn't the taste of honeysuckle. Why am I dying, Grandfather? Where are you? Hold my hand that I shan't be afraid of the dark. Afraid of Harry standing there so close. This dark, angry face looking down at me. You've got to get hold of yourself, Evie. Do you hear me? Yes, yes, all right. This is no good. Don't you see what Cochran wants if he can get us at each other's throats? He'll have us and his lousy story. But I wouldn't do anything to hurt you. How can you think such a thing? You've got to get straightened out the way you are now.  I won't, Harry, honestly. I'll never say a word. I just want to be happy with you. I want you to love me. Sure, baby, sure, but you've got to understand like Cochran says it's my neck now, not yours. We've got to be careful. Harry, maybe if I went away somewhere alone, maybe I could rest and forget the trial and go somewhere and rest. I'll come back. You wouldn't have to worry if you'd be all right when I come back.  You wouldn't do anything to stop me. Harry!  Oh, honey, I... I didn't want to do that. You've got to believe me. I didn't... When you see what you're like, I've got to watch you. Take care of you. You hit me. Nobody ever hit me. Ever. It's all right. It's all right. Don't touch me! Don't! It's just because of that Cochran guy. Look, you mustn't be afraid of me. We're in the clear. Don't you see? It's all downhill now. Your grandfather was already dying. Only we didn't know it. So when we did what we did, then luck was with us. So we're in the clear. They couldn't prove anything against you. Then they can't now. I've always been afraid of you. I've always done what you wanted me to do. Part of it was because I loved you. But most of it because I'm afraid. I'll let anything get in your way. Grandfather was in your way. Now maybe it's me. Are you saying that this was all my idea? Are you saying that you never asked me to help you get rid of the old man? Oh, I don't know what I'm saying. I'm tired. Yeah, that's it. You're tired. Well, you make me a drink. I'll get the bags out of the car. You've got to start getting domestic, Mousy. You're an old married woman now. He went out to get the suitcases but left the front door open. It was too cold to leave the door open. He wanted it that way so that he could see me or hear me if I picked up the telephone. You mustn't laugh when I tell you that in the middle of the living room standing there I felt the same way I did when you punished me. When you used to put me in the horror closet and make me stand in the dark with the door closed.  Is that why I killed you, Grandfather? That night I had a dream. It was a funny dream. There was an enormous alarm clock in the middle of a field. The sun was shining and you and I were dancing in time to the ticking of the clock. Then Harry came along and he tried to dance too but he was clumsy and tripped and fell down. He waved his arms and his mouth went open and shut but we couldn't hear him because of the ticking. Oh, we laugh so hard. What's so funny? Harry, well, nothing. No, nothing. It was just a dream. Well, tell me about it. Well, I can't. I don't remember. It was just funny. You didn't sound like you were asleep. Well, I was really. I was. Maybe you figured out a way to tip off You haven't been kidding me. Why do you think I've watched you every minute? I know what's on your mind. Oh, you're wrong. I thought we were happy. With what you're holding over my head? With what you can do to me? Are you kidding? Now listen, I haven't slept since the trial, and you know why? It's because I'm afraid of you. Every time we go to the store, every time we go out anywhere, I'm waiting for you to run. Call the cops. I wouldn't, you know I wouldn't. I never even thought of it, not since... Not since yesterday? Well, you thought of it plenty then, didn't you? Didn't you? Yes, no, no. Oh, happy. Now you're laughing because you figure you can get rid of me. No, no, no. No, no, you're right. Don't kid yourself. I figured out the whole thing. I got us in the clear. Now you want to mess it up. What are you going to do to me? You're going to... Oh, no. It depends, baby.  Why did we do it? Why did we kill him? You wanted the money. No, no, you don't understand. I wanted to get away from him, and I wanted you. But I'm not away. All right, Marcy, all right. But we did it, and now we've got to follow it through. You didn't want me without the money. You didn't want me at all. Just the money. You don't love me. It happens, I do. That's something you can't understand, huh? I've tried to make you believe me, and something like this comes up, and I'm afraid of you. I keep remembering that if you want to, you can send me to the chair. Hurry, I wouldn't. I could never hurt you. Don't worry. You won't. I'm going to watch and see that you don't. Now you'd better get back to sleep. The next day he didn't talk to me at all. He didn't say a word. He just sat around the house, and I felt ugly. I prayed I'd suddenly be beautiful because then he'd trust me, and he'd know that I wouldn't hurt him. It was after lunch that he went into the kitchen. I wanted to watch him now, just as he was watching me. I couldn't bear to have him out of my sight. Supposing he went out the back door, around the front, and crept up quietly behind me. I got up, stood behind the dining room door, looking through the crack. He was taking down a vial from the closet where he kept his photographic things. I couldn't see a label, but I knew what it was. He put the vial in his jacket pocket and closed the closet. I was going to be murdered with cyanide the way you were, grandfather. You stay here and keep quiet. I'll answer the door. I don't want to hear a sound out of you. Afternoon, sir. I'm your Daily Times delivery boy, and I've come to welcome you into our community. Yes, sure. Okay. Some other time. I have a service to you so that you may keep abreast of world events. Your newspaper, The Daily Times... Now, look, buddy, we don't need a paper. Go peddle them somewhere. Please call someone. Tell the police. Sorry, kid. We're not interested.   I'll get back in the living room. I should have known it.  I ought to kill you for trying that.  That's what he was going to do. I had to get away or use the phone. Call the police. I needed you, grandfather. I needed you to help me.  I thought how funny it was. Just like a man before a fight.  What is it like to die, grandfather? I used to ask you that when I was little, when Dad died. It's hot in here. I'm going to have a drink. I fixed the phone so you can forget that. I'll only be in the kitchen so I can hear you. Don't try anything. Now he was going to use it. A cyanide. He hadn't taken it out of his jacket pocket. It was still there. I knew it was. I heard him open the refrigerator and get out some ice. I didn't even have to get up. I could reach his jacket from where I sat. I was very careful. I used my handkerchief to get the vial out. I'd learned about fingerprints during the trial. I knew just how much to put in a drink so that it wouldn't taste. Harry had taught me that. I was reaching for the cork in the whiskey bottle when I heard him coming back. I got the ice. He hadn't seen me. He hadn't. I took the cork out of the whiskey bottle and emptied the vial of cyanide into it. That was all. It was done. I was sitting in my chair when Harry came back with the ice. What's the matter with you? Nothing. You're sick? No. No, no. I'm all right. Well, you don't look all right. You better have a drink. I don't want any. Now you better. We've got a talk. This will fix you up. Drink it straight. Here. No, no, Harry. I don't want it. I can't stand the taste of it, please. Now there you go again. You're getting hysterical. Now come on. This will settle you down. No, no. I won't. I won't. It'll let go of me. It'll make me sick. Please, Harry, don't make me... Here. Harry, you know I never drink. Harry, I don't want it.   Drink it. Come on. There was a terrible burning grandfather. I tried to fight, but I couldn't. And I saw Harry fade away further and further until he was miles above me, leaning down and calling to me. I could see his face so frightened that there was nothing. It's very quiet, except for the swing. Quiet. Quiet. You won't let me fall, will you? I can't see you. But you're there. Hold my hand, grandfather. I don't want to be alone. She's gone. Cyanide kisses are usually fast. Cyanide? Hey, wait a minute. No telling. Okay, come on, Stryker. We're going downtown. Well, what are you talking about, cyanide? What do you mean? I never... Didn't you know? There was an empty bottle in your jacket pocket. Your prints all over it. On the glass she drank from too. Well, yeah, sure they are. She was having hysterics, so I made a drink from it. Cyanide never cured hysterics, Harry. Oh, look, I didn't do it.  Like you didn't have anything to do with her grandfather's murder. I know. What was the matter? She threatened to talk? I didn't do it, I tell you. I didn't. Okay, so you didn't do it. Come on.  I put that cyanide in my pocket because I was afraid that she'd use it on me. I wasn't going to kill her. I was just trying to quiet her down. Brother, when you quiet them down, they stay quiet. Let's go. Suspense. Presented by AutoLite. Tonight's star, Miss Rosalind Russell. Friends, this is Harlow Wilcox again to remind you that AutoLite is the world's largest independent manufacturer of automotive electrical equipment. In 28 plants from coast to coast, AutoLite makes over 400 products for cars, trucks, planes, boats, and tractors, including AutoLite original factory parts sold by authorized AutoLite service stations, car dealers, garages, or repair shops. Only AutoLite original factory parts can assure you of the balance and perfect timing that were originally built into your car's AutoLite electrical system right on the assembly line. So, when replacements are needed, be sure to specify AutoLite original factory parts because you're always right with AutoLite. Next week on Suspense, our stars will be Phil Harris and Alice Fay in Death on My Hands. And in weeks to come, you will hear such famous stars as Charles Boyer, Jeff Chandler, and Dick Powell. All on Suspense. Suspense is produced and directed by Elliot Lewis with music composed by Lucian Moraweck and conducted by Lud Bluskin. When the bow breaks was written for Suspense by Anthony Ellis from a story by Sheldon Leonard who was heard as Harry. Others in tonight's cast were Joseph Kearns, Barney Phillips, and Jeffrey Silver. And remember, next week on Suspense, Phil Harris and Alice Fay in a tale we call Death on My Hands. And by AutoLite electrical parts, AutoLite staple batteries, AutoLite standard or resistor type spark plugs at your neighborhood AutoLite dealers. Switch to AutoLite. Good night. Children afflicted with cerebral palsy have been given new hope through the study and solution of their problems. United Cerebral Palsy is now making its appeal for funds to fight this crippler. Mail your contribution to Palsy 50 West 57th Street, New York 19, New York. This is CBS, the Columbia Broadcasting System.


Hello dear learners, I am Antora Mohantra Borua, Assistant Professor, Discipline of Electronics. In this video class, we shall discuss about some sequential logic circuits, which is included in the digital technique paper of first semester PCA program. In our previous video class, we have discussed about the combinational logic circuits. We came to know that all the digital circuits are categorized into two types. One is combinational logic circuits and the other is sequential logic circuits. In combinational logic circuits, the output at any instance depends on the input at that instance. We have already discussed about the encoder, decoder, multiplexer, demultiplexer, adder, all these combinational logic circuits. Today, we shall also discuss about the subtractor before going to the details of the combinational logic circuits. So, the subtractor, similar to the adder, the subtractor also classified as two types. One is half a subtractor and other is a full subtractor. Now, let us first discuss about half subtractor. We know the rules of binary subtraction as 0 minus 0, it is a 0. Then 0 minus 1, it is 1, that means 1 borough. Then 1 minus 0 is 1, then 1 minus 1 is 1. So, this is the subtraction rule in binary subtraction rule. So, in case of half adder, first let us see the block diagram of half adder. It has two inputs, suppose a and b and two outputs, that is di and b0. So, this is the half subtractor. So, what is di? Di is the difference output and b0 it is the borough output. And if we see the truth table, suppose these are the inputs a and b and outputs are di and b0. This is the difference and this b0 is the borough. So, for the two inputs, the four possible combinations are 0 0, 0 1, 1 0, then 1 1. So, from this difference binary subtraction rule, so difference for 0 0, 0 0 is 0. So, there is no borough, so borough is 0. For the second case, 0 minus 1, so 0 minus 1, the difference is 1 and there is a 1 borough. So, it is 1. For the third case, 1 minus 0, that means 1 minus 0, difference is 1. So, it is 1, no borough, so 0. And for the fourth combination, 1 minus 1, the difference is 1 and the borough is 0. So, this is the truth table for half subtractor. So, next we shall see the logic circuit for the half subtractor. So, two gates are used. So, this output is di and this is the b0. So, two inputs a and b, so these are the two inputs a and b and the inputs of the n gate, that is where the output is b0, the inputs are a bar. That means, a north gate is applied and another is b. So, what are the Boolean expression for the half subtractor? For difference output, the Boolean expression is similar to the half adder that we have discussed already discussed. So, this is the expression for di, that means difference output. And for the other output b0, a bar dot b equal to b0. So, this is the Boolean expression for the borough output. So, till now what we have seen, first we have see the half adder, half subtractor. So, in half subtractor there are two inputs, suppose a and b and two outputs, one is difference and other is the borough. So, this is the truth table for the half subtractor and this is the logic circuit diagram for the half subtractor. So, now, so this is the block diagram of full subtractor and this is the logic circuit diagram for full subtractor. In case of full subtractor, there are three input bits and two output bits similar to the full adder. And here the two input bits, that is a and b, means one input is subtracted from the other inputs and the third input is a borough of the previous stage. That means borough from the previous stage, that is the third input for full subtractor. And there are two outputs, one is difference and other is the borough output. So, let us see the truth table for full subtractor. There are three inputs that is a, b and other is the borough input. That means it is the borough of the previous stage and the two outputs, that is di difference and the borough output. So, for the three inputs, the eight possible combinations are 0 0 0, 0 0 1, 0 1 0, 0 1 1, 1 0 0, 1 0 1, 1 1 0 and 1 1 1. So, now let us see the difference in output. So, first all are 0, so difference is 0. There is no borough, so borough is 0. Next 0 minus 0 is 0, then 0 minus 1. So, here difference is 1, borough is 1. Next 0 minus 1, from the law of binary subtraction 0 minus 1 is 1, then 1 minus 0 is 1. So, here 0 minus 1 there is borough 1, so b output is 1. Next 0 minus 1 that is difference is 1, borough is 1, so borough 1, then 1 minus 1 that is 0, so difference is 0. Next 1 minus 0 that is 1, again 1 minus 0 that is 1, so borough is 0. Next 1 minus 0 that is 1, again 1 minus 1 is 0, so borough is 0. Then 1 minus 1 that is 0 and 0 minus 0 is 0, so borough is 0. And the last case that is 1 minus 1 is 0, then 0 minus 1 is 1 and borough 1. So, this is the truth table for full subtractor. Now, we have discussed about the subtractor combinational circuit. Here the full adder there are in the logic circuit there are two half adder circuits are there. So, this is one half adder circuit and this is the another half adder circuits. As there are three inputs one is A, B and other is borough input that is from the previous borough. And the for the first half subtractor the output difference output is applied to the input and the borough output these are added by using a OR gate to get a final borough output. So, these are all about combinational circuits now we shall discuss about sequential logic circuit.


What's up everybody? Jayz here for JayzBeesCaseBricks.com. Happy new release day. This is a 2019 Panini Spectra basketball. This is a two box break random number block number one. So again, there are 10 total spots in this format. Every spot gets a random number for the break, zero through nine. And as an example, if you get the number three block, you will get all teams below or above with three being the first number next to the dash on the left side of the dash. So for example, if we hit any team, of course any card that comes out of here out of 243 out of 299, that will go to the number three block. 1399 will go to you, 3 out of 25, 43 out of 49, et cetera, et cetera. As long as the three is the first number on the left side of the dash, it will go to you. Remember, all redemption cards go to spot zero automatically. Even if we know it's a one on one, it will still go to spot zero. And if there is any unnumbered cards, we will randomize the customer names and give those out that way. So let's do the randomizer really quick, guys. Here's the dice roll. And we got a three and a six, nine times. Good luck. One, two, three, four, five, six, seven, eight, and nine. So we go three and a six, nine, Carter, down to Robert. Now nine times now on the numbers, zero through nine, one, two, three, four, five, six, seven, eight, nine, three, down to five. Carter with three, down with one. Any one of ones will be yours. Robert with seven, four, eight, six, two. Gilbert, any redemptions will be yours. Robert with nine and five. So there you go. All right, you guys. Any quick trades? If not, I'll close the trade window. Let me just quickly go through. I don't know if anybody wants to trade numbers, but never know, I guess. Matthew got two in the next R&B. Danny got one in the next number, random number block, sorry. And then one in the fourth of July. James got one as well. All right, let's go to the trade window then, guys. And again, this is a two box break. There'll be at least four breaks worth, I believe, in this case, since it is only a two box break. So what we'll do here, guys, is, as you can see, a box case. So we're doing half case breaks in the figure team. So this will be half a half break. So what we'll do is we'll go left or right, see which four boxes of the half case we're going to do for this break, and then the other ones. Actually, you know what's easier to probably do is we'll do this, actually. So this box would be one and one. This box would be two and two, three and three, four and four. That's what we'll do. So I'll just do the dice roll. If I roll a five or a six, I'll re-roll, so I roll a one, two, three, or four. OK, let's do it again. Four, there you go. So we'll do the bottom two, four and four. Good luck, guys. So they kind of change up the spectrum. It looks much more beautiful, honestly. I'm not going to lie. But I don't think all cards are thick in spectra basketball, as it always been in football. So I think you still get some heat, though, in each pack. But I think it's only one thick card, and the rest are kind of more like prism type of cards. Smaller. Below, find out, guys. We'll see. I actually didn't get to see any of the first off the line stuff, so I'm not sure how it looks. But if I remember correctly, these are all just thin cards here. Clink-a-pello, there you go. So I think the base cards might be unnumbered this year. So if anything, I think what we'll do is we'll probably just give these all in all in one lot or something right there. And we'll just pen it to the wall, too. So at least the two base cards will be not numbered. There you go. I'm going to go with the first card here, which is James Harden, at number 14 out of 25. Yeah, well, people love prism, so I guess. So four is going to go to Robert. So yeah, two base cards per box, so we'll minimize that in one lot. And the first one here is Nasir Little for Portland, 3 out of 49. I'm not sure. I think we'll figure that out, too. I'm assuming that we're just going to give them out in one lot, the base cards. But at least in this one, I'll make the decision that we'll just give these out to random number block spots. Obviously, we'll just give them out. I don't know how Nick wants to do it for the picker team, but I'll text him right now. Or here, let me see. Of course, the ministry is a really strange situation, most locked down here in Italy, Syria. But we're glad to have the game back. We're certainly glad to have you with us. And this is a game that's absolutely crutch. All right, I'll text him. We'll figure it out right now. But I think that's how we're going to do this one, at least. So Nasir Little, 3 out of 49. Yeah, definitely, Clayton, for sure. But in the picker team random number block, it's going to have to go to the customers that got into the random number block. For the picker team, of course, definitely. Every team is going to go to the team. But we have a 12 team random number block where there's 12 teams tied into that picker team number one random number block. So I think that's what Ryan's talking about. For sure, in the picker team, it's going to go straight up to the teams. But for the number block, for sure. OK, yeah, Nick said actually, in the 12 team random number block, he actually put that if the card's not numbered, it'll be randomized at the end of the break in one lot. So we're doing one lot for everything, I guess, in both random number blocks. So it actually says that in the 12 teamer. So I guess I just didn't read that. So there you go. So yeah, here the same thing as in the picker team random number block. These are always going to be randomized in one lot. So a little added bonus for you guys. If it's numbered, of course, it's just going to go straight up to the team. It's numbered, too. All right, we've got Golgapi Tatsu, Little Rookie. We've got Tyler Hero. And we've got a little Vince Carter. And then we've got that is 37 out of 99. Seven going to Robert. And here we go, we've got a little RetroNet Kenyon Martin spectra icons. That is numbered 14 out of 49. Went to Robert. Next pack. We got a little Vince Carter. But yeah, they have thin cards in spectra back in like 2013 for a footballer, remember correctly? 13 or 12 spectra they had, thin cards. And we got a little Jackson Hayes that is 37 out of 99. Seven going to Robert. And we got a James Worsey, illustrious legend. That's a beautiful looking card. And that is six out of 25. Spot six going to Robert. All right, next pack. Rudy Gobert, and a little Jaumarant. Very nice. Part of the lots. Let's see Rudy Gobert. And we got Jonas Valentunis, the number. And out of 49, Nakeel Alexander Walker autograph, aspiring autographs for the Pelicans. That is 10, so spot zero going to Gilbert. All right, next one. They also made a huge number of changes. Two days fewer to work with as well. Right here, it wasn't happy about that. But six changes. All right, John Wall and Ruby Hachimura. They're set to be there at fours big here. So back to suspension. We got Carson Edwards, 89 out of 99 going to Robert. And then we got Chuma O'Keeke to 49. That's 41 out of 49 going to Dan. There you go. Next pack. Then pack, we got a redemption here, I think we do. Nice little RJ Barrett. Number 48 out of 49, very nice. There you go, Robert. Robert cleaning up a little bit right here. We got Deris Garland and Yanis, that's the compote. And let's see who this redemption is. Is on live or is it your redemption? So this will automatically go to Gilbert and spot zero. Just let that fly. Signatures. Card number five. This must be a veteran. OK, it's Kevin Durant, isn't it? No, it's Kevin McHale. I thought it was Kevin Durant there for a second. That would be Boston Celtics. But again, this is a random number of blocks. That'll be going to spot zero and Gilbert. There you go. Very nice. Two more packs. Marcus Alder's base. Keep that base on there. I feel like there's a die cut right here. Oh, there it is. Kaolari. That is seven out of eight.  Toronto Raptors seven. Or sorry, round another block, seven. Robert, there you go, man. And the hit after Nassir Little is Jordan Poole to 149. There's a little patch auto. And that is 60 out of 149. Spot zero going to Gilbert. All right, last one, guys. Good luck. You got Ignace Brousdykus. Not numbered. A little Clay Thompson. And behind Kaol guy is Cameron Johnson to 49. And what a beautiful patch auto. There you go. Very nice. Spot five out of 49. Spot five going to Robert. And there you go, guys. That was the break. So again, all unnumbered cards will be randomizing in one lot. So it's a good little score here, if you think about it. All right, all these unnumbered cards, even the silvers are refracted, I guess, are unnumbered. So not too shabby. So if you didn't hit much, you still have a chance to get to nice one. I want to. And then these will go up to the rifle. Random number block owners. Very nice stuff. So there you go. So let's randomize the customer names and see who gets that little unnumbered lot of base cards. These names here. Let's roll it. And it's a three to five, eight times. Number one gets the lots. One, two, three. Four, five, six, seven, eight. After eight times, Robert, you have the odds, man. There you go. Congratulations. You're going to get the whole unnumbered lot. There you go, guys. Next one's in the store, jaspyscasebreaks.com.


I have a question. You've been talking about mind, mind, mind, mind. What about the feeling, the emotion? Yeah. And my understanding is what is buried in the subconscious is the feelings, the feelings that took it, that projected that. How do you get those emotions and feelings out? There's only two emotions. Love and fear. Now, he does say that fear has many sprays in this world, in a sense of anger, irritation, frustration, envy, jealousy. Gosh, you could go on and on and on because they're all upsetting basically. None of them feel good and they're all like a giant spray off of that. And love, you know, a lot of times peace and joy, and peace seems a little bit different than joy. Joy sometimes seems just so exuberant, you know, but contained in peace sometimes is just so restless. Once again, it comes back to thoughts. That's why we have to always talk about mind because it's the thoughts that the mind identifies with that produce the emotion. Say that again. It's the thoughts that the mind identifies with that produces the emotion. So remember, we just talked about there's the Holy Spirit thought system in our mind, that light, the reminder that you have never left heaven. There's still this guy created you, he loves you and everything. Those are what the Course calls our real thoughts. But they're buried.  The mind is so afraid that it's thrown to stack in between the real thoughts. So here's the Holy Spirit thought system and here's the ego. Now, every instant the mind is choosing one of the others. So the guilt is in the mind. The mind aligns with the ego, believes that the ego is real, makes a decision, we'll say, for the ego. And then what happens on the screen is there's a reinforcement that the screen just brings back to the mind whatever it wants to see. If it believes it's innocent and holy, guiltless, then you see the forgiven world. But if you believe in guilt and you still are buying into guilt, then you see a world of duality. You see a world where you're a victim and that. So that's why when we talk about emotions we always have to come back to mind and thoughts or cognition because it's the thoughts that are being brought into it. It's not like the feelings cause the thoughts, but which thought system is the mind buying into it. My conscious decision or my understanding is now, I don't want to choose that no more, but it's still coming out all the time. That's a good question. And this was my question about, you never talk about the emotion, how do you change that? Okay, now we've got a question where you're saying, I don't think I'm consciously choosing ego. I'm not going along. I don't feel like, oh, yeah, I'm going to choose ego on this one. And then it doesn't seem that way experientially. So what I'm going to talk about is the conscious mind, which is, we could say, I'm a person, Jeannie. I've got a job and I'm living in a world and it's still kind of a teeny view. Jesus probably wouldn't really call this conscious. He still would be calling it hallucination. In this world, it seems to be what the world calls a psychology called the conscious mind. That's at the surface of the mind. That's like at the top of the Empire State Building where the flag is blowing. That's the conscious part of what seems to be my everyday experience. Now what I'm saying is, once the separation seems to occur, God placed the answer right there where the problem was. He placed it right in the mind where the ego was. He wouldn't put the answer in the world when the problem's in the mind. Because then there would be no way he wouldn't do any good. So he put the answer right next to the ego. Now, that's down in the basement. You've got ego and Holy Spirit. These are the two alternatives. But now, here's the mind of the brain, so it stacks all these layers. First four, second four, third four. I don't want to remember. I've got to get away from that light. And fifth, sixth, seventh, eighth, forty-ninth, fifth. These are all the unconscious beliefs that are in the mind. That kind of prop up the surface, which says, I'm a person living in the world. So that's why it's seemed as if the person, Jeannie, is not going through her day thinking, I am so angry at God, I'm going to choose the ego again, consciously doing that. But in the mind, whenever we're upset, I think it's because of our boss or co-worker or the weather or, you know, the stock market or whatever it is, the dog pee on our carpet or whatever it is, it doesn't so much matter because that's the screen. That's really not what's going on. It's going on because of a decision that's in my mind. And it comes up through the filter of all these beliefs as, you know, I'm going to choose the ego. I know that. I mean, I know that. Is there a way where you can change that without junking up everything again? No. You have to look right, you have to look at all those floors. What you mean by looking? That means to come to the surface and experience it. Raise it to the left. That's what you call looking. Yeah, and you will have to go through the pain. There's a belief there. In other words, there's some thinking that fell in the mind that didn't come from God. This was not created by God.  These are all ego defense mechanisms to keep from looking at the beliefs. You know, projection is a common one. Obviously, you know, if I could start blaming, that the blaming might be a more common word for it. If I can blame things and everything around me, then I don't need to look at my beliefs. Forget about that. What you mean, you have to look at the ego. What do you mean by that? My question is, if we have to unload, does that mean to unload and go through the pain? Is that to look at the ego? We have to unload one, two, three, five, ten floors, twelve floors? One by one? The good news is, at the beginning it seems like one by one. But the more you work with it, the more it teaches that all these layers and levels are all form distinction. In other words, you know, you can have many beliefs about the world of form. Just look at all the different beliefs. Belief and starting will start with the basics like time, space, bodies. You can have beliefs about men and women. Let's just take men and women. Sexual stereotyping. You know, what little girl has learned from mommy and daddy about what it means to be a girl? The boys, those are all form beliefs that are tied into the form of little girl. What does it mean to be an American? What does it mean to be from France? What does it mean to be educated or intellectual? What does it mean to be a Democrat and Republican? These are all form things. They all relate to the world of form. That's the stack I'm talking about. But there is a shortcut. There needs to be a long, painful experience to go through these one by one. Jesus is trying to teach the mind and the Holy Spirit the difference between form and content. Form and what? Content. Purpose. If the mind can get the Holy Spirit's purpose, then you can start to see that these are all things. An illusion is an illusion. It may have moved in variations. Like, for instance, time and space. If you had a philosopher in here to discourse on time and space. Now, time and space seem to be different things. The distance it takes a light year is a way. It seems to be one thing. And then space in terms of space in a home, you know, you don't say... Space between objects. That door is, you know, two seconds away. It's usually up towards 15 or 20 feet away. It's usually in spacetime. Well, Jesus says, of course, that space and time are one illusion. It's part of the projection. Yeah. The whole thing, the whole sense that it's all connected. But you can see how space and time, male and female, Republican and Democrat, all these things are form distinctions that the mind has learned. It seems that the concrete and form is real. So Jesus is saying, we're going to work. The Holy Spirit is going to try to teach you in it. You'll start with the specific. That's where the lessons start. Nothing I see means anything. This table does not mean anything. This chair unit. He knows the mind believes that in specifics, tables, chairs, pencils, waste baskets. So he starts there. But the whole point of the Course in Miracles, the shortcut, if you will, is to see that there is one purpose that can be given to everything in the world of form. And that's the Holy Spirit's purpose. So I was given the example the other day of a chunk of a house that's decorated with all these paintings and Chinese vases. And we'll say some of these vases will say are ancient vases from the Ming dynasty worth thousands of thousands of dollars.  The dog gets into the house.  And the parent comes out and looks and sees the girl chasing the dog around the corner and knocks one of the vases over. Now, this is a pretty extreme example of how we use it because the Holy Spirit's purpose in the mind is the healing of God's Son. It's always the attitude of love that counts, in other words. But you can see from the ego's perspective the ego believes in possessions the ego believes in the thing in this world and value not seeing the Christ and the child, but the things are you can see where a reaction of the parent could be kind of like go after the little child really scream and holler once you said why did you let the dog go? So, this is an extreme example because this is a form content thing where the ego sees the form as being important and the Holy Spirit, of course, knows the form as meaning. That the content of love, forgiveness is the big thing. Now, look at all the chances we get to practice this every day. When you start to get wound in the form especially when you're working with children and you have these things in your mind called your duties and your obligations and so forth that you take on as part of your job role which is still made up or you take on as part of your parent role what it means to be a good mom you may have conditioning in there every mom may have an idea of what it means to be a good mom to keep things clean part of maybe being a good mom well, tell ya when the little girl comes or the little boy comes tracing through the house with the mud then there can be some upset because something's being violated in the mind but what I'm saying is it's always being violated just in the mind the ego will say you know, project project the anger so the way to go through the stack or through the skyscraper is you start with Jesus on a specific level and little by little you learn that the only thing important is forgiveness the only thing important is love we all have a concrete and a concrete perception of feelings of different fears and different things that we experience in this world different things that we want to avoid and so on and so forth and we need to start after we give kind of a metaphysical basis we'll be nice if we could all just come in here and sit down and hold hands in a firm we are the holy child of God and then all of a sudden all the problems will disappear and basically the path of the Course is saying it's got all that good stuff in there that you're a holy son of God and that you're created by a loving father or a spirit and that you're infinite and magnitude and a lot of the things that we've read all around but the Course's path is basically saying that's the presence the Christ's presence is available to you always, right now but you've kind of covered it over with these dark veils and with these distorted perceptions and that's why sometimes it doesn't seem like Jesus or the Holy Spirit or the Higher Self or Harvard you want to look at that is available to it and basically the Course is just saying you put barriers in between your awareness of that that love so really this is kind of looking at in some ways instead of more affirming the light it's more of holding in mind that we are the light but kind of really looking at the darkness and kind of raising it up from the unconscious and taking a look at it and once you can see it then you can say it's like looking at the fear is how you peer through it so that's what this Course is it's a Course in opening your mind and changing your perception of the world and basically the only goal of the Course and it states it's over and over and over is this is the Course in peace of mind the peace of mind is the goal and basically the means for coming to that peace of mind the Course calls a miracle now when we use the word miracle a lot of times we use images of maybe whatever red sea parting or being healed of sickness leprosy or blindness or you may think in your own life of having a lot of it look back at your own life or something that just works out beyond anything that you think you can control and you think like well that's kind of like a miracle the Course is kind of in a sense a miracle is like a divine intervention or it's inspired by God what comes from that inspiration is a change of mind at the way that you're looking at whatever you're looking at