For more videos on people's struggles, please subscribe to our YouTube channel. Government has got a moral responsibility of defending and protecting its citizens. Government has got a moral responsibility to protect its workers in its own country. Demonstration today is simply nothing but to actually outline the cries of the workers so that it could be perceived by the sitting and minister of finance as it delivers its budget speech today. It's concerning that today we're going to be hearing a budget speech which will now start allocating funds. What are they allocating those funds based on when we have actually tabled our problems as the workers into the labour court which needs to see to the decision of freezing the wage bill as well as cutting workers. Comrades, this is the day in which we are out as served to in a national stay-away at the same time having coordinated some of the bigot to simply highlight that it is the capitalist system that allows arrogant bosses. It is this system that breeds non-compliance. It is the system of capitalism that breeds no respect for workers rights. We are supporting that noob so the health workers in all health sector must be given PPEs. The frontline workers must be given proper PPEs. Well it's now called employment and labour. I don't know which employment because there's no employment.  Workers are not taking silas. We are not taking silas. So we're worried about this character that the right thing will be done. Comrades, we want jobs, we want employment. What we will never allow is for those jobs to be at the expense of our lives as Africans and black labourers. We must refuse to do that. We want investment, but we don't want investment but we must use our brothers and sisters to pay for those investments. We want to urge the Department of Labour to say that government has got a moral responsibility of defending and protecting its citizens. Government has got a moral responsibility to protect its workers in its own county. If government is not going to protect us, who must protect us? They are necessary. There is absolutely no reason to use that kind of force of provincial security that they just threw monlessly into the police vehicle. We had just suffered a stroke recently and we asked them how that was broken. I was part of that scuffle with the police officers and they attacked us first. They have been shown from the beginning. They have not been interested in resolving the stand of peacefully. That has never been their intention.


led to 25 points for the Wizards. Let's hear from head coach Steve Nash. What were you seeing on the defensive side of the ball? I know the Wizards have two great-store scores, but what were you seeing on the defensive side that allowed the Wizards to hang around and give them a chance to steal it? You know, that was basically the message after the game. Gave up 149 points, 72 points in the paint, 48 points in the fourth quarter. 17 turnovers didn't help, but, you know, the defense just wasn't good enough. And I think everyone realizes, you know, we obviously had many opportunities to win it down the stretch at the end of the game there, but probably didn't deserve it the way we guard it all night. So frustrating night, and our level dropped, and we got to pick it up. Is that drawn up for that last offensive possession? TLC had to miss, but was it just a good basketball play on his cut? Was that the idea going in? What were you looking for? Yeah, we had Kevin on the block there. He had his ISO or Kai coming off, and they flooded Kevin. So we knew that he had a cut, and somebody had the cut, Kai, and he got it and got a wide open one and just wasn't able to finish. Malika Andrews with ESPN. Steve, when you look at that, I guess the second to last sequence where Bradleyville hits a three, Inbound passes stolen, Russell Westbrook hits a three, where are you looking at as the biggest breakdown in that sequence? It's an unfortunate moment, and Joe just threw it in, and Kevin was cutting the wrong one. We're cutting in different directions. So it's just an error, and it happens. But when you give up 149 points, that's one error in about 50 defensive lapses. So you're not good enough defensively, and we can look at the miss layup or the turnover for the three there, but we shouldn't have been in that position. We had a big lead early, and we let them stay around a long, long time until their confidence grew. They're a desperate team looking for a win, and we gave them a chance and gave them life. Brian Lewis with the New York Post. Hi, Steve, maybe not quite to this extent, but I mean, this has been a reoccurring issue where you guys have faced some teams with, quote, lesser records, and you've had big leads and blown them.  They know where DC is, and they just kind of took their foot off the gas and thought that this was over? You know, it's hard to argue with that perspective. You know, it's kind of, it's a little bit intangible, but it definitely felt like, you know, we, we, you know, it didn't, it didn't mean enough to get stops.  I'll give them that. They spread the floor with shooters and they have guys that can get to the rim, but, you know, our level dropped and we let too many guys get to the rim to the tune of 72 points in the paint and that is one way to lose a game for sure. Alex Schiffer with the athletic. Hey, Steve, talking about that 18-point lead early on, is there one thing in particular that you kind of thought led to them getting back in it and obviously the snowball coming from there, whether it was the turnovers or just the defensive collapses? Both turnovers, I thought we turned it over a bunch when we had the lead or when we could have had a bigger lead even.  They scored a 149 and they missed a bunch of threes that they are very capable of making. So, you know, it could have been worse, but you know, I think we just let our foot off the gas, thought we were gonna win and that's a dangerous game to play. Christian, when field with the New York Daily News?  You know, the most important thing, I think, is individual pride, you know, making every possession count and mean something. I think too many possessions didn't mean enough to us tonight. We gotta sit down in a stance and guard and make it difficult.


Human rights express the core purpose of the United Nations. We can only attain peace, security, and sustainable development of all societies when we advance the dignity and equality of all human beings. In the course of my work, I fully intend to honor both the spirit and the practice established by my predecessors. I bring to this mandate my experience in public service and my lifelong dedication to reversing hatred and ensuring equality and respect for all. I have been a political detainee and the daughter of political detainees. I have been a refugee and a physician, including for children who experience torture and the enforced disappearance of their parents. I bring to the course of human rights the diversity of cultures that have nourished my approach to public service. I bring my commitment to bridging the differences between communities and promoting respect, well-being, and freedom. Political differences may divide some of the countries in this room, but upholding human rights is in the interest of every state. Your people seek a common agenda, rights, sustainable development, and peace. I am convinced that this council must strive for consensus. I believe there should be more engagement by all member states, not sterile dispute, not withdrawals, but collective, coordinated, and cooperative work to sustain core principles and common goals. It is states which have the primary responsibility for upholding the rights of their people. I will always listen to the concerns of government. I will advocate for the civil, political, economic, social, and cultural rights that are the inherent entitlements of all people. I will strive to be their voice and their strong defender in complete objectivity, without fear of favor, and to urge all states to protect and promote all human rights without distinction. It is an honor to be called to this mandate, to assist states to uphold the human rights of their people. In this year in which we celebrate the 70th anniversary of the Universal Declaration of Human Rights, the Universal Declaration is a commitment to values and policies that have delivered tremendous benefit to millions of people.


Hello and welcome to the Grand Line Review, your source for everything One Piece. Today we are going to be expanding the Paramecia Index of the Devil Fruit Encyclopedia by examining the Togetogeno-mi. The Togetogeno-mi is a Paramecia type fruit that allows its user to produce spikes from any part of their body as well as turn any part of their body itself into a spike. It was eaten by Zala and if that name is not familiar to you then do not worry because it was only recently revealed in the One Piece Viviacart data book after decades of belief that her real name was Paula which turned out to be an alias although Zala is most commonly known by her second alias Miss Doublefinger. In any case this fruit first saw use during the alabaster arc. Really boring etymology this time around unfortunately as Togetogeno-mi is simply the Japanese word for spike and well wouldn't you know at Viz, Funimation and Four Kids decided to call it the Spike Spike Fruit. Although I guess I should just be happy that Four Kids didn't try to label it the prickly prickly fruit or something.  As for the abilities of the fruit itself look it's also fairly simple. The user gains access to deadly deadly spikes of varying lengths and thicknesses essentially becoming a human blowfish. However of exceptional note is the fact that these spikes are incredibly powerful being sharp enough to pierce stone with great ease. Exactly what the limitations are on the size of the spikes is unknown but the user does appear to have control over precisely what element of their body becomes a spike at any given time. So for example a user could turn their entire arm into one giant spike or turn individual fingers into smaller yet equally powerful spikes. In fact should the user desire then they can emit spikes from every direction of their body and enact a technique known as Stinger Hedgehog and even proceed to roll at their opponents at great speed just like Sonic which is ever so slightly terrifying. Although it was aptly demonstrated by Nami that all one really needs to counter that is a mere sheet. But even with that in mind this fruit is pretty devastating by real world standards. I'm not exactly sure what sort of substance you would need to defend against it but I'm thinking some sort of incredibly thick metal or similarly heavy thing. However those substances are generally not practical to carry around or wear and even if you could they would reduce mobility significantly. Furthermore an opponent would need to ensure the entirety of their body is covered because the Togitoginomi is more than capable of mid-range precision attacks. So for example if you've left a neck or a wrist or something exposed I guarantee that it will be getting a nasty poke but it would be a huge mistake to assume that the Togitoginomi is purely an aggressive devil fruit because its abilities can be applied to so many other areas of life. First up the easy access of bodily spikes would be a highly enviable ability amongst rock climbers who would now be able to scuttle up whatever mountain they saw fit and this extends to seemingly any non-metallic surface. You can even walk upside down in perfect comfort should you desire. You will however leave a trail of spiky holes in your wake so it may not be so great for anything that requires a particularly stealthy approach. But in general we use spikes for a lot of things. A farmer with the power of the Togitoginomi would be able to save on expensive equipment because they would now possess the ability to aerate the ground themselves. Which is basically the process of perforating soil with holes to allow air and other assorted nutrients to access deeper levels of soil. Something that I think a spiky human would be perfectly capable of. There's also some more let's say questionable uses like knitting for example. A grandmother with the power of the Togitoginomi would be an absolute knitting beast able to clothe her entire family for generations to come. Or if you're in a younger stage of life perhaps a professional athlete playing soccer and or football depending on what your country calls it then you could invoke the powers of the fruit to save some money on studded boots. Not that you'd probably be legally allowed to play with deadly spikes on your feet but still it's an option. And in a more general context one could easily use the length of the spikes to create a handy pair of chopsticks to use at any sort of mealtime. So yeah you get the idea. Spikes are useful yo. And to discuss that a bit more let's look at Miss Doublefingers use of the Togitoginomi. Now as what is essentially a hired assassin Miss Doublefingers use of the fruit is very handy for general maiming and gilling. However she has also innovated a particularly interesting technique in the case that she finds herself in a close combat situation known as Togitogidoping whereby Miss Doublefinger appears to inject herself with her own spikes to enlarge her arms into an extraordinarily bulky yet spiky mechanism of doom. This allows a more straightforward approach to combat as the Togitoginomi is generally suited for precise attacks whilst maintaining strong defensive leverage. As for exactly how the whole doping thing is possible all I can really say is I don't know. I mean maybe what Miss Doublefinger is doing is creating a plethora of spikes within her very muscles that lead to the expansion of the arm region but whatever the case it is a very handy feature that could presumably be applied to one's legs as well if you know that was your thing. And in terms of potentially awakening this fruit I have to say that the Togitoginomi would be pretty damn powerful. Going with the standard Paramesia Awakening theory a user being able to morph their environment into spikes is essentially an automatic wind condition to anybody unable to engage in sky travel or armament hockey. And you know what even in the case that someone can use armament hockey having a landscape full of long thin spikes to fight on would be an absolute pain. Kind of like struggling your way through a particularly thick patch of bush so I think that it would be pretty damn phenomenal. Some other miscellaneous things to consider when becoming a spiky human. Due to the strength of the spikes produced this fruit also becomes a very appealing defensive option both deterring opponents with the promise of painful spikings as well as the fact that they may not even have enough strength to penetrate said spikes.  At one stage a keen eyed fan noticed that the powers of the Togitoginomi looked very much like they also affected the user's clothes but this is not true. In reality the spikes produced by the user are simply unable to penetrate the user's clothing because Erichiro Oda claimed that the story would become unnecessarily erotic if they did. But yeah in essence the Togitoginomi is quite a nice middle-of-the-road devil fruit really. I'd struggle to call it really amazing because there were just so many other insane fruits out there but it's not too shabby at all. I mean in the real world this would be disgustingly powerful but by one piece standards that's all I can really say it is. Standard. And with that we are going to commit the Togitoginomi to the devil fruit encyclopedia. Next week we are going to be stepping back into zoan life in order to cast gaze upon the majesty of the Inuinunomi model jackal. If you enjoyed this video and the content this channel produces in general then please do consider donating to the Grand Line Review Patreon because the support of all of your amazing people is what continues to make this channel possible. Also do check out my Teespring store if you're interested in shirts, hoodies and other miscellaneous items but the proceeds going directly to support the channel as well. And if you'd like to join the fun at any time then please do head over to my discord server where a wide array of shenanigan retakes place on a daily basis. And finally please do comment with your thoughts on the Togitoginomi. This has been the Grand Line Review and I'll see you next time.


The Code Red Alert System is a fairly new tool that Beltrami County Emergency Management has been using. While it has mainly been used for things like severe weather, last Thursday it was used for public safety, telling residents to stay indoors and lock their doors because police were searching for a suspect that had a gun. Shortly after the alert was issued, Beltrami County Dispatch was flooded with calls from residents that were concerned and had questions. Those that received the notification should look to local, reputable media sources for more information. We do our best to contact the media sources that are in our local area and we share information that we can. The police department wants to discourage residents from calling dispatch for questions because it ties up lines and could possibly prevent someone with an emergency from getting through to the dispatcher. We would ask that those receiving that notification don't call our dispatch center to try to get more information because they can't get more information, they're not on scene, and it only overloads their already hectic work environment. Mastin says that if you have questions it's best to look to a reliable source such as local media websites and Facebook pages. He also recommends the Beltrami County Emergency Management's social media pages as a good way to get more information. If you've enjoyed this segment of Lakeland News, please consider making a tax-deductible contribution to Lakeland Public Television.


Spring here when it loves. Welcome back to the School Class today, it's Tim and Jacko and Tim, tell them where we are. We've come to Robin Hood Gymnastics Club to get some coaching and support with the handstand world record happening June 23rd. I've got my leotard on ready, do you need to get changed? Well, I've got mine, we might need to pick one. Let's get inside. The thing we're missing is that like, we don't do the hand thing. Oh, right. Yeah, those bits. What are those bits? It takes practice. But what does it...  If she did all that with Tim, it didn't do the... It's basically dancing. Would you get marked down? You didn't... Because I was thinking about it. So I can do that before I do my handstand on this floor as if you land on a bit short. Like, rather than just looking over, it's just going to happen in the light. That's it, that's it, that's it. Just come up a bit short, so I'll just make a way over there. So I think she was saying you're... I didn't want to do anything. You're basically dancing. Nice. Robin Hood, Gymnastics Tour. In preparation to break a world record. And I'm at it right now. Doing a full roll. I feel like it's gone long. Actually... We've been invited back. That's the bonus. It's a flashback to our early days in Palestine where someone said to us, you're just here to mess about, aren't you? So as you can see, the handstand world record is a genuine Guinness world record attempt. But we don't take ourselves that seriously. If you can't hold a 15 seconds, that's fine. We're about having fun and coming down and enjoying the event. Whether we break the record or not, it's going to be down to 400 other people because I'm probably going to fall over. So if you're going to fall over, don't worry, still come down. So I think we're going to go and jump in the foam pit a bit more. But until next time, nice dismiss.


A very good morning to all of you. Thank you, Iklif, for getting me here and for getting me to be recognized in this platform. Coming from the northeast of India, which is very far off, I was still surprised how I was nominated and how I'm here. Thank you, everyone, for that. A world without human trafficking and exploitation. That's the journey I took off when I was 17, when I was just out of high school. When I look back 25 years back, this is the journey I wanted to pursue. And today, I think I'm so glad that I pursue what I did. When I talk about human trafficking over the last 25 years, I've seen the numbers of young women from India, from northeast of India and southeast Asia, being trafficked to different parts of the world for labor exploitation, sexual exploitation, and for numerous kind of exploitation. And when I embarked the journey, I said to myself that we have to end slavery. And that slavery is a very important element. No good business can take place if we still have slavery. When we're talking about, for me, the journey has been numerous, enormous. Partnership through action helps create scalable, sustainable innovation for safer, better lives all around. This journey would have not been completed if partnership was not there. The partnership that we had across the country, the partnership that we had across the border, has made and enabled the possibility to work in combating child and women trafficking. We had dived down deep into issues to put an end to human trafficking. We brought together both the private and the public partnership over the last 25 years to engage into intervening, into an action-oriented intervention to address human trafficking. It was a very important part that it's just not about one sector, one community, but both private and public partnership needs to engage together so that we could dive into the issue and take away and eliminate human slavery. The impulse model and the impulse case info center, the heart and soul of the organization that I led in the last 25 years through the partnership was the model. The impulse model is a 12 pillars model. It's a six piece and a six R. The six P's is partnership, prevention, protection, policing, press and prosecution. But all these pillars are engaged through a partnership and a collective leadership. Without collective leadership, the journey would have not been possible at all. And over the years, when the model got the world prize for the best innovation in 2012, we were given another challenge of taking the model across borders. And that was a time that the model got replicated in Myanmar. And then it went to Nepal and in Bangladesh. The whole idea of replication and innovation and scalability was that we need to avoid duplication of action. We need to avoid wastage of resources. And that was the model was trying to do. Get across the borders, engage with more partners, engage with more people to see how we can bring a better result, how we can actually endorse that duplication is a wastage of resources and how we can really work collectively. And over the years, we have seen the challenge after working with more than 30,000 law enforcement agencies. We saw that unless until we apply and bring technology on board, we will not be able to counter this menace of human trafficking. I know yesterday a lot of speaker talk about technology and we brought about a technology platform that provides and engage the law enforcement across the country and across borders with different country on responding to human trafficking more immediate, much more oriented in terms of faster and speeder because traffickers are mostly faster than anyone. So we had to bring this support system to the law enforcement so that the law enforcement are able to be much more stronger. And that's what we created the impulse case info center software. It's a three tire system and this three tire system connects the organization that works together through the help of a moderator and it has different users. So in each country, the law enforcement in India and the anti human trafficking units have applied and use this technology platform for the last three years. And we have been very fortunate that across the border countries like Myanmar, Bangladesh and Nepal has also endorsed to use this technology platform so that they could communicate with each other because most of the country who have signed the Palomo protocol are supposed to act upon the issue of human trafficking and they have to act much more quicker and faster. Now, the technology platform has helped enable the law enforcement. It had helped to enable the service providers to analyze, it's an automatic analyzation of trafficking hotspots, routes, the destination point and also the source point. Through the work of Impulse Model, we have dealt with 72,442 cases that we have intervened and none of these cases has been re-trafficked. That was the success of the Impulse Model in the last 20 years. The Impulse Case Info Center, like I've just mentioned, it partnership in a very organized way using technology to counter organize crime. It's a case management, it's a comprehensive data, systematic documentation of the 6R. The 6R is report, rescue, rehabilitation, repatriation, reintegration and recompensation. So it takes the laws of all countries into perspective when we are dealing with confidentiality of cases of human trafficking because confidentiality is the most important when people's rights has been violated. They still have to live in the communities. You cannot stop human trafficking until women at the grassroots become economically self-sufficient. Now 13 years ago, the new beginning was after the nonprofit was started, we realized that migration is a right. People migrate for work and they'll continue to migrate for work. Unless until we made the source point, economically sound. And that's the only way that can actually help women to make choices. So we created Impulse Social Enterprise and that's when it came into existence that we give women the choice to economically be sound in where they come from within their own ecosystem and they have a choice not to migrate unsafely. What we did was weaving on the Impulse Social Enterprise, the strive to stop them from unsafe migration, mainstream them into livelihood within their own community has seen result in artisans having their own earning through weaving under Impulse Social Enterprise. What we did was we capitalize traditional skill. The area that I come from, the northeast of India has reached an enormous traditional skills where home-based production is of very high value but market access is not available. So we try to capitalize in providing that market access where we have 30,000 women who are engaged in the Impulse Social Enterprise today and every day the numbers are increasing. That means we are giving them a choice not to migrate but to be economically sound. That's the most important part when we talk about unsafe migration. The solution, social entrepreneurship must have social impact and be measured by values and not profit. There was a question that was asked to me a few years ago, Hasina, what is the profit value of your company and your social enterprise? My answer to them was that you cannot look at the financial statement every year but you could look at the social impact every year, how many families have impacted and how many families have actually been able to make a choice not to migrate and that's what the value proposition of Impulse Social Enterprise is. Enterprise is not it will change the lives of people which is why I'm a social entrepreneur and not an activist. This is a big question about activism and being an entrepreneur. For me, social entrepreneurship is a journey that engage people to look for solution, to innovate for solution, to look for the resources around and to counter that problem. It's just not about activism. What we have given us a solution is training plus market access and financial independence to each women that we're working with. Impulse Empower is the artisan's product. Today, the 30,000 women produce these beautiful garments, they weave design of artisans, tribes have adorned people and their home for centuries. Impulse Social Enterprise invitation to several designers introduced them to classic woven by the artisans and give them a contemporary twist on the line of horticulture. Why? We have to start being conscious customer. It's time that when we talk about business, we need to be conscious from where the product comes from, who is producing it, and what impact the product that you're buying is actually changing life. And that's what we try to do at Impulse Social Enterprise. We realize the big economy is also a thriving economy where people are actually looking at a faster production. But here, what we try to get back is getting the impact of life of people at the ground. There's financial independence, no doubt about it, but there is a story behind it. Every product they purchase is encouraging, empowering women at the grassroots for poverty elevation. ISE Business Impact has been listed as the 15 best social business impact in India by the business outlook. It features a sustainable livelihood for vulnerable communities in the northeast of India, an enterprise that blend business with social consciousness, a model that showcase the internet, the inherent art and skills that communicate, can use to nurture and scale the economic growth, empowering women to earn to be independent and not to be susceptible to untone situation, empowering women to be empowered. These are the artisans. They all live in their homes. They all weave in their home. They control the time. When they become 40 plus, they become a shareholder of the company. And the reason for that, for many years, they've been part of the whole process of economic development, as they're engaging more young people in the process to actually prevent unsafe migration. They also have a right to become entrepreneurs themselves. Take the high ground and put an end to human trafficking is the motto. We need to get survivors back with marketable skills, marketable skills, education for young people so that they don't have to really get back into the process of being exploited. Come join hands with us to put an end to human trafficking. Thank you. I have the film and I would love you to watch the film on the journey of 25 years of mine and how the coal mining that actually was recruiting 70,000 workers in unsafe situation was something that I got a public interest litigation with the government of India and got the unscientific mining close to save the life of many children who've been trafficked from Nepal and Bangladesh. I'd like you to watch it. Because the scenario of trafficking changes. Some are going for employment and they get due. Some of them are taken out of the region for better opportunities outside that they get due. Some of them, of course, are taken as labor forces. It's a mixture of all of that. Over the last 20 years, we have crossed more than 72,422 and the cases are increasing every day. Our experiences in the Northeast over the last 20 years has seen a different change altogether. When it started off, we see a lot of unsafe migration happening from the village, from the rural to the urban areas and simultaneously that changed the whole shift where we saw a more of young people leaving the Northeast migrating to other parts of the world, especially Southeast Asia, in search of employment opportunities. And lately we have also seen, especially with the intervention we have done with the coal mining, we have seen that Meghalaya became a destination point where children were brought from Nepal and Bangladesh, recruited in unsafe labor in terms of working in rat coal mining. The report of cases comes to us. The first step of intervention is we record the case in our technology platform, which is actually being used by the various stakeholders at the moment. And we alert the anti-human trafficking unit in our country to intervene on the operation. Now, if cases happen that they take place in the metropolitan cities, which we have a lot of networking partners, we coordinate their help to facilitate support to the anti-human trafficking units, whether to assist with filing an FIR, whether to operationalize support in terms of rescuing the child with the help of the enforcement or the woman or sometimes we also need rehabilitation linkages. So all of that takes us a second step. If people are coming to know of issues of human trafficking, we as an organization, I mean, can be contacted immediately. And then we continue the facilitation to integrate the child or the woman. Then after that, we look in terms of supporting the legal intervention by helping them to apply for the compensation because the legal laws and rights in our country is available. And that is something that we are facilitating an action that these people are able to get the whole process in a forward. Thank you very much.


It's in the gunter. Yeah, two completely different films. Very completely Yes, but amazingly similar titles death in a gunge was about this guy named Reggie Who fell into the butt crack of King Kong and they didn't know what to call that They didn't have a scientific term for King Kong's butt crack. So his son Leon Said it's a gunge. So the Synopsis is a life of a shy young Indian student slowly falls into pieces during a family road trip. Yes I don't know if I like that. I think it's a little too much away. I think I would just spend like a family goes on a Dysfunctional family trip Yeah, I don't think it gives that much away. I mean it really could but anyway, it's direct.  Well, we know this gentleman. Oh, oh, yeah the casting No, no the producer. Oh Abhishek Chabi. Oh my bad Good job. So truly and that one with that in a certain shot correct He also worked with Shaw-Bardwash at the beginning of this. They said this one's dedicated to Vishal bard wash Mm-hmm. I believe I researched it said he was the one that got this person's This is her they started her he got he helped her start her own movie company. Oh Production and is this am I about this is her first film. Am I right in that might be I Think I remember that but obviously it's starting a whole bunch of people Most notably though, I think the star of it is the current nasi who I'm glad we actually watch is now Know him from music. Yes. So that's that's wonderful but Colky Colky Renvir sorry Oh boy. Yeah, just a whole gym who I think was in punmavut, right? Yes, he's the gay guy Renvir so so many people And it's definitely I would consider it an independent film. Yes, it feels that way and that's a good thing 100% independent film. So is it gonna be a hundred foot sword review? That's just how we like to do if you haven't watched it.  Yeah, but yes Rick your initial thoughts I didn't like it as much as I was hoping I would The trailer I remember it me thinking oh my goodness This has all the feels of a really incredible independent film And it even felt like it was gonna take really dark turns to the point of almost being like horror And since it didn't go that way I guess I went in with somewhat of an expectation of that based on the trailer and a lot of the buzz because I had heard We had heard things about this being like Oscar level and I didn't find it to be Oscar level. I felt it to be enjoyable. I'm glad that I watched it Mm-hmm. I have some problems with it But so other than that my recommendation would be to people if you haven't seen a death in the guns You'll probably enjoy it, but I wouldn't go out of my way to necessarily see it. I actually really enjoyed it I thought it was I really liked it. There was something that kept me from loving it Okay, like I like most of this I like the story it was trying to like the message It was giving a cross sure I liked I liked all the actors I thought they did a really good job, and I thought you'd like the ending. Yeah. Yeah, that's a Corbin and I did really enjoy that ending But there was the one big thing. I don't know if we want to get into it right now But it was mostly the dialogue writing for me. It took me out of it sometimes And it's it's a hard thing and I think I know why because it was written by not only the director But another somebody else who wrote the additional screenplay. Mm-hmm. This is Her first writing. Mm-hmm, and it's also her first she did a short film before this and it was her first feature So I'm assuming that's why because it's sometimes you can just tell like because yes What I'm talking about when I it's it was actually not just the writing because I actually thought the story and the whole Writing of it was good. I think the bed. I think the story is the best good. Yes the dialogue Which happens in some films like I don't know if you remember Venom Which was the spider-man with Tom Hardy the writing was atrocious. It was amazing that I didn't hate that film It's because Hardy's yeah, and I think the actors in this also helped out with that in turn I agree It's just that the dialogue sometimes it didn't feel like it almost didn't feel real sometimes Right, they were just writing stuff to write stuff as opposed to making it natural correct So that's what kept me from loving it because I actually I was I I was engrossed most of the time I actually I think different from Rick probably I I Was interested in what's happening on the screen the entire time What took me out of it though sometimes was when they were talking to each other and it wasn't they're acting That's that's the thing. It's it's I don't know if some people can't pick up on that Bad writing and bad actor there is there was a bad acting. No, and I I agree with you I think I think the actors did the best they could with what they had and Yeah, it's it's I hope It's the best way to help you recognize it because for people who are Trained in it and see it all the time we we can differentiate instantly when we say it was the writing and not the acting Yes, we recognize that there's a possibility of things being lost in translation, obviously because we're getting but also a lot of it was in English exactly a lot of it was in English and there's just You just have to watch good writing a lot so for example Aaron Sorkin Mm-hmm Also in India on your kashya. Yes. He is probably one of the best dialogue writers I never seen agreed because you just need to be sound natural not like because I don't know anyway Yeah, that was here's that was a good way to describe it good writing The words sound like and this is really also a definition of good acting with both of them But especially in the writing aspect of it the words coming out of the person's mouth Let's say we're having a conversation The words sound like they're happening in the moment as a response from what you said because I just had a thought based on what you said Versus this is something I've already preconceived and I'm gonna say this because this is gonna sound right Yeah, so that that was my biggest thing with it And I know I didn't want to start it off with the negative, but we did But I don't because I actually really enjoyed this film and I would recommend this film. I would tell them Forgive the writing a little bit. That's what I would do. I actually enjoyed this film quite a bit And if somebody said to me, hey, should I watch a death in the gun? My response would be yeah, I didn't love it You might yeah So but the other parts that I did really love I I really enjoyed one obviously the story I I enjoyed the message that they were getting across and I think some people might not understand the message Because I've heard some either they people really love this film, but they didn't like it They thought it was boring and like at the end when it turns out he Please go away if you haven't watched it When he kills himself. Yeah, I Saw some reviews after I watched it and certain people were saying they'd understand where that came from Well, we didn't we didn't know anything about his backstory and I thought that was kind of the point I did too. Anybody could have issues Everybody has their own issues. Yeah in in life and You don't know and so the way like there's anything that could put them over the edge and you could see in this film And I want to applaud of the grant. I thought he did a phenomenon. I did too because He was actually you could tell crying for help. Yes, and like in the small ways and he wanted to attach himself to certain people He was like it was like a puppy. Oh the whole the whole Misunderstanding he has with Colky's character I get emotional thinking about it. Yeah, because and I that for me Like we've been saying this whole time the story itself like for for the for the writing to get stodgy and be unbelievable in some places I think the film's worth a watch in order to get the larger point that you get at the end because That is the point if you watch this film if you if you see the film twice You'll pick up a bunch you will pick up up you'll pick up on the things That unfortunately this does happen with a lot of people a lot of people who have a family member or a friend who takes their own life They become extremely introspective and it's a shot. They're like we didn't see this coming But then when they look they realize wow there was a sign there was a sign there was a sign and that's that's part of the Reason this is such a great story because it does give you all of these little markers that Signal what can happen, especially when you talk about the issue of bullying That's not just a school ground issue That's a adults deal with yeah and family and families deal with that and it can push people over the edge But nothing I want to call them on The fact that they didn't really make anybody a villain. Yes It was almost just that these are people everybody's people and they're all consumed with themself They're not consumed with yes anybody else even if it's in their family. They're I'm consumed with me right and but I want to applaud because That's how it is. It's not that there's a villain. There's not a big schoolyard bully. That's what leads it It's the little things. That's the villain. Yeah, the villain the antagonist in this is is those little things and it kept Diverting it which might might have been why people thought like it was like where did that come from because maybe thought something was going to happen The little girl But he was obviously when she's gone. Yeah, you but it's really I thought there was gonna be like a bigger thing with the help They the entire time because they kept bringing them into the fold I thought it's gonna be more of a like they kept teasing the horror aspect of it like little little teases Yeah here and there and then they ended up going with the obviously the story that we got But I liked that that they there wasn't any particular villain I just kind of more of a normal story and they said in the beginning it was based on a true story I don't know what story but it's it's more of just a there's millions of people that have dealt with this Yeah, I think Millions of people who haven't just dealt with the fact that you have someone in a closed circle like that who takes their own life, but you're also dealing with I thought the Dynamics this is gonna be a compliment to the writing In story. Yeah. Yeah, instead of just dialogue. Yeah, right a compliment to that is they created believable family problems Yeah, which were the contributing factors that weren't just this weekend No, what you saw here in the dynamics are the dynamics that have been with this family forever Yeah, and they're just being seen now at this family vacation And that's what makes them so troubling for Vikrant's character is that this is the kind of thing He's had to do it for his whole life. Yeah deal to family and then obviously what he had to get deal with at school Yeah, his other problems. He was having that don't have to do with his family. Yeah, he's a very troubled Person and one once he was I think the straw that broke the camel's back was he thought he was gonna get To be in a relationship with colky. Yeah, and that was his last ditch ever That was the last straw for him I'm gonna see you in Calcutta, right and she was like, no, no, that was just That was just having fun having fun and he was like, I I Thought you were gonna be the one person I could finally talk to yeah And so he was a very troubled soul and I really enjoyed that that it's unfortunate because I could have like loved this Me too. I was frustrated and I was there was just that one point like because I could have been like this Could have been up to my top 10 if I could have if the writing would have been on guard Kashi up style This could have been it's a very different film But did you ever see the big chill? I don't know. It's a great film from back in the 80s It may even be like 79 But I think it was the early 80s and it had a lot of name people at the time it had Kevin Klein and Glenn Close a very funny trivia thing is is that Reef Kevin Costner No, Kevin Costner actually plays the dead friend at the beginning of the movie and it centers around them losing a friend Hmm and them all getting together and the big chill is about their friends dead and they talk about all of their all of their Baggage comes up. Yeah on this weekend centered around the death of a friend I was expecting that the writing in the big chill the fact that might be Aaron Sorkin Is it it might be yeah, he's great. Yeah, it's just it's a dialogue relational driven Another thing that I'm really enjoyed about this film though was the world that they created I thought they did a phenomenal job in creating 19. It felt like it's 79. It felt like the 70s They very good job. They the cinematography and the the costuming and everything hair was a spot-on Yep, it they really created a world that was although different than a lot of Indian films We've seen although I will point out that when they were having a little sing-along around the delivering him his guitar playing We're going here But yeah, that I I felt like it was a very especially for somebody who this is their first attempt at writing and directing Yeah, it's a very solid job. I mean, this is way better than a lot of people's first Like so there's definitely more good than bad I just was thinking and still do this had this could have been this could have been great Exceptional. Yeah, I think the only thing that kept it from me because I get like I said on everybody I thought Kalki did a good job. Obviously Vick around. I thought I did a really good job I would love to see obviously on Pory who I think this is one of the first things This is one of the first yeah that we have seen him in yeah, and we know obviously he's Legend Wait, no, did we see him? He was he in with was that on Pory with miss Arden and McBoo Was that because they did that yeah When I'm trying to pull it up. No Bull was that the one with his his wife? No, McBoo was a Vishal Yeah, I know I don't remember But I'm looking up Once I got What year was that you think? Well 2000 Yes, it was it was him. It was him. It was him. Okay. Yeah, so we've seen him in McBoo He was an inspector with you know, Saradan. They were yes, they were the two they were yes I love their characters in that But yeah, I do want to see more from our friend from Padma Vat because I think he's a really talented also He looks like Sasha Barakona a little bit. He does have a little Sasha Baron Cohen in the face. Yeah, Jim on and He was in that video with the music video. We just recently reacted Jim Sar sarv Sar bar We're just Sar and then also Ranveer Shorri. Yeah, I think it's a really good we saw him in Was he that wasn't him an extraction was it? No, he an extraction. No, okay. No, we saw him in But he was in a crazy medium that we saw that's what it is. Yes, and he was also in that Yes, that's the one I was thinking of that. Yes, so yeah, so he's we've seen him a couple I think it's a really everybody in this cast it was like when you saw what was that film That just everybody I mean there's films every year that you come out and be like, oh, I guess the the one that you just watched with Aaron Sorkin Yeah, obviously everybody's in it right like a thousand people that feels like one of these which is amazing that this person first I'm right here director. I believe right got to work all this work with all these really talented. I Obviously, they're not the AA list, but you know, I don't care there I think some of the probably the best actors are not a list actors. Yeah agreed So it's it's phenomenal that they also signed on for this. Yeah So like I said, I really really enjoyed it. I could have loved it. I really really liked it I could have loved it. I probably gave it a B, but it could have been an A plus. I Would I'll give it a B. Yeah, I was leaning C plus, but I think that's being mean I think a B is a very fair grade. Yeah, and it was it was really only the writing, but let us know what film we watch and review next down below This was actually a patreon. They get to do a poll every month. Oh one Hindi and one regional Everybody in patreon know from dogs all over this This is what they picked for the month. So if you'd like to this would make a great play It would it would be a really good. That would be a really good place Yeah, let us know what other what film we should watch and review next down


SCP-2228 Object Class Safe Special Containment Procedures Instances of SCP-2228 are to be stored in their original packaging inside Storage Vault 12 at Site-73. Access to SCP-2228 requires Level 2 credentials, and any instances of SCP-2228 removed from Storage Vault 12 for any reason must be logged on Site-73's database. Description SCP-2228 refers to a series of identical box sets, each 30 x 30 x 15 cm in length, of polyethylene figures labeled SCP Foundation Containment Site Playset, with Dr. Wondertainment given as the item's manufacturer. The graphics cover in the packaging consist of the following, an SCP Foundation logo with the Playset's title written beneath it, above an artist's depiction of a Foundation Containment Cell containing a creature with several violet tentacles assaulting what appears to be a Class D individual through its open doors, along with two individuals and lab coats taking cover under a table, and two individuals and tactical gear opening fire on the creature. The sides of the box are illustrated with photographs of the contents of the box in various configurations, most with children's hands manipulating the objects. The underside of the box details its contents and displays the following message. Object Class Fun Special Containment Procedures All junior researchers are to have hours of anomalous fun with their new SCP Foundation Containment Site Playset. Description The SCP Foundation Containment Site Playset contains everything a junior researcher such as yourself needs to secure, contain, and protect anything you can imagine. We add any item into the Containment Cell and our patented Insta-anomalizer technology will give it a unique set of anomalous properties you can experiment on. Addendum Do not add living creatures, weapons, or items with pre-existing anomalous properties to the Containment Cell's Insta-anomalizer. Dr. Wondertainment is not responsible for any physical or mental damage caused by misuse of the SCP Foundation Containment Site Playset. Conditions 8 to 14, some assembly required, batteries not included. The SCP Foundation, SCP Foundation logo, and Secure, Contain, Protect are registered trademarks of the SCP Foundation, all rights reserved. The contents of the box are as follows. Two models, 10 cm in height of individuals dressed in lab coats with Foundation logos on the right breast. Two models, 10 cm in height of individuals equipped in gear typical of Foundation security personnel. One model, 10 cm in height of an individual in an orange jumpsuit with D-1234 written across the back. Several model accessories, including clipboards, test tubes, pistols, and batons designed to be held by the above models. One disassembled enclosure, approximately 20 x 20 x 10 cm in dimensions. Along the enclosure's front side, there is a blast-door style opening with Containment Cell written above it. This left side has a transparent window, and its backside has what appears to be a generator or power supply with a removable panel for the insertion of two AA batteries. One 10 x 15 cm sheet of paper containing information on an upcoming Global Occult Coalition-type green termination placet. SCP-2228's anomalous effects manifest whenever an object small enough to fit inside the Containment Cell is placed within it when two AA batteries are inserted into its back panel. The item will develop minor anomalous properties for the duration of an individual interacting with SCP-2228. These properties typically manifest as anomalous means of interaction with other components of SCP-2228. Recovery 300 instances of SCP-2228 were recovered and transferred from a truck owned by the ████████ shipping company following the interception of a commercial broadcast on May 19, 2003. Debriefing of ██████ shipping company's employers has revealed that they were not aware of any anomalous activities by Dr. Wondertainment, and had only recently accepted the contract for the shipment of the organization's products to local retailers. All employees were administered Class B amnestics with false memories implanted and documents concerning the shipment were replaced. The broadcast that led to the discovery of SCP-2228 has been transcribed below. Transcript 2228-01 Scene opens with two children, one male subject A, and one female subject B, approximately eight to twelve years of age, expressing disinterest while playing with toys in a suburban household. These old toys sure are boring. Subject B. Uh-huh.  The smoke clears revealing a middle-aged man wearing a multicolored suit and top hat, along with thick glasses that magnify the subject's eyes to an exaggerated degree. Subject C. Subject A and B. Dr. Wondertainment. That's right, children. Why just play with these boring old toys when you can? Subject C. points to the set's dining room table. Another bright flash and puff of smoke is seen, which reveal the fully assembled instance of SCP-2228 when it clears. Contain them! View changes to Subject A and B, who are now dressed in lab coats. Subject A and B. Whoa! View changes again to an isometric view of the fully assembled SCP-2228. Subject B places a toy horse in the containment cell. The toy horse appears to teleport within the cell several times. Small text appears in the bottom of the screen reading, actual results may vary. Subject B. My horsey can teleport now. Subject A places a toy soldier in the cell. The Class D figurine appears to spontaneously levitate before being slammed repeatedly against the cell walls. Subject A. And my action figure can move things with his mind. The blast door of the cell opens, and one of the researcher figurines repeats the action of the Class D figurine. Subject A. Oh no! A containment breach! Subject B. We better send in security! Subject B places one of the security figurines in the enclosure. The soldier figurine shakes in place for a short period before falling over. View changes to a static image of a box containing SCP-2228 laid on its side, behind a fully assembled instance of SCP-2228. Subject C. With the SCP Foundation Containment Site playset, you can have anomalous amounts of fun helping our friends at the SCP Foundation contain anything you can imagine. Coming soon to a store near you, some assembly required, batteries not included. Undercover Foundation agents have conducted interviews with 24 individuals, including actors, directors, and technical specialists involved with the production of this broadcast, research revealed that none involved were aware of the object's anomalous properties, nor were they aware of the activities or actual existence of the SCP Foundation. Further research revealed that the mass production of SCP-2228 had been outsourced to ██ manufacturing, and that graphics on the box were outsourced to ██ designs, with a total of no fewer than 200 individuals getting limited knowledge of the Foundation and Dr. Wondertainment. This has been classified as a Class 1 low-threat information leak. As such, further amnestic treatments have been deemed unnecessary, and a Class 1 disinformation campaign was put into place. The SCP Foundation and the Global Occult Coalition are currently monitoring commercial broadcasts for the future release of any similar anomalous or compromising products. Experiment Log 2228 Experiment 2228-01 RATIONAL The purpose of this experiment is to replicate the circumstances noted in the commercial broadcast of SCP-2228. Materials and Procedures One instance of SCP-2228 fully assembled. One plastic horse figurine, similar to the one shown in the broadcast. One plastic soldier figurine, similar to the one shown in the broadcast. All components of SCP-2228 will be placed in a similar configuration to that shown in the commercial. The horse figurine will be placed in the model containment cell, followed by the soldier figurine. Results Approximately five seconds after introduction to SCP-2228's containment cell, the horse figurine began levitating two centimeters off of the ground. The Class D figurine then slid over the horse figurine before lifting itself on top of it and assuming a seated position. The horse figurine continued to levitate at varying heights while circling the containment cell. The horse figurine was removed, and the soldier figurine was introduced. The portion of the soldier figurine painted to resemble skin began to glow red, and after a short period of time, the Class D figurine's face melted. No heat was produced during this process, and the soldier and Class D figurine returned to normal after the soldier figurine was removed. Experiment 2228-02 Rationale This is a repetition of Experiment 2228-01 where the purpose of determining if any patterns can be discerned from SCP-2228's anomalous properties. Materials and Procedures The same materials and procedures used in Experiment-01 were repeated in this experiment, with the exception of a different instance of SCP-2228. Results Upon introduction in the SCP-2228's containment cell, the Class D figurine again slid towards the horse figurine and assumed a seated position on top of it. The horse figurine then achieved sudden acceleration to around 25 meters per second, as well as sudden deceleration to a stationary position upon coming within 1 millimeter of the containment cell's walls. Later the Class D figurine nor the horse figurine suffered any damage from these accelerations despite the forces involved. The horse figurine was removed, and the soldier figurine was introduced. After a few seconds, the soldier figurine slid towards the Class D figurine and raised his arms to make contact with it. The Class D figurine's limbs and head detached from his torso, which was spontaneously flung towards one of the cell walls. Notes It seems that, while the actual properties given to these items by SCP-2228 don't remain constant, they do seem to match the context of the items, such as the horse-gain properties related to transportation, and the soldier-gain defensive abilities, Dr. Rayner. Experiment-2228-03 Rationale The purpose of this experiment is to determine how the anomalous effects of SCP-2228 apply the objects with a less specifically defined context. Materials and Procedures One red neoprene ball, 5 centimeters in diameter Three instances of SCP-2228 fully assembled The ball will be placed in one instance of SCP-2228 until SCP-2228's anomalous effect manifests. The experiment will be repeated on two more instances of SCP-2228 to determine if any patterns can be observed in these manifestations. Results Shortly after introduction into the first instance of SCP-2228, the ball began to levitate 5 centimeters off of the floor. All other figurines begin to levitate and move around the ball in a circular motion. All figurines cease motion after the removal of the ball. The ball was introduced into the second instance of SCP-2228. The object began to bounce on its own, quickly picking up speed before changing direction and randomly bouncing off of the walls of the enclosure, eventually impacting the Class-D figurine before coming to a stop. The ball was then removed and introduced to the third instance of SCP-2228. The object began to roll towards the Class-D figurine, then stayed at its side and bounced in place. Repositioning the Class-D figurine caused the ball to repeat its action. Notes This seems to support my theory of the context sensitivity of SCP-2228's properties. These manifestations were at least tangibly related to the ball, but I am curious to see what happens as we introduce increasingly abstract objects. Dr. Rainer Experiment 2228-04 Rationale The purpose of this experiment is to determine how the properties of SCP-2228 manifest when exposed to an invented object with no previously defined context. Materials and procedures One white ABS sculpture, approximately 5 cm³, produced via 3D printer. The object consists of a random configuration of organic shapes and was designed so that it did not resemble any common object or organism. Three instances of SCP-2228 fully assembled. The sculpture will be placed in one instance of SCP-2228 until SCP-2228's anomalous effect manifests. The experiment will be repeated on two more instances of SCP-2228 to determine any patterns can be observed in these manifestations. Results Upon introduction to the first instance of SCP-2228, the sculpture changed into a fluid, amorphous state, which approached the Class-D figurine and engulfed it. The object then exited the instance's door and repeated its action on each of the researcher and security guard figurines. Upon removal from the instance of SCP-2228, the five figurines were discarded from the sculpture's mass before it resumed its original shape. Of note is the fact that the sculpture still felt solid while in its amorphous state. The sculpture was then introduced to the second instance of SCP-2228, where it caused a minor spatial anomaly whereby the interior of the instance's containment cell expanded into an extradimensional pocket, roughly one meter squared. Upon removal of the sculpture, the instance resumed its original form, however the extradimensional space contracted quickly and launched a Class-D figurine towards the ceiling with sufficient force to cause a major fracture to Dr. Reiner's zygomatic bone upon hitting him in the face. The test was suspended after this incident. 2228-05 Note, Dr. Brigham is overseeing the testing of SCP-2228 while Dr. Reiner is recovering from his injury. In light of the incident during experiment 2228-04, all staff involved in any further experiments have been instructed to wear protective visors and padding. Rationale, the purpose of this experiment is to determine the purposes of warnings on the SCP-2228's packaging. Results and Procedures One Glock-17 9mm handgun, unloaded. Anomalous Item No. 4819, chosen for its innocuous anomalous effects. One specimen of species Rattus Norvegasus. One instance of SCP-2228, fully assembled. Each item will be introduced to the instance of SCP-2228 until its anomalous properties manifest. Results Shortly after introduction to SCP-2228, the specimen of Rattus Norvegasus grew to nearly three times its original volume. The subject didn't underwent convulsions before expiring. Upon removal from SCP-2228, the subject returned to its original size. An autopsy of the subject revealed that the cause of death was a massive seizure, presumably brought on by shock of a sudden change of mass.