It's go time today. It's go time. We're going to be a killer. I got my lines going down with that. Let me make sure we bury it in there. Hey, don't feel it in the eyes, baby. Let's go. 10-0-3. 1-2-3. Let's go, baby. So we're going to come with it. We're going to come with it, baby. Sit it and eat it. Sit it and eat it. The heart is hitting the lead. Hey, baby. Sit it and eat it. Grit. Big grit. You don't have to do this. You get to do this. We get to do this. Man, a lot of people would die for this. Why not us, man? Let's have a game. What do you need? You got it, man. We get to do this. We get to do it. Remember that. So the Titans in light blue jerseys, navy blue football pants, the Chargers in all white, navy blue numerals trimmed in gold. Parkie kicks off and we're underway at Nissan Stadium. Fourth down and eight, curled upon. Snap is good. It's a fake. Throw, caught, fired. First down. They needed eight. They got 11. And the drive stays alive. What more do you want Brett Kern to do for this football team? The Titans get a spark from special teams early. Chargers, 10 Titans, three. 338 remaining first half. Finish longer than the guy with the ball. Then get back in the hood and do it again. You got it. Tana Hill has guided the Titans from their own 24 to the Chargers eight from the shot good. Takes the snap, looks, fires down the middle, caught. Corey Davis makes the catch. Great job. The ball's in the air. It's your ball. Keep it open. Keep going. That went around 223. Went on. Titans on defense. Game tied at 10. Both these teams two and four. Both these teams desperately need this game. We just got to finish the play. Great coverage. Just make the play. Okay. We had a ball on the ground that we didn't get. And we had to pick six. Make the plays.  From the shotgun. Rivers to throw it. Stepping up. Die, Simmons. His first career sack. One minute. No scoring in the third quarter. And yet the Titans dominated statistically out gaining the Chargers 107 to two. Been doing a nice job of moving these chains. 67 yards on this drive, which continues on third and goal at the five. Tannehill. Fires to the back of the end. So man is there. Ball is caught. That'll put a tie. Have a fourth quarter lead at Nissan Stadium. Every boy, man. Hey, let's go win this game. If you're the Titans offense, foot on gas. Foot on gas. Foot on gas. Move the chain. Eat clock. A lot of things you can do on third and two. Absolutely though. Please get the first down. Tannehill drops. Looks to his right. Fires down the middle. Got it to Davis. 45 Davis. 50. He breaks out of the pack to the 40. He's to the 30 and thrown out of bounds by Jenkins. What an individual effort. Cory Davis. That was exactly what you needed. Tannehill. Motion Smith to the left. They go toss that way. Henry trying to turn it up. He's at the 10. He's at the five. He's in the end zone standing up. Touchdown. Tight. And the lead is nine. He goes down. That's good. Finish this. Good one. Let's go win a football game, man. It ain't that hard. 23 to 20. Titans need a minor miracle here. See if the Titans defense has a big play in it. So this is second goal at the one. Rivers under center. Gordon is the running back. Rivers takes the snap. Gives it to Gordon. Did he get in? No, he did not. He's losing the ball. That's what it is. The ball is coming out. Wow. And the tight. Yes. Get it done miraculously. The defense holds from the one foot line. What an ending. What a victory. And three and four never felt better.  That was probably the greatest goal I've seen. I haven't been a part of it. Let's go better. Hey, Faze wins. Got that monkey up her back down here. Keep going. Stack him on top. Fire it up, man. I had to do something, man. I told them work earlier this week. I'm leaving who I came in to win. Let's rock the game. Hey, hey, tights on three. One, two, three. Tights.


ACMI productions are only made possible with your support. Visit patreon.com slash ACMI to learn how you can help. It is 7 34 p.m. It is March 26, 2024. Good evening. My name is Christian Klein. I'm the chair of Darrington's Zoning Board of Appeals. I'm calling this meeting of the board to order. First, I'd like to confirm all members and anticipated officials are present. Members of the Zoning Board of Appeals, Roger Dupont. Here. Patrick Hanlon. Here. Venkat Holley. Here. Dan Riccadelli. Here. Elaine Hoffman. Here. Adam LeBlanc. Here. Welcome to all. On behalf of the town, we have Colleen Ralston, our zoning assistant. Here. Great to have you with us. So this open meeting of the Orange and Zoning Board of Appeals is being conducted remotely. Consistent with enacting appropriations for the fiscal year 2023 to provide supplementing certain existing appropriations and for certain other activities and projects signed into law on March 29, 2023. This act includes an extension until March 31, 2025. The remote meeting provisions of Governor Baker's March 12, 2020 executive order suspending certain provisions of the open meeting law, which suspended the requirement to hold all meetings in a publicly accessible physical location. Public bodies may continue holding meetings remotely without a quorum of the public body physically present at a meeting location so long as they provide adequate alternative access to public meetings. That I will do have someone in the waiting room, so I'll admit them and then go. The public bodies may meet remotely so long as reasonable public access is afforded so the public can follow along with the deliberations of the meeting. An opportunity for public participation will be provided during the public comment period during each public hearing. For this meeting, the Orange and Zoning Board of Appeals has convened a video conference via the Zoom application with online. Being the Orange and Zoning Board of Appeals convened video conference with the Zoom application online telephone access is listed in the agenda posted down to the website identifying how the public may join. This meeting is being recorded and will be broadcast by ACMI. Please be aware attendees are participating by a variety of means. Some attendees are participating by video conference. Others are participating by computer audio or by telephone. Accordingly, please be aware that other folks may be able to see you, your screen name or another identifier. Please take care to not share personal information. Anything you broadcast may be captured by the recording. We ask you to please maintain to quorum during the meeting, including displaying an appropriate background. All supporting materials that have been provided members of this body are available on the town's website unless otherwise noted. Public is encouraged to follow along using the posted agenda as chair or reserve the right to take items out of order and the interest is promoting an orderly meeting. So this evening we have no hearings, but we do have a series of administrative items that we're going to go to. So moving on to our administrative items, these items relate to the operation of the board and as such will generally be conducted without input from the general public. The board will not take up any new business on prior hearings, nor will there be the introduction of any new information on matters previously brought before the board unless specifically noted. So item two on our agenda is the approval of the meeting minutes from January 23rd, 2024. These meetings were put together by Colleen Ralston submitted to the board for a review. And has everybody had an opportunity to review the minutes and submit anything they had wanted to add? Mr. Chair? Yes. I just had one quick thing that I sent to Colleen just before the meeting. Okay. There was one typo on Mr. Minow's last name in the attendance section of the 312 minutes. So what's the addition of that change? May I have a motion to approve the minutes from our January 23rd, 2024 meeting? Mr. Chairman, so moved. Thank you, Mr. Hanlon. Second. Thank you, Mr. DuPont. There's a roll call vote of the members of the board who are present at the January 23rd hearing. Roger DuPont? Aye. Patrick Hallen? Aye. Thank you, Holly? Aye. Alain Hoffman? Aye. Adam LeBlanc? Aye. And the chair votes aye. Those minutes are approved. That brings us to item three on our agenda, which is the approval of the meeting minutes from February 13th, 2024. Again, these are minutes that were prepared by Colleen Ralston submitted to the board for review. Are there any additional comments on the minutes from February 13th? Seeing none, I will accept a motion to approve the minutes from February 13th, 2024. So moved. Second. Thank you, Mr. DuPont. The vote of the board on the February 13th minutes. Mr. DuPont? Aye. Mr. Hanlon? Aye. Mr. Hallen? Aye. Mr. Riccadelli? Aye. Is Hoffman? Aye. Mr. LeBlanc? Aye. Chair votes aye. Those are approved. That brings us to item four on our agenda, which is the approval of the meeting minutes from February 27th, 2024. Again, the minutes prepared by Colleen Ralston submitted to the board for comment. Are there any additional comments on the minutes from February 27th, 2024? Seeing none, the chair will accept a motion to approve the minutes from the February 27th, 2024 meeting. So moved. I second. Sorry. Thank you, Mr. Hanlon. Thank you, Mr. DuPont. So, vote of the board on the February 27th minutes. Mr. DuPont? Aye. Mr. Hanlon? Aye. Thank you, Holly? Aye. Daniel Riccadelli? Aye. Elaine Hoffman? Aye. Adam LeBlanc? Aye. And the chair votes aye. Those are approved. That brings us to item five on our agenda, which is the approval of the meeting minutes from our March 12, 2024 meeting. So, again, these were added at the beginning of this week, prepared by Colleen Ralston, submitted to the board for comment. Are there any additional comments in regards to the minutes from March 12? Seeing none, the chair will accept a motion to approve the minutes from our March 12, 2024 meeting. So moved. Second. Thank you, Mr. Hanlon. Thank you, Mr. DuPont. So roll call vote of the board. Mr. DuPont? Aye. Mr. Hanlon? Aye. Mr. Holly? Aye. Mr. Riccadelli? Aye. Ms. Hoffman? Aye. Mr. LeBlanc? Aye. And the chair votes aye. So those minutes are approved. That brings us to item number six on our agenda, which is just a placeholder. So the board holds its election for chair and vice chair in the month of April. And so I am anticipating holding that at our April 30th meeting of the board. So if there are people who are interested in taking on a leadership role on the board, please let me know. Always happy to share the responsibility to give someone else an opportunity to step up. I've served in this position for four years. It has been a fun position, but I am more than willing to train someone else to take it on if they would like to do so. So if you're interested, please let me know. And then that was item six. And then item seven is review of zoning bylaw changes being considered by the ARB. Excuse me. So at its March 18th meeting, the redevelopment board voted their recommendations for 10 zoning articles that are going to be before town meeting. Several of them were brought forward by our board, and those are recommended for adoption. But I want to take a few minutes to go through the articles and see if the board wanted to discuss anything that will be coming up zoning wise. So the first one, this could be article 25, which is building definition. So this is the one that has to do with the definition of attached building and detached building. And the fact that the bylaws as they are today have a gap between the two. So the recommendation is to change the definition of attached building to a building having one or more walls or roofs in common with another building or buildings or otherwise connected by a roof to another building or buildings. And then detached is a building that does not meet the definition of attached. So basically will be nice and clean. So they recommend favorable action on a vote five to zero. So that will be for the town meeting. Article 26 is an administrative clarification. This is just, there's this, we had asked them, this came out of the question about whether the six foot, the six foot setback applied to accessory dwelling units. It didn't seem like it should, but it wasn't listed as an exception. And so what the ARB is going to do is there's a note on the table for residential uses where it lists the exceptions under like section five, four, two, B. And then this will add section five, nine, two, B, one, E to that list of exceptions as well. So it will just clarify that the exception that's listed in the accessory dwelling unit is an exception to the table. So that's just a clarification. They recommend favorable action on that as well. Article 27 is another correction that we had requested. This is in the accessory dwelling unit section 592B1. It has five bullet points and we had asked them to get rid of the bullets and put something in that we can actually reference. So they are going to now lower case letter them. So the one we always referenced will now be 592B1E. So that's what we have. So they have recommended favorable action on that as well. And they're taking, at the same time, they're also recommending, also in the accessory dwelling units, there is a paragraph that was essentially put there for when it was being phased in. And so it gives the effective date and when it comes into effect. So they're recommending striking that paragraph because it's no longer relevant. So that is Article 27. Article 28 was recommended. We had asked the question about the Inland Water District and the wetland section that are in the zoning bylaw. Turns out that the one of them we're required to have, so that one is staying, but the conservation commission also wanted to get rid of the inland wetland overlay district. And so the recommendation is to strike that entire section from the bylaws. That is going to be going forward. So then the first of the ones we haven't thought about is Article 29, a reduced height buffer. So this is Section 5319. It's where there's two different districts that are coming together. There's sort of a buffer district between the two for building heights so that there's not as big a height difference between a residential and non-residential use. And there's a couple of different recommendations, but essentially they are looking to change the distance that it would extend into the adjacent parcel. So currently, it depends on the direction now, but right now, if it's between northwest and northeast, the lower height shall apply within 200 feet. They're recommending reducing that to 100 feet. On the southern side, they're reducing it from 100 to 50. And east and west, they're reducing it from 150 to 75 feet. So essentially just reducing the amount of space on the affected property that's going to be affected by the reduced buffer, reduced height buffer. And that's something that they are recommending favorable action on. Then the next one, Article 30, shaded parking lots. So this is the first of the 10 registered voter articles. So this, it really won't affect us because it only applies to parking lots that are 25 spaces or more, which pretty much by definition has to go before the ARB. But they are voted for favorable action, but it was a 3-2 vote. So I'm a little curious to see how they present this at town meetings. Sort of what their stance is going to be on that one. Next one, Article 32 on traffic visibility. This is to amend the section about views across corners and how far back you have to set something from a corner and how low it has to be in order to view across it. That received a vote of no action on a 3-2 vote so that the actual language will not be in the article unless somebody brings it up specifically at town meetings. So their recommendation is not to change what's there existing. Yes. I just wanted to mention that this was, the action that they eventually took was at the, was at the, consistent with the request of the building inspector. Ah, okay. The, who was concerned that things that are low to start with may not be so low eventually, and it's, once you, once you have reached the barrier that's there now, it's, it would be hard to keep, to keep control of it afterwards. No, absolutely. I was also concerned that the, the proposed language had an exception for fencing that was, quote, transparent enough and was really not sure how that was ever going to get defined or enforced. I'm glad it's not coming forward. Article 33 is rear yard setbacks and business districts. What this appears to be doing is right now, the way the bylaws written, if you have a building that is three stories or lower, there's a 20-foot setback in the business district. If it is four or more stories, the setback is 30 feet. And what the, what the change would be is if you had a building that was four or five stories, the setback for the first three floors would be at 20 feet. And then the, for the fourth and fifth floor, the setback would then be 30 feet. So it effectively, rather than having the entire building have to push back, it's just pushing back the upper floors. So the lower floor can still be closer to the rear lotline as it is today, but the upper floors would be pushed farther back from the rear lotline. And they're recommending favorable action on that. So Mr. Chair, can I just ask a question? Yeah. So that's just the rear yard setback. That's just the rear yard setback. And it's just for in the business districts. Thank you. Yep. And then Article 34 on residential uses. This is the one that would basically do three family everywhere in town. And they recommended no action, a vote of five to zero. The applicants requested that they do so, so that they have more of an opportunity to to get some more public support behind it before coming before town meeting. So that will not be coming before the town meeting unless somebody changes something. What was the substance of that, Mr. Chairman? So what they were recommending was in the R0, R1, and R2 districts that in the use table, the single family detached dwellings, two family dwellings, duplex dwellings, and three family dwellings would be allowed everywhere. So it's not just limited to single family in the R0 and R1 and two family in the R2. And I missed one. Here it is. Article 31. I knew I missed one. This is one that actually came up as an amendment before town meeting last time, which is to add 5-7 Winter Street to the MBTA neighborhood district. So this is a parcel that is immediately adjacent to the parcels that were included in the MBTA communities. The landowner had tried to get it in by an amendment last fall when this came before town meeting. It was voted down. They're trying again. So that's Article 31. And so it's a favorable action on a 4-1 vote. So here's where that's going to go. And those are the 10 articles. Are there any other questions on any of those articles? I just had one that came to mind. Yeah. For Article 29, do you think that's sort of in response to the new MBTA zoning and file laws? It might be. It's in Section 5319. Question. Pat, if I recall right, the MBTA C zoning has its own set of setback requirements that are different than these. That's kind of what I remember also.  I'm not quite sure where this comes from. It's not a citizen proposed article. It's an ARB proposed article. And I think that the one from the next one, or not the next one, there's the one that Andy Greenspun did was something that came up during the discussion of MBTA. So I'm not sure where that came up. But it could because in the overlay district, you do have potential for four or five-story buildings by right. So this would change the buffer for those and facilitate construction where there's an adjacency. But I didn't remember this being one of the ones that advocates of the MBTA of the overlay had in mind. The overlay is in a different section of the bylaw. It's not under 5319. This isn't limited by any means to the overlay, but it might be presented by the overlay. There were sometimes the overlay will authorize buildings as high as four or five and there's a boundary that will happen. I haven't looked to see whether or not there's a separate buffer requirement when you do that, but this wasn't specifically aimed at it. Right. But I think it would, unless there's a specific, specifically a different set of setbacks for the MBTA-C, this would still apply to MBTA-C. Anywhere where there's a boundary where you have two different height limitations on each side. This is specific for land that abuts an R0, R1, R2, or open space. I wonder, I don't know if Adam, you're kind of getting the same question, but I'm just trying to figure out what the the genesis of that is, like what the benefit would be to have a setback of high like that, unless it's, you know, access to white was the concern. It seems like kind of a funny, seems like kind of a funny rule. Yeah. So it's, you know, excuse me, it's the, yeah, the setback from onto the business, like this was a business property. It would be the setback on the business property from the residential lot. So yeah, so I think I'm not sure why the distance is so much deeper on to the north than it, or is it saying that if the land and R2, so if the residential is to the north and this would apply. Yeah. Unfortunately, I wasn't present at the 18th, the meeting on the 18th, because I would have liked to have heard a little bit more about some of these. So you already have the distinction between the directions was in the existing bylaw, right? Correct. So whatever the rationale is, that was already there. Yep. All they're doing is they're basically dividing the required distance in half for all the setbacks. And they're changing the definition slightly for how it applies. For northwest and northeast, it goes from 200 to 50. So from 200 to 100. Well, I'm sorry. Well, I'm reading here is the proposal and that wasn't necessarily where they came out. Yeah. Okay. And then easterly between northeast and southeast or westerly between northwest and southwest, it would be go from 150 to 75. And then southerly between southeast and southwest, it would be go from 100 to 50 feet. Okay. So in their hearings, they increased the originally the proposal from the ARB was to cut them much more than they eventually did. They moved in the direction of not making as big a change. Okay. Any other questions on those? Right.  All right. Next meeting is scheduled for March 20, no, today is March 26. So the next after this is April 9th. And we do have I think one new and two continuances on the ninth. And then we do have a few items on the agenda for the 30th. And the meeting on the 30th was originally scheduled for the 23rd and we opted to move it to the 30th because of the holiday on the 23rd. So our next meeting is on the ninth. Is there any other business before the board? Colleen? Yeah. Currently we have four new items for April 30. Oh, okay. And then Colleen, did we ever figure out what was going on with Peabody Street or Peabody Road? I have not had any application from them. So I'm not sure what they think they're doing on the ninth. Okay. I'll reach out to the conservation commission and get the contact information for them and try to figure out what's going on. All right. Well, unless there's anything else, I will include the meeting. I'd like to thank you all for your participation. It's a nice meeting of the Arlington Zoning Board of Appeals. I appreciate everyone's patience throughout the meeting. I'd like to thank Colleen Ralston and Mike Champa for their assistance in preparing for and hosting this online meeting. Please note the purpose of the board's recording the meeting is to ensure the creation of an accurate record of its proceedings. It is our understanding that recording made by ACMI will be available on demand at acmi.tv within the coming days. If anyone has comments or recommendations, please send them via email to zbaatown.arlington.ma.us That email address is also listed on the Zoning Board of Appeals website. And to conclude tonight's meeting, I would ask for a motion to adjourn. So moved, Mr. Chairman. Second. The vote of the board to adjourn, Mr. Dupont. Aye. Mr. Hanlon. Aye. Mr. Holly. Aye. Mr. Rickidelli. Aye. Ms. Hoffman. Aye. Mr. LeBlanc. Aye. And the chair votes aye. The board is adjourned. Thank you all very much for coming in tonight. ACMI productions are only made possible with your support. Visit patreon.com slash acmi to learn how you can help.


Hey guys, welcome to path to nowhere. We have Countess Chelsea and let's see how we're gonna be building her starting off with Her skill priority moving to her skills So we have four skills here as you all know So normal ultimate and two passives below first and foremost you need to level up dear kitty okay, her ultimate she is she's tied to her summon which is Citry she's They really make her team without Citry you won't be getting Countess Chelsea anyway, so you have to start with her ultimate This builds up her bond with Citry which it with HP increase of 80% of Chelsea's max HP So please prioritize this one the second one would be behave or get petrified because The petrification also delays Delays what they call this delays enemies moving forward both Chelsea and Citry will have Petrification and the chance of them petrified increases to a max of 14.4 Percent definitely use this because both of them will be doing all the blocking not so much for the damage dealing Okay, then the next one would be your shared fate Because they will have damage reduction because of this one and damage we should redistribution Okay, and have the same health percentage the effect has a four second cooled up and the last one of course would be The physical attack damage for the normal attack considering that she's there to slow down Enemies marching towards the Chief She is more valued for the other skills not for the attack that she has. Okay, so Moving on to her crime brand. I wouldn't suggest you level up Chelsea Countess Chelsea if you don't have this one. This is the most important one the Creed of Bulwark so block plus plus one because Right now as is Chelsea's default block It's gonna go back here is only one she can only block one despite being an Endura So you have to have this crime brand for you to use her or you to really really benefit from her Because of petrification Again, it would be a shame if you could only block one Incoming enemy with this one you can block to Okay, so you could also actually use this with other defenders But for her it's and it's it's an increase It's a hundred percent increase in terms of the number of enemy she can block So this is a must for her you have to equip this on her then the other two would be In host name so damage taken which reduced by 8% for each enemy block So it applies to the additional block That she has so again this this is actually a very good Crime brand because it has damage reduction for her and for each enemy that she is blocking in front of her So as you see that is the crime brand that is fitting her. Let's check out her deployment role on how She she's a defender, but definitely I'm gonna show you with the effect of the crime brand That she really can block to enemies. Okay guys, so just take note of Countess Chelsea, we will just do We'll just focus on her in terms of how many she can block and also when Citree comes out how how many Citree can block as far as The her her exclusive crime brand Citree will be able to stay during the whole duration of Of the game. So it's better that as you can see there. She can block to it's better that you Give her the current crime brand that I mentioned Which is a bullet work. So as you can see she can block to let's just wait for They call this wait for her to charge up We still have a lot of enemies on the floor anyway, so let's just deal with these pesky range people so let's put the Citree here so Citree will will act as your you know secondary blocker if But she can block to definitely that is it so as you see there because of the crime brand she can actually block to what the time and There you go going back to Her shackle level and let's discuss that one. Okay, so for shackle level Number one is very important because when an enemy is petrified Countess Chelsea and Citree recover 3% of their max HP If again, you raise your petrification percentage. This is going to be triggering Quite a bit but next would be Going to number four Four is Countess Chelsea gains 10 energy when the battle starts This is important because she needs to she needs to summon Citree Right at the start, especially if you are focusing your team more on the back end and You have you're lacking one blocker in the front So you can actually put Countess Chelsea in one slot then have a vacant slot there For Citree, especially if you have your exclusive crime brand Citree can stay for the duration of the battle and take note guys that your summons are affected by the heels of Of the sinners that you have so that is why Citree can literally stay for the duration of the battle as long as you unlock Countess Chelsea's exclusive crime brand. So speak your crime brand. So is she Worth it for phase three. So just want to discuss this Citree now stays until the battle ends as I mentioned when Citree is on the battlefield Dear kitty restores to 40% of Citree's max HP and petrifies all enemies within a three by three Square around Citree for two seconds. So definitely Okay For your umbra, I would I would actually just recommend either kawa kawa or Countess Chelsea Only the two of them build either one of them or you may build two of them depending on you but again Countess Chelsea gives you an additional blocker and With Citree and her and with that crime brand that I mentioned Both of them can really block up to four So that's a lot of you know a lot of enemies to block only for you know for one in one Investment the difference between kawa kawa Of course and Chelsea is that kawa kawa gives shields to other you know other team members But if you don't need the shield and if you have healing in on your team and you need additional blockers Definitely go with Countess Chelsea over kawa kawa. That's the only That's the only way that you're gonna be choosing Countess Chelsea over kawa kawa but again if you're asking me if it's worth it to To phase three her yes, if you're going all in with her as your primary defender Okay, so that is it guys. I'm just gonna go back to This one. This is the one that I'm mentioning. So this is credible work You need this on Countess Chelsea to make her more effective. So thank you very much guys for staying this far Take care. Stay safe. This is the warden and I'm out of here


Fred's cooking. So we went to a big store, one of those big box stores that ends in Mart. And it doesn't have a K in front of it. It's got the other one. Anyway, we got one of these prepared meals. It's crispy pork chops. That wasn't from me. It wasn't from a K. No, but we didn't get it at Walmart. Yes, we did. We did? How much wine have you had? None. I'm sober. I thought we got it at Fred Meyer. No, we went. Remember, yesterday we went to? Today we went to Walmart. Today we went to? Yesterday we went to Fred. See? I'm no one who's sober. Hello. Because we bought coats, too, because the coats are 60% off. If you need winter coats or in a cold climate, go look for one now. They're on sale everywhere. You're right. See, anyway. So at Fred Meyer, we got some coats, and we saw that. They have one of these meal kits, like a lot of places do now where everything's pre-measured and prepared. And it has a nice recipe card inside, which is all right. It's idiot-proof. So we have two pork chops. We have some Parmesan cheese. We have some maters, spinach, some heavy cream slash comma heavy, heavy cream, and panko. OK. So what I'm supposed to do is I'm supposed to add some salt, pepper, and calamani. We're still puppy sitting.  Because, you know, we never feed her. She's starving. That's a joke, people. She's hungry all the time. Yep. So yeah, so again, Fred Meyer has these pre-prepared meal kits. This is the crispy pork chops. They had a lot of them. It was $16.00. Feeds to people. Is prep-prepared the company? That's a. Oh, it's distributed by Kroger, who owns Fred Meyer. It's eight bucks a person. Yeah, it's not bad. And if we like it, then I save the recipe card so that we can make it again. Have you ever made any of this stuff again? Well, no, but we moved in the middle of all of that. Hello. Oh, yeah, this is our first time at Cooking with Fred up in Northwest. Yeah, see? Cooking with Fred in the Pacific Northwest. Poor meat, it's being pounded. So the next step is to combine panko, breadcrumbs, and half the Parmesan cheese, and spread that out. OK? He had a large skillet, it would mean a quarter cup of oil. He needs some oil. He needs some oil. So see, if you don't know what Fred Meyer is, I'll link their website in the description below. Really cool store that has groceries, hardware, home goods, clothing, and more. It's going to be one of my favorite places. I've read the pork chops with the panko and some cheese that they included. And he's going to fry them up in a pan. Oh, I should have kept salt and pepper. Oh, well. Now he's going to make like a cream spinach. It's a little different than he's used to making it. And yes, he does make cream spinach occasionally. I love cream spinach. He loves it. Our daughter loves it. I like it the way he makes it. This one is going to have tomatoes in it, blistered tomatoes, which is not something he usually puts in his cream spinach, though. It'll be interesting. Oh, God, don't do that. I don't want to see myself on camera. Too late. Panko, what's panko? What is panko? My friend Vicki Brown from Messy Table Studios could answer that. She's a retired professional chef. I'm sure she'll know. You can see if she'll answer in the comments below. OK, three to four minutes in each side. So I'll flip it over. And once this is done, I'll set it aside. And I'll start my cream spinach. Cool. You're going to try it their way. Or are you going to break all the rules and go your own way? Or like, spinach? No, no, I'll just do whatever they tell me to do. Oh, no, no. We got some good garlic bread, too. So we're going to try some garlic bread. They love garlic bread. Who doesn't love garlic bread? Well, there's people out there that don't like garlic. Just like the crazy people that don't like onions or mushrooms. They must be vampires. I don't know.  I like garlic. It's good with me. It's fine with me. Look at that. Look at that. Make that good. Delicious. Some more oil in. There's like little oil in there. Well, I'm Italian. That's like asking if I need one. You love that one. I do. I just can't drink it. It's not much anymore. A little salt and pepper. Oh, what this means, right? He's cooking, so I have to clean up. It's only fair. I'll make sure to make a mess. He will, too. Fred has to figure out how to blister a tomato. And what? Blister a tomato. I don't know how to do that.  I'll give it a blister right there, right? Kiss it. I don't know. Read the directions. It says, while pork is cooking, heat over medium skillet over medium high heat with tomatoes. Once tomatoes have blistered, reduce heat to medium and add a tablespoon of oil and add spinach.  It's like being in the sun too long, like getting third degree burns, you know, your skin starts to blister. Okay, we're both fairer than white paper, so yeah, we know all about that. Yeah, I'm an old pasty white guy. Yeah, we're both pasty white people and we both get blisters, so I don't know. Absolutely. We got tomatoes ready for them to blister. Blistering tomatoes. Get away from them to blister. He's giving them a sunburn. You got a sunburn. Yeah, yeah. Like being at the beach. You know, sitting there at the beach without any sunscreen.  For a couple hours? It's a tomato. I never do that. I always have a million layers on the loss of sunscreen. Well, it used to happen to me all the time growing up. Yeah. When I was young. Like third degree burns for your sunburn. I blistered all the time. Because yeah, you got so sunburned, I know, right? See if there's a blister. Is that a blister? Maybe. It's on a medium-high. See, here's medium. Here's high. It's right in the middle. And that would set them in the direction? Yeah, medium-high. Toe blisters. Then add oil and... You should be using a pop holder or something.  You're not gonna have to worry about the tomatoes being blistered.  These look good. Are they blistered? Oh, those are just... They're pork chops. The pork chops. Hopefully they're not blistered. I turned that off. If a handful of thyme, you don't want to get it down here because then you have to get it. It's dangerous.  You're not gonna have to worry about blistered tomatoes. Oh, that's a blistered tomato. Look, see, that's blistered. That's a blistered tomato. That looks blistered right there. I'm pointing to it right there. Good job, Dan. I'm blistering. It looks like some of the tomatoes kind of bloated. It blew up. It blew up. It blistered to a point of explosion. It blistered and exploded. Millie, no. Okay, and all comes next. Dog. Cream. Cream. And then the rest of the cheese. Oh, good. Cream and cheese. Who doesn't like cheese and cream? Who doesn't like cream? Cream cheese? Well, I've got two. Now, what we're supposed to do is put this, when we plate it, we put this on the bottom and then the pork chop on top. So it looks pretty. So it looks pretty. Not pretty, pretty. Right, Pooch? It's gonna look pretty. She's still hoping you drop a piece. That what it? That doesn't work. Well, it's got spots. Here, there's a spot, there's a spot. Oh, the plate's not there. The plate's not there.  I'm not gonna wait to wipe the rim. It's just us. I don't think you have to do that.  You probably could put some of the extra juice over the top of the pork chop. I was gonna do that, too. Cause I love juice. It doesn't love juice. Right?  You're not wrong. Okay. One of these guys, look at that. Right there. Pankos. Who doesn't love panko? Yeah, don't lose the crusty bits in the pan. Just cause it's gross. Who doesn't love the crusty bits? I love crusty bits. You love the goo. You always like the goo. Gotta eat the goo. Little money shot drizzle right there. Happy new year, everybody. Crispy pork chops. Done. Garlic bread and cream spinach. Fred Meyer. It's one of my, our favorite places to go shopping up here in Oregon. It has been for a long time since way before we moved here. So if you're in the Pacific Northwest, especially, and or you have a Fred Meyer near you, give it a shot if you haven't been there yet. I don't know where all their locations are, but again, I'll put their website in the description below and you can check it out. Fredmyre.com. Fredmyre.com, yeah. And it's a- It's made, it's prep-prepared meal kits and this one is crispy pork chops. And I looked at the back and the manufacturer is Kroger and they're the parent company of Fred Meyer. So they may have these. If you don't have a Fred Meyer near you but that you have a Kroger near you, you may find these at the Kroger store. And it's only $16. Yeah, it's not bad for two. It's not bad for two pence, eight bucks per person. Yeah. Plus wine. That's it. Have a happy new year. We will see you in the new year. Don't forget to like, share and subscribe and go out and do something nice for yourself because you deserve it. We'll see you later. Bye guys.


It gives a reason and it doesn't sound like you're looking for bad things. You guys kept eyes on him. Here and right here, but I still like the way you guys did your security. This is a pretty large vessel for a five-man team, so you guys kept the team centralized in mind, I like that.


Get this and get it straight crime is a suckers road those who travel it wind up in the gut of the prison of the grave This time a nervous breakdown in a driving rain a cape with a high color and a tiny sliver of glass Let me from the ballet and a beautiful dancer to the edge of a cliff and death It happened like this From the pen of Raymond Chandler outstanding author of crime fiction comes his most famous character in the adventures of Philip Marlowe Now with Gerald Moore starred as Philip Marlowe.  Yeah, well look miss my office I felt something dreadful was going to happen to him and now now I'm sure of it You must find him for me the poor lady. Wait a minute. Hold it. Well, yeah, who is Andre and that matter who are you? I am Vivian or the way prima ballerina ballet do moan prima ballerina the Emperor sorry of the company my dear dear old friend my my teacher the man who's been like a father to me That is Andre Andre that do we must help him at once. Well, listen miss. All right. Why don't you do? I feel for some time that Andre was on the brink of losing his mind Yeah, I can understand it Frustrations he will never dance he's been crippled But he's consumed with a passion for dancing and drives himself to express his genius to the clumsy feet of water Yeah, well, that's very interesting of no idea, but I don't see why you came to me tonight Miss Ordway What can I do help me to find him yesterday? So something else happened to Andrea I don't know what but it upset him then today at noon when this awful rain started he disappeared and oh Good heavens five past eight. Yeah, what about it? I'll be late for the performance. Here take this ticket in Please come to the theater. Mr. Marlowe. I beg you. I'll pay you anything you ask only only promise me will come well Okay, Miss Ordway, I'll be there as soon as I can Ballerina swept out of my apartment like a frightened whirlwind as I got dressed all over again for an evening in ballet Which I needed like a cute appendicitis. I saw that the ticket she'd left was number 27 jay at the great arts theater Showing ballet of the world Sponsored by one mrs. Imogene Wyatt Now I got to the lobby have soaked near the end of the second act when an icy ushuret shoved the program at me and Hush hushed me inside The audience was a small cluster of arty die-hards down front which left me in 27 jay feeling like Midway Island My client Vivian Oddway was the whole show When I saw the finale coming I slipped down a side aisle into the wings Just in time to catch a beef at the stage door between a long wolf-faced intruder and a pudgy doorman But even if she was you wouldn't get in she left the daughters.  I broke my back getting publicity for that Stuttered widow in this outfit and the gene wire is going to be sorry. She fired me I'm gonna see what personal get out of the theater nuts I Mr. Marley, yeah Tell me if you heard from Andre LaDuvia Nothing, but I did remember something that may help Andre once mentioned that he had a friend here in Los Angeles a Mr. Baker who who lived at the wind drop arms the wind drop hotel the wind drop something Come in. Thank you Andre may be there. I'm I'm grasping it straws. I know but if if his mind is gone and then he's lost I'm so afraid for him. Oh, now take it easy honey. Take it easy Is there news of Andre? Oh, no George. Nothing. Mr. Marlow here is going to find him for us. He's a private detective Oh, I see wonderful. I am George Malikoff. I know you Vivian I'll be at the hotel if I can help, please do call on me and oh my dear Beautifully tonight as the full moon We mere stars were hardly visible beside you Fast man with a cup of it. He's very sweet. Yeah, what hotel did he mean the Wilshire Gardens? Most of the ballet stay there. Oh, how about you miss oddway? I have a house a studio and look out mountain 857 I reach you there. No. No, I'm going to wait here in the theater If Andre should remember and come back I Want to be here. He's a very sick man After I left the theater a quick check in a phone book showed a Winthrop arms apartment hotel on Havenhurst Drive It's just below fountain Avenue when I got there. I found the name Baker stuck over the mailbox to apartment 1a Went inside and up to the door Andre Ladoo What do you want? Well, you're friends at the theater worried about you my friends. I have no friends George Malikov's worried about you George Malikov my friend So it's Vivian oddway That dear child what will become of her now. What do you mean? What's happened? Who are you miss oddway sent me to find you? She's waiting for you at the theater waiting the theater Why? Why the ballet is finished? What's there? Mrs. Imogen Wyatt withdraws her support completely. There is no more ballet du monde and penniless And all our work has been for nothing. I Try to reason with her, but It was hate Afterward I drove here on the dark street the rain Slashing Clying at me Andre where's your friend mr. Baker this place is packed in moth balls I is in Europe. It is all right that I am here He sent me the keys long ago said I could use his apartment in this car I came here to be alone to think my head Andre what time was it when you left Mrs. Wyatt yesterday? I can't remember Only that it was dark Very dark, and it was such a difficult drive Yeah, tomorrow she will notify her lawyer to alter the papers or that that impulse I wish she were dead You hear me. I wish that image in Wyatt was dead What was that stay where you were What is it? Do you see anything? No Now look Andre about your headache Wouldn't you like to see a doctor doctor? No, no, I'll be all right. I am all right understand. Yes, sure Well, do me a favor for your own sake stay here tonight inside I want to check a couple of things and then I'll be back Where else would I go now? I left I was convinced that if the belly impresario hadn't already slipped his trolley another slight bump would do it But two things bother So first I walked around to the window again, but You need trace of an eavesdropper and washed away by the rain Item number two was the strong imprint that drive home in the rain that made on Andre's troubled mind. I wanted to know why The garage was under the building on the far side The door was unlocked and a small light burned in the back I finally found the car as sleek close to the ground Hudson registered to all in Baker Found it for the first grim discrepancy The left headlight infender was still streaked with rain marks, but the right had been wiped clean When I reached in and switched on the lights that sensed it the glass in the right headlight had been replaced. It was brand new Just testing my friend's car.  No, maybe it was mr. Do we had it out last night? Oh, it wasn't him.  Yeah Well, I looked around by the incident arm done so I went back to my room What time was all this? Oh The way past midnight maybe one two o'clock couldn't pay much attention By the way, mr. He's careful of nip. No, thanks. I'd like to use a phone you got one Oh, sure sure sure back in the corner. I'll show you. I'll find it The call is personal. Do you mind me? She'll say not help herself, sonny. I'm too old to even be curious My first call was to a desk sergeant in the police traffic bureau When I identified myself and asked about a hit-and-run accident possibly on fountain some time before midnight yesterday It was a pause while he checked the record and then We identified him by his blue shield medical car all one Lyle crutch hour Apparently stepped out from between parked cars on Fountain Avenue between Orange Drive and Roxbury was struck by an unidentified Vehicle at about 1110 last night Conditions serious now. What do you know about this mr. Marlowe? I get in touch with you later sergeant. Thanks Stepped out from between It's Philip Marlowe. I want to talk to Vivian oddway Okay Yeah for the present but listen Vivian I gotta get talk to Imogene Wyatt. Where does she live? Yeah 21 cameo 21 cameo meet me there right away. Well, yeah, I may have a couple of rough answers for you, baby That doesn't matter Between slick streets invisibility zero it was a solid half-hour drive from the Winther bombs out to the swank cameo terrace When I pulled up at number 21, I wondered what the wealthy widow had spent her money on a House was so small it must have been shingled with $20 bills to meet the zoning restrictions I just started up the soggy gravel path toward the door when it came I started to run for the house a green convertible I hadn't noticed before raw of the life suddenly and disappeared on a side street. I didn't have time to worry about it Inside I I found Mrs. Wyatt on a dining room floor Fighting a losing battle with the distance to the telephone She was dead I Looked through the rest of the small and now silent house in a hurry But found nothing more constructed in the rear door wide open I got back to the living room just in time to see my client Vivian Audway bizarre and a short frothy ballet skirt and long white hose standing in the front door Something's wrong Isn't it it's one way to put it How'd you get here Vivian in the cab? What do you know that drives a green convertible green? Scully has killer publicity man, but why the guy I saw on a beef at the theater tonight. What's happened? Magine Wyatt was just shot to death And that puts two items of business up on deck first the check called Andre LaDue Andre why Andre on the off chance that he can drive faster than I can after that a personal call on mr. Haskell you can fill that one in yourself Mario Andre couldn't have he couldn't have we'll see I Hang on tight baby. Let's get it over with In just a moment the second act of Philip Marlowe But first the great international comedian Beatrice Lily will be Bing Crosby's guest on CBS this Wednesday night The CBS Bing Crosby show always guarantees enjoyment So be listening when be Lily joins Bing on most of these same CBS stations this Wednesday night And now with our star Gerald Moore the second act of Philip Marlowe and tonight's story the high colored cape It made a cock-eyed picture A beautiful ballerina miles away from the stage yet in full color drenched costume and gaping through tears streak grease paint sudden death It's a good time for me to start checking up Andre LaDue the high strong impresario was first He was still at the apartment. I could cross him off as having done it personally Sorry wrong number Marlowe he was home wasn't he Andre?  I didn't say LaDue did it and his being home doesn't say he didn't People sometimes pay other people to do that dirty work for him, you know Just what are you trying to say? You hired me to find LaDue and I did But also I found he was suffering from shock and has been since last night when mrs. Wyatt told him She was gonna fold the show Fold the show. Yeah. Yeah, and that Vivian would ruin him and half a dozen more I could name it so right so you've all got plenty of motive But what about Haskell? We know he hated mrs. Wyatt isn't revenge motive Revenge and the fact that you saw his car. Why do you insist on defending him? I don't Only there's another angle It's called hit and run and I know that it ties in tight with LaDue mrs. Wyatt and the actual killer It didn't run. I don't understand. Well, neither do I yet Now look, do you know where scully haskell lives? No, where does he hang out? Sometimes at the bar at will shall gardens hotel. Okay, I'll try it You go back to your place up in the hills. I'll find it when I got some answers now Hurry up and get out of here. Will you somebody might have heard the shot and called it?  Do you're crying there? Go ahead and try it. Hey, hey, Vivian. You forgot your car Vivian you Oh no, baby You forgot your cape For a long second, I just held it tight instead Hi, Elizabeth and color enough gathered clothed origo lion sides It could have been what the garage attendant thought he had seen running away from the car LaDue used But the garage attendant could have been mistaken too I told myself that leaping hide at conclusions was strictly for ballet dancers I jammed the cape into a small bundle and left via the service entrance just as the police sirens up I took the great circle route back to my car tossed the cape on the seat next to me and drove fast For the bar at the willshire gardens hotel It was a kind of flattering pink mirrored place where the odd derv had long ago replaced the pretzel But haskell wasn't in sight And the only person around who could possibly be of any help to me was the delicate george millicarp Mr. Margo, have you seen vivian? I am beside myself with worry. She's all right, millicarp. She's not I know It is monsieur le Duh that she still worries about him. Yeah him and a little bit more george Now tell me you know where I can find scully haskell. Well, yes, I do He was just here for a drink. Where'd he go? You're being very brusque, mr. Margo being very what you're brusque Yeah, well now look george Without grand jetting out of your satin loafers get this There's been a murder and vivians ended up to a pretty fluff skirt How is vivian concerned? Come on boy. Let's get out of here. Where are we going, mr. Margo? Out to my car where we can talk a rain stop.  Wyatt? She was shot and might have been haskell because she discharged him. Maybe Oh, maybe something more complicated like a hit-and-run accident that belongs to ladoo, but somebody wants to cover It'll make any sense to you. Here's a car. No Should it? No What's more it shouldn't the vivian are there? What are you getting at? There isn't time to explain call it thinking out loud thinking about this cape for example that belongs to vivian And about the testimony of a whiskey garage attendant All of which makes me hope real hard that haskell's the boy more thinking out loud Yeah, maybe Now look, where can I find haskell the paradise court motel on vine? He has a bungalow there number three. Oh, thanks Well, if you're really worried about vivian george go on over to a place on a lookout mountain road She's not in good shape Here take this cape with you.  Yeah You're on a sliver of glass george Glass that could have come from a broken headlight, huh from a broken what? What are you talking about mr. Marlowe? The benefit of the dark george Keeps getting harder to give it away Bring this back to vivian. Will you tell her she left it at mrs. Wyatt's and then i'm positive haskell's our man So long george Not quite the name's marlowe. I want to talk to you haskell Always your breath skip chaser and broken i'm gonna stay broken till the first of next month After that you can get in line Oh, you're funny for the finance company Imagine why it's dead haskell What did you say it? What's the gun for your lousy temper get back? Hey, wait a minute. I saw you with the theater tonight And I heard you which pushed me out in front. Now. Do we talk haskell or what mrs. Wyatt's murder?  I didn't shoot her. I didn't even slip son kid So I know she was shot doesn't prove I did it come on. Why'd you kill mrs. Wyatt? I did how'd you know she was shot because it happened just I got out of my car and started Taught her place.  I was sore, but I didn't kill her now, but interference on that hit and run You were covering was plenty of reason. What are you talking about hit and run hit and run? Don't move haskell I said don't move Congratulations hansom. That's just what I had in mind close the door and stand still Now what? The name's nancy connor occupation ex-friend of the unconscious Don't look so worried hansom. I'm on your side. I had something in mind exactly like that left cross you just threw South coast, huh? Yeah What's your beef?  Me and a couple of fifths of bourbon from 8 30 to 5 a.m Down on malibu he never left Not for a second The loud mouth was positive. Nobody could get along without him Um, what's that got to do with you so much tell haskell. I'll be in touch. Will you I gotta run? What are you looking at? It's just a program from the ballet, isn't it? Yeah Haskell has them all over the place after all. Yeah, sure sure So Oh, so like I said nancy. I gotta run It was 15 stop and go minutes from haskell's place at the hollywood hills And another five screeching up the paved snake that was lookout mountain road But finally I was there out of my car and running toward number 857 Which was a collection of windows and a rustic log frame half jutting out into space And around in the back there was a wooden sundae below it on either side huge rocks that lie on the edge of the cliff directly below Only the dark bottomless canyon on the end of the porch near me. There was a long flight of stairs I started up one careful noiseless step at a time My hand tight around the 38 Suddenly in the weak light of the thin slice of moon.  Wyatt Was the half crazed answer to everything The delicate joe's melly cuff It's too late. Vivian marlowe knows this cape was what the garage attendant saw and do you know?  He thinks haskell kill mrs. Wyatt He only hopes that and he'll find out one way or another that the beautiful ballerina is guilty Then he'll be forced to come back here after you George I'm not guilty of course you're not vivian I am the cape is mine not yours. You only used it tonight That's the only thing he doesn't know and never will Because you will have killed yourself after confessing to me. No. No, it's the only way vivian You or me But it's always been that way hasn't it even in the ballet where one or the other of us had to be star Too bad. It wasn't I yeah crying shame melaka Get away from that rail vivian Melaka no It's a greater leap Even for a ballet dancer Let's get out of here a long time in police headquarters, but finally all concerned had made their statement The law was more or less satisfied and Andre ledoux never knew he'd hit anyone was cleared of hit and run That left me in the ballerina driving to a friend's house But she was going to spend the night feel I I know you must have had enough of questions and answers, but but Yes The reason George killed mrs. Wyatt. Well, you see vivian It started last night when george went to see andre ledoux because he was so bitter about his partner's show being cut down And that was when he saw andre returning from mrs. Wyatt shaken up in half days And with a broken headlight and and other signs of having hit someone Yeah, and from there george thought fast covered it all up found out exactly what had happened from this morning's paper Probably and waited when you hired me tonight He must have followed me to ledoux and overheard andre tell me that mrs. Wyatt was going to pull out Oh, so he went to her tried to stop her and couldn't Yeah Anything else? Oh, yes. Oh one thing. Oh, that's a house there feel a little white. Oh, okay What made you hurry back to my place from huskles motel went when time meant so much A hunch, honey As I was leaving scully huskles. I saw a stack of ballet programs on a table in his living room Cover on it was very interesting Features you and the picture of george majestic in his high-colored cape So that was it Yeah That was it Good night, please Oh, will you call me tomorrow sometime, please? I'll call you tomorrow It's a nice night feel It's so good to be alive Well, good night And I drove straight home in the quiet empty aisle through the quiet empty streets thinking all the way about ballet Which to me it always been something very delicate, you know for the long hair strictly the haughty side I thought about the people I'd met who connected with it Ballerina with a lot of courage when courage counted the high-strung andre ladoo askel the muscle man and george Vicious as anything I'd ever met on skid row And I was still thinking about them when I got out of my car But then for the first time I noticed a little white envelope on the seat next to me Had my name on it And inside was a Ticket for tomorrow's matinee Same seat I had before Yeah, well, I figured I'd go, you know those those leaps they do they're pretty good We call them, um, entre entre No, that's too much Yeah, they're pretty good The adventures of Philip Marlowe bringing you Raymond Chandler's most famous characters star Gerald Moore are produced and directed by Norman McDonald and are written for radio by Robert Mitchell and Jean Leavitt Featured in our cast were Georgia Ellis, Edgar Berrier, Elliott Reed, Luke Ruegman, Wilms Herbert and Michael Ann Barrett The special music is composed and conducted by Richard Arant Be sure and be with us again next week when Philip Marlowe said This time it was a fishy horseplay from a red-headed beauty wild about ponies past a blackbearded sailor Who bled the death on a racing form to a neck and neck finish over a wandering seahorse worth 50 000 bucks And you know what? I was the jockey Remember every Wednesday night CBS brings you groucho marks with his wonderful quiz. You bet your life It's one of the brightest most spontaneous most genuinely funny shows on the air. So be listening this Wednesday night on CBS This is Roy Rowan speaking Now stay tuned for pursuit which follows immediately on most of these same CBS stations This is CBS where Burns and Allen are heard every Wednesday night the columbia broadcasting system