But what I really love to do is techniques, and one of the things that was stamping that really caught my eye is that you can take this plain piece of paper and alter it into something completely different. So I'm going to show you a technique called full patina. And when I do my classes, we always do a technique page. And my customers have these six-by-six books filled with pages they can refer back to, and they just love that. So this is the page that we did. And this full patina technique is really, really easy. So much easier than in the old days when you used a VersaMark embossing powder and an embossing boulder. So what we're going to do this today, I'm going to show you how easy it is. So the best thing in the Cadillac that you just really didn't know about are these metallic enamel effects. And there's also a set that are pearlized that come in white, red, and black. But these metallic ones are phenomenal. So I'm going to show you how we do this. So I love taking that blank piece of paper and altering it. So I am going to ink up with three different colors, copper, clay, vocal, blue, and pecan, pine. And a lot of my customers say, well, how do you start? Where do you go? Where do I put the ink? So I tell them that the best thing you can do is start in threes. So off the paper, onto the paper, and you just do one, two, three. So threes, like when you put your embellishments on, is a very pleasing eye-catching number.  So I'm going in one, two, and three. So we're just starting out with the first layer, and then I'm going to use my pecan pie.  So three spots here, and then I'll just look back at it, and if I wanted to be a real deep color, then I'm just going to add some more color. And it's okay to overlap, but you just keep going with your colors until you're happy. And that's the other question is, how do I know how much? Tell your galley. And then with the pecan pie, it's kind of a neutral color, and then I can actually go over most of the other colors, and it makes it a little darker. You can see you can get a nice in-covering on that. So here's the magic, you need to bring this in. So I first started with our silicone sheets, because they're awesome to use with glue and paints and different things. But I found out this metallic paint really dries amazingly fast. I mean, you get it down on your project, and it's like dry. You can do little dots where you can make embellishments. That takes a while to dry, but if you're doing thinner layers, it dries right away. So it was hard to get the enamel effects off my silicone mat, so I had to actually use alcohol to get it off. So then I thought we'll go to the disposable root, and I'm using a aluminum foil. And this bottle is just about empty, so I'm just going to put out a little glom on there. You have a couple of ways you can apply this. The easiest way is to use saran wrap. You can use a sponge, you can use different things, but what you're looking for is just a little bit of random color of the metallics.  You just simply want to lightly dab it on. So I wad up my saran wrap so that it's loose, and you're simply going to get that thinner and moved out, and then it's a gentle touch. So you can see that picks up on your embossed areas, and so patina is like an old antique aged look, and you can do however much on there that you want, but it just is a nice soft look. So the nice thing about this, it's easy to do, it dries amazingly fast. This is pretty much dry already, so that's as easy as it is to put that on there, so you know embossing powder, and no kind of wondering where it's going to go. You apply it to where you want it to be. So that is using that. We're going to also try it on solid cardstock.  And the other little fun thing on this card I want to show you that maybe you didn't know is there is a die in the autumn leaves stamp set that punches all these little folds out. It is so cool, overlooked, because you can't see it in the catalog really, and then when you put it on something, especially like this, the Distressed Gold, you see those little dots shining through. Who do you think? You know, I had no idea, and I was like, whoa, this should work well. So even easier, we're going to go ahead and do this onto solid cardstock, see it's almost done. So let me show you something else to use with it. And have you ever been in the hospital? No eat, no drink.  So we're going to take the end of this. These are actually online, like for a penny a piece. I mean, you can order like $500 for $5. So I'm just going to tap that out.  And then you have this beautiful metallic look. And you can like sponge the edges with this too and do different things. But then it gives you that metallic shine on there. And then you say, OK, are we done yet? No, wait, there's more. So now you have this metallic enamel effects on your foil. And you don't want it to go to waste. So the metallic enamel effects are water-based. So yes, you can add water to them, dilute them a little bit. You can paint with them. So you just use your spritzer, spritz a little water on there. It dilutes it, picks it up. And then on the goal, you can create backgrounds. So watch this. You can just take. And remember, like we had that brush stroke background. So you're just taking that excess paint and you're creating a shivery background. You could do like this. You could use a paintbrush. But as you can see, then you've got that nice shivery background. And you've used up all your paint. So that's a huge bonus on that. So just a little something different technique that you can use. So yes, there's more. This pearlized enamel white is their water-based. So you can use your reinkers with this. So you just make a little puddle, drop a reinker on it. You have any color of pearlized paint that you want. So you can do these kinds of techniques. You can paint with it. You can do just so much spritzing with it. If you put it in a spritzer bottle, it's too thick. And it will clog it out. So you don't want to do that. But you certainly, you know, these paints go a long, long way.


Since graduation, I've stayed connected to the School of Industrial Engineering, and they created a pilot program for mentoring. And this really appealed to me because it gave me an opportunity to stay connected to the school, stay connected to students, and give back some career advice. The School of Industrial Engineering paired me with a student who is a senior. Her name is Grace. We met back in September for the first time face to face when I was on campus. Each week we have a focus topic that we talk about where it provides an opportunity for Grace to ask questions, and for me in the role of mentor to share some of the lessons learned along the way in my career. It sheds light on a lot of topics that I'd never really thought about before. Even today we kind of talked about finding mentors, and so every mentor that I've had thus far has been set up for me through a company, through the Industrial Engineering program here, and so things like that where you never think about, oh how do I go find a mentor, does it need to be an official start to our mentorship, or other things like work-life balance, or just the industry in general. It really sheds light on a lot of topics that you don't think about as a college student, and allows you to think forward into these these challenges that you might face once you start your full-time job. It gives me an opportunity to pay it forward, right, so to help someone else have a successful career. I love that it's allowed me to virtually connect, but to to stay in touch with what's happening. So as part of our mentoring sessions, Grace always fills me in on when's homecoming, when the finals are happening, so I almost feel that I'm back on campus, and I really like that. I would definitely say especially you know if you're a student with the School of IE, or you know whatever your major is, if they offer a mentorship program I strongly recommend it. At first, the application seemed like just more work to give myself, but it has given me so much more perspective on things moving into my career next year, and really is a great way to kind of sum up my senior year, and make sure that I'm prepared thinking about things, and we have very enjoyable conversations. It's not like it's it's work, I get there and I get to ask her all the questions that are on my mind, and so for me it's been it's been an awesome time, and I've really enjoyed it.


Hi, my name is Karsten Baum and I will now present you the Mac and Cheese zero-knowledge proof system for Boolean and arithmetic circuits with nested disjunctions. This is joint work with Alex Malozomov and Mark Rosen from Galois and Peter Scholl from Orhus University. As a quick overview on a natural mac and cheese is a committed proof style zero-knowledge proof for arbitrary circuits over any field. It has specific optimizations that allow it to support nested disjunctions more efficiently and it's practically efficient. Our implementation that includes both the pre-processing and the online phase of the zero-knowledge proof system achieves 140 nanoseconds per proven end gate or 1.5 milliseconds per multiplication over a 61-bit field. And our proof system asymptotically sends approximately one field element for any kind of multiplication or three field elements if no amortizations are being used. Before I will go into the details of the mac and cheese proof system let me recap some definitions, which are necessary for understanding how mac and cheese actually works. So let us assume that we want to show that a statement x is in the language l then, you know, we could just consider that there is a touring machine which accepts x together with a witness w in polynomial time. An alternative view which we use in this paper which is much more useful and is generally being used in many zero-knowledge proof systems is that there exists a circuit c which can be obtained from the statement x and we say that x is in the language l if there exists a witness w such that the circuit when evaluated on the witness w evaluates to zero. So only if and only if the circuit evaluates to zero we say that x is in the language. And here w is considered as a witness. And if we just just write out that circuit and alternatively we could view that as many gates with inputs and outputs as shown here and the inputs of the top level of gates will be fed with the witness w with the individual field elements from the witness and then one evaluates each of the gates throughout the whole circuits until the output of the last gate has been obtained. And then we just consider if the output of that last gate is being zero or not. And we can use this kind of formulation in when constructing a zero-knowledge proof where the view is now that the prover knows the circuit c and so does the verifier and the prover additionally has the witness w. Now the prover wants to convince the verifier that the statement is true so that c on w evaluates to zero. So the two run an interactive protocol which has at the end the verifier saying that he either accepts or rejects. And this usually comes with three properties that we want for zero-knowledge proofs namely the protocol is complete if w is indeed a witness for c then the an honest verifier will always accept. Additionally we have soundness meaning that if the prover if the statement is not true then the prover cannot convince the verifier. In this work we will use knowledge soundness meaning that if a prover can convince a verifier with decent probability then one would be able to extract a true witness w for the statement. And a protocol is zero-knowledge meaning that all the verifier learns is if the statement is true or not but it in particular does not learn any information about the witness w. A well-known technique for constructing a zero-knowledge proof is the so-called commit-improve paradigm. Here one uses homomorphic commitments in order to construct a zero-knowledge proof and the starting point is the protocol due to Kram and Damgo which uses commitments based on discrete log assumptions. So let's assume that we have a circuit c and we want to convince the verifier that c applied to some witness w is zero. So what the prover does is it commits to the individual elements of the witness w all of them individual commitments then it computes the outputs of all the intermediate gates and it proves in zero-knowledge that the commitments to the outputs of each gate are consistent with the inputs of each of the gates. So that means by recursively applying this proof for each of the gates we in the end get that the output can be opened to zero if and only if the witness was actually valid for a certain circuit c. This approach for commit-improve actually only needs linearly homomorphic commitments and this is well known. Here what this means is that the verifier can compute a commitment to alpha x plus beta y plus gamma from commitments to x and y and publicly known values alpha, beta and gamma without any interaction with the prover. So the parties do not have to communicate in order to transform commitments into linearly related commitments. So if we want to evaluate linear gates or prove anything about the output of a linear gate then we only have to apply this homomorphism and do not need any interaction in order to prove this relation whereas for multiplication gates what one usually does is one the prover commits to a random multiplication triple as well as to the product z that should come out of this multiplication gate and then one uses the so-called Biva circuit randomization technique in order to prove that the commitment in z opens to a commitment of x multiplied with y and for this one uses the multiplication triple that the prover additionally had to commit to. These are the general ideas which you can also find in the Mac and Cheese protocol although we alter them in order to obtain a highly efficient zero-knowledge proof system. The foundation of our proof system are so-called vector-oblivious linear evaluations where oblivious linear evaluation or OLE for short can be seen as a generalization of generalization of oblivious transfers to an arbitrary field f. Here the sender inputs alpha and beta into our OLE box while the receiver inputs r and obtains the correlation alpha times r plus beta. Here the sender doesn't learn anything about r while the verifier doesn't learn the receiver doesn't learn anything beyond this linear relation and vector OLE is a version of OLE where if we have multiple oblivious linear evaluations then they will all have the same alpha across all the different instances and there exist very fast instantiations that allow you to obtain lots of VOLE correlations based on the work of Boyle et al and these in particular need a very small communication of let's say approximately 0.4 bits per correlation and a small amount of computation so approximately 80 to 85 nanoseconds for one vector OLE instance. In our work we instantiate the commitments using linearly homomorphic MACs which are instantiated from this vector OLE. So let's say we have a random vector OLE instance where we assume that the prover actually inputs r into a vector OLE whereas the verifier inputs alpha and beta. The prover additionally has the value m which we now consider as an information theoretic MAC on the message r under the key alpha and beta. This on its own is already linearly homomorphic over f which one can easily verify. Now how can this be used as a commitment scheme? Well assuming we can make lots of these correlations for random r then in order to commit to a fixed value x the prover can simply send the difference between x and the random value r to the verifier. The verifier locally updates his value beta and now one can easily see that by adjusting beta now both parties together hold a correlation which max the value x using alpha and beta prime as as keys and in order to open a commitment the prover simply sends x as well as the MAC m to the verifier who checks the relation with alpha and beta prime. This is only as binding as the size of the field so if we want to use this with for example bits then one would either have to repeat this multiple times or use subfield vector OLE where r comes from a subfield of where alpha and beta actually come from and also one can easily see that this is a designated verifier scheme namely the verifier has some secret randomness which is alpha and beta if the prover would ever get hold of alpha and beta then it could forge proofs so the verifier must keep this as a secret. Using these information theoretic max we can now outline a simple version of the mac and cheese protocol here the prover initially commits to all the elements of the witness and then evaluates the circuit gate by gate and proves that all the gate outputs are committed correctly now for the linear gates proving this is easy because we can use the linear homomorphism of the information theoretic max in order to prove that multiplications are done correctly what the prover does is an optimization of beaver's approach where it's in addition to the output of the multiplication commits to an auxiliary value c which is derived from a random value a and remember that random commitments can be done cheaply in vector OLE and a is multiplied with one of the terms of the multiplication that we want to verify not a verifier sends a random challenge which is used in order to create a and to open a linear relation and then the prover additionally shows that this linear relation evaluates to zero now the good thing about zero checks is that one only has to send the mac because the verifier already knows what to expect namely that the committed value there must be zero and in particular the verifier then only has to check if the value being sent is the same as the value that already has namely the value beta now this simple multiplication check sends three field elements per multiplication which one can easily verify but this only holds even true for large fields for small fields the overhead might be even bigger so the question is if we can actually do multiplication verification with less overhead and we showed that this is actually possible by using the recursive dot product check of bonny et al this increases the round complexity for checking multiplications from constant number of rounds to something that is logarithmic in the number of multiplications that we want to check this again can we get down to a constant by using the fiat-chamear transform and the communication improves to one plus epsilon field elements per multiplication or also per verified and relation where the constants is 0.008 for one million multiplications or one million ends that we verify at once and if you want to learn in more detail how this actually works I'd like to refer you to the paper for more details as already mentioned in the beginning a special feature of mac and cheeses that it can more efficiently deal with nested disjunctions so we'll now explain what these are and how we actually handle them in our proof system for disjunction we consider that there are multiple sub-circuits in this example c1 and c2 and our circuit will evaluate to zero meaning the witness is valid if the first circuit evaluates to zero or the second circuit evaluates to zero or maybe both of them at the same time and usually if we just feed such a circuit into a proof system then we would have to transfer communication for both of these sub-circuits now what we want to achieve is that we only communicate information that is proportional to the longest branch that means that if for example we have 100 parallel branches and only one of them evaluates to zero then our proof would only need to communicate one of the 100 branches and we would save a factor of 100 in communication now the key observation that we make is that the proofers messages that have to be sent in order to prove that one of the branches evaluates to zero well all of these are appearing to the verifier as random field elements right if you prove that the multiplication is is correct or if you commit to an additional value then all the verifier ever sees are random field elements so what we just do is that the verifier since it can't distinguish between the individual branches when messages come in well we only send him messages that can be used to evaluate the true branch but since he doesn't know what these messages are there for it will just use the same messages for all the branches at the same time right so in our example if for example the first circuit was true we only sent the messages for the first circuit but the verifier will also try to verify the second sub-circuit using this but it will never notice that it's just getting garbage there now in more detail how do we do disruptive proofs in mac and cheese well let's assume we have m different clauses c1 to cm where there's a witness that makes at least one of them evaluate to zero as mentioned the proofers since messages for evaluating this one that evolves to zero in this case it's called ci the verifier sends random challenges for all the branches as he did before now both parties evaluate each branch locally based on the random challenges from the verifier so this implicitly defines the commitments to the outputs of all of the branches what one can prove is that all of these commitments if if the witness didn't make this branch to zero then one would definitely get something else than zero even if one evaluates on garbage messages so the prover can't use this in order to cheat in the process and then so one of the one of these commitments must be zero the others are random but you know the prover can determine what they actually are then the parties just use an or proof which shows that there exists one of these commitments that is actually zero and this is a standard technique used already by kramma damgart and schoenlachas in 94 for sigma protocols which we adapt to commit and prove style systems now the overall communication of this is scaling in the length of the longest branch plus an additional o of m field elements which are necessary in order to perform the or proof and this improves by a factor of m actually over the naive approach ignoring the o of m for a second where for the naive approach we would have to prove all branches towards the verifier one can then also modify this approach to support statements where the prover tries to show that k out of the subcircuits evaluate to zero here one replaces the one out of m or proof with the threshold or proof of cds 94 again this improves the overall communication to a factor two k times the longest subcircuit whereas the naive approach only needs to communicate all of the subcircuits and then we can also prove disjunctions inside this junction so we can nest our disjunction proofs into each other and there can be multiple layers of these at the same time as mentioned in order to prove such a disjunction we have to communicate something that scales in the longest branch of this junction this seems to be unavoidable but additionally we have to communicate m field elements in order to do the or proof where m is the number of branches now let's see how one can reduce this overhead and in in order to understand what is going on there let's say instead of doing an or proof we do an alternative proof where we show that the product of all the output commitments of the individual branches is actually zero now this is equivalent at least for a simple disjunction to computing an or proof because only if at least one of these values where i is actually zero one will get to a value that is actually zero now why can this be done with less overhead well let's assume we have two branches where the first one is actually zero whereas the second one is some let's say random value then now using just one multiplication we can do the or proof right we just multiply y1 with y2 and prove that this is actually zero now if we have more branches let's say y3 and y4 and then we would now do the same thing but what one would observe is that combining y1 and y2 with a multiplication gate leads to a sub-circuit and y3 and y4 together with the multiplication gate is again a sub-circuit and we can recursively apply the technique from before meaning that we now take the output of the left and multiplication gate use this you know in the simulation of the right branch and now do a multiplication proof on both of these branches and again this will evaluate to zero if one of the two is actually zero and the cool thing is well we only had to communicate something for the true branches of this of this circuit whereas for the right top right multiplication gate we didn't actually have to send information and if one does the math then this means that one actually has to send something that scales logarithmically in the number of branches instead of something that is linear in the number of branches as was mentioned in the introduction we implemented mac and cheese and now also want to report on the efficiency of our proof system mac and cheese has been implemented in Rust by us both the offline meaning the vector or lead generation as well as the online phase in non-directed fashion using the fiat-chamea transform it's implemented based on the swanky secure computation framework by Galois and we plan to open source it as soon as possible although some things are currently being re-implemented our mac and cheese implementation supports input from the zk interface project we can support various fields such as f2 to the 61 minus 1 or also proofs that are just over f2 and our optimizations meaning nested disjunctions are used in our mac and cheese implementation and we also have these optimized multiplications which only communicate approximately one field element per multiplication we benchmark the performance of our implementation in a setting where proven verify are connected over a network with 95 millisecond ping and 2.25 megabytes per second of bandwidth our benchmarks include the runtimes necessary to pre-compute the vector all these and in this setting mac and cheese requires 1.5 microseconds to prove one multiplication gate in f2 to the 61 minus 1 or 140 nanoseconds in order to prove one multiplication in the circuit in a circuit over f2 and both of these are in the setting where we use our amortization technique that only communicates approximately one field element per multiplication to show that our improvement for disjunction is actually visible in terms of communication if we have multiple branches each of which are of one billion end gates then we can see that in order to prove eight of these branches we only have to send 75 bytes more than when we want to prove only one of these branches at the same time the proof runtime still increases because the proven the verifier have to evaluate still have to evaluate all of the branches locally but we get this improvement in terms of communication now with all of this let's put mac and cheese into perspective with respect to other works that do large scale zero knowledge proofs stack gobbling has been introduced by heath and koleshnikov and uses gobbled circuits in order to prove statements about circuits over f2 here we can see that mac and cheese actually communicates a lot less per per end gate while they also have disjunctions such as we have wolverine can possibly also be extended to support disjunctions and the performance of wolverine is actually comparable in terms of communication around complexity to our simple mac and cheese protocol means without the amortized proofs line point ck introduced by ditmer at all has a comparable efficiency to our batched mac and cheese approach in terms of in terms of communication over large fields and line points your knowledge has been further developed in the quick silver protocol which has a similar which has a comparable performance to ours so they get rid of the epsilon factor that we have and have twice as much throughput in terms of multiplication million multiplications per second than what we do but to the best of our knowledge quick silver can at least not simply be extended to also support these less than disjunctions that mac and cheese actually has in summary mac and cheese is a designated verify a zoology proof system that is particularly suitable for large-scale zoology so zoology with large circuits we use vector overlies in order to instantiate information theoretic max and get a committed proofs protocol essentially most of the communication only flows from the prover to the verifier so we get two constant rounds using a fiat-jamir transform and we can optimize disjunctions in order to reduce communication unfortunately not computation our communication is approximately one field element per multiplication gate for any field and as mentioned we have a highly efficient implementation that is as efficient as the state of the art if you want to learn more i'd like to refer you to the paper or if you have questions feel free to either contact us during the online talk at crypto or by email and with this i'd like to thank you for your attention


Hey there friends, thanks for checking in. Today we're looking at the new Torus TX-22. I saw this at shot, I checked it out, I walked away very much impressed. It offers some features that are very different than your average .22 long rifle handgun. So we're going to get into that, but I have to say after taking it to the range, I put about four mags through it. I'm going to do a range review shortly. I think that Torus has little rockstar on their hands with this TX-22. It offers quite a bit and it's not too expensive either. The MSRP is $349. I'm seeing it all over Gunbroker. This is out and available right now for right around $300. Maybe a little bit more. We'll see where that price settles into being that it is a new release. But a couple things that I find very advantageous is that it does come with two 16 round magazines, which is pretty good. You look at the Walther P22 or the Ruger SR-22, those come with mags that hold 10 rounds. This holds 16 rounds, so that's always an advantage. It comes with two two magazines there. Another thing that makes it unique is that it is a striker fired handgun. So it does have a striker assembly in there opposed to the hammer fire, which pretty much dominates the .22 long rifle market. This is a striker fired handgun and it is single action. So we'll take a look at that. This gun is clear. I measure it right at four and a half pounds. It's a single action striker fired handgun that I measure right at four and a half pounds. The Torus website says right around five pounds. You know it was pretty consistent at four and a half pounds. And what's also interesting is that this is the trigger shoe. The metal piece inside is the trigger. They consider this just the shoe, but for all intents and purposes we'll just call that the trigger. But it's a very short pull, very short reset as well. A fairly quick shooter is what I learned right away. Another advantageous feature that I find is the grip. It's very ergonomical. Kind of reminds me of an HK, which I think has some of the best ergos in the handgun market. This feels excellent. Full three-finger contact. We'll go ahead and put that mag in there. Full three-finger contact and not an overly aggressive texturing, but sort of like a light grit sandpaper. It actually feels really nice.  Pretty nice setup. The one part that I like is that it does come with a threaded barrel. Now this is the extension that it came with in the box. I put that on because I do plan to shoot this suppressed. And I also plan to shoot a variety of types of .22 long rifle through this to check out the reliability. But you know after putting a few mags through it at the range yesterday, I think it's pretty nice. It does have a thumb safety there. Just sweep down and for those who enjoy that, you are good to go. It is ambidextrous as well. Another thing that makes this unique, and you can see that there are quite a few, is the disassembly process. So here we'll go ahead and show clear once again. This is like nothing I've ever seen before. I'm going to pull the slide back, take these take down levers right there. We'll go ahead and pull the trigger and oh there we go. All right off comes the slide. Now this is a polymer frame. All right and the slide itself is anodized aluminum.  It does come with a cap. I put that back in the case. I'm just going to keep it with the threads on there because I think that suppress shooting this will be a ton of fun. But really and you can see that it's a captured recoil spring and guide rod. And check out this reassemble. It's it's so simple. It's unbelievable. Put it in like that. All right just pull back on it and you're good to go. I did not demonstrate the disassemble too well so I'm going to to do that again. We're just going to pull down there pull the trigger and just like that. All right so that that's a little better anyways and the reassemble is right there. I'll go ahead and put this back on because I do dig that and I will be shooting this suppress with my Hunter Town Guardian suppressor. 16 rounds. Taurus says it weighs in unloaded at 17.3 ounces. I haven't weighed it yet so we're going to do that now. We'll first move it to just ounces and we'll see 16 and an 8. Put an empty mag your unloaded mag in there 17 and three quarters. Now let's put 16 rounds. That's a CCI 19 and 5 8 ounces is what we're looking fully loaded with 16 rounds. Nice setup. I think the the way the slide looks the way that kind of cuts in there it does have the angled serrations both front and rear adjustable rear dots easy disassemble single action striker fire trigger and the ergos of this. I really think Taurus has a rock star here and I look forward to getting this to the range and doing a full range review with a variety of types of ammo to give you a better idea of how well this feed fires and ejects. But I have to say so far I'm pretty impressed and I have high expectations in the future. If you like videos like this please subscribe and share. I always appreciate thumbs up button thanks for watching and you guys be safe.


There are over 1,400 officers on the Denver Police Department. And just like you, we have lives, families, and a lot of us do some pretty extraordinary things out of uniform. Our accomplishments usually go completely unnoticed. But now, finally, we get a chance to tell you our stories. We're getting ready to go contact a one-in-felling. Hey, I'm getting clothes. Numerous felony warrants. This is the year of breaking into houses, stealing cars. All right, give me a location one more time. North-west corner, a tenth indicator. I used to live in those projects. Silver Honda. All right. Ready?  No weapons on you, right? I'm Officer Gerald Sloan. Keep your feet wide, buddy. I am currently assigned to the Denver Police District One Neurocotics Unit. Got some dope. Average day for us, there was cocaine in her purse. We hit our hotspots, the area where we know drug dealers hang out. A little bit of crystal, a little eight ball. That's our main function, to go after guys with drugs. So you got any dope on you? With this position, you have to be a highly proactive cop. I conduct traffic stops, pedestrian stops, run informants, file cases. When no record comes back, somebody's lying. My job is not typical of a regular patrol officer, you would say. We know the game, right? I don't have the opportunity to just rely on the radio call. I'll have to go out and try to find something. Greatest job in the world, huh? The pressure's on, which I like, because I like going after and finding bad guys. Just another day at the office. I start my day at 9 o'clock at District One. 71 to dispatch. I'm Coach Six at District One. Then right after my eight-hour shift, I do another three to four-hour shift afterwards, coaching football. Go! Good drive! Coach! Let's go, let's go! I'm the head coach of the Denver Police. There you go. Palhawks. The team is filled with... Keep your head up. 12, 13, and 14-year-olds. We got a big game Saturday. We got the Falcons. Palhawks is the Denver Police Athletic League. Squeeze your shoulder blades back. Palhawks essentially is a program that helps at-risk youth. Everybody back up. Try to get them in sports instead of jail cells. Good. All right, go. Three laps. It's different dynamics for this team. You know, we have a lot of single mothers, single parents. Grandmothers taking care of the kids. All for self. Ready? Get there, get there, get there. Good. So it's more than just football to me. Your car detailer? Yeah. You can detail my car? That's what I tell my boys.  And that's the message I stretch to the boys. It's like, I'm here for the long haul. You know, we're not compensated through the police department, but I love doing it. You're going to play right guard. I'm sorry. Aaron, you're going to play left guard. All right, there's no problem with that. One thing that I love about my team, we are a big family, and that's something that I want to stress to the boys is more than just wins and losses. It's a family. All right, fellas, let's go. Bring it in. Bring it. Let's go. We break down as one, two, three family four, five, 16. One, two, three. Family. Four, five, six. All right, go to your individual coaches. We stress that from day one. We are family first and routine. These are lifelong friends you're going to have. I actually grew up just a little west of this area right off of a tenth of Decatur at the Sun Valley Projects. I actually played for the same exact team, the Palhawks, at the same exact field. I came from a single parent household.  And since she said, use sports. Hook up with a great coach and the coach will guide you through. I knew this was my opportunity to come back and make a better experience for the next kid coming up for these set of hooks that I have on my team. Unfortunately, we weren't provided with all the tools that we necessarily needed. Line up on me. Line up on him. Let's go. Get on your pads. You know, we didn't have the best jerseys. We didn't have the best of anything. All right, David, grab a ball. Keep coming up. Probably about a week and a half ago. Mo, you're behind Jayce. I was talking to my team and they're like, coach, can we get new jerseys? I spoke to the parents and the parents were like, yeah, it sounds nice, but realistically, we just can't afford that. I started to poke around a little bit, see what I could do financially, and I was like, I think I could do it. Wow. That is sharp. We've been using the same old jerseys for a long time. The boys are going to love it. 52 youth large. Yep. 21. He is right there. Youth large. Let's get the balance taken care of and then we'll go from there. Man, I'm excited just to get the boys of jerseys. I can't wait to see their faces when they see them because I haven't told them anything about it. I didn't even tell them the color. Thank you, my man. You guys did an awesome job. You are good. I'm good to go? You are good to go. Thank you for everything. Absolutely. Jerseys came out. They're amazing. I'm surprised how well they came out. Nobody knows anything. It's going to be a good shocker for them. Players, listen up. The good news is the jerseys came out to $2,900. That's the bad news. The good news is it's going to cost you guys nothing. Okay? The entire setup. I'm donating the entire cost for the jerseys. Okay? Thank you. All right. That's my gift to you guys and that's a gift to you parents. Okay? All right. Let's do this right. Number 30, Roy. 16, Berciaga. Vasquez. I think there's going to be something they're going to remember for their entire life. Thank you, coach. I mean, it'll be a jersey they can hang onto when they get older and they can look back on the attic, when they pull the jersey out and they can show their kids like, wow, you know, this is a jersey I wore when I played football. Thank you. I think it means more than just a jersey. It's like a completion of the task I hand. In 2007, I graduated at Denver Police Academy. I was right at 22, just barely 22. During that summer, a Denver POW representative reached out to me and he said, hey, we would love to have a cop as a coach. I just finished the academy. This was a very stressful moment in my life, but I jumped on board thinking it was going to be just a one-year agreement, just hanging out coach for a year. But then I ended up falling in love with it and staying for the next seven. First year, all the players were the age of six. My mother, you know, she struggled and I got to witness it firsthand.  So I will never want these kids to be without any opportunity. I knew after I left my first year would be the same type of new coaches every year, nothing consistent, nothing stable. And I didn't want to leave that type of impression on them, so I committed to riding it out until they finished middle school. Keep sending them over. This is my seventh year playing for them. Six years. Seven years. Five years. I've only been on the team for a year and he's already taught me way more than I can even imagine he could. Rotate it so I see the Hawk. For him to have that kind of commitment. There you go. To come coach the Hawks is just amazing. He's done so much for me personally along with the rest of my teammates. Move over a little bit. Take an E right there. Grab the ball. Let me see the laces. He's taught me just to stay out of trouble, to do the best you can in everything. All right, here you go. He's like pushing me every year to do better. Make a smile, looking right at me. He's supported me when I was getting into trouble at school sometimes.  Just stay there. Teeth, smile. Come on. This is for your girlfriend. There you go. A lot of us are single moms. A lot of the kids, they look up to him. So I mean it is a father figure type of role that he's in too for a lot of these boys. Is that good? Yeah. Yeah. Oh that looks good. You look mean enough? Even in the beginning he told us all he didn't grow up with his dad. So it means a lot I think as well to him that he can be there for these boys in that manner too. We're going to do a team picture. Okay, follow him. Follow, follow.  You know most coaches, they'll have a son or somebody on the team that they know of and they know that Sloan is just doing it strictly for the boys. Coaches, get in your spots. I always tell the kids it's a sacrifice. Oh he's made way too many sacrifices. Many nights of sleeping because I've been doing the playbook. Personal life is kind of upside down because I'm constantly with the boys. Job, I mean I could have probably went to different units and done different things in the police department but I stuck with the boys. Smile! He puts in thousands of hours in just a few months. I know he don't want nobody to know that or anything like that but he's an amazing person. I have sacrificed pretty much from head to toe my entire life for the boys just to show them that people who do care you just got to find the right person. Now how about a goofy one now? He's a kid. They had one coach the whole time and for Sloan to stick with them and teach them and bring them as far as they have. They're going to remember him forever. We're at our final game. Dang gee this is it. Gee, hi to love guys. We got to win this game to get to the playoffs. Let's go. If we lose we're done. Charly right slot motion right rub on 1 or 1 earlyrd. For 4 and 2 going against another 4 and 2 team. Let's go, run it, run it, run it, run it. Go. It's a really big game. Good job, hey, that looks sharp. Great job, fellas. I've coached these boys. Pretty much do their entire life. Good. This is our last year together. There's no next year. You know, I've been thinking about this moment, right? You think about all the time we put in, right? Coach. From the time we won zero games. From the time we won two games. From the time we have gotten better and better, right? You guys have touched me in a different way. I have never been touched before. I want to tell you guys, thank you for allowing me to coach you guys. Thank you for allowing me to be a part of your family, all right? All right, let's go get a win. Let's go. This is your moment! This is your moment! Today's your day to be great. This is what we love, right? Our three rules, right? Play hard. Play fast. Have fun, right? Yes, coach. All right, family on three, team on six. One, two, three. Family! Four, five, six. Let's go get the FW! Let's go! I know we're gonna win. We can do anything that we put our minds to. We're gonna smash him. Ha ha ha! Good job. Drive on die, by 24.  Zero, zero, right? This is your moment, right? This is your opportunity. Eye to left, open. FB lead, right. Slot, reverse, run, pass. What do I do? You get the move, coach. You're getting the ball. You're going right in between them. I get your laugh. This is a big game. We go into the playoffs if we win. Man, there you go! It's okay, fellas. Now we're faced with our back against the wall. This is a big moment for us right now. This is it for us right here. There's no tomorrow. Let's go, Hawks. There's no Monday without taking care of business today. We ain't giving them nothing, Hawks! Right there. Go, go, go, go, go, go, go, go, go, go, go, go, go, go!  I knew it! I told you. I told you he's gonna do it, right? Did I tell you? I told you he's gonna do it. Let's go!   Go get it, hit him. This is your time now. This is your moment. Let's go! Get you one. Right there. Get you one. Go, Lawson. Go, Lawson! Play on defense. Somebody stripped that ball. That's gonna win the game right now. Let's go. Make a play.  Help! Let's go! Offence! Let's go! Offence! Hey fellas, this is it. Touchdown drive to win. He's gonna make a play. Go. He's right open. Come on. Just give him some time. Give him some time. God! Keep your head up, all right? That's what happens when you play quarterback, right? You gotta be able to face the crowd. Let's go, defense! We've got no more timeouts. We've got to do something. Watch your down, watch your down! Eight to seven. Eight to seven. Good job. All right, coach. Well, hard you guys worked, but don't let this one loss define who you are as a person. All right, my eighth grader, stand up. You guys made it, right? All right, you guys. I'm proud of you guys. You guys did a great job this year. You guys ever need anything? You call me, all right? It's Kogel. Anything. It's Kogel. All right?  All right, good job. Proud of you guys. All right, be careful, fellas. That world is a crazy world out there. All right, rally around me. Just go, keep tight. All right, proud of you guys. Thank you, guys. All right, family on three, team on six. One, two, three! Family! Four, five, six. All right, see you guys. Woo! It's a tough world out there, and these kids or my team are exposed to different scenarios than other kids. Be careful, Adria. Be careful, be careful, be careful.  Call me if you ever need anything, got it? I got you. Be careful. Stuff that other kids probably wanna be exposed to as often.    Please, please, please, rely on everything that I told you. Thank you for taking such good care of my boy and instilling such great values. This is it, you know? There's nothing more. I'm proud of you, bro. I'm glad you came to the Hawks. No other time with these boys, no other time coaching them and watching them grow. Thanks, Kirk. Come here, boy. Started in the beginning, right? Yeah. Look where we at now. Good job. I want these boys to realize it's more than just football. I'm here for the remainder. Jase, I'm proud of you, man. Be careful in high school, Jase. All right. We are a family. This is more than just football. I always believed in you, PJ. You just gotta believe in yourself, right?  Had success as a family, just like any other family. Ricardo, I'm glad you came back, man. I miss you when you were gone. Gonna miss my boys for sure. Be careful, be careful, be careful. But they are still gonna be my boys. Thanks for being my coach. All right, man. Good job. I'm glad you came back to play this year. We'd like to thank Officer Sloan for his years of dedication and service to Denver's youth. And now we want to introduce you to another Denver police officer who has an extraordinary talent, both on and off duty. You'll find his story just beyond this door. So the most important thing though, just like all of our classes is safety, we don't want to get anybody hurt out here for sure. My name is Brad McKernan. I work for the Denver Police Department at the firearms section. We guys like this class, I think. I am a firearms instructor at the range. We're gonna shoot lots of rounds. And it's gonna be a lot of competition stuff. So you guys are gonna be shooting against each other a lot. I've been working at the range about 11 years now. The harder you grip the gun, the less it moves. So if the gun's doing one of these numbers on you, you know what, grip it harder. The training, a lot of it's classroom because you certainly have to be able to know the laws that pertains to use of force. The dude's trying to kill you and he's right there. I mean, as soon as you see him, you can start triggering. But, you know, the actual hands-on skill of handling the weapons is really important and can take a long time to really master.  Line, ready? Watch him. My father had me shooting at an early age and I just liked the shooting sports for a long time. So I think I never grew out of being a kid and wanting to be a cop and chasing the bad guys. Alrighty, line's safe for everybody's holstered. That was kind of my dream growing up until I finally got old enough to do it. Okay, so coming up on target, get that all lined up. Put that blade as far at the bottom of that notch as you can make it. Shooting under stress class, we're trying to put some pressure on the guys. I'm gonna face those targets for a short period of time. Either physical or mental stress.  Okay, draw those guns out. You ready? Go. Handgun's the main weapon that we train with. Unload those guns, lock them back, holster them that way. We spend a lot of time out here shooting rounds and practicing. Go ahead and patch everything this time. And talk about the decision to shoot. That's been really important for us. Okay, you guys, grab those barbells. We'll make them run, we'll do push-ups, we'll do some curls. Up to your shooting spot behind your barrel. Feet within those batteries. Draw your guns out. Obviously a lot different, you know, shooting when you're static and everything's fine versus when you're breathing hard, when your hands are sweaty. Three around the right side, shooting while he's there. Make him spend a lot more time. Go. Trying to calm themselves down while you're pressing that trigger. Left side. I'm hoping it'll help them with their confidence. That, you know, even when things aren't at their optimal level, that I can still perform. Right side. Even when I'm cold or hot or tired or hungry or, you know, stressed out or breathing hard. Okay, we're clear, let's go look. That they can still perform well if something happens for real. We're gonna get your heart rate up a little bit. Back up and one shooter on that side, one shooter on that side. Being able to teach something that I enjoy has always really been a lot of fun for me to do. You two ready? Go. And then once you get on the job, you know how important it can be when you get on the street. So I think it's really important to be able to share those skills. Okay, you two ready? Go. Our program is better than ever has been. It's the longest time and the testing for it is the toughest that it's been certainly since I've been on the job. So if we can keep that kind of skill up. Nice, very close. Reload in holster. I think that'll really benefit them and certainly the community. You know, Colorado has a lot of really good shooters. So I try to get better all the time. I like to shoot the competitions. Last year we had three major Colorado matches. I won all three of those. Nice, nice. Using my go-fast shoes. Dig in a little better with all this sand out here. These are pretty heavy Velcro and very stiff belts that hold the weight of the gun and the magazines. We'll go here and here. Organizations called USPSA, United States Practical Shooting Association. And it's based on time and accuracy. So this is the safe area where you can check your gun out and make sure it's all set up the way you want it to be. Try a few draws, a few dry draws.  You just can't have any ammo in this area. Fully custom and all the trigger control parts for really good trigger and fast hammer speed. Magazine will to make it easier to load magazines in. Pretty high-tech stuff. We'll get all loaded up before stage. I'm shooting 9mm major. And so it's a regular 9mm case but loaded to higher pressure. About 1,500 feet per second is the speed that we're shooting these. This is like a liquid shock that goes on and keeps your hands dry. If you're behind a second on something, that's the difference between first and tenths. So you've got to try everything you can to help out. Are you finishing up here, Paul?  Then I'm going to hit my steel target and that's going to activate the swinger.  So you're kind of going through all that in your mind. I got Brad McCurn in his first, followed by Steve Shiggy. You're really trying to focus when you get up to the starting point. I like to kind of close my eyes and think about what I'm going to do and visualize the whole thing. Are you ready? When the beat goes off, it's real easy to lose your mind. You just try to be smooth. You've got to be fast on the first target. You've got to be fast from target to target. You've got to hit your targets because no matter how fast you are, if you're not hitting anything, you don't get any points. This is a very legitimate sport, I think. The work that goes in before you start a match, the training that goes into it's very important. You've got to have the physical skills of how to run the weapon, but the mental part of it is huge. Are you ready? You know what? This is just fun. It's fun and every time I do something, I learn something, you start to work on, okay, how can I do it better?  Should I move quicker? Should I set up better? I mean, there's all kinds of things you can always work on. The more you do it, the better you get, just like anything else. That's what I try to do. Randy's clear. Denver's police chief has a secret. He's been spending a lot of his off time here in this building. To find out exactly what he's up to, we followed him here today. But first, we want to give you an exclusive look into the career of Robert White. I started off as a police cadet at the age of 18 in Washington, D.C. At that time, you could be 20 and be a sworn police officer. So at 19 and a half, I'm sitting in a police academy, really excited about becoming a police officer. And all of a sudden, I get drafted. For four years, I was in a naval reserve. I was an aviation metalsmith. I worked on C-130 planes. Then I found out about this other reserve unit that had a lot of police officers in it, but it was an army unit. So I decided to transfer to an MP unit in Fort Me, Maryland. It did that for another three years. After doing that, I continued my career as a police officer. So after five years in Washington, D.C., I took the exam for sergeant and got promoted to sergeant in relatively young age. From there, I took the exam in lieutenant. I would tell you that was a real experience for me because I was determined that I was gonna be a perfect lieutenant. I was gonna get everybody to like me. That was my goal. I would tell you that it was the longest and maybe the hardest year, one of the hardest years of my life. I found out that being popular was a hard thing to do if you were gonna hold people accountable at the same time. It became very clear to me that what was important was that you build relationships on respect. You hold people accountable that need to be held accountable and you acknowledge innovations with doing good work that was doing good work. Eventually, I retired actually. I retired at the age of 43 from the Washington D.C. Police Department and was offered a job in public housing as the Director of Public Safety. I missed the D.C. Police Department. I left because I was frustrated. I was mad. I didn't like the politics. And I regretted it every single day. But the chief, he got fired and then they appointed an interim chief. The interim chief called me and asked me if I wanted to come back to the city police department as the number two person. I went back, did that for a year but I had applied for jobs and had gotten accepted a job as the Chief of Police in Greensboro, North Carolina. I got hired in North Carolina to attempt to change the mindset of the executive branch. Everybody who knows me knows that I'm certainly about change and trying to do things what I think more effectively. So as a result of some of the things we were doing I was asked to come to Louisville, Southern Police Institute to speak about organizational change. And Louisville was in the process of merging the county police and the city police. And I said, boy, that would be really exciting. It would be something different. So I applied for that job and actually got the job. We merged the department in about two and a half years which was warp speed. Somebody called me about Denver. Went to a series of interviews. Here I am. Three years later. If I only knew then what I know now. How many times have you heard that? Obviously we're gonna continue to look at our policies. I'm not being critical because I don't have all of the answers. I can't imagine how hard it is for the family. The biggest challenge is getting everybody on board to understand that our primary focus is prevention of crime. The reason why I've worked with so many different law enforcement agencies is that I've always gone to an agency that I believe, number one, fit philosophically what my beliefs were. And that I believe needed to make some culture changes. To be in a better position to provide services to the community. I have a strong philosophical belief about how policing should be done in America. I sincerely, with every fiber in my body, believe in prevention. And I believe in order for that to happen, our greatest resource is our ability to connect with the residents. I've been doing this for 43 years. I still do it because I am passionate about what I think policing is to this country.  The really only outlet I really have is bowling. Here we go. It's like taking candy from a baby. One of my faults is I'm a very competitive person. It's 300th a perfect game. I have about 13, 300s. You can get a string of strikes, three, four, five, six in a row. It's really a very satisfying feeling. I actually didn't start bowling until I was about 47. When we had moved from D.C. to North Carolina, we lived in an apartment and right across the street from the apartment was a bowling alley. And it gave me an activity to do with my two sons. Here it is. I fell in love with it. A couple things that I really enjoy about bowling is you against the pins and the conditions of the lane. When I'm having a really bad day, I imagine the pins have a lot of faces. The bigger the faces, the bigger the pins, the easier it is to get strikes. Ultimately, my goal is to get as many 300s as I can. I met a man, I think he's 82 and he boasts a 300. I'm hoping I can be where he's at. Oh! We hope you've enjoyed meeting some of the officers that make up your Denver Police Department. From all of us at DPD, thanks for watching. I'm Sergeant Steve Warnicke. We'll see you next time on An Officer's Life at 5280.


Hold on. Don't take no pigs.   I live between it. She got titties on her back.  Thank you Yeah You gotta be careful in the crowd in St. Louis these niggas as gangsters out here It might be a nigga from the dub in the crowd. I'm gonna leave that nigga alone. I know you dub niggas is in here What's up G? Hey, look at it. Hey, I ain't trying to be me. You look like the old Chico bean What's up? I ain't trying to be me.  All right, fucker. Yeah, just come on back They can't see you Who niggas out there like yeah, I still see your dad right there. I didn't go follow them again. They're real. Hey mama I'm beyond so look this I say Louis. They gonna hit man mama right there.  I gotta get back up. What's up? Oh, gee Super You came forward in there. Come on Chico. You got it back back.  They got them made at the mall Y'all have a seat. I know you're Welcome to the 85 South show Hold up, hold up, hold up, big man. Where you going?  That's what it is Ain't gonna spill nothing Looking like a new pillow a Good a cop for the big a cop for the Look at them for right there in the in the boxes right there.  I said this type of these niggas corrected me and said it was stifle It's stifle. Is it stifle or stifle? It's stifle. Yeah, yeah, it's been stifled today.   What you ate? I'm at the stifle.   I'll tell you that nope But it keep going everybody running red lights.    Are you good you with me? I don't know your St. Louis reputation. You can be a nigga that every nigga in St. Louis want to fight And then you know I asked cuz I'm over here with you Hey, you know why I thought was St. Louis though Even though they gangsters hair there still show they true colors. They real talk walk into that scam ring Nick Can't stand niggas in that one fucker Know my I know my St. Louis history nigga that skate King was just as dangerous as the streets It's a couple of niggas in here with a bullet in them right now from the skate King Got shot or the nigga on some skates that that nigga go right there That's not the spin, bro They is checking tickets. Look at this nigga Come here.  Y'all show love and St. Louis this proof.  Nelly was kicking on there.  We always only heard the radio version I'm going down now, baby.   That's sophisticated. Right.  They get manicured toes say little Cool to sing on the track. Oh, yeah, Nelly.  I need a St. Louis But she is not gonna let me fail. But what about hot in here though?  It's a different type of heat here nigga. Y'all niggas and saying Louis That's why y'all so aggressive that nigga cold Unless you're gonna do it. Yep He but the thing about the country grandma album is so dope to me is that he laid out what it's like to be a street Nigga and make it out the street, right?  This is a nigga who ain't gonna never get his credit though. The nigga with the mask Yeah, the niggas who was doing the spider-man with no spider-man webs. He's just behind Nellie He's gonna be turned out That niggas a legend for real.  Hell yeah Did he had a man so I'm gonna write up on me.  He said you remember me. I was like hell now. He was like He was like, I was in the same little tits. You don't look at that. I'm like, really?  His mama had his car for years. He was like, I made it mama Let me get that bill out your name.   That ain't your own evil. Yes, it is It was over some pettish it that really was there though. Like you want me to warm my food up. Hold up.  I?        This is the Lou She's crazy got all these niggas in here.  Somebody right now to get on start crumpling nigga That's the last time I came to St. Louis.  I'm like man They ain't nobody strapped.  Yeah, I just got this one right here It's a hot point, but it got all the bullets in it nigga.  This is his first time I don't understand why you about it.   Yeah, I had a one-party. He would never do that. He just shooting up.   Hey, man.   That was not sexy to me. I'm sorry.     Hey, man.   You got the greatest head pussy be dry Look at some of the same That's how she want to do it. Give you a hand. I don't want to give you a hand.  That's what come with them.  This is serious business.  Yeah You remember that's it.    It's a sexual stimulant and make your meat get hard It's a sexual stimulant and make your meat get hard All the good pussy's up there at the very top. Yep My bad Let me find some I'm gonna show you look she do she might do she got the Bluetooth around her neck the whole Headset she got the T-Mobile headset And she got the little belt with the little purse on the belt.  I get the smoke in your house. Yeah, I Ain't never get to smoke in nobody house.  Hello, it ain't enough hands it ain't another She I believe her cuz she raised her head like she was great testify You know she got some she got a whole head skin right here. Yeah, right here right here both side.   She just keep pulling it together I don't do this She got them little soft shoes. They look like pills.  That's some good pussy, too They would this the slip-on ones you're using the shot when you're in jail.    Okay. Okay. All right. Okay.   You like oh, I know not yet. All right. I wasn't ready for that one I got some snap on it.  Oh Look at mama look at mama right there mama say, yeah What are you doing mama?     Uh-huh.  She like these that Any nigga that drive a truck to work work with his hand linemen's four minutes niggas who do acts work Type mm-hmm.  Oh, how long is gonna be on that cornbread?   We're like pull the Hennessy off my titty. I Can't do for play. I'm too freaky. I'm ready for I can't do it.    I'm gone.  I'm freaked out.   Hey you good what you do for a living G? That nigga said uh Don't need my answer. He's a collectible.   I got to wear my other nose Police one look it look like he got the vest on right now.  Don't have your fishing license.      That is him, bro We got to get him tonight that motherfucker has the coolest job.  That's an outfit What's them cute is damn sure would look cute on me. Give me that bag You know broke the microphone No, that's how she did it to she was in the whole foods on accident using a bad for she said, oh man That is a big nectarine bag right there. Excuse me sir white man. Come in real quick I take them oranges out that bag and put them in another bag.  Oh, so y'all just accidentally water both water nectarine orange.   Tell her nigga the card and I've been the client Tell him the ice-dream machine broke I think it's gonna call home from jail with the auto-tune what you say they can call home from jail trying to get out It's me Hey, how you break the news to her when you bust too quick Hey, what's that noise you make when you first slip in See like what's wrong?     This is lovely as crowd that haven't kicked in You see how y'all lean it back laughing slow. Yeah I Can't breathe it ain't no oxygen ain't no AC in there They just up there. This is 2019 lock-in right here.    They are.  What? hmm But we was in the gym so it wasn't really on the church premises.  It's like across the street.  Oh, here you go.  Hold up.   That is right here God don't miss pure dope.   Here you go, bro And they would debate in the whole time.     Thank you. Hey, we got a we got some Some shirts that the up here that we are going to try to see oh Exhale double XL. Who is a double XL? We got a double You are we having a contest we're gonna see See who can sell this double XL Brother you wear t-shirts you wear t-shirts my man.  Can you get a t-shirt over the deal was to sell it two dollars?  There you go Now you got high Joe titties ma'am. I won I'm up here hustler. I won I'm up here hustler. I won Y'all niggas couldn't say I don't like me I got $20 double up $20 He's 20 Like here to drink concert You know why I had to sell to him why you had to because I know for a fact it's a bad bitch You know we can do I 20 together now we got 40 Who need the 40 DC day Big man How much can you get from the time I'm speaking China with this dog?    I was like ooh a hundred I try not to break it, but when I broke it I do do the same thing with the 50 like I Then I broke it and I'm like I do we can't we can't break you now Then I got the 10.  I don't know where that money went.  I know a motherfucker didn't ask me for six that I love Let me tell you something my mama still open my mail money Your mama still open your man.  I bet everybody in here mama then called them at least one time. You okay? I know it's gonna be a lot of niggas in there. I just want to make sure you okay We in St. Louis shout out to check it what the hell is up?  You made your own Where you get that from or did you make it? Faber 21 You don't look away.  You know that right?     That's an Android That's it only look good when he play it back to him man.  She's crazy. He on Twitter Hey, you ever had somebody see your video on the androids you be like boy This look like Grand Theft Auto right here. I Look like CJ My phone asked me for my email address.   I don't know how to go.  Well, it says right here. We're due north You know how to read a compass. How you read a compass north south of ways.  He was a poll. He was a boy scout a police officer More security that nigga that been in law enforcement whole life Can you make a fire out of two sticks Out of two sticks you ain't official You what you can make a fire? It get cold and you and he got survivor skills He gonna be out of there before it's time to make a fight. He gonna be in a car He don't need to make no fire. He dressed like Uncle Phil. I know that nigga got money Got that Uncle Phil sure set on when you go to the grocery store on Saturday National parks He'll know ain't got no daddy.  I don't know that nigga, but I know he alive.  What's that one sleep down?  What's that know what y'all over here? That's the corporate side right there.  I See you here dressed like a chef. Where you had that?  I did bit What's going on this side over here? How y'all niggas fella in the corner? That's what it is. What's up? It won't fuckin lit on this side.  They lit on this side here.    You got these shoes on What's up, baby? What you just want to get something hurt you want to get something to eat?   All right. That'll be $19.   They can still go you're gone. How y'all feeling up top y'all still good up top?       Oh, you want me?  All right She over there right now.  She's got that little maria.  Oh Y'all got the D'Angelo. How does it feel braids up under that motherfucking week? Lady, let me tell y'all something all baby. Hey, baby.  How that is. That's real hair.      Don't nobody think y'all together. I think I'm like Right there He was confused and shit she was like a cute he was like me She said I cute That's why you gotta take a chance You never know she might like ugly niggas ladies makes me know as you like ugly niggas See you don't know that's a good 16 women in here.   I'm gonna leave you alone No, I think they can treat you better than they could say your life from a burning building. So my baby in there move So little Skin made out of avocado. That's come on girl They can see that already burnt.     I had these jeans on for three weeks.    They want to chase you women want to chase us No, they don't look at it. No, I don't be running man. I be jogging from them.   We look at her. They really just clap for the start five. Yeah, it's starting five Stupid. None of them get no pussy, but they all do something specific in her life Look how frozen all the niggas is looking. What number am I? Some women in here right now with a number three nigga, then he don't even know it Probably number six. You is the number three nigga. You ain't even on the team six man and nigga Ain't he start.  Hello. Hello Hey, baby, what's going on with you? How you doing? You feeling good? I was good. I'm glad you called me All right, what's wrong? What come okay calm down you say you need what? They didn't turn off your lights again. Oh I know baby. I just give me about 20 minutes. I'll be over there in a second. All right Oh, no, she matter of fact, I see a little bit.  I'm not using you. No, she ain't using me man She say she loved me.  You left one.  See no, how much is it? See y'all y'all y'all tripping. They y'all y'all you wrong again loads. No, no Don't come out the pocket.  She got a light on her phone.       They spend away more money. They spend that way more money Look look look look look man.  You'll never come back. So that's what I need you do I need you go here.    My who your car my car.  We straight.   Hold up. Hold up.   I ain't going in reverse I'm just gonna ride through and do what I need to do. Can't even put it in one because ain't no one It gonna go straight to fourth and I ain't got no for all right.   That's my cousin, man.  Okay. I got locked up with it last week They took it but it's right there though.   Take that gold off nigga. Take that gold off nigga. Take that motherfucka What's this? Stop motherfucka moving give me the chain give me the chain give me the chain take the chain on take the chain on It don't come on I don't want the gun The nigga come back. Hey. Hey, I got change for sale. Hey anybody try and buy gold chain Nigga come back and try to sell the chain on the street. Yeah, you gotta try buy gold chain He won't go change.    He was like Like the 85 sounds we don't make any shit Every one By someone St. Louis that make shirts and they all went and got what you made it yourself Y'all from Chicago. Okay.   Well legalized we wear them Illinois Get your mother bucket smoke on the best the best part about that though I heard that they gonna clear all the convictions of people who got locked up That's what we need my niggas coming home. We sold the pie. They're gonna sell them again This is legal now.  I'm gonna drop that juice. Ah That's that was too much fun. Shit. I missed that still Hey, man. I felt the look look he was drinking out the straw the whole way up and sat down.    I hate it.    Hey, bro. Hey, you all right?  Nigga be like did I do something?    It's making it easy for me to do mine.  He ain't even my child I drop no no no no no no no.  God damn it. No. No. No. Hey. Hey, man. What's up park ranger? Tell these niggas, baby Tell them how we do it, baby You don't know.  Hey, hey, man. Listen, listen, listen, man. I had a little bit to drink Come on, man. I didn't had a little bit to drink.  Don't touch him. Don't touch him. Hey, hey, little nigga. Hey, little nigga.  Don't do that, man. Don't do that, man. Don't touch me. Don't go in the house. Move out of the way. Hey, nigga. I ain't your dad. I ain't your daddy. Hey, man. Don't tell him that. Don't tell him. Go in the house. He ain't your daddy. He ain't your daddy. That little nigga don't even know how to read out loud. I went to his class one day They raised his hand. He goes and says, Hey, little John, speak to the Clair, read your paragraph. This is my book.  I was reading on the ninth grade level when I was in the first grade. He good in math, though. He good in math. Yeah. What's up with you? Hey, baby. How you doing? That goddamn orange bag shirt on, man. All right, damn it.  Them titties big.  They looking like produce. Produce. Can we get a price check on produce? That's a good hand clap. See this little hand clap. Hey, hey, hey, my man.  That nigga alone. That's the old Gucci. My baby here's a double-gustle, pal. My boss. If you ever come down to Easter level. I'm started on my day, little brother. That's the old Gucci. That's the old Gucci. That's a good one. Hey, Gucci got that one, that one freestyle with him. R.P shot it low. I used to run around the corner, right on Flintwood. Pat the bag shorted with a hundred pounds of good.   Didn't go to school. Always kept a tool.     Pussy-ass hoe. Gucci man to Flint. My chain look like rainbow.   That ain't even on the CD. I know. My brain, man. Like I just got a lot of my mind. I got a phone with Gucci.   That nigga Gucci a legend for real, though.  Yeah, yeah.  That nigga was throwing old Gucci. That nigga Gucci said, crank my car with the tip of my fingernail.  Want a cop, choppers, plenty of yoppers, then call me. I got more goddamn guns than they know me.  And we don't want to sign you just make you famous. So man, it rains on, I need another pinkie. I hit more bras than will to Chamberlain. That's that juice man. Juice man, come here.  Hey, Gucci, hey, hey, hey. They dead, I'm telling you. Call the bridge, I'm telling you. Hey, hey, hey, I'm like nigga. Call the bridge, have a bridge. Call the bridge, have a bridge. OJ the juice one of them. Hey. Coldest niggas ever. Like what happened to this thing? Yeah, I'm a stoner, got an old school. That's the same color thunder. Same color thunder?   Nigga like, hold up. I'm trying to paint my color the same color. That one right now. That what he said. Yup, that's what I want, right? Hey, what's the nigga name from St. Louis that made? Hold up. I gotta remember this nigga name.  Pretty Willie. I ain't even St. Louis. Leave your body down. I want to touch your body. Yeah, that's the classic.  If you can find me, out on the block with my, out on the block.  Come on and roll with me. This nigga is a music connoisseur, man. You know everything. I do, man. You need to be a DJ, man. I'm telling you. Yeah, I do. You know why?   Ooh, you this boy, that one. That whole nine. Ooh, you just went back then. Come in dirty, let me holler at you.  I'mma sit down.  Yeah, that's a new one. Layers to the dance floor, baby. It's your song.  You ain't a pop, y'all. That's the thing.  But when I was young, I used to sit down. Let's take one. Rest in peace, my Aunt Mary. I used to sit down in the living room, my Aunt Mary. And she had like all these records. And I would sit down and just go through the records. And whichever record cover out that would make me laugh, I would listen to it. So I would just sit down. And then I lived in the house. I lived in the house with all my family. My four uncles, my aunts, my mother, my little brother, cousins. So I had all these different influences. Yeah, we was deep in that.    For real. For real. And I had the influence of all of that.   First time I ever heard Nelly, my uncle was playing that Nelly in the basement. I was like, who is this nigga harmonizing like this? That nigga, Nelly came on the track. Like, oh, this nigga can sing and rap. Who is he? He's the guy. He's the man. Who's the white woman? I get nervous every time I see a random white lady. I'm like, who's she with? Who's she with? She need to get with who she with. This is set up. Don't fall over. She get one of them goddamn hairs on your shirt.  You are CSI. Why white lady have a nigga locked up 30 years? And that nigga was straight out of my collar. They come on like, dude, Stifle Theater 2019. The 85 South Show. It was going smooth. And then the next thing you know, a murder happened. We are going to trace the steps back and find out who killed Amber.  Who killed Amber, man? Niggas was just sitting there.  Damn.  At the first 48, Amber been to St. Louis? Hell yeah. They had to stop. Yeah? They had to stop coming. They never seen one. Yeah, they stopped coming because they couldn't find nobody. It was just like, shit, man. We got a body. We ain't got no shell cases or nothing.  They don't have no evidence of St. Louis. And they were like, well, can we get something on the Etch-a-sketch or something? Look at my man right there. That nigga was like, here, nah. Niggas, we boop, boop, boop. Get them out of there. Because you know at the end, they always say, have you ever found something? Can you just please?  They put that at the end of every St. Louis episode. They ain't called nobody.  Look, the first 48, okay, the show is over. I start watching the first 48. Why?  Well, it looks like he was selling marijuana out of here.  Especially no meat. They plant the evidence. And I start watching it because it became too easy to determine who was going to tell. The signs was too easy. Because once I turn on the TV and see that nigga with his arms inside his shirt, I'm like, yep, he gray-tailed everything.  White man gray walking naked. Look, look, look, man. Sit down. Here go your bottle of water, man. No, we told you we got you. Now look, we don't want to have to put you through anything unnecessary. But I'm going to tell you, we got you. I told you everything, I said everything. Listen, first of all, you said you were in the circle and you made a left. You can't do that at the circuit. So once you said you made the left at the circle, we knew that you were lying. So look, look, just let us know what... Look, my partner, my partner, he looked different than me. All right? I'm trying to be your friend. So just let us know who killed little man. Who can't look? You mean for that, see, that week we getting good. But that's what we're trying to find out. Who is we? Because I know you didn't mean for it to happen. Look at me, look at me. I know niggas make me look at me. They make mistakes.  I'm trying to help you out, right? This is your chance. Think about your mother. Think about your mom.  She was down here. And she said... Fuck, man! Yeah. She said you were a good boy. And I believe it. You're looking at 40 years plus the gun. 40 years plus the gun, man. Don't you, don't you have a little girl? Think about your little girl, man. You're going to be 99 when she get out, bro. You at least want to be 72. So, look, just tell us who was in the car with you when you shot Lil' Man. And you'll be all right. Who was in the car? You. Because I know you wasn't the shooter. We know you weren't the shooter. Because you didn't have the problem with Lil' Man. All right? We know who had the problem with Lil' Man. We just need you to confirm it. So, where was he from? We heard about the dub. Is he from the dub? We have some people that confirm that already as you can hear. So, just tell us the names of the people who killed Lil' Man. Who was it? Come on, man. Come on, man. Listen, we got you on Natural Bridge. We got you on Natural Bridge. We saw you. We saw you in Walnut Park. We saw you. You ran past every red night, nigga. We got all the information. Please tell us who killed Lil' Man. Your friends aren't really telling us it's you.  Okay. Chico. Chico. Chico. And the other dude, I don't know the other dude. It ain't... It ain't... They call him DC. They call him DC. That's all I know. They just call him DC. I don't know him. DC. DC. I know Chico them, but... I ain't... The other dude. So, we got Chico and DC. Yeah, it's Chico. Chico, bruh. We got Chico and DC. It's Chico, man. Okay. Then the other dude, bruh, it wasn't supposed to be nothing like that. It was just supposed to be a robbery. He had some weed over there.   The dude, the dude. Let me ask you this. The DC dude. DC dude. You might not know his name, but we have an alias as Looseleg. Is this Looseleg? What's it? Is the DC guy? Is it also Looseleg? So, it was Chico and you and Looseleg. It was us. And Chico also has an alias name. Called Potatohead. It was, yeah. Okay, Potatohead. Potatohead. Was it Potatohead, Chico and Looseleg DC? Those were the guys in the car with you. I didn't want to do it, Mr. Austin.  They made me go...     You know what?  Because now you help. And we're gonna protect you for 35 years. Thank you, brother. We appreciate you, man.  I got you. They're made your friends, bro.  And now you got to go down the road for 35 years. I can't believe them niggas be going down. Oh, then what then? They're just still having him in the parking to come out. All right. We got it. We got it. Give me some. Ah, that's what I'm talking about. Yep. Let's wrap it up. All right. Let's go find Potatohead and Looseleg. All right. See you tomorrow. Haven't been with the family for four days. Nigga, really be going down there with no lawyer talking. Thinking they can go tell the police. What happened Friday? I was asleep. Shout out to all the single ladies who came out tonight.  Trying to be friends with a nigga for the eight hours I got left in St. Louis. So what we about to do? Fuck, hopefully, ma'am. Please.  You play Sega. Bitch, where you find a Sega at two o'clock in the morning? She said family dollar.  And got time for it.   El detention room. Y'all give it up for J.O.N. in the back when the motherfuckers first time. Little dude we know. J.O.N., bro. That girl over there spoke to J.O.N. 11 times. Hey, J.O.N. Oh, yeah. J.O.N. be having fans. Hell, yeah. Yeah, J.O.N. I know where.  Play something for the ladies. But got a good time. Got these church lights in his motherfuckers. Lewis Blues, man. Our way.  But she had five kids and they was litty. I'm like, how many of them kids is yours? She said, all of them, I'm like, damn. She said, you want my number. I was like, hell, no paper. You need to scram. Scram. Carlos, remember the other day when we were smoking that blunt? Met a girl who said she loved me. She did. She said she wanted to do everything that I need and be my lady. But then I got her to the house and laid her down and tried to get the pussy. Oh, yeah, she did. And then she lifted up and said she needed $40 from me. What the bitchy. What's one of your niggas stole my $40?  Oh, man, I found it. That's how I steal a nigga. You lost? Yeah, you must have dropped it. Here you go. That's 20. I don't know what. No, what up? No, what up with that, bro? I only found one. It's how you do it. You take me, bitchy, you gon' find it.  Like, man, where my money at? Where is your money?   Hold up, get up. Hey, excuse me, man. You stand up real quick. Let's just drop some money. I think she got it.  She came out of the sky. What happened? No, it's not yours. I don't know what you talking about. He niggas be thieving like a motherfucker. Stealing there, nigga. Hey, man, if you steal, steal, beat it. And he got steal no more. Stop stealing.  Stealing for $30, don't steal for $30, so. Or, wait, don't steal at all. Goddamn it. I got to teach my black people because when we learn some shit, we got to spread the knowledge. Now, all my niggas, we out here in the streets. Spread the knowledge.     Get your credit. Go in the bank. Real talk. Go in the bank. Get them on for $20,000. $20,000.  Don't do that.  Don't do that. You right back there.  You better not put your Social Security number down.  Computer love. But all I'm saying is nigga, get the loan to go crazy. But that's the thing.  She's a nigga, boy. That nigga always wanted to sing, so it should sound good. He like, oh my god. I sound amazing. Oh my god. Then she get a dip and throw the color. He like, my boy. That nigga was singing that computer love.  For real. That was the remix. Well, sing I Wanna Be Your Man. That's the city of Watts. Sing I Wanna Be Your Man. Nigga, that's the classic zap. How'd it go?   I can't do it. That nigga sound like he hit a whole pack of squares. Nigga, this is your man.  Yes, I am. Did he see having a heart attack on Carlos or not?  There you go. The least favorite commercial.     Marlboro's. Marlboro's. Yeah, yeah. Now let's get him off of it. All right, Emma. That must be them Virginia slams. Don't make it this skinny. I'll be like, what are they smoking? Nigga, that's candy.  They say we about to go over time and we're going to have to pay. Oh, yeah.   Run the beer. Them niggas are top sleep for real. Run the beer, Lord.  We got a tab, but we ain't going to pay it. Hey, up top, y'all. Back, whoa. Get that. Them niggas is dead up there.   You need that? What you need it for? I need this microphone in real life. Why? I need to use certain situations. I told you, boy.  Like what? Like when she bullshitting, she don't pull up. What else?  Hell nah.  Hell nah. Hell, it's a squirrel. And they got a red cool tail. Stupid, honey. And they got that crocodile Dundee on it as well. He's like, what's wrong with it? What's wrong with it? What's wrong with it? Boy, your brownstain. Hey, let me see that motherfucker, nigga. Let me see that mama. Hey, you got a red cool on your head, bro. You know you're allergic. What? Turn off, nigga. Put my hat back on, nigga. Don't do it. What type of gold teeth is in your mouth, nigga?  He said, we got a tattoo on it.  He got hip buttons all the way to his neck.   Don't make any real glasses.  You work at Mason, so that shirt was free.  Hey, you talking about what? You had that chain on since you were eight.  My APC. Yeah, your beard look like this hat I got on.  Nigga, get away. Nigga, come on, nigga. For a few, get your own. I used to play football, this and under. Your team side rip. All your students ain't going nowhere.  You a substitute teacher. Ugly ass, but for pre-case.  You need not to watch kids. You a deadbeat, baby daddy.  This nigga dressed like he was at the lock-in and they never get let out. Nigga, you dressed like 2000.  I bet your seat was all in the back. You ran down here. And you got the troubled chain, Jordan's on. Nigga, them the Jordan's there.    Nigga, you ain't St. Louis. You got the nigga in St. Louis. Nigga, I'm... No, he's an Uber driver in St. Louis. That's what he is. He's an Uber XL driver.  You got some thick-ass eyebrows.  What you mean?  Nigga Carson, gosh, jeans, short so. Nigga, if you don't get your goddamn... Yes, left, left shirt, left shirt, right shirt.   What you want to do? What you say? I got the kids. You take attendance.   You built like a supervisor, but you an employee.  Come here. Uh-oh. Come here. Why?  You got on the wrong Jordan's. Uh-uh. This way. Come on, this way.  You got on the wrong Jordan's. Nigga, the low cut. Look at them. Nigga, that nigga Jordan. Hey, this nigga only could afford half some Jordans. This nigga got half wands on, nigga. This nigga got some 60%. And then got Keens hat on. Man, if you don't get your motherfuckers, tiny, tiny build bags.   Chico, you don't get your motherfuckers. Muffin top, body mouse, Carlos. You don't get your motherfuckers. Big chin strap. Look at them shoes, nigga.  Y'all got me fucked.    Where my phone at?  It's my scene, nigga. Come on, let's go, nigga. Let's do the show. Hey, he said this is his city. This is his city, St. Louis. Hey, I'm up here. Y'all got to support the homes here. I'm up here.  Look at my hat, nigga. That's what's up.  Hey, look at the park range. Y'all must arrest me.  I'm up here. St. Louis and his motherfuckers, nigga.  Salute to y'all, bruh. Salute to y'all. Hey, this pretty Willie Sutter right here. You can do that if you want to. You're not obligated to do this. This pretty Willie Sutter. This pretty Willie, oldest boy. Willie C. Willie C. Sutter, pretty Willie. All right, pretty Ricky. We didn't get you in four minutes of fame. That nigga do look like Pleasure P. in the face, don't he? I'm telling you. Hell, yeah. Y'all make some noise for pretty Ricky. Comedian Willie C. Willie C. Willie C. That nigga said, St. Louis, y'all in the house.   No, they don't. You do. They was like, hey, Salute to Willie C. There was some niggas in the bag. We're like, that nigga from the county. Salute to Willie C. Much love. Salute to Willie C. Hey, Willie C. That nigga work in the middle of them all. Comedian Willie C. He that nigga, they be cleaning everybody. Shoot, come here, come here. I got to clean. Willie C.   We don't do no hang up here, Willie C. You just got to show out when it's your turn.  But Willie just ran up and jumped in the goddamn show. I don't know Willie. I ain't friends with him. I didn't got up here.  I ain't all. I ain't all. Ha! Come on, St. Louis. Help me. Help me, St. Louis. Come on, baby.    You know what?  You know what? You know what? I said, Louis, come on. It's a beautiful city. Magnificent. I think he said, playing me, playing me. Let me get this nigga. This hat back my head.  I told you, nigga. That really, really cool, nigga. You tricky. I'm about to put some perox out on my forehead when I get in the house.  I did. Damn. My whole head, nigga, to put on anything. This nigga, that cool. Go with my nigga. You need to be trying, nigga.  Let me see your hat. Oh, yep. There you go, my nigga. You good.  No problem. I just believe the show. Hey, you know that nigga. You see, all his fingernails long. That's a gangster, nigga, right there. He ain't got tapping a razor. Look at my hat. Don't ever tell me what I can and can't do. I'm a real player, ho. I see. You already know I'm the motherfucking player.  I'm so cold. I get Chick-fil-A on a Sunday, ho. You better watch your motherfucking mouth. That's a cold game right there, bro. I've been looking at these mermaids.  You know what I mean?  He's like, yeah, he talking about me. Hey, DC.  Hey, DC. They about to kick us out.  Y'all cut the lights out.   Who found that ear? I don't know.  It's sold, nigga. Oh, that was us. Oh, my bad. That's our phone. We recording the sound with that phone. Who? Oh. You work for? Yeah. Lucky. He my friend. All right, I get it.  It's about that time, dude. I love you, too, baby.  It's about that time, bro. So, you wish y'all had a good time to hear with us tonight at the Stifle Theater. Oh, oh.  So, we got to show niggas what St. Louis really is, nigga. Uh-oh. Turn the lights up. Turn the lights up. Turn the lights up. Turn the lights up. Turn the lights up. We got to show these motherfuckers how St. Louis get down. Hey, up top, down the bottom. Hey, we as live as the motherfuckers. St.  Uh-oh. We love y'all motherfuckers, man. Damn, she fan. Yes, yeah. Ma'am, you so fan, I don't even know what you selling. I just bought two of them. Two waxes. Come here, I'm doing waxing. Let me get a wax, come here.  I know it all. Nah, I'm an old school nigga. I can't be out here smooth digging. I can.  They want that curve in that vein.  Can't hear that. Can't be out here smooth digging. Look at all these niggas. Salute to y'all. Make sure y'all walk down them steps slowly. We don't want no injuries. Down bottom, we appreciate y'all the real niggas and real ladies in St. Louis, man. We are the 85 South Shore.  At the after party at the marquee, we turn it up tonight.  Where's the marquee? It's down the street. The marquee and the county.  Stay here if you have meet and greet tickets. If you got to meet and greet tickets, stay here. We're going to run to the back grill. What's up, pop? This is our adopted father right here, man. This here man, Holiday Inn right here. Yes, sir. We got my nigga show out in the building to St. Louis on what's up, baby. Mr. Remix. St.  We appreciate y'all coming out rockin' with us.


The Labour Party has passed a vote of confidence on its national chairman Julius Aboure following his alleged suspension by some members of the party. States executive members of the party, who stormed the national headquarters of the Labour Party in Abuja, described the suspension of the handwork as a handwork of imposters, sponsored by other political parties to destabilize the success recorded by the party. Some groups claiming to be ward three executives of the party in Inno-Do-State had announced the suspension of the LP national chairman over allegations of forgery, perjury, mismanagement of funds, anti-party activities among others. But the chairman of the Edo chapter of the party, Kelly Obaloy, said the constitution of the party doesn't empower any group or party members to suspend a national officer who was elected by a national convention. I foresee that they are being sent and sponsored by opposition political parties. And I don't want to mention the names of those parties here, who are afraid of the fortune of the strength of the Labour Party. The Labour Party has become a very big movement to our one family, that it will be difficult for any person to infiltrate. And I want to use this as an opportunity to tell them that they should have thought of a more decent way of doing it. But for this one, it's dead on arrival and I can assure you of that. Like you have seen, my ward chairman is here, the ward register is here, none of those names is in the ward register. Those names are not even Esa names, they are known to us. So I want to appreciate all of them and I want to assure you that this is just the beginning. The party has come to stay, will continue to work for the party, will continue to move on. We are challenging the outcome of the presidential election and it did all other elections. It's a mandate that has been freely given to our people, to our party and we shall not rest in our hours till we defend that mandate.