I'm Katie Lazarus and I'm reporting on what it's like to have one of the toughest jobs in America. I'm talking, of course, about the lice lady. Meet Abigail Rosenfeld. She's a professional nitpicker, which means that she's picked lice, nits, cooties, whatever you want to call it, out of tens of thousands of heads for over two decades. She's also the mother of 15 children, clearly grooming some of them to follow in her footsteps. This is for investigative journalistic purposes only. I do not have lice. Have you trademarked lice lady? No. Do you ever think about doing your own brand, like your own shampoo or conditioner or cologne? Nope. These are lice, right? These were just gray hairs. No, no, no. Just here. On the IRS, you know, for your tax forms, what do you write? Do you write I'm a nitpicker or a lice lady? Consultant. Is that really what you write as a consultant? Yeah. I'm never going to look at another consultant the same. When I was 13 years old, my sisters and brothers had it. So, basically fell into my lap helping out my mother with my siblings. Do you think that Jews make better nitpickers? Jewish-wise. I think Jewish husbands can be just as nitpicky. Oh, definitely. Where do you put the bugs after? Garbage. They just go outside? Are they definitely dead then when they go outside? They're not dead. I mean, they're immobilized.   Is this what your kids played with, those little kids?  And these are the closures they can make? No, this was actually made by my daughter. Who is now a lice lady? Yep. She go by lice lady too. Lice lady junior. I was traumatized by someone making fun of me for having lice when I was little. I got lice from my mother. My grandmother dropped out of school. Because she had lice? In 10th grade. Have you had celebrity clients? One person. One person? Was it Sarah Jessica Parker? Can't say names, but... John Stuart? No, I wouldn't say names. Jerry Seinfeld? I'm not going to say names. Barbara Streisian? Thank you again. Well, we want to work through. What's your best about your job? Comforting people. They come really nervous a lot of times and they leave very relaxed. That's how I feel. And it winds up being a very nice experience. I feel like I'll never get crabs again. I mean, I'll never get lice again. I did not get lice. It was, we were just down the street. Or crab. And I don't deal with crabs. My pleasure. So are you going to tell me the celebrity? Was it John Stuart? No. Jerry Seinfeld? I'm not going to say anything. Daft Punk? Okay, thank you. Kind of a waste.


That's weird Okay, this is watch we work. I'm Susan or parks I'm the master writer chair of the public theater and Because of that no not because of that but years ago 11 years ago I sat in the lobby with a Co-worker and a friend Jesse Alec and he said hey you want to do a new play for my festival and I said no But I will sit with audiences and get them to talk about their creative process and I'll call it watch me work So 11 years I started doing that in the lobby of the public theater The public theater has supported me generously in this endeavor for 11 years and recently howl round has come on to help us In our online format a couple years ago three years ago Maybe they came on and recently of course They're here supporting this endeavor as we bring it to you all over the world So thank you howl round and thank you the public theater This show is all about you guys you people and your work and the idea is that we work for 20 minutes together And then we talked to you about your work and your creative process. We have about 40 minutes to do that Every day every weekday and what we don't have time for unfortunately is we don't have time to Specifically address things about something you you're working on Writing or any other kind of work you're doing but we do have time plenty of time to talk to you about your creative process And how you're doing and things like that to cheer you on to be your squad Give you a kick in the butt sometimes things like that. Okay, so if you have a question about your work in your creative process Audrey's gonna tell you how to get in touch. I am also. I've never heard that story of how watch we work started and that is wonderful Oh my god, you know, it's it's okay. Well, you didn't know that Jesse Alec in the lobby. He's like write a new write a play for my festival No, he's like I want to sorry. I'm taking up time, but I want to have a festival and I'm inviting a lot of young playwrights And I said aha and he said and we want something from a more mature playwright.  I think I'll do that. He said, okay, so Here we are That's amazing anyway, okay Sorry, so now you know everything on everything if you want to ask questions and you're inside of the zoom All you need to do is click on the raise your hand button in the participant tab Likely at the bottom of your screen on a laptop or the top if you're on an iPad or a tablet And if you're watching on howlround.tv you can actually ask us questions on social media You can tweet at us at at watch me work SLP with the hashtag howlround H-O-W-L-R-O-U-N-D and you can also reach out to us on the on the public's twitter and instagram at public theater and wine and that's it Fantastic, okay, so we're gonna start by working for 20 minutes, and then we will regroup And again, it's any kind of work.  Here we go 20 minutes It's time to come back Let's do it. Yeah, so Hope you got something done I got something done That little something done little something something like it.  So, uh, any questions comments notions magic charms We can always sit in silence Silence is always an option I have a question. Oh Someone does have a question, but I want to ask my question. Yeah, you go. Yeah, I want you I want to hear your question. You never ask anything So I know it all you're the know it all I know everything I know everything. It's perfect um So my question is so I loved what you said yesterday in terms and just now too about like it doesn't always have to be writing It's about getting any kind of work done And I have been meaning to my boyfriend bought a saw to play many years ago And I was like I want to learn to play this saw and so I just picked it up just now And then I got very overwhelmed and I put it back down and I'm wondering if you have any advice Yeah Yeah, yeah, yeah, I I totally have advice because I have uh I have that I have this this beautiful thing which is the guitar which I just told my husband It's he just gave it to me for my birthday and it is now officially the only guitar that I want to play which is a big thing to say because I have many guitars, but um Yeah, little tiny steps. So if you know, you have a saw right and you want to play it How exciting that's So what you do, I mean you pick it up.  I know a few people you know somebody do you I don't I started to google it a little bit There you go Google is awesome. Go google saw playing I'm sure there's some instructional youtube thing how to get started playing the saw right And you can and you and I'm sure there's more than one and you can allow that very generous person who has put their instructions on youtube to be your guide You know and then and then grow your community from there. What a beautiful thing You know, it's always a good idea I think to Well, one start something new but to play an instrument. I think it's it's a great thing You know Thank you. I'll keep you posted. That is so exciting. We could we could jam We could we could jam I so far I picked it up. So I'll I'll keep you posted. It's like it's like a Yeah That's very beautiful. That's gonna be gorgeous. Oh, I'm so excited Thank you. Yeah, but that's the thing. That's what we do. We take so you take just small steps That's so key. I was talking to my husband earlier today and said I'm having trouble doing such and such and that and he was like Oh Sounds like you're impatient. I was like, oh Yeah Yeah, but that's that he nailed it, right? Because I wanted to happen yesterday. Guess what sounds like you're impatient Hmm. Yeah, suppose I am suppose.   Yeah, for those of us who love writing the process of it is is delicious And for those of us who love playing the saw, it's the playing of it or the guitar It's the it's the getting into it and the playing it that's very exciting and and sure things come out of its songs or Who knows what interesting notes But it's the doing of it that is the delicious thing not the product that maybe you know, we'll get on Broadway with You're right. I'm very impatient. Yeah. Yeah. Yeah. Let's get to recognize that like yeah, I wanted it to happen yesterday. Yeah. Yeah, totally Thank you All right, we got some questions Crystal hey, you are up Hi, how you doing? I'm good. I'm doing okay. I'm hanging in there. You hanging in there. How's how's your work? How your kids? How's your whole thing? um My kids are driving me crazy. They're fighting all the time now My my father passed away Sorry weeks ago. So it's been a little weird, but it's okay. It's so complicated. It's like Sorry So yeah, it's just been We're just hanging in there. We're doing good. We're doing we're blessed, you know, we're blessed Um, I actually had to put Um the the project that I was the writing play the play that I was having trouble with I had to put it down because I was invited to work on another project Um, it's about demagogues and um So we had to pick a demagogue And write a monologue and a scene for them, but write with hope and make them human I picked somebody who has a similar Well the similar faith as me, but like Kind of on the opposite end as far as rationale, I think Um, but I'm having trouble because I'm almost done Because I feel like it sounds preachy and stereotypical of like a far right wing conservative You know the homophobic person And I'm trying to make them sound Normal, but it's it's so I don't know. I feel like what I've read and researched about the person is so stringent and so strict and so Black and white that it's hard to find like the great to make them sound Not human. It's not like they're an animal but to make them sound Under understandable Does that make sense? Uh-huh. Uh-huh. You know the saying, um, maybe you don't know because I think I made it up or maybe I didn't there is no I mean, you've heard there is no eye and team. We've all heard that but there's but there's a me and enemy Oh, yeah, so that's the second part that I'd like to add on to that there is a me and enemy and Not to say this person is your enemy but What, you know, what what are the points of intersection between you and this person? You know, um, can you can you list those things? I mean, you don't have to talk about them now Of course, but but if you can start thinking about what is this person Aside from faith, you know, because you can say well I'm You know, I'm a christian and so is you know the guy who runs, you know, fallwell university You know what? I mean, you know, so there's that but you can You know go deep into the things that you guys have have in common and both hold dear Okay, that could help Um, because then you're not trying to humanize and you're just actually focusing on Things that you agree with you agree with you. There's probably a lot that this person says that you actually agree with That's a little scary But what but it's interesting that you said that's a little scary what you didn't say is that's not true So I'm guessing that it's probably true and that's scary Huh, are you going to reveal yourself to be more fill in the blank than you present yourself Which is okay, is it sure sure because I mean because no one will ever know You see, I mean like like Shakespeare, you know Shakespeare did Shakespeare agree with with the Scottish king, you know, maybe Maybe, you know what I'm saying?  I think that you have more A lot in common with them Go ahead. No, no one will know except all of us, of course, but we'll never tell I see, you know what I mean? Yeah so So look for the common ground Sure Yeah And you can always say in your talk backs or whatever when you get interviewed by whatever you can always say One of two things one a popular thing to say these days is I was being sarcastic which seems to work for our Commander-in-chiefs you can always blow it off to be in sarcastic or you can say, you know as a writer I try to walk around in other people's shoes You don't have to admit to believing in what your character believes in unless you want to You know what I'm saying? Yeah, yeah Okay, okay Let your freak flag fly I got a freak flag Oh, I know you do that's why you hang out with me. You got a freak flag.  You're welcome so much. Thank you crystal. Good to see you. Yeah Karima, you are next. Are you unmuted? Oh, hold on. Hey, you hear me? Yes, we can hear you. Hi Yes, Karima. Hi. How are you? Hey, we're good. Um Hi, um, I, um, usually, um Write like Short little plays with just two people. Uh-huh But the piece that I'm working on now that I'm extremely excited about has four people in it And it's kicking my behind because I don't know if I should be Right like right now, I just have the dialogue moving Without like making without using too many directions Uh-huh But I'm finding some characters are speaking more than others But the other characters do need to be there So I'm like Yeah I'm I don't want to say stuck But I'm trying to figure out how to make it work because it's like it's in one setting So my goal is I wanted to make it like a one act So is it is it's not going to change settings and stuff Because they're like they're they're four women and it's like a uh at like a book club thing So I'm kind of getting stuck of how to You know, keep the characters alive. That's not speaking when the other characters are speaking Is that weird? Yeah. Yeah. Yeah. Yeah. No, no, no, no. Um, that's great. That's really great. Um, you want to keep you have a four character play Right, they're all in the same setting for the entire thing Correct and you want to keep the other characters alive when the other characters are speaking Just, you know, it's I think you you probably already figured it out. It's just sometimes people listen Sometimes people talk Sometimes people are doing things, you know, I mean a not so great way. I've seen writers do it Which is they send your characters on little errands like I have to go to the bathroom I have to make a private phone call. You know, that's kind of cheesy. I think Um, but you can actually have characters Get really clear about what each of your characters wants Okay wants this she wants this she wants this she wants this right you have four characters and Then play that sometimes a character is she really wants to hear the story that the other character is telling Okay, or she's Maybe surfing her phone or it's a book club. Maybe she's looking up a reference in one of the books Or you know I mean think of what is my character doing right now? Do a pass maybe through your play for each of the characters separately? Maybe that helps too Well, I did I I'm do I I'm still working on it as I go because it's like fresh So I'm just like trying to let it run Uh, um, so I have done like a character analysis for each of all four of them Great, it's not completely all filled in for everything Because I'm trying to figure it out too as I go. Okay, but the issue is heated So I'm just that I think that's who's really throwing me because it's a it's a really um Sensitive issue. Uh-huh. So I'm just saying with I'm trying to say to myself would they Because they can't talk over each other. So why not? Huh? Why not? But you wouldn't okay, I mean, I mean, maybe they do I'm just saying you can open it up sometimes they can be quiet Sometimes they can listen sometimes they could talk over each other Okay, maybe, you know, you you can you can again you can open it up a little bit. You don't have to put that If it's a it's it's a heated issue. Maybe they are talking at the same time sometimes That's allowed Okay All right Thank you. Thank you. Thanks. Good question. Thank you. Thank you. Good to see you All right, Vita You're up next Okay Hey, how you doing? Hey, how are you? Good. Good. Good to see you. I think likewise. I think we all missed you quite a bit I know I did I got some work them some more work Excellent, you deserve it You're very you're giving too much So no, no, no, no actually I'm giving you know, I have like a it's it's Exactly the appropriate amount. Oh great excellent You're keeping some oh my god So I I decided I was going to do something similar and I'm going to tell the story Of how my work was stolen because I think it's very important for people to hear frankly I mean, I've told this story before so for me not so important But I have to be careful though how I tell it because if I'm too specific I think I really could get in trouble But I think it's very important for people to know because it was so strange That I never thought that this could happen And I certainly didn't think it could happen to me because I was just It was like the first play I had ever written I have a background as a fiction writer and then I was encouraged to Write one of my short stories after not writing for a while after several years of not writing There was a film producer who wanted me to she said well if you ever turn this into a screenplay, let me know So I thought oh, yeah, right because as you know, it's a totally different form And ultimately that project turned out to be really hilarious and a joke but What I decided to do I worked very hard to learn the form And I bought the books and I did all the stuff you recommended I took a couple of classes and I I really did not have any money and I was working very hard Which is you know, as you said part of life So, um the point of this is my I was so frustrated that with this other project I decided to write something. I really wanted to write and I wrote a short Play a one act. I had never written, you know, I'm learning this form I wrote a one act about a time in my early 20s when I went up on a roof On the side of a hotel.  I'm just going to write this one act And I have fun with it and I was in a little group Where actors read my words back, which was great so I ended up there was a lot of stuff that happened in the middle which we don't have time for but I ended up Getting this one act up in one of the todo canada theaters That used to exist on on ledlow street on the lower east side And with the director that I didn't know And they were rehearsing my play and his play and then maybe a week before it was due to go up I got a phone call. So this was in the late 90s. I got a phone. I was working full time. I was just wiped out I got a phone call that There was this group of creative people who will be unidentified Who were sleeping in the rehearsal space? Which was in the basement of ledlow street and they by the way, I'm going to be writing this story So nobody else don't take this one because it's good. But anyway, they were Sitting in on rehearsals of my play And they wanted to get a copy of the script or one of them did in particular because he had aspirations He wanted to become an actor So they uh, he said to me my director on the phone on a sunday I still remember this. He said I I said, I think we really have to call her and make sure it's okay with her Maybe you should meet that meet her So they tried to set up a meeting and this got these people Um, this was like a couple a week later or so and I've never heard of these people These people were not on my radar at all. Um, they Were introduced to me and then instead of Sitting down and he looked very hurt somehow something was upsetting him I don't know what and then they all left and then uh fast foe and that was the end of it and then fast forward to 10 years later a And what I did though because I knew something weird was going on and I with the little bit of money I had I ran to the writer's guild and registered my script thinking that's going to help me somehow Which ultimately it did not then I got a phone call Like a month later, uh the the owner of this theater this group of theaters would like Uh to know if you have a full length of this and I said no And they said well, would you like to write one and I said okay and submit it? So I did which was ruling And then nothing came of it and I thought this is really weird, but we did a reading And I knew everyone at the reading except this one person who just somehow happened to be at the reading through someone else And that one person walked off with the full length which I only figured out 10 years later so There is much more to the story that happens 10 years later In in the bay area, but the bottom line is what I want to explain There's a lot that goes on behind the scenes in these situations that I could not even in my wildest dreams Imagine could be happening And I envisioned this play for the piano store, which was a little old honky tonk theater And I was so like, you know pissing myself excited that I got this play into the piano store And I didn't and what I didn't know Was it was actually Being developed for Broadway I had no idea nobody talked to me about this. I I didn't understand that and 10 years later Um, they came back for it And it's a long long story, but I really I mean some of it was I'm not I was Into other types of entertainment shall we say I wasn't into this particular brand? And so I didn't know I had no I didn't even know who these people were I was on a in a different area So, uh, the reason I'm telling this to people is I did have it copyrighted They can still take it from you Because if you have an expert adapter working on the script And a whole group of high powered theater professionals They can do whatever they want to do even they can take your script and take your idea And turn it into their version of it And it'll and they'll make a fortune off of it and they don't have to ask your permission As long as they don't actually lift The exact words of your play They can do whatever they want So I'm just sharing this because to all the people who think they can never write a play their first play Make it to Broadway. Yes, you can and people might actually want that and want your work But also be aware that Just getting the copyright doesn't mean that you're protected because lawyers told me You know clearly you're right.  So, um, I just wanted to explain that this sort of thing can happen The thing I did learn recently. I was thinking about this Today in a very odd way The person who was very behind this idea of taking my work and who fell in love with the play and by the way To that person. Thank you. Thank you for loving my work so much. I do appreciate it But the thing I want to say is we were very similar people Even though we came from very different walks of life We magnetized each other energetically. I mean, I'm very aware of this. I was angry.  I loved my play And he loved my play and he had an axe to grind to I think And we were sort of mirror images of each other in a very interesting way Although looking, you know, I didn't know that I didn't even know who this person was But I so, you know, all of that said if anyone wants to know more details I'm happy to share privately, but I would just say it's a fascinating situation But I I honestly can't believe this happened to me And I think people should know that there is the possibility that something you can't imagine can happen And just be aware um, you know, try to Be aware of who's around you and what's going on more thoroughly because You know, our brains have limited capacity Slowly you can't figure everything out all the time. It's impossible. So anyway, thank you. Thank you for letting me share I appreciate it. It's a great story Thanks, Rita. All right So we're gonna go on to Sahar Sahar are you with us? I and if someone could mute It's probably me. Okay. Hold on one second It's no worries. No Yes. Hi. Hi Susan. Um I I for a moment I forgot my question. Um, but my question is basically What next? Um, I It's Ramadan and I've been blogging every day. Um, and uh, like writing is not Writing is not a problem for me um And like you were saying like I love I mean, I love to like write and I'm just writing and writing and writing um And I'm also very aware of My job prospects After this semester And I don't really And I was just writing today like I can't really see beyond Today like if anybody asked me what do I envision? Happening in the next year like I can't I can't see like beyond today um, so I was wondering like How do you think about what next like? I write and I finish a thing And it's there living on my blog or living on my laptop and then I move on to the next thing um And uh, I don't really know like beyond today. What's next? Um with my writing and that's where I am today. It might not be tomorrow. That's where I am, but that's where I am today So that's my question. What next? Um, what would you like to happen if you could have anything happen? What would you like to happen? With your work Sahar um Well with the I mean I I would love for it to have a life Um beyond myself um but also I don't know what that looks like like Like is it a book? Do I publish it? And if I were to do that, how do I do that? Um, not the how just the what? Yeah. Yeah, I think I would I mean I I don't even know how many pages I've written this month like I've just written every single day um And I could I mean I I could imagine it being published. I could imagine it being illustrated Are you an illustrator? No, I'm not I have a coloring book No, but I mean imagine it being published. You could imagine it being illustrated A lot of times. I mean it's not that we have to know what's next But if you're asking what's next, how do I figure out what's next on this show? Then we want to talk about it. You know what I'm saying? So, um Usually I think to answer the question. What's next is what do I want? What do I want to do? I'm a character in a play, right Are you? So Right, so what's next comes the answer to what's next comes from what does the character want more than anything? Right, there's the desire of what she wants And then there's the allowing Will she allow herself to go for it? You know, so I want to I want to write a song. So I sit here with my guitar I also want to finish up some writing projects that I have to finish so I sit and work on those You know It's just what do I want and if you If you're okay with not knowing what's next that's fine But if you want to develop that conversation with yourself, then you have to ask yourself What do I want and it's okay to want what you want And it's then you have to allow yourself to go for what you want You know not get so tangled up in the how I'm going to make manifest it But just what would I like to do? I'd like to have I'd like my my blog. I'd like it to be published as a book Oh, I'd like it to be illustrated that'd be cool Those are cool things or maybe I just like to write something other than this in addition to this I'd like to write something else Maybe You know, maybe you'd like to learn in this skill. Audrey's learning how to play the saw Maybe you'd like to learn an instrument. You know what I mean? Maybe it's maybe you'd like to learn I don't know what I have a friend in Chicago who played She's got two kids. She played the cello as a as a child. She's getting back into cello playing another friend who's Played the saxophone in high school You know getting back into that, you know what I mean? Maybe it's something that you'd like to pick up that you Put down years ago You know Or something that you've always wanted to do, you know, I have a friend who just took up knitting Because she always wanted to learn how to knit It doesn't have to be a grand thing or something you published or you know, something grand It can be something relatively modest. I have a friend a great writer who's who's starting a garden She has a backyard. She's starting a garden You know So the what next you just have to talk to yourself a little bit and say what would I like If if if the sky's the limit What would I like to do? You know, and maybe there are 10 things or five things. It doesn't have to be just one so hard, you know You know, I think the blog sounds really fascinating and beautiful keep writing that In addition to that Ask yourself What would you like does that make sense? Yeah Yeah, it makes a lot of like Like some days I ask, okay. Well, what I'd really like is a job You had one aren't you writing a blog every day? I am I am Okay, yeah Um, I mean, I I know how to keep myself. Um Like how to make myself happy day to day Um Yeah Just go toward Go towards your heart's desire. Now's the time, you know, crystal is going to let a freak flag fly You can move toward Learning how to play the saw on a come on people now's the time these are these are these are difficult very difficult times and kind of very nerve-wracking times But they're also times of opportunity if we can only see that in these times Yeah, the times of opportunity So let's go toward, you know, let's recognize the difficulty and the fear and the scariness and all those things But let's also recognize that there are moments of opportunity in these times You know Thank you. So the horror Well, Audrey kind of one more minute. We got anna scott go for anna Hey, anna. How you doing today? Are you writing that choreograph? Yeah, you are remember Yes, I am and I am in the third part And I just had a freak out moment While I was writing in my little moment where it felt so big and like it was so stuff and so amazing happening. So, um We kind of felt like well that's good that it's scary to me, but um, I didn't have a question about proliferation Um Your voice was kind of wavering. So I heard you say you're working on your piece Correct me if I'm wrong. You had a freak out moment. Did you say that? Yes, okay, and you had a question about proliferation And then your voice kind of got quavering and I couldn't understand exactly what you said after that Okay, go ahead better Meaning um So many so many objects arriving on the stage Maybe Need for lots of bodies See moving the objects in and out Uh, I was just having this moment where it felt almost impossible But it felt really necessary I'm wondering about the process of Going big without cluttered That's very yeah, that's that's very interesting. Um, and uh, because I as you were talking I was going to ask you your physical space so Is your physical space cluttered In my own kind of note But on the page In my head Starting to get the Okay, so The secretly a garden on the inside there's a chopping block that's secretly an altar The character's ending in dirt, but the audience of it. No until she starts to get out of it It's and there's sugar everywhere Right make sure that each thing Each character on stage Each object on stage Is being utilized Okay Okay, just like if you're if your physical space was cluttered, right if you're Living room dining room. I'm sitting in my living room dining room, right if there was stuff all over the place, right? It's hard to know what's going on with everything all clutter your desk is piled up the stuff all over the place, right? So you want to be able to go okay? My phone is here for a reason my timer. I know what that's for look at this pin I have a pin, you know, so you want to Try to or begin to organize the various elements that are on your stage Okay, so if there's sugar everywhere How is that being employed by your characters? You know what I mean? It is just all over the place, you know because once it is actually employed and utilized by your characters then It'll seem necessary more necessary than it might feel now You know the character who's in you said dirt and she's coming out of dirt. Is that what you said? Okay, okay. Yeah, make that a real thing really get into that make it really really employ those elements those theatrical elements Okay, don't just kind of hit it and quit it and go on to the next thing Don't be scattershot about it. Oh look this. Oh look this. Oh look this. Oh look this, you know Really go deep and thorough with each theatrical element each character each moment. Okay All right, really get have a deep relationship with each thing that you bring on stage Every single thing even if there's only one thing that you bring on stage okay Each and we talked about the other day about um I think it was carol wilson who was talking about objects. We were talking about objects carol the other day Yeah, she was talking about objects how a handkerchief, you know We were talking about how every object can resonate with meaning you just have to put your attention on it Right, so you have sugar you have dirt you have something else you have a lot of characters are Really allow yourself to focus on these characters. Maybe slow down a little bit With the activities and the action, okay Thank you It's six so far six so far the time where does it go? Well Every day three p.m. You can sign up by three p.m. Eastern time on the public theater website Uh, and I'll send a link between three p.m. And four thirty p.m. Eastern and we'll see you tomorrow. All right We love you guys. See you tomorrow. We love you. Bye. Thank you s lp. Bye. Thank you. Thank you, Audrey


I want you to step away from the fear that your time is running out. Because that mentality creates resistance in us. And that resistance creates its own anxiety and stress. And that resistance comes from the belief that all our time is the same. And externally that's true. We all have 24 hours in a day, but internally it's not. The timing of your life internally is completely unique to you. It doesn't matter whether someone's in a similar sphere of pursuit to you. And by this time you think you should be much further on like they are.  And you need to. That allows you to rest into the rhythm of the timing of your own journey. Which allows you to sometimes experience a lifetime's joy in one single moment. When you stop chasing something you think that should look like based on external timing. Rest and relax into the timing of your life. Internally rather than be a slave to the tyranny of external time. That says by now you should be this that or the other. You shouldn't. You're doing fine. Settle down into the rhythm of your timing of your own life. It's all good. Cheers.


Best-selling author Sally Rooney has refused to sell the rights to her latest book to an Israeli publisher. It's a decision she made in solidarity with Palestine. The move has been welcomed by the boycott divest and sanction movement, which pressures Israel to end apartheid. As is often the case in these situations, her standing up for Palestinian rights initially led to Sally Rooney being misrepresented and smeared. That's because it was initially reported in the pro-Israel press as being not a boycott of a country, Israel, but a boycott of a language, Hebrew. Based on a news article in Haaretz, the website Forward published an opinion piece titled Why Won't Sally Rooney Allow Her Latest Novel to be Translated into Hebrew by an Israeli Publisher? That piece was then boosted by a number of high-follower Twitter accounts in the British commentary. Ben Judah tweeted, depressing and unpleasant that Sally Rooney won't allow her new novel to be translated into Hebrew. That was quote-tweeted by David Aronovich of The Times who says, it's sad when you're unfounded. Prejudice is about someone turn out to be correct, a rather nasty response. And then Jonathan Greenblatt also tweeted this article. He is CEO of the Anti-Defamation League, which is the biggest organization committed to fighting anti-Semitism in the United States. He said, shameful hashtag Sally Rooney is embracing BDS's hateful tactics by refusing to publish her latest book in Hebrew. Literature is a space for opening minds, not closing them. She should reverse this decision and find constructive ways to promote coexistence. At first sight, you could think they're reasonable. I'm in favor of BDS as a tool to apply pressure on Israel to end apartheid. I do, however, think that boycotting a language would be problematic. Languages don't belong to states or governments. They belong to cultures. And to ban your book being translated into Hebrew would therefore seem rather anti-Semitic. The problem here though, that's not what Sally Rooney did. We've been 24 hours of her being castigated online in the controversy appearing on news shows in the UK and the United States. Rooney made the following clarification. Earlier this year, the international campaign group Human Rights Watch published a report entitled A Fresh Hold Crossed, Israeli Authorities and the Crimes of Apartheid and Persecution. That report, coming on the heels of a similarly damning report by Israel's most prominent human rights organization, Bet Salem, confirmed what Palestinian human rights groups have long been saying. Israel's system of racial domination and segregation against Palestinians meets the definition of apartheid under international law. She went on to say, the Hebrew language translation rights to my new novel are still available. And if I can find a way to sell these rights that is compliant with the BDS movement's institutional boycott guidelines, I will be very pleased and proud to do so. In the meantime, I would like to express once again my solidarity with the Palestinian people in their struggle for freedom, justice and equality. Darlia, this is a familiar story, isn't it? Absolutely. I think that you are totally right to point out the incredibly unfair and misleading way in which this was already originally reported. The headline, as you said, was that she wouldn't allow her book to be published in Hebrew, which she had already had her book translated into Hebrew. It was clearly a way to undermine solidarity with Palestinian people by imposing slippage between Israel and the actions of the Israeli state with the entirety of Jewish culture and history, which is of course absurd. But by creating that slippage, they were able to confuse what was actually quite a clear stance. I don't think you even needed her position, her terrifying statement in order to understand that her gripe was with the fact that the publisher was not BDS compliant. It wasn't because of the inherent worth of translating a book into Hebrew. But this is the literary establishment and I find it so cringy when people try and justify these kinds of things by saying, oh, literature should be a space where minds are opened and things like literature cannot be in a political space. It cannot be a space where people, if you want to find a group of people that don't take strong positions on things, you really can't look towards fiction writers, particularly fiction writers whose work is so political but not in an explicit way like Sally Rooney's. This whole debacle really actually reminds me of in the 1970s when the late John Berger won the Man Booker Prize and donated half of his winnings to the Black Panther Party and used his speech. I'd recommend everyone go and look at that speech. It was absolutely incredible. He used it to actually point out the colonial wealth upon which the Booker Prize Foundation was built. He was similarly, hopefully this won't happen to Sally Rooney, but he was absolutely ravaged by so much of the literary establishment and media establishment who found his politicizing of the pure art of literature to be so improper and uncouth. This is always the battle between the liberal art institutions and the often more radical artists. It just really reminded me of that incident in history and I'm really glad that like John Berger, Sally Rooney stood fast and didn't allow her actions to be misrepresented and stood by what she originally made clear, which was that this was about being BDS compliant, which is absolutely her right to do so.


Hi guys this is Jason here from Nathaniel School of Music. In this lesson we are going to look at a topic which I call modal harmony or modal chords and it's a very interesting way to take something very simple like just a C major chord or a C minor chord but give it a very modal perspective or give it a very scalar perspective it really depends on how you're looking at this chapter where you want to look at it as a mode Lydian, Dorian, Mixolydian, Phrygian or you know Locrian etc or if you're just saying okay I know the major scale I kind of know the minor scale but what else is there to explore you know so the way I tend to look at modes is just as a scale that's generally how I use them to compose and when you look at modes as a scale you can even start interacting them parallely that means you can look at a song being on C major but then you can borrow chords from certain other scales like you can here and there make it a C minor scale even though for the most part it's C major you know or for the most part you can make it a C major but then here and there you bring in like a Phrygian vibe you know so let's get started with the idea we're going to just start with a C major chord or a C minor chord okay so and then we're going to just see how to develop a modal vibe or a vibe which is new to the year it's not going to feel like C major right and another thing which I'd like to point out is we are not going to take many chord progressions we're just going to literally take one chord so just C major and how do we get the modes into the chord like for example right so let's get cracking and before we do if you haven't already do subscribe to the channel turn on the bell icon for notifications there are quite a few videos which will keep coming your way at various levels so if you're a beginner you will have a fair amount of beginner lessons you'll you'll have a lot of these advanced concepts theory year training and a lot more so it's important to stay notified so hit the bell subscribe if you haven't already let's get cracking so if you take C major pretty much the entire discussion could be around this chord now if I just hit that chord what scale does it appear to be in you know currently this music one might argue oh this is the C major scale which it is but then it could also be part of some other scales could also be part of the mixolydian scale okay or it could be part of the mix or flat six scale so if you actually have a melody around the C major chord it would be or it could be back to major could even be lydian lydian is has the sharp four that one if you have a lot of these options like as I look at it you can even have what is that scale it still has a C major very eastern vibe right right so off the top look at the number of scales which seem to actually demand this chord or contain this chord if you will right C major C lydian C mixolydian C mixolydian flat six or maybe a scale with a flat in two very arabic vibe and the list will well go on if you think about it you're just trying to look at scales which have a root a major third and a perfect fifth so that's the backbone of this lesson right you just have to know that when you're playing a C major chord and if you're going to extend that chord for a certain duration of time and if your music is very modal then generally when I think of the word modal I always tend to look at the the root or whatever you play in your left hand or the bass to last a bit longer than the average song you know it's not going to be that doesn't feel to me at least as a very modal song you'd want the C to be lingering on for a bit longer then you have possibilities then you're thinking oh what scale goes over this chord right of course there are some great jazz artists who do it over quick chord changes right they'll be playing a different scale for every chord but the way I look at things generally is whenever you're looking at modes you're tending to have more consistency in your bass or more longevity in the bass you'll have C it'll just go on for a fair amount of time okay coming to the job at hand now so if I'm on C major and now I ask myself the question how do I get a Lydian vibe with C major as my backbone so I'm pretty much playing a song on C major but I want to feel it like it is C Lydian scale and not C major scale so you need that F sharp so there are two approaches which we are going to do for the entire lesson the first approach would be to communicate the harmony with thirds instead of triads so you go C's third is E then D's third is F sharp mind you I'm on the the Lydian scale so I don't want to do F F is not part of Lydian so all thirds that's pretty much it B D so let's say you're just playing C major so I've created like a flourish of thirds which kind of spell out C Lydian isn't it very important as a composer or as an arranger in a musical in any musical context because you're spelling out the mode you're spelling out the scale and even though you're using one chord can really help the singer of your group to you know say oh this is the scale this guy wants me to compose my melody on it should be not because I did not play F I did not embellish with F rather I'm giving the melody the chance to sing this F sharp or I'm kind of giving the melody a nod you know play the F sharp you need to be on the Lydian rather than the major okay so this is very important if you're like a newer artist in a newer band you know where everyone is at a kind of a learning stage I hope you've got that drill so play a major chord and then embellish with thirds you could just do one pair of thirds which is extra you do C major that's it it's Lydian and that's your song it's coloring it up with that Lydian third pair you could do others as well or you could use thirds like in a flurry or in a pattern like now you're now what you do on the piano starts becoming rememberable on its own okay so you color it up with thirds you can also color it up with the triads which are built from the mode so of course C major you can do a D major E minor sharp diminished so you get the idea you can do all these triads over the C bass or you can just do the D chord okay so that's about Lydian now let's say you want something really exotic you know generally what I consider exotic I just have that brand for scales in general it's something with maybe a two flat or a five flat that's how I've sort of uncluttered my mind with those sounds why I call them exotic is because you rarely hear them in popular music at least western popular music you know so that one so if you use that chord D flat over C major what could the scale be that could be that or so just take a C major chord and just add D flat and F which is the next third of that new scale so third third pair third pair third pair third pair all thirds so C major chord number one now you're telling your singer it pretty much needs to be in this context you're kind of leaving the sixth and the seventh note free for the melody to kind of interpret you could do so you could even sing that or or so I could do that seventh or that seventh both options exist so anyway so that was about that scale I I don't even know the name of that scale to be honest it doesn't really matter you don't have to name scales before you use them you can compose stuff and yeah somewhere down the line someone will just call it a name or you read up on it at some point so the the approach we are trying to follow is take a chord C major and then embellish it with at least one more ingredient which is a third in that new in that proposed scale or a triad in that proposed scale so so we've looked at Lydian we've looked at this arabic scale okay now why don't we consider a few possibilities given a C minor home base chord that one so if I do this there's a great way to add color if you do if you're just playing C minor you could probably embellish with what does that A do makes it Dorian doesn't it Dorian is nothing but a minor scale with a raised sixth or you can just remember it as a major scale with a flat three and a flat seven so to embellish just the thirds from the Dorian or triads from the Dorian with a C bass consistent and also be very melodic you'll find like rock and roll musicians do this all the time and they are spelling out the mix solidion for example so if you take this you get patterns like it's like a standard rock and roll pattern right now what happened there C major that's a third up and that's a third spelling out the mix solidion so so mix solidion okay so you have all these options so start with a a minor or a major chord so the the job for you now is to take a major chord you know or a minor chord you know and then embellish that chord with two possibilities one is with thirds so harmonic minor is spelled out you know or embellish it with triads Dorian in this case is spelled out or start with a major home bass you spell out all sorts of scales it could be like very exotic or commonly used scales the mix of flat six or just the normal mix solidion rock and roll right you can even do very theatric things with a major or a minor chord you can just do like you don't even have to sometimes scare oh what scale am i on you can just use this as a way to color up a chord just take a major chord just that works quite well i think can just look at it that way you you can say like right now i was just writing a song with c f and g and i've just used i've just taken the triad messed it up a bit by taking the third and the fifth down also becomes um like very melodic on its own you could use it in a musical context you can use it to write a ballad in a more interesting way if you wish right so that's about the lesson guys let's recap this is what we call i we're calling this lesson as modal harmony embellishments but then you can you don't have to look at it as a mode you can just say i am currently playing c major or c minor i want my singer or i want my audience to feel the scale which i'm feeling here so you need to first think okay what scale am i what is the bigger picture here c major is a chord it's not a scale it's just three notes so you need another little bit more information to give you that push or give you that nudge to say oh this is the scale i'm actually on because a c major chord could be part of so many scales a c minor chord could be part of so many scales so we use two ways of embellishment one is thirds and we've used triads okay so you don't have to do too many embellishments even one was enough as we saw earlier lidion that's it because i've given the four sharp or if i do dorian because i have a minor third and a major sixth or very fridgian now or major chord with the two flat and the four or mix so there we have it or you can just forget about theory altogether take a major chord and just move the the non-root of the chord which is c so these notes just move them wherever you want or you just get a very different sound so another concluding point which i'd like to make in this lesson is a scale can be derived using just two chords so if you have two chords in a piece of music you can actually extrapolate a scale from those notes because inevitably two chords are going to have a minimum of four notes right in most cases a minimum of five notes in some cases six notes because each chord is three three notes and i haven't even gotten started on bigger chords we've just taken major and minor triads in this lesson hope you found the lesson useful guys again this is jason here from the nathaniel school of music if you want to learn music from us if you'd want to interact with our with our faculty through our virtual courses do fill up the registration form and if you want to make the youtube learning process a lot better you can consider subscribing to us on patreon you can download all our handwritten notes and there are a few more benefits as well coming your way and if you are at a more beginner level and you want videos which are curated at that level you can consider the members only platform all you have to do for that is hit the join button and that will give you access to numerous structured lessons which we've shot which can help you you know start all the way from the foundational level and then go forward thanks for watching see you in the next one


I'm Amis the Steve Rhodes as we do each and every Monday at 20 past the hour and don't forget folks Steve has an outstanding show here every trading day one to two Eastern standard time also as a great newsletter the mastering Probability now it's very easy to get Steve's newsletter come over to our website at TFNN You're gonna go into newsletters You're gonna see it right on the right hand side You just hit that subscribe button and you get mastering probability for one month for a hundred and forty nine dollars You get it for six months for 695, which is the savings of 199 dollars at 22% and you get it for a year for 1195 Which is a savings of $593 a 33% Steve Rhodes. What's going on? Well, happy sweet tooth day. Yeah, I know Now I know I don't one of the things that you and I have in common is our our appreciation and love for dark chocolate Oh, yeah, right.  You know, it is we have we have William Dean right here.  So, yeah, so like I went up there for the you know for Tommy and Landon and Ali for the thanks. Yeah, not Thanksgiving. Yeah, Halloween. Yeah. Yeah, I love that place So okay, so so my place And I just love dark chocolate good dark chocolate and I think you guys have one in St. Pete It's called kill wins. Oh, oh, I love that place. That's that's decadent. Yeah, yeah, right? Yeah, so their ice cream is amazing. It is it listen, man I have left the office thief and gone down and got a hot fudge Sunday with a little ice cream Because you can't get that too many other places now man. I just want vanilla ice cream and real hot fudge with marshmallow on it, man Okay. Well, hey the next time you're down there check out their dark chocolate non perils Oh, I don't know what it is that they do to that chocolate, but it's it's amazing. Yeah, you know So so that that's our that's our sweet, too So happy Halloween to all the yes bowls and bears that are out there And and I suppose that most folks are asking the question, you know Was last Friday's explosive move higher a trick or a treat? I love you, man So we got to try to figure that out and this chart here I thought we would do is take a look at some of the seasonal patterns out here So this chart represents the average price movement of the S&P 500 During the mid-term election years and for the S&P we've got 72 years worth of data now That's for you know that that basically equates to about Little less than 20 specific instances the red line the red vertical line So it's over 72 years, but it's it's for you know, it's four years apart Yes for each midterm So if we take a look at the red line represents where we're at and that would seem to indicate that That last Friday's action is just another confirmation of a market that should continue to move higher and Rally into your and in fact we hear a lot of people on television Talking about this seasonal impact and and you and I've talked about the how the market typically makes a low in the mid-October Time frame and then moves higher on through that So I understand that typical seasonal pattern the cool thing here with these folks from season X We've got these it's very easy to take a look at any instrument for the most part and understand what the seasonality is So this is the S&P 500 for the mid-term election years However, this is the chart for the S&P 500 that represents the years after a mid-term election So the mid-term election is next Tuesday. Yeah, we want to know what takes place after next day Yes, and so when we take a look at that and I just use those specific years Well, this suggests that we see a sideways to consolidating move Into the mid or and well towards the end of towards the end of November out there So if we look at lastly if I take look at a bear market years for the S&P 500 So really three three areas we're taking a look at one What's a typical mid-term seasonal pattern look like to what's it look like after that and then three which may be more important What does it look like when we are in bear market years out there? So Tom, you'll see here and those folks that maybe grab the screens the checkmarks that we have on here, okay? Identify the actual years that are being used so people can try to build their own now What this tells us this tells us that the market should move higher into the end of this week Which kind of lines up so it's pretty out when I pulled this chart up I was like wow, that's pretty cool That's pretty interesting because this all lines up with with that nice move on Friday We should see some we should see some window dressing. We should see the end of month you know movement into a Move higher The money being put to work and that should end by the end of this month And then the market moves lower pretty precipice precipitously into the end of end of November time frame so that's for the S&P 500 Here's the dows bear market during the last hundred and twenty five years and again all the all the checkmarks Represent the years that are being tested so we go back as early as 1901 and what this shows us here again The red line is where we're at Tom Yeah shows us that we should rally through the end of the week and then move lower now This shows us in the case of the Dow moving lower into the end of the year out there The NDX 100 if we take a look at bear market years because we're definitely in a bear market out here So if we take a look at the bear market years over the last 37, which is only six data points So the S&P is maybe a little bit more useful the Dow more useful because of all the data that we have But even still in the NDX 100 this suggests a rally into the end of the week And then basically move lower into the end of the year If we also take a look at last Friday's rally as it pertains to the Dow specifically this chart here shows Diagonal and horizontal trading range boundary lines So folks the green lines out here these are really courtesy of bud ralphs who develop those horizontal trading range or what he referred to as primary trading ranges and And those green lines is pretty amazing how price will typically stop at one at one area if it can clear one area We'll either move up or down to the next level But what we also have those are the vertical Horizontal trading range as an example here at 34,152 There have been ten instances of either opens or closes very near that price point So that's what the numbers to the left of the of the actual price points show us here But what I also have is a rising price channel and a descending price channel and interestingly enough and I don't know how this works I just know that it works. Yes price on Friday ran all the way up to the top of that descending price channel Isn't that wild man? Yeah, I know it's like how did how do you know how does that right exactly? But but it does and so I've got a little dash blue line up there as well Tom And so price could exceed that or at least punch up to that level if it exceeds that area It says we get up to 34 152 But right now all this is suggesting that really what last Friday was was more of a trick than a treat or a very short term Treat out here and here's the real kicker in the last Friday's move was definitely explosive But I've taken a look at the bear market of 2000 the bear market of 2007 And then what I call the bull market from 09 to 18 and what this shows us these blue boxes Yes, they represent 2% moves or more the next one is 3% moves or more and the next one after that We have one day rates of change of 4% or more what you'll see is that the is that in bear markets? We hit the 2% moves or more are predominant out there Yes, you know 7 it was about over 10% Oh, yeah during bull markets It's where you get the fewest number of large moves out there And if we take a look last Friday during the 2022 session so far 208 sessions This is seen 21 trading days with moves greater than 2% It's all signatures of bear market rallies out there So I do believe that the answer to the question was this is more of a trick than it is a treat You know, it's amazing about that thou chart you brought up there too 2018 a December of 2018 I think the S&P went down like 350 400 because I remember sitting here doing the program going at the Christmas Eve saying wow, man I am very Christmas, man Listen folks get over to our website at TFNM hit mastering probability you are off to the races Steve You have a great one safe one. We look forward to show tomorrow. Thank you


Hi everyone. Happy Saturday. Joe for Jaspy's casebreaks.com coming at you with a full five box case of 1819 Panini Immaculate basketball five box random team break number four apparently We can oh, I thought it meant Luca logo. I thought Luca logo man. It's must have been pulled already But you can pull Luca and or logo man's Cases here. Yes 30 spots ball betray young's in this class, of course a lot of great I love Immaculate a lot of great stuff here big. Thanks all of these folks for getting into the action Congrats to people who won their spots and thanks to people who bought their spots straight up. We appreciate that All 30 teams are in remember. This is 18 at 19 version. Let's roll it. Let's randomize it four and a one of five times for each list one two three Four and a one fifth and final time after five We've got Brandon H all the way down to Eric s All right four and a one five times for the teams one two three Four good luck and a one fifth and final time after five times. We've got the Miami heat down to the Rockets All right So Brandon H with the heat Rory with the Hornets J with the Celtics Scott with the pistons J1 with the Piston sorry Scott has the magic Ken with the Grizzlies Portland Trailblazers for Ken Charles with the Kings or and with the Suns Ken with the Sixers Marcel with the Nets Bradley with the Pelicans Russell with the Spurs Seth with the Wizards Ryan H with the Thunder Adam with the Nuggets Conrad with the Bucks Stephen You got my Lakers Aaron with the Cavs jazz for Patrick Ryan with the Hawks Jeremy S With the Dallas Mavericks and Ryan with the Hawks Two big teams right next to each other right here Tony with the T-Wills Ryan H with the Warriors Bradley with the Raptors Ken with the Clippers Eric with the Bulls Jacob with the Knicks Aaron with the Pacers and Eric's and Salah with the Houston Rockettes Rockets Rockets red glare, let's alphabetized by a team And I'm gonna pause the video allow for a little bit of trading time and I'll drop the checklist for those of you Watching live when we come back. We'll see if there's any trades and then we'll have the break be right back All right, welcome back folks No trades But there's the official printout right there on a Saturday Saturday 11. Thanks for hanging with us folks. Appreciate it There's the case for digger out the right case 1819 immaculate bass come on I just made sure three four five Good luck everybody doing all five boxes See these boxes Yeah, there's no there's no issue like those noir boxes, but I'm sure they'll correct that next year for panini noir All right, first box of panini immaculate. Good luck everybody We use that blank car to slow play the hits a little bit 17 out of 25 de junta Murray. All right, that will be for The spurs that'll be for Russ Russell with that one. We got The two gray and gray and black two colors 85 out of 99 Kevin Huter Hawks Ryan S 45 out of 99 Gary Trent, Jr. Remarkable relic for the trailblazers Ken. We've got Derek Fisher heralded signatures 21 out of 99 He's got my Lakers that'll be for Steven P with the lake show. We've got Nate McMillan 18 out of 25 for the supersonic supersonic stuff, of course goes to the okc thunder Ryan H Yeah, that's right fish for three was a point four seconds against the spurs That's a fast release. I'm got a Lonzo tree or 19 out of 25 three color patch and autograph Next up 32 out of 99 James Harden rockets It'll be for Eric marked myself, but that's sharp ears. I think I didn't Losing my mind 33 out of 99. We got Taj Gibson It almost looks like Taj Gibson lost a finger there.  Looks like he maybe he's about to like whistle That'll be for Tony 99 out of 99 Dirk Nowitzki Dallas Mavericks that'll be for Jeremy and searching for Someone else here All right, we got Arvitas subbonus trailblazers 15 out of 49 Ken with the trailblazers and there's Omari Spellman introductions autograph 43 out of 99 Yeah, I remember Jerry Stackhouse Omari Spellman Hawks Ryan 90s ruled, huh? I don't know. I don't I don't know if I like those 92 to 84 score lines though. Oh Dual on-card autograph Paul Pierce and Antoine Walker For my rivals the Celtics 18 out of 49 Jay young with Boston. Nice Yeah Roy, that's it. This is a cool card Too bad to Celtics. I'm happy for Jay young though. He gets a nice hit. There you go. Nice. All right next box There's 14 out of 25 Andrew Wiggins Wigan out for Tony in the T-Wolves Danicelle 85 out of 99 nuggets Adam Cupperman with nuggets Please have that old nuggets logo on the back. Yes. I love this guy. Look at that guy. What's he doing? What's he doing? It's got a pickaxe and it looks like an old like ABA basketball or something like that I don't know. I guess they were like that, but They got to bring this guy back. Where is this guy? Why are why have they not brought this guy back? Does he have a name? He must have a name. Nice colors in there Stephen Adams three out of 25. I Don't know Turk. No idea D Turks like have they not brought that spectacular logo back. I don't know You know, okay. See he's trying to get all fancy with this. Let's let's take it back To this not even a throwback jersey something you should bring that Steelers guy back to 64 out of 99 we need more of that Cleveland Browns elf to bring that back Jacob Evans Introductions autograph for the Warriors that'll be for Ryan H. Well wrinkly on the Penny sleeve there, but there you go There's artist Gilmore three out of 49 bowls.  All right in the last one here. Whoo, Reggie Miller 18 out of 25 great auto reg all-time greats Aaron with the Pacers. I like Reggie Miller Popular family in LA the Miller family. Yeah, that's what I thought it was. That's what I said I was like, is he holding an ABA ball? Yeah maxi, huh? Well, I don't know who do who do we talk to it like the marketing or branding department at in Denver Isn't that a cronky old owned team? I mean, okay, look at this All right Listen, that's not a bad logo at all You know That's not a bad logo at all. It's modern. It's classy. It looks like it's a it's a nice badge It's a good shield could be on a coat of arms. I get that But imagine that Imagine imagine that logo on on the bottom of Nikola. Yo yo kitch's shorts right there just saying 82 out of 99 Stephen Adams. I mean as far as logos go the Nuggets logo not bad There's Jared Allen 95 out of 99 nets that'll be Marcel with the Brooklyn Nets The top loaders Reload we got Nemanja Yelitza 32 out of 99 for the Kings modern marks Sacramento Sacktown Bay Area and back down Charles s with that one Aaron holiday One out of 99 also popular in LA All the holiday brothers went to UCLA like Reggie more Pacers for Aaron and one more here We've got Wendell Carter, Jr. Mr. Wendell 27 out of 34 three-color jersey and on-card autograph doubles Eric with the Bulls if there was like a If there was like a hoodie, I want like Imagine this a crisp white hoodie, right pullover hoodie Kangaroo pocket right no zip up, but with this guy bang like this big Right on the front of that hoodie right there. I Would I'm a Lakers guy diehard Lakers guy. I would still buy it. I Would buy that and that guy just being like whoa. Oh, man Can we just Can we just do that? Easy easy Mike Bobby Can we just find a high res image? We got to be able to find a high res image of that somewhere I'll just make it myself listen if the nuggets don't want to do it if they just want to sit on that piece of proprietary gold or What is silver maybe in Denver then Then I'll take advantage of it Maybe we'll maybe we'll squeeze like a Jaspie's logo in the corner or something like that Imagine if we got sued by the Denver Nuggets. I think it's a Cronkey team. I Think his wife runs it or his son runs it or is that the abs? All right last box. Good luck There's Thomas Bryant for the Wizards 86 out of 99 to Seth Absolutely Richard. I definitely want or orange rainbow sherbet after this Looking at the box. It's a delicious one Jaren Jackson jr. Where's the nearest ride aid? Where is it? Oh, yeah, it's just down That's the one next to the Denny's right The one next to the Denny's Did they stab ice cream there? The thrifty ice cream thrifty rainbow sherbet. There's Jaren Jackson in here Living one hand to Ryan saying there's literally nothing on the bay with maxi on it. Oh Yeah, it's time for us to I might not put that on the on the on the sweater 97 out of 99 we've got Trey young Ryan s Looking for the Trey young maybe a bit of his autograph We've got Calvin almost at Calvin Harris. That's not Calvin Harris. That's Calvin Murphy 42 out of 49 Harold and signatures Calvin Harris does not play. Well, I don't know Calvin Harris might play hoops that I do not know. I won't make assumptions Calvin Murphy, I know for sure could whoo You can definitely who that's Rockets Eric with the old-school rocket and we've got Rick Fox Champion Rick Fox 22 out of 25 And Rick Fox does some does some TV work for the Lakers Network here in LA every once in a while All right, and last one is Whoa, whoa 32 out of 49 moments autograph Trey young one shining moment for Ryan s who got randomized the Atlanta Hawks There you go.  There you go. No randomizers. No nothing Oh, man, look out for maxi the minor hoodies Well, we'll just we'll just do some some rogue hoodies There you go.  There you have it boys and girls Joe for jazzy's case breaks calm another great break in the books. We'll see you next time for the next one. Bye. Bye