Good afternoon. I'm going to give probably quite a different, quite a different perspective on the European experience than what we just heard from Julian. I should probably give a little bit of personal history before I start because I did all my, I did all my third-level education in the UK but the majority of work that I've done is actually in Eastern Europe and in the last two and a half years I've been based in France so I can't really claim to belong to any particular school and what I want to present to you today is not actually particularly data heavy but it's to do with a particular theoretical approach and a particular methodology within that approach and what I want to talk to you about is typology which I realise sometimes people say mean things like it's you know it really does have a bad name in the city of the Paleolithic and I can understand why that is because there has been a lot of really bad typology done in the Paleolithic. I have absolutely no disagreement with that perspective and I think where it is acknowledged as having some value it's often just seen as a precursor to applying other approaches but for me personally it has a lot of value as a principal research approach as a principal methodology and I'm hoping in this in this presentation to explain why I believe that. Typology is the study of types. Typology is not anything more or less than that. It's not a it's not a prescriptive way of looking at the archaeological record it's just a concentration on types of when we're talking about lithic typology it's the study of lithic tool types generally speaking and they can tell us an awful lot. I don't think that lithic types are worth studying for their own sake they're only worth studying because we have certain research questions that they can help us to answer and the research question that I'm most interested in in my own work is to do with how we build and rebuild revise and criticise our chronic cultural framework so the cultural taxonomy that we use in the apocalyptic that the units that we use to describe and analyse the archaeological record and this is a really important task I think for archaeologists it's a really interesting thing to study and lithic typology gives us a really useful way to do quite a lot of this work. Some people talk about technotipology this is a word that as far as I know comes directly from the french uh technotipology and I suppose the increasing use of that word of that word is to emphasise the incorporation of technological information into our typological definitions and descriptions. Me personally I'm just going to talk about typology in this talk because you know to me it's to me it's the same thing to me typology is always incorporated technological information so I don't really think there's a very strong distinction to be made there. The theoretical underpinnings that I use in my work are as follows number one all assemblages are similar number two all assemblages are different and I'm not just trying to be funny here I think I think it's it's kind of important because if you compare any two assemblages from the apocalyptic you can find similarities between and you can also find differences and that's important because if you're interested in looking at similarities and differences within the archaeological record and to try and find some structure in that record so I try and find some patterning in that record you need to have a little bit of context for what these similarities and differences mean and for me if you're studying the european apocalyptic and mesolithic you need to consider the entire the entirety of that record as your context and so if you're looking for meaningful similarities if you're looking for the similarities that actually tell you something about cultural similarities in the past there are two criteria that they that those similarities need to fulfil first of all they should be restricted in space and time and secondly they should be coherent and space and time and what I mean by that is that certain types we know occur over and over again in the apocalyptic record if you just take for example burans as a general category they the the presence or absence of of burans does not tell you very much about how similar two assemblages are in the apocalyptic so what we are really interested in that is the features that are restricted and so this this goes straight away to the study of types we're looking for types that are restricted in the archaeological record so for example vector pfk book appearance on the other hand are restricted their their shared presence in numerous sites you know probably tells us something about salience similarities between those sites but we're also interested in geographically and temporally coherent features and the reason for that is that we are looking for similarities that are the process the product of social processes the product of cultural transmission between groups either through time or through space so what we want is groups of us groups of assemblages that share a certain feature if you find the same feature in two groups of sites with three groups of sites that are very distant either in time or in space we're probably looking at the product of convergence now all of that I think is pretty I think it's pretty safe I think that's all pretty well accepted I hope what I've said but this then this then is the I suppose the background that I'm using to come back to lithic typology so for me there are three stages to doing lithic typology to studying these types in the archaeological record first of all you want to identify the types that fulfill those criteria that I just talked about then you want to try and work out a definition of those types that is clear and I mean extremely clear but also minimal so that it does enough work to define that type to do the work that you wanted to do to find similarities in the archaeological record and no more and then third you want to describe those types you want to consider the variation that you find within them and obviously there's a little bit of back and forth that you can get between definition and description because as you find more as you find more lithics that conform to your definition you might find that the variation is not quite as originally seemed you can go back to it now the definitions of types can include morphological dimensional and technological information so that's the information about the lithics themselves but they can also include temporal and geographical information so what I mean by that is that this is to get around that problem of convergence that I talked about before so if you have two groups of lithics that you think are not actually connected culturally but which in fact can be described using exactly the same definition you want to include temporal and geographical information in order to separate them in the archaeological record why lithic typology because it facilitates large scale comparisons so I work in central and eastern Europe mainly and there's an awful lot of work to be done out there in terms of getting our heads around the taxonomy of the sites the taxonomy of the assemblages um and if I were to go around and try and apply a detailed technological analysis to every single one of those sites I would never finish my PhD so this is I think the real power of lithic typology that you can you can start to get a first approximation of this chronocultural framework very quickly I'm also going to assert that there is no a priori reason why it should be less informative than purely technological approaches there are a few other aspects of the type of archaeology that I've mainly worked on that are particularly relevant to why I think typology has been the most appropriate method to use so first of all it allows for work in old collections where often the debitage is nowhere to be seen if it was ever properly excavated and recorded in the first place and also because in many of the regions where I work there are very strong differences in raw material availability that really stymies technological approaches so if you have one site where people are using river cobbles to nap and you have another site you know 50 kilometers away where people are using beautiful nodules of flints to nap it's very difficult to do a fair typological or fair technological comparison of them but typological approaches can still help you to see some of the similarities that are there now I want to give two examples of why of how I think this typological approach helps to build a chronic cultural framework helps to get insights into the archaeological record the first one is to do with these this very recently defined index fossil called elmon beach concave or lake brevet in rectangles it was defined twice in the face of one year in two different articles and these these artifacts are found at sites across central eastern europe dating to sort of the middle of the middle papalolithic and they're a very very distinctive um a very very distinctive group of artifacts um very rectangular backed bladelets with inverse retouch to both ends um either rectangular or rounded ends and mostly quite small and these have been described at numerous different sites now and also so if I look at um some of the work that other people have done some of the work that I've done and then also just go by going through the literature you can see that the distribution of these sites looks probably something like this although there's you know quite a fair bit of checking that needs to be done for a certain person one certain of the sites why is this interesting why why does this matter because if you know anything about um the study of gravetian archaeology in central eastern europe you'll know that shoulder points have long been recognized as being found only in central eastern europe at this time period um this is a really you know well understood well studied um group of artifacts that have a very distinctive distribution but because it looks like the uh lake gravetian rectangles are slightly older in many cases than the shoulder points it suggests that this separation that you get between western europe on the one hand and central and eastern europe on the other hand actually existed before these shoulder points appeared um so for me who's interested in building up a framework of the the epipaleolithic across europe this is you know this is interesting this is important the second example that I want to give you is to do with um and the slovka points which are which last well known this is the artifact type these are quite a bit later than the artifacts I was talking about before their backed points that are surprisingly specific in in them their technology despite I mean you can you can define them quite quite simply but they are very restricted in in space and time they look a lot like fade them as a point some people have described them in fact as fade them as points or as a zillion points but they're they're much earlier and they're from a different uh region and so I think this is where the the distinction I was talking about before about the importance of bringing in geographical and temporal information really comes into play um they're really cute often the blanks are reversed sometimes they use like a hinge fracture as the base they're really nice um and they're found in a much smaller area than the than the rectangles or the shoulder points I was just talking about and so what you can see here looking at the results of this type of this um typological study is perhaps the beginnings of um a picture of fragmentation around the lake uh around the last station maximum this is just you know this is one very small part of the picture in Europe but this is I think perhaps where it's going so typology to me remains an absolutely vital approach I mean people dismiss it very often but I I think it has so much to teach us if we're trying to study the kind of questions that I'm interested in if we're trying to revise the chronocultural framework for Europe which to me urgently um needs doing there are certain things that I think we can improve in the way that we commonly do typology chronological work does remain vital getting decent dates on uneven sites is very important so that we can you know get some uh a strong basis for the comparisons that we're making I think the definitions that we use typologically they think they need to be so clear they need to be so explicit there shouldn't be too much room for interpretation as to whether or not a an artifact belongs to a type or not beyond that we need fuller description we need all sorts of numbers percentages all different ways that we can think of of describing these these types the artifacts themselves the specific artifacts um morphologically and technologically with illustration there are so many different methods that are available to us we need to be taking advantage of all of them and also we just need a lot more data sharing I really I would really like to see a lot more people sharing the actual data that they use to reach their conclusions in their articles and then finally there's all sorts of different things we could be doing with this typological information so not only bringing in the results from technological work but also looking at you know if we if we try to study the same group of sites using personal ornaments using mobility art for example how does that look we're you know where does that get us where does the tension between the results we get from all these different um approaches where does that get us and that's where i'm going to leave it thank you very much


Everybody forced here ripping 20 22 tops museum collection baseball hobby 12 box case number 28 tier random team style let's go ahead and do the random and then We'll rip right now. Good luck y'all loving some museums been a while with museum baseball, too Yeah, nine Run our random get started here Everything nine times one two three four five six seven eight nine Eddie P down to Trevor B. We got nine times on our first tier One two three four five six seven eight nine Padres down to Yankees and the second tier one two three four five six seven eight nine Texas down to Washington. Okay, there you go Eddie with the Padres and Rangers Jake W. Mariners Giants Ed B. Royals pirates will born twins A's Brett E. Phillies raised Jeremy H. Stroh's Guardians rich S. Cardinals Dodgers Benjamin L. Tigers Cubs Robert G. Angels Reds Mark K. Braves Diamondbacks David W. With the white socks and Rockies Peter M. Mets Brewers Trenton with the Jays and Marlins Nick H Red Sox O's and then Trevor with the Yanks and Nationals Alright, alright. We also have Beaumont Chrome University early preview Beaumont Chrome University early preview on Tuesday on Fanatics Live Tuesday only Fanatics Live only Hey Minnesota on the board first Alright foreheads for MasterBox Looking for a framed auto in the case as well. So let's do it. You got to 150 Blue J's Roger Clemens It's a canvas of a cunea and a quad jersey of a Bret Garner to 75 Yankees Okay, this is a jersey card for the raised Johnny Damon raised Damon Three of 50 dual Jersey auto or oldest Chapman for the Yankees Yankees hitting here It's out of 250 and we get a framed auto in the first box He did He did we got a Rendon the 99 Angels Matt Olson Three of five Oakland and the Matt Olson framed auto Sick hit for the A's There we go that guy hit a lot of home runs this year not for the A's though They traded him for half a Pepsi A warm one too Open his flat it was open like day and a half ago. Let's go. Let's go Pablo Pray with the RBI double Get him on the board That's the guy that knows what it takes to win Got triple relic auto Ryan Mountcastle Orioles The 399 oh come on Pablo come on Torque rookie on the copper Blue J's on the Vladdie jr. To 25 superstar showpieces autograph So we got flawless tonight. We got the mixer tonight Those are the last spots to get us to our full sellout promo. It's a Royce There he is Royce. Come on Royce And a artist-proof canvas of Hank Aaron for the Braves Guys got a niner side. I'm guessing every guy's everyone's picking niners. I would assume Rendon to 50 angels Jersey Ben and 10 D Royals out of 50 That's a bloody Lost weight. I know he's got a gold glove at first base So Quad relic pete Alonso to 25 for the Mets What's up Noah? Come on Pablo Guy throws five pitches Canvas of Miguel Cabrera for the Tigers and quad jersey Chris Taylor Dodgers is 75 Best baseball stadium to visit Fenway, let's say Non-Fenway The Trob Tropicana field for sure Yeah, good luck with that new stadium number to 150 Yvonne Rodriguez for the Marlins The new stadium will be sick But the problem is it's still in st. Petersburg. It's so bad Clemente canvas Dual Jersey auto are all this Chapman Yankees the 50 Never in a PNC, but I hear a PNC people will say a lot Petco in San Diego Um, I feel like uh I feel like that'd be a dope, but no one's on the water, right? Rigby is really cool. I'll say regularly. Yeah. Yeah patch car JD Martinez the 35 or the red socks That is Petco. Is it that one's supposed to be Petco in San Diego here's dope Dodder stadium. I'm sure it's freaking awesome. I would love to go to Dodder stadium When Cortez and I went to LA last May all I wanted to do was go to Dodder stadium No, we were there for like we were there for like 18 hours And it's stunk. They weren't even in town, but I was like, dude I just want to go up there. They probably have like tours during the day like I would have done that for sure Cowboys and Niners, I guess the Niners. I know I like to see the Cowboys win Yeah, Dodder stadium is still the biggest capacity in in in the league by far And it was built like 60 years ago Canvas, jazz, chiseled marlins dual relic auto for the Cubs is Derek Lee Number three ninety nine the list is back. Yeah, the trash list is back It's back Fenway is super cool though, man. God. I love Fenway It might be biased, but dude, it's Fenway so it's Game day fit. Yeah, dude walking down Jersey street sausages and bars and everybody's for the Expos Short of the Nats and a redemption Got an archive a lot of graph of Gaylord Perry for the Giants um He recently passed I wonder what they have instead or if they they may have the card. I don't know That was fairly recent right this is 2022. They may have it. I don't know But he did pass away recipes Gaylord Perry Giants legend I mean if so if they do have that that'd be one of his one of his final autographs on a card I would think Team oblin in seattle Oh, you know what I haven't seen yet, but I hear cores cores in Colorado in Denver I hear going there and going to the roof and just Getting the view of like the mountains and everything is pretty fire Jersey card is gonna be to share a Yankees the 50. Let's go Nick. Good luck. Yeah. Good luck, Nick Let's go Good night to do it. Yeah, man. Got our full sellout promo going if we fully sell out everything.  I feel like Camden yards would be kind of cool to go to Yeah, the Wander rookie to 150 raise They like the warehouse back there.  I can could be could be bronze. I could be totally wrong on those jersey to 50 Is no luck for the Phillies We work this in forever. So Let's get some breaks filled guys last two flawless football and the Sunday funny mixer canvas of the hawk Dawson dual relic auto tech red Sox 21 of 100 on the tech dual relic auto Let's go twins purple rookie Alec Thomas the 99 diamond backs J rod Archive a lot of graph one Marishal the 50 for the Giants Giants having a nice break here relics got the Marishal got the Gaylord Perry Sox are hitting Sox do be hitting Got socks and O's you're having a pretty good break too, Nick You got socks and O's you're having a solid break Oh Doreen just grabbed six spots on the Sunday fun day mixer Holy you know what 18 to go on that But a minute since I seen Doreen's name welcome back Doreen. You'll have to talk to Hallie No Richard and I thought it was funny um I think usually one at a time right now drew um, however with the shipping it's Like five dollars at first and then every spot on the same show after is like 50 cents Does that make sense because we ship it they they don't make us but it's basically like we ship it by like show But typically if you buy a bunch of spots in one like stream Then we will ship those together Because that's kind of how they structured it Not not not my favorite thing they've done But uh quad relic is munty turner bets and bellinger to 75 For for sure Sunday fun if flex that thing's gone. Let's go. Let's go twins Farmer with the two-run shot This guy looks scared I'm gonna give him a home run to a farmer rookie red Elliott Ramosa 50 for the Giants Canvas of Jeter for the Yankees patch card rookie jaren duran the 35 red socks Oh Niners game was already on I think I have him in my dynasty starting. I hope I haven't starting Actually with bio weeks, I think I had to start like everybody dude. I had to start like Robert Woods this week Yeah, I had bio weeks for for days And seguan was out too. So like I'm just Start anybody especially my dynasty league We start like three receivers and like three flexes and two running backs like we start God knows how many people really. Yeah, it gets really tough on by weeks There's another tech for the red socks Dual relic autograph to 50 this time Yeah, drew what we got some on the um We got some on the uh the site if you want to check there Mike trout 88 of 125 our coddle archival autograph. Excuse me our coddle. I don't know what that means archival auto angels Awesome a trout we're gonna mag that I don't want to see that There you go angels 88 of 125 on the trout Yeah, but drew it's five. It's like 4.95 for the first order on a show and then it's like 50 cents for every additional order on the show What's up mark halla Yeah, pretty very good such a good team around them too. The miners are good I think right now I'd have them as my super old favorite like I don't Great o-line Really good defense. It's a bobby wit rookie Our quad relic here is walsh to 75 for the angels Perti's good. Their supporting cast is great Best running back in the league probably one of the best tight ends in the league Uh debos a great receiver. Iuk is very good But mainly dude. It's the offensive line of defense. That's what that's what's that's everything up for them pretty good decision maker Makes right decisions, man. Got diverse canvas red socks with a patch card to 35. Andrew jones Braves There is no one in the nfc except the eagles I would say yeah nine niners eagles Cowboys are good, but I guess we'll we'll see. Uh, we'll see how they play tonight against I I Pretty tough to argue into niners being best team in the nfc right now You got the bucks they're great Got the line all the line the lines are good the lines are good I'd say the lines are really good But I don't know if until they play and be at a team like the like the eagles or the niners I don't know four or five patch auto carrot cole yankees I guess I guess you'd have lions behind. I mean lions are probably up there with the eagles right now eagles don't look Amazing they look really good, but I don't know like the defense I it feels like It's not as good as it was still really good. They can go get a sack Good good d line I guess we'll see maybe I'm wrong to 150 griffy for the mariners. Maybe I'm wrong Archival auto rookie mat manning tigers at two ninety nine Yeah, zim that's that is correct. I'm 100 that is correct on museum Super nice cards. I wonder what's gonna come out this year This time last year we'd already had it so I wonder what they're I wonder if like revamping it or something I don't know because a lot of other stuff has come out on time this year for baseball, but Museum normally is like a late summer release normally I don't see what cowboys got canvas trout Quad jersey to 75 contraris cubs You ever get an offer on ebay card and you counter and then they they counter back with this their original offer. Yeah I'm just like I don't Oh, yeah, yeah What I don't even know I'm not even gonna decline. I'm just wanted to say I'm just not gonna accept. I'm just not gonna decline it Like and it's just it's just a low offer like Patch card to 10 is astros lance mccullars I'll trade all the patriots quarterbacks with that price card right now He would get destroyed though. Any qb is getting erect in new england right now So 99 if on rodriguez marlins tour would be a retirement right now if he was the Patriots quarterback Tor crookie hunter green dual jersey auto joe mower twins Joel mower Yeah, it's kind of where i'm at hobs unless it's like a totally fair like reasonable, you know like close Like I try to be like really close to what I would think the card is actually worth like i'm not gonna intentionally go low you know what I mean like But hey, that's ebay, right to 125 is jamito fillies archival order And if you'll message i'm like yeah, i'm on instagram, so let's uh Let's save us both some money it might be but the giants at least have a better supporting cast But giants have better receivers and like I know Um, barkley was out today, but he's on the field. He's you know a top three running back in the league I feel bad for sake one That dude took a one-year 11 million dollar deal to be on this football team And like jonathan taylor's holdout worked just three days to 150 is bryce harper fillies not not to mention He's been on that team since he was drafted Quadra like the 25 mark reguire for the cardinals And he only made the playoffs last year because of him Like it was only because of him anyway Got a patch card at 25 rizzo for the yankees Yeah, drew whoever the pager's quarterback is gonna get hurt. It's not good So during this is forest by the way Duel relic got a lau for the raise That's at a 399 Yeah, matt left latent sports cards actually Yeah, whole offense doesn't need a redo phone I can safely say that patriots defense is respectable But uh But it doesn't even matter because the offense doesn't move the ball to 99 is posy for the giants I don't even know if it's like that like the defense is respectable anymore with no jude on it christian canzales Jonathan india plus i'm sure a lot of those guys the other side of the ball probably don't have the best attitude right now Oh, yeah, they're probably uh Not having a great time. So You know, they're not Towards you know, some of the end of the game is like i'm not trying to get hurt They all out got solar auto to 150 for the braves It has been a while durian. Have you been yeah hunter henry solid, but again, I don't matter Doesn't matter Vaughn so what uh, what kind what like variation of the kaleb williams jersey you're gonna get thinking about getting the uh The uh, the white one like the white Or if they offer like a throwback, I might do that Dude, yes drew that's what i'm saying get malik cunningham up there Get someone that can at least move Very busy very well, that's I think that's how we've been too. I would say that we've been very busy and very well Got snot rookie, but i'm glad to hear it Quad jersey to 99 bregman for the astros All right to 150 johnny bench ridz Jersey card posie giants to 50 giants about a really good break. Keep saying it man second to your team. Have a good one triple jersey auto tampa bay austin meadows Over at 87 of 199 Yeah, kaleb williams the first round then first pick of the second round we take like Uh, who's the florida state receiver? Let's go get that guy keon colman, right? I think so. Is it keon? it's colman it's a keon Yeah, kyle's listening for sure hammer and hank on the canvas for atlanta and that is awesome orioles will clark superstar show pieces auto 225 will the thrill as an orial?  Yeah, i'm gonna go back to usc You mean leave southern california for the cold new england winter on a rebuilding team? Yeah He's like i'm good. I got a little bit n il money. Oh, yeah. Yeah, the paths will be this bad again.  Don't worry We're gonna get uh, we're gonna get mcvay somehow. I don't know your dawn auto 125 for the astros You go stroze quad relic teosca hernanus a 99 blue jays Oh cowboys got three now. Look at that. I mean, we know the cowboy deep end is good. We know that They also don't have digs anymore though. That's tough. It's not good It's a 99 uh, teddy ball game red sox Patch card yankees is joey gallo to 25 yankee legend right there Joey gallo He's so healthy because he's got an offensive line in front of him now And they don't use him like 35 times a game The great old line You don't have to give the running back all the touches because he can still Do crazy things just with a few dual auto or dual jersey auto kepler twins The 399 I don't want that shane. I want mac canada Or better, better office burger. No I know dude The I mean the shane is trash though. That's why he's always on the list Canvas vlad expos go to the gnats and adodgers are carve a lot of grafts to 125 is muncie each year out of 99 mariners dual jersey is vlad and springer to 50 blue jays And quad relic null and r and otter to 75 cardinals. So that was two hit mini box We'll probably have a mini box without a hit Usually that's how it works if we'll average out. Maybe it'll be a bonus. Maybe Usually it averages out Harper canvas fillies with a rookie jersey for the red sox jaren diranda 50 No, shane stop that shane. Come on Pats are getting mcdaniel as their next head coach Pats are getting uh might mcdaniel as their next head coach for sure Rookie hunter green for the reds Rookie dual jersey auto mj melendez for the royals out of 149 Yeah, the patreons and dolphins are gonna be a trade. It's gonna be a chan hill waddle into a mcdaniel for For a tj max gift card It's a good one though. It's like it's like 200 bucks. You can get like 50 candles at tj max for that much money Yeah, they're like, okay, it's better than it's better than what you said Cal Raleigh rookie for the Mariners and the copper there Raiders head coach, right? I don't want josh mcdaniel's either Archival auto to 125 is gary sheffield as a Yankee He gave me my offensive coordinator. I'll take mcdaniel's as offensive coordinator, but Absolutely not as a head coach. I've seen enough as him as a head coach But but but mac jones by far his best stats worth mcdaniel's That guy won a lot of surfaces off his coordinator. All right recap here all the hits All the hits guys we got two breaks left to get this full sellout promo going We got two breaks two Got sunday fun day football 30 boxer and we've got flawless football case random team style. Let's go guys. Let's go. Let's go. Let's go. Let's go. Let's go 19 on flawless 15 on sunday fun day That means nine spots have come in for the mixer during this break And four spots have come in for flawless during this break. Yeah. Yeah. Yeah We are at uh About 34 spots to get to our full sellout promo All right relics of vlad and springer duran quad dodgers nola jd martinez quad giants That was a um Sorry, that was a teshara jd martinez chris taylor pete lanzo a ben intendee daemon for the rays Gardner jaren duran nolan aeronado joey gallo teosca hernandez is a j buster posie braggman rizzo McGuire That is mccullers contraris andrew jones and jara walsh That pretty solid nick. You did pretty good. I'd say all right autos of chef mj melendez monsi kepler. You're done That's will clark as an aureal Yes, will clark as an aureal. I said that right austin meadows. Jorge Solaire as a brave brandon lau realm uto mower Matt manning garret coal to five nice hit yankees Veritech to 50 marishald of 50 veritech to 100 on that one Derek lee or all the shatman ryan mountcastle vladdy On card to 25 jays of the nice one Or all the shatman gaylord parry giant's redemption again. He passed away You know fairly recently they may have that this for 2022. If not, they may have Something else for you, but I hope that's live. That would be one of his final autographs on a card So yeah, if you're interested to see what happens with the gaylord parry redemption for the giants there We got a trout to 125 auto for the uh Angels then we had framed auto it's a five olsen for the a's And that guy's good. Who would ever trade that guy? That'll do it moving on to some football. Thanks everybody


Hi everyone, Joe for jaspeaskacebrakes.com doing a 2017 Donner's Optic Basketball Football Fat Pack Random Team Break number 12 with six football mixer spots being given away. I think we're awfully close to breaking that to filling that football mixer. So take a look at the mini breaks that are remaining on the website jaspeaskacebrakes.com. Big thanks to these folks for getting into it and good luck. Remember we're gonna re-randomize your names at the end of the break. All 32 teams are in. At the end of the break but let's do the break itself first. Nine times for the names and teams. Eight and nine. So it's for the break itself Jason down to Jeremy. I think I lost a Jeremy there. A Jeremy after Justin. There we go. And then four and a five, nine times for the teams and ninth and final time. After nine times we've got the Baltimore Ravens down to the Nolans Saints. Ravens down to Saints and here's how the list shakes out. Alright so there's the first half of the group right here. Remember this is 2017 Donner's Optic Football so we're the chiefs. We're basically Mahomes hunting right? There it is. Zach Paul with the chiefs. One rookie Mahomes. That's all we need. Of course there are the the mixer opportunities as well. Alright any offers for the Raiders? Matt's got the Oakland Raiders up for trade. Otherwise we're gonna go. Give it another 15-20 seconds or so. Alright looks like no. Sorry Matt. Trade window closed. TWC. Let's print and rip. We've got a Martian Latimorm. That sort of line green parallel there.  Nothing terribly significant there but this card will go to the Saints. Jeremy Agno. Now obviously the whole point of this is to see who's gonna win those six mixer spots. I said six right? Yes six mixer spots. So let's grab everyone from Adam down to Adam and then six names on top after four. One and a three. Good luck everybody. Four times. Big thanks to everyone else for giving this a shot. Here are the six right here. Asa Asa Adam. Mike Adam and Greg. Two different Asas here. Asa Roe Barr and Anesa Luke. One of the chances of that. Alright there you go. There's the top six. Thanks everyone and congrats to the top six again. I'm Joe. I'll see you next time for the next one. Bye bye.


Here's what God will never approve, and it's actually good that He doesn't. When Jesus called the rich young ruler, He told them to sell all He had. When the Lord called the disciples, He told them to pick up their cross. When Jesus invited someone to follow Him, He demanded that they forsake all for His name's sake. Abraham left his home, Elisha burned the plow, Jesus sweat drops of blood in the garden, praying, nevertheless, not my will, but your will be done. When we follow Jesus, God will not approve our plans in the place of His will. It's not about our dreams and ambitions, our hopes and cravings. When we commit to follow Jesus, it's all or nothing.


Okay, this is James P. Madonna of Megalight 21 and progressive discussions the internet talk show giving a shout out to Mr. Kent Dyson, McVon Raven, the creator Mario Petrus, my near and dear friend in San Diego, California to Natalia Rodriguez, Anthony Laura, alright this is the first no storm of 2018 happy new year 2018 we had an estimated I guess eight inches it was supposed to be eight to twelve inches but anyway you can hear the plow trucks going in the background all right and the wind unfortunately is very high up to 40 miles an hour a lot of wind blowing the snow around a lot of with shifting of the snow snow drifts that's that's the term I was looking for snow drifts it's really bad it's a nor'easter snowstorm here in New Jersey northeast in New Jersey okay and there's my trusty dollar store from the Dollar Tree bamboo wind chimes chime in away it's a great weather for for a good stiff drink and thank God I have plenty of bottles of hooch all right in the house hooch in the house actually I have extra eggnog too from the holiday season and it's mighty cold out here as you could see I'm waiting for the plow trucks to come by from for this town I'm waiting I'm waiting for our landscaper to come by with the snowblowers don't see him yet not good oh they come better late than ever that's it I'm freezing man I'm freezing


Hi, everybody, Joe for Jaspy's casebreaks.com, coming at you with a quick little jumbo pack break, 2020 Bowman Baseball, and the chance to win the Yankees in hobby number, so this is pack break number 12 to fill hobby number 11, which is already sold out, so that'll be coming up in a separate video. At the end of the break, just as always, we'll re-randomize everybody's names, and the name on top will get the Yankee, second name will get the A's, third name with the Mets, or Dodgers and fourth name with the Mets, but first we're gonna do the break first, first. Big thanks to all of these folks for getting into the action, really appreciate it. There are the teams right there. Let's roll it, let's randomize it. Five and a six, 11 times for each list. This is just for the break, the pack break. Two and 11 the final time. After 11, there's five and a six, 11 times. We've got Ryan down to Brian, Brian and Ryan. Five and a six, 11 times for the teams. One, two, three, four, five, six. Good luck, 11 the final time. After 11 times, we've got the Diamondbacks all the way down to the Miami Marlins. Remember, as usual, let's go for all 2020 Bowman breaks. The only paper that ships will be Jason Dominguez, of course, Yankees, Robert Possen, A's and Bobby Whit Jr. Royals. All of the paper does not ship and ends up being sold and donated to some charities right here in LA. All right, so there's the first group right here for the one pack break. And there's the second half of the list right there. So Ryan Shackleton, Yankees, still could be a Jason Dominguez in that one pack. Ryan Shackleton with the Royals right here and who has the A's? Tom Kensington, maybe A's, Robert Possen possibilities. All right, actually I'm gonna alphabetize by team here. We're gonna print and rip the right buttons here. Gabe, what's going on? All right, and I found the pack right there for random team 12 that I had marked the last time we did one of these jumbo pack breaks. All right, so there's the final list right here. The hobby case coming up. Lazardo, CJ Abrams and look at that. Bowman Scouts top 100, Jason Dominguez, Yankees, Ryan Shackleton. How much of a spot, does this cover, does this Jason Dominguez cover the spot? I don't know, I feel like his, maybe not, but probably a good chunk of it. I don't know, prices could have changed wildly. It could have spiked up again. All right, no autos or anything like that. No, it does not look like it. All right, there you go, but got a Dominguez out of there, which is pretty cool. So let's flip back to this list right here. Now let's see who's gonna end up in the mixer. So let's grab Ryan's name down to Tom's name and everybody in between. Not mixer spots, teams and losing my mind. All right, so it's once again, top four. So top four, we'll get teams in the next break. Let's roll it, let's randomize it. Six times three and three, six the hard way. Good luck. One, two, three, four, five, and sixth and final time. After six times, thanks everyone for giving this a shot. It's gonna be Zach, Tom, Ryan and Ryan. Let's match you up with some teams right there. Boom, there it is. So Ryan, congrats to you. You get the Yankees, Ryan D, Ryan S, you get the A's. Tom with my Dodgers and Zach with the Mets. So there you have it. Thanks and thanks everyone else for giving this a shot. Really appreciate it. We'll see you next time, jaspyscasebreaks.com.


Thanks for checking out this show review video. So this is for the Stephen King book adaptation TV show that's on HBO currently. It's a 2020 release because it's just come out, the Outsider. Now I'm going to say up front a few things, one, there will be no spoilers for this review since it's such a new show and I would encourage people to watch it. So this, I do want to be able to talk about it kind of in a way that doesn't give spoilers out and so you can watch this but then go watch the show or you can watch the show and then come and watch this because if you've already watched it and you're watching this review there are certain things that you'll understand more as opposed to if you watch it before watching the show. So either way or if you want to you can watch it before and after, why not? So I will, the other thing I'm gonna say off the bat is I did a livestream last night and one of the questions came up of what's your favorite Stephen King adaptation movie? And I was like, you know, I gotta be honest, it's not a movie but having just come off of watching The Outsider, The Outsider might be my favorite adaptation other than The Shining. Obviously I love The Shining but that's kind of a whole other thing because Stephen King hated The Adaptation of The Shining but I happen to love it so The Outsider, unbelievable. So let's talk about this one. Based on a Stephen King book like I just said and the script was done by Richard Price who's written scripts for The Color of Money, Ransom. He wrote some scripts for the show The Wire on HBO and The Night Of, which is also on HBO and I have not seen but I had interest in and I probably will see at some point. So if I do, I'll do a review for it on here. Has Jason Bateman in it who actually directed two of the episodes in this? And that leads me to one of the things. The continuity of directing in this is great because they kept the same look. They kept the same feel throughout it. It's very, very seamless. You wouldn't really know that there were multiple directors for the episodes. It feels like it's one director pretty much and that's awesome. I imagine that's kind of hard to do. Excuse me. So Ben Mendelssohn is kind of the main character in this. He gets the most screen time and they kind of focus most on him but there are a lot of characters in this which is great. So he does an amazing job. I mean, first let me tell you, some of the other stuff he's been in. Captain Marvel, he was Talos and that. The Dark Knight Rises, Rogue One, Ready Player One, and he's a seasoned actor. He's a great actor. He does a really good job. But for some reason for me, I've seen him in a lot but when I saw him in The Outsider, this is by far his best role in my opinion. He did an amazing job on this and I really feel like he should win an Emmy for this one. He was out frigging standing, just the way he chewed scenery, the way he played his role so much, it's emotional. You can tell he was so in that character, amazing. And by and large, the acting in this is very good. I mean, it's HBO, so you would assume that would be the case. But you never know for sure, but this is great. I had a strong theory initially in this film, but that theory actually was out the window very early on. If people want to know what my theory was, if you've already seen the show, you can put a comment down here and I'll give it to you. I don't want to give it in the video because it might. It gives a little bit away of something that shows up actually in the first episode. So it's not deep into the show, but I don't want to say it, but if you want to know. But I was wrong. My theory was totally wrong. It was one of those like, you see something and that's your initial idea, like, maybe it's this, but no. It has a very dark and brooding atmosphere and I think part of that's helped with the music, obviously, because a lot of times music helps with mood significantly. But it's also helped with the kind of dampening of colors in it. There's a lot of desaturation of color in the film. And that's something that's done a lot in horror films now and actually just in film in general now, but it's particularly effective here. There's also a lot of slow moving camera shots, which I started to notice. Which sometimes I really get annoyed with a lot of camera movement like that. But it seemed to really work in this one. I don't know what it is. That also kind of helped to add to the atmosphere, add to the mystery feel of it. I don't know why, but it just did and I like that. The show runs on uncertainty and distrust for the audience. It's very much hard to know who's kind of telling the truth, who's not. How much is this person's perspective versus this person's perspective? Who has the best information? Who has all the information? Actually, no one has all the information at any time in this. And that's one of the great things about it is there's a lot of gray area with it. So you are conflicted. You don't really know what to do. There is this feeling of constant uncertainty, at least until the end. Towards the end of the last bunch of episodes, you pretty much know where we're going and how you should be thinking about things. But very early on for maybe the first half of the show, half of the full season, you're kind of uncertain. You're just like, do I trust this person? Do I trust this person? Is this person right? Is this person wrong? And it's cool. I like that. It's extremely true crime driven, which is good because true crime is a very big thing right now. I enjoy some true crime stories as well. So it helps kind of get people interested. But it's a good, I won't say too much, but it's kind of a good fusion of true crime and some other stuff. It's Stephen King. Just remember, it's Stephen King. You'll understand. There's a conflict between those who just want to put things to bed and take the easiest path to get there and those who want to do the hard work and get definitive answers. And that's the big thing with Sam Mentelson's character is he's the guy, as you would assume, as the main character who wants to dig deep, who wants to make sure that justice is done and everything is figured out, basically. And it just shows that dichotomy of what is basically real life, where you're always going to get the people who are just like, let's just say this is what happened and we'll call it quits, because I just want to put this to bed and move on versus the people who are like, no, I want to make sure that we're doing the right thing, that we got the right situation laid out, that we know everything involved. So they did a good job of representing that. There's a clear point made in this about how modern medicine focuses only on making sure your physical body works. And they pretty much couldn't care less about your actual mental health. Now, this ad is an actual problem in our society. A lot of people talk about it all the time is that mental health is not given enough attention. And our reality is mental. So if anything, we should be focusing more on that than the actual body aspect of it. Well, I mean, obviously it needs to be a balance actually, but we need to put more emphasis on the mental aspect. And this show makes a very good point with one of their characters of, you know, they just kind of have this attitude of, well, physically I'm fine, physically I'm fine, but mentally they're not. And they are very, very reluctant to kind of deal with those mental issues. And part of it stems from what society says. Society's kind of like, oh, it's all mental, just move ahead. You know, it's so easy just move ahead, but it's not. So it makes a really good point about that. It tackles the stigma of getting help for mental health and the shame that people feel that ties back into the whole societal thing.  It's not manly. I've literally talked to people, guys I know who are in a situation where they would like to go get help for mental health purposes, but they're afraid that if people find out that they're going to be looked at is not a man and a weak individual. So very unfortunate, but this show makes a good point about that as well. It makes a point of ugly citizen reactions to what they hear in the news that isn't necessarily the full story. Obviously this rings very, very true to society. We all know, especially with online culture, how people will see a headline, won't even read an article, will just see a headline and say, based off what I just read, that one sentence, I know everything and I'm just going to barrel ahead and say, this is what happened and you don't actually have the facts. And this show touches on that quite a bit about how society reacts to things, especially in like the newspapers and on TV and stuff like that. Yeah, I mean, obviously that's a huge, huge issue in society because everyone wants to be right. I get it, but there's an issue when people don't want to take the time to get actual facts, but they want to be unbelievably belligerent about what they think they know. And the other thing is it kind of goes back to tie in like with the mental health stuff where people don't want to look weak.  There's a stigma around that. And I personally believe there's a whole lot of strength in admitting that you were wrong about something, apologizing and moving forward and getting the facts. That's what we should be doing as a society. And this show kind of showcases that. The story isn't neat as in it's not clear how you should feel about everything going on because there are many sides presented. This kind of goes back to like what's perspective, what's not perspective, who has all the facts, who doesn't have all the facts, that type of thing. They do a good job of dropping interesting pieces of the whole thing at a good pace. So you could feel at times where it's moving a little bit slow, but I feel like they drop little breadcrumbs of the story at good enough intervals that it makes it feel like it's really, really moving. So even when it becomes very dialogue driven and this person's going here and talking to someone, then they're going here and talking to someone, they're going here and they're just kind of looking at a place. That would seem very boring, but they drop just like the little breadcrumbs of gradually revealing what's going on or going through the steps of getting to revealing what's going on. So it's good. They paste it really well. Has a lot of interesting characters who do feel very real and some of them, actually a good amount of them, actually feel complex. They're not one note characters and a lot of shows they'll just be like, oh, we're going to have extra characters, but everyone's just going to be like very flat, very static. These are dynamic characters and a bunch of them kind of change over time and it's cool. I already said the acting is great. It is the directing and cinematography adds to the creepy intense feel.  That's one of the other things with this show. A lot of the camera angles are interesting. They'll have a lot of shots where they're like looking from like down, but it's not just like looking from down. It's like a little bit tilted too. They do a lot of that type of stuff that visually conveys that things aren't on the up and up. Things aren't straightforward and right in the world. That there's something weird. There's something off and it just looks great too. That's another thing is a lot of times there are shows and movies where they just kind of do a lot of straightforward filmmaking and all the shots are kind of straight on. When you can find interesting shots, interesting angles, that's great and they did it a lot with this show. So it keeps you visually engaged and I love that. The music increases the tense and eerie ambiance considerably in this. They did an awesome job matching the music. Wonderful. Great script writing with this, which I assume is not easy because adapting a book into a screenplay has got to be hard, especially a Stephen King book, which Stephen King books are notoriously long. The good thing about having a show for a Stephen King book is it's not a ton that you have to cut out. Whereas when you're adapting a Stephen King book to a movie, you only have like what maybe an hour and a half, two hours with a show like The Outsider, you have almost 10 hours basically. So you can get a lot more of the story in and not lose much. But the script writing, the screenwriting, Richard Price, I mean, he knocked it out of the park. There's a great point in this about humans always looking back and saying humanity was lacking knowledge in the past. But what about the present? What will we know in the future that we are wrong about now? It brings up this really interesting question that basically people will say, oh, well, we used to think blah, blah, blah as a society, but we're much smarter than that now. What do we think now that in the future, near and far, we're going to look back on and say, man, that was dumb that we thought that. And it brings that point up in the sense of be more open-minded, be more able to accept things you're seeing with your eyes and can really look into and try and figure out versus seeing it with your eyes and dismissing it as, well, it's just a blip in the matrix or it's, this doesn't make any sense. So I'm just going to go with what I know and move on. So the focus on trauma and grief is done in a way to make the point that it just doesn't go away unless you get to the root of it. And even then, there actually may still remain some remnants of it. It's a Stephen King story. Stephen King deals a lot with trauma, a lot with family trauma in particular, and this is no different. Joe Hill, also his son, deals with a lot of trauma, especially family trauma. I'm currently watching the show Lock and Key, which I will be doing a show review on as well, and same type of themes. But I think it works well. If you create a good story around it, it always works well as a nice, you know, kind of groundwork for a story. For a few characters, this speaks to how hard it is to have an open mind and diverge from the thought patterns you're taught. I already just kind of talked about that. I wasn't expecting so many characters to remain involved as long as they were, but it was awesome to have that. So with most of these shows, you get like one main character, and then you might get a few other characters who are along for the ride. This had considerably more characters than you would think, who stick throughout the story. And I wasn't expecting that, but it's cool. It's really cool to feel like you have a much bigger cast because you have more people that you're invested in in the story. And there's more. I feel like that also kind of opens it up to, especially if it's like a 10 episode show in each episodes about an hour, you can fill it with more interesting things because you're getting to know a lot of different characters. The characters are rich in this, and I really love that about it. And there's a lot of them. Anticipation is pretty high, and that leads to many red herring moments where you think something is going to happen, but it doesn't. And this serves very well for the moments that they actually choose to have something happen. That's another thing about building up the tension, making it, you know, so you can't really predict what's going to happen necessarily because there are so many moments in this where you're just on edge because you feel like, oh, there, you know, this is clearly a place where they're going to have something happen, and then it doesn't. And there are a bunch of those, but then littered in there, there are the moments where something does happen. So it keeps you guessing, really. And a lot of movies and shows don't do that anymore. It's very formulaic. You could pretty much tell when something's actually going to happen or not happen. But this one kept it, it kept it fresh. And I really enjoyed that about it. Satisfying ending. Very satisfying. Well, not very, but pretty satisfying ending for this. So many times shows are good throughout, and then they can't deliver on an ending. This one actually did it. A prime example that was on HBO, that couldn't deliver on an ending, but was amazing up until then.  It was terrible. But the outsider, so good throughout, finish is strong. It just makes you want more. It is really, really well done. And I was very pleasantly surprised with it. Like, I thought it had potential to be good based off a trailer I saw. It was even better. It was even better. It was slow at times, but you stayed engaged because it seemed like at any point something could happen or another piece of the puzzle could be revealed, which I kind of already talked about that, about good pacing with dropping the little clues or pieces of the bigger mystery, but also just keeping it tense and keeping you guessing. So this is really good. I mean, ooh, it's hard for a rating. Like, I don't, I have a hard time giving perfect ratings out because five stars is like, oh my God, it's like perfection. And this show, is it perfection? Not necessarily, but I feel like it's so close. So it makes me with five, out of five stars with half stars in play, it puts me between the four and a half and the five. If I could, if I did quarters, I would do 4.75, but I just feel like I got to give it five stars. It is so good. And like I said, it is potentially my favorite Stephen King adaptation. Like I said, I love, love, love, love the shining and that is in a way an adaptation. But if you're going to go to probably more faithful adaptation than outsider would be my favorite King adaptation, it is. I don't know how often I can actually say that about shows. So many times shows disappoint me and movies and this just, it just delivered. I wanted more and they pulled it off beautifully. So do more of this type of stuff, please, whoever, not just HBO, but thanks everyone for checking this out. Please put some comments down there. If you have seen the outsider, what are your thoughts on the outsider? Do you agree with me where the things you didn't like? Let's talk about that. Do me a quick favor, hit that subscribe button. If you haven't already, am I pointing in the right place where the subscribe is? Like right now? I don't know. But if you hit the subscribe, also make sure you hit the notification button because the little bell, because then you'll know whenever I'm putting up videos. But more importantly, you'll know when I'm jumping on for a live stream. And that's the big thing because I'm going to be doing more live streams. And there's more to come about that. I'll put out a video about it. But please pay me back by subscribing. If you've already subscribed, just give me a thumbs up to let me know you're still there. And obviously there's the comments. But thank you very much for taking your time to watch this. I really appreciate it. And until next time, keep it brutal.


WBBM FM Chicago Wrigley's Spear Mint chewing gum the refreshing delicious treat that gives you chewing enjoyment Presents for your listening enjoyment John Lund as Johnny dollar Stanley Mitchell dollar. Oh, how are you mr. Mitchell? I'm fine. Are you employed now? Not this last Tuesday, then you can take an assignment Fast as you can give it to me go to New York and see a mr. Alan Saxon He recently returned from Europe where he purchased a supposedly priceless painting Supplied to our company for insurance on it. You said supposedly priceless is there a doubt? Yeah, a big one several experts have examined the painting claim. It's a forgery Saxon yelled foul all over the place. He paid 200,000 for the article while I do a little yelling myself Oh group of experts are going to give the painting every test there is and if it stands up We're obliged to ensure it and if it doesn't I leave before Saxon comes to a boil. That's about it I'll get right on it. Mr. Mitchell The Makers of Wrigley's spear mint chewing gum bring you John Lund and a transcribed adventure of the man with the action-packed expense account America's fabulous freelance insurance investigator. Here's truly Johnny dollar Friends the makers of Wrigley's spear mint chewing gum present these weekly adventures of Johnny dollar Because they know that millions of you enjoy Johnny dollar That's true of Wrigley's spear mint chewing gum, too. It's enjoyed by millions day in and day out People find that chewing on a smooth delicious piece of Wrigley's spear mint gum somehow makes time pass more pleasantly Whether you're working driving shopping or just taking things easy that good tasty chewing gives you enjoyment and Satisfaction so always keep a package of Wrigley's spear mint chewing gum handy and whenever you want a refreshing delicious treat Chew a stink you'll like it. You really will Expense account submitted by special investigator Johnny dollar to home office great eastern life insurance company Hartford, Connecticut The following is an accounting of expenditures during my investigation of the Allen Saxon matter Expense account item one twenty one dollars and sixty-five cents train fare and incidentals between Hartford, New York City I arrived at Grand Central late in the afternoon and went directly to a hotel where I registered and made arrangements to rent a car Saxon resided in a quaint three-story house on an estate across the river in Jersey It looked impressive enough to be an annex to Fort Knox a No old cad butler met me at the door and led the way into a mahogany and leather study Where I was left to wait for the master of the house That's right Glad to know you Mitchell of your company called said you'd be down. Yes, sir. Well sit down sit out That's a guy. No, thanks Aren't you a little premature? How do you mean? Well, there'll be no positive confirmation in my painting till after it's been examined, you know, when only examination take place A nasty cough. Yeah, nasty I'm to turn the painting over to mr. Farmer from the museum tomorrow morning. I imagine I'll have it for a day or so. I understand you paid 200,000 Sure did 200,000 fat American dollars, mr. Dollar You any idea how long it takes to make 200,000 dollars, mr. Dollar? Well, that kind of depends on who's making it me I start getting senile around a buck ninety-eight You might keep hacking like this I'll end up doing business in an oxygen tent You like to see the painting mr. Dollar sure come on Mr. Dollar if I've been swindled I'm gonna cause more trouble than a hungry snake and a rabbit Who'd you buy the painting from who one of the biggest most respectable dealers in Paris is all You've ever been to Paris mr. Dollar. Yeah How about that Paris, oh, I rather enjoyed myself Yeah, I've been there a dozen times and I'll never get tired of anything not anything The last trip I met Yeah, Barbara, I didn't see you Hello, this is my impish daughter only child spoiled rotten Barbara Johnny dollar is gonna show mr. Dollar the painting Beautiful Yeah, you don't really like it. Do you mr. Dollar? Well, I really don't know much about it miss accent You don't care for it mr. Dollar I guess it's very good good dollar.  Are you gonna be in town long mr. Dollar? The painting I bought it from Renee Francois most reputable dealer in Paris He's only gonna be in town till after they established my paintings a forgery Isn't that right dollar? Who? Ronnie Francois you I'm doing my best to save you from this designing female. I agree with me. Oh Oh, yeah, I'm only gonna be in town Why not mr. Dollar?  Dollar and I'll get in touch the minute They finish with a painting take my word for a dollar quit while you're ahead Stick around for dinner, and you end up a crib.  Not mr. Dollar.  How about a dollar now? It's just an occasional game of stickballs What position almost they got it wonderful. How's it got her man? myself You're raised in hell's kitchen. You know, please stay for dinner. Oh, you can talk over old time Bring back the good old days when you were out cracking skull. You were going to leave. I Am show mr. Dollar or Saxon's word is as good as his body her bond. I'm a her Sometimes I wonder come on dollar. I'll walk you to the door.  Yeah, there's nothing really wrong just spoiled got too much money. I'd ask you to stay, but you really seem like too nice a fella Well thing Well what? Just well at the moment. That's about as glib as I can get I Left the Saxon house shook my head a few times to get my brain turned around and drove back to New York In my hotel There wasn't much for me to do until the experts examined the painting So I showered shaved got dressed in my other suit and called a few numbers I'd collected during several investigations to see if I could get what looked to be a dull evening back on its feet I struck out three times and was dialing the fourth when Yeah, come on in well, uh, yeah, yeah, sure I hope I didn't interrupt an important call. No, no Sit down Where's daddy home? He wouldn't tell me where you were staying so I found out who he was insured with I had to call his lawyer Then I called your insurance company. Oh, I'm flattered. I'm determined Daddy's liable to spank. I don't think so. He's really not the general he tries to be He blushes and lays down the law and we butt head and you get what you want if it's important enough Well, I'm sorry. I spoiled your record. You haven't Then my staying for dinner wasn't important. Oh, yes Very important. Well, then you lose You can't fight I'm joining them. Well, that's a practical bit of philosophy, but I don't see quite how it applies I've had no dinner Uh-huh, you wouldn't accept my home cooked invitation. So now it's gonna cost you my expense account just turned yellow Where would you like to take me to dinner? Where would you like me to take you to dinner shy violet? Maybe I'm not the most conventional type in the world. I'll go along with that, but I don't want to argue Don't want to have to coerce you Know what you're gonna do anything. You don't really want to do you just want me to take you to dinner It's a nice way to start off an evening. Yeah You'll take me to dinner Johnny Expense account item two twenty two dollars and seventy eight cents dinner at a small Italian restaurant I'm pretty sure the dinner was excellent, but I'm positive that Barbara Saxton was more woman than I'd run into in a long time Delilah was a girl scout by comparison We got back to the Saxton home in Jersey about three in the morning parked the car at the front door and Said good night. I had a wonderful evening. Will you call me tomorrow? Right after my two o'clock shock treatment. Why aren't you happy? Well, I'm not quite sure I Think we had a little too much to drink who had a little too much to drink. Okay.  I love you Johnny. Let's get married Come on dear love. Oh I don't want to go in yet. I want to get married Johnny. Let's drive to someplace where we can get married No, I'm once more clear thinking cautious bachelor. I can fix that now. Well. I'm conscious.  I'll scream for help. You're me. The word is cow. Yes.  Kiss me. Good night first Barbara. Kiss me.  This is it go front door Okay Good night, honey Let's get married. We'll talk about it tomorrow now Shh honey the door was open. I don't want to go in.  Look no Sit right down here.  Good night What is it? What's wrong in the library dad?    Oh You better stay right there till we get a doctor. Oh, it doesn't look too bad. There's a lot of blood Just take it easy. He got it Look, it's gone. Okay. Okay, but don't try to get up. It might be a concussion Oh, he stole my painting cut it right out of the frame. Who did I don't know a man I heard something and came down Sermons night off shouldn't have been anyone down here. What do you hit you with? flashlight I think Traitor I thought you were dead. I couldn't be I'd feel better you deserted me. Oh For Pete's sake stop that I'm the one who got clobbered He really scared me after that. Well, I couldn't help it I'm dirty low life swipe my painting. No, look Caught him in the act would have captured him too But he crowned me with a flashlight better get some hot water in a towel, but they have to take 50 stitches Just a little cut. It is not it's good for at least 50 stitches dear love. Yes, dear love get the hot water in a towel I go call the robbery details. Yes, John wait Yes, dear love. Yes, Johnny. He took me to dinner. It's 3 30 in the morning 3 35 Tuesday what time do you finish dinner? Look while you're getting your suspicions up The thief is putting a lot of miles between this house dollar answer me one question She didn't get you drunk and get you to marry her.  Oh don't look so smug. You just think everyone wants to marry me for my money. Well, don't they? Not Johnny. I'm gonna call the police Wait, wait, wait just one more question if you married my daughter would it be for her money in the first place? I'm not gonna marry your daughter Johnny in the second place if I did it wouldn't be for her money See I was gonna marry her at all it'd be for Your money Barbara got a towel and some hot water and I called the police I stuck around while old Saxton gave his heroic side of the incident Then I took off and drove back to the hotel where I put in a call to the Paris branch of the company I talked with Howard Gilbert and asked him to check on the departure of René Francois Who according to Saxton wasn't expected to arrive in the States until late that afternoon? There ought to be a good reason why anyone would steal a painting that had been publicized as a possible fake Saxton wouldn't have the painting stolen because without insurance. He'd just be out the 200,000 he'd paid for it René Francois might have a reason though Because of the painting was proved a forgery his reputation would suffer not to mention having to return the 200,000 to Saxton I'll Gilbert promised to wire the information regarding Francois departure the minute he had it and I left the hotel and headed across town to see an old friend a Continental stool pigeon with a way of knowing about such things as stolen 200,000 dollar paintings It was close to five o'clock when I rang his doorbell Honorary open up not by the hair of my little goat If I owe you money come back at a respectable hour. It's Johnny dollar. I Don't believe it. Only my landlord or a vampire would go to such extremes Look, Henry, I'm gonna slip a little something under the door Okay, but you'll never go to heaven Are you that broke well until this windfall I was completely fractured but What can I do for you some information? May is this so important that you must seek me out before the the son has reason you ever heard of a mr. Alan Saxton Saxton he's been on the papers Well a few hours ago someone hit him over the head and swiped a very expensive painting Oh, is that the section who recently purchased the supposed March show? That's the one But there was some doubt as to the authenticity of the painting Experts were going to examine it today He paid 200,000 for it Marshall I Would have painted him something far superior for for much less Who do you think would pull a job like that? What is so special about a job like that? Break into a house till a painting And a mature could handle no no it's a special job for a special talent The thief knew is Marshow there were a lot of other paintings in that room Well, but he could read couldn't he Marshall certainly signed the work Or if he's a forgery whoever painted is certainly signed Marsha's name this painting wasn't signed That's one of the reasons why there's some doubt about it Not only that but why would someone take that painting when it's worthless until proven authentic You have a point I'm thinking of a European. Oh Johnny. I wouldn't touch a job like this Someone with an international reputation Please Johnny. I am innocent one of me. Please believe me someone who could possibly be hired in Paris Or if he happened to be in the United States could be contacted Someone that would know this particular Marshow and be qualified to break into the Saxton house Henry away away You have that knowing look Well, are you know I was just thinking about my landlord Yes, sooner or later, he'll trap me it's the law of average so far so far. I've cleverly avoided the same gene How much? Pardon, how much do you know? Patrick to Mars ran to 40 dollars Okay, but what sense is there in paying when it will only provide me with a legal claim to this? Disgusting really and I have no sustenance to keep me alive for longer than a week Well, I just pay him for a week. You would have me starve How much will keep you alive for two months? Well, I would at least like to take care of a green bomb delicatessen 10 bucks. Well, the exact amount is 15 You're lucky. I've got an expense account. You think I don't know it All right, who is he? Well, you might go to the Shelton arms and inquire about a man named Gaston Shambri It has been rumored that he arrived from Paris only yesterday. Who is he? Oh, that is for you to discover. There are certain things. I am bound by honor not to diverge But any policeman in the world could help you out I left a little Frenchman and went back to my hotel Where a cable was waiting from Gilbert at the Paris office It told me the René Francois had booked passage on air France and was due to arrive late in the afternoon. I Left climbed into the rented car and drove to the Shelton arms on East 108th Street Where a sleepy night clerk gave me Gaston Shambri's room number and accepted a ten-dollar bribe not to inform Shambri that I was on my way up A cable for you, Mr. Shambri. Oh, it's from René Francois. How do you know that? I peaked You are not a messenger boy. Sure. I am. I've got a message from René Francois Give it to me. He says to give me the painting I'm coming in. You have no right to come in. You got something to hide?   Maybe you'd like to tell them where you were earlier this morning. I was right here in my room I have been in my room since early last night. You didn't take a short trip over to Jersey I certainly did not you arrived from Paris yesterday. Yes, but what does oh?  I'm surprised you didn't decide that when I pushed my way in here I have done nothing, but you know a René Francois. Yes, but I know nothing about the painting now look I know all about you of course, but you can't prove anything You want me to tear this apartment of pieces or do you want to hand over the Marshawn? I told you I have no painting I just said Marshawn That could be something you shampoo your hair with you mentioned the painting then Marshawn any fool would know They are one and the same as for you're tearing my apartment to pieces as you so crudely put it I think you would be making a serious mistake really you have no warrant Well now you're making a serious mistake really I don't need one you're still going under the assumption that I'm a policeman You you are not oh not a bit All right get up Now where's the painting who sent you I sent myself now. Where's the painting? Okay, no no wait a minute. It's under the pillows on the couch Why did you steal it? Maybe you didn't understand me no All right. I was tired sure you were René Francois. Yes Okay Now as long as you're so suspicious about policeman But on your clothes, I'll take you downtown introduce you to a few of the gentlemen in blue Gaston Chambret gave a complete confession to the police He'd been hired by the Paris art dealer René Francois to steal the painting had been discovered by Alan Saxton And in order to make his escape was forced to clout the old boy on the skull with his flashlight René Francois was met at the plane and when confronted with the evidence readily confessed He explained that when the Marshow was proclaimed a possible forgery He realized that if it really was his business would be ruined and he would have to return the 200,000 to Saxton He checked with the sources that had originally sold him the painting and discovered that there was a strong possibility That the painting was a fake He offered Chambret ten thousand dollars to do the job He'd arrive in the States after the robbery offer his condolences meet Chambret at a predetermined spot and take the painting Well Saxton took it in stride and after Francois gave him back the money he even laughed about it You really did a fine job dollar I'd like to make it worth your while. Well, it'll just cost you the eighty five dollars. I paid out in drives The rest goes on the expense ago.  It was that Francois. He was behind the whole thing I'm guy named Jim. Well, don't you want to hear about it Johnny? Will you take care of me? I Need somebody to take care of me. Oh dear love. I'd love to really But I've got to get back to Hartford. I can be packed in an hour.  They're rolling themselves. I have absolutely no control whatsoever Johnny Dear love. Yes, dear love. Can I go with you? And no Why not? Well, I'm an insurance man. What's the matter with that? Oh, nothing only I know a bad risk when I see one Johnny I'm not a bad risk.  That's Wrigley's spearmint chewing gum healthful refreshing delicious Yours truly Johnny dollar brought to you by Wrigley's spearmint chewing gum stars John Lund in the title role and was written by Blake Edwards with music by Eddie Dunstetter featured in tonight's cast where Edgar barrier Hal March Virginia Greg and Jane Ovello Yours truly Johnny dollar was transcribed in Hollywood by Jaime Del Valle The makers of Wrigley's spearmint chewing gum hope you enjoyed tonight's story of Johnny dollar and that you're enjoying delicious Wrigley's spearmint gum every day This is Charles lion inviting you to join us again next week at the same time when from Hollywood John Lund returns as yours truly Johnny dollar This is the CBS radio network


Well, good morning and welcome to the Executive Office of the American College of Dentist. This is a special location and a very special day, as today, this very day, August 20th, is the birthday or the anniversary of the founding of the American College of Dentist and today we are officially 101 years old. Well, the Executive Offices have had a long history. The Executive Office of the American College of Dentist has had many homes in its 100 plus year existence. Early on, documents and files were housed in the private offices of individuals who served as the secretary of the college. Dr. Arthur Davenport Black was the first secretary of the college and he served in that capacity from 1920 to 1922. The Executive Office at that time was essentially little more than a file drawer in Dr. Black's office at Northwestern University, a dental school in Chicago, Illinois. The second secretary was Dr. Albert Leonard Midgeley, who held this position from 1922 to 1935. During his tenure, the college grew and the relevant files were housed in now a five-drawer cabinet in Dr. Midgeley's private office in Providence, Rhode Island. The third and longest serving secretary was Dr. Otto W. Brandhorst, who held this position for 35 years. When he first assumed the secretarial duties of the college, his private academic office was in the Lister Building located at 4500 Olive Street in St. Louis, Missouri. In 1940, Dr. Brandhorst felt as though he needed more space to administrate the affairs of the college and at that time a new building was being erected on Maryland Avenue. Dr. Brandhorst petitioned to move the central office to this location and so it happened. In 1953, after concluding an eight-year tenure as dean of Washington University School of Dentistry, Dr. Brandhorst was asked by the Board of Regents to consider full-time employment with the college. After much deliberation and consideration and consultation with his family, he agreed to devote full-time to college affairs and the college central office was relocated to 421 Lindell Boulevard in St. Louis. The activities of the college continued to increase in both scope and complexity and the opportunity arose to move the college headquarters to the fourth floor of a brand new building located at 4236 Lindell Boulevard. The Board of Regents approved the plan and in 1962 they voted to designate this office space as the central office of the American College of Dentists and that this office be permanently located in the Gateway City. It was said that this office was the pride and joy of Dr. Brandhorst and his faithful secretary Ms. Fern Crawford as well as the many fellows of the college who visited the location. Dr. Brandhorst relinquished the secretary's ship on January 1, 1969, when Dr. Robert Jane Nelson assumed this position as secretary of the college. At the meeting of the college in New York in November, 1969, it was announced that the central office of the American College of Dentists was to be moved to Bethesda, Maryland. This occurred in March and April of 1970. The new address of the American College of Dentists was sweet 5-2, November 7-3-1-5 Wisconsin Avenue in Bethesda, Maryland. This iconic building was referred to as the Air Rights Building. The Air Rights Moniker came from how the 1960s-era buildings were developed as an Air Rights Project above the former B&O Railway right-of-way. The right-of-way now, the Capitol Crescent Trail, travels in a tunnel underneath the buildings and under Wisconsin Avenue. The central office would remain in that location from 1970 until 1991. In that year, and made possible by the successful Campaign for the 90s, the foundation purchased three condominium suites at Diamond Farms Office Park located on Quince Orchard Boulevard in Gaithersburg, Maryland. The settlement date for the property was recorded as November 8, 1991, and the corresponding move took place on December 2, 1991. These are the three contiguous condominiums purchased at that time. They served the College well, as well as the foundation for almost 30 years. And this was very important in controlling the ever-escalating real estate cost in the National Capital Area. At the urging of our Executive Director in 2010, the College began to consider a property acquisition that would satisfy two principal concerns, diversification of the organizational investments in the aftermath of the 2008 financial collapse, and the purchase of a building that would be both benefiting the College's stature and which could serve as a future headquarters with a more central location in suburban Washington. After casting a rather wide net initially, the focus was soon narrowed to the greater Rockville area, and it provided the best combination of realistic pricing, metro access, and close proximity to multiple businesses, hotels, restaurants, and county services. The task of locating a property that is suitable fell upon Executive Director Dr. Stephen A. Rawls. The number of sites were considered, but in the end, the building at 103 North Adams was chosen as clearly the best fit. The nearby Rockville Town Square features unique and locally owned shops and eateries in a pedestrian-friendly setting, complete with public gathering spaces and regular entertainment events. Greetings. I'm Stephen Rawls, President of the American College of Dennis Foundation, and I would like to welcome you to the new home of the American College of Dennis and the Foundation. This is made more special because today is the 101st anniversary of the College's founding. It is indeed a happy birthday, thanks to the very generous gifts of three donors totaling one and a half million dollars, in 2013 the Foundation purchased a commercial office building in Rockville, Maryland. Our sincere appreciation is extended to Dr. Patricia Blanton, the late Dr. Jerome Miller and an anonymous donor who made this possible. This purchase helped the Foundation better prepare for the future, not only by diversifying investments, but providing an outstanding facility that was destined to become the new home of the American College of Dennis and the American College of Dennis Foundation. Welcome. I'm Dr. Leo Rawls, President of the American College of Dennis. I would like to start with a brief history of the site. Between 1790 and 1821, the property at 103 North Adams Street was part of the Rob Higgins Ward House located next door. In 1921, what is now the College's new executive office was sold to Rockville's postmaster, John Adamson, Jr. From there, accounts differ as to what happened to the property until 1985, when the current building was constructed. The Rob Higgins Ward House at 101 North Adams Street is one of the last 18th century structures in Rockville and is a rare example of Hall and Parlor architecture. In its long history, it has been home to tavern keepers and merchants and now houses a law office. The College's new home was once the site of that property's outbuildings and thought to be most likely location of the stable. A small portion of the original bribery still greet visitors at the sidewalk. The well located on the property is one of the oldest in the county and is recognized and protected as a historic structure. In effort to buffer the residential West in neighborhood and West Montgomery Avenue, historic district from the developing town center, commercial construction that mimic early architectural styles was allowed in the 1970s and 1980s. Without building constructed as a neocolonial structure, throughout the renovation process, the ACD has worked to not only preserve this intention but to improve upon it by looking to historic structures in the immediate vicinity to choose appropriate design elements that better complement the streetscape. I think that you will agree that the location is idyllic. I would like to take this time to officially recognize Miss Susan Pittman, ACD's operations director for her dedicated service to the Rockville community that undoubtedly made our renovation efforts far less stressful. Susan is widely known as a courageous community advocate and is committed to the preservation of Rockville's unique history. After the building was purchased, plans were made for renovation and eventual occupation. Architect Glenn Reynolds of Boids, Maryland was chosen for the project. His knowledge of the historically significant properties in the area and his reputation for preservation made him a natural choice. Once the architectural renderings were approved, the contract went out forbidding and the renovation project was awarded to Rob Gilroy of RCG Homes. The renovation began as scheduled on January 2, 2021 with the proposed move of July 1. Rob and his team of professionals delivered on the promise of a high quality renovation executed to standard on time and under budget. We are delighted that the selection process delivered Rob is our master craftsman. The renovation plan included a legacy walkway which honors our fellows past and present and their contributions to our organization and its mission of advancing excellence, ethics, professionalism and leadership. The exterior design is characteristically colonial and every effort has been expended to ensure that the design is complementary to the homes in the historic West End neighborhood. While colonial style house plans cover a broad spectrum of architectural movements and geographic locations, we chose to show influences from the simple structures built along the east coast during the colonial, revolutionary and early republic areas in American history. Multi-pane double hung windows with shutters and panel doors with side lights topped with rectangular transoms illustrate our commitment to colonial architecture. The exterior renovation reveals a simple grace and timeless appeal. While the college has had several homes during its 100 year existence, this is planned to be our final location. We are deeply appreciative of the three philanthropists who made this dream possible. We also extend our sincere appreciation to our Executive Director, Dr. Gonzales, who doubled as the project manager and coordinator for this renovation. We would also like to thank Dr. Blanton for engaging with her decorator, Mr. Alan Smith of London to coordinate the interior design around the furniture selections that the staff had previously requested. I think you will agree that the results are nothing short of magnificent. Good morning. I'm Dr. Patricia Blanton, past president of the American College of Dentist and consultant to the foundation. I would like to join presidents Rouse and Rawls in welcoming you to the American College of Dentist Executive Office. We hope that you will visit the property and spend some time in the ACD Library, which houses our rare book collection and founding documents. This is our history and you are an integral part of that history. It seems only fitting that we began our second century of service in a new workplace, a workplace replete with up-to-date technologies and a well-seasoned and committed staff to execute the myriad missions of the college. The renovation design created a 21st century operational environment, not only for the college but also for the foundation. Many of our renovation goals were functional, aimed at creating spaces that accommodate a flexible working environment and mandates for accessibility. Our other expressed goals were largely aesthetic, reflecting modern color and material as well as technological progress in light, energy and water efficiency. This thoroughly modern workspace uses smart office furniture. That desk can be repositioned for optimum ergonomics and our standing variants are known to improve focus as well as overall health. And now let's go inside. Well, good morning and welcome to the American College of Dentist Foundation Office. I'm pleased to be with you this morning because the development of the Foundation Office offers the organization the ideal space for strategic planning and launching approved initiatives. A great deal of work is carried out in this setting. Currently, a new publication profiles in prerogatives, a brief history of the leadership of the American College of Dentist is under production. This represents our third major publication in as many years and we are delighted with the results. Doctors Blanton and Miller envision this office as a site to manage foundation projects and secure the funds to underwrite ongoing research efforts. All of the furnishings in this office were made available through a generous contribution from a benefactor who wishes to remain anonymous. The far wall of the Foundation Office is a tribute to the three original benefactors who purchased the building in 2013 and to Dr. Stephen A. Rawls who was the impetus behind the acquisition and who located this property. As consultants to the Foundation, Doctors Connolly and Blanton will regularly meet here to do the work of the Foundation in our second century of service and they have great plans for the future of this organization. Both Tom and Pat are masterful fundraisers and have considerable skin in the game. Just the way Jerry Miller would have wanted it. The third floor is shared by our friends and esteemed colleagues of the Pierre Fouchard Academy. The Academy moved its headquarters to suburban Washington D.C. area in July of this year and by all accounts this is a continuation of a beautiful friendship and we are delighted that their executive office is co-located in this thoroughly modern space. Their office suite is stunning and beautifully appointed and we welcome them to the American College of Dentist Foundation building. The library was designed to house our collection of books and periodicals as well as various artifacts from our past. The room also serves as a conference space with updated audio, visual and remote conferencing capability. This well-designed and beautifully appointed room makes possible a myriad of presentations and meeting styles while also providing a quiet place to research and study. Good afternoon. My name is Stephen Rawls. I'm the president of the American College of Dentist Foundation. And it is my sincere pleasure to welcome the board members, their spouses, staff, friends, our esteemed colleagues from PFA and the ICD and our special guests from the civic leadership of the city of Rockville. This ribbon-cutting ceremony represents a symbolic and historic opening of our new headquarters of the American College of Dentist and the American College of Dentist Foundation. We're also very excited to have the Pierre Fouchard Academy with us. Importantly, as Teresa mentioned earlier today, this day marks the 101st anniversary of the college's founding in Boston. Little did we know at that time what would happen. We've come a long way from a few folders lounging in a file drawer of Dr. Arthur Black's Chicago office. Our journey's been rather circuitous. We started with the physical office first in St. Louis under the direction of Otto Brandhorst, who was our longtime secretary and dean of Washington University at St. Louis. From there, about 1970, actually in 1970, we moved the office to the Air Rights Building on Wisconsin Avenue in Bethesda. Then in 1991, our foundation purchased three contiguous office condominiums in the Diamond Farms Office Park of Gaithersburg, Maryland. And those served us well for nearly 30 years as our offices. We find ourselves here today with our move to Rockville Complete. And we are most pleased to be here. Rockville presents the best combination of metro access, freeway convenience, multiple businesses, hotels, restaurants, and county services for our use. And this particular building in Rockville is by far the best fit for the American College of Dentist and the American College of Dentist Foundation. As you'll see, if you've toured the building, it is befitting of the class and stature of the resident organizations. It supremely fills the operational needs and requirements now and for the foreseeable future. And I should note that a new home like this doesn't happen just because we wish it so. This building was made possible by the profound generosity of three individuals whose contributions totaling $1.5 million enabled the foundation to purchase this building in 2013. And specifically, I'm talking about Dr. Patricia Blanton, who's with us today. The late Dr. Jerome Miller, who's represented by Kay Miller and an anonymous donor. I would say that we owe them a big debt of gratitude and we extend our sincere and most sincere appreciation to them. And yes, let's have a round of applause for those three donors. And while we're at it, I would also like to especially thank and congratulate Dr. Teresa Gonzalez, our Executive Director, Susan Pittman, our Operations Director, and the entire staff who worked so tirelessly for the last several years to make this day possible. And so they did a tremendous job. There was so much done behind the scenes that we won't even see. And so let's give Dr. Gonzalez and the staff a round of applause as well. And with that, let us celebrate this landmark achievement and enjoy the special moment. This building represents a rock solid foundation from which to build and shape the next hundred years of advancing excellence, ethics, professionalism, and leadership and dentistry. I'm excited about it and I hope you are too. Thank you. Let's have a wonderful day. And before I leave, I'd like to turn it over to Margie Graff, representing the city of Rockville for her comments. Thank you very much. I'm Margie Graff, President and CEO of the Rockville Chamber of Commerce. On behalf of the city and the chamber, we congratulate you on your move and welcome you to Rockville. We're excited to have you. We have a couple of things we're going to give you right now. First, I'd like to introduce Ken Reichert right behind you. He's representing Senator Ben Cardin's office. Ken. We have a citation for the grand opening here from the senator. It says the honorable Benjamin L. Cardin, United States Senator of Maryland, certificate of special recognition, presented to the American College of Dentistry on the occasion of your ribbon-cutting ceremony and grand opening signed Senator, U.S. Senator Ben Cardin, August the 20th. Thank you very much. I'll shake your hand, but I'll give you a pump. Okay, that's good. Here, I'll get that to you. Should I just put it by the door? Okay, and Senator Cheryl Kagan could not make it today, so this is a citation from her office. Citation presented to American College of Dentistry. Congratulations on your grand opening in Rockville. We are bracing ourselves, but we have a filling that you will brighten our community. Welcome to the neighborhood, presented July 20th. Cheryl Kagan, Maryland State Senate, District 17. Thank you very much. We have plenty of filling material. Okay, now we can cut the ribbon. Now we need this tight, right? Tell me when. Let's have a toast to the American College of Dentistry, the American College of Dentistry Foundation, and to the other organizations here, here from the Chartered Academy and International College of Dentistry. Here.