Welcome. I welcome you all to this lecture in the course Samasa in Panimian Grammar 2. As is our practice, we begin our lecture with the recitation of Tamangala Charana. In this course, we are studying the three important types of Samasas. Namely, a Vyaibhava, Bahubrihi and Dvandva. So far, we have already studied a Vyaibhava Samasa and we have studied some parts of the Bahubrihi Samasa as well. We shall study Dvandva Samasa towards the end of this course. Bahubrihi Samasa is a very important type of Samasa in Sanskrit. Its structure can be explained in brief by this equation where we have X, Y as the output, one unit from the input of X and Y, two different separate independent units as far as the word form is concerned, as far as the meaning is concerned and also the accent is concerned. Now, X and Y, they are semantically interlinked, which is shown by the plus sign. And now the output generated is X, Y, which is one unit in terms of the word form, the meaning and the accent. So, the three features are Aikarthya or Aikarthatha, Aikapadya or Aikapadatha and Aikasvarya or Aikasvaratha. As far as the Bahubrihi Samasa is concerned, neither X nor Y, none of them act as the head of the newly generated Bahubrihi compound. The head of this Samasa lies outside of the compound and so both the constituents which are manifest, which are visible, they are subordinate. In the Ashtadhyayi, the Bahubrihi Samasa is treated at various places. The Samasa Vidhyayaka Sutras are stated from 2223, Shesho Bahubrihi onwards up to 2228, Tenasaheti Tulya Yogi. 2229 is Charthe Dvandvaha, the sutra that prescribes the Dvandva Samasa. Then we have the Samasantha Pratyayya Vidhyayaka Sutras, stated from 54113 onwards up to 54160. And as we have noted, in this big section, there is a small section that deals with the Samasantha Adeshas in particular. Then we have the Swara Vidhyayaka Sutras, stated in 6.2, notable amongst them is 6.2.1, Bahubrihauprakrutya Purvapadam. And then another section has from 6216 up to 120, a number of sutras dealing with the accent of the Bahubrihi Samasa. Along with that, we also have another section, 6216 onwards up to 6217, another section that deals with the accent of the Bahubrihi Samasa. We have already studied the Samasa Vidhyayaka Sutras and then we also spent considerable amount of time in studying a very important phenomenon called Umvadbhava. And now we shall move towards the study of the Samasantha Pratyayyas related to the Bahubrihi Samasa. As we all know, Samasantha Pratyayya is the Pratyayya added at the end of the Samasa. This is added at the stage of the Alayvaki Kavigraha itself. We have already seen the Samasantha Pratyayya of the Vyai Bhava Samasa in this very course. We have also studied the Samasantha Pratyayya added to the Pratyayya Samasa in the first course in this series. Let us now study the Samasantha Pratyayyas that are added to a Bahubrihi Samasa. The section begins with 54113 and continues up to 54160, the last sutra of 5.4. Let us study the first sutra, 5.4.113. Bahubrihau Sakthakshnoho swangat shach. The meaning of this sutra is, in the Bahubrihi Samasa, immediately after the words Sakthi and Akshi, meaning swangat that is own body part, the Samasantha Pratyayya shach is added. I repeat, in the Bahubrihi Samasa, Bahubrihau, immediately after the words Sakthi and Akshi, Sakthakshnoho, meaning swangat that is own body part, the Samasantha Pratyayya, shach stated in this sutra is added. Sakthi refers to the thigh bone and Akshi refers to an eye. Here we add the suffix shach to the Bahubrihi Samasa which ends in Sakthi. Let us look at the example, one whose thigh bone is long, if this is the meaning to be conveyed, the Laukika Vigraha would be, Now the Laukika Vigraha over here would be, Now, this gets the Samasantha Pratyayya by the sutra, and once we get the Samasantha Pratyayya, we immediately add the Samasantha Pratyayya. So, on account of this particular sutra, Bahubrihau, Sakthakshnoho, swangat shach, we add the suffix shach over here.  Then the Pratipati ka saudhnya happens, and then Supodhatu Pratipati ka yoho applies, and we delete both the sups. So, we have the Vigraha plus Zero, plus Sakthi plus Zero, and then uh in shach is the Pratyayya, sure and sure are the Anavandhas. So, uh remains. So, we have the Vigraha plus Zero, plus Sakthi plus Zero, plus uh. And then we apply Yasiya teacher because of which, E at the end of Sakthi gets deleted. So, we have the Vigraha plus Sakthah plus uh. And when we join these together, we get Dirga Sakthah, as the finally derived compound output from the Laukika Vigraha, Dirgham Sakthi yasiyaha sa. So, Dirga Sakthah is the Pratipati ka. After that, we add the suffix Su, and then after Dirga Sakthah, we add the suffix Nish because feminine gender is to be expressed. So, we have Dirga Sakthah plus Nish plus Su, and then Su gets deleted because of Khulga Abhiyo Dirgaat, Sutya Se Pruttamahal. And so, we have Dirga Sakthah plus Nish, and Dirga Sakthah plus E long E. Once again, Yasiya teacher applies and deletes the final uh in Sakthah. And so, we have Dirga Sakthah plus E, and that is Dirga Sakthi. Dirgham Sakthi yasiyaha sa, Dirga Sakthi. This is how we derive this compound by adding the Samasantapratya yashach. Now, the feminine suffix Nish is added, mainly because of the Sutra, Siddh Gauravibhyastha, which prescribes the suffix Nish after the word Gauravadi etc. And those words which have the suffix added to them, which has got the marker sure. In the current situation, such is such a marker, and therefore, after the word Dirga Sakthah, we add the suffix Nish. Similarly, when the meaning to be expressed is, one who has eyes like a fish, minasya akshini iva akshini yasiyaha sa. This is the laukika vigraha. The laukika vigraha would be mina plus nas plus akshi plus aw. Now, we get the samasa saudhnya by the sutra anekam anepadarthe. And then we get the pratipadika saudhnya, but before that, after getting the samasa saudhnya, we add the suffix shach, stated by this sutra, because the word akshi is used here, and it is not used in the aswang sense. And so, we have the suffix shach added here. So, we have mina plus nas plus akshi plus aw plus shach. And then, we apply the pratipadika saudhnya. Then we apply a supodhatup pratipadika yoho, which deletes both the sups. So, we have mina plus akshi. And then, we apply the sutra yasiya teacher, because of which short e in akshi gets deleted. So, we have mina plus zero plus aksha plus zero plus aw. And when we join them together, we get minaksha. And when we add the suprataya after it, we have to add the suffix nish in between. So, minaksha plus e plus su. And then, because of e, now, this su gets deleted. So, we have minaksha plus e plus zero. And then, we join them together. We have the word minakshi, which is the finally usable word in the sentence. Minakshi. These are very popular words. Minakshi, jalajakshi, harianakshi, sarojakshi, et cetera, et cetera. Padmakshi, et cetera. Let us proceed further. Now, let's go to 5-4-1-1-4, which says angulayar dharuni. What it means is that, in the bahuvrihi samasa, immediately after the word anguli, which means finger, the samasanta pratyaja is added. When the word anguli stands for the wooden apparatus, dharuni. Now, it is stated here, anguli sadrushavayavam dhanyadinam vikshe panakastham dharu uchchate. Dharu is a typical word, which is a form of wood, which is used to process the grain, et cetera, which resembles the finger in the shape. Anguli sadrushavayavam dhanyadinam vikshe panakastham dharu uchchate. Which also functions to remove the husk. Kusuladhi sthita dhanyadi akarshakam, and separate the grain from the husk, et cetera. The wooden tool to process grain, et cetera, which resembles finger-like part, that is called dharu. So, when anguli refers to this wooden tool, the samasanta pratyaja shach is added at the end of the Bahuvrihi samasa. So, for example, when the meaning to be conveyed is, a wooden tool with two finger-like parts, the way anguli yasya tattu. This is the laukika vigraha, and then we have dhvi plus au, plus anguli plus au, as the laukika vigraha, and then the samasa-saudhanya takes place. So, we add the suffix shachin, and we delete both the sups. So, we have dhvi plus zero, plus anguli plus zero, plus au. And then yasya tattu applies, and deletes the final e in anguli. So, we have dhvi plus anguli plus au, and then we join these together. We get the form dhviangula, and then this su is substituted by am, and we get the form dhviangulam, dhviangulam dharu. Let us now proceed to the next sutra, dhvitri-bhyam-sha-murdhana. 5, 4, 1, 1, 5. The meaning of the sutra is, in the Bahuvrihi samasa, immediately after the word murdhan, meaning head, which comes immediately after dhvi and tri, the samasanta-pratyayasha is added. I repeat, in the Bahuvrihi samasa, immediately after the word murdhan, meaning head, which comes immediately after dhvi and tri, the samasanta-pratyayasha is added. The suffix shah is stated here, even when the suffix shach continues. So now, the purpose of introducing this shah suffix is to change the accent. Shach ensures the final vowel always accented, whereas shah, optionally, by dhvitri-bhyam-paddan-murdhasubhavriha, 6, 2, 197. So now, let us look at the example. When the meaning to be expressed is, one who has two heads, the laukika-vigraha is, dhvau-murdhanau-yasyaha-sa. This is the laukika-vigraha, and the laukika-vigraha is dhvi plus av, plus murdhan plus av, and then we add the suffix shah over here. So we have dhvi plus av, plus murdhan plus av plus shah. Now, samasa-saudhnya has taken place. So, prati-vadi ka-saudhnya takes place. And so we apply the sutra-supad-hattu-prati-vadi ka-johu. So we have dhvi plus zero, plus murdhan plus zero, plus shah. So we have dhvi plus zero, plus murdhan plus zero, plus av, and then because of av, un-in-murdhan gets deleted because of the sutra-nastadhite.  We get the form dhvi-murdha. Now we add the suffix su, dhvi-murdha plus su, and then we also add the suffix nish, and then dhvi-murdha plus e plus zero, and we get the final derived form dhvi-murdhi. Similarly, dhvi-murdha will be the prati-vadi ka, and dhvi-murdhi will be the feminine form, one who has two heads. Here we use nastadhite in order to delete the un-part of murdhan. Now we go to 5-4-1-1-7, where we have the sutra-antar-bhahir-bhaham-cha-lo-m-naha. Antar-bhahir-bhaham-cha-lo-m-naha. Meaning, in the Bahuvrihi samasa, immediately after the word lo-man, meaning short hair, which comes immediately after antar and bahir, bahis, the samasanta-pratyaya up is added. I repeat, in the Bahuvrihi samasa, immediately after the word lo-man, meaning short hair, which comes immediately after antar and bahis, the samasanta-pratyaya up is added. So if the laukika-vigraha is antar-ghatani lo-mani yasya, or bahir-ghatani lo-mani yasya, whose short hair has a tendency to go out and whose short hair has a tendency to go inwards. Now, the laukika-vigrahas are antar-plus-chas, plus lo-man-plus-chas, and then we add the samasanta-pratyaya up over here. So we have antar-plus-chas, plus lo-man-plus-chas, plus up. Then we apply the samasa-saudhnya, pratipatika-saudhnya, and then supodhattup pratipatika-yoh, which deletes both the soaps. So we have antar-plus-zero, plus lo-man-plus-zero, plus up. And then we have antar-lo-man, on account of 64, 144, nasthadhite, which deletes the un-part of lo-man, immediately before up. So we have antar-plus-lo-man, antar-plus-lo-man, plus up. So we get the form, antar-lo-man, the finally derived compound output. Then antar-lo-man-plus-zero, and we can have antar-lo-maha, as the finally derived form. Similarly, bahis-plus-chas, plus lo-man-plus-chas.  And so pratibhadika-savudhnya takes place, supodhatu pratibhadika-yohu takes place, and both the subs get substituted. So we have bahis-plus-zero, plus lo-man-plus-zero, plus up. And then the sutra 64 144 applies, and because of up, the un-part of lo-man gets deleted. So we have bahis-plus-lo-man-plus-up, and then sir becomes r, and r remains over here. So we have the form bahir-lo-ma, bahir-lo-ma-plus-up, and here we do the declension, and we get the form bahir-lo-maha. Let us now proceed ahead to the sutra 5 4 1 1 8, which says, ach-nasikaya-ha-saut-nyayam-nasam-cha-asthu-lath. By doing the sandhi, the same sutra would be read as ach-nasikaya-ha-saut-nyayam-nasam-cha-asthu-lath. What this means is the following. In the bhuvrihi samasa, immediately after the word nasika, meaning nose, which comes immediately after any word except sthula, the samasanta-pratyaya-ach is added, and the word nasika is substituted by nasa when the bhuvrihi samasa denotes a term. I repeat, in the bhuvrihi samasa, bhuvri-ha-u, immediately after the word nasika, meaning nose, nasikaya-ha, which comes immediately after any word except sthula, astu-lath, the samasanta-pratyaya-ach, ach-samasanta-pratyaya-ha is added, and the word nasika is substituted by nasa, nasikaya-ha-nasam. When the bhuvrihi samasa denotes a term, saudnya-yam, let us take an example. So the meaning to be expressed is one whose nose is like wood. So drur-iva-nasika-yasya-saha, drur-iva-nasika-yasya-saha. So we have dru-plus-su, plus nasika-plus-su. So then we add the suffix ach over here. So we have dru-plus-su, plus nasika-plus-su, plus achi. And then the samasa-saudnya has taken place. So the pratyavadika-saudnya takes place, and we apply supodhatup pratyavadika-yoho. And so we have dru-plus-zero, plus nasika-plus-zero, plus achi. And then, because of this present sutra, nasika gets substituted by nasa. So we have dru-plus-nasika-plus-zero, plus achi. That is substituted by dru-plus-zero, plus nasa-plus-zero, plus achi. And then the final achi of nasa is deleted because of the sutra-yasya-ticha. So we get the form dru-nasa. So after having applied the sutra-purvapadat-saudnya-yamagaha, we get the form dru-nasa. And then when we add vibhakti-stwit, dru-nasa-plus-su, and dru-nasaha, then these are the forms that are eligible to be used in the sentence. Here in dru-nasa, the cerebralization retroflex na is caused by the sutra-purvapadat-saudnya-yamagaha 843.  This samasa also undergoes a similar process. Let us go to the next sutra, upasarga-ticha, 5-4-1-1-9. What it means is that in the Bahuvrihi samasa, immediately after the word nasika, meaning nose, which comes immediately after any preverb or upasarga, the samasanta-pratyaya-ach is added and the word nasika is substituted by nasa. When no term is intended, asaudnya-artham vachanam. So when we have the laukika vigraha, pragata-nasika yasya-saha, one whose nose is pragata, protruding highly. So we get the forms pranasaha. We get the compound and then we apply the retroflex and we made the form pranasaha. The sutra upasargaad-bhulam also plays an important role over here, in the retroflex being caused, upasargaad-bhulam. Similarly, you have the example, one whose nose is raised, unnata-nasika yasya-saha. So we have the laukika vigraha, udh plus su, plus nasika plus su. So the suffix ach is added at this stage. So we have udh plus su, plus nasika plus su, plus achar. And then we apply the samasa-sahaudnya, then prathipadika-sahaudnya. So suffodhatu prathipadika-yoho applies and we delete both the sups. So we have udh plus zero, plus nasika plus zero, plus er. And then nasika gets substituted by nasa, by the present sutra.  And so we have, now the final er deleted because of yasya-ticha. So we have udh plus nasa plus er. And we join all of them together. We get the form unnasa. And then when we use it in the sentence, we add the suffix su after it. So we get the form unnasa-ha, unnata-nasika yasya-saha, unnasa-ha. Similarly, we have a vartika on this sutra which says, In place of v, in place of nasika, substitute gr, when this nasika is immediately preceded by v. For example, in vigata-nasika yasya-saha, one who has lost his nose, vigata-nasika yasya-saha. So we have v plus su, plus nasika plus su. And then the suffix ach is added. And then vigra becomes the object. And vigra becomes the nose. And so one who has lost nose will have the word vigra to be introduced in this particular context. Vigata-nasika yasya-saha, vigra. Let's now go to 5, 4, 1, 21. What this sutra means is the following. In the Bahuvrihi samasa, immediately after the word hali, meaning a big plow, and sakthi, meaning a thigh bone, which comes immediately after nae, dus and su, the samasanta-prate ach is added optionally. I repeat, in the Bahuvrihi samasa, Bahuvrihau, immediately after the words hali, meaning a big plow, and sakthi, meaning a thigh bone, which comes immediately after nae, dus and sus, the samasanta-prate ach is to be added optionally. So for example, mahadhalam, mahadhalam halihi. So hali means a big plow. So now, when the meaning to be expressed is one who does not possess a big plow, aviddemana halir yasya-saha. And now aviddemana will be replaced by nae. So we have na plus su, plus hali plus su. So we have na plus su, plus hali plus su, plus ach. And then we apply the prathivedika saudhnya. So supodhatu prathivedika yoho applies and deletes both the sups. So we have na plus zero, plus hali plus zero, plus a. And then the initial na of na is deleted by the sutra-naloponayaha. So we have a plus zero, plus hali plus zero, plus a. And then the final a in hali will be deleted optionally. So we have a plus hali plus a, which will give us the form ahala. And ahala plus su is ahalah. Optionally, we will also have the form ahali as prathivedika and ahalihi as the strivratayanta form. And then ahalihi as the compounded form. Also one who has a bad big plow is called durhala, durhalaha and durhalihi. Both these words are referring to one and the same gender, masculine. One who has a good big plow, suhalaha or suhalihi. This is because of the option provided in the sutra. Now let us look at the example of sakthi. If the meaning to be expressed is one who does not possess a thai bone, a vidyamana sakthiri yasyasaha. This is talaukika vigraha. And so the alaukika vigraha is na plus su, plus sakthi plus su. And so we add the samasanta suffix here. So we have na plus su, plus sakthi, plus su, plus achya. And then the prathivedika saudnaya takes place. So supodhatu prathivedika yoho applies. So we delete both the sups. So now we have na plus zero, plus sakthi plus zero, plus a. And then nalopo nayaha takes place because of which consonant na in na is deleted.  And then we apply yasyeticha because of which the final e of sakthi gets deleted. So we have a plus sakthi plus a. And finally we have asakthah, the compound output generated. And then asakthah plus su. And we have the form asakthaha to be used in the sentence. And optionally we get the form asakthi. Which is a prathivedika. And the finally derived form is asakthihi. Similarly, one who has a bad thai bone. And we have the form dussakthaha as well as dussakthihi. And the meaning is one who has a good thai bone. One can say sussakthaha as well as sussakthihi. Let's go to the next sutra. Five four one hundred and twenty-two. Nityam asic praja medha yoho. The meaning of this sutra is that in the bahubrihi samasa, immediately after the word praja meaning subjects and medha meaning intellect, which comes immediately after nai, duss and su, the samasanta prathya asic, namely as is added optionally. So it is also found in words like alpamedhasaha. One who has little intellect is alpamedhas. And we apply the sutra yasya ticha, six four one forty-eight, as well as atvasantasya chadha toho, six four one, six four fourteen, in the derivations of the examples of this particular sutra. So for example, we have the meaning to be conveyed is one who doesn't have subjects. Avidyamana praja yasahaha. So the laukika vigraha is this. A laukika vigraha is nasu plus praja plus su. Nasu plus praja plus su plus asu. Then samasa saudhnya has taken place. So prathivadika saudhnya takes place. Then we apply supodhatup prathivadika yoho.  And then naloponayaha deletes the initial na.  And then the the t-part gets deleted. And so we have a plus praja plus asu. So we have a praja, a prajas as the prathivadika. Finally derived prathivadika. And then we add the samasanta. Then we add the suffix su after it, a prajas plus su. And then the su gets deleted. But before that the sutra atva sattasya chadha toho lengthens the penultimate in a prajas. So we have a prajas plus su. Now su gets deleted because of haldhya bhyo dirgha suti sapratamhal. And then we get the form a prajaha, a prajaha raja. One who doesn't have any subjects. That raja is called a prajaha. Similarly one who has bad subjects. And the compound form derived would be dush prajas as well as dush prajaha would be the nominative singular. One who has good subjects. Suprajas would be the samasanta form. And suprajaha would be the finally derived form. Similarly one who doesn't have intellect is the meaning to be expressed. And we have aviddemana medha yasya sahaja as the alau ki kavigraha. Then we have na plus su plus medha plus su as the alau ki kavigraha. So na plus su plus medha plus su plus as. This is the samasanta pratyaya as getting added over here. So then we apply the pratyavadi ka saudhnya. So supodhatu pratyavadi ka yo applies. So we have na plus zero plus medha plus zero plus as. Naloponayaha applies and removes the initial na. So we have a plus zero plus medha plus zero plus as. And then the t part of medha gets deleted. So we have a plus medha plus as that is amedhas. This is the finally derived output of this compound. Then we have amedhas plus su. Then because of the sutra atva santasya chadha toho, the penultimate a in amedhas gets lengthen. So we have amedhas plus su. Then su gets deleted. So we have amedhas. And finally we have the form amedha ha. Amedha ha raja. Similarly one who has bad intellect is durmedhas. Or durmedha ha is the nominative singular. And one who has good intellect, we have sumedhas and sumedha ha as the derived form of this samasa. To summarize, the samasanthapratya is a peculiar operation stated to the bhavrihi samasa. It is added to specific words with specific formal conditions as well as semantic conditions. It is also stated optionally after some of the words and always after some other words. The samasanthapratya added to the bhavrihi samasa has several functions. It changes the final form of the compound from vowel ending to consonant ending etc. It also acts as a condition for a particular accent. It also acts as a condition for addition of feminine suffix. We continue studying the samasanthapratyas in the coming lectures. These are the texts referred to. Thank you.


Ladies and gentlemen, we take you now behind the scenes of a police headquarters in a great American city We're under the cold glaring lights will pass before us the innocent the vagrant the thief the murderer This is the lineup Week now can't seem to shake it getting me down Now what's his name here the box down? Yeah, not sure Well, I'll be against the war with Asher when he comes in I'll send him over. Yeah. See you later, man. All right What do you say, man? Not much tonight. No, it's the same. Just trying to keep my head clear. This thing does pretty well Hey, I have your attention, please You people out there on the other side of the wire in the audience room may I have your attention, please? Thank you. My name is conger sergeant Pete conger. I'll explain the lineup to you Each of the suspects you will see will be numbered I'll call up a number the name and charge if you have any questions or identifications Please remember the number of sign of the prisoners. I call his name if you're sure or not too sure of the suspect Have him help the questions I asked these suspects are merely to get a natural tone of voice So do not pay too much attention to their answers as they often lie All right, bring on the line All the way to the end of the stage boys. That's it moving right across I'll turn and face the screen Heads up buy straight ahead hands out of your pocket step out to the circle when I called your name Okay, number one John Carlisle. I'm robbery What do you live John? 1145 Sherman Street. What is that? Roaming house apartment motel what apartment? Where you from John?  That's right. What do you do electric? I'm an electrician. Where do you work? No place right now anyone arrested with him. Yeah Well, a couple of guys Quinn living and steel Howard Quinn living and Robert steel. Yeah 17 and 18 They're friends of yours John. Oh, not particularly. They have the same address in Sherman Street as you gave Living the same apartment, but we weren't very friendly. You drive a car. Yeah 49 murder Dan could pay what raise it and okay step back Number two Claire Berners burglary over to the circle Claire Step over to the circle Claire.  Oh, yes. Oh, yes. Yes. I'm no big I live at the seacoast hotel Well, I got me a nice 75 sitting room there. It's all going to wrap a hole in 27 But of course the plumbing how long you live there clear Where'd you live before that across the street? Well, what address? My wife still lives there we're breaking up. Sorry to hear that. What's your business Claire? What do you do for a living? stand up there You own a car Any weapons when you're arrested no no no nothing like that. What about the 22 automatic that's a weapon Claire? No, no, no, they got it all. I just found that thing 22 is no weapon since when Well, I found it in the garbage can when I was out walking. I was gonna make a cigarette lighter out of it What's such a little girl? Look nice in my coffee table. It was fully loaded when the officers took it from you That's what the officers report says right here. Yeah, I wonder if I could just see that thing would just stay there I just wanted to see it Getting back there now go on Number three Talking a good loud voice About the same What time is it 530? Then something's come up. What you know Beth Leonard the singer. No, are you? Yeah, wait a nightclub singer Yeah, somebody robbed and killed her husband. Okay, pick me up Cara dumped him off here. Officer's to rock jumps to the bottom of the body complaint. Well team patrol They see anything no covering the ground man Hi, Ben. Hello, darling Somebody sure gave him a working over. Yeah, hasn't been dead more than a half hour, Ben Nothing more. I can do until we get him downtown. Okay, wrap it up right then. Okay boys. Take him away I weapon around nothing who identified him knowing yes Found this empty bill folding alley had his name and driver's license. No money. Now. Let me see that Hmm rip part wielding. Yeah watching ring missing to Henry Leonard To two one six one Cherry Hills Drive about six blocks away. Anybody talked to Mrs. Yeah, I should went over and got it. She's over there in a car. Okay Never hear about my it's saying no. Yeah, I think I have it then She sure won't have anything to sing about tonight Then hi, this is Leonard. Yes, this is Lieutenant Guthrie. How do you do? Hello? Did you see yes? I saw him. I think all right or what's left of him? I don't think I'm going to be able to I got it. Yeah, Ben. See Dr. Gersa still here. All right Being at the Doveville now and Hank came by tonight for the last show We closed about two and then we had something to eat then we went out to the house What time was that? Oh about 3 30. I guess 4 o'clock Gone That's all Hank left about four. We talked a while at the house and then he left Hank didn't live here. He's been in Florida the last two years. He just came in town Sunday night We're separated. I see When he left you at the house this morning, where was he going back to his hotel the Delvi? Was he driving?  They're pretty sure the motive was robbery Mrs. Yes, there was no watch your ring on the body and his wallet had been emptied Oh, he had a beautiful watch just a beautiful watch that he loved very much. Can you describe it? It had Roman numerals and a white gold case. It was a giraffe. Any engraving on it? His initials HAL HAL Don't happen to remember where he bought it.  It was the wence jewelry company any other valuables. He might have had on a mrs. Just his ring was a plain gold wedding band He's still war anything outstanding about the ring and grating no Okay, anything else No May I have a cigarette? Oh sure Yeah, thank you We want to cover every possibility Mrs. Wanted and you think of anyone who might have had reason to want to kill your husband. No, do you have any enemies in town? No, why? The way it looks now somebody just way laid him and robbed him killed him But it's pretty far from your house to his hotel mrs. Lemon almost 20 blocks Well, I can explain that Hank said he felt like walking He was in town to talk about our divorce I've been thinking of marrying someone else. I see and that's why he met you at the Doveville. Yes to straighten out some things Was beginning to drizzle when he left I looked out the window and watched him go down the street He looked kind of lonely about the weapon die. Oh blunt instrument is about the best we can do for you Then any way you can narrow it down. I don't know maybe something to this just came from the crime lab Probably a copy on your desk now I found some flakes in the wound specimen I sent to the labs been analyzed on the spectrograph They found out it was a substance called ansys corrosive protective product made by Union petroleum What's it used for? I'm going to spray tools and metal that might be out in the weather a lot Like in a filling station a lot of tools in the new cars have it might help you pick up anything out there No, nothing no tire marks no footprints. Oh toughy. It looks like it. Well, somebody's car might have a little blood on it One-shot detail is the watch and ring on the hot list, but all we have to work on now Yeah, I feel then Thanks Guthrie then I'm at twenty two one seventy eight Cherry Hills place across from Bethel and it's house about six houses down Twenty two one seventy eight. You know, what's up checking the story about Leonard walking home lady Yeah, Mrs. Sheridan saw somebody pick him up when he left the house does she know who it out She says it looked like Bethel and its boyfriend James Brewer. Okay. We'll check it out Backing up the great CBS radio news team on election night will be Univax the electronic brain It'll be operating for the first time to bring you faster more accurate more complete election night totals on November 4th make CBS radio your election headquarters to hear the trends the color and the results You'll hear Edward Armiro, Lowell Thomas and the rest of the same great CBS radio team that made convention reporting history earlier this year Crazy I was right here in bed. Any way you can prove that Mr. Brewer prove I was in bed Lord. No, I was here That's all I was home and in bed by 11 last night I don't quite understand why you're here. Just checking You drive a 51 Cadillac sedan. That's right black. Mm-hmm This witness said it was your car. Well a lot of people have cars like that. It wasn't mine No, I understand. We have to look into all these things sure. I understand You want to come in here?  Working I own a club out on Lincoln highway anybody there see you leave sure Charlie Monroe my manager You came right home went to bed. Yeah You knew Henry Leonard. Sure. I've known him 10 or 12 years known before he married Beth. Were you on good terms with him? I mean, oh, yeah, I think so those good terms you can be with a husband of the woman.  Yeah, you see him when he was in town. Yeah Sunday night We all had dinner here. Did you talk about the divorce? Yeah, Hank said it was all right with him If that's what Beth wanted Sunday the only time you saw that's right. I Know you have to look into all sorts of things, but I didn't kill him if that's what you're driving at You own a raincoat mr. Brewer Sure like to see it. I sent it to the cleaners a couple days ago. You remember what cleaners? Windsor why just want to look at it now. Listen you too. I'm no criminal. I have no record I've never been in trouble with a law you have no reason to inquire into my personal life and the things I do I've been pretty nice to you up to now, but I won't stand for this I have a lawyer who might be able to make something out of your accusations We aren't making any accusations. Mr. Brewer just looking for the fact. Well look for them someplace else This is my home and until you have a warrant or something you have no right to come here Don't ever tell a police officer working on a homicide that he has no right to make inquiries We'll contact you later. What do you think man? Pretty big guy. Yeah, his cars in the garage, Ben. You got a chance to look at yeah, the jackhandle's missing Well, she's just finishing up now How about the bar yeah sure Thank you very much and now because you all asked for it here. It is again your favorite and mine And miss Leonard, but we have to talk to you again. I'm sorry miss Leonard, but it's necessary Well, not here we can use mr. Hanson's office. I'll come I told you that before we know Was there any trouble about the divorce? No no trouble at all Hank was very sweet about it had he taken any legal action. He was going to see a lawyer this morning Do you know if mr. Brewer and your husband had any words about this divorce situation? No, no Hank, and I've been separated for such a long time No, mr. Brewer told me not to answer any more questions Wish he hadn't told you that he said you had no right to annoy me or him I think he's right. You said you thought my husband had been robbed and killed What are you trying to find out now mr. Brewer is no killer of thief I'm certainly not and we have to check out everything We want to find out who killed your husband. That's all mrs. Leonard a Witness claims she saw your husband get into a car like the one mr. Brewer drives She says mr. Brewer was driving it We're here to find out if you know anything about that I don't know anything about it, and I don't think I'll answer any more questions I'm sure we should look at it differently mrs. Leonard.  We have him here still talking to him, but it may not be Brewer Oh Asher just called it a big guy just pulling the watch it was taken from Leonard's body. Where Bob Bommash's pawn shop 18th and Curtis We'll meet him there He left the shop about four minutes ago. Bommash gave me a pretty good description 6-2 brown suit 190 No had he must be around here somewhere. Yeah, what's the story on the pawn shop detail was in Bommash's place this morning It was still fresh in Bommash's mind when the suspect came in he signed the buy book Harry long. Here's the watch Movement case numbers check on yeah, it puts Brewer in the clear. I've been yeah Now we have to get this one. How do you want to work it then? We'll lay it out every intersection for six blocks every alley now. Let's get some more cars down here This sounds like our boy, and I want him in the area somewhere He could be in any one of those stores might live around here, too 66 a 205 at 617 Manning see the woman. I'll check him. Yeah 13k to unit 17k come in 17k to 13k go ahead then you do any good yet nothing then I'll check it around then hmm going into market town with the packages, huh? That's the description Just spotted man answering description of suspect now entering southeast entrance of market town call it out Cover every entrance every street beat and I are going after him market town Roger Let's go Pardon me, please Pardon Sorry, sorry Pardon me He's going for the parking lot. Yeah, come on. I've been that 49 caddies is yeah, Mr. Long Your name Harry long. No, you've got the wrong fella. Mr. Police officers. What is this? It's your car Well, yeah, say listen, we better go where we can talk come on What about that you pawned this watch a few minutes ago, Mr. Long We'll talk about it for a stouter.   These look like blood stains to you Yeah Better phone in tell him to let Brewer go Being Bill Johnstone as Lieutenant Ben Guthrie with Jack Moyle's a sergeant Pete Carger was written by E. Jack Newman with music by Eddie Dunstetter Martha Tilton was featured as Beth Leonard others in the cast were high ever back Peter Leeds Victor Perrin Howard McNeer Sydney Miller and Virginia Greg the lineup is produced and directed in Hollywood by Jaime del Valle The nation's Forestry Service reports critical forest fire conditions in the Midwest the Far West New England and the South with many other areas showing increasing danger compounded by an unprecedented number of hunters in timber areas To all of you in or near Timberland areas these critical weeks take every precaution to avoid setting fire Thursday night date with junior myths on the CBS radio network


When the narcissist doesn't want to see you anymore when they stop talking to you When they stop answering your calls They stop wanted to see you in person There are a few reasons why they might do this But one of the main reasons is because they know you know who they really are They know that you figure them out and Once you do that you can no longer validate their false self You can no longer give them positive narcissistic supply They need someone who is going to view them in the exaggerated way that they would like But once you've seen what they're really about You can't do that anymore And that stops them from getting supply Which is one of the main reasons why they would ever want to see anyone Now the only way that they can get supply is by not seeing you anymore When you see through their false self it makes them feel worthless and insignificant So from that point on all they're going to do is try to project these feelings on to you Because any time that they see you or talk to you it just brings up those feelings all over again It reminds them that their false self isn't real It reminds them that it's all a lie and that they're not as great as they make themselves out to be So once you have seen through the false self and expose them for what they really are They're not going to want to see you anymore Once the relationship starts going bad and you have arguments or disagreements At that point they have to make a choice between you and their false self and No narcissist is ever going to choose their source over their false self It's just never going to happen Without the false self they would go insane They would lose their minds But once you've figured them out They can only choose between you or their false self They can only choose between you or Protected their image and reputation And a narcissist image and reputation is all that really matters to them All they care about is how they look to other people They only care about superficial things. They don't care about anything deep or meaningful It means nothing to them They will make up stories about you and act so you did them wrong While secretly knowing that how they treated you was not right But they have to protect their false self They have to save their image and reputation When the narcissist thinks of seeing you again One of the main things that will stop them is how it is going to look to other people After they've just gone and told everyone all these horrible things that you were meant to have done to them After they have told everyone that you were the problem If they come back to you and try to fix things That would be like they are admitting that they were the problem And that is something that no narcissist is going to do They have too much pride and arrogance They don't value human connection All they care about is fake superficial things And that is why once you start having problems in the relationship Sometimes they won't want to see you anymore Because every time they see you it just reminds them of everything they did to you It makes them feel ashamed And they want to live in their fantasy world where they can pretend that you were the problem Where they can pretend that you were not good enough for them Then they can feel like their false self exists Then they can feel like they are superior to you And it also makes you chase after them It makes you want to see them again so you can try to figure out what just happened Which also makes them feel like you were the problem Because if they did you wrong Why would you be going back to them? Why would you still want to see them? Another reason why the narcissist doesn't want to see you anymore Is because they just got bored Once they've learned you and they've been around you for a certain amount of time They will always get bored A narcissist cannot sustain a long term relationship for this reason They're adrenaline junkies They need constant entertainment More than what one person can provide This is why they will often have multiple sources of supply But every supply has an expiry date and they know this Which is why they never invest too much of their time or energy Because they know at some point it's going to end They know at some point your attention is no longer going to have the same effect on them So they hold back, they stay distant Because they already know what's about to happen They already know that it's going to end whenever they get bored Whenever the supply loses its potency But even if the supply never ran out They still wouldn't be able to sustain a relationship Because deep down they believe that they're not meant to be loved They love the fantasy and the idea of love But from what they've experienced in their childhood All of the abuse and neglect They feel unworthy of love Because no one ever loved them in their childhood No one made them feel loved So they grow up not even knowing what love is They value superficial things over love And they want people to attach to them But they never want to attach to you Because of what they've learned in their childhood They've learned that attachment will only result in them being exploited and hurt They avoid intimacy because deep down they feel that they are not worthy of it They would rather chase people's attention instead Because at least then there are no emotions involved There's no risk of them being hurt And that's why they created their false self Because they felt that who they really are is not worthy of love And when you're asking the narcissist to see you again You're telling them to bring back that person who they believe is unlovable And that's why there's just no way that they're ever going to come back Because no one would willingly put themselves in a position Where they are going to feel unlovable No one wants to feel that way So they'll serve ghosts They can't deal with that They'd rather just be their false self and live in their fantasy world At least then they can protect themselves At least then there's not much chance of them being hurt But the irony is that they end up programming themselves In a way to block and deny the very thing that they always wanted Because they are afraid that they might end up feeling unlovable Because they believe that if they were to be vulnerable with you There's no way that you could ever love them If you knew what they were really like And even when you say that you love them They know that's not true They know that you just love who they think they are The fantasy Because they know that they never revealed who they really are to you And they never will They believe that who they really are Could never be loved by anyone So they hide it They bury it until it no longer exists Even though that might have been the very thing that you needed to see The very thing that would have helped you to connect to them The narcissist definitely does not want to see you anymore If you have progressed as they left you If you have become happy and healthier If you have become more successful They're not going to want to see you anymore Because then it really rubs it in their face That they were the issue in that relationship They were holding you back Because if they were so great You would have manifested all of this while they were with you And if you were the problem like they said you were Your life would have deteriorated after they had left you If you're doing better That just tells them that there was something wrong with them So they're not going to come back They're not going to want to see you anymore They're not going to want to give you the satisfaction They're going to stay hidden somewhere Where they can lick their wounds Because they know that if you're happy and healthier If you have become more successful There is no place for them in your life They know where their place is They know where they belong And once you've elevated to higher levels They're never going to feel comfortable around you Winners gravitate towards each other Winners feel comfortable around each other A narcissist will never feel comfortable around a winner All they can do is try to bring you down to their level So that they can feel more comfortable And if they can't do that If you figure them out They're just not going to want to see you anymore Because all a narcissist really cares about Is how they feel about themselves Thank you for watching I hope this video resonates with you Please like, comment, share and subscribe Click the bell icon to receive notifications for my future videos If you were like me today My paypal link is in the video description Coaching and queries, you can email me at nags.coaching.com Thank you for watching and I'll talk to you soon


This is for the in-betweeners, living between everyday oppression and war peace. The now is and the is to come, in that dry space where nothing is certain. Revelation is what we write when we're chanting. We will win, but we don't know for sure that we will win, and we don't all agree what winning means. Sometimes the good news is that the war is over, but revelation is for times when the only good news is that we can still envision good. In those times there will be an angel, a John, and hope in the fall of empire and the restructuring of the world. And we who live in the middle of this story, not its end, we proclaim that Babylon is fallen and that righteousness is the rightful rule for the earth. This is our hope and our testimony. Maranatha.


Good afternoon. I'm here to talk to you today about how you can drive growth in your startup through email. Maybe not considered the most sexy technology, but actually one of the most effective tools in your arsenal for driving growth. As stated earlier, I'm the CMO at Sengrid, and I'm really excited to be here today. A few thoughts about Sengrid. We are one of the largest email solution providers in the world today. We provide an email API solution that allows you to send email from your application in a very easy and effective way, as well as an email marketing tool that allows your marketing team to drive growth in your business. And like many of you out there, we were a startup nine years ago, and we've scaled today to a company that's going to drive over $100 million in revenue and grow 45% and be profitable this year. And it all started with three of our founders who came up with this great idea of sending email via an API. And suddenly, we find ourselves today sending almost 1.5 billion emails every single day, close to 40 billion emails a month. We have over 120,000 customers. And we're really excited to be here today. So who out there is using email to communicate with your customers? Can I see a raise of hands? Yep. Most of you, it's a very effective tool. It started in 1971 when the first email was sent and followed just six years later when the first piece of spam was sent by a guy named Gary Tork, who was trying to sell mainframe computers to the early people that were using the email system. Today, there are 205 billion emails sent every single day. Almost half of them are spam. And 2.6 billion email users. SendGrid actually sends to 1.7 billion of those users almost every single month. So it's just a summary of our scale. 4 billion accounts worldwide. 25% of those are business work accounts. And interestingly, about 20% to 25% open rate for most marketing emails. So a large number of emails being sent are not being opened. And the average person receives 500 marketing emails every single month. There's a tremendous amount of clutter and challenge that you have to work through to be effective in your email marketing campaign. But it's true that email is the leading return on investment marketing channel. For every dollar spent on email, typically $38 in return in terms of value, it's a very, very effective channel in the market today. So I'm going to share with you five key takeaways for driving an effective email marketing campaign. And it's going to start with design and how you think about design in terms of your email strategy, followed by content, the types of elements that you use inside of your program. Contextualization or personalization, which is one of the most important elements of driving effective email today. Globalization, which is increasingly important as the world becomes smaller. And then lastly, deliverability, which is probably the single most important element of being a truly effective email marketer. You can create great designs, have awesome content, but if you don't get the email in the inbox that you're sending to, all that effort has been wasted. So let me start with design. Three keys. First, every one of your emails should have a really clear call to action. Here's a couple of our customers, Uber. Every Uber receipt that you receive comes through SendGrid, the skim. They are very, very effective at delivering a simple call to action at the end of their emails. In this case, Uber uses a social engagement strategy that's very effective for them. Every one of your emails has to have a clear call to action. You also need to use clear typography images and icons that align with your brand and reinforce it and ensure that it's not disruptive in terms of the recipient's understanding of your message. And then lastly, it's very important that you use A.B. testing to validate and optimize your email program. You should test your call to action, your color, your design, your typeface and font, and most importantly, the placement of your messages inside of your email itself. Here's a customer of ours, a retailer in the US called CB2. They tested two different emails. One with a rug call to action on the left and the second where the carpet call to action was really clear, drapes on the top and rugs on the bottom. They ended up testing this and finding that it was too confusing for their recipients and their rug test went out significantly. Second, content. Three keys here. We've done a lot of research on optimal typefaces and call to actions and the number of words that work inside of emails. But really, your subject line is one of your most important real estate elements. And we've found over and over that three words in your subject line went out in terms of engagement and open rate dramatically, driving an almost 22% increase. Also, you need to be very careful about choosing buzzwords. You should avoid words like free, ironically. You should leverage words like yesterday and tomorrow. And then avoid hashtags and especially emoticons in your content. And we have a really strong posting on our blog around the research that we did here. I encourage you to go check it out. Also, make use of your pre-header. It's often what stands between you and the open rate. A lot of people ignore this very valuable marketing real estate. You should use it to call attention to your CTA. And avoid the temptation to give your users too many calls to action. You should be very simple and clear. Make sure you use one at the end and make it very purposeful. All right, let's move on to contextualization or personalization. Today, hyper-personalization is really top of mind for so many email marketers. Personalizing the subject lines for B2C email has proven to increase open rates by more than 40%. On B2B emails, it can be closer to 20% increase. You need to move to the point where you are using past behaviors, intent, data-driven attributes to drive high levels of personalization in your email strategy. Moving away from broad segmentation to micro-segmentation and getting to the point where you're having a one-to-one conversation with your user based on past data and history. Here's an example of one of our clients, bands in town, which it's very timely. It's about an event that's taking place very soon. It's highly relevant to the user. It's based on a band that matches a profile on a selection of other bands that this particular recipient values, highly personalized, and it's regional based in where he lives in Denver. Also, set up triggered emails based on actions taken by your recipient. Here's one of our big clients, eBay, and after an auction was completed, they're able to immediately send an email to a recipient hand-picked for you, things that we thought you'd like to know about. They've also taken it to the step of actually creating a system where if the user receives an email about an auction and then three days later chooses to open it and the auction happens to be completed, they're able to publish new content dynamically into that email that's relevant to the user and it enables them to send actually less email, which is very important for their reputation with the ISPs and enables them to drive higher levels of conversion, very effective way of high levels of personalization. Also, email is becoming much more interactive. Here's one of our client, Jack Threads, who actually uses CSS3 and HTML5 to publish interactive checkout experiences into their email itself. This allows you to send an email to a user, have it be highly personalized based on their past, purchasing history, and enable them to buy directly inside the email itself without having to go directly to the website. Very, very effective tool for contextually driving behavior and results inside your email program. Okay, let's move on to globalization, which many of you I'm sure are sending email outside of Japan and to other areas of the world. It's a key way for driving acquisition and engagement inside your customer base.  And if you're driving an e-commerce strategy, it really needs to be aligned with the local currency that you're sending to and the local payment types, like the Konbini in Japan, for example. You also need to ensure that you're adhering to the compliance standards of each country that you're operating in. They're very different. Finland, for example, requires you to publish the IP address that you acquired the individual customer from in the footer of the email. The recipient can't see it, but the ISP can. Russia has tremendous requirements around privacy. The European Union has a variety of different ones. It's very important that you understand the different compliance elements of the various parts of the world if you're gonna be sending into those countries. Canada, for example, has a very aggressive privacy opt-in policy called CASL. Also, users engage differently where they are in the world based on different devices. So here's an example of our customer base where India tends to open much more of their email on a website or a desktop computer versus a mobile device. In the United Kingdom, it's close to 65% mobile. Here in Japan, based on our data, it's about 60%. And ironically, most of those are on iPhones or iPads. Almost 96% of those opens. And 60% of those recipients are opening their email and Gmail. So you have to be highly focused on the different types of devices as well as the global ISPs. They operate quite frankly very differently in different parts of the world. The Big Four, Gmail, AOL, Microsoft, and Yahoo, they're receiving the vast majority of email in the world today. But Orange, for example, in the EU, little less sophisticated technically, they're using complaint rates from email to make big decisions about reputation management. And if you're gonna be sending into Europe, you need to understand that unique variance around Orange to be successful. Lastly, I wanna talk about deliverability, which is the industry term for getting that email inside the inbox itself. 21% of legitimate email never reaches the inbox because of challenges around deliverability, frankly not knowing the unique requirements that each ISP have to manage reputation of the sender. Deliverability is very complex. There's both a technical and a human aspect. On the technical side, you need to understand your IP architecture and reputation of your IP addresses that you're sending from. You need to understand email authentication processes, which I'll talk about in a minute. Complex things like transport layers, security, automated bounce processing, automated compliance processing. On the human side, you need to understand the vagaries of whitelisting to enable brand reputation and management. You need to understand the realities of blacklisting and how you remediate if you become blacklisted by a company like Spamhouse, for example. Also, all the compliance elements around the world and various elements of the ISP relationship and particularly the reputation management of your ISPs. So let's talk a little bit deeper about deliverability, which has impacts around reach, conversion, touch, engagement, really, really important. First up, learn the rules of the email road.  It's very complex. We're gonna be sending in different parts of the world. You need to understand this or you will be blacklisted by your ISPs. Consider leveraging a service provider who understands the unique elements of email authentication, such as SPF, de-chem signatures, the DNS and MX record elements, and then, of course, increasingly demark policies and analytics have become a more important element of email sending than ever before as more ISPs move toward domain management for reputation.  Make sure that you're managing, however, your lists in a smart way. Don't assume that everybody wants more than three emails a day. It's often not the case. Make sure you AB test all of your messaging and are optimizing, particularly for placement, and send less emails to those who don't open or click on a regular basis. In fact, if somebody doesn't open an email after six to nine months, you should drop them from your list and you should be continually pruning the bottom one to 5% of your list and not sending them to the old list to maintain your reputation and your engagement rate with the ISPs. And whatever you do, do not buy public email lists. They're filled with spam traps and they will almost guarantee that you will be blacklisted at some point in time by one of the services. Make sure you avoid detours to the inbox. Confirm if you need to warm up your IPs. It's a standard process of managing reputation with your ISP. If you start sending off of a new IP address, you want to start sending slowly. 10 emails the first day, 25 or 30 the next day, moving up to the hundreds and thousands and eventually millions.  Know your target metrics and make sure you're able to pivot very quickly when you start to see problems. This requires an active daily management of email inside of a large sending program. Once you click send and your service provider delivers, you then have to think about how you did. Make sure you're managing this very clearly, looking at delivery rates, looking at opens and bounces and clicks, making sure that you're tracking your spam reports and managing your unsubscribe requests. Reputation is the key here. You need to manage your reputation with your ISPs that you send to. And the basics of this are to ask permission when you want to send email to a person, make sure they're opting in and respect it. Create an email preference center on your site or your app so that people can opt in and manage the different types of email that you're sending them. Make sure you send a welcome message the first time so that they're aware of what is gonna be going forth. And remove any unengaged email recipients. You have to continually prune your list and take out those people that are not opening or clicking on your emails in order to maintain your reputation and make it super easy to unsubscribe. On the infrastructure and authentication side, consider using dedicated IP addresses so that you can manage both your brand if they're a white listing element and understand if you need to warm them up over time. Make sure you're segmenting your email streams across different IP addresses, not just sending everything off of one. Make sure your sending domain has an SPF record. Make sure you're signing your emails with a decim signature and publishing a DMARC record. And if you don't understand what those three things are, make sure you think about using a service provider so that you can help you optimize that. So the takeaways here, design emails with a clear call to action and with branding and A.B. test everything to optimize. Create compelling content that users are gonna value and understand. Contextualize for both timeliness and relevancy and optimize for global sending. And in all of that, make sure your deliverability is world-class so that you can successfully drive growth in your business. Thank you very much. Have a good rest of the day.


So we're here with the Feel It. So who are you? So we are a startup company, a body startup from the Technion in Israel. Can we check this out? So you are doing skin-inspired, flexible sensors, electronic skin. So basically the most sensitive part of our human body is the fingertips. We can sense a milligram in terms of flow resolution, and we can sense two points that are one millimeter apart from one another. And we take these features and integrate this in the flexible sensors. So we have the patent technology that enables us to measure, touch on its location in a human-like resolution. And we use this... This is your sensor there? Yeah, this is the active layer. It's based on a wall nanoparticle ink that we print. We can print it on a different substrate. And we use, instead of 100 pixels that you normally might use, we use only 10. Only 10? 10 for this kind of resolution. That's our patent technology. And that enables us to have low power consumption and low transfer data. And this is good for wearable and mobile applications. So when you touch here, the sensor, can you show again? Yeah, so you see that you're changing the resistance, the electrical resistance. And that's based on just what you touch or the whole, where's the measuring? So this is only the sensor. This whole part are wires. Are they also active, the other ones? Not connected, but I can show you. So an additional application is for surgical tools. Okay. For minimum invasive surgery, a surgeon currently use a camera and some surgical tools, but they don't have the hands to feel like normal tissue versus cancer tissue, for example. And that's an issue. We've talked to several doctors and we wish to embed this sensor inside the surgical tools. So when you clap, you can see the change in the response and that could be monitored. You can monitor perforation, for example. You can have the textures of tissue and you can see this on a computer screen. This could be embedded as actuators on the doctor's hand, for example. So that's another physical application. An additional interesting application here is for movement monitoring. Movement? Movement, where we have the sensors embedded inside of a sleeve. And the sensors are placed over here. So when they bend, when you bend your hand, you can see very nicely the response. That's awesome. Yeah, and that's for example where you want to monitor the improvement of movement and also for virtual reality gaming and for sports, for athletes. So what else are you talking about here? You have a paper here. Where have you been showing this technology and what's going on with our solution? Is it coming to market? So currently we are focusing on initial health monitoring patch application where we want to provide the whole solution, the end product and based on this initial product line we'll be happy to get feedback and improve the technology and then have a kit that could be supplied to different companies costumed to their needs. Alright, cool. So how do you make this? What is, it's flexible, how do you make it? So we use a commercial polyamide substrate. We print on it the conductive with a commercial silver inks and we produce the gold nanoparticle ink which is the active layer which we print. So you saw that stuff. Cool, alright. What do you think about ID Tech X? It's great. It's a good opportunity to meet as many potential collaborations. It's going to be huge in the future. Printed electronics, flexible sensors and that's what you're doing there. That's great. Thank you.


Since 1838, many astronomers have spent decades measuring star parallaxes, but the work is so painstaking that up until 1989, only a few hundred were measured. That's out of a total population of over 1,500 stars within 60 light years from us. In 1989, however, the European Space Agency launched a spacecraft called Hipparchus. It was specially designed to accurately measure parallaxes without all the interference from the Earth's atmosphere. It did so for over 118,000 stars. Hipparchus is accurate to within 5 to 10 percent for stars within 650 light years.


What's up everybody, Jason here for JaspysCaseBrace.com. 222, Penini Mosaic, Choice Football, just sold out. This is a four box break, pick a team's number six, where we're also giving away $500 in break credit guys. To get entered into that giveaway, all you have to do is buy two teams. You buy two teams, you get one entry, buy four teams, you get two entries, six teams, you get three entries, et cetera.  And of course, top name, winner take all, gets $500 in break credit back. So, we'll advertise the names and we'll do the giveaway later after the break. And it is coming from a fresh case guys. There you go. Boom, boom. That's right Harry, you have the Eagles right there? Always brother. All right, so let's open up this case. And again, it is a sealed case. So, we should probably be able to do a five of these breaks. So, the way we'll do it is, I think there's gonna be five breaks worth. We'll put them in stacks of four. So, we'll go at the top, two on the top right, two on the top left. It'll be one break. These two will be another break. These two will be another break. These two will be a break. Two will be a break. This is a little easier this way guys. So, one, two, three, four, five.  If I roll a six, we'll just re-roll it again to see which one we use here guys. Good luck. So, two. So, one, two, we're gonna go with this stack right here. So, I'll put a little slash through these there. So, that way you guys know they're from the same case. So, here we go, four box break. We'll take choice, here we go. All right, here we go. Logan Thomas, Drew Locke, and then our first auto is Pierre Strong Jr. With a Jeremiah Johnson, number to 80, Robert Quinn, James Cook to 80, and we have Snoop Connor, and a Devonte Wyatt. Well, first of all Rex, do you know the exact time? Cause I'm thinking that the 11-25 sold beforehand. And I don't even, we don't know if it's got paid for, that's the problem. You should look up and see the timestamp cause usually it tells you when it's sold. Gary Wilson, Matt Correll, and a Kishan Johnson autograph. Wanda Robinson to 80, that's a Tyler Boyd, Black Gold and a Peacock of Austin Eckler. So, seven out of eight Austin Eckler Peacock with a Cade York and a Samori Tori. Kyle Gordon, ooh, we got redemption. Jamar Chase, number seven out of eight, that's a very nice one there. Cameron Thomas out of 80. Jamonte Williams out of 80. Then we got a Desmond Ritter for the Falcons, going to Nick, and a Cade Austin. Thank you, Nick. Well, either way Rex, I mean, it's not about being smart. He could have been content getting 800 bucks for it. Probably paid a lot less, I don't know. But at the same time, it's just kind of hard that like, you see other ones best offered on 800, 900 right now, but yeah, one sold for 11.25. So it makes me believe that people think that that's probably a fake sale. All right, rookie autographs, music, choice, fusion, red and yellow, part number 18, George Pickens. This dude's been a redemption for a lot of stuff lately. Not sure, Troy, but I know it does finally release on the 23rd, which is a Thursday. How weird, right? Thursday. Upper deck doesn't want to compete with a Wednesday release, so they're doing it Thursday, but I'd assume soon, man. I'll probably text Nick over the weekend and ask him when he's going to do it, because obviously I'm super excited for that. I might even come early on Thursday instead of freaking Wednesday, just to break some cup hockey. So excited for that.  All right, here we go. Gibson. And try on Davis Price, with the George Pickens to 80, to a tug-of-a-lo, to 80, and Cam Akers to 80, with the Skymore, and Calvin Austin. All right, you guys, there's the first four, Pierre Strong, Calvin, Keechon Johnson, Tyler Bovediga, One Peacock, George Pickens, Davis Price, Pickens, and then out of eight, Jamar Chase. So appreciate you guys. Now, let's quickly switch scenes and let's do the $500 break credit giveaway. Now, of course, if you bought two teams, you are entered. So AA Ron, unfortunately, I was hoping for a big Seahawk because they were sitting in there, but nothing there, man, so unfortunately, not in there, and say they were D-Lo, only one team there. But David, you have two teams, you have one entry. Edward II, that's one entry. Eftranny, that's four. That is two entries. Harry II, that's an entry. Kyle II, that's an entry. Nick II, that's an entry. Nico, with six, that's three entries. Got Patrick with two, that's one entry. And then Raymond with six, that's three entries. And then Ron with two, that's one entry. So total 15 out of the possible 16. Dice roller, customer names, roll. Five and a three, eight times, good luck. Here we go, eight times, five and a three. One, two, three, four, five, six, seven, eight. Boom, eight times, eight times. Patrick Evans, congratulations, buddy. You just won $500 in break credit. So let me send that to you right now before I end this video, because I don't forget. But you just won $500 in break credit. I'm gonna post up another mosaic, you can reuse it on mosaic, whatever you like, buddy. All right, there you go, man. Boom, sent to your email. Pretty sure to you guys. I'll post up another one in the store right now, jazbskatesbreaks.com.


I think last year we had a successful season, even though we didn't make the N-S-A tournament the first time in 12 years, I thought we still ended up as a top 15 team and had a good go. We just lost some really close games and unfortunately we lost a really close one in our conference championship game. But we got a majority of those guys back and we're excited about the direction we're heading and especially only losing a face off guide in our goalie and the majority of the guys that we have back starting, which is great in a freshman class. We think it's excellent, but we think we got the goal for us as the same. We want to win a national championship, get back to the N-S-A tournament, win our conference and so those goals remain consistent from year to year. We're lucky enough to have several of our All-Americans back from a year ago. Ryan Coleman was a two-time All-American for us over the last few years and Cam Lydie was a three-time All-American for us back and Josh Brand was a second team All-American and we think we have some other guys who are going to be very good for us this coming year, especially Mitch Lashman who's an attachment for us and we have Dylan Linnhart who was back with us two years ago. It's an excellent addition, but Jack Scalotti and especially Grant Zick are both two excellent players for us that can really do a lot of damage and having the Griffin gas back in that midfield area helps us as well. So we think we got a lot of guys in that area that can really come back, especially guys we think should be deserving a lot more as you know, Ryan Quinn and Maldivi who had excellent years down low for us working. So we think that all those guys have potential to get honors this year at some point. Freshman class this year, we're really lucky to get some good guys. You know, we have guys from about eight different states and you know, they're really going to help us. Some of the MIDI D's are going to help us right away and I think some of the midfielders, especially guy like Alex Wilson and Colin Dobbins and kind of Remington are all guys that especially in the midfield that think can help us early in the season and especially we get some injuries. Those guys are really outstanding players and the rest of the guys are going to be good players we think come down the road.  You only lost one game between the two a year ago and then we play Salisbury who's another top five team. So, you know, the way we go about it each and every week is that, you know, we want to play our best each week. So we have to practice that way and limit our mistakes and I think that's the way we've kind of gone. You know, we've been a tough out. We just got to do a better job when the game matters the most in the last five minutes, seven minutes of the game, not turning the ball over, making our opponents pay for their mistakes, why they've done a great job making us pay for our mistakes. And we have to limit their chances and when they make mistakes, really kind of cash in. And I think those guys have done a great job with the preseason. We do a lot of situational type stuff to help us get better at that. And I think it's really paid off and in our first scrimmage is going to do that and then we'll see how it goes in Hanson, Sydney and before we get ready for that opener at your Sinus. I think it's been, I think we know the guys have done really well, you know, hard, we got a good group coming back, especially our super seniors, the six guys that came back, really going to help us a lot. They're quality individuals. And what I really like about the team is that they are, our culture is great. They've done a great job and we continue to build that way. And the family atmosphere that we have is really growing each and every year, especially even with Cam and Matt Wilson being four-year captains and now having Damian Schmidt and Jack Scalotti to add captains this year to add some new guys into it. They've done a tremendous job. And we're excited to get on there and we hope all our fans come out to see us. We're really excited about the year and can't wait to get out there in our first home game against CNU.