What's going on, everyone? Sam here with late in sports cards, ripping 22 tops, triple threads, baseball, hobby, nine box case break, number 41. Pick your team style. Got a list of our names and teams next to me. We got Adam P. Rockies, Akeem D. with the Pirates and Rays, Alex P. Mariners, Barry G. Red Sox Giants, Ben H. Braves, Blake S. with the twins, Brett V. Phillies Marlins. Thank you, Brett. Brian H. Athletics, Chris G. with the Cubs. Thank you, Chris. Christopher L. with the Padres, Edward P. Orioles and Rangers. Eric R. Angels Yankees. Greg B. with the Guardians. Inku K. Nationals. That is Jonathan B. Metz. Joseph F. with the Cardinals. Kari M. Astros. Kevin C. Dodgers. Nestor R. with the Brewers. Ryan M. Reds. Scott V. Blue Jays. Scott F. White Sox. Stephen S. Diamondbacks. Royals in Travis D. with the Tigers. Good luck here, everybody. Let's get going on it. Let me, I'll scroll up on it really quick, James. James said the school is Arizona Christian University. I'll play right handed pitcher. You let him know. He plays right handed. Right handed? What? Yeah, right handed. What's right handed? I pitch left. I pitch right handed. Yeah. Right handed pitcher. TTT, TTT, TTT. Here we go. Jared Kellnick, 259. Babe Ruth, the 299. Bobby Whit Jr. Rookie. Ty Cobb and Nolan Ryan, the Express. We've got Yadir Molina, that is 27 out of 36 for the Cardinals. STL. And Matt Chapman, that is going to be Jersey Auto, 67 out of 75. Yeah, James, I knew a lot of people who were affected in a similar way. Brad to 259. Corbin Burns to 299. That's funny. That's pretty funny, actually. Nice one here going to St. Louis. STL stats, Paul Goldschmidt, 15 out of 27. Those are random. Grats, Cardinals, pick your team. Grats on that again, Cardinals. And Clayton Kershaw, 36 out of 48 going to the Dodgers. Loads of lawyers. Mark, are you a Red Sox fan? There's a group break right here, Beard. But there are 400 a box, I believe, something like that. Oh, that's cool. Getting school paid to be pitching. That's nice. Dude, the goal of baseball is to just play as long as you can, man. Spencer Torkelson to 199 Tigers, and Babe Ruth to 75 Yanks. Babe Ruth, rainbow coming out of here. Oh, pulled my first one out of last year's box. Nice. What was it, Beard? That's awesome, dude. Ronald Raccoonia Jr. Welcome back, 9 of 27 for the Braves. Tigers fan. Alex, we're live on Twitch and YouTube. Twitch and YouTube, late in sports cards. That's where you can see the close-up angle. Then we've got MJ Melendez, on card, Rookie Otto, 35 of 99 for SG and the Royals.  Oh, yeah. Ozzie Smith, nice. That's awesome, dude. The wizard. Mike Schmidt, on X to 50. Green is Honest Wagner to 259. Oh, baseball's awesome. I love baseball. I love that. Yeah, that's fantastic, John, for sure. There's Alec Bohm, 31 out of 75 for the Phillies. Jersey Otto, second year. I've just honestly loved it more and more and more. Yeah, exactly. That's how I've gotten older. Like I- Trisha McKenzie, two of 36 on the Game Use Jersey card. Player Warrant Jersey card. I liked the Red Sox a lot growing up. I just love them as a fan, but I didn't super love playing baseball to sport. But now, I literally can't even watch it without wanting to go play it. You go play it, yeah. That's how you know. I was just bowling with him last night, Mark, for my friend's birthday. Really? You went with the Riley Green? That's awesome. Riley and Bonne are good friends, so it was Bonne's birthday. Bonne Grissom? Grissom? Grissom? There's Yadir Molina, 2.99. And Hunter Green, 1.50. That's awesome. What's up? It's a big goal. Nice, yeah, of course. Maggie's the guy, for sure. Hunter Green, Rookie. Got a redemption on the back. First up is going to be Garrett Cole, 3 of 18 for the Yankees. Nice one there on the NYY patch. And we've got Rookie Autograph card, Amethyst Parallel, Spencer Torkelson, going to the Tigers. Congrats to Troit, Travis D. There you go, Travis. Congrats, buddy. Yeah, that, Bonne. Yeah, the new shortstop in Atlanta. It shouldn't be, probably, I have to imagine. Yeah. I mean, he's got to go out and win his job, but... Right, but he's got a good shot at it. It's his to win, you know. It's like we got an extra hit in this pack. Francisco Lindor to 1.25. Orange, Austin, Riley to 1.99. These usually have something good in them. That's pretty cool. Amethyst. Here, I could look that up really quick for you. Not 100% sure. First redemption ever? Not bad. Torkelson's a good one to get, too, Trab. James, I was committed to Columbia University. And then my senior year, I decommitted and committed to Columbia. But I ended up getting drafted out of high school. New Wake Forest. What did I say? Columbia. 75. 75, Travis. Yeah, 75. Thank you, Shane. There's Edgar Martinez, 8 of 18 for the Mariners. Nice one there. Oh, yeah. Torks gonna break through here. Torks gonna be good, yeah. There's Kyle Lewis for the Mariners again, 26 out of 48. And J. Cronenworth, 12 of 18. Wow, he went to 13 Major League stadiums in three years. That's fantastic, dude. That's crazy. That's like a dream. Yeah. How many have you been to? LEGO's a spectator. Yeah, yeah. I'm thinking MLB. Sanway. Tampa, Sanway. Miami, have you ever been to or no? Nope. Atlanta. New or old? Both. Nice. Yeah, I went to the new Atlanta. It was awesome. I haven't been to Yankee stadium. Let's just ask you if you knew Rain Supple. Ryan Suppley. Or Ryan Suppley. Carlos Correa, said 99. Carlos Correa at a 259. Did you? No, no, Ryan, no, Ryan's, no. That name's familiar to me. T.J. Amerser. Ryan Supple, he was a player there. Gotcha. Jared Durand, triple to begin rookie jersey card to 36. Ryan Suppley was the name of the pitching coach at Columbia. Oh, gosh. And Kyle Talker, 14 out of 50, going to the Astros. Nice one there at Houston. Whole baseball wall. That's really cool. That'd be awesome, James. Pit stops at games along the way. That's a way to do it, honestly. Like my dad and I drove down to Florida when I was like a soft freshman in high school and we stopped at Tampa on the way down. We stopped at Atlanta on another trip. 125 Cal Ripken and Austin Riley at 99. Yeah, the pitcher I remember. Nice one here. We got a triple. That's going to be for the White Sox. Lubab, Tim Rains and Eloy Jimenez on the Emerald Parallel. Congrats on that. Colton Keith. Yeah, since you don't see a lot of Kyle Talker stuff, it's awesome. And Sonny Gray, two at 48 for the twins. There's a book in there. Bingo. Book in there for sure. If it's the Red Sox backup, you're going to like kill yourself over there. J-Ram to 150. And Mookie Betts to 199. I'd love that, Phil. I don't think that's pot. I don't think it gets a logistical though. Corey Seeger. Nick Fortes. Mark, I'd be happy to. 275. If you want to DM me on Instagram, my Instagram is Blake underscore Louie. And Eloy Jimenez, 15 of 18. Just in time for a watch a book if you want. Kind of see a Red Sox book. Rangers book. Who's on the Rangers book? Probably just Bell Tray. Oh, boy. It's just heading all the way to Bell Tray. It's a taco. No, it's not. Bam. You see Kukuchi to 99? Yeah.  This is going to be a fun random.  Josh Hamilton. Oh, it's just the patch. Yeah. We've got Deca Booklet. That's going to be Nolan Arnauto. Christian Yelich. Mike Trout. Bryce Harper. Shoei Otani. Wade. That is Juan Soto. Aaron George. Rod LaCunha. Peter Lanzo. Vladimir Guerrero Jr. This will be a fun random right here. Very nice. Good luck on that one. I'm assuming nobody's going to have a majority. Let me double check really quick. Cardinals is Joseph F. Brewers is Nestor R. Angels have two, which is Eric R. And Eric R also has the Yankees. So Eric has three. Phillies Brett V. Braves is Ben H. Blue Jays is going to be Scott V. And then Metz is going to be Jonathan B. So yeah, this will be a random to those teams on that one. Nice one there. So that's going to be majority. Whoever has not majority, that's going to be a random. Nobody owns majority. You have to own on a decade. You have to own six teams to get majority. So very cool still though. That is number two of 10. You don't have to tape that one yet. Like because I'm not a team's are anyway. Joey Vado 259 and Jay Ram to 299. Where are we now? Base. Nice one here. 18 of 18. Going to the inks. A rod. Alex Rodriguez. Game used Jersey Audit. I have not been out to Seattle. I do want to get out to safe go though. I think safe go would be a fun. Is it still safe go? Safe go park. Peter Lonzo three color patch one of three for the Metz. Nice one there in New York. I've heard very good things about the. Yeah. The Mariner Stadium. Very good things. Francisco Lindore to 299. And Max Scherzer to 125. T-Mobile. Gotcha. T-Mobile now. Jerry Durant. Seven of 27 for the Red Sox. Go after fourth of July. Is that when it stops raining? And Louise Heal 12 of 25. Rookie Otto for the inks. Never been to check. So I've only been to. I've been to Yankee Stadium. New and old. I've been to Fenway probably 15 times. I've been to the New Atlanta Stadium. I've been to the Trop. And I've been to Roger Center. And then when I was really little I went to the Oakland Coliseum with my when I was too young to remember that. I think I don't remember if my dad brought me or not. I don't remember my dad wanted to deal with an infant at Oakland Coliseum or not. Probably not. Yeah. I was in San Diego a couple of years ago with my body and we were going to go to Petco, but they were the Padres were out of town. We were there. I love to go to Petco. I really want to go to. I've been to city too. Oh, that's that's pretty cool. I feel this fire actually. Yeah. Roger Center not my favorite. I would not go back to Roger Center. Which one's that? Toronto. Luba up to 199. Yeah. Frank Thomas the 259. It's not. It's just not nice. The food's not good there either. No. Jayrod Rookie. Dude, that's the one thing about the socks bro. Soft food. So good. Dude. What's your favorite game for the Cardinals? My favorite part about going to Red Sox games is after the game, getting one of those chicken cheese steaks right out front. Paul DeYoung to 75 or the Sausage Peppers. Yes bro. So good. Oh my gosh. That's pretty cool James. I remember that. I remember that catch. I loved Adam Jones. He's one of my favorite players. Corbin Burns to 150. Ken Griffey Jr. to 99. He responded to me on Instagram once. Who did? Adam Jones. He's a big fan guy. He's a big fan guy. There's George Springer Triple Threads Autograph Relic Card for the Blue Jays. Fortress Grass, yes. He did not die. And Anthony Rizzo to 48 for the Yankees. Of course some blokes are going to make sure it's worth checking out. Adam Jones to the sore spot for us. Who is that trade for? Eric Bedard. That's right. Eric Bedard for what? Tillman and Adam Jones. Yeah, you can say that was tough. Chicken Wild Rice Soup in a hot pocket. I want to now. I have not, but I want to. That sounds good. Juan Soto. Roppy Devers. The random coming up here. No, actually will not be a random. That is going to be Hideki Matsui Ichiro and Shohei Otani. So Eric R owns the Yankees and he owns the Angels. So that'll go to Eric. He owns 66% of the card. That is a majority. That's awesome. Nice one there. Grats on that. And Josh Bell. Four colored patch auto, two of 10 for the Nationals. Game used.  Yeah, the triple. There's an auto of that too. I'm pretty sure. Yeah. Pretty sure. If there's an auto of that. That's big time. Eloi to 259. McCutcheon to 299. Ace. There's going to the Brew Crew. Aaron Ashby, Rookie Jersey Auto. Three of 99. Witt Merrifield, 34 out of 36. Bobby. Witt Witt. He's putting so much emphasis on the H. Whet thens. Whet thens. Say whet, whet. Now say thens, thens. Say whet thens. Whet thens. Or cool whet. Cool whet. There's another one too. He was like, still saying Ruin, like Ruin. And Brian goes, there's not enough time in the episode to do this. I watched the one where they traveled to a bunch of different... Oh dude, that's ranked the number one episode of all time. Number one to the multiverse. Yeah, that's such a great episode. Dude. So funny. Holy cow, it's so good. So good. The part where they go to the place where... Cal Ripken to 199. Dogs, like owned humans. Yeah. Ryan Sandberg to 25. Nice one here. That is among the great 16 of 18, Pudge Rodriguez. Go into the Rangers. Congrats, Texas. Nice Pudge right there among the greats on the orange. Definitely among the greats. And Aroldish Chapman. Also among the greats. Aroldish Chapman, the Cuban Missile. Cuban Missile Crisis. That was so funny. Dude, I came up with that and I thought, why is this not his nickname? I know. Might as well be. Dude, who's he playing for this year? Who cares? Some team that's not going to be in playoff contention, I'm sure. Hunter Green to 50 on the Onyx Rookie. Nice one there for the Reds. Versa Clemente to 259. Dude, that's sick. Got Blue for the Padres. Two of three. Tony Gwynn, Dave Winfield, Ozzy Smith. Three-colored Gameuse patch for Tony Gwynn, which is awesome. Congrats, Padres. And then going to the Royals. Brady Singer, 43 of 99. That'll do it for the break here, guys. We got to do this random really quick for the deck up. I need to get this out so I can write the random out correctly. He's so nervous opening those. Bax. Me too. All right, still a cool card for sure. Soto patch on there is nice as well. I also like to think about those books. These as nice as they're in top because it's all Gameuse, you know? Exactly. Yup. 100%. So Cardinals, Brewers, Angels, Phillies. Nationals, Angels, Yankees, Braves, Blue Jays, and Mets. All right, guys. Let's do the random for this. What's going on, everyone? We're doing the random for the deck of book to number two of 10. Again, this no one owned majority. I think Eric R owned three teams was the most. So you need to own six teams or more to have majority. So we are going to do... So we have the Cardinals with Paul, Nolan Aronado, the Brewers with Christian Yelich, Angels with Mike Trout, Bryce Harper with the Phillies, Nationals with Juan Soto, Angels with Shoei Otani, Yankees with Aaron Judge, Braves with Ronald Acunha, Blue Jays with Vladdy, and Mets with Peter Lanzo. Roll the dice. Whatever team is on top after eight times, we'll get the book. Good luck. One, two, three, four, five, six, seven, and eight. Go into the Yankees. Go into the Yankees. All right, guys, let's do a quick recap here. Let's start with our jerseys. We had Whitmerefield Royals, Anthony Rizzo Yankees, Padres Triple, a Rolled Dish Chapman Yankees. This is a triple of the Japanese players. That's Otani Ichiro Matsui. Eric R owned these two teams. So that'll go to Eric. Peter Lanzo Mets, Jaron Duran Red Sox, Eloya Menez for the White Sox, Sonny Gray Twins, Kyle Lewis Mariners, Jake Cronenworth for the Padres. Garrett Cole Yankees, Tristan Mackenzie for the Guardians. Ronald Acunha Braves, Clayton Kershaw Dodgers, Yadir Molina going to the Cardinals. And our autos we had. Aaron Ashby for the Brewers. Paul DeYoung Cardinals, Bray Singer for the Royals. Puj Rodriguez, Rangers. George Springer Blue Jays. Josh Bell going to the Nationals. Alex Rodriguez Yankees. Louis Heal Yankees. Yusie Kukuchi for the, what's it called? The Blue Jays. Nick Fortes Marlins, Kyle Tucker Astros. Triple of Lubab, Tim Rains, and Eloy for the White Sox. Edgar Martinez Mariners. Spencer Torkelsen Tigers. MJ Melendez Royals. Alec Baum, you're good. Going to the Phillies. Paul Goldschmidt Cardinals. Matt Chapman Blue Jays. We also had a Jaron Duran for the Red Sox. And another Yadir Molina for the Cardinals. That'll do it for the break, guys. Thanks again for the Phill. Next up, we've got another Triple Threads half.


Mae gwirionedd'n ni, Gillian Rose, a rhai am y project down cause Foundation investing program. Yn gweithi nhw'n rhai o gweithio cyffredinol Sqad. Rhaid oedd yn gweithio cyffredinol Sqad yw heddiw'r sydd arrol gwneud allan brwyth ngair sydd y archwil am ffordd cyffredinol. Gall ychydigol mae'n rhai o cyffredinol'r gyrsiau efo'u rhai i cyfredinol iawn, i gweithi a'r hyffredinol. The other reason we really wanted to explore how these particular various smart city projects were working out in the city is that it's also very socially divided and also diverse city. Milton Keynes has some very deprived neighbourhoods and also some very wealthy ones. ac y cwestiynau yna mewn gweld, a dyma'r cwestiynau ar gyfer jygoleis, yw y cwestiynau ar hyn sy'n tynnu cyfnolol, cyfweld cyflym, cyfweld cyfweld, cyfweld cyflym. Mae'r cyflwyffydd i gwybod iawn i'r cyfrifiad o'r cyflwyffydd, y gallwn cyllidau cyllidau cyrryffydd i'r cyflwyffydd. Mae'n ffair i'r gyflwyffydd, ac mae'n gweithio'r cyflwyffydd for many years as a sort of class, gender, race, sexuality and so on. But we're also particularly interested in exploring what new forms of social differentiation might be emerging alongside these various kinds of technologies, devices and data interventions. So, thank you, trying to work through that, as I said in my brief opening remarks, data is really the core of the smart city. Data is a highly diverse range of things, but we were particularly interested in the ways in which data travels through the city, as indeed the smart policies and other smart devices. I'm trying to think about how they are engaged with particular users, but also had a kind of agency in generating other forms of identities and so on. And we were particularly inspired by a couple of approaches. Baker and McGurk in particular thinking about circulations of policy. A lot of smart stuff is around as much policy as it is around the kind of technologies and the data. And so we were interested in looking at circulations of data, but also Joe's project with her colleagues thinking about data circulation specifically. And we've got those three broad approaches that we were pulling out in terms of thinking about methodology for this. One was to go to the places where things are done with data and policy and observe with a kind of ethnographic sensibility what's happening. And we were particularly interested in thinking about the kind of work that has to be done to make these kinds of devices function or not, or to make data or policies circulate or not. And that notion of the kind of labors of pulling these things together and making them hold. Again, we travelled a similar trajectory to Joe's project, which is that once you start looking at that, you also see how these things fall apart for all sorts of reasons as well. There are frictions of many kinds, technical funding frictions, stakeholders disagreements and so on and so forth. And tracing the site situations, circulations of these things is a really good approach to beginning to map this particular configuration of SMART. So, I just want to talk through briefly one of our case studies and then Miguel will talk in more detail about another. I've got a particularly interest in visual culture and what digital technologies are doing to visuals. Kind of ironic that I'm getting more interested in spatialities and circulations and sonic things, which certainly in SMART cities a whole range of different kinds of digitally produced visuals are absolutely crucial to how SMART cities work, both in the kind of hype of what they're about. The big corporations put a lot of money into their advertising, into their YouTube channels, into their digital animations that show you how marvellous the SMART city is going to be. But there's also a lot of very what we might call operative images as well in dashboards. We might think of interfaces kind of moving away from the representational into maybe you do something rather than give you meaning and so on. So, to address those sorts of issues, I just want to go through these extremely briefly. We've tried to pull out three different kinds of approaches, one of which is a kind of content analysis of the range of images that the key stakeholders of SMART in Milton Keynes put on their websites, their social media sites and other kind of promotional materials, brochures, policy statements, vision statements and so on and so forth. We've gathered a corpus of about, I think it's about 600 images at the moment, which we have scanned, but actually that's manageable for us to do that content analysis using conventional methods manually. I've also experimented using Lev Manovich's software called Image Plot, scraping images attached to tweets about SMART cities and trying to think through the kind of configurations, or particularly of colour actually across there and how those different sort of tweeting streams might make you feel about being SMART. And then finally something that Ed Wigley, the third quarter of this paper has been particularly interested in and I'm afraid I've not been peering over his shoulder in any detail in this, so any technical questions may have to be addressed to him directly. He's really interested in picking out some of these key images and this is one produced by Arup, a very large global consultancy but very heavily involved in the SMART city market and trying to do using Google image search, reverse image search to find out where these images get circulated. A previous project of mine suggested that digital visualisations, there's quite a clear global division of labour and global divisions of circulation if you like, between the kind of, although many cities in the global south are going SMART, you can see here the distribution of that particular image seems to have landed in Western Europe, in the Eastern Western seaboard of the US and not really many other places, which suggests perhaps the kind of particular dynamic of visual circulation as much as it does a policy circulation as well. And some questions that that prompts me and that map is relatively recently produced, so I'm afraid I don't have any very clear answers to this yet, but I'm interested in who's creating these images, who is recirculating them, what kind of spatially located networks are embedded and kind of highlighted by that pattern of circulation. And maybe, as someone who's interested in visual culture, but again starting to rethink how we think about the visual, perhaps it's a circulation, it is that dynamic of their movement that's maybe more important than kind of trying to do a sort of semi-logical reading of what they show, and particularly because I think certain places are shaping that visual language more than others. And finally a question I want to raise, because again I wonder, it's a puzzling one for me the reception of these images, when we show them to audiences talking about smart cities, people are incredibly sceptical about them, obviously as you could see that our point, flying cars and glossy skyscrapers, and everybody finds it very easy to critique those sorts of images, but nonetheless the companies keep on producing them, they keep on being circulated. There's an interesting question about what kind of audience it is happening there. OK, thank you. So, moving on to our second case study. Oh yes, our second case study, it's about the story of two data infrastructures, because smart cities are supposed to be all about using big data for making decisions about the urban, but that is not new. People have been using data in cities from ages ago, so for me this case study is about the kind of data that people were using in milk pumpkins before smarts happened, then smart lands into the city, and it assimilated what was there before, and in assimilating it it made it different, changed its priorities. So I will come back to this for know what is important, is that we had an intelligence observatory for social difference in 2003, and then smart landed in 2014, and in 2017 smart assimilated what was there before, so the observatory did not exist anymore. But going back to how did we went about unraveling this story, what we are trying to do is to follow the journeys of data and of policy, as data went from one infrastructure to another, and I keep talking about data and policy, because in this case when you talk about smart city policy, you cannot make policy without the infrastructure. Usually smart city policies assume the existence of a certain data hub, of a certain sensors system for monitoring traffic in real time, for example, of a certain set of sensors data, a certain application, so when data travels, policy travels with data as well. And well, here for talking about what we did methodologically, we took policy documents as our starting point, particularly the smart city project in Miltonkins is organized around a set of core documents, like the MK 2050 vision. So if we go through that document, we look at all the other documents that are referenced there, we look at all the people who had an input into that document, and all the data sets that's fed into the making of that document, then we can jump to the next step in this journey, and then we have to follow an iterative process, and look at this new document and do it all over again, see which documents, which data sets, which actors are referenced there, and once we keep tracking step by step, we can start putting together a map and a sort of oral history of how smart landed into and changed Miltonkins and made some things new and destroyed some others. This was made very easy, the documentary part at least, because the city council in Miltonkins keeps very good track of its documents, you can enter MK 2050 vision and see minutes of all the city council meetings where they discuss something about it, and all the big documents, the small documents, the boring documents they produced. Eventually we connect that in a map, we tried to use post-its initially, and it quickly got out of control, so not that I want to publicize it particularly, but we found it very useful to use this particular data visualization platform, which was almost like using post-its, except that when you want to shuffle things around, you can just steal the system. Please, centre on this so we can see everything that is emanating from here and now, or please look at everything that is emanating from here and now. But well, actually it was post-its, just made easier with software. And okay, so now that's about it for our method, we, sorry, going back to one slide, please. As I said, sometimes tracing the next step involved looking at the next set of documents, sometimes it was about interviews. We got to interview some people, sometimes it was looking at the metadata to see where that bit of data had been imported from, and sometimes when everything else failed, we could even look at the newspaper's clippings. We got to situations with the council person who had made some key decision, was not around anymore, but they had granted an interview to some newspaper 10 years ago, so our method was whatever it takes to get from here to here and to see how they landed here. So okay, now this is the story, the kind of oral history of data in Milton Keynes that we managed to assemble together. So 2003, the intelligence observatory is commissioned with one specific goal, understanding difference in health outcomes through data. All the data from the city, they could get their hands on at a high resolution level. It was important to them that they could understand health inequality at a postcode level. And gradually it developed for the functionalities because they kept accumulating more and more data to understand health outcomes. They found that a lot of it had to do with multiple deprivation index and that they could start correlating health deprivation with all the other bits and pieces that they had lying around. And well, this is what deprivation looks like in a map of Milton Keynes and the reason why a lot of people became interested in this is because voluntary organisations, community organisations, the fire department, I don't know, everybody who wanted to do some kind of intervention in Milton Keynes could say, we don't have to cover the whole of the city. Look like fishermen is where they really, really need our help. And well, maybe it is quite obvious but having this map at very high spatial resolution created a very tight coalition of actors over time because well, this data infrastructure was originally used by the city council. It was hosted in the council and the idea was that anyone in the council would know where to find what they needed. But they made available to a lot of people over time the scope became not only that of a data hub but something of a data-driven ecosystem that was connecting authorities, citizens, communities. And it sounds smart in many ways and we are talking about 2003. By the time this ecosystem had developed, it may be 2007, say, which is roughly 10 years before smart cities became fashionable, wish our point is in a way that smart is a new label for things that people have been doing all along. And an important thing that we discovered in trying to trace this journey is that a lot of the jumps of the data were not made through computers, through applications. Again, because we were talking about 2007, but it was done face-to-face by people, initially by people from the city council, by the Milton Keynes Intelligence Unit, and then later by volunteer community organisations like Community Action, MK. So we had this computer, this infrastructure, these data sets being aggregated in servers, but some human factor, some human network has to actually make sure that it has some impact on what's going on on the streets. And then 2014 happens, smart city happens, the city council gets about 16 million for this smart city project, MK Smart. And by 2017, the data infrastructures for this smart city project replaced the MK Intelligence Observatory, the old one, and this was largely because austerity. We got to see the minutes for the council meeting when they decided we don't have money to keep the observatory open anymore and the open university can do this instead. And they thought that it was equivalent in a way, they say, we have this server, this data hub, to make all the information available in one stop and it makes no difference if that data hub is sitting in the city council or if it is sitting in the open university. Data is data, they assume that it would flow like oil frictionlessly, so it doesn't matter where you store it. But what we have realised is that the logic of the smart city is very different to that of the observatory. As I said, the old observatory was looking into very high spatial resolution. It wanted to be able to understand what was happening in this particularly deprived state, council state, this particularly deprived city block and the new logic of smart turnouts not to be so much about spatial resolution, but about temporal resolution, about real-time data, urban flows and largely for technology development, knowledge economies and increasingly efficient use of infrastructure. Here, then, data is used, for example, so the driverless car can choose the optimal route to drive through the city without bumping into congestion. So it needs to know where people are, but not if people are in good health or not, or if they have employment opportunities or not, unless they happen to be knowledge economy, employment economies. So the observatory and MK Smart represented made visible and make possible different versions of Milton Keynes. Now I think I am almost running out of time, so I will rush through this one, but the point is, as I mentioned, MK Smart is hosted in the Open University, where fortunately we happen to be working in the Open University. So we were able to go to them and tell them, you know what this data infrastructure was working in a different way in the past, and as a consequence of that, we are able to use what we gathered from the data journey's approach to tell them, hey, let's retrace this journey because it was a good journey, it was a good network, let's put it back together the way it was, but using the Smart City technologies now. So now we are trying to find the people who work in the old intelligence unit, and try to figure out what were the matters of concern, the data journeys, the flows, so that we can reconnect it and refacilitate the making of such a difference visible and actionable in the way it were. We are finding the challenge that the insight team wants to replace human facilitators with automated processes, because that is the logic of Smart, everything has to be automatic, everything has to be artificial intelligence, so it's hard to find the logic of Smart, even if we are trying to reconstruct what was there before. And well, this is our conclusion so far, that Smart cities are a convergence of journeys, difficult to disentangle from each other, of policies, of imaginaries, of infrastructures, people and data. The observatory, MK Smart, makes different forms of urban life visible and actionable, so data here is not value neutral, it makes different things possible, and we are trying to figure out how to use different methodologies to disentangle these assemblages and these entangled journeys. And in the case of Smart cities in the making, this is not just an academic concern of understanding how the Smart city is made. We are, because the Smart city is being made, right now we are trying to collaborate with those that are enacting this new journeys to ensure that the consequences of the new forms of data, the new mobilities, the new visibilities are taking into account and hopefully are made more fair and more inclusive. And I think that's about it, so we can take questions for all the presentations I think at this time. Thank you.


And now, stay tuned for the mystery program that is unique among all mystery programs. Because even when you know who is guilty, you always receive a startling surprise at the final curtain. In the signal oil program, the Whistler.  I'm the Whistler, and I know many things for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak. And now, for the signal oil company, the Whistler's strange story. The other hand. As he turned the brass knob of the heavy oaken door and stepped into the lobby, Clint Markham realized that the doctor was right. But now, with final proofs okayed on Clint's first big series of articles for the magazine, he needed complete rest and quiet. And Oakdale Sanitarium was the place to get it. The day supervisor, a scrub looking gray haired woman in an immaculate white uniform, was talking on the telephone behind the counter as he entered. Yes, doctor, we have everything ready for him. That's right. The first floor room in the east wing looking out on the garden. Well, he'll have complete quiet. Oh, just a moment, please. Yes, sir. I'm Clint Markham. Oh, Mr. Markham. I'm talking to Dr. Grover on the phone right now. The doctor likes to speak to you, Mr. Markham. Here you are. Thank you. Hello, doctor. Clint. I know when I'm late. I woke this morning tied up in a hard knock. I know. That's it. I suppose the entire staff is completely informed on my situation. Where? Dr. Grover was rather explicit. I thought so. I suppose you show me to my private cell, huh? Can't eat a bite of this dinner. You've got the first-day jitters. It'll take you a little time to relax. What about calls? Anyone phoned me this afternoon? Well, we've had instructions not... Oh, come on now. Who was it? Um, Miss Susan Forrest. What did she say? She said at nine tonight she'd bid a little place called Rodolfo's at 8th and Greenway. I explained, of course, that you couldn't be there. Oh, good. She needs to be told no once in a while. Take this tray away, will you? I think I'll try and sleep. You're being very sensible, Mr. Markham. I'll leave this sleeping pill for you. I don't want to be disturbed under any circumstances until tomorrow morning. Take care of that, will you? Of course. Good night, Mr. Markham. Good night. When it's ticked by as you lie in the quiet darkness, telling yourself how ridiculous it was of Susan to expect you to leave the sanitarium and meet her.  Yes, Clint, Susan's not only an exciting girl, but a very important one at the moment. And sanitarium or no, she likes to have her way. You decide that it would be best to see her.  Thankful you were given a room on the first floor. And to avoid an argument in the lobby, you leave by the French windows leading out through the garden to the street beyond. Taxi! Rudolfo, Kate and Greenway. Expect to see you here, Lenore. I expected to see you. Sit down. I'm sorry, I have an appointment. Susan Forrest will be late. She always is. How did you know? As far as to stop by the office to find out where you were. She called the hospital from there. Waiter! Yes, ma'am? Careful fashion, please. Sit down. Surely you have a moment to spare for your lawyer and loving secretary. Look, Lenore, there's no point in hashing it all over again. You've got to understand that I'm...  Getting the articles in shape, making the right deal with just the right publisher has been tough. You're going to be just good friends from now on. Let's not be sarcastic. I was great as a pal and buddy until Susie came along, with this little gal with a big punch. Why don't you be honest? I've tried to be... Susan Forrest has got that I haven't. He's a father who runs a successful magazine. Why don't you admit it? I don't want to discuss it that long. I wish you would. But why? Why should we...  No, I don't. Besides, what does that have to do with us? That's why I came here tonight. I want an answer. Well, what kind of an answer do you want? About you and me. I've already told you. That's final? Yes, Lenore. You're sure? Absolutely. Sorry, Trent. Sorry you decided this way. What does that mean? I don't think you know me very well, Trent. Not really. I fight for what I want. And if I lose, I might as well warn you. I don't give up this way. If you're thinking of exposing me, I might as well tell you, nobody's going to believe that you wrote most of those articles. Besides... Too old-fashioned. Oh, uh... Thanks. Here you are. Thank you, sir. Well... I should have known it would be this way. My mother ran to railroad me, and I run to here. I think I've been fair enough with you. Ma'am! The articles were my idea. I worked them out. Frankly, I didn't expect to see like this. I thought we understood each other. You've been given a fair salary, and after all, we're adults and... Oh, don't worry. I'm not going to jump off a bridge yet. Well, I should hope not. It's a hard problem, but... There are answers, General. I started to tell you, Lenore, that name to expose me won't work. Stupid! Looking for a cigarette? I seem to be out. You need one. You're shaking like a model to me. Here, have one of mine. No. Light? Thanks. All right. Whoa! Flash bulb. Talk with her. I just caught your picture, folks. Have a ready point. About ten minutes. Four by six. Rent for a dollar. Not now. I don't want any souvenirs of this. Is this my drink? Yes. Go on, Queen. I would finish your drinking with a lot of another. No thanks. No more. With this stomach of mine, I've lost my taste of liquor. Besides, that one will give me a little trouble. About the picture... Please, go away. I said not tonight. Excuse me, Lenore.  But it's not the cigarettes, is it, Clint? You have to get away from Lenore for a moment to think. As you fumble with the levers on the cigarette machine, you glance in the mirror on the front. And see yourself there, white-faced, beads of perspiration standing out in your forehead. You realize she knows you were bluffing, that she can tell just by looking at you. Yes, Lenore can ruin you when she knows it. Somehow you've got to come to terms with her. As you start to return to the table... Oh. Oh. Going to Lenore? Well, yes. I've got to run. Well, let me take you. No. You'd better wait for Miss Flores. I insist, Lenore. We have a little more talking to do, you know. Come on, boss's orders. I told you... You haven't told me a thing. I'm not a blackmailer. I'm not interested in anything. But you, is that clear? Sure, only I just don't believe it. Well, will you please go? My roommate will be coming home soon. I don't want to... Oh, I'm sorry, later. Does interest in me, huh? Oh, can't listen. I'm true to this. That was Marty Davis, wasn't it? Legman for that newspaper columnist. What's he paying you for the exposure picture? Well, Glenn... Literary cards come pretty high, Lenore. I take it you haven't given him everything yet, or he wouldn't be calling back. Haven't named names yet. No, I haven't named names. I... I heard what you said. But I told you once it won't work, and I meant it. I'm not telling anyone about you, not the papers, not Susan Forrest, or I don't have to. I just get out of here. Oh, no. I'm not leaving until... You are leaving right now. Put that down. You give me that! Let go of me! Why do you ruin me? Will you... You... The next few minutes are a blank.  Then your head clears. You find yourself moving mechanically, wiping your fingerprints from the heavy candlestick. Later, you find yourself running blindly down a darkened street. You remember the sanitarium, the open French door, the room you can return to without cleaning it. The one way out. A moment later, you're climbing in a car, and as the driver pulls away from the curb, you try and calm yourself.  Still the agonizing pain in your stomach. You're sure there's no way they can connect your being with her tonight. No one could possibly have recognized you together. Your eye wanders to the back of the cab. See, the driver's license is pictured. Then everything freezes inside you as you remember something. Stop! Stop! Stop the car. I forgot something. Oh, uh... No. Here. Here you are. Keep the change. You hurry back to Redolfo's.  The one thing that can hang that. That photographer. I've got to get that picture. Since only 13 shopping days remain until Christmas, I have a brilliant last-minute idea. There's no finer present than a switch for that forgotten name on your gift list. The forgotten name I'm referring to is your car, and the switch I'm suggesting is a switch to signal. You'll all agree, I'm sure, that signal must have something to have grown so in popularity from a small start in Southern California into an organization of independent dealers serving seven Pacific coast states from Canada to Mexico. You also know about signals good mileage that has made it known as the go farther gasoline.  So if you want your gas pedal to keep that Christmas morning thrill year-round, how about following Marvin Miller's suggestion? How about giving your car a switch for Christmas? A switch to signal. The famous go farther gasoline. You've killed your secretary, Lenore, haven't you? It doesn't matter now that you didn't mean to kill it. The terrible and important fact is that she's dead, where you left her on the floor of her apartment. And you realize the only thing that can save you is an iron-clad statement from the authorities at Oakdale Sanitarium that you were in your room asleep at the time of Lenore's death. And it would be so simple, Clint, if it weren't for one little thing, the fact that a nightclub photographer took a notion to snap a picture of the two of you together, and only half an hour before Lenore died. You fight your way through the crowds on Greenway Street to Rodolfo. Pesitate a moment in the lobby entrance, realizing that you mustn't be seen. Then you step into one of the several phone booths. Look up Rodolfo's number, Dylan. Then a moment later, a girl at the cashier's desk, whom you can see easily from your position in the phone booth, picks up her phone. Rodolfo's restaurant. Miss, I wonder if I could talk to the chap who takes the pictures? Hold the phone a minute, sir. I'll see you being around. Thank you. You watch from the phone booth as the girl leaves the desk to look for the photographer. You open the door of the warm booth slightly.  I don't understand it. Suddenly you hear a voice, a very familiar voice, about 20 feet away. You're absolutely certain. Let me see Mark and have him in here. But no one is up for you. I've been right there. I hope I didn't miss him by waiting in the bar. Susan Forrester, coming directly towards you. You draw back into the booth, keeping the door partially open so the light will remain off of you as Susan stops so close by you can reach out and touch her. She's never kept me waiting like this before. It's been a half hour. Well, I do not know the gentleman, madam, but... Oh, I wonder if he's got my message, sir. Where's the telephone? Right here. Oh, someone's in the thirsty. Thank you, madam. Thank you. You withdraw further into the booth next to the one Susan is using. Even here are dialing. You can anxiously watch the cashier's desk. Then prepare to listen to the conversation you can't prevent. Knowing that if they send someone to your room at the sanitarium, you're in a hopeless position. Hello. Hello, old girl. This is Miss Forrester calling again. I left the message earlier in the evening for Mr. Martin. Yes, yes, that's right. No, I don't wish to leave another message. I'd like to talk to him. What? Do you have to get permission? Well, when will the night supervisor be back? Oh, 15 minutes. All right, I'll call back in 15 minutes. You hear her hang up. Look out cautiously as she moves past you on her way back to the cocktail lounge. Finally, the girl from the cashier's desk comes back, picks up her phone. You might as well be blocks away as you talk to her. Hello, sir. Yes? Oh? There's a chance you might find him in William Arty's. His girlfriend works there. Well, thanks. Thanks a lot. You hang up in a blind panic, wondering about your next move. In 15 minutes, Susan will call the sanitary and talk to the night supervisor. She's a persistent girl, Susan. Used to getting her own way. But somehow you've got to stop her call. And then you realize that the answer might be right in front of you. Worth a try, isn't it, Clint? My name is Clint Malcolm. Yes, sir? I was to meet a young lady there, a Miss Susan Forrester. Would you pay to call me, please? Just a moment. You might try the cocktail lounge. Yes, sir. You wait anxiously. And then smile as you see Susan crossing from the cocktail lounge to the cashier's desk. Such a very short distance from her. She picks up the phone. Hello, Susan. Clint, where are you? I'm at the sanitarium, dear. But I left the message hours ago. Didn't you get it? They're very narrow-minded here. They insist that their patients obey doctors and witnesses. Oh, you're as well as I am. Well, Dr. Governor doesn't do so. He tells me I've got to rest. Clint, I wanted to see you. Well, I wanted to see you. But perhaps there's something in what they say, you know, the strain of finishing the writing and all. Oh, that's ridiculous. Well, you're as healthy as I am. Look, dear, look.  We'll make up for it.  I'll call you the very first day they allow me to visit. Keep me waiting too long, darling. I won't. Good night, dear. There's still a chance, Clint. One more call now. You look up the number quickly. J-K-L-L. Leon. Leonards. Leonards. Please. Hello. Hello. Is Ted the photographer from Redolfo's there? Yes, sir. Could I talk to him, please? All right. Please, put him on.  You've got to make it quick. Find out about the picture. Get it and the negative. Get back to the sanitarium without being seen by anyone who could link you with Leonards death. Finally, you hear the voice of the photographer. Ted? Yeah, this is Ted. Well, look, Ted. I'm in a hurry, and it... Well, go on. No, no, no, listen. You took a picture tonight at Redolfo's. A girl who... Oh, yeah. Please, please. I'm not talking about your girl. This was at Redolfo's earlier. A blonde girl. Oh. Delivered them to her. Little double crosses. Ted, I can't. I have things to do. Clint, you have got things to do. The most important is get that picture in negative. You ease out of the phone booth, slip out of Redolfo's without being noticed. Twenty minutes later, you're back at Leonards apartment, racing up the stairs. You gasped with relief at the sight of a large brown envelope stuck under her door.  There's just time to leap back into an alcove out of sight. I don't think it's like this. I don't know if it's a great smell, but when she saw it, she completely got in that box of it. Can we go in my bag? As they enter the apartment, you slip from the alcove and dash down the hall. At the head of the stairs, it comes. Not until you're several blocks away and safe in a cab, do you slide the picture from its envelope, glance at it in the dim light. Makes you tremble a little, doesn't it, Clint? Sets off the nervous stomach. Lenore, alive only a few hours ago. Reaching over to light your cigarette. Seen years now. You say you want out at the hunt? That street, mister? That's right. I'll walk the rest away.  No one notices you in the darkness as you climb across the terrace. Let yourself in through the French windows.  For the first time now, you're aware of thirst. A raging thirst. Lean back trembling. The reaction is setting in, isn't it, Clint? The let down after the terror of the past few hours. You wish you could try to forget it now, but there's one more thing. One more act you must put out. Your hand trembles as you reach for the signal cord to summon the nurse.  The tight knotted feeling in your stomach is worse than ever. Steal yourself for the next few moments ahead. Are you really holding this, Mr. Martin? Yes. Put on a light. Be nice. Oh, how long have I been asleep? After one o'clock. Oh. Um, anyone try to reach me? I believe there was a call, but the night supervised it. He wouldn't let them through. It's the only way, Mr. Martin. You need your rest. You don't look too well. I don't feel well, nurse. Is there anything you wanted? Yes, I'm... I'm terribly thirsty. Did I have a glass of water? Yes, I'll get it for you. And then you'll have to go back to sleep. I will, nurse. I'll be right back. While watching some Christmas shoppers the other day, I couldn't help feeling it's too bad folks aren't as careful in selecting their motor oil as they are in selecting Christmas gifts. If they were, a lot more motorists would switch to New Signal Premium, the heavy duty type motor oil that reduces engine wear due to lubrication, 50%. Just think what a 50% reduction in engine wear can mean to your car's performance and your budget. By reducing engine wear 50%, New Signal Premium should help your car keep its light new pep and power twice as long. By reducing engine wear 50%, New Signal Premium should help your car go twice as far before needing an expensive engine overhaul. Yet in the face of increasing cost, these important benefits are yours to enjoy at no increase in price at Signal Service Station. Aren't those reasons a plenty to decide right now to get your next oil change at a Signal Station? Get it changed to New Signal Premium, the heavy duty type signal motor oil that reduces engine wear due to lubrication, 50%. So it's over now, Clint. And you're back in your bed at the sanitary.  You're weak and trembling. Your stomach worse than ever. But you can lean back, relax now and rest. Quite sure that you're safe. You're certain no one knows you left the room. The only thing that can still connect you to the murder of Lenore Stark is the picture of the two of you taken at Rodolfo.  You wavered dizzily as you reached for them. Slide them from the envelope. Strike a match. The negative goes up in flames quickly. Then you touch the match to the upper left corner of the picture. The glossy print starts to burn. The flames moving down, crawling across the picture of your face. And then Lenore finally down to her hand holding a match to your cigarette. That's when you see it, Clint. Something you should have seen before. Her other hand, her left hand poised directly over your drink dropping a capsule into it. Oh, I wonder. Oh, I wonder if she wanted the picture. I'm not telling anyone. I don't have to. The flame becomes a blur, Clint. The cloud engulfs you. The walls of the room and the bed draw away. Fading. Fading. I brought your water, Mr. Markham. Mr. Markham, did you fall asleep? Water. I don't know. Water. What is it, Mr. Markham? Is something wrong, Mr. Markham? No. It's... late. Mr. Markham, you've got to try. You've got to sit up. Please, Mr. Markham, please, please. I came back with the water, doctor. I found that Mr. Markham had fainted. I tried to rouse him. It's all right, nurse. You couldn't do anything for him. I don't understand it. He's dead. I'm judging from his color and expression. I think we'll find it with some sort of slow-acting poison. But there isn't any poison here. Where in the world could he have gotten it, doctor? Why, he hasn't put his foot out of this room all night. Let that whistle be your signal for the signal oil program The Whistler each Sunday night at this same time. Signal Oil Company has asked me to remind you, during this busy pre-holiday season, it's especially important to drive at sensible speed, be courteous, and obey traffic regulations so that some avoidable accident doesn't mar your merry Christmas. Featured in tonight's story were Bill Foreman as The Whistler, Ted Osborne, Betty Lou Gerson, Monty Margetts, G.G. Pearson, Jerry Hausner, and Ted Von Elf. The Whistler was produced and directed by George W. Allen, with story by Joel Malone and Harold Swanton, music by Wilbur Hatch, and was transmitted overseas by the Armed Forces Radio Service. The Whistler was entirely fictional, and all characters portrayed on The Whistler are also fictional. Any similarity of names or resemblance to persons living or dead is purely coincidental. Remember to tune in at this same time next Sunday, when The Signal Oil Company will bring you another strange story by The Whistler entitled Curiosity Killed a Cat, in which greed and desire set off a murder on the high seas, resulting in a daring flight through a storm by the killer. Marvin Miller speaking for The Signal Oil Company. Stay tuned now for our Miss Brooke starring Eve Arden, which follows immediately over most of these stations. This is the CBS Radio Network.