Often within adventure movies, the household hero will be traversing some deep, dark, ancient corner of our world, accompanied by a trusty flaming lantern, a light source, which will often seemingly have an endless fuel supply. Additionally, the lamps which litter the walls of these elaborate film sets were presumably lit many hundreds, even thousands of years prior to our intrepid explorer's entry into the ancient booby-trap laden lair. Many perceive these flaming props as mere stage trickery, a subtle showbiz deception, helping with the lighting of often-dungeness locations. Amazingly, however, it seems that these apparent ever-burning cave lanterns may have been included by an astute understanding of as yet unexplained historical realities. One Egyptian death tradition, accustomed rarely shared academically, was the frequent replacement of an eternal burning lamp somewhere inside the sealed chamber. How were ancients able to produce seemingly ever-burning lamps? Lamps which could burn apparently without fuel. Based on overwhelmingly large volumes of reports of their existence, discoveries in tombs, underground chambers, temples, and many other places dotting the entire earth, it's hard to see how these amazing light sources could have just been a mere rumor, yet unfortunately, or rather conveniently, not a single lantern is known to exist today for study. At times in human history, before the birth of particular global commercial agendas, inventors and pioneers of many scientific fields were encouraged, rather than stifled, into the investigation into the functioning of such ancient high technologies. During the Middle Ages, for example, 170 exploratory, in-depth reports surrounding these astonishing finds were published, most stating that they clearly demonstrated a valuable phenomenon. In the year 140, a lamp was discovered in the tomb of Pallas, son of King Evander. This light source had apparently been burning bright for over 2,000 years. Upon an in-depth examination involving a testing of the flame's robustness, it could apparently resist all ordinary methods of extinguishment. In about 1540, during the papacy of Paul III, a burning lamp was found in a tomb in Rome. The tomb belonged to the daughter of Cicero. She died in 44 BC, meaning this lamp had been burning in the sealed vault for 1,550 years, yet it strangely extinguished the moment it left the room. When King Henry VIII broke away from the Catholic Church in 1534, he ordered dissolution of monasteries in Britain. Many tombs were opened. In Yorkshire, a burning lamp was discovered in a tomb of Constantius Cloris, father of the great Constantine. He died in 300 AD, which means that this lamp had been happily burning for more than 1,200 years. With such overwhelming numbers of reports, reliable testimonies attesting to the existence of these lamps, it's hard to see how they could just be a product of Hollywood. Regardless, it seems all have successfully been erased from public view, presumably hidden within the chasms of scientific institutions whose financial insurance policy is, unfortunately, often implicated in the concealment of historical, artificial evidence, physical objects in direct disagreement with their highly profitable, yet shoddy foundation for scientific direction. Thanks for watching guys, and until next time, take care. The ancient mega-metropolis of Guatemala undoubtedly one of the most incredible and indeed one of the largest ancient ruins ever found on our planet. With a past population now believed to have been as many as 10 million people, many of the ancient ruins within the Guatemalan rainforests, long thought and academically argued to have been separate settlements, have now been discovered to have once been all part of the same super-settlement. However, although incredible discoveries have been made at the sites, in particular the incredible site of Tikal, including the ancient plaque depicting a seeming cataclysm, have all been found at the site, yet what was discovered most recently is no less incredible and may also depict a war between these differing concentrations of people within its many ancient settlements. A giant frieze, or frisee if you will, 8 meters wide and 2 meters tall has been found within an ancient pyramid long hidden, buried within the rainforest, found along the exterior of a multi-roomed rectangular building within a 20 meter high pyramid. It was created in a style now long attributed to the Maya. The carving depicts human figures in a seemingly mythological setting, suggesting it may depict deified rulers. It displays three human figures wearing elaborate bird headdresses and jade jewels seating cross-legged and appearing above the head of a mountain spirit known as a witz. A cartouche on the headdress contains glyphs which were used to identify individuals depicted by name. Yet alas, only the central figure's name is still legible, with an inscription saying Ochaan Yopot, meaning the storm god, enters the sky. Two feathered serpents are also shown emerging from a mountain, with a spirit below the main character forming an arch with their bodies. Much of the building in which the frieze was found still remains encased under ancient rubble, yet this has seemingly aided in the preservation of the incredible artwork, with the carving still possessing its paint, reds, blues, greens, and yellows, all still existing. Francisco Estrada-Bella, director of the Holmu Archaeological Project, made the initial discovery quote, this is a unique find, it is a beautiful work of art, and it tells us so much about the function and meaning of the building, which is what we were looking for end quote. Thanks to the artwork and the message it conveys, archaeologists now believe it is evident suggesting that the rulers of the region were once embroiled in a political clash of the Titans, between the kings of Kanul, the snake kingdom, and the kings of Takal. And although we now know that these settlements, and indeed the depictions of these different apparent clans, were all connected, it could be indicative of the ultimate reason for the demise of this once great civilization. Are we looking at the only artwork ever discovered throughout Guatemala, which sheds light on the demise of the mega metropolis? We find the evidence to suggest so, highly compelling.  Any explanation as to how these supposedly documented events were indeed undertaken remains absent. We recently postulated that much of the ancient ruin that is Easter Island, and perhaps the most impressive features still to be found upon the island, are more than likely buried beneath past landslides once caused by rapid deforestation. As predicted, with this realized and archeological excavations commenced, we soon knew just how deep this ancient sediment actually is, and as such, the controversial discoveries began to surface. Not only are there ancient moai statues stretching into the hundreds of tons of weight dotting the island, but how these were moved into position is knowledge lost to the chasm of history. However, although academia would like you to believe that these tasks were completed within the last thousand years, the evidence of a past advanced civilization actually having been responsible is all over the island. After shallow excavations were undertaken around Anahu, one of the many ancient ceremonial platforms, polygonal masonry, uncannily similar to that found within Giza, Peru, Bolivia, and indeed all other, as yet unexplained sites around the world, was indeed unearthed. An additional piece of evidence we feel may one day help to eventually unravel the mystery of not only Easter Island, but many other ancient sites around the world, is in its past title. Just known as the Naval of the World, it is interestingly one of many. A number of other ancient sites, thanks to our own more modern ancestors, retain their ancient titles as navals. Were these ancient civilizations somehow able to tap into a mysterious energy grid that can be found crisscrossing our Earth? It is undeniable that many of the most ancient sites found all over the planet can be found located upon purported ancient energy lines. Were these placements a mere coincidence? Were they placed there for another reason? Or were they indeed tapping into an energy field which allowed them to shift such weights? Cepito Chenua is an intriguing artifact that can be found upon the island. With such an extremely well-preserved, untouched history found upon the island, Cepito Chenua is still remembered as an artifact once used by ancient elders, used to summon something called mana, which interestingly translates as Earth energy. These elders then inexplicably use this energy to float multi-ton statues across the coastline, placing them in their final resting places. Are all these connections, artifacts, and historical accounts mere coincidence? Or are we truly on to something? Only time will tell. There are many mysteries to be found within ancient Egypt, unexplained seemingly impossible mysteries which litter the caverns, tunnels, flooded underground layers, and indeed the once inaccessible passageways only recently explored using advanced modern technology. However, some of the most perplexing mysteries lay in plain sight. Not only the great pyramids themselves, an obvious enigma for academia to explain the construction of, but many anomalous features which can be found within objects often leaving academics baffled as to an explanation. The Chiops sarcophagus being one such anomaly. Although these pyramids are entered and explored by millions of people every year, and indeed this mysterious sarcophagus shown to many of these inquisitive explorers, what many the funded academic tour guide often leaves absent from their explanation of this supposed tomb is how exactly it arrived at its current location. As we have explored and exposed previously, the casing stones that can be found on many of the pyramids are to us not only indicative of another phase of construction work, once having been undertaken upon these structures, but due to the erosion present and the different styles featured are in fact indicative of more than one attempt to conserve these marvelous structures for future generations, thus one must conclude by more than one now extinct advanced civilization. As such, the age of the sarcophagus of Chiops could be immense, so it is not surprising that it has encountered not only grave robbers, but has been vandalized also at points within the distant past. Furthermore, and perhaps most intriguing and frustrating, is that the sarcophagus lid is missing, a lid that could have explained the past contents of this mysterious box, or like the Tomb of Pachyl, exposed extremely controversial illustrations of possible past technologies. Unfortunately, however, or rather most conveniently for academics, this lid has never been discovered. Yet what is most perplexing regarding this diorite box, notably one of the hardest workable stones on earth, is that no one seems to know how the original builders managed to transport the box to its current location, deep within the bowels of Chiops. The diameter of this supposed tomb, being too large to have traveled down any of the known tunnels, which have so far been discovered within the ancient pyramid. This leaves us with two likely possibilities. One, that the diorite box was placed there, and the pyramid built around it, which is a mysterious and confusing hypothesis, mostly due to the lack of markings of significance found upon the sarcophagus, or indeed the lack of any dedicated markings found anywhere else surrounding it. It is as though the box was placed there without much effort to indicate any importance to its existence. Yet, to cut such a box, which has since been discovered to have been cast from one single block of diorite, would have taken tremendous effort, a feat that modern man would only accomplish with the use of diamond-edged power tools, not to mention the effort that would have been involved in moving this multi-ton stone into its found location. The second hypothesis regarding how the sarcophagus found its way into its current location is that the box itself was transported to its found location through tunnels and passageways we are yet to discover, possibly hinting at the fact that within this great pyramid there are indeed many more hidden layers and cavities we are yet to explore or discover. Maybe the placement of this seemingly inanimate box was placed there to suggest exactly this. Furthermore, what was on the lid of this supposed sarcophagus? Why is it known as the sarcophagus of Khufu, when Khufu was not discovered within it? In fact, nothing was discovered within it. And why is the lid mysteriously absent? Where did the lid to this sarcophagus go? Why, if destroyed by grave robbers, was it not left where it lay? Did this lid contain controversial information, possibly pertaining to the original contents or indeed purpose of the great pyramids? We find the diorite sarcophagus of Khufu, and indeed its unexplainable journey into the center of the pyramid, highly compelling. We have, on many occasions, covered the many astonishing ancient rock-cut structures which can be found virtually all over the world. Megalithic creations, often carved from a single piece of stone or dry-built, constructed out of impossibly huge stones. And recently, we have touched upon the more impressive stone sites to be found, such as the horseshoe-shaped piece of granite, decided upon by someone, or something, as the base rock for what many perceive to be the most impressive artistic wonder on Earth. A structure named after a mountain, we also suspect, has witnessed extreme excavation work in the past, as did the Giza Plateau. Indeed, although little known, acres of solid natural stone were excavated from the Giza Plateau as the foundation bed for the most incredibly elaborate pyramid found anywhere. Who could have accomplished such gargantuan tasks over 3,000 years ago? But I digress. Our topic of this video is a wonderful gem hidden upon our Earth, in fact, the largest and seemingly most impressive of them all. So impressive, in fact, a number of individuals, specialists, tasked with the investigation of this astonishing structure and the construction thereof. Some for over 12 years of extensive investigation have been resigned to the conclusion alien influences could have only been responsible for the completion of the structure at such an ancient time in our history. Known as the Lost City of Angkor, this due to its extended duration hidden beneath several thousand highly established tree roots, it was once the capital city of the Khmer Empire, which flourished from approximately the 9th to 15th centuries. However, a similar theory can be applied regarding the Khmer Empire's success to the ancient Egyptian civilization's notorious longevity. It is, of course, a possibility that we have covered regarding Giza before. That these ancient cultures partook at probably the earliest form of graffiti, presumably ordered by the current rulers to add their own deity depictions to these already ancient and astonishing structures. It would be a logical decision for a successful leader of an ancient group of people, namely self-declared Hindu monarch Jaya Varman too, who also declared himself a universal monarch and a god-king to make the decision to claim such mastery as their own creation. When visitors entered the area, they would immediately assume that your group had constructed this awe-inspiring temple, undoubtedly intimidating and additionally giving incredible security to your people, as the temple even possessed an impressive moat, an instant advantage over all surrounding tribes. Not hewn from a single rock, but created using no less impressive techniques, undoubtedly requiring the same perfection in artistic ability as Kailash Temple. 5 million blank stone blocks were perfectly laid upon one another, slowly forming a template, these stones were then individually and perfectly carved into the astonishing wonder we see before us today. As the blocks were pre-laid, this means whoever the sculptors were had only one chance to get the carvings right, a feat they seemingly accomplished. Who built the lost city of Angkor, Kailash, the pyramids, Baalbek, etc., etc.? The list of utterly perplexing sites grows every day, but thankfully, so does our knowledge. Andara, a site covered in the past, yet for an entirely different reason. Our experience along this path of discovery, now allowing one a window, a glimpse into a deeper, more compounding layer of evidential detail, unraveling a tangled web of lies weaved over generations of regurgitated fiction. Accompanied by supportive evidence to again, reinforce the original instinctual hypothesis created some 10 years ago now. In particular, in regard to who could have, in reality, possibly created these mind-blowing or gargantuan ancient megalithic ruins. Sites we have touched upon or researched in the past, however from a less experienced evidential angle, thus we feel they are justified a refined revisit, yet I digress. Andara is a claimed Iron Age settlement, yet what I am about to demonstrate is that not only is this yet another lie, but that the evidence be overwhelming to support this claim. The choice of stone used in these once exquisitely finished ruins decoration, for example, not only reminiscent of Persepolis, but due to its clearly much greater level of erosion, it would also, as the art would suggest, far predate Persepolis itself. Yet the belief structure, the artistic evolution, and by default the same civilization responsible for both and indeed the mythological depictions are undeniably linked. A. Andara being located in Syria and claimed as dating as far back as the Iron Age. We have covered the magnificent Lamassoon, found within Persepolis, within a two-part special previously. This extraordinary, seemingly superhumanly precise stone-carved sanctuary, however, although clearly possessing a more advanced depiction of the same creatures found at an apparent Iron Age basalt site, which is actually geographically over 1500 kilometers away and dated to a completely different era, regardless of academic opinion, share unarguable evidential similarity and due to erosion levels can be correlated with the evolution of the depictions along with the civilization responsible's past yet now lost abilities. From A. Andara to the Lamassoon of Persepolis is clearly an artistic evolution of the mythical creatures depicted on the basalt stones claimed as Iron Age within A. Andara. Furthermore, although only a suspiciously tiny portion remains of the basalt floor, a quietly guarded area found at the foot of Kyops upon the Giza Plateau or more accurately foundation, although only a remnant of what once was probably one of the most significant parts of the ancient ruins themselves, it still holds countless undeniable curious toolmarks, each of which clearly made with a tool unarguably tremendously more powerful and capable than that of what academics claim the builders of the pyramids and their constructors wielded that of copper tools. And all but now seems an insult to one's intelligence. We clearly find A. Andara highly compelling. When people visit the southeastern Anatolian province of Mardin, this gem of lost antiquity quietly sits, often overlooked, and when one begins to investigate said site, they are often left with more questions than answers. For why does such an astonishing ruin go largely unnoticed? Why is it not more largely discussed within archaeological circles? Could it be due to the fact, as one with any level of knowledge regarding lost civilizations and the proof therein laches eyes upon the site, they instantly recognize its characteristics synonymous with these studies, matching other yet rather interestingly accidentally revealed ruins from around the world? The style of and the decision to bore the dwellings from solid stone, reminiscent of many unexplained ruins, such as the underground city of Derankuyu, a particularly interesting site when indeed discovered entirely by accident, one which to this day remains heavily debated and to some highly controversial. This site, known as Dara, is exhibiting geological processes which are now unfortunately beginning to erode it back into the landscape. The construction technique, however, still testament to its original builder's abilities and indeed its possible age. Yet this does not answer the question as to why this ruin goes largely untalked of, largely unstudied and overlooked. For parallel to the erosion argument exhibiting its true age, it can also be used as an advocate for its official dating within the Byzantine era. The lack of surviving ruins will often be used as a way to dismiss such claims of antiquity due to a lack of evidence. Thus, we wanted to dig a little deeper to see if, via visual evidence, we could confirm that there is indeed reason to suspect that the site could possibly generate controversy for those who originally dated the site, this to confirm our initial suspicions. Still surviving tool marks present upon the stones match that of other controversially dated sites. How can a ruin, apparently dating from the Bronze Age, exhibit such long cut marks or finishes across the stone? Like that of the ancient pyramids, how could copper tools have accomplished such feats within Dara, Giza, and the other sites around the world? It is a question which we find highly compelling. Here at Mystery History, we cover the unexplained areas of antiquity, either ignored, avoided, dismissed, or simply given an incomplete or often illogical historical lifeline of existence by mainstream academia, particularly those which we have covered of significant size, quarried from many miles away, now often immovable, and once transported and either erected or placed atop one another seemingly effortlessly. We were, in a past series of investigations, looking into an interesting quarry within the Bosda cave system on the edge of Turkey, a place with particularly good granite and a proven source of stone for numerous megalithic sites many miles around. Later proven by us via the preserved linkages in tool marks to have been used by more than one group as if they had coalesced at this particular site. Yet, as mentioned, we have long argued that not just one advanced civilization capable of moving and cutting these incredibly monumental megalithic stones have been and gone, and we feel we have and continue to provide sufficient proof of these claims. The Colossae of Memnon, said to have once sang at sunrise, are both made of stones thousands of tons in weight, yet are eroding to dust along with countless others, yet clearly once precisely cut, just like all the other stone ruins we cover worldwide. Yet sites like Petra and the polygonal casing stones found in some most curious of places such as the pyramids of Egypt, preserving stones in a similar condition to the Colossae. Certain stone monuments of gigantic size found and stored in near-perfect condition are found in these same areas, as if somehow spared catastrophe. Does this prove a sudden great flood? They regardless, we claim, prove several cycles of activity at stone cutting creation. Were some monuments submerged and therefore preserved under the sediments, like those secretly removed from the pyramids and sphinx during initial investigations? Were they attacked by a geological event? The perfect preservation of some of these statues must eliminate sandware as a possibility. The pursuit to the answers to these questions become closer, and we feel highly compelling. One of the things crucial for any civilization to flourish is a steady and abundant supply of clean, fresh water. It is the lifeblood of our planet, arguably the most fought-over resource on Earth. Without it, crops fail, sewage is not effectively flushed away, and a lack of it will cause dehydration and death in an incredibly short space of time, depending on where one were to find themselves. Thus, for our posit of ancient advanced civilizations, with populations well into the millions, to hold any water, a civilization we believe continues to bestow upon us advanced knowledge in genius solutions to the most difficult of problems, such as water manipulation and the irrigation thereof, would be present. The management and general manipulation of water should in all accounts be present amongst these sites in which we claim to be the work of now lost civilizations, and that is indeed what one finds. There is endless discussion within peer-reviewed papers and academic circles by regurgitation, seemingly lacking the faculty for critical thinking as they continue to look upon these ingenious ancient solutions for getting water to places that it should simply not be as simply wonderful. While incapable of considering that these people who created these structures, although they did not build skyscrapers, may not have been of a primitive nature, with far less capable tools than modern man, this, again, I might add, a denial continued when one looks upon the size of megalithic blocks moved through these lost ages of antiquity, yet I digress. The following ancient water technique is nothing short of astonishing, and the work that must have gone into its construction unimaginable. Not surprisingly, it is an ancient marvel that did not escape the attention of William R. Coralus. Known as canots, they are literal underground ancient man-made rivers, built slightly underground for the purposes of shade from the searing sun, found in most of the locations you find the canots. This, of course, also minimized evaporation considerably, inevitably allowing the water to travel unimaginably further into dry and inhospitable locations. These ancient man-made oasis, yet another example of not only ancient man's abilities, knowledge, and dedication to overcome obstacles, but also a clue as to how many people these, what we believe, are now lost civilizations who abruptly vanished, housed at an unknown time in history. For such enormous volumes of water are only needed for an equally enormous population, possibly once located somewhere nature wouldn't have allowed, yet with their advanced knowledge of irrigation systems they flourished within. Canots are yet another incredible remnant left by an advanced civilization, which we undoubtedly find incredibly compelling. Previously we covered the strange but highly intriguing Cognostone, an extremely ancient and very large scottish stone, covered with some of the best and most interesting ancient petroglyphs known in Europe. And although we put forward the preposition of it possibly being a map of as yet unknown star constellations, we were subsequently contacted by an independent researcher known as Sean Moriarty, who with a small independent team has been investigating the stone for quite some time, resulting in them deciphering the enigmatic cup and ring marks as a map of all the ancient sites within the surrounding area, including some yet to be unearthed. However, there is a little less known ancient stone, a stone which rests in North Carolina, deep within the mountains of Jackson County, and it has baffled all but a few who have examined it. Known as the judicula rock, it is a soapstone boulder covered with a plethora of strange petroglyphic drawings that archaeologists now believe to be over 3,000 years old. The native Cherokee Indians consider the site sacred and state that it is extremely ancient. The rock has been studied by researchers from across the world, but no one was ever able to decipher the bizarre petroglyphs on the stone, not even being able to connect them vaguely to any usual subject matter often selected for such ancient expressions. It's also cut using an unknown technique made by an unknown people. The stone sits at the base of a mountain that has a large vein of copper which runs under the site. With a variety of other rare metals and minerals present, this geological layout has often been used to explain the strange electromagnetic anomalies, which can be detected around the rock. The League of Energy Materialization and Unexplained Phenomena Research, or LEMA for short, a team of highly qualified individuals who explore paranormal and enigmatic subjects may have actually cracked the code, and their research is certainly the most compelling proposition so far put forward, or quite possibly will ever be put forward. In August of 2002, LEMA investigated judicula rock. Upon comparing judicula's markings to microscopic forms, specifically microscopic pond-like, some of which exclusively native to the surrounding landscape, an artistic relationship becomes undeniable. Modern academia, or indeed known history, states that man first saw microscopic creatures in September 1674. These observations were made by Dutch scientist Anton van Leeuwenhoijk. That means humans have only known of microscopic life for less than 330 years. If this is true, who or what could have created the judicula stone's markings over 3,000 years ago? Was this stone made by a highly advanced ancient alien? Was it made with the purpose of sharing their research with a local population unable of such work? To date, the LEMA theory is the only one which has been successfully corroborated elsewhere.


I have to leave Ukraine because of the war. It was really sad, but I needed to. To actually experience, you know, the freedom to be able to be yourself without any worries, without any discrimination, so it's really like a happy feeling for me personally. And to be actually part of the choir is like expressing myself which I haven't been able to do in a long time. We are missing Ukraine and my son, he talks about Ukraine every day, every moment he checks news, what's happening, what progress of the war is now and Zlata also missing her father and we all missing our family so. I want to go back but I only like for fighting but I know nothing about how to do it so I think better to get back when I have some education to like rebuild and to do good for economics. These kinds of projects for people who are new here, who just evacuated from any other countries, for every countries, yeah it helps to change your mind to have like freedom for some days. Yeah we can feel your love and people around us really very helpful, very kind. When I'm here, no depression, no anxiety, I feel good. It's important like National Lottery Fund is supporting events like such as this, kind of expanding your bubble, connects the communities you get to know about other people, other cultures. It's atmosphere that I know, it's atmosphere that I like and it's like flesh back to my past. Because of them I came here and I get this experience. Thank you to National Lottery, I love you.


Hey survivors and frivers, I have a playlist of videos called The Narcissist and Envy where I have talked about this before but I haven't talked about it for a while so I would like to discuss it more in this video. What I discussed in this video could also be applied to gangstalkers as I do believe that they are narcissistic at the very least. Please like, comment, share and subscribe. If you would like to donate, my paypal link is in the video description. If you are interested in one-on-one coaching, you can email me at Narcissivercoaching at gmail.com. We have a Reddit community where survivors and frivers can share their experiences and knowledge. If you are interested in being a part of this community, you can sign up for our Patreon page, the link is in the video description. Check out the Narcissiver merchandise store where you can purchase your own Narcissiver t-shirt or mug. The link to our Teespring page is in the video description. Narciss are envious. This is the root cause of why they do what they do. Envy is the core emotion which is fueling them to act and behave in this way. They look at your qualities, talents and traits and compare them to theirs. If your lifestyle is superior, more desirable relationship partners, more money, better material items, past experiences where they wish that was them rather than you, they compare all of this to their own lives. They then experience a feeling of lack as though they will never possess the qualities, talents or traits which you possess. They will never have that lifestyle or desirable relationship partners, they will never have that amount of money or they will never experience what you have experienced. They are pathologically envious. They observe everything that is going on in your life and then accept that none of that will ever happen for them. In their minds, they have accepted that they will never have what you had in that moment and they will never get what you got in that moment. They compare what they have with what you have and that's what triggers them to experience this emotion as well as envy. They will also experience self-hatred, anger and maybe jealousy. They have a desire to possess what you possess. They have a desire to take it away from you or destroy it completely. Envious narcissists will only try to take away or destroy something which they perceive to be valuable. This could be seen in children where they will begin to act out or have tantrums because they are envious of the other child. If you look at narcissists, this is exactly what they are doing whether it's overt aggression or covert passive-aggressive behavior. This all comes from their pathological envy. It creates this irresistible urge within them, overwhelming and uncontrollable, where they have to do something to have some relief. If you imagine a bottle of Coca-Cola, before the narcissist witnesses something that might make them envious, they are like an unshaken bottle of Coca-Cola but as they witness something which they believe to have a sense of superiority to them, whether it's a certain quality of yours or your relationship or they become aware of a certain experience you have had, suddenly there is this continuous physical force exerted within the narcissist. The bottle of Coca-Cola begins to bubble. The narcissist then reflects on their own self-hatred and how they feel that they will never possess that quality, have that desirable relationship partner or experience what you have experienced and that's when the bottle of Coca-Cola suddenly pops. They become overtly aggressive or covertly passive-aggressive towards you. They have to do something to deal with the intense emotions that they are experiencing upon witnessing whatever it is that has made them envious of you. This is unconscious behaviour, they are not aware of how or why they are responding in this way to you but it does affect their emotions, actions and behaviours. It's done almost without them realising, they do not reflect on their emotions for long periods of time, that would be far too painful for them to deal with. This is why they always need a target or source of supply, someone who they can abuse and dump all of their negativity on. They do not reflect on their envy and self-hatred for long as it's far too painful for them. So their way of dealing with this is to devalue the target or source of supply. It is their envy and self-hatred which drives them to devalue you, they have to reduce or underestimate your worth or importance.    You may be left completely alone and isolated, this is what they have to do, to deal with their feelings of envy and self-hatred.


Hey friends and welcome to my channel I am Yoshida and this is Norris Cove. If you are new to my channel please hit the subscribe button if you're interested in more content for myself. Also hit the notification bell so that you are notified whenever I upload new content. So let's get into this. So well technically it was last week. Anika over at Anika's Creative Plans. If you're not following her please go follow her. She has some very great creative ideas especially when it comes to the Hobonichi and Fobonichi. I mean anything really plan related she has you covered okay. Well she did a spread in her Fobonichi and her and I did a collab together and I really enjoyed that it was a lot of fun. So she did these boxes and I've been wanting more room in my Fobonichi but when I saw hers I'd already planned. So I'm basically like a week ahead on this. So I wanted to use kind of that layout that she did a little bit. So I don't own a pencil I know. So I just use the pen. So I had to go back and kind of white out some areas once I realized once I got the hang of making the boxes and I didn't ask for measurements or anything like that. But to me this is this is good.  I don't want to be let it to be. I don't want it to be too busy but I wanted something just kind of plain and simple but I'm definitely gonna go into journaling and I'm thinking this is starting to become my one of my favorite books I think because I am doing the journaling and I think next week after this week I'm going to play around with these boxes in here and some circles and I had an idea to do hard so I thought about that and the hexagons and love hexagons so yeah let's go ahead and get started I'm thinking I'll be able to talk through this and not go sideways okay thinking I won't go to the left. So last time I did just these simple words and I think that's what I'm gonna do again today. I think I'm gonna use these since we got shadow boxes going on. Let me find my tweezers. So I'm getting the hang of it and at first I'm like a creature of habit and I will continue to do the same thing over and over and over and over and if I see it once that's just what it is. I'm gonna put that kind of outside of the box. Let me zoom in so you all can see what I'm doing. There we go. So I'm trying not to I'm trying to get out of my comfort zone because I will stay there forever and ever amen okay. So you can see here where I had to white out like once I got the hang of some things hit the white out but it's okay because I was gonna leave this as a practice spread and I'm kind of back tracking because I missed the page. So I decided to go ahead and just leave it and make it what it is and I love the shadow effect of boxes. I don't know why I just love the shadow effect. So I wanted to be kind of something because this is my social media planner for now. I'm gonna just hit this over here so we really can't see. And I needed more room so when Anika posted hers I was like that's what I've been wanting to do like I need more room but I just didn't really know the measurements and I'll also be honest I hate measuring I hate I don't know why this don't like to count I don't want to measure and I want to count some money and that's about it when it comes to math. Me in math money it is that's it okay. I'll add up all day. So I'm gonna use these as well. I think well let's see. So we're gonna be planning from the 27th I believe. Let me double check. So I'm actually so caught up I'm extra extra early. It's making appointments. So we just do this. So yeah the 27th through the first. 27 through the first. Probably doing after the pen of this book. I love the little people and he says like I'll put that there. Okay let's go into this wrong wrong but my colors here were like a blue purple and that's kind of what I was going for. That was gonna be the whole situation. Purple. There she has on purple. That's purple. Let's do homegirl here. I need to be honest. I mean just super honest. I need to just familiarize myself with my books because I don't know half the stuff that I have in here. I really really don't and I just gotta be honest. It won't hurt to be flowing to everything else. Have I used those? I have to do a after the pen separate because being that this is a little later. Let me find my pencils and you all let me tell you about these pencils. I got these from Joanne's. These are Crayola. I also got these from Joanne's the Faber Castell. So I just figured by these are a little slightly more expensive that they would be better and they're watercolor but I actually like these. I thought these were the watercolor but I like these a little better. So let me find the one that I was using. It's a shade. I was using this one. I need a little bit more shading. So I see I didn't put anything over here on Thursday. I'm gonna take a sticky note and drop that here on Thursday. It's just a little bit crooked.  Pink and green all day long. So I'm trying to get out of my comfort zone. Do a little more color and this is it. I think I want to put another girl in here somewhere. Oh bunny plants. I have her. I haven't used a lot of bunny plants and I actually like that one. I want to use some of these girls here. I put this one in last week afterwards. This little girl here. I put her on stats because she'd be making it rain. The stats make her rain honey. So then bunny plants.  I think I got too much going on in that corner. So lastly it was all about Peyton. This week we're making about bunny and Miss Moss. So there we go. She needs to be up here too. There we go. So that's it. I hope you guys liked the spray that I did. I really really really I just don't want to take credit for it because I was inspired by Anika over at Anika's creative plans but it just gave me a little little idea and I just didn't want to copy copycat. Plus I saw she did a lot of filling in and I'm lazy and I didn't want to do too much filling in but I did want to just make the page jump. So here it is. Let me zoom out just a little bit and thank you all so much for watching. I hope this video wasn't too long and we'll do it after the pen shortly. So


What's up everybody? Before this video officially starts, this is only one of several videos in my WinBig and Music Networking course. You can find the information on that course in the description below if you've already been a part of my email list. You've been sent it so you can search it in your email using the instructions below. You can't find it, then you just need to, you know, download it yourself again. It's a simple course, seven days, seven emails. Other than that, enjoy this video right here. Aw, what's up everybody? Once again, it's Brandon, Sean, and I have to talk about another thing that's really important when it comes to networking, and that is location. And I mean this in two different ways. One way I've already kind of alluded to, right? That's getting outside of your industry what location you're in as in what industry are you networking with then. So getting outside of the music industry, if you look at my video on Futuristic, that'll be referenced. He used a relationship with a YouTuber to really get things going. He went viral, brought a lot of people into his music, and that's a different industry, different circles, so to speak, from a lot of music circles. There's some overlap, but then there's a lot of different places and different people to work with. And as I've said, the biggest advantage of this type of situation is when you're getting in different circles, you stand out, right? Being the rapper amongst rappers doesn't make you stand out, but being the rapper amongst, I don't know, violinist. That's still a music industry, but it's still a different side of the music industry, or being the rapper amongst dancers, or being the rapper among tech CEOs. You stand out for a variety of reasons, and I think you can understand that. So take that run, would it apply to different types of industries, but the second type of a location is more in reference to literal geography. So if you look at the video I've referenced with 6ix9ine, he blew up. Overseas, really, before he blew up in the U.S. Now, what's the advantage of being in a different location? Well, it's similar, just like the music industry. Maybe you are among rappers, but you might be the only American rapper who's really giving fan-based a certain type of energy. It's cool. They listen to all the big artists over in America. However, there's none of them that really give them special attention, and none of them that they can watch their come-up all the way from beginning to blow up, because most American artists at a certain level are trying to get their come-up in America and then come overseas. I've had times chopping it up with Ryan Leslie. If you don't know Ryan Leslie, music producer has produced for Cassie, Diddy, with Kanye West, also the owner of Superphone. He told me the very same thing, the way he really started boosting and moving in his career, and why most of his fan-based tooth this day when you talk about his superfan base is in Europe. It's because in the mid-2000s when he was coming up, a lot of these artists, yeah, they would go over to Europe, as he would say, but when they would perform, they would perform and get out. They might not even be there for a long time, 30 minutes to an hour. They'd collect that bag, not treat the fans super well. It was like they were just tourists. They said, we're going to get our money and go home. We really don't want to make super connections. That's how he said a lot of the big artists were acting who were coming over from America. Him, on the other hand, he said he would do like three-hour sets. This is before he really had an American following, seriously. However, he was that guy from America who's giving them all of this attention, all of this play, so just by engaging more with fans, and then being from a different place he was able to stand out, it got him a lot more value. Many of you have experienced or seen this similar phenomenon when somebody comes to a new school. Everybody knows who the new girl or new guy at school is, even if they're not necessarily cool with them or don't necessarily like them, they at least know who that new person is. You do this for yourself when you go to different geographies, but most of the times you only can really take advantage of it if you're doing it strategically and understand what you're doing. It doesn't necessarily have to be as extreme as going outside of the country. The point at the end of the day is really to find areas where your kind usually do not engage and engage with those people, whether it's for networking or fan-based building. Just make sure every once in a while you be a little strategic in how you place yourself because in those moments, you're able to get a lot more for far less effort. And that's it for now. So if you like this video, go ahead and hit that like button. If you like it, you might as well share it. And if you're not subscribed, you know what to do. Hit that subscribe.


If you see, the structure of the program is something like that. When you have your characters designed, you choose the one that was to speak, the type of action, and then the text that they are going to pronounce, or that the students can also record the voice on there. I use this activity as I told you, using cooperative learning, especially because I had a special case of a student with disability. And in our case, we also introduce, because it's automatic, the option of subtitles. Because as you have the text written in the app, it's only marking a button, and you also have subtitles. So this makes the video more accessible. As I told you, I used it in class. It was fantastic. And also, a student of mine also did it in primary education, and the result was very good. Of course, this can be as difficult, as complex as you want with the dialogues. But you can use it. The only key here is designing the characters that you don't need any type of knowledge of language. And then, knowing the actions. But it's quite intuitive, because you can click on them, choose, for example, dragging, and you can see what the character makes. So they are unconsciously learning the vocabulary of actions, or blow a kiss. They do it, and they say, oh, this is the action that I want, or not, this is something that I don't like. And the same with the sounds. There are lots of special effects, let's say, like a phone ringing or whatever, that they are also for free, and they can try and see what is the type of movement, action, sound that they want to spread. The only limitation, but it's not because of the program that is free, but in general, is that there is a maximum of two characters per frame, per scene. But, well, you divide the plot, and there's no problem. So I will show you a real example. In this case, they introduced their voices. Okay. So if you see, the result is quite visual, and it's very easy to use. I promise, if you have the chance, if you have some time, take five minutes, and I think that you will fall in love with this, because of all the possibilities that it gives you. The only thing is, so as I said, you can even modify the face expressions, and this movement of the shoulder, but there are many, many possibilities of movement, even shaking hands, and so, and when they, in this case, because they used their own voices, but if you use the text to voice option, it's a little bit like a robot, in comparison, but it works. It can be perfectly understood in English, in Spanish. Spanish is a disaster, and Spanish is better to record it, because if not, I tell you that it's very difficult to understand it. Okay. Maybe in the future, who knows? And for the subtitles in the app, you only have to mark a button with a T, and the same text that you have previously written is shown on the screen. So it's very good, and I tell you, when they know what they want to express, these takes half an hour maximum. And if you heard the noise at the back, was because they did it in class, so there were other students also recording their voices, but more or less with a normal laptop or a tablet, it works perfectly, okay? And even in some cases, because it happens, if you have the app downloaded into your device, you don't need internet access to produce it, but you save it in your computer, and then when you finish, you use the Wi-Fi or wherever to publish it, because with this, you can publish it in the Pluragon website, but also you can download it, in this case. I told the students to send me the final results, and then you have it as an MP4 that you can play anywhere. So for example, in the case that we said earlier for the tutorials, if you are giving instructions that you don't need to show something that you are doing with your hands, first do that, then, in this case, it's very easy, and as I said, quite fast, okay? In my case, the whole process, I know that my students were older, but they didn't know the app earlier. This was done in a couple of sessions of one hour and a half, and they even presented it in class, okay? So, you know, it is quite easy to get familiar with the tool. I tell you that it's very visual because the results from a point of view are very, very good. It's easy that we cannot work with that here today, but we don't have the devices, but as I said, yes. You can choose. In our case, I worked with them using cooperative learning. They were in groups of five, and they used one account for the whole group, okay? In my case, as they were over 18, they used one of their personal accounts. Even you can register using Gmail, a Google account, or using Facebook, okay? So, if you are working with primary students, maybe you can create a Gmail account with this purpose and register the Gmail account for that, so they don't have to use Facebook or wherever, okay? It's something like group one, at Gmail.com, something like that. And you assign each group the email account and the password to enter in Plotagon, and there's no problem, because you don't receive anything from the app or wherever, okay? The option of Facebook is just because you know that many, many web pages have that for register, because in many cases, it's easier and faster. But in the case of primary education, I think that the safer way is a Gmail account for that, and that's all. And even you can use it from one year to another or from one class to another. You can reuse it, okay? So, but it's quite easy to reuse it, as I said.  And in this case, because it was mainly in a house, but you can choose different scenarios and it's quite interesting, okay? A limitation that I found is, for example, for natural science, there are no animals. So, in this case, it can be difficult. But for example, there is a prehistorical man, a caveman that you can use, for example, for social science for history, okay? So, as I said, you have to identify your needs, and according to your needs, use one tool or another, okay? And now, I go one. So, I strongly recommend you to try Plotagon. Then you will decide if it's useful for you or not. But I tell you that it's very good. In the case of creation, it was set previously in the case of Geniali, okay? In this case, they had the video in Vimeo, so probably, well, I couldn't download it. So, probably you can access there, but the idea is making presentations, okay? Not people know that, but Geniali is a Spanish company, and it's from Cordoba. But it is a little bit hidden in their web page, but it's very good. In the case of Pautun, do you know Pautun? No, Pautun, the person top. No? For short videos, the results are also very good. And I'll show you an example. I will upload it to Mooda in the case of Pautun, but the idea is that in a very easy way, you can create presentations, even in which you can show that, like you are writing by hand, easily, okay? And it's quite visual, but especially for short videos. If the video is more than two, three minutes, it's a little bit boring, okay? And in the case of Camba, do you know Camba? Camba is mainly for preparing posters and leaflets. And it's very easy to use, but you have to consider that you have to use the free items, because in many cases there are items that you have to pay for. Maybe it's one dollar, but you have to pay. So if you avoid the items that you have to pay, you can make very good things. Like, for example, in this case, oh yes, I had here Pautun, okay? So I present Pautun and then Camba. This is the structure of the software. So if you see, the left part is like PowerPoint, so you can identify different slides, but the movements, the transitions, are much more visual than PowerPoint. But as I said, more than three minutes, watching things moving and writing on this is a little bit boring. So for specific concepts, for specific ideas, it's very good, because you can improve this process because it's very, very visual. But personally, longer than this, it's a little bit tiring. And as I said, in the case of Camba, there are many layouts for different purposes, for posters, for the standard size of the page, for flyers, and it's just moving the image to the place that you want to put it. You can modify the fonts, and it's a little bit more flexible than PowerPoint. In my personal case, what I've done when using Camba is combining Camba with PowerPoint or with Keynote in Mac. Why? Because in some cases, some of the specific images or vectors that you want to use in Camba, you have to pay for them, but you can have them for free in other web pages, like for example in FreePick. Do you know FreePick? FreePick is a very good database of images, vectors, and photographs. So you can combine both. So in my personal case, what I usually do is I download the layout, the design, and then I add the parts that I need from Camba. So you can combine both, and it's quite easy, because you can FreePick. Free, F-R-W-E-P-I-K. Yeah, pick. Okay, FreePick. This is a huge database that is getting bigger and bigger. I think that this company is from Malaga, a Spanish company, and they are investing lots of money in increasing their database of resources. Okay, FreePick. F-R-W-E-P-I-K. Dot com. So there, if you need to prepare a presentation, a poster, or something for your lessons, you will have high quality resources, high quality images, and it's very good. But this is only for a while. Or it's for a while. Okay. Yeah. Yes. Yes, okay. Yes, so in the case of Pautun, for example, they give you 48 hours with all the premium items for free, but it's 48 hours, so you need to concentrate a lot on that. But if not, there's no problem, because there are many items that you can use without using the premium items. It's not essential, okay? It's like in Floregon that it's not essential the use of everything premium that you have to pay for that, okay? In the case of Canva, it's true that it's more limited, okay? In the case of Geniali, you have the link to Vimeo, okay? So you can see how it works there, okay? Then the last item, in the case of collaboration, okay, learning by sharing, probably you have used Padlet, somebody mentioned that earlier, if I'm not wrong, that in these cases, a kind of huge board in which you can pin items of different topics. For example, you want to develop a project on history, on the French Revolution, for example, and students can share this dashboard to collaborate among them, okay? So you can see here... So as you can see, this is collaborative because all the students can publish them, can pin their information, for example, about a topic in these cases about history, okay, or mythology, but you can create the project and they share information and they add the items of information that they find interesting about that. And finally, I have this web page that you can see here, that is E-Pulse, that maybe you know, but I didn't know it still quite recently, because the idea of E-Pulse is find connections with other schools, other classrooms working on a topic similar to yours. So as you can see, on the left, on my right, you choose the country that you want to work with, the student age range, okay, that goes from five to 18 years old. So, for example, in this case, in this search, I used six to 11, that is primary education, and if you see, they have, for example, for the subjects of English, language and arts, for the ages from 11 to 15, there is a connection that you can choose to work with them and to exchange and collaborate with other students, with other classrooms all over the world. Or for example, in this case of China, what they want is, from ages seven to 15, to practice English. So it's a way to connect students all over the world, okay, this is a kind of, not alternative to E-Tweening, because E-Tweening is European, but this is at the global level, E-Pulse, okay, and you can even create your own project, for example, you have all the terms of use and the privacy support there on the web page, but I tell you that I discovered the web page a couple of weeks ago, and I have not used it, but probably they have to control this quite a lot, because the idea is teachers with teachers, and then students with students, okay? But I discovered that, and I think that the idea is interesting, of course we have to be careful with safety and privacy and these things, but well, it's for you to know it and try to look for, because as you can see, according to this, is focused on specific target groups, okay, or the subject, or the age, okay, and they identify the projects. Okay, and even you can create your own penpal exchange and you can use this tool to create your project, for example, you say, like for example, here you can see a project about fighting poverty, in this case it's for secondary education from 12 to 16 years old, but you can join that. This is a teacher guide, so it shows you how to do it. I think that the idea is interesting, I told you that I've not used that, so I cannot answer properly these and I prefer not to lie, but I think that as an idea it's good, let's see how it works, but if you see, you have some safety standards, like you can see here the back, okay, with privacy certified, so it's a matter of reading the terms of use and see how they identify, because in some web pages for this, for example, in the case of Plotagon, in the case of Pautun, if you register with the account of your school, of your university, they associate that you are in the education field, probably they use something like that, I guess, but it's just guessing, okay? But I think that the idea, as it is, is good, it's interesting, okay? So, well, we don't have time for that and we don't have Wi-Fi, but if possible, for the final project, try to choose a resource and try to use it for your lessons, because you will see that students can be very motivated with some of these because they are seeing results quite visual and quite interesting for them. So, some final remarks and I will finish on time. First, collaboration is essential. This is the key of everything nowadays. Then, try to discover, but also use new digital resources that you probably did not know earlier. Try to go global. I think that initiatives like each winning are fantastic to know other cultures and there are also other alternatives, let's say. And, please, don't get overwhelmed by technology, okay? Just take it step by step, okay? I think that this is essential. And, to finish this sentence, a journey of a thousand miles must begin with a single step. So, let's try and do it, okay? So, thank you.


What's up everybody, Jason here with Jasper's Case Breaks.com. Another last party promo break just sold out. Jasper's Hyrule and Mystery, create number seven, random letter, first letter of the last name, and thank you guys. Everybody gets a random letter from the list below. If you get letter D randomize, example, Lugodontra just gets hit, then that'll go to letter D, four cards per crate, tons of big hits, over 1200 to 2000. Pre-marked the cases 1 through 10. We'll randomize which case we use before we start the break to make the process totally random. There's the random letters, the big names, and remember this is a high risk, high reward type of break, and since there's only 10 cases, might only have a few hit possibilities per letter. Try to make the combos as even as possible for every spot. But just know that some cards may be pulled on the product run early. So please keep that in mind of course when buying. And number eight's already on the website guys. So let's do the break first. Let's roll. Got ourselves a four and a two six times. Good luck. One, two, three, four, five, and six. Then at the end guys, we'll use the original list and randomize customer names. Customer number one gets the wax party promo spot as well. All right, so there you go. There's 12, four and a two, six. One, two, three, four, five, six. Six times M down to H. All right, so that was six, six. Excuse me. Richard with M, Carl with the FK combo, Richard with D, Carl with A, Richard with L, Carl with T, Stephen with SO, Richard with B, Dale with R, Richard with E, Stephen with J, and David Green with H. So again, I don't think there'll be any trades, so I'll just show you guys to keep the list up there right now. In the meantime though, we only have four cases left. And I believe it's six, eight, nine, and 10. So let's see if we can generate one of those guys. Good luck. No. Yes. Eight is still available. So that means for the remaining case, we have six, nine, and 10 left. Awesome. Possum. Let's print out this list. All right guys, Nancy did sell that filler for Immaculate, but again that's not going to sell out the break as we still have 14 spots remaining. So what I'm going to do is create another filler and there'll be four spots straight up and one more filler just because it hasn't moved. So just remember, of course, that is not sell at the break. I think Joe was just trying to sell out just one filler plus 20 spots, but like I said, it hasn't looked like it's been moving that way. So I'll post up another one right now. All right. Here we go guys. Good luck. So again, we generated a case number eight. There is eight. There's a mystery crate. Here we go. Here we go guys. Good luck. First one. LeBron James, 2003 Bowman, rookies, and stars. Basketball. So even at a PSA eighth, this actually probably sells pretty well. Old School Slav as well. Jay for James, Steven flat. You were on a roll. Next one. A silver premier level. LaMelo ball from 2020 select basketball. PSA 10. Letter B for ball going to Richard. Next one. Tray Lance, 24 to 25. Mirror gold from 2021 certified football. That's a PSA 10. Very nice. That was one of the sell sheets. It's letter L going to Richard. Solid. And last one here. Sandy Kofax, five of five. Dynasty, five out of five. Double Jersey and autograph. Boom. Letter K. It's going to Carl with the FK combo. Very nice. Look at that Carl. So I guess Sandy Kofax was still available. So that was six chasers potentially. Six chasers potentially. All right, well there you go guys. Very nice. Sandy Kofax. Tray Lance. LaMelo ball. LeBron James. So there you go. Very nice. Now let's switch scenes and do the wax party giveaway. So there you go. Number one gets it after two and a five. Seven times. Good luck. One, two, three, four, five, six, seven. And Richard. Very nice, buddy. Two and a five, seven times. Congratulations, man. Wax party promo break. All right, there you go, man. Appreciate it, guys. Next one's in the store. If you guys want to run it back tonight, we still have time to do it. It's a quick break. Jasper'scasebrakes.com.


The study found that students attitudes towards physical culture, PE lessons and physical exercises were generally satisfactory. Boys enjoyed playing ball games more than girls who preferred other activities such as aerobics or yoga. Boys also reported feeling a greater need for additional physical education classes at school. Overall, the majority of students expressed a desire to participate in physical education lessons even if they were optional. This article was authored by Aligius Medeczki, Adrian Jaros, and Roger Medeczki.


With prevailing westerly winds over Japan, nuclear fallout from the Fukushima nuclear power plant tragedy was detected throughout North America at levels comparable to those seen 25 years earlier from Chernobyl, the only other Category 7 nuclear event in history. The highest levels of radioactive iodine in rainwater was found in Boise, Idaho, and the highest levels in milk were found in San Francisco at levels 10 times higher than the federal maximum allowed in drinking water, but below that which would be expected to pose a direct threat to U.S. public health. A controversial paper, however, in the International Journal of Health Sciences, suggested the radioactive plume from the nuclear meltdowns in Fukushima may be responsible for a subsequent bump in U.S. mortality, similar to what we saw after Chernobyl. Though the authors themselves underscore the research shows merely a correlation and potential evidence of a causal link, and that more research is necessary. Of all the radiation released, only a tiny fraction of the fallout reached U.S. shores, most was absorbed by the Pacific Ocean. What does that mean for seafood safety? Researchers report unequivocal evidence that Pacific bluefin tuna have transported Fukushima-derived radioactive fallout across the entire North Pacific Ocean. Tuna actually migrate from Japan to California and appeared to have taken some radioactivity with them. Even though there was a 10-fold spike in radioactive cesium levels in tuna, they put it in context by knowing the baseline levels of radioactivity in fish, even before Fukushima, due to everything from thermonuclear weapons tests and sunken nuclear submarines to just radioactive elements found naturally in the Earth's crust. The levels in seawater of radioactive polonium, for example, are miniscule, but it appears to strongly bioaccumulate up the food chain into fish. This is the same polonium used in the horrific assassination of Russian dissident Litvinenko. That's the same polonium found in fish. It's a byproduct of uranium decay and frequently cited as one of the reasons tobacco is so carcinogenic. Something the tobacco industry was well aware of and could have easily removed, but the process that could have removed the polonium affected the absorbability of nicotine, and the loss of the nicotine kick sensation was found unacceptable by industry executives, so they kept the polonium in. The radioactive polonium in cigarettes has been specatively blamed for the link between smoking and male infertility, but most of human exposure to polonium comes from diet, mostly from fish and shellfish. And this was before Fukushima.  Researchers measured the increase in radioactive polonium levels in semen after a single seafood meal caused a 300% spike in levels, probably not enough to cause infertility, but that was just one meal. Whether the kind of dose you can get from eating seafood would be enough to damage sperm enough, still needs to be established, you may have to eat as much as a pound of seafood a month before one might realize the harmful effects of the radiation. Interestingly, there's eight times more polonium in cooked shrimp than in raw shrimp. Isn't that fascinating? They think it's because most of the polonium is in the shrimp's internal organs, which is released into the boiling water and contaminates the muscle, so gutting crustaceans before cooking may decrease radiation exposure.


Columbia will be open for business folks we will make it easier to start a business here invest in our great city and its people today would have not happened if it wasn't for all those small businesses that came out today thank you we support you and we're glad you're open it was very exciting to get that call and we just talked about it a minute and decided we really wanted to be a part of it and I knew that Mayor Rick and men that was one of his platform promises was among other things was that he was a supporter of small businesses so when we got that phone call that was really shocking and exciting we did a few hundred cupcakes they were our top three flavor sellers which is red velvet chocolate and vanilla and then they all had a little city of Columbia flag out of an edible topper so we put those on all of them it was a really nice turnout and they looked really cute so just for us to be at this point where we're not stuck at home and you're able to still work and generate income and provide so it really is just a message of hope and encouragement that you know we can still safely operate and provide things for the community so it was encouraging to hear him say that


Hello friends, I am Sanjay Gupta. In this video I am going to demonstrate you how you can implement swapping using function overloading in C++. Before starting, you can note my information, you can connect with me by following these details, you can download my app TechMS available on Google Play, you can search my channel on YouTube by typing my name Sanjay Gupta, my channel will be available there, you can open it and you can subscribe it if you want to watch various programming related videos and playlists. Now coming on to the topic, you can see a comment swapping using function overloading in C++ is written here, then header file IO stream is included, then namespace std is used, it is containing information related to scene and cout, that's why I have used this namespace, then swap function is defined, return type is void, then function name is swap, it is having two formal arguments of integer type a and b and these a and b are reference variables, so reference variable shares the location of actual arguments and if we change values of formal arguments then actual arguments also change because these formal arguments are reference variables, so in this definition if I will be changing value of a and b then their actual values will also be changed, so you can see that in main function x and y variables are declared, then swap function is called, here x and y of integer type values are passed, so this calling will link with this definition, here a and b will be sharing locations of x and y, so if you change values of a and b in this definition then x and y will be changed automatically, so this is the benefit of reference variables, so this function is implemented using reference variables, now you can see second function definition, it is also having same name as first, so this concept is known as function overloading, in C++ you can define more than one functions with same name, but remember number of arguments or type of arguments should be different, so in this code first function is containing two arguments of integer type, second is also containing two arguments of flow type, so here number of arguments are same but type is different that's why this function will work properly, it is also having a formal arguments as reference variables, so if we change values of a and b then actual arguments will also be changed, now you can see in main function this swap function is passing x and y of integer type, so this will call first function definition and this line number 24 is calling swap based on p and q and p and q are of flow types, so when first function call line number 21 will be executed, so first function definition will be called, when line number 24 will be executed, so second function definition will be linked automatically, so this is the benefit of function overloading in C++, you can define more than one functions with same name, now I am executing this code, you can see the output initial values of x and y are 5 and 10, but here it is displaying 10, 5 and float p and q, p is containing 10.25, q is containing 20.4, but here swapped values are displayed, so I hope you have understood how you can implement function overloading in C++ and also how you can use reference variables in C++, if you want to watch more programming related videos you can search my channel on youtube by sanjay gupta name, here various programming related videos and playlists are available, thank you for watching this video.