What's going on? If you're new to the family, welcome back to another video. It's your girl Denise. If you guys are new to the channel, don't forget to hit that subscribe button and join the family. So guys, as you can tell by the title and the thumbnail of today's video, I'm going to be pranking Isaiah today. So Isaiah right now is outside with his grandparents. They came and dropped off some ribs. So I have to make this intro very quickly.   And I'm going to keep doing that multiple times throughout the day. We have to go to the post office. We have to go drop some things off for my aunt. So we are really busy and usually when it's busy, Isaiah gets really frustrated when like his time is wasted. So this is a perfect day to do this prank. So if you guys are ready for today's video, don't forget to smash out like button and comment team Denise in the comment section below. Let's get it. What's going on? If in a family, welcome back to another video. If you guys are new to the channel, make sure you guys hit that subscribe button, turn on your post notification bell, leave a positive comment down below. And you guys will get a what babe? You guys will get a shout out in the next video. That is right. So guys today we have a very busy day.  If that's something you guys didn't know about me. So we have to go to her aunt's house. We have to drop off some Mother's Day gifts. Right. Then we have to, I want to get breakfast before all this time. Yeah, I'm hungry. Yeah, me too. And I want something refreshing like a refreshing drink, but I don't want to go to Starbucks. We should switch it up. We should go to Dunkin. Dunkin donuts. Guys, if you tried Dunkin's refreshers, I've seen some comments on Twitter saying that they're trash. You're crazy. If you think they're trashed, they're freaking amazing. The pink strawberry is fire. Go try it out. I prefer the other one. What was that? The pomegranate? Yeah, that's cool. Oh, see now you're nice. It's nice for that. But yeah guys, we're going to go to Dunkin. Then we're going to go drop off those things right there. Her Mother's Day gifts. Then we're going to go to the post office to drop off some mail. And then I have to handle some stuff with the DMV. That's going to be so much fun. So much fun. But anyway, enough talking. Let's get the day going. So we just pulled up at Dunkin. Of course, there is a long line because it is the morning, but there is a banner of the stuff we're going to get right here. $3 medium Dunkin donut coconut refreshers. Now guys, I wouldn't recommend going with Janice's suggestion. She's over here saying pomegranate. We need to go with the pink strawberry. Listen, they're both good. I just prefer the pomegranate. Okay. Don't come for me. I feel like the pomegranate tastes like perfume. Oh, that's why I like it. I guess who drinks perfume. I like fragrant flavors. So we get the pink strawberry guys. It tastes like a starburst. You know what that reminds me of the pomegranate? Like old lady perfume like my grandma's perfume from back like an 06.  Like what? It's nasty. Like I don't know. It's not nasty. It's not nasty. It's just it tastes weird. I don't think it tastes weird at all. All right. I think it tastes good. We don't let you guys be the judge.  I want the chicken. You heard that? Yeah. I got a coconut. All right. Can I have a large purple pomegranate coconut refresher? Can I have a large purple pomegranate coconut refresher? Sure. Anything else? And one large pink strawberry coconut refresher? Just a pink strawberry. Yes. No color. And anything else? Can I have two sugar donuts? One thing to eat. Two sugar donuts? Okay. The croissant chicken croissant. And can I have the croissant with the chicken? Okay, chicken croissant. Okay. Anything else? Okay. Um, she doesn't know. And that'll be all. You can do it. I will. Thank you. Who is calling from Newark? Hello? Hello. Hi.  They just call me and they don't say anything. Last time I got that someone was just breathing on the line like... That's not creepy. It is creepy.  And then that threw me off when I was ordering. I said like croissant with the chicken and he started laughing. Yeah, I know. I'm like, what's so funny? I'm happy they have everything. I thought they weren't going to have anything.  It's just a bad setup. Yeah, this setup is horrible. It's like really tight. Yeah. Once you're in, there's no getting out. I would crash, honestly. Now I'm getting emails from Optimum. Yes, get $200 off instantly on Galaxy. No, I don't care. I don't have an iPhone for life.  Hello. Hello. We learned today. Which donut do you want? I have the two coconut refreshers. The two sugar donuts. Which donut? Donut. Oh, two sugar donuts. Don't you say order. Bruh. Hello. Hello. Still?  If there's anything that annoys me, it's like BS calls, like scam calls and all that. Like, look, your vehicle's extended warranty. Oh, the car is extended warranty. Guys, let me know if you feel like this. So whenever I leave my dog, I think I have separation anxiety because I get so sad and I constantly ask Isaiah to check the security cameras so I can just look at him to see if he's okay. And like, he's always nine times out of ten sleeping. But still, I get like so sad. Thank you. Thank you so much. Alright, she got my car back. This is a chicken, babe. This is bacon. Alright, I've been a fam. So Isaiah's already pissed off because they got my order wrong. Well, apparently on the menu, it says that it comes with chicken and bacon, but I literally saw chicken, comma, bacon, comma, double cheese or something like that. But yeah, I don't eat bacon at all. So he just went inside to get me a different kind of food. But yeah, he's extremely frustrated already. So I might not let this prank jag on for long because he's like pretty pissed off already. But yeah, guys, I don't know how long I could keep it going, but let me know if you're enjoying me annoying him so far. Alright, guys, so we got everything situated finally. We have the pink strawberry right here. This just looks like it was sent from heaven. I don't understand how you don't like this one more. I don't know. I just like the other one. But that doesn't even look pink. I don't know why it's called pink strawberry if it doesn't look pink. Are you colorblind? Are you? That looks lavender. Bro, are you crazy? That's pink. This is like baby pink. Let me see. That's purple. That is pink. Oh my God. Comment down below. What color is this? It looks lavender to me. Yeah, you're insane. I don't think I'm insane. But whatever. Lucky enough, her aunt lives like two blocks away from Dunkin' Donuts, so we are pulling up to the spot right now. We're going to drop off her Mother's Day gift, and then we are going to hit the road. And I think the post office is next on the list. Some demon kids come out. They're not going to come out. I have to hurry up and drop it. Even though I want to sit here and hang out with them all day, like we can't. We're super busy. If your demon kids come out, your demon cousins, if they come out, tell them what's up. Okay. I will. BRB. Yeah, yeah, yeah. You just won't talk. Stop calling. I should have told them to come out. Why? Because I wanted to mess with the kids. Yeah, but if you mess with them, they're going to ask us to stay. That's just like teasing them. I'm busy. I can't give them no wedgies to that. Maybe we could come back later. Bro, that freaking person or whoever called me again. Really? Yeah, when you were right there at the front door. Did they say anything this time? No, they're not saying anything.  Geez, man. Maybe. Imagine if my cousin's actually messing with you. Nah, your cousins don't even have my number. Yeah, huh? One of them do. Yeah, but he wouldn't call me. Like, he wouldn't prank call me, especially not this much. Yeah, that's true. Plus, he's in school. Oh, yeah, you're right. They are in school. That's probably why they didn't come out to begin with. Damn! Tell me you're addicted without telling me you're addicted. Bro, all that's left is like ice. And we just drove from our on-tiles all the way to the post office. That's where we're at right now. The pink strawberry slabs, guys. I'm telling you.  You're insane, guys. Look how much he finished. This is freaking crazy. You're not putting in any work. Oh, first of all, this has so much caffeine. And the last time I downed this thing, like, I had so much energy. I couldn't even speak. Bro, you're not putting in enough work. You needed, like, just doing more sips. I don't want to. Guys, he's pressuring me to finish this. Hello! Stop! Call him! Stop calling me! Stop! Mom! No, no, no! Mom! Mom! She just hung up on me. Why did you yell at your mom? Oh, my God. Oh, my God. Oh, my God. Oh, my God. Why did you yell at your mom?  Oh, my God.  Oh, my God. I'm FaceTiming her. I'm FaceTiming her. She's not answering you. Oh, my God. She's going to curse me out when she gets out of work. When she gets out of work, she's going to curse me out. Why would you do that? I didn't know it was her. I just picked up the phone, and I just... I didn't look to see who... She's going to curse me out. Oh, he's... Do you think she'll believe me if I even tell her, like... She's probably not, right? Because, guys, his mom... His mom called him this morning, too. What did you think it was? You thought it was that person calling you again? Yes, because they keep calling me. So I just thought it was them, and I picked up, and I started going off and... They thought your mom's probably so upset right now. She's mad at her, right? She's not picking up my call. She's going to curse me out when she gets out of work. Oh, my gosh. All right, guys. We'll see you inside the post office. All right, guys. So we just dropped off the stuff that we needed to drop off at the post office, but... Yeah, we couldn't record in there because... It was just really... Yeah. Government stuff, and yeah. It's just nothing to record in there anyway. We just dropped off some stuff. But before going to the DMV and handling that stuff that I told you, I got to stop home real quick and use the bathroom. I think I drank this too fast, and it ran right through me, and my stomach is rumbling. Yeah, I'm sorry if the camera's shaking. I'm holding it right now, and my hand is shaking because, you know, caffeine. I don't know who shakes more. You or Blooper. Anyway, guys, we're going to stop real quick at the house, and then we'll continue on with the vlog.  Bro, here. Go. Why are you having the camera here? Take my phone. Why? I don't want to hear it anymore. Okay. Watch out. Why did you take the camera in the bathroom when I'm using it? What are you doing? Where's my phone? I actually forgot I need that. I have to call my friend. I have something to tell you. What? You know the person that's been calling you all day? No, I don't. And that's what's going to be mad, because I can't block them or anything, because it's a no-caller ID. There's nothing to block that's going to be pissed. Okay, well, just give me one second. I think I can help you figure it out. Do this whole time. Because no, and you have lip gloss on. No. You stress me out all day. And then you stress me out my most peaceful time of the day. What? You're taking a duke? Yeah. Actually, it's my most peaceful time. My sanctuary. My sanctuary. All right. You're rude. Kids, just smash that like button and comment Team Chinese in the comment section below. I think I'm really feeling this caffeine right now, because I have the giggles, but anyway. Post notification bells on to you. Notify whenever we post a new video. Speaking of post notifications, today's post notification shout out goes out to to Marcus Singleton. Thank you so much for your love and support. Isaiah and Wa Wao. And I love you so much. And we'll catch you guys in the next one. Just stressing me out.


If you're the type of player that wants to make a difference in a game, these are nine soccer skills that players actually need. In this video, I'm going to talk about nine soccer skills that I believe every player should have, because I don't want you to fall into the trap of going on YouTube, searching soccer skills, getting a lot of really cool, really cool fun to watch, crazy tricks, crazy skills. What are they actually making you play better on the field? And I'll never talk bad about anyone. Those channels are amazing. The guys' skills on there are so good. But as a coach, my intention, my purpose is to make you a better player. And I'm allowed to say that because I used to be the player that had all the fancy skills, had the best technique, the best touches, the best skills, but did nothing with it. No chances created, not enough assists, not enough goals, not enough impact on the game. So what I want to talk about in this video are nine soccer skills you actually need to have before you start looking at all that fancy stuff that doesn't really matter that much.  And if you can do all these nine skills with both feet, you can do them in match situations under pressure, then I'll let you look at the other stuff. Number one is dribbling with the head up. I will send the better in one day soccer blueprint to anyone who comments hashtag soccer on this video. Keeping control of the bowl with your head up so when you do have the bowl, you can actually make decisions at the right time. If I'm always dribbling here and I always have to look at the bowl like this, I don't know where the defenders are, defenders are, I'm going to get tackled. I don't know where my teammates are, I can't play my pass if they're open. Hey, what's up? I hope you're finding this content helpful. Watch this all the way to the end if you want to find out which subscriber got this video's special shout out. I'm going to lose possession, I'm not going to create chances. So number one, dribbling with the head up. Number two is turning sharply. If you want skills to beat defenders, that's fantastic. But the best skill to get away from someone is actually being able to turn efficiently. I can lose defenders just by being able to change direction and protect the bowl with my body movement. So number two, I will actually focus on turning and changing direction with the bowl. So when I'm turning, the technique of the cut really over-emphasizing the hip, the foot technique, getting the foot around the bowl, hard cut. If I want to go that way, I don't want to touch here and then here and then here to re-correct. I want to go there in one touch, if I can. But that requires body movement as well as the technique of the touch. Okay, so practicing turning efficiently when dribbling with the bowl. Next is the ability to beat a defender. And from my personal experience, and you may have experienced this as well, when I get in these situations with a defender and I pause and I think about all the cool tricks that I'm going to do, I'm easier to defend. When I just simplify it and my trick is a touch past him or it's a change of speed, suddenly I'm beating way more players with way less effort. So please do not fall in the trap. I did this. That's why I'm allowed to say it.   Get tackled. Don't create anything with your skills. So the next skill you need to focus on, the real soccer skill, is beating players with simple effective moves. Okay, so as far as dribbling, with the head up. If you don't know about me, I used to be a huge underachiever. But through obsessive self-improvement, I found my success. Earned a college scholarship, played for my national football team, a YouTube channel with over 100 million views. I've helped players worldwide and I'd love to help you improve faster and achieve more. Learning to actually change direction, turn quickly, effectively, low to the ground, sharp changes of direction, and then dribbling and beating players with simple effective skills. Being direct, not hesitating, not standing on the spot, doing nothing. One touch, one move, getting past them. The next soccer skills, football skills are all about passing and receiving. In my opinion, those are the most important skills in the game. A lot of players, they want to learn how to do a triple knee touch, aca 3000 ultra deluxe combo move, when you can't even go a whole game without giving the ball away. So focus on what really matters. And passing, first touch, taking care of the ball is so important. So number one, can you actually hit your target inside of the foot with both feet under pressure and not just to stand still in practice? Can you do it off the turn after a bit of skill? Can you have quality when you get tired during the game? Can you take care of your passes? So passing, focus on that skill is so important. Next, let's talk about first touch. When that ball comes to you, can you do what you want with it? Because a lot of us are receiving the ball, it's getting caught in here. I'm having a bad first touch. It's slowing down my speed of play, it's slowing down my decision making. I need to be able to go wherever I want with that first touch. Left, right, up, down, over, anywhere. This touch, and not that one, I'm trying to be too fancy. This first touch is the most important touch. It dictates everything. If I have a bad first touch, I'm usually going to give away possession or I'm going to have a slow speed of play. So focusing, when that ball is coming, you're actually focusing on the quality of that first touch. So many of us were receiving that ball and my head's already up here thinking about getting tackled or thinking about the next thing that's happening before I even have a quality first touch. So really overemphasize where you want it to go with your technique and your body movement. Even if I have a bad first touch, with my movement and turf, I'm on top of it, I'm going to be able to play quicker. If you want to improve faster and achieve more this season, use the Soccer Success Planner. It's 100% free. Players all around the world have already used it to improve. You can download it right now. There's a link in the description below. So focus on the quality of that first touch.  When I receive that ball, whenever I can, can I receive it facing the net? If I'm always receiving the ball from the back line or side and I have to take one touch to set, one to turn, now I'm facing the goal, I'm too slow. So the next skill I want you to focus on is playing on the half turn. Can I receive it into space or even let it come across me? So my first touch, my first movement is towards the goal. So as far as passing and receiving, I want you to think about quality in your passes. With both feet, take pride in your passing. Do not give the ball away. That first touch, don't get past it. Don't already be over there when you haven't focused on here. This first touch, speed of play. And then finally, playing on the half turn whenever possible. Whenever I can, I want to be receiving the ball this way so I can attack the ball quickly. Next set of soccer skills that I want to focus on are what I like to call ball striking. So number one, the ability to play a long pass, a ping, a driven pass. It can be any type of technique but the ability to play the ball 40, 50, 60, 70, 80 yards across the field, down the pitch, put the ball where you want it, hit a teammate, put it on his foot from distance. The ability to play that pass with both feet. Again, under pressure. It's one thing to be by yourself in the park and hit a ping pass without any pressure on you. It's another thing to be in the heat of a game, tired, someone on your back. Get a bit of space and still have the quality to hit that pass. So the next skill I want you to really focus on developing is the ball striking. It's the ability to play those long driven passes with quality. Hit your target every time. Good technique on both feet. The last soccer skill that we need to focus on if you want to be the type of footballer who actually makes a difference in a game is shooting, finishing, scoring goals.  If that's your priority right now, you're playing the wrong sport.   But if you want to play the real sport of soccer, the real sport of football, you need to focus on actually making an impact on the game. What's the point of having a good bit of skill? It's to create space so I can put the ball in the net and score my goal. It's to create space so you can have a shot. How many times have you seen someone, they look really fancy, really good skill.  If you want to be a great footballer, it's all about that final product. Everything leading up to the end is fantastic. But if you can't compose yourself to get that shot on net or to make that final pass to produce the end product, then you're never going to be at the level that you want to be. So the last skill that I want to focus on is shooting. So number one, can you strike the ball with your laces? Good technique, both feet. A lot of players are good with one foot, but when they get on the other, do they have the ability to strike a good, strong shot, good contact with the laces. Okay, so flex foot, technique. The second I think about smashing it as hard as I can, my technique disappears. I say this all the time, power comes from technique. The foundation of good shooting technique and then the power will come naturally. Foot is locked, toes down. Flex foot, strong foot, strong legs, strong calf, upper body is controlled. I'm not leaning one way or the other. I'm over the ball. I'm not back here. When I make contact, I'm keeping strong contact through the ball, following through towards the target. My legs not going across my body or leaning one way or the other. I'm following through everything towards the target. Last skill I want to focus on is shooting with placement. Do you have the ability to pick a corner, to actually put the ball where you want it to go? Because a lot of us will get in these situations, maybe one on one with keeper. We're trying to bend it there, but what do we do? Curl it right into his hands. He just says thank you, throws it the other way. I'll give you a few tips for placement shots. When I'm trying to curl it, I'm really trying to hit off the inside of the big toe. If I hit it in here and not because I'm trying to, if I just lose my concentration and I hit it right in the middle, rather than off this spot right here, that's when I produce those shots that I hate where you're trying to curl it, but you just end up bending it right down the middle. So really focus on opening up the foot, curling off more of that big bone right there. I need to focus on the ball until I've actually completed my shot, which sounds ridiculous, but how many times are you going to shoot and now that I say this, you'll be aware, you take your shot, but before you even make contact, you're already looking up at the net. If you want to be extremely accurate, I really need to focus on the ball so I can be precise and actually hit that spot on the ball. So actually watching the ball with my foot until I've actually made contact. So these are nine soccer skills that players actually need. And remember, those other tutorials are really cool and I would never talk bad about another channel. I just want to make sure that you don't make the same mistakes that I did. So ask yourself, do you want to be a cool player or do you want to be an effective player, a player who actually makes a difference in a game? Share this video with soccer players, footballers all around the world because this is information that we all need to hear. For those players who use the Online Soccer Academy, get results. Access elite level coaching and training, become a complete player, make a difference on the field and get noticed when you play. Limited spots available, apply today, start improving tomorrow. Link in the description below.


Okay It's a crowded place It's my first Blender conference. I'm from Buenos Aires, Argentina So also it's the first time I'm speaking for people. So it's a combination that you know, bear with me. Okay, please Thanks. Thanks. Thanks. So the idea behind the talk that I wanted to to share with you is that I Think we are missing for tutorials or we are missing for some comments or we are missing for some in-depth Thoughts about how to get photorealism, but inside architecture or any other kind of matter, you know, so the idea is to discuss how to think about The implicit subject, you know that that that thing that is not in the scene But we will have to think or imagine that it was there So you you can present your protagonist With a history because the idea behind what I will explain is I want to share Architectural renderings without people. I don't like people like in the renders in real life I mean, I like it kind of but in the renderings. I don't like it at all So I'm trying to tell stories without people. That's the idea So how to that how to do that? I need to understand what's happening with each asset I will try to start with randomization. This is like a theoretical part that I I Completely did not prepare this today. No, this was something I made like three months ago and it was in the making so randomization When we think the random concept even if we understand what it means when we do it in 3d Or we prepare it on or we see it on maybe shows TV shows movies For example a street with leaves on the street What we will find is that the leaves are like spread it evenly in the like in in the car side or in the street So what we need to understand is what's happening with those leaves why those leaves are there and For example elements like the wind how the wind interacts with those leaves and how the currents or how Where those leaves will be placed with this kind of assets is the same When we try to recreate a moment of reality, we will realize how little we really know about that I mean, you can think how to make a chair or a door or whatever you you want to make And if you try and start doing that in blender or in this case in blender, of course After you finish that asset you will find that it's not looking great. It's not looking nice And that's why we we are missing Like that implicit element that implicit subject that was affecting before that kind of asset so we can only try to imagine how this element interacts with other but The idea is that we forget how about the elements that are not there And this is precisely these elements that activate and modify the asset we make I don't know how to go back, but I will do like this Real-world references of course these was a really say like a thousand times the idea of search for References outside go outside with the camera and took pictures and whatever you can do it inside Of course is the same that outside, but you can do it in your underwear as I do So the idea is that search for every kind of Material that you will create search it first on reality search it online and Try to see how those elements look when the weather went through those or where I know with the water Interacted with those and those kind of things. So as you can see the idea behind is to understand Go deeply with the thought of how The things happen in reality how the world change the materials We are gonna produce and this is something that I'm not seeing Outside like in in every rendering when I go and scroll on our station or blender artists or whatever you scroll with My idea is to find the best art Architectural rendering and I struggle with that because there is always something missing even on my works when I see my works It's always there's always something missing. I will show you My portfolio real quickly so you can see what I do and this of course you already saw This is a sink that I created This is a render in blender This is the part that the photo that I took as a reference So my idea was to create this render based on this photo and try to mimic everything I think if I see this like in retrospective, I can see that maybe the chrome was not there But you know, sometimes you need to finish the project because you will be working with it like for years. I Will show you what a project that I'm making for years and I'm still not happy Of course, this is a clay render Always when you create something like an asset try to put it in a context if you are creating this kind of facet or whatever created in a context that shows Where though that faucet is or where that asset is from where it comes and maybe you can Try to understand the context of the design in this case I think it's great because You have like an old faucet in a morning sign and always try to have and we will see later how to do it Try to have the camera as a view camera as a like a flying person and try to take as many shots as you can using a good lens and using the The depth of field those three or four things will make you create a lot of content. So that's the idea You can see both how it looks I mean, it's really close, but it's not perfect. Okay, so then This is a project that I made in a low key environment This I have more examples like with more light in case the light is not good here But the idea behind it was to create something with low lights But good textures and try to understand how to do it. This was done in seven eight days Because I tried to create everything Like modulary and we are gonna see now or after actually how those cans were created with the shader How you can create one single can what one single shader? And then you can instance that can as an empty or as an instance in another scene And every time you duplicate that can you will have different different label different scratch and stuff And that will be fun to see So of course this was created in a time of confinement like we all did so You can see how the press I was During this time like the cloth is not wash I mean, I didn't have even cable or Netflix or nothing. So it was a really boring basement there And even I was counting the days as you can see here. Like my god. Okay, so Here's the candle we will see later and our work that we can see is this one This was the example that I was looking for this is a house in the hood I created for some like author of a book that wanted a you know a trailer and This was created like a long time ago You can see in the street the same thing that I just said at the beginning was not done in this render I mean, I was thinking about let's Pick some render from people on the web and criticize them But I won't do that because I mean it's not my place So I will take mine and I will destroy it because that's what I do if you can see the leaves on the on the on the car side on sidewalk Like it's it's random because I didn't use any pattern But it's evenly spread during all like through all the the sidewalk. So that's a mistake And that's what I'm talking about the same is Between the street and the car side. They should be like that's the place where the leaves should be or maybe Here or here or here, you know, like you have to understand how the wind will go and flow through the street and how So I don't like this project anymore so I remove it from my portfolio That's another advice that I can give you if you don't like Like your project anymore or you think that this project is not good Remove it remove it for good and don't show it when you ask for work and whatever. No, no remove it because If you can't sell it To I don't know to yourself. You will be not able to sell it to a client or to a potential, you know Employer Okay, so going further This was like the first of my really serious interiors and you can see here how I just How you know the artists that are not like wanting to to create a lot of assets if they hide behind the I Created a minimalistic design or I created Nordic style like everything is Nordic now because I don't want to create nothing So that's the idea and this is the idea Even though I'm in love with wood floors as you can see you will see in the next project. I mean, I think the wood Shows a lot of the place. I mean the wood the floor Will show what happened in that place? How many people walk in that place? They were like people who lived The chair to sit or like me. They just drag it away So that's the idea behind it and if you create scratches don't create it everywhere Just think where those scratches will be like they will be behind the table. They will be behind chairs But then there's no place to put it like behind the the thing that I don't know what what is called in English Be and like below the window the stuff. I think I don't know so the idea is think through The the history of the of the element the history of the interior Think what happened there think the history and make the assets the protagonist if you if you create like an Environment or like a history for each asset you will have like an ecosystem of of a little architecture design that you will be able to make little close-ups for everything so that's that's the idea behind the the implied subject or In Spanish is sujeto tacito is like I don't know the the the subject that Is there, but you don't name it in this case what it was there But you don't see it because you already left or whatever so when when I Thought about this like I rounded up this idea was in the market and Inside the the blender conference, and I was checking up the tables And you can see that if I made you draw the table or making blender the tables now you will make Just wouldn't worse with the I don't know with the legs and whatever But if you really see and after when we are gonna go to have a drink or whatever Check the tables check the history behind the tables I mean check the them them the peeling paint and the rusty screws and the small scratches I mean things that happen there you can really see how many people were in those kind of places Just for looking I mean and that's the idea behind a great artist If you are a good artist because you want to make art and make money or whatever or work in the industry That's fine. I'm one of you. I mean I'm not doing this out of nowhere, but If you want to create the best art possible you will Have to start looking the like what's happening outside and I don't want to get philosophical But this will help your life as well. No, I'm kidding. I'm kidding. It's not that Okay, so going back to the first one Artistic freedom according to the famous Disney paper I mean you guys I'm ready the ones who already know something about PBR Already read the the Disney paper who led us to the PBR system that you are using now or the principle shader actually and in there what they said is The run the roughness is one of the values inside the PBR Roughness is what controls actually how I'm I don't know reflective a surface is By by creating this kind of bumpiness in the micro facet But actually it's not like creating or simulating even angles like the normals or hate It's just creating different reflectivity on the maps So in the Disney paper says that that's the only creative way Or the only creative map that you can use however you like without thinking about the technical stuff I mean you can go crazy with that factor and that's because in there it hides the personality of each asset But I will say that they were wrong No, no, I will not say that but I mean I will add that then The hate map and the normal map There are so I mean even if technically you need to have a certain kind of map like a normal map or whatever I mean you can tell the story of an asset with that Piece of the map like the hate map and the normal map those maps are even More important than the roughness map But I mean I'm good with with both but I want you to to Take it from here that you need to work or you need to work your roughness map a lot. I mean Sometimes with I mean with principle node setup in blender when you add a Shader you go control shift T on the principle shader and then pick all the like the texture setup And you put it there and that's it and that's the map Well, no you have to work on the roughness map a lot to make it good look good so This is the way we will be finding the story we are looking for okay, then Let's go with the blender time. Let's go on blender. I will show you some stuff and let's see what happens there This is the improvised part so Prepare for troubles. Okay, so this is the kind I was talking about This is an asset that I created for the scene for the basement scene and you can see the notes here I Prepared it I took the time with frames and reroutes you should thank me because this is not my workflow You know, I will show you my workflow and this is not it so really appreciate it The idea behind this can Is that you can duplicate it? You know a few times and the label will change and the the way the label is still will change as well and This will create like an infinite amount if you want of variations on these cans and this works if you take this can and Instance it in another scene so the instance is like a ghost for the blender If you duplicate this can you will duplicate the mesh and everything that is inside If you take this can and use it as an instance in another scene You will have like a ghost of the same can you will have an improvement on On the capacity for blender to render that can and you will be able to duplicate it several times without losing any Empower on the or adding any VRAM for the for the GPU or whatever. So that's a good idea and this happens This this shader works for the instance too. So How is this done? The idea is to create. I'm not a I'm not like Simon Thomas. He's the like he really knows I'm just Like goofing around with the notes But what I came up with is I have three random notes here. I Know if this is even seeable like if you Yeah, so the idea behind the random notes even for a thing is that Whenever you duplicate something it will try to Select from each of these random values and the random values will be decided for binary system of black and white So if I put this object info as a factor with the random value on a color ramp What it will happen is that If I duplicate the can the next can will be black and the next will be like it's a 50 chance probability of Every can to be white or to be black So that's the idea behind it and I think if you know something about shaders, you know that from here It's just keep moving around So The same idea like four times or three four times and then what I just did is add Like a label. So you have this label you have this label this label and then a mix and their color ramp Was put it on that mix. So now whenever I have like the chance to select everything What it will happen is sometimes you will pick this one Like I'm 50% of the time and if I duplicate in this case we happen the same This is happening because The the amount of probabilities on these labels are decided on Where this color ramp is located if you change the color ramp slider like if you go more black than more White you will give the black or the white more chances to appear. So That's why after everything you see here. What I created is a system that you can randomize Almost evenly every can So now you have the labels what you need to do now is create the peeling. So that's why I went to the peeling And the peeling was created. Let me check where here. So I do the same The peeling is just a mass grave. I think or I don't know or Or this texture, I don't know which which is actually The texture for that even if I prepare this and I knew it this will okay, so the noise texture you is working like with the same principle with the randoms and It's changing its location instead of change like How it is I just change it Where it is because the noise texture will work like in all the space for those guns and That's why or how I got this result I know that everything like every every like conference had the questions at the end But I know that this is like something I don't want everybody to get sleep So do you have any questions on this regard? You can raise your hand.  Okay Okay, I'm explaining well them and This Can Was here. This is the scene that we saw before you can see all the instances that I have here What I should do is I should Maybe go to the instance and make the size Smaller so I don't have those kind of empties but here you can see that The weight of the scene is not I mean it's nothing I can go to render view and this is what I Give my shamp of faith, you know, because I press the render view and now we see if this crashes or not No, it didn't good so You can see how you can duplicate this can this is an instance You can duplicate the instance and you will have automatically another can and you can do this for all the assets You need to populate the scene and you can see how I even work on the roughness to give personality to the Chrome and I Prepared a story so every can had a story in the peeling is going down What I will do now if I took this project now what I will do is I will create a gradient from from the bottom to the top and Peel the the can from bottom to top I will add some kind of roughness or some kind of things that affect Thinking about the world not just adding noises like a crazy man and This is a wine called Angelica Zapata is the best wine in Argentina So if you ever go there go and taste it is really really tasty It's expensive, but for you you will be fine Okay, so I Will go to the presentation And the last thing here Before keeping working with blender will be a few comments about feedback feedback. I have a YouTube channel I'm not using it anymore. I mean I'm using it like very low now But I had some talks with some really interesting people in the industry like I talk with People you may know like Sergei Cavalier I mean I don't want to say any names because maybe I will say it wrong But a lot of people in the industry and what they told me is the feedback What happens with the feedback? It's the feedback good for you is the feedback bar for you What should do? What should you do with the feedback with your work? Should you should hear everything you shouldn't hear nothing? Well the thing is that The constructive feedback that you will you will be looking for is not out there. I mean you won't find it Maybe you will find it sometimes from some people and you respect or maybe you don't What I can advise is you just post and ghost like put it there Close the gap on your mind and then disappear from that and let the work do its work And don't let your ego or your thoughts like go in the middle of what should I do with this? Should I reply because someone says the normals are inverted and I should say no no no no I shouldn't do nothing like that. Yeah, the normals are infected. Well, what can I do? I can't go and unposted and reposted so post and ghost if we are happy with the work post and ghost and the other thing that I can advise as well is You should keep Like notes on your oldest on your old work. So this is these are my old work that I will show you This is the first Interior scene that I did this was my first like home and I created in blender 2.42 something like that like 2006 and You can see it's blended internal for those who doesn't know what's blended internal. It was the engine before cycles And it was very very bad. So this is another a Halfway that I created like this is the first hardware that I created and this is Omero Simpson like going for a UFO, you know So you should keep these because that's the only way you will see how far you go because If you don't look at your old work and show it proudly you will not ever See your present work or your current work as a good work, you know, look at this. I Can even start to design is this is awful But it's mine and I stand it before it, you know, so now I post and ghost Okay So behind The next door we will find this scene and I will try to show you how I approach the the the shaders on each part And you know for texturing the best way is to have everything UV and Who enjoys doing the UV? Somebody here enjoys UV one two three four five Okay Me neither but but Look at this This must be like in in a in a forum like this is a new be apartment I never do this. I always work in box and project the mapping but I did it for the presentation So this is another thing that I did for you guys I Will give you three add-ons that you can use to make it easier if you don't enjoy it as myself and Those add-ons are the next ones. Maybe you already know it. Maybe you don't but The first add-on will be text tools Text tool is a great add-on for UV. It's awesome and you have Actually, I use just one single thing on this add-on So I'm saying is awesome, but I just use this button that says rectify rectify will rectify everything And that's magical because I don't need to go S-i-o anymore. So text tools. It's great Textal density. It's a great add-on. It will make Every every object with its own UV have the same textile density And that's something that you should keep an eye on because the same textile density will allow you to have the same detail on the same close-ups Do you guys know what textile density is? Yes, raise your hand. Yeah, that's a good idea. Raise your hand. One two. Yeah Okay, textile density what I will explain you the best way as they can but the idea is The amounts of pixels inside the UV grid or the UV textures Will be defined by the by the UV island if you have a UV island taking Everything but it is a small part of the building, but it takes everything You will have a high textile density and if you for example now, I'm explaining very very wrong. So I will do it like this This floor Has this textile density and you can see here is 0.64 pixel Percentimeter, right?  So are going even even even little What happens with this? We will have The the texture that is in the UV will be repeated more times inside the floor So more quality will have because a 4k Texture repeated a lot of times in here You will need to be super close to start seeing the pixels if you have the same texture But your UV island is small you will start seeing the the pixels on that UV texture, right? so Once you are happy with it with with the UV island and with the textile density You will have to check that for example if I decided that this is a good textile density for the floor and for the wood But maybe the wall has a big UV and I will start seeing from this angle like them the pixel from the wall That will be a mistake So the idea is to have the same textile density on both Objects and this is what these add on dust. So let's select For example, I will put it like this and I will take the wall The wall has a textile density of 0.64 9 So I will calculate it again. Maybe I will scale it a bit Calculate the text density you can see how it changed now It's 0.63 and then I will put calculate and set value and then calculate and select value You can see how the set textile density value now got changed to this density that we have So now we can go to the this object the floor and we can just put set my textile density And that will do the work for you So you don't have to make a balling no more You can just select the textile density that you need and you can set it for all the objects on the scene So that's a good idea And the other one that I want to show you I mean this I'm sure you know it is the UV pack master When you are working for the game industry You need to pack or you need to bake every texture set and then you need to pack it and Do it in the in the fbx to make it work for the game industry. That's the usual workflow Now I don't know. Maybe it's the gltf. It's not not anymore the fbx But what you can do here is you can pack everything in the ubi island. So if you have One ubi island outside of the ubi grid just putting back it goes inside the ubi grid And if you have Like this a lot of things you can pack it and it will find the best the optimised Space for each island inside the scene So it will accommodate itself everything in there. So you know how to do the work So for the people who doesn't or who don't enjoy this kind of work on ubi. Okay, this is a good Way to avoid that problem because I mean I did this in 10 minutes. Okay, so Which is the first Part like the first step to create a texture We all know that with the note Wrangler activated we can go control shift T over this principle Shader and you will open the principle texture setup That It's a way to tell you that you can pick all the textures that you need and Automatically will be put in the principle shader, right? So let's pick for example the wood floor that is here. I Think these are all the wood floors Maybe this as well And I will go principle extra and everything goes there. We just one click I Don't think that this is the proper floor Anyway, so I will check now. This is not the proper.  Ah, this is the one this I think this one and this one and this one See Okay This is super super big. So what we can do is we already have the ubi map decided So I don't want to mess with that. So I will take it from here and put it However, I want now the displacement is there And it's super strong. So you can go down with displacement and the bump It's also super strong. So you can go even to zero and from zero That's another advice that I can give you from zero. You can start seeing what's happening Evie is not a good idea to use for the final rendering because Evie is not I hope Clement doesn't hear me, but Evie is not Showing showing you the actual reality behind the bump. No, so I I recommend to go to cycles view And this is what you are gonna see Let me yeah, so From here, you will think that this is already done. You already have everything set up You can go to the walls now. So no, the idea is that you don't have nothing yet What you will do is you will take this all over the way and start working with the ones That a blender doesn't recognize that is the amyntocclusion you can put them at the amyntocclusion here multiplying To have a bit of distortion of the color and you can start working through the maps There is something really really important behind the maps and the blending of the maps and it's them the mixing or the color mix or the math node Every every node has has its own blending mode and Whoever uses Photoshop or whatever It's already and familiarize it with this but maybe When I started what I do or what I have done in the past is just going like this Let's do it with a real example. So this is the roughness, right? As you can see the glossy is inverted to create roughness and It's set it as non-color data, of course and let's add Something else to play with so let's add a color mix here. Let's add a Image texture. I'm gonna look for whatever. I don't care. So maybe This stain liquid You can see how the stain liquid is using the same UV as The as the UV map of the floor if you need because you have an stencil of you have something to add on the floor If you need to create another UV map, you can go here and add an UV map. You can put here I don't know stains and then from here you go input UV map and Blender will let you select the stains UV map So now if you go here and go to the UV map editor If you change these stains UV map It will affect that texture, but the UV map that the other texture is using will remain the same So you don't have to bother anymore The only thing it will affect this UV map is the one you connected with this UV map node. Okay So now let's put this as a non-color. Of course let's add it here and I Want to know if any of you Have founded themselves doing this like I don't know what I'm doing but If I found something that I like I will remain there Well, this is not a good of course a good practice to do that I have a resource to share as well. Let me In my share folder Is the pixel math I Don't know if I can I won't share anything. I'm just she showing you which is the book This is a an NPR book. No photorealistic shading book called in pixel math It's out there. I mean you can find I think it's nine dollars or something like this And it's a great resource to understand what's happening behind the blending modes, and I will show you just the first one You have here the actual Mathematics behind the factors and you can see how the factor works as factor plus FAC M equals one so You can see how this later from zero to one reacts on This mathematical equation. So We all know that Zero is black and one is white. So that's how the blending mode works if zero is black and It's zero and it's the slider is all in this Like is at the top of zero you will just show the color one That's the only thing that you will show you will show color one I will create really quickly just with colors to see so With zero you will find just the the red and with one you will find just the blue That's the idea that that's it for the mix. This is just for the mix So if you put these kind of maps with black and whites Let's crunch the contrast a bit What it will happen is that you will have black and map spots and The black part will be the first slider and the white part with the second slider So this is the principle behind this kind of blending mode on the mix So if you put it here, you will see blacks and whites and you can control it However, you want or you need right? This is the idea behind it But if we are gonna use these together instead of a mix because what you can do here is you can put like roughness like this and You can try to put This map as a factor and now you can decide in the white spots on the under on that alpha map or What can you affect like okay in the black in the white spots? I want some blue or in the white spots. I want some red or whatever. I'm not using this Like this at all what I'm kind I can do is I can take the same reroute node to the color to and now I have like the same kind of Texture on both But what I can do now is I can add like a RGB curves Here on the on the second slot and if I go down I can start Creating some extra smudge on the roughness map. So that's the idea behind this kind of Working through the roughness the most you work with this more personality It will have the floor or it will have whatever you work with and I can Advise something else whatever you don't you do with the roughness map. I Think you should do it as well with the color. So if you have The color here, let's put the mix over the color. Yeah, and let's put this Same node on the mix and let's do the same here You will have a single color like a single and wood floor now Like this is very boring But if you add a color ramp or a RGB curve here and go down with it You will start seeing like this kind of floor will be Stain and you have an infinity way to add Details scratches, whatever you have whatever you found So what I can recommend is to have a big library of alpha maps. That's or I don't know Dirty or smudges or stains, whatever you have Scratches as well to to start preparing every every asset every Every floor every every wall every roof every chair Whatever you prepare you should do this kind of work with each asset When you see when you post your work and your work is not as good as you think it will be or you know It doesn't have like the traction that you think it should have maybe start thinking about this thinking, okay? Did I put the effort that I should put on on each asset that I created? Because as you as we know whenever we post something in online People will scroll your your work like and it will be two seconds. Maybe three seconds like it will do Okay, this is awesome, and it will go away I think that those seconds needs to be like the result or the product of how many hours You spent on that work So for example, if you spend 10 hours like a half of a second is okay if you spend a hundred hours You will get three seconds. I'm sure I'm sure you will have three seconds You know and three seconds is a lot. I mean I don't even spend three seconds in nothing now, so Spend as much as you can on each asset and tell the story that you need to I mean now you can see This is was random less and this was not okay because I just put stains there What you should do is you maybe can create some painting like with the hand paint and hand painting on the on the on the doors or maybe you can use something like Our friend this is very good. You can go here and use ambient occlusion If you use ambient occlusion what you will see is you will have like a little map between The what happens between the door the wall on the floor you will start seeing like a little map You can go to a color ramp and you can make that appear, right? so What we have learned so far this can be a mask now, so let's put Now I'm just Improving so let's just put this Mask of stains there In that part between the wall and on the floor How can that be done? Okay, let's use this Mask or this map as a mask, so I will put it here To see it clearly, let's put black and white Okay, so now we know that if we put anything Any texture on the first lot it will be here and the other Texture in the second slot will be here so we can try To use the same principle that you we use before Let's remove this and you can go here and here, right? so now if you Go on the color Archive curve and you go down You will have just the entire mask there, right? So now the mask is in this case is on the other side We should work on the first one, right? So in this one So you have the stains there now you just need to put the Stains a pattern on that instead of that kind of thing. So how can we do that? We choose combine with a mix this stain here, right? And now we choose we want to isolate this part and how can we do that? Okay? If this is white and this is black and now we'll do a Mathematical operation here if I go on the mix this will be zero for the mask and this will be One it will be the pattern the same pattern, but what we can do is I can invert this Like this I will have white and black and then I can multiply Whatever I'm seeing on the other map And when the multiplication Begins, let me yeah like this We will just have the stains there and we can define how Strong that stain eats we can even change how this is interpolate with maybe an ease and Like this we can just isolate whatever we have there and If we now put this Here I Mesh it up again because now we have White and black. Okay, so now white is down We can start to see the stains there and we can also try to Put this on the roughness map and roughen them up will be also like this and you will see the stains there I mean it's not even noticeable I'm know that I spent a lot of time on something that you won't see but I see and that's the important Part, you know that I am seeing it and I am loving it and this pixel is mine, so Do you have any question? Can we wrap it up because we start three minutes earlier and I don't have anything else to say. It's okay Thanks a lot. Thanks for watching and for a season


A father was teaching his daughter how to pray. Each night before bed, the father would kneel alongside his daughter, demonstrating for her simple prayers. After a few nights of this, he explained, now that I've shown you how to pray, I want you to try to do this on your own. The following night, after tucking his daughter into bed, the father left the room and waited right outside the door to listen to his daughter pray. She prayed ABCDEFG and so on with the alphabet. The father quietly laughed to himself and then went to bed. This continued for several nights. She would pray the ABCs. Finally, one night, not wanting his daughter to misunderstand prayer, the father interrupted and instructed, sweetie, I love that you're trying to pray, but when you pray, you have to actually talk to God. Dad, she replied, I am talking to God. I just give him the letters and he arranges the prayer however he wants. Well, this isn't exactly how the gift of tongues works. It's similar in that we pray surrendered sounds.


se guys are figuring out how to pick their spots. Who's going to get the ball where, when, and what times. And that was all starting to come together. I know it's good to be allowed about how bad these players were. But they were forced down together. It's not a good way to play. It's not a good way to play. It's not a good way to play. It's always a new number, and pieces together, the way that they want to play. And it will really take a lot of time to get into the history of this game that it's been a success for them. So they're going now that they can choose from different types. If this trend continues, they've got a pretty good play out of form here. They played really good defense. That was true even when they weren't playing as well in the offensive end. They got closer to their defenders, the way that they can, especially getting those people to stop them in office, it runs including pressure on the defense the way that they can. This is going to be very special for them. They also have multiple stars. One guy doesn't have to do it. So guess what? If Jim Tarr isn't playing well that night, he might be a Paul George man. Or it might be Emerson West for me. But if you have so many guys that can turn on at a high level, then they just leave like that. And we know Coach Tino will put them in position to be successful. He's one of the best in the business. And Jim Tarr, you know, we joke about the fact that he called himself a system as opposed to a system player, but kind of used, but he's adapted the system a little bit. Really just a player who's so good. I'm taking some shots right now for the Clippers. Just six in this game. Still got his 12 assists at the end of the big blind season and it's working for the Clippers right now. A lot of small number. But also in LA, Karimah Boudoir is hospitalized as he's breaking his hip at a concert on Friday night. The week's only six-time MVP. We're going to be serving on Saturday. Is this an order that I see? It is. Nice. Kenara looking forward to the mixer madness. Grabbed a spot in the five box all about that boat. Mixer. Nice. Nice, Kenara. Just like that. It's automatically a spot. Any spots in any of the mixers that we have up, this is eight and nine of the 20 that we need to do. Any full spot gets you in. You don't have to win at the end of the break. You are automatically in. Every single person in every one of the mixers has a chance to win some really nice stuff. Top spot gets a six. And the top spot gets a six. Top spot gets a six box case of 2023 Bowman draft HGA choice. Well, you don't have that's the only case we have of it. And it was high. Number two was a 12 box case of Bowman Chrome U football breakers delay. 12 box case of Panini select draft picks football. $10,000 in break credit and five through 10 at the very, very end of obviously once you grab all 20 name, all 20 mixers names gets in. But hey, get a full spot in any of these mixers. You're good. That's it. So good. All right. Thanks, man. 1020 ish about 40 minutes left. So the stops from black filler or the Bowman draft jumbo filler. Last 40 minutes of the show tonight. The next. Special offer. Yeah. The next. On. Experience. Your watching game. Granted. You're going to tell your right. Let's grow. Key is the official automotive partner at the NBA. Ford stop on the next five game trip out West took the San Francisco on Saturday night. That's where they have to deal with this guy. Step three. That's career three. Number 3500. Obviously, it's first player. Yeah. Every three. That's right. Very good. Can Thomas basket. Can. You might say. 24th half. The definition of a professional sport. Chris Paul. To play Thompson. Knocks down the three. He had 24. We'll do the ninth place on the old five. Three split. Can Thomas. He's a Hooper. Can Thomas is a Hooper. Eight points. That's too much. Can Thomas at 41. Steph at 37. Lose by four. This time. It's unbelievable, man. Luca is unbelievable. Two thousand yards to the Dolphins. I'm sure as we're running back to our team. Man. I'll tell you the answer to that. Can Thomas at 41. Will he or he? Absolutely. Yes. Can Thomas at 41. Can Thomas at 41. He's at 41. You have a goal. Can Thomas at 41. Can Thomas at 41. Can Thomas at 41. Can Thomas at 41. The Rain Against Technology's Independence Bowl. What are we doing, man? Jaspies should sponsor a bowl, right? I don't need to do the Sugar Bowl or the Orange Bowl, right? Like, what are the games that were played today? Like, I'm not asking for a big game, right? Just let me go as far back as possible. Here we go. Come on! Military Bowl presented by GoBowling.com? You're telling me the Military Bowl can't be presented by JaspiesCaseBricks.com? Come on! The Wasabi Fenway Bowl? What? Our pop-tart's pretty good. Oh, my God. Bad Boy Moer's Pinstripe Bowl is at Yankee Stadium. That can't be Jaspies. What are we doing here? RoofClaim.com Boca Raton Bowl. We gotta be able to get our name on a bowl game. We have to. There's no way. I don't know. I think it really depends on the rest of the year. I don't think that any prospect coming out of college will be better than Justin Fields right now. They should just draft Marvin Harrison Jr. and just build around Justin Fields. Like, I like JJ Starlin. In fact, I'll say this. I think any starting QB, or any of the top 15 QBs, can be better than Kenny Pickett right now. Right? Like, I would take, obviously Caleb Williams and Jayden Phillips to win the Heisman. And like, you know, these big, big guys, right? But like, I would take Michael Pinnick Jr. I would take JJ Starlin. I would take Drew Orr. Like, I would take a bunch of these guys over Kenny at this point. But Justin Fields, that dude's like actually talented. I think, I think he's still to play in Chicago. Just give him some guys, give him an actual align. Yeah, let them cook. Let me look at the Patriots draft picks. 2024 NFL draft Patriots draft picks. I just want to know what they have. There we go. So like, if you're the Patriots, right, you're not going to end up with the number one pick. The Bears will end up with pick one because the Panthers will not win a game the rest of the year. But like, they'll trade up. They'll trade with Chicago to get one. They'll give up their first, maybe their third. Like, you're telling me Chicago can't get Marvin Harrison Jr. with their own pick, right?  They can get a good align. They can get Marvin Harrison Jr. They can get some good defense players, like incident-fact guys. I just don't think committing to another mediocre rebuild is the play for them, at least right now. I do like Justin Fields, though. I think they should give him, maybe say healthy. If he can't stay healthy next year, give him the boot, right? Right, it's about 10.30. Now is when it really has got to start getting going. Now is the time to start putting in some more. There's a spot here, a spot there. Yeah, I'll stay here until 11 p.m. Top of the hour. I want to get one of these done, at least. Not both. I think it'll be just the one, though. Still get the top-prone block done easy. It takes, what, 15 minutes to do the team random and the break itself? It's an easy one. It's a quick one. It's a 12 spots. We're doing the seven free spots tonight only. Giving away 10 teams, $20 a spot. The giants, the cheapest team of the team random are 20 bucks or more 20 bucks.  And then some of the higher fillies, tigers, royals, A's. Got to start grabbing spots. I've got the case here. I've got the one boxer for the filler. I've got it all right now. Only thing I need are some spots to get picked up. Let's go, Leon Edwards. Unanimous decision. Hell, yeah. Hell, yeah. Yeah, sorry, bud. Who's still left, right? The big one's Belly. Realistically, I'm talking about guys you can get. Because I don't think you're getting. I don't think you're getting Yoshinobu. I just don't think you are. So I'm going to be trade rumors. You guys got like a... I was going to say, if you're going to miss out on Yoshinobu, you should go try to get Shoto Yamanaka. He's a little older. I'm like, I think you can get a legit shot at getting this guy. And I think he'll be actually pretty good. I feel like the cup should try to go all in on Shoto. But yeah, I think you can still get Belly. I think haters is definitely available. That's definitely a play for y'all. So Belly, I don't think Reese is the play. Second base is pretty desolate. Shortstop is a little desolate. Although Ahmed Rosario is a pretty solid player. So I don't think you need to obviously with Dan's be there. I feel like you guys might be sneaky contenders for Matt Chapman or even Justin Turner. I think the Mets met with Justin Turner today or yesterday. I would hate to see him as a met again. That would make me very sad.  I feel like Jock would be a good fit in Wrigley. That's what I thought. Like, that move makes sense. But really, it's Belly. It's Belly. Like, you guys need to get Belly back. You guys should give Joey Gallo a shot. That'd be funny.  Yeah, I've heard that. I don't know. I don't think that's a good play for the Cubs. I think finding a power bat for a year from these guys is like pretty easy. Like, why would you trade Morrell for Alonzo? Well, you can just get like CJ Cronin. I don't know. I mean, especially for a year or two, unless like the Cubs can guarantee that Peter Alonzo resigns with them at an extension. Like, I don't know why you wouldn't just get CJ Cronin. Probably because it wasn't very good last year.  Maybe you do get Rhys Hoskins. Maybe you do get Rhys Hoskins. I'm pretty sure Hazel's Aguilar was pretty mediocre for the Marlins last year. Yeah, he was. But like, I feel like first base power bats are kind of a dime a dozen nowadays. Yeah, exactly. He's awesome. Doogie out shirted, Glaber out traded. I will say it probably won't happen because it's an inner division. I do not know why Jonathan India is available. Probably because like, they're doing the whole youth movement thing and he kind of is the odd man out. Jonathan India is like a good player. I think he's pretty valuable as just like a utility infield guy. You can probably just put him at first. Like, I can't believe like he's available. Put him at first. See what happens. It's fine as like a proven deal from one year. Like, sure, who cares? Head fits too. That makes sense. Josh Hader. We're not going to be looking at Josh Giddy. He was pretty awesome last year, right? Oh yeah. Yeah, yeah, he was. He was insane last year. Holy moly. Pretty nutty K per nine. Pretty low home run per nine. Pretty good whip. Well, this has been the strategy for the Dodgers.  But like, potentially what are the Cubs even saving up for next year? Soto. Would you just like give 2023 off season? It's like a complete wash so you can get Soto next year.  I mean, let's look. Who else are any of these names popping up? Popping out. Peter Lonzo, obviously. 37 year old Goldie is not the play. Pretty loud. Not too bad. What's that club option? They're not going to deny that. Bregman. Not too bad. But no, it's just, it's once like next year is the one Soto show. The one Soto sweepstakes. Exactly. I think it'll also next year. And I, I mean, look, I, I'm sure you might be frustrated Ray with the lack of movement from the Cubs this off season. I mean, I think the entire NL central as a whole is, is kind of waiting to see who's like the top dog. Like who's really, who's a pretender? Who's a contender type stuff? Right. Like the Brewers, they're shipping off guys. They're going to trade Corbin Burns. They're going to trade Willie Adamus. Josh Hader's gone. Like they've, they're getting worse. The Cardinals are, I mean, they said a bunch of quality start guys. That lineup still needs work though. The Pirates could be okay. Then some guys take a step forward. I think the Reds are obviously going to be the interesting one next year. And then the Cubs already have some vets and some, some younger guys making moves. They've already got plenty of guys coming up to like you said, number two farm. Like are they waiting to see who's going to be like the team to be in the central before making moves? I don't know. Because also, I mean, it's a bad way of thinking, right? But also, look at the rest of the NL. Dodgers are going to be powerhouses every year, even more so with, with signing Shohei, with getting glass now, Manuel Margo. Like they're a completely different team next year. You know, the Braves are the Braves.  They're terrifying. The D-backs are obviously very good. NL champions. Phillies are good. Mets could be good. Like, is it worth it? It's a, again, it's a bad way of thinking, but is it worth it for a team like the Cubs to go for it right now? I don't know. I don't know. Honestly, I think every team has, every owner, every GM has to like, you guys need to win. That's the mentality every year. It should be, but that's not how it is. It's bad. It's like bad for baseball. Like, do they really want to go for it right now? That's true. I just don't know if any team in the Central is better than like the Phillies. Even the Mets. Like, if the Mets figure things out next year, the Padres figure things out next year, like, I don't even think a Central team can make the Wildcard next year. If all things go like, I think they could. The NL is stacked right now. It's weird. God. Ooh, okay. Nine round shootout. Jeez, the way is stressful. I went to the Kings game on Wednesday. Got their asses kicked, five to two. Not fun.  But yeah, I mean, I, it's, again, it's the wrong way of thinking, but if you're the Cubs right now, do you even want to go for it? It's 10-43. It's pretty much 15 till... I'm going to start cleaning up. I don't want to, but I will. I'm still going to be here. I'm going to be here until 11, obviously, but, you know, we haven't had an order towards one of these two fillers in an hour and 20 minutes. So I think not going to happen tonight. But hey, what was that, Monday? Joe will be rocking, but I'm going to start doing a little bit of cleaning up in the air. Give me that 10 plays from Saturday. That's how we do the same board. Oh, yeah, that's it. There's Alejandro, Jr. We've got a second. Got it. No, I haven't hold that for a minute. What is it? It's a bit of a picture. That freak is bitboxed me. Yeah, whatever. I'm going to make this a 96. We have C-296, Justin, and Chris Mitchell. This is stereo, but also impressive, because these guys are different. So we can talk about it that way. I'm going to knock it out. I'm going to hit the show. And it's Mitchell hitting it. I'm going to have a beating. Women's poppy rivalry series in the U.S. and Canada. Pull in. So stick out and have it. Hold on. The door's open. It's a scoreless. Are you kidding me? I didn't even see that. Hey, good. This was apparently better because it's number seven on the count. I'm going to get a shot. We're up to the state of Montana. We just saw it. Looking down. Junior Bergen. And he finds Keel Roy for the conversion. 149. 149. 189. What is the right response? Thanks, Clippers. James Harden to Zoom. That's all. That camera on carrot goes. Sit at the top. Sorry. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. I'm going to get a shot. Somehow makes the bucket as great for solid and skills are superb. Got to make the good estate Montana. Check out Kate Miller. Watch all your work with e-ball for Eli Graham. Bring it in with one hand. Go into the ground sensational. But, W.R.T. for grace. I'm going to find it. The rivalry series. The U.S.A. street one. Take it back to Alex Carpenter. He rolls one game score. Just throw yourself in. Sometimes, I don't know. You can argue it's the best one we're going to have. You guys can get it. Also play number one. Jake Rohn. Easy. To Higgins. T. Higgins. I'm going to go up. There was a town. It's a small town. Dig it out. Dig it out. What do you think of your avocado? I want that. That's good. It's something you think it needs to be. You know what I mean? There's a pack. Must be Jameson. I do. I'll take this to the boat. When we started our business, I think it was just like one or two clicks. Everything was up and running. I was bringing out labels. You can see the line. Ship station. The number one choice of online sellers is shipstation.com. We'll get two months free. We're coming to the front. They land a takedown. A couple of moments later. Endurance.  Round to the spike. Tipping tip. Big slam on Edwards. Edwards returns to favor with a takedown of his own. On our submission, we're coming to the skips. This fight with fellow new cards. Touches there and hands are coming in. You've got to sell it to the juggernaut. The unanimous position goes to Edwards. And still, there he is. Of course, my name's... Punch score, take the gold. He'll serve the anger. Punch it to center. That's it. First round for the back side. Just a rage. Now, I can't even get out of there. Come on. You can't get out of there. Before we get into the fight. He makes the second successful defense. What a weird championship fight. We had a opponent coming to that did not press. We had Edwards who was very measured. Who made sure he made no mistakes in order to keep the championship. But the one thing that the Edwards did to stick into COVID governance was take him down multiple times. Make no mistake about it, ladies and gentlemen. It was a dominant performance by the champion. There was a fight that left people kind of wanting more. Because you thought that the bad blood would lead to a very exciting fight. It was exciting. But it was doubted. And now that was once again proves why he is the best in the world. He has massive opportunities coming up now. Night for love base. Waiting for the spirit moment. It's from D-5. No doubt. Since 1925, we've heard it doesn't matter where you come from. It matters what you're made of. Paddy to Paddy. I can't do a Paddy Pumbler accent. It's very hard. Very difficult. I don't even know where that's from. All right. It's five till. I think it's okay if I call it a night. Thanks though, y'all. I appreciate you guys rockin' with me for the first half of the day. Got some fun stuff. Got some bangers. All kind of in a row here. Stuff's gonna roll over to Monday though, obviously. We still have 12 spots left and tops chrome black. I don't know if they're gonna cancel the free spots or not. But hey, those will be 19 only. It'll be 13 or 23 spots in the Bowman Drive jumbo. And still 15 and 6. Oh, this is... I'm sure it's fine. I think it might be messing around with some stuff.  Thanks again, y'all. Cover's working in the chat. Nice to see you too, Rex. I'm glad to be back for a day. It was fun. I miss doing this. Hopefully I'll get to do it soon with y'all. Just for some coverage stuff that they need me. But thanks, y'all. I appreciate it. Have a nice night. If I don't see you until then, happy holidays. Whatever y'all are doing for your holidays. Be safe. Have fun. Have a...