The Cessna Citation executive jet weighs 67 kilonewtons and has a wing area of 32 square meters. It cruises at 10 kilometers standard altitude with a lift coefficient of 0.21 and a drag coefficient of 0.015. So the lift coefficient is to the force of lift, the same one that the drag coefficient is to the drag force. It's gonna be one half times the coefficient of lift times density times area times velocity squared. This will be one half times the coefficient of drag times density times area times velocity squared. And in these equations or aircrafts, that area is actually the chord length of the airfoil which is the distance from the leading edge to the trailing edge of the airfoil multiplied by the length of the wing itself and it's the same for both the lift and drag. In this particular circumstance, it isn't the perspective from the forward moving air. That is special to how the lift and drag coefficients are made for airfoils. Anyway, I want us to determine the cruising velocity of this aircraft when pointed horizontally in miles per hour. The power output required to maintain cruise velocity, the Mach number of the aircraft at cruise velocity. And if the atmospheric turbulence caused the aircraft to have to ascend to an altitude of 15 kilometers, how would that affect the answers to A, B, and C? So we start by recognizing the statics problem. In our aircraft, which I will draw as a circle, we have a sum of forces in the x direction and a sum of forces in the y direction for this to be flying at a constant velocity horizontally. I'm saying the forces in the x direction have to equal zero and the forces in the y direction have to equal zero. Therefore, the drag force is going to be equal to the thrust force and the lift force is going to be equal to the weight. So the fact that I know the executive weight is 67 kN means that I can say the force of lift is also 67 kN. So we'll start with this equation and think about what we know. In this equation, I know the force of lift because I know the weight. I know one half. I was given the coefficient of lift. I can look up the density at this altitude. The area is given 32 square meters. I can solve for velocity. So the velocity is going to be the square root of 2 times the force of lift divided by the coefficient of lift times density times area. So that's 2 times 67 kN divided by our coefficient of lift was 0.21. We are using a density at an altitude of 10 km. So if we go into table A6, 10 km is going to have a density of 0.4125 kg for cubic meter. And then our area of effect is 32 square meters for both the lift and drag. So far, a kN is 1000 N. And a N is a kilogram meter per second squared. So if I were to do no other unit conversion, I would be left with an answer in meters per second after I evaluate the square root. Since we're probably going to use this velocity in other parts of the calculation, let's leave it in meters per second and then convert to what the answer actually is asked to be in. So we start with 2 times 67 times 1000 divided by 0.21 times 0.4125 times 32, which when taken to the square root gives me a velocity of 219 meters per second. And that is going to be useful for other parts of the calculations, but the problem actually asked for an answer in miles per hour, I believe. Yes. So we start with the recognition that a mile is 5,280 feet. There are 3.2808 feet per one meter and 3600 seconds per hour. So if I take that result and I multiply it by 3.2808 times 3600 divided by 5,280, we get 492 miles an hour. Then part B asks us to figure out what the power output required to maintain cruise velocity is going to be. Well, we know power is going to be work per unit time and work is going to be the integral of force with respect to displacement. So if my force is constant, which it's going to be because the thrust force is constant if I'm traveling at a constant velocity, this comes out and I'm left with force times dx dt, which is force times velocity. We know the velocity, we just figured it out, which force do we use? That's right, it's the force of thrust. We don't know the force of thrust, but we do know it has to equal the drag force and we can calculate the drag force because we know the drag coefficient. So I'm going to take one half times the coefficient of drag times the density times the area times velocity squared. That's going to give me the drag force which is equal to the force of thrust and then I'm going to multiply that by velocity. So if I combine those two calculations symbolically, that'll leave me with one half times the coefficient of drag times density times area times velocity cubed. The coefficient of drag was given as 0.015. We are using the same density as earlier, 0.4125 and then our area is the same because that's how the coefficient of lift and coefficient of drag are generated for an airfoil. And then our velocity was 219.865 meters per second and I'm going to cube everything. And naturally I want this answer in horsepower so I have to convert from metric to imperial once again. For that I will start by recognizing that a horsepower can be expressed as 0.7457 kilowatts or 550 feet pound-force per second.  Newtons cancel Newtons, joules cancel joules, watts cancel watts, kilowatts cancel kilowatts. So then cubic meters and square meters is going to cancel cubic meters, meters and meters. Second squared is going to cancel two of the seconds. Second squared and seconds are going to cancel cubic seconds. Kilograms cancels kilograms leaving me with just horsepower. So 0.5 times 0.015 times 0.4125 times 32 times 219.865 and just to be as accurate as possible let's actually just grab that value you know because eight decimal places will really jazz up that result. And then I'm taking that entire quantity divided by, don't need the two because I multiply by one half 0.7457 times 1000 and I get 1411 horsepower. Then part C I wanted to know the Mach number. So the Mach number is probably a non-dimensional parameter that you have heard of. The Mach number represents the velocity divided by the speed of sound at those conditions. The speed of sound at an elevation of 10 kilometers can be calculated by using this approximation that you will probably use if you take aerodynamics. But for now, like everything else we do, we're going to look it up in a table. So on table A6 we have the speed of sound at that altitude which at 10 kilometers is 299.5 meters per second. And speed of sound varies based on the ambient conditions. So we had to be specific in regard to where we were grabbing those properties or which value we were grabbing. Then our velocity is 491.82 miles per hour or 219.865 to our 19.865 meters per second divided by 299.5 meters per second. And again, I will grab the actual velocity just for all those extra decimal places that we don't need divided by 299.5 that gives us a Mach number of 0.734. So as we go up in elevation, the speed of sound will decrease. So even if we're traveling at the same speed, our Mach number will increase as well. Speaking of which, Part D asks if we went to 15 kilometers, how would that affect A, B, and C? So at 15 kilometers, our density is now 0.1935. Furthermore, our speed of sound is going to be a little bit different. It is now going to be 295.1, so not particularly different. And then with those two numbers, I can recalculate A, B, and C. So I will do that by writing out the velocity, the work, and the Mach number. And we can just rerun our calculations. So first thing we did was calculate a velocity. And that velocity, when the density is changed to 0.1935, gives us 321.016 meters per second, which we had then converted to miles an hour. So if I repeat that process here, I'm going to have a velocity of 718 miles per hour. So this same aircraft design, if pointed horizontally, would have to be traveling 718 miles per hour in order to maintain flight at 15 kilometers. Even though it only climbed by 5,000 meters, it had to double its speed in order to maintain that cruising altitude. Next calculation was the power required. That power required had been 14.11. So we're just going to go in here and we're going to change the density and velocity. So the velocity I'll change first. Instead of 219.8648, we are using 321. And then I go change the density as well from 0.4125 to 0.1935 and I get 2060. So the engine is going to have to output 2060 horsepower in order to maintain flight at that altitude. And lastly, if we take our velocity in meters per second and divide it by 295.1, we will be traveling at a supersonic speed. So that's how the actual numerical results compare. We could have looked at these equations and seen how changing the density is going to a change. The velocity we could have plugged in this equation symbolically and simplified it down to a proportion with the densities. But in this particular case, it happened to make just as much sense just to actually calculate the numbers. Do you think this aircraft can travel at 15 kilometers? At least horizontally? Probably not. Probably not made to travel faster than the speed of sound. Which makes the question, why do we care about Mach number? Why is that an important quantity in fluid mechanics? Well, it's because our assumption of incompressible flow becomes less accurate the faster the fluid is moving. At higher velocities, especially relative to the speed of sound, that compressibility of the fluid becomes more important. The speed of sound seems arbitrary, but the speed of sound is just the speed of a pressure wave in the fluid. When you change the pressure, it's going to manifest forward at a rate that is the speed of sound. It just happens to be that sound is a pressure wave that we have immediate context for. So as we make changes to a property of the fluid, those changes propagate forward at the speed of sound. That's why the speed of sound is important for our analysis. At this point in our analysis, if we were to continue, we have to start talking about compressible flow. But that's outside the scope of what we're doing in this class. So we'll leave it here.


Hello, everyone. My name is Scott Perry and I'm your host today for Let's Talk Hawaii, live from Honolulu today. This is a program about English pronunciation, communication, and interesting things and people in Hawaii. You can see me here every other Tuesday at 3pm. People have asked me more information about myself and I said, well, I can give you my website. ScottPerryAcademy.com. You can also find my information at ScottPerryAcademy.com. Today's topic is why you may need to repeat yourself. Now, not if you're a native speaker, but if you actually are not a native speaker and maybe from Japan or Korea or China or somewhere like that, today's we're going to talk about why you may need to repeat yourself. The information might be a little bit surprising. Excuse me. Moving on, I'm going to show you the header of today's topic in Japanese. Today's topic is why you may need to repeat yourself. If you're not a native speaker, you may need to repeat yourself. It's an interesting reason, but it's a research report. I'm going to show you the cover of that one, my first slide, actually. This is a topic about a workshop that I'm having. Next slide, please. This is my research in pronunciation and perception. I created this several years ago when I was duplicating a test that was done in Georgia, a university in Georgia did a test, and I was very interested in that information. It's almost unbelievable because of my field. If you don't know, I've been a pronunciation teacher, an English teacher for over 30 years now. It's actually my past my 31st year. Today's topic is an interesting research about a university in Georgia. I want to repeat that, I want to duplicate that. Several years ago, about 10 years ago, I did a similar research. Over 300 people I got involved and the results are very interesting. I'm going to come up to that next. Now, if I can go back to my first slide, there we go. This is an event that's coming up. Someone asked me, Scott, what are you doing next? I saw you were in Japan. When are you doing that again? I said, well, here's the answer. My next event is going to be in Tokyo and it's going to be September 23rd. It's going to be an all day workshop, very intensive workshop. I've got some speakers of mine. The first two ladies you can see there are former students. Excellent pronunciation, one's an actress, one's a singer, and so on. If you're interested in that, you can contact me. Now, also, in the background you can see Waimanalo Beach. That's not on the Waikiki side, but the opposite side. It's a very lovely beach, as you can see. And you can see Rabbit Island in the background. This way, Rabbit Island in the background. And it's a very, very common, popular place for Japanese tourists, and any tourist, basically, to come and enjoy that beach. Beautiful water, and always a nice time there. I just wanted to let you know where I was. I'm actually not there right now, but that's the background. Okay, now, perception in Japanese. Now, before I get to that main point, I wanted to show you. I was asked recently about Japan and how many people come to Japan. And I said, well, how many do you think? And I asked them, and they said, 50, 50, 100? And I said, no, many more than that. 500? Maybe you think, yes, 500 people. How many people come to Japan? Actually, every, actually, the airline industry keeps a report of every Japanese tourist that visits Hawaii. That's why Japan's air companies release reports every day. Those reports come from how many people come to Japan? How many people come? And I asked them, how many people come every day? And I know the answer because it's published every day in a Japanese newspaper, a daily newspaper. Every day, there are reports from Japan, and it tells you exactly how many people came from Japan. And how many people come to Japan? How many do you think come on average to Hawaii? Well, the answer might surprise you. It is 5,500 people. 5,500 people. Let me see what that looks like in Japanese. So that's 5,500 people. 5,500 people. Yes. Then it comes every day on average. Sometimes, 600 people. Sometimes, 5,000 people. 6,000, 5,000. But roughly every day, there are about 5 days or 4 days. So the meaning is, in seven days and one week, any time in Waikiki, there's about 35,000 Japanese people on average. So that's interesting. So if you look closely, 35,000 people here in Waikiki almost any day of the week. And of course, 5,500 people come home every day. So it's a rotation. And many times, it's not just the first time, the third time, the fourth time, the fifth time. It's often the first time. It's like they're back in home. So it's very important to be able to communicate. It's very good if you can communicate.  You want to have fun. But if you can't talk, it's a bit of a hassle. Many people would love to talk and learn more about Hawaii. But if you can't really interact with the local people, it's a little bit difficult. So I'm going to talk about for those of you who are trying to improve your English and your pronunciation, why you might need to repeat yourself. Don't feel bad. I speak and people say, excuse me? No big deal. I did not, most likely, did not make a mistake with my pronunciation. That's not why we don't understand. We don't have to worry about our pronunciation. We don't have to worry about our pronunciation. We don't have to worry about our pronunciation. We don't have to worry about our pronunciation. Excuse me? Pardon me? I'm not the one who made a mistake. Sometimes it's because I couldn't hear it. They couldn't hear it. They were thinking something else. Maybe noise in the background. There are many reasons for not understanding. So it's not a really big deal. But foreigners don't have that much confidence. You don't have so much confidence. So you will likely think it's all your fault. It may not be. If I go back again to my original slide, I can show you my second... Yeah, there we go. If you can read Japanese, you can read that. I can't read it all. But I wrote it, but I can't read it all. But anyway, it's talking about a test to determine why people have to repeat themselves. It was kind of like a hidden survey. And it's based on a research study done in Georgia in 1992. It's a very old report, but I found it to be very interesting. And slightly disturbing, but interesting more. So in a classroom in a university in Georgia, a professor who was a language professor was giving a lecture. But the lecture topic is not a home topic. It's a different topic. It's a test. Going to be on the test. The information was going to be on the test. So this is 1992. So remember, there was no iPhone. There was no iPhone. There was no iPhone. There was no iPhone. There was no iPhone. There was no, you know, MP, whatever. It was a cassette player. So it was a cassette tape. We used to have cassette. Put the cassette in and push play. The microphone was close. Everyone could hear the lecture. On the board in the back was a huge... There were hundreds of people. Maybe 150, 200 people in this lecture. And on the board was a blonde lady from Ohio. She was a well-known, pretty well-known professor on her topic. And I stressed the blonde part because she was not Japanese or Chinese making that point. Now, so what, right? It's a person giving their information. But the interesting thing was... Overhead projector. Everybody could see a blonde lady. She's telling everybody her topic. And at the end of the class, the professor says, and says, okay, any questions? No questions. This is going to be on the test. Got it. Any questions, anybody? No, nothing. Everybody gets up and walks out. A little classic already. That class was over. Next group comes in. A mixture of the similar people. Sit down. Teacher rewinds. And plays. This time, a Chinese lady's picture on the overhead screen. Very large, you know, same large picture. But the cassette was the same. The content was the same. Play. The same voice of the people in Hawaii. The voice of the people in Hawaii. Then, same routine, but one Chinese lady's face on the screen. And it was very interesting because right after the lecture, the teacher pressed the button stop and said, okay, any questions? Many hands go up. I didn't quite understand everything that was said. I'm not sure what she said. Is this going to be on the test? I'm not sure. This is not fair. And the professor was very shocked. I'll come back with what happened next right after these messages. Aloha. I'm Marcia Joyner, inviting you to join us on Wednesdays at 1 o'clock for Cannabis Chronicles, a 10,000 year odyssey where we take a look at cannabis as food, cannabis as medicine, cannabis and religion, cannabis and dear old Uncle Sam. Please join us to learn all about cannabis. Again, Wednesdays at 1 o'clock. Thank you. The Hawaii Community Foundation. The Hawaii Council of Associations of Apartment Owners. Hawaii Energy. The Hawaii Energy Policy Forum. Hawaiian Electric Company. Integrated Security Technologies. Galen Ho of BAE Systems. Kamehameha Schools. MW Group. The Shidler Family Foundation. The Sydney Stern Memorial Trust. VOLO Foundation. Yuriko J. Sugimura. Thanks so much to you all. Welcome back, everyone. My name is Scott Perrin. I'm your host on Let's Talk Hawaii. I'm from Honolulu. And right now we're going to continue with our topic on why you might need to repeat yourself. Why do I need to repeat myself? So as I was talking before the break, the classroom heard the exact same lecture, but this time there were several questions. Not everyone, of course, but there were several questions. The professor was very surprised because the voice was exactly the same as the first person, the original speaker. The only difference was the face on the screen. Now I was very curious as to why would they say they don't understand. That was the voice of a native speaker from Ohio Shoe, which is a midland area, which is one of the standard Hudson. So I read further and I found out why.  So if they could find an excuse for not doing so well, they might use that excuse. So maybe they weren't going to study, because they weren't going to study, so they were not going to study, because they were not native speakers, because they weren't native Americans. So she's not an American lady looking, so maybe she doesn't speak clearly. They were using that as an excuse, possibly. And I said, okay, so even if she did speak perfectly, there are people who might pretend they don't understand for their advantage. So if they didn't study and they failed the test, they could say, hey, I didn't understand. So maybe they didn't want to study because they didn't want to learn. So they didn't understand if their pronunciation was bad, if they couldn't hear, so that's why they failed the test. It wasn't my fault. That's kind of like not a great thing to do, but some people said, yeah, no problem. I'm fine. It went out. Those are probably the better students I'm guessing. I think that's better students. So I found out about this, and I wanted to recreate it. So I set up a similar situation, and I used my voice as the control. My voice said, hi there, my name is da-da-da-da-da-da-da-da, and I gave a little 10-second speech. But I used the picture of one of my staff. He's a cool guy. He's a very cool guy, and I used his photo. He's not Japanese or Chinese either. But he also had sandy brown hair. Looks like he's an outdoor sportsman. And I used his picture. He took about 39, 40 years old. And I used his photo, and I asked people online to do a test. Listen to this voice, and tell me his level. Is it this level, this level, or this level? Good, great, excellent, not so good, bad. And what do you think? So a few hundred people logged in and clicked. I asked them, are you from Japan? Are you American? Male, female. Many detailed questions. So I had lots of data. I asked a lot of questions. How old were you? I had a lot of data. I knew who was answering the question. And the results were very surprising. Again, many people that saw his face said, no problem at all. I understand everything. Perfectly clear. Nothing to talk. I'm not changing my face. This time I put a 45-year-old Japanese man picture on the screen and asked another 100 people. And the results were very different. Again, it was confirmed. The first person, the top score, they were a one. everything was great. One is the best. The second person, 日本人の顔, same my voice, got a four on the average. So quite a bit lower. And I'm thinking, why? What? Nothing changed. It was me, Haton Kyosei teacher, a pronunciation teacher. But many people found problems with my Haton, with my voice, when his face was over my voice. And I was going, oh, wow, this is really interesting. I did the same thing with the female. Japanese ladies face, another ladies face. And I got the same result. And then I used another control. I put a Japanese ladies face, who had challenges with her Haton. Her pronunciation was not clear at all. I would rank it as an eight or a nine. Surprisingly, I was surprised to find out that the control of the Japanese ladies face, and she spoke very Japanese English. Hello, I'm Dababab. Thank you very much for the time. Much like I know it, clearly hard to understand in Japanese English. But the American people said, I can't understand her. I've got to give her a 10. I don't know what she's saying. 何言ってるかわかんない10. 日本人が5 or 6. 一じゃないけど当たり前でも they gave her a 5 or 6. She should be a 10 or 9. But I'm thinking, why would other Japanese give her a higher score? Do you? That's how they speak also. If they give her a low score, they give themselves a low score. I said, OK, I understand. You hear yourself, but you don't want to lower your own score. Basically, everything told me that about 25% of American people will look at you if you don't look the same and basically say, I don't understand what you're saying. And the reason is maybe they don't want to do the work or get something or do something. So if Starbucks needs it, I want to double wrap a mocha chino latte with soy milk and dada. Oh, man, Ducks, I don't want to do that. They don't want to get that, so it's me. And the Japanese said, I made a mistake. What should I do? Oh, no, what can I do? And they will basically freeze, cancel the order, or change the coffee, please. Coffee is easy. So I could basically say, what did you say? And you will run away. And that saves me from doing the work if I'm a lazy guy. But if I'm serious, I will hear you and get what you want. So for my students, I tell them, if they've, you know, カトンガチャンってできたら, I say, don't worry. Your sound is good. So if someone pretends they don't understand, look them in the eye. Say, I would like a double wrap a mocha chino latte with soy milk, please. Clearly. Don't have to change anything. そしたら、ああ、この人が自信持ってる。 I can't trick them. I have to get what they want. And you will get what you want. So that was the summation. So, but逆に発音が悪かったら, if your pronunciation is really not so great, people will honestly say, I don't understand. And that's going to be maybe the majority if you have a problem. But if you're actually perfect pronunciation, you could be born in America, raised in America. Second, third generation Japanese doesn't matter. And people might try the trick unless you just have 動い自信. Hey, man, give me a なんとか なんとか なんとか. Ah, can't trick this guy. He's a native. そうじゃなかったら、 プリックするかもしれないから、気をつけてください。 I tell my students, don't worry. 自信持って、話して。 Be clear, look him in the eye. And strong, wrong voice. You have no problems. So if you'd like to read the details of my research report, and funny thing, some of the people were my students looking at me, going, oh, his T.H. has a problem. 彼のRがちょっとずれてる。 My students, they know more information, but they were, you know, surprised. I was, okay, so I'm hearing something, okay. And yes, if you do come to Hawaii, I have what's called a Hawaii boot camp. It's a very fun time. And many people come here, and we have confidence and speak clearly. I'm gonna show you a couple quick pictures of what we do. That's us from earlier this year. Many people come, we gather, we talk. Next slide, we have the arrival. 始まってきたばっかりで、みんなi-hopに食べに来ました。 ご一般ケーキ食べて、みんな楽しんで。 And my next slide is scavenger hunt. We are finding people in Waikiki to talk to. Here we have a Canadian eating ice cream on the coldest day of Japan. カナダだから、カナダだから、 not so cold. Next slide, everyone had to get on a train and take a selfie, or not a train, but a bus. バス行って、セルフィトット。 And the next slide, we have our boot camp house, nice house on the Kailua side, and we are having dinner together and so on. I think I have one more slide. Dinner preparation, and last slide, exercise. Hatom Kyozai training. So we do this once or twice a year, next one coming up in October. A lot of fun if you're interested. And thank you for joining me. This is Scott Perry for Let's Talk Hawaii. See you next time.


Welcome to the battle city shadow lock the rules of this shadow game tournament are simple over the course of the next coming weeks Me and my friend rhyme style will be dueling each other with 12 pre-built decks inspired by the iconic anime characters featured in the Yu-Gi-Oh battle city art each duel will be a best of three format and will be deciding what decks We're going to use in each video by spinning a wheel with all of the characters listed on it The only catch being if you lose the duel with that character They're deleted from your wheel once you're out of characters you've officially lost the shadow lock So who will be left standing at the end of this series? I guess we'll just have to find out now Last time on the shadow lock I rolled Kaiba and unfortunately I did not receive any visions from my future or my blue eyes and instead is shizu wiped me off the face of the map now My wheel is down to six Ryan. How many characters you got on your wheel exactly six Oh, it's six to six and evened up series only you you have Merrick So this is this series is not even I feel like I'm definitely down now roll that wheel spin it I don't know why I don't say spin but go go go crazy because when this series ends and you end up all three losing to Merrick that's gonna hurt even more I got my character now though. It's a brother. I don't want to play this character. I Wonder how this is gonna go. I actually have no idea. Oh You're underwater bro. Are you actually who you're making yourself out to be right now? Crawl over your field. Hmm. Yeah, I'm not sure I'm buying that I'm gonna set one face down and end my turn though Now you don't even know I am I could be any character from the entire verse, bro Any character in the shadow lock and you don't even know who I am right right? Well, here's a seven color fish, bro You are I knew you're underwater, but you finally got him. Oh, you got Machizu please to do. Yeah. No, I don't have anything for that. Oh, I think I Maybe I mean honestly, maybe you do stand a pretty good shot Especially because you've got your seven color fish. Usually you just get a great white man. That's 1600 you got an 1800 That's not bad.   I want to attack this with this first That was that was pretty good. Oh To again. I am gonna go ahead and do this though. Oh Brother, he's hot and I am gonna get rid of seven colored fish actually my fish, bro I am gonna get rid of the fish or Damn, can I roll something better than a two? I had I respect that I respect that out of you. I draw Wow, that is a wow. Wow we man. I'm just gonna go ahead and you know what I'm gonna bring Keldo out to the field Baby Keldo. He never spit. He's never failed though 150 damage damage man You're ready for that math man. You're ready for that math. You know what? I'm not the flood you feel with water Never mind, bro. You could not flood my field with water while I'm barely struggling to breathe already about great Sure, all great white get out of here, man Hey, how about this dog not a brick your deck except I actually would rather you not drawn to start way Yeah, did you have was that mandatory? I have to target two cards. Yeah Okay, sounds like you should just left it as is. I mean, I definitely would have sent seven colored fish back I really don't mind that all right. How about this man? How about this? How about I hit you with the big boss monster himself, baby. I just went through this. Yeah, you did.  Okay, my fish. Yeah Oh, yeah, baby. All right. Oh me. Oh me. No me. No, me. Can we get it to be that check? I set past thoughts Interesting interest as with the tide of the turn I get my next monster Yeah, yes, you just ran it to Kellback. You ran it to Kellback, baby. Go ahead. Go ahead. Ah, I Wish I wish it would have sent it back. Anyway, boom 2100 of the face. I end my turn Come on legendary ocean is all I need here. Don't give it to him. Wow. What are you doing, bro? You went through two of your great whites already. Don't tell me the great Mako tsunami can't find an out in his deck I've got mood or and Kellback Oh pass all you like I draw. I'm not good finding a landato. I need to be in water I could see that I'll bring out my other KELDO then.  That was cool. Apparently I have barely enough KELDO swing Kellback swing Moudora, bring me victory That's one got one on the board against Mako Let me get that legendary ocean. No, bro. You desperately need legendary ocean I don't even remember if you drew legendary ocean. I did I mean it was pretty much always on the field actually so I didn't Yeah, I was I was pretty lucky with that this deck is all beat down Now that I'm thinking about it, you didn't even give Mako like terraforming. I feel like Really, I feel like that's for legendary oceans kind of mints his deck out a little I feel like if we're playing him with great whites You know now we can actually do some stuff bro. I agreed. I bought a green. Yes. Yes. There's no way Bro, there's no way There's no way bro is struggling like that. There's just there's actually no shot my bro About to not be a real video we got to do a salt I'll play Agito in attack mode What do you mean? It's fine. You're looking at the face of Agito strike him down I didn't think you just take that room. Let me get my Did you get your ocean deep sea warrior is five stars? Oh Well, that's the ocean deep sea warrior is a free summit my god I'm going to punch you now for 100. I forgot he's not affected my spells That's kind of bad. Yeah, unfortunate.  No, I pass you were right to pan You're not MST in his deck. I just realized I draw you're in a big disadvantage here I actually yeah, no and and you're immune to spell cards, which is kind of my thing But it doesn't matter because I still have Zolga who still has a shot. Good man. What you thinking about me? And tornado all I take no ball of damage. Okay. Does that scare me? Yes, my deep sea warrior I needed that I guess that was pretty cool. Yeah. Um anyway, I am gonna go ahead and put this on I thought you might have stopped it. That's why I didn't before but Zolga get your handcuffs ready But he just in case you played like something big. I don't know God man Unfortunately, uh-huh, but what do you got man? What what I gotta be scared of what's the great Zolga have to be a scared of Return to doomed. Oh, wait. What is this? I'm dropping a phibian beast. Oh Infibian beast. Oh, that didn't work the way. I thought it were coming. Oh, were you unaffected by spell cards? But oh, you thought you could maybe get back in phibian beast. It's cars confusing return. So it's just this turn That card is dog water, bro. That card is That card is beyond trash Yeah I read it on my drawing this card written like this I'm gonna go ahead and set one and then I'll set another one. Yeah, um and then I'm going to Drag down into the grave. Oh, that's great. Oh, that's not great for me. Okay.  I you know, I wasn't feeling it I'll set one card face. Oh, that's not good for me And then Zolga the all-powerful Zolga will strike you down 2,200 Forgot about the whole drag down of the great thing. Oh wait, that wasn't it. Oh, uh, oh you battle damage. Damn Unfortunately though, Mitchie Zuri is about to be annoying. So I'm gonna just pass my turn I can I have the luxury of waiting and you have no back row removal here. I mean I think I think we're kind of at a standstill.  That is just bad for me, man Wow, I guess.  I'm like, I don't know if you want that I mean, I mean, I wish I had one msd. Hey, I don't Go ahead and play it though. Go ahead and play it though. You can't I'll just be I'll be sitting here. I guess You know what you can't damage me anyways. Wow the legendary fisherman. Yeah, go ahead and right get you me or dark Hold me. I draw. Let me check something. Oh, no, I can't attack you directly I can't attack it. Yeah, I can't attack. I thought I had the choice One all right, if I had legendary fisherman by itself, you can attack me directly as if that does I'll set another one face down I will draw. Let's go ahead and set this here for just in case Interesting. So if I do this, I start to play around me to Zuri to be honest. I draw again around me to Zuri So you also have it see probably a snipe. No, you would you would have put this as a dog I think I've got that. Probably set like one of your spell cards like reproduction or something.  This is this is a pickle for me. I'm not even gonna lie again I can still just wait I can just wait you can I mean you you very much can there is not a lot going for me I draw again. Dang Okay, I End my turn again What a devastating duel And that oh, let me ask you a question. Yeah, what you what you do about the second fish the second fish So now I got tack your stuff and not worry about me to Zuri Wavaku moment. Okay, that's out of the way. I guess where you're going buddy back into my hand. That's fine Yeah, enjoy that bro. I got the second one for now. What? Well, now I just draw interesting another very interesting moment I'll set another monster face down and then another card face down and end my turn What you think this is I'm doing the best I can roll. I'm going to exhaust all your options here. Fisherman. Fisherman attack Face down. Is it another calvic? I'll activate mirror force. I Don't know it. I'm gonna lie. I'm gonna have to exterminate those fishing men, bro They got to get out of here. Oh Row never back like you never left get me would argue you can't do this because he's unaffected my spells I would argue that now go ahead, bro. All right, bro Damn, I draw Interesting very very interesting. I'll set another card face down and end my turn A riveting content in the shadow games first. I will summon great white Okay, great white will attack your potential Kellbeck. You don't know that you know that you don't you knew that Hello, my name is Kellbeck back into my hand.   I end my turn again. I'm going to summon seven color fish Okay, and attack your Kellbecks. You gotta start clearing out this row of monsters. Wabaku Why because you're going back to the hand, buddy What'd be better to say wabaku when I clear field clear my field you ain't clear my view You're just gonna get cleared nah, I ain't going nowhere draw. I'll set another monster face down and end my turn Day you take no battle damage, bro And I can only target like some monsters sometimes legendary fisherman Oh brother the third coffee finally arrives. Let's get rid of these stupid, uh, Kellbecks, please man. You don't know how to do this man Go ahead. Michizuri imagine if I could target any card and not just a monster And I pass I'll set one more I pass interesting He's dueling with his heart. I can't fault him for that. I draw. I know I know your madora's gonna be a problem though Here in a second because then we're gonna be at a true standstill. I'll set another monster face down This is crazy. This is crazy. I know I know I just literally don't have it out to this I will attack your other kehlbeck and if you have michizuri doesn't activate Uh, we'll drop star boy. I draw. How will you get out of this? Um, I just realized If you get monster report and take my legendary fisherman, you get his effect because this is while umi's on the field This card is unaffected by spell effects. It doesn't save while I control kind of crazy. I'm going to This is crazy I'm surprised you didn't do the tornado wall combo with mako when you had mako I did I just I didn't I just got they got cleared out and also I for some reason never thought about direct damage All right, let's do drag down into the grave At my fisherman, I had to I guess we'll take your kehlbeck. Oh, oh, that's a oh I forgot that this is also in this deck. What does that mean man? It means you lost bro. What bro's just gonna let you know bro. How to let you know All right first put a seven great white First like the flood and I'm going to flood the field. Let's do that first Okay, that makes sense then I will set one card and pass Makes sense makes sense Now my key is how am I going to get over this uh, this uh The answer is the answer is no, no, you won't because I am about to get all in my turn In quite the loop here in a second, bro. This is crazy. What a terrible deck for me to go up against this way This is all I was waiting for I acted a best soldier I'll send I'll send this away put this back in your hand. Okay, and hold 2000 Makes sense, but you wish you stayed at wabaku now Uh, not really. No, I can't say I I would immensely need my wabaku with the turn of the change go Nice, uh, first things first. I'll hit this one with a dark hole. Oh brother I think you killed me with a best soldier too my video and then I'll end my turn Seven color fish make sense. I'm going to Attack for 18 Make sense. I mean it's a fish, you know, you got a water deck that makes sense turn change draw phase I draw Interesting. I'll set one card face down and end my turn I'm going to draw to my next a best soldier because I have three in the deck I didn't and I will summon my second Seven colored fish in case you act up.   Gekki set Yes, bro because in this format with limited spell removal It makes more sense to keep them on the field than to play them But in this one case, I shouldn't have left them on You know what? You're right. You're right. You're right. You're right. You're right. You're right. Oh Not a good situation for me. This might even be gay. Oh Well, that was lucky first though I will activate spell reproduction. Okay, and then I'll ditch this and this and then I'll get back. I guess Rygeki You don't really matter though. I don't think you just dropped a whole a spot of greed. Yep You are desperate. I'll set it up. Well, no, I'm not desperate It's my only win condition is to deck you out and then I'll activate swords of revealing light Okay, and then my turn is met. This is it man. It's all I got force you for your dotto. You're not going to deck me out You will just hold us L. There's no way right swords the sword's effect still goes on doesn't it? No, it doesn't go on. What I will not beat dinars. What you got here? What?   Oh, it should just activate. Oh my god I definitely got into arguments in middle school about that shit, man When we found out MST doesn't the gate. We all talked about it with swords of revealing light And now my only hope of winning with this that this is literally probably the only hundred zero matchup in the whole game Yeah, I literally cannot win this match up And I cannot win if I don't get legendary ocean I literally cannot win the matchup There's a literally almost zero way I can win also by the way the matchup is so zero one hundred that I have a card that puts cards in your graveyard back into your deck by force I literally will lose. Well, I play my monsters.  I'll take it. I live long enough noodle. No, no, I cannot have long Just keep just keep drowning that's all I need Is bad just keep drowning oh my god Getting life points, too. That's the worst part. You just keep on drowning there. That's all I need from you Can I get a pot of greed and then go into for Ada wall and legendary ocean? No But but I guess I'm gonna do this pop that I Respect that I'm gonna summon my great white.   Yes Was it a torrential I did that torrential I'll take it dude. I'll take it With deep-sea warrior and two legendary fishermen by the way that was that is the worst way and the fortress well That is the worst break see Mako's neck is not good But to be fair he is the ashizu a hard counter dude Like I just lose if I don't get if you get your combo as weird as the sounds I'm happy to remove this deck off my list. Hey, I don't blame you bro. I'll take it. Wow a Surprising duel. You know, I will say maybe not exciting. I did not say the word exciting audience But I did say a very surprising duel. Oh, we'll see you in the next shadow lock