From Hollywood. It's time now for Johnny dollar Good I was just checking in lieutenant. You said to keep in touch in case I left civilization Yeah Well, I'm going up into the Santa Rita mountains around Primrose camp Well both but at the moment it's more hunch than lead. I just wanted you to know where to start looking in case I disappear Relax lieutenant if things work out you may find us together Tonight and every week day night Bob Bailey in the transcribed adventures of the man with the action-packed expense account America's fabulous freelance insurance investigator yours truly Johnny dollar From special investigator Johnny dollar location. Jake's bar and grill somewhere on a highway in southern, Arizona To the home office mid-states industrial insurance company Hartford, Connecticut assignment the Primrose matter Expense account continue Item for three dollars and sixty cents to Jake meager for information and incidental beverages The jibbernitz and gang had hijacked an armored truck in Kansas City and escaped with a hundred thousand dollar payroll Two nights ago. They'd shot their way through a roadblock in southern, Arizona killed a state trooper and left one of their Own members dead in the road Then the other three had simply disappeared the information from Jake That old pop bar del operated a tourist camp and service station 14 miles up a dead-end road in the nearby mountains And it seems that pop had acquired a new nephew within the last 24 hours a complete stranger to Jake There was only one way to check it out drive up to Primrose camp Hi, how are you? Want me to fill up the tank?  Oh, no these are only ones.  Yeah, I figured it wasn't now much Need to get caught short though up here away from the highway Now how about that cabin? Sorry, we're all full up. Oh You'll find some places down on highway. Well, wouldn't be much point in that I was planning to do some prospecting get around a little on foot. This would be a good spot to work from I've got no vacancies. How about the oil and water? Oh, yeah, you better take a look I guess Bad country for a tender foot you're getting a lot of trouble such as what? Snake bite get lost fall off cliff Not things. I've been in a place of two before best you forget it son Well, it's all right. It's funny those cabins look empty. No cars parked in front. They're all rented And the water's all right, too. Oh, they rented to vacationers It'll be a dollar twenty six. I need worth stopping for There you are. Keep the change Call again. Yeah. Yeah, maybe I will when pop Bardell gets back I'm pop Bardell You can't be you know fit the description What do you mean? Well, I was told pop Bardell had started talking a leg off me before even got my mouth open But he not only sell me a tank of gas but also two quarts of oil I didn't really need in a handful of fake or samples and Rent me a couple of cabins whether I was planning to stay or not. Who told you that Jake meager down at the highway Jake Jake's one talks too much. Maybe you can't notice it What is it nephew? That the nephew Jake was telling me about Yeah, that's him a nice looking fella arrive yesterday unexpectedly Jake tells me Yeah, yeah, yeah, that's it. That's right comes from Tulsa. I understand tells Yeah, yeah, that's right from Tulsa. I'm coming I got some friends in Tulsa. I wonder if he might know where you're going. I want to say a little you know No, you can't go in there. Why not? We're fumigating it. It just ain't safe. Oh, all right I won't go inside but I want some cigarettes out of the machine. I'll get them for you. Just give me the quarter You feel all right Sure that seems to me a kind of jumpy on edge. I thought all you Western is we're supposed to be relaxed and easy Look, you want them cigarettes? No, no no trouble. This fellow just born some cigarettes is all what brand cester eyes There you are. Thanks. Oh Here don't you want the money for you give it to my uncle here? Yeah, sure Thank you. That's all I understand you from Tulsa That's so I got a good friend down there Clem Welke. Yeah, I thought maybe no Frighten up. Look if there's nothing else now you've been there about a year He's working on that new electric plant. They're building down there But I guess he'd be out of a job before long though Understand they'll have the plant done by the end of the month. Yeah. Yeah, that's right. It's about finished now Look, mr. You never met Clem, but Tulsa's big town. Yeah, it's a big town Come on uncle. Let's get that stuff moved Well, I guess I'll drift on down the road and sleep out tonight. Maybe I got my sleeping bag Now probably see him a way back. Yes. Yeah, you do that There was only one thing wrong with the whole setup The best of my knowledge there wasn't any new electric plant in Tulsa. I Drove on past Primrose camp two miles farther to the end of the road It was narrow unpaved and for the most part bound by a straight drop off on one side and a vertical cliff on the other With no chance for a car to turn off There were two fire roads for access for the Forest Service actually nothing more than narrow trails The turn-offs were blocked by steel cables padlocked between heavy metal posts As far as I could tell they hadn't been tampered with and no car had turned into either of the trails for a month or more It ended up to one thing There was simply no place in the area where the Knits and Gangs car could be hidden Yet, I was still certain that they were here somewhere an hour later I'd left my car at the road and was lying in a rocky ridge 300 yards Of so above Primrose camp watching the place through binoculars and seeing nothing of any importance Two cars stopped sightseers apparently One driver had the water checked and left a Couple got out of the other car and spent 20 minutes in the lunchroom came out and drove off Pop Bartell came outside occasionally his wife too a couple of times But Bartell's daughter whom Jake meager had told me about didn't show Neither did the mysterious nephew. I Kept on watching Oh No, no, not exactly look like you were I'm just admiring the view and city fella She can tell one every time can't you can when you lived alone in the mountains long as I have then them duds You're wearing too got them at Dave bright store. Didn't you that's right Dave outfits a lot of you Eastern fellas can always tell stuff that comes from Dave's it's got a look about it Hey, you wouldn't be a prospector would you 40 years of it, son? You live up in these parts somewhere a six mile across the canyons there Got a cabin about myself and some claims of mine ain't been there for three weeks or was that so? No been prospecting over toward the rim counts heading back home now You're the first living soul a scene. You haven't heard any news then in the last three weeks. Oh My name's Johnny dollar by the way Proud to know you son Sides you up before I spoke to you and decided to take the chance Might be glad to find you a smart aleck like a lot of them city fellas Oh, it takes all kinds to make a city mr. Marsh reckons. Oh never could see why it takes some kind so There's pop bar there out in front of the station Usually step by and say howdy to him, but I reckon I'm going to pass it this time No one pop along about 14 years now Then you must know his family pretty well Well aside from his Mrs. There ain't no family except their daughter Jenny No, I was thinking of his nephew in Tulsa. He ain't got no nephew. Mr. Tuller Oh, I'm still he had he ain't got no living king at all except for some cousins in Virginia I guess I was misinformed. Yep. That's for sure Pops a real old wolf used to be a prospect himself years back But he never really had the knack for it anyhow He he finally bought this here primrose camp and settled down to a civilized way of living I'd say you got about as far away from civilizations. He could a compromiser. That's what he is always fooling himself I told him that a lot of times even keeps on prospecting off and on right around the camp there when he knows There ain't no pay dirt on this rock Well, it's like a city man growing vegetables in a window box. I guess Son, I wonder if I can ask a favor of you. Oh sure what I was aiming to go on down there and get pop to do it But I'll have to stay all evening if I do and I'm kind of hankering to get home Well, if it's anything like of course if I go to the authorities They'll keep me around asking questions making statements talking about if there'd been any signs of life Anything I could do to help you understand Mr. Marsh. What are you getting at? Well over across the ridge there in the bottom of the canyon There's a car half buried under a rock slide Hi, these are very much. We don't want to start the rest of that rock coming down. I've been moving rock all my life, son Hurry up. All right. It's clear. Let her go Now that's good I can get the car door open now Watch this They had a pretty well buried already. What do you mean by they it doesn't matter at the moment. Give me a hand with you Let's get this guy out That's fine. We'll lay him here on the side of the car It's like I figured Couldn't be anybody left alive after rolling all the way down that slope this one wasn't alive before the car rolled down What he was shot by the state highway police Did a good job of hiding the car temporarily at least it couldn't have been seen from the air the only way of finding it Was to stumble on to it the way you did You ain't up here just for pleasure. I am Mr. Dollar. I'm an insurance investigator I'm after a stick-up gang who've killed two bank guards in the state highway trooper This man was one of the gang. There ain't nobody else in the car here Is he the game there were four of them to start with this is the second one who's been shot to death There are still two to go where you figured they are at Primrose camp Now here's our star to tell you about tomorrow's episode of this week's story tomorrow Alliance den reluctantly opens its door to let a trusting victim step inside and the victim me Join us. Won't you yours truly Johnny dollar? There's truly Johnny dollar starring Bob Bailey is transcribed in Hollywood written by Les Crutchfield It is produced and directed by Jack John stone Be sure to join us tomorrow night same time and station for the next exciting episode of yours truly Johnny dollar Roy Rowan speaking


Hello, everybody. Welcome to our celebration of Alice Walker's new children's books. Sweet people are everywhere. We are so excited to be here today for our conversation and we'll get started as soon as all of our guests make it into the space. Just give it one little second. So glad to be here with you all in community today. Again, welcome friends. I'm Shawna Sherman pronouns she her program manager of the African American Center broadcasting from San Francisco public libraries main branch. And we are honored to be here in with our distinguished guest today author Alice Walker in conversation with Dr. Cheryl Davis. Today we are celebrating Alice Walker's new children's book sweet people are everywhere. Before we get started. I want to acknowledge that we are here in San Francisco, where we are on the unseated ancestral homeland of the raw my tush aloney, who are the original inhabitants of the San Francisco peninsula, and continue to live work and play here today. As the indigenous stewards of this land, and in accordance with their traditions, the raw my tush aloney have never ceded lost nor forgotten their responsibilities as the caretakers of this place, as well as for all the peoples who reside in their traditional territory. We wish to pay our respects by acknowledging the ancestors, elders and relatives of the raw my tush community, and to affirm their sovereign rights as first peoples. We asked you that you consider where you were watching from today. Please find more information on indigenous lands through the link in the chat. Before we get started, I want to thank our partners in this program tra publishing and the San Francisco Human Rights Commission. And again before we get started I just have a couple of brief announcements. If you're in the Civic Center on the third floor of the main library please come through the African American Center. We're hosting an exhibit called owed to us a celebration of black hair. It includes images and writing illustrating a broad array of hairstyles with a little bit of history sprinkled in. It is also there's also a companion exhibit at our fifth Fisher Children's Center at the main library hope to see you there. On the sixth the African American Center will be hosting author Kenan Norris. He'll be live at the library as well as online in conversation about his new book, or about his book The Confession of Copeland Cain. And then next day on November 7, we will be hosting another live streaming event here at the main library, welcoming Kimberly Cox and Marshall and Steve Wasserman on making revolution. Last but not least we're having a busy, a busy week that first week in November. On November 10, we are thrilled to host Kevin Simmons and Bay Area poets in a discussion of his new book, the monster I am today, Leon Leon team price and life inverse. Now for our main event and what you've all been waiting for I'm sure I'm so privileged and odd to be in this space with a group of sweet people with our featured guests Alice Walker who will be in conversation with Dr Cheryl Davis appointed by Mayor Edwin Lee Dr Cheryl Davis is the Executive Director of the San Francisco Human Rights Commission. Previously, Dr Davis was executive director of collective impact, a community in a community based nonprofit organization in San Francisco's western edition, where she has no magic magic zone and the Ella Hill Hutch Community Center. Director Davis is a passionate advocate for radical racial equity and educational opportunities, and as the creator of the everybody reads program. Alice Walker who needs knowing introduction really is a distinguished author and activist who has written dozens of books including novels poems essays short stories and children's books. She was the first African American woman to win a Pulitzer prize for fiction for her novel, the color purple, which also won the National Book Award in 1983. More than 15 million copies of her books have been sold, and her work has been translated into more than two dozen languages. As an activist, Walker focuses on inequality poverty and injustice. Now, without any further ado, welcome Alice Walker and Cheryl Davis. Thank you, Shana. Appreciate the introduction and really also want to thank Christie and chief librarian Michael Lambert for this opportunity to be in conversation with Alice Walker. Today, I was a little bit jealous because when she said Alice Walker. She said it would such sass. It's, I know I don't not deserve the sass and charisma that came from that just saying the name Alice Walker just feels special and for me to be able to talk to you is even more exciting and humbling and just amazing so thank you so much miss Walker for talking with me today. I'm so happy to be talking with you. Yeah, we were talking before we came on just about the rain and how wonderful the rain is today so how long we've been rain dancing. Yes, yes. So I'm excited to be able to this is a special day for me the rain and Alice Walker so I was making note when Shana was going through and she was talking about all the things that are coming up in the library I thought it was appropriate when she was saying making revolution I feel like you are making revolution continue to make revolution. And now you're bringing it it again yet again and I wonder if you have any library stories of your own like going to the library and if there's anything revolutionary in your mind or just special about the library. Oh, I would love to tell you a story about the library and my little hometown of Eatonton Georgia. I didn't know they had one. It took me 50 years to find out that there was in fact a library because we were not permitted to go to it. So how would I know. However, 50 years later, my town gave a huge celebration for me, and they took me to the library that they had kept hidden for all those years. And guess what else, they have huge photographs of my parents on the walls. Really. Where'd they get the pictures were they just because it's a small town. Well no my sister had a museum, and she had these, you know, beautifully framed photos of our parents. And that's what I saw and it was very moving because we had love to read his children, but no one read the word of us to us about there being a library somewhere. Well, I just was thinking as you were talking about that I'm originally from Texas but I grew up in the Bay Area but spent my summers in the south and so when you say that about like having access to I know my mother was in segregated schools and had to walk past the white schools so didn't have access to the library and things like that. A lot of the poems and books and stories I learned I actually learned as part of a black history month program in church right like that's where I learned to read. Well, I was very fortunate because I learned from listening to my ancestors and my parents. Especially my parents and grandparents who could tell a story. Not only that, we were living right in the middle of the Burr Rabbit area, where all the animals told stories constantly and so we just overheard a lot of good things. Wow, that I hope we don't lose the Burr Rabbit stories and the connotation and can you say more I mean some people maybe are not familiar with the Burr Rabbit stories. When you're living in the country and this was true of the Cherokee and the creek lived you know there before we did. You notice the animals and you notice how they behave and so you make up stories about them and this is what happened. So we learn all kinds of stories about how you play dead if somebody's trying to kill you. There's like water out of a muddy log. I mean, it's just, there's really a lot to be said for growing up in a world where nature is still alive. This was the greatest gift I could ever have received to be with ancestors and, you know, and present, you know, old people who actually understood that you know the interrelatedness of life. I mean, these stories, I mean they seem to be coming out of thin air, but I loved it. I was a very lucky child. Yeah, that is in that sense I really didn't need the library and I love the library and I will, you know, always try to sustain libraries, but I also understand that the world itself was a library. I'm fortunate to have the stories from the ancestors and to sit and hear that, that story be just told and kind of strung together in real time. So I guess, well, as we're talking about storytelling, I have to admit that I don't think I really got the full essence of Brear Rabbit and those stories until the people could fly that book I don't know if you're familiar with it and all of the stories but we have a wonderful story to do now and I wonder if you'd be willing to read your story. A little bit and they'll put it up on the screen if you're so inclined to read. Oh, absolutely. Yeah. That would be awesome. Sweet people are everywhere.  Sweet people are everywhere. Brian who's getting a passport. This was a young friend who was getting a passport. Some of the people in Turkey are very sweet. Some of those in Afghanistan are very sweet. Some of the people in the United States are very sweet in Canada to some of the people are sweet. In Mexico, which I love, you will definitely find sweet people. There are sweet people among the Zulu in South Africa. And every language group in Africa has some sweet people in it. There are sweet people in Iceland. And in Russia, there are many sweet people in Korea. There are millions of sweet people in China. There are sweet people in Japan. If the sweet people were the leaders in historically warring countries, they would treat each other much better. There are sweet people in Congo. There are sweet people in Egypt. And sweet people in Australia. Many sweet people are in Norway. Numerous sweet people are in Spain. There are many sweet people in Ghana and Kenya. And sweet people also in Guam and the Philippines. There are sweet people in Cuba. Many sweet people exist in Iran. There are sweet people in Libya and Colombia. Sweet people are in Vietnam. Sweet people exist in England and Myanmar. Sweet people for sure. And there are sweet people for sure in Ireland. Sweet people are in France. Sweet people are holding on in Syria. They are doing the same in Iraq. Some sweet people live in Venezuela. Many very sweet people live in Brazil. There are sweet people in Israel. And there are sweet people also in Palestine. Actually, in almost every house on the planet, there is at least one very sweet person that you would be happy to know. Sweet people are everywhere. We are lost if we can no longer experience how sweet human beings can be. Being sweet, they must not be disappeared. Promise me never to forget this. No matter how far you go, no matter who sends you. And there is our world. Very touching and so appropriate on a rainy day to have a story read to you. I feel like I should be curled up on the couch saying, read it again, read it again. That is just so straightforward and simple and very clear the message you're trying to send to young people. I think some would consider a very challenging time. What is that message of sweetness that you hope to convey? I hope to convey the reality that just as you have sweet people for instance in your family, in my family I had all these aunties who used to come and visit. They were always good for several quarters and also some perfume. And then they tell you something that you never forgot like out of the age because they loved you. And these people exist all over the world. They're absolutely the same in that way. So we all know sweet people. And what I was doing was encouraging this young man, Brian, who was going to China. And he's a musician and he was going to be away for the first time. He was going to be away for the first time. He was going to be away for the first time. To really understand that when he got there, even though the people seemed so far in, and of course, you know, Chinese, if Johnny was his foreign in a way, but they're also not, you know, that he would see aunties and children and, you know, everybody being pretty much the same. And also that they are distinct. Mostly from their leaders. And we must really help our children to see that no matter who is in power, the people are regular people trying to exist. And be happy. Oh, I really appreciate that making that distinction, the separation between the faces you see more prominently and the people who are actually living and being. I laughed when you said about the aunties and the quarters, because I definitely can have flashbacks of that. And when you talked about trying on the lipstick, I had this flashback when I, when I first got the book, I thought about sweet people everywhere. And I actually had this thing about sweetness and thought maybe initially before I turned the book that was going to be about food and all the different places. So I appreciated the, the, the focus on who the people are and the sweetness of people everywhere. But it also made me when you talked about that, I had this flashback and I don't know if you're, if you had this experience of the peppermint candies that the aunties kept in the purse with the, and the perfume was in their purse and then the candies tasted like the perfume and the sweetness, but those sweet acts of kindness that exists. And just kindness itself is sweet. Yeah. That is really what I'm thinking about, you know, that wherever you go, you will always find people who are kind. You know, who are thoughtful and who would help you if they saw you struggling somewhere. And this is just the reality. And one of the sad things is that we are led to be fixated on a leader of people who, and the leader just may be insane. I mean, he could be perfectly crazy. And then we're, we're led to think that all the people are like him and, and they're not. So that is what I wanted to tell this young person that you are going to place whoever's leading it, whoever is leading China at the time is just a leader. I mean, he may be good, be good, bad or indifferent, but the people that you will interact with are not the leader. You know, they're, they're just like you pretty much. Right. And the kindness and that piece of it and, and did Byron hear you or did he come back from China and say, you're right. No, this is one of those, those things of life that we get used to eventually, although it's hard. I have not seen him since he got back. Right. And I don't even know if he's ever seen this time. Oh, wow. And the person I know and the person who introduced us, I keep trying to get her. And he's disappeared. So, so it's all, that's how life is. Yeah. Yeah. The exploration of that and the growth of young people. The other thing you talk about kindness is everywhere. The illustrations in the book are amazing and the art. And I feel like art is also symbolic and transit, you know, transit across cultures and experiences. And the artwork is beautiful in the book. Children want to see, they want to see the difference. And they want to see the similarities. So you can show children that people look or dress really differently. But there they are, you know, strumming the same guitar that you have or blowing the same flute or doing the same jump rope. You know, it's, it's, it's, it should have been all along very easy and simple. To make people understand that we're all human beings, just like all the oceans of water. For some reason. And, you know, we know many reasons. Usually, you know, economic and craziness. But these things are kept. So, not hidden exactly, but, but, you know, the children often have some difficulty understanding why things are like this, you know. So I'm going to hit a couple of the questions that are popping up in the chat as well. One is, is this your first kids book? Love the color purple on big screen listening, watching from watching from San Francisco Bay Area. I think this is my fourth or fifth children's book. The one before it, before it was, why is war never a good idea? Why war is never a good idea. Because I'm very interested in, in, you know, helping children. I mean, I'm a grandmother. And I care very much about, you know, my grandson and grand people. And I want them to really think about as little kids, you know, I want them to really think about, you know, some of these areas that they do not want to be programmed into like going to war.  So that was one. And another one was there is a flower at the tip of my nose smelling me. Because my sense of life basically said, just as we smell flowers, as we look at the natural world, as if it is dead, it isn't, it's alive. And it's responding to us constantly. And then I did one about Langston Hughes. I mean, I, you know, I knew Langston just before he died. He was very good to me. And I wanted to write a children's book about him so that our children would not miss out on him as I had done. I didn't, I didn't know him until practically until I met him. And this is, this is just not right. Well, I mean, I will just say as a lover of Langston Hughes, and I feel like I probably, people who know me, I carry the book with me and give out copies everywhere I go of Dreamkeeper. And I feel like it's so much of what you're doing in general, but specifically with this book is really getting to the heart of people when I think about, I just was reciting this to someone this morning about mother and son, right? Life for me ain't been no crystal stair. Really this idea that there are challenges, but that we, we press on, it's the same semblance of what you're, you're saying in terms of kindness and hope, right? And also it's what makes us beautiful.  And when you climb it to the top or wherever you're going, there's a possibility that you will find yourself in a beautiful place of fresher air. Yes. Yes. And if I could make another correlation, because another one of my favorite ones is what happens to a dream deferred. And I think sometimes if we're, we're not able to look for the sweetness or find, if we're only focused on, as you say, the negative and someone wants to remind us that, you know, leaders can be he or she or they, right? But when we look at leadership, it doesn't always mean that that's the agreement or that the, you know, popularity doesn't always mean equity or that, you know, loudest voices with. Well, also popularity can be bought and sold. And so it takes discernment from each person, you know, to see behind the facade, to not get tricked into voting the people that, that, you know, not worth it. It's good for children to start understanding that they can discern, you know, they can go by their feelings. They have feelings and often really great intuition. Yes. Yes. And let's see.  And then Amelia, who is supposed to be on vacation is joining and wants to say in a different way. I mean, you know, I mean, when we have seen so much of the not so sweet side of things in recent times, it's important to remind young people there is still sweetness in the world. So just wants to thank you for that. Oh, you're so welcome. And also remember that there's sweetness in yourself. Yes. You know, and that should be nurtured, especially in times like now.   The, the finding sweetness in yourself or being able to tap into that.  Cause I'm also like I too sing them like that is him. You know, I too sing America like affirming himself and saying like, I belong here. I'm special too, right? three of them, I think maybe, maybe more. You know, Du Bois always said that he had eight.  And the world is yours. Otherwise, you wouldn't be here. And this land is your land, as I think somebody saying. And yes, honor that and be happy in that. Yeah. I want to just also acknowledge and pause here to say like you, you celebrate young people and, you know, at different stages of this, I was like intrigued to see that Michael Tubbs, former mayor of Stockton, won like the Alice Walker essay contest, had the opportunity to sit down and talk to you about his essay. Yeah. Oh yeah. And he's written a wonderful book. Yes, I saw that too. So I think next month. Yeah. And what's interesting is that it goes full circle to me in terms of like sweet people are everywhere because his essay was about meeting his father for the first time in jail, right? Yes.  But this idea that, you know, sweet people are everywhere, right? Whether rich, poor, incarcerated, formerly incarcerated, not that they're still space for people to be, you know, kind to each other or to be to have the moments of sweetness. There are some people in prison who are very sweet, you know, and I really hope that, you know, we understand that and really keep holding that you're holding that vision because so many people are incarcerated wrongly and suffering and they should be out here with us. And we need them. I mean, we need their sweetness. We need them beside us. Pretty amazing. And so I saw, I'm waiting for the book. I saw your, your kind of comments on the book and how great it is. I'm looking forward to reading Michael. But it's called the deeper the roots. You remember the other part of that? The sweet of the berry.  And we have a rainbow of blackness in my, my childhood home. And, you know, that that phrase played around different ways. Yeah, and we're so fortunate. We're so fortunate that we learn to be tribal, you know, without being racist. I mean, it's a wonderful thing. Yeah. Yeah. And being able to explore that. And I appreciate I'm looking at the cover of the book, even just the rainbow of people on there. And I know you're doing some things with Crayola and being able to have children, you know, have color crayons that represent that. They have made some crayons that are, you know, for everybody's color, everybody's shade of whatever. And that is so wonderful. So the children, when they're coloring can no longer think, well, it's got to be black, white, red, you know, it can be all the colors that we are. And we are wonderful colors. I mean, just oh, the rainbow of us. Yeah.  It's a must read. Have you tried to get the book in the schools or our communities? Can we see this book in the school district here in San Francisco? And that's Linda and I see Ralph Remington from the Art Commission, Cultural Affairs director for the Art Commission is here. And you know, I think that we definitely want to make sure that we get the book in the hands of young people and that they're able to do more with that and also get those multicultural crayons. Have you done anything with other? I know you're doing one thing to try and push the crayons out and get the books out. Are there other efforts to get the books to young people? Well, you have to talk to the people who do that. I write the poem, you know, I give it over and then I talk like this to people. Yeah. But I don't really do any marketing. I never think about it. Well, that is good. Well, we will, we will work with people, Linda, to get the word out about that. Nate Ford says, what are your fears for our children? They are being very, very much damaged by, you know, the restrictions on their breathing, for instance. I don't know if he's talking about COVID. But I think that I worry about that a lot. And just the sense that they are growing up being more fearful, you know, of life and of nature. And this is a great loss to us, you know, as humans. Yeah. No, I couldn't agree more when we were talking earlier. I was saying, I'm worried that I've grown up, grown up too much to splash in puddles, right? That's experience for young people to just be out in nature and get a little dirty and learn from that.  I still, well, I'm out here in the deep woods. So I can do that. And I know that this is something that our children need. They need, you know, wildness. They need the natural world, not so much, you know, high-rise living, which is, I think, destructive to them, to their spirits. Well, what's ironic is that, you know, you don't know Nate, but Nate actually is a Rec and Park director. And he spends his days getting young people outside and playing. So thank you. Thank you. Thank you. Aditi has, how do you incorporate what you know about small children as an adult in your writing process? How do you understand and translate for yourself their curiosities and innocence? Because I was a child. And not only that, I'm still a child. You don't necessarily ever not be a child. I mean, unless you just, you know, see something wrong with it. And I never did. You know, I was bigger and I, you know, was careful that I didn't get wrong over by a bus. But keep your child self. I was going to ask, like, do you think that's part of this, this encouragement of the book too? It's this childlike wonder or just accepting, you know, like that maybe we look for that sweet person to believe that it exists and not to kind of become our hardened adult selves? Well, just know that they're there. You know, you may go to a country, for instance, and it may seem very, very scary and foreign. And I've traveled a lot.  Yeah, I think that that's the piece and hopefully as more and more folks can read the books and get them read that and have the discussion. I mean, I think that's the other piece, what we're doing here to have the discussion with the children after you read to them. When you, when you, when the ancestors told stories to you, did you interrupt? Did you ask questions? Did you talk about it afterwards? Yeah, well, why was he so big? And whose foot was that?    Godhood never ends. It doesn't have to, you know, it doesn't have to. And I think that's part of the reason people, when they get old, they forget a lot. Yeah, I mean, just, just forget the stuff. You have the last, you know, 40 years. You can go back to where you were really curious and really thrilled, you know, about stuff. Well, I think my, I have, I tell people all the time, I think I still have a kindergarten mind. I taught kindergarten for a decade. And so every time I think about something, I always have that, you know, what, what would happen if I did this in the class? Like I say things sometimes and I go, oh my gosh, if I was in a classroom, the kids would start laughing hilariously because just makes no sense to say those words together, you know. So I think it really do, if you're not in that space, you really do have to push yourself to keep that childlike wonder. Well, I actually, I don't think I've ever had to push. I have it. I mean, I've had it since birth. I just think we live in the most incredible place, Earth, that there is.  I'm happy here. Well, I mean, what do you say to a young person? And maybe you've already said it, as you've talked about, like no, it's there or looked forward to see it when they've had, I think about yesterday, I mean, I had a really great day and then I let two not so sweet people by the time I got home, I had forgotten all the other sweetness I experienced. So thankfully I practiced this moment of gratitude at the end of the day every day to write down the good things that happened or celebrate. But what do you say to someone who's like, today was bad and everybody's bad meditation. I've been meditating for so many years. And I'm, you know, sometimes I slacken.     And who wants to do that? None of us. None of us. No. Alejandra says, I love your hupeel blouses. Connecting from Southern California with ancestors from Vera Cruz. What is your connection love to Mexico, as you mentioned, while reading sweet people are everywhere? Well, long ago, before I wrote my longest novel, I had a dream about people making beautiful things in somewhere where the people were speaking Spanish. So long story short, I hired my daughter's Spanish teacher, teach me Spanish.  I can get around, but that's it. And I moved there, you know, thinking I would just, you know, work on this book and then come back. And it's been 30-something years. And I'm still there a lot of the time in the winter, because it also helps my, you know, my health. But yeah, I mean, I love to be where people still can make the beautiful things that their ancestors made.  Dear Alice, what advice do you have for someone, me, really wanting to write a book and having no experience doing so, especially living in an environment that is stress inducing when moving isn't much of a possibility? Well, it depends on how much you want to write the book. I mean, if you have the book and you and you want to express it, there will be a way if you really want it. I mean, I'm sure there are other things you want to do and you manage to do them, right? Mm-hmm. You know, a book is like anything else.  And the key, though, I think is discipline. You have to be extremely disciplined. It's absolutely imperative that you have your own place to live. You see, the nuts and bolts of writing in which, you know, I really love to share because people get, you know, you're a writer and it's like you're living on air. Well, you don't. You actually work.  I mean, so the thing is the passion of wanting to create what is basically a gift, like any other gift you want to be. You know, as perfect as you can make it. So you make your environment as supportive of you as you can. I think that that's the thing, too, to really cherish it like a gift and pour into it and enjoy it, right? Oh, yeah. Oh, yeah. And also the characters who come, the people really, who come are so interesting.   So in the middle of the night, for instance, you think you've done everything you could do on the page for a day and you're tired, but there you are in the middle of the night and some character just comes out of nowhere and says, well, but what about so-and-so?  I'm trying to say, no, no, no, no, no.  So you're in the middle of this wonderful process of creating something out of nothing. You create, I mean, you can say, well, you're creating it out of the voice that you're hearing, but what is that? I mean, it's magical. It's magic. It's like the people who make things like this. I think this kind of work is just seems to have been done by magicians. But I think that that is to back to your point around childlike wonder too, right?  Yeah, it's the same. Really, it's the same. And I wish more people had that because it makes it so joyful. I mean, it is such a happy thing to create something out of nothing. I mean, it's just, it's just incredible. And then at the end of it, you actually have something you have a book. You actually have, you know, you have a book that's solid. It's solid because this comes out of, you know, wherever. Yeah, I love that because the one of my favorite things was to when I was teaching kindergarten to like have the young people have the kids draw something and then tell the story behind it.  Exactly. Yeah. And just building on that. So just, I appreciate you saying that. And I do just want to give a shout out. I know Ms. Marshall had put on there, she was excited to see us talking and wanted to put a plug for if you're going to any schools, she had schools recommended for you to go to and talk to. So if you ever visit schools, she's got schools for you. Well, get us through the pandemic. Tamara has a very important issue that you bring up as aunties and uncles. We, parents need to find the time and space to give our kids those relationships. As you say, they so offer so much, they offer so much wisdom and advice into the world of our children, all those different voices and people and experiences. Okay, I would say make aunties and uncles out of whoever is at hand. And I think that's a tradition, actually.  And that's wonderful. I'm, you know, skip gates, yay. But, you know, by now is kind of challenging. So I say that there are aunts, I think aunts and uncles are everywhere, you know, and grandparents are everywhere and send kin, you know. So I, I, you know, it's just, just a slight shift of the mind. And you can see that and feeling it. Yeah, it's funny. I was talking to somebody one day and they were like, this is my auntie. I was like your real auntie or your community auntie, you know, building that space, you know. Angela says, Ms. Walker, thank you for your share and reading of a book of the book. Less a question, but more an observation that moved me. The simplicity of your message shown between conflicting groups. For example, one of the wonderful illustrations pairs the sweet people of Israel with the sweet people of Palestine on a soccer field, using a visual, using a visual of sport to make your point makes sense to me sport being competitive, but ultimately win or lose. The teams come together and show respect as well as appreciation. Yes, absolutely. We have to remember that people, you know, countries are at war. Usually their leaders cause all of this. But we must remember that wherever people are, there are some sweet people there too. And in fact, in Israel, I have some incredible sisters and brothers who I stand with as we try to help unravel this disastrous course of history in that area. And then on the Palestinian side, of course, I have people that I love and support. Yeah, those are really, I mean, I think that that is a really huge piece of all of this just being able to move through that. You know, just because we have disagreement doesn't necessarily negate the sweetness of everyone, you know, on an individual. And just think about us, you know, all the wars that, you know, we have this country, not we, but you know, the people who badly run it. Think about all of those wars and how if it were left to us, what would we drop on people instead of bombs? I know what I would drop. I would drop bicycles. I would drop cakes. I would drop soups. I would drop oh, beautiful clothes. You know, I mean, if I could do that, that's what I would drop. I would not, it wouldn't occur to me to drop a bomb. And it should not occur to anybody to drop a bomb or to drone anyone. It just should not even be in your mind. There are so many more questions that I know we're not going to be able to get to them. So I'm trying to move through. Claudia says, true honor to see your lovely face sharing your sweet, brilliant wisdom. Dr. Scott, Carolyn Scott, oh, what peace we often forfeit. Oh, what needless pain we bear. You have ushered in a lovely, calming, peaceful and sweet spirit with the reading and conversation. Brother Jamil says, could you speak about the role of ancestral veneration in your work, along with the storytelling traditions of African griots, and if that has any flu influence on your work? Oh, absolutely. Oh, my God. Well, I grew up in the deep south in Georgia, where storytelling and the griot, you know, meant something. We didn't know what to call in the griot, but you know, there were a couple of griots wandering around telling tales who we adored. Often they told these tales accompanied by guitar, because that was one of the things, you know, that our people could kind of get away with. I feel always in the company of ancestors, always. In fact, so much so that I resisted having my DNA, is it called DNA? Is that thing, you know, the ancestry? I resisted. I just said, you know what, my ancestors, if they're anything like me, they probably don't want to be found. So I didn't, you know, but I'm going to, because I'm just out of curiosity, but not because I didn't feel them already.  Yeah. Same thing. I was, but after my mom and dad did it, I was like, I guess I'm already in there. I might as well do the DNA. Kevin says, what inspires you about our children or what hopes do you have for them? Well, I just had my niece just sent me a photo of her son, who's 10 years old, and he was getting ready to go to school. This is in Alabama too, and he had colored his hair green, and it was just so unlike anything I expected. I was at his birth, but I haven't kept up with him since, you know, much, but just the spontaneity and the daring and the, you know, the so black in a way to just think, okay, it's tough, but I'm gonna color my hair green, you know.   Yeah. My son came home with hot pink hair during the pandemic. Yeah. Martinique says, I too just want to share an appreciation and a hello from Cleveland. As a high school student, I wrote a slam poem and mentioned Alice Walker and what she has done for the youth. Thank you for creating this space. It's so warm. John Henry says, how do we keep our kids believing in our community leaders and adults when there are so many failures in community also in homes and families? Find the ones who didn't fail. Yeah. They're more of them, actually. Yeah.  You're never without just exactly the forces and the intelligence and the wisdom and the humor. You're never without these people and what they bring. So just they're there. I mean, never doubt it. Right. So shift again, that piece you talked about shift. So shift the focus to the ones that are doing it that haven't failed. Exactly. No, there's no, listen, there's no point now.  However, they think of life, you know, and their vision, that's what they want. But it's not what you want.  Yeah. Leticia put first what an honor to hear you and see you and learn from you. And then she asked, what are your thoughts about cultivating a love of reading in our homes? How do we reignite the love across generations? Turn off television. I, I, you know, there is such a thing as limiting TV. And I have gone years when I only had two hours a week of it. And now that I'm older, I, you know, can watch more than I do. But I understand that it's pernicious. I mean, there's, there's something that's very dangerous to us. And also I, I have this feeling that if we're not very careful, we will lose books. And there's a reason why this writer whose name is not coming to the fore. But someone wrote about the Fahrenheit, what is it Fahrenheit 451? I think it is about a time when the books will be burned. Now, our books may not be burned exactly, but they'll just become obsolete. So we need to be very careful about that, because then we will be completely dependent on television and that medium for everything we get, all the information we get. And it can be programmed in a way that books are not. Well, a couple more, I know they're going to tell me to, to wrap it up. But Sidney says, I've known you for 60 plus years and you look younger than ever. Thanks for this event. Sidney, you need glasses. And also I don't mind looking my age, you know, and I don't mind getting old.   And you really should cultivate in yourself an appreciation for how you yourself will become, you know, it's not good for the spirit to always want it to be stuck somewhere like in the 40s. Well, I have to ask this one because Christine beat me to the question. Christine said, will you be my auntie? Yes. Absolutely. And then Sidney wrote back and said Ray Bradbury, it wrote Fair Night 451. That's right. Let's all read that again. And then Marina said, books will always be with us. Alana said, thank you so much of what you're sharing is speaking to me as an advocacy for the arts and education to explore literacy through interactive holistic and meaningful ways. Marina is also with you on limiting TV time. Let's see. I know we don't have enough time for this one, but I do just wanted to Ralph ask, have you ever felt the need to leave this country like Baldwin, Richard Wright and others? Well, I spend, you know, winters in Mexico, part of winters is getting so that I actually love being here more. But yeah, I have. Interesting. So I'm just trying to see, you know, there are a lot of thank you for sharing you. Can I just say this though? I was very active in the civil rights movement and lived for seven years in Mississippi working, you know, doing various things there.   And one example I'll give you really quickly is that I was very depressed and sad about how much we had not been able to change the South. And then one day I went home to Georgia and I was driving through the countryside and I stopped at a peach stand because we grow peaches there. And I bought some peaches from a little white boy. And when I paid him, he said, thank you, ma'am. And I knew that there was a chance of transformation. And as long as there's a chance of transformation, I think I will be here. That is so beautiful. And I think that's that's the takeaway from the book, right. And it also, again, my last Langston Hughes referral as we close up is that hold fast to dreams, right, for if dreams die. And I think that that what you just said speaks to that to me, right, that we believe in transformation, that there's still hope and that if we can see the sweetness and kindness, if we can find those people that represent that, we can stay hopeful.  Yeah, I have all the time in the world. Because I said this because there's a new book by Honoree Fanon Jeffers called The Love Songs of Debbie E. B. Du Bois set in the area where I was born actually a lot of it. So reading this incredible novel, you know, helps me to understand even more deeply that holding your place, you know, knowing where you where you come from and knowing your people and honoring them by actually doing the work of getting to know them is a way of rooting yourself in such a way that it will take a lot to uproot you. I mean, that is like I'm trying to let that seep into my soul because so much of who we are when you talk about that ancestral piece, so much of like that experience. And even you talked about the passing down of story, but the passing down of song, the passing down of the sense of overcoming is huge around the transformation. No, we're very beautiful, but it's taking us a long time to actually get that. You know, we will though. Well, we're one step closer. Thank you so much through and because of this book, we can see the beauty in ourselves and hopefully begin to see it in others. Thank you so much, Ms. Walker for talking with me today. Yes, wow, what a wonderful conversation. Thank you, Ms. Alice Walker. Thank you, Dr. Davis. I know I'm going to be shifting my focus on all the to find all the sweetness around me today. And thank you again to TRA Publishing for getting sweet people everywhere into the hands of children everywhere. This is the end of our program. Find us on sfpl.org and on our YouTube channel. Goodbye, everybody. Bye.


In these videos, we don't reveal any addresses, and even though I've done a house tour of my own place, please do not show up at any private residences because it's not safe for anyone. Done well for herself over the years in the spotlight, which includes living in some beautiful homes. While her first residence was a luxury condo in Nashville, these days, Jules is sitting pretty in a Hollywood Hills mansion worth millions, and it's definitely her dream home. Julianne Huff is an American dancer, actress, and singer who's best known for being a core part of ABC's hit series Dancing with the Stars. Julianne began her formal training as a dancer when she joined the center stage performing art studio and took to dancing competitively at the age of nine. By the following year, her parents would divorce, which led to Julianne and her brother Derek, also a dancer, moving to London to study the craft overseas. By 2006, Julianne was finally getting an opportunity to perform on a massive stage when she appeared on the ABC game show Show Me the Money as a million-dollar dancer. After making an impression with ABC execs on that series, Julianne would be invited to take part in Dancing with the Stars, where she won back-to-back seasons before acting as a guest judge in 2013 and finally joining the show on a permanent basis in 2014. It was shortly after winning the hole she banged for the second time that Julianne decided to reward herself by picking up her very first home. Julianne would live in this unit until she was brought back to Dancing with the Stars full-time in 2014. At that point, she knew she needed to find a place with a friendlier commute so she sold the condo and found her dream home in the Hollywood Hills, a place which she still lives into this day. Most recently, there have also been rumors circulating that Julianne might have found herself a place in New York City as well as surprised her mom with a house of her very own. Hey guys, it's Kara back with another exclusive house tour here on Famous Entertainment and in this one, we're checking out where Julianne Huff calls home. Don't forget to like, subscribe, and follow me on Instagram to chat. Now let's get into this video. In the summer of 2009, Julianne made the decision to cough up around $650,000 for two-bedroom and two-bathroom luxury condo located on the 8th floor of a building situated in the heart of Nashville. When she moved in, Julianne was far from the first big-time celeb to Lisa Place here. In fact, pop music sensation Taylor Swift had already beaten her to it and was living in the building's duplex penthouse. But as far as Julianne's home goes, the open floor plan and strikingly modern look no doubt had some obvious appeal for the young woman when she moved in while amenities like the long rooftop pool would have offered relief from those sweltering hot Nashville summers. Julianne's kitchen and living room combo offered her all of the necessary space to whip up some perfect meals while also giving her the opportunity to take advantage of those city views at the same time. As for a bedroom, well, it was kind of tiny, but it did include a balcony to overlook the midtown neighborhood just below her. It's unclear exactly how much time Julianne actually spent here. After all, she was in a very high profile relationship with Ryan Seacrest throughout the most of the years that she owned the place. Around 2013 is when these two hit a rough patch. Shortly thereafter is when Julianne decided to sell this home for $900,000 and find her own place in Los Angeles. Well, kind of. After signing on to become a full-time cast member of Dancing with the Stars and ending her relationship with Ryan Seacrest, Julianne was at a crossroad in her life. So what did she end up doing? Well, she found herself a stunning home in the Hollywood Hills and moved right in. Somewhat interestingly, there are rumors that it wasn't Julianne who bought this nearly $2 million home for herself, but Ryan Seacrest instead. Online reports suggested after splitting from Ryan, the world famous media mogul bought this home for his former flame as something of a parting gift. First built in 1936 and well situated for celebrity-style privacy, this property offers a quarter acre of hillside land at the tail end of a dead-end lane in Hollywood Hill. And while the home might appear humble from the outside, it manages to fit a lot in, including four bedrooms and 3.5 bathrooms in only 2,101 square feet of space. Outfront, a compact red brick motor core and two car garage provides secure off-street parking for up to four cars, which is apparently a very rare commodity for the Hollywood Hills area. The front of the home features two nearly identical diamond-pane doors that sit not far from one another. It's not every day you see a home with two front doors so awkwardly spaced out, although one assumes that one of these two, probably the one on the right, used to function as a service entrance. Inside, dark floors run throughout the home and into the step-down living room alongside the adjoining dining room. A fireplace located towards the back of the living room faces some French doors that lead out to a small zep with big views of the nearby canyon. Beyond the dining room is the kitchen which has been fitted with a chunky center island as well as an antique white cabinetry and a thickly veined marble countertop and white backsplash. As for those high-grade stainless steel appliances, you already know that's a must. Upstairs is a bedroom with some further French doors that open up to a wrought-ironed railed balcony that must have Julianne feeling more of like Juliette. As for the moderately sized master bedroom, well, it features ample windows and a modest bathroom with a marble top double sink vanity and a marble-lined combination tub and shower. Moving to the backyard, Julianne's home is surrounded by trees. There's also a swimming pool that's somewhat questionably anchored by a freestanding outdoor fireplace. Can't think of it that's probably why she got rid of it during her redesign. After moving into this home in the early 2010s, Julianne was set to work sprucing the place up to better suit her style and needs. Julianne says she first developed a passion for design as a child in Utah when she would think up new ways of configuring her bedroom. Now she gets to do that on a much bigger scale. Working with architect Steve Wonderlich and interior designer Jake Arnold, Julianne would cultivate her space into something truly gorgeous. For instance, she decked out her entire bottom floor in earth tones and raw wood textiles. The living room now includes a vintage rug, an almost rusty-looking metal table, tons of reclaimed wood and an armchair covered in linen. Meanwhile, over in the kitchen, Julianne installed some glass front cabinets that are backless and appear to simply float there on the wall. And with it hanging just below the ceiling like that, it actually makes the ceiling seem higher than it is. There's also a library ladder nearby that keeps everything within reach. Julianne further perfected her breakfast nook by turning it into an informal and intimate space that boasts floor to ceiling cabinetry as well as a pedestal table and bistro chairs. And in her master suite, Julianne installed neutral tones while her bed itself has a cream cushioned headboard with white sheets beside a marble bedside table. Last year, a video began making their rounds online, showing Julianne surprising her mother with her very own home. Well, it turns out that Julianne surprised her mom on Mother's Day with this wonderful-looking and adorable house. Where it's located, it's obviously being kept under tight wrap. Considering Julianne lives in the Hollywood Hills, I doubt that it's too far from there. Then again, it also sounds like Julianne might be spending more time on the East Coast soon because reports while they suggest that she's also signed a lease to rent a triplex townhouse for $18,000 a month in New York City. The townhouse with its beautifully preserved and restored turn-of-the-century craftsmanship is located steps away from Washington Square Park and apparently only on the market for 21 days. It also boasts original wood floors, a living room fireplace, 12-foot ceilings and a gourmet kitchen equipped with stunning finishes. Well, now that she's moved on from dancing with the stars, she's said to appear on Broadway in a production titled POTUS. In other words, it's unlikely she's abandoned her home in the Hollywood Hills. It sounds like this new townhouse is simply a loner for the length of however long this production winds up running for. So there you have it. That completes our Julianne Huff House tour. What did you guys think of her homes? Do you have a personal favorite? If so, why? Be sure to leave your thoughts down below and I'll check them out. Thanks for watching, give me a follow on Instagram to connect and I'll see you all in the next video. Bye!


Hi and welcome to the session. Let us discuss the following question which says differentiate the following with respect to x tan inverse square root of 1 plus x minus square root of 1 minus x upon square root of 1 plus x plus square root of 1 minus x. Before moving on to the solution let's see some formulas which we will use to solve this question. First of all we have 1 plus cos 2 theta is equal to 2 cos square theta. Then we have 1 minus cos 2 theta is equal to 2 sin square theta. Third is tan A minus B is equal to tan A minus tan B upon 1 plus tan A into tan B. Next is derivative of cos inverse x is equal to minus 1 upon square root of 1 minus x square. So these formulas will work as the key idea for this question. Now let us proceed with its solution. We need to differentiate tan inverse of square root of 1 plus x minus square root of 1 minus x upon square root of 1 plus x plus square root of 1 minus x. Let us take it as y. Here to differentiate this we will substitute the value of x as cos 2 theta. So let us put x is equal to cos 2 theta.  Now by the key idea we know that 1 plus cos 2 theta is 2 cos square theta and 1 minus cos 2 theta is 2 sin square theta. So here this will be equal to tan inverse square root of 2 cos square theta minus square root of 2 sin square theta upon square root of 2 cos square theta plus square root of 2 sin square theta which will be equal to tan inverse root 2 cos theta minus root 2 sin theta upon root 2 cos theta plus root 2 sin theta. Now root 2 will get cancelled from the numerator and denominator and we are left with tan inverse cos theta minus sin theta upon cos theta plus sin theta. Now let us define the numerator and denominator by cos theta.    Now if we have some number x then we can write x as 1 into x. So here let us write tan theta as 1 into tan theta. Now we know that tan pi by 4 is equal to 1. So in this let us replace 1 by tan pi by 4.  So here we will replace this one and this one by tan pi by 4 and this will be equal to tan inverse of tan pi by 4 minus tan theta upon 1 plus tan pi by 4 into tan theta. Now if we look at this formula then here A is pi by 4 and B is theta. So this will be equal to tan inverse of tan pi by 4 minus theta that is tan A minus B. Now we know that tan inverse of tan theta is equal to theta. So this will be equal to pi by 4 minus theta. So now we have y is equal to pi by 4 minus theta and we need to find dy by dx that is derivative of y with respect to x. Now here we took x equal to cos 2 theta. So now x is equal to cos 2 theta. So this implies theta will be equal to 1 by 2 cos inverse x. So here let us replace theta by 1 by 2 cos inverse x. Thus y is equal to pi by 4 minus 1 by 2 cos inverse x. Now let us differentiate y with respect to x. So dy by dx will be equal to 0 minus 1 by 2 into differentiation of cos inverse x as the differentiation of a constant is 0. Now we already know from the key idea the differentiation of cos inverse x is minus 1 upon square root of 1 minus x square. So here dy by dx will be equal to minus 1 by 2 into minus 1 upon square root of 1 minus x square. So this will be equal to 1 upon 2 into square root of 1 minus x square. Thus dy by dx is equal to 1 upon 2 into square root of 1 minus x square is the required answer to this question. With this we finish this session. Hope you must have understood the question. Goodbye, take care and have a nice day.


Hi everybody, Joe for jaskiescasebreaks.com with 2020-2021 Pini Immaculate Basketball. Love this stuff. One box, break number 54. High risk, high reward, but that'd be nice. That'd be nice. Big thanks to this group here for getting into it, appreciate it. Thanks to the people who took the risk on those fillers. Congrats again to the winners, those prism cello packs. All 30 teams are in. Let's roll it and randomize it, two and a one, one and a two, three times, one, two, and one. And one. A couple of brines down at Kevin. Three times for the teams, one, two, and good luck third and final time. We got the Warriors up top, down to the Cavs. I think the Warriors, Nuggets Warriors game just tipped off. All right, Brian with the Warriors and the Heat. Josh with the Jazz and the Pelicans. Barry David with the Hornets. Steve Burch with the Nets. Robert with the Kings. Steve Burch with the Wizards. Brian with the Pistons. James Timberwolves and you have the Suns. Nick Smith with the Bulls. Brian with the Knicks. Nick with the Raptors and Clippers. Brian with the Spurs. Nick with the Grizzlies. Steve with the Celtics. Brian, you got my Lakers. Sam with the Trailblazers. David with the OKC Thunder. Joe Kay with the Bucks. Nick with the Nuggets. Brian with the Rockets. Brian Croft with the Sixers. David with the Pacers. Brian F with the Hawks. And Mavs. Ryan with the Magic. And Kevin with the Cleveland Cavaliers. Dow's Mavericks keeping it close here. They're up by one. 94-93. All right, let's sort alphabetically by team and we're going to pause the video when we come back. We're going to see if there's any trades and then we'll have the one box break. Stick around. We'll be right back. All right, welcome back ladies and gentlemen. Jaylen Brunson is having a night. He's got like almost 40 points. He's five minutes up in the game. He's definitely going to have 40. 50 maybe? That'd be kind of crazy. That 40-45 points for sure. Dow's making the game of this. All right, big thanks to this group once again for getting in on the action. No trades, so the list remains the same. And let's pick a box. Let's select a die. I like that one right there. We'll go 1-2-3 for the top box, 4-5-6-4 the bottom box. It's 4-1-2-3-4-5-6. So this box will be the last box. And this box is already on the site right now, jaskyscasebreaks.com. It's the last box. You don't have any more. At least I didn't see any more immaculate basketball in the back. So this might be our last one. Unless we ordered more, we might have some more all along the way.  All right, we've got Anthony Davis, 44 out of 99. That's four in my leg, or it's going to Brian Frank. We've got the standard relic, Nuggets. Will Barton, 20 out of 99. I think the Nuggets Warriors game just tipped off. Will Barton already has eight points in nine minutes. Few rebounds and a steal, 2-4-3 from the three. A lot of threes there. Kyle Lauer, 24 out of 25. Nice three-color patch in that window for Toronto. Denver is Nick Smith, by the way. Kyle Lauery relic, that is for Nick Smith as well. Toronto Raptors, last spot Mojo. And we've got Patty Mills, nice, 23 out of 99. Past and present signatures, Spurs. That's going to go to Brian Frank. And we've got Shadow Box signatures. Deandre Hunter, 87 out of 99 for the Atlanta Hawks. He's been playing well recently. That's Brian Frank with the ATL. Because I'm a Shadow Boxer, baby. All right, and the last one here, good luck. Is Denia Vija. That's a nice patch, 28 out of 50. Rookie patch and auto for Steve Birch and the Wizards. And a player who still has a lot of upside. Nice. And there you go, gang. Another one box break in the books. Thanks everybody for watching and for getting into the action. I appreciate it. Jaspy'scasebreaks.com. We've got the last box in the store. 10 full spots, two fillers. We're in break, so we've got plenty of time to get all of that done tonight. I'm Joe, and I'll see you a little bit later time for some more hoops. Bye-bye.