Part four of The Variable Man by Philip K. Dick. This LibriVox recording is in the public domain. Part four. Three days later Joseph Dixon slid a closed circuit message plate across the desk to his boss. Here, you might be interested in this. Reinhardt picked the plate up slowly. What is it? You came all the way here to show me this? That's right. Why didn't you vid-screen it? Dixon smiled grimly. You'll understand when you decode it. It's from Proxima Centaurus. Centaurus? Our counter-intelligence service. They sent it direct to me. Here I'll decode it for you, save you the trouble. Dixon came around behind Reinhardt's desk. He leaned over the commissioner's shoulder, taking hold of the plate, and breaking the seal with his thumbnail. Going on, Dixon said, this is going to hit you hard. According to our agents on Armon, the Centauran High Council has called an emergency session to deal with the problem of Terra's impending attack. Centauran relay couriers have reported to the High Council that the Terran Bomb Icarus is virtually complete. Work on the bomb has been rushed through final stages in the underground laboratories under the Ural Range, directed by the Terran physicist Peter Cherikov. So, I understood from Cherikov himself? Are you surprised that Centaurans know about the bomb? They have spies swarming over Terra. That's no news. There's more. Dixon traced the message plate grimly with an unsteady finger. The Centauran relay couriers reported that Peter Cherikov brought an expert mechanic out of a previous time continuum to complete the wiring of the turret. Reinhard staggered, holding on tight to the desk. He closed his eyes, gasping. The variable man is still alive, Dixon murmured. I don't know how or why. There's nothing left of the Albertines.  Reinhard opened his eyes slowly. His face twisting. Cherikov, he must have removed him before the attack. I told Cherikov the attack was forthcoming. I gave him the exact hour. He had to get help from the variable man. He couldn't meet his promise otherwise. Reinhard leaped up and began to pace back and forth. I've already informed the SRB machine that the variable man has been destroyed. The machines now show the original 7 to 6 ratio in our favor, but the ratio is based on false information. Then you'll have to withdraw the false data and restore the original situation. No, Reinhard shook his head. I can't do that. The machines must be kept functioning. We can't allow them to jam again. It's too dangerous. If Duffy should become aware that what are you going to do then, Dixon picked up the message plate, you can't leave the machines with false data, that's treason. The data can't be withdrawn, not unless the equivalent data exists to take its place. Reinhard paced angrily back and forth. Damn it, I was certain the man was dead. This is an incredible situation. He must be eliminated at any cost. Suddenly Reinhard stopped pacing. The turret. It's probably finished by this time, correct? Dixon nodded slowly in agreement. With the variable man helping, Cherikov has undoubtedly completed the work well ahead of schedule. Reinhard's gray eyes flickered. Then he's no longer of any use, even to Cherikov. We could take a chance, even if there were active opposition. What's this? Dixon demanded. What are you thinking about? How many units are ready for immediate action? How large a force can we raise without notice? Because of the war, we've mobilized on a 24-hour basis. There are 70 air units and about 200 surface units. The balance of these security forces have been transferred to the line under military control. Men? We have about 5,000 men ready to go, still on terror. Most of them are in the process of being transferred to military transports. I can hold it up at any time. Missiles? Fortunately, the launching tubes have not yet been disassembled. They're still here on terror. In another few days they'll be moving out for the colonial fracas. Then they're available for immediate use? Yes. Good. Reinhardt locked his hands, knotting his fingers harshly together in sudden decision. That will do exactly. Unless I am completely wrong, Sheroukhoff has only a half-dozen air units and no surface cars, and only about two hundred men. Some defense shields, of course. What are you planning? Reinhardt's face was gray and hard like stone. Send out orders for all available security units to be unified under your immediate command. Have them ready to move by four o'clock this afternoon. We're going to pay a visit," Reinhardt stated grimly, a surprise visit on Peter Sheroukhoff. Stop here, Reinhardt ordered. The surface car slowed to a halt. It appeared cautiously out, studying the horizon ahead. On all sides a desert of scrub grass and sand stretched out, nothing moved or stirred. To the right the grass and sand rose up to forming mince peaks, a range of mountains without end, disappearing finally into the distance, the Urals. Over there, Reinhardt said to Dixon, pointing, see? No. Look hard. It's difficult to spot unless you know what to look for. Vertical pipes, some kind of vent, or periscopes, Dixon saw them finally. I would have driven past without noticing. It's well concealed. The main labs are a mile down, under the range itself. It's virtually impregnable. Sheroukhoff had it built years ago to withstand any attack, from the air by surface cars, bombs, missiles. He must feel safe down there. No doubt. Reinhardt gazed up at the sky. If you faint black dots could be seen, moving lazily about in broad circles. Those aren't ours, are they? I gave orders. No, they're not ours. All our units are out of sight. Those belong to Sheroukhoff, his patrol. Relaxed. Good. He reached over and flicked on the vid screen over the board of the car. This screen is shielded. It can't be traced. There's no way they can spot it back to us. It's non-directional. The screen glowed into life. Reinhardt punched the combination keys and sat back to wait. After a time an image formed on the screen, a heavy face, bushy black beard and large eyes. Peter Sheroukhoff gazed at Reinhardt with surprised curiosity. Commissioner, where are you calling from? What—how's the work progressing? Reinhardt broke in coldly. Is Icarus almost complete? Sheroukhoff beamed with expansive pride. He's done, Commissioner, two days ahead of time. Icarus is ready to be launched into space. I tried to call your office, but they told me—I'm not at my office. Reinhardt leaned toward the screen. Open your entrance tunnel at the surface. You're about to receive visitors. Sheroukhoff blinked. Visitors? I'm coming down to see you—about Icarus. Have the tunnel opened for me at once. Exactly where are you, Commissioner? On the surface? Sheroukhoff's eyes flickered. Oh, but—open up, Reinhardt snapped. He glanced at his wristwatch. I'll be at the entrance in five minutes. I expect to find it ready for me. Of course, Sheroukhoff nodded in bewilderment. I'm always glad to see you, Commissioner, but I—five minutes then—Reinhardt cut the circuit. The screen died. He turned quickly to Dixon. You stay up here as we arranged. I'll go down with one company of police. You understand the necessity of exact timing on this? We won't slip up—everything's ready. All units are in their places. Good. Reinhardt pushed the door open for him. You join your directional staff. I'll proceed toward the tunnel entrance. Good luck. Dixon leaped out of the car, onto the sandy ground. A gust of dry air swirled into the car around Reinhardt. I'll see you later. Reinhardt slammed the door. He turned to the group of police, crouched in the rear of the car, their guns held tightly. Here we go. Reinhardt murmured, hold on. The car raced across the sandy ground toward the tunnel entrance to Sheroukhoff's underground fortress. Sheroukhoff met Reinhardt at the bottom end of the tunnel, where the tunnel opened up onto the main floor of the lab. The big pole approached, his hand out, beaming with pride and satisfaction. It's a pleasure to see you, Commissioner. This is an historic moment. Reinhardt got out of the car with his group of armed security police. Calls for a celebration, doesn't it? He said, that's a good idea. We're two days ahead, Commissioner. The SRB machines will be interested. The odds should change abruptly at the news. Let's get down to the lab. I want to see the controlled turret myself. A shadow crossed Sheroukhoff's face. I'd rather not bother the workman right now, Commissioner. They've been under a great load, trying to complete the turret in time. I believe they're putting a few last finishes on it at this moment. We can view them by vitscreen. I'm curious to see them at work. It must be difficult to wire such minute relays. Sheroukhoff shook his head. Sorry, Commissioner, no vitscreen on them. I won't allow it. This is too important. Our whole future depends on it. Reinhardt snapped a signal to his company of police. Put this man under arrest. Sheroukhoff blanched. His mouth fell open. The police moved quickly around him, their gun-tubes up, jabbing into him. He was searched rapidly, efficiently. His gun-belt and concealed energy-screen were yanked off. What's going on? Sheroukhoff demanded some color returning to his face. What are you doing? You're under arrest for the duration of the war. You're relieved of all authority. From now on, one of my men will operate designs. When the war is over, you'll be tried before the Council and President Duffy. Sheroukhoff shook his head, dazed. I don't understand. What's this all about? Explain it to me, Commissioner. What's happened? Sheroukhoff signaled to his police. Get ready. We're going into the lab. We may have to shoot our way in. The variable man should be in the area of the bomb working on the control turret. Instantly Sheroukhoff's face hardened. His black eyes glittered alert and hostile. Reinhardt laughed harshly. We received a counterintelligence report from Centaurus. I'm surprised at you, Sheroukhoff. You know the Centaurans are everywhere with their relay couriers. You should have known— Sheroukhoff moved fast. All at once he broke away from the police, throwing his massive body against them. They fell, scattering. Sheroukhoff ran, directly at the wall. The police fired wildly. Reinhardt fumbled frantically at his gun-tube, pulling it up. Sheroukhoff reached the wall, running head-down, energy beams flashing around him. He struck against the wall and vanished. Down, Reinhardt shouted. He dropped to his hands and knees. All around him his police dived for the floor. Reinhardt cursed wildly, dragging himself quickly toward the door. They had to get out and right away. Sheroukhoff had escaped. A false wall and energy barrier set to respond to his pressure. He had dashed through it to safety. He—from all sides an inferno burst, a flaming roar of death surging over them, around them on every side. The room was alive, with blazing masses of destruction bouncing from wall to wall. They were caught between four banks of power, all of them open to full discharge. A trap, a death trap. Reinhardt reached the hall, gasping for breath. He leaped to his feet. A few security police followed him. Behind them, in the flaming room, the rest of the company screamed and struggled, blasted out of existence by the leaping bursts of power. Reinhardt assembled his remaining men. Already Sheroukhoff's guards were forming. At one end of the corridor, a snub-barreled robot gun was maneuvering into position. A siren wailed. Guards were running on all sides, hurrying to battle stations. The robot gun opened fire. Part of the corridor exploded, bursting into fragments. Clouds of choking debris and particles swept around them. Reinhardt and his police retreated, moving back along the corridor. They reached a junction. A second robot gun was rumbling toward them, hurrying to get within range. Reinhardt fired carefully, aiming at its delicate control. Abruptly the gun spun convulsively. It lashed against the wall, smashing itself into the unyielding metal. Then it collapsed in a heap, gear still winding and spinning. Come on! Reinhardt moved away, crouching and running. He glanced at his watch, almost time, a few more minutes. A group of lab guards appeared ahead of them. Reinhardt fired. Behind him, his police fired, passed him. Violet shafts of energy catching the group of guards as they entered the corridor. The guards spilled apart, falling and twisting. Part of them settled into dust, drifting down the corridor. Reinhardt made his way toward the lab, crouching and leaping, pushing past heaps of debris and remains, followed by his men. Come on! Don't stop! Suddenly from around them, the booming and large voice of Cherikov thundered, magnified by rows of wall speakers along the corridor. Reinhardt halted, glancing around. Reinhardt, you haven't got a chance. You'll never get back to the surface.  You're surrounded on all sides.  Reinhardt threw himself into motion, pushing into billowing clouds of particles drifting along the corridor. Are you sure, Cherikov? He grunted. Cherikov laughed. His harsh metallic peels rolling in waves against Reinhardt's eardrums.  You're vital to the war. I'm sorry you found out about the variable men. I admit we overlook the centaur and espionage as a factor in this, but now that you know about him— Suddenly Cherikov's voice vogue off. A deep rumble had shaken the floor, a lapping vibration that shuddered through the corridor. Reinhardt sighed with relief. He peered through the clouds of debris, making out the figures on his watch. Late on time, not a second late. The first of the hydrogen missiles launched from the council buildings on the other side of the world were beginning to arrive. The attack had begun. At exactly six o'clock, Joseph Dixon, standing on the surface four miles from the entrance tunnel, gave the sign to the waiting units. The first job was to break down Cherikov's defense screens. The missiles had to penetrate without interference. At Dixon's signal a fleet of thirty security ships dived from a height of ten miles, swooping above the mountains, directly over the underground laboratories. Within five minutes the defense screens had been smashed, and all the tower projectors leveled flat. Now the mountains were virtually unprotected. So far so good, Dixon murmured, as he watched from his secure position. The fleet of security ships roared back, their work done. Across the face of the desert the police surface cars were crawling rapidly toward the entrance tunnels, snaking from side to side. Meanwhile, Cherikov's counterattack had begun to go into operation. Guns mounted among the hills opened fire. Last columns of flame burst up in the path of the advancing cars. The cars hesitated and retreated, as the plane was churned up by a howling vortex, a thundering chaos of explosions. Here and there a car vanished in a cloud of particles. A group of cars moving away suddenly scattered, caught up by a giant wind that lashed across them and swept them up into the air. Dixon gave orders to have the cannon silenced. The police air arm again swept overhead, a sullen roar of jets that shook the ground below. The police ships divided expertly and hurled down on the cannon, protecting the hills. The cannon forgot the surface cars and lifted their snouts to meet the attack. Again and again the airships came, rocking the mountains with titanic blasts. The guns became silent. The echoing boom diminished, died away reluctantly as bombs took critical toll of them. Dixon watched with satisfaction as the bombing came to an end. The airships rose in a thick swarm, black nets shooting up in triumph from a dead carcass. They hurried back as emergency anti-aircraft robot guns swung into position and saturated the sky with blazing puffs of energy. Dixon checked his wristwatch. The missiles were already on the way from North America, only a few minutes remained. The surface cars, freed by the successful bombing, began to regroup for a new frontal attack. Again they crawled forward across the burning plain, varying down cautiously on the battered wall of mountains, heading toward the twisted wrecks that had been the ring of defense guns. Toward the entrance tunnel. An occasional cannon fired feebly at them. The cars came grimly on. Now in the hollows of the hills, Sharikov's troops were hurrying to the surface to meet the attack. The first car reached the shadow of the mountains. A deafening hail of fire burst loose. Small robot guns appeared everywhere, needle barrels emerging from behind hidden screens, trees and shrubs, rocks, stones. The police cars were caught in a withering crossfire trapped at the base of the hills. Down the slopes, Sharikov's guards raced toward the stall cars. Loads of heat rose up and boiled across the plain as the cars fired up at the running men. A robot gun dropped like a slug onto the plain and screamed toward the cars firing as it came. Dixon twisted nervously. Only a few minutes, any time now. He shaded his eyes and peered up at the sky. No sign of them yet. He wondered about Reinhardt. No signal had come up from below. Clearly, Reinhardt had run into trouble. No doubt there was desperate fighting going on in the maze of underground tunnels, the intricate web of passages that honeycombed the earth below the mountains. In the air, Sharikov's few defense ships were taking on the police raiders. Outnumbered, the defense ships darted rapidly, wildly, putting up a futile fight. Sharikov's guards streamed out onto the plain, crouching and running the advance toward the stall cars. The police airships screeched down at them, guns thundering. Dixon held his breath. When the missiles arrived, the first missile struck. A section of the mountain vanished, turned to smoke and foaming gasses. The wave of heat slapped Dixon across the face, spinning him around. Quickly he re-entered his ship and took off, shooting rapidly away from the scene. He glanced back. A second and third missile had arrived. Great gaping pits yawed among the mountains, vast sections missing like broken teeth. Now the missiles could penetrate to the underground laboratories below. On the ground, the surface cars halted beyond the danger area, waiting for the missile attack to finish. When the eighth missile had struck, the cars again moved forward. No more missiles fell. Dixon swung his ship around, heading back toward the scene. The laboratory was exposed. The top sections of it had been ripped open. The laboratory lay like a tin can, torn apart by mighty explosions. Its first floor was visible from the air. Men and cars were pouring down into it, fighting with the guards, swarming to the surface. Dixon watched intently. Cherikov's men were bringing up heavy guns, big robot artillery. But the police ships were diving again. Cherikov's defensive patrols had been cleared from the sky. The police ships wind down, arcing over the exposed laboratory. Missile bombs fell, whistling down, pinpointing the artillery rising to the surface on the remaining lift stages. Abruptly, Dixon's vid screen clicked. Dixon turned toward it. Reinhardt's features formed. Call off the attack. His uniform was torn.  He grinned sourly at Dixon, pushing his tangled hair back out of his face. What a fight. Cherikov? He's called off his guards. We've agreed to a truce. It's all over, no more needed. Reinhardt gasped for breath, wiping grime and sweat from his neck. Land your ship and come down here at once. The variable man? That comes next, Reinhardt said grimly. He adjusted his gun-tube. I want you down here, for that part. I want you to be in on the kill. Reinhardt turned away from the vid screen. In the corner of the room Cherikov stood silently, saying nothing. Well, Reinhardt barked. Where is he? Where will I find him? Cherikov licked his lips nervously, glancing up at Reinhardt. Commissioner, are you sure the attack has been called off? Your labs are safe. So is your life. Now it's your turn to come through. Reinhardt gripped his gun, moving towards Cherikov. Where is he? For a moment Cherikov hesitated. Then slowly his huge body sagged, defeated. He shook his head wearily. All right, I'll show you where he is. His voice was hardly audible, a dry whisper. Down this way. Come on. Reinhardt followed Cherikov out of the room into the corridor. Police and guards were working rapidly, clearing the debris and ruins away, putting out the hydrogen fires that burned everywhere. No tricks, Cherikov. No tricks, Cherikov nodded residedly. Thomas Cole is by himself, in a wing-lab off the main rooms. Cole? The variable man, that's his name.  He has a name. Reinhardt waved his gun. Hurry up, I don't want anything to go wrong. This is the part I came for. You must remember something, Commissioner. What is it? Cherikov stopped walking. Commissioner, nothing must happen to the globe, the control turret.  Let's go. If it should get damaged, I'm not after the globe. I'm interested only in—in Thomas Cole. They came to the end of the corridor and stopped before a metal door. Cherikov nodded at the door. In there. Reinhardt moved back. Open the door. Open it yourself. I don't want to have anything to do with this. Reinhardt shrugged. He stepped up to the door, holding his gun level. He raised his hand, passing it in front of the eye-circuit. Nothing happened. Reinhardt frowned. He pushed the door with his hand. The door slid open. Reinhardt was looking into a small laboratory. He glimpsed a workbench, tools, heaps of equipment, measuring devices. And in the center of the bench, the transparent globe, the control turret. Cole? Reinhardt advanced quickly into the room. He glanced around him, suddenly alarmed. Where? The room was empty. Thomas Cole was gone. When the first missile struck, Cole stopped work and sat listening. Far off a distant rumble rolled through the earth, shaking the floor under him. From the bench tools and equipment danced up and down. A pair of pliers fell crashing to the floor. A box of screws tipped over, spilling its minued contents out. Cole listened for a time. Presently he lifted the transparent globe from the bench. With carefully controlled hands he held the globe up, running his fingers gently over the surface. His faded blue eyes thoughtful. Then after a time he placed the globe back on the bench in its mount. The globe was finished. A faint glow of pride moved through the variable man. The globe was the finest job he had ever done. The deep rumbling ceased. Cole became instantly alert. He jumped down from his stool, hurrying across the room to the door. For a moment he stood by the door listening intently, he could hear noise on the other side. Shouts, guards running past, dragging heavy equipment, working frantically. A rolling crash echoed down the corridor and lapped against his door. The concussion spun him around. Again a tide of energy shook the walls and floor and sent him down on his knees. The lights flickered and winked out. Cole fumbled in the dark until he found a flashlight, power failure. He could hear crackling flames. Abruptly the lights came on again, an ugly yellow then faded back out. Cole bent down and examined the door with his flashlight, a magnetic lock, dependent on an externally induced electric flux. He grabbed a screwdriver and pried at the door. For a moment it held, then it fell open. Cole stepped warily out into the corridor. Everything was in shambles, guards wondered everywhere, burned and half blind, two lay groaning under a pile of wrecked equipment, fused guns, reeking metal. The air was heavy with the smell of burning wiring and plastic, a thick cloud that choked him and made him bend double as he advanced. HOLD! A guard gasped feebly, struggling to rise. Cole pushed past him and down the corridor. Two small robot guns, still functioning, glided past him hurriedly toward the drumming chaos of battle. He followed. At a major intersection the fight was still in full swing. Cherakov's guards fought the security police, crouched behind pillars and barricades, firing wildly desperately. Then the whole structure shuddered as a great booming blast ignited someplace above. Bombs? Shells? Cole threw himself down as a violet beam cut past his ear and disintegrated the wall behind him. A security policeman, wild eyed, firing erratically. One of Cherakov's guards winged him and his gun skidded to the floor. A robot cannon turned toward him as he made his way past the intersection. He began to run. The cannon rolled along behind him, aiming itself uncertainly. Cole hunched over as he shambled rapidly along, gasping for breath. In the flickering yellow light he saw a handful of security police advancing, firing expertly, intent on a line of defense Cherakov's guards had hastily set up. The robot cannon altered its course to take them on and Cole escaped around a corner. He was in the main lab, the big chamber where Icarus himself rose, the vast squat column. Icarus! A solid wall of guards surrounded him, grim-faced, hugging guns and protection shields. But the security police were leaving Icarus alone. Nobody wanted to damage him. Cole evaded a lone guard tracking him and reached the far side of the lab. It took him only a few seconds to find the force field generator. There was no switch. For a moment that puzzled him and then he remembered the guard had controlled it from his wrist. Too late to worry about that. With the screwdriver he unfastened the plate over the generator and ripped out the wiring and handfuls. The generator came loose and he dragged it away from the wall. The screen was off, thank God. He managed to carry the generator into a side corridor. Crouched in a heap, Cole bent over the generator, deft fingers flying. He pulled the wiring to him and laid it out on the floor, tracing the circuits with feverish haste. The adaptation was easier than he had expected. The screen flowed at right angles to the wiring for a distance of six feet. Each lead was shielded on one side, the field radiated outward, leaving a hollow core in the center. He ran the wiring through his belt, down his trouser legs under his shirt, all the way to his wrists and ankles. He was just snatching up the heavy generator when two security police appeared. They raised their blasters and fired point blank. Cole clicked on the screen. A vibration leaped through him that snapped his jaw and danced up his body. He staggered away half stupefied by the searching force that radiated out from him. The violet rays struck the field and deflected harmlessly. He was safe. He hurried on down the corridor, past a ruined gun and sprawl body still clutching blasters. Great drifting clouds of radioactive particles billowed around him. He edged by one cloud nervously. Guards lay everywhere, dying and dead, partly destroyed, eaten and corroded by the hot metallic salts in the air. He had to get out and fast. At the end of the corridor a whole section of the fortress was in ruins, towering flames leaped on all sides. One of the missiles had penetrated below ground level. Cole found a lift that still functioned. A load of wounded guards was being raised to the surface. None of them paid any attention to him. Flames surged around the lift, licking at the wounded. Workmen were desperately trying to get the lift into action. Cole leaped on to the lift. A moment later it began to rise, leaving the shouts and the flames behind. The lift emerged on the surface and Cole jumped off. A guard spotted him and gave chase. Crouching, Cole dodged into a tangled mass of twisted metal, still white-hot and smoking. He ran for a distance, leaping from the side of a ruined defense screen tower on to the fused ground and down the side of a hill. The ground was hot underfoot. He hurried as fast as he could, gasping for breath. He came to a long slope and scrambled up the side. The guard who had followed was gone, lost behind in the rolling clouds of ash that drifted from the ruins of Sherikov's underground fortress. Cole reached the top of the hill. For a brief moment he halted to get his breath and figure where he was. It was almost evening. The sun was beginning to set. In the darkening sky a few dots still twisted and rolled, black specks that abruptly burst into flame and fused out again. Cole stood up cautiously, peering around him. Ruins stretched out below on all sides, the furnace from which he had escaped, a chaos of incandescent metal and debris gutted and wrecked beyond repair. Those of tangled rubbish and half vaporized equipment. He considered. Everyone was busy putting out the fires and pulling the wounded to safety. It would be a while before he was missed. But as soon as they realized he was gone they'd be after him. Most of the laboratory had been destroyed. Nothing lay back that way. Beyond the ruins lay the great Ural Peaks, the endless mountains stretching out as far as the eye could see. Mountains and green forests, a wilderness they'd never find him there. Cole started along the side of the hill, walking slowly and carefully, his screen generator under his arm. Probably in the confusion he could find enough food and equipment to last him indefinitely. He could wait until early morning, then circle back toward the ruins and load up. With a few tools and his own innate skill he would get along fine, as screwdriver, hammer, nails, odds and ends. A great hum sounded in his ears. It swelled to a deafening roar, startled Cole whirled around. A vast shape filled the sky behind him, growing each moment. Cole stood frozen, utterly transfixed. The shape thundered over him, above his head, as he stood stupidly rooted to the spot. Then awkwardly, uncertainly he began to run. He stumbled and fell and rolled a short distance down the side of the hill. Desperately he struggled to hold on to the ground. His hands dug wildly, futilely into the soft soil, trying to keep the generator under his arm at the same time. A flash and a blinding spark of light around him. The spark picked him up and tossed him like a dry leaf. He grunted in agony as searing fire crackled about him, a blazing inferno that gnawed and ate hungrily through his screen. He spun dizzily and fell through the cloud of fire, down into a pit of darkness, a vast gulf between two hills. His wiring ripped off. The generator tore out of his grip and was lost behind. Abruptly the force field ceased. Cole lay in the darkness at the bottom of the hill. His whole body shrieked in agony as the unholy fire played over him. He was a blazing cinder, a half-consumed ash, flaming in a universe of darkness. The pain made him twist and crawl like an insect, trying to burrow into the ground. He screamed and shrieked and struggled to escape, to get away from the hideous fire, to reach the curtain of darkness beyond where it was cool and silent, where the flames couldn't crackle and eat at him. He reached imploringly out into the darkness, groping feebly toward it, trying to pull himself into it. Gradually the glowing orb that was his own body faded. The impenetrable chaos of night descended. He allowed the tide to sweep over him to extinguish the searing fire.  He leaped out and hurried across the smoking ground. From a lift, Reinhardt appeared, surrounded by his security police. He got away from us! He escaped! He didn't escape. Dixon answered. I got him myself. Reinhardt quivered violently. What do you mean? Come along with me, over in this direction. He and Reinhardt climbed the side of a demolished hill, both of them panting for breath. I was landing. I saw a figure emerge from a lift and run toward the mountains, like some sort of animal. When it came out of the open night, I dived on him and released the phosphorus bomb. Then he's dead. I don't see how anyone could have lived through a phosphorus bomb. They reached the top of the hill. Dixon halted, then pointed excitedly down into the pit beyond the hill. There. They descended cautiously. The ground was singed and burned clean. Clouds of smoke hung heavily in the air. Occasional fires still flickered here and there. Reinhardt coughed and bent over to sea. Dixon flashed on a pocket flare and set it beside the body. The body was charred, half destroyed by the burning phosphorus. It lay motionless, one arm over its face, mouth open, legs sprawled grotesquely, like some abandoned rag-dial tossed in an incinerator and consumed almost beyond recognition. He's alive, Dixon muttered. He felt around, curiously. Must have had some kind of protection screen. Amazing! That a man could... It's him? It's really him? Fit the description. Dixon tore away a handful of burned clothing. This is the variable man, what's left of him, at least. Reinhardt sighed with relief. Then we finally got him. The data is accurate, he's no longer a factor. Dixon got out his blaster and released the safety catch, thoughtfully. If you want, I can finish the job right now. At that moment, Cherakov appeared, accompanied by two armed security police. He strode grimly down the hillside, black-eyed snapping. Big Cole... He broke off. Good God! Dixon got him with a phosphorus bomb. Reinhardt said, noncommittally. He had reached the surface and was trying to get into the mountains. Cherakov turned wearily away. He was an amazing person. During the attack, he managed to force the lock on his door and escape. The guards fired at him, but nothing happened. He had rigged up some kind of force field around him, something he adapted. Anyhow, it's over, Reinhardt answered. Did you have SRB plates made up on him? Cherakov reached slowly into his coat. He drew out a Manila envelope. Here's all the information I collected about him, while he was with me. Is it complete? Everything previous has been merely fragmentary. As near complete as I could make it. It includes photographs and diagrams of the interior of the globe, the turret wiring he did for me, so I haven't had a chance even to look at them. Cherakov fingered the envelope. What are you going to do with Cole? Have him loaded up, taken back to the city, and officially put to sleep by euthanasia ministering. Legal murder? Cherakov's lips twisted. Why don't you simply do it right here and get it over with? Reinhardt grabbed the envelope and stuck it in his pocket. I'll turn this right over to the machines. He motioned to Dixon. Let's go. Now we can notify the fleet to prepare for the attack on Centaurus. He turned briefly back to Cherakov. When can Icarus be launched? And in an hour or so, I suppose, they're locking the control turn in place, assuming it functions correctly. That's all that's needed. Good. I'll notify Duffy to send out the signal to the war fleet. Reinhardt nodded to the police to take Cherakov to the waiting security ship. Dixon moved off Dully, his face gray and haggard. Cole's inert body was picked up and tossed onto a freight cart. The cart rumbled into the hold of the security ship, and the locks slid shut after it. It'll be interesting to see how the machines respond to the additional data, Dixon said. It should make quite an improvement in the odds. Reinhardt agreed. He patted the envelope bulging in his inside pocket. We're two days ahead of time. Margaret Duffy got up slowly from her desk. She pushed her chair automatically back. Let me get all this straight. You mean the bomb is finished? Ready to go? Reinhardt nodded impatiently. That's what I said. The technicians are checking the turret locks to make sure it's properly attached. The launching will take place in half an hour. Twenty minutes, then the attack can begin at once. I assume the fleet is ready for action? Of course. It's been ready for several days, but I can't believe the bomb is ready so soon. Margaret Duffy moved numbly toward the door of her office. This is a great day, Commissioner. An old arrow lies behind us. This time tomorrow Centaurus will be gone, and eventually the colonies will be ours. It's been a long climb, Reinhardt murmured. One thing. You're charged against Cherikov. It seems incredible that a person of his caliber could ever. We'll discuss that later, Reinhardt interrupted coldly. He pulled the Manila envelope from his coat. I haven't had an opportunity to feed the additional data to the SRB machines. If you'll excuse me, I'll do that now. For a moment Margaret Duffy stood at the door. The two of them faced each other silently, neither speaking. A faint smile on Reinhardt's thin lips, hostility in the woman's blue eyes. Reinhardt, sometimes I think perhaps you'll go too far. And sometimes I think you've already gone too far. I'll inform you of any change in the odds showing. Reinhardt strode past her out of the office and down the hall. He headed toward the SRB room, an intense phalamic excitement rising up inside him. A few minutes later he entered the SRB room. He made his way to the machines. The odds seven to six showed in the view windows. Reinhardt smiled a little. Seven to six false odds, based on incorrect information, now they could be removed. Kaplan hurried over. Reinhardt handed him the envelope and moved over to the window, gazing down at the scene below. Men and cars scurried frantically everywhere, officials coming and going like ants, hurrying in all directions. The war was on. The signal had been sent out to the war fleet that had waited so long near Proxima Centaurus. A feeling of triumph raced through Reinhardt. He had won. He had destroyed the man from the past and broken Peter Shereikov. The war had begun as planned. Terror was breaking out. Reinhardt smiled thinly. He had been completely successful. Commissioner, Reinhardt turned slowly. All right.  Commissioner, sudden alarm plucked at Reinhardt. There was something in Kaplan's voice. He hurried quickly over. What is it?  What is it? Reinhardt demanded, chilled. He bent toward the machine, studying the reading, and sickened with horror. One hundred to one against terror. He could not tear his gaze away from the figures. He was numb, shocked with disbelief. One hundred to one. What had happened? What had gone wrong? The turret was finished. Icarus was ready. The fleet had been notified. There was a sudden deep buzz from outside the building. Shouts drifted up and below. Reinhardt turned his head slowly toward the window, his heart frozen with fear. Across the evening sky a trail moved, rising each moment. A thin line of white. Something climbed, gaining speed each moment. On the ground all eyes were turned toward it, odd faces peering up. The object gained speed, faster and faster. Then it vanished. Icarus was on his way. The attack had begun. It was too late to stop now. And on the machines the odds read a hundred to one for failure. At eight o'clock in the evening of May 15, twenty-one thirty-six, Icarus was launched toward the star Centaurus. A day later, while all terror waited, Icarus entered the star, travelling at thousands of times the speed of light. Nothing happened. Icarus disappeared into the star. There was no explosion. The bomb failed to go off. At the same time the Terran Warfleet engaged the Centauran Outerfleet, sweeping down in a concentrated attack. Many major ships were seized. A good part of the Centauran fleet was destroyed. Many of the captive systems began to revolt in the hope of throwing off the imperial bonds. Two hours later the massed Centauran Warfleet from Armun abruptly appeared in joined battle. The great struggle illuminated half the Centauran system. Ship after ship flashed briefly and then faded to ash. For a whole day the two fleets fought strung out over millions of miles of space. Innumerable fighting men died on both sides. At last the remains of the battered Terran fleet turned and limped toward Armun defeated. Little of the once impressive armada remained, a few blackened hulks making their way uncertainly toward captivity. Icarus had not functioned. Centaurus had not exploded. The attack was a failure. The war was over. We've lost the war, Margaret Duffy said in a small voice, wondering an odd. It's over, finished. The council members sat in their places around the conference table. Gray-haired elderly men, none of them speaking or moving, all gazed up mutely at the great stellar maps that covered two walls of the chamber. I have already empowered negotiators to arrange a truce, Margaret Duffy murmured. Orders have been sent out to Vice Commander Jessup to give up the battle. There is no hope. Fleet Commander Carlton destroyed himself and his flagships a few minutes ago. The Centauran High Council has agreed to end the fighting. Their whole empire is rotted to the core, ready to topple of its own weight. Fineheart was slumped over at the table, his head in his hands. I don't understand. Why? Why didn't the bomb explode? He mopped his forehead shakily. All his poise was gone. He was trembling and broken. What went wrong? Gray-faced Dixon mumbled an answer. The variable man must have sabotaged the turret. The SRB machines knew. They analyzed the data. They knew, but it was too late. Reinhardt's eyes were bleak with despair as he raised his head a little. I knew he'd destroy us. We're finished. A sentry of work and planning. His body knotted in a spasm of furious agony, all because of Shereikov. Margaret Duffy eyed Reinhardt coldly. Why because of Shereikov? He kept cold alive. I wanted him killed from the start. Suddenly Reinhardt jumped from his chair. His hand clutched convulsively at his gun. And he's still alive. Even if we've lost, I'm going to have the pleasure of putting a blast beam through Cole's chest. Get down, Margaret Duffy ordered. Reinhardt was half-way to the door. He's still at the euthanasia ministry, waiting for the official. No, he's not, Margaret Duffy said. Reinhardt froze. He turned slowly, as if unable to believe his senses. What? Cole isn't at the ministry. I ordered him transferred, and your instructions cancelled. Where? Where is he? There was unusual hardness in Margaret Duffy's voice, as she answered. With Peter Shereikov, in the orals, I had Shereikov's full authority restored. I then had Cole transferred there, put in Shereikov's safekeeping. I want to make sure Cole recovers so we can keep our promise to him, our promise to return him to his own time. Reinhardt's mouth opened and closed. Cole the color had drained from his face. His cheek muscles twitched spesmodically. At last he managed to speak. You've gone insane! The traitor responsible for Earth's greatest defeat! We have lost the war, Margaret Duffy stated quietly, but this is not a day of defeat. It is a day of victory. The most incredible victory Terra has ever had. Reinhardt and Dixon were dumbfounded. What? Reinhardt gasped. What do you—? The whole room was in an uproar. All the council members were on their feet. Reinhardt's words were drowned out. Shereikov will explain when he gets here. Margaret Duffy's calm voice came. He's the one who discovered it. He looked around the chamber at the incredulous council members. Everyone stay in his seat. You are all to remain here until Shereikov arrives. It's vital you hear what he has to say. His news transforms this whole situation. Peter Shereikov accepted the briefcase of papers from his armed technician. Thanks. He pushed his chair back and glanced thoughtfully around the council chamber. Is everybody ready to hear what I have to say? We're ready, Margaret Duffy answered. The council members sat alertly around the table. At the far end, Reinhardt and Dixon watched uneasily as the big pole removed papers from his briefcase and carefully examined them. To begin, I recall to you the original work behind the FTL bomb. Jameson Hedge was the first human to propel an object at a speed greater than light. As you know, that object diminished in length and gained in mass as it moved toward light speed. When it reached that speed, it vanished. It ceased to exist in our terms. Having no length, it could not occupy space. It rose to a different order of existence. When Hedge tried to bring the object back, an explosion occurred. Hedge was killed and all his equipment was destroyed. The force of the blast was beyond calculation. Hedge had placed his observation ship many millions of miles away. It was not far enough, however. Originally he had hoped his drive might be used for space travel, but after his death the principal was abandoned. That is, until Icarus. I saw the possibilities of a bomb, an incredibly powerful bomb to destroy Centaurus and all the Empire's forces. The reappearance of Icarus would mean the annihilation of their system. As Hedge had shown, the object would re-interspace already occupied by matter, and the cataclysm would be beyond belief. But Icarus never came back, Reinhardt cried. Cole altered the wiring, so the bomb kept on going. It's probably still going. Wrong! Sharikov boomed. The bomb did reappear, but it didn't explode. Reinhardt reacted violently. You mean the bomb came back, dropping below FTL speed as soon as it entered the store Proxima. But it did not explode. There was no cataclysm. It reappeared, and was absorbed by the sun turned into gas at once. Why didn't it explode, Dixon demanded. Because Thomas Cole solved Hedge's problem, he found a way to bring the FTL object back into this universe without an explosion. The variable man found what Hedge was after. The whole council was on its feet. A growing murmur filled the chamber, a rising pandemonium breaking out on all sides. I don't believe it, Reinhardt gasped. It is impossible.  Faster than light drive can now be used for space travel. Off continued, waving the noise down. As Hedge intended, my men have studied the photographs of the control turret. They don't know how or why yet, but we have complete records of the turret. We can duplicate the wiring as soon as the laboratories have been repaired. Comprehension was gradually beginning to settle over the room. Then it'll be possible to build FTL ships, Margaret Duffy murmured, dazed, and if we can do that, when I showed him the control turret, Cole understood its purpose. Not my purpose, but the original purpose Hedge had been working toward. Cole realized Icarus was actually an incomplete spaceship, not a bomb at all. He saw what Hedge had seen, an FTL space drive. He set out to make Icarus work. We can go beyond Centaurus, Dixon muttered. His lips twisted. Then the war was trivial. We can leave the Empire completely behind. We can go beyond the galaxy. The whole universe is open to us, Cherakov agreed. Instead of taking over an antiquated Empire, we have the entire cosmos to map and explore, God's total creation. Margaret Duffy got to her feet and moved slowly toward the great stellar maps, the towered above them at the far end of the chamber. She stood for a long time, gazing up at the myriad suns, the legions of systems awed by what she saw. Do you suppose he realized all this, she asked suddenly, what we can see here on these maps? Thomas Cole is a strange person, Cherakov said, half to himself. Apparently he has a kind of intuition about machines, the way things are supposed to work, an intuition more in his hands than in his head. A kind of genius, such as a painter or a pianist has, not a scientist. He has no verbal knowledge about things, no semantic references. He deals with the things themselves directly. I doubt very much if Thomas Cole understood what would come about. He looked into the globe, the control turret. He saw unfinished wiring and relays. He saw a job half done, an incomplete machine. Something to be fixed, Margaret Duffy said. Something to be fixed. Like an artist he saw his work ahead of him. He was interested in only one thing, turning out the best job he could with the skill he possessed. For us, that skill has opened up a whole universe, endless galaxies and systems to explore, worlds without end, unlimited, untouched worlds. Reinhardt got unsteadily to his feet. We'd better get to work, start organizing construction teams, exploration crews. People have to reconvert from war production to ship designing, begin the manufacture of mining and scientific instruments for survey work. That's right, Margaret Duffy said. She looked reflectively up at him. But you're not going to have anything to do with it. Reinhardt saw the expression on her face. His hands flew to his gun and he backed quickly toward the door. Dixon leaped up and joined him. Get back, Reinhardt shouted. Margaret Duffy signaled and a phalanx of government troops closed in around the two men. Grim-faced, efficient soldiers with magnetic grapples ready. Reinhardt's blaster wavered toward the council members sitting shocked in their seats and toward Margaret Duffy straight at her blue eyes. Reinhardt's features were distorted with insane fear. Get back! Don't anybody come near me or she'll be the first to get it. Peter Sharikov slid from the table and with one great stride swept his immense bulk in front of Reinhardt. His huge black furred fist rose in a smashing arc. Reinhardt sailed against the wall, struck with ringing force and then slid slowly to the floor. The government troops threw their grapples quickly around him and jerked him to his feet. His body was frozen rigid, blood dripped from his mouth. He spat bits of tooth, his eyes glazed over. Dixon stood dazed, mouth open, uncomprehending as the grapples closed around his arms and legs. Reinhardt's gun skidded to the floor as he was yanked toward the door. One of the elderly council members picked the gun up and examined it curiously. He laid it carefully on the table. Fully loaded, he murmured, ready to fire. Reinhardt's battered face was dark with hate.   If I could get my hands loose. You won't, Margaret Duffy said. You might as well not even bother to think about it. She signaled to the troops, and they pulled Reinhardt and Dixon roughly out of the room, two dazed figures snarling and resentful. For a moment the room was silent. Then the council members shuffled nervously in their seats, beginning to breathe again. Cherikov came over and put his big paw on Margaret Duffy's shoulder. Are you all right, Margaret? She smiled faintly. I'm fine, thanks. Cherikov touched her soft hair briefly. Then he broke away and began to pack up his briefcase busily. I have to go. I'll get in touch with you later. Where are you going? She asked hesitantly. Can't you stay in—I have to get back to the Urals. Cherikov grinned at her over his bushy black beard as he headed out of the room, some very important business to attend to. Thomas Cole was sitting up in bed when Cherikov came to the door. Most of his awkward, hunched-over body was sealed in a thin envelope of transparent air-proof plastic. Two robot attendants, word ceaselessly at his side, their leads contacting his pulse, blood pressure, respiration, body temperature. Cole turned a little as the huge pole tossed down his briefcase and seated himself on the window ledge. How are you feeling? Cherikov asked him. Better? You see, we've quite advanced therapy. Your burns should be healed in a few months. How is the war coming? The war is over. Cole's lips moved. Icarus—Icarus went as expected as you expected. Cherikov leaned toward the bed. Cole, I promised you something. I mean to keep my promise as soon as you're well enough. To return me to my own time? That's right. It's a relatively simple matter, now that Reinhardt has been removed from power.  We can supply you with some disks of platinum or something of the kind to finance your business. You'll need a new fix-it truck, tools, and clothes. A few thousand dollars ought to do it. Cole was silent. I've already contacted Histo Research. Cherikov continued.  We're somewhat beholden to you, as you probably realize. You've made it possible for us to actualize our greatest dream. The whole planet is seething with excitement. We're changing our economy over from war to—they don't resent what happened. The dud must have made an awful lot of people feel downright bad—at first. But they got over it. As soon as they understood what was ahead—too bad you won't be here to see it, Cole. A whole world breaking loose, bursting out into the universe. They want me to have an FTL ship ready by the end of the week. Thousands of applications are already on file. Men and women wanting to get in on the initial flight. Cole smiled a little. There won't be any band there, no parade or welcoming committee waiting for them. Why not?  But everybody wants to go. It's almost like a holiday. People running around and shouting and throwing things in the streets. Afraid I must get back to the labs, lots of reconstruction work being started. Cherikov dug into his bulging briefcase. By the way, one little thing. While you're recovering here, you might like to look at these. He tossed a handful of schematics on the bed. Cole picked them up slowly. What's this? Just a little thing I designed. Cherikov arose and lumbered toward the door. We're realigning our political structure to eliminate any recurrence of the Reinhard affair. This will block any more one-man power grabs. He jabbed a thick finger at the schematics. It'll turn power over to all of us. Not just a limited number one person could dominate the way Reinhard dominated the council. This gimmick makes it possible for citizens to raise and decide issues directly. They won't have to wait for the council to verbalize a measure. Any citizen can transmit his will with one of these, make his knees register at a central control that automatically responds. In a large enough segment of the population, once a certain thing done, these little gadgets set up an active field that touches all the others. An issue won't have to go through a formal council. The citizens can express their will long before any bunch of grey-haired old men could get around to it. Cherikov broke off frowning. Of course, he continued slowly, there's one little detail. What's that? I haven't been able to get a model to function. A few bugs. Such intricate work. Never was in my line. He paused at the door. Well, I hope I'll see you again before you go. Maybe if you feel well enough later on we could get together for one last talk. Maybe have dinner together sometime, eh? But Thomas Cole wasn't listening. He was bent over these schematics, an intense frown on his weathered face. His long fingers moved restlessly over the schematics tracing wiring and terminals. His lips moved as he calculated. Cherikov waited a moment. Then he stepped out into the hall and softly closed the door after him. He whistled merrily as he strode down the corridor. End of part four. End of The Variable Man by Philip K. Dick. This book read by Phil Chenevere. December 2019 in Baton Rouge, Louisiana. Hope you enjoyed it.


So, imagine that you had a robot that could help onboard your new volunteers. In this next demo, Slack's Rebecca Cormier shows us how you can create a welcome bot in Slack that automatically sends a message to each new member, help them feel welcome and ensure they have the information needed to get a story. Hi, I'm Rebecca Cormier and I'm a Senior Solution Engineer with Slack. I help out with Slack's public sector and nonprofits. And today I'm excited to show you some of the benefits of a Slack welcome bot and also how you can go in and create one yourself in a matter of minutes. Why is this important? Well, when welcoming new team members, you want to ensure that they have all of the resources they need to get started, but doing so can be tedious for the person doing the onboarding. With Slack's no-code workflow builder, you can automate this process to welcome team members, saving you time, while also ensuring that these new team members are included and informed. And the best part, there's no coding experience needed and you can set one up very quickly. So, as you can see here, Jennifer Hines is a new project manager with Slack for Good. And she started and already has a message in her DM channel that's personally welcoming her to Slack for Good. This also is going to have information on how she can find her local channel. So, if you're an organization that spans different areas, you can make it easier for your teams to connect with those local. It also has channels. She can go and look through, search, join. And then you can have some how-to videos. You can also have links to your handbook, really anything that you'd like that could help your employees and your volunteers feel more welcome and know how to direct them and where to go. So, how did we do this? We utilized Slack workflow, which as long as you have the rights and the roles from the admin to do this, you can just pop into tools and the workflow builder. And this is embedded in Slack. Workflow builder is a visual tool that enables you to automate routine functions by creating workflows and avoiding some of these tedious tasks that you do every day but really build up and take a lot of time. Part of this also includes pre-built templates that we've seen people use multiple times. We've streamlined it to make it a lot easier and a lot faster for you. So, you can see right here how to welcome new teammates. You can opt to set this up in whatever way you'd like. It can go directly to a channel. So, if you do have a new member welcome channel, it can pop that member in the channel and let them receive that welcome there. Or as we saw with Jennifer, you can have it go directly to the person that has joined. So, that's what we did here. We have variables that will auto-fill who it is, dates, anything that you want to be auto-filled when they join. And I went ahead and copied the message that I want to use, but this is customizable. You just enter your message. You can schedule again when it's sent and then preview it. Once it's the way you'd like, you're also able to go up and customize the bot picture. So, I'm going to go ahead and put our slack bot in here to make it a little more fun and welcoming and personable. And there you have it. So, that's it. Make sure you hit publish. And now your workflow is ready to use. And you have made it easier for both those onboarding and those being onboarded. Now work can be simpler, more pleasant and more productive. Thanks so much for watching.


All right, let's take a look at this Shot one I Slowed down the drop and made changes to his poses along the arc Seems a bit better So I think how about you send me your Maya file and I can do some camera work for you Just kind of illustrate my points. So now that is a bit uncomfortable how we cut off But then and the continuation go a little bit there and a little bit down, but I'll show you this just send me your Maya scene, you know all your references or you import all your references Into a raw or a zip file or Dropbox, whatever you have and take a look at that. I Think this is a lot better That seems cooler. It's more streamlined silhouette. You got full extension on the legs, which is cool But to mirror that you might also already have your arms extended So just we're gonna feel that that arrow coming out like that feel is cool But then having those arms constantly bends Even if it's for a short moments straight, but kind of takes away from from the From the push And how the arms go back are a tiny bit slow.  It's already going down. I wonder if you know, you want to look up So that it's in the ends up here is about doing here. It's looking up then it's here and Then at this point I will bring it further in like it needs to roll in Versus this feels a bit Casual like this post for instance, you know head already down arms like that. It's just a bit too casual But you can help us with the head. I think your arc is better though Yeah, I think you arcs good If I be super picky and I can take a look at your scene. It still has that right there Let's do some onions getting here. You got to look at your route Let's pretend. I'm gonna look at kind of the middle of the pelvis Then actually for this example, it's good that there's no camera move because the camera move would sounds a bit off It's probably right here the camera would mask my point here That I'm trying to make. All right, so if you look at this You can see here, especially through there how flat it is Right you're going up and then it's boop flap here and down versus Up and you have just a big arc through here. You got to continue with that arc So you got to go in there and track things frame by frame Careful with the turn when you look at this shape Seems like everything is moving as one big plank I know there's some changes in the arm But what I would do is you got to have that that body curl. So when it's out like this Imagine See how the legs are just coming up. It just feels like one piece of wood Turning and you got to keep those legs a bit lower They're still dragging and then on your curl You got to imagine that even if the legs are here that you have your lower body And then you got your upper body starting to curl then you got your head I'm exaggerating curl in here and whatever you want to do with your arms if the arms are still there or They're going in for the right, but you want a curl you want that part to lead the action So it doesn't feel like it's one big piece That's why it still has a little bit of that dead weight feel because it's just this whole thing rotating Which has been the issue from the beginning because you got to make sure that at this point You tuck the head in that leads and then you tuck the body in that the body has this curvature For a nicer roll and then you can get out of that roll into this It's just a couple frames, but you got to get rid of that stiffness and I know I'm harping on this and this is You know, I know you feel like you don't move on from the shop But you know my job is to point out the things that you could improve on And if I watch this, I Think the arc is less of an issue. I'd still feel like like I said, there's this little wall hit right there, but the overall timing is So much better and I do like how you how long you hold the arms back like it has that feeling of Explosiveness and then you hold and then you turn like that is so much better Just tiny little things Exits the frame which is good That's cool But you're still pointing this way while it moves this way You got to have more in alignment towards that. Otherwise, it feels like it's crabbing They just kind of slide sideways, but the timing of it It's cool. Yeah, it's just that end that feels funky So the drop feels better. It feels like he's actually getting away from us There's that little wobble there that I think I like You can potentially Here have the legs a bit further out just a bit and then during this wobble you bring them a bit closer Meaning that I interpret this wobble as this is the moment where this really gets tights like the web and it It straightens out and it kind of we kind of snaps him down and then he swings and that snap down is going to Bring the legs together So that's why I'm saying you want to bring a little bit more just a tiny bit not to you know Not like the crazy stiffness, but just a bit and then just a bit closer here and that way you have Visually more of it out and in change. You just want to see it more, but this feels a lot better Yeah, just the exit feels crabby to this You're you work on you're saying here I worked on his legs motion and slowed down the swing at the end. Yeah, that's great Much better I moved his body screen left as he falls and changed his hands and legs like poses Same thing here. He not that he moved it. He's still crabbing, right? So your movement is good. I think it helps Even though it feels like you're doing this and then it's pretty straight down you might have to cheat a bit So it feels like that arc continues that trajectory and translate continues green left Just at the end it feels like he goes down straight and I know it's not because I see the negative space closing in but The problem here now is that your knees are pointed straight ahead and The body pretty much as well as a slight rotation in there But you have to make sure that when you look from a top view and if he travels this way that the body is Pointing this way and right now it feels like the body is pointed this way with the legs while it travels this way So even if it's slightly rotated you might just have to push it visually like this feels it straight on even though It should be pointed this way Think legs are cool your offsets Just watch out. There's a funky spacing. I don't know if that's your legs or your roots Through here It seems like it's again floating in space and then here it's only accelerating I think this is what I'm reading in terms of the arcs only dropping So if you look at his shoulders They go up up up up up up and here they kind of hover like the spacing is very small Whoa, and here it suddenly accelerates. So from a side view it feels like you're going up Then you're slowing down and then whoa, you're suddenly going down versus easing out of that and then accelerating So watch out for that that's going to help that visual look of that arc and It's going to help especially this foot you can see with this foot from here to here It's pretty much the same height and from here to here. It's only drops down So it's going to make sure that that's all smooth out I get rid of the break Here's the brakes in his right hand and animated chest a bit. Okay, cool stuff in there It's good beginning here But then the problem is that as you go up right this hand is the arms like this Continues to go up. I think you might get away with dropping this just for the impact. Let's watch this in real time It's definitely better Yeah, impact is definitely better and I like your shoulder your elbow here going down So as this stops you got the wrist going down, but it's a bit too slow I would take a frame out of this this feels a bit too slow if you watch this in real time Watch the wrist room. I can see it. I can see it rotate down even though it's not So it's a bit too slow cool stuff I would just take a frame or two out of that snap Then you could potentially right at the end curl those fingers in a bit more for some tightening and at the ends The orientation will be down here instead of like this. It'd be a bit lower so that the head the arm drags a bit That's all you got to do Dress is cool Left arm is always cool. There's some stuff in there. That's cool.  I'm not gonna turn on the camera, but I'm gonna get up And I'm gonna stand and squat and if I go down I Don't know if to me I'm gonna go further away. I know you can't see this was I have my on these on but my knees go out So let me roll back in People wondering what this is. I'm rolling back in So yeah, to me I would bring in just to the exact what you're doing, but the opposite so your knees out And maybe even if they intersect with the arm because it's away from camera on the other side We don't see it. It might be okay But I would look out for that and even then you have to watch out.  It's locked here So stuff like that you want to avoid because as he pushes To me it seems like yeah, you will go out here The knees will go out and then on that push because he's pushing this way this tightens the knee goes back in All right, I Easied his upper body motion. That's for the shot. No man. Sorry. I'm just so harsh on this, but I feels I feel even stickier And now this is super short and it's probably okay But what you've done now visually if you look at this wrist See how this wrist is stuck in space it goes up and then sticks as if it was There's like a needle going through here and that's where it pivots. I think it's okay And if it's my initial reaction, but so all I would fix is this it's not so sticky And watch out you got a bit of a Rogue thumb here like none of the fingers are Going in or closing the gaps here, but then the thumb is doing its separate thing here So watch out Again super picky, but this is how I would approach it at work You know, you got a really buttoned the whole thing up to make this a final shot So watch out the thumb watch out the sticky wrist. I Change your camera angle and worked in Venom's animation and Spidey jump Spidey jumps nice a bit fast. I Would slow This down a bit give this in me two or three frames and then from here to here a bit slower You want to ease out of that and then you can Explode into that jump a bit more That feels cool, but how you get to there is a bit slow So a bit slower on the down and ease out of that more and then to explode out more It's cool though. You can potentially bring in that leg a bit more and then leave that for just more exaggerated like pose but This you got to slow down He feels just a bit too light And I would it's cool to end here. The promise that the shot is so short. Yeah, it's a tricky thing I it's almost like you want to exit frame, but One thought would be Close the mail here What if what if this was your framing imagine it goes all the way up here? And Spidey is up here Like you add the time it takes for him to jump and reach up here Because that way we give you know, there's not so much overlap here You have only one frame of clearance here. That way we have more frames of him being You know in his pose. It's my fast body More time for us to read this more time for this guy to slow down So what I would do is I would just Add a second or two See if you can make that jump a bit higher and you can always go up and then drop a tiny bit and end in that cool pose Just pushed a bit and that at a time Take the whole animation and scale it out so that this last frame is happening at the end of whatever this ends here and Then on that impact just have a bit of a sharper Heterotation this way like to make things heavier You don't want to just take the whole thing and make it slower You're still gonna have some sharper smaller impacts So if the wrist is like this imagine the wrist instead of angle like this is here and then over three frames It angles this way because it would roll off this side on that impact So that can be a bit faster on that Impact going through the arm in the chest that ripple That you know the arms that stop the chest from going forward is gonna have an overlap in the head So the head going down and the bit over to the side can be a bit faster So you still have scale and weight and especially weight differences in this and this While you overall slow it down Just a bit especially this arm up It's too fast also watch out this feels very straight Like an IK arm. Don't forget your arcs You know, you can easily go out or out You gotta watch out what you could do there and that way also by extending it It doesn't just end on the impact. You can have a little bit of settle in here So maybe two seconds longer, I guess Maybe yours just a second. All right, that's it. Thank you. All right There's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you