Lux presents Hollywood. The Lux Radio Theatre brings you Carol Lombard and James Stewart in The Moon's Our Home. Ladies and gentlemen, your producer, Mr. Cecil B. DeMille. Greetings from Hollywood, ladies and gentlemen. I seem to remember telling a certain young lady a few years ago that she'd never get anywhere in pictures. I believe I said she didn't take herself seriously enough. Well, I've long since eaten those words about Carol Lombard. And tonight we bow low and welcome her to the Lux Radio Theatre on the arm of James Stewart, her co-star in the captivating comedy The Moon's Our Home. Paramount gave it to the screen and we give it to you now as our prescription for raising your spirits at least 100%. It's a madcap love story of two famous and rather temperamental people. One a screen star, the other a combination author and explorer. I know you'll approve our casting of Carol Lombard and James Stewart for these parts. And we have a great respect for you who are out there beyond the footlights. A great respect for your choice of plays and players and your constructive criticism of this theatre. And another thing we respect is your good opinion of Lux Flakes. What pleases me is that so many of you are self-appointed members of our research staff because each week a large number of you tell us about some new use that you've discovered for our product. I'm sure you've all learned that you can depend on Lux Flakes, all except perhaps a very few who haven't tried it yet. And I hope those few will learn in the very near future, say the first thing tomorrow morning. But the first thing on this schedule now is to raise the curtain on act one of The Moon's Our Home, starring James Stewart as Anthony Ambutton and Carol Lombard as Cherry Chester. On the lot at Paragon Studios stands the dressing room bungalow of Miss Cherry Chester, star of Paragon Pictures. In the bungalow stands Miss Chester herself. She has a wild look in her eye and a vase in each hand. The lovely voice that has thrilled audiences throughout the world can now be heard all over the studio lap. You miss me, dear. You must be over-trained. Oh, boysy darling, I'm a beast. My own darling nurse who's taken care of me since I was a child, I might have hurt you. There was a good chance of it. Oh, boysy, if I ever did, oh, I'd blow my brains out. I know, and I'd have to tidy up afterwards. Now sit down. We must discuss this calmly and sanely. Your grandmother demands that you come to New York at once. Blast, my grandmother.  Why doesn't she leave me alone? Because she's fond of you and her somewhat specialized way, and it worries her when you get mixed up with a lot of Egyptians. Oh, boysy, Prince Ali's only one Egyptian, a very small one at that. Lucy ought to stop reading the gossip column. They're too old for her. Listen to me. You know, you've got to go to New York, Cherry. I am not going to New York, and don't call me that foolish name. Well, Sarah Brown then. Don't call me that either. I don't look like a Sarah. That's what you were christened. I was there when it happened. And Cherry or Sarah, you'll go to New York. Your grandmother gets her way. She always does. Well, this would be a nice change for her because baby's not going. For once in my life, I'm going to do what I want to do. She asked very little of you. Only my right eye. Oh, dear, sometimes I wish I had a nice, restful job as a night nurse and a psychopathic ward. Oh, no, I'm awful, boysy. But I'll be an angel from now on. I promise an absolute angel. That's my good girl. Now run in and change your clothes. Head of Manning for a movie universe is coming to interview you. I won't be interviewed. I won't do it. I won't.  Oh, boysy, you're wonderful. Put the lamp down. All right, darling. That's all I get. I'll go put on something that makes you look sweet and friendly. But I want to be aloof. I want to be mysterious. Don't try that. You're not Swedish. I'll go get dressed and stop acting like an actress. But I am an actress, boysy. First an actress, then a woman. My art comes before anything else. Save that for the interview, Sarah Brown. This is me you're talking to, not your press agent. Chester, Miss Manning. How do you do, Miss Chester? How do you do, Miss Manning? I'm so sorry that I kept you waiting. But the moments fly by on silvery wings when one is lost in told stories. Oh, you're interested in literature, Miss Chester? Interested? Oh, there's nothing I like better than to hide away by myself with a book. A good book. Oh, well, you may write that down. Thank you. But, frankly, Miss Chester, I'd like to do an article closer to the hearts of our readers like a love and marriage. Yes, that would be quite original. Love and marriage. Let me see. Marriage should be like a ski jump, sudden, swift, reckless, starting on the heights, leaping into the void, never knowing the end, never caring, reckless, defiant, accelerating. I see what you mean. Oh, in love. There's only one way I could fall in love. Not as Cherry Chester the actress, but as a plain, ordinary girl. I could only fall in love with a man I didn't know and who didn't know me.  No past, perhaps no future, just the magnificent present. Oh, my. That's it. That's what I want.  Oh, Miss. What is it, Hilda? I'm afraid it's another telegram from your grandmother. I thought I told you to take those telegrams and... Oh, thank you, Hilda, for bringing it to me. Just put it down. Yes, Miss. Well, I mustn't take any more of your time. Thank you so much. I know our readers will adore every word you've said. Goodbye, Miss Manning. Thank you. Well, if I recall your last interview, you were all prathletic. You hopped over a couple of fences to prove it. Romance was out, and you were wedded to the open air. That was the last interview, but you know, Boise, there's something or what I just said to that woman. Well, if there is, it's certainly escaped me. Read your telegram. All that about falling in love with a man you don't know and who doesn't know you, oh, that's Romance. But not for you, darling. If I know you, he'll have to be... Boise, what's the matter? This telegram is Hilda! Hilda, quick! Boise, call the railroad station and get a reservation to New York. Look, what the... Hilda, go home, pack everything, everything. We're leaving for New York. Boise, don't stand there. If you were painted on the wall, do something. Do you mind explaining what this is all about? You'll find I understand English like a native. It's Granny. It's my own darling grandmother. She's ill. Maybe she's dying. Oh, I've got to get to her right away. Hilda, hurry! It's Granny! Lucy Van Steeden. Hot or cold, she gets her way. That's all I know of your books I'd like to, but really, I haven't time. Conductor, we should have left five months ago. We're holding this train. Sorry, Miss Chester. We're waiting for a guy named Anthony Ambiton. Hey, Anthony Ambiton here! Anthony Ambiton! Anthony Ambiton! Please, go into everybody. Who is this Anthony Ambiton? He's a writer. Movies. Books. My wife reads herself to sleep with him. Oh, one of those writers. Yeah. Women of the Tarrad countries by Anthony Ambiton. Below the Equator by Anthony Ambiton. Igloo Knights by the author of Mele Day by Day. Just between you and me, he gives me a pain. Just between you and me, he gives me a bigger one. Hello, dear. I've just bought a book for you to read. A Stride the Himalayas by Anthony Ambiton. Oh, you too. Oh, please, please. Now, I can't. I've got to get on the train. Porter, where's my car? Right this way, Mr. Ambiton. Oh, excuse me. Not now, please. Now, I missed my train. In here, sir. Quick, will you get me out of this? Please, Mr. Ambiton. Your compartment. This way, sir. Boy, headhunters in the jungle, autograph hunters in Los Angeles, savages everywhere. I've climbed Mount Everest. I've swum the helispond. I've crossed the Andes on alum. I never went through anything like that. Right in here, sir. Oh, sanctuary. Yes, sir. It's nice to have you with us, Mr. Ambiton. I'm going to kind of explore myself. I've got as far as Honolulu one time. Oh, yeah, dad. Well, good for you. Well, we'll swap travel logs in the morning. Until then, I don't want to see a single soul.  I'll have dinner in here. Yes. That time I was telling you about in Honolulu. Yeah, yeah, yeah. Well, goodbye. And here, buy yourself a ukulele. Yes. Oh, we got another celebrity on board, Mr. Ambiton, Ms. Cherry Chester. Cherry Chester? Well, nobody's named Cherry Chester. Well, she says... Well, what is Cherry Chester? Some kind of new soft drink or something? Well, sir, she's a moving picture star. Oh, well, I never go to pictures. Those marshmallow-faced movie stars make me sick. Yes, sir. Now, give me the simple primitive woman, the woman of long silences, consuming in love, enduring in marriage. Yes, sir. Me too. Cherry Chester. Huh. Mr. Ambiton, he sounds like a hero in a costume picture. Let's see that book here. And Mr. Ambiton, The Great Venture. I'll bet he's lost out his hot water bottle. And Mr. Ambiton, he makes me sick. Hello, Hallbrook. Nice of you to meet me. How are things in the publishing world? Just marking time till the next Ambiton bestseller. Where's your luggage? Oh, the porter took it. I'm waiting for that crowd to clear off the platform. I sort of wanted to sneak into New York quiet. And just for a change. Oh, but Anthony, that crowd isn't here. Yeah, don't tell me about crowds. And that way, all the way across the corner. You know, it's a funny thing, isn't it? If I were still Samuel Smith, heir to the Smith plumbing supply, they wouldn't even notice me. But now that I'm Anthony Ambiton, the boy explorer. Well, just look out there. Look at that. Anthony, I'm afraid your devoted publisher is your only crowd. Well, no, but the headhunters. Look, they're out in full force. Yes, but you see, Cherry Chester came in on this train, too. Who? Oh. Oh, that movie marksman. Well, she probably lives on this sort of thing. I load women like that. Give me the simple, primitive woman, the woman of long silence. Well, I'm only a publisher, but I'll see what I can do. Oh, yeah. Well, much goes on. They aren't here to see me. Come on. The boys should get me out of here. I've got to get home to Granny. Granny, why aren't you in bed? Let me look at you. You're thinner. Well, will you change that? You look fairly healthy, though. Yes, but you're the one that's ill, I believe. I?   Lucy, you're magnificent. I thought you were dying that telegram. It was a dirty trick, but anything's fair when you want to see your granddaughter as much as I do. Oh, darling. Now, what's all this I hear about you in that Egyptian prince as he calls himself? Well, he's got a certain right to call himself one. He is a prince. Don't quibble. What about it? Oh, the papers make so much of every little thing all he wants to do is marry me. Marry you. I never heard of such a thing. Oh, Grandma, are you modern? You know what I mean. Answer me, Sarah Brown. Are you going to marry that, that camel? No, dear. Not for a while, anyway. A million years ago. Well, that's better. Now, there's just one thing more. No Cherry Chester of Hollywood is going to stay in this house. Look at you, all powdered and painted. Your ancestors must be spinning in their graves. Knock upstairs and wash your face. And when you come down to dinner, I want to see my granddaughter. Plain Sarah Brown. Simply done hair, simple dress, everything simple. Simple? Lucy, I'll be positively idiotic. What's for dinner besides food? Oh, just a few old friends of the family. Wee, paper caps and confetti. Don't be absurd, dear. And I believe Horace is dropping in, too. Horace, you mean cousin Horace? Your third cousin Horace. Oh, I think I'm beginning to understand. So that's your little plan, is it, Lucy? Horace, then, Steedon is a monument of respectability. Those grants, too, but who wants to marry it? I said nothing of marriage. Not yet, you mean. You've been throwing Horace Van Steedon at my head since he was ten and I was three. And I won't marry him, I won't, I won't. Put down that vase. Where did you ever learn such manners? In Hollywood. Well, you're not in Hollywood now. Put it down. Hello there. Oh, come in, Horace. We were just talking about you. Oh, were you? Hello, Sarah. Hello, Horace. Nice to see you again. Very nice indeed. Hi, thank you, Horace. Thank you very much, Sarah. I've just been telling Sarah that I hope you two will be seeing a good deal of each other for the next few weeks. Oh, I think that should be very enjoyable, very. Oh, do you? Do you, Sarah? I'm going out for a drive. I shall go mad if I don't. And if Horace proposes once more, I'll carry him in peace as I swear it. I've never seen you so upset. Oh, I see. I'm so tired of being Hollywood's cherry chester and I'm fed up with being grandmother Sarah Brown. Oh, to be alone on the mountain top, along the snow, the sunshine, the stars, but people don't know me where I could live and do as I pleased without interference. That place doesn't exist, dear.  You'll feel better. Wait a minute. What's that thing up in the street? The carriage, dear. The carriage? Oh, yes, I'd forgotten. Good afternoon, Miss Sarah. Why, good afternoon, Higgins. I see that grandmother still disapproves of motor cars. Yes, Miss. It's the odor of gasoline. No, this seems like old time. Already, Miss? One moment, while I adjust my hoop skirt and raise my telephone. Okay, Higgins, let's rip. Whee! There's the Ambritain in person, book department. He's all the crafting books. Come on, Harry, this is our chance. Marvelous. Well, Mr. Ambritain, I can just see you stalking through the jungle. Anya? Ah, thanks very much. Ah, who's next? Mr. Ambritain, will you please write something personal in my book? My husband's so jealous. Yes, well, I... Oh. Look, Holbrook. What's the matter, Anthony? That perfume, we can smell it. Well, what's the matter with it? I don't know, everywhere I go, on boats, on trains, in airplanes, women wear that perfume. Why? Well, it's very popular. It's Cherry Blossom, named after Cherry Chester. Cherry Chester? Well, look, I can't stand it. Come on. Anthony! Get me out of here. I'm sick. All right, all right. Take it easy. We'll go out and get some air. Come on. How do you feel now, Anthony? Well, I'm better. Thanks. That fresh air always does the trick. That stuff gets me every time. I was marooned on a plague-ridden African village once for six months that had the same odor. Ever since, the smell of musk knocks me out. Well, don't look now, but here comes the thundering herd. Oh, no, listen. I can't face that crowd again. I'm leaving. All right, run. I'll hold them off as long as I can. All right, so long. Call me at the office. Do you mind if I get in here with you? Thanks very much. Keep going, driver. Just sit here. Will you please sort of... Let me hide behind you. Thanks very much. Hello. What's new? Nothing much. Don't move, please. I'm lost. See, what do you think you're doing jumping in there? It's all right. He can pay no attention to it. Very goodness. Oh, well, you were very kind. Boy, that was an arrow escape. Would you mind dropping me off further on a bit here? I should hand you over, please. What did you steal? Steal? Oh, no, no. You think I'm a shoplifter? No, you're wrong. I haven't stolen anything. No, you should give it back. No, really, really. I have it. I swear. Look, it's a very simple thing to explain. All you have to do is know who I am. Is that all? Well... Well, take a good look at me. I'm looking at you. Now what? I mean, you don't know who I am? Of course I don't. But I'm sure the police do. No, but they don't. Oh, fortunate. Well, I can say I'll have to explain it. Please don't. Let's change the subject. I'm sure it must be very embarrassing for you. Oh, all right. Do you like New York? Not much, do you? No, it's a terrible place. I'm going to get out of it, too. Somewhere where nobody knows me, where I can be alone. No. It's funny you should say that. That's exactly how I feel. You? Ready on the level? On the level. Well, why are you looking at me like that?  Do you really think so? Yeah. And a curious start away. Well, are you sure you haven't seen me before? You don't know who I am? Well, no. Is there any reason why I should? No. No, of course not. Say, tell me, is this your carriage? Well, it belongs to my people. They don't understand me. They're trying to marry me to a man I love. In this day and age? Well, that's impossible. Well, he has a great deal of money. Money? And they'd sell you. Well, those are dark age medieval ideas. Well, you don't know my family, if I could only get away. Look, look, I must see you again. Talk to you. You can't. Well, who's going to stop us? Well, I don't know, but... Coachman, coachman, what's the matter? Keep going. Oh, traffic light at a time like this. Now, listen, I must see you again. Free, untroubled by people or conventions. Just yourself. Well, I don't know. I don't want to know your name or where you live. I won't tell you mine. Oh, listen. Look there after me again. Look. Who? That crowd, they'll tear me to pieces. Well, get out and run. Run. I'll have to, but I'm going to see you again. Now, this is a dream, but we can make it more than just a dream if you'll come. Come where? Well, take this card now. I'll be waiting to see you. I'll come soon. Goodbye. Well, goodbye. Mr. and Mrs. Abner Simpson, moon socket, New Hampshire, winter sports, reasonable race, home cooking. Higgins, can you imagine? What, miss? A shoplifter with an address. Holy lovely. Isn't life glo- Haven't been, uh, drinking, have you? Voice your these flowers for me. For you, from Prince Ali.  You needn't bother. He's here in New York and he's called 16 times this afternoon. Only 16? He's slipping. And we're sailing for Buenos Aires tonight at 12. Sailing tonight? Lucy's idea. Yes. Conceived shortly after the flowers arrive. She's meddling again. I won't stand bonus here. Now please don't break anything. Buenos Aires. And why not? Must be quite lovely at this time of year. What? Give me that phone book. Yes, yes. The Irish and voyage would do Lucy a world of good. Uh, Horace is going too. Oh, dear Horace, how thoughtful, how very thoughtful of him. Sarah, do you feel all right? I feel perfectly swell. Go and tell my doting grandparent that I'm delighted with her plans. All right, but I wish you'd tell me what you had to drink. Nectar. Hmm? Ambrosia. Get out, boysy. Mr. and Mrs. Agnes Simpson. Winter sports, reasonable rates. Oh, hello, hello, Grand Central. Can you tell me what time the next train leaves for New Hampshire? Oh, a very special place. Moonsucket. M-O-O-N-S. In just a moment, Mr. DeMille and our stars, Carol Lombard and James Stewart, will return for act two of the Moons Are Home. And now, a last time announcement. Listen carefully. For tonight is our last offer of the Lux Flakes Gone With the Wind brooch. No wonder women are thrilled with it for its exquisite and expensive-looking jewelry piece and such a bargain. Let me tell you about it. It has the rich, authentic look of the heirloom jewelry of the Old South, for the original was worn in Gone With the Wind. It is even lovelier than the Scarlet of Hera brooch we offered last fall, and entirely different in design. It is round and big, almost two inches in diameter, with a safety catch on the clasp. In the center is a big turquoise-colored stone surrounded by a circle of five exquisite-simulated pearls. It has an antique-style gold finish, and the edge is daintily scalloped, while it's so good-looking that you'll want to wear it right around the clock with party dresses, suits, and street dresses, too. Now, of course, you want to own one of these exquisite jewelry pieces. Well, it's not too late, but you must let us have your order at once. Tonight is the last time we will make this offer. Now, here's what you do. Buy a big box of new, quick luxe planks. They come in the same familiar box and cost you no more. Tear off the opening tab at the top corner of the luxe box. Mail this tab with 15 cents in coin. No stamps, please. To luxe box one, New York City. Luxe box one, New York City. Be sure to include your name and address. With your brooch, we'll send an illustrated order blank showing how you can get a bracelet, ring, pendant, and ear rings to match your brooch, all at wonderful bargain prices. Now, remember, send the opening tab from a large box of luxe planks, 15 cents in coin, and your name and address to luxe box one, New York City. This offer is good only in the United States. Now, our producer, Mr. DeMille, act two of the moons are home, starring James Stewart as Anthony Amburton and Carol Lombard as Cherry Chester. Mission-wide search for moving stars. Cherry Chester, Mr. DeMille. Like the snows of yesterday, Cherry Chester has vanished into the snows of the present. For the snow is six feet deep in Moonsocket, New Hampshire. In an old-fashioned sleigh, she jingles merrily toward the Simpson home. Her eyes sparkling with adventure. The driver of the sleigh, Mr. Simpson, is a fund of information. That's the old Redfern farm over there. Nellie's having her fourth baby. Big house, though, plenty of room. How? I'm glad to hear that. Say, we've got another city boarder out to the place. Oh, have you?  Mighty queer. Well, uh, is the queer cuss is here young man? Well, I wouldn't be saying he was young and I wouldn't be saying he was old. But judging by appearances, I'd say he was around 30. That's fine. On the other hand, appearances can be deceiving. Now, uh, take you, miss. I didn't quite catch the name. Brown. Brown. His name is Smith. Well, what's so funny? Not much. For me for a few days. You didn't write for accommodations? No, no, I didn't, but a friend of mine told me about your place and I needed a rest, so I just came. I guess we can put you up. Oh, thank you. Where's this grip go? Upstairs, silly. That's my husband. Yes, we've already met. Oh, it's lovely here. Oh, peaceful. Oh, tell me, is there a young man named Mr. Smith saying it? Smith? Why didn't you say so? Say what? That you were Mr. Smith's cousin. He was expecting. He was expecting? Yes. He said you'd come. He didn't tell me your name. Oh, Brown. Sarah Brown.  Ma, yes, that is distantly. You, uh, you see, we haven't seen each other for years. I ran into him the other day. I see. Well, he's our tobogganon. You can probably find him at the top of the hill. I shouldn't have come. He's too sure of himself. Hello, you. Oh, hello, Mr. Well, I got here last night. What took you so long? Now, just a minute. Well, never mind. I'm glad you came anyway. Are you? I'm not so sure. And by the way, cousin Smith, how are the rest of the family? Oh. I splendid. Of course, a little argy fell in the cistern last week. No. Oh, yes, yes. Very sad. Well, there's so many at home they'll never miss him. Yes. Well, how'd you like to take a ride in my tobogganon? Oh, is it safe? Oh, sure. Okay. Sit down. Wait. Is your name really Smith? Oh, yes, yes. But it isn't the name by which most people know me. I don't want to tell you my other name. Sort of spoil thing. And what makes you think there's anything to spoil? Well, you'll make me think so. Oh, I do, huh? Yes. Sit down. Where? Well, back seat. That's where women belong. Now, put your arms around me. I will not. All right. If you think you can hang on, let's go. Now, watch yourself now. I told you, better put your arms around me. All right. There. That's much better. Think you're smart, don't you? Are you frightened? Of course not. You like it? Oh, I love it. Now get steeper down here. Don't let go now. Just a little bit. Oh, you'll never be frightened with me. We'll travel rougher roads and turn narrower corners. Will we? Say, you're pretty sure of yourself, aren't you? Oh, you're lovely. Yeah, I told you on the carriage that she could be, you know.  There's nothing more helpful to romance than a little hate. Is your name really Brown? Yes, it is. But it's not the name by which most people know me. I shan't tell you my other name. It would spoil things. Do you see that moon up there? That's where we belong, you and I. Alone on the moon where nobody could ever bother us. Yeah, that's our home up there. Do you always go without a hat? Huh? Why? Well, I've heard at Sunstroke there's probably a moonstroke too. Oh, yeah. Well, probably. Well, going without a hat's good for the hair. Yeah, I had a friend of mine on my father's side who always went without a hat. He was bald. Yeah, he probably didn't have any hair to start with. You know, you should never comb yours. Why? Well, I sort of like it that way. I think you're crazy. Well, I am completely. Well, it certainly is a glorious night, isn't it? Glorious? And what's more, there's nothing phony about it. No camouflage. All this could be paradise for the right sort of people. Tell me more about your idea of paradise. The thing, not being hedged in by a lot of crazy conventions is for me, I just discard them. You sound like a heathen. Oh, no, nothing like that. It's just that I don't burden myself with a lot of illusions as to right and wrong. I don't believe in marriage. Well, what's the matter with marriage? Well, everything in first place is unimportant. Well, your father and mother didn't think so. Or did they? Uh, uh, uh, no, it's old fashioned. I'll date it. It would only take one woman No, no, marriage is the monkey wrench women throw into the machinery of love. Now without it, there'd be no past to bother you. No future to worry about. Nothing but the present. Interesting, but strangely familiar. I must have read it somewhere. Oh, read it where? I don't remember. Say, say, aren't we going too fast? Yes, as a matter of fact, we are. Hey, hey, easy, Nellie. Whoa, Nellie. Well, what do you think I'm doing? All over willful, headstrong. Well, I can't stop her. You got any ideas? Well, you might tie flattery. Flattery, that's not my idea. Nice, Nellie. Sweet, Nellie. Whoa, whoa, hang on tight. Stop, Nellie. Lovely, Nellie. Oh, look out. That was nice driving, mister. What happens now? Uh, well, several will both walk home with a couple of girls. What's the matter? Let me take it up to her.  I won't. Thanks very much. Sara, are you awake? Who's there? What's me? Let me in.  What are you talking about? Listen. Get away, do you hear me? Maybe you don't believe in a lot of crazy conventions, but I do. Now, get away from that door before I scream. Ah! Good morning. Oh, so you're going to bring that up again? Achilles!   Oh, what's the use? Exactly, what's the use? I don't blame you. I blame myself. You did what any ordinary man would do. I followed you here like a naive schoolgirl. I wanted to find out what kind of a man you were. Well, I found out. Are you trying to tell me that you think that... I'm not trying to tell you anything. So you're putting me in a tough spot, huh? Well, just get this straight now. If you've got any funny ideas about my interests and you just forget them, your type of woman bored me. Give me the simple, primitive woman, the woman of long silences. You're not even good-looking. You've got freckles. Your face is covered with them.  You've got green eyes, cat eyes, and you're stubborn and bad-tempered. And what's more, you're ungrateful. I'll answer your move. You could have taken my king. Oh, I didn't see it. You're very strange tonight. What's the matter? Thinking? What about? Things, many things. Shoes and ships and thin wax, cabbages and kings. And why the sea is boiling hot and what are things you have waiting for? Yeah. Yeah, you're different tonight. Warm and human. Somehow or all woman. I doubtful confidence. But well meant. Oh, it's in heaven again. But I'm leaving tomorrow. Oh, leaving? No, you can't. Why not? Well, I have plans and strangely enough I'll concern you. For instance? Well, for instance, I'm going to teach you to ski tomorrow. You'll have to find another pupil. Well, no, no, wait. What makes you so determined? Something I'd almost forgotten. Oh, oh, listen. That man you told me about in the carriage that day. Is he the reason? Maybe. Oh, well, that's why I feel better. Now that's all settled. You aren't going to marry him. You're going to marry me. Well, is that a proposal or a threat? No, it's just a statement. And it's quite impossible. Why? Why? Well, one thing I don't believe in marriage. You don't? Well, now, who's been putting those half-baked ideas into your head? Marriage may not be perfect, but it's the only solution for the average woman. I am not an average woman. What makes you think so? Would you have fallen in love with an average woman? No, I wouldn't. But would you have fallen in love with an average man? Well, what makes you think I have? Well, no. No, of course not. Well, there you are. The only thing left for us to do is get married. I don't even know your name. Sam Smith. Sam Smith, oh, that's awesome. Well, what about Sarah Brown? I have a violent temper. Well, I have had complaints about mine, too. We'll fight every day. And we'll make up every night. I'll leave you ten times a year. I'll always find you. I'll always find you, Sarah Brown. Oh, darling. I want to perform a marriage between two people of expressly desire to be married. Oh, Sam. I have your license. Wait, folks. I can't marry you. There ain't no license. And the new Hampshire takes five days to get one. I have it right here. How's that? The license. I have one. Have what? The license. Here it is. See? Right here. Where did you get that license? Five days ago. You were that sure of me? Well, of course. And you have been since the beginning, haven't you? Well, certainly. After all that, do you still expect me to marry you? I do. Well, I wasn't taking any chances. Do you still think I was presumptuous? Do I? Sir, do you really mean it? I most certainly do. You made a fool out of me long enough our marriage to go. Wait a minute. Wait a minute. Wait a minute. Just a minute. What'd you say, mister? Man and wife. It's over, folks. Three dollars, please. After a short intermission, Mr. DeMille will return with our stars, Carol Lombard and James Stewart, for Act Three of the Moon's Our Home. Meantime, here's a new kind of quiz. A sort of, uh, that reminds me test. Now, I've asked one of our Luxe Radio Theatre audience, Mrs. Tyler Johnson of North Hollywood, to come to the microphone. I'm going to mention four words, and she's going to answer right off the bat just what these words remind her of. Are you ready, Mrs. Johnson? Yes, Mr. Ruick. Kitchen. Um, cooking. Dinner. Dishes. Dishpan. Dishpan. Why, red hands? Good. Last word, gentle. That's easy. When you're thinking of hands in the dishpan, Luxe Flakes, of course.  That's just what I hoped I'd remind you of, that Luxe in the dishpan is gentle to hands. You know, every woman dredged that red, rough, ungroomed appearance of the hands that we call dishpan hands. And that's why more and more women are turning to new quick Luxe for dishes. Because with Luxe, their hands stay soft and smooth. Now, we've proved scientifically the great difference between Luxe and harsh soaps in our famous one-hand tests. Hundreds of women took part in these tests, and here is what they did. They dipped one hand in Luxe soap, the other in suds from another leading soap, under conditions similar to home dishwashing. The Luxe hands stayed so much softer, smoother, and prettier that the women themselves were amazed. For example, take Mrs. Bruce Wilkinson, one of the many women who made the tests. She says, My left hand was smooth, soft, and lovely after being in new quick Luxe. My right hand in another soap was so unattractively red in course that I was really ashamed for anyone to see it. After this, I'll never use anything but Luxe Flakes for dishes. You'll feel proud of your hands if you use new quick Luxe for dishes. They'll stay so nice. These gentle suds are fast and thrifty, too. So why not get that generous big box tomorrow and use Luxe Flakes for dishwashing all the time? We pause now for station identification. This is the Columbia Broadcasting System. The curtain rises on the third act of the moons hour home. The romance of Cherry Chester, born Sarah Brown, and Anthony Ambutton, born Samuel Smith has been one long series of arguments, but now all arguments are over and done with. Safe in the bridal suite of the Moonsocket Hotel, they face each other as Mr. and Mrs. Sam Smith. Hello, darling. Hello, darling. Any regrets? Not yet. Are you happy? I think so. I am very happy. I'm so glad. Except for one thing, Sarah. There's something I must tell you. Oh, let it keep until tomorrow. Please. You see, I have something to tell you, too. Well, tell me now. Well, even if I wanted to, I couldn't now. You're really not a shoplifter, are you? Well, would it matter very much if I were? Oh, not tonight. Perhaps tomorrow. Perhaps not at all, either. Kiss me now. Oh, Sam. Sam. Sam, what is it? Holy smokes, that perfume again. You've got that perfume on your neck. Well, what's the matter with that? I'm getting sick. Well, it's a cherry blossom. I know it is. Now, open the windows. Will you open them quick? For heaven's sakes, are you crazy? It's named after Cherry Chestnut. I know, I know. Why don't you do something? Don't stand there like a petrified force. Open the window. Can't you see I'm sick? Well, do you expect me to freeze to death just because you've got a complex or something?  Watch this. Change your clothes. Take a bath or something. Oh, I understand now. You've got memories, haven't you? That perfume brings them back. Yes, but... Oh, you admit it. No. Don't deny it. I can see it in your face. I'm sick. That's what you see in my face. Oh, on a wedding night, and you're thinking of someone else.  Sorry, sorry. I'm going to pass out. Go on, pass out. Throw it all over the place. Oh, Sarah, wait. You can't fool me. Oh, please. Don't leave me here. Oh. Oh. Oh, good morning, Mr. Smith. Did you sleep well yourself? I don't remember. Where's my wife? Your wife? Why, she's gone, sir. Gone? Gone where? Well, where in New York? She didn't say. I didn't think it was my place to ask her. When's the next train out of here? Next train? Oh, why, there isn't any. What? No, sir. There was a snow slide early this morning. The tracks blocked. All right. We'll charter me a plane. I'm sorry, sir. We haven't any airport. Well, get me something.  I've got to get to New York. Oh, bro. I didn't expect you back for weeks yet. Have a nice trip. Had a rotten trip. Oh. Have a... How did you like the Simpsons? Didn't like anybody. Well, uh, how was the weather? The weather was foul. What's the matter, Anthony? Upset, stomach? Now, listen, Hopebook, you've got to help me. Where can I find a girl in this town? A girl? Why, uh... Oh, my wife has a very nice friend. Oh, no, no. I don't mean I want to meet a woman. I mean, I've met one. The woman, but she's disappeared, vanished, gone. Oh, well, if you know her name, why don't you try the telephone book? Well, there are 116 Sarah Browns in the telephone book. All ages, colors, nationalities. I've talked to every one of them. I've searched the city directory. I've been to the Bureau of Missing Persons. I've done everything. Well, uh, what does she look like? What does she look like? What does she look like? She's the sweetest, most wonderful, most beautiful girl in the world, Hopebook. Well, now, we've got to find her, Hopebook. If you ever expect me to write another line, you've got to help me find Sarah Brown. Well, I'll certainly try, but if you've done everything... What's that yelling about? Huh? Oh, nothing very important. They found Cherry Chester. She's come back. Cherry Chester? She's the one I've got to blame for this whole thing, you know. A woman I've never seen has wrecked my whole life. Here's what Warner Wilson says in Broadway Lowdown. Although Miss Chester refuses to explain how queer abouts for the past few days, your correspondent has it on good authority that there is a certain guide in the main woods could shed some light on... Boise, stop it. I don't want to know about it. That's as you like. The other paper says you're in the sanitarium with the DPs. Well, I feel like I was. Boise, Boise, why did the papers want to hurt me? Why are people so unkind? I've done nothing, at least, nothing that concerns them.  Oh, I've made an awful fizzle of things, haven't I? Things that I always do. I just wanted to get away to be myself. I didn't expect to get myself in a jam. And what a jam I'm in, you'll never know. I haven't bothered you with any questions. No, won't either. Thank you, darling. Boise, Boise, do you believe in fables? Fables? I used to. Well, fables always have a happy ending, don't they? Always, darling. Good morning, Sarah. I want to speak to you. I thought you would, Granny. Boise, you may leave. Yes, ma'am. Sarah, everything is arranged. I've already talked to Horace, and the newspaper men are waiting. Waiting for what? For the announcement of your engagement to Horace. Engagement? But, but, Granny... My dear, my dear, I've gone into the situation quite thoroughly. The immediate announcement of your engagement to Horace is the only step we can take to silence this scandalous gossip. But, Granny, it's impossible. Why, Granny, suppose I were to tell you that I was already married? I'd say it was your way of evading an issue. But I am. Huh? Who, too? Why, too? Sam Smith, that's... All right, all right. Who is he? Where does he come from? What does he do? Well, I don't... Granny's got to believe him. I'll believe you. Produce him. Where is he? I don't know. That is, I'm not exactly sure where he is. I'm trying to find him. Sarah Brown, if you must lie, do it more convincingly. Now, come on. Come on, let's see. The report doesn't get this thing over with. Granny, please, don't please. Are you coming with me, or shall I see them alone? All right, but when I marry Horace and they come and arrest me for bigging me, don't say I didn't warn you. Hello, Holbrook. Holbrook, this is Anthony. Find out anything? Oh, well, if I can't look, I don't nobody can. Look, Holbrook, I've got to get out of this town. I can't stand it. Get me a passage on the first ramp of sailing. Where? I don't anywhere. Call me back, William, at the club. Have them page me in the lobby. Oh, excuse me. Hello, Horace. Hi, Sam. I mean Anthony.  I never can remember your pen name. Oh, that's all right, Horace. How have you been? Oh, fine, fine, fine, fine. Well, aren't you going to congratulate me? Congratulate you? What for?  Well, I haven't read a paper in weeks. Well, I'm going to be married. Married? Oh, well, that's great. What's the matter with you? Are you sick? No, no, no. Just dying.  I've got it. But you need a little relaxation. You're coming to my New Year's party tomorrow night. No, thanks. I don't think I can make it. Oh, I won't take no for an answer. You've got to meet my fiance. You'll be crazy about her. And she may like you. Of course you're coming. Where's the old college spirit? A little conviviality is just what you need. Well, Horace, maybe you're right. That's exactly what I need. A seat on the merry-go-round. Of course I knew it. Meet me at the club continental at 10 o'clock. What was that trick you ordered, sir? A Stambul slide car. I think that's got me. You mean to say you've never heard of a Stambul slide car? No, sir. I don't know what kind of a place it is. Where's everybody been for the last 10 years? Well, I come from Milwaukee, myself. Well, never mind. Just make me something strong. Make mine double, I need it. Sarah? Sam, I couldn't believe my eyes. Sarah Brown? Sarah Smith. I'm the lady you married, remember? But you look different. Darling, why didn't you try to find me? Well, I did. Did you want to be found? Oh, what do you think? Well, I think the world's quite sane and we're completely mad.  Well, there's a terrace outside. Come on, quick. Who would have run away from you? I tried to tell you. I was too sick. Anyway, you wouldn't listen. I thought it was the memory of some woman you couldn't forget. On this earth, there's only one woman. It is you. Darling, I've missed you so. I was going to drink myself into my grave. You couldn't, sweetie. You'd have gotten sick. Yeah, yeah. Tell me, though, you've changed. What's it all about? Your clothes and everything. Where are my freckles? What's happened to Sarah Brown? Sammy, there's something we've got to talk over. Something important. Well, of course, darling, anytime you want. Where is she, Horace? Where did she go? I don't know. She went to the bar, then I lost her. Well, find her. I wonder if Anthony's around. I did want Sheri and Anthony to meet. Chester, so what? I married Sammy Smith and I found out that I've also accepted Anthony and so what? Sweetheart, we're big on us. And I love you desperately. Oh, Anthony. I mean, Sam. We did have fun, didn't we? Loads. And we'll have lots more. And this is an ain career of yours. Without that to worry you. I think how happy we'll be.  We'll live on the moon. But Sammy, I'm not retiring from the screen. Oh yes, of course you are. That's all set up. Well, are you giving up writing and exploring? Oh no, no, certainly not. Oh, I see. The woman's place is in the home, hallelujah. That's quite true. Oh, no, it's not. Well, if she certainly has no place on a movie screen, making faces for a living, you don't call that acting, do you? Well, I hope you don't cherish any illusions as to your ability as a writer. Oh, so you've read my books. I tried when I couldn't finish it. I don't believe it. Which one? The one where you slide down the six pyramids. There are nine pyramids. Six. Nine.  Well, I never realized how utterly disagreeable you can be. I never realized you were so righteous and smug.   All right, now you listen to me.  I'll show you.  All right, just stand up here.  Have you ever been hit on the head with a high heel? Oh, and I won't. That's what you think. Come on, give me that slipper. Take it. Now, come on, give me that, will you? Let me go, you big ape. Come on, stop kicking here. Stop, look out. Look out. All right, now give me that slipper. Hello there, Sarah. Dear, I've been looking all over for you. Oh, Horace. Is something wrong here? No, no, nothing at all. Sarah, this is Anthony Ambert and my old friend, Anthony, my fiancee. Chom. Just a minute. Did you say fiancee? Yes, of course. Oh, I see. Well, I really owe you an apology, Ms. Chester. You're not only a great actress, but a cheat. For a divorce, I suggest Reno. Help me up, Horace. Sarah, this is awful. What did he mean about a divorce? Nothing. Nothing important. Well, where's my shoe? I think he had it in his hand. Shall I go after him? No, let him go. Horace, you're sane, quiet, and soothing, aren't you? Well, I'm conservative, yes. Yes, and that's what I want from now on. It's 12 o'clock, Sarah. Well, happy new year, Horace. Happy new year. 12 o'clock, and Cinderella's lost her slipper. Whatever she happens to be calling herself today. She's not here. She isn't? Well, I'll look for her myself. Get out of this house. Get out of her house. I don't think you're frightening me. I've heard all about you, you anti-Diluvian tyrant. Woo! You don't impress me. I don't see anything so terrifying about you. But what do you want? What do I want? Do you see this slipper? I want the foot that goes in it. Do you see this marriage certificate? It's a claim check on a girl. A girl about 5 feet 2, red hair, green eyes, face covered with freckles. She's willful, spoiled, has a terrible disposition. My granddaughter. My wife. Your wife? Oh, so you're Sam Smith. Yeah, yeah. Don't hold that against me. You're very masterful, aren't you? That's just what Sarah needs. Look, I don't know what she needs, but I need Sarah. Now, where is she? Thanks to your bad temper and, well, my stupidity, your wife is catching the 11 o'clock train for Reno, where in due time, she expects to marry Horace van Steeden. Well, wait a minute. I've got to stop her. How? Well, I don't know. Wait, wait. I have some influence in this town. Boy, see?  I'm hurrying Horace. There, stop. Hello, Sam. Oh, I thought you'd sneak out of town, eh? Here he is, officer. Come along, you. Hello, wait. What have I done? Oh, no, none of that. Come on, Benny. Benny? Boston Benny. We know you escaped from Altoona a year ago. Oh, that's ridiculous. I've never been in Altoona. What'd you say? Altoona. In Altoona in my life. Have I, Sarah? What's the use? They've got you dead to right this time, Benny. Sarah? Come along, dear. Well, wait. This is horrible, mister. You can't. Oh, Sarah. Oh, Sammy. Darling, let's talk things over. Oh, yes. Yeah. So ends act three of the moon's our home. In just a moment, Mr. DeMille and our stars will be back for their curtain call. And now, let me remind you that this is our very last offer of the Lux Flakes Gone with the Wind broach, the one designed from the exquisite pin worn in the movie Gone with the Wind. You'd better send your order in immediately, or it may be too late for you to own one of these stunning jewelry pieces. And they really are stunning. So many of my friends have remarked about mine, especially about how rich and expensive looking it is. But the thing I like best is how lovely it looks on many different outfits, from a tailored suit to an evening dress. I think my Gone with the Wind broach is one of the nicest presents I ever gave myself. And it certainly is the biggest bargain. Sally is right. This broach does make a beautiful present for yourself or to give to your friends. And yet it costs so little. It's entirely different from the Scarlet O'Hara broach we offered last fall, even lovelier. It's round and big, almost two inches in diameter, with an antique style gold finish and a lovely cluster of simulated turquoise and pearls in the center, the kind of jewelry piece that every woman loves. Because it's not only beautiful in itself, it's fashion right. Now here's how to get this wonderful bargain. Listen carefully, please, because this is the last time we are making this offer. First, buy a big box of Lux Flakes. You'll need this to take care of all nice washables, stockings, underthings, sweaters, and dresses. Next, tear off the opening tab at the top corner of the Lux box and mail it with your name and address and 15 cents in coin, no stamps please, to Lux Box One, New York City. Lux Box One, New York City. With your broach, you'll get an illustrated order blank for matching jewelry pieces. Ring, pendant, bracelet, and earrings. All amazing bargains, but don't delay. Now remember, send the opening tab from a big box of Lux Flakes, 15 cents in coin, and your name and address to Lux Box One, New York City. This offer is good only in the United States. Now here's Mr. DeMille with our stars. Once more, these spotlight turns to Carol Lombard and Jimmy Stewart as they come back to this microphone. Thank you, Mr. DeMille. You know the thing I like about this Lux Radio Theater is the way everything runs so perfectly. They never miss anywhere.  Oh, no, I didn't bring it tonight. I should have been applause there. Now, this is no place for my accordion. Why, even the boys and girls that collect autographs at the door won't take just anything. For instance, there was that girl who stopped me on the way in tonight. You surely didn't disappoint her, Jimmy. Oh, no, I signed, and then I asked her what she was going to do with it, and she said, well, if I can get Carol Lombard when the show's over, I know where I can trade both of you for Clark Gable. I'll have to speak to her. She can't make a bad bargain like that. Oh, now, be polite, Carol. I might have to take back my autograph. But seriously, Mr. DeMille, I have enjoyed very much coming back to Lux Radio Theater. In the past few months, I think you've really taken on a new assignment here. All entertainment is a premium now, and anything that lifts us out of the everyday routine for an hour, so is what we need at a time like this. America must be strong, and we must keep it free by making it stronger still. While we're all working toward that end, to the limit of our strength, we need the emotional outlet that a theater like this provides. Let me show you a little of our mail sometime, Carol, and you'll understand why we think of this as a national theater. Oh, what's going on in it next week, Mr. DeMille? Plenty of action, Jimmy. Our play is Johnny Apollo, and our stars are Dorothy Lamour, Edward Arnold, and Burgess Meredith. Johnny Apollo is the story of a father and son who lost faith in each other, and of a girl named Lucky, who brought them together again. Next Monday night, you'll hear Edward Arnold as the father, Burgess Meredith as the son, and Dorothy Lamour as the girl named Lucky. The 20th Century Fox picture made a hit on the screen, and I have a distinct premonition that will do the same for us. Well, that's a great story, Mr. DeMille, and you have a swell catch. Good night. Good night. Good night. A stage door map has welcome on it for you two any time. Good night. Our sponsors, the makers of Lux Plakes, join me in inviting you to be with us again next Monday night when the Lux Radio Theatre presents Dorothy Lamour, Edward Arnold, and Burgess Meredith in Johnny Apollo. This is Cecil B. DeMille saying good night to you from Hollywood. This week, the nation is celebrating Boy Scout Week, the 31st anniversary of the Boy Scout Movement in America. Today, a million and a half scouts are training for democracy as active members of this great organization. Ladies and gentlemen, we invite you to join the Lux Radio Theatre in saluting the Boy Scouts of America. James Stewart appeared tonight through the courtesy of Metro Golden Mayor and is currently seen in this studio's production, Come Live With Me. Carol Lombard's current screen hit is Mr. and Mrs. Smith, the RKO production which was directed by Alfred Hitchcock. Heard in tonight's play were Clara Blantic as Lucy, Verna Felton as Boise, Hans Conrad as Horace, Lou Merrill as Holbrook, Charles Seal as Justice of the Peace, Ralph Sadan as Abner, Stanley Farrar as Coachman, Gloria Blondel as Hilda, James Heagles as Hotel Clerk, Jack Carr as Porter, Celeste Brush as Miss Manning, and Noreen Gamill as Mrs. Simpson. The brooch offered you by the makers of Lux Flakes was designed from one worn and gone with the wind, the Selznick international picture produced by David O. Selznick and released by Metro Golden Mayor. Our music is directed by Louis Silvers and your announcer has been Melville Ruick. This is the Columbia Broadcasting System.


Stevenson gets the 21-11 victory over Franklin and Marshall tonight, Glenn Clark with head coach Paul Cantabene. I know as a coach that you will always look for things that you can do better, but what we saw, particularly in the first half, that seemed like maybe one of the best hassle across that we have seen in a very long time. Yeah, I thought we played great in the first half. I thought we did a really good job just kind of understanding how they play defense and I thought the guys did a great job of shooting the ball and getting the really good spots. We made it hard in their goalie to get some early saves so you didn't get into a rhythm. And then I thought our ride did a great job. You know, did a really good job of just riding them, getting second, third chances on the offensive end. So that was huge and then Connor just playing so well at the X, you know, giving us time and time again. So, you know, I think he was 24-35, but I think he was a little bit better than that with some of the things that kind of happened. But overall, you know, it's a good half. I thought we played a good three-quarters actually, got up 20-5 and did a really good job. So I got some guys in who obviously some things are going to happen there and we let up a few goals. But I like where we're heading. I think we're trending upwards and we got to continue to do that. We have another big one on Saturday, so we got to continue to kind of just stay within ourselves. I think when we play within ourselves and understand what we do or pretty good, if we get outside of that, that's when we struggle a little bit. So, but I love the way we play today and I think we got to play with that energy all the time. If we can continue to play with that energy, I should say it would be hard to beat. You mentioned the shooting and there's no doubt. But what Peter and I kept talking about, and you mentioned that before we started our interview here, is the assisted goals. Like you brought up Monar who, you know, matches career high, right? Or matches what he had for the total of his career and assists tonight. The ball movement, this looked like a well-oiled machine. Is this something that's been coming for this team? Well, I think we've been close offensively at times. You know, we haven't shot the ball as well, so I don't think like, you know, we haven't got rewarded because we haven't shot the ball as well. But I think we've moved the ball pretty well in offense and started to understand who can do what and what each other's roles are. So, I think we're getting into that point and Jared obviously played very well today, made some really good decisions and got on the end of that. But he also knows he's got a lot of things he needs to improve on. And just the continued stellar play out of Jack and Grant.  So, but us shooting the ball, we haven't only shot the ball about 25% in the year. So us to shoot so well, shoot 50% in the first half means a lot. So hopefully we can continue that on and then it keeps goalies from getting hot. You know, their first goalie before they made the change is a pretty good goalie. You know, he has had a pretty good year and done really well. And so we got to him early and just kept it on. So that's great for us. Hopefully that will continue. The play of a couple of your first years I wanted to highlight, and particularly the shooting, you talked to us before the season about Curtis being a real shooter. You said you thought he could be one of the better shooters in the country. He loves those zero angles, you know, almost like a Canadian style, the way that he's shooting. And then Hunter Bryant dropping some ones as well. Like the way that particularly these first years have come on as the season has gone on, how confident are you with where they are right now? Well, we like where they're trending for sure.  He's starting to catch up to all that. And I think it's starting to pay dividends for him now. So he's starting to do more. That's why he's playing more because he's doing more of the right things during the week and in practice. So he gets to be rewarded for that. And he's going to continue to be rewarded because he's doing a great job. And he's just got great hands. You know, the ball just pops out of the stick so he can continue to help us there and do his role. And he actually rides really well, which is awesome. And Hunter's been great all year. You know, he just hasn't got the rewards of scoring as much.  And so, you know, I think he got a little tired in there. But now he's starting to pick it back up and thinking well, and he's a load. He's a tough guard. And so, you know, he's got to get his shot on cage and when he goes and he'll be great. But we got some other first years, you know, Aiden, you know, playing so well at the Paul, doing a great job there. Rear tonight too, yeah. Rear's playing great. So, you know, we have some other first years that are doing really good that are going to help us out throughout the way. Brian has no problem laying that shoulder in. Like, I'm going to let you have some of this weight instead. Coach, a really emphatic victory. Congratulations on that. And best of luck as you head back out on the road and get in conference play. Appreciate it. Paul Cantabene with us here on Go Mustangs Sports.TV. Now we welcome in Jared Monar. Jared, it's good to meet you, man. Thanks for coming up. It's good to meet you. I got to tell you a couple of weeks ago, we heard you're in the starting lineup. We're like, wait, what? What's going on here? What did it mean to you this season to have coach and this staff trust you with that opportunity to get in there and be a huge part of this offense? Man, it all starts with working hard in practice and having trust, build trust with your teammates. Like, coaches, I like being there for my coaches and everything, having their trust in me, going out, performing. But like, in practice, I like getting my teammates open. I like getting assist. And I like showing what I can do. And I felt like tonight, I like finding my shooters on the wings. I like finding them cut. And having trust in the coaches is a really big part. I want to talk about both those things. But before we do that, you say that, and I know that's true. But we have also seen you make some daring efforts from back at X to get in front of the cage. Where did that come from? Like, where in your life did you pick up that skill set? So, I mean, I've had three ACL surgeries. I've been through it all. And before that, I've been like a lot faster. And then it took me a good year, like last year when it was my sophomore year to develop my speed back and get my motion and everything. And coach just had his trust in me all last year. I knew it was the year where I didn't get my feet underneath myself. And I come out this year and I just got to keep working, working, and working. And the more I move back there, I feel like the better I can be. And like I said earlier, the trust that I have my teammates from my shooters on the wings from both of my attack men is really big, and that's awesome to have. That was evident tonight. Four assists on the game. You had four for your career before tonight and then four tonight. In a way, is there something more rewarding about it? Like, is the feeling... I can't imagine it's cooler than when you dive in front of the goal and you end up scoring. Or what was the one tonight where your tip... Walk me through that one, right? Like, did you know? Yeah, yeah, yeah. I usually know where I am at all time. Like when I catch it, I usually am going to totally tap that one and you're going to finish it. Dude, that was some balance, bro. I don't have that in me. That was really impressive. All right, Jay, we got to get to know you a little bit. So let's walk through it. Give me like three songs on the pre-game playlists. Like something you got to hear to get yourself fired up. I'm a big fan of rock music, especially... Like modern or classic rock? Like classic. Like I'm going to go with like big AC DCs. Obviously, Thunderstruck, I like that. I mean, it's the greatest pump-up song in the history of music. Let's take another one. Back in Black's a good one. I like that one. And Highway to Hell. Yeah, those are three good ones. I like those three. Every song sounds exactly the same and that's exactly the way that you want it because they all rock. That's just what it is.  Shows? I really don't watch shows that much. Movies? Movies, no, either. I watch live podcasts or live streams. Okay. So biggest one I watch right now is Jinxie, the number one streamer in the whole entire world. I believe you. This is beyond me, man. Everybody knows him and a guy named Sketch that everybody knows what his famous line is. What's up, brother? Everybody says that one. The whole team will know that. Well, I just know what we're going to say when you score goals moving forward. A new line.  Who's watching? Who's helped you get to this point? My parents. John Monar, Courtney Monar and my youngest brother, Jason Monar. They all come to my home. My games sit in the same spot. I know where they are. Way games, home games. They're always there. It's always awesome to have that feeling that my parents are there watching me. Jared, congratulations on a great win and the way this team is playing. This is really emphatic tonight. Best of luck as you head back out on the road this weekend to start conference play. Thank you. It's Jared Monar. I'm Glenn Clark. This has been Go Mustang Sports.TV.


Hi guys, welcome back to my channel. In today's video, I'm going to give you my week 41 update of my fitness journey working out and everything. This week was not too exciting.   I'm doing some fun things this weekend, so I can't wait to share it with you all. So starting off, I'm just gonna go through what I did this week, and then we'll get into the updates, which is not a lot, like I say every week. And then we will get into the photos. So starting off on Saturday, I didn't do anything, but I walked with my friends, because remember I had a bachelorette party that I was going to, so we walked around Disney World for a really long time, and I walked, according to my phone, I walked 13,000 steps, so you can do the math and calculate how many miles that is. So I didn't do anything on Saturday, but I normally don't do anything on Saturday. Also, that Friday night before Saturday, we danced a lot and stuff, so I mean, not actually danced contemporary lyrical, I mean, but danced for fun to music and stuff. So I swear, I burned some calories during that time as well. Moving on to Sunday, I didn't do anything, but I was still active, we went swimming, and again, we walked around, we had brunch, so overall, I didn't do anything, like following any routine or anything like that. Monday, I did the 15 minute hit workout and then the no jumping hit workout. One of my new friends, Madison, she was like, you need to work out on Monday, you'll feel really good. And I'm like, okay, and I did, that's why I did the shorter amount of workouts, because I was so tired, like I didn't want to do anything that day. And then moving on Tuesday, I did not do anything, so I was just like taking it really easy on Tuesday. I also work on Tuesday. And then Wednesday, Wednesday was my hardest day, just because I'm like, I think I need to like get back in the swing of things. Wednesday, I did the abs and booty workout. It's, I think it's about 20 minutes. And then I did the Jason Derulo hit workout super hard. I was like huffing and puffing all the time during that one. And then I did the water bottle arms workout with weights and my arms are still sore from that. I don't have the best upper body strength. And then I did the five minute stretch that day, just kind of like a cool down, practice my right split because I have my right split. I lost my left split, unfortunately. And then Thursday, I actually worked on Thursday because Friday, my hairstylist needed my hair clean. So I decided to just spike the bullet workout on Thursday. So I did the 20 minute intense workout with the 10 minute six pack abs. I would have done another workout but my mom had dinner already ready. So I just ate dinner and I was like, okay, at least I did something. So as you guys can see, this week was a little off. So moving on to the updates. I only have a couple. So first, working with weights is a game changer. I didn't really want to work out with weights to begin with, but I did and it feels so good. Even though I'm still really sore, my weights are like super ugly, as you guys have probably seen in my last video. They're kind of like really old and just like plain metal. There's no rubber grips or like there's no cute colors, but you know, I guess we're just gonna keep it real and serious on this channel with the working out. It's not really that crazy. I might end up getting new weights, but I don't know. The ones that we have are fine and we've had them like for a very long time.   I had so many french fries. I had a hot dog with a bun. I had chicken fingers. We drank a lot, which that's probably higher in calories and carbs or whatever. We did so much eating and drinking and sweets. Like I had a cookie. I had ice cream. Oh my gosh. But guys, guess what? I did not gain any weight. Can you get over that? Like I don't know. I didn't have one productive, like good, healthy thing that whole weekend, like Friday, Saturday, Sunday, even Monday. I was thinking like, oh man.  I felt like really weird and stuff. But other than that, like I didn't gain any weight, which is crazy to me. I'm still surprised during that. But this week, during this week was a lot better except for like one of the days I had like triskets and peanuts for like breakfast because I was like literally starving. So I was like, oh, I'm breaking out the triskets. But other than that, like I've been really good with like sticking to my FitLife Foods meals and just like keeping it cool and maybe having like a little wafer cookie. Anyway, let's just move on to the photos. So on the left is Alex last week and on the right is Alex this week. Yeah, pretty, pretty chill. Not a lot of change, but I'm surprised that there's not a lot of change. And then here is the side view of that. And then here is pre-workout Alex. So pre-workout Alex is on the left and current Alex is on the right. And here is the side view of that. Question of the day, what type of hair color would you want? If you could, if it could be any color, I think mine would definitely be platinum blonde, which I have done just because it was like a bucket list type of thing. And then a light pastel pink. I think that would be so pretty. And I would love that color. I don't know. I'm just in the hair moods because I'm getting my hair done today. I'm so excited. I don't know if I've said that like a million times. But anyway, you guys enjoyed this video. Make sure to give it a thumbs up. Don't forget to subscribe to my channel and I'll see you guys in my next video. Bye.


The ASUC election is upon us. Today we'll be interviewing Senator Rosa Kwok to discuss her platform and the second annual sexual violence conference. I'm Beryl Moth. I'm Gabriela da Silva. And this is CalTV News. Tell us the election going for you so far. The election is good. Since I decided not to run for an executive office position, it hasn't really been as hectic as it was when I ran for Senate last year. I think this year especially people are really considering the wellness pact. So the wellness pact was, every candidate had to sign this pact so that they can prioritize their wellness during sprawling. And people have been really following that as opposed to previous years.  What do you think needs to be done at UC Berkeley and other universities in order to prevent this issue in the future? I think students need to be at the table when they implement new policies and talk about what more there is to be changed. Because right now we hold students to a higher degree in the faculty and that's a problem. Last year, Senator Ankelserv created the sexual violence conference. Can you talk a little bit about that and its purpose? ACC Senator Ankelserv created this conference as a way to bring sort of intersectional narratives and identities together to talk about sexual violence. Because when most students think about sexual assault and sexual violence they think it happens in a narrow alley with someone they never met. But a lot of sexual violence cases are people that we know and people that we are friends with. And so how can we challenge this dominant narrative that is so common when it comes to these cases? And how can we bring the marginalized voices together to talk about we as a community can do better and how we can learn how to heal better? What is something you want a UC Berkeley student or just a member of the community to take away from this conference? I hope they can lead the conference knowing how to engage in these conversations with their friends and family because this conference it won't end sexual violence but it will challenge a culture that really systematically exiles the survivors. Sexual assault and violence is extremely serious and is not something to be taken lightly. If you or Sony know has been a victim please reach out for help or to report it.


I seek refuge with Allah from the accursed Satan. In the name of Allah, the Most Gracious, the Most Merciful. I start off in the name of Allah, who is the most beneficial and the most merciful. For people who suffer from asthma, it is very important that they stay away from the precipitants. So some people may find that precipitants are allergies. So things like cat fur or dog fur or pollen or dust mites, people find that many allergens can cause asthma. In a very well-known sermon delivered by Prophet Muhammad, peace be upon him, and his holy progeny, in the last Friday sermon of Shaban, he emphasized, O people, the month of Allah has come towards you bringing divine blessings, mercy and forgiveness. The subtle point in this phrase is the fact that these three divine offerings are not granted to the people at the beginning of the month, but rather there are special gifts of the month of Ramadan from the very first day it begins. In the holy month of Ramadan, we are all the guests of Allah. And one of the blessings of this month is the close relationship between the adorers, the believers, the family members and friends. To sit and complain because of my wrongs, my soul has the chances you gain.


What is up Marvel Squad welcome back to our channel as you can read by the title We have something crazy guys that we would have never done ever Because it is scary. I have not seen my mom in two years Two years, and I am pulling a prank on her Little does she know she knows that we're gonna be filming she thinks that we're just gonna surprise her with something But that's a prize. Oh might not be as surprising as she thinks. No, it's gonna be bad Yeah guys look at my eyelashes done. Oh my god. You look so beautiful. Look at you. Oh I know right we are sitting outside Mariah's house. We have a long drive to get we have to go to Indiana We're in Illinois right now. Yes to go to Buffalo I wings which there we are going to tell her that my baby is pregnant Guys, we have done this prank so much on our channel, but you guys are requesting So much that we do not a parent. So and this is a parent. This is literally like her mom That she hasn't seen two years and the first time she sees her we're gonna prank her. Yes She's gonna be really excited or just like start.  I feel like in the moment. She's gonna be like That's awesome, but then like low-key like she'd you know like doesn't like it at all But anyways, if you guys are new to this channel make sure to hit that subscribe button join the Marvel squad And make sure to give this video a big thumbs up and we do have to give our post notification shot out and this shot out goes to Mikaela Nance. Hey, so shout out to you Mikaela. Thank you for being a part of our channel Yes, so we will see you guys when we get to Indiana Yeah, we're going to prank her might be like 45 minutes an hour. It's an hour. See you in one minute Yeah, so see you in an hour our time, but a second your time. Yeah. All right. See you then Well, we are here in Indiana just made it took a little over an hour due to you know Traffic and yes, it did But yeah, we made it we are sitting in Buffalo Wilde's parking lot right now Waiting for my mom to get here. She'll be here in like five minutes So this is perfect timing to tell you how it's gonna go down and you want to film it So what we're gonna do is we're gonna get in there gonna sit down even be like, okay Well, are we doing this like before we eat or after you don't want the waitress coming up Maybe we should film out here because what if we have to sit at table and it's loud change the plans guys Okay, I actually bought the point if we're inside. There's gonna be people all around It's gonna be loud yet.  I already told my I'm like I'm already told my dad I told my grandma. It's we told his mom and dad everyone knows that we got their reactions We want to get your reaction. So we want to let you know that I'm pregnant. Oh God Once again, she does know that we are filming she does know she knows that we have something to surprise her with But she doesn't know what she doesn't know why she looks cute.  That was that that was at your sister's prom Yes Like she has she doesn't even know me really and she just finds out that this dude made got her dog Okay, but still I sound bad.  Yeah, this gonna be better though because like my stomach hurts Good, that's how I know then she won't she won't be restricted by people, you know So maybe she'll act differently because she's not inside Come to you because I don't do I hear so we get your reaction rather than in size We can't get here if we can't hear anything more.   Oh God, this is gonna be bad. Oh No Here You guys don't care about being on camera now, it's all good.  I'm just kidding. I'm just kidding. I didn't stop taking them. So you're not pregnant? No, I'm pregnant Cry? What are you doing? You are not pregnant. We're lying to you right now Maggie, is she telling the truth? Yeah, she is There was a prank we would be hide in the camera. We wouldn't be filming you Don't you bring it the pregnancy test Thank you for saying Yeah No, I know I saw you walk around All right guys, so we just Yeah, we just told them that we were pregnant Yeah, no, she almost started crying. So like I'm sorry Like since the prom for them, I know so like that's why I was kind of nervous like some riot I didn't really know what to say, but make sure you'll big thumbs up for my mom Shout out to my little sister Trista and my little sister Alyssa. So shout out to them So we will see you guys in the next video See you guys in the next video


Students, ladies and gentlemen, the President of the United States. Mr. President, students, day of guests, my brief remarks would like to reflect upon the life of Dr. King and certain aspects of him that often get overlooked. Many of us that you have often requires that, ladies and gentlemen, students, it is with great pleasure and with deep honor that I introduce the President of the United States. Thank you very much. Thank you all very much. And thank you, Robert Woodson. Thank you very much for a special hello again to my pen pal, Rudy Hines. The Martin Luther King Junior Elementary School has become very special to all of us at the White House since we began our partnership in education two years ago. It's wonderful to be here today at your fine school. I just wanted to come by and say a few words about the man for whom your school was named. I have a hunch we can all learn a few things from his life and the things that he believed in and fought for, just as Mr. Woodson has told us already. I can't help but feel there are some lessons we can all remember together. You all know the facts of Martin Luther King Junior's life. He was born in Atlanta on this day, January 15, 1929. That was 57 years ago. His mother's maiden name was Alberta Christine Williams. His dad, Martin Luther King, was a minister of the Baptist Church. Martin Luther King Junior went to Booker T. Washington High School. And then, as many of you will, I hope, he went on to college, to Morehouse College. He also became a minister and went to work with his father at the Ebenezer Baptist Church. After that, the story kind of heats up. The facts and events come thick and fast. The South was about to become the location of a great revolution. Young Martin Luther King Junior was about to become its most forceful and effective leader. I wonder now if some of you know the names and places that for another generation, for your parents' generation, your teachers, are so well known. They will always be unforgettable. Montgomery, Alabama, and Selma, and Birmingham, Little Rock, Arkansas. A lot of hearts were broken in those places, but a lot of history was made, too. And a lot of justice grew out of the pain that happened in those towns. Montgomery is where a black woman named Rosa Parks refused to get up and give her seat to a white man on a bus. That was the beginning of the famous Montgomery bus boycott. Martin Luther King Junior was one of its leaders. He and his followers just refused to take the city buses anywhere as long as blacks had to sit in the back. They just wouldn't accept it anymore. They said enough. They walked everywhere. They'd walk for miles rather than take the bus. There was a phrase for what they were doing that was famous then. It was called peaceful protest, saying no in a peaceful way. And the protesters went to the courts, where one day in June, six months after the boycott began, a United States district court made a ruling. They said that racial segregation on the city bus lines was unconstitutional. It was contrary to that great constitution by which we all live in this country. Later the Supreme Court, the highest, most important court in the whole country, would listen to similar cases and hand down more civil rights decisions. One big case was argued by a young lawyer picked by Dr. King himself. The young lawyer and another lawyer worked together without pay, and they won the case. And that young lawyer is my friend Samuel Pierce, and I'm proud he's a member of our government as the Secretary of Housing and Urban Development. Dr. Luther King, Jr. first became famous in America during the Montgomery strike. It wasn't an easy time for him. A bomb was thrown on the porch of his house, and it was only a matter of luck that no one was hurt. A crowd gathered, and the people were angry, and Dr. King came out and stood amid the broken glass and said some great words. He said, we cannot solve this problem through violence. We must love our white brothers. We must make them know that we love them. Jesus still cries out across the centuries, love your enemies. And that is what we must live by. We must meet hate with love. Martin Luther King, Jr. pursued progress all over the country in freedom marches and on freedom rides, in speeches and demonstrations, at the pulpit, and in private conversation. He was a much loved, and it's sad to say at that time, much hated. But I think it's true that those who loved him, and those who hated him were pretty much united in agreement on this. Martin Luther King, Jr. was right to insist that the civil rights movement be nonviolent, and he was brave. Your teachers won't approve of my using the word I'm going to use now, but I have to. It's the best word for it. It takes a lot of guts not to hit back when someone is hitting you. And he had that kind of guts. I hope that's something you'll be able to emulate in your lives. And if you can emulate another thing about Martin Luther King, Jr., I would hope it would be his passion. He felt so strongly about things. He really cared. He really felt the injustice he talked about, and he really felt the dreams that he shared. You could see it in his words, in the way he used them. We've all been hearing a lot of quotations from Dr. King the past few days, and I suppose the most famous is, I have a dream. But the one I think of sometimes, the one that really shook you up in the days after his death, was the speech he gave at his home church, the Ebenezer Baptist. In February 4th, 1968, just two months before he was shot, perhaps you know that in those days before he died, he seemed to have a sense, a strange sense that the shadows were lengthening and that he didn't have long. And in his speeches, he seemed to be saying goodbye. And in this speech at the Ebenezer Baptist Church, he said, every now and then, I think about my own death, and I think about my own funeral. I don't want a long funeral, and if you get somebody to deliver the eulogy, tell them not to talk too long. Just say that I was a drum major for justice. You know what a drum major is, the fellow that leads the band. Said that I was a drum major for righteousness, and all of the other shallow things will not matter. I won't have any money to leave behind. I won't have the fine and luxurious things of life to leave behind. But I just want to leave a committed life behind. Well, those are great words. I want to leave a committed life behind. I want my life to have meaning. I want it to be a statement. That's a wonderful way to feel. In fact, I think it's the only way to feel. Our country is different and better because that was his attitude. And that's not just a phrase. Our country is different and better. That's a literal truth. Our country is different because Martin Luther King Jr. made it better by the way he lived his life. And that's why Dr. King's birthday is now a national holiday for everyone in the country because his contributions benefited all Americans. And that gets me to my almost last point. It's something I've been thinking a lot about recently, and I wanted to share it with you. It is this. The civil rights workers of the 1950s and 60s, long before you were born, they won their great battle because America had a conscience that they could appeal to.  That's that thing that tells you the difference between right and wrong, and that tries to get you to do right. And you know that bad feeling you get when you've done something wrong. That's conscience, too. Well, America had a conscience. And it was a good, strong one. It wouldn't let us hide from the truth. And it wouldn't let us sleep until we all together as a whole country admitted that all people are equal and that in America there should be no second-class citizens. Our national conscience told us to change and start to be fair. And we listened and changed, and we started to be fair. Ultimately, the great lesson of Martin Luther King, Jr.'s life was this. He was a great man who rested justice from the heart of a great country. And he succeeded because that great country had a heart to be seized. Martin Luther King, Jr. really helped make our nation freer. It's not a perfect place. We still have a long way to go. There's unfinished business, and we can't rest until all prejudice is gone forever. But we're a better, freer place, and now it's up to you as the future grown-ups of America to use that freedom to make a better life. And how do you make the best use of freedom? Well, you get a good education. When you get a good education, when you study hard and read your books and ask questions, then you can become anything. The outstanding men and women up here on the stage with me will all tell you that if you work hard, you can make a wonderful future for yourself. You can have the most exciting job, travel all over the world, help your fellow man. And education is like a spaceship. It can take you anywhere. And you know what I hope? The dream I have for each of you is that one day in the future, when you're all grown up, you will all come back here and visit on Martin Luther King, Jr.'s birthday. And maybe someone up here will be making a speech, and they will introduce the next speaker with the words and now the president of the United States. And they'll turn and they'll be pointing at you because you'll be the president. You think that's a good idea? Are you going to study? Going to get good marks? Will you go to college? Wonderful. That makes me so happy. We're all equal partners in this great experiment called democracy in America. And when we bow our heads today, and I hope all of us will, and say, God bless Martin Luther King, Jr., we'll also be saying, God bless America. And may her conscience stay strong forever. And may her children always recognize that conscience and thank God for it. I thank you so much for inviting me here today. This is where I wanted to be. So thank you, my friends, and God bless you all. And now, if you don't mind, I'm just going to take a second. I have to tell you a story, an experience of mine and my youth. I was playing football in a little college in Illinois. And this was back in the days before any, Martin Luther King's. He had just barely been born. But there were people with prejudice and hatred. In our school, we had a young black man who came to school and who I remember. He's departed this world now, but he's probably the closest friend I ever had. And down in the line together, he played center, and I played right guard. And in those days, you didn't have an offense and a defense. You played both ways. You stayed in the game till it was over. And he and I became, as I say, the closest to friends down there in the middle of the line, where things got rough and tough. And one day, we played a team that didn't have any mix in its lineup.  And it was very obvious, and he was very vocal about it when we would line up against each other. He also played dirty against Berkey. In the huddle, I looked across once and saw Berkey, and his lip was bleeding, where he was biting it. He had already an injured knee before the game, and this fellow had found out about it. Evidently, he groaned at the wrong time, and he was using his dirty tactics to further hurt that knee. And Berkey was biting his lip to not show the pain. And in the huddle, we were some man. All of his teammates, we wanted to go after the fellow. And Berkey said, no, this is my problem. This is my fight, and no one knew anything about it. Well, Berkey played him all that game, and he didn't play dirty. He played clean. He just played the hit-em-hard kind of football that we're taught, and that's within the rules.  And his coach had to send in a substitute for him. And he started off the field. He was wobbling as he started off. And halfway to the sideline, he stopped. He stood there for a minute, then he turned around. And he came staggering back. Elbowed his way through the two teams as we stood there in the timeout waiting for play to resume. And up to Berkey and faced him. And then I saw he was crying. The tears were running down his face.  And Berkey took it. And he grabbed it with his other hand. And then crying, he said, I just want you to know, you're the greatest human being I've ever met. And turned and left the field. You see, just one individual with principles like that, like Dr. King and like Franklin Burkhardt. A conversion right there from hatred to respect and even liking in the part of another man. Well, I just couldn't go away without telling you that story. The world is so different today. And those of us who were a part of that revolution that Martin Luther King performed in, all of us, we are so happy for what has happened. And so happy to see all of you here together in this different kind of an America. You keep it that way and keep making it better. And now before I leave, I want to present a plaque, I should say, to your principal, Bill Dalton, in commemoration of Martin Luther King Jr.'s birthday. Thank you all again, very much.


How are you? Can we start? Well, that's it. Shall I say it with good morning? Hi. I'm Tagherid, or Tagherid. I study English literature. I'm from Palestine, Gaza. And this is my first time in Italy. I'm in my last year. I'm going to graduate. So you're already thinking about your thesis, I suppose? Yeah. You remind me. This is my first time out of Gaza, how to say, yeah. And I'm here as Erasmus Pulaski student at Siena. So I didn't know a lot about Siena. Actually, I searched on Google or on the web, something like that. And they told me that Siena was built on hills. And then when I came here, I've seen the ups and downs, ups and I said, OK, the hills now, this is the hills. And my university is in Nicolo. It's really close to my home here. And by the way, I love small cities. You can have your own life. I live in a university residence, Perandia. The very first days I came here, Siena was alone, not knowing anybody. The first people I've met, they were all Italian in my residence. So they say, OK, come down and talk to us. And the funny thing, I had a friend called Valeria. Me and her, we met before in a party. OK, Piacere Tagrid, Valeria. And then I was asleep and said, OK, bye-bye. But then in the class, in syntactical structures, I told her, OK, I've seen you before. And she told me, I've seen you before. And I was like, OK, where? Corti di Miracoli, yes. And then we became really close friends. We have funny, funny moments together. And then she introduced me to other friends, like Dario, Carlo, Elinora. These guys make it easier for me to adopt this situation. And then I start to know more people, yeah. This is like a funny story, because every time I say, I study English literature at Siena. And they told me, Siena, English.  So I keep saying, OK, this was a little bit a problem, if you could say, because I specialized in my university in English. I had a contract between the University of Siena and my university, QOU, Kotsoba University, back in Gaza. So even that was in Italian, I followed one literature course, like as a challenge for me. And I got 26 in the exam, so quite a success. And I only expected to learn Italian. Like, after six months, I wouldn't say that I speak Italian. I normally say umbo, when people start to speak really fast in a fluent. I told them, OK, non-barlo Italian. I was joking, umbo. And they were saying, you're in Siena, you're in Tuscany. Tuscany, Tuscany. And like, this is the origin of the Italian. Do you see how you could not speak Italian? My family is really happy to be in here. And they encouraged me to be here, too. And they told me, OK, you have to consider a master in Siena here. How do you find the people? Really great people. Now I could say the Italians, they're really nice. They're really helpful. And the Siena for me, it was like, a really, really great opportunity and a chance. When I went to Rome in October, and I found that chaotic city. So the first thing I said, I want to go home. Siena, you know? The funny thing, I've been involved in the Italian community more than the Erasmus community. You feel like important. You know, I'm international. I'm not European. But to live a daily life of the European thing, it was really different and really interesting. The people, they're interested to know your culture, especially your religion, for example. This makes good conversations to follow. What else do we need more than conversations, you know?