All right. Yo, what's good everyone Nick Smith is back. This is how the new lineup looks Jabari DeMarcus the answer Russell the Sunwhites had Alex the Joyner Glats and Julius Ronald Kelly Ubrey Miles Plumlee and injured Kobe Bryant and Yeah, sunny weems Monterey Harrell Johnny O Bryant JR Swish now I probably will make a trade a trade deadline getting rid of like Johnny O Bryant and maybe Mason Plumlee or Alex Len I'm not Mason Plumlee Miles Plumlee. So that will be our only trade for the rest of the season For this team because I really like the way that the team is looking now and in this episode We face up against two teams we face up against LeBron James and the Phoenix Suns and we also face up Again the one and only Chicago Bulls. So yeah, let's get into the game. This is a the games. Yeah Let's go So in the first game we're up against the Phoenix Suns Eric Bledsoe Monte Ellis LeBron Morris, this team is actually pretty good I was I was surprised to see how well these guys played as a team this man Jabari steps back hits that three Knocks it down. But what I'm gonna do is you're gonna see two games in this episode I told you before but I'll say it again Phoenix Suns and the Chicago Bulls And what I'm gonna do is show you guys the first quarter and the fourth quarter of both the games Doing what I do where I you know play two games But I only show you the first and the last because uh, you know why not I get more videos out for you guys And you guys can see more gameplay now. I have some major like update video coming Well, actually I can just tell you guys now. Um, that should have been a block That would have been crazy if it's not got that block He did get that one right there though. All right But I want to talk about a couple things in this episode first of all this week is Major exam week at my school. So from Wednesday to Friday. I have exams and as of now I'm recording this on the Tuesday night. So hopefully what I'm gonna do is I don't think I'll be able to get videos out just for two days But other than that, I'll be good to go for the rest of the days I just have to study for for example stuff It's like the only only time that I really don't get videos out for you guys when when I want to Or when I'm just like not busy, but yeah, I have to study for exams unfortunately But yeah, you'll only miss like one or two days And maybe if I you know do edit videos while I'm meant to be studying then you get to see another video But I don't think that's gonna happen. Anyway, I also want to say that this lineup that I run is always gonna change I've got Hassan White, Sir Julius Randall, DeMarcus Cousins, you know, Montreux Harrell, Alex Lann Miles Plummy just a whole bunch of centers on this team and Power Fowards that it's so interchangeable What I'm gonna do is when I face up against teams that have really good big men like for example the Clippers with Blake Griffin and Deontre Jordan or the Spurs with Tim Duncan and LaMarcus Oldridge or the Just teams that have really good big men I'm gonna run DeMarcus of Power Foward and Hassan White's side at center Or if I like the way that they're playing Just regularly then I might just run it as a lineup and run Randall off the bench But let me know what kind of lineup you want to see with this team You guys saw my lineup at the start of the video and yeah, tell me down below what lineup should I run? I'm thinking about running And also another team would be like the Chicago Bulls, which is what you're gonna see So I just gets blocks man same with boogie. It's it's a really nice front court Which I run right here and look at Kelly Ubrey slamming it down Kelly Ubrey doing what he does best thrown down the hammer This is what I like about having Hassan White's hand boogie. You get blocks rebounds and then fast break opportunities which lead to dunks That was a nice shot by Montaels if you haven't been watching the video Monta has been killing me This guy goes to work not in my house Get that out of here The Angelo Russell sends that back Morris gets that mid-range to go and this is pretty much the comeback that the Suns have right now 68 make it 70 to 74 LeBron hits this three to go 73 to 74 we haven't scored for like two and a half minutes and the Phoenix Suns take the lead with LeBron James They were on a 12 to 2 run to end the game Eric Bledsoe gets a steal and he gets a miss, but LeBron throws it down and we're down by a point right here So with 18 seconds left to go. We have a fast break opportunity Jabari Parker is the man the myth the legend He gets that mid-range to go which makes us have a one-point lead with 14 seconds to go This is why I picked Jabari Parker up man. He's Jabari and Wiggins. They're actually quite similar I didn't realize Jabari had this good of a dunk right now. I think it's like a 86 87 He can throw it down in this game and you're gonna see some more of Jabari when I play against the Bulls But 10 seconds left the Suns have a chance to win this game They go with Monte Ellis gives it to Len to LeBron for the win He misses and yours truly Nick Smith and the Los Angeles leg has come out with this win It was a nice win. I was pretty happy This was my first game with the new squad Jabari dropped 20 points and ten assists showing the rough around 67 for 11 7 for 11 shooting DeAndre Russell dropped 15 and 10 as well join a class and drop nine points The boogie only had nine points, but he didn't shoot very well three for seven and now we're facing up against the Chicago Bulls You're gonna see Derek Rose is like Derek Rose Derek Rose is like throwback Derek Rose is what I'm trying to say He is something else and this game was quite tough It was quite tough But you're gonna see it and you're gonna see what happens in this game and to start out I ran Hasan White's head at center and Demarcus of power forward because I'm up against Joakim Noah and I'm up against power to soul to like seven foot Power forward and send us and D Rose Absolutely posterized me right there and it's not the last time he does that either He's looking like throwback D Rose as you can see right there.  I'm so happy with the way Hasan White side has been playing. He's getting he's getting blocks Rebounds points. He's just doing what? He's just being a beast man. He's just being a beast He could be an all-star this year the way it's playing Kelly Ubre gets this to go And I can say it's 12 to 21 the only player that was getting me back in this game was Kelly Ubre Man 15 to 21 right now Jabari hits this mid-range to go 17 to 21 and now we fast-forward all the way to the fourth quarter and this is we we have to lead right here 63 to 58 but D Rose looking like throwback D Rose again throws it down makes it a three-point game He's flopping right there DeAngelo Russell hits that mid-range to go 65 and now 62 Boogie who go with a reverse star right there slams that one down and Boogie's still being boogie even with the Sunwhites on the squad, which is really nice Harold coming off the bench still throwing it down. How's a great pickup? I'm happy I picked up Harold like first season of this my GM series. He is an underrated big man in this game I'm telling you Harold's a beast Jabari gets an iso right here and throws it down Like I said before Jabari actually has a really good dunk rating D Rose I don't know how he got that finished to go But like I said looking like throwback D Rose the Sunwhites that gets that dunk to go and it's another one Another block to the Los Angeles Lakers Jordan Clarkson with the ball right here feeds DeAngelo Russell back to boogie This is what I call ball movement and this is what I call Yeah, posterize boy Whoo boogie throwing it down D Rose gets me with a crossover gets denied right there Powering us all gets denied right there because I'm telling you I'm telling you this front court of Hassan and boogie It just won't be stopped It's it's a better combination than Chris Bosch and Hassan Whiteside So, you know, they're gonna be beefing with Hassan and boogie D Rose though looking like throwback D Rose 72 to 77 we get a nice board right there Assange leading the break feeds it up to boogie another slam to DeMarcus Cousins and that pretty much wrapped up the game right there Six seconds left down by six. The Bulls won't come back from this That's a tough shot. He misses and the Lakers once again with this new squad come out on top with this win Boogie's happy a science happy about it. They're showing the love to each other They know it's a good front court. They know that they're not gonna be beaten So if you guys want to see some more gameplay With this Los Angeles Lakers my GM team and let me show you what happened power on the adfire shot No, I'm the ad for shots and Mira teacher only had like four shots All their big man could not score on DeMarcus and Hassan Whiteside and they also dominate like Assange up 15 and 12 with two blocks playing like the real Hassan Whiteside boogie drop 23 and 7 rebounds with five blocks Jabari doing work It's just a really fun team and when Kobe Bryant comes back and Jowsmith come back It's gonna get a whole ton better and the next game that we play as you can see Kobe Bryant has fully recovered So I'm gonna I'm gonna be playing In the next episode with Kobe Bryant and the new look Lakers team and once and for you guys that tell me to Change Jowsmith's number. I do change it and I change it to number two. So yeah, it's been wanted Smith I'm out. Hope you guys enjoy the video if you did leave a like since go if you're new I'm out Peace


Hi, everyone. I'm Alicia Anderson, and welcome to the swimming hall. I was supposed to meet some friends at the swimming hall, but how did I end up back here again? I wouldn't be surprised if I ran in a Shrek out here. Oh, woo, woo! So many mosquitoes, gross! All this stagnant water is just a breeding ground. I'm calling the code compliance office. This place needs a good old-fashioned cleanup. We have concern for two major mosquito diseases within the city of Fort Worth. One would be West Nile Virus, which is monitored routinely throughout the summertime throughout the mosquito population. The other main concern right now is Zika, which we haven't had a huge problem with as far as local transmission, so the mosquitoes don't have Zika yet here. But it is a concern that if people come back from their travels, that they may bring Zika in and then our mosquitoes could get it from biting a person. Limiting the number of mosquitoes in your area is very important. The best thing to do is drain your standing water. Any kind of container that may hold water for five to seven days would be a potential place where mosquitoes would want to lay eggs and then hatch out of. So even buckets in the backyard, dog bowls, old tires, if they happen to be laying around, those are all good containers for mosquitoes to breed and lay eggs. And then to prevent bite, wear your deet and wear long sleeves if at all possible. I know it's Texas and it's hot, but wear long sleeves and long pants if at all possible. Try to avoid going out. Dusk and dawn is very good for the West Nile type mosquitoes. Unfortunately, the mosquitoes that may transmit Zika do bite during the day as well. So it's a little bit harder to say that. If you see standing water on a street or an empty lot or even an abandoned swimming pool, you can call the city's hotline at<PHONE_NUMBER>. Here's a look at other events happening in and around Fort Worth in the next few weeks for a listing of more events and city meetings. You always can check the calendar at the city's website.


That is about memorializing the events that happened on 9-11, 2001. The firemen here are going to be having their bunker gear on, running up the stairs to simulate the same thing that happened to the firemen as they were running up into the towers in New York. It's to gain awareness for the National Fallen Firefighters Foundation. It's an organization that supports the families of firefighters that died in the line of duty. It's a tremendous organization that does a lot for the families. The group is absolutely amazing. Whenever we're called to play, we play. The main mission in both bands is to honor our fallen. We honor all first responders and military. So whenever there is a line of duty death or a memorial or anything that has to pertain with any of that, everybody in the group steps up to come and memorialize what we were founded for.


Everybody forced here ripping 21 22 leaf pro multi-sport one box number 14 random hit style We will open the box type in the hits as we go do the random at the end to see who gets what thanks for joining everybody best of luck here Yeah, what's up everybody watching calls world series. They probably should make him stop shaking it and come check it out Oh, that's about to Yeah, base is still loaded now. So one out need a double play This is a big moment right here. All right, let's do it first up is a Julius Irving auto 5 out of 10 Julius Irving auto 5 out of 10 We can attend just tend to go on optic choice 5 bucks number 6 Nice doctor J to start us off. Oh Steve's here next Steph courier auto 5 of 8 Dr. Jane step basketball royalty with back-to-back hits Steph courier auto 5 of 8 look on the step in the random Yeah, Von. I know there wasn't there wasn't an L way a Montana a Marina. There was any of those Signatures 8. Oh boy. Oh geez 404 Jenny Finch Michelle we west Haley Deegan hope solo Amanda Nunes Chloe Kim Naomi Osaka and Kerry Walsh Jennings Good luck on that That's so sick Go softball pitcher one of the best golfers one of the best drivers goalkeeper women's national team legend one of the best fighters One of the snowboarder tennis player beach volleyball player. That's nasty 404 signatures 8 Ladies there. I think Sam pulled the one of one of that card on was a Saturday. Yeah, dude. That was cool. Yeah, for sure This might be a cut. Oh It's in a top-loader Cut long Not a cut. Wow dual patch auto Troy Aikman and Dan Marino one of two Paragon dual signatures It's like a partial logo on Marino. It looks like Aikman and Marino dual patch auto one of two. I believe that will be a partial logo dolphin logo The old-school dolphin logo on the marino there next up John Cena pearl eight of ten You can't see him You can't see him. You just can't John Cena pearl. Hey, I so I said Shadia. I'm telling you telling you man Next up Dan Marino pearl three of six And we're gonna Pearl three six got a paylay hallowed heroes six-way Jersey card paylay with the game worn Relic card here four of eight Come on in patch Stan muse. You'll two of four Is that upside down to you? I think that's the you right has to be There's nothing else in his name that it could be they put the patch upside down Stan muse you'll let him in patch to a four Good luck on that too. It's pretty nasty stuff. It's fun, man. It's not a lot of fun Quarterback bling on the Drew Brees auto 11 to 44 Drew Brees auto 11 to 44. Come on. Let's finish strong here last two John Stockton hallowed heroes Jersey card two of six. Yeah, two of six on the on the Stockton hallowed heroes What's up Mac Steve you calling us noobs Steve Steve Steve are the biggest deal with them all And God's signature 17 of 20 Muhammad Ali the greatest He is the greatest self-proclaimed greatest and also just the greatest Muhammad Ali cut auto 17 of 20 Peace good luck on that some monsters are getting this one here. Good luck everybody Randomized seven times on both categories here names and hits will put them side by side to see who gets what names first one two three four five six and seven Chris M down to Rakesh see and The hit seven times one two three four five six and seven Stan Musial down to paylay All right Chris M Stan Musial Scott F with the cut auto Muhammad Ali Richard W. The Steph Curry auto Joel B The John Cena Pearl Jason a the Marino and Akeman dual-patch auto tie F the dr. J auto Scott B Dan Marino Pearl Jason a the Stockton Jersey card James D the signatures eight four or four Brian G the Drew Brees auto and Rakesh with the paylay six-way Jersey card We get the results posted to the site. Thanks again everybody moving on to basketball


Everybody for us here rip in 2122 prison basketball first offline and hobby 2 bucks make sure number 23 Random teams you can always find these results at late in sports cards calm Make sure joining everybody and good luck Yeah, I thought Dempster was on that World Series team. I remember him. I was like was he with him in 13? I was like no had to be sooner. I was like no he wasn't there during the 2011 collapse for the Bobby Valentine stuff So yeah, I was like I guess it was 2013 because he didn't stick around long after that No, no personals tonight personals were resumed tomorrow night after group breaks On Sundays, we do personals during the day So they don't like five hours with the personals today Getting pulsar for the Nets chasing kid purple ice tea Wolves Kevin Garnett 19 of 149 you guys Matt's baseball break started 10 a.m. Eastern on the Layton baseball breaks channel Silver Pacers Chris Leverts Red Lakers Cole Anthony 44 of 299 Got Lewis Come on big color Ruby wave calves Colin Sexton Hyper Sixers Tyrese Maxie God Springer Bassey Silver Osmond for the calves Silver widescreen Zion Pelicans Suns Otto Tom googly otta sensational signature silver Sons on the googly otta young Johnson base Orange prism Nets Deandre Jordan this one's number 37 to 49 Silver rookie Kings Nimes Keita Hyper Celtics Bill Russell all George team were brawn there Ruby wave Hawks Clint Capella Purple prism rookie Wizards Isaiah Todd Todd number 31 of 99 Robert Jones Haven't even seen a very big rookie base yet Silver pistons Josh Jackson Red prism Wizards Daniel Gafford 135 of 299 Damian Lillard 75 years insert Blazers Dwarte base rookie Pacers Duncan and Josh Christopher Ruby waves Celtics Marcus smart Hyper Maverick Steve Nash bones Highland rookie for the nugs Come on some big dollar. Come on the Edwards second year Silver drumming for the Sixers Silver prismatic Nets James Harden Thanks, LSC fan Blue prism Pacers TJ Warren Collar matches numbered 76 of 199 and Raptors rookie Otto Silver Scotty Barnes Sick hit Raptors Cowabunga. We'll get that bag for your Raptors awesome hits Jonathan as with the Raptors. There's a mobility base rookie man Brandon Boston Silverwilt Chamberlain Warriors Hyper Aminu for the Spurs Come on first off the line box Outside of that Barnes, not the best hobby box Gotta make up for right here guys. Come on big first off the line box Big shimmers other big color as well. Let's see it Remember guys. We still got football breaks to get filled up here got immaculate and we've got The Sunday fun day. Here's a link for immaculate breaks in a bit Two random teams for spotting the tier random teams case Silver magic Robin Lopez silver mindset jazz Donovan Mitchell Aaron Wiggins rookie Otto for the Thunder butler Ruby wave Hornets Alonzo morning purple not rookie, but purple Xavier Tillman Grizzlies 17 of 99 Jonathan Kaminga rookie base Anthony Edwards second year Silver Nets rookie Kessler Edwards a hyper Celtics Paul Pierce And a Scotty Barnes base rookie for the Raptors Magic silver Chuma o Kiki red for the Bulls Zach Levine on the color match Nice one there 285 of 299 Pulsar Duncan Robinson heat Hyper rookie Cade Cunningham. There we go There you go Pistons very nice card there I don't know if the centerings perfect, but it looks pretty good There we go Pistons will mag that for you I'm the color Schveely and a Cade base Ruby wave Simone of its Bulls rookie red Marcus Howard for the Nuggets to 33 at 299 Shreve Cooper Cameron Thomas Silver Magic Terence Ross Blue Nuggets Marcus Howard badly off-centered there 32 of 199 Corey Kispert 75 years for the Wizards Also in the box, there's like a surface issue with this one too. I didn't see it first right there Yeah, we'll send the Boxing Rapper with the Nuggets gonna get the Boxing Rapper Yeah, so looking for our shimmers five packs left Ruby wave Bulls Alex Caruso hyper Jazz Mike Conley Rubber rookie moody rookie base for the dubs Silver Nets James Harden silver Anthony Edwards fireworks T-wolves Fearless LeBron Primo rookie spurs book night rookie Hornets. I think I see a shimmer coming. Yep behind this OB top and is a blue shimmer That's the top it's not a rookie Purple probably yeah purple and gold. It's gonna be a Laker. I bet Hard to imagine it not being come on. Let's see a LeBron Taylor Norton Tucker Lakers blue shimmer seven of 30 I would say that was LeBron a hyper mindset Chris Paul Sons Chris Duarte rookie out of Pacers Pacers Garland sharp Robinson One more shimmer coming up Silver for the next Pat Ewing Hyper bucks Dante de Vicenzo the last packs got a blue shimmer. It is a non rookie again. It is a Buck Purple and green maybe a ray Allen Jason Williams Kings on the purple purple right there was a Those kings that is a Jason Williams Kings 14 of 30 nice white chocolate there And a mojo for the Nets play Griffin 7 of 25 back-to-back cards number to 25 this one Nets Wide screen Lamello It's a Davion rookie in there And that is gonna do it. Thanks again everybody. We've got more basketball coming up


Assalamu alaikum students. I am Vasim Iqram. This is the third lecture in a series of 45 lectures on digital logic design. I hope you have looked at the examples and done exercises mentioned at the end of the chapter on number system. Let's start today's lecture by reviewing and revising the main topics discussed in the last lecture. In the last lecture, we talked about converting numbers from binary to decimal and from decimal to binary. Well, we discussed a number of methods, but the two main methods are the sum of weight method and the repeated division. Sum of weight method you would use to convert a number in any number system into decimal. So, you know you write an expression in terms of the base number and weights. Ultimately, you solve the expression and you get the equivalent decimal number. Converting from decimal to binary uses the repeated division by two method. So, you have a decimal number, you divide it by two, you get a quotient value, you get a remainder. If you note down the remainder, you divide the quotient value again by two. So, you keep on dividing the quotient value by two until you get a quotient value which is zero. That indicates the end of conversion. You write out the remainder values that gives you the binary equivalent of the decimal number. The next important topic which we discussed in the last lecture was binary arithmetic. We discussed binary addition, binary subtraction, multiplication and division. Now, all these four operations were very similar to the arithmetic operations which we performed with decimal numbers. For example, in the addition, a carry is generated. Well, when you perform addition with decimal numbers, a carry is generated. Similarly, when you perform binary subtraction, you have to borrow. If the number which you are subtracting is greater than the other number. Similarly, in decimal number system, you have to borrow sometimes. You have to be careful that in binary number system, you are dealing with binary numbers. Whereas, decimal number systems, you are dealing with decimal numbers. The other thing which we discussed was multiplication and division by constant numbers. So, how do you multiply a number, let us say by two? Well, in the case of binary numbers, if you shift left a number by one digit, that is like multiplying it by two. So, if you shift a binary number twice towards left, that is like multiplying by four. How do you divide by two? Well, if you shift the binary number towards right by one bit or one digit, that is like dividing by two. If you shift the binary number right by two bits, that is like dividing by four. In fact, in the last lecture, I mentioned an example. The number was 101 and I mentioned if you shift that number by two bits towards right, what do you get? You get 1.01 and the answer was 1.25. In the last lecture, I mentioned that it was 0.101. I hope you caught the error. The third important topic which we discussed in the last lecture was representing binary numbers. We talked about three different ways of representing binary numbers. The first one was the unsigned representation. We said that up till now, we have been dealing with only positive numbers. We assume that they are all positive numbers. So, we do not need to put a positive sign. The second method was the signed magnitude representation. In all practical cases, we would be dealing with positive numbers as well as negative numbers. So, we need to have a sign indicating if the number is positive or negative. Now, we said in a binary number system or digital systems do not or cannot represent a positive sign or a negative sign. Everything has to be represented in terms of 1s and 0s. So, in the signed magnitude representation, the most significant bit, the most significant left bit represents the sign. If it is set to 1, it indicates a negative number. If it is set to 0, it indicates a positive number. We talked about the 2s complement representation. Again, 2s complement representation allows you to represent positive as well as negative numbers. Now, positive numbers are represented in their original form in 2s complement. So, for example, the most significant bit would be a 0 representing the sign which is positive and the least significant bits would be representing the magnitude of the number. Negative numbers are represented in their 2s complement form. So, consider the number 13, it is 0, 1, 1, 0, 1. So, how would you represent it? In its 2s complement form, you have to take its 1s complement. So, what is the 1s complement of positive 13? It is 1, 0, 0, 1, 0. That is, you invert all the bits. Now, how do you take the 2s complement? You just add a 1 to the 1s complement of 13. That would give you 1, 0, 0, 1 and 1. Now, last time, we looked at addition and subtraction using numbers represented in their 2s complement form. Now, why did we do that? What is the important thing about 2s complement numbers? Let us consider an example. Let us repeat the same subtractions and additions using numbers represented in their signed magnitude form. Consider the 4 addition and subtraction operations as shown in the last lecture. The 4 operations are sum of 5 and 2, which results in 7. Sum of minus 5 and minus 2, which results in minus 7. Sum of plus 5 and minus 2, or you subtract 2 from 5, the result is positive 3. And the 4th operation, sum of minus 5 and 2, which results in minus 3. Or you could say it is 2 minus 5. Now, all these numbers are represented in their 2s complement form. The results are also in their 2s complement form. For example, the addition of minus 5 and minus 2 results in minus 7. In terms of binary, you see the number 1, 1, 0, 0, 1. The most significant bit is the carry bit. It can be neglected. So, you end up with the number 1, 0, 0, 1. Now, this is not minus 7. In fact, it is 2s complement of 7. Similarly, when you add minus 5 and plus 2, you get the result minus 3. 1, 1, 0, 1 is 2s complement of 3. It is in fact representing minus 3. Now, let us perform these addition and subtraction operations using the same set of numbers represented in their signed magnitude form. So, let us consider the first operation, the addition of plus 5 and plus 2. Now, in the signed binary representation plus 5 is 0, 1, 0, 1. The most significant bit is 0, which represents the sign. And the least 3 significant bits represent the magnitude, the number 5. Similarly, plus 2 is represented in its signed magnitude form. The result is plus 7. In terms of binary, it is 0, 1, 1, 1. The most significant bit, which is 0, represents the positive symbol or the positive sign. And the least significant 3 bits are all 1s, which represent the magnitude 7. Let us consider the second example, addition of minus 5 and minus 2. The result is minus 7. Now, minus 5 is represented in its signed magnitude form as 1, 1, 0, 1. The most significant bit 1 represents the negative sign. The last 3 bits 1, 0, 1 represent the magnitude. So, it is 5. Similarly, minus 2 is represented as 1, 0, 1, 0. The most significant bit 1 represents the negative sign. And the last 3 bits 0, 1, 0 represent the magnitude 2. Now, if you look at the answer, the answer does not represent minus 7. Minus 7 should be represented in its signed magnitude form as 1, 1, 1, 1. But here, you can see 0, 1, 1, 1. If you neglect the carry, this represents positive 7, which is incorrect. Let us consider this third case. We are adding 5 to minus 2, or rather we are subtracting 2 from 5. Now, 5 is represented as 0, 1, 0, 1 in its signed magnitude form. Similarly, minus 2 is represented as 1, 0, 1, 0. Now, what should be the answer? It is, of course, plus 3 and in its signed magnitude form, the number should be 0, 0, 1, 1. But here, you can see it is 1, 1, 1, 1. So, the answer has to be converted into the signed magnitude form. Let us consider the fourth case. Minus 5 is being added to 2, or you are performing a subtraction operation. 5 is being subtracted from 2. The answer is minus 3. Now, minus 3 is represented in its signed magnitude form as 1, 0, 1, 1. But here, the answer is 1, 1, 1, 1. In fact, adding 5 to minus 2 gives you the answer 1, 1, 1, 1. And adding 2 to minus 5 again gives you the same answer. So, both answers are not in their correct form. If you compare the 2's complement subtraction and addition, you find the answers to be in their correct 2's complement form. Now, what did you observe when you compared the subtraction and addition operations on the same set of numbers using 2's complement representation and 2's magnitude, sorry, signed magnitude representation? Well, in the case of 2's complement addition and subtraction, the result was always correct. Of course, it was represented in its 2's complement form, but if you converted into decimal, you would get the correct answer in decimal. Now, considering the signed magnitude representation, the answer in 2 cases was not correct, rather 3 cases was not correct. So, in order to get the correct answer, you have to do some sort of conversion. Now, let's suppose your digital system is adding or subtracting numbers represented in their signed magnitude form. Well, the answer would not be correct. You don't need to have an extra step where the numbers are changed or converted into their correct form. In the case of 2's complement, the number would always be correct. Now, what is the second advantage of representing numbers in 2's complement? Well, as you have seen, you don't need to subtract. You simply perform add operations. Well, you can add 2 positive numbers. You can add a positive number and a negative number or you could simply add 2 negative numbers. The result is always correct. Now, let's suppose you are designing a calculator which only performs add operations and subtract operations. So, in that particular calculator, if you are using 2's complement representation, you would only require a single adder circuit. You would not require a separate subtractive circuit. Let us now consider the range of numbers which can be added and subtracted. Last time, we looked at representing positive numbers from 7 to negative numbers up to minus 8 using the unsigned representation, the signed magnitude representation and the 2's complement representation. Now, in the case of unsigned representation, you can only represent positive numbers. So, from 0 to 7 numbers, positive numbers can be represented and you only require 3 bits. In the case of signed magnitude representation, you can only represent numbers from positive 7 to negative 7 and 4 bits are required. The most significant bit represents the sign. It's 1 for negative numbers and it's 0 for positive numbers. In the case of 2's complement representation, the range of numbers which can be represented using 4 bits, it's from plus 7, positive 7 to minus 8. Now, can you add 2 and minus 7 using unsigned number representation? Well, the answer is no. Why? Because you cannot represent a negative number in unsigned representation. Now, can you add 2 and 7? Well, the answer is 9. In unsigned number representation, which we have just discussed using 3 bits, the maximum positive number which you can represent is 7. So, 2 plus 7 would give you 9, which of course, you cannot represent using 3 bits. If you had 4 bits to represent unsigned numbers, then of course, you could have added 2 and 7. So, all the representations have a certain maximum range. Let's take the 2's complement representation. We have been using 4 bits. So, what can you, let's say, add minus 1 and minus 9? The answer is no, because you would get minus 10 and it cannot be represented using 4 bit 2's complement representation. Let's have a look at some examples which help us in determining if an overflow has occurred in the case of 2's complement number representation. Considering the 4 bit 2's complement representation, the maximum negative number which we can represent is minus 8. So, let's add minus 5 and minus 3. The answer is minus 8. As you can see, the 2's complement binary representation is 1, 1, 0, 0, 0. If you discard the carry, the answer is 1, 0, 0, 0, which in fact correctly identifies minus 8 in its 2's complement form. Now, let's add minus 5 and minus 4. The answer is minus 9. The answer, as you can see, is 1, 0, 1, 1, 1. Now, if you neglect the carry, what did you get? It's 0, 1, 1, 1. Now, if you observe the answer, you see a 0 in the most significant bit, which indicates a positive number, which is incorrect. The answer is minus 9. Now, if you observe the most significant bits of minus 5 and minus 4, they are both 1's. What do these bits indicate? The bits indicate that both the numbers are negative. So, if you add two negative numbers, the result should be negative. But in this particular case, you see a 0 as the sign bit for negative 9, which is incorrect. Consider another example. Let's add positive 5 and positive 4. The answer is 9. Now, the 2's complement representation of 9 gives you 1, 0, 0, 1. Now, observe the sign bit. It is 1, which means the number is negative, which is incorrect. So, when you add two negative numbers using 2's complement representation, the answer should be, again, a negative number. So, the sign bits of the two input numbers and the sign bit of the output number should be the same. Now, if you add two positive numbers, the result should be positive. So, the sign bits of the two inputs as well as the result should all be 0's. Now, if you add two negative numbers and the result somehow comes out to be positive, that indicates an overflow. So, the number is too large to be represented by the 2's complement representation. So, either you increase the number of bits to allow you to represent larger numbers or you just discard the result. Now, let us find out what is the largest number which a digital system can represent, like your calculator or your computer. Well, computers can easily handle 64-bit unsigned numbers. So, what is the value in terms of decimal? Well, if you consider two bits to represent an unsigned number, what is the largest value in decimal? Well, it is 2 raised to power 2, 2 bits minus 1. So, the largest number which you can represent using two binary bits is 3. Now, a computer, as I have said, can represent numbers using 64 bits. So, what is the largest number? It is 2 raised to power 64 minus 1. That is quite a large number, something into 10 raised to power 18. Now, your calculator or your computer would like to represent very large numbers or very small numbers or numbers which have an integer part and a fraction part. Now, the three different representations, the unsigned, the signed magnitude and the two's complementary representation, they all handle only integer numbers within a specified range. Now, in digital systems, we have a floating-point notation which allows us to represent very large numbers, very small numbers and numbers which have an integer part and a fraction part. There is a standard which is known as the ANSI IEEE 754 standard which defines the format of the single precision 32-bit floating-point number. Now, what is the exact format? Well, the most significant bit is used to represent the sign of the number. The next 8 bits are used to represent the exponent part of the number and the remaining 23 bits are used to represent the mantissa or the fraction. So, in fact, the number, very large numbers or very small numbers are written in the exponential form. Let us have a look how we would be writing large numbers or small numbers using this particular floating-point format. To help us in understanding this 32-bit single precision floating-point format, let us consider the example of a decimal number represented in a similar format. Let us have a decimal format which is 15 digits long. Similar to the 32-bit floating-point format, you have a single digit which represents the sign of the decimal number. You have two bits or rather two digits which represent the exponent. In the 32-bit floating-point format, we had 8 bits which represent the exponent. The remaining 12 bits in the decimal format represent the fraction part or the mantissa. In the 32-bit binary floating-point representation, we had 23 bits which represent the mantissa or the fraction part. Now, let us have a look at an example of a decimal number which has an integer part and a fraction part. Let us represent it using this 15-digit decimal floating-point representation. The 15-digit decimal floating-point representation has its most significant digit representing the sign digit. The next two digits represent the exponent digits and the last 12 digits represent the mantissa or the fraction part. Consider the number 6918.3125. This can be written in an exponential form. 6.9183125 into 10 power 3. Now, what is the magnitude of this number? The magnitude is 69183125. What is the exponent? It is 3. The number is written in its normalized form. What do we mean by normalized form? We bring the decimal point to the extreme left of the number. Now, the decimal number is written as 0.69183125 into 10 power 4. The magnitude remains the same. It is 69183125. The exponent is 4. Now, how do we represent this number using the 15-digit floating-point decimal representation? Well, the most significant digit has the positive sign indicating that this number is positive. The next two digits have the value 4, which represents the exponent. The last 12 digits have the number 69183125, remaining digits are set to 0. Now, what is the largest number which you can represent using this 15-digit floating-point representation? Well, the number is if you consider the exponent part, the exponent is 99. If you consider the fraction or the mantissa part, you have 12 9s. So, 12 9s into 10 power 99. That is the maximum number which you can represent using this 15-digit decimal floating-point representation. Now, how do you represent the value 0 using this decimal representation? Well, if the mantissa or the fraction part is set to 0, whatever the exponent part, the number is 0. Now, can you represent a very small number using this 15-digit decimal floating-point representation? Well, the answer is no. The smallest number which you can represent is 0. So, how do we represent smaller numbers smaller than 0? And secondly, exponents can be positive as well as negative. Now, the 2-digit field which represents the exponent can only represent positive exponents from 0 to 99. So, what is the solution to this? Well, you have two options to represent a negative exponent. The first option is to increase the exponent field to 3 digits. So, the first digit would represent the sign of the exponent and the remaining 2 digits would be representing the magnitude. So, you could have plus 99 exponent or minus 99 exponent. Now, if you increase the digit to represent positive as well as negative exponents, you have increased the total size of the decimal floating-point to 16 digits. The second option is to reduce the range of exponents which you can represent. How can we do that? We used a biased 50 counting method. What is the biased 50 counting method? Let us suppose the exponent which you need to represent is 49. Now, instead of writing 49 in the 2 digits meant for the exponent field, you add the biased number 50 to 49 which gives you 99. Let us consider a negative exponent such as minus 1.  So, you write 49 in the 2-digit exponent field. Now, if we use the second option, the biased 50 option to represent the exponent, what is the range of exponent values which we can have? Well, the positive, the maximum positive exponent can be 49 because if you add 50 to 49, you get a value of 99 which you can place in the 2-digit exponent field. What is the smallest exponent value which you can use? Well, you are going to be adding the biased 50 value to the actual exponent. So, let us suppose the actual exponent which you need to represent is minus 50. When you add the biased value which is 50, you end up with 0. So, the range of exponents which you can represent using a 2-digit exponent field is from positive 49 to minus 50. We have still not solved the problem of representing the number infinity. When you divide something by 0, you get an infinite number. Now, this floating point representation should have a mechanism to represent the infinite number. Do you have any idea how we can represent the number infinite using this 15-digit decimal representation? Well, the solution to this is that we reserve the exponent 99 to represent the number infinite. How do we do that? Well, again we have two options. Either we allow the maximum positive exponent to be 48. You cannot go beyond that. So, 48 plus 50, the biased value would give you an exponent value of 98. Now, if you need to represent an infinite number, you just have the exponent 99. What is the smallest value? It remains at minus 50. But let us suppose that you reserve the exponent value, the 2-digit exponent value 0 to represent the number 0. So, let us just summarize. The exponent value of 99 is used to represent the infinite number and the exponent value 0 is used to represent the actual value 0. Now, in order to do this, you need to decrease the range of exponent values which you can represent. So, as I have said before, the maximum exponent positive value would be 48 and the smallest negative exponent value would be minus 49. The other option to represent an infinite number and the number 0 is to reduce the biased value to 49. So, by reducing the biased value to 49, what is the largest exponent which we can represent? Well, it is not 48, but 49 because when you add the exponent 49 to the biased value 49, you get 98. You still have the number 99 or the exponent 99 to represent the value infinite. What is the smallest exponent value, the negative exponent value? Well, it has decreased to minus 48. So, minus 48 plus the biased value 49 would give you 1. That still leaves you with the exponent 0 to represent the number 0. Now, let us represent the decimal number 6918.3125 using the 32-bit single precision floating point format. Now, the decimal number 6918.3125 can be written in terms of binary as 1 1 0 1, 1 0 0 0, 0 0 1 1 0, 0.0101. The binary number has to be written in its normalized form. So, what is the normalized form of the binary number? It is 1.101, 0 0 0, 0 0, 1 1, 0 0, 1 0 1 into 2 power 12. What is the sign bet? Of course, the number is positive. So, the sign bet is 0. What is the exponent? The exponent is 12, 2 raise to power 12. The 32-bit single precision floating point format uses a biased 127 counting system. So, the exponent value 12 is added to 127, which results in 139. So, the 8-bit exponent field has the number 139, of course, represented in binary. What is the Mentessa part? The Mentessa part has the value 1 0, 1 1 0, 0 0 0, 0 1 1, 0 0 1, 0 1 0 and all the remaining bits are set to 0. The Mentessa part does not have the 1, which is immediately to the left of the decimal point. It is assumed that the 1 is there. So, it is considered to be a hidden 1. So, when the single precision format is converted back into binary format, the 1 is appended. Let us consider a few examples of floating point numbers. Consider the first example, positive 1.101 into 2 power 5. What is the sine bit? It is positive. The number is positive. What is the 8-bit exponent field? Well, the exponent is 5. Since we are using biased 127 number system, the exponent value is 5 plus 127, 132, 132, represented in binary, of course. What is the Mentessa part? Well, the number 1.101 into 2 power 5 is in its normalized form. So, we forget about the 1 immediately to the left of the decimal point. It is considered to be a hidden 1. So, the Mentessa part has the value 1 0, 1 and all the remaining bits are set to 0. Consider the second example. The number is minus 1.01011 into 2 power minus 126. What is the sine bit? The sine bit is 1 because the number is negative. What is the exponent value? Well, the exponent is negative 126. Since we are using biased 127 number system, you add the number 127 to minus 126. The result is 1. So, the exponent field has the value 1. What is the Mentessa part? Again, neglecting the hidden 1, which is immediately to the left of the decimal point, the Mentessa value is 01011. All the remaining bits are set to 0. Let us consider the third example. The number 0. How is it represented using the 32-bit floating point format? The sine is set to 0. It could also be set to 1. The exponent is all 0s. As we said, 0 value is represented by the exponent 0. The Mentessa field has all 0s. Let us consider how we represent the value in finite. The sine bit is set to 0. The exponent field is set to all 1s. In the 32-bit floating point binary representation, all 1s in the exponent field represent infinite and all 0s in the exponent field represent the number 0. The Mentessa has all 0 bits. Let us discuss the 32-bit floating point representation, which allows us to represent very large numbers, very small numbers and numbers which have an integer part and a fraction part. The previous three representations, the unsigned, the sine magnitude and the 2s complement only allowed us to represent small integer numbers, negative and positive. To represent even larger numbers or very small numbers, the 64-bit floating point double precision representation. To write very large binary numbers in the unsigned format, you would have a very long string of 1s and 0s. When you write such long strings, it is possible to make mistakes. How do you simplify writing long binary strings? Or how do you represent such long binary numbers or strings? Let us talk about hexadecimal numbers, which allow us to write such long binary strings in terms of short or small numbers. The hexadecimal number system is a base-16 number system. Since it is a base-16 number system, it has 16 different values. 0, 1, 2, 3 up to 9. Then the next six values are written as A, B, C, D, E and F. So, the hexadecimal number system has values ranging from the number 0 up to F. As I have said, the utility of the hexadecimal number system is to write long binary numbers in a concise or compact form. Let us see how we can count in hexadecimal number system. We can even add or perform other arithmetic operations with numbers written in the hexadecimal number system. So, let us have a look. The hexadecimal number system is a base-16 number system. It has 16 distinct values. The first 16 values in the hexadecimal number system are identical to the first 10 values in the decimal number system. So, they are 0 to 9. The remaining six values in the hexadecimal number system are A, B, C, D, E and F. Now, how do we count in hexadecimal number system? The value F represents the decimal number 15. So, how do we represent the decimal number 16? Well, in the hexadecimal number system, you have to use two digits to represent the number 16. The most significant digit is set to 1 and the least significant digit is set to 0. So, this combination of two digits with the most significant digit set to 1 and the least significant digit varying from 0 to F can count up to the number decimal 31. To count or to represent decimal number 32, the hexadecimal number used as 2, 0. So, for the next 16 decimal values starting from 32, the hexadecimal equivalent value would be a 2 digit number, the most significant digit being a 2 and the least significant digit varying from 0 to F. Binary numbers have to be converted into hexadecimal. As we have said, hexadecimal number system is used to represent long binary numbers in a compact and concise form. So, to convert from binary to hexadecimal, simply write the binary string, organize the string into groups of fours. So, considering the binary number 110, 101, 101, 011, 100, 101, 10, it is broken up into five groups of four binary bits. The conversion is very simple. Starting from the least significant group, simply write the hex number representing the four-bit binary number. So, 011, 0 is represented as 6 hexadecimal. The next group 1001, it is equivalent to 9 hexadecimal. Similarly, the third group 101, 1 is equivalent to B hexadecimal and so on. How do we convert from hexadecimal to binary? Well, consider the example of FD13, a hexadecimal number. Each hexadecimal number is represented by a group of four bits. So, starting from the least significant hexadecimal digit 3, its binary equivalent is 0011. The next hexadecimal digit 1, its binary equivalent is 0001. The third hexadecimal digit D has the binary equivalent of 1101 and the final hexadecimal digit F has the binary equivalent 1111. Now, if you combine all these eight bits, it gives the binary representation of the hexadecimal number FD13. We have just seen examples of counting in hexadecimal. We have also seen examples of converting from binary to hexadecimal and from hexadecimal to binary. The conversion from binary to hexadecimal and vice versa is very easy. We are also interested in converting from decimal to hexadecimal and from hexadecimal to decimal. So, what are the methods which are going to be used for converting between decimal and hexadecimal? So, how do you convert a number from any number system into decimal? Well, you use the sum of weights method. Similarly, when you are converting from hexadecimal to decimal, you would use the sum of weights method. You would write out an expression. The base value is 16. You can use an indirect method to convert from hexadecimal to decimal. The indirect method would be you first convert the hexadecimal number to binary and then from binary to decimal. Now, how would you convert from decimal to hexadecimal? Well, one of the methods which we can use is the indirect method. You first convert into binary and then from binary to hexadecimal. The other method is divide by 16 or the repeated division by 16. Now, in this method, you have a decimal number which you need to represent an hexadecimal. You divide the decimal number by 16. You get a quotient value and a remainder. So, you note down the remainder. You divide the quotient again by 16.  So, you again store the remainder and you divide the quotient again by 16. You would end up with a quotient value of 0. This indicates that the conversion has been completed. So now, if you write out the remainder numbers which you had noted, that would give you the hexadecimal representation of the decimal number. Let us have a look at both these examples. Let us consider the example of converting hexadecimal to decimal using the sum of weights method. The number, the hexadecimal number CA02 is to be converted. An expression in terms of the base number 16 and weights is written. The expression is solved to give four sum terms. The most significant sum term is 49152. The second most significant sum term is 2560 and then the term 0 and the least significant sum term is 2. If you add all these terms, you end up with 51714. So, the decimal equivalent of CA02, the hexadecimal number is 51714. Now, consider the conversion of the decimal number into a hexadecimal number by using the repeated division by 16 method. The decimal number 2096 is divided by 16 to give you a quotient value of 131 and the remainder is 0. The quotient value 131 is again divided by 16 to give you another quotient value of 8 and the remainder 3. The remainder 3 is noted and the quotient value 8 is divided again by 16. The new quotient value is 0 and the remainder is 8. Since the quotient value is 0, that means the end of the conversion process. So, the hexadecimal equivalent of decimal 2096 is 830 hexadecimal. Let us consider adding hexadecimal numbers. Consider the two hexadecimal numbers 2AC6 and the number 92B5. Let us start by adding the two least significant hexadecimal digits 6 and 5. The result is 11 and decimal. How do you represent 11 and hexadecimal? It is equivalent to B. So, no carry is generated in this particular case. Let us add the two hexadecimal numbers C and B. C is equal to 12 and decimal and B is equal to 11 and decimal. So, the sum of C and B is equal to 23 and decimal. The hexadecimal equivalent of 23 is 17. So, basically it is a two digit number. The sum is 7 and the carry is 1. Now, adding the digit A and the digit 2 along with the carry generated from the previous two digits. The answer is 13 decimal. 13 decimal is represented in hexadecimal as D. No carry is of course generated. Finally, adding the most significant hexadecimal digits 2 and 9 results in 11 decimal, which is equivalent to B in hexadecimal. So, the answer is BD7B. Hexadecimal addition is similar to binary addition and decimal addition carries are generated. Let us subtract one hexadecimal number from another hexadecimal number. Let us consider the first hexadecimal number to be 9 to B5. And from this, we subtract 2AC6, the other hexadecimal number. Now, subtracting 6 from hexadecimal number 5 is not possible as 6 is larger than 5. So, what we do? We borrow a 1 from the next highest hexadecimal digit. Now, borrowing a 1 in hexadecimal number system means borrowing a 16. Borrowing a 1 in decimal number system means borrowing a 10. Borrowing a 1 in binary number system means borrowing a 2. So, now, if you borrow a 1, the result is 16 plus 5, which is 21. So, you subtract 6 from 21, which results in 15 decimal. 15 decimal is equal to F in hexadecimal. So, the answer of subtracting 6 from 5 results in F. Now, consider subtracting C from B. Remember, we had borrowed a 1 from B, so it has reduced to A. Now, C is larger than A. So, you have to borrow another 1 from the next higher digit. So, when you borrow a 1, 16 plus A becomes 26 in decimal. So, you are trying to subtract C, which is 12 from 26. The answer in decimal is 14. This is represented as E in hexadecimal. Let us turn to the subtraction of A from 2 hexadecimal. Now, since we had borrowed a 1, the 2 is now equal to 1. So, again, A is greater than 1. So, you have to borrow another 1 from the most significant digit. So, now, you are subtracting A, which is 10 from 17. The answer is 7 decimal, which is also equal to 7 hexadecimal. Finally, subtracting 2 from 8 because a 1 had been borrowed, the answer is 6. So, the answer of subtracting 2AC6 hexadecimal from 9 to B5 hexadecimal is 67EF hexadecimal. We just saw examples of converting from decimal to hexadecimal from hexadecimal to decimal and examples of adding numbers represented in hexadecimal and subtracting numbers represented in hexadecimal. We stop for today. We would be continuing with the octal number system in the next lecture. Hope to see you again. Keep revising the exercises and the examples mentioned in the book. God Hafiz and As-Salaamu Alaikum.


Good morning, and thank you so much for joining us for today's webinar, Getting Started with Adobe Design, Tips and Tricks for Your Next Annual Report with Marisa Vapiello. I am your host and chat facilitator, Lashika Phillips. I'll share a little bit more about our presenter later. And as you can see here from this slide, we have our Adobe Stock Experts on the line with us as well. They'll actually be in the chat for any questions that any of our learners may have as we go through the presentation with Marisa. Before we get started, I want to make sure that everyone is comfortable using ReadyTalk. You should know that all of the lines are muted, and so if you have any questions, we encourage you to use the chat box. You can chat your questions there, and someone from our team will respond. If for some reason you get knocked off, you can simply join the webinar using the same registration link and telephone number. Please know that as soon as this webinar is over, you will receive an email with a presentation and a lot of resourceful links and slides. If you are on Twitter, we encourage you to tweet us at TechSoup or use hashtag TSWebinars. Also, I want to bring to your attention our mission here at TechSoup.  Our goal is to help you gain effective access to the resources that you need in order to design and implement solutions for a more equitable planet. And we do that right here in San Francisco. And at this time, we want to know where you are joining us from today. So this is a perfect opportunity to test out the chat box. You can chat where you are joining us from right now. Where are you? Where are you joining from? Wow, we have Ontario, Canada, and Vegas. Wow, thank you so much for sharing your locations. We have Alberta, Canada. Thank you so much for joining. And I just want to mention that all of the places that I've just mentioned as well as the shaded areas here on the slide before you, these are areas in which we provide donation products and resources for nonprofits. We are very happy that you are all joining us here today. We partner with companies like Microsoft and Symantec and Cisco and all other technology providers from around the world. And I highly recommend you check out our website. It's TechSoup.org and I encourage you to check out our nonprofit favorite section. And so today, we have actually partnered with Adobe to bring you tips and tricks for your next annual report with Marisa. And as an educational consultant, she has overseen multiple local and international media collaborations for Adobe Youth Voices Program. She's also designed three books and created curriculum to teach urban planners and architects how to build gathering spaces with communities. So without further ado, I'm going to turn it over to Marisa. Hello, everybody. This is Marisa Vitiello. And I am honored to be here. Thank you TechSoup. Thank you all from gosh all over the place for being here. And also thank you to my colleagues at the Adobe Stock Template Team for being in the chat answering some of the questions that you all ask. So if you get answers from people in the chat box, you'll know who they are. Today, we are going to talk a little bit about designing compelling annual reports. And I have a couple of good tools for you using Adobe InDesign and Adobe Stock, kind of a three for one, a little bit about design, a little bit about templates. We're going to talk about annual report objectives and content. I'll give a summary of key annual report challenges. We'll talk about why you need graphic design in your annual report and how to leverage Adobe technology to create compelling content. We'll also have time for a Q&A at the end. And this webinar will be recorded so you can refer back to it. So the objectives of any good annual report include ensuring regulatory compliance, showing donor engagement, highlighting your organization's achievements. And the contents might include an executive report, an organization history and or highlights, financials, fundraising efforts, grant reports, and your organizational achievements. The key annual report challenges that you folks are probably already aware of is that many nonprofits lack design resources. Organizations are not always aware of or don't know how to utilize design software options. That's part of why we're here today. And newer nonprofits mistake financial data and metrics for storytelling. Most people would prefer a story to a bunch of numbers. So why focus on design? This page in the background is from an annual report I wrote for real girls years ago. And it's, you know, it's decently laid out, but it's a lot of words. And I think a lot of agencies that see annual reports get lots and lots of words in their inboxes. So focusing on reports, sorry, focusing on design allows people to not be so overwhelmed and be more drawn in. Not everybody wants to read page after page of words afterwards. So adding an element of design will help. Focusing on adding design elements allows us to see who, sorry, allows you to share who you are. It allows you to share why you care. This is a gorgeous annual report that I'll show you more of from an organization called Arts Core here in Seattle where I live. And it uses the theme of rising against adversity, very current annual report. Another reason to add design to your annual report is to show who your constituents are, who your community is, and how powerful they are, how they are making a difference in their own communities. And to show the accomplishments. So this is Girl to Code to show some of the accomplishments of your community. Another reason is to show data in ways that are interesting to people, in ways that draw people in, in ways that don't overwhelm your audience. So this page again is from Arts Core. To review why design, to put a face on your organization and why you care, to help people see your community and your shared efforts, to share your accomplishments, to show essential data in an interesting way, and to tell your supporters that their money is well spent and call them to action. So I would say the most important thing about good design is not trying to do too much. This is a fairly simple page with a little bit of information. There's a lot of spaciousness about it.  You can use simple tools. You don't have to go overboard on trying to learn everything. Start simple. Consider instead of creating an entire report in a graphic design format, consider including just an add-on page. The annual report that I showed you earlier with just all that text, I also included a comic book for my annual report. I had lots of kids doing cool things so I could make a little comic where I showed them making films. And that went over really well because the city organization that was looking at it was so relieved to be able to see something fun and light and yet still informative. Include a message from the director, your mission, and some information about programs, information or data about successes and failures. Call out to your supporters including funders, staff, and board. Always great to recognize people and all the ways that they are included as well. Include stories or quotes, personalizing what you're showing like this quote over on the left. And possibly a call to action or information about going forward. If your annual report is long as this more than 60-page annual report by the International Metal ProCore, include navigation. Consider including navigation. And that's something you can do in InDesign once you have some experience in InDesign. So rather than Williams design basics, when I was first starting out doing graphic design, and I'm almost fully self-taught, when I was starting out, I read a book called Robin Williams Design Get Basics. It's a different Robin Williams than you might be familiar with. And Robin Williams called for basic ideas to organize your design around. And it's pretty memorable as an acronym. Contrast, repetition, alignment, proximity. I'll let you puzzle out the acronym. Contrast. We rise in large letters. It's a pretty bold contrast. Not that there's contrast on this page, but I would emphasize to think about a little bit of contrast. Not it can be bold contrast. Bold contrast is great. We rise is gigantic. Family is also contrasting because it's red and it's also pretty bold. But you don't have a whole lot of different fonts on the page. You don't have a whole lot of different things trying to jump out at you at once. When you have too many things jumping out at you, it's kind of like having too many foods of different flavors on your plate. Think about organizing around one particular flavor. Add contrast, repetition. You notice that the style of the text from We Rise is repeated here in Rebuild. So you can have repetition across a page. You can also have repetition across multiple pages. Repetition ties the document together. You have the same color as the first page, the subtext, the family in this red background. So there's a lot of tying things together through repetition. Alignment. Alignment organizes your page. It organizes it into certain fragments so that people don't have to, again, sort of look for the beginning of every line. I personally have a pet peeve against center alignment. I once saw an emergency paperwork for a school I worked for all center aligned. Center aligned can be fine for a really short document, but each time you're looking for the beginning of the new line, you could be losing the thread of the last page. So alignment, just clean shapes, creating clean shapes so people are less overwhelmed is really important. And proximity. This is a lot of information. It's math. Therefore, it can be really overwhelming and really quite upsetting to a lot of people who don't feel comfortable with math or data. By creating, by adding proximity, by putting things into sections, we are less overwhelmed and therefore want to engage the within material. So really trying to help people absorb things is the goal of graphic design. Again, the essential elements and design tips keep it spacious and simple. You don't have to tell the whole story graphically. A design document can be an add-on to a text-heavy document.  Contrast, repetition, alignment, and proximity. I'm going to move over to demo Adobe InDesign and stock templates. You do not need to follow along at this point. You might want to listen, but you don't need to do what I am doing. So you don't need to open InDesign. Again, this will be recorded. So if you don't follow something completely, hopefully you can go back and check it out. I've also included some resources for you. And I think, sorry, I am checking to make sure that I'm sharing all the right screens. I feel like I'm forgetting one. Okay, while I'm doing this, you can be putting questions into the chat pod. Again, the template team should be helping to answer. And thank you again to you guys. All right, so hopefully at this point you see my screen. I am in InDesign. I'm in InDesign CC, the latest version, so Creative Cloud, the latest version. You can do everything that I'm doing pretty much today in CS6 if you only have access to CS6. The steps might be a slight bit different, but you can do what I'm doing. So when you get to the screen, it looks a little daunting so much, but it's like create new over here, create new over here. There's always lots of ways to do things in Adobe, in all Adobe products. It's what I used to love the fact that when I was teaching high school, I was always wrong. That was a great thing about teaching high school. So I am today going to show you first how to create a new document, a pretty basic document.  However, we have a series of different options up here that provide precepts that they provide starting places for a document to make sure your settings are correct. Again, ignore what's below, we'll get back to that. So I have options like print. I can say, oh, I want to work with a letter format. My intention is to output this on paper. I want to use the print intent. Or maybe my intention is to put my document on the web so I might choose the web precepts for mobile. For today, I'm going to start you with print. I'm going to choose letter. And you'll see over on the right side that we have some assumptions based on letter. So letter is an 8.5 x 11 page. I also can set the orientation to portrait or landscape. I'm going to use portrait. And I can add pages. So for now I'm just going to add three pages. I'm going to make it a three-page document rather. And I can add columns. I can change my margins. I can also mess with bleed and slug, which you don't need to be concerned with at this very moment. But it's basically to allow printers to have a little extra space on the edges to cut your page. I'm going to hit Create. And now my screen changes. I'm just going to close these to make it a little less confusing. So when you first open InDesign CC, it should look something like this. Ignoring the colors on the right, because these are individual to me. These are some colors that I have collected. If your page, when you first go into InDesign, doesn't look this way, you're going to want to go to Workspace, Reset Essentials. There's different kinds of workspace depending on the kinds of ways you might work. So it will just reorganize the screen. What we have over here is we have a series of tools on the left. And if I click around on these tools, notice what happens in the top area here. Notice how my screen changes. These are my options for each of the tools. So they're my settings for each of the tools. Today, and also notice that if I hold my cursor patiently over a tool, I might see what the tool is called. It says Selection Tool V, Escape. So if I hit the Selection Tool, I'm now in that tool. I hit the Type Tool, I'm now in that tool. I also have a few tools hiding underneath the tools. If I press and hold, I have other options. As long as there's a little triangle on the bottom right, that's when I know I have those tools. So for today, we're going to mostly work with the Selection Tool, the Type Tool, the Rectangle Frame Tool, the Rectangle Tool, and these colors down here. There might be one other thing, but that's basically it. On the right, you'll see a series of windows, including my pages that I created, 1, 2, 3, Layers, which we'll get back to possibly. You'll notice that as I click, I click them to open. By clicking on the text, I click them to close. We also have links. It's important to note that InDesign basically links to different documents and that it's really important that you make a folder for all your photos and things that are going to go into the document. Here, I'm hoping you can see my finder here. I have a series of documents that I've already put into a folder to organize myself. And I'm not going to move them until I publish this document. We will not work with Stroke and Color today. We will work with Squatches. And I have just a series of the basic Squatches for now. If I lose a window or I want to find other windows, which we will need to do, I'll go under Window in the menu and I can find other windows. And when I say lose, I mean if I accidentally say close that window, which is possible to do. Okay, I think we're ready to get started. And what I'm going to do in order to prepare for this webinar, when we decided that we were going to use Adobe Stock Templates, I decided that I wanted to test the templates by volunteering for our friend Dojo. It's a nonprofit at Keto Dojo. And they need annual reports just like most of you. And so I decided that I would test out the possibilities of the template and get to know them for this workshop by creating an annual report. So I will show you that in a couple of minutes. But for now, I am going to want to start to lay out the page without the template. Just as an example and so that you get to know a little bit of these tools. So I can't just click and type here if you see me trying, but I'm clicking on the screen. I can't just click and type anywhere the way I might be able to in Word or other programs. I need a text box. I need boxes for things in order to put things in those boxes. So I'm going to click, oops, I think I did that too fast. I have my type tool. You'll see it's selected because it's darker. I'm clicking on the upper left of my screen of my page and I'm dragging to the lower right to create an area that I can type in for now. I'm going to type. I'm going to type. And there I have Seattle IT CHI, hopefully it's spelled right and then practicing. But it's kind of small. It's not very interesting. It's Seattle Minion Pro, which I like, but it's not amazing for this purpose. So I'm highlighting this type to change it and I'm going to the top. And I'm going to choose Avenir because that's a bold, lovely, fan-sera font that I am enjoying these days. I want it to be bigger, so I'm going over here in the options on the top and I'm going to change my type to make it pretty big. And then maybe I want to change it so that it's light instead of – I don't always want things to be bold when they're titled. They're already big. They don't necessarily need to be bold, too. So I just changed it to light. And now I have a little bit of title. Going against what I said earlier, maybe I want to center it. Maybe I don't, but for now let's center it. Up here in the middle I can click on center. I can also grab my selection tool and I can drag it around. I can decide I want it lower in the page, for instance, because I'm not going to have much on this page. Then maybe possibly I want to shape in the background just something to create that sense that it's a cover.  Now that rectangle is not very interesting because you might see I have no fill and I have no stroke. I can switch these back in for – nope, not unless I fill it. Okay, so I'm going to add a fill and you can see I'm still selected. They still have little boxes around them. So I'm going to go to Swatches and I'm going to add a color. None of these are very dojo-like colors so it's not so great, but for now it will do. And I'm going to click away when I'm satisfied or vaguely satisfied. Then I might want an image. I'm going to – I need a box to put my image in so I'm going to drag out a rectangle. I'm grabbing from my rectangle tool. I've selected it by clicking on it. And I'm going to click and drag on top of that shape. It's all part of the shape until I get to the edge. Now I want to place my image. So I'm placing it and that is creating a link again to the folder where I put it originally. To find a place I go to File and sometimes I use shortcut so I have a hard time finding these things. File, Place. And I'm looking in the folder that I made for all you, the Webinar Dojo folder for this workshop. And I have an Aikido Hero image. Now you may or may not notice that this image is not showing up the whole image. I actually don't have my whole image. So I want to make sure that the image is filling this box or at least as much as possible because the image in the box might not be the same proportion. So I'm going to right click and I have Fitting and I have Fit Content proportionally. I don't want it to stress or do anything funny to fit that space. And then to size it, this can be a little bit confusing. I'm clicking away. I'm clicking on it again. Actually, let me fit the frame to the image too. I'm going to fit the frame to the content so that the content stays the same size. And now I am holding down Shift and Command. I believe on a PC that would be Shift and Control. And I'm just dragging out that edge until I get to the same edge as the red box because that's the design I have chosen. And it might take a little fiddling. I will say that I fiddle and fiddle and fiddle forever when I am doing any design project. This was a good beginning. I wouldn't call it advanced design, but I would say it already is fairly simple. It's not taking up too much space. This is a good start. If you are a new designer, I would say there's no reason you can't do something like this. But I think by starting with Adobe Stocktemplates you might have an easier time getting to know in design and getting to know design. So that's what we're going to work on next is creating a similar document in Adobe Stocktemplates. So to do that, I'm going to go to File New Document. And you might see that I already have some templates here. These are three templates, which is pretty amazing. Templates on things like simple classroom work layouts, workbook layouts, that's kind of cool. Or a brochure layout, or maybe you want to make a business card. So these are already templates designed by designers and they are free. So that's amazing. I did not however find a free annual report template that I really thought was right for us for today. So I found another annual report template that happens to cost a little bit of money. I believe it's $9.99. The prices range from $9.99 to $39.99 on the templates and we're going to search for one. So at the bottom of this screen, at the bottom of the Command New screen, I or Control New, I am going to type in annual report and see what we have for annual reports at Adobe Stock Templates. It brings me into the Internet, onto the web. I hope you can see that. I'm going to just switch back over to the ReadyTalk screen to make sure because I'm a little bit afraid I forgot to click that. So I'm resharing. Sorry about that. In Design. Okay. Here we are. Hopefully you see this now. My Safari page. I am in Adobe Stock. The system from InDesign automatically opened me into the browser to find the annual report search and I'm in the Adobe Stock page. All of these templates that you see here are InDesign templates because we came from the InDesign application. However, I'd just like to show you that if you click View Filters, you have a choice of templates created for Photoshop, created for Illustrator, created for InDesign, or created for Premiere Pro, or you can just search for All and it will show you all of the options. In this case, it's an annual report so it seems that we pretty much are most of them are InDesign anyway. So here's an Illustrator one down here. A couple of Illustrator ones. So for today's workshop, I chose this one at the top left. It's called Annual Report Layer with Heal Elements. Annual Report Layout with Heal Elements. If I click on my eyeball, I can see a preview of this and you can see that it's very colorful but it's beautifully laid out. It's pretty interesting. It has a lot of pages and it looked to me like it was going to be useful for my Aikido Annual Report with a bunch of adaptations. I want to say now, I'll say it again, that the templates are just starting places so these colors are not very Aikido-esque. Aikido is a pretty serious martial arts so you'll see that I changed those pretty radically. This little weird star thing doesn't really belong for Adojo so we just get rid of it. I'm going to close that up and just show you that if you are going to license it, there's an area over here to license. You have to sign up for an account. I work for Adobe so I have an account which is great. I get to download lots of different images and templates and use them for my work at Adobe. There's lots and lots of choices out there. I've already downloaded this so you don't have to watch me do that. I'm going to close up here and I'm going to open a version of this where I downloaded it and I changed the colors a little bit so that you don't have to watch me do that completely. Now I am in Adobe InDesign CC and I have my annual report open. I did get rid of a couple of things. Again, I didn't think you necessarily needed to watch me do that so I made a couple of little adaptations but we'll do lots more. The first thing I want to do, I did change some of my colors to make it a little bit more serious. Not that colors aren't serious but a little darker, a little browner to match the dojo's colors but I want to change the blue. The blue is not very useful to me. So I'm choosing Swatches and you'll see that as part of the template they've already assigned certain objects to certain colors. So this here is this color 1 currently and other things are assigned color 2, color 3, all of those different things. So if I could find an element I might be able to see, I can see it's gray. It chooses gray because I picked this element. I want to change first this color 1 to match my color theme. So I'm going to double click it and over here I have color mode CMYK. In my case, because I'm printing this and this is something that if you don't understand it don't worry about it for now but because we're printing it and because we're putting it online we're using RGB color mode. So I just switched from color mode CMYK to color mode RGB. And down here at the bottom I have color mode and basically the color name. That's the color name for this blue in RGB. That's not the color I want. I have the color I want over here in my Word document so I'm switching over to my Word document and I'm grabbing color 1 where I try to keep track of all my information for the dojo. Going back to InDesign so I copied that and I'm pasting it into the bottom here, CMYN B. I'm just going to say OK and now it has turned brown and yummy. All right, so that's a good start getting a little bit more appropriate to Seattle I Keep Chives but we have to do a lot more things. First of all, I don't have any use for this map so I'm just going to click on it and I'm just going to delete it. So all I did is I have my arrow tool. I'll do that again. I have my arrow tool or selection tool. I'm clicking on it until it's selected. I'm hitting delete. Next, I would like to change my text because it doesn't want to say corporate annual report. We want it to say Seattle I Keep Chives annual report. So I'm highlighting and I am going over to my Word document again and I'm copying Seattle I Keep Chives so that I make sure I spell it right and I'm pasting it in. And now I have this text, it's white which I don't think is necessarily the best thing on this brown.  I also like this little line but maybe I want it to be a different color so I'm going to use color six. Now I click away and I have a pretty boring document but not too bad as a start. So next I want to add that image that Seattle Hero image and again I will need a box, a rectangular frame. Rectangular frame. I'm going to click on it and the tool and I'm going to click and drag out my rectangle to place my image in. When I go to File, I see that the shortcut is Command D. If you see in the menu it tells you. So I'm going to, in the future, use Command D but for now we're doing File Place and I'm going to go to Keto Hero because that's my front page image. Again it does not fill the page so I could right click and I could say fitting, fit content proportionally or another way to do it is up here and honestly I usually use the right click and I was watching a tutorial the other day and I realized, oh, sometimes I do things a long way. So I'm going to fill frame proportionally and there it looks pretty good. I don't even need to resize it this time. That's kind of nice. However, I might want to move it around a little bit. I'm going to grab my selection tool and I'm just going to click inside of it and move it a little bit up. Again, you could settle with this for a good long time and I probably would if you weren't watching. So next I want the logo and we're going to do this a little bit well. We'll still need a rectangle frame tool or a rectangle frame so I'm clicking and dragging that out and I probably want it to align with the top and bottom of this, of my text. Maybe to fit it exactly. I don't know. Instead of putting it in my file for the moment just for fun, I put the logo in my library. I started to make a library for Seattle IT CHI. This is an Adobe Creative Cloud Library. This you would need to have cloud access but I believe if you just have an Adobe ID you have cloud access but it might not link to your account. So don't quote me on that one. I'm going to grab my, you see that in my library I have all those colors that I've tracked and I have my logo. So this is a really nice way to keep track of things and apparently I don't need my box. Let me see if I just click in there so I'll put it on my box. Okay, nope. I'm just going to click and drag that out instead and make a box for it. And something's going wrong. Yay. Okay, well let's go find that then. I need to find inside my dojo file, my logo and here with a couple of them. Okay, well apparently that didn't work for today but we'll figure it out. So I'm clicking and moving this over. Again, I need to line it up a little bit better. Maybe I want it to be smaller and so I'm going to hold my shift and command or shift and control key and I'm just dragging it in to make it a little bit smaller. If I knew the size that I wanted I could also go up here and change the width and the height. That's for those of you who are more mathematical than I am I guess. I also might want to line this up again and just line it in the border up with the borders of my text so fiddling with it and that looks pretty decent. I'm having a hard time telling how it looks though because there's all these columns here. So I want to show you that you don't have to look at all those columns. They are useful. In fact, maybe I should have used them and move this over a little bit. They're useful but they sometimes get in the way of actually seeing what things look like. I'm going to click away so nothing's selected and then I'm going to the bottom of the tools and instead of normal I'm using preview and now we can see it without all those pesky lines and I would say I might want to make my logo a little bit bigger a little bit bolder and that feels better to me. I think maybe a little bit closer so ignoring those lines that were so kindly provided. Okay, that is better. I'm going to go back to the normal mode just so we can continue to see the guides and now I'd like to add a company website at the bottom and double clicking in this area and I'm going to my Word document to copy that and copying it without the space. This took me a while and a lot of pain to realize that if you bring the space in you can actually have serious problems with hyperlinks. I'm going to company website I have it already highlighted on command being and you'll notice at the bottom hopefully you might not be able to see this you might need to zoom in. Notice there is a little red box there is a little red mark here and my text is not completely filling the screen that means I have over set text my text was bigger or longer than the original box so I'm going to just drag out the corner until I see the text and then I'm going to drag in in a little bit and I'm going to zoom back out so if you see that that will happen actually quite often that you have over set text and that's what we're choosing about I'm going to click inside the text and I'm just going to move it around until I see that pink line that tells me my text is centered again I want to make sure I'm only centering the text and not a bunch of spaces around it so I'm just doing that a little bit again and the one thing I forgot to do was to make this into a hyperlink so if people are receiving this online as a PDF they might want to be able to hyperlink directly to the document. I'm going to double click it I'm going to right click it and I'm going to hyperlink new hyperlink from the URL and now I have a hyperlink it's blue, it's all good that way. I think I am going to show you a couple more things quickly and I don't want to run out of time so before we forget we want to save this document right now it is a template so we don't want to file save, we want to file save as. I'm going to file save as and I'm going to name it Seattle IT CHI Annual Report and I'm going to make sure it's a document not a template. I'm going to save and I am going to just show you that you can also delete pages here if I click on the pages over here I can click in the pages for instance I don't want this annual, I don't want this table content I can hit delete and say okay and then I can also delete I don't want to delete that so I'm feeling a little bit short on time but I'm going to show you a couple more things quickly these concepts are all pretty much the same I would add text the same way I would add an image the same way so now I'm just going to do it quickly I'm clicking on the box I'm going to command D and then I'm going to find my Daniel image and paste it in I want to move that around you might see this circle in the middle I'm going to click and drag until I'm happy with the image a letter right here I'm going to add a letter right here at the bottom I'm going over to my Word document and I'm finding Dear Dojo Community and I'm copying it copying it into this window here by highlighting everything I'm actually going to highlight everything and I'm going to paste it and you see it shows up right in there and spreads from one box to the next because of the settings there's not a ton of spaciousness between lines and so I want to add a little space afterwards most people who don't aren't designers would just go in and click a bunch of returns personally I prefer to add space after you see at the top I hold my cursor up here I can add space after each section that I want space after or I can recognize that because this template was created with styles that I can put space after everything that has a little bit that is this particular text type I'm going to go to window I'm going to open my styles paragraph styles and I see that this is a description left oops trying to move it out of the way right here I see it's description left I'm right clicking and I'm going to edit description left and I'm going to change my indents and spacings by adding space after right here I'm adding a little bit of space after and everywhere that uses this description left is going to automatically have a little bit of space after the paragraph okay last thing I want to show you so I'm going to save I'm just doing command F and I want to you need to you can't just send an InDesign document to your pals or your fans or your mom you need to send a PDF the InDesign document is just a series of links and some text in it but you won't have these images if you try to send the InDesign document so you want to export it as a PDF we're going to go to file export and I have already it says Adobe PDF my intent is print I already have it named I'm going to hit save and I want to make sure that I get all the pages I want to make sure that I get the hyperlinks and then we're just going to export it there's over set text on 6, 8, 10, 14 these are pages that we did not edit so we don't need to worry about this if there were pages that we were editing you would need to make sure that you don't have any text outside the text box that you actually want I'm just going to say okay and now in your files you should have a Seattle IT CHI Annual Report PDF if you have made one so that is unfortunately all of that you don't have time for at the moment with InDesign templates but I do want to just remind you that with practice and with working with these templates you will learn a lot about design and I have confidence in you guys that you can do that I'm going to switch back over to your slides we have a chance we have a little time for Q&A Hi thank you again Marisa this was helpful, a lot of information and there are a couple of questions some of our learners had let's see so one student asks is there an easy way to stop content from bleeding from one page to the next so your content bleeding from one page to the next depends on your threading and how you bring one paragraph to the next if they are not threaded together then they should not bleed from one to the next deleting that thread can sometimes be hard I would invite RF to answer that one in the chat if RF can but that yes it is totally doable I see another question is there a feature where the swatches act like a style sheet in this word you know I don't know I don't know the answer to that it would be helpful so when you are in the swatches you are putting those in but they are not really a style sheet they are just your color one color two color three that you have assigned I am not sure I am answering the question are the templates free and paid accessible for people using screen readers that is a great question I believe so sorry that might be a question for Caitlin so we can allow Caitlin to answer yeah absolutely they are actually still answering questions in chat so we can leave that for Caitlin to answer I believe I am going to check one more time just to make sure is there anything else that you wanted to share Marisa before we end there is a couple of things in my wrap up that I definitely wanted to share for instance one of the things that I think is really useful and inspiring oh gosh I forgot to show you all my finished annual report sorry about that there you go maybe I can stop can I go back to sharing and do that please go yes please okay great I am going to go back to using their Acrobat Pro and here is my annual report that I created from that annual report template you will see I added some images of people at the dojo I made a really clean simple page with the letter from Mallory Graham the instructor Chief Instructor I added the mission statement I added some statistics using the dots that are already in the template I added some images and some lots of text but hopefully not too too overwhelming this section looks pretty hard and then I added from another template so this is what I urge you guys to check out there is a template that the learn team that the template team put together with the learn team where they teach you how to use Illustrator not InDesign but Illustrator and the templates at the same time they take you through a series of steps and to create these charts so I created these charts in Illustrator and then I brought them into my InDesign document so that was super cool not big on that I don't really understand it a lot or I'm just not very drawn to it it took me a little bit to learn that so that was really fun I have some other data here that was part of this template and added some images of the Board of Directors and a little bit of information for the future and a closing page so that is the annual report and if you remember the colorful annual report template that we started with it's pretty different so I'm going to go back over to our slides and wrap up unless there's something is there a site where I dot the template? Yes so let's go to our wrap up next but I will tell you all that you will be getting a resource sheet as well as these slides and in both cases we have a link to the Adobe stock template that I used to the Adobe stock site and also to some other things I'll go over in a second so to wrap up there are lots more Adobe apps for you to consider for creating your report Adobe Spark is a free app that allows you to easily create pleasing web pages and videos there's also Adobe Creative Cloud all apps available for discounted rate on TechSoup and that means it's the Adobe Suite the Adobe Creative Cloud Suite is available as a package that includes Adobe Premiere Pro which allows you to edit professional level videos gives you a higher level control than Spark Adobe Illustrator which is really useful for building infographics and other visuals usually a lot of flat visuals called vector graphics Adobe Photoshop which at this point is great for doing everything from editing photos creating collages and making posters and you can even edit videos using Photoshop I personally love Photoshop I love all of these apps but Photoshop is where I started but it is a steeper curve in terms of learning Lightroom CC the new Lightroom CC which is different from Lightroom Classic provides easy ways to make your photos stand out so lots of choices you might use them together I generally use lots of these at the same time and I believe Adobe TechSoup also has resources for learning as does Adobe this is an image of that template that I mentioned that's a learn template and I found it really really interesting these are my references so I have references for you guys of all of those annual reports that you saw earlier for inspiration again you will also get my annual reports that I created for Seattle Ikekei and then there's a link to Adobe Stock a link to the annual report template we used in the webinar a link to the Adobe Stock Learn templates that I mentioned just to point out they are not we don't have InDesign as one of the learn templates yet we have Photoshop and Illustrator and I believe that's it but they are really cool I recommend you check them out I also recommend you check out this tutorial for using InDesign with Adobe Stock template it takes you through creating a book cover and it's super cool all those same things that we went over today so lots to learn and I wish you lots of luck on your journey thank you well thank you again we really appreciate all of the information that you've provided and also thank you to the Adobe template team that have been answering all of the questions here in chat if we did not get to your question we do have your email from where you registered and we will go back through our chat and make sure that we've answered all and if we've not we will send you an email with a response and we'll also immediately after the webinar you will receive an email with today's presentation along with the links that Marisa mentioned I also want to mention that we did plan on getting to Adobe Spark but we ran out of time but no worries we will include some additional resources in that follow-up email as well and so again thank you before we go though it would be great to find out from all of the learners that joined us this morning please share one thing that you learned from this presentation today is there one thing you'll take to your organization or one tool that you can use or even a link there were several links that we chatted out so please go ahead take a second and just share one thing that you learned today in the webinar and look forward to your feedback and definitely last but not least I want to remind you about our upcoming webinars so we want you to get to know GrantStation on Tuesday, January 30 this webinar and tour will cover tips on the most effective ways to use GrantStation including the extensive funder databases that can help you identify the grant makers most likely to fund your programs and your projects and on Thursday, February 1 join us again for building a grant writing framework for success this webinar will teach you how to use a program planning framework to plan your grant applications so that they tell a strong and consistent story so we hope that you can join us thank you for your time today we look forward to connecting with you again and before we go we want to say thank you to our webinar sponsor for the opportunity to talk thank you, have a great day