So, I thought sometimes we all have a problem one is you know when you are making a barhol all the usual concept side, but one important thing we forget sometimes you know put a lot of bone wax on the barhol and the dura what happens is a little blood trickling down from there into the ventricle while you are actually going into the ventricle it causes mixed the whole CSF completely hazy and I have realized you know you rely on your residence and they will sometimes leave a little bit of you know some little bleeding points there it goes along the trajectory and when you are actually putting an endoscope there it is all hazy. So, that is something that you really need you know to focus on there is to be complete hemostasis and when you are actually making the pile you know when you are preferring the pile when you are going into the brain just make sure that you have coagulated all the edges because along the track even if there is a little blood going into the ventricle it makes the whole ventricle hazy and you do not want any blood into the ventricle before you are doing your endoscope the small thing and the other very important thing is that angle of the camera see the camera can you can change the magnification. So, what happens sometimes is that if you do not make the angle wide enough then you do not get an overview and when you are uninitiated into this endoscopy business then what happens is sometimes with a heavily magnified view you are going inside and causing damage inside. So, just make sure that you have a relatively wide angle of the camera just you can easily adjust that the small things you will you completely forget about them. Then the third is you know the technique of taking a biopsy I have found that there is a very nice technique to doing it see what happens is that you just put it inside and you do not know when to open the scissors or when to open the biopsy forceps and if you open it within the endoscope tube you are going to damage your instrument rather than you know the whole thing that is a very simple thing but you know it is a very practical problem which I have seen. So, the important thing is to just first of all just keep the edge of that instrument protruded a little more than your endoscope a little more than the endoscope. So, you are completely seeing it you are completely watching it then the important thing is to touch the tumor surface and then open it and then when you open it then you take it a little deeper into the tissue and twist it a little and then close it and withdraw it.  So, you have adequate tissue and then you take it out a small thing but it really helps you know this is all sterilized and formalin most of our centers and what happens this is this may cause severe ventriculitis.  Children less than one year a lot of people say this much this percentage result that percentage result I would say when you start your endoscopy when you are actually doing it you want perfect results please do not do it. The Eryknoid denulation may not form and there are lots of issues do not just do it. The CSA the Subrachnoid spaces may not form do not just do it. The other thing is when children you know warm irrigation is important because you know if you just use cold and these children will become hypothermic. So, just you must make sure that it is just warm body temperature not hot but just body temperature this is very very important. The other thing is you know a lot of you would have some experience and you will not have another assistant who has assistant will you do the biopsy or will the person with less experience do the biopsy. So, this is very important you do not have to do the procedure you do not have to do the procedure the procedure has to be done by your assistant who has no experience. You have to hold the endoscope you have to show him the view and when you are actually a person who has no experience will not be able to perceive depth. So, what do you do at that point of time what you need to do is to keep the endoscope a little away from the tumor that way you get a wider, wider field and it is easier for him to reach that point. Once you reach the point then he will not move the instrument you will take it down he has no experience he is only seeing a two dimensional view what you need to do is to take the endoscope there and and guide him there. So, keep the endoscope away he sees the entire view take it there and then you guide it. This is small practical point which I think is very very important and then of course about bleeding like everyone tells you do not please remove the endoscope when there is bleeding do not remove the endoscope just keep it there and sit and just keep on irrigating irrigating irrigating irrigating irrigating right do not remove your endoscope once you remove your endoscope it is impossible to go in again just keep it there and take a chair sit down why do I say take a chair very practical problem see you are completely focused on the point you know your leg goes off to sleep see what happens is you are holding it like that and you are not moving your leg it appears like a laughing matter that suddenly you will fall because you know you don't move your leg because your focus there you are looking there is bleeding and you are just looking irrigating irrigating irrigating and your leg goes off to sleep. I am just telling you it is a small situation where you need to also so you are stressed out you are looking there and you have forgotten about your own leg so it is a small thing. So, now I will just take you to some situation. So, one is ventricleitis now this repeated shunt infection what do you actually see in the ventricle most of you would not have seen so it is completely hazy this is what you see this is the foramen of mono there is no coroate plexus no thalamus trite vein this is the foramen of mono that you see right but there is no other option repeated shunt malfunctions you have to go in this young girl and you see that there is a thick membrane there at the foramen of mono this is what you see when you actually go in for a ventricleitis go on irrigating irrigating and the interesting thing is go deep inside this is the view that you get there and then to keep going inside and when you actually go inside it will be heartening to know that you know suddenly things will clear up right. So, it is not that it is all like that right. So, you will see that you will be just do not worry just go in it will this is the so suddenly you will start getting your landmarks right. So, and the other thing is you know sometimes what happens is that it is all very thick you know. So, this this you are just getting the brainstem here and this all very thick there. So, you just palpate the dorsum cellae once you palpate the dorsum cellae in such a situation then you can go anterior to it and go to the prememulary membrane. So, just a small I mean just posterior to it and just get the premembrane this is. So, you can now see the mammary body as you can see the basilar artery and this is the membrane. So, sometimes what happens is that in ventricleitis you might say oh it is all hazy you are not getting this just have patience go slowly you just make sure that you are irrigating well and you will get to the point where you can actually do a and then the interesting thing is once you puncture it you will find that the CSF systems below that point are absolutely clear. So, sometimes there will be ventricleitis because of a shunt infection, but below that you will find the CSF is absolutely clear it is a good option you know it is not that this ventricleitis you would not be able to do it it is not like that and you just see now you see the difference you know suddenly you will see that you will be able to see the vessels you will be able to see the system you will be able to it will get a reasonably good picture you know it is not like you know it is like all. So, this is one interesting situation where I think you need to this is of interesting situation. Now, we come to another very interesting situation. So, now we come to the next very interesting situation that is this situation right. Now, remarkable results you take this tumor and you know you go and do a micro surgery this that, but you know this is dilated and just do an endoscopy just to decompress it and give radiotherapy remarkable results. The whole thing after you see follow up is completely gone you know however what are the problems. So, I will just take you right from the burhole to the space. So, we just going. So, this is we have reached the point and this is the tube this is the cranioferrin goma at the Fermanum Monroe and so this is the septal vein like I told you this is the corot plexus and this is the tube. So, you see this is the here now comes the interesting power point. So, I mean you know you this is what I am saying because you know it is theoretically it is all fine you know you will do an endoscopy, but you will see the practical problem in a second I will just show you there is no complication this is the usual situation. So, you know it is a beautiful chest perfect to be you know managed now looks so beautiful right like a copy book picture right text book picture I am building up the suspense you know it takes the hunger away. So, you can actually see all around and then. So, you know it is like so you just go there and it is like very beautifully cystic thing and this is what happens. So, this is what happens. So, you do not see anything there no log. So, you just now comes that point you do not see an your endoscope is inside and you do not see a single anatomical landmark there. See here I have kind of edited it to I mean you know less in the trauma, but you know when the whole green fluid gushes out it is completely green and you do not know where you are you are in the Fermanum Monroe and you are going deep inside and this this is what you keep seeing do not remove your endoscope please do not move just keep it there just keep it there keep it there keep it there keep it there and go on irrigating irrigating and when you are irrigating keep make sure that all your ports are open you know so that it the fluid is also coming out just go on doing and then gradually you know it becomes clearer and clearer and clearer right. So, then you see that you get little comfortable because now from green it is becoming white and then you see the floor now comes your second problem what is your second problem here now this you are within the cyst here and unless you make another fenestration from the cyst into the cisternal space I mean there is no way you will be able to drain it it will close up again it will fill up again and it will become a cyst like that again. So, what do you do now you have to there is no there no landmarks you do not know where you are you do not know where the basilar artery is you do not know where and sometimes there may be a part which is calcified right. So, this is where you know this is another point now this is a moment of truth make small small small you can make small monopolar and just make sure that you see.  So, there you have to very very careful here right and I mean you know it is a little matter of luck also I mean to be very honest you do not know where you are but once you do that then you see you can actually make a second fenestration there you and then you can so just make one or two fenestrations you can combine all of them and then once you do that then you have the whole cisternal space in front of you always make a double fenestration and go in. This is the second situation wherein you know you will completely get unsighted and and you know it appears oh it is all very simple but you know when you the whole thing becomes green and you do not know where you are right. So, now you see you see the cisternal spaces you see the beautiful vessels and you say oh wow I have done a great job but you know you understand these its problems this is the issues with you. So, you see the whole thing and then you can right. So, this is the second situation that you need to look at. So, this is the post-op and then of course with radiotherapy fantastic results you know this some of these they do not need any any other thing. The third is this very interesting case okay. Now this is an interesting case like you know you can take a biopsy you can do a fenestration small burhole third day the child can go back home right. So, now again the same thing you go back in again and here you know another very interesting thing when you are going this is the moment of truth you usually do not see that you know and so when you are going here you have I gone too deep where have I gone why am I not reaching the ventricle you will reach ventricle subsequently and you see this cistern right you see this beautiful cistern right. Now here the issue is completely different. So, the same you think it is again clear CSS inside the cyst okay fine this was a very thick membrane this is not simply you know it could not just be taken off. So, here sometimes you know you may need a monopolar or something you can decompress and you see the beautiful anatomy here looks like a copy book picture but here there is no suspense of course you will again see the white thing and here this time like you are more comfortable right now I was also very comfortable I said oh yeah now I will get a easy picture for some time and then it will all clear off. So, here I am just going there and so the important thing is to keep the tragedy there and then you guide your assistant to actually reach the point. So, many times I will have residents who have never done a single endoscopy and so I allow them to do this and they feel very happy they are doing it but actually you are doing it you know. So, again you know just make someone small the monopolar you make some and then it is very important to keep the corat plexus away. So, just do that. So, again the same thing you know you have this whole thing is completely hazy you do not know where you are and it is very complicated you know it is like you say if you just keep waiting waiting waiting waiting waiting and getting getting getting and then another problem sometimes that you do not actually get the bottom of the thing this is another problem sometimes you know you do not get to the bottom of it and just making one fenestration is not adequate. So, you have to actually make a double fenestration to reach the lower part without a double fenestration there is no point. So, again make a and this specially happens when there is calcification and when there is a very thick membrane and that is where you really really need to feel the dorsal cell and sometimes with that you can actually get a very vague idea I mean it is not necessary but you get a vague idea. So, this is so this is what. So, you say oh this is not a classical endoscopy but this is a two life situation where you know say videos look good but you know this is what it happened what happened actually when you are. So, now you get this thing where you do not know where you are and so here what happened was that the endoscope had actually there was a thin flimsy wall at the bottom and we had actually reached up to the the subarachnoid space there. So, you have to be very careful about your depth perception here you understand. So, there was no fenestration made it was spontaneous fenestration and you can actually see see now you can within when the haze clears up a little when you are irrigating you can actually see all the vessels there you understand. So, this is one important thing that you need to also look at right.  So, this is the post-op image, but I mean this was a spontaneous double fenestration I didn't plan the lower part of it. But I was just lucky you know beginners lucky you know and now comes the colloid system. Such a simple tumor wow now. So, it is pointing towards one ventricle you can go right in just remove it and such a beautiful job. Let us see what happens. So, again the same thing just take you through the same stink that you know you get an orientation and then you actually go inside and so this is a beautiful colloid system right and you know it is like oh wow this is like so nice right. Now, what happens with this is with this suspense.  Packed lunch this is packed lunch wanting to be eaten right so here it is very thick the membrane is very very thick right. So, what you need to do is to with you know monopolar what you need to do is to make several fenestrations there right make several fenestrations and even with that you know it is very difficult because you and then comes the problem the problem is that this is so thick there is the secretion that is not even flowing out it is not even flowing out you know you see it is hanging there it is not even flowing out and you know your suction tubing is not sucking this right you do not know what to do with this you know it is not flowing out and your suction tubing is not sucking it so what do you do with this see yeah and then so you take a biopsy forcef now your biopsy forcef has a one millimeter opening man how you do not have the patience to keep doing that all the time how much can you do you know even a patient man like me does not have the patience to you know go on with the biopsy forcef how much can you take out of the biopsy forcef right there is nothing it is so thick it does not come out so what do you do is you take a monopolar and the secretions you cut with the monopolar okay so you cut the secretion with the monopolar and allow them to float away if you cannot catch them and bring them back okay so you cut them with the monopolar that is what I am doing cutting the secretion with the monopolar and allowing them to float away the real life situation okay it does not I mean it is so difficult to take this out sometimes and the last part of the capsule is will always have a fibro vascular core which is in the third ventricle so please you just can just leave it alone leave that small capsule alone and do not try to do a total job in this because this is a benign tumor what is the maximum which can happen after you have decompressed the entire colorectis if the hydrocephalus persists you can always go in and do a shunt right the colorectis is over you can go in just do a simple shunt and come out right but you try to try to remove the capsule and this is going to be a disaster and so with this thick secretion what happens is see you just try to keep on doing it this is like not not two-minute job it's an edited video otherwise a 20-minute thing you just going removing going removing and it's not getting removed right so this is also one situation where you can get into some kind of a trouble and you really need to look at this situation right so what I am trying to say is that you know there are some other very interesting problems which arise when you actually do all these endoscopies and you need to actually you know with experience innovate because right now I think the technology is not you know kind of has not progressed enough for us to deal with every situation here so we have to continuously innovate when we are actually doing the thing so this is this is some of the situations which I wanted to talk to you about and this is of course the post-operative thing so so so the other thing is when you are doing a colorectis like the situation which came now this is a classical situation you think this is also amenable to move but this is a little posterior so this appears like a classical but this is a little posterior you know and sometimes you know you will it will not come at the Furman Monroe here don't go in endoscopically you know if you think that it don't go in endoscopically this is another important thing and then of course complication when you are actually dealing with epidermoids when you are dealing with neurocystisurcosis endoscopically that's when you have to be very aware of ventriculitis right now this was a young child and I thought there's a fantastic epidermoidsist can be removed endoscopically I don't have the pre-op images but this child developed such severe ventriculitis this is a post-operative image after five years this child bed-developed complete cognitive disturbances could not go to school I'm not even sure if the child could see okay and this was simply because there was such there's so much of ventriculitis that this is I mean amazing ventriculitis I mean this remain we didn't know whether it was chemical ventriculitis or whether it was infective ventriculitis and then it went on for five years and at the end of five years these were the images so you know this was epidermal or is it a dermoid sorry so you sometimes you know you have to be aware of these things and just sometimes these are issues which and then of course during your endoscopy there is some problem that you need to look at one is of course I told you about hypothermia the second is bradycardia I mean continuously you must tell your anesthetist please look at the pulse and as soon as there is bradycardia please make sure there's no bradycardia because that means that there is actually brainstem distortion because of excessive fluid accumulation the fluid that you are regaining is not coming out right that's very important now if you get dilated ventricles with bilateral subdural effusion now that's a very tricky situation I think your third ventricleosomy may not be working because what is happening is that the entire CSF is actually coming out through the port that you went through and is actually accumulating outside and that's when I think if there is progressive hydrocephalus you must plan in a ventricle operation or maybe a repeat in a third ventricleosomy so this is something that you really need to look at and of course hemorrhage and infection are important aspects so I mean minimally invasive tool to be utilized for very specific indications it's not that you try to fool around with it you know that's what I think thank you very much


So this is the second video talking about ideal law gas ratios. I had one video that explained the general concept and then one where we did constant pressure. As a very similar thing, I'm going to talk about what if I have constant volume, meaning v1 is equal to v2. Well, in that case, my equation is going to simplify down to the p2 over the p1 is equal to t2 over the t1. And again, you can cross multiply that up and then we could solve for any one of the individual values. Just to huddle a little bit for my last one down here, so I'm going to raise that. And if I'm looking for t1, it would be t2 times pressure 1 over pressure 2. And you could also write that as pressure 1 over pressure 2 times t2 doesn't really matter. Or you could even make sure that you're clear it's pressure 1 times temperature 2 divided by pressure 2. And we can do a similar thing. I'm not going to show every single step to solve for t2 p1 or p2 in terms of the other values. You have to know at least three of these to be able to find the fourth one. In terms of units, again, temperature must be in Kelvin for all of these ratio equations. Pressure, our standard is Pascal's, but you need to have the same units on top and bottom just like I showed in the constant pressure formula. And in that video, we can talk about why they have to have the same one and what happens with that. Again, our standard is going to be Pascal's, but you could also use atmospheres is a common unit for pressure. Kilopascals also gets used sometimes. So as long as you've got the same units for both pressures and your temperatures are in Kelvin, this sort of an equation works.


YouTube team keep it clean. What's going on? It's a engraving here with another video and in this video We hear to talk about the Ravens schedule for their game shout out to the Ravens because the Ravens game There's week 17 game that was scheduled to be it on Sunday this coming Sunday at One o'clock it has been moved the schedule has been adjusted the schedule has been changed the schedule has been modified Their game has now been moved To 425 425 So let me let you know what that means and before we get into that let me introduce myself me I'm engraving vids and this is my YouTube channel engraving vids and I'm a Ravens fan now Even though I'm a Ravens fan on this YouTube channel. We just talk about Ravens We talk about Steelers. We talk about bingles. We talk about Browns.  There's no obligation when you leave a like on a video You ain't got to sign up for a credit card to leave a like on a video You ain't got to set up for reoccurring payments to leave a like on a video You ain't got to sign up for automatic withdrawals to leave a like on a video. It's completely free And then you can follow on Twitter Instagram and Snapchat Everything is engraving vids. That's ing or a venvids all one word, but anyway Anyway, the Ravens game has been moved It has been moved from 1 o'clock p.m. Eastern time to 4 25 p.m Eastern time now like I was saying before let me let you know what that means and they're gonna be some people that are sleep Right now, so they're not gonna get to get to catch the snooze until Tomorrow or something, but that's fine when they wake up. Good morning to you if you're watching this right now Good evening to you. And if you watch this whenever I'm I appreciate you watching but um What this means is that? we We will get to be with each other Before the game Because you know usually on Sundays if the game is at one we can't really be together before the game too much too often But we'll get to be with each other before the game We will also Be able to do our halftime We'll be here at halftime. So I love the games and we can do the halftime video Because it gives me a chance to interact with you guys at halftime So we can see everything that we liked that we dislike what we need to improve on What what we need to do better what we're doing good? We can talk about all the ups and downs everything Everything okay, so you worked out for you to Nick. He said he got to work at 415. Perfect. Perfect. So you might miss I don't know how long it takes you to get home from work But if it takes you 30 minutes an hour, then you'll miss like a first quarter and change so that's that but We'll get to see each other before the game and Then during the game at halftime and then of course after the game is over. So I'm excited about that I'm happy that they moved it to 425 and this also gives me an opportunity to help out The other people too who don't have access to watch the game. I know it's gonna be on CBS Are you going to the game? All right tricky That should be fun But for the people that don't have CBS This will give us also more time to get the stream prepared. So for those people that need a link to the stream Then you'll be good to go. Not joy. I don't play much. So I ain't see it I heard about it all over Twitter, but I don't play much. I ain't see it. So This game next week is such a big game such a big game This game is everything This game is everything It's everything Because we we win this game And we in the playoffs That's it We win this game and we in the playoffs somehow every single week I mean every single season we played a bingles in week 17 every single season never fails Every single season never fails. Why was it moved most likely because um The games that were they already didn't have any playoff implications So they wanted to make they wanted to move games that actually meant something to that prime time spot So you but every every week 17 we always play the bingles never fails But usually the week 17 game is in Cincinnati Usually the week 17 game is in Cincinnati This time it's in Baltimore This time it's in Baltimore and this time it actually means something it means everything it means our entire season That this entire turnaround that we've done It may not mean anything if we lose It may not mean anything if we lose But if we win Then it'll mean everything so 425 next Sunday Don't say nobody told you cuz I let y'all know man but may again Make sure you subscribe to the YouTube channel Any other updates for any other Raven stuff? You already know we got it. You already know You already know make sure you subscribe to the YouTube channel turn your notifications on And leave a like on this video because we are about to stream some Madden again And I'm about to run a challenge in Madden for myself Well, I got to play a ranked get play as many ranked games as it takes to win Until I win one with the Cleveland Browns with the Cleveland Browns So if y'all were just in the stream, we did that with the Dallas Cowboys But we went on our foot we went on the first game, but I know playing with the Browns ain't gonna be at ease so


In a past video, we discussed the structure of the atom. Just to review, protons and neutrons are in the nucleus of the atom and electrons surround the nucleus in orbits if we're using the Bohr model or in clouds of probability if we're using the more accurate quantum mechanical model. In today's video, we will be using the Bohr model because it is convenient for what we are doing. As you should recall, the number of protons determines what element an atom is. For example, an oxygen atom always has 8 protons. An atom of magnesium always has 12 protons, etc. But the number of neutrons in an atom can vary. In a previous video, we talked about isotopes, which are atoms with different numbers of neutrons. Electrons have identical chemical properties, and they can participate in the same chemical reactions. However, they have different masses, and the mass of an isotope is approximately equal to the mass of the protons plus the mass of the neutrons. The number of electrons in a particular element can vary as well. In a previous video, we talked about ions, which are atoms of a particular element that have either lost or gained electrons. Isotope notation is one method we can use to keep track of things, like the number of protons, neutrons, and electrons, in a given atom that we are studying. Even though isotope notation looks a little like the squares we see on the periodic table, it is not the same. Here is how it works. So let's take a look at this picture. You'll see we have an X. Well that big letter there is the chemical symbol. Could be carbon, could be hydrogen, it could be molybdenum. Whatever the element is, it'll go there. That little Z in the lower corner, that's going to be the atomic number. That's the number of protons that are in the nucleus of the atom. Now up on the top left, that's the mass number. The mass number is the total number of neutrons and protons that are in the nucleus. Because if we add up the protons and neutrons, we get about the mass of the atom. And the units we use for mass are atomic mass units. We'll get into what that is in a future video as well. So let's take a look at this example of isotope notation. First we're going to look at that big letter in the middle of the box. That is F and it stands for fluorine. F is our chemical symbol. Next we're going to look in the lower left. That is our atomic number. Some people use the abbreviation Z. And our atomic number is 9. That means we have 9 protons in this atom. If we go to the upper left, we see the number 18. This is our mass number. And our mass number is the total number of protons and neutrons. Now how can we figure out how many neutrons we have? Well it's pretty easy. We just take the mass number and we subtract the number of protons or the atomic number. And that will give us the number of neutrons. In this case, 18 minus 9 equals 9. So this atom has 9 protons and 9 neutrons. Now let's talk about electrons. In the upper right, we have a symbol for charge. In a neutral atom, the number of protons is the same as the number of electrons. The charge is zero. But in this case, we have a charge of negative one. This is an ion and because it's a negative ion, we call this an anion. So how can we get a charge of negative one? Well this could happen if we had one extra electron. So if we wanted to find out the total number of electrons in this atom, we would take the number of electrons we would have for a neutral atom, that's 9, and we'll add one more electron. And that gives us 10 electrons total. So let's take a look at another example of isotope notation. Let's start by looking at that big letter in the middle. That is going to be the symbol for our element. And if we looked at a periodic table, we would see that U stands for uranium. In order to figure out how many protons we have, we look at that number in the lower left. The number of protons is 92. To find the number of neutrons, we're going to look in the upper left. That's our mass number and that is the number of protons plus neutrons. So to find the number of neutrons, we're going to take our mass number and we're going to subtract the number of protons. 238 minus 92 is 146. That's a lot of neutrons. How many electrons do we have? If we look at that symbol up in the right, there's a zero, which means we have a neutral atom. Well, in a neutral atom, we would have the same number of electrons as we have protons. So we would have 92. Now let's look at another example. So first we'll look at that big symbol in the middle, NA. If we looked at our periodic table, we would see that that is the symbol for the element sodium. How many protons do we have? Well, to figure this out, we look in the lower left. We look at the atomic number and that is 11 and that means we have 11 protons. How many neutrons do we have? Well, we have to look in the upper left to find the mass number and since the mass number is the protons plus the number of neutrons, we're going to take 23 and we're going to subtract our number of protons, that's 11, so we get 12 neutrons. Now we have to figure out how many electrons. Well, if this were a neutral atom, we would have 11 electrons to balance out the number of protons. However, we see that we have a one plus charge. That means there are more protons than there are electrons. In order to get a one plus charge, we would have to be missing an electron. So we have 10 electrons. 11 positive charges plus 10 negative charges is going to leave us with one extra positive charge. So you should now be able to look at isotope notation and determine what the element is, determine how many protons it has, determine the mass number, determining how many neutrons it has by taking the mass number and subtracting the number of protons, determining how many electrons it has and determining the charge if it has one.


Hey guys, welcome back to another week of What's for Dinner. My name is Andrea with Food and Mentory Adventures in Food. Our channel is all about the food. We do taste tests, grocery hauls, recipes, and What's for Dinner. And we are kicking off another week of What's for Dinner with this entree skillet meal from Trader Joe's called Kung Pao Chicken. There's their Trader Ming variety, Trader Ming's I should say. It's a mix of dark meat chicken, mixed vegetables, in a spicy soy ginger sauce. And here it is on the plate. Now, as you probably already know, Kung Pao Chicken is traditionally a dish that has peanuts in it. And Howard and I love peanuts on their own, but not necessarily with our meat or savory entrees. So for those of you that aren't crazy about the idea of having peanuts in your chicken or in your entree, or if you have family members with peanut allergies, did want to let you know that the peanuts come in a separate pouch. This is what they look like. They're just a dry roasted peanut. And so I'm just going to set these aside and eat them, you know, another time. But we're having the Kung Pao Chicken. It's a quick and easy skillet meal. It only took me about 10 minutes to make, honestly. And I am serving it over some jasmine rice. And then I stir fried some fresh broccoli. So this is it. This is what we're having for dinner tonight. And we'll see you guys next time. Hey guys, let me show you what we are having for dinner tonight. We are starting off with this Taylor Farms Asian chopped salad that I recently showed you guys on a Aldi haul. So we're having that. Now, Howard does not like the Asian dressing in the salad. So he has all of the fixings except the salad dressing. And he is using the Caesar dressing instead. And so the Asian salad kit comes with wonton strips, sliced almonds, green onion, and cilantro. So I am having mine with the Asian salad dressing on it. And then we are using this mushroom medley Alfredo sauce that I got from Trader Joe's during a haul. I'll try to remember to link it in the description box. I'll link the Trader Joe's haul and then the Aldi haul where I got the salad. I'll link those in the description box if you want to see what I picked up. But we are trying this for the first time. I like it. I think it has a very mild flavor. I think it's super creamy. It's Alfredo with Parmesan, Gruyere cheese, cheeses and mushrooms. And we are having ours with spaghetti. So Howard made this for us tonight. And then this is what it looks like on the plate. And it's really good to me. I like it. I would probably repurchase it. So anyway, this is what we are having for dinner tonight. And we'll see you guys next time. Hey you guys, we are at Mitsuha. It is a Japanese grocery store. And in the grocery store, they have a Japanese food haul, which is like a food court. And Howard has eaten in there before. I have never eaten in there in here. So we are going to check it out and I'll show you what they have and what we got. So we picked a spicy pork bowl from one of the food stalls. So here it is. Yellow onions, green onions. It's supposed to be spicy underneath there. You can't see it. But there's a bunch of rice underneath there. So Howard and I, we got the same exact thing. And then it came with this. We don't know what it is. I have no idea. But anyway, this is what we are having today. See you guys next time. Hey guys, so for dinner tonight, we are having taco salads. And if you have been watching our channel for a while, you know that I am obsessed with these Azteca crispy and flaky taco salad shells. Love these things, grew up eating them. My mom used to make these all the time when I was little. And then I just stopped being able to find them anywhere. Well, excuse me, several months ago Howard and I went to Kroger and lo and behold, they had them. So while I was there, I stocked up on them. And then I saw them that one time and I never saw them again. So I'm glad I stocked up on them. I do store them in the freezer since I'm not going to use them immediately. But you get four, let me show you, you get four flower shells in the box. And this is what the packaging looks like. So once you open it, there are the tortillas. Of course, I've used two of them today for dinner. And then they come with these little formers that are flat. So you get four formers. So you put the formers together and then you lay the tortillas over them. And then you bake them for 10 minutes. And this is what they look like. So we have, let me show you mine first. So I have lettuce on mine, the taco meat. We are using this Tillamook for cheese, but excuse me, Mexican for cheese, cheese. And then I just have some salsa. Let me show you how words he has, you can see a bunch of sour cream down there. I'm not big on sour cream on my food. He has lettuce. He has avocado. He has cheese. And then he put some hot sauce on there as well. Of course, he has ground beef buried in there somewhere. And then for dessert, still trying to use stuff that I have in the freezer. I had this in my outdoor freezer that I got from Tom Thumb when it was on clearance. So it was only, it was half off of the $4.49. So it was $2.50. And it is the luscious lemon cake, peppered charm. So here it is. Let me try to get close up so you can see the layers. So there it is right there. And then I have it two slices cut for us. Here you go. So it looks pretty good. I don't think we've had this before. So anyway, this is what we are having for dinner tonight. And we'll see you guys next time. Hey guys, we are trying out a new Taiwanese restaurant today. And we're starting out with appetizers. These are juicy soup dumplings right here. And I am having a cup of hot sour soup. So we're just waiting for our entrees. And when our entrees come out, I'll show you what we got. So this is Howard. He got beef noodle soup. And it looks so good. He said it's a little bit spicy. And here is my chicken fried rice. This is what we are having for dinner tonight. And we'll see you guys next time.


With an auto light and its 96,000 dealers present, Suspense! Tonight, Auto Light brings you a story of love and hate. A story we call three lethal words, starring Miss John Crawford. Why it's Oscar Otto, the loquacious limousine. It's me all right, Harlow, ready for the good driving days ahead. With an auto light, stay full battery, the famous battery that needs water only three times a year in normal car use. I wouldn't leave the garage without one. Ah, don't blame you, Oscar. Why that tried, true and trusty auto light stay full battery has over three times the liquid protection of batteries without stay full features. That's why the auto light stay full needs water only three times a year in normal car use. And it packs a kick that starts me quick as a flick. And here's another advantage, Oscar. It has fiberglass retaining mats protecting every positive plate to prevent shedding and flaking and keep the power producing materials in place. That's why the auto light stay full gives longer life as proved by tests conducted according to accepted life cycle standards. Keep going, Mr. Wilcox. Battery flattery won't hurt that rugged auto light stay full. So friends, see your neighborhood auto light battery dealer and ask him for an auto light stay full battery. The battery that needs water only three times a year in normal car use. Your auto light man is equipped to give you the best in battery service. Remember, you're always right with auto light. And now with free lethal words and the transcribed performance of Miss Joan Crawford, auto light hopes once again to keep you in suspense. Mr. Lewis, a Miss Winters to see you. Miss Jane Winters. Jane Winters? Jane Winters? Are you sure she said... Philip! Philip, darling! Jane! Oh, Jane! I told him downstairs at the desk. I said you must be mistaken. It can't be Philip Lewis. He's just a story analyst. And he said no, he's head of the studio story department now. And I just couldn't believe it because I've always remembered you as just a reader. One who used to make the most devastating criticisms of the scripts I wrote before I... Well, before I got sick. I've been ill, you know. Did you know I'd been ill? But everything's all right now. Oh, good. I'm glad. Sit down. Won't you, Jane? Thank you. I'm exhausted. I've been shopping, shopping, shopping all afternoon. I've been buying supplies for my hobby, you know. I do etchings now. Do you know what's in this bottle? Acid. Nitric acid. It's away the steel plates, you know. Amazingly powerful. As a matter of fact, that's why I'm here. I was buying this and I got an idea for a story. I'd like to tell it to you if you have a minute. Why, of course, Jane. Oh, Grace, if anyone calls, I'm out. Yes, Miss Lewis. And tell Johnny Elman... No, wait a minute. I'll write it down for you. Last time I was here, Leo Burns was head of the story department. Oh, he's producing now. Oh? Doing very well at Universal. So many changes. Here, Grace, right away. Yes, so many changes. Ah, cigarette. Thanks. It's been a long time, hasn't it, Phillip? Yes. You're looking well, Jane. I'm feeling all right now. I don't want to talk about me. I want to tell you this idea. It's all worked out in my mind, except the end. I don't like the end. But, well, anyway, we open in the living room of a rather nice little house in the hills above the strip. I don't know if you were ever in the place I once had up there. Anyway, a place like that. It's around two in the morning, and there's this girl pacing back and forth in this living room. Call her Sally, Sally Summers. She's smoking a cigarette, quick, nervous puffs. Her abruptly, she flips the cigarette into the fireplace, hesitates a moment and then picks up the phone. Sally's a screenwriter, not a bad person. If you knew her, really knew her, you'd see she's not a bad person.  That's all she wants. She's a screenwriter, and she's 43 years old, and she's married to an actor, and he's 19 years younger than she is. It's two o'clock in the morning, and she's all alone. McCombo is Chris Summers there. Christopher Summers. One moment, please, I'll see. 43 isn't very old. She's always taken care of herself. Looks ages younger than that. She and Chris have been married almost a year, and her whole life is wrapped up in the boy, and it's been fine until recently. Recently it hasn't been so fine. Hello? Chris, where have you been? I've been worried sick. No, I'm sorry. Mr. Summers isn't here. Not there? Oh, thank you. She's phoned everywhere. She can't find him. It's getting later and later. And there she is in this empty house above the silent sleeping city, and she's ready to scream. And she hears his key in the lock.  Chris, where have you been? I just about decided to call the hospitals and the police. Where have you been? I don't know, here and there. You shouldn't have waited out for me. But it's almost three. I thought I... Oh, I didn't know what to think. I said to myself, was he in an accident at the studio? But I phoned and they said no. You had checked out when they finished shooting at six. I've been driving around. I drove out to the beach and then I went for a walk. Have you eaten, darling? Would you like something to eat or maybe a drink? Don't fuss over me, Sally. That's all I ask. Please don't fuss over me like a mother hen. I like to fuss over you. Sorry, I... I didn't realize I was doing a mother hen bit. But you might have phoned me. I didn't feel like talking to anybody. Not anybody. Chris, what happened at the studio today? What difference does it make? Tell me. You're letting it all out on me and it's not fair. I have a right to be told. All right, I'll tell you.  He was peddling greeting cards for Mother's Day.  And he bought one for his mother and then he turned to me. I don't want to hear it. You'll hear it anyway. He turned to me and he said, Chris, these Mother's Day cards are beautiful. I said, I don't want to hear it. They're beautiful. He said, why don't you send one to Sally? And that's not all. I won't listen. Take your hands away from your ears. Let me go. You're going to listen. Chris. I've been getting these dirty digs since we first started seeing each other. No. Last summer. I was doing a scene with Ada Field last summer and someone asked me if I'd seen Sunset Boulevard and Ada yelled, seen it, he's living. No. Please. Please, no more. Please. So now you know. Chris, look, we knew it wasn't going to be easy. There's knowing and then there's knowing. Leaving the lot this evening, I ran into Harley Duke and I braced him. How much longer am I going to be kept in small parts? I said, how much longer am I going to play third man in the posse and g-mom? What's for dinner? He said, how can you be built into love's young green for the Bobby Sox as well? You're married to someone twice your age. No. Get wise, kid. He said, get wise. That was seven, eight hours ago. Since then, I've got wise. You what? I'm leaving you. Chris, no. No. Chris, listen to me. It's not a perfect marriage. All right, so it's not a perfect marriage, but it's the only marriage we have and you try to make it work for better or worse. That's what he said for better or worse. I'm leaving. That's what I came back to say goodbye. Chris, no, I love you. You're all I have. That's your problem. I've got my own. Chris, I won't let you. Get out of my way. Chris, I won't let you. Get out of my way. No! Chris! Ever play with a kaleidoscope when you were a kid, Phillip?  You put it to your eye and you see a wonderful pattern. You turn it a bit and you see a new pattern. Same stones, same beads, but now they make a new pattern. Love changes to hate just like that. Sally looks about the room after Chris leaves. Her gaze falls upon a little ceramic dog he bought for her on their honeymoon in Mexico and suddenly she seizes it and the lamps they bought at auction at antique shops. One by one in the coffee table, the hot-stable, the easy chair, the love seats, all the books on the shelf, ice sprays, pictures on the walls, all of it! In the morning, when her maid comes in... Miss... Miss Thomas? I'll destroy him. Miss Thomas, honey? I'll destroy him. I'll destroy him. I'll destroy him. Hello? Hello, Dr. Kobe's office? I'll destroy him. This Miss Thomas made. Let me speak to the doctor. I'll destroy him. It's all she says for a long time to come. Just those three words. Maybe that ought to be the title. Three lethal words. How fun, you know. Now, the next part of the story is... is confused to me. It's not clear in my mind at all. There are doctors in it and people whispering to each other and looking at Sally and a long automobile ride ending at a gate. She's taken to an asylum, a large, sprawling place like a... like a country club with guards. And they start to put her together again. They're very kind and patient and good at their jobs. And they put all the pieces in place. All except one. She hides that one from her because there's something she has to do. One night while playing canasta with one of the nurses in her room, she starts to do it. Care to play another hand, Sally? Isn't it time for you to go off duty? Oh, it's another half hour. Deal. Okay. Going to town? Got a date? Uh-huh. Score a dance. Got a new dress I'm going to wear. Nice. Oh. I'd show it to you, but it's my police. My police is in the car. Change at your sister's house, huh? Uh-huh. 15. Where are you going? To get a hanky. They're very careful at the asylum. There's nothing you can use as a weapon. But the bureau in your room has three drawers to pull out one of the drawers all the way and raise it above your head and get behind the nurse while her back is turned and she's looking at the cards.  Then down the corridor and down the steps and across the lawn to the parking lot, there's only one bad moment at the gate. But all the men at the gate can see is your white uniform in the dark and he knows the car. So you just wave to him and he opens the gate and you drive through. And once through, you step on the gas and you're free, free! Jane. Jane. What? Sit down, Jane. I got carried away. Where was I? Sally was driving away from the asylum. Have a cigarette. She's driving? Oh, yes. As she drives through the darkness toward Hollywood, she's filled with a terrible eagerness. You see, she knows exactly what she's going to do.  Oh, no. No, that's too good for him. He's got to be destroyed. But it's no good if he's not alive to appreciate that. He's got to know he's been destroyed and go on knowing it.  Turn it into a scarred and pitted monstrosity. Something that will never, never again face a camera, nor attract a woman, nor cease to remind him that once there was a wife named Sally, who loved him so much, she reaches Hollywood at dawn. Then she abandons the car on a side street and walks and walks until she passes a shop selling artist supplies. Can I help you? Yes, I am. I'm doing some etching and I... I've got some plates. I've got some fine copper plates. I'm out of acid, though. What mordents do you have? Let me see. Got some dutch. Got the iron perchloride. Got the nitric. That's the best. I'll take a bottle. I don't seem to have it diluted. I'll take it full strength. Yes, ma'am. Oh, I don't suppose I have to warn you to be careful about handling. Oh, I'll be very careful. Here you are. Thank you. Doing landscapes? No, as a matter of fact, I'm... I'm doing a portrait. Portrait of a man. From life. And there she was, out in the street with a bottle in her hand. A bottle just like this one, Phillip. She's been a writer, and she's known the joy of creation, but it can't compare to the exaltation she feels now. Now, as she goes forth to experience the joy of destruction, I'll destroy him, she says. I'll destroy him. I'll destroy him! The light is bringing you, Miss Joan Crawford, in three lethal words. Tonight's production in Radio's Outstanding Theatre of Thrills. Suspense. Ready for Easter, Oscar Otto? Sure am, Mr. Wilcox. With an auto light staple battery under my hood, I'll be the jauntiest jitney in the parade. Well, you can't miss if you've got the battery that needs water only three times a year in normal car use, Oscar. Why, that auto light staple has over three times the liquid reserve of batteries without staple features. And it has those great fiberglass retaining mats. It sure has, Oscar, and they prevent shedding and flaking, and keep the power-producing materials in place. That's why the auto light staple gives longer life, as proved by tests conducted according to accepted life cycle standards. Am I, Mr. Wilcox? Just banging your hubcaps, Junior. So, friends, see your auto light battery dealer for your auto light staple. The battery that needs water only three times a year in normal car use. And remember, you're always right with auto light. And now, auto light brings back to our Hollywood soundstage Miss Joan Crawford in Elliott Lewis' production of Three Lethal Words. A tale well calculated to keep you in suspense. Sitting here talking to you. It's like old times, isn't it, Chris? Philip. What? You just called me Chris, the name of the young actor in your story. You called me Chris instead of Philip. Philip? Oh, yes, it's Philip, isn't it? For a moment, I... Jane, why don't you put the bottle down on the desk? Why? Well, you might accidentally spill some gesturing with it in your hand and it does contain a powerful acid. Don't you think I know that? Do you think I'm irresponsible or something? Oh, no, no, of course not. I don't think I care for your attitude, my young friend. What makes you think I can be spoken to like that? What makes you think you can treat me like this, Chris? What makes you think you can get away with it? You listen to me, Chris. Philip, Jane, not Chris. Philip, Chris is the young man in your story.  Yes, I'm enjoying it. Story? Yes. Sally Summers had just left the shop with a bottle of nitric acid in her hand. What did she do then? You really enjoy it, don't you? It is rather good, isn't it? Except the end. I don't like the end. It's not the end I want. I... That is she. Sally sets out to locate Chris. She enters a drugstore, goes into a phone booth. Hollywood 9-5-2-6-4. Hello. This is Mr. Summers' housekeeper. Is it possible for me to speak to Mr. Summers? Christopher Summers. One moment, please. Hello? Hello? Hello, Mr. Summers is with the Lucifer Labs unit. They're shooting out on the back lot today. I can't put you through to them. Get a leave of message. No. It can wait, thank you.  No, I want a shower first. Chris, is there any word on her? No, I'm worried, aren't I? Not for myself, no. Well, you don't have to worry about me. Chris. I'll go shower. I'll pick you up for dinner. Where are we going tonight? Well, Zeld and Charlie expect us at their place. Chris. I don't look so worried. It's all right. I'll see you soon. Hello, Chris. Sally. Long time no see. Well, Sally, I... Sit down, Chris. Sit down. Well, how are you, Sally? I want to look at you. I'd almost forgotten how good-looking you are. You really are, you know. How's the career? The career. How goes it? All right, I guess. Sally... Are they starring you? Beginning with this one. Sally. Good. Are you happy? No more dirty dinks? I'm happy, I guess. This is the picture of the lucky girl. She's lovely. So young. I'm very pleased, Chris. This is just the way I wanted you for the moment. Successful, happy, in love. Sally, I want you to know I never meant to play the heavy in your life. I know. Don't think I never felt badly about everything. I know. I'm not much good, but I want you to know I didn't mean for you to be hurt. I know. And, of course, anything I can do for you. There's one thing you can do for me. Just name it. Look at me. Take a good, long look at my face. Why? Because I want it to be the last thing you're ever going to say. That night, back at the asylum, she enjoys the first untroubled night's rest she's had in a long time. No sedatives, no wet packs, nothing. She just sleeps. And after that, she gives them the part of herself that she's kept hidden. And now they have a real chance to make her whole and well again. But it takes time. Two years, three years, four. And one day they tell her she's as well as they can possibly make her and fit to leave. If she avoids strain, avoid shocks. Remember all that she's learned about herself. There's no reason why she cannot go out and make a place for herself in the outside world. One evening, shortly after they tell her that, she finds herself in the reception office, beliefs packed, waiting for the car that will take her away. Her doctor is with her, saying goodbye, and there's a small radio in one corner playing a waltz. Right to me occasionally. I want to hear from you. I'll keep in touch. And if you ever wish to see me... I won't hesitate. There's a car coming now. Yes. Goodbye, Sally. Goodbye, Doctor. Break any rules if I kiss you. After this long of friendship, I'll be silly. Thank you. The announcement of the winner of this year's Blaisdell Prize. Any chance of your ever winning the Blaisdell Prize? I've been planning to write the great American novel for some time. Now further ado, our guest of honor and the recipient of this year's Blaisdell Prize for the best American novel. Ready, Sally? I just want to hear this. Ladies and gentlemen, I take great pride in introducing to you Mr. Christopher Summers. Sally. The pathway leading to the literary life is a rocky one. And in my Helen case, a sunless one. And were it not for my Lisa and her help, some years ago, my sight and my career in an entirely different field of endeavor were destroyed. Sally. Nurse, turn that off. Sally. Sally, listen to me. Sally. Sally. But she couldn't stop laughing. For all I know, the car that came to fetch you is still waiting. Isn't that funny? Isn't that the funniest thing you've ever heard? I don't know why I'm laughing. Because it's really sad in a way. Really awfully sad in a way. Sit down, Chris. Sit down. Not Chris, Jane. Philip. Philip. I want to look at you. I'd almost forgotten how good-looking you are. You really are, you know. How's the career? The career, how goes it? Jane, Jane, listen to me. Are they starring you? I'm not Chris, Jane. I'm Philip. Philip Lewis. Are you happy? No more dirty digs? Jane, Jane, I want you to listen to me. Listen to me very carefully. This is the picture of the lucky girl. She's lovely. So young. I'm very pleased, Chris. It's just the way I wanted you for this moment. Successful, happy. In love. Jane, sit down. You're not well, Jane. Do you understand what I'm saying? I know.  I know. I'm your friend. You and I have been friends for a long time. I know. Jane, let me have that bottle like a good girl. There's one thing you can do for me. Jane, the bottle. Let me have it. Jane, don't open it. Look at me. Take a good, long look at my face. Jane, Jane. Because I want it to be the last thing you... I'll take that, Jane. Hmm? Thank you. Now give me the cap. Give it to me, Jane. Doctor? Yes, it's all right, Jane. I'm here, I'm here. Nobody loves me. That's all right, Jane. Nobody. In the whole world. Are you all right? I think so. I'm sorry about this. It's the second time in six years she's left the wedding. Mind if I sit down? I expect you're going into shock. Do you feel cold? She wanted to sell me a story. Yes, I know. She writes it down over and over again. Paints it when we give her paints. Why did she come to you? Any idea? Yes, I knew her in the old days. Are you a writer, too? No, I'm head of the story department here. Find stories to make into movies, you know. Oh, that must be very interesting work. It has its moments. Suspense. Presented by Autolight, tonight's star, Miss Joan Crawford. If all the cars could talk like me, we'd all run really right, because the request of every car would be, give me Autolight. And they couldn't ask for better, Oscar Auto, because Autolight makes over 400 fine products for cars, trucks, planes, and boats in 28 plants from coast to coast. These include complete ignition systems used as original factory equipment on many leading makes of our finest cars. Generators, coils, distributors, electric windshield wipers, voltage regulators, wire and cable, starting motors, and many more. They're all engineered to fit together perfectly, work together perfectly, because they're all part of the Autolight team. So friends, don't accept electrical parts supposed to be as good. Ask for and insist on Autolight original factory parts at your neighborhood service station, in our dealer garage or repair shop. Remember, you're always right with Autolight. Next week on Suspense, our star will be Mr. Jack Carson in Deathpitch. And on April 5th, you will hear in his first appearance on this program and only dramatic appearance of the season, America's favorite comedian, Mr. Jack Benny. Following Mr. Benny, you will hear such famous stars as Lucille Ball and Desi Arnais and James Stewart. All on Suspense. Suspense is produced and directed by Elliott Lewis with music composed by Lucian Morrowek and conducted by Lut Bluskin. Three lethal words was adapted for suspense by Walter Newman from a story by Charles Bion. Portions of this program were transcribed. In tonight's play, High Everback was heard as Chris and Joseph Kearns as Philip. Others in the cast were Ted DeCossier, Lillian Baev, Don Diamond, B. Benadirat and Sylvia Sims. Joan Crawford will soon be seen in the Warner Bros. production Goodbye My Fancy. And remember, next week on Suspense, Mr. Jack Carson as a man who talked to death, all those who stood in the way of what he wanted. A story we call Death Pitch. You can buy auto-light staple batteries, auto-light resistor type or standard type spark plugs, auto-light electrical parts at your neighborhood auto-light dealers. Switch to auto-light. Good night. This is CBS, the Columbia Broadcasting System.


This 2010 Dodge Challenger RT Classic is stock number 11883 Z. We are here at Summit Automotive in Fond du Lac, Wisconsin, your new and used Dodge and Dodge Challenger headquarters. This 2010 Dodge Challenger has the 5.7 liter V8 Hemi motor which pumps out 372 horsepower. This car has been fully-safetyed and inspected by our service shop. It has a fresh oil and filter change. All the fluids have been checked and topped off and this car is 100% ready to go. Detonator yellow is the color. We shoot all of our videos in 1080p, 60 frames per second. So if you have HD capabilities on your computer, tablet, smartphone, or television, turn them on right now. Because it is definitely your best way to check out the look, styling, quality, and condition of the car before seeing it in person. And if you like the video and want to subscribe to our channel, in the lower right hand part of the screen is a link to subscribe to our YouTube channel to see videos like this each and every day of the awesome inventory here at Summit. Click the bell notifications to get updated every time we upload one of those videos. Comes with the 20 inch polished aluminum rims. Very nice condition on those rims, and it has Goodyear Eagle 245R20s, these are the Goodyear Eagle RSA, and they have right around half the tread left on them, maybe just a hair bit less than half, but still decent tread on there. Front fenders in excellent shape, I didn't see any dents or dings on there. All the stripes look really good on this car. Headlight lenses are nice and clear, and it does come with the factory fog lights. The front bumper has never been drilled into, and it's in really nice condition. I didn't see any dents, cracks, or scuffs on there. Comes with the SRT8 stripes on the hood. Always like those, they kind of look like carbon fiber. Usually see those on the SRT8s. Passenger side front fender looks really good as well. No dents or dings. Then the passenger side front rim is in excellent shape as well. Down the rest of the side of the car, take note of how clean the body is, how reflective that paint is. We take these HD videos, so if you are far away, or even if you're close by, just cannot make the trip down, but you're still interested in purchasing the car. You can see the car, hear the car, and of confidence in the vehicle you're looking at before you even get here. So when you do get here, there's no surprises, and you can make a smart buying decision from the comfort of your own home. Very nice down that side. Back rim is in nice shape as well. No major scuffs or scrapes there. The back tires have just about as much tread as those front tires. Coming around to the back of the vehicle, rear bumper looks really good. You get the chrome tipped rear exhaust. Trunk lid looks really good, and it does have the color match spoiler. On the driver's side, just as clean as I passed in her side, no dents or dings on that rear quarter. And for full disclosure, this back rim is in really nice condition as well. I did see one little nick right there, but nothing too bad. That's why we take the videos, because this is an 11-year-old car, has heated power mirrors. Once again, all the stripes look really good on here. Inside the RT classic package gives you the black leather interior, there are no rips, or tears on there. Leathers in really nice condition. Power driver's seat. Let's take a look at these back seats here. Back seats are in nice condition too. No rips or tears. It does have the latch child safety system if you want to try and get a car seat back there. It does come with the factory floor mats, the bright pedals, auto headlamps, power windows, power locks, and power mirrors. We'll hop inside, check out the ignition. The radio. You can see this car has 22,749 miles. You get the white faced instrument cluster, kind of like the SRT-8s have. Leather wrap steering wheel. Really nice shape. No major scuffs or scrapes or rips or tears. You do get AM-FM and Serious Satellite radio capabilities. It does have a CD player and an Augs jack. Climate controls, these seats are heated in the front and it does have an electronic stability program on there. Automatic transmission with the Mopar shifter, passenger side floor mat and seat are in excellent condition. No rips or tears in there. Not really sure what's going on with those headrests. Spring is on there, kind of neat. Anyways, headliner is in nice shape and you do get the power sunroof. Up here you get your map lights and power sunroof controls and the dash is in really nice condition too. We'll take a quick look at the back seats and then we will start it up, or I'm sorry, the trunk and then we'll start it up and take a look under the hood. Trunks in really nice condition as well. This one does have the kicker subwoofer so it has the sound group too. Comes with a spare tire and that's where your battery is located but very nice and clean back here and those seats do fall down for extra storage. We'll start it up and I would personally like to thank you for checking out the video today. It starts right up, no check engine lights. Hopefully from this HD video you'll have gotten a really good look at the car, condition and quality. Under the hood we have the 5.7 liter V8 Hemi motor. Engine base very clean, runs very smooth, has a mopar cold air intake and once again this car has been fully safe and inspected by our service shop as a fresh oil and filter change. All the fluids have been checked and tapped off and this car is 100% ready to go. There's your mission sticker. The shocks are doing a nice job holding that hood up. This car is 100% ready to go. I would highly recommend this car from a quality and condition standpoint and to see more pictures of this car, one of brother 450 new and used cars, trucks, SUVs, minivans, Wranglers, challengers, chargers, Mustangs, Camaros, Corvettes, you name it we got to go to that website right there at www.summitauto.com. Full pictures and descriptions of every single vehicle from two locations all at www.summitauto.com and if you'd like to check out more HD videos you can go to www.youtube.com slash www.summitauto. Remember to like, subscribe, and share on this video and all the videos that you see there and remember to click those bell notifications to get updates on every time we do a video. In fact any second you will see a link to subscribe to our YouTube channel in the upper left to link to more Challenger videos like this one in the upper right, a link to this vehicle on our website in the lower left and a link to one of our latest YouTube videos in the lower right. Click those, check us out. We're super excited to help you with this Ultra Clean 2010 Dodge Challenger RT Classic in Detonator Yellow Clear Coat. Thanks again for checking out the video.


However successful we get on YouTube, there's always that horrible question that's in our heads. Well, it's in my head, how many subscribers am I losing this month? How many subscribers am I losing across my channel? And which videos are losing me the most subscribers? We can always see our subscriber numbers just gently going up, but you and I both know that that number is hiding how many people are unsubscribing. You and me are going to find out three ways to count the number of subscribers we are losing. Firstly, how many subscribers we're losing across our whole channel over any time period, so this week, this month or this year. Then we'll see how many are unsubscribing from individual videos. And then the thing I think you want to see the most, because it's the thing that I wanted to see the most, which videos are losing me the most subscribers? And I'll show you why that is not a very helpful figure. So let's find the first number. How many people have unsubscribed from my channel? This is my YouTube studio and we're going to click on analytics on the left hand side. This is how my channel is looking at the moment. But on the top right hand corner, can you see this button here? Advanced mode. If we click on that, I don't like going into this page. I think these graphs look really ugly and intimidating. But along the top of the screen, can you see these tabs? We've got video traffic source. If you click on more, it brings up a list of even more tabs that you can open. And it sometimes hides these. So it might be worth clicking on the more to find subscription source. It's next to subscription status. And this page is for the last 28 days. If I scroll down past the lines, there you go. You can see total number of subscribers column, a subscribers gain column and a subscribers lost column. So this is for the last month. I gained 164 subscribers, but I also lost 43. Which means overall, I only went up by 121 subscribers. That is how I know how many subscribers I've lost. I can even change the time period. If I click on this box at the top, you can see all these different options you can select. I'm going to choose last seven days. And I can see in the last week, I gained 49 subscribers and lost seven. Oh, big sad. I think I need a drink just to calm my nerves. Let's go back to the last 28 days and I'll scroll down. And this brings up the whole list of different ways for people to leave my channel. Let's quickly go through them one by one. There's my YouTube watch page. These are the subscribers I've gained and lost from individual videos on my channel. Underneath that is my YouTube channel. So this is where people have subscribed or unsubscribed from my actual channel page. We have interactive features. The next one down, I gained two subscribers by people basically clicking on either the watermark in the corner or maybe my face at the end of the video. I can see that I lost two subscribers from my subscriptions feed. I lost another four subscribers from the YouTube homepage. And then there's this kind of catchall figure at the bottom for other places where we can gain and lose subscribers from these places that aren't listed above. If I wanted a total figure for the last year, let's choose last 365 days. What a graph. I can see here that I have lost 468 subscribers and in that same year I've gained 2,470. Which means the actual number of subscribers that have increased over the year is 2002. Hello, I'm Neil by the way and welcome to the Happy Hearts. I'm niching my channel to only be about making more videos right here on YouTube. And I think that is the reason why so many subscribers are leaving who didn't sign up for that. So it's kind of a good thing that they're leaving. Let's go into the figures for an actual video now. So I'm back into channel analytics. I'm going to click on my list of videos. Let's choose how YouTube banned my thumbnail. That seems appropriate for what we're talking about. And I've clicked on the analytics button for this video. And just like with the channel figures, we're going to go up to the top right hand corner and click advanced mode. And once again, I'm going to click on the more button to bring up my list where I can choose subscription source. And these are my figures for the last 28 days. That's the default. I can see that I gained four subscribers. But if I go up to the time period on the top right hand side and choose the lifetime figures, this is the total number of subscribers gained and lost for the lifetime of the video. I have gained nine subscribers on this one video and this video lost one subscriber. So the overall number of subscribers that it tells me on that overview page is eight subscribers. Now, you can do this with any video, but we're going to go for the big one now, which is how do we find out which videos are losing the most subscribers? I'll go back to my channel analytics page. And in the top right hand corner, once again, we'll click on the advanced mode button. And this brings up my top 50 videos by views. So the video with the most number of views is at the top and it orders them all the way down that list. What we can do now is to click on this blue cross here. It brings up this list of other metrics that we can choose. So we're going to select subscribers gained. You can see it's on the list here. And that adds a new column and it's ordered the list of videos by subscribers gained. And if I click the blue cross again, I can choose subscribers lost. And that adds this column here, subscribers lost, and it's ordered the videos by number of subscribers lost. If I go up to the time box and choose last 365 days, we can now see my list of videos ordered by highest number of subscribers lost. I don't think this list is very helpful. We saw earlier that a video is only one of seven places where people can unsubscribe from my channel. So this idea that one video is making lots of people unsubscribe just isn't true. The most that one video has lost is five subscribers. And that video also happens to be one of my biggest viewed videos. It's my biggest fear, obviously. I'm convinced that one video is going to wreck my channel. But the numbers that I'm seeing don't really support that. I think this means that my videos aren't the place where people are unsubscribing. A much more useful figure for me is to go back to the list of videos. And this is a bit more positive as well. If I order the list by subscribers gained, it's so much more useful for me to know which videos are gaining the most subscribers because I can see what I'm doing right. I can see instantly my top five videos for gaining subscribers for the last month. And if I open that up to the entire year so far, 2021, I can see the top five videos that are gaining subscribers. This information is just much more useful for me. It's so much more positive. If you've made it to this point of the video, then hopefully my channel is for you. So thanks for being awesome and hitting that subscribe button. And here's another video about how I run my YouTube channel. Can you please help my daddy get 10,000 subscribers? Just click in his face. Thanks, bye. All right, this is going to be the proper one, right?