Hi everybody it's Sandra mixed up craft thank you for watching my tutorial today I'm back with another thumb fold card this one is a larger style of the shadow box card I made last year and this is inspired by Jennifer Maguire so I've done this exact style before but I haven't done it in five by seven but what I like about this one is I've added the floating kind of pop-up element that Jennifer does in her tutorial and I just thought that would work really great with these dies so here is the card you can see inside there this folds completely flat so it will fit in a five by seven envelope but when you pull the sides out your little creatures inside move how cool is that so some of you that remember this card you'll recognize that one and all I done with it was just had it like this and it just stands up perfectly but by just adding these acetate strips inside it completely changes the style and it works great for any kind of dies that you've got where you've got a whole scene so these dies here I've got all these you know the jellyfish the the other fish the mermaid you can have lots of things moving inside it I've just kept the two and then I've got the wonderful shells the mermaid these dies here and then the lovely title there you're amazing so how cool is it I think it's really really good just by doing that with it I you know again it just shows how other people can inspire you to just you know add that extra to cards and then it completely changes them again so I will link in my other tutorial for the smaller version because you may choose that you don't want to do five by seven but this will work with the smallest style that I give you in that tutorial as well and yeah let's get making it okay so to make this card I've already gone and die cut all of my pieces that I'm going to use this is the set here this is under the sea by first edition and they're really fun I'm going to do I might do the bubbles I'm not sure I might just stamp some bubbles but I've done all the others so you can see here so there's all the ones that I've die cut I've layered them up I've done this one here the jellyfish I actually die cut on vellum first and then die cut it again and stuck the top on so I thought the vellum worked really well to give it that kind of you know see-through translucent look and there's my mermaid again layered her up die cut her lots of different times just to give her all those different colors and stuff and then I've done two of the shells so might use both I'm not sure done the fish seahorse forgot the name then and the warhol he's really cute as well you can see I've just put the silver on the horn there is that what it would be called horn anyway and then there's the your amazing I love that yeah and then for the seaweed I was looking I didn't really have anything that I liked but then I looked through the other first edition set that I've got and this is the woodland and I actually thought that that leaf there in the right colors and in the right scene could actually look like seaweed so I die cut a few in the different this is using the rainbow holographic mirrored cardstock can't remember the exact name it's rainbow anyway and I'll share the links but if you put a few of them together you know against the white you imagine that's like on the seabed like so and you've got you know your seahorse and stuff around it I thought I look quite good so that's what I'm going to be using there so I've already gone ahead and die cut all of that and then you're going to need two pieces of seven by seven cardstock so I've got one in this nice kind of light aqua color and then I've got one in the white here so really simple scoring and you want to score at one and six and then flip the cardstock over and score at half and six and a half okay so by flipping it over like I always say that will allow us to be able to fold it in opposite directions so once you've done those score lines just flip it back to the original way so again with this one here this is my top so I'm scoring it at one or my front and six then flip it over and score at half an inch and six and a half and then flip it back again all right and that's where we'll be with both of them so just get that all done okay so then you want to decide I'm having this aqua as my back piece because it's the color of the sea and the white is going to be the front of the card so with this white piece here I'm bringing in my trusty tonic oval dies here and I'm going to use the largest two all right so what you're going to do is with the smallest of the two I'm going to pop that in here and the larger one I'm going to cut from a piece of matching cardstock to match the back here and again with that and create a little frame and that's going to go on the outside and I just saw that look nice against the white so you want to line this up now you might want it nearer the top you might want to put your message at the bottom if you're not using the same as what I've got I'm going to bring it a little bit further down to the top because this is going to be up here and I want it to kind of just hang slightly over the oval so play around with whatever your topper is that you're using or your you know your message and just you know get it where you want to I'm probably going to put some string or some embellishment there or maybe some bows I'm not sure yet so I can remove that now because I think I've got that roughly where I need it and then I've just got some washi tape here and because I'm not keeping the middle circle I'm going to stick my washi on the metal and then into the bit that I don't want but if you stick it on that side and it rips then that's the card and you're going to ruin your project so you know if you are using a washi tape always stick it on the cardstock that you're not going to use now in order to fit this through my die cutting machine what I'm actually going to do is check I've got the right fold yeah I'm going to fold these are already going to fold out so I'm going to lift these two up because I'm going to burnish these anyway like so and I'm going to pop it through my die machine now I do have the large tattered lace I just can't be bothered to get it out so I'm going to just stick with my smaller one and that way because this is six inches wide this card will fit in perfectly there okay so I'm going to also add some coffee paper just to protect the white cardstock in case there's any markings or anything on my top plate and all this would do would just really embed those score lines so as long as you do it in the right way or direction then it will damage the card so now I can take that out and remove that one and then I can take those back out because that's the way they're going to be anyway and then these score lines here they're going to go so this is a valley you're out of ones they're both sticking up so they're creating a valley these score lines you want to make as a mountain okay like so and one other thing you want to make sure that you don't see them when you fold them in because that's how it's going to go in our envelope and be that five by seven size so now you can see how we've got our card front coming together then the back piece all you have to do with this one is you're going to fold it the same way so the top ones are going to be mountains well the sorry the inner score lines and mountains and then the outer ones are valleys and because of the way you scored you shouldn't get any cracking so again that's the shape that you want so then that one is going to go on the back here creating our card and then you imagine I'm going to have this up here and straight away you can see how nice it's all going to look and how it's coming together so going back to our oval keep those two actually because I just want to create my frame this is entirely up to you might want not you might not want to do the frame but I'm going to pop that one in and I'm going to do these both at the same time some people would like to do them separately so do your outer one first but I'm going to run them through at the same time and just stick them together with washi and you just want to make sure you've got an even center ring there just moving it around a little bit if it's a little bit out it's not the end of the world now all I'm keeping with this is that tiny frame that's going to be in between these two dies so I'm just going to run that through okay and then this is what I want it's just a small little frame that's the largest of those ovals so I mean you could go up even larger if you wanted to and if you've got bigger you know it depends what window you're doing you might not be doing this kind of underwater theme like me you might have a square window it's entirely up to you but they're great now to keep I could do something creative with those and use them for toppers on another card but this is all I want so again you can see now that is going to go perfectly on the front there and it just adds a little bit more to the card okay so I want to get that stuck down and I'm just going to do I want to just go around with it directly on there no I'm going to pop it on my back of my hand again because I don't want that much glue on there I'm just putting a thin even layer on the back of my hand I know lots of you like this and then I'm just going to dab that around it doesn't need a lot of glue to stick this down clear drying glue so it doesn't matter if there are any bits that are using over and then because it's an oval I'm going to have to and I've got that detailed inside piece I just need to move it around until I've got it in place okay so now we want to start building the card so I'm going to add some of my red tape flip this over you want to add tape to the two outer sides there and again on this piece now if you're not putting anything in between if you're not using the acetate then you won't need to put tape on both sides you can just stick that directly onto this but because I'm going to have little bits of acetate in between I just want to make sure it's going to be nice and strong so I'm just going to make sure those air bubbles are out okay so now you want to start deciding where you want everything to go okay so I always talk about saving the packaging from your die so when I received all these dies from trim craft I still haven't got around to cutting it all yet but this is the acetate and on the back because you've got whole sheets here of incredibly strong acetate so this is the one here for the the baby themed one so I'm just going to grab my scissors and just cut as close to the the edge I'm going to you know shape it better with my trimmer but I will save as much of this inside piece here like so I mean that's perfect for shakers it's in perfect condition it's got no markings or anything on it and then on the front I can still save all that that sticker I don't think maybe it does I could probably get it off anyway but I'm not too worried because I'm going to have oh no I think it will actually I don't think they've used yeah I could probably soak it off and then I've got a nice window there but alternatively what you could also do is if you cut slightly down from the raised part that could be a shaker whole piece and you could put your glue around this bit and you've got a massive window so again keep all of your packaging recycle so I've got these pieces here and with my trimmer it's entirely up to you really how you want these I'm just going to shape this a bit better so it's easier to cut okay so I've got a nice shaped piece there now what we want to do is we're going to stick them on either the left or the right hand side and then they're going to come in so depending on what little kind of critter you're going to have on the end so for example this jellyfish you know I don't know where I want it yet so what I'm going to just do to prepare them is on the short side here so this measures four and three quarters I'm going to cut these strips to half an inch so I've just got these strips here okay you can just make it out there so I'm just going to cut a few I don't want loads okay so I'll add that to all my other acetate and then I've got my three strips here so we can start building our seams so if you want to go and you know stamp something here or if you've got I'm going to stick the bubbles in now I'm not going to stamp them because this is like a slightly textured cardstock and I just think it'd be nice to have them die cut rather than stamped but you want to start creating your seam from you know how people see it when they look through the window so I want to have some of my seaweed so I'm going to have some of it kind of stuck on the back here kind of crawling up and I'm going to have some of it coming down from the top and kind of around the sides and keep popping your window over so you can see how that's going to look so that is all going to be stuck to the very very back of the card and then I'm going to have some of it around the front so you can see here so I'm going to stick that on the inside and I'll probably have this piece for example coming down but stuck on the backside of my front piece you're creating different layers you're going to have this top layer this bottom layer and then your acetate is going to be your middle layer and that's where I'm going to have some of my moving pieces so I accept with the jellyfish I will probably shape that acetate and just curve it so it's got the same curve as the jellyfish you don't see it but that will sit there and then it's going to be stuck in between those two pieces of red tape so it will float and move when we work that card so I'm going to stick this background bit down first so you can see there I've started to build up my scene so there's my mermaid with some seaweed and the shell and I've stuck the yaw I'm amazing I almost stuck it all upside down you probably saw me flip it around and then there's the inside there so now when that sits over the top I hope you agree but that looks really lovely and I just love that again this card stock just works so great for all these kind of whimsical cards so then I have trimmed like I said the acetate in half so I've got it now quarter of an inch and then I'm going to stick each of my little two here I'm just going to have the jellyfish and this fish I'm not sure I'm going to add this one today and I'm probably going to change the color of that and just stick him directly onto the back so he is actually just permanently there and doesn't move I just don't think there's enough room in the back there to to have them all so I'm just adding a tiny bit of red tape there just to the end okay you can just make it out there and then just take the backing off of that fish right over it you don't want to see the acetate you know anywhere over the other side of the fish just on one side okay you can see where it's stuck in the back there okay and then I'm going to do the same on this one here okay so there's my jellyfish so next you want to I've just realized I've done that one the wrong way so that one's going to be that side I'm going to have the jellyfish I need to turn it so I'm just going to take that off because it's acetate I want this one on this side so like that okay so I've got one that way and one that way so that when we pull it that's how it will create so I'm going to have that one floating there and then the fish kind of there so I'm going to stick on the back of this one so look when you move it you want to see you can see how far so it's going to go up to a head I don't want it to go that close to a head I'm going to be there so that when it pulls out it goes to there okay so it will move half an inch because that's the fold so it's going to be there and then when you pull that side out to there you're sticking it on this piece here so I'm holding that with my finger because that's exactly where I want it and then I'm going to just trim that acetate so now I know I'm going to take the backing off of this whole one so now I know I've got the right length just getting it at the right height so there so when it goes in and then you pull it out in pull it out okay so that's that one and then with this one here I'm going to take the backing off this is going to be on the other side and I've got all my background seen there as well but I want him to be up there it doesn't really matter with him because he's just going to move within that area so I'm going to go and stick him like and then I can just trim that off like so and then I'm going to add a little bit of double-sided tape just over the tops of that acetate there where I stuck them down don't worry if they're sticking up a little bit in the minutes because we've not stuck the whole card together so decide how much you want to have stuck down and you know how many bits of acetate you're going to have floating around because once you stick the sides down you won't be able to add well you can still add some more but obviously it won't be hidden like these ones will be okay so you can see now how they are moving around looks really cool okay so next you want to stick this down I'm going to do one side at a time and just realized I put double-sided tape on this anyway so it didn't wouldn't have mattered so I'm going to bring this side up first focus on the top and stick those together and just work it all the way down to the bottom so and then fold it all in you may want to re-burnish it okay so everything's in place now so when you pull out the sides everything moves and how cool does that look so now I've got those bits where I want them I've just gone and die cut the little bubbles in vellum because I just thought that would give it a nice little subtle bubble look so I'm going to have to try and carefully use my tweezers I'm just going to dab the smallest bit of glue I actually don't mind if you see it because I think it would just add to the effect but I'm going to put one there so let's just pop a little bit of glue there like so if I can just bring it up you can just see them in there again it's one of those cards that it's so much nicer in in like real life but that just adds a little bit of something there as well now looking at it I'm not sure if I want to add anything more to it so I might put some something up there but I quite like that it's quite plain on the front because there's so much going on in the center so I'd love to know what you think but there you have it so it all folds like that that's how you'll pop it in the envelopes it's five by seven size and then that person will pull it out and they'll see it move and I just think that looks so cool yeah I'm really really pleased with how this has come out and I think it's super fun it will work for so many scenes so you know if you don't have this one just see what other kind of nice sets that you've got and just have some fun with it because it is really good to do and it's not that hard it's just getting these bits in that I guess are a little bit fiddly but the actual main shell of it all is dead easy so there you go guys thanks for watching and I'll be back again soon with another tutorial bye


Hey, no matter the trials, no matter the shortcomings, no matter what's going on in the world around you, the Bible says this, every good and perfect gift comes from above, from the Father who listened, never changes. So I believe that God has something ready for you. Get ready for God's goodness to meet you, like never before. I'm here with the Angela, Matt and Angela. What we got going on today? Oh my goodness, Matt, I love that you open, talking about the goodness of God. But we all have messy pieces, times and spaces in our life. Even now, you may be looking at your life, wondering how any of what you're going through could be purposeful or redeemed. Well, today we will sit down with author and podcaster, Cynthia Yanoff, to help us see God at work in the messiness of life, to uncover purpose in the seemingly ordinary places and to get us to laugh more along the way. You know, Matt, life is messy and as believers, sometimes we have a hard time reconciling the messiness of life with the goodness of God. Yeah, absolutely. I think that's why we have to be reminded that God's goodness and mercy follows us all the days of our lives, because we can't avoid the mess, unfortunately, but we can make the choice to live in a life of knowing God's goodness and mercy always follows me. But speaking of good things, I'm not sure if this is good or not, because, you know, we're in the Yinsir town, you know, the Steelers aren't going to the Super Bowl, but it is Super Bowl Sunday this weekend. Who are you voting for? Now, listen, Matt, I don't have much investment in this. I'm going to be all the way honest, okay? But I have been following the news with the whole Taylor Swift thing and to mess with my husband and some of his friends, I'll just say, I know Taylor Swift's plans. Oh, man. But who are you rooting for, Matt? This kind of hurts for like all the men watching right now, you know, but it's hard because, of course, you wouldn't pull for the Steelers and they're not there. So I would say I would almost have to go for, and for no specific reason, I think I'm pulling for the 49ers though. I like it. I like the 40, now that's my father-in-law. I know he's watching, Glenn, we're rooting for you, we're behind you for those 49ers. I'm excited.   It's always if the, I get all worried around the Super Bowl, all the commercials and all of that. So, yeah, we'll see how it ends up in our home too. Well, hey, today is Fun Friday. Listen, today on Fun Friday, Angela and I had to really think through a hard question of a fun fact about ourselves. Angela, this was hard for me to think of, so I'm gonna start with you. What's one fun fact that our audience should know about you? So one thing, when you're watching Matt and I on Fridays, we're always in the spirit here coordinating with our outfits. That's something fun. Let's go, let's go, look at gray, black, come on now. You can watch and wonder, are they in the spirit today? But beyond that, in the light of Super Bowl and sports, something fun about me is I actually worked for the Red Sox. What? I sure did, when I was in school in Boston, I worked for the Red Sox and their PR, and I don't know if anybody remembers, but that big debacle with the World Series, the fight breaking out in the pool pin of the New York Yankees, I was there running all them reports back and forth. Wow, wow. Now I feel like I can't even top that. I don't even know what to say about myself. It's funny, like when you're trying to think of a fun thing about yourself, you feel like your life is boring, but it's not. Okay, one fun thing about myself, I can't remember if I ever shared this before, but I was in this band years and years ago, and we opened up for new kids on the block. Let's go. New kids on the block. I know there was probably some people fan favorites out there, whatever it might be, but what was funny about it is as we're opening up, you know, we're like, no way, we're just this little hometown cover band, and people are coming up to us, taking our pictures, and they're like, oh my gosh, you guys are opening act. I'm like, yeah, we're nobody, but take my picture. So it was kind of fun opening up for new kids on the block. That's a really fun fact now. I never really got the gift of the vocal singing thing, so anytime I hear something like that, I'm enamored and amazed at it.  Any of you who are watching right now and grew up in church, you can effortlessly finish that statement, but sometimes it's hard for our head to believe that when life gets messy. Today's guest, Cynthia Yanoff, is a wife, mother, podcaster, blogger, and author who has found that some of her messiest moments have actually provided her greatest gifts. In her new book, Life is Messy, God is Good, Sanity for the Chaos of Everyday Life, Cynthia invites us to reframe our perspective so we can in fact see God at work. Welcome to Hope Today, Cynthia. Guys, thanks for having me. And after all I just heard, I don't know if I have anything to add. I mean, you guys have, we've got new kids on the block, we've got Red Sox, and we're talking Super Bowl, you guys, I'm in the land of the Dallas Cowboys and it's a sad situation here. So I feel like I might need to put a bag over my head. I don't know. Well, Cynthia, I think it is just perfect that you are joining us for Fun Friday because girl, reading your book is so much fun. It is full of faith and encouragement, but what I love about your story and your writing style is that humor is all throughout it. So I appreciate that and I know we're gonna get to dive into some of that today. Would you say all of your life, you have kind of used humor to approach it? Yeah, I think humor was a currency in my family growing up. Like it was kind of something that was valued and I'm so grateful for that because now as I'm raising my own kids, we've tried to impart that. My husband, I have as well with our kids, like my mom would say, if you're gonna laugh about it in a year, like laugh about it today. And so we've really tried to do that in our house. Like just, if you can laugh at yourself, it goes a long way in life going a little smoother. And so, yeah, I think it's one of those things and especially as a girl who grew up in church and a believer, like I guess I went through this phase of thinking that like only the God things were the serious things. And so, you know, those moments where it was serious and there are, of course, our faith is very serious. And there are many times where it's the serious things. But I'm like, if God's only in the serious, then I'm in trouble because 98% of my life is a mess up. It's funny. It's off script. And so, how do we do that? Like how do we mesh those two together? And that was my hope, just that we can laugh a little bit and maybe don't have to have such a curated, perfect looking life and say, yeah, it gets kind of rough. I love that. And scripture does tell us a merry heart does good like a medicine. And really, as I was unpacking and reading through your story, Cynthia, your book does, it brings healing. It brings medicine. It brings joy. But life is not always easy. And that's what you're alluding to even from the start, from the title of your book. You express that in the messiness of our marriages, in the messiness of life, it's really, really important for us to focus that it doesn't just need to be discarded, but that it actually matters. How can we know that it does? Yeah, yeah. Well, I mean, you have to think for the beginning of time until the end of time, until the second coming at any point in there, we could have been created and on earth. And so it's very intentionally that it's now. And so, so why is that now? Why does it matter now? And I think we've gotta be, if we're believers, then we know that our theology is the Bible, right? That's our theology. And if our theology doesn't match up with the realities of what we're living, then it's not really theology. It's just kind of some good advice that we take or leave. And we want a theology that meets up with reality. And so that's where I think the rub is. Like, how do I find that intersection of what I heard on Sunday or what I read this morning in my quiet time? Does that actually meet up with carpool?  Does that match up with where my marriage is tough or my finances have gotten strained? Like, how does God show up in that? And I think the key to all of this, and there's a lot of different ways to go at it, but it's just having a long memory and being observant of where God's been present. And he shows up. And sometimes in a moment, it's so hard to see. But if we can look back and say, okay, I can see where God has been present. I can see some signs of why this was going on or how he was using this. It's a game changer. And so we've got to get curious a little bit and say, okay, I don't understand it in the moment, but I do know God's been faithful in the past. I can see it. And if he's the same yesterday and today and forever, then his faithfulness and goodness in the past will be, faithfulness and goodness in the present. But I do think one other quick thing on that is we've got to realize that we are God's favorite children, but I like favor when favor looks like, you know, job opportunities or speaking, you know, opportunities where my kids are doing the right things. Like, that's God's favor that I enjoy. God's favor does not always feel favorable in the moment. And that's where the mess kind of comes in. We've got to have a longer view of it. I love that perspective on finding that hope in the middle of it by looking and remembering how he's been faithful in the past, even if we have to borrow stories from the word, right? That's why it's there. You know, Cynthia, you've gone through a lot in your life and one of the stories I've really been touched by is your foster story. Could you share with us a little bit of that story and how it taught you precisely what you're sharing with us now that you can find meaning in the middle of the mess? Right. Well, yeah, our family, we kind of felt called into foster care. And I remember when it first started, I was like, oh gosh, foster care, surely not us. Like, that's where I think more spiritual people, people that like maybe don't let their kids play sports on Sundays.  I literally, Angela Mann, I literally told my husband, I don't think there's any way I could fill out all this paperwork. And my husband's like, yeah, you used to be a lawyer, so I bet you can do the paperwork. I'm like, oh yeah, good one. And so we went into it dragging our feet. And I always sum it up kind of this way.  I was scared of what it might look like spiritually, emotionally, financially, in every respect. I went into foster care scared. And we came out on the other side of it. We're scared of who we'd be if we had not done it. You are changed people when you do the things of God. And the thing that I think gets me the most with that is whether that's foster care for someone listening, that could be your calling. And this may be your nudge to like do the thing. But for all of us, there is a calling the Lord has on our lives. And so what is that thing? And I always, I think I believe that you had to be like, I'm all in, yes. And I figured out with foster care, like we gave the most reluctant yes, you could ever give. It wasn't like, we're a hundred percent. And it was kind of like, okay, Lord, maybe. And he changed us. I mean, he changes your family when you do the things you're called to do. And my family will never look at life the same. We took our kids into parts of town we had been trying to avoid. And honestly, and they saw things, stories that we had never hoped for them to see at such a young age. But when you sit in CPS offices and kids have everything they own in a trash bag waiting on parents, like you can't help but be changed because of it. So I mean, it's such a great gift that we got to do foster care that we got picked for that journey. I love that quote that you share about, we're scared of how we would have been if we hadn't gone through it. And that's such an encouraging word for people who are questioning. Do I go after this thing? It's scary, I might fail. What is something else, Cynthia, that you would share with our viewers that they can look at this obstacle before them, this calling that they had that they can hold on and say, okay, I'm gonna give it a shot. What's another word of encouragement that has served you well? Yeah, I think that for me, I don't know if my parents just kind of planned this in me. I know the Lord did, just having this bigger perspective and I would encourage you, it's so easy to get caught up in the moment.  I have college, high school and first grade. Nobody should be like finding menopause at the same time they're trying to go on the zoo field trip, right? Like that doesn't seem right. But in the moment, it never seems convenient. It never seems right. It's always when my kids get older, the finances look a little bit better or it's somebody else that has more authority or seems more equipped. And I would just say, listen, step back from that. Have this bigger perspective and know God's plans are not thwarted. Like it will get done, but you miss it. You don't get to be a part of it. And that's I think what challenges me. I'm like, I don't wanna miss it. And it's so just like anyone, like there's a realities of every day of the things I have to do that need to get done. But I don't want the realities to take over the perspective, the bigger purpose that God has for my life and for your life and all of ours. We live in a culture that desperately needs us to chase after the God-sized dreams and the God-sized plans. And it doesn't happen when we are so caught up in the everydayness that we don't have the margin to do the God things. And so my encouragement is don't wait for the better time. Don't wait for life to look a little differently. Don't wait for someone to give you some artificial authority that you don't need from that person. If the Lord's calling you to something, it won't be easy, but it's right. And just because it's not easy doesn't mean it's the wrong thing. And so I just challenge you to get in there and get it done. Your attitude of go and get it, do the hard things is so inspiring.  Can you share with us that story and tell us how we can apply that to our very own lives? Absolutely. So I end my book with that story talking and it's a good friend of ours I'm talking about and he's a secret service agent, still is. And so he protects presidents and dignitaries, does all the things and he's a survivor of 9-11. And that morning he talks about how he had met up with Secret Service there all there in their clean suits, ready for their day, looking all professional like they do. And the first plane hit the trade center and they didn't know what exactly was going on but from their training they knew is terrorism. And so this friend of ours, same's Darren, Darren and two or three other Secret Service agents they grabbed some medical supplies, they just headed out and they went in the first tower and helped evacuate people. Went in the second tower helped evacuate people. He survived thankfully both towers was able to get out, spent the whole rest of the day just aiding and helping. And he says at one point like I kept thinking where are all the firemen? There's so many ancillary fires and then he realized like they were in buildings. And so the end of the day you can imagine what he looks like, right? He has got soot all over him.  They had called the Secret Service to meet back up. And so he walks in this different new location and as he walks in he sees a lot of the men that you've seen that morning still sitting there in the perfectly clean suits. And one of them seeing him was kind of taken aback and said where have you been? And he responded, now where have you been? And he talks about like that is his life mission. Like I'm not gonna go to heaven with a clean suit. And whatever that is that God calls me to do that hard thing, that significant thing, that messy thing, I'm gonna get out there and do it. And that's a challenge for all of us, right? Like that's marked me.  Like when we get to heaven like don't walk in with your clean suit. Don't walk in having waited for the right time or are not sure you heard God right. Like get out there and do the thing you're called to do and come into heaven looking beat up and tattered at all the things but knowing that you followed God's purposes. That is such a powerful story. Like I left that moment of reading that and thinking, man, do I have something to live up to?  You know, Cynthia, I think that a lot of us as we even hear that story, we think 9-11, wow, what a hero. You know, but there was a truly ordinary decision that he made that had extraordinary results. Could you speak into the camera? Look at the one who right now is that mama who is sweeping up those Cheerios again and in the messiness with her bun and you know, the house of wreck and just really encourage her or that man who is in the ordinary to do the extraordinary in the middle of what they're doing right now. Yeah, yeah. I think we live in a culture that tells us that doing the extraordinary means platform. It means at a boys, it's significance and acknowledgement, all of those things and I think we've gotta be careful with that.  We got the great privilege of spending two Disney trips worth of money on our foundation and in Texas, you know, your foundation shifts a little bit and so I thought they would come the foundation company and be like, oh, you need one or two peers.   Look at their foundation, like nobody cares, right? But at the end of the day, we can have like beautiful hardwood floors and maybe some custom furniture or beautiful window treatments, whatever the things are, but if our foundation is not on solid ground, what do we have, right? And that's why in the Bible, it talks about that story. You know, you have two builders that build houses, one on rock, one on sand and they look the same by all purposes that same houses and they're both doing fine. They're clipping along until the storm comes and the deal is you guys, the storm reveals your foundation and so my encouragement for you today in the ordinary is be building the foundation that's on solid ground.  They aren't gonna, everyone's not gonna come around and be like, look at her go. You know, it's not gonna be postable on social media, but it's the very things that are building the peers underneath our families, putting us on solid ground on rock and that's doing the things, showing up for your family, spending time in the word, getting involved in community that's gonna point you towards the Lord, like doing those everyday things, reading the stories to your kids. You know, those are the things that the world calls ordinary, but I believe the Lord will call holy and he will reward that. So get in there and dig into it, lean into the ordinary. Thank you for that, Cynthia. I truly love that because most of our life, even those who are on stages and playing in the Super Bowl, right? That's one or two hours of their life in all the years that they've played. But I love that you inspire us that even in our ordinary moments, they have extraordinary significance. And just in closing, could you share that story about your son with his football experience? Yes, it's such a good moment for me. My son, we're in Texas, you guys, and football reigns. Now, never mind the Cowboys, but Friday Night Lights is a big deal here in Texas. And so my son, it was his year, his sophomore year of high school and this is the year at his school that you would get to play on Friday nights. And I mean, he's played since Pee Wee and we're ready to go and first game happens and he doesn't play and he's like, put me in coach and stretching and all the things, right? Second game, third game. Into the season, the kid barely played and we were all kind of discouraged. I know he was. And we went to the football banquet and I was said to my husband, do we have to go celebrate all this again? And our kid didn't even play and my husband's very, very, he's awesome. He's like, yeah, we're going. I was like, oh yeah, we are. So we go to the banquet, they hand out all the wards, it's awesome, they celebrate all the kids. But here's the thing, at the very end they called up my son and I'm like, oh coach, you got the wrong kid, right? I mean, he didn't even play. But he started talking about the scout team.  And so the scout team takes all the same hard hits. The scout team does all the same practices, long hours, all the things. They don't get the glory, they don't get the Friday night. But he named my kid the MVP of the scout team. And the reason I always tell that story is because his coach knew something I didn't. He took a perceived failure and he named it a success. And I think we've got to be in the business of that. If we're thinking longterm, we're thinking eternal, so we've got to start naming perceived failures a success because God is in those things. He's in the heart, he's in the mess, he's in the difficult. And so we need to be the ones to say to our kids, like, listen, I know at this moment, this looks like a perceived failure, but I'm naming it scout team. I'm calling it a success. We need to be doing that in our own lives. We need to do that in the lives around us. And I don't mean in a Pollyanna way of like everything we've done right. No, like we're gonna get it wrong. Our kids are gonna get it wrong. But here's the great thing about our God is that he takes all these things and he puts them together and he makes them something beautiful. If we just let him, if we just follow him, if we confess our sin and just honor him. And so that's my encouragement. It's like, instead of sitting in the muck of it and being like, man, that's a mess up, this is horrible, like start naming scout team, name it for yourself, name it for the kids around you, name it for your own kids and start saying that just because your name wasn't called on loudspeaker doesn't mean it was a failure. Just because you didn't see the Friday Night Lights doesn't mean your contribution didn't count, right? And so scout team. I love it. Let us be like the scout team and see the goodness of God, even in what seems to be failures. Cynthia, thank you so much for being with us today. Thanks for having me. It's so nice to see y'all. Thank you, Cynthia. Stay with us because when we return in 60 seconds, we're going to look at a scripture that can help strengthen us when troubles come our way. We'll be right back. Jesus' two greatest commandments are love God and love others. Learning how to love better is a lifelong journey. This month with your best gift of Cornerstone Television, we'd like to send you Love Like That, five relationship secrets from Jesus by Dr. Les Parrot. Discover how to truly love those in your life with this revolutionary guide. Blending the latest research in psychology and sociology with biblical insights, Parrot shares five practices, being mindful, approachable, gracious, vulnerable, and empathetic to help you forge meaningful, fulfilling connections with others. Love Like That will revolutionize every relationship in your life. Ask for your copy of Love Like That, five relationship secrets from Jesus by Dr. Les Parrot when you give this month to support Christian Television through Cornerstone Network. Give online at ctvn.org slash donate or call us at<PHONE_NUMBER>. Hope happens here. Well, hey, thanks so much for staying with us. I want to read you this scripture in Romans 5 verses three through five. It says, And listen to this. In this hope will not lead to disappointment for we know how dearly God loves us because he has given us the Holy Spirit to fill our hearts with his love. Wow, Angel, what a perfect scripture. Seriously, that I probably need today too, but I love this. Okay, so another translation says that we can count it all joy, knowing that this develops us. Like it's all development. Like Cynthia is talking about everything. It might not look pretty. It might not seem like the perfect timing. You might feel unqualified or have all these questions, but bottom line is it's development. And then I love how this puts in the LLT. This is confidence. This, or this hope will not lead to disappointment. Angel, I mean, what can we take away from that and combine it with anything that Cynthia isn't saying? I mean, it's true. Like everything that we go through either develops us or defeats us. And we have to choose how we're going to see it. We have to choose in this moment when the things that I've hoped for, they haven't come to pass. When all the things that I planned for my children, they're not stepping into, you have to be willing to sit and trust that God is good. And if it's come this way, God, you're going to work some things out in me, make it for my good to develop me and for my future. Yeah, yeah. One thing that Cynthia said that I feel is powerful for every one of us is a lot of these things is when she was talking about the favor of God, sometimes it doesn't look favorable, but they could be the very things that are building our foundations. Bottom line is if you and I don't have a firm foundation built on the word of God, ultimately built upon the love of God, understanding what God's love actually is for our lives. Well, then that's why we're going to question. That's why we're going to worry. That's why we're going to be concerned, anxious, depressed. But here's the deal. The one thing that you and I have in common, though we all have different problems, the thing that we have in common is we have a solid rock. The same rock that we get to build our lives upon that shall not be shaken. That's unmovable. And that keeps us stable through every storm. Cause like we talked about early, we're not going to be able to avoid the mess, but we can choose to root down deep in the solid rock that will keep us through every storm, Angela. That's right. And I love that you brought that up, Matt, because I think we can look very easily. If we see that we're shaken and the insides of our being are all shook in and peace is lacking, we can know that we've lost our footing on the rock. So it says, he says, come back to the rock. You know, lean into him. Look to where your help comes from. And these places, these moments where we intentionally turn our gaze to the father will bring us an assurity that he is with us, that he will not see his seed begging for bread. He will not leave you nor forsake you.   Today, if you are watching us and you are sitting in the muck and the mire of life, we all have been there and we all will be there again. But the beautiful thing about Jesus is he gets down in the dirt and in the ditches with us. And he says, I am for you. I have allowed my body to be broken so that you can find wholeness even in this moment. Today, turn your gaze back to Jesus, rely and rest on him, and he will surely deliver you from all your mess. God bless you. Are you tired of just getting bills in your mailbox? Find inspiration instead by subscribing to the Cornerstone Television's Hope Today newsletter. Each month we'll deliver good news about what God is doing in our region and world through CTVN's ministry. We'll keep you in the know about our latest special programming and our full program guide will keep you connected to all your favorites. You'll also find a new Dashing Dish recipe every month. 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Hello, hello writers! I'm Kristen Kiefer, author of fantasy fiction and creative writing resources, and you are listening to the Well-Sturried Podcast, where I share insights, encouragement, and actionable advice designed to help you craft sensational novels and build your best writing life, always in 30 minutes or less, so you can get back to writing, of course. Ready for the show? Let's get talking! Hello writers! Today is Friday, July 10th, 2020, and you are listening to the Well-Sturried Podcast. I'm your host, Kristen Kiefer, and today's episode is titled, How to Craft Powerful Character Motivations. If you would like to read along as you listen in, head on over to well-sturried.com slash motivations. I'll leave that link for you in today's episode description as well. Now, without any further ado, let's get started. Imagine you enter a room to find two men fighting. You don't know the men, and neither shall anything that reveals who they are or why their exchanging blows. So when one man delivers a knockout punch to his opponent, you don't know what to think. Did a violent aggressor just harm an innocent man? Did the victor disable a criminal who'd intended to injure others? Are both men equally nefarious or equally righteous in their intent? As an ignorant observer, the altercation and its consequences mean little to you because you don't understand the context in which the event took place. Instead, you're left with questions. Who were the men? And more importantly, why were they fighting? Understanding the reason the men came to blows would not only lend context to the conflict, it would help you understand your place in it. Should you join in the fight, helping one man defeat the other?  Actions may speak louder than words, but the motivations behind one's actions will tell you everything you need to know. As a writer, the motivations that drive your characters hold just as much power and importance. Though conflict may attract reader's interest, it won't hold their attention for long. Not unless readers understand the context behind the conflict and their place within it. That is the emotional stake they have in the conflict taking place. For readers to care what happens next in your story, they must first care about your characters. It's your job as a writer to foster this reader character connection. To build the bridge that encourages readers to invest in your character's stories. Establishing your character's motivations isn't the only way to encourage this reader character connection, but it is a surefire way to lend context to your character's actions. With context in place, readers can then decide whether your characters and their journeys are worth their emotional investment. How motivations act is a characterization tool. Motivations lend context to the action in your story by helping readers better understand who your characters are. Is the woman sneaking into the castle late at night, trying to prevent an attack on the royal family, or is she the one perpetrating it? If she is the assassin, why is she set upon killing the king and queen? Is she trying to free her people from oppression? Or does she simply need the money from the hit? Or does she need the money because her people are being oppressed, thus lending complexity to her motivations? More often than not, it's also a character's motivation that determines their role within a story. Is the assassin a hero worth rooting for, or a villain that readers want the hero to defeat? The intent behind the assassin's actions can make all the difference. Notably, a character's motivations can also reveal additional information about who they are, such as their personality and flaws. For example, a cynical character might try to avoid intimate relationships, their values and beliefs, an honorable character might strive to do what's right despite grave danger, and even key events from their past, such as a character who is bullied as a child striving to avoid conflict. The importance of crafting believable motivations. In 1943, psychologist Abraham Maslow published a paper in the Psychological Review called A Theory of Human Motivation, in which Maslow outlines five tiers of need that drive human behavior. These tiers are more commonly known as Maslow's Hierarchy of Needs and can be broken down as follows. Tier 1, Physiological Needs. Food, water, warmth and other biological needs serve as the foundation of Maslow's Hierarchy. With death on the line, all other needs become secondary if physiological needs are not met. Tier 2, Safety and Security. With their biological needs secured, humans seek long-term safety in the form of financial, social and emotional security, health, well-being and freedom from fear. Tier 3, Love and Belonging. With confidence in their long-term survival and security, humans begin to seek a sense of interpersonal well-being in the form of intimacy, trust, acceptance and affection. Tier 4, Accomplishments and Self-Esteem. Feeling secure in their sense of belonging, humans then begin to seek esteem from within, for example, a sense of dignity, achievement and independence, and from without. Status, prestige and respect among peers. Finally, Tier 5, Self-Actualization. With all physical and psychological needs met, humans at last seek to fulfill their fullest potential, especially as regards their interests and talents. The tiers in Maslow's Hierarchy of Needs aren't wholly self-contained. However, humans will generally work to fulfill unmet physical needs before resolving psychological needs or seeking to achieve self-actualization. Understanding Maslow's Hierarchy of Needs is key to crafting realistic and compelling motivations for your characters. Conversely, a failure to understand Maslow's Hierarchy may result in character motivations so unbelievable or ridiculous that they drive readers away from your story. So much for that reader-character connection, right? Suzanne Collins actually uses this knowledge to her advantage in the Hunger Games, when Katniss and PETA are forced to act as lovers to appease the whims of Capitol citizens despite participating in a televised fight to the death. By showcasing citizens' interests in the teen's romance rather than their human rights and survival, Collins highlights the ridiculousness and dangers of Capitol society. How to develop your character's defining motivation Each of your character's words and deeds should be motivated by an attempt to fulfill a particular need in Maslow's Hierarchy. As you write and revise your story, I encourage you to ask yourself why you've chosen to make your characters act in the way they do. Are they operating in ways that align with their established needs and characterizations? If they're acting out of character, what unmet needs are they working to fulfill? If you can't answer either of these questions with honesty and clarity, then consider revising your scene to strengthen your character's motivation. If your characters fail to act in believable ways, then you risk the invaluable reader-character connection you've worked so hard to build. While minding your character's motivations scene by scene is essential, the most important motivation you'll develop for your character is that which drives them to achieve their story goal. The main objective they're working to attain throughout your story. To determine this story-level motivation for each of your characters, consider the unmet need at the heart of their journey. How does this need inform your character's story goal and their motivation to achieve it? For example, in the Hunger Games, Katniss volunteers to take her younger sister's place when Prim is chosen by lottery to participate in the televised fight to the death. Katniss strives to win the games not only to ensure her own survival, but to protect and provide for those she loves. This is a Tier 1 motivation. In A Game of Thrones, Lord Eddard Stark accepts a position as Hand of the King out of a sense of duty to his childhood friend, King Robert. But when Ned discovers that Robert's children are not biologically his own, Ned's sense of honor prompts him to uncover proof of Queen Cersei's infidelity, despite the danger that Cersei presents. This is a Tier 4 motivation. Sometimes what your character wants is not what they need to lead a happier life. As your character grows and evolves throughout their journey, their story goal and defining motivation may evolve with them, and that's okay. In fact, that's indicative of a well-developed character arc. Alternatively, not every leading character needs a clear-cut story goal, as I'll discuss in an upcoming episode of the podcast. Nevertheless, a defining motivation should still prompt your character to act in a particular way as you, the author, work to fulfill your goal for the character. For example, in Pride and Prejudice, both Elizabeth and Darcy are driven by their, you guessed it, Pride and Prejudices, until they come to know one another more intimately. It's only after they recognize their follies and mutual attraction that they're motivated to right their wrongs and find their happily ever after as Austin intended. No matter the type of story you're telling, know that your character's motivations hold the power to make or break reader's interest. Remember, conflict means little without context, but when you allow readers to understand and sympathize with your character's actions, you encourage the reader-character connection that keeps readers turning pages. So tell me, writer, how will you encourage readers to invest in your character's journeys? Thank you for listening to today's episode of the podcast, writer. I hope you enjoyed it. If you would like to learn more about some of the topics discussed in today's episode, such as your character's story goal and character arcs and other characterization elements, then check out the links included in today's episode transcript at well-storied.com slash motivations. By heading to today's episode transcript, you can also grab your free four-step guide to characterization. Character Creation Made Easy is a mini PDF workbook that also serves as a simple four-step guide to crafting complex characters. So if you would like to download that resource for free, make sure to check out the link in today's episode transcript at well-storied.com slash motivations. Thank you again for tuning into today's episode, writer, and I will see you in the next one. Until then, happy writing.


I saw he had glasses talk to me just begin to pray in the holy ghost pray in the holy ghost All across this room Lift your voices Tell them I believe Something's happening here church Tell him he's your healer there's something happening right now come on just lift your hands and tell them I believe Holy spirit's presence all over her talk to me pastor Don. That's the david. She had an assist in her ovaries for four years Daily pain now. She said as she was worshiping the pain is gone You have to tell me what happened tonight I was worshiping and I just felt a really strong presence And it was hurting really bad and then it was all pain went away all the pain went away What did it feel like when jesus touched you? It's one touch church just one touch Just one touch Lift your hands He says tell her. I also want to take away her depression and anxiety Tell her. I also want to remove from her depression and anxiety Feel her lord to overflowing in jesus name. I break that spirit from off of her I break that spirit from off of her right now in jesus name Complete and total restoration Stretch your hands order lord in jesus name We break the power of the enemy from off of her life in jesus name Depression and anxiety will trouble you no more I said depression and anxiety will trouble you no more In the name of jesus And the church said Okay, I'm excited to hear more how about you All right. What happened here brother david she had cyst under her arms where she could not raise her arms The power of god just hit her over there. She's beginning to move her arm and the pain is starting to go away How did the cyst keep you from raising your arms? They're on my breast and it just it's always painful Can you feel the cysts anymore? Go in there's a there's a Jessica my dear would you take her to the green room? And you see if you can feel and come right back.  I was very sensitive to to the light How long have you had that?  What do you feel on you? Someone translate that because I want to know what she's feeling on her Good joys with her This was just from a few minutes ago.  They were not there now. He has no pain in his body right now You mean god restored your discs He said I have no idea But the pain is gone. No pain I was taking 14 painkillers a day and So what what could you not do before? Move my hand Couldn't do that church. You need to do better than that. We need to give jesus a hand of praise Come on glasses talk to me. Let's not be able to see faces and the church said Thank you for watching Encounter TV. Don't forget to subscribe Also, help me win souls by spreading the gospel through events and media Make a one-time donation or become a monthly supporter by clicking on the donate link now


ted with other agencies such as the council and have a presence in communities right across the two local authorities. Providing, if you like, that one-stop shot to businesses and enterprises seeking support. In many ways, the debate on this bill has focused on the mechanisms of the new agency. Ultimately, the real test will be what that new agency does from day one. There will be a lot of expectations and there is no question about it. When it does not deliver what we want it to deliver, I will be the first to highlight that, but what is important is— and that is your job. Thank you, you have finished. I am sorry. I now call—I now call—didn't mean to be rude there, Mr Smith. I just mean your holding Government account quite rightly. I now call on Rachel Hamilton, please, to close for seven minutes. Thank you, Presiding Officer. May I register my interests as a business owner in the Scottish Borders? In closing for the Scottish Conservatives, I want to thank the rural economy committee for their work in gathering evidence from across the south of Scotland and from the contributions that are made today, it is clear that this bill will be an enabler when it comes to economic growth and business expansion in the south. We look forward to the establishment of the enterprise. Some members have described the south of Scotland as a forgotten region. We have heard today that the south of Scotland desperately needs an injection of skilled workers, infrastructure investment and additional business support. I recently heard from business leaders at Borders business breakfast that I held and they are desperate for an agency to help deliver economic growth for the borders. That is to be encouraged because we have heard again today that many businesses must get involved in the process of engagement and that must be in parity with the public sector and educational establishments and the third sector. Many have paid tribute to the good work of Russell Griggs, including Joe McAlpine. In the rec report, Professor Russell Griggs says, we want to stop talking about business and talk instead about growing enterprises. It does not matter whether the enterprise is a community, a social enterprise, a small business or a large one. We want to see a culture of change through a new enterprise agency with an understanding that we give support to everyone who wants to help grow the economy. The Scottish Conservatives believe that the new agency could be a fantastic catalyst for entrepreneurialism and driving the local economy. John Finnie mentioned Barbara Elborn from Newcastle Community Council and Barbara and Greg Cuthbert are energetic individuals who recently set up a community fuel station. On the point of setting up and involving local communities, a lot of people, Colin Smyth, Vinley Carson and Mike Rumbles, feel that the new agency board must have members drawn from a wide pool of experience and must ultimately be transparent and open and accountable to local communities. Stuart Stevenson agrees that there should be strong lines of accountability to the community, along with strong skills. Perhaps we could get clarity as asked by Colin Smyth and reassurance from the cabinet secretary in his closing. Many Conservatives today have welcomed the Borderlands growth deal. Of course, that was one of our manifesto commitments. We want to see what the committee recommended, which is that the agency has the flexibility to operate out with the geographical boundaries of Dumfries and Galloway and the Scottish Borders. That will allow for greater collaboration with other enterprise agencies in order to make it a huge success given their proximity. Scottish Enterprise today seems to have been a bit like Marmite. Some believe that it has done a good job, but some believe that it has not. Many businesses I have speak to find access to funding complicated, and that must be addressed going forward. We should not see these barriers to funding, and we would like to see an agency that means obtaining funding and support is made a lot simpler. Whilst we recognise that the South Scotland Enterprise Agency will not solve all our problems, it may go some way to heal them. Many members today have mentioned low wage paying jobs, gender pay gap and the skills shortage right across the region. Those three issues are not unique to the borders, but they are definitely exacerbated in a rural area that suffers from poor connectivity, not only digital connectivity, which Michelle Ballantyne mentioned, but also physical connectivity, which Alex Neil and Brian Whittle mentioned. They drew attention to the importance of infrastructure and investment into transport infrastructure, in particular the A77, the A75, the A1, the A68 and the A7, I think that I might have missed off, but it is very important east to west. I believe that the campaign for borders rail, which is trying to extend the line from Tweedbank down to Carlyle, is effectively an east to west connection that would see the borders linked into the north of England, and then, of course, on into the west even further. I do believe that, however, the agency will be an enabler, not a disabler, and it has to be dynamic to suit the needs of the South of Scotland. Whilst we have heard many saying that it might be based on the model of the Highlands and Islands Enterprise, it is important that we recognise that the areas are distinctive and different to the Highlands. We share common challenges, of course, such as the lack of adequate infrastructure, as I have just spoken about. Michelle Ballantyne and Oliver Mundell have talked about attracting young people in the skills gap, and our demographics are very challenging and are becoming more so. The dependency ratio today, which I want to highlight, is 69 per cent versus 55 per cent in Scotland. That is for under-16s and over 65s respectively. We welcome Maureen Watt's comments about attracting retirees to the area. However, when set against the rising number of older people to maintain the working age population of today, we need at least 800 working age people per annum to move to the south of Scotland. That presents a real and growing problem and one that must be absolutely addressed with the agency. We must consider the skills development and the business growth alongside that, especially in tech, as Alex Neil highlighted. Finlay Carson talked about the poor business start-up rate in Dumfries and Galloway, and Brian Whittle told us that the medium weekly earnings are 10 per cent lower than the Scottish average. The GVA per head is 24 per cent below the Scottish average, creating, again, a unique set of issues. We need not only for the agency to create jobs through grants and businesses, but also to create high-quality jobs, and those will attract young people. Crucially, what we want to do is to retain those young people, and we want to grow a really vibrant and dynamic local economy. Many people mentioned tourism, and the Scottish Land and States emphasised the point in the evidence committee at stage 1 where they called for tourism to be a principal purpose written into the enterprise's action plan. Again, my colleague Finlay Carson called for that. Joe McAlpine talked about the new Seaside Scotland campaign, which is so important to attract new tourism businesses and to grow current ones. I really want to mention the gender pay gap. I was out of the room but caught that Rhoda Grant was talking about the need to encourage more women to live, work and start family in the area. We must address that, because Agenda gave evidence highlighting that. I am afraid that you have run out of time. I will sit down, but we look forward to the agency. You know that you will sit down. So much for the gender pay gap. You must sit down. You made your point. I call in Fergus Ewing, who is pleased to close with the cabinet secretary until decision time. I will endeavour to be in my very best behaviour. Thank you to all members for their contributions in this debate. It has been a largely positive debate and I very much welcome the cross-party support for the new agency. I am indebted to the committee, but all the hard work that has led up to the preparation of the bill and the evidence sessions that form part of the stage 1 process. Whenever I've visited the south of Scotland over some years as a minister, I've been struck by the enormous energy, success and vibrancy of people who are taking part in the life and business of the south of Scotland. I've never failed to be impressed by the sheer hard work, the energy, the good humour, the resilience of people that I've met and had the privilege to meet in the various responsibilities that I've had as a minister. That is in a whole range of areas, with forestry, farming, transport, manufacturing, textiles and tourism, but I do think that that potential has not fully been realised and that is why we are here today. I do accept that many members across the parties have said that there is a perception that the south of Scotland has not received the attention that it deserves. I bow to those who represent the area in that regard. It's not for me to contradict that, it's not. I've heard that that feedback has come from the consultation process. It's right that I have regard to that process, as Mr Finnie and others alluded to. I think that the level of wages and the gender gap problems are two of the most serious issues raised by Rachel Hamilton, Claudia Beamish and many others. We want to see that businesses can be as profitable as possible in tourism, where I know that Rachel Hamilton has spent her life's work. I believe that many businesses are hampered by a shoulder season. If, as we are doing in parts of the Highlands, we can extend the season to 12 months, you increase the revenue, the profitability and the capacity of businesses to pay the kind of wages that they would like to pay their workforce. Therefore, we should look at things in the round. Many businesses in the south of Scotland don't require or even want help from the Government. They do perfectly well in running their businesses very successfully because they're doing things, providing services and goods that people want. Not all businesses need or want assistance from the public sector, but those who do should be able to access it. That's why, when I was in Annan recently meeting Kehshav Bagat, the owner of the food processing company Bagat Holdings Ltd, I was delighted to acknowledge and praise the efforts of public servants in providing a bespoke overall package from Scottish Enterprise, SDI, the local council and Scottish Government, which had the result in persuading Mr Bagat and his family, who had the pleasure of meeting, to invest in Scotland, not in other locations, which they had considered, but in Scotland, in Annan, £9 million investment plan. That was, thanks to the hard work of Scottish Enterprise and the investment of a proposed £1.7 million in an RSA grant that will bring around 120 jobs into Annan with the potential for more. Those inward investments are very important to Scotland and to the diverse communities in the area. We've engaged widely across the south with businesses, communities and individuals. We want to ensure that everyone's voices are heard and meaningful engagement with those living, working and studying in the south remains a key component of our work. We will continue that engagement with young people and community representatives, something that you laid emphasis on quite fairly. The body will, of course, as is stated in the description of the aims of the bill at the current state, have regard to improving the amenity and environment of the south of Scotland. That is already in the aim under paragraph 5.1. Regarding accountability, sections 13 and 14 require the preparation of accounts of an annual report. Section 6 requires an action plan. Those are ways in which public bodies are held to account. They are also held to account through this Parliament. All public bodies can be summons to give evidence in this Parliament by committees, and Mr Mountain is nodding, because he has done precisely that. The Parliament is the ffocrum of accountability in Scotland, and it will remain so, but members are right that we wish further to explore how we can improve lines of accountability even further. Alex Neil made the point that has been one that has flitted through my cranium from time to time. One of the issues of the south of Scotland and Friesen Galloway is that there are connections with the borders to Edinburgh, particularly of Dumfries to the west and Northern Ireland, but the east-west Dumfriesen Galloway borders connections perhaps are not good. That led to his claim for rather a lot of expense of public money, but admittedly over a period of two decades, which was a bit of a relief to Mr Mackay. That was followed by many other members. We will consider that at stage 2, but I fully expect the new south of Scotland economic agency to give leadership on those matters, taking up Mr Smith's point. I thought that he put it as far as I could gather quite well when he suggested not that the body would have fiscal responsibility for budget responsibility for those issues, but it would have a say. It would take an interest. It would have an influence. It would have a leadership role. It would be part of their work to consider connectivity, whether it would be virtual through the internet, which is, of course, of increasing the importance, or of transport. Both road and, as Mr Finnie was at pains to remind us, more than once, rail. He is quite right to do so, and the success of the Borders railway has been one of the stellar achievements over the past while. I was heartened to be taking part in a debate, where I would not say that it was characterised by sweetness and light, but there was rather less discord than in some of the debates of taking part, not looking at anyone in particular. However, without wishing to spoil the sweetness and light, there is a serious job to be done in the remainder of the bill, whereas I have not had an opportunity to reply to all the points that are made, particularly to Mr Rumbles, Mr Finnie, Mr Smith and Mr Whittle, as I had wished. We will no doubt come back to those issues before the completion of the passage of the bill. I pay tribute to Professor Russell Griggs and all those who have played a part in the partnership that he has chaired. They have done a sterling job, and I cannot recall any example where there has been more public engagement leading up to the preparation of a bill before Parliament. I think that the members on the partnership bring a wide range of business experience of third sector experience of leadership in further and higher education and throughout the whole sector. The last thing that I would say is that the budget has, of course, exercised the minds of members quite rightly so, and we have had a wide range of views. Mr Mason indicated that there are arguments that we have not heard so much of with regard to budgetary priorities, but the overwhelming view was the approach that we are taking as the correct one, which recognises that there should be, in principle, parity of esteem between all citizens in rural Scotland, and that should have an influence. It has had in determining the approach that we are taking to our policy, but I think that I did discern that there is a consensus in the approach that we are taking so that we need to walk before we can run. It will therefore take time for the new agency to find its feet to be established throughout the huge area of Dumfries and Galloway and the Scottish borders to deliver and meet the expectations of the people of the south of Scotland. I am therefore delighted to preside over such a cheerful debate, Presiding Officer. Perhaps it is something to do with me, I do not know. I commend the bill to the House. Thank you very much, and that concludes our debate this afternoon. The next item is consideration of motion 15863 on the financial resolution for the south of Scotland enterprise bill. I call on Derek Mackay to move the motion. The next item is consideration of business motion 16577 in the name of Graham Day on behalf of the parliamentary bureau setting out a change to tomorrow's business. I call on Graham Day to move the motion. No one wishes to speak against the motion. The question is that motion 16577 be agreed. Are we all agreed? We are agreed. We turn to decision time. There are just two questions. The first question is that motion 16542 in the name of Fergus Ewing on the south of Scotland enterprise bill be agreed. Are we all agreed? We are agreed. The next question is that motion 15863 in the name of Derek Mackay on the south of Scotland enterprise bill financial resolution be agreed. Are we all agreed? We are agreed. That concludes decision time. We are going to move shortly to members' business in the name of Maurice Corry on financial scam prevention, but we will just take a few moments for members and the minister to ministers to change seats.


Ranger Bill, warrior of the woodland, spluggling against extreme odds, traveling dangerous trails, fighting the many enemies of nature. This is the job of the guardian of the forest, Ranger Bill, pouring rain, freezing cold, blistering heat, snow, floods, bears, rattlesnakes, mountain lions. Yes, all this in exchange for the satisfaction and pride of a job well done. Sometimes doctors pick strange places to practice. For instance, there's that young doctor, Bruce Hummer, who has his office in the village of Storm Point. Storm Point, of course, is located way up in the Dexter Mountains, way out in the middle of nowhere. In many respects, the people of Storm Point are very superstitious and backward. They live isolated from the world except during the mid-summer months when the ice and snow is melted enough to allow free travel. This fellow, Bruce, went to Storm Point right after he left medical school. It's been very difficult for him most of the time. He's had to battle the villagers. They think he's harming them more than helping them with his new-fangled methods. After all, you don't go from sulfur and molasses to penicillin without some objection being raised. Now, Dr. Bruce is paying a brief visit to the town of Naughty Pine. In fact, he's just on his way over to see Bill and the rest of the fellows. Bill, Stumpy, Gray Wolf and Henry are relaxing a bit at headquarters and, uh, Hymen relaxing. Honestly, every time Stumpy gets in where it's warm, he falls asleep. Oh, he had not in long that time. Boy, he sure can saw wood. Listen to him. I wonder if I should get him a bale of hay so he can feed his nightmare, huh? Well, at the old-timer's sleep, fellas, when you get his aid, you'll sleep in the warm air, too. Well, I must say, I've never seen the Rangers looking so comfortable. Bruce! Bruce Hummer! Bruce, how are you? Been a long time since we've seen you. Hello, fellas. It's your good to see you. How are things up in Storm Point? Oh, okay, I guess. Are you in town for long, Bruce? I'll be here for a couple of days, Gray Wolf. I've come to get medical supplies and equipment before the pass gets completely filled with snow. Oh, that could happen plenty soon now. Say, it looks like Stumpy's pretty busy there in the easy chair. Well, he's got 10 or 12 cords of wood sold by now, Bruce. He's been at it ever since he came in. Say, listen, fellas, I've got to run downtown and drop off my orders for supplies. Taking the day or so to get things together and packed. I'll be back in about an hour, okay? Sure thing. Then we'll all go over to the house and have a real chin fest. Little does Bruce know that he left Storm Point at the wrong time. Let's take a quick trip up into the Dexter Mountains. Mayor, I think we ought to stand for that young feller. They've discovered another case of sickness in the village. I know, John, and this is getting mighty serious. Why, he had to go off at the wrong time is more than I'll ever know. Well, I don't know as though he could do much good for this sick. Him and his new fangled ways of treating sickness. Oscar's got a point there, Mayor. Probably is. We don't know what this sickness is. Maybe that young doctor of ours can tell us that much. Then Miss Jay and the other women both could cure it with their way of doing things. Well, first I'm concerned the old way is the best way. Women folk could do better than Dr. Bruce does. Why, when I wrenched my back, he stuck me under some machine, turned a couple of buttons, and then turned the buttons again later on and told me I'd feel better. You know how I got cured? Well, when I got home, the Mrs. Rob Goosecrease interpreted my back. That's what fixed me up. Well, I think we're getting off the subject, Oscar. You've got five cases of serious sickness here. What are we going to do about it? I suppose we ought to try to get a hold of Dr. Bruce. Yes, might be some new disease. Well, it seems to me, John, that we've had nothing but new diseases since Dr. Bruce came here. And I think Miss Jay and the women folk could do just as well without him. I agree, Mayor. But just the same, I think I'd better go to the weather station and have them radio-knotted pine. Yes, John, I suppose you better do that. Bruce should be through in half an hour. Then we can go home. I'm getting hungry. I guess I am, too, pal. Ah, talk about supper and make mouth water. Me, too, sonny. Oh, Stumpy, did you finally wake up? How long did you say before Bruce comes back? Bruce? How'd you know he was here? I thought you were asleep and here you were pretending. You fellas were getting such a bang out of here and me snoring. I hated to wake up and disappoint you. Stumpy, you old fox. Hey, Bill, the radio call light is flashing. Oh, thank you, Henry. I wonder who's calling. Must be one of the firetowers. Who else could it be? Maybe a ranger has heard her sick. Station over. Hmm, something about a weather station. Well, then it's not one of our boys. Ah, you'll call again. Don't point weather station calling Bill, Jefferson. Come in, Bill. Over. Maybe somebody wants Bruce. And we'll find out. A Bill calling Storm Point Weather Station. Bill, Jefferson calling Storm Point Weather Station. Over. Thank the Lord we got you, Bill. Is Dr. Bruce in naughty pine? Over. Bruce left our office about 35 minutes ago. Over. You'll find him and tell him he's going to come here right away. Five cases of an unknown sickness have broken out here. Over. I'm sure we can find him all right. He's probably at the medical supply house. Tell the people in the village we'll get him up there as quick as possible. You fellas wait in the car. Now run in and tell Bruce the news. Oh, Henry, call the airport and reserve a helicopter for us. Okay, Bill. Is Dr. Bruce Hummer here? Oh, he was here, Ranger, but he left about 10 minutes ago. You know where he went? Yeah, he went either to the Main Street apothecary or Hudson's Pharmacy. He's after a new drug that we don't stock and both of those places have it shipped in special. You see, which one do you think he went to first? I wouldn't know, sir. Dr. Hummer didn't say. You have the phone numbers handy? Yeah, it'll take just a minute to look them up. Okay, will you call both pharmacies and ask if he's been there? Tell him to stay where he is and we'll drive to both and catch him there. I'll be glad to, Ranger. The main apothecary is at 3rd and Main, isn't it, Bill? Yes, Bill. Step on it, but watch the intersections. Justice, get a doctor's sign on it! Oh, maybe that Bruce. He have that kind of car. Yeah, it is Bruce. I can tell from here. I'll try to throw the light on him. Maybe he'll stop. No, it did not work. He not know it for him. Henry, turn the car around and chase him. I'll stop the traffic with the spotlight. Okay. Catch Bruce in the next two blocks. We're halfway to the copter airport from here. Right. Get him, fellas. Were you trying to flash me down before, Bill? Yes, Bruce. It's an emergency. We got a radio call from Storm Point that five cases of a strange sickness have broken out there. They want you to come back right away. Sounds like an epidemic. Trouble is, it'll take me a whole day to drive back, even if the roads are okay in the mountains. I've got a helicopter waiting for us, Bruce. Helicopter? Wonderful. Let's go. Well, the fellas finally have Dr. Bruce on his way. But let's find out what's happening at Storm Point. The mayor is talking to Miss Jane. She's a kindly lady who spends most of her time caring for the sick in a thousand and one ways. For the unselfish service she's loved by all of the villagers, adults and small fry alike. Well, how are things coming along, Miss Jane? Not too good, Mayor. My homemade remedies just don't seem to help this time. Why, the burgesses have two down in their family with this strange sickness. That makes seven now. Oh, I do wish Dr. Bruce would come back. He probably won't come. He's having too good a time and not a pine. Besides, he probably won't be much help. Now, Mayor, I don't think Dr. Bruce went there for a good time at all. I know that most of the folks resent his new ideas, why, he even scolded me several times for taking medicine into my hands, but... Yes, yes, I know. He's just as much as laughed at times' size, spit a chicken in half, over his son's rattlesnake bite. But after all, Mayor, he is a doctor. Didn't he come here to Storm Point to help us? Maybe so. But when we need him, he isn't here. He went to get medical supplies, not a pleasure trip. Don't worry so much, Mayor. He'll get here as soon as he can. We'll be over Storm Point in a few minutes, Bruce. I don't know if I'll be able to land, though. You won't be able to land? Why, Bill? Look down below. Hey, there's fog down there. Fog? Now, how do you suppose the fog got in the valley? Now, warm air must have been carried over the mountain and down into the valley. And the cold air above it like a blanket over it. But... But sure, you're not going to turn back now, Bill. Not if I can help it, Bruce. There's one possibility of getting through that soup. Perhaps the boys at the weather station can talk us in. You think you can talk us in, Neil? I'm going to try it, Bill. I've got enough wire for my mic to stand outside. Let me go out and find out if I can hear you. Okay, Neil. I won't start in until you say so. I'm going outside now. I won't be able to hear you on the receiver when I'm out. Any instructions you want to give me? You'll be able to hear the motors all right. But I'm turning on the landing lights, too. You can't see the landing lights, Ovia. Then we're fogged in solid. Okay, Bill. Stand by. Here goes, fellas. I'm going in. Closer. Keep running your present course. Boy, I sure hope he's got his hearing aid tuned to the right beam or he will be buzzered bait for sure. You're much closer now, Bill. I still can't see your lights yet. Can you drop down some more? I hope so, Neil, as we're coming down anyway. Haven't hit anything yet. You're okay. All right, Neil. Here goes. I can see the street the loss. Ah, that Neil can sure talk a straight beam. That was a terrific job. Thanks a lot. You better give me a sedative now, Doc. Now that it's over, I'm scared enough to have a nervous breakdown. And, Bill, don't ever ask me to do that again. Now, here come the villagers, Bruce. They seem pretty excited. All right, quiet. Quiet. Quiet, please. Quiet, please, everyone. Now, let's get control of ourselves.  I got them list right here, Doctor. It's in the order that they took sick. I wanted to see these people right away. Who's first on the list, Mayor? The Clifft family. Mrs. and two children are sick. All right, the Clifft family first. Let's go. Henry, you know where my office is, don't you? Oh, I sure do, Bruce. Can I get something for you? Yes. In the back room are some quarantine signs. Bring as many signs as you can carry that have typhoid fever. Typhoid fever? That's what it is. I must say we never had sicknesses like this until you came here, Doctor. Yes, you did, Mayor. Before I came here, people just died. Nobody knew why. Now we do, and we can stop it if we get it in time. Yeah, how do you expect to stop it? By the use of vaccine, Doctor, Mayor. Yeah, some more of that newfangled treatment, eh? Well, it may be newfangled to you, Mayor, but it'll save the lives of countless thousands. And it'll save the lives of your villagers. Bill, will you have somebody go after vaccine? They've got plenty of naughty pine. Right away, Bruce. A stumpy gray wolf. Do you fellas take off in the copter and get what Bruce wants? And also pick up the medical supplies he ordered if they're ready. We get them and be back plenty quick. Bill Neil will be ready to tongue us in again if this fog ain't gone. Miss Jane, you've been very helpful. I'd suggest you go to the hospital if you're more helpful. I'd suggest you get some rest before you come down with this, too. I don't need a rest, Doctor. Ah, but you do. Oh, please don't send me away, Doctor Bruce. I can be more helpful to you now. Well, all right. Let's go to the next house. Bill, will you and Henry see that those quarantine signs get nailed to the doors? Right. Better give me the list so we can follow along. I will. And watch for signs of hysteria among the villagers. Everybody's got to keep calm in a situation like this. Or there's no telling where it might end. Well, that family's all right now. Mayor, Miss Jane, you've got to get some sleep. I'll call you if any more cases break out. All right, Doctor. Now, you be sure and call me now. I'll be angry if you don't. I'll do that, Miss Jane. Good night. Ranges. Good night, Miss Jane. There, my friends, goes an angel in disguise.  Never once thought of compensation. Typhoid fever is awfully miserable stuff, isn't it, Bruce? Yes, Bill. Not only can it make you miserable, but it can kill. I get the chills just thinking about those poor suffering patients of yours, Bruce. They'll be on the men shortly, Henry. And I got here just in time. Bruce, do you run into lots of resistance here with your modern methods of practicing? You're thinking about the Mayor's remarks? Yeah. I thought so. Yes, Bill, the people here are resistant to modern medicine. Part of it is from superstition. The rest from being shut off from the rest of the world two-thirds of the year. Miss Jane is my strongest supporter, and sometimes, well, even she reverts back to the primitive. Nice sense, then, about what was going on. Well, there's nothing we can do about it tonight. Hey, get some stuffing in Grey Wolf. And the fog's lifted. They'll be able to land all right. Oh, wonderful. Now we're prepared for anything that comes. After the fellows get here, we'll put on the feed bag and, well, then get some sleep. That sounds like an excellent idea. All in favor, say, I. How's the Perkins baby look, Dr. Bruce? He's much improved today, Miss Jane. Those youngsters don't sound like they're sick, Bruce.  Well, let's go on to the next house. Mrs. Clift can be up and around in two days, Miss Jane. Nothing strenuous, mind you. Just sitting around the house. That's wonderful news, Doctor. I'll keep an eye on her so she won't overdue. Bill, good news. I think the epidemic is over. We haven't had a new case in 10 days. That's a real morale booster, Bruce. I guess now we can go back to Naughty Pine. Well, you're welcome to stay. Let's go back to the office and talk. You'd find in a chair. We go pretty hard. Several? Well, you know, it's been 10 whole days, honey. I'm too beat to care whether it's 10 or 1,000. I'll get the coffee pot humming in a few minutes, fellas. Sure nice to have your company. Well, we're glad to have been able to help, Bruce. Well, I'll see. It's a bit of real experience. You're going to get some more experience, I'm thinking. What do you mean, Stumpy? Well, I was chasing them. Looks like more trouble to me. Hey, Dr. Bruce. It is three more cases of typhoid fever broken out. Let's go, fellas. Bill, let's hustle off down the street. I don't want anyone to hear over here what I'm saying. Okay, Bruce. Come along, Henry. Well, go ahead. I'll catch up. Well, it's on your mind, Bruce. Did you notice anything strange about these three cases, Bill? No, I can't say anything. I did, Bruce. However, I'm not a doctor. Here. Hold my bag a while, will you? I want to show you something on paper. Okay. Now, look here. I have drawn a rough map of the village. Yeah. Where I'm putting the X marks is where the ten cases of typhoid fever broken out. Say, they're pretty well spread out, aren't they? I'd say they cover the whole town. That's just the point, Bill. You mean because they're not a doctor? You mean because they're spread out? This makes a different pattern than most epidemics? This is not an epidemic, Bill. You joking, Bruce? No, not at the least. I think somebody's carrying the fever wherever they go and contact people. Bruce, that's terrible. That means some one person is responsible. Exactly. Someone who's carrying the bacteria in their body and contaminating everything they touch. How can you be sure, Bruce? Bill, epidemics aren't sporadic like this. They start in a limited area and then spread out. These cases are already spotted all over the physical area of Storm Point. I see what you mean. How are we going to find out who it is? It's got to be very carefully done, but I think we can get all of you rangers to make a survey of the homes where the fever's broken out.  Yeah, and I wish I knew, John. It's some more of that fool doctor's work. Maybe we ought to stop him. And I've been thinking about that, Oscar. Pretty soon I'm going to put my thoughts into action and we'll clamp down on this fella. Let's add up the score, fellas. All right, spread out the papers so we can look at the names. Now what? Our job, of course, is to see if we can find the same name on more than one piece of paper. Oh, I see Mayor's name on two pieces of paper. Here's John's on two. Oscar's on four of them. But he doesn't seem to be any of them on the whole lot. Bill, what are you thinking about? You aren't paying much attention. Bruce, what would a throat culture of the person who is carrying this disease show? Why, if we took the culture from the tonsils it would show active typhoid-fever bacteria. And can you see those bacteria through a microscope when they're placed on a slide? Yes, you can. We can do better than that. We can project upon a screen a picture of those bacteria magnified millions of times. You mean so that hundreds of people in an auditorium can see them? Yes, that's what I mean. Let's get some cultures from the throats of these folks listed. Have the Mayor call all the townspeople together tonight in the Village Hall at 7.30. We may have something to show them. It looks like everybody in town's here except the sick, Bill. Good. You got the projector all set up for these slides, Bruce? All set, Bill, whenever you're ready. Okay.  That's right, Ranger. There's no need for alarm, but there are some things you should know and this is the time for you to find out. Whether you know it or not, the Village of Stormpoint is in a very dangerous spot with a severe epidemic of typhoid-fever waiting to break out among you at any time. Fortunately, through the efforts of this young doctor of yours, Dr. Bruce Hummer, that epidemic has been held in check. The doctor states that all the typhoid-fever cases broken out so far in Stormpoint have resulted from one person carrying this disease to many others and yet not himself being affected. Now, this kind of thing is well known to medical science. Our job was to find out who was responsible. And today we found out. Now we want you to find out also. And we're going to do it by means of pictures. Pictures of the actual typhoid-fever bacteria. First, as found in the throats of one of your townspeople, now lying dreadfully ill. Then a picture of the same deadly bacteria as found in the throat of the one who was innocently carrying the same deadly germ. Now the first picture I want to show you is a laboratory culture of the typhoid-fever. The next picture is of the culture taken from the throat of the carrier. This person is in this room now. I can tell by your reaction that you will recognize both cultures as the same. Am I right? Who is the person, Bill? Yes, we are right to know, even if it's me. That person has to be taken away. He's a menace to the whole village. Tell us who this person is. The person carrying typhoid-fever bacteria is a wonderful friend to all of you. It's Miss Jane. This is service of Christ to me. But I'll be glad to go to a hospital. Listen, folks. Listen. Listen, everyone. Listen. Listen. Please, please don't feel I'll be harmed. I'm sure that Dr. Hummer and Ranger Bill know best. Well, Miss Jane, how do you like Naughty Pine Hospital? Oh, just fine, Bill. It's just like a vacation. I don't feel sick at all. It's hard to believe. I make everybody else sick. Well, you won't anymore, Miss Jane. The lab tests are beginning to show negative. Oh, that's wonderful news, Bruce. And Miss Jane, pretty soon you and Dr. Bruce can be back at your favorite job of helping others. Better than that, Bill. There's no more typhoid-fever in Storm Point. And the town folks have come to realize what Dr. Bruce has done for them. Bill, how did you know Miss Jane was the carrier? Well, because she was the only one not mentioned on the lists, Bruce. Yet I knew she'd been in all the infected homes because of her kind ways of helping others. The thing was, nobody we talked to seemed to count her as a visitor. She was more like a member of the family or an old friend. And she was the obvious one because her name was conspicuous by its absence. And that's the greatest tribute Miss Jane could ever receive.  Thanks to Bill and his rangers, Miss Jane can go back to helping others without being dangerous to them. See you next week for more adventure with...